![](\"http://media.nga.gov/public/supplemental/objects/1/0/7/7/6/4/107764-crop-0-90x90.jpg\")
\n",
+ "\n",
+ "...and you can play with them to end up with images like this one, which shows the average color of each thumbnail (where each square represents a unique work of art):\n",
+ "\n",
+ "![](\"http://25.media.tumblr.com/c35ed306e3af0ca4b9aef0beff92b8a2/tumblr_mkiepmL5ot1qz7bx4o1_1280.png\")
"
+ ]
+ },
+ {
+ "cell_type": "markdown",
+ "metadata": {},
+ "source": [
+ "...and if you look at the descriptions, you might end up with a data structure like this:"
+ ]
+ },
+ {
+ "cell_type": "code",
+ "collapsed": false,
+ "input": [
+ "print art[0]"
+ ],
+ "language": "python",
+ "metadata": {},
+ "outputs": [
+ {
+ "output_type": "stream",
+ "stream": "stdout",
+ "text": [
+ "{'name': 'Saint Paul', 'artist': 'Bernardo Daddi', 'material': 'tempera on panel', 'year': '1333', 'thumbnail': 'http://www.nga.gov:80/thumb-l/a000c6/a000c643.jpg', 'desc': 'The narrow shape and large size of this panel suggest it was meant to hang against a colossal pillar in a church. The original frame utilizes decorative motifs similar to those in the borders of Gothic illuminated manuscripts.\\n Saint Paul holds a book, recalling the Epistles he wrote. The sword he displays has several meanings: his early career as a Roman soldier; his position as defender of the Christian faith; and the instrument of his martyrdom by beheading. The great dignity of his erect figure and the monumental effect of the drapery correspond to his stern, direct gaze. His imposing presence implies that the painter Bernardo Daddi may have been a pupil of \\n A sweeter, gentler mood emanates from the small figures representing the donors who commissioned this painting. Although depictions of donors are not unusual in Gothic art, it is rare to find so many husbands and wives shown kneeling together. The couples are separated, just as men and women were while worshiping in church during the Middle Ages.\\n '}\n"
+ ]
+ }
+ ],
+ "prompt_number": 26
+ },
+ {
+ "cell_type": "markdown",
+ "metadata": {},
+ "source": [
+ "The best kind of probabilistic mischief we can get up to with data like this is a structure called a Markov Chain."
+ ]
+ },
+ {
+ "cell_type": "code",
+ "collapsed": false,
+ "input": [
+ "# only run this code if we haven't run it already (to save time)\n",
+ "try:\n",
+ " trigrams = pickle.load(open('trigrams.pickle'))\n",
+ "except IOError:\n",
+ " all_art = pickle.load(open('art.pickle'))\n",
+ "\n",
+ " text_data = ''\n",
+ " for art in all_art: # deconstruct the descriptions of the works of art\n",
+ " if art.get('desc',''):\n",
+ " text_data += art['desc'] # add all descriptions of art into one variable\n",
+ "\n",
+ " text = [w.lower() for w in text_data.split()] #break it apart\n",
+ " trigrams = []\n",
+ " for i in range(0, len(text)-2):\n",
+ " trigrams.append((text[i], text[i+1], text[i+2])) # build all trigrams\n",
+ "\n",
+ "random_seed = ' '.join(random.choice(trigrams))\n",
+ "print random_seed\n"
+ ],
+ "language": "python",
+ "metadata": {},
+ "outputs": [
+ {
+ "output_type": "stream",
+ "stream": "stdout",
+ "text": [
+ "with cézanne in\n"
+ ]
+ }
+ ],
+ "prompt_number": 27
+ },
+ {
+ "cell_type": "code",
+ "collapsed": false,
+ "input": [
+ "# build lookup table\n",
+ "lookup_table = {}\n",
+ "for w1, w2, w3 in trigrams:\n",
+ " lookup_table.setdefault((w1, w2), []).append(w3)"
+ ],
+ "language": "python",
+ "metadata": {},
+ "outputs": [],
+ "prompt_number": 14
+ },
+ {
+ "cell_type": "code",
+ "collapsed": false,
+ "input": [
+ "#input_text = \"against this\"\n",
+ "input_text = random_seed # we need some text to start with!\n",
+ "max_len = 40 # [n] words, please\n",
+ "seed_word, next_word = input_text.split()[-2:]\n",
+ " \n",
+ "fake_art = []\n",
+ "for i in range(max_len): # for each word we need to generate...\n",
+ " fake_art.append(next_word) # append the next word\n",
+ " try: # pick a random choice from the lookup table\n",
+ " seed_word, next_word = next_word, random.choice(lookup_table[(seed_word, next_word)])\n",
+ " except KeyError:\n",
+ " seed_word, next_word = random.choice(lookup_table.keys()) # if there isn't anything\n",
+ " # ... pick something random\n",
+ " \n",
+ "fake_art.append(next_word)\n",
+ "print ' '.join(fake_art)\n"
+ ],
+ "language": "python",
+ "metadata": {},
+ "outputs": [
+ {
+ "output_type": "stream",
+ "stream": "stdout",
+ "text": [
+ "drawn with sketchy parallel strokes, probably with charcoal or black chalk. in the foreground, the draperylike framing, the clear, bright, color scheme, with its brilliant emerald green surface distinguish it from the innocence of childhood, to the fervid drama is the\n"
+ ]
+ }
+ ],
+ "prompt_number": 16
+ }
+ ],
+ "metadata": {}
+ }
+ ]
+}
\ No newline at end of file
diff --git a/Lesson3_MarkovChains/art.pickle b/Lesson3_MarkovChains/art.pickle
new file mode 100755
index 0000000..689e5ac
--- /dev/null
+++ b/Lesson3_MarkovChains/art.pickle
@@ -0,0 +1,1085307 @@
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+(dp1
+S'name'
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+S'Saint Paul'
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+sS'artist'
+p4
+S'Bernardo Daddi'
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+sS'material'
+p6
+S'tempera on panel'
+p7
+sS'year'
+p8
+S'1333'
+p9
+sS'thumbnail'
+p10
+S'http://www.nga.gov:80/thumb-l/a000c6/a000c643.jpg'
+p11
+sS'desc'
+p12
+S'The narrow shape and large size of this panel suggest it was meant to hang against a colossal pillar in a church. The original frame utilizes decorative motifs similar to those in the borders of Gothic illuminated manuscripts.\n Saint Paul holds a book, recalling the Epistles he wrote. The sword he displays has several meanings: his early career as a Roman soldier; his position as defender of the Christian faith; and the instrument of his martyrdom by beheading. The great dignity of his erect figure and the monumental effect of the drapery correspond to his stern, direct gaze. His imposing presence implies that the painter Bernardo Daddi may have been a pupil of \n A sweeter, gentler mood emanates from the small figures representing the donors who commissioned this painting. Although depictions of donors are not unusual in Gothic art, it is rare to find so many husbands and wives shown kneeling together. The couples are separated, just as men and women were while worshiping in church during the Middle Ages.\n '
+p13
+sa(dp14
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+S'The Nativity with the Prophets Isaiah and Ezekiel'
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+S'Duccio di Buoninsegna'
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+sg6
+S'tempera on single panel'
+p17
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+S'1308/1311'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a0000a/a0000a07.jpg'
+p19
+sg12
+S"This work comes from the front predella, the separate horizontal\r\nband of narrative scenes at the base of the great \n In the \n Duccio's unique contribution to the Byzantine style is his use of elegantly flowing lines, most evident here in the drapery folds and mountain ridges. The soft, undulating brushstrokes downplay the austerity of the earlier style, as do the sensitive rendering of the Virgin's face and the individual characterizations of Isaiah and Ezekiel, expressing a true sense of human feeling.\n "
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+S'Thomas Gainsborough'
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+S'1783'
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+S'c. 1885'
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+S'c. 1630'
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+S'model 1875-1876, cast 1903-1904'
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+S'Young Man in a Velvet Cap (Ferdinand Bol?)'
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+S'Abraham Casting Out Hagar and Ishmael'
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+S'etching with touches of drypoint'
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+p258
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+S'c. 1637'
+p259
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+S'1636'
+p265
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+S'Self-Portrait with Saskia'
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+g2
+S'The Strolling Musicians'
+p274
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+p275
+sg6
+S'etching'
+p276
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+S'c. 1635'
+p277
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+S'c. 1635'
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+S'1635'
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+S'http://www.nga.gov:80/thumb-l/a00057/a00057eb.jpg'
+p290
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+sa(dp291
+g2
+S"The Walking Man (L'Homme qui marche)"
+p292
+sg4
+S'Auguste Rodin'
+p293
+sg6
+S'bronze'
+p294
+sg8
+S'model 1878-1900, cast probably 1903'
+p295
+sg10
+S'http://www.nga.gov:80/thumb-l/a0002c/a0002c1b.jpg'
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+sa(dp297
+g2
+S'The Quacksalver'
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+S'etching'
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+S'1635'
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+S'http://www.nga.gov:80/thumb-l/a000d3/a000d311.jpg'
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+S'Curly-Headed Man with a Wry Mouth'
+p304
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+S'Artist Information ('
+p305
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+S'Dutch, 1606 - 1669'
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+S'(related artist)'
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+S'http://www.nga.gov:80/thumb-l/a000d3/a000d39d.jpg'
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+S'Bald Old Man with a Short Beard in Profile'
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+S'c. 1635'
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+S'c. 1635'
+p319
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+S'Head of an Old Man in High Fur Cap'
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+S'Artist Information ('
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+S'Dutch, 1606 - 1669'
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+S'(artist)'
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+S'The Stoning of Saint Stephen'
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+S'1635'
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+S'The Stoning of Saint Stephen'
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+S'etching'
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+S'1635'
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+sa(dp339
+g2
+S'The Tribute Money'
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+sg4
+S'Rembrandt van Rijn'
+p341
+sg6
+S'etching'
+p342
+sg8
+S'c. 1635'
+p343
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d2/a000d2ef.jpg'
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+sg12
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+sa(dp345
+g2
+S'The Crucifixion: Small Plate'
+p346
+sg4
+S'Rembrandt van Rijn'
+p347
+sg6
+S'etching'
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+sg8
+S'c. 1635'
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+S'http://www.nga.gov:80/thumb-l/a000d2/a000d2f1.jpg'
+p350
+sg12
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+sa(dp351
+g2
+S'Christ and the Woman of Samaria Among Ruins'
+p352
+sg4
+S'Rembrandt van Rijn'
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+sg6
+S'etching'
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+sg8
+S'1634'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a000d2/a000d2ed.jpg'
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+sg12
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+sa(dp357
+g2
+S'The Thinker (Le Penseur)'
+p358
+sg4
+S'Auguste Rodin'
+p359
+sg6
+S'bronze'
+p360
+sg8
+S'model 1880, cast 1901'
+p361
+sg10
+S'http://www.nga.gov:80/thumb-l/a00029/a00029c4.jpg'
+p362
+sg12
+S"The Thinker\n The theme for \n Rodin's \n "
+p363
+sa(dp364
+g2
+S'Christ at Emmaus: the Smaller Plate'
+p365
+sg4
+S'Rembrandt van Rijn'
+p366
+sg6
+S'etching, with touches of drypoint'
+p367
+sg8
+S'1634'
+p368
+sg10
+S'http://www.nga.gov:80/thumb-l/a00069/a0006913.jpg'
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+sa(dp370
+g2
+S'Saskia with Pearls in Her Hair'
+p371
+sg4
+S'Rembrandt van Rijn'
+p372
+sg6
+S'etching'
+p373
+sg8
+S'1634'
+p374
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d3/a000d382.jpg'
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+sg12
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+sa(dp376
+g2
+S'Self-Portrait (?) with Plumed Cap and Lowered Sabre'
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+S'Rembrandt van Rijn'
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+sg6
+S'etching'
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+sg8
+S'1634'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a000d2/a000d2cd.jpg'
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+sg12
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+sa(dp382
+g2
+S'Self-Portrait with Raised Sabre'
+p383
+sg4
+S'Rembrandt van Rijn'
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+sg6
+S'etching with touches of drypoint'
+p385
+sg8
+S'1634'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a000d2/a000d2c7.jpg'
+p387
+sg12
+g27
+sa(dp388
+g2
+S"Joseph's Coat Brought to Jacob"
+p389
+sg4
+S'Rembrandt van Rijn'
+p390
+sg6
+S'etching and touches of drypoint'
+p391
+sg8
+S'c. 1633'
+p392
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d2/a000d2d5.jpg'
+p393
+sg12
+g27
+sa(dp394
+g2
+S'Three Oriental Figures (Jacob and Laban?)'
+p395
+sg4
+S'Rembrandt van Rijn'
+p396
+sg6
+S'etching'
+p397
+sg8
+S'1641'
+p398
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d3/a000d30c.jpg'
+p399
+sg12
+g27
+sa(dp400
+g2
+S'Bust of an Old Man with Flowing Beard and White Sleeve'
+p401
+sg4
+S'Rembrandt van Rijn'
+p402
+sg6
+S'etching'
+p403
+sg8
+S'c. 1630'
+p404
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d3/a000d374.jpg'
+p405
+sg12
+g27
+sa(dp406
+g2
+S"A Burgher of Calais (Jean d'Aire)"
+p407
+sg4
+S'Auguste Rodin'
+p408
+sg6
+S'bronze'
+p409
+sg8
+S'model 1884-1889, reduction cast probably 1895'
+p410
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000f/a0000f3a.jpg'
+p411
+sg12
+S"Rodin designed this figure as one of six colossal statues forming a monument to a group of\nfourteenth-century citizens of the northern French town of Calais. The six men had offered\nthemselves as hostages to induce the English to lift a siege and spare their starving city. When\nmodern Calais, about to tear down its medieval walls, decided to erect a monument reaffirming\nits ancient identity, Rodin pursued the commission eagerly and won it in 1884.\n Rodin's burghers, following the conqueror's orders, are stripped down to their shirts, with\nhalters around their necks and the keys to the city in their hands as a sign of submission. The\nsculptor portrayed the men as they were leaving their town for the English camp, where they\nexpected execution. Rodin conceived the burghers less as ideally noble heroes than as ordinary\nmen, ragged and emaciated after the ordeal of the siege, each experiencing a personal\nconfrontation with death.\n Jean d'Aire, his gaunt body visible through the sides of his shirt, stands upright as a pillar,\nwith squared shoulders, massive clenched hands, and a stoically set jaw. In his bony face and\nsunken eyes one can read what his sacrifice is costing.\n "
+p412
+sa(dp413
+g2
+S'Self-Portrait in a Cap, Open-Mouthed'
+p414
+sg4
+S'Rembrandt van Rijn'
+p415
+sg6
+S'etching'
+p416
+sg8
+S'1630'
+p417
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d3/a000d381.jpg'
+p418
+sg12
+g27
+sa(dp419
+g2
+S'The Blind Fiddler'
+p420
+sg4
+S'Rembrandt van Rijn'
+p421
+sg6
+S'etching'
+p422
+sg8
+S'1631'
+p423
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d3/a000d313.jpg'
+p424
+sg12
+g27
+sa(dp425
+g2
+S'The Blind Fiddler'
+p426
+sg4
+S'Rembrandt van Rijn'
+p427
+sg6
+S'etching'
+p428
+sg8
+S'1631'
+p429
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d3/a000d312.jpg'
+p430
+sg12
+g27
+sa(dp431
+g2
+S'A Peasant Calling Out: "tis vinnich kout" (It\'s biting cold)'
+p432
+sg4
+S'Rembrandt van Rijn'
+p433
+sg6
+S'etching'
+p434
+sg8
+S'1634'
+p435
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d3/a000d32a.jpg'
+p436
+sg12
+g27
+sa(dp437
+g2
+S'A Peasant Replying: "Dats niet" (That\'s nothing)'
+p438
+sg4
+S'Rembrandt van Rijn'
+p439
+sg6
+S'etching'
+p440
+sg8
+S'1634'
+p441
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d3/a000d32b.jpg'
+p442
+sg12
+g27
+sa(dp443
+g2
+S'Old Woman Sleeping'
+p444
+sg4
+S'Rembrandt van Rijn'
+p445
+sg6
+S'etching'
+p446
+sg8
+S'c. 1635/1637'
+p447
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d3/a000d391.jpg'
+p448
+sg12
+g27
+sa(dp449
+g2
+S'Old Bearded Man in a High Fur Cap, with Eyes Closed'
+p450
+sg4
+S'Rembrandt van Rijn'
+p451
+sg6
+S'etching'
+p452
+sg8
+S'c. 1635'
+p453
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d3/a000d375.jpg'
+p454
+sg12
+g27
+sa(dp455
+g2
+S'The Entombment'
+p456
+sg4
+S'Rembrandt van Rijn'
+p457
+sg6
+S'etching, drypoint and burin'
+p458
+sg8
+S'c. 1654'
+p459
+sg10
+S'http://www.nga.gov:80/thumb-l/a00056/a000565d.jpg'
+p460
+sg12
+g27
+sa(dp461
+g2
+S'Landscape with a Hay Barn and a Flock of Sheep'
+p462
+sg4
+S'Rembrandt van Rijn'
+p463
+sg6
+S'etching and drypoint'
+p464
+sg8
+S'1652'
+p465
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d3/a000d349.jpg'
+p466
+sg12
+g27
+sa(dp467
+g2
+S'Head of Balzac'
+p468
+sg4
+S'Auguste Rodin'
+p469
+sg6
+S'bronze'
+p470
+sg8
+S'model 1897, cast probably early 20th century'
+p471
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000e/a0000e36.jpg'
+p472
+sg12
+g27
+sa(dp473
+g12
+g27
+sg6
+S'lithograph'
+p474
+sg8
+S'1912'
+p475
+sg2
+S'French Canal and American Cranes'
+p476
+sg4
+S'Joseph Pennell'
+p477
+sa(dp478
+g2
+S'The Steel Bridge'
+p479
+sg4
+S'Joseph Pennell'
+p480
+sg6
+S'lithograph'
+p481
+sg8
+S'1910'
+p482
+sg10
+S'http://www.nga.gov:80/thumb-l/a0010b/a0010b48.jpg'
+p483
+sg12
+g27
+sa(dp484
+g2
+S'Old and New Rome, Victor Emanuel Monument'
+p485
+sg4
+S'Joseph Pennell'
+p486
+sg6
+S'lithograph'
+p487
+sg8
+S'1911'
+p488
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000b/a0000b5d.jpg'
+p489
+sg12
+g27
+sa(dp490
+g12
+g27
+sg6
+S'lithograph'
+p491
+sg8
+S'1916'
+p492
+sg2
+S'The Perambulator'
+p493
+sg4
+S'Joseph Pennell'
+p494
+sa(dp495
+g12
+g27
+sg6
+S'lithograph'
+p496
+sg8
+S'1916'
+p497
+sg2
+S'The Great Hammer'
+p498
+sg4
+S'Joseph Pennell'
+p499
+sa(dp500
+g12
+g27
+sg6
+S'lithograph'
+p501
+sg8
+S'1910'
+p502
+sg2
+S'Falls Station, Niagara'
+p503
+sg4
+S'Joseph Pennell'
+p504
+sa(dp505
+g12
+g27
+sg6
+S'lithograph'
+p506
+sg8
+S'1916'
+p507
+sg2
+S'The Balloon-Shed'
+p508
+sg4
+S'Joseph Pennell'
+p509
+sa(dp510
+g12
+g27
+sg6
+S'lithograph'
+p511
+sg8
+S'1910'
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+sg2
+S'Work Castles, Wilkesbarre'
+p513
+sg4
+S'Joseph Pennell'
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+sa(dp515
+g12
+g27
+sg6
+S'lithograph'
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+sg8
+S'1917'
+p517
+sg2
+S'Building Engines for the Allies'
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+sg4
+S'Joseph Pennell'
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+g12
+g27
+sg6
+S'lithograph'
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+sg8
+S'1917'
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+sg2
+S'Making War Locomotives'
+p523
+sg4
+S'Joseph Pennell'
+p524
+sa(dp525
+g2
+S'The Kiss (Le Baiser)'
+p526
+sg4
+S'Auguste Rodin'
+p527
+sg6
+S'bronze'
+p528
+sg8
+S'model 1880-1887, cast c. 1898/1902'
+p529
+sg10
+S'http://www.nga.gov:80/thumb-l/a0002c/a0002c1c.jpg'
+p530
+sg12
+S"Nineteenth-century viewers and critics were immediately taken with Rodin's three-dimensional group, entitled \n By including only one specific reference to the lovers' story (Paolo holds in his left hand the book of courtly love they read together), Rodin encouraged viewers to become immersed in the spiraling rhythms of the entwined bodies and the sensuous finish of smooth limbs against pitted rock.\n Rodin had intended to include this work in his monumental \n "
+p531
+sa(dp532
+g12
+g27
+sg6
+S'lithograph'
+p533
+sg8
+S'1917'
+p534
+sg2
+S'The Flying Locomotive'
+p535
+sg4
+S'Joseph Pennell'
+p536
+sa(dp537
+g12
+g27
+sg6
+S'lithograph'
+p538
+sg8
+S'1917'
+p539
+sg2
+S'The Gun-Testing Ground'
+p540
+sg4
+S'Joseph Pennell'
+p541
+sa(dp542
+g12
+g27
+sg6
+S'lithograph'
+p543
+sg8
+S'1911'
+p544
+sg2
+S'The Iron Gate, Charleroi'
+p545
+sg4
+S'Joseph Pennell'
+p546
+sa(dp547
+g12
+g27
+sg6
+S'lithograph'
+p548
+sg8
+S'1916'
+p549
+sg2
+S'The Great Chimney, the Motor Park'
+p550
+sg4
+S'Joseph Pennell'
+p551
+sa(dp552
+g12
+g27
+sg6
+S'lithograph'
+p553
+sg8
+S'1911'
+p554
+sg2
+S'The Canal at Blanzy, France'
+p555
+sg4
+S'Joseph Pennell'
+p556
+sa(dp557
+g12
+g27
+sg6
+S'lithograph'
+p558
+sg8
+S'1912'
+p559
+sg2
+S'Looking up the Cut from Bas Obispo'
+p560
+sg4
+S'Joseph Pennell'
+p561
+sa(dp562
+g12
+g27
+sg6
+S'lithograph'
+p563
+sg8
+S'1913'
+p564
+sg2
+S'Eleusis, the Pavement of the Temple'
+p565
+sg4
+S'Joseph Pennell'
+p566
+sa(dp567
+g12
+g27
+sg6
+S'lithograph'
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+sg8
+S'1912'
+p569
+sg2
+S'Steam Shovel at Work in Culebra Cut'
+p570
+sg4
+S'Joseph Pennell'
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+sa(dp572
+g12
+g27
+sg6
+S'lithograph'
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+sg8
+S'1912'
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+sg2
+S'At the Bottom of Gatun Lock'
+p575
+sg4
+S'Joseph Pennell'
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+sa(dp577
+g12
+g27
+sg6
+S'lithograph'
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+sg8
+S'1911'
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+sg2
+S'Coal Mines, Monceau, France'
+p580
+sg4
+S'Joseph Pennell'
+p581
+sa(dp582
+g2
+S'Katherine Seney Simpson (Mrs. John W. Simpson)'
+p583
+sg4
+S'Auguste Rodin'
+p584
+sg6
+S'marble'
+p585
+sg8
+S'1902-1903'
+p586
+sg10
+S'http://www.nga.gov:80/thumb-l/a00030/a000304b.jpg'
+p587
+sg12
+g27
+sa(dp588
+g12
+g27
+sg6
+S'lithograph'
+p589
+sg8
+S'1917'
+p590
+sg2
+S'The Old and the New'
+p591
+sg4
+S'Joseph Pennell'
+p592
+sa(dp593
+g12
+g27
+sg6
+S'lithograph'
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+sg8
+S'1912'
+p595
+sg2
+S'Steam Shovel in the Cut at Bas Obispo'
+p596
+sg4
+S'Joseph Pennell'
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+sa(dp598
+g12
+g27
+sg6
+S'lithograph'
+p599
+sg8
+S'1912'
+p600
+sg2
+S'The Cut from Culebra'
+p601
+sg4
+S'Joseph Pennell'
+p602
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+S'Viva Zapata'
+p976
+sg4
+S'Diego Rivera'
+p977
+sa(dp978
+g2
+S'The Adoration of the Magi'
+p979
+sg4
+S'Christofano Robetta'
+p980
+sg6
+S'engraving'
+p981
+sg8
+S'unknown date\n'
+p982
+sg10
+S'http://www.nga.gov:80/thumb-l/a000c7/a000c7b4.jpg'
+p983
+sg12
+g27
+sa(dp984
+g2
+S'Saint Sebastian and Saint Roch'
+p985
+sg4
+S'Christofano Robetta'
+p986
+sg6
+S'engraving'
+p987
+sg8
+S'unknown date\n'
+p988
+sg10
+S'http://www.nga.gov:80/thumb-l/a000c7/a000c707.jpg'
+p989
+sg12
+g27
+sa(dp990
+g2
+S'Allegory of Mother Earth'
+p991
+sg4
+S'Christofano Robetta'
+p992
+sg6
+S'engraving'
+p993
+sg8
+S'unknown date\n'
+p994
+sg10
+S'http://www.nga.gov:80/thumb-l/a000c7/a000c7af.jpg'
+p995
+sg12
+g27
+sa(dp996
+g2
+S'Allegory of Carnal Love'
+p997
+sg4
+S'Christofano Robetta'
+p998
+sg6
+S'engraving'
+p999
+sg8
+S'unknown date\n'
+p1000
+sg10
+S'http://www.nga.gov:80/thumb-l/a000c7/a000c7b6.jpg'
+p1001
+sg12
+g27
+sa(dp1002
+g2
+S'October Rain: Posuclos in the Guardarramas, Near Madrid'
+p1003
+sg4
+S'Sir John Charles Robinson'
+p1004
+sg6
+S'etching and drypoint'
+p1005
+sg8
+S'in or after 1876'
+p1006
+sg10
+S'http://www.nga.gov:80/thumb-l/a0007a/a0007a25.jpg'
+p1007
+sg12
+g27
+sa(dp1008
+g2
+S'Corfe Castle: Effect of Sunshine after Rain'
+p1009
+sg4
+S'Sir John Charles Robinson'
+p1010
+sg6
+S'etching and drypoint'
+p1011
+sg8
+S'1878'
+p1012
+sg10
+S'http://www.nga.gov:80/thumb-l/a0007a/a0007a20.jpg'
+p1013
+sg12
+g27
+sa(dp1014
+g2
+S'The Lovers'
+p1015
+sg4
+S'Auguste Rodin'
+p1016
+sg6
+S'plaster'
+p1017
+sg8
+S'model mid 1880s, cast after 1900'
+p1018
+sg10
+S'http://www.nga.gov:80/thumb-l/a00054/a000542f.jpg'
+p1019
+sg12
+g27
+sa(dp1020
+g2
+S'Retreat at Waterloo'
+p1021
+sg4
+S'Auguste Raffet'
+p1022
+sg6
+S'lithograph'
+p1023
+sg8
+S'1835'
+p1024
+sg10
+S'http://www.nga.gov:80/thumb-l/a0009d/a0009dcc.jpg'
+p1025
+sg12
+g27
+sa(dp1026
+g2
+S'Nocturnal Review'
+p1027
+sg4
+S'Auguste Raffet'
+p1028
+sg6
+S'lithograph'
+p1029
+sg8
+S'1836'
+p1030
+sg10
+S'http://www.nga.gov:80/thumb-l/a0009d/a0009dcb.jpg'
+p1031
+sg12
+g27
+sa(dp1032
+g2
+S'Et il avait dans sa main droit sept etoiles, et de sa bouch sortait une epee aigue a deux tranchants (And he had in his right hand seven stars; and out of his mouth went a sharp two-edged sword)'
+p1033
+sg4
+S'Artist Information ('
+p1034
+sg6
+S'French, 1867 - 1939'
+p1035
+sg8
+S'(artist)'
+p1036
+sg10
+S'http://www.nga.gov:80/thumb-l/a0009f/a0009fe2.jpg'
+p1037
+sg12
+g27
+sa(dp1038
+g2
+S"Puis l'ange prit l'encensoir (And the angel took the censer)"
+p1039
+sg4
+S'Artist Information ('
+p1040
+sg6
+S'French, 1867 - 1939'
+p1041
+sg8
+S'(artist)'
+p1042
+sg10
+S'http://www.nga.gov:80/thumb-l/a0009f/a0009fdf.jpg'
+p1043
+sg12
+g27
+sa(dp1044
+g2
+S'Et il tombe du ciel une grande etoile ardente (And there fell a great star from heaven burning as it were a lamp)'
+p1045
+sg4
+S'Artist Information ('
+p1046
+sg6
+S'French, 1867 - 1939'
+p1047
+sg8
+S'(artist)'
+p1048
+sg10
+S'http://www.nga.gov:80/thumb-l/a0009f/a0009fdb.jpg'
+p1049
+sg12
+g27
+sa(dp1050
+g2
+S'Une femme rev\xc3\xaatue du Soleil (A woman clothed with the sun)'
+p1051
+sg4
+S'Artist Information ('
+p1052
+sg6
+S'(artist)'
+p1053
+sg8
+S'\n'
+p1054
+sg10
+S'http://www.nga.gov:80/thumb-l/a0009f/a0009fdd.jpg'
+p1055
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+sa(dp1056
+g2
+S'Et un autre ange sortit du temple qui est au ciel, ayant lui aussi une faucille tranchante (And another angel came out of the temple which is in heaven, and he also having a sharp sickle)'
+p1057
+sg4
+S'Artist Information ('
+p1058
+sg6
+S'(artist)'
+p1059
+sg8
+S'\n'
+p1060
+sg10
+S'http://www.nga.gov:80/thumb-l/a0009f/a0009fe0.jpg'
+p1061
+sg12
+g27
+sa(dp1062
+g2
+S"Et le diable qui les seduisait, fut jete dans l'etang de feu et de soufre, ou es la b ete et le faux prophete (And the devil thatdeceived them was cast into the lake of fire and brimstone, where the beast and the false prophet are)"
+p1063
+sg4
+S'Artist Information ('
+p1064
+sg6
+S'(artist)'
+p1065
+sg8
+S'\n'
+p1066
+sg10
+S'http://www.nga.gov:80/thumb-l/a0009f/a0009fd8.jpg'
+p1067
+sg12
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+sa(dp1068
+g2
+S"Et moi, Jean, Je vis la sainte cite, la nouvelle Jerusalem, qui descendait du ciel, d'aupres de dieu (And I John saw the holy city, new Jerusalem, coming down from God out of heaven)"
+p1069
+sg4
+S'Artist Information ('
+p1070
+sg6
+S'French, 1867 - 1939'
+p1071
+sg8
+S'(artist)'
+p1072
+sg10
+S'http://www.nga.gov:80/thumb-l/a0009f/a0009fd9.jpg'
+p1073
+sg12
+g27
+sa(dp1074
+g2
+S"C'est moi, Jean, qui ai vu et qui ai oie ces choses (And I John saw these things and heard them"
+p1075
+sg4
+S'Artist Information ('
+p1076
+sg6
+S'French, 1867 - 1939'
+p1077
+sg8
+S'(artist)'
+p1078
+sg10
+S'http://www.nga.gov:80/thumb-l/a0009f/a0009fde.jpg'
+p1079
+sg12
+g27
+sa(dp1080
+g2
+S'Head of a Woman'
+p1081
+sg4
+S'Auguste Rodin'
+p1082
+sg6
+S'plaster'
+p1083
+sg8
+S'possibly 1880s'
+p1084
+sg10
+S'http://www.nga.gov:80/thumb-l/a00054/a0005430.jpg'
+p1085
+sg12
+g27
+sa(dp1086
+g2
+S'Puis je vis, dans la main droite de celui quietait assis sur le trone, un livre ecritdedans et dehors, scelle de sept sceaux (And I saw in the right hand of him that sat on the throne a book written within and on the backside, sealed with seven seals )'
+p1087
+sg4
+S'Artist Information ('
+p1088
+sg6
+S'French, 1867 - 1939'
+p1089
+sg8
+S'(artist)'
+p1090
+sg10
+S'http://www.nga.gov:80/thumb-l/a0009f/a0009fd7.jpg'
+p1091
+sg12
+g27
+sa(dp1092
+g2
+S'Et le lia pour mille ans (And bound him a thousand years)'
+p1093
+sg4
+S'Artist Information ('
+p1094
+sg6
+S'(artist)'
+p1095
+sg8
+S'\n'
+p1096
+sg10
+S'http://www.nga.gov:80/thumb-l/a0009f/a0009fe1.jpg'
+p1097
+sg12
+g27
+sa(dp1098
+g2
+S'Et celui qui \xc3\xa9tait mont\xc3\xa9 dessus se nommait la Mort (And his name that sat on him was Death)'
+p1099
+sg4
+S'Artist Information ('
+p1100
+sg6
+S'French, 1867 - 1939'
+p1101
+sg8
+S'(artist)'
+p1102
+sg10
+S'http://www.nga.gov:80/thumb-l/a0009f/a0009fdc.jpg'
+p1103
+sg12
+g27
+sa(dp1104
+g2
+S"Apres cela je vis descendre du ciel un ange qui avait la clef de l'abime, et une grande chaine en sa main (And I saw an angel come down from heaven, having the key of the bottomless pit and a great chain in his hand)"
+p1105
+sg4
+S'Artist Information ('
+p1106
+sg6
+S'(artist)'
+p1107
+sg8
+S'\n'
+p1108
+sg10
+S'http://www.nga.gov:80/thumb-l/a0009f/a0009fda.jpg'
+p1109
+sg12
+g27
+sa(dp1110
+g2
+S'Frontispiece'
+p1111
+sg4
+S'Odilon Redon'
+p1112
+sg6
+S'lithograph'
+p1113
+sg8
+S'1889'
+p1114
+sg10
+S'http://www.nga.gov:80/thumb-l/a0005d/a0005d6f.jpg'
+p1115
+sg12
+g27
+sa(dp1116
+g2
+S'Saint-Antoine...A travers ses longs cheveux qui lui couvraient la figure, j\'ai cru reconnaitre Ammonaria (Saint Anthony: "Beneathe her long hair , which covered her face, I thought I recognized Ammonaria)'
+p1117
+sg4
+S'Odilon Redon'
+p1118
+sg6
+S'lithograph'
+p1119
+sg8
+S'1889'
+p1120
+sg10
+S'http://www.nga.gov:80/thumb-l/a0009c/a0009c85.jpg'
+p1121
+sg12
+g27
+sa(dp1122
+g2
+S'Une longue chrysalide couleur de sang (A longchrysalis, the color of blood)'
+p1123
+sg4
+S'Odilon Redon'
+p1124
+sg6
+S'lithograph'
+p1125
+sg8
+S'1889'
+p1126
+sg10
+S'http://www.nga.gov:80/thumb-l/a0009c/a0009c89.jpg'
+p1127
+sg12
+g27
+sa(dp1128
+g2
+S'La Mort: Mon ironie depasse toutes les autres! (Death: My iron surpasses all others!)'
+p1129
+sg4
+S'Odilon Redon'
+p1130
+sg6
+S'lithograph'
+p1131
+sg8
+S'1889'
+p1132
+sg10
+S'http://www.nga.gov:80/thumb-l/a0009c/a0009c88.jpg'
+p1133
+sg12
+g27
+sa(dp1134
+g2
+S'Saint-Antoine: Il doit y avoir quelque part des figures primordiales dont les corps ne sont que les images (Saint Anthony: "Somewhere there must be primordial shapes whose bodiesare only images")'
+p1135
+sg4
+S'Odilon Redon'
+p1136
+sg6
+S'lithograph'
+p1137
+sg8
+S'1889'
+p1138
+sg10
+S'http://www.nga.gov:80/thumb-l/a0009c/a0009c8b.jpg'
+p1139
+sg12
+g27
+sa(dp1140
+g2
+S'Le Sphynx...mon regard que rien ne peut devier, demeure tendu a travers les choses sur un horizon inaccessible. La Chimere: Moi,Je suis legere et joyeuse (The Sphinx: "My gaze, which nothing can deflect, passes through the things and remains fixed on an inaccessible horizon." The Chimera: "I am weightless and joyful")'
+p1141
+sg4
+S'Odilon Redon'
+p1142
+sg6
+S'lithograph'
+p1143
+sg8
+S'1889'
+p1144
+sg10
+S'http://www.nga.gov:80/thumb-l/a0009c/a0009c87.jpg'
+p1145
+sg12
+g27
+sa(dp1146
+g2
+S'Head of Saint John the Baptist'
+p1147
+sg4
+S'Auguste Rodin'
+p1148
+sg6
+S'plaster'
+p1149
+sg8
+S'1887'
+p1150
+sg10
+S'http://www.nga.gov:80/thumb-l/a00054/a0005431.jpg'
+p1151
+sg12
+g27
+sa(dp1152
+g2
+S'Les Sciapodes: La tete le plus bas possible, c\'est le secret du bonheur! (The Skiapods: "The head as low as possible, that is the secret of happiness!")'
+p1153
+sg4
+S'Odilon Redon'
+p1154
+sg6
+S'lithograph'
+p1155
+sg8
+S'1889'
+p1156
+sg10
+S'http://www.nga.gov:80/thumb-l/a0009c/a0009c86.jpg'
+p1157
+sg12
+g27
+sa(dp1158
+g2
+S"L'Aile (The Wing)"
+p1159
+sg4
+S'Odilon Redon'
+p1160
+sg6
+S'lithograph'
+p1161
+sg8
+S'1893'
+p1162
+sg10
+S'http://www.nga.gov:80/thumb-l/a0009c/a0009c94.jpg'
+p1163
+sg12
+g27
+sa(dp1164
+g12
+g27
+sg6
+S'color etching'
+p1165
+sg8
+S'1932'
+p1166
+sg2
+S'The Giaour: Title Page'
+p1167
+sg4
+S'Imre Reiner'
+p1168
+sa(dp1169
+g12
+g27
+sg6
+S'color etching'
+p1170
+sg8
+S'1932'
+p1171
+sg2
+S'The Giaour: Title Page'
+p1172
+sg4
+S'Imre Reiner'
+p1173
+sa(dp1174
+g12
+g27
+sg6
+S'color etching'
+p1175
+sg8
+S'1932'
+p1176
+sg2
+S'The Giaour: Title Page'
+p1177
+sg4
+S'Imre Reiner'
+p1178
+sa(dp1179
+g12
+g27
+sg6
+S'etching'
+p1180
+sg8
+S'1932'
+p1181
+sg2
+S'The Giaour: Title Page'
+p1182
+sg4
+S'Imre Reiner'
+p1183
+sa(dp1184
+g12
+g27
+sg6
+S'color etching'
+p1185
+sg8
+S'1932'
+p1186
+sg2
+S'The Giaour: Title Page'
+p1187
+sg4
+S'Imre Reiner'
+p1188
+sa(dp1189
+g12
+g27
+sg6
+S'pen and black, red and green ink with colored chalk on laid paper'
+p1190
+sg8
+S'1932'
+p1191
+sg2
+S'Cyrano and a Clown'
+p1192
+sg4
+S'Imre Reiner'
+p1193
+sa(dp1194
+g12
+g27
+sg6
+S'pen and black ink with black and yellow chalk on laid paper'
+p1195
+sg8
+S'1932'
+p1196
+sg2
+S'Two Gentlemen'
+p1197
+sg4
+S'Imre Reiner'
+p1198
+sa(dp1199
+g2
+S'Right Hand'
+p1200
+sg4
+S'Auguste Rodin'
+p1201
+sg6
+S'plaster'
+p1202
+sg8
+S'possibly 1880'
+p1203
+sg10
+S'http://www.nga.gov:80/thumb-l/a00054/a0005432.jpg'
+p1204
+sg12
+g27
+sa(dp1205
+g12
+g27
+sg6
+S'pen and black ink with colored chalk on blue paper'
+p1206
+sg8
+S'1932'
+p1207
+sg2
+S'Gentleman with Sword'
+p1208
+sg4
+S'Imre Reiner'
+p1209
+sa(dp1210
+g12
+g27
+sg6
+S'pen and black, blue and green ink with blue and red chalk on laid paper'
+p1211
+sg8
+S'1932'
+p1212
+sg2
+S'Title Page'
+p1213
+sg4
+S'Imre Reiner'
+p1214
+sa(dp1215
+g12
+g27
+sg6
+S'pen and white ink with green and blue chalk on black paper'
+p1216
+sg8
+S'1932'
+p1217
+sg2
+S'The Balcony'
+p1218
+sg4
+S'Imre Reiner'
+p1219
+sa(dp1220
+g12
+g27
+sg6
+S'pen and black ink with colored chalk on laid paper'
+p1221
+sg8
+S'1932'
+p1222
+sg2
+S'Gentleman and Lady'
+p1223
+sg4
+S'Imre Reiner'
+p1224
+sa(dp1225
+g12
+g27
+sg6
+S'pen and brown ink with red and black chalk on orange paper'
+p1226
+sg8
+S'1932'
+p1227
+sg2
+S'Woman and Two Soldiers at a Campfire'
+p1228
+sg4
+S'Imre Reiner'
+p1229
+sa(dp1230
+g12
+g27
+sg6
+S'pen and black ink with colored chalk on blue paper'
+p1231
+sg8
+S'1932'
+p1232
+sg2
+S'Flowers'
+p1233
+sg4
+S'Imre Reiner'
+p1234
+sa(dp1235
+g12
+g27
+sg6
+S'pen and black ink with colored chalk on laid paper'
+p1236
+sg8
+S'1932'
+p1237
+sg2
+S'Interior Scene with Five Figures and Set Table'
+p1238
+sg4
+S'Imre Reiner'
+p1239
+sa(dp1240
+g12
+g27
+sg6
+S'pen and black, blue and red ink with blue and red chalk on laid paper'
+p1241
+sg8
+S'1932'
+p1242
+sg2
+S'A Duel'
+p1243
+sg4
+S'Imre Reiner'
+p1244
+sa(dp1245
+g2
+S'La Ronde'
+p1246
+sg4
+S'Auguste Rodin'
+p1247
+sg6
+S'drypoint'
+p1248
+sg8
+S'probably 1883'
+p1249
+sg10
+S'http://www.nga.gov:80/thumb-l/a0009c/a0009cbd.jpg'
+p1250
+sg12
+g27
+sa(dp1251
+g2
+S'Antonin Proust'
+p1252
+sg4
+S'Auguste Rodin'
+p1253
+sg6
+S'drypoint'
+p1254
+sg8
+S'1885'
+p1255
+sg10
+S'http://www.nga.gov:80/thumb-l/a0009c/a0009cc1.jpg'
+p1256
+sg12
+g27
+sa(dp1257
+g2
+S'Lady Elizabeth Delm\xc3\xa9 and Her Children'
+p1258
+sg4
+S'Sir Joshua Reynolds'
+p1259
+sg6
+S'oil on canvas'
+p1260
+sg8
+S'1777-1779'
+p1261
+sg10
+S'http://www.nga.gov:80/thumb-l/a00005/a000056b.jpg'
+p1262
+sg12
+S"Reynolds sought to elevate British painting, including portraiture, to the lofty realms of classical expression. After traveling to Rome, Florence, Bologna, and Venice, Reynolds became the first president of the Royal Academy, which had been founded in 1768. Through his teaching at the Academy and the publication of his annual lectures, the \n In \n The rich, warm colors of the informal landscape and the beautifully controlled movement of light into the deep reaches of the background owe much to Titian. Finally, Reynolds' sensitive use of everyday, intimate details prevents the portrait from becoming remote and unapproachable. The tenderness with which Lady Delmé holds her two sons, the nuances of personality in the three faces, the realistic costumes of the children, and the attentive posture of the Skye terrier give the painting a worldly, familiar context.\n\n "
+p1263
+sa(dp1264
+g2
+S'Right Hand'
+p1265
+sg4
+S'Auguste Rodin'
+p1266
+sg6
+S'plaster'
+p1267
+sg8
+S'possibly 1880'
+p1268
+sg10
+S'http://www.nga.gov:80/thumb-l/a00054/a0005433.jpg'
+p1269
+sg12
+g27
+sa(dp1270
+g2
+S'Antonin Proust'
+p1271
+sg4
+S'Auguste Rodin'
+p1272
+sg6
+S'drypoint'
+p1273
+sg8
+S'1885'
+p1274
+sg10
+S'http://www.nga.gov:80/thumb-l/a0009c/a0009cc0.jpg'
+p1275
+sg12
+g27
+sa(dp1276
+g2
+S'Victor Hugo, De Trois Quarts'
+p1277
+sg4
+S'Auguste Rodin'
+p1278
+sg6
+S'drypoint'
+p1279
+sg8
+S'1884'
+p1280
+sg10
+S'http://www.nga.gov:80/thumb-l/a0009c/a0009cbf.jpg'
+p1281
+sg12
+g27
+sa(dp1282
+g2
+S'Victor Hugo, De Face'
+p1283
+sg4
+S'Auguste Rodin'
+p1284
+sg6
+S'drypoint'
+p1285
+sg8
+S'1886'
+p1286
+sg10
+S'http://www.nga.gov:80/thumb-l/a0009c/a0009cbe.jpg'
+p1287
+sg12
+g27
+sa(dp1288
+g2
+S'Victor Hugo, De Face'
+p1289
+sg4
+S'Auguste Rodin'
+p1290
+sg6
+S'drypoint'
+p1291
+sg8
+S'1886'
+p1292
+sg10
+S'http://www.nga.gov:80/thumb-l/a00099/a00099c0.jpg'
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+sg12
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+S'unknown date\n'
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+S'http://www.nga.gov:80/thumb-l/a00037/a00037e9.jpg'
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+S'drypoint on blue-green paper'
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+S'Rear View of Female Figure in Action'
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+S'http://www.nga.gov:80/thumb-l/a00074/a0007408.jpg'
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+g12
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+S'Via Appia Antica, Rome'
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+S'etching'
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+S'Island in the Tiber, Rome'
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+S'Louis Conrad Rosenberg'
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+g12
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+S'Aya Sophia, Constantinople'
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+S'Louis Conrad Rosenberg'
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+g12
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+sg8
+S'1926'
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+S'Grande Mosque, Kairouan, Tunisia'
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+S'Louis Conrad Rosenberg'
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+sa(dp1785
+g12
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+S'etching'
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+S'1935'
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+S'Street in Assisi'
+p1788
+sg4
+S'Ernest David Roth'
+p1789
+sa(dp1790
+g2
+S'Dancing Figure'
+p1791
+sg4
+S'Auguste Rodin'
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+S'graphite and watercolor'
+p1793
+sg8
+S'1905'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a00037/a00037ea.jpg'
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+g12
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+S'1907'
+p1798
+sg2
+S'Covered Street, Florence'
+p1799
+sg4
+S'Ernest David Roth'
+p1800
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+S'etching'
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+S'1926'
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+S'Independence Hall, Philadelphia'
+p1804
+sg4
+S'Ernest David Roth'
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+sa(dp1806
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+S'etching'
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+S'unknown date\n'
+p1808
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+S'Cliffside'
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+sg4
+S'Ernest David Roth'
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+S'etching'
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+S'A Cloister, Venice'
+p1814
+sg4
+S'Ernest David Roth'
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+sa(dp1816
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+S'etching'
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+S'1918'
+p1818
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+S'Rockport'
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+S'Ernest David Roth'
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+g12
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+S'etching'
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+sg8
+S'1923'
+p1823
+sg2
+S'Sevilla - Church of the Magdalena'
+p1824
+sg4
+S'Ernest David Roth'
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+sa(dp1826
+g12
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+S'etching'
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+sg8
+S'1919'
+p1828
+sg2
+S'Wheelwright Shop'
+p1829
+sg4
+S'Ernest David Roth'
+p1830
+sa(dp1831
+g12
+g27
+sg6
+S'etching'
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+sg8
+S'1913'
+p1833
+sg2
+S'Looking over the Ponte Vecchio'
+p1834
+sg4
+S'Ernest David Roth'
+p1835
+sa(dp1836
+g12
+g27
+sg6
+S'etching'
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+sg8
+S'1907'
+p1838
+sg2
+S'Ponte Vecchio - Morning - Florence'
+p1839
+sg4
+S'Ernest David Roth'
+p1840
+sa(dp1841
+g2
+S'Lady Mary Templetown and Her Eldest Son'
+p1842
+sg4
+S'Sir Thomas Lawrence'
+p1843
+sg6
+S'oil on canvas'
+p1844
+sg8
+S'1802'
+p1845
+sg10
+S'http://www.nga.gov:80/thumb-l/a00005/a0000568.jpg'
+p1846
+sg12
+S'Like Reynolds and Romney before him, Lawrence preferred the "higher" genre of\nhistory painting but, through talent and necessity, became a portraitist. He was\nenormously successful in his own lifetime, was knighted in 1815, and elected president\nof the Royal Academy in 1820.\n Although unschooled, Lawrence had a great natural gift for fluent linear rhythms\nand for the dramatic uses of light and color. Composed, gentle, and serene, Lady\nTempletown is a woodland goddess of otherworldly proportions. The purity and simplicity\nof the sitters\' costumes draw the pair into a sympathetic unity that is further\nenhanced by the surrounding darker tones of the broadly rendered landscape. Lawrence\nanimated the paint surface with accents of vibrant red in Lady Templetown\'s earrings\nand necklace, her son\'s cheeks, and in the landscape.\n Lawrence\'s idealized presentation of his sitters in an expressive, theatrical landscape\nepitomizes the romantic style of portraiture. But Lawrence, like Reynolds, was also\na passionate student of the classical past. His ideas on beauty were adapted from\nAristotle\'s \n '
+p1847
+sa(dp1848
+g2
+S'Two Figures'
+p1849
+sg4
+S'Auguste Rodin'
+p1850
+sg6
+S'graphite with wash'
+p1851
+sg8
+S'c. 1905'
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+S'http://www.nga.gov:80/thumb-l/a00037/a00037eb.jpg'
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+g12
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+S'etching'
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+sg8
+S'1907'
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+sg2
+S'Florence'
+p1857
+sg4
+S'Ernest David Roth'
+p1858
+sa(dp1859
+g12
+g27
+sg6
+S'graphite, pen and brown ink and red chalk'
+p1860
+sg8
+S'unknown date\n'
+p1861
+sg2
+S'The Fireside'
+p1862
+sg4
+S'Sir Henry Rushbury'
+p1863
+sa(dp1864
+g12
+g27
+sg6
+S'pen and brown ink with brown and gray wash over graphite on paperboard'
+p1865
+sg8
+S'1928'
+p1866
+sg2
+S'House of Knights of Malta'
+p1867
+sg4
+S'Sir Henry Rushbury'
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+sa(dp1869
+g12
+g27
+sg6
+S'black chalk and watercolor'
+p1870
+sg8
+S'unknown date\n'
+p1871
+sg2
+S'Assisi'
+p1872
+sg4
+S'Sir Henry Rushbury'
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+sa(dp1874
+g12
+g27
+sg6
+S'graphite with gray and brown wash'
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+sg8
+S'unknown date\n'
+p1876
+sg2
+S'S.S. Quattro'
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+sg4
+S'Sir Henry Rushbury'
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+sa(dp1879
+g12
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+S'drypoint'
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+sg8
+S'unknown date\n'
+p1881
+sg2
+S'Porto Maggiore, Orvieto'
+p1882
+sg4
+S'Sir Henry Rushbury'
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+sa(dp1884
+g12
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+S'black chalk and watercolor on paperboard'
+p1885
+sg8
+S'unknown date\n'
+p1886
+sg2
+S'La Rochelle'
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+S'Sir Henry Rushbury'
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+sa(dp1889
+g12
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+S'graphite and watercolor'
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+sg8
+S'unknown date\n'
+p1891
+sg2
+S'In Provence'
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+S'Sir Henry Rushbury'
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+sa(dp1894
+g12
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+S'drypoint'
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+S'unknown date\n'
+p1896
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+S'Genoa'
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+S'Sir Henry Rushbury'
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+g12
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+S'drypoint'
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+S'unknown date\n'
+p1901
+sg2
+S'Pont Marie'
+p1902
+sg4
+S'Sir Henry Rushbury'
+p1903
+sa(dp1904
+g2
+S'Seated Female Nude Leaning to the Left'
+p1905
+sg4
+S'Auguste Rodin'
+p1906
+sg6
+S'graphite on folded paper'
+p1907
+sg8
+S'1908'
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+S'http://www.nga.gov:80/thumb-l/a00074/a0007404.jpg'
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+S'1912'
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+S"Clifford's Inn"
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+S'Sir Henry Rushbury'
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+S'1919'
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+S'Butter Cross, Ludlow'
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+S'Sir Henry Rushbury'
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+sa(dp1920
+g12
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+S'drypoint'
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+S'unknown date\n'
+p1922
+sg2
+S'Monte Aventino, Rome'
+p1923
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+S'Sir Henry Rushbury'
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+sa(dp1925
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+S'drypoint'
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+S'1922'
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+S'Fish Market, Marseilles'
+p1928
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+S'Sir Henry Rushbury'
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+sa(dp1930
+g12
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+S'drypoint'
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+S'1923'
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+S'Canal de la Douane, Marseille'
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+S'Sir Henry Rushbury'
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+sa(dp1935
+g12
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+S'drypoint'
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+sg8
+S'1921'
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+S'Saint Victor, Marseilles'
+p1938
+sg4
+S'Sir Henry Rushbury'
+p1939
+sa(dp1940
+g12
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+S'drypoint'
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+S'1922'
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+sg2
+S'The Walls of Siena'
+p1943
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+S'Sir Henry Rushbury'
+p1944
+sa(dp1945
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+S'drypoint and engraving'
+p1946
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+S'1914'
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+S"Saint James's Church, Clerkenwell"
+p1948
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+S'Sir Henry Rushbury'
+p1949
+sa(dp1950
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+S'drypoint and engraving'
+p1951
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+S'1914'
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+S"Saint Olave's, Crutched Friars"
+p1953
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+S'Sir Henry Rushbury'
+p1954
+sa(dp1955
+g12
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+S'drypoint and engraving'
+p1956
+sg8
+S'1914'
+p1957
+sg2
+S'A Cotswold Farm'
+p1958
+sg4
+S'Sir Henry Rushbury'
+p1959
+sa(dp1960
+g2
+S'Seated Female Nude Looking Forward'
+p1961
+sg4
+S'Auguste Rodin'
+p1962
+sg6
+S'graphite on folded paper'
+p1963
+sg8
+S'1908'
+p1964
+sg10
+S'http://www.nga.gov:80/thumb-l/a00074/a0007403.jpg'
+p1965
+sg12
+g27
+sa(dp1966
+g12
+g27
+sg6
+S'drypoint'
+p1967
+sg8
+S'c. 1927'
+p1968
+sg2
+S"Saint Olave's, Tooley Street"
+p1969
+sg4
+S'Sir Henry Rushbury'
+p1970
+sa(dp1971
+g12
+g27
+sg6
+S'drypoint'
+p1972
+sg8
+S'unknown date\n'
+p1973
+sg2
+S'Carceri San Gimignano'
+p1974
+sg4
+S'Sir Henry Rushbury'
+p1975
+sa(dp1976
+g12
+g27
+sg6
+S'drypoint'
+p1977
+sg8
+S'1927'
+p1978
+sg2
+S'Bookstalls, Paris'
+p1979
+sg4
+S'Sir Henry Rushbury'
+p1980
+sa(dp1981
+g12
+g27
+sg6
+S'engraving and drypoint'
+p1982
+sg8
+S'1913'
+p1983
+sg2
+S'The Last of the General Post Office'
+p1984
+sg4
+S'Sir Henry Rushbury'
+p1985
+sa(dp1986
+g12
+g27
+sg6
+S'drypoint'
+p1987
+sg8
+S'unknown date\n'
+p1988
+sg2
+S'Viterbo'
+p1989
+sg4
+S'Sir Henry Rushbury'
+p1990
+sa(dp1991
+g12
+g27
+sg6
+S'drypoint'
+p1992
+sg8
+S'unknown date\n'
+p1993
+sg2
+S'Old Port Marseilles'
+p1994
+sg4
+S'Sir Henry Rushbury'
+p1995
+sa(dp1996
+g12
+g27
+sg6
+S'drypoint'
+p1997
+sg8
+S'1924'
+p1998
+sg2
+S'Lindesfarne'
+p1999
+sg4
+S'Sir Henry Rushbury'
+p2000
+sa(dp2001
+g12
+g27
+sg6
+S'drypoint'
+p2002
+sg8
+S'unknown date\n'
+p2003
+sg2
+S'Place des Victories'
+p2004
+sg4
+S'Sir Henry Rushbury'
+p2005
+sa(dp2006
+g12
+g27
+sg6
+S'drypoint'
+p2007
+sg8
+S'1922'
+p2008
+sg2
+S'Les Baux, Provence'
+p2009
+sg4
+S'Sir Henry Rushbury'
+p2010
+sa(dp2011
+g12
+g27
+sg6
+S'drypoint'
+p2012
+sg8
+S'1926'
+p2013
+sg2
+S"L'Isle de la Cite"
+p2014
+sg4
+S'Sir Henry Rushbury'
+p2015
+sa(dp2016
+g2
+S'Les Amours Conduisant le Monde'
+p2017
+sg4
+S'Auguste Rodin'
+p2018
+sg6
+S'drypoint'
+p2019
+sg8
+S'1881'
+p2020
+sg10
+S'http://www.nga.gov:80/thumb-l/a0009c/a0009cb9.jpg'
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+sa(dp2022
+g12
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+S'drypoint and engraving'
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+S'1916'
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+S'Amberley Castle, Sussex'
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+S'Low Tide La Rochelle'
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+p2031
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+S'drypoint and engraving'
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+S'1914'
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+S'The Quarry'
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+S'Sir Henry Rushbury'
+p2036
+sa(dp2037
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+S'drypoint and engraving'
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+S'unknown date\n'
+p2039
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+S'Lothbury Court, Bank of England'
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+S'Sir Henry Rushbury'
+p2041
+sa(dp2042
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+S'drypoint and etching'
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+S'unknown date\n'
+p2044
+sg2
+S"Governors' Court"
+p2045
+sg4
+S'Sir Henry Rushbury'
+p2046
+sa(dp2047
+g2
+S'Alexander de Medicis and Cosmo de Medicis'
+p2048
+sg4
+S'Martino Rota'
+p2049
+sg6
+S'engraving'
+p2050
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+S'Th\xc3\xa9ophile Alexandre Steinlen'
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+S'Th\xc3\xa9ophile Alexandre Steinlen'
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+S'Th\xc3\xa9ophile Alexandre Steinlen'
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+S'Th\xc3\xa9ophile Alexandre Steinlen'
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+S'black chalk, pen and black ink, colored crayon andpaper'
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+S'unknown date\n'
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+S'La Rafle'
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+sg4
+S'Th\xc3\xa9ophile Alexandre Steinlen'
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+S'brush and black ink and colored crayon'
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+S'unknown date\n'
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+sg4
+S'Artist Information ('
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+sg6
+S'(artist after)'
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+sg8
+S'\n'
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+S'http://www.nga.gov:80/thumb-l/a000d5/a000d58c.jpg'
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+sg8
+S'\n'
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+S'etching and engraving'
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+S'red-brown and black crayon on light green laid paper'
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+S'unknown date\n'
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+S'Pensive Girl'
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+S'Frederic Taubes'
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+S'unknown date\n'
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+S'Woodchopper'
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+S'Tsuneo Tamagami'
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+S'unknown date\n'
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+S'The Road Kentig'
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+S'Charles William Taylor'
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+S'unknown date\n'
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+S'Marsh Homes'
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+S'Charles William Taylor'
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+S'unknown date\n'
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+S'Bridgeworth'
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+S'Charles William Taylor'
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+S'unknown date\n'
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+S'Beyond Chadwell Saint Mary'
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+sg4
+S'Charles William Taylor'
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+S'lithograph in black on wove paper'
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+sg8
+S'1941'
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+S'Pulqueria'
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+sg4
+S'Prentiss Taylor'
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+S'lithograph'
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+S'unknown date\n'
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+sg2
+S'Pizzicato Polka'
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+sg4
+S'Robert N. Taylor'
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+S'Venus se plaint a Jupiter de la tempete que Junon a excitee contre Enee'
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+sg4
+S'Artist Information ('
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+sg6
+S'(artist after)'
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+sg8
+S'\n'
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+S'http://www.nga.gov:80/thumb-l/a00096/a0009645.jpg'
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+sg12
+g27
+sa(dp3698
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+S'Joseph Kneels with the Child before Mary on the Donkey'
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+sg4
+S'Giovanni Domenico Tiepolo'
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+S'etching'
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+S'published 1753'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a000cb/a000cb95.jpg'
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+sg12
+g27
+sa(dp3704
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+S'Miss Catherine Tatton'
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+sg4
+S'Thomas Gainsborough'
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+sg6
+S'oil on canvas'
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+sg8
+S'1786'
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+S'http://www.nga.gov:80/thumb-l/a00055/a000557f.jpg'
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+S'In 1786, at the age of eighteen, Catherine\r\n Tatton married James Drake-Brockman, who became High Sheriff of County Kent.\r\n This wedding portrait was commissioned by the Rev. John Lynch, Archdeacon of Canterbury, her uncle and the executor of her father\'s estate. Miss Tatton is fashionably attired\r\n with a wide-brimmed sun hat silhouetting the loose ringlets of her hair.\n Gainsborough held his posing sessions during business hours, but Sir\r\n Joshua Reynolds also noted "his custom of painting by night" with candles\r\n under which "the flesh seems to take a higher and richer tone of colour." In\r\n addition to imitating the flattering glow of candlelight, Gainsborough is\r\n known to have used exceptionally long brushes that he wielded like fencers\'\r\n foils, vivaciously touching in "odd scratches and marks." Such extreme\r\n sketchiness is apparent even in this bust-length portrait. Reynolds\r\n reluctantly admitted that "this chaos, this uncouth and shapeless\r\n appearance, by a kind of magick, at a certain distance assumes form, and all\r\n the parts seem to drop into their proper place."\n Rather than working from extensive preliminary drawings—the academic\r\n practice advised by Reynolds—Gainsborough dashed off his portraits\r\n directly on the canvas. Here, the puff of the blue sash and the hand\r\n elegantly toying with it were afterthoughts.\n '
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+S'Les Petites Chaumi\xc3\xa8res (Thatched Cottages--Small Plate)'
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+sg4
+S'F\xc3\xa9lix-Hilaire Buhot'
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+S'etching, aquatint and drypoint on parchment'
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+S'1878'
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+S'The Flight, Holy Family Walking with Angel'
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+sg4
+S'Giovanni Domenico Tiepolo'
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+S'etching'
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+sg8
+S'published 1753'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a000cb/a000cb91.jpg'
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+g27
+sa(dp3723
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+S'The Rest on the Flight, with Adoring Angels'
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+sg4
+S'Giovanni Domenico Tiepolo'
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+sg6
+S'etching'
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+sg8
+S'1750'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a000cb/a000cb9a.jpg'
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+sg12
+g27
+sa(dp3729
+g2
+S'The Flight with Joseph in the Foreground'
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+sg4
+S'Giovanni Domenico Tiepolo'
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+sg6
+S'etching'
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+sg8
+S'1753'
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+S'http://www.nga.gov:80/thumb-l/a000cb/a000cba1.jpg'
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+g27
+sa(dp3735
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+S'The Madonna and Child at Left, with a File of Angels'
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+sg4
+S'Giovanni Domenico Tiepolo'
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+sg6
+S'etching'
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+S'published 1753'
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+S'http://www.nga.gov:80/thumb-l/a000cb/a000cbaa.jpg'
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+g27
+sa(dp3741
+g2
+S'The Holy Family Arriving at a City Gate'
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+sg4
+S'Giovanni Domenico Tiepolo'
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+sg6
+S'etching'
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+S'published 1753'
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+S'http://www.nga.gov:80/thumb-l/a000cb/a000cba7.jpg'
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+sa(dp3747
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+S'Magician and Others Regarding a Serpent'
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+sg4
+S'Giovanni Battista Tiepolo'
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+sg6
+S'etching'
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+S'unknown date\n'
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+S'http://www.nga.gov:80/thumb-l/a000d4/a000d43c.jpg'
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+sa(dp3753
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+S'Creation of the Universe'
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+sg4
+S'Giovanni Domenico Tiepolo'
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+sg6
+S'pen and gray ink with brown wash on laid paper'
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+S'unknown date\n'
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+S'http://www.nga.gov:80/thumb-l/a00028/a0002862.jpg'
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+g27
+sa(dp3759
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+S'Capitulation of a Town'
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+sg4
+S'Giovanni Battista Tiepolo'
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+sg6
+S'pen and brown ink with brown wash over black chalk on laid paper'
+p3762
+sg8
+S'unknown date\n'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a00074/a000743c.jpg'
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+sg12
+g27
+sa(dp3765
+g2
+S'Angelica and Medoro'
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+sg4
+S'Giovanni Battista Tiepolo'
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+sg6
+S'pen and brown ink with brown wash over black chalk on laid paper'
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+S'unknown date\n'
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+S'Artist Information ('
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+S'\n'
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+S'\n'
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+S'Jan Baptista Barbe'
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+sg8
+S'\n'
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+S'\n'
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+S'\n'
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+S'Artus Wolfart'
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+S'Artist Information ('
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+S'\n'
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+S'http://www.nga.gov:80/thumb-l/a000d0/a000d0f4.jpg'
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+S'Frans Francken II'
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+S'Artist Information ('
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+sg8
+S'\n'
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+S'Willem Hondius'
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+sg8
+S'\n'
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+S'Francis Seymour Haden'
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+S'drypoint with etching'
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+S'1859'
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+S'http://www.nga.gov:80/thumb-l/a0007d/a0007d13.jpg'
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+S'Artist Information ('
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+S'(artist after)'
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+sg8
+S'\n'
+p4816
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d1/a000d100.jpg'
+p4817
+sg12
+g27
+sa(dp4818
+g2
+S'Adam de Coster'
+p4819
+sg4
+S'Artist Information ('
+p4820
+sg6
+S'(artist after)'
+p4821
+sg8
+S'\n'
+p4822
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d0/a000d0ff.jpg'
+p4823
+sg12
+g27
+sa(dp4824
+g2
+S'Cornelis van Poelenburgh'
+p4825
+sg4
+S'Artist Information ('
+p4826
+sg6
+S'(artist after)'
+p4827
+sg8
+S'\n'
+p4828
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d0/a000d0fe.jpg'
+p4829
+sg12
+g27
+sa(dp4830
+g2
+S'Hendrick van Balen'
+p4831
+sg4
+S'Artist Information ('
+p4832
+sg6
+S'(artist after)'
+p4833
+sg8
+S'\n'
+p4834
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d0/a000d0fd.jpg'
+p4835
+sg12
+g27
+sa(dp4836
+g2
+S'Gerrit van Honthorst'
+p4837
+sg4
+S'Artist Information ('
+p4838
+sg6
+S'(artist after)'
+p4839
+sg8
+S'\n'
+p4840
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d1/a000d102.jpg'
+p4841
+sg12
+g27
+sa(dp4842
+g2
+S'Paulus Pontius'
+p4843
+sg4
+S'Artist Information ('
+p4844
+sg6
+S'(artist after)'
+p4845
+sg8
+S'\n'
+p4846
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d1/a000d107.jpg'
+p4847
+sg12
+g27
+sa(dp4848
+g2
+S'Adriaen van Stalbemt'
+p4849
+sg4
+S'Artist Information ('
+p4850
+sg6
+S'(artist after)'
+p4851
+sg8
+S'\n'
+p4852
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d1/a000d105.jpg'
+p4853
+sg12
+g27
+sa(dp4854
+g2
+S'Simon de Vos'
+p4855
+sg4
+S'Artist Information ('
+p4856
+sg6
+S'(artist after)'
+p4857
+sg8
+S'\n'
+p4858
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d0/a000d0fc.jpg'
+p4859
+sg12
+g27
+sa(dp4860
+g2
+S'Simon Vouet'
+p4861
+sg4
+S'Artist Information ('
+p4862
+sg6
+S'(artist after)'
+p4863
+sg8
+S'\n'
+p4864
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d1/a000d104.jpg'
+p4865
+sg12
+g27
+sa(dp4866
+g2
+S'Deodat Delmont'
+p4867
+sg4
+S'Artist Information ('
+p4868
+sg6
+S'(artist after)'
+p4869
+sg8
+S'\n'
+p4870
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d0/a000d0fb.jpg'
+p4871
+sg12
+g27
+sa(dp4872
+g2
+S'The Towing Path'
+p4873
+sg4
+S'Francis Seymour Haden'
+p4874
+sg6
+S'etching and drypoint (copper)'
+p4875
+sg8
+S'1864'
+p4876
+sg10
+S'http://www.nga.gov:80/thumb-l/a0007c/a0007c51.jpg'
+p4877
+sg12
+g27
+sa(dp4878
+g2
+S'Orazio Gentileschi'
+p4879
+sg4
+S'Artist Information ('
+p4880
+sg6
+S'(artist after)'
+p4881
+sg8
+S'\n'
+p4882
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d1/a000d10a.jpg'
+p4883
+sg12
+g27
+sa(dp4884
+g2
+S'Pieter de Jode the Elder'
+p4885
+sg4
+S'Artist Information ('
+p4886
+sg6
+S'(artist after)'
+p4887
+sg8
+S'\n'
+p4888
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d1/a000d10d.jpg'
+p4889
+sg12
+g27
+sa(dp4890
+g2
+S'Jan Lievens'
+p4891
+sg4
+S'Artist Information ('
+p4892
+sg6
+S'(artist after)'
+p4893
+sg8
+S'\n'
+p4894
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ff/a000ff9f.jpg'
+p4895
+sg12
+g27
+sa(dp4896
+g2
+S'Lucas van Uden'
+p4897
+sg4
+S'Artist Information ('
+p4898
+sg6
+S'(artist after)'
+p4899
+sg8
+S'\n'
+p4900
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d1/a000d10c.jpg'
+p4901
+sg12
+g27
+sa(dp4902
+g2
+S'Martin Rijckaert'
+p4903
+sg4
+S'Artist Information ('
+p4904
+sg6
+S'(artist after)'
+p4905
+sg8
+S'\n'
+p4906
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d5/a000d502.jpg'
+p4907
+sg12
+g27
+sa(dp4908
+g2
+S'Joannes Meyssens'
+p4909
+sg4
+S'Artist Information ('
+p4910
+sg6
+S'(artist after)'
+p4911
+sg8
+S'\n'
+p4912
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d5/a000d504.jpg'
+p4913
+sg12
+g27
+sa(dp4914
+g2
+S'Jacques Callot'
+p4915
+sg4
+S'Artist Information ('
+p4916
+sg6
+S'(artist after)'
+p4917
+sg8
+S'\n'
+p4918
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d4/a000d45b.jpg'
+p4919
+sg12
+g27
+sa(dp4920
+g2
+S'Baker Sounding His Horn'
+p4921
+sg4
+S'Adriaen van Ostade'
+p4922
+sg6
+S'etching'
+p4923
+sg8
+S'probably 1664'
+p4924
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d2/a000d293.jpg'
+p4925
+sg12
+g27
+sa(dp4926
+g2
+S'Peasant Wearing a Pointed Cap'
+p4927
+sg4
+S'Adriaen van Ostade'
+p4928
+sg6
+S'etching'
+p4929
+sg8
+S'probably 1640'
+p4930
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d2/a000d296.jpg'
+p4931
+sg12
+g27
+sa(dp4932
+g2
+S'Smoker at a Window'
+p4933
+sg4
+S'Adriaen van Ostade'
+p4934
+sg6
+S'etching'
+p4935
+sg8
+S'probably 1667'
+p4936
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d2/a000d288.jpg'
+p4937
+sg12
+g27
+sa(dp4938
+g2
+S'On the Test'
+p4939
+sg4
+S'Francis Seymour Haden'
+p4940
+sg6
+S'etching and drypoint'
+p4941
+sg8
+S'in or after 1859'
+p4942
+sg10
+S'http://www.nga.gov:80/thumb-l/a0007c/a0007cdd.jpg'
+p4943
+sg12
+g27
+sa(dp4944
+g2
+S'Peasant Couple in a Doorway (Village Romance)'
+p4945
+sg4
+S'Adriaen van Ostade'
+p4946
+sg6
+S'etching'
+p4947
+sg8
+S'1667'
+p4948
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d2/a000d289.jpg'
+p4949
+sg12
+g27
+sa(dp4950
+g2
+S'Man and Woman Conversing'
+p4951
+sg4
+S'Adriaen van Ostade'
+p4952
+sg6
+S'etching'
+p4953
+sg8
+S'probably 1673'
+p4954
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d2/a000d295.jpg'
+p4955
+sg12
+g27
+sa(dp4956
+g2
+S'The Empty Jug'
+p4957
+sg4
+S'Adriaen van Ostade'
+p4958
+sg6
+S'etching'
+p4959
+sg8
+S'probably 1653'
+p4960
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d2/a000d290.jpg'
+p4961
+sg12
+g27
+sa(dp4962
+g2
+S'Child Reaching for a Doll'
+p4963
+sg4
+S'Adriaen van Ostade'
+p4964
+sg6
+S'etching'
+p4965
+sg8
+S'1679'
+p4966
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d2/a000d291.jpg'
+p4967
+sg12
+g27
+sa(dp4968
+g2
+S"Peasants' Quarrel"
+p4969
+sg4
+S'Adriaen van Ostade'
+p4970
+sg6
+S'etching'
+p4971
+sg8
+S'1653'
+p4972
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d2/a000d28a.jpg'
+p4973
+sg12
+g27
+sa(dp4974
+g2
+S'The Singers'
+p4975
+sg4
+S'Adriaen van Ostade'
+p4976
+sg6
+S'etching'
+p4977
+sg8
+S'probably 1667'
+p4978
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d5/a000d541.jpg'
+p4979
+sg12
+g27
+sa(dp4980
+g2
+S'Peasant with a Crooked Back'
+p4981
+sg4
+S'Adriaen van Ostade'
+p4982
+sg6
+S'etching'
+p4983
+sg8
+S'probably 1675'
+p4984
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d2/a000d298.jpg'
+p4985
+sg12
+g27
+sa(dp4986
+g2
+S'Interior of a Barn'
+p4987
+sg4
+S'Adriaen van Ostade'
+p4988
+sg6
+S'etching'
+p4989
+sg8
+S'1647'
+p4990
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d2/a000d29e.jpg'
+p4991
+sg12
+g27
+sa(dp4992
+g2
+S'Couple Walking'
+p4993
+sg4
+S'Adriaen van Ostade'
+p4994
+sg6
+S'etching'
+p4995
+sg8
+S'probably 1638'
+p4996
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d2/a000d297.jpg'
+p4997
+sg12
+g27
+sa(dp4998
+g2
+S'Woman Winding upon a Reel (La Devideuse)'
+p4999
+sg4
+S'Adriaen van Ostade'
+p5000
+sg6
+S'etching'
+p5001
+sg8
+S'probably 1684'
+p5002
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d2/a000d299.jpg'
+p5003
+sg12
+g27
+sa(dp5004
+g2
+S'Miss Eleanor Urquhart'
+p5005
+sg4
+S'Sir Henry Raeburn'
+p5006
+sg6
+S'oil on canvas'
+p5007
+sg8
+S'c. 1793'
+p5008
+sg10
+S'http://www.nga.gov:80/thumb-l/a00039/a00039a8.jpg'
+p5009
+sg12
+S"This lovely Scottish woman was the eldest\r\n daughter of William Urquhart, 2d Laird of Craigston, Aberdeenshire. Her\r\n portrait and companion likenesses of her parents were paid for on 10 January\r\n 1794; the artist's receipt was preserved among Urquhart family papers.\n It is unfortunate that nothing more is known of the sitter's life,\r\n because \n That this painting can be documented to just before 1794 is important\r\n because Raeburn did not keep studio account books and never dated any of his\r\n pictures. His style matured early, without much modification, after a few\r\n months in London and a year or two in Rome during the mid-1780s. So, it is\r\n difficult to establish a chronology for the more than one thousand portraits\r\n he made during a fifty-year career as Scotland's foremost painter. Although\r\n dedicated to his art, Raeburn need not have worked at all. At twenty-four,\r\n he had married a wealthy widow and become a member of Edinburgh society.\n "
+p5010
+sa(dp5011
+g2
+S'The Church at Old Lyme'
+p5012
+sg4
+S'Childe Hassam'
+p5013
+sg6
+S'etching'
+p5014
+sg8
+S'1924'
+p5015
+sg10
+S'http://www.nga.gov:80/thumb-l/a000f5/a000f5ba.jpg'
+p5016
+sg12
+g27
+sa(dp5017
+g2
+S'The Angler'
+p5018
+sg4
+S'Adriaen van Ostade'
+p5019
+sg6
+S'etching'
+p5020
+sg8
+S'probably 1653'
+p5021
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d2/a000d29a.jpg'
+p5022
+sg12
+g27
+sa(dp5023
+g2
+S'Eyeglass Peddlar'
+p5024
+sg4
+S'Adriaen van Ostade'
+p5025
+sg6
+S'etching'
+p5026
+sg8
+S'probably 1646'
+p5027
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d2/a000d2af.jpg'
+p5028
+sg12
+g27
+sa(dp5029
+g2
+S'Cobbler'
+p5030
+sg4
+S'Adriaen van Ostade'
+p5031
+sg6
+S'etching'
+p5032
+sg8
+S'1671'
+p5033
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d2/a000d29d.jpg'
+p5034
+sg12
+g27
+sa(dp5035
+g2
+S'The Spinner'
+p5036
+sg4
+S'Adriaen van Ostade'
+p5037
+sg6
+S'etching'
+p5038
+sg8
+S'1652'
+p5039
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d2/a000d2a2.jpg'
+p5040
+sg12
+g27
+sa(dp5041
+g2
+S'Painter in His Studio'
+p5042
+sg4
+S'Adriaen van Ostade'
+p5043
+sg6
+S'etching'
+p5044
+sg8
+S'probably 1667'
+p5045
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d2/a000d2a0.jpg'
+p5046
+sg12
+g27
+sa(dp5047
+g2
+S'The Pater Familias (Le Pere de famille)'
+p5048
+sg4
+S'Adriaen van Ostade'
+p5049
+sg6
+S'etching'
+p5050
+sg8
+S'1648'
+p5051
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d2/a000d2a6.jpg'
+p5052
+sg12
+g27
+sa(dp5053
+g2
+S'Peasant Family Saying Grace'
+p5054
+sg4
+S'Adriaen van Ostade'
+p5055
+sg6
+S'etching'
+p5056
+sg8
+S'1653'
+p5057
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d2/a000d2a3.jpg'
+p5058
+sg12
+g27
+sa(dp5059
+g2
+S'Wandering Musicians'
+p5060
+sg4
+S'Adriaen van Ostade'
+p5061
+sg6
+S'etching'
+p5062
+sg8
+S'probably 1642'
+p5063
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d2/a000d2a9.jpg'
+p5064
+sg12
+g27
+sa(dp5065
+g2
+S'Two Gossips'
+p5066
+sg4
+S'Adriaen van Ostade'
+p5067
+sg6
+S'etching'
+p5068
+sg8
+S'probably 1642'
+p5069
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d2/a000d2a8.jpg'
+p5070
+sg12
+g27
+sa(dp5071
+g2
+S'Independence Hall'
+p5072
+sg4
+S'Childe Hassam'
+p5073
+sg6
+S'drypoint'
+p5074
+sg8
+S'1926'
+p5075
+sg10
+S'http://www.nga.gov:80/thumb-l/a00104/a00104e5.jpg'
+p5076
+sg12
+g27
+sa(dp5077
+g2
+S'Quacksalver'
+p5078
+sg4
+S'Adriaen van Ostade'
+p5079
+sg6
+S'etching'
+p5080
+sg8
+S'1648'
+p5081
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d2/a000d2b3.jpg'
+p5082
+sg12
+g27
+sa(dp5083
+g2
+S'Pig Slaughterers'
+p5084
+sg4
+S'Adriaen van Ostade'
+p5085
+sg6
+S'etching'
+p5086
+sg8
+S'probably 1642'
+p5087
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d2/a000d2b1.jpg'
+p5088
+sg12
+g27
+sa(dp5089
+g2
+S'Peasant Settling His Debt'
+p5090
+sg4
+S'Adriaen van Ostade'
+p5091
+sg6
+S'etching'
+p5092
+sg8
+S'probably 1646'
+p5093
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d2/a000d2b0.jpg'
+p5094
+sg12
+g27
+sa(dp5095
+g2
+S'Hunchbacked Fiddler'
+p5096
+sg4
+S'Adriaen van Ostade'
+p5097
+sg6
+S'etching'
+p5098
+sg8
+S'1654'
+p5099
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d2/a000d2b4.jpg'
+p5100
+sg12
+g27
+sa(dp5101
+g2
+S'Peasant Family'
+p5102
+sg4
+S'Adriaen van Ostade'
+p5103
+sg6
+S'etching'
+p5104
+sg8
+S'1647'
+p5105
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d2/a000d2b8.jpg'
+p5106
+sg12
+g27
+sa(dp5107
+g2
+S'Dance under the Trellis'
+p5108
+sg4
+S'Adriaen van Ostade'
+p5109
+sg6
+S'etching'
+p5110
+sg8
+S'probably 1652'
+p5111
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d2/a000d2b6.jpg'
+p5112
+sg12
+g27
+sa(dp5113
+g2
+S'Dance under the Trellis'
+p5114
+sg4
+S'Adriaen van Ostade'
+p5115
+sg6
+S'etching'
+p5116
+sg8
+S'probably 1652'
+p5117
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d2/a000d2b7.jpg'
+p5118
+sg12
+g27
+sa(dp5119
+g2
+S'Dance in a Tavern'
+p5120
+sg4
+S'Adriaen van Ostade'
+p5121
+sg6
+S'etching'
+p5122
+sg8
+S'1652'
+p5123
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d5/a000d53d.jpg'
+p5124
+sg12
+g27
+sa(dp5125
+g2
+S'Organ Grinder'
+p5126
+sg4
+S'Adriaen van Ostade'
+p5127
+sg6
+S'etching'
+p5128
+sg8
+S'1647'
+p5129
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d2/a000d28d.jpg'
+p5130
+sg12
+g27
+sa(dp5131
+g2
+S'Interior of a Courtyard'
+p5132
+sg4
+S'Artist Information ('
+p5133
+sg6
+S'Dutch, 1621 - 1649'
+p5134
+sg8
+S'(artist after)'
+p5135
+sg10
+S'http://www.nga.gov:80/thumb-l/a00070/a0007050.jpg'
+p5136
+sg12
+g27
+sa(dp5137
+g2
+S'Portsmouth Doorway'
+p5138
+sg4
+S'Childe Hassam'
+p5139
+sg6
+S'etching and drypoint'
+p5140
+sg8
+S'1916'
+p5141
+sg10
+S'http://www.nga.gov:80/thumb-l/a000f5/a000f5b6.jpg'
+p5142
+sg12
+g27
+sa(dp5143
+g2
+S'Brawl in an Inn'
+p5144
+sg4
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+S'etching and drypoint in black on cream wove paper'
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+S'Chelsea Wharf'
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+S'etching in black on blued white laid paper'
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+S'Amsterdam from the Tolhuis'
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+S'c. 1870/1871'
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+S'Speke Hall, No.1'
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+S'1756'
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+S'http://www.nga.gov:80/thumb-l/a00000/a000005b.jpg'
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+S'The eighteen-year-old Copley proudly signed and dated this picture \r\n “1756.” His sitter, Jane Browne (1734-1802), daughter of an Anglican \r\n minister from Portsmouth, New Hampshire, later married a judge, Samuel \r\n Livermore. The painted oval border and the subject’s elegant pose derive \r\n from engravings of English portraits. The awkward anatomy, however, \r\n indicates that Copley lacked formal training. Still, the young artist did \r\n carefully distinguish the textures of taffeta, lace, and beads. \n '
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+S'The Velvet Dress'
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+S'James McNeill Whistler'
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+S'drypoint in black on Japan paper'
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+S'The Little Velvet Dress'
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+S'Tatting'
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+S'James McNeill Whistler'
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+S'etching on old japanes paper'
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+S'c. 1873'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa41.jpg'
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+S'Maud, Standing'
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+S'James McNeill Whistler'
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+S'etching and drypoint'
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+S'c. 1873'
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+S'Maud, Standing'
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+S'James McNeill Whistler'
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+S'etching and drypoint with white chalk'
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+S'c. 1873'
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+S'c. 1873/1875'
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+S'oil on canvas'
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+S'1876'
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+S'c. 1873/1875'
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+S'The Guitar Player'
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+S'James McNeill Whistler'
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+S'1875'
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+S'The Piano'
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+S'drypoint'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa49.jpg'
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+S'Speke Shore'
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+S'James McNeill Whistler'
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+S'etching and drypoint'
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+S'c. 1875'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa45.jpg'
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+S'The Dam Wood'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa42.jpg'
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+S'The Little Forge'
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+sg4
+S'James McNeill Whistler'
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+S'1875'
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+S'http://www.nga.gov:80/thumb-l/a000ab/a000ab31.jpg'
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+S'The Little Forge'
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+sg6
+S'drypoint'
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+S'1875'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa47.jpg'
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+sg12
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+S'The Little Forge'
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+S'James McNeill Whistler'
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+sg6
+S'drypoint'
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+S'1875'
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+S'http://www.nga.gov:80/thumb-l/a000ab/a000ab2e.jpg'
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+sa(dp6154
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+S'Two Ships'
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+sg4
+S'James McNeill Whistler'
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+sg6
+S'etching and drypoint'
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+S'1875'
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+S'http://www.nga.gov:80/thumb-l/a000ab/a000ab2b.jpg'
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+sg12
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+sa(dp6160
+g2
+S'Steamboats off the Tower'
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+S'James McNeill Whistler'
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+S'etching'
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+S'1875'
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+S'http://www.nga.gov:80/thumb-l/a000ab/a000ab3a.jpg'
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+S'William Gedney Bunce'
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+sg4
+S'Frank Duveneck'
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+S'oil on canvas'
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+S'c. 1877-1878'
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+S'http://www.nga.gov:80/thumb-l/a00000/a000008b.jpg'
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+S'Steamboats off the Tower'
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+S'James McNeill Whistler'
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+S'1875'
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+S'http://www.nga.gov:80/thumb-l/a000ab/a000ab3b.jpg'
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+sa(dp6178
+g2
+S'The White Tower'
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+S'James McNeill Whistler'
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+S'etching'
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+S'c. 1875'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa43.jpg'
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+sa(dp6184
+g2
+S'London Bridge'
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+S'James McNeill Whistler'
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+S'etching'
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+S'c. 1875'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa48.jpg'
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+sa(dp6190
+g2
+S"Price's Candle-Works"
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+sg4
+S'James McNeill Whistler'
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+S'etching in black ink on laid paper'
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+S'c. 1875'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa15.jpg'
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+sa(dp6196
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+S"Price's Candle-Works"
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+sg4
+S'James McNeill Whistler'
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+S'etching'
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+S'c. 1875'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa14.jpg'
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+S"Price's Candle-Works"
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+S'James McNeill Whistler'
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+S'c. 1875'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa12.jpg'
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+sa(dp6208
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+S'Battersea: Dawn'
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+S'James McNeill Whistler'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa18.jpg'
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+S'Battersea: Dawn'
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+S'James McNeill Whistler'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa16.jpg'
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+g2
+S'Fishing-Boats, Hastings'
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+S'James McNeill Whistler'
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+S'etching'
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+S'1877'
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+S'http://www.nga.gov:80/thumb-l/a000ab/a000ab38.jpg'
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+sa(dp6226
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+S'Wych Street'
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+S'James McNeill Whistler'
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+S'etching and drypoint'
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+S'1877'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa13.jpg'
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+sa(dp6232
+g2
+S'Portrait of a Lady'
+p6233
+sg4
+S'Joseph Highmore'
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+S'oil on canvas'
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+S'c. 1730/1735'
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+S'http://www.nga.gov:80/thumb-l/a0000f/a0000f3f.jpg'
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+S'Wych Street'
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+sa(dp6244
+g2
+S'Little Smithfield'
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+S'etching'
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+S'c. 1877'
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+S'http://www.nga.gov:80/thumb-l/a000ab/a000ab3e.jpg'
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+g2
+S'Temple Bar'
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+S'James McNeill Whistler'
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+S'c. 1877'
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+S'http://www.nga.gov:80/thumb-l/a000ab/a000ab3c.jpg'
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+S'Free Trade Wharf'
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+S'James McNeill Whistler'
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+S'1877'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa1c.jpg'
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+sa(dp6262
+g2
+S'Lord Wolseley'
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+S'James McNeill Whistler'
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+sg6
+S'etching'
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+S'c. 1877'
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+S'http://www.nga.gov:80/thumb-l/a000ab/a000ab34.jpg'
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+sa(dp6268
+g2
+S'The Thames Towards Erith'
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+S'James McNeill Whistler'
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+S'c. 1877'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa19.jpg'
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+g2
+S'The Thames Towards Erith'
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+S'etching'
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+S'c. 1877'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa1b.jpg'
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+sg12
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+sa(dp6280
+g2
+S'Lindsey Houses'
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+S'James McNeill Whistler'
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+S'drypoint'
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+S'1877'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa17.jpg'
+p6285
+sg12
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+sa(dp6286
+g2
+S'From Pickle-Herring Stairs'
+p6287
+sg4
+S'James McNeill Whistler'
+p6288
+sg6
+S'etching and drypoint'
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+sg8
+S'c. 1878'
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+S'http://www.nga.gov:80/thumb-l/a000a9/a000a9f4.jpg'
+p6291
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+g2
+S'From Pickle-Herring Stairs'
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+sg4
+S'James McNeill Whistler'
+p6294
+sg6
+S'etching and drypoint'
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+sg8
+S'c. 1878'
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+S'http://www.nga.gov:80/thumb-l/a000ab/a000ab39.jpg'
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+sg12
+g27
+sa(dp6298
+g2
+S'Madonna and Child with Angels and Cherubim'
+p6299
+sg4
+S'Matteo di Giovanni'
+p6300
+sg6
+S'tempera (?) on panel'
+p6301
+sg8
+S'c. 1460/1465'
+p6302
+sg10
+S'http://www.nga.gov:80/thumb-l/a00007/a000077c.jpg'
+p6303
+sg12
+S"This panel painted early in the career of Matteo di Giovanni reflects the format of devotional images made popular in Siena by \n Like Sano's panel, \n Matteo was not born in Siena but probably received most of his training there. His later works also reveal a familiarity with Florentine artists such as \n "
+p6304
+sa(dp6305
+g2
+S'John Tait and His Grandson'
+p6306
+sg4
+S'Sir Henry Raeburn'
+p6307
+sg6
+S'oil on canvas'
+p6308
+sg8
+S'c. 1793, with additions c. 1800'
+p6309
+sg10
+S'http://www.nga.gov:80/thumb-l/a00005/a000057a.jpg'
+p6310
+sg12
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+sa(dp6311
+g2
+S'Augustus Fielding Hawkins'
+p6312
+sg4
+S'Matthew Harris Jouett'
+p6313
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+S'oil on wood'
+p6314
+sg8
+S'c. 1820'
+p6315
+sg10
+S'http://www.nga.gov:80/thumb-l/a00001/a0000127.jpg'
+p6316
+sg12
+g27
+sa(dp6317
+g2
+S'A Sketch from Billingsgate'
+p6318
+sg4
+S'James McNeill Whistler'
+p6319
+sg6
+S'drypoint in black on laid paper'
+p6320
+sg8
+S'1878'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a000a9/a000a9f3.jpg'
+p6322
+sg12
+g27
+sa(dp6323
+g2
+S'A Sketch from Billingsgate'
+p6324
+sg4
+S'James McNeill Whistler'
+p6325
+sg6
+S'drypoint'
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+sg8
+S'1878'
+p6327
+sg10
+S'http://www.nga.gov:80/thumb-l/a000a9/a000a9f5.jpg'
+p6328
+sg12
+g27
+sa(dp6329
+g2
+S'Whistler with the White Lock'
+p6330
+sg4
+S'James McNeill Whistler'
+p6331
+sg6
+S'etching'
+p6332
+sg8
+S'1879'
+p6333
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+S'http://www.nga.gov:80/thumb-l/a000a9/a000a9f9.jpg'
+p6334
+sg12
+g27
+sa(dp6335
+g2
+S'Whistler with the White Lock'
+p6336
+sg4
+S'James McNeill Whistler'
+p6337
+sg6
+S'etching'
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+sg8
+S'1879'
+p6339
+sg10
+S'http://www.nga.gov:80/thumb-l/a000a9/a000a9f8.jpg'
+p6340
+sg12
+g27
+sa(dp6341
+g2
+S'The Large Pool'
+p6342
+sg4
+S'James McNeill Whistler'
+p6343
+sg6
+S'etching'
+p6344
+sg8
+S'c. 1879'
+p6345
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ab/a000ab35.jpg'
+p6346
+sg12
+g27
+sa(dp6347
+g2
+S'The "Adam and Eve," Old Chelsea'
+p6348
+sg4
+S'James McNeill Whistler'
+p6349
+sg6
+S'etching and drypoint'
+p6350
+sg8
+S'1879'
+p6351
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ab/a000ab6d.jpg'
+p6352
+sg12
+g27
+sa(dp6353
+g2
+S'The "Adam and Eve," Old Chelsea'
+p6354
+sg4
+S'James McNeill Whistler'
+p6355
+sg6
+S'etching and drypoint'
+p6356
+sg8
+S'1879'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a0000b/a0000be2.jpg'
+p6358
+sg12
+g27
+sa(dp6359
+g2
+S'Under Old Battersea Bridge'
+p6360
+sg4
+S'James McNeill Whistler'
+p6361
+sg6
+S'etching and drypoint'
+p6362
+sg8
+S'1879'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a000ab/a000ab67.jpg'
+p6364
+sg12
+g27
+sa(dp6365
+g2
+S'Old Battersea Bridge'
+p6366
+sg4
+S'James McNeill Whistler'
+p6367
+sg6
+S'etching'
+p6368
+sg8
+S'1879'
+p6369
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ab/a000ab6e.jpg'
+p6370
+sg12
+g27
+sa(dp6371
+g2
+S'An Artist and His Family'
+p6372
+sg4
+S'German 19th Century'
+p6373
+sg6
+S'overall: 75 x 63.5 cm (29 1/2 x 25 in.)\r\nframed: 97.2 x 85.7 x 7.6 cm (38 1/4 x 33 3/4 x 3 in.)'
+p6374
+sg8
+S'\noil on canvas'
+p6375
+sg10
+S'http://www.nga.gov:80/thumb-l/a00004/a00004c7.jpg'
+p6376
+sg12
+g27
+sa(dp6377
+g2
+S'Old Putney Bridge'
+p6378
+sg4
+S'James McNeill Whistler'
+p6379
+sg6
+S'etching'
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+sg8
+S'1879'
+p6381
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000b/a0000be3.jpg'
+p6382
+sg12
+g27
+sa(dp6383
+g2
+S'The Little Putney, No.II'
+p6384
+sg4
+S'James McNeill Whistler'
+p6385
+sg6
+S'etching'
+p6386
+sg8
+S'1879'
+p6387
+sg10
+S'http://www.nga.gov:80/thumb-l/a000a9/a000a9f2.jpg'
+p6388
+sg12
+g27
+sa(dp6389
+g2
+S'Fulham'
+p6390
+sg4
+S'James McNeill Whistler'
+p6391
+sg6
+S'etching'
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+sg8
+S'1879'
+p6393
+sg10
+S'http://www.nga.gov:80/thumb-l/a000a9/a000a9f7.jpg'
+p6394
+sg12
+g27
+sa(dp6395
+g2
+S'Little Venice'
+p6396
+sg4
+S'James McNeill Whistler'
+p6397
+sg6
+S'etching'
+p6398
+sg8
+S'1880'
+p6399
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ab/a000ab68.jpg'
+p6400
+sg12
+g27
+sa(dp6401
+g2
+S'Nocturne'
+p6402
+sg4
+S'James McNeill Whistler'
+p6403
+sg6
+S'etching in brownish-black ink'
+p6404
+sg8
+S'1879/1880'
+p6405
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000b/a0000be4.jpg'
+p6406
+sg12
+g27
+sa(dp6407
+g2
+S'Nocturne'
+p6408
+sg4
+S'James McNeill Whistler'
+p6409
+sg6
+S'etching and drypoint in dark brown on off-white laid paper'
+p6410
+sg8
+S'1879/1880'
+p6411
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ab/a000ab6a.jpg'
+p6412
+sg12
+g27
+sa(dp6413
+g2
+S'The Little Mast'
+p6414
+sg4
+S'James McNeill Whistler'
+p6415
+sg6
+S'etching'
+p6416
+sg8
+S'1880'
+p6417
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ab/a000ab3f.jpg'
+p6418
+sg12
+g27
+sa(dp6419
+g2
+S'The Little Lagoon'
+p6420
+sg4
+S'James McNeill Whistler'
+p6421
+sg6
+S'etching'
+p6422
+sg8
+S'1879/1880'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a000a9/a000a9f0.jpg'
+p6424
+sg12
+g27
+sa(dp6425
+g2
+S'The Palaces'
+p6426
+sg4
+S'James McNeill Whistler'
+p6427
+sg6
+S'etching and drypoint'
+p6428
+sg8
+S'1880'
+p6429
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000b/a0000bae.jpg'
+p6430
+sg12
+g27
+sa(dp6431
+g2
+S'The Piazzetta'
+p6432
+sg4
+S'James McNeill Whistler'
+p6433
+sg6
+S'etching and drypoint'
+p6434
+sg8
+S'1880'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a000a9/a000a9ef.jpg'
+p6436
+sg12
+g27
+sa(dp6437
+g2
+S'Portrait of a Man'
+p6438
+sg4
+S'American 19th Century'
+p6439
+sg6
+S'overall: 76.9 x 63.2 cm (30 1/4 x 24 7/8 in.)\r\nframed: 99.7 x 87.3 x 10.2 cm (39 1/4 x 34 3/8 x 4 in.)'
+p6440
+sg8
+S'\noil on canvas'
+p6441
+sg10
+S'http://www.nga.gov:80/thumb-l/a00004/a000045d.jpg'
+p6442
+sg12
+g27
+sa(dp6443
+g2
+S'The Traghetto, No.II'
+p6444
+sg4
+S'James McNeill Whistler'
+p6445
+sg6
+S'etching and drypoint'
+p6446
+sg8
+S'c. 1879/1880'
+p6447
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ab/a000ab45.jpg'
+p6448
+sg12
+g27
+sa(dp6449
+g2
+S'The Riva, No.I'
+p6450
+sg4
+S'James McNeill Whistler'
+p6451
+sg6
+S'etching'
+p6452
+sg8
+S'1879/1880'
+p6453
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ab/a000ab44.jpg'
+p6454
+sg12
+g27
+sa(dp6455
+g2
+S'Two Doorways'
+p6456
+sg4
+S'James McNeill Whistler'
+p6457
+sg6
+S'etching in brownish-black ink'
+p6458
+sg8
+S'c. 1879/1880'
+p6459
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ab/a000ab51.jpg'
+p6460
+sg12
+g27
+sa(dp6461
+g2
+S'Two Doorways'
+p6462
+sg4
+S'James McNeill Whistler'
+p6463
+sg6
+S'etching in brownish-black ink'
+p6464
+sg8
+S'1880'
+p6465
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000b/a0000baf.jpg'
+p6466
+sg12
+g27
+sa(dp6467
+g2
+S'The Beggars'
+p6468
+sg4
+S'James McNeill Whistler'
+p6469
+sg6
+S'etching'
+p6470
+sg8
+S'1879/1880'
+p6471
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ab/a000ab4f.jpg'
+p6472
+sg12
+g27
+sa(dp6473
+g2
+S'The Beggars'
+p6474
+sg4
+S'James McNeill Whistler'
+p6475
+sg6
+S'etching'
+p6476
+sg8
+S'1879/1880'
+p6477
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ab/a000ab4e.jpg'
+p6478
+sg12
+g27
+sa(dp6479
+g2
+S'The Mast'
+p6480
+sg4
+S'James McNeill Whistler'
+p6481
+sg6
+S'etching and drypoint'
+p6482
+sg8
+S'1879/1880'
+p6483
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ab/a000ab4a.jpg'
+p6484
+sg12
+g27
+sa(dp6485
+g2
+S'Bead-Stringers'
+p6486
+sg4
+S'James McNeill Whistler'
+p6487
+sg6
+S'etching'
+p6488
+sg8
+S'1879/1880'
+p6489
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa01.jpg'
+p6490
+sg12
+g27
+sa(dp6491
+g2
+S'Turkeys'
+p6492
+sg4
+S'James McNeill Whistler'
+p6493
+sg6
+S'etching and drypoint'
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+sg8
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+S'etching and drypoint'
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+S'John Philip de Haas'
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+S'Charles Willson Peale'
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+S'oil on canvas'
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+S'1772'
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+S'http://www.nga.gov:80/thumb-l/a00001/a00001a2.jpg'
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+S'San Giorgio'
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+S'James McNeill Whistler'
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+S'1880'
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+S'http://www.nga.gov:80/thumb-l/a000ab/a000ab5b.jpg'
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+g2
+S'Nocturne: Palaces'
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+S'James McNeill Whistler'
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+S'etching and drypoint in brownish-black ink'
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+S'1879/1880'
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+S'http://www.nga.gov:80/thumb-l/a000ab/a000ab57.jpg'
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+S'Long Lagoon'
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+S'James McNeill Whistler'
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+S'etching and drypoint'
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+S'1880'
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+S'http://www.nga.gov:80/thumb-l/a000a9/a000a9ff.jpg'
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+S'Long Lagoon'
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+S'James McNeill Whistler'
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+S'etching and drypoint'
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+S'http://www.nga.gov:80/thumb-l/a0000b/a0000bb0.jpg'
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+S'The Bridge'
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+S'http://www.nga.gov:80/thumb-l/a000ab/a000ab56.jpg'
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+S'1880'
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+S'http://www.nga.gov:80/thumb-l/a000ab/a000ab53.jpg'
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+S'Upright Venice'
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+S'James McNeill Whistler'
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+S'1880'
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+S'http://www.nga.gov:80/thumb-l/a000ab/a000ab54.jpg'
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+S'The Riva, No.II'
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+S'James McNeill Whistler'
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+S'The Balcony'
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+S'1879/1880'
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+S'http://www.nga.gov:80/thumb-l/a000ab/a000ab9b.jpg'
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+g2
+S'The Return of Rip Van Winkle'
+p6570
+sg4
+S'John Quidor'
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+S'oil on canvas'
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+sg8
+S'1849'
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+S'http://www.nga.gov:80/thumb-l/a00001/a00001d8.jpg'
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+sg12
+S"Washington Irving's \n Quidor's painting is a perfect pantomime to the climax of Irving's story, as Rip\ndiscovers -- to his bewilderment -- that he has a son and grandson, both namesakes.\nThe scene is animated by thick strokes of pure white paint, phantom highlights within\nthe golden, dreamlike haze. Quidor's obsession with depicting Rip Van Winkle has\nbeen interpreted as indicative of the artist's own search for acceptance. Although\nQuidor spent four years training under a society portraitist and occasionally exhibited\npictures of literary themes at the National Academy of Design, he had to earn his\nliving by painting signs and decorating fire engines.\n "
+p6575
+sa(dp6576
+g2
+S'Fishing-Boat'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa02.jpg'
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+S'Ponte del Piovan'
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+S'James McNeill Whistler'
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+S'1880'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa22.jpg'
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+S'Garden'
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+S'James McNeill Whistler'
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+S'etching and drypoint'
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+S'1880'
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+S'http://www.nga.gov:80/thumb-l/a000ab/a000ab96.jpg'
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+S'The Rialto'
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+S'etching and drypoint'
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+S'1880'
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+S'http://www.nga.gov:80/thumb-l/a000ab/a000ab9c.jpg'
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+S'The Rialto'
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+S'James McNeill Whistler'
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+S'etching and drypoint'
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+S'1880'
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+S'http://www.nga.gov:80/thumb-l/a000ab/a000ab9a.jpg'
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+S'Long Venice'
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+S'James McNeill Whistler'
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+S'1879/1880'
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+S'http://www.nga.gov:80/thumb-l/a000b5/a000b50b.jpg'
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+S'Nocturne: Furnace'
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+S'James McNeill Whistler'
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+S'etching and drypoint'
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+S'1880'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa1f.jpg'
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+S'Quiet Canal'
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+S'James McNeill Whistler'
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+S'etching and drypoint'
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+S'1880'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa21.jpg'
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+sa(dp6624
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+S'La Salute: Dawn'
+p6625
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+S'James McNeill Whistler'
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+S'etching'
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+S'1879/1880'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa29.jpg'
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+g2
+S'Lagoon: Noon'
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+S'James McNeill Whistler'
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+S'1879/1880'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa27.jpg'
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+sa(dp6636
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+S'Captain Joseph Anthony'
+p6637
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+S'Gilbert Stuart'
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+S'oil on canvas'
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+sg8
+S'1794'
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+S'http://www.nga.gov:80/thumb-l/a00002/a0000235.jpg'
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+sg12
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+g2
+S'Fish-Shop, Venice'
+p6643
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+S'James McNeill Whistler'
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+S'etching and drypoint'
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+sg8
+S'1880'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa25.jpg'
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+sa(dp6648
+g2
+S'Little Salute'
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+S'James McNeill Whistler'
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+S'drypoint'
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+S'1879/1880'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa28.jpg'
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+sa(dp6654
+g2
+S'Old Women'
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+S'James McNeill Whistler'
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+S'etching'
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+S'1879/1880'
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+S'http://www.nga.gov:80/thumb-l/a000b5/a000b50c.jpg'
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+S'Wheelwright'
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+S'James McNeill Whistler'
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+S'etching'
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+S'1879/1880'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa50.jpg'
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+sa(dp6666
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+S'Temple'
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+S'James McNeill Whistler'
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+S'etching'
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+S'c. 1880/1881'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa51.jpg'
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+sa(dp6672
+g2
+S'Lobster-Pots'
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+sg4
+S'James McNeill Whistler'
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+S'etching'
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+S'c. 1880/1881'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa4c.jpg'
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+sg12
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+S'Lobster-Pots'
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+S'James McNeill Whistler'
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+S'etching'
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+S'c. 1880/1881'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa4a.jpg'
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+sa(dp6684
+g2
+S'Little Court'
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+sg4
+S'James McNeill Whistler'
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+sg6
+S'etching'
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+S'c. 1880/1881'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa4f.jpg'
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+sa(dp6690
+g2
+S'Drury Lane'
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+sg4
+S'James McNeill Whistler'
+p6692
+sg6
+S'etching'
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+sg8
+S'c. 1880/1881'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa3c.jpg'
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+sg12
+g27
+sa(dp6696
+g2
+S'John Ashe'
+p6697
+sg4
+S'Gilbert Stuart'
+p6698
+sg6
+S', c. 1793/1794'
+p6699
+sg8
+S'\n'
+p6700
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+S'http://www.nga.gov:80/thumb-l/a00002/a0000275.jpg'
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+sa(dp6702
+g2
+S"Regent's Quadrant"
+p6703
+sg4
+S'James McNeill Whistler'
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+sg6
+S'etching'
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+sg8
+S'1880/1881'
+p6706
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa38.jpg'
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+sg12
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+sa(dp6708
+g2
+S"Regent's Quadrant"
+p6709
+sg4
+S'James McNeill Whistler'
+p6710
+sg6
+S'etching'
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+S'1880/1881'
+p6712
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa39.jpg'
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+sa(dp6714
+g2
+S'The Smithy'
+p6715
+sg4
+S'James McNeill Whistler'
+p6716
+sg6
+S'etching and drypoint'
+p6717
+sg8
+S'c. 1880'
+p6718
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000b/a0000bb1.jpg'
+p6719
+sg12
+g27
+sa(dp6720
+g2
+S'The Smithy'
+p6721
+sg4
+S'James McNeill Whistler'
+p6722
+sg6
+S'etching and drypoint'
+p6723
+sg8
+S'c. 1880'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa36.jpg'
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+sg12
+g27
+sa(dp6726
+g2
+S'Dordrecht'
+p6727
+sg4
+S'James McNeill Whistler'
+p6728
+sg6
+S'etching'
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+sg8
+S'1884'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa37.jpg'
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+sg12
+g27
+sa(dp6732
+g2
+S'Boats, Dordrecht'
+p6733
+sg4
+S'James McNeill Whistler'
+p6734
+sg6
+S'etching'
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+sg8
+S'1884'
+p6736
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa3f.jpg'
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+sg12
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+sa(dp6738
+g2
+S'Cottage Door'
+p6739
+sg4
+S'James McNeill Whistler'
+p6740
+sg6
+S'etching'
+p6741
+sg8
+S'c. 1884/1886'
+p6742
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa0e.jpg'
+p6743
+sg12
+g27
+sa(dp6744
+g2
+S'The Village Sweet-Shop'
+p6745
+sg4
+S'James McNeill Whistler'
+p6746
+sg6
+S'etching and drypoint'
+p6747
+sg8
+S'1887'
+p6748
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000b/a0000bb2.jpg'
+p6749
+sg12
+g27
+sa(dp6750
+g2
+S'The Seamstress'
+p6751
+sg4
+S'James McNeill Whistler'
+p6752
+sg6
+S'etching'
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+sg8
+S'c. 1884/1886'
+p6754
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa0d.jpg'
+p6755
+sg12
+g27
+sa(dp6756
+g2
+S'The Towing-Path'
+p6757
+sg4
+S'James McNeill Whistler'
+p6758
+sg6
+S'etching'
+p6759
+sg8
+S'unknown date\n'
+p6760
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa10.jpg'
+p6761
+sg12
+g27
+sa(dp6762
+g2
+S'Matilda Caroline Cruger'
+p6763
+sg4
+S'American 18th Century'
+p6764
+sg6
+S'overall: 91.7 x 71.6 cm (36 1/8 x 28 3/16 in.)\r\nframed: 123.2 x 102.2 x 7 cm (48 1/2 x 40 1/4 x 2 3/4 in.)'
+p6765
+sg8
+S'\noil on canvas'
+p6766
+sg10
+S'http://www.nga.gov:80/thumb-l/a00066/a00066ec.jpg'
+p6767
+sg12
+g27
+sa(dp6768
+g2
+S"Saint James's Park"
+p6769
+sg4
+S'James McNeill Whistler'
+p6770
+sg6
+S'etching'
+p6771
+sg8
+S'c. 1884/1886'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa0b.jpg'
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+sg12
+g27
+sa(dp6774
+g2
+S'Old-Clothes Shop, No.I'
+p6775
+sg4
+S'James McNeill Whistler'
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+sg6
+S'etching'
+p6777
+sg8
+S'c. 1884/1886'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa0c.jpg'
+p6779
+sg12
+g27
+sa(dp6780
+g2
+S'Old-Clothes Shop, No.II'
+p6781
+sg4
+S'James McNeill Whistler'
+p6782
+sg6
+S'etching'
+p6783
+sg8
+S'c. 1884/1886'
+p6784
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa06.jpg'
+p6785
+sg12
+g27
+sa(dp6786
+g2
+S'A Sketch on the Embankment'
+p6787
+sg4
+S'James McNeill Whistler'
+p6788
+sg6
+S'etching'
+p6789
+sg8
+S'c. 1884/1886'
+p6790
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa0a.jpg'
+p6791
+sg12
+g27
+sa(dp6792
+g2
+S'Little Steps, Chelsea'
+p6793
+sg4
+S'James McNeill Whistler'
+p6794
+sg6
+S'etching'
+p6795
+sg8
+S'c. 1884/1886'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa2a.jpg'
+p6797
+sg12
+g27
+sa(dp6798
+g2
+S"T.A. Nash's Fruit-Shop"
+p6799
+sg4
+S'James McNeill Whistler'
+p6800
+sg6
+S'etching'
+p6801
+sg8
+S'c. 1886'
+p6802
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa2d.jpg'
+p6803
+sg12
+g27
+sa(dp6804
+g2
+S'The Fish-Shop, Busy Chelsea'
+p6805
+sg4
+S'James McNeill Whistler'
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+sg6
+S'etching'
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+sg8
+S'1887'
+p6808
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa31.jpg'
+p6809
+sg12
+g27
+sa(dp6810
+g2
+S"Woods's Fruit Shop"
+p6811
+sg4
+S'James McNeill Whistler'
+p6812
+sg6
+S'etching in brown on laid paper'
+p6813
+sg8
+S'c. 1886/1888'
+p6814
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa2b.jpg'
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+g27
+sa(dp6816
+g2
+S'York Street, Westminster'
+p6817
+sg4
+S'James McNeill Whistler'
+p6818
+sg6
+S'etching'
+p6819
+sg8
+S'c. 1886/1888'
+p6820
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa30.jpg'
+p6821
+sg12
+g27
+sa(dp6822
+g2
+S"The Barber's"
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+sg4
+S'James McNeill Whistler'
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+S'etching'
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+S'c. 1886/1888'
+p6826
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa34.jpg'
+p6827
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+sa(dp6828
+g2
+S'Counsellor John Dunn'
+p6829
+sg4
+S'Gilbert Stuart'
+p6830
+sg6
+S'oil on canvas'
+p6831
+sg8
+S'c. 1798'
+p6832
+sg10
+S'http://www.nga.gov:80/thumb-l/a00002/a0000239.jpg'
+p6833
+sg12
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+sa(dp6834
+g2
+S"Rag-Shop, Milman's Row"
+p6835
+sg4
+S'James McNeill Whistler'
+p6836
+sg6
+S'etching'
+p6837
+sg8
+S'c. 1886/1888'
+p6838
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa33.jpg'
+p6839
+sg12
+g27
+sa(dp6840
+g2
+S'Justice Walk - Chelsea'
+p6841
+sg4
+S'James McNeill Whistler'
+p6842
+sg6
+S'etching'
+p6843
+sg8
+S'c. 1886/1888'
+p6844
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa35.jpg'
+p6845
+sg12
+g27
+sa(dp6846
+g2
+S'Bird-Cages Chelsea'
+p6847
+sg4
+S'James McNeill Whistler'
+p6848
+sg6
+S'etching'
+p6849
+sg8
+S'c. 1886/1888'
+p6850
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa62.jpg'
+p6851
+sg12
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+sa(dp6852
+g2
+S'Exeter Street'
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+sg4
+S'James McNeill Whistler'
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+sg6
+S'etching'
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+sg8
+S'c. 1886/1888'
+p6856
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa64.jpg'
+p6857
+sg12
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+sa(dp6858
+g2
+S'Bird-Cages, Drury Lane'
+p6859
+sg4
+S'James McNeill Whistler'
+p6860
+sg6
+S'etching'
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+sg8
+S'c. 1886/1888'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa67.jpg'
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+sg12
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+sa(dp6864
+g2
+S'Marbles'
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+S'James McNeill Whistler'
+p6866
+sg6
+S'etching and drypoint'
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+sg8
+S'c. 1887'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa68.jpg'
+p6869
+sg12
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+sa(dp6870
+g2
+S'Petticoat Lane'
+p6871
+sg4
+S'James McNeill Whistler'
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+sg6
+S'etching'
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+sg8
+S'c. 1886/1888'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa69.jpg'
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+sg12
+g27
+sa(dp6876
+g2
+S'Clothes Exchange, No.I'
+p6877
+sg4
+S'James McNeill Whistler'
+p6878
+sg6
+S'etching'
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+sg8
+S'1887'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa61.jpg'
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+sg12
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+sa(dp6882
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+S'Clothes Exchange, No.I'
+p6883
+sg4
+S'James McNeill Whistler'
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+S'etching'
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+S'1887'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa60.jpg'
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+sg12
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+sa(dp6888
+g2
+S'Clothes Exchange, No.II'
+p6889
+sg4
+S'James McNeill Whistler'
+p6890
+sg6
+S'etching'
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+sg8
+S'c. 1886/1888'
+p6892
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa63.jpg'
+p6893
+sg12
+g27
+sa(dp6894
+g2
+S'Mrs. William Hartigan'
+p6895
+sg4
+S'Carl Fredrik von Breda'
+p6896
+sg6
+S'oil on canvas'
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+sg8
+S'1787/1796'
+p6898
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000e/a0000e95.jpg'
+p6899
+sg12
+g27
+sa(dp6900
+g2
+S'Fleur de Lys Passage'
+p6901
+sg4
+S'James McNeill Whistler'
+p6902
+sg6
+S'etching'
+p6903
+sg8
+S'c. 1886/1888'
+p6904
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa65.jpg'
+p6905
+sg12
+g27
+sa(dp6906
+g2
+S"Saint James's Place, Hounsditch"
+p6907
+sg4
+S'James McNeill Whistler'
+p6908
+sg6
+S'etching'
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+sg8
+S'c. 1886/1888'
+p6910
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa66.jpg'
+p6911
+sg12
+g27
+sa(dp6912
+g2
+S'Cutler Street, Hounsditch'
+p6913
+sg4
+S'James McNeill Whistler'
+p6914
+sg6
+S'etching'
+p6915
+sg8
+S'1887'
+p6916
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa72.jpg'
+p6917
+sg12
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+sa(dp6918
+g2
+S'Melon-Shop, Hounsditch'
+p6919
+sg4
+S'James McNeill Whistler'
+p6920
+sg6
+S'etching'
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+sg8
+S'c. 1886/1888'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa75.jpg'
+p6923
+sg12
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+sa(dp6924
+g2
+S'After the Sale, Hounsditch'
+p6925
+sg4
+S'James McNeill Whistler'
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+sg6
+S'etching'
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+sg8
+S'c. 1886/1888'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa76.jpg'
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+sa(dp6930
+g2
+S"Steps, Gray's Inn"
+p6931
+sg4
+S'James McNeill Whistler'
+p6932
+sg6
+S'etching'
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+sg8
+S'c. 1886/1888'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa6f.jpg'
+p6935
+sg12
+g27
+sa(dp6936
+g2
+S"Seats, Gray's Inn"
+p6937
+sg4
+S'James McNeill Whistler'
+p6938
+sg6
+S'etching'
+p6939
+sg8
+S'c. 1886/1888'
+p6940
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa70.jpg'
+p6941
+sg12
+g27
+sa(dp6942
+g2
+S'The Little Nurse'
+p6943
+sg4
+S'James McNeill Whistler'
+p6944
+sg6
+S'etching'
+p6945
+sg8
+S'c. 1886/1888'
+p6946
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa6e.jpg'
+p6947
+sg12
+g27
+sa(dp6948
+g2
+S'Church Doorway, Edgemere'
+p6949
+sg4
+S'James McNeill Whistler'
+p6950
+sg6
+S'etching'
+p6951
+sg8
+S'unknown date\n'
+p6952
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa6c.jpg'
+p6953
+sg12
+g27
+sa(dp6954
+g2
+S'Miss Juliana Willoughby'
+p6955
+sg4
+S'George Romney'
+p6956
+sg6
+S'oil on canvas'
+p6957
+sg8
+S'1781-1783'
+p6958
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000d/a0000d7c.jpg'
+p6959
+sg12
+S"Juliana Willoughby stands quietly but alertly, engaging the viewer with her direct,\nslightly questioning gaze. The blended harmonies of the pinks, whites, and creams of\nher skin tones, her dress, and her shining wisps of fine hair evoke not just Juliana,\nbut the essence of all little girls of this age. The dramatic diagonals of the landscape,\nthe energetic brushwork of the trees at the right, and the strong coloration of\nthe sky provide a dynamic backdrop for the young subject.\n Romney's sure sense of formal values is evident here in the effective balance of\nfigure and landscape. In this portrait Romney successfully adapted his composition\nto a change in the sitter's costume, X-rays show that Juliana originally wore a\nsmall, brimless cap. During the two years it took Romney to complete the portrait,\nJuliana, who was by then almost six years old, had outgrown her mobcap and wore,\ninstead, this broad-brimmed bonnet.\n Like many of his contemporaries, Romney traveled to Italy, where he spent two years\nstudying the work of Renaissance masters, in particular paintings by Titian and\nRaphael. The impact of these artists on his work can be seen in the simply expressed\nfolds of Juliana's dress, the case and certainty of his outlines, and the artful\nbalance of broad areas of color.\n "
+p6960
+sa(dp6961
+g2
+S'Dr. William Hartigan (?)'
+p6962
+sg4
+S'Gilbert Stuart'
+p6963
+sg6
+S'oil on canvas'
+p6964
+sg8
+S'c. 1793'
+p6965
+sg10
+S'http://www.nga.gov:80/thumb-l/a00002/a000023a.jpg'
+p6966
+sg12
+g27
+sa(dp6967
+g2
+S'The Cock and the Pump'
+p6968
+sg4
+S'James McNeill Whistler'
+p6969
+sg6
+S'etching'
+p6970
+sg8
+S'c. 1887'
+p6971
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa77.jpg'
+p6972
+sg12
+g27
+sa(dp6973
+g2
+S'Ramparts, Sandwich'
+p6974
+sg4
+S'James McNeill Whistler'
+p6975
+sg6
+S'etching'
+p6976
+sg8
+S'c. 1887'
+p6977
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa74.jpg'
+p6978
+sg12
+g27
+sa(dp6979
+g2
+S'Charing Cross Railway-Bridge'
+p6980
+sg4
+S'James McNeill Whistler'
+p6981
+sg6
+S'etching'
+p6982
+sg8
+S'c. 1887'
+p6983
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa6d.jpg'
+p6984
+sg12
+g27
+sa(dp6985
+g2
+S'Wild West, Buffalo Bill'
+p6986
+sg4
+S'James McNeill Whistler'
+p6987
+sg6
+S'etching and drypoint'
+p6988
+sg8
+S'1887'
+p6989
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa73.jpg'
+p6990
+sg12
+g27
+sa(dp6991
+g2
+S'Tilbury'
+p6992
+sg4
+S'James McNeill Whistler'
+p6993
+sg6
+S'etching'
+p6994
+sg8
+S'1887'
+p6995
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa5b.jpg'
+p6996
+sg12
+g27
+sa(dp6997
+g2
+S'Monitors'
+p6998
+sg4
+S'James McNeill Whistler'
+p6999
+sg6
+S'etching'
+p7000
+sg8
+S'1887'
+p7001
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa5f.jpg'
+p7002
+sg12
+g27
+sa(dp7003
+g2
+S'Dry-Dock, Southampton'
+p7004
+sg4
+S'James McNeill Whistler'
+p7005
+sg6
+S'etching'
+p7006
+sg8
+S'1887'
+p7007
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa59.jpg'
+p7008
+sg12
+g27
+sa(dp7009
+g2
+S'Dipping the Flag'
+p7010
+sg4
+S'James McNeill Whistler'
+p7011
+sg6
+S'etching'
+p7012
+sg8
+S'1887'
+p7013
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa5a.jpg'
+p7014
+sg12
+g27
+sa(dp7015
+g2
+S'Ryde Pier'
+p7016
+sg4
+S'James McNeill Whistler'
+p7017
+sg6
+S'etching'
+p7018
+sg8
+S'1887'
+p7019
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa57.jpg'
+p7020
+sg12
+g27
+sa(dp7021
+g2
+S'Windsor, No. 2'
+p7022
+sg4
+S'James McNeill Whistler'
+p7023
+sg6
+S'etching'
+p7024
+sg8
+S'1887'
+p7025
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa58.jpg'
+p7026
+sg12
+g27
+sa(dp7027
+g2
+S'Commodore Thomas Macdonough'
+p7028
+sg4
+S'Gilbert Stuart'
+p7029
+sg6
+S'oil on wood'
+p7030
+sg8
+S'c. 1815/1818'
+p7031
+sg10
+S'http://www.nga.gov:80/thumb-l/a00002/a000023b.jpg'
+p7032
+sg12
+g27
+sa(dp7033
+g2
+S'The Fur Cloak'
+p7034
+sg4
+S'James McNeill Whistler'
+p7035
+sg6
+S'etching'
+p7036
+sg8
+S'unknown date\n'
+p7037
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa5e.jpg'
+p7038
+sg12
+g27
+sa(dp7039
+g2
+S'Nora Quinn'
+p7040
+sg4
+S'James McNeill Whistler'
+p7041
+sg6
+S'etching'
+p7042
+sg8
+S'unknown date\n'
+p7043
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa5d.jpg'
+p7044
+sg12
+g27
+sa(dp7045
+g2
+S'Miss Lenoir'
+p7046
+sg4
+S'James McNeill Whistler'
+p7047
+sg6
+S'etching and drypoint'
+p7048
+sg8
+S'c. 1887'
+p7049
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa55.jpg'
+p7050
+sg12
+g27
+sa(dp7051
+g2
+S'The Little Hat'
+p7052
+sg4
+S'James McNeill Whistler'
+p7053
+sg6
+S'etching'
+p7054
+sg8
+S'unknown date\n'
+p7055
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa54.jpg'
+p7056
+sg12
+g27
+sa(dp7057
+g2
+S'The Mantle'
+p7058
+sg4
+S'James McNeill Whistler'
+p7059
+sg6
+S'etching'
+p7060
+sg8
+S'unknown date\n'
+p7061
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa53.jpg'
+p7062
+sg12
+g27
+sa(dp7063
+g2
+S'Gipsy Baby'
+p7064
+sg4
+S'James McNeill Whistler'
+p7065
+sg6
+S'etching'
+p7066
+sg8
+S'unknown date\n'
+p7067
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa56.jpg'
+p7068
+sg12
+g27
+sa(dp7069
+g2
+S'Little Nude Figure'
+p7070
+sg4
+S'James McNeill Whistler'
+p7071
+sg6
+S'etching'
+p7072
+sg8
+S'unknown date\n'
+p7073
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa84.jpg'
+p7074
+sg12
+g27
+sa(dp7075
+g2
+S'Cameo, No.I'
+p7076
+sg4
+S'James McNeill Whistler'
+p7077
+sg6
+S'etching'
+p7078
+sg8
+S'unknown date\n'
+p7079
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa8c.jpg'
+p7080
+sg12
+g27
+sa(dp7081
+g2
+S'Canal, Ostend'
+p7082
+sg4
+S'James McNeill Whistler'
+p7083
+sg6
+S'etching'
+p7084
+sg8
+S'1887'
+p7085
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa87.jpg'
+p7086
+sg12
+g27
+sa(dp7087
+g2
+S'Church, Brussels'
+p7088
+sg4
+S'James McNeill Whistler'
+p7089
+sg6
+S'etching'
+p7090
+sg8
+S'1887'
+p7091
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa89.jpg'
+p7092
+sg12
+g27
+sa(dp7093
+g2
+S'George Pollock'
+p7094
+sg4
+S'Gilbert Stuart'
+p7095
+sg6
+S'oil on canvas'
+p7096
+sg8
+S'1793/1794'
+p7097
+sg10
+S'http://www.nga.gov:80/thumb-l/a00002/a0000236.jpg'
+p7098
+sg12
+g27
+sa(dp7099
+g2
+S'High Street, Brussels'
+p7100
+sg4
+S'James McNeill Whistler'
+p7101
+sg6
+S'etching'
+p7102
+sg8
+S'1887'
+p7103
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa8b.jpg'
+p7104
+sg12
+g27
+sa(dp7105
+g2
+S'Gold-House, Brussels'
+p7106
+sg4
+S'James McNeill Whistler'
+p7107
+sg6
+S'etching on laid paper'
+p7108
+sg8
+S'1887'
+p7109
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa88.jpg'
+p7110
+sg12
+g27
+sa(dp7111
+g2
+S'Palaces, Brussels'
+p7112
+sg4
+S'James McNeill Whistler'
+p7113
+sg6
+S'etching and drypoint'
+p7114
+sg8
+S'1887'
+p7115
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000b/a0000bb3.jpg'
+p7116
+sg12
+g27
+sa(dp7117
+g2
+S"Grand' Place, Brussels"
+p7118
+sg4
+S'James McNeill Whistler'
+p7119
+sg6
+S'etching on laid paper'
+p7120
+sg8
+S'1887'
+p7121
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa8e.jpg'
+p7122
+sg12
+g27
+sa(dp7123
+g2
+S'Courtyard, Rue P.L. Courier'
+p7124
+sg4
+S'James McNeill Whistler'
+p7125
+sg6
+S'etching'
+p7126
+sg8
+S'1888'
+p7127
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa85.jpg'
+p7128
+sg12
+g27
+sa(dp7129
+g2
+S'Railway Station, Voves'
+p7130
+sg4
+S'James McNeill Whistler'
+p7131
+sg6
+S'etching'
+p7132
+sg8
+S'1887'
+p7133
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa8d.jpg'
+p7134
+sg12
+g27
+sa(dp7135
+g2
+S'Little Market Place, Tours'
+p7136
+sg4
+S'James McNeill Whistler'
+p7137
+sg6
+S'etching'
+p7138
+sg8
+S'1888'
+p7139
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa8a.jpg'
+p7140
+sg12
+g27
+sa(dp7141
+g2
+S"Hangman's House, Tours"
+p7142
+sg4
+S'James McNeill Whistler'
+p7143
+sg6
+S'etching in black on laid paper'
+p7144
+sg8
+S'1888'
+p7145
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa86.jpg'
+p7146
+sg12
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+S'lithograph in black, hand-colored with chalk on off-white plate paper'
+p7480
+sg8
+S'1888'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a000ab/a000ab84.jpg'
+p7482
+sg12
+g27
+sa(dp7483
+g2
+S'Chelsea Rags'
+p7484
+sg4
+S'James McNeill Whistler'
+p7485
+sg6
+S'lithograph on cream laid paper'
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+sg8
+S'1888'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa82.jpg'
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+sg12
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+sa(dp7489
+g12
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+S'overall: 90 x 71 cm (35 7/16 x 27 15/16 in.)\r\nframed: 109.9 x 92.1 x 8.3 cm (43 1/4 x 36 1/4 x 3 1/4 in.)'
+p7490
+sg8
+S'\noil on canvas'
+p7491
+sg2
+S'Possibly Robert Thew'
+p7492
+sg4
+S'British 18th Century'
+p7493
+sa(dp7494
+g2
+S'Courtyard, Chelsea Hospital'
+p7495
+sg4
+S'James McNeill Whistler'
+p7496
+sg6
+S'lithograph on cream wove paper'
+p7497
+sg8
+S'1888'
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+S'http://www.nga.gov:80/thumb-l/a000ab/a000abaa.jpg'
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+sg12
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+sa(dp7500
+g2
+S'The Farriers'
+p7501
+sg4
+S'James McNeill Whistler'
+p7502
+sg6
+S'lithograph on grayish ivory chine mounted on ivory plate paper'
+p7503
+sg8
+S'1888'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a000ab/a000abaf.jpg'
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+sa(dp7506
+g2
+S'The Winged Hat'
+p7507
+sg4
+S'James McNeill Whistler'
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+sg6
+S'lithograph on cream laid paper'
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+sg8
+S'1890'
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+S'http://www.nga.gov:80/thumb-l/a000ab/a000abab.jpg'
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+sa(dp7512
+g2
+S'Gants de Su\xc3\xa8de'
+p7513
+sg4
+S'James McNeill Whistler'
+p7514
+sg6
+S'lithograph on cream laid paper'
+p7515
+sg8
+S'1890'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa7e.jpg'
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+sa(dp7518
+g2
+S'The Tyresmith'
+p7519
+sg4
+S'James McNeill Whistler'
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+sg6
+S'lithograph in black on cream Japanese paper'
+p7521
+sg8
+S'1890'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa7a.jpg'
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+sa(dp7524
+g2
+S"Maunder's Fish Shop, Chelsea"
+p7525
+sg4
+S'James McNeill Whistler'
+p7526
+sg6
+S'lithograph on cream laid paper'
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+sg8
+S'1890'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa83.jpg'
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+sa(dp7530
+g2
+S'The Little Nude Model, Reading'
+p7531
+sg4
+S'James McNeill Whistler'
+p7532
+sg6
+S'lithograph on grayish ivory chine mounted on ivory plate paper'
+p7533
+sg8
+S'1889/1890'
+p7534
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ab/a000abac.jpg'
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+sa(dp7536
+g2
+S'The Dancing Girl'
+p7537
+sg4
+S'James McNeill Whistler'
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+sg6
+S'lithograph on tan laid paper'
+p7539
+sg8
+S'1889'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa78.jpg'
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+sa(dp7542
+g2
+S'Model Draping'
+p7543
+sg4
+S'James McNeill Whistler'
+p7544
+sg6
+S'lithograph on cream laid paper'
+p7545
+sg8
+S'probably 1889'
+p7546
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa7d.jpg'
+p7547
+sg12
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+sa(dp7548
+g2
+S'The Horoscope'
+p7549
+sg4
+S'James McNeill Whistler'
+p7550
+sg6
+S'lithograph on cream laid paper'
+p7551
+sg8
+S'probably 1889'
+p7552
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ab/a000abae.jpg'
+p7553
+sg12
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+sa(dp7554
+g2
+S'William Thornton'
+p7555
+sg4
+S'Gilbert Stuart'
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+sg6
+S'oil on canvas'
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+sg8
+S'1804'
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+S'http://www.nga.gov:80/thumb-l/a00002/a0000240.jpg'
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+sa(dp7560
+g2
+S'The Novel: Girl Reading'
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+sg4
+S'James McNeill Whistler'
+p7562
+sg6
+S'lithograph on grayish ivory laid proofing paper laid down on grayish ivory laid proofing paper'
+p7563
+sg8
+S'probably 1889'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa7c.jpg'
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+sa(dp7566
+g2
+S"Gatti's"
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+sg4
+S'James McNeill Whistler'
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+S'lithograph on cream wove paper'
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+S'1890'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa7f.jpg'
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+sa(dp7572
+g2
+S'H\xc3\xb4tel Colbert, Windows'
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+S'James McNeill Whistler'
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+sg6
+S'lithograph on cream laid paper'
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+sg8
+S'1891'
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+S'http://www.nga.gov:80/thumb-l/a0000b/a0000bbb.jpg'
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+sg12
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+sa(dp7578
+g2
+S'Cocks and Hens, H\xc3\xb4tel Colbert'
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+sg4
+S'James McNeill Whistler'
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+sg6
+S'lithograph on cream wove paper'
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+sg8
+S'1891'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa92.jpg'
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+sa(dp7584
+g2
+S'The Garden'
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+sg4
+S'James McNeill Whistler'
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+sg6
+S'lithograph on cream Japanese paper'
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+sg8
+S'1891'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa95.jpg'
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+sa(dp7590
+g2
+S'The Garden'
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+sg4
+S'James McNeill Whistler'
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+sg6
+S'lithograph on cream wove paper'
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+sg8
+S'1891'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa94.jpg'
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+sg12
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+sa(dp7596
+g2
+S'Vitr\xc3\xa9: The Canal'
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+S'James McNeill Whistler'
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+sg6
+S'lithograph on cream laid paper'
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+sg8
+S'1893'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa8f.jpg'
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+sa(dp7602
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+S'The Marketplace, Vitr\xc3\xa9'
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+S'James McNeill Whistler'
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+sg6
+S'lithograph on cream laid paper'
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+S'1893'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa90.jpg'
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+sa(dp7608
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+S'Gabled Roofs, Vitre'
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+S'James McNeill Whistler'
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+S'lithograph'
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+S'1893'
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+S'http://www.nga.gov:80/thumb-l/a000ab/a000aba8.jpg'
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+sa(dp7614
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+S'The Clock-Makers, Paimpol'
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+S'James McNeill Whistler'
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+S'lithograph'
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+S'1893'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa97.jpg'
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+sa(dp7620
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+S'Mrs. Davies Davenport'
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+S'George Romney'
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+S'oil on canvas'
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+S'1782-1784'
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+S'http://www.nga.gov:80/thumb-l/a00039/a00039aa.jpg'
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+sg12
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+sa(dp7626
+g2
+S'Anna Maria Brodeau Thornton (Mrs. William Thornton)'
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+S'Gilbert Stuart'
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+sg6
+S'oil on canvas'
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+sg8
+S'1804'
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+S'http://www.nga.gov:80/thumb-l/a00002/a0000241.jpg'
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+sa(dp7632
+g2
+S'The Steps, Luxembourg Gardens'
+p7633
+sg4
+S'James McNeill Whistler'
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+sg6
+S'lithograph'
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+sg8
+S'1893'
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+S'http://www.nga.gov:80/thumb-l/a0000b/a0000bbc.jpg'
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+sa(dp7638
+g2
+S'Conversation under the Statue, Luxembourg Gardens'
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+sg4
+S'James McNeill Whistler'
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+sg6
+S'lithograph'
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+sg8
+S'1893'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa91.jpg'
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+sa(dp7644
+g2
+S'The Pantheon, from Terrace of Luxembourg Gardens'
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+sg4
+S'James McNeill Whistler'
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+sg6
+S'lithograph'
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+sg8
+S'1893'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa93.jpg'
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+sa(dp7650
+g2
+S'The Draped Figure Seated'
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+sg4
+S'James McNeill Whistler'
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+sg6
+S'lithograph'
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+sg8
+S'1893'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aaa3.jpg'
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+sa(dp7656
+g2
+S'Nude Model Reclining'
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+sg4
+S'James McNeill Whistler'
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+S'lithograph'
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+S'1893'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aaa2.jpg'
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+sa(dp7662
+g2
+S'Nursemaids - Les Bonnes du Luxembourg'
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+S'James McNeill Whistler'
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+sg6
+S'lithograph'
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+sg8
+S'1894'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aaa0.jpg'
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+sa(dp7668
+g2
+S'The Long Balcony'
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+sg4
+S'James McNeill Whistler'
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+sg6
+S'lithograph'
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+sg8
+S'1894'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aaa4.jpg'
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+sa(dp7674
+g2
+S'The Little Balcony'
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+sg4
+S'James McNeill Whistler'
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+sg6
+S'lithograph'
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+sg8
+S'1894'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aaa1.jpg'
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+sa(dp7680
+g2
+S'Little Draped Figure Leaning'
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+sg4
+S'James McNeill Whistler'
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+sg6
+S'lithograph'
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+sg8
+S'1894'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aaa6.jpg'
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+sg12
+g27
+sa(dp7686
+g2
+S'The Long Gallery, Louvre'
+p7687
+sg4
+S'James McNeill Whistler'
+p7688
+sg6
+S'lithograph'
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+sg8
+S'1894'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aad9.jpg'
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+g27
+sa(dp7692
+g2
+S'George Washington (Vaughan portrait)'
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+sg4
+S'Gilbert Stuart'
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+sg6
+S'oil on canvas'
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+sg8
+S'1795'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a00002/a0000242.jpg'
+p7697
+sg12
+S'Gilbert Stuart was exclusively a portraitist; in his five-decade career, he produced\nwell over 1100 pictures, less than ten of which were not likenesses. Of these portraits,\nnearly one-tenth are images of George Washington, to whom he was introduced by their\nmutual friend Chief Justice John Jay. Stuart\'s 104 known likenesses of the first\npresident are divided into categories named after the owners of Stuart\'s originals,\nfrom which he made his own replicas: the National Gallery\'s \n A charming conversationalist, Stuart would chat while painting, thereby entertaining\nhis sitters to maintain the freshness of their expressions during the long hours\nof posing. To the serious and taciturn Washington, however, Stuart\'s glib wit was\nannoying. The artist claimed, "An apathy seemed to seize him, and a vacuity spread\nover his countenance, most appalling to paint." Nevertheless, this image has spontaneity\nbecause of its quick, sketchy handling. To impart the sixty-three-year-old subject\'s\nimposing physical presence, Stuart placed the head high in the design. Finally,\nhe added the crimson glow that complements Washington\'s ruddy complexion and surrounds\nhis head like a superhuman aureole.\n '
+p7698
+sa(dp7699
+g2
+S'The Whitesmiths - Impasse des Carmelites'
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+sg4
+S'James McNeill Whistler'
+p7701
+sg6
+S'lithograph'
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+sg8
+S'1894'
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+S'http://www.nga.gov:80/thumb-l/a000ab/a000aba9.jpg'
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+sa(dp7705
+g2
+S'Tete-a-Tete in the Garden'
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+sg4
+S'James McNeill Whistler'
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+sg6
+S'lithograph'
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+sg8
+S'1894'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aad8.jpg'
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+sa(dp7711
+g2
+S'The Terrace Luxembourg'
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+sg4
+S'James McNeill Whistler'
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+sg6
+S'lithograph'
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+sg8
+S'1894'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aad4.jpg'
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+sg12
+g27
+sa(dp7717
+g2
+S'The Little Cafe au Bois'
+p7718
+sg4
+S'James McNeill Whistler'
+p7719
+sg6
+S'lithograph'
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+sg8
+S'1894'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aad2.jpg'
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+sg12
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+sa(dp7723
+g2
+S'Late Picquet'
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+sg4
+S'James McNeill Whistler'
+p7725
+sg6
+S'lithograph'
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+sg8
+S'1894'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aad7.jpg'
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+sg12
+g27
+sa(dp7729
+g2
+S'The Laundress - La Blanchisseuse de la Place Dauphine'
+p7730
+sg4
+S'James McNeill Whistler'
+p7731
+sg6
+S'lithograph'
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+sg8
+S'1894'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aadd.jpg'
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+sg12
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+sa(dp7735
+g2
+S'Rue Furstenberg'
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+sg4
+S'James McNeill Whistler'
+p7737
+sg6
+S'lithograph'
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+sg8
+S'1894'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aad5.jpg'
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+sa(dp7741
+g2
+S'Confidences in the Garden'
+p7742
+sg4
+S'James McNeill Whistler'
+p7743
+sg6
+S'lithograph'
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+S'1894'
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+S'http://www.nga.gov:80/thumb-l/a0004b/a0004bb4.jpg'
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+sg12
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+sa(dp7747
+g2
+S'La Jolie New Yorkaise'
+p7748
+sg4
+S'James McNeill Whistler'
+p7749
+sg6
+S'lithograph'
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+sg8
+S'1894'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aadb.jpg'
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+sa(dp7753
+g2
+S'La Belle Dame Paresseuse'
+p7754
+sg4
+S'James McNeill Whistler'
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+sg6
+S'lithograph'
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+sg8
+S'1894'
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+S'http://www.nga.gov:80/thumb-l/a000aa/a000aad6.jpg'
+p7758
+sg12
+g27
+sa(dp7759
+g2
+S'Luke White'
+p7760
+sg4
+S'Gilbert Stuart'
+p7761
+sg6
+S'oil on canvas'
+p7762
+sg8
+S'c. 1787'
+p7763
+sg10
+S'http://www.nga.gov:80/thumb-l/a00002/a0000243.jpg'
+p7764
+sg12
+g27
+sa(dp7765
+g2
+S'La Belle Jardiniere'
+p7766
+sg4
+S'James McNeill Whistler'
+p7767
+sg6
+S'lithograph'
+p7768
+sg8
+S'1894'
+p7769
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ac/a000ac11.jpg'
+p7770
+sg12
+g27
+sa(dp7771
+g2
+S'The Duet'
+p7772
+sg4
+S'James McNeill Whistler'
+p7773
+sg6
+S'lithograph'
+p7774
+sg8
+S'1894'
+p7775
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aadc.jpg'
+p7776
+sg12
+g27
+sa(dp7777
+g2
+S'The Duet, No.II'
+p7778
+sg4
+S'James McNeill Whistler'
+p7779
+sg6
+S'lithograph'
+p7780
+sg8
+S'1894'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aad3.jpg'
+p7782
+sg12
+g27
+sa(dp7783
+g2
+S'St\xc3\xa9phane Mallarm\xc3\xa9'
+p7784
+sg4
+S'James McNeill Whistler'
+p7785
+sg6
+S'lithograph'
+p7786
+sg8
+S'1894'
+p7787
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aad0.jpg'
+p7788
+sg12
+g27
+sa(dp7789
+g2
+S'The Draped Figure, Back View'
+p7790
+sg4
+S'James McNeill Whistler'
+p7791
+sg6
+S'lithograph'
+p7792
+sg8
+S'1894'
+p7793
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ab/a000ab23.jpg'
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+sg12
+g27
+sa(dp7795
+g2
+S'La Robe Rouge'
+p7796
+sg4
+S'James McNeill Whistler'
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+S"The Butcher's Dog"
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+S'1896'
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+S'http://www.nga.gov:80/thumb-l/a000ab/a000ab0b.jpg'
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+S'Andrew Jackson'
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+S'Thomas Sully'
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+S'oil on canvas'
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+S'1845'
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+S'http://www.nga.gov:80/thumb-l/a00002/a000025e.jpg'
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+S"The Butcher's Dog"
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+S'James McNeill Whistler'
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+S'1896'
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+S'http://www.nga.gov:80/thumb-l/a000ab/a000ab8c.jpg'
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+S'St. Giles-in-the-Fields'
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+S'James McNeill Whistler'
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+S'lithograph'
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+S'1896'
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+S'http://www.nga.gov:80/thumb-l/a000ab/a000ab11.jpg'
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+sa(dp8161
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+S'Little London Model'
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+S'James McNeill Whistler'
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+S'lithograph'
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+S'1896'
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+S'http://www.nga.gov:80/thumb-l/a000ab/a000ab0f.jpg'
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+S'Count Robert de Montesquiou'
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+S'James McNeill Whistler'
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+S'lithograph'
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+S'1895'
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+S'http://www.nga.gov:80/thumb-l/a000ab/a000abb5.jpg'
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+sa(dp8173
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+S'Count Robert de Montesquiou, No.II'
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+S'James McNeill Whistler'
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+S'lithograph'
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+S'1895'
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+S'http://www.nga.gov:80/thumb-l/a000ab/a000abb3.jpg'
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+S'Count Robert de Montesquiou, No.III'
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+S'James McNeill Whistler'
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+S'1895'
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+S'http://www.nga.gov:80/thumb-l/a000ab/a000abb4.jpg'
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+sa(dp8185
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+S'The Garden Porch'
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+S'lithograph'
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+S'1894'
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+S'http://www.nga.gov:80/thumb-l/a000ab/a000abb6.jpg'
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+S'Sketch of a Blacksmith'
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+S'James McNeill Whistler'
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+S'lithograph'
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+S'1895'
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+S'http://www.nga.gov:80/thumb-l/a000ab/a000ab08.jpg'
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+S'Sketch - Grand Rue Dieppe'
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+S'James McNeill Whistler'
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+S'1891'
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+sa(dp8203
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+S'Abraham Kintzing'
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+S'Thomas Sully'
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+S'oil on canvas'
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+S'1815'
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+S'http://www.nga.gov:80/thumb-l/a00002/a000025f.jpg'
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+S'Sketch - Grand Rue Dieppe'
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+sg4
+S'James McNeill Whistler'
+p8211
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+S'lithograph'
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+S'1891'
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+S'http://www.nga.gov:80/thumb-l/a000ab/a000ab07.jpg'
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+sg12
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+sa(dp8215
+g2
+S'Afternoon Tea'
+p8216
+sg4
+S'Artist Information ('
+p8217
+sg6
+S'French, 1867 - 1939'
+p8218
+sg8
+S'(artist)'
+p8219
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ab/a000abb2.jpg'
+p8220
+sg12
+g27
+sa(dp8221
+g2
+S'Portrait Study - Miss Charlotte R. Williams'
+p8222
+sg4
+S'James McNeill Whistler'
+p8223
+sg6
+S'lithograph'
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+sg8
+S'unknown date\n'
+p8225
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ab/a000ab0a.jpg'
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+sg12
+g27
+sa(dp8227
+g2
+S'St\xc3\xa9phane Mallarm\xc3\xa9'
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+sg4
+S'James McNeill Whistler'
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+sg6
+S'lithograph'
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+sg8
+S'1894'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a000ab/a000ab1e.jpg'
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+sg12
+g27
+sa(dp8233
+g2
+S'The Shoemaker'
+p8234
+sg4
+S'James McNeill Whistler'
+p8235
+sg6
+S'lithograph'
+p8236
+sg8
+S'unknown date\n'
+p8237
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ab/a000abb1.jpg'
+p8238
+sg12
+g27
+sa(dp8239
+g2
+S'The Medici Collar'
+p8240
+sg4
+S'James McNeill Whistler'
+p8241
+sg6
+S'lithograph'
+p8242
+sg8
+S'unknown date\n'
+p8243
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ab/a000ab1b.jpg'
+p8244
+sg12
+g27
+sa(dp8245
+g2
+S'Draped Figure Standing'
+p8246
+sg4
+S'James McNeill Whistler'
+p8247
+sg6
+S'lithograph'
+p8248
+sg8
+S'unknown date\n'
+p8249
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ab/a000ab16.jpg'
+p8250
+sg12
+g27
+sa(dp8251
+g2
+S'Draped Figure Reclining'
+p8252
+sg4
+S'James McNeill Whistler'
+p8253
+sg6
+S'color lithograph'
+p8254
+sg8
+S'unknown date\n'
+p8255
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000b/a0000bbe.jpg'
+p8256
+sg12
+g27
+sa(dp8257
+g2
+S'The Girl'
+p8258
+sg4
+S'James McNeill Whistler'
+p8259
+sg6
+S'lithograph'
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+sg8
+S'unknown date\n'
+p8261
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ab/a000ab1a.jpg'
+p8262
+sg12
+g27
+sa(dp8263
+g2
+S'Nude Figure Seated'
+p8264
+sg4
+S'James McNeill Whistler'
+p8265
+sg6
+S'lithograph'
+p8266
+sg8
+S'unknown date\n'
+p8267
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ab/a000ab18.jpg'
+p8268
+sg12
+g27
+sa(dp8269
+g2
+S'Lady Caroline Howard'
+p8270
+sg4
+S'Sir Joshua Reynolds'
+p8271
+sg6
+S'oil on canvas'
+p8272
+sg8
+S'1778'
+p8273
+sg10
+S'http://www.nga.gov:80/thumb-l/a00005/a0000578.jpg'
+p8274
+sg12
+S' Lady Caroline Howard, daughter of Frederick, the fifth Earl of Carlisle, and\nMargaret Caroline Howard, and niece of Lady Delmé, was portrayed by Reynolds at\nthe age of seven.\n Reynolds deliberately imposed on his compositions certain\nformal artistic qualities that would give them the solidity and nobility of Greek,\nRoman, and Renaissance art. He also liked to suggest associations in his portraits\nthat elevate them to some level beyond the merely descriptive. Roses are symbolically\nrelated to Venus and the Three Graces, and Reynolds may well have intended to allude\nto their attributes, Chastity, Beauty, and Love, as ideals to which Lady Caroline\nshould aspire.\n Lady Caroline\'s father affectionately described his daughter as a determined, strong-minded\nchild whose need for discipline he met fairly but reluctantly. He wrote that she\nwas "always a great favorite," suggesting that her spirited personality made her\nfaults tolerable. Reynolds captured some of Lady Caroline\'s complexity in the serious,\nintent expression of her attractive face, her averted gaze, and the tension implied\nin her closed left hand.\n '
+p8275
+sa(dp8276
+g2
+S'Zachariah Schoonmaker'
+p8277
+sg4
+S'John Vanderlyn'
+p8278
+sg6
+S'oil on canvas'
+p8279
+sg8
+S'1815/1818'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a00002/a0000283.jpg'
+p8281
+sg12
+g27
+sa(dp8282
+g2
+S'Draped Model Standing'
+p8283
+sg4
+S'James McNeill Whistler'
+p8284
+sg6
+S'lithograph'
+p8285
+sg8
+S'unknown date\n'
+p8286
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ab/a000ab19.jpg'
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+sg12
+g27
+sa(dp8288
+g2
+S'Mrs or Miss McNay'
+p8289
+sg4
+S'James McNeill Whistler'
+p8290
+sg6
+S'pen and brown ink on folded wove paper'
+p8291
+sg8
+S'1882'
+p8292
+sg10
+S'http://www.nga.gov:80/thumb-l/a000f0/a000f0f3.jpg'
+p8293
+sg12
+g27
+sa(dp8294
+g2
+S'Standing Female Nude a Holding Bowl [recto]'
+p8295
+sg4
+S'James McNeill Whistler'
+p8296
+sg6
+S'graphite, colored chalk and pastel on brown paper'
+p8297
+sg8
+S'1868/1873'
+p8298
+sg10
+S'http://www.nga.gov:80/thumb-l/a000e4/a000e4d8.jpg'
+p8299
+sg12
+g27
+sa(dp8300
+g12
+g27
+sg6
+S'graphite, chalk and pastel on brown paper'
+p8301
+sg8
+S'1868/1873'
+p8302
+sg2
+S'Study for "Variations in Blue and Green" [verso]'
+p8303
+sg4
+S'James McNeill Whistler'
+p8304
+sa(dp8305
+g2
+S'Nude Standing with Legs Crossed'
+p8306
+sg4
+S'James McNeill Whistler'
+p8307
+sg6
+S'chalk on brown paper'
+p8308
+sg8
+S'c. 1878'
+p8309
+sg10
+S'http://www.nga.gov:80/thumb-l/a000e4/a000e4d7.jpg'
+p8310
+sg12
+g27
+sa(dp8311
+g2
+S'Nude Leaning on a Rail [recto]'
+p8312
+sg4
+S'James McNeill Whistler'
+p8313
+sg6
+S'chalk and pastel on brown paper'
+p8314
+sg8
+S'1871/1874'
+p8315
+sg10
+S'http://www.nga.gov:80/thumb-l/a000e4/a000e4d9.jpg'
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+sg12
+g27
+sa(dp8317
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+g27
+sg6
+S'chalk on brown paper'
+p8318
+sg8
+S'1871/1874'
+p8319
+sg2
+S'Standing Figure [verso]'
+p8320
+sg4
+S'James McNeill Whistler'
+p8321
+sa(dp8322
+g2
+S'Seated Woman with Red Hair'
+p8323
+sg4
+S'James McNeill Whistler'
+p8324
+sg6
+S'pastel and chalk on brown paper'
+p8325
+sg8
+S'1870/1873'
+p8326
+sg10
+S'http://www.nga.gov:80/thumb-l/a000e4/a000e4da.jpg'
+p8327
+sg12
+g27
+sa(dp8328
+g2
+S'Sheet of Sketches [recto]'
+p8329
+sg4
+S'Beatrice Godwin Whistler'
+p8330
+sg6
+S'graphite on laid paper'
+p8331
+sg8
+S'late 19th century'
+p8332
+sg10
+S'http://www.nga.gov:80/thumb-l/a000f0/a000f0fc.jpg'
+p8333
+sg12
+g27
+sa(dp8334
+g2
+S'Studies for Jewelry Designs [recto]'
+p8335
+sg4
+S'Beatrice Godwin Whistler'
+p8336
+sg6
+S'graphite and pen and brown ink on laid paper'
+p8337
+sg8
+S'late 19th century'
+p8338
+sg10
+S'http://www.nga.gov:80/thumb-l/a000f0/a000f0f9.jpg'
+p8339
+sg12
+g27
+sa(dp8340
+g2
+S'Portrait of a Lady'
+p8341
+sg4
+S'Unknown 19th Century'
+p8342
+sg6
+S'overall: 62.7 x 52 cm (24 11/16 x 20 1/2 in.)\r\nframed: 84.5 x 72.7 cm (33 1/4 x 28 5/8 in.)'
+p8343
+sg8
+S'\noil on canvas'
+p8344
+sg10
+S'http://www.nga.gov:80/thumb-l/a000c5/a000c569.jpg'
+p8345
+sg12
+g27
+sa(dp8346
+g2
+S'Studies for Jewelry Designs [recto]'
+p8347
+sg4
+S'Beatrice Godwin Whistler'
+p8348
+sg6
+S'graphite on an envelope of laid paper'
+p8349
+sg8
+S'late 19th century'
+p8350
+sg10
+S'http://www.nga.gov:80/thumb-l/a000f0/a000f0fd.jpg'
+p8351
+sg12
+g27
+sa(dp8352
+g2
+S'Harper Pennington'
+p8353
+sg4
+S'James McNeill Whistler'
+p8354
+sg6
+S'chalk and pastel on brown paper'
+p8355
+sg8
+S'1880/1882'
+p8356
+sg10
+S'http://www.nga.gov:80/thumb-l/a00009/a00009f7.jpg'
+p8357
+sg12
+g27
+sa(dp8358
+g2
+S'Woman with a Fan'
+p8359
+sg4
+S'James McNeill Whistler'
+p8360
+sg6
+S'black crayon heightened with white (chalk?) on brown paper'
+p8361
+sg8
+S'1873/1875'
+p8362
+sg10
+S'http://www.nga.gov:80/thumb-l/a000f0/a000f0f1.jpg'
+p8363
+sg12
+g27
+sa(dp8364
+g2
+S'Two Sketches of Landscape Pictures hung at the Society of British Artists'
+p8365
+sg4
+S'James McNeill Whistler'
+p8366
+sg6
+S'graphite on laid paper'
+p8367
+sg8
+S'probably 1887'
+p8368
+sg10
+S'http://www.nga.gov:80/thumb-l/a000f0/a000f0f6.jpg'
+p8369
+sg12
+g27
+sa(dp8370
+g2
+S"Sketch of Mrs. Godwin's Portrait when hung at the Society of British Artists"
+p8371
+sg4
+S'James McNeill Whistler'
+p8372
+sg6
+S'graphite on laid paper'
+p8373
+sg8
+S'1886/1887'
+p8374
+sg10
+S'http://www.nga.gov:80/thumb-l/a000f0/a000f0f8.jpg'
+p8375
+sg12
+g27
+sa(dp8376
+g2
+S'Miss Cumberlege'
+p8377
+sg4
+S'James McNeill Whistler'
+p8378
+sg6
+S'pen and brown ink on wove paper'
+p8379
+sg8
+S'1882'
+p8380
+sg10
+S'http://www.nga.gov:80/thumb-l/a00009/a00009f8.jpg'
+p8381
+sg12
+g27
+sa(dp8382
+g2
+S'Arrangement in Black - No.3'
+p8383
+sg4
+S'James McNeill Whistler'
+p8384
+sg6
+S'graphite, pen and brown ink on off-white laid paper'
+p8385
+sg8
+S'1881'
+p8386
+sg10
+S'http://www.nga.gov:80/thumb-l/a000f0/a000f0f4.jpg'
+p8387
+sg12
+g27
+sa(dp8388
+g2
+S'At Sea'
+p8389
+sg4
+S'James McNeill Whistler'
+p8390
+sg6
+S'pen and brown ink on wove paper'
+p8391
+sg8
+S'probably 1901'
+p8392
+sg10
+S'http://www.nga.gov:80/thumb-l/a000f0/a000f0f7.jpg'
+p8393
+sg12
+g27
+sa(dp8394
+g2
+S'Nocturnal Note'
+p8395
+sg4
+S'James McNeill Whistler'
+p8396
+sg6
+S'black crayon on wove paper'
+p8397
+sg8
+S'probably 1880'
+p8398
+sg10
+S'http://www.nga.gov:80/thumb-l/a000cd/a000cdcb.jpg'
+p8399
+sg12
+g27
+sa(dp8400
+g12
+g27
+sg6
+S', late 19th century'
+p8401
+sg8
+S'\n'
+p8402
+sg2
+S'Venice'
+p8403
+sg4
+S'James McNeill Whistler'
+p8404
+sa(dp8405
+g2
+S'Robert G. L. De Peyster'
+p8406
+sg4
+S'Samuel Lovett Waldo'
+p8407
+sg6
+S'oil on wood'
+p8408
+sg8
+S'1828'
+p8409
+sg10
+S'http://www.nga.gov:80/thumb-l/a00002/a0000287.jpg'
+p8410
+sg12
+g27
+sa(dp8411
+g2
+S'Standing Female Figure'
+p8412
+sg4
+S'James McNeill Whistler'
+p8413
+sg6
+S'pen and brown ink on the back of a printed calling card for Mrs. Henry B. Callander, 72, Cadogan Place'
+p8414
+sg8
+S'c. 1883'
+p8415
+sg10
+S'http://www.nga.gov:80/thumb-l/a000f0/a000f0f5.jpg'
+p8416
+sg12
+g27
+sa(dp8417
+g2
+S'Sketch of Maud'
+p8418
+sg4
+S'James McNeill Whistler'
+p8419
+sg6
+S'pen and brown ink on laid paper'
+p8420
+sg8
+S'c. 1871/1873'
+p8421
+sg10
+S'http://www.nga.gov:80/thumb-l/a000f0/a000f0f2.jpg'
+p8422
+sg12
+g27
+sa(dp8423
+g12
+g27
+sg6
+S'color linoleum cut'
+p8424
+sg8
+S'1943'
+p8425
+sg2
+S'Once Upon a Midnight Dreary'
+p8426
+sg4
+S'Ernest William Watson'
+p8427
+sa(dp8428
+g2
+S'The Two Couples in the Forest'
+p8429
+sg4
+S'Artist Information ('
+p8430
+sg6
+S'(artist after)'
+p8431
+sg8
+S'\n'
+p8432
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ce/a000cec1.jpg'
+p8433
+sg12
+g27
+sa(dp8434
+g2
+S'Abel Francois Poisson, Marquis de Marigny'
+p8435
+sg4
+S'Artist Information ('
+p8436
+sg6
+S'(artist after)'
+p8437
+sg8
+S'\n'
+p8438
+sg10
+S'http://www.nga.gov:80/thumb-l/a000b3/a000b389.jpg'
+p8439
+sg12
+g27
+sa(dp8440
+g12
+g27
+sg6
+S'etching on laid paper'
+p8441
+sg8
+S'1918'
+p8442
+sg2
+S'North End of Telegraph Hill'
+p8443
+sg4
+S'John W. Winkler'
+p8444
+sa(dp8445
+g12
+g27
+sg6
+S'etching on laid paper'
+p8446
+sg8
+S'1920'
+p8447
+sg2
+S'Old Wharves of San Francisco'
+p8448
+sg4
+S'John W. Winkler'
+p8449
+sa(dp8450
+g12
+g27
+sg6
+S'etching on wove paper'
+p8451
+sg8
+S'1922'
+p8452
+sg2
+S'Ginger Shop'
+p8453
+sg4
+S'John W. Winkler'
+p8454
+sa(dp8455
+g2
+S"Noah's Ark"
+p8456
+sg4
+S'Pierre II Woeiriot de Bouzey'
+p8457
+sg6
+S', unknown date'
+p8458
+sg8
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+S'Pharaoh and the Plague of Frogs'
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+sa(dp8467
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+S'Benjamin West'
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+sg6
+S'American, 1738 - 1820'
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+S'(artist after)'
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+S'etching'
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+S'published 1939'
+p8475
+sg2
+S'Winter Chores'
+p8476
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+S'Ronau William Woiceske'
+p8477
+sa(dp8478
+g2
+S'Winter, the Fox Hunt'
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+sg6
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+p8481
+sg8
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+p8482
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+S'unknown date\n'
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+S'Back to Earth'
+p8492
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+S'George Hand Wright'
+p8493
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+S'wood engraving [print and wrapper]'
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+S'1939'
+p8496
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+S'Forest Pool'
+p8497
+sg4
+S'John Buckland Wright'
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+S'Madonna'
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+S'http://www.nga.gov:80/thumb-l/a000ed/a000ed35.jpg'
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+S'Anatole France'
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+S'1906'
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+S'http://www.nga.gov:80/thumb-l/a000ed/a000ed26.jpg'
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+S'Mona'
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+S'etching in dark brown'
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+S'1911'
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+S'An Irish Girl'
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+S'Mary Walton Morris'
+p8530
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+S'John Wollaston'
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+S'oil on canvas'
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+S'1749/1752'
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+p8536
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+S'Anders Zorn'
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+S'1891'
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+S'Girl with Cigarette'
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+S'1891'
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+S'http://www.nga.gov:80/thumb-l/a000ed/a000ed30.jpg'
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+S'Fisherman at Saint Ives'
+p8548
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+S'Anders Zorn'
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+S'Mrs. Granberg'
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+S'http://www.nga.gov:80/thumb-l/a000ed/a000ed32.jpg'
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+S'Albert Besnard and His Model'
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+S'etching'
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+S'1896'
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+S'Ernest Renan'
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+S'The Waltz'
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+sa(dp8577
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+S'Auguste Rodin'
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+sa(dp8595
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+S'A Gentleman of the Morris Family'
+p8596
+sg4
+S'John Wollaston'
+p8597
+sg6
+S'oil on canvas'
+p8598
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+S'1749/1752'
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+S'A Toast II'
+p8602
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+S'1893'
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+S'Ignacio Zuloaga'
+p8611
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+S'unknown date\n'
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+S'Ignacio Zuloaga'
+p8616
+sa(dp8617
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+S'The Baptism of Christ'
+p8618
+sg4
+S'Netherlandish 16th Century'
+p8619
+sg6
+S'Overall: 40.3 x 50.7 cm (15 7/8 x 19 15/16 in.)\r\nsupport: 46.8 x 60.4 cm (18 7/16 x 23 3/4 in.)'
+p8620
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+S'\nblack chalk heightened with white chalk'
+p8621
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+S'Descent from the Cross'
+p8624
+sg4
+S'Artist Information ('
+p8625
+sg6
+S'Italian, c. 1509 - 1566'
+p8626
+sg8
+S'(artist after)'
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+S'http://www.nga.gov:80/thumb-l/a00074/a00074a6.jpg'
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+S'Horatius Cocles Defending Rome'
+p8630
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+S'Artist Information ('
+p8631
+sg6
+S'(artist)'
+p8632
+sg8
+S'\n'
+p8633
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+p8634
+sg12
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+S'Madonna and Child with Rosary and Saint'
+p8636
+sg4
+S'Abraham van Diepenbeeck'
+p8637
+sg6
+S'black and red chalk with gray wash, heightened with white'
+p8638
+sg8
+S'unknown date\n'
+p8639
+sg10
+S'http://www.nga.gov:80/thumb-l/a0006c/a0006cf8.jpg'
+p8640
+sg12
+g27
+sa(dp8641
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+S'The Brazen Serpent'
+p8642
+sg4
+S'Artist Information ('
+p8643
+sg6
+S'Italian, 1518 - 1594'
+p8644
+sg8
+S'(artist after)'
+p8645
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+S'http://www.nga.gov:80/thumb-l/a00074/a00074a3.jpg'
+p8646
+sg12
+g27
+sa(dp8647
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+S'The Martyrdom of Saint Lawrence'
+p8648
+sg4
+S'Italian 16th Century'
+p8649
+sg6
+S'overall (shield-shaped): 32.6 x 37.5 cm (12 13/16 x 14 3/4 in.)'
+p8650
+sg8
+S'\npen and brown ink with gray-brown wash heightened with white on gray-blue paper'
+p8651
+sg10
+S'http://www.nga.gov:80/thumb-l/a00074/a00074a0.jpg'
+p8652
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+sa(dp8653
+g2
+S'Ceres Changing Ascalaphus into a Bird of Evil Omen'
+p8654
+sg4
+S'Paolo Farinati'
+p8655
+sg6
+S'pen and brown ink with brown wash heightened with white on blue laid paper'
+p8656
+sg8
+S'unknown date\n'
+p8657
+sg10
+S'http://www.nga.gov:80/thumb-l/a00075/a000753f.jpg'
+p8658
+sg12
+g27
+sa(dp8659
+g12
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+sg6
+S'engraving'
+p8660
+sg8
+S'unknown date\n'
+p8661
+sg2
+S'The Washington Family'
+p8662
+sg4
+S'Edward Savage'
+p8663
+sa(dp8664
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+S'Flagellation of Christ'
+p8665
+sg4
+S'Luca Cambiaso'
+p8666
+sg6
+S'pen and brown ink on laid paper'
+p8667
+sg8
+S'unknown date\n'
+p8668
+sg10
+S'http://www.nga.gov:80/thumb-l/a00075/a0007531.jpg'
+p8669
+sg12
+g27
+sa(dp8670
+g2
+S'God Enthroned Surrounded by Saints'
+p8671
+sg4
+S'Giovanni Battista Trotti'
+p8672
+sg6
+S'pen and brown ink with brown wash over black chalk (graphite?) on laid paper'
+p8673
+sg8
+S'possibly 1585/1590'
+p8674
+sg10
+S'http://www.nga.gov:80/thumb-l/a00074/a00074a5.jpg'
+p8675
+sg12
+g27
+sa(dp8676
+g2
+S'Judith with the Head of Holofernes'
+p8677
+sg4
+S'Carlo Maratta'
+p8678
+sg6
+S'red chalk on laid paper'
+p8679
+sg8
+S'unknown date\n'
+p8680
+sg10
+S'http://www.nga.gov:80/thumb-l/a00074/a00074c1.jpg'
+p8681
+sg12
+g27
+sa(dp8682
+g2
+S'Coronation of the Emperor'
+p8683
+sg4
+S'Artist Information ('
+p8684
+sg6
+S'Flemish, 1532 - 1603'
+p8685
+sg8
+S'(artist after)'
+p8686
+sg10
+S'http://www.nga.gov:80/thumb-l/a00070/a000709d.jpg'
+p8687
+sg12
+g27
+sa(dp8688
+g2
+S'Procris and Cephalus (?)'
+p8689
+sg4
+S'Artist Information ('
+p8690
+sg6
+S'French, 1590 - 1649'
+p8691
+sg8
+S'(related artist)'
+p8692
+sg10
+S'http://www.nga.gov:80/thumb-l/a0006c/a0006cfd.jpg'
+p8693
+sg12
+g27
+sa(dp8694
+g2
+S'Scipio Restoring His Captive to Her Lover'
+p8695
+sg4
+S'Italian 17th Century'
+p8696
+sg6
+S'overall: 38 x 22.5 cm (14 15/16 x 8 7/8 in.)'
+p8697
+sg8
+S'\nblack chalk with black wash and white heightening on green-blue paper'
+p8698
+sg10
+S'http://www.nga.gov:80/thumb-l/a00074/a0007488.jpg'
+p8699
+sg12
+g27
+sa(dp8700
+g2
+S'Holy Family with Infant Saint John'
+p8701
+sg4
+S'Luca Cambiaso'
+p8702
+sg6
+S'pen and brown ink with brown wash on brown paper'
+p8703
+sg8
+S'unknown date\n'
+p8704
+sg10
+S'http://www.nga.gov:80/thumb-l/a00075/a0007534.jpg'
+p8705
+sg12
+g27
+sa(dp8706
+g2
+S'The Conversion of Saint Paul'
+p8707
+sg4
+S'Artist Information ('
+p8708
+sg6
+S'Italian, 1555 - 1619'
+p8709
+sg8
+S'(artist after)'
+p8710
+sg10
+S'http://www.nga.gov:80/thumb-l/a00074/a00074d2.jpg'
+p8711
+sg12
+g27
+sa(dp8712
+g2
+S'Triumphal Procession'
+p8713
+sg4
+S'Baccio Bandinelli'
+p8714
+sg6
+S'pen and brown ink on laid paper'
+p8715
+sg8
+S'unknown date\n'
+p8716
+sg10
+S'http://www.nga.gov:80/thumb-l/a00074/a0007499.jpg'
+p8717
+sg12
+g27
+sa(dp8718
+g2
+S'The Last Supper'
+p8719
+sg4
+S'Italian 16th Century'
+p8720
+sg6
+S'overall: 26 x 43 cm (10 1/4 x 16 15/16 in.)'
+p8721
+sg8
+S'\npen and brown ink with brown wash and white heightening squared in black chalk on laid paper'
+p8722
+sg10
+S'http://www.nga.gov:80/thumb-l/a00075/a0007523.jpg'
+p8723
+sg12
+g27
+sa(dp8724
+g2
+S'Andrew W. Mellon'
+p8725
+sg4
+S'Jo Davidson'
+p8726
+sg6
+S'bronze'
+p8727
+sg8
+S'1927'
+p8728
+sg10
+S'http://www.nga.gov:80/thumb-l/a00016/a00016d8.jpg'
+p8729
+sg12
+g27
+sa(dp8730
+g2
+S'Ecstasy of a Saint'
+p8731
+sg4
+S'Artist Information ('
+p8732
+sg6
+S'Italian, 1582 - 1647'
+p8733
+sg8
+S'(related artist)'
+p8734
+sg10
+S'http://www.nga.gov:80/thumb-l/a00074/a00074b0.jpg'
+p8735
+sg12
+g27
+sa(dp8736
+g2
+S'Madonna Surrounded by Saints'
+p8737
+sg4
+S'Domenico Piola I'
+p8738
+sg6
+S'charcoal with brown wash on laid paper'
+p8739
+sg8
+S'unknown date\n'
+p8740
+sg10
+S'http://www.nga.gov:80/thumb-l/a00074/a00074bf.jpg'
+p8741
+sg12
+g27
+sa(dp8742
+g2
+S'Death of Phaeton'
+p8743
+sg4
+S'Artist Information ('
+p8744
+sg6
+S'(artist after)'
+p8745
+sg8
+S'\n'
+p8746
+sg10
+S'http://www.nga.gov:80/thumb-l/a0006d/a0006d25.jpg'
+p8747
+sg12
+g27
+sa(dp8748
+g2
+S'Saint Luke'
+p8749
+sg4
+S'Netherlandish 16th Century'
+p8750
+sg6
+S'overall: 17.8 x 13.9 cm (7 x 5 1/2 in.)'
+p8751
+sg8
+S'\npen and brown ink with brown wash over red chalk on laid paper'
+p8752
+sg10
+S'http://www.nga.gov:80/thumb-l/a0006e/a0006ec8.jpg'
+p8753
+sg12
+g27
+sa(dp8754
+g2
+S'The Annunciation'
+p8755
+sg4
+S'Artist Information ('
+p8756
+sg6
+S'Flemish, c. 1519 - 1570'
+p8757
+sg8
+S'(related artist)'
+p8758
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+S'http://www.nga.gov:80/thumb-l/a0006e/a0006e52.jpg'
+p8759
+sg12
+g27
+sa(dp8760
+g2
+S'Scene from Ancient History'
+p8761
+sg4
+S'Artist Information ('
+p8762
+sg6
+S'Italian, c. 1499 - probably 1543'
+p8763
+sg8
+S'(artist after)'
+p8764
+sg10
+S'http://www.nga.gov:80/thumb-l/a0006f/a0006fc4.jpg'
+p8765
+sg12
+g27
+sa(dp8766
+g2
+S'Two Figures Struggling before a King'
+p8767
+sg4
+S'Cesare Nebbia'
+p8768
+sg6
+S'pen and brown ink with brown wash over black chalk on laid paper'
+p8769
+sg8
+S'probably c. 1567/1569'
+p8770
+sg10
+S'http://www.nga.gov:80/thumb-l/a00065/a00065d4.jpg'
+p8771
+sg12
+g27
+sa(dp8772
+g2
+S'Sacrifice Scene (Gaius Mucius Scaevola?)'
+p8773
+sg4
+S'Netherlandish 16th Century'
+p8774
+sg6
+S'overall (octagon): 24.7 x 35.7 cm (9 3/4 x 14 1/16 in.)'
+p8775
+sg8
+S'\npen and brown ink with brown wash on laid paper'
+p8776
+sg10
+S'http://www.nga.gov:80/thumb-l/a00070/a0007022.jpg'
+p8777
+sg12
+g27
+sa(dp8778
+g2
+S'The Last Judgment'
+p8779
+sg4
+S'Giovanni Battista della Rovere'
+p8780
+sg6
+S'pen and brown ink with brown wash over graphite'
+p8781
+sg8
+S'unknown date\n'
+p8782
+sg10
+S'http://www.nga.gov:80/thumb-l/a00075/a000757e.jpg'
+p8783
+sg12
+g27
+sa(dp8784
+g2
+S'Tribute Money'
+p8785
+sg4
+S'Artist Information ('
+p8786
+sg6
+S'Flemish, 1577 - 1640'
+p8787
+sg8
+S'(artist after)'
+p8788
+sg10
+S'http://www.nga.gov:80/thumb-l/a0006e/a0006e20.jpg'
+p8789
+sg12
+g27
+sa(dp8790
+g2
+S'The Feast of the Gods'
+p8791
+sg4
+S'Artist Information ('
+p8792
+sg6
+S'(painter)'
+p8793
+sg8
+S'\n'
+p8794
+sg10
+S'http://www.nga.gov:80/thumb-l/a00005/a00005f2.jpg'
+p8795
+sg12
+S'Giovanni Bellini and Titian\xe2\x80\x99s \n The \n '
+p8796
+sa(dp8797
+g2
+S'Historical Scene [recto]'
+p8798
+sg4
+S'Angelo Marullo'
+p8799
+sg6
+S'pen and brown ink with brown wash over black chalk on laid paper'
+p8800
+sg8
+S'unknown date\n'
+p8801
+sg10
+S'http://www.nga.gov:80/thumb-l/a00074/a00074bc.jpg'
+p8802
+sg12
+g27
+sa(dp8803
+g2
+S'Two Draped Female Figures; Rest on the Flight into Egypt [verso]'
+p8804
+sg4
+S'Angelo Marullo'
+p8805
+sg6
+S'pen and brown ink with brown wash over black chalk on laid paper'
+p8806
+sg8
+S'unknown date\n'
+p8807
+sg10
+S'http://www.nga.gov:80/thumb-l/a00074/a00074bd.jpg'
+p8808
+sg12
+g27
+sa(dp8809
+g2
+S'Figure of a Man'
+p8810
+sg4
+S'Artist Information ('
+p8811
+sg6
+S'Italian, c. 1499 - probably 1543'
+p8812
+sg8
+S'(artist after)'
+p8813
+sg10
+S'http://www.nga.gov:80/thumb-l/a00075/a0007577.jpg'
+p8814
+sg12
+g27
+sa(dp8815
+g2
+S'The Meeting of San Carlo Borromeo and San Filippo Neri'
+p8816
+sg4
+S'Italian 17th Century'
+p8817
+sg6
+S'overall (approximate): 16.5 x 37.6 cm (6 1/2 x 14 13/16 in.)'
+p8818
+sg8
+S'\npen and brown ink with brown wash on laid paper'
+p8819
+sg10
+S'http://www.nga.gov:80/thumb-l/a00074/a0007487.jpg'
+p8820
+sg12
+g27
+sa(dp8821
+g2
+S'Sacrifice of Abraham'
+p8822
+sg4
+S'Alessandro Allori'
+p8823
+sg6
+S'pen and brown ink with gray wash over black chalk on darkened paper'
+p8824
+sg8
+S'unknown date\n'
+p8825
+sg10
+S'http://www.nga.gov:80/thumb-l/a00075/a0007520.jpg'
+p8826
+sg12
+g27
+sa(dp8827
+g2
+S'Battle Scene'
+p8828
+sg4
+S'Girolamo Genga'
+p8829
+sg6
+S'pen and brown ink on laid paper'
+p8830
+sg8
+S'unknown date\n'
+p8831
+sg10
+S'http://www.nga.gov:80/thumb-l/a00075/a0007540.jpg'
+p8832
+sg12
+g27
+sa(dp8833
+g2
+S'Virtue Triumphing over Vices'
+p8834
+sg4
+S'Italian 16th Century'
+p8835
+sg6
+S'Overall (approximate): 11.6 x 15.7 cm (4 9/16 x 6 3/16 in.)\r\nsupport: 18.7 x 25.2 cm (7 3/8 x 9 15/16 in.)'
+p8836
+sg8
+S'\npen and brown ink with brown wash on laid paper'
+p8837
+sg10
+S'http://www.nga.gov:80/thumb-l/a00074/a00074ed.jpg'
+p8838
+sg12
+g27
+sa(dp8839
+g2
+S'Philomela, Procne, and the Thracian King Tereus'
+p8840
+sg4
+S'Artist Information ('
+p8841
+sg6
+S'Flemish, 1596 - 1675'
+p8842
+sg8
+S'(related artist)'
+p8843
+sg10
+S'http://www.nga.gov:80/thumb-l/a00072/a00072dd.jpg'
+p8844
+sg12
+g27
+sa(dp8845
+g2
+S'Saint Peter'
+p8846
+sg4
+S'Artist Information ('
+p8847
+sg6
+S'Italian, 1510 - 1563'
+p8848
+sg8
+S'(artist after)'
+p8849
+sg10
+S'http://www.nga.gov:80/thumb-l/a00075/a000751d.jpg'
+p8850
+sg12
+g27
+sa(dp8851
+g2
+S'Nude Male Figure [recto]'
+p8852
+sg4
+S'Italian 17th Century'
+p8853
+sg6
+S'overall: 43.3 x 28.6 cm (17 1/16 x 11 1/4 in.)'
+p8854
+sg8
+S'\nred chalk heightened with white chalk'
+p8855
+sg10
+S'http://www.nga.gov:80/thumb-l/a00074/a0007489.jpg'
+p8856
+sg12
+g27
+sa(dp8857
+g2
+S'Orpheus'
+p8858
+sg4
+S'Venetian 16th Century'
+p8859
+sg6
+S'overall: 39.5 x 81 cm (15 9/16 x 31 7/8 in.)\r\nframed: 67.3 x 101.1 x 4.4 cm (26 1/2 x 39 13/16 x 1 3/4 in.)'
+p8860
+sg8
+S'\noil on panel transferred to canvas'
+p8861
+sg10
+S'http://www.nga.gov:80/thumb-l/a00008/a0000850.jpg'
+p8862
+sg12
+g27
+sa(dp8863
+g2
+S'Nude Female Figure [verso]'
+p8864
+sg4
+S'Italian 17th Century'
+p8865
+sg6
+S'overall: 43.3 x 28.6 cm (17 1/16 x 11 1/4 in.)'
+p8866
+sg8
+S'\nred chalk heightened with white chalk'
+p8867
+sg10
+S'http://www.nga.gov:80/thumb-l/a00074/a000748a.jpg'
+p8868
+sg12
+g27
+sa(dp8869
+g2
+S'Nude Figure (academic study)'
+p8870
+sg4
+S'Italian 17th Century'
+p8871
+sg6
+S'overall: 42.4 x 26.8 cm (16 11/16 x 10 9/16 in.)'
+p8872
+sg8
+S'\nblack chalk with white heightening on blue paper'
+p8873
+sg10
+S'http://www.nga.gov:80/thumb-l/a00074/a000748d.jpg'
+p8874
+sg12
+g27
+sa(dp8875
+g2
+S'Saint Barbara in Glory with Saints Nicholas and Jerome'
+p8876
+sg4
+S'Italian 16th Century'
+p8877
+sg6
+S'sheet: 42 x 28.2 cm (16 9/16 x 11 1/8 in.)\r\nsupport: 46.5 x 33.3 cm (18 5/16 x 13 1/8 in.)'
+p8878
+sg8
+S'\npen and brown ink with brown and gray wash heightened with white on handmade rag paper'
+p8879
+sg10
+S'http://www.nga.gov:80/thumb-l/a00074/a00074a1.jpg'
+p8880
+sg12
+g27
+sa(dp8881
+g2
+S'Saint Jerome (?)'
+p8882
+sg4
+S'Netherlandish 16th Century'
+p8883
+sg6
+S'overall: 29.9 x 19.4 cm (11 3/4 x 7 5/8 in.)'
+p8884
+sg8
+S'\npen and brown ink with brown and peach wash squared with black chalk'
+p8885
+sg10
+S'http://www.nga.gov:80/thumb-l/a00071/a000710f.jpg'
+p8886
+sg12
+g27
+sa(dp8887
+g2
+S'The Deluge, from the Loggia of the Vatican'
+p8888
+sg4
+S'Artist Information ('
+p8889
+sg6
+S'Italian, 1483 - 1520'
+p8890
+sg8
+S'(artist after)'
+p8891
+sg10
+S'http://www.nga.gov:80/thumb-l/a00075/a000751f.jpg'
+p8892
+sg12
+g27
+sa(dp8893
+g2
+S'Christ and the Woman Taken in Adultery'
+p8894
+sg4
+S'Netherlandish 16th Century'
+p8895
+sg6
+S'overall: 15.3 x 20.7 cm (6 x 8 1/8 in.)'
+p8896
+sg8
+S'\npen and brown ink with brown and gray wash on laidpaper'
+p8897
+sg10
+S'http://www.nga.gov:80/thumb-l/a0006f/a0006f29.jpg'
+p8898
+sg12
+g27
+sa(dp8899
+g2
+S'Two Nudes'
+p8900
+sg4
+S'Italian 17th Century'
+p8901
+sg6
+S'overall: 15.4 x 23.2 cm (6 1/16 x 9 1/8 in.)'
+p8902
+sg8
+S'\nred chalk on laid paper'
+p8903
+sg10
+S'http://www.nga.gov:80/thumb-l/a00074/a000746d.jpg'
+p8904
+sg12
+g27
+sa(dp8905
+g2
+S'The Prodigal Son'
+p8906
+sg4
+S'Artist Information ('
+p8907
+sg6
+S'Italian, 1612 - 1650'
+p8908
+sg8
+S'(artist after)'
+p8909
+sg10
+S'http://www.nga.gov:80/thumb-l/a00074/a00074cd.jpg'
+p8910
+sg12
+g27
+sa(dp8911
+g2
+S'Nine Figures'
+p8912
+sg4
+S'Artist Information ('
+p8913
+sg6
+S'Italian, active first half 16th century'
+p8914
+sg8
+S'(artist after)'
+p8915
+sg10
+S'http://www.nga.gov:80/thumb-l/a00074/a0007444.jpg'
+p8916
+sg12
+g27
+sa(dp8917
+g2
+S'Birth Scene'
+p8918
+sg4
+S'Giulio Benso'
+p8919
+sg6
+S'pen and brown ink with brown wash over traces of black chalk'
+p8920
+sg8
+S'unknown date\n'
+p8921
+sg10
+S'http://www.nga.gov:80/thumb-l/a00074/a0007494.jpg'
+p8922
+sg12
+g27
+sa(dp8923
+g2
+S'Mountain Landscape with Bridge'
+p8924
+sg4
+S'Thomas Gainsborough'
+p8925
+sg6
+S'oil on canvas'
+p8926
+sg8
+S'c. 1783/1784'
+p8927
+sg10
+S'http://www.nga.gov:80/thumb-l/a00007/a0000730.jpg'
+p8928
+sg12
+S'Gainsborough increasingly strove to depict\r\n idyllic scenery and extraordinary colors. This picturesque vista of\r\n butter-yellow clouds floating in a mauve sky is far too perfect to exist in\r\n the real world. Gainsborough, however, required a tangible subject so that\r\n he could study and capture the shimmering effects of light upon\r\n surfaces.\n Writing about some of Gainsborough\'s landscapes, his rival Sir Joshua\r\n Reynolds revealed, "He even framed a kind of model of landskips, on his\r\n table; composed of broken stones, dried herbs, and pieces of looking glass,\r\n which he magnified and improved into rocks, trees, and water." Here, shiny\r\n hard coal may have served for the wet banks of the brook, a crushed mirror\r\n for the glistening ripples, and broccoli and brussels sprouts for the\r\n forest. Thus, from a scale model, Gainsborough did indeed "magnify and\r\n improve" upon nature.\n Liked and respected by his colleagues, Gainsborough developed a painting\r\n technique so personal that he had virtually no followers. He, in fact,\r\n embodies the notion of eccentric genius. In an age when a Grand Tour was\r\n considered a necessary part of one\'s education, he never went abroad. Though\r\n a founding member of the Royal Academy in 1769, he ignored its business\r\n meetings and, following a quarrel over the hanging of his pictures, refused\r\n to exhibit there after 1783.\n '
+p8929
+sa(dp8930
+g2
+S'Madonna and Child with Saint Jerome and Saint Bernardino of Siena'
+p8931
+sg4
+S'Benvenuto di Giovanni'
+p8932
+sg6
+S'tempera on panel'
+p8933
+sg8
+S'c. 1480/1485'
+p8934
+sg10
+S'http://www.nga.gov:80/thumb-l/a00008/a0000884.jpg'
+p8935
+sg12
+g27
+sa(dp8936
+g2
+S'The Triumph of Neptune'
+p8937
+sg4
+S'French 18th Century'
+p8938
+sg6
+S'overall: 32.9 x 42.5 cm (12 15/16 x 16 3/4 in.)'
+p8939
+sg8
+S'\nblack crayon with white heightening on blue paper'
+p8940
+sg10
+S'http://www.nga.gov:80/thumb-l/a0006f/a0006fbb.jpg'
+p8941
+sg12
+g27
+sa(dp8942
+g2
+S'Madonna and Child with Saints John and Joseph [recto]'
+p8943
+sg4
+S'Italian 17th Century'
+p8944
+sg6
+S'overall: 28.3 x 42.4 cm (11 1/8 x 16 11/16 in.)'
+p8945
+sg8
+S'\nred chalk on laid paper'
+p8946
+sg10
+S'http://www.nga.gov:80/thumb-l/a00074/a000748b.jpg'
+p8947
+sg12
+g27
+sa(dp8948
+g2
+S'Joseph and His Brother in Egypt [verso]'
+p8949
+sg4
+S'Italian 17th Century'
+p8950
+sg6
+S'overall: 28.3 x 42.4 cm (11 1/8 x 16 11/16 in.)'
+p8951
+sg8
+S'\npen and brown ink with brown wash over red chalk on laid paper'
+p8952
+sg10
+S'http://www.nga.gov:80/thumb-l/a00074/a000748c.jpg'
+p8953
+sg12
+g27
+sa(dp8954
+g2
+S'The Entry of Saint Antoninus into Florence'
+p8955
+sg4
+S'Giovanni Balducci'
+p8956
+sg6
+S', unknown date'
+p8957
+sg8
+S'\n'
+p8958
+sg10
+S'http://www.nga.gov:80/thumb-l/a00075/a000752d.jpg'
+p8959
+sg12
+g27
+sa(dp8960
+g12
+g27
+sg6
+S'drypoint'
+p8961
+sg8
+S'1926'
+p8962
+sg2
+S'Charles Cundall'
+p8963
+sg4
+S'Francis Dodd'
+p8964
+sa(dp8965
+g12
+g27
+sg6
+S'graphite on wove paper'
+p8966
+sg8
+S'1931'
+p8967
+sg2
+S'Street in Sospel, France'
+p8968
+sg4
+S'Earl Stetson Crawford'
+p8969
+sa(dp8970
+g12
+g27
+sg6
+S'etching'
+p8971
+sg8
+S'1928'
+p8972
+sg2
+S'The Stairway, Old Menton'
+p8973
+sg4
+S'Earl Stetson Crawford'
+p8974
+sa(dp8975
+g12
+g27
+sg6
+S'etching'
+p8976
+sg8
+S'1927'
+p8977
+sg2
+S'Chiesa della Salute from San Giorgio'
+p8978
+sg4
+S'Earl Stetson Crawford'
+p8979
+sa(dp8980
+g12
+g27
+sg6
+S'etching'
+p8981
+sg8
+S'unknown date\n'
+p8982
+sg2
+S"The Fountain at Peille, Cote d'Azur"
+p8983
+sg4
+S'Earl Stetson Crawford'
+p8984
+sa(dp8985
+g2
+S'Sign of the White Horse'
+p8986
+sg4
+S'Theodore Roussel'
+p8987
+sg6
+S'etching'
+p8988
+sg8
+S'unknown date\n'
+p8989
+sg10
+S'http://www.nga.gov:80/thumb-l/a0007c/a0007c6e.jpg'
+p8990
+sg12
+g27
+sa(dp8991
+g2
+S'Francesco Sforza'
+p8992
+sg4
+S'North Italian 15th Century'
+p8993
+sg6
+S'painted surface: 69.5 x 59.5 cm (27 3/8 x 23 7/16 in.)\r\noverall (with backing, collar, and cradle): 72.4 x 62.1 cm (28 1/2 x 24 7/16 in.)\r\nframed: 103.5 x 92.7 x 8.9 cm (40 3/4 x 36 1/2 x 3 1/2 in.)'
+p8994
+sg8
+S'\noil on panel'
+p8995
+sg10
+S'http://www.nga.gov:80/thumb-l/a00008/a0000868.jpg'
+p8996
+sg12
+g27
+sa(dp8997
+g2
+S'Pierrot - Portrait of Lady C.'
+p8998
+sg4
+S'Theodore Roussel'
+p8999
+sg6
+S'etching in red'
+p9000
+sg8
+S'unknown date\n'
+p9001
+sg10
+S'http://www.nga.gov:80/thumb-l/a0007a/a0007a2b.jpg'
+p9002
+sg12
+g27
+sa(dp9003
+g2
+S"L'Agonie des Fleurs"
+p9004
+sg4
+S'Theodore Roussel'
+p9005
+sg6
+S'color softground etching, etching, and aquatint with hand-coloring on laid paper'
+p9006
+sg8
+S'unknown date\n'
+p9007
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000f/a0000f7e.jpg'
+p9008
+sg12
+g27
+sa(dp9009
+g2
+S'Limehouse'
+p9010
+sg4
+S'James McNeill Whistler'
+p9011
+sg6
+S'lithograph'
+p9012
+sg8
+S'1878'
+p9013
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ab/a000aba2.jpg'
+p9014
+sg12
+g27
+sa(dp9015
+g12
+g27
+sg6
+S'aquatint'
+p9016
+sg8
+S'unknown date\n'
+p9017
+sg2
+S'Stanstead Hall Barn'
+p9018
+sg4
+S'Morton Mathews'
+p9019
+sa(dp9020
+g2
+S'The Log Team'
+p9021
+sg4
+S'George Soper'
+p9022
+sg6
+S'etching and drypoint'
+p9023
+sg8
+S'unknown date\n'
+p9024
+sg10
+S'http://www.nga.gov:80/thumb-l/a0007a/a0007a33.jpg'
+p9025
+sg12
+g27
+sa(dp9026
+g12
+g27
+sg6
+S'drypoint [trial proof?]'
+p9027
+sg8
+S'unknown date\n'
+p9028
+sg2
+S'Charles John Vint, Esq.'
+p9029
+sg4
+S'Malcolm Osborne'
+p9030
+sa(dp9031
+g2
+S'Sir George Calvert, Lord Baltimore'
+p9032
+sg4
+S'John Thane'
+p9033
+sg6
+S'engraving'
+p9034
+sg8
+S'unknown date\n'
+p9035
+sg10
+S'http://www.nga.gov:80/thumb-l/a00076/a000769c.jpg'
+p9036
+sg12
+g27
+sa(dp9037
+g12
+g27
+sg6
+S'etching'
+p9038
+sg8
+S'1930'
+p9039
+sg2
+S'By Burgos, Spain'
+p9040
+sg4
+S'Murray Macpherson Tod'
+p9041
+sa(dp9042
+g12
+g27
+sg6
+S'etching'
+p9043
+sg8
+S'1929'
+p9044
+sg2
+S'George W. Davison'
+p9045
+sg4
+S'James McBey'
+p9046
+sa(dp9047
+g2
+S'James McNeil Whistler'
+p9048
+sg4
+S'Mortimer Menpes'
+p9049
+sg6
+S'etching'
+p9050
+sg8
+S'unknown date\n'
+p9051
+sg10
+S'http://www.nga.gov:80/thumb-l/a0007e/a0007e19.jpg'
+p9052
+sg12
+g27
+sa(dp9053
+g2
+S'The Baptism of Christ'
+p9054
+sg4
+S'Paris Bordone'
+p9055
+sg6
+S'oil on canvas'
+p9056
+sg8
+S'c. 1535/1540'
+p9057
+sg10
+S'http://www.nga.gov:80/thumb-l/a00008/a000080c.jpg'
+p9058
+sg12
+S'For centuries artists referred to the Gospels of Matthew, Mark, and Luke\n for their depictions of Jesus\' baptism in the Jordan River by his precursor\n John the Baptist. With his head lowered and his hands folded in prayer,\n Jesus stands in the river as John pours water over his head from a shallow\n dish. To the left an angel waits to clothe Jesus at the conclusion of the\n purification ritual. In the upper left, a flood of heavenly light suggests\n the voice of God, who declared, "This is my beloved Son, in whom I am well\n pleased."\n Paris Bordone was born in Treviso, but he soon moved to Venice, where he\n studied briefly in Titian\'s studio. Bordone\'s pictures, like works by his\n teacher, are active and energetic. Here, the figures\' potential for\n movement is emphasized by their heavy musculature and by the dramatic light\n that dances over the surfaces of their bodies. In contrast to Titian\'s use\n of rich and generally warm colors, Bordone fills his palette with cooler\n and more metallic colors, and his tighter handling of the paint results in\n a more precise description of realistic details.\n '
+p9059
+sa(dp9060
+g2
+S'Hans Sebald Beham'
+p9061
+sg4
+S'Alfred von Franck'
+p9062
+sg6
+S'lithograph'
+p9063
+sg8
+S'unknown date\n'
+p9064
+sg10
+S'http://www.nga.gov:80/thumb-l/a000b3/a000b395.jpg'
+p9065
+sg12
+g27
+sa(dp9066
+g12
+g27
+sg6
+S'drypoint'
+p9067
+sg8
+S'1928'
+p9068
+sg2
+S'Market Place, Nuremberg'
+p9069
+sg4
+S'Louis Conrad Rosenberg'
+p9070
+sa(dp9071
+g12
+g27
+sg6
+S'drypoint'
+p9072
+sg8
+S'1928'
+p9073
+sg2
+S'Jakober Gate, Augsburg'
+p9074
+sg4
+S'Louis Conrad Rosenberg'
+p9075
+sa(dp9076
+g12
+g27
+sg6
+S'drypoint'
+p9077
+sg8
+S'1928'
+p9078
+sg2
+S'Dinkelsbuehl Houses'
+p9079
+sg4
+S'Louis Conrad Rosenberg'
+p9080
+sa(dp9081
+g12
+g27
+sg6
+S'drypoint'
+p9082
+sg8
+S'1927'
+p9083
+sg2
+S'Fountain of Aya Sophia, Constantinople'
+p9084
+sg4
+S'Louis Conrad Rosenberg'
+p9085
+sa(dp9086
+g12
+g27
+sg6
+S'lithograph'
+p9087
+sg8
+S'unknown date\n'
+p9088
+sg2
+S'Canna'
+p9089
+sg4
+S'Alexander Patrick Fleming'
+p9090
+sa(dp9091
+g12
+g27
+sg6
+S'lithograph'
+p9092
+sg8
+S'unknown date\n'
+p9093
+sg2
+S'Cactus Flowers'
+p9094
+sg4
+S'Alexander Patrick Fleming'
+p9095
+sa(dp9096
+g12
+g27
+sg6
+S'lithograph'
+p9097
+sg8
+S'unknown date\n'
+p9098
+sg2
+S'Magnolia'
+p9099
+sg4
+S'Alexander Patrick Fleming'
+p9100
+sa(dp9101
+g12
+g27
+sg6
+S'lithograph'
+p9102
+sg8
+S'unknown date\n'
+p9103
+sg2
+S'Water Lilies'
+p9104
+sg4
+S'Alexander Patrick Fleming'
+p9105
+sa(dp9106
+g12
+g27
+sg6
+S'lithograph'
+p9107
+sg8
+S'unknown date\n'
+p9108
+sg2
+S'Gardenias'
+p9109
+sg4
+S'Alexander Patrick Fleming'
+p9110
+sa(dp9111
+g2
+S'A Young Woman and Her Little Boy'
+p9112
+sg4
+S'Agnolo Bronzino'
+p9113
+sg6
+S'oil on panel'
+p9114
+sg8
+S'c. 1540'
+p9115
+sg10
+S'http://www.nga.gov:80/thumb-l/a00008/a000080d.jpg'
+p9116
+sg12
+S"Who is this elegant lady? A noblewoman surely, and most likely a member of the\ncourt of Cosimo I de' Medici, Duke of Florence in the mid-sixteenth century. Her\nornate and costly attire establish her as an aristocrat. She holds herself rigidly\nwith the controlled demeanor that distinguishes portraits of members of Cosimo's\ncourt. Bronzino was the principal portraitist to the court, and one wonders how\nmuch his own coldly idealized, polished style of painting may, itself, have contributed\nto the taste for the marble-hard perfection and chilly hauteur of his models.\n Tucked in the corner of the panel, the small blond boy was an afterthought, added\nby Bronzino in a second campaign of painting. X-radiography has revealed that the\nwoman had first stood alone with her proper right hand placed against her dress.\nNot only did Bronzino insert the ivory-skinned child, but he also brought the woman's\napparel up to date: her headdress grew larger and more elaborate; the puffed sleeves\nof her dress were broadened (a change evident in the darker silhouette of the contours\nthat were painted over the green background); the gloves were added and, probably,\nthe damask pattern on the bodice as well.\n "
+p9117
+sa(dp9118
+g12
+g27
+sg6
+S'lithograph'
+p9119
+sg8
+S'unknown date\n'
+p9120
+sg2
+S'Orange Blossoms'
+p9121
+sg4
+S'Alexander Patrick Fleming'
+p9122
+sa(dp9123
+g12
+g27
+sg6
+S'etching'
+p9124
+sg8
+S'c. 1906'
+p9125
+sg2
+S'Jacob Epstein, No. 2'
+p9126
+sg4
+S'Augustus John'
+p9127
+sa(dp9128
+g12
+g27
+sg6
+S'woodcut'
+p9129
+sg8
+S'unknown date\n'
+p9130
+sg2
+S'Russian Soldier'
+p9131
+sg4
+S'Solomon Borisovich Judovin'
+p9132
+sa(dp9133
+g12
+g27
+sg6
+S'drypoint in black on laid paper'
+p9134
+sg8
+S'1938'
+p9135
+sg2
+S'Manhattan Nocturne'
+p9136
+sg4
+S'Armin Landeck'
+p9137
+sa(dp9138
+g12
+g27
+sg6
+S'wood engraving on wove paper'
+p9139
+sg8
+S'1931'
+p9140
+sg2
+S'The Old Manse, Concord'
+p9141
+sg4
+S'Thomas Willoughby Nason'
+p9142
+sa(dp9143
+g12
+g27
+sg6
+S'wood engraving'
+p9144
+sg8
+S'unknown date\n'
+p9145
+sg2
+S'Boat'
+p9146
+sg4
+S'Wsesolod Woinoff'
+p9147
+sa(dp9148
+g12
+g27
+sg6
+S'wood engraving'
+p9149
+sg8
+S'unknown date\n'
+p9150
+sg2
+S'Portrait'
+p9151
+sg4
+S'Wsesolod Woinoff'
+p9152
+sa(dp9153
+g12
+g27
+sg6
+S'color linocut (?)'
+p9154
+sg8
+S'1935'
+p9155
+sg2
+S'Barnyard'
+p9156
+sg4
+S'Richard Floethe'
+p9157
+sa(dp9158
+g2
+S'Reflections at Finchingfield, England'
+p9159
+sg4
+S'John Taylor Arms'
+p9160
+sg6
+S'etching on yellow Whatman laid paper'
+p9161
+sg8
+S'1938'
+p9162
+sg10
+S'http://www.nga.gov:80/thumb-l/a00009/a0000932.jpg'
+p9163
+sg12
+g27
+sa(dp9164
+g12
+g27
+sg6
+S'drypoint'
+p9165
+sg8
+S'unknown date\n'
+p9166
+sg2
+S'Fall Ducks'
+p9167
+sg4
+S'Richard Evett Bishop'
+p9168
+sa(dp9169
+g2
+S'The Campo di SS. Giovanni e Paolo, Venice'
+p9170
+sg4
+S'Bernardo Bellotto'
+p9171
+sg6
+S'oil on canvas'
+p9172
+sg8
+S'1743/1747'
+p9173
+sg10
+S'http://www.nga.gov:80/thumb-l/a00005/a00005f9.jpg'
+p9174
+sg12
+g27
+sa(dp9175
+g12
+g27
+sg6
+S'wood engraving'
+p9176
+sg8
+S'1937'
+p9177
+sg2
+S'Repose'
+p9178
+sg4
+S'Sir Lionel Arthur Lindsay'
+p9179
+sa(dp9180
+g2
+S'Curb Market, Arles France'
+p9181
+sg4
+S'Benjamin Chambers Brown'
+p9182
+sg6
+g27
+sg8
+S'1940'
+p9183
+sg10
+S'http://www.nga.gov:80/thumb-l/a000f3/a000f3cd.jpg'
+p9184
+sg12
+g27
+sa(dp9185
+g2
+S'Winnowers, Majorca'
+p9186
+sg4
+S'Clare Leighton'
+p9187
+sg6
+S'wood engraving'
+p9188
+sg8
+S'unknown date\n'
+p9189
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000b/a0000b01.jpg'
+p9190
+sg12
+g27
+sa(dp9191
+g12
+g27
+sg6
+S'color linoleum cut'
+p9192
+sg8
+S'1942'
+p9193
+sg2
+S'Gulls and Spray'
+p9194
+sg4
+S'Eva Auld Watson'
+p9195
+sa(dp9196
+g12
+g27
+sg6
+S'etching'
+p9197
+sg8
+S'1920'
+p9198
+sg2
+S'Stadshuset - Stockholm'
+p9199
+sg4
+S'Gerhard Albin Albe'
+p9200
+sa(dp9201
+g2
+S'Forsmarck'
+p9202
+sg4
+S'Elias Martin'
+p9203
+sg6
+S'etching'
+p9204
+sg8
+S'unknown date\n'
+p9205
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ed/a000ed41.jpg'
+p9206
+sg12
+g27
+sa(dp9207
+g12
+g27
+sg6
+S'wood engraving'
+p9208
+sg8
+S'unknown date\n'
+p9209
+sg2
+S'The Collectors'
+p9210
+sg4
+S'Hans Alexander Mueller'
+p9211
+sa(dp9212
+g12
+g27
+sg6
+S'black chalk on wove paper'
+p9213
+sg8
+S'unknown date\n'
+p9214
+sg2
+S'Head of a Girl'
+p9215
+sg4
+S'Henri Matisse'
+p9216
+sa(dp9217
+g12
+g27
+sg6
+S'etching and engraving'
+p9218
+sg8
+S'1646'
+p9219
+sg2
+S'Pont Neuf, Paris'
+p9220
+sg4
+S'Stefano Della Bella'
+p9221
+sa(dp9222
+g2
+S'Endpaper with Animals'
+p9223
+sg4
+S'Johann Maisch'
+p9224
+sg6
+S'woodcut in silver on lavender paper [restrike]'
+p9225
+sg8
+S'unknown date\n'
+p9226
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000f/a0000f54.jpg'
+p9227
+sg12
+g27
+sa(dp9228
+g2
+S'David with the Head of Goliath'
+p9229
+sg4
+S'Andrea del Castagno'
+p9230
+sg6
+S'tempera on leather on wood'
+p9231
+sg8
+S'c. 1450/1455'
+p9232
+sg10
+S'http://www.nga.gov:80/thumb-l/a00005/a00005d0.jpg'
+p9233
+sg12
+S"David with the Head of Goliath\n The subject was especially appropriate for a Florentine audience of the 15th century. As the smallest major political power on the Italian peninsula, the city saw itself as a young David contending with such powerful Goliaths as the Pope, the Duke of Milan, the King of Naples, and the Doge of Venice. In Castagno's shield, David is depicted preparing to attack Goliath, having already chosen a smooth stone from the riverbank for his sling. The conclusion appears at the bottom of the shield; the terrible giant's severed head, with the stone embedded in its forehead, lies at David's feet as a warning to any potential enemies of Florence.\n For this interpretation of the Old Testament hero, Castagno chose a young athlete, whose pose shows the painter's awareness of classical prototypes. Castagno demonstrated his knowledge of the new science of anatomy by modeling the figure in light and shadow, articulating the muscles and veins of the arms and legs, and giving powerful activity to David's running pose and windblown garments.\n "
+p9234
+sa(dp9235
+g12
+g27
+sg6
+S'woodcut in gold on light blue paper [restrike]'
+p9236
+sg8
+S'unknown date\n'
+p9237
+sg2
+S'Endpaper with Animals'
+p9238
+sg4
+S'Johann Maisch'
+p9239
+sa(dp9240
+g12
+g27
+sg6
+S'woodcut in black on bright yellow paper [restrike]'
+p9241
+sg8
+S'unknown date\n'
+p9242
+sg2
+S'Endpaper with Animals'
+p9243
+sg4
+S'Johann Maisch'
+p9244
+sa(dp9245
+g12
+g27
+sg6
+S'woodcut in black on orange paper [restrike]'
+p9246
+sg8
+S'unknown date\n'
+p9247
+sg2
+S'Endpaper with Animals'
+p9248
+sg4
+S'Johann Maisch'
+p9249
+sa(dp9250
+g12
+g27
+sg6
+S'woodcut in black on green paper [restrike]'
+p9251
+sg8
+S'unknown date\n'
+p9252
+sg2
+S'Endpaper with Animals'
+p9253
+sg4
+S'Johann Maisch'
+p9254
+sa(dp9255
+g12
+g27
+sg6
+S'woodcut in silver on black paper [restrike]'
+p9256
+sg8
+S'unknown date\n'
+p9257
+sg2
+S'Endpaper with Animals'
+p9258
+sg4
+S'Johann Maisch'
+p9259
+sa(dp9260
+g12
+g27
+sg6
+S'woodcut in black on blue paper [restrike]'
+p9261
+sg8
+S'unknown date\n'
+p9262
+sg2
+S'Endpaper with Animals'
+p9263
+sg4
+S'Johann Maisch'
+p9264
+sa(dp9265
+g12
+g27
+sg6
+S'(artist)'
+p9266
+sg8
+S'\n'
+p9267
+sg2
+S'Endpaper'
+p9268
+sg4
+S'Artist Information ('
+p9269
+sa(dp9270
+g12
+g27
+sg6
+S'Rosenwald Collection'
+p9271
+sg8
+S'\nwoodcut in gold metallic ink on hand-washed rose paper'
+p9272
+sg2
+S'Endpaper with Floral Pattern'
+p9273
+sg4
+S'Italian 18th Century'
+p9274
+sa(dp9275
+g12
+g27
+sg6
+S'Rosenwald Collection'
+p9276
+sg8
+S'\nwoodcut in gold metallic ink on hand-washed rose paper'
+p9277
+sg2
+S'Endpaper with Mixed Floral Pattern'
+p9278
+sg4
+S'Italian 18th Century'
+p9279
+sa(dp9280
+g12
+g27
+sg6
+S'(artist)'
+p9281
+sg8
+S'\n'
+p9282
+sg2
+S'Endpaper'
+p9283
+sg4
+S'Artist Information ('
+p9284
+sa(dp9285
+g2
+S'The White Horse'
+p9286
+sg4
+S'John Constable'
+p9287
+sg6
+S'oil on canvas'
+p9288
+sg8
+S'1818-1819'
+p9289
+sg10
+S'http://www.nga.gov:80/thumb-l/a00038/a0003857.jpg'
+p9290
+sg12
+S'The White Horse\n Hidden beneath this painting is a version of another Constable painting, \n '
+p9291
+sa(dp9292
+g12
+g27
+sg6
+S'Rosenwald Collection'
+p9293
+sg8
+S'\nwoodcut; brocade endpaper in gold on white paper'
+p9294
+sg2
+S'Endpaper with Animals'
+p9295
+sg4
+S'German 18th Century'
+p9296
+sa(dp9297
+g12
+g27
+sg6
+S'Rosenwald Collection'
+p9298
+sg8
+S'\nwoodcut; brocade endpaper in gold on deep rose prepared paper'
+p9299
+sg2
+S'Endpaper - "Zwarg Gesellschaft"'
+p9300
+sg4
+S'German 18th Century'
+p9301
+sa(dp9302
+g12
+g27
+sg6
+S'woodcut in gold metallic ink on hand-washed tan-green paper'
+p9303
+sg8
+S'1777'
+p9304
+sg2
+S'Endpaper with Scenes of the Trades'
+p9305
+sg4
+S'Johann Carl Munck'
+p9306
+sa(dp9307
+g12
+g27
+sg6
+S'Rosenwald Collection'
+p9308
+sg8
+S'\nwoodcut; brocade endpaper in gold on pale rose prepared paper'
+p9309
+sg2
+S'Endpaper with Birds'
+p9310
+sg4
+S'German 18th Century'
+p9311
+sa(dp9312
+g12
+g27
+sg6
+S'German, c. 1766 - 1839'
+p9313
+sg8
+S'(artist after)'
+p9314
+sg2
+S'Endpaper with Saints'
+p9315
+sg4
+S'Artist Information ('
+p9316
+sa(dp9317
+g12
+g27
+sg6
+S'woodcut in gold metallic ink on hand-washed purple paper'
+p9318
+sg8
+S'unknown date\n'
+p9319
+sg2
+S'Endpaper'
+p9320
+sg4
+S'Johann Lechner'
+p9321
+sa(dp9322
+g12
+g27
+sg6
+S'woodcut in gold metallic ink on hand-washed orange paper'
+p9323
+sg8
+S'unknown date\n'
+p9324
+sg2
+S'Endpaper'
+p9325
+sg4
+S'Johann Lechner'
+p9326
+sa(dp9327
+g12
+g27
+sg6
+S'woodcut in gold metallic ink on hand-washed red paper'
+p9328
+sg8
+S'unknown date\n'
+p9329
+sg2
+S'Endpaper with Birds'
+p9330
+sg4
+S'Johann Georg Eckart'
+p9331
+sa(dp9332
+g12
+g27
+sg6
+S'Rosenwald Collection'
+p9333
+sg8
+S'\nwoodcut in gold metallic ink on hand-washed blue paper'
+p9334
+sg2
+S'Endpaper with Four Circus (?) Scenes'
+p9335
+sg4
+S'German 18th Century'
+p9336
+sa(dp9337
+g12
+g27
+sg6
+S'Rosenwald Collection'
+p9338
+sg8
+S'\nwoodcut in gold metallic ink on hand-washed rose paper'
+p9339
+sg2
+S'Endpaper with Three Bands of Courtly Scenes'
+p9340
+sg4
+S'German 18th Century'
+p9341
+sa(dp9342
+g2
+S'Wivenhoe Park, Essex'
+p9343
+sg4
+S'John Constable'
+p9344
+sg6
+S'oil on canvas'
+p9345
+sg8
+S'1816'
+p9346
+sg10
+S'http://www.nga.gov:80/thumb-l/a00004/a00004c4.jpg'
+p9347
+sg12
+S"A pleasant sense of ease and harmony pervades this landscape of almost photographic clarity. The large areas of brilliant sunshine and cool shade, the rambling line of the fence, and the beautiful balance of trees, meadow, and river are evidence of the artist's creative synthesis of the actual site. The precision of Constable's brushwork, seen in the animals, birds, and people, lends importance to these smaller details.\n Constable was a native of Suffolk, the county just north of Essex. His deep, consuming attachment to the landscape of this rural area is a constant factor in his works. His studies and sketchbooks reveal his complete absorption in the pictorial elements of his native countryside: the movement of cloud masses, the feel of the lowlands crossed by rivers and streams, and the dramatic play of light over all.\n The commission for this painting came from Major General Francis Slater–Rebow, owner of Wivenhoe Park, who had been a close friend of Constable's father and was the artist's first important patron. This was not the first work Constable had done for the Rebows; in 1812 he had painted a full–length portrait of the couple's daughter, then aged seven. She can be seen in this painting riding in a donkey cart at the left.\n "
+p9348
+sa(dp9349
+g12
+g27
+sg6
+S'woodcut in gold metallic ink on hand-washed blue paper'
+p9350
+sg8
+S'unknown date\n'
+p9351
+sg2
+S'Endpaper with Scenes of the Trades'
+p9352
+sg4
+S'Paul Reimund'
+p9353
+sa(dp9354
+g12
+g27
+sg6
+S'woodcut in gold metallic ink on hand-washed gray-purple paper'
+p9355
+sg8
+S'unknown date\n'
+p9356
+sg2
+S'Endpaper with Birds'
+p9357
+sg4
+S'Johann Georg Eckart'
+p9358
+sa(dp9359
+g12
+g27
+sg6
+S'woodcut in gold metallic ink on hand-washed yellow paper'
+p9360
+sg8
+S'c. 1790'
+p9361
+sg2
+S'Endpaper with Animals'
+p9362
+sg4
+S'Georg M. Maisch'
+p9363
+sa(dp9364
+g12
+g27
+sg6
+S'Rosenwald Collection'
+p9365
+sg8
+S'\nwoodcut in gold metallic ink on hand-washed gray paper'
+p9366
+sg2
+S'Endpaper with Three Bands of Courtly Scenes'
+p9367
+sg4
+S'German 18th Century'
+p9368
+sa(dp9369
+g2
+S'War (The Accusers of Theft, Adultery, Murder)'
+p9370
+sg4
+S'William Blake'
+p9371
+sg6
+S'engraving'
+p9372
+sg8
+S'c. 1803/1810'
+p9373
+sg10
+S'http://www.nga.gov:80/thumb-l/a00076/a0007658.jpg'
+p9374
+sg12
+g27
+sa(dp9375
+g2
+S'The Accusers of Theft, Adultery, Murder (War)'
+p9376
+sg4
+S'William Blake'
+p9377
+sg6
+S'color-printed etching'
+p9378
+sg8
+S'c. 1794/1796'
+p9379
+sg10
+S'http://www.nga.gov:80/thumb-l/a00010/a0001062.jpg'
+p9380
+sg12
+g27
+sa(dp9381
+g2
+S'Unknown subject (Let Him look up into the Heaven and laugh in the bright air)'
+p9382
+sg4
+S'William Blake'
+p9383
+sg6
+S'engraving and relief-etching'
+p9384
+sg8
+S'possibly c. 1805'
+p9385
+sg10
+S'http://www.nga.gov:80/thumb-l/a00076/a00076de.jpg'
+p9386
+sg12
+g27
+sa(dp9387
+g2
+S'The Chaining of Orc'
+p9388
+sg4
+S'William Blake'
+p9389
+sg6
+S'relief etching'
+p9390
+sg8
+S'1812'
+p9391
+sg10
+S'http://www.nga.gov:80/thumb-l/a00076/a0007653.jpg'
+p9392
+sg12
+g27
+sa(dp9393
+g2
+S'Lear and Cordelia'
+p9394
+sg4
+S'Artist Information ('
+p9395
+sg6
+S'(artist after)'
+p9396
+sg8
+S'\n'
+p9397
+sg10
+S'http://www.nga.gov:80/thumb-l/a0007d/a0007dbb.jpg'
+p9398
+sg12
+g27
+sa(dp9399
+g2
+S'Lear and Cordelia'
+p9400
+sg4
+S'Artist Information ('
+p9401
+sg6
+S'(artist after)'
+p9402
+sg8
+S'\n'
+p9403
+sg10
+S'http://www.nga.gov:80/thumb-l/a0007d/a0007daa.jpg'
+p9404
+sg12
+g27
+sa(dp9405
+g2
+S"The Artist's Studio"
+p9406
+sg4
+S'Jean-Baptiste-Camille Corot'
+p9407
+sg6
+S'oil on wood'
+p9408
+sg8
+S'c. 1868'
+p9409
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000d/a0000da7.jpg'
+p9410
+sg12
+g27
+sa(dp9411
+g2
+S'Lear and Cordelia'
+p9412
+sg4
+S'Artist Information ('
+p9413
+sg6
+S'(artist after)'
+p9414
+sg8
+S'\n'
+p9415
+sg10
+S'http://www.nga.gov:80/thumb-l/a0007d/a0007d9b.jpg'
+p9416
+sg12
+g27
+sa(dp9417
+g2
+S'Lear and Cordelia'
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+S'Artist Information ('
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+S'(artist after)'
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+S'http://www.nga.gov:80/thumb-l/a0007d/a0007d8b.jpg'
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+S'Lear and Cordelia'
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+S'Artist Information ('
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+S'\n'
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+S'http://www.nga.gov:80/thumb-l/a0007d/a0007d7d.jpg'
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+sg12
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+S'Joseph of Arimathea Among the Rocks of Albion'
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+S'William Blake'
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+S'engraving'
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+S'c. 1803/1810'
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+S'http://www.nga.gov:80/thumb-l/a00076/a00076e2.jpg'
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+sg12
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+sa(dp9435
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+S"George Cumberland's Card"
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+S'William Blake'
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+S'engraving in brown'
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+S'1827'
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+S'http://www.nga.gov:80/thumb-l/a00076/a0007674.jpg'
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+S"George Cumberland's Card"
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+S'engraving in black'
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+S'1827'
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+S'http://www.nga.gov:80/thumb-l/a00076/a0007675.jpg'
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+sa(dp9447
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+S"The Man Sweeping the Interpreter's Parlor"
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+S'William Blake'
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+S'relief etching and white-line engraving'
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+sg8
+S'c. 1820/1822'
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+S'http://www.nga.gov:80/thumb-l/a00076/a0007655.jpg'
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+sa(dp9453
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+S'The Camp of Stothard, Blake, Ogleby'
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+S'Thomas Stothard'
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+S'etching'
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+S'c. 1780'
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+S'http://www.nga.gov:80/thumb-l/a00078/a0007816.jpg'
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+sa(dp9459
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+S'Mrs. Q.'
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+S'(artist after)'
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+S'The Hiding of Moses'
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+S'1824'
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+S'The Forest of Coubron'
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+S'Jean-Baptiste-Camille Corot'
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+S'oil on canvas'
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+S'1872'
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+S'http://www.nga.gov:80/thumb-l/a0000d/a0000da8.jpg'
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+sa(dp9477
+g2
+S'Joseph of Arimathea Preaching to the Britons'
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+S'William Blake'
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+S'relief etching, color-printed, with pen and watercolor'
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+S'c. 1794/1796'
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+S'http://www.nga.gov:80/thumb-l/a00076/a0007651.jpg'
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+sa(dp9483
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+S'The Soul Hovering Over the Body [from Marriage of Heaven and Hell," plate 14]'
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+S'William Blake'
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+S'relief etching, color-printed'
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+S'c. 1796'
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+S'http://www.nga.gov:80/thumb-l/a00076/a0007654.jpg'
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+sa(dp9489
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+S'The Dance of Albion (Glad Day)'
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+S'William Blake'
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+S'engraving'
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+S'c. 1803/1810'
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+S'http://www.nga.gov:80/thumb-l/a0005b/a0005b0d.jpg'
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+S'engraving'
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+S'The Canterbury Pilgrims'
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+S'engraving'
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+S'The Canterbury Pilgrims'
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+S'The Canterbury Pilgrims'
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+S'Dream of Thiralatha [from "America," cancelled plate d]'
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+S'relief etching, color-printed (with hand-coloring?)'
+p9513
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+S'c. 1794/1796'
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+S'http://www.nga.gov:80/thumb-l/a00076/a0007657.jpg'
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+sa(dp9516
+g2
+S'Christ Appearing to His Disciples After the Resurrection'
+p9517
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+S'William Blake'
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+S'color print (monotype), hand-colored with watercolor and tempera'
+p9519
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+S'c. 1795'
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+S'http://www.nga.gov:80/thumb-l/a00010/a0001063.jpg'
+p9521
+sg12
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+sa(dp9522
+g2
+S'The Ghost of Samuel Appearing to Saul'
+p9523
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+S'William Blake'
+p9524
+sg6
+S'pen and ink with watercolor over graphite'
+p9525
+sg8
+S'c. 1800'
+p9526
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+S'http://www.nga.gov:80/thumb-l/a00022/a00022b2.jpg'
+p9527
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+sa(dp9528
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+S'The Great Red Dragon and the Beast from the Sea'
+p9529
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+S'William Blake'
+p9530
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+S'pen and ink with watercolor over graphite'
+p9531
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+S'c. 1805'
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+S'http://www.nga.gov:80/thumb-l/a00022/a00022bf.jpg'
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+sa(dp9534
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+S'Salisbury Cathedral from Lower Marsh Close'
+p9535
+sg4
+S'John Constable'
+p9536
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+S'oil on canvas'
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+S'1820'
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+S'http://www.nga.gov:80/thumb-l/a000da/a000dab7.jpg'
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+S'Constable frequently depicted Salisbury’s famous spire, which, at 404 \r\n feet, is the tallest in England. Piercing the air, the lofty steeple \r\n attracts attention to the atmosphere around it. One of Constable’s main \r\n interests was portraying the weather—a process he called “skying.”\n When the Gothic cathedral was finished in the 1300s, its grounds were \r\n walled or enclosed; this Close forms a lush, marshy park. The couple \r\n strolling through the Close’s avenue of elms may be John Fisher, the \r\n Archbishop of Salisbury, and his wife. Their nephew, an archdeacon and art \r\n patron, was Constable’s closest friend. This personal souvenir, kept by the \r\n artist, freshly observes the sunshine dappling the lawn. With long shadows \r\n falling from the west, the time is early evening. The canvas was executed \r\n spontaneously on the spot, and its brown underpainted layer is still \r\n visible beneath the trees.\n '
+p9540
+sa(dp9541
+g2
+S'View near Epernon'
+p9542
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+S'Jean-Baptiste-Camille Corot'
+p9543
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+S'oil on canvas'
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+S'1850/1860'
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+S'http://www.nga.gov:80/thumb-l/a0000d/a0000dae.jpg'
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+sa(dp9547
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+S"Queen Katherine's Dream [recto]"
+p9548
+sg4
+S'Artist Information ('
+p9549
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+S'(artist after)'
+p9550
+sg8
+S'\n'
+p9551
+sg10
+S'http://www.nga.gov:80/thumb-l/a00071/a0007130.jpg'
+p9552
+sg12
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+sa(dp9553
+g2
+S'Los and His Spectre [verso]'
+p9554
+sg4
+S'William Blake'
+p9555
+sg6
+S'graphite, squared'
+p9556
+sg8
+S'c. 1804/1807'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a00071/a0007103.jpg'
+p9558
+sg12
+g27
+sa(dp9559
+g2
+S'The Great Red Dragon and the Woman Clothed with the Sun'
+p9560
+sg4
+S'William Blake'
+p9561
+sg6
+S'pen and ink with watercolor over graphite'
+p9562
+sg8
+S'c. 1805'
+p9563
+sg10
+S'http://www.nga.gov:80/thumb-l/a0001d/a0001dc3.jpg'
+p9564
+sg12
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+sa(dp9565
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+S"Wat Tyler's Daughter"
+p9566
+sg4
+S'William Blake'
+p9567
+sg6
+S'graphite'
+p9568
+sg8
+S'c. 1819'
+p9569
+sg10
+S'http://www.nga.gov:80/thumb-l/a00072/a0007202.jpg'
+p9570
+sg12
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+sa(dp9571
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+S'King Canute'
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+S'William Blake'
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+S'graphite'
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+sg8
+S'c. 1819/1820'
+p9575
+sg10
+S'http://www.nga.gov:80/thumb-l/a0006d/a0006d2d.jpg'
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+sg12
+g27
+sa(dp9577
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+S'King Edward'
+p9578
+sg4
+S'William Blake'
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+sg6
+S'graphite'
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+sg8
+S'c. 1819'
+p9581
+sg10
+S'http://www.nga.gov:80/thumb-l/a00071/a0007191.jpg'
+p9582
+sg12
+g27
+sa(dp9583
+g2
+S'A Warring Angel [recto]'
+p9584
+sg4
+S'William Blake'
+p9585
+sg6
+S'graphite on laid paper'
+p9586
+sg8
+S'c. 1780'
+p9587
+sg10
+S'http://www.nga.gov:80/thumb-l/a00069/a0006957.jpg'
+p9588
+sg12
+g27
+sa(dp9589
+g12
+g27
+sg6
+S'graphite on laid paper'
+p9590
+sg8
+S'c. 1780'
+p9591
+sg2
+S'Man with Arms Upraised [verso]'
+p9592
+sg4
+S'William Blake'
+p9593
+sa(dp9594
+g2
+S"Time's Triple Bow [recto]"
+p9595
+sg4
+S'William Blake'
+p9596
+sg6
+S'graphite'
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+sg8
+S'c. 1804/1807'
+p9598
+sg10
+S'http://www.nga.gov:80/thumb-l/a0006d/a0006de8.jpg'
+p9599
+sg12
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+sa(dp9600
+g12
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+sg6
+S'graphite'
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+sg8
+S'c. 1804/1807'
+p9602
+sg2
+S'Tight Spiral of Figures (?) [verso]'
+p9603
+sg4
+S'William Blake'
+p9604
+sa(dp9605
+g2
+S'Landscape with Picnickers and Donkeys by a Gate'
+p9606
+sg4
+S'Joseph Paul'
+p9607
+sg6
+S', c. 1830-1880'
+p9608
+sg8
+S'\n'
+p9609
+sg10
+S'http://www.nga.gov:80/thumb-l/a0003a/a0003a13.jpg'
+p9610
+sg12
+g27
+sa(dp9611
+g2
+S'Saint Augustine Converting King Ethelbert of Kent'
+p9612
+sg4
+S'William Blake'
+p9613
+sg6
+S'graphite on laid paper'
+p9614
+sg8
+S'probably c. 1793'
+p9615
+sg10
+S'http://www.nga.gov:80/thumb-l/a00070/a0007043.jpg'
+p9616
+sg12
+g27
+sa(dp9617
+g2
+S'A Man Seen from Behind, Rising on Clouds'
+p9618
+sg4
+S'William Blake'
+p9619
+sg6
+S'graphite on laid paper'
+p9620
+sg8
+S'probably c. 1794'
+p9621
+sg10
+S'http://www.nga.gov:80/thumb-l/a00070/a0007075.jpg'
+p9622
+sg12
+g27
+sa(dp9623
+g2
+S'The Infant Hercules Throttling the Serpents'
+p9624
+sg4
+S'William Blake'
+p9625
+sg6
+S'graphite'
+p9626
+sg8
+S'1790-1793'
+p9627
+sg10
+S'http://www.nga.gov:80/thumb-l/a00070/a00070d4.jpg'
+p9628
+sg12
+g27
+sa(dp9629
+g2
+S'Two Legs'
+p9630
+sg4
+S'William Blake'
+p9631
+sg6
+S'graphite'
+p9632
+sg8
+S'probably 1805/1810'
+p9633
+sg10
+S'http://www.nga.gov:80/thumb-l/a0006d/a0006d89.jpg'
+p9634
+sg12
+g27
+sa(dp9635
+g2
+S'The Descent of Peace [recto]'
+p9636
+sg4
+S'William Blake'
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+sg6
+S'graphite'
+p9638
+sg8
+S'c. 1815'
+p9639
+sg10
+S'http://www.nga.gov:80/thumb-l/a0006e/a0006e45.jpg'
+p9640
+sg12
+g27
+sa(dp9641
+g12
+g27
+sg6
+S'graphite'
+p9642
+sg8
+S'c. 1810'
+p9643
+sg2
+S'Half-Length Figure of a Man [verso]'
+p9644
+sg4
+S'William Blake'
+p9645
+sa(dp9646
+g2
+S'A Figure Ascending in a Glory of Clouds (?)'
+p9647
+sg4
+S'William Blake'
+p9648
+sg6
+S'graphite'
+p9649
+sg8
+S'probably c. 1805'
+p9650
+sg10
+S'http://www.nga.gov:80/thumb-l/a0006c/a0006cff.jpg'
+p9651
+sg12
+g27
+sa(dp9652
+g2
+S'An Armed Man Spurning a Woman [recto]'
+p9653
+sg4
+S'William Blake'
+p9654
+sg6
+S'graphite on laid paper'
+p9655
+sg8
+S'c. 1790/1795'
+p9656
+sg10
+S'http://www.nga.gov:80/thumb-l/a0006e/a0006e76.jpg'
+p9657
+sg12
+g27
+sa(dp9658
+g12
+g27
+sg6
+S'graphite on laid paper'
+p9659
+sg8
+S'c. 1790/1795'
+p9660
+sg2
+S'Border Design [verso]'
+p9661
+sg4
+S'William Blake'
+p9662
+sa(dp9663
+g2
+S'An Ascending Spiral of Figures [recto]'
+p9664
+sg4
+S'William Blake'
+p9665
+sg6
+S'graphite on two joined sheets of laid paper'
+p9666
+sg8
+S'probably c. 1820'
+p9667
+sg10
+S'http://www.nga.gov:80/thumb-l/a0006d/a0006d5b.jpg'
+p9668
+sg12
+g27
+sa(dp9669
+g2
+S'Lady and Gentleman on Horseback'
+p9670
+sg4
+S'Aelbert Cuyp'
+p9671
+sg6
+S'oil on canvas'
+p9672
+sg8
+S'c. 1655, reworked 1660/1665'
+p9673
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000e/a0000e55.jpg'
+p9674
+sg12
+S"This double portrait on horseback is unique in Dutch art and seventeenth-century Europe, because equestrian likenesses usually were reserved\r\nfor individual monarchs. The couple is probably husband and wife. Cuyp originally included a larger hunting party. Presumably the sitters wanted more attention directed to themselves, so Cuyp reworked and simplified the composition. The burdock plants at the left, for instance, conceal traces of several dogs now overpainted.\n Reusing favorite motifs, Cuyp repeated the lady's white steed in his \n Outside the Netherlands, the five Cuyps in the National Gallery constitute the most varied collection of his work. \n "
+p9675
+sa(dp9676
+g12
+g27
+sg6
+S'graphite on two joined sheets of laid paper'
+p9677
+sg8
+S'probably c. 1820'
+p9678
+sg2
+S'God the Father [verso]'
+p9679
+sg4
+S'William Blake'
+p9680
+sa(dp9681
+g2
+S'Job and His Daughters'
+p9682
+sg4
+S'William Blake'
+p9683
+sg6
+S'graphite on laid paper'
+p9684
+sg8
+S'c. 1821'
+p9685
+sg10
+S'http://www.nga.gov:80/thumb-l/a0006e/a0006ece.jpg'
+p9686
+sg12
+g27
+sa(dp9687
+g2
+S'Lady Torrens and Family'
+p9688
+sg4
+S'Artist Information ('
+p9689
+sg6
+S'(artist after)'
+p9690
+sg8
+S'\n'
+p9691
+sg10
+S'http://www.nga.gov:80/thumb-l/a00072/a00072e7.jpg'
+p9692
+sg12
+g27
+sa(dp9693
+g2
+S'Design for a Title-Page'
+p9694
+sg4
+S'William Blake'
+p9695
+sg6
+S'graphite and pen and ink'
+p9696
+sg8
+S'c. 1823/1826'
+p9697
+sg10
+S'http://www.nga.gov:80/thumb-l/a0006e/a0006efe.jpg'
+p9698
+sg12
+g27
+sa(dp9699
+g2
+S'John Linnell'
+p9700
+sg4
+S'William Blake'
+p9701
+sg6
+S'graphite'
+p9702
+sg8
+S'1825'
+p9703
+sg10
+S'http://www.nga.gov:80/thumb-l/a0006d/a0006dba.jpg'
+p9704
+sg12
+g27
+sa(dp9705
+g2
+S'The Last Judgment'
+p9706
+sg4
+S'William Blake'
+p9707
+sg6
+S'pen and ink with wash over graphite'
+p9708
+sg8
+S'c. 1809'
+p9709
+sg10
+S'http://www.nga.gov:80/thumb-l/a00063/a00063b0.jpg'
+p9710
+sg12
+g27
+sa(dp9711
+g2
+S'Job and His Family Restored to Prosperity'
+p9712
+sg4
+S'William Blake'
+p9713
+sg6
+S'pen and ink with watercolor over graphite'
+p9714
+sg8
+S'1821'
+p9715
+sg10
+S'http://www.nga.gov:80/thumb-l/a00031/a0003194.jpg'
+p9716
+sg12
+g27
+sa(dp9717
+g2
+S'Christ Disputing with the Doctors'
+p9718
+sg4
+S'German 16th Century'
+p9719
+sg6
+S'overall: 19 x 14.8 cm (7 1/2 x 5 13/16 in.)'
+p9720
+sg8
+S'\npen and black ink with brush and gray ink and gray wash heightened with white on gray prepared paper'
+p9721
+sg10
+S'http://www.nga.gov:80/thumb-l/a00079/a0007958.jpg'
+p9722
+sg12
+g27
+sa(dp9723
+g12
+g27
+sg6
+S'etching'
+p9724
+sg8
+S'1895'
+p9725
+sg2
+S'Christiana Boheme'
+p9726
+sg4
+S'Edvard Munch'
+p9727
+sa(dp9728
+g12
+g27
+sg6
+S'etching and aquatint'
+p9729
+sg8
+S'1895'
+p9730
+sg2
+S'Moonlight (Mondschein)'
+p9731
+sg4
+S'Edvard Munch'
+p9732
+sa(dp9733
+g2
+S'Horsemen and Herdsmen with Cattle'
+p9734
+sg4
+S'Aelbert Cuyp'
+p9735
+sg6
+S'oil on canvas'
+p9736
+sg8
+S'1655/1660'
+p9737
+sg10
+S'http://www.nga.gov:80/thumb-l/a00043/a00043ea.jpg'
+p9738
+sg12
+g27
+sa(dp9739
+g12
+g27
+sg6
+S'etching'
+p9740
+sg8
+S'1894'
+p9741
+sg2
+S'Girl at Window (Madchen im Hemd am Fenster)'
+p9742
+sg4
+S'Edvard Munch'
+p9743
+sa(dp9744
+g12
+g27
+sg6
+S'etching'
+p9745
+sg8
+S'1908/1909'
+p9746
+sg2
+S'Norwegian Landscape (Norwegische Landschaft)'
+p9747
+sg4
+S'Edvard Munch'
+p9748
+sa(dp9749
+g12
+g27
+sg6
+S'drypoint and aquatint'
+p9750
+sg8
+S'1895'
+p9751
+sg2
+S'Lovers at the Seaside (Liebespaar am Strande)'
+p9752
+sg4
+S'Edvard Munch'
+p9753
+sa(dp9754
+g12
+g27
+sg6
+S'etching'
+p9755
+sg8
+S'1895'
+p9756
+sg2
+S'Dr. Max Asch'
+p9757
+sg4
+S'Edvard Munch'
+p9758
+sa(dp9759
+g12
+g27
+sg6
+S'etching and aquatint'
+p9760
+sg8
+S'1895'
+p9761
+sg2
+S'The Morning After (Der Tag danach)'
+p9762
+sg4
+S'Edvard Munch'
+p9763
+sa(dp9764
+g12
+g27
+sg6
+S'etching and aquatint'
+p9765
+sg8
+S'1902'
+p9766
+sg2
+S'Postdamer Platz'
+p9767
+sg4
+S'Edvard Munch'
+p9768
+sa(dp9769
+g12
+g27
+sg6
+S'drypoint'
+p9770
+sg8
+S'1905'
+p9771
+sg2
+S'Head of a Girl (Kinderkopf)'
+p9772
+sg4
+S'Edvard Munch'
+p9773
+sa(dp9774
+g12
+g27
+sg6
+S'lithograph'
+p9775
+sg8
+S'1911'
+p9776
+sg2
+S'Panther Prowling (Schleichender Panther)'
+p9777
+sg4
+S'Edvard Munch'
+p9778
+sa(dp9779
+g12
+g27
+sg6
+S'lithograph in black'
+p9780
+sg8
+S'1895'
+p9781
+sg2
+S'Count Kessler'
+p9782
+sg4
+S'Edvard Munch'
+p9783
+sa(dp9784
+g12
+g27
+sg6
+S'lithograph'
+p9785
+sg8
+S'1895'
+p9786
+sg2
+S'Count Kessler'
+p9787
+sg4
+S'Edvard Munch'
+p9788
+sa(dp9789
+g2
+S'The Saint Anne Altarpiece: Saint Nicholas [left panel]'
+p9790
+sg4
+S'Artist Information ('
+p9791
+sg6
+S'(painter)'
+p9792
+sg8
+S'\n'
+p9793
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ff/a000ff94.jpg'
+p9794
+sg12
+g27
+sa(dp9795
+g12
+g27
+sg6
+S'lithograph'
+p9796
+sg8
+S'1896'
+p9797
+sg2
+S'August Strindberg'
+p9798
+sg4
+S'Edvard Munch'
+p9799
+sa(dp9800
+g12
+g27
+sg6
+S'etching, drypoint, and roulette'
+p9801
+sg8
+S'1895'
+p9802
+sg2
+S'Lovers at the Seaside (Liebespaar am Strande)'
+p9803
+sg4
+S'Edvard Munch'
+p9804
+sa(dp9805
+g12
+g27
+sg6
+S'lithograph'
+p9806
+sg8
+S'1912'
+p9807
+sg2
+S'Self-Portrait (Selbstbildnis)'
+p9808
+sg4
+S'Edvard Munch'
+p9809
+sa(dp9810
+g12
+g27
+sg6
+S'color lithograph'
+p9811
+sg8
+S'1906/1907'
+p9812
+sg2
+S'Death of Marat (Der Tod des Marat)'
+p9813
+sg4
+S'Edvard Munch'
+p9814
+sa(dp9815
+g12
+g27
+sg6
+S'lithograph in brown'
+p9816
+sg8
+S'1895'
+p9817
+sg2
+S'Tingeltangel'
+p9818
+sg4
+S'Edvard Munch'
+p9819
+sa(dp9820
+g12
+g27
+sg6
+S'lithograph'
+p9821
+sg8
+S'1896'
+p9822
+sg2
+S'Gunnar Heiberg'
+p9823
+sg4
+S'Edvard Munch'
+p9824
+sa(dp9825
+g2
+S'Geschrei (The Scream)'
+p9826
+sg4
+S'Edvard Munch'
+p9827
+sg6
+S'lithograph'
+p9828
+sg8
+S'1895'
+p9829
+sg10
+S'http://www.nga.gov:80/thumb-l/a0001d/a0001df0.jpg'
+p9830
+sg12
+g27
+sa(dp9831
+g2
+S'Alter Dampfer'
+p9832
+sg4
+S'Paul Klee'
+p9833
+sg6
+S"oil transfer drawing and watercolor on laid paper, on Klee's original mount"
+p9834
+sg8
+S'1922'
+p9835
+sg10
+S'http://www.nga.gov:80/thumb-l/a0006a/a0006a3a.jpg'
+p9836
+sg12
+g27
+sa(dp9837
+g2
+S'The Monarchist'
+p9838
+sg4
+S'Paul Klee'
+p9839
+sg6
+S'etching and aquatint on zinc'
+p9840
+sg8
+S'1904'
+p9841
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ef/a000eff6.jpg'
+p9842
+sg12
+g27
+sa(dp9843
+g2
+S'Zwei M\xc3\xa4nner, einander in h\xc3\xb6herer Stellung vermutend, begegnen sich (Two Men Meet, Each Believing the Other to Be of Higher Rank'
+p9844
+sg4
+S'Paul Klee'
+p9845
+sg6
+S'etching on zinc'
+p9846
+sg8
+S'1903'
+p9847
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ef/a000eff7.jpg'
+p9848
+sg12
+g27
+sa(dp9849
+g2
+S'The Saint Anne Altarpiece: Saint Anne with the Virgin and Child [middle panel]'
+p9850
+sg4
+S'Artist Information ('
+p9851
+sg6
+S'(painter)'
+p9852
+sg8
+S'\n'
+p9853
+sg10
+S'http://www.nga.gov:80/thumb-l/a00102/a0010217.jpg'
+p9854
+sg12
+S'Originally the center panel, which shows Saint Anne seated with her daughter Mary and Jesus, was taller than the flanking ones of Saint Nicholas (left) and Anthony of Padua (right), and all three had arched tops. Probably they stood above a \n No master would have completed such a large commission alone. Today, new scientific techniques, especially infrared reflectography, which makes it possible to see the underdrawing hidden beneath the paint, are helping to discern the participation of workshop assistants. Here the basic composition in all three panels was drawn with sketchy parallel strokes, probably with charcoal or black chalk. In the central panel only there is additional underdrawing in ink or paint. This provides more detailed instructions and could indicate that David’s assistants, who would have needed more guidance than the master himself, were responsible for the center panel. Presumably David painted much of the two wings himself. Notice how the underdrawing shows through the folds in Anne’s robe as blue-gray hatching.\n '
+p9855
+sa(dp9856
+g2
+S'The Boston Massacre'
+p9857
+sg4
+S'Paul Revere'
+p9858
+sg6
+S'hand-colored engraving'
+p9859
+sg8
+S'1770'
+p9860
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000b/a0000b71.jpg'
+p9861
+sg12
+g27
+sa(dp9862
+g2
+S'Simon Lord Lovat'
+p9863
+sg4
+S'William Hogarth'
+p9864
+sg6
+S'etching'
+p9865
+sg8
+S'1746'
+p9866
+sg10
+S'http://www.nga.gov:80/thumb-l/a00078/a00078ce.jpg'
+p9867
+sg12
+g27
+sa(dp9868
+g12
+g27
+sg6
+S'brush and black ink with blue chalk heightened with white over graphite'
+p9869
+sg8
+S'probably 1938'
+p9870
+sg2
+S'Would You Oblige Me with a Match Please?'
+p9871
+sg4
+S'David Low'
+p9872
+sa(dp9873
+g12
+g27
+sg6
+S'graphite heightened with white'
+p9874
+sg8
+S'unknown date\n'
+p9875
+sg2
+S'Winston Churchill'
+p9876
+sg4
+S'David Low'
+p9877
+sa(dp9878
+g12
+g27
+sg6
+S'watercolor and graphite'
+p9879
+sg8
+S'unknown date\n'
+p9880
+sg2
+S'Twenty-Five Years. The Past Meets the Present'
+p9881
+sg4
+S'David Low'
+p9882
+sa(dp9883
+g12
+g27
+sg6
+S'graphite'
+p9884
+sg8
+S'unknown date\n'
+p9885
+sg2
+S'Lord Oxford'
+p9886
+sg4
+S'David Low'
+p9887
+sa(dp9888
+g12
+g27
+sg6
+S'brush and black ink with blue chalk heightened with white over graphite'
+p9889
+sg8
+S'1938'
+p9890
+sg2
+S"Shut Up! I Can't Hear Myself!"
+p9891
+sg4
+S'David Low'
+p9892
+sa(dp9893
+g2
+S"Apres l'attentat, Juin '97"
+p9894
+sg4
+S'Jean-Louis Forain'
+p9895
+sg6
+S'brush and black ink with watercolor on wove paper'
+p9896
+sg8
+S'1897'
+p9897
+sg10
+S'http://www.nga.gov:80/thumb-l/a00072/a00072bc.jpg'
+p9898
+sg12
+g27
+sa(dp9899
+g2
+S'La Journee Electoral'
+p9900
+sg4
+S'Jean-Louis Forain'
+p9901
+sg6
+S'black crayon on wove paper'
+p9902
+sg8
+S'unknown date\n'
+p9903
+sg10
+S'http://www.nga.gov:80/thumb-l/a00071/a0007148.jpg'
+p9904
+sg12
+g27
+sa(dp9905
+g2
+S'La Journee Electoral'
+p9906
+sg4
+S'Jean-Louis Forain'
+p9907
+sg6
+S'brush and black ink on laid paper'
+p9908
+sg8
+S'unknown date\n'
+p9909
+sg10
+S'http://www.nga.gov:80/thumb-l/a00072/a000721f.jpg'
+p9910
+sg12
+g27
+sa(dp9911
+g2
+S'The Saint Anne Altarpiece: Saint Anthony of Padua [right panel]'
+p9912
+sg4
+S'Artist Information ('
+p9913
+sg6
+S'(painter)'
+p9914
+sg8
+S'\n'
+p9915
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ff/a000ff95.jpg'
+p9916
+sg12
+g27
+sa(dp9917
+g2
+S'At the Peace Conference'
+p9918
+sg4
+S'Jean-Louis Forain'
+p9919
+sg6
+S'brush and black ink and black crayon on laid paper'
+p9920
+sg8
+S'c. 1919'
+p9921
+sg10
+S'http://www.nga.gov:80/thumb-l/a0006d/a0006d51.jpg'
+p9922
+sg12
+g27
+sa(dp9923
+g2
+S'Au congres de la Paix'
+p9924
+sg4
+S'Jean-Louis Forain'
+p9925
+sg6
+S'brush and brown ink over graphite on wove paper'
+p9926
+sg8
+S'c. 1919'
+p9927
+sg10
+S'http://www.nga.gov:80/thumb-l/a0006c/a0006cf5.jpg'
+p9928
+sg12
+g27
+sa(dp9929
+g2
+S'A Versailles juillet 1919'
+p9930
+sg4
+S'Jean-Louis Forain'
+p9931
+sg6
+S'brush and black ink and black crayon on wove paper'
+p9932
+sg8
+S'probably 1919'
+p9933
+sg10
+S'http://www.nga.gov:80/thumb-l/a00072/a00072df.jpg'
+p9934
+sg12
+g27
+sa(dp9935
+g2
+S'At the Conference'
+p9936
+sg4
+S'Jean-Louis Forain'
+p9937
+sg6
+S'brush and brown ink and black crayon on laid paper'
+p9938
+sg8
+S'c. 1919'
+p9939
+sg10
+S'http://www.nga.gov:80/thumb-l/a0006d/a0006d23.jpg'
+p9940
+sg12
+g27
+sa(dp9941
+g2
+S'Negotiations at the Trianon Palace, Versailles'
+p9942
+sg4
+S'Jean-Louis Forain'
+p9943
+sg6
+S'brush and black ink over graphite on wove paper'
+p9944
+sg8
+S'c. 1919'
+p9945
+sg10
+S'http://www.nga.gov:80/thumb-l/a00072/a0007272.jpg'
+p9946
+sg12
+g27
+sa(dp9947
+g2
+S'France Waits'
+p9948
+sg4
+S'Jean-Louis Forain'
+p9949
+sg6
+S'black crayon with watercolor on laid paper'
+p9950
+sg8
+S'c. 1914/1919'
+p9951
+sg10
+S'http://www.nga.gov:80/thumb-l/a0006e/a0006ecc.jpg'
+p9952
+sg12
+g27
+sa(dp9953
+g2
+S'France Watching'
+p9954
+sg4
+S'Jean-Louis Forain'
+p9955
+sg6
+S'brush and gray and black ink on wove paper'
+p9956
+sg8
+S'c. 1914/1919'
+p9957
+sg10
+S'http://www.nga.gov:80/thumb-l/a00072/a000723e.jpg'
+p9958
+sg12
+g27
+sa(dp9959
+g2
+S'M. Clemenceau. La lettre du Cte Czernin'
+p9960
+sg4
+S'Jean-Louis Forain'
+p9961
+sg6
+S'brush and black ink on wove paper'
+p9962
+sg8
+S'c. 1914/1919'
+p9963
+sg10
+S'http://www.nga.gov:80/thumb-l/a0006e/a0006e12.jpg'
+p9964
+sg12
+g27
+sa(dp9965
+g2
+S"C'est la Paix. Tu vois pas un kepi!"
+p9966
+sg4
+S'Jean-Louis Forain'
+p9967
+sg6
+S'brush and black ink over black crayon on (tracing paper?)'
+p9968
+sg8
+S'c. 1919'
+p9969
+sg10
+S'http://www.nga.gov:80/thumb-l/a00072/a00072ab.jpg'
+p9970
+sg12
+g27
+sa(dp9971
+g2
+S'The Tuileries Garden (Le jardin des Tuileries)'
+p9972
+sg4
+S'Edouard Vuillard'
+p9973
+sg6
+S'color lithograph on china paper'
+p9974
+sg8
+S'published 1896'
+p9975
+sg10
+S'http://www.nga.gov:80/thumb-l/a000a0/a000a065.jpg'
+p9976
+sg12
+g27
+sa(dp9977
+g2
+S'The Races'
+p9978
+sg4
+S'Edgar Degas'
+p9979
+sg6
+S'oil on wood'
+p9980
+sg8
+S'1871-1872'
+p9981
+sg10
+S'http://www.nga.gov:80/thumb-l/a00007/a000071b.jpg'
+p9982
+sg12
+g27
+sa(dp9983
+g2
+S'Bust of a Balding Man'
+p9984
+sg4
+S'Jan Lievens'
+p9985
+sg6
+S'chiaroscuro woodcut with light brown tone block'
+p9986
+sg8
+S'unknown date\n'
+p9987
+sg10
+S'http://www.nga.gov:80/thumb-l/a0005d/a0005d13.jpg'
+p9988
+sg12
+g27
+sa(dp9989
+g2
+S'Holy Family with Saint Elizabeth and the Infant Saint John the Baptist'
+p9990
+sg4
+S"Jacopo de' Barbari"
+p9991
+sg6
+S'engraving'
+p9992
+sg8
+S'c. 1499/1501'
+p9993
+sg10
+S'http://www.nga.gov:80/thumb-l/a000c7/a000c79d.jpg'
+p9994
+sg12
+g27
+sa(dp9995
+g12
+g27
+sg6
+S'lithograph'
+p9996
+sg8
+S'1927'
+p9997
+sg2
+S'Self-Portrait in Profile (Selbstbildnis im Profil)'
+p9998
+sg4
+S'K\xc3\xa4the Kollwitz'
+p9999
+sa(dp10000
+g2
+S'Philippe le Roy, Lord of Ravels'
+p10001
+sg4
+S'Sir Anthony van Dyck'
+p10002
+sg6
+S'etching'
+p10003
+sg8
+S'probably 1626/1641'
+p10004
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d0/a000d0ee.jpg'
+p10005
+sg12
+g27
+sa(dp10006
+g2
+S'Faust'
+p10007
+sg4
+S'Rembrandt van Rijn'
+p10008
+sg6
+S'etching, drypoint and burin'
+p10009
+sg8
+S'c. 1652'
+p10010
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d3/a000d35d.jpg'
+p10011
+sg12
+g27
+sa(dp10012
+g2
+S"Landscape with a View toward Haarlem (The Goldweigher's Field)"
+p10013
+sg4
+S'Rembrandt van Rijn'
+p10014
+sg6
+S'etching and drypoint'
+p10015
+sg8
+S'1651'
+p10016
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000f/a0000f74.jpg'
+p10017
+sg12
+g27
+sa(dp10018
+g2
+S'Man in a Fantastic Helmet'
+p10019
+sg4
+S'Italian 15th Century'
+p10020
+sg6
+S'sheet: 12.8 x 7.5 cm (5 1/16 x 2 15/16 in.)'
+p10021
+sg8
+S'\nengraving'
+p10022
+sg10
+S'http://www.nga.gov:80/thumb-l/a00016/a000164c.jpg'
+p10023
+sg12
+g27
+sa(dp10024
+g2
+S'The Daughters of Sir Thomas Frankland'
+p10025
+sg4
+S'Artist Information ('
+p10026
+sg6
+S'(artist after)'
+p10027
+sg8
+S'\n'
+p10028
+sg10
+S'http://www.nga.gov:80/thumb-l/a0007d/a0007d95.jpg'
+p10029
+sg12
+g27
+sa(dp10030
+g2
+S'La Torre di Malghera'
+p10031
+sg4
+S'Canaletto'
+p10032
+sg6
+S'etching'
+p10033
+sg8
+S'c. 1735/1746'
+p10034
+sg10
+S'http://www.nga.gov:80/thumb-l/a000cb/a000cb40.jpg'
+p10035
+sg12
+g27
+sa(dp10036
+g2
+S'Before the Ballet'
+p10037
+sg4
+S'Edgar Degas'
+p10038
+sg6
+S'oil on canvas'
+p10039
+sg8
+S'1890/1892'
+p10040
+sg10
+S'http://www.nga.gov:80/thumb-l/a00006/a00006b6.jpg'
+p10041
+sg12
+g27
+sa(dp10042
+g2
+S'Saint John the Baptist'
+p10043
+sg4
+S'Giulio Campagnola'
+p10044
+sg6
+S'engraving and stipple engraving'
+p10045
+sg8
+S'c. 1505'
+p10046
+sg10
+S'http://www.nga.gov:80/thumb-l/a00010/a000106c.jpg'
+p10047
+sg12
+g27
+sa(dp10048
+g2
+S'The Young Courier'
+p10049
+sg4
+S'Honor\xc3\xa9 Daumier'
+p10050
+sg6
+S'black crayon and gray wash on laid paper; gray wash figure on verso'
+p10051
+sg8
+S'unknown date\n'
+p10052
+sg10
+S'http://www.nga.gov:80/thumb-l/a00070/a0007063.jpg'
+p10053
+sg12
+g27
+sa(dp10054
+g2
+S'Hercules and Nessus'
+p10055
+sg4
+S'Marcantonio Raimondi'
+p10056
+sg6
+S'engraving'
+p10057
+sg8
+S'c. 1504/1509'
+p10058
+sg10
+S'http://www.nga.gov:80/thumb-l/a000c7/a000c782.jpg'
+p10059
+sg12
+g27
+sa(dp10060
+g2
+S'Allegory of Life'
+p10061
+sg4
+S'Giorgio Ghisi'
+p10062
+sg6
+S'engraving on laid paper'
+p10063
+sg8
+S'1561'
+p10064
+sg10
+S'http://www.nga.gov:80/thumb-l/a000c8/a000c8c2.jpg'
+p10065
+sg12
+g27
+sa(dp10066
+g2
+S'Antwerp Cathedral'
+p10067
+sg4
+S'Wenceslaus Hollar'
+p10068
+sg6
+S'etching'
+p10069
+sg8
+S'1649'
+p10070
+sg10
+S'http://www.nga.gov:80/thumb-l/a000db/a000db32.jpg'
+p10071
+sg12
+g27
+sa(dp10072
+g2
+S'Two Peasants Fighting'
+p10073
+sg4
+S'Master of the Housebook'
+p10074
+sg6
+S'drypoint'
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+sg8
+S'c. 1475/1480'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a0001e/a0001e25.jpg'
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+sg12
+g27
+sa(dp10078
+g2
+S'Arearea no Varua Ino (Words of the Devil) [recto]'
+p10079
+sg4
+S'Paul Gauguin'
+p10080
+sg6
+S'watercolor monotype on japan paper, mounted\r\nto tan cardboard on whose verso is a fragment of another print'
+p10081
+sg8
+S'1894'
+p10082
+sg10
+S'http://www.nga.gov:80/thumb-l/a00022/a000223d.jpg'
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+sg12
+g27
+sa(dp10084
+g12
+g27
+sg6
+S'color woodcut printed by Louis Roy'
+p10085
+sg8
+S'1894'
+p10086
+sg2
+S'Auti te Pape (Women at the River) [verso]'
+p10087
+sg4
+S'Paul Gauguin'
+p10088
+sa(dp10089
+g2
+S'Horses Exercising'
+p10090
+sg4
+S'Th\xc3\xa9odore Gericault'
+p10091
+sg6
+S'lithograph'
+p10092
+sg8
+S'1821'
+p10093
+sg10
+S'http://www.nga.gov:80/thumb-l/a0009f/a0009f67.jpg'
+p10094
+sg12
+g27
+sa(dp10095
+g2
+S'Rinaldo, Astride Baiardo, Flies Off in Pursuit of Angelica'
+p10096
+sg4
+S'Jean-Honor\xc3\xa9 Fragonard'
+p10097
+sg6
+S'black chalk with brown wash and touches of pen andbrown ink on laid paper'
+p10098
+sg8
+S'c. 1795'
+p10099
+sg10
+S'http://www.nga.gov:80/thumb-l/a0005d/a0005d26.jpg'
+p10100
+sg12
+g27
+sa(dp10101
+g2
+S'Mrs. Paul Cobb Methuen'
+p10102
+sg4
+S'Thomas Gainsborough'
+p10103
+sg6
+S'oil on canvas'
+p10104
+sg8
+S'c. 1776/1777'
+p10105
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000c/a0000cda.jpg'
+p10106
+sg12
+g27
+sa(dp10107
+g12
+g27
+sg6
+S'hand-colored woodcut'
+p10108
+sg8
+S'1919'
+p10109
+sg2
+S'Man in Prayer (Mannerbildnis)'
+p10110
+sg4
+S'Erich Heckel'
+p10111
+sa(dp10112
+g2
+S'The Temptation of Christ'
+p10113
+sg4
+S'Master LCz'
+p10114
+sg6
+S'engraving on laid paper'
+p10115
+sg8
+S'c. 1500/1505'
+p10116
+sg10
+S'http://www.nga.gov:80/thumb-l/a0001e/a0001e12.jpg'
+p10117
+sg12
+g27
+sa(dp10118
+g2
+S'Leda and the Swan'
+p10119
+sg4
+S'Giovanni Battista Palumba'
+p10120
+sg6
+S'engraving'
+p10121
+sg8
+S'c. 1510'
+p10122
+sg10
+S'http://www.nga.gov:80/thumb-l/a000c7/a000c76e.jpg'
+p10123
+sg12
+g27
+sa(dp10124
+g2
+S'The Races (Les courses)'
+p10125
+sg4
+S'Edouard Manet'
+p10126
+sg6
+S'lithograph'
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+sg8
+S'1865'
+p10128
+sg10
+S'http://www.nga.gov:80/thumb-l/a00017/a000178d.jpg'
+p10129
+sg12
+g27
+sa(dp10130
+g2
+S'Battle of the Sea Gods [left half]'
+p10131
+sg4
+S'Andrea Mantegna'
+p10132
+sg6
+S'engraving'
+p10133
+sg8
+S'c. 1485/1488'
+p10134
+sg10
+S'http://www.nga.gov:80/thumb-l/a000c7/a000c7a6.jpg'
+p10135
+sg12
+g27
+sa(dp10136
+g2
+S'Cupid carrying a fowl accompanied by a dog, and another cupid playing a trumpet'
+p10137
+sg4
+S'Maso Finiguerra'
+p10138
+sg6
+S'niello engraving'
+p10139
+sg8
+S'c. 1450'
+p10140
+sg10
+S'http://www.nga.gov:80/thumb-l/a00096/a00096c0.jpg'
+p10141
+sg12
+g27
+sa(dp10142
+g2
+S'Saint Sebastian'
+p10143
+sg4
+S'Francesco Francia'
+p10144
+sg6
+S', c. 1470/1480'
+p10145
+sg8
+S'\n'
+p10146
+sg10
+S'http://www.nga.gov:80/thumb-l/a000c7/a000c72e.jpg'
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+sg12
+g27
+sa(dp10148
+g2
+S'Hope'
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+sg4
+S'Francesco Francia'
+p10150
+sg6
+S', c. 1470/1480'
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+sg8
+S'\n'
+p10152
+sg10
+S'http://www.nga.gov:80/thumb-l/a000c7/a000c72b.jpg'
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+sg12
+g27
+sa(dp10154
+g2
+S'Head of a Girl with Curly Hair'
+p10155
+sg4
+S'Francesco Francia'
+p10156
+sg6
+S'niello print'
+p10157
+sg8
+S'c. 1480/1500'
+p10158
+sg10
+S'http://www.nga.gov:80/thumb-l/a000c7/a000c725.jpg'
+p10159
+sg12
+g27
+sa(dp10160
+g2
+S'Saint'
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+sg4
+S'Francesco Francia'
+p10162
+sg6
+S', c. 1470/1480'
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+sg8
+S'\n'
+p10164
+sg10
+S'http://www.nga.gov:80/thumb-l/a000c7/a000c72d.jpg'
+p10165
+sg12
+g27
+sa(dp10166
+g2
+S'Mortlake Terrace'
+p10167
+sg4
+S'Joseph Mallord William Turner'
+p10168
+sg6
+S'oil on canvas'
+p10169
+sg8
+S'1827'
+p10170
+sg10
+S'http://www.nga.gov:80/thumb-l/a00007/a000073f.jpg'
+p10171
+sg12
+S"This painting, one of two views of Mortlake Terrace painted by Turner, is a view\nfrom the house, looking directly west into the luminous glow of the setting sun.\nTurner established the quiet mood of the late-afternoon scene with two ivy-covered\nelm trees, whose soft, feathery leaves and curving limbs frame the painting. Long\nshadows create elegant patterns on the lawn that almost obscure the human element\nin the scene. Scattered about are a gardener's ladder, a hoop, a doll on a red chair,\nand an open portfolio of pictures that have been just left behind by figures watching\nthe Lord Mayor's ceremonial barge.\n The painting was done about eight years after Turner's first stay in Venice, where\nhis perception of nature and the physical world was profoundly changed by the city's\nunique light and atmosphere. Light immobilizes the river and gives its surface a\ndreamlike shimmer. The stable mass of the classical gazebo, the delicate linear\nclarity of its architectural details, and the carefully depicted windows in the\nbuildings on the left bank of the river coexist in Turner's vision with the heavy\nimpasto of the sun's forceful rays that spill over the top of the embankment wall\nand dissolve the stone's very substance.\n "
+p10172
+sa(dp10173
+g2
+S'The Hon. Mrs. Thomas Graham'
+p10174
+sg4
+S'Thomas Gainsborough'
+p10175
+sg6
+S'oil on canvas'
+p10176
+sg8
+S'c. 1775/1777'
+p10177
+sg10
+S'http://www.nga.gov:80/thumb-l/a00005/a0000528.jpg'
+p10178
+sg12
+g27
+sa(dp10179
+g2
+S'The Nativity'
+p10180
+sg4
+S'Mair von Landshut'
+p10181
+sg6
+S'engraving'
+p10182
+sg8
+S'1499'
+p10183
+sg10
+S'http://www.nga.gov:80/thumb-l/a00010/a000106e.jpg'
+p10184
+sg12
+g27
+sa(dp10185
+g2
+S"Jezebel Promising Naboth's Vineyard to King Ahab"
+p10186
+sg4
+S'Lucas van Leyden'
+p10187
+sg6
+S'woodcut'
+p10188
+sg8
+S'1516/1519'
+p10189
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ce/a000ce98.jpg'
+p10190
+sg12
+g27
+sa(dp10191
+g2
+S'Allegory of Fortitude (?)'
+p10192
+sg4
+S'Master of 1515'
+p10193
+sg6
+S'engraving'
+p10194
+sg8
+S'c. 1515/1520'
+p10195
+sg10
+S'http://www.nga.gov:80/thumb-l/a00068/a000681b.jpg'
+p10196
+sg12
+g27
+sa(dp10197
+g12
+g27
+sg6
+S'aquatint and roulette over heliogravure'
+p10198
+sg8
+S'1923'
+p10199
+sg2
+S'"Aimez-vous les uns les autres"'
+p10200
+sg4
+S'Georges Rouault'
+p10201
+sa(dp10202
+g2
+S'The Episode of the Falling Idol'
+p10203
+sg4
+S'Giovanni Domenico Tiepolo'
+p10204
+sg6
+S'etching'
+p10205
+sg8
+S'published 1753'
+p10206
+sg10
+S'http://www.nga.gov:80/thumb-l/a000cb/a000cba2.jpg'
+p10207
+sg12
+g27
+sa(dp10208
+g2
+S'Cottages and Barn beside a Road'
+p10209
+sg4
+S'Rembrandt van Rijn'
+p10210
+sg6
+S'pen and brown ink with brown and gray wash on laid paper'
+p10211
+sg8
+S'c. 1650'
+p10212
+sg10
+S'http://www.nga.gov:80/thumb-l/a0006f/a0006ffc.jpg'
+p10213
+sg12
+g27
+sa(dp10214
+g2
+S'The States General of France (Les Etats Generaux de France)'
+p10215
+sg4
+S'Jan Ziarnko'
+p10216
+sg6
+S'etching'
+p10217
+sg8
+S'1614'
+p10218
+sg10
+S'http://www.nga.gov:80/thumb-l/a000de/a000dec8.jpg'
+p10219
+sg12
+g27
+sa(dp10220
+g2
+S'Elephant'
+p10221
+sg4
+S'Martin Schongauer'
+p10222
+sg6
+S'engraving'
+p10223
+sg8
+S'c. 1480/1490'
+p10224
+sg10
+S'http://www.nga.gov:80/thumb-l/a00065/a0006537.jpg'
+p10225
+sg12
+g27
+sa(dp10226
+g2
+S'The Visitation'
+p10227
+sg4
+S'Master E.S.'
+p10228
+sg6
+S'engraving'
+p10229
+sg8
+S'c. 1450/1460'
+p10230
+sg10
+S'http://www.nga.gov:80/thumb-l/a000a3/a000a3ae.jpg'
+p10231
+sg12
+g27
+sa(dp10232
+g2
+S'The Archangel Gabriel'
+p10233
+sg4
+S'Martin Schongauer'
+p10234
+sg6
+S'engraving on laid paper'
+p10235
+sg8
+S'c. 1490/1491'
+p10236
+sg10
+S'http://www.nga.gov:80/thumb-l/a00020/a000202b.jpg'
+p10237
+sg12
+g27
+sa(dp10238
+g2
+S'John, 4th Earl of Darnley'
+p10239
+sg4
+S'Thomas Gainsborough'
+p10240
+sg6
+S'oil on canvas'
+p10241
+sg8
+S'1785'
+p10242
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000c/a0000cdb.jpg'
+p10243
+sg12
+g27
+sa(dp10244
+g2
+S"Tourelle de la Rue de la Tix\xc3\xa9randerie, Paris (House with a Turret, Weavers' Street, Paris)"
+p10245
+sg4
+S'Charles Meryon'
+p10246
+sg6
+S'etching on green paper'
+p10247
+sg8
+S'1852'
+p10248
+sg10
+S'http://www.nga.gov:80/thumb-l/a0009d/a0009d0f.jpg'
+p10249
+sg12
+g27
+sa(dp10250
+g2
+S'Saint George'
+p10251
+sg4
+S'Benedetto Montagna'
+p10252
+sg6
+S'engraving'
+p10253
+sg8
+S'c. 1506'
+p10254
+sg10
+S'http://www.nga.gov:80/thumb-l/a000c7/a000c753.jpg'
+p10255
+sg12
+g27
+sa(dp10256
+g2
+S'The Virgin in the Clouds'
+p10257
+sg4
+S'Artist Information ('
+p10258
+sg6
+S'(artist)'
+p10259
+sg8
+S'\n'
+p10260
+sg10
+S'http://www.nga.gov:80/thumb-l/a000a5/a000a5c7.jpg'
+p10261
+sg12
+g27
+sa(dp10262
+g2
+S'Black Lion Wharf'
+p10263
+sg4
+S'James McNeill Whistler'
+p10264
+sg6
+S'etching'
+p10265
+sg8
+S'1859'
+p10266
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000b/a0000bbf.jpg'
+p10267
+sg12
+g27
+sa(dp10268
+g2
+S'The Little Nude Model Reading'
+p10269
+sg4
+S'James McNeill Whistler'
+p10270
+sg6
+S'lithograph'
+p10271
+sg8
+S'1890'
+p10272
+sg10
+S'http://www.nga.gov:80/thumb-l/a000aa/a000aa79.jpg'
+p10273
+sg12
+g27
+sa(dp10274
+g2
+S'Virgin at the Window'
+p10275
+sg4
+S'Barthel Beham'
+p10276
+sg6
+S'engraving'
+p10277
+sg8
+S'unknown date\n'
+p10278
+sg10
+S'http://www.nga.gov:80/thumb-l/a000a7/a000a7aa.jpg'
+p10279
+sg12
+g27
+sa(dp10280
+g2
+S'The Agony in the Garden'
+p10281
+sg4
+S'Rembrandt van Rijn'
+p10282
+sg6
+S'etching and drypoint'
+p10283
+sg8
+S'c. 1657'
+p10284
+sg10
+S'http://www.nga.gov:80/thumb-l/a0005a/a0005ac8.jpg'
+p10285
+sg12
+g27
+sa(dp10286
+g2
+S'Lady Hamilton as Nature'
+p10287
+sg4
+S'Artist Information ('
+p10288
+sg6
+S'(artist after)'
+p10289
+sg8
+S'\n'
+p10290
+sg10
+S'http://www.nga.gov:80/thumb-l/a00078/a0007822.jpg'
+p10291
+sg12
+g27
+sa(dp10292
+g12
+g27
+sg6
+S'etching and drypoint'
+p10293
+sg8
+S'1642'
+p10294
+sg2
+S'The Descent from the Cross: a Sketch'
+p10295
+sg4
+S'Rembrandt van Rijn'
+p10296
+sa(dp10297
+g2
+S'Lucrezia Sommaria'
+p10298
+sg4
+S'Ridolfo Ghirlandaio'
+p10299
+sg6
+S'oil on panel'
+p10300
+sg8
+S'c. 1510'
+p10301
+sg10
+S'http://www.nga.gov:80/thumb-l/a00005/a00005d5.jpg'
+p10302
+sg12
+g27
+sa(dp10303
+g2
+S'Christ at Emmaus: the Larger Plate'
+p10304
+sg4
+S'Rembrandt van Rijn'
+p10305
+sg6
+S'etching, burin and drypoint'
+p10306
+sg8
+S'1654'
+p10307
+sg10
+S'http://www.nga.gov:80/thumb-l/a00058/a00058b1.jpg'
+p10308
+sg12
+g27
+sa(dp10309
+g2
+S'The Virgin and Child with the Cat and Snake'
+p10310
+sg4
+S'Rembrandt van Rijn'
+p10311
+sg6
+S'etching'
+p10312
+sg8
+S'1654'
+p10313
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000f/a0000f75.jpg'
+p10314
+sg12
+g27
+sa(dp10315
+g2
+S'The Flight into Egypt: Crossing a Brook'
+p10316
+sg4
+S'Rembrandt van Rijn'
+p10317
+sg6
+S'etching and drypoint'
+p10318
+sg8
+S'1654'
+p10319
+sg10
+S'http://www.nga.gov:80/thumb-l/a00056/a0005655.jpg'
+p10320
+sg12
+g27
+sa(dp10321
+g2
+S'Christ Crucified between the Two Thieves (The Three Crosses)'
+p10322
+sg4
+S'Rembrandt van Rijn'
+p10323
+sg6
+S'drypoint and burin'
+p10324
+sg8
+S'1653'
+p10325
+sg10
+S'http://www.nga.gov:80/thumb-l/a0005a/a0005ac9.jpg'
+p10326
+sg12
+g27
+sa(dp10327
+g2
+S'Landscape with Three Gabled Cottages beside a Road'
+p10328
+sg4
+S'Rembrandt van Rijn'
+p10329
+sg6
+S'etching and drypoint'
+p10330
+sg8
+S'1650'
+p10331
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d3/a000d33c.jpg'
+p10332
+sg12
+g27
+sa(dp10333
+g2
+S'Self-Portrait Leaning on a Stone Sill'
+p10334
+sg4
+S'Rembrandt van Rijn'
+p10335
+sg6
+S'etching'
+p10336
+sg8
+S'1639'
+p10337
+sg10
+S'http://www.nga.gov:80/thumb-l/a00050/a0005091.jpg'
+p10338
+sg12
+g27
+sa(dp10339
+g2
+S'The Three Trees'
+p10340
+sg4
+S'Rembrandt van Rijn'
+p10341
+sg6
+S'etching with drypoint and engraving on laid paper'
+p10342
+sg8
+S'1643'
+p10343
+sg10
+S'http://www.nga.gov:80/thumb-l/a00016/a000164e.jpg'
+p10344
+sg12
+g27
+sa(dp10345
+g2
+S'Philippe le Roy, Lord of Ravels'
+p10346
+sg4
+S'Sir Anthony van Dyck'
+p10347
+sg6
+S'etching'
+p10348
+sg8
+S'probably 1626/1641'
+p10349
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d0/a000d0df.jpg'
+p10350
+sg12
+g27
+sa(dp10351
+g2
+S'The Raising of Lazarus'
+p10352
+sg4
+S'Benozzo Gozzoli'
+p10353
+sg6
+S'oil (?) on canvas'
+p10354
+sg8
+S'mid 1490s'
+p10355
+sg10
+S'http://www.nga.gov:80/thumb-l/a00008/a0000885.jpg'
+p10356
+sg12
+g27
+sa(dp10357
+g2
+S'The Milkmaid'
+p10358
+sg4
+S'Lucas van Leyden'
+p10359
+sg6
+S'engraving'
+p10360
+sg8
+S'1510'
+p10361
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ce/a000ce96.jpg'
+p10362
+sg12
+g27
+sa(dp10363
+g2
+S"Tourelle de la Rue de la Tix\xc3\xa9randerie, Paris (House with a Turret, Weavers' Street, Paris)"
+p10364
+sg4
+S'Charles Meryon'
+p10365
+sg6
+S'etching'
+p10366
+sg8
+S'1852'
+p10367
+sg10
+S'http://www.nga.gov:80/thumb-l/a00099/a000995a.jpg'
+p10368
+sg12
+g27
+sa(dp10369
+g12
+g27
+sg6
+S'lithograph'
+p10370
+sg8
+S'unknown date\n'
+p10371
+sg2
+S'The Cannon'
+p10372
+sg4
+S'Aleksandr Nikolaevich Samokhvalov'
+p10373
+sa(dp10374
+g12
+g27
+sg6
+S'lithograph'
+p10375
+sg8
+S'1933'
+p10376
+sg2
+S'Woman on White Horse'
+p10377
+sg4
+S'Aleksandr Nikolaevich Samokhvalov'
+p10378
+sa(dp10379
+g12
+g27
+sg6
+S'lithograph'
+p10380
+sg8
+S'1936'
+p10381
+sg2
+S'Coffee'
+p10382
+sg4
+S'Alfred Bendiner'
+p10383
+sa(dp10384
+g2
+S'Le stryge (The Vampire)'
+p10385
+sg4
+S'Charles Meryon'
+p10386
+sg6
+S'etching'
+p10387
+sg8
+S'1853'
+p10388
+sg10
+S'http://www.nga.gov:80/thumb-l/a00099/a0009960.jpg'
+p10389
+sg12
+g27
+sa(dp10390
+g2
+S'Allegory of War and Peace'
+p10391
+sg4
+S'German 15th Century'
+p10392
+sg6
+S'Schreiber, no. 1944, State m'
+p10393
+sg8
+S'\nwoodcut'
+p10394
+sg10
+S'http://www.nga.gov:80/thumb-l/a0004c/a0004c0a.jpg'
+p10395
+sg12
+g27
+sa(dp10396
+g2
+S'Allegory of the Meeting of Pope Paul II and Emperor Frederick III'
+p10397
+sg4
+S'German 15th Century'
+p10398
+sg6
+S'image: 41.3 x 29.2 cm (16 1/4 x 11 1/2 in.)\r\nsheet: 38.4 x 28.8 cm (15 1/8 x 11 5/16 in.)\r\noverall (external frame dimensions): 59.7 x 44.5 cm (23 1/2 x 17 1/2 in.)'
+p10399
+sg8
+S'\nwoodcut, hand-colored in green, red lake, yellow, tan, and orange'
+p10400
+sg10
+S'http://www.nga.gov:80/thumb-l/a00056/a000562e.jpg'
+p10401
+sg12
+g27
+sa(dp10402
+g2
+S"Queen Katherine's Dream"
+p10403
+sg4
+S'William Blake'
+p10404
+sg6
+S'pen and ink with watercolor heightened with white and gold over graphite'
+p10405
+sg8
+S'c. 1825'
+p10406
+sg10
+S'http://www.nga.gov:80/thumb-l/a00029/a0002955.jpg'
+p10407
+sg12
+g27
+sa(dp10408
+g2
+S'Marin Cureau de La Chambre'
+p10409
+sg4
+S'Robert Nanteuil'
+p10410
+sg6
+S'graphite with scraping on vellum'
+p10411
+sg8
+S'c. 1656'
+p10412
+sg10
+S'http://www.nga.gov:80/thumb-l/a0005f/a0005f99.jpg'
+p10413
+sg12
+g27
+sa(dp10414
+g2
+S'Saint Martin and the Beggar'
+p10415
+sg4
+S'El Greco'
+p10416
+sg6
+S', 1597/1599'
+p10417
+sg8
+S'\n'
+p10418
+sg10
+S'http://www.nga.gov:80/thumb-l/a00005/a00005f1.jpg'
+p10419
+sg12
+S'Commissioned for the Chapel of San José in Toledo by Martín\nRamírez, a namesake\nof the saint and donor of the chapel, \n The saint, who lived during the reign of Constantine the Great, was a member of\nthe imperial cavalry stationed near Amiens, in Gaul. Coming upon a shivering beggar\nnear the city gates on a cold winter day, the young soldier divided his cloak with\nhis sword and shared it with him. Tradition has it that Christ later appeared to\nMartin in a dream, saying, "What thou hast done for that poor man, thou hast done\nfor me."\n El Greco portrayed the fourth-century saint as a young nobleman, clad in elegant\ngold-damascened armor, astride a white Arabian horse. Seen from a low vantage point,\nthe figures seem monumental, looming over the landscape with its distant view of\nToledo and the river Tagus. The saint\'s relatively naturalistic proportions contrast\nwith the attenuated form of the nearly nude beggar. The obvious distortion of the\nbeggar\'s form suggests that he is not of this world and hints at the later revelation\nof his true identity in Martin\'s dream.\n '
+p10420
+sa(dp10421
+g2
+S'Marin Cureau de la Chambre'
+p10422
+sg4
+S'Robert Nanteuil'
+p10423
+sg6
+S'engraving'
+p10424
+sg8
+S'1656'
+p10425
+sg10
+S'http://www.nga.gov:80/thumb-l/a00061/a00061ea.jpg'
+p10426
+sg12
+g27
+sa(dp10427
+g2
+S'The Weary Ploughman, or The Herdsman, or Tardus Bubulcus'
+p10428
+sg4
+S'Samuel Palmer'
+p10429
+sg6
+S'etching'
+p10430
+sg8
+S'in or after 1858'
+p10431
+sg10
+S'http://www.nga.gov:80/thumb-l/a000c4/a000c406.jpg'
+p10432
+sg12
+g27
+sa(dp10433
+g2
+S'Design for Calendar'
+p10434
+sg4
+S'Philipp Otto Runge'
+p10435
+sg6
+S'engraving'
+p10436
+sg8
+S'unknown date\n'
+p10437
+sg10
+S'http://www.nga.gov:80/thumb-l/a000b4/a000b470.jpg'
+p10438
+sg12
+g27
+sa(dp10439
+g2
+S'Saint Bonaventure Arriving and Preaching in Lyon'
+p10440
+sg4
+S'French 15th Century'
+p10441
+sg6
+S'Schreiber, Vol. IX, no. 1282, State x'
+p10442
+sg8
+S'\nwoodcut, hand-colored in vermilion, orange-rose, light and dark gray-blue, and lavender'
+p10443
+sg10
+S'http://www.nga.gov:80/thumb-l/a00082/a00082ec.jpg'
+p10444
+sg12
+g27
+sa(dp10445
+g2
+S'Woman in a Cape (La femme \xc3\xa0 la p\xc3\xa8lerine)'
+p10446
+sg4
+S'Albert Besnard'
+p10447
+sg6
+S'etching'
+p10448
+sg8
+S'1889'
+p10449
+sg10
+S'http://www.nga.gov:80/thumb-l/a00097/a0009775.jpg'
+p10450
+sg12
+g27
+sa(dp10451
+g12
+g27
+sg6
+S'bound volume with 119 woodcuts'
+p10452
+sg8
+S'published 1799'
+p10453
+sg2
+S"Images de Saints et de Saintes issus de la famille de l'Empereur Maximilien I"
+p10454
+sg4
+S'Leonhard Beck'
+p10455
+sa(dp10456
+g12
+g27
+sg6
+S'Rosenwald Collection'
+p10457
+sg8
+S'\nbound album of 125 drawings in pen and ink and watercolor plus 1 hand-colored engraving'
+p10458
+sg2
+S'Album of Heroes, Kings, and Queens'
+p10459
+sg4
+S'British 16th Century'
+p10460
+sa(dp10461
+g12
+g27
+sg6
+S'Rosenwald Collection'
+p10462
+sg8
+S'\nbound volume with 10 pages of engravings with text'
+p10463
+sg2
+S'Plates from John Leslie\'s "De Origine Scotorum"'
+p10464
+sg4
+S'British 17th Century'
+p10465
+sa(dp10466
+g12
+g27
+sg6
+S'Rosenwald Collection'
+p10467
+sg8
+S'\nbound volume with 11 engravings; proofs of the plates from the 1675 edition'
+p10468
+sg2
+S'Plates from John Leslie\'s "De Origine Scotorum"'
+p10469
+sg4
+S'British 17th Century'
+p10470
+sa(dp10471
+g12
+g27
+sg6
+S'English, 1571 - 1625'
+p10472
+sg8
+S'(artist after)'
+p10473
+sg2
+S'Portraits of English Sovereigns, William I to James I'
+p10474
+sg4
+S'Artist Information ('
+p10475
+sa(dp10476
+g2
+S'Madonna and Child with Saint Martina and Saint Agnes'
+p10477
+sg4
+S'El Greco'
+p10478
+sg6
+S', 1597/1599'
+p10479
+sg8
+S'\n'
+p10480
+sg10
+S'http://www.nga.gov:80/thumb-l/a00005/a0000588.jpg'
+p10481
+sg12
+S'This painting and \n '
+p10482
+sa(dp10483
+g12
+g27
+sg6
+S'(artist)'
+p10484
+sg8
+S'\n'
+p10485
+sg2
+S'Heads of Kings and Queens of England'
+p10486
+sg4
+S'Artist Information ('
+p10487
+sa(dp10488
+g12
+g27
+sg6
+S'Rosenwald Collection'
+p10489
+sg8
+S'\nbound volume with 13 engravings'
+p10490
+sg2
+S'Effigies Regum Anglorum'
+p10491
+sg4
+S'British 17th Century'
+p10492
+sa(dp10493
+g12
+g27
+sg6
+S'French, 1723 - 1797'
+p10494
+sg8
+S'(artist)'
+p10495
+sg2
+S'English Royal Portraits'
+p10496
+sg4
+S'Artist Information ('
+p10497
+sa(dp10498
+g12
+g27
+sg6
+S'bound volume with 31 color stipple engravings'
+p10499
+sg8
+S'unknown date\n'
+p10500
+sg2
+S'Portraits of Kings and Queens of England'
+p10501
+sg4
+S'John Chapman'
+p10502
+sa(dp10503
+g12
+g27
+sg6
+S'bound volume with 12 mezzotints'
+p10504
+sg8
+S'unknown date\n'
+p10505
+sg2
+S'Mezzotint Portraits of British Sovereigns'
+p10506
+sg4
+S'John Faber II'
+p10507
+sa(dp10508
+g12
+g27
+sg6
+S', 1584'
+p10509
+sg8
+S'\n'
+p10510
+sg2
+S'The Throne with Sceptre and Orb'
+p10511
+sg4
+S'Hendrick Goltzius'
+p10512
+sa(dp10513
+g12
+g27
+sg6
+S', 1584'
+p10514
+sg8
+S'\n'
+p10515
+sg2
+S'Antiquissima Noblissimaque Ang. Regum (first edition)'
+p10516
+sg4
+S'Hendrick Goltzius'
+p10517
+sa(dp10518
+g12
+g27
+sg6
+S', 1584'
+p10519
+sg8
+S'\n'
+p10520
+sg2
+S'A Herald'
+p10521
+sg4
+S'Hendrick Goltzius'
+p10522
+sa(dp10523
+g12
+g27
+sg6
+S', 1584'
+p10524
+sg8
+S'\n'
+p10525
+sg2
+S'William the Conqueror'
+p10526
+sg4
+S'Hendrick Goltzius'
+p10527
+sa(dp10528
+g12
+g27
+sg6
+S', 1584'
+p10529
+sg8
+S'\n'
+p10530
+sg2
+S'William II'
+p10531
+sg4
+S'Hendrick Goltzius'
+p10532
+sa(dp10533
+g2
+S'Grand Canal with the Rialto Bridge, Venice'
+p10534
+sg4
+S'Francesco Guardi'
+p10535
+sg6
+S'oil on canvas'
+p10536
+sg8
+S'probably c. 1780'
+p10537
+sg10
+S'http://www.nga.gov:80/thumb-l/a00006/a000060d.jpg'
+p10538
+sg12
+S"For several decades after Canaletto painted his \n The Rialto Bridge, built in 1592 as the first stone bridge to span the Grand Canal, is the focal\npoint of Guardi's composition, one of several versions of this popular attraction. Lined with\nmarket stalls and shops, it formed the hub of an important commercial center. Just beyond the\nbridge at the right is the Fondaco dei Tedeschi, the warehouse of the German merchants -- now a\npost office -- that became famous in the Renaissance when Giorgione and Titian frescoed its\nfacade.\n People poke their heads out of windows and gather on the balconies to watch the spectacle of\ndaily life on the Rialto. The artist must have taken his view from a similar perch, looking down\non the bustling scene. Market barges draped in canvas canopies are tied up at the quayside.\nEnergetic gondoliers pole their boats up the crowded canal.\n "
+p10539
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+S', 1584'
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+sg8
+S'\n'
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+sg2
+S'Henry I'
+p10543
+sg4
+S'Hendrick Goltzius'
+p10544
+sa(dp10545
+g12
+g27
+sg6
+S', 1584'
+p10546
+sg8
+S'\n'
+p10547
+sg2
+S'Stephen'
+p10548
+sg4
+S'Hendrick Goltzius'
+p10549
+sa(dp10550
+g12
+g27
+sg6
+S', 1584'
+p10551
+sg8
+S'\n'
+p10552
+sg2
+S'Henry II'
+p10553
+sg4
+S'Hendrick Goltzius'
+p10554
+sa(dp10555
+g12
+g27
+sg6
+S', 1584'
+p10556
+sg8
+S'\n'
+p10557
+sg2
+S'Richard the Lion-Hearted'
+p10558
+sg4
+S'Hendrick Goltzius'
+p10559
+sa(dp10560
+g12
+g27
+sg6
+S', 1584'
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+sg8
+S'\n'
+p10562
+sg2
+S'John without Land'
+p10563
+sg4
+S'Hendrick Goltzius'
+p10564
+sa(dp10565
+g12
+g27
+sg6
+S', 1584'
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+S'\n'
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+sg2
+S'Henry III'
+p10568
+sg4
+S'Hendrick Goltzius'
+p10569
+sa(dp10570
+g12
+g27
+sg6
+S', 1584'
+p10571
+sg8
+S'\n'
+p10572
+sg2
+S'Edward I'
+p10573
+sg4
+S'Hendrick Goltzius'
+p10574
+sa(dp10575
+g12
+g27
+sg6
+S', 1584'
+p10576
+sg8
+S'\n'
+p10577
+sg2
+S'Edward II'
+p10578
+sg4
+S'Hendrick Goltzius'
+p10579
+sa(dp10580
+g12
+g27
+sg6
+S', 1584'
+p10581
+sg8
+S'\n'
+p10582
+sg2
+S'Edward III'
+p10583
+sg4
+S'Hendrick Goltzius'
+p10584
+sa(dp10585
+g12
+g27
+sg6
+S', 1584'
+p10586
+sg8
+S'\n'
+p10587
+sg2
+S'Richard II'
+p10588
+sg4
+S'Hendrick Goltzius'
+p10589
+sa(dp10590
+g2
+S'Portrait of a Man'
+p10591
+sg4
+S'Frans Hals'
+p10592
+sg6
+S'oil on canvas'
+p10593
+sg8
+S'1648/1650'
+p10594
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000e/a0000e5e.jpg'
+p10595
+sg12
+S"In the lower left corner, this canvas bears Frans Hals' monogram: \n The fluid brushstrokes defining individual strands of hair are consistent with Hals' later work. At that time, hats with cylindrical crowns and upturned brims were stylish. This hat must have been painted out sometime before 1673. That was the year of the death of a minor Dutch artist who copied this portrait with the model bare-headed. In 1991, National Gallery conservators removed the overpaint and revealed the portrait's original appearance with the hat pushed back high on the head.\n "
+p10596
+sa(dp10597
+g12
+g27
+sg6
+S', 1584'
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+sg8
+S'\n'
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+sg2
+S'Henry IV'
+p10600
+sg4
+S'Hendrick Goltzius'
+p10601
+sa(dp10602
+g12
+g27
+sg6
+S', 1584'
+p10603
+sg8
+S'\n'
+p10604
+sg2
+S'Henry V'
+p10605
+sg4
+S'Hendrick Goltzius'
+p10606
+sa(dp10607
+g12
+g27
+sg6
+S', 1584'
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+S'\n'
+p10609
+sg2
+S'Henry VI'
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+sg4
+S'Hendrick Goltzius'
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+sa(dp10612
+g12
+g27
+sg6
+S', 1584'
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+sg8
+S'\n'
+p10614
+sg2
+S'Edward IV'
+p10615
+sg4
+S'Hendrick Goltzius'
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+sa(dp10617
+g12
+g27
+sg6
+S', 1584'
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+sg8
+S'\n'
+p10619
+sg2
+S'Edward V'
+p10620
+sg4
+S'Hendrick Goltzius'
+p10621
+sa(dp10622
+g12
+g27
+sg6
+S', 1584'
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+sg8
+S'\n'
+p10624
+sg2
+S'Richard III'
+p10625
+sg4
+S'Hendrick Goltzius'
+p10626
+sa(dp10627
+g12
+g27
+sg6
+S', 1584'
+p10628
+sg8
+S'\n'
+p10629
+sg2
+S'Henry VII'
+p10630
+sg4
+S'Hendrick Goltzius'
+p10631
+sa(dp10632
+g12
+g27
+sg6
+S', 1584'
+p10633
+sg8
+S'\n'
+p10634
+sg2
+S'Henry VIII'
+p10635
+sg4
+S'Hendrick Goltzius'
+p10636
+sa(dp10637
+g12
+g27
+sg6
+S', 1584'
+p10638
+sg8
+S'\n'
+p10639
+sg2
+S'Edward VI'
+p10640
+sg4
+S'Hendrick Goltzius'
+p10641
+sa(dp10642
+g12
+g27
+sg6
+S', 1584'
+p10643
+sg8
+S'\n'
+p10644
+sg2
+S'Mary'
+p10645
+sg4
+S'Hendrick Goltzius'
+p10646
+sa(dp10647
+g2
+S'Portrait of a Gentleman'
+p10648
+sg4
+S'Frans Hals'
+p10649
+sg6
+S'oil on canvas'
+p10650
+sg8
+S'1650/1652'
+p10651
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000e/a0000e5f.jpg'
+p10652
+sg12
+S"Sketchy contours, especially around the hat and cape, are\r\n evidence that \r\n Hals improvised and adjusted this design as he worked. The long\r\n cape, the \r\n tassels on the collar, and the gloves dangling idly from one hand\r\n indicate \r\n that the patron was a person of some means. Like Hals' \n The very fact that this is a three-quarter-length figure adds to its dignity. Full-length, life-size portraits of individual sitters were very unusual in\r\nseventeenth-century Holland, probably because the Dutch burghers associated such large images with aristocratic pretensions. Frans Hals painted only one\r\nlife-size, full-length likeness of an individual sitter. A three-quarter-length portrait, therefore, is as about as grandiose a work as this matter-of-fact artist\r\nproduced. Even here, though, Hals candidly recorded a mole on the handsome sitter's cheek.\n "
+p10653
+sa(dp10654
+g12
+g27
+sg6
+S', 1584'
+p10655
+sg8
+S'\n'
+p10656
+sg2
+S'Elizabeth'
+p10657
+sg4
+S'Hendrick Goltzius'
+p10658
+sa(dp10659
+g12
+g27
+sg6
+S', in or after 1585'
+p10660
+sg8
+S'\n'
+p10661
+sg2
+S'The Throne with the Sceptre and Orb'
+p10662
+sg4
+S'Hendrick Goltzius'
+p10663
+sa(dp10664
+g12
+g27
+sg6
+S', in or after 1585'
+p10665
+sg8
+S'\n'
+p10666
+sg2
+S'Antiquissima Noblissimaque Ang. Regum (late edition)'
+p10667
+sg4
+S'Hendrick Goltzius'
+p10668
+sa(dp10669
+g12
+g27
+sg6
+S', in or after 1585'
+p10670
+sg8
+S'\n'
+p10671
+sg2
+S'A Herald'
+p10672
+sg4
+S'Hendrick Goltzius'
+p10673
+sa(dp10674
+g12
+g27
+sg6
+S', in or after 1585'
+p10675
+sg8
+S'\n'
+p10676
+sg2
+S'William I'
+p10677
+sg4
+S'Hendrick Goltzius'
+p10678
+sa(dp10679
+g12
+g27
+sg6
+S', in or after 1585'
+p10680
+sg8
+S'\n'
+p10681
+sg2
+S'William II'
+p10682
+sg4
+S'Hendrick Goltzius'
+p10683
+sa(dp10684
+g12
+g27
+sg6
+S', in or after 1585'
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+sg8
+S'\n'
+p10686
+sg2
+S'Henry I'
+p10687
+sg4
+S'Hendrick Goltzius'
+p10688
+sa(dp10689
+g12
+g27
+sg6
+S', in or after 1585'
+p10690
+sg8
+S'\n'
+p10691
+sg2
+S'Stephen'
+p10692
+sg4
+S'Hendrick Goltzius'
+p10693
+sa(dp10694
+g12
+g27
+sg6
+S', in or after 1585'
+p10695
+sg8
+S'\n'
+p10696
+sg2
+S'Henry II'
+p10697
+sg4
+S'Hendrick Goltzius'
+p10698
+sa(dp10699
+g12
+g27
+sg6
+S', in or after 1585'
+p10700
+sg8
+S'\n'
+p10701
+sg2
+S'Richard the Lion-Hearted'
+p10702
+sg4
+S'Hendrick Goltzius'
+p10703
+sa(dp10704
+g2
+S'Hut among Trees'
+p10705
+sg4
+S'Meindert Hobbema'
+p10706
+sg6
+S'oil on canvas'
+p10707
+sg8
+S'c. 1664'
+p10708
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000e/a0000e65.jpg'
+p10709
+sg12
+g27
+sa(dp10710
+g12
+g27
+sg6
+S', in or after 1585'
+p10711
+sg8
+S'\n'
+p10712
+sg2
+S'John without Land'
+p10713
+sg4
+S'Hendrick Goltzius'
+p10714
+sa(dp10715
+g12
+g27
+sg6
+S', in or after 1585'
+p10716
+sg8
+S'\n'
+p10717
+sg2
+S'Henry III'
+p10718
+sg4
+S'Hendrick Goltzius'
+p10719
+sa(dp10720
+g12
+g27
+sg6
+S', in or after 1585'
+p10721
+sg8
+S'\n'
+p10722
+sg2
+S'Edward I'
+p10723
+sg4
+S'Hendrick Goltzius'
+p10724
+sa(dp10725
+g12
+g27
+sg6
+S', in or after 1585'
+p10726
+sg8
+S'\n'
+p10727
+sg2
+S'Edward II'
+p10728
+sg4
+S'Hendrick Goltzius'
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+S'Joseph Mallord William Turner'
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+S'1844'
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+S'http://www.nga.gov:80/thumb-l/a00007/a0000731.jpg'
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+sg12
+S'As barges and gondolas slowly cross the Venetian lagoon, the misty city \r\n vanishes in the twilight. \n '
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+S'Meindert Hobbema'
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+S'166[2?]'
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+S'http://www.nga.gov:80/thumb-l/a0000e/a0000e66.jpg'
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+sg12
+S'Hobbema studied under \n To create his picturesque canvases, Hobbema rearranged certain\r\n favorite \r\n elements such as old water mills, thatch-roofed cottages, and\r\n embanked \r\n dikes. Hobbema’s hallmark is rolling clouds that give promise of a \r\n refreshing rain. Patches of sunshine illuminate the rutted roads or\r\n small \r\n streams that lead back into the rustic woods. All six of the\r\n National Gallery’s canvases by Hobbema share these \r\n characteristics.\n In 1669, Hobbema was appointed Amsterdam’s inspector of imported\r\n wine. This \r\n civil-service job must have been profitable because very few\r\n paintings date \r\n from the remaining forty years of Hobbema’s life.\n '
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+sa(dp10819
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+S'bound volume with 22 engravings plus title page for each of the 4 volumes of published edition'
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+S'published 1726/1727'
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+S'Royal Portraits and Title Pages from "Acta Regia"'
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+S'Michiel van der Gucht'
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+S'Meindert Hobbema'
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+S'c. 1670'
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+S'Events in the Life of King Henry VIII'
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+S'Henry VIII Travels to Meet the Princess of Cleves'
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+S'Henry VIII Surprises the Viscountess of Rochefort and Anne Boleyn'
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+S'Artist Information ('
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+S'(artist after)'
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+S'\n'
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+S'The Crowning of Anne Boleyn'
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+S'(artist after)'
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+S'Interview between Henry VIII and Francis I'
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+S'(artist after)'
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+S'\n'
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+S'Cardinal Wolsey Names Henry VIII His Heir'
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+S'(artist after)'
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+S'\n'
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+S'Henry VIII Embraces Anne Boleyn'
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+S'Henry VIII Embraces and Cardinal Campeggio'
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+S'The Bedroom'
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+S'Pieter de Hooch'
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+S'1658/1660'
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+S'Henry VIII and Anne Boleyn in the Country'
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+S'Henry VIII Opens the Verdict He Has Received Concerning His Marriage'
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+S'The Death of Henry VIII'
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+S'(artist)'
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+S'Prints from Gilbert Burnet\'s "Histoire de... en Angleterre"'
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+S'(artist)'
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+S'Royal Portraits from "A Complete History of England ..."'
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+S'Dutch, 1659 - c. 1724'
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+S'English, 1684 - 1756'
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+S'(artist)'
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+S'The Heads of the Kings of England ...'
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+S'Artist Information ('
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+S'Woman and Child in a Courtyard'
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+S'Pieter de Hooch'
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+S'oil on canvas'
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+S'1658/1660'
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+S'British Royal Portraits'
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+S', unknown date'
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+S'Elizabeth, Queen of England'
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+S'Simon van de Passe'
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+S'Shield of Queen Elizabeth [left half]'
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+S', unknown date'
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+S'Elizabeth, Queen of England [right half]'
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+S'Simon van de Passe'
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+S', unknown date'
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+S'Elizabeth, Queen of England'
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+S'Simon van de Passe'
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+sa(dp10992
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+S'The Hoppner Children'
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+S'John Hoppner'
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+S'oil on canvas'
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+S'1791'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a0000f/a0000f41.jpg'
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+sg12
+S"John Hoppner exhibited this engaging portrait of his own three sons at \n the Royal Academy in 1791. Preparing to bathe in a brook, seven-year-old \n Catherine Hampden unbuttons his jacket. As the eldest brother, he stands \n with dignity and greets the viewer. Richard, already undressed, looks \n adoringly up at Catherine, while baby Wilson struggles gamely to undo his \n frock. As adults, the older boys had political and diplomatic careers; the \n baby became a painter.\n John Hoppner, something of a prodigy, won the Royal Academy's \n gold medal for the best painting of the year when he was only twenty-three. \n Hoppner's father was a German-born surgeon to the British court. The \n artist himself, however, encouraged rumors that he was the illegitimate son \n of King George III. Such association with royalty, even though dubious, \n elevated him in society and boosted his career.\n "
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+S'James I, King of England'
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+S'Simon van de Passe'
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+S"Leonardo de' Ginori"
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+sg4
+S'Giuliano Bugiardini'
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+S'oil on panel'
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+S'c. 1528'
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+S'http://www.nga.gov:80/thumb-l/a00008/a0000809.jpg'
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+S'Anne of Denmark'
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+sg4
+S'Simon van de Passe'
+p11104
+sa(dp11105
+g2
+S'Mrs. Robert Blencowe'
+p11106
+sg4
+S'Sir Thomas Lawrence'
+p11107
+sg6
+S'oil on canvas'
+p11108
+sg8
+S'c. 1792'
+p11109
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000f/a0000f46.jpg'
+p11110
+sg12
+g27
+sa(dp11111
+g12
+g27
+sg6
+S', unknown date'
+p11112
+sg8
+S'\n'
+p11113
+sg2
+S'Anne of Denmark'
+p11114
+sg4
+S'Simon van de Passe'
+p11115
+sa(dp11116
+g12
+g27
+sg6
+S', unknown date'
+p11117
+sg8
+S'\n'
+p11118
+sg2
+S'Anne of Denmark'
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+sg4
+S'Simon van de Passe'
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+sa(dp11121
+g12
+g27
+sg6
+S', unknown date'
+p11122
+sg8
+S'\n'
+p11123
+sg2
+S'Anne of Denmark'
+p11124
+sg4
+S'Simon van de Passe'
+p11125
+sa(dp11126
+g12
+g27
+sg6
+S', unknown date'
+p11127
+sg8
+S'\n'
+p11128
+sg2
+S'Shield of Anne of Denmark'
+p11129
+sg4
+S'Simon van de Passe'
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+sa(dp11131
+g12
+g27
+sg6
+S', 1616'
+p11132
+sg8
+S'\n'
+p11133
+sg2
+S'Charles I, King of England'
+p11134
+sg4
+S'Simon van de Passe'
+p11135
+sa(dp11136
+g12
+g27
+sg6
+S', unknown date'
+p11137
+sg8
+S'\n'
+p11138
+sg2
+S'Charles I, King of England'
+p11139
+sg4
+S'Simon van de Passe'
+p11140
+sa(dp11141
+g12
+g27
+sg6
+S', unknown date'
+p11142
+sg8
+S'\n'
+p11143
+sg2
+S'Charles I, King of England, On Horseback'
+p11144
+sg4
+S'Simon van de Passe'
+p11145
+sa(dp11146
+g12
+g27
+sg6
+S', unknown date'
+p11147
+sg8
+S'\n'
+p11148
+sg2
+S'Charles I, King of England'
+p11149
+sg4
+S'Simon van de Passe'
+p11150
+sa(dp11151
+g12
+g27
+sg6
+S', unknown date'
+p11152
+sg8
+S'\n'
+p11153
+sg2
+S'Charles I, King of England, On Horseback'
+p11154
+sg4
+S'Simon van de Passe'
+p11155
+sa(dp11156
+g12
+g27
+sg6
+S', 1616'
+p11157
+sg8
+S'\n'
+p11158
+sg2
+S'Charles I, King of England'
+p11159
+sg4
+S'Simon van de Passe'
+p11160
+sa(dp11161
+g2
+S'Portrait of Lorenzo di Credi'
+p11162
+sg4
+S'Pietro Perugino'
+p11163
+sg6
+S'oil on panel transferred to canvas'
+p11164
+sg8
+S'1488'
+p11165
+sg10
+S'http://www.nga.gov:80/thumb-l/a00007/a0000779.jpg'
+p11166
+sg12
+S'Before this painting was transferred to a canvas support, an inscription on the back of the original wood panel read, "Lorenzo di Credi, most excellent painter, 1488, age 32 years, 8 months." It was probably added in the sixteenth century, when Credi\'s reputation was at its height. He was one of many students in the busy Florentine workshop of \n The subject\'s aquiline nose and jutting chin compare well with another known likeness of Credi as an older man, and for many years the painting was accepted as a self-portrait. Now, however, it is thought to reveal Credi\'s face—but Perugino\'s hand. Other landscapes by Perugino have the same silvery quality we see here. Moreover, the strong planes of the face and tousled coiffure more closely resemble Perugino\'s bolder style than Credi\'s smoother, more polished painting.\n The unusual backward tilt of the head reinforces the melancholy mood established by Credi\'s sad, distant gaze and set mouth. It has been suggested that Perugino painted this image of Credi just after the death of their beloved master Verrocchio in 1488, the same date inscribed on the panel. Credi was Verrocchio\'s heir and took over his shop. It was his unhappy task to accompany Verrocchio\'s remains back to Florence for burial after his death in Venice.\n '
+p11167
+sa(dp11168
+g12
+g27
+sg6
+S', 1616'
+p11169
+sg8
+S'\n'
+p11170
+sg2
+S'Shield of Charles I'
+p11171
+sg4
+S'Simon van de Passe'
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+sa(dp11173
+g12
+g27
+sg6
+S', 1616'
+p11174
+sg8
+S'\n'
+p11175
+sg2
+S'Charles I, King of England'
+p11176
+sg4
+S'Simon van de Passe'
+p11177
+sa(dp11178
+g12
+g27
+sg6
+S', unknown date'
+p11179
+sg8
+S'\n'
+p11180
+sg2
+S'Charles I, King of England [top half]'
+p11181
+sg4
+S'Simon van de Passe'
+p11182
+sa(dp11183
+g12
+g27
+sg6
+S', unknown date'
+p11184
+sg8
+S'\n'
+p11185
+sg2
+S'Charles I, King of England, On Horseback [bottom half]'
+p11186
+sg4
+S'Simon van de Passe'
+p11187
+sa(dp11188
+g12
+g27
+sg6
+S', unknown date'
+p11189
+sg8
+S'\n'
+p11190
+sg2
+S'Charles I, King of England'
+p11191
+sg4
+S'Simon van de Passe'
+p11192
+sa(dp11193
+g12
+g27
+sg6
+S', unknown date'
+p11194
+sg8
+S'\n'
+p11195
+sg2
+S'Charles I, King of England, On Horseback'
+p11196
+sg4
+S'Simon van de Passe'
+p11197
+sa(dp11198
+g12
+g27
+sg6
+S', unknown date'
+p11199
+sg8
+S'\n'
+p11200
+sg2
+S'Charles I, King of England'
+p11201
+sg4
+S'Simon van de Passe'
+p11202
+sa(dp11203
+g12
+g27
+sg6
+S', unknown date'
+p11204
+sg8
+S'\n'
+p11205
+sg2
+S'Charles I, King of England, on Horseback'
+p11206
+sg4
+S'Simon van de Passe'
+p11207
+sa(dp11208
+g12
+g27
+sg6
+S', unknown date'
+p11209
+sg8
+S'\n'
+p11210
+sg2
+S'Charles I, King of England'
+p11211
+sg4
+S'Simon van de Passe'
+p11212
+sa(dp11213
+g12
+g27
+sg6
+S', unknown date'
+p11214
+sg8
+S'\n'
+p11215
+sg2
+S'Charles I, King of England, On Horseback'
+p11216
+sg4
+S'Simon van de Passe'
+p11217
+sa(dp11218
+g2
+S'The Satyr and the Peasant'
+p11219
+sg4
+S'Johann Liss'
+p11220
+sg6
+S'oil on canvas'
+p11221
+sg8
+S'possibly c. 1623/1626'
+p11222
+sg10
+S'http://www.nga.gov:80/thumb-l/a00004/a00004ce.jpg'
+p11223
+sg12
+S"The unusual subject of this painting comes from one of Aesop's fables. In his\n\n Johann Liss was among the initiators of the dynamic baroque style of the 1600s.\nThe sonorous color scheme shows his knowledge of past Venetian masters such as Titian\nand Veronese, while the dramatic conflict of light and shadow reveals an acquaintance\nwith the spotlighting which Caravaggio concurrently employed in Rome. But the main\ninfluences here are the energized movement and robust figure types derived from\nthe contemporary Antwerp geniuses, Jacob Jordaens and Peter Paul Rubens.\n "
+p11224
+sa(dp11225
+g12
+g27
+sg6
+S', unknown date'
+p11226
+sg8
+S'\n'
+p11227
+sg2
+S'James I, Anne of Denmark, and Prince Charles'
+p11228
+sg4
+S'Simon van de Passe'
+p11229
+sa(dp11230
+g12
+g27
+sg6
+S', unknown date'
+p11231
+sg8
+S'\n'
+p11232
+sg2
+S'Shield of James I, Anne of Denmark, and Prince Charles'
+p11233
+sg4
+S'Simon van de Passe'
+p11234
+sa(dp11235
+g12
+g27
+sg6
+S', unknown date'
+p11236
+sg8
+S'\n'
+p11237
+sg2
+S'James I, Anne of Denmark, and Prince Charles'
+p11238
+sg4
+S'Simon van de Passe'
+p11239
+sa(dp11240
+g12
+g27
+sg6
+S', unknown date'
+p11241
+sg8
+S'\n'
+p11242
+sg2
+S'Shield of James I, Anne of Denmark, and Prince Charles'
+p11243
+sg4
+S'Simon van de Passe'
+p11244
+sa(dp11245
+g12
+g27
+sg6
+S', unknown date'
+p11246
+sg8
+S'\n'
+p11247
+sg2
+S'James I, Anne of Denmark, and Prince Charles'
+p11248
+sg4
+S'Simon van de Passe'
+p11249
+sa(dp11250
+g12
+g27
+sg6
+S', unknown date'
+p11251
+sg8
+S'\n'
+p11252
+sg2
+S'James I, Anne of Denmark, and Prince Charles'
+p11253
+sg4
+S'Simon van de Passe'
+p11254
+sa(dp11255
+g12
+g27
+sg6
+S', unknown date'
+p11256
+sg8
+S'\n'
+p11257
+sg2
+S'James I, Anne of Denmark, and Prince Charles'
+p11258
+sg4
+S'Simon van de Passe'
+p11259
+sa(dp11260
+g12
+g27
+sg6
+S', unknown date'
+p11261
+sg8
+S'\n'
+p11262
+sg2
+S'Frederick V, Elizabeth, and Prince Frederick Henry'
+p11263
+sg4
+S'Simon van de Passe'
+p11264
+sa(dp11265
+g12
+g27
+sg6
+S', unknown date'
+p11266
+sg8
+S'\n'
+p11267
+sg2
+S'Shields of Frederick V, Elizabeth, and Prince Frederick Henry'
+p11268
+sg4
+S'Simon van de Passe'
+p11269
+sa(dp11270
+g12
+g27
+sg6
+S', unknown date'
+p11271
+sg8
+S'\n'
+p11272
+sg2
+S'Frederick V, Elizabeth, and Prince Frederick Henry'
+p11273
+sg4
+S'Simon van de Passe'
+p11274
+sa(dp11275
+g2
+S'The Dead Toreador'
+p11276
+sg4
+S'Edouard Manet'
+p11277
+sg6
+S'oil on canvas'
+p11278
+sg8
+S'probably 1864'
+p11279
+sg10
+S'http://www.nga.gov:80/thumb-l/a00006/a0000680.jpg'
+p11280
+sg12
+S"In 1864 Manet exhibited a large painting he called \n Although Manet may have acted in response to the harsh criticism, it was not uncommon for him to rework compositions. He repainted the background, extracting the figure from the context of the bullfight, and in so doing changed the nature of his painting. The fallen matador is no longer part of a narrative but is instead an icon, an isolated and compelling figure of sudden and violent death. From the now featureless background the man's body is dramatically foreshortened, thrusting toward the viewer. Its proximity and isolation are startling. Only the man's costume informs us about him, traces of blood the only signs of a painful death.\n Manet's choice of a Spanish subject—he did many early in his career—reflects his interest in the seventeenth-century painter \n "
+p11281
+sa(dp11282
+g12
+g27
+sg6
+S', unknown date'
+p11283
+sg8
+S'\n'
+p11284
+sg2
+S'Shields of Frederick V, Elizabeth, and Prince Frederick Henry'
+p11285
+sg4
+S'Simon van de Passe'
+p11286
+sa(dp11287
+g12
+g27
+sg6
+S', unknown date'
+p11288
+sg8
+S'\n'
+p11289
+sg2
+S'Shields of Frederick V, Elizabeth, and Prince Frederick Henry'
+p11290
+sg4
+S'Simon van de Passe'
+p11291
+sa(dp11292
+g12
+g27
+sg6
+S', unknown date'
+p11293
+sg8
+S'\n'
+p11294
+sg2
+S'Frederick V, Elizabeth, and Prince Frederick Frederick Henry'
+p11295
+sg4
+S'Simon van de Passe'
+p11296
+sa(dp11297
+g12
+g27
+sg6
+S', unknown date'
+p11298
+sg8
+S'\n'
+p11299
+sg2
+S'Maria of Austria, Infanta of Spain [top half]'
+p11300
+sg4
+S'Simon van de Passe'
+p11301
+sa(dp11302
+g12
+g27
+sg6
+S', unknown date'
+p11303
+sg8
+S'\n'
+p11304
+sg2
+S'Lettering [bottom half]'
+p11305
+sg4
+S'Simon van de Passe'
+p11306
+sa(dp11307
+g12
+g27
+sg6
+S', unknown date'
+p11308
+sg8
+S'\n'
+p11309
+sg2
+S'Henri IV and Maria de Medici [top half]'
+p11310
+sg4
+S'Simon van de Passe'
+p11311
+sa(dp11312
+g12
+g27
+sg6
+S', unknown date'
+p11313
+sg8
+S'\n'
+p11314
+sg2
+S'Shields of Henri IV and Maria de Medici [bottom half]'
+p11315
+sg4
+S'Simon van de Passe'
+p11316
+sa(dp11317
+g12
+g27
+sg6
+S', unknown date'
+p11318
+sg8
+S'\n'
+p11319
+sg2
+S'Henri IV and Maria de Medici [top half]'
+p11320
+sg4
+S'Simon van de Passe'
+p11321
+sa(dp11322
+g12
+g27
+sg6
+S', unknown date'
+p11323
+sg8
+S'\n'
+p11324
+sg2
+S'Shields of Henry IV and Maria de Medici [bottom half]'
+p11325
+sg4
+S'Simon van de Passe'
+p11326
+sa(dp11327
+g12
+g27
+sg6
+S', unknown date'
+p11328
+sg8
+S'\n'
+p11329
+sg2
+S'Henry IV and Maria de Medici'
+p11330
+sg4
+S'Simon van de Passe'
+p11331
+sa(dp11332
+g2
+S'The Frankland Sisters'
+p11333
+sg4
+S'John Hoppner'
+p11334
+sg6
+S'oil on canvas'
+p11335
+sg8
+S'1795'
+p11336
+sg10
+S'http://www.nga.gov:80/thumb-l/a00007/a000073d.jpg'
+p11337
+sg12
+S'The Frankland Sisters,\n '
+p11338
+sa(dp11339
+g2
+S'At the Races'
+p11340
+sg4
+S'Edouard Manet'
+p11341
+sg6
+S'oil on wood'
+p11342
+sg8
+S'c. 1875'
+p11343
+sg10
+S'http://www.nga.gov:80/thumb-l/a00006/a0000664.jpg'
+p11344
+sg12
+g27
+sa(dp11345
+g12
+g27
+sg6
+S', unknown date'
+p11346
+sg8
+S'\n'
+p11347
+sg2
+S'Shields of Henry IV and Maria de Medici'
+p11348
+sg4
+S'Simon van de Passe'
+p11349
+sa(dp11350
+g12
+g27
+sg6
+S', unknown date'
+p11351
+sg8
+S'\n'
+p11352
+sg2
+S'Henry IV and Maria de Medici [left half]'
+p11353
+sg4
+S'Simon van de Passe'
+p11354
+sa(dp11355
+g12
+g27
+sg6
+S', unknown date'
+p11356
+sg8
+S'\n'
+p11357
+sg2
+S'Shields of Henry IV and Maria de Medici [right half]'
+p11358
+sg4
+S'Simon van de Passe'
+p11359
+sa(dp11360
+g12
+g27
+sg6
+S', unknown date'
+p11361
+sg8
+S'\n'
+p11362
+sg2
+S'Shields of Henry IV and Maria de Medici [left half]'
+p11363
+sg4
+S'Simon van de Passe'
+p11364
+sa(dp11365
+g12
+g27
+sg6
+S', unknown date'
+p11366
+sg8
+S'\n'
+p11367
+sg2
+S'Henry IV and Maria de Medici [right half]'
+p11368
+sg4
+S'Simon van de Passe'
+p11369
+sa(dp11370
+g12
+g27
+sg6
+S', unknown date'
+p11371
+sg8
+S'\n'
+p11372
+sg2
+S'Henry IV and Maria de Medici'
+p11373
+sg4
+S'Simon van de Passe'
+p11374
+sa(dp11375
+g12
+g27
+sg6
+S', unknown date'
+p11376
+sg8
+S'\n'
+p11377
+sg2
+S'The Emperor Matthias'
+p11378
+sg4
+S'Simon van de Passe'
+p11379
+sa(dp11380
+g12
+g27
+sg6
+S', unknown date'
+p11381
+sg8
+S'\n'
+p11382
+sg2
+S'Shields of the Emperor Matthias'
+p11383
+sg4
+S'Simon van de Passe'
+p11384
+sa(dp11385
+g12
+g27
+sg6
+S', unknown date'
+p11386
+sg8
+S'\n'
+p11387
+sg2
+S'The Emperor Matthias'
+p11388
+sg4
+S'Simon van de Passe'
+p11389
+sa(dp11390
+g12
+g27
+sg6
+S', unknown date'
+p11391
+sg8
+S'\n'
+p11392
+sg2
+S'Shields of the Emperor Matthias'
+p11393
+sg4
+S'Simon van de Passe'
+p11394
+sa(dp11395
+g2
+S'Judith with the Head of Holofernes'
+p11396
+sg4
+S'Artist Information ('
+p11397
+sg6
+S'(painter)'
+p11398
+sg8
+S'\n'
+p11399
+sg10
+S'http://www.nga.gov:80/thumb-l/a00005/a00005da.jpg'
+p11400
+sg12
+S'The story of Judith and Holofernes comes from the Old Testament Apocrypha,\nsacred texts that were excluded from the Bible. Besieged by the Assyrians, the\nbeautiful Israelite widow Judith went into the enemy camp of Holofernes to win his\nconfidence. During a great banquet Holofernes became drunk, and later in his tent\nJudith seized his sword and cut off his head. Their leader gone, the enemy was soon\ndefeated by the Israelites. This ancient heroine was understood in the Renaissance\nas a symbol of civic virtue, of intolerance of tyranny, and of a just cause triumphing\nover evil. The moralizing subject was a favorite of the artist.\n Judith is portrayed as if she were a classical statue. The drapery folds of her\ncostume, a clinging white gown, fall in sculptural forms, and her stance, the twisting\n\n Mantegna was trained in the Paduan workshop of Squarcione, but he was strongly influenced\nby the Florentine sculptor Donatello. He married the daughter of the Venetian artist\nJacopo Bellini, and was influenced by his work, as well as that of his brother-in-law\nGiovanni Bellini.\n '
+p11401
+sa(dp11402
+g12
+g27
+sg6
+S', unknown date'
+p11403
+sg8
+S'\n'
+p11404
+sg2
+S'Richard Sackville, 3rd Earl of Dorset [left half]'
+p11405
+sg4
+S'Simon van de Passe'
+p11406
+sa(dp11407
+g12
+g27
+sg6
+S', unknown date'
+p11408
+sg8
+S'\n'
+p11409
+sg2
+S'Shield of Richard Sackville, 3rd Earl of Dorset [right half]'
+p11410
+sg4
+S'Simon van de Passe'
+p11411
+sa(dp11412
+g12
+g27
+sg6
+S'German, c. 1595 - 1647'
+p11413
+sg8
+S'(related artist)'
+p11414
+sg2
+S'Queen Elizabeth [left half]'
+p11415
+sg4
+S'Artist Information ('
+p11416
+sa(dp11417
+g12
+g27
+sg6
+S'German, c. 1595 - 1647'
+p11418
+sg8
+S'(related artist)'
+p11419
+sg2
+S'Emblem of the Phoenix and the motto "Dieu et mon droit" [right half]'
+p11420
+sg4
+S'Artist Information ('
+p11421
+sa(dp11422
+g12
+g27
+sg6
+S'German, c. 1595 - 1647'
+p11423
+sg8
+S'(related artist)'
+p11424
+sg2
+S'Sheet of Seven Roundels with Portraits'
+p11425
+sg4
+S'Artist Information ('
+p11426
+sa(dp11427
+g12
+g27
+sg6
+S'German, c. 1595 - 1647'
+p11428
+sg8
+S'(related artist)'
+p11429
+sg2
+S'Sheet of Seven Roundels with Portraits'
+p11430
+sg4
+S'Artist Information ('
+p11431
+sa(dp11432
+g12
+g27
+sg6
+S'German, c. 1595 - 1647'
+p11433
+sg8
+S'(related artist)'
+p11434
+sg2
+S'James I, King of England'
+p11435
+sg4
+S'Artist Information ('
+p11436
+sa(dp11437
+g12
+g27
+sg6
+S'German, c. 1595 - 1647'
+p11438
+sg8
+S'(related artist)'
+p11439
+sg2
+S'Charles, Prince of Wales'
+p11440
+sg4
+S'Artist Information ('
+p11441
+sa(dp11442
+g12
+g27
+sg6
+S'German, c. 1595 - 1647'
+p11443
+sg8
+S'(related artist)'
+p11444
+sg2
+S'Henrietta Maria'
+p11445
+sg4
+S'Artist Information ('
+p11446
+sa(dp11447
+g12
+g27
+sg6
+S'German, c. 1595 - 1647'
+p11448
+sg8
+S'(related artist)'
+p11449
+sg2
+S'James I, King of England'
+p11450
+sg4
+S'Artist Information ('
+p11451
+sa(dp11452
+g2
+S'The Death of the Fox'
+p11453
+sg4
+S'George Morland'
+p11454
+sg6
+S'oil on canvas'
+p11455
+sg8
+S'c. 1791/1794'
+p11456
+sg10
+S'http://www.nga.gov:80/thumb-l/a00004/a00004e0.jpg'
+p11457
+sg12
+g27
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+S'German, c. 1595 - 1647'
+p11459
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+S'(related artist)'
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+S'Charles, Prince of Wales'
+p11461
+sg4
+S'Artist Information ('
+p11462
+sa(dp11463
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+S'German, c. 1595 - 1647'
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+S'James I, King of England'
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+sg4
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+S'Henrietta Maria'
+p11481
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+p11482
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+p11486
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+p11492
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+S'German, c. 1595 - 1647'
+p11494
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+S'Charles I and Henrietta Maria Facing to the Right [left half]'
+p11496
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+S'Artist Information ('
+p11497
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+S'German, c. 1595 - 1647'
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+S'Charles I and Henrietta Maria Facing to the Left [right half]'
+p11501
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+p11502
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+S'German, c. 1595 - 1647'
+p11504
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+S'Three Crowns Supported by Two Sceptres [left half]'
+p11506
+sg4
+S'Artist Information ('
+p11507
+sa(dp11508
+g2
+S'Madonna and Child'
+p11509
+sg4
+S'Francesco Benaglio'
+p11510
+sg6
+S'tempera on panel transferred to canvas'
+p11511
+sg8
+S'late 1460s'
+p11512
+sg10
+S'http://www.nga.gov:80/thumb-l/a00008/a0000852.jpg'
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+S'German, c. 1595 - 1647'
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+S'Three Crowns Supported by Two Sceptres [right half]'
+p11517
+sg4
+S'Artist Information ('
+p11518
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+sg6
+S'German, c. 1595 - 1647'
+p11520
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+S'(related artist)'
+p11521
+sg2
+S'Princess Elizabeth, Queen of Bohemia (?)'
+p11522
+sg4
+S'Artist Information ('
+p11523
+sa(dp11524
+g12
+g27
+sg6
+S'German, c. 1595 - 1647'
+p11525
+sg8
+S'(related artist)'
+p11526
+sg2
+S'George Villiers, 1st Duke of Buckingham'
+p11527
+sg4
+S'Artist Information ('
+p11528
+sa(dp11529
+g2
+S'Two Boats for "L\'Abside de Notre-Dame de Paris"'
+p11530
+sg4
+S'Charles Meryon'
+p11531
+sg6
+S'graphite on laid paper'
+p11532
+sg8
+S'probably c. 1854'
+p11533
+sg10
+S'http://www.nga.gov:80/thumb-l/a00071/a0007153.jpg'
+p11534
+sg12
+g27
+sa(dp11535
+g2
+S'Two Men'
+p11536
+sg4
+S'Honor\xc3\xa9 Daumier'
+p11537
+sg6
+S'graphite on heavy wove paper'
+p11538
+sg8
+S'unknown date\n'
+p11539
+sg10
+S'http://www.nga.gov:80/thumb-l/a00070/a0007093.jpg'
+p11540
+sg12
+g27
+sa(dp11541
+g2
+S'Man Carrying a Sack'
+p11542
+sg4
+S'Honor\xc3\xa9 Daumier'
+p11543
+sg6
+S'charcoal on laid paper'
+p11544
+sg8
+S'unknown date\n'
+p11545
+sg10
+S'http://www.nga.gov:80/thumb-l/a00071/a00071c8.jpg'
+p11546
+sg12
+g27
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+g2
+S'Charity'
+p11548
+sg4
+S'Heinrich Aldegrever'
+p11549
+sg6
+g27
+sg8
+S'1552'
+p11550
+sg10
+S'http://www.nga.gov:80/thumb-l/a000a6/a000a6f5.jpg'
+p11551
+sg12
+g27
+sa(dp11552
+g2
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+p11553
+sg4
+S'Heinrich Aldegrever'
+p11554
+sg6
+g27
+sg8
+S'1552'
+p11555
+sg10
+S'http://www.nga.gov:80/thumb-l/a000a6/a000a6f7.jpg'
+p11556
+sg12
+g27
+sa(dp11557
+g2
+S'Chastity'
+p11558
+sg4
+S'Heinrich Aldegrever'
+p11559
+sg6
+g27
+sg8
+S'1552'
+p11560
+sg10
+S'http://www.nga.gov:80/thumb-l/a000a6/a000a6f8.jpg'
+p11561
+sg12
+g27
+sa(dp11562
+g2
+S'Temperance'
+p11563
+sg4
+S'Heinrich Aldegrever'
+p11564
+sg6
+g27
+sg8
+S'1552'
+p11565
+sg10
+S'http://www.nga.gov:80/thumb-l/a000a6/a000a6f6.jpg'
+p11566
+sg12
+g27
+sa(dp11567
+g2
+S'"Titian\'s Schoolmaster"'
+p11568
+sg4
+S'Giovanni Battista Moroni'
+p11569
+sg6
+S'oil on canvas'
+p11570
+sg8
+S'c. 1575'
+p11571
+sg10
+S'http://www.nga.gov:80/thumb-l/a00008/a0000818.jpg'
+p11572
+sg12
+S"Few artists could match Moroni's skill in depicting the appearance of his sitters,\nfar less his ability to conjure the inner workings of their minds. The identity\nof the gentleman in this penetrating portrait is a mystery. For a long time the\npainting was thought to be by Titian and to represent that artist's ideal of a schoolmaster.\nBut according to another tradition, the picture got its name because Titian admired\nit and learned so much from it. Whether or not the older master ever saw this painting,\nMoroni's strong, simple composition and trenchant characterization did impress two\nlater specialists in portraiture: Anthony van Dyck and Joshua Reynolds both made\ncopies of it.\n The subject, dressed all in black, sits in a Savanarola chair that is seen -- unexpectedly\n-- in profile. He rests one beautifully drawn hand on the arm of the chair and turns\nas if to regard the spectator. With his other hand he holds his place in a book,\nthoughts of which, judging from his absorbed gaze, still occupy his mind. The white,\nembroidered collar sets off the face, and the asymmetrical points echo the man's\nuneven features. Even the bristly textures of the trimmed whiskers and clipped,\ngrizzled hair command attention.\n "
+p11573
+sa(dp11574
+g2
+S'Compassion'
+p11575
+sg4
+S'Heinrich Aldegrever'
+p11576
+sg6
+g27
+sg8
+S'1552'
+p11577
+sg10
+S'http://www.nga.gov:80/thumb-l/a000a6/a000a6f9.jpg'
+p11578
+sg12
+g27
+sa(dp11579
+g2
+S'Diligence'
+p11580
+sg4
+S'Heinrich Aldegrever'
+p11581
+sg6
+g27
+sg8
+S'1552'
+p11582
+sg10
+S'http://www.nga.gov:80/thumb-l/a000a6/a000a6fa.jpg'
+p11583
+sg12
+g27
+sa(dp11584
+g12
+g27
+sg6
+S'woodcut'
+p11585
+sg8
+S'unknown date\n'
+p11586
+sg2
+S'The Fountain of Youth [one of 4 sheets]'
+p11587
+sg4
+S'Sebald Beham'
+p11588
+sa(dp11589
+g12
+g27
+sg6
+S'woodcut'
+p11590
+sg8
+S'unknown date\n'
+p11591
+sg2
+S'The Fountain of Youth [one of 4 sheets]'
+p11592
+sg4
+S'Sebald Beham'
+p11593
+sa(dp11594
+g12
+g27
+sg6
+S'woodcut'
+p11595
+sg8
+S'unknown date\n'
+p11596
+sg2
+S'The Fountain of Youth [one of 4 sheets]'
+p11597
+sg4
+S'Sebald Beham'
+p11598
+sa(dp11599
+g2
+S'Hercules Killing Anthaeus'
+p11600
+sg4
+S'Sebald Beham'
+p11601
+sg6
+S'engraving'
+p11602
+sg8
+S'1545'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a000a8/a000a826.jpg'
+p11604
+sg12
+g27
+sa(dp11605
+g2
+S'Hercules Killing the Neumaeic Lion'
+p11606
+sg4
+S'Sebald Beham'
+p11607
+sg6
+S'engraving'
+p11608
+sg8
+S'1548'
+p11609
+sg10
+S'http://www.nga.gov:80/thumb-l/a000a8/a000a825.jpg'
+p11610
+sg12
+g27
+sa(dp11611
+g2
+S'Death of Hercules'
+p11612
+sg4
+S'Sebald Beham'
+p11613
+sg6
+S'engraving'
+p11614
+sg8
+S'1542/1548'
+p11615
+sg10
+S'http://www.nga.gov:80/thumb-l/a000a8/a000a822.jpg'
+p11616
+sg12
+g27
+sa(dp11617
+g2
+S'Satyr Woman Playing Bagpipe'
+p11618
+sg4
+S'Sebald Beham'
+p11619
+sg6
+S'engraving'
+p11620
+sg8
+S'unknown date\n'
+p11621
+sg10
+S'http://www.nga.gov:80/thumb-l/a000a8/a000a82b.jpg'
+p11622
+sg12
+g27
+sa(dp11623
+g2
+S'Two Loving Pairs with Clown'
+p11624
+sg4
+S'Sebald Beham'
+p11625
+sg6
+S'engraving'
+p11626
+sg8
+S'1535'
+p11627
+sg10
+S'http://www.nga.gov:80/thumb-l/a000a8/a000a86d.jpg'
+p11628
+sg12
+g27
+sa(dp11629
+g2
+S'Two Women at a Window'
+p11630
+sg4
+S'Bartolom\xc3\xa9 Esteban Murillo'
+p11631
+sg6
+S'oil on canvas'
+p11632
+sg8
+S'c. 1655/1660'
+p11633
+sg10
+S'http://www.nga.gov:80/thumb-l/a00004/a00004ac.jpg'
+p11634
+sg12
+S"Seville's most popular painter in the later seventeenth century was Bartolomé Esteban Murillo.\n While Murillo is best known for works with religious themes, he also produced a number of genre paintings of figures from contemporary life engaged in ordinary pursuits. These pictures often possess a wistful charm; \n The convincingly modeled, life–size figures, framed within an illusionistically painted window, derive from Dutch paintings that were meant to fool the eye.\n "
+p11635
+sa(dp11636
+g2
+S'Two Loving Pairs with Clown'
+p11637
+sg4
+S'Artist Information ('
+p11638
+sg6
+S'German, 1500 - 1550'
+p11639
+sg8
+S'(artist after)'
+p11640
+sg10
+S'http://www.nga.gov:80/thumb-l/a000a8/a000a86e.jpg'
+p11641
+sg12
+g27
+sa(dp11642
+g2
+S'Eve Seated'
+p11643
+sg4
+S'Sebald Beham'
+p11644
+sg6
+S'engraving'
+p11645
+sg8
+S'1519'
+p11646
+sg10
+S'http://www.nga.gov:80/thumb-l/a000a8/a000a811.jpg'
+p11647
+sg12
+g27
+sa(dp11648
+g12
+g27
+sg6
+S'etching'
+p11649
+sg8
+S'unknown date\n'
+p11650
+sg2
+S'Hombre Bueno'
+p11651
+sg4
+S'Adolfo Bellocq'
+p11652
+sa(dp11653
+g12
+g27
+sg6
+S'etching'
+p11654
+sg8
+S'unknown date\n'
+p11655
+sg2
+S'Vagabundo'
+p11656
+sg4
+S'Adolfo Bellocq'
+p11657
+sa(dp11658
+g2
+S'Three Months'
+p11659
+sg4
+S'Franz Brun'
+p11660
+sg6
+S'engraving'
+p11661
+sg8
+S'1584'
+p11662
+sg10
+S'http://www.nga.gov:80/thumb-l/a000b0/a000b090.jpg'
+p11663
+sg12
+g27
+sa(dp11664
+g2
+S'Three Months'
+p11665
+sg4
+S'Franz Brun'
+p11666
+sg6
+S'engraving'
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+sg8
+S'1584'
+p11668
+sg10
+S'http://www.nga.gov:80/thumb-l/a000b0/a000b091.jpg'
+p11669
+sg12
+g27
+sa(dp11670
+g2
+S'Three Months'
+p11671
+sg4
+S'Franz Brun'
+p11672
+sg6
+S'engraving'
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+sg8
+S'1584'
+p11674
+sg10
+S'http://www.nga.gov:80/thumb-l/a000b0/a000b092.jpg'
+p11675
+sg12
+g27
+sa(dp11676
+g2
+S'Saturn'
+p11677
+sg4
+S'Abraham de Bruyn'
+p11678
+sg6
+S'engraving'
+p11679
+sg8
+S'1569'
+p11680
+sg10
+S'http://www.nga.gov:80/thumb-l/a000cf/a000cf1f.jpg'
+p11681
+sg12
+g27
+sa(dp11682
+g2
+S'Jupiter'
+p11683
+sg4
+S'Abraham de Bruyn'
+p11684
+sg6
+S'engraving'
+p11685
+sg8
+S'1569'
+p11686
+sg10
+S'http://www.nga.gov:80/thumb-l/a000cf/a000cf1e.jpg'
+p11687
+sg12
+g27
+sa(dp11688
+g2
+S'Mercury'
+p11689
+sg4
+S'Abraham de Bruyn'
+p11690
+sg6
+S'engraving'
+p11691
+sg8
+S'1569'
+p11692
+sg10
+S'http://www.nga.gov:80/thumb-l/a000cf/a000cf24.jpg'
+p11693
+sg12
+g27
+sa(dp11694
+g2
+S'Portrait of a Lady'
+p11695
+sg4
+S"Neroccio de' Landi"
+p11696
+sg6
+S'tempera on panel'
+p11697
+sg8
+S'c. 1485'
+p11698
+sg10
+S'http://www.nga.gov:80/thumb-l/a00037/a00037c7.jpg'
+p11699
+sg12
+S'This is often described as one of the earliest portraits from Renaissance Siena. While humanism and a focus on man and individual accomplishment had helped create a market for portraiture in Florence in the mid 1400s, in Siena it remained rare. There was little demand for private secular art of any kind until the last quarter of the century, when humanism finally asserted itself following the election \r\nof Pope Pius II, the former Aeneas Silvius Piccolomini. A member of a prominent Sienese family and noted humanist, he was the first pope to write a true autobiography.\n The young woman on this panel has a dreamy and \r\nidealized beauty, accented by masses of blond hair. (Saint Bernardino preached against women who bleached their hair in the sun and sat in public squares to dry it.) Her three-quarter pose is unusual; most female portraits \r\nin Italy at this date were in profile.\n Many portraits were commissioned to commemorate \r\na marriage or betrothal. This woman\'s loose hairstyle \r\nsuggests that she is not yet married. She may have been \r\na member of the Bandini family, whose crest of sphere-\r\nbiting eagles appears around the frame, which is probably original. The flames that alternate with the Bandini crest may be a reference to her future husband, or they may hint that her given name was Fiammetta (related to the word for "blaze").\n '
+p11700
+sa(dp11701
+g2
+S'Sun'
+p11702
+sg4
+S'Abraham de Bruyn'
+p11703
+sg6
+S'engraving'
+p11704
+sg8
+S'1569'
+p11705
+sg10
+S'http://www.nga.gov:80/thumb-l/a000cf/a000cf21.jpg'
+p11706
+sg12
+g27
+sa(dp11707
+g2
+S'Mars'
+p11708
+sg4
+S'Abraham de Bruyn'
+p11709
+sg6
+S'engraving'
+p11710
+sg8
+S'1569'
+p11711
+sg10
+S'http://www.nga.gov:80/thumb-l/a000cf/a000cf20.jpg'
+p11712
+sg12
+g27
+sa(dp11713
+g2
+S'Moon'
+p11714
+sg4
+S'Abraham de Bruyn'
+p11715
+sg6
+S'engraving'
+p11716
+sg8
+S'1569'
+p11717
+sg10
+S'http://www.nga.gov:80/thumb-l/a000cf/a000cf23.jpg'
+p11718
+sg12
+g27
+sa(dp11719
+g2
+S'Exempel und Lehr Jetziger Welt Lauf'
+p11720
+sg4
+S'Andreas Bretschneider III'
+p11721
+sg6
+S'etching'
+p11722
+sg8
+S'published 1622'
+p11723
+sg10
+S'http://www.nga.gov:80/thumb-l/a000b2/a000b2ad.jpg'
+p11724
+sg12
+g27
+sa(dp11725
+g2
+S'Exempel und Lehr Jetziger Welt Lauf'
+p11726
+sg4
+S'Andreas Bretschneider III'
+p11727
+sg6
+S'etching'
+p11728
+sg8
+S'published 1622'
+p11729
+sg10
+S'http://www.nga.gov:80/thumb-l/a000b2/a000b2ae.jpg'
+p11730
+sg12
+g27
+sa(dp11731
+g2
+S'Exempel und Lehr Jetziger Welt Lauf'
+p11732
+sg4
+S'Andreas Bretschneider III'
+p11733
+sg6
+S'etching'
+p11734
+sg8
+S'published 1622'
+p11735
+sg10
+S'http://www.nga.gov:80/thumb-l/a000b2/a000b2b0.jpg'
+p11736
+sg12
+g27
+sa(dp11737
+g2
+S'Exempel und Lehr Jetziger Welt Lauf'
+p11738
+sg4
+S'Andreas Bretschneider III'
+p11739
+sg6
+S'etching'
+p11740
+sg8
+S'published 1622'
+p11741
+sg10
+S'http://www.nga.gov:80/thumb-l/a000b2/a000b2b2.jpg'
+p11742
+sg12
+g27
+sa(dp11743
+g2
+S'Exempel und Lehr Jetziger Welt Lauf'
+p11744
+sg4
+S'Andreas Bretschneider III'
+p11745
+sg6
+S'etching'
+p11746
+sg8
+S'published 1622'
+p11747
+sg10
+S'http://www.nga.gov:80/thumb-l/a000b2/a000b2b5.jpg'
+p11748
+sg12
+g27
+sa(dp11749
+g2
+S'Exempel und Lehr Jetziger Welt Lauf'
+p11750
+sg4
+S'Andreas Bretschneider III'
+p11751
+sg6
+S'etching'
+p11752
+sg8
+S'published 1622'
+p11753
+sg10
+S'http://www.nga.gov:80/thumb-l/a000b2/a000b2b1.jpg'
+p11754
+sg12
+g27
+sa(dp11755
+g2
+S'Exempel und Lehr Jetziger Welt Lauf'
+p11756
+sg4
+S'Andreas Bretschneider III'
+p11757
+sg6
+S'etching'
+p11758
+sg8
+S'published 1622'
+p11759
+sg10
+S'http://www.nga.gov:80/thumb-l/a000b2/a000b2b4.jpg'
+p11760
+sg12
+g27
+sa(dp11761
+g2
+S'The Cottage Dooryard'
+p11762
+sg4
+S'Adriaen van Ostade'
+p11763
+sg6
+S'oil on canvas'
+p11764
+sg8
+S'1673'
+p11765
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000e/a0000e74.jpg'
+p11766
+sg12
+S"In contrast to the paved, urban gardens portrayed by Pieter de Hooch, this country cottage has only a dirt yard, where the wife cleans mussels for dinner. Laundry dries on a line attached to a shed, which also supports a pigeon coop, and the shelf by the door holds beehives. The clinging vines may allude to family unity.\n In addition to such touching and dignified portrayals of peasants, Van Ostade painted bawdy scenes of taverns and barns. He entered the Haarlem guild in 1634, probably after studying under \n Adriaen van Ostade's students included \n "
+p11767
+sa(dp11768
+g2
+S'Exempel und Lehr Jetziger Welt Lauf'
+p11769
+sg4
+S'Andreas Bretschneider III'
+p11770
+sg6
+S'etching'
+p11771
+sg8
+S'published 1622'
+p11772
+sg10
+S'http://www.nga.gov:80/thumb-l/a000b2/a000b2b8.jpg'
+p11773
+sg12
+g27
+sa(dp11774
+g2
+S'Exempel und Lehr Jetziger Welt Lauf'
+p11775
+sg4
+S'Andreas Bretschneider III'
+p11776
+sg6
+S'etching'
+p11777
+sg8
+S'published 1622'
+p11778
+sg10
+S'http://www.nga.gov:80/thumb-l/a000b2/a000b2b3.jpg'
+p11779
+sg12
+g27
+sa(dp11780
+g2
+S'Exempel und Lehr Jetziger Welt Lauf'
+p11781
+sg4
+S'Andreas Bretschneider III'
+p11782
+sg6
+S'etching'
+p11783
+sg8
+S'published 1622'
+p11784
+sg10
+S'http://www.nga.gov:80/thumb-l/a000b2/a000b2b6.jpg'
+p11785
+sg12
+g27
+sa(dp11786
+g2
+S'Exempel und Lehr Jetziger Welt Lauf'
+p11787
+sg4
+S'Andreas Bretschneider III'
+p11788
+sg6
+S'etching'
+p11789
+sg8
+S'published 1622'
+p11790
+sg10
+S'http://www.nga.gov:80/thumb-l/a000b2/a000b2b7.jpg'
+p11791
+sg12
+g27
+sa(dp11792
+g2
+S'Exempel und Lehr Jetziger Welt Lauf'
+p11793
+sg4
+S'Andreas Bretschneider III'
+p11794
+sg6
+S'etching'
+p11795
+sg8
+S'published 1622'
+p11796
+sg10
+S'http://www.nga.gov:80/thumb-l/a000b2/a000b2af.jpg'
+p11797
+sg12
+g27
+sa(dp11798
+g2
+S'Exempel und Lehr Jetziger Welt Lauf'
+p11799
+sg4
+S'Andreas Bretschneider III'
+p11800
+sg6
+S'etching'
+p11801
+sg8
+S'published 1622'
+p11802
+sg10
+S'http://www.nga.gov:80/thumb-l/a000b2/a000b2b9.jpg'
+p11803
+sg12
+g27
+sa(dp11804
+g2
+S'Ex-Libris pour "L\'Ensorcel\xc3\xa9e" (Bookplate for "L\'Ensorcel\xc3\xa9e")'
+p11805
+sg4
+S'F\xc3\xa9lix-Hilaire Buhot'
+p11806
+sg6
+S'etching, drypoint, aquatint, and roulette in black on moderately thick cream (discolored to light brown) laid paper'
+p11807
+sg8
+S'c. 1883/1885'
+p11808
+sg10
+S'http://www.nga.gov:80/thumb-l/a00097/a00097e4.jpg'
+p11809
+sg12
+g27
+sa(dp11810
+g2
+S'The Circle of the Lustful: Paolo and Francesca'
+p11811
+sg4
+S'William Blake'
+p11812
+sg6
+S'engraving printed by Harry Hoehn in 1968'
+p11813
+sg8
+S'1827'
+p11814
+sg10
+S'http://www.nga.gov:80/thumb-l/a00077/a0007706.jpg'
+p11815
+sg12
+g27
+sa(dp11816
+g2
+S'Voyez, Mr. Mayeux, cet animal...'
+p11817
+sg4
+S'Honor\xc3\xa9 Daumier'
+p11818
+sg6
+S'hand-colored lithograph'
+p11819
+sg8
+S'1836'
+p11820
+sg10
+S'http://www.nga.gov:80/thumb-l/a00092/a0009215.jpg'
+p11821
+sg12
+g27
+sa(dp11822
+g2
+S'The Halt at the Inn'
+p11823
+sg4
+S'Isack van Ostade'
+p11824
+sg6
+S'oil on panel transferred to canvas'
+p11825
+sg8
+S'1645'
+p11826
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000e/a0000e75.jpg'
+p11827
+sg12
+S"One of the most delightful aspects of seventeenth-century Dutch art is that\nit conveys a vivid sense of daily life. In this painting, for example, we see the\nbustle of activity outside a village inn as two well-dressed travelers arrive and\ndismount from their horses. A beggar woman with a child strapped to her back stands\nto watch while other figures converse with one of the travelers. The main street\nof the village is filled with other groups, among them men smoking pipes at a bench\nbefore the inn, a child playing with a mother's apron, and a man talking to a woman\nspinning yarn. Van Ostade creates a sense of conviviality by the apparent informality\nof these human contacts, and by including an array of animals within the scene.\nHe also was careful to suggest the picturesque character of the buildings, trees\nand vines, and depicted the aged brick and mortar construction of the inn.\n Isack van Ostade was the most important of a number of Haarlem artists who painted\nsuch subjects in the early seventeenth century. A student of his more famous, older\nbrother, Adrian van Ostade, Isack tragically died at the age of twenty-eight. Despite\nhis short artistic career, he had an extensive influence on his contemporaries,\nincluding Jan Steen, with whom he occasionally collaborated.\n "
+p11828
+sa(dp11829
+g2
+S'Bobonne... ne le regarde pas tant!'
+p11830
+sg4
+S'Honor\xc3\xa9 Daumier'
+p11831
+sg6
+S'hand-colored lithograph'
+p11832
+sg8
+S'1836'
+p11833
+sg10
+S'http://www.nga.gov:80/thumb-l/a00092/a0009212.jpg'
+p11834
+sg12
+g27
+sa(dp11835
+g2
+S"Dieu de Dieu! mais c'est un pppolisson..."
+p11836
+sg4
+S'Honor\xc3\xa9 Daumier'
+p11837
+sg6
+S'hand-colored lithograph'
+p11838
+sg8
+S'1836'
+p11839
+sg10
+S'http://www.nga.gov:80/thumb-l/a00092/a0009213.jpg'
+p11840
+sg12
+g27
+sa(dp11841
+g2
+S'La Potion'
+p11842
+sg4
+S'Honor\xc3\xa9 Daumier'
+p11843
+sg6
+S'hand-colored lithograph'
+p11844
+sg8
+S'1836'
+p11845
+sg10
+S'http://www.nga.gov:80/thumb-l/a00092/a0009217.jpg'
+p11846
+sg12
+g27
+sa(dp11847
+g2
+S'Une lecture entrainante'
+p11848
+sg4
+S'Honor\xc3\xa9 Daumier'
+p11849
+sg6
+S'hand-colored lithograph'
+p11850
+sg8
+S'1836'
+p11851
+sg10
+S'http://www.nga.gov:80/thumb-l/a00092/a0009218.jpg'
+p11852
+sg12
+g27
+sa(dp11853
+g2
+S"L'amateur d'huitres"
+p11854
+sg4
+S'Honor\xc3\xa9 Daumier'
+p11855
+sg6
+S'hand-colored lithograph'
+p11856
+sg8
+S'1836'
+p11857
+sg10
+S'http://www.nga.gov:80/thumb-l/a00092/a0009219.jpg'
+p11858
+sg12
+g27
+sa(dp11859
+g2
+S'Le bon morceau'
+p11860
+sg4
+S'Honor\xc3\xa9 Daumier'
+p11861
+sg6
+S'hand-colored lithograph'
+p11862
+sg8
+S'1836'
+p11863
+sg10
+S'http://www.nga.gov:80/thumb-l/a00092/a0009222.jpg'
+p11864
+sg12
+g27
+sa(dp11865
+g2
+S'Fameuse perruque'
+p11866
+sg4
+S'Honor\xc3\xa9 Daumier'
+p11867
+sg6
+S'hand-colored lithograph'
+p11868
+sg8
+S'1836'
+p11869
+sg10
+S'http://www.nga.gov:80/thumb-l/a00092/a000921d.jpg'
+p11870
+sg12
+g27
+sa(dp11871
+g2
+S'La renomm\xc3\xa9e des glaces'
+p11872
+sg4
+S'Honor\xc3\xa9 Daumier'
+p11873
+sg6
+S'hand-colored lithograph'
+p11874
+sg8
+S'1836'
+p11875
+sg10
+S'http://www.nga.gov:80/thumb-l/a00092/a0009221.jpg'
+p11876
+sg12
+g27
+sa(dp11877
+g2
+S'La bonne prise'
+p11878
+sg4
+S'Honor\xc3\xa9 Daumier'
+p11879
+sg6
+S'hand-colored lithograph'
+p11880
+sg8
+S'1836'
+p11881
+sg10
+S'http://www.nga.gov:80/thumb-l/a00092/a0009220.jpg'
+p11882
+sg12
+g27
+sa(dp11883
+g2
+S'Le vrai Fumeur'
+p11884
+sg4
+S'Honor\xc3\xa9 Daumier'
+p11885
+sg6
+S'hand-colored lithograph'
+p11886
+sg8
+S'1836'
+p11887
+sg10
+S'http://www.nga.gov:80/thumb-l/a00092/a000921f.jpg'
+p11888
+sg12
+g27
+sa(dp11889
+g2
+S'Madonna and Child'
+p11890
+sg4
+S'Artist Information ('
+p11891
+sg6
+S'Italian, c. 1406 - 1469'
+p11892
+sg8
+S'(related artist)'
+p11893
+sg10
+S'http://www.nga.gov:80/thumb-l/a00008/a0000880.jpg'
+p11894
+sg12
+g27
+sa(dp11895
+g2
+S'Oh! ma femme est morte!'
+p11896
+sg4
+S'Honor\xc3\xa9 Daumier'
+p11897
+sg6
+S'hand-colored lithograph'
+p11898
+sg8
+S'1836'
+p11899
+sg10
+S'http://www.nga.gov:80/thumb-l/a00092/a0009223.jpg'
+p11900
+sg12
+g27
+sa(dp11901
+g2
+S'La carte a payer'
+p11902
+sg4
+S'Honor\xc3\xa9 Daumier'
+p11903
+sg6
+S'hand-colored lithograph'
+p11904
+sg8
+S'1837'
+p11905
+sg10
+S'http://www.nga.gov:80/thumb-l/a00092/a000921e.jpg'
+p11906
+sg12
+g27
+sa(dp11907
+g2
+S'Encore une heure!!'
+p11908
+sg4
+S'Honor\xc3\xa9 Daumier'
+p11909
+sg6
+S'hand-colored lithograph'
+p11910
+sg8
+S'1837'
+p11911
+sg10
+S'http://www.nga.gov:80/thumb-l/a00092/a0009224.jpg'
+p11912
+sg12
+g27
+sa(dp11913
+g2
+S'First Wise Virgin'
+p11914
+sg4
+S'Martin Schongauer'
+p11915
+sg6
+S'engraving'
+p11916
+sg8
+S'c. 1490'
+p11917
+sg10
+S'http://www.nga.gov:80/thumb-l/a000a4/a000a487.jpg'
+p11918
+sg12
+g27
+sa(dp11919
+g2
+S'Saint George on Foot'
+p11920
+sg4
+S'German 16th Century'
+p11921
+sg6
+S'Rosenwald Collection'
+p11922
+sg8
+S'\nniello print'
+p11923
+sg10
+S'http://www.nga.gov:80/thumb-l/a000c7/a000c718.jpg'
+p11924
+sg12
+g27
+sa(dp11925
+g2
+S'The Last Supper'
+p11926
+sg4
+S'Hendrick Goltzius'
+p11927
+sg6
+S', 1598'
+p11928
+sg8
+S'\n'
+p11929
+sg10
+S'http://www.nga.gov:80/thumb-l/a000cd/a000cdfd.jpg'
+p11930
+sg12
+g27
+sa(dp11931
+g2
+S'Christ on the Mount of Olives'
+p11932
+sg4
+S'Hendrick Goltzius'
+p11933
+sg6
+S', 1597'
+p11934
+sg8
+S'\n'
+p11935
+sg10
+S'http://www.nga.gov:80/thumb-l/a000cd/a000cdfe.jpg'
+p11936
+sg12
+g27
+sa(dp11937
+g2
+S'Christ Taken Captive'
+p11938
+sg4
+S'Hendrick Goltzius'
+p11939
+sg6
+S', 1598'
+p11940
+sg8
+S'\n'
+p11941
+sg10
+S'http://www.nga.gov:80/thumb-l/a000cd/a000cdff.jpg'
+p11942
+sg12
+g27
+sa(dp11943
+g2
+S'Christ before Caiphas'
+p11944
+sg4
+S'Hendrick Goltzius'
+p11945
+sg6
+S', 1597'
+p11946
+sg8
+S'\n'
+p11947
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ce/a000ce01.jpg'
+p11948
+sg12
+g27
+sa(dp11949
+g2
+S'Christ before Pilate'
+p11950
+sg4
+S'Hendrick Goltzius'
+p11951
+sg6
+S', 1596'
+p11952
+sg8
+S'\n'
+p11953
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ce/a000ce00.jpg'
+p11954
+sg12
+g27
+sa(dp11955
+g2
+S'Madonna and Child'
+p11956
+sg4
+S'Florentine 15th Century'
+p11957
+sg6
+S'painted and gilded terracotta'
+p11958
+sg8
+S'c. 1425'
+p11959
+sg10
+S'http://www.nga.gov:80/thumb-l/a0002d/a0002d78.jpg'
+p11960
+sg12
+S'With this terra-cotta statue, slightly under life-size, we encounter figures that demonstrate the\nbeginnings of the Italian Renaissance admiration for the human body. Earlier statues in the\ncollection, like the Pisan Annunciation pair, \n The mother, whose costume details recall ancient sculpture -- classical sandals, a fillet around\nthe head, and palmette ornament on the sleeve cuffs -- shares much with images conceived by the\nFlorentine master Donatello (1385/86-1466), the greatest sculptor of the early Renaissance.\n '
+p11961
+sa(dp11962
+g2
+S'Portrait of a Young Woman'
+p11963
+sg4
+S'Florentine 16th Century'
+p11964
+sg6
+S'oil on panel'
+p11965
+sg8
+S'1530/1540'
+p11966
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000d/a0000dd1.jpg'
+p11967
+sg12
+g27
+sa(dp11968
+g2
+S'Flagellation of Christ'
+p11969
+sg4
+S'Hendrick Goltzius'
+p11970
+sg6
+S', 1597'
+p11971
+sg8
+S'\n'
+p11972
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ce/a000ce02.jpg'
+p11973
+sg12
+g27
+sa(dp11974
+g2
+S'Christ Crowned with Thorns'
+p11975
+sg4
+S'Hendrick Goltzius'
+p11976
+sg6
+S', 1597'
+p11977
+sg8
+S'\n'
+p11978
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ce/a000ce03.jpg'
+p11979
+sg12
+g27
+sa(dp11980
+g2
+S'Ecce Homo'
+p11981
+sg4
+S'Hendrick Goltzius'
+p11982
+sg6
+S', 1597'
+p11983
+sg8
+S'\n'
+p11984
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ce/a000ce04.jpg'
+p11985
+sg12
+g27
+sa(dp11986
+g2
+S'Christ Carrying the Cross'
+p11987
+sg4
+S'Hendrick Goltzius'
+p11988
+sg6
+S', probably 1598'
+p11989
+sg8
+S'\n'
+p11990
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ce/a000ce05.jpg'
+p11991
+sg12
+g27
+sa(dp11992
+g2
+S'The Crucifixion'
+p11993
+sg4
+S'Hendrick Goltzius'
+p11994
+sg6
+S', probably 1598'
+p11995
+sg8
+S'\n'
+p11996
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ce/a000ce06.jpg'
+p11997
+sg12
+g27
+sa(dp11998
+g2
+S'Burial of Christ'
+p11999
+sg4
+S'Hendrick Goltzius'
+p12000
+sg6
+S', 1596'
+p12001
+sg8
+S'\n'
+p12002
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ce/a000ce07.jpg'
+p12003
+sg12
+g27
+sa(dp12004
+g2
+S'The Resurrection'
+p12005
+sg4
+S'Hendrick Goltzius'
+p12006
+sg6
+S', 1596'
+p12007
+sg8
+S'\n'
+p12008
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ce/a000ce08.jpg'
+p12009
+sg12
+g27
+sa(dp12010
+g2
+S'Christ'
+p12011
+sg4
+S'Hendrick Goltzius'
+p12012
+sg6
+S', probably 1589'
+p12013
+sg8
+S'\n'
+p12014
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ce/a000ce0b.jpg'
+p12015
+sg12
+g27
+sa(dp12016
+g2
+S'Saint Bartholomew'
+p12017
+sg4
+S'Hendrick Goltzius'
+p12018
+sg6
+S', probably 1589'
+p12019
+sg8
+S'\n'
+p12020
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ce/a000ce11.jpg'
+p12021
+sg12
+g27
+sa(dp12022
+g2
+S'Saint Thomas'
+p12023
+sg4
+S'Hendrick Goltzius'
+p12024
+sg6
+S', probably 1589'
+p12025
+sg8
+S'\n'
+p12026
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ce/a000ce12.jpg'
+p12027
+sg12
+g27
+sa(dp12028
+g2
+S"A Farrier's Shop"
+p12029
+sg4
+S'Paulus Potter'
+p12030
+sg6
+S'oil on panel'
+p12031
+sg8
+S'1648'
+p12032
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000e/a0000e78.jpg'
+p12033
+sg12
+S"\r\n\tFarriers are blacksmiths who shoe horses and serve as veterinarians. This bald, spectacled farrier files the tooth of a terrified horse restrained in a brake. Potter gained instant fame for his superb depictions of animal anatomy and psychology. For example, the dogs here ignore the horse's dilemma while snarling over a bone, and chickens diligently scratch for food.\r\n\n \r\n\tThis painting, signed and dated on the door lintel above the blacksmith’s forge, is an exceptional achievement for an artist only twenty-three years old. In a daring interplay of indoor and outdoor lighting effects, Potter contrasted the sparks flying from the smoking forge, the sunshine that streams through the clouds, and the morning fog still clinging over the cattle pasture.\r\n\n \r\n\tPotter was trained by his father and was painting by age fifteen. He moved frequently, working in Delft, The Hague, and Amsterdam, where he died at age twenty-eight. Even though his career was short, Potter was a tireless worker who left a considerable number of large and small pictures of livestock in farmyards and meadows.\r\n\n "
+p12034
+sa(dp12035
+g2
+S'Saint Matthew'
+p12036
+sg4
+S'Hendrick Goltzius'
+p12037
+sg6
+S', probably 1589'
+p12038
+sg8
+S'\n'
+p12039
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ce/a000ce13.jpg'
+p12040
+sg12
+g27
+sa(dp12041
+g2
+S'Saint James the Lesser'
+p12042
+sg4
+S'Hendrick Goltzius'
+p12043
+sg6
+S', probably 1589'
+p12044
+sg8
+S'\n'
+p12045
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ce/a000ce14.jpg'
+p12046
+sg12
+g27
+sa(dp12047
+g2
+S'Saint Jude'
+p12048
+sg4
+S'Hendrick Goltzius'
+p12049
+sg6
+S', probably 1589'
+p12050
+sg8
+S'\n'
+p12051
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ce/a000ce15.jpg'
+p12052
+sg12
+g27
+sa(dp12053
+g2
+S'Saint Matthias'
+p12054
+sg4
+S'Hendrick Goltzius'
+p12055
+sg6
+S', probably 1589'
+p12056
+sg8
+S'\n'
+p12057
+sg10
+S'http://www.nga.gov:80/thumb-l/a000ce/a000ce16.jpg'
+p12058
+sg12
+g27
+sa(dp12059
+g2
+S'Saint Paul'
+p12060
+sg4
+S'Hendrick Goltzius'
+p12061
+sg6
+S', probably 1589'
+p12062
+sg8
+S'\n'
+p12063
+sg10
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+S', probably 1589'
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+S'unknown date\n'
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+S'unknown date\n'
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+S'unknown date\n'
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+S'unknown date\n'
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+S'unknown date\n'
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+S'Hans Holbein the Younger'
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+sg6
+S'woodcut'
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+S'unknown date\n'
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+S'Letter H'
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+sg6
+S'woodcut'
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+S'unknown date\n'
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+S'Letter I'
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+S'Hans Holbein the Younger'
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+S'unknown date\n'
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+S'unknown date\n'
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+S'unknown date\n'
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+S'http://www.nga.gov:80/thumb-l/a000b2/a000b265.jpg'
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+S'Pierre Puvis de Chavannes'
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+sg6
+S'oil on canvas'
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+sg8
+S'c. 1863'
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+S'http://www.nga.gov:80/thumb-l/a00006/a00006d3.jpg'
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+S'Hans Holbein the Younger'
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+S'unknown date\n'
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+S'http://www.nga.gov:80/thumb-l/a000b2/a000b266.jpg'
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+S'Hans Holbein the Younger'
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+S'unknown date\n'
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+S'http://www.nga.gov:80/thumb-l/a000b2/a000b267.jpg'
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+S'Letter R'
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+sg4
+S'Hans Holbein the Younger'
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+sg6
+S'woodcut'
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+sg8
+S'unknown date\n'
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+S'http://www.nga.gov:80/thumb-l/a000b2/a000b268.jpg'
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+S'Hans Holbein the Younger'
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+S'woodcut'
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+S'unknown date\n'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a000b2/a000b269.jpg'
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+sg4
+S'Hans Holbein the Younger'
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+sg6
+S'woodcut'
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+sg8
+S'unknown date\n'
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+S'http://www.nga.gov:80/thumb-l/a000b2/a000b26a.jpg'
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+S'Letter V'
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+S'Hans Holbein the Younger'
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+S'unknown date\n'
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+S'Hans Holbein the Younger'
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+S'unknown date\n'
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+S'http://www.nga.gov:80/thumb-l/a000b2/a000b26c.jpg'
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+S'Letter X'
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+sg4
+S'Hans Holbein the Younger'
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+sg6
+S'woodcut'
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+sg8
+S'unknown date\n'
+p12279
+sg10
+S'http://www.nga.gov:80/thumb-l/a000b2/a000b26d.jpg'
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+sg12
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+sa(dp12281
+g2
+S'Letter Y'
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+sg4
+S'Hans Holbein the Younger'
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+sg6
+S'woodcut'
+p12284
+sg8
+S'unknown date\n'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a000b2/a000b26e.jpg'
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+sa(dp12287
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+S'Letter Z'
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+sg4
+S'Hans Holbein the Younger'
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+sg6
+S'woodcut'
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+sg8
+S'unknown date\n'
+p12291
+sg10
+S'http://www.nga.gov:80/thumb-l/a000b2/a000b26f.jpg'
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+sg12
+g27
+sa(dp12293
+g2
+S'David Anderson'
+p12294
+sg4
+S'Sir Henry Raeburn'
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+sg6
+S'oil on canvas'
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+sg8
+S'1790'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a0000d/a0000d44.jpg'
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+sg12
+S"The Scottish portraitist Henry Raeburn\r\n favored warm, dramatic illumination. Here the subject is bathed in twilight,\r\n his face half-lit, half-shaded. David Anderson stands proudly, holding an\r\n empty glove nonchalantly against his hip, while his bare hand holds his\r\n upturned hat. The portrait reveals no strain on Anderson's character even\r\n though it was created during a crisis in his career.\n Anderson had served under the first governor-general of British India,\r\n Warren Hastings. Upon their return to Britain in 1785, Hastings agreed to\r\n commission his portrait from Sir Joshua Reynolds, London's court painter, as\r\n a gift to Anderson. In turn, Anderson sent this likeness by Raeburn,\r\n Edinburgh's leading artist, to Hastings in 1790. Therefore, in creating this\r\n portrait, Raeburn pitted his emerging reputation against that of Reynolds,\r\n under whom he had recently studied.\n The exchanged tokens of friendship may have bolstered the sitters'\r\n spirits during one of the most infamous political scandals in British\r\n history—the Warren Hastings' Trial. A cabal of Englishmen, wishing to\r\n exploit India, had sullied Hastings' reputation by turning him into a\r\n scapegoat for their own greed. Although Hastings was exonerated in 1795, his\r\n impeachment proceedings had lasted seven years, during which time Raeburn\r\n portrayed Hastings' beleaguered associate.\n "
+p12299
+sa(dp12300
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+g27
+sg6
+S'woodcut'
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+sg8
+S'1922/1923'
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+sg2
+S'The Sacrifice (Das Opfer)'
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+sg4
+S'K\xc3\xa4the Kollwitz'
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+sa(dp12305
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+g27
+sg6
+S'portfolio with six woodcuts including cover plus table of contents'
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+sg8
+S'1922/1923'
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+sg2
+S'War (Krieg)'
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+sg4
+S'K\xc3\xa4the Kollwitz'
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+sa(dp12310
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+sg6
+S'woodcut'
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+sg8
+S'1922/1923'
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+sg2
+S'The Parents (Die Eltern)'
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+sg4
+S'K\xc3\xa4the Kollwitz'
+p12314
+sa(dp12315
+g12
+g27
+sg6
+S'woodcut'
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+sg8
+S'1922/1923'
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+sg2
+S'The Widow I (Die Witwe I)'
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+sg4
+S'K\xc3\xa4the Kollwitz'
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+sa(dp12320
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+sg6
+S'woodcut'
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+sg8
+S'1922/1923'
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+sg2
+S'The Widow II (Die Witwe II)'
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+sg4
+S'K\xc3\xa4the Kollwitz'
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+sa(dp12325
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+g27
+sg6
+S'woodcut'
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+sg8
+S'1922/1923'
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+sg2
+S'The People (Das Volk)'
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+sg4
+S'K\xc3\xa4the Kollwitz'
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+sa(dp12330
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+g27
+sg6
+S'woodcut in black on brown paper; portfolio cover'
+p12331
+sg8
+S'1922/1923'
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+sg2
+S'The Widow I (Die Witwe I)'
+p12333
+sg4
+S'K\xc3\xa4the Kollwitz'
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+sa(dp12335
+g2
+S'Saint Matthew'
+p12336
+sg4
+S'Johann Ladenspelder'
+p12337
+sg6
+S'engraving'
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+sg8
+S'unknown date\n'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a000ac/a000aca8.jpg'
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+S'Saint Mark'
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+sg4
+S'Johann Ladenspelder'
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+sg6
+S'engraving'
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+sg8
+S'unknown date\n'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a000ac/a000aca7.jpg'
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+sg12
+g27
+sa(dp12347
+g2
+S'Saint Luke'
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+sg4
+S'Johann Ladenspelder'
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+sg6
+S'engraving'
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+sg8
+S'unknown date\n'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a000ac/a000aca6.jpg'
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+sg12
+g27
+sa(dp12353
+g2
+S'The Small Cowper Madonna'
+p12354
+sg4
+S'Raphael'
+p12355
+sg6
+S'oil on panel'
+p12356
+sg8
+S'c. 1505'
+p12357
+sg10
+S'http://www.nga.gov:80/thumb-l/a00008/a0000888.jpg'
+p12358
+sg12
+S'Raphael was in Florence from late 1504 until 1508. Seventeen images of the Virgin and Child from those few years survive today, two of them are on this tour. Probably many of these works were made for the art market—images of the Madonna and Child were often given as wedding presents—rather than to fulfill a specific commission.\n The Small Cowper Madonna\n '
+p12359
+sa(dp12360
+g2
+S'Saint John'
+p12361
+sg4
+S'Johann Ladenspelder'
+p12362
+sg6
+S'engraving'
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+sg8
+S'unknown date\n'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a000ac/a000aca5.jpg'
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+sg12
+g27
+sa(dp12366
+g2
+S'Crest'
+p12367
+sg4
+S'Michel Le Blon'
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+sg6
+S'engraving'
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+sg8
+S'unknown date\n'
+p12370
+sg10
+S'http://www.nga.gov:80/thumb-l/a000b2/a000b2ea.jpg'
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+sg12
+g27
+sa(dp12372
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+sg4
+S'Michel Le Blon'
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+sg6
+S'engraving'
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+sg8
+S'unknown date\n'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a000b2/a000b2e9.jpg'
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+sg12
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+sa(dp12378
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+S'Crest'
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+sg4
+S'Michel Le Blon'
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+sg6
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+S'unknown date\n'
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+S'http://www.nga.gov:80/thumb-l/a000b2/a000b2e4.jpg'
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+sa(dp12384
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+S'Michel Le Blon'
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+S'unknown date\n'
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+S'unknown date\n'
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+S'http://www.nga.gov:80/thumb-l/a000b2/a000b2e7.jpg'
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+S'http://www.nga.gov:80/thumb-l/a000b2/a000b2e5.jpg'
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+S'unknown date\n'
+p12406
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+S'http://www.nga.gov:80/thumb-l/a000b2/a000b2e6.jpg'
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+S'published 1937'
+p12410
+sg2
+S'Title Page: Daphnis Bathing'
+p12411
+sg4
+S'Aristide Maillol'
+p12412
+sa(dp12413
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+sg6
+S'portfolio with forty-nine woodcuts in red'
+p12414
+sg8
+S'published 1937'
+p12415
+sg2
+S'Daphnis and Chloe'
+p12416
+sg4
+S'Aristide Maillol'
+p12417
+sa(dp12418
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+S'Head of Saint Matthew'
+p12419
+sg4
+S'Artist Information ('
+p12420
+sg6
+S'Dutch, 1606 - 1669'
+p12421
+sg8
+S'(related artist)'
+p12422
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000e/a0000e83.jpg'
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+g27
+sa(dp12424
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+sg6
+S'woodcut in red'
+p12425
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+S'published 1937'
+p12426
+sg2
+S'Frontispiece: Daphnis and Chloe (Daphnis et Chloe enlaces)'
+p12427
+sg4
+S'Aristide Maillol'
+p12428
+sa(dp12429
+g12
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+sg6
+S'woodcut in red'
+p12430
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+S'published 1937'
+p12431
+sg2
+S'First Book: Three Goats, First Plate (Chevreaux, premiere planche)'
+p12432
+sg4
+S'Aristide Maillol'
+p12433
+sa(dp12434
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+g27
+sg6
+S'woodcut in red'
+p12435
+sg8
+S'published 1937'
+p12436
+sg2
+S'First Book: Two Nymphs Dancing (Les nymphs de la grotte)'
+p12437
+sg4
+S'Aristide Maillol'
+p12438
+sa(dp12439
+g12
+g27
+sg6
+S'woodcut in red'
+p12440
+sg8
+S'published 1937'
+p12441
+sg2
+S'First Book: Daphnis and Chloe Picking Flowers(Daphnis et Chloe rammassant des fleurs)'
+p12442
+sg4
+S'Aristide Maillol'
+p12443
+sa(dp12444
+g12
+g27
+sg6
+S'woodcut in red'
+p12445
+sg8
+S'published 1937'
+p12446
+sg2
+S"First Book: Daphnis Playing His Pipe for Chloe (Daphnis jouant de l'harmonica pour Chloe)"
+p12447
+sg4
+S'Aristide Maillol'
+p12448
+sa(dp12449
+g12
+g27
+sg6
+S'woodcut in red'
+p12450
+sg8
+S'published 1937'
+p12451
+sg2
+S"First Book: Daphnis Playing His Pipe for Chloe (Daphnis jouant de l'harmonica pour Chloe)"
+p12452
+sg4
+S'Aristide Maillol'
+p12453
+sa(dp12454
+g12
+g27
+sg6
+S'woodcut in red'
+p12455
+sg8
+S'published 1937'
+p12456
+sg2
+S'First Book: Chloe Washing Daphnis in the Cave of the Nymphs (Chloe lave Daphnis dansla caverne des nymphes)'
+p12457
+sg4
+S'Aristide Maillol'
+p12458
+sa(dp12459
+g12
+g27
+sg6
+S'woodcut in red'
+p12460
+sg8
+S'published 1937'
+p12461
+sg2
+S'First Book: Chloe Kisses Daphnis (Chloe donne un baiser a Daphnis de preference a dorcon)'
+p12462
+sg4
+S'Aristide Maillol'
+p12463
+sa(dp12464
+g12
+g27
+sg6
+S'woodcut in red'
+p12465
+sg8
+S'published 1937'
+p12466
+sg2
+S'First Book: Chloe Washing Her Naked Limbs (Chloe se baignant dans une fontaine)'
+p12467
+sg4
+S'Aristide Maillol'
+p12468
+sa(dp12469
+g12
+g27
+sg6
+S'woodcut in red'
+p12470
+sg8
+S'published 1937'
+p12471
+sg2
+S"First Book: Chloe Puts a Chaplet Upon Daphnis' Head (Chloe met une couronne sur le tete de Daphnis)"
+p12472
+sg4
+S'Aristide Maillol'
+p12473
+sa(dp12474
+g2
+S'The Apostle Paul'
+p12475
+sg4
+S'Artist Information ('
+p12476
+sg6
+S'(painter)'
+p12477
+sg8
+S'\n'
+p12478
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000e/a0000e84.jpg'
+p12479
+sg12
+g27
+sa(dp12480
+g12
+g27
+sg6
+S'woodcut in red'
+p12481
+sg8
+S'published 1937'
+p12482
+sg2
+S'First Book: Daphnis Teaches Chloe to Play on the Pipe (Daphnis apprend a Chloe a jouer de la flute)'
+p12483
+sg4
+S'Aristide Maillol'
+p12484
+sa(dp12485
+g12
+g27
+sg6
+S'woodcut in red'
+p12486
+sg8
+S'published 1937'
+p12487
+sg2
+S'First Book: Daphnis Observes the Sleeping Chloe (Daphnis regarde Chloe dormir)'
+p12488
+sg4
+S'Aristide Maillol'
+p12489
+sa(dp12490
+g12
+g27
+sg6
+S'woodcut in red'
+p12491
+sg8
+S'published 1937'
+p12492
+sg2
+S"First Book: Daphnis Draws the Grasshopper from Chloe's Bosom (Daphnis met la main dans le sein de Chloe pour en retirer une cigale)"
+p12493
+sg4
+S'Aristide Maillol'
+p12494
+sa(dp12495
+g12
+g27
+sg6
+S'woodcut in red'
+p12496
+sg8
+S'published 1937'
+p12497
+sg2
+S'First Book: Chloe Casting Daphnis into Her Arms (Daphnis et Chloe se lavent ensemble dans la caverne des nymphes)'
+p12498
+sg4
+S'Aristide Maillol'
+p12499
+sa(dp12500
+g12
+g27
+sg6
+S'woodcut in red'
+p12501
+sg8
+S'published 1937'
+p12502
+sg2
+S'First Book: Chloe Bathing (Chloe au milieu des roseaux)'
+p12503
+sg4
+S'Aristide Maillol'
+p12504
+sa(dp12505
+g12
+g27
+sg6
+S'woodcut in red'
+p12506
+sg8
+S'published 1937'
+p12507
+sg2
+S'Second Book: The Vintage (Pendant les vendanges)'
+p12508
+sg4
+S'Aristide Maillol'
+p12509
+sa(dp12510
+g12
+g27
+sg6
+S'woodcut in red'
+p12511
+sg8
+S'published 1937'
+p12512
+sg2
+S'Second Book: Philetas Speaking to Daphnis and Chloe (Le discours de Philetas a Daphnis et Chloe)'
+p12513
+sg4
+S'Aristide Maillol'
+p12514
+sa(dp12515
+g12
+g27
+sg6
+S'woodcut in red'
+p12516
+sg8
+S'published 1937'
+p12517
+sg2
+S'Second Book: Goats, Second Plate (Chevreux, deuxieme planche)'
+p12518
+sg4
+S'Aristide Maillol'
+p12519
+sa(dp12520
+g12
+g27
+sg6
+S'woodcut in red'
+p12521
+sg8
+S'published 1937'
+p12522
+sg2
+S"Second Book: Daphnis and Chloe Sitting Close Together (Daphnis et Chloe assis sous unchene et s'embrassant)"
+p12523
+sg4
+S'Aristide Maillol'
+p12524
+sa(dp12525
+g12
+g27
+sg6
+S'woodcut in red'
+p12526
+sg8
+S'published 1937'
+p12527
+sg2
+S"Second Book: Daphnis and Chloe Run Smiling Together (Daphnis et Chloe courent l'un vers l'autre"
+p12528
+sg4
+S'Aristide Maillol'
+p12529
+sa(dp12530
+g2
+S'The Circumcision'
+p12531
+sg4
+S'Rembrandt van Rijn'
+p12532
+sg6
+S'oil on canvas'
+p12533
+sg8
+S'1661'
+p12534
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000e/a0000e4f.jpg'
+p12535
+sg12
+g27
+sa(dp12536
+g12
+g27
+sg6
+S'woodcut in red'
+p12537
+sg8
+S'published 1937'
+p12538
+sg2
+S'Second Book: Three Goats, Third Plate (Chevreaux, troisieme planche)'
+p12539
+sg4
+S'Aristide Maillol'
+p12540
+sa(dp12541
+g12
+g27
+sg6
+S'woodcut in red'
+p12542
+sg8
+S'published 1937'
+p12543
+sg2
+S'Second Book: Daphnis and Chloe Embrace One Another (Daphnis et Chloe apres le depart des Methymniens)'
+p12544
+sg4
+S'Aristide Maillol'
+p12545
+sa(dp12546
+g12
+g27
+sg6
+S'woodcut in red'
+p12547
+sg8
+S'published 1937'
+p12548
+sg2
+S'Second Book: Daphnis and Chloe Playing (Daphnis poursuivant Chloe)'
+p12549
+sg4
+S'Aristide Maillol'
+p12550
+sa(dp12551
+g12
+g27
+sg6
+S'woodcut in red'
+p12552
+sg8
+S'published 1937'
+p12553
+sg2
+S'Second Book: Methymnaean Carrying Chloe Away (Chloe enlevee par le Methymnien)'
+p12554
+sg4
+S'Aristide Maillol'
+p12555
+sa(dp12556
+g12
+g27
+sg6
+S'woodcut in red'
+p12557
+sg8
+S'published 1937'
+p12558
+sg2
+S'Second Book: Daphnis Rushing into the Embraces of Chloe (Daphnis et Chloe se retrouvent apres la captivite de Chloe'
+p12559
+sg4
+S'Aristide Maillol'
+p12560
+sa(dp12561
+g12
+g27
+sg6
+S'woodcut in red'
+p12562
+sg8
+S'published 1937'
+p12563
+sg2
+S'Second Book: Daphnis and Chloe Sacrificing a Crowned Goat (Daphnis et Chloe emmenant le bouc, chef du troupeau, pour le sacrifier a Pan)'
+p12564
+sg4
+S'Aristide Maillol'
+p12565
+sa(dp12566
+g12
+g27
+sg6
+S'woodcut in red'
+p12567
+sg8
+S'published 1937'
+p12568
+sg2
+S'Second Book: Syrinx Disappears in a Grove of Reeds (Syringe, poursuivie par Pan, se jette dans un marais et disparait dans les roseaux)'
+p12569
+sg4
+S'Aristide Maillol'
+p12570
+sa(dp12571
+g12
+g27
+sg6
+S'woodcut in red'
+p12572
+sg8
+S'published 1937'
+p12573
+sg2
+S"Second Book: Daphnis Driving Home His Flock (Daphnis ramene ses betes a l'etable)"
+p12574
+sg4
+S'Aristide Maillol'
+p12575
+sa(dp12576
+g12
+g27
+sg6
+S'woodcut in red'
+p12577
+sg8
+S'published 1937'
+p12578
+sg2
+S'Second Book: Three Goats Resting, Fourth Plate (Trois chevreaux couches, quatrieme planche)'
+p12579
+sg4
+S'Aristide Maillol'
+p12580
+sa(dp12581
+g12
+g27
+sg6
+S'woodcut in red'
+p12582
+sg8
+S'published 1937'
+p12583
+sg2
+S"Second Book: Daphnis and Chloe Remember Their Sweet Conversation (L'hiver, Daphnis eet Chloe s'entrelacent et s'embrassent)"
+p12584
+sg4
+S'Aristide Maillol'
+p12585
+sa(dp12586
+g2
+S'The Adoration of the Magi'
+p12587
+sg4
+S'Benvenuto di Giovanni'
+p12588
+sg6
+S'tempera on panel'
+p12589
+sg8
+S'c. 1470/1475'
+p12590
+sg10
+S'http://www.nga.gov:80/thumb-l/a00007/a0000783.jpg'
+p12591
+sg12
+S"Many Italian cities celebrated the feast of Epiphany with elaborate pageants that reenacted the procession of the Three Magi. This panel, a maze of pattern and rich decoration, captures the splendor of these spectacles. Costly brocades and furs adorn the three kings. A page on the right wears a peacock-feather cap; even his horse has an elaborately coiffed mane. Crowns and sword hilts are raised in plaster relief and gilded. The figures crowd the front of the picture plane, but we are separated from the holy figures rather than drawn into their world. The central placement of the Virgin—rather than the Magi—reflects her importance in Siena.\n The harsh colors and brittle hardness convey a sensation of an airless, crystalline world. The ground is strewn with smooth, vividly colored stones; probably these jewel-toned beads are borrowed from manuscript illuminations. Benvenuto punctuated his scene with fantasy—look, for example, at the soldier's armor in the scene of Christ carrying the cross. Also typical is his inclusion of such everyday details as the young boys who have climbed a tree for a better view.\n "
+p12592
+sa(dp12593
+g2
+S'A Little Boy'
+p12594
+sg4
+S'Desiderio da Settignano'
+p12595
+sg6
+S'marble'
+p12596
+sg8
+S'1455/1460'
+p12597
+sg10
+S'http://www.nga.gov:80/thumb-l/a0002d/a0002d77.jpg'
+p12598
+sg12
+S"\n This bust of an infant, without any attributes to identify him as a religious figure, may have been created as a portrait of an actual child. Carved of pure white marble, it presents its young subject with a solemn but relaxed expression. The eyes, with uncarved irises and pupils, possess a timeless, classical character, while the slight asymmetry and skillful handling of the marble create a sense of life and movement. The deeply cut mouth falls open. Soft wisps of hair fall loosely over the ears and forehead. The sensitive carving of the stone to convey the resilience of young flesh and the silky texture of a child's hair is characteristic of Desiderio's best work.\n \n \n Desiderio was born in the quarry town of Settignano, where his father was a stone cutter. Perhaps trained in the Florentine studio of Bernardo Rossellino, Desiderio had established himself as an independent master in that city by 1453. His work, like that of the Rossellino brothers Antonio and Bernardo, filled a vigorous demand for portraits, religious images, and church furnishings. During his short career, Desiderio was celebrated for his skill in creating marble busts of women and young children.\n \n "
+p12599
+sa(dp12600
+g2
+S'The Descent from the Cross'
+p12601
+sg4
+S'Artist Information ('
+p12602
+sg6
+S'Dutch, 1606 - 1669'
+p12603
+sg8
+S'(related artist)'
+p12604
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000e/a0000e85.jpg'
+p12605
+sg12
+g27
+sa(dp12606
+g12
+g27
+sg6
+S'woodcut in red'
+p12607
+sg8
+S'published 1937'
+p12608
+sg2
+S"Third Book: Daphnis and Chloe in Dryas' House (Daphnis et Chloe dans la maison de Dryas)"
+p12609
+sg4
+S'Aristide Maillol'
+p12610
+sa(dp12611
+g12
+g27
+sg6
+S'woodcut in red'
+p12612
+sg8
+S'published 1937'
+p12613
+sg2
+S'Third Book: Daphnis Lifts Chloe Up (Daphnis soulevant Chloe)'
+p12614
+sg4
+S'Aristide Maillol'
+p12615
+sa(dp12616
+g12
+g27
+sg6
+S'woodcut in red'
+p12617
+sg8
+S'published 1937'
+p12618
+sg2
+S"Third Book: Lycaenium Teaches Daphnis the Secret of Love (Lycenion donne une lecon d'Amour a Daphnis)"
+p12619
+sg4
+S'Aristide Maillol'
+p12620
+sa(dp12621
+g12
+g27
+sg6
+S'woodcut in red'
+p12622
+sg8
+S'published 1937'
+p12623
+sg2
+S'Third Book: The Echo, Daughter of a Nymph (La nymphe Echo)'
+p12624
+sg4
+S'Aristide Maillol'
+p12625
+sa(dp12626
+g12
+g27
+sg6
+S'woodcut in red'
+p12627
+sg8
+S'published 1937'
+p12628
+sg2
+S'Third Book: Chloe Embraces Daphne (Chloe embrasse Daphnis)'
+p12629
+sg4
+S'Aristide Maillol'
+p12630
+sa(dp12631
+g12
+g27
+sg6
+S'woodcut in red'
+p12632
+sg8
+S'published 1937'
+p12633
+sg2
+S'Third Book: Three Goats, Fifth Plate (Chevreaux, cinquieme planche)'
+p12634
+sg4
+S'Aristide Maillol'
+p12635
+sa(dp12636
+g12
+g27
+sg6
+S'woodcut in red'
+p12637
+sg8
+S'published 1937'
+p12638
+sg2
+S'Third Book: Daphnis Pulls an Apple for Chloe (Daphnis donne la pomme a Chloe)'
+p12639
+sg4
+S'Aristide Maillol'
+p12640
+sa(dp12641
+g12
+g27
+sg6
+S'woodcut in red'
+p12642
+sg8
+S'published 1937'
+p12643
+sg2
+S"Third Book: Daphnis Puts the Apple into Chloe's Bosom (Daphnis met la pomme entre le seins de Chloe)"
+p12644
+sg4
+S'Aristide Maillol'
+p12645
+sa(dp12646
+g12
+g27
+sg6
+S'woodcut in red'
+p12647
+sg8
+S'published 1937'
+p12648
+sg2
+S"Third Book: Daphnis Puts the Apple into Chloe's Bosom, First Conception (Daphnis met le pomme entre seins de Chloe, variante)"
+p12649
+sg4
+S'Aristide Maillol'
+p12650
+sa(dp12651
+g12
+g27
+sg6
+S'woodcut in red'
+p12652
+sg8
+S'published 1937'
+p12653
+sg2
+S'Fourth Book: Daphnis and Chloe at Play (Daphnis monte sur le dos de Chloe)'
+p12654
+sg4
+S'Aristide Maillol'
+p12655
+sa(dp12656
+g2
+S'The Mill'
+p12657
+sg4
+S'Rembrandt van Rijn'
+p12658
+sg6
+S'oil on canvas'
+p12659
+sg8
+S'1645/1648'
+p12660
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000e/a0000e86.jpg'
+p12661
+sg12
+S"The Mill\n While we may find such interpretations unfounded today, particularly after the painting's blue sky was revealed during restoration in the 1970s, the painting still speaks to us as a powerfully expressive work. Rembrandt evokes a feeling of the forces of nature in the dramatic confrontation of the iconic mill, so central to the Dutch way of life, against the sweep of the sky. At the same time, the figures within the landscape give it a human element that we can respond to on a personal basis.\n "
+p12662
+sa(dp12663
+g12
+g27
+sg6
+S'woodcut in red'
+p12664
+sg8
+S'published 1937'
+p12665
+sg2
+S'Fourth Book: Chloe Helps Daphnis with His Goats (Chloe trait une chevre de Daphnis)'
+p12666
+sg4
+S'Aristide Maillol'
+p12667
+sa(dp12668
+g12
+g27
+sg6
+S'woodcut in red'
+p12669
+sg8
+S'published 1937'
+p12670
+sg2
+S'Fourth Book: Daphnis Plays to His Goats (Daphnis joue de la flute au milieu de ses chevres)'
+p12671
+sg4
+S'Aristide Maillol'
+p12672
+sa(dp12673
+g12
+g27
+sg6
+S'woodcut in red'
+p12674
+sg8
+S'published 1937'
+p12675
+sg2
+S'Fourth Book: Daphnis and Chloe (Groupe de Daphnis et Chloe)'
+p12676
+sg4
+S'Aristide Maillol'
+p12677
+sa(dp12678
+g12
+g27
+sg6
+S'woodcut in red'
+p12679
+sg8
+S'published 1937'
+p12680
+sg2
+S'Fourth Book: Lampis Ravishing Chloe Away (Le Bouvier Lampis enleve Chloe)'
+p12681
+sg4
+S'Aristide Maillol'
+p12682
+sa(dp12683
+g12
+g27
+sg6
+S'woodcut in red'
+p12684
+sg8
+S'published 1937'
+p12685
+sg2
+S'Fourth Book: Chloe is Given to Daphnis (Chloeunie a Daphnis)'
+p12686
+sg4
+S'Aristide Maillol'
+p12687
+sa(dp12688
+g12
+g27
+sg6
+S'woodcut in red'
+p12689
+sg8
+S'published 1937'
+p12690
+sg2
+S'Fourth Book: Daphnis and Chloe Lying Together, Second Variant (Daphnis et Chloe couches ensemble, deuxieme variante)'
+p12691
+sg4
+S'Aristide Maillol'
+p12692
+sa(dp12693
+g12
+g27
+sg6
+S'woodcut in red'
+p12694
+sg8
+S'published 1937'
+p12695
+sg2
+S'Fourth Book: Daphnis and Chloe Lying Together, Third Variant (Daphnis et Chloe couches ensemble, troisieme variante)'
+p12696
+sg4
+S'Aristide Maillol'
+p12697
+sa(dp12698
+g12
+g27
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+sg6
+S'Rosenwald Collection'
+p13040
+sg8
+S'\nhand-colored woodcut'
+p13041
+sg2
+S'Playing Card'
+p13042
+sg4
+S'Italian 17th Century'
+p13043
+sa(dp13044
+g12
+g27
+sg6
+S'Rosenwald Collection'
+p13045
+sg8
+S'\nhand-colored woodcut'
+p13046
+sg2
+S'Playing Card'
+p13047
+sg4
+S'Italian 17th Century'
+p13048
+sa(dp13049
+g12
+g27
+sg6
+S'Rosenwald Collection'
+p13050
+sg8
+S'\nhand-colored woodcut'
+p13051
+sg2
+S'Playing Card'
+p13052
+sg4
+S'Italian 17th Century'
+p13053
+sa(dp13054
+g12
+g27
+sg6
+S'Rosenwald Collection'
+p13055
+sg8
+S'\nhand-colored woodcut'
+p13056
+sg2
+S'Playing Card'
+p13057
+sg4
+S'Italian 17th Century'
+p13058
+sa(dp13059
+g12
+g27
+sg6
+S'Rosenwald Collection'
+p13060
+sg8
+S'\nhand-colored woodcut'
+p13061
+sg2
+S'Playing Card'
+p13062
+sg4
+S'Italian 17th Century'
+p13063
+sa(dp13064
+g12
+g27
+sg6
+S'Rosenwald Collection'
+p13065
+sg8
+S'\nhand-colored woodcut'
+p13066
+sg2
+S'Playing Card'
+p13067
+sg4
+S'Italian 17th Century'
+p13068
+sa(dp13069
+g12
+g27
+sg6
+S'Rosenwald Collection'
+p13070
+sg8
+S'\nhand-colored woodcut'
+p13071
+sg2
+S'Playing Card'
+p13072
+sg4
+S'Italian 17th Century'
+p13073
+sa(dp13074
+g12
+g27
+sg6
+S'Rosenwald Collection'
+p13075
+sg8
+S'\nhand-colored woodcut'
+p13076
+sg2
+S'Playing Card'
+p13077
+sg4
+S'Italian 17th Century'
+p13078
+sa(dp13079
+g12
+g27
+sg6
+S'Rosenwald Collection'
+p13080
+sg8
+S'\nhand-colored woodcut'
+p13081
+sg2
+S'Playing Card'
+p13082
+sg4
+S'Italian 17th Century'
+p13083
+sa(dp13084
+g2
+S'Portrait of a Man in a Tall Hat'
+p13085
+sg4
+S'Rembrandt van Rijn'
+p13086
+sg6
+S'oil on canvas'
+p13087
+sg8
+S'c. 1663'
+p13088
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000e/a0000e8d.jpg'
+p13089
+sg12
+g27
+sa(dp13090
+g2
+S'The Twelve Year Old Jesus in the Temple'
+p13091
+sg4
+S'German 15th Century'
+p13092
+sg6
+S'Schreiber, no. 130, State a'
+p13093
+sg8
+S'\nwoodcut, hand-colored in dark blue, red, yellow, ochre, and brown-violet'
+p13094
+sg10
+S'http://www.nga.gov:80/thumb-l/a000a6/a000a624.jpg'
+p13095
+sg12
+g27
+sa(dp13096
+g2
+S'Christ Washing the Feet of the Apostles'
+p13097
+sg4
+S'German 15th Century'
+p13098
+sg6
+S'Schreiber, no. 164, State b'
+p13099
+sg8
+S'\nwoodcut, hand-colored in red lake, dark blue, and lilac'
+p13100
+sg10
+S'http://www.nga.gov:80/thumb-l/a000a6/a000a625.jpg'
+p13101
+sg12
+g27
+sa(dp13102
+g2
+S'Christ before Pilate'
+p13103
+sg4
+S'German 15th Century'
+p13104
+sg6
+S'Schreiber, no. 263, State a'
+p13105
+sg8
+S'\nwoodcut, hand-colored in red lake, dark blue, yellow, and brown'
+p13106
+sg10
+S'http://www.nga.gov:80/thumb-l/a000a6/a000a626.jpg'
+p13107
+sg12
+g27
+sa(dp13108
+g2
+S'The Crucifixion'
+p13109
+sg4
+S'German 15th Century'
+p13110
+sg6
+S'Schreiber, no. 493, State b'
+p13111
+sg8
+S'\nwoodcut, hand-colored in red lake, blue, yellow, green, and vermilion'
+p13112
+sg10
+S'http://www.nga.gov:80/thumb-l/a000a6/a000a627.jpg'
+p13113
+sg12
+g27
+sa(dp13114
+g2
+S'Christ on the Cross between the Two Thieves'
+p13115
+sg4
+S'German 15th Century'
+p13116
+sg6
+S'Schreiber, no. 965, State a'
+p13117
+sg8
+S'\nwoodcut, hand-colored in red lake, dark blue, green, and yellow'
+p13118
+sg10
+S'http://www.nga.gov:80/thumb-l/a000a6/a000a628.jpg'
+p13119
+sg12
+g27
+sa(dp13120
+g2
+S'Le bruit de deux sabots tra\xc3\xaenant... (The sound of two clogs shuffling...)'
+p13121
+sg4
+S'F\xc3\xa9lix-Hilaire Buhot'
+p13122
+sg6
+S'etching, drypoint, and roulette in black on moderately thick cream wove paper'
+p13123
+sg8
+S'1878'
+p13124
+sg10
+S'http://www.nga.gov:80/thumb-l/a00097/a00097c6.jpg'
+p13125
+sg12
+g27
+sa(dp13126
+g2
+S'On allume les cierges pour les Morts (They light candles for the dead)'
+p13127
+sg4
+S'F\xc3\xa9lix-Hilaire Buhot'
+p13128
+sg6
+S'etching, drypoint, and roulette in black on Japanese paper'
+p13129
+sg8
+S'1878'
+p13130
+sg10
+S'http://www.nga.gov:80/thumb-l/a00097/a00097ca.jpg'
+p13131
+sg12
+g27
+sa(dp13132
+g2
+S'Portrait of Rembrandt'
+p13133
+sg4
+S'Artist Information ('
+p13134
+sg6
+S'Dutch, 1606 - 1669'
+p13135
+sg8
+S'(related artist)'
+p13136
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000e/a0000ea2.jpg'
+p13137
+sg12
+g27
+sa(dp13138
+g2
+S"Je fis ce qu'on appelle un bon march\xc3\xa9 (I made what I would call a good bargain)"
+p13139
+sg4
+S'F\xc3\xa9lix-Hilaire Buhot'
+p13140
+sg6
+S'etching, drypoint, and softground etching (for the grainy texture in the lower left margin) in black on Japanese paper'
+p13141
+sg8
+S'1878'
+p13142
+sg10
+S'http://www.nga.gov:80/thumb-l/a00097/a00097c9.jpg'
+p13143
+sg12
+g27
+sa(dp13144
+g2
+S'A cette lueur soudaine... (In the sudden gleam of light...)'
+p13145
+sg4
+S'F\xc3\xa9lix-Hilaire Buhot'
+p13146
+sg6
+S'etching, drypoint, and softground etching (for the grainy texture in the sky) in black on Japanese paper'
+p13147
+sg8
+S'1878'
+p13148
+sg10
+S'http://www.nga.gov:80/thumb-l/a00097/a00097c8.jpg'
+p13149
+sg12
+g27
+sa(dp13150
+g2
+S'Le soir m\xc3\xaame... (The same evening...)'
+p13151
+sg4
+S'F\xc3\xa9lix-Hilaire Buhot'
+p13152
+sg6
+S'etching, drypoint, and roulette in black on moderately thick cream wove paper'
+p13153
+sg8
+S'1878'
+p13154
+sg10
+S'http://www.nga.gov:80/thumb-l/a00097/a00097c7.jpg'
+p13155
+sg12
+g27
+sa(dp13156
+g2
+S"The Circle of the Traitors; Dante's Foot Striking Bocca degli Abbate"
+p13157
+sg4
+S'William Blake'
+p13158
+sg6
+S'engraving printed by Harry Hoehn in 1968'
+p13159
+sg8
+S'1827'
+p13160
+sg10
+S'http://www.nga.gov:80/thumb-l/a00077/a0007712.jpg'
+p13161
+sg12
+g27
+sa(dp13162
+g2
+S'The Circle of the Falsifiers; Dante and Virgil Covering their Noses because of the stench'
+p13163
+sg4
+S'William Blake'
+p13164
+sg6
+S'engraving printed by Harry Hoehn in 1968'
+p13165
+sg8
+S'1827'
+p13166
+sg10
+S'http://www.nga.gov:80/thumb-l/a00077/a0007710.jpg'
+p13167
+sg12
+g27
+sa(dp13168
+g2
+S'The Circle of the Corrupt Officials; The Devils Tormenting Ciampolo'
+p13169
+sg4
+S'William Blake'
+p13170
+sg6
+S'engraving printed by Harry Hoehn in 1968'
+p13171
+sg8
+S'1827'
+p13172
+sg10
+S'http://www.nga.gov:80/thumb-l/a00077/a0007708.jpg'
+p13173
+sg12
+g27
+sa(dp13174
+g2
+S'The Circle of the Thieves; Buoso Donati Attacked by the Serpent'
+p13175
+sg4
+S'William Blake'
+p13176
+sg6
+S'engraving printed by Harry Hoehn in 1968'
+p13177
+sg8
+S'1827'
+p13178
+sg10
+S'http://www.nga.gov:80/thumb-l/a00077/a000770e.jpg'
+p13179
+sg12
+g27
+sa(dp13180
+g2
+S'The Circle of the Thieves; Agnolo Brunelleschi Attacked by a Six-Footed Serpent'
+p13181
+sg4
+S'William Blake'
+p13182
+sg6
+S'engraving printed by Harry Hoehn in 1968'
+p13183
+sg8
+S'1827'
+p13184
+sg10
+S'http://www.nga.gov:80/thumb-l/a00077/a000770c.jpg'
+p13185
+sg12
+g27
+sa(dp13186
+g2
+S'The Circle of the Corrupt Officials; The Devils Mauling Each Other'
+p13187
+sg4
+S'William Blake'
+p13188
+sg6
+S'engraving printed by Harry Hoehn in 1968'
+p13189
+sg8
+S'1827'
+p13190
+sg10
+S'http://www.nga.gov:80/thumb-l/a00077/a000770a.jpg'
+p13191
+sg12
+g27
+sa(dp13192
+g2
+S'Madonna and Child'
+p13193
+sg4
+S'Artist Information ('
+p13194
+sg6
+S'Italian, 1435 - 1488'
+p13195
+sg8
+S'(artist after)'
+p13196
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000f/a0000f8c.jpg'
+p13197
+sg12
+g27
+sa(dp13198
+g12
+g27
+sg6
+S'marble'
+p13199
+sg8
+S'c. 1860'
+p13200
+sg2
+S'Madonna and Child'
+p13201
+sg4
+S'Florentine 19th Century'
+p13202
+sa(dp13203
+g2
+S'Saskia van Uylenburgh, the Wife of the Artist'
+p13204
+sg4
+S'Rembrandt van Rijn'
+p13205
+sg6
+S'oil on panel'
+p13206
+sg8
+S'probably begun 1634/1635 and completed 1638/1640'
+p13207
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000e/a0000e8e.jpg'
+p13208
+sg12
+g27
+sa(dp13209
+g2
+S'Saint Margaret'
+p13210
+sg4
+S'Sassetta'
+p13211
+sg6
+S'tempera on panel'
+p13212
+sg8
+S'c. 1435'
+p13213
+sg10
+S'http://www.nga.gov:80/thumb-l/a0002b/a0002b16.jpg'
+p13214
+sg12
+g27
+sa(dp13215
+g2
+S'Saint Apollonia'
+p13216
+sg4
+S'Sassetta'
+p13217
+sg6
+S'tempera on panel'
+p13218
+sg8
+S'c. 1435'
+p13219
+sg10
+S'http://www.nga.gov:80/thumb-l/a00008/a0000860.jpg'
+p13220
+sg12
+g27
+sa(dp13221
+g2
+S'The Dancer'
+p13222
+sg4
+S'Auguste Renoir'
+p13223
+sg6
+S'oil on canvas'
+p13224
+sg8
+S'1874'
+p13225
+sg10
+S'http://www.nga.gov:80/thumb-l/a00037/a00037e3.jpg'
+p13226
+sg12
+S'The Dancer\n The Dancer\n Although Renoir himself never identified\r\nthe figure, the model is almost\r\ncertainly Henriette Henriot, the young\r\nactress who posed regularly for the artist\r\nin the mid-1870s and whose likeness was\r\nfeatured in \n Ultimately, however, Renoir\xe2\x80\x99s virtuoso\r\nbrushwork is the painting\xe2\x80\x99s most compelling\r\nfeature. His paint handling is varied,\r\nranging from the delicate brushstrokes\r\nthat define the dancer\xe2\x80\x99s face to the loose,\r\nalmost careless application of paint in the\r\npicture\xe2\x80\x99s background. The dancer\xe2\x80\x99s skirt\r\nis a true tour de force; Renoir masterfully\r\ncaptured the gauzy softness of the tulle. It\r\nfloats about her body like a cloud, seeming\r\nto dissolve into the hazy background, the\r\nfabric as light and insubstantial as mist.\n Four years after appearing in this\r\nhistoric exhibition, \n (Text by Kimberly Jones, \n Notes\n \n \n '
+p13227
+sa(dp13228
+g2
+S'Madonna and Child'
+p13229
+sg4
+S'Lorenzo Monaco'
+p13230
+sg6
+S'tempera on panel'
+p13231
+sg8
+S'1413'
+p13232
+sg10
+S'http://www.nga.gov:80/thumb-l/a00008/a000085b.jpg'
+p13233
+sg12
+g27
+sa(dp13234
+g2
+S'Saint Catherine of Alexandria'
+p13235
+sg4
+S'"Ugolino Lorenzetti"'
+p13236
+sg6
+S'tempera on panel'
+p13237
+sg8
+S'probably c. 1335'
+p13238
+sg10
+S'http://www.nga.gov:80/thumb-l/a00008/a000085a.jpg'
+p13239
+sg12
+g27
+sa(dp13240
+g2
+S'The Hon. Mrs. Gray'
+p13241
+sg4
+S'Daniel Gardner'
+p13242
+sg6
+S'oil on canvas'
+p13243
+sg8
+S'c. 1785/1790'
+p13244
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000c/a0000cdc.jpg'
+p13245
+sg12
+g27
+sa(dp13246
+g2
+S'The Baptism of Christ'
+p13247
+sg4
+S'Alessandro Magnasco'
+p13248
+sg6
+S'oil on canvas'
+p13249
+sg8
+S'c. 1740'
+p13250
+sg10
+S'http://www.nga.gov:80/thumb-l/a00006/a0000616.jpg'
+p13251
+sg12
+g27
+sa(dp13252
+g2
+S'The Holy Family with Angels'
+p13253
+sg4
+S'Domenico Beccafumi'
+p13254
+sg6
+S'oil on panel'
+p13255
+sg8
+S'c. 1545/1550'
+p13256
+sg10
+S'http://www.nga.gov:80/thumb-l/a00037/a00037b0.jpg'
+p13257
+sg12
+g27
+sa(dp13258
+g2
+S'Christ at the Sea of Galilee'
+p13259
+sg4
+S'Alessandro Magnasco'
+p13260
+sg6
+S'oil on canvas'
+p13261
+sg8
+S'c. 1740'
+p13262
+sg10
+S'http://www.nga.gov:80/thumb-l/a00006/a0000617.jpg'
+p13263
+sg12
+g27
+sa(dp13264
+g2
+S'Lady Cornewall'
+p13265
+sg4
+S'Sir Joshua Reynolds'
+p13266
+sg6
+S'oil on canvas'
+p13267
+sg8
+S'c. 1785-1786'
+p13268
+sg10
+S'http://www.nga.gov:80/thumb-l/a00043/a00043fa.jpg'
+p13269
+sg12
+g27
+sa(dp13270
+g2
+S'The Last Supper'
+p13271
+sg4
+S'Sebastiano Ricci'
+p13272
+sg6
+S'oil on canvas'
+p13273
+sg8
+S'1713/1714'
+p13274
+sg10
+S'http://www.nga.gov:80/thumb-l/a00006/a000061f.jpg'
+p13275
+sg12
+g27
+sa(dp13276
+g2
+S'Bindo Altoviti'
+p13277
+sg4
+S'Raphael'
+p13278
+sg6
+S'oil on panel'
+p13279
+sg8
+S'c. 1515'
+p13280
+sg10
+S'http://www.nga.gov:80/thumb-l/a00005/a00005f4.jpg'
+p13281
+sg12
+S"This arresting image was thought in the nineteenth century to be a Raphael self-portrait. However, we know today that this handsome young man was Bindo Altoviti, a wealthy Florentine banker and friend of the artist in Rome.\n He turns in a dramatic, almost theatrical, way to fix the eye of the viewer. Perhaps one viewer in particular was meant to receive his captivating look: Bindo's wife Fiammetta Soderini. Renaissance poets and courtiers were unanimous in believing that a person first fell in love through the eyes. They were called the "guides of love," which could "reveal the passion within more effectively than the tongue itself, or letter, or messengers." Bindo's flushed cheeks contribute to the impression of passion, and a ring is prominent\r\non the hand he holds above his heart. The robe slipping from his shoulder reveals a bare nape caressed by soft curls. Their golden color would have underscored the nobility and purity of his love.\n Bindo and Fiammetta, daughter of a prominent Florentine family, were married in 1511, when Bindo would have been about twenty. The couple had six children, but Fiammetta continued to live in Florence while Bindo's business with the papal court required his presence in Rome. This portrait, which apparently hung in the couple's home in Florence, would have provided Fiammetta with a vivid reminder of her absent husband. It remained in the Altoviti family for nearly three hundred years.\n "
+p13282
+sa(dp13283
+g2
+S'The Annunciation'
+p13284
+sg4
+S'Fra Filippo Lippi'
+p13285
+sg6
+S'tempera on panel'
+p13286
+sg8
+S'c. 1435/1440'
+p13287
+sg10
+S'http://www.nga.gov:80/thumb-l/a00008/a0000857.jpg'
+p13288
+sg12
+g27
+sa(dp13289
+g2
+S'The Coronation of the Virgin'
+p13290
+sg4
+S'Filippino Lippi'
+p13291
+sg6
+S'oil and tempera (?) on panel'
+p13292
+sg8
+S'c. 1475'
+p13293
+sg10
+S'http://www.nga.gov:80/thumb-l/a00007/a000076f.jpg'
+p13294
+sg12
+S"Filippino was the son of the artist \n This painting is probably a very early work by Filippino—some, in \r\n fact, believe it to be his earliest one to survive. At this point in his \r\n career, Filippino was still strongly under Botticelli's influence. The \r\n lyrical and graceful line—the rippling cascades of drapery and the \r\n fanlike fall of cloth at the Virgin's hem—show Filippino's debt to his \r\n teacher, but the confident colors are the artist's own. As his style \r\n matured, Filippino moved away from the linearity of Botticelli. The \r\n diaphanous shimmer of fabric and sad delicacy of his faces give his works \r\n an elusive and poetic quality.\n The half-round shape of this painting, called a lunette, was used most \r\n often over doorways. Probably this one was placed over the entrance to a \r\n private chapel or sacristy, but its original location remains unknown.\n "
+p13295
+sa(dp13296
+g2
+S'Madonna and Child with Saints'
+p13297
+sg4
+S'Artist Information ('
+p13298
+sg6
+S'Italian, c. 1430/1435 - 1516'
+p13299
+sg8
+S'(related artist)'
+p13300
+sg10
+S'http://www.nga.gov:80/thumb-l/a00008/a0000883.jpg'
+p13301
+sg12
+g27
+sa(dp13302
+g2
+S'Wealth and Benefits of the Spanish Monarchy under Charles III'
+p13303
+sg4
+S'Giovanni Battista Tiepolo'
+p13304
+sg6
+S'oil on canvas'
+p13305
+sg8
+S'1762'
+p13306
+sg10
+S'http://www.nga.gov:80/thumb-l/a00068/a000683c.jpg'
+p13307
+sg12
+S"Famed as a decorator, Tiepolo made this small sketch as his model for a vast ceiling fresco\nin the throne room of the Royal Palace of Madrid, a project that was the climax of his illustrious\ncareer. Taking its cue from the room's function, Tiepolo's design has as its central feature the\nallegorical figure of Spain enthroned and flanked by Herculean statues. Just above is the\ntrumpeting figure of Fame. The borders are packed with lively figures representing the provinces\nof Spain and the continents where she held colonies. At the upper left, Christopher Columbus\nstands with outstretched arms on the deck of his ship. Nearby are Neptune, god of the sea, who\nguides the expedition, and an American Indian in a feathered headdress.\n One must think of this as a design to be seen overhead in a large, high-ceilinged room. With\nhis legendary facility, Tiepolo resolved the difficulties of foreshortening forms seen from sharply\nbelow, of deploying the figures in coherent groups, and, in turn, incorporating the groups into an\neffective overall design. The result is an airy sweep that seems to open directly to the heavens\nwith all its buoyant and extravagant population paying homage to Spain.\n "
+p13308
+sa(dp13309
+g2
+S'Madonna of the Goldfinch'
+p13310
+sg4
+S'Giovanni Battista Tiepolo'
+p13311
+sg6
+S'oil on canvas'
+p13312
+sg8
+S'c. 1767/1770'
+p13313
+sg10
+S'http://www.nga.gov:80/thumb-l/a00006/a0000626.jpg'
+p13314
+sg12
+g27
+sa(dp13315
+g2
+S'Francesco II Gonzaga, Fourth Marquis of Mantua'
+p13316
+sg4
+S"Baldassare d'Este"
+p13317
+sg6
+S'tempera on panel'
+p13318
+sg8
+S'c. 1474/1480'
+p13319
+sg10
+S'http://www.nga.gov:80/thumb-l/a00062/a00062dc.jpg'
+p13320
+sg12
+g27
+sa(dp13321
+g2
+S'Lady Elizabeth Hamilton'
+p13322
+sg4
+S'Sir Joshua Reynolds'
+p13323
+sg6
+S'oil on canvas'
+p13324
+sg8
+S'1758'
+p13325
+sg10
+S'http://www.nga.gov:80/thumb-l/a00005/a000053c.jpg'
+p13326
+sg12
+g27
+sa(dp13327
+g2
+S'Madonna and Child with Angels'
+p13328
+sg4
+S'Master of the Life of Saint John the Baptist'
+p13329
+sg6
+S'tempera on panel'
+p13330
+sg8
+S'probably 1330/1340'
+p13331
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000b/a0000be6.jpg'
+p13332
+sg12
+g27
+sa(dp13333
+g2
+S'Madonna and Child with Angels'
+p13334
+sg4
+S'Sandro Botticelli'
+p13335
+sg6
+S', 1465/1470'
+p13336
+sg8
+S'\n'
+p13337
+sg10
+S'http://www.nga.gov:80/thumb-l/a00008/a0000869.jpg'
+p13338
+sg12
+g27
+sa(dp13339
+g2
+S'Saint John in the Desert'
+p13340
+sg4
+S'Domenico Veneziano'
+p13341
+sg6
+S'tempera on panel'
+p13342
+sg8
+S'c. 1445/1450'
+p13343
+sg10
+S'http://www.nga.gov:80/thumb-l/a00005/a00005d4.jpg'
+p13344
+sg12
+S"One of Domenico Veneziano's major works is an altarpiece that he painted about 1445 for the Church of Santa Lucia dei Magnoli, in Florence. The incident illustrated in this small panel from the base of the altarpiece is John's act of exchanging his rich, worldly clothes for a rough, camel–hair coat. In the few known representations of John in the wilderness that preceded Domenico's version, the emphasis was placed either on the divine origin of the saint's animal skin or on his preaching. Domenico, however, shifted attention from mere narration to the spiritual significance of John's decision to forsake luxury in favor of a life of piety.\n Rather than showing the saint in the usual manner, as a mature, bearded hermit, Domenico painted a youthful figure. Clearly classical in appearance, his saint is one of the earliest embodiments of the Renaissance preoccupation with antique models. However, a fusion of pagan and Christian ideas is suggested; the Grecian type is transformed into a religious being by the golden halo above his head. Another innovative combination of elements exists in the arrangement of this male nude in a landscape that retains artistic features from the High Gothic era of the late Middle Ages. Symbolic rather than realistic, the rugged mountains enliven the drama of John's decision by emphasizing the desolate nature of his chosen environment.\n "
+p13345
+sa(dp13346
+g2
+S'Circe and Her Lovers in a Landscape'
+p13347
+sg4
+S'Dosso Dossi'
+p13348
+sg6
+S'oil on canvas'
+p13349
+sg8
+S'c. 1525'
+p13350
+sg10
+S'http://www.nga.gov:80/thumb-l/a0004a/a0004a46.jpg'
+p13351
+sg12
+g27
+sa(dp13352
+g2
+S'Capriccio of a Harbor'
+p13353
+sg4
+S'Francesco Guardi'
+p13354
+sg6
+S'oil on canvas'
+p13355
+sg8
+S'c. 1760/1770'
+p13356
+sg10
+S'http://www.nga.gov:80/thumb-l/a00006/a0000611.jpg'
+p13357
+sg12
+g27
+sa(dp13358
+g2
+S"Miss Nelly O'Brien"
+p13359
+sg4
+S'Artist Information ('
+p13360
+sg6
+S'British, 1723 - 1792'
+p13361
+sg8
+S'(artist after)'
+p13362
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000e/a0000ea3.jpg'
+p13363
+sg12
+g27
+sa(dp13364
+g2
+S"Procris' Prayer to Diana"
+p13365
+sg4
+S'Bernardino Luini'
+p13366
+sg6
+S'fresco'
+p13367
+sg8
+S'c. 1520/1522'
+p13368
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000f/a0000f4b.jpg'
+p13369
+sg12
+S"In Act I, Cephalus had tested his wife's fidelity by appearing in \r\n disguise and bribing her with gifts. Recognizing her would-be seducer as \r\n her husband, Procris fled into the wilderness. The first scene in Luini's \r\n surviving frescoes is an episode from Act II of Niccolò da Correggio's \r\n play.\n On bended knee, Procris implores the help of the gods. Hastening down a \r\n winding path to answer her prayer is Diana, the goddess of chastity and the \r\n hunt. Diana accepts the princess as a follower, clothes her as a huntress, \r\n and gives her weapons. By portraying Procris already dressed as a virgin \r\n huntress with bow and arrows, Luini condensed time to clarify the \r\n narrative.\n "
+p13370
+sa(dp13371
+g2
+S'Cephalus Hiding the Jewels'
+p13372
+sg4
+S'Bernardino Luini'
+p13373
+sg6
+S'fresco'
+p13374
+sg8
+S'c. 1520/1522'
+p13375
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000f/a0000f4c.jpg'
+p13376
+sg12
+S'Regretting his rash actions, Cephalus buries the jewels he used to trick \r\n his wife. Possibly combining different narratives from the poem and play, \r\n Luini depicted the prince digging in the ground twice.\n '
+p13377
+sa(dp13378
+g2
+S'Cephalus and Pan at the Temple of Diana'
+p13379
+sg4
+S'Bernardino Luini'
+p13380
+sg6
+S'fresco'
+p13381
+sg8
+S'c. 1520/1522'
+p13382
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000f/a0000f4d.jpg'
+p13383
+sg12
+S'Act V of Niccolò’s drama concludes the story with the young bride being \r\n revived by the benevolent goddess Diana. Cephalus, led toward his happy \r\n second reunion by the goat-footed satyr, Pan, approaches a temple. Its \r\n sacred portal is inscribed “VIRGINITAS” and is topped by a statue of Diana, \r\n the spear-bearing goddess of the hunt and chastity.\n Luini’s imaginary temple shows his profound knowledge of classical \r\n architecture; the octagonal structure with Corinthian columns possesses a \r\n majestic clarity of proportion. The edges of the building reveal Luini’s \r\n preliminary outlines scratched onto the wet plaster through his cartoon, or \r\n full-scale preparatory drawing, before he began painting.\n '
+p13384
+sa(dp13385
+g2
+S'Cephalus Punished at the Hunt'
+p13386
+sg4
+S'Bernardino Luini'
+p13387
+sg6
+S'fresco'
+p13388
+sg8
+S'c. 1520/1522'
+p13389
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000f/a0000f4e.jpg'
+p13390
+sg12
+S'This violent scene of Cephalus using a club to defend himself against \r\n dogs occurs in neither the ancient poem nor the Renaissance drama. The \r\n goddess Diana, angered at Cephalus’ treatment of his wife, urges her hounds \r\n to attack him. Procris, hiding in the bushes, seems astonished at Diana’s \r\n vengeance, while the goddess’ nymphs run to join the fray.\n Act III of the play, either never included in Luini’s frescoes or \r\n destroyed when his paintings were removed from the walls, deals with the \r\n couple’s reconciliation. As a sign of their renewed union, Procris gives \r\n her husband a magical weapon bestowed upon her by Diana—a spear that \r\n never misses its mark.\n '
+p13391
+sa(dp13392
+g2
+S"Procris Pierced by Cephalus' Javelin"
+p13393
+sg4
+S'Bernardino Luini'
+p13394
+sg6
+S'fresco'
+p13395
+sg8
+S'c. 1520/1522'
+p13396
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000f/a0000f4f.jpg'
+p13397
+sg12
+S'Following the newlyweds’ reunion, Procris becomes jealous in turn. \r\n Suspecting Cephalus of infidelity, she follows him on a hunting trip. He \r\n hears her and, thinking some wild animal is near, hurls his magic spear. In \r\n this vivid illustration from Act IV, the dying Procris reels against the \r\n force of the javelin. Ovid’s ancient myth ends tragically at this point, \r\n leaving Cephalus to wander the earth in lonely guilt.\n Here Procris appears considerably larger in scale than most of the other \r\n figures in the cycle. Her prominence, appropriate for the story’s climax, \r\n suggests that this scene was a focal point of the decorative scheme and \r\n occupied an important position in the room.\n '
+p13398
+sa(dp13399
+g2
+S'Cephalus and the Nymphs'
+p13400
+sg4
+S'Bernardino Luini'
+p13401
+sg6
+S'fresco'
+p13402
+sg8
+S'c. 1520/1522'
+p13403
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000f/a0000f50.jpg'
+p13404
+sg12
+S'Cephalus encounters two nymphs at the end of Act IV. Companions of the \r\n hunting goddess Diana, they sleep beside their weapons and dogs. The \r\n widowed prince confides his grief to the nymphs. In the distance, Luini \r\n depicted a city with church and bell towers capped by Christian \r\n crosses.\n '
+p13405
+sa(dp13406
+g2
+S'The Despair of Cephalus'
+p13407
+sg4
+S'Bernardino Luini'
+p13408
+sg6
+S'fresco'
+p13409
+sg8
+S'c. 1520/1522'
+p13410
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000f/a0000f51.jpg'
+p13411
+sg12
+S'On the distant hill, Cephalus throws up his arms in despair over his \r\n fate. Then he attempts to strangle himself with a cord, but his suicide is \r\n thwarted by the shepherd. Luini added a few final touches to the frescoes \r\n with tempera paints on the dried wall; here, some blossoms and leaves lie \r\n on top of the plaster rather than within it.\n '
+p13412
+sa(dp13413
+g2
+S'The Misfortunes of Cephalus'
+p13414
+sg4
+S'Bernardino Luini'
+p13415
+sg6
+S'fresco'
+p13416
+sg8
+S'c. 1520/1522'
+p13417
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000f/a0000f52.jpg'
+p13418
+sg12
+S'Chaos reigns, and wolves devour a flock of sheep as the gods turn \r\n against Cephalus, who appears twice. In the foreground, a shepherd tries to \r\n comfort Cephalus, but with head averted and hands raised in protest, the \r\n prince refuses his help.\n '
+p13419
+sa(dp13420
+g2
+S'Procris and the Unicorn'
+p13421
+sg4
+S'Bernardino Luini'
+p13422
+sg6
+S'fresco'
+p13423
+sg8
+S'c. 1520/1522'
+p13424
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000f/a0000f53.jpg'
+p13425
+sg12
+S'Although related to the joyous events from the fifth act, the final \r\n scene is another invention that does not appear in the drama. Procris \r\n extends one arm gently toward a unicorn, which kneels in deference to her \r\n purity. This fabulous animal does not come from ancient mythology but, \r\n rather, is a symbol of virginity in the Christian faith.\n The unicorn functions as a metaphor, suggesting that, through her \r\n earthly sorrows, Procris has suffered martyrdom and been resurrected. Thus, \r\n in translating Niccolò da Correggio’s play into painted images, Bernardino \r\n Luini followed two Renaissance practices: an interest in reviving classical \r\n style as well as a tendency to give moralizing religious meanings to pagan \r\n myths.\n '
+p13426
+sa(dp13427
+g2
+S'Mrs. Alexander Blair'
+p13428
+sg4
+S'George Romney'
+p13429
+sg6
+S'oil on canvas'
+p13430
+sg8
+S'1787-1789'
+p13431
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000c/a0000cde.jpg'
+p13432
+sg12
+S'A configuration of linked ovals, this\r\n composition rises from the full skirt through a flounced bodice to a\r\n wide-brimmed bonnet that frames the sitter\'s face like a halo. The oval back\r\n of the chair and the pose of the raised wrist echo the flowing curves.\n The equally masterful color scheme of variations on black, white, and red\r\n is now hard to appreciate because Romney used bitumen. A pigment derived\r\n from coal tar, bitumen gives lush depth to shadows, but rapidly decays,\r\n causing cracks to appear in the dark areas.\n The sheet music and the books provide clues to Mary Johnson Blair\'s\r\n personality. She was a prominent London hostess with acquaintances in\r\n musical, literary, and aristocratic circles. The crimson drapery and fluted\r\n column are Grand Manner attributes of classical culture. Romney\'s studio\r\n appointment books indicate that Mrs. Blair sat seven times between 13 April\r\n 1787 and 4 May 1789.\n Ironically, Romney\'s lifelong ambition to create monumental scenes from\r\n history and literature was thwarted by his own rejection of London\'s Royal\r\n Academy, England\'s only major avenue for exhibiting or selling such\r\n narrative pictures. Instead, he achieved fame and fortune for doing what he\r\n liked least—creating likenesses. Romney muttered about "this cursed\r\n portrait-painting! How I am shackled with it!"\n '
+p13433
+sa(dp13434
+g2
+S'Piet\xc3\xa0'
+p13435
+sg4
+S'Giovanni della Robbia'
+p13436
+sg6
+S'glazed terracotta'
+p13437
+sg8
+S'c. 1510/1520'
+p13438
+sg10
+S'http://www.nga.gov:80/thumb-l/a0002d/a0002d91.jpg'
+p13439
+sg12
+g27
+sa(dp13440
+g12
+g27
+sg6
+S'marble'
+p13441
+sg8
+S'c. 1455/1460'
+p13442
+sg2
+S'The Virgin Annunciate'
+p13443
+sg4
+S'Mino da Fiesole'
+p13444
+sa(dp13445
+g2
+S'Lady Arabella Ward'
+p13446
+sg4
+S'George Romney'
+p13447
+sg6
+S'oil on canvas'
+p13448
+sg8
+S'1783-1788'
+p13449
+sg10
+S'http://www.nga.gov:80/thumb-l/a00005/a0000534.jpg'
+p13450
+sg12
+g27
+sa(dp13451
+g2
+S'Standing Angel'
+p13452
+sg4
+S'Artist Information ('
+p13453
+sg6
+S'Italian, 1467/1477 - after 1518'
+p13454
+sg8
+S'(sculptor)'
+p13455
+sg10
+S'http://www.nga.gov:80/thumb-l/a0002c/a0002c3b.jpg'
+p13456
+sg12
+g27
+sa(dp13457
+g2
+S'The Young Christ (?)'
+p13458
+sg4
+S'Giovanni della Robbia'
+p13459
+sg6
+S'terracotta'
+p13460
+sg8
+S'c. 1500/1510'
+p13461
+sg10
+S'http://www.nga.gov:80/thumb-l/a0002d/a0002d7e.jpg'
+p13462
+sg12
+g27
+sa(dp13463
+g12
+g27
+sg6
+S'Italian, c. 1431 - 1498'
+p13464
+sg8
+S'(related artist)'
+p13465
+sg2
+S'Bust of a Warrior'
+p13466
+sg4
+S'Artist Information ('
+p13467
+sa(dp13468
+g2
+S'A Gentleman'
+p13469
+sg4
+S'Florentine 15th Century'
+p13470
+sg6
+S'terracotta'
+p13471
+sg8
+S'c. 1485/1490'
+p13472
+sg10
+S'http://www.nga.gov:80/thumb-l/a000d9/a000d932.jpg'
+p13473
+sg12
+g27
+sa(dp13474
+g2
+S'Saint Sebastian'
+p13475
+sg4
+S'Matteo Civitali'
+p13476
+sg6
+S'painted terracotta'
+p13477
+sg8
+S'c. 1492'
+p13478
+sg10
+S'http://www.nga.gov:80/thumb-l/a0002d/a0002d75.jpg'
+p13479
+sg12
+S'Matteo Civitali was born in the city of Lucca, in Tuscany.\r\nProbably trained in the Florentine studio of \n According to legend, the pagan emperor Diocletian\r\nordered that Saint Sebastian be shot with arrows in persecution\r\nof his Christian faith. With his hands bound behind\r\nhim to a tree trunk, Sebastian stands in classical \n The story of Saint Sebastian was popular during the\r\nItalian Renaissance. The public venerated Sebastian as a\r\ndefender against the plague, and his story provided artists\r\nan opportunity to portray the male nude. The intimate\r\nscale of this figure, perhaps based on a larger version for\r\na church altar, suggests that it was made for devotion in\r\na private home.\n '
+p13480
+sa(dp13481
+g2
+S'Filippo Maria Visconti'
+p13482
+sg4
+S'Artist Information ('
+p13483
+sg6
+S'Italian, active 1477 - after 1514'
+p13484
+sg8
+S'(related artist)'
+p13485
+sg10
+S'http://www.nga.gov:80/thumb-l/a00063/a00063d4.jpg'
+p13486
+sg12
+g27
+sa(dp13487
+g12
+g27
+sg6
+S'Italian, 1427 - 1479'
+p13488
+sg8
+S'(artist after)'
+p13489
+sg2
+S'Madonna and Child with Angels'
+p13490
+sg4
+S'Artist Information ('
+p13491
+sa(dp13492
+g2
+S'The Young Saint John the Baptist'
+p13493
+sg4
+S'Antonio Rossellino'
+p13494
+sg6
+S'marble'
+p13495
+sg8
+S'c. 1470'
+p13496
+sg10
+S'http://www.nga.gov:80/thumb-l/a00005/a00005ee.jpg'
+p13497
+sg12
+S"Like Desiderio, Antonio Rossellino probably came from Settignano. He was the most\naccomplished sculptor among five brothers, all trained in the important workshop led by the\neldest brother Bernardo. Widespread admiration for Antonio's skill may explain why his\nnickname \n John the Baptist, portrayed by Antonio in this graceful bust, was a patron saint of the city of\nFlorence and a favorite figure in Florentine painting and sculpture. The Florentine theologian,\nCardinal Giovanni Dominici, recommended around 1410 that parents display images of the\nChrist Child and the young John together in their homes, as religious and moral examples for\ntheir children. When it was first made, this bust may have served just such a purpose in a\nFlorentine home. But for at least the 180 years before 1940, it was in a Florentine religious\nbuilding, the oratory of San Francesco of the Vanchettoni, together with Desiderio da\nSettignano's bust of the Christ Child, now exhibited in the same gallery. The Desiderio boy is\nconsiderably younger, with plump cheeks and silky hair; Rossellino's John is close to\nadolescence. His richly waving curls and the fine curving lines of his lips suggest the beauty of a\nyoung classical god.\n "
+p13498
+sa(dp13499
+g12
+g27
+sg6
+S'Italian, 1429 - 1484'
+p13500
+sg8
+S'(artist after)'
+p13501
+sg2
+S'Rinaldo della Luna'
+p13502
+sg4
+S'Artist Information ('
+p13503
+sa(dp13504
+g2
+S'David'
+p13505
+sg4
+S'Master of the David and Saint John Statuettes'
+p13506
+sg6
+S'terracotta'
+p13507
+sg8
+S'late 15th - early 16th century'
+p13508
+sg10
+S'http://www.nga.gov:80/thumb-l/a00055/a00055c1.jpg'
+p13509
+sg12
+g27
+sa(dp13510
+g2
+S'The Rape of the Sabine Women'
+p13511
+sg4
+S'French 18th Century'
+p13512
+sg6
+S'overall: 56.5 x 108.9 cm (22 1/4 x 42 7/8 in.)'
+p13513
+sg8
+S'\noil on paper on canvas'
+p13514
+sg10
+S'http://www.nga.gov:80/thumb-l/a0005a/a0005aab.jpg'
+p13515
+sg12
+g27
+sa(dp13516
+g2
+S'Madonna Adoring the Child'
+p13517
+sg4
+S'Italian 20th Century'
+p13518
+sg6
+S'overall: 120.3 x 113 x 58.1 cm (47 3/8 x 44 1/2 x 22 7/8 in.)'
+p13519
+sg8
+S'\nterracotta with traces of polychromy'
+p13520
+sg10
+S'http://www.nga.gov:80/thumb-l/a0005f/a0005f1b.jpg'
+p13521
+sg12
+g27
+sa(dp13522
+g12
+g27
+sg6
+S'Italian, c. 1429 - 1464'
+p13523
+sg8
+S'(related artist)'
+p13524
+sg2
+S'Saint John the Baptist'
+p13525
+sg4
+S'Artist Information ('
+p13526
+sa(dp13527
+g12
+g27
+sg6
+S', c. 1590/1600'
+p13528
+sg8
+S'\n'
+p13529
+sg2
+S'Giovanni Capponi'
+p13530
+sg4
+S'Giovanni Battista Caccini'
+p13531
+sa(dp13532
+g2
+S'A Knight of Santiago'
+p13533
+sg4
+S'Francesco Segala'
+p13534
+sg6
+S', c. 1570/1580'
+p13535
+sg8
+S'\n'
+p13536
+sg10
+S'http://www.nga.gov:80/thumb-l/a0002d/a0002d68.jpg'
+p13537
+sg12
+g27
+sa(dp13538
+g2
+S'Justice'
+p13539
+sg4
+S'Barth\xc3\xa9lemy Prieur'
+p13540
+sg6
+S'marble'
+p13541
+sg8
+S'1610'
+p13542
+sg10
+S'http://www.nga.gov:80/thumb-l/a0002c/a0002c19.jpg'
+p13543
+sg12
+S"Holding a sword and olive branch, this figure represents Justice. It was \n commissioned to decorate a monument in which the hearts of French king \n Henry IV and his queen, Marie de'Medici, were entombed at the Jesuit \n College of La Flèche.\n Though the project was never completed, a drawing for it indicates that \n this figure, placed on the right corner, would have gazed in the direction \n of the king and queen, whose statues were planned for the center. This is \n the only figure from the monument known today and may have been finished \n later by another artist. That would explain the differences between this \n work and others by Prieur, which tend, for example, to have more voluminous \n drapery than Justice's form-fitting doublet. Her idealized features, smooth \n surfaces, and dignified, still pose are all characteristic of the \n classicizing taste in French sculpture during the early 1600s.\n While the sword that the figure holds is a common attribute of Justice, \n the olive branch is more often associated with Peace. Their combination here \n may suggest that France, after decades of bloody religious wars between \n Protestant Hugenots and Catholics, wished to see peace as an aspect of \n justice.\n "
+p13544
+sa(dp13545
+g2
+S'Louis XIV'
+p13546
+sg4
+S'Artist Information ('
+p13547
+sg6
+S'Italian, 1598 - 1680'
+p13548
+sg8
+S'(artist after)'
+p13549
+sg10
+S'http://www.nga.gov:80/thumb-l/a0002d/a0002d70.jpg'
+p13550
+sg12
+g27
+sa(dp13551
+g12
+g27
+sg6
+S'marble'
+p13552
+sg8
+S'unknown date\n'
+p13553
+sg2
+S"Philippe, Duc D'Orleans"
+p13554
+sg4
+S'Jacques Prou II'
+p13555
+sa(dp13556
+g2
+S'Neapolitan Fisherboy (P\xc3\xaacheur napolitain \xc3\xa0 la coquille)'
+p13557
+sg4
+S'Jean-Baptiste Carpeaux'
+p13558
+sg6
+S'marble'
+p13559
+sg8
+S'1857-after 1861'
+p13560
+sg10
+S'http://www.nga.gov:80/thumb-l/a0002a/a0002ae9.jpg'
+p13561
+sg12
+S"Carpeaux received many important public commissions, but, like other \r\n sculptors of his day, increasingly made uncommissioned works on \r\n speculation. \n Carpeaux challenged the academic tradition, which was still dominated by \r\n the influence of ancient sculpture. He sought subjects in the streets and \r\n treated them with decidedly unclassical vigor, demonstrated here in the \r\n boy's vitality, detailed anatomy, and intricately balanced pose. Carpeaux \r\n claimed that he based the \n "
+p13562
+sa(dp13563
+g2
+S'Girl with a Shell (Jeune fille \xc3\xa0 la coquille)'
+p13564
+sg4
+S'Jean-Baptiste Carpeaux'
+p13565
+sg6
+S'marble'
+p13566
+sg8
+S'1863-1867'
+p13567
+sg10
+S'http://www.nga.gov:80/thumb-l/a0002a/a0002aea.jpg'
+p13568
+sg12
+g27
+sa(dp13569
+g2
+S"Lorenzo de' Medici"
+p13570
+sg4
+S'Artist Information ('
+p13571
+sg6
+S'(sculptor)'
+p13572
+sg8
+S'\n'
+p13573
+sg10
+S'http://www.nga.gov:80/thumb-l/a00005/a00005e4.jpg'
+p13574
+sg12
+S"Lorenzo de' Medici, head of the family that dominated Florence, survived a 1478 assassination plot that took the life of his younger brother \n This portrait expresses power as much as individual personality. Although the costume is that of an ordinary Florentine citizen, the forms of this portrait bust are monumental: massive, simple, and over-life-size. Lorenzo's overhanging brows and grimly set mouth suggest a man who has survived the worst attack his enemies could mount and warns them not to try again. A cleaning of the sculpture completed in 2006 removed a dull brown coating of dirt and overpaint, revealing its original naturalistic details: Lorenzo's cheeks and lips have rosy pink touches, his eyebrows are dark, and there are delicate traces of beard stubble painted around his mouth. The bust has thus regained the immediacy that must have greeted its Renaissance audience.\n "
+p13575
+sa(dp13576
+g2
+S'Forest Scene'
+p13577
+sg4
+S'Jacob van Ruisdael'
+p13578
+sg6
+S'oil on canvas'
+p13579
+sg8
+S'c. 1655'
+p13580
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000e/a0000e8f.jpg'
+p13581
+sg12
+S"The culmination of Dutch landscape painting occurs in the work of Jacob van Ruisdael. This great painter began his career in Haarlem but moved to Amsterdam around 1656. Throughout his long and productive professional life he portrayed many types of scenes, but his most characteristic paintings are those in which massive oak trees with craggy branches tower above the rugged countryside. Many of these paintings are inspired by Ruisdael\xe2\x80\x99s travels near the Dutch–German border, rather than the mostly flat Dutch landscape.\n Ruisdael had a vision of the grandeur and forces of nature. Figures in his paintings seem fragile, dwarfed by the elements of nature. In this scene a man and a woman walk along a path near some grazing sheep in the middle distance, but they are almost inconsequential in comparison to the broad waterfall, the rocks, and the huge fallen birch tree in the foreground.\n The mood in Ruisdael's paintings is somber, yet indicates the persistence and vigor of life. The clouds are heavy and gray, and the greens of the grass and foliage are dark. Trees do not grow easily for their twisted roots need to grasp onto rocky outcroppings for support and nourishment. Yet flowers bloom near breaks in the wood. The massive broken trees in the foreground are not just compositional devices, they are conscious reminders of the struggle of existence.\n "
+p13582
+sa(dp13583
+g2
+S'Madonna and Child'
+p13584
+sg4
+S'Florentine 15th Century'
+p13585
+sg6
+S'painted and gilded terracotta with wood backing'
+p13586
+sg8
+S'c. 1425'
+p13587
+sg10
+S'http://www.nga.gov:80/thumb-l/a0002a/a0002af1.jpg'
+p13588
+sg12
+S'This \n The combination of elegance and energy suggests\r\nan artist who was influenced by the Florentine masters\r\nLorenzo Ghiberti and \n '
+p13589
+sa(dp13590
+g2
+S'The Christ Child (?)'
+p13591
+sg4
+S'Desiderio da Settignano'
+p13592
+sg6
+S'marble'
+p13593
+sg8
+S'c. 1460'
+p13594
+sg10
+S'http://www.nga.gov:80/thumb-l/a00005/a00005e8.jpg'
+p13595
+sg12
+S"In contrast to the wide-eyed innocence of \n From sometime before 1756 until 1940, this bust was installed above a doorway next to the high altar in the Oratory of San Francesco of the Vanchettoni in Florence. Antonio Rossellino's \n "
+p13596
+sa(dp13597
+g2
+S'The Peasant Dance'
+p13598
+sg4
+S'Artist Information ('
+p13599
+sg6
+S'(artist after)'
+p13600
+sg8
+S'\n'
+p13601
+sg10
+S'http://www.nga.gov:80/thumb-l/a00096/a0009648.jpg'
+p13602
+sg12
+g27
+sa(dp13603
+g2
+S"Le Comte d'Artois as an enfant with Mlle. Clotide"
+p13604
+sg4
+S'Artist Information ('
+p13605
+sg6
+S'(artist after)'
+p13606
+sg8
+S'\n'
+p13607
+sg10
+S'http://www.nga.gov:80/thumb-l/a00096/a0009651.jpg'
+p13608
+sg12
+g27
+sa(dp13609
+g2
+S'Duchesse de Nemours'
+p13610
+sg4
+S'Artist Information ('
+p13611
+sg6
+S'(artist after)'
+p13612
+sg8
+S'\n'
+p13613
+sg10
+S'http://www.nga.gov:80/thumb-l/a00096/a00096f8.jpg'
+p13614
+sg12
+g27
+sa(dp13615
+g12
+g27
+sg6
+S'(artist after)'
+p13616
+sg8
+S'\n'
+p13617
+sg2
+S'La Bonne M\xc3\xa8re'
+p13618
+sg4
+S'Artist Information ('
+p13619
+sa(dp13620
+g2
+S'Mother of Pearl and Silver: The Andalusian'
+p13621
+sg4
+S'James McNeill Whistler'
+p13622
+sg6
+S'oil on canvas'
+p13623
+sg8
+S'1888(?)-1900'
+p13624
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000d/a0000d52.jpg'
+p13625
+sg12
+S"Whistler claimed to excel \n Ethel Birnie Philip, daughter of a sculptor, married in 1895. The next year saw the death of her sister, who was Whistler's wife. This elegant depiction of light gleaming in the dark, though, represents neither a bride nor a mourner. Whistler firmly stated, "Art should be independent of clap-trap—should stand alone, and appeal to the artistic sense of eye or ear, without confounding this with emotions entirely foreign to it, as devotion, pity, love, patriotism and the like."\n In \n "
+p13626
+sa(dp13627
+g2
+S'Symphony in White, No. 1: The White Girl'
+p13628
+sg4
+S'James McNeill Whistler'
+p13629
+sg6
+S'oil on canvas'
+p13630
+sg8
+S'1862'
+p13631
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000d/a0000d4b.jpg'
+p13632
+sg12
+S"When Whistler submitted \n Whistler used variations of white pigment to create interesting spatial and formal relationships. By limiting his palette, minimizing tonal contrast, and sharply skewing the perspective, he flattened forms and emphasized their abstract patterns. This dramatic compositional approach reflects the influence of Japanese prints, which were becoming well known in Paris as international trade increased.\n Clearly, Whistler was more interested in creating an abstract design than in capturing an exact likeness of the model, his mistress Joanna Hiffernan. His radical espousal of a purely aesthetic orientation and the creation of "art for art's sake" became a virtual rallying cry of modernism.\n "
+p13633
+sa(dp13634
+g2
+S"A Painter's Studio"
+p13635
+sg4
+S'Louis-L\xc3\xa9opold Boilly'
+p13636
+sg6
+S'oil on canvas'
+p13637
+sg8
+S'c. 1800'
+p13638
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000d/a0000d9d.jpg'
+p13639
+sg12
+g27
+sa(dp13640
+g12
+g27
+sg6
+S'Italian, c. 1429 - 1464'
+p13641
+sg8
+S'(related artist)'
+p13642
+sg2
+S'Christ with Saint John the Baptist as Children'
+p13643
+sg4
+S'Artist Information ('
+p13644
+sa(dp13645
+g2
+S'The Dancing Couple'
+p13646
+sg4
+S'Jan Steen'
+p13647
+sg6
+S'oil on canvas'
+p13648
+sg8
+S'1663'
+p13649
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000e/a0000ea6.jpg'
+p13650
+sg12
+S"The mood and subject matter in Steen's paintings range enormously, from intimate moments when a family says grace before a meal to festive celebrations of \n The Dancing Couple\n Despite the apparent frivolity of the scene, the painting has a more sobering message. Steen was a moralist who often used emblematic references in his paintings to express the transience of human life. The cut flowers and broken eggshells on the floor, and the young boy blowing bubbles on the right are symbolic. Steen seems to suggest that earthly pleasures are short–lived and we should contemplate more lasting values, symbolized here by the church tower in the background.\n "
+p13651
+sa(dp13652
+g2
+S'The Bath of Venus'
+p13653
+sg4
+S'Fran\xc3\xa7ois Boucher'
+p13654
+sg6
+S'oil on canvas'
+p13655
+sg8
+S'1751'
+p13656
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000d/a0000d55.jpg'
+p13657
+sg12
+S"In Enlightenment France the dedicated search to define truth engendered a re–evaluation of the natural. The belief that it was right to follow nature, and that the pursuit of pleasure was natural, influenced the prevailing conception of the nude. François Boucher, who became the first painter to Louis XV, fully explored his century's interest in the relationship between the rational and the sensual.\n In \n "
+p13658
+sa(dp13659
+g2
+S'Portrait of a Man'
+p13660
+sg4
+S'Artist Information ('
+p13661
+sg6
+S'French, 1699 - 1779'
+p13662
+sg8
+S'(related artist)'
+p13663
+sg10
+S'http://www.nga.gov:80/thumb-l/a0005a/a0005aaa.jpg'
+p13664
+sg12
+g27
+sa(dp13665
+g2
+S'Fruit, Jug, and a Glass'
+p13666
+sg4
+S'Jean Sim\xc3\xa9on Chardin'
+p13667
+sg6
+S'oil on canvas'
+p13668
+sg8
+S'c. 1726/1728'
+p13669
+sg10
+S'http://www.nga.gov:80/thumb-l/a0004a/a0004add.jpg'
+p13670
+sg12
+g27
+sa(dp13671
+g2
+S'Young Woman with a Muff'
+p13672
+sg4
+S'French 18th Century'
+p13673
+sg6
+S'overall: 118 x 95.3 cm (46 7/16 x 37 1/2 in.)\r\nframed: 149.9 x 127.6 cm (59 x 50 1/4 in.)'
+p13674
+sg8
+S'\noil on canvas'
+p13675
+sg10
+S'http://www.nga.gov:80/thumb-l/a0005a/a0005aa5.jpg'
+p13676
+sg12
+g27
+sa(dp13677
+g2
+S'Saint Jerome'
+p13678
+sg4
+S'El Greco'
+p13679
+sg6
+S', c. 1610/1614'
+p13680
+sg8
+S'\n'
+p13681
+sg10
+S'http://www.nga.gov:80/thumb-l/a00004/a0000494.jpg'
+p13682
+sg12
+S"The Counter-Reformation renewed emphasis on penance and other sacraments attacked by Protestants. Here Saint Jerome, who translated the Bible into Latin\r\nin the late fourth century, has retreated to the desert. He holds the rock he will use to beat his chest in punishment for loving secular learning too much.\n This unfinished painting provides evidence of El Greco's working method. He began with a ground coat of dark reddish brown, still visible in many places. He outlined the figure with heavy dark contours, as in Jerome's lower left leg, then used thin, fluid strokes of lighter paint to define the body, as the right leg reveals. With a stiff brush and thick white paint he enlivened some parts of the anatomy, most noticeably the torso. And in completed areas such as the saint's face, he smoothed these jagged contours.\n "
+p13683
+sa(dp13684
+g2
+S'The Healing of the Paralytic'
+p13685
+sg4
+S'Netherlandish 16th Century'
+p13686
+sg6
+S'overall: 107.8 x 76 cm (42 7/16 x 29 15/16 in.)\r\nframed: 136.5 x 109.8 cm (53 3/4 x 43 1/4 in.)'
+p13687
+sg8
+S'\noil on panel'
+p13688
+sg10
+S'http://www.nga.gov:80/thumb-l/a00005/a00005a0.jpg'
+p13689
+sg12
+g27
+sa(dp13690
+g2
+S'Still Life'
+p13691
+sg4
+S'Willem Kalf'
+p13692
+sg6
+S'oil on canvas'
+p13693
+sg8
+S'c. 1660'
+p13694
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000e/a0000e6b.jpg'
+p13695
+sg12
+g27
+sa(dp13696
+g2
+S'Head of One of the Three Kings: Melchior, The Assyrian King'
+p13697
+sg4
+S'Artist Information ('
+p13698
+sg6
+S'(painter)'
+p13699
+sg8
+S'\n'
+p13700
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000e/a0000e38.jpg'
+p13701
+sg12
+g27
+sa(dp13702
+g2
+S'Portrait of a Venetian Senator'
+p13703
+sg4
+S'Jacopo Tintoretto'
+p13704
+sg6
+S'oil on canvas'
+p13705
+sg8
+S'c. 1570'
+p13706
+sg10
+S'http://www.nga.gov:80/thumb-l/a00037/a00037f6.jpg'
+p13707
+sg12
+g27
+sa(dp13708
+g2
+S'Saint Lucy'
+p13709
+sg4
+S'Francisco de Zurbar\xc3\xa1n'
+p13710
+sg6
+S'oil on canvas'
+p13711
+sg8
+S'c. 1625/1630'
+p13712
+sg10
+S'http://www.nga.gov:80/thumb-l/a00004/a00004b3.jpg'
+p13713
+sg12
+S"Few images of saints show women as gorgeously attired as Francisco de Zurbarán's.\nHis \n Multiple versions of the legend of Saint Lucy, the daughter of an aristocratic family in\nfourth-century Syracuse, arose during the Counter-Reformation. One popular interpretation,\ninspired by her unusual attribute, maintained that Lucy, determined to dedicate her life to Christ,\nhad plucked out her eyes and sent them to a tenacious suitor after he insisted that their beauty\nallowed him no peace. Astounded by her devotion to her faith, the admirer converted to\nChristianity, and Lucy, the legend continues, later found her eyesight miraculously restored one\nday during prayer. It is possible that the young saint's connection with eyes originated in the\nLatin source for her name, \n The success of Zurbarán's many images of virgin martyrs derived not only from their\ninherently pleasing theme -- beautiful, splendidly dressed women -- but also from the artist's gifts\nas a colorist and his talent for combining the spiritual and material.\n "
+p13714
+sa(dp13715
+g2
+S'Emilia di Spilimbergo'
+p13716
+sg4
+S'Artist Information ('
+p13717
+sg6
+S'Italian, c. 1490 - 1576'
+p13718
+sg8
+S'(related artist)'
+p13719
+sg10
+S'http://www.nga.gov:80/thumb-l/a00008/a0000895.jpg'
+p13720
+sg12
+g27
+sa(dp13721
+g12
+g27
+sg2
+S'Embroideries'
+p13722
+sg4
+S'American 20th Century'
+p13723
+sa(dp13724
+g12
+g27
+sg2
+S'Embroidered Picture'
+p13725
+sg4
+S'Evelyn Bailey'
+p13726
+sa(dp13727
+g12
+g27
+sg2
+S'Feather Stitching'
+p13728
+sg4
+S'Gordena Jackson'
+p13729
+sa(dp13730
+g12
+g27
+sg2
+S'Table Cover'
+p13731
+sg4
+S'Ruth M. Barnes'
+p13732
+sa(dp13733
+g12
+g27
+sg2
+S'Sampler (Stitching)'
+p13734
+sg4
+S'Ruth M. Barnes'
+p13735
+sa(dp13736
+g12
+g27
+sg2
+S'Sampler (Stitching)'
+p13737
+sg4
+S'Ruth M. Barnes'
+p13738
+sa(dp13739
+g12
+g27
+sg2
+S'Crazy Quilt (Stitches)'
+p13740
+sg4
+S'William Kieckhofel'
+p13741
+sa(dp13742
+g12
+g27
+sg2
+S'Crazy Quilt'
+p13743
+sg4
+S'William Kieckhofel'
+p13744
+sa(dp13745
+g12
+g27
+sg2
+S'Crazy Quilt'
+p13746
+sg4
+S'William Kieckhofel'
+p13747
+sa(dp13748
+g12
+g27
+sg2
+S'Samples of Stitching'
+p13749
+sg4
+S'Edith Towner'
+p13750
+sa(dp13751
+g2
+S'Irene di Spilimbergo'
+p13752
+sg4
+S'Artist Information ('
+p13753
+sg6
+S'Italian, c. 1490 - 1576'
+p13754
+sg8
+S'(related artist)'
+p13755
+sg10
+S'http://www.nga.gov:80/thumb-l/a00008/a0000896.jpg'
+p13756
+sg12
+g27
+sa(dp13757
+g12
+g27
+sg2
+S'Sampler'
+p13758
+sg4
+S'Edith Towner'
+p13759
+sa(dp13760
+g12
+g27
+sg2
+S'Sampler'
+p13761
+sg4
+S'Ralph Morton'
+p13762
+sa(dp13763
+g12
+g27
+sg2
+S'Sampler'
+p13764
+sg4
+S'Ella Josephine Sterling'
+p13765
+sa(dp13766
+g12
+g27
+sg10
+S'http://www.nga.gov:80/thumb-l/a00058/a0005894.jpg'
+p13767
+sg2
+S'Sampler'
+p13768
+sg4
+S'Alfred Walbeck'
+p13769
+sa(dp13770
+g12
+g27
+sg10
+S'http://www.nga.gov:80/thumb-l/a00058/a0005898.jpg'
+p13771
+sg2
+S'Sampler'
+p13772
+sg4
+S'Alfred Walbeck'
+p13773
+sa(dp13774
+g12
+g27
+sg10
+S'http://www.nga.gov:80/thumb-l/a00058/a00058cd.jpg'
+p13775
+sg2
+S'Sampler'
+p13776
+sg4
+S'Max Unger'
+p13777
+sa(dp13778
+g12
+g27
+sg10
+S'http://www.nga.gov:80/thumb-l/a00058/a00058ce.jpg'
+p13779
+sg2
+S'Sampler'
+p13780
+sg4
+S'Adolph Opstad'
+p13781
+sa(dp13782
+g12
+g27
+sg2
+S'Sampler'
+p13783
+sg4
+S'Arelia Arbo'
+p13784
+sa(dp13785
+g12
+g27
+sg10
+S'http://www.nga.gov:80/thumb-l/a00058/a00058cf.jpg'
+p13786
+sg2
+S'Sampler'
+p13787
+sg4
+S'Arelia Arbo'
+p13788
+sa(dp13789
+g12
+g27
+sg2
+S'Tavern Sign'
+p13790
+sg4
+S'Alfred Parys'
+p13791
+sa(dp13792
+g2
+S'Venus and Adonis'
+p13793
+sg4
+S'Titian'
+p13794
+sg6
+S'oil on canvas'
+p13795
+sg8
+S'c. 1560'
+p13796
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000f/a0000f87.jpg'
+p13797
+sg12
+S"Titian painted the first version of \n The story of Venus and Adonis derives from Ovid's \n It is odd to see Venus depicted as a vulnerable figure and from a rear\n view. Titian wrote that by posing her from behind, he hoped to provide\n variety among the many nudes in King Philip's collection. By painting Venus\n from the back, Titian also allowed viewers to complete her beauty according\n to their own ideal of perfection.\n "
+p13798
+sa(dp13799
+g12
+g27
+sg10
+S'http://www.nga.gov:80/thumb-l/a00058/a00058d0.jpg'
+p13800
+sg2
+S'Sampler'
+p13801
+sg4
+S'Henry Meyers'
+p13802
+sa(dp13803
+g12
+g27
+sg10
+S'http://www.nga.gov:80/thumb-l/a00058/a000589e.jpg'
+p13804
+sg2
+S'Sampler'
+p13805
+sg4
+S'Elizabeth Valentine'
+p13806
+sa(dp13807
+g12
+g27
+sg10
+S'http://www.nga.gov:80/thumb-l/a00058/a0005896.jpg'
+p13808
+sg2
+S'Sampler'
+p13809
+sg4
+S'Charlotte Angus'
+p13810
+sa(dp13811
+g12
+g27
+sg10
+S'http://www.nga.gov:80/thumb-l/a00058/a00058d1.jpg'
+p13812
+sg2
+S'Sampler'
+p13813
+sg4
+S'Eva Wilson'
+p13814
+sa(dp13815
+g12
+g27
+sg2
+S'Sampler'
+p13816
+sg4
+S'Charles Roadman'
+p13817
+sa(dp13818
+g12
+g27
+sg10
+S'http://www.nga.gov:80/thumb-l/a00058/a000589b.jpg'
+p13819
+sg2
+S'Sampler'
+p13820
+sg4
+S'Eileen Knox'
+p13821
+sa(dp13822
+g12
+S"Although many articles were woven at home throughout the eighteenth and nineteenth\n centuries, professional weavers and itinerant journeymen relieved American women\n of many of these chores. Housewives could think beyond providing the sternest\n necessities to adding touches of grace and luxury to their homes. For this, they\n turned to needlework. Needlework was a practical necessity from colonial times\n onward, for clothes and other articles had to be made, marked, and mended.\n Yet, for American women, needlework was also a luxury that permitted them\n to embellish their homes and to express their love of beauty. Moreover, needlework\n provided an opportunity to preserve the decorative traditions brought from their native\n lands as well as a means for displaying their sewing skills. Proficiency in needlework\n was commonly demonstrated in samplers made by young girls when, in the course\n of their education at home and at school, they had mastered the art of embroidery.\n The earliest samplers were actually collections of different stitches and served as\n needlework guides. By the mid-eighteenth century, samplers had become showpieces.\n They generally included a central scene, several types of alphabets, quotations from\n the Bible or pious verses, the maker's name, the date, and her age. Here a young\n seamstress had used silk embroidery on linen to depict a house, possibly her own,\n and outbuilding. A variety of stitches are demonstrated in the pictorial forms, and\n still others compose the rows of flowers and plants that separate the alphabets,\n numbers, and biographical information. Samplers like this were proudly displayed by\n the girl's parents and, after she married, in her own home.\n "
+p13823
+sg10
+S'http://www.nga.gov:80/thumb-l/a00002/a00002a8.jpg'
+p13824
+sg2
+S'Sampler'
+p13825
+sg4
+S'Sarah F. Williams'
+p13826
+sa(dp13827
+g12
+g27
+sg2
+S'Sampler'
+p13828
+sg4
+S'Esther Martindale'
+p13829
+sa(dp13830
+g12
+g27
+sg2
+S'Sampler'
+p13831
+sg4
+S'Esther Martindale'
+p13832
+sa(dp13833
+g12
+g27
+sg2
+S'Sampler'
+p13834
+sg4
+S'Clyde L. Cheney'
+p13835
+sa(dp13836
+g2
+S'Venice: The Dogana and San Giorgio Maggiore'
+p13837
+sg4
+S'Joseph Mallord William Turner'
+p13838
+sg6
+S'oil on canvas'
+p13839
+sg8
+S'1834'
+p13840
+sg10
+S'http://www.nga.gov:80/thumb-l/a00007/a0000740.jpg'
+p13841
+sg12
+S'At the “especial suggestion” of a British textile manufacturer, Turner \r\n devised this Venetian cityscape as a symbolic salute to commerce. Gondolas \r\n carry cargoes of fine fabrics and exotic spices. On the right is the \r\n Dogana, or Customs House, topped by a statue of Fortune, which Turner \r\n greatly enlarged in size. Moreover, the Church of San Giorgio Maggiore has \r\n been pushed very far back in space, making the Grand Canal seem much wider \r\n than it really is.\n These theatrical exaggerations and the precise, linear drafting of the \r\n architecture owe much to \r\n \n '
+p13842
+sa(dp13843
+g12
+g27
+sg2
+S'Embroidery Sampler'
+p13844
+sg4
+S'Paul Smith'
+p13845
+sa(dp13846
+g12
+g27
+sg10
+S'http://www.nga.gov:80/thumb-l/a00058/a0005890.jpg'
+p13847
+sg2
+S'Embroidery Sampler'
+p13848
+sg4
+S'Elzy J. Bird'
+p13849
+sa(dp13850
+g12
+g27
+sg10
+S'http://www.nga.gov:80/thumb-l/a00058/a000589c.jpg'
+p13851
+sg2
+S'Sampler'
+p13852
+sg4
+S'William Parkinson'
+p13853
+sa(dp13854
+g12
+g27
+sg2
+S'Plaid Homespun'
+p13855
+sg4
+S'Clyde L. Cheney'
+p13856
+sa(dp13857
+g12
+g27
+sg2
+S'Sampler'
+p13858
+sg4
+S'Frank Maurer'
+p13859
+sa(dp13860
+g12
+g27
+sg2
+S'Sampler'
+p13861
+sg4
+S'LeRoy McCarrel'
+p13862
+sa(dp13863
+g12
+g27
+sg10
+S'http://www.nga.gov:80/thumb-l/a00058/a00058d2.jpg'
+p13864
+sg2
+S'Sampler'
+p13865
+sg4
+S'Edna C. Rex'
+p13866
+sa(dp13867
+g12
+g27
+sg2
+S'Needlepoint Dog'
+p13868
+sg4
+S'Evelyn Bailey'
+p13869
+sa(dp13870
+g12
+g27
+sg10
+S'http://www.nga.gov:80/thumb-l/a00055/a0005524.jpg'
+p13871
+sg2
+S'Adam & Eve Embroidered Picture'
+p13872
+sg4
+S'Martha Elliot'
+p13873
+sa(dp13874
+g12
+g27
+sg2
+S'Firescreen'
+p13875
+sg4
+S'Vincent P. Rosel'
+p13876
+sa(dp13877
+g2
+S'Keelmen Heaving in Coals by Moonlight'
+p13878
+sg4
+S'Joseph Mallord William Turner'
+p13879
+sg6
+S'oil on canvas'
+p13880
+sg8
+S'1835'
+p13881
+sg10
+S'http://www.nga.gov:80/thumb-l/a00004/a00004e1.jpg'
+p13882
+sg12
+S"Here Turner brings the great force of his romantic genius to a common scene of working–class men at hard labor. Although the subject of the painting is rooted in the grim realities of the industrial revolution, in Turner's hands it transcends the specifics of time and place and becomes an image of startling visual poetry.\n An almost palpable flood of moonlight breaks through the clouds in a great vault that spans the banks of the channel and illuminates the sky and the water. The heavy impasto of the moon's reflection on the unbroken expanse of water rivals the radiance of the sky, where gradations of light create a powerful, swirling vortex.\n To the right, the keelmen and the dark, flat–bottomed keels that carried the coal from Northumberland and Durham down the River Tyne are silhouetted against the orange and white flames from the torches, as the coal is transferred to the sailing ships. To the left, square riggers wait to sail out on the morning tide. Behind these ships Turner suggested the distant cluster of factories and ships with touches of gray paint and a few thin lines. Through the shadowy atmosphere ships' riggings, keels and keelmen, fiery torches, and reflections on the water merge into a richly textured surface pattern.\n "
+p13883
+sa(dp13884
+g12
+g27
+sg2
+S'Bookmark'
+p13885
+sg4
+S'Manuel G. Runyan'
+p13886
+sa(dp13887
+g12
+g27
+sg2
+S'Religious Embroidery'
+p13888
+sg4
+S'Stanley Mazur'
+p13889
+sa(dp13890
+g12
+g27
+sg2
+S'Embroidered Picture'
+p13891
+sg4
+S'James Vail'
+p13892
+sa(dp13893
+g12
+g27
+sg2
+S'Woolen Parrot'
+p13894
+sg4
+S'Wellington Blewett'
+p13895
+sa(dp13896
+g12
+g27
+sg2
+S'Religious Embroidery'
+p13897
+sg4
+S'Stanley Mazur'
+p13898
+sa(dp13899
+g12
+g27
+sg2
+S'Coat of Arms'
+p13900
+sg4
+S'William Roberts'
+p13901
+sa(dp13902
+g12
+g27
+sg2
+S'Embroidery Needlepoint'
+p13903
+sg4
+S'Eugene Croe'
+p13904
+sa(dp13905
+g12
+g27
+sg2
+S'Embroidery Needlepoint'
+p13906
+sg4
+S'Eugene Croe'
+p13907
+sa(dp13908
+g12
+g27
+sg2
+S'Adam & Eve Embroidered Picture'
+p13909
+sg4
+S'Artist Information ('
+p13910
+sa(dp13911
+g12
+g27
+sg2
+S'Needlepoint Picture'
+p13912
+sg4
+S'Jules Lefevere'
+p13913
+sa(dp13914
+g2
+S'The Junction of the Thames and the Medway'
+p13915
+sg4
+S'Joseph Mallord William Turner'
+p13916
+sg6
+S'oil on canvas'
+p13917
+sg8
+S'1807'
+p13918
+sg10
+S'http://www.nga.gov:80/thumb-l/a00004/a00004e2.jpg'
+p13919
+sg12
+S'Turner, who earned an early reputation for producing accurate \r\n topographical views, opened his own private sales gallery, where he \r\n exhibited this turbulent seascape. Based on notes in the artist’s \r\n sketchbooks, the scene is the wide mouth of the Thames joining the North \r\n Sea, where the smaller River Medway further churns the waves. To the south, \r\n the town on the far shore is the seaport of Sheerness.\n To heighten the storm’s impact, Turner artfully manipulated the lighting \r\n in this composition. The sails at the right, for instance, are brilliantly \r\n silhouetted against the dark clouds. In actuality, however, the sun is \r\n obscured high in the sky behind the thunderheads, making it impossible for \r\n sunbeams to strike those ships from the side.\n '
+p13920
+sa(dp13921
+g12
+g27
+sg2
+S'Needlepoint Picture'
+p13922
+sg4
+S'Jules Lefevere'
+p13923
+sa(dp13924
+g12
+g27
+sg2
+S'Hand Needlework'
+p13925
+sg4
+S'Frank J. Mace'
+p13926
+sa(dp13927
+g12
+g27
+sg2
+S'Friendship Pillow'
+p13928
+sg4
+S'Max Fernekes'
+p13929
+sa(dp13930
+g12
+g27
+sg2
+S'Coverlet'
+p13931
+sg4
+S'Artist Information ('
+p13932
+sa(dp13933
+g12
+g27
+sg2
+S'Lace Hardanger'
+p13934
+sg4
+S'American 20th Century'
+p13935
+sa(dp13936
+g12
+g27
+sg2
+S'Floral Motifs'
+p13937
+sg4
+S'American 20th Century'
+p13938
+sa(dp13939
+g12
+g27
+sg2
+S'Pillow'
+p13940
+sg4
+S'Natalie Simon'
+p13941
+sa(dp13942
+g12
+g27
+sg2
+S'Bookmark'
+p13943
+sg4
+S'Ellen Duncan'
+p13944
+sa(dp13945
+g12
+g27
+sg2
+S'Watch Holder'
+p13946
+sg4
+S'Gordena Jackson'
+p13947
+sa(dp13948
+g12
+g27
+sg2
+S'Embroidery on Pillow'
+p13949
+sg4
+S'Florence Huston'
+p13950
+sa(dp13951
+g2
+S'The Virgin as Intercessor'
+p13952
+sg4
+S'Sir Anthony van Dyck'
+p13953
+sg6
+S'oil on canvas'
+p13954
+sg8
+S'1628/1629'
+p13955
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000e/a0000e1e.jpg'
+p13956
+sg12
+S'The Virgin as Intercessor\n '
+p13957
+sa(dp13958
+g12
+g27
+sg2
+S'Handkerchief Case'
+p13959
+sg4
+S'Gordena Jackson'
+p13960
+sa(dp13961
+g12
+g27
+sg2
+S'Embroidery'
+p13962
+sg4
+S'Evelyn Bailey'
+p13963
+sa(dp13964
+g12
+g27
+sg2
+S'Corner of Needlepoint Cushion'
+p13965
+sg4
+S'Natalie Simon'
+p13966
+sa(dp13967
+g12
+g27
+sg2
+S'Handkerchief'
+p13968
+sg4
+S'Gordena Jackson'
+p13969
+sa(dp13970
+g12
+g27
+sg2
+S'Embroidery'
+p13971
+sg4
+S'Ann Gene Buckley'
+p13972
+sa(dp13973
+g12
+g27
+sg2
+S'Applique Quilt (Detail)'
+p13974
+sg4
+S'Ruth Buker'
+p13975
+sa(dp13976
+g12
+g27
+sg2
+S'Coverlet'
+p13977
+sg4
+S'Cornelius Christoffels'
+p13978
+sa(dp13979
+g12
+g27
+sg2
+S'Candlewick Bedspread'
+p13980
+sg4
+S'Artist Information ('
+p13981
+sa(dp13982
+g12
+g27
+sg2
+S'Needlepoint Tapestry'
+p13983
+sg4
+S'Cornelius Christoffels'
+p13984
+sa(dp13985
+g12
+g27
+sg2
+S'Woven Bedspread'
+p13986
+sg4
+S'Gladys C. Parker'
+p13987
+sa(dp13988
+g2
+S'Giovanni Vincenzo Imperiale'
+p13989
+sg4
+S'Sir Anthony van Dyck'
+p13990
+sg6
+S'oil on canvas'
+p13991
+sg8
+S'1626'
+p13992
+sg10
+S'http://www.nga.gov:80/thumb-l/a0002a/a0002af0.jpg'
+p13993
+sg12
+g27
+sa(dp13994
+g12
+g27
+sg2
+S'Embroidery for Dress'
+p13995
+sg4
+S'Gladys C. Parker'
+p13996
+sa(dp13997
+g12
+g27
+sg2
+S'Collar'
+p13998
+sg4
+S'Marie Famularo'
+p13999
+sa(dp14000
+g12
+g27
+sg2
+S'Patchwork Quilt'
+p14001
+sg4
+S'Margaret Linsley'
+p14002
+sa(dp14003
+g12
+g27
+sg2
+S'Eyelet Embroidery'
+p14004
+sg4
+S'Syrena Swanson'
+p14005
+sa(dp14006
+g12
+g27
+sg2
+S'Needlepoint Tapestry'
+p14007
+sg4
+S'Cornelius Christoffels'
+p14008
+sa(dp14009
+g12
+g27
+sg2
+S'Table Scarf'
+p14010
+sg4
+S'Ruth M. Barnes'
+p14011
+sa(dp14012
+g12
+g27
+sg2
+S'Table Scarf'
+p14013
+sg4
+S'Ruth M. Barnes'
+p14014
+sa(dp14015
+g12
+g27
+sg2
+S'Eyelet Embroidery'
+p14016
+sg4
+S'Edith Towner'
+p14017
+sa(dp14018
+g12
+g27
+sg2
+S'Quilting on Silk (Detail)'
+p14019
+sg4
+S'Edward Jewett'
+p14020
+sa(dp14021
+g12
+g27
+sg2
+S'Wedding Dress Motif (Insert)'
+p14022
+sg4
+S'Ruth Buker'
+p14023
+sa(dp14024
+g2
+S'The Prefect Raffaele Raggi'
+p14025
+sg4
+S'Sir Anthony van Dyck'
+p14026
+sg6
+S'oil on canvas'
+p14027
+sg8
+S'c. 1625'
+p14028
+sg10
+S'http://www.nga.gov:80/thumb-l/a00037/a00037b4.jpg'
+p14029
+sg12
+S'The Prefect Raffaele Raggi\n '
+p14030
+sa(dp14031
+g12
+g27
+sg2
+S'Fireplace Screen'
+p14032
+sg4
+S'Hazel Sheckler'
+p14033
+sa(dp14034
+g12
+g27
+sg2
+S'Bed Hanging (Detail)'
+p14035
+sg4
+S'Martha Elliot'
+p14036
+sa(dp14037
+g12
+g27
+sg2
+S'Linen Cuffs'
+p14038
+sg4
+S'Isabella Ruth Doerfler'
+p14039
+sa(dp14040
+g12
+g27
+sg2
+S'Bed Valance (Detail)'
+p14041
+sg4
+S'Marion Gaylord'
+p14042
+sa(dp14043
+g12
+g27
+sg2
+S'Embroidery'
+p14044
+sg4
+S'Isabella Ruth Doerfler'
+p14045
+sa(dp14046
+g12
+g27
+sg2
+S'Embroidered Purse'
+p14047
+sg4
+S'Isabella Ruth Doerfler'
+p14048
+sa(dp14049
+g12
+g27
+sg2
+S'White Quilted Coverlet'
+p14050
+sg4
+S'Edward L. Loper'
+p14051
+sa(dp14052
+g12
+g27
+sg2
+S'Coverlet'
+p14053
+sg4
+S'Edward L. Loper'
+p14054
+sa(dp14055
+g12
+g27
+sg2
+S'Coverlet'
+p14056
+sg4
+S'Regina Henderer'
+p14057
+sa(dp14058
+g12
+g27
+sg2
+S'Chair Cover'
+p14059
+sg4
+S'Mabel Ritter'
+p14060
+sa(dp14061
+g2
+S'Madonna and Child'
+p14062
+sg4
+S'Artist Information ('
+p14063
+sg6
+S'Italian, 1418 - probably 1481'
+p14064
+sg8
+S'(related artist)'
+p14065
+sg10
+S'http://www.nga.gov:80/thumb-l/a0004d/a0004d42.jpg'
+p14066
+sg12
+g27
+sa(dp14067
+g2
+S'A Genoese Noblewoman and Her Son'
+p14068
+sg4
+S'Sir Anthony van Dyck'
+p14069
+sg6
+S'oil on canvas'
+p14070
+sg8
+S'c. 1626'
+p14071
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000e/a0000e2d.jpg'
+p14072
+sg12
+S'A Genoese Noblewoman and Her Son\n '
+p14073
+sa(dp14074
+g12
+g27
+sg2
+S'Chair Seat'
+p14075
+sg4
+S'Mabel Ritter'
+p14076
+sa(dp14077
+g12
+g27
+sg2
+S'Bookmark (Valentine)'
+p14078
+sg4
+S'Manuel G. Runyan'
+p14079
+sa(dp14080
+g12
+g27
+sg2
+S'Silk Petticoat (Fragment)'
+p14081
+sg4
+S'Manuel G. Runyan'
+p14082
+sa(dp14083
+g12
+g27
+sg2
+S'Bookmark'
+p14084
+sg4
+S'Fred Hassebrock'
+p14085
+sa(dp14086
+g12
+g27
+sg2
+S'Detail of Quilt - Tulip Pattern'
+p14087
+sg4
+S'Fred Hassebrock'
+p14088
+sa(dp14089
+g12
+g27
+sg2
+S'Chenille Embroidery'
+p14090
+sg4
+S'O.A. Kirby'
+p14091
+sa(dp14092
+g12
+g27
+sg2
+S'Gros Point Needlework - Flowers'
+p14093
+sg4
+S'Artist Information ('
+p14094
+sa(dp14095
+g12
+g27
+sg2
+S'Embroidery Detail'
+p14096
+sg4
+S'Emily Gierman'
+p14097
+sa(dp14098
+g12
+g27
+sg10
+S'http://www.nga.gov:80/thumb-l/a00058/a000589d.jpg'
+p14099
+sg2
+S'Sampler'
+p14100
+sg4
+S'Michael Rekucki'
+p14101
+sa(dp14102
+g12
+g27
+sg2
+S'Bundle Carrier'
+p14103
+sg4
+S'Edward Bashaw'
+p14104
+sa(dp14105
+g2
+S'Marchesa Elena Grimaldi Cattaneo'
+p14106
+sg4
+S'Sir Anthony van Dyck'
+p14107
+sg6
+S'oil on canvas'
+p14108
+sg8
+S'1623'
+p14109
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000e/a0000e2e.jpg'
+p14110
+sg12
+S"Anthony van Dyck's portraits of the Genoese nobility are generally recognized as one of the supreme achievements of Western portraiture and as the high point of the artist's career. Of these paintings, his portrayal of Elena Grimaldi is the most brilliant. A marchesa both by birth and by marriage, the elegant Italian noblewoman is depicted in a stately setting expressive of her social status; she steps out of a Corinthian–columned portico onto a balustraded terrace. Behind her extends a luxuriant estate beneath a dramatically cloud–filled sky.\n The painting hangs in an arrangement at the National Gallery similar to its presumed original placement in the Cattaneo palace: flanked by Van Dyck's sensitive portraits of the marchesa's two children, \n In an oil sketch for this portrait (Smithsonian Institution), the marchesa wears a red flower at her right cheek. A careful study of the large, completed painting in the National Gallery reveals that the artist revised the final composition, ultimately replacing the flower with the parasol held by a black servant. This brilliant scarlet ellipse sets off her fair complexion, and the parasol's radiating spokes converge on her head.\n "
+p14111
+sa(dp14112
+g12
+g27
+sg2
+S'Handwoven Linen'
+p14113
+sg4
+S'Mary C. Davidson'
+p14114
+sa(dp14115
+g12
+g27
+sg2
+S'Sampler'
+p14116
+sg4
+S'Joseph L. Boyd'
+p14117
+sa(dp14118
+g12
+g27
+sg2
+S'Lace Wedding Veil (Section of)'
+p14119
+sg4
+S'Joseph L. Boyd'
+p14120
+sa(dp14121
+g12
+g27
+sg2
+S'Piano Cover'
+p14122
+sg4
+S'Carl Buergerniss'
+p14123
+sa(dp14124
+g12
+g27
+sg2
+S'Coverlet'
+p14125
+sg4
+S'Mildred E. Bent'
+p14126
+sa(dp14127
+g12
+g27
+sg2
+S'Petticoat (Detail)'
+p14128
+sg4
+S'Mildred E. Bent'
+p14129
+sa(dp14130
+g12
+g27
+sg2
+S'Love Tokens'
+p14131
+sg4
+S'Charles Bowman'
+p14132
+sa(dp14133
+g12
+g27
+sg2
+S'Dress Material'
+p14134
+sg4
+S'Douglas Campbell'
+p14135
+sa(dp14136
+g12
+g27
+sg2
+S'Embroidery'
+p14137
+sg4
+S'Elizabeth Moutal'
+p14138
+sa(dp14139
+g12
+g27
+sg2
+S'Bed Hanging'
+p14140
+sg4
+S'Phyllis Dorr'
+p14141
+sa(dp14142
+g2
+S'Filippo Cattaneo'
+p14143
+sg4
+S'Sir Anthony van Dyck'
+p14144
+sg6
+S'oil on canvas'
+p14145
+sg8
+S'1623'
+p14146
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000e/a0000e2f.jpg'
+p14147
+sg12
+S'Filippo Cattaneo\n '
+p14148
+sa(dp14149
+g12
+g27
+sg2
+S'Valance (section)'
+p14150
+sg4
+S'Helen E. Gilman'
+p14151
+sa(dp14152
+g12
+g27
+sg10
+S'http://www.nga.gov:80/thumb-l/a00055/a0005517.jpg'
+p14153
+sg2
+S'Petticoat Border'
+p14154
+sg4
+S'Suzanne Chapman'
+p14155
+sa(dp14156
+g12
+g27
+sg2
+S'Crewel Embroidered Chair Seat'
+p14157
+sg4
+S'Phyllis Dorr'
+p14158
+sa(dp14159
+g12
+g27
+sg2
+S'Piece of Crewel Embroidery'
+p14160
+sg4
+S'Phyllis Dorr'
+p14161
+sa(dp14162
+g12
+g27
+sg2
+S'Purse'
+p14163
+sg4
+S'Phyllis Dorr'
+p14164
+sa(dp14165
+g12
+g27
+sg2
+S'Blanket (Detail)'
+p14166
+sg4
+S'Alfred Denghausen'
+p14167
+sa(dp14168
+g12
+g27
+sg2
+S'Crewel Embroidery'
+p14169
+sg4
+S'Helen E. Gilman'
+p14170
+sa(dp14171
+g12
+g27
+sg2
+S'Crewel Embroidered Panel'
+p14172
+sg4
+S'Phyllis Dorr'
+p14173
+sa(dp14174
+g12
+g27
+sg2
+S"Child's Shoe"
+p14175
+sg4
+S'Frances Cohen'
+p14176
+sa(dp14177
+g12
+g27
+sg2
+S'Section of Bed Curtain'
+p14178
+sg4
+S'Helen E. Gilman'
+p14179
+sa(dp14180
+g2
+S'Maddalena Cattaneo'
+p14181
+sg4
+S'Sir Anthony van Dyck'
+p14182
+sg6
+S'oil on canvas'
+p14183
+sg8
+S'1623'
+p14184
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000e/a0000e30.jpg'
+p14185
+sg12
+S'Maddalena Cattaneo\n '
+p14186
+sa(dp14187
+g12
+g27
+sg2
+S'Embroidery'
+p14188
+sg4
+S'Eugene Croe'
+p14189
+sa(dp14190
+g12
+g27
+sg2
+S'Coverlet'
+p14191
+sg4
+S'William Kerby'
+p14192
+sa(dp14193
+g12
+g27
+sg2
+S'Embroidered Picture'
+p14194
+sg4
+S'Rex F. Bush'
+p14195
+sa(dp14196
+g12
+g27
+sg2
+S'Cross-Stitch Antimacassar'
+p14197
+sg4
+S'Elmer Weise'
+p14198
+sa(dp14199
+g12
+g27
+sg2
+S'Piece of Cross-Stitch'
+p14200
+sg4
+S'George Beyer'
+p14201
+sa(dp14202
+g12
+g27
+sg2
+S'Quilt'
+p14203
+sg4
+S'Frank Gutting'
+p14204
+sa(dp14205
+g12
+g27
+sg2
+S'Embroidered Leather'
+p14206
+sg4
+S'Donald Williams'
+p14207
+sa(dp14208
+g12
+g27
+sg2
+S'Needlepoint Bell Pull'
+p14209
+sg4
+S'Edmond Lorts'
+p14210
+sa(dp14211
+g12
+g27
+sg2
+S'English Embroidery'
+p14212
+sg4
+S'Carl Buergerniss'
+p14213
+sa(dp14214
+g12
+g27
+sg2
+S'Embroidered Collar'
+p14215
+sg4
+S'Marie Famularo'
+p14216
+sa(dp14217
+g2
+S"Catherine Howard, Lady d'Aubigny"
+p14218
+sg4
+S'Sir Anthony van Dyck'
+p14219
+sg6
+S'oil on canvas'
+p14220
+sg8
+S'c. 1638'
+p14221
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000e/a0000e4d.jpg'
+p14222
+sg12
+g27
+sa(dp14223
+g12
+g27
+sg2
+S'Embroidered Linen Collar'
+p14224
+sg4
+S'Marie Famularo'
+p14225
+sa(dp14226
+g12
+g27
+sg2
+S'Embroidery Piece'
+p14227
+sg4
+S'Raymond Manupelli'
+p14228
+sa(dp14229
+g12
+g27
+sg2
+S'Embroidered Linen Collar'
+p14230
+sg4
+S'Edith Miller'
+p14231
+sa(dp14232
+g12
+g27
+sg2
+S'Embroidered Linen Collar'
+p14233
+sg4
+S'Edith Miller'
+p14234
+sa(dp14235
+g12
+g27
+sg2
+S'Embroidered Linen Collar'
+p14236
+sg4
+S'Edith Miller'
+p14237
+sa(dp14238
+g12
+g27
+sg2
+S'Embroidered Cuff'
+p14239
+sg4
+S'Erwin Schwabe'
+p14240
+sa(dp14241
+g12
+g27
+sg2
+S'Needlepoint and Beadwork Square'
+p14242
+sg4
+S'Erwin Schwabe'
+p14243
+sa(dp14244
+g12
+g27
+sg2
+S'Collar'
+p14245
+sg4
+S'Marie Famularo'
+p14246
+sa(dp14247
+g12
+g27
+sg2
+S'Collar'
+p14248
+sg4
+S'Marie Famularo'
+p14249
+sa(dp14250
+g12
+g27
+sg2
+S'Embroidered Edging'
+p14251
+sg4
+S'Marie Famularo'
+p14252
+sa(dp14253
+g2
+S'Portrait of a Young Man'
+p14254
+sg4
+S'Venetian 16th Century'
+p14255
+sg6
+S'overall (maximum height and width): 28.1 x 23.3 cm (11 1/16 x 9 3/16 in.)\r\noverall (minimum height and width): 27.9 x 23 cm (11 x 9 1/16 in.)'
+p14256
+sg8
+S'\noil on panel'
+p14257
+sg10
+S'http://www.nga.gov:80/thumb-l/a00007/a00007fa.jpg'
+p14258
+sg12
+g27
+sa(dp14259
+g12
+g27
+sg2
+S'Homespun Quilt'
+p14260
+sg4
+S'Julie C. Brush'
+p14261
+sa(dp14262
+g12
+g27
+sg2
+S'Table Scarf'
+p14263
+sg4
+S'Erwin Schwabe'
+p14264
+sa(dp14265
+g12
+g27
+sg2
+S'Shawl Strap'
+p14266
+sg4
+S'Grace Halpin'
+p14267
+sa(dp14268
+g12
+g27
+sg2
+S'Embroidered Collar'
+p14269
+sg4
+S'Marie Famularo'
+p14270
+sa(dp14271
+g12
+g27
+sg2
+S'Embroidered Lace Collar'
+p14272
+sg4
+S'Frank Nelson'
+p14273
+sa(dp14274
+g12
+g27
+sg2
+S'Petipoint Bag'
+p14275
+sg4
+S'Herbert Marsh'
+p14276
+sa(dp14277
+g12
+g27
+sg2
+S'Embroidered Undersleeve'
+p14278
+sg4
+S'Douglas Cox'
+p14279
+sa(dp14280
+g12
+g27
+sg2
+S'Embroidered Linen Collar'
+p14281
+sg4
+S'Grace Halpin'
+p14282
+sa(dp14283
+g12
+g27
+sg2
+S'Beadwork Book Marker'
+p14284
+sg4
+S'Edith Miller'
+p14285
+sa(dp14286
+g12
+g27
+sg2
+S'Pillow Sampler'
+p14287
+sg4
+S'Edith Magnette'
+p14288
+sa(dp14289
+g2
+S'Woman Holding a Balance'
+p14290
+sg4
+S'Johannes Vermeer'
+p14291
+sg6
+S'oil on canvas'
+p14292
+sg8
+S'c. 1664'
+p14293
+sg10
+S'http://www.nga.gov:80/thumb-l/a0001e/a0001e1f.jpg'
+p14294
+sg12
+S'A woman dressed in a blue jacket with fur trim stands alone before a table in a corner of a room. She holds a balance in her right hand and with lowered eyes waits for it to come to rest. Behind her, on the back wall of the room, is a large painting of \n Woman Holding a Balance\n '
+p14295
+sa(dp14296
+g12
+g27
+sg2
+S'Embroidered Lace Collar'
+p14297
+sg4
+S"Thomas O'Connor"
+p14298
+sa(dp14299
+g12
+g27
+sg2
+S'Cotton Vestie'
+p14300
+sg4
+S'Herbert Marsh'
+p14301
+sa(dp14302
+g12
+g27
+sg2
+S'Dress Trimming'
+p14303
+sg4
+S'Herbert Marsh'
+p14304
+sa(dp14305
+g12
+g27
+sg2
+S'Embroidered Yoke'
+p14306
+sg4
+S'Herbert Marsh'
+p14307
+sa(dp14308
+g12
+g27
+sg2
+S'Embroidered Linen Collar'
+p14309
+sg4
+S'Edith Miller'
+p14310
+sa(dp14311
+g12
+g27
+sg2
+S'Victorian Shelf Drapery'
+p14312
+sg4
+S'Vera Van Voris'
+p14313
+sa(dp14314
+g12
+g27
+sg2
+S'Embroidered Cuff'
+p14315
+sg4
+S'Marie Famularo'
+p14316
+sa(dp14317
+g12
+g27
+sg2
+S'Beaded Lamp Mat'
+p14318
+sg4
+S'Raymond Manupelli'
+p14319
+sa(dp14320
+g12
+g27
+sg2
+S'Lace Collar'
+p14321
+sg4
+S'Frank Nelson'
+p14322
+sa(dp14323
+g12
+g27
+sg2
+S'Pin Cushion Doily'
+p14324
+sg4
+S'Frank Nelson'
+p14325
+sa(dp14326
+g2
+S'Girl with a Flute'
+p14327
+sg4
+S'Johannes Vermeer'
+p14328
+sg6
+S', probably 1665/1670'
+p14329
+sg8
+S'\n'
+p14330
+sg10
+S'http://www.nga.gov:80/thumb-l/a00007/a00007d7.jpg'
+p14331
+sg12
+g27
+sa(dp14332
+g12
+g27
+sg2
+S'Sampler'
+p14333
+sg4
+S'Raymond Manupelli'
+p14334
+sa(dp14335
+g12
+g27
+sg2
+S'Bible Book Marker'
+p14336
+sg4
+S'Carl Buergerniss'
+p14337
+sa(dp14338
+g12
+g27
+sg2
+S'Handmade Embroidery'
+p14339
+sg4
+S'Edith Magnette'
+p14340
+sa(dp14341
+g12
+g27
+sg2
+S'Embroidery'
+p14342
+sg4
+S'Edith Magnette'
+p14343
+sa(dp14344
+g12
+g27
+sg2
+S'Embroidered Linen Collar'
+p14345
+sg4
+S'Grace Halpin'
+p14346
+sa(dp14347
+g12
+g27
+sg2
+S'Collar'
+p14348
+sg4
+S'Marie Famularo'
+p14349
+sa(dp14350
+g12
+g27
+sg2
+S'Wedding Veil'
+p14351
+sg4
+S'Mary Fitzgerald'
+p14352
+sa(dp14353
+g12
+g27
+sg2
+S'Crewel Wall Hanging'
+p14354
+sg4
+S'Isabelle De Strange'
+p14355
+sa(dp14356
+g12
+g27
+sg2
+S'Fragment of Bed Curtain'
+p14357
+sg4
+S'Florence Earl'
+p14358
+sa(dp14359
+g12
+g27
+sg2
+S'Printed Linen'
+p14360
+sg4
+S'Millia Davenport'
+p14361
+sa(dp14362
+g2
+S'Grey and Silver: Chelsea Wharf'
+p14363
+sg4
+S'James McNeill Whistler'
+p14364
+sg6
+S'oil on canvas'
+p14365
+sg8
+S'c. 1864/1868'
+p14366
+sg10
+S'http://www.nga.gov:80/thumb-l/a0000d/a0000d49.jpg'
+p14367
+sg12
+S'After reworking the National Gallery\'s \n The subtle tonal scheme is composed entirely of muted variations on the complementary colors of blue and orange. Whistler stated, "As music is the poetry of sound, so is painting the poetry of sight." In other words, various musical notes relate to a dominant key, just as various colors relate to a unifying hue in painting.\n In writing a review about another nocturnal landscape, the British art critic John Ruskin accused Whistler of "flinging a pot of paint in the public\'s face." Whistler sued Ruskin for libel in 1878. When a lawyer asked whether two days\' work justified that picture\'s high price, Whistler curtly replied, "No. I ask it for the knowledge of a lifetime." This famous retort established a legal precedent for artists\' acquired experiences. Whistler won the case, but the proceedings left him bankrupt.\n '
+p14368
+sa(dp14369
+g12
+g27
+sg2
+S'Wool Coverlet'
+p14370
+sg4
+S'Edmond W. Brown'
+p14371
+sa(dp14372
+g12
+g27
+sg2
+S'Bedspread'
+p14373
+sg4
+S'Andrew Topolosky'
+p14374
+sa(dp14375
+g12
+g27
+sg2
+S'Shelf Lambrequin'
+p14376
+sg4
+S'Arthur G. Merkley'
+p14377
+sa(dp14378
+g12
+g27
+sg2
+S'Wedding Handkerchief'
+p14379
+sg4
+S'Eleanor Gausser'
+p14380
+sa(dp14381
+g12
+g27
+sg2
+S'Friendship Quilt'
+p14382
+sg4
+S'Isabelle De Strange'
+p14383
+sa(dp14384
+g12
+g27
+sg2
+S'Rug or Wall Hanging'
+p14385
+sg4
+S'Isabelle De Strange'
+p14386
+sa(dp14387
+g12
+g27
+sg2
+S'Printed Cotton (Winter Sports)'
+p14388
+sg4
+S'Pearl Gibbo'
+p14389
+sa(dp14390
+g12
+g27
+sg2
+S'Printed Cotton (Quilt)'
+p14391
+sg4
+S'John Tubrant'
+p14392
+sa(dp14393
+g12
+g27
+sg10
+S'http://www.nga.gov:80/thumb-l/a00058/a0005893.jpg'
+p14394
+sg2
+S'Crewel Embroidery'
+p14395
+sg4
+S'John Oster'
+p14396
+sa(dp14397
+g12
+g27
+sg2
+S'Crewel Bedspread'
+p14398
+sg4
+S'Mary Berner'
+p14399
+sa(dp14400
+g2
+S'Joseph E. Widener'
+p14401
+sg4
+S'Augustus John'
+p14402
+sg6
+S'oil on canvas'
+p14403
+sg8
+S'1921'
+p14404
+sg10
+S'http://www.nga.gov:80/thumb-l/a00010/a0001068.jpg'
+p14405
+sg12
+S"After the death of his father, Peter, in 1915, \n The Welsh artist Augustus Edwin John used an expressionist style that enlivens Joseph Widener's portrait with a flickering, abstracted \n setting.\n "
+p14406
+sa(dp14407
+g12
+g27
+sg2
+S'Bedspread (Details)'
+p14408
+sg4
+S'Mary Berner'
+p14409
+sa(dp14410
+g12
+g27
+sg2
+S'Bedspread'
+p14411
+sg4
+S'Millia Davenport'
+p14412
+sa(dp14413
+g12
+g27
+sg2
+S'Plaid Woolen Blanket'
+p14414
+sg4
+S'Arthur G. Merkley'
+p14415
+sa(dp14416
+g12
+g27
+sg2
+S'Blanket'
+p14417
+sg4
+S'Mary Berner'
+p14418
+sa(dp14419
+g12
+g27
+sg2
+S'Quilted Bedspread'
+p14420
+sg4
+S'Irene Schaefer'
+p14421
+sa(dp14422
+g12
+g27
+sg2
+S'Bedspread'
+p14423
+sg4
+S'Irene Schaefer'
+p14424
+sa(dp14425
+g12
+g27
+sg2
+S'Bedspread'
+p14426
+sg4
+S'Mary Berner'
+p14427
+sa(dp14428
+g12
+g27
+sg2
+S'Bedspread'
+p14429
+sg4
+S'Mary Berner'
+p14430
+sa(dp14431
+g12
+g27
+sg2
+S'Bedspread'
+p14432
+sg4
+S'Mary Berner'
+p14433
+sa(dp14434
+g12
+g27
+sg2
+S"Man's Handkerchief"
+p14435
+sg4
+S'Sylvia De Zon'
+p14436
+sa(dp14437
+g2
+S'Charity'
+p14438
+sg4
+S'Mino da Fiesole'
+p14439
+sg6
+S'marble'
+p14440
+sg8
+S'1475/1480'
+p14441
+sg10
+S'http://www.nga.gov:80/thumb-l/a00039/a00039a9.jpg'
+p14442
+sg12
+S'In the art of the Middle Ages and Renaissance, the Virtues were often personified by human\nfigures carrying identifying attributes. Charity typically holds one or more children. As represented by Mino da Fiesole, a contemporary of Desiderio da Settignano and Antonio Rossellino, \n Set in arched niches, the figures must have been intended as part of a monument combining\narchitecture and sculpture, probably a wall tomb inside a church. The Virtues would represent\nreasons for the deceased person\'s good memory on earth and hopes for Paradise.\n Faith\n '
+p14443
+sa(dp14444
+g2
+S'Peter A. B. Widener'
+p14445
+sg4
+S'John Singer Sargent'
+p14446
+sg6
+S'oil on canvas'
+p14447
+sg8
+S'1902'
+p14448
+sg10
+S'http://www.nga.gov:80/thumb-l/a00002/a0000200.jpg'
+p14449
+sg12
+S'During the Civil War, \n John Singer Sargent, an American artist who was a cosmopolitan celebrity, painted this shadowed, sober portrait of Peter A. B. Widener in London.\n '
+p14450
+sa(dp14451
+g12
+g27
+sg2
+S'Embroidered Coverlet'
+p14452
+sg4
+S'Jules Lefevere'
+p14453
+sa(dp14454
+g12
+g27
+sg2
+S'Stuffed Bureau Cover'
+p14455
+sg4
+S'Irene Schaefer'
+p14456
+sa(dp14457
+g12
+g27
+sg2
+S'Candlewick Coverlet (Woven)'
+p14458
+sg4
+S'Jules Lefevere'
+p14459
+sa(dp14460
+g12
+g27
+sg2
+S'Candlewick Coverlet (Woven)'
+p14461
+sg4
+S'Jules Lefevere'
+p14462
+sa(dp14463
+g12
+g27
+sg2
+S'Crewel Embroidery'
+p14464
+sg4
+S'Fanchon Larzelere'
+p14465
+sa(dp14466
+g12
+g27
+sg2
+S'Crewel Embroidery'
+p14467
+sg4
+S'Fanchon Larzelere'
+p14468
+sa(dp14469
+g12
+g27
+sg2
+S'Crewel Embroidery'
+p14470
+sg4
+S'Fanchon Larzelere'
+p14471
+sa(dp14472
+g12
+g27
+sg2
+S'Crewel Embroidery'
+p14473
+sg4
+S'Fanchon Larzelere'
+p14474
+sa(dp14475
+g12
+g27
+sg2
+S'Embroidered Coverlet'
+p14476
+sg4
+S'Jules Lefevere'
+p14477
+sa(dp14478
+g12
+g27
+sg2
+S'Embroidered Coverlet'
+p14479
+sg4
+S'Mae A. Clarke'
+p14480
+sa(dp14481
+g12
+g27
+sg6
+S'overall: 48.1 x 20 x 22.9 cm (18 15/16 x 7 7/8 x 9 in.)'
+p14482
+sg8
+S'\nbronze'
+p14483
+sg2
+S'Samson Slaying the Philistine'
+p14484
+sg4
+S'German 16th Century'
+p14485
+sa(dp14486
+g12
+g27
+sg2
+S'Embroidered Blanket'
+p14487
+sg4
+S'Dorothy Lacey'
+p14488
+sa(dp14489
+g12
+S"Embroidered rugs were less common than the hooked variety because they had to be made from new materials instead of scraps. This rug of homespun wool was embroidered in bold and untraditional stitchery. Two roosters done in gray, russet, purple, \n and pink are set into a framelike composition surrounded by a border of flowers and leaves. The relationship of round shapes serves to unify the design; notice the round floral forms, the curves of the roosters' breasts and tails, and the rounded \n corners of the rectangle. The design is freely rendered in a symmetrical pattern and bright colors.\n "
+p14490
+sg10
+S'http://www.nga.gov:80/thumb-l/a00003/a00003c6.jpg'
+p14491
+sg2
+S'Embroidered Rug'
+p14492
+sg4
+S'Dorothy Lacey'
+p14493
+sa(dp14494
+g12
+g27
+sg2
+S'Doll'
+p14495
+sg4
+S'Verna Tallman'
+p14496
+sa(dp14497
+g12
+g27
+sg2
+S'Tufted Candlewick Bedspread'
+p14498
+sg4
+S'Catherine Fowler'
+p14499
+sa(dp14500
+g12
+g27
+sg2
+S'Embroidered Blanket'
+p14501
+sg4
+S'Jenny Almgren'
+p14502
+sa(dp14503
+g12
+g27
+sg2
+S'Handkerchief'
+p14504
+sg4
+S'Charlotte Winter'
+p14505
+sa(dp14506
+g12
+g27
+sg2
+S'Mourning Embroidery'
+p14507
+sg4
+S'Harry Jennings'
+p14508
+sa(dp14509
+g12
+g27
+sg2
+S'Crewel Embroidery'
+p14510
+sg4
+S'John Wilkes'
+p14511
+sa(dp14512
+g12
+g27
+sg2
+S'Coverlet (Blanket)'
+p14513
+sg4
+S'Ralph Atkinson'
+p14514
+sa(dp14515
+g12
+g27
+sg2
+S'Beaded Pin Cushion'
+p14516
+sg4
+S'J. Howard Iams'
+p14517
+sa(dp14518
+g12
+g27
+sg6
+S'Italian, active 1496 - 1525/1538'
+p14519
+sg8
+S'(related artist)'
+p14520
+sg2
+S'David'
+p14521
+sg4
+S'Artist Information ('
+p14522
+sa(dp14523
+g12
+g27
+sg2
+S'Crewel Work Wreath'
+p14524
+sg4
+S'Robert Stewart'
+p14525
+sa(dp14526
+g12
+g27
+sg2
+S'Crewel Wreath'
+p14527
+sg4
+S'Genevieve Jordan'
+p14528
+sa(dp14529
+g12
+g27
+sg2
+S'Crewel Wreath'
+p14530
+sg4
+S'Genevieve Jordan'
+p14531
+sa(dp14532
+g12
+g27
+sg2
+S'Handkerchief Case'
+p14533
+sg4
+S'Sarah F. Williams'
+p14534
+sa(dp14535
+g12
+g27
+sg2
+S'Crochet'
+p14536
+sg4
+S'William Parkinson'
+p14537
+sa(dp14538
+g12
+g27
+sg2
+S'Hardanger'
+p14539
+sg4
+S'Wilford H. Shurtliff'
+p14540
+sa(dp14541
+g12
+g27
+sg2
+S'Embroidery'
+p14542
+sg4
+S'Frank J. Mace'
+p14543
+sa(dp14544
+g12
+g27
+sg2
+S'Quilt Block: "Audax et Fides"'
+p14545
+sg4
+S'Florence Truelson'
+p14546
+sa(dp14547
+g12
+g27
+sg2
+S'Quilt Block'
+p14548
+sg4
+S'Florence Truelson'
+p14549
+sa(dp14550
+g12
+g27
+sg2
+S'Crewel embroidery'
+p14551
+sg4
+S'Frank Maurer'
+p14552
+sa(dp14553
+g2
+S'Neptune on a Sea Monster'
+p14554
+sg4
+S'Severo da Ravenna'
+p14555
+sg6
+S'bronze'
+p14556
+sg8
+S'c. 1500/1509'
+p14557
+sg10
+S'http://www.nga.gov:80/thumb-l/a0002d/a0002d96.jpg'
+p14558
+sg12
+S"Severo worked nearly his entire career in Padua, a university city where patrons' appreciation for the classical past fueled demand for small-scale works like this one. It was probably loosely inspired by the Greek myth of Perseus, who rescued the beautiful Andromeda from the rock where she had been chained by a sea monster. Here, it is the god of the sea who has vanquished the sea monster, a few links of the chain by which he had tethered the beast still surviving in his left hand. The reworking of classical themes was a specialty of Severo's, who had probably the largest bronze workshop in Padua. In \n Neptune's carefully modeled, youthful body reveals the sculptor's command of anatomy and celebrates the god's eternal youth. His face, meanwhile, with deeply curling hair and beard, is that of an older man, who is more aware of the burdens of the world; this is a more common representation of the sea god. The head shows Severo's meticulous craftsmanship to advantage, as does the body of the sea monster, whose scales contrast with Neptune's smooth skin, and whose doggish ears and flippered paws show Severo's imaginative fantasy.\n "
+p14559
+sa(dp14560
+g12
+g27
+sg2
+S'Handmade Flowers on Black'
+p14561
+sg4
+S'Frank J. Mace'
+p14562
+sa(dp14563
+g12
+g27
+sg2
+S'Embroidery'
+p14564
+sg4
+S'Frank J. Mace'
+p14565
+sa(dp14566
+g12
+g27
+sg2
+S'Pillow Sham'
+p14567
+sg4
+S'Edna C. Rex'
+p14568
+sa(dp14569
+g12
+g27
+sg2
+S'Needlework'
+p14570
+sg4
+S'Clarence Secor'
+p14571
+sa(dp14572
+g12
+g27
+sg2
+S'Afghan Throw'
+p14573
+sg4
+S'Erwin Stenzel'
+p14574
+sa(dp14575
+g12
+g27
+sg2
+S'Hooked Rug'
+p14576
+sg4
+S'Ruth M. Barnes'
+p14577
+sa(dp14578
+g12
+g27
+sg2
+S'Hooked Rug'
+p14579
+sg4
+S'Ruth M. Barnes'
+p14580
+sa(dp14581
+g12
+g27
+sg2
+S'Hooked Rug'
+p14582
+sg4
+S'Ruth M. Barnes'
+p14583
+sa(dp14584
+g12
+g27
+sg2
+S'Hooked Rug'
+p14585
+sg4
+S'Ruth M. Barnes'
+p14586
+sa(dp14587
+g12
+g27
+sg2
+S'Hooked Rug - Center Design'
+p14588
+sg4
+S'Ruth M. Barnes'
+p14589
+sa(dp14590
+g12
+g27
+sg6
+S'(sculptor)'
+p14591
+sg8
+S'\n'
+p14592
+sg2
+S'Pietro Talani'
+p14593
+sg4
+S'Artist Information ('
+p14594
+sa(dp14595
+g12
+g27
+sg2
+S'Hooked Rug'
+p14596
+sg4
+S'Ruth M. Barnes'
+p14597
+sa(dp14598
+g12
+g27
+sg2
+S'Hooked Rug'
+p14599
+sg4
+S'Ruth M. Barnes'
+p14600
+sa(dp14601
+g12
+g27
+sg2
+S'Hooked Rug'
+p14602
+sg4
+S'Ruth M. Barnes'
+p14603
+sa(dp14604
+g12
+g27
+sg2
+S'Hooked Rug (Section of Border)'
+p14605
+sg4
+S'Ruth M. Barnes'
+p14606
+sa(dp14607
+g12
+g27
+sg2
+S'Hooked Rug'
+p14608
+sg4
+S'James Vail'
+p14609
+sa(dp14610
+g12
+g27
+sg2
+S'Hooked Rug'
+p14611
+sg4
+S'Georgine E. Mason'
+p14612
+sa(dp14613
+g12
+g27
+sg2
+S'Hooked Rug (Detail)'
+p14614
+sg4
+S'Georgine E. Mason'
+p14615
+sa(dp14616
+g12
+g27
+sg2
+S'Octagonal Hooked Rug'
+p14617
+sg4
+S'Beverly Chichester'
+p14618
+sa(dp14619
+g12
+g27
+sg2
+S'Hooked Rug'
+p14620
+sg4
+S'Carl Keksi'
+p14621
+sa(dp14622
+g12
+g27
+sg2
+S'Hooked Rug'
+p14623
+sg4
+S'William P. Shearwood'
+p14624
+sa(dp14625
+g2
+S'A Man in Armor'
+p14626
+sg4
+S'Vincenzo Onofri'
+p14627
+sg6
+S'painted and gilded terracotta'
+p14628
+sg8
+S'c. 1500'
+p14629
+sg10
+S'http://www.nga.gov:80/thumb-l/a00055/a0005581.jpg'
+p14630
+sg12
+g27
+sa(dp14631
+g12
+g27
+sg2
+S'Hooked Rug with Horse'
+p14632
+sg4
+S'Joseph Glover'
+p14633
+sa(dp14634
+g12
+g27
+sg2
+S'Bedspread'
+p14635
+sg4
+S'Michael Trekur'
+p14636
+sa(dp14637
+g12
+g27
+sg2
+S'Hooked Rug'
+p14638
+sg4
+S'Alfonso Umana'
+p14639
+sa(dp14640
+g12
+g27
+sg2
+S'Hooked Rug'
+p14641
+sg4
+S'Lillian M. Mosseller'
+p14642
+sa(dp14643
+g12
+g27
+sg2
+S'Hooked Rug'
+p14644
+sg4
+S'Elizabeth Valentine'
+p14645
+sa(dp14646
+g12
+g27
+sg2
+S'Embroidered Rug'
+p14647
+sg4
+S'Jules Lefevere'
+p14648
+sa(dp14649
+g12
+g27
+sg2
+S'Hooked Rug'
+p14650
+sg4
+S'Jules Lefevere'
+p14651
+sa(dp14652
+g12
+g27
+sg2
+S'Button Rug'
+p14653
+sg4
+S'Jules Lefevere'
+p14654
+sa(dp14655
+g12
+g27
+sg2
+S'Button Rug'
+p14656
+sg4
+S'Jules Lefevere'
+p14657
+sa(dp14658
+g12
+g27
+sg2
+S'Rug'
+p14659
+sg4
+S'Dorothy Kiernan'
+p14660
+sa(dp14661
+g12
+g27
+sg6
+g27
+sg8
+S'(sculptor)'
+p14662
+sg2
+S'Virtue Overcoming Vice'
+p14663
+sg4
+S'Artist Information ('
+p14664
+sa(dp14665
+g12
+g27
+sg2
+S'Hooked Rug'
+p14666
+sg4
+S'Lillian M. Mosseller'
+p14667
+sa(dp14668
+g12
+g27
+sg2
+S'Hooked Rug'
+p14669
+sg4
+S'Lillian M. Mosseller'
+p14670
+sa(dp14671
+g12
+g27
+sg2
+S'Hooked Rug'
+p14672
+sg4
+S'Jules Lefevere'
+p14673
+sa(dp14674
+g12
+g27
+sg2
+S'Hooked Rug'
+p14675
+sg4
+S'Elizabeth Valentine'
+p14676
+sa(dp14677
+g12
+g27
+sg2
+S'Embroidered Rug'
+p14678
+sg4
+S'Dorothy Lacey'
+p14679
+sa(dp14680
+g12
+g27
+sg2
+S'Hooked Rug'
+p14681
+sg4
+S'Henry Granet'
+p14682
+sa(dp14683
+g12
+S'Pennsylvania German housewives produced most of the textiles used in their homes. Hooked rugs were made by taking short pieces of yarn or cloth and pulling them through the mesh of a backing -- usually linen or burlap -- so that the two ends were on one \n side. The loops could then be trimmed to determine the pile of the rug. The technique of hooking rugs lent itself naturally to a variety of colors and designs. Designs were outlined on the backing and filled in with dyed scraps. This hooked rug shows an \n assemblage of stars, horses, birds, trees, circles, and crescents in a gay symmetrical arrangement. The rug is hooked on a burlap base while portions of the design are worked in cross-stitch. The bold colors used are characteristic of the Pennsylvania\n German style.\n '
+p14684
+sg10
+S'http://www.nga.gov:80/thumb-l/a00003/a00003c5.jpg'
+p14685
+sg2
+S'Hooked Rug'
+p14686
+sg4
+S'Charlotte Angus'
+p14687
+sa(dp14688
+g12
+g27
+sg2
+S'Rug'
+p14689
+sg4
+S'Eva Wilson'
+p14690
+sa(dp14691
+g12
+g27
+sg2
+S'Quilted Pieces - Squares'
+p14692
+sg4
+S'American 20th Century'
+p14693
+sa(dp14694
+g12
+g27
+sg2
+S'Quilts - Pieced'
+p14695
+sg4
+S'American 20th Century'
+p14696
+sa(dp14697
+g12
+g27
+sg6
+S'French, 1732 - 1806'
+p14698
+sg8
+S'(artist after)'
+p14699
+sg2
+S'Bacchanal'
+p14700
+sg4
+S'Artist Information ('
+p14701
+sa(dp14702
+g12
+g27
+sg2
+S'Quilt Applique (Stars)'
+p14703
+sg4
+S'American 20th Century'
+p14704
+sa(dp14705
+g12
+g27
+sg2
+S'Applique Quilt'
+p14706
+sg4
+S'Hollmana'
+p14707
+sa(dp14708
+g12
+g27
+sg2
+S'Crazy Quilt'
+p14709
+sg4
+S'Evelyn Bailey'
+p14710
+sa(dp14711
+g12
+g27
+sg2
+S'Crazy Quilt - Patchwork'
+p14712
+sg4
+S'Bertha Semple'
+p14713
+sa(dp14714
+g12
+g27
+sg2
+S'Patchwork Pattern'
+p14715
+sg4
+S'Evelyn Bailey'
+p14716
+sa(dp14717
+g12
+g27
+sg2
+S'Patchwork Quilt and Detail'
+p14718
+sg4
+S'Ellen Duncan'
+p14719
+sa(dp14720
+g12
+g27
+sg2
+S'Patchwork Quilt'
+p14721
+sg4
+S'Rose Campbell-Gerke'
+p14722
+sa(dp14723
+g12
+g27
+sg2
+S'Applique Bedspread'
+p14724
+sg4
+S'Rose Campbell-Gerke'
+p14725
+sa(dp14726
+g12
+g27
+sg2
+S'Quilt - Tulip Design'
+p14727
+sg4
+S'Ethel Dougan'
+p14728
+sa(dp14729
+g12
+g27
+sg2
+S'Patchwork Quilt - Top'
+p14730
+sg4
+S'Bertha Semple'
+p14731
+sa(dp14732
+g2
+S'Faun Family'
+p14733
+sg4
+S'Clodion'
+p14734
+sg6
+S'terracotta'
+p14735
+sg8
+S'c. 1785'
+p14736
+sg10
+S'http://www.nga.gov:80/thumb-l/a0002c/a0002c03.jpg'
+p14737
+sg12
+g27
+sa(dp14738
+g12
+g27
+sg2
+S'Pieced Bed Cover'
+p14739
+sg4
+S'Ethel Dougan'
+p14740
+sa(dp14741
+g12
+g27
+sg2
+S'Applique Quilt (Friendship Quilt)'
+p14742
+sg4
+S'Verna Tallman'
+p14743
+sa(dp14744
+g12
+g27
+sg2
+S'Quilts, Pieced'
+p14745
+sg4
+S'Florence Hastings'
+p14746
+sa(dp14747
+g12
+g27
+sg2
+S'Pieced Quilt (1 Square)'
+p14748
+sg4
+S'William Herbert'
+p14749
+sa(dp14750
+g12
+g27
+sg2
+S'Pieced Autograph Quilt (1 Square)'
+p14751
+sg4
+S'Artist Information ('
+p14752
+sa(dp14753
+g12
+g27
+sg2
+S'Pieced Autograph Quilt (1 Square)'
+p14754
+sg4
+S'Artist Information ('
+p14755
+sa(dp14756
+g12
+g27
+sg2
+S'Pieced Autograph Quilt (1 Piece)'
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+sg4
+S'Artist Information ('
+p14758
+sa(dp14759
+g12
+g27
+sg2
+S'Pieced Autograph Quilt (1 Piece)'
+p14760
+sg4
+S'Artist Information ('
+p14761
+sa(dp14762
+g12
+g27
+sg2
+S'Pieced Autograph Quilt (1 Square)'
+p14763
+sg4
+S'Artist Information ('
+p14764
+sa(dp14765
+g12
+g27
+sg2
+S'Pieced Autograph Quilt (1 Piece)'
+p14766
+sg4
+S'Artist Information ('
+p14767
+sa(dp14768
+g12
+g27
+sg6
+S'bronze'
+p14769
+sg8
+S'1686'
+p14770
+sg2
+S'Louis II de Bourbon, Prince de Cond\xc3\xa9'
+p14771
+sg4
+S'Antoine Coysevox'
+p14772
+sa(dp14773
+g12
+g27
+sg2
+S'Pieced Autograph Quilt (1 Piece)'
+p14774
+sg4
+S'Artist Information ('
+p14775
+sa(dp14776
+g12
+g27
+sg2
+S'Pieced Autograph Quilt (1 Piece)'
+p14777
+sg4
+S'Artist Information ('
+p14778
+sa(dp14779
+g12
+g27
+sg2
+S'Pieced Autograph Quilt (1 Piece)'
+p14780
+sg4
+S'Artist Information ('
+p14781
+sa(dp14782
+g12
+g27
+sg2
+S'Pieced Autograph Quilt (1 Piece)'
+p14783
+sg4
+S'Artist Information ('
+p14784
+sa(dp14785
+g12
+g27
+sg2
+S'Pieced Autograph Quilt (1 Piece)'
+p14786
+sg4
+S'Artist Information ('
+p14787
+sa(dp14788
+g12
+g27
+sg2
+S'Pieced Autograph Quilt (1 Piece)'
+p14789
+sg4
+S'Artist Information ('
+p14790
+sa(dp14791
+g12
+g27
+sg2
+S'Pieced Autograph Quilt (1 Square)'
+p14792
+sg4
+S'Artist Information ('
+p14793
+sa(dp14794
+g12
+g27
+sg2
+S'Pieced Autograph Quilt (1 Piece)'
+p14795
+sg4
+S'Artist Information ('
+p14796
+sa(dp14797
+g12
+g27
+sg2
+S'Pieced Autograph Quilt (1 Piece)'
+p14798
+sg4
+S'Artist Information ('
+p14799
+sa(dp14800
+g12
+g27
+sg2
+S'Pieced Autograph Quilt (1 Piece)'
+p14801
+sg4
+S'Artist Information ('
+p14802
+sa(dp14803
+g2
+S'Faith'
+p14804
+sg4
+S'Mino da Fiesole'
+p14805
+sg6
+S'marble'
+p14806
+sg8
+S'1475/1480'
+p14807
+sg10
+S'http://www.nga.gov:80/thumb-l/a00037/a00037c3.jpg'
+p14808
+sg12
+S"In the art of the Middle Ages and Renaissance, the Virtues were often personified by human\nfigures carrying identifying attributes. Faith in this case had a chalice and a cross, now broken. As represented by Mino da Fiesole, a contemporary of Desiderio da Settignano and Antonio Rossellino, \n Set in arched niches, the figures must have been intended as part of a monument combining\narchitecture and sculpture, probably a wall tomb inside a church. The Virtues would represent\nreasons for the deceased person's good memory on earth and hopes for Paradise.\n Faith\n "
+p14809
+sa(dp14810
+g2
+S'The Descent from the Cross'
+p14811
+sg4
+S'Vincenzo Danti'
+p14812
+sg6
+S'bronze'
+p14813
+sg8
+S'c. 1560'
+p14814
+sg10
+S'http://www.nga.gov:80/thumb-l/a0002d/a0002d76.jpg'
+p14815
+sg12
+S"As Christ's body is lowered from the cross, mourners support the Virgin, near collapse under the weight of grief. Viewers are meant to feel the same harrowing sadness, and Danti uses the high relief of the foreground figures to intensify this response. Nearly in the round, their awkward, off-balance poses are accentuated to convey in a physical way the wrenching force of emotion.\n By contrast, the two thieves crucified with Christ nearly merge into the background, the crosses only incised on the surface. It is easy to understand these lines as drawn through the soft wax model from which the bronze was cast. The minimal chasing and polishing that was done after casting leave the pliant textures and immediacy of the modeled wax. In this regard, the \n Christ's body has the elongated, elegant proportions of mannerist works—a style that emphasized self-conscious artifice over naturalistic depiction. Mannerism, sometimes viewed as a reaction to the clarity and unity of the High Renaissance, can also be seen as a natural extension of it, for example in the emphatic modeling of Michelangelo, whom Danti himself cited as his greatest influence.\n "
+p14816
+sa(dp14817
+g12
+g27
+sg2
+S'Pieced Autograph Quilt (1 Piece)'
+p14818
+sg4
+S'Artist Information ('
+p14819
+sa(dp14820
+g12
+g27
+sg2
+S'Pieced Autograph Quilt (1 Piece)'
+p14821
+sg4
+S'Artist Information ('
+p14822
+sa(dp14823
+g12
+g27
+sg2
+S'Pieced Autograph Quilt (1 Piece)'
+p14824
+sg4
+S'Artist Information ('
+p14825
+sa(dp14826
+g12
+g27
+sg2
+S'Pieced Autograph Quilt (1 Piece)'
+p14827
+sg4
+S'Artist Information ('
+p14828
+sa(dp14829
+g12
+g27
+sg2
+S'Pieced Autograph Quilt (1 Piece)'
+p14830
+sg4
+S'Artist Information ('
+p14831
+sa(dp14832
+g12
+g27
+sg2
+S'Pieced Autograph Quilt (1 Piece)'
+p14833
+sg4
+S'Artist Information ('
+p14834
+sa(dp14835
+g12
+g27
+sg2
+S'Pieced Autograph Quilt (1 Piece)'
+p14836
+sg4
+S'Artist Information ('
+p14837
+sa(dp14838
+g12
+g27
+sg2
+S'Pieced Autograph Quilt (1 Piece)'
+p14839
+sg4
+S'Artist Information ('
+p14840
+sa(dp14841
+g12
+g27
+sg2
+S'Pieced Autograph Quilt (1 Piece)'
+p14842
+sg4
+S'Artist Information ('
+p14843
+sa(dp14844
+g12
+g27
+sg2
+S'Coverlet (Applique) Quilt'
+p14845
+sg4
+S'Ruth M. Barnes'
+p14846
+sa(dp14847
+g12
+g27
+sg6
+S', 1450/1475, with later alterations'
+p14848
+sg8
+S'\n'
+p14849
+sg2
+S'A Young Lady'
+p14850
+sg4
+S'Florentine 15th Century'
+p14851
+sa(dp14852
+g12
+g27
+sg2
+S'Coverlet (Applique Quilt)'
+p14853
+sg4
+S'Ruth M. Barnes'
+p14854
+sa(dp14855
+g12
+g27
+sg2
+S'Coverlet (Applique Quilt)'
+p14856
+sg4
+S'Ruth M. Barnes'
+p14857
+sa(dp14858
+g12
+g27
+sg2
+S'Quilt'
+p14859
+sg4
+S'Ruth M. Barnes'
+p14860
+sa(dp14861
+g12
+g27
+sg2
+S'Quilt'
+p14862
+sg4
+S'Ruth M. Barnes'
+p14863
+sa(dp14864
+g12
+g27
+sg2
+S'Applique Quilt'
+p14865
+sg4
+S'Ruth M. Barnes'
+p14866
+sa(dp14867
+g12
+g27
+sg2
+S'Applique Quilt'
+p14868
+sg4
+S'Ruth Buker'
+p14869
+sa(dp14870
+g12
+g27
+sg2
+S'Applique Quilt'
+p14871
+sg4
+S'Ruth Buker'
+p14872
+sa(dp14873
+g12
+g27
+sg2
+S'Quilt (Section)'
+p14874
+sg4
+S'Ruth M. Barnes'
+p14875
+sa(dp14876
+g12
+g27
+sg2
+S'Quilt (1 Section)'
+p14877
+sg4
+S'Ruth M. Barnes'
+p14878
+sa(dp14879
+g12
+g27
+sg2
+S'Quilt (1 Section)'
+p14880
+sg4
+S'Ruth M. Barnes'
+p14881
+sa(dp14882
+g2
+S'Saint Jerome in the Desert'
+p14883
+sg4
+S'Desiderio da Settignano'
+p14884
+sg6
+S'marble'
+p14885
+sg8
+S'c. 1461'
+p14886
+sg10
+S'http://www.nga.gov:80/thumb-l/a00005/a00005e7.jpg'
+p14887
+sg12
+S'Desiderio da Settignano, born in a small village in the hills above Florence, numbers among\nthe most brilliant marble sculptors of the Renaissance. His mastery of relief sculpture is apparent\nin this pictorially rich image, with its complicated space in which figures move in different\nplanes, all suggested by the subtlest manipulations of the marble surface.\n Clearly Desiderio had learned much from the low-relief techniques of Donatello. The\nsculptor invented a rocky, wilderness landscape with a cloud-streaked sky and tall, pointed\ncypress trees receding into the distance among the cliffs. In the foreground, Saint Jerome kneels\nin penitential prayer before a crucifix. He wears only a few crumpled wisps of drapery, and his\ngaunt face tells of fervent, ascetic devotion. On the right, in particularly fine low relief,\nsuggesting he is some distance in the background, a terrified boy flees from the lions that emerge\nfrom the rocks on the left behind the cross.\n According to legend, Jerome tamed a lion by removing a thorn from its paw, and the lion\ntherefore often appears as his attribute in art. The lions here, clearly no threat to the saint, suggest\nhis harmonious relationship with nature, achieved through solitary meditation, prayer, and\npenance.\n '
+p14888
+sa(dp14889
+g12
+g27
+sg2
+S'Quilted Coverlet'
+p14890
+sg4
+S'Ruth M. Barnes'
+p14891
+sa(dp14892
+g12
+g27
+sg2
+S'Quilt Block'
+p14893
+sg4
+S'Ruth M. Barnes'
+p14894
+sa(dp14895
+g12
+g27
+sg2
+S'Quilt Section'
+p14896
+sg4
+S'Cornelius Christoffels'
+p14897
+sa(dp14898
+g12
+g27
+sg2
+S'Quilt Section'
+p14899
+sg4
+S'Artist Information ('
+p14900
+sa(dp14901
+g12
+g27
+sg2
+S'Quilt Section'
+p14902
+sg4
+S'Artist Information ('
+p14903
+sa(dp14904
+g12
+g27
+sg2
+S'Quilt - "Double Star"'
+p14905
+sg4
+S'Edith Towner'
+p14906
+sa(dp14907
+g12
+g27
+sg2
+S'Applique Quilt'
+p14908
+sg4
+S'Margaret Linsley'
+p14909
+sa(dp14910
+g12
+g27
+sg2
+S'Autographed Quilt'
+p14911
+sg4
+S'Margaret Linsley'
+p14912
+sa(dp14913
+g12
+g27
+sg2
+S'Quilt - Appliqued in Bellflower Design'
+p14914
+sg4
+S'Margaret Linsley'
+p14915
+sa(dp14916
+g12
+g27
+sg2
+S'Quilt - Appliqued in Bellflower Design'
+p14917
+sg4
+S'Margaret Linsley'
+p14918
+sa(dp14919
+g12
+g27
+sg6
+S', c. 1640/1650'
+p14920
+sg8
+S'\n'
+p14921
+sg2
+S'Cupid (?)'
+p14922
+sg4
+S'Lucas Faydherbe'
+p14923
+sa(dp14924
+g12
+g27
+sg2
+S'Quilt (Corner Section)'
+p14925
+sg4
+S'Cornelius Christoffels'
+p14926
+sa(dp14927
+g12
+g27
+sg2
+S'Quilt - "Eastern Star"'
+p14928
+sg4
+S'Margaret Linsley'
+p14929
+sa(dp14930
+g12
+g27
+sg2
+S'Crazy Quilt (Detail)'
+p14931
+sg4
+S'Edith Towner'
+p14932
+sa(dp14933
+g12
+g27
+sg2
+S'Crazy Quilt'
+p14934
+sg4
+S'Ruth M. Barnes'
+p14935
+sa(dp14936
+g12
+g27
+sg2
+S'Crazy Quilt Detail'
+p14937
+sg4
+S'Ruth M. Barnes'
+p14938
+sa(dp14939
+g12
+g27
+sg2
+S'Crazy Quilt (Detail)'
+p14940
+sg4
+S'Ruth M. Barnes'
+p14941
+sa(dp14942
+g12
+g27
+sg2
+S'Crazy Quilt (Section)'
+p14943
+sg4
+S'Ruth M. Barnes'
+p14944
+sa(dp14945
+g12
+g27
+sg2
+S'Block from Bedspread'
+p14946
+sg4
+S'Ruth M. Barnes'
+p14947
+sa(dp14948
+g12
+g27
+sg2
+S'Block from Bedspread'
+p14949
+sg4
+S'Ruth M. Barnes'
+p14950
+sa(dp14951
+g12
+g27
+sg2
+S'Log Cabin Quilt'
+p14952
+sg4
+S'Ruth M. Barnes'
+p14953
+sa(dp14954
+g2
+S'The David of the Casa Martelli'
+p14955
+sg4
+S'Artist Information ('
+p14956
+sg6
+S'(sculptor)'
+p14957
+sg8
+S'\n'
+p14958
+sg10
+S'http://www.nga.gov:80/thumb-l/a00005/a00005ed.jpg'
+p14959
+sg12
+S"\r\n Confidently focusing his attention upward, David stands triumphant with his chin high, hand on hip, and a foot on the severed head of Goliath. In his right hand, his sling is already reloaded, poised for battle should any Philistines dare return. Powerful in spirit and mind but not physically intimidating, the shepherd boy David was often used as a symbol in fifteenth-century Florence. Tucked into the hills of Tuscany, this small republic built its prosperity upon a textile industry and financial astuteness. As it grew in political importance, it became intent upon governing itself. Nearly every major Florentine sculptor, in response to the high demand from patrons, put his tools to a David triumphing over Goliath.\r\n \n \r\n This David, which once stood in the courtyard of the palace of the Martelli family in Florence, appears in Agnolo Bronzino's painting \n "
+p14960
+sa(dp14961
+g12
+g27
+sg2
+S'Crazy Quilt Detail'
+p14962
+sg4
+S'Edith Towner'
+p14963
+sa(dp14964
+g12
+g27
+sg2
+S'Patchwork Quilt (Section)'
+p14965
+sg4
+S'Edith Towner'
+p14966
+sa(dp14967
+g12
+g27
+sg2
+S'Patchwork Quilt (Section)'
+p14968
+sg4
+S'Edith Towner'
+p14969
+sa(dp14970
+g12
+g27
+sg2
+S'Hand Made Quilt'
+p14971
+sg4
+S'Florence Hastings'
+p14972
+sa(dp14973
+g12
+g27
+sg2
+S'Quilt'
+p14974
+sg4
+S'George E. Rhone'
+p14975
+sa(dp14976
+g12
+g27
+sg2
+S'Appliqued Coverlet - Tree Design'
+p14977
+sg4
+S'Ernest A. Towers, Jr.'
+p14978
+sa(dp14979
+g12
+g27
+sg2
+S'Applique Coverlet'
+p14980
+sg4
+S'John R. Towers'
+p14981
+sa(dp14982
+g12
+g27
+sg2
+S'Coverlet for Crib'
+p14983
+sg4
+S'Artist Information ('
+p14984
+sa(dp14985
+g12
+g27
+sg2
+S'Mision Santa Margarita'
+p14986
+sg4
+S'James Jones'
+p14987
+sa(dp14988
+g12
+g27
+sg2
+S'Patchwork Quilt'
+p14989
+sg4
+S'Mabel Ritter'
+p14990
+sa(dp14991
+g12
+g27
+sg6
+S'marble'
+p14992
+sg8
+S'unknown date\n'
+p14993
+sg2
+S'The Punishment of Cupid'
+p14994
+sg4
+S'Etienne-Maurice Falconet'
+p14995
+sa(dp14996
+g12
+g27
+sg2
+S'Pieced Quilt'
+p14997
+sg4
+S'Maud M. Holme'
+p14998
+sa(dp14999
+g12
+g27
+sg2
+S'Quilted and Pieced Coverlet'
+p15000
+sg4
+S'Cora Parker'
+p15001
+sa(dp15002
+g12
+g27
+sg2
+S'Quilt - Log Cabin Pattern'
+p15003
+sg4
+S'Magnus S. Fossum'
+p15004
+sa(dp15005
+g12
+g27
+sg2
+S'Quilt'
+p15006
+sg4
+S'Magnus S. Fossum'
+p15007
+sa(dp15008
+g12
+g27
+sg2
+S'Pieced and Quilted Coverlet'
+p15009
+sg4
+S'Maud M. Holme'
+p15010
+sa(dp15011
+g12
+g27
+sg2
+S'Pieced and Quilted Coverlet'
+p15012
+sg4
+S'Maud M. Holme'
+p15013
+sa(dp15014
+g12
+g27
+sg2
+S'Silk Couch Cover'
+p15015
+sg4
+S'Carmel Wilson'
+p15016
+sa(dp15017
+g12
+g27
+sg2
+S'Velvet Pieced Quilt'
+p15018
+sg4
+S'Cora Parker'
+p15019
+sa(dp15020
+g12
+g27
+sg2
+S'Crib Quilt'
+p15021
+sg4
+S'Cora Parker'
+p15022
+sa(dp15023
+g12
+g27
+sg2
+S'Applique and Quilted Coverlet'
+p15024
+sg4
+S'Manuel G. Runyan'
+p15025
+sa(dp15026
+g2
+S'Mercury'
+p15027
+sg4
+S'Venetian 16th Century'
+p15028
+sg6
+S'overall: 20.4 x 29.4 cm (8 1/16 x 11 9/16 in.)'
+p15029
+sg8
+S'\nbronze'
+p15030
+sg10
+S'http://www.nga.gov:80/thumb-l/a0005f/a0005f0f.jpg'
+p15031
+sg12
+g27
+sa(dp15032
+g12
+g27
+sg2
+S'Applique and Quilted Coverlet'
+p15033
+sg4
+S'Manuel G. Runyan'
+p15034
+sa(dp15035
+g12
+g27
+sg2
+S'Double Star Patchwork Quilt'
+p15036
+sg4
+S'Maud M. Holme'
+p15037
+sa(dp15038
+g12
+g27
+sg2
+S'Quilt'
+p15039
+sg4
+S'Artist Information ('
+p15040
+sa(dp15041
+g12
+g27
+sg2
+S'Quilt - Tulip Pattern'
+p15042
+sg4
+S'Fred Hassebrock'
+p15043
+sa(dp15044
+g12
+g27
+sg2
+S'Star and Flag Design Quilt'
+p15045
+sg4
+S'Fred Hassebrock'
+p15046
+sa(dp15047
+g12
+g27
+sg2
+S'Quilt - Top Star and Flag Design'
+p15048
+sg4
+S'Fred Hassebrock'
+p15049
+sa(dp15050
+g12
+g27
+sg2
+S'Quilt'
+p15051
+sg4
+S'James Vail'
+p15052
+sa(dp15053
+g12
+g27
+sg2
+S'Quilt Swatches'
+p15054
+sg4
+S'John Osbold'
+p15055
+sa(dp15056
+g12
+g27
+sg2
+S'Patchwork Quilt'
+p15057
+sg4
+S'Elbert S. Mowery'
+p15058
+sa(dp15059
+g12
+g27
+sg2
+S'Patchwork Quilt - "Evening Star"'
+p15060
+sg4
+S'Lon Cronk'
+p15061
+sa(dp15062
+g12
+g27
+sg6
+S'bronze'
+p15063
+sg8
+S'16th century'
+p15064
+sg2
+S'Brunaccino Rinaldi'
+p15065
+sg4
+S'Florentine 16th Century'
+p15066
+sa(dp15067
+g12
+g27
+sg2
+S'Patchwork or Pieced Quilt'
+p15068
+sg4
+S'Elbert S. Mowery'
+p15069
+sa(dp15070
+g12
+g27
+sg2
+S'Patchwork Quilt'
+p15071
+sg4
+S'George V. Vezolles'
+p15072
+sa(dp15073
+g12
+g27
+sg2
+S'Quilt (detail) - "Honeycomb Pattern"'
+p15074
+sg4
+S'Mrs. Goodwin'
+p15075
+sa(dp15076
+g12
+g27
+sg2
+S'Patchwork Quilt'
+p15077
+sg4
+S'Elbert S. Mowery'
+p15078
+sa(dp15079
+g12
+g27
+sg2
+S'Patchwork Quilt'
+p15080
+sg4
+S'Alois E. Ulrich'
+p15081
+sa(dp15082
+g12
+g27
+sg2
+S'Log Cabin Quilt'
+p15083
+sg4
+S'Ada Barnes'
+p15084
+sa(dp15085
+g12
+g27
+sg2
+S'Silk Quilt'
+p15086
+sg4
+S'Elbert S. Mowery'
+p15087
+sa(dp15088
+g12
+g27
+sg2
+S'Shaker Patchwork Quilt'
+p15089
+sg4
+S'Elbert S. Mowery'
+p15090
+sa(dp15091
+g12
+g27
+sg2
+S'Quilt Block'
+p15092
+sg4
+S'Ada Barnes'
+p15093
+sa(dp15094
+g12
+g27
+sg2
+S'Patchwork Quilt Squares (4)'
+p15095
+sg4
+S'Ralph N. Morgan'
+p15096
+sa(dp15097
+g2
+S'Hercules and Antaeus'
+p15098
+sg4
+S'Paduan 16th Century'
+p15099
+sg6
+S'overall: 38 x 12 x 26.5 cm (14 15/16 x 4 3/4 x 10 7/16 in.)'
+p15100
+sg8
+S'\nbronze'
+p15101
+sg10
+S'http://www.nga.gov:80/thumb-l/a0002a/a0002af4.jpg'
+p15102
+sg12
+g27
+sa(dp15103
+g12
+g27
+sg2
+S'Quilt Pattern Square'
+p15104
+sg4
+S'Ralph N. Morgan'
+p15105
+sa(dp15106
+g12
+g27
+sg2
+S'Shaker Quilt Pattern'
+p15107
+sg4
+S'Ralph N. Morgan'
+p15108
+sa(dp15109
+g12
+g27
+sg2
+S'Quilt'
+p15110
+sg4
+S'Ralph N. Morgan'
+p15111
+sa(dp15112
+g12
+g27
+sg2
+S'Quilt Pattern'
+p15113
+sg4
+S'Alois E. Ulrich'
+p15114
+sa(dp15115
+g12
+g27
+sg2
+S'Silk Quilt (Hexagonal Pattern)'
+p15116
+sg4
+S'Ralph N. Morgan'
+p15117
+sa(dp15118
+g12
+g27
+sg2
+S'Quilt Pattern'
+p15119
+sg4
+S'Ralph N. Morgan'
+p15120
+sa(dp15121
+g12
+g27
+sg2
+S'Quilt Pattern'
+p15122
+sg4
+S'Ralph N. Morgan'
+p15123
+sa(dp15124
+g12
+g27
+sg2
+S'Quilt Square'
+p15125
+sg4
+S'Baye M. Yancey'
+p15126
+sa(dp15127
+g12
+g27
+sg2
+S'Patchwork Quilt Pattern'
+p15128
+sg4
+S'T. Joyce'
+p15129
+sa(dp15130
+g12
+g27
+sg2
+S'Applique Quilt'
+p15131
+sg4
+S'Mildred E. Bent'
+p15132
+sa(dp15133
+g12
+g27
+sg6
+S'overall: 23.1 x 11.1 x 10.8 cm (9 1/8 x 4 3/8 x 4 1/4 in.)'
+p15134
+sg8
+S'\nbronze'
+p15135
+sg2
+S'A Dancing Faun'
+p15136
+sg4
+S'German 17th Century'
+p15137
+sa(dp15138
+g12
+g27
+sg2
+S'Quilt Applique'
+p15139
+sg4
+S'Mildred E. Bent'
+p15140
+sa(dp15141
+g12
+g27
+sg2
+S'Quilt Blocks - Applique Star'
+p15142
+sg4
+S'American 20th Century'
+p15143
+sa(dp15144
+g12
+g27
+sg2
+S'Quilt'
+p15145
+sg4
+S'Lillian Causey'
+p15146
+sa(dp15147
+g12
+g27
+sg2
+S'Applique Quilt'
+p15148
+sg4
+S'Madeline Arnold'
+p15149
+sa(dp15150
+g12
+g27
+sg2
+S'Quilt'
+p15151
+sg4
+S'William High'
+p15152
+sa(dp15153
+g12
+g27
+sg2
+S'Quilt'
+p15154
+sg4
+S'Lillian Causey'
+p15155
+sa(dp15156
+g12
+g27
+sg2
+S'Quilt'
+p15157
+sg4
+S'Lillian Causey'
+p15158
+sa(dp15159
+g12
+g27
+sg2
+S'Quilt, applique'
+p15160
+sg4
+S'Lillian Causey'
+p15161
+sa(dp15162
+g12
+S'Pieced and appliqué quilts of the nineteenth century were often made from separate\n blocks sewn together and quilted by women at a gathering called a quilting bee.\n This was usually a festive occasion for the entire community. The technique of making\n quilt tops in individual squares led to the development of a special kind of quilt, known\n variously as signature, autograph, album, friendship, or presentation quilts, made for a\n special friend or event. These quilts, popular during the 1840s and 1850s, were made\n from blocks donated by friends, who would gather at an "album party" to piece together\n and quilt the individual squares. As in this doll\'s bed quilt, probably made by a group of\n young people, each contributor appliquéed a design on her own square. The appliqué\n designs were often embellished by the contributor\'s signature in ink or embroidery,\n hence the term "signature quilt." Album quilts are characterized by their varied designs;\n here floral motifs are combined with animals, birds, and even a horse and rider.\n Unity depends upon compatibility of scale and harmony of color as well as upon\n orderly arrangement. In this example, the most complex designs have been placed\n in a row across the middle of the quilt; the simpler designs are at top and bottom.\n The calico neatly frames the blocks and creates a lively contrast of pattern against\n solid colors. Album quilts such as this one are records of cooperative efforts to honor\n a recipient or to commemorate an occasion; in their workmanship, patterns, and\n cultural significance, they are among the most interesting of American quilts.\n '
+p15163
+sg10
+S'http://www.nga.gov:80/thumb-l/a00002/a00002bf.jpg'
+p15164
+sg2
+S'Doll Bed Applique Patchwork Quilt'
+p15165
+sg4
+S'Beverly Chichester'
+p15166
+sa(dp15167
+g12
+g27
+sg2
+S'Bedspread'
+p15168
+sg4
+S'Floyd R. Sharp'
+p15169
+sa(dp15170
+g2
+S'A Princess of the House of Aragon'
+p15171
+sg4
+S'Francesco Laurana'
+p15172
+sg6
+S'marble'
+p15173
+sg8
+S'c. 1475'
+p15174
+sg10
+S'http://www.nga.gov:80/thumb-l/a0002c/a0002c38.jpg'
+p15175
+sg12
+g27
+sa(dp15176
+g2
+S'Hercules Carrying the Erymanthian Boar'
+p15177
+sg4
+S'Artist Information ('
+p15178
+sg6
+S'Flemish, 1529 - 1608'
+p15179
+sg8
+S'(artist after)'
+p15180
+sg10
+S'http://www.nga.gov:80/thumb-l/a0002d/a0002d9e.jpg'
+p15181
+sg12
+g27
+sa(dp15182
+g12
+g27
+sg2
+S'Log Cabin Quilt'
+p15183
+sg4
+S'Floyd R. Sharp'
+p15184
+sa(dp15185
+g12
+g27
+sg2
+S'Friendship Quilt'
+p15186
+sg4
+S'Carl Keksi'
+p15187
+sa(dp15188
+g12
+g27
+sg2
+S'Cotton Quilt - Tulip Design'
+p15189
+sg4
+S'Frank Gutting'
+p15190
+sa(dp15191
+g12
+g27
+sg2
+S'Quilt'
+p15192
+sg4
+S'Ralph M. Lewis'
+p15193
+sa(dp15194
+g12
+g27
+sg2
+S'Quilt'
+p15195
+sg4
+S'Francis Law Durand'
+p15196
+sa(dp15197
+g12
+g27
+sg2
+S'Quilt'
+p15198
+sg4
+S'Francis Law Durand'
+p15199
+sa(dp15200
+g12
+g27
+sg2
+S'Pieced Quilt'
+p15201
+sg4
+S'Francis Law Durand'
+p15202
+sa(dp15203
+g12
+g27
+sg2
+S"Infant's Quilt (Bed Covering)"
+p15204
+sg4
+S'Francis Law Durand'
+p15205
+sa(dp15206
+g12
+g27
+sg2
+S'Silk Patchwork for Pillow'
+p15207
+sg4
+S'Edith Magnette'
+p15208
+sa(dp15209
+g12
+g27
+sg2
+S'Quilt'
+p15210
+sg4
+S'Grace Halpin'
+p15211
+sa(dp15212
+g12
+g27
+sg6
+g27
+sg8
+S'(sculptor)'
+p15213
+sg2
+S'Rearing Horse'
+p15214
+sg4
+S'Artist Information ('
+p15215
+sa(dp15216
+g12
+g27
+sg2
+S'Quilt - Oak Leaf'
+p15217
+sg4
+S'Paul Ward'
+p15218
+sa(dp15219
+g12
+g27
+sg2
+S'Quilt (Bed Covering)'
+p15220
+sg4
+S'Francis Law Durand'
+p15221
+sa(dp15222
+g12
+g27
+sg2
+S'Quilt (Bed Coverlet)'
+p15223
+sg4
+S'Francis Law Durand'
+p15224
+sa(dp15225
+g12
+g27
+sg2
+S'Patchwork Quilt'
+p15226
+sg4
+S'Paul Ward'
+p15227
+sa(dp15228
+g12
+g27
+sg2
+S'Patchwork for Quilting'
+p15229
+sg4
+S'Edith Magnette'
+p15230
+sa(dp15231
+g12
+g27
+sg2
+S'Quilt'
+p15232
+sg4
+S'Frank Nelson'
+p15233
+sa(dp15234
+g12
+g27
+sg2
+S'Quilt - "Rising Sun"'
+p15235
+sg4
+S'Maud Schmid'
+p15236
+sa(dp15237
+g12
+g27
+sg2
+S'Woven Wool Coverlet'
+p15238
+sg4
+S'William P. Shearwood'
+p15239
+sa(dp15240
+g12
+g27
+sg2
+S'Quilt'
+p15241
+sg4
+S'Gladys Phillips'
+p15242
+sa(dp15243
+g12
+g27
+sg2
+S'Quilt'
+p15244
+sg4
+S'William P. Shearwood'
+p15245
+sa(dp15246
+g2
+S'Alexandre Brongniart'
+p15247
+sg4
+S'Jean-Antoine Houdon'
+p15248
+sg6
+S'marble'
+p15249
+sg8
+S'1777'
+p15250
+sg10
+S'http://www.nga.gov:80/thumb-l/a0002c/a0002c35.jpg'
+p15251
+sg12
+g27
+sa(dp15252
+g12
+g27
+sg2
+S'Bedspread'
+p15253
+sg4
+S'Isabelle De Strange'
+p15254
+sa(dp15255
+g12
+g27
+sg2
+S'Patchwork Quilt'
+p15256
+sg4
+S'Gladys Phillips'
+p15257
+sa(dp15258
+g12
+g27
+sg2
+S'Patchwork Quilt'
+p15259
+sg4
+S'Genevieve Sherlock'
+p15260
+sa(dp15261
+g12
+g27
+sg2
+S'Wedding Dress'
+p15262
+sg4
+S'Bessie Forman'
+p15263
+sa(dp15264
+g12
+g27
+sg2
+S'Bedspread'
+p15265
+sg4
+S'Alfonso Umana'
+p15266
+sa(dp15267
+g12
+g27
+sg2
+S'Patchwork Quilt'
+p15268
+sg4
+S'Charlotte Winter'
+p15269
+sa(dp15270
+g12
+g27
+sg2
+S'Bedspread (Detail of Center)'
+p15271
+sg4
+S'Charlotte Winter'
+p15272
+sa(dp15273
+g12
+g27
+sg2
+S'Patchwork and Applique Quilt'
+p15274
+sg4
+S'Mary Berner'
+p15275
+sa(dp15276
+g12
+g27
+sg2
+S'Bedspread'
+p15277
+sg4
+S'Henry Granet'
+p15278
+sa(dp15279
+g12
+g27
+sg2
+S'Patchwork Quilt'
+p15280
+sg4
+S'Irene Schaefer'
+p15281
+sa(dp15282
+g2
+S'Louise Brongniart'
+p15283
+sg4
+S'Jean-Antoine Houdon'
+p15284
+sg6
+S'marble'
+p15285
+sg8
+S'1777'
+p15286
+sg10
+S'http://www.nga.gov:80/thumb-l/a0002c/a0002c36.jpg'
+p15287
+sg12
+g27
+sa(dp15288
+g12
+g27
+sg2
+S'Patchwork Quilt'
+p15289
+sg4
+S'Jules Lefevere'
+p15290
+sa(dp15291
+g12
+g27
+sg2
+S'Applique Coverlet'
+p15292
+sg4
+S'Jules Lefevere'
+p15293
+sa(dp15294
+g12
+g27
+sg2
+S'Patchwork Quilt'
+p15295
+sg4
+S'George Loughridge'
+p15296
+sa(dp15297
+g12
+g27
+sg2
+S'Applique Quilt'
+p15298
+sg4
+S'Suzanne Roy'
+p15299
+sa(dp15300
+g12
+g27
+sg2
+S'Patchwork Quilt'
+p15301
+sg4
+S'Irene Schaefer'
+p15302
+sa(dp15303
+g12
+g27
+sg2
+S'Crib Coverlet'
+p15304
+sg4
+S'Suzanne Roy'
+p15305
+sa(dp15306
+g12
+g27
+sg2
+S'Bedspread'
+p15307
+sg4
+S'Irene Schaefer'
+p15308
+sa(dp15309
+g12
+g27
+sg2
+S'Patchwork Quilt'
+p15310
+sg4
+S'George Loughridge'
+p15311
+sa(dp15312
+g12
+g27
+sg2
+S'Bedspread'
+p15313
+sg4
+S'Irene Schaefer'
+p15314
+sa(dp15315
+g12
+g27
+sg2
+S'Applique Quilt'
+p15316
+sg4
+S'Suzanne Roy'
+p15317
+sa(dp15318
+g12
+g27
+sg6
+S'French, 1741 - 1828'
+p15319
+sg8
+S'(related artist)'
+p15320
+sg2
+S'Alexandre Brongniart'
+p15321
+sg4
+S'Artist Information ('
+p15322
+sa(dp15323
+g12
+g27
+sg2
+S'Applique and Patchwork Quilt'
+p15324
+sg4
+S'John Oster'
+p15325
+sa(dp15326
+g12
+g27
+sg2
+S'Quilt (Applique)'
+p15327
+sg4
+S'Mary Berner'
+p15328
+sa(dp15329
+g12
+g27
+sg2
+S'Patchwork Quilt'
+p15330
+sg4
+S'Elizabeth Valentine'
+p15331
+sa(dp15332
+g12
+g27
+sg2
+S'Patchwork Quilt'
+p15333
+sg4
+S'Irene Schaefer'
+p15334
+sa(dp15335
+g12
+g27
+sg2
+S'Bedspread'
+p15336
+sg4
+S'Irene Schaefer'
+p15337
+sa(dp15338
+g12
+g27
+sg2
+S'Patchwork Quilt'
+p15339
+sg4
+S'Irene Schaefer'
+p15340
+sa(dp15341
+g12
+g27
+sg2
+S'Bedspread'
+p15342
+sg4
+S'Mary Berner'
+p15343
+sa(dp15344
+g12
+g27
+sg2
+S'Patchwork Quilt'
+p15345
+sg4
+S'Charlotte Winter'
+p15346
+sa(dp15347
+g12
+g27
+sg2
+S'Applique Bedspread'
+p15348
+sg4
+S'Mary Berner'
+p15349
+sa(dp15350
+g12
+g27
+sg2
+S'Applique Quilt'
+p15351
+sg4
+S'Suzanne Roy'
+p15352
+sa(dp15353
+g12
+g27
+sg6
+S'French, 1741 - 1828'
+p15354
+sg8
+S'(related artist)'
+p15355
+sg2
+S'Louise Brongniart'
+p15356
+sg4
+S'Artist Information ('
+p15357
+sa(dp15358
+g12
+S'Along with pieced quilts, appliqué quilts were popular. In appliqué quilts, each element\n of the design was cut out, the edges turned under, and the pieces stitched to a plain\n backing, usually white muslin. This method provided for a wide range of decorative\n patterns. In addition to geometric designs, elaborate floral motifs were prevalent.\n Here is a meticulously crafted appliqué quilt with decoration based on a rose\n design, a common motif from colonial times through the nineteenth century. Brilliant\n reds, green, and yellows contrast vividly with the white background, producing a\n decorative effect of great gaiety. The design is well composed, with four floral groups\n disposed evenly in the square center, or field, of the quilt. A paneled effect is achieved\n by the quilting pattern -- a combination of shells and plumes -- that separates the floral\n groups and defines four subsidiary squares in the field. The entire field is surrounded by\n a continuous border of roses, repeating the form of those in the center. The fluid curves\n of the border echo the scrolling forms of the central flowers and of the background\n quilting as well. Here, appliqué decoration and quilting are perfectly balanced to create\n a design of outstanding decorative interest.\n '
+p15359
+sg10
+S'http://www.nga.gov:80/thumb-l/a00002/a00002bd.jpg'
+p15360
+sg2
+S'Quilt'
+p15361
+sg4
+S'Marion Curtiss'
+p15362
+sa(dp15363
+g12
+g27
+sg2
+S'Applique Quilt'
+p15364
+sg4
+S'Artist Information ('
+p15365
+sa(dp15366
+g12
+g27
+sg2
+S'Quilt'
+p15367
+sg4
+S'Therkel Anderson'
+p15368
+sa(dp15369
+g12
+g27
+sg2
+S'Quilt'
+p15370
+sg4
+S'Therkel Anderson'
+p15371
+sa(dp15372
+g12
+g27
+sg2
+S'Quilt'
+p15373
+sg4
+S'Therkel Anderson'
+p15374
+sa(dp15375
+g12
+g27
+sg2
+S'Quilt'
+p15376
+sg4
+S'Therkel Anderson'
+p15377
+sa(dp15378
+g12
+g27
+sg2
+S'Quilt Block'
+p15379
+sg4
+S'Charlotte Angus'
+p15380
+sa(dp15381
+g12
+g27
+sg2
+S'Quilt Block Pattern'
+p15382
+sg4
+S'Charlotte Angus'
+p15383
+sa(dp15384
+g12
+g27
+sg2
+S'Pepperberry Quilt'
+p15385
+sg4
+S'Ralph Atkinson'
+p15386
+sa(dp15387
+g12
+g27
+sg2
+S'Quilt'
+p15388
+sg4
+S'Katherine Hastings'
+p15389
+sa(dp15390
+g2
+S'Voltaire'
+p15391
+sg4
+S'Jean-Antoine Houdon'
+p15392
+sg6
+S'marble'
+p15393
+sg8
+S'1778'
+p15394
+sg10
+S'http://www.nga.gov:80/thumb-l/a0002c/a0002c0e.jpg'
+p15395
+sg12
+g27
+sa(dp15396
+g12
+g27
+sg2
+S'Valance for Tester'
+p15397
+sg4
+S'Charlotte Angus'
+p15398
+sa(dp15399
+g12
+g27
+sg2
+S'Patchwork Squares'
+p15400
+sg4
+S'Charlotte Angus'
+p15401
+sa(dp15402
+g12
+g27
+sg2
+S'Quilt'
+p15403
+sg4
+S'Katherine Hastings'
+p15404
+sa(dp15405
+g12
+g27
+sg2
+S'Quilt - Meadow Lily Variant'
+p15406
+sg4
+S'C.H. Hastings'
+p15407
+sa(dp15408
+g12
+g27
+sg2
+S'Quilt - Basket Design'
+p15409
+sg4
+S'Edward White'
+p15410
+sa(dp15411
+g12
+g27
+sg2
+S'Quilt - Garden Wreath'
+p15412
+sg4
+S'Katherine Hastings'
+p15413
+sa(dp15414
+g12
+g27
+sg2
+S'Quilt'
+p15415
+sg4
+S'Genevieve Jordan'
+p15416
+sa(dp15417
+g12
+g27
+sg2
+S'Quilt (Red and Green Leaves)'
+p15418
+sg4
+S'Charles Roadman'
+p15419
+sa(dp15420
+g12
+g27
+sg2
+S'Quilt'
+p15421
+sg4
+S'Eva Wilson'
+p15422
+sa(dp15423
+g12
+g27
+sg2
+S'Quilt'
+p15424
+sg4
+S'Eva Wilson'
+p15425
+sa(dp15426
+g2
+S'Bust of a Little Girl'
+p15427
+sg4
+S'Jacques-Fran\xc3\xa7ois-Joseph Saly'
+p15428
+sg6
+S'bronze'
+p15429
+sg8
+S'model 1744, cast probably 1750/1753'
+p15430
+sg10
+S'http://www.nga.gov:80/thumb-l/a0002c/a0002c21.jpg'
+p15431
+sg12
+g27
+sa(dp15432
+g12
+g27
+sg2
+S'Quilt'
+p15433
+sg4
+S'Katherine Hastings'
+p15434
+sa(dp15435
+g12
+g27
+sg2
+S'Quilt'
+p15436
+sg4
+S'Betty Jacob'
+p15437
+sa(dp15438
+g12
+g27
+sg2
+S'Pillow top Insert'
+p15439
+sg4
+S'Albert Ryder'
+p15440
+sa(dp15441
+g12
+g27
+sg2
+S'Pillow Top Insert'
+p15442
+sg4
+S'Albert Ryder'
+p15443
+sa(dp15444
+g12
+g27
+sg2
+S'Pillow Top Insert'
+p15445
+sg4
+S'Albert Ryder'
+p15446
+sa(dp15447
+g12
+g27
+sg2
+S'Pillow Top Insert'
+p15448
+sg4
+S'Henry Murphy'
+p15449
+sa(dp15450
+g12
+g27
+sg10
+S'http://www.nga.gov:80/thumb-l/a00055/a000553c.jpg'
+p15451
+sg2
+S'Crazy Quilt: Detail'
+p15452
+sg4
+S'Esther Molina'
+p15453
+sa(dp15454
+g12
+g27
+sg2
+S'Friendship Quilt Block'
+p15455
+sg4
+S'Florence Truelson'
+p15456
+sa(dp15457
+g12
+g27
+sg2
+S'Block from Friendship Quilt'
+p15458
+sg4
+S'Florence Truelson'
+p15459
+sa(dp15460
+g12
+g27
+sg2
+S'Quilt'
+p15461
+sg4
+S'Clyde L. Cheney'
+p15462
+sa(dp15463
+g2
+S"Ferdinando II de' Medici, Grand Duke of Tuscany"
+p15464
+sg4
+S'Giovanni Battista Foggini'
+p15465
+sg6
+S'marble'
+p15466
+sg8
+S'c. 1690'
+p15467
+sg10
+S'http://www.nga.gov:80/thumb-l/a00034/a0003405.jpg'
+p15468
+sg12
+g27
+sa(dp15469
+g12
+g27
+sg2
+S'Hand Made Quilt'
+p15470
+sg4
+S'Wilford H. Shurtliff'
+p15471
+sa(dp15472
+g12
+g27
+sg2
+S'Quilt'
+p15473
+sg4
+S'Clyde L. Cheney'
+p15474
+sa(dp15475
+g12
+g27
+sg2
+S'Friendship Quilt Block'
+p15476
+sg4
+S'Florence Truelson'
+p15477
+sa(dp15478
+g12
+g27
+sg2
+S'Quilt Block - "E. Cooper" Design'
+p15479
+sg4
+S'Florence Truelson'
+p15480
+sa(dp15481
+g12
+g27
+sg2
+S'Quilt Block: "Constancy"'
+p15482
+sg4
+S'Florence Truelson'
+p15483
+sa(dp15484
+g12
+g27
+sg2
+S'Quilt Block'
+p15485
+sg4
+S'Frank Maurer'
+p15486
+sa(dp15487
+g12
+g27
+sg2
+S'Patchwork Quilt - Section'
+p15488
+sg4
+S'Florence Truelson'
+p15489
+sa(dp15490
+g12
+g27
+sg2
+S'Patchwork Quilt'
+p15491
+sg4
+S'Florence Truelson'
+p15492
+sa(dp15493
+g12
+g27
+sg2
+S'Patchwork Quilt (Section)'
+p15494
+sg4
+S'Florence Truelson'
+p15495
+sa(dp15496
+g12
+g27
+sg2
+S'Quilt Section - Patchwork'
+p15497
+sg4
+S'Florence Truelson'
+p15498
+sa(dp15499
+g2
+S'Vittoria della Rovere, Wife of Ferdinando II'
+p15500
+sg4
+S'Giovanni Battista Foggini'
+p15501
+sg6
+S'marble'
+p15502
+sg8
+S'c. 1690'
+p15503
+sg10
+S'http://www.nga.gov:80/thumb-l/a00034/a0003406.jpg'
+p15504
+sg12
+g27
+sa(dp15505
+g12
+g27
+sg2
+S'Silk Quilt - Roman Stripe'
+p15506
+sg4
+S'Elgin Moncure Styll'
+p15507
+sa(dp15508
+g12
+g27
+sg2
+S'Silk Quilt - "Honeycomb" Pattern'
+p15509
+sg4
+S'Elgin Moncure Styll'
+p15510
+sa(dp15511
+g12
+g27
+sg2
+S'Silk Bed Quilt'
+p15512
+sg4
+S'Elgin Moncure Styll'
+p15513
+sa(dp15514
+g12
+g27
+sg2
+S'Cotton Bed Quilt'
+p15515
+sg4
+S'Elgin Moncure Styll'
+p15516
+sa(dp15517
+g12
+g27
+sg2
+S'Patchwork Quilt'
+p15518
+sg4
+S'Elgin Moncure Styll'
+p15519
+sa(dp15520
+g12
+g27
+sg2
+S'Calico Quilt (Patchwork)'
+p15521
+sg4
+S'Renee A. Monfalcone'
+p15522
+sa(dp15523
+g12
+g27
+sg2
+S'Applique Quilt (Friendship Quilt, or "Baltimo re Bride\'s Quilt")'
+p15524
+sg4
+S'Mary Ann Burton'
+p15525
+sa(dp15526
+g12
+g27
+sg2
+S'Quilt'
+p15527
+sg4
+S'Jacob Gielens'
+p15528
+sa(dp15529
+g12
+g27
+sg2
+S'Patchwork Quilting'
+p15530
+sg4
+S'Harvey Thoss'
+p15531
+sa(dp15532
+g12
+g27
+sg2
+S'Towel'
+p15533
+sg4
+S'John Hall'
+p15534
+sa(dp15535
+g2
+S'Lodovico Sforza, Duke of Bari'
+p15536
+sg4
+S'Benedetto Briosco'
+p15537
+sg6
+S'marble'
+p15538
+sg8
+S'early 1490s'
+p15539
+sg10
+S'http://www.nga.gov:80/thumb-l/a0002d/a0002d71.jpg'
+p15540
+sg12
+g27
+sa(dp15541
+g2
+S'Relief from an Altar or Tabernacle'
+p15542
+sg4
+S'Benedetto da Rovezzano'
+p15543
+sg6
+S'marble'
+p15544
+sg8
+S'c. 1507/1512'
+p15545
+sg10
+S'http://www.nga.gov:80/thumb-l/a0002d/a0002d6e.jpg'
+p15546
+sg12
+g27
+sa(dp15547
+g12
+g27
+sg2
+S'Crocheted Lace'
+p15548
+sg4
+S'Lena Nastasi'
+p15549
+sa(dp15550
+g12
+g27
+sg2
+S'Lace'
+p15551
+sg4
+S'Gordena Jackson'
+p15552
+sa(dp15553
+g12
+g27
+sg2
+S'Macrame/Lace'
+p15554
+sg4
+S'Bertha Semple'
+p15555
+sa(dp15556
+g12
+g27
+sg2
+S'Afghan (detail)'
+p15557
+sg4
+S'Ethel Dougan'
+p15558
+sa(dp15559
+g12
+g27
+sg2
+S'Afghan'
+p15560
+sg4
+S'Ethel Dougan'
+p15561
+sa(dp15562
+g12
+g27
+sg2
+S'Tie and Cuff'
+p15563
+sg4
+S'Lillian Causey'
+p15564
+sa(dp15565
+g12
+g27
+sg2
+S'Lace'
+p15566
+sg4
+S'Erwin Schwabe'
+p15567
+sa(dp15568
+g12
+g27
+sg2
+S'Crochet Doily'
+p15569
+sg4
+S'Herbert Marsh'
+p15570
+sa(dp15571
+g12
+g27
+sg2
+S'Doily'
+p15572
+sg4
+S'Frank Nelson'
+p15573
+sa(dp15574
+g12
+g27
+sg2
+S'Cotton Thread Scarf'
+p15575
+sg4
+S'Walter W. Jennings'
+p15576
+sa(dp15577
+g12
+g27
+sg6
+S'Italian, 1500/1510 - 1577'
+p15578
+sg8
+S'(related artist)'
+p15579
+sg2
+S'Cup with Allegorical Scenes and Shields of Este Arms'
+p15580
+sg4
+S'Artist Information ('
+p15581
+sa(dp15582
+g12
+g27
+sg2
+S'Lace Detail'
+p15583
+sg4
+S'Edith Miller'
+p15584
+sa(dp15585
+g12
+g27
+sg2
+S'Embroidered Lace'
+p15586
+sg4
+S'Florence Stevenson'
+p15587
+sa(dp15588
+g12
+g27
+sg2
+S'Lace Trim'
+p15589
+sg4
+S'Walter W. Jennings'
+p15590
+sa(dp15591
+g12
+g27
+sg2
+S'Lace Edging'
+p15592
+sg4
+S'Marie Famularo'
+p15593
+sa(dp15594
+g12
+g27
+sg2
+S'Lace Edging'
+p15595
+sg4
+S'Raymond Guterl'
+p15596
+sa(dp15597
+g12
+g27
+sg2
+S'Doily'
+p15598
+sg4
+S'Frank Nelson'
+p15599
+sa(dp15600
+g12
+g27
+sg2
+S'Lace'
+p15601
+sg4
+S'Carl Buergerniss'
+p15602
+sa(dp15603
+g12
+g27
+sg2
+S'Embroidered Flower Motif'
+p15604
+sg4
+S'Carl Buergerniss'
+p15605
+sa(dp15606
+g12
+g27
+sg2
+S'Lace Collar'
+p15607
+sg4
+S'Walter W. Jennings'
+p15608
+sa(dp15609
+g12
+g27
+sg2
+S'Lace Collar'
+p15610
+sg4
+S'Grace Halpin'
+p15611
+sa(dp15612
+g2
+S'A Companion of Diana'
+p15613
+sg4
+S'Jean-Louis Lemoyne'
+p15614
+sg6
+S'marble'
+p15615
+sg8
+S'1724'
+p15616
+sg10
+S'http://www.nga.gov:80/thumb-l/a0002c/a0002c13.jpg'
+p15617
+sg12
+S"A few of the National Gallery's sculptures were conceived for display outdoors; one of the\nfinest such works is this \n In classical mythology Diana was goddess of the moon and of the hunt. Her woodland\ncompanions were nymphs like this one, appropriate denizens for a royal hunting preserve.\nLemoyne's \n With a dancing step, the girl seems barely to touch the ground as she lifts the leash to signal\nthe beginning of the chase. In amusement and affection she smiles down at her hound and,\nincidentally at the viewer, who would have seen her on a high pedestal.\n "
+p15618
+sa(dp15619
+g12
+g27
+sg2
+S'Cuff Lace'
+p15620
+sg4
+S'Erwin Schwabe'
+p15621
+sa(dp15622
+g12
+g27
+sg2
+S'Lace Collar'
+p15623
+sg4
+S'Richard Whitaker'
+p15624
+sa(dp15625
+g12
+g27
+sg2
+S'Cutwork Lace Bib'
+p15626
+sg4
+S'Richard Whitaker'
+p15627
+sa(dp15628
+g12
+g27
+sg2
+S'Linen Square'
+p15629
+sg4
+S'Maud Schmid'
+p15630
+sa(dp15631
+g12
+g27
+sg2
+S'Curtain Tassel'
+p15632
+sg4
+S'J. Howard Iams'
+p15633
+sa(dp15634
+g12
+g27
+sg2
+S'Lace Scarf'
+p15635
+sg4
+S'Katherine Hastings'
+p15636
+sa(dp15637
+g12
+g27
+sg2
+S'Silk Lace'
+p15638
+sg4
+S'Florence Truelson'
+p15639
+sa(dp15640
+g12
+g27
+sg2
+S'Knitted Lace Edging'
+p15641
+sg4
+S'Frank J. Mace'
+p15642
+sa(dp15643
+g12
+g27
+sg2
+S'Afghan'
+p15644
+sg4
+S'Renee A. Monfalcone'
+p15645
+sa(dp15646
+g12
+g27
+sg2
+S'Woven Brocade (Chair Covers)'
+p15647
+sg4
+S'Dorothy Kiernan'
+p15648
+sa(dp15649
+g2
+S'The Young Saint John the Baptist'
+p15650
+sg4
+S'Artist Information ('
+p15651
+sg6
+S'(sculptor)'
+p15652
+sg8
+S'\n'
+p15653
+sg10
+S'http://www.nga.gov:80/thumb-l/a00055/a0005582.jpg'
+p15654
+sg12
+g27
+sa(dp15655
+g12
+g27
+sg2
+S'Dress'
+p15656
+sg4
+S'Rosalia Lane'
+p15657
+sa(dp15658
+g12
+g27
+sg2
+S'Dress'
+p15659
+sg4
+S'Ruggiero Pierotti'
+p15660
+sa(dp15661
+g12
+g27
+sg2
+S'Mision Santa Margarita'
+p15662
+sg4
+S'James Jones'
+p15663
+sa(dp15664
+g12
+g27
+sg2
+S'Dressing Gown'
+p15665
+sg4
+S'Sylvia De Zon'
+p15666
+sa(dp15667
+g12
+g27
+sg2
+S'Sleeveless Jacket'
+p15668
+sg4
+S'American 20th Century'
+p15669
+sa(dp15670
+g12
+g27
+sg2
+S'Coverlet Detail'
+p15671
+sg4
+S'Miriam Y. Solomon'
+p15672
+sa(dp15673
+g12
+g27
+sg2
+S'Blouse'
+p15674
+sg4
+S'Mrs. Inez Montgomery'
+p15675
+sa(dp15676
+g12
+g27
+sg2
+S'Patchwork Picture: "Gossips"'
+p15677
+sg4
+S'Carmel Wilson'
+p15678
+sa(dp15679
+g12
+g27
+sg2
+S'Coverlet'
+p15680
+sg4
+S'Magnus S. Fossum'
+p15681
+sa(dp15682
+g12
+g27
+sg2
+S'Linen and Cotton Homespun'
+p15683
+sg4
+S'Mabel S. Kelton'
+p15684
+sa(dp15685
+g2
+S'Astorgio Manfredi'
+p15686
+sg4
+S'Mino da Fiesole'
+p15687
+sg6
+S'marble'
+p15688
+sg8
+S'1455'
+p15689
+sg10
+S'http://www.nga.gov:80/thumb-l/a0002c/a0002c3f.jpg'
+p15690
+sg12
+S'Mino da Fiesole and his patrons, the Medici family of Florence,\r\nwere pioneers in the revival of an ancient Roman art\r\nform—the independent portrait bust. The subject of this\r\nwork, Astorgio Manfredi, was a \n Manfredi is depicted as a man of action. With deeply\r\nincised eyes set beneath a furrowed brow, he gazes intently\r\ninto the distance. His face sags softly under his chin; deep\r\nvertical folds cut into the flesh of his cheeks. Over a shirt\r\nof intricately carved chain mail, Manfredi wears a richly\r\nembossed breastplate. An inscription on the underside of\r\nthe work—one of the earliest to be found on a Renaissance\r\nportrait bust—identifies the sitter, artist, and date of completion:\r\nASTORGIVS. MANFREDVS. SECVNDVS. FAVENTIE.\r\nDOMINVS./ ANNO. XLII. ETATIS SVE./ 1455./ OPVS. NINI.\r\n(“Astorgio II Manfredi, Lord of Faenza, in the 42nd year of\r\nhis age, 1455, the work of Nino.”) The spelling here of Mino’s\r\nname as Nino remains unexplained.\n '
+p15691
+sa(dp15692
+g12
+g27
+sg2
+S'Woven Coverlet'
+p15693
+sg4
+S'John Gasaway'
+p15694
+sa(dp15695
+g12
+g27
+sg2
+S'Coverlet'
+p15696
+sg4
+S'Charles Goodwin'
+p15697
+sa(dp15698
+g12
+g27
+sg2
+S'Underneath Cloth'
+p15699
+sg4
+S'Marie Alain'
+p15700
+sa(dp15701
+g12
+g27
+sg2
+S'Stenciled Table Cover'
+p15702
+sg4
+S'Marie Alain'
+p15703
+sa(dp15704
+g12
+g27
+sg2
+S'Handwoven Curtain'
+p15705
+sg4
+S'Alfred Denghausen'
+p15706
+sa(dp15707
+g12
+g27
+sg2
+S'Woven Covering for Chair Seat'
+p15708
+sg4
+S'Elizabeth Moutal'
+p15709
+sa(dp15710
+g12
+g27
+sg2
+S'Shaker Tablecloth'
+p15711
+sg4
+S'George Constantine'
+p15712
+sa(dp15713
+g12
+S'In colonial times, the home was the center of textile production, which began with the\n sowing of seed for flax and the raising of sheep for wool. Long hours were spent\n in preparing the fibers, spinning them into yarn, dyeing or bleaching the yarn, and then\n weaving the fabrics needed to clothe family members and to provide the basic\n material for bedding and other household articles. Home-woven fabrics, like this piece\n of linen, were called homespun, and were generally plain in weave. Although early\n fabrics were often of only one color -- being woven from either bleached linen or wool,\n or from yarns dyed with colors derived from common garden plants and\n trees -- some American women enlivened their products by using combinations\n of colored yarns to produce handsome designs. Simple geometric patterns could\n be created on home looms; thus, striped or checked designs, as seen here, are a\n common feature of homespun fabric.\n '
+p15714
+sg10
+S'http://www.nga.gov:80/thumb-l/a00003/a000033d.jpg'
+p15715
+sg2
+S"Shaker Man's Handkerchief"
+p15716
+sg4
+S'George Constantine'
+p15717
+sa(dp15718
+g12
+g27
+sg2
+S'Shaker Tablecloth'
+p15719
+sg4
+S'Elizabeth Moutal'
+p15720
+sa(dp15721
+g12
+g27
+sg2
+S"Man's Dressing Gown"
+p15722
+sg4
+S'Jessie M. Benge'
+p15723
+sa(dp15724
+g12
+g27
+sg6
+S'overall: 20.2 x 17.5 x 9.5 cm (7 15/16 x 6 7/8 x 3 3/4 in.)'
+p15725
+sg8
+S'\nbronze'
+p15726
+sg2
+S'Bust of a Man'
+p15727
+sg4
+S'North Italian 16th Century'
+p15728
+sa(dp15729
+g12
+g27
+sg2
+S'Textile'
+p15730
+sg4
+S'Grace Halpin'
+p15731
+sa(dp15732
+g12
+g27
+sg2
+S'Homespun Tablecloth'
+p15733
+sg4
+S'Paul Ward'
+p15734
+sa(dp15735
+g12
+g27
+sg2
+S'Material used in Costume'
+p15736
+sg4
+S'Isabelle De Strange'
+p15737
+sa(dp15738
+g12
+g27
+sg2
+S'Table Napkin'
+p15739
+sg4
+S'Arthur G. Merkley'
+p15740
+sa(dp15741
+g12
+g27
+sg2
+S'Homespun Cotton Textile'
+p15742
+sg4
+S'Percival Jenner'
+p15743
+sa(dp15744
+g12
+g27
+sg2
+S'Tablecloth'
+p15745
+sg4
+S'Isabelle De Strange'
+p15746
+sa(dp15747
+g12
+g27
+sg2
+S'Piece of Handwoven Linen'
+p15748
+sg4
+S'Daniel Fletcher'
+p15749
+sa(dp15750
+g12
+g27
+sg2
+S'Piece of Linen'
+p15751
+sg4
+S'Maud Schmid'
+p15752
+sa(dp15753
+g12
+g27
+sg2
+S'Piece of Linen'
+p15754
+sg4
+S'Daniel Fletcher'
+p15755
+sa(dp15756
+g12
+g27
+sg2
+S'Hand Woven Linen'
+p15757
+sg4
+S'Daniel Fletcher'
+p15758
+sa(dp15759
+g2
+S'A Warrior'
+p15760
+sg4
+S'Paduan 16th Century'
+p15761
+sg6
+S'overall: 17.3 x 13.7 x 10.7 cm (6 13/16 x 5 3/8 x 4 3/16 in.)'
+p15762
+sg8
+S'\nbronze'
+p15763
+sg10
+S'http://www.nga.gov:80/thumb-l/a000df/a000dfc5.jpg'
+p15764
+sg12
+g27
+sa(dp15765
+g12
+g27
+sg2
+S'Red and White Table Napkin'
+p15766
+sg4
+S'Arthur G. Merkley'
+p15767
+sa(dp15768
+g12
+g27
+sg2
+S'Linen Luncheon Set'
+p15769
+sg4
+S'Edith Olney'
+p15770
+sa(dp15771
+g12
+g27
+sg2
+S'Silk Scarf'
+p15772
+sg4
+S'Marie Lutrell'
+p15773
+sa(dp15774
+g12
+g27
+sg2
+S'Textile'
+p15775
+sg4
+S'Pearl Gibbo'
+p15776
+sa(dp15777
+g12
+g27
+sg2
+S'Linen Towel - Flower Design'
+p15778
+sg4
+S'Eva Wilson'
+p15779
+sa(dp15780
+g12
+g27
+sg2
+S'Linen Towel - Flower Design'
+p15781
+sg4
+S'Eva Wilson'
+p15782
+sa(dp15783
+g12
+g27
+sg2
+S'Table Cover'
+p15784
+sg4
+S'Dorothy Posten'
+p15785
+sa(dp15786
+g12
+g27
+sg2
+S'Cotton Towel - Blue Border and Fringe'
+p15787
+sg4
+S'Eva Wilson'
+p15788
+sa(dp15789
+g12
+g27
+sg2
+S'Linen Towel'
+p15790
+sg4
+S'Eva Wilson'
+p15791
+sa(dp15792
+g12
+g27
+sg2
+S'Linen Towel'
+p15793
+sg4
+S'Eva Wilson'
+p15794
+sa(dp15795
+g2
+S'Seated Female Figure'
+p15796
+sg4
+S'North Italian 16th Century'
+p15797
+sg6
+S'overall: 19 x 13.2 x 13.3 cm (7 1/2 x 5 3/16 x 5 1/4 in.)'
+p15798
+sg8
+S'\nbronze'
+p15799
+sg10
+S'http://www.nga.gov:80/thumb-l/a00055/a0005583.jpg'
+p15800
+sg12
+g27
+sa(dp15801
+g12
+g27
+sg2
+S'Cotton Towel'
+p15802
+sg4
+S'Eva Wilson'
+p15803
+sa(dp15804
+g12
+g27
+sg2
+S'Linen - Red Border with Sunflower'
+p15805
+sg4
+S'Eva Wilson'
+p15806
+sa(dp15807
+g12
+g27
+sg2
+S'Linen Towel - Brown Border'
+p15808
+sg4
+S'Eva Wilson'
+p15809
+sa(dp15810
+g12
+g27
+sg2
+S'Textile'
+p15811
+sg4
+S'Esther Martindale'
+p15812
+sa(dp15813
+g12
+g27
+sg2
+S'Wool Cloth'
+p15814
+sg4
+S'Esther Martindale'
+p15815
+sa(dp15816
+g12
+g27
+sg2
+S'Woven Striped Linsey Wooley'
+p15817
+sg4
+S'Clyde L. Cheney'
+p15818
+sa(dp15819
+g12
+g27
+sg2
+S'Textile'
+p15820
+sg4
+S'Clyde L. Cheney'
+p15821
+sa(dp15822
+g12
+g27
+sg2
+S'Textile'
+p15823
+sg4
+S'Frank Maurer'
+p15824
+sa(dp15825
+g12
+g27
+sg2
+S'Wool Cushion Top'
+p15826
+sg4
+S'Frank J. Mace'
+p15827
+sa(dp15828
+g12
+g27
+sg2
+S'Woolen Cloth'
+p15829
+sg4
+S'Frank J. Mace'
+p15830
+sa(dp15831
+g12
+g27
+sg6
+g27
+sg8
+S'(sculptor)'
+p15832
+sg2
+S'Incense Burner'
+p15833
+sg4
+S'Artist Information ('
+p15834
+sa(dp15835
+g12
+g27
+sg2
+S'Coverlet'
+p15836
+sg4
+S'Ann Belle N. Eubank'
+p15837
+sa(dp15838
+g12
+g27
+sg2
+S'Coverlet Detail'
+p15839
+sg4
+S'Annie L. Vaughn'
+p15840
+sa(dp15841
+g12
+g27
+sg2
+S'Blue Silk Scarf'
+p15842
+sg4
+S'Samuel Faigin'
+p15843
+sa(dp15844
+g12
+g27
+sg2
+S'Woven Textile'
+p15845
+sg4
+S'Cornelius Christoffels'
+p15846
+sa(dp15847
+g12
+g27
+sg2
+S'Handwoven Coverlet'
+p15848
+sg4
+S'Howard H. Sherman'
+p15849
+sa(dp15850
+g12
+g27
+sg2
+S'Coverlet Detail'
+p15851
+sg4
+S'Ruth M. Barnes'
+p15852
+sa(dp15853
+g12
+g27
+sg2
+S'Coverlet Detail'
+p15854
+sg4
+S'Ruth M. Barnes'
+p15855
+sa(dp15856
+g12
+g27
+sg2
+S'Coverlet (Reverse Side)'
+p15857
+sg4
+S'Ruth M. Barnes'
+p15858
+sa(dp15859
+g12
+g27
+sg2
+S'Coverlet (Section)'
+p15860
+sg4
+S'Ruth M. Barnes'
+p15861
+sa(dp15862
+g12
+g27
+sg2
+S'Coverlet (Detail)'
+p15863
+sg4
+S'Ruth M. Barnes'
+p15864
+sa(dp15865
+g2
+S'Inkstand with Bound Satyrs and Three Labors of Hercules'
+p15866
+sg4
+S'North Italian 16th Century'
+p15867
+sg6
+S'overall: 24.9 x 19 x 16 cm (9 13/16 x 7 1/2 x 6 5/16 in.)'
+p15868
+sg8
+S'\nbronze'
+p15869
+sg10
+S'http://www.nga.gov:80/thumb-l/a0002d/a0002d86.jpg'
+p15870
+sg12
+g27
+sa(dp15871
+g12
+g27
+sg2
+S'Handwoven Coverlet'
+p15872
+sg4
+S'Howard H. Sherman'
+p15873
+sa(dp15874
+g12
+g27
+sg2
+S'Coverlet (Section)'
+p15875
+sg4
+S'Ruth M. Barnes'
+p15876
+sa(dp15877
+g12
+g27
+sg2
+S'Coverlet (Section of)'
+p15878
+sg4
+S'Cornelius Christoffels'
+p15879
+sa(dp15880
+g12
+g27
+sg2
+S'Coverlet'
+p15881
+sg4
+S'Cornelius Christoffels'
+p15882
+sa(dp15883
+g12
+g27
+sg2
+S'Coverlet (Section)'
+p15884
+sg4
+S'Cornelius Christoffels'
+p15885
+sa(dp15886
+g12
+g27
+sg2
+S'Coverlet Detail'
+p15887
+sg4
+S'Cornelius Christoffels'
+p15888
+sa(dp15889
+g12
+g27
+sg2
+S'Coverlet'
+p15890
+sg4
+S'Cornelius Christoffels'
+p15891
+sa(dp15892
+g12
+g27
+sg2
+S'Coverlet'
+p15893
+sg4
+S'Cornelius Christoffels'
+p15894
+sa(dp15895
+g12
+g27
+sg2
+S'Coverlet'
+p15896
+sg4
+S'Cornelius Christoffels'
+p15897
+sa(dp15898
+g12
+g27
+sg2
+S'Coverlet'
+p15899
+sg4
+S'Cornelius Christoffels'
+p15900
+sa(dp15901
+g2
+S'Gian Galeazzo Maria Sforza, Duke of Milan'
+p15902
+sg4
+S'Artist Information ('
+p15903
+sg6
+S'Italian, active 1477 - after 1514'
+p15904
+sg8
+S'(related artist)'
+p15905
+sg10
+S'http://www.nga.gov:80/thumb-l/a0002d/a0002d72.jpg'
+p15906
+sg12
+g27
+sa(dp15907
+g2
+S'Madonna and Child'
+p15908
+sg4
+S'Luca della Robbia'
+p15909
+sg6
+S'glazed terracotta'
+p15910
+sg8
+S'c. 1475'
+p15911
+sg10
+S'http://www.nga.gov:80/thumb-l/a0002d/a0002d7d.jpg'
+p15912
+sg12
+g27
+sa(dp15913
+g12
+g27
+sg2
+S'Coverlet Detail'
+p15914
+sg4
+S'Ruth M. Barnes'
+p15915
+sa(dp15916
+g12
+g27
+sg2
+S'Coverlet Detail "Farmer\'s Fancy"'
+p15917
+sg4
+S'Ruth M. Barnes'
+p15918
+sa(dp15919
+g12
+g27
+sg2
+S'Coverlet Detail "Farmer\'s Fancy"'
+p15920
+sg4
+S'Ruth M. Barnes'
+p15921
+sa(dp15922
+g12
+g27
+sg2
+S'Coverlet'
+p15923
+sg4
+S'Cornelius Christoffels'
+p15924
+sa(dp15925
+g12
+g27
+sg2
+S'Coverlet - Section of Right Side'
+p15926
+sg4
+S'Cornelius Christoffels'
+p15927
+sa(dp15928
+g12
+g27
+sg2
+S'Coverlet - Section of Reverse Side'
+p15929
+sg4
+S'Cornelius Christoffels'
+p15930
+sa(dp15931
+g12
+g27
+sg2
+S'Coverlet - Section of Reverse Side'
+p15932
+sg4
+S'Cornelius Christoffels'
+p15933
+sa(dp15934
+g12
+g27
+sg2
+S'Mision Santa Margarita'
+p15935
+sg4
+S'James Jones'
+p15936
+sa(dp15937
+g12
+g27
+sg2
+S'Coverlet (Section)'
+p15938
+sg4
+S'Cornelius Christoffels'
+p15939
+sa(dp15940
+g12
+g27
+sg2
+S'Coverlet (Section)'
+p15941
+sg4
+S'Cornelius Christoffels'
+p15942
+sa(dp15943
+g2
+S'The Young Saint John the Baptist'
+p15944
+sg4
+S'Artist Information ('
+p15945
+sg6
+S'Italian, c. 1429 - 1464'
+p15946
+sg8
+S'(related artist)'
+p15947
+sg10
+S'http://www.nga.gov:80/thumb-l/a00066/a00066ad.jpg'
+p15948
+sg12
+g27
+sa(dp15949
+g12
+g27
+sg2
+S'Coverlet'
+p15950
+sg4
+S'Cornelius Christoffels'
+p15951
+sa(dp15952
+g12
+g27
+sg2
+S'Coverlet (Section)'
+p15953
+sg4
+S'Cornelius Christoffels'
+p15954
+sa(dp15955
+g12
+g27
+sg2
+S'Coverlet Detail'
+p15956
+sg4
+S'Ruth M. Barnes'
+p15957
+sa(dp15958
+g12
+g27
+sg2
+S'Coverlet'
+p15959
+sg4
+S'Cornelius Christoffels'
+p15960
+sa(dp15961
+g12
+g27
+sg2
+S'Coverlet'
+p15962
+sg4
+S'Cornelius Christoffels'
+p15963
+sa(dp15964
+g12
+g27
+sg2
+S'Coverlet Detail'
+p15965
+sg4
+S'Ruth M. Barnes'
+p15966
+sa(dp15967
+g12
+S'Although American women continued to weave articles for their families, by the late\n colonial period, much weaving was done by itinerant professional weavers.\n Woven coverlets, or bed coverings, were, perhaps, the most handsome products\n of both the housewives and the journeymen weavers. From the late seventeenth\n century until about 1850, overshot coverlets like this example were popular.\n The overshot weave was relatively simple, though more complex than the plain\n homespun weave. There was one warp yarn, usually a two-ply linen or cotton,\n a binder weft yarn in the same material as the warp, but often single ply, and\n a pattern weft, which was of colored woolen yarn. The term "overshot" means\n that the supplementary weft patterning thread is "shot," or floated, over the plain\n warp threads, creating areas of solid color that stand out above a plain supporting\n weave. The overshot weft threads, seen here as a combination of blue and red yarns,\n create variations in texture as well as pattern and produce the lively geometric surfaces\n that are characteristic of overshot coverlets. The patterns for these coverlets were\n largely traditional and were based on written drafts, or pattern guides, brought to\n America by European, English, and Scandinavian settlers. These drafts resemble\n musical notations, and, appropriately, the coverlets woven from them are, like this\n example, strikingly rhythmic in design.\n '
+p15968
+sg10
+S'http://www.nga.gov:80/thumb-l/a00003/a000033e.jpg'
+p15969
+sg2
+S'Coverlet'
+p15970
+sg4
+S'Ruth M. Barnes'
+p15971
+sa(dp15972
+g12
+g27
+sg2
+S'Coverlet'
+p15973
+sg4
+S'Ruth M. Barnes'
+p15974
+sa(dp15975
+g12
+g27
+sg2
+S'Coverlet (Section of)'
+p15976
+sg4
+S'William Kieckhofel'
+p15977
+sa(dp15978
+g12
+g27
+sg2
+S'Coverlet (Section of)'
+p15979
+sg4
+S'Ruth M. Barnes'
+p15980
+sa(dp15981
+g12
+g27
+sg6
+S'overall: 79.2 x 37.6 cm (31 3/16 x 14 13/16 in.)'
+p15982
+sg8
+S'\nbronze'
+p15983
+sg2
+S'Andiron with Figure of Jupiter'
+p15984
+sg4
+S'Italian 17th/19th Century'
+p15985
+sa(dp15986
+g12
+g27
+sg2
+S'Coverlet'
+p15987
+sg4
+S'Cornelius Christoffels'
+p15988
+sa(dp15989
+g12
+g27
+sg2
+S'Coverlet'
+p15990
+sg4
+S'Cornelius Christoffels'
+p15991
+sa(dp15992
+g12
+g27
+sg2
+S'Coverlet'
+p15993
+sg4
+S'Cornelius Christoffels'
+p15994
+sa(dp15995
+g12
+g27
+sg2
+S'Coverlet (Section)'
+p15996
+sg4
+S'Cornelius Christoffels'
+p15997
+sa(dp15998
+g12
+g27
+sg2
+S'Coverlet'
+p15999
+sg4
+S'Cornelius Christoffels'
+p16000
+sa(dp16001
+g12
+g27
+sg2
+S'Coverlet'
+p16002
+sg4
+S'Cornelius Christoffels'
+p16003
+sa(dp16004
+g12
+g27
+sg2
+S'Coverlet'
+p16005
+sg4
+S'Cornelius Christoffels'
+p16006
+sa(dp16007
+g12
+g27
+sg2
+S'Handwoven Coverlet (Detail)'
+p16008
+sg4
+S'Fred Peterson'
+p16009
+sa(dp16010
+g12
+g27
+sg2
+S'Mision Santa Margarita'
+p16011
+sg4
+S'James Jones'
+p16012
+sa(dp16013
+g12
+g27
+sg2
+S'Coverlet'
+p16014
+sg4
+S'Margaret Stottlemeyer'
+p16015
+sa(dp16016
+g12
+g27
+sg6
+S'overall: 79.6 x 37.6 cm (31 5/16 x 14 13/16 in.)'
+p16017
+sg8
+S'\nbronze'
+p16018
+sg2
+S'Andiron with Figure of Juno'
+p16019
+sg4
+S'Italian 17th/19th Century'
+p16020
+sa(dp16021
+g12
+S'Here is a variation of the overshot weave. This coverlet is in the "summer-winter"\n weave, said to have been brought to America by the Pennsylvania German settlers,\n who used it frequently. Though more tightly woven than some overshot coverlets,\n the "summer-winter" weave pattern also depends upon weft threads floated over\n and under the structural weave. By alternating floating elements, a reversible fabric\n is formed. Notice that the corner of this coverlet has been folded back to reveal the\n light or "summer" side, which corresponds in pattern to the contrasting dark, or "winter"\n surface. As in other overshot coverlets, blue and red, combined with white or neutral\n yarns, dominate the design. Blue was frequently used in weaving, as in the indigo plant,\n from which the dye was made, was grown domestically and thus was readily available.\n In addition, imported indigo was sold inexpensively in shops and by itinerant peddlers.\n Second in popularity were reds, obtained from such common sources as sumac,\n madder roots, cherries, pokeberries, and the bloodroot plant.\n '
+p16022
+sg10
+S'http://www.nga.gov:80/thumb-l/a00000/a0000073.jpg'
+p16023
+sg2
+S'Woven Coverlet'
+p16024
+sg4
+S'Magnus S. Fossum'
+p16025
+sa(dp16026
+g12
+g27
+sg2
+S'Woven Coverlet (Detail)'
+p16027
+sg4
+S'Magnus S. Fossum'
+p16028
+sa(dp16029
+g12
+g27
+sg2
+S'Woven Coverlet'
+p16030
+sg4
+S'Manuel G. Runyan'
+p16031
+sa(dp16032
+g12
+g27
+sg2
+S'Handwoven Coverlet'
+p16033
+sg4
+S'Magnus S. Fossum'
+p16034
+sa(dp16035
+g12
+g27
+sg2
+S'Handwoven Coverlet'
+p16036
+sg4
+S'Maud M. Holme'
+p16037
+sa(dp16038
+g12
+S'Another type of woven coverlet is the double weave, or double cloth coverlet, a detail\n of which appears here. Most coverlets of this type were made between 1725 and 1825.\n Double weave coverlets were woven with two sets of warp and weft threads, resulting\n in two separate pieces of cloth interwoven at certain points. The double thickness\n made these coverlets heavy and particularly well suited to cold climates, where\n extremely warm bedding was a necessity. Unlike other woven coverlets, which had\n cotton or linen warp threads, wool was often used for both warp and weft in the double\n weave structure. The designs of double weave coverlets were generally geometrical\n and frequently featured a pine tree border. Notice that the border here is composed\n of a triple pine tree configuration. In these coverlets, the pine tree motif is often\n combined with a snowball design, as is evident here.\n '
+p16039
+sg10
+S'http://www.nga.gov:80/thumb-l/a00001/a00001cd.jpg'
+p16040
+sg2
+S'Handwoven Coverlet'
+p16041
+sg4
+S'Fred Hassebrock'
+p16042
+sa(dp16043
+g12
+g27
+sg2
+S'Coverlet Fragment'
+p16044
+sg4
+S'Alois E. Ulrich'
+p16045
+sa(dp16046
+g12
+g27
+sg2
+S'Coverlet'
+p16047
+sg4
+S'Lon Cronk'
+p16048
+sa(dp16049
+g12
+g27
+sg2
+S'Coverlet'
+p16050
+sg4
+S'Alois E. Ulrich'
+p16051
+sa(dp16052
+g12
+g27
+sg2
+S'Woolen Coverlet'
+p16053
+sg4
+S'Edward D. Williams'
+p16054
+sa(dp16055
+g2
+S'A Jurist'
+p16056
+sg4
+S'Paduan 16th Century'
+p16057
+sg6
+S'overall: 82 x 71.5 x 34.3 cm (32 5/16 x 28 1/8 x 13 1/2 in.)'
+p16058
+sg8
+S'\nbronze'
+p16059
+sg10
+S'http://www.nga.gov:80/thumb-l/a0004a/a0004a04.jpg'
+p16060
+sg12
+g27
+sa(dp16061
+g12
+g27
+sg2
+S'Coverlet'
+p16062
+sg4
+S'Lon Cronk'
+p16063
+sa(dp16064
+g12
+g27
+sg2
+S'Woven Coverlet'
+p16065
+sg4
+S'Martha L. Lanscher'
+p16066
+sa(dp16067
+g12
+g27
+sg2
+S'Woven Coverlet'
+p16068
+sg4
+S'Martha L. Lanscher'
+p16069
+sa(dp16070
+g12
+g27
+sg2
+S'Fragment of Comforter'
+p16071
+sg4
+S'Hardin Walsh'
+p16072
+sa(dp16073
+g12
+g27
+sg2
+S'Fragment of Comforter'
+p16074
+sg4
+S'Donald Williams'
+p16075
+sa(dp16076
+g12
+g27
+sg2
+S'Homespun Bedspread'
+p16077
+sg4
+S'Julie C. Brush'
+p16078
+sa(dp16079
+g12
+g27
+sg2
+S'Handspun Bedspread'
+p16080
+sg4
+S'Julie C. Brush'
+p16081
+sa(dp16082
+g12
+g27
+sg2
+S'Handwoven Coverlet'
+p16083
+sg4
+S'Maud Schmid'
+p16084
+sa(dp16085
+g12
+g27
+sg2
+S'Red, White & Blue Coverlet'
+p16086
+sg4
+S'Arthur G. Merkley'
+p16087
+sa(dp16088
+g12
+g27
+sg2
+S'Coverlet'
+p16089
+sg4
+S'Arthur G. Merkley'
+p16090
+sa(dp16091
+g2
+S'Agnesina Badoer Giustinian'
+p16092
+sg4
+S'Venetian 16th Century'
+p16093
+sg6
+S'overall: 52.8 x 49.5 x 27 cm (20 13/16 x 19 1/2 x 10 5/8 in.)'
+p16094
+sg8
+S'\nbronze'
+p16095
+sg10
+S'http://www.nga.gov:80/thumb-l/a000c6/a000c61f.jpg'
+p16096
+sg12
+S"Without the 16th-century costume or the bust\xc2\x92s ovoid shape, we might be tempted to ascribe these starkly realistic features to a conservative matron from Republican Rome, not the gilded republic of Renaissance Venice. And without the mantle loosely resting on her shoulders, we might mistake the sitter for a peasant, not a wealthy patrician. The elderly lady's intelligence and toughness are evident, her chin elevated in pride above a stout neck. The flesh of her face, with its asymmetrical features, seems to bear the imprint of experience and age. \n The unknown Venetian artist deftly captured the enduring vitality and mental acuity of his elderly subject—qualities that reflect what we know of her life. Agnesina Badoer Giustinian (c. 1472–1542) was a wealthy heiress and art patron. One of three children of Venetian patrician Girolamo Badoer, Agnesina lost both her brothers and first husband early in life. When her father died in 1497, she became the universal heir of her Badoer line and its fortune, including a residence in Venice and extensive properties on the mainland. She was remarried the same year to the patrician Girolamo Giustinian. From 1511 to 1513 Agnesina and her husband focused their energies on construction of an impressive villa—Castello di Roncade—on Badoer ancestral lands near Treviso.\n This startlingly realistic portrait is probably based on a mask of Agnesina's face taken at the time of her death, at about the age of 70. \n \n\n \n\n \n\n \n\n \n\n \n\n \n\n \n\n \n\n "
+p16097
+sa(dp16098
+g12
+g27
+sg2
+S'Old Colonial Handwoven Bedspread'
+p16099
+sg4
+S'Pearl Gibbo'
+p16100
+sa(dp16101
+g12
+g27
+sg2
+S'Woven Coverlet'
+p16102
+sg4
+S'Elizabeth Valentine'
+p16103
+sa(dp16104
+g12
+g27
+sg2
+S'Handwoven Coverlet'
+p16105
+sg4
+S'Dorothy Lacey'
+p16106
+sa(dp16107
+g12
+g27
+sg2
+S'Coverlet'
+p16108
+sg4
+S'Charles Roadman'
+p16109
+sa(dp16110
+g12
+g27
+sg2
+S'Coverlet'
+p16111
+sg4
+S'Betty Jacob'
+p16112
+sa(dp16113
+g12
+g27
+sg2
+S'Coverlet'
+p16114
+sg4
+S'Eva Wilson'
+p16115
+sa(dp16116
+g12
+g27
+sg2
+S'Coverlet'
+p16117
+sg4
+S'Charles Roadman'
+p16118
+sa(dp16119
+g12
+g27
+sg2
+S'Coverlet'
+p16120
+sg4
+S'Sarah F. Williams'
+p16121
+sa(dp16122
+g12
+g27
+sg2
+S'Handwoven Coverlet'
+p16123
+sg4
+S'William O. Fletcher'
+p16124
+sa(dp16125
+g12
+g27
+sg2
+S'Blue and White Homespun'
+p16126
+sg4
+S'William O. Fletcher'
+p16127
+sa(dp16128
+g2
+S'Virgin and Child with Saint John'
+p16129
+sg4
+S'Artist Information ('
+p16130
+sg6
+S'Italian, 1435 - 1488'
+p16131
+sg8
+S'(related artist)'
+p16132
+sg10
+S'http://www.nga.gov:80/thumb-l/a00059/a000592d.jpg'
+p16133
+sg12
+g27
+sa(dp16134
+g12
+g27
+sg2
+S'Woven Wool Bedspread'
+p16135
+sg4
+S'Christopher Hobbs'
+p16136
+sa(dp16137
+g12
+g27
+sg2
+S'Woven Coverlet'
+p16138
+sg4
+S'William McAuley'
+p16139
+sa(dp16140
+g12
+g27
+sg2
+S'Coverlet'
+p16141
+sg4
+S'Ruth M. Barnes'
+p16142
+sa(dp16143
+g12
+g27
+sg2
+S'Coverlet'
+p16144
+sg4
+S'Ruth M. Barnes'
+p16145
+sa(dp16146
+g12
+g27
+sg2
+S'Historic Coverlet'
+p16147
+sg4
+S'Ruth M. Barnes'
+p16148
+sa(dp16149
+g12
+g27
+sg2
+S'Handwoven Coverlet'
+p16150
+sg4
+S'Howard H. Sherman'
+p16151
+sa(dp16152
+g12
+g27
+sg2
+S'Woven Coverlet'
+p16153
+sg4
+S'Howard H. Sherman'
+p16154
+sa(dp16155
+g12
+g27
+sg2
+S'Handwoven Coverlet'
+p16156
+sg4
+S'Howard H. Sherman'
+p16157
+sa(dp16158
+g12
+g27
+sg2
+S'Handwoven Coverlet'
+p16159
+sg4
+S'Cornelius Christoffels'
+p16160
+sa(dp16161
+g12
+g27
+sg2
+S'Handwoven Coverlet'
+p16162
+sg4
+S'Cornelius Christoffels'
+p16163
+sa(dp16164
+g2
+S'Empire Triumphant over Avarice'
+p16165
+sg4
+S'Adriaen de Vries'
+p16166
+sg6
+S'bronze'
+p16167
+sg8
+S'1610'
+p16168
+sg10
+S'http://www.nga.gov:80/thumb-l/a0002d/a0002d9a.jpg'
+p16169
+sg12
+S"Adriaen de Vries was one of the leading late Renaissance masters of northern\nEurope. His heroic figures -- female as well as male -- reflect study of the antique and of\nMichelangelo's sculpture, with an emphasis on self-consciously complicated, twisting poses.\n Adriaen devised this bronze allegory for the Holy Roman Emperor Rudolf II, who had\nappointed him court sculptor at Prague in 1601. Once thought simply to represent "Virtue\nOvercoming Vice," the bronze has recently been interpreted as a specific theme close to the\nEmperor's heart. The dominant female figure, crowned with laurel, symbolizes Empire. The\nsecond laurel wreath she holds high proclaims her victory over a figure with ass' ears and a bag\nof gold coins that identify her as Avarice (the ears and the gold come from the ancient myth of\nKing Midas, known for his greed and bad judgment). Rudolf was fighting, none too successfully,\nin wars against the Turks, and also struggling with the lands he ruled that were reluctant to grant\nthe funds he needed to continue. The bronze gives form to his wish for triumph over both\nadversaries. The sculptor gave psychological force to this symbolic program in the rippling\ntension of the torsos and in the gaze that passes between the coolly imperious victor and the\ndistraught vanquished.\n "
+p16170
+sa(dp16171
+g12
+g27
+sg2
+S'Coverlet'
+p16172
+sg4
+S'Cornelius Christoffels'
+p16173
+sa(dp16174
+g12
+g27
+sg2
+S'Coverlet'
+p16175
+sg4
+S'William Hoffman'
+p16176
+sa(dp16177
+g12
+g27
+sg2
+S'Coverlet'
+p16178
+sg4
+S'Cornelius Christoffels'
+p16179
+sa(dp16180
+g12
+g27
+sg2
+S'Coverlet (Section)'
+p16181
+sg4
+S'Cornelius Christoffels'
+p16182
+sa(dp16183
+g12
+g27
+sg2
+S'Coverlet'
+p16184
+sg4
+S'Cornelius Christoffels'
+p16185
+sa(dp16186
+g12
+g27
+sg2
+S'Coverlet'
+p16187
+sg4
+S'Margaret Linsley'
+p16188
+sa(dp16189
+g12
+g27
+sg2
+S'Coverlet Section'
+p16190
+sg4
+S'Margaret Linsley'
+p16191
+sa(dp16192
+g12
+g27
+sg2
+S'Coverlet Section'
+p16193
+sg4
+S'Margaret Linsley'
+p16194
+sa(dp16195
+g12
+g27
+sg2
+S'Coverlet'
+p16196
+sg4
+S'Margaret Linsley'
+p16197
+sa(dp16198
+g12
+g27
+sg2
+S'Handwoven Coverlet'
+p16199
+sg4
+S'Hazel Sheckler'
+p16200
+sa(dp16201
+g12
+g27
+sg6
+S'overall: 10.6 x 19.7 cm (4 3/16 x 7 3/4 in.)'
+p16202
+sg8
+S'\nbronze'
+p16203
+sg2
+S'Cover of a writing casket: Geniuses with Wreath and Medusa Head'
+p16204
+sg4
+S'Paduan 15th Century'
+p16205
+sa(dp16206
+g12
+g27
+sg2
+S'Handwoven Coverlet'
+p16207
+sg4
+S'William McAuley'
+p16208
+sa(dp16209
+g12
+g27
+sg2
+S'Homespun Coverlet'
+p16210
+sg4
+S'Cornelius Christoffels'
+p16211
+sa(dp16212
+g12
+g27
+sg2
+S'Homespun Coverlet'
+p16213
+sg4
+S'Alexander Chudom'
+p16214
+sa(dp16215
+g12
+g27
+sg2
+S'Homespun Coverlet'
+p16216
+sg4
+S'Alexander Chudom'
+p16217
+sa(dp16218
+g12
+g27
+sg2
+S'Coverlet'
+p16219
+sg4
+S'Ruth M. Barnes'
+p16220
+sa(dp16221
+g12
+g27
+sg2
+S'Coverlet'
+p16222
+sg4
+S'Ruth M. Barnes'
+p16223
+sa(dp16224
+g12
+g27
+sg2
+S'Coverlet'
+p16225
+sg4
+S'Ruth M. Barnes'
+p16226
+sa(dp16227
+g12
+g27
+sg2
+S'Coverlet'
+p16228
+sg4
+S'Ruth M. Barnes'
+p16229
+sa(dp16230
+g12
+g27
+sg2
+S'Coverlet'
+p16231
+sg4
+S'Hazel Sheckler'
+p16232
+sa(dp16233
+g12
+g27
+sg2
+S'Coverlet'
+p16234
+sg4
+S'William McAuley'
+p16235
+sa(dp16236
+g12
+g27
+sg6
+S'Italian, 1470 - 1532'
+p16237
+sg8
+S'(artist after)'
+p16238
+sg2
+S'Lamp, Upper Portion'
+p16239
+sg4
+S'Artist Information ('
+p16240
+sa(dp16241
+g12
+g27
+sg2
+S'Coverlet'
+p16242
+sg4
+S'Ruth M. Barnes'
+p16243
+sa(dp16244
+g12
+g27
+sg2
+S'Coverlet (Wool)'
+p16245
+sg4
+S'Ruth M. Barnes'
+p16246
+sa(dp16247
+g12
+g27
+sg2
+S'Coverlet'
+p16248
+sg4
+S'Ruth M. Barnes'
+p16249
+sa(dp16250
+g12
+g27
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+S'Cornelius Christoffels'
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+g12
+g27
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+S'Cornelius Christoffels'
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+g12
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+S'Coverlet'
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+S'Cornelius Christoffels'
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+g12
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+S'Coverlet'
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+S'Cornelius Christoffels'
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+g12
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+sg2
+S'Eagle Coverlet'
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+sg4
+S'George E. Rhone'
+p16264
+sa(dp16265
+g12
+g27
+sg2
+S'Coverlet'
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+S'Cornelius Christoffels'
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+g12
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+sg2
+S'Coverlet'
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+S'Cornelius Christoffels'
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+sa(dp16271
+g2
+S'Madonna and Child with Cherubim'
+p16272
+sg4
+S'Andrea della Robbia'
+p16273
+sg6
+S'glazed terracotta'
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+sg8
+S'c. 1485'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a0002d/a0002d8f.jpg'
+p16276
+sg12
+S"Andrea della Robbia carried on the popular and lucrative production of terra-cotta sculpture\ncovered with enamel glaze, a technique developed in the 1430s and 1440s by his uncle Luca. The\nglazed coating gave the colors of della Robbia's works a degree of durability impossible for\nsculpture that was simply painted. Their white-glazed figures, set off against deep blue grounds\nand sometimes surrounded by multicolored garlands of fruit or flowers (as in Andrea's\n\n The half-length treatment of the Virgin brings us close to the figures, whose attitudes\ncombine tenderness and solemnity. The Virgin holds the Child gently, her forehead grazing his\nhair. The child rests his left arm against her chest and clutches her left hand, as he clings to a\ncorner of her veil. Yet for all their physical closeness, they do not look at each other, and their\nexpressions are grave. The Virgin's downcast gaze suggests meditation on the child's fate. The\nchild turns his face toward the world, but his eyes, with pupils drifting upward, also suggest\ncontemplation. Their thoughts seem to converge on the same sorrowful theme: the coming\nPassion and death of Christ.\n "
+p16277
+sa(dp16278
+g12
+g27
+sg6
+S'overall: 17.6 x 17.5 cm (6 15/16 x 6 7/8 in.)'
+p16279
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+S'\ngilt bronze'
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+S'Lock Face Plate'
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+S'Italian 16th Century'
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+g12
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+S'Woven Coverlet'
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+sg4
+S'Ernest A. Towers, Jr.'
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+g12
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+S'Woven Coverlet'
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+sg4
+S'James M. Lawson'
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+S'Woven Quilt'
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+S'Artist Information ('
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+g12
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+S'Maud M. Holme'
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+S'Handwoven Coverlet'
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+S'Maud M. Holme'
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+S'Carmel Wilson'
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+S'Woolen Textile'
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+S'Archie Thompson'
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+sa(dp16304
+g12
+g27
+sg2
+S'Hand Woven Coverlet'
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+sg4
+S'M. Louise Kent'
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+S'Handwoven Coverlet'
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+S'M. Louise Kent'
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+sa(dp16310
+g12
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+sg2
+S'Jacquard Coverlet (Detail)'
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+sg4
+S'Ralph N. Morgan'
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+sa(dp16313
+g12
+g27
+sg6
+S'overall (length): 22.2 cm (8 3/4 in.)'
+p16314
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+S'\ngilt bronze'
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+S'Lock Strap'
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+sg4
+S'Italian 16th Century'
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+g12
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+S'Jacquard Coverlet (Detail)'
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+S'Alois E. Ulrich'
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+S'Quilt'
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+S'Lillian Causey'
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+S'Rex F. Bush'
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+S'Homespun Bedspread'
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+S'Gene Luedke'
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+sg2
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+S'Gene Luedke'
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+sa(dp16336
+g12
+g27
+sg2
+S'Blue and White Woolen Coverlet'
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+sg4
+S'Frank Gutting'
+p16338
+sa(dp16339
+g12
+g27
+sg2
+S'Textile Sample'
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+sg4
+S'Paul Kelly'
+p16341
+sa(dp16342
+g12
+g27
+sg2
+S'Textile Samples'
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+S'Paul Kelly'
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+S'Textile Samples'
+p16346
+sg4
+S'Paul Kelly'
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+g12
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+S'bronze'
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+sg8
+S'probably after 1502'
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+sg2
+S'Elisabetta Gonzaga, died 1528, Duchess of Urbino, Wife of Guidobaldo I 1489 [obverse]'
+p16351
+sg4
+S'Adriano Fiorentino'
+p16352
+sa(dp16353
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+g27
+sg2
+S'Textile'
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+sg4
+S'Lucille Lacoursiere'
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+sa(dp16356
+g12
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+sg2
+S'Piece of Wool Plaid'
+p16357
+sg4
+S'Raymond Manupelli'
+p16358
+sa(dp16359
+g12
+g27
+sg2
+S'Linsey Woolsey'
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+S'Raymond Manupelli'
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+sa(dp16362
+g12
+g27
+sg2
+S'Piece of Homespun Wool'
+p16363
+sg4
+S'Hugh Clarke'
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+sa(dp16365
+g12
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+sg2
+S'Homespun Linen'
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+S'Marjorie McIntyre'
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+sa(dp16368
+g12
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+S'Homespun Wool'
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+S'Raymond Manupelli'
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+S'Quilt'
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+S'Isabelle De Strange'
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+S'Quilt'
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+S'Isabelle De Strange'
+p16376
+sa(dp16377
+g12
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+S'White House Bed Cover'
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+sg4
+S'Edmond W. Brown'
+p16379
+sa(dp16380
+g12
+g27
+sg2
+S'Shoulder Shawl'
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+sg4
+S'Arthur G. Merkley'
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+sa(dp16383
+g12
+g27
+sg6
+S'bronze'
+p16384
+sg8
+S'probably after 1502'
+p16385
+sg2
+S'Female Figure Holding a Bridle [reverse]'
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+S'Adriano Fiorentino'
+p16387
+sa(dp16388
+g12
+g27
+sg2
+S'Tyler Coverlet'
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+sg4
+S'Arthur G. Merkley'
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+S'Arthur G. Merkley'
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+S'Arthur G. Merkley'
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+S'Woven Textile'
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+S'Pearl Gibbo'
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+S'Tyler Coverlet'
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+S'Arthur G. Merkley'
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+sa(dp16403
+g12
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+S'Hooked Rug'
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+sg4
+S'Lillian M. Mosseller'
+p16405
+sa(dp16406
+g12
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+sg2
+S'Woven Coverlet'
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+S'Dorothy Lacey'
+p16408
+sa(dp16409
+g12
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+sg2
+S'Woven Coverlet'
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+S'Mary Berner'
+p16411
+sa(dp16412
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+S'Woven Bedspread'
+p16413
+sg4
+S'Elizabeth Valentine'
+p16414
+sa(dp16415
+g12
+g27
+sg2
+S'Tablecloth'
+p16416
+sg4
+S'Elizabeth Valentine'
+p16417
+sa(dp16418
+g2
+S'Antonia del Balzo, 1441-1538, Wife of Gianfrancesco Gonzaga di Rodigo 1479 [obverse]'
+p16419
+sg4
+S'Antico'
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+sg6
+S'bronze'
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+sg8
+S'unknown date\n'
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+sg10
+S'http://www.nga.gov:80/thumb-l/a00069/a0006946.jpg'
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+sg12
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+S'Jules Lefevere'
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+sg2
+S'Woven Coverlet'
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+S'Dorothy Lacey'
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+sa(dp16430
+g12
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+sg2
+S'Woven Napkin'
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+sg4
+S'Suzanne Roy'
+p16432
+sa(dp16433
+g12
+g27
+sg2
+S'Woven Coverlet'
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+sg4
+S'Helen Bronson'
+p16435
+sa(dp16436
+g12
+g27
+sg2
+S'Coverlet'
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+sg4
+S'J. Howard Iams'
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+sa(dp16439
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+S'Coverlet'
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+S'Betty Jacob'
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+sa(dp16442
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+S'Coverlet'
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+S'J. Howard Iams'
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+sa(dp16445
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+g27
+sg2
+S'Coverlet'
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+sg4
+S'Henry Moran'
+p16447
+sa(dp16448
+g12
+g27
+sg2
+S'Coverlet'
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+sg4
+S'Eva Wilson'
+p16450
+sa(dp16451
+g12
+g27
+sg2
+S'Coverlet'
+p16452
+sg4
+S'Florence Milto'
+p16453
+sa(dp16454
+g2
+S'Hope on the Prow of a Broken-Masted Vessel [reverse]'
+p16455
+sg4
+S'Antico'
+p16456
+sg6
+S'bronze'
+p16457
+sg8
+S'unknown date\n'
+p16458
+sg10
+S'http://www.nga.gov:80/thumb-l/a00069/a0006947.jpg'
+p16459
+sg12
+g27
+sa(dp16460
+g12
+g27
+sg2
+S'Eagle Coverlet'
+p16461
+sg4
+S'Eva Wilson'
+p16462
+sa(dp16463
+g12
+g27
+sg2
+S'Jacquard Coverlet'
+p16464
+sg4
+S'Eva Wilson'
+p16465
+sa(dp16466
+g12
+g27
+sg2
+S'Coverlet'
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+sg4
+S'Eva Wilson'
+p16468
+sa(dp16469
+g12
+g27
+sg2
+S'Coverlet'
+p16470
+sg4
+S'Florence Milto'
+p16471
+sa(dp16472
+g12
+g27
+sg2
+S'Coverlet'
+p16473
+sg4
+S'Florence Milto'
+p16474
+sa(dp16475
+g12
+g27
+sg2
+S'Coverlet'
+p16476
+sg4
+S'Betty Jacob'
+p16477
+sa(dp16478
+g12
+g27
+sg2
+S'Coverlet: Boston Town'
+p16479
+sg4
+S'Byron Dingman'
+p16480
+sa(dp16481
+g12
+g27
+sg2
+S'Coverlet: Eagle Coin'
+p16482
+sg4
+S'Eileen Knox'
+p16483
+sa(dp16484
+g12
+g27
+sg2
+S'Damask Coverlet'
+p16485
+sg4
+S'Eva Wilson'
+p16486
+sa(dp16487
+g12
+g27
+sg2
+S'Coverlet'
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+sg4
+S'J. Howard Iams'
+p16489
+sa(dp16490
+g12
+g27
+sg6
+S'gilt bronze'
+p16491
+sg8
+S'unknown date\n'
+p16492
+sg2
+S"Marie de' Medici, 1573-1642, Wife of King Henri IV of France 1600 [obverse]"
+p16493
+sg4
+S'Guillaume Dupr\xc3\xa9'
+p16494
+sa(dp16495
+g12
+g27
+sg2
+S'Coverlet'
+p16496
+sg4
+S'Mary E. Humes'
+p16497
+sa(dp16498
+g12
+g27
+sg2
+S'Plaid Homespun Coverlet'
+p16499
+sg4
+S'Clyde L. Cheney'
+p16500
+sa(dp16501
+g12
+g27
+sg2
+S'Plaid Homespun Cloth'
+p16502
+sg4
+S'Clyde L. Cheney'
+p16503
+sa(dp16504
+g12
+g27
+sg2
+S'Linsey Woolsey'
+p16505
+sg4
+S'Frank J. Mace'
+p16506
+sa(dp16507
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+g27
+sg2
+S'Linsey Woolsey'
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+sg4
+S'Frank J. Mace'
+p16509
+sa(dp16510
+g12
+g27
+sg2
+S'Striped Kersey'
+p16511
+sg4
+S'William Parkinson'
+p16512
+sa(dp16513
+g12
+g27
+sg2
+S'Plaid Homespun Cloth'
+p16514
+sg4
+S'Frank J. Mace'
+p16515
+sa(dp16516
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+g27
+sg2
+S'Homespun Cloth'
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+sg4
+S'Frank J. Mace'
+p16518
+sa(dp16519
+g12
+g27
+sg2
+S'Plaid Homespun Coverlet'
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+sg4
+S'Frank J. Mace'
+p16521
+sa(dp16522
+g12
+g27
+sg2
+S'Wool Tablecloth'
+p16523
+sg4
+S'Frank Maurer'
+p16524
+sa(dp16525
+g12
+g27
+sg6
+S'gilt bronze'
+p16526
+sg8
+S'unknown date\n'
+p16527
+sg2
+S"Marie de' Medici as Mother of the Gods"
+p16528
+sg4
+S'Guillaume Dupr\xc3\xa9'
+p16529
+sa(dp16530
+g12
+g27
+sg2
+S'Bedspread'
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+sg4
+S'Eldon Allen'
+p16532
+sa(dp16533
+g12
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+sg2
+S'Linsey Blanket'
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+S'Frank Maurer'
+p16535
+sa(dp16536
+g12
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+sg2
+S'Homemade Cloth'
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+sg4
+S'Frank J. Mace'
+p16538
+sa(dp16539
+g12
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+sg2
+S'Homemade Cloth'
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+sg4
+S'LeRoy McCarrel'
+p16541
+sa(dp16542
+g12
+g27
+sg2
+S'Shirred Rug'
+p16543
+sg4
+S'Elbert S. Mowery'
+p16544
+sa(dp16545
+g12
+g27
+sg2
+S'Woven Textile'
+p16546
+sg4
+S'Mary C. Davidson'
+p16547
+sa(dp16548
+g12
+g27
+sg2
+S'Woven Wool Carpet'
+p16549
+sg4
+S'William Bos'
+p16550
+sa(dp16551
+g12
+g27
+sg2
+S'Stair Carpet'
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+sg4
+S'Arthur G. Merkley'
+p16553
+sa(dp16554
+g12
+g27
+sg2
+S'Carpet'
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+sg4
+S'George Loughridge'
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+sa(dp16557
+g12
+g27
+sg2
+S'Handwoven Carpet'
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+sg4
+S'Jules Lefevere'
+p16559
+sa(dp16560
+g12
+g27
+sg6
+S'bronze'
+p16561
+sg8
+S'c. 1465/1469'
+p16562
+sg2
+S"Giovanni di Cosimo de' Medici, 1421-1463"
+p16563
+sg4
+S'Florentine 15th Century'
+p16564
+sa(dp16565
+g12
+g27
+sg2
+S'Ingrain Carpet'
+p16566
+sg4
+S'Jules Lefevere'
+p16567
+sa(dp16568
+g12
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+sg2
+S'Ingrain Carpet'
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+sg4
+S'Marion Curtiss'
+p16570
+sa(dp16571
+g12
+g27
+sg2
+S'Brussels Carpet Bag'
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+S'Jules Lefevere'
+p16573
+sa(dp16574
+g12
+g27
+sg2
+S'Ingrain Carpet'
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+sg4
+S'Dorothy Lacey'
+p16576
+sa(dp16577
+g12
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+S'Carpet Bag'
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+sg4
+S'Mary Berner'
+p16579
+sa(dp16580
+g12
+g27
+sg2
+S'Brussels Carpet'
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+sg4
+S'Charlotte Winter'
+p16582
+sa(dp16583
+g12
+g27
+sg2
+S'Ingrain Carpet'
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+sg4
+S'Dorothy Lacey'
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+sa(dp16586
+g12
+g27
+sg2
+S'Quilt'
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+sg4
+S'Ruth M. Barnes'
+p16588
+sa(dp16589
+g12
+g27
+sg2
+S'Quilt Patchwork'
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+sg4
+S'Margaret Linsley'
+p16591
+sa(dp16592
+g12
+g27
+sg2
+S'Piece of Calico'
+p16593
+sg4
+S'Edward Grant'
+p16594
+sa(dp16595
+g12
+g27
+sg6
+S'overall (diameter): 7.1 cm (2 13/16 in.)\r\ngross weight: 90.33 gr (0.09 kg)'
+p16596
+sg8
+S'\nbronze'
+p16597
+sg2
+S'Francesco I of Carrara'
+p16598
+sg4
+S'Italian 15th Century'
+p16599
+sa(dp16600
+g12
+g27
+sg2
+S'Coverlet-Applique Quilt'
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+S'Manuel G. Runyan'
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+sa(dp16603
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+g27
+sg2
+S'Textile'
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+S'James Vail'
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+g27
+sg2
+S'Textile Drapery'
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+sg4
+S'James Vail'
+p16608
+sa(dp16609
+g12
+g27
+sg2
+S"Girl's Wrapper - Textile Pattern"
+p16610
+sg4
+S'Ivar Julius'
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+sa(dp16612
+g12
+g27
+sg2
+S'Resist Fabric'
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+sg4
+S'Milton Bevier'
+p16614
+sa(dp16615
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+g27
+sg2
+S'Printed Cotton'
+p16616
+sg4
+S'Lon Cronk'
+p16617
+sa(dp16618
+g12
+g27
+sg2
+S'Patchwork Quilt'
+p16619
+sg4
+S'Elbert S. Mowery'
+p16620
+sa(dp16621
+g12
+g27
+sg2
+S'Cotton Antique Prints'
+p16622
+sg4
+S'Millia Davenport'
+p16623
+sa(dp16624
+g12
+g27
+sg2
+S'Calico Prints from Costume'
+p16625
+sg4
+S'Mary C. Davidson'
+p16626
+sa(dp16627
+g12
+g27
+sg2
+S'Printed Cotton'
+p16628
+sg4
+S'Mary C. Davidson'
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+S'Julie C. Brush'
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+S"Infant's Quilt (Detail)"
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+S'Patches of Diamond Patchwork Quilt'
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+S'unknown date\n'
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+S'Lysippus Junior'
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+S'Four Textile Samples'
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+S'Pearl Gibbo'
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+S'Friendship Quilt-Patchwork Section'
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+S'Maud Schmid'
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+S"Lining of Baby's Hood"
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+S'Florence Earl'
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+S'Edmond W. Brown'
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+S'Pearl Gibbo'
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+S'Silk Gown (Detail)'
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+S'Santa Claus Tapestry'
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+S'unknown date\n'
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+S'Giovanni Alvise Toscani, c. 1450-1478, Milanese Jurisconsult, Consistorial Advocate, and Auditor General under Pope Sixtus IV [obverse]'
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+S'Lysippus Junior'
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+S'Sample of Calico'
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+S'Genevieve Sherlock'
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+S'Cloth with Numeration Table'
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+S'Marie Lutrell'
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+S'Calico'
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+S'Marie Lutrell'
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+S'Henry Granet'
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+S'Patchwork Quilt'
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+S'Millia Davenport'
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+S'Historical Printed Cotton'
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+S'Charles Rose'
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+S'Swatch from Patchwork Quilt'
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+S'A. Zimet'
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+S'Printed and Woven Cotton'
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+S'Millia Davenport'
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+S'Millia Davenport'
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+S'Millia Davenport'
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+S'unknown date\n'
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+S'Millia Davenport'
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+S'Millia Davenport'
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+S'George Loughridge'
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+S'George Loughridge'
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+S'Millia Davenport'
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+S'Eugene La Foret'
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+S'Marie Mitchell'
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+S'Dorothy Lacey'
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+S'Suzanne Roy'
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+sa(dp16992
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+S'overall: 77 x 41 cm (30 5/16 x 16 1/8 in.)'
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+S'\nterracotta'
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+S'The Virgin in Adoration'
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+S'Italian 19th Century'
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+S'unknown date\n'
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+S'Giovanni Alvise Toscani, c. 1450-1478, Milanese Jurisconsult, Consistorial Advocate, and Auditor General under Pope Sixtus IV [obverse]'
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+S'Lysippus Junior'
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+S'Applique Crib Coverlet'
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+S'Marion Curtiss'
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+S'Mary Berner'
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+S'Suzanne Roy'
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+S'Millia Davenport'
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+S'Millia Davenport'
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+S'Textile from Quilt'
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+S'Millia Davenport'
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+sa(dp17023
+g12
+g27
+sg2
+S'Block Printed Handkerchief'
+p17024
+sg4
+S'Dorothy Lacey'
+p17025
+sa(dp17026
+g12
+g27
+sg2
+S'Printed Cotton'
+p17027
+sg4
+S'Millia Davenport'
+p17028
+sa(dp17029
+g12
+g27
+sg2
+S'Printed Delaines'
+p17030
+sg4
+S'Millia Davenport'
+p17031
+sa(dp17032
+g12
+g27
+sg6
+S'bronze'
+p17033
+sg8
+S'unknown date\n'
+p17034
+sg2
+S'Neptune in a Sea-Car [reverse]'
+p17035
+sg4
+S'Lysippus Junior'
+p17036
+sa(dp17037
+g12
+g27
+sg2
+S'Yellow Glazed Chintz'
+p17038
+sg4
+S'Joseph Lubrano'
+p17039
+sa(dp17040
+g12
+g27
+sg2
+S'Chintz'
+p17041
+sg4
+S'Erwin Stenzel'
+p17042
+sa(dp17043
+g12
+g27
+sg2
+S'Quilted Chintz Coverlet'
+p17044
+sg4
+S'Eugene La Foret'
+p17045
+sa(dp17046
+g12
+g27
+sg2
+S'Printed Textile'
+p17047
+sg4
+S'Sidney Liswood'
+p17048
+sa(dp17049
+g12
+g27
+sg2
+S'Printed Textile'
+p17050
+sg4
+S'George Loughridge'
+p17051
+sa(dp17052
+g12
+g27
+sg2
+S'Resist Printed Linen'
+p17053
+sg4
+S'Michael Trekur'
+p17054
+sa(dp17055
+g12
+g27
+sg2
+S'Quilt Patches'
+p17056
+sg4
+S'Millia Davenport'
+p17057
+sa(dp17058
+g12
+g27
+sg2
+S'Printed Textiles'
+p17059
+sg4
+S'Suzanne Roy'
+p17060
+sa(dp17061
+g12
+g27
+sg2
+S'Resist Print'
+p17062
+sg4
+S'Michael Trekur'
+p17063
+sa(dp17064
+g12
+g27
+sg2
+S'Printed Cottons'
+p17065
+sg4
+S'Martha Reed'
+p17066
+sa(dp17067
+g2
+S'Gianfrancesco Gonzaga di Rodigo, 1445-1496, Lord of Bozzolo, Sabbioneta, and Viadana 1478 [obverse]'
+p17068
+sg4
+S'Mantuan 15th Century'
+p17069
+sg6
+S'overall (diameter): 3.51 cm (1 3/8 in.)\r\ngross weight: 26.15 gr (0.058 lb.)\r\naxis: 6:00'
+p17070
+sg8
+S'\nbronze'
+p17071
+sg10
+S'http://www.nga.gov:80/thumb-l/a00068/a0006851.jpg'
+p17072
+sg12
+g27
+sa(dp17073
+g12
+g27
+sg2
+S'Printed Delaines'
+p17074
+sg4
+S'Martha Reed'
+p17075
+sa(dp17076
+g12
+g27
+sg2
+S'Textiles in Patchwork Quilt'
+p17077
+sg4
+S'Charlotte Winter'
+p17078
+sa(dp17079
+g12
+g27
+sg2
+S'Textiles'
+p17080
+sg4
+S'Martha Reed'
+p17081
+sa(dp17082
+g12
+g27
+sg2
+S'Chintzes from Quilt'
+p17083
+sg4
+S'Catherine Fowler'
+p17084
+sa(dp17085
+g12
+g27
+sg2
+S'Historical Printed Cotton'
+p17086
+sg4
+S'Esther Hansen'
+p17087
+sa(dp17088
+g12
+g27
+sg2
+S'Printed Textile of George Washington'
+p17089
+sg4
+S'Joseph Lubrano'
+p17090
+sa(dp17091
+g12
+g27
+sg2
+S'Printed Textile'
+p17092
+sg4
+S'Sylvia De Zon'
+p17093
+sa(dp17094
+g12
+g27
+sg2
+S'Printed Cotton'
+p17095
+sg4
+S'Michael Trekur'
+p17096
+sa(dp17097
+g12
+g27
+sg2
+S'Printed Cotton'
+p17098
+sg4
+S'Michael Trekur'
+p17099
+sa(dp17100
+g12
+g27
+sg2
+S'Portrait of George Washington'
+p17101
+sg4
+S'Suzanne Roy'
+p17102
+sa(dp17103
+g2
+S'House between Two Hills [reverse]'
+p17104
+sg4
+S'Mantuan 15th Century'
+p17105
+sg6
+S'overall (diameter): 3.51 cm (1 3/8 in.)\r\ngross weight: 26.15 gr (0.058 lb.)\r\naxis: 6:00'
+p17106
+sg8
+S'\nbronze'
+p17107
+sg10
+S'http://www.nga.gov:80/thumb-l/a00068/a0006850.jpg'
+p17108
+sg12
+g27
+sa(dp17109
+g12
+g27
+sg2
+S'Textile Swatches'
+p17110
+sg4
+S'Charlotte Winter'
+p17111
+sa(dp17112
+g12
+g27
+sg2
+S'Historical Printed Textile'
+p17113
+sg4
+S'Suzanne Roy'
+p17114
+sa(dp17115
+g12
+g27
+sg2
+S'Swatches'
+p17116
+sg4
+S'Catherine Fowler'
+p17117
+sa(dp17118
+g12
+g27
+sg2
+S'Historical Printed Cotton'
+p17119
+sg4
+S'Suzanne Roy'
+p17120
+sa(dp17121
+g12
+g27
+sg2
+S'Printed Chintz'
+p17122
+sg4
+S'Hubbell McBride'
+p17123
+sa(dp17124
+g12
+g27
+sg2
+S'Printed Textiles'
+p17125
+sg4
+S'Jenny Almgren'
+p17126
+sa(dp17127
+g12
+g27
+sg2
+S'Printed Textile'
+p17128
+sg4
+S'Artist Information ('
+p17129
+sa(dp17130
+g12
+g27
+sg2
+S'Printed Cotton'
+p17131
+sg4
+S'Henry Granet'
+p17132
+sa(dp17133
+g12
+g27
+sg2
+S'Historical Printed Textile'
+p17134
+sg4
+S'Artist Information ('
+p17135
+sa(dp17136
+g12
+g27
+sg2
+S'Historic Printed Textile'
+p17137
+sg4
+S'Suzanne Roy'
+p17138
+sa(dp17139
+g12
+g27
+sg6
+S'bronze'
+p17140
+sg8
+S'1502'
+p17141
+sg2
+S'Filiberto II le Beau (the Fair), 1480-1504, 8th Duke of Savoy 1497, and Margaret of Austria, 1480-1530, His Wife [obverse]'
+p17142
+sg4
+S'Jean Marende'
+p17143
+sa(dp17144
+g12
+g27
+sg2
+S'Printed Cotton'
+p17145
+sg4
+S'Ernest Capaldo'
+p17146
+sa(dp17147
+g12
+g27
+sg2
+S'Historical Printed Cotton'
+p17148
+sg4
+S'D Davin'
+p17149
+sa(dp17150
+g12
+g27
+sg2
+S'Historical Printed Textile'
+p17151
+sg4
+S'E.A. Smaller'
+p17152
+sa(dp17153
+g12
+g27
+sg2
+S'Printed Cotton Chintz'
+p17154
+sg4
+S'Joseph Lubrano'
+p17155
+sa(dp17156
+g12
+g27
+sg2
+S'Printed Textile'
+p17157
+sg4
+S'Joseph Lubrano'
+p17158
+sa(dp17159
+g12
+g27
+sg2
+S'Printed Textile'
+p17160
+sg4
+S'Joseph Lubrano'
+p17161
+sa(dp17162
+g12
+g27
+sg2
+S'Printed Cotton'
+p17163
+sg4
+S'Charlotte Winter'
+p17164
+sa(dp17165
+g12
+g27
+sg2
+S'Printed Textiles'
+p17166
+sg4
+S'Ernest Capaldo'
+p17167
+sa(dp17168
+g12
+g27
+sg2
+S'Printed Textiles'
+p17169
+sg4
+S'Ernest Capaldo'
+p17170
+sa(dp17171
+g12
+g27
+sg2
+S'Printed Textile'
+p17172
+sg4
+S'Mildred Ford'
+p17173
+sa(dp17174
+g12
+g27
+sg6
+S'bronze'
+p17175
+sg8
+S'1502'
+p17176
+sg2
+S'Arms of Filiberto Impalling Those of Margaret [reverse]'
+p17177
+sg4
+S'Jean Marende'
+p17178
+sa(dp17179
+g12
+g27
+sg2
+S'Printed Textiles'
+p17180
+sg4
+S'Joseph Lubrano'
+p17181
+sa(dp17182
+g12
+g27
+sg2
+S'Printed Cotton'
+p17183
+sg4
+S'Mina Lowry'
+p17184
+sa(dp17185
+g12
+g27
+sg2
+S'Printed Cotton'
+p17186
+sg4
+S'Suzanne Roy'
+p17187
+sa(dp17188
+g12
+g27
+sg2
+S'Historical Printed Cotton'
+p17189
+sg4
+S'Arlene Perkins'
+p17190
+sa(dp17191
+g12
+g27
+sg2
+S'Printed Cotton'
+p17192
+sg4
+S'Joseph Lubrano'
+p17193
+sa(dp17194
+g12
+g27
+sg2
+S'Historical Printed Cotton'
+p17195
+sg4
+S'Ernest Capaldo'
+p17196
+sa(dp17197
+g12
+g27
+sg2
+S'Printed Textile'
+p17198
+sg4
+S'Joseph Lubrano'
+p17199
+sa(dp17200
+g12
+g27
+sg2
+S'Printed Textile'
+p17201
+sg4
+S'Arlene Perkins'
+p17202
+sa(dp17203
+g12
+g27
+sg2
+S'Printed Textile'
+p17204
+sg4
+S'Ernest Capaldo'
+p17205
+sa(dp17206
+g12
+S'In America, commercial production of printed textiles was a profitable business by\n 1800. While the growth of the textile industry in America was encouraged by the\n availability of cheap cotton and by protective tariffs, mechanization was the key\n to an expanding textile industry. Mechanical spinning was introduced in Rhode Island\n in 1789, and the power loom came into use in 1814. With these machines American\n mills accelerated and vastly increased the production of textiles. The tedious\n wood-block technique gave way to the more expeditious process of roller printing,\n that is, using metal cylinders with engraved surface designs as the means by which\n patterns were transferred to fabric. By the middle of the nineteenth century,\n textile mills were flourishing throughout New England and the mid-Atlantic states.\n Fall River, Massachusetts, became an important textile manufacturing and printing\n center, and among the factories in that location, Andrew Robeson and Company\n was pre-eminent. Here is a cotton print produced by the Robeson Company\n between 1834 and 1848 and bearing the company\'s label. The fabric is woven in\n stripes of white and soft yellow. The striped design is overlaid with a floral pattern\n printed in black and red and reminiscent of the floral forms seen in Indian fabrics.\n The delicacy of the printed pattern is in keeping with the refinement of the colors\n and justifies the many awards the company received for the "fineness" of their products.\n '
+p17207
+sg10
+S'http://www.nga.gov:80/thumb-l/a00050/a0005088.jpg'
+p17208
+sg2
+S'Printed Textile'
+p17209
+sg4
+S'Joseph Lubrano'
+p17210
+sa(dp17211
+g12
+g27
+sg6
+S'bronze'
+p17212
+sg8
+S'1446'
+p17213
+sg2
+S'Isotta degli Atti, 1432/1433-1474, Mistress 1446, then Wife after 1453, of Sigismondo Malatesta [obverse]'
+p17214
+sg4
+S"Matteo de' Pasti"
+p17215
+sa(dp17216
+g12
+g27
+sg2
+S'Printed Cotton'
+p17217
+sg4
+S'Catherine Fowler'
+p17218
+sa(dp17219
+g12
+g27
+sg2
+S'Printed Cotton'
+p17220
+sg4
+S'Charlotte Winter'
+p17221
+sa(dp17222
+g12
+g27
+sg2
+S'Printed Textile'
+p17223
+sg4
+S'Joseph Lubrano'
+p17224
+sa(dp17225
+g12
+g27
+sg2
+S'Printed Textile (Historical)'
+p17226
+sg4
+S'Arlene Perkins'
+p17227
+sa(dp17228
+g12
+g27
+sg2
+S'Printed Cotton'
+p17229
+sg4
+S'Ernest Capaldo'
+p17230
+sa(dp17231
+g12
+g27
+sg2
+S'Printed Cotton'
+p17232
+sg4
+S'Joseph Lubrano'
+p17233
+sa(dp17234
+g12
+g27
+sg2
+S'Cotton Prints'
+p17235
+sg4
+S'Albert Levone'
+p17236
+sa(dp17237
+g12
+g27
+sg2
+S'Printed Cottons (from Quilt)'
+p17238
+sg4
+S'Albert Levone'
+p17239
+sa(dp17240
+g12
+g27
+sg10
+S'http://www.nga.gov:80/thumb-l/a00002/a00002ba.jpg'
+p17241
+sg2
+S'Printed Cotton'
+p17242
+sg4
+S'Albert Levone'
+p17243
+sa(dp17244
+g12
+g27
+sg2
+S'Printed Cotton'
+p17245
+sg4
+S'Albert Levone'
+p17246
+sa(dp17247
+g12
+g27
+sg6
+S'bronze'
+p17248
+sg8
+S'1446'
+p17249
+sg2
+S'The Malatesta Elephant in a Meadow [reverse]'
+p17250
+sg4
+S"Matteo de' Pasti"
+p17251
+sa(dp17252
+g12
+g27
+sg2
+S'Figured Material from Quilt'
+p17253
+sg4
+S'Dorothy Posten'
+p17254
+sa(dp17255
+g12
+g27
+sg2
+S'Figured Material from Quilt'
+p17256
+sg4
+S'Dorothy Posten'
+p17257
+sa(dp17258
+g12
+g27
+sg2
+S'Figured Material from Quilt'
+p17259
+sg4
+S'Dorothy Posten'
+p17260
+sa(dp17261
+g12
+g27
+sg2
+S'Materials from Patchwork Quilt'
+p17262
+sg4
+S'Katherine Hastings'
+p17263
+sa(dp17264
+g12
+g27
+sg2
+S'Materials from Patchwork Quilt'
+p17265
+sg4
+S'Katherine Hastings'
+p17266
+sa(dp17267
+g12
+g27
+sg2
+S'Materials from Patchwork Quilt'
+p17268
+sg4
+S'Katherine Hastings'
+p17269
+sa(dp17270
+g12
+g27
+sg2
+S'Materials from Quilt'
+p17271
+sg4
+S'Katherine Hastings'
+p17272
+sa(dp17273
+g12
+g27
+sg2
+S'Materials from Quilt'
+p17274
+sg4
+S'Edward White'
+p17275
+sa(dp17276
+g12
+g27
+sg2
+S'Materials from Quilt'
+p17277
+sg4
+S'Dorothy Posten'
+p17278
+sa(dp17279
+g12
+g27
+sg2
+S'Materials from Quilt'
+p17280
+sg4
+S'Dorothy Posten'
+p17281
+sa(dp17282
+g12
+g27
+sg6
+S'bronze'
+p17283
+sg8
+S'1446'
+p17284
+sg2
+S'Isotta degli Atti, 1432/1433-1474, Mistress 1446, then Wife after 1453, of Sigismondo Malatesta [obverse]'
+p17285
+sg4
+S"Matteo de' Pasti"
+p17286
+sa(dp17287
+g12
+g27
+sg2
+S'Patchwork from Spread (Quilt)'
+p17288
+sg4
+S'Inez McCombs'
+p17289
+sa(dp17290
+g12
+g27
+sg2
+S'Printed Cottons from Quilt'
+p17291
+sg4
+S'Albert Levone'
+p17292
+sa(dp17293
+g12
+g27
+sg2
+S'Vest Material'
+p17294
+sg4
+S'Robert Stewart'
+p17295
+sa(dp17296
+g12
+g27
+sg2
+S'Vest Material'
+p17297
+sg4
+S'Robert Stewart'
+p17298
+sa(dp17299
+g12
+g27
+sg2
+S'Vest Material'
+p17300
+sg4
+S'Robert Stewart'
+p17301
+sa(dp17302
+g12
+g27
+sg2
+S'Vest Material'
+p17303
+sg4
+S'Robert Stewart'
+p17304
+sa(dp17305
+g12
+g27
+sg2
+S'Materials from Quilt'
+p17306
+sg4
+S'Katherine Hastings'
+p17307
+sa(dp17308
+g12
+g27
+sg2
+S'Materials from Quilt'
+p17309
+sg4
+S'Katherine Hastings'
+p17310
+sa(dp17311
+g12
+g27
+sg2
+S'Materials from Quilt'
+p17312
+sg4
+S'Dorothy Posten'
+p17313
+sa(dp17314
+g12
+g27
+sg2
+S'Materials from Quilt'
+p17315
+sg4
+S'Dorothy Posten'
+p17316
+sa(dp17317
+g12
+g27
+sg6
+S'bronze'
+p17318
+sg8
+S'1446'
+p17319
+sg2
+S'The Malatesta Elephant in a Meadow [reverse]'
+p17320
+sg4
+S"Matteo de' Pasti"
+p17321
+sa(dp17322
+g12
+g27
+sg2
+S'Materials from Quilt'
+p17323
+sg4
+S'Dorothy Posten'
+p17324
+sa(dp17325
+g12
+g27
+sg2
+S'Materials from Quilt'
+p17326
+sg4
+S'Dorothy Posten'
+p17327
+sa(dp17328
+g12
+g27
+sg2
+S'Materials from Quilt'
+p17329
+sg4
+S'Dorothy Posten'
+p17330
+sa(dp17331
+g12
+g27
+sg2
+S'Materials from Quilt'
+p17332
+sg4
+S'Dorothy Posten'
+p17333
+sa(dp17334
+g12
+g27
+sg2
+S'Materials from Quilt'
+p17335
+sg4
+S'Dorothy Posten'
+p17336
+sa(dp17337
+g12
+g27
+sg2
+S'Materials from Quilt'
+p17338
+sg4
+S'Dorothy Posten'
+p17339
+sa(dp17340
+g12
+g27
+sg2
+S'Materials from Quilt'
+p17341
+sg4
+S'Dorothy Posten'
+p17342
+sa(dp17343
+g12
+g27
+sg2
+S'Materials from Quilt'
+p17344
+sg4
+S'Dorothy Posten'
+p17345
+sa(dp17346
+g12
+g27
+sg2
+S'Quilt Patches'
+p17347
+sg4
+S'Dorothy Posten'
+p17348
+sa(dp17349
+g12
+g27
+sg2
+S'Quilt Patches'
+p17350
+sg4
+S'Dorothy Posten'
+p17351
+sa(dp17352
+g12
+g27
+sg6
+S'plaster'
+p17353
+sg8
+S'c. 1475'
+p17354
+sg2
+S'Madonna and Child'
+p17355
+sg4
+S'Antonio Rossellino'
+p17356
+sa(dp17357
+g12
+g27
+sg6
+S'bronze'
+p17358
+sg8
+S'1446'
+p17359
+sg2
+S'Sigismondo Pandolfo Malatesta, 1417-1468, Lord of Rimini and Fano [obverse]'
+p17360
+sg4
+S"Matteo de' Pasti"
+p17361
+sa(dp17362
+g12
+g27
+sg2
+S'Quilt Patches'
+p17363
+sg4
+S'Edward White'
+p17364
+sa(dp17365
+g12
+g27
+sg2
+S'Cotton Prints'
+p17366
+sg4
+S'Albert Levone'
+p17367
+sa(dp17368
+g12
+g27
+sg2
+S'Cloth Samples'
+p17369
+sg4
+S'Albert Levone'
+p17370
+sa(dp17371
+g12
+g27
+sg2
+S'Cotton Prints'
+p17372
+sg4
+S'Erskine Carter'
+p17373
+sa(dp17374
+g12
+g27
+sg2
+S'Patchwork Bedspread'
+p17375
+sg4
+S'Frances Lichten'
+p17376
+sa(dp17377
+g12
+g27
+sg2
+S'Materials from Patchwork Bedspread'
+p17378
+sg4
+S'Frances Lichten'
+p17379
+sa(dp17380
+g12
+g27
+sg2
+S'Materials from Patchwork Bedspread'
+p17381
+sg4
+S'Frances Lichten'
+p17382
+sa(dp17383
+g12
+g27
+sg2
+S'Materials from Patchwork Bedspread'
+p17384
+sg4
+S'Frances Lichten'
+p17385
+sa(dp17386
+g12
+g27
+sg2
+S'Materials from Patchwork Bedspread'
+p17387
+sg4
+S'Frances Lichten'
+p17388
+sa(dp17389
+g12
+g27
+sg2
+S'Materials from Patchwork Bedspread'
+p17390
+sg4
+S'Frances Lichten'
+p17391
+sa(dp17392
+g12
+g27
+sg6
+S'bronze'
+p17393
+sg8
+S'1446'
+p17394
+sg2
+S'The Castle of Rimini [reverse]'
+p17395
+sg4
+S"Matteo de' Pasti"
+p17396
+sa(dp17397
+g12
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+S'Materials from Patchwork Bedspread'
+p17398
+sg4
+S'Frances Lichten'
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+sa(dp17400
+g12
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+S'Materials from Patchwork Bedspread'
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+sg4
+S'Frances Lichten'
+p17402
+sa(dp17403
+g12
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+S'Materials from Patchwork Bedspread'
+p17404
+sg4
+S'Frances Lichten'
+p17405
+sa(dp17406
+g12
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+S'Quilt Patches'
+p17407
+sg4
+S'Katherine Hastings'
+p17408
+sa(dp17409
+g12
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+S'Quilt Patches'
+p17410
+sg4
+S'Edward White'
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+sa(dp17412
+g12
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+S'Quilt Patches'
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+S'Katherine Hastings'
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+sa(dp17415
+g12
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+S'Quilt Patches'
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+sg4
+S'Katherine Hastings'
+p17417
+sa(dp17418
+g12
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+S'Quilt Patches'
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+sg4
+S'Charles Moss'
+p17420
+sa(dp17421
+g12
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+S'Quilt Patches'
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+sg4
+S'Charles Moss'
+p17423
+sa(dp17424
+g12
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+S'Printed Cotton'
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+sg4
+S'J. Howard Iams'
+p17426
+sa(dp17427
+g12
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+sg6
+S'bronze'
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+sg8
+S'c. 1441'
+p17429
+sg2
+S'Filippo Maria Visconti, 1392-1447, Duke of Milan 1412 [obverse]'
+p17430
+sg4
+S'Pisanello'
+p17431
+sa(dp17432
+g12
+g27
+sg2
+S'Bed Curtain'
+p17433
+sg4
+S'Alice Braun'
+p17434
+sa(dp17435
+g12
+g27
+sg2
+S'Chintz (From Quilt)'
+p17436
+sg4
+S'J. Howard Iams'
+p17437
+sa(dp17438
+g12
+g27
+sg2
+S'Quilt Patches'
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+sg4
+S'Katherine Hastings'
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+sa(dp17441
+g12
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+S'Quilt Patches'
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+sg4
+S'Katherine Hastings'
+p17443
+sa(dp17444
+g12
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+S'Material from Dress'
+p17445
+sg4
+S'Mary E. Humes'
+p17446
+sa(dp17447
+g12
+g27
+sg2
+S'Flag: Civil War'
+p17448
+sg4
+S'Edward Grant'
+p17449
+sa(dp17450
+g12
+g27
+sg2
+S'Flag: Mexican War'
+p17451
+sg4
+S'Edward Grant'
+p17452
+sa(dp17453
+g12
+g27
+sg2
+S'Revolutionary Flag'
+p17454
+sg4
+S'Edward Grant'
+p17455
+sa(dp17456
+g12
+g27
+sg2
+S'Flag'
+p17457
+sg4
+S'Joseph Sudek'
+p17458
+sa(dp17459
+g12
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+sg2
+S'Miniature Revolutionary Flag'
+p17460
+sg4
+S'John Hall'
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+sa(dp17462
+g12
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+sg6
+S'bronze'
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+sg8
+S'c. 1441'
+p17464
+sg2
+S'Filippo Maria Visconti Riding in a Mountainous Landscape [reverse]'
+p17465
+sg4
+S'Pisanello'
+p17466
+sa(dp17467
+g12
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+sg2
+S'Night Cap'
+p17468
+sg4
+S'Percival Jenner'
+p17469
+sa(dp17470
+g12
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+sg2
+S'Cap'
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+sg4
+S'Percival Jenner'
+p17472
+sa(dp17473
+g12
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+S'Headdress'
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+sg4
+S'Eva Noe'
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+sa(dp17476
+g12
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+S'Headdress'
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+S'Eva Noe'
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+sa(dp17479
+g12
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+sg4
+S'Eva Noe'
+p17481
+sa(dp17482
+g12
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+S'Headdress'
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+sg4
+S'Eva Noe'
+p17484
+sa(dp17485
+g12
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+S'Headdress'
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+sg4
+S'Eva Noe'
+p17487
+sa(dp17488
+g12
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+S'Headdress'
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+sg4
+S'Eva Noe'
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+sa(dp17491
+g12
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+sg2
+S'Headdress'
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+sg4
+S'Eva Noe'
+p17493
+sa(dp17494
+g12
+g27
+sg2
+S'Headdress'
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+sg4
+S'Eva Noe'
+p17496
+sa(dp17497
+g12
+g27
+sg6
+S'bronze'
+p17498
+sg8
+S'c. 1446'
+p17499
+sg2
+S"Vittorino de' Rambaldoni da Feltre, 1379-1446, Humanist [obverse]"
+p17500
+sg4
+S'Pisanello'
+p17501
+sa(dp17502
+g12
+g27
+sg2
+S'Headdress'
+p17503
+sg4
+S'Eva Noe'
+p17504
+sa(dp17505
+g12
+g27
+sg2
+S'Bonnet'
+p17506
+sg4
+S'Dorothy M. Gerhard'
+p17507
+sa(dp17508
+g12
+g27
+sg2
+S"Man's Hat"
+p17509
+sg4
+S'William Mills'
+p17510
+sa(dp17511
+g12
+g27
+sg2
+S'Lace Cap'
+p17512
+sg4
+S'Gladys C. Parker'
+p17513
+sa(dp17514
+g12
+g27
+sg2
+S'Hat'
+p17515
+sg4
+S'Ruth M. Barnes'
+p17516
+sa(dp17517
+g12
+g27
+sg2
+S'Hat'
+p17518
+sg4
+S'Ann Gene Buckley'
+p17519
+sa(dp17520
+g12
+g27
+sg2
+S'Sealskin Cap'
+p17521
+sg4
+S'Dana Bartlett'
+p17522
+sa(dp17523
+g12
+g27
+sg2
+S"Baby's Bonnet"
+p17524
+sg4
+S'Edith Towner'
+p17525
+sa(dp17526
+g12
+g27
+sg2
+S'Hat'
+p17527
+sg4
+S'Juanita Donahoo'
+p17528
+sa(dp17529
+g12
+g27
+sg2
+S'Hat Mannequin'
+p17530
+sg4
+S'Howard Weld'
+p17531
+sa(dp17532
+g12
+g27
+sg6
+S'bronze'
+p17533
+sg8
+S'c. 1446'
+p17534
+sg2
+S'Pelican in Her Piety [reverse]'
+p17535
+sg4
+S'Pisanello'
+p17536
+sa(dp17537
+g12
+g27
+sg2
+S'Hat Mannequin and Bonnet'
+p17538
+sg4
+S'Howard Weld'
+p17539
+sa(dp17540
+g12
+g27
+sg2
+S'Black Silk Bonnet'
+p17541
+sg4
+S'B. Berndt'
+p17542
+sa(dp17543
+g12
+g27
+sg2
+S'Black Satin Bonnet'
+p17544
+sg4
+S'B. Berndt'
+p17545
+sa(dp17546
+g12
+g27
+sg2
+S'High Beaver Hat'
+p17547
+sg4
+S'Gordon Saltar'
+p17548
+sa(dp17549
+g12
+g27
+sg2
+S'High Straw Hat'
+p17550
+sg4
+S'Ernest A. Towers, Jr.'
+p17551
+sa(dp17552
+g12
+g27
+sg2
+S'Calash'
+p17553
+sg4
+S'Edward L. Loper'
+p17554
+sa(dp17555
+g12
+g27
+sg2
+S"Infant's Dress Yoke and Mull Cup"
+p17556
+sg4
+S'Ella Josephine Sterling'
+p17557
+sa(dp17558
+g12
+g27
+sg2
+S'Baby Bonnet'
+p17559
+sg4
+S'Maud M. Holme'
+p17560
+sa(dp17561
+g12
+g27
+sg2
+S'Night Cap'
+p17562
+sg4
+S'Cora Parker'
+p17563
+sa(dp17564
+g12
+g27
+sg2
+S'Sun Bonnet'
+p17565
+sg4
+S'Cora Parker'
+p17566
+sa(dp17567
+g12
+g27
+sg6
+S'bronze, partly gilded'
+p17568
+sg8
+S'1537'
+p17569
+sg2
+S'Charles V, 1500-1558, King of Spain 1516, Holy Roman Emperor 1519-1556 [obverse]'
+p17570
+sg4
+S'Hans Reinhart the Elder'
+p17571
+sa(dp17572
+g12
+g27
+sg2
+S'Sunbonnet'
+p17573
+sg4
+S'Manuel G. Runyan'
+p17574
+sa(dp17575
+g12
+g27
+sg2
+S'Bonnet'
+p17576
+sg4
+S'Frank M. Keane'
+p17577
+sa(dp17578
+g12
+g27
+sg2
+S'Bonnet'
+p17579
+sg4
+S'Fred Hassebrock'
+p17580
+sa(dp17581
+g12
+g27
+sg2
+S'Coal Scuttle Bonnet'
+p17582
+sg4
+S'Charles Johnson'
+p17583
+sa(dp17584
+g12
+g27
+sg2
+S'Bonnet'
+p17585
+sg4
+S'J. Herman McCollum'
+p17586
+sa(dp17587
+g12
+g27
+sg2
+S"Baby's Hood"
+p17588
+sg4
+S'Artist Information ('
+p17589
+sa(dp17590
+g12
+g27
+sg2
+S'Hat'
+p17591
+sg4
+S'Mae Szilvasy'
+p17592
+sa(dp17593
+g12
+g27
+sg2
+S'White Satin Hat'
+p17594
+sg4
+S'Lucien Verbeke'
+p17595
+sa(dp17596
+g12
+g27
+sg2
+S'Hat'
+p17597
+sg4
+S'Joseph L. Boyd'
+p17598
+sa(dp17599
+g12
+g27
+sg2
+S"Elderly Lady's Bonnet"
+p17600
+sg4
+S'Al Curry'
+p17601
+sa(dp17602
+g12
+g27
+sg6
+S'bronze, partly gilded'
+p17603
+sg8
+S'1537'
+p17604
+sg2
+S'Double-headed Eagle, Charged with Shield [reverse]'
+p17605
+sg4
+S'Hans Reinhart the Elder'
+p17606
+sa(dp17607
+g12
+g27
+sg2
+S'White Satin Bonnet'
+p17608
+sg4
+S'Arelia Arbo'
+p17609
+sa(dp17610
+g12
+g27
+sg2
+S'Hat'
+p17611
+sg4
+S'Lucien Verbeke'
+p17612
+sa(dp17613
+g12
+g27
+sg2
+S'Bonnet'
+p17614
+sg4
+S'Al Curry'
+p17615
+sa(dp17616
+g12
+g27
+sg2
+S'Satin and Lace Hat'
+p17617
+sg4
+S'Arelia Arbo'
+p17618
+sa(dp17619
+g12
+g27
+sg2
+S'Bonnet'
+p17620
+sg4
+S'Lucien Verbeke'
+p17621
+sa(dp17622
+g12
+g27
+sg2
+S'Poke Bonnet'
+p17623
+sg4
+S'Arelia Arbo'
+p17624
+sa(dp17625
+g12
+g27
+sg2
+S'Bonnet'
+p17626
+sg4
+S'Lillian Causey'
+p17627
+sa(dp17628
+g12
+g27
+sg2
+S'Bonnet'
+p17629
+sg4
+S'Lillian Causey'
+p17630
+sa(dp17631
+g12
+g27
+sg2
+S'Night Cap'
+p17632
+sg4
+S'Marie Alain'
+p17633
+sa(dp17634
+g12
+g27
+sg2
+S'Bonnet'
+p17635
+sg4
+S'Lillian Causey'
+p17636
+sa(dp17637
+g12
+g27
+sg6
+S'overall (diameter): 7.88 cm (3 1/8 in.)\r\ngross weight: 248.6 gr (0.548 lb.)\r\naxis: 12:00'
+p17638
+sg8
+S'\nbronze'
+p17639
+sg2
+S"Leo X (Giovanni de' Medici, 1475-1521), Pope 1513 [obverse]"
+p17640
+sg4
+S'Roman 16th Century'
+p17641
+sa(dp17642
+g12
+g27
+sg2
+S'Bonnet'
+p17643
+sg4
+S'Stella Mosher'
+p17644
+sa(dp17645
+g12
+g27
+sg2
+S'Bonnet'
+p17646
+sg4
+S'Lillian Causey'
+p17647
+sa(dp17648
+g12
+g27
+sg2
+S'Snood'
+p17649
+sg4
+S'Stella Mosher'
+p17650
+sa(dp17651
+g12
+g27
+sg2
+S"Woman's Headdress"
+p17652
+sg4
+S'James McLellan'
+p17653
+sa(dp17654
+g12
+g27
+sg2
+S'Mannequin'
+p17655
+sg4
+S'Alice Cosgrove'
+p17656
+sa(dp17657
+g12
+g27
+sg2
+S"Woman's Bonnet"
+p17658
+sg4
+S'Marie Famularo'
+p17659
+sa(dp17660
+g12
+g27
+sg2
+S'Silk Bonnet'
+p17661
+sg4
+S'Peter Connin'
+p17662
+sa(dp17663
+g12
+g27
+sg2
+S"Child's Bonnet"
+p17664
+sg4
+S'Erwin Schwabe'
+p17665
+sa(dp17666
+g12
+g27
+sg2
+S"Child's Hat"
+p17667
+sg4
+S'Marie Famularo'
+p17668
+sa(dp17669
+g12
+g27
+sg2
+S'Bonnet'
+p17670
+sg4
+S'Herbert Marsh'
+p17671
+sa(dp17672
+g12
+g27
+sg6
+S'overall (diameter): 7.88 cm (3 1/8 in.)\r\ngross weight: 248.6 gr (0.548 lb.)\r\naxis: 12:00'
+p17673
+sg8
+S'\nbronze'
+p17674
+sg2
+S'Shield with the Medici Arms, Surmounted by the Papal Tiara and Crossed Keys [reverse]'
+p17675
+sg4
+S'Roman 16th Century'
+p17676
+sa(dp17677
+g12
+g27
+sg2
+S'Opera Hood'
+p17678
+sg4
+S'Richard Taylor'
+p17679
+sa(dp17680
+g12
+g27
+sg2
+S'Hat'
+p17681
+sg4
+S'Marie Famularo'
+p17682
+sa(dp17683
+g12
+g27
+sg2
+S"Baby's Cap"
+p17684
+sg4
+S'Herbert Marsh'
+p17685
+sa(dp17686
+g12
+g27
+sg2
+S'Bonnet'
+p17687
+sg4
+S'Grace Halpin'
+p17688
+sa(dp17689
+g12
+g27
+sg2
+S'Bonnet'
+p17690
+sg4
+S'Francis Law Durand'
+p17691
+sa(dp17692
+g12
+g27
+sg2
+S'Straw Bonnet'
+p17693
+sg4
+S'Frank Nelson'
+p17694
+sa(dp17695
+g12
+g27
+sg2
+S'Crepe Bonnet'
+p17696
+sg4
+S'Francis Law Durand'
+p17697
+sa(dp17698
+g12
+g27
+sg2
+S'Bonnet'
+p17699
+sg4
+S'Francis Law Durand'
+p17700
+sa(dp17701
+g12
+g27
+sg2
+S'Night Cap'
+p17702
+sg4
+S'Herbert Marsh'
+p17703
+sa(dp17704
+g12
+g27
+sg2
+S'Straw Bonnet'
+p17705
+sg4
+S'Francis Law Durand'
+p17706
+sa(dp17707
+g12
+g27
+sg6
+S'overall: 41 x 30 cm (16 1/8 x 11 13/16 in.)'
+p17708
+sg8
+S'\nmarble'
+p17709
+sg2
+S'Madonna and Child'
+p17710
+sg4
+S'Italian 19th Century'
+p17711
+sa(dp17712
+g12
+g27
+sg6
+S'bronze'
+p17713
+sg8
+S'probably c. 1478/1482'
+p17714
+sg2
+S'Giovanni II Bentivoglio, 1443-1508, Lord of Bologna 1462-1506 [obverse]'
+p17715
+sg4
+S'Sperandio'
+p17716
+sa(dp17717
+g12
+g27
+sg2
+S'Bonnet'
+p17718
+sg4
+S'Francis Law Durand'
+p17719
+sa(dp17720
+g12
+g27
+sg2
+S"Child's Cap"
+p17721
+sg4
+S'Raymond Guterl'
+p17722
+sa(dp17723
+g12
+g27
+sg2
+S"Infant's Cap"
+p17724
+sg4
+S'Grace Halpin'
+p17725
+sa(dp17726
+g12
+g27
+sg2
+S'Bonnet'
+p17727
+sg4
+S'Marion Gaskill'
+p17728
+sa(dp17729
+g12
+g27
+sg2
+S'Opera Hood'
+p17730
+sg4
+S'Raymond Manupelli'
+p17731
+sa(dp17732
+g12
+g27
+sg2
+S'Bonnet'
+p17733
+sg4
+S'Florence Earl'
+p17734
+sa(dp17735
+g12
+g27
+sg2
+S'Bonnet and Veil'
+p17736
+sg4
+S'Isabelle De Strange'
+p17737
+sa(dp17738
+g12
+g27
+sg2
+S"Baby's Hood"
+p17739
+sg4
+S'Florence Earl'
+p17740
+sa(dp17741
+g12
+g27
+sg2
+S'Bonnet'
+p17742
+sg4
+S'Florence Earl'
+p17743
+sa(dp17744
+g12
+g27
+sg2
+S"Baby's Cap"
+p17745
+sg4
+S'Richard Whitaker'
+p17746
+sa(dp17747
+g12
+g27
+sg6
+S'bronze'
+p17748
+sg8
+S'probably c. 1478/1482'
+p17749
+sg2
+S'Giovanni II Bentivoglio and Squire [reverse]'
+p17750
+sg4
+S'Sperandio'
+p17751
+sa(dp17752
+g12
+g27
+sg2
+S'Straw Bonnet'
+p17753
+sg4
+S'Ferdinand Badin'
+p17754
+sa(dp17755
+g12
+g27
+sg2
+S"Infant's Cap"
+p17756
+sg4
+S'Eleanor Gausser'
+p17757
+sa(dp17758
+g12
+g27
+sg2
+S"Baby's Bonnet"
+p17759
+sg4
+S'Richard Whitaker'
+p17760
+sa(dp17761
+g12
+g27
+sg2
+S'Bonnet'
+p17762
+sg4
+S'Ferdinand Badin'
+p17763
+sa(dp17764
+g12
+g27
+sg2
+S'Headdress'
+p17765
+sg4
+S'Eva Noe'
+p17766
+sa(dp17767
+g12
+g27
+sg2
+S'Hat'
+p17768
+sg4
+S'Mae Szilvasy'
+p17769
+sa(dp17770
+g12
+g27
+sg2
+S'Calash'
+p17771
+sg4
+S'Esther Peck'
+p17772
+sa(dp17773
+g12
+g27
+sg2
+S'Bonnet'
+p17774
+sg4
+S'American 20th Century'
+p17775
+sa(dp17776
+g12
+g27
+sg2
+S'Cap'
+p17777
+sg4
+S'Rosalia Lane'
+p17778
+sa(dp17779
+g12
+g27
+sg2
+S'Bonnet'
+p17780
+sg4
+S'Rosalia Lane'
+p17781
+sa(dp17782
+g12
+g27
+sg6
+S'bronze'
+p17783
+sg8
+S'1538'
+p17784
+sg2
+S'Antonio Mula, Venetian Patrician, Duke of Candia 1536, Member of the Council of Ten 1538 [obverse]'
+p17785
+sg4
+S'Andrea Spinelli'
+p17786
+sa(dp17787
+g12
+g27
+sg2
+S'Hat'
+p17788
+sg4
+S'Rosalia Lane'
+p17789
+sa(dp17790
+g12
+g27
+sg2
+S'Bonnet'
+p17791
+sg4
+S'Sara Garfinkel'
+p17792
+sa(dp17793
+g12
+g27
+sg2
+S'Bonnet'
+p17794
+sg4
+S'Gertrude Lemberg'
+p17795
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+S'overall (diameter): 7.6 cm (3 in.) gross weight: 87 gr'
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+S'\nbronze'
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+S'A Triumph, with Hunting Scenes'
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+sg4
+S'Wilford H. Shurtliff'
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+S'unknown date\n'
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+S'Mary E. Humes'
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+S'Mary E. Humes'
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+S'Mary E. Humes'
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+S'Edna C. Rex'
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+g12
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+S"Man's Linen Collar"
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+S'Neckerchief'
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+sg4
+S'Irene M. Burge'
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+sg4
+S'William Spiecker'
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+S'unknown date\n'
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+S'Raymond Manupelli'
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+S'Columbus Simpson'
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+S'Henry De Wolfe'
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+S'Catherine Fowler'
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+S'Marie Mitchell'
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+S'Cravat'
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+sg4
+S'Henry De Wolfe'
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+S"Giuliano de' Medici"
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+sg4
+S'Andrea del Verrocchio'
+p18064
+sg6
+S'terracotta'
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+sg8
+S'c. 1475/1478'
+p18066
+sg10
+S'http://www.nga.gov:80/thumb-l/a00005/a00005e3.jpg'
+p18067
+sg12
+S'Verrocchio\'s\n Unfortunately for the Medici, other noble families of Florence were growing tired of their leadership. Inspired to unseat them, the Pazzi conspiracy unraveled during high mass in the Florentine Duomo on April 26, 1478. As originally conceived, the plan was to assassinate both brothers the evening before at a party in Lorenzo\'s villa. Yet Giuliano had remained home to nurse a leg wound. Wanting to avoid a possible escape by Giuliano, the conspirators postponed their assault until Sunday when both brothers would surely be at the morning service. There, the Pazzi henchmen waited for the signal—the priest raising the Host—before attacking. Lorenzo survived, escaping with only minor injuries, but Giuliano was instantly killed. To revenge his brother, Lorenzo strangled the last bit of power out of his enemies, murdered the Pazzi men, banished their women, and imprisoned their relatives.\n '
+p18068
+sa(dp18069
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+S'gilt bronze'
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+sg8
+S'unknown date\n'
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+S'Apollo and Marsyas'
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+S'Giovanni Bernardi'
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+S'Petticoat'
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+sg4
+S'Lena Nastasi'
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+S'Nightgown'
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+sg4
+S'Evelyn Bailey'
+p18079
+sa(dp18080
+g12
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+S'Drawers Trimmed w/ Drawnwork'
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+S'Evelyn Bailey'
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+S'Chemise'
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+S'Evelyn Bailey'
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+S'Evelyn Bailey'
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+S'Nightgown'
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+sg4
+S'Evelyn Bailey'
+p18091
+sa(dp18092
+g12
+g27
+sg2
+S'Nightgown (Back View)'
+p18093
+sg4
+S'Evelyn Bailey'
+p18094
+sa(dp18095
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+S'Nightgown'
+p18096
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+S'Evelyn Bailey'
+p18097
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+S'Nightgown'
+p18099
+sg4
+S'Evelyn Bailey'
+p18100
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+S'Bloomers'
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+sg4
+S'Evelyn Bailey'
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+g12
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+S'bronze'
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+sg8
+S'unknown date\n'
+p18106
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+S'The Continence of Scipio [reversed sense]'
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+S'Giovanni Bernardi'
+p18108
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+S'Chemise'
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+S'Evelyn Bailey'
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+S'Evelyn Bailey'
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+S'Pantalette'
+p18116
+sg4
+S'Edith Towner'
+p18117
+sa(dp18118
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+S'Chemise'
+p18119
+sg4
+S'Gladys C. Parker'
+p18120
+sa(dp18121
+g12
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+sg2
+S'Skirt from Wedding Dress'
+p18122
+sg4
+S'Edith Towner'
+p18123
+sa(dp18124
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+S'Pantalette'
+p18125
+sg4
+S'Edith Towner'
+p18126
+sa(dp18127
+g12
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+S"Baby's Nightgown"
+p18128
+sg4
+S'Maud M. Holme'
+p18129
+sa(dp18130
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+S'Corset'
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+sg4
+S'John Thorsen'
+p18132
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+S"Girl's Wrapper"
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+sg4
+S'James Vail'
+p18135
+sa(dp18136
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+S'Corset'
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+sg4
+S'Frank McEntee'
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+g12
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+S'bronze'
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+S'unknown date\n'
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+S'Prometheus'
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+S'Giovanni Bernardi'
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+sa(dp18144
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+sg2
+S"Baby's Under-waists"
+p18145
+sg4
+S'Arelia Arbo'
+p18146
+sa(dp18147
+g12
+g27
+sg2
+S"Baby's Petticoat: Details"
+p18148
+sg4
+S'Ray Price'
+p18149
+sa(dp18150
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+S'Petticoat'
+p18151
+sg4
+S'Lillian Causey'
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+sa(dp18153
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+sg2
+S'Bustle'
+p18154
+sg4
+S'Lillian Causey'
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+g12
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+sg2
+S'Night Cap'
+p18157
+sg4
+S'Lillian Causey'
+p18158
+sa(dp18159
+g12
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+sg2
+S'Quilted Petticoat'
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+sg4
+S'Rex F. Bush'
+p18161
+sa(dp18162
+g12
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+S'Quilted Petticoat'
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+sg4
+S'Rex F. Bush'
+p18164
+sa(dp18165
+g12
+g27
+sg2
+S'Chemise'
+p18166
+sg4
+S'Eugene Croe'
+p18167
+sa(dp18168
+g12
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+sg2
+S'Petticoat and Pantalettes'
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+sg4
+S'Rex F. Bush'
+p18170
+sa(dp18171
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+S'Nightgown'
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+sg4
+S'Rex F. Bush'
+p18173
+sa(dp18174
+g12
+g27
+sg6
+S'bronze'
+p18175
+sg8
+S'1505 or after'
+p18176
+sg2
+S'Abundance and Satyr'
+p18177
+sg4
+S'Pseudo Antonio da Brescia'
+p18178
+sa(dp18179
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+S'Nightgown'
+p18180
+sg4
+S'Eugene Croe'
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+sa(dp18182
+g12
+g27
+sg2
+S'Chemise'
+p18183
+sg4
+S'Eugene Croe'
+p18184
+sa(dp18185
+g12
+S'The effect of the loosely structured neoclassical style depended upon a foundation \n garment that pushed the bosom upward. The corset pictured here is made of heavy \n cotton sateen. The use of straps indicates it was made in the early part of the \n nineteenth century, about 1815, since straps were no longer used on corsets after \n the 1840s.\n '
+p18186
+sg10
+S'http://www.nga.gov:80/thumb-l/a00003/a000032f.jpg'
+p18187
+sg2
+S'Corset'
+p18188
+sg4
+S'Rex F. Bush'
+p18189
+sa(dp18190
+g12
+g27
+sg2
+S'Petticoat'
+p18191
+sg4
+S'Francis Law Durand'
+p18192
+sa(dp18193
+g12
+g27
+sg2
+S"Woman's Nightgown"
+p18194
+sg4
+S'Edith Miller'
+p18195
+sa(dp18196
+g12
+g27
+sg2
+S'Pantalettes'
+p18197
+sg4
+S'Marie Famularo'
+p18198
+sa(dp18199
+g12
+g27
+sg2
+S'Quilted petticoat'
+p18200
+sg4
+S'Julie C. Brush'
+p18201
+sa(dp18202
+g12
+g27
+sg2
+S'Chemise'
+p18203
+sg4
+S'Edith Magnette'
+p18204
+sa(dp18205
+g12
+g27
+sg2
+S'Nightgown and Cap'
+p18206
+sg4
+S'Melita Hofmann'
+p18207
+sa(dp18208
+g12
+g27
+sg2
+S'Corset'
+p18209
+sg4
+S'Sylvia De Zon'
+p18210
+sa(dp18211
+g12
+g27
+sg6
+S'bronze'
+p18212
+sg8
+S'early 16th century'
+p18213
+sg2
+S'Jason (or Apollo) and the Dragon'
+p18214
+sg4
+S'Pseudo Antonio da Brescia'
+p18215
+sa(dp18216
+g12
+g27
+sg2
+S'Corset'
+p18217
+sg4
+S'Sylvia De Zon'
+p18218
+sa(dp18219
+g12
+g27
+sg2
+S'Nightgown'
+p18220
+sg4
+S'Jean Peszel'
+p18221
+sa(dp18222
+g12
+g27
+sg2
+S"Man's Coat"
+p18223
+sg4
+S'Henry De Wolfe'
+p18224
+sa(dp18225
+g12
+g27
+sg2
+S"Woman's Drawers"
+p18226
+sg4
+S'Jean Peszel'
+p18227
+sa(dp18228
+g12
+g27
+sg2
+S"Man's Dressing Gown"
+p18229
+sg4
+S'Jessie M. Benge'
+p18230
+sa(dp18231
+g12
+g27
+sg2
+S'Chemise'
+p18232
+sg4
+S'Jean Peszel'
+p18233
+sa(dp18234
+g12
+g27
+sg2
+S'Dressing Gown'
+p18235
+sg4
+S'Esther Hansen'
+p18236
+sa(dp18237
+g12
+S"This is an example of a cage-hoop used underneath a skirt to provide fullness \n at the back of a woman's dress. Dated about 1865, it is made of half circles of \n reeds or whalebone riveted to bands of heavy linen tape. It is fastened at the \n waist with a steel buckle.\n An important effect of the hoop was the graceful, swinging motion it gave to a \n woman's skirt as she walked.\n "
+p18238
+sg10
+S'http://www.nga.gov:80/thumb-l/a00003/a0000338.jpg'
+p18239
+sg2
+S'Hoop'
+p18240
+sg4
+S'Mae Szilvasy'
+p18241
+sa(dp18242
+g12
+g27
+sg2
+S'Wrapper'
+p18243
+sg4
+S'Mae Szilvasy'
+p18244
+sa(dp18245
+g12
+g27
+sg2
+S'Hoop Skirt'
+p18246
+sg4
+S'Margaret Concha'
+p18247
+sa(dp18248
+g12
+g27
+sg6
+S'gilt bronze'
+p18249
+sg8
+S'1505 or after'
+p18250
+sg2
+S'Sleeping Bacchante and Satyrs'
+p18251
+sg4
+S'Pseudo Antonio da Brescia'
+p18252
+sa(dp18253
+g12
+g27
+sg2
+S"Man's Night Cap"
+p18254
+sg4
+S'Doris Beer'
+p18255
+sa(dp18256
+g12
+g27
+sg2
+S'Diaper Covers'
+p18257
+sg4
+S'Gladys Cook'
+p18258
+sa(dp18259
+g12
+g27
+sg2
+S'Shift'
+p18260
+sg4
+S'Rosalia Lane'
+p18261
+sa(dp18262
+g12
+g27
+sg2
+S"Man's Dressing Gown"
+p18263
+sg4
+S'Henry De Wolfe'
+p18264
+sa(dp18265
+g12
+g27
+sg2
+S'Wedding Corset'
+p18266
+sg4
+S'Virginia Berge'
+p18267
+sa(dp18268
+g12
+g27
+sg2
+S'Corset'
+p18269
+sg4
+S'Marie Mitchell'
+p18270
+sa(dp18271
+g12
+g27
+sg2
+S"Woman's Drawers"
+p18272
+sg4
+S'Margaret Concha'
+p18273
+sa(dp18274
+g12
+g27
+sg2
+S'Nightgown'
+p18275
+sg4
+S'Rosalia Lane'
+p18276
+sa(dp18277
+g12
+g27
+sg2
+S'Dress with Quilted Petticoat'
+p18278
+sg4
+S'Jean Peszel'
+p18279
+sa(dp18280
+g12
+g27
+sg2
+S'Petticoat'
+p18281
+sg4
+S'Gertrude Lemberg'
+p18282
+sa(dp18283
+g12
+g27
+sg6
+S'bronze'
+p18284
+sg8
+S'early 16th century'
+p18285
+sg2
+S'Sleeping Cupid'
+p18286
+sg4
+S'Pseudo Antonio da Brescia'
+p18287
+sa(dp18288
+g12
+g27
+sg2
+S'Petticoat'
+p18289
+sg4
+S'Gertrude Lemberg'
+p18290
+sa(dp18291
+g12
+g27
+sg2
+S'Chemise'
+p18292
+sg4
+S'Rosalia Lane'
+p18293
+sa(dp18294
+g12
+g27
+sg2
+S'Hoop Skirt'
+p18295
+sg4
+S'Esther Hansen'
+p18296
+sa(dp18297
+g12
+g27
+sg2
+S'Petticoat'
+p18298
+sg4
+S'Daniel Marshack'
+p18299
+sa(dp18300
+g12
+g27
+sg2
+S'Wedding Under Bodice'
+p18301
+sg4
+S'Edna C. Rex'
+p18302
+sa(dp18303
+g12
+g27
+sg2
+S'Wrapper'
+p18304
+sg4
+S'Mary E. Humes'
+p18305
+sa(dp18306
+g12
+g27
+sg2
+S"Boy's Dressing Gown"
+p18307
+sg4
+S'Edna C. Rex'
+p18308
+sa(dp18309
+g12
+g27
+sg2
+S'Petticoat'
+p18310
+sg4
+S'Mary E. Humes'
+p18311
+sa(dp18312
+g12
+g27
+sg2
+S'Bodice'
+p18313
+sg4
+S'Margaret Knapp'
+p18314
+sa(dp18315
+g12
+g27
+sg2
+S'Shirt-waist'
+p18316
+sg4
+S'Mrs. Inez Montgomery'
+p18317
+sa(dp18318
+g12
+g27
+sg6
+S'bronze'
+p18319
+sg8
+S'unknown date\n'
+p18320
+sg2
+S'Marine Scene'
+p18321
+sg4
+S'Caradosso Foppa'
+p18322
+sa(dp18323
+g12
+g27
+sg2
+S'Silk Waist'
+p18324
+sg4
+S'Fred Hassebrock'
+p18325
+sa(dp18326
+g12
+g27
+sg2
+S'Silk Waist'
+p18327
+sg4
+S'Fred Hassebrock'
+p18328
+sa(dp18329
+g12
+g27
+sg2
+S'Opera Cloak'
+p18330
+sg4
+S'Al Curry'
+p18331
+sa(dp18332
+g12
+g27
+sg2
+S'Cape'
+p18333
+sg4
+S'Al Curry'
+p18334
+sa(dp18335
+g12
+g27
+sg2
+S'Cape'
+p18336
+sg4
+S'Joseph L. Boyd'
+p18337
+sa(dp18338
+g12
+g27
+sg2
+S'Jacket'
+p18339
+sg4
+S'Arelia Arbo'
+p18340
+sa(dp18341
+g12
+g27
+sg2
+S'Taffeta Waist'
+p18342
+sg4
+S'Joseph L. Boyd'
+p18343
+sa(dp18344
+g12
+g27
+sg2
+S'Silk Waist'
+p18345
+sg4
+S'Ray Price'
+p18346
+sa(dp18347
+g12
+g27
+sg2
+S'Opera Shoulder Wrap'
+p18348
+sg4
+S'Joseph L. Boyd'
+p18349
+sa(dp18350
+g12
+g27
+sg2
+S'Cape'
+p18351
+sg4
+S'Joseph L. Boyd'
+p18352
+sa(dp18353
+g12
+g27
+sg6
+S'bronze'
+p18354
+sg8
+S'unknown date\n'
+p18355
+sg2
+S'Bacchante'
+p18356
+sg4
+S'Donatello'
+p18357
+sa(dp18358
+g12
+g27
+sg2
+S'Black Lace Jacket'
+p18359
+sg4
+S'Joseph L. Boyd'
+p18360
+sa(dp18361
+g12
+g27
+sg2
+S'Waist'
+p18362
+sg4
+S'Joseph L. Boyd'
+p18363
+sa(dp18364
+g12
+g27
+sg2
+S'Satin Bodice'
+p18365
+sg4
+S'Lillian Causey'
+p18366
+sa(dp18367
+g12
+g27
+sg2
+S'Basque'
+p18368
+sg4
+S'Mrs. Inez Montgomery'
+p18369
+sa(dp18370
+g12
+g27
+sg2
+S'Shoulder Cape'
+p18371
+sg4
+S'Beverly Chichester'
+p18372
+sa(dp18373
+g12
+g27
+sg2
+S"Child's Waist"
+p18374
+sg4
+S'Richard Taylor'
+p18375
+sa(dp18376
+g12
+g27
+sg2
+S'Cape'
+p18377
+sg4
+S'American 20th Century'
+p18378
+sa(dp18379
+g12
+g27
+sg2
+S'Dolman'
+p18380
+sg4
+S'American 20th Century'
+p18381
+sa(dp18382
+g12
+g27
+sg2
+S'Shirtwaist'
+p18383
+sg4
+S'Julie C. Brush'
+p18384
+sa(dp18385
+g12
+g27
+sg2
+S'Wrap'
+p18386
+sg4
+S'Edith Magnette'
+p18387
+sa(dp18388
+g2
+S'Christ Attended in the Tomb by Four Angels'
+p18389
+sg4
+S'Veneto region 16th Century'
+p18390
+sg6
+S'bronze'
+p18391
+sg8
+S'c. 1500'
+p18392
+sg10
+S'http://www.nga.gov:80/thumb-l/a00067/a00067e0.jpg'
+p18393
+sg12
+g27
+sa(dp18394
+g12
+g27
+sg2
+S'Shawl'
+p18395
+sg4
+S'Isabelle De Strange'
+p18396
+sa(dp18397
+g12
+g27
+sg2
+S'Shawl'
+p18398
+sg4
+S'Isabelle De Strange'
+p18399
+sa(dp18400
+g12
+g27
+sg2
+S'Jacket'
+p18401
+sg4
+S'Florence Earl'
+p18402
+sa(dp18403
+g12
+g27
+sg2
+S'Basque'
+p18404
+sg4
+S'Florence Earl'
+p18405
+sa(dp18406
+g12
+g27
+sg2
+S'Evening Cloak'
+p18407
+sg4
+S'Mary Fitzgerald'
+p18408
+sa(dp18409
+g12
+g27
+sg2
+S'Basque'
+p18410
+sg4
+S'Gladys Cook'
+p18411
+sa(dp18412
+g12
+g27
+sg2
+S'Cloak'
+p18413
+sg4
+S'American 20th Century'
+p18414
+sa(dp18415
+g12
+g27
+sg2
+S'Dolman'
+p18416
+sg4
+S'Marie Mitchell'
+p18417
+sa(dp18418
+g12
+g27
+sg2
+S"Lady's Pelisse"
+p18419
+sg4
+S'Jean Peszel'
+p18420
+sa(dp18421
+g12
+g27
+sg2
+S'Shawl'
+p18422
+sg4
+S'Jean Peszel'
+p18423
+sa(dp18424
+g2
+S'Putto Poised on a Globe'
+p18425
+sg4
+S'Andrea del Verrocchio'
+p18426
+sg6
+S'unbaked clay'
+p18427
+sg8
+S'probably 1480'
+p18428
+sg10
+S'http://www.nga.gov:80/thumb-l/a0002b/a0002b08.jpg'
+p18429
+sg12
+S"Poised tiptoe on a globe, this chubby cherub seems to pirouette, inviting interest from all angles. His complex movement in space is remarkable for a date so early in the Renaissance. Also remarkable is that his projecting limbs have survived for more than five hundred years. This cupid is indeed a rarity—a model in unfired clay.\n It is possible that \n Verrocchio was Florence's leading sculptor in the second half of the fifteenth century. Versatile and inventive, he was also a painter and goldsmith.\n "
+p18430
+sa(dp18431
+g12
+g27
+sg6
+S'bronze'
+p18432
+sg8
+S'unknown date\n'
+p18433
+sg2
+S'Playing Putti'
+p18434
+sg4
+S'Donatello'
+p18435
+sa(dp18436
+g12
+g27
+sg2
+S'Evening Bodice'
+p18437
+sg4
+S'Bessie Forman'
+p18438
+sa(dp18439
+g12
+g27
+sg2
+S'Jacket'
+p18440
+sg4
+S'Gertrude Lemberg'
+p18441
+sa(dp18442
+g12
+g27
+sg2
+S'Cape'
+p18443
+sg4
+S'Marie Mitchell'
+p18444
+sa(dp18445
+g12
+g27
+sg2
+S'Cape'
+p18446
+sg4
+S'Charles Criswell'
+p18447
+sa(dp18448
+g12
+g27
+sg2
+S'Cape'
+p18449
+sg4
+S'Melita Hofmann'
+p18450
+sa(dp18451
+g12
+g27
+sg2
+S'Cape'
+p18452
+sg4
+S'Melita Hofmann'
+p18453
+sa(dp18454
+g12
+g27
+sg2
+S'Waist'
+p18455
+sg4
+S'Sylvia De Zon'
+p18456
+sa(dp18457
+g12
+g27
+sg2
+S'Basque'
+p18458
+sg4
+S'Mae A. Clarke'
+p18459
+sa(dp18460
+g12
+g27
+sg2
+S'Basque'
+p18461
+sg4
+S'Melita Hofmann'
+p18462
+sa(dp18463
+g12
+g27
+sg2
+S'Spencer'
+p18464
+sg4
+S'Rosalia Lane'
+p18465
+sa(dp18466
+g12
+g27
+sg6
+g27
+sg8
+S'(artist)'
+p18467
+sg2
+S'Saint Jerome'
+p18468
+sg4
+S'Artist Information ('
+p18469
+sa(dp18470
+g12
+g27
+sg2
+S'Cape'
+p18471
+sg4
+S'Catherine Fowler'
+p18472
+sa(dp18473
+g12
+g27
+sg2
+S'Cape'
+p18474
+sg4
+S'Rosalia Lane'
+p18475
+sa(dp18476
+g12
+g27
+sg2
+S'Cape'
+p18477
+sg4
+S'Melita Hofmann'
+p18478
+sa(dp18479
+g12
+g27
+sg2
+S'Quaker Cape'
+p18480
+sg4
+S'Melita Hofmann'
+p18481
+sa(dp18482
+g12
+g27
+sg2
+S'Bodice'
+p18483
+sg4
+S'Nancy Crimi'
+p18484
+sa(dp18485
+g12
+g27
+sg2
+S'Cape'
+p18486
+sg4
+S'Marie Mitchell'
+p18487
+sa(dp18488
+g12
+S'During the 1890s, women participated in sports to a greater extent than earlier \n in the century. Bicycling had gained in popularity and helped make pants or \n "bloomers" acceptable for women\'s costumes. The word "bloomers" is taken from \n the name of Mrs. Amelia Bloomer of New York, who was an early advocate of women\'s \n rights.\n This "gymnasium suit," dated 1895, is made of black cashmere wool trimmed with \n bands of scarlet cashmere and black soutache -- a flat, narrow ornamental braid \n seen here at the borders of the scarlet trim. Plain, full bloomers, worn under \n the skirt, have elastic bands at the bottom. The costume includes a red and black \n plaid double cape.\n Sports costumes symbolized a new freedom and sense of change that was in the air \n at the end of the nineteenth century.\n '
+p18489
+sg10
+S'http://www.nga.gov:80/thumb-l/a00003/a000033c.jpg'
+p18490
+sg2
+S"Woman's Gym Suit"
+p18491
+sg4
+S'Daniel Marshack'
+p18492
+sa(dp18493
+g12
+g27
+sg2
+S'Bodice'
+p18494
+sg4
+S'Edna C. Rex'
+p18495
+sa(dp18496
+g12
+g27
+sg2
+S'Blouse'
+p18497
+sg4
+S'Edna C. Rex'
+p18498
+sa(dp18499
+g12
+g27
+sg2
+S'Apron'
+p18500
+sg4
+S'Roberta Elvis'
+p18501
+sa(dp18502
+g12
+g27
+sg6
+S'bronze'
+p18503
+sg8
+S'unknown date\n'
+p18504
+sg2
+S'Satyr'
+p18505
+sg4
+S'Donatello'
+p18506
+sa(dp18507
+g12
+g27
+sg2
+S'Apron (Detail)'
+p18508
+sg4
+S'Lillian Causey'
+p18509
+sa(dp18510
+g12
+g27
+sg2
+S'Apron'
+p18511
+sg4
+S'Lillian Causey'
+p18512
+sa(dp18513
+g12
+g27
+sg2
+S'Tea Apron'
+p18514
+sg4
+S'Francis Law Durand'
+p18515
+sa(dp18516
+g12
+g27
+sg2
+S'Apron'
+p18517
+sg4
+S'Carl Buergerniss'
+p18518
+sa(dp18519
+g12
+g27
+sg2
+S'Apron'
+p18520
+sg4
+S'Edith Magnette'
+p18521
+sa(dp18522
+g12
+g27
+sg2
+S'Riding Habit'
+p18523
+sg4
+S'Henry De Wolfe'
+p18524
+sa(dp18525
+g12
+g27
+sg2
+S'Apron'
+p18526
+sg4
+S'Doris Beer'
+p18527
+sa(dp18528
+g12
+g27
+sg2
+S"Woman's Riding Habit"
+p18529
+sg4
+S'Henry De Wolfe'
+p18530
+sa(dp18531
+g12
+g27
+sg2
+S'Apron'
+p18532
+sg4
+S'Gertrude Lemberg'
+p18533
+sa(dp18534
+g12
+g27
+sg2
+S'Dress'
+p18535
+sg4
+S'American 20th Century'
+p18536
+sa(dp18537
+g12
+g27
+sg6
+S'overall (from top loop): 10 x 5.4 cm (3 15/16 x 2 1/8 in.) gross weight: 59 gr'
+p18538
+sg8
+S'\nbronze'
+p18539
+sg2
+S'Busts of Man and Woman'
+p18540
+sg4
+S'Netherlandish 17th Century'
+p18541
+sa(dp18542
+g12
+g27
+sg2
+S'Bonnet'
+p18543
+sg4
+S'Dorothy M. Gerhard'
+p18544
+sa(dp18545
+g12
+g27
+sg2
+S'Wedding Dress'
+p18546
+sg4
+S'Gertrude Lemberg'
+p18547
+sa(dp18548
+g12
+g27
+sg2
+S'Dress'
+p18549
+sg4
+S'Evelyn Bailey'
+p18550
+sa(dp18551
+g12
+g27
+sg2
+S'Dress'
+p18552
+sg4
+S'Syrena Swanson'
+p18553
+sa(dp18554
+g12
+g27
+sg2
+S'Dress'
+p18555
+sg4
+S'Syrena Swanson'
+p18556
+sa(dp18557
+g12
+g27
+sg2
+S'Wedding Dress'
+p18558
+sg4
+S'David P Willoughby'
+p18559
+sa(dp18560
+g12
+g27
+sg2
+S'Day Dress'
+p18561
+sg4
+S'Irene M. Burge'
+p18562
+sa(dp18563
+g12
+g27
+sg2
+S'Day Dress'
+p18564
+sg4
+S'Irene M. Burge'
+p18565
+sa(dp18566
+g12
+g27
+sg2
+S'Dress (detail)'
+p18567
+sg4
+S'Irene M. Burge'
+p18568
+sa(dp18569
+g12
+g27
+sg2
+S'Dress'
+p18570
+sg4
+S'Josephine C. Romano'
+p18571
+sa(dp18572
+g12
+g27
+sg6
+S'overall: 6 x 8.3 cm (2 3/8 x 3 1/4 in.) gross weight: 36 gr'
+p18573
+sg8
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+S'While the bustle continued to be fashionable into the 1890s, a new style, called \n the "hourglass look," began to emerge. In this dress, dated about 1893, the \n hourglass effect of a narrow waist was achieved by padding the hips and widening \n the shoulders. The balloon sleeves and ruffles seen here are silk. The decorative \n band at the bottom of the skirt is embroidered black velvet.\n The designs of Charles Frederick Worth in Paris were enormously influential at \n this time, owing to fashion magazines such as \n '
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+S'Margaret Concha'
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+S'German 17th Century'
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+S'overall: 7.2 x 8.5 cm (2 13/16 x 3 3/8 in.) gross weight: 36 gr'
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+S'Melita Hofmann'
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+S'Virginia Berge'
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+S'Jean Peszel'
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+S'Dress'
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+g27
+sa(dp19101
+g18779
+S'Emery Herrett'
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+g27
+sa(dp19104
+g18779
+S'Emery Herrett'
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+S'Jean Peszel'
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+S'Pattern for Dress'
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+sg18783
+g27
+sa(dp19110
+g18779
+S'Master IO.F.F.'
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+S'gilt bronze'
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+S'second half 15th century'
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+S'Ariadne on Naxos'
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+sg18783
+g27
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+g18779
+S'Dorothy Gernon'
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+S'Wedding Dress'
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+g27
+sa(dp19133
+g18779
+S'Dorothea Mierisch'
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+S"Woman's Coat"
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+S'Dress'
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+g18781
+S'Saint John the Baptist'
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+S'Artist Information ('
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+S'(artist after)'
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+S'\n'
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+S'http://www.nga.gov:80/thumb-l/a0002d/a0002d6d.jpg'
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+S'The popular Florentine subject of the young John the Baptist is here presented in a different\r\nconception from that of \n '
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+sa(dp19152
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+S'Master IO.F.F.'
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+S', second half 15th century'
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+S'Melita Hofmann'
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+S'Marie Mitchell'
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+sa(dp19163
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+S'Marie Mitchell'
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+S'Dress'
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+g27
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+S'Catherine Fowler'
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+S'Margaret Concha'
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+S'Rosalia Lane'
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+g18779
+S'Jean Peszel'
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+S'Jessie M. Benge'
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+S'Master IO.F.F.'
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+S'Jessie M. Benge'
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+S'Catherine Fowler'
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+S'Virginia Berge'
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+sa(dp19222
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+sa(dp19227
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+sa(dp19236
+g18779
+S'Julia Boyd'
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+sg18783
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+g18779
+S'Roberta Spicer'
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+g18779
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+g18779
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+g27
+sa(dp19257
+g18779
+S'Master IO.F.F.'
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+S'second half 15th century'
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+sa(dp19265
+g18779
+S'Eleanor Ruelos'
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+S'Jean Peszel'
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+S'Dress'
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+sg18783
+g27
+sa(dp19274
+g18779
+S'Gertrude Lemberg'
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+S'Petticoat Dress'
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+g27
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+S'Melita Hofmann'
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+S'Mina Greene'
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+S"Woman's Coat (Pattern)"
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+S'Master IO.F.F.'
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+S'Mucius Scaevola'
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+g27
+sa(dp19297
+g18779
+S'Melita Hofmann'
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+S'http://www.nga.gov:80/thumb-l/a00003/a0000351.jpg'
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+sg18781
+S'Dress'
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+sg18783
+S'Most formal eighteenth-century dresses were open in front, showing a petticoat \n worn beneath. The petticoat was constructed separately from the dress but was \n not considered an undergarment. A quilted satin petticoat is shown in this 1740 \n costume.\n Oval-shaped hoops, called \n '
+p19301
+sa(dp19302
+g18779
+S'Sara Garfinkel'
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+S"Girl's Dress"
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+S'Mina Greene'
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+S'Melita Hofmann'
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+S'Court Dress'
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+S'Wedding Dress'
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+sa(dp19317
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+S'Margaret Concha'
+p19318
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+S'Description of a Wedding Dress'
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+g27
+sa(dp19320
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+S'Mina Greene'
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+S'Bustle Dress'
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+g18779
+S'Mae Szilvasy'
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+sg18781
+S'Dress'
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+g27
+sa(dp19326
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+S'Nancy Crimi'
+p19327
+sg18781
+S'Spencer'
+p19328
+sg18783
+g27
+sa(dp19329
+g18779
+S'Master IO.F.F.'
+p19330
+sg18787
+S'gilt bronze'
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+sg18789
+S'second half 15th century'
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+S'Sacrifice of Iphigenia'
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+sg18783
+g27
+sa(dp19334
+g18779
+S'Bessie Forman'
+p19335
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+S'Dress'
+p19336
+sg18783
+g27
+sa(dp19337
+g18779
+S'Nancy Crimi'
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+S'Ball Dress'
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+sg18783
+g27
+sa(dp19340
+g18779
+S'Melita Hofmann'
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+S'Dress'
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+g27
+sa(dp19343
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+S'Jessie M. Benge'
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+sg18781
+S'Dress'
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+sg18783
+g27
+sa(dp19346
+g18779
+S'Gladys Cook'
+p19347
+sg18781
+S'Dress'
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+sg18783
+g27
+sa(dp19349
+g18779
+S'Marie Mitchell'
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+sg18781
+S'Riding Habit'
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+sg18783
+g27
+sa(dp19352
+g18779
+S'Jean Peszel'
+p19353
+sg18781
+S'Dress'
+p19354
+sg18783
+g27
+sa(dp19355
+g18779
+S'Jean Peszel'
+p19356
+sg18781
+S'Dress'
+p19357
+sg18783
+g27
+sa(dp19358
+g18779
+S'Roberta Spicer'
+p19359
+sg18781
+S'Dress'
+p19360
+sg18783
+g27
+sa(dp19361
+g18779
+S'Jean Peszel'
+p19362
+sg18781
+S'Dress'
+p19363
+sg18783
+g27
+sa(dp19364
+g18779
+S'Master IO.F.F.'
+p19365
+sg18787
+S'bronze'
+p19366
+sg18789
+S'second half 15th century'
+p19367
+sg18781
+S'Sacrifice of Iphigenia'
+p19368
+sg18783
+g27
+sa(dp19369
+g18779
+S'Nancy Crimi'
+p19370
+sg18781
+S'Traveling Coat'
+p19371
+sg18783
+g27
+sa(dp19372
+g18779
+S'Jean Peszel'
+p19373
+sg18781
+S'Dress'
+p19374
+sg18783
+g27
+sa(dp19375
+g18779
+S'Gertrude Lemberg'
+p19376
+sg18781
+S'Brocaded Silk Dress'
+p19377
+sg18783
+g27
+sa(dp19378
+g18779
+S'Jessie M. Benge'
+p19379
+sg18781
+S'Dress'
+p19380
+sg18783
+g27
+sa(dp19381
+g18779
+S'Mae Szilvasy'
+p19382
+sg18781
+S'Dress'
+p19383
+sg18783
+g27
+sa(dp19384
+g18779
+S'Melita Hofmann'
+p19385
+sg18781
+S'Dress'
+p19386
+sg18783
+g27
+sa(dp19387
+g18779
+S'Melita Hofmann'
+p19388
+sg18781
+S'Dress'
+p19389
+sg18783
+g27
+sa(dp19390
+g18779
+S'Melita Hofmann'
+p19391
+sg18781
+S'Dress'
+p19392
+sg18783
+g27
+sa(dp19393
+g18779
+S'Nancy Crimi'
+p19394
+sg18781
+S'Dress'
+p19395
+sg18783
+g27
+sa(dp19396
+g18779
+S'Jessie M. Benge'
+p19397
+sg18781
+S'Dress'
+p19398
+sg18783
+g27
+sa(dp19399
+g18779
+S'Italian 16th Century'
+p19400
+sg18787
+S'overall (silhouetted contour): 11.9 x 3.5 cm (4 11/16 x 1 3/8 in.) gross weight: 175 gr'
+p19401
+sg18789
+S'\nbronze'
+p19402
+sg18781
+S'Madonna and Child'
+p19403
+sg18783
+g27
+sa(dp19404
+g18779
+S'Roberta Spicer'
+p19405
+sg18781
+S'Dress'
+p19406
+sg18783
+g27
+sa(dp19407
+g18779
+S'Melita Hofmann'
+p19408
+sg18781
+S'Dress'
+p19409
+sg18783
+g27
+sa(dp19410
+g18779
+S'Virginia Berge'
+p19411
+sg18781
+S'Pelerine'
+p19412
+sg18783
+g27
+sa(dp19413
+g18779
+S'Melita Hofmann'
+p19414
+sg18781
+S'Dress'
+p19415
+sg18783
+g27
+sa(dp19416
+g18779
+S'Mary E. Humes'
+p19417
+sg18781
+S'Dress'
+p19418
+sg18783
+g27
+sa(dp19419
+g18779
+S'Mary E. Humes'
+p19420
+sg18781
+S'Dress'
+p19421
+sg18783
+g27
+sa(dp19422
+g18779
+S'Mary E. Humes'
+p19423
+sg18781
+S'Dress'
+p19424
+sg18783
+g27
+sa(dp19425
+g18779
+S'Mary E. Humes'
+p19426
+sg18781
+S'Dress'
+p19427
+sg18783
+g27
+sa(dp19428
+g18779
+S'Mary E. Humes'
+p19429
+sg18781
+S'Wedding Dress'
+p19430
+sg18783
+g27
+sa(dp19431
+g18779
+S'Mary E. Humes'
+p19432
+sg18781
+S'Dress'
+p19433
+sg18783
+g27
+sa(dp19434
+g18779
+S'Italian 15th Century'
+p19435
+sg18787
+S'overall (silhouetted contour): 17.6 x 5.4 cm (6 15/16 x 2 1/8 in.) gross weight: 266 gr'
+p19436
+sg18789
+S'\nbronze'
+p19437
+sg18781
+S'A Bishop (Saint Gebhard)'
+p19438
+sg18783
+g27
+sa(dp19439
+g18779
+S'Mary E. Humes'
+p19440
+sg18781
+S'Suit (Costume)'
+p19441
+sg18783
+g27
+sa(dp19442
+g18779
+S'Mary E. Humes'
+p19443
+sg18781
+S'Opera Cloak'
+p19444
+sg18783
+g27
+sa(dp19445
+g18779
+S'Virginia Berge'
+p19446
+sg18781
+S"Child's Dress"
+p19447
+sg18783
+g27
+sa(dp19448
+g18779
+S'Virginia Berge'
+p19449
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00003/a0000357.jpg'
+p19450
+sg18781
+S'Dress'
+p19451
+sg18783
+S'The development of industrialization during the nineteenth century led to an \n abundance of manufactured goods, including textiles, and contributed to reducing \n the overall cost of clothing. As a result, great variety in fashions was feasible. \n A well-to-do woman could have a selection of dresses for different social occasions.\n This is an example of a "visiting dress," dated about 1823. The bodice is neoclassical \n in style. The sleeves, known as the "leg o\' mutton" type, gained popularity, \n reaching a balloon-like fullness in the 1830s.\n '
+p19452
+sa(dp19453
+g18779
+S'Linnet Alward'
+p19454
+sg18781
+S'Wedding Dress'
+p19455
+sg18783
+g27
+sa(dp19456
+g18779
+S'Mary E. Humes'
+p19457
+sg18781
+S'Dress'
+p19458
+sg18783
+g27
+sa(dp19459
+g18779
+S'Mary E. Humes'
+p19460
+sg18781
+S'Dress with Hoop Skirt'
+p19461
+sg18783
+g27
+sa(dp19462
+g18779
+S'Henry De Wolfe'
+p19463
+sg18781
+S'Dress'
+p19464
+sg18783
+g27
+sa(dp19465
+g18779
+S'Irene Lawson'
+p19466
+sg18781
+S'Wedding Dress'
+p19467
+sg18783
+g27
+sa(dp19468
+g18779
+S'Verna Tallman'
+p19469
+sg18781
+S"Man's Work Shirt"
+p19470
+sg18783
+g27
+sa(dp19471
+g18779
+S'Italian 16th Century'
+p19472
+sg18787
+S'overall (diameter): 5.5 cm (2 3/16 in.) gross weight: 22 gr'
+p19473
+sg18789
+S'\ngilt bronze'
+p19474
+sg18781
+S'Allegorical Representation of Victory'
+p19475
+sg18783
+g27
+sa(dp19476
+g18779
+S'Rose Campbell-Gerke'
+p19477
+sg18781
+S'Money Vest'
+p19478
+sg18783
+g27
+sa(dp19479
+g18779
+S'Syrena Swanson'
+p19480
+sg18781
+S"T. Jefferson's Vest"
+p19481
+sg18783
+g27
+sa(dp19482
+g18779
+S'Syrena Swanson'
+p19483
+sg18781
+S"Boy's Waistcoat"
+p19484
+sg18783
+g27
+sa(dp19485
+g18779
+S'Irene M. Burge'
+p19486
+sg18781
+S"Child's Jacket"
+p19487
+sg18783
+g27
+sa(dp19488
+g18779
+S'Syrena Swanson'
+p19489
+sg18781
+S'Waistcoat'
+p19490
+sg18783
+g27
+sa(dp19491
+g18779
+S'Ann Gene Buckley'
+p19492
+sg18781
+S'Waistcoat'
+p19493
+sg18783
+g27
+sa(dp19494
+g18779
+S'Syrena Swanson'
+p19495
+sg18781
+S'Bolero Jacket'
+p19496
+sg18783
+g27
+sa(dp19497
+g18779
+S'Carmel Wilson'
+p19498
+sg18781
+S'Vest'
+p19499
+sg18783
+g27
+sa(dp19500
+g18779
+S'Clarence W. Dawson'
+p19501
+sg18781
+S'Waistcoat'
+p19502
+sg18783
+g27
+sa(dp19503
+g18779
+S'Edward Bashaw'
+p19504
+sg18781
+S'Cape'
+p19505
+sg18783
+g27
+sa(dp19506
+g18781
+S'Mercury'
+p19507
+sg18779
+S'Artist Information ('
+p19508
+sg18787
+S'Flemish, 1529 - 1608'
+p19509
+sg18789
+S'(artist after)'
+p19510
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00017/a000178f.jpg'
+p19511
+sg18783
+g27
+sa(dp19512
+g18779
+S'Emilian 16th Century'
+p19513
+sg18787
+S'overall: 19.5 x 14.5 cm (7 11/16 x 5 11/16 in.) gross weight: 771 gr'
+p19514
+sg18789
+S'\nbronze'
+p19515
+sg18781
+S'The Adoration of the Shepherds'
+p19516
+sg18783
+g27
+sa(dp19517
+g18779
+S'Arelia Arbo'
+p19518
+sg18781
+S"Child's Jacket"
+p19519
+sg18783
+g27
+sa(dp19520
+g18779
+S'Cecil Smith'
+p19521
+sg18781
+S'Baby Dress'
+p19522
+sg18783
+g27
+sa(dp19523
+g18779
+S'Mary E. Humes'
+p19524
+sg18781
+S'Dress'
+p19525
+sg18783
+g27
+sa(dp19526
+g18779
+S'Lillian Causey'
+p19527
+sg18781
+S"Man's Vest"
+p19528
+sg18783
+g27
+sa(dp19529
+g18779
+S'Lillian Causey'
+p19530
+sg18781
+S'Waistcoat'
+p19531
+sg18783
+g27
+sa(dp19532
+g18779
+S'Lillian Causey'
+p19533
+sg18781
+S'Vest'
+p19534
+sg18783
+g27
+sa(dp19535
+g18779
+S'Lillian Causey'
+p19536
+sg18781
+S'Vest'
+p19537
+sg18783
+g27
+sa(dp19538
+g18779
+S'Lillian Causey'
+p19539
+sg18781
+S'Jacket'
+p19540
+sg18783
+g27
+sa(dp19541
+g18779
+S'Julie C. Brush'
+p19542
+sg18781
+S'Waistcoat'
+p19543
+sg18783
+g27
+sa(dp19544
+g18779
+S'Grace Halpin'
+p19545
+sg18781
+S'Waistcoat'
+p19546
+sg18783
+g27
+sa(dp19547
+g18779
+S'Emilian 16th Century'
+p19548
+sg18787
+S'overall: 19.8 x 15 cm (7 13/16 x 5 7/8 in.) gross weight: 808 gr'
+p19549
+sg18789
+S'\nbronze'
+p19550
+sg18781
+S'The Lamentation'
+p19551
+sg18783
+g27
+sa(dp19552
+g18779
+S'Francis Law Durand'
+p19553
+sg18781
+S"Boy's Eton Jacket"
+p19554
+sg18783
+g27
+sa(dp19555
+g18779
+S'Isabelle De Strange'
+p19556
+sg18781
+S'Embroidered Jacket'
+p19557
+sg18783
+g27
+sa(dp19558
+g18779
+S'Florence Earl'
+p19559
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00003/a0000355.jpg'
+p19560
+sg18781
+S'Silk Vest'
+p19561
+sg18783
+S'By the middle of the eighteenth century, men\'s waistcoats were becoming shorter \n and more open at the center front. This one, dated from about 1775 to 1780, is \n an example of the shorter-style garment. By 1790, waistcoats would be shortened \n to waist length, and the skirt or "peplum," seen here, would disappear. The scale \n and type of decoration also changed, becoming smaller and more delicate. Floral \n patterns and narrow stripes were also common in the fabrics for women\'s clothing \n during the 1770s.\n '
+p19562
+sa(dp19563
+g18779
+S'Isabelle De Strange'
+p19564
+sg18781
+S'Waistcoats'
+p19565
+sg18783
+g27
+sa(dp19566
+g18779
+S'Isabelle De Strange'
+p19567
+sg18781
+S'Vest'
+p19568
+sg18783
+g27
+sa(dp19569
+g18779
+S'Louis Maldarelli'
+p19570
+sg18781
+S'Waistcoat'
+p19571
+sg18783
+g27
+sa(dp19572
+g18779
+S'American 20th Century'
+p19573
+sg18781
+S'Waistcoat'
+p19574
+sg18783
+g27
+sa(dp19575
+g18779
+S'Dorothea Mierisch'
+p19576
+sg18781
+S"Boy's Cutaway Jacket"
+p19577
+sg18783
+g27
+sa(dp19578
+g18779
+S'Dorothea Mierisch'
+p19579
+sg18781
+S"Boy's Cutaway Jacket"
+p19580
+sg18783
+g27
+sa(dp19581
+g18779
+S'Roberta Spicer'
+p19582
+sg18781
+S"Girl's Jacket"
+p19583
+sg18783
+g27
+sa(dp19584
+g18779
+S'Italian 16th Century'
+p19585
+sg18787
+S'overall: 4.7 x 3.7 cm (1 7/8 x 1 7/16 in.) gross weight: 24 gr'
+p19586
+sg18789
+S'\ngilt bronze'
+p19587
+sg18781
+S'Hercules and Antaeus'
+p19588
+sg18783
+g27
+sa(dp19589
+g18779
+S'Virginia Berge'
+p19590
+sg18781
+S'Shirt'
+p19591
+sg18783
+g27
+sa(dp19592
+g18779
+S'Margaret Concha'
+p19593
+sg18781
+S'Waistcoat'
+p19594
+sg18783
+g27
+sa(dp19595
+g18779
+S'Melita Hofmann'
+p19596
+sg18781
+S'Waistcoat'
+p19597
+sg18783
+g27
+sa(dp19598
+g18779
+S'Dorothy Gernon'
+p19599
+sg18781
+S'Waistcoat'
+p19600
+sg18783
+g27
+sa(dp19601
+g18779
+S'Marie Mitchell'
+p19602
+sg18781
+S'Waistcoat'
+p19603
+sg18783
+g27
+sa(dp19604
+g18779
+S'Rosalia Lane'
+p19605
+sg18781
+S"Man's Shirt"
+p19606
+sg18783
+g27
+sa(dp19607
+g18779
+S'Rosalia Lane'
+p19608
+sg18781
+S"Pattern for Man's Shirt"
+p19609
+sg18783
+g27
+sa(dp19610
+g18779
+S'Bessie Forman'
+p19611
+sg18781
+S'Waistcoat'
+p19612
+sg18783
+g27
+sa(dp19613
+g18779
+S'Bessie Forman'
+p19614
+sg18781
+S'Waistcoat'
+p19615
+sg18783
+g27
+sa(dp19616
+g18779
+S'Bessie Forman'
+p19617
+sg18781
+S'Waistcoat'
+p19618
+sg18783
+g27
+sa(dp19619
+g18779
+S'Italian 16th Century'
+p19620
+sg18787
+S'overall: 5.7 x 7 cm (2 1/4 x 2 3/4 in.) gross weight: 36 gr'
+p19621
+sg18789
+S'\nbronze'
+p19622
+sg18781
+S'The Holy Family'
+p19623
+sg18783
+g27
+sa(dp19624
+g18779
+S'Bessie Forman'
+p19625
+sg18781
+S'Waistcoat'
+p19626
+sg18783
+g27
+sa(dp19627
+g18779
+S'Rosalia Lane'
+p19628
+sg18781
+S'Waistcoat'
+p19629
+sg18783
+g27
+sa(dp19630
+g18779
+S'Fanchon Larzelere'
+p19631
+sg18781
+S'Waistcoat'
+p19632
+sg18783
+g27
+sa(dp19633
+g18779
+S'Sylvia De Zon'
+p19634
+sg18781
+S"Man's Miniature Shirt"
+p19635
+sg18783
+g27
+sa(dp19636
+g18779
+S'Sylvia De Zon'
+p19637
+sg18781
+S"Baby's Shirt"
+p19638
+sg18783
+g27
+sa(dp19639
+g18779
+S'Nancy Crimi'
+p19640
+sg18781
+S'Waistcoat'
+p19641
+sg18783
+g27
+sa(dp19642
+g18779
+S'Catherine Fowler'
+p19643
+sg18781
+S"Man's Shirt"
+p19644
+sg18783
+g27
+sa(dp19645
+g18779
+S'Margaret Knapp'
+p19646
+sg18781
+S"Man's Shirt"
+p19647
+sg18783
+g27
+sa(dp19648
+g18779
+S'Melita Hofmann'
+p19649
+sg18781
+S'Waistcoat'
+p19650
+sg18783
+g27
+sa(dp19651
+g18779
+S'Melita Hofmann'
+p19652
+sg18781
+S'Shirt'
+p19653
+sg18783
+g27
+sa(dp19654
+g18779
+S'Venetian 16th Century'
+p19655
+sg18787
+S'overall: 17.1 x 12.1 cm (6 3/4 x 4 3/4 in.) gross weight: 585 gr'
+p19656
+sg18789
+S'\nbronze'
+p19657
+sg18781
+S'Madonna and Child with Saint John'
+p19658
+sg18783
+g27
+sa(dp19659
+g18779
+S'Jean Peszel'
+p19660
+sg18781
+S'Waistcoat'
+p19661
+sg18783
+g27
+sa(dp19662
+g18779
+S'Nancy Crimi'
+p19663
+sg18781
+S'Waistcoat'
+p19664
+sg18783
+g27
+sa(dp19665
+g18779
+S'Mae Szilvasy'
+p19666
+sg18781
+S'Shirt Front'
+p19667
+sg18783
+g27
+sa(dp19668
+g18779
+S'Virginia Berge'
+p19669
+sg18781
+S'Shirt'
+p19670
+sg18783
+g27
+sa(dp19671
+g18779
+S'Henry De Wolfe'
+p19672
+sg18781
+S"Man's Shirt"
+p19673
+sg18783
+g27
+sa(dp19674
+g18779
+S'Virginia Berge'
+p19675
+sg18781
+S'Shirt'
+p19676
+sg18783
+g27
+sa(dp19677
+g18779
+S'Irene M. Burge'
+p19678
+sg18781
+S'Shirt'
+p19679
+sg18783
+g27
+sa(dp19680
+g18779
+S'Dorothy Gernon'
+p19681
+sg18781
+S'Waistcoat'
+p19682
+sg18783
+g27
+sa(dp19683
+g18779
+S'Marie Mitchell'
+p19684
+sg18781
+S'Waistcoat'
+p19685
+sg18783
+g27
+sa(dp19686
+g18779
+S'Margaret Concha'
+p19687
+sg18781
+S'Waistcoat'
+p19688
+sg18783
+g27
+sa(dp19689
+g18779
+S'Italian 16th Century'
+p19690
+sg18787
+S'overall: 7.5 x 15.4 cm (2 15/16 x 6 1/16 in.) gross weight: 244 gr'
+p19691
+sg18789
+S'\nbronze'
+p19692
+sg18781
+S'The Last Supper'
+p19693
+sg18783
+g27
+sa(dp19694
+g18779
+S'Agnes Sims'
+p19695
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00003/a00003d1.jpg'
+p19696
+sg18781
+S'Bulto of Santiago'
+p19697
+sg18783
+S'Perhaps the best example of a small group, this "bulto" represents Saint James Santiago, the warrior saint of Spain and the patron saint of horses and horsemen. Saint James is a national hero in Spain, having supposedly caused the Spanish victory against the Moors in the Battle of Clavijo in 834. According to legend, he is buried at Compostela in northwestern Spain, perhaps the most famous shrine in Europe during the Middle Ages. In many cases, Saint James is therefore shown as a pilgrim; but in the New World, his venerators more closely identified with his image as a horseman — the killer of the Moors — and that is how he is shown here. The horse is traditionally white; but unlike similar European versions, it is quite small in proportion to its rider, indicating that the main concern of the craftsman was the saint himself.\n '
+p19698
+sa(dp19699
+g18779
+S'Sara Garfinkel'
+p19700
+sg18781
+S'Waistcoat'
+p19701
+sg18783
+g27
+sa(dp19702
+g18779
+S'Louis Maldarelli'
+p19703
+sg18781
+S'Vest'
+p19704
+sg18783
+g27
+sa(dp19705
+g18779
+S'Artist Information ('
+p19706
+sg18781
+S'Vest'
+p19707
+sg18783
+g27
+sa(dp19708
+g18779
+S'Nancy Crimi'
+p19709
+sg18781
+S"Man's Waistcoat"
+p19710
+sg18783
+g27
+sa(dp19711
+g18779
+S'Ruggiero Pierotti'
+p19712
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00003/a0000354.jpg'
+p19713
+sg18781
+S"Man's Waistcoat"
+p19714
+sg18783
+S'A man\'s suit in the eighteenth century consisted of a coat, waistcoat, and \n breeches. The coat and breeches were often made of matching material. The waistcoat \n was frequently the most decorative part of the costume.\n This gentlemen\'s waistcoat from the early part of the eighteenth century is made \n of white linen with intricate embroidery called "whitework." This highly specialized \n form of embroidery, which incorporated a great variety of stitches, was widely \n used at the time. The eyelets on the left side of the opening in front were most \n likely for removable buttons or studs.\n '
+p19715
+sa(dp19716
+g18779
+S'Frank J. Mace'
+p19717
+sg18781
+S'Vest'
+p19718
+sg18783
+g27
+sa(dp19719
+g18779
+S'Edna C. Rex'
+p19720
+sg18781
+S'Wedding Vest'
+p19721
+sg18783
+g27
+sa(dp19722
+g18779
+S'Mary E. Humes'
+p19723
+sg18781
+S"Infant's Shirt"
+p19724
+sg18783
+g27
+sa(dp19725
+g18779
+S'Edna C. Rex'
+p19726
+sg18781
+S'Wedding Vest'
+p19727
+sg18783
+g27
+sa(dp19728
+g18779
+S'Italian 16th Century'
+p19729
+sg18787
+S'overall (oval): 5.7 x 6.6 cm (2 1/4 x 2 5/8 in.) gross weight: 43 gr'
+p19730
+sg18789
+S'\nbronze'
+p19731
+sg18781
+S'Leda and the Swan'
+p19732
+sg18783
+g27
+sa(dp19733
+g18779
+S'Clarence Secor'
+p19734
+sg18781
+S'Quilted Silk Vest'
+p19735
+sg18783
+g27
+sa(dp19736
+g18779
+S'Florence Huston'
+p19737
+sg18781
+S"Boy's Pants"
+p19738
+sg18783
+g27
+sa(dp19739
+g18779
+S'Syrena Swanson'
+p19740
+sg18781
+S'Trousers'
+p19741
+sg18783
+g27
+sa(dp19742
+g18779
+S'Georgine E. Mason'
+p19743
+sg18781
+S'Homespun Breeches'
+p19744
+sg18783
+g27
+sa(dp19745
+g18779
+S'Frederick Jackson'
+p19746
+sg18781
+S'Knee Pants'
+p19747
+sg18783
+g27
+sa(dp19748
+g18779
+S'Henry De Wolfe'
+p19749
+sg18781
+S"Pattern for Man's Suit"
+p19750
+sg18783
+g27
+sa(dp19751
+g18779
+S'Henry De Wolfe'
+p19752
+sg18781
+S'Written Instructions for Making a Suit'
+p19753
+sg18783
+g27
+sa(dp19754
+g18779
+S'Henry De Wolfe'
+p19755
+sg18781
+S'Trousers'
+p19756
+sg18783
+g27
+sa(dp19757
+g18779
+S'Daniel Marshack'
+p19758
+sg18781
+S'Trousers'
+p19759
+sg18783
+g27
+sa(dp19760
+g18779
+S'Mary E. Humes'
+p19761
+sg18781
+S'Hunting Trousers'
+p19762
+sg18783
+g27
+sa(dp19763
+g18779
+S'Artist Information ('
+p19764
+sg18787
+S'Italian, 1486 - 1570'
+p19765
+sg18789
+S'(related artist)'
+p19766
+sg18781
+S'The Madonna of the Rosary'
+p19767
+sg18783
+g27
+sa(dp19768
+g18779
+S'William O. Fletcher'
+p19769
+sg18781
+S'Trousers'
+p19770
+sg18783
+g27
+sa(dp19771
+g18779
+S'Nancy Crimi'
+p19772
+sg18781
+S"Man's Coat"
+p19773
+sg18783
+g27
+sa(dp19774
+g18779
+S'Tabea Hosier'
+p19775
+sg18781
+S"Boy's Dress"
+p19776
+sg18783
+g27
+sa(dp19777
+g18779
+S'Syrena Swanson'
+p19778
+sg18781
+S"Overcoat, T. Jefferson's"
+p19779
+sg18783
+g27
+sa(dp19780
+g18779
+S'Edith Towner'
+p19781
+sg18781
+S"Boy's Dress"
+p19782
+sg18783
+g27
+sa(dp19783
+g18779
+S'Artist Information ('
+p19784
+sg18781
+S'Dress Coat'
+p19785
+sg18783
+g27
+sa(dp19786
+g18779
+S'B. Berndt'
+p19787
+sg18781
+S"Men's Coat"
+p19788
+sg18783
+g27
+sa(dp19789
+g18779
+S'Lelah Nelson'
+p19790
+sg18781
+S'Prince Albert coat'
+p19791
+sg18783
+g27
+sa(dp19792
+g18779
+S'Sarah F. Williams'
+p19793
+sg18781
+S"Lady's Night Cap"
+p19794
+sg18783
+g27
+sa(dp19795
+g18779
+S'Adele Brooks'
+p19796
+sg18781
+S'Deer Skin Coat'
+p19797
+sg18783
+g27
+sa(dp19798
+g18779
+S'Artist Information ('
+p19799
+sg18787
+S'Italian, 1486 - 1570'
+p19800
+sg18789
+S'(related artist)'
+p19801
+sg18781
+S'The Madonna of the Rosary'
+p19802
+sg18783
+g27
+sa(dp19803
+g18779
+S'Frederick Jackson'
+p19804
+sg18781
+S"Man's Great Coat"
+p19805
+sg18783
+g27
+sa(dp19806
+g18779
+S'Julie C. Brush'
+p19807
+sg18781
+S"Boy's Suit"
+p19808
+sg18783
+g27
+sa(dp19809
+g18779
+S'Marjorie McIntyre'
+p19810
+sg18781
+S"Boy's Suit"
+p19811
+sg18783
+g27
+sa(dp19812
+g18779
+S'Edith Miller'
+p19813
+sg18781
+S"Man's Sack Coat"
+p19814
+sg18783
+g27
+sa(dp19815
+g18779
+S'Joseph Sudek'
+p19816
+sg18781
+S"Boy's Suit"
+p19817
+sg18783
+g27
+sa(dp19818
+g18779
+S'Nancy Crimi'
+p19819
+sg18781
+S"Man's Suit"
+p19820
+sg18783
+g27
+sa(dp19821
+g18779
+S'Henry De Wolfe'
+p19822
+sg18781
+S"Boy's Suit"
+p19823
+sg18783
+g27
+sa(dp19824
+g18779
+S'Dorothy Gernon'
+p19825
+sg18781
+S"Boy's Coat"
+p19826
+sg18783
+g27
+sa(dp19827
+g18779
+S'Dorothea Mierisch'
+p19828
+sg18781
+S"Boy's Suit"
+p19829
+sg18783
+g27
+sa(dp19830
+g18779
+S'Henry De Wolfe'
+p19831
+sg18781
+S"Man's Suit"
+p19832
+sg18783
+g27
+sa(dp19833
+g18779
+S'Italian 16th Century'
+p19834
+sg18787
+S'overall (diameter): 4.3 cm (1 11/16 in.) gross weight: 31 gr'
+p19835
+sg18789
+S'\nbronze'
+p19836
+sg18781
+S'Marcus Curtius'
+p19837
+sg18783
+g27
+sa(dp19838
+g18779
+S'Virginia Berge'
+p19839
+sg18781
+S'Tail Coat'
+p19840
+sg18783
+g27
+sa(dp19841
+g18779
+S'Jean Peszel'
+p19842
+sg18781
+S"Boy's Suit"
+p19843
+sg18783
+g27
+sa(dp19844
+g18779
+S'Esther Hansen'
+p19845
+sg18781
+S"Boy's Dress"
+p19846
+sg18783
+g27
+sa(dp19847
+g18779
+S'Nancy Crimi'
+p19848
+sg18781
+S"Boy's Suit"
+p19849
+sg18783
+g27
+sa(dp19850
+g18779
+S'Henry De Wolfe'
+p19851
+sg18781
+S"Man's Topcoat"
+p19852
+sg18783
+g27
+sa(dp19853
+g18779
+S'Doris Beer'
+p19854
+sg18781
+S"Boy's Dress"
+p19855
+sg18783
+g27
+sa(dp19856
+g18779
+S'Jessie M. Benge'
+p19857
+sg18781
+S"Boy's Suit"
+p19858
+sg18783
+g27
+sa(dp19859
+g18779
+S'Nancy Crimi'
+p19860
+sg18781
+S"Man's Suit"
+p19861
+sg18783
+g27
+sa(dp19862
+g18779
+S'Melita Hofmann'
+p19863
+sg18781
+S"Man's Coat and Waistcoat"
+p19864
+sg18783
+g27
+sa(dp19865
+g18779
+S'Nancy Crimi'
+p19866
+sg18781
+S"Man's Suit"
+p19867
+sg18783
+g27
+sa(dp19868
+g18781
+S'Venus'
+p19869
+sg18779
+S'Artist Information ('
+p19870
+sg18787
+S'(sculptor)'
+p19871
+sg18789
+S'\n'
+p19872
+sg18791
+S'http://www.nga.gov:80/thumb-l/a0002c/a0002c3c.jpg'
+p19873
+sg18783
+S'This \n The \n '
+p19874
+sa(dp19875
+g18779
+S'Italian 16th Century'
+p19876
+sg18787
+S'overall: 9.2 x 7.2 cm (3 5/8 x 2 13/16 in.)'
+p19877
+sg18789
+S'\nbronze'
+p19878
+sg18781
+S'Piet\xc3\xa0'
+p19879
+sg18783
+g27
+sa(dp19880
+g18779
+S'Henry De Wolfe'
+p19881
+sg18781
+S"Man's Suit"
+p19882
+sg18783
+g27
+sa(dp19883
+g18779
+S'Henry De Wolfe'
+p19884
+sg18781
+S'Written Instructions for Making Suit'
+p19885
+sg18783
+g27
+sa(dp19886
+g18779
+S'Henry De Wolfe'
+p19887
+sg18781
+S'Suit Pattern'
+p19888
+sg18783
+g27
+sa(dp19889
+g18779
+S'Henry De Wolfe'
+p19890
+sg18781
+S'Suit Pattern'
+p19891
+sg18783
+g27
+sa(dp19892
+g18779
+S'Alvin Shiren'
+p19893
+sg18781
+S"Man's Topcoat"
+p19894
+sg18783
+g27
+sa(dp19895
+g18779
+S'Creighton Kay-Scott'
+p19896
+sg18781
+S'Tail Coat'
+p19897
+sg18783
+g27
+sa(dp19898
+g18779
+S'Creighton Kay-Scott'
+p19899
+sg18781
+S'Coat'
+p19900
+sg18783
+g27
+sa(dp19901
+g18779
+S'Henry De Wolfe'
+p19902
+sg18781
+S"Man's Coat"
+p19903
+sg18783
+g27
+sa(dp19904
+g18779
+S'Henry De Wolfe'
+p19905
+sg18781
+S'Tail Coat'
+p19906
+sg18783
+g27
+sa(dp19907
+g18779
+S'Henry De Wolfe'
+p19908
+sg18781
+S"Boy's Coat and Trousers"
+p19909
+sg18783
+g27
+sa(dp19910
+g18779
+S'Italian 16th Century'
+p19911
+sg18787
+S'overall: 12.9 x 8.9 cm (5 1/16 x 3 1/2 in.) gross weight: 300 gr'
+p19912
+sg18789
+S'\nbronze'
+p19913
+sg18781
+S'Piet\xc3\xa0'
+p19914
+sg18783
+g27
+sa(dp19915
+g18779
+S'Mae A. Clarke'
+p19916
+sg18781
+S"Boy's Coat and Trousers"
+p19917
+sg18783
+g27
+sa(dp19918
+g18779
+S'Henry De Wolfe'
+p19919
+sg18781
+S"Man's Top Coat"
+p19920
+sg18783
+g27
+sa(dp19921
+g18779
+S'Henry De Wolfe'
+p19922
+sg18781
+S"Sugar Merchant's Suit"
+p19923
+sg18783
+g27
+sa(dp19924
+g18779
+S'Henry De Wolfe'
+p19925
+sg18781
+S"Man's Suit"
+p19926
+sg18783
+g27
+sa(dp19927
+g18779
+S'Sara Garfinkel'
+p19928
+sg18781
+S"Boy's Suit"
+p19929
+sg18783
+g27
+sa(dp19930
+g18779
+S'Henry De Wolfe'
+p19931
+sg18781
+S"Boy's Suit"
+p19932
+sg18783
+g27
+sa(dp19933
+g18779
+S'Creighton Kay-Scott'
+p19934
+sg18781
+S'Coat and Trousers'
+p19935
+sg18783
+g27
+sa(dp19936
+g18779
+S'Creighton Kay-Scott'
+p19937
+sg18781
+S'Top Coat'
+p19938
+sg18783
+g27
+sa(dp19939
+g18779
+S'Creighton Kay-Scott'
+p19940
+sg18781
+S'Tail Coat'
+p19941
+sg18783
+g27
+sa(dp19942
+g18779
+S'Henry De Wolfe'
+p19943
+sg18781
+S"Man's Suit"
+p19944
+sg18783
+g27
+sa(dp19945
+g18779
+S'Artist Information ('
+p19946
+sg18787
+g27
+sg18789
+S'(artist)'
+p19947
+sg18781
+S'The Triumph of Cupid'
+p19948
+sg18783
+g27
+sa(dp19949
+g18779
+S'Creighton Kay-Scott'
+p19950
+sg18781
+S"Man's Suit"
+p19951
+sg18783
+g27
+sa(dp19952
+g18779
+S'Creighton Kay-Scott'
+p19953
+sg18781
+S'Tail Coat'
+p19954
+sg18783
+g27
+sa(dp19955
+g18779
+S'Creighton Kay-Scott'
+p19956
+sg18781
+S'Coat and Trousers'
+p19957
+sg18783
+g27
+sa(dp19958
+g18779
+S'Louis Maldarelli'
+p19959
+sg18781
+S"Man's Coat"
+p19960
+sg18783
+g27
+sa(dp19961
+g18779
+S'Nancy Crimi'
+p19962
+sg18781
+S"Boy's Dress"
+p19963
+sg18783
+g27
+sa(dp19964
+g18779
+S'Mae A. Clarke'
+p19965
+sg18781
+S"Boy's Dress"
+p19966
+sg18783
+g27
+sa(dp19967
+g18779
+S'Nancy Crimi'
+p19968
+sg18781
+S"Boy's Dress and Jacket"
+p19969
+sg18783
+g27
+sa(dp19970
+g18779
+S'Daniel Marshack'
+p19971
+sg18781
+S"Boy's Poplin Suit"
+p19972
+sg18783
+g27
+sa(dp19973
+g18779
+S'Nancy Crimi'
+p19974
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00003/a0000336.jpg'
+p19975
+sg18781
+S"Boy's Suit"
+p19976
+sg18783
+S'This boy\'s two-piece suit, dated 1850-1860, reflects a taste for elegance probably \n inspired by admiration of British and European portraits of young aristocrats.\n Designed for little boys under the age of ten, this type of suit came to be known \n later as "Little Lord Fauntleroy." The name was taken from a popular story published \n in 1866 by Frances Hodgson Burnett and illustrated by Reginald Birch.\n To complete the outfit, a child would wear white silk stockings and buckled shoes.\n '
+p19977
+sa(dp19978
+g18779
+S'Ruggiero Pierotti'
+p19979
+sg18781
+S"Boy's Suit"
+p19980
+sg18783
+g27
+sa(dp19981
+g18779
+S'Italian 16th Century'
+p19982
+sg18787
+S'overall (oval): 2.6 x 7.6 cm (1 x 3 in.) gross weight: 34 gr'
+p19983
+sg18789
+S'\ngilt bronze'
+p19984
+sg18781
+S'The Triumph of Flora'
+p19985
+sg18783
+g27
+sa(dp19986
+g18779
+S'Artist Information ('
+p19987
+sg18781
+S"Boy's Suit"
+p19988
+sg18783
+g27
+sa(dp19989
+g18779
+S'Gwyneth King'
+p19990
+sg18781
+S"Boy's Suit"
+p19991
+sg18783
+g27
+sa(dp19992
+g18779
+S'Mary E. Humes'
+p19993
+sg18781
+S"Man's Coat & Waistcoat"
+p19994
+sg18783
+g27
+sa(dp19995
+g18779
+S'Mary E. Humes'
+p19996
+sg18781
+S"Man's Suit"
+p19997
+sg18783
+g27
+sa(dp19998
+g18779
+S'Gladys C. Parker'
+p19999
+sg18781
+S'Civil War Sash'
+p20000
+sg18783
+g27
+sa(dp20001
+g18779
+S'Artist Information ('
+p20002
+sg18781
+S'Coat of Naval Lieutenant'
+p20003
+sg18783
+g27
+sa(dp20004
+g18779
+S'Annie B. Johnston'
+p20005
+sg18791
+S'http://www.nga.gov:80/thumb-l/a000f9/a000f900.jpg'
+p20006
+sg18781
+S'Confederate Uniform'
+p20007
+sg18783
+g27
+sa(dp20008
+g18779
+S'James Vail'
+p20009
+sg18781
+S'Military Chapeau'
+p20010
+sg18783
+g27
+sa(dp20011
+g18779
+S'Gerald Scalise'
+p20012
+sg18781
+S"Fireman's Belt"
+p20013
+sg18783
+g27
+sa(dp20014
+g18779
+S'Robert Gilson'
+p20015
+sg18781
+S"Fireman's Shirt"
+p20016
+sg18783
+g27
+sa(dp20017
+g18779
+S'Italian 16th Century'
+p20018
+sg18787
+S'overall: 2.5 x 7.3 cm (1 x 2 7/8 in.) gross weight: 40 gr'
+p20019
+sg18789
+S'\nbronze'
+p20020
+sg18781
+S'The Triumph of Flora'
+p20021
+sg18783
+g27
+sa(dp20022
+g18779
+S'Lillian Causey'
+p20023
+sg18781
+S"Man's Uniforms"
+p20024
+sg18783
+g27
+sa(dp20025
+g18779
+S'Lillian Causey'
+p20026
+sg18781
+S'Uniform'
+p20027
+sg18783
+g27
+sa(dp20028
+g18779
+S'David Ramage'
+p20029
+sg18781
+S"Fireman's Helmet"
+p20030
+sg18783
+g27
+sa(dp20031
+g18779
+S'David Ramage'
+p20032
+sg18781
+S"Fireman's Helmet"
+p20033
+sg18783
+g27
+sa(dp20034
+g18779
+S'Adele Brooks'
+p20035
+sg18781
+S"Child's Soldier Suit"
+p20036
+sg18783
+g27
+sa(dp20037
+g18779
+S'Mary Fitzgerald'
+p20038
+sg18781
+S'Quilted Chest Protection'
+p20039
+sg18783
+g27
+sa(dp20040
+g18779
+S'Aaron Fastovsky'
+p20041
+sg18781
+S"Field Officer's Hat"
+p20042
+sg18783
+g27
+sa(dp20043
+g18779
+S'Aaron Fastovsky'
+p20044
+sg18781
+S'Full Dress Helmet'
+p20045
+sg18783
+g27
+sa(dp20046
+g18779
+S'Helen Bronson'
+p20047
+sg18781
+S"Fireman's Hat"
+p20048
+sg18783
+g27
+sa(dp20049
+g18779
+S'Harry Jennings'
+p20050
+sg18781
+S"Fireman's Hat"
+p20051
+sg18783
+g27
+sa(dp20052
+g18779
+S'Italian 17th Century'
+p20053
+sg18787
+S'overall: 19.2 x 12.1 cm (7 9/16 x 4 3/4 in.) gross weight: 426 gr'
+p20054
+sg18789
+S'\nbronze'
+p20055
+sg18781
+S'Madonna and Child'
+p20056
+sg18783
+g27
+sa(dp20057
+g18779
+S'Eugene Shellady'
+p20058
+sg18781
+S"Fireman's Hat"
+p20059
+sg18783
+g27
+sa(dp20060
+g18779
+S'Elmer G. Anderson'
+p20061
+sg18781
+S"Fireman's Helmet"
+p20062
+sg18783
+g27
+sa(dp20063
+g18779
+S'Eugene Bartz'
+p20064
+sg18781
+S"Fireman's Helmet"
+p20065
+sg18783
+g27
+sa(dp20066
+g18779
+S'Eugene Bartz'
+p20067
+sg18781
+S"Fireman's Helmet"
+p20068
+sg18783
+g27
+sa(dp20069
+g18779
+S'Alfonso Moreno'
+p20070
+sg18781
+S"Fireman's Life Belt"
+p20071
+sg18783
+g27
+sa(dp20072
+g18779
+S'William Lang'
+p20073
+sg18781
+S"Fireman's Hat"
+p20074
+sg18783
+g27
+sa(dp20075
+g18779
+S'Alexander Anderson'
+p20076
+sg18781
+S"Volunteer Fireman's Cap"
+p20077
+sg18783
+g27
+sa(dp20078
+g18779
+S'Robert Tardiff'
+p20079
+sg18781
+S"Fireman's Hat"
+p20080
+sg18783
+g27
+sa(dp20081
+g18779
+S'George Bobholz'
+p20082
+sg18781
+S"Fireman's Belt"
+p20083
+sg18783
+g27
+sa(dp20084
+g18779
+S'Herman O. Stroh'
+p20085
+sg18781
+S'Police Club and Belt'
+p20086
+sg18783
+g27
+sa(dp20087
+g18779
+S'Artist Information ('
+p20088
+sg18787
+S'Italian, c. 1467 - 1529'
+p20089
+sg18789
+S'(related artist)'
+p20090
+sg18781
+S'Madonna and Child with Saints'
+p20091
+sg18783
+g27
+sa(dp20092
+g18779
+S'Evelyn Bailey'
+p20093
+sg18781
+S"Child's Jacket"
+p20094
+sg18783
+g27
+sa(dp20095
+g18779
+S'Evelyn Bailey'
+p20096
+sg18781
+S"Child's Apron Dress"
+p20097
+sg18783
+g27
+sa(dp20098
+g18779
+S'Evelyn Bailey'
+p20099
+sg18781
+S"Infant's Dress"
+p20100
+sg18783
+g27
+sa(dp20101
+g18779
+S'Evelyn Bailey'
+p20102
+sg18781
+S'Baptismal Dress'
+p20103
+sg18783
+g27
+sa(dp20104
+g18779
+S'Kathryn Uhl'
+p20105
+sg18781
+S"Infant's Dress"
+p20106
+sg18783
+g27
+sa(dp20107
+g18779
+S'Evelyn Bailey'
+p20108
+sg18781
+S"Child's Dress"
+p20109
+sg18783
+g27
+sa(dp20110
+g18779
+S'Verna Tallman'
+p20111
+sg18781
+S"Girl's Dress"
+p20112
+sg18783
+g27
+sa(dp20113
+g18779
+S'Gladys C. Parker'
+p20114
+sg18781
+S"Child's Dress"
+p20115
+sg18783
+g27
+sa(dp20116
+g18779
+S'Gladys C. Parker'
+p20117
+sg18781
+S"Child's Dress"
+p20118
+sg18783
+g27
+sa(dp20119
+g18779
+S'Edith Towner'
+p20120
+sg18781
+S"Infant's Dress"
+p20121
+sg18783
+g27
+sa(dp20122
+g18781
+S'The Fountain of the Sciences'
+p20123
+sg18779
+S'Jacopo Nizzola da Trezzo'
+p20124
+sg18787
+S'bronze'
+p20125
+sg18789
+S'c. 1550'
+p20126
+sg18791
+S'http://www.nga.gov:80/thumb-l/a0002d/a0002db5.jpg'
+p20127
+sg18783
+g27
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+g18779
+S'Edith Towner'
+p20129
+sg18781
+S'Baby Coat'
+p20130
+sg18783
+g27
+sa(dp20131
+g18779
+S'Ella Josephine Sterling'
+p20132
+sg18781
+S'Embroidered Christening Robe & Cap'
+p20133
+sg18783
+g27
+sa(dp20134
+g18779
+S'Ella Josephine Sterling'
+p20135
+sg18781
+S'Embroidered Dress & Mull Cap'
+p20136
+sg18783
+g27
+sa(dp20137
+g18779
+S'Ella Josephine Sterling'
+p20138
+sg18781
+S'Embroidered Christening Robe & Mull Cap'
+p20139
+sg18783
+g27
+sa(dp20140
+g18779
+S'Ella Josephine Sterling'
+p20141
+sg18781
+S"Infant's Dress and Shirt"
+p20142
+sg18783
+g27
+sa(dp20143
+g18779
+S'Ella Josephine Sterling'
+p20144
+sg18781
+S'Christening Robe'
+p20145
+sg18783
+g27
+sa(dp20146
+g18779
+S'Cora Parker'
+p20147
+sg18781
+S"Doll's Bonnet"
+p20148
+sg18783
+g27
+sa(dp20149
+g18779
+S'Manuel G. Runyan'
+p20150
+sg18781
+S'Baby Dress'
+p20151
+sg18783
+g27
+sa(dp20152
+g18779
+S'Cora Parker'
+p20153
+sg18781
+S'Baby Dress'
+p20154
+sg18783
+g27
+sa(dp20155
+g18779
+S'Mary Porter'
+p20156
+sg18781
+S"Child's Dress"
+p20157
+sg18783
+g27
+sa(dp20158
+g18779
+S'Master of the Orpheus Legend'
+p20159
+sg18787
+S'bronze'
+p20160
+sg18789
+S'fourth quarter 15th century'
+p20161
+sg18781
+S'The Centaur Chiron'
+p20162
+sg18783
+g27
+sa(dp20163
+g18779
+S'Al Curry'
+p20164
+sg18781
+S"Child's Dress"
+p20165
+sg18783
+g27
+sa(dp20166
+g18779
+S'Ray Price'
+p20167
+sg18781
+S"Child's Dress"
+p20168
+sg18783
+g27
+sa(dp20169
+g18779
+S'Al Curry'
+p20170
+sg18781
+S"Child's Dress"
+p20171
+sg18783
+g27
+sa(dp20172
+g18779
+S'Ray Price'
+p20173
+sg18781
+S"Child's Dress"
+p20174
+sg18783
+g27
+sa(dp20175
+g18779
+S'Lucien Verbeke'
+p20176
+sg18781
+S"Child's Coat"
+p20177
+sg18783
+g27
+sa(dp20178
+g18779
+S'Ray Price'
+p20179
+sg18781
+S'Baby Coat'
+p20180
+sg18783
+g27
+sa(dp20181
+g18779
+S'Lucien Verbeke'
+p20182
+sg18781
+S"Child's Dress and Jacket"
+p20183
+sg18783
+g27
+sa(dp20184
+g18779
+S'Joseph L. Boyd'
+p20185
+sg18781
+S"Child's Dress"
+p20186
+sg18783
+g27
+sa(dp20187
+g18779
+S'Ray Price'
+p20188
+sg18781
+S"Child's Dress"
+p20189
+sg18783
+g27
+sa(dp20190
+g18779
+S'Joseph L. Boyd'
+p20191
+sg18781
+S"Infant's Dress"
+p20192
+sg18783
+g27
+sa(dp20193
+g18779
+S'Moderno'
+p20194
+sg18787
+S'bronze'
+p20195
+sg18789
+S'late 15th - early 16th century'
+p20196
+sg18781
+S'The Crucifixion'
+p20197
+sg18783
+g27
+sa(dp20198
+g18779
+S'Ray Price'
+p20199
+sg18781
+S"Child's Dress"
+p20200
+sg18783
+g27
+sa(dp20201
+g18779
+S'Joseph L. Boyd'
+p20202
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00003/a0000359.jpg'
+p20203
+sg18781
+S"Child's Dress"
+p20204
+sg18783
+S"This child's dress was made about 1860 in New Orleans. The fabric is blue and \n green plaid linen. It has velvet ribbon trimming and silk fringe. The lining is \n unbleached cotton.\n Girls' clothing was patterned after adult styles. In most cases the length of the \n skirt was an indication of a girl's age; the shorter the skirt the younger the wearer.\n "
+p20205
+sa(dp20206
+g18779
+S'Lucien Verbeke'
+p20207
+sg18781
+S"Child's Dress"
+p20208
+sg18783
+g27
+sa(dp20209
+g18779
+S'Ray Price'
+p20210
+sg18781
+S"Child's Dress"
+p20211
+sg18783
+g27
+sa(dp20212
+g18779
+S'Hans Mangelsdorf'
+p20213
+sg18781
+S"Child's Dress"
+p20214
+sg18783
+g27
+sa(dp20215
+g18779
+S'Lucien Verbeke'
+p20216
+sg18781
+S"Child's Dress"
+p20217
+sg18783
+g27
+sa(dp20218
+g18779
+S'Joseph L. Boyd'
+p20219
+sg18781
+S'Doll'
+p20220
+sg18783
+g27
+sa(dp20221
+g18779
+S'Lucien Verbeke'
+p20222
+sg18781
+S"Infant's Dress (Front View)"
+p20223
+sg18783
+g27
+sa(dp20224
+g18779
+S'Lucien Verbeke'
+p20225
+sg18781
+S'Baby Dress'
+p20226
+sg18783
+g27
+sa(dp20227
+g18779
+S'Lucien Verbeke'
+p20228
+sg18781
+S"Child's Dress"
+p20229
+sg18783
+g27
+sa(dp20230
+g18781
+S'Claudia Quinta'
+p20231
+sg18779
+S"Neroccio de' Landi"
+p20232
+sg18787
+S'tempera on panel'
+p20233
+sg18789
+S'c. 1490/1495'
+p20234
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00005/a00005df.jpg'
+p20235
+sg18783
+S'Claudia Quinta embodied the greatest virtues of Roman womanhood—chastity, piety, and fortitude. It had been prophesied that Roman victory in the Second Punic War depended on bringing Cybele, the Anatolian Great Mother goddess, to Rome. But when a ship with her image arrived at the mouth of the Tiber River, it became mired in mud. Strong men were unable to free it. Claudia was a virtuous young matron, falsely accused of impropriety, who had prayed to Cybele for a sign of her innocence. At the goddess\'s direction she slipped a slender cord over the ship\'s bow and easily pulled the vessel free.\n This painting was part of a set of at least seven works representing paragons of virtue. Such cycles devoted to famous men and women of the past had been popular since the Middle Ages and seemed to enjoy particular favor in Siena. The men and women in this set, taken from ancient literature and the Bible, were renowned for chastity, fortitude, or self-restraint. In civic buildings such cycles usually focused on men of political courage, but because this group contains so many women and concentrates on more "domestic" virtues, it probably decorated a private house.\n '
+p20236
+sa(dp20237
+g18781
+S'Bacchus and a Faun'
+p20238
+sg18779
+S'Milanese 16th Century'
+p20239
+sg18787
+S'bronze'
+p20240
+sg18789
+S'1580/1600'
+p20241
+sg18791
+S'http://www.nga.gov:80/thumb-l/a0002c/a0002c3d.jpg'
+p20242
+sg18783
+g27
+sa(dp20243
+g18779
+S'Moderno'
+p20244
+sg18787
+S'bronze'
+p20245
+sg18789
+S'1507 or before'
+p20246
+sg18781
+S'David Triumphant over Goliath'
+p20247
+sg18783
+g27
+sa(dp20248
+g18779
+S'Lillian Causey'
+p20249
+sg18781
+S'Baby Costume'
+p20250
+sg18783
+g27
+sa(dp20251
+g18779
+S'Lillian Causey'
+p20252
+sg18781
+S"Child's Dress"
+p20253
+sg18783
+g27
+sa(dp20254
+g18779
+S'Lillian Causey'
+p20255
+sg18781
+S'Quaker Baby Shirt'
+p20256
+sg18783
+g27
+sa(dp20257
+g18779
+S'Lillian Causey'
+p20258
+sg18781
+S'Quaker Baby Shirt'
+p20259
+sg18783
+g27
+sa(dp20260
+g18779
+S'Lillian Causey'
+p20261
+sg18781
+S"Baby's Cap"
+p20262
+sg18783
+g27
+sa(dp20263
+g18779
+S'Douglas Campbell'
+p20264
+sg18781
+S"Child's Dress"
+p20265
+sg18783
+g27
+sa(dp20266
+g18779
+S'Anne Colman'
+p20267
+sg18781
+S'Baby Bonnet'
+p20268
+sg18783
+g27
+sa(dp20269
+g18779
+S'Rex F. Bush'
+p20270
+sg18781
+S"Baby's Shirt"
+p20271
+sg18783
+g27
+sa(dp20272
+g18779
+S'Marjorie McIntyre'
+p20273
+sg18781
+S"Child's Dress"
+p20274
+sg18783
+g27
+sa(dp20275
+g18779
+S'Frederick Jackson'
+p20276
+sg18781
+S"Boy's Suit"
+p20277
+sg18783
+g27
+sa(dp20278
+g18779
+S'Moderno'
+p20279
+sg18787
+S'bronze'
+p20280
+sg18789
+S'late 15th - early 16th century'
+p20281
+sg18781
+S'The Death of Hippolytus, or The Fall of Phaeton'
+p20282
+sg18783
+g27
+sa(dp20283
+g18779
+S'Edward Strzalkowski'
+p20284
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00003/a0000300.jpg'
+p20285
+sg18781
+S'Puppet: "Punch"'
+p20286
+sg18783
+S'Toy makers have found numerous ways of animating their products, and puppets,\n activated by sticks or strings, are perfect examples of toys in motion. This is\n Punch, the villainous hero of the English puppet play, \n '
+p20287
+sa(dp20288
+g18779
+S'Marie Famularo'
+p20289
+sg18781
+S"Infant's Dress"
+p20290
+sg18783
+g27
+sa(dp20291
+g18779
+S'Marie Famularo'
+p20292
+sg18781
+S"Girl's Chintz Dress"
+p20293
+sg18783
+g27
+sa(dp20294
+g18779
+S'Grace Halpin'
+p20295
+sg18781
+S"Infant's Cap"
+p20296
+sg18783
+g27
+sa(dp20297
+g18779
+S'Marie Famularo'
+p20298
+sg18781
+S"Infant's Cap"
+p20299
+sg18783
+g27
+sa(dp20300
+g18779
+S'Raymond Manupelli'
+p20301
+sg18781
+S"Child's Dress"
+p20302
+sg18783
+g27
+sa(dp20303
+g18779
+S'Eleanor Gausser'
+p20304
+sg18781
+S"Baby's Bib"
+p20305
+sg18783
+g27
+sa(dp20306
+g18779
+S'Marie Lutrell'
+p20307
+sg18781
+S"Child's Dress"
+p20308
+sg18783
+g27
+sa(dp20309
+g18779
+S'Isabelle De Strange'
+p20310
+sg18781
+S"Baby's Hood"
+p20311
+sg18783
+g27
+sa(dp20312
+g18779
+S'Eleanor Gausser'
+p20313
+sg18781
+S"Child's Dress"
+p20314
+sg18783
+g27
+sa(dp20315
+g18779
+S'Moderno'
+p20316
+sg18787
+S'bronze'
+p20317
+sg18789
+S'late 15th - early 16th century'
+p20318
+sg18781
+S'The Flagellation'
+p20319
+sg18783
+g27
+sa(dp20320
+g18779
+S'Richard Whitaker'
+p20321
+sg18781
+S"Baby's Lace Cap"
+p20322
+sg18783
+g27
+sa(dp20323
+g18779
+S'Richard Whitaker'
+p20324
+sg18781
+S"Infant's Shirt"
+p20325
+sg18783
+g27
+sa(dp20326
+g18779
+S'Eleanor Gausser'
+p20327
+sg18781
+S"Quaker's Baby Bonnet"
+p20328
+sg18783
+g27
+sa(dp20329
+g18779
+S'Fanchon Larzelere'
+p20330
+sg18781
+S'Dutch Dress'
+p20331
+sg18783
+g27
+sa(dp20332
+g18779
+S'Jean Peszel'
+p20333
+sg18781
+S"Child's Dress"
+p20334
+sg18783
+g27
+sa(dp20335
+g18779
+S'Jean Peszel'
+p20336
+sg18781
+S"Child's Dress"
+p20337
+sg18783
+g27
+sa(dp20338
+g18779
+S'Gertrude Lemberg'
+p20339
+sg18781
+S"Child's Dress"
+p20340
+sg18783
+g27
+sa(dp20341
+g18779
+S'Sara Garfinkel'
+p20342
+sg18781
+S"Child's Dress"
+p20343
+sg18783
+g27
+sa(dp20344
+g18779
+S'Margaret Concha'
+p20345
+sg18781
+S"Child's Dress"
+p20346
+sg18783
+g27
+sa(dp20347
+g18779
+S'Margaret Concha'
+p20348
+sg18781
+S"Child's Dress"
+p20349
+sg18783
+g27
+sa(dp20350
+g18779
+S'Moderno'
+p20351
+sg18787
+S'bronze'
+p20352
+sg18789
+S'late 15th - early 16th century'
+p20353
+sg18781
+S'Hercules and the Lernaean Hydra'
+p20354
+sg18783
+g27
+sa(dp20355
+g18779
+S'Virginia Berge'
+p20356
+sg18781
+S'Christening Dress'
+p20357
+sg18783
+g27
+sa(dp20358
+g18779
+S'Catherine Fowler'
+p20359
+sg18781
+S"Child's Dress"
+p20360
+sg18783
+g27
+sa(dp20361
+g18779
+S'Dorothy Gernon'
+p20362
+sg18781
+S"Child's Dress"
+p20363
+sg18783
+g27
+sa(dp20364
+g18779
+S'Catherine Fowler'
+p20365
+sg18781
+S"Child's Dress"
+p20366
+sg18783
+g27
+sa(dp20367
+g18779
+S'Roberta Spicer'
+p20368
+sg18781
+S"Child's Dress & Collar"
+p20369
+sg18783
+g27
+sa(dp20370
+g18779
+S'Melita Hofmann'
+p20371
+sg18781
+S"Child's Dress"
+p20372
+sg18783
+g27
+sa(dp20373
+g18779
+S'Sara Garfinkel'
+p20374
+sg18781
+S"Child's Dress"
+p20375
+sg18783
+g27
+sa(dp20376
+g18779
+S'Melita Hofmann'
+p20377
+sg18781
+S"Child's Bonnet"
+p20378
+sg18783
+g27
+sa(dp20379
+g18779
+S'Nancy Crimi'
+p20380
+sg18781
+S"Child's Dress"
+p20381
+sg18783
+g27
+sa(dp20382
+g18779
+S'Virginia Berge'
+p20383
+sg18781
+S"Infant's Bib"
+p20384
+sg18783
+g27
+sa(dp20385
+g18779
+S'Moderno'
+p20386
+sg18787
+S'gilt bronze'
+p20387
+sg18789
+S'late 15th - early 16th century'
+p20388
+sg18781
+S'Hercules and the Nemean Lion'
+p20389
+sg18783
+g27
+sa(dp20390
+g18779
+S'Dorothea Mierisch'
+p20391
+sg18781
+S"Child's Bonnet"
+p20392
+sg18783
+g27
+sa(dp20393
+g18779
+S'Gertrude Lemberg'
+p20394
+sg18781
+S"Child's Cape"
+p20395
+sg18783
+g27
+sa(dp20396
+g18779
+S'Dorothy Gernon'
+p20397
+sg18781
+S"Child's Coat"
+p20398
+sg18783
+g27
+sa(dp20399
+g18779
+S'Catherine Fowler'
+p20400
+sg18781
+S"Child's Dress"
+p20401
+sg18783
+g27
+sa(dp20402
+g18779
+S'Virginia Berge'
+p20403
+sg18781
+S"Baby's Shirt"
+p20404
+sg18783
+g27
+sa(dp20405
+g18779
+S'Nancy Crimi'
+p20406
+sg18781
+S"Boy's Coat"
+p20407
+sg18783
+g27
+sa(dp20408
+g18779
+S'Marie Mitchell'
+p20409
+sg18781
+S"Boy's Coat"
+p20410
+sg18783
+g27
+sa(dp20411
+g18779
+S'Nancy Crimi'
+p20412
+sg18781
+S"Girl's Dress"
+p20413
+sg18783
+g27
+sa(dp20414
+g18779
+S'Winifred Gibbes'
+p20415
+sg18781
+S"Girl's Dress"
+p20416
+sg18783
+g27
+sa(dp20417
+g18779
+S'Nancy Crimi'
+p20418
+sg18781
+S"Girl's Dress with Pantaloons"
+p20419
+sg18783
+g27
+sa(dp20420
+g18779
+S'Moderno'
+p20421
+sg18787
+S'bronze'
+p20422
+sg18789
+S'late 15th - early 16th century'
+p20423
+sg18781
+S'Lucretia'
+p20424
+sg18783
+g27
+sa(dp20425
+g18779
+S'Nancy Crimi'
+p20426
+sg18781
+S"Child's Coat & Bonnet"
+p20427
+sg18783
+g27
+sa(dp20428
+g18779
+S'Sarah F. Williams'
+p20429
+sg18781
+S"Infant's Baptismal Dress"
+p20430
+sg18783
+g27
+sa(dp20431
+g18779
+S'Mary E. Humes'
+p20432
+sg18781
+S"Infant's Dress"
+p20433
+sg18783
+g27
+sa(dp20434
+g18779
+S'Mary E. Humes'
+p20435
+sg18781
+S"Child's Dress"
+p20436
+sg18783
+g27
+sa(dp20437
+g18779
+S'Mary E. Humes'
+p20438
+sg18781
+S"Child's Bonnet"
+p20439
+sg18783
+g27
+sa(dp20440
+g18779
+S'Mary E. Humes'
+p20441
+sg18781
+S"Child's Coat"
+p20442
+sg18783
+g27
+sa(dp20443
+g18779
+S'Mary E. Humes'
+p20444
+sg18781
+S"Child's Dress"
+p20445
+sg18783
+g27
+sa(dp20446
+g18779
+S'Edna C. Rex'
+p20447
+sg18781
+S"Child's Cape"
+p20448
+sg18783
+g27
+sa(dp20449
+g18779
+S'Cora Parker'
+p20450
+sg18781
+S"Child's Stocking"
+p20451
+sg18783
+g27
+sa(dp20452
+g18779
+S'H. Langden Brown'
+p20453
+sg18781
+S'Stockings'
+p20454
+sg18783
+g27
+sa(dp20455
+g18779
+S'Moderno'
+p20456
+sg18787
+S'bronze'
+p20457
+sg18789
+S'late 15th - early 16th century'
+p20458
+sg18781
+S'Madonna and Child with Saints'
+p20459
+sg18783
+g27
+sa(dp20460
+g18779
+S'William High'
+p20461
+sg18781
+S'Stockings'
+p20462
+sg18783
+g27
+sa(dp20463
+g18779
+S'E.J. Gilsleider'
+p20464
+sg18781
+S'Knit Hose'
+p20465
+sg18783
+g27
+sa(dp20466
+g18779
+S'Margaret Concha'
+p20467
+sg18781
+S'Stockings'
+p20468
+sg18783
+g27
+sa(dp20469
+g18779
+S'Dorothy M. Gerhard'
+p20470
+sg18781
+S'Stockings'
+p20471
+sg18783
+g27
+sa(dp20472
+g18779
+S'Melita Hofmann'
+p20473
+sg18781
+S'Stockings'
+p20474
+sg18783
+g27
+sa(dp20475
+g18779
+S'Melita Hofmann'
+p20476
+sg18781
+S'Spats'
+p20477
+sg18783
+g27
+sa(dp20478
+g18779
+S'Sylvia De Zon'
+p20479
+sg18781
+S'Stockings'
+p20480
+sg18783
+g27
+sa(dp20481
+g18779
+S'Sylvia De Zon'
+p20482
+sg18781
+S'Stockings'
+p20483
+sg18783
+g27
+sa(dp20484
+g18779
+S'Rosalia Lane'
+p20485
+sg18781
+S'Stockings'
+p20486
+sg18783
+g27
+sa(dp20487
+g18779
+S'Rose Campbell-Gerke'
+p20488
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00003/a00003d7.jpg'
+p20489
+sg18781
+S'Inlaid Spur'
+p20490
+sg18783
+S'Spurs presented an opportunity for embellishment using both leather and metal. While sometimes the heel bands and shanks were left plain, more frequently they were decorated. This example has an engraved silver design in the hand-forged steel.\r\n The leather is intricately tooled; in some rare cases, even jewels were set in the leather. This spur was made in California about 1890. Like the saddle, it reflects the tradition of adornment inherited from the Spanish "caballero."\n '
+p20491
+sa(dp20492
+g18779
+S'Moderno'
+p20493
+sg18787
+S'bronze'
+p20494
+sg18789
+S'late 15th - early 16th century'
+p20495
+sg18781
+S'Madonna and Child with Saints'
+p20496
+sg18783
+g27
+sa(dp20497
+g18779
+S'Vera Van Voris'
+p20498
+sg18781
+S'Spur'
+p20499
+sg18783
+g27
+sa(dp20500
+g18779
+S'James Dwyer'
+p20501
+sg18781
+S'Spur'
+p20502
+sg18783
+g27
+sa(dp20503
+g18779
+S'Margaret Stottlemeyer'
+p20504
+sg18781
+S'Ice Skate'
+p20505
+sg18783
+g27
+sa(dp20506
+g18779
+S'Samuel Fineman'
+p20507
+sg18781
+S'Ice Skate'
+p20508
+sg18783
+g27
+sa(dp20509
+g18779
+S'Alfred Walbeck'
+p20510
+sg18781
+S'Spur'
+p20511
+sg18783
+g27
+sa(dp20512
+g18779
+S'Fred Hassebrock'
+p20513
+sg18781
+S"Rider's Spur"
+p20514
+sg18783
+g27
+sa(dp20515
+g18779
+S'Albert Rudin'
+p20516
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00055/a0005537.jpg'
+p20517
+sg18781
+S'Roller Skates'
+p20518
+sg18783
+g27
+sa(dp20519
+g18779
+S'Raymond Neumann'
+p20520
+sg18781
+S'Snow Skates'
+p20521
+sg18783
+g27
+sa(dp20522
+g18779
+S'Sydney Roberts'
+p20523
+sg18781
+S'File Skates'
+p20524
+sg18783
+g27
+sa(dp20525
+g18779
+S'Harley Kempter'
+p20526
+sg18781
+S'Ice Skates'
+p20527
+sg18783
+g27
+sa(dp20528
+g18779
+S'Moderno'
+p20529
+sg18787
+S', late 15th - early 16th century'
+p20530
+sg18789
+S'\n'
+p20531
+sg18781
+S'Orpheus Playing to the Animals'
+p20532
+sg18783
+g27
+sa(dp20533
+g18779
+S'Gerald Bernhardt'
+p20534
+sg18781
+S'Ice Skate'
+p20535
+sg18783
+g27
+sa(dp20536
+g18779
+S'Samuel O. Klein'
+p20537
+sg18781
+S'Ice Skate'
+p20538
+sg18783
+g27
+sa(dp20539
+g18779
+S'Clyde L. Cheney'
+p20540
+sg18781
+S'Spurs'
+p20541
+sg18783
+g27
+sa(dp20542
+g18779
+S'LeRoy McCarrel'
+p20543
+sg18781
+S'Spurs'
+p20544
+sg18783
+g27
+sa(dp20545
+g18779
+S'Eldon Allen'
+p20546
+sg18781
+S'Spur'
+p20547
+sg18783
+g27
+sa(dp20548
+g18779
+S'Eldon Allen'
+p20549
+sg18781
+S'Spur'
+p20550
+sg18783
+g27
+sa(dp20551
+g18779
+S'Albert Geuppert'
+p20552
+sg18781
+S'Spurs'
+p20553
+sg18783
+g27
+sa(dp20554
+g18779
+S'Clarence Secor'
+p20555
+sg18781
+S'Ice Skate'
+p20556
+sg18783
+g27
+sa(dp20557
+g18779
+S'Eugene Bartz'
+p20558
+sg18781
+S'Ice Skate'
+p20559
+sg18783
+g27
+sa(dp20560
+g18779
+S'Lloyd Charles Lemcke'
+p20561
+sg18781
+S'Ice Skate'
+p20562
+sg18783
+g27
+sa(dp20563
+g18779
+S'Moderno'
+p20564
+sg18787
+S'bronze'
+p20565
+sg18789
+S'late 15th - early 16th century'
+p20566
+sg18781
+S'The Resurrection of Christ'
+p20567
+sg18783
+g27
+sa(dp20568
+g18779
+S'Erwin Stenzel'
+p20569
+sg18781
+S'Ice Skate'
+p20570
+sg18783
+g27
+sa(dp20571
+g18779
+S'Ethel Dougan'
+p20572
+sg18781
+S"Woman's Spur"
+p20573
+sg18783
+g27
+sa(dp20574
+g18779
+S'William Kieckhofel'
+p20575
+sg18781
+S'Evening Slipper'
+p20576
+sg18783
+g27
+sa(dp20577
+g18779
+S'Ann Gene Buckley'
+p20578
+sg18781
+S"Woman's Slipper"
+p20579
+sg18783
+g27
+sa(dp20580
+g18779
+S'William Kieckhofel'
+p20581
+sg18781
+S"Woman's Sandal"
+p20582
+sg18783
+g27
+sa(dp20583
+g18779
+S'Edward L. Loper'
+p20584
+sg18781
+S'Pattens'
+p20585
+sg18783
+g27
+sa(dp20586
+g18779
+S'Edward L. Loper'
+p20587
+sg18781
+S'Pattens'
+p20588
+sg18783
+g27
+sa(dp20589
+g18779
+S'Vincent P. Rosel'
+p20590
+sg18781
+S"Lady's Shoe"
+p20591
+sg18783
+g27
+sa(dp20592
+g18779
+S'Ella Josephine Sterling'
+p20593
+sg18781
+S"Lady's Overshoes"
+p20594
+sg18783
+g27
+sa(dp20595
+g18779
+S'Ella Josephine Sterling'
+p20596
+sg18781
+S"Woman's Slipper"
+p20597
+sg18783
+g27
+sa(dp20598
+g18779
+S'Moderno'
+p20599
+sg18787
+S'bronze'
+p20600
+sg18789
+S'late 15th - early 16th century'
+p20601
+sg18781
+S'Saint Sebastian'
+p20602
+sg18783
+g27
+sa(dp20603
+g18779
+S'Frank S. Browne'
+p20604
+sg18781
+S'Slippers'
+p20605
+sg18783
+g27
+sa(dp20606
+g18779
+S'Fred Hassebrock'
+p20607
+sg18781
+S'Gaiter'
+p20608
+sg18783
+g27
+sa(dp20609
+g18779
+S'Frank McEntee'
+p20610
+sg18781
+S"Ladies' Slippers"
+p20611
+sg18783
+g27
+sa(dp20612
+g18779
+S'Maxil Ballinger'
+p20613
+sg18781
+S"Woman's Sabot"
+p20614
+sg18783
+g27
+sa(dp20615
+g18779
+S'H. Langden Brown'
+p20616
+sg18781
+S"Woman's Silk Shoe"
+p20617
+sg18783
+g27
+sa(dp20618
+g18779
+S'Harry Grossen'
+p20619
+sg18781
+S"Woman's Clogs"
+p20620
+sg18783
+g27
+sa(dp20621
+g18779
+S'Arlington Gregg'
+p20622
+sg18781
+S'Shoe'
+p20623
+sg18783
+g27
+sa(dp20624
+g18779
+S'Rocco Navigato'
+p20625
+sg18781
+S'Iron Sole'
+p20626
+sg18783
+g27
+sa(dp20627
+g18779
+S'LeRoy Griffith'
+p20628
+sg18781
+S'Needlepoint Slippers'
+p20629
+sg18783
+g27
+sa(dp20630
+g18779
+S'Ray Price'
+p20631
+sg18781
+S"Woman's Slippers"
+p20632
+sg18783
+g27
+sa(dp20633
+g18779
+S'North Italian 15th Century'
+p20634
+sg18787
+S'overall (silhouetted contour): 7.7 x 6 cm (3 1/16 x 2 3/8 in.) gross weight: 62 gr'
+p20635
+sg18789
+S'\ngilt bronze'
+p20636
+sg18781
+S'Judith'
+p20637
+sg18783
+g27
+sa(dp20638
+g18779
+S'Al Curry'
+p20639
+sg18781
+S"Woman's Slippers"
+p20640
+sg18783
+g27
+sa(dp20641
+g18779
+S'Lillian Causey'
+p20642
+sg18781
+S"Woman's Shoes"
+p20643
+sg18783
+g27
+sa(dp20644
+g18779
+S'Lillian Causey'
+p20645
+sg18781
+S"Woman's Slippers"
+p20646
+sg18783
+g27
+sa(dp20647
+g18779
+S'Lillian Causey'
+p20648
+sg18781
+S"Woman's Slippers"
+p20649
+sg18783
+g27
+sa(dp20650
+g18779
+S'Lillian Causey'
+p20651
+sg18781
+S"Woman's Slippers"
+p20652
+sg18783
+g27
+sa(dp20653
+g18779
+S'Marie Alain'
+p20654
+sg18781
+S'Walking Slippers'
+p20655
+sg18783
+g27
+sa(dp20656
+g18779
+S'Marie Alain'
+p20657
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00003/a0000352.jpg'
+p20658
+sg18781
+S"Woman's Shoes"
+p20659
+sg18783
+S'These brocaded silk shoes exemplify the beautiful and elaborate accessories \n that were part of the fashionable eighteenth-century wardrobe. Since they were \n not suitable for walking out-of-doors, clogs or pattens -- separate wooden or leather \n soles -- were strapped on over the shoes when necessary.\n '
+p20660
+sa(dp20661
+g18779
+S'Stella Mosher'
+p20662
+sg18781
+S"Child's Shoes"
+p20663
+sg18783
+g27
+sa(dp20664
+g18779
+S'Stella Mosher'
+p20665
+sg18781
+S"Woman's Shoes"
+p20666
+sg18783
+g27
+sa(dp20667
+g18779
+S'Adele Brooks'
+p20668
+sg18781
+S"Woman's Slipper"
+p20669
+sg18783
+g27
+sa(dp20670
+g18779
+S'North Italian 16th Century'
+p20671
+sg18787
+S'overall (without loops): 5.2 x 3.5 cm (2 1/16 x 1 3/8 in.)\r\naccessory size: 5.7 x 6.3 cm (2 1/4 x 2 1/2 in.)\r\ngross weight: 41.000 gr'
+p20672
+sg18789
+S'\ngilt bronze'
+p20673
+sg18781
+S'Madonna'
+p20674
+sg18783
+g27
+sa(dp20675
+g18779
+S'Columbus Simpson'
+p20676
+sg18781
+S"Woman's Shoe"
+p20677
+sg18783
+g27
+sa(dp20678
+g18779
+S'Columbus Simpson'
+p20679
+sg18781
+S"Woman's Shoe"
+p20680
+sg18783
+g27
+sa(dp20681
+g18779
+S'John Hall'
+p20682
+sg18781
+S"Woman's Shoe"
+p20683
+sg18783
+g27
+sa(dp20684
+g18779
+S'Francis Law Durand'
+p20685
+sg18781
+S"Woman's Slipper"
+p20686
+sg18783
+g27
+sa(dp20687
+g18779
+S'Francis Law Durand'
+p20688
+sg18781
+S"Woman's Shoe"
+p20689
+sg18783
+g27
+sa(dp20690
+g18779
+S'Grace Halpin'
+p20691
+sg18781
+S"Woman's Slipper"
+p20692
+sg18783
+g27
+sa(dp20693
+g18779
+S'Columbus Simpson'
+p20694
+sg18781
+S"Woman's Shoe"
+p20695
+sg18783
+g27
+sa(dp20696
+g18779
+S'Marjorie McIntyre'
+p20697
+sg18781
+S"Boy's Shoes"
+p20698
+sg18783
+g27
+sa(dp20699
+g18779
+S'Grace Halpin'
+p20700
+sg18781
+S'Slipper'
+p20701
+sg18783
+g27
+sa(dp20702
+g18779
+S'American 20th Century'
+p20703
+sg18781
+S"Woman's Shoe"
+p20704
+sg18783
+g27
+sa(dp20705
+g18779
+S'North Italian 16th Century'
+p20706
+sg18787
+S'overall (silhouette contour without loops): 4.6 x 3.2 cm (1 13/16 x 1 1/4 in.) gross weight: 30 gr'
+p20707
+sg18789
+S'\ngilt bronze'
+p20708
+sg18781
+S'John the Evangelist'
+p20709
+sg18783
+g27
+sa(dp20710
+g18779
+S'Marie Mitchell'
+p20711
+sg18781
+S'Patten'
+p20712
+sg18783
+g27
+sa(dp20713
+g18779
+S'Melita Hofmann'
+p20714
+sg18781
+S"Woman's Shoe"
+p20715
+sg18783
+g27
+sa(dp20716
+g18779
+S'Melita Hofmann'
+p20717
+sg18781
+S"Woman's Shoe"
+p20718
+sg18783
+g27
+sa(dp20719
+g18779
+S'Doris Beer'
+p20720
+sg18781
+S'Wedding Slippers'
+p20721
+sg18783
+g27
+sa(dp20722
+g18779
+S'Nancy Crimi'
+p20723
+sg18781
+S'Slipper'
+p20724
+sg18783
+g27
+sa(dp20725
+g18779
+S'Sylvia De Zon'
+p20726
+sg18781
+S"Woman's Shoe"
+p20727
+sg18783
+g27
+sa(dp20728
+g18779
+S'Doris Beer'
+p20729
+sg18781
+S'Carriage Boot'
+p20730
+sg18783
+g27
+sa(dp20731
+g18779
+S'Gladys Cook'
+p20732
+sg18781
+S'Baby Shoe'
+p20733
+sg18783
+g27
+sa(dp20734
+g18779
+S'Margaret Concha'
+p20735
+sg18781
+S"Woman's Shoe"
+p20736
+sg18783
+g27
+sa(dp20737
+g18779
+S'Melita Hofmann'
+p20738
+sg18781
+S"Woman's Slipper"
+p20739
+sg18783
+g27
+sa(dp20740
+g18779
+S'North Italian 15th Century'
+p20741
+sg18787
+S'Overall (without suspension tab): 9.3 x 6.7 cm (3 11/16 x 2 5/8 in.)\r\noverall (height with suspension tab): 10.2 cm (4 in.)\r\noverall: 1.2 cm (1/2 in.) gross weight: 234 gr'
+p20742
+sg18789
+S'\ngilt bronze'
+p20743
+sg18781
+S'Bust of Christ'
+p20744
+sg18783
+g27
+sa(dp20745
+g18779
+S'Carl Schutz'
+p20746
+sg18781
+S"Woman's Shoe"
+p20747
+sg18783
+g27
+sa(dp20748
+g18779
+S'Roberta Spicer'
+p20749
+sg18781
+S"Woman's Shoe"
+p20750
+sg18783
+g27
+sa(dp20751
+g18779
+S'Melita Hofmann'
+p20752
+sg18781
+S"Woman's Shoe"
+p20753
+sg18783
+g27
+sa(dp20754
+g18779
+S'Margaret Concha'
+p20755
+sg18781
+S"Woman's Shoe"
+p20756
+sg18783
+g27
+sa(dp20757
+g18779
+S'Melita Hofmann'
+p20758
+sg18781
+S"Woman's Clog"
+p20759
+sg18783
+g27
+sa(dp20760
+g18779
+S'Melita Hofmann'
+p20761
+sg18781
+S'Slipper'
+p20762
+sg18783
+g27
+sa(dp20763
+g18779
+S'Esther Hansen'
+p20764
+sg18781
+S"Woman's Slippers"
+p20765
+sg18783
+g27
+sa(dp20766
+g18779
+S'Melita Hofmann'
+p20767
+sg18781
+S"Woman's Shoe"
+p20768
+sg18783
+g27
+sa(dp20769
+g18779
+S'Creighton Kay-Scott'
+p20770
+sg18781
+S"Woman's Shoe"
+p20771
+sg18783
+g27
+sa(dp20772
+g18779
+S'Nancy Crimi'
+p20773
+sg18781
+S"Woman's Shoe"
+p20774
+sg18783
+g27
+sa(dp20775
+g18779
+S'North Italian 15th Century'
+p20776
+sg18787
+S'overall (maximum dimensions): 14.5 x 10.1 cm (5 11/16 x 3 15/16 in.)\r\noverall (plaquette field): 7.7 x 4.8 cm (3 1/16 x 1 7/8 in.)\r\ngross weight: 288 gr (0.635 lb.)'
+p20777
+sg18789
+S'\nbronze'
+p20778
+sg18781
+S'The Dead Christ'
+p20779
+sg18783
+g27
+sa(dp20780
+g18779
+S'Jean Peszel'
+p20781
+sg18781
+S"Woman's Slipper"
+p20782
+sg18783
+g27
+sa(dp20783
+g18779
+S'Nancy Crimi'
+p20784
+sg18781
+S"Woman's Slipper"
+p20785
+sg18783
+g27
+sa(dp20786
+g18779
+S'Mabel Ritter'
+p20787
+sg18781
+S'Pipe'
+p20788
+sg18783
+g27
+sa(dp20789
+g18779
+S'Bessie Forman'
+p20790
+sg18781
+S"Woman's Shoe"
+p20791
+sg18783
+g27
+sa(dp20792
+g18779
+S'Charles Garjian'
+p20793
+sg18781
+S"Woman's Shoe"
+p20794
+sg18783
+g27
+sa(dp20795
+g18779
+S'Bessie Forman'
+p20796
+sg18781
+S"Woman's Slipper"
+p20797
+sg18783
+g27
+sa(dp20798
+g18779
+S'Marie Mitchell'
+p20799
+sg18781
+S"Woman's Slipper"
+p20800
+sg18783
+g27
+sa(dp20801
+g18779
+S'Nancy Crimi'
+p20802
+sg18781
+S"Woman's Slipper"
+p20803
+sg18783
+g27
+sa(dp20804
+g18779
+S'Dorothy Gernon'
+p20805
+sg18781
+S'Slipper'
+p20806
+sg18783
+g27
+sa(dp20807
+g18779
+S'Daniel Marshack'
+p20808
+sg18781
+S"Woman's Shoe"
+p20809
+sg18783
+g27
+sa(dp20810
+g18779
+S'North Italian 16th Century'
+p20811
+sg18787
+S'overall: 5 x 7.6 cm (1 15/16 x 3 in.) gross weight: 69 gr'
+p20812
+sg18789
+S'\nbronze'
+p20813
+sg18781
+S'A Triumph'
+p20814
+sg18783
+g27
+sa(dp20815
+g18779
+S'Virginia Berge'
+p20816
+sg18781
+S"Woman's Slipper"
+p20817
+sg18783
+g27
+sa(dp20818
+g18779
+S'Daniel Marshack'
+p20819
+sg18781
+S"Woman's Shoe"
+p20820
+sg18783
+g27
+sa(dp20821
+g18779
+S'Daniel Marshack'
+p20822
+sg18781
+S"Woman's Shoe"
+p20823
+sg18783
+g27
+sa(dp20824
+g18779
+S'Daniel Marshack'
+p20825
+sg18781
+S"Woman's Shoe"
+p20826
+sg18783
+g27
+sa(dp20827
+g18779
+S'Daniel Marshack'
+p20828
+sg18781
+S'Slipper'
+p20829
+sg18783
+g27
+sa(dp20830
+g18779
+S'Virginia Berge'
+p20831
+sg18781
+S"Woman's Slipper"
+p20832
+sg18783
+g27
+sa(dp20833
+g18779
+S'Dorothy Dwin'
+p20834
+sg18781
+S"Lady's Boot"
+p20835
+sg18783
+g27
+sa(dp20836
+g18779
+S'Frank Maurer'
+p20837
+sg18781
+S"Woman's Slipper"
+p20838
+sg18783
+g27
+sa(dp20839
+g18779
+S'Edna C. Rex'
+p20840
+sg18781
+S"Woman's Slippers"
+p20841
+sg18783
+g27
+sa(dp20842
+g18779
+S'Bessie Forman'
+p20843
+sg18781
+S'Shoe'
+p20844
+sg18783
+g27
+sa(dp20845
+g18779
+S'North Italian 16th Century'
+p20846
+sg18787
+S'overall: 4.1 x 6.3 cm (1 5/8 x 2 1/2 in.) gross weight: 40 gr'
+p20847
+sg18789
+S'\nbronze'
+p20848
+sg18781
+S'Triumphal Procession'
+p20849
+sg18783
+g27
+sa(dp20850
+g18779
+S'Edna C. Rex'
+p20851
+sg18781
+S'Wedding Slippers'
+p20852
+sg18783
+g27
+sa(dp20853
+g18779
+S'John Cooke'
+p20854
+sg18781
+S"Woman's Shoe"
+p20855
+sg18783
+g27
+sa(dp20856
+g18779
+S'Lloyd Charles Lemcke'
+p20857
+sg18781
+S'Wooden Shoe'
+p20858
+sg18783
+g27
+sa(dp20859
+g18779
+S'Eugene C. Miller'
+p20860
+sg18781
+S'Birch Bark Shoe'
+p20861
+sg18783
+g27
+sa(dp20862
+g18779
+S'Samuel Faigin'
+p20863
+sg18781
+S'Wooden Shoe'
+p20864
+sg18783
+g27
+sa(dp20865
+g18779
+S'Rose Campbell-Gerke'
+p20866
+sg18781
+S'Leather Shoe'
+p20867
+sg18783
+g27
+sa(dp20868
+g18779
+S'Ann Gene Buckley'
+p20869
+sg18781
+S"Man's Dancing Shoe"
+p20870
+sg18783
+g27
+sa(dp20871
+g18779
+S'Artist Information ('
+p20872
+sg18781
+S'Shoes'
+p20873
+sg18783
+g27
+sa(dp20874
+g18779
+S'Edna C. Rex'
+p20875
+sg18781
+S'Wedding Shoe'
+p20876
+sg18783
+g27
+sa(dp20877
+g18779
+S'Michael France'
+p20878
+sg18781
+S"Man's Shoe"
+p20879
+sg18783
+g27
+sa(dp20880
+g18779
+S'Italian 16th Century'
+p20881
+sg18787
+S'overall (rounded above): 12.7 x 7.7 cm (5 x 3 1/16 in.) gross weight: 313 gr'
+p20882
+sg18789
+S'\nbronze'
+p20883
+sg18781
+S'Descent from the Cross'
+p20884
+sg18783
+g27
+sa(dp20885
+g18779
+S'Majel G. Claflin'
+p20886
+sg18781
+S"Copper-toed Child's Shoe"
+p20887
+sg18783
+g27
+sa(dp20888
+g18779
+S'Majel G. Claflin'
+p20889
+sg18781
+S"Man's shoe"
+p20890
+sg18783
+g27
+sa(dp20891
+g18779
+S'Gladys Cook'
+p20892
+sg18781
+S"Man's Shoe"
+p20893
+sg18783
+g27
+sa(dp20894
+g18779
+S'Marie Mitchell'
+p20895
+sg18781
+S"Man's Shoe"
+p20896
+sg18783
+g27
+sa(dp20897
+g18779
+S'Roberta Spicer'
+p20898
+sg18781
+S"Man's Shoes"
+p20899
+sg18783
+g27
+sa(dp20900
+g18779
+S'Dorothy Gernon'
+p20901
+sg18781
+S'Riding Boot'
+p20902
+sg18783
+g27
+sa(dp20903
+g18779
+S'Dorothy Dwin'
+p20904
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00003/a0000353.jpg'
+p20905
+sg18781
+S"Man's Shoe"
+p20906
+sg18783
+S"Men's shoes surviving from the eighteenth century are extremely rare. This \n man's shoe, dated about 1775, is made of gray suede and has a one-inch red leather \n heel and a brass buckle. The low, broad heel first appeared in America in the \n 1770s and continued in fashion until the turn of the century. Shoe buckles were \n both functional and decorative. Usually, no distinction was made between the left \n and right shoe; each shoe of a pair could be worn on either the left or the right foot.\n "
+p20907
+sa(dp20908
+g18779
+S'Mary E. Humes'
+p20909
+sg18781
+S"Man's Slippers"
+p20910
+sg18783
+g27
+sa(dp20911
+g18779
+S'Eugene C. Miller'
+p20912
+sg18781
+S"Man's Boot"
+p20913
+sg18783
+g27
+sa(dp20914
+g18779
+S'Eugene C. Miller'
+p20915
+sg18781
+S'Boot'
+p20916
+sg18783
+g27
+sa(dp20917
+g18779
+S'Paduan 15th Century'
+p20918
+sg18787
+S'overall: 10 x 8.6 cm (3 15/16 x 3 3/8 in.) gross weight: 407 gr'
+p20919
+sg18789
+S'\nsilvered bronze'
+p20920
+sg18781
+S"Christ's Body Held by Two Angels"
+p20921
+sg18783
+g27
+sa(dp20922
+g18779
+S'Edith Towner'
+p20923
+sg18781
+S'Baby Shoes'
+p20924
+sg18783
+g27
+sa(dp20925
+g18779
+S'Syrena Swanson'
+p20926
+sg18781
+S"Peg'in Stitch Boot"
+p20927
+sg18783
+g27
+sa(dp20928
+g18779
+S'Harry Grossen'
+p20929
+sg18781
+S"Boy's Boots"
+p20930
+sg18783
+g27
+sa(dp20931
+g18779
+S'LeRoy Griffith'
+p20932
+sg18781
+S"Child's Boot"
+p20933
+sg18783
+g27
+sa(dp20934
+g18779
+S'Earl Butlin'
+p20935
+sg18781
+S"Child's Boot"
+p20936
+sg18783
+g27
+sa(dp20937
+g18779
+S'Margery Parish'
+p20938
+sg18781
+S"Child's Shoes"
+p20939
+sg18783
+g27
+sa(dp20940
+g18779
+S'Mae A. Clarke'
+p20941
+sg18781
+S'Baby Shoe'
+p20942
+sg18783
+g27
+sa(dp20943
+g18779
+S'Jessie M. Benge'
+p20944
+sg18781
+S"Boy's Boot"
+p20945
+sg18783
+g27
+sa(dp20946
+g18779
+S'Mae Szilvasy'
+p20947
+sg18781
+S"Child's Shoe"
+p20948
+sg18783
+g27
+sa(dp20949
+g18779
+S'Margaret Concha'
+p20950
+sg18781
+S"Child's Shoe"
+p20951
+sg18783
+g27
+sa(dp20952
+g18779
+S'Paduan 15th Century'
+p20953
+sg18787
+S'overall: 67.5 x 50 cm (26 9/16 x 19 11/16 in.) gross weight: 58 gr'
+p20954
+sg18789
+S'\ngilt bronze'
+p20955
+sg18781
+S'Descent from the Cross'
+p20956
+sg18783
+g27
+sa(dp20957
+g18779
+S'Jean Peszel'
+p20958
+sg18781
+S"Child's Shoe"
+p20959
+sg18783
+g27
+sa(dp20960
+g18779
+S'Margaret Concha'
+p20961
+sg18781
+S'Baby Shoe'
+p20962
+sg18783
+g27
+sa(dp20963
+g18779
+S'Margaret Concha'
+p20964
+sg18781
+S'Baby Shoe'
+p20965
+sg18783
+g27
+sa(dp20966
+g18779
+S'Gladys M. Guillaudeu'
+p20967
+sg18781
+S"Child's Shoes"
+p20968
+sg18783
+g27
+sa(dp20969
+g18779
+S'William Frank'
+p20970
+sg18781
+S"Baby's Shoe"
+p20971
+sg18783
+g27
+sa(dp20972
+g18779
+S'Alexander Anderson'
+p20973
+sg18781
+S"Child's Shoe"
+p20974
+sg18783
+g27
+sa(dp20975
+g18779
+S'Gordena Jackson'
+p20976
+sg18781
+S'Bead Belt'
+p20977
+sg18783
+g27
+sa(dp20978
+g18779
+S'Syrena Swanson'
+p20979
+sg18781
+S'Costume Accessories: Worn by T. Jefferson'
+p20980
+sg18783
+g27
+sa(dp20981
+g18779
+S'Gladys Cook'
+p20982
+sg18781
+S'Belt'
+p20983
+sg18783
+g27
+sa(dp20984
+g18779
+S'Nancy Crimi'
+p20985
+sg18781
+S'Belt'
+p20986
+sg18783
+g27
+sa(dp20987
+g18779
+S'Paduan 15th Century'
+p20988
+sg18787
+S'overall: 4.3 x 4.4 cm (1 11/16 x 1 3/4 in.) gross weight: 19 gr'
+p20989
+sg18789
+S'\nbronze'
+p20990
+sg18781
+S'The Entombment'
+p20991
+sg18783
+g27
+sa(dp20992
+g18779
+S'Jean Peszel'
+p20993
+sg18781
+S'Belt'
+p20994
+sg18783
+g27
+sa(dp20995
+g18779
+S'Marius Hansen'
+p20996
+sg18781
+S'Bootjack & Slipper-Holder'
+p20997
+sg18783
+g27
+sa(dp20998
+g18779
+S'William McAuley'
+p20999
+sg18781
+S'Bootjack'
+p21000
+sg18783
+g27
+sa(dp21001
+g18779
+S'Marius Hansen'
+p21002
+sg18781
+S'Bootjack'
+p21003
+sg18783
+g27
+sa(dp21004
+g18779
+S'Artist Information ('
+p21005
+sg18781
+S'Bootjack'
+p21006
+sg18783
+g27
+sa(dp21007
+g18779
+S'Robert W.R. Taylor'
+p21008
+sg18781
+S'Bootjack'
+p21009
+sg18783
+g27
+sa(dp21010
+g18779
+S'William McAuley'
+p21011
+sg18781
+S'Bootjack'
+p21012
+sg18783
+g27
+sa(dp21013
+g18779
+S'Marius Hansen'
+p21014
+sg18781
+S'Bootjack'
+p21015
+sg18783
+g27
+sa(dp21016
+g18779
+S'Marius Hansen'
+p21017
+sg18781
+S'Bootjack'
+p21018
+sg18783
+g27
+sa(dp21019
+g18779
+S'Gordon Saltar'
+p21020
+sg18781
+S'Bootjack'
+p21021
+sg18783
+g27
+sa(dp21022
+g18779
+S'Artist Information ('
+p21023
+sg18787
+S'Italian, c. 1386 - 1466'
+p21024
+sg18789
+S'(related artist)'
+p21025
+sg18781
+S'Madonna and Child between Two Candelabra'
+p21026
+sg18783
+g27
+sa(dp21027
+g18779
+S'Ralph Morton'
+p21028
+sg18781
+S'Bootjack'
+p21029
+sg18783
+g27
+sa(dp21030
+g18779
+S'Amos C. Brinton'
+p21031
+sg18781
+S'Bootjack'
+p21032
+sg18783
+g27
+sa(dp21033
+g18779
+S'John Price'
+p21034
+sg18781
+S'Bootjack'
+p21035
+sg18783
+g27
+sa(dp21036
+g18779
+S'Wellington Blewett'
+p21037
+sg18781
+S'Bootjack'
+p21038
+sg18783
+g27
+sa(dp21039
+g18779
+S'Albert Rudin'
+p21040
+sg18781
+S'Bootjack'
+p21041
+sg18783
+g27
+sa(dp21042
+g18779
+S'Claude Marshall'
+p21043
+sg18781
+S'Bootjack'
+p21044
+sg18783
+g27
+sa(dp21045
+g18779
+S'Claude Marshall'
+p21046
+sg18781
+S'Bootjack'
+p21047
+sg18783
+g27
+sa(dp21048
+g18779
+S'LeRoy Griffith'
+p21049
+sg18781
+S'Bootjack'
+p21050
+sg18783
+g27
+sa(dp21051
+g18779
+S'Doris Hollingsworth'
+p21052
+sg18781
+S'Bootjack'
+p21053
+sg18783
+g27
+sa(dp21054
+g18779
+S'F.C. Davenport'
+p21055
+sg18781
+S'Bootjack'
+p21056
+sg18783
+g27
+sa(dp21057
+g18779
+S'Artist Information ('
+p21058
+sg18787
+S'Italian, c. 1386 - 1466'
+p21059
+sg18789
+S'(artist after)'
+p21060
+sg18781
+S'Madonna and Child before a Niche'
+p21061
+sg18783
+g27
+sa(dp21062
+g18779
+S'Elmer Weise'
+p21063
+sg18781
+S'Bootjack'
+p21064
+sg18783
+g27
+sa(dp21065
+g18779
+S'George File'
+p21066
+sg18781
+S'Bootjack'
+p21067
+sg18783
+g27
+sa(dp21068
+g18779
+S'Rex F. Bush'
+p21069
+sg18781
+S'Bootjack'
+p21070
+sg18783
+g27
+sa(dp21071
+g18779
+S'Chris Makrenos'
+p21072
+sg18781
+S'Bootjack'
+p21073
+sg18783
+g27
+sa(dp21074
+g18779
+S'Hardin Walsh'
+p21075
+sg18781
+S'Bootjack'
+p21076
+sg18783
+g27
+sa(dp21077
+g18779
+S'Dolores Haupt'
+p21078
+sg18781
+S'Bootjack'
+p21079
+sg18783
+g27
+sa(dp21080
+g18779
+S'Richard Taylor'
+p21081
+sg18781
+S'Bootjack with Needlepoint Top'
+p21082
+sg18783
+g27
+sa(dp21083
+g18779
+S'Walter G. Capuozzo'
+p21084
+sg18781
+S'Bootjack'
+p21085
+sg18783
+g27
+sa(dp21086
+g18779
+S'Howard Lumbard'
+p21087
+sg18781
+S'Bootjack'
+p21088
+sg18783
+g27
+sa(dp21089
+g18779
+S'Isabelle De Strange'
+p21090
+sg18781
+S'Bootjack'
+p21091
+sg18783
+g27
+sa(dp21092
+g18779
+S'Paduan 15th Century'
+p21093
+sg18787
+S'Overall (with suspension ring): 10.4 x 8.2 cm (4 1/16 x 3 3/16 in.)\r\noverall (height without suspension ring): 9.3 cm (3 5/8 in.) gross weight: 194 gr'
+p21094
+sg18789
+S'\nbronze'
+p21095
+sg18781
+S'Madonna and Child between Two Candelabra'
+p21096
+sg18783
+g27
+sa(dp21097
+g18779
+S'Filippo Porreca'
+p21098
+sg18781
+S'Bootjack'
+p21099
+sg18783
+g27
+sa(dp21100
+g18779
+S'Herman Bader'
+p21101
+sg18781
+S'Bootjack'
+p21102
+sg18783
+g27
+sa(dp21103
+g18779
+S'Filippo Porreca'
+p21104
+sg18781
+S'Bootjack'
+p21105
+sg18783
+g27
+sa(dp21106
+g18779
+S'Salvatore Borrazzo'
+p21107
+sg18781
+S'Bootjack'
+p21108
+sg18783
+g27
+sa(dp21109
+g18779
+S'Salvatore Borrazzo'
+p21110
+sg18781
+S'Bootjack'
+p21111
+sg18783
+g27
+sa(dp21112
+g18779
+S'Filippo Porreca'
+p21113
+sg18781
+S'Bootjack'
+p21114
+sg18783
+g27
+sa(dp21115
+g18779
+S'Gordon Sanborn'
+p21116
+sg18781
+S'Bootjack'
+p21117
+sg18783
+g27
+sa(dp21118
+g18779
+S'Gordon Sanborn'
+p21119
+sg18781
+S'Bootjack'
+p21120
+sg18783
+g27
+sa(dp21121
+g18779
+S'Helen Hobart'
+p21122
+sg18781
+S'Bootjack'
+p21123
+sg18783
+g27
+sa(dp21124
+g18779
+S'Austin L. Davison'
+p21125
+sg18781
+S'Bootjack'
+p21126
+sg18783
+g27
+sa(dp21127
+g18781
+S'Madonna and Child with Angels'
+p21128
+sg18779
+S'Paduan 15th Century'
+p21129
+sg18787
+S'overall (with finial and suspension loop): 13.3 x 8.9 cm (5 1/4 x 3 1/2 in.)\r\noverall (inner field): 9.6 x 7.6 cm (3 3/4 x 3 in.)\r\noverall (height without suspension loop): 12.5 cm (4 15/16 in.)\r\noverall (height without finial and suspension loop): 10.8 cm (4 1/4 in.)\r\ngross weight: 227 gr (0.5 lb.)'
+p21130
+sg18789
+S'\nbronze'
+p21131
+sg18791
+S'http://www.nga.gov:80/thumb-l/a0005f/a0005f19.jpg'
+p21132
+sg18783
+g27
+sa(dp21133
+g18779
+S'Henry Rasmusen'
+p21134
+sg18781
+S'Brass Bootjack'
+p21135
+sg18783
+g27
+sa(dp21136
+g18779
+S'Augustine Haugland'
+p21137
+sg18781
+S'Bootjack'
+p21138
+sg18783
+g27
+sa(dp21139
+g18779
+S'Albert Geuppert'
+p21140
+sg18781
+S'Boot Form'
+p21141
+sg18783
+g27
+sa(dp21142
+g18779
+S'Alexander Anderson'
+p21143
+sg18781
+S'Bootjack'
+p21144
+sg18783
+g27
+sa(dp21145
+g18779
+S'Lloyd A. Davidson'
+p21146
+sg18781
+S'Bootjack'
+p21147
+sg18783
+g27
+sa(dp21148
+g18779
+S'Gerald Bernhardt'
+p21149
+sg18781
+S'Bootjack'
+p21150
+sg18783
+g27
+sa(dp21151
+g18779
+S'Thomas Dooley'
+p21152
+sg18781
+S'Bootjack'
+p21153
+sg18783
+g27
+sa(dp21154
+g18779
+S'Albert Geuppert'
+p21155
+sg18781
+S'Bootjack'
+p21156
+sg18783
+g27
+sa(dp21157
+g18779
+S'Mary Fitzgerald'
+p21158
+sg18781
+S'Buttons'
+p21159
+sg18783
+g27
+sa(dp21160
+g18779
+S'Isidore Steinberg'
+p21161
+sg18781
+S'Buttons'
+p21162
+sg18783
+g27
+sa(dp21163
+g18779
+S'Andrea Briosco, called Riccio'
+p21164
+sg18787
+S'bronze'
+p21165
+sg18789
+S'c. 1500'
+p21166
+sg18781
+S'Augustus and the Sibyl'
+p21167
+sg18783
+g27
+sa(dp21168
+g18779
+S'Michael Fenga'
+p21169
+sg18781
+S'Buttons'
+p21170
+sg18783
+g27
+sa(dp21171
+g18779
+S'Gertrude Lemberg'
+p21172
+sg18781
+S'Buttons'
+p21173
+sg18783
+g27
+sa(dp21174
+g18779
+S'Gertrude Lemberg'
+p21175
+sg18781
+S'Buttons'
+p21176
+sg18783
+g27
+sa(dp21177
+g18779
+S'John H. Tercuzzi'
+p21178
+sg18781
+S'Buttons'
+p21179
+sg18783
+g27
+sa(dp21180
+g18779
+S'Isidore Steinberg'
+p21181
+sg18781
+S'Buttons'
+p21182
+sg18783
+g27
+sa(dp21183
+g18779
+S'John H. Tercuzzi'
+p21184
+sg18781
+S'Buttons'
+p21185
+sg18783
+g27
+sa(dp21186
+g18779
+S'Dorothy Dwin'
+p21187
+sg18781
+S'Buttons'
+p21188
+sg18783
+g27
+sa(dp21189
+g18779
+S'William McAuley'
+p21190
+sg18781
+S'Walking Stick'
+p21191
+sg18783
+g27
+sa(dp21192
+g18779
+S'William McAuley'
+p21193
+sg18781
+S'Walking Stick'
+p21194
+sg18783
+g27
+sa(dp21195
+g18779
+S'Artist Information ('
+p21196
+sg18781
+S'Walking Stick'
+p21197
+sg18783
+g27
+sa(dp21198
+g18779
+S'Andrea Briosco, called Riccio'
+p21199
+sg18787
+S'bronze'
+p21200
+sg18789
+S'unknown date\n'
+p21201
+sg18781
+S'Combat at a City Gate'
+p21202
+sg18783
+g27
+sa(dp21203
+g18779
+S'Kurt Melzer'
+p21204
+sg18781
+S'Walking Sticks'
+p21205
+sg18783
+g27
+sa(dp21206
+g18779
+S'Robert Clark'
+p21207
+sg18781
+S'Cane Head or Handle'
+p21208
+sg18783
+g27
+sa(dp21209
+g18779
+S'Francis Law Durand'
+p21210
+sg18781
+S'Cane Head or Handle'
+p21211
+sg18783
+g27
+sa(dp21212
+g18779
+S'Francis Law Durand'
+p21213
+sg18781
+S'Quilt Patches'
+p21214
+sg18783
+g27
+sa(dp21215
+g18779
+S'Gladys Cook'
+p21216
+sg18781
+S'Cane'
+p21217
+sg18783
+g27
+sa(dp21218
+g18779
+S'Frank J. Mace'
+p21219
+sg18781
+S'Cowhorn Cane'
+p21220
+sg18783
+g27
+sa(dp21221
+g18779
+S'Robert W.R. Taylor'
+p21222
+sg18781
+S'Card Tray'
+p21223
+sg18783
+g27
+sa(dp21224
+g18779
+S'Edward W. Buechner'
+p21225
+sg18781
+S'Nubian with Cotton Basket Card Tray'
+p21226
+sg18783
+g27
+sa(dp21227
+g18779
+S'Ella Josephine Sterling'
+p21228
+sg18781
+S'Card Purse'
+p21229
+sg18783
+g27
+sa(dp21230
+g18779
+S'Melita Hofmann'
+p21231
+sg18781
+S'Card Case'
+p21232
+sg18783
+g27
+sa(dp21233
+g18779
+S'Andrea Briosco, called Riccio'
+p21234
+sg18787
+S'bronze'
+p21235
+sg18789
+S'unknown date\n'
+p21236
+sg18781
+S'The Entombment'
+p21237
+sg18783
+g27
+sa(dp21238
+g18779
+S'Helen Hobart'
+p21239
+sg18781
+S'Visiting Card Tray'
+p21240
+sg18783
+g27
+sa(dp21241
+g18779
+S'Mildred Ford'
+p21242
+sg18781
+S'Visiting Card Tray'
+p21243
+sg18783
+g27
+sa(dp21244
+g18779
+S'Daniel Marshack'
+p21245
+sg18781
+S'Card Case'
+p21246
+sg18783
+g27
+sa(dp21247
+g18779
+S'Daniel Marshack'
+p21248
+sg18781
+S'Card Case'
+p21249
+sg18783
+g27
+sa(dp21250
+g18779
+S'James Jones'
+p21251
+sg18781
+S'Mision San Diego de Alcala'
+p21252
+sg18783
+g27
+sa(dp21253
+g18779
+S'Frank J. Mace'
+p21254
+sg18781
+S'Collar & Cuff Box'
+p21255
+sg18783
+g27
+sa(dp21256
+g18779
+S'Tulita Westfall'
+p21257
+sg18781
+S'Feather Fan'
+p21258
+sg18783
+g27
+sa(dp21259
+g18779
+S'Ann Gene Buckley'
+p21260
+sg18781
+S'Fan'
+p21261
+sg18783
+g27
+sa(dp21262
+g18779
+S'Ella Josephine Sterling'
+p21263
+sg18781
+S'Fan'
+p21264
+sg18783
+g27
+sa(dp21265
+g18779
+S'Al Curry'
+p21266
+sg18781
+S'Swinging Fan'
+p21267
+sg18783
+g27
+sa(dp21268
+g18779
+S'Andrea Briosco, called Riccio'
+p21269
+sg18787
+S'bronze'
+p21270
+sg18789
+S'unknown date\n'
+p21271
+sg18781
+S'The Entombment of Christ'
+p21272
+sg18783
+g27
+sa(dp21273
+g18779
+S'Bessie Forman'
+p21274
+sg18781
+S'Fan'
+p21275
+sg18783
+g27
+sa(dp21276
+g18779
+S'Jean Peszel'
+p21277
+sg18781
+S'Fan'
+p21278
+sg18783
+g27
+sa(dp21279
+g18779
+S'Vincent Burzy'
+p21280
+sg18781
+S'Fan'
+p21281
+sg18783
+g27
+sa(dp21282
+g18779
+S'Jessie M. Benge'
+p21283
+sg18781
+S'Fan'
+p21284
+sg18783
+g27
+sa(dp21285
+g18779
+S'Rosalia Lane'
+p21286
+sg18781
+S'Fan'
+p21287
+sg18783
+g27
+sa(dp21288
+g18779
+S'Frank J. Mace'
+p21289
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00003/a0000334.jpg'
+p21290
+sg18781
+S'Fan'
+p21291
+sg18783
+S"The folding fan was probably invented in Japan in the seventh century. Examples \n of fans from the East were brought into Europe during the Crusades. Folding fans \n were common as costume accessories by the eighteenth century and were introduced \n to America as early as 1732. During the colonial period, Boston was a fan-making \n center.\n This fan from about 1860 is constructed of black wood supports decorated with \n red and gold flowers. The upper portion is a colored engraving of fashionable \n young women and men amusing themselves in the countryside.\n In addition to the beauty of this accessory, the way a fan was used indicated \n something of a woman's social grace. The English writer Joseph Addison, in his \n work \n "
+p21292
+sa(dp21293
+g18779
+S'Edna C. Rex'
+p21294
+sg18781
+S'Fan'
+p21295
+sg18783
+g27
+sa(dp21296
+g18779
+S'Edna C. Rex'
+p21297
+sg18781
+S'Fan'
+p21298
+sg18783
+g27
+sa(dp21299
+g18779
+S'Edna C. Rex'
+p21300
+sg18781
+S'Peacock Feather Fan'
+p21301
+sg18783
+g27
+sa(dp21302
+g18779
+S'Syrena Swanson'
+p21303
+sg18781
+S'Wedding Garter'
+p21304
+sg18783
+g27
+sa(dp21305
+g18779
+S'Andrea Briosco, called Riccio'
+p21306
+sg18787
+S'bronze'
+p21307
+sg18789
+S'unknown date\n'
+p21308
+sg18781
+S'Horseman and Foot-Soldier'
+p21309
+sg18783
+g27
+sa(dp21310
+g18779
+S'Ella Josephine Sterling'
+p21311
+sg18781
+S'Suspenders'
+p21312
+sg18783
+g27
+sa(dp21313
+g18779
+S'Ella Josephine Sterling'
+p21314
+sg18781
+S'Wedding Garters'
+p21315
+sg18783
+g27
+sa(dp21316
+g18779
+S'Dolores Haupt'
+p21317
+sg18781
+S'Suspender'
+p21318
+sg18783
+g27
+sa(dp21319
+g18779
+S'Katherine Hastings'
+p21320
+sg18781
+S"Boy's Suspenders"
+p21321
+sg18783
+g27
+sa(dp21322
+g18779
+S'Ethel Dougan'
+p21323
+sg18781
+S'Mittens'
+p21324
+sg18783
+g27
+sa(dp21325
+g18779
+S'Syrena Swanson'
+p21326
+sg18781
+S'Mitt'
+p21327
+sg18783
+g27
+sa(dp21328
+g18779
+S'Ruth M. Barnes'
+p21329
+sg18781
+S'Mitts'
+p21330
+sg18783
+g27
+sa(dp21331
+g18779
+S'Ann Gene Buckley'
+p21332
+sg18781
+S'Mitt'
+p21333
+sg18783
+g27
+sa(dp21334
+g18779
+S'Archie Thompson'
+p21335
+sg18781
+S'Mittens'
+p21336
+sg18783
+g27
+sa(dp21337
+g18779
+S'Lillian Causey'
+p21338
+sg18781
+S'Mitt'
+p21339
+sg18783
+g27
+sa(dp21340
+g18779
+S'Andrea Briosco, called Riccio'
+p21341
+sg18787
+S'bronze'
+p21342
+sg18789
+S'unknown date\n'
+p21343
+sg18781
+S'The Sacrifice of a Swine'
+p21344
+sg18783
+g27
+sa(dp21345
+g18779
+S'Marie Alain'
+p21346
+sg18781
+S'Mitt'
+p21347
+sg18783
+g27
+sa(dp21348
+g18779
+S'Marie Alain'
+p21349
+sg18781
+S'Mitt'
+p21350
+sg18783
+g27
+sa(dp21351
+g18779
+S'Carl Keksi'
+p21352
+sg18781
+S'Mitten'
+p21353
+sg18783
+g27
+sa(dp21354
+g18779
+S'Francis Law Durand'
+p21355
+sg18781
+S'Mitts'
+p21356
+sg18783
+g27
+sa(dp21357
+g18779
+S'Jessie M. Benge'
+p21358
+sg18781
+S'Wedding Gloves'
+p21359
+sg18783
+g27
+sa(dp21360
+g18779
+S'Gladys Cook'
+p21361
+sg18781
+S'Wedding Gloves'
+p21362
+sg18783
+g27
+sa(dp21363
+g18779
+S'Jessie M. Benge'
+p21364
+sg18781
+S'Gloves'
+p21365
+sg18783
+g27
+sa(dp21366
+g18779
+S'Frank J. Mace'
+p21367
+sg18781
+S'Wristlet'
+p21368
+sg18783
+g27
+sa(dp21369
+g18779
+S'Edna C. Rex'
+p21370
+sg18781
+S'Mitt'
+p21371
+sg18783
+g27
+sa(dp21372
+g18779
+S'American 20th Century'
+p21373
+sg18781
+S'Purse'
+p21374
+sg18783
+g27
+sa(dp21375
+g18779
+S'German 17th Century'
+p21376
+sg18787
+S'overall: 11.1 x 5.6 cm (4 3/8 x 2 3/16 in.) gross weight: 38 gr'
+p21377
+sg18789
+S'\nbronze'
+p21378
+sg18781
+S'Model of an Escutcheon'
+p21379
+sg18783
+g27
+sa(dp21380
+g18779
+S'Ellen Duncan'
+p21381
+sg18781
+S'Wedding Coin Purse'
+p21382
+sg18783
+g27
+sa(dp21383
+g18779
+S'Benjamin Bryant'
+p21384
+sg18781
+S'Buckskin Purse'
+p21385
+sg18783
+g27
+sa(dp21386
+g18779
+S'Edith Towner'
+p21387
+sg18781
+S'Reticule'
+p21388
+sg18783
+g27
+sa(dp21389
+g18779
+S'Josephine C. Romano'
+p21390
+sg18781
+S'Handbag'
+p21391
+sg18783
+g27
+sa(dp21392
+g18779
+S'Ann Gene Buckley'
+p21393
+sg18781
+S'Reticule'
+p21394
+sg18783
+g27
+sa(dp21395
+g18779
+S'Cornelius Christoffels'
+p21396
+sg18781
+S'Purse'
+p21397
+sg18783
+g27
+sa(dp21398
+g18779
+S'Cornelius Christoffels'
+p21399
+sg18781
+S'Beaded Purse'
+p21400
+sg18783
+g27
+sa(dp21401
+g18779
+S'Ann Gene Buckley'
+p21402
+sg18781
+S'Purse'
+p21403
+sg18783
+g27
+sa(dp21404
+g18779
+S'George E. Rhone'
+p21405
+sg18781
+S'Beaded Bag'
+p21406
+sg18783
+g27
+sa(dp21407
+g18779
+S'Ruth Buker'
+p21408
+sg18781
+S'Purse'
+p21409
+sg18783
+g27
+sa(dp21410
+g18779
+S'Venetian 15th Century'
+p21411
+sg18787
+S'overall: 19.1 x 13.5 cm (7 1/2 x 5 5/16 in.) gross weight: 498 gr'
+p21412
+sg18789
+S'\nbronze'
+p21413
+sg18781
+S'Christ Appearing to the Apostles'
+p21414
+sg18783
+g27
+sa(dp21415
+g18779
+S'Ann Gene Buckley'
+p21416
+sg18781
+S'Reticule'
+p21417
+sg18783
+g27
+sa(dp21418
+g18779
+S'Ruth M. Barnes'
+p21419
+sg18781
+S'Slipper'
+p21420
+sg18783
+g27
+sa(dp21421
+g18779
+S'William Kieckhofel'
+p21422
+sg18781
+S'Beaded Bag'
+p21423
+sg18783
+g27
+sa(dp21424
+g18779
+S'Syrena Swanson'
+p21425
+sg18781
+S'Purse'
+p21426
+sg18783
+g27
+sa(dp21427
+g18779
+S'Cornelius Christoffels'
+p21428
+sg18781
+S'Purse'
+p21429
+sg18783
+g27
+sa(dp21430
+g18779
+S'Margaret Linsley'
+p21431
+sg18781
+S'Bag'
+p21432
+sg18783
+g27
+sa(dp21433
+g18779
+S'Cornelius Christoffels'
+p21434
+sg18781
+S'Bag'
+p21435
+sg18783
+g27
+sa(dp21436
+g18779
+S'Cornelius Christoffels'
+p21437
+sg18781
+S'Beaded Coin Purse'
+p21438
+sg18783
+g27
+sa(dp21439
+g18779
+S'Ruth M. Barnes'
+p21440
+sg18781
+S'Purse'
+p21441
+sg18783
+g27
+sa(dp21442
+g18779
+S'Frank C. Barks'
+p21443
+sg18781
+S'Bag'
+p21444
+sg18783
+g27
+sa(dp21445
+g18779
+S'Artist Information ('
+p21446
+sg18787
+S'(sculptor)'
+p21447
+sg18789
+S'\n'
+p21448
+sg18781
+S'The Entombment'
+p21449
+sg18783
+g27
+sa(dp21450
+g18779
+S'Frank C. Barks'
+p21451
+sg18781
+S'Bag'
+p21452
+sg18783
+g27
+sa(dp21453
+g18779
+S'Hazel Sheckler'
+p21454
+sg18781
+S'Cotton Bag'
+p21455
+sg18783
+g27
+sa(dp21456
+g18779
+S'Cornelius Christoffels'
+p21457
+sg18781
+S'Beaded Bag'
+p21458
+sg18783
+g27
+sa(dp21459
+g18779
+S'Cornelius Christoffels'
+p21460
+sg18781
+S'Beaded Bag'
+p21461
+sg18783
+g27
+sa(dp21462
+g18779
+S'Cornelius Christoffels'
+p21463
+sg18781
+S'Bag'
+p21464
+sg18783
+g27
+sa(dp21465
+g18779
+S'Cornelius Christoffels'
+p21466
+sg18781
+S'Bag'
+p21467
+sg18783
+g27
+sa(dp21468
+g18779
+S'Marion Gaylord'
+p21469
+sg18781
+S'Purse'
+p21470
+sg18783
+g27
+sa(dp21471
+g18779
+S'Ralph Morton'
+p21472
+sg18781
+S'Purse'
+p21473
+sg18783
+g27
+sa(dp21474
+g18779
+S'Walter Pyle'
+p21475
+sg18781
+S'Purse'
+p21476
+sg18783
+g27
+sa(dp21477
+g18779
+S'Ralph Morton'
+p21478
+sg18781
+S'Gold Purse'
+p21479
+sg18783
+g27
+sa(dp21480
+g18779
+S'Italian 16th Century'
+p21481
+sg18787
+S'Overall (without frame): 9.1 x 6.7 cm (3 9/16 x 2 5/8 in.)\r\naccessory size: 13.3 x 6.6 cm (5 1/4 x 2 5/8 in.) gross weight: 159 gr'
+p21482
+sg18789
+S'\nsilver'
+p21483
+sg18781
+S'Christ Appearing to the Apostles'
+p21484
+sg18783
+g27
+sa(dp21485
+g18779
+S'Ralph Morton'
+p21486
+sg18781
+S'Wallet'
+p21487
+sg18783
+g27
+sa(dp21488
+g18779
+S'Mabel Ritter'
+p21489
+sg18781
+S'Purse'
+p21490
+sg18783
+g27
+sa(dp21491
+g18779
+S'Ella Josephine Sterling'
+p21492
+sg18781
+S'Bag'
+p21493
+sg18783
+g27
+sa(dp21494
+g18779
+S'Mabel Ritter'
+p21495
+sg18781
+S'Purse'
+p21496
+sg18783
+g27
+sa(dp21497
+g18779
+S'Mabel Ritter'
+p21498
+sg18781
+S'Purse'
+p21499
+sg18783
+g27
+sa(dp21500
+g18779
+S'Carmel Wilson'
+p21501
+sg18791
+S'http://www.nga.gov:80/thumb-l/a000f8/a000f8fe.jpg'
+p21502
+sg18781
+S'Beaded Silk Bag'
+p21503
+sg18783
+g27
+sa(dp21504
+g18779
+S'Archie Thompson'
+p21505
+sg18781
+S"John Hancock's Wallet"
+p21506
+sg18783
+g27
+sa(dp21507
+g18779
+S'Louella Long'
+p21508
+sg18781
+S'Handbag'
+p21509
+sg18783
+g27
+sa(dp21510
+g18779
+S'John Thorsen'
+p21511
+sg18781
+S'Bag'
+p21512
+sg18783
+g27
+sa(dp21513
+g18779
+S'Norma Lockwood'
+p21514
+sg18781
+S'Pocketbook'
+p21515
+sg18783
+g27
+sa(dp21516
+g18779
+S'French 19th Century'
+p21517
+sg18787
+S'copper alloy with glass insert'
+p21518
+sg18789
+S'c. 1850'
+p21519
+sg18781
+S'Inkwell in the Form of a Grotesque Head'
+p21520
+sg18783
+g27
+sa(dp21521
+g18779
+S'Ray Price'
+p21522
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00003/a0000332.jpg'
+p21523
+sg18781
+S'Beaded Handbag'
+p21524
+sg18783
+S'This handbag was made about 1850 in New Orleans. It is crocheted in black cotton, \n beaded, and has cut steel and jet ball trimmings. The design and decorative detail \n reflect a general taste in costume and the decorative arts at this time, which \n was more exuberant and less constrained than taste of the previous decade.\n '
+p21525
+sa(dp21526
+g18779
+S'Ray Price'
+p21527
+sg18781
+S'Coin Purse'
+p21528
+sg18783
+g27
+sa(dp21529
+g18779
+S'Percival Jenner'
+p21530
+sg18781
+S'Purse'
+p21531
+sg18783
+g27
+sa(dp21532
+g18779
+S'Lillian Causey'
+p21533
+sg18781
+S'Bag'
+p21534
+sg18783
+g27
+sa(dp21535
+g18779
+S'William High'
+p21536
+sg18781
+S'Bag'
+p21537
+sg18783
+g27
+sa(dp21538
+g18779
+S'Lillian Causey'
+p21539
+sg18781
+S'Bag'
+p21540
+sg18783
+g27
+sa(dp21541
+g18779
+S'Marie Alain'
+p21542
+sg18781
+S'Reticule'
+p21543
+sg18783
+g27
+sa(dp21544
+g18779
+S'Stella Mosher'
+p21545
+sg18781
+S'Beaded Purse'
+p21546
+sg18783
+g27
+sa(dp21547
+g18779
+S'Harriette Gale'
+p21548
+sg18781
+S'Bag'
+p21549
+sg18783
+g27
+sa(dp21550
+g18779
+S'Carl Buergerniss'
+p21551
+sg18781
+S'Coin Purse'
+p21552
+sg18783
+g27
+sa(dp21553
+g18781
+S'Chalice of the Abbot Suger of Saint-Denis'
+p21554
+sg18779
+S'French 12th Century'
+p21555
+sg18787
+S'sardonyx cup with heavily gilded silver mounting, adorned with filigrees set with stones, pearls, glass insets, and opaque white glass pearls'
+p21556
+sg18789
+S'2nd/1st century B.C. (cup); 1137-1140 (mounting)'
+p21557
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00005/a0000511.jpg'
+p21558
+sg18783
+S"This chalice, a vessel to hold wine for Mass, is one of the most splendid treasures from the\n Middle Ages. Acquired by Abbot Suger for the French royal abbey of Saint-Denis, near Paris,\n the stone cup was set in gold and probably used in the consecration ceremony for the new altar\n chapels of the church on 11 June 1144.\n Suger, abbot of Saint-Denis from 1122 to 1151, was not only a Benedictine monk but also a\n brilliant administrator who served as regent of France during the Second Crusade. With objects\n such as this chalice and the abbey's new Gothic architecture, he aimed to create a vision of\n paradise on earth that would awe beholders. In his writings, Suger equated Divine Light with the\n real light shimmering through stained glass and glistening from gems.\n The cup incorporated in Abbot Suger's chalice was carved from sardonyx, probably in\n Alexandria, Egypt during the second to first centuries B.C. Suger's goldsmiths mounted the cup\n in a gold and silver setting with delicate gold-wire filigree and adorned it with gems. On the foot,\n a medallion depicts the haloed Christ, flanked by the Greek letters signifying: "I am the\n Alpha and Omega, the Beginning and the End."\n "
+p21559
+sa(dp21560
+g18779
+S'James McLellan'
+p21561
+sg18781
+S'Beaded Bag'
+p21562
+sg18783
+g27
+sa(dp21563
+g18779
+S'James McLellan'
+p21564
+sg18781
+S'Beaded Bag'
+p21565
+sg18783
+g27
+sa(dp21566
+g18779
+S'Florian Rokita'
+p21567
+sg18781
+S'Bag'
+p21568
+sg18783
+g27
+sa(dp21569
+g18779
+S'Gene Luedke'
+p21570
+sg18781
+S'Bag'
+p21571
+sg18783
+g27
+sa(dp21572
+g18779
+S'Dolores Haupt'
+p21573
+sg18781
+S'Silk-straw Reticule'
+p21574
+sg18783
+g27
+sa(dp21575
+g18779
+S'Dolores Haupt'
+p21576
+sg18781
+S'Beaded Bag'
+p21577
+sg18783
+g27
+sa(dp21578
+g18779
+S'Albert Allen'
+p21579
+sg18781
+S'Hand Bag'
+p21580
+sg18783
+g27
+sa(dp21581
+g18779
+S'Adele Brooks'
+p21582
+sg18781
+S'Carpet Bag'
+p21583
+sg18783
+g27
+sa(dp21584
+g18779
+S'Dolores Haupt'
+p21585
+sg18781
+S'Knit Beaded Bag'
+p21586
+sg18783
+g27
+sa(dp21587
+g18779
+S'Gerard Barnett'
+p21588
+sg18781
+S'Satchel'
+p21589
+sg18783
+g27
+sa(dp21590
+g18781
+S'Reliquary Ch\xc3\xa2sse'
+p21591
+sg18779
+S'French 12th Century'
+p21592
+sg18787
+S'overall: 19.1 x 26.7 x 11.5 cm (7 1/2 x 10 1/2 x 4 1/2 in.)'
+p21593
+sg18789
+S'\nchamplev? enamel on gilded copper with oak core'
+p21594
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00005/a0000512.jpg'
+p21595
+sg18783
+g27
+sa(dp21596
+g18779
+S'Lucille Lacoursiere'
+p21597
+sg18781
+S'Beaded Bag'
+p21598
+sg18783
+g27
+sa(dp21599
+g18779
+S'Eleanor Alexander'
+p21600
+sg18781
+S'Crewel Purse'
+p21601
+sg18783
+g27
+sa(dp21602
+g18779
+S'Eleanor Alexander'
+p21603
+sg18781
+S'Purse'
+p21604
+sg18783
+g27
+sa(dp21605
+g18779
+S'Thomas Holloway'
+p21606
+sg18781
+S'Wallet'
+p21607
+sg18783
+g27
+sa(dp21608
+g18779
+S'Edith Magnette'
+p21609
+sg18781
+S'Purse'
+p21610
+sg18783
+g27
+sa(dp21611
+g18779
+S'Hugh Clarke'
+p21612
+sg18781
+S'Wallet'
+p21613
+sg18783
+g27
+sa(dp21614
+g18779
+S'Hugh Clarke'
+p21615
+sg18781
+S'Silk Purse'
+p21616
+sg18783
+g27
+sa(dp21617
+g18779
+S'Samuel O. Klein'
+p21618
+sg18781
+S'Bag'
+p21619
+sg18783
+g27
+sa(dp21620
+g18779
+S'Erwin Schwabe'
+p21621
+sg18781
+S'Crocheted Handbag'
+p21622
+sg18783
+g27
+sa(dp21623
+g18779
+S'Raymond Manupelli'
+p21624
+sg18781
+S'Purse'
+p21625
+sg18783
+g27
+sa(dp21626
+g18781
+S'Ciborium'
+p21627
+sg18779
+S'Spanish 14th Century'
+p21628
+sg18787
+S'overall (height): 36.1 cm (14 3/16 in.)\r\noverall (diameter of base): 17.7 cm (6 15/16 in.)\r\noverall (diameter of bowl): 12.1 cm (4 3/4 in.)'
+p21629
+sg18789
+S'\ngilded copper and champlev? enamel'
+p21630
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00005/a0000523.jpg'
+p21631
+sg18783
+g27
+sa(dp21632
+g18779
+S'Raymond Manupelli'
+p21633
+sg18781
+S'Handbag'
+p21634
+sg18783
+g27
+sa(dp21635
+g18779
+S'Vincent Murphy'
+p21636
+sg18781
+S'Bag'
+p21637
+sg18783
+g27
+sa(dp21638
+g18779
+S'Samuel O. Klein'
+p21639
+sg18781
+S'Carpet Bag'
+p21640
+sg18783
+g27
+sa(dp21641
+g18779
+S'Marion Gaskill'
+p21642
+sg18781
+S'Beaded Bag'
+p21643
+sg18783
+g27
+sa(dp21644
+g18779
+S'John Cutting'
+p21645
+sg18781
+S'Wool Pocketbook'
+p21646
+sg18783
+g27
+sa(dp21647
+g18779
+S'Carl Buergerniss'
+p21648
+sg18781
+S'Handbag'
+p21649
+sg18783
+g27
+sa(dp21650
+g18779
+S'Carl Buergerniss'
+p21651
+sg18781
+S'Handbag'
+p21652
+sg18783
+g27
+sa(dp21653
+g18779
+S'Florence Earl'
+p21654
+sg18781
+S'Carpet Bag'
+p21655
+sg18783
+g27
+sa(dp21656
+g18779
+S'Isidore Steinberg'
+p21657
+sg18781
+S'Purse'
+p21658
+sg18783
+g27
+sa(dp21659
+g18779
+S'John H. Tercuzzi'
+p21660
+sg18781
+S'Opera Bag'
+p21661
+sg18783
+g27
+sa(dp21662
+g18781
+S'Aquamanile in the Form of a Horseman'
+p21663
+sg18779
+S'Artist Information ('
+p21664
+sg18787
+g27
+sg18789
+S'(artist)'
+p21665
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00004/a00004fb.jpg'
+p21666
+sg18783
+g27
+sa(dp21667
+g18779
+S'Marie Famularo'
+p21668
+sg18781
+S'Hat'
+p21669
+sg18783
+g27
+sa(dp21670
+g18779
+S'Gladys Cook'
+p21671
+sg18781
+S'Coin Purse'
+p21672
+sg18783
+g27
+sa(dp21673
+g18779
+S'Jessie M. Benge'
+p21674
+sg18781
+S'Beaded Purse'
+p21675
+sg18783
+g27
+sa(dp21676
+g18779
+S'Gladys Cook'
+p21677
+sg18781
+S"Child's Handbag"
+p21678
+sg18783
+g27
+sa(dp21679
+g18779
+S'Gladys Cook'
+p21680
+sg18781
+S'Coin Purse'
+p21681
+sg18783
+g27
+sa(dp21682
+g18779
+S'Roberta Spicer'
+p21683
+sg18781
+S'Money Bag'
+p21684
+sg18783
+g27
+sa(dp21685
+g18779
+S'Rosalia Lane'
+p21686
+sg18781
+S'Pocket Case or Reticule'
+p21687
+sg18783
+g27
+sa(dp21688
+g18779
+S'Marie Mitchell'
+p21689
+sg18781
+S'Carpet Bag'
+p21690
+sg18783
+g27
+sa(dp21691
+g18779
+S'Ralph Atkinson'
+p21692
+sg18781
+S'Beaded Bag'
+p21693
+sg18783
+g27
+sa(dp21694
+g18779
+S'Ralph Atkinson'
+p21695
+sg18781
+S'Purse'
+p21696
+sg18783
+g27
+sa(dp21697
+g18781
+S'Aquamanile in the Form of a Lion'
+p21698
+sg18779
+S'Artist Information ('
+p21699
+sg18787
+g27
+sg18789
+S'(artist)'
+p21700
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00005/a000051f.jpg'
+p21701
+sg18783
+g27
+sa(dp21702
+g18779
+S'Ralph Atkinson'
+p21703
+sg18781
+S'Beaded Bag'
+p21704
+sg18783
+g27
+sa(dp21705
+g18779
+S'Robert Stewart'
+p21706
+sg18781
+S'Beaded Bag'
+p21707
+sg18783
+g27
+sa(dp21708
+g18779
+S'Byron Dingman'
+p21709
+sg18781
+S'Beaded Bag'
+p21710
+sg18783
+g27
+sa(dp21711
+g18779
+S'Byron Dingman'
+p21712
+sg18781
+S'Twin Beaded Bag'
+p21713
+sg18783
+g27
+sa(dp21714
+g18779
+S'Flora G. Guerra'
+p21715
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00055/a0005538.jpg'
+p21716
+sg18781
+S'Money Bag'
+p21717
+sg18783
+g27
+sa(dp21718
+g18779
+S'A.R. Tolman'
+p21719
+sg18781
+S'Oregon Boot Satchel'
+p21720
+sg18783
+g27
+sa(dp21721
+g18779
+S'Florence Truelson'
+p21722
+sg18781
+S'Beaded Cushion'
+p21723
+sg18783
+g27
+sa(dp21724
+g18779
+S'Edna C. Rex'
+p21725
+sg18781
+S'Carpet Bag'
+p21726
+sg18783
+g27
+sa(dp21727
+g18779
+S'Edna C. Rex'
+p21728
+sg18781
+S'Reticule'
+p21729
+sg18783
+g27
+sa(dp21730
+g18779
+S'Clementine Fossek'
+p21731
+sg18781
+S'Carpet Bag'
+p21732
+sg18783
+g27
+sa(dp21733
+g18781
+S'Crucifix'
+p21734
+sg18779
+S'Artist Information ('
+p21735
+sg18787
+g27
+sg18789
+S'(artist)'
+p21736
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00005/a0000521.jpg'
+p21737
+sg18783
+g27
+sa(dp21738
+g18779
+S'Eugene Bartz'
+p21739
+sg18781
+S'Bag'
+p21740
+sg18783
+g27
+sa(dp21741
+g18779
+S'John Cooke'
+p21742
+sg18781
+S'Reticule'
+p21743
+sg18783
+g27
+sa(dp21744
+g18779
+S'Samuel Faigin'
+p21745
+sg18781
+S'Carpet Bag'
+p21746
+sg18783
+g27
+sa(dp21747
+g18779
+S'Hans Mangelsdorf'
+p21748
+sg18781
+S'Tippet and Muff'
+p21749
+sg18783
+g27
+sa(dp21750
+g18779
+S'Lillian Causey'
+p21751
+sg18781
+S'Muff'
+p21752
+sg18783
+g27
+sa(dp21753
+g18779
+S'John Swientochowski'
+p21754
+sg18781
+S'Parasol'
+p21755
+sg18783
+g27
+sa(dp21756
+g18779
+S'John Swientochowski'
+p21757
+sg18781
+S'Parasol'
+p21758
+sg18783
+g27
+sa(dp21759
+g18779
+S'Arelia Arbo'
+p21760
+sg18781
+S'Carriage Sunshade'
+p21761
+sg18783
+g27
+sa(dp21762
+g18779
+S'Joseph L. Boyd'
+p21763
+sg18781
+S'Parasol'
+p21764
+sg18783
+g27
+sa(dp21765
+g18779
+S'Marie Alain'
+p21766
+sg18781
+S'Parasol'
+p21767
+sg18783
+g27
+sa(dp21768
+g18779
+S'Artist Information ('
+p21769
+sg18787
+g27
+sg18789
+S'(artist)'
+p21770
+sg18781
+S'Saint Agnes'
+p21771
+sg18783
+g27
+sa(dp21772
+g18779
+S'Peter Connin'
+p21773
+sg18781
+S'Parasol'
+p21774
+sg18783
+g27
+sa(dp21775
+g18779
+S'Carl Buergerniss'
+p21776
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00003/a0000333.jpg'
+p21777
+sg18781
+S'Parasol'
+p21778
+sg18783
+S"Parasols -- used for protection against the sun -- became stylish in Europe in \n the middle of the eighteenth century. In 1772, a Baltimore merchant's chance \n purchase from a ship's store introduced the parasol to America. Soon the fashion \n centers of Philadelphia and New York took an interset in this kind of accessory. \n By the nineteenth century, parasols were commonly used by women for carriage \n rides or for promenading.\n This silk parasol has an ivory handle and has black lace applied to sections \n of the covering. The style of lace indicates that the parasol is from the \n mid-nineteenth century.\n "
+p21779
+sa(dp21780
+g18779
+S"J.J. O'Neill"
+p21781
+sg18781
+S'Parasol'
+p21782
+sg18783
+g27
+sa(dp21783
+g18779
+S'Marie Famularo'
+p21784
+sg18781
+S'Parasol'
+p21785
+sg18783
+g27
+sa(dp21786
+g18779
+S'Christabel Scrymser'
+p21787
+sg18781
+S'Sunshade'
+p21788
+sg18783
+g27
+sa(dp21789
+g18779
+S'Gladys Cook'
+p21790
+sg18781
+S'Parasol'
+p21791
+sg18783
+g27
+sa(dp21792
+g18779
+S'Melita Hofmann'
+p21793
+sg18781
+S'Parasol'
+p21794
+sg18783
+g27
+sa(dp21795
+g18779
+S'Virginia Berge'
+p21796
+sg18781
+S'Parasol'
+p21797
+sg18783
+g27
+sa(dp21798
+g18779
+S'Lee Hager'
+p21799
+sg18781
+S'Sunshade'
+p21800
+sg18783
+g27
+sa(dp21801
+g18779
+S'George Roehl'
+p21802
+sg18781
+S'Parasol'
+p21803
+sg18783
+g27
+sa(dp21804
+g18781
+S'Pyx in the Form of a Dove'
+p21805
+sg18779
+S'French 13th Century'
+p21806
+sg18787
+S'overall: 18.2 x 22.6 x 19.1 cm (7 3/16 x 8 7/8 x 7 1/2 in.)\r\noverall (height of turrets): 4.1 cm (1 5/8 in.)\r\noverall (diameter of base): 16.8 cm (6 5/8 in.)\r\noverall (diameter of disk): 8.2 cm (3 1/4 in.)\r\noverall (height of wall around base): 2.4 cm (15/16 in.)'
+p21807
+sg18789
+S'\ngilded copper with enamel'
+p21808
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00005/a000051b.jpg'
+p21809
+sg18783
+g27
+sa(dp21810
+g18779
+S'Gertrude Lemberg'
+p21811
+sg18781
+S'Bonnet'
+p21812
+sg18783
+g27
+sa(dp21813
+g18779
+S'Malcolm Hackney'
+p21814
+sg18781
+S'Pipe'
+p21815
+sg18783
+g27
+sa(dp21816
+g18779
+S'Mabel Ritter'
+p21817
+sg18781
+S'Pipe'
+p21818
+sg18783
+g27
+sa(dp21819
+g18779
+S'Manuel G. Runyan'
+p21820
+sg18781
+S'Pipe'
+p21821
+sg18783
+g27
+sa(dp21822
+g18779
+S'Manuel G. Runyan'
+p21823
+sg18781
+S'Clay Pipe'
+p21824
+sg18783
+g27
+sa(dp21825
+g18779
+S'Robert Clark'
+p21826
+sg18781
+S'Pipe'
+p21827
+sg18783
+g27
+sa(dp21828
+g18779
+S'Sydney Roberts'
+p21829
+sg18781
+S'Pipe'
+p21830
+sg18783
+g27
+sa(dp21831
+g18779
+S'Carl Keksi'
+p21832
+sg18781
+S'Pipe Bowl'
+p21833
+sg18783
+g27
+sa(dp21834
+g18779
+S'Carl Keksi'
+p21835
+sg18781
+S'Pipe Bowl'
+p21836
+sg18783
+g27
+sa(dp21837
+g18779
+S'Harold Weisenborn'
+p21838
+sg18781
+S'Corn-cob Pipe'
+p21839
+sg18783
+g27
+sa(dp21840
+g18779
+S'European 19th Century'
+p21841
+sg18787
+S'ivory, wood case with bone and wood intarsia'
+p21842
+sg18789
+S'c. 1800/1839'
+p21843
+sg18781
+S'Diptych with Scenes from the Life of Christ'
+p21844
+sg18783
+g27
+sa(dp21845
+g18779
+S'John Hall'
+p21846
+sg18781
+S'Pipe'
+p21847
+sg18783
+g27
+sa(dp21848
+g18779
+S'Maud Schmid'
+p21849
+sg18781
+S'Pipe Stand'
+p21850
+sg18783
+g27
+sa(dp21851
+g18779
+S'Lloyd Charles Lemcke'
+p21852
+sg18781
+S'Pipe'
+p21853
+sg18783
+g27
+sa(dp21854
+g18779
+S'Ann Gene Buckley'
+p21855
+sg18781
+S'Colonial Pocket'
+p21856
+sg18783
+g27
+sa(dp21857
+g18779
+S'Joseph Lubrano'
+p21858
+sg18781
+S"Woman's Pocket"
+p21859
+sg18783
+g27
+sa(dp21860
+g18779
+S'Sebastian Simonet'
+p21861
+sg18781
+S'Corset Cover Sachet'
+p21862
+sg18783
+g27
+sa(dp21863
+g18779
+S'Cora Parker'
+p21864
+sg18781
+S'Spectacles'
+p21865
+sg18783
+g27
+sa(dp21866
+g18779
+S'H. Langden Brown'
+p21867
+sg18781
+S'Spectacles and Case'
+p21868
+sg18783
+g27
+sa(dp21869
+g18779
+S'H. Langden Brown'
+p21870
+sg18781
+S'Eye Shades'
+p21871
+sg18783
+g27
+sa(dp21872
+g18779
+S'William High'
+p21873
+sg18781
+S'Spectacles'
+p21874
+sg18783
+g27
+sa(dp21875
+g18779
+S'Artist Information ('
+p21876
+sg18787
+g27
+sg18789
+S'(carver)'
+p21877
+sg18781
+S'Pax: The Annunciation'
+p21878
+sg18783
+g27
+sa(dp21879
+g18779
+S'Charles Enjoian'
+p21880
+sg18781
+S'Tortoise Shell Lorgnette'
+p21881
+sg18783
+g27
+sa(dp21882
+g18779
+S'Herbert Marsh'
+p21883
+sg18781
+S'Spectacles with Green Lenses'
+p21884
+sg18783
+g27
+sa(dp21885
+g18779
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+S'Covered Cup with Serpent Handle'
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+S'Artist Information ('
+p22266
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+S'John Dieterich'
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+S'John Dieterich'
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+S'Kalamian Walton'
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+S"Lady's Shoe Buckle"
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+S'Harry Jennings'
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+g18779
+S'Charles Rose'
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+S'Cora Parker'
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+S'Comb'
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+S'Manuel G. Runyan'
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+S'Comb'
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+g27
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+g18779
+S'O.A. Kirby'
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+S'Hair Brooch'
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+S'Douglas Campbell'
+p22297
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+S'Hair Jewelry'
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+S'Artist Information ('
+p22300
+sg18787
+g27
+sg18789
+S'(artist)'
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+S'Vessel in the Form of a Dragon'
+p22302
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+S'Douglas Campbell'
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+S'Hair Ornament'
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+g18779
+S'Erwin Schwabe'
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+sa(dp22309
+g18779
+S'Edith Magnette'
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+sa(dp22312
+g18779
+S'Erwin Schwabe'
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+S'Gertrude Lemberg'
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+S'John H. Tercuzzi'
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+S'Gertrude Lemberg'
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+S'Vincent Burzy'
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+sg18783
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+g18779
+S'Sylvia De Zon'
+p22328
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+g18779
+S'Sylvia De Zon'
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+g18779
+S'Artist Information ('
+p22334
+sg18787
+g27
+sg18789
+S'(artist)'
+p22335
+sg18781
+S'Vessel Engraved with Hunting Scenes'
+p22336
+sg18783
+g27
+sa(dp22337
+g18779
+S'Melita Hofmann'
+p22338
+sg18781
+S'Hair Ornament'
+p22339
+sg18783
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+g18779
+S'Sylvia De Zon'
+p22341
+sg18781
+S'Group of Hair Jewelry'
+p22342
+sg18783
+g27
+sa(dp22343
+g18779
+S'John H. Tercuzzi'
+p22344
+sg18781
+S'Comb'
+p22345
+sg18783
+g27
+sa(dp22346
+g18779
+S'Hester Duany'
+p22347
+sg18781
+S'Comb'
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+sg18783
+g27
+sa(dp22349
+g18779
+S'Jessie M. Benge'
+p22350
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00003/a0000331.jpg'
+p22351
+sg18781
+S'Comb'
+p22352
+sg18783
+S'The production of combs began in America in 1759. By 1773, in addition to their \n functional use, combs of ivory and tortoiseshell were in demand as hair ornaments. \n By the nineteenth century, great varieties of ornamental combs were available.\n This tortoiseshell comb, made between 1825 and 1830, is both carved and etched; \n the etching is identical on both sides. The comb is 9 3/4 inches wide, and its \n height at the center is 9 inches. Its size and elaborate open carving give it \n a striking effect.\n '
+p22353
+sa(dp22354
+g18779
+S'Artist Information ('
+p22355
+sg18781
+S'Comb'
+p22356
+sg18783
+g27
+sa(dp22357
+g18779
+S'Irene Lawson'
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+sg18781
+S'Comb'
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+g18779
+S'Irene Lawson'
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+S'Comb'
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+g18779
+S'Samuel Faigin'
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+sg18781
+S'Hair Wreath'
+p22365
+sg18783
+g27
+sa(dp22366
+g18779
+S'John H. Tercuzzi'
+p22367
+sg18781
+S'Cuff Buttons'
+p22368
+sg18783
+g27
+sa(dp22369
+g18779
+S'Viennese 19th Century'
+p22370
+sg18787
+S'rock crystal and enameled gold'
+p22371
+sg18789
+S'1850/1900'
+p22372
+sg18781
+S'Cylindrical Vessel'
+p22373
+sg18783
+g27
+sa(dp22374
+g18779
+S'Frank Fumagalli'
+p22375
+sg18781
+S'Cuff Button'
+p22376
+sg18783
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+g18779
+S'Dorothy Dwin'
+p22378
+sg18781
+S'Cuff Link'
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+sg18783
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+sa(dp22380
+g18779
+S'Tulita Westfall'
+p22381
+sg18781
+S'Loop Earring'
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+sg18783
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+sa(dp22383
+g18779
+S'Tulita Westfall'
+p22384
+sg18781
+S"Baby's Earring"
+p22385
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+g18779
+S'Vera Van Voris'
+p22387
+sg18781
+S'Earrings'
+p22388
+sg18783
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+sa(dp22389
+g18779
+S'Tulita Westfall'
+p22390
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+S'Earrings'
+p22391
+sg18783
+g27
+sa(dp22392
+g18779
+S'Bertha Semple'
+p22393
+sg18781
+S'Earring'
+p22394
+sg18783
+g27
+sa(dp22395
+g18779
+S'American 20th Century'
+p22396
+sg18781
+S'Earrings'
+p22397
+sg18783
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+g18779
+S'American 20th Century'
+p22399
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+sg18783
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+S'Tulita Westfall'
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+S'Earrings'
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+sg18783
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+g18781
+S'Vase with Two Handles'
+p22405
+sg18779
+S'Artist Information ('
+p22406
+sg18787
+g27
+sg18789
+S'(artist)'
+p22407
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+S'http://www.nga.gov:80/thumb-l/a00054/a0005404.jpg'
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+p22411
+sg18783
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+g18779
+S'Roberta Elvis'
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+sg18783
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+g18779
+S'Grace Halpin'
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+sg18783
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+g18779
+S'Theodore Kraus'
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+g18779
+S'Harry Jennings'
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+S'Earrings'
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+sg18783
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+g18779
+S'Albert Camilli'
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+sg18781
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+g18779
+S'John H. Tercuzzi'
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+sg18781
+S'Earrings'
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+sg18783
+g27
+sa(dp22430
+g18779
+S'Isidore Steinberg'
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+sg18781
+S'Earrings'
+p22432
+sg18783
+g27
+sa(dp22433
+g18779
+S'Vincent Burzy'
+p22434
+sg18781
+S'Earrings'
+p22435
+sg18783
+g27
+sa(dp22436
+g18779
+S'Isidore Steinberg'
+p22437
+sg18791
+S'http://www.nga.gov:80/thumb-l/a0004b/a0004b7d.jpg'
+p22438
+sg18781
+S"Child's Earring"
+p22439
+sg18783
+g27
+sa(dp22440
+g18779
+S'Artist Information ('
+p22441
+sg18787
+S'French, 1839 - 1919'
+p22442
+sg18789
+S'(related artist)'
+p22443
+sg18781
+S'Covered Cup'
+p22444
+sg18783
+g27
+sa(dp22445
+g18779
+S'Frank Fumagalli'
+p22446
+sg18781
+S'Earrings'
+p22447
+sg18783
+g27
+sa(dp22448
+g18779
+S'Edward White'
+p22449
+sg18781
+S'Garnet Earring'
+p22450
+sg18783
+g27
+sa(dp22451
+g18779
+S'J. Howard Iams'
+p22452
+sg18781
+S'Earrings'
+p22453
+sg18783
+g27
+sa(dp22454
+g18779
+S'Bertha Semple'
+p22455
+sg18781
+S'Necklace'
+p22456
+sg18783
+g27
+sa(dp22457
+g18779
+S'Tulita Westfall'
+p22458
+sg18781
+S'Cross Necklace'
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+sg18783
+g27
+sa(dp22460
+g18779
+S'Tulita Westfall'
+p22461
+sg18781
+S'Cross and Chain'
+p22462
+sg18783
+g27
+sa(dp22463
+g18779
+S'Fanchon Larzelere'
+p22464
+sg18781
+S'Bonnet'
+p22465
+sg18783
+g27
+sa(dp22466
+g18779
+S'Marie Famularo'
+p22467
+sg18781
+S'Hat'
+p22468
+sg18783
+g27
+sa(dp22469
+g18779
+S'Dana Bartlett'
+p22470
+sg18781
+S'Medallion and Chain'
+p22471
+sg18783
+g27
+sa(dp22472
+g18779
+S'Vincent Murphy'
+p22473
+sg18781
+S'Locket'
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+sg18783
+g27
+sa(dp22475
+g18779
+S'Artist Information ('
+p22476
+sg18787
+g27
+sg18789
+S'(artist)'
+p22477
+sg18781
+S'Ewer and Cover'
+p22478
+sg18783
+g27
+sa(dp22479
+g18779
+S'Majel G. Claflin'
+p22480
+sg18781
+S'Coral Beads and Crucifix'
+p22481
+sg18783
+g27
+sa(dp22482
+g18779
+S'William P. Shearwood'
+p22483
+sg18781
+S'Mourning Pendants'
+p22484
+sg18783
+g27
+sa(dp22485
+g18779
+S'Vincent Burzy'
+p22486
+sg18781
+S'Locket'
+p22487
+sg18783
+g27
+sa(dp22488
+g18779
+S'John H. Tercuzzi'
+p22489
+sg18781
+S'Locket'
+p22490
+sg18783
+g27
+sa(dp22491
+g18779
+S'Doris Beer'
+p22492
+sg18781
+S'Clasp for Necklace'
+p22493
+sg18783
+g27
+sa(dp22494
+g18779
+S'Doris Beer'
+p22495
+sg18781
+S'Necklace'
+p22496
+sg18783
+g27
+sa(dp22497
+g18779
+S'John H. Tercuzzi'
+p22498
+sg18781
+S'Necklace'
+p22499
+sg18783
+g27
+sa(dp22500
+g18779
+S'James M. Lawson'
+p22501
+sg18781
+S'Tortoise Shell Necklace & Locket'
+p22502
+sg18783
+g27
+sa(dp22503
+g18779
+S'Edward White'
+p22504
+sg18781
+S'Locket'
+p22505
+sg18783
+g27
+sa(dp22506
+g18779
+S'Dorothy Posten'
+p22507
+sg18781
+S'Gold Chain'
+p22508
+sg18783
+g27
+sa(dp22509
+g18781
+S'Pendant with Europa and the Bull'
+p22510
+sg18779
+S'Alfred Andr\xc3\xa9'
+p22511
+sg18787
+S'baroque pearl; gold enameled in white, black, dark green, pale blue, translucent red, green, yellow, and blue; 22 colorless stones (sapphires, diamonds), 1 blue sapphire, 19 red stones (rubies, glass), 6 pearls'
+p22512
+sg18789
+S'1870/1890'
+p22513
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00005/a0000501.jpg'
+p22514
+sg18783
+g27
+sa(dp22515
+g18779
+S'Katherine Hastings'
+p22516
+sg18781
+S'Necklace'
+p22517
+sg18783
+g27
+sa(dp22518
+g18779
+S'Molly Bodenstein'
+p22519
+sg18781
+S'Necklace and Locket'
+p22520
+sg18783
+g27
+sa(dp22521
+g18779
+S'Walter Praefke'
+p22522
+sg18781
+S'Trade Beads'
+p22523
+sg18783
+g27
+sa(dp22524
+g18779
+S'Bessie Forman'
+p22525
+sg18781
+S'Bonnet'
+p22526
+sg18783
+g27
+sa(dp22527
+g18779
+S'Tulita Westfall'
+p22528
+sg18781
+S'Pearl Pin'
+p22529
+sg18783
+g27
+sa(dp22530
+g18779
+S'Vera Van Voris'
+p22531
+sg18781
+S'Cross-shaped Pin'
+p22532
+sg18783
+g27
+sa(dp22533
+g18779
+S'Ellen Duncan'
+p22534
+sg18781
+S'Sword Pin'
+p22535
+sg18783
+g27
+sa(dp22536
+g18779
+S'George Seideneck'
+p22537
+sg18781
+S'Stick Pin'
+p22538
+sg18783
+g27
+sa(dp22539
+g18779
+S'Tulita Westfall'
+p22540
+sg18781
+S'Bird Stick Pin'
+p22541
+sg18783
+g27
+sa(dp22542
+g18779
+S'Tulita Westfall'
+p22543
+sg18781
+S'Pin'
+p22544
+sg18783
+g27
+sa(dp22545
+g18779
+S'Manuel G. Runyan'
+p22546
+sg18781
+S'Hair Pin'
+p22547
+sg18783
+g27
+sa(dp22548
+g18779
+S'Vincent Burzy'
+p22549
+sg18781
+S'Pin'
+p22550
+sg18783
+g27
+sa(dp22551
+g18779
+S'Kalamian Walton'
+p22552
+sg18781
+S"Man's Stick Pin"
+p22553
+sg18783
+g27
+sa(dp22554
+g18779
+S'Kalamian Walton'
+p22555
+sg18781
+S'Stick Pin'
+p22556
+sg18783
+g27
+sa(dp22557
+g18779
+S'John H. Tercuzzi'
+p22558
+sg18781
+S'Cap or Bonnet Pin'
+p22559
+sg18783
+g27
+sa(dp22560
+g18779
+S'Frank Fumagalli'
+p22561
+sg18781
+S'Pin'
+p22562
+sg18783
+g27
+sa(dp22563
+g18779
+S'Dorothy Dwin'
+p22564
+sg18781
+S'Pin'
+p22565
+sg18783
+g27
+sa(dp22566
+g18779
+S'Dorothy Dwin'
+p22567
+sg18781
+S'Pin'
+p22568
+sg18783
+g27
+sa(dp22569
+g18779
+S'Bertha Semple'
+p22570
+sg18781
+S'Wedding Ring'
+p22571
+sg18783
+g27
+sa(dp22572
+g18779
+S'Kurt Melzer'
+p22573
+sg18781
+S'Ring'
+p22574
+sg18783
+g27
+sa(dp22575
+g18781
+S'Pendant with the Head of Medusa'
+p22576
+sg18779
+S'Alfred Andr\xc3\xa9'
+p22577
+sg18787
+S'chalcedony; gold enameled in black, white, pale blue, translucent red, blue and green; 6 diamonds, 4 rubies, 1 pearl'
+p22578
+sg18789
+S'1885/1890'
+p22579
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00051/a00051d3.jpg'
+p22580
+sg18783
+g27
+sa(dp22581
+g18779
+S'Lillian Hunter'
+p22582
+sg18781
+S'Memorial Ring'
+p22583
+sg18783
+g27
+sa(dp22584
+g18779
+S'Frank Nelson'
+p22585
+sg18781
+S'Gold Ring'
+p22586
+sg18783
+g27
+sa(dp22587
+g18779
+S'William P. Shearwood'
+p22588
+sg18781
+S'Seal Ring'
+p22589
+sg18783
+g27
+sa(dp22590
+g18779
+S'John H. Tercuzzi'
+p22591
+sg18781
+S'Hair Ring'
+p22592
+sg18783
+g27
+sa(dp22593
+g18779
+S'John H. Tercuzzi'
+p22594
+sg18781
+S'Ring'
+p22595
+sg18783
+g27
+sa(dp22596
+g18779
+S'John H. Tercuzzi'
+p22597
+sg18781
+S'Topaz Ring'
+p22598
+sg18783
+g27
+sa(dp22599
+g18779
+S'John H. Tercuzzi'
+p22600
+sg18781
+S'Emerald Ring'
+p22601
+sg18783
+g27
+sa(dp22602
+g18779
+S'Michael Fenga'
+p22603
+sg18781
+S'Mourning Ring'
+p22604
+sg18783
+g27
+sa(dp22605
+g18779
+S'John H. Tercuzzi'
+p22606
+sg18781
+S'Mourning Ring'
+p22607
+sg18783
+g27
+sa(dp22608
+g18779
+S'John H. Tercuzzi'
+p22609
+sg18781
+S'Mourning Ring'
+p22610
+sg18783
+g27
+sa(dp22611
+g18781
+S'Necklace and Pendant with a Sphinx'
+p22612
+sg18779
+S'Alfred Andr\xc3\xa9'
+p22613
+sg18787
+S'gold enameled in white, black, translucent red, blue, and green; 28 diamonds, 5 emeralds, 43 rubies, 37 pearls'
+p22614
+sg18789
+S'c. 1890'
+p22615
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00005/a0000502.jpg'
+p22616
+sg18783
+g27
+sa(dp22617
+g18779
+S'Michael Fenga'
+p22618
+sg18781
+S'Memorial Ring'
+p22619
+sg18783
+g27
+sa(dp22620
+g18779
+S'Michael Fenga'
+p22621
+sg18781
+S'Mourning Ring'
+p22622
+sg18783
+g27
+sa(dp22623
+g18779
+S'Michael Fenga'
+p22624
+sg18781
+S'Memorial Ring'
+p22625
+sg18783
+g27
+sa(dp22626
+g18779
+S'Tulita Westfall'
+p22627
+sg18781
+S'Watch Chain'
+p22628
+sg18783
+g27
+sa(dp22629
+g18779
+S'Kathryn Uhl'
+p22630
+sg18781
+S'Watch Fob with Human Hair Chain'
+p22631
+sg18783
+g27
+sa(dp22632
+g18779
+S'Bertha Semple'
+p22633
+sg18781
+S'Watch Fob'
+p22634
+sg18783
+g27
+sa(dp22635
+g18779
+S'Tulita Westfall'
+p22636
+sg18781
+S'Horse Watch Fob'
+p22637
+sg18783
+g27
+sa(dp22638
+g18779
+S'Lawrence Flynn'
+p22639
+sg18781
+S'Watch Fob'
+p22640
+sg18783
+g27
+sa(dp22641
+g18779
+S'William H. Edwards'
+p22642
+sg18781
+S'Watch Holder'
+p22643
+sg18783
+g27
+sa(dp22644
+g18779
+S'Robert Clark'
+p22645
+sg18781
+S'Watch Key'
+p22646
+sg18783
+g27
+sa(dp22647
+g18781
+S'Pendant with a Mermaid'
+p22648
+sg18779
+S'Alfred Andr\xc3\xa9'
+p22649
+sg18787
+S'baroque pearl; gold enameled in white, black, pale blue, translucent blue, red, and green; 14 diamonds, 10 rubies, 9 pearls'
+p22650
+sg18789
+S'1885/1890'
+p22651
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00005/a0000503.jpg'
+p22652
+sg18783
+g27
+sa(dp22653
+g18779
+S'Harry G. Alexander'
+p22654
+sg18781
+S'Gold Watch Frame and Case'
+p22655
+sg18783
+g27
+sa(dp22656
+g18779
+S'Harry G. Aberdeen'
+p22657
+sg18781
+S'Watch Case'
+p22658
+sg18783
+g27
+sa(dp22659
+g18779
+S'Harry G. Aberdeen'
+p22660
+sg18781
+S'Gold Watch and Frame'
+p22661
+sg18783
+g27
+sa(dp22662
+g18779
+S'Harry G. Aberdeen'
+p22663
+sg18781
+S'Gold Watch with Frame and Case'
+p22664
+sg18783
+g27
+sa(dp22665
+g18779
+S'Harry G. Alexander'
+p22666
+sg18781
+S'Watch, Face and Case'
+p22667
+sg18783
+g27
+sa(dp22668
+g18779
+S'Harry G. Aberdeen'
+p22669
+sg18781
+S'Watch, Frame and Case'
+p22670
+sg18783
+g27
+sa(dp22671
+g18779
+S'Harry G. Aberdeen'
+p22672
+sg18781
+S'Sporting Watch'
+p22673
+sg18783
+g27
+sa(dp22674
+g18779
+S'Harry G. Aberdeen'
+p22675
+sg18781
+S'Watch Dial and Frame'
+p22676
+sg18783
+g27
+sa(dp22677
+g18779
+S'Harry G. Aberdeen'
+p22678
+sg18781
+S'Watch, Dial and Frame'
+p22679
+sg18783
+g27
+sa(dp22680
+g18779
+S'Harry G. Aberdeen'
+p22681
+sg18781
+S'Watch and Case'
+p22682
+sg18783
+g27
+sa(dp22683
+g18781
+S'Pendant with a Triton'
+p22684
+sg18779
+S'Alfred Andr\xc3\xa9'
+p22685
+sg18787
+S'baroque pearl; gold enameled in white, black, translucent red, green, blue, and yellow; 2 diamonds, 37 rubies, 4 pearls'
+p22686
+sg18789
+S'1885/1890'
+p22687
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00005/a0000504.jpg'
+p22688
+sg18783
+g27
+sa(dp22689
+g18779
+S'Harry Grossen'
+p22690
+sg18781
+S'Watch Key'
+p22691
+sg18783
+g27
+sa(dp22692
+g18779
+S'Robert Clark'
+p22693
+sg18781
+S'Watch Key'
+p22694
+sg18783
+g27
+sa(dp22695
+g18779
+S'Harry Grossen'
+p22696
+sg18781
+S'Watch Key'
+p22697
+sg18783
+g27
+sa(dp22698
+g18779
+S'William P. Shearwood'
+p22699
+sg18781
+S'Watch Chain Locket'
+p22700
+sg18783
+g27
+sa(dp22701
+g18779
+S'Eliseo Rodriguez'
+p22702
+sg18781
+S'Fob Seal'
+p22703
+sg18783
+g27
+sa(dp22704
+g18779
+S'Vincent Burzy'
+p22705
+sg18781
+S'Pencil Charm'
+p22706
+sg18783
+g27
+sa(dp22707
+g18779
+S'Frank Fumagalli'
+p22708
+sg18781
+S'Watch Chain'
+p22709
+sg18783
+g27
+sa(dp22710
+g18779
+S'Irene Lawson'
+p22711
+sg18781
+S"Man's Watch Chain"
+p22712
+sg18783
+g27
+sa(dp22713
+g18779
+S'Edna C. Rex'
+p22714
+sg18781
+S'Watch Chain'
+p22715
+sg18783
+g27
+sa(dp22716
+g18779
+S'William O. Fletcher'
+p22717
+sg18781
+S'Pickaninny Watch Stand'
+p22718
+sg18783
+g27
+sa(dp22719
+g18781
+S'Saint Apollonia Destroys a Pagan Idol'
+p22720
+sg18779
+S"Giovanni d'Alemagna"
+p22721
+sg18787
+S'tempera on panel'
+p22722
+sg18789
+S'c. 1442/1445'
+p22723
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00005/a00005de.jpg'
+p22724
+sg18783
+g27
+sa(dp22725
+g18781
+S'Pendant with a Centaur'
+p22726
+sg18779
+S'Alfred Andr\xc3\xa9'
+p22727
+sg18787
+S'baroque pearl; gold enameled in black, white, pale blue, translucent red, green, and blue; 2 emeralds, 2 rubies, 1 piece of rock crystal or glass, 4 hanging pearls, 10 small pearls in the chain'
+p22728
+sg18789
+S'1885/1890'
+p22729
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00005/a0000505.jpg'
+p22730
+sg18783
+g27
+sa(dp22731
+g18779
+S'Bruce Gentry'
+p22732
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00058/a0005892.jpg'
+p22733
+sg18781
+S'Sampler'
+p22734
+sg18783
+g27
+sa(dp22735
+g18779
+S'Vincent P. Rosel'
+p22736
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00058/a0005899.jpg'
+p22737
+sg18781
+S'Embroidered Sampler'
+p22738
+sg18783
+g27
+sa(dp22739
+g18779
+S'Raymond Manupelli'
+p22740
+sg18781
+S'Sampler'
+p22741
+sg18783
+g27
+sa(dp22742
+g18779
+S'Albert Levone'
+p22743
+sg18781
+S'Sampler'
+p22744
+sg18783
+g27
+sa(dp22745
+g18779
+S'Frances Lichten'
+p22746
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00002/a00002a9.jpg'
+p22747
+sg18781
+S'Embroidered Towel'
+p22748
+sg18783
+S"Women lavished much attention on show towels, embroidered panels hung over the ordinary towels used by the family or otherwise displayed as decorations on\r\n doors. Show towels were most frequently made by Pennsylvania German settlers,\r\n who brought to America their European traditions. The practice of concealing homely\r\n everyday towels behind a decoratively embroidered panel gave evidence of a well-kept\r\n home and of the housewife's deftness with the flax wheel and the needle. In this\r\n example, a restrained design is composed of schematic urns and flowers\r\n worked in cross-stitch. Though the design is extremely refined, a lively decorative\r\n effect is created by the bright reds and greens used in the embroidery; the colors\r\n stand out boldly against the light natural linen background.\n "
+p22749
+sa(dp22750
+g18779
+S'Eva Wilson'
+p22751
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00058/a000589a.jpg'
+p22752
+sg18781
+S'Sampler'
+p22753
+sg18783
+g27
+sa(dp22754
+g18779
+S'Eva Wilson'
+p22755
+sg18781
+S'Sampler'
+p22756
+sg18783
+g27
+sa(dp22757
+g18779
+S'Joseph Wolins'
+p22758
+sg18781
+S'Sampler'
+p22759
+sg18783
+g27
+sa(dp22760
+g18779
+S'Byron Dingman'
+p22761
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00058/a0005891.jpg'
+p22762
+sg18781
+S'Sampler'
+p22763
+sg18783
+g27
+sa(dp22764
+g18779
+S'Alfonso Moreno'
+p22765
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00058/a000587e.jpg'
+p22766
+sg18781
+S'Sampler'
+p22767
+sg18783
+g27
+sa(dp22768
+g18781
+S'The Virgin Annunciate'
+p22769
+sg18779
+S'Giovanni di Domenico'
+p22770
+sg18787
+S'stained glass'
+p22771
+sg18789
+S'1498/1503'
+p22772
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00005/a0000513.jpg'
+p22773
+sg18783
+g27
+sa(dp22774
+g18779
+S'Carmel Wilson'
+p22775
+sg18781
+S'Embroidered Stool Cover'
+p22776
+sg18783
+g27
+sa(dp22777
+g18779
+S'Charles Bowman'
+p22778
+sg18781
+S'Sampler'
+p22779
+sg18783
+g27
+sa(dp22780
+g18779
+S'Charles Bowman'
+p22781
+sg18781
+S'Sampler'
+p22782
+sg18783
+g27
+sa(dp22783
+g18779
+S'Phyllis Dorr'
+p22784
+sg18781
+S'Petit Point Embroidery'
+p22785
+sg18783
+g27
+sa(dp22786
+g18779
+S'Phyllis Dorr'
+p22787
+sg18781
+S'Needlepoint Panel'
+p22788
+sg18783
+g27
+sa(dp22789
+g18779
+S'J. Howard Iams'
+p22790
+sg18781
+S'Landscape in Petit Point'
+p22791
+sg18783
+g27
+sa(dp22792
+g18779
+S'Frank J. Mace'
+p22793
+sg18781
+S'Embroidered Picture'
+p22794
+sg18783
+g27
+sa(dp22795
+g18779
+S'Edward Unger'
+p22796
+sg18781
+S'Yarn Picture'
+p22797
+sg18783
+g27
+sa(dp22798
+g18779
+S'Marion Gaylord'
+p22799
+sg18781
+S'Valance (Detail)'
+p22800
+sg18783
+g27
+sa(dp22801
+g18779
+S'Marion Gaylord'
+p22802
+sg18781
+S'Valance (Detail)'
+p22803
+sg18783
+g27
+sa(dp22804
+g18781
+S'The Angel of the Annunciation'
+p22805
+sg18779
+S'Giovanni di Domenico'
+p22806
+sg18787
+S'stained glass'
+p22807
+sg18789
+S'1498/1503'
+p22808
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00005/a0000514.jpg'
+p22809
+sg18783
+g27
+sa(dp22810
+g18779
+S'Mabel S. Kelton'
+p22811
+sg18781
+S'Embroidered Table Scarf'
+p22812
+sg18783
+g27
+sa(dp22813
+g18779
+S'Mildred E. Bent'
+p22814
+sg18781
+S'Embroidered Petticoat (Detail)'
+p22815
+sg18783
+g27
+sa(dp22816
+g18779
+S'Mildred E. Bent'
+p22817
+sg18781
+S'Bed Canopy Detail'
+p22818
+sg18783
+g27
+sa(dp22819
+g18779
+S'Mildred E. Bent'
+p22820
+sg18781
+S'Embroidered Bed Hanging'
+p22821
+sg18783
+g27
+sa(dp22822
+g18779
+S'Mildred E. Bent'
+p22823
+sg18781
+S'Bedspread (Detail)'
+p22824
+sg18783
+g27
+sa(dp22825
+g18779
+S'Suzanne Chapman'
+p22826
+sg18781
+S'Chair Seat'
+p22827
+sg18783
+g27
+sa(dp22828
+g18779
+S'Lawrence Peterson'
+p22829
+sg18781
+S'Crewel Embroidered Valance'
+p22830
+sg18783
+g27
+sa(dp22831
+g18779
+S'Phyllis Dorr'
+p22832
+sg18781
+S'Crewel Embroidery'
+p22833
+sg18783
+g27
+sa(dp22834
+g18779
+S'Suzanne Chapman'
+p22835
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00002/a00002aa.jpg'
+p22836
+sg18781
+S'Valance'
+p22837
+sg18783
+S'Embroidery worked with loosely twisted yarn, called crewel, is known as crewelwork. Also known as "worsted" yarn, crewel was widely available in England by the seventeenth century, when favorable agricultural conditions produced robust sheep capable of growing the longer strands of wool required for this yarn. American crewelwork was inherited from Jacobean England. While the embroidery is generally less dense than that of English prototypes, English patterns were perpetuated in American designs. Coastal New England was the center of crewelwork activity on this side of the Atlantic. The needlewomen of New England purchased their yarn, as well as the fabric on which they embroidered, from England and generally followed English needlework styles. Crewelwork motifs were derived from painted and printed cottons imported into England from India during the seventeenth and eighteenth centuries. Typical crewelwork designs showed flowering trees rising from delineated hills, as in this eighteenth-century example made in Massachusetts. Exotic birds in scroll-like branches were also popular, as were floral sprays scattered irregularly upon the ground fabric, which was usually of linen plain-weave. This crewel-embroidered valance retains the luxuriant character of Indian designs in the forms of the exotic trees and in the rich combination of brilliant colors. Crewelwork decorated counterpanes (bedspreads), hangings for four-poster beds, valances for windows, chair coverings, or curtains for the home.\n '
+p22838
+sa(dp22839
+g18779
+S'Lawrence Peterson'
+p22840
+sg18781
+S'Jacobean Embroidery'
+p22841
+sg18783
+g27
+sa(dp22842
+g18781
+S'Plate with border of putti and trophies amid grotesques; in the center, a winged putto standing, armed, in a landscape'
+p22843
+sg18779
+S'Artist Information ('
+p22844
+sg18787
+g27
+sg18789
+S'(ceramist)'
+p22845
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00005/a0000524.jpg'
+p22846
+sg18783
+g27
+sa(dp22847
+g18779
+S'Phyllis Dorr'
+p22848
+sg18781
+S'Crewel Embroidery'
+p22849
+sg18783
+g27
+sa(dp22850
+g18779
+S'Suzanne Chapman'
+p22851
+sg18781
+S'Crewel Embroidery'
+p22852
+sg18783
+g27
+sa(dp22853
+g18779
+S'Eleanor Cunningham'
+p22854
+sg18781
+S'Valance'
+p22855
+sg18783
+g27
+sa(dp22856
+g18779
+S'Phyllis Dorr'
+p22857
+sg18781
+S'Bedspread'
+p22858
+sg18783
+g27
+sa(dp22859
+g18779
+S'Lawrence Peterson'
+p22860
+sg18781
+S'Embroidered Petticoat Border'
+p22861
+sg18783
+g27
+sa(dp22862
+g18779
+S'Eleanor Cunningham'
+p22863
+sg18781
+S'Crewel Embroidery Chair Seat'
+p22864
+sg18783
+g27
+sa(dp22865
+g18779
+S'Eleanor Cunningham'
+p22866
+sg18781
+S'Embroidery'
+p22867
+sg18783
+g27
+sa(dp22868
+g18779
+S'Lawrence Peterson'
+p22869
+sg18781
+S'Crewel Embroidery Chair Piece'
+p22870
+sg18783
+g27
+sa(dp22871
+g18779
+S'Betty Fuerst'
+p22872
+sg18781
+S'Crewel Embroidery'
+p22873
+sg18783
+g27
+sa(dp22874
+g18779
+S'Helen E. Gilman'
+p22875
+sg18781
+S'Crewel Embroidery'
+p22876
+sg18783
+g27
+sa(dp22877
+g18779
+S'Artist Information ('
+p22878
+sg18787
+g27
+sg18789
+S'(ceramist)'
+p22879
+sg18781
+S'Plate with border of grotesques on an orange ground and three shields of the arms of the Gritti of Venice; in the center, putti holding another shield of the same arms'
+p22880
+sg18783
+g27
+sa(dp22881
+g18779
+S'Robert T. Gills'
+p22882
+sg18781
+S'Crewel Embroidered Bed Curtain'
+p22883
+sg18783
+g27
+sa(dp22884
+g18779
+S'Helen E. Gilman'
+p22885
+sg18781
+S'Crewel Embroidery'
+p22886
+sg18783
+g27
+sa(dp22887
+g18779
+S'Elmer Weise'
+p22888
+sg18781
+S'Cross Stitch'
+p22889
+sg18783
+g27
+sa(dp22890
+g18779
+S'Samuel O. Klein'
+p22891
+sg18781
+S'Chair Seat'
+p22892
+sg18783
+g27
+sa(dp22893
+g18779
+S'Frank Nelson'
+p22894
+sg18781
+S'Embroidered sleeve'
+p22895
+sg18783
+g27
+sa(dp22896
+g18779
+S'American 20th Century'
+p22897
+sg18781
+S'Bedspread'
+p22898
+sg18783
+g27
+sa(dp22899
+g18779
+S'Bessie Forman'
+p22900
+sg18781
+S'Bedspread'
+p22901
+sg18783
+g27
+sa(dp22902
+g18779
+S'Suzanne Roy'
+p22903
+sg18781
+S'Bedspread'
+p22904
+sg18783
+g27
+sa(dp22905
+g18779
+S'Suzanne Roy'
+p22906
+sg18781
+S'Crewel Embroidered Bedspread'
+p22907
+sg18783
+g27
+sa(dp22908
+g18779
+S'William Parkinson'
+p22909
+sg18781
+S'Mourning Embroidery'
+p22910
+sg18783
+g27
+sa(dp22911
+g18781
+S'Plate with border of grotesques on an orange ground; in the center, Narcissus gazing at his reflection in a fountain'
+p22912
+sg18779
+S'Sienese 16th Century'
+p22913
+sg18787
+S'overall (diameter): 26.1 cm (10 1/4 in.)'
+p22914
+sg18789
+S'\ntin-glazed earthenware (maiolica)'
+p22915
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00005/a0000522.jpg'
+p22916
+sg18783
+g27
+sa(dp22917
+g18779
+S'Edward Unger'
+p22918
+sg18781
+S'Embroidered Footstool Cover'
+p22919
+sg18783
+g27
+sa(dp22920
+g18779
+S'Dorothy M. Gerhard'
+p22921
+sg18781
+S'Cap'
+p22922
+sg18783
+g27
+sa(dp22923
+g18779
+S'Alice Cosgrove'
+p22924
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00002/a00002f1.jpg'
+p22925
+sg18781
+S'Hooked Rug'
+p22926
+sg18783
+S"American women displayed a brilliant sense of design not only in embroidery,\n but also in hooked rugs, which were produced by housewives everywhere.\n Hooked rugs testify also to the homemakers' thrift, for the women made them from\n worn-out clothing that was cut into long strips. These strips were pulled with a metal\n hook through a coarse foundation such as linen or burlap. Frequently, discarded\n feed bags were used as backing. Each strip was looped on the surface of the rug\n and pulled flat on the reverse side; the process was repeated again and again to\n create a nubby surface of innumerable loops. At times the loops were clipped to\n achieve textural variation. Designs were usually bold and simple; geometric forms\n were used frequently, although flowers, animals, houses, and ships were also popular.\n Motifs were often combined; here a strong geometric border frames a floral bouquet. \n Generally a lively effect is achieved through strong color contrasts, as in this \n rug, where tones of gold set off the vivid reds and greens of the flowers.\n "
+p22927
+sa(dp22928
+g18779
+S'Jessie Trueworthy'
+p22929
+sg18781
+S'Rug'
+p22930
+sg18783
+g27
+sa(dp22931
+g18779
+S'Dorothy Lacey'
+p22932
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00002/a00002b8.jpg'
+p22933
+sg18781
+S'Caswell Carpet'
+p22934
+sg18783
+S'In the early nineteenth century, American women often used their leisure time to\n embroider rugs. One of the most famous embroidered rugs is the Caswell Carpet,\n a portion of which is seen here. It was made in Vermont between 1832 and\n 1835 by Zeruah Higley Guernsey, who later married a Mr. Caswell; the rug is known\n by the latter name. The wool used in the rug was grown, spun, and dyed at home.\n Nearly eighty separate blocks were embroidered in a double chain stitch, or\n "Kensington stitch," on a coarse homespun foundation. Each block has its own\n complete design. While floral motifs predominate, diversity is achieved by modifying\n the floral forms and by varying their arrangement within each square. In some blocks,\n flowers or leaves stand alone; in others, they are combined with baskets, vases, birds,\n or butterflies. The overall design is further enriched through the inclusion of non-floral\n motifs such as kittens and puppies and, in one square, a bridal couple, believed to refer\n to the approaching marriage of the maker. On one end of the carpet is a\n long panel embroidered with a sawtooth border and a central design showing a basket\n filled with flowers and fruit. During the summer, when the fireplace was not in use, this\n panel covered the hearth; in winter it was folded under the body of the rug, in order to\n leave the hearth uncovered. The presence of the hearth panel indicates that the rug\n was not made solely for decoration, but that year-round utility was also a consideration\n in its design.\n '
+p22935
+sa(dp22936
+g18779
+S'Charlotte Winter'
+p22937
+sg18781
+S'Caswell Carpet'
+p22938
+sg18783
+g27
+sa(dp22939
+g18779
+S'Charlotte Angus'
+p22940
+sg18781
+S'Hooked Rug (Cotton)'
+p22941
+sg18783
+g27
+sa(dp22942
+g18779
+S'Ella Josephine Sterling'
+p22943
+sg18781
+S'Patchwork Quilt'
+p22944
+sg18783
+g27
+sa(dp22945
+g18779
+S'Maud M. Holme'
+p22946
+sg18781
+S'Pieced Quilt - "Star Pattern"'
+p22947
+sg18783
+g27
+sa(dp22948
+g18779
+S'Manuel G. Runyan'
+p22949
+sg18781
+S'Star & Ring Quilt'
+p22950
+sg18783
+g27
+sa(dp22951
+g18781
+S'Deep bowl with "Persian palmette" ornament; in the center, a profile bust of a young man wearing a wreath'
+p22952
+sg18779
+S'Artist Information ('
+p22953
+sg18787
+g27
+sg18789
+S'(ceramist)'
+p22954
+sg18791
+S'http://www.nga.gov:80/thumb-l/a000da/a000daad.jpg'
+p22955
+sg18783
+g27
+sa(dp22956
+g18779
+S'Artist Information ('
+p22957
+sg18781
+S'Sunburst Quilt - Applique'
+p22958
+sg18783
+g27
+sa(dp22959
+g18779
+S'Cora Parker'
+p22960
+sg18781
+S'Quilt - Grape Pattern'
+p22961
+sg18783
+g27
+sa(dp22962
+g18779
+S'Adolph Opstad'
+p22963
+sg18781
+S'Applique Coverlet (Detail)'
+p22964
+sg18783
+g27
+sa(dp22965
+g18779
+S'Adolph Opstad'
+p22966
+sg18781
+S'Applique Coverlet (Detail)'
+p22967
+sg18783
+g27
+sa(dp22968
+g18779
+S'Adolph Opstad'
+p22969
+sg18781
+S'Coverlet Detail (Red Riding Hood)'
+p22970
+sg18783
+g27
+sa(dp22971
+g18779
+S'Adolph Opstad'
+p22972
+sg18781
+S'Applique Coverlet (Detail)'
+p22973
+sg18783
+g27
+sa(dp22974
+g18779
+S'Adolph Opstad'
+p22975
+sg18781
+S'Applique Coverlet (Detail)'
+p22976
+sg18783
+g27
+sa(dp22977
+g18779
+S'Adolph Opstad'
+p22978
+sg18781
+S'Applique Coverlet (Detail)'
+p22979
+sg18783
+g27
+sa(dp22980
+g18779
+S'Adolph Opstad'
+p22981
+sg18781
+S'Applique Coverlet (Detail)'
+p22982
+sg18783
+g27
+sa(dp22983
+g18779
+S'Adolph Opstad'
+p22984
+sg18781
+S'Coverlet (Detail of Bluebird)'
+p22985
+sg18783
+g27
+sa(dp22986
+g18781
+S'Large dish with segmental border of plant sprays and scale pattern; in the center, an emblematic female figure holding a crowned toad and cornucopia'
+p22987
+sg18779
+S'Deruta 16th Century'
+p22988
+sg18787
+S'overall (diameter): 40.3 cm (15 7/8 in.)'
+p22989
+sg18789
+S'\ntin-glazed earthenware (maiolica)'
+p22990
+sg18791
+S'http://www.nga.gov:80/thumb-l/a000e0/a000e016.jpg'
+p22991
+sg18783
+g27
+sa(dp22992
+g18779
+S'Mrs. Goodwin'
+p22993
+sg18781
+S'Window Seat Cover'
+p22994
+sg18783
+g27
+sa(dp22995
+g18779
+S'Charles Goodwin'
+p22996
+sg18781
+S'Patchwork Quilt'
+p22997
+sg18783
+g27
+sa(dp22998
+g18779
+S'Elbert S. Mowery'
+p22999
+sg18781
+S'Applique Quilt - "King David\'s Crown"'
+p23000
+sg18783
+g27
+sa(dp23001
+g18779
+S'Mildred E. Bent'
+p23002
+sg18781
+S'Applique Quilt'
+p23003
+sg18783
+g27
+sa(dp23004
+g18779
+S'Mildred E. Bent'
+p23005
+sg18781
+S'Pineapple Quilt'
+p23006
+sg18783
+g27
+sa(dp23007
+g18779
+S'Mildred E. Bent'
+p23008
+sg18781
+S'Applique Quilt'
+p23009
+sg18783
+g27
+sa(dp23010
+g18779
+S'Mildred E. Bent'
+p23011
+sg18781
+S'Appliqued Quilt'
+p23012
+sg18783
+g27
+sa(dp23013
+g18779
+S'Charles Bowman'
+p23014
+sg18781
+S'Quilt'
+p23015
+sg18783
+g27
+sa(dp23016
+g18779
+S'Marie Alain'
+p23017
+sg18781
+S'Quilt'
+p23018
+sg18783
+g27
+sa(dp23019
+g18779
+S'Douglas Campbell'
+p23020
+sg18781
+S'Quilt'
+p23021
+sg18783
+g27
+sa(dp23022
+g18781
+S'Large dish with running plant border; in the center, horsemen fighting'
+p23023
+sg18779
+S'Deruta 16th Century'
+p23024
+sg18787
+S'overall (diameter): 40.5 cm (15 15/16 in.)'
+p23025
+sg18789
+S'\ntin-glazed earthenware (maiolica)'
+p23026
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00005/a0000507.jpg'
+p23027
+sg18783
+g27
+sa(dp23028
+g18779
+S'Stella Mosher'
+p23029
+sg18781
+S"Quilt for Doll's Bed"
+p23030
+sg18783
+g27
+sa(dp23031
+g18779
+S'Dolores Haupt'
+p23032
+sg18781
+S'Crazy Quilt'
+p23033
+sg18783
+g27
+sa(dp23034
+g18779
+S'Alice Cosgrove'
+p23035
+sg18781
+S'Quilt - Tulip Pattern'
+p23036
+sg18783
+g27
+sa(dp23037
+g18779
+S'Edith Magnette'
+p23038
+sg18781
+S'Patchwork Quilt'
+p23039
+sg18783
+g27
+sa(dp23040
+g18779
+S'Edith Magnette'
+p23041
+sg18781
+S'Table Cover'
+p23042
+sg18783
+g27
+sa(dp23043
+g18779
+S'Lily Capson'
+p23044
+sg18781
+S'Quilt - Applique Patterns with Border'
+p23045
+sg18783
+g27
+sa(dp23046
+g18779
+S'Jenny Almgren'
+p23047
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00055/a000551f.jpg'
+p23048
+sg18781
+S'Patchwork Quilt'
+p23049
+sg18783
+g27
+sa(dp23050
+g18779
+S'Charlotte Winter'
+p23051
+sg18781
+S'Sunburst Quilt'
+p23052
+sg18783
+g27
+sa(dp23053
+g18779
+S'Mary Berner'
+p23054
+sg18781
+S'Patchwork and Applique Quilt'
+p23055
+sg18783
+g27
+sa(dp23056
+g18779
+S'Dorothy Gernon'
+p23057
+sg18781
+S'Bonnet'
+p23058
+sg18783
+g27
+sa(dp23059
+g18781
+S'Large dish with plant-pattern border; in the center, the arms of a Medici pope'
+p23060
+sg18779
+S'Deruta 16th Century'
+p23061
+sg18787
+S'overall (diameter): 41.6 cm (16 3/8 in.)'
+p23062
+sg18789
+S'\ntin-glazed earthenware (maiolica)'
+p23063
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00005/a000050d.jpg'
+p23064
+sg18783
+g27
+sa(dp23065
+g18779
+S'Mary Berner'
+p23066
+sg18781
+S'Patchwork Quilt'
+p23067
+sg18783
+g27
+sa(dp23068
+g18779
+S'Suzanne Roy'
+p23069
+sg18781
+S'Quilt Top'
+p23070
+sg18783
+g27
+sa(dp23071
+g18779
+S'Henry Granet'
+p23072
+sg18781
+S'Patchwork Quilt (Section)'
+p23073
+sg18783
+g27
+sa(dp23074
+g18779
+S'Jessie M. Benge'
+p23075
+sg18781
+S'Bonnet'
+p23076
+sg18783
+g27
+sa(dp23077
+g18779
+S'Catherine Fowler'
+p23078
+sg18781
+S'Quilt'
+p23079
+sg18783
+g27
+sa(dp23080
+g18779
+S'Mina Greene'
+p23081
+sg18781
+S'Crazy Quilt (Section of)'
+p23082
+sg18783
+g27
+sa(dp23083
+g18779
+S'Sylvia De Zon'
+p23084
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00002/a00002bb.jpg'
+p23085
+sg18781
+S'Patchwork Quilt'
+p23086
+sg18783
+S'American families needed warm bedding for the cold winters, so, in addition to woven\n coverlets, they made quilts. A quilt consists of two layers of material with wadding\n between; the layers are held together by stitches, often in a variety of patterns.\n The triple thickness of quilts provided bedcovers of the necessary warmth. Their\n elaborate designs made quilts a focal point in the decoration of eighteenth- and\n nineteenth-century American homes. Patchwork, or pieced, quilts are distinctively\n American and provide another example of the thrift of American housewives. Although\n commercially produced printed cottons were available from the late nineteenth century\n onward, these fabrics were regarded as precious; every scrap was used, and pieces of\n fabric from worn-out clothing were carefully saved. From her scrap bag, the housewife\n took bits of fabric and cut them into geometric shapes. The geometric units were then\n pieced, or sewn, together in a pleasing design. The resulting panel was used for the\n quilt top. This quilt top consists of small hexagons painstakingly pieced together to\n form an overall mosaiclike design. In this type of pieced quilt, made about 1810, heavy\n paper was used under the patches in order to create well-defined shapes. The edges\n of the fabric were folded under the paper hexagons and basted in place. The hexagons\n were then pieced together to form the quilt top; careful attention was given to \n the placement of the colors in order to achieve an orderly and lively design.\n '
+p23087
+sa(dp23088
+g18779
+S'Catherine Fowler'
+p23089
+sg18781
+S'Bedspread'
+p23090
+sg18783
+g27
+sa(dp23091
+g18779
+S'Artist Information ('
+p23092
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00055/a0005539.jpg'
+p23093
+sg18781
+S'Applique Bedspread'
+p23094
+sg18783
+g27
+sa(dp23095
+g18779
+S'Catherine Fowler'
+p23096
+sg18781
+S'Turkey Track Quilt'
+p23097
+sg18783
+g27
+sa(dp23098
+g18781
+S'Large dish with scale border; in the center, an imperial Roman figure and the letter N crowned'
+p23099
+sg18779
+S'Deruta 16th Century'
+p23100
+sg18787
+S'overall (diameter): 42.6 cm (16 3/4 in.)'
+p23101
+sg18789
+S'\ntin-glazed earthenware (maiolica)'
+p23102
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00005/a0000508.jpg'
+p23103
+sg18783
+g27
+sa(dp23104
+g18779
+S'Daniel Fletcher'
+p23105
+sg18781
+S'Patchwork Quilt with Eagles'
+p23106
+sg18783
+g27
+sa(dp23107
+g18779
+S'Therkel Anderson'
+p23108
+sg18781
+S'Dated Quilt'
+p23109
+sg18783
+g27
+sa(dp23110
+g18779
+S'Nancy Crimi'
+p23111
+sg18781
+S'Wedding Bonnet'
+p23112
+sg18783
+g27
+sa(dp23113
+g18779
+S'Roberta Spicer'
+p23114
+sg18781
+S'Bonnet'
+p23115
+sg18783
+g27
+sa(dp23116
+g18779
+S'Ralph Atkinson'
+p23117
+sg18781
+S'Quilt - Circle with Tulips'
+p23118
+sg18783
+g27
+sa(dp23119
+g18779
+S'Byron Dingman'
+p23120
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00002/a00002be.jpg'
+p23121
+sg18781
+S'Quilt'
+p23122
+sg18783
+S'In this detail of a mid-nineteenth century appliqué quilt, the elaborate quilted patterns\n attain a decorative importance equal to that of the brightly colored appliqué work.\n The quilting is a complex combination of motifs featuring scrolling flowers, feathers,\n and the American eagle. The quilting has been given great prominence in the overall\n design of the piece not only through density of pattern, but also through the addition\n of extra padding to produce a sculptural appearance. The sculptural effect was\n achieved by a special method of stuffing. The designs were first outlined with quilting\n stitches; then, by means of a long needle, cotton wadding was pushed through the\n coarse backing of the quilt. As a result the quilted design stands out in high relief\n against the background. In the early nineteenth century, women made elegant all-white\n quilts or coverlets decorated entirely with such "stuffed-work" designs. In this example,\n the raised stuffed-work design enhances the colorful appliqué decoration\n and adds greatly to the ornamental quality of the quilt.\n '
+p23123
+sa(dp23124
+g18779
+S'Flora G. Guerra'
+p23125
+sg18781
+S'Friendship Quilt'
+p23126
+sg18783
+g27
+sa(dp23127
+g18779
+S'Florence Truelson'
+p23128
+sg18781
+S'Friendship Quilt'
+p23129
+sg18783
+g27
+sa(dp23130
+g18779
+S'Frank Maurer'
+p23131
+sg18781
+S'Pillow Top'
+p23132
+sg18783
+g27
+sa(dp23133
+g18779
+S'Florence Truelson'
+p23134
+sg18781
+S'Patchwork Quilt'
+p23135
+sg18783
+g27
+sa(dp23136
+g18779
+S'Deruta 16th Century'
+p23137
+sg18787
+S'tin-glazed earthenware (maiolica)'
+p23138
+sg18789
+S'c. 1500/1525'
+p23139
+sg18781
+S'Large dish with border of floral scrollwork with cornucopias and a crown; in the center, a griffin holding a shield of arms amid roses'
+p23140
+sg18783
+g27
+sa(dp23141
+g18779
+S'Lloyd Charles Lemcke'
+p23142
+sg18781
+S'Star Design Comforter'
+p23143
+sg18783
+g27
+sa(dp23144
+g18779
+S'Raymond Manupelli'
+p23145
+sg18781
+S'Black Lace Shawl'
+p23146
+sg18783
+g27
+sa(dp23147
+g18779
+S'Carl Buergerniss'
+p23148
+sg18781
+S'Black Lace'
+p23149
+sg18783
+g27
+sa(dp23150
+g18779
+S'Dorothy Dwin'
+p23151
+sg18781
+S'Runner'
+p23152
+sg18783
+g27
+sa(dp23153
+g18779
+S'Arthur G. Merkley'
+p23154
+sg18781
+S'Red and White Napkin'
+p23155
+sg18783
+g27
+sa(dp23156
+g18779
+S'Jessie M. Benge'
+p23157
+sg18781
+S'Bonnet'
+p23158
+sg18783
+g27
+sa(dp23159
+g18779
+S'Eva Wilson'
+p23160
+sg18781
+S'Mat'
+p23161
+sg18783
+g27
+sa(dp23162
+g18779
+S'Nancy Crimi'
+p23163
+sg18781
+S'Bonnet'
+p23164
+sg18783
+g27
+sa(dp23165
+g18779
+S'Lucille Lacoursiere'
+p23166
+sg18781
+S'Woven Coverlet'
+p23167
+sg18783
+g27
+sa(dp23168
+g18779
+S'Katherine Hastings'
+p23169
+sg18781
+S'Piece of a Coverlet - Cobalt Blue & Rose'
+p23170
+sg18783
+g27
+sa(dp23171
+g18781
+S'Large dish with border of floral scrollwork and cornucopias; in the center, profile bust of "Faustina"'
+p23172
+sg18779
+S'Deruta 16th Century'
+p23173
+sg18787
+S'overall (diameter): 41.2 cm (16 1/4 in.)'
+p23174
+sg18789
+S'\ntin-glazed earthenware (maiolica)'
+p23175
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00005/a0000509.jpg'
+p23176
+sg18783
+g27
+sa(dp23177
+g18779
+S'Katherine Hastings'
+p23178
+sg18781
+S'Coverlet'
+p23179
+sg18783
+g27
+sa(dp23180
+g18779
+S'Dorothy Posten'
+p23181
+sg18781
+S'Coverlet'
+p23182
+sg18783
+g27
+sa(dp23183
+g18779
+S'Katherine Hastings'
+p23184
+sg18781
+S'Coverlet'
+p23185
+sg18783
+g27
+sa(dp23186
+g18779
+S'Edward White'
+p23187
+sg18781
+S'Coverlet'
+p23188
+sg18783
+g27
+sa(dp23189
+g18779
+S'Byron Dingman'
+p23190
+sg18781
+S'Woven Textile'
+p23191
+sg18783
+g27
+sa(dp23192
+g18779
+S'Artist Information ('
+p23193
+sg18781
+S'Handwoven Table Cover'
+p23194
+sg18783
+g27
+sa(dp23195
+g18779
+S'Carmel Wilson'
+p23196
+sg18781
+S'Woven Coverlet'
+p23197
+sg18783
+g27
+sa(dp23198
+g18779
+S'Jean Gordon'
+p23199
+sg18781
+S'Hoop'
+p23200
+sg18783
+g27
+sa(dp23201
+g18779
+S'American 20th Century'
+p23202
+sg18781
+S'Shoe'
+p23203
+sg18783
+g27
+sa(dp23204
+g18779
+S'Alois E. Ulrich'
+p23205
+sg18781
+S'Woven Coverlet'
+p23206
+sg18783
+g27
+sa(dp23207
+g18781
+S'Large dish with segmental border of plant sprays and scale pattern; in the center, a profile bust of a woman in a winged headdress'
+p23208
+sg18779
+S'Deruta 16th Century'
+p23209
+sg18787
+S'overall (diameter): 41.3 cm (16 1/4 in.)'
+p23210
+sg18789
+S'\ntin-glazed earthenware (maiolica)'
+p23211
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00005/a000050a.jpg'
+p23212
+sg18783
+g27
+sa(dp23213
+g18779
+S'Elmer Weise'
+p23214
+sg18781
+S'Handwoven Tapestry Coverlet'
+p23215
+sg18783
+g27
+sa(dp23216
+g18779
+S'Melita Hofmann'
+p23217
+sg18781
+S'Black Leather Slipper'
+p23218
+sg18783
+g27
+sa(dp23219
+g18779
+S'Paul Kelly'
+p23220
+sg18781
+S'Jacquard Coverlet'
+p23221
+sg18783
+g27
+sa(dp23222
+g18779
+S'Edith Magnette'
+p23223
+sg18781
+S'Double Faced Blanket'
+p23224
+sg18783
+g27
+sa(dp23225
+g18779
+S'Edith Magnette'
+p23226
+sg18781
+S'Woven Coverlet'
+p23227
+sg18783
+g27
+sa(dp23228
+g18779
+S'Suzanne Roy'
+p23229
+sg18781
+S'Coverlet'
+p23230
+sg18783
+g27
+sa(dp23231
+g18779
+S'Charlotte Winter'
+p23232
+sg18781
+S'Coverlet'
+p23233
+sg18783
+g27
+sa(dp23234
+g18779
+S'Arthur G. Merkley'
+p23235
+sg18781
+S'Tyler Coverlet'
+p23236
+sg18783
+g27
+sa(dp23237
+g18779
+S'Arthur G. Merkley'
+p23238
+sg18781
+S'Tyler Coverlet'
+p23239
+sg18783
+g27
+sa(dp23240
+g18779
+S'Arthur G. Merkley'
+p23241
+sg18781
+S'Tyler Coverlet (Section)'
+p23242
+sg18783
+g27
+sa(dp23243
+g18779
+S'Deruta 16th Century'
+p23244
+sg18787
+S'overall (diameter): 41 cm (16 1/8 in.)'
+p23245
+sg18789
+S'\ntin-glazed earthenware (maiolica)'
+p23246
+sg18781
+S'Large dish with segmental border of half plant sprays and scale pattern; in the center, profile bust of a woman'
+p23247
+sg18783
+g27
+sa(dp23248
+g18779
+S'Arthur G. Merkley'
+p23249
+sg18781
+S'Tyler Coverlet'
+p23250
+sg18783
+g27
+sa(dp23251
+g18779
+S'Arthur G. Merkley'
+p23252
+sg18781
+S'Tyler Coverlet'
+p23253
+sg18783
+g27
+sa(dp23254
+g18779
+S'Harry Jennings'
+p23255
+sg18781
+S'Coverlet'
+p23256
+sg18783
+g27
+sa(dp23257
+g18779
+S'Helen Bronson'
+p23258
+sg18781
+S'Woven Coverlet'
+p23259
+sg18783
+g27
+sa(dp23260
+g18779
+S'Theodore Pfitzer'
+p23261
+sg18781
+S'Woven Coverlet'
+p23262
+sg18783
+g27
+sa(dp23263
+g18779
+S'Therkel Anderson'
+p23264
+sg18781
+S'Coverlet'
+p23265
+sg18783
+g27
+sa(dp23266
+g18779
+S'J. Howard Iams'
+p23267
+sg18781
+S'Coverlet'
+p23268
+sg18783
+g27
+sa(dp23269
+g18779
+S'Byron Dingman'
+p23270
+sg18781
+S'Coverlet, "Boston Town"'
+p23271
+sg18783
+g27
+sa(dp23272
+g18779
+S'Ralph Atkinson'
+p23273
+sg18781
+S'Coverlet'
+p23274
+sg18783
+g27
+sa(dp23275
+g18779
+S'Charlotte Angus'
+p23276
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00002/a00002f0.jpg'
+p23277
+sg18781
+S'Woven Coverlet'
+p23278
+sg18783
+S'The most colorful and complex of the woven coverlets were those made on looms equipped with a Jacquard attachment. This device, invented in France by Joseph Jacquard in 1801, contained a series of pattern cards, punched through with holes through \n which the threads were guided. Mounted on an existing loom in place of the conventional heddles, this mechanism allowed each thread in the warp to be separately controlled, thus making possible an almost unlimited range of patterns and variations \n in design. The Jacquard attachment was introduced in America in the 1820s, resulting in the production of innumerable elaborately patterned coverlets. Here is a detail of a Jacquard coverlet made in Bucks County, Pennsylvania. While patriotic symbols, \n such as the American eagle, were frequently featured in Jacquard designs, this coverlet retains traditional Pennsylvania German motifs in its stylized tulips, roosters, and stars. Woven inscriptions often appear at the corners of Jacquard coverlets. \n Here the weaver has followed the common practice of including his own name and that of the owner, the date, and the name of the county.\n '
+p23279
+sa(dp23280
+g18781
+S'Large dish with scale border; in the center, the Madonna and Child'
+p23281
+sg18779
+S'Deruta 16th Century'
+p23282
+sg18787
+S'overall (diameter): 45.5 cm (17 15/16 in.)'
+p23283
+sg18789
+S'\ntin-glazed earthenware (maiolica)'
+p23284
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00005/a000050b.jpg'
+p23285
+sg18783
+g27
+sa(dp23286
+g18779
+S'Byron Dingman'
+p23287
+sg18781
+S'Coverlet'
+p23288
+sg18783
+g27
+sa(dp23289
+g18779
+S'Eva Wilson'
+p23290
+sg18781
+S'Coverlet'
+p23291
+sg18783
+g27
+sa(dp23292
+g18779
+S'Esther Hansen'
+p23293
+sg18781
+S'Textile of George Washington'
+p23294
+sg18783
+g27
+sa(dp23295
+g18779
+S'Betty Jacob'
+p23296
+sg18781
+S'Coverlet'
+p23297
+sg18783
+g27
+sa(dp23298
+g18779
+S'Melita Hofmann'
+p23299
+sg18781
+S'Slipper'
+p23300
+sg18783
+g27
+sa(dp23301
+g18779
+S'Alice Braun'
+p23302
+sg18781
+S'Carpet Sample'
+p23303
+sg18783
+g27
+sa(dp23304
+g18779
+S'Clyde L. Cheney'
+p23305
+sg18781
+S'Rag Carpet'
+p23306
+sg18783
+g27
+sa(dp23307
+g18779
+S'Frank J. Mace'
+p23308
+sg18781
+S'Woven Rag Carpet'
+p23309
+sg18783
+g27
+sa(dp23310
+g18779
+S'Edward Kibbee'
+p23311
+sg18781
+S'Printed Textile'
+p23312
+sg18783
+g27
+sa(dp23313
+g18779
+S'Edward Kibbee'
+p23314
+sg18781
+S'Printed Bedspread'
+p23315
+sg18783
+g27
+sa(dp23316
+g18781
+S'Small flat plate with border of cornucopias, scrollwork, and lozenges in four sections; in the center, a bust of Saint Paul with raised sword'
+p23317
+sg18779
+S'Artist Information ('
+p23318
+sg18787
+S'Italian, c. 1465/1470 - c. 1553'
+p23319
+sg18789
+S'(related artist)'
+p23320
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00005/a0000506.jpg'
+p23321
+sg18783
+g27
+sa(dp23322
+g18779
+S'A. Zimet'
+p23323
+sg18781
+S'Patchwork Quilt'
+p23324
+sg18783
+g27
+sa(dp23325
+g18779
+S'Esther Hansen'
+p23326
+sg18781
+S'Historical Printed Textile'
+p23327
+sg18783
+g27
+sa(dp23328
+g18779
+S'Michael Trekur'
+p23329
+sg18781
+S'Printed Textile: Genre Scene'
+p23330
+sg18783
+g27
+sa(dp23331
+g18779
+S'Sylvia De Zon'
+p23332
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00002/a00002c6.jpg'
+p23333
+sg18781
+S'Chintz'
+p23334
+sg18783
+S'Reflecting the English and European fashions during the eighteenth century, printed\n cottons of all types were in great demand in America. Most printed textiles of the time\n were imported from England, since laws prohibited the manufacture and printing of\n fabrics in the colonies. By the middle of the eighteenth century, however, the colonists\n were defying the English bans, and cottons and linens were being printed openly by\n shops in New England and in the mid-Atlantic colonies. Early printed textiles, like this\n example, received their patterns through a technique of printing with wood blocks.\n A design was cut in high relief on a block of wood. Colored dyes were applied to the\n relief design, which was then stamped on the fabric, thus transferring the pattern.\n Along with historical scenes based upon American figures and events, floral patterns\n were popular. In this late eighteenth-century American printed cotton, the lavish pattern\n of brightly colored flowers recalls the elaborate designs of Indian fabrics and of their\n European counterparts.\n '
+p23335
+sa(dp23336
+g18779
+S'Dorothy Dwin'
+p23337
+sg18781
+S'Historical Printed Textile'
+p23338
+sg18783
+g27
+sa(dp23339
+g18779
+S'Charlotte Winter'
+p23340
+sg18781
+S'Printed Cotton'
+p23341
+sg18783
+g27
+sa(dp23342
+g18779
+S'Ernest Capaldo'
+p23343
+sg18781
+S'Historical Printed Textile'
+p23344
+sg18783
+g27
+sa(dp23345
+g18779
+S'Dorothy Dwin'
+p23346
+sg18781
+S'Printed Textile'
+p23347
+sg18783
+g27
+sa(dp23348
+g18779
+S'Catherine Fowler'
+p23349
+sg18781
+S'Printed Cotton'
+p23350
+sg18783
+g27
+sa(dp23351
+g18779
+S'Arlene Perkins'
+p23352
+sg18781
+S'Bedspread'
+p23353
+sg18783
+g27
+sa(dp23354
+g18781
+S'Plate with border of rounded hills within pointed arches with flowers between them; in the center, a wading bird between stylized plants'
+p23355
+sg18779
+S'Artist Information ('
+p23356
+sg18787
+g27
+sg18789
+S'(ceramist)'
+p23357
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00005/a000050c.jpg'
+p23358
+sg18783
+g27
+sa(dp23359
+g18779
+S'Ernest Capaldo'
+p23360
+sg18781
+S'Printed Textile'
+p23361
+sg18783
+g27
+sa(dp23362
+g18779
+S'Ernest Capaldo'
+p23363
+sg18781
+S'Printed Cotton'
+p23364
+sg18783
+g27
+sa(dp23365
+g18779
+S'Angelo Bulone'
+p23366
+sg18781
+S'Textile (State Emblems)'
+p23367
+sg18783
+g27
+sa(dp23368
+g18779
+S'Frances Lichten'
+p23369
+sg18781
+S'Patchwork Bedspread Material'
+p23370
+sg18783
+g27
+sa(dp23371
+g18779
+S'Frances Lichten'
+p23372
+sg18781
+S'Patchwork Bedspread'
+p23373
+sg18783
+g27
+sa(dp23374
+g18779
+S'H. Langden Brown'
+p23375
+sg18781
+S'Centennial Textile - Flag'
+p23376
+sg18783
+g27
+sa(dp23377
+g18779
+S'Marie Alain'
+p23378
+sg18781
+S'Nightcap'
+p23379
+sg18783
+g27
+sa(dp23380
+g18779
+S'Lillian Causey'
+p23381
+sg18781
+S'Sleighing Bonnet'
+p23382
+sg18783
+g27
+sa(dp23383
+g18779
+S'Stella Mosher'
+p23384
+sg18781
+S'Bonnet'
+p23385
+sg18783
+g27
+sa(dp23386
+g18779
+S'Stella Mosher'
+p23387
+sg18781
+S'Bonnet'
+p23388
+sg18783
+g27
+sa(dp23389
+g18781
+S'Plate with running plant border and geometric panels on well; in the center, profile bust of a man in armor'
+p23390
+sg18779
+S'Artist Information ('
+p23391
+sg18787
+g27
+sg18789
+S'(ceramist)'
+p23392
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00005/a000050e.jpg'
+p23393
+sg18783
+g27
+sa(dp23394
+g18779
+S'Beverly Chichester'
+p23395
+sg18781
+S'Hat Model'
+p23396
+sg18783
+g27
+sa(dp23397
+g18779
+S'Wilbur M Rice'
+p23398
+sg18781
+S'Horseshoe Bonnet'
+p23399
+sg18783
+g27
+sa(dp23400
+g18779
+S'Florence Earl'
+p23401
+sg18781
+S'Bonnet'
+p23402
+sg18783
+g27
+sa(dp23403
+g18779
+S'Henry De Wolfe'
+p23404
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00003/a0000339.jpg'
+p23405
+sg18781
+S'Lace and Straw Bonnet'
+p23406
+sg18783
+S"The style of women's hats is another fashion that changed about the time of \n the Civil War. The earlier bonnet that covered the hair and shielded the face \n gave way to small, elaborately trimmed hats with veils.\n This straw hat with a black veil is dated about 1865. The bowed ribbon, seen behind \n the veil, was tied under the woman's chin to hold the hat in place. A knitted \n hemp scarf with fringed ends is wound around the center crown and falls over the \n rim at the back.\n "
+p23407
+sa(dp23408
+g18779
+S'Nancy Crimi'
+p23409
+sg18781
+S'Bonnet'
+p23410
+sg18783
+g27
+sa(dp23411
+g18779
+S'Gwyneth King'
+p23412
+sg18781
+S'Bonnet'
+p23413
+sg18783
+g27
+sa(dp23414
+g18779
+S'Marie Alain'
+p23415
+sg18781
+S'Collar'
+p23416
+sg18783
+g27
+sa(dp23417
+g18779
+S'Andrew Topolosky'
+p23418
+sg18781
+S'Collar'
+p23419
+sg18783
+g27
+sa(dp23420
+g18779
+S'Paul Ward'
+p23421
+sg18781
+S'Nightgown'
+p23422
+sg18783
+g27
+sa(dp23423
+g18779
+S'Jean Gordon'
+p23424
+sg18781
+S'Brocade Shoes'
+p23425
+sg18783
+g27
+sa(dp23426
+g18781
+S'Broad-rimmed bowl with palmette and cornucopia border; in the center, shield of arms of the Saracinelli of Orvieto'
+p23427
+sg18779
+S'Artist Information ('
+p23428
+sg18787
+S'Italian, c. 1465/1470 - c. 1553'
+p23429
+sg18789
+S'(related artist)'
+p23430
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00004/a00004f6.jpg'
+p23431
+sg18783
+g27
+sa(dp23432
+g18779
+S'Mae Szilvasy'
+p23433
+sg18781
+S'Wrapper'
+p23434
+sg18783
+g27
+sa(dp23435
+g18779
+S'Marie Alain'
+p23436
+sg18781
+S'Quaker Cape'
+p23437
+sg18783
+g27
+sa(dp23438
+g18779
+S'Rex F. Bush'
+p23439
+sg18781
+S'Silk Apron'
+p23440
+sg18783
+g27
+sa(dp23441
+g18779
+S'Erwin Schwabe'
+p23442
+sg18781
+S'Silk Apron'
+p23443
+sg18783
+g27
+sa(dp23444
+g18779
+S'Douglas Campbell'
+p23445
+sg18781
+S'Gown'
+p23446
+sg18783
+g27
+sa(dp23447
+g18779
+S'Douglas Campbell'
+p23448
+sg18781
+S'Gown'
+p23449
+sg18783
+g27
+sa(dp23450
+g18779
+S'Lillian Causey'
+p23451
+sg18781
+S'Gown'
+p23452
+sg18783
+g27
+sa(dp23453
+g18779
+S'Douglas Campbell'
+p23454
+sg18781
+S'Gown, Coat, and Muff'
+p23455
+sg18783
+g27
+sa(dp23456
+g18779
+S'Nancy Crimi'
+p23457
+sg18781
+S"Man's Shoe"
+p23458
+sg18783
+g27
+sa(dp23459
+g18779
+S'Lillian Causey'
+p23460
+sg18781
+S'Dressing Gown'
+p23461
+sg18783
+g27
+sa(dp23462
+g18781
+S'Shallow bowl with Hercules overcoming Antaeus'
+p23463
+sg18779
+S'Artist Information ('
+p23464
+sg18787
+S'Italian, c. 1465/1470 - c. 1553'
+p23465
+sg18789
+S'(related artist)'
+p23466
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00004/a00004f7.jpg'
+p23467
+sg18783
+g27
+sa(dp23468
+g18779
+S'Marie Alain'
+p23469
+sg18781
+S'Dress'
+p23470
+sg18783
+g27
+sa(dp23471
+g18779
+S'Marie Alain'
+p23472
+sg18781
+S'Dress'
+p23473
+sg18783
+g27
+sa(dp23474
+g18779
+S'Betty Fuerst'
+p23475
+sg18781
+S'Dress'
+p23476
+sg18783
+g27
+sa(dp23477
+g18779
+S'Julie C. Brush'
+p23478
+sg18781
+S'Dress'
+p23479
+sg18783
+g27
+sa(dp23480
+g18779
+S'Erwin Schwabe'
+p23481
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00003/a0000356.jpg'
+p23482
+sg18781
+S'Dress'
+p23483
+sg18783
+S"A dramatic change in fashion away from extravagance and formality began to \n emerge in women's clothes during the last decades of the eighteenth century. \n Influenced by a resurgent interest in classical culture, owing to the archeological \n excavations of Pompii and Herculaneum earlier in the century, a neoclassical \n style of clothing came into vogue. More loosely structured dresses made from \n lightweight fabrics appeared in the 1770s and remained popular throughout the \n first two decades of the nineteenth century. Frequently these dresses featured \n a high-waisted bodice that was gathered and adjusted by means of a drawstring. \n The example shown here, dated about 1822, consists of a satin underdress and an \n embroidered gauze or net overdress.\n "
+p23484
+sa(dp23485
+g18779
+S'Julie C. Brush'
+p23486
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00003/a0000350.jpg'
+p23487
+sg18781
+S'Dress'
+p23488
+sg18783
+S'In the eighteenth century, elegant dresses were created with elaborately patterned \n fabrics, lace trim, and ruffles. Costume accessories and hair styles were equally \n elaborate, modeled on the fashions of women in the French court. French fashion \n exerted strong influence on English fashions, which were enthusiastically adopted \n by colonial gentlewomen.\n This dress is made from a silk fabric known as "spitalfields," from an area in \n London where designers and weavers produced silks in a great variety of handsome \n patterns. Spitalfields fabrics can be dated quite precisely because of surviving \n records of the weaving designs. This dress can be dated around 1740, since the \n fabric was most likely woven in that year.\n '
+p23489
+sa(dp23490
+g18779
+S'Julie C. Brush'
+p23491
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00003/a0000330.jpg'
+p23492
+sg18781
+S'House Dress'
+p23493
+sg18783
+S'Multicolored printed cotton or linen fabrics were fashionable in Europe as \n early as the seventeenth century, when trade with the East began to flourish. \n Later, English and French textile manufacturers began to produce their own \n versions to compete with imported materials. By the beginning of the nineteenth \n century, American textile manufacturers were producing inexpensive printed \n fabrics because of the availability of cheap cotton and the introduction of \n mechanical spinning machines.\n This "house dress," from about 1835 or 1836, is made of a printed cotton fabric. \n The sleeves, between the forearm and shoulder, required a special down-filled \n padding to support their large balloon shape. The skirt was extended outward by \n layers of petticoats.\n '
+p23494
+sa(dp23495
+g18779
+S'Julie C. Brush'
+p23496
+sg18781
+S'Dress'
+p23497
+sg18783
+g27
+sa(dp23498
+g18779
+S'Hedwig Emanuel'
+p23499
+sg18781
+S'Dress'
+p23500
+sg18783
+g27
+sa(dp23501
+g18779
+S'Henry De Wolfe'
+p23502
+sg18781
+S'Dress'
+p23503
+sg18783
+g27
+sa(dp23504
+g18781
+S'Plate with border of foliate scrollwork; in the center, shield of arms of Vigerio of Savona'
+p23505
+sg18779
+S'Artist Information ('
+p23506
+sg18787
+S'Italian, c. 1465/1470 - c. 1553'
+p23507
+sg18789
+S'(related artist)'
+p23508
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00055/a00055e9.jpg'
+p23509
+sg18783
+g27
+sa(dp23510
+g18779
+S'Nancy Crimi'
+p23511
+sg18781
+S'Dress'
+p23512
+sg18783
+g27
+sa(dp23513
+g18779
+S'Nancy Crimi'
+p23514
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00003/a000035a.jpg'
+p23515
+sg18781
+S'Afternoon Dress'
+p23516
+sg18783
+S'Women\'s fashions changed somewhat about the time of the Civil War. Most noticeable \n is the transition in the shape of the skirt from the full circular style to one \n in which the fullness is at the back.\n This two-piece, red silk "afternoon" dress has a cage-type skirt hoop to emphasize \n the fullness behind and includes a train at the floor to carry out the effect. \n Double sleeves were popular in the 1850s and 1860s; the idea was adapted from \n men\'s fashions where the shirt cuffs protruded beyond the sleeves of the jacket. \n Here the undersleeve, or "engageant," is of lace.\n '
+p23517
+sa(dp23518
+g18779
+S'Virginia Berge'
+p23519
+sg18781
+S'Dress'
+p23520
+sg18783
+g27
+sa(dp23521
+g18779
+S'J. Howard Iams'
+p23522
+sg18781
+S'Dress'
+p23523
+sg18783
+g27
+sa(dp23524
+g18779
+S'Charles Bowman'
+p23525
+sg18781
+S"Man's Vest"
+p23526
+sg18783
+g27
+sa(dp23527
+g18779
+S'Lillian Causey'
+p23528
+sg18781
+S"Child's Coat"
+p23529
+sg18783
+g27
+sa(dp23530
+g18779
+S'Douglas Campbell'
+p23531
+sg18781
+S"Boy's Jacket"
+p23532
+sg18783
+g27
+sa(dp23533
+g18779
+S'Marie Famularo'
+p23534
+sg18781
+S"Infant's Dress"
+p23535
+sg18783
+g27
+sa(dp23536
+g18779
+S'Max Fernekes'
+p23537
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00055/a000553a.jpg'
+p23538
+sg18781
+S"Challis Girl's Dress"
+p23539
+sg18783
+g27
+sa(dp23540
+g18779
+S'Cecil Smith'
+p23541
+sg18781
+S'Silver Dollar Spurs'
+p23542
+sg18783
+g27
+sa(dp23543
+g18781
+S'Plate with border of foliate scrollwork with dolphin heads and cornucopias; in the center, shield of arms of Vigerio of Savona'
+p23544
+sg18779
+S'Artist Information ('
+p23545
+sg18787
+S'Italian, c. 1465/1470 - c. 1553'
+p23546
+sg18789
+S'(related artist)'
+p23547
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00004/a00004f8.jpg'
+p23548
+sg18783
+g27
+sa(dp23549
+g18779
+S'Frank M. Keane'
+p23550
+sg18791
+S'http://www.nga.gov:80/thumb-l/a000f8/a000f8ff.jpg'
+p23551
+sg18781
+S'Uniform Accessories'
+p23552
+sg18783
+g27
+sa(dp23553
+g18779
+S'Frank McEntee'
+p23554
+sg18781
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+S'Italian, c. 1465/1470 - c. 1553'
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+S'Crewel Embroidery for Chair Seat'
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+S'Helen E. Gilman'
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+S'Crewel Embroidery (Border)'
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+S'Mildred E. Bent'
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+S'Crewel Embroidery for Table'
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+S'Charlotte Winter'
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+S'Bedspread'
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+S'Mae A. Clarke'
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+S'Plate with border of palmettes and scrollwork; in the center, a shield of arms and the initials A.F.'
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+S'Artist Information ('
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+S'Italian, c. 1465/1470 - c. 1553'
+p23656
+sg18789
+S'(related artist)'
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+S'http://www.nga.gov:80/thumb-l/a00004/a00004f9.jpg'
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+S'Jenny Almgren'
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+sg18781
+S'Embroidered Cotton Blanket'
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+S'J. Howard Iams'
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+S'Afghan Carriage Robe'
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+S'Maud M. Holme'
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+S'Douglas Campbell'
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+sg18781
+S'Pieced Quilt'
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+S'Wheel of Fortune Quilt'
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+S'Edith Magnette'
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+sg18781
+S'Crazy Quilt'
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+S'Plate with Venus in her chariot and Cupid, riding through a night sky'
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+S'Artist Information ('
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+sg18787
+S'(ceramist)'
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+sg18789
+S'\n'
+p23693
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00005/a000051d.jpg'
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+sg18783
+S'\r\n Potters in several Italian cities, including Urbino, Deruta, and Gubbio, specialized in brilliantly colored tin-glazed earthenware, a luxury ceramic often embellished with metallic luster glazes. Some depicted portraits or family crests, but many were decorated with elaborate narrative scenes from the Bible or ancient mythology. These wares are known as maiolica, probably because the techniques for making them entered Italy from Spain by way of Majorca.\r\n\n '
+p23695
+sa(dp23696
+g18779
+S'Edith Magnette'
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+sg18781
+S'Crazy Quilt'
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+S'Edith Magnette'
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+S'Margaret Concha'
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+S'Applique Quilt'
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+sa(dp23705
+g18779
+S'Charlotte Winter'
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+sg18791
+S'http://www.nga.gov:80/thumb-l/a00002/a00002bc.jpg'
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+sg18781
+S'Crazy Quilt'
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+S'Patchwork quilts put together in random fashion are called "crazy quilts."\n The crazy quilt is the oldest form of American patchwork and evolved from the\n necessity for using every scrap of material. By the late eighteenth century, pieced\n quilts in geometric patterns had replaced crazy quilts; quilts displaying irregular patterns\n became popular again after the middle of the nineteenth century, when they were used\n as ornamental throws on couches in fashionable parlors. The crazy quilts of the late\n nineteenth century, unlike earlier quilts, generally included scraps of silk, satin, or velvet\n in addition to the customary cotton patches. The luxurious quality of the fabrics was\n emphasized by the manner in which the oddly shaped patches were pieced together.\n Unlike their earlier counterparts, the seams were sewn in elaborate embroidery stitches.\n This crazy quilt combines a variety of ornate and colorful fabrics joined by embroidery in\n contrasting hues. Additional ornamentation is provided by designs embroidered on the\n individual patches. Supplementary needlework of this kind became fashionable shortly\n before 1850 and soon became a common method of heightening the ornamental\n quality of quilts.\n '
+p23709
+sa(dp23710
+g18779
+S'Melita Hofmann'
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+S'Slippers'
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+S'Margaret Concha'
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+S'Applique and Embroidered Coverlet'
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+S'A. Zimet'
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+S'Applique and Patchwork Quilt'
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+S'Katherine Hastings'
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+S'Quilt'
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+S'Katherine Hastings'
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+S'Feathered Star Quilt'
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+S'Katherine Hastings'
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+S'Quilt'
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+g27
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+S'Plate with Hero leaping to her death from her tower and the drowned Leander; in the center, a shield of arms'
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+sg18779
+S'Artist Information ('
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+sg18787
+S'(ceramist)'
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+sg18789
+S'\n'
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+S'http://www.nga.gov:80/thumb-l/a00005/a0000515.jpg'
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+S'Dorothy Posten'
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+S'Applique Quilt'
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+S'Dorothy Posten'
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+S'Applique Quilt'
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+S'Ralph Atkinson'
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+S'Quilt'
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+sg18783
+g27
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+S'Katherine Hastings'
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+S'Patchwork Quilt'
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+S'Katherine Hastings'
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+S'Quilt'
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+S'J. Howard Iams'
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+S'Dorothy Posten'
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+S'Dorothy Posten'
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+S'Charles Moss'
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+S'Eva Wilson'
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+S'Quilt'
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+S'Shallow bowl on low foot with the death of Laoco\xc3\xb6n and his two sons'
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+sg18787
+S'(ceramist)'
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+sg18789
+S'\n'
+p23768
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+S'http://www.nga.gov:80/thumb-l/a00005/a0000525.jpg'
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+S'Dorothy Posten'
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+S'Dorothy Posten'
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+sg18781
+S'Circus Pony Robe'
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+sg18783
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+sa(dp23785
+g18779
+S'Helen Balfour'
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+S'Black Lace'
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+S'Henry Granet'
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+S'Bedspread'
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+S'Edith Magnette'
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+S'Quilt'
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+sg18783
+g27
+sa(dp23794
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+S'A. Zimet'
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+sg18781
+S'Quilted Coverlet'
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+sg18783
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+sa(dp23797
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+S'A. Zimet'
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+S'Bedspread'
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+S'Artist Information ('
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+sg18787
+g27
+sg18789
+S'(ceramist)'
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+sg18781
+S'Plate with Jupiter, Juno and Io transformed into a cow'
+p23803
+sg18783
+g27
+sa(dp23804
+g18779
+S'Sylvia De Zon'
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+sg18781
+S'Stuffed Quilt'
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+sg18783
+g27
+sa(dp23807
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+S'Katherine Hastings'
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+sg18781
+S'Linen Towel - Flower Design'
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+S'Eva Wilson'
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+sg18781
+S'Linen Table Cloth'
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+sg18783
+g27
+sa(dp23813
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+S'John Thorsen'
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+S'U.S. Grant Coverlet'
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+S'Edith Magnette'
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+S'Woven Coverlet'
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+S'Helen Balfour'
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+S'Coverlet'
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+S'Mary Berner'
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+S'Woven Jacquard Coverlet'
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+sg18783
+g27
+sa(dp23825
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+S'Artist Information ('
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+sg18781
+S'Star of Bethlehem Quilt'
+p23827
+sg18783
+g27
+sa(dp23828
+g18779
+S'Charlotte Winter'
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+S'Bedspread'
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+sg18783
+g27
+sa(dp23831
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+S'Arthur G. Merkley'
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+sg18791
+S'http://www.nga.gov:80/thumb-l/a00004/a0000437.jpg'
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+sg18781
+S'Tyler Coverlet'
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+sg18783
+g27
+sa(dp23835
+g18781
+S'The Adoration of the Magi'
+p23836
+sg18779
+S'Giovanni di Paolo'
+p23837
+sg18787
+S'tempera on panel'
+p23838
+sg18789
+S'c. 1450'
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+S'http://www.nga.gov:80/thumb-l/a00008/a0000812.jpg'
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+g27
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+S'Artist Information ('
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+sg18787
+S'Italian, c. 1465/1470 - c. 1553'
+p23843
+sg18789
+S'(related artist)'
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+sg18781
+S'Shallow bowl on low foot with the muse Clio riding on a swan through a watery landscape'
+p23845
+sg18783
+g27
+sa(dp23846
+g18779
+S'John Wilkes'
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+sg18781
+S'Commemorative Coverlet'
+p23848
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+g18779
+S'J. Howard Iams'
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+S'Coverlet'
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+sa(dp23852
+g18779
+S'Albert Eyth'
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+S'Coverlet'
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+sg18783
+g27
+sa(dp23855
+g18779
+S'J. Howard Iams'
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+S'Coverlet (U.S. Seal)'
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+S'Dorothy Posten'
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+S'Woven Coverlet'
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+S'J. Howard Iams'
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+S'Woven Coverlet'
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+S'Eva Wilson'
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+S'Coverlet (Plaid)'
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+sg18783
+g27
+sa(dp23867
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+S'Margaret Concha'
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+S"Woman's Shoes"
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+sg18783
+g27
+sa(dp23870
+g18779
+S'Ralph Atkinson'
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+S'Woven Coverlet'
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+sg18783
+g27
+sa(dp23873
+g18779
+S'Cornelius Christoffels'
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+sg18781
+S'Coverlet'
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+sg18783
+g27
+sa(dp23876
+g18781
+S'Panel with the Adoration of the Magi'
+p23877
+sg18779
+S'Nicola da Urbino'
+p23878
+sg18787
+S', c. 1525'
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+sg18789
+S'\n'
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+sg18791
+S'http://www.nga.gov:80/thumb-l/a00005/a000051e.jpg'
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+sa(dp23882
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+S'American 20th Century'
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+S'Hat'
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+sg18783
+g27
+sa(dp23885
+g18779
+S'Tabea Hosier'
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+S'Silk Gown'
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+sg18783
+g27
+sa(dp23888
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+S'Rosalia Lane'
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+S"Woman's Dress"
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+sg18783
+g27
+sa(dp23891
+g18779
+S'Dorothy Posten'
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+S'Ingrain Carpet'
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+sg18783
+g27
+sa(dp23894
+g18779
+S'Robert Stewart'
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+sg18781
+S'Ingrain Carpet'
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+sg18783
+g27
+sa(dp23897
+g18779
+S'Raymond Manupelli'
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+sg18781
+S'Chintz'
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+sg18783
+g27
+sa(dp23900
+g18779
+S'Paul Ward'
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+sg18781
+S'Quilt'
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+sg18783
+g27
+sa(dp23903
+g18779
+S'Jean Peszel'
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+sg18781
+S'Dress'
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+sg18783
+g27
+sa(dp23906
+g18779
+S'Mary Berner'
+p23907
+sg18781
+S'Printed Textile'
+p23908
+sg18783
+g27
+sa(dp23909
+g18779
+S'Daniel Fletcher'
+p23910
+sg18781
+S'Chintz Square'
+p23911
+sg18783
+g27
+sa(dp23912
+g18781
+S'Circular plaque with fruited wreath enclosing a shield of arms'
+p23913
+sg18779
+S'Faentine 16th Century'
+p23914
+sg18787
+S'tin-glazed earthenware (maiolica)'
+p23915
+sg18789
+S'1532'
+p23916
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00004/a00004fc.jpg'
+p23917
+sg18783
+g27
+sa(dp23918
+g18779
+S'Julius Mihalik'
+p23919
+sg18781
+S'Chintz Bedspread'
+p23920
+sg18783
+g27
+sa(dp23921
+g18779
+S'Eleanor Ruelos'
+p23922
+sg18781
+S'Dress'
+p23923
+sg18783
+g27
+sa(dp23924
+g18779
+S'Albert Eyth'
+p23925
+sg18781
+S'Table Cover (Chenille)'
+p23926
+sg18783
+g27
+sa(dp23927
+g18779
+S'Ralph Atkinson'
+p23928
+sg18781
+S'Quilt (Flowers in Circle)'
+p23929
+sg18783
+g27
+sa(dp23930
+g18779
+S'Michael Trekur'
+p23931
+sg18781
+S'George Washington Banner'
+p23932
+sg18783
+g27
+sa(dp23933
+g18779
+S'Artist Information ('
+p23934
+sg18781
+S'Veil'
+p23935
+sg18783
+g27
+sa(dp23936
+g18779
+S'Russell Madole'
+p23937
+sg18781
+S'Collar'
+p23938
+sg18783
+g27
+sa(dp23939
+g18779
+S'Eva Wilson'
+p23940
+sg18781
+S'Shawl (Plaid)'
+p23941
+sg18783
+g27
+sa(dp23942
+g18779
+S'Edith Magnette'
+p23943
+sg18781
+S'Sewing Apron'
+p23944
+sg18783
+g27
+sa(dp23945
+g18779
+S'Marie Mitchell'
+p23946
+sg18781
+S'Riding Habit'
+p23947
+sg18783
+g27
+sa(dp23948
+g18781
+S'Broad-rimmed bowl with border of dolphins and "delphigriffs"; in the center, head of a young man'
+p23949
+sg18779
+S'Urbino district 16th Century'
+p23950
+sg18787
+S'tin-glazed earthenware (maiolica)'
+p23951
+sg18789
+S'c. 1520/1530'
+p23952
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00005/a0000519.jpg'
+p23953
+sg18783
+g27
+sa(dp23954
+g18779
+S'Julie C. Brush'
+p23955
+sg18781
+S'Dress'
+p23956
+sg18783
+g27
+sa(dp23957
+g18779
+S'Gwyneth King'
+p23958
+sg18781
+S'Dress'
+p23959
+sg18783
+g27
+sa(dp23960
+g18779
+S'Mina Lowry'
+p23961
+sg18781
+S'Dress'
+p23962
+sg18783
+g27
+sa(dp23963
+g18779
+S'Angelo Bulone'
+p23964
+sg18781
+S'Brocade Kerchief'
+p23965
+sg18783
+g27
+sa(dp23966
+g18779
+S'Cornelius Christoffels'
+p23967
+sg18781
+S'Coverlet (Section)'
+p23968
+sg18783
+g27
+sa(dp23969
+g18779
+S'Dorothy Lacey'
+p23970
+sg18781
+S'Woven Coverlet'
+p23971
+sg18783
+g27
+sa(dp23972
+g18779
+S'Cornelius Christoffels'
+p23973
+sg18781
+S'Coverlet (Section)'
+p23974
+sg18783
+g27
+sa(dp23975
+g18779
+S'Cornelius Christoffels'
+p23976
+sg18781
+S'Coverlet (Section)'
+p23977
+sg18783
+g27
+sa(dp23978
+g18779
+S'Artist Information ('
+p23979
+sg18781
+S'Coverlet'
+p23980
+sg18783
+g27
+sa(dp23981
+g18779
+S'Margaret Linsley'
+p23982
+sg18781
+S'Woven Coverlet'
+p23983
+sg18783
+g27
+sa(dp23984
+g18781
+S"Broad-rimmed bowl with border of urns and cherubs' heads; in the center, device of a bird standing on a bundle with the inscription VINCENZO"
+p23985
+sg18779
+S'Urbino district 16th Century'
+p23986
+sg18787
+S'overall (diameter): 24.1 cm (9 1/2 in.)'
+p23987
+sg18789
+S'\ntin-glazed earthenware (maiolica)'
+p23988
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00005/a000051a.jpg'
+p23989
+sg18783
+g27
+sa(dp23990
+g18779
+S'Joseph Goldberg'
+p23991
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00003/a000037b.jpg'
+p23992
+sg18781
+S'Linen Bag'
+p23993
+sg18783
+S'Weaving was a craft assigned to Shaker women, known as "sisters." They produced\n a variety of fabrics such as woolens, cottons, linens, and silk. Although made primarily\n for use within the community, Shaker fabrics were sold to the outside world as well.\n Shakers usually shunned decorative designs, but they were not opposed to the restrained \n geometric patterns that were readily produced on the loom. By incorporating three \n colors -- blue, tan, and white in these pieces -- designs could be woven that expressed \n the Shaker appreciation for pattern and color.\n '
+p23994
+sa(dp23995
+g18779
+S'Joseph Goldberg'
+p23996
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00003/a000037c.jpg'
+p23997
+sg18781
+S'Linen'
+p23998
+sg18783
+g27
+sa(dp23999
+g18779
+S'George Constantine'
+p24000
+sg18781
+S'Shaker Linen'
+p24001
+sg18783
+g27
+sa(dp24002
+g18779
+S'American 20th Century'
+p24003
+sg18781
+S'Handkerchief'
+p24004
+sg18783
+g27
+sa(dp24005
+g18779
+S'Irene Lawson'
+p24006
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00003/a0000358.jpg'
+p24007
+sg18781
+S'"Poke" Bonnet'
+p24008
+sg18783
+S'This is called a "Poke" bonnet. The word "poke" refers to the fact that there \n is room at the back for the hair to be poked up inside the bonnet so that the \n hairdo was completely covered.\n Dated from the 1840s, the bonnet is Victorian in style. The Victorian Age corresponds \n to the reign of England\'s Queen Victoria. Victorianism, in general, fostered \n certain attitudes about respectability, particularly with regard to the behavior \n of women. This bonnet, fitting down over the sides of the face, was intended to \n shield the wearer from the gaze of strangers.\n '
+p24009
+sa(dp24010
+g18779
+S'Martha Elliot'
+p24011
+sg18781
+S'Bed Hanging'
+p24012
+sg18783
+g27
+sa(dp24013
+g18779
+S'Esther Hansen'
+p24014
+sg18781
+S'Bedspread'
+p24015
+sg18783
+g27
+sa(dp24016
+g18779
+S'Carl Strehlau'
+p24017
+sg18781
+S'Weather Vane'
+p24018
+sg18783
+g27
+sa(dp24019
+g18779
+S'American 20th Century'
+p24020
+sg18781
+S'Lavender Taffeta Dress'
+p24021
+sg18783
+g27
+sa(dp24022
+g18779
+S'James Jones'
+p24023
+sg18781
+S'Mision San Juan Bautista'
+p24024
+sg18783
+g27
+sa(dp24025
+g18781
+S'Broad-rimmed bowl with Neptune raping Theophane; arms of Pucci with an "ombrellino"'
+p24026
+sg18779
+S'Francesco Xanto Avelli'
+p24027
+sg18787
+S'tin-glazed earthenware (maiolica)'
+p24028
+sg18789
+S'1532'
+p24029
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00005/a0000516.jpg'
+p24030
+sg18783
+g27
+sa(dp24031
+g18779
+S'Jean Peszel'
+p24032
+sg18781
+S'Dress'
+p24033
+sg18783
+g27
+sa(dp24034
+g18779
+S'Hedwig Emanuel'
+p24035
+sg18781
+S'Hat'
+p24036
+sg18783
+g27
+sa(dp24037
+g18779
+S'American 20th Century'
+p24038
+sg18781
+S'Quaker Bonnet'
+p24039
+sg18783
+g27
+sa(dp24040
+g18779
+S'Jean Peszel'
+p24041
+sg18781
+S'Dress'
+p24042
+sg18783
+g27
+sa(dp24043
+g18779
+S'American 20th Century'
+p24044
+sg18781
+S'Muslin Dress'
+p24045
+sg18783
+g27
+sa(dp24046
+g18779
+S'James Jones'
+p24047
+sg18781
+S'Mision San Juan Bautista'
+p24048
+sg18783
+g27
+sa(dp24049
+g18779
+S'American 20th Century'
+p24050
+sg18781
+S'Brown Velvet Cap'
+p24051
+sg18783
+g27
+sa(dp24052
+g18779
+S'Jessie M. Benge'
+p24053
+sg18781
+S'Dress'
+p24054
+sg18783
+g27
+sa(dp24055
+g18779
+S'American 20th Century'
+p24056
+sg18781
+S'Taffeta Dress'
+p24057
+sg18783
+g27
+sa(dp24058
+g18779
+S'Helen E. Gilman'
+p24059
+sg18781
+S"Shaker Man's Costume"
+p24060
+sg18783
+g27
+sa(dp24061
+g18781
+S'Broad-rimmed bowl with the sacrifice of the Greeks at Aulis and the omen of the serpent devouring nine birds, interpreted by the priest Calchas; arms of Anne de Montmorency'
+p24062
+sg18779
+S'Artist Information ('
+p24063
+sg18787
+S'Italian, active 1520 - 1576'
+p24064
+sg18789
+S'(related artist)'
+p24065
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00005/a0000586.jpg'
+p24066
+sg18783
+g27
+sa(dp24067
+g18779
+S'Joseph Goldberg'
+p24068
+sg18781
+S'Shaker Bonnet'
+p24069
+sg18783
+g27
+sa(dp24070
+g18779
+S'Lillian M. Mosseller'
+p24071
+sg18781
+S'Hooked Rug'
+p24072
+sg18783
+g27
+sa(dp24073
+g18779
+S'Dorothy Lacey'
+p24074
+sg18781
+S'Hooked Rug'
+p24075
+sg18783
+g27
+sa(dp24076
+g18779
+S'Marie Lutrell'
+p24077
+sg18781
+S'Printed Calico'
+p24078
+sg18783
+g27
+sa(dp24079
+g18779
+S'Artist Information ('
+p24080
+sg18781
+S'Log Cabin Quilt Square'
+p24081
+sg18783
+g27
+sa(dp24082
+g18779
+S'Cornelius Christoffels'
+p24083
+sg18781
+S'Coverlet Detail'
+p24084
+sg18783
+g27
+sa(dp24085
+g18779
+S'Cornelius Christoffels'
+p24086
+sg18781
+S'Coverlet'
+p24087
+sg18783
+g27
+sa(dp24088
+g18779
+S'Arthur G. Merkley'
+p24089
+sg18781
+S'Striped Stair Carpet'
+p24090
+sg18783
+g27
+sa(dp24091
+g18779
+S'Cornelius Christoffels'
+p24092
+sg18781
+S'Coverlet (Reverse Side)'
+p24093
+sg18783
+g27
+sa(dp24094
+g18779
+S'Cornelius Christoffels'
+p24095
+sg18781
+S'Coverlet (Reverse Side)'
+p24096
+sg18783
+g27
+sa(dp24097
+g18779
+S'Artist Information ('
+p24098
+sg18787
+g27
+sg18789
+S'(ceramist)'
+p24099
+sg18781
+S'Broad-rimmed bowl with Leda and the Swan'
+p24100
+sg18783
+g27
+sa(dp24101
+g18779
+S'Alice Cosgrove'
+p24102
+sg18781
+S'Printed Cotton'
+p24103
+sg18783
+g27
+sa(dp24104
+g18779
+S'Syrena Swanson'
+p24105
+sg18781
+S'Ecclesiastical Vestment'
+p24106
+sg18783
+g27
+sa(dp24107
+g18779
+S'Harry Jennings'
+p24108
+sg18781
+S'Coverlet'
+p24109
+sg18783
+g27
+sa(dp24110
+g18779
+S'Ruth Buker'
+p24111
+sg18781
+S'Needle Case'
+p24112
+sg18783
+g27
+sa(dp24113
+g18779
+S'Ruth M. Barnes'
+p24114
+sg18781
+S'Hooked Rug'
+p24115
+sg18783
+g27
+sa(dp24116
+g18779
+S'Elbert S. Mowery'
+p24117
+sg18781
+S'Log Cabin Quilt'
+p24118
+sg18783
+g27
+sa(dp24119
+g18779
+S'Syrena Swanson'
+p24120
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00003/a00003df.jpg'
+p24121
+sg18781
+S'Ecclesiastical Vestment (front view)'
+p24122
+sg18783
+S'This ecclesiastical vestment was made from a Chinese embroidered, red silk shawl that was probably brought across the Pacific on a Spanish galleon to Acapulco, Mexico, and then shipped to California. Around 1890, an Indian woman at the Mission of San Buenaventura made it into a priestly garment, binding it with gold braid.\n '
+p24123
+sa(dp24124
+g18779
+S'Joseph L. Boyd'
+p24125
+sg18781
+S'Piece of Calico Patchwork'
+p24126
+sg18783
+g27
+sa(dp24127
+g18779
+S'Mona Brown'
+p24128
+sg18781
+S'Patchwork Quilt'
+p24129
+sg18783
+g27
+sa(dp24130
+g18779
+S'Arlene Perkins'
+p24131
+sg18781
+S'Coverlet'
+p24132
+sg18783
+g27
+sa(dp24133
+g18779
+S'Francesco Durantino'
+p24134
+sg18787
+S', c. 1540/1545'
+p24135
+sg18789
+S'\n'
+p24136
+sg18781
+S'Plate with Bacchus seducing Erigone; at the top, a shield of arms'
+p24137
+sg18783
+g27
+sa(dp24138
+g18779
+S'Jules Lefevere'
+p24139
+sg18781
+S'Patchwork Crib Quilt'
+p24140
+sg18783
+g27
+sa(dp24141
+g18779
+S'Marion Curtiss'
+p24142
+sg18781
+S'Crib Coverlet'
+p24143
+sg18783
+g27
+sa(dp24144
+g18779
+S'George Loughridge'
+p24145
+sg18781
+S'Applique & Patchwork Coverlet'
+p24146
+sg18783
+g27
+sa(dp24147
+g18779
+S'Beverly Chichester'
+p24148
+sg18781
+S'Applique Linen Panel'
+p24149
+sg18783
+g27
+sa(dp24150
+g18779
+S'Albert Levone'
+p24151
+sg18781
+S'Cotton Prints'
+p24152
+sg18783
+g27
+sa(dp24153
+g18779
+S'Frank Fumagalli'
+p24154
+sg18781
+S'Cuff Buttons'
+p24155
+sg18783
+g27
+sa(dp24156
+g18779
+S'American 20th Century'
+p24157
+sg18781
+S"Woman's Slipper"
+p24158
+sg18783
+g27
+sa(dp24159
+g18779
+S'Ferdinand Badin'
+p24160
+sg18781
+S'Beaded Handbag'
+p24161
+sg18783
+g27
+sa(dp24162
+g18779
+S'Louie H. Ewing'
+p24163
+sg18781
+S'Side Chair'
+p24164
+sg18783
+g27
+sa(dp24165
+g18779
+S'Frank Nelson'
+p24166
+sg18781
+S'Quilt'
+p24167
+sg18783
+g27
+sa(dp24168
+g18781
+S'Shallow bowl on low foot with the Conversion of Saul'
+p24169
+sg18779
+S'Francesco Xanto Avelli'
+p24170
+sg18787
+S', c. 1525'
+p24171
+sg18789
+S'\n'
+p24172
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00004/a00004fa.jpg'
+p24173
+sg18783
+g27
+sa(dp24174
+g18779
+S'Cornelius Christoffels'
+p24175
+sg18781
+S'Coverlet Detail'
+p24176
+sg18783
+g27
+sa(dp24177
+g18779
+S'Ruth M. Barnes'
+p24178
+sg18781
+S'Coverlet Detail'
+p24179
+sg18783
+g27
+sa(dp24180
+g18779
+S'Nancy Crimi'
+p24181
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00003/a0000337.jpg'
+p24182
+sg18781
+S"Girl's Coat"
+p24183
+sg18783
+S"Intended for a seven-year-old girl, this coat resembles adult women's fashions \n of the 1860s. Many of these fashions were inspired by theatrical costumes, as \n is suggested here by the style of the cape.\n The coat is made of dove-gray cashmere wool, trimmed with red velvet ribbon. The \n coat is fastened down the front with hooks and eyes, and the red satin buttons \n are tacked on for decoration. The coat's lining is hand-quilted, white China silk.\n "
+p24184
+sa(dp24185
+g18779
+S'Perkins Harnly'
+p24186
+sg18787
+g27
+sg18789
+S'c. 1931'
+p24187
+sg18781
+S'Reception Foyer of Rooming House, 1910-1911'
+p24188
+sg18783
+g27
+sa(dp24189
+g18779
+S'Betty Jacob'
+p24190
+sg18781
+S'Pa. German Dress'
+p24191
+sg18783
+g27
+sa(dp24192
+g18779
+S'Julie C. Brush'
+p24193
+sg18781
+S'Study for Quilted Petticoat'
+p24194
+sg18783
+g27
+sa(dp24195
+g18779
+S'Minnetta Good'
+p24196
+sg18781
+S'Quilt Coverlet'
+p24197
+sg18783
+g27
+sa(dp24198
+g18779
+S'Frances Lichten'
+p24199
+sg18781
+S'Pa. German Embroidered Towel'
+p24200
+sg18783
+g27
+sa(dp24201
+g18779
+S'Stella Mosher'
+p24202
+sg18781
+S"Man's Straw Hat"
+p24203
+sg18783
+g27
+sa(dp24204
+g18779
+S'Bessie Forman'
+p24205
+sg18781
+S'Dress'
+p24206
+sg18783
+g27
+sa(dp24207
+g18779
+S'Artist Information ('
+p24208
+sg18787
+g27
+sg18789
+S'(ceramist)'
+p24209
+sg18781
+S'Plate with Hercules, Omphale, and Cupid'
+p24210
+sg18783
+g27
+sa(dp24211
+g18779
+S'Margery Parish'
+p24212
+sg18781
+S'Jerga (Carpet)'
+p24213
+sg18783
+g27
+sa(dp24214
+g18779
+S'Max Slevogt'
+p24215
+sg18781
+S'Section of Crewel Embroidery on Border of Petticoat'
+p24216
+sg18783
+g27
+sa(dp24217
+g18779
+S'Mildred E. Bent'
+p24218
+sg18781
+S'Bedspread Detail'
+p24219
+sg18783
+g27
+sa(dp24220
+g18779
+S'James Jones'
+p24221
+sg18781
+S'Mision San Juan Bautista'
+p24222
+sg18783
+g27
+sa(dp24223
+g18779
+S'Magnus S. Fossum'
+p24224
+sg18791
+S'http://www.nga.gov:80/thumb-l/a000f5/a000f5a3.jpg'
+p24225
+sg18781
+S'Boston Town Coverlet'
+p24226
+sg18783
+g27
+sa(dp24227
+g18779
+S'Fritz Boehmer'
+p24228
+sg18781
+S'Zoar Jacquard Coverlet'
+p24229
+sg18783
+g27
+sa(dp24230
+g18779
+S'Fritz Boehmer'
+p24231
+sg18781
+S'Upholstery Trim'
+p24232
+sg18783
+g27
+sa(dp24233
+g18779
+S'Charlotte Angus'
+p24234
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00003/a00003c7.jpg'
+p24235
+sg18781
+S'Pennsylvania German Show Towel'
+p24236
+sg18783
+S'Like elaborately decorated pottery and Jacquard coverlets, "show towels" were made primarily for display rather than for use. They were often hung as decorations on doors or were used to hide more functional towels when guests appeared. Many show \n towels were made by young girls in anticipation of marriage. Show towels were woven of flax and carefully embroidered. This example is linen decorated with traditional flower and bird motifs. The inscription, worked in cross-stitch, reads: \n "Samuel L. Weaver 1838 When This You See Remember Me Maria Weaver."\n '
+p24237
+sa(dp24238
+g18779
+S'James Jones'
+p24239
+sg18781
+S'Mision San Juan Bautista'
+p24240
+sg18783
+g27
+sa(dp24241
+g18779
+S'American 20th Century'
+p24242
+sg18781
+S'Log Cabin Patchwork Quilt'
+p24243
+sg18783
+g27
+sa(dp24244
+g18781
+S'Cup on high foot with the royal arms of France crowned'
+p24245
+sg18779
+S'French 16th Century'
+p24246
+sg18787
+S'lead-glazed fine earthenware'
+p24247
+sg18789
+S'c. 1540/1560'
+p24248
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00004/a00004fe.jpg'
+p24249
+sg18783
+g27
+sa(dp24250
+g18779
+S'Alois E. Ulrich'
+p24251
+sg18781
+S'Patchwork Quilt'
+p24252
+sg18783
+g27
+sa(dp24253
+g18779
+S'Mildred E. Bent'
+p24254
+sg18781
+S'Appliqued Quilt'
+p24255
+sg18783
+g27
+sa(dp24256
+g18779
+S'Ray Price'
+p24257
+sg18781
+S'Patchwork Quilt'
+p24258
+sg18783
+g27
+sa(dp24259
+g18779
+S'Marion Curtiss'
+p24260
+sg18781
+S'Eagle and Stars Bedspread'
+p24261
+sg18783
+g27
+sa(dp24262
+g18779
+S'Mina Greene'
+p24263
+sg18781
+S'Patchwork Bedspread'
+p24264
+sg18783
+g27
+sa(dp24265
+g18779
+S'Joseph Lubrano'
+p24266
+sg18781
+S'Quilt: Reverse Side'
+p24267
+sg18783
+g27
+sa(dp24268
+g18779
+S'Florence Truelson'
+p24269
+sg18781
+S'Quilt Block "Red Lion"'
+p24270
+sg18783
+g27
+sa(dp24271
+g18779
+S'Ralph N. Morgan'
+p24272
+sg18781
+S'Patchwork Quilt'
+p24273
+sg18783
+g27
+sa(dp24274
+g18779
+S'Catherine Fowler'
+p24275
+sg18781
+S'Applique Quilt'
+p24276
+sg18783
+g27
+sa(dp24277
+g18779
+S'Marion Curtiss'
+p24278
+sg18781
+S'Embroidered Applique Quilt'
+p24279
+sg18783
+g27
+sa(dp24280
+g18781
+S'Candlestick'
+p24281
+sg18779
+S'French 16th Century'
+p24282
+sg18787
+S'lead-glazed fine earthenware'
+p24283
+sg18789
+S'c. 1547/1559'
+p24284
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00005/a0000585.jpg'
+p24285
+sg18783
+g27
+sa(dp24286
+g18779
+S'Marie Lutrell'
+p24287
+sg18781
+S'Quilt'
+p24288
+sg18783
+g27
+sa(dp24289
+g18779
+S'Mary Berner'
+p24290
+sg18781
+S'Applique Quilt'
+p24291
+sg18783
+g27
+sa(dp24292
+g18779
+S'Marion Curtiss'
+p24293
+sg18781
+S'Applique Quilt'
+p24294
+sg18783
+g27
+sa(dp24295
+g18779
+S'Elizabeth T. Reike'
+p24296
+sg18781
+S'Quilt'
+p24297
+sg18783
+g27
+sa(dp24298
+g18779
+S'Marion Curtiss'
+p24299
+sg18781
+S'Applique Quilt'
+p24300
+sg18783
+g27
+sa(dp24301
+g18779
+S'Cora Parker'
+p24302
+sg18781
+S'Patchwork Quilt'
+p24303
+sg18783
+g27
+sa(dp24304
+g18779
+S'Gene Luedke'
+p24305
+sg18781
+S'Quilt'
+p24306
+sg18783
+g27
+sa(dp24307
+g18779
+S'Charlotte Angus'
+p24308
+sg18781
+S'Oak Leaf Pattern Quilt'
+p24309
+sg18783
+g27
+sa(dp24310
+g18779
+S'Vincent P. Rosel'
+p24311
+sg18781
+S'Patchwork Quilt'
+p24312
+sg18783
+g27
+sa(dp24313
+g18779
+S'Charlotte Angus'
+p24314
+sg18781
+S'Crib Quilt'
+p24315
+sg18783
+g27
+sa(dp24316
+g18781
+S'Salt'
+p24317
+sg18779
+S'French 16th Century'
+p24318
+sg18787
+S'lead-glazed fine earthenware'
+p24319
+sg18789
+S'c. 1540/1560'
+p24320
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00004/a00004ff.jpg'
+p24321
+sg18783
+g27
+sa(dp24322
+g18779
+S'Charles Roadman'
+p24323
+sg18781
+S'Coverlet'
+p24324
+sg18783
+g27
+sa(dp24325
+g18779
+S'Fred Hassebrock'
+p24326
+sg18791
+S'http://www.nga.gov:80/thumb-l/a000f9/a000f907.jpg'
+p24327
+sg18781
+S'Tulip Pattern Quilt'
+p24328
+sg18783
+g27
+sa(dp24329
+g18779
+S'Arthur G. Merkley'
+p24330
+sg18781
+S'Tyler Coverlet'
+p24331
+sg18783
+g27
+sa(dp24332
+g18779
+S'Ralph Atkinson'
+p24333
+sg18781
+S'Quilt - Rose Design'
+p24334
+sg18783
+g27
+sa(dp24335
+g18779
+S'Lon Cronk'
+p24336
+sg18781
+S'Appliqued Quilt'
+p24337
+sg18783
+g27
+sa(dp24338
+g18779
+S'American 20th Century'
+p24339
+sg18781
+S'Centennial Quilt'
+p24340
+sg18783
+g27
+sa(dp24341
+g18779
+S'Alois E. Ulrich'
+p24342
+sg18781
+S'Applique Quilt'
+p24343
+sg18783
+g27
+sa(dp24344
+g18779
+S'Henry Granet'
+p24345
+sg18781
+S'Quilt (Star and Triangle)'
+p24346
+sg18783
+g27
+sa(dp24347
+g18779
+S'Florence Truelson'
+p24348
+sg18781
+S'Block from Friendship Quilt'
+p24349
+sg18783
+g27
+sa(dp24350
+g18779
+S'Florence Hastings'
+p24351
+sg18781
+S'Applique Quilt'
+p24352
+sg18783
+g27
+sa(dp24353
+g18781
+S'Flask'
+p24354
+sg18779
+S'Medici Porcelain Factory'
+p24355
+sg18787
+S'imitation porcelain (a version of soft-paste porcelain)'
+p24356
+sg18789
+S'c. 1575/1587, or slightly later'
+p24357
+sg18791
+S'http://www.nga.gov:80/thumb-l/a00005/a0000584.jpg'
+p24358
+sg18783
+S'\r\nIn 1487, the sultan of Mamluk Egypt sent a gift to Lorenzo de’ Medici of exotic animals and “large vessels of porcelain, the like of which has never been seen.” By the mid 1500s, the Medici family’s porcelains, most from China, numbered in the hundreds. Italian potters were able to create a soft-paste imitation of porcelain, and in 1574 Francesco de’ Medici established two ceramic workshops in Florence to produce these wares. Today, some seventy examples of Medici porcelains are known, including this flask, possibly used for oil.\r\n\n '
+p24359
+sa(dp24360
+g18779
+S'Charles Roadman'
+p24361
+sg18781
+S'Woven Coverlet'
+p24362
+sg18783
+g27
+sa(dp24363
+g18779
+S'Mina Greene'
+p24364
+sg18781
+S'Minute Men Valance'
+p24365
+sg18783
+g27
+sa(dp24366
+g18779
+S'Julie C. Brush'
+p24367
+sg18781
+S"Child's Jacket"
+p24368
+sg18783
+g27
+sa(dp24369
+g18779
+S'Gertrude Lemberg'
+p24370
+sg18781
+S'Wedding Dress'
+p24371
+sg18783
+g27
+sa(dp24372
+g18779
+S'John Oster'
+p24373
+sg18781
+S'Textile'
+p24374
+sg18783
+g27
+sa(dp24375
+g18779
+S'Ruth M. Barnes'
+p24376
+sg18781
+S'Hooked Rug'
+p24377
+sg18783
+g27
+sa(dp24378
+g18779
+S'Gertrude Lemberg'
+p24379
+sg18781
+S'Apron'
+p24380
+sg18783
+g27
+sa(dp24381
+g18779
+S'Lucien Verbeke'
+p24382
+sg18781
+S"Infant's Dress (Back View)"
+p24383
+sg18783
+g27
+sa(dp24384
+g18779
+S'Edmond Lorts'
+p24385
+sg18781
+S'Woolen Coverlet'
+p24386
+sg18783
+g27
+sa(dp24387
+g18779
+S'Creighton Kay-Scott'
+p24388
+sg18781
+S'Design for Bodice'
+p24389
+sg18783
+g27
+sa(dp24390
+g18781
+S'Helmet (burgonet) in the Form of a Dolphin Mask'
+p24391
+sg18779
+S'Giovanni Paolo Negroli'
+p24392
+sg18787
+S'iron or steel, repouss?, embossed, and chiseled'
+p24393
+sg18789
+S'1540/1545'
+p24394
+sg18791
+S'http://www.nga.gov:80/thumb-l/a0002d/a0002d89.jpg'
+p24395
+sg18783
+g27
+sa(dp24396
+g18779
+S'American 20th Century'
+p24397
+sg18781
+S'Spencer'
+p24398
+sg18783
+g27
+sa(dp24399
+g18779
+S'Mae Szilvasy'
+p24400
+sg18781
+S'Dressing Sacque'
+p24401
+sg18783
+g27
+sa(dp24402
+g18779
+S'Gladys Cook'
+p24403
+sg18781
+S'Bodice'
+p24404
+sg18783
+g27
+sa(dp24405
+g18779
+S'Mae A. Clarke'
+p24406
+sg18781
+S'Evening Bodice, Line Drawing'
+p24407
+sg18783
+g27
+sa(dp24408
+g18779
+S'Mae Szilvasy'
+p24409
+sg18781
+S'Basque'
+p24410
+sg18783
+g27
+sa(dp24411
+g18779
+S'Artist Information ('
+p24412
+sg18781
+S'Belt'
+p24413
+sg18783
+g27
+sa(dp24414
+g18779
+S'Gladys Cook'
+p24415
+sg18781
+S'Belts'
+p24416
+sg18783
+g27
+sa(dp24417
+g18779
+S'Fanchon Larzelere'
+p24418
+sg18781
+S'Belt'
+p24419
+sg18783
+g27
+sa(dp24420
+g18779
+S'Nancy Crimi'
+p24421
+sg18781
+S'Belt'
+p24422
+sg18783
+g27
+sa(dp24423
+g18779
+S'Sara Garfinkel'
+p24424
+sg18781
+S"Infant's Boots"
+p24425
+sg18783
+g27
+sa(dp24426
+g18781
+S'"The Morosini Helmet" (visored burgonet)'
+p24427
+sg18779
+S'Milanese 16th Century'
+p24428
+sg18787
+S'repouss? and embossed iron or steel, with gilding and silvering'
+p24429
+sg18789
+S'probably 1550/1560'
+p24430
+sg18791
+S'http://www.nga.gov:80/thumb-l/a0002d/a0002da9.jpg'
+p24431
+sg18783
+g27
+sa(dp24432
+g18779
+S'Sara Garfinkel'
+p24433
+sg18781
+S"Infant's Booties"
+p24434
+sg18783
+g27
+sa(dp24435
+g18779
+S'Florence Earl'
+p24436
+sg18781
+S"Infant's Cape"
+p24437
+sg18783
+g27
+sa(dp24438
+g18779
+S'Florence Earl'
+p24439
+sg18781
+S"Infant's Cape"
+p24440
+sg18783
+g27
+sa(dp24441
+g18779
+S'Irene M. Burge'
+p24442
+sg18781
+S"Child's Cape"
+p24443
+sg18783
+g27
+sa(dp24444
+g18779
+S'Charles Criswell'
+p24445
+sg18781
+S'Cape'
+p24446
+sg18783
+g27
+sa(dp24447
+g18779
+S'Marie Mitchell'
+p24448
+sg18781
+S'Dolman'
+p24449
+sg18783
+g27
+sa(dp24450
+g18779
+S'Roberta Spicer'
+p24451
+sg18781
+S"Girl's Coat"
+p24452
+sg18783
+g27
+sa(dp24453
+g18779
+S'Nancy Crimi'
+p24454
+sg18781
+S"Boy's Coat"
+p24455
+sg18783
+g27
+sa(dp24456
+g18779
+S'Dorothy Gernon'
+p24457
+sg18781
+S"Boy's Coat"
+p24458
+sg18783
+g27
+sa(dp24459
+g18779
+S'Frederick Jackson'
+p24460
+sg18781
+S"Man's Great Coat"
+p24461
+sg18783
+g27
+sa(dp24462
+g18779
+S'Florentine 16th Century'
+p24463
+sg18787
+S'walnut, embossed brass or copper sheet metal, and cast and gilded brass'
+p24464
+sg18789
+S'c. 1520'
+p24465
+sg18781
+S'Dantesca Chair, Silver Gilt with Bronze Mountings'
+p24466
+sg18783
+g27
+sa(dp24467
+g18779
+S'Frederick Jackson'
+p24468
+sg18781
+S"Man's Great Coat"
+p24469
+sg18783
+g27
+sa(dp24470
+g18779
+S'Mae A. Clarke'
+p24471
+sg18781
+S'Tail Coat'
+p24472
+sg18783
+g27
+sa(dp24473
+g18779
+S'Charles Criswell'
+p24474
+sg18781
+S"Lady's Coat"
+p24475
+sg18783
+g27
+sa(dp24476
+g18779
+S'Ray Price'
+p24477
+sg18781
+S'Coat Suit'
+p24478
+sg18783
+g27
+sa(dp24479
+g18779
+S'Sylvia De Zon'
+p24480
+sg18781
+S'Neckerchief'
+p24481
+sg18783
+g27
+sa(dp24482
+g18779
+S'Mae A. Clarke'
+p24483
+sg18781
+S'Coat (Pattern)'
+p24484
+sg18783
+g27
+sa(dp24485
+g18779
+S'Mina Greene'
+p24486
+sg18781
+S'Coat (Pattern)'
+p24487
+sg18783
+g27
+sa(dp24488
+g18779
+S'Mae A. Clarke'
+p24489
+sg18781
+S'Coat'
+p24490
+sg18783
+g27
+sa(dp24491
+g18779
+S'Roberta Spicer'
+p24492
+sg18781
+S"Woman's Coat"
+p24493
+sg18783
+g27
+sa(dp24494
+g18779
+S'Mina Greene'
+p24495
+sg18781
+S"Woman's Coat"
+p24496
+sg18783
+g27
+sa(dp24497
+g18779
+S'Florentine 16th Century'
+p24498
+sg18787
+S'poplar and walnut'
+p24499
+sg18789
+S'second half 16th century'
+p24500
+sg18781
+S'Cassapanca, made for Strozzi Family'
+p24501
+sg18783
+g27
+sa(dp24502
+g18779
+S'Jean Peszel'
+p24503
+sg18781
+S"Lady's Pelisse"
+p24504
+sg18783
+g27
+sa(dp24505
+g18779
+S'Charles Criswell'
+p24506
+sg18781
+S"Woman's Coat"
+p24507
+sg18783
+g27
+sa(dp24508
+g18779
+S'Jessie M. Benge'
+p24509
+sg18781
+S'Coat'
+p24510
+sg18783
+g27
+sa(dp24511
+g18779
+S'Mae Szilvasy'
+p24512
+sg18781
+S'Coat'
+p24513
+sg18783
+g27
+sa(dp24514
+g18779
+S'Mina Greene'
+p24515
+sg18781
+S"Woman's Coat"
+p24516
+sg18783
+g27
+sa(dp24517
+g18779
+S'Mae Szilvasy'
+p24518
+sg18781
+S'Corset'
+p24519
+sg18783
+g27
+sa(dp24520
+g18779
+S'Melita Hofmann'
+p24521
+sg18781
+S"Child's Dress"
+p24522
+sg18783
+g27
+sa(dp24523
+g18779
+S'Catherine Fowler'
+p24524
+sg18781
+S"Child's Dress"
+p24525
+sg18783
+g27
+sa(dp24526
+g18779
+S'Nancy Crimi'
+p24527
+sg18781
+S"Boy's Suit"
+p24528
+sg18783
+g27
+sa(dp24529
+g18779
+S'Irene Lawson'
+p24530
+sg18781
+S"Child's Dress"
+p24531
+sg18783
+g27
+sa(dp24532
+g18779
+S'Italian 16th Century'
+p24533
+sg18787
+S'overall: 155.2 x 57.7 x 56.2 cm (61 1/8 x 22 11/16 x 22 1/8 in.)'
+p24534
+sg18789
+S'\nwalnut with gilded gesso'
+p24535
+sg18781
+S'Cassone with Garlands and Cupids'
+p24536
+sg18783
+g27
+sa(dp24537
+g18779
+S'Raymond Manupelli'
+p24538
+sg18781
+S"Child's Dress"
+p24539
+sg18783
+g27
+sa(dp24540
+g18779
+S'Mae A. Clarke'
+p24541
+sg18781
+S"Child's Dress"
+p24542
+sg18783
+g27
+sa(dp24543
+g18779
+S'Jessie M. Benge'
+p24544
+sg18781
+S'Dress'
+p24545
+sg18783
+g27
+sa(dp24546
+g18779
+S'Jean Gordon'
+p24547
+sg18781
+S'Dress'
+p24548
+sg18783
+g27
+sa(dp24549
+g18779
+S'Mary E. Humes'
+p24550
+sg18781
+S'Wedding Dress'
+p24551
+sg18783
+g27
+sa(dp24552
+g18779
+S'Jessie M. Benge'
+p24553
+sg18781
+S'Dress'
+p24554
+sg18783
+g27
+sa(dp24555
+g18779
+S'Jessie M. Benge'
+p24556
+sg18781
+S'Dress'
+p24557
+sg18783
+g27
+sa(dp24558
+g18779
+S'Ann Belle N. Eubank'
+p24559
+sg18781
+S'Dress'
+p24560
+sg18783
+g27
+sa(dp24561
+g18779
+S'Julie C. Brush'
+p24562
+sg18781
+S'Dress'
+p24563
+sg18783
+g27
+sa(dp24564
+g18779
+S'Fanchon Larzelere'
+p24565
+sg18781
+S'Dress'
+p24566
+sg18783
+g27
+sa(dp24567
+g18779
+S'Italian 16th Century'
+p24568
+sg18787
+S'overall: 171.2 x 57 x 60.4 cm (67 3/8 x 22 7/16 x 23 3/4 in.)'
+p24569
+sg18789
+S'\nwalnut with gilded gesso'
+p24570
+sg18781
+S'Cassone with Garlands and Cupids'
+p24571
+sg18783
+g27
+sa(dp24572
+g18779
+S'Marie Mitchell'
+p24573
+sg18781
+S'Dress'
+p24574
+sg18783
+g27
+sa(dp24575
+g18779
+S'Jean Peszel'
+p24576
+sg18781
+S'Wedding Dress'
+p24577
+sg18783
+g27
+sa(dp24578
+g18779
+S'Jean Peszel'
+p24579
+sg18781
+S'Dress'
+p24580
+sg18783
+g27
+sa(dp24581
+g18779
+S'Charles Criswell'
+p24582
+sg18781
+S'Dress'
+p24583
+sg18783
+g27
+sa(dp24584
+g18779
+S'Nancy Crimi'
+p24585
+sg18781
+S'Dress'
+p24586
+sg18783
+g27
+sa(dp24587
+g18779
+S'Jean Peszel'
+p24588
+sg18781
+S'Quaker Dress'
+p24589
+sg18783
+g27
+sa(dp24590
+g18779
+S'Roberta Spicer'
+p24591
+sg18781
+S'Quaker Dress'
+p24592
+sg18783
+g27
+sa(dp24593
+g18779
+S'Isabelle De Strange'
+p24594
+sg18781
+S'Dress'
+p24595
+sg18783
+g27
+sa(dp24596
+g18779
+S'Melita Hofmann'
+p24597
+sg18781
+S'Wedding Dress with Scarf'
+p24598
+sg18783
+g27
+sa(dp24599
+g18779
+S'Jessie M. Benge'
+p24600
+sg18781
+S'Dress'
+p24601
+sg18783
+g27
+sa(dp24602
+g18781
+S'Walnut Stool (Sgabello), Carved and Gilded'
+p24603
+sg18779
+S'Italian 16th Century'
+p24604
+sg18787
+S'overall: 31.1 x 99.1 x 49.9 cm (12 1/4 x 39 x 19 5/8 in.)'
+p24605
+sg18789
+S'\ngilded walnut'
+p24606
+sg18791
+S'http://www.nga.gov:80/thumb-l/a000d9/a000d933.jpg'
+p24607
+sg18783
+g27
+sa(dp24608
+g18779
+S'Margaret Concha'
+p24609
+sg18781
+S'Dress'
+p24610
+sg18783
+g27
+sa(dp24611
+g18779
+S'Dorothy Gernon'
+p24612
+sg18781
+S'Dress'
+p24613
+sg18783
+g27
+sa(dp24614
+g18779
+S'Melita Hofmann'
+p24615
+sg18781
+S'Dress'
+p24616
+sg18783
+g27
+sa(dp24617
+g18779
+S'Rosalia Lane'
+p24618
+sg18781
+S'Dress'
+p24619
+sg18783
+g27
+sa(dp24620
+g18779
+S'Melita Hofmann'
+p24621
+sg18781
+S'Dress'
+p24622
+sg18783
+g27
+sa(dp24623
+g18779
+S'Mary E. Humes'
+p24624
+sg18781
+S'Dress'
+p24625
+sg18783
+g27
+sa(dp24626
+g18779
+S'Margaret Concha'
+p24627
+sg18781
+S'Descripiton of a Wedding Dress'
+p24628
+sg18783
+g27
+sa(dp24629
+g18779
+S'Julie C. Brush'
+p24630
+sg18781
+S'Dress'
+p24631
+sg18783
+g27
+sa(dp24632
+g18779
+S'Margaret Concha'
+p24633
+sg18781
+S'Quaker Dress'
+p24634
+sg18783
+g27
+sa(dp24635
+g18779
+S'Irene Lawson'
+p24636
+sg18781
+S'Dress'
+p24637
+sg18783
+g27
+sa(dp24638
+g18779
+S'Italian 16th Century'
+p24639
+sg18787
+S'overall: 30.8 x 97.8 x 52.4 cm (12 1/8 x 38 1/2 x 20 5/8 in.)'
+p24640
+sg18789
+S'\ngilded walnut'
+p24641
+sg18781
+S'Walnut Stool (Sgabello), Carved and Gilded'
+p24642
+sg18783
+g27
+sa(dp24643
+g18779
+S'Mary Berner'
+p24644
+sg18781
+S'Dress'
+p24645
+sg18783
+g27
+sa(dp24646
+g18779
+S'Julie C. Brush'
+p24647
+sg18781
+S'Dress'
+p24648
+sg18783
+g27
+sa(dp24649
+g18779
+S'American 20th Century'
+p24650
+sg18781
+S'Description of a Dress'
+p24651
+sg18783
+g27
+sa(dp24652
+g18779
+S'Bessie Forman'
+p24653
+sg18781
+S'Pattern for a Dress'
+p24654
+sg18783
+g27
+sa(dp24655
+g18779
+S'Mary E. Humes'
+p24656
+sg18781
+S'Wedding Dress'
+p24657
+sg18783
+g27
+sa(dp24658
+g18779
+S'Bessie Forman'
+p24659
+sg18781
+S'Dress'
+p24660
+sg18783
+g27
+sa(dp24661
+g18779
+S'Melita Hofmann'
+p24662
+sg18781
+S'Wedding Dress'
+p24663
+sg18783
+g27
+sa(dp24664
+g18779
+S'Arelia Arbo'
+p24665
+sg18781
+S'Wedding Dress'
+p24666
+sg18783
+g27
+sa(dp24667
+g18779
+S'Irene Lawson'
+p24668
+sg18781
+S'Dress'
+p24669
+sg18783
+g27
+sa(dp24670
+g18779
+S'Sara Garfinkel'
+p24671
+sg18781
+S'Quaker Dress'
+p24672
+sg18783
+g27
+sa(dp24673
+g18779
+S'Tuscan 15th Century'
+p24674
+sg18787
+S'overall: 68.8 x 99.3 x 56.1 cm (27 1/16 x 39 1/8 x 22 1/16 in.)'
+p24675
+sg18789
+S'\nwalnut'
+p24676
+sg18781
+S'Walnut Savonarola Chair'
+p24677
+sg18783
+g27
+sa(dp24678
+g18779
+S'Jessie M. Benge'
+p24679
+sg18781
+S'Dress'
+p24680
+sg18783
+g27
+sa(dp24681
+g18779
+S'Marie Mitchell'
+p24682
+sg18781
+S"Child's Dress"
+p24683
+sg18783
+g27
+sa(dp24684
+g18779
+S'J. Howard Iams'
+p24685
+sg18781
+S'Dress'
+p24686
+sg18783
+g27
+sa(dp24687
+g18779
+S'Julie C. Brush'
+p24688
+sg18781
+S'Dress'
+p24689
+sg18783
+g27
+sa(dp24690
+g18779
+S'Jean Gordon'
+p24691
+sg18781
+S'Dress'
+p24692
+sg18783
+g27
+sa(dp24693
+g18779
+S'Fanchon Larzelere'
+p24694
+sg18781
+S'Dress'
+p24695
+sg18783
+g27
+sa(dp24696
+g18779
+S'Sylvia De Zon'
+p24697
+sg18781
+S'Dress'
+p24698
+sg18783
+g27
+sa(dp24699
+g18779
+S'Gladys Cook'
+p24700
+sg18781
+S'Dress'
+p24701
+sg18783
+g27
+sa(dp24702
+g18779
+S'Fanchon Larzelere'
+p24703
+sg18781
+S'Dress'
+p24704
+sg18783
+g27
+sa(dp24705
+g18779
+S'Arelia Arbo'
+p24706
+sg18781
+S'Dress'
+p24707
+sg18783
+g27
+sa(dp24708
+g18779
+S'Tuscan 15th Century'
+p24709
+sg18787
+S'overall: 69.8 x 100.4 x 57.5 cm (27 1/2 x 39 1/2 x 22 5/8 in.)'
+p24710
+sg18789
+S'\nwalnut'
+p24711
+sg18781
+S'Walnut Savonarola Chair'
+p24712
+sg18783
+g27
+sa(dp24713
+g18779
+S'Esther Hansen'
+p24714
+sg18781
+S'Dressing Gown'
+p24715
+sg18783
+g27
+sa(dp24716
+g18779
+S'Jean Gordon'
+p24717
+sg18781
+S'Dress'
+p24718
+sg18783
+g27
+sa(dp24719
+g18779
+S'George B. Wally'
+p24720
+sg18781
+S'Dress'
+p24721
+sg18783
+g27
+sa(dp24722
+g18779
+S'Dorothy Gernon'
+p24723
+sg18781
+S'Evening Dress and Cape'
+p24724
+sg18783
+g27
+sa(dp24725
+g18779
+S'William Kieckhofel'
+p24726
+sg18781
+S'Quilt (Corner)'
+p24727
+sg18783
+g27
+sa(dp24728
+g18779
+S'Evelyn Bailey'
+p24729
+sg18781
+S'Patchwork Pattern'
+p24730
+sg18783
+g27
+sa(dp24731
+g18779
+S'Irene Schaefer'
+p24732
+sg18781
+S'Quilted Bedspread'
+p24733
+sg18783
+g27
+sa(dp24734
+g18779
+S'Edith Towner'
+p24735
+sg18781
+S'Quilt - "Double Star"'
+p24736
+sg18783
+g27
+sa(dp24737
+g18779
+S'Cornelius Frazier'
+p24738
+sg18781
+S'Applique Quilt'
+p24739
+sg18783
+g27
+sa(dp24740
+g18779
+S'Frank Gutting'
+p24741
+sg18781
+S'Quilt'
+p24742
+sg18783
+g27
+sa(dp24743
+g18779
+S'Florentine 16th Century'
+p24744
+sg18787
+S'walnut'
+p24745
+sg18789
+S'c. 1540/1560'
+p24746
+sg18781
+S'Walnut Table with Eagles on the Supports'
+p24747
+sg18783
+g27
+sa(dp24748
+g18779
+S'Lena Nastasi'
+p24749
+sg18781
+S'Crazy Quilt'
+p24750
+sg18783
+g27
+sa(dp24751
+g18779
+S'Willoughby Ions'
+p24752
+sg18781
+S'Coverlet'
+p24753
+sg18783
+g27
+sa(dp24754
+g18779
+S'Arthur G. Merkley'
+p24755
+sg18781
+S'Carpet'
+p24756
+sg18783
+g27
+sa(dp24757
+g18779
+S'Arthur G. Merkley'
+p24758
+sg18781
+S'Carpet'
+p24759
+sg18783
+g27
+sa(dp24760
+g18779
+S'Mary Berner'
+p24761
+sg18781
+S'Crewel Embroidery'
+p24762
+sg18783
+g27
+sa(dp24763
+g18779
+S'Mary Berner'
+p24764
+sg18781
+S'Bed Hanging'
+p24765
+sg18783
+g27
+sa(dp24766
+g18779
+S'Mary Berner'
+p24767
+sg18781
+S'Crewel Embroidery'
+p24768
+sg18783
+g27
+sa(dp24769
+g18779
+S'Eugene La Foret'
+p24770
+sg18781
+S'Curtain'
+p24771
+sg18783
+g27
+sa(dp24772
+g18779
+S'Fanchon Larzelere'
+p24773
+sg18781
+S'Border or Valance'
+p24774
+sg18783
+g27
+sa(dp24775
+g18779
+S'Jules Lefevere'
+p24776
+sg18781
+S'Embroidered Coverlet'
+p24777
+sg18783
+g27
+sa(dp24778
+g18779
+S'Italian 16th Century'
+p24779
+sg18787
+S'overall: 120.3 x 92 x 82.5 cm (47 3/8 x 36 1/4 x 32 1/2 in.)'
+p24780
+sg18789
+S'\nwalnut, marble, and maple'
+p24781
+sg18781
+S'Walnut Pedestal Table with Inlaid Marble Top'
+p24782
+sg18783
+g27
+sa(dp24783
+g18779
+S'Henry Rasmusen'
+p24784
+sg18781
+S'Embroidery'
+p24785
+sg18783
+g27
+sa(dp24786
+g18779
+S'Byron Dingman'
+p24787
+sg18781
+S'Woven Textile'
+p24788
+sg18783
+g27
+sa(dp24789
+g18779
+S'Ruth M. Barnes'
+p24790
+sg18781
+S'Sampler'
+p24791
+sg18783
+g27
+sa(dp24792
+g18779
+S'Evelyn Bailey'
+p24793
+sg18781
+S'Embroidered Night Gown'
+p24794
+sg18783
+g27
+sa(dp24795
+g18779
+S'Julie C. Brush'
+p24796
+sg18781
+S'Handmade Embroidery'
+p24797
+sg18783
+g27
+sa(dp24798
+g18779
+S'Robert Stewart'
+p24799
+sg18781
+S'Sampler'
+p24800
+sg18783
+g27
+sa(dp24801
+g18779
+S'William Kieckhofel'
+p24802
+sg18781
+S'Crazy Quilt Stitches'
+p24803
+sg18783
+g27
+sa(dp24804
+g18779
+S'Stella Mosher'
+p24805
+sg18781
+S'Chair Seat Cover'
+p24806
+sg18783
+g27
+sa(dp24807
+g18779
+S'Charles Bowman'
+p24808
+sg18781
+S'Fire Screen'
+p24809
+sg18783
+g27
+sa(dp24810
+g18779
+S'J. Howard Iams'
+p24811
+sg18781
+S'Needlepoint'
+p24812
+sg18783
+g27
+sa(dp24813
+g18779
+S'Italian 16th Century'
+p24814
+sg18787
+S'overall: 155 x 87.7 x 91.1 cm (61 x 34 1/2 x 35 7/8 in.)'
+p24815
+sg18789
+S'\nwalnut, oak, beech, and maple'
+p24816
+sg18781
+S'Walnut Table with Herms and Sphinxes at the Ends'
+p24817
+sg18783
+g27
+sa(dp24818
+g18779
+S'Lillian M. Mosseller'
+p24819
+sg18781
+S'Hooked Rug'
+p24820
+sg18783
+g27
+sa(dp24821
+g18779
+S'Lillian M. Mosseller'
+p24822
+sg18781
+S'Hooked Rug'
+p24823
+sg18783
+g27
+sa(dp24824
+g18779
+S'Paul Ward'
+p24825
+sg18781
+S'Embroidered Cloth'
+p24826
+sg18783
+g27
+sa(dp24827
+g18779
+S'Dorothy Lacey'
+p24828
+sg18781
+S'Hooked Rug'
+p24829
+sg18783
+g27
+sa(dp24830
+g18779
+S'Joseph Lubrano'
+p24831
+sg18781
+S'Historical Printed Textile'
+p24832
+sg18783
+g27
+sa(dp24833
+g18779
+S'Henry Meyers'
+p24834
+sg18781
+S'Drapery or Curtain'
+p24835
+sg18783
+g27
+sa(dp24836
+g18779
+S'Jean Peszel'
+p24837
+sg18781
+S'Dress'
+p24838
+sg18783
+g27
+sa(dp24839
+g18779
+S'Isabelle De Strange'
+p24840
+sg18781
+S'Dress'
+p24841
+sg18783
+g27
+sa(dp24842
+g18779
+S'Florence Earl'
+p24843
+sg18781
+S'Walking Costume'
+p24844
+sg18783
+g27
+sa(dp24845
+g18779
+S'Rosalia Lane'
+p24846
+sg18781
+S'Fan'
+p24847
+sg18783
+g27
+sa(dp24848
+g18781
+S'Walnut Cassone made for Strozzi Family'
+p24849
+sg18779
+S'Florentine 16th Century'
+p24850
+sg18787
+S'walnut and poplar'
+p24851
+sg18789
+S'first half 16th century'
+p24852
+sg18791
+S'http://www.nga.gov:80/thumb-l/a000b4/a000b4a6.jpg'
+p24853
+sg18783
+g27
+sa(dp24854
+g18779
+S'Gwyneth King'
+p24855
+sg18781
+S'Gown and Slipper'
+p24856
+sg18783
+g27
+sa(dp24857
+g18779
+S'Jessie M. Benge'
+p24858
+sg18781
+S"Man's Shoe"
+p24859
+sg18783
+g27
+sa(dp24860
+g18779
+S'Nancy Crimi'
+p24861
+sg18781
+S'Slipper'
+p24862
+sg18783
+g27
+sa(dp24863
+g18779
+S'Dorothy Dwin'
+p24864
+sg18781
+S'Slipper'
+p24865
+sg18783
+g27
+sa(dp24866
+g18779
+S'Melita Hofmann'
+p24867
+sg18781
+S'Slipper'
+p24868
+sg18783
+g27
+sa(dp24869
+g18779
+S'Irene Lawson'
+p24870
+sg18781
+S'Slipper'
+p24871
+sg18783
+g27
+sa(dp24872
+g18779
+S'Gladys Cook'
+p24873
+sg18781
+S'Slipper'
+p24874
+sg18783
+g27
+sa(dp24875
+g18779
+S'Melita Hofmann'
+p24876
+sg18781
+S'Slipper'
+p24877
+sg18783
+g27
+sa(dp24878
+g18779
+S'Ada V. May'
+p24879
+sg18781
+S'Baby Shoe'
+p24880
+sg18783
+g27
+sa(dp24881
+g18779
+S'Margaret Concha'
+p24882
+sg18781
+S"Woman's Shoe"
+p24883
+sg18783
+g27
+sa(dp24884
+g18779
+S'Florentine 16th Century'
+p24885
+sg18787
+S'walnut and poplar'
+p24886
+sg18789
+S'first half 16th century'
+p24887
+sg18781
+S'Walnut Cassone made for Altoviti Family'
+p24888
+sg18783
+g27
+sa(dp24889
+g18779
+S'Gwyneth King'
+p24890
+sg18781
+S'Quaker Wedding Shoes'
+p24891
+sg18783
+g27
+sa(dp24892
+g18779
+S'Emery Herrett'
+p24893
+sg18781
+S'Coat (Pattern)'
+p24894
+sg18783
+g27
+sa(dp24895
+g18779
+S'Cornelius Christoffels'
+p24896
+sg18781
+S'Purse'
+p24897
+sg18783
+g27
+sa(dp24898
+g18779
+S'Cornelius Christoffels'
+p24899
+sg18781
+S'Bag'
+p24900
+sg18783
+g27
+sa(dp24901
+g18779
+S'Arthur Sander'
+p24902
+sg18781
+S'Dress'
+p24903
+sg18783
+g27
+sa(dp24904
+g18779
+S'Roberta Elvis'
+p24905
+sg18781
+S'Bag'
+p24906
+sg18783
+g27
+sa(dp24907
+g18779
+S'Artist Information ('
+p24908
+sg18781
+S'Purse'
+p24909
+sg18783
+g27
+sa(dp24910
+g18779
+S'Isidore Steinberg'
+p24911
+sg18781
+S'Purse'
+p24912
+sg18783
+g27
+sa(dp24913
+g18779
+S'Melita Hofmann'
+p24914
+sg18781
+S'Turban'
+p24915
+sg18783
+g27
+sa(dp24916
+g18779
+S'Jean Peszel'
+p24917
+sg18781
+S'Cap'
+p24918
+sg18783
+g27
+sa(dp24919
+g18779
+S'French 16th Century'
+p24920
+sg18787
+S'Widener Collection'
+p24921
+sg18789
+S'\nwalnut, beech, and oak'
+p24922
+sg18781
+S'Small Square Walnut Table'
+p24923
+sg18783
+g27
+sa(dp24924
+g18779
+S'Melita Hofmann'
+p24925
+sg18781
+S'Bonnet'
+p24926
+sg18783
+g27
+sa(dp24927
+g18779
+S'Nancy Crimi'
+p24928
+sg18781
+S'Poke Bonnet'
+p24929
+sg18783
+g27
+sa(dp24930
+g18779
+S'Rosalia Lane'
+p24931
+sg18781
+S'Cap'
+p24932
+sg18783
+g27
+sa(dp24933
+g18779
+S'Sylvia De Zon'
+p24934
+sg18781
+S"Baby's Cap"
+p24935
+sg18783
+g27
+sa(dp24936
+g18779
+S'Sylvia De Zon'
+p24937
+sg18781
+S"Baby's Cap"
+p24938
+sg18783
+g27
+sa(dp24939
+g18779
+S'Rosalia Lane'
+p24940
+sg18781
+S'Bonnet'
+p24941
+sg18783
+g27
+sa(dp24942
+g18779
+S'Rosalia Lane'
+p24943
+sg18781
+S'Bonnet'
+p24944
+sg18783
+g27
+sa(dp24945
+g18779
+S'Frank Nelson'
+p24946
+sg18781
+S'Bonnet'
+p24947
+sg18783
+g27
+sa(dp24948
+g18779
+S'Doris Beer'
+p24949
+sg18781
+S'Bonnet'
+p24950
+sg18783
+g27
+sa(dp24951
+g18779
+S'Roberta Spicer'
+p24952
+sg18781
+S'Sunbonnet'
+p24953
+sg18783
+g27
+sa(dp24954
+g18779
+S'French 16th Century'
+p24955
+sg18787
+S'overall: 117.5 x 56 x 90.2 cm (46 1/4 x 22 1/16 x 35 1/2 in.)'
+p24956
+sg18789
+S'\nwalnut'
+p24957
+sg18781
+S'Walnut Serving Table with Sphinxes Resting on Lions'
+p24958
+sg18783
+g27
+sa(dp24959
+g18779
+S'Roberta Spicer'
+p24960
+sg18781
+S'Sunbonnet'
+p24961
+sg18783
+g27
+sa(dp24962
+g18779
+S'Bessie Forman'
+p24963
+sg18781
+S'Bonnet'
+p24964
+sg18783
+g27
+sa(dp24965
+g18779
+S'Louis Maldarelli'
+p24966
+sg18781
+S'Wedding Bonnet'
+p24967
+sg18783
+g27
+sa(dp24968
+g18779
+S'Lillian Causey'
+p24969
+sg18781
+S'Rain Bonnet'
+p24970
+sg18783
+g27
+sa(dp24971
+g18779
+S'Ann Gene Buckley'
+p24972
+sg18781
+S'Bonnet'
+p24973
+sg18783
+g27
+sa(dp24974
+g18779
+S'Lillian Causey'
+p24975
+sg18781
+S'Quaker Bonnet'
+p24976
+sg18783
+g27
+sa(dp24977
+g18779
+S'Mary E. Humes'
+p24978
+sg18781
+S'Wedding Bonnet'
+p24979
+sg18783
+g27
+sa(dp24980
+g18779
+S'Columbus Simpson'
+p24981
+sg18781
+S'Opera Hood'
+p24982
+sg18783
+g27
+sa(dp24983
+g18779
+S'Columbus Simpson'
+p24984
+sg18781
+S'Opera Hood'
+p24985
+sg18783
+g27
+sa(dp24986
+g18779
+S'Columbus Simpson'
+p24987
+sg18781
+S'Opera Hood'
+p24988
+sg18783
+g27
+sa(dp24989
+g18779
+S'French 16th Century'
+p24990
+sg18787
+S'overall: 146.6 x 87.5 x 81 cm (57 11/16 x 34 7/16 x 31 7/8 in.)'
+p24991
+sg18789
+S'\nwalnut'
+p24992
+sg18781
+S'Walnut Serving Table with Herms and Sphinxes'
+p24993
+sg18783
+g27
+sa(dp24994
+g18779
+S'Dorothy Gernon'
+p24995
+sg18781
+S'Bonnet'
+p24996
+sg18783
+g27
+sa(dp24997
+g18779
+S'Mae A. Clarke'
+p24998
+sg18781
+S'Hat'
+p24999
+sg18783
+g27
+sa(dp25000
+g18779
+S'Fanchon Larzelere'
+p25001
+sg18781
+S'Bonnet'
+p25002
+sg18783
+g27
+sa(dp25003
+g18779
+S'Catherine Fowler'
+p25004
+sg18781
+S'Hat'
+p25005
+sg18783
+g27
+sa(dp25006
+g18779
+S'Joseph L. Boyd'
+p25007
+sg18781
+S'House Cap'
+p25008
+sg18783
+g27
+sa(dp25009
+g18779
+S'Margaret Concha'
+p25010
+sg18781
+S'Bonnet'
+p25011
+sg18783
+g27
+sa(dp25012
+g18779
+S'Bessie Forman'
+p25013
+sg18781
+S'Bonnet'
+p25014
+sg18783
+g27
+sa(dp25015
+g18779
+S'Margaret Concha'
+p25016
+sg18781
+S'Bonnet'
+p25017
+sg18783
+g27
+sa(dp25018
+g18779
+S'Dorothy M. Gerhard'
+p25019
+sg18781
+S'Bonnet'
+p25020
+sg18783
+g27
+sa(dp25021
+g18779
+S'American 20th Century'
+p25022
+sg18781
+S'Caps'
+p25023
+sg18783
+g27
+sa(dp25024
+g18779
+S'French 16th Century'
+p25025
+sg18787
+S'overall: 150.5 x 88 x 83.8 cm (59 1/4 x 34 5/8 x 33 in.)'
+p25026
+sg18789
+S'\nwalnut'
+p25027
+sg18781
+S'Walnut Table with Lion Sphinxes'
+p25028
+sg18783
+g27
+sa(dp25029
+g18779
+S'American 20th Century'
+p25030
+sg18781
+S'Headdress'
+p25031
+sg18783
+g27
+sa(dp25032
+g18779
+S'Dorothy Gernon'
+p25033
+sg18781
+S'Headdress and Collar'
+p25034
+sg18783
+g27
+sa(dp25035
+g18779
+S'Dorothy Gernon'
+p25036
+sg18781
+S'Jacket'
+p25037
+sg18783
+g27
+sa(dp25038
+g18779
+S'Marie Alain'
+p25039
+sg18781
+S'Nightgown'
+p25040
+sg18783
+g27
+sa(dp25041
+g18779
+S"J.J. O'Neill"
+p25042
+sg18781
+S'Parasol'
+p25043
+sg18783
+g27
+sa(dp25044
+g18779
+S'Douglas Cox'
+p25045
+sg18781
+S'Parasol'
+p25046
+sg18783
+g27
+sa(dp25047
+g18779
+S'Charlotte Winter'
+p25048
+sg18781
+S'Patten'
+p25049
+sg18783
+g27
+sa(dp25050
+g18779
+S'Rosalia Lane'
+p25051
+sg18781
+S'Pocket'
+p25052
+sg18783
+g27
+sa(dp25053
+g18779
+S'Margaret Concha'
+p25054
+sg18781
+S'Shawl'
+p25055
+sg18783
+g27
+sa(dp25056
+g18779
+S'William Frank'
+p25057
+sg18781
+S"Baby's Shirt"
+p25058
+sg18783
+g27
+sa(dp25059
+g18779
+S'Italian 16th Century'
+p25060
+sg18787
+S'overall: 296.9 x 51.1 x 83.8 cm (116 7/8 x 20 1/8 x 33 in.)'
+p25061
+sg18789
+S'\nwalnut, oak, elm, and pine'
+p25062
+sg18781
+S'Cassone with Coats-of-Arms'
+p25063
+sg18783
+g27
+sa(dp25064
+g18779
+S'Margaret Concha'
+p25065
+sg18781
+S"Boy's Suit"
+p25066
+sg18783
+g27
+sa(dp25067
+g18779
+S'Dorothy Gernon'
+p25068
+sg18781
+S"Boy's Suit"
+p25069
+sg18783
+g27
+sa(dp25070
+g18779
+S'American 20th Century'
+p25071
+sg18781
+S"Boy's Suit"
+p25072
+sg18783
+g27
+sa(dp25073
+g18779
+S'Henry De Wolfe'
+p25074
+sg18781
+S"Boy's Suit"
+p25075
+sg18783
+g27
+sa(dp25076
+g18779
+S'Henry De Wolfe'
+p25077
+sg18781
+S"Boy's Suit"
+p25078
+sg18783
+g27
+sa(dp25079
+g18779
+S'Marjorie McIntyre'
+p25080
+sg18781
+S"Boy's Suit"
+p25081
+sg18783
+g27
+sa(dp25082
+g18779
+S'Marjorie McIntyre'
+p25083
+sg18781
+S"Boy's Suit"
+p25084
+sg18783
+g27
+sa(dp25085
+g18779
+S'Esther Hansen'
+p25086
+sg18781
+S"Man's Suit"
+p25087
+sg18783
+g27
+sa(dp25088
+g18779
+S'Frank J. Mace'
+p25089
+sg18781
+S'Plaid Homespun'
+p25090
+sg18783
+g27
+sa(dp25091
+g18779
+S'Marion Curtiss'
+p25092
+sg18781
+S'Hooked Rug'
+p25093
+sg18783
+g27
+sa(dp25094
+g18779
+S'Italian 16th Century'
+p25095
+sg18787
+S'overall: 60 x 123.5 x 55.3 cm (23 5/8 x 48 5/8 x 21 3/4 in.)'
+p25096
+sg18789
+S'\nwalnut, poplar, tooled and gilded leather, and gilded metal nails'
+p25097
+sg18781
+S'Leather-covered Walnut Armchair'
+p25098
+sg18783
+g27
+sa(dp25099
+g18779
+S'Jessie M. Benge'
+p25100
+sg18781
+S"Man's Court Suit"
+p25101
+sg18783
+g27
+sa(dp25102
+g18779
+S'Marie Mitchell'
+p25103
+sg18781
+S"Man's Court Costume"
+p25104
+sg18783
+g27
+sa(dp25105
+g18779
+S'Nancy Crimi'
+p25106
+sg18781
+S'Suit'
+p25107
+sg18783
+g27
+sa(dp25108
+g18779
+S'Charles Criswell'
+p25109
+sg18781
+S'Suit'
+p25110
+sg18783
+g27
+sa(dp25111
+g18779
+S'American 20th Century'
+p25112
+sg18781
+S'Suit'
+p25113
+sg18783
+g27
+sa(dp25114
+g18779
+S'Charles Criswell'
+p25115
+sg18781
+S"Man's Suit"
+p25116
+sg18783
+g27
+sa(dp25117
+g18779
+S'Jessie M. Benge'
+p25118
+sg18781
+S"Man's Costume"
+p25119
+sg18783
+g27
+sa(dp25120
+g18779
+S'Charles Criswell'
+p25121
+sg18781
+S"Man's Suit"
+p25122
+sg18783
+g27
+sa(dp25123
+g18779
+S'Jessie M. Benge'
+p25124
+sg18781
+S"Man's Court Costume"
+p25125
+sg18783
+g27
+sa(dp25126
+g18779
+S'Melita Hofmann'
+p25127
+sg18781
+S"Man's Suit"
+p25128
+sg18783
+g27
+sa(dp25129
+g18779
+S'Italian 16th Century'
+p25130
+sg18787
+S'overall: 61 x 123.8 x 56 cm (24 x 48 3/4 x 22 1/16 in.)'
+p25131
+sg18789
+S'\nwalnut, poplar, tooled and gilded leather, and gilded metal nails'
+p25132
+sg18781
+S'Leather-covered Walnut Armchair'
+p25133
+sg18783
+g27
+sa(dp25134
+g18779
+S'Margaret Concha'
+p25135
+sg18781
+S'Coat and Waistcoat'
+p25136
+sg18783
+g27
+sa(dp25137
+g18779
+S'Rosalia Lane'
+p25138
+sg18781
+S"Man's Coat"
+p25139
+sg18783
+g27
+sa(dp25140
+g18779
+S'Henry De Wolfe'
+p25141
+sg18781
+S'Pantaloons'
+p25142
+sg18783
+g27
+sa(dp25143
+g18779
+S'Frederick Jackson'
+p25144
+sg18781
+S'Trousers'
+p25145
+sg18783
+g27
+sa(dp25146
+g18779
+S'Erwin Schwabe'
+p25147
+sg18781
+S'Epaulet'
+p25148
+sg18783
+g27
+sa(dp25149
+g18779
+S'Andrew Topolosky'
+p25150
+sg18781
+S'Under Bodice'
+p25151
+sg18783
+g27
+sa(dp25152
+g18779
+S'James Vail'
+p25153
+sg18781
+S'Military Headdress'
+p25154
+sg18783
+g27
+sa(dp25155
+g18779
+S'Bernard Krieger'
+p25156
+sg18781
+S'Uniform'
+p25157
+sg18783
+g27
+sa(dp25158
+g18779
+S'Harold Smith'
+p25159
+sg18781
+S'Uniform'
+p25160
+sg18783
+g27
+sa(dp25161
+g18779
+S'Jean Gordon'
+p25162
+sg18781
+S"Sargent's Dress Uniform"
+p25163
+sg18783
+g27
+sa(dp25164
+g18779
+S'Italian 16th Century'
+p25165
+sg18787
+S'overall: 60.5 x 121 x 58.5 cm (23 13/16 x 47 5/8 x 23 1/16 in.)'
+p25166
+sg18789
+S'\nwalnut, poplar, tooled and gilded leather, and gilded metal nails'
+p25167
+sg18781
+S'Leather-covered Walnut Armchair'
+p25168
+sg18783
+g27
+sa(dp25169
+g18779
+S'Harold Smith'
+p25170
+sg18781
+S'Civil War Field Uniform'
+p25171
+sg18783
+g27
+sa(dp25172
+g18779
+S'Aaron Fastovsky'
+p25173
+sg18781
+S'Uniform'
+p25174
+sg18783
+g27
+sa(dp25175
+g18779
+S'Bernard Krieger'
+p25176
+sg18781
+S'Full Dress Uniform'
+p25177
+sg18783
+g27
+sa(dp25178
+g18779
+S'Rosalia Lane'
+p25179
+sg18781
+S'Waistcoat'
+p25180
+sg18783
+g27
+sa(dp25181
+g18779
+S'American 20th Century'
+p25182
+sg18781
+S'Waistcoat'
+p25183
+sg18783
+g27
+sa(dp25184
+g18779
+S'Rosalia Lane'
+p25185
+sg18781
+S'Waistcoat Pattern'
+p25186
+sg18783
+g27
+sa(dp25187
+g18779
+S'Louis Maldarelli'
+p25188
+sg18781
+S'Waistcoat'
+p25189
+sg18783
+g27
+sa(dp25190
+g18779
+S'Sara Garfinkel'
+p25191
+sg18781
+S'Waistcoat'
+p25192
+sg18783
+g27
+sa(dp25193
+g18779
+S'Mae A. Clarke'
+p25194
+sg18781
+S'Waistcoat'
+p25195
+sg18783
+g27
+sa(dp25196
+g18779
+S'Melita Hofmann'
+p25197
+sg18781
+S"Man's Gloves"
+p25198
+sg18783
+g27
+sa(dp25199
+g18779
+S'Italian 16th Century'
+p25200
+sg18787
+S'overall: 60.5 x 122.2 x 56.2 cm (23 13/16 x 48 1/8 x 22 1/8 in.)'
+p25201
+sg18789
+S'\nwalnut, poplar, tooled and gilded leather, and gilded metal nails'
+p25202
+sg18781
+S'Leather-covered Walnut Armchair'
+p25203
+sg18783
+g27
+sa(dp25204
+g18779
+S'Jean Peszel'
+p25205
+sg18781
+S'Waistcoat'
+p25206
+sg18783
+g27
+sa(dp25207
+g18779
+S'Louis Maldarelli'
+p25208
+sg18781
+S'Waistcoat'
+p25209
+sg18783
+g27
+sa(dp25210
+g18779
+S'Frank C. Barks'
+p25211
+sg18781
+S'Beaded Bag'
+p25212
+sg18783
+g27
+sa(dp25213
+g18779
+S'Mary E. Humes'
+p25214
+sg18781
+S'Figurehead: "Jolly Tar"'
+p25215
+sg18783
+g27
+sa(dp25216
+g18779
+S'Jessie M. Benge'
+p25217
+sg18781
+S'Cap'
+p25218
+sg18783
+g27
+sa(dp25219
+g18779
+S'Ray Price'
+p25220
+sg18781
+S'Evening Dress'
+p25221
+sg18783
+g27
+sa(dp25222
+g18779
+S'Jessie M. Benge'
+p25223
+sg18781
+S'Court Train'
+p25224
+sg18783
+g27
+sa(dp25225
+g18779
+S'Emery Herrett'
+p25226
+sg18781
+S'Pattern for Spats'
+p25227
+sg18783
+g27
+sa(dp25228
+g18779
+S'American 20th Century'
+p25229
+sg18781
+S'Spats or Gaiters'
+p25230
+sg18783
+g27
+sa(dp25231
+g18779
+S'American 20th Century'
+p25232
+sg18781
+S'Shift: pattern'
+p25233
+sg18783
+g27
+sa(dp25234
+g18779
+S'Italian 16th Century'
+p25235
+sg18787
+S'overall: 62 x 120.2 x 59.6 cm (24 7/16 x 47 5/16 x 23 7/16 in.)'
+p25236
+sg18789
+S'\nwalnut, poplar, tooled and gilded leather, and gilded metal nails'
+p25237
+sg18781
+S'Leather-covered Walnut Armchair'
+p25238
+sg18783
+g27
+sa(dp25239
+g18779
+S'Raymond Manupelli'
+p25240
+sg18781
+S"Child's Lace Cap"
+p25241
+sg18783
+g27
+sa(dp25242
+g18779
+S'Richard Whitaker'
+p25243
+sg18781
+S'White Linen Corded Bonnet'
+p25244
+sg18783
+g27
+sa(dp25245
+g18779
+S'R. Stone'
+p25246
+sg18781
+S'Toy Train'
+p25247
+sg18783
+g27
+sa(dp25248
+g18779
+S'Irene Lawson'
+p25249
+sg18781
+S'Dress'
+p25250
+sg18783
+g27
+sa(dp25251
+g18779
+S'Nicholas Acampora'
+p25252
+sg18781
+S'Hoop'
+p25253
+sg18783
+g27
+sa(dp25254
+g18779
+S'Julie C. Brush'
+p25255
+sg18781
+S"Boy's Suit"
+p25256
+sg18783
+g27
+sa(dp25257
+g18779
+S'Virginia Berge'
+p25258
+sg18781
+S'Shoe'
+p25259
+sg18783
+g27
+sa(dp25260
+g18779
+S'Syrena Swanson'
+p25261
+sg18781
+S"Child's Dress"
+p25262
+sg18783
+g27
+sa(dp25263
+g18779
+S'Bessie Forman'
+p25264
+sg18781
+S"Child's Dress"
+p25265
+sg18783
+g27
+sa(dp25266
+S'desc'
+p25267
+g27
+sS'name'
+p25268
+S'Morning Dress'
+p25269
+sS'artist'
+p25270
+S'Mary E. Humes'
+p25271
+sa(dp25272
+S'material'
+p25273
+S'overall: 61.2 x 120 x 60.7 cm (24 1/8 x 47 1/4 x 23 7/8 in.)'
+p25274
+sg25267
+g27
+sS'year'
+p25275
+S'\nwalnut, poplar, tooled and gilded leather, and gilded metal nails'
+p25276
+sg25268
+S'Leather-covered Walnut Armchair'
+p25277
+sg25270
+S'Italian 16th Century'
+p25278
+sa(dp25279
+g25267
+g27
+sg25268
+S'Blue Afternoon Dress'
+p25280
+sg25270
+S'Lucien Verbeke'
+p25281
+sa(dp25282
+g25267
+g27
+sg25268
+S"Child's Bonnet"
+p25283
+sg25270
+S'American 20th Century'
+p25284
+sa(dp25285
+g25267
+g27
+sg25268
+S'Afternoon Gown'
+p25286
+sg25270
+S'Ray Price'
+p25287
+sa(dp25288
+g25267
+g27
+sg25268
+S'Bracelet'
+p25289
+sg25270
+S'Gladys Cook'
+p25290
+sa(dp25291
+g25267
+g27
+sg25268
+S'Cameo Brooch'
+p25292
+sg25270
+S'Michael Fenga'
+p25293
+sa(dp25294
+g25267
+g27
+sg25268
+S'Cameo Brooch'
+p25295
+sg25270
+S'Marie Famularo'
+p25296
+sa(dp25297
+g25267
+g27
+sg25268
+S'Cameo Brooch'
+p25298
+sg25270
+S'Grace Halpin'
+p25299
+sa(dp25300
+g25267
+g27
+sg25268
+S'Brooch'
+p25301
+sg25270
+S'Dorothy Dwin'
+p25302
+sa(dp25303
+g25267
+g27
+sg25268
+S'Pin'
+p25304
+sg25270
+S'Vincent Burzy'
+p25305
+sa(dp25306
+g25267
+g27
+sg25268
+S'Brooch'
+p25307
+sg25270
+S'Marie Mitchell'
+p25308
+sa(dp25309
+g25268
+S'Large Walnut Table with Uberti Arms'
+p25310
+sg25270
+S'Italian 16th Century'
+p25311
+sg25273
+S'overall: 405.1 x 98 x 79.6 cm (159 1/2 x 38 9/16 x 31 5/16 in.)'
+p25312
+sg25275
+S'\nwalnut, pine, and maple inlay'
+p25313
+sS'thumbnail'
+p25314
+S'http://www.nga.gov:80/thumb-l/a000d9/a000d935.jpg'
+p25315
+sg25267
+g27
+sa(dp25316
+g25267
+g27
+sg25268
+S'Oval Pin'
+p25317
+sg25270
+S'Tulita Westfall'
+p25318
+sa(dp25319
+g25267
+g27
+sg25268
+S'Brooch'
+p25320
+sg25270
+S'John Dieterich'
+p25321
+sa(dp25322
+g25267
+g27
+sg25268
+S'Brooch'
+p25323
+sg25270
+S'Irene Lawson'
+p25324
+sa(dp25325
+g25267
+g27
+sg25268
+S'Brooch'
+p25326
+sg25270
+S'Doris Beer'
+p25327
+sa(dp25328
+g25267
+g27
+sg25268
+S"Lady's Shoe Buckle"
+p25329
+sg25270
+S'Kalamian Walton'
+p25330
+sa(dp25331
+g25267
+g27
+sg25268
+S"Man's Shoe Buckle"
+p25332
+sg25270
+S'Charles Criswell'
+p25333
+sa(dp25334
+g25267
+g27
+sg25268
+S"Men's Stock Buckles"
+p25335
+sg25270
+S'Charles Criswell'
+p25336
+sa(dp25337
+g25267
+g27
+sg25268
+S"Gentleman's Stock Buckles"
+p25338
+sg25270
+S'Charles Criswell'
+p25339
+sa(dp25340
+g25267
+g27
+sg25268
+S"Lady's Shoe Buckle"
+p25341
+sg25270
+S'Kalamian Walton'
+p25342
+sa(dp25343
+g25267
+g27
+sg25268
+S"Woman's Buckles"
+p25344
+sg25270
+S'Charles Criswell'
+p25345
+sa(dp25346
+g25273
+S'overall: 67 x 102.3 x 63.5 cm (26 3/8 x 40 1/4 x 25 in.)'
+p25347
+sg25267
+g27
+sg25275
+S'\nwalnut'
+p25348
+sg25268
+S'Walnut Savonarola Chair with Letters A.G.'
+p25349
+sg25270
+S'Italian 16th Century'
+p25350
+sa(dp25351
+g25267
+g27
+sg25268
+S"Lady's Buckles"
+p25352
+sg25270
+S'Charles Criswell'
+p25353
+sa(dp25354
+g25267
+g27
+sg25268
+S'Buckle'
+p25355
+sg25270
+S'Charles Criswell'
+p25356
+sa(dp25357
+g25267
+g27
+sg25268
+S"Man's Shoe Buckles"
+p25358
+sg25270
+S'Helen Hobart'
+p25359
+sa(dp25360
+g25267
+g27
+sg25268
+S'Knee Buckle'
+p25361
+sg25270
+S'Edna C. Rex'
+p25362
+sa(dp25363
+g25267
+g27
+sg25268
+S"Man's Shoe Buckle"
+p25364
+sg25270
+S'Charles Criswell'
+p25365
+sa(dp25366
+g25267
+g27
+sg25268
+S"Woman's Buckle"
+p25367
+sg25270
+S'Charles Criswell'
+p25368
+sa(dp25369
+g25267
+g27
+sg25268
+S"Man's Stock Buckle"
+p25370
+sg25270
+S'Charles Criswell'
+p25371
+sa(dp25372
+g25267
+g27
+sg25268
+S'Comb'
+p25373
+sg25270
+S'American 20th Century'
+p25374
+sa(dp25375
+g25267
+g27
+sg25268
+S'Comb'
+p25376
+sg25270
+S'Isidore Steinberg'
+p25377
+sa(dp25378
+g25267
+g27
+sg25268
+S'Comb'
+p25379
+sg25270
+S'Margaret Concha'
+p25380
+sa(dp25381
+g25273
+S'height: 133.1 cm (52 3/8 in.)'
+p25382
+sg25267
+g27
+sg25275
+S'\npoplar, pine, cast brass, and upholstery'
+p25383
+sg25268
+S'High Armchair with Bronze Finials'
+p25384
+sg25270
+S'Venetian 16th Century'
+p25385
+sa(dp25386
+g25267
+g27
+sg25268
+S'Cross'
+p25387
+sg25270
+S'Gladys Cook'
+p25388
+sa(dp25389
+g25267
+g27
+sg25268
+S'Cuff Links'
+p25390
+sg25270
+S'Dorothy Dwin'
+p25391
+sa(dp25392
+g25267
+g27
+sg25268
+S"Man's Bolero"
+p25393
+sg25270
+S'Syrena Swanson'
+p25394
+sa(dp25395
+g25267
+g27
+sg25314
+S'http://www.nga.gov:80/thumb-l/a0004b/a0004b7e.jpg'
+p25396
+sg25268
+S'Watch Fob'
+p25397
+sg25270
+S'Isidore Steinberg'
+p25398
+sa(dp25399
+g25267
+g27
+sg25268
+S'Cascarone (eggshell) Stick Pin'
+p25400
+sg25270
+S'Harry Mann Waddell'
+p25401
+sa(dp25402
+g25267
+g27
+sg25268
+S'Locket'
+p25403
+sg25270
+S'Vincent Burzy'
+p25404
+sa(dp25405
+g25267
+g27
+sg25268
+S'Necklace'
+p25406
+sg25270
+S'Michael Fenga'
+p25407
+sa(dp25408
+g25267
+g27
+sg25268
+S'Tie Pin'
+p25409
+sg25270
+S'Eugene Barrell'
+p25410
+sa(dp25411
+g25267
+g27
+sg25268
+S'Tie Clasp'
+p25412
+sg25270
+S'Isidore Steinberg'
+p25413
+sa(dp25414
+g25267
+g27
+sg25268
+S'Friendship Pin'
+p25415
+sg25270
+S'Herbert Marsh'
+p25416
+sa(dp25417
+g25273
+S'height: 134 cm (52 3/4 in.)'
+p25418
+sg25267
+g27
+sg25275
+S'\npoplar, pine, cast brass, and upholstery'
+p25419
+sg25268
+S'High Armchair with Bronze Finials'
+p25420
+sg25270
+S'Venetian 16th Century'
+p25421
+sa(dp25422
+g25267
+g27
+sg25268
+S'Brooch and Earrings'
+p25423
+sg25270
+S'Roberta Elvis'
+p25424
+sa(dp25425
+g25267
+S'This ecclesiastical vestment was made from a Chinese embroidered, red silk shawl that was probably brought across the Pacific on a Spanish galleon to Acapulco, Mexico, and then shipped to California.\r\n Around 1890, an Indian woman at the Mission of San Buenaventura made it into a priestly garment, binding it with gold braid.\n '
+p25426
+sg25314
+S'http://www.nga.gov:80/thumb-l/a00003/a00003e0.jpg'
+p25427
+sg25268
+S'Ecclesiastical Vestment (back view)'
+p25428
+sg25270
+S'Syrena Swanson'
+p25429
+sa(dp25430
+g25267
+g27
+sg25268
+S'Hair Brooch and Earrings'
+p25431
+sg25270
+S'William P. Shearwood'
+p25432
+sa(dp25433
+g25267
+g27
+sg25268
+S'Ring'
+p25434
+sg25270
+S'American 20th Century'
+p25435
+sa(dp25436
+g25267
+g27
+sg25268
+S'Ring'
+p25437
+sg25270
+S'Michael Fenga'
+p25438
+sa(dp25439
+g25267
+g27
+sg25268
+S"Lady's Watch Case and Frame"
+p25440
+sg25270
+S'Harry G. Aberdeen'
+p25441
+sa(dp25442
+g25267
+g27
+sg25268
+S'Charm for Watch Chain'
+p25443
+sg25270
+S'Doris Beer'
+p25444
+sa(dp25445
+g25267
+g27
+sg25268
+S'Brooch'
+p25446
+sg25270
+S'William P. Shearwood'
+p25447
+sa(dp25448
+g25267
+g27
+sg25268
+S'Watch Chain'
+p25449
+sg25270
+S'Edna C. Rex'
+p25450
+sa(dp25451
+g25267
+g27
+sg25268
+S'Watch Key'
+p25452
+sg25270
+S'Harry Grossen'
+p25453
+sa(dp25454
+g25273
+S'overall: 183.5 x 99.8 x 41 cm (72 1/4 x 39 5/16 x 16 1/8 in.)'
+p25455
+sg25267
+g27
+sg25275
+S'\ncarved, gilded, and polychromed walnut and oak'
+p25456
+sg25268
+S'Walnut Bench with Balustraded Back'
+p25457
+sg25270
+S'Sienese 16th Century'
+p25458
+sa(dp25459
+g25267
+g27
+sg25268
+S'Watch Key'
+p25460
+sg25270
+S'Gladys Cook'
+p25461
+sa(dp25462
+g25267
+g27
+sg25268
+S'Watch Key'
+p25463
+sg25270
+S'Harry Grossen'
+p25464
+sa(dp25465
+g25267
+g27
+sg25268
+S'Watch Case'
+p25466
+sg25270
+S'Thomas Watts'
+p25467
+sa(dp25468
+g25267
+g27
+sg25268
+S'Detail of Coverlet: Technique Demonstration'
+p25469
+sg25270
+S'Cornelius Christoffels'
+p25470
+sa(dp25471
+g25267
+g27
+sg25268
+S'Textile'
+p25472
+sg25270
+S'American 20th Century'
+p25473
+sa(dp25474
+g25267
+g27
+sg25268
+S'Technique Demo (Jacquard Coverlet)'
+p25475
+sg25270
+S'William Paul Childers'
+p25476
+sa(dp25477
+g25267
+g27
+sg25268
+S'Textile Detail'
+p25478
+sg25270
+S'Dorothea Bates'
+p25479
+sa(dp25480
+g25267
+g27
+sg25268
+S'Technique Demonstration'
+p25481
+sg25270
+S'Roy Caswell'
+p25482
+sa(dp25483
+g25267
+g27
+sg25268
+S'Beadwork: Technique Demonstration'
+p25484
+sg25270
+S'Cornelius Christoffels'
+p25485
+sa(dp25486
+g25267
+g27
+sg25268
+S'Textile: Technique Demonstration'
+p25487
+sg25270
+S'Cornelius Christoffels'
+p25488
+sa(dp25489
+g25268
+S'Walnut Bench with Balustraded Back'
+p25490
+sg25270
+S'Sienese 16th Century'
+p25491
+sg25273
+S'overall: 188.7 x 101.4 x 38.9 cm (74 5/16 x 39 15/16 x 15 5/16 in.)'
+p25492
+sg25275
+S'\ncarved, gilded, and polychromed walnut and oak'
+p25493
+sg25314
+S'http://www.nga.gov:80/thumb-l/a000d3/a000d3eb.jpg'
+p25494
+sg25267
+g27
+sa(dp25495
+g25267
+g27
+sg25268
+S'Embroidery: Technique Demonstration'
+p25496
+sg25270
+S'William Kieckhofel'
+p25497
+sa(dp25498
+g25267
+g27
+sg25268
+S'Textile: Technique Demonstration'
+p25499
+sg25270
+S'Della Button'
+p25500
+sa(dp25501
+g25267
+g27
+sg25268
+S'Textile: Technique Demonstration'
+p25502
+sg25270
+S'American 20th Century'
+p25503
+sa(dp25504
+g25267
+g27
+sg25314
+S'http://www.nga.gov:80/thumb-l/a00058/a00058d8.jpg'
+p25505
+sg25268
+S'Sampler'
+p25506
+sg25270
+S'William Kieckhofel'
+p25507
+sa(dp25508
+g25267
+g27
+sg25268
+S'Woven Textile: Technique Demonstration'
+p25509
+sg25270
+S'Dorothea Bates'
+p25510
+sa(dp25511
+g25267
+g27
+sg25268
+S'Ox Collar'
+p25512
+sg25270
+S'Alexander Anderson'
+p25513
+sa(dp25514
+g25267
+g27
+sg25268
+S'Chart of Coverlet Thread Construction'
+p25515
+sg25270
+S'Arthur G. Merkley'
+p25516
+sa(dp25517
+g25267
+g27
+sg25268
+S'Factory Cloth Samples'
+p25518
+sg25270
+S'Frank J. Mace'
+p25519
+sa(dp25520
+g25267
+g27
+sg25268
+S'Jacquard coverlet'
+p25521
+sg25270
+S'H. Langden Brown'
+p25522
+sa(dp25523
+g25267
+g27
+sg25268
+S'Textile: Technique Demonstration'
+p25524
+sg25270
+S'American 20th Century'
+p25525
+sa(dp25526
+g25273
+S'overall: 94.5 x 92.2 x 82.8 cm (37 3/16 x 36 5/16 x 32 5/8 in.)'
+p25527
+sg25267
+g27
+sg25275
+S'\nwalnut, pine, maple, and cast bronze'
+p25528
+sg25268
+S'Square Table with Legs Carved as Winged Figures'
+p25529
+sg25270
+S'Venetian 16th Century'
+p25530
+sa(dp25531
+g25267
+g27
+sg25268
+S'Embroidery: Technique Demonstration'
+p25532
+sg25270
+S'American 20th Century'
+p25533
+sa(dp25534
+g25267
+g27
+sg25268
+S'Beadwork on Purse (Tech. demonstration)'
+p25535
+sg25270
+S'Harriette Gale'
+p25536
+sa(dp25537
+g25267
+g27
+sg25268
+S'Necklace'
+p25538
+sg25270
+S'Alfred H. Smith'
+p25539
+sa(dp25540
+g25267
+g27
+sg25268
+S'Crewel Embroidery'
+p25541
+sg25270
+S'Helen Dana'
+p25542
+sa(dp25543
+g25267
+g27
+sg25268
+S'Coverlet'
+p25544
+sg25270
+S'J. Howard Iams'
+p25545
+sa(dp25546
+g25267
+g27
+sg25268
+S'Coverlet'
+p25547
+sg25270
+S'Edward White'
+p25548
+sa(dp25549
+g25267
+g27
+sg25268
+S'Coverlet'
+p25550
+sg25270
+S'J. Howard Iams'
+p25551
+sa(dp25552
+g25267
+g27
+sg25268
+S'Coverlet'
+p25553
+sg25270
+S'Ralph Atkinson'
+p25554
+sa(dp25555
+g25267
+g27
+sg25268
+S'Coverlet'
+p25556
+sg25270
+S'Katherine Hastings'
+p25557
+sa(dp25558
+g25267
+g27
+sg25268
+S'Coverlet'
+p25559
+sg25270
+S'Eva Wilson'
+p25560
+sa(dp25561
+g25273
+S'overall: 69.8 x 94.8 x 51.6 cm (27 1/2 x 37 5/16 x 20 5/16 in.)'
+p25562
+sg25267
+g27
+sg25275
+S'\nwalnut, maple inlay, and upholstery'
+p25563
+sg25268
+S'Dantesca Chair with Inlay Work'
+p25564
+sg25270
+S'Italian 15th Century'
+p25565
+sa(dp25566
+g25267
+g27
+sg25268
+S'Coverlet'
+p25567
+sg25270
+S'Ralph Atkinson'
+p25568
+sa(dp25569
+g25267
+g27
+sg25268
+S'Coverlet'
+p25570
+sg25270
+S'Ralph Atkinson'
+p25571
+sa(dp25572
+g25267
+g27
+sg25268
+S'Coverlet'
+p25573
+sg25270
+S'Ralph Atkinson'
+p25574
+sa(dp25575
+g25267
+g27
+sg25268
+S'Coverlet'
+p25576
+sg25270
+S'Christopher Hobbs'
+p25577
+sa(dp25578
+g25267
+g27
+sg25268
+S'Coverlet'
+p25579
+sg25270
+S'J. Howard Iams'
+p25580
+sa(dp25581
+g25267
+g27
+sg25268
+S'Coverlet'
+p25582
+sg25270
+S'Katherine Hastings'
+p25583
+sa(dp25584
+g25267
+g27
+sg25268
+S'Coverlet'
+p25585
+sg25270
+S'Albert Eyth'
+p25586
+sa(dp25587
+g25267
+g27
+sg25268
+S'Coverlet'
+p25588
+sg25270
+S'Christopher Hobbs'
+p25589
+sa(dp25590
+g25267
+g27
+sg25268
+S'Coverlet'
+p25591
+sg25270
+S'Katherine Hastings'
+p25592
+sa(dp25593
+g25267
+g27
+sg25268
+S'Coverlet'
+p25594
+sg25270
+S'Dorothy Posten'
+p25595
+sa(dp25596
+g25273
+S'overall: 63.2 x 99.5 x 53.5 cm (24 7/8 x 39 3/16 x 21 1/16 in.)'
+p25597
+sg25267
+g27
+sg25275
+S'\nwalnut, maple inlay, and upholstery'
+p25598
+sg25268
+S'Dantesca Chair with Inlay Work'
+p25599
+sg25270
+S'Italian 15th Century'
+p25600
+sa(dp25601
+g25267
+g27
+sg25268
+S'Coverlet'
+p25602
+sg25270
+S'Edward White'
+p25603
+sa(dp25604
+g25267
+g27
+sg25268
+S'Coverlet'
+p25605
+sg25270
+S'Dorothy Posten'
+p25606
+sa(dp25607
+g25267
+g27
+sg25268
+S'Coverlet'
+p25608
+sg25270
+S'Katherine Hastings'
+p25609
+sa(dp25610
+g25267
+g27
+sg25268
+S'Coverlet'
+p25611
+sg25270
+S'Margaret Linsley'
+p25612
+sa(dp25613
+g25267
+g27
+sg25268
+S'Homespun Coverlet'
+p25614
+sg25270
+S'Cornelius Christoffels'
+p25615
+sa(dp25616
+g25267
+g27
+sg25268
+S'Hooked Rug'
+p25617
+sg25270
+S'Alfonso Umana'
+p25618
+sa(dp25619
+g25267
+g27
+sg25268
+S'Coverlet'
+p25620
+sg25270
+S'Cornelius Christoffels'
+p25621
+sa(dp25622
+g25267
+g27
+sg25268
+S'Damask Coverlet'
+p25623
+sg25270
+S'Katherine Hastings'
+p25624
+sa(dp25625
+g25267
+g27
+sg25268
+S'Coverlet'
+p25626
+sg25270
+S'Cornelius Christoffels'
+p25627
+sa(dp25628
+g25267
+g27
+sg25268
+S'Coverlet (Section)'
+p25629
+sg25270
+S'Cornelius Christoffels'
+p25630
+sa(dp25631
+g25268
+S'Cassone Carved and Gilded'
+p25632
+sg25270
+S'Florentine 15th Century'
+p25633
+sg25273
+S'gilded walnut'
+p25634
+sg25275
+S'fourth quarter 15th century'
+p25635
+sg25314
+S'http://www.nga.gov:80/thumb-l/a000d9/a000d936.jpg'
+p25636
+sg25267
+g27
+sa(dp25637
+g25267
+g27
+sg25268
+S'Handwoven Table Cover'
+p25638
+sg25270
+S'Maud M. Holme'
+p25639
+sa(dp25640
+g25267
+g27
+sg25268
+S'Coverlet'
+p25641
+sg25270
+S'Sarkis Erganian'
+p25642
+sa(dp25643
+g25267
+g27
+sg25268
+S'Hat Mannequin and Bonnet'
+p25644
+sg25270
+S'Howard Weld'
+p25645
+sa(dp25646
+g25267
+g27
+sg25268
+S'Hat Mannequin'
+p25647
+sg25270
+S'Howard Weld'
+p25648
+sa(dp25649
+g25267
+g27
+sg25268
+S'Hooked Rug'
+p25650
+sg25270
+S'Jules Lefevere'
+p25651
+sa(dp25652
+g25267
+g27
+sg25268
+S'Sewed "Caterpillar" Rug'
+p25653
+sg25270
+S'Marion Curtiss'
+p25654
+sa(dp25655
+g25267
+g27
+sg25268
+S'Hooked Rug'
+p25656
+sg25270
+S'Elizabeth Valentine'
+p25657
+sa(dp25658
+g25267
+g27
+sg25268
+S'Hooked Rug'
+p25659
+sg25270
+S'Lillian M. Mosseller'
+p25660
+sa(dp25661
+g25267
+g27
+sg25268
+S'Materials from Quilt'
+p25662
+sg25270
+S'Dorothy Posten'
+p25663
+sa(dp25664
+g25267
+g27
+sg25268
+S'Swatches from Patchwork Quilt'
+p25665
+sg25270
+S'Henry Granet'
+p25666
+sa(dp25667
+g25273
+S'overall: 68 x 86.4 x 52.1 cm (26 3/4 x 34 x 20 1/2 in.)'
+p25668
+sg25267
+g27
+sg25275
+S'\nbeech, with oak or chestnut feet'
+p25669
+sg25268
+S'Walnut Savonarola Chair with Incised Ornament'
+p25670
+sg25270
+S'Italian 16th Century'
+p25671
+sa(dp25672
+g25267
+g27
+sg25268
+S'Squares of Patchwork'
+p25673
+sg25270
+S'Carl Buergerniss'
+p25674
+sa(dp25675
+g25267
+g27
+sg25268
+S'Printed Quilt Patterns'
+p25676
+sg25270
+S'Maud Schmid'
+p25677
+sa(dp25678
+g25267
+g27
+sg25268
+S'Padded Coverlet'
+p25679
+sg25270
+S'Artist Information ('
+p25680
+sa(dp25681
+g25267
+g27
+sg25268
+S'Patchwork Quilt'
+p25682
+sg25270
+S'Genevieve Sherlock'
+p25683
+sa(dp25684
+g25267
+g27
+sg25268
+S'Applique Quilt'
+p25685
+sg25270
+S'Mildred E. Bent'
+p25686
+sa(dp25687
+g25267
+g27
+sg25268
+S'Quilt (Crib Quilt)'
+p25688
+sg25270
+S'Francis Law Durand'
+p25689
+sa(dp25690
+g25267
+g27
+sg25268
+S'Patchwork Quilt'
+p25691
+sg25270
+S'Edmond W. Brown'
+p25692
+sa(dp25693
+g25267
+g27
+sg25268
+S'Patchwork Quilt'
+p25694
+sg25270
+S'Paul Ward'
+p25695
+sa(dp25696
+g25267
+g27
+sg25268
+S'Detail from Appliqued Quilt'
+p25697
+sg25270
+S'American 20th Century'
+p25698
+sa(dp25699
+g25267
+g27
+sg25268
+S'Applique Quilt'
+p25700
+sg25270
+S'American 20th Century'
+p25701
+sa(dp25702
+g25273
+S'overall: 73.3 x 100.6 x 66.3 cm (28 7/8 x 39 5/8 x 26 1/8 in.)'
+p25703
+sg25267
+g27
+sg25275
+S'\nwalnut'
+p25704
+sg25268
+S'Walnut Savonarola Chair with Letters G.M.'
+p25705
+sg25270
+S'Italian 16th Century'
+p25706
+sa(dp25707
+g25267
+g27
+sg25268
+S'Brussels Carpet'
+p25708
+sg25270
+S'Charlotte Winter'
+p25709
+sa(dp25710
+g25267
+g27
+sg25268
+S'Pillow Sham'
+p25711
+sg25270
+S'Edna C. Rex'
+p25712
+sa(dp25713
+g25267
+g27
+sg25268
+S'Mourning Picture'
+p25714
+sg25270
+S'Jules Lefevere'
+p25715
+sa(dp25716
+g25267
+g27
+sg25268
+S'Mourning Picture'
+p25717
+sg25270
+S'John Oster'
+p25718
+sa(dp25719
+g25267
+g27
+sg25268
+S'Embroidery'
+p25720
+sg25270
+S'A. Zimet'
+p25721
+sa(dp25722
+g25267
+g27
+sg25314
+S'http://www.nga.gov:80/thumb-l/a00058/a000588f.jpg'
+p25723
+sg25268
+S'Sampler'
+p25724
+sg25270
+S'Douglas Campbell'
+p25725
+sa(dp25726
+g25267
+g27
+sg25268
+S'Lace'
+p25727
+sg25270
+S'Florence Earl'
+p25728
+sa(dp25729
+g25267
+g27
+sg25268
+S'Lace Edging'
+p25730
+sg25270
+S'Raymond Manupelli'
+p25731
+sa(dp25732
+g25267
+g27
+sg25268
+S'Needlework'
+p25733
+sg25270
+S'Lena Nastasi'
+p25734
+sa(dp25735
+g25267
+g27
+sg25268
+S'Small Cravat'
+p25736
+sg25270
+S'Dorothy M. Gerhard'
+p25737
+sa(dp25738
+g25273
+S'overall: 73.3 x 102.5 x 61.6 cm (28 7/8 x 40 3/8 x 24 1/4 in.)'
+p25739
+sg25267
+g27
+sg25275
+S'\nwalnut, with oak feet'
+p25740
+sg25268
+S'Walnut Savonarola Chair with Dolphins'
+p25741
+sg25270
+S'Italian 16th Century'
+p25742
+sa(dp25743
+g25267
+g27
+sg25268
+S'Lace Cravat'
+p25744
+sg25270
+S'Jean Peszel'
+p25745
+sa(dp25746
+g25267
+g27
+sg25268
+S"Child's Collar"
+p25747
+sg25270
+S'Doris Beer'
+p25748
+sa(dp25749
+g25267
+g27
+sg25268
+S'Embroidered Panel for Sleeve'
+p25750
+sg25270
+S'Gordena Jackson'
+p25751
+sa(dp25752
+g25267
+g27
+sg25268
+S'Printed Historic Textiles'
+p25753
+sg25270
+S'Michael Trekur'
+p25754
+sa(dp25755
+g25267
+g27
+sg25268
+S'Quilted Bedspread'
+p25756
+sg25270
+S'Irene Schaefer'
+p25757
+sa(dp25758
+g25267
+g27
+sg25268
+S'Patchwork Quilt'
+p25759
+sg25270
+S'Edmond W. Brown'
+p25760
+sa(dp25761
+g25267
+g27
+sg25268
+S'Block Print'
+p25762
+sg25270
+S'George Loughridge'
+p25763
+sa(dp25764
+g25267
+g27
+sg25268
+S'Calico'
+p25765
+sg25270
+S'Marie Lutrell'
+p25766
+sa(dp25767
+g25267
+g27
+sg25268
+S'Chintz'
+p25768
+sg25270
+S'George Loughridge'
+p25769
+sa(dp25770
+g25267
+g27
+sg25268
+S'Calico'
+p25771
+sg25270
+S'Marie Lutrell'
+p25772
+sa(dp25773
+g25273
+S'walnut and poplar'
+p25774
+sg25267
+g27
+sg25275
+S'c. 1540/1560'
+p25775
+sg25268
+S'Walnut Cassabanca with Medici Arms'
+p25776
+sg25270
+S'Florentine 16th Century'
+p25777
+sa(dp25778
+g25267
+g27
+sg25268
+S'Calico'
+p25779
+sg25270
+S'Marie Lutrell'
+p25780
+sa(dp25781
+g25267
+g27
+sg25268
+S'Calico'
+p25782
+sg25270
+S'Florence Stevenson'
+p25783
+sa(dp25784
+g25267
+g27
+sg25268
+S'Printed Cotton'
+p25785
+sg25270
+S'George Loughridge'
+p25786
+sa(dp25787
+g25267
+g27
+sg25268
+S'Glazed Chintz'
+p25788
+sg25270
+S'Florence Stevenson'
+p25789
+sa(dp25790
+g25267
+g27
+sg25268
+S'Cotton Cloth'
+p25791
+sg25270
+S'Pearl Gibbo'
+p25792
+sa(dp25793
+g25267
+g27
+sg25268
+S"Child's Dress (Section)"
+p25794
+sg25270
+S'Raymond Manupelli'
+p25795
+sa(dp25796
+g25267
+g27
+sg25268
+S'Flowered Challis Gown'
+p25797
+sg25270
+S'Lester Kausch'
+p25798
+sa(dp25799
+g25267
+g27
+sg25268
+S'Quilt'
+p25800
+sg25270
+S'Suzanne Roy'
+p25801
+sa(dp25802
+g25267
+g27
+sg25268
+S'Bundle Handkerchief'
+p25803
+sg25270
+S'Alfred Denghausen'
+p25804
+sa(dp25805
+g25267
+g27
+sg25268
+S"Fireman's Hat"
+p25806
+sg25270
+S'Page Coffman'
+p25807
+sa(dp25808
+g25273
+S'wood, painted and gilded gesso, and lead white (?); gilded brass handle; velvet lining'
+p25809
+sg25267
+g27
+sg25275
+S'c. 1375/1400'
+p25810
+sg25268
+S'Cassetta'
+p25811
+sg25270
+S'Tuscan 14th Century'
+p25812
+sa(dp25813
+g25267
+g27
+sg25268
+S"Coverlet: Gentleman's Fancy"
+p25814
+sg25270
+S'Elbert S. Mowery'
+p25815
+sa(dp25816
+g25267
+g27
+sg25268
+S"Coverlet: Gentleman's Fancy"
+p25817
+sg25270
+S'Elbert S. Mowery'
+p25818
+sa(dp25819
+g25267
+g27
+sg25268
+S'Linen and Cotton Homespun'
+p25820
+sg25270
+S'Frank S. Browne'
+p25821
+sa(dp25822
+g25267
+g27
+sg25268
+S'Linen and Cotton Homespun'
+p25823
+sg25270
+S'Magnus S. Fossum'
+p25824
+sa(dp25825
+g25267
+g27
+sg25268
+S'Linen and Cotton Homespun'
+p25826
+sg25270
+S'American 20th Century'
+p25827
+sa(dp25828
+g25267
+g27
+sg25268
+S"Doll's Straw Bonnet"
+p25829
+sg25270
+S'Carmel Wilson'
+p25830
+sa(dp25831
+g25267
+g27
+sg25268
+S"Child's Dress"
+p25832
+sg25270
+S'Nancy Crimi'
+p25833
+sa(dp25834
+g25267
+g27
+sg25268
+S'Coverlet'
+p25835
+sg25270
+S'Mae A. Clarke'
+p25836
+sa(dp25837
+g25267
+g27
+sg25268
+S'Coverlet'
+p25838
+sg25270
+S'Mae A. Clarke'
+p25839
+sa(dp25840
+g25267
+g27
+sg25268
+S'Quilt (Star of Bethlehem)'
+p25841
+sg25270
+S'Charles Bowman'
+p25842
+sa(dp25843
+g25273
+S'overall: 70.2 x 97.9 x 57.1 cm (27 5/8 x 38 9/16 x 22 1/2 in.)'
+p25844
+sg25267
+g27
+sg25275
+S'\nwalnut'
+p25845
+sg25268
+S'Walnut Savonarola Chair with Medici Arms'
+p25846
+sg25270
+S'Italian 16th Century'
+p25847
+sa(dp25848
+g25267
+g27
+sg25268
+S'Walking Stick'
+p25849
+sg25270
+S'Clyde L. Cheney'
+p25850
+sa(dp25851
+g25267
+g27
+sg25268
+S'Dental Forceps'
+p25852
+sg25270
+S'May B. Tebo'
+p25853
+sa(dp25854
+g25267
+g27
+sg25268
+S'Fractur: Christening Certificate'
+p25855
+sg25270
+S'Ella Josephine Sterling'
+p25856
+sa(dp25857
+g25267
+g27
+sg25268
+S'Painted Chest'
+p25858
+sg25270
+S'E. Boyd'
+p25859
+sa(dp25860
+g25267
+g27
+sg25268
+S'Fractur'
+p25861
+sg25270
+S'Albert Levone'
+p25862
+sa(dp25863
+g25267
+g27
+sg25268
+S'Illuminated Title Page from Manuscript Songbook'
+p25864
+sg25270
+S'Elmer G. Anderson'
+p25865
+sa(dp25866
+g25267
+g27
+sg25268
+S'Pa. German Book Marker'
+p25867
+sg25270
+S'Albert Levone'
+p25868
+sa(dp25869
+g25267
+g27
+sg25268
+S'Fractur Paintings (Upper-a Hymn; Lower- Religious Motto)'
+p25870
+sg25270
+S'Albert Levone'
+p25871
+sa(dp25872
+g25267
+g27
+sg25268
+S'Fractur (Illuminated Writing)'
+p25873
+sg25270
+S'John Koehl'
+p25874
+sa(dp25875
+g25267
+S'Fractur is a term referring to a style of writing as well at to the illuminated documents on which it was executed. Brought to Pennsylvania by German scribes, fractur was an art form peculiar to the Pennsylvania Germans. Fractur writing was based \n upon the sixteenth-century fractur typeface, a loose imitation of bold, rigid Gothic lettering. In the German manner, fractur painting followed the tradition of medieval manuscript illumination. The fractur writer held several positions within the \n Pennsylvania German community. As the representative of learning, he was often the schoolmaster as well as clergyman. With his skill in drawing and writing, he performed such services as illustrating books and hymnals and drawing up important documents. \n This fractur is a hymnbook illustraion that commemorates the 100th Psalm. Bold lettering contrasts with lighter, more graceful forms. The decorative motifs of angels, tulips, and stars were hand-drawn and colored.\n '
+p25876
+sg25314
+S'http://www.nga.gov:80/thumb-l/a00003/a0000377.jpg'
+p25877
+sg25268
+S'Manuscript and Miniature'
+p25878
+sg25270
+S'Albert Levone'
+p25879
+sa(dp25880
+g25273
+S'overall: 66.6 x 100.4 x 55.9 cm (26 1/4 x 39 1/2 x 22 in.)'
+p25881
+sg25267
+g27
+sg25275
+S'\nwalnut'
+p25882
+sg25268
+S'Walnut Savonarola Chair with Medici Arms'
+p25883
+sg25270
+S'Italian 16th Century'
+p25884
+sa(dp25885
+g25267
+g27
+sg25268
+S'Pa. German Fractur Designs'
+p25886
+sg25270
+S'Page Coffman'
+p25887
+sa(dp25888
+g25267
+g27
+sg25268
+S'Pa. German Birth Certificate (Waltman #3)'
+p25889
+sg25270
+S'Emma M. Krumrine'
+p25890
+sa(dp25891
+g25267
+g27
+sg25268
+S'Illuminated Psalm'
+p25892
+sg25270
+S'Emma M. Krumrine'
+p25893
+sa(dp25894
+g25267
+g27
+sg25268
+S'Fractur Drawing (Birth Certificate)'
+p25895
+sg25270
+S'Jessica Price'
+p25896
+sa(dp25897
+g25267
+g27
+sg25268
+S'Fraktur - Birth and Baptismal Certificate'
+p25898
+sg25270
+S'Emma M. Krumrine'
+p25899
+sa(dp25900
+g25267
+g27
+sg25268
+S'Pa. German Death Certificate'
+p25901
+sg25270
+S'Albert Levone'
+p25902
+sa(dp25903
+g25267
+g27
+sg25268
+S'Pa. German Birth Certificate'
+p25904
+sg25270
+S'Elmer G. Anderson'
+p25905
+sa(dp25906
+g25267
+g27
+sg25268
+S'Pa. German Birth Certificate'
+p25907
+sg25270
+S'Albert Levone'
+p25908
+sa(dp25909
+g25267
+g27
+sg25268
+S'Unframed Birth Certificate'
+p25910
+sg25270
+S'Edward White'
+p25911
+sa(dp25912
+g25267
+g27
+sg25268
+S'Certificate, Birth and Baptismal; (Fractur)'
+p25913
+sg25270
+S'Ruth Thomson'
+p25914
+sa(dp25915
+g25273
+S'overall: 94 x 68.6 x 45.1 cm (37 x 27 x 17 3/4 in.)'
+p25916
+sg25267
+g27
+sg25275
+S'\nelm, with leather seat, velvet upholstery, and bone, horn, and boxwood inlay'
+p25917
+sg25268
+S'Dantesca Chair with Inlay Work'
+p25918
+sg25270
+S'Italian 16th Century'
+p25919
+sa(dp25920
+g25267
+g27
+sg25268
+S'Birth Certificate (taufschein)'
+p25921
+sg25270
+S'Albert Levone'
+p25922
+sa(dp25923
+g25267
+g27
+sg25268
+S'Memorial-Pennsylvania Fractur and Cut-out Commemorating Jacob Bauer'
+p25924
+sg25270
+S'Fritz Boehmer'
+p25925
+sa(dp25926
+g25267
+g27
+sg25268
+S'Pa. German Birth Certificate'
+p25927
+sg25270
+S'John Wilkes'
+p25928
+sa(dp25929
+g25267
+g27
+sg25268
+S'Pa. German Birth Certificate'
+p25930
+sg25270
+S'Elmer G. Anderson'
+p25931
+sa(dp25932
+g25267
+g27
+sg25268
+S'Pa. German Birth Certificate'
+p25933
+sg25270
+S'Albert Levone'
+p25934
+sa(dp25935
+g25267
+g27
+sg25268
+S'Pa. German Birth Certificate'
+p25936
+sg25270
+S'Ethelbert Brown'
+p25937
+sa(dp25938
+g25267
+g27
+sg25268
+S'Pa. German Fractur Design'
+p25939
+sg25270
+S'Charlotte Angus'
+p25940
+sa(dp25941
+g25267
+g27
+sg25268
+S'Pa. German Birth Certificate'
+p25942
+sg25270
+S'Herbert Barnard'
+p25943
+sa(dp25944
+g25267
+g27
+sg25268
+S'Pa. German Illustrated Fractur'
+p25945
+sg25270
+S'Jerry Guinta'
+p25946
+sa(dp25947
+g25267
+g27
+sg25268
+S'Pa. German Birth and Baptismal Certificate'
+p25948
+sg25270
+S'Roy S. Brown'
+p25949
+sa(dp25950
+g25268
+S'Chimneypiece with Shield of Arms of the Barbo of Venice'
+p25951
+sg25270
+S'North Italian 15th Century'
+p25952
+sg25273
+S'Widener Collection'
+p25953
+sg25275
+S'\nstone'
+p25954
+sg25314
+S'http://www.nga.gov:80/thumb-l/a000d3/a000d3ec.jpg'
+p25955
+sg25267
+g27
+sa(dp25956
+g25267
+g27
+sg25268
+S'Pa. German Birth and Baptismal Certificate'
+p25957
+sg25270
+S'Elmer R. Kottcamp'
+p25958
+sa(dp25959
+g25267
+g27
+sg25268
+S'Pa. German Birth Certificate'
+p25960
+sg25270
+S'Ethelbert Brown'
+p25961
+sa(dp25962
+g25267
+g27
+sg25268
+S'Pa. German Birth Certificate'
+p25963
+sg25270
+S'Elmer G. Anderson'
+p25964
+sa(dp25965
+g25267
+g27
+sg25268
+S'Pa. German Birth Certificate'
+p25966
+sg25270
+S'Albert Levone'
+p25967
+sa(dp25968
+g25267
+g27
+sg25268
+S'Portion of Birth Certificate'
+p25969
+sg25270
+S'Albert Levone'
+p25970
+sa(dp25971
+g25267
+g27
+sg25268
+S'Pa. German Painted Wooden Box'
+p25972
+sg25270
+S'Elmer G. Anderson'
+p25973
+sa(dp25974
+g25267
+g27
+sg25268
+S'Pa. German Wallpaper Box'
+p25975
+sg25270
+S'Edward W. Buechner'
+p25976
+sa(dp25977
+g25267
+g27
+sg25268
+S'Pa. German Band Box'
+p25978
+sg25270
+S'Frances Lichten'
+p25979
+sa(dp25980
+g25267
+g27
+sg25268
+S'Pa. German Bandbox'
+p25981
+sg25270
+S'Betty Jacob'
+p25982
+sa(dp25983
+g25267
+g27
+sg25268
+S'Pa. German Cap Box'
+p25984
+sg25270
+S'Frances Lichten'
+p25985
+sa(dp25986
+g25273
+S'overall: 43.4 x 73.9 x 38.8 cm (17 1/16 x 29 1/8 x 15 1/4 in.)'
+p25987
+sg25267
+g27
+sg25275
+S'\nwalnut, oak, and upholstery'
+p25988
+sg25268
+S'Small Side Chair'
+p25989
+sg25270
+S'Italian 16th Century'
+p25990
+sa(dp25991
+g25267
+g27
+sg25268
+S'Pa. German Bandbox'
+p25992
+sg25270
+S'Elmer G. Anderson'
+p25993
+sa(dp25994
+g25267
+g27
+sg25268
+S'Pa. German Bride or Cap Box'
+p25995
+sg25270
+S'Frances Lichten'
+p25996
+sa(dp25997
+g25267
+g27
+sg25314
+S'http://www.nga.gov:80/thumb-l/a00055/a0005520.jpg'
+p25998
+sg25268
+S'Plate with Soldier on Horseback'
+p25999
+sg25270
+S'Albert Levone'
+p26000
+sa(dp26001
+g25267
+g27
+sg25268
+S'Pa. German Hat Box'
+p26002
+sg25270
+S'Eugene C. Miller'
+p26003
+sa(dp26004
+g25267
+g27
+sg25268
+S"Pa. German Bride's Box"
+p26005
+sg25270
+S'Jessica Price'
+p26006
+sa(dp26007
+g25267
+g27
+sg25268
+S'Pa. German Cap Box'
+p26008
+sg25270
+S'Rolland Livingstone'
+p26009
+sa(dp26010
+g25267
+g27
+sg25268
+S"Pa. German's Bride's Box"
+p26011
+sg25270
+S'Meyer Goldbaum'
+p26012
+sa(dp26013
+g25267
+g27
+sg25268
+S"Pa. German Bride's Box"
+p26014
+sg25270
+S'Jessica Price'
+p26015
+sa(dp26016
+g25267
+g27
+sg25268
+S'Pa. German Box'
+p26017
+sg25270
+S'Joseph Rothenberg'
+p26018
+sa(dp26019
+g25267
+g27
+sg25268
+S"Pa. German Bride's Box"
+p26020
+sg25270
+S'American 20th Century'
+p26021
+sa(dp26022
+g25273
+S'overall: 44.5 x 81.6 x 37.5 cm (17 1/2 x 32 1/8 x 14 3/4 in.)'
+p26023
+sg25267
+g27
+sg25275
+S'\nwalnut, oak, and upholstery'
+p26024
+sg25268
+S'Small Side Chair'
+p26025
+sg25270
+S'Italian 16th Century'
+p26026
+sa(dp26027
+g25267
+g27
+sg25268
+S"Pa. German Child's Bank"
+p26028
+sg25270
+S'Luther D. Wenrich'
+p26029
+sa(dp26030
+g25267
+g27
+sg25268
+S'Pa. German Cheese Strainer'
+p26031
+sg25270
+S'Robert Stewart'
+p26032
+sa(dp26033
+g25267
+g27
+sg25268
+S'Pa. German Whistle'
+p26034
+sg25270
+S'Yolande Delasser'
+p26035
+sa(dp26036
+g25267
+g27
+sg25268
+S'Pa. German Ceramic Horse'
+p26037
+sg25270
+S'Carl Strehlau'
+p26038
+sa(dp26039
+g25267
+g27
+sg25268
+S'Pa. German Pottery Bank'
+p26040
+sg25270
+S'William L. Antrim'
+p26041
+sa(dp26042
+g25267
+g27
+sg25268
+S'Pa. German Money Bank'
+p26043
+sg25270
+S'Frances Lichten'
+p26044
+sa(dp26045
+g25267
+g27
+sg25268
+S'Pa. German Gravy Boat'
+p26046
+sg25270
+S'Elmer G. Anderson'
+p26047
+sa(dp26048
+g25267
+g27
+sg25268
+S'Pa. German Jar'
+p26049
+sg25270
+S'Eugene Shellady'
+p26050
+sa(dp26051
+g25267
+g27
+sg25268
+S'Pa. German Bowl'
+p26052
+sg25270
+S'Alvin Shiren'
+p26053
+sa(dp26054
+g25267
+g27
+sg25268
+S'Pa. German Sugar Bowl and Creamer'
+p26055
+sg25270
+S'William L. Antrim'
+p26056
+sa(dp26057
+g25273
+S'overall: 102.5 x 85.1 x 75.3 cm (40 3/8 x 33 1/2 x 29 5/8 in.)'
+p26058
+sg25267
+g27
+sg25275
+S'\nwalnut, pine, marble, and gilding'
+p26059
+sg25268
+S'Table with Green Marble Top'
+p26060
+sg25270
+S'Italian 16th Century'
+p26061
+sa(dp26062
+g25267
+g27
+sg25268
+S'Pa. German Earthenware Bowl'
+p26063
+sg25270
+S'Jessica Price'
+p26064
+sa(dp26065
+g25267
+g27
+sg25268
+S'Pa. German Jar'
+p26066
+sg25270
+S'William L. Antrim'
+p26067
+sa(dp26068
+g25267
+g27
+sg25268
+S'Sugar Bowl and Creamer'
+p26069
+sg25270
+S'William L. Antrim'
+p26070
+sa(dp26071
+g25267
+S'Sgraffito and slip decoration are expertly combined on this Pennsylvania German plate. The design, a central, eight-pointed star surrounded by a balanced arrangement of tulip sprays and geometric motifs, is delineated by firmly drawn sgraffito lines. \n In addition, the potter has scraped away areas of the yellow slip coating to reveal the red clay underneath and has filled the corresponding spaces in the design with touches of green slip, brushed on over the light background. By deftly blending \n his decorative methods, the potter has produced a varied and colorful design.\n '
+p26072
+sg25314
+S'http://www.nga.gov:80/thumb-l/a00004/a0000463.jpg'
+p26073
+sg25268
+S'Pennsylvania German Pie Plate'
+p26074
+sg25270
+S'Elmer G. Anderson'
+p26075
+sa(dp26076
+g25267
+g27
+sg25268
+S'Pa. German Covered Dish'
+p26077
+sg25270
+S'Alvin Shiren'
+p26078
+sa(dp26079
+g25267
+g27
+sg25268
+S'Pa. German Octagonal Dish'
+p26080
+sg25270
+S'Frances Lichten'
+p26081
+sa(dp26082
+g25267
+g27
+sg25268
+S'Pa. German Tobacco Bowl w/ Lid'
+p26083
+sg25270
+S'Albert Levone'
+p26084
+sa(dp26085
+g25267
+g27
+sg25268
+S'Pa. German Covered Jar'
+p26086
+sg25270
+S'Margaret Stottlemeyer'
+p26087
+sa(dp26088
+g25267
+g27
+sg25268
+S'Pa. German Jar with Cover'
+p26089
+sg25270
+S'Max Soltmann'
+p26090
+sa(dp26091
+g25267
+g27
+sg25268
+S'Pa. German Bean Pot with Lid'
+p26092
+sg25270
+S'Henrietta S. Bukill'
+p26093
+sa(dp26094
+g25268
+S'Cassabanca with Atlantes Supporting the Arms'
+p26095
+sg25270
+S'Italian 16th Century'
+p26096
+sg25273
+S'overall: 257.3 x 90.5 x 73.8 cm (101 5/16 x 35 5/8 x 29 1/16 in.)'
+p26097
+sg25275
+S'\nwalnut, pine, maple, and oak'
+p26098
+sg25314
+S'http://www.nga.gov:80/thumb-l/a000d3/a000d3ea.jpg'
+p26099
+sg25267
+g27
+sa(dp26100
+g25267
+g27
+sg25268
+S'Pa. German Covered Jar'
+p26101
+sg25270
+S'William L. Antrim'
+p26102
+sa(dp26103
+g25267
+g27
+sg25268
+S'Pa. German Jar with Lid'
+p26104
+sg25270
+S'Ethelbert Brown'
+p26105
+sa(dp26106
+g25267
+g27
+sg25268
+S'Pa. German Jar'
+p26107
+sg25270
+S'Eugene Shellady'
+p26108
+sa(dp26109
+g25267
+g27
+sg25268
+S'Pa. German Bowl'
+p26110
+sg25270
+S'Fritz Boehmer'
+p26111
+sa(dp26112
+g25267
+g27
+sg25268
+S'Pa. German Pie Plate'
+p26113
+sg25270
+S'Mina Lowry'
+p26114
+sa(dp26115
+g25267
+g27
+sg25268
+S'Pa. German Stoneware Flask'
+p26116
+sg25270
+S'Beverly Chichester'
+p26117
+sa(dp26118
+g25267
+g27
+sg25268
+S'Pa. German Shaving Basin'
+p26119
+sg25270
+S'Charlotte Angus'
+p26120
+sa(dp26121
+g25267
+g27
+sg25268
+S'Pa. German Puzzle Mug'
+p26122
+sg25270
+S'Eugene Shellady'
+p26123
+sa(dp26124
+g25267
+g27
+sg25268
+S'Pa. German Jar'
+p26125
+sg25270
+S'Eugene Shellady'
+p26126
+sa(dp26127
+g25267
+g27
+sg25268
+S'Pa. German Stoneware Flask'
+p26128
+sg25270
+S'V.L. Vance'
+p26129
+sa(dp26130
+g25273
+S'overall: 45.4 x 80.3 x 43 cm (17 7/8 x 31 5/8 x 16 15/16 in.)'
+p26131
+sg25267
+g27
+sg25275
+S'\nwalnut'
+p26132
+sg25268
+S'Small Side Chair'
+p26133
+sg25270
+S'Sienese 16th Century'
+p26134
+sa(dp26135
+g25267
+g27
+sg25268
+S'Pa. German Butter Crock'
+p26136
+sg25270
+S'Betty Jacob'
+p26137
+sa(dp26138
+g25267
+g27
+sg25268
+S'Pa. German Jar'
+p26139
+sg25270
+S'William L. Antrim'
+p26140
+sa(dp26141
+g25267
+g27
+sg25268
+S'Pa. German Jar'
+p26142
+sg25270
+S'Eugene Shellady'
+p26143
+sa(dp26144
+g25267
+g27
+sg25268
+S'Pa. German Jug'
+p26145
+sg25270
+S'Frances Lichten'
+p26146
+sa(dp26147
+g25267
+g27
+sg25268
+S'Pa. German Jar'
+p26148
+sg25270
+S'William L. Antrim'
+p26149
+sa(dp26150
+g25267
+g27
+sg25268
+S'Cup and Saucer'
+p26151
+sg25270
+S'Robert Stewart'
+p26152
+sa(dp26153
+g25267
+g27
+sg25268
+S'Pa. German Hildebrandt Mug'
+p26154
+sg25270
+S'Thomas Watts'
+p26155
+sa(dp26156
+g25267
+g27
+sg25268
+S'Pa. German Drinking Mug'
+p26157
+sg25270
+S'William L. Antrim'
+p26158
+sa(dp26159
+g25267
+g27
+sg25268
+S'Pa. German Cup and Saucer'
+p26160
+sg25270
+S'Max Soltmann'
+p26161
+sa(dp26162
+g25267
+g27
+sg25268
+S'Pa. German Cup'
+p26163
+sg25270
+S'Albert Levone'
+p26164
+sa(dp26165
+g25273
+S'overall: 45.2 x 80.4 x 41.6 cm (17 13/16 x 31 5/8 x 16 3/8 in.)'
+p26166
+sg25267
+g27
+sg25275
+S'\nwalnut'
+p26167
+sg25268
+S'Small Side Chair'
+p26168
+sg25270
+S'Sienese 16th Century'
+p26169
+sa(dp26170
+g25267
+g27
+sg25268
+S'Pa. German Moravian Loving Cup'
+p26171
+sg25270
+S'Archie Thompson'
+p26172
+sa(dp26173
+g25267
+g27
+sg25268
+S'Pa. German Jardiniere'
+p26174
+sg25270
+S'Giacinto Capelli'
+p26175
+sa(dp26176
+g25267
+g27
+sg25268
+S'Pa. German Flower Vase'
+p26177
+sg25270
+S'Max Soltmann'
+p26178
+sa(dp26179
+g25267
+g27
+sg25268
+S'Pa. German Flower Pot and Saucer'
+p26180
+sg25270
+S'Ethelbert Brown'
+p26181
+sa(dp26182
+g25267
+g27
+sg25268
+S'Pa. German Flower Holder'
+p26183
+sg25270
+S'Frances Lichten'
+p26184
+sa(dp26185
+g25267
+g27
+sg25268
+S'Pa. German Gelatin Mold'
+p26186
+sg25270
+S'Robert Stewart'
+p26187
+sa(dp26188
+g25267
+g27
+sg25268
+S'Pa. German Soap Dish'
+p26189
+sg25270
+S'Anne Mentzoff'
+p26190
+sa(dp26191
+g25267
+g27
+sg25268
+S'Slip Cup'
+p26192
+sg25270
+S'Hedwig Emanuel'
+p26193
+sa(dp26194
+g25267
+g27
+sg25268
+S'Soap Dish'
+p26195
+sg25270
+S'Anne Mentzoff'
+p26196
+sa(dp26197
+g25267
+g27
+sg25268
+S'Pa. German Jug'
+p26198
+sg25270
+S'Eugene Shellady'
+p26199
+sa(dp26200
+g25268
+S'Walnut Dantesca Chair with Inlay Work'
+p26201
+sg25270
+S'Lombard 15th Century'
+p26202
+sg25273
+S'overall: 76.2 x 66 x 51.1 cm (30 x 26 x 20 1/8 in.)'
+p26203
+sg25275
+S'\nelm, with velvet upholstery and bone, horn, and boxwood inlay'
+p26204
+sg25314
+S'http://www.nga.gov:80/thumb-l/a00069/a0006936.jpg'
+p26205
+sg25267
+g27
+sa(dp26206
+g25267
+g27
+sg25268
+S'Pa. German Pitcher'
+p26207
+sg25270
+S'Yolande Delasser'
+p26208
+sa(dp26209
+g25267
+g27
+sg25268
+S'Pa. German Pitcher'
+p26210
+sg25270
+S'Carl Strehlau'
+p26211
+sa(dp26212
+g25267
+g27
+sg25268
+S'Pa. German Pie Plate'
+p26213
+sg25270
+S'Eugene Shellady'
+p26214
+sa(dp26215
+g25267
+g27
+sg25268
+S'Pa. German Plate'
+p26216
+sg25270
+S'Eugene Shellady'
+p26217
+sa(dp26218
+g25267
+g27
+sg25268
+S'Pa. German Dish'
+p26219
+sg25270
+S'Eugene Shellady'
+p26220
+sa(dp26221
+g25267
+g27
+sg25268
+S'Pa. German Plate'
+p26222
+sg25270
+S'Max Soltmann'
+p26223
+sa(dp26224
+g25267
+g27
+sg25268
+S'Pa. German Pie Plate'
+p26225
+sg25270
+S'Jessica Price'
+p26226
+sa(dp26227
+g25267
+g27
+sg25268
+S'Pa. German Dish'
+p26228
+sg25270
+S'Jessica Price'
+p26229
+sa(dp26230
+g25267
+g27
+sg25268
+S'Pa. German Pie Plate'
+p26231
+sg25270
+S'Jack Carr'
+p26232
+sa(dp26233
+g25267
+g27
+sg25268
+S'Pa. German Pie Plate'
+p26234
+sg25270
+S'American 20th Century'
+p26235
+sa(dp26236
+g25268
+S'Writing Table (table \xc3\xa0 \xc3\xa9crire)'
+p26237
+sg25270
+S'Jean-Henri Riesener'
+p26238
+sg25273
+S'veneered on oak with mahogany, sycamore, ebony, and boxwood'
+p26239
+sg25275
+S'1784'
+p26240
+sg25314
+S'http://www.nga.gov:80/thumb-l/a00055/a0005578.jpg'
+p26241
+sg25267
+S"\n According to Jean-Henri Riesener's account ledger for May 28, 1784, this table was ordered for Queen Marie Antoinette's private apartments in the Tuileries Palace, Paris. Detailed descriptions and measurements, as well as a court inventory number inked underneath the tabletop, confirm its identity. After the French Revolution erupted in 1789, the royal family was held for three years in the Tuileries. Marie Antoinette must have used this piece during that imprisonment before she was guillotined in 1793.\n \n \n Besides its historical interest, the single-drawer table is a superb example of Riesener's artistry. With great perception, he emphasized the delicate taper of the legs by inlaying panels of darker wood that interrupt the paler surrounding veneer. Flanked by Roman flutings alternating with openwork palmettes, gilded central plaques depict cupids frolicking among clouds while playing musical instruments.\n \n \n It may not be coincidental that Riesener, the official cabinetmaker to Marie Antoinette and Louis XVI, came from Essen, Germany. The French queen, born in Austria, also spoke German. Ironically, the French Revolution did not destroy Riesener's career; he was employed to remove the royal emblems from \n his own court furniture!\n \n "
+p26242
+sa(dp26243
+g25267
+g27
+sg25268
+S'Pa. German Plate'
+p26244
+sg25270
+S'Yolande Delasser'
+p26245
+sa(dp26246
+g25267
+g27
+sg25268
+S'Pa. German Plate'
+p26247
+sg25270
+S'Austin L. Davison'
+p26248
+sa(dp26249
+g25267
+g27
+sg25268
+S'Pa. German Plate'
+p26250
+sg25270
+S'Archie Thompson'
+p26251
+sa(dp26252
+g25267
+g27
+sg25268
+S'Pa. German Plate'
+p26253
+sg25270
+S'Eugene Shellady'
+p26254
+sa(dp26255
+g25267
+g27
+sg25268
+S'Pa. German Plate'
+p26256
+sg25270
+S'Austin L. Davison'
+p26257
+sa(dp26258
+g25267
+g27
+sg25268
+S'Pa. German Plate'
+p26259
+sg25270
+S'Aaron Fastovsky'
+p26260
+sa(dp26261
+g25267
+g27
+sg25268
+S'Pa. German Pie Dish'
+p26262
+sg25270
+S'William L. Antrim'
+p26263
+sa(dp26264
+g25267
+g27
+sg25268
+S'Pa. German Plate'
+p26265
+sg25270
+S'William L. Antrim'
+p26266
+sa(dp26267
+g25267
+S'This is a candle box dated 1738. Made with a sliding lid, it is decorated with a floral and geometric design painted in bright colors. \n Notice that the panel in front is recessed so that the dark background forms a frame around the symmetrical tulip motif.\n '
+p26268
+sg25314
+S'http://www.nga.gov:80/thumb-l/a00003/a000036c.jpg'
+p26269
+sg25268
+S'Pennsylvania German Candle Box'
+p26270
+sg25270
+S'Rolland Livingstone'
+p26271
+sa(dp26272
+g25267
+g27
+sg25268
+S'Pa. German Pie Plate'
+p26273
+sg25270
+S'Charlotte Angus'
+p26274
+sa(dp26275
+g25268
+S'Chest of Drawers (commode)'
+p26276
+sg25270
+S'Jean Desforges'
+p26277
+sg25273
+S'veneered on oak, mostly stained black, with panels of Japanese black-and-gold (_togidashi_) lacquer; gilded bronze mounts; marble top'
+p26278
+sg25275
+S'1745/1749'
+p26279
+sg25314
+S'http://www.nga.gov:80/thumb-l/a00055/a0005571.jpg'
+p26280
+sg25267
+S'\r\n Panels of black-and-gold lacquer sprinkled with metallic powders (\n \r\n Eighteenth-century Europeans used the French term \n \r\n The commode bears the initial C surmounted by a crown on all its gilt-bronze mounts. This legal mark on metals with \r\n a copper content was used only from 1745 to 1749. The oak body is stamped DF, which has been traditionally identified as the mark of \n '
+p26281
+sa(dp26282
+g25267
+g27
+sg25268
+S'Pennsylvania German Plate'
+p26283
+sg25270
+S'Yolande Delasser'
+p26284
+sa(dp26285
+g25267
+g27
+sg25268
+S'Pa. German Plate'
+p26286
+sg25270
+S'Eugene Shellady'
+p26287
+sa(dp26288
+g25267
+g27
+sg25268
+S'Pa. German Plate'
+p26289
+sg25270
+S'Eugene Shellady'
+p26290
+sa(dp26291
+g25267
+g27
+sg25268
+S'Pa. German Plate'
+p26292
+sg25270
+S'William L. Antrim'
+p26293
+sa(dp26294
+g25267
+g27
+sg25268
+S'Pa. German Plate'
+p26295
+sg25270
+S'Eugene Shellady'
+p26296
+sa(dp26297
+g25267
+g27
+sg25268
+S'Pa. German Pie Plate'
+p26298
+sg25270
+S'Albert Levone'
+p26299
+sa(dp26300
+g25267
+g27
+sg25268
+S'Pa. German Pie Plate'
+p26301
+sg25270
+S'William L. Antrim'
+p26302
+sa(dp26303
+g25267
+g27
+sg25268
+S'Pa. German Small Plate'
+p26304
+sg25270
+S'Eugene Shellady'
+p26305
+sa(dp26306
+g25267
+g27
+sg25268
+S'Pa. German Plate'
+p26307
+sg25270
+S'Eugene Shellady'
+p26308
+sa(dp26309
+g25267
+g27
+sg25268
+S'Pa. German Plate'
+p26310
+sg25270
+S'Giacinto Capelli'
+p26311
+sa(dp26312
+g25268
+S'Writing Table (table \xc3\xa0 \xc3\xa9crire)'
+p26313
+sg25270
+S'Jean-Henri Riesener'
+p26314
+sg25273
+S'veneered on oak with mahogany, sycamore, purplewood, boxwood, ebony, and holly; gilded bronze mounts'
+p26315
+sg25275
+S'c. 1780'
+p26316
+sg25314
+S'http://www.nga.gov:80/thumb-l/a00055/a0005561.jpg'
+p26317
+sg25267
+S"\n At a quick glance, this lady's \n \n Each table has a wide writing slide on the front and a single deep drawer on one side. The gilt-bronze spiral ribbings, which cause both tables' legs to shimmer in the light, are so much alike that they must have been cast from the same molds.\n \n \n Distinction, however, is gained in several ways. Whereas all four sides of the queen's table bear gilded plaques representing cupids, this table is ornamented with scrolling panels of classical acanthus foliage centered on sunflowers. Gilded metal covers all fronts of the queen's table, while here, much of each front is veneer that repeats the diamond or trellis pattern created on the tabletop by parallel, triple stripes of wood.\n \n "
+p26318
+sa(dp26319
+g25267
+g27
+sg25268
+S'Pa. German Pie Dish'
+p26320
+sg25270
+S'William L. Antrim'
+p26321
+sa(dp26322
+g25267
+g27
+sg25268
+S'Plate'
+p26323
+sg25270
+S'Roy S. Brown'
+p26324
+sa(dp26325
+g25267
+g27
+sg25268
+S'Pa. German Plate'
+p26326
+sg25270
+S'Charlotte Angus'
+p26327
+sa(dp26328
+g25267
+g27
+sg25268
+S'Pa. German Pie Dish'
+p26329
+sg25270
+S'Charlotte Angus'
+p26330
+sa(dp26331
+g25267
+g27
+sg25268
+S'Pa. German Plate'
+p26332
+sg25270
+S'Charlotte Angus'
+p26333
+sa(dp26334
+g25267
+g27
+sg25268
+S'Pa. German Dish'
+p26335
+sg25270
+S'Robert Stewart'
+p26336
+sa(dp26337
+g25267
+g27
+sg25268
+S'Pa. German Plate'
+p26338
+sg25270
+S'Eugene Shellady'
+p26339
+sa(dp26340
+g25267
+g27
+sg25314
+S'http://www.nga.gov:80/thumb-l/a00055/a0005521.jpg'
+p26341
+sg25268
+S'Plate with Tulip and Two Flowers'
+p26342
+sg25270
+S'Giacinto Capelli'
+p26343
+sa(dp26344
+g25267
+g27
+sg25268
+S'Pa. German Dish'
+p26345
+sg25270
+S'Eugene Shellady'
+p26346
+sa(dp26347
+g25267
+g27
+sg25268
+S'Pa. German Dish'
+p26348
+sg25270
+S'William L. Antrim'
+p26349
+sa(dp26350
+g25268
+S'Roll-top Desk (Bureau \xc3\xa0 cylindre)'
+p26351
+sg25270
+S'Jean-Henri Riesener'
+p26352
+sg25273
+S'veneered on oak principally with tulipwood and purplewood, with ebony (or wood stained to resemble ebony) and boxwood for stringing; gilded bronze mounts'
+p26353
+sg25275
+S'c. 1775/1785'
+p26354
+sg25314
+S'http://www.nga.gov:80/thumb-l/a00055/a000557a.jpg'
+p26355
+sg25267
+S"\n This rolltop desk is stamped underneath by Jean-Henri Riesener, one of the greatest Parisian cabinetmakers. After his master Jean-François Oeben died in 1763, Riesener inherited the studio and, five years later, married Oeben's widow.\n \n \n The rolltop desk was introduced about 1760 by Oeben. The top of this one includes a tilting, adjustable easel, so that a gentleman could stand to read or write. Wide writing slides and long drawers with inkwells are concealed on both sides, providing work space for two male secretaries.\n \n \n Mountings with neoclassical motifs of circular laurel wreaths and symmetrical sprays of acanthus foliage enhance Riesener's desk. These geometrical plants and straight edges contrast with the subtle curve of the legs, a transitional reminder of the rococo style.\n \n \n In the center of the front drawer and in the corresponding position on the back, intertwined ribbons of gilt bronze form the letters LB. This monogram could refer to any number of men named Louis in the Bourbon-Condé royal family. Since the initials are a different color metal, however, they may be later additions.\n \n "
+p26356
+sa(dp26357
+g25267
+g27
+sg25268
+S'Pa. German Plate'
+p26358
+sg25270
+S'Carl Strehlau'
+p26359
+sa(dp26360
+g25267
+g27
+sg25268
+S'Pa. German Plate'
+p26361
+sg25270
+S'Charles Garjian'
+p26362
+sa(dp26363
+g25267
+g27
+sg25268
+S'Pa. German Dish'
+p26364
+sg25270
+S'Frank Fumagalli'
+p26365
+sa(dp26366
+g25267
+g27
+sg25268
+S'Plate'
+p26367
+sg25270
+S'Hedwig Emanuel'
+p26368
+sa(dp26369
+g25267
+g27
+sg25268
+S'Pa. German Plate'
+p26370
+sg25270
+S'Charles Garjian'
+p26371
+sa(dp26372
+g25267
+g27
+sg25268
+S'Pa. German Plate'
+p26373
+sg25270
+S'Roy Weber'
+p26374
+sa(dp26375
+g25267
+g27
+sg25268
+S'Pa. German Plate'
+p26376
+sg25270
+S'Charles Garjian'
+p26377
+sa(dp26378
+g25267
+g27
+sg25268
+S'Pa. German Dish'
+p26379
+sg25270
+S'Jessica Price'
+p26380
+sa(dp26381
+g25267
+g27
+sg25268
+S'Pa. German Plate'
+p26382
+sg25270
+S'Hedwig Emanuel'
+p26383
+sa(dp26384
+g25267
+g27
+sg25268
+S'Pa. German Plate'
+p26385
+sg25270
+S'Yolande Delasser'
+p26386
+sa(dp26387
+g25268
+S'Chest of Drawers (commode)'
+p26388
+sg25270
+S'Joseph Baumhauer'
+p26389
+sg25273
+S'oak veneered with tulipwood, kingwood, casuarina, and purplewood; gilded bronze mounts; breccia marble top'
+p26390
+sg25275
+S'probably between 1767 and 1772 but possibly a decade earlier'
+p26391
+sg25314
+S'http://www.nga.gov:80/thumb-l/a00055/a00055b6.jpg'
+p26392
+sg25267
+g27
+sa(dp26393
+g25267
+g27
+sg25268
+S'Pa. German plate'
+p26394
+sg25270
+S'Aaron Fastovsky'
+p26395
+sa(dp26396
+g25267
+g27
+sg25268
+S'Pa. German Plate'
+p26397
+sg25270
+S'Giacinto Capelli'
+p26398
+sa(dp26399
+g25267
+g27
+sg25268
+S'Pa. German Dish'
+p26400
+sg25270
+S'Eugene Shellady'
+p26401
+sa(dp26402
+g25267
+g27
+sg25268
+S'Pa. German Pie Dish'
+p26403
+sg25270
+S'Max Soltmann'
+p26404
+sa(dp26405
+g25267
+g27
+sg25268
+S'Pa. German Plate'
+p26406
+sg25270
+S'Charlotte Sperber'
+p26407
+sa(dp26408
+g25267
+g27
+sg25268
+S'Pa. German Plate'
+p26409
+sg25270
+S'Henry Moran'
+p26410
+sa(dp26411
+g25267
+g27
+sg25268
+S'Pa. German Plate'
+p26412
+sg25270
+S'Albert Levone'
+p26413
+sa(dp26414
+g25267
+g27
+sg25268
+S'Pa. German Plate'
+p26415
+sg25270
+S'David Ellinger'
+p26416
+sa(dp26417
+g25267
+g27
+sg25268
+S'Pa. German Plate'
+p26418
+sg25270
+S'Albert Levone'
+p26419
+sa(dp26420
+g25267
+g27
+sg25268
+S'Pa. German Plate'
+p26421
+sg25270
+S'Charlotte Angus'
+p26422
+sa(dp26423
+g25268
+S'Chest of Drawers (commode)'
+p26424
+sg25270
+S'Joseph Baumhauer'
+p26425
+sg25273
+S'oak veneered with tulipwood, kingwood, casuarina, and purplewood; gilded bronze mounts; breccia marble top'
+p26426
+sg25275
+S'probably between 1767 and 1772 but possibly a decade earlier'
+p26427
+sg25314
+S'http://www.nga.gov:80/thumb-l/a00055/a000556d.jpg'
+p26428
+sg25267
+S'\n This chest of drawers with \n \n The oak body is stamped with the name "Joseph," the mark of a cabinetmaker of German birth, \n '
+p26429
+sa(dp26430
+g25267
+g27
+sg25268
+S'Pa. German Deep Dish'
+p26431
+sg25270
+S'Fritz Boehmer'
+p26432
+sa(dp26433
+g25267
+g27
+sg25268
+S'Pa. German Shaving Basin'
+p26434
+sg25270
+S'Frances Lichten'
+p26435
+sa(dp26436
+g25267
+g27
+sg25268
+S'Pa. German Plate'
+p26437
+sg25270
+S'David Ellinger'
+p26438
+sa(dp26439
+g25267
+g27
+sg25268
+S'Pa. German Plate'
+p26440
+sg25270
+S'William L. Antrim'
+p26441
+sa(dp26442
+g25267
+g27
+sg25268
+S'Pa. German Plate'
+p26443
+sg25270
+S'Giacinto Capelli'
+p26444
+sa(dp26445
+g25267
+g27
+sg25268
+S'Pa. German Plate'
+p26446
+sg25270
+S'Aaron Fastovsky'
+p26447
+sa(dp26448
+g25267
+g27
+sg25268
+S'Pa. German Plate'
+p26449
+sg25270
+S'Aaron Fastovsky'
+p26450
+sa(dp26451
+g25267
+g27
+sg25268
+S'Pa. German Shaving Basin'
+p26452
+sg25270
+S'Eugene Shellady'
+p26453
+sa(dp26454
+g25267
+g27
+sg25268
+S'Pa. German Dish'
+p26455
+sg25270
+S'Eugene Shellady'
+p26456
+sa(dp26457
+g25267
+g27
+sg25268
+S'Pa. German Plate'
+p26458
+sg25270
+S'Aaron Fastovsky'
+p26459
+sa(dp26460
+g25268
+S'Writing and Toilet Table (table m\xc3\xa9canique)'
+p26461
+sg25270
+S'Jean-Fran\xc3\xa7ois Oeben'
+p26462
+sg25273
+S', c. 1750/1755'
+p26463
+sg25275
+S'\n'
+p26464
+sg25314
+S'http://www.nga.gov:80/thumb-l/a00055/a0005577.jpg'
+p26465
+sg25267
+S"\n\n \r\n A highly original and influential master with a large shop of twelve workbenches, Oeben taught Martin Carlin, Jean-François Leleu, and Jean-Henri Riesener-all of whom are represented by neoclassical works in the Gallery. Oeben’s daughter, incidentally, was the mother of the romantic painter Eugène Delacroix (1798-1863).\r\n \n \r\n Oeben excelled in figurative veneer such as the still life of musical instruments, berries, and palm fronds on the top of this lady’s mechanical table. For such a dainty piece, it contains an astonishing variety of fittings. The front center drawer, for example, is false, but aging has warped the veneer enough to disclose a smaller secret compartment once hidden by the floral patterns. When the table is opened, a pivoting work surface swivels around, with a toilet mirror on one side and a leather writing pad on the other.\r\n \n \r\n Oeben made at least eleven other tables of this type, with differing interior arrangements and rococo motifs. One table bears his stamp along with that of his former pupil Riesener, and two others place Oeben's mark beside that of his brother-in-law Roger Vandercruse (called Lacroix).\r\n \n "
+p26466
+sa(dp26467
+g25267
+g27
+sg25268
+S'Pa. German Dish'
+p26468
+sg25270
+S'William L. Antrim'
+p26469
+sa(dp26470
+g25267
+g27
+sg25268
+S'Pa. German Dish'
+p26471
+sg25270
+S'Aaron Fastovsky'
+p26472
+sa(dp26473
+g25267
+g27
+sg25268
+S'Pa. German Dish'
+p26474
+sg25270
+S'Margaret Stottlemeyer'
+p26475
+sa(dp26476
+g25267
+g27
+sg25268
+S'Pa. German Scraffito Plate'
+p26477
+sg25270
+S'Aaron Fastovsky'
+p26478
+sa(dp26479
+g25267
+g27
+sg25268
+S'Pa. German Dish'
+p26480
+sg25270
+S'William L. Antrim'
+p26481
+sa(dp26482
+g25267
+g27
+sg25268
+S'Pa. German Deep Dish'
+p26483
+sg25270
+S'Eugene Shellady'
+p26484
+sa(dp26485
+g25267
+g27
+sg25268
+S'Pa. German Dish'
+p26486
+sg25270
+S'Eugene Shellady'
+p26487
+sa(dp26488
+g25267
+g27
+sg25268
+S'Pa. German Dish'
+p26489
+sg25270
+S'Eugene Shellady'
+p26490
+sa(dp26491
+g25267
+g27
+sg25268
+S'Chalkware Birds'
+p26492
+sg25270
+S'Roy S. Brown'
+p26493
+sa(dp26494
+g25267
+g27
+sg25268
+S'Pa. German Toy Lovebirds'
+p26495
+sg25270
+S'Ruth Bialostosky'
+p26496
+sa(dp26497
+g25268
+S'Chest of Drawers (commode)'
+p26498
+sg25270
+S'Jean-Mathieu Chevallier'
+p26499
+sg25273
+S'veneered on oak stained black with tulipwood, kingwood, sycamore, purplewood, boxwood, and other woods, some showing traces of having been colored by staining; gilded bronze mounts; marble top'
+p26500
+sg25275
+S'mid-18th century, possibly 1743/1744'
+p26501
+sg25314
+S'http://www.nga.gov:80/thumb-l/a00055/a00055b9.jpg'
+p26502
+sg25267
+S"\r\n This two-drawer commode, with its sides undulating in bombé swellings, defines the rococo style at its most opulent. Like the Chinese porcelains and the furniture with Japanese lacquer in these rooms, it is an escapist fantasy based on exotic cultures. As trade with the Far East increased, importing Oriental materials and customs such as wearing silk and drinking tea became fads in eighteenth-century Europe.\r\n \n \r\n In the commode's veneer, peonies, which are Oriental blossoms, emerge from horns of plenty to create large oval shapes. This bold, spotted effect continues in the choice of a splotchy marble, called breccia, for the top. \n \r\n The lively gilt-bronze mounts include cattails as well as Chinese men holding dragons, parrots, and parasols. Two fighting dragons guard the lower keyhole. Two more dragons, with serpentine tails and arrowhead tongues, fly upside-down across the bottom edge near the front legs. In a rococo whimsy, they are contrasted to each other. The one at the left has feathered bird wings, but the dragon on the right flies on membraned bat wings.\r\n \n "
+p26503
+sa(dp26504
+g25267
+g27
+sg25268
+S'Chalkware Roosters'
+p26505
+sg25270
+S'Mina Lowry'
+p26506
+sa(dp26507
+g25267
+g27
+sg25268
+S'Chalkware Lovebirds'
+p26508
+sg25270
+S'Mina Lowry'
+p26509
+sa(dp26510
+g25267
+g27
+sg25268
+S'Chalkware Parrot'
+p26511
+sg25270
+S'Mina Lowry'
+p26512
+sa(dp26513
+g25267
+g27
+sg25268
+S'Earthenware Bird'
+p26514
+sg25270
+S'Aaron Fastovsky'
+p26515
+sa(dp26516
+g25267
+g27
+sg25268
+S'Pa. German Chalkware Cat with Mouse'
+p26517
+sg25270
+S'Mina Lowry'
+p26518
+sa(dp26519
+g25267
+g27
+sg25268
+S'Pa. German Seated Chalkware Cat'
+p26520
+sg25270
+S'Mina Lowry'
+p26521
+sa(dp26522
+g25267
+g27
+sg25268
+S'Pa. German Chalkware Sheep'
+p26523
+sg25270
+S'Dorothy Harris'
+p26524
+sa(dp26525
+g25267
+g27
+sg25268
+S'Pa. German Chalkware Sheep'
+p26526
+sg25270
+S'Dorothy Harris'
+p26527
+sa(dp26528
+g25267
+g27
+sg25268
+S'Pa. German Chalkware Sheep'
+p26529
+sg25270
+S'Mina Lowry'
+p26530
+sa(dp26531
+g25267
+g27
+sg25268
+S'Pa. German Chalkware Deer'
+p26532
+sg25270
+S'Mina Lowry'
+p26533
+sa(dp26534
+g25273
+S'(cabinetmaker)'
+p26535
+sg25267
+g27
+sg25275
+S'\n'
+p26536
+sg25268
+S"Writing Table (bureau plat \xc3\xa0 espagnolettes coiff\xc3\xa9es d'aigrettes)"
+p26537
+sg25270
+S'Artist Information ('
+p26538
+sa(dp26539
+g25267
+g27
+sg25268
+S'Pa. German Seated Chalkware Rabbit'
+p26540
+sg25270
+S'Andrew Topolosky'
+p26541
+sa(dp26542
+g25267
+g27
+sg25268
+S'Seated Chalkware Rabbit'
+p26543
+sg25270
+S'Andrew Topolosky'
+p26544
+sa(dp26545
+g25267
+g27
+sg25268
+S'Pa. German Chalkware Lamp and Sheep'
+p26546
+sg25270
+S'Mina Lowry'
+p26547
+sa(dp26548
+g25267
+g27
+sg25268
+S'Pa. German Chalkware Squirrel'
+p26549
+sg25270
+S'Inez McCombs'
+p26550
+sa(dp26551
+g25267
+g27
+sg25268
+S'Pa. German Chalkware Shepherd Boy'
+p26552
+sg25270
+S'Mina Lowry'
+p26553
+sa(dp26554
+g25267
+g27
+sg25268
+S'Pa. German Chalkware Angel Figure'
+p26555
+sg25270
+S'Mina Lowry'
+p26556
+sa(dp26557
+g25267
+g27
+sg25268
+S'Pa. German Chalkware Woman on Horse'
+p26558
+sg25270
+S'Mina Lowry'
+p26559
+sa(dp26560
+g25267
+g27
+sg25268
+S'Pa. German Chalkware Mother and Child'
+p26561
+sg25270
+S'Mina Lowry'
+p26562
+sa(dp26563
+g25267
+g27
+sg25268
+S'Pa. German Chalkware Bloomer Girl'
+p26564
+sg25270
+S'Mina Lowry'
+p26565
+sa(dp26566
+g25267
+g27
+sg25268
+S'Pa. German Chalkware Shrine'
+p26567
+sg25270
+S'Mina Lowry'
+p26568
+sa(dp26569
+g25268
+S'Writing Table with Mechanical Fittings (table m\xc3\xa9canique or schreibtisch)'
+p26570
+sg25270
+S'Artist Information ('
+p26571
+sg25273
+S'(cabinetmaker)'
+p26572
+sg25275
+S'\n'
+p26573
+sg25314
+S'http://www.nga.gov:80/thumb-l/a00055/a000557e.jpg'
+p26574
+sg25267
+S"\n\n \n Roentgen's passion for intricate woodwork was matched by his zeal for complicated mechanisms. This desk's drawers automatically unfold into complex storage areas with many secret compartments.\n \n \n The flat top's \n \n In 1779, Roentgen had sold to Louis XVI a huge, upright secretary-bookcase, including a clock and musical organ, for the highest price paid by the French crown for furniture during the eighteenth century. King Frederick the Great of Prussia and the duke of Lorraine both commissioned simpler variations of that fantastic piece. The National Gallery's table probably incorporates fragments of yet another version.\n \n "
+p26575
+sa(dp26576
+g25267
+g27
+sg25268
+S'Pa. German Chalkware Mary and Her Lamb'
+p26577
+sg25270
+S'Mina Lowry'
+p26578
+sa(dp26579
+g25267
+g27
+sg25268
+S'Chalkware Urn with Fruit and Birds'
+p26580
+sg25270
+S'Mina Lowry'
+p26581
+sa(dp26582
+g25267
+g27
+sg25268
+S'Pa. German Chalkware Mantel Ornament'
+p26583
+sg25270
+S'Mina Lowry'
+p26584
+sa(dp26585
+g25267
+g27
+sg25268
+S'Pa. German Chalkware Mantel Stop'
+p26586
+sg25270
+S'Mina Lowry'
+p26587
+sa(dp26588
+g25267
+g27
+sg25268
+S'Pa. German Chalkware Mantel Stop'
+p26589
+sg25270
+S'Mina Lowry'
+p26590
+sa(dp26591
+g25267
+g27
+sg25268
+S'Pa. German Chalkware Mantel Ornament'
+p26592
+sg25270
+S'Inez McCombs'
+p26593
+sa(dp26594
+g25267
+g27
+sg25268
+S'Pa. German Pewter Cupboard'
+p26595
+sg25270
+S'Henrietta S. Hukill'
+p26596
+sa(dp26597
+g25267
+g27
+sg25268
+S'Pa. German Wall Corner Cupboard'
+p26598
+sg25270
+S'Charlotte Angus'
+p26599
+sa(dp26600
+g25267
+g27
+sg25268
+S'Pa. German Cupboard'
+p26601
+sg25270
+S'Edgar L. Pearce'
+p26602
+sa(dp26603
+g25267
+g27
+sg25268
+S'Pa. German Wall Corner Cupboard'
+p26604
+sg25270
+S'Austin L. Davison'
+p26605
+sa(dp26606
+g25268
+S'Corner-Cupboard (encoignure)'
+p26607
+sg25270
+S'Jean Desforges'
+p26608
+sg25273
+S'veneered on oak, stained black, with ebonized wood; japanned on each door with _vernis Martin_; gilded bronze mounts; black and gold Portor marble top'
+p26609
+sg25275
+S'probably 1745/1749'
+p26610
+sg25314
+S'http://www.nga.gov:80/thumb-l/a00055/a0005572.jpg'
+p26611
+sg25267
+S'\r\n French imitations of Oriental lacquer, regardless of which craftsmen made them, are called \n \r\n The landscapes contrast the themes of war and peace. \r\n On the cabinet shown in this tour, mounted Chinese soldiers attack a building with a closed gate. On the other \n '
+p26612
+sa(dp26613
+g25267
+g27
+sg25268
+S'Pa. German Hanging Cupboard'
+p26614
+sg25270
+S'David Dorfman'
+p26615
+sa(dp26616
+g25267
+g27
+sg25268
+S'Wall Cabinet'
+p26617
+sg25270
+S'Ethelbert Brown'
+p26618
+sa(dp26619
+g25267
+g27
+sg25268
+S'Pa. German Arm Chair'
+p26620
+sg25270
+S'Charlotte Angus'
+p26621
+sa(dp26622
+g25267
+g27
+sg25268
+S'Pa. German Chair'
+p26623
+sg25270
+S'Frances Lichten'
+p26624
+sa(dp26625
+g25267
+g27
+sg25268
+S'Pa. German Chair'
+p26626
+sg25270
+S'Frances Lichten'
+p26627
+sa(dp26628
+g25267
+g27
+sg25268
+S'Pa. German Rocking Chair'
+p26629
+sg25270
+S'LeRoy Griffith'
+p26630
+sa(dp26631
+g25267
+g27
+sg25268
+S'Pa. German Rocking Chair'
+p26632
+sg25270
+S'Edmond W. Brown'
+p26633
+sa(dp26634
+g25267
+g27
+sg25268
+S'Pa. German Chair'
+p26635
+sg25270
+S'Rosa Burger'
+p26636
+sa(dp26637
+g25267
+g27
+sg25268
+S'Pa. German Chair'
+p26638
+sg25270
+S'Rosa Burger'
+p26639
+sa(dp26640
+g25267
+g27
+sg25268
+S'Pa. German Chair'
+p26641
+sg25270
+S'Charles Henning'
+p26642
+sa(dp26643
+g25268
+S'Corner-Cupboard (encoignure)'
+p26644
+sg25270
+S'Jean Desforges'
+p26645
+sg25273
+S'veneered on oak, stained black, with ebonized wood, sycamore and kingwood veneers; japanned on each door with _vernis Martin_; gilded bronze mounts; black and gold Portor marble top'
+p26646
+sg25275
+S'probably 1745/1749'
+p26647
+sg25314
+S'http://www.nga.gov:80/thumb-l/a00055/a0005573.jpg'
+p26648
+sg25267
+g27
+sa(dp26649
+g25267
+g27
+sg25314
+S'http://www.nga.gov:80/thumb-l/a00051/a00051d4.jpg'
+p26650
+sg25268
+S'Pa. German Chair'
+p26651
+sg25270
+S'Edward L. Loper'
+p26652
+sa(dp26653
+g25267
+g27
+sg25268
+S'Pa. German Chair'
+p26654
+sg25270
+S'Henry Zwysen'
+p26655
+sa(dp26656
+g25267
+g27
+sg25268
+S'Pa. German Chair'
+p26657
+sg25270
+S'Henry Moran'
+p26658
+sa(dp26659
+g25267
+g27
+sg25268
+S'Pa. German Chair'
+p26660
+sg25270
+S'Charlotte Angus'
+p26661
+sa(dp26662
+g25267
+g27
+sg25268
+S'Pa. German Table'
+p26663
+sg25270
+S'Frances Lichten'
+p26664
+sa(dp26665
+g25267
+g27
+sg25268
+S'Pa. German Table'
+p26666
+sg25270
+S'Carl Strehlau'
+p26667
+sa(dp26668
+g25267
+g27
+sg25268
+S'Pa. German Table'
+p26669
+sg25270
+S'Frances Lichten'
+p26670
+sa(dp26671
+g25267
+g27
+sg25268
+S'Wagon Bench'
+p26672
+sg25270
+S'Vincent P. Rosel'
+p26673
+sa(dp26674
+g25267
+g27
+sg25268
+S'Pa. German Trestle Table'
+p26675
+sg25270
+S'Lawrence Porth'
+p26676
+sa(dp26677
+g25267
+g27
+sg25268
+S'Pa. German Table'
+p26678
+sg25270
+S'Frances Lichten'
+p26679
+sa(dp26680
+g25268
+S'Lean-to Writing Desk (secr\xc3\xa9taire en pente)'
+p26681
+sg25270
+S'Bernard van Risenburgh II'
+p26682
+sg25273
+S'veneered on oak (stained purple on the underside of the top) with tulipwood cut on the quarter, root-cut kingwood, and other end-cut woods; gilded bronze mounts'
+p26683
+sg25275
+S'c. 1750'
+p26684
+sg25314
+S'http://www.nga.gov:80/thumb-l/a00055/a000557b.jpg'
+p26685
+sg25267
+S'\r\n This lady’s diminutive desk \r\n has bulging, \n \r\n Such floral veneer, making the most of natural wood tones, characterizes the style of \n \r\n Specializing in small-scale luxury furniture, Bernard was exceptionally versatile in technique. He used wood marquetry and Oriental lacquer, and is likely to have been the first cabinetmaker to decorate his pieces with plaques of Sévres porcelain. The second of three generations of Parisian furniture makers of Dutch origin, Bernard II van Risamburgh was among the finest eighteenth-century craftsmen.\r\n \n '
+p26686
+sa(dp26687
+g25267
+g27
+sg25268
+S'Pa. German Hutch Table'
+p26688
+sg25270
+S'Rex F. Bush'
+p26689
+sa(dp26690
+g25267
+g27
+sg25268
+S'Pa. German Hutch Table'
+p26691
+sg25270
+S'Rex F. Bush'
+p26692
+sa(dp26693
+g25267
+g27
+sg25268
+S'Pa. German Dower Chest'
+p26694
+sg25270
+S'Francis Borelli'
+p26695
+sa(dp26696
+g25267
+g27
+sg25268
+S'Pa. German Chest'
+p26697
+sg25270
+S'Betty Jean Davis'
+p26698
+sa(dp26699
+g25267
+g27
+sg25268
+S'Pa. German Chest'
+p26700
+sg25270
+S'Eileen Knox'
+p26701
+sa(dp26702
+g25267
+g27
+sg25268
+S'Pa. German Chest'
+p26703
+sg25270
+S'Frances Lichten'
+p26704
+sa(dp26705
+g25267
+g27
+sg25268
+S'Pa. German Chest'
+p26706
+sg25270
+S'Malcolm Hackney'
+p26707
+sa(dp26708
+g25267
+g27
+sg25268
+S'Pa. German Love Chest'
+p26709
+sg25270
+S'Ella Josephine Sterling'
+p26710
+sa(dp26711
+g25267
+g27
+sg25268
+S'Pa. German Dower Chest'
+p26712
+sg25270
+S'Bernard Krieger'
+p26713
+sa(dp26714
+g25267
+g27
+sg25268
+S'Pa. German Dower Chest'
+p26715
+sg25270
+S'Bernard Krieger'
+p26716
+sa(dp26717
+g25268
+S'Work and Writing Table (table en chiffonni\xc3\xa8re)'
+p26718
+sg25270
+S'Bernard van Risenburgh II'
+p26719
+sg25273
+S'veneered partly on oak and partly on pine with tulipwood, purplewood, crosscut kingwood, and casuarina; gilded bronze mounts'
+p26720
+sg25275
+S'c. 1750/1760'
+p26721
+sg25314
+S'http://www.nga.gov:80/thumb-l/a00055/a000557c.jpg'
+p26722
+sg25267
+S"\r\n Bernard II van Risamburgh inked \r\n his initials on this tiny work table. Maintaining exceptionally \r\n high standards, he ran \r\n a small studio with only three workbenches. He also perfected the technique of using an end-cut wood that produced the vibrant whorls and textures seen on the \r\n floral top here. Louis XV was among the purchasers of his luxury pieces, and a table similar to this one appears in several portraits by François Boucher of the king's mistress, Madame de Pompadour.\r\n \n \r\n This table has been modified. Although the veneer is intact, the interior now holds a deep well for sewing materials. Some of the gilt-bronze mounts may be nineteenth-century replacements, and the tray that stabilizes the slender legs may also be a later addition.\r\n \n \r\n (The foreign names of many craftsmen active in France can be explained, in part, by the country's religious history. In 1598, the Edict of Nantes had protected the French Protestants, or Huguenots, who were mostly merchants and artisans. When Louis XIV revoked the edict in 1685, however, many Huguenots fled. To make up for the shortage of native-born craftsmen, foreigners immigrated to France. The Gallery displays work by the Dutch-descended van Risamburgh, the Caffiéri of Italian origin, and the German-born Baumhauer, Oeben, Carlin, and Riesener. Conversely, many of the best craftsmen outside France came from refugee Huguenot families, including the colonial Boston silversmith Paul Revere.)\r\n \n "
+p26723
+sa(dp26724
+g25267
+g27
+sg25268
+S'Pa. German Dower Chest'
+p26725
+sg25270
+S'Fanchon Larzelere'
+p26726
+sa(dp26727
+g25267
+g27
+sg25268
+S'Pa. German Dower Chest'
+p26728
+sg25270
+S'Francis Borelli'
+p26729
+sa(dp26730
+g25267
+g27
+sg25268
+S'Pa. German Chest'
+p26731
+sg25270
+S'Edgar L. Pearce'
+p26732
+sa(dp26733
+g25267
+g27
+sg25268
+S'Pa. German Dower Chest'
+p26734
+sg25270
+S'Joseph Rothenberg'
+p26735
+sa(dp26736
+g25267
+g27
+sg25268
+S'Pa. German Dower Chest'
+p26737
+sg25270
+S'Lorenz Rothkranz'
+p26738
+sa(dp26739
+g25267
+g27
+sg25268
+S'Pa. German Chest'
+p26740
+sg25270
+S'Betty Jean Davis'
+p26741
+sa(dp26742
+g25267
+g27
+sg25268
+S'Pa. German Chest'
+p26743
+sg25270
+S'Betty Jean Davis'
+p26744
+sa(dp26745
+g25267
+g27
+sg25268
+S'Pa. German Chest'
+p26746
+sg25270
+S'Betty Jean Davis'
+p26747
+sa(dp26748
+g25267
+g27
+sg25268
+S'Pa. German Chest'
+p26749
+sg25270
+S'David Dorfman'
+p26750
+sa(dp26751
+g25267
+g27
+sg25268
+S'Pa. German Chest'
+p26752
+sg25270
+S'Rolland Livingstone'
+p26753
+sa(dp26754
+g25273
+S'German, 1721 - 1763'
+p26755
+sg25267
+g27
+sg25275
+S'(related artist)'
+p26756
+sg25268
+S'Writing Table with Mechanical Fittings (table \xc3\xa0 transformation)'
+p26757
+sg25270
+S'Artist Information ('
+p26758
+sa(dp26759
+g25267
+g27
+sg25268
+S'Pa. German Chest'
+p26760
+sg25270
+S'Samuel Philpot'
+p26761
+sa(dp26762
+g25267
+g27
+sg25268
+S'Pa. German Chest'
+p26763
+sg25270
+S'Luther D. Wenrich'
+p26764
+sa(dp26765
+g25267
+g27
+sg25314
+S'http://www.nga.gov:80/thumb-l/a00063/a0006368.jpg'
+p26766
+sg25268
+S'Pa. German Chest'
+p26767
+sg25270
+S'Carl Strehlau'
+p26768
+sa(dp26769
+g25267
+g27
+sg25268
+S'Pa. German Chest'
+p26770
+sg25270
+S'Carl Strehlau'
+p26771
+sa(dp26772
+g25267
+g27
+sg25268
+S'Pa. German Chest'
+p26773
+sg25270
+S'Carl Strehlau'
+p26774
+sa(dp26775
+g25267
+g27
+sg25268
+S'Pa. German Chest'
+p26776
+sg25270
+S'Austin L. Davison'
+p26777
+sa(dp26778
+g25267
+g27
+sg25268
+S'Pa. German Painted Chest'
+p26779
+sg25270
+S'Frances Lichten'
+p26780
+sa(dp26781
+g25267
+g27
+sg25268
+S'Pa. German Dower Chest'
+p26782
+sg25270
+S'John Dieterich'
+p26783
+sa(dp26784
+g25267
+g27
+sg25268
+S'Pa. German Sample Chest'
+p26785
+sg25270
+S'Betty Jean Davis'
+p26786
+sa(dp26787
+g25267
+g27
+sg25268
+S'Pa. German Chest'
+p26788
+sg25270
+S'Betty Jean Davis'
+p26789
+sa(dp26790
+g25268
+S'Combined Toilet and Writing Table (toilette \xc3\xa0 transformations)'
+p26791
+sg25270
+S'Jean-Fran\xc3\xa7ois Leleu'
+p26792
+sg25273
+S'veneered on oak with tulipwood, kingwood, pearwood, purplewood, sycamore, holly, boxwood, and ebony, some of the woods being originally stained green and other colors; drawers partially of mahogany; sparsely mounted with gilded bronze'
+p26793
+sg25275
+S'c. 1764/1775'
+p26794
+sg25314
+S'http://www.nga.gov:80/thumb-l/a00055/a0005574.jpg'
+p26795
+sg25267
+S"\n A ribboned, floral bouquet executed in wood marquetry fills the top of this table. The yellow of the daffodils has faded, but traces remain of the green and red dyes used to stain the leaves and roses. Otherwise, this lady's desk is extraordinarily well preserved.\n \n \n When the key is inserted, springs move the top back halfway while a writing compartment glides forward, doubling the work area. Deep drawers on both sides are simultaneously unlocked and then can be pulled out manually. The owner, when finished with her correspondence or household accounts, could lift the hinged writing surface to reveal the mirror on its back and compartments for cosmetics below.\n \n \n Jean-François Leleu, who signed this work, also supplied furniture for the pleasure pavilion built in 1770-1771 at Louveciennes for Madame du Barry, the last mistress of Louis XV. The decoration at Louveciennes presented neoclassicism as the approved court style. The straight lines and perfect circles of this early, transitional-style table are imposed on a curving, rococo silhouette.\n \n \n Leleu gained his expertise in pictorial veneer from his teacher, Jean-François Oeben. For a man who could invent such refined designs, Leleu had a violent temper. When a fellow apprentice, \n "
+p26796
+sa(dp26797
+g25267
+g27
+sg25268
+S'Pa. German Chest'
+p26798
+sg25270
+S'Carl Strehlau'
+p26799
+sa(dp26800
+g25267
+g27
+sg25268
+S'Pa. German Chest'
+p26801
+sg25270
+S'Frances Lichten'
+p26802
+sa(dp26803
+g25267
+g27
+sg25268
+S'Pa. German Chest'
+p26804
+sg25270
+S'Elmer G. Anderson'
+p26805
+sa(dp26806
+g25267
+g27
+sg25268
+S'Pa. German Chest'
+p26807
+sg25270
+S'Frances Lichten'
+p26808
+sa(dp26809
+g25267
+g27
+sg25268
+S'Pa. German Chest'
+p26810
+sg25270
+S'Carl Strehlau'
+p26811
+sa(dp26812
+g25267
+g27
+sg25268
+S'Pa. German Chest'
+p26813
+sg25270
+S'Elmer G. Anderson'
+p26814
+sa(dp26815
+g25267
+g27
+sg25268
+S'Pa. German Chest'
+p26816
+sg25270
+S'Elmer G. Anderson'
+p26817
+sa(dp26818
+g25267
+g27
+sg25268
+S'Chest'
+p26819
+sg25270
+S'Frances Lichten'
+p26820
+sa(dp26821
+g25267
+g27
+sg25268
+S'Pa. German Chest'
+p26822
+sg25270
+S'Elmer G. Anderson'
+p26823
+sa(dp26824
+g25267
+g27
+sg25268
+S'Pa. German Chest'
+p26825
+sg25270
+S'Carl Strehlau'
+p26826
+sa(dp26827
+g25268
+S'Writing Table (bureau plat)'
+p26828
+sg25270
+S'Charles Cressent'
+p26829
+sg25273
+S'veneered on oak and pine with kingwood, tulipwood, purplewood, boxwood, and ebony; gilded bronze mounts'
+p26830
+sg25275
+S'c. 1740/1745'
+p26831
+sg25314
+S'http://www.nga.gov:80/thumb-l/a00055/a0005570.jpg'
+p26832
+sg25267
+S"\r\n The maker of this magnificent writing table is \n \r\n As cabinetmaker to the young king's regent, the duc d'Orleans, and later to the king himself, Cressent may have grown arrogant. He was fined three times by tribunals for casting or gilding his own bronze mounts, which, by law, should have been done by specialists in metalwork.\r\n \n \r\n The overall silhouettes of Cressent's furniture flow in fluid, sculptural masses. The gilt-bronze mounts, such as the four female busts emerging gracefully from this table's corners, reveal the finest modeling and hand-finishing. Details of the women's faces and lace caps were engraved or chased with stippled, shimmering textures.\r\n \n "
+p26833
+sa(dp26834
+g25267
+g27
+sg25268
+S'Pa. German Flat-iron Holder'
+p26835
+sg25270
+S'Herman Bader'
+p26836
+sa(dp26837
+g25267
+g27
+sg25268
+S'Pa. German Flat-iron Holder'
+p26838
+sg25270
+S'Gordon Sanborn'
+p26839
+sa(dp26840
+g25267
+g27
+sg25268
+S'Patch Pocket and Decorations on Ky. Rifle'
+p26841
+sg25270
+S'Charles Moss'
+p26842
+sa(dp26843
+g25267
+g27
+sg25268
+S'Patch Pocket, Butt Plate & Stock on Ky. Rifle'
+p26844
+sg25270
+S'Charles Moss'
+p26845
+sa(dp26846
+g25267
+g27
+sg25268
+S'Patch Box of Kentucky Rifle'
+p26847
+sg25270
+S'Albert Levone'
+p26848
+sa(dp26849
+g25267
+g27
+sg25268
+S'Patch Box of Kentucky Rifle'
+p26850
+sg25270
+S'Albert Levone'
+p26851
+sa(dp26852
+g25267
+g27
+sg25268
+S'Patch Box of Kentucky Rifle'
+p26853
+sg25270
+S'Albert Levone'
+p26854
+sa(dp26855
+g25267
+g27
+sg25268
+S'Patch-box from Cavalry Carbine Stock'
+p26856
+sg25270
+S'Elmer R. Kottcamp'
+p26857
+sa(dp26858
+g25267
+g27
+sg25268
+S'Patch Box of Kentucky Rifle'
+p26859
+sg25270
+S'Albert Levone'
+p26860
+sa(dp26861
+g25267
+g27
+sg25268
+S'Patch Box from Ky. Rifle'
+p26862
+sg25270
+S'Albert Levone'
+p26863
+sa(dp26864
+g25268
+S'Lean-to Writing Desk (table \xc3\xa0 abbattant)'
+p26865
+sg25270
+S'Pierre Migeon II'
+p26866
+sg25273
+S', c. 1750'
+p26867
+sg25275
+S'\n'
+p26868
+sg25314
+S'http://www.nga.gov:80/thumb-l/a00055/a000555e.jpg'
+p26869
+sg25267
+S'\r\n Arabesques of curling lobes and cusps characterized \r\n earlier rococo design. For variety here, the pale tulipwood veneer of the background is arranged in fan shapes within the dark scrolls of purple-wood. Later, in \r\n the mid-eighteenth century, floral patterns would \r\n become fashionable.\r\n \n \r\n Somewhat larger than most ladies’ desks, this one has steel rods that, when pulled out, support its opened lid as a writing surface. The interior has two tiers of drawers; the lower set, hidden beneath a sliding, false bottom, protected valuables \r\n and private papers.\r\n \n \r\n Trained by his father, Pierre II Migeon apparently never officially became a master craftsman, presumably because he was a Calvinist, and guild regulations in Paris prohibited membership by Protestants. Even so, he was a favorite of Madame de Pompadour.\r\n \n \r\n Migeon was a \n '
+p26870
+sa(dp26871
+g25267
+g27
+sg25268
+S'Patch Box from Ky. Rifle'
+p26872
+sg25270
+S'Albert Levone'
+p26873
+sa(dp26874
+g25267
+S'In a molten state brass can be cast into intricate shapes like this hinged patchbox cover. A patchbox is a container inlayed into the buttstock of a flintlock rifle that holds a greased cloth or other small piece of equipment. Flintlock rifles, developed by the Pennsylvania Germans, played an important role in the Revolutionary War. Also called Kentucky rifles, they were made famous by such backwoods heroes as Daniel Boone and Davy Crockett. This patchbox cover was probably made about 1810. Pennsylvania German gunsmiths displayed their love of fine decoration by including elaborate detail on their rifles. The scroll design of this patchbox cover reflects the ornate style fashionable during the "Golden Age" of Kentucky rifles, while the bird motif is in keeping with Pennsylvania German tradition.\n '
+p26875
+sg25268
+S'Patch Boxes of Kentucky Rifles'
+p26876
+sg25270
+S'Albert Levone'
+p26877
+sa(dp26878
+g25267
+g27
+sg25268
+S'Flat-iron Holder'
+p26879
+sg25270
+S'Filippo Porreca'
+p26880
+sa(dp26881
+g25267
+g27
+sg25268
+S'Pa. German Flat-iron Holder'
+p26882
+sg25270
+S'Julius Bellamy'
+p26883
+sa(dp26884
+g25267
+g27
+sg25268
+S'German Flat-iron Holder'
+p26885
+sg25270
+S'Herman Bader'
+p26886
+sa(dp26887
+g25267
+g27
+sg25268
+S'Pa. German Cake Mold'
+p26888
+sg25270
+S'Walter Hochstrasser'
+p26889
+sa(dp26890
+g25267
+g27
+sg25268
+S'Pa. German Waffle Iron'
+p26891
+sg25270
+S'Roy Weber'
+p26892
+sa(dp26893
+g25267
+g27
+sg25268
+S'Pa. German Stove Plate'
+p26894
+sg25270
+S'Elmer G. Anderson'
+p26895
+sa(dp26896
+g25267
+g27
+sg25268
+S'Pa. German Stove Plate'
+p26897
+sg25270
+S'Elmer G. Anderson'
+p26898
+sa(dp26899
+g25267
+g27
+sg25314
+S'http://www.nga.gov:80/thumb-l/a00055/a0005522.jpg'
+p26900
+sg25268
+S'Pa. German Stove Plate'
+p26901
+sg25270
+S'Elmer G. Anderson'
+p26902
+sa(dp26903
+g25268
+S'Work and Writing Table'
+p26904
+sg25270
+S'Martin Carlin'
+p26905
+sg25273
+S'veneered with sycamore, tulipwood, purplewood, ebony, boxwood, and various other woods; gilded bronze mounts'
+p26906
+sg25275
+S'c. 1770'
+p26907
+sg25314
+S'http://www.nga.gov:80/thumb-l/a00055/a000556f.jpg'
+p26908
+sg25267
+S"\n When the writing surface of this lady's table is pulled forward, the top automatically slides back. The gilt-bronze corner ornaments consist of crossed torches and quivers of arrows. These ancient military motifs act here as emblems of love-burning passions and Cupid's darts.\n \n \n The top is veneered with a neoclassical pattern of checkered squares punctuated by rosettes. Fluted legs taper to a daring slenderness, and the center panels of all four sides drop below the main silhouette. These deep falls appear to defy gravity, adding to the piece's apparent weightlessness.\n \n \n Martin Carlin, who signed this table, was noted for such elegant proportions. He specialized in ladies' small-scale furniture, which he usually sold ready-made through dealers instead of working on commissions from patrons. Carlin's popularity is indicated in purchases made by Madame du Barry, Marie Antoinette, and the great-aunts of Louis XVI.\n \n \n Born in Baden, Germany, Carlin had moved to Paris \n by 1759, when he married a sister of the cabinetmaker Jean-François Oeben. Along with Oeben's other pupils, including Leleu and Riesener, Carlin was among the most fashionable \n of neoclassical designers.\n\n\n "
+p26909
+sa(dp26910
+g25267
+g27
+sg25268
+S'Pa. German Stove Plate'
+p26911
+sg25270
+S'Elmer G. Anderson'
+p26912
+sa(dp26913
+g25267
+g27
+sg25268
+S'Pa. German Stove Plate'
+p26914
+sg25270
+S'Franklyn Syres'
+p26915
+sa(dp26916
+g25267
+g27
+sg25268
+S'Pa. German Stove Plate'
+p26917
+sg25270
+S'Elmer G. Anderson'
+p26918
+sa(dp26919
+g25267
+g27
+sg25268
+S'Pa. German Stove Plate'
+p26920
+sg25270
+S'Elmer G. Anderson'
+p26921
+sa(dp26922
+g25267
+g27
+sg25268
+S'Pa. German Stove Plate'
+p26923
+sg25270
+S'Edward L. Loper'
+p26924
+sa(dp26925
+g25267
+g27
+sg25268
+S'Pa. German Stove Plate'
+p26926
+sg25270
+S'Austin L. Davison'
+p26927
+sa(dp26928
+g25267
+g27
+sg25268
+S'Pa. German Stove Plate'
+p26929
+sg25270
+S'Austin L. Davison'
+p26930
+sa(dp26931
+g25267
+g27
+sg25268
+S'Pa. German Stove Plate'
+p26932
+sg25270
+S'Austin L. Davison'
+p26933
+sa(dp26934
+g25267
+g27
+sg25268
+S'Pa. German Stove Back'
+p26935
+sg25270
+S'Austin L. Davison'
+p26936
+sa(dp26937
+g25267
+g27
+sg25268
+S'Pa. German Stove Plate'
+p26938
+sg25270
+S'Roy Weber'
+p26939
+sa(dp26940
+g25273
+g27
+sg25267
+g27
+sg25275
+S'(cabinetmaker)'
+p26941
+sg25268
+S'Sofa'
+p26942
+sg25270
+S'Artist Information ('
+p26943
+sa(dp26944
+g25267
+g27
+sg25268
+S'Pa. German Stove Plate'
+p26945
+sg25270
+S'Roy Weber'
+p26946
+sa(dp26947
+g25267
+g27
+sg25268
+S'Pa. German Stove Plate'
+p26948
+sg25270
+S'Roy Weber'
+p26949
+sa(dp26950
+g25267
+g27
+sg25268
+S'Pa. German Stove and Plate'
+p26951
+sg25270
+S'William H. Edwards'
+p26952
+sa(dp26953
+g25267
+g27
+sg25314
+S'http://www.nga.gov:80/thumb-l/a00055/a0005523.jpg'
+p26954
+sg25268
+S'Pennsylvania German Fireback'
+p26955
+sg25270
+S'Edward L. Loper'
+p26956
+sa(dp26957
+g25267
+g27
+sg25268
+S'Pa. German Flat-iron Holder'
+p26958
+sg25270
+S'Milton Grubstein'
+p26959
+sa(dp26960
+g25267
+g27
+sg25268
+S'Pa. German Flat-iron Holder'
+p26961
+sg25270
+S'Philip Johnson'
+p26962
+sa(dp26963
+g25267
+g27
+sg25268
+S'Pa. German Flat-iron Holder'
+p26964
+sg25270
+S'Filippo Porreca'
+p26965
+sa(dp26966
+g25267
+g27
+sg25268
+S'Pa. German Flat-iron Holder'
+p26967
+sg25270
+S'Gordon Sanborn'
+p26968
+sa(dp26969
+g25267
+g27
+sg25268
+S'Pa. German Flat-iron Holder'
+p26970
+sg25270
+S'Albert Taxson'
+p26971
+sa(dp26972
+g25267
+g27
+sg25268
+S'Pa. German Flat-iron Holder'
+p26973
+sg25270
+S'Jack Staloff'
+p26974
+sa(dp26975
+g25273
+g27
+sg25267
+g27
+sg25275
+S'(cabinetmaker)'
+p26976
+sg25268
+S'Sofa'
+p26977
+sg25270
+S'Artist Information ('
+p26978
+sa(dp26979
+g25267
+g27
+sg25268
+S'Flat-iron Holder'
+p26980
+sg25270
+S'Jack Staloff'
+p26981
+sa(dp26982
+g25267
+g27
+sg25268
+S'Pa. German Trivet'
+p26983
+sg25270
+S'Filippo Porreca'
+p26984
+sa(dp26985
+g25267
+g27
+sg25268
+S'Pa. German Trivet'
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+p27354
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+g25267
+g27
+sg25268
+S'Pa. German Cake Mold'
+p27356
+sg25270
+S'Franklyn Syres'
+p27357
+sa(dp27358
+g25273
+S'(cabinetmaker)'
+p27359
+sg25267
+g27
+sg25275
+S'\n'
+p27360
+sg25268
+S'Small Screen'
+p27361
+sg25270
+S'Artist Information ('
+p27362
+sa(dp27363
+g25267
+g27
+sg25268
+S'Pa. German Butter Mold'
+p27364
+sg25270
+S'Albert Levone'
+p27365
+sa(dp27366
+g25267
+g27
+sg25268
+S'Pa. German Butter Mold'
+p27367
+sg25270
+S'Charlotte Angus'
+p27368
+sa(dp27369
+g25267
+g27
+sg25268
+S'Pa. German Butter Mold'
+p27370
+sg25270
+S'Charlotte Angus'
+p27371
+sa(dp27372
+g25267
+g27
+sg25268
+S'Spanish Colonial Mission Bench'
+p27373
+sg25270
+S'Edward Jewett'
+p27374
+sa(dp27375
+g25267
+g27
+sg25268
+S'Pa. German Butter Mold'
+p27376
+sg25270
+S'Charlotte Angus'
+p27377
+sa(dp27378
+g25267
+g27
+sg25268
+S'Pa. German Treen Double Butter Stamp'
+p27379
+sg25270
+S'Archie Thompson'
+p27380
+sa(dp27381
+g25267
+g27
+sg25268
+S'Pa. German Butter Mold'
+p27382
+sg25270
+S'Franklyn Syres'
+p27383
+sa(dp27384
+g25267
+g27
+sg25268
+S'Pa. German Butter Mold'
+p27385
+sg25270
+S'Franklyn Syres'
+p27386
+sa(dp27387
+g25267
+g27
+sg25268
+S'Pa. German Butter Mold'
+p27388
+sg25270
+S'Charlotte Angus'
+p27389
+sa(dp27390
+g25267
+g27
+sg25268
+S'Pa. German Butter Mold'
+p27391
+sg25270
+S'Franklyn Syres'
+p27392
+sa(dp27393
+g25268
+S'Covered Jar in Gilt-Bronze Mount'
+p27394
+sg25270
+S'Chinese Qing Dynasty'
+p27395
+sg25273
+S'Overall (without mount): 62.6 x 36.8 cm (24 5/8 x 14 1/2 in.)\r\noverall (with mount): 74.9 x 42.9 cm (29 1/2 x 16 7/8 in.)'
+p27396
+sg25275
+S'\nporcelain with overglaze famille verte enamel decoration, in gilt-bronze mount'
+p27397
+sg25314
+S'http://www.nga.gov:80/thumb-l/a0004d/a0004d4f.jpg'
+p27398
+sg25267
+g27
+sa(dp27399
+g25267
+g27
+sg25268
+S'Pa. German Butter Mold'
+p27400
+sg25270
+S'Franklyn Syres'
+p27401
+sa(dp27402
+g25267
+g27
+sg25268
+S'Pa. German Butter Mold'
+p27403
+sg25270
+S'Charlotte Angus'
+p27404
+sa(dp27405
+g25267
+g27
+sg25268
+S'Pa. German Butter Mold'
+p27406
+sg25270
+S'Charlotte Angus'
+p27407
+sa(dp27408
+g25267
+g27
+sg25268
+S'Pa. German Butter Mold'
+p27409
+sg25270
+S'Clyde L. Cheney'
+p27410
+sa(dp27411
+g25267
+g27
+sg25268
+S'Pa. German Butter Mold'
+p27412
+sg25270
+S'Albert Levone'
+p27413
+sa(dp27414
+g25267
+g27
+sg25268
+S'Pa. German Butter Mold'
+p27415
+sg25270
+S'Roy Weber'
+p27416
+sa(dp27417
+g25267
+g27
+sg25268
+S'Pa. German Butter Mold'
+p27418
+sg25270
+S'Charlotte Angus'
+p27419
+sa(dp27420
+g25267
+g27
+sg25268
+S'Pa. German Butter Mold'
+p27421
+sg25270
+S'Franklyn Syres'
+p27422
+sa(dp27423
+g25267
+g27
+sg25268
+S'Pa. German Butter Mold'
+p27424
+sg25270
+S'Henry Zwysen'
+p27425
+sa(dp27426
+g25267
+g27
+sg25268
+S'Pa. German Butter Mold'
+p27427
+sg25270
+S'Henry Zwysen'
+p27428
+sa(dp27429
+g25268
+S'Profile Portrait of a Young Man'
+p27430
+sg25270
+S'Florentine 15th Century'
+p27431
+sg25273
+S'tempera on panel'
+p27432
+sg25275
+S'1430/1450'
+p27433
+sg25314
+S'http://www.nga.gov:80/thumb-l/a00005/a00005cb.jpg'
+p27434
+sg25267
+g27
+sa(dp27435
+g25268
+S'Madonna and Child [obverse]'
+p27436
+sg25270
+S'Andrea di Bartolo'
+p27437
+sg25273
+S'tempera on panel'
+p27438
+sg25275
+S'c. 1415'
+p27439
+sg25314
+S'http://www.nga.gov:80/thumb-l/a00008/a000084d.jpg'
+p27440
+sg25267
+S"While Andrea's scenes of the Virgin's life were intended to relate a \r\n story and to engage the viewer by depicting sacred events in familiar \r\n settings, this small image invites contemplation.\n This way of representing the Virgin—in which she sits not on an \r\n elaborate throne but on a simple cushion on the ground—is known as the \r\n Madonna of Humility, probably reflecting the relationship between the Latin \r\n words \n "
+p27441
+sa(dp27442
+g25268
+S'Covered Jar in Gilt-Bronze Mount'
+p27443
+sg25270
+S'Chinese Qing Dynasty'
+p27444
+sg25273
+S'Overall (without mount): 62.9 x 36.2 cm (24 3/4 x 14 1/4 in.)\r\noverall (with mount): 75.6 x 42.9 cm (29 3/4 x 16 7/8 in.)'
+p27445
+sg25275
+S'\nporcelain with overglaze famille verte enamel decoration, in gilt-bronze mount'
+p27446
+sg25314
+S'http://www.nga.gov:80/thumb-l/a0004d/a0004d50.jpg'
+p27447
+sg25267
+g27
+sa(dp27448
+g25267
+g27
+sg25268
+S'Pa. German Butter Mold'
+p27449
+sg25270
+S'Charlotte Angus'
+p27450
+sa(dp27451
+g25267
+g27
+sg25268
+S'Pa. German Butter Mold'
+p27452
+sg25270
+S'C. Mansfield'
+p27453
+sa(dp27454
+g25267
+g27
+sg25268
+S'Pa. German Butter Mold'
+p27455
+sg25270
+S'Charlotte Angus'
+p27456
+sa(dp27457
+g25267
+g27
+sg25268
+S'Pa. German Butter Mold'
+p27458
+sg25270
+S'Charlotte Angus'
+p27459
+sa(dp27460
+g25267
+g27
+sg25268
+S'Zoar Buttermold'
+p27461
+sg25270
+S'Fritz Boehmer'
+p27462
+sa(dp27463
+g25267
+g27
+sg25268
+S'Pa. German Figurine'
+p27464
+sg25270
+S'Mina Lowry'
+p27465
+sa(dp27466
+g25267
+g27
+sg25268
+S'Pa. German Squirrel Figurine'
+p27467
+sg25270
+S'Arsen Maralian'
+p27468
+sa(dp27469
+g25267
+g27
+sg25268
+S'Pennsylvania German Toy Dachshund'
+p27470
+sg25270
+S'Mina Lowry'
+p27471
+sa(dp27472
+g25267
+g27
+sg25268
+S'Pa. German Eaglet'
+p27473
+sg25270
+S'Hester Duany'
+p27474
+sa(dp27475
+g25267
+g27
+sg25268
+S'Pa. German Stamping Blocks for Homespun Cotton or Linens'
+p27476
+sg25270
+S'Fritz Boehmer'
+p27477
+sa(dp27478
+g25268
+S'Vase Mounted as an Ewer'
+p27479
+sg25270
+S'Chinese Qing Dynasty'
+p27480
+sg25273
+S'Overall (without mount): 37.8 x 22.2 cm (14 7/8 x 8 3/4 in.)\r\noverall (with mount): 61.2 x 24.6 cm (24 1/8 x 9 11/16 in.)'
+p27481
+sg25275
+S'\nporcelain with light green celadon glaze and underglaze decoration in white slip, with lip, handle, and foot of gilded bronze'
+p27482
+sg25314
+S'http://www.nga.gov:80/thumb-l/a0004d/a0004d51.jpg'
+p27483
+sg25267
+g27
+sa(dp27484
+g25267
+g27
+sg25268
+S'Pa. German Eagle'
+p27485
+sg25270
+S'Mina Lowry'
+p27486
+sa(dp27487
+g25267
+g27
+sg25268
+S'Pa. German Eagle Figure'
+p27488
+sg25270
+S'Mina Lowry'
+p27489
+sa(dp27490
+g25267
+g27
+sg25268
+S'Pa. German Block Used in Pressing and Steaming'
+p27491
+sg25270
+S'Charlotte Angus'
+p27492
+sa(dp27493
+g25267
+g27
+sg25268
+S'Pa. German Toy Merry-Go-Round'
+p27494
+sg25270
+S'Mina Lowry'
+p27495
+sa(dp27496
+g25267
+g27
+sg25268
+S'Pa. German Picture Frame'
+p27497
+sg25270
+S'Raymond McGough'
+p27498
+sa(dp27499
+g25267
+g27
+sg25268
+S'Pa. German Cabbage Cutter'
+p27500
+sg25270
+S'Nicholas Amantea'
+p27501
+sa(dp27502
+g25267
+g27
+sg25268
+S'Pa. German Rolling Pin'
+p27503
+sg25270
+S'Frank Budash'
+p27504
+sa(dp27505
+g25267
+g27
+sg25268
+S'Pa. German Treen Pie Board'
+p27506
+sg25270
+S'Frank McEntee'
+p27507
+sa(dp27508
+g25267
+g27
+sg25268
+S'Pa. German Pie Marker'
+p27509
+sg25270
+S'Roy Weber'
+p27510
+sa(dp27511
+g25267
+g27
+sg25268
+S'Pa. German Whistle'
+p27512
+sg25270
+S'Stewart Wheeler'
+p27513
+sa(dp27514
+g25268
+S'Vase Mounted as an Ewer'
+p27515
+sg25270
+S'Chinese Qing Dynasty'
+p27516
+sg25273
+S'Overall (without mount): 39.2 x 23.2 cm (15 7/16 x 9 1/8 in.)\r\noverall (with mount): 61.2 x 24.6 cm (24 1/8 x 9 11/16 in.)'
+p27517
+sg25275
+S'\nporcelain with light green celadon glaze and underglaze decoration in white slip, with lip, handle, and foot of gilded bronze'
+p27518
+sg25314
+S'http://www.nga.gov:80/thumb-l/a0004d/a0004d52.jpg'
+p27519
+sg25267
+g27
+sa(dp27520
+g25267
+g27
+sg25314
+S'http://www.nga.gov:80/thumb-l/a00054/a000544b.jpg'
+p27521
+sg25268
+S'Pa. German Toy Ninepin'
+p27522
+sg25270
+S'Harold Lehman'
+p27523
+sa(dp27524
+g25267
+g27
+sg25268
+S'Toy Rocking Horse and Rider'
+p27525
+sg25270
+S'Mina Lowry'
+p27526
+sa(dp27527
+g25267
+g27
+sg25268
+S'Springerle Board for Christmas Cakes'
+p27528
+sg25270
+S'Fritz Boehmer'
+p27529
+sa(dp27530
+g25267
+g27
+sg25268
+S'Pa. German Cookie Cutter'
+p27531
+sg25270
+S'Adele Brooks'
+p27532
+sa(dp27533
+g25267
+g27
+sg25268
+S'Pa. German Springerle Board'
+p27534
+sg25270
+S'Fritz Boehmer'
+p27535
+sa(dp27536
+g25267
+g27
+sg25268
+S'Pa. German Sugar Tub'
+p27537
+sg25270
+S'Ethelbert Brown'
+p27538
+sa(dp27539
+g25267
+g27
+sg25268
+S'Pa. German Saffron Box'
+p27540
+sg25270
+S'Charles Henning'
+p27541
+sa(dp27542
+g25267
+g27
+sg25268
+S'Pa. German Wooden Acorns'
+p27543
+sg25270
+S'Hester Duany'
+p27544
+sa(dp27545
+g25267
+g27
+sg25268
+S'Pa. German Saffron Box'
+p27546
+sg25270
+S'Mildred Ford'
+p27547
+sa(dp27548
+g25267
+g27
+sg25268
+S'Pa. German Salt Cup'
+p27549
+sg25270
+S'Charles Henning'
+p27550
+sa(dp27551
+g25268
+S'Vase in the Form of a Carp, Mounted as an Ewer'
+p27552
+sg25270
+S'Chinese Qing Dynasty'
+p27553
+sg25273
+S'Overall (without mount): 21.7 x 6.1 x 10.8 cm (8 9/16 x 2 3/8 x 4 1/4 in.)\r\noverall (with mount): 31.1 x 10.3 x 17.3 cm (12 1/4 x 4 1/16 x 6 13/16 in.)'
+p27554
+sg25275
+S'\nporcelain with blue celadon glaze, in gilt-bronze mount'
+p27555
+sg25314
+S'http://www.nga.gov:80/thumb-l/a0004d/a0004d53.jpg'
+p27556
+sg25267
+S'This vessel takes the form of a carp, its grotesque open-jawed \n head oriented downward and its tail raised. The tail is open at the end, \n forming the mouth of the vase. The porcelain was transformed from a vase \n into a pouring vessel or ewer for decorative use by the addition of a gilt-bronze mount made in France in the eighteenth century. The mount, in the \n form of scrolling vegetation, forms a base and high-rising handle.\n Mounted celadon fish such as this were popular in eighteenth-century \n France, and several examples survive.\n Both singly and in pairs, fish are a traditional Chinese motif in the decorative arts and painting. The carp is the species most often \n encountered. It is often found in ceramics of the Song and Yuan dynasties, \n and paired carp occur as a mark on the base of some Kangxi porcelains. \n Paired fish were one of the Eight Buddhist Emblems (or Happy Omens), and \n they also symbolize marital fidelity. A carp leaping from the waves is a \n subject appealing to the literati because it symbolizes the aspirations and \n struggle of the scholar for success in the imperial examinations. Jessica \n Rawson explores an interesting relationship of the monster-head fish with \n the Indian \n In this vessel, vertical incised lines define the tail \n structure. The spine is raised, and overlapping scales are shown in relief \n on the body. A pronounced, protruding brow ridge, bulging spherical eyes, \n and a rounded nose characterize the monsterlike head. Beneath these, a \n gaping mouth dominates the lower third of the vessel. The upper jaw bears \n square teeth and pointed fangs, also in relief. The lower jaw, which is \n mostly covered by the mount, is decorated with an emanation of scrolls. A \n flamelike double set of fins sweeping back from the corners of the mouth is \n also partly obscured by the mount. The form of the enormous mouth allows \n for a wide rectangular base with rounded corners. The wide foot-ring is \n unglazed and brown, the base glazed. The pale blue, translucent celadon \n glaze has a soft luster and is finely bubbled. Where it runs thin over the \n relief elements, the pure white of the porcelain body shows through. The \n glaze on 1942.9.443 is slightly more blue and very slightly thicker than \n that on the companion piece.\n (Text by Josephine Hadley Knapp, published in the NGA Systematic Catalogue: \n Notes\n\n \n \n \n \n ' +p27557 +sa(dp27558 +g25267 +g27 +sg25268 +S'Pa. German Pail and Cover' +p27559 +sg25270 +S'Eugene Shellady' +p27560 +sa(dp27561 +g25267 +g27 +sg25268 +S'Pa. German Salt Cup' +p27562 +sg25270 +S'Charles Henning' +p27563 +sa(dp27564 +g25267 +g27 +sg25268 +S'Pa. German Spice Jar' +p27565 +sg25270 +S'Betty Jean Davis' +p27566 +sa(dp27567 +g25267 +g27 +sg25268 +S'Pa. German Saffron Box' +p27568 +sg25270 +S'J. Howard Iams' +p27569 +sa(dp27570 +g25267 +g27 +sg25268 +S'Zoar Apple Basket' +p27571 +sg25270 +S'Julius Mihalik' +p27572 +sa(dp27573 +g25267 +g27 +sg25268 +S'Zoar Sewing Basket' +p27574 +sg25270 +S'John Wilkes' +p27575 +sa(dp27576 +g25267 +g27 +sg25268 +S'Zoar Fat Lamp' +p27577 +sg25270 +S'Fritz Boehmer' +p27578 +sa(dp27579 +g25267 +g27 +sg25268 +S'Zoar Fireplace Tile' +p27580 +sg25270 +S'Angelo Bulone' +p27581 +sa(dp27582 +g25267 +g27 +sg25268 +S'Zoar Pottery Assembly Horn' +p27583 +sg25270 +S'Fritz Boehmer' +p27584 +sa(dp27585 +g25267 +g27 +sg25268 +S'Zoar Colander' +p27586 +sg25270 +S'Fritz Boehmer' +p27587 +sa(dp27588 +g25268 +S'Vase in the Form of a Carp, Mounted as an Ewer' +p27589 +sg25270 +S'Chinese Qing Dynasty' +p27590 +sg25273 +S'Overall (without mount): 21.3 x 5.9 x 11.3 cm (8 3/8 x 2 5/16 x 4 7/16 in.)\r\noverall (with mount): 31.4 x 10 x 16.4 cm (12 3/8 x 3 15/16 x 6 7/16 in.)' +p27591 +sg25275 +S'\nporcelain with blue celadon glaze, in gilt-bronze mount' +p27592 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d54.jpg' +p27593 +sg25267 +g27 +sa(dp27594 +g25267 +g27 +sg25268 +S'Zoar Milk Pitcher' +p27595 +sg25270 +S'Ralph Russell' +p27596 +sa(dp27597 +g25267 +g27 +sg25268 +S'Zoar Pottery Roof Tile' +p27598 +sg25270 +S'Ralph Russell' +p27599 +sa(dp27600 +g25267 +g27 +sg25268 +S'Zoar Jug' +p27601 +sg25270 +S'Angelo Bulone' +p27602 +sa(dp27603 +g25267 +g27 +sg25268 +S'Zoar Dish and Coffee and Cider Cup w/ Lid' +p27604 +sg25270 +S'Angelo Bulone' +p27605 +sa(dp27606 +g25267 +g27 +sg25268 +S'Zoar Flower Pot' +p27607 +sg25270 +S'Richard Barnett' +p27608 +sa(dp27609 +g25267 +g27 +sg25268 +S'Zoar Embroidered Flannel Petticoat' +p27610 +sg25270 +S'Fritz Boehmer' +p27611 +sa(dp27612 +g25267 +g27 +sg25268 +S'Zoar Beaded Wristlet, Mitten and Sock' +p27613 +sg25270 +S'Fritz Boehmer' +p27614 +sa(dp27615 +g25267 +S'Men\'s clothing of the mid-nineteenth century has the simplicity of style to \n which we are accustomed today. This coat and hat, dated about 1840, were made \n for Joseph Bimmler, founder of the Zoar Society, a religious community in Ohio. \n The coat of darkblue broadcloth was made in the community sewing house. The hat, \n called a "Beaver" or tall hat, has a label inside indicating that it was made \n by E. Brown in Philadelphia.\n The boots, dated about 1870, are from the Zoar Society\'s boot shop. During the \n second half of the nineteenth century, boots and shoes were made on wooden forms \n called "lasts," which were shaped for the left and right feet. Such forms are \n used for making shoes today.\n ' +p27616 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000335.jpg' +p27617 +sg25268 +S"Zoar Man's Hat, Boots and Coat" +p27618 +sg25270 +S'Fritz Boehmer' +p27619 +sa(dp27620 +g25267 +g27 +sg25268 +S'Zoar Decorated Painting' +p27621 +sg25270 +S'Jerry Guinta' +p27622 +sa(dp27623 +g25267 +g27 +sg25268 +S'Zoar Ceiling Ornament' +p27624 +sg25270 +S'Fritz Boehmer' +p27625 +sa(dp27626 +g25268 +S'Christ and the Woman Taken in Adultery' +p27627 +sg25270 +S'Netherlandish 16th Century' +p27628 +sg25273 +S'overall: 255.3 x 334.3 cm (100 1/2 x 131 5/8 in.)' +p27629 +sg25275 +S'\ntapestry: undyed wool warp; dyed wool, silk, and silver-gilt- and silver-wrapped silk weft' +p27630 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00057/a000577e.jpg' +p27631 +sg25267 +g27 +sa(dp27632 +g25267 +g27 +sg25268 +S'Zoar Calendar' +p27633 +sg25270 +S'Fritz Boehmer' +p27634 +sa(dp27635 +g25267 +g27 +sg25268 +S'Zoar Decorative Painting: "This World and the Next"' +p27636 +sg25270 +S'Angelo Bulone' +p27637 +sa(dp27638 +g25267 +g27 +sg25268 +S'Zoar Door' +p27639 +sg25270 +S'Fritz Boehmer' +p27640 +sa(dp27641 +g25267 +g27 +sg25268 +S'Zoar Door' +p27642 +sg25270 +S'Fritz Boehmer' +p27643 +sa(dp27644 +g25267 +g27 +sg25268 +S'Zoar Door Panels' +p27645 +sg25270 +S'Fritz Boehmer' +p27646 +sa(dp27647 +g25267 +g27 +sg25268 +S'Zoar Four-Post Bed' +p27648 +sg25270 +S'Fritz Boehmer' +p27649 +sa(dp27650 +g25267 +g27 +sg25268 +S'Zoar Wash Bench' +p27651 +sg25270 +S'Angelo Bulone' +p27652 +sa(dp27653 +g25267 +g27 +sg25268 +S'Zoar Cherry Bonnet Cabinet' +p27654 +sg25270 +S'Angelo Bulone' +p27655 +sa(dp27656 +g25267 +g27 +sg25268 +S'Zoar "Peasant" Chair' +p27657 +sg25270 +S'Ralph Russell' +p27658 +sa(dp27659 +g25267 +g27 +sg25268 +S'Zoar Chair' +p27660 +sg25270 +S'Angelo Bulone' +p27661 +sa(dp27662 +g25268 +S'The Triumph of Christ ("The Mazarin Tapestry")' +p27663 +sg25270 +S'Netherlandish 16th Century' +p27664 +sg25273 +S'overall: 341 x 439.4 cm (134 1/4 x 173 in.)' +p27665 +sg25275 +S'\ntapestry: undyed wool warp; dyed wool, silk, and silver-gilt- and silver-wrapped silk weft' +p27666 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a000555f.jpg' +p27667 +sg25267 +S'Gold and silver threads add life to this tapestry, often described as the finest surviving from the Middle Ages and early Renaissance. Everything indicates that this was an important commission: its size—more than 13 feet wide; its workmanship—woven with as many as 28 warp (vertical) threads per inch; and its lavish materials—with up to thirty percent of the surface woven with gold or silver wrapped threads. Perhaps this tapestry was made to celebrate a royal wedding, but the first information about it dates from 150 years after its creation. It was listed in a 1653 inventory of the effects of the powerful French Cardinal Mazarin, prime minister and virtual ruler of France. Mazarin owned more than 350 tapestries and prized this one among them.\n Tapestries were generally more expensive, more valued than paintings; they served the dual purpose of insulating drafty rooms while beautifying them. For important tapestries, renowned artists would often draw the design, called a cartoon, which was then woven in specialized studios. By 1500 Brussels was the most important weaving center; the Mazarin Tapestry was probably made there although the artist responsible for the cartoon remains unknown.\n The imagery depicted in \n ' +p27668 +sa(dp27669 +g25267 +g27 +sg25268 +S'Zoar Cupboard' +p27670 +sg25270 +S'Angelo Bulone' +p27671 +sa(dp27672 +g25267 +g27 +sg25268 +S"Zoar Child's Bed" +p27673 +sg25270 +S'Fritz Boehmer' +p27674 +sa(dp27675 +g25267 +g27 +sg25268 +S'Zoar "Sleigh" Bed' +p27676 +sg25270 +S'Fritz Boehmer' +p27677 +sa(dp27678 +g25267 +g27 +sg25268 +S'Zoar Bed Side Stand' +p27679 +sg25270 +S'Angelo Bulone' +p27680 +sa(dp27681 +g25267 +g27 +sg25268 +S'Zoar Candlestick, Snuffer and Lantern' +p27682 +sg25270 +S'Orville Cline' +p27683 +sa(dp27684 +g25267 +g27 +sg25268 +S'Zoar Coverlet' +p27685 +sg25270 +S'Ralph Russell' +p27686 +sa(dp27687 +g25267 +g27 +sg25268 +S'Zoar Shingle Axe' +p27688 +sg25270 +S'Clarence Horton' +p27689 +sa(dp27690 +g25267 +g27 +sg25268 +S'Iron Bracket from Zoar Tavern' +p27691 +sg25270 +S'Ralph Russell' +p27692 +sa(dp27693 +g25267 +g27 +sg25268 +S'Zoar Whetstone Case' +p27694 +sg25270 +S'Jerry Guinta' +p27695 +sa(dp27696 +g25267 +g27 +sg25268 +S'Zoar Apple Hook' +p27697 +sg25270 +S'Fritz Boehmer' +p27698 +sa(dp27699 +g25268 +S'The Garden of Gethsemane' +p27700 +sg25270 +S'Artist Information (' +p27701 +sg25273 +S'(artist after)' +p27702 +sg25275 +S'\n' +p27703 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000da/a000dad6.jpg' +p27704 +sg25267 +g27 +sa(dp27705 +g25267 +g27 +sg25268 +S'Zoar Lock w/ Key' +p27706 +sg25270 +S'Angelo Bulone' +p27707 +sa(dp27708 +g25267 +g27 +sg25268 +S'Zoar Fire Tongs, Poker and Shovel' +p27709 +sg25270 +S'Jerry Guinta' +p27710 +sa(dp27711 +g25267 +g27 +sg25268 +S'Zoar Tin Coffee Pot and Pail' +p27712 +sg25270 +S'John Wilkes' +p27713 +sa(dp27714 +g25267 +g27 +sg25268 +S'Zoar Invalid Wagon' +p27715 +sg25270 +S'Fritz Boehmer' +p27716 +sa(dp27717 +g25267 +g27 +sg25268 +S'Zoar Picture Frame' +p27718 +sg25270 +S'James Drake' +p27719 +sa(dp27720 +g25267 +g27 +sg25268 +S'Zoar Butter Mold' +p27721 +sg25270 +S'John Wilkes' +p27722 +sa(dp27723 +g25267 +g27 +sg25268 +S'Zoar Picture Frame' +p27724 +sg25270 +S'Carol Larson' +p27725 +sa(dp27726 +g25267 +g27 +sg25268 +S'Zoar Bird Cage' +p27727 +sg25270 +S'Angelo Bulone' +p27728 +sa(dp27729 +g25267 +g27 +sg25268 +S'Zoar Thread Holder' +p27730 +sg25270 +S'Percival Jenner' +p27731 +sa(dp27732 +g25267 +g27 +sg25268 +S'Zoar Stove' +p27733 +sg25270 +S'Fritz Boehmer' +p27734 +sa(dp27735 +g25268 +S'The Crucifixion' +p27736 +sg25270 +S'Artist Information (' +p27737 +sg25273 +S'(artist after)' +p27738 +sg25275 +S'\n' +p27739 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00066/a000665d.jpg' +p27740 +sg25267 +g27 +sa(dp27741 +g25267 +g27 +sg25268 +S'Zoar Floor Lighting Device' +p27742 +sg25270 +S'Carol Larson' +p27743 +sa(dp27744 +g25267 +g27 +sg25268 +S'Economite Bowl or Cake Mold' +p27745 +sg25270 +S'Edward White' +p27746 +sa(dp27747 +g25267 +g27 +sg25268 +S'Economite Bowl w/ Handle' +p27748 +sg25270 +S'Edward White' +p27749 +sa(dp27750 +g25267 +g27 +sg25268 +S'Economy Tint Lamp' +p27751 +sg25270 +S'Edward White' +p27752 +sa(dp27753 +g25267 +g27 +sg25268 +S'Economy Pie Plate' +p27754 +sg25270 +S'Edward White' +p27755 +sa(dp27756 +g25267 +g27 +sg25268 +S'Economy Redware Pitcher' +p27757 +sg25270 +S'Ralph Atkinson' +p27758 +sa(dp27759 +g25267 +g27 +sg25268 +S'Economite Bowl or Cake Mold' +p27760 +sg25270 +S'Ralph Atkinson' +p27761 +sa(dp27762 +g25267 +g27 +sg25268 +S'Lard or Whale Oil Lamp' +p27763 +sg25270 +S'Ralph Atkinson' +p27764 +sa(dp27765 +g25267 +g27 +sg25268 +S'Economy Square Oil Lantern' +p27766 +sg25270 +S'Ralph Atkinson' +p27767 +sa(dp27768 +g25267 +g27 +sg25268 +S'Economy Shoulder Yoke' +p27769 +sg25270 +S'Ralph Atkinson' +p27770 +sa(dp27771 +g25268 +S'The Deposition' +p27772 +sg25270 +S'Artist Information (' +p27773 +sg25273 +S'Netherlandish, c. 1488 - 1541' +p27774 +sg25275 +S'(artist after)' +p27775 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005a/a0005a50.jpg' +p27776 +sg25267 +g27 +sa(dp27777 +g25267 +g27 +sg25268 +S'Economy "Schnitzelbank"' +p27778 +sg25270 +S'Ralph Atkinson' +p27779 +sa(dp27780 +g25267 +g27 +sg25268 +S'Economy Redware Jug' +p27781 +sg25270 +S'Edward White' +p27782 +sa(dp27783 +g25267 +g27 +sg25268 +S'Economy Pie Plate' +p27784 +sg25270 +S'Ralph Atkinson' +p27785 +sa(dp27786 +g25267 +g27 +sg25268 +S'Economy Lamp' +p27787 +sg25270 +S'Edward White' +p27788 +sa(dp27789 +g25267 +g27 +sg25268 +S'Economy: Detail of Cloth and Bonnet' +p27790 +sg25270 +S'J. Howard Iams' +p27791 +sa(dp27792 +g25267 +g27 +sg25268 +S'Amana Bread-raising Basket' +p27793 +sg25270 +S'Frank Eiseman' +p27794 +sa(dp27795 +g25267 +g27 +sg25268 +S'Metal Door Lock' +p27796 +sg25270 +S'Earl Butlin' +p27797 +sa(dp27798 +g25267 +g27 +sg25268 +S'Amana Shoe Scraper' +p27799 +sg25270 +S'Arthur Stewart' +p27800 +sa(dp27801 +g25267 +g27 +sg25268 +S"Amana Baker's Hoe" +p27802 +sg25270 +S'Arthur Stewart' +p27803 +sa(dp27804 +g25267 +g27 +sg25268 +S"Amana Baker's Oven Lamp" +p27805 +sg25270 +S'Frank Eiseman' +p27806 +sa(dp27807 +g25268 +S'The Crucifixion [reverse]' +p27808 +sg25270 +S'Andrea di Bartolo' +p27809 +sg25273 +S'tempera on panel' +p27810 +sg25275 +S'c. 1415' +p27811 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a0000834.jpg' +p27812 +sg25267 +S"The foreboding mood of Andrea's \n " +p27813 +sa(dp27814 +g25273 +S'overall: 39.4 x 34.9 cm (15 1/2 x 13 3/4 in.)' +p27815 +sg25267 +g27 +sg25275 +S'\ntapestry: undyed silk warp; spun silver, silver-gilt, and dyed silk weft' +p27816 +sg25268 +S'Ecce Homo' +p27817 +sg25270 +S'Netherlandish 16th Century' +p27818 +sa(dp27819 +g25267 +g27 +sg25268 +S'Amana Dough Trough Scrapers' +p27820 +sg25270 +S'Harley Kempter' +p27821 +sa(dp27822 +g25267 +g27 +sg25268 +S'Amana Stove' +p27823 +sg25270 +S'Raymond Neumann' +p27824 +sa(dp27825 +g25267 +g27 +sg25268 +S'Bishop Hill: Dress' +p27826 +sg25270 +S'H. Langden Brown' +p27827 +sa(dp27828 +g25267 +g27 +sg25268 +S'Bishop Hill: Hotel Lantern' +p27829 +sg25270 +S'Archie Thompson' +p27830 +sa(dp27831 +g25267 +g27 +sg25268 +S'Bishop Hill: Cradle' +p27832 +sg25270 +S'Wellington Blewett' +p27833 +sa(dp27834 +g25267 +g27 +sg25268 +S'Bishop Hill: Bed' +p27835 +sg25270 +S'Alfred Koehn' +p27836 +sa(dp27837 +g25267 +g27 +sg25268 +S'Bishop Hill: Salt Box' +p27838 +sg25270 +S'Adele Brooks' +p27839 +sa(dp27840 +g25267 +g27 +sg25268 +S'Bishop Hill: Bridal Box' +p27841 +sg25270 +S'Ethel Clarke' +p27842 +sa(dp27843 +g25267 +g27 +sg25268 +S'Bishop Hill: Desk' +p27844 +sg25270 +S'Alfred Koehn' +p27845 +sa(dp27846 +g25267 +g27 +sg25268 +S'Bishop Hill: Dressing Case' +p27847 +sg25270 +S'Kurt Melzer' +p27848 +sa(dp27849 +g25273 +S'overall: 39.4 x 30.5 cm (15 1/2 x 12 in.)' +p27850 +sg25267 +g27 +sg25275 +S'\ntapestry: undyed silk warp; spun silver, silver-gilt, and dyed silk weft' +p27851 +sg25268 +S'Mater Dolorosa' +p27852 +sg25270 +S'Netherlandish 16th Century' +p27853 +sa(dp27854 +g25267 +g27 +sg25268 +S'Bishop Hill: Cupboard' +p27855 +sg25270 +S'Wellington Blewett' +p27856 +sa(dp27857 +g25267 +g27 +sg25268 +S'Bishop Hill: Table' +p27858 +sg25270 +S'Roberta Elvis' +p27859 +sa(dp27860 +g25267 +g27 +sg25268 +S'Bishop Hill: Table' +p27861 +sg25270 +S'Kurt Melzer' +p27862 +sa(dp27863 +g25267 +g27 +sg25268 +S'Bishop Hill: Auger' +p27864 +sg25270 +S'Michael Chomyk' +p27865 +sa(dp27866 +g25267 +g27 +sg25268 +S'Bishop Hill: Pitcher' +p27867 +sg25270 +S'James Vail' +p27868 +sa(dp27869 +g25267 +g27 +sg25268 +S'Bishop Hill: Seal' +p27870 +sg25270 +S'Wellington Blewett' +p27871 +sa(dp27872 +g25267 +g27 +sg25268 +S'Bishop Hill: Auger' +p27873 +sg25270 +S'Harry G. Aberdeen' +p27874 +sa(dp27875 +g25267 +g27 +sg25268 +S'Bishop Hill: Washing Flail' +p27876 +sg25270 +S'Wellington Blewett' +p27877 +sa(dp27878 +g25267 +g27 +sg25268 +S'Bishop Hill: Flail' +p27879 +sg25270 +S'Archie Thompson' +p27880 +sa(dp27881 +g25267 +g27 +sg25268 +S'Bishop Hill: Wooden Screw Cutter' +p27882 +sg25270 +S'H. Langden Brown' +p27883 +sa(dp27884 +g25268 +S'Dream of Rinaldo' +p27885 +sg25270 +S'Artist Information (' +p27886 +sg25273 +S'(artist)' +p27887 +sg25275 +S'\n' +p27888 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a000556e.jpg' +p27889 +sg25267 +S"\r\n Court painter to Louis XV and Madame de Pompadour, \n \r\n The cartoon was woven three times at Beauvais. Boucher derived the scene from \n \r\n Rinaldo, a Christian hero, sleeps in the enchanted garden of the sorceress Armida, who sided with the Saracens. Nymphs and cupids—companions of Venus, the classical goddess of love—play amid fluffy rococo foliage watered by a dolphin-shaped fountain, itself a symbol of Venus’ birth from the sea. As an indication that the dreaming Rinaldo will awaken from Armida's seductive spell and lead the crusaders to victory, he holds his plumed helmet.\r\n \n " +p27890 +sa(dp27891 +g25267 +g27 +sg25268 +S'Bishop Hill: Mangler' +p27892 +sg25270 +S'H. Langden Brown' +p27893 +sa(dp27894 +g25267 +g27 +sg25268 +S'Bishop Hill: Skate' +p27895 +sg25270 +S'James Vail' +p27896 +sa(dp27897 +g25267 +g27 +sg25268 +S'Bishop Hill: Clock Hand' +p27898 +sg25270 +S'Ivar Julius' +p27899 +sa(dp27900 +g25267 +g27 +sg25268 +S'Bishop Hill: Table' +p27901 +sg25270 +S'Wellington Blewett' +p27902 +sa(dp27903 +g25267 +g27 +sg25268 +S'Bishop Hill: Church Pew' +p27904 +sg25270 +S'H. Langden Brown' +p27905 +sa(dp27906 +g25267 +g27 +sg25268 +S'Shaker Baskets' +p27907 +sg25270 +S'Orville Cline' +p27908 +sa(dp27909 +g25267 +g27 +sg25268 +S'Shaker Basket' +p27910 +sg25270 +S'Kapousouz' +p27911 +sa(dp27912 +g25267 +g27 +sg25268 +S'Shaker Laundry Basket' +p27913 +sg25270 +S'Orville A. Carroll' +p27914 +sa(dp27915 +g25267 +g27 +sg25268 +S'Shaker Wooden Bonnet Mold' +p27916 +sg25270 +S'Charles Goodwin' +p27917 +sa(dp27918 +g25267 +g27 +sg25268 +S'Shaker Infirmary Cap' +p27919 +sg25270 +S'Betty Fuerst' +p27920 +sa(dp27921 +g25273 +S'(artist)' +p27922 +sg25267 +g27 +sg25275 +S'\n' +p27923 +sg25268 +S'Spring' +p27924 +sg25270 +S'Artist Information (' +p27925 +sa(dp27926 +g25267 +g27 +sg25268 +S'Shaker Bonnet Mold' +p27927 +sg25270 +S'Francis Bruner' +p27928 +sa(dp27929 +g25267 +g27 +sg25268 +S"Shaker Woman's Bonnet" +p27930 +sg25270 +S'Elizabeth Moutal' +p27931 +sa(dp27932 +g25267 +g27 +sg25268 +S'Shaker Bonnet' +p27933 +sg25270 +S'Alice Stearns' +p27934 +sa(dp27935 +g25267 +g27 +sg25268 +S'Shaker Bonnet' +p27936 +sg25270 +S'Frances Cohen' +p27937 +sa(dp27938 +g25267 +g27 +sg25268 +S'Shaker Bonnet' +p27939 +sg25270 +S'Alois E. Ulrich' +p27940 +sa(dp27941 +g25267 +g27 +sg25268 +S'Shaker Work Apron' +p27942 +sg25270 +S'Lucille Chabot' +p27943 +sa(dp27944 +g25267 +g27 +sg25268 +S"Shaker Doll's Cloak" +p27945 +sg25270 +S'Eleanor Gausser' +p27946 +sa(dp27947 +g25267 +g27 +sg25268 +S'Shaker Work Apron' +p27948 +sg25270 +S'Joseph Goldberg' +p27949 +sa(dp27950 +g25267 +g27 +sg25268 +S'Shaker Costume' +p27951 +sg25270 +S'William Paul Childers' +p27952 +sa(dp27953 +g25267 +g27 +sg25268 +S'Shaker Cape' +p27954 +sg25270 +S'Francis Bruner' +p27955 +sa(dp27956 +g25273 +S'(weaver)' +p27957 +sg25267 +g27 +sg25275 +S'\n' +p27958 +sg25268 +S'Summer' +p27959 +sg25270 +S'Artist Information (' +p27960 +sa(dp27961 +g25267 +g27 +sg25268 +S"Shaker Man's Coat" +p27962 +sg25270 +S'Ingrid Selmer-Larsen' +p27963 +sa(dp27964 +g25267 +g27 +sg25268 +S'Shaker Dress' +p27965 +sg25270 +S'Lillian Causey' +p27966 +sa(dp27967 +g25267 +g27 +sg25268 +S'Shaker Straw Bonnet' +p27968 +sg25270 +S'Mona Brown' +p27969 +sa(dp27970 +g25267 +g27 +sg25268 +S'Shaker Cape' +p27971 +sg25270 +S'Francis Bruner' +p27972 +sa(dp27973 +g25267 +g27 +sg25268 +S"Shaker Man's Coat" +p27974 +sg25270 +S'Joseph Goldberg' +p27975 +sa(dp27976 +g25267 +g27 +sg25268 +S"Man's Smock and Trousers" +p27977 +sg25270 +S'Frances Cohen' +p27978 +sa(dp27979 +g25267 +g27 +sg25268 +S"Shaker Woman's Cloak" +p27980 +sg25270 +S'Ingrid Selmer-Larsen' +p27981 +sa(dp27982 +g25267 +g27 +sg25268 +S"Shaker Man's Trousers" +p27983 +sg25270 +S'Alice Stearns' +p27984 +sa(dp27985 +g25267 +g27 +sg25268 +S'Shaker Glove' +p27986 +sg25270 +S'Helen E. Gilman' +p27987 +sa(dp27988 +g25267 +g27 +sg25268 +S'Shaker Silk Kerchief' +p27989 +sg25270 +S'Helen E. Gilman' +p27990 +sa(dp27991 +g25273 +S'(weaver)' +p27992 +sg25267 +g27 +sg25275 +S'\n' +p27993 +sg25268 +S'Autumn' +p27994 +sg25270 +S'Artist Information (' +p27995 +sa(dp27996 +g25267 +g27 +sg25268 +S'Shaker Kerchief' +p27997 +sg25270 +S'Betty Fuerst' +p27998 +sa(dp27999 +g25267 +g27 +sg25268 +S'Shaker Kerchief' +p28000 +sg25270 +S'Ingrid Selmer-Larsen' +p28001 +sa(dp28002 +g25267 +g27 +sg25268 +S'Shaker Shawl' +p28003 +sg25270 +S'Jessie M. Benge' +p28004 +sa(dp28005 +g25267 +g27 +sg25268 +S'Shaker Hair Wreath' +p28006 +sg25270 +S'Helen Bronson' +p28007 +sa(dp28008 +g25267 +g27 +sg25268 +S'Shaker Kerchief' +p28009 +sg25270 +S'Charles Goodwin' +p28010 +sa(dp28011 +g25267 +g27 +sg25268 +S'Afternoon Dress' +p28012 +sg25270 +S'Mina Lowry' +p28013 +sa(dp28014 +g25267 +g27 +sg25268 +S'Shaker Tin Safe' +p28015 +sg25270 +S'George V. Vezolles' +p28016 +sa(dp28017 +g25267 +g27 +sg25268 +S'Gown' +p28018 +sg25270 +S'American 20th Century' +p28019 +sa(dp28020 +g25267 +g27 +sg25268 +S'Dress' +p28021 +sg25270 +S'Jessie M. Benge' +p28022 +sa(dp28023 +g25267 +g27 +sg25268 +S'Gown' +p28024 +sg25270 +S'Dorothy Gernon' +p28025 +sa(dp28026 +g25273 +S'(weaver)' +p28027 +sg25267 +g27 +sg25275 +S'\n' +p28028 +sg25268 +S'Winter' +p28029 +sg25270 +S'Artist Information (' +p28030 +sa(dp28031 +g25267 +g27 +sg25268 +S'Wedding Dress' +p28032 +sg25270 +S'Margaret Concha' +p28033 +sa(dp28034 +g25267 +g27 +sg25268 +S'Evening Dress' +p28035 +sg25270 +S'Sylvia De Zon' +p28036 +sa(dp28037 +g25267 +g27 +sg25268 +S'Dress' +p28038 +sg25270 +S'Dorothy Gernon' +p28039 +sa(dp28040 +g25267 +g27 +sg25268 +S'Dress' +p28041 +sg25270 +S'Charlotte Winter' +p28042 +sa(dp28043 +g25267 +g27 +sg25268 +S'Betrothal Dress' +p28044 +sg25270 +S'Edith Towner' +p28045 +sa(dp28046 +g25267 +g27 +sg25268 +S"Woman's Dress" +p28047 +sg25270 +S'Bessie Forman' +p28048 +sa(dp28049 +g25267 +g27 +sg25268 +S"Woman's Dress" +p28050 +sg25270 +S'Jessie M. Benge' +p28051 +sa(dp28052 +g25267 +g27 +sg25268 +S"Woman's Coat" +p28053 +sg25270 +S'Margaret Concha' +p28054 +sa(dp28055 +g25267 +g27 +sg25268 +S'Dress' +p28056 +sg25270 +S'Jean Peszel' +p28057 +sa(dp28058 +g25267 +g27 +sg25268 +S'Dress' +p28059 +sg25270 +S'Jessie M. Benge' +p28060 +sa(dp28061 +g25273 +g27 +sg25267 +g27 +sg25275 +S'(artist)' +p28062 +sg25268 +S'Tapestry-covered Cushion' +p28063 +sg25270 +S'Artist Information (' +p28064 +sa(dp28065 +g25267 +g27 +sg25268 +S'Reception Gown' +p28066 +sg25270 +S'Jean Peszel' +p28067 +sa(dp28068 +g25267 +g27 +sg25268 +S'Dress' +p28069 +sg25270 +S'Jean Peszel' +p28070 +sa(dp28071 +g25267 +g27 +sg25268 +S'Bed Posts' +p28072 +sg25270 +S'Walter W. Jennings' +p28073 +sa(dp28074 +g25267 +g27 +sg25268 +S'Sleigh Bed' +p28075 +sg25270 +S'Kurt Melzer' +p28076 +sa(dp28077 +g25267 +g27 +sg25268 +S'Headboard' +p28078 +sg25270 +S'Gordon Saltar' +p28079 +sa(dp28080 +g25267 +g27 +sg25268 +S'Bedstead' +p28081 +sg25270 +S'Robert Gilson' +p28082 +sa(dp28083 +g25267 +g27 +sg25268 +S'Bed' +p28084 +sg25270 +S'B. Holst-Grubbe' +p28085 +sa(dp28086 +g25267 +g27 +sg25268 +S'Bedstead' +p28087 +sg25270 +S'Frank Wenger' +p28088 +sa(dp28089 +g25267 +g27 +sg25268 +S'Bed' +p28090 +sg25270 +S'B. Holst-Grubbe' +p28091 +sa(dp28092 +g25267 +g27 +sg25268 +S'Bedstead' +p28093 +sg25270 +S'Irene Malawicz' +p28094 +sa(dp28095 +g25273 +g27 +sg25267 +g27 +sg25275 +S'(artist)' +p28096 +sg25268 +S'Tapestry-covered Cushion' +p28097 +sg25270 +S'Artist Information (' +p28098 +sa(dp28099 +g25267 +g27 +sg25268 +S'Four Poster Bed' +p28100 +sg25270 +S'Columbus Simpson' +p28101 +sa(dp28102 +g25267 +g27 +sg25268 +S'Four Post Bed' +p28103 +sg25270 +S'Fred Weiss' +p28104 +sa(dp28105 +g25267 +g27 +sg25268 +S'Bedroom of House' +p28106 +sg25270 +S'Anna Aloisi' +p28107 +sa(dp28108 +g25267 +g27 +sg25268 +S'Bed' +p28109 +sg25270 +S'Bernard Gussow' +p28110 +sa(dp28111 +g25267 +g27 +sg25268 +S'Bedstead' +p28112 +sg25270 +S'Irene Malawicz' +p28113 +sa(dp28114 +g25267 +g27 +sg25268 +S'Bed and Trundle Bed' +p28115 +sg25270 +S'Jack Bochner' +p28116 +sa(dp28117 +g25267 +g27 +sg25268 +S'High Post Bed' +p28118 +sg25270 +S'Florence Choate' +p28119 +sa(dp28120 +g25267 +g27 +sg25268 +S'Four Post Bed' +p28121 +sg25270 +S'David S. De Vault' +p28122 +sa(dp28123 +g25267 +g27 +sg25268 +S'Bed Double' +p28124 +sg25270 +S'Virginia Kennady' +p28125 +sa(dp28126 +g25267 +g27 +sg25268 +S'Trundle Bed' +p28127 +sg25270 +S'Mattie P. Goodman' +p28128 +sa(dp28129 +g25268 +S'Tapestry-covered Cushion' +p28130 +sg25270 +S'Artist Information (' +p28131 +sg25273 +g27 +sg25275 +S'(artist)' +p28132 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fa64.jpg' +p28133 +sg25267 +g27 +sa(dp28134 +g25267 +g27 +sg25268 +S'Three-quarter Bed' +p28135 +sg25270 +S'Grace Dwyer' +p28136 +sa(dp28137 +g25267 +g27 +sg25268 +S'Small Day Bed' +p28138 +sg25270 +S'Grace Bolser' +p28139 +sa(dp28140 +g25267 +g27 +sg25268 +S'Sleigh Bed' +p28141 +sg25270 +S'Joe Brennan' +p28142 +sa(dp28143 +g25267 +g27 +sg25268 +S'Day Bed' +p28144 +sg25270 +S'Rosa Rivero' +p28145 +sa(dp28146 +g25267 +g27 +sg25268 +S'Day Bed' +p28147 +sg25270 +S'Peter C. Ustinoff' +p28148 +sa(dp28149 +g25267 +g27 +sg25268 +S'Bed' +p28150 +sg25270 +S'Pearl Davis' +p28151 +sa(dp28152 +g25267 +g27 +sg25268 +S'Half-canopy Carved Bed' +p28153 +sg25270 +S'Dorothy Posten' +p28154 +sa(dp28155 +g25267 +g27 +sg25268 +S'Half-canopy Carved Bed' +p28156 +sg25270 +S'Dorothy Posten' +p28157 +sa(dp28158 +g25267 +g27 +sg25268 +S'Half-canopy Carved Bed' +p28159 +sg25270 +S'Dorothy Posten' +p28160 +sa(dp28161 +g25267 +g27 +sg25268 +S'Half-canopy Carved Bed' +p28162 +sg25270 +S'Dorothy Posten' +p28163 +sa(dp28164 +g25273 +g27 +sg25267 +g27 +sg25275 +S'(artist)' +p28165 +sg25268 +S'Tapestry-covered Cushion' +p28166 +sg25270 +S'Artist Information (' +p28167 +sa(dp28168 +g25267 +g27 +sg25268 +S'Bed' +p28169 +sg25270 +S'Dana Bartlett' +p28170 +sa(dp28171 +g25267 +g27 +sg25268 +S'Bed' +p28172 +sg25270 +S'Otto E. Hake' +p28173 +sa(dp28174 +g25267 +g27 +sg25268 +S'Bed, Burl Walnut' +p28175 +sg25270 +S'Randolph F. Miller' +p28176 +sa(dp28177 +g25267 +g27 +sg25268 +S'Bed' +p28178 +sg25270 +S'Natalie Simon' +p28179 +sa(dp28180 +g25267 +g27 +sg25268 +S'Rope Bed' +p28181 +sg25270 +S'Walter G. Capuozzo' +p28182 +sa(dp28183 +g25267 +g27 +sg25268 +S'Bed' +p28184 +sg25270 +S'Juanita Lantz' +p28185 +sa(dp28186 +g25267 +g27 +sg25268 +S'Bed' +p28187 +sg25270 +S'Wellington Blewett' +p28188 +sa(dp28189 +g25267 +g27 +sg25268 +S'Bedstead' +p28190 +sg25270 +S'Florence Truelson' +p28191 +sa(dp28192 +g25267 +g27 +sg25268 +S'Bench' +p28193 +sg25270 +S'Philip Johnson' +p28194 +sa(dp28195 +g25267 +g27 +sg25268 +S'Moravian Church Bench' +p28196 +sg25270 +S'Amos C. Brinton' +p28197 +sa(dp28198 +g25268 +S'Tapestry-covered Cushion' +p28199 +sg25270 +S'Artist Information (' +p28200 +sg25273 +g27 +sg25275 +S'(artist)' +p28201 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0010d/a0010d99.jpg' +p28202 +sg25267 +g27 +sa(dp28203 +g25267 +g27 +sg25268 +S'Wrought Iron Garden Bench' +p28204 +sg25270 +S'Al Curry' +p28205 +sa(dp28206 +g25267 +g27 +sg25268 +S'Meal Bench' +p28207 +sg25270 +S'George Fairbanks' +p28208 +sa(dp28209 +g25267 +g27 +sg25268 +S'Bench' +p28210 +sg25270 +S'Donald Streeter' +p28211 +sa(dp28212 +g25267 +g27 +sg25268 +S"Child's Bench" +p28213 +sg25270 +S'Albert Camilli' +p28214 +sa(dp28215 +g25267 +g27 +sg25268 +S'Cabinet' +p28216 +sg25270 +S'Franklin C. Moyan' +p28217 +sa(dp28218 +g25267 +g27 +sg25268 +S'Bed' +p28219 +sg25270 +S'Jack Bochner' +p28220 +sa(dp28221 +g25267 +g27 +sg25268 +S'Bench in Cemetary Lot' +p28222 +sg25270 +S'Fred Hassebrock' +p28223 +sa(dp28224 +g25267 +g27 +sg25268 +S"Cobbler's Bench" +p28225 +sg25270 +S'Leonard Battee' +p28226 +sa(dp28227 +g25267 +g27 +sg25268 +S'Shoe Bench' +p28228 +sg25270 +S'Clarence W. Dawson' +p28229 +sa(dp28230 +g25267 +g27 +sg25268 +S"Shoemaker's Bench" +p28231 +sg25270 +S'Albert Ryder' +p28232 +sa(dp28233 +g25268 +S'Tapestry-covered Cushion' +p28234 +sg25270 +S'Artist Information (' +p28235 +sg25273 +g27 +sg25275 +S'(artist)' +p28236 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0010d/a0010da4.jpg' +p28237 +sg25267 +g27 +sa(dp28238 +g25267 +g27 +sg25268 +S"Wood Carver's Bench" +p28239 +sg25270 +S'Lloyd Charles Lemcke' +p28240 +sa(dp28241 +g25267 +g27 +sg25268 +S"Tailor's Bench" +p28242 +sg25270 +S'Manuel G. Runyan' +p28243 +sa(dp28244 +g25267 +g27 +sg25268 +S'Bookcase' +p28245 +sg25270 +S'Vincent P. Rosel' +p28246 +sa(dp28247 +g25267 +g27 +sg25268 +S'Bookcase and Writing Desk' +p28248 +sg25270 +S'Henry Meyers' +p28249 +sa(dp28250 +g25267 +g27 +sg25268 +S'Bookcase and Writing Desk' +p28251 +sg25270 +S'Henry Meyers' +p28252 +sa(dp28253 +g25267 +g27 +sg25268 +S'Bookcase' +p28254 +sg25270 +S'American 20th Century' +p28255 +sa(dp28256 +g25267 +g27 +sg25268 +S'Walnut Desk and Bookcase' +p28257 +sg25270 +S'Harry King' +p28258 +sa(dp28259 +g25267 +g27 +sg25268 +S'Secretary Bookcase' +p28260 +sg25270 +S'Rex F. Bush' +p28261 +sa(dp28262 +g25267 +g27 +sg25268 +S'Bookcase - Gothic Type' +p28263 +sg25270 +S'Eileen Knox' +p28264 +sa(dp28265 +g25267 +g27 +sg25268 +S'Bureau' +p28266 +sg25270 +S'Natalie Simon' +p28267 +sa(dp28268 +g25268 +S'Tapestry-covered Cushion' +p28269 +sg25270 +S'Artist Information (' +p28270 +sg25273 +g27 +sg25275 +S'(artist)' +p28271 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0010d/a0010daa.jpg' +p28272 +sg25267 +g27 +sa(dp28273 +g25267 +g27 +sg25268 +S'Dresser with Marble Top' +p28274 +sg25270 +S'Geoffrey Holt' +p28275 +sa(dp28276 +g25267 +g27 +sg25268 +S'Bureau' +p28277 +sg25270 +S'Natalie Simon' +p28278 +sa(dp28279 +g25267 +g27 +sg25268 +S'Dresser' +p28280 +sg25270 +S'Gordena Jackson' +p28281 +sa(dp28282 +g25267 +g27 +sg25268 +S'Bureau' +p28283 +sg25270 +S'Grace Halpin' +p28284 +sa(dp28285 +g25267 +g27 +sg25268 +S"Bride's Bureau" +p28286 +sg25270 +S'Kurt Melzer' +p28287 +sa(dp28288 +g25267 +g27 +sg25268 +S"Bride's Bureau" +p28289 +sg25270 +S'Archie Thompson' +p28290 +sa(dp28291 +g25267 +g27 +sg25268 +S'Cupboard' +p28292 +sg25270 +S'Meyer Goldbaum' +p28293 +sa(dp28294 +g25267 +g27 +sg25268 +S'Cupboard' +p28295 +sg25270 +S'Jack Bochner' +p28296 +sa(dp28297 +g25267 +g27 +sg25268 +S'Cabinet, with Ivory Keyholes' +p28298 +sg25270 +S'William Kieckhofel' +p28299 +sa(dp28300 +g25267 +g27 +sg25268 +S'Cabinet, with Ivory Keyholes' +p28301 +sg25270 +S'William Kieckhofel' +p28302 +sa(dp28303 +g25273 +g27 +sg25267 +g27 +sg25275 +S'(artist)' +p28304 +sg25268 +S'Tapestry-covered Cushion' +p28305 +sg25270 +S'Artist Information (' +p28306 +sa(dp28307 +g25267 +g27 +sg25268 +S'Wall Cabinet, Hand Carved' +p28308 +sg25270 +S'Harry Mann Waddell' +p28309 +sa(dp28310 +g25267 +g27 +sg25268 +S'Whalebone Cabinet' +p28311 +sg25270 +S'Augustine Haugland' +p28312 +sa(dp28313 +g25267 +g27 +sg25268 +S'Sewing Cabinet' +p28314 +sg25270 +S'Frank Eiseman' +p28315 +sa(dp28316 +g25267 +g27 +sg25268 +S'Hand Carved Cabinet' +p28317 +sg25270 +S'Ethel Dougan' +p28318 +sa(dp28319 +g25267 +g27 +sg25268 +S'Cabinet' +p28320 +sg25270 +S'Grace Thomas' +p28321 +sa(dp28322 +g25267 +g27 +sg25268 +S'Cabinet' +p28323 +sg25270 +S'Gordena Jackson' +p28324 +sa(dp28325 +g25267 +g27 +sg25268 +S'Cabinet' +p28326 +sg25270 +S'Harry Mann Waddell' +p28327 +sa(dp28328 +g25267 +g27 +sg25268 +S'Secretary Cabinet' +p28329 +sg25270 +S'William Kieckhofel' +p28330 +sa(dp28331 +g25267 +g27 +sg25268 +S'Kas' +p28332 +sg25270 +S'Isadore Goldberg' +p28333 +sa(dp28334 +g25267 +g27 +sg25268 +S'Linen Press' +p28335 +sg25270 +S'Dorothea A. Farrington' +p28336 +sa(dp28337 +g25273 +S'Widener Collection' +p28338 +sg25267 +g27 +sg25275 +S'\n' +p28339 +sg25268 +S'Cushion Cover (August)' +p28340 +sg25270 +S'German 17th Century' +p28341 +sa(dp28342 +g25267 +g27 +sg25268 +S'Wall Cupboard' +p28343 +sg25270 +S'Samuel W. Ford' +p28344 +sa(dp28345 +g25267 +g27 +sg25268 +S'Cabinet' +p28346 +sg25270 +S'Elmer R. Kottcamp' +p28347 +sa(dp28348 +g25267 +g27 +sg25268 +S'Egg Cabinet' +p28349 +sg25270 +S'Eileen Knox' +p28350 +sa(dp28351 +g25267 +g27 +sg25268 +S'Cabinet' +p28352 +sg25270 +S'Artist Information (' +p28353 +sa(dp28354 +g25267 +g27 +sg25268 +S'Tewer or Cupboard' +p28355 +sg25270 +S'Sarah F. Williams' +p28356 +sa(dp28357 +g25267 +g27 +sg25268 +S'Kitchen Cupboard' +p28358 +sg25270 +S'Joseph Sudek' +p28359 +sa(dp28360 +g25267 +g27 +sg25268 +S'Wall Cabinet' +p28361 +sg25270 +S'Betty Jean Davis' +p28362 +sa(dp28363 +g25267 +g27 +sg25268 +S'Candle Stand' +p28364 +sg25270 +S'Paul Ward' +p28365 +sa(dp28366 +g25267 +g27 +sg25268 +S'Pole Screen and Candlestand' +p28367 +sg25270 +S'Rolland Livingstone' +p28368 +sa(dp28369 +g25267 +g27 +sg25268 +S'Candle Stand' +p28370 +sg25270 +S'Paul Ward' +p28371 +sa(dp28372 +g25267 +g27 +sg25268 +S'Maple Candlestand' +p28373 +sg25270 +S'Vincent P. Rosel' +p28374 +sa(dp28375 +g25267 +g27 +sg25268 +S'Candlestand' +p28376 +sg25270 +S'Rosa Burger' +p28377 +sa(dp28378 +g25267 +g27 +sg25268 +S"Cobbler's Table with Candle Stand" +p28379 +sg25270 +S'Ella Josephine Sterling' +p28380 +sa(dp28381 +g25267 +g27 +sg25268 +S'Cellaret' +p28382 +sg25270 +S'Artist Information (' +p28383 +sa(dp28384 +g25267 +g27 +sg25268 +S'Cellarette' +p28385 +sg25270 +S'Artist Information (' +p28386 +sa(dp28387 +g25267 +g27 +sg25268 +S'Cellaret' +p28388 +sg25270 +S'Donald Harding' +p28389 +sa(dp28390 +g25267 +S'Open chairs were more widely used in America than the solid wainscot chair.\r\n Carver and Brewster chairs, named after seventeenth-century Massachusetts governors,\r\n were two popular types of open-back chairs. The Carver armchair, seen here, has\r\n a characteristic seat back consisting of a single row of three turned spindles\r\n set between horizontal cross rails. The Brewster chair was more complicated, having\r\n tiers of turned spindles on the back, and, frequently, under the seat rails as\r\n well.\n ' +p28391 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002c2.jpg' +p28392 +sg25268 +S'Carver Armchair' +p28393 +sg25270 +S'Anne Ger' +p28394 +sa(dp28395 +g25267 +g27 +sg25268 +S'Chair' +p28396 +sg25270 +S'Isadore Goldberg' +p28397 +sa(dp28398 +g25267 +g27 +sg25268 +S'Carver Armchair' +p28399 +sg25270 +S'Charles Squires' +p28400 +sa(dp28401 +g25267 +g27 +sg25268 +S'Carver Armchair' +p28402 +sg25270 +S'M. Rosenshield-von-Paulin' +p28403 +sa(dp28404 +g25267 +g27 +sg25268 +S'Carved Chair' +p28405 +sg25270 +S'Joseph Sudek' +p28406 +sa(dp28407 +g25267 +g27 +sg25268 +S'Jacobean Chair-table' +p28408 +sg25270 +S'William Sanders' +p28409 +sa(dp28410 +g25267 +g27 +sg25268 +S'Chair' +p28411 +sg25270 +S'M. Rosenshield-von-Paulin' +p28412 +sa(dp28413 +g25267 +g27 +sg25268 +S'Chair' +p28414 +sg25270 +S'Thomas J. Eliot' +p28415 +sa(dp28416 +g25267 +g27 +sg25268 +S'Side Chair' +p28417 +sg25270 +S'Lawrence Phillips' +p28418 +sa(dp28419 +g25267 +g27 +sg25268 +S'Side Chair' +p28420 +sg25270 +S'Lawrence Phillips' +p28421 +sa(dp28422 +g25267 +g27 +sg25268 +S'Side Chair, with Cane Back and Seat' +p28423 +sg25270 +S'Nicholas Gorid' +p28424 +sa(dp28425 +g25267 +g27 +sg25268 +S'Side Chair' +p28426 +sg25270 +S'Nicholas Gorid' +p28427 +sa(dp28428 +g25267 +g27 +sg25268 +S'Side Chair' +p28429 +sg25270 +S'American 20th Century' +p28430 +sa(dp28431 +g25267 +g27 +sg25268 +S'Side Chair' +p28432 +sg25270 +S'Nicholas Gorid' +p28433 +sa(dp28434 +g25267 +g27 +sg25268 +S'Side Chair' +p28435 +sg25270 +S'Frank Wenger' +p28436 +sa(dp28437 +g25267 +g27 +sg25268 +S'Armchair' +p28438 +sg25270 +S'American 20th Century' +p28439 +sa(dp28440 +g25267 +g27 +sg25268 +S'Armchair' +p28441 +sg25270 +S'Agnes Karlin' +p28442 +sa(dp28443 +g25267 +g27 +sg25268 +S'Drawing of a Chair' +p28444 +sg25270 +S'American 20th Century' +p28445 +sa(dp28446 +g25267 +g27 +sg25268 +S'Armchair' +p28447 +sg25270 +S'Nicholas Gorid' +p28448 +sa(dp28449 +g25267 +g27 +sg25268 +S'Drawing of Chair' +p28450 +sg25270 +S'Nicholas Gorid' +p28451 +sa(dp28452 +g25267 +g27 +sg25268 +S'Side Chair' +p28453 +sg25270 +S'M. Rosenshield-von-Paulin' +p28454 +sa(dp28455 +g25267 +g27 +sg25268 +S'Banister Back Side Chair' +p28456 +sg25270 +S'Michael Riccitelli' +p28457 +sa(dp28458 +g25267 +g27 +sg25268 +S'Side Chair' +p28459 +sg25270 +S'Bernard Gussow' +p28460 +sa(dp28461 +g25267 +g27 +sg25268 +S'Banister Back Chair' +p28462 +sg25270 +S'Henry Murphy' +p28463 +sa(dp28464 +g25273 +S'Widener Collection' +p28465 +sg25267 +g27 +sg25275 +S'\n' +p28466 +sg25268 +S'Cushion Cover (November)' +p28467 +sg25270 +S'German 17th Century' +p28468 +sa(dp28469 +g25267 +g27 +sg25268 +S'Banister-back Armchair' +p28470 +sg25270 +S'M. Rosenshield-von-Paulin' +p28471 +sa(dp28472 +g25267 +g27 +sg25268 +S'Side Chair' +p28473 +sg25270 +S'Florence Choate' +p28474 +sa(dp28475 +g25267 +g27 +sg25268 +S'Armchair' +p28476 +sg25270 +S'Simon Weiss' +p28477 +sa(dp28478 +g25267 +g27 +sg25268 +S'Walnut Armchair' +p28479 +sg25270 +S'Simon Weiss' +p28480 +sa(dp28481 +g25267 +g27 +sg25268 +S'Armchair' +p28482 +sg25270 +S'Carl Weiss' +p28483 +sa(dp28484 +g25267 +g27 +sg25268 +S'Armchair' +p28485 +sg25270 +S'M. Rosenshield-von-Paulin' +p28486 +sa(dp28487 +g25267 +g27 +sg25268 +S'Side Chair' +p28488 +sg25270 +S'Joseph Rothenberg' +p28489 +sa(dp28490 +g25267 +g27 +sg25268 +S'Side Chair' +p28491 +sg25270 +S'Jack Bochner' +p28492 +sa(dp28493 +g25267 +g27 +sg25268 +S'Side Chair (one of pair)' +p28494 +sg25270 +S'Harold Smith' +p28495 +sa(dp28496 +g25267 +g27 +sg25268 +S'American Chair with Turkey Work' +p28497 +sg25270 +S'Victor F. Muollo' +p28498 +sa(dp28499 +g25267 +g27 +sg25268 +S'Side Chair' +p28500 +sg25270 +S'Gilbert Sackerman' +p28501 +sa(dp28502 +g25267 +g27 +sg25268 +S'Baluster Back Chair' +p28503 +sg25270 +S'Gerald Bernhardt' +p28504 +sa(dp28505 +g25267 +g27 +sg25268 +S'Heart and Crown Chair' +p28506 +sg25270 +S'Howard Weld' +p28507 +sa(dp28508 +g25267 +g27 +sg25268 +S'High Back Chair' +p28509 +sg25270 +S'Artist Information (' +p28510 +sa(dp28511 +g25267 +g27 +sg25268 +S"Shoemaker's Bench" +p28512 +sg25270 +S'Irving I. Smith' +p28513 +sa(dp28514 +g25267 +g27 +sg25268 +S'School Seat' +p28515 +sg25270 +S'Annie B. Johnston' +p28516 +sa(dp28517 +g25267 +g27 +sg25268 +S'Combination Desk and Bookcase' +p28518 +sg25270 +S'Ray Price' +p28519 +sa(dp28520 +g25267 +g27 +sg25268 +S'Carved Chair' +p28521 +sg25270 +S'Joseph Sudek' +p28522 +sa(dp28523 +g25267 +g27 +sg25268 +S'Kas' +p28524 +sg25270 +S'David Dorfman' +p28525 +sa(dp28526 +g25267 +g27 +sg25268 +S'Ladder Back Chair' +p28527 +sg25270 +S'Roger Deats' +p28528 +sa(dp28529 +g25267 +g27 +sg25268 +S'Chair-Round-A-Bout' +p28530 +sg25270 +S'J. Howard Iams' +p28531 +sa(dp28532 +g25267 +g27 +sg25268 +S'Side Chair' +p28533 +sg25270 +S'B. Holst-Grubbe' +p28534 +sa(dp28535 +g25267 +g27 +sg25268 +S'Armchair' +p28536 +sg25270 +S'Margaret Knapp' +p28537 +sa(dp28538 +g25267 +g27 +sg25268 +S'Ladder Back Chair' +p28539 +sg25270 +S'American 20th Century' +p28540 +sa(dp28541 +g25267 +g27 +sg25268 +S'Chair' +p28542 +sg25270 +S'B. Holst-Grubbe' +p28543 +sa(dp28544 +g25267 +g27 +sg25268 +S'Armchair' +p28545 +sg25270 +S'Frank Wenger' +p28546 +sa(dp28547 +g25267 +S'Slat-back chairs were popular in American houses during both the eighteenth and\r\n nineteenth centuries. The horizontal curved back splats were more comfortable than\r\n the rigidly vertical spindles of Carver and Brewster chairs. Slat-back chairs display\r\n turned construction except for the slats, which were carved as solid curved forms\r\n set between turned uprights to form the seat back. The shape of the slat often\r\n distinguishes the region in which the chair was made. New England slats were generally\r\n cut straight on the lower edge and curved or shaped on the upper, as in this example.\n ' +p28548 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002c3.jpg' +p28549 +sg25268 +S'Armchair' +p28550 +sg25270 +S'Isadore Goldberg' +p28551 +sa(dp28552 +g25267 +g27 +sg25268 +S'Corner Chair' +p28553 +sg25270 +S'Rolland Livingstone' +p28554 +sa(dp28555 +g25267 +g27 +sg25268 +S'Cane Bottom Chair' +p28556 +sg25270 +S'Laurette Gauthier' +p28557 +sa(dp28558 +g25267 +g27 +sg25268 +S'Ladderback Chair' +p28559 +sg25270 +S'Alfred Walbeck' +p28560 +sa(dp28561 +g25267 +g27 +sg25268 +S'Ladderback Chair' +p28562 +sg25270 +S'Gerald Bernhardt' +p28563 +sa(dp28564 +g25267 +g27 +sg25268 +S'Ladderback Chair' +p28565 +sg25270 +S'Gerald Bernhardt' +p28566 +sa(dp28567 +g25267 +g27 +sg25268 +S'Armchair' +p28568 +sg25270 +S'Frank Wenger' +p28569 +sa(dp28570 +g25267 +g27 +sg25268 +S'Armchair' +p28571 +sg25270 +S'Frank Wenger' +p28572 +sa(dp28573 +g25267 +g27 +sg25268 +S'Side Chair' +p28574 +sg25270 +S'Ruth Bialostosky' +p28575 +sa(dp28576 +g25267 +g27 +sg25268 +S'Side Chair' +p28577 +sg25270 +S'B. Holst-Grubbe' +p28578 +sa(dp28579 +g25267 +g27 +sg25268 +S'Straw Bottom Chair' +p28580 +sg25270 +S'George Nelson' +p28581 +sa(dp28582 +g25267 +g27 +sg25268 +S'Ladderback Chair' +p28583 +sg25270 +S'Julie C. Brush' +p28584 +sa(dp28585 +g25267 +g27 +sg25268 +S'Chair' +p28586 +sg25270 +S'American 20th Century' +p28587 +sa(dp28588 +g25267 +g27 +sg25268 +S'Chair' +p28589 +sg25270 +S'Samuel O. Klein' +p28590 +sa(dp28591 +g25273 +S'Widener Collection' +p28592 +sg25267 +g27 +sg25275 +S'\n' +p28593 +sg25268 +S'Cushion Cover (September)' +p28594 +sg25270 +S'German 17th Century' +p28595 +sa(dp28596 +g25267 +g27 +sg25268 +S'Ladder Back Chair' +p28597 +sg25270 +S'Florence Grant Brown' +p28598 +sa(dp28599 +g25267 +g27 +sg25268 +S'Pennsylvania Ladder Back Chair' +p28600 +sg25270 +S'Samuel W. Ford' +p28601 +sa(dp28602 +g25267 +g27 +sg25268 +S'Wing Chair' +p28603 +sg25270 +S'Rolland Livingstone' +p28604 +sa(dp28605 +g25267 +g27 +sg25268 +S'Easy Chair' +p28606 +sg25270 +S'Arthur Johnson' +p28607 +sa(dp28608 +g25267 +g27 +sg25268 +S'Wing Chair' +p28609 +sg25270 +S'Ferdinand Cartier' +p28610 +sa(dp28611 +g25267 +g27 +sg25268 +S'Easy Chair' +p28612 +sg25270 +S'Florence Neal' +p28613 +sa(dp28614 +g25267 +g27 +sg25268 +S'Wing Chair' +p28615 +sg25270 +S'Michael Trekur' +p28616 +sa(dp28617 +g25267 +g27 +sg25268 +S'Wing Chair' +p28618 +sg25270 +S'M. Rosenshield-von-Paulin' +p28619 +sa(dp28620 +g25267 +g27 +sg25268 +S'Duncan Phyfe Chair' +p28621 +sg25270 +S'Walter W. Jennings' +p28622 +sa(dp28623 +g25267 +g27 +sg25268 +S'Chair, Wing, Turned Front Legs' +p28624 +sg25270 +S'George Loughridge' +p28625 +sa(dp28626 +g25267 +g27 +sg25268 +S'Windsor Chair' +p28627 +sg25270 +S'Ella Josephine Sterling' +p28628 +sa(dp28629 +g25267 +g27 +sg25268 +S'Windsor Chair' +p28630 +sg25270 +S'Florence Neal' +p28631 +sa(dp28632 +g25267 +g27 +sg25268 +S'Chair' +p28633 +sg25270 +S'Simon Weiss' +p28634 +sa(dp28635 +g25267 +g27 +sg25268 +S'Windsor Fan-back Chair' +p28636 +sg25270 +S'Vincent P. Rosel' +p28637 +sa(dp28638 +g25267 +g27 +sg25268 +S'Windsor Chair' +p28639 +sg25270 +S'Gerald Bernhardt' +p28640 +sa(dp28641 +g25267 +g27 +sg25268 +S'Windsor Chair' +p28642 +sg25270 +S'Ray Holden' +p28643 +sa(dp28644 +g25267 +g27 +sg25268 +S'Study Chair' +p28645 +sg25270 +S'Sydney Roberts' +p28646 +sa(dp28647 +g25267 +g27 +sg25268 +S'Windsor Desk Armchair' +p28648 +sg25270 +S'Eugene Croe' +p28649 +sa(dp28650 +g25267 +g27 +sg25268 +S"Child's Arm Chair" +p28651 +sg25270 +S'Mina Lowry' +p28652 +sa(dp28653 +g25267 +g27 +sg25268 +S"Harvard Student's Chair (Windsor)" +p28654 +sg25270 +S'Adele Brooks' +p28655 +sa(dp28656 +g25267 +g27 +sg25268 +S'Windsor Chair' +p28657 +sg25270 +S'Adele Brooks' +p28658 +sa(dp28659 +g25267 +g27 +sg25268 +S'Writing Arm Chair' +p28660 +sg25270 +S'Rolland Livingstone' +p28661 +sa(dp28662 +g25267 +g27 +sg25268 +S'Writing Armchair' +p28663 +sg25270 +S'Rolland Livingstone' +p28664 +sa(dp28665 +g25267 +g27 +sg25268 +S'Writing Armchair' +p28666 +sg25270 +S'Rolland Livingstone' +p28667 +sa(dp28668 +g25267 +g27 +sg25268 +S'Windsor Comb-back Chair' +p28669 +sg25270 +S'Ernest A. Towers, Jr.' +p28670 +sa(dp28671 +g25267 +g27 +sg25268 +S'Handmade Arm Chair' +p28672 +sg25270 +S'Wilbur M Rice' +p28673 +sa(dp28674 +g25267 +g27 +sg25268 +S'Windsor Armchair' +p28675 +sg25270 +S'Donald Harding' +p28676 +sa(dp28677 +g25267 +g27 +sg25268 +S'Low-back Stretcher Chair' +p28678 +sg25270 +S'Edward L. Loper' +p28679 +sa(dp28680 +g25267 +S'Although the development of American Windsor chairs postdates the Jacobean period,\r\n Windsor construction, like the early furniture, relies upon the use of spindles.\r\n Because the spindles of the seat back usually fan out from a curved seat, seating\r\n space is ample and comfortable. This may account for the continuing use of Windsor\r\n chairs throughout the eighteenth and nineteenth centuries. Windsor chairs originated\r\n in England, but American craftsmen developed a wide variety of types that left\r\n the English models far behind. Windsor chairs are named according to the style of\r\n their back; here is a hoop-back armchair, so-called because of its broadly curving\r\n back rail, which has been bent downward to meet the arms. The boldly splayed or\r\n angled legs and the delicate spindles set off the generous proportions and sweeping\r\n arcs of this chair.\n ' +p28681 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002c7.jpg' +p28682 +sg25268 +S'Windsor Chair' +p28683 +sg25270 +S'Louis Plogsted' +p28684 +sa(dp28685 +g25267 +g27 +sg25268 +S'Chair (Windsor)' +p28686 +sg25270 +S'American 20th Century' +p28687 +sa(dp28688 +g25267 +g27 +sg25268 +S'Corner Windsor Chair' +p28689 +sg25270 +S'Ernest A. Towers, Jr.' +p28690 +sa(dp28691 +g25267 +g27 +sg25268 +S'Windsor Bamboo-turned Chair' +p28692 +sg25270 +S'Edward L. Loper' +p28693 +sa(dp28694 +g25267 +g27 +sg25268 +S'Armchair' +p28695 +sg25270 +S'Clyde L. Cheney' +p28696 +sa(dp28697 +g25267 +g27 +sg25268 +S'"Bastard" Windsor Chair' +p28698 +sg25270 +S'Magnus S. Fossum' +p28699 +sa(dp28700 +g25267 +g27 +sg25268 +S'Windsor Chair' +p28701 +sg25270 +S'Dana Bartlett' +p28702 +sa(dp28703 +g25267 +g27 +sg25268 +S'Chair' +p28704 +sg25270 +S'Simon Weiss' +p28705 +sa(dp28706 +g25267 +g27 +sg25268 +S'Windsor Chair' +p28707 +sg25270 +S'Eugene Croe' +p28708 +sa(dp28709 +g25267 +g27 +sg25268 +S'Windsor Chair' +p28710 +sg25270 +S'Ralph Russell' +p28711 +sa(dp28712 +g25267 +g27 +sg25268 +S'Corner Chair' +p28713 +sg25270 +S'Lorenz Rothkranz' +p28714 +sa(dp28715 +g25267 +g27 +sg25268 +S'Corner chair' +p28716 +sg25270 +S'Lorenz Rothkranz' +p28717 +sa(dp28718 +g25273 +S'Widener Collection' +p28719 +sg25267 +g27 +sg25275 +S'\n' +p28720 +sg25268 +S'Cushion Cover (October)' +p28721 +sg25270 +S'German 17th Century' +p28722 +sa(dp28723 +g25267 +g27 +sg25268 +S'Side Chair' +p28724 +sg25270 +S'Harry Eisman' +p28725 +sa(dp28726 +g25267 +g27 +sg25268 +S'Side Chair' +p28727 +sg25270 +S'Arthur Johnson' +p28728 +sa(dp28729 +g25267 +g27 +sg25268 +S'Drawing for Chair' +p28730 +sg25270 +S'Jack Bochner' +p28731 +sa(dp28732 +g25267 +g27 +sg25268 +S'Chair' +p28733 +sg25270 +S'Francis Law Durand' +p28734 +sa(dp28735 +g25267 +g27 +sg25268 +S'Roundabout Chair' +p28736 +sg25270 +S'Arsen Maralian' +p28737 +sa(dp28738 +g25267 +g27 +sg25268 +S'Chair (Host)' +p28739 +sg25270 +S'Francis Law Durand' +p28740 +sa(dp28741 +g25267 +g27 +sg25268 +S'Chair' +p28742 +sg25270 +S'Francis Law Durand' +p28743 +sa(dp28744 +g25267 +g27 +sg25268 +S'Armchair' +p28745 +sg25270 +S'Florence Choate' +p28746 +sa(dp28747 +g25267 +g27 +sg25268 +S'Armchair' +p28748 +sg25270 +S'Robert Brigadier' +p28749 +sa(dp28750 +g25267 +g27 +sg25268 +S'Armchair' +p28751 +sg25270 +S'Tabea Hosier' +p28752 +sa(dp28753 +g25267 +g27 +sg25268 +S'Armchair' +p28754 +sg25270 +S'Louis Annino' +p28755 +sa(dp28756 +g25267 +g27 +sg25268 +S'Roundabout Chair' +p28757 +sg25270 +S'Harry Eisman' +p28758 +sa(dp28759 +g25267 +g27 +sg25268 +S'Armchair' +p28760 +sg25270 +S'Charles Squires' +p28761 +sa(dp28762 +g25267 +S'Queen Anne chairs are characterized by graceful curving lines. A distinctive\r\n feature is the solid back splat, shaped like a vase or violin. The splat in this \r\n chair rises from the seat to the center of the curving top rail, where it ends \r\n in n a carved shell. The front legs have the cabriole shape and are ornamented \r\n with carved shells at the knee; the back legs are plain and round—a common feature. \r\n The uprights of the seat back follow a gentle S-curve, bending inward at the \r\n base and outward toward the top. The curve of the top continues from the central \r\n shell into the curve of the uprights. Unlike typical Queen Anne furniture, this \r\n chair has the ball and claw feet which were a hallmark of later eighteenth-century \r\n pieces; their presence here marks a transition to the Chippendale style which \r\n was popular in America after 1750.\n ' +p28763 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000370.jpg' +p28764 +sg25268 +S'Side Chair' +p28765 +sg25270 +S'Charles Squires' +p28766 +sa(dp28767 +g25267 +g27 +sg25268 +S'Side Chair' +p28768 +sg25270 +S'Charles Squires' +p28769 +sa(dp28770 +g25267 +g27 +sg25268 +S'Walnut Side Chair' +p28771 +sg25270 +S'Michael Trekur' +p28772 +sa(dp28773 +g25267 +g27 +sg25268 +S'Side Chair' +p28774 +sg25270 +S'Henry Granet' +p28775 +sa(dp28776 +g25267 +g27 +sg25268 +S'Side Chair' +p28777 +sg25270 +S'Henry Granet' +p28778 +sa(dp28779 +g25267 +g27 +sg25268 +S'Chair' +p28780 +sg25270 +S'Arsen Maralian' +p28781 +sa(dp28782 +g25267 +g27 +sg25268 +S'Chair' +p28783 +sg25270 +S'Arsen Maralian' +p28784 +sa(dp28785 +g25267 +g27 +sg25268 +S'Side Chair' +p28786 +sg25270 +S'Louis Annino' +p28787 +sa(dp28788 +g25267 +g27 +sg25268 +S'Side Chair' +p28789 +sg25270 +S'Lawrence Phillips' +p28790 +sa(dp28791 +g25267 +g27 +sg25268 +S'Sheraton Chair' +p28792 +sg25270 +S'John Price' +p28793 +sa(dp28794 +g25267 +g27 +sg25268 +S'Chair for Bliss House' +p28795 +sg25270 +S'Arthur Johnson' +p28796 +sa(dp28797 +g25267 +g27 +sg25268 +S'Armchair' +p28798 +sg25270 +S'Harry Eisman' +p28799 +sa(dp28800 +g25267 +g27 +sg25268 +S'Queen Anne Chair' +p28801 +sg25270 +S'Ralph Morton' +p28802 +sa(dp28803 +g25267 +g27 +sg25268 +S'Queen Anne Side Chair' +p28804 +sg25270 +S'Alvin M. Gully' +p28805 +sa(dp28806 +g25267 +g27 +sg25268 +S'Chair' +p28807 +sg25270 +S'Regina Henderer' +p28808 +sa(dp28809 +g25267 +g27 +sg25268 +S'Side Chair (one of a pair)' +p28810 +sg25270 +S'Francisco Alvarez' +p28811 +sa(dp28812 +g25267 +g27 +sg25268 +S'Chair' +p28813 +sg25270 +S'John Sullivan' +p28814 +sa(dp28815 +g25267 +g27 +sg25268 +S'Armchair' +p28816 +sg25270 +S'Virginia Kennady' +p28817 +sa(dp28818 +g25267 +g27 +sg25268 +S'Chair' +p28819 +sg25270 +S'Samuel Fineman' +p28820 +sa(dp28821 +g25267 +g27 +sg25268 +S'Salem Chair' +p28822 +sg25270 +S'William Kieckhofel' +p28823 +sa(dp28824 +g25267 +g27 +sg25268 +S'Chair' +p28825 +sg25270 +S'Edward L. Loper' +p28826 +sa(dp28827 +g25267 +g27 +sg25268 +S'Side Chair' +p28828 +sg25270 +S'Mario De Ferrante' +p28829 +sa(dp28830 +g25267 +g27 +sg25268 +S'Chair' +p28831 +sg25270 +S'George Nelson' +p28832 +sa(dp28833 +g25267 +g27 +sg25268 +S'Side Chair' +p28834 +sg25270 +S'Isidore Sovensky' +p28835 +sa(dp28836 +g25267 +g27 +sg25268 +S'Side Chair' +p28837 +sg25270 +S'M. Rosenshield-von-Paulin' +p28838 +sa(dp28839 +g25267 +g27 +sg25268 +S'Side Chair' +p28840 +sg25270 +S'M. Rosenshield-von-Paulin' +p28841 +sa(dp28842 +g25267 +g27 +sg25268 +S'Side Chair (one of a pair)' +p28843 +sg25270 +S'Ruth Bialostosky' +p28844 +sa(dp28845 +g25273 +S'Widener Collection' +p28846 +sg25267 +g27 +sg25275 +S'\n' +p28847 +sg25268 +S'Cushion Cover (July)' +p28848 +sg25270 +S'German 17th Century' +p28849 +sa(dp28850 +g25267 +g27 +sg25268 +S'Side Chair' +p28851 +sg25270 +S'Hans Westendorff' +p28852 +sa(dp28853 +g25267 +g27 +sg25268 +S'Side Chair' +p28854 +sg25270 +S'Francis Law Durand' +p28855 +sa(dp28856 +g25267 +g27 +sg25268 +S'Inlaid Chippendale Chair Panel' +p28857 +sg25270 +S'Ralph Morton' +p28858 +sa(dp28859 +g25267 +g27 +sg25268 +S'Chair' +p28860 +sg25270 +S'Michael Riccitelli' +p28861 +sa(dp28862 +g25267 +g27 +sg25268 +S'None Recorded' +p28863 +sg25270 +S'American 20th Century' +p28864 +sa(dp28865 +g25267 +g27 +sg25268 +S'Chippendale Side Chair' +p28866 +sg25270 +S'John Garay' +p28867 +sa(dp28868 +g25267 +g27 +sg25268 +S'Chair' +p28869 +sg25270 +S'Francis Law Durand' +p28870 +sa(dp28871 +g25267 +g27 +sg25268 +S'Chippendale Mahogany Side Chair' +p28872 +sg25270 +S'Arthur Johnson' +p28873 +sa(dp28874 +g25267 +g27 +sg25268 +S'Chippendale Chair' +p28875 +sg25270 +S'Edward A. Darby' +p28876 +sa(dp28877 +g25267 +g27 +sg25268 +S'Chair' +p28878 +sg25270 +S'Ruth Bialostosky' +p28879 +sa(dp28880 +g25267 +g27 +sg25268 +S'Chair' +p28881 +sg25270 +S'Ruth Bialostosky' +p28882 +sa(dp28883 +g25267 +g27 +sg25268 +S'Side Chair' +p28884 +sg25270 +S'Ernest Busenbark' +p28885 +sa(dp28886 +g25267 +g27 +sg25268 +S'Chair' +p28887 +sg25270 +S'Suzanne Roy' +p28888 +sa(dp28889 +g25267 +g27 +sg25268 +S'Chair' +p28890 +sg25270 +S'John Garay' +p28891 +sa(dp28892 +g25267 +g27 +sg25268 +S'Chair' +p28893 +sg25270 +S'Henry Granet' +p28894 +sa(dp28895 +g25267 +g27 +sg25268 +S'None Given' +p28896 +sg25270 +S'American 20th Century' +p28897 +sa(dp28898 +g25267 +g27 +sg25268 +S'Armchair' +p28899 +sg25270 +S'Edward L. Loper' +p28900 +sa(dp28901 +g25267 +g27 +sg25268 +S'Armchair' +p28902 +sg25270 +S'M. Rosenshield-von-Paulin' +p28903 +sa(dp28904 +g25267 +g27 +sg25268 +S'Roundabout Chair' +p28905 +sg25270 +S'Ruth Bialostosky' +p28906 +sa(dp28907 +g25267 +g27 +sg25268 +S'Roundabout Chair' +p28908 +sg25270 +S'Harold Smith' +p28909 +sa(dp28910 +g25267 +g27 +sg25268 +S'Side Chair' +p28911 +sg25270 +S'Bernard Krieger' +p28912 +sa(dp28913 +g25267 +g27 +sg25268 +S'Side Chair' +p28914 +sg25270 +S'Bernard Krieger' +p28915 +sa(dp28916 +g25267 +g27 +sg25268 +S'Armchair' +p28917 +sg25270 +S'Rolland Livingstone' +p28918 +sa(dp28919 +g25267 +g27 +sg25268 +S'Armchair' +p28920 +sg25270 +S'Rolland Livingstone' +p28921 +sa(dp28922 +g25267 +g27 +sg25268 +S'Armchair' +p28923 +sg25270 +S'Lorenz Rothkranz' +p28924 +sa(dp28925 +g25267 +g27 +sg25268 +S'Armchair' +p28926 +sg25270 +S'Lorenz Rothkranz' +p28927 +sa(dp28928 +g25267 +g27 +sg25268 +S'Side Chair' +p28929 +sg25270 +S'Nicholas Gorid' +p28930 +sa(dp28931 +g25267 +g27 +sg25268 +S'Rush Bottom Chair' +p28932 +sg25270 +S'Artist Information (' +p28933 +sa(dp28934 +g25267 +g27 +sg25268 +S'Dining Room Chair' +p28935 +sg25270 +S'Ralph Morton' +p28936 +sa(dp28937 +g25267 +g27 +sg25268 +S'Ladderback Chair' +p28938 +sg25270 +S'Albert Ryder' +p28939 +sa(dp28940 +g25267 +g27 +sg25268 +S'Empire Chair (American)' +p28941 +sg25270 +S'Genevieve Sherlock' +p28942 +sa(dp28943 +g25267 +g27 +sg25268 +S'Kitchen Chair' +p28944 +sg25270 +S'Rosa Burger' +p28945 +sa(dp28946 +g25267 +g27 +sg25268 +S'Kitchen Chair' +p28947 +sg25270 +S'Rosa Burger' +p28948 +sa(dp28949 +g25267 +g27 +sg25268 +S'Maple Side Chair' +p28950 +sg25270 +S'David S. De Vault' +p28951 +sa(dp28952 +g25267 +g27 +sg25268 +S'Rush Bottom Chair' +p28953 +sg25270 +S'Samuel O. Klein' +p28954 +sa(dp28955 +g25267 +g27 +sg25268 +S'Side Chair' +p28956 +sg25270 +S'Charles Henning' +p28957 +sa(dp28958 +g25267 +g27 +sg25268 +S'Side Chair' +p28959 +sg25270 +S'Rolland Livingstone' +p28960 +sa(dp28961 +g25267 +g27 +sg25268 +S'Side Chair' +p28962 +sg25270 +S'Rolland Livingstone' +p28963 +sa(dp28964 +g25267 +g27 +sg25268 +S'Armchair' +p28965 +sg25270 +S'Rolland Livingstone' +p28966 +sa(dp28967 +g25267 +g27 +sg25268 +S'Armchair' +p28968 +sg25270 +S'Rolland Livingstone' +p28969 +sa(dp28970 +g25273 +S'Widener Collection' +p28971 +sg25267 +g27 +sg25275 +S'\n' +p28972 +sg25268 +S'Cushion Cover (December)' +p28973 +sg25270 +S'German 17th Century' +p28974 +sa(dp28975 +g25267 +g27 +sg25268 +S'Armchair' +p28976 +sg25270 +S'Lawrence Phillips' +p28977 +sa(dp28978 +g25267 +g27 +sg25268 +S'Chair' +p28979 +sg25270 +S'Edna C. Rex' +p28980 +sa(dp28981 +g25267 +S'An interest in classical culture was stimulated by the discovery of the ancient\r\n Roman cities of Herculaneum in 1738 and Pompeii in 1748. Robert Adam, a Scottish\r\n architect who had visited the ancient Roman sites before he settled in England\r\n in 1762, helped change the fashion in interior decoration. Adam turned to antiquity\r\n for motifs, whereas the motifs of the earlier eighteenth century were inspired\r\n by Renaissance and baroque design. A restrained neoclassicism replaced the exuberant\r\n Chippendale forms. \n ' +p28982 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002ce.jpg' +p28983 +sg25268 +S'Side Chair' +p28984 +sg25270 +S'Louis Annino' +p28985 +sa(dp28986 +g25267 +g27 +sg25268 +S'Hepplewhite Chair' +p28987 +sg25270 +S'Samuel Fineman' +p28988 +sa(dp28989 +g25267 +g27 +sg25268 +S'Hepplewhite Chair' +p28990 +sg25270 +S'Artist Information (' +p28991 +sa(dp28992 +g25267 +g27 +sg25268 +S'Side Chair (one of six)' +p28993 +sg25270 +S'Alfred Nason' +p28994 +sa(dp28995 +g25267 +g27 +sg25268 +S'Dining Chair' +p28996 +sg25270 +S'Artist Information (' +p28997 +sa(dp28998 +g25267 +g27 +sg25268 +S'Armchair' +p28999 +sg25270 +S'Ferdinand Cartier' +p29000 +sa(dp29001 +g25267 +g27 +sg25268 +S'Chair' +p29002 +sg25270 +S'American 20th Century' +p29003 +sa(dp29004 +g25267 +g27 +sg25268 +S'Side Chair' +p29005 +sg25270 +S'Florence Choate' +p29006 +sa(dp29007 +g25267 +g27 +sg25268 +S'Side Chair' +p29008 +sg25270 +S'Nicholas Gorid' +p29009 +sa(dp29010 +g25267 +g27 +sg25268 +S'Chair' +p29011 +sg25270 +S'Mina Lowry' +p29012 +sa(dp29013 +g25267 +S"While shield and heart-shaped chair backs are commonly associated with the Hepplewhite\r\n style, Sheraton chairs frequently feature a square back. Sheraton chair backs were\r\n carved in a variety of ornamental motifs including drapery swags, urns, pointed\r\n arches, colonettes, fans, and rosettes. This square-back New York side chair strongly\r\n resembles a plate from the 1794 edition of Sheraton's \n " +p29014 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002d2.jpg' +p29015 +sg25268 +S'Side Chair' +p29016 +sg25270 +S'Michael Trekur' +p29017 +sa(dp29018 +g25267 +g27 +sg25268 +S'Side Chair' +p29019 +sg25270 +S'Michael Trekur' +p29020 +sa(dp29021 +g25267 +g27 +sg25268 +S'Chair' +p29022 +sg25270 +S'M. Rosenshield-von-Paulin' +p29023 +sa(dp29024 +g25267 +g27 +sg25268 +S'Armchair' +p29025 +sg25270 +S'Nicholas Gorid' +p29026 +sa(dp29027 +g25267 +g27 +sg25268 +S'Armchair' +p29028 +sg25270 +S'Nicholas Gorid' +p29029 +sa(dp29030 +g25267 +g27 +sg25268 +S'Armchair' +p29031 +sg25270 +S'Nicholas Gorid' +p29032 +sa(dp29033 +g25267 +g27 +sg25268 +S'Side Chair' +p29034 +sg25270 +S'Paul Farkas' +p29035 +sa(dp29036 +g25267 +g27 +sg25268 +S'Armchair' +p29037 +sg25270 +S'Arthur Johnson' +p29038 +sa(dp29039 +g25267 +g27 +sg25268 +S'Armchair' +p29040 +sg25270 +S'Bernard Gussow' +p29041 +sa(dp29042 +g25267 +g27 +sg25268 +S'Side Chair' +p29043 +sg25270 +S'Ferdinand Cartier' +p29044 +sa(dp29045 +g25267 +g27 +sg25268 +S'Side Chair' +p29046 +sg25270 +S'Arthur Johnson' +p29047 +sa(dp29048 +g25267 +g27 +sg25268 +S'Side Chair' +p29049 +sg25270 +S'Mina Lowry' +p29050 +sa(dp29051 +g25267 +g27 +sg25268 +S'Side Chair' +p29052 +sg25270 +S'Bernard Gussow' +p29053 +sa(dp29054 +g25267 +g27 +sg25268 +S'Side Chair' +p29055 +sg25270 +S'American 20th Century' +p29056 +sa(dp29057 +g25267 +g27 +sg25268 +S'American Chair' +p29058 +sg25270 +S'Florence Neal' +p29059 +sa(dp29060 +g25267 +g27 +sg25268 +S'Chair' +p29061 +sg25270 +S'Rolland Livingstone' +p29062 +sa(dp29063 +g25267 +g27 +sg25268 +S'Chair' +p29064 +sg25270 +S'American 20th Century' +p29065 +sa(dp29066 +g25267 +g27 +sg25268 +S'Armchair' +p29067 +sg25270 +S'Ernest Busenbark' +p29068 +sa(dp29069 +g25267 +g27 +sg25268 +S'Armchair' +p29070 +sg25270 +S'Harold Smith' +p29071 +sa(dp29072 +g25267 +g27 +sg25268 +S'Armchair' +p29073 +sg25270 +S'Elizabeth Curtis' +p29074 +sa(dp29075 +g25267 +g27 +sg25268 +S'Side chair' +p29076 +sg25270 +S'George Loughridge' +p29077 +sa(dp29078 +g25267 +g27 +sg25268 +S'Chair' +p29079 +sg25270 +S'Henry Granet' +p29080 +sa(dp29081 +g25267 +g27 +sg25268 +S'Chair' +p29082 +sg25270 +S'Bernard Gussow' +p29083 +sa(dp29084 +g25267 +g27 +sg25268 +S'Armchair' +p29085 +sg25270 +S'American 20th Century' +p29086 +sa(dp29087 +g25267 +g27 +sg25268 +S'Armchair' +p29088 +sg25270 +S'Frank Wenger' +p29089 +sa(dp29090 +g25267 +g27 +sg25268 +S'Armchair' +p29091 +sg25270 +S'M. Rosenshield-von-Paulin' +p29092 +sa(dp29093 +g25267 +g27 +sg25268 +S'Chair' +p29094 +sg25270 +S'Ella Josephine Sterling' +p29095 +sa(dp29096 +g25267 +g27 +sg25268 +S'Side Chair' +p29097 +sg25270 +S'Ferdinand Cartier' +p29098 +sa(dp29099 +g25273 +S'overall: 232 x 198.5 cm (91 5/16 x 78 1/8 in.)' +p29100 +sg25267 +g27 +sg25275 +S'\nembroidered velvet: dyed silk warp and weft; spun silver-gilt, yellow silk, and linen thread; silver-gilt tinsel; silver-gilt sequins; paper; light blue taffeta' +p29101 +sg25268 +S'Velvet Table Cover' +p29102 +sg25270 +S'Italian 16th Century' +p29103 +sa(dp29104 +g25267 +g27 +sg25268 +S'Side Chair' +p29105 +sg25270 +S'Arthur Johnson' +p29106 +sa(dp29107 +g25267 +g27 +sg25268 +S'Side Chair' +p29108 +sg25270 +S'Robert Brigadier' +p29109 +sa(dp29110 +g25267 +S'After about 1810, Sheraton furniture became heavier than that of earlier years\r\n and gradually developed into what is called "Regency," a style named after the\r\n regency of George IV in England. The Regency style represented a second phase of\r\n classicism and was strongly influenced by the forms of ancient furniture rather\r\n than by decorative motifs alone. Furniture designed to reproduce ancient models\r\n was favored in America during the Regency period, which lasted through the 1820s,\r\n and reflected fashions in both England and France. This Regency-style chair was\r\n made by Duncan Phyfe, the prolific New York cabinetmaker of the nineteenth century.\r\n It represents his second period of furniture design based upon classical models\r\n and is distinguished from his earlier work in which Sheraton\'s influence prevailed.\r\n The design of this chair is based on the "klismos," an ancient Greek chair form with\r\n incurved legs and with the seat rail and back in an unbroken curve. Phyfe introduced\r\n this form into American furniture design.\n ' +p29111 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002f3.jpg' +p29112 +sg25268 +S'Side Chair' +p29113 +sg25270 +S'Frank Wenger' +p29114 +sa(dp29115 +g25267 +g27 +sg25268 +S'Side Chair' +p29116 +sg25270 +S'Nicholas Gorid' +p29117 +sa(dp29118 +g25267 +g27 +sg25268 +S'Walnut Carved Back Chair' +p29119 +sg25270 +S'Robert Stewart' +p29120 +sa(dp29121 +g25267 +g27 +sg25268 +S'Side Chair' +p29122 +sg25270 +S'Ferdinand Cartier' +p29123 +sa(dp29124 +g25267 +g27 +sg25268 +S'Side Chair' +p29125 +sg25270 +S'Ferdinand Cartier' +p29126 +sa(dp29127 +g25267 +g27 +sg25268 +S'Side Chair' +p29128 +sg25270 +S'Francisco Alvarez' +p29129 +sa(dp29130 +g25267 +g27 +sg25268 +S'Side Chair' +p29131 +sg25270 +S'Mattie P. Goodman' +p29132 +sa(dp29133 +g25267 +g27 +sg25268 +S'Chair' +p29134 +sg25270 +S'Helen Bronson' +p29135 +sa(dp29136 +g25268 +S'Interior of the Pantheon, Rome' +p29137 +sg25270 +S'Giovanni Paolo Panini' +p29138 +sg25273 +S'oil on canvas' +p29139 +sg25275 +S'c. 1734' +p29140 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a0000638.jpg' +p29141 +sg25267 +S"In Panini's day, as in our own, the Pantheon was one of the great tourist attractions of Rome. Built under Hadrian in the 2nd century, this monumental domed temple has survived intact, owing to its consecration as a Christian church—Santa Maria Rotunda—in AD 609. Panini's depiction is populated with foreign visitors and a lively mix of Romans from all social strata who congregate in the Pantheon to pray, to chat, and to admire the wondrous architecture.\n Trained in architecture and theatrical design, Panini manipulated the perspective to show a larger view of the interior than is actually possible from any single place. The viewpoint is deep within the building, facing the entrance. The portals open to the colossal columns of the porch and a glimpse of the obelisk in the piazza before the church. Through the oculus in the center of the dome, Panini revealed the bright blue sky flecked with clouds.\n As Canaletto was to Venice, so Panini was to Rome. Both artists documented with exacting skill and vibrancy the monuments of their cities and the daily comings and goings of the inhabitants. In this case, Panini depicted the classical landmark that inspired the design of the Rotunda in the National Gallery's West Building.\n " +p29142 +sa(dp29143 +g25273 +S'overall: 124.5 x 259.3 cm (49 x 102 1/16 in.)' +p29144 +sg25267 +g27 +sg25275 +S'\nvelvet: dyed silk warp and weft; trim: dyed silk, spun silver and silver-gilt yarn, silver tinsel; lining: dyed silk warp and weft' +p29145 +sg25268 +S'Velvet Gothic Cope' +p29146 +sg25270 +S'Italian 15th Century' +p29147 +sa(dp29148 +g25267 +g27 +sg25268 +S'Chair' +p29149 +sg25270 +S'Arthur Johnson' +p29150 +sa(dp29151 +g25267 +g27 +sg25268 +S'Chair' +p29152 +sg25270 +S'William Paul Childers' +p29153 +sa(dp29154 +g25267 +g27 +sg25268 +S'Mahogany chair' +p29155 +sg25270 +S'James M. Lawson' +p29156 +sa(dp29157 +g25267 +g27 +sg25268 +S'Chair (Samuel Chase)' +p29158 +sg25270 +S'James Fisher' +p29159 +sa(dp29160 +g25267 +g27 +sg25268 +S'Samuel Chase Chair' +p29161 +sg25270 +S'Samuel W. Ford' +p29162 +sa(dp29163 +g25267 +g27 +sg25268 +S'Chair (frame)' +p29164 +sg25270 +S'George C. Brown' +p29165 +sa(dp29166 +g25267 +g27 +sg25268 +S'Early Dayton Chair' +p29167 +sg25270 +S'Therkel Anderson' +p29168 +sa(dp29169 +g25267 +g27 +sg25268 +S'Side Chair' +p29170 +sg25270 +S'Herbert S. Frere' +p29171 +sa(dp29172 +g25267 +g27 +sg25268 +S'Chair' +p29173 +sg25270 +S'Henry Murphy' +p29174 +sa(dp29175 +g25267 +g27 +sg25268 +S'Empire Chair' +p29176 +sg25270 +S'Artist Information (' +p29177 +sa(dp29178 +g25268 +S'Polonaise Carpet' +p29179 +sg25270 +S'Isfahan 17th Century' +p29180 +sg25273 +S'silk pile and metal brocade on cotton warp and cotton and silk weft' +p29181 +sg25275 +S'first half 17th century' +p29182 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d55.jpg' +p29183 +sg25267 +g27 +sa(dp29184 +g25267 +g27 +sg25268 +S'Chair' +p29185 +sg25270 +S'Artist Information (' +p29186 +sa(dp29187 +g25267 +g27 +sg25268 +S'Rush Bottom Chair' +p29188 +sg25270 +S'Henry Meyers' +p29189 +sa(dp29190 +g25267 +g27 +sg25268 +S'Fiddle-back Chair' +p29191 +sg25270 +S'Edith Magnette' +p29192 +sa(dp29193 +g25267 +g27 +sg25268 +S'Fiddle-back Chair' +p29194 +sg25270 +S'Edith Magnette' +p29195 +sa(dp29196 +g25267 +g27 +sg25268 +S'Chair' +p29197 +sg25270 +S'Magnus S. Fossum' +p29198 +sa(dp29199 +g25267 +g27 +sg25268 +S'Side Chair' +p29200 +sg25270 +S'Frank Wenger' +p29201 +sa(dp29202 +g25267 +g27 +sg25268 +S'Chair' +p29203 +sg25270 +S'John Sullivan' +p29204 +sa(dp29205 +g25267 +g27 +sg25268 +S'Parlor Chair' +p29206 +sg25270 +S'LeRoy Griffith' +p29207 +sa(dp29208 +g25267 +g27 +sg25268 +S'Chair (painted)' +p29209 +sg25270 +S'Lillian Causey' +p29210 +sa(dp29211 +g25267 +g27 +sg25268 +S'Armchair' +p29212 +sg25270 +S'Elisabeth Fulda' +p29213 +sa(dp29214 +g25268 +S'Polonaise Rug' +p29215 +sg25270 +S'Isfahan 17th Century' +p29216 +sg25273 +S'silk pile with gold and silver brocade on cotton warp and cotton and silk weft' +p29217 +sg25275 +S'first half 17th century' +p29218 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d56.jpg' +p29219 +sg25267 +g27 +sa(dp29220 +g25267 +g27 +sg25268 +S'Hoopskirt chair' +p29221 +sg25270 +S'Kurt Melzer' +p29222 +sa(dp29223 +g25267 +g27 +sg25268 +S'Hoopskirt Chair' +p29224 +sg25270 +S'Kurt Melzer' +p29225 +sa(dp29226 +g25267 +g27 +sg25268 +S'Rosewood Chair' +p29227 +sg25270 +S'Rex F. Bush' +p29228 +sa(dp29229 +g25267 +g27 +sg25268 +S'Rosewood Chair' +p29230 +sg25270 +S'Rex F. Bush' +p29231 +sa(dp29232 +g25267 +g27 +sg25268 +S'Side Chair' +p29233 +sg25270 +S'Charles Garjian' +p29234 +sa(dp29235 +g25267 +g27 +sg25268 +S'Armchair' +p29236 +sg25270 +S'Charles Cullen' +p29237 +sa(dp29238 +g25267 +g27 +sg25268 +S'Side Chair (one of four)' +p29239 +sg25270 +S'Bernard Gussow' +p29240 +sa(dp29241 +g25267 +g27 +sg25268 +S'Balter Chair' +p29242 +sg25270 +S'Beverly Chichester' +p29243 +sa(dp29244 +g25267 +g27 +sg25268 +S'Armchair' +p29245 +sg25270 +S'Ernest Busenbark' +p29246 +sa(dp29247 +g25267 +g27 +sg25268 +S'Chair and Tapestry' +p29248 +sg25270 +S'Edith Olney' +p29249 +sa(dp29250 +g25268 +S'Scenic Animal Carpet' +p29251 +sg25270 +S'Northwest Indian 17th Century' +p29252 +sg25273 +S'overall: 416 x 191 cm (163 3/4 x 75 3/16 in.)' +p29253 +sg25275 +S'\nwool pile on cotton warp and cotton weft' +p29254 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d57.jpg' +p29255 +sg25267 +g27 +sa(dp29256 +g25267 +g27 +sg25268 +S'Armchair' +p29257 +sg25270 +S'Floyd R. Sharp' +p29258 +sa(dp29259 +g25267 +g27 +sg25268 +S'Armchair' +p29260 +sg25270 +S'Edna C. Rex' +p29261 +sa(dp29262 +g25267 +g27 +sg25268 +S'Armchair' +p29263 +sg25270 +S'Edward A. Darby' +p29264 +sa(dp29265 +g25267 +g27 +sg25268 +S'Chair' +p29266 +sg25270 +S'Florence Huston' +p29267 +sa(dp29268 +g25267 +g27 +sg25268 +S'Carved Side Chair' +p29269 +sg25270 +S'Robert Stewart' +p29270 +sa(dp29271 +g25267 +g27 +sg25268 +S'Chair' +p29272 +sg25270 +S'Frank Wenger' +p29273 +sa(dp29274 +g25267 +g27 +sg25268 +S'Chair' +p29275 +sg25270 +S'Jack Bochner' +p29276 +sa(dp29277 +g25267 +g27 +sg25268 +S'Chair' +p29278 +sg25270 +S'Jack Bochner' +p29279 +sa(dp29280 +g25267 +g27 +sg25268 +S'Chair' +p29281 +sg25270 +S'Marcus Moran' +p29282 +sa(dp29283 +g25267 +g27 +sg25268 +S'Side Chair' +p29284 +sg25270 +S'Edna C. Rex' +p29285 +sa(dp29286 +g25268 +S'Arabesque Band Carpet' +p29287 +sg25270 +S'Artist Information (' +p29288 +sg25273 +g27 +sg25275 +S'(artist)' +p29289 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d58.jpg' +p29290 +sg25267 +g27 +sa(dp29291 +g25267 +g27 +sg25268 +S'Side Chair' +p29292 +sg25270 +S'Edna C. Rex' +p29293 +sa(dp29294 +g25267 +g27 +sg25268 +S'Chair' +p29295 +sg25270 +S'Charles Goodwin' +p29296 +sa(dp29297 +g25267 +g27 +sg25268 +S'Chair (one of a pair)' +p29298 +sg25270 +S'Charles Cullen' +p29299 +sa(dp29300 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005e/a0005ece.jpg' +p29301 +sg25268 +S'Window Chair (one of a pair)' +p29302 +sg25270 +S'Henry Blonkenfeld' +p29303 +sa(dp29304 +g25267 +g27 +sg25268 +S'Chair' +p29305 +sg25270 +S'Dorothea A. Farrington' +p29306 +sa(dp29307 +g25267 +g27 +sg25268 +S'Rush Bottom Chair' +p29308 +sg25270 +S'Dana Bartlett' +p29309 +sa(dp29310 +g25267 +g27 +sg25268 +S'Hitchcock Chair' +p29311 +sg25270 +S'David S. De Vault' +p29312 +sa(dp29313 +g25267 +g27 +sg25268 +S'Hitchcock Side Chair' +p29314 +sg25270 +S'David S. De Vault' +p29315 +sa(dp29316 +g25267 +g27 +sg25268 +S'Stencilled Chair - One of Set of Six' +p29317 +sg25270 +S'Lawrence Flynn' +p29318 +sa(dp29319 +g25267 +g27 +sg25268 +S'Hitchcock Chair' +p29320 +sg25270 +S'Cushman Parker' +p29321 +sa(dp29322 +g25268 +S'Medallion and Animal Carpet' +p29323 +sg25270 +S'Isfahan 17th Century' +p29324 +sg25273 +S'wool pile on silk warp and wool and cotton weft' +p29325 +sg25275 +S'c. 1600' +p29326 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d59.jpg' +p29327 +sg25267 +g27 +sa(dp29328 +g25267 +g27 +sg25268 +S'Chair' +p29329 +sg25270 +S'Lillian Causey' +p29330 +sa(dp29331 +g25267 +g27 +sg25268 +S'Rocking Chair' +p29332 +sg25270 +S'Artist Information (' +p29333 +sa(dp29334 +g25267 +g27 +sg25268 +S'Boston Rocker' +p29335 +sg25270 +S'Einar Heiberg' +p29336 +sa(dp29337 +g25267 +g27 +sg25268 +S'Hitchcock chair' +p29338 +sg25270 +S'Lawrence Flynn' +p29339 +sa(dp29340 +g25267 +g27 +sg25268 +S'Design on Back of Hitchcock Chair' +p29341 +sg25270 +S'Lawrence Flynn' +p29342 +sa(dp29343 +g25267 +g27 +sg25268 +S'Hitchcock Rocker' +p29344 +sg25270 +S'Lawrence Flynn' +p29345 +sa(dp29346 +g25267 +g27 +sg25268 +S'Boston Rocker' +p29347 +sg25270 +S'Genevieve Sherlock' +p29348 +sa(dp29349 +g25267 +g27 +sg25268 +S'Hitchcock Rocker' +p29350 +sg25270 +S'David S. De Vault' +p29351 +sa(dp29352 +g25267 +g27 +sg25268 +S'Rocker' +p29353 +sg25270 +S'George C. Brown' +p29354 +sa(dp29355 +g25267 +g27 +sg25268 +S'Boston Rocker' +p29356 +sg25270 +S'Genevieve Sherlock' +p29357 +sa(dp29358 +g25268 +S'Silk Medallion Rug' +p29359 +sg25270 +S'Kashan 16th Century' +p29360 +sg25273 +S'silk pile on silk warp and weft' +p29361 +sg25275 +S'late 16th century' +p29362 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d5a.jpg' +p29363 +sg25267 +g27 +sa(dp29364 +g25267 +g27 +sg25268 +S'Boston Rocker' +p29365 +sg25270 +S'Einar Heiberg' +p29366 +sa(dp29367 +g25267 +g27 +sg25268 +S'Chair' +p29368 +sg25270 +S'Howard Weld' +p29369 +sa(dp29370 +g25267 +g27 +sg25268 +S'Back of Hitchcock Chair' +p29371 +sg25270 +S'Lawrence Flynn' +p29372 +sa(dp29373 +g25267 +g27 +sg25268 +S'Hitchcock Chair Back' +p29374 +sg25270 +S'Lawrence Flynn' +p29375 +sa(dp29376 +g25267 +g27 +sg25268 +S'Detail of Hitchcock Chair' +p29377 +sg25270 +S'Natalie Thompson' +p29378 +sa(dp29379 +g25267 +g27 +sg25268 +S'Detail of Hitchcock Chair' +p29380 +sg25270 +S'Natalie Thompson' +p29381 +sa(dp29382 +g25267 +g27 +sg25268 +S'Chair (detail of Hitchcock)' +p29383 +sg25270 +S'Natalie Thompson' +p29384 +sa(dp29385 +g25267 +g27 +sg25268 +S'Detail of Hitchcock Chair' +p29386 +sg25270 +S'Natalie Thompson' +p29387 +sa(dp29388 +g25267 +g27 +sg25268 +S'Detail of Hitchcock Chair' +p29389 +sg25270 +S'Genevieve Sherlock' +p29390 +sa(dp29391 +g25267 +g27 +sg25268 +S'Hitchcock Chair' +p29392 +sg25270 +S'Genevieve Sherlock' +p29393 +sa(dp29394 +g25268 +S'Gourd-Shaped Vase' +p29395 +sg25270 +S'Chinese Qing Dynasty' +p29396 +sg25273 +S'overall: 14.2 x 6.2 cm (5 9/16 x 2 7/16 in.)' +p29397 +sg25275 +S'\nporcelain with pale blue glaze' +p29398 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d5b.jpg' +p29399 +sg25267 +g27 +sa(dp29400 +g25267 +g27 +sg25268 +S'Hitchcock Chair' +p29401 +sg25270 +S'Genevieve Sherlock' +p29402 +sa(dp29403 +g25267 +g27 +sg25268 +S'Hitchcock Chair' +p29404 +sg25270 +S'Genevieve Sherlock' +p29405 +sa(dp29406 +g25267 +g27 +sg25268 +S'Hitchcock Chair' +p29407 +sg25270 +S'Genevieve Sherlock' +p29408 +sa(dp29409 +g25267 +g27 +sg25268 +S'Hitchcock Chair' +p29410 +sg25270 +S'Genevieve Sherlock' +p29411 +sa(dp29412 +g25267 +g27 +sg25268 +S'Hitchcock Chair' +p29413 +sg25270 +S'Genevieve Sherlock' +p29414 +sa(dp29415 +g25267 +g27 +sg25268 +S'Hitchcock Chair' +p29416 +sg25270 +S'Harry Jennings' +p29417 +sa(dp29418 +g25267 +g27 +sg25268 +S'Hitchcock Chair' +p29419 +sg25270 +S'Genevieve Sherlock' +p29420 +sa(dp29421 +g25267 +g27 +sg25268 +S'Chair with Carved Grape Leaf Decoration and Gothic Top' +p29422 +sg25270 +S'Robert Stewart' +p29423 +sa(dp29424 +g25267 +g27 +sg25268 +S'Three Legged Chair' +p29425 +sg25270 +S'Francis Jennings' +p29426 +sa(dp29427 +g25267 +g27 +sg25268 +S'Side Chair' +p29428 +sg25270 +S'Joseph Rothenberg' +p29429 +sa(dp29430 +g25268 +S'Gourd-Shaped Vase' +p29431 +sg25270 +S'Chinese Qing Dynasty' +p29432 +sg25273 +S'overall: 13.9 x 6.1 cm (5 1/2 x 2 3/8 in.)' +p29433 +sg25275 +S'\nporcelain with pale blue glaze' +p29434 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d5c.jpg' +p29435 +sg25267 +g27 +sa(dp29436 +g25267 +g27 +sg25268 +S'Cathedral Chair' +p29437 +sg25270 +S'Artist Information (' +p29438 +sa(dp29439 +g25267 +g27 +sg25268 +S'Handcarved Side Chair' +p29440 +sg25270 +S'Cornelius Christoffels' +p29441 +sa(dp29442 +g25267 +g27 +sg25268 +S'Windsor Chair' +p29443 +sg25270 +S'Dana Bartlett' +p29444 +sa(dp29445 +g25267 +g27 +sg25268 +S'Chair' +p29446 +sg25270 +S'Archie Thompson' +p29447 +sa(dp29448 +g25267 +g27 +sg25268 +S'Comb Back Chair' +p29449 +sg25270 +S'Claude Marshall' +p29450 +sa(dp29451 +g25267 +g27 +sg25268 +S'Ladder Back Chair' +p29452 +sg25270 +S'John Cutting' +p29453 +sa(dp29454 +g25267 +g27 +sg25268 +S'Kitchen Chair' +p29455 +sg25270 +S'Edward Bashaw' +p29456 +sa(dp29457 +g25267 +g27 +sg25268 +S'Chair' +p29458 +sg25270 +S'Wellington Blewett' +p29459 +sa(dp29460 +g25267 +g27 +sg25268 +S'Chair' +p29461 +sg25270 +S'John Sullivan' +p29462 +sa(dp29463 +g25267 +g27 +sg25268 +S'Chair' +p29464 +sg25270 +S'Harry Mann Waddell' +p29465 +sa(dp29466 +g25268 +S'Water Pot' +p29467 +sg25270 +S'Chinese Qing Dynasty' +p29468 +sg25273 +S'overall: 7.4 x 10.4 cm (2 15/16 x 4 1/8 in.)' +p29469 +sg25275 +S'\nporcelain with pale blue glaze' +p29470 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d5e.jpg' +p29471 +sg25267 +g27 +sa(dp29472 +g25267 +g27 +sg25268 +S'Rocking Armchair' +p29473 +sg25270 +S'Georgine E. Mason' +p29474 +sa(dp29475 +g25267 +g27 +sg25268 +S'Chair' +p29476 +sg25270 +S'Ralph Morton' +p29477 +sa(dp29478 +g25267 +g27 +sg25268 +S'Boot-jack Chair' +p29479 +sg25270 +S'John Lang' +p29480 +sa(dp29481 +g25267 +g27 +sg25268 +S'Chair' +p29482 +sg25270 +S'Lillian Causey' +p29483 +sa(dp29484 +g25267 +g27 +sg25268 +S'Painted Chair' +p29485 +sg25270 +S'Kurt Melzer' +p29486 +sa(dp29487 +g25267 +g27 +sg25268 +S'Chair - with Hudson River Scenes' +p29488 +sg25270 +S'Ella Josephine Sterling' +p29489 +sa(dp29490 +g25267 +g27 +sg25268 +S'Chair - with Hudson River Scenes' +p29491 +sg25270 +S'Ella Josephine Sterling' +p29492 +sa(dp29493 +g25267 +g27 +sg25268 +S'Chair Back Decoration' +p29494 +sg25270 +S'Austin L. Davison' +p29495 +sa(dp29496 +g25267 +g27 +sg25268 +S'Empire Chair' +p29497 +sg25270 +S'Genevieve Sherlock' +p29498 +sa(dp29499 +g25267 +g27 +sg25268 +S'Hitchcock Armchair' +p29500 +sg25270 +S'Therkel Anderson' +p29501 +sa(dp29502 +g25268 +S'Water Pot' +p29503 +sg25270 +S'Chinese Qing Dynasty' +p29504 +sg25273 +S'overall: 7.4 x 10.4 cm (2 15/16 x 4 1/8 in.)' +p29505 +sg25275 +S'\nporcelain with pale blue glaze' +p29506 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d60.jpg' +p29507 +sg25267 +g27 +sa(dp29508 +g25267 +g27 +sg25268 +S'Chair' +p29509 +sg25270 +S'Lillian Causey' +p29510 +sa(dp29511 +g25267 +g27 +sg25268 +S'Dining Room Chair' +p29512 +sg25270 +S'Sarkis Erganian' +p29513 +sa(dp29514 +g25267 +g27 +sg25268 +S'Side Chair' +p29515 +sg25270 +S'David S. De Vault' +p29516 +sa(dp29517 +g25267 +g27 +sg25268 +S'Chair' +p29518 +sg25270 +S'Walter W. Jennings' +p29519 +sa(dp29520 +g25267 +g27 +sg25268 +S'Chinese Cane Chair' +p29521 +sg25270 +S'Sebastian Simonet' +p29522 +sa(dp29523 +g25267 +g27 +sg25268 +S"Child's (living room) Chair" +p29524 +sg25270 +S'Francis Law Durand' +p29525 +sa(dp29526 +g25267 +g27 +sg25268 +S'Chair' +p29527 +sg25270 +S'George Fairbanks' +p29528 +sa(dp29529 +g25267 +g27 +sg25268 +S'Chair' +p29530 +sg25270 +S'George Kirschner' +p29531 +sa(dp29532 +g25267 +g27 +sg25268 +S'Chair' +p29533 +sg25270 +S'Wellington Blewett' +p29534 +sa(dp29535 +g25267 +g27 +sg25268 +S'Slat-back Chair' +p29536 +sg25270 +S'George Kirschner' +p29537 +sa(dp29538 +g25268 +S'Covered Bowl' +p29539 +sg25270 +S'Chinese Qing Dynasty' +p29540 +sg25273 +S'overall: 9.8 x 9.2 cm (3 7/8 x 3 5/8 in.)' +p29541 +sg25275 +S'\nporcelain with pale blue glaze' +p29542 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d62.jpg' +p29543 +sg25267 +g27 +sa(dp29544 +g25267 +g27 +sg25268 +S'Spool Armchair' +p29545 +sg25270 +S'Ella Josephine Sterling' +p29546 +sa(dp29547 +g25267 +g27 +sg25268 +S'Handcarved Chair' +p29548 +sg25270 +S'Florence Hastings' +p29549 +sa(dp29550 +g25267 +g27 +sg25268 +S'Horn chair' +p29551 +sg25270 +S'Robert W.R. Taylor' +p29552 +sa(dp29553 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a000553b.jpg' +p29554 +sg25268 +S'Gothic Chair' +p29555 +sg25270 +S'Rosa Rivero' +p29556 +sa(dp29557 +g25267 +g27 +sg25268 +S'Side Chair' +p29558 +sg25270 +S'Joseph Rothenberg' +p29559 +sa(dp29560 +g25267 +g27 +sg25268 +S'Side Chair' +p29561 +sg25270 +S'Bernard Krieger' +p29562 +sa(dp29563 +g25267 +g27 +sg25268 +S"Child's stool chair" +p29564 +sg25270 +S'Alfonso Moreno' +p29565 +sa(dp29566 +g25267 +g27 +sg25268 +S'Chair, Pine with Rush Seat' +p29567 +sg25270 +S'Frank M. Keane' +p29568 +sa(dp29569 +g25267 +g27 +sg25268 +S'Handmade Chair - Rawhide Seat' +p29570 +sg25270 +S'Manuel G. Runyan' +p29571 +sa(dp29572 +g25267 +g27 +sg25268 +S'Handmade Chair' +p29573 +sg25270 +S'Annie B. Johnston' +p29574 +sa(dp29575 +g25268 +S'Brush Washer' +p29576 +sg25270 +S'Chinese Qing Dynasty' +p29577 +sg25273 +S'overall: 4.8 x 12.1 cm (1 7/8 x 4 3/4 in.)' +p29578 +sg25275 +S'\nporcelain with pale blue glaze' +p29579 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d64.jpg' +p29580 +sg25267 +g27 +sa(dp29581 +g25267 +g27 +sg25268 +S'Dining Room Chair' +p29582 +sg25270 +S'Manuel G. Runyan' +p29583 +sa(dp29584 +g25267 +g27 +sg25268 +S'Hickory High Chair' +p29585 +sg25270 +S'Florence Hastings' +p29586 +sa(dp29587 +g25267 +g27 +sg25268 +S'Rocker' +p29588 +sg25270 +S'Grace Thomas' +p29589 +sa(dp29590 +g25267 +g27 +sg25268 +S'Chair (Ranch Type)' +p29591 +sg25270 +S'Ellen Duncan' +p29592 +sa(dp29593 +g25267 +g27 +sg25268 +S'Rocker' +p29594 +sg25270 +S'Ursula Lauderdale' +p29595 +sa(dp29596 +g25267 +g27 +sg25268 +S'Chair' +p29597 +sg25270 +S'Louita Gourley' +p29598 +sa(dp29599 +g25267 +g27 +sg25268 +S'Braided Rawhide-bottomed Chair' +p29600 +sg25270 +S'Joe Brennan' +p29601 +sa(dp29602 +g25267 +g27 +sg25268 +S'Hide-bottom High-seat Chair' +p29603 +sg25270 +S'Dorothy Johnson' +p29604 +sa(dp29605 +g25267 +g27 +sg25268 +S'Double Back Chair' +p29606 +sg25270 +S'Dorothy Johnson' +p29607 +sa(dp29608 +g25267 +g27 +sg25268 +S'High Armchair' +p29609 +sg25270 +S'Virgil A. Liberto' +p29610 +sa(dp29611 +g25268 +S'Bottle Vase' +p29612 +sg25270 +S'Chinese Qing Dynasty' +p29613 +sg25273 +S'overall: 15.3 x 7.5 cm (6 x 2 15/16 in.)' +p29614 +sg25275 +S'\nporcelain with pale blue glaze' +p29615 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d66.jpg' +p29616 +sg25267 +g27 +sa(dp29617 +g25267 +g27 +sg25268 +S'Armchair' +p29618 +sg25270 +S'Joe Brennan' +p29619 +sa(dp29620 +g25267 +g27 +sg25268 +S'Hickory Rocking Chair' +p29621 +sg25270 +S'Pearl Davis' +p29622 +sa(dp29623 +g25267 +g27 +sg25268 +S'Braided Rawhide Bottom Chair' +p29624 +sg25270 +S'Dorothy Johnson' +p29625 +sa(dp29626 +g25267 +g27 +sg25268 +S'Laced Chair' +p29627 +sg25270 +S'Pearl Davis' +p29628 +sa(dp29629 +g25267 +g27 +sg25268 +S"Child's Chair" +p29630 +sg25270 +S'Randolph Atkinson' +p29631 +sa(dp29632 +g25267 +g27 +sg25268 +S'Rawhide-bottom Chair' +p29633 +sg25270 +S'Dorothy Johnson' +p29634 +sa(dp29635 +g25267 +g27 +sg25268 +S"Child's High Chair" +p29636 +sg25270 +S'Dorothy Johnson' +p29637 +sa(dp29638 +g25267 +g27 +sg25268 +S"Child's Armchair" +p29639 +sg25270 +S'Dorothy Johnson' +p29640 +sa(dp29641 +g25267 +g27 +sg25268 +S'High-bottom High-back Armchair' +p29642 +sg25270 +S'Dorothy Johnson' +p29643 +sa(dp29644 +g25267 +g27 +sg25268 +S'Wooden Straight Chair' +p29645 +sg25270 +S'Wilbur M Rice' +p29646 +sa(dp29647 +g25268 +S'Bottle Vase' +p29648 +sg25270 +S'Chinese Qing Dynasty' +p29649 +sg25273 +S'overall: 15.3 x 7.5 cm (6 x 2 15/16 in.)' +p29650 +sg25275 +S'\nporcelain with pale blue glaze' +p29651 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d68.jpg' +p29652 +sg25267 +g27 +sa(dp29653 +g25267 +g27 +sg25268 +S'Chair' +p29654 +sg25270 +S'Frank Eiseman' +p29655 +sa(dp29656 +g25267 +g27 +sg25268 +S"Child's High Chair" +p29657 +sg25270 +S'Donald Harding' +p29658 +sa(dp29659 +g25267 +g27 +sg25268 +S'Ladder Back Chair' +p29660 +sg25270 +S'Adelaide Dyball' +p29661 +sa(dp29662 +g25267 +g27 +sg25268 +S'Chair' +p29663 +sg25270 +S'Lee Brown' +p29664 +sa(dp29665 +g25267 +g27 +sg25268 +S'Kitchen Chair' +p29666 +sg25270 +S'Sydney Roberts' +p29667 +sa(dp29668 +g25267 +g27 +sg25268 +S'Kitchen Chair (plank bottom)' +p29669 +sg25270 +S'Sydney Roberts' +p29670 +sa(dp29671 +g25267 +g27 +sg25268 +S'Hickory Chair' +p29672 +sg25270 +S'E.J. Reynolds' +p29673 +sa(dp29674 +g25267 +g27 +sg25268 +S'Chair (handmade)' +p29675 +sg25270 +S'Glenn Wilson' +p29676 +sa(dp29677 +g25267 +g27 +sg25268 +S'"Ladder Back" Chair - Called "Jolting Chair"' +p29678 +sg25270 +S'Magnus S. Fossum' +p29679 +sa(dp29680 +g25267 +g27 +sg25268 +S'Early American Chair' +p29681 +sg25270 +S'Rex F. Bush' +p29682 +sa(dp29683 +g25268 +S'Vase' +p29684 +sg25270 +S'Chinese Qing Dynasty' +p29685 +sg25273 +S'overall: 21 x 7.8 cm (8 1/4 x 3 1/16 in.)' +p29686 +sg25275 +S'\nporcelain with pale blue glaze' +p29687 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d6a.jpg' +p29688 +sg25267 +g27 +sa(dp29689 +g25267 +g27 +sg25268 +S'Side Chair' +p29690 +sg25270 +S'Edna C. Rex' +p29691 +sa(dp29692 +g25267 +g27 +sg25268 +S'Chair' +p29693 +sg25270 +S'Willoughby Ions' +p29694 +sa(dp29695 +g25267 +g27 +sg25268 +S'Chair (Jack Knife Type)' +p29696 +sg25270 +S'Rex F. Bush' +p29697 +sa(dp29698 +g25267 +g27 +sg25268 +S'Wooden chiar' +p29699 +sg25270 +S'Clyde L. Cheney' +p29700 +sa(dp29701 +g25267 +g27 +sg25268 +S'Mahogany Chair with Card Rose Design on UpperWrung' +p29702 +sg25270 +S'Florence Truelson' +p29703 +sa(dp29704 +g25267 +g27 +sg25268 +S'Red Plush Morris Chair' +p29705 +sg25270 +S'Florence Truelson' +p29706 +sa(dp29707 +g25267 +g27 +sg25268 +S'Victorian Upholstered Chair' +p29708 +sg25270 +S'Florence Truelson' +p29709 +sa(dp29710 +g25267 +g27 +sg25268 +S'Red Pioneer Chair' +p29711 +sg25270 +S'Florence Truelson' +p29712 +sa(dp29713 +g25267 +g27 +sg25268 +S'Wooden Chair' +p29714 +sg25270 +S'Clyde L. Cheney' +p29715 +sa(dp29716 +g25267 +g27 +sg25268 +S'Walnut Chair' +p29717 +sg25270 +S'Florence Truelson' +p29718 +sa(dp29719 +g25268 +S'Brush Washer' +p29720 +sg25270 +S'Chinese Qing Dynasty' +p29721 +sg25273 +S'overall: 4.2 x 11.8 cm (1 5/8 x 4 5/8 in.)' +p29722 +sg25275 +S'\nporcelain with pale blue glaze' +p29723 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d6c.jpg' +p29724 +sg25267 +g27 +sa(dp29725 +g25267 +g27 +sg25268 +S'Chair' +p29726 +sg25270 +S'Florence Truelson' +p29727 +sa(dp29728 +g25267 +g27 +sg25268 +S'Chair' +p29729 +sg25270 +S'Clyde L. Cheney' +p29730 +sa(dp29731 +g25267 +g27 +sg25268 +S'Folding Oak Chair' +p29732 +sg25270 +S'Florence Truelson' +p29733 +sa(dp29734 +g25267 +g27 +sg25268 +S'"The Three Bear\'s Chairs"' +p29735 +sg25270 +S'Florence Truelson' +p29736 +sa(dp29737 +g25267 +g27 +sg25268 +S'Wooden Chair' +p29738 +sg25270 +S'Florence Truelson' +p29739 +sa(dp29740 +g25267 +g27 +sg25268 +S'Queen Anne Chair' +p29741 +sg25270 +S'Florence Truelson' +p29742 +sa(dp29743 +g25267 +g27 +sg25268 +S'Rocking Chair with Rawhide Seat' +p29744 +sg25270 +S'Frank M. Keane' +p29745 +sa(dp29746 +g25267 +g27 +sg25268 +S'Rocking Chair' +p29747 +sg25270 +S'Alfred Walbeck' +p29748 +sa(dp29749 +g25267 +g27 +sg25268 +S'Rocking Chair' +p29750 +sg25270 +S'James Fisher' +p29751 +sa(dp29752 +g25267 +g27 +sg25268 +S'Rocking Chair' +p29753 +sg25270 +S'Edward A. Darby' +p29754 +sa(dp29755 +g25268 +S'Brush Washer' +p29756 +sg25270 +S'Chinese Qing Dynasty' +p29757 +sg25273 +S'overall: 4.2 x 11.7 cm (1 5/8 x 4 5/8 in.)' +p29758 +sg25275 +S'\nporcelain with pale blue glaze' +p29759 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d6e.jpg' +p29760 +sg25267 +g27 +sa(dp29761 +g25267 +g27 +sg25268 +S'Rocking chair' +p29762 +sg25270 +S'Orison Daeda' +p29763 +sa(dp29764 +g25267 +g27 +sg25268 +S'Rocker with Black Horse-hair Seat' +p29765 +sg25270 +S'Florence Truelson' +p29766 +sa(dp29767 +g25267 +g27 +sg25268 +S'Chair with Head Rests' +p29768 +sg25270 +S'Florence Truelson' +p29769 +sa(dp29770 +g25267 +g27 +sg25268 +S'Rocking Chair' +p29771 +sg25270 +S'John R. Towers' +p29772 +sa(dp29773 +g25267 +g27 +sg25268 +S'Rocking Chair' +p29774 +sg25270 +S'Anne Colman' +p29775 +sa(dp29776 +g25267 +g27 +sg25268 +S'Rocking Chair' +p29777 +sg25270 +S'Henry Meyers' +p29778 +sa(dp29779 +g25267 +g27 +sg25268 +S'Rocking Chair' +p29780 +sg25270 +S'Henry Meyers' +p29781 +sa(dp29782 +g25267 +g27 +sg25268 +S'Rocking Chair' +p29783 +sg25270 +S'Maud M. Holme' +p29784 +sa(dp29785 +g25267 +g27 +sg25268 +S'Colonial Rocking Chair' +p29786 +sg25270 +S'Florence Truelson' +p29787 +sa(dp29788 +g25267 +g27 +sg25268 +S'Rocker' +p29789 +sg25270 +S'Violet Hartenstein' +p29790 +sa(dp29791 +g25268 +S'Water Pot' +p29792 +sg25270 +S'Chinese Qing Dynasty' +p29793 +sg25273 +S'overall: 7.3 x 10.5 cm (2 7/8 x 4 1/8 in.)' +p29794 +sg25275 +S'\nporcelain with pale blue glaze' +p29795 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d70.jpg' +p29796 +sg25267 +g27 +sa(dp29797 +g25267 +g27 +sg25268 +S'Rocking Chair' +p29798 +sg25270 +S'Henry Murphy' +p29799 +sa(dp29800 +g25267 +g27 +sg25268 +S'Rocker' +p29801 +sg25270 +S'Dorothy Johnson' +p29802 +sa(dp29803 +g25267 +g27 +sg25268 +S'Ladder Back Rocking Chair' +p29804 +sg25270 +S'J. Howard Iams' +p29805 +sa(dp29806 +g25267 +g27 +sg25268 +S'Rocking Chair' +p29807 +sg25270 +S'Florence Truelson' +p29808 +sa(dp29809 +g25267 +g27 +sg25268 +S'Rocking Chair' +p29810 +sg25270 +S'Artist Information (' +p29811 +sa(dp29812 +g25267 +g27 +sg25268 +S'Rocking Chair' +p29813 +sg25270 +S'John Lang' +p29814 +sa(dp29815 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000f9/a000f904.jpg' +p29816 +sg25268 +S"Child's Folding Chair" +p29817 +sg25270 +S'Magnus S. Fossum' +p29818 +sa(dp29819 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000f9/a000f905.jpg' +p29820 +sg25268 +S"Child's Folding Chair" +p29821 +sg25270 +S'Magnus S. Fossum' +p29822 +sa(dp29823 +g25267 +g27 +sg25268 +S'Chair' +p29824 +sg25270 +S'Leonard Battee' +p29825 +sa(dp29826 +g25267 +g27 +sg25268 +S'Chair' +p29827 +sg25270 +S'Charles Bowman' +p29828 +sa(dp29829 +g25268 +S'Water Pot' +p29830 +sg25270 +S'Chinese Qing Dynasty' +p29831 +sg25273 +S'overall: 7.1 x 10.4 cm (2 13/16 x 4 1/8 in.)' +p29832 +sg25275 +S'\nporcelain with pale blue glaze' +p29833 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d72.jpg' +p29834 +sg25267 +S'Water pots, sometimes called water coupes, were designed as ornamental and \n functional forms for the Chinese scholar\'s desk. They contained water for use \n in making ink or replenishing the brush washer.\n Pale blue glaze appears to have been more broadly used during the Kangxi \n and Yongzheng reigns than peachbloom and was applied to a wide variety of \n vase shapes rather than to only eight types. Nevertheless, certain forms \n are found in both glazes,\n Small globular water pots can be subdivided into those with and without \n necks. While peachbloom examples have been published in both types, among \n the pale blue wares the short-necked form is predominant.\n "Two favorite designs, for example, of the little water-bottles intended \n to be used with the writer\'s pallet \n The water pots with short necks do resemble pomegranates more than \n apples, although they lack the foliated lip found on the globular pots \n usually described as pomegranate-shaped.\n (Text by Virginia Bower, published in the NGA Systematic Catalogue: \n Notes
\n\n \n \n \n \n \n \n \n ' +p29835 +sa(dp29836 +g25267 +g27 +sg25268 +S'Rocker' +p29837 +sg25270 +S'Robert Stewart' +p29838 +sa(dp29839 +g25267 +g27 +sg25268 +S'Rocking Chair' +p29840 +sg25270 +S'Edward Bashaw' +p29841 +sa(dp29842 +g25267 +g27 +sg25268 +S'Raw Hide Bottom Rocker' +p29843 +sg25270 +S'Dorothy Johnson' +p29844 +sa(dp29845 +g25267 +g27 +sg25268 +S'Colonial Rocker' +p29846 +sg25270 +S'Frank Nelson' +p29847 +sa(dp29848 +g25267 +g27 +sg25268 +S'Rocking Chair' +p29849 +sg25270 +S'John Cutting' +p29850 +sa(dp29851 +g25267 +g27 +sg25268 +S'Rocking Chair' +p29852 +sg25270 +S'Robert Pohle' +p29853 +sa(dp29854 +g25267 +g27 +sg25268 +S'Chair' +p29855 +sg25270 +S'Henry Tomaszewski' +p29856 +sa(dp29857 +g25267 +g27 +sg25268 +S'Ladder Rock Chair' +p29858 +sg25270 +S'John Sullivan' +p29859 +sa(dp29860 +g25267 +g27 +sg25268 +S"Child's Rocking Chair" +p29861 +sg25270 +S'Clarence Secor' +p29862 +sa(dp29863 +g25267 +g27 +sg25268 +S'Carved Oak Chair' +p29864 +sg25270 +S'Florence Truelson' +p29865 +sa(dp29866 +g25268 +S'Amphora Vase' +p29867 +sg25270 +S'Chinese Qing Dynasty' +p29868 +sg25273 +S'overall: 16.2 x 5.7 cm (6 3/8 x 2 1/4 in.)' +p29869 +sg25275 +S'\nporcelain with pale blue glaze' +p29870 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d74.jpg' +p29871 +sg25267 +g27 +sa(dp29872 +g25267 +g27 +sg25268 +S'Camp Chair' +p29873 +sg25270 +S'George C. Brown' +p29874 +sa(dp29875 +g25267 +g27 +sg25268 +S"Child's Chair" +p29876 +sg25270 +S'Violet Hartenstein' +p29877 +sa(dp29878 +g25267 +g27 +sg25268 +S'Platform Rocker' +p29879 +sg25270 +S'Ursula Lauderdale' +p29880 +sa(dp29881 +g25267 +g27 +sg25268 +S'Dental Chair' +p29882 +sg25270 +S'Lucien Verbeke' +p29883 +sa(dp29884 +g25267 +g27 +sg25268 +S'Dental Chair' +p29885 +sg25270 +S'Lucien Verbeke' +p29886 +sa(dp29887 +g25267 +g27 +sg25268 +S'Garden Chair' +p29888 +sg25270 +S'Katherine Hastings' +p29889 +sa(dp29890 +g25267 +g27 +sg25268 +S'Music Room Chair' +p29891 +sg25270 +S'Virginia Kennady' +p29892 +sa(dp29893 +g25267 +g27 +sg25268 +S'Billiard Chair' +p29894 +sg25270 +S'Artist Information (' +p29895 +sa(dp29896 +g25267 +g27 +sg25268 +S'Commode Chair' +p29897 +sg25270 +S'Ernest A. Towers, Jr.' +p29898 +sa(dp29899 +g25267 +g27 +sg25268 +S'Church Chair' +p29900 +sg25270 +S'Florence Huston' +p29901 +sa(dp29902 +g25268 +S'Amphora Vase' +p29903 +sg25270 +S'Chinese Qing Dynasty' +p29904 +sg25273 +S'overall: 16.1 x 5.7 cm (6 5/16 x 2 1/4 in.)' +p29905 +sg25275 +S'\nporcelain with pale blue glaze' +p29906 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d76.jpg' +p29907 +sg25267 +g27 +sa(dp29908 +g25267 +g27 +sg25268 +S'Sleepyhollow Armchair' +p29909 +sg25270 +S'Dana Bartlett' +p29910 +sa(dp29911 +g25267 +g27 +sg25268 +S'Chair' +p29912 +sg25270 +S'Ethelbert Brown' +p29913 +sa(dp29914 +g25267 +g27 +sg25268 +S'Office Swivel Chair' +p29915 +sg25270 +S'George Kirschner' +p29916 +sa(dp29917 +g25267 +g27 +sg25268 +S"Child's High Chair" +p29918 +sg25270 +S'Herman O. Stroh' +p29919 +sa(dp29920 +g25267 +g27 +sg25268 +S'High Chair' +p29921 +sg25270 +S'Nicholas Gorid' +p29922 +sa(dp29923 +g25267 +g27 +sg25268 +S'Baby High Chair' +p29924 +sg25270 +S'Max Fernekes' +p29925 +sa(dp29926 +g25267 +g27 +sg25268 +S'Baby High Chair' +p29927 +sg25270 +S'John Swientochowski' +p29928 +sa(dp29929 +g25267 +g27 +sg25268 +S'High Chair' +p29930 +sg25270 +S'Raymond Chard' +p29931 +sa(dp29932 +g25267 +g27 +sg25268 +S"Infant's High Chair" +p29933 +sg25270 +S'Isidore Sovensky' +p29934 +sa(dp29935 +g25267 +g27 +sg25268 +S'High Chair' +p29936 +sg25270 +S'Michael Riccitelli' +p29937 +sa(dp29938 +g25268 +S'Amphora Vase' +p29939 +sg25270 +S'Chinese Qing Dynasty' +p29940 +sg25273 +S'overall: 15.9 x 5.7 cm (6 1/4 x 2 1/4 in.)' +p29941 +sg25275 +S'\nporcelain with pale blue glaze' +p29942 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d78.jpg' +p29943 +sg25267 +g27 +sa(dp29944 +g25267 +g27 +sg25268 +S'High Chair (for infants)' +p29945 +sg25270 +S'Frank Gutting' +p29946 +sa(dp29947 +g25267 +g27 +sg25268 +S"Child's High Chair" +p29948 +sg25270 +S'Samuel W. Ford' +p29949 +sa(dp29950 +g25267 +g27 +sg25268 +S"Child's High Chair" +p29951 +sg25270 +S'Cora Parker' +p29952 +sa(dp29953 +g25267 +g27 +sg25268 +S"Child's High Chair" +p29954 +sg25270 +S'Cora Parker' +p29955 +sa(dp29956 +g25267 +g27 +sg25268 +S"Child's High Chair" +p29957 +sg25270 +S'Annie B. Johnston' +p29958 +sa(dp29959 +g25267 +g27 +sg25268 +S'High Chair' +p29960 +sg25270 +S'Elizabeth Curtis' +p29961 +sa(dp29962 +g25267 +g27 +sg25268 +S"Child's High Chair" +p29963 +sg25270 +S'Isidore Sovensky' +p29964 +sa(dp29965 +g25267 +g27 +sg25268 +S"Child's High Chair" +p29966 +sg25270 +S'Frederick Jackson' +p29967 +sa(dp29968 +g25267 +g27 +sg25268 +S"Child's High Chair" +p29969 +sg25270 +S'Michael Chomyk' +p29970 +sa(dp29971 +g25267 +g27 +sg25268 +S"Baby's High Chair" +p29972 +sg25270 +S'Edith Magnette' +p29973 +sa(dp29974 +g25268 +S'Vase, Meiping Shape' +p29975 +sg25270 +S'Chinese Qing Dynasty' +p29976 +sg25273 +S'overall: 21.3 x 10.8 cm (8 3/8 x 4 1/4 in.)' +p29977 +sg25275 +S'\nporcelain with pale blue glaze' +p29978 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d7a.jpg' +p29979 +sg25267 +g27 +sa(dp29980 +g25267 +g27 +sg25268 +S"Child's chair" +p29981 +sg25270 +S'Cora Parker' +p29982 +sa(dp29983 +g25267 +g27 +sg25268 +S"Child's Chair (View of Seat Bottom)" +p29984 +sg25270 +S'Cora Parker' +p29985 +sa(dp29986 +g25267 +g27 +sg25268 +S"Child's Chair" +p29987 +sg25270 +S'Gordena Jackson' +p29988 +sa(dp29989 +g25267 +g27 +sg25268 +S"Youth's Chair" +p29990 +sg25270 +S'Artist Information (' +p29991 +sa(dp29992 +g25267 +g27 +sg25268 +S"Child's Chair" +p29993 +sg25270 +S'Samuel W. Ford' +p29994 +sa(dp29995 +g25267 +g27 +sg25268 +S'Small Rush Bottom Chair' +p29996 +sg25270 +S'Edith Magnette' +p29997 +sa(dp29998 +g25267 +g27 +sg25268 +S"Decorated Child's Rocking Chair" +p29999 +sg25270 +S'James Fisher' +p30000 +sa(dp30001 +g25267 +g27 +sg25268 +S"Child's Rocking Chair" +p30002 +sg25270 +S'William H. Edwards' +p30003 +sa(dp30004 +g25267 +g27 +sg25268 +S'Rocking Chair' +p30005 +sg25270 +S'Dorothy Handy' +p30006 +sa(dp30007 +g25267 +g27 +sg25268 +S"Child's Rocking Chair" +p30008 +sg25270 +S'Florence Grant Brown' +p30009 +sa(dp30010 +g25268 +S'Vase, Meiping Shape' +p30011 +sg25270 +S'Chinese Qing Dynasty' +p30012 +sg25273 +S'overall: 21.8 x 10.5 cm (8 9/16 x 4 1/8 in.)' +p30013 +sg25275 +S'\nporcelain with pale blue glaze' +p30014 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d7c.jpg' +p30015 +sg25267 +g27 +sa(dp30016 +g25267 +g27 +sg25268 +S'Rocking Chair' +p30017 +sg25270 +S'Charlotte Winter' +p30018 +sa(dp30019 +g25267 +g27 +sg25268 +S"Child's Rocking Chair" +p30020 +sg25270 +S'Austin L. Davison' +p30021 +sa(dp30022 +g25267 +g27 +sg25268 +S"Rocking Chair, Small, Child's" +p30023 +sg25270 +S'Simon Weiss' +p30024 +sa(dp30025 +g25267 +g27 +sg25268 +S"Child's Rocking Chair" +p30026 +sg25270 +S'Herman O. Stroh' +p30027 +sa(dp30028 +g25267 +g27 +sg25268 +S'Armchair' +p30029 +sg25270 +S'Isadore Goldberg' +p30030 +sa(dp30031 +g25267 +g27 +sg25268 +S'Side Chair' +p30032 +sg25270 +S'Lelah Nelson' +p30033 +sa(dp30034 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a0005525.jpg' +p30035 +sg25268 +S'Armchair' +p30036 +sg25270 +S'Harry Eisman' +p30037 +sa(dp30038 +g25267 +g27 +sg25268 +S'Sewing Chair' +p30039 +sg25270 +S'Dorothy Johnson' +p30040 +sa(dp30041 +g25267 +g27 +sg25268 +S"Invalid's Chair" +p30042 +sg25270 +S'Orville A. Carroll' +p30043 +sa(dp30044 +g25267 +g27 +sg25268 +S'Side Chair' +p30045 +sg25270 +S'Louis Annino' +p30046 +sa(dp30047 +g25268 +S'Vase, Meiping Shape' +p30048 +sg25270 +S'Chinese Qing Dynasty' +p30049 +sg25273 +S'overall: 20.7 x 10.8 cm (8 1/8 x 4 1/4 in.)' +p30050 +sg25275 +S'\nporcelain with pale blue glaze' +p30051 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d7e.jpg' +p30052 +sg25267 +g27 +sa(dp30053 +g25267 +g27 +sg25268 +S'High Back Side Chair' +p30054 +sg25270 +S'Louis Annino' +p30055 +sa(dp30056 +g25267 +g27 +sg25268 +S'High-Back Side Chair' +p30057 +sg25270 +S'Arthur Johnson' +p30058 +sa(dp30059 +g25267 +g27 +sg25268 +S'Side Chair' +p30060 +sg25270 +S'Harry Eisman' +p30061 +sa(dp30062 +g25267 +g27 +sg25268 +S'Side Chair' +p30063 +sg25270 +S'Harry Eisman' +p30064 +sa(dp30065 +g25267 +g27 +sg25268 +S'Rawhide Bottomed Chair' +p30066 +sg25270 +S'Rafaela Gomez' +p30067 +sa(dp30068 +g25267 +g27 +sg25268 +S"Monk's Chair" +p30069 +sg25270 +S'Ursula Lauderdale' +p30070 +sa(dp30071 +g25267 +g27 +sg25268 +S'Rocking Chair' +p30072 +sg25270 +S'Josephine Miller' +p30073 +sa(dp30074 +g25267 +g27 +sg25268 +S'Rocking Chair' +p30075 +sg25270 +S'Amos C. Brinton' +p30076 +sa(dp30077 +g25267 +g27 +sg25268 +S'Mahogany Chair' +p30078 +sg25270 +S'Edward L. Loper' +p30079 +sa(dp30080 +g25267 +g27 +sg25268 +S'Windsor Comb-Back Chair' +p30081 +sg25270 +S'Roger Deats' +p30082 +sa(dp30083 +g25268 +S'Vase, Meiping Shape' +p30084 +sg25270 +S'Chinese Qing Dynasty' +p30085 +sg25273 +S'overall: 21 x 10.8 cm (8 1/4 x 4 1/4 in.)' +p30086 +sg25275 +S'\nporcelain with pale blue glaze' +p30087 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d80.jpg' +p30088 +sg25267 +g27 +sa(dp30089 +g25267 +g27 +sg25268 +S"Child's Chair" +p30090 +sg25270 +S'Randolph Atkinson' +p30091 +sa(dp30092 +g25267 +g27 +sg25268 +S'Rawhide Bottom Chair' +p30093 +sg25270 +S'Virgil A. Liberto' +p30094 +sa(dp30095 +g25267 +g27 +sg25268 +S'Rope Bottom Chair' +p30096 +sg25270 +S'Dorothy Johnson' +p30097 +sa(dp30098 +g25267 +g27 +sg25268 +S'Rocking Chair' +p30099 +sg25270 +S'LeRoy Griffith' +p30100 +sa(dp30101 +g25267 +g27 +sg25268 +S'Rocking Chair' +p30102 +sg25270 +S'Raymond Neumann' +p30103 +sa(dp30104 +g25267 +g27 +sg25268 +S'Chair' +p30105 +sg25270 +S'Rolland Livingstone' +p30106 +sa(dp30107 +g25267 +g27 +sg25268 +S'Side Chair' +p30108 +sg25270 +S'Lawrence Phillips' +p30109 +sa(dp30110 +g25267 +g27 +sg25268 +S'Back of Stencilled Chair' +p30111 +sg25270 +S'Lawrence Flynn' +p30112 +sa(dp30113 +g25267 +g27 +sg25268 +S'Hitchcock Chair Back' +p30114 +sg25270 +S'Lawrence Flynn' +p30115 +sa(dp30116 +g25267 +g27 +sg25268 +S'Stencilled Rocker' +p30117 +sg25270 +S'Lawrence Flynn' +p30118 +sa(dp30119 +g25268 +S'Petal-Decorated Vase' +p30120 +sg25270 +S'Chinese Qing Dynasty' +p30121 +sg25273 +S'overall: 21.4 x 8.6 cm (8 7/16 x 3 3/8 in.)' +p30122 +sg25275 +S'\nporcelain with celadon glaze' +p30123 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d82.jpg' +p30124 +sg25267 +g27 +sa(dp30125 +g25267 +g27 +sg25268 +S'Wooden Log Chair' +p30126 +sg25270 +S'Lloyd Charles Lemcke' +p30127 +sa(dp30128 +g25267 +g27 +sg25268 +S'Hitchcock Chair' +p30129 +sg25270 +S'Lawrence Flynn' +p30130 +sa(dp30131 +g25267 +g27 +sg25268 +S'Ladder Back Chair' +p30132 +sg25270 +S'Annie B. Johnston' +p30133 +sa(dp30134 +g25267 +g27 +sg25268 +S'Armchair' +p30135 +sg25270 +S'Harry Mann Waddell' +p30136 +sa(dp30137 +g25267 +g27 +sg25268 +S'Chest with Two Drawers' +p30138 +sg25270 +S'Isabella Ruth Doerfler' +p30139 +sa(dp30140 +g25267 +g27 +sg25268 +S'Chest of Drawers' +p30141 +sg25270 +S'Lorenz Rothkranz' +p30142 +sa(dp30143 +g25267 +g27 +sg25268 +S'Chest of Drawers' +p30144 +sg25270 +S'Thomas J. Eliot' +p30145 +sa(dp30146 +g25267 +g27 +sg25268 +S'Chest with Drawers' +p30147 +sg25270 +S'Ulrich Fischer' +p30148 +sa(dp30149 +g25267 +g27 +sg25268 +S'Chest (with two drawers)' +p30150 +sg25270 +S'Michael Trekur' +p30151 +sa(dp30152 +g25267 +g27 +sg25268 +S'Court Chest' +p30153 +sg25270 +S'Lawrence Phillips' +p30154 +sa(dp30155 +g25268 +S'Petal-Decorated Vase' +p30156 +sg25270 +S'Chinese Qing Dynasty' +p30157 +sg25273 +S'overall: 21.3 x 8.5 cm (8 3/8 x 3 3/8 in.)' +p30158 +sg25275 +S'\nporcelain with celadon glaze' +p30159 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d84.jpg' +p30160 +sg25267 +g27 +sa(dp30161 +g25267 +g27 +sg25268 +S'Cabinet for Storage' +p30162 +sg25270 +S'Charles Squires' +p30163 +sa(dp30164 +g25267 +g27 +sg25268 +S'Chest with Two Drawers' +p30165 +sg25270 +S'Isabella Ruth Doerfler' +p30166 +sa(dp30167 +g25267 +g27 +sg25268 +S'Blanket Chest - Front View' +p30168 +sg25270 +S'Martin Partyka' +p30169 +sa(dp30170 +g25267 +g27 +sg25268 +S'Side View of Blanket Chest' +p30171 +sg25270 +S'Martin Partyka' +p30172 +sa(dp30173 +g25267 +g27 +sg25268 +S'Chest with Two Drawers' +p30174 +sg25270 +S'Artist Information (' +p30175 +sa(dp30176 +g25267 +g27 +sg25268 +S'Cabinet for Storage' +p30177 +sg25270 +S'Bernard Krieger' +p30178 +sa(dp30179 +g25267 +g27 +sg25268 +S'Chest' +p30180 +sg25270 +S'John Dana' +p30181 +sa(dp30182 +g25267 +g27 +sg25268 +S'Chest' +p30183 +sg25270 +S'Nicholas Gorid' +p30184 +sa(dp30185 +g25267 +g27 +sg25268 +S'Two Drawer Sunflower Chest - front view' +p30186 +sg25270 +S'Martin Partyka' +p30187 +sa(dp30188 +g25267 +g27 +sg25268 +S'Two Drawer Sunflower Chest - side view' +p30189 +sg25270 +S'Martin Partyka' +p30190 +sa(dp30191 +g25268 +S'Vase with Ringed Neck' +p30192 +sg25270 +S'Chinese Qing Dynasty' +p30193 +sg25273 +S'overall: 19.3 x 8 cm (7 5/8 x 3 1/8 in.)' +p30194 +sg25275 +S'\nporcelain with celadon glaze' +p30195 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d86.jpg' +p30196 +sg25267 +S'This dragon-decorated vase is essentially a variant of one of the prescribed \n peachbloom shapes, the "three-string vase," so named after the three ridges \n adorning the base of its neck\n Some scholars suggest that the smooth-skinned, three-clawed, single-horned, \n fork-tailed relief dragons on these celadon vases more closely resemble the \n archaistic \n Dragons frequently appear on Chinese ceramics, often in pairs contending over \n a flaming, magical pearl. The image presented here of two dragons cavorting \n among clouds and waves is a variant. It may owe something to the influential \n paintings of Chen Rong (fl. c. 1200-1266), who often painted dragons fighting \n among clouds and waves, though judging from the works attributed to him, his \n dragons were scaled and two-horned.\n (Text by Virginia Bower/Stephen Little, published in the NGA Systematic Catalogue: \n \n Notes
\n\n \n \n \n \n \n \n \n \n ' +p30197 +sa(dp30198 +g25267 +g27 +sg25268 +S'Hartford Chest' +p30199 +sg25270 +S'Martin Partyka' +p30200 +sa(dp30201 +g25267 +g27 +sg25268 +S'Side View of Hartford Chest' +p30202 +sg25270 +S'Martin Partyka' +p30203 +sa(dp30204 +g25267 +g27 +sg25268 +S'Chest' +p30205 +sg25270 +S'Meyer Goldbaum' +p30206 +sa(dp30207 +g25267 +g27 +sg25268 +S'Chest' +p30208 +sg25270 +S'John Dana' +p30209 +sa(dp30210 +g25267 +g27 +sg25268 +S'Chest' +p30211 +sg25270 +S'Charles Squires' +p30212 +sa(dp30213 +g25267 +g27 +sg25268 +S'Chest' +p30214 +sg25270 +S'M. Rosenshield-von-Paulin' +p30215 +sa(dp30216 +g25267 +g27 +sg25268 +S'Chest' +p30217 +sg25270 +S'Charles Squires' +p30218 +sa(dp30219 +g25267 +g27 +sg25268 +S'A Connecticut-type Hadley Chest' +p30220 +sg25270 +S'Martin Partyka' +p30221 +sa(dp30222 +g25267 +g27 +sg25268 +S'A Connecticut-type Hadley Chest' +p30223 +sg25270 +S'Martin Partyka' +p30224 +sa(dp30225 +g25267 +g27 +sg25268 +S'Connecticut-type Hadley Chest-Detail of Central Panel' +p30226 +sg25270 +S'Martin Partyka' +p30227 +sa(dp30228 +g25268 +S'"Beehive" Water Pot' +p30229 +sg25270 +S'Chinese Qing Dynasty' +p30230 +sg25273 +S'overall: 7.9 x 12.7 cm (3 1/8 x 5 in.)' +p30231 +sg25275 +S'\nporcelain with yellow glaze' +p30232 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d88.jpg' +p30233 +sg25267 +S'"Beehive" water pots are usually seen in peachbloom or sometimes pale \n blue glaze.\n This unusual pot has been an object of attention both because yellow \n glaze on "beehive"-shaped water pots is so rarely seen, and because of \n certain technical features that differ from typical Kangxi porcelains, \n specifically from peachbloom water pots. These include the glazing in color \n of all surfaces except the interior, which has been left unglazed, and the \n small spur marks on the glazed foot-ring. Some authorities have questioned \n the style of the calligraphy on the Kangxi mark, although others have \n pointed out that marks of the Kangxi period vary greatly. Opinions as to \n the proper dating of this vessel have likewise varied, with some scholars \n expressing doubt about a Kangxi attribution.\n The Metropolitan Museum of Art, New York, has a yellow water pot that is \n also glazed yellow over the foot and base.\n (Text by Josephine Hadley Knapp, published in the NGA Systematic Catalogue: \n Notes
\n\n \n \n \n \n \n \n \n ' +p30234 +sa(dp30235 +g25267 +g27 +sg25268 +S'A Connecticut-type Hadley Chest-side View' +p30236 +sg25270 +S'Martin Partyka' +p30237 +sa(dp30238 +g25267 +g27 +sg25268 +S'Blanket Chest' +p30239 +sg25270 +S'Lawrence Flynn' +p30240 +sa(dp30241 +g25267 +g27 +sg25268 +S'Chest' +p30242 +sg25270 +S'Arthur Johnson' +p30243 +sa(dp30244 +g25267 +g27 +sg25268 +S'Chest' +p30245 +sg25270 +S'Robert Brigadier' +p30246 +sa(dp30247 +g25267 +g27 +sg25268 +S'Chest with Drawer' +p30248 +sg25270 +S'Charles Squires' +p30249 +sa(dp30250 +g25267 +g27 +sg25268 +S'Painted Chest' +p30251 +sg25270 +S'Sumner Merrill' +p30252 +sa(dp30253 +g25267 +g27 +sg25268 +S'Chest' +p30254 +sg25270 +S'Francis Borelli' +p30255 +sa(dp30256 +g25267 +g27 +sg25268 +S'Chest' +p30257 +sg25270 +S'John Dieterich' +p30258 +sa(dp30259 +g25267 +g27 +sg25268 +S'Chest' +p30260 +sg25270 +S'John Dieterich' +p30261 +sa(dp30262 +g25267 +g27 +sg25268 +S'Chair' +p30263 +sg25270 +S'Frederick Jackson' +p30264 +sa(dp30265 +g25268 +S'Water Pot' +p30266 +sg25270 +S'Chinese Qing Dynasty' +p30267 +sg25273 +S'overall: 7.6 x 9.9 cm (3 x 3 7/8 in.)' +p30268 +sg25275 +S'\nporcelain with peachbloom glaze' +p30269 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d8a.jpg' +p30270 +sg25267 +g27 +sa(dp30271 +g25267 +g27 +sg25268 +S'Rush Bottom Chair' +p30272 +sg25270 +S'Henry Meyers' +p30273 +sa(dp30274 +g25267 +g27 +sg25268 +S'Armchair' +p30275 +sg25270 +S'Erwin Schwabe' +p30276 +sa(dp30277 +g25267 +g27 +sg25268 +S'Chair' +p30278 +sg25270 +S'Edgar L. Pearce' +p30279 +sa(dp30280 +g25267 +g27 +sg25268 +S'Armchair' +p30281 +sg25270 +S'Irving I. Smith' +p30282 +sa(dp30283 +g25267 +g27 +sg25268 +S'Slat-back Armchair' +p30284 +sg25270 +S'Alfred Nason' +p30285 +sa(dp30286 +g25267 +g27 +sg25268 +S'Armchair' +p30287 +sg25270 +S'M. Rosenshield-von-Paulin' +p30288 +sa(dp30289 +g25267 +g27 +sg25268 +S'Chest' +p30290 +sg25270 +S'Irving I. Smith' +p30291 +sa(dp30292 +g25267 +g27 +sg25268 +S'Hadley Chest' +p30293 +sg25270 +S'Lawrence Foster' +p30294 +sa(dp30295 +g25267 +g27 +sg25268 +S'Mantel Clock' +p30296 +sg25270 +S'Frank Wenger' +p30297 +sa(dp30298 +g25267 +g27 +sg25268 +S'Chest' +p30299 +sg25270 +S'Leon Witt' +p30300 +sa(dp30301 +g25268 +S'Brush Washer' +p30302 +sg25270 +S'Chinese Qing Dynasty' +p30303 +sg25273 +S'overall: 3.5 x 11.8 cm (1 3/8 x 4 5/8 in.)' +p30304 +sg25275 +S'\nporcelain with peachbloom glaze' +p30305 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d8c.jpg' +p30306 +sg25267 +g27 +sa(dp30307 +g25267 +g27 +sg25268 +S'Hadley Chest' +p30308 +sg25270 +S'Martin Partyka' +p30309 +sa(dp30310 +g25267 +g27 +sg25268 +S'Chest' +p30311 +sg25270 +S'Arthur Johnson' +p30312 +sa(dp30313 +g25267 +g27 +sg25268 +S'Hadley Chest' +p30314 +sg25270 +S'Victor F. Muollo' +p30315 +sa(dp30316 +g25267 +g27 +sg25268 +S'Chest of Drawers' +p30317 +sg25270 +S'Charles Squires' +p30318 +sa(dp30319 +g25267 +g27 +sg25268 +S'Hadley Chest' +p30320 +sg25270 +S'Harold Merriam' +p30321 +sa(dp30322 +g25267 +g27 +sg25268 +S'Hadley Chest' +p30323 +sg25270 +S'Harold Merriam' +p30324 +sa(dp30325 +g25267 +g27 +sg25268 +S'Hadley Chest (Hartford type)' +p30326 +sg25270 +S'Harold Merriam' +p30327 +sa(dp30328 +g25267 +g27 +sg25268 +S'Connnecticut Chest' +p30329 +sg25270 +S'Charles Squires' +p30330 +sa(dp30331 +g25267 +g27 +sg25268 +S'Chest' +p30332 +sg25270 +S'Bernard Krieger' +p30333 +sa(dp30334 +g25267 +g27 +sg25268 +S'Painted Wooden Chest or Casket' +p30335 +sg25270 +S'Roy Moon' +p30336 +sa(dp30337 +g25268 +S'Brush Washer' +p30338 +sg25270 +S'Chinese Qing Dynasty' +p30339 +sg25273 +S'overall: 3.7 x 11.8 cm (1 7/16 x 4 5/8 in.)' +p30340 +sg25275 +S'\nporcelain with peachbloom glaze' +p30341 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d8e.jpg' +p30342 +sg25267 +g27 +sa(dp30343 +g25267 +g27 +sg25268 +S'Small Carved Chest' +p30344 +sg25270 +S'Ralph Boyer' +p30345 +sa(dp30346 +g25267 +g27 +sg25268 +S'Painted Guilford Chest' +p30347 +sg25270 +S'Edward F. Engel' +p30348 +sa(dp30349 +g25267 +g27 +sg25268 +S'Treasure Chest' +p30350 +sg25270 +S'Andrew Topolosky' +p30351 +sa(dp30352 +g25267 +g27 +sg25268 +S'Painted Wooden Chest' +p30353 +sg25270 +S'Daniel Fletcher' +p30354 +sa(dp30355 +g25267 +g27 +sg25268 +S'Chest (Front View)' +p30356 +sg25270 +S'Lawrence Flynn' +p30357 +sa(dp30358 +g25267 +g27 +sg25268 +S'Chest (Side View)' +p30359 +sg25270 +S'Lawrence Flynn' +p30360 +sa(dp30361 +g25267 +g27 +sg25268 +S'Painted Guilford Chest' +p30362 +sg25270 +S'Edward F. Engel' +p30363 +sa(dp30364 +g25267 +g27 +sg25268 +S'Side View of Guilford Painted Chest' +p30365 +sg25270 +S'Isabella Ruth Doerfler' +p30366 +sa(dp30367 +g25267 +g27 +sg25268 +S'Guilford Blanket Chest' +p30368 +sg25270 +S'Isabella Ruth Doerfler' +p30369 +sa(dp30370 +g25267 +g27 +sg25268 +S'Chest' +p30371 +sg25270 +S'Martin Partyka' +p30372 +sa(dp30373 +g25268 +S'Covered Box for Seal Paste' +p30374 +sg25270 +S'Chinese Qing Dynasty' +p30375 +sg25273 +S'overall: 3.5 x 7.2 cm (1 3/8 x 2 13/16 in.)' +p30376 +sg25275 +S'\nporcelain with peachbloom glaze' +p30377 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000e0/a000e022.jpg' +p30378 +sg25267 +S'This is one of the eight peachbloom shapes traditional for the \n scholar\'s desk, many of which can be found in English and American peachbloom collections.\n Among a group of boxes of superior quality and condition, the principal variable is the fortuitous effect of color and its \n distribution. The velvety surface of 1942.9.506 is richly mottled with dark \n red on the cover. The peachbloom glaze is paler on the lower section, \n becoming very light green at the closing edge. \n \n Notes
\n\n \n \n ' +p30379 +sa(dp30380 +g25267 +g27 +sg25268 +S'Chest with Drawer' +p30381 +sg25270 +S'Isadore Goldberg' +p30382 +sa(dp30383 +g25267 +g27 +sg25268 +S'Sugar Chest' +p30384 +sg25270 +S'Sarah F. Williams' +p30385 +sa(dp30386 +g25267 +g27 +sg25268 +S'Sugar Chest' +p30387 +sg25270 +S'Harry Jennings' +p30388 +sa(dp30389 +g25267 +g27 +sg25268 +S'Chest on Frame' +p30390 +sg25270 +S'Artist Information (' +p30391 +sa(dp30392 +g25267 +g27 +sg25268 +S'Chest on Frame' +p30393 +sg25270 +S'B. Holst-Grubbe' +p30394 +sa(dp30395 +g25267 +g27 +sg25268 +S'Medicine Bottle Chest' +p30396 +sg25270 +S'Gilbert Sackerman' +p30397 +sa(dp30398 +g25267 +g27 +sg25268 +S'Medicine Chest' +p30399 +sg25270 +S'Joseph L. Boyd' +p30400 +sa(dp30401 +g25267 +g27 +sg25268 +S'Medicine Cabinet' +p30402 +sg25270 +S'Mattie P. Goodman' +p30403 +sa(dp30404 +g25267 +g27 +sg25268 +S'Portable Medicine Cabinet' +p30405 +sg25270 +S'Regina Henderer' +p30406 +sa(dp30407 +g25267 +g27 +sg25268 +S'Chest' +p30408 +sg25270 +S'Samuel Fineman' +p30409 +sa(dp30410 +g25268 +S'Covered Box for Seal Paste' +p30411 +sg25270 +S'Chinese Qing Dynasty' +p30412 +sg25273 +S'overall: 3.8 x 7.2 cm (1 1/2 x 2 13/16 in.)' +p30413 +sg25275 +S'\nporcelain with peachbloom glaze' +p30414 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d92.jpg' +p30415 +sg25267 +g27 +sa(dp30416 +g25267 +g27 +sg25268 +S'Cedar Chest' +p30417 +sg25270 +S'Henry Meyers' +p30418 +sa(dp30419 +g25267 +g27 +sg25268 +S'Early American Chest' +p30420 +sg25270 +S'Al Curry' +p30421 +sa(dp30422 +g25267 +g27 +sg25268 +S'Wooden Chest' +p30423 +sg25270 +S'James Dwyer' +p30424 +sa(dp30425 +g25267 +g27 +sg25268 +S'Wooden Chest' +p30426 +sg25270 +S'Eugene C. Miller' +p30427 +sa(dp30428 +g25267 +g27 +sg25268 +S'"Sea Chest", U.S. Navy' +p30429 +sg25270 +S'Willoughby Ions' +p30430 +sa(dp30431 +g25267 +g27 +sg25268 +S'Sea Chest' +p30432 +sg25270 +S'Artist Information (' +p30433 +sa(dp30434 +g25267 +g27 +sg25268 +S'Money Chest in Old Swedes Church' +p30435 +sg25270 +S'Samuel Fineman' +p30436 +sa(dp30437 +g25267 +g27 +sg25268 +S'Chest' +p30438 +sg25270 +S'Frederick Jackson' +p30439 +sa(dp30440 +g25267 +g27 +sg25268 +S'Chest' +p30441 +sg25270 +S'Columbus Simpson' +p30442 +sa(dp30443 +g25267 +g27 +sg25268 +S'Utility Chest' +p30444 +sg25270 +S'Albert Ryder' +p30445 +sa(dp30446 +g25268 +S'Covered Box for Seal Paste' +p30447 +sg25270 +S'Chinese Qing Dynasty' +p30448 +sg25273 +S'overall: 3.8 x 7.2 cm (1 1/2 x 2 13/16 in.)' +p30449 +sg25275 +S'\nporcelain with peachbloom glaze' +p30450 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d94.jpg' +p30451 +sg25267 +g27 +sa(dp30452 +g25267 +g27 +sg25268 +S'Utility Chest' +p30453 +sg25270 +S'Henry Tomaszewski' +p30454 +sa(dp30455 +g25267 +g27 +sg25268 +S'Utility Chest' +p30456 +sg25270 +S'Dorothy Handy' +p30457 +sa(dp30458 +g25267 +g27 +sg25268 +S'Chest' +p30459 +sg25270 +S'Katharine Morris' +p30460 +sa(dp30461 +g25267 +g27 +sg25268 +S'Chest' +p30462 +sg25270 +S'Georgine E. Mason' +p30463 +sa(dp30464 +g25267 +g27 +sg25268 +S'Chest' +p30465 +sg25270 +S'Henry Meyers' +p30466 +sa(dp30467 +g25267 +g27 +sg25268 +S'Blanket Chest' +p30468 +sg25270 +S'Sarah F. Williams' +p30469 +sa(dp30470 +g25267 +g27 +sg25268 +S'Chest with Drawers' +p30471 +sg25270 +S'Walter G. Capuozzo' +p30472 +sa(dp30473 +g25267 +g27 +sg25268 +S'Chest-on-Chest' +p30474 +sg25270 +S'Lorenz Rothkranz' +p30475 +sa(dp30476 +g25267 +g27 +sg25268 +S'Chest-on-Chest' +p30477 +sg25270 +S'Lawrence Phillips' +p30478 +sa(dp30479 +g25267 +g27 +sg25268 +S'Chest-on-Chest' +p30480 +sg25270 +S'Arthur Johnson' +p30481 +sa(dp30482 +g25268 +S'Covered Box for Seal Paste' +p30483 +sg25270 +S'Chinese Qing Dynasty' +p30484 +sg25273 +S'overall: 3.8 x 7.2 cm (1 1/2 x 2 13/16 in.)' +p30485 +sg25275 +S'\nporcelain with peachbloom glaze' +p30486 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d96.jpg' +p30487 +sg25267 +g27 +sa(dp30488 +g25267 +g27 +sg25268 +S'Chest-On-Chest' +p30489 +sg25270 +S'Frank Wenger' +p30490 +sa(dp30491 +g25267 +g27 +sg25268 +S'Chest-On-Chest' +p30492 +sg25270 +S'Arthur Johnson' +p30493 +sa(dp30494 +g25267 +g27 +sg25268 +S'Chest of Drawers' +p30495 +sg25270 +S'Francis Borelli' +p30496 +sa(dp30497 +g25267 +g27 +sg25268 +S'Chest of Drawers' +p30498 +sg25270 +S'Philip Johnson' +p30499 +sa(dp30500 +g25267 +g27 +sg25268 +S'Chest of Drawers' +p30501 +sg25270 +S'Lorenz Rothkranz' +p30502 +sa(dp30503 +g25267 +g27 +sg25268 +S'Chest of Drawers' +p30504 +sg25270 +S'Florence Neal' +p30505 +sa(dp30506 +g25267 +g27 +sg25268 +S'Chest of Drawers' +p30507 +sg25270 +S'Florence Neal' +p30508 +sa(dp30509 +g25267 +g27 +sg25268 +S'Guilford Painted Chest' +p30510 +sg25270 +S'Martin Partyka' +p30511 +sa(dp30512 +g25267 +g27 +sg25268 +S'Guilford Painted Chest' +p30513 +sg25270 +S'Martin Partyka' +p30514 +sa(dp30515 +g25267 +g27 +sg25268 +S'Side View of Guilford Painted Chest' +p30516 +sg25270 +S'Martin Partyka' +p30517 +sa(dp30518 +g25268 +S'Covered Box for Seal Paste' +p30519 +sg25270 +S'Chinese Qing Dynasty' +p30520 +sg25273 +S'overall: 3.8 x 7.2 cm (1 1/2 x 2 13/16 in.)' +p30521 +sg25275 +S'\nporcelain with peachbloom glaze' +p30522 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d98.jpg' +p30523 +sg25267 +g27 +sa(dp30524 +g25267 +g27 +sg25268 +S'Chest with Drawers' +p30525 +sg25270 +S'Isidore Sovensky' +p30526 +sa(dp30527 +g25267 +g27 +sg25268 +S'Blanket Chest' +p30528 +sg25270 +S'Martin Partyka' +p30529 +sa(dp30530 +g25267 +g27 +sg25268 +S'Painted Chest' +p30531 +sg25270 +S'Martin Partyka' +p30532 +sa(dp30533 +g25267 +g27 +sg25268 +S'Painted Chest' +p30534 +sg25270 +S'Ralph Boyer' +p30535 +sa(dp30536 +g25267 +g27 +sg25268 +S'Chest of Drawers' +p30537 +sg25270 +S'Charles Henning' +p30538 +sa(dp30539 +g25267 +g27 +sg25268 +S'Painted Chest of Drawers' +p30540 +sg25270 +S'Martin Partyka' +p30541 +sa(dp30542 +g25267 +g27 +sg25268 +S'Painted Chest of Drawers' +p30543 +sg25270 +S'Isabella Ruth Doerfler' +p30544 +sa(dp30545 +g25267 +g27 +sg25268 +S'Chest of Drawers' +p30546 +sg25270 +S'Francis Borelli' +p30547 +sa(dp30548 +g25267 +g27 +sg25268 +S'Block Front Chest of Drawers' +p30549 +sg25270 +S'Alvin M. Gully' +p30550 +sa(dp30551 +g25267 +g27 +sg25268 +S'Chest of Drawers' +p30552 +sg25270 +S'Jesus Pena' +p30553 +sa(dp30554 +g25268 +S'Petal-Decorated Vase' +p30555 +sg25270 +S'Chinese Qing Dynasty' +p30556 +sg25273 +S'overall: 21.3 x 8.8 cm (8 3/8 x 3 7/16 in.)' +p30557 +sg25275 +S'\nporcelain with peachbloom glaze' +p30558 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d9a.jpg' +p30559 +sg25267 +g27 +sa(dp30560 +g25267 +g27 +sg25268 +S'Chest' +p30561 +sg25270 +S'Lillian Causey' +p30562 +sa(dp30563 +g25267 +g27 +sg25268 +S'Chest of Drawers' +p30564 +sg25270 +S'American 20th Century' +p30565 +sa(dp30566 +g25267 +g27 +sg25268 +S'Chest of Drawers' +p30567 +sg25270 +S'Francis Law Durand' +p30568 +sa(dp30569 +g25267 +g27 +sg25268 +S'Butternut Wood Chest of Drawers' +p30570 +sg25270 +S'Lon Cronk' +p30571 +sa(dp30572 +g25267 +g27 +sg25268 +S'Chest of Drawers' +p30573 +sg25270 +S'M. Rosenshield-von-Paulin' +p30574 +sa(dp30575 +g25267 +g27 +sg25268 +S'Chest of Drawers' +p30576 +sg25270 +S'Ferdinand Cartier' +p30577 +sa(dp30578 +g25267 +g27 +sg25268 +S'Chest of Drawers' +p30579 +sg25270 +S'Arthur Johnson' +p30580 +sa(dp30581 +g25267 +g27 +sg25268 +S'Chest of Drawers' +p30582 +sg25270 +S'Arthur Johnson' +p30583 +sa(dp30584 +g25267 +g27 +sg25268 +S'Chest of Drawers' +p30585 +sg25270 +S'Lorenz Rothkranz' +p30586 +sa(dp30587 +g25267 +g27 +sg25268 +S'Chest' +p30588 +sg25270 +S'Henry Meyers' +p30589 +sa(dp30590 +g25268 +S'Petal-Decorated Vase' +p30591 +sg25270 +S'Chinese Qing Dynasty' +p30592 +sg25273 +S'overall: 20.9 x 8.9 cm (8 1/4 x 3 1/2 in.)' +p30593 +sg25275 +S'\nporcelain with peachbloom glaze' +p30594 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d9c.jpg' +p30595 +sg25267 +g27 +sa(dp30596 +g25267 +g27 +sg25268 +S'Chest of Drawers' +p30597 +sg25270 +S'Robert Stewart' +p30598 +sa(dp30599 +g25267 +S'Although carved decoration appears in Hepplewhite design, most Hepplewhite furniture\r\n is ornamented with inlays of contrasting woods which emphasize the graceful, sleek\r\n lines of the form. This bow-front chest of drawers illustrates the handsome effect\r\n achieved through contrasting veneers of richly figured mahogany and satinwood.\r\n The tiers of side drawers are ornamented with finely wrought fan inlays at the corners,\r\n and each drawer is further delineated by two narrow lines of inlay, called "stringing,"\r\n in contrasting wood. The curve of the chest front is emphasized by the light color\r\n of the central section of drawers; an inlaid oval medallion highlights the top drawer.\r\n The inlay shows the American eagle, a decorative motif favored by the patriotic\r\n citizens of the newly formed republic.\n ' +p30600 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002cf.jpg' +p30601 +sg25268 +S'Chest of Drawers' +p30602 +sg25270 +S'Ferdinand Cartier' +p30603 +sa(dp30604 +g25267 +g27 +sg25268 +S'Chest of Drawers' +p30605 +sg25270 +S'Isidore Sovensky' +p30606 +sa(dp30607 +g25267 +g27 +sg25268 +S'Bombe Front Chest of Drawers' +p30608 +sg25270 +S'Alfred H. Smith' +p30609 +sa(dp30610 +g25267 +g27 +sg25268 +S'Highboy' +p30611 +sg25270 +S'Kurt Melzer' +p30612 +sa(dp30613 +g25267 +g27 +sg25268 +S'Chest of Drawers' +p30614 +sg25270 +S'Norma Lockwood' +p30615 +sa(dp30616 +g25267 +g27 +sg25268 +S'Lowboy' +p30617 +sg25270 +S'Henry Tomaszewski' +p30618 +sa(dp30619 +g25267 +g27 +sg25268 +S'Chest-Mahogany, Pine & Maple' +p30620 +sg25270 +S'Eva Wilson' +p30621 +sa(dp30622 +g25267 +g27 +sg25268 +S'Chest of Drawers' +p30623 +sg25270 +S'Frank Wenger' +p30624 +sa(dp30625 +g25267 +g27 +sg25268 +S'Chest of Drawers' +p30626 +sg25270 +S'Arthur Mathews' +p30627 +sa(dp30628 +g25268 +S'Petal-Decorated Vase' +p30629 +sg25270 +S'Chinese Qing Dynasty' +p30630 +sg25273 +S'overall: 20.8 x 8.8 cm (8 3/16 x 3 7/16 in.)' +p30631 +sg25275 +S'\nporcelain with peachbloom glaze' +p30632 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d9e.jpg' +p30633 +sg25267 +g27 +sa(dp30634 +g25267 +g27 +sg25268 +S'Bureau' +p30635 +sg25270 +S'Rex F. Bush' +p30636 +sa(dp30637 +g25267 +g27 +sg25268 +S'Cherry Chest of Drawers' +p30638 +sg25270 +S'Joseph Ficcadenti' +p30639 +sa(dp30640 +g25267 +g27 +sg25268 +S'Chest' +p30641 +sg25270 +S'Eva Wilson' +p30642 +sa(dp30643 +g25267 +g27 +sg25268 +S'Chest of Drawers' +p30644 +sg25270 +S'Walter G. Capuozzo' +p30645 +sa(dp30646 +g25267 +g27 +sg25268 +S'Clock' +p30647 +sg25270 +S'Lawrence Phillips' +p30648 +sa(dp30649 +g25267 +g27 +sg25268 +S'Clock' +p30650 +sg25270 +S'Lawrence Phillips' +p30651 +sa(dp30652 +g25267 +g27 +sg25268 +S'Wall Clock' +p30653 +sg25270 +S'Frank Wenger' +p30654 +sa(dp30655 +g25267 +g27 +sg25268 +S'Mantel Clock' +p30656 +sg25270 +S'Francis Law Durand' +p30657 +sa(dp30658 +g25267 +g27 +sg25268 +S'Shelf Clock' +p30659 +sg25270 +S'M. Rosenshield-von-Paulin' +p30660 +sa(dp30661 +g25267 +g27 +sg25268 +S'Clock Face' +p30662 +sg25270 +S'Gene Luedke' +p30663 +sa(dp30664 +g25268 +S'"Beehive" Water Pot' +p30665 +sg25270 +S'Chinese Qing Dynasty' +p30666 +sg25273 +S'overall: 8.3 x 12.7 cm (3 1/4 x 5 in.)' +p30667 +sg25275 +S'\nporcelain with peachbloom glaze' +p30668 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004da0.jpg' +p30669 +sg25267 +g27 +sa(dp30670 +g25267 +g27 +sg25268 +S'Shelf Clock' +p30671 +sg25270 +S'Frank Wenger' +p30672 +sa(dp30673 +g25267 +g27 +sg25268 +S'Eli Terry Clock' +p30674 +sg25270 +S'Herman O. Stroh' +p30675 +sa(dp30676 +g25267 +g27 +sg25268 +S'Mechanism of Eli Terry Clock' +p30677 +sg25270 +S'Herman O. Stroh' +p30678 +sa(dp30679 +g25267 +g27 +sg25268 +S'Wall Clock with Mantel' +p30680 +sg25270 +S'Richard Taylor' +p30681 +sa(dp30682 +g25267 +g27 +sg25268 +S'Side Chair' +p30683 +sg25270 +S'John Dana' +p30684 +sa(dp30685 +g25267 +g27 +sg25268 +S'Wing Chair' +p30686 +sg25270 +S'Isidore Sovensky' +p30687 +sa(dp30688 +g25267 +g27 +sg25268 +S'Chest of Drawers' +p30689 +sg25270 +S'Leonard Battee' +p30690 +sa(dp30691 +g25267 +g27 +sg25268 +S'Chest of Drawers' +p30692 +sg25270 +S'Ferdinand Cartier' +p30693 +sa(dp30694 +g25267 +g27 +sg25268 +S'Shelf Clock' +p30695 +sg25270 +S'Frank Wenger' +p30696 +sa(dp30697 +g25267 +g27 +sg25268 +S'Clock' +p30698 +sg25270 +S'Rex F. Bush' +p30699 +sa(dp30700 +g25268 +S'"Beehive" Water Pot' +p30701 +sg25270 +S'Chinese Qing Dynasty' +p30702 +sg25273 +S'overall: 89 x 12.5 cm (35 1/16 x 4 15/16 in.)' +p30703 +sg25275 +S'\nporcelain with peachbloom glaze' +p30704 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004da2.jpg' +p30705 +sg25267 +g27 +sa(dp30706 +g25267 +g27 +sg25268 +S'Clock' +p30707 +sg25270 +S'Lawrence Phillips' +p30708 +sa(dp30709 +g25267 +g27 +sg25268 +S'Shelf Clock' +p30710 +sg25270 +S'Raymond Neumann' +p30711 +sa(dp30712 +g25267 +g27 +sg25268 +S'Wall Clock' +p30713 +sg25270 +S'Ulrich Fischer' +p30714 +sa(dp30715 +g25267 +g27 +sg25268 +S'Mantel Clock' +p30716 +sg25270 +S'Artist Information (' +p30717 +sa(dp30718 +g25267 +g27 +sg25268 +S'Shelf Clock' +p30719 +sg25270 +S'James Fisher' +p30720 +sa(dp30721 +g25267 +g27 +sg25268 +S'Wall Clock' +p30722 +sg25270 +S'Isadore Goldberg' +p30723 +sa(dp30724 +g25267 +g27 +sg25268 +S'Wall Clock' +p30725 +sg25270 +S'Lawrence Phillips' +p30726 +sa(dp30727 +g25267 +g27 +sg25268 +S'Wall Clock' +p30728 +sg25270 +S'Ernest Busenbark' +p30729 +sa(dp30730 +g25267 +g27 +sg25268 +S'Shelf Clock' +p30731 +sg25270 +S'Harry Eisman' +p30732 +sa(dp30733 +g25267 +g27 +sg25268 +S'Clock' +p30734 +sg25270 +S'Paul Ward' +p30735 +sa(dp30736 +g25268 +S'Amphora Vase' +p30737 +sg25270 +S'Chinese Qing Dynasty' +p30738 +sg25273 +S'overall: 15.7 x 5.2 cm (6 3/16 x 2 1/16 in.)' +p30739 +sg25275 +S'\nporcelain with peachbloom glaze' +p30740 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004da4.jpg' +p30741 +sg25267 +g27 +sa(dp30742 +g25267 +g27 +sg25268 +S'Pendulum Clock' +p30743 +sg25270 +S'John Jordan' +p30744 +sa(dp30745 +g25267 +g27 +sg25268 +S'Painted Clock' +p30746 +sg25270 +S'John Koehl' +p30747 +sa(dp30748 +g25267 +g27 +sg25268 +S'Clock' +p30749 +sg25270 +S'Arthur Mathews' +p30750 +sa(dp30751 +g25267 +g27 +sg25268 +S'Shelf Clock' +p30752 +sg25270 +S'Alvin M. Gully' +p30753 +sa(dp30754 +g25267 +g27 +sg25268 +S'Clock' +p30755 +sg25270 +S'Lawrence Phillips' +p30756 +sa(dp30757 +g25267 +g27 +sg25268 +S'Clock' +p30758 +sg25270 +S'Lawrence Phillips' +p30759 +sa(dp30760 +g25267 +g27 +sg25268 +S'Clock, Eight Day' +p30761 +sg25270 +S'Walter W. Jennings' +p30762 +sa(dp30763 +g25267 +g27 +sg25268 +S'Design on Door of Seth Thomas Clock' +p30764 +sg25270 +S'M.H. McDowell' +p30765 +sa(dp30766 +g25267 +g27 +sg25268 +S'Clock' +p30767 +sg25270 +S'Lawrence Phillips' +p30768 +sa(dp30769 +g25267 +g27 +sg25268 +S'Shelf Clock or Mantel Clock' +p30770 +sg25270 +S'James M. Lawson' +p30771 +sa(dp30772 +g25268 +S'Amphora Vase' +p30773 +sg25270 +S'Chinese Qing Dynasty' +p30774 +sg25273 +S'overall: 15.6 x 5.3 cm (6 1/8 x 2 1/16 in.)' +p30775 +sg25275 +S'\nporcelain with peachbloom glaze' +p30776 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004da6.jpg' +p30777 +sg25267 +g27 +sa(dp30778 +g25267 +g27 +sg25268 +S'Chest' +p30779 +sg25270 +S'B. Holst-Grubbe' +p30780 +sa(dp30781 +g25267 +g27 +sg25268 +S'Seth Thomas Clock' +p30782 +sg25270 +S'Arthur Mathews' +p30783 +sa(dp30784 +g25267 +g27 +sg25268 +S'Clock, Seth Thomas' +p30785 +sg25270 +S'Dana Bartlett' +p30786 +sa(dp30787 +g25267 +g27 +sg25268 +S'Alarm Clock (Timepiece)' +p30788 +sg25270 +S'Francis Law Durand' +p30789 +sa(dp30790 +g25267 +g27 +sg25268 +S'Mahogany Clock' +p30791 +sg25270 +S'Carl Buergerniss' +p30792 +sa(dp30793 +g25267 +g27 +sg25268 +S'Shelf Clock' +p30794 +sg25270 +S'Edward Bashaw' +p30795 +sa(dp30796 +g25267 +g27 +sg25268 +S'Seth Thomas Clock' +p30797 +sg25270 +S'Arthur Mathews' +p30798 +sa(dp30799 +g25267 +g27 +sg25268 +S'Mantel Clock' +p30800 +sg25270 +S'Ralph Atkinson' +p30801 +sa(dp30802 +g25267 +g27 +sg25268 +S'Shelf Clock' +p30803 +sg25270 +S'Artist Information (' +p30804 +sa(dp30805 +g25267 +g27 +sg25268 +S'Shelf Clock' +p30806 +sg25270 +S'Artist Information (' +p30807 +sa(dp30808 +g25268 +S'Amphora Vase' +p30809 +sg25270 +S'Chinese Qing Dynasty' +p30810 +sg25273 +S'overall: 15.6 x 5.3 cm (6 1/8 x 2 1/16 in.)' +p30811 +sg25275 +S'\nporcelain with peachbloom glaze' +p30812 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004da8.jpg' +p30813 +sg25267 +g27 +sa(dp30814 +g25267 +g27 +sg25268 +S'Wall Clock' +p30815 +sg25270 +S'Marie Famularo' +p30816 +sa(dp30817 +g25267 +g27 +sg25268 +S'Shelf Clock' +p30818 +sg25270 +S'Ferdinand Cartier' +p30819 +sa(dp30820 +g25267 +g27 +sg25268 +S'Shelf Clock' +p30821 +sg25270 +S'Ferdinand Cartier' +p30822 +sa(dp30823 +g25267 +g27 +sg25268 +S'Wall Clock Antique' +p30824 +sg25270 +S'Jordan E.' +p30825 +sa(dp30826 +g25267 +g27 +sg25268 +S'Clock' +p30827 +sg25270 +S'Frank Wenger' +p30828 +sa(dp30829 +g25267 +g27 +sg25268 +S'Mantel Clock' +p30830 +sg25270 +S'Ernest A. Towers, Jr.' +p30831 +sa(dp30832 +g25267 +g27 +sg25268 +S'Mantel Clock' +p30833 +sg25270 +S'Artist Information (' +p30834 +sa(dp30835 +g25267 +g27 +sg25268 +S'Jewelers Sign Watch' +p30836 +sg25270 +S'Paul Poffinbarger' +p30837 +sa(dp30838 +g25267 +g27 +sg25268 +S'Ansonia Clock' +p30839 +sg25270 +S'Edith Magnette' +p30840 +sa(dp30841 +g25267 +g27 +sg25268 +S'Metal Wall Clock' +p30842 +sg25270 +S'Peter Connin' +p30843 +sa(dp30844 +g25268 +S'Amphora Vase' +p30845 +sg25270 +S'Chinese Qing Dynasty' +p30846 +sg25273 +S'overall: 15.7 x 5.2 cm (6 3/16 x 2 1/16 in.)' +p30847 +sg25275 +S'\nporcelain with peachbloom glaze' +p30848 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004daa.jpg' +p30849 +sg25267 +g27 +sa(dp30850 +g25267 +g27 +sg25268 +S'Banjo Clock' +p30851 +sg25270 +S'Frank M. Keane' +p30852 +sa(dp30853 +g25267 +g27 +sg25268 +S'Wall Clock' +p30854 +sg25270 +S'Lawrence Phillips' +p30855 +sa(dp30856 +g25267 +g27 +sg25268 +S'Banjo Clock' +p30857 +sg25270 +S'M. Rosenshield-von-Paulin' +p30858 +sa(dp30859 +g25267 +g27 +sg25268 +S'Clock' +p30860 +sg25270 +S'John Dieterich' +p30861 +sa(dp30862 +g25267 +g27 +sg25268 +S'Clock' +p30863 +sg25270 +S'John Dieterich' +p30864 +sa(dp30865 +g25267 +g27 +sg25268 +S'Banjo Clock' +p30866 +sg25270 +S'Ulrich Fischer' +p30867 +sa(dp30868 +g25267 +g27 +sg25268 +S'Banjo Clock' +p30869 +sg25270 +S'Nicholas Gorid' +p30870 +sa(dp30871 +g25267 +g27 +sg25268 +S'Wall Clock' +p30872 +sg25270 +S'Thomas Holloway' +p30873 +sa(dp30874 +g25267 +g27 +sg25268 +S'Clock, Girandole' +p30875 +sg25270 +S'George Loughridge' +p30876 +sa(dp30877 +g25267 +g27 +sg25268 +S'Banjo Clock' +p30878 +sg25270 +S'Ralph Morton' +p30879 +sa(dp30880 +g25268 +S'Amphora Vase' +p30881 +sg25270 +S'Chinese Qing Dynasty' +p30882 +sg25273 +S'overall: 15.4 x 5.3 cm (6 1/16 x 2 1/16 in.)' +p30883 +sg25275 +S'\nporcelain with peachbloom glaze' +p30884 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004dac.jpg' +p30885 +sg25267 +g27 +sa(dp30886 +g25267 +g27 +sg25268 +S'Wall Clock' +p30887 +sg25270 +S'John Cutting' +p30888 +sa(dp30889 +g25267 +g27 +sg25268 +S'Watch Clock' +p30890 +sg25270 +S'Artist Information (' +p30891 +sa(dp30892 +g25267 +g27 +sg25268 +S'Clock' +p30893 +sg25270 +S'Florence Stevenson' +p30894 +sa(dp30895 +g25267 +g27 +sg25268 +S'Wall Clock' +p30896 +sg25270 +S'Albert Camilli' +p30897 +sa(dp30898 +g25267 +g27 +sg25268 +S'Shelf Clock' +p30899 +sg25270 +S'Louis Plogsted' +p30900 +sa(dp30901 +g25267 +g27 +sg25268 +S'Clock' +p30902 +sg25270 +S'Albert Eyth' +p30903 +sa(dp30904 +g25267 +g27 +sg25268 +S'J.C. Brown Clock' +p30905 +sg25270 +S'William O. Fletcher' +p30906 +sa(dp30907 +g25267 +g27 +sg25268 +S'Shelf Clock' +p30908 +sg25270 +S'Lorenz Rothkranz' +p30909 +sa(dp30910 +g25267 +g27 +sg25268 +S'Mantel Clock' +p30911 +sg25270 +S'Francis Law Durand' +p30912 +sa(dp30913 +g25267 +g27 +sg25268 +S'Clock' +p30914 +sg25270 +S'Lawrence Phillips' +p30915 +sa(dp30916 +g25268 +S'Petal-Decorated Vase' +p30917 +sg25270 +S'Chinese Qing Dynasty' +p30918 +sg25273 +S'overall: 21.2 x 8.9 cm (8 3/8 x 3 1/2 in.)' +p30919 +sg25275 +S'\nporcelain with peachbloom glaze' +p30920 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004dae.jpg' +p30921 +sg25267 +g27 +sa(dp30922 +g25267 +g27 +sg25268 +S'Clock' +p30923 +sg25270 +S'Lawrence Phillips' +p30924 +sa(dp30925 +g25267 +g27 +sg25268 +S'Clock' +p30926 +sg25270 +S'Walter W. Jennings' +p30927 +sa(dp30928 +g25267 +g27 +sg25268 +S'Mantel Clock' +p30929 +sg25270 +S'Ernest A. Towers, Jr.' +p30930 +sa(dp30931 +g25267 +g27 +sg25268 +S'Clock' +p30932 +sg25270 +S'Lawrence Phillips' +p30933 +sa(dp30934 +g25267 +g27 +sg25268 +S'Shelf Clock' +p30935 +sg25270 +S'Frank Wenger' +p30936 +sa(dp30937 +g25267 +g27 +sg25268 +S'Shelf Clock' +p30938 +sg25270 +S'Lawrence Phillips' +p30939 +sa(dp30940 +g25267 +g27 +sg25268 +S'Clock' +p30941 +sg25270 +S'Lorenz Rothkranz' +p30942 +sa(dp30943 +g25267 +g27 +sg25268 +S'Shelf Clock' +p30944 +sg25270 +S'Therkel Anderson' +p30945 +sa(dp30946 +g25267 +g27 +sg25268 +S'Clock' +p30947 +sg25270 +S'Dorothea A. Farrington' +p30948 +sa(dp30949 +g25267 +g27 +sg25268 +S'Shelf Clock' +p30950 +sg25270 +S'Francis Law Durand' +p30951 +sa(dp30952 +g25268 +S'Matteo Olivieri (?)' +p30953 +sg25270 +S'Florentine 15th Century' +p30954 +sg25273 +S'tempera (and oil?) on panel transferred to canvas' +p30955 +sg25275 +S'1430s' +p30956 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005d8.jpg' +p30957 +sg25267 +S'This portrait is among the first from the Renaissance. During the late Middle Ages, depictions of individual donors had often been included in religious paintings, but it was not until the early fifteenth century that independent portraits were commissioned. The earliest ones are, like these, simple—even austere—profile views. Very likely, they were influenced by portrait busts and the profile heads on ancient gems and coins, which were avidly collected by Renaissance humanists. The popularity of the independent portrait was spurred by a new focus on the individual and an appreciation of individual accomplishments—a new conception of fame.\n Probably, the portrait is of Matteo Olivieri—his name appears on the ledge—and was originally paired with one of his son Michele, who may have commissioned both works. Though painted long after Matteo had died (he left a will in 1365), the portrait depicts a young man, as did the portrait of his son, who must have been at least sixty-five when the works were painted. Most portraits were probably commissioned as commemorations of the deceased by families who wished to remember them in the prime of life. As Renaissance art theorist Alberti noted, a portrait "like friendship can make an absent man seem present and a dead one seem alive."\n ' +p30958 +sa(dp30959 +g25268 +S'Madonna and Child' +p30960 +sg25270 +S'Bartolomeo Montagna' +p30961 +sg25273 +S'oil on panel' +p30962 +sg25275 +S'c. 1490' +p30963 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a000086d.jpg' +p30964 +sg25267 +g27 +sa(dp30965 +g25268 +S'Petal-Decorated Vase' +p30966 +sg25270 +S'Chinese Qing Dynasty' +p30967 +sg25273 +S'overall: 21.3 x 8.9 cm (8 3/8 x 3 1/2 in.)' +p30968 +sg25275 +S'\nporcelain with peachbloom glaze' +p30969 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004db0.jpg' +p30970 +sg25267 +g27 +sa(dp30971 +g25267 +g27 +sg25268 +S'Mantel Clock' +p30972 +sg25270 +S'Francis Law Durand' +p30973 +sa(dp30974 +g25267 +g27 +sg25268 +S'Mantle Clock' +p30975 +sg25270 +S'Richard Taylor' +p30976 +sa(dp30977 +g25267 +g27 +sg25268 +S'Mantle Clock' +p30978 +sg25270 +S'John B. Moll' +p30979 +sa(dp30980 +g25267 +g27 +sg25268 +S'Mantle Clock' +p30981 +sg25270 +S'Ernest A. Towers, Jr.' +p30982 +sa(dp30983 +g25267 +g27 +sg25268 +S'Shelf Clock' +p30984 +sg25270 +S'Lawrence Phillips' +p30985 +sa(dp30986 +g25267 +g27 +sg25268 +S'Shelf Clock' +p30987 +sg25270 +S'Lawrence Phillips' +p30988 +sa(dp30989 +g25267 +g27 +sg25268 +S'Clock' +p30990 +sg25270 +S'Edith Miller' +p30991 +sa(dp30992 +g25267 +g27 +sg25268 +S'Steeple Clock' +p30993 +sg25270 +S'Arthur Mathews' +p30994 +sa(dp30995 +g25267 +g27 +sg25268 +S'Steeple Clock' +p30996 +sg25270 +S'Francis Law Durand' +p30997 +sa(dp30998 +g25267 +g27 +sg25268 +S'Clock' +p30999 +sg25270 +S'Lawrence Phillips' +p31000 +sa(dp31001 +g25268 +S'Covered Box for Seal Paste' +p31002 +sg25270 +S'Chinese Qing Dynasty' +p31003 +sg25273 +S'overall: 3.8 x 7.2 cm (1 1/2 x 2 13/16 in.)' +p31004 +sg25275 +S'\nporcelain with peachbloom glaze' +p31005 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004db2.jpg' +p31006 +sg25267 +g27 +sa(dp31007 +g25267 +g27 +sg25268 +S'Clock' +p31008 +sg25270 +S'Lawrence Phillips' +p31009 +sa(dp31010 +g25267 +g27 +sg25268 +S'Mantle Clock' +p31011 +sg25270 +S'Lon Cronk' +p31012 +sa(dp31013 +g25267 +g27 +sg25268 +S'Clock' +p31014 +sg25270 +S'Ralph Morton' +p31015 +sa(dp31016 +g25267 +g27 +sg25268 +S'Seth Thomas Clock (?)' +p31017 +sg25270 +S'J. Herman McCollum' +p31018 +sa(dp31019 +g25267 +g27 +sg25268 +S'Clock' +p31020 +sg25270 +S'Lawrence Phillips' +p31021 +sa(dp31022 +g25267 +g27 +sg25268 +S'Clock' +p31023 +sg25270 +S'Grace Halpin' +p31024 +sa(dp31025 +g25267 +g27 +sg25268 +S'Clock-Toby (front and side view)' +p31026 +sg25270 +S'Ralph Atkinson' +p31027 +sa(dp31028 +g25267 +g27 +sg25268 +S'Clock' +p31029 +sg25270 +S'John Dieterich' +p31030 +sa(dp31031 +g25267 +g27 +sg25268 +S'Clock' +p31032 +sg25270 +S'Lawrence Phillips' +p31033 +sa(dp31034 +g25267 +g27 +sg25268 +S'Shelf Clock' +p31035 +sg25270 +S'Manuel G. Runyan' +p31036 +sa(dp31037 +g25268 +S'Covered Box for Seal Paste' +p31038 +sg25270 +S'Chinese Qing Dynasty' +p31039 +sg25273 +S'overall: 3.7 x 7.2 cm (1 7/16 x 2 13/16 in.)' +p31040 +sg25275 +S'\nporcelain with peachbloom glaze' +p31041 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004db4.jpg' +p31042 +sg25267 +g27 +sa(dp31043 +g25267 +g27 +sg25268 +S'Mantle Clock' +p31044 +sg25270 +S'John Cutting' +p31045 +sa(dp31046 +g25267 +g27 +sg25268 +S'Clock' +p31047 +sg25270 +S'Edward L. Loper' +p31048 +sa(dp31049 +g25267 +g27 +sg25268 +S'Lyre Clock' +p31050 +sg25270 +S'Isidore Sovensky' +p31051 +sa(dp31052 +g25267 +g27 +sg25268 +S'Eight Day Marine Clock' +p31053 +sg25270 +S'Edward L. Loper' +p31054 +sa(dp31055 +g25267 +g27 +sg25268 +S'Magic Lamp Clock in 18th Century Figure' +p31056 +sg25270 +S'George File' +p31057 +sa(dp31058 +g25267 +g27 +sg25268 +S'Decorated Cast Iron Clock' +p31059 +sg25270 +S'George H. Alexander' +p31060 +sa(dp31061 +g25267 +g27 +sg25268 +S'Clock - Lyre Type' +p31062 +sg25270 +S'Rex F. Bush' +p31063 +sa(dp31064 +g25267 +g27 +sg25268 +S"Grandfather's Clock" +p31065 +sg25270 +S'Geoffrey Holt' +p31066 +sa(dp31067 +g25267 +g27 +sg25268 +S'Grandfather Clock, Angular View' +p31068 +sg25270 +S'Dana Bartlett' +p31069 +sa(dp31070 +g25267 +g27 +sg25268 +S'Grandfather Clock Dial' +p31071 +sg25270 +S'Geoffrey Holt' +p31072 +sa(dp31073 +g25268 +S'Vase' +p31074 +sg25270 +S'Chinese Qing Dynasty' +p31075 +sg25273 +S'overall: 39.3 x 19.7 cm (15 1/2 x 7 3/4 in.)' +p31076 +sg25275 +S'\nporcelain with oxblood glaze' +p31077 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004db5.jpg' +p31078 +sg25267 +g27 +sa(dp31079 +g25267 +g27 +sg25268 +S'Grandfather Clock' +p31080 +sg25270 +S'Cornelius Christoffels' +p31081 +sa(dp31082 +g25267 +g27 +sg25268 +S'Tall Clock' +p31083 +sg25270 +S'Lawrence Phillips' +p31084 +sa(dp31085 +g25267 +g27 +sg25268 +S'Grandfather Clock' +p31086 +sg25270 +S'Ernest A. Towers, Jr.' +p31087 +sa(dp31088 +g25267 +g27 +sg25268 +S'Grandfather Clock' +p31089 +sg25270 +S'Ernest A. Towers, Jr.' +p31090 +sa(dp31091 +g25267 +g27 +sg25268 +S"Grandfather's Clock" +p31092 +sg25270 +S'Ernest A. Towers, Jr.' +p31093 +sa(dp31094 +g25267 +g27 +sg25268 +S'Grandfather Clock' +p31095 +sg25270 +S'Ernest A. Towers, Jr.' +p31096 +sa(dp31097 +g25267 +g27 +sg25268 +S'Grandfather Clock' +p31098 +sg25270 +S'Ernest A. Towers, Jr.' +p31099 +sa(dp31100 +g25267 +g27 +sg25268 +S"Grandfather's Clock" +p31101 +sg25270 +S'Ernest A. Towers, Jr.' +p31102 +sa(dp31103 +g25267 +g27 +sg25268 +S"Grandfather's Clock" +p31104 +sg25270 +S'Ernest A. Towers, Jr.' +p31105 +sa(dp31106 +g25267 +g27 +sg25268 +S"Grandfather's Clock" +p31107 +sg25270 +S'Ernest A. Towers, Jr.' +p31108 +sa(dp31109 +g25268 +S'Vase' +p31110 +sg25270 +S'Chinese Qing Dynasty' +p31111 +sg25273 +S'overall: 43.3 x 19.7 cm (17 1/16 x 7 3/4 in.)' +p31112 +sg25275 +S'\nporcelain with oxblood glaze' +p31113 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004db6.jpg' +p31114 +sg25267 +g27 +sa(dp31115 +g25267 +g27 +sg25268 +S'Grandfather Clock' +p31116 +sg25270 +S'Ernest A. Towers, Jr.' +p31117 +sa(dp31118 +g25267 +g27 +sg25268 +S'Grandfather Clock' +p31119 +sg25270 +S'Ernest A. Towers, Jr.' +p31120 +sa(dp31121 +g25267 +g27 +sg25268 +S"Grandfather's Clock" +p31122 +sg25270 +S'Ernest A. Towers, Jr.' +p31123 +sa(dp31124 +g25267 +g27 +sg25268 +S"Grandfather's Clock" +p31125 +sg25270 +S'Ernest A. Towers, Jr.' +p31126 +sa(dp31127 +g25267 +g27 +sg25268 +S'Grandfather Clock' +p31128 +sg25270 +S'James Fisher' +p31129 +sa(dp31130 +g25267 +g27 +sg25268 +S'Duncan Beard Grandfather Clock' +p31131 +sg25270 +S'Ernest A. Towers, Jr.' +p31132 +sa(dp31133 +g25267 +g27 +sg25268 +S"Grandfather's Clock" +p31134 +sg25270 +S'Ralph Morton' +p31135 +sa(dp31136 +g25267 +g27 +sg25268 +S"Grandfather's Clock" +p31137 +sg25270 +S'Cornelius Frazier' +p31138 +sa(dp31139 +g25267 +g27 +sg25268 +S'Grandfather Clock' +p31140 +sg25270 +S'Alfred Koehn' +p31141 +sa(dp31142 +g25267 +g27 +sg25268 +S'Clock, Tall' +p31143 +sg25270 +S'Virginia Richards' +p31144 +sa(dp31145 +g25268 +S'Vase, called "The Fire Cloud"' +p31146 +sg25270 +S'Chinese Qing Dynasty' +p31147 +sg25273 +S'overall: 43.8 x 18.1 cm (17 1/4 x 7 1/8 in.)' +p31148 +sg25275 +S'\nporcelain with oxblood glaze' +p31149 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004db7.jpg' +p31150 +sg25267 +g27 +sa(dp31151 +g25267 +g27 +sg25268 +S'Clock (Grandfather)' +p31152 +sg25270 +S'Lawrence Phillips' +p31153 +sa(dp31154 +g25267 +g27 +sg25268 +S"Hall Clock (Grandfather's Clock)" +p31155 +sg25270 +S'Theodore Pfitzer' +p31156 +sa(dp31157 +g25267 +g27 +sg25268 +S'Wall Clock' +p31158 +sg25270 +S'Therkel Anderson' +p31159 +sa(dp31160 +g25267 +g27 +sg25268 +S'Shelf Clock' +p31161 +sg25270 +S'Ulrich Fischer' +p31162 +sa(dp31163 +g25267 +g27 +sg25268 +S'Shelf Clock' +p31164 +sg25270 +S'Ulrich Fischer' +p31165 +sa(dp31166 +g25267 +g27 +sg25268 +S'Miniature Tall Clock' +p31167 +sg25270 +S'Isadore Goldberg' +p31168 +sa(dp31169 +g25267 +g27 +sg25268 +S"Grandfather's Clock" +p31170 +sg25270 +S'Frederick Jackson' +p31171 +sa(dp31172 +g25267 +g27 +sg25268 +S'Clock' +p31173 +sg25270 +S'Nicholas Gorid' +p31174 +sa(dp31175 +g25267 +g27 +sg25268 +S"Grandfather's Clock (Old Pine)" +p31176 +sg25270 +S'Edith Magnette' +p31177 +sa(dp31178 +g25267 +g27 +sg25268 +S'Grandfather Clock' +p31179 +sg25270 +S'A. Zaidenberg' +p31180 +sa(dp31181 +g25268 +S'Vase, called "The Flame"' +p31182 +sg25270 +S'Chinese Qing Dynasty' +p31183 +sg25273 +S'overall: 43.8 x 17.8 cm (17 1/4 x 7 in.)' +p31184 +sg25275 +S'\nporcelain with oxblood glaze' +p31185 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004db8.jpg' +p31186 +sg25267 +S'The tall, slender shape of this baluster vase is quite restrained. The \n mouth turns outward only slightly; the neck is short, the shoulder \n sloping.\n The porcelain is fine-textured, white, and smooth where it is revealed on the \n carefully beveled foot-ring. A transparent, pale greenish glaze covers the inside \n and the base. On the outside, the dark red of the glaze drains away from the \n lip and streaks down the sides from the shoulder, becoming very deep in color \n on the lower half of the vessel. The glaze collects just at the bevel of the \n foot in a thick, perfectly controlled welt. On one side of the body there is \n a lighter streaked area. These color variations give the piece a lively individuality. \n At some time in its recent history, an unknown connoisseur aptly named this \n vase "The Flame."\n (Text by Josephine Hadley Knapp, published in the NGA Systematic Catalogue: \n Notes
\n\n \n \n \n ' +p31187 +sa(dp31188 +g25267 +g27 +sg25268 +S"Grandfather's Clock" +p31189 +sg25270 +S'Francis Law Durand' +p31190 +sa(dp31191 +g25267 +g27 +sg25268 +S"Moon Disc Paintings for Grandfather's Clock" +p31192 +sg25270 +S'Francis Law Durand' +p31193 +sa(dp31194 +g25267 +g27 +sg25268 +S'Grandfather Clock (Timepiece)' +p31195 +sg25270 +S'Francis Law Durand' +p31196 +sa(dp31197 +g25267 +g27 +sg25268 +S"Grandfather's Clock (Timepiece)" +p31198 +sg25270 +S'Francis Law Durand' +p31199 +sa(dp31200 +g25267 +g27 +sg25268 +S"Grandfather's Clock (Timepiece)" +p31201 +sg25270 +S'Francis Law Durand' +p31202 +sa(dp31203 +g25267 +g27 +sg25268 +S'Tall Clock' +p31204 +sg25270 +S'Elizabeth Curtis' +p31205 +sa(dp31206 +g25267 +g27 +sg25268 +S'Clock' +p31207 +sg25270 +S'American 20th Century' +p31208 +sa(dp31209 +g25267 +g27 +sg25268 +S'Tall Clock' +p31210 +sg25270 +S'Lawrence Phillips' +p31211 +sa(dp31212 +g25267 +g27 +sg25268 +S'Tall Clock' +p31213 +sg25270 +S'Isidore Sovensky' +p31214 +sa(dp31215 +g25267 +g27 +sg25268 +S'Clock Face' +p31216 +sg25270 +S'Ann Gene Buckley' +p31217 +sa(dp31218 +g25268 +S'Vase' +p31219 +sg25270 +S'Chinese Qing Dynasty' +p31220 +sg25273 +S'overall: 42.1 x 18.7 cm (16 9/16 x 7 3/8 in.)' +p31221 +sg25275 +S'\nporcelain with oxblood glaze' +p31222 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004db9.jpg' +p31223 +sg25267 +g27 +sa(dp31224 +g25267 +g27 +sg25268 +S'Tall Clock' +p31225 +sg25270 +S'Arsen Maralian' +p31226 +sa(dp31227 +g25267 +g27 +sg25268 +S'Tall Clock' +p31228 +sg25270 +S'Arthur Johnson' +p31229 +sa(dp31230 +g25267 +g27 +sg25268 +S'Clock' +p31231 +sg25270 +S'Nicholas Gorid' +p31232 +sa(dp31233 +g25267 +g27 +sg25268 +S'Clock' +p31234 +sg25270 +S'Nicholas Gorid' +p31235 +sa(dp31236 +g25267 +g27 +sg25268 +S'Tall Clock' +p31237 +sg25270 +S'Frank Wenger' +p31238 +sa(dp31239 +g25267 +g27 +sg25268 +S'Clock (Chronometer)' +p31240 +sg25270 +S'William Frank' +p31241 +sa(dp31242 +g25267 +g27 +sg25268 +S'"Grandfather" Clock' +p31243 +sg25270 +S'Magnus S. Fossum' +p31244 +sa(dp31245 +g25267 +g27 +sg25268 +S'Clock Face' +p31246 +sg25270 +S'Ann Gene Buckley' +p31247 +sa(dp31248 +g25267 +g27 +sg25268 +S'Clock Face' +p31249 +sg25270 +S'Ann Gene Buckley' +p31250 +sa(dp31251 +g25267 +g27 +sg25268 +S'Clock Case' +p31252 +sg25270 +S'John Dieterich' +p31253 +sa(dp31254 +g25268 +S'Vase' +p31255 +sg25270 +S'Chinese Qing Dynasty' +p31256 +sg25273 +S'overall: 42.7 x 21.6 cm (16 13/16 x 8 1/2 in.)' +p31257 +sg25275 +S'\nporcelain with oxblood glaze' +p31258 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004dba.jpg' +p31259 +sg25267 +g27 +sa(dp31260 +g25267 +g27 +sg25268 +S'Clock' +p31261 +sg25270 +S'John Dieterich' +p31262 +sa(dp31263 +g25267 +g27 +sg25268 +S'Clock' +p31264 +sg25270 +S'Artist Information (' +p31265 +sa(dp31266 +g25267 +g27 +sg25268 +S'Clock' +p31267 +sg25270 +S'Gilbert Sackerman' +p31268 +sa(dp31269 +g25267 +g27 +sg25268 +S'Church Clock Hands' +p31270 +sg25270 +S'Walter Praefke' +p31271 +sa(dp31272 +g25267 +g27 +sg25268 +S'Grandfather Clock' +p31273 +sg25270 +S'Nicholas Gorid' +p31274 +sa(dp31275 +g25267 +g27 +sg25268 +S"Grandfather's Clock" +p31276 +sg25270 +S'J.F. Rust' +p31277 +sa(dp31278 +g25267 +g27 +sg25268 +S'Hall Clock (Miniature)' +p31279 +sg25270 +S'Albert Gold' +p31280 +sa(dp31281 +g25267 +g27 +sg25268 +S'China Cabinet' +p31282 +sg25270 +S'Ferdinand Cartier' +p31283 +sa(dp31284 +g25267 +g27 +sg25268 +S'Design from China Closet' +p31285 +sg25270 +S'Ferdinand Cartier' +p31286 +sa(dp31287 +g25267 +g27 +sg25268 +S'China Closet' +p31288 +sg25270 +S'Artist Information (' +p31289 +sa(dp31290 +g25268 +S'Covered Box for Seal Paste' +p31291 +sg25270 +S'Chinese Qing Dynasty' +p31292 +sg25273 +S'overall: 3.7 x 7.2 cm (1 7/16 x 2 13/16 in.)' +p31293 +sg25275 +S'\nporcelain with peachbloom glaze' +p31294 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004dbc.jpg' +p31295 +sg25267 +g27 +sa(dp31296 +g25267 +g27 +sg25268 +S'China Cupboard' +p31297 +sg25270 +S'Edward A. Darby' +p31298 +sa(dp31299 +g25267 +g27 +sg25268 +S'China Closet' +p31300 +sg25270 +S'Henry Meyers' +p31301 +sa(dp31302 +g25267 +g27 +sg25268 +S'Corner Cupboard' +p31303 +sg25270 +S'Michael Riccitelli' +p31304 +sa(dp31305 +g25267 +g27 +sg25268 +S'Corner Cupboard' +p31306 +sg25270 +S'Ferdinand Cartier' +p31307 +sa(dp31308 +g25267 +g27 +sg25268 +S'Corner Cupboard' +p31309 +sg25270 +S'Ferdinand Cartier' +p31310 +sa(dp31311 +g25267 +g27 +sg25268 +S'Corner Cupboard' +p31312 +sg25270 +S'Leslie Macklem' +p31313 +sa(dp31314 +g25267 +g27 +sg25268 +S'Corner Cupboard' +p31315 +sg25270 +S'George V. Vezolles' +p31316 +sa(dp31317 +g25267 +g27 +sg25268 +S'Corner Cupboard' +p31318 +sg25270 +S'George V. Vezolles' +p31319 +sa(dp31320 +g25267 +g27 +sg25268 +S'Corner Cupboard' +p31321 +sg25270 +S'Henry Moran' +p31322 +sa(dp31323 +g25267 +g27 +sg25268 +S'Corner Cupboard' +p31324 +sg25270 +S'George Fairbanks' +p31325 +sa(dp31326 +g25268 +S'Baluster Vase with Dragon Handles' +p31327 +sg25270 +S'Chinese Ming Dynasty' +p31328 +sg25273 +S'overall: 39.9 x 13.9 cm (15 11/16 x 5 1/2 in.)' +p31329 +sg25275 +S'\nporcelain with green glaze' +p31330 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004dbe.jpg' +p31331 +sg25267 +S'This tall, slender vase is a more elegant and attenuated version of the customarily \n sturdy Ming baluster vase shape.\n The two creatures climbing the sides of the neck are descendants of Bronze \n Age dragons, with manes and bifurcated tails.\n The glaze is a brilliant glossy emerald green. Originally, most of the surface \n was decorated in gold. So much has been lost that only here and there can a \n fleck of actual gold be seen. Owing to changes in surface gloss, in certain \n reflected light the evanescent design can be detected. A residue of the adhesive \n of the lost gold painting has remained on the glossy surface of the glaze. It \n is possible to make out floral scrolls, a scroll band at the base, lotus and \n water plants, and a starlike band. Gilding is a frequent addition to the surface \n of porcelains in the Ming and Qing periods, either alone, as in this Ming example, \n or in combination with low-fired lead enamels on single colored glazes, or with \n the \n It is interesting to speculate on the possible relationship of this vase to \n An almost identical vase of impeccable provenance is in the Baltimore Museum of Art. It was formerly in the collections of William H. Whitridge, J. P. Morgan, and Marsden Perry.\n There are examples of this same general shape but of heavier appearance dating from as early as the fifteenth century. Wares of this type are thought to be products of unofficial kilns, which assumed growing importance in the last part of the Ming dynasty as a result of weak imperial patronage.\n (Text by Josephine Hadley Knapp, published in the NGA Systematic Catalogue: \n Notes\n \n \n \n \n ' +p31332 +sa(dp31333 +g25267 +g27 +sg25268 +S'Cradle' +p31334 +sg25270 +S'Albert Gold' +p31335 +sa(dp31336 +g25267 +g27 +sg25268 +S"Child's Cradle" +p31337 +sg25270 +S'Gerald Bernhardt' +p31338 +sa(dp31339 +g25267 +g27 +sg25268 +S'Cradle' +p31340 +sg25270 +S'Gerald Bernhardt' +p31341 +sa(dp31342 +g25267 +g27 +sg25268 +S'Cradle' +p31343 +sg25270 +S'Ulrich Fischer' +p31344 +sa(dp31345 +g25267 +g27 +sg25268 +S"Baby's Cradle" +p31346 +sg25270 +S'Edna C. Rex' +p31347 +sa(dp31348 +g25267 +g27 +sg25268 +S'Cradle' +p31349 +sg25270 +S'Alfred H. Smith' +p31350 +sa(dp31351 +g25267 +g27 +sg25268 +S'Cradle' +p31352 +sg25270 +S'Karl Joubert' +p31353 +sa(dp31354 +g25267 +g27 +sg25268 +S'Cradle' +p31355 +sg25270 +S'Louis Plogsted' +p31356 +sa(dp31357 +g25267 +g27 +sg25268 +S'Cradle' +p31358 +sg25270 +S'Archie Thompson' +p31359 +sa(dp31360 +g25267 +g27 +sg25268 +S'Cradle' +p31361 +sg25270 +S'Virginia Kennady' +p31362 +sa(dp31363 +g25268 +S'Jar' +p31364 +sg25270 +S'Chinese Qing Dynasty' +p31365 +sg25273 +S'overall: 20.6 x 18.5 cm (8 1/8 x 7 5/16 in.)' +p31366 +sg25275 +S'\nporcelain with apple-green glaze' +p31367 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004dbf.jpg' +p31368 +sg25267 +g27 +sa(dp31369 +g25267 +g27 +sg25268 +S'Baby Cradle' +p31370 +sg25270 +S'Artist Information (' +p31371 +sa(dp31372 +g25267 +g27 +sg25268 +S'Cradle' +p31373 +sg25270 +S'Wellington Blewett' +p31374 +sa(dp31375 +g25267 +g27 +sg25268 +S'Wicker Cradle' +p31376 +sg25270 +S'Artist Information (' +p31377 +sa(dp31378 +g25267 +g27 +sg25268 +S'Hooded Cradle' +p31379 +sg25270 +S'Ludmilla Calderon' +p31380 +sa(dp31381 +g25267 +g27 +sg25268 +S'Wooden Cradle' +p31382 +sg25270 +S'Arthur Stewart' +p31383 +sa(dp31384 +g25267 +g27 +sg25268 +S'Mahogany Cradle' +p31385 +sg25270 +S'Louis Plogsted' +p31386 +sa(dp31387 +g25267 +g27 +sg25268 +S'Walnut Crib' +p31388 +sg25270 +S'Edward A. Darby' +p31389 +sa(dp31390 +g25267 +g27 +sg25268 +S'Cradle' +p31391 +sg25270 +S'Arsen Maralian' +p31392 +sa(dp31393 +g25267 +g27 +sg25268 +S'Cradle' +p31394 +sg25270 +S'Edna C. Rex' +p31395 +sa(dp31396 +g25267 +g27 +sg25268 +S'Walnut Cradle' +p31397 +sg25270 +S'Edward A. Darby' +p31398 +sa(dp31399 +g25268 +S'Jar' +p31400 +sg25270 +S'Chinese Qing Dynasty' +p31401 +sg25273 +S'overall: 21.6 x 18.5 cm (8 1/2 x 7 5/16 in.)' +p31402 +sg25275 +S'\nporcelain with apple-green glaze' +p31403 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004dc0.jpg' +p31404 +sg25267 +g27 +sa(dp31405 +g25267 +g27 +sg25268 +S'Cradle' +p31406 +sg25270 +S'George V. Vezolles' +p31407 +sa(dp31408 +g25267 +g27 +sg25268 +S"Pioneer Baby's Cradle" +p31409 +sg25270 +S'George V. Vezolles' +p31410 +sa(dp31411 +g25267 +g27 +sg25268 +S'Press Cupboard' +p31412 +sg25270 +S'Artist Information (' +p31413 +sa(dp31414 +g25267 +g27 +sg25268 +S'Press Cupboard' +p31415 +sg25270 +S'Francis Borelli' +p31416 +sa(dp31417 +g25267 +g27 +sg25268 +S'Press Cupboard' +p31418 +sg25270 +S'Francis Borelli' +p31419 +sa(dp31420 +g25267 +g27 +sg25268 +S'Court Cupboard' +p31421 +sg25270 +S'Louis Annino' +p31422 +sa(dp31423 +g25267 +g27 +sg25268 +S'Hartford Cupboard' +p31424 +sg25270 +S'Martin Partyka' +p31425 +sa(dp31426 +g25267 +g27 +sg25268 +S'Side View of Hartford Cupboard' +p31427 +sg25270 +S'Martin Partyka' +p31428 +sa(dp31429 +g25267 +g27 +sg25268 +S'Press Cupboard' +p31430 +sg25270 +S'Anne Ger' +p31431 +sa(dp31432 +g25267 +g27 +sg25268 +S'Press Cupboard' +p31433 +sg25270 +S'Elizabeth Curtis' +p31434 +sa(dp31435 +g25268 +S'Bottle Vase' +p31436 +sg25270 +S'Chinese Qing Dynasty' +p31437 +sg25273 +S'overall: 18.2 x 11.1 cm (7 3/16 x 4 3/8 in.)' +p31438 +sg25275 +S'\nporcelain with apple-green glaze' +p31439 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004dc1.jpg' +p31440 +sg25267 +g27 +sa(dp31441 +g25267 +g27 +sg25268 +S'Guilford Press Cupboard' +p31442 +sg25270 +S'Martin Partyka' +p31443 +sa(dp31444 +g25267 +g27 +sg25268 +S'Dresser or Cupboard' +p31445 +sg25270 +S'Irving I. Smith' +p31446 +sa(dp31447 +g25267 +g27 +sg25268 +S'Corner Cupboard' +p31448 +sg25270 +S'Edward A. Darby' +p31449 +sa(dp31450 +g25267 +g27 +sg25268 +S'Cupboard' +p31451 +sg25270 +S'Virginia Kennady' +p31452 +sa(dp31453 +g25267 +g27 +sg25268 +S'Corner Cupboard' +p31454 +sg25270 +S'George H. Alexander' +p31455 +sa(dp31456 +g25267 +g27 +sg25268 +S'Cupboard' +p31457 +sg25270 +S'Bernard Gussow' +p31458 +sa(dp31459 +g25267 +g27 +sg25268 +S'Cupboard' +p31460 +sg25270 +S'Charles Henning' +p31461 +sa(dp31462 +g25267 +g27 +sg25268 +S'Corner Cupboard' +p31463 +sg25270 +S'Byron Dingman' +p31464 +sa(dp31465 +g25267 +g27 +sg25268 +S'Hanging Closet' +p31466 +sg25270 +S'Ernest A. Towers, Jr.' +p31467 +sa(dp31468 +g25267 +g27 +sg25268 +S'Hanging Corner Cupboard' +p31469 +sg25270 +S'Artist Information (' +p31470 +sa(dp31471 +g25268 +S'Vase, Meiping Shape' +p31472 +sg25270 +S'Chinese Qing Dynasty' +p31473 +sg25273 +S'overall: 17.2 x 10.1 cm (6 3/4 x 4 in.)' +p31474 +sg25275 +S'\nporcelain with apple-green glaze' +p31475 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004dc2.jpg' +p31476 +sg25267 +g27 +sa(dp31477 +g25267 +g27 +sg25268 +S'Day Bed' +p31478 +sg25270 +S'Nicholas Gorid' +p31479 +sa(dp31480 +g25267 +g27 +sg25268 +S'Sewing Settee' +p31481 +sg25270 +S'Vera Van Voris' +p31482 +sa(dp31483 +g25267 +g27 +sg25268 +S'Daybed' +p31484 +sg25270 +S'Artist Information (' +p31485 +sa(dp31486 +g25267 +g27 +sg25268 +S'Tambour Desk' +p31487 +sg25270 +S'Bernard Gussow' +p31488 +sa(dp31489 +g25267 +g27 +sg25268 +S"Lady's Writing Cabinet" +p31490 +sg25270 +S'American 20th Century' +p31491 +sa(dp31492 +g25267 +g27 +sg25268 +S'Desk' +p31493 +sg25270 +S'Dorothea A. Farrington' +p31494 +sa(dp31495 +g25267 +g27 +sg25268 +S'Box Desk' +p31496 +sg25270 +S'Arthur Johnson' +p31497 +sa(dp31498 +g25267 +g27 +sg25268 +S'Mahogany Desk with Bookcase Top' +p31499 +sg25270 +S'George Loughridge' +p31500 +sa(dp31501 +g25267 +g27 +sg25268 +S'Desk' +p31502 +sg25270 +S'Francis Borelli' +p31503 +sa(dp31504 +g25267 +g27 +sg25268 +S'Desk' +p31505 +sg25270 +S'Eugene Croe' +p31506 +sa(dp31507 +g25268 +S'Bottle Vase' +p31508 +sg25270 +S'Chinese Qing Dynasty' +p31509 +sg25273 +S'overall: 16.6 x 10.7 cm (6 9/16 x 4 3/16 in.)' +p31510 +sg25275 +S'\nporcelain with apple-green glaze' +p31511 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004dc3.jpg' +p31512 +sg25267 +g27 +sa(dp31513 +g25267 +g27 +sg25268 +S'Desk' +p31514 +sg25270 +S'Joseph Cannella' +p31515 +sa(dp31516 +g25267 +g27 +sg25268 +S'Secretary' +p31517 +sg25270 +S'Ralph Morton' +p31518 +sa(dp31519 +g25267 +g27 +sg25268 +S'Mahogany Desk' +p31520 +sg25270 +S'Edward A. Darby' +p31521 +sa(dp31522 +g25267 +g27 +sg25268 +S'Desk' +p31523 +sg25270 +S'Rex F. Bush' +p31524 +sa(dp31525 +g25267 +g27 +sg25268 +S'Desk' +p31526 +sg25270 +S'Paul Ward' +p31527 +sa(dp31528 +g25267 +g27 +sg25268 +S'Melodeon Converted into Desk' +p31529 +sg25270 +S'Magnus S. Fossum' +p31530 +sa(dp31531 +g25267 +g27 +sg25268 +S'Desk' +p31532 +sg25270 +S'Marie Alain' +p31533 +sa(dp31534 +g25267 +g27 +sg25268 +S"Desk (Lady's)" +p31535 +sg25270 +S'Georgine E. Mason' +p31536 +sa(dp31537 +g25267 +g27 +sg25268 +S'Desk' +p31538 +sg25270 +S'Charles Squires' +p31539 +sa(dp31540 +g25267 +g27 +sg25268 +S'Desk' +p31541 +sg25270 +S'Ruth Bialostosky' +p31542 +sa(dp31543 +g25268 +S'Vase' +p31544 +sg25270 +S'Chinese Qing Dynasty' +p31545 +sg25273 +S'overall: 18.5 x 10.2 cm (7 5/16 x 4 in.)' +p31546 +sg25275 +S'\nporcelain with apple-green glaze' +p31547 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004dc4.jpg' +p31548 +sg25267 +S'This striking pear-shaped vase is one of the most beautiful apple-green \n vessels in the National Gallery collection, despite the pinhole on its \n neck. Its graceful profile coupled with its brilliant emerald green surface \n distinguish it from the two more squared-off and pale bottle vases in the \n collection (\n This particular shape, which the Chinese call "gall-bladder shaped" \n (Text by Virginia Bower, published in the NGA Systematic Catalogue: \n Notes
\n\n \n \n ' +p31549 +sa(dp31550 +g25267 +g27 +sg25268 +S'Desk' +p31551 +sg25270 +S'Arsen Maralian' +p31552 +sa(dp31553 +g25267 +g27 +sg25268 +S'Secretary' +p31554 +sg25270 +S'Bernard Krieger' +p31555 +sa(dp31556 +g25267 +g27 +sg25268 +S'Desk-White Oak' +p31557 +sg25270 +S'Henry Moran' +p31558 +sa(dp31559 +g25267 +g27 +sg25268 +S'Desk' +p31560 +sg25270 +S'Samuel Fineman' +p31561 +sa(dp31562 +g25267 +g27 +sg25268 +S"Scrutoir or Butler's Desk" +p31563 +sg25270 +S'Fred Weiss' +p31564 +sa(dp31565 +g25267 +g27 +sg25268 +S"Scrutoir or Butler's Desk" +p31566 +sg25270 +S'Fred Weiss' +p31567 +sa(dp31568 +g25267 +g27 +sg25268 +S'Desk' +p31569 +sg25270 +S'David S. De Vault' +p31570 +sa(dp31571 +g25267 +g27 +sg25268 +S'Writing Desk' +p31572 +sg25270 +S'Carl Buergerniss' +p31573 +sa(dp31574 +g25267 +g27 +sg25268 +S'Writing Desk' +p31575 +sg25270 +S'Carl Buergerniss' +p31576 +sa(dp31577 +g25267 +g27 +sg25268 +S'Desk' +p31578 +sg25270 +S'Fred Weiss' +p31579 +sa(dp31580 +g25268 +S'Vase' +p31581 +sg25270 +S'Chinese Qing Dynasty' +p31582 +sg25273 +S'overall: 23.2 x 13 cm (9 1/8 x 5 1/8 in.)' +p31583 +sg25275 +S'\nporcelain with apple-green glaze' +p31584 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004dc5.jpg' +p31585 +sg25267 +g27 +sa(dp31586 +g25267 +g27 +sg25268 +S'Desk' +p31587 +sg25270 +S'Fred Weiss' +p31588 +sa(dp31589 +g25267 +g27 +sg25268 +S"Child's Desk" +p31590 +sg25270 +S'Ernest Busenbark' +p31591 +sa(dp31592 +g25267 +g27 +sg25268 +S'Desk' +p31593 +sg25270 +S'Albert Ryder' +p31594 +sa(dp31595 +g25267 +g27 +sg25268 +S'Writing Desk' +p31596 +sg25270 +S'Robert Birrell' +p31597 +sa(dp31598 +g25267 +g27 +sg25268 +S'Box Desk on Frame' +p31599 +sg25270 +S'Francis Borelli' +p31600 +sa(dp31601 +g25267 +g27 +sg25268 +S'Box Desk on Frame' +p31602 +sg25270 +S'Lorenz Rothkranz' +p31603 +sa(dp31604 +g25267 +g27 +sg25268 +S'Box Desk' +p31605 +sg25270 +S'Leo Drozdoff' +p31606 +sa(dp31607 +g25267 +g27 +sg25268 +S"Child's Desk" +p31608 +sg25270 +S'Harry Eisman' +p31609 +sa(dp31610 +g25267 +g27 +sg25268 +S"Child's Desk" +p31611 +sg25270 +S'Lawrence Phillips' +p31612 +sa(dp31613 +g25267 +g27 +sg25268 +S'Desk' +p31614 +sg25270 +S'Aaron Dermansky' +p31615 +sa(dp31616 +g25268 +S'Vase' +p31617 +sg25270 +S'Chinese Qing Dynasty' +p31618 +sg25273 +S'overall: 21.6 x 12.7 cm (8 1/2 x 5 in.)' +p31619 +sg25275 +S'\nporcelain with apple-green glaze' +p31620 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004dc6.jpg' +p31621 +sg25267 +S'Among published apple-green wares, no vessel very similar to this vase has \n been found. A more pear-shaped vase, attributed to the eighteenth century, might \n be considered a comparison; its neck is quite similar, but it lacks the distinctive \n raised spreading foot and stepped base seen in the National Gallery example.\n The shape of this vase, with its three distinct segments, differs from \n the fluid and elegant forms most often seen in Kangxi- and Yongzheng-period \n monochromes as exemplified by those so marked and/or attributed in the \n National Gallery collection, whether delicate peachbloom, celadon, pale \n blue, or more sturdy oxblood vases. None of the National Gallery\'s vases \n exhibits this characteristic. Indeed, this shape seems more typical of \n those seen in later eighteenth- and nineteenth-century Chinese ceramics, \n which accounts for its dating.\n (Text by Virginia Bower, published in the NGA Systematic Catalogue: \n Notes
\n\n \n \n \n ' +p31622 +sa(dp31623 +g25267 +g27 +sg25268 +S'Desk' +p31624 +sg25270 +S'Isadore Goldberg' +p31625 +sa(dp31626 +g25267 +g27 +sg25268 +S'Accounting Desk' +p31627 +sg25270 +S'Kurt Melzer' +p31628 +sa(dp31629 +g25267 +g27 +sg25268 +S'Desk' +p31630 +sg25270 +S'Frank Wenger' +p31631 +sa(dp31632 +g25267 +g27 +sg25268 +S'Writing Table and Desk' +p31633 +sg25270 +S'Henry Meyers' +p31634 +sa(dp31635 +g25267 +g27 +sg25268 +S'Desk' +p31636 +sg25270 +S'Frank Wenger' +p31637 +sa(dp31638 +g25267 +g27 +sg25268 +S'Desk' +p31639 +sg25270 +S'Frank Wenger' +p31640 +sa(dp31641 +g25267 +g27 +sg25268 +S'Desk' +p31642 +sg25270 +S'Frank Wenger' +p31643 +sa(dp31644 +g25267 +g27 +sg25268 +S'Desk' +p31645 +sg25270 +S'Edward L. Loper' +p31646 +sa(dp31647 +g25267 +g27 +sg25268 +S'Desk' +p31648 +sg25270 +S'Frank Wenger' +p31649 +sa(dp31650 +g25267 +g27 +sg25268 +S'Desk (in two sections) Used by Members of Congress' +p31651 +sg25270 +S'Rollington Campbell' +p31652 +sa(dp31653 +g25268 +S'Vase' +p31654 +sg25270 +S'Chinese Qing Dynasty' +p31655 +sg25273 +S'overall: 17.7 x 8.8 cm (6 15/16 x 3 7/16 in.)' +p31656 +sg25275 +S'\nporcelain with apple-green glaze' +p31657 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004dc7.jpg' +p31658 +sg25267 +g27 +sa(dp31659 +g25267 +g27 +sg25268 +S'Desk' +p31660 +sg25270 +S'Lawrence Phillips' +p31661 +sa(dp31662 +g25267 +g27 +sg25268 +S'Desk' +p31663 +sg25270 +S'Lawrence Phillips' +p31664 +sa(dp31665 +g25267 +g27 +sg25268 +S'Desk' +p31666 +sg25270 +S'Frederick Jackson' +p31667 +sa(dp31668 +g25267 +g27 +sg25268 +S'Writing Table and Desk' +p31669 +sg25270 +S'Henry Meyers' +p31670 +sa(dp31671 +g25267 +g27 +sg25268 +S'Desk' +p31672 +sg25270 +S'George Fairbanks' +p31673 +sa(dp31674 +g25267 +g27 +sg25268 +S'Desk' +p31675 +sg25270 +S'Arthur Stewart' +p31676 +sa(dp31677 +g25267 +g27 +sg25268 +S'Knee-hole Desk' +p31678 +sg25270 +S'Robert Stewart' +p31679 +sa(dp31680 +g25267 +g27 +sg25268 +S'Desk' +p31681 +sg25270 +S'George Fairbanks' +p31682 +sa(dp31683 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000f8/a000f8fd.jpg' +p31684 +sg25268 +S'Stoneware Jar' +p31685 +sg25270 +S'Annie B. Johnston' +p31686 +sa(dp31687 +g25267 +g27 +sg25268 +S'Bowl with Ornamented Rim' +p31688 +sg25270 +S'Annie B. Johnston' +p31689 +sa(dp31690 +g25268 +S'Portrait of a Young Woman' +p31691 +sg25270 +S'Giuliano Bugiardini' +p31692 +sg25273 +S'oil on canvas' +p31693 +sg25275 +S'c. 1525' +p31694 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0003a/a0003a05.jpg' +p31695 +sg25267 +g27 +sa(dp31696 +g25268 +S'Bottle Vase' +p31697 +sg25270 +S'Chinese Qing Dynasty' +p31698 +sg25273 +S'overall: 18.8 x 12.3 cm (7 3/8 x 4 13/16 in.)' +p31699 +sg25275 +S'\nporcelain with apple-green glaze' +p31700 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004dc8.jpg' +p31701 +sg25267 +g27 +sa(dp31702 +g25267 +g27 +sg25268 +S'Stoneware Jug' +p31703 +sg25270 +S'Annie B. Johnston' +p31704 +sa(dp31705 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000f8/a000f8fc.jpg' +p31706 +sg25268 +S'Stoneware Jug' +p31707 +sg25270 +S'Annie B. Johnston' +p31708 +sa(dp31709 +g25267 +g27 +sg25268 +S'Stoneware Jug' +p31710 +sg25270 +S'Annie B. Johnston' +p31711 +sa(dp31712 +g25267 +g27 +sg25268 +S'Stoneware Jar' +p31713 +sg25270 +S'Annie B. Johnston' +p31714 +sa(dp31715 +g25267 +g27 +sg25268 +S'Stoneware Jar' +p31716 +sg25270 +S'Annie B. Johnston' +p31717 +sa(dp31718 +g25267 +g27 +sg25268 +S'Pottery Vase' +p31719 +sg25270 +S'Annie B. Johnston' +p31720 +sa(dp31721 +g25267 +g27 +sg25268 +S'Stoneware Jar' +p31722 +sg25270 +S'Annie B. Johnston' +p31723 +sa(dp31724 +g25267 +g27 +sg25268 +S'Stoneware Jar' +p31725 +sg25270 +S'Annie B. Johnston' +p31726 +sa(dp31727 +g25267 +g27 +sg25268 +S'Stoneware Jug' +p31728 +sg25270 +S'Annie B. Johnston' +p31729 +sa(dp31730 +g25267 +g27 +sg25268 +S'Stoneware Jar' +p31731 +sg25270 +S'Annie B. Johnston' +p31732 +sa(dp31733 +g25268 +S'Vase' +p31734 +sg25270 +S'Chinese Qing Dynasty' +p31735 +sg25273 +S'overall: 15.7 x 8.9 cm (6 3/16 x 3 1/2 in.)' +p31736 +sg25275 +S'\nporcelain with apple-green glaze' +p31737 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004dc9.jpg' +p31738 +sg25267 +g27 +sa(dp31739 +g25267 +g27 +sg25268 +S'Stoneware Jug' +p31740 +sg25270 +S'Annie B. Johnston' +p31741 +sa(dp31742 +g25267 +g27 +sg25268 +S'Stoneware Jug' +p31743 +sg25270 +S'Annie B. Johnston' +p31744 +sa(dp31745 +g25267 +g27 +sg25268 +S'Stoneware Jug' +p31746 +sg25270 +S'Annie B. Johnston' +p31747 +sa(dp31748 +g25267 +g27 +sg25268 +S'Stoneware Jar' +p31749 +sg25270 +S'Annie B. Johnston' +p31750 +sa(dp31751 +g25267 +g27 +sg25268 +S'Stoneware Jar' +p31752 +sg25270 +S'Annie B. Johnston' +p31753 +sa(dp31754 +g25267 +g27 +sg25268 +S'Stoneware Jar' +p31755 +sg25270 +S'Annie B. Johnston' +p31756 +sa(dp31757 +g25267 +g27 +sg25268 +S'Stoneware Jar' +p31758 +sg25270 +S'Annie B. Johnston' +p31759 +sa(dp31760 +g25267 +g27 +sg25268 +S'Stoneware Jar' +p31761 +sg25270 +S'Annie B. Johnston' +p31762 +sa(dp31763 +g25267 +g27 +sg25268 +S'Stoneware Jar' +p31764 +sg25270 +S'Annie B. Johnston' +p31765 +sa(dp31766 +g25267 +g27 +sg25268 +S'Stoneware Churn' +p31767 +sg25270 +S'Annie B. Johnston' +p31768 +sa(dp31769 +g25268 +S'Small Jar' +p31770 +sg25270 +S'Chinese Qing Dynasty' +p31771 +sg25273 +S'overall: 10.8 x 9.2 cm (4 1/4 x 3 5/8 in.)' +p31772 +sg25275 +S'\nporcelain with apple-green glaze' +p31773 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004dca.jpg' +p31774 +sg25267 +g27 +sa(dp31775 +g25267 +g27 +sg25268 +S'Stoneware Jar' +p31776 +sg25270 +S'Annie B. Johnston' +p31777 +sa(dp31778 +g25267 +g27 +sg25268 +S'Stoneware Jar' +p31779 +sg25270 +S'Annie B. Johnston' +p31780 +sa(dp31781 +g25267 +g27 +sg25268 +S'Stoneware Jug' +p31782 +sg25270 +S'Annie B. Johnston' +p31783 +sa(dp31784 +g25267 +g27 +sg25268 +S'Stoneware Jar' +p31785 +sg25270 +S'Annie B. Johnston' +p31786 +sa(dp31787 +g25267 +g27 +sg25268 +S'Stoneware Jar' +p31788 +sg25270 +S'Annie B. Johnston' +p31789 +sa(dp31790 +g25267 +g27 +sg25268 +S'Stoneware Jug' +p31791 +sg25270 +S'Annie B. Johnston' +p31792 +sa(dp31793 +g25267 +g27 +sg25268 +S'Stoneware Jug' +p31794 +sg25270 +S'Annie B. Johnston' +p31795 +sa(dp31796 +g25267 +g27 +sg25268 +S'Stoneware Jug' +p31797 +sg25270 +S'Annie B. Johnston' +p31798 +sa(dp31799 +g25267 +g27 +sg25268 +S"School-master's desk" +p31800 +sg25270 +S'Sarah F. Williams' +p31801 +sa(dp31802 +g25267 +g27 +sg25268 +S"Surgeon's Field Desk and Kit" +p31803 +sg25270 +S'Eva Perry' +p31804 +sa(dp31805 +g25268 +S'Bowl' +p31806 +sg25270 +S'Chinese Qing Dynasty' +p31807 +sg25273 +S'overall: 7.3 x 10.9 cm (2 7/8 x 4 5/16 in.)' +p31808 +sg25275 +S'\nporcelain with apple-green glaze' +p31809 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004dcb.jpg' +p31810 +sg25267 +g27 +sa(dp31811 +g25267 +g27 +sg25268 +S'Desk' +p31812 +sg25270 +S'Frank Wenger' +p31813 +sa(dp31814 +g25267 +g27 +sg25268 +S'Stoneware Jar' +p31815 +sg25270 +S'Annie B. Johnston' +p31816 +sa(dp31817 +g25267 +g27 +sg25268 +S'Stoneware Jar' +p31818 +sg25270 +S'Annie B. Johnston' +p31819 +sa(dp31820 +g25267 +g27 +sg25268 +S'Stoneware Jar' +p31821 +sg25270 +S'Annie B. Johnston' +p31822 +sa(dp31823 +g25267 +g27 +sg25268 +S'Stoneware Jar' +p31824 +sg25270 +S'Annie B. Johnston' +p31825 +sa(dp31826 +g25267 +g27 +sg25268 +S'Stoneware Jug' +p31827 +sg25270 +S'Annie B. Johnston' +p31828 +sa(dp31829 +g25267 +g27 +sg25268 +S'Stone Jug' +p31830 +sg25270 +S'Wilford H. Shurtliff' +p31831 +sa(dp31832 +g25267 +g27 +sg25268 +S'Vinegar Jug' +p31833 +sg25270 +S'Charles Kempter' +p31834 +sa(dp31835 +g25267 +g27 +sg25268 +S'Sugar Jar' +p31836 +sg25270 +S'Robert Gilson' +p31837 +sa(dp31838 +g25267 +g27 +sg25268 +S'Jug' +p31839 +sg25270 +S'Nicholas Amantea' +p31840 +sa(dp31841 +g25268 +S'Bowl' +p31842 +sg25270 +S'Chinese Qing Dynasty' +p31843 +sg25273 +S'overall: 6.5 x 9.6 cm (2 9/16 x 3 3/4 in.)' +p31844 +sg25275 +S'\nporcelain with apple-green glaze' +p31845 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004dcc.jpg' +p31846 +sg25267 +g27 +sa(dp31847 +g25267 +g27 +sg25268 +S'Pitcher' +p31848 +sg25270 +S'George Loughridge' +p31849 +sa(dp31850 +g25267 +g27 +sg25268 +S'Pitcher' +p31851 +sg25270 +S'John Tarantino' +p31852 +sa(dp31853 +g25267 +g27 +sg25268 +S'Stoneware Beer Bottle' +p31854 +sg25270 +S'Wilbur M Rice' +p31855 +sa(dp31856 +g25267 +g27 +sg25268 +S'Small Pot or Crock' +p31857 +sg25270 +S'John Tarantino' +p31858 +sa(dp31859 +g25267 +g27 +sg25268 +S'Crock' +p31860 +sg25270 +S'Yolande Delasser' +p31861 +sa(dp31862 +g25267 +g27 +sg25268 +S'Crock' +p31863 +sg25270 +S'Yolande Delasser' +p31864 +sa(dp31865 +g25267 +g27 +sg25268 +S'Stoneware Jug' +p31866 +sg25270 +S'Edgar L. Pearce' +p31867 +sa(dp31868 +g25267 +g27 +sg25268 +S'Crock' +p31869 +sg25270 +S'Yolande Delasser' +p31870 +sa(dp31871 +g25267 +g27 +sg25268 +S'Cider Jug' +p31872 +sg25270 +S'Jerome Hoxie' +p31873 +sa(dp31874 +g25267 +g27 +sg25268 +S'Butter Crock' +p31875 +sg25270 +S'Jerome Hoxie' +p31876 +sa(dp31877 +g25268 +S'Large Vase' +p31878 +sg25270 +S'Chinese Qing Dynasty' +p31879 +sg25273 +S'overall: 45.7 x 23.5 cm (18 x 9 1/4 in.)' +p31880 +sg25275 +S'\nporcelain with turquoise glaze' +p31881 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004dcd.jpg' +p31882 +sg25267 +g27 +sa(dp31883 +g25267 +g27 +sg25268 +S'Churn' +p31884 +sg25270 +S'Jerome Hoxie' +p31885 +sa(dp31886 +g25267 +g27 +sg25268 +S'Stoneware Pitcher' +p31887 +sg25270 +S'Jerome Hoxie' +p31888 +sa(dp31889 +g25267 +g27 +sg25268 +S'Churn' +p31890 +sg25270 +S'Jerome Hoxie' +p31891 +sa(dp31892 +g25267 +g27 +sg25268 +S'Jug' +p31893 +sg25270 +S'Frank Fumagalli' +p31894 +sa(dp31895 +g25267 +g27 +sg25268 +S'Two Handled Preserve Crock' +p31896 +sg25270 +S'Jerome Hoxie' +p31897 +sa(dp31898 +g25267 +g27 +sg25268 +S'Stoneware Crock' +p31899 +sg25270 +S'Jerome Hoxie' +p31900 +sa(dp31901 +g25267 +g27 +sg25268 +S'Pitcher' +p31902 +sg25270 +S'Frank Fumagalli' +p31903 +sa(dp31904 +g25267 +g27 +sg25268 +S'Water Cooler' +p31905 +sg25270 +S'John Tarantino' +p31906 +sa(dp31907 +g25267 +g27 +sg25268 +S'Cookie Jar with Cover' +p31908 +sg25270 +S'Nicholas Amantea' +p31909 +sa(dp31910 +g25267 +g27 +sg25268 +S'Stoneware Jug' +p31911 +sg25270 +S'Daniel Fletcher' +p31912 +sa(dp31913 +g25268 +S'Vase' +p31914 +sg25270 +S'Chinese Qing Dynasty' +p31915 +sg25273 +S'overall: 14 x 8.6 cm (5 1/2 x 3 3/8 in.)' +p31916 +sg25275 +S'\nsteatitic porcelain with colorless glaze' +p31917 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004dce.jpg' +p31918 +sg25267 +g27 +sa(dp31919 +g25267 +g27 +sg25268 +S'Crock' +p31920 +sg25270 +S'Artist Information (' +p31921 +sa(dp31922 +g25267 +g27 +sg25268 +S'Stoneware Jug' +p31923 +sg25270 +S'Annie B. Johnston' +p31924 +sa(dp31925 +g25267 +g27 +sg25268 +S'Preserve Jar' +p31926 +sg25270 +S'Jerome Hoxie' +p31927 +sa(dp31928 +g25267 +g27 +sg25268 +S'Jar' +p31929 +sg25270 +S'Charlotte Sperber' +p31930 +sa(dp31931 +g25267 +g27 +sg25268 +S'Jar' +p31932 +sg25270 +S'George Loughridge' +p31933 +sa(dp31934 +g25267 +g27 +sg25268 +S'Jug' +p31935 +sg25270 +S'John Dana' +p31936 +sa(dp31937 +g25267 +g27 +sg25268 +S'Jar' +p31938 +sg25270 +S'Yolande Delasser' +p31939 +sa(dp31940 +g25267 +g27 +sg25268 +S'Crock' +p31941 +sg25270 +S'Yolande Delasser' +p31942 +sa(dp31943 +g25267 +g27 +sg25268 +S'Churn' +p31944 +sg25270 +S'Frank Fumagalli' +p31945 +sa(dp31946 +g25267 +g27 +sg25268 +S'Churn' +p31947 +sg25270 +S'Frank Fumagalli' +p31948 +sa(dp31949 +g25268 +S'Vase, Meiping Shape' +p31950 +sg25270 +S'Chinese Qing Dynasty' +p31951 +sg25273 +S'overall: 15.2 x 8.2 cm (6 x 3 1/4 in.)' +p31952 +sg25275 +S'\nsteatitic porcelain with colorless glaze' +p31953 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004dcf.jpg' +p31954 +sg25267 +g27 +sa(dp31955 +g25267 +g27 +sg25268 +S'Jug' +p31956 +sg25270 +S'Charles Caseau' +p31957 +sa(dp31958 +g25267 +g27 +sg25268 +S'Crock' +p31959 +sg25270 +S'Artist Information (' +p31960 +sa(dp31961 +g25267 +g27 +sg25268 +S'Jug' +p31962 +sg25270 +S'John Dana' +p31963 +sa(dp31964 +g25267 +g27 +sg25268 +S'Crock' +p31965 +sg25270 +S'Nicholas Amantea' +p31966 +sa(dp31967 +g25267 +g27 +sg25268 +S'Butter Crock' +p31968 +sg25270 +S'Jerome Hoxie' +p31969 +sa(dp31970 +g25267 +g27 +sg25268 +S'Vinegar Jug' +p31971 +sg25270 +S'Fred Weiss' +p31972 +sa(dp31973 +g25267 +g27 +sg25268 +S'Stoneware Crock' +p31974 +sg25270 +S'Fred Weiss' +p31975 +sa(dp31976 +g25267 +g27 +sg25268 +S'Stoneware Crock' +p31977 +sg25270 +S'Fred Weiss' +p31978 +sa(dp31979 +g25267 +g27 +sg25268 +S'Stoneware Vase' +p31980 +sg25270 +S'Fred Weiss' +p31981 +sa(dp31982 +g25267 +g27 +sg25268 +S'Stoneware Vase' +p31983 +sg25270 +S'Fred Weiss' +p31984 +sa(dp31985 +g25268 +S'Vase' +p31986 +sg25270 +S'Chinese Qing Dynasty' +p31987 +sg25273 +S'overall: 32.4 x 19 cm (12 3/4 x 7 1/2 in.)' +p31988 +sg25275 +S'\nsteatitic porcelain with colorless glaze' +p31989 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004dd0.jpg' +p31990 +sg25267 +g27 +sa(dp31991 +g25267 +g27 +sg25268 +S'Stoneware Vase' +p31992 +sg25270 +S'Fred Weiss' +p31993 +sa(dp31994 +g25267 +g27 +sg25268 +S'Water Filter and Cooler' +p31995 +sg25270 +S'Nicholas Amantea' +p31996 +sa(dp31997 +g25267 +g27 +sg25268 +S'Water Cooler' +p31998 +sg25270 +S'John Tarantino' +p31999 +sa(dp32000 +g25267 +g27 +sg25268 +S'Porcelain Lavabo' +p32001 +sg25270 +S'Al Curry' +p32002 +sa(dp32003 +g25267 +g27 +sg25268 +S'Jug' +p32004 +sg25270 +S'Henry Meyers' +p32005 +sa(dp32006 +g25267 +g27 +sg25268 +S'Pitcher' +p32007 +sg25270 +S'John Tarantino' +p32008 +sa(dp32009 +g25267 +g27 +sg25268 +S'Pitcher' +p32010 +sg25270 +S'George Loughridge' +p32011 +sa(dp32012 +g25267 +g27 +sg25268 +S'Pitcher' +p32013 +sg25270 +S'Yolande Delasser' +p32014 +sa(dp32015 +g25267 +g27 +sg25268 +S'Stoneware Pitcher' +p32016 +sg25270 +S'Isabelle De Strange' +p32017 +sa(dp32018 +g25267 +g27 +sg25268 +S'Pitcher' +p32019 +sg25270 +S'Giacinto Capelli' +p32020 +sa(dp32021 +g25268 +S'Bowl with "Rice Grain" Decoration' +p32022 +sg25270 +S'Chinese Qing Dynasty' +p32023 +sg25273 +S'overall: 12.5 x 20 cm (4 15/16 x 7 7/8 in.)' +p32024 +sg25275 +S'\nporcelain with colorless glaze' +p32025 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004dd1.jpg' +p32026 +sg25267 +S'This elegant vessel has the shape of a Buddhist monk\'s begging bowl. \n Floral decoration is pierced through the body in the so-called "rice-grain" \n technique. The perforations in the body are filled by the colorless glaze. \n Incised \n The fabrication technique of this vessel is characteristic of the finest \n Qianlong period "rice-grain" pieces, and it can be tentatively dated to \n this period by comparison with marked Qianlong examples.\n (Text by Stephen Little, published in the NGA Systematic Catalogue: \n Notes
\n\n \n ' +p32027 +sa(dp32028 +g25267 +g27 +sg25268 +S'Pitcher' +p32029 +sg25270 +S'John Tarantino' +p32030 +sa(dp32031 +g25267 +g27 +sg25268 +S'Pitcher' +p32032 +sg25270 +S'Yolande Delasser' +p32033 +sa(dp32034 +g25267 +g27 +sg25268 +S'Stone Pitcher' +p32035 +sg25270 +S'Isabelle De Strange' +p32036 +sa(dp32037 +g25267 +g27 +sg25268 +S'Stoneware Cream Pitcher' +p32038 +sg25270 +S'Margaret Stottlemeyer' +p32039 +sa(dp32040 +g25267 +g27 +sg25268 +S'Stone Beer Mug' +p32041 +sg25270 +S'Carl Buergerniss' +p32042 +sa(dp32043 +g25267 +g27 +sg25268 +S'Beer Mug' +p32044 +sg25270 +S'Carl Buergerniss' +p32045 +sa(dp32046 +g25267 +g27 +sg25268 +S'Beer Mug' +p32047 +sg25270 +S'Carl Buergerniss' +p32048 +sa(dp32049 +g25267 +g27 +sg25268 +S'Mug' +p32050 +sg25270 +S'Giacinto Capelli' +p32051 +sa(dp32052 +g25267 +g27 +sg25268 +S'Stoneware Mug' +p32053 +sg25270 +S'Carl Buergerniss' +p32054 +sa(dp32055 +g25267 +g27 +sg25268 +S'Stoneware and Pewter Beer Mug' +p32056 +sg25270 +S'Arthur Mathews' +p32057 +sa(dp32058 +g25268 +S'Vase in the Shape of a Double Gourd' +p32059 +sg25270 +S'Chinese Qing Dynasty' +p32060 +sg25273 +S'overall: 43.6 x 24.8 cm (17 3/16 x 9 3/4 in.)' +p32061 +sg25275 +S'\nporcelain with yellow glaze' +p32062 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004dd2.jpg' +p32063 +sg25267 +g27 +sa(dp32064 +g25267 +g27 +sg25268 +S'Stone Mug' +p32065 +sg25270 +S'Carl Buergerniss' +p32066 +sa(dp32067 +g25267 +g27 +sg25268 +S'Mug' +p32068 +sg25270 +S'Yolande Delasser' +p32069 +sa(dp32070 +g25267 +g27 +sg25268 +S'Earthenware Beer Mug' +p32071 +sg25270 +S'Wilbur M Rice' +p32072 +sa(dp32073 +g25267 +g27 +sg25268 +S'Stoneware Mug for Beer' +p32074 +sg25270 +S'Lloyd Charles Lemcke' +p32075 +sa(dp32076 +g25267 +g27 +sg25268 +S'Jelly Mold' +p32077 +sg25270 +S'George H. Alexander' +p32078 +sa(dp32079 +g25267 +g27 +sg25268 +S'Crockery Mold "Rockingham"' +p32080 +sg25270 +S'William Kieckhofel' +p32081 +sa(dp32082 +g25267 +g27 +sg25268 +S'Double Mold' +p32083 +sg25270 +S'Fritz Boehmer' +p32084 +sa(dp32085 +g25267 +g27 +sg25268 +S'Baking Dish' +p32086 +sg25270 +S'Isadore Goldberg' +p32087 +sa(dp32088 +g25267 +g27 +sg25268 +S'Milk Pan' +p32089 +sg25270 +S'Gertrude Semnene' +p32090 +sa(dp32091 +g25267 +g27 +sg25268 +S'Baking Dish' +p32092 +sg25270 +S'Yolande Delasser' +p32093 +sa(dp32094 +g25268 +S'"Ruby-Back" Dish' +p32095 +sg25270 +S'Chinese Qing Dynasty' +p32096 +sg25273 +S'overall: 3.5 x 20.9 cm (1 3/8 x 8 1/4 in.)' +p32097 +sg25275 +S'\nporcelain with overglaze famille rose enamels' +p32098 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004dd4.jpg' +p32099 +sg25267 +g27 +sa(dp32100 +g25267 +g27 +sg25268 +S'Stone Cream Crock' +p32101 +sg25270 +S'Henrietta S. Hukill' +p32102 +sa(dp32103 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a000553d.jpg' +p32104 +sg25268 +S'Grotesque Jug' +p32105 +sg25270 +S'Frank Fumagalli' +p32106 +sa(dp32107 +g25267 +g27 +sg25268 +S'Grotesque Jug' +p32108 +sg25270 +S'Frank Fumagalli' +p32109 +sa(dp32110 +g25267 +g27 +sg25268 +S'Batter Jug with Paddle' +p32111 +sg25270 +S'Richard Donovan' +p32112 +sa(dp32113 +g25267 +g27 +sg25268 +S'Water Jug' +p32114 +sg25270 +S'George Loughridge' +p32115 +sa(dp32116 +g25267 +g27 +sg25268 +S'Cider Jug' +p32117 +sg25270 +S'John Tarantino' +p32118 +sa(dp32119 +g25267 +g27 +sg25268 +S'Jug' +p32120 +sg25270 +S'Anne Nemtzoff' +p32121 +sa(dp32122 +g25267 +g27 +sg25268 +S'Jug' +p32123 +sg25270 +S'Artist Information (' +p32124 +sa(dp32125 +g25267 +g27 +sg25268 +S'Jug' +p32126 +sg25270 +S'LeRoy Griffith' +p32127 +sa(dp32128 +g25267 +g27 +sg25268 +S'Stone Jug' +p32129 +sg25270 +S'Margaret Stottlemeyer' +p32130 +sa(dp32131 +g25268 +S'"Ruby-Back" Dish' +p32132 +sg25270 +S'Chinese Qing Dynasty' +p32133 +sg25273 +S'overall: 3.7 x 20.8 cm (1 7/16 x 8 3/16 in.)' +p32134 +sg25275 +S'\nporcelain with overglaze famille rose enamels' +p32135 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004dd6.jpg' +p32136 +sg25267 +g27 +sa(dp32137 +g25267 +g27 +sg25268 +S'Jug' +p32138 +sg25270 +S'Artist Information (' +p32139 +sa(dp32140 +g25267 +g27 +sg25268 +S'Stone Bottle' +p32141 +sg25270 +S'Carl Buergerniss' +p32142 +sa(dp32143 +g25267 +g27 +sg25268 +S'Jug' +p32144 +sg25270 +S'Charlotte Sperber' +p32145 +sa(dp32146 +g25267 +g27 +sg25268 +S'Jug' +p32147 +sg25270 +S'Yolande Delasser' +p32148 +sa(dp32149 +g25267 +g27 +sg25268 +S'Crockery Pitcher' +p32150 +sg25270 +S'Lucille Manson' +p32151 +sa(dp32152 +g25267 +g27 +sg25268 +S'Jug' +p32153 +sg25270 +S'Nicholas Amantea' +p32154 +sa(dp32155 +g25267 +g27 +sg25268 +S'Water Jug' +p32156 +sg25270 +S'Nicholas Amantea' +p32157 +sa(dp32158 +g25267 +g27 +sg25268 +S'Jug' +p32159 +sg25270 +S'Nicholas Amantea' +p32160 +sa(dp32161 +g25267 +g27 +sg25268 +S'Two Handled Jar - Stoneware' +p32162 +sg25270 +S'Philip Smith' +p32163 +sa(dp32164 +g25267 +g27 +sg25268 +S'Gray Stone Jar' +p32165 +sg25270 +S'John Price' +p32166 +sa(dp32167 +g25268 +S'"Ruby-Back" Dish' +p32168 +sg25270 +S'Chinese Qing Dynasty' +p32169 +sg25273 +S'overall: 3.5 x 19.9 cm (1 3/8 x 7 13/16 in.)' +p32170 +sg25275 +S'\nporcelain with overglaze famille rose enamels' +p32171 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004dd8.jpg' +p32172 +sg25267 +g27 +sa(dp32173 +g25267 +g27 +sg25268 +S'Jar' +p32174 +sg25270 +S'Anne Nemtzoff' +p32175 +sa(dp32176 +g25267 +g27 +sg25268 +S'Jar' +p32177 +sg25270 +S'George Loughridge' +p32178 +sa(dp32179 +g25267 +g27 +sg25268 +S'Jar' +p32180 +sg25270 +S'Janet Riza' +p32181 +sa(dp32182 +g25267 +g27 +sg25268 +S'Crock' +p32183 +sg25270 +S'Artist Information (' +p32184 +sa(dp32185 +g25267 +g27 +sg25268 +S'Jar' +p32186 +sg25270 +S'Nicholas Amantea' +p32187 +sa(dp32188 +g25267 +g27 +sg25268 +S'Stone Fruit Jar' +p32189 +sg25270 +S'Margaret Stottlemeyer' +p32190 +sa(dp32191 +g25267 +g27 +sg25268 +S'Stone Fruit Jar' +p32192 +sg25270 +S'Margaret Stottlemeyer' +p32193 +sa(dp32194 +g25267 +g27 +sg25268 +S'Stone Fruit Jar' +p32195 +sg25270 +S'Margaret Stottlemeyer' +p32196 +sa(dp32197 +g25267 +g27 +sg25268 +S'Stoneware Jar' +p32198 +sg25270 +S'Eugene Gill' +p32199 +sa(dp32200 +g25267 +g27 +sg25268 +S'Stoneware Quart Jar' +p32201 +sg25270 +S'Lon Cronk' +p32202 +sa(dp32203 +g25268 +S'"Ruby-Back" Dish' +p32204 +sg25270 +S'Chinese Qing Dynasty' +p32205 +sg25273 +S'overall: 3.5 x 20.3 cm (1 3/8 x 8 in.)' +p32206 +sg25275 +S'\nporcelain with overglaze famille rose enamels' +p32207 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004dda.jpg' +p32208 +sg25267 +g27 +sa(dp32209 +g25267 +g27 +sg25268 +S'Stoneware Jar' +p32210 +sg25270 +S'Lon Cronk' +p32211 +sa(dp32212 +g25267 +g27 +sg25268 +S'Stoneware Jar' +p32213 +sg25270 +S'Philip Smith' +p32214 +sa(dp32215 +g25267 +g27 +sg25268 +S'Earthenware Jar' +p32216 +sg25270 +S'American 20th Century' +p32217 +sa(dp32218 +g25267 +g27 +sg25268 +S'Pickle Jar' +p32219 +sg25270 +S'Artist Information (' +p32220 +sa(dp32221 +g25267 +g27 +sg25268 +S'Stoneware Crock' +p32222 +sg25270 +S'Edward W. Buechner' +p32223 +sa(dp32224 +g25267 +g27 +sg25268 +S'Jar' +p32225 +sg25270 +S'Yolande Delasser' +p32226 +sa(dp32227 +g25267 +g27 +sg25268 +S'Jar' +p32228 +sg25270 +S'George Loughridge' +p32229 +sa(dp32230 +g25267 +g27 +sg25268 +S'Jar' +p32231 +sg25270 +S'George Loughridge' +p32232 +sa(dp32233 +g25267 +g27 +sg25268 +S'Jar' +p32234 +sg25270 +S'Dorothy Dwin' +p32235 +sa(dp32236 +g25267 +g27 +sg25268 +S'Jar' +p32237 +sg25270 +S'John Tarantino' +p32238 +sa(dp32239 +g25268 +S'"Ruby-Back" Dish' +p32240 +sg25270 +S'Chinese Qing Dynasty' +p32241 +sg25273 +S'overall: 3.5 x 15.8 cm (1 3/8 x 6 1/4 in.)' +p32242 +sg25275 +S'\nporcelain with overglaze famille rose enamels' +p32243 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004ddc.jpg' +p32244 +sg25267 +g27 +sa(dp32245 +g25267 +g27 +sg25268 +S'Crock' +p32246 +sg25270 +S'Samuel Sulkowitz' +p32247 +sa(dp32248 +g25267 +g27 +sg25268 +S'Flask' +p32249 +sg25270 +S'Frank Fumagalli' +p32250 +sa(dp32251 +g25267 +g27 +sg25268 +S'Flask' +p32252 +sg25270 +S'John Tarantino' +p32253 +sa(dp32254 +g25267 +g27 +sg25268 +S'Flask' +p32255 +sg25270 +S'John Tarantino' +p32256 +sa(dp32257 +g25267 +g27 +sg25268 +S'Stone Flask' +p32258 +sg25270 +S'Vincent P. Rosel' +p32259 +sa(dp32260 +g25267 +g27 +sg25268 +S'Flask' +p32261 +sg25270 +S'John Tarantino' +p32262 +sa(dp32263 +g25267 +g27 +sg25268 +S'Flask' +p32264 +sg25270 +S'Yolande Delasser' +p32265 +sa(dp32266 +g25267 +g27 +sg25268 +S'Miniature Flask' +p32267 +sg25270 +S'John Tarantino' +p32268 +sa(dp32269 +g25267 +g27 +sg25268 +S'Crock' +p32270 +sg25270 +S'Elsie Wein' +p32271 +sa(dp32272 +g25267 +g27 +sg25268 +S'Crock' +p32273 +sg25270 +S'Elsie Wein' +p32274 +sa(dp32275 +g25268 +S'Miniature Table' +p32276 +sg25270 +S'Chinese Qing Dynasty' +p32277 +sg25273 +S'overall: 7.1 x 33.3 x 14.8 cm (2 13/16 x 13 1/8 x 5 13/16 in.)' +p32278 +sg25275 +S'\nporcelain with famille jaune enamels on the biscuit' +p32279 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004ddd.jpg' +p32280 +sg25267 +g27 +sa(dp32281 +g25267 +g27 +sg25268 +S'Crock' +p32282 +sg25270 +S'John Tarantino' +p32283 +sa(dp32284 +g25267 +g27 +sg25268 +S'Covered Jar' +p32285 +sg25270 +S'George Loughridge' +p32286 +sa(dp32287 +g25267 +g27 +sg25268 +S'Crock' +p32288 +sg25270 +S'Nicholas Amantea' +p32289 +sa(dp32290 +g25267 +g27 +sg25268 +S'Crock' +p32291 +sg25270 +S'Nicholas Amantea' +p32292 +sa(dp32293 +g25267 +g27 +sg25268 +S'Crock with Cover' +p32294 +sg25270 +S'Isadore Goldberg' +p32295 +sa(dp32296 +g25267 +g27 +sg25268 +S'Crock' +p32297 +sg25270 +S'John Tarantino' +p32298 +sa(dp32299 +g25267 +g27 +sg25268 +S'Crock' +p32300 +sg25270 +S'Isadore Goldberg' +p32301 +sa(dp32302 +g25267 +g27 +sg25268 +S'Crock' +p32303 +sg25270 +S'Yolande Delasser' +p32304 +sa(dp32305 +g25267 +g27 +sg25268 +S'Stone Jar' +p32306 +sg25270 +S'Marin J. Bright' +p32307 +sa(dp32308 +g25267 +g27 +sg25268 +S'Jar' +p32309 +sg25270 +S'Nicholas Amantea' +p32310 +sa(dp32311 +g25268 +S'Wine Pot' +p32312 +sg25270 +S'Chinese Qing Dynasty' +p32313 +sg25273 +S'overall (with lid): 14.1 x 16.8 cm (5 9/16 x 6 5/8 in.)' +p32314 +sg25275 +S'\nporcelain with famille verte enamels on the biscuit' +p32315 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004dde.jpg' +p32316 +sg25267 +g27 +sa(dp32317 +g25267 +g27 +sg25268 +S'Crock' +p32318 +sg25270 +S'Artist Information (' +p32319 +sa(dp32320 +g25267 +g27 +sg25268 +S'Pickle Jar' +p32321 +sg25270 +S'Francis Law Durand' +p32322 +sa(dp32323 +g25267 +g27 +sg25268 +S'Crock' +p32324 +sg25270 +S'Charles Caseau' +p32325 +sa(dp32326 +g25267 +g27 +sg25268 +S'Crock' +p32327 +sg25270 +S'John Tarantino' +p32328 +sa(dp32329 +g25267 +g27 +sg25268 +S'Crock' +p32330 +sg25270 +S'Anne Nemtzoff' +p32331 +sa(dp32332 +g25267 +g27 +sg25268 +S'Crock' +p32333 +sg25270 +S'Yolande Delasser' +p32334 +sa(dp32335 +g25267 +g27 +sg25268 +S'Crock' +p32336 +sg25270 +S'Yolande Delasser' +p32337 +sa(dp32338 +g25267 +g27 +sg25268 +S'Earthenware jar' +p32339 +sg25270 +S'Jessica Price' +p32340 +sa(dp32341 +g25267 +g27 +sg25268 +S'Crock' +p32342 +sg25270 +S'Yolande Delasser' +p32343 +sa(dp32344 +g25267 +g27 +sg25268 +S'Crock' +p32345 +sg25270 +S'Hedwig Emanuel' +p32346 +sa(dp32347 +g25268 +S'Wine Pot' +p32348 +sg25270 +S'Chinese Qing Dynasty' +p32349 +sg25273 +S'overall (with lid): 14 x 15.9 cm (5 1/2 x 6 1/4 in.)' +p32350 +sg25275 +S'\nporcelain with famille jaune enamels on the biscuit' +p32351 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004ddf.jpg' +p32352 +sg25267 +g27 +sa(dp32353 +g25267 +g27 +sg25268 +S'Crock' +p32354 +sg25270 +S'Frank Fumagalli' +p32355 +sa(dp32356 +g25267 +g27 +sg25268 +S'Ring Bottle' +p32357 +sg25270 +S'Giacinto Capelli' +p32358 +sa(dp32359 +g25267 +g27 +sg25268 +S'Weiss Beer Bottle' +p32360 +sg25270 +S'Lloyd Charles Lemcke' +p32361 +sa(dp32362 +g25267 +g27 +sg25268 +S'Stoneware Beer Bottle' +p32363 +sg25270 +S'Herman O. Stroh' +p32364 +sa(dp32365 +g25267 +g27 +sg25268 +S'Earthenware Ale Bottle' +p32366 +sg25270 +S'Gerald Transpota' +p32367 +sa(dp32368 +g25267 +g27 +sg25268 +S'Stone Bottle' +p32369 +sg25270 +S'Frank Maurer' +p32370 +sa(dp32371 +g25267 +g27 +sg25268 +S'Gemel Bottle' +p32372 +sg25270 +S'Isadore Goldberg' +p32373 +sa(dp32374 +g25267 +g27 +sg25268 +S'Gemel Bottle' +p32375 +sg25270 +S'Yolande Delasser' +p32376 +sa(dp32377 +g25267 +g27 +sg25268 +S'Bottle, Root Beer' +p32378 +sg25270 +S'Charles Caseau' +p32379 +sa(dp32380 +g25267 +g27 +sg25268 +S'Beer Bottle' +p32381 +sg25270 +S'Arthur Stewart' +p32382 +sa(dp32383 +g25268 +S'Wine Pot' +p32384 +sg25270 +S'Chinese Qing Dynasty' +p32385 +sg25273 +S'overall (with lid): 11.3 x 15.4 cm (4 7/16 x 6 1/16 in.)' +p32386 +sg25275 +S'\nporcelain with famille verte, famille jaune, and famille noire enamels on the biscuit' +p32387 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004de0.jpg' +p32388 +sg25267 +g27 +sa(dp32389 +g25267 +g27 +sg25268 +S'Stoneware Ink Bottle or Catsup Bottle' +p32390 +sg25270 +S'Richard Barnett' +p32391 +sa(dp32392 +g25267 +g27 +sg25268 +S'Ring Bottle' +p32393 +sg25270 +S'Yolande Delasser' +p32394 +sa(dp32395 +g25267 +g27 +sg25268 +S'Bowl' +p32396 +sg25270 +S'Lloyd Charles Lemcke' +p32397 +sa(dp32398 +g25267 +g27 +sg25268 +S'Pitcher' +p32399 +sg25270 +S'Edward Unger' +p32400 +sa(dp32401 +g25267 +g27 +sg25268 +S'Pottery Jug' +p32402 +sg25270 +S'Willoughby Ions' +p32403 +sa(dp32404 +g25267 +g27 +sg25268 +S'Wall Pocket for Flowers' +p32405 +sg25270 +S'John Fisk' +p32406 +sa(dp32407 +g25267 +g27 +sg25268 +S'Flower Pot with Saucer' +p32408 +sg25270 +S'David Ellinger' +p32409 +sa(dp32410 +g25267 +g27 +sg25268 +S'Pitcher' +p32411 +sg25270 +S'Janet Riza' +p32412 +sa(dp32413 +g25267 +g27 +sg25268 +S'Wall Pocket for Flowers' +p32414 +sg25270 +S'John Fisk' +p32415 +sa(dp32416 +g25267 +g27 +sg25268 +S'Shaving Mug' +p32417 +sg25270 +S'Mina Lowry' +p32418 +sa(dp32419 +g25268 +S'Wine Pot' +p32420 +sg25270 +S'Chinese Qing Dynasty' +p32421 +sg25273 +S'overall (with lid): 11.4 x 15.2 cm (4 1/2 x 6 in.)' +p32422 +sg25275 +S'\nporcelain with famille verte, famille jaune, and famille noire enamels on the biscuit' +p32423 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004de1.jpg' +p32424 +sg25267 +g27 +sa(dp32425 +g25267 +g27 +sg25268 +S'Pitcher' +p32426 +sg25270 +S'Mina Lowry' +p32427 +sa(dp32428 +g25267 +g27 +sg25268 +S'Desk Box' +p32429 +sg25270 +S'Joseph Rothenberg' +p32430 +sa(dp32431 +g25267 +g27 +sg25268 +S'Folding Desk' +p32432 +sg25270 +S'Thomas Holloway' +p32433 +sa(dp32434 +g25267 +g27 +sg25268 +S'Folding Desk' +p32435 +sg25270 +S'Thomas Holloway' +p32436 +sa(dp32437 +g25267 +g27 +sg25268 +S'Lap Desk' +p32438 +sg25270 +S'Edna C. Rex' +p32439 +sa(dp32440 +g25267 +g27 +sg25268 +S'Writing Desk, Lap' +p32441 +sg25270 +S'Mattie P. Goodman' +p32442 +sa(dp32443 +g25267 +g27 +sg25268 +S'High Chest of Drawers' +p32444 +sg25270 +S'Carl Weiss' +p32445 +sa(dp32446 +g25267 +g27 +sg25268 +S'Chest' +p32447 +sg25270 +S'Eugene Barrell' +p32448 +sa(dp32449 +g25267 +g27 +sg25268 +S'Highboy' +p32450 +sg25270 +S'Harry Eisman' +p32451 +sa(dp32452 +g25267 +g27 +sg25268 +S'Highboy' +p32453 +sg25270 +S'Isadore Goldberg' +p32454 +sa(dp32455 +g25268 +S'Wine Ewer' +p32456 +sg25270 +S'Chinese Qing Dynasty' +p32457 +sg25273 +S'overall (with lid): 33 x 17.8 cm (13 x 7 in.)' +p32458 +sg25275 +S'\nporcelain with overglaze famille verte enamels' +p32459 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004de2.jpg' +p32460 +sg25267 +S'The hexagonal wine ewer employs the colors yellow, aubergine, black, and \n two shades of green. The primary motifs in the decoration are the large \n \n (Text by Stephen Little, published in the NGA Systematic Catalogue: \n ' +p32461 +sa(dp32462 +g25267 +g27 +sg25268 +S'Highboy' +p32463 +sg25270 +S'Isadore Goldberg' +p32464 +sa(dp32465 +g25267 +g27 +sg25268 +S'Highboy' +p32466 +sg25270 +S'Artist Information (' +p32467 +sa(dp32468 +g25267 +g27 +sg25268 +S'High-boy' +p32469 +sg25270 +S'Randolph F. Miller' +p32470 +sa(dp32471 +g25267 +g27 +sg25268 +S'Highboy-front and Side Views' +p32472 +sg25270 +S'Fred Weiss' +p32473 +sa(dp32474 +g25267 +g27 +sg25268 +S'Early American highboy' +p32475 +sg25270 +S'Ralph Boyer' +p32476 +sa(dp32477 +g25267 +g27 +sg25268 +S'Highboy' +p32478 +sg25270 +S'Louis Annino' +p32479 +sa(dp32480 +g25267 +g27 +sg25268 +S'Highboy' +p32481 +sg25270 +S'Francis Borelli' +p32482 +sa(dp32483 +g25267 +g27 +sg25268 +S'Highboy' +p32484 +sg25270 +S'Charles Squires' +p32485 +sa(dp32486 +g25267 +g27 +sg25268 +S'Highboy' +p32487 +sg25270 +S'David S. De Vault' +p32488 +sa(dp32489 +g25267 +g27 +sg25268 +S'Highboy' +p32490 +sg25270 +S'Martin Partyka' +p32491 +sa(dp32492 +g25268 +S'Reticulated Perfume Ball' +p32493 +sg25270 +S'Chinese Qing Dynasty' +p32494 +sg25273 +S'overall: 9.9 x 11.1 cm (3 7/8 x 4 3/8 in.)' +p32495 +sg25275 +S'\nporcelain with famille jaune enamels on the biscuit' +p32496 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004de3.jpg' +p32497 +sg25267 +g27 +sa(dp32498 +g25267 +g27 +sg25268 +S'Highboy' +p32499 +sg25270 +S'Charles Squires' +p32500 +sa(dp32501 +g25267 +g27 +sg25268 +S'Highboy' +p32502 +sg25270 +S'Fred Weiss' +p32503 +sa(dp32504 +g25267 +g27 +sg25268 +S'Highboy' +p32505 +sg25270 +S'Isadore Goldberg' +p32506 +sa(dp32507 +g25267 +g27 +sg25268 +S'Highboy' +p32508 +sg25270 +S'Harry Eisman' +p32509 +sa(dp32510 +g25267 +g27 +sg25268 +S'Lowboy' +p32511 +sg25270 +S'Frank Wenger' +p32512 +sa(dp32513 +g25267 +g27 +sg25268 +S'Lowboy' +p32514 +sg25270 +S'Alfred Walbeck' +p32515 +sa(dp32516 +g25267 +g27 +sg25268 +S'Lowboy' +p32517 +sg25270 +S'Isidore Sovensky' +p32518 +sa(dp32519 +g25267 +g27 +sg25268 +S'Lowboy' +p32520 +sg25270 +S'Charles Squires' +p32521 +sa(dp32522 +g25267 +g27 +sg25268 +S'Lowboy' +p32523 +sg25270 +S'Henry Moore' +p32524 +sa(dp32525 +g25267 +g27 +sg25268 +S'Lowboy' +p32526 +sg25270 +S'Eva Fox' +p32527 +sa(dp32528 +g25268 +S'Stand' +p32529 +sg25270 +S'Chinese Qing Dynasty' +p32530 +sg25273 +S'overall: 7.5 x 9.5 cm (2 15/16 x 3 3/4 in.)' +p32531 +sg25275 +S'\nporcelain with famille jaune enamels on the biscuit' +p32532 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004de3.jpg' +p32533 +sg25267 +g27 +sa(dp32534 +g25267 +g27 +sg25268 +S'Lowboy' +p32535 +sg25270 +S'M. Rosenshield-von-Paulin' +p32536 +sa(dp32537 +g25267 +g27 +sg25268 +S'Lowboy' +p32538 +sg25270 +S'Alvin M. Gully' +p32539 +sa(dp32540 +g25267 +g27 +sg25268 +S'Lowboy' +p32541 +sg25270 +S'Arthur Johnson' +p32542 +sa(dp32543 +g25267 +g27 +sg25268 +S'Lowboy' +p32544 +sg25270 +S'Alvin M. Gully' +p32545 +sa(dp32546 +g25267 +S'In the William and Mary period, low chests on legs were often used as supports\r\n for high chests. In eighteenth-century America, they were frequently made as separate\r\n pieces, and the term "lowboy" became part of popular terminology. This lowboy, made\r\n by William Savery, the Philadelphia cabinetmaker, is a companion piece to the highboy\r\n seen in the previous frame. Like the highboy, this piece has shaped skirting with\r\n rocaille, or shell-like, carving. The cabriole legs, ending in bold claw and ball\r\n feet, are vigorously carved at the knee in an acanthus design. The quarter columns\r\n at the front corners are ornamented with vine carvings. The top is edged with a\r\n variety of carved borders: a Greek fret design lies beneath a running band of wavelike,\r\n interlaced curves called a guilloche border. The elaborately carved middle drawer\r\n dominates the decoration and brings together both shell and foliate motifs.\n ' +p32547 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002cc.jpg' +p32548 +sg25268 +S'Lowboy' +p32549 +sg25270 +S'Isadore Goldberg' +p32550 +sa(dp32551 +g25267 +g27 +sg25268 +S'Chest of Drawers' +p32552 +sg25270 +S'Florence Choate' +p32553 +sa(dp32554 +g25267 +g27 +sg25268 +S'Dresser' +p32555 +sg25270 +S'Ethel Dougan' +p32556 +sa(dp32557 +g25267 +g27 +sg25268 +S'Dresser' +p32558 +sg25270 +S'Dana Bartlett' +p32559 +sa(dp32560 +g25267 +g27 +sg25268 +S'Drawers and Mirror' +p32561 +sg25270 +S'Juanita Lantz' +p32562 +sa(dp32563 +g25267 +g27 +sg25268 +S'Chest' +p32564 +sg25270 +S'Lelah Nelson' +p32565 +sa(dp32566 +g25268 +S'Reticulated Perfume Ball' +p32567 +sg25270 +S'Chinese Qing Dynasty' +p32568 +sg25273 +S'overall: 10.5 x 10.8 cm (4 1/8 x 4 1/4 in.)' +p32569 +sg25275 +S'\nporcelain with famille verte enamels on the biscuit' +p32570 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004de4.jpg' +p32571 +sg25267 +g27 +sa(dp32572 +g25267 +g27 +sg25268 +S'Dressing Table' +p32573 +sg25270 +S'Eugene Croe' +p32574 +sa(dp32575 +g25267 +g27 +sg25268 +S'Bureau' +p32576 +sg25270 +S'Ernest A. Towers, Jr.' +p32577 +sa(dp32578 +g25267 +g27 +sg25268 +S'Dressing Table' +p32579 +sg25270 +S'Michael Trekur' +p32580 +sa(dp32581 +g25267 +g27 +sg25268 +S'Old Dresser' +p32582 +sg25270 +S'Mary E. Humes' +p32583 +sa(dp32584 +g25267 +g27 +sg25268 +S'Dressing Table' +p32585 +sg25270 +S'William H. Edwards' +p32586 +sa(dp32587 +g25267 +g27 +sg25268 +S'Comb Box' +p32588 +sg25270 +S'Chris Makrenos' +p32589 +sa(dp32590 +g25267 +g27 +sg25268 +S'Fire Screen' +p32591 +sg25270 +S'Maud Schmid' +p32592 +sa(dp32593 +g25267 +g27 +sg25268 +S'Pole Screen' +p32594 +sg25270 +S'Melita Hofmann' +p32595 +sa(dp32596 +g25267 +g27 +sg25268 +S'Fire Screen' +p32597 +sg25270 +S'Vincent P. Rosel' +p32598 +sa(dp32599 +g25267 +g27 +sg25268 +S'Embroidered Fire Screen' +p32600 +sg25270 +S'Ernest A. Towers, Jr.' +p32601 +sa(dp32602 +g25268 +S'Reticulated Perfume Ball' +p32603 +sg25270 +S'Chinese Qing Dynasty' +p32604 +sg25273 +S'overall: 9.4 x 9.9 cm (3 11/16 x 3 7/8 in.)' +p32605 +sg25275 +S'\nporcelain with famille jaune enamels on the biscuit' +p32606 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004de5.jpg' +p32607 +sg25267 +g27 +sa(dp32608 +g25267 +g27 +sg25268 +S'Petit Point Fire Screen' +p32609 +sg25270 +S'Ernest A. Towers, Jr.' +p32610 +sa(dp32611 +g25267 +g27 +sg25268 +S'Petit Point Fire Screen' +p32612 +sg25270 +S'Ernest A. Towers, Jr.' +p32613 +sa(dp32614 +g25267 +g27 +sg25268 +S'Parlor Flower Stand' +p32615 +sg25270 +S'Nicholas Zupa' +p32616 +sa(dp32617 +g25267 +g27 +sg25268 +S'Picture Frame-Carved Wood' +p32618 +sg25270 +S'Natalie Simon' +p32619 +sa(dp32620 +g25267 +g27 +sg25268 +S'Picture Frame' +p32621 +sg25270 +S'Manuel G. Runyan' +p32622 +sa(dp32623 +g25267 +g27 +sg25268 +S'Pottery Picture Frame' +p32624 +sg25270 +S'Fritz Boehmer' +p32625 +sa(dp32626 +g25267 +g27 +sg25268 +S'Picture Frame' +p32627 +sg25270 +S'Katherine Hastings' +p32628 +sa(dp32629 +g25267 +g27 +sg25268 +S'Elliptical Picture Frame' +p32630 +sg25270 +S'Helen McCollum' +p32631 +sa(dp32632 +g25267 +g27 +sg25268 +S'Mirror Frame' +p32633 +sg25270 +S'Lawrence Phillips' +p32634 +sa(dp32635 +g25267 +g27 +sg25268 +S'Hand-carved Picture Frame "River of Life" Motif' +p32636 +sg25270 +S'Vera Van Voris' +p32637 +sa(dp32638 +g25268 +S'Reticulated Box' +p32639 +sg25270 +S'Chinese Qing Dynasty' +p32640 +sg25273 +S'overall: 26.2 x 24.9 cm (10 5/16 x 9 13/16 in.)' +p32641 +sg25275 +S'\nporcelain with famille jaune enamels on the biscuit' +p32642 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004de7.jpg' +p32643 +sg25267 +g27 +sa(dp32644 +g25267 +g27 +sg25268 +S'Picture Frame' +p32645 +sg25270 +S'Harry Mann Waddell' +p32646 +sa(dp32647 +g25267 +g27 +sg25268 +S'Picture Frame' +p32648 +sg25270 +S'Artist Information (' +p32649 +sa(dp32650 +g25267 +g27 +sg25268 +S'Carved Picture Frame Molding' +p32651 +sg25270 +S'Vera Van Voris' +p32652 +sa(dp32653 +g25267 +g27 +sg25268 +S'Footstool' +p32654 +sg25270 +S'Frank Nelson' +p32655 +sa(dp32656 +g25267 +g27 +sg25268 +S'Footstool' +p32657 +sg25270 +S'Jack Williamson' +p32658 +sa(dp32659 +g25267 +g27 +sg25268 +S'Footstool' +p32660 +sg25270 +S'Charles Moss' +p32661 +sa(dp32662 +g25267 +g27 +sg25268 +S'Footstool' +p32663 +sg25270 +S'Albert Geuppert' +p32664 +sa(dp32665 +g25267 +g27 +sg25268 +S'Cricket (Foot Stool)' +p32666 +sg25270 +S'Dan Ziger' +p32667 +sa(dp32668 +g25267 +g27 +sg25268 +S'Pine Footstool' +p32669 +sg25270 +S'Henry Moran' +p32670 +sa(dp32671 +g25267 +g27 +sg25268 +S'Stool-Living Room' +p32672 +sg25270 +S'Carl Weiss' +p32673 +sa(dp32674 +g25268 +S'Wine Cup' +p32675 +sg25270 +S'Chinese Qing Dynasty' +p32676 +sg25273 +S'overall (without handle): 3.1 x 5.1 cm (1 1/4 x 2 in.)' +p32677 +sg25275 +S'\nporcelain with famille verte and famille jaune enamels on the biscuit' +p32678 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004de9.jpg' +p32679 +sg25267 +g27 +sa(dp32680 +g25267 +g27 +sg25268 +S'Ottoman' +p32681 +sg25270 +S'Hugh Clarke' +p32682 +sa(dp32683 +g25267 +g27 +sg25268 +S'Rocker Footstool' +p32684 +sg25270 +S'Artist Information (' +p32685 +sa(dp32686 +g25267 +g27 +sg25268 +S'Stool' +p32687 +sg25270 +S'Florence Huston' +p32688 +sa(dp32689 +g25267 +g27 +sg25268 +S'Stool' +p32690 +sg25270 +S'Frank Wenger' +p32691 +sa(dp32692 +g25267 +g27 +sg25268 +S'Stool' +p32693 +sg25270 +S'Frank Wenger' +p32694 +sa(dp32695 +g25267 +g27 +sg25268 +S'Foot Stool' +p32696 +sg25270 +S'Frank Nelson' +p32697 +sa(dp32698 +g25267 +g27 +sg25268 +S'Foot Stool' +p32699 +sg25270 +S'Albert Camilli' +p32700 +sa(dp32701 +g25267 +g27 +sg25268 +S'Stool' +p32702 +sg25270 +S'Frank Wenger' +p32703 +sa(dp32704 +g25267 +g27 +sg25268 +S'Foot Stool' +p32705 +sg25270 +S'Alexander Anderson' +p32706 +sa(dp32707 +g25267 +g27 +sg25268 +S'Seat' +p32708 +sg25270 +S'Dorothy Handy' +p32709 +sa(dp32710 +g25268 +S'Wine Cup' +p32711 +sg25270 +S'Chinese Qing Dynasty' +p32712 +sg25273 +S'overall (without handle): 3.2 x 5.2 cm (1 1/4 x 2 1/16 in.)' +p32713 +sg25275 +S'\nporcelain with famille verte and famille jaune enamels on the biscuit' +p32714 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004deb.jpg' +p32715 +sg25267 +S'This molded cup is decorated in the \n (Text by Stephen Little, published in the NGA Systematic Catalogue: \n ' +p32716 +sa(dp32717 +g25267 +g27 +sg25268 +S'Stool' +p32718 +sg25270 +S'Charles Bowman' +p32719 +sa(dp32720 +g25267 +g27 +sg25268 +S'Foot Stool - Mahogany with Horse Hair Covering' +p32721 +sg25270 +S'Magnus S. Fossum' +p32722 +sa(dp32723 +g25267 +g27 +sg25268 +S'Foot Rest' +p32724 +sg25270 +S'Georgine E. Mason' +p32725 +sa(dp32726 +g25267 +g27 +sg25268 +S'Mirror' +p32727 +sg25270 +S'Francis Borelli' +p32728 +sa(dp32729 +g25267 +g27 +sg25268 +S'Mirror' +p32730 +sg25270 +S'Francis Borelli' +p32731 +sa(dp32732 +g25267 +g27 +sg25268 +S'Mirror' +p32733 +sg25270 +S'Arthur Johnson' +p32734 +sa(dp32735 +g25267 +g27 +sg25268 +S'Dressing Mirror' +p32736 +sg25270 +S'Frank Wenger' +p32737 +sa(dp32738 +g25267 +g27 +sg25268 +S'Mirror' +p32739 +sg25270 +S'Harold Smith' +p32740 +sa(dp32741 +g25267 +g27 +sg25268 +S'Mirror' +p32742 +sg25270 +S'Nicholas Gorid' +p32743 +sa(dp32744 +g25267 +g27 +sg25268 +S'Looking-glass' +p32745 +sg25270 +S'Rex Dolmith' +p32746 +sa(dp32747 +g25268 +S'Wine Cup' +p32748 +sg25270 +S'Chinese Qing Dynasty' +p32749 +sg25273 +S'overall (without handle): 3 x 5.3 cm (1 3/16 x 2 1/16 in.)' +p32750 +sg25275 +S'\nporcelain with famille verte and famille jaune enamels on the biscuit' +p32751 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004ded.jpg' +p32752 +sg25267 +g27 +sa(dp32753 +g25267 +g27 +sg25268 +S'Looking-glass' +p32754 +sg25270 +S'Rex Dolmith' +p32755 +sa(dp32756 +g25267 +g27 +sg25268 +S'Pier-glass' +p32757 +sg25270 +S'Rex Dolmith' +p32758 +sa(dp32759 +g25267 +S'Mirror glass became available to the colonists after 1673, when the English\r\n began producing it. For the next century, English mirror glass was used by American\r\n cabinetmakers. At first it was made in small sheets, but gradually, the size was\r\n increased. Frames were enlarged to accommodate larger mirror panels, and their\r\n design became more elaborate. The preference for slim forms exhibited in other Queen\r\n Anne furniture can be observed in the mirrors of the period. Typically, a long\r\n narrow frame contains two panels of glass, as in this tall mirror, which bears\r\n on its back the inscription "Trimbell, 1747, Phila." An elegant effect is achieved\r\n through the contrast of the rich wood tones of the frame with the carved gold-leaf\r\n inner border and gilded medallion. The characteristic Queen Anne S-curve is \r\n seen in the carved scrolls that give the crest its ornamental silhouette.\n ' +p32760 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000036e.jpg' +p32761 +sg25268 +S'Queen Anne Mirror' +p32762 +sg25270 +S'Leslie Macklem' +p32763 +sa(dp32764 +g25267 +g27 +sg25268 +S'Mirror' +p32765 +sg25270 +S'Fred Weiss' +p32766 +sa(dp32767 +g25267 +g27 +sg25268 +S'Mirror' +p32768 +sg25270 +S'Gilbert Sackerman' +p32769 +sa(dp32770 +g25267 +g27 +sg25268 +S'Mirror' +p32771 +sg25270 +S'Lorenz Rothkranz' +p32772 +sa(dp32773 +g25267 +g27 +sg25268 +S'Mirror' +p32774 +sg25270 +S'Arthur Johnson' +p32775 +sa(dp32776 +g25267 +g27 +sg25268 +S'Mirror' +p32777 +sg25270 +S'Arthur Johnson' +p32778 +sa(dp32779 +g25267 +g27 +sg25268 +S'Mirror' +p32780 +sg25270 +S'Arthur Johnson' +p32781 +sa(dp32782 +g25267 +g27 +sg25268 +S'Mirror' +p32783 +sg25270 +S'Arthur Johnson' +p32784 +sa(dp32785 +g25268 +S'Wine Cup' +p32786 +sg25270 +S'Chinese Qing Dynasty' +p32787 +sg25273 +S'overall (without handle): 3.2 x 5.6 cm (1 1/4 x 2 3/16 in.)' +p32788 +sg25275 +S'\nporcelain with famille verte and famille jaune enamels on the biscuit' +p32789 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004def.jpg' +p32790 +sg25267 +g27 +sa(dp32791 +g25267 +g27 +sg25268 +S'Mirror' +p32792 +sg25270 +S'American 20th Century' +p32793 +sa(dp32794 +g25267 +g27 +sg25268 +S'Mirror' +p32795 +sg25270 +S'Fred Weiss' +p32796 +sa(dp32797 +g25267 +g27 +sg25268 +S'Hepplewhite Mirror' +p32798 +sg25270 +S'Nicholas Gorid' +p32799 +sa(dp32800 +g25267 +g27 +sg25268 +S'Mirror Frame' +p32801 +sg25270 +S'David S. De Vault' +p32802 +sa(dp32803 +g25267 +g27 +sg25268 +S'Mirror' +p32804 +sg25270 +S'Wellington Blewett' +p32805 +sa(dp32806 +g25267 +g27 +sg25268 +S'Tall Clock' +p32807 +sg25270 +S'Ferdinand Cartier' +p32808 +sa(dp32809 +g25267 +g27 +sg25268 +S'Clock' +p32810 +sg25270 +S'Leonard Battee' +p32811 +sa(dp32812 +g25267 +g27 +sg25268 +S'Grandfather Clock' +p32813 +sg25270 +S'Amos C. Brinton' +p32814 +sa(dp32815 +g25267 +g27 +sg25268 +S'Tall Clock' +p32816 +sg25270 +S'Francis Borelli' +p32817 +sa(dp32818 +g25267 +g27 +sg25268 +S'Grandfather Clock' +p32819 +sg25270 +S'Stanley Mazur' +p32820 +sa(dp32821 +g25268 +S'Wine Cup' +p32822 +sg25270 +S'Chinese Qing Dynasty' +p32823 +sg25273 +S'overall (without handle): 3.2 x 5.1 cm (1 1/4 x 2 in.)' +p32824 +sg25275 +S'\nporcelain with famille verte and famille jaune enamels on the biscuit' +p32825 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004df1.jpg' +p32826 +sg25267 +g27 +sa(dp32827 +g25267 +g27 +sg25268 +S'Clock' +p32828 +sg25270 +S'Lawrence Phillips' +p32829 +sa(dp32830 +g25267 +g27 +sg25268 +S'Tall Clock' +p32831 +sg25270 +S'Lorenz Rothkranz' +p32832 +sa(dp32833 +g25267 +g27 +sg25268 +S'Corner Cupboard (Used for Storing China)' +p32834 +sg25270 +S'Francis Law Durand' +p32835 +sa(dp32836 +g25267 +g27 +sg25268 +S'Corner Cupboard' +p32837 +sg25270 +S'Ernest A. Towers, Jr.' +p32838 +sa(dp32839 +g25267 +g27 +sg25268 +S'Cupboard' +p32840 +sg25270 +S'Leslie Macklem' +p32841 +sa(dp32842 +g25267 +g27 +sg25268 +S'Cradle' +p32843 +sg25270 +S'Harry King' +p32844 +sa(dp32845 +g25267 +g27 +sg25268 +S'Wooden Cradle' +p32846 +sg25270 +S'Edmond Lorts' +p32847 +sa(dp32848 +g25267 +g27 +sg25268 +S'Corner cupboard' +p32849 +sg25270 +S'Leslie Macklem' +p32850 +sa(dp32851 +g25267 +g27 +sg25268 +S'Cradle' +p32852 +sg25270 +S'Leonard Battee' +p32853 +sa(dp32854 +g25267 +g27 +sg25268 +S'Corner Cupboard' +p32855 +sg25270 +S'Joseph Ficcadenti' +p32856 +sa(dp32857 +g25268 +S'Wine Cup' +p32858 +sg25270 +S'Chinese Qing Dynasty' +p32859 +sg25273 +S'overall (without handle): 3.1 x 5.4 cm (1 1/4 x 2 1/8 in.)' +p32860 +sg25275 +S'\nporcelain with famille verte and famille jaune enamels on the biscuit' +p32861 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004df3.jpg' +p32862 +sg25267 +g27 +sa(dp32863 +g25267 +g27 +sg25268 +S'Cupboard with Drawers' +p32864 +sg25270 +S'Harold Merriam' +p32865 +sa(dp32866 +g25267 +g27 +sg25268 +S'Court Cupboard' +p32867 +sg25270 +S'Artist Information (' +p32868 +sa(dp32869 +g25267 +g27 +sg25268 +S'Press Cupboard' +p32870 +sg25270 +S'Charles Henning' +p32871 +sa(dp32872 +g25267 +g27 +sg25268 +S'Hanging Corner Cupboard' +p32873 +sg25270 +S'Wilbur M Rice' +p32874 +sa(dp32875 +g25267 +g27 +sg25268 +S'Miniature Chest' +p32876 +sg25270 +S'Frank Gray' +p32877 +sa(dp32878 +g25267 +g27 +sg25268 +S'Hanging Corner Cupboard' +p32879 +sg25270 +S'William H. Edwards' +p32880 +sa(dp32881 +g25267 +g27 +sg25268 +S'Cupboard' +p32882 +sg25270 +S'Florence Truelson' +p32883 +sa(dp32884 +g25267 +g27 +sg25268 +S'Dressing Table' +p32885 +sg25270 +S'Charles Henning' +p32886 +sa(dp32887 +g25267 +g27 +sg25268 +S'Day Bed' +p32888 +sg25270 +S'Harry Eisman' +p32889 +sa(dp32890 +g25267 +g27 +sg25268 +S"Gentlemen's Smoking Lounge" +p32891 +sg25270 +S'Leonard Battee' +p32892 +sa(dp32893 +g25268 +S'Wine Cup' +p32894 +sg25270 +S'Chinese Qing Dynasty' +p32895 +sg25273 +S'overall (without handle): 3.2 x 5.1 cm (1 1/4 x 2 in.)' +p32896 +sg25275 +S'\nporcelain with famille verte and famille jaune enamels on the biscuit' +p32897 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004df5.jpg' +p32898 +sg25267 +g27 +sa(dp32899 +g25267 +g27 +sg25268 +S'Desk' +p32900 +sg25270 +S'Fritz Boehmer' +p32901 +sa(dp32902 +g25267 +g27 +sg25268 +S'Desk' +p32903 +sg25270 +S'Charles Bowman' +p32904 +sa(dp32905 +g25267 +g27 +sg25268 +S'Roll-top Desk' +p32906 +sg25270 +S'M. Rosenshield-von-Paulin' +p32907 +sa(dp32908 +g25267 +g27 +sg25268 +S'Desk' +p32909 +sg25270 +S'Harry Eisman' +p32910 +sa(dp32911 +g25267 +g27 +sg25268 +S'Desk' +p32912 +sg25270 +S'Einar Heiberg' +p32913 +sa(dp32914 +g25267 +g27 +sg25268 +S'Desk' +p32915 +sg25270 +S'Isidore Sovensky' +p32916 +sa(dp32917 +g25267 +g27 +sg25268 +S'Desk' +p32918 +sg25270 +S'Isadore Goldberg' +p32919 +sa(dp32920 +g25267 +g27 +sg25268 +S'Highboy' +p32921 +sg25270 +S'M. Rosenshield-von-Paulin' +p32922 +sa(dp32923 +g25267 +g27 +sg25268 +S'Desk' +p32924 +sg25270 +S'Ferdinand Cartier' +p32925 +sa(dp32926 +g25267 +g27 +sg25268 +S'Desk' +p32927 +sg25270 +S'Ferdinand Cartier' +p32928 +sa(dp32929 +g25268 +S'Wine Cup' +p32930 +sg25270 +S'Chinese Qing Dynasty' +p32931 +sg25273 +S'overall (without handle): 3.2 x 5.1 cm (1 1/4 x 2 in.)' +p32932 +sg25275 +S'\nporcelain with famille verte and famille jaune enamels on the biscuit' +p32933 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004df7.jpg' +p32934 +sg25267 +g27 +sa(dp32935 +g25267 +g27 +sg25268 +S'Desk' +p32936 +sg25270 +S'Frank Eiseman' +p32937 +sa(dp32938 +g25267 +g27 +sg25268 +S'Mirror' +p32939 +sg25270 +S'Artist Information (' +p32940 +sa(dp32941 +g25267 +g27 +sg25268 +S'Mirror' +p32942 +sg25270 +S'Arthur Johnson' +p32943 +sa(dp32944 +g25267 +g27 +sg25268 +S'Mirror' +p32945 +sg25270 +S'Nicholas Gorid' +p32946 +sa(dp32947 +g25267 +g27 +sg25268 +S'Mirror' +p32948 +sg25270 +S'Nicholas Gorid' +p32949 +sa(dp32950 +g25267 +g27 +sg25268 +S'Frame for a Mirror' +p32951 +sg25270 +S'Nicholas Gorid' +p32952 +sa(dp32953 +g25267 +g27 +sg25268 +S'Mirror' +p32954 +sg25270 +S'Nicholas Gorid' +p32955 +sa(dp32956 +g25267 +g27 +sg25268 +S'Looking Glass with Decorated Glass Panel' +p32957 +sg25270 +S'Carl Strehlau' +p32958 +sa(dp32959 +g25267 +g27 +sg25268 +S'Mantel Looking Glass' +p32960 +sg25270 +S'Arthur Johnson' +p32961 +sa(dp32962 +g25267 +g27 +sg25268 +S'Mirror' +p32963 +sg25270 +S'Roberta Elvis' +p32964 +sa(dp32965 +g25268 +S'Wine Cup' +p32966 +sg25270 +S'Chinese Qing Dynasty' +p32967 +sg25273 +S'overall (without handle): 3.2 x 5.1 cm (1 1/4 x 2 in.)' +p32968 +sg25275 +S'\nporcelain with famille verte and famille jaune enamels on the biscuit' +p32969 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004df9.jpg' +p32970 +sg25267 +g27 +sa(dp32971 +g25267 +g27 +sg25268 +S'Empire Mirror' +p32972 +sg25270 +S'Alvin M. Gully' +p32973 +sa(dp32974 +g25267 +g27 +sg25268 +S'Frame for Mirror' +p32975 +sg25270 +S'American 20th Century' +p32976 +sa(dp32977 +g25267 +g27 +sg25268 +S'Mirror (one of a pair)' +p32978 +sg25270 +S'Ferdinand Cartier' +p32979 +sa(dp32980 +g25267 +g27 +sg25268 +S'Colonial Mirror' +p32981 +sg25270 +S'Alfred Walbeck' +p32982 +sa(dp32983 +g25267 +g27 +sg25268 +S'Mantel Looking Glass' +p32984 +sg25270 +S'Arthur Johnson' +p32985 +sa(dp32986 +g25267 +g27 +sg25268 +S'Mirror' +p32987 +sg25270 +S'Marie Famularo' +p32988 +sa(dp32989 +g25267 +g27 +sg25268 +S'Looking-glass' +p32990 +sg25270 +S'George Loughridge' +p32991 +sa(dp32992 +g25267 +g27 +sg25268 +S'Mirror' +p32993 +sg25270 +S'Marie Lutrell' +p32994 +sa(dp32995 +g25267 +g27 +sg25268 +S'Shaving Stand' +p32996 +sg25270 +S'William H. Edwards' +p32997 +sa(dp32998 +g25267 +g27 +sg25268 +S'Mirror with Wood Base' +p32999 +sg25270 +S'Thomas Holloway' +p33000 +sa(dp33001 +g25268 +S'Wine Cup' +p33002 +sg25270 +S'Chinese Qing Dynasty' +p33003 +sg25273 +S'overall (without handle): 3.2 x 5.1 cm (1 1/4 x 2 in.)' +p33004 +sg25275 +S'\nporcelain with famille verte and famille jaune enamels on the biscuit' +p33005 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004dfb.jpg' +p33006 +sg25267 +g27 +sa(dp33007 +g25267 +g27 +sg25268 +S'Hand Glass' +p33008 +sg25270 +S'Edith Magnette' +p33009 +sa(dp33010 +g25267 +g27 +sg25268 +S'Dressing Glass' +p33011 +sg25270 +S'Lorenz Rothkranz' +p33012 +sa(dp33013 +g25267 +g27 +sg25268 +S'Dressing-glass' +p33014 +sg25270 +S'Eugene Croe' +p33015 +sa(dp33016 +g25267 +g27 +sg25268 +S'Mirror' +p33017 +sg25270 +S'Frank Wenger' +p33018 +sa(dp33019 +g25267 +g27 +sg25268 +S'Dressing Mirror' +p33020 +sg25270 +S'Samuel O. Klein' +p33021 +sa(dp33022 +g25267 +g27 +sg25268 +S'Mirror' +p33023 +sg25270 +S'Frances Lichten' +p33024 +sa(dp33025 +g25267 +g27 +sg25268 +S'Dressing Mirror' +p33026 +sg25270 +S'Samuel O. Klein' +p33027 +sa(dp33028 +g25267 +g27 +sg25268 +S'Dressing Mirror (cast iron)' +p33029 +sg25270 +S'Paul Ward' +p33030 +sa(dp33031 +g25267 +g27 +sg25268 +S'Shaving Mirror' +p33032 +sg25270 +S'Dana Bartlett' +p33033 +sa(dp33034 +g25267 +g27 +sg25268 +S'Mirror' +p33035 +sg25270 +S'Florence Stevenson' +p33036 +sa(dp33037 +g25268 +S'Wine Cup' +p33038 +sg25270 +S'Chinese Qing Dynasty' +p33039 +sg25273 +S'overall (without handle): 3 x 5.1 cm (1 3/16 x 2 in.)' +p33040 +sg25275 +S'\nporcelain with famille verte and famille jaune enamels on the biscuit' +p33041 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004dfd.jpg' +p33042 +sg25267 +g27 +sa(dp33043 +g25267 +g27 +sg25268 +S'Mirror Frame' +p33044 +sg25270 +S'John H. Tercuzzi' +p33045 +sa(dp33046 +g25267 +g27 +sg25268 +S'Ladies Toilet Set' +p33047 +sg25270 +S'William Vergani' +p33048 +sa(dp33049 +g25267 +g27 +sg25268 +S'Mirror' +p33050 +sg25270 +S'Alice Cosgrove' +p33051 +sa(dp33052 +g25267 +g27 +sg25268 +S'Hand Carved Mirror Frame' +p33053 +sg25270 +S'Rolland Ayres' +p33054 +sa(dp33055 +g25267 +g27 +sg25268 +S'Wall Mirror' +p33056 +sg25270 +S'Raymond Manupelli' +p33057 +sa(dp33058 +g25267 +g27 +sg25268 +S'Mirror' +p33059 +sg25270 +S'Raymond Neumann' +p33060 +sa(dp33061 +g25267 +g27 +sg25268 +S'Mirror' +p33062 +sg25270 +S'Kurt Melzer' +p33063 +sa(dp33064 +g25267 +g27 +sg25268 +S'House Looking Glass' +p33065 +sg25270 +S'Emilio Zito' +p33066 +sa(dp33067 +g25267 +g27 +sg25268 +S'Mirror' +p33068 +sg25270 +S'David S. De Vault' +p33069 +sa(dp33070 +g25267 +g27 +sg25268 +S'Mirror Support - Red Six Point Star' +p33071 +sg25270 +S'Helen Bronson' +p33072 +sa(dp33073 +g25268 +S'Wine Cup' +p33074 +sg25270 +S'Chinese Qing Dynasty' +p33075 +sg25273 +S'overall (without handle): 2.8 x 5.1 cm (1 1/8 x 2 in.)' +p33076 +sg25275 +S'\nporcelain with famille verte and famille jaune enamels on the biscuit' +p33077 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004dff.jpg' +p33078 +sg25267 +g27 +sa(dp33079 +g25267 +g27 +sg25268 +S'Mirror Support - Blue Six Point Star' +p33080 +sg25270 +S'Helen Bronson' +p33081 +sa(dp33082 +g25267 +g27 +sg25268 +S'Mirror Support - Victory Head' +p33083 +sg25270 +S'Harry Jennings' +p33084 +sa(dp33085 +g25267 +g27 +sg25268 +S'Mirror Support - Lady Bust' +p33086 +sg25270 +S'Helen Bronson' +p33087 +sa(dp33088 +g25267 +g27 +sg25268 +S'Church Pew' +p33089 +sg25270 +S'Randolph Atkinson' +p33090 +sa(dp33091 +g25267 +g27 +sg25268 +S'Meeting House Pew' +p33092 +sg25270 +S'Donald Streeter' +p33093 +sa(dp33094 +g25267 +g27 +sg25268 +S'Redwood Burl Pulpit' +p33095 +sg25270 +S'Lena Nastasi' +p33096 +sa(dp33097 +g25267 +g27 +sg25268 +S'Hanging Comb Rack' +p33098 +sg25270 +S'Frank Budash' +p33099 +sa(dp33100 +g25267 +g27 +sg25268 +S'Comb and Brush Case' +p33101 +sg25270 +S'J. Herman McCollum' +p33102 +sa(dp33103 +g25267 +g27 +sg25268 +S'Towel Rack' +p33104 +sg25270 +S'Elizabeth Fairchild' +p33105 +sa(dp33106 +g25267 +g27 +sg25268 +S'Hat Rack (Shaped Like Ox Yoke)' +p33107 +sg25270 +S'Charlotte Angus' +p33108 +sa(dp33109 +g25268 +S'Hexagonal Covered Jar' +p33110 +sg25270 +S'Chinese Qing Dynasty' +p33111 +sg25273 +S'overall (height with lid): 30 cm (11 13/16 in.)' +p33112 +sg25275 +S'\nporcelain with famille jaune enamels on the biscuit' +p33113 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e00.jpg' +p33114 +sg25267 +g27 +sa(dp33115 +g25267 +g27 +sg25268 +S'Wall Rack for Newspapers' +p33116 +sg25270 +S'Lloyd Charles Lemcke' +p33117 +sa(dp33118 +g25267 +g27 +sg25268 +S'Wall Hat Rack' +p33119 +sg25270 +S'Vincent P. Rosel' +p33120 +sa(dp33121 +g25267 +g27 +sg25268 +S'Hat-rack' +p33122 +sg25270 +S'Pearl Davis' +p33123 +sa(dp33124 +g25267 +g27 +sg25268 +S'Comb Wall Case' +p33125 +sg25270 +S'Alexander Anderson' +p33126 +sa(dp33127 +g25267 +g27 +sg25268 +S'Clothes Rack' +p33128 +sg25270 +S'Dayton Brown' +p33129 +sa(dp33130 +g25267 +g27 +sg25268 +S'Drying Rack' +p33131 +sg25270 +S'Mary Hansen' +p33132 +sa(dp33133 +g25267 +g27 +sg25268 +S'Comb and Brush Rack' +p33134 +sg25270 +S'James M. Lawson' +p33135 +sa(dp33136 +g25267 +g27 +sg25268 +S'Hall Tree, of Mahogany' +p33137 +sg25270 +S'Randolph F. Miller' +p33138 +sa(dp33139 +g25267 +g27 +sg25268 +S'Combination Hat Rack and Umbrella Stand' +p33140 +sg25270 +S'Edward L. Loper' +p33141 +sa(dp33142 +g25267 +g27 +sg25268 +S'Comb Case' +p33143 +sg25270 +S'Wilford H. Shurtliff' +p33144 +sa(dp33145 +g25268 +S'Hexagonal Covered Jar' +p33146 +sg25270 +S'Chinese Qing Dynasty' +p33147 +sg25273 +S'overall (height with lid): 30.5 cm (12 in.)' +p33148 +sg25275 +S'\nporcelain with famille jaune enamels on the biscuit' +p33149 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e01.jpg' +p33150 +sg25267 +g27 +sa(dp33151 +g25267 +g27 +sg25268 +S'Carved Walnut Hall Rack' +p33152 +sg25270 +S'Thomas Byrne' +p33153 +sa(dp33154 +g25267 +g27 +sg25268 +S'Secretary' +p33155 +sg25270 +S'Randolph F. Miller' +p33156 +sa(dp33157 +g25267 +g27 +sg25268 +S'Cabinet-top Desk Secretary' +p33158 +sg25270 +S'Ferdinand Cartier' +p33159 +sa(dp33160 +g25267 +g27 +sg25268 +S'Cabinet-top Desk' +p33161 +sg25270 +S'Rolland Livingstone' +p33162 +sa(dp33163 +g25267 +g27 +sg25268 +S'Cabinet-top Desk' +p33164 +sg25270 +S'Rolland Livingstone' +p33165 +sa(dp33166 +g25267 +g27 +sg25268 +S'Secretary' +p33167 +sg25270 +S'Arsen Maralian' +p33168 +sa(dp33169 +g25267 +S'Large, important case pieces were featured in eighteenth-century rooms. This\r\n imposing secretary is a typical form favored in the Chippendale period. Rather\r\n than having the common ball and claw foot, it stands upon boldly carved ogee feet,\r\n that is, a form combining both convex and concave curves. The vigor of the carving\r\n is continued in the block form of the base, which is composed of alternating recessed\r\n and projecting panels cut from solid wood. The sculptural quality of the piece\r\n is further emphasized by the undulating shapes of the interior compartments and\r\n drawers, by the carved panels of the upper doors, and by the molding that outlines\r\n the sweeping curves of the bonnet. Although West Indian mahogany was the predominant\r\n wood of the Chippendale period, cherry and maple were also used. Here, the cabinetmaker\r\n has taken full advantage of the rich, warm tones of native American cherry wood.\n ' +p33170 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002cd.jpg' +p33171 +sg25268 +S'Block-front Desk' +p33172 +sg25270 +S'Harry Eisman' +p33173 +sa(dp33174 +g25267 +g27 +sg25268 +S'Portable Seat' +p33175 +sg25270 +S'Alfred Walbeck' +p33176 +sa(dp33177 +g25267 +g27 +sg25268 +S'Secretary' +p33178 +sg25270 +S'Rolland Livingstone' +p33179 +sa(dp33180 +g25267 +g27 +sg25268 +S'Secretary (Cabinet Top Desk)' +p33181 +sg25270 +S'Rolland Livingstone' +p33182 +sa(dp33183 +g25268 +S'Hexagonal Covered Jar' +p33184 +sg25270 +S'Chinese Qing Dynasty' +p33185 +sg25273 +S'overall (height with lid): 29.9 cm (11 3/4 in.)' +p33186 +sg25275 +S'\nporcelain with famille jaune enamels on the biscuit' +p33187 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e02.jpg' +p33188 +sg25267 +g27 +sa(dp33189 +g25267 +g27 +sg25268 +S'Block-front Secretary (walnut)' +p33190 +sg25270 +S'John Hall' +p33191 +sa(dp33192 +g25267 +g27 +sg25268 +S'Block Front Desk with Cabinet Top' +p33193 +sg25270 +S'Jack Bochner' +p33194 +sa(dp33195 +g25267 +g27 +sg25268 +S'Block Front Desk with Cabinet Top' +p33196 +sg25270 +S'Jack Bochner' +p33197 +sa(dp33198 +g25267 +g27 +sg25268 +S'Secretary' +p33199 +sg25270 +S'Isadore Goldberg' +p33200 +sa(dp33201 +g25267 +g27 +sg25268 +S'Combination Book Case, Desk, and Bureau' +p33202 +sg25270 +S'Henry Meyers' +p33203 +sa(dp33204 +g25267 +g27 +sg25268 +S'Secretary' +p33205 +sg25270 +S'Leon Witt' +p33206 +sa(dp33207 +g25267 +g27 +sg25268 +S'Portable Secretary' +p33208 +sg25270 +S'Edward L. Loper' +p33209 +sa(dp33210 +g25267 +g27 +sg25268 +S'Secretary' +p33211 +sg25270 +S'Bernard Gussow' +p33212 +sa(dp33213 +g25267 +g27 +sg25268 +S'Secretary-desk Cabinet Top' +p33214 +sg25270 +S'Eugene Croe' +p33215 +sa(dp33216 +g25267 +g27 +sg25268 +S'Secretary' +p33217 +sg25270 +S'Ernest Busenbark' +p33218 +sa(dp33219 +g25268 +S'Hexagonal Trumpet Beaker Vase' +p33220 +sg25270 +S'Chinese Qing Dynasty' +p33221 +sg25273 +S'overall (height): 26 cm (10 1/4 in.)' +p33222 +sg25275 +S'\nporcelain with famille jaune enamels on the biscuit' +p33223 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e03.jpg' +p33224 +sg25267 +g27 +sa(dp33225 +g25267 +g27 +sg25268 +S'Secretary' +p33226 +sg25270 +S'Ernest Busenbark' +p33227 +sa(dp33228 +g25267 +g27 +sg25268 +S'Settee' +p33229 +sg25270 +S'Frank Wenger' +p33230 +sa(dp33231 +g25267 +g27 +sg25268 +S'Settee' +p33232 +sg25270 +S'Robert Brigadier' +p33233 +sa(dp33234 +g25267 +g27 +sg25268 +S'Settee' +p33235 +sg25270 +S'Arthur Johnson' +p33236 +sa(dp33237 +g25267 +g27 +sg25268 +S'Settee' +p33238 +sg25270 +S'Jack Bochner' +p33239 +sa(dp33240 +g25267 +g27 +sg25268 +S'Settee' +p33241 +sg25270 +S'Katherine Hastings' +p33242 +sa(dp33243 +g25267 +g27 +sg25268 +S'Porch Settee (one of a pair)' +p33244 +sg25270 +S'Edna C. Rex' +p33245 +sa(dp33246 +g25267 +g27 +sg25268 +S'Settee' +p33247 +sg25270 +S'Vincent P. Rosel' +p33248 +sa(dp33249 +g25267 +g27 +sg25268 +S'Settee or Chaise Lounge' +p33250 +sg25270 +S'Lillian Causey' +p33251 +sa(dp33252 +g25267 +g27 +sg25268 +S'Settee' +p33253 +sg25270 +S'Rosa Burger' +p33254 +sa(dp33255 +g25268 +S'Hexagonal Trumpet Beaker Vase' +p33256 +sg25270 +S'Chinese Qing Dynasty' +p33257 +sg25273 +S'overall (height): 26 cm (10 1/4 in.)' +p33258 +sg25275 +S'\nporcelain with famille jaune enamels on the biscuit' +p33259 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e04.jpg' +p33260 +sg25267 +g27 +sa(dp33261 +g25267 +g27 +sg25268 +S'Settee' +p33262 +sg25270 +S'George Loughridge' +p33263 +sa(dp33264 +g25267 +g27 +sg25268 +S'Settee or Hall Seat' +p33265 +sg25270 +S'Henry Meyers' +p33266 +sa(dp33267 +g25267 +g27 +sg25268 +S'Settee' +p33268 +sg25270 +S'Harry Eisman' +p33269 +sa(dp33270 +g25267 +g27 +sg25268 +S'Settee' +p33271 +sg25270 +S'B. Holst-Grubbe' +p33272 +sa(dp33273 +g25267 +g27 +sg25268 +S'Settee' +p33274 +sg25270 +S'Harry Eisman' +p33275 +sa(dp33276 +g25267 +g27 +sg25268 +S'Cradle Settee' +p33277 +sg25270 +S'Frederick Jackson' +p33278 +sa(dp33279 +g25267 +g27 +sg25268 +S'Rocking Settee Cradle' +p33280 +sg25270 +S'Beverly Chichester' +p33281 +sa(dp33282 +g25267 +g27 +sg25268 +S'Highboy' +p33283 +sg25270 +S'Charles Squires' +p33284 +sa(dp33285 +g25267 +S'A popular new furniture form of the William and Mary period was a chest raised\r\n on a stand. Notice the feeling of lightness achieved as\r\n the chest portion is raised high off the floor. It rests on an elaborately\r\n and finely shaped frame. The design, modeled after Oriental cabinets on stands, is\r\n enhanced by richly painted surface decoration. The ornament imitates that of Oriental\r\n lacquered furniture, which, during the eighteenth century, was being imported into\r\n Europe by the Dutch East India Company. European taste for the luxurious and exotic\r\n wares of the Orient was echoed in America; craftsmen tried to duplicate the appearance\r\n of Oriental lacquered decoration through the use of varnishes, gilt, and polychrome\r\n paints in a technique known as "Japanning."\n ' +p33286 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002c9.jpg' +p33287 +sg25268 +S'Highboy' +p33288 +sg25270 +S'M. Rosenshield-von-Paulin' +p33289 +sa(dp33290 +g25267 +g27 +sg25268 +S'Highboy' +p33291 +sg25270 +S'Arsen Maralian' +p33292 +sa(dp33293 +g25268 +S'Hexagonal Lantern' +p33294 +sg25270 +S'Chinese Qing Dynasty' +p33295 +sg25273 +S'overall: 28.5 x 19 cm (11 1/4 x 7 1/2 in.)' +p33296 +sg25275 +S'\nporcelain with overglaze famille verte enamels on the biscuit' +p33297 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e07.jpg' +p33298 +sg25267 +g27 +sa(dp33299 +g25267 +g27 +sg25268 +S'Highboy' +p33300 +sg25270 +S'Elisabeth Fulda' +p33301 +sa(dp33302 +g25267 +g27 +sg25268 +S'Highboy' +p33303 +sg25270 +S'Francis Borelli' +p33304 +sa(dp33305 +g25267 +g27 +sg25268 +S'Lowboy' +p33306 +sg25270 +S'Arthur Johnson' +p33307 +sa(dp33308 +g25267 +g27 +sg25268 +S'Secretary' +p33309 +sg25270 +S'Ernest A. Towers, Jr.' +p33310 +sa(dp33311 +g25267 +g27 +sg25268 +S'Lowboy' +p33312 +sg25270 +S'Isidore Sovensky' +p33313 +sa(dp33314 +g25267 +g27 +sg25268 +S'Lowboy' +p33315 +sg25270 +S'Frank Wenger' +p33316 +sa(dp33317 +g25267 +g27 +sg25268 +S'Lowboy' +p33318 +sg25270 +S'Francis Borelli' +p33319 +sa(dp33320 +g25267 +g27 +sg25268 +S'Dressing Table' +p33321 +sg25270 +S'Francis Borelli' +p33322 +sa(dp33323 +g25267 +g27 +sg25268 +S'Picture Frame' +p33324 +sg25270 +S'John Koehl' +p33325 +sa(dp33326 +g25267 +g27 +sg25268 +S'Carved Picture Frame' +p33327 +sg25270 +S'Adolph Opstad' +p33328 +sa(dp33329 +g25268 +S'Hexagonal Lantern' +p33330 +sg25270 +S'Chinese Qing Dynasty' +p33331 +sg25273 +S'overall: 28.5 x 19.4 cm (11 1/4 x 7 5/8 in.)' +p33332 +sg25275 +S'\nporcelain with overglaze famille verte enamels on the biscuit' +p33333 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e0a.jpg' +p33334 +sg25267 +g27 +sa(dp33335 +g25267 +g27 +sg25268 +S'Ottoman' +p33336 +sg25270 +S'Adele Brooks' +p33337 +sa(dp33338 +g25267 +g27 +sg25268 +S'Mirror' +p33339 +sg25270 +S'Wellington Blewett' +p33340 +sa(dp33341 +g25267 +g27 +sg25268 +S'Mirror' +p33342 +sg25270 +S'Archie Thompson' +p33343 +sa(dp33344 +g25267 +g27 +sg25268 +S'Painted mirror' +p33345 +sg25270 +S'Oscar Bluhme' +p33346 +sa(dp33347 +g25267 +g27 +sg25268 +S'Shaving Stand' +p33348 +sg25270 +S'Hugh Clarke' +p33349 +sa(dp33350 +g25267 +g27 +sg25268 +S'Mahogany Shaving Mirror' +p33351 +sg25270 +S'Cushman Parker' +p33352 +sa(dp33353 +g25267 +g27 +sg25268 +S'Shaving Stand' +p33354 +sg25270 +S'Charles Bowman' +p33355 +sa(dp33356 +g25267 +g27 +sg25268 +S'Shaving Stand' +p33357 +sg25270 +S'Ray Price' +p33358 +sa(dp33359 +g25267 +g27 +sg25268 +S'Brick-a-brack Shelf' +p33360 +sg25270 +S'Julie C. Brush' +p33361 +sa(dp33362 +g25267 +g27 +sg25268 +S'Clock Shelf' +p33363 +sg25270 +S'Isidore Danziger' +p33364 +sa(dp33365 +g25268 +S'Lantern' +p33366 +sg25270 +S'Chinese Qing Dynasty' +p33367 +sg25273 +S'overall: 21.6 x 15.2 cm (8 1/2 x 6 in.)' +p33368 +sg25275 +S'\nporcelain with overglaze famille verte enamels' +p33369 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e0e.jpg' +p33370 +sg25267 +g27 +sa(dp33371 +g25267 +g27 +sg25268 +S'Mahogany Shelf' +p33372 +sg25270 +S'Marie Lutrell' +p33373 +sa(dp33374 +g25267 +g27 +sg25268 +S'Hanging Shelf' +p33375 +sg25270 +S'Rolland Livingstone' +p33376 +sa(dp33377 +g25267 +g27 +sg25268 +S'Book Rest - Mahogany' +p33378 +sg25270 +S'Frank M. Keane' +p33379 +sa(dp33380 +g25267 +g27 +sg25268 +S'Shelf (Corner Bracket)' +p33381 +sg25270 +S'Magnus S. Fossum' +p33382 +sa(dp33383 +g25267 +g27 +sg25268 +S'Hanging Shelf' +p33384 +sg25270 +S'William H. Edwards' +p33385 +sa(dp33386 +g25267 +g27 +sg25268 +S'Show Case' +p33387 +sg25270 +S'Josephine Prado' +p33388 +sa(dp33389 +g25267 +g27 +sg25268 +S'Table' +p33390 +sg25270 +S'Sebastian Simonet' +p33391 +sa(dp33392 +g25267 +g27 +sg25268 +S'Side Board' +p33393 +sg25270 +S'George Fairbanks' +p33394 +sa(dp33395 +g25267 +g27 +sg25268 +S'Side Board' +p33396 +sg25270 +S'Nicholas Gorid' +p33397 +sa(dp33398 +g25267 +g27 +sg25268 +S'Side Board' +p33399 +sg25270 +S'Robert Pohle' +p33400 +sa(dp33401 +g25273 +g27 +sg25267 +g27 +sg25275 +S'(artist)' +p33402 +sg25268 +S'Silver Stand' +p33403 +sg25270 +S'Artist Information (' +p33404 +sa(dp33405 +g25267 +g27 +sg25268 +S'Side Board-Sheraton' +p33406 +sg25270 +S'Edgar L. Pearce' +p33407 +sa(dp33408 +g25267 +g27 +sg25268 +S'Sideboard, Mahogany' +p33409 +sg25270 +S'Geoffrey Holt' +p33410 +sa(dp33411 +g25267 +g27 +sg25268 +S'Sideboard' +p33412 +sg25270 +S'Harry Eisman' +p33413 +sa(dp33414 +g25267 +g27 +sg25268 +S'Sideboard' +p33415 +sg25270 +S'B. Holst-Grubbe' +p33416 +sa(dp33417 +g25267 +g27 +sg25268 +S'Sheraton Sideboard' +p33418 +sg25270 +S'Amos C. Brinton' +p33419 +sa(dp33420 +g25267 +g27 +sg25268 +S'Sideboard' +p33421 +sg25270 +S'Michael France' +p33422 +sa(dp33423 +g25267 +g27 +sg25268 +S'Sideboard' +p33424 +sg25270 +S'Arsen Maralian' +p33425 +sa(dp33426 +g25267 +g27 +sg25268 +S'Sideboard (Hepplewhite)' +p33427 +sg25270 +S'John Dieterich' +p33428 +sa(dp33429 +g25267 +g27 +sg25268 +S'Side Board' +p33430 +sg25270 +S'John Dieterich' +p33431 +sa(dp33432 +g25267 +g27 +sg25268 +S'Side Board (Hepplewhite)' +p33433 +sg25270 +S'Nicholas Gorid' +p33434 +sa(dp33435 +g25268 +S'Lantern' +p33436 +sg25270 +S'Chinese Qing Dynasty' +p33437 +sg25273 +S'overall: 21.5 x 15.2 cm (8 7/16 x 6 in.)' +p33438 +sg25275 +S'\nporcelain with overglaze famille verte enamels' +p33439 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e12.jpg' +p33440 +sg25267 +g27 +sa(dp33441 +g25267 +g27 +sg25268 +S'Sideboard' +p33442 +sg25270 +S'J.F. Rust' +p33443 +sa(dp33444 +g25267 +g27 +sg25268 +S'Sheraton Sideboard' +p33445 +sg25270 +S'Amos C. Brinton' +p33446 +sa(dp33447 +g25267 +g27 +sg25268 +S'Settee' +p33448 +sg25270 +S'John Dieterich' +p33449 +sa(dp33450 +g25267 +g27 +sg25268 +S'Settee' +p33451 +sg25270 +S'John Dieterich' +p33452 +sa(dp33453 +g25267 +g27 +sg25268 +S'Settee' +p33454 +sg25270 +S'John Dieterich' +p33455 +sa(dp33456 +g25267 +g27 +sg25268 +S'Sofa' +p33457 +sg25270 +S'Frank Wenger' +p33458 +sa(dp33459 +g25267 +g27 +sg25268 +S'Sofa (Sheraton)' +p33460 +sg25270 +S'Simon Weiss' +p33461 +sa(dp33462 +g25267 +g27 +sg25268 +S'Sofa' +p33463 +sg25270 +S'Carl Weiss' +p33464 +sa(dp33465 +g25267 +g27 +sg25268 +S'Sofa' +p33466 +sg25270 +S'Carl Weiss' +p33467 +sa(dp33468 +g25267 +g27 +sg25268 +S'Sofa' +p33469 +sg25270 +S'John Dieterich' +p33470 +sa(dp33471 +g25273 +g27 +sg25267 +g27 +sg25275 +S'(artist)' +p33472 +sg25268 +S'Silver Stand' +p33473 +sg25270 +S'Artist Information (' +p33474 +sa(dp33475 +g25267 +g27 +sg25268 +S'Sofa' +p33476 +sg25270 +S'John Dieterich' +p33477 +sa(dp33478 +g25267 +g27 +sg25268 +S'Sofa' +p33479 +sg25270 +S'John Dieterich' +p33480 +sa(dp33481 +g25267 +g27 +sg25268 +S'Sofa' +p33482 +sg25270 +S'M. Rosenshield-von-Paulin' +p33483 +sa(dp33484 +g25267 +g27 +sg25268 +S'Sofa' +p33485 +sg25270 +S'Florence Choate' +p33486 +sa(dp33487 +g25267 +g27 +sg25268 +S'Sofa' +p33488 +sg25270 +S'Isidore Sovensky' +p33489 +sa(dp33490 +g25267 +g27 +sg25268 +S'Sofa' +p33491 +sg25270 +S'Michael Trekur' +p33492 +sa(dp33493 +g25267 +g27 +sg25268 +S'Sofa' +p33494 +sg25270 +S'Ferdinand Cartier' +p33495 +sa(dp33496 +g25267 +g27 +sg25268 +S'Sofa' +p33497 +sg25270 +S'Ernest Busenbark' +p33498 +sa(dp33499 +g25267 +g27 +sg25268 +S'Sofa' +p33500 +sg25270 +S'Frank Wenger' +p33501 +sa(dp33502 +g25267 +g27 +sg25268 +S'Sofa' +p33503 +sg25270 +S'Nicholas Gorid' +p33504 +sa(dp33505 +g25268 +S'Shou Lao, the God of Longevity' +p33506 +sg25270 +S'Chinese Qing Dynasty' +p33507 +sg25273 +S'overall (figure): 27.5 x 14 x 9.2 cm (10 13/16 x 5 1/2 x 3 5/8 in.)\r\noverall (throne): 12.1 x 16.5 x 10.5 cm (4 3/4 x 6 1/2 x 4 1/8 in.)' +p33508 +sg25275 +S'\nporcelain with famille verte enamels on the biscuit' +p33509 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e13.jpg' +p33510 +sg25267 +S'The figure of Shou Lao may originally have been designed for use on a \n temple or family altar. The seated deity is shown in formal court robes and \n is recognizable by his tall, domed head and long beard.\n A standing figurine of Shou Lao decorated in a similar manner is in the \n Altman collection, Metropolitan Museum of Art, New York.\n (Text by Stephen Little, published in the NGA Systematic Catalogue: \n Notes
\n\n \n \n ' +p33511 +sa(dp33512 +g25267 +g27 +sg25268 +S'Settee' +p33513 +sg25270 +S'David S. De Vault' +p33514 +sa(dp33515 +g25267 +g27 +sg25268 +S'Sofa' +p33516 +sg25270 +S'Artist Information (' +p33517 +sa(dp33518 +g25267 +S'After the 1820s, the grace and elegance of Regency furniture gave way to the\r\n heavier and bulkier forms of the American Empire style, named after its French counterpart.\r\n American Empire furniture continued to reflect classical prototypes, but often the\r\n features were exaggerated. In this period, one finds an abundance of thick pedestals\r\n and columns, rolled backs and arms, and animal claw or scrolled feet. Vigorous carving\r\n and richly figured woods were emphasized, but Empire furniture was also painted;\r\n often it was ornamented with decorative metal mounts and with gilt stencil patterns\r\n that reflected the metal designs. This late Empire couch dates from\r\n the mid-nineteenth century. The form is based upon classical Greek and Roman banquet\r\n couches with asymmetrical arms. The exuberance of the scrolled arms is echoed in\r\n the sweeping curves of the back. The piece is elaborately stenciled; a profusion\r\n of decorative motifs includes leafy anthemion and acanthus patterns, lyres, cornucopias,\r\n and rosettes, representing a full range of antique ornament. The decorative motifs\r\n flow into each other and reinforce the fluid curves of the form. The boldly flared\r\n animal paw feet, popular in this period, provide strong support and a vigorous counterbalance\r\n for the scrolling forms of the body. Empire furniture, extravagant in design and\r\n profusely decorated, was a popular feature of fashionable homes at a time when\r\n America\'s abundance held promise for all, and "peace and plenty" was a common slogan.\n ' +p33519 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002d5.jpg' +p33520 +sg25268 +S'Sofa' +p33521 +sg25270 +S'Nicholas Gorid' +p33522 +sa(dp33523 +g25267 +g27 +sg25268 +S'Sofa' +p33524 +sg25270 +S'Nicholas Gorid' +p33525 +sa(dp33526 +g25267 +g27 +sg25268 +S'Settee' +p33527 +sg25270 +S'Alfred Walbeck' +p33528 +sa(dp33529 +g25267 +g27 +sg25268 +S'Sofa' +p33530 +sg25270 +S'Vincent P. Rosel' +p33531 +sa(dp33532 +g25267 +g27 +sg25268 +S'High Back Lounge' +p33533 +sg25270 +S'Magnus S. Fossum' +p33534 +sa(dp33535 +g25267 +g27 +sg25268 +S'Sofa' +p33536 +sg25270 +S'Artist Information (' +p33537 +sa(dp33538 +g25267 +g27 +sg25268 +S"Child's Settee" +p33539 +sg25270 +S'David S. De Vault' +p33540 +sa(dp33541 +g25267 +g27 +sg25268 +S'Sofa' +p33542 +sg25270 +S'Wellington Blewett' +p33543 +sa(dp33544 +g25268 +S'Young Woman' +p33545 +sg25270 +S'Chinese Qing Dynasty' +p33546 +sg25273 +S'overall (height): 23.8 cm (9 3/8 in.)' +p33547 +sg25275 +S'\nporcelain with famille verte enamels on the biscuit' +p33548 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e14.jpg' +p33549 +sg25267 +g27 +sa(dp33550 +g25267 +g27 +sg25268 +S'Sofa' +p33551 +sg25270 +S'Nicholas Gorid' +p33552 +sa(dp33553 +g25267 +g27 +sg25268 +S'Sofa' +p33554 +sg25270 +S'Anna Aloisi' +p33555 +sa(dp33556 +g25267 +g27 +sg25268 +S'Sofa' +p33557 +sg25270 +S'Anna Aloisi' +p33558 +sa(dp33559 +g25267 +g27 +sg25268 +S'Sofa (Empire)' +p33560 +sg25270 +S'American 20th Century' +p33561 +sa(dp33562 +g25267 +g27 +sg25268 +S'Sofa' +p33563 +sg25270 +S'Nicholas Gorid' +p33564 +sa(dp33565 +g25267 +g27 +sg25268 +S'Sofa' +p33566 +sg25270 +S'Nicholas Gorid' +p33567 +sa(dp33568 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005e/a0005ecd.jpg' +p33569 +sg25268 +S'Sofa' +p33570 +sg25270 +S'Henry Blonkenfeld' +p33571 +sa(dp33572 +g25267 +g27 +sg25268 +S'Sofa' +p33573 +sg25270 +S'Magnus S. Fossum' +p33574 +sa(dp33575 +g25267 +g27 +sg25268 +S'Sofa' +p33576 +sg25270 +S'Wellington Blewett' +p33577 +sa(dp33578 +g25267 +g27 +sg25268 +S'Settee (Eagle)' +p33579 +sg25270 +S'Henry Moran' +p33580 +sa(dp33581 +g25268 +S'Young Woman' +p33582 +sg25270 +S'Chinese Qing Dynasty' +p33583 +sg25273 +S'overall (height): 24.1 cm (9 1/2 in.)' +p33584 +sg25275 +S'\nporcelain with famille verte enamels on the biscuit' +p33585 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e15.jpg' +p33586 +sg25267 +g27 +sa(dp33587 +g25267 +g27 +sg25268 +S'Sofa' +p33588 +sg25270 +S'Bernard Gussow' +p33589 +sa(dp33590 +g25267 +g27 +sg25268 +S'Mahogany Sofa' +p33591 +sg25270 +S'Edward A. Darby' +p33592 +sa(dp33593 +g25267 +g27 +sg25268 +S'Queen Anne Settee' +p33594 +sg25270 +S'Florence Truelson' +p33595 +sa(dp33596 +g25267 +g27 +sg25268 +S'Settee Couch' +p33597 +sg25270 +S'Beverly Chichester' +p33598 +sa(dp33599 +g25267 +g27 +sg25268 +S'Rosewood Sofa' +p33600 +sg25270 +S'Eugene Croe' +p33601 +sa(dp33602 +g25267 +g27 +sg25268 +S'Settee' +p33603 +sg25270 +S'Florence Huston' +p33604 +sa(dp33605 +g25267 +g27 +sg25268 +S'Settee, Walnut' +p33606 +sg25270 +S'Geoffrey Holt' +p33607 +sa(dp33608 +g25267 +g27 +sg25268 +S'Sofa' +p33609 +sg25270 +S'Paul Ward' +p33610 +sa(dp33611 +g25267 +g27 +sg25268 +S'Detail of Sofa' +p33612 +sg25270 +S'Paul Ward' +p33613 +sa(dp33614 +g25267 +g27 +sg25268 +S'Sofa' +p33615 +sg25270 +S'Wellington Blewett' +p33616 +sa(dp33617 +g25268 +S'Guanyin, the Bodhisattva of Compassion' +p33618 +sg25270 +S'Chinese Qing Dynasty' +p33619 +sg25273 +S'overall (height): 25.4 cm (10 in.)' +p33620 +sg25275 +S'\nporcelain with famille verte enamels on the biscuit' +p33621 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e16.jpg' +p33622 +sg25267 +g27 +sa(dp33623 +g25267 +g27 +sg25268 +S'Carvings of a Sofa' +p33624 +sg25270 +S'Robert Stewart' +p33625 +sa(dp33626 +g25267 +g27 +sg25268 +S'Settee - Sofa' +p33627 +sg25270 +S'Edna C. Rex' +p33628 +sa(dp33629 +g25267 +g27 +sg25268 +S'Settee-Sofa' +p33630 +sg25270 +S'Edna C. Rex' +p33631 +sa(dp33632 +g25267 +g27 +sg25268 +S'Sofa' +p33633 +sg25270 +S'Edith Magnette' +p33634 +sa(dp33635 +g25267 +g27 +sg25268 +S'Sofa' +p33636 +sg25270 +S'Edith Magnette' +p33637 +sa(dp33638 +g25267 +g27 +sg25268 +S'Sofa' +p33639 +sg25270 +S'William Mills' +p33640 +sa(dp33641 +g25267 +g27 +sg25268 +S'Sofa' +p33642 +sg25270 +S'Henry Granet' +p33643 +sa(dp33644 +g25267 +g27 +sg25268 +S'Office High Stool' +p33645 +sg25270 +S'Ursula Lauderdale' +p33646 +sa(dp33647 +g25267 +g27 +sg25268 +S'Pennsylvania Dutch Bed Stool' +p33648 +sg25270 +S'John Swientochowski' +p33649 +sa(dp33650 +g25267 +g27 +sg25268 +S'Old Wood Stool' +p33651 +sg25270 +S'Geoffrey Holt' +p33652 +sa(dp33653 +g25268 +S'Female Attendant' +p33654 +sg25270 +S'Chinese Qing Dynasty' +p33655 +sg25273 +S'overall: 22.5 x 8.6 x 5 cm (8 7/8 x 3 3/8 x 1 15/16 in.)' +p33656 +sg25275 +S'\nporcelain with famille verte enamels on the biscuit' +p33657 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e17.jpg' +p33658 +sg25267 +g27 +sa(dp33659 +g25267 +g27 +sg25268 +S'Stool' +p33660 +sg25270 +S'M. Rosenshield-von-Paulin' +p33661 +sa(dp33662 +g25267 +g27 +sg25268 +S'Stool' +p33663 +sg25270 +S'M. Rosenshield-von-Paulin' +p33664 +sa(dp33665 +g25267 +g27 +sg25268 +S'Round Stool' +p33666 +sg25270 +S'Verna Tallman' +p33667 +sa(dp33668 +g25267 +g27 +sg25268 +S'Sheraton Wall Table' +p33669 +sg25270 +S'Ernest A. Towers, Jr.' +p33670 +sa(dp33671 +g25267 +g27 +sg25268 +S'Card Table' +p33672 +sg25270 +S'Henry Meyers' +p33673 +sa(dp33674 +g25267 +g27 +sg25268 +S'Card Table' +p33675 +sg25270 +S'Henry Meyers' +p33676 +sa(dp33677 +g25267 +g27 +sg25268 +S'Card Table' +p33678 +sg25270 +S'Harry Eisman' +p33679 +sa(dp33680 +g25267 +g27 +sg25268 +S'Card Table' +p33681 +sg25270 +S'Harry Eisman' +p33682 +sa(dp33683 +g25267 +g27 +sg25268 +S'Card Table' +p33684 +sg25270 +S'Ferdinand Cartier' +p33685 +sa(dp33686 +g25267 +g27 +sg25268 +S'Card Table' +p33687 +sg25270 +S'Henry Meyers' +p33688 +sa(dp33689 +g25268 +S'Li Tieguai' +p33690 +sg25270 +S'Chinese Qing Dynasty' +p33691 +sg25273 +S'overall (height): 30.2 cm (11 7/8 in.)' +p33692 +sg25275 +S'\nporcelain with famille noire enamels on the biscuit' +p33693 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e18.jpg' +p33694 +sg25267 +g27 +sa(dp33695 +g25267 +g27 +sg25268 +S'Card Table' +p33696 +sg25270 +S'Henry Meyers' +p33697 +sa(dp33698 +g25267 +g27 +sg25268 +S'Card Table' +p33699 +sg25270 +S'Henry Meyers' +p33700 +sa(dp33701 +g25267 +g27 +sg25268 +S'Card Table' +p33702 +sg25270 +S'Henry Meyers' +p33703 +sa(dp33704 +g25267 +g27 +sg25268 +S'Card Table' +p33705 +sg25270 +S'Florence Neal' +p33706 +sa(dp33707 +g25267 +g27 +sg25268 +S'Card Table' +p33708 +sg25270 +S'Mario De Ferrante' +p33709 +sa(dp33710 +g25267 +g27 +sg25268 +S'Card Table' +p33711 +sg25270 +S'Arsen Maralian' +p33712 +sa(dp33713 +g25267 +g27 +sg25268 +S'Card Table' +p33714 +sg25270 +S'Louis Annino' +p33715 +sa(dp33716 +g25267 +g27 +sg25268 +S'Three Leaf Gaming Table' +p33717 +sg25270 +S'Edward L. Loper' +p33718 +sa(dp33719 +g25267 +g27 +sg25268 +S'Mahogany Card Table' +p33720 +sg25270 +S'Dorothy Posten' +p33721 +sa(dp33722 +g25267 +g27 +sg25268 +S'Card Table' +p33723 +sg25270 +S'Arsen Maralian' +p33724 +sa(dp33725 +g25268 +S'Dancing Woman' +p33726 +sg25270 +S'Chinese Qing Dynasty' +p33727 +sg25273 +S'overall: 29 x 10.2 x 6.1 cm (11 7/16 x 4 x 2 3/8 in.)' +p33728 +sg25275 +S'\nporcelain with famille verte enamels on the biscuit' +p33729 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e19.jpg' +p33730 +sg25267 +g27 +sa(dp33731 +g25267 +g27 +sg25268 +S'Inlaid Wood Table' +p33732 +sg25270 +S'Sebastian Simonet' +p33733 +sa(dp33734 +g25267 +g27 +sg25268 +S'Tea Table' +p33735 +sg25270 +S'Nicholas Gorid' +p33736 +sa(dp33737 +g25267 +g27 +sg25268 +S'Top of Table' +p33738 +sg25270 +S'Nicholas Gorid' +p33739 +sa(dp33740 +g25267 +g27 +sg25268 +S'Checker Table' +p33741 +sg25270 +S'Nicholas Gorid' +p33742 +sa(dp33743 +g25267 +g27 +sg25268 +S'Checkerboard Table' +p33744 +sg25270 +S'Nicholas Gorid' +p33745 +sa(dp33746 +g25267 +g27 +sg25268 +S'Marquetry Table, Showing Style' +p33747 +sg25270 +S'Geoffrey Holt' +p33748 +sa(dp33749 +g25267 +g27 +sg25268 +S'Marquetry Table: Showing Inlay Top' +p33750 +sg25270 +S'Geoffrey Holt' +p33751 +sa(dp33752 +g25267 +g27 +sg25268 +S'Checker-board Table-tilt Top' +p33753 +sg25270 +S'Magnus S. Fossum' +p33754 +sa(dp33755 +g25267 +g27 +sg25268 +S'Card Table' +p33756 +sg25270 +S'Ferdinand Cartier' +p33757 +sa(dp33758 +g25267 +g27 +sg25268 +S'Console Table' +p33759 +sg25270 +S'Nicholas Gorid' +p33760 +sa(dp33761 +g25268 +S'Female Attendant' +p33762 +sg25270 +S'Chinese Qing Dynasty' +p33763 +sg25273 +S'overall (height): 13.7 cm (5 3/8 in.)' +p33764 +sg25275 +S'\nporcelain with famille verte enamels on the biscuit' +p33765 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e1a.jpg' +p33766 +sg25267 +g27 +sa(dp33767 +g25267 +g27 +sg25268 +S'Table (Console or Card Table)' +p33768 +sg25270 +S'Rolland Livingstone' +p33769 +sa(dp33770 +g25267 +g27 +sg25268 +S'Dining Table' +p33771 +sg25270 +S'Harry Eisman' +p33772 +sa(dp33773 +g25267 +g27 +sg25268 +S'Dining Table' +p33774 +sg25270 +S'M. Rosenshield-von-Paulin' +p33775 +sa(dp33776 +g25267 +g27 +sg25268 +S'Table, Round Top' +p33777 +sg25270 +S'Henry Moore' +p33778 +sa(dp33779 +g25267 +g27 +sg25268 +S'Table, Patrick Henry' +p33780 +sg25270 +S'Edna C. Rex' +p33781 +sa(dp33782 +g25267 +g27 +sg25268 +S'Drop-leaf Table' +p33783 +sg25270 +S'Isadore Goldberg' +p33784 +sa(dp33785 +g25267 +g27 +sg25268 +S'Drop-leaf Table' +p33786 +sg25270 +S'Charles Charon' +p33787 +sa(dp33788 +g25267 +g27 +sg25268 +S'Drop Leaf Table' +p33789 +sg25270 +S'Dorothea A. Farrington' +p33790 +sa(dp33791 +g25267 +g27 +sg25268 +S'Occasional Table' +p33792 +sg25270 +S'Albert Ryder' +p33793 +sa(dp33794 +g25267 +g27 +sg25268 +S'Cherry Table' +p33795 +sg25270 +S'Carl Buergerniss' +p33796 +sa(dp33797 +g25268 +S'Female Attendant' +p33798 +sg25270 +S'Chinese Qing Dynasty' +p33799 +sg25273 +S'overall (height): 14 cm (5 1/2 in.)' +p33800 +sg25275 +S'\nporcelain with famille verte enamels on the biscuit' +p33801 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e1b.jpg' +p33802 +sg25267 +g27 +sa(dp33803 +g25267 +g27 +sg25268 +S'Table (Dining?)' +p33804 +sg25270 +S'George V. Vezolles' +p33805 +sa(dp33806 +g25267 +g27 +sg25268 +S'Table (Dining?)' +p33807 +sg25270 +S'Edward D. Williams' +p33808 +sa(dp33809 +g25267 +g27 +sg25268 +S'Dining Table' +p33810 +sg25270 +S'Lon Cronk' +p33811 +sa(dp33812 +g25267 +g27 +sg25268 +S'Drop-leaf Table' +p33813 +sg25270 +S'Bernard Gussow' +p33814 +sa(dp33815 +g25267 +g27 +sg25268 +S'Drop Leaf Table' +p33816 +sg25270 +S'Frank Wenger' +p33817 +sa(dp33818 +g25267 +g27 +sg25268 +S'Drop Leaf Table' +p33819 +sg25270 +S'Ruth Bialostosky' +p33820 +sa(dp33821 +g25267 +g27 +sg25268 +S'Pembroke Table' +p33822 +sg25270 +S'Artist Information (' +p33823 +sa(dp33824 +g25267 +g27 +sg25268 +S'Table' +p33825 +sg25270 +S'Lawrence Porth' +p33826 +sa(dp33827 +g25267 +g27 +sg25268 +S'Table' +p33828 +sg25270 +S'Alfred Walbeck' +p33829 +sa(dp33830 +g25267 +g27 +sg25268 +S'"General Cass Table"' +p33831 +sg25270 +S'Eugene Croe' +p33832 +sa(dp33833 +g25268 +S'Female Attendant' +p33834 +sg25270 +S'Chinese Qing Dynasty' +p33835 +sg25273 +S'overall (height): 14 cm (5 1/2 in.)' +p33836 +sg25275 +S'\nporcelain with famille verte enamels on the biscuit' +p33837 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e1c.jpg' +p33838 +sg25267 +g27 +sa(dp33839 +g25267 +g27 +sg25268 +S'Drop-Leaf Table' +p33840 +sg25270 +S'Henry Granet' +p33841 +sa(dp33842 +g25267 +g27 +sg25268 +S'Newspaper Wall Rack' +p33843 +sg25270 +S'Nicholas Amantea' +p33844 +sa(dp33845 +g25267 +g27 +sg25268 +S'Gun Rack' +p33846 +sg25270 +S'Cecil Smith' +p33847 +sa(dp33848 +g25267 +g27 +sg25268 +S'Ox Cart Chair' +p33849 +sg25270 +S'Wilbur M Rice' +p33850 +sa(dp33851 +g25267 +g27 +sg25268 +S'Prairie Schooner Seat' +p33852 +sg25270 +S'Wilbur M Rice' +p33853 +sa(dp33854 +g25267 +g27 +sg25268 +S'Wagon Seat' +p33855 +sg25270 +S'Manford Shattuck' +p33856 +sa(dp33857 +g25267 +g27 +sg25268 +S'Secretary' +p33858 +sg25270 +S'Leonard Battee' +p33859 +sa(dp33860 +g25267 +g27 +sg25268 +S'Chippendale Secretary' +p33861 +sg25270 +S'Amos C. Brinton' +p33862 +sa(dp33863 +g25267 +g27 +sg25268 +S'Black Painted Settee' +p33864 +sg25270 +S'Ella Josephine Sterling' +p33865 +sa(dp33866 +g25267 +g27 +sg25268 +S'Settee' +p33867 +sg25270 +S'Amos C. Brinton' +p33868 +sa(dp33869 +g25268 +S'Duck on Lotus Leaf' +p33870 +sg25270 +S'Chinese Qing Dynasty' +p33871 +sg25273 +S'overall: 34 x 22.8 cm (13 3/8 x 9 in.)' +p33872 +sg25275 +S'\nporcelain with famille verte enamels on the biscuit' +p33873 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e1d.jpg' +p33874 +sg25267 +g27 +sa(dp33875 +g25267 +g27 +sg25268 +S'Settee' +p33876 +sg25270 +S'Harry Eisman' +p33877 +sa(dp33878 +g25267 +g27 +sg25268 +S'Settee' +p33879 +sg25270 +S'Ralph Morton' +p33880 +sa(dp33881 +g25267 +g27 +sg25268 +S'Shaving Stand' +p33882 +sg25270 +S'Joseph Cannella' +p33883 +sa(dp33884 +g25267 +g27 +sg25268 +S'Wall Shelf' +p33885 +sg25270 +S'Carl Keksi' +p33886 +sa(dp33887 +g25267 +g27 +sg25268 +S'Sideboard (Hepplewhite)' +p33888 +sg25270 +S'Charles Bowman' +p33889 +sa(dp33890 +g25267 +g27 +sg25268 +S'Sideboard' +p33891 +sg25270 +S'Isidore Sovensky' +p33892 +sa(dp33893 +g25267 +g27 +sg25268 +S'Settee' +p33894 +sg25270 +S'Rolland Livingstone' +p33895 +sa(dp33896 +g25267 +g27 +sg25268 +S'Sofa' +p33897 +sg25270 +S'Rolland Livingstone' +p33898 +sa(dp33899 +g25267 +g27 +sg25268 +S'Velvet Lounge' +p33900 +sg25270 +S'Florence Truelson' +p33901 +sa(dp33902 +g25267 +g27 +sg25268 +S'Sofa' +p33903 +sg25270 +S'Harry Eisman' +p33904 +sa(dp33905 +g25268 +S'Lion on High Pedestal' +p33906 +sg25270 +S'Chinese Qing Dynasty' +p33907 +sg25273 +S'overall (lion): 25.1 x 18.4 x 10.6 cm (9 7/8 x 7 1/4 x 4 3/16 in.)\r\noverall (pedestal): 13.7 x 23.7 x 15.7 cm (5 3/8 x 9 5/16 x 6 3/16 in.)' +p33908 +sg25275 +S'\nporcelain with famille verte enamels on the biscuit' +p33909 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e1e.jpg' +p33910 +sg25267 +g27 +sa(dp33911 +g25267 +g27 +sg25268 +S'Love Seat' +p33912 +sg25270 +S'Ralph Morton' +p33913 +sa(dp33914 +g25267 +g27 +sg25268 +S'Stool' +p33915 +sg25270 +S'Harold Ballerd' +p33916 +sa(dp33917 +g25267 +g27 +sg25268 +S'Card Table' +p33918 +sg25270 +S'M. Rosenshield-von-Paulin' +p33919 +sa(dp33920 +g25267 +g27 +sg25268 +S'Gaming Table' +p33921 +sg25270 +S'M. Rosenshield-von-Paulin' +p33922 +sa(dp33923 +g25267 +g27 +sg25268 +S'Gaming Table' +p33924 +sg25270 +S'M. Rosenshield-von-Paulin' +p33925 +sa(dp33926 +g25267 +g27 +sg25268 +S'Gaming Table' +p33927 +sg25270 +S'American 20th Century' +p33928 +sa(dp33929 +g25267 +g27 +sg25268 +S'Table - Folding Top' +p33930 +sg25270 +S'Harold Oldfield' +p33931 +sa(dp33932 +g25267 +g27 +sg25268 +S'Dining Room Table' +p33933 +sg25270 +S'Howard Weld' +p33934 +sa(dp33935 +g25267 +g27 +sg25268 +S'Details of Dining Room Table' +p33936 +sg25270 +S'Howard Weld' +p33937 +sa(dp33938 +g25267 +g27 +sg25268 +S'Pembroke Table' +p33939 +sg25270 +S'Ulrich Fischer' +p33940 +sa(dp33941 +g25268 +S'Lion on High Pedestal' +p33942 +sg25270 +S'Chinese Qing Dynasty' +p33943 +sg25273 +S'overall (lion): 24.7 x 17.8 x 10 cm (9 3/4 x 7 x 3 15/16 in.)\r\noverall (pedestal): 13.3 x 23.5 x 15.9 cm (5 1/4 x 9 1/4 x 6 1/4 in.)' +p33944 +sg25275 +S'\nporcelain with famille verte enamels on the biscuit' +p33945 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e1f.jpg' +p33946 +sg25267 +g27 +sa(dp33947 +g25267 +g27 +sg25268 +S'Sheraton Table' +p33948 +sg25270 +S'Edith Magnette' +p33949 +sa(dp33950 +g25267 +g27 +sg25268 +S'Pembroke Table (Drop Leaf)' +p33951 +sg25270 +S'Bernard Gussow' +p33952 +sa(dp33953 +g25267 +g27 +sg25268 +S'Pembroke Table' +p33954 +sg25270 +S'J.F. Rust' +p33955 +sa(dp33956 +g25267 +g27 +sg25268 +S'Oval Table Drop Leaf' +p33957 +sg25270 +S'Edith Magnette' +p33958 +sa(dp33959 +g25267 +g27 +sg25268 +S'Table-drop Leaf' +p33960 +sg25270 +S'American 20th Century' +p33961 +sa(dp33962 +g25267 +g27 +sg25268 +S'Table (Drop-leaf)' +p33963 +sg25270 +S'Nicholas Acampora' +p33964 +sa(dp33965 +g25267 +g27 +sg25268 +S'Table' +p33966 +sg25270 +S'Nicholas Acampora' +p33967 +sa(dp33968 +g25267 +g27 +sg25268 +S'Table' +p33969 +sg25270 +S'Harry Eisman' +p33970 +sa(dp33971 +g25267 +g27 +sg25268 +S'Butterfly Table' +p33972 +sg25270 +S'Lawrence Foster' +p33973 +sa(dp33974 +g25267 +g27 +sg25268 +S'Table' +p33975 +sg25270 +S'Ernest A. Towers, Jr.' +p33976 +sa(dp33977 +g25268 +S'Baluster Vase' +p33978 +sg25270 +S'Chinese Qing Dynasty' +p33979 +sg25273 +S'overall (height): 43.2 cm (17 in.)' +p33980 +sg25275 +S'\nporcelain with famille verte enamels on the biscuit' +p33981 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00020/a00020fe.jpg' +p33982 +sg25267 +g27 +sa(dp33983 +g25267 +g27 +sg25268 +S'Card Table' +p33984 +sg25270 +S'Virginia Kennady' +p33985 +sa(dp33986 +g25267 +g27 +sg25268 +S'Drop-leaf Table' +p33987 +sg25270 +S'Edward A. Darby' +p33988 +sa(dp33989 +g25267 +g27 +sg25268 +S'Pembroke Table' +p33990 +sg25270 +S'John Garay' +p33991 +sa(dp33992 +g25267 +g27 +sg25268 +S'Table, Drop-leaf' +p33993 +sg25270 +S'Edith Towner' +p33994 +sa(dp33995 +g25267 +g27 +sg25268 +S'Drop-leaf Table' +p33996 +sg25270 +S'David S. De Vault' +p33997 +sa(dp33998 +g25267 +g27 +sg25268 +S'Pembroke Table' +p33999 +sg25270 +S'Florence Choate' +p34000 +sa(dp34001 +g25267 +g27 +sg25268 +S'Drop Leaf, Pedestal Table' +p34002 +sg25270 +S'Arthur Johnson' +p34003 +sa(dp34004 +g25267 +g27 +sg25268 +S'Card Table' +p34005 +sg25270 +S'Francis Borelli' +p34006 +sa(dp34007 +g25267 +g27 +sg25268 +S'Card Table' +p34008 +sg25270 +S'Isidore Sovensky' +p34009 +sa(dp34010 +g25267 +g27 +sg25268 +S'Table' +p34011 +sg25270 +S'Jack Bochner' +p34012 +sa(dp34013 +g25268 +S'Baluster Vase' +p34014 +sg25270 +S'Chinese Qing Dynasty' +p34015 +sg25273 +S'overall: 43.2 x 20.3 cm (17 x 8 in.)' +p34016 +sg25275 +S'\nporcelain with famille verte enamels on the biscuit' +p34017 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e20.jpg' +p34018 +sg25267 +S'The decoration on this vase consists of two large four-clawed dragons \n chasing flaming pearls among stylized flames on the main body and two \n phoenixes on the neck. The enamel palette includes green, yellow, \n aubergine, and black. The two dragons, one yellow and the other aubergine, \n are of different types. The aubergine dragon resembles the characteristic \n late-Ming dragon, with an elongated head. The other has a more typical \n Kangxi-period head, which is much larger. Around the eyes of the latter, \n brown lines of the underdrawing are visibly painted directly on the \n porcelain body. \n (Text by Stephen Little, published in the NGA Systematic Catalogue: \n ' +p34019 +sa(dp34020 +g25267 +g27 +sg25268 +S'Gate-legged Table' +p34021 +sg25270 +S'Frank Wenger' +p34022 +sa(dp34023 +g25267 +g27 +sg25268 +S'Gate-legged Table' +p34024 +sg25270 +S'B. Holst-Grubbe' +p34025 +sa(dp34026 +g25267 +g27 +sg25268 +S'Gate-leg Table' +p34027 +sg25270 +S'M. Rosenshield-von-Paulin' +p34028 +sa(dp34029 +g25267 +g27 +sg25268 +S'Gate-leg Table' +p34030 +sg25270 +S'M. Rosenshield-von-Paulin' +p34031 +sa(dp34032 +g25267 +g27 +sg25268 +S'Table (Drop-leaf)' +p34033 +sg25270 +S'Bernard Gussow' +p34034 +sa(dp34035 +g25267 +g27 +sg25268 +S'Gate-leg Table' +p34036 +sg25270 +S'Artist Information (' +p34037 +sa(dp34038 +g25267 +g27 +sg25268 +S'Gate-leg Table' +p34039 +sg25270 +S'Fletcher Hanks' +p34040 +sa(dp34041 +g25267 +g27 +sg25268 +S'Three Legged Gate-leg Table' +p34042 +sg25270 +S'Rex Dolmith' +p34043 +sa(dp34044 +g25267 +g27 +sg25268 +S'Eight Leg Table with Drawer' +p34045 +sg25270 +S'Ernest A. Towers, Jr.' +p34046 +sa(dp34047 +g25267 +g27 +sg25268 +S'Gate-legged Table' +p34048 +sg25270 +S'Frank Wenger' +p34049 +sa(dp34050 +g25268 +S'Baluster Vase' +p34051 +sg25270 +S'Chinese Qing Dynasty' +p34052 +sg25273 +S'overall: 75.2 x 28.3 cm (29 5/8 x 11 1/8 in.)' +p34053 +sg25275 +S'\nporcelain with famille verte enamels on the biscuit' +p34054 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e21.jpg' +p34055 +sg25267 +g27 +sa(dp34056 +g25267 +g27 +sg25268 +S'Gate-legged Table' +p34057 +sg25270 +S'B. Holst-Grubbe' +p34058 +sa(dp34059 +g25267 +g27 +sg25268 +S'Gate-legged Table, Ball & Claw Feet' +p34060 +sg25270 +S'Joseph Sudek' +p34061 +sa(dp34062 +g25267 +g27 +sg25268 +S'Gate-legged Table' +p34063 +sg25270 +S'George Nelson' +p34064 +sa(dp34065 +g25267 +g27 +sg25268 +S'Settle-table' +p34066 +sg25270 +S'Arthur Johnson' +p34067 +sa(dp34068 +g25267 +g27 +sg25268 +S'Chest-Settee-Table-Comb' +p34069 +sg25270 +S'Franklin C. Moyan' +p34070 +sa(dp34071 +g25267 +g27 +sg25268 +S'Combination Table and Chair (as chair)' +p34072 +sg25270 +S'Joseph Sudek' +p34073 +sa(dp34074 +g25267 +g27 +sg25268 +S'Settle-table' +p34075 +sg25270 +S'B. Holst-Grubbe' +p34076 +sa(dp34077 +g25267 +g27 +sg25268 +S'Chair-table' +p34078 +sg25270 +S'M. Rosenshield-von-Paulin' +p34079 +sa(dp34080 +g25267 +g27 +sg25268 +S'Chair-table' +p34081 +sg25270 +S'M. Rosenshield-von-Paulin' +p34082 +sa(dp34083 +g25267 +g27 +sg25268 +S'Table (Bench or Chair Combination)' +p34084 +sg25270 +S'Bertha Stefano' +p34085 +sa(dp34086 +g25268 +S'Rectangular Vase Illustrating Poems by Tao Qian and Su Shi' +p34087 +sg25270 +S'Chinese Qing Dynasty' +p34088 +sg25273 +S'overall: 35.6 x 14 x 14 cm (14 x 5 1/2 x 5 1/2 in.)' +p34089 +sg25275 +S'\nporcelain with famille jaune and famille noire enamels on the biscuit' +p34090 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00020/a00020ff.jpg' +p34091 +sg25267 +g27 +sa(dp34092 +g25267 +g27 +sg25268 +S'Hutch Table' +p34093 +sg25270 +S'Nicholas Gorid' +p34094 +sa(dp34095 +g25267 +g27 +sg25268 +S'Tip Table (Hutch)' +p34096 +sg25270 +S'Nicholas Gorid' +p34097 +sa(dp34098 +g25267 +g27 +sg25268 +S'Tip Table' +p34099 +sg25270 +S'American 20th Century' +p34100 +sa(dp34101 +g25267 +g27 +sg25268 +S'Table Hutch Bench or Chair Combination' +p34102 +sg25270 +S'Rosa Burger' +p34103 +sa(dp34104 +g25267 +g27 +sg25268 +S'Kitchen Bench Table' +p34105 +sg25270 +S'Vincent P. Rosel' +p34106 +sa(dp34107 +g25267 +g27 +sg25268 +S'Table - Double Lyre Base' +p34108 +sg25270 +S'J. Howard Iams' +p34109 +sa(dp34110 +g25267 +g27 +sg25268 +S'Table (Lyre Pedestal)' +p34111 +sg25270 +S'Joseph Rothenberg' +p34112 +sa(dp34113 +g25267 +g27 +sg25268 +S'Table (Lyre Pedestal)' +p34114 +sg25270 +S'American 20th Century' +p34115 +sa(dp34116 +g25267 +g27 +sg25268 +S'Wall Table' +p34117 +sg25270 +S'James M. Lawson' +p34118 +sa(dp34119 +g25267 +g27 +sg25268 +S'Card Table' +p34120 +sg25270 +S'Florence Neal' +p34121 +sa(dp34122 +g25268 +S'Bottle Vase' +p34123 +sg25270 +S'Chinese Qing Dynasty' +p34124 +sg25273 +S'overall: 38.7 x 21 cm (15 1/4 x 8 1/4 in.)' +p34125 +sg25275 +S'\nporcelain with famille noire enamels and carved decoration' +p34126 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e22.jpg' +p34127 +sg25267 +g27 +sa(dp34128 +g25267 +g27 +sg25268 +S'Pier Table' +p34129 +sg25270 +S'Nicholas Gorid' +p34130 +sa(dp34131 +g25267 +g27 +sg25268 +S'Ebony, Marble-top Table' +p34132 +sg25270 +S'Edward A. Darby' +p34133 +sa(dp34134 +g25267 +g27 +sg25268 +S'Center Table, with Marble Top' +p34135 +sg25270 +S'Dana Bartlett' +p34136 +sa(dp34137 +g25267 +g27 +sg25268 +S'Console Table' +p34138 +sg25270 +S'Robert Pohle' +p34139 +sa(dp34140 +g25267 +g27 +sg25268 +S'Pier Table' +p34141 +sg25270 +S'John Dieterich' +p34142 +sa(dp34143 +g25267 +g27 +sg25268 +S'Pier Table' +p34144 +sg25270 +S'John Garay' +p34145 +sa(dp34146 +g25267 +g27 +sg25268 +S'Pier Table' +p34147 +sg25270 +S'John Garay' +p34148 +sa(dp34149 +g25267 +g27 +sg25268 +S'Marble Top Table' +p34150 +sg25270 +S'George Nelson' +p34151 +sa(dp34152 +g25267 +g27 +sg25268 +S'Marble Top Table' +p34153 +sg25270 +S'George Nelson' +p34154 +sa(dp34155 +g25267 +g27 +sg25268 +S'Console Table' +p34156 +sg25270 +S'Joseph Rothenberg' +p34157 +sa(dp34158 +g25268 +S'Vase, Meiping Shape' +p34159 +sg25270 +S'Chinese Qing Dynasty' +p34160 +sg25273 +S'overall: 34.6 x 19.7 cm (13 5/8 x 7 3/4 in.)' +p34161 +sg25275 +S'\nporcelain with famille verte enamels on the biscuit' +p34162 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f61.jpg' +p34163 +sg25267 +S'The exterior of the vase is decorated with a depiction of egrets in a \n lotus pond. The aubergine ground is unusual and suggests that the vase \n dates from an early phase in the evolution of the \n The vase is also unusual in that it represents a rare appearance of the \n \n (Text by Stephen Little, published in the NGA Systematic Catalogue: \n ' +p34164 +sa(dp34165 +g25267 +g27 +sg25268 +S'Tea Table' +p34166 +sg25270 +S'Henry Moore' +p34167 +sa(dp34168 +g25267 +g27 +sg25268 +S'Tea Table' +p34169 +sg25270 +S'Isadore Goldberg' +p34170 +sa(dp34171 +g25267 +g27 +sg25268 +S'Wall-table' +p34172 +sg25270 +S'Michael Riccitelli' +p34173 +sa(dp34174 +g25267 +g27 +sg25268 +S'Rectangular Table' +p34175 +sg25270 +S'Ruth Bialostosky' +p34176 +sa(dp34177 +g25267 +g27 +sg25268 +S'Rectangular Serving Table' +p34178 +sg25270 +S'American 20th Century' +p34179 +sa(dp34180 +g25267 +g27 +sg25268 +S'Silver Table (Tea?)' +p34181 +sg25270 +S'Meyer Goldbaum' +p34182 +sa(dp34183 +g25267 +g27 +sg25268 +S'Tea Table' +p34184 +sg25270 +S'Owen Middleton' +p34185 +sa(dp34186 +g25267 +g27 +sg25268 +S'"Butler\'s Table"' +p34187 +sg25270 +S'Carl Keksi' +p34188 +sa(dp34189 +g25267 +g27 +sg25268 +S'Invalid Bedside Table' +p34190 +sg25270 +S'Magnus S. Fossum' +p34191 +sa(dp34192 +g25267 +g27 +sg25268 +S'Circular Desk' +p34193 +sg25270 +S'Cornelius Frazier' +p34194 +sa(dp34195 +g25268 +S'Rectangular Vase' +p34196 +sg25270 +S'Chinese Qing Dynasty' +p34197 +sg25273 +S'overall (height): 56.1 cm (22 1/16 in.)' +p34198 +sg25275 +S'\nporcelain with famille jaune enamels on the biscuit' +p34199 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f62.jpg' +p34200 +sg25267 +g27 +sa(dp34201 +g25267 +g27 +sg25268 +S'Bedside Table' +p34202 +sg25270 +S'Isidore Sovensky' +p34203 +sa(dp34204 +g25267 +g27 +sg25268 +S'Serving Table' +p34205 +sg25270 +S'Edward L. Loper' +p34206 +sa(dp34207 +g25267 +g27 +sg25268 +S'Table' +p34208 +sg25270 +S'Marie Alain' +p34209 +sa(dp34210 +g25267 +g27 +sg25268 +S'Table' +p34211 +sg25270 +S'Hebilly West' +p34212 +sa(dp34213 +g25267 +g27 +sg25268 +S'T-base Candle Stand' +p34214 +sg25270 +S'Robert Brigadier' +p34215 +sa(dp34216 +g25267 +g27 +sg25268 +S'Writing or Sewing Table' +p34217 +sg25270 +S'Frank Wenger' +p34218 +sa(dp34219 +g25267 +g27 +sg25268 +S'Duncan Phyfe Sewing Cabinet' +p34220 +sg25270 +S'Mattie P. Goodman' +p34221 +sa(dp34222 +g25267 +g27 +sg25268 +S'Duncan Phyfe Sewing Cabinet' +p34223 +sg25270 +S'Mattie P. Goodman' +p34224 +sa(dp34225 +g25267 +g27 +sg25268 +S'Table' +p34226 +sg25270 +S'Edna C. Rex' +p34227 +sa(dp34228 +g25267 +g27 +sg25268 +S'Duncan Phyfe Sewing Cabinet' +p34229 +sg25270 +S'Edna C. Rex' +p34230 +sa(dp34231 +g25268 +S'Rectangular Vase' +p34232 +sg25270 +S'Chinese Qing Dynasty' +p34233 +sg25273 +S'overall (height): 56.5 cm (22 1/4 in.)' +p34234 +sg25275 +S'\nporcelain with famille jaune enamels on the biscuit' +p34235 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f63.jpg' +p34236 +sg25267 +g27 +sa(dp34237 +g25267 +g27 +sg25268 +S'Dining Table' +p34238 +sg25270 +S'Isidore Sovensky' +p34239 +sa(dp34240 +g25267 +g27 +sg25268 +S'Hepplewhite Drop Leaf Table' +p34241 +sg25270 +S'Hugh Ryan' +p34242 +sa(dp34243 +g25267 +g27 +sg25268 +S'Gate-legged Dining Table' +p34244 +sg25270 +S'Amos C. Brinton' +p34245 +sa(dp34246 +g25267 +g27 +sg25268 +S'Gatelegged (Table) Ball & Claw Feet' +p34247 +sg25270 +S'Joseph Sudek' +p34248 +sa(dp34249 +g25267 +g27 +sg25268 +S'Dining Table' +p34250 +sg25270 +S'William H. Edwards' +p34251 +sa(dp34252 +g25267 +g27 +sg25268 +S'Settle-table' +p34253 +sg25270 +S'Harry Eisman' +p34254 +sa(dp34255 +g25267 +g27 +sg25268 +S'Work Table' +p34256 +sg25270 +S'John Dana' +p34257 +sa(dp34258 +g25267 +g27 +sg25268 +S'Sideboard Table' +p34259 +sg25270 +S'Isidore Sovensky' +p34260 +sa(dp34261 +g25267 +g27 +sg25268 +S'Table' +p34262 +sg25270 +S'Isadore Goldberg' +p34263 +sa(dp34264 +g25267 +g27 +sg25268 +S'Table' +p34265 +sg25270 +S'Isidore Sovensky' +p34266 +sa(dp34267 +g25268 +S'Vase in the Shape of an Archaic Bronze Fang Hu' +p34268 +sg25270 +S'Chinese Qing Dynasty' +p34269 +sg25273 +S'overall: 50.8 x 19.8 x 17.8 cm (20 x 7 13/16 x 7 in.)' +p34270 +sg25275 +S'\nporcelain with famille jaune enamels on the biscuit' +p34271 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f64.jpg' +p34272 +sg25267 +g27 +sa(dp34273 +g25267 +g27 +sg25268 +S'Kitchen Table' +p34274 +sg25270 +S'Stanley Mazur' +p34275 +sa(dp34276 +g25267 +g27 +sg25268 +S'Mirror Stand' +p34277 +sg25270 +S'Harry Eisman' +p34278 +sa(dp34279 +g25267 +g27 +sg25268 +S'Sewing Table' +p34280 +sg25270 +S'Charles Goodwin' +p34281 +sa(dp34282 +g25267 +g27 +sg25268 +S'Sewing Table' +p34283 +sg25270 +S'Ernest A. Towers, Jr.' +p34284 +sa(dp34285 +g25267 +g27 +sg25268 +S'Drop-leaf Table' +p34286 +sg25270 +S'Rex F. Bush' +p34287 +sa(dp34288 +g25267 +g27 +sg25268 +S'Work Table' +p34289 +sg25270 +S'Fred Peterson' +p34290 +sa(dp34291 +g25267 +g27 +sg25268 +S'Mahogany Sewing Table' +p34292 +sg25270 +S'Anne B. Trepagnier' +p34293 +sa(dp34294 +g25267 +g27 +sg25268 +S'Table with Deep Drawer' +p34295 +sg25270 +S'Mattie P. Goodman' +p34296 +sa(dp34297 +g25267 +g27 +sg25268 +S'Sewing Table' +p34298 +sg25270 +S'Nicholas Gorid' +p34299 +sa(dp34300 +g25267 +g27 +sg25268 +S'Half-round Table' +p34301 +sg25270 +S'Georgine E. Mason' +p34302 +sa(dp34303 +g25268 +S'Zun-Shaped Beaker Vase' +p34304 +sg25270 +S'Chinese Qing Dynasty' +p34305 +sg25273 +S'overall: 46.1 x 22.7 cm (18 1/8 x 8 15/16 in.)' +p34306 +sg25275 +S'\nporcelain with famille noire enamels on the biscuit' +p34307 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f65.jpg' +p34308 +sg25267 +g27 +sa(dp34309 +g25267 +g27 +sg25268 +S'Rectangular Table for Serving or Tea' +p34310 +sg25270 +S'American 20th Century' +p34311 +sa(dp34312 +g25267 +g27 +sg25268 +S'Tea Table' +p34313 +sg25270 +S'Bernard Krieger' +p34314 +sa(dp34315 +g25267 +g27 +sg25268 +S'Tea Table' +p34316 +sg25270 +S'Florence Neal' +p34317 +sa(dp34318 +g25267 +g27 +sg25268 +S'Serving Table' +p34319 +sg25270 +S'John Swientochowski' +p34320 +sa(dp34321 +g25267 +g27 +sg25268 +S'Table (Occasional)' +p34322 +sg25270 +S'Francis Law Durand' +p34323 +sa(dp34324 +g25267 +g27 +sg25268 +S'Work Table' +p34325 +sg25270 +S'Bernard Gussow' +p34326 +sa(dp34327 +g25267 +g27 +sg25268 +S'Two Drawer Stand' +p34328 +sg25270 +S'Edith Magnette' +p34329 +sa(dp34330 +g25267 +g27 +sg25268 +S'Two Drawer Stand' +p34331 +sg25270 +S'Edith Magnette' +p34332 +sa(dp34333 +g25267 +g27 +sg25268 +S"Lady's Companion" +p34334 +sg25270 +S'Edna C. Rex' +p34335 +sa(dp34336 +g25267 +g27 +sg25268 +S'Sewing Table' +p34337 +sg25270 +S'Florence Choate' +p34338 +sa(dp34339 +g25268 +S'Zun-Shaped Beaker Vase' +p34340 +sg25270 +S'Chinese Qing Dynasty' +p34341 +sg25273 +S'overall: 46.6 x 23 cm (18 3/8 x 9 1/16 in.)' +p34342 +sg25275 +S'\nporcelain with famille noire enamels on the biscuit' +p34343 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e23.jpg' +p34344 +sg25267 +g27 +sa(dp34345 +g25267 +g27 +sg25268 +S'Writing or Sewing Table' +p34346 +sg25270 +S'Frank Wenger' +p34347 +sa(dp34348 +g25267 +g27 +sg25268 +S'Sewing Table' +p34349 +sg25270 +S'Elizabeth Curtis' +p34350 +sa(dp34351 +g25267 +g27 +sg25268 +S'Sewing Table' +p34352 +sg25270 +S'Bessie Forman' +p34353 +sa(dp34354 +g25267 +g27 +sg25268 +S'Serving and Work Table' +p34355 +sg25270 +S'American 20th Century' +p34356 +sa(dp34357 +g25267 +g27 +sg25268 +S'Sewing and Work Table' +p34358 +sg25270 +S'American 20th Century' +p34359 +sa(dp34360 +g25267 +g27 +sg25268 +S'Sewing-table' +p34361 +sg25270 +S'Edna C. Rex' +p34362 +sa(dp34363 +g25267 +g27 +sg25268 +S'Sewing Table' +p34364 +sg25270 +S'Artist Information (' +p34365 +sa(dp34366 +g25267 +g27 +sg25268 +S'Dropleaf Table' +p34367 +sg25270 +S'Alfred Walbeck' +p34368 +sa(dp34369 +g25267 +g27 +sg25268 +S'Table' +p34370 +sg25270 +S'Vincent P. Rosel' +p34371 +sa(dp34372 +g25267 +g27 +sg25268 +S'Tray Table' +p34373 +sg25270 +S'Robert Cole' +p34374 +sa(dp34375 +g25268 +S'Square Vase' +p34376 +sg25270 +S'Chinese Qing Dynasty' +p34377 +sg25273 +S'overall: 49.2 x 14.6 cm (19 3/8 x 5 3/4 in.)' +p34378 +sg25275 +S'\nporcelain with famille noire enamels on the biscuit' +p34379 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e25.jpg' +p34380 +sg25267 +g27 +sa(dp34381 +g25267 +g27 +sg25268 +S'Table' +p34382 +sg25270 +S'George Fairbanks' +p34383 +sa(dp34384 +g25267 +g27 +sg25268 +S'Utility Table' +p34385 +sg25270 +S'Henry Tomaszewski' +p34386 +sa(dp34387 +g25267 +g27 +sg25268 +S'Table' +p34388 +sg25270 +S'Jack Williamson' +p34389 +sa(dp34390 +g25267 +g27 +sg25268 +S'Table (Occassional)' +p34391 +sg25270 +S'Francis Law Durand' +p34392 +sa(dp34393 +g25267 +g27 +sg25268 +S'Table' +p34394 +sg25270 +S'Wellington Blewett' +p34395 +sa(dp34396 +g25267 +g27 +sg25268 +S'Dining Room Suite' +p34397 +sg25270 +S'Juanita Lantz' +p34398 +sa(dp34399 +g25267 +g27 +sg25268 +S'Dining Room Suite' +p34400 +sg25270 +S'Juanita Lantz' +p34401 +sa(dp34402 +g25267 +g27 +sg25268 +S'Mahogany Tilt-top Table' +p34403 +sg25270 +S'Erwin Schwabe' +p34404 +sa(dp34405 +g25267 +g27 +sg25268 +S'Drop Leaf Table' +p34406 +sg25270 +S'Dorothea A. Farrington' +p34407 +sa(dp34408 +g25267 +g27 +sg25268 +S'Duncan Phyfe Table' +p34409 +sg25270 +S'Arthur Mathews' +p34410 +sa(dp34411 +g25268 +S'Baluster Vase' +p34412 +sg25270 +S'Chinese Qing Dynasty' +p34413 +sg25273 +S'overall (height): 42.2 cm (16 5/8 in.)' +p34414 +sg25275 +S'\nporcelain with famille noire enamels on the biscuit' +p34415 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e26.jpg' +p34416 +sg25267 +g27 +sa(dp34417 +g25267 +g27 +sg25268 +S'Table' +p34418 +sg25270 +S'Arthur Mathews' +p34419 +sa(dp34420 +g25267 +g27 +sg25268 +S'Card Table' +p34421 +sg25270 +S'Jack Carr' +p34422 +sa(dp34423 +g25267 +g27 +sg25268 +S'Table Pedestal' +p34424 +sg25270 +S'Bernard Krieger' +p34425 +sa(dp34426 +g25267 +g27 +sg25268 +S'Table Pedestal' +p34427 +sg25270 +S'Nicholas Gorid' +p34428 +sa(dp34429 +g25267 +g27 +sg25268 +S'Card Table' +p34430 +sg25270 +S'Bessie Forman' +p34431 +sa(dp34432 +g25267 +g27 +sg25268 +S'Table Pedestal' +p34433 +sg25270 +S'Arthur Johnson' +p34434 +sa(dp34435 +g25267 +g27 +sg25268 +S'Card Table' +p34436 +sg25270 +S'Bessie Forman' +p34437 +sa(dp34438 +g25267 +g27 +sg25268 +S'Sofa Table' +p34439 +sg25270 +S'M. Rosenshield-von-Paulin' +p34440 +sa(dp34441 +g25267 +g27 +sg25268 +S'Sofa Table' +p34442 +sg25270 +S'Isidore Sovensky' +p34443 +sa(dp34444 +g25267 +g27 +sg25268 +S'Table' +p34445 +sg25270 +S'Henry Moore' +p34446 +sa(dp34447 +g25268 +S'Baluster Vase' +p34448 +sg25270 +S'Chinese Qing Dynasty' +p34449 +sg25273 +S'overall (height): 44.1 cm (17 3/8 in.)' +p34450 +sg25275 +S'\nporcelain with famille noire enamels on the biscuit' +p34451 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e27.jpg' +p34452 +sg25267 +g27 +sa(dp34453 +g25267 +g27 +sg25268 +S'Tavern Table (Top Missing)' +p34454 +sg25270 +S'Austin L. Davison' +p34455 +sa(dp34456 +g25267 +g27 +sg25268 +S'Refectory Table' +p34457 +sg25270 +S'Austin L. Davison' +p34458 +sa(dp34459 +g25267 +g27 +sg25268 +S'Tavern Table or Refectory Table' +p34460 +sg25270 +S'Louis Annino' +p34461 +sa(dp34462 +g25267 +g27 +sg25268 +S'Table' +p34463 +sg25270 +S'Frederick Jackson' +p34464 +sa(dp34465 +g25267 +g27 +sg25268 +S'Tavern Table' +p34466 +sg25270 +S'Arthur Johnson' +p34467 +sa(dp34468 +g25267 +g27 +sg25268 +S'Table' +p34469 +sg25270 +S'Lawrence Phillips' +p34470 +sa(dp34471 +g25267 +g27 +sg25268 +S'Tavern Table' +p34472 +sg25270 +S'Isadore Goldberg' +p34473 +sa(dp34474 +g25267 +g27 +sg25268 +S'Tavern Table or Stretcher' +p34475 +sg25270 +S'Dorothea A. Farrington' +p34476 +sa(dp34477 +g25267 +g27 +sg25268 +S'Tavern Table' +p34478 +sg25270 +S'Harry Eisman' +p34479 +sa(dp34480 +g25267 +g27 +sg25268 +S'Trestle Table' +p34481 +sg25270 +S'Fletcher Hanks' +p34482 +sa(dp34483 +g25268 +S'Bowl' +p34484 +sg25270 +S'Chinese Qing Dynasty' +p34485 +sg25273 +S'overall: 9.4 x 22.8 cm (3 11/16 x 9 in.)' +p34486 +sg25275 +S'\nporcelain with overglaze famille rose and famille noire enamels' +p34487 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e29.jpg' +p34488 +sg25267 +g27 +sa(dp34489 +g25267 +g27 +sg25268 +S'Trestle Table' +p34490 +sg25270 +S'Charles Henning' +p34491 +sa(dp34492 +g25267 +g27 +sg25268 +S'Candle Table' +p34493 +sg25270 +S'David S. De Vault' +p34494 +sa(dp34495 +g25267 +g27 +sg25268 +S'Table (Occasional)' +p34496 +sg25270 +S'Michael Riccitelli' +p34497 +sa(dp34498 +g25267 +g27 +sg25268 +S'Table' +p34499 +sg25270 +S'Mario De Ferrante' +p34500 +sa(dp34501 +g25267 +g27 +sg25268 +S'Side Table' +p34502 +sg25270 +S'Henry Moore' +p34503 +sa(dp34504 +g25267 +g27 +sg25268 +S'Tip-table or Cant-table' +p34505 +sg25270 +S'William McAuley' +p34506 +sa(dp34507 +g25267 +g27 +sg25268 +S'Tip-table or Cant-table' +p34508 +sg25270 +S'William McAuley' +p34509 +sa(dp34510 +g25267 +g27 +sg25268 +S'Candle Table' +p34511 +sg25270 +S'Carl Buergerniss' +p34512 +sa(dp34513 +g25267 +g27 +sg25268 +S'Tilt Top Table' +p34514 +sg25270 +S'Henry Murphy' +p34515 +sa(dp34516 +g25267 +g27 +sg25268 +S'Table (Tripod)' +p34517 +sg25270 +S'Michael Riccitelli' +p34518 +sa(dp34519 +g25268 +S'Rouleau-Shaped Vase' +p34520 +sg25270 +S'Chinese Qing Dynasty' +p34521 +sg25273 +S'overall (height): 60.3 cm (23 3/4 in.)' +p34522 +sg25275 +S'\nporcelain with famille noire enamels on the biscuit' +p34523 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e2a.jpg' +p34524 +sg25267 +g27 +sa(dp34525 +g25267 +g27 +sg25268 +S'Card Table' +p34526 +sg25270 +S'Bessie Forman' +p34527 +sa(dp34528 +g25267 +g27 +sg25268 +S'Occasional Table' +p34529 +sg25270 +S'Artist Information (' +p34530 +sa(dp34531 +g25267 +g27 +sg25268 +S'Table' +p34532 +sg25270 +S'Michael Riccitelli' +p34533 +sa(dp34534 +g25267 +g27 +sg25268 +S'Candlestand' +p34535 +sg25270 +S'Max Schwartz' +p34536 +sa(dp34537 +g25267 +g27 +sg25268 +S'Tripod-table' +p34538 +sg25270 +S'Arthur Johnson' +p34539 +sa(dp34540 +g25267 +g27 +sg25268 +S'Table' +p34541 +sg25270 +S'Hans Westendorff' +p34542 +sa(dp34543 +g25267 +g27 +sg25268 +S'Table' +p34544 +sg25270 +S'Hans Westendorff' +p34545 +sa(dp34546 +g25267 +g27 +sg25268 +S'Tilt-top Table' +p34547 +sg25270 +S'Rolland Livingstone' +p34548 +sa(dp34549 +g25267 +S'As the colonists\' standard of living became more luxurious, specialized furniture\r\n forms were developed. The habit of drinking tea became popular in the 1730s, and\r\n tea tables became an important eighteenth-century furniture form after 1740. During\r\n the Chippendale period, cabinetmakers developed a tripod base tea table with its\r\n top supported by a birdcage device of the kind that appears here. The "birdcage"\r\n apparatus was ornamental as well as functional; it permitted the top to revolve\r\n when the table was in use for serving, but a peg inserted through the center prevented\r\n the top from spinning wildly. This characteristic Chippendale tea table stands on\r\n three boldly outthrust cabriole legs carved at the knee and ending with the usual\r\n ball and claw foot. The top is scalloped and edged with molding cut from the solid\r\n wood; the molded edge gave rise to the term "piecrust table," frequently used in\r\n reference to tables such as this one.\n ' +p34550 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002f2.jpg' +p34551 +sg25268 +S'Table' +p34552 +sg25270 +S'Frank Wenger' +p34553 +sa(dp34554 +g25267 +g27 +sg25268 +S'Table' +p34555 +sg25270 +S'Frank Wenger' +p34556 +sa(dp34557 +g25268 +S'Rouleau-Shaped Vase' +p34558 +sg25270 +S'Chinese Qing Dynasty' +p34559 +sg25273 +S'overall (height): 60 cm (23 5/8 in.)' +p34560 +sg25275 +S'\nporcelain with famille noire enamels on the biscuit' +p34561 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e2b.jpg' +p34562 +sg25267 +g27 +sa(dp34563 +g25267 +g27 +sg25268 +S'Drawing of Table' +p34564 +sg25270 +S'Hans Westendorff' +p34565 +sa(dp34566 +g25267 +g27 +sg25268 +S'Tilt-top Table' +p34567 +sg25270 +S'Francis Borelli' +p34568 +sa(dp34569 +g25267 +g27 +sg25268 +S'Tilt-top Table' +p34570 +sg25270 +S'Artist Information (' +p34571 +sa(dp34572 +g25267 +g27 +sg25268 +S'Tripod Table' +p34573 +sg25270 +S'Arthur Johnson' +p34574 +sa(dp34575 +g25267 +g27 +sg25268 +S'Tip-top Table' +p34576 +sg25270 +S'Hans Korsch' +p34577 +sa(dp34578 +g25267 +g27 +sg25268 +S'Tripod Table' +p34579 +sg25270 +S'A. Zaidenberg' +p34580 +sa(dp34581 +g25267 +g27 +sg25268 +S'Tripod Stand' +p34582 +sg25270 +S'Lorenz Rothkranz' +p34583 +sa(dp34584 +g25267 +g27 +sg25268 +S'Table' +p34585 +sg25270 +S'American 20th Century' +p34586 +sa(dp34587 +g25267 +g27 +sg25268 +S'Tilt Top Table' +p34588 +sg25270 +S'Herbert Marsh' +p34589 +sa(dp34590 +g25267 +g27 +sg25268 +S'Tilt-top Table' +p34591 +sg25270 +S'Holger Hansen' +p34592 +sa(dp34593 +g25268 +S'The Annunciation' +p34594 +sg25270 +S'Masolino da Panicale' +p34595 +sg25273 +S'tempera (and possibly oil glazes) on panel' +p34596 +sg25275 +S'c. 1423/1424' +p34597 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005e2.jpg' +p34598 +sg25267 +S"Fifteenth-century viewers of this Annunciation would have\r\n recognized not \r\n only its general subject, but also the particular moment Masolino \r\n chose to \r\n paint. Street preachers gave vivid accounts of Gabriel's message to\r\n Mary \r\n about Christ's birth, and audiences would also have seen the\r\n Annunciation \r\n reenacted on its feast day. In Florence, Brunelleschi designed an \r\n apparatus to \r\n lower an actor portraying Gabriel from the cathedral dome, as young\r\n children dressed as angels hung suspended in rigging. Events in the\r\n drama took place in sequence. Mary was first startled at the\r\n angel's sudden \r\n appearance; she reflected on his message and queried Gabriel about\r\n her \r\n fitness; finally, kneeling, she submitted to God's will. Here\r\n Mary's \r\n downcast eyes and musing gesture—hand resting tentatively on her\r\n breast—suggest the second, and most often depicted, of these stages:\r\n reflection. \r\n As did actors in the religious plays, artists used gesture and\r\n posture to \r\n communicate states of mind.\n Masolino is best known for his collaboration with Masaccio on\r\n the \r\n frescoes of the Brancacci chapel in Florence—and for his failure\r\n to \r\n pursue Masaccio's innovations. Masolino continued to paint in a\r\n style that \r\n was delicate and ornamental. His colors are flowerlike, his figures\r\n elegant \r\n but unreal. They do not seem so much to exist within the painted\r\n space as \r\n to be placed before it. In the ceiling, colorful tiles, a device\r\n used by \r\n Masaccio to create perspective lines, are merely decorative and\r\n leave space \r\n ambiguous.\n " +p34599 +sa(dp34600 +g25268 +S'Rouleau-Shaped Vase' +p34601 +sg25270 +S'Chinese Qing Dynasty' +p34602 +sg25273 +S'overall (height): 60 cm (23 5/8 in.)' +p34603 +sg25275 +S'\nporcelain with famille noire enamels on the biscuit' +p34604 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e2c.jpg' +p34605 +sg25267 +g27 +sa(dp34606 +g25267 +g27 +sg25268 +S"Crow's Nest Tilt Top Table" +p34607 +sg25270 +S'Herbert Marsh' +p34608 +sa(dp34609 +g25267 +g27 +sg25268 +S'Tip-top-table' +p34610 +sg25270 +S'Frank Wenger' +p34611 +sa(dp34612 +g25267 +g27 +sg25268 +S'Tilt Table' +p34613 +sg25270 +S'Ferdinand Cartier' +p34614 +sa(dp34615 +g25267 +g27 +sg25268 +S'Tilt Table' +p34616 +sg25270 +S'Ferdinand Cartier' +p34617 +sa(dp34618 +g25267 +g27 +sg25268 +S'Tilt Top Table' +p34619 +sg25270 +S'Dorothy Handy' +p34620 +sa(dp34621 +g25267 +g27 +sg25268 +S'Table (Collapsible)' +p34622 +sg25270 +S'Franklin C. Moyan' +p34623 +sa(dp34624 +g25267 +g27 +sg25268 +S'Fire Screen' +p34625 +sg25270 +S'Artist Information (' +p34626 +sa(dp34627 +g25267 +S"During the Federal period, from about 1780 to 1820, work tables became popular,\r\n and many new types were developed. Sheraton's \n " +p34628 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002d1.jpg' +p34629 +sg25268 +S'Sewing Table' +p34630 +sg25270 +S'Rolland Livingstone' +p34631 +sa(dp34632 +g25267 +g27 +sg25268 +S'Highboy' +p34633 +sg25270 +S'Ferdinand Cartier' +p34634 +sa(dp34635 +g25267 +g27 +sg25268 +S'Lowboy' +p34636 +sg25270 +S'American 20th Century' +p34637 +sa(dp34638 +g25268 +S'Rouleau-Shaped Vase' +p34639 +sg25270 +S'Chinese Qing Dynasty' +p34640 +sg25273 +S'overall (height): 59.9 cm (23 9/16 in.)' +p34641 +sg25275 +S'\nporcelain with famille noire enamels on the biscuit' +p34642 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e2d.jpg' +p34643 +sg25267 +g27 +sa(dp34644 +g25267 +g27 +sg25268 +S'Mantel Clock or Shelf Clock' +p34645 +sg25270 +S'Samuel Fineman' +p34646 +sa(dp34647 +g25267 +g27 +sg25268 +S'Thirty Hour Clock' +p34648 +sg25270 +S'Artist Information (' +p34649 +sa(dp34650 +g25267 +g27 +sg25268 +S'Sofa Table' +p34651 +sg25270 +S'Francis Borelli' +p34652 +sa(dp34653 +g25267 +g27 +sg25268 +S'Window Seat' +p34654 +sg25270 +S'Harry Eisman' +p34655 +sa(dp34656 +g25267 +g27 +sg25268 +S'Sewing Table' +p34657 +sg25270 +S'Isidore Sovensky' +p34658 +sa(dp34659 +g25267 +S"In addition to Hepplewhite's \n " +p34660 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002d0.jpg' +p34661 +sg25268 +S'Card Table' +p34662 +sg25270 +S'Ferdinand Cartier' +p34663 +sa(dp34664 +g25267 +S'As an alternative to inlaid ornament, Sheraton designs customarily rely upon\r\n carved decoration. This well-proportioned mahogany sofa displays expertly carved,\r\n reeded arms that slope gracefully to join slender reeded and turned front posts.\r\n The front legs, too, are finely reeded, and a long triple panel crest rail is adorned\r\n with elegantly carved swags, bow-knots, and tassels. The sofa was made between\r\n 1810 and 1815 by Duncan Phyfe, a well-known New York cabinetmaker; it represents\r\n an early stage in his career, when he was producing furniture in the Sheraton style.\n ' +p34665 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002d3.jpg' +p34666 +sg25268 +S'Sofa' +p34667 +sg25270 +S'Ferdinand Cartier' +p34668 +sa(dp34669 +g25267 +g27 +sg25268 +S'Lowboy' +p34670 +sg25270 +S'Ferdinand Cartier' +p34671 +sa(dp34672 +g25267 +g27 +sg25268 +S'Mixing Table' +p34673 +sg25270 +S'Ferdinand Cartier' +p34674 +sa(dp34675 +g25267 +g27 +sg25268 +S'Highboy' +p34676 +sg25270 +S'Lorenz Rothkranz' +p34677 +sa(dp34678 +g25268 +S'Baluster Vase' +p34679 +sg25270 +S'Chinese Qing Dynasty' +p34680 +sg25273 +S'overall (height): 69.4 cm (27 5/16 in.)' +p34681 +sg25275 +S'\nporcelain with famille noire enamels on the biscuit' +p34682 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e2e.jpg' +p34683 +sg25267 +g27 +sa(dp34684 +g25267 +g27 +sg25268 +S'Cabinet Top Desk' +p34685 +sg25270 +S'Ferdinand Cartier' +p34686 +sa(dp34687 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00054/a000544a.jpg' +p34688 +sg25268 +S'Chest' +p34689 +sg25270 +S'Ferdinand Cartier' +p34690 +sa(dp34691 +g25267 +S'The wainscot chair was the fine chair of the Jacobean period. This one is made\r\n of oak, a wood commonly used in the seventeenth century. The paneled back of the\r\n chair is similar to panels on chests and cupboards of the same period. This aspect\r\n of Jacobean style is derived from wainscoting, the wooden paneling used in Elizabethan\r\n rooms. The arched niche cut into the center of the seat back and repeated in the\r\n carved arcades of the seat rail is another decorative motif adapted from an architectural\r\n form. Notice the turned bulbous shape of the front legs and the arm posts, which\r\n are a characteristic feature of Jacobean furniture.\n ' +p34692 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002c1.jpg' +p34693 +sg25268 +S'Wainscot Armchair' +p34694 +sg25270 +S'Leo Drozdoff' +p34695 +sa(dp34696 +g25267 +g27 +sg25268 +S'Shelf Clock' +p34697 +sg25270 +S'Frank Wenger' +p34698 +sa(dp34699 +g25267 +g27 +sg25268 +S'Side Board' +p34700 +sg25270 +S'American 20th Century' +p34701 +sa(dp34702 +g25267 +g27 +sg25268 +S'Occasional Table' +p34703 +sg25270 +S'Artist Information (' +p34704 +sa(dp34705 +g25267 +g27 +sg25268 +S'Three-cornered Safe' +p34706 +sg25270 +S'Pearl Davis' +p34707 +sa(dp34708 +g25267 +g27 +sg25268 +S'Flour Bin' +p34709 +sg25270 +S'Grace Bolser' +p34710 +sa(dp34711 +g25267 +g27 +sg25268 +S'Secretary' +p34712 +sg25270 +S'Artist Information (' +p34713 +sa(dp34714 +g25267 +g27 +sg25268 +S'Desk' +p34715 +sg25270 +S'Peter C. Ustinoff' +p34716 +sa(dp34717 +g25268 +S'Baluster Vase' +p34718 +sg25270 +S'Chinese Qing Dynasty' +p34719 +sg25273 +S'overall (height): 67.4 cm (26 9/16 in.)' +p34720 +sg25275 +S'\nporcelain with famille noire enamels on the biscuit' +p34721 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e30.jpg' +p34722 +sg25267 +g27 +sa(dp34723 +g25267 +g27 +sg25268 +S'Kitchen Safe' +p34724 +sg25270 +S'Peter C. Ustinoff' +p34725 +sa(dp34726 +g25267 +g27 +sg25268 +S'Wardrobe' +p34727 +sg25270 +S'Dorothy Johnson' +p34728 +sa(dp34729 +g25267 +g27 +sg25268 +S'Wardrobe' +p34730 +sg25270 +S'Rosa Rivero' +p34731 +sa(dp34732 +g25267 +g27 +sg25268 +S'Pine Wardrobe' +p34733 +sg25270 +S'Grace Bolser' +p34734 +sa(dp34735 +g25267 +g27 +sg25268 +S'China Closet' +p34736 +sg25270 +S'Josephine Prado' +p34737 +sa(dp34738 +g25267 +g27 +sg25268 +S'China Closet' +p34739 +sg25270 +S'Grace Bolser' +p34740 +sa(dp34741 +g25267 +g27 +sg25268 +S'Cabinet' +p34742 +sg25270 +S'Grace Bolser' +p34743 +sa(dp34744 +g25267 +g27 +sg25268 +S'Panel Door' +p34745 +sg25270 +S'Angeline Starr' +p34746 +sa(dp34747 +g25267 +g27 +sg25268 +S'Wash-stand' +p34748 +sg25270 +S'Eugene R. Szepessy' +p34749 +sa(dp34750 +g25267 +g27 +sg25268 +S'Dresser' +p34751 +sg25270 +S'Pearl Davis' +p34752 +sa(dp34753 +g25268 +S'Baluster Vase' +p34754 +sg25270 +S'Chinese Qing Dynasty' +p34755 +sg25273 +S'overall (height): 74.9 cm (29 1/2 in.)' +p34756 +sg25275 +S'\nporcelain with famille noire enamels on the biscuit' +p34757 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e32.jpg' +p34758 +sg25267 +S'The exterior of this vase is decorated with garden rocks, blossoming \n plum trees, bamboo, and birds against a black ground. The painting is \n accomplished but rather perfunctory. The full \n (Text by Stephen Little, published in the NGA Systematic Catalogue: \n ' +p34759 +sa(dp34760 +g25267 +g27 +sg25268 +S'Chest' +p34761 +sg25270 +S'Grace Bolser' +p34762 +sa(dp34763 +g25267 +g27 +sg25268 +S'Chest of Drawers' +p34764 +sg25270 +S'Joe Brennan' +p34765 +sa(dp34766 +g25267 +g27 +sg25268 +S'Gateleg Table' +p34767 +sg25270 +S'Peter C. Ustinoff' +p34768 +sa(dp34769 +g25267 +g27 +sg25268 +S'Round Top Table' +p34770 +sg25270 +S'Josephine Prado' +p34771 +sa(dp34772 +g25267 +g27 +sg25268 +S'Wash Stand' +p34773 +sg25270 +S'Joe Brennan' +p34774 +sa(dp34775 +g25267 +g27 +sg25268 +S'Cradle' +p34776 +sg25270 +S'Pearl Davis' +p34777 +sa(dp34778 +g25267 +g27 +sg25268 +S'Box Cradle' +p34779 +sg25270 +S'Mary Hansen' +p34780 +sa(dp34781 +g25267 +g27 +sg25268 +S'Cradle' +p34782 +sg25270 +S'Pearl Davis' +p34783 +sa(dp34784 +g25267 +g27 +sg25268 +S'Octagonal Table' +p34785 +sg25270 +S'Peter C. Ustinoff' +p34786 +sa(dp34787 +g25267 +g27 +sg25268 +S'Round Top Table' +p34788 +sg25270 +S'Artist Information (' +p34789 +sa(dp34790 +g25268 +S'Baluster Vase' +p34791 +sg25270 +S'Chinese Qing Dynasty' +p34792 +sg25273 +S'overall: 69.2 x 27.3 cm (27 1/4 x 10 3/4 in.)' +p34793 +sg25275 +S'\nporcelain with famille noire enamels on the biscuit' +p34794 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e33.jpg' +p34795 +sg25267 +g27 +sa(dp34796 +g25267 +g27 +sg25268 +S'Kas' +p34797 +sg25270 +S'Arthur Johnson' +p34798 +sa(dp34799 +g25267 +g27 +sg25268 +S'Kas' +p34800 +sg25270 +S'Lorenz Rothkranz' +p34801 +sa(dp34802 +g25267 +g27 +sg25268 +S'Kas' +p34803 +sg25270 +S'Isadore Goldberg' +p34804 +sa(dp34805 +g25267 +g27 +sg25268 +S"Wardrobe, John Marshall's" +p34806 +sg25270 +S'Edna C. Rex' +p34807 +sa(dp34808 +g25267 +g27 +sg25268 +S"Wardrobe, John Marshall's" +p34809 +sg25270 +S'Edna C. Rex' +p34810 +sa(dp34811 +g25267 +g27 +sg25268 +S'Wardrobe' +p34812 +sg25270 +S'George Fairbanks' +p34813 +sa(dp34814 +g25267 +g27 +sg25268 +S'Wardrobe' +p34815 +sg25270 +S'George Fairbanks' +p34816 +sa(dp34817 +g25267 +g27 +sg25268 +S'Wardrobe' +p34818 +sg25270 +S'Katharine Morris' +p34819 +sa(dp34820 +g25267 +g27 +sg25268 +S'Wardrobe' +p34821 +sg25270 +S'Lee Brown' +p34822 +sa(dp34823 +g25267 +g27 +sg25268 +S'Armoire' +p34824 +sg25270 +S'Sarkis Erganian' +p34825 +sa(dp34826 +g25268 +S'Baluster Vase' +p34827 +sg25270 +S'Chinese Qing Dynasty' +p34828 +sg25273 +S'overall: 70.2 x 27.6 cm (27 5/8 x 10 7/8 in.)' +p34829 +sg25275 +S'\nporcelain with famille noire enamels on the biscuit' +p34830 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e34.jpg' +p34831 +sg25267 +g27 +sa(dp34832 +g25267 +g27 +sg25268 +S'Painted Wardrobe' +p34833 +sg25270 +S'Edward A. Darby' +p34834 +sa(dp34835 +g25267 +g27 +sg25268 +S'Walnut Wash Stand' +p34836 +sg25270 +S'Harry King' +p34837 +sa(dp34838 +g25267 +g27 +sg25268 +S'Washstand' +p34839 +sg25270 +S'Walter W. Jennings' +p34840 +sa(dp34841 +g25267 +g27 +sg25268 +S'Washstand' +p34842 +sg25270 +S'Nicholas Gorid' +p34843 +sa(dp34844 +g25267 +g27 +sg25268 +S'Washstand' +p34845 +sg25270 +S'Nicholas Gorid' +p34846 +sa(dp34847 +g25267 +g27 +sg25268 +S'Washstand' +p34848 +sg25270 +S'Ulrich Fischer' +p34849 +sa(dp34850 +g25267 +g27 +sg25268 +S'Colonial Wash Stand' +p34851 +sg25270 +S'Florence Truelson' +p34852 +sa(dp34853 +g25267 +g27 +sg25268 +S'Wash Stand' +p34854 +sg25270 +S'American 20th Century' +p34855 +sa(dp34856 +g25267 +g27 +sg25268 +S'Wash Cabinet, with Marble Top and Semi-back' +p34857 +sg25270 +S'Artist Information (' +p34858 +sa(dp34859 +g25267 +g27 +sg25268 +S'Corner Wash-stand' +p34860 +sg25270 +S'Charlotte Winter' +p34861 +sa(dp34862 +g25268 +S'Large Jar' +p34863 +sg25270 +S'Chinese Qing Dynasty' +p34864 +sg25273 +S'overall (height with lid): 62.8 cm (24 3/4 in.)\r\noverall (lid): 14.6 cm (5 3/4 in.)\r\noverall (height without lid): 49.5 cm (19 1/2 in.)' +p34865 +sg25275 +S'\nporcelain with famille noire enamels on the biscuit' +p34866 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e35.jpg' +p34867 +sg25267 +g27 +sa(dp34868 +g25267 +g27 +sg25268 +S'Wash Stand' +p34869 +sg25270 +S'Della Button' +p34870 +sa(dp34871 +g25267 +g27 +sg25268 +S'Wash-stand' +p34872 +sg25270 +S'Edna C. Rex' +p34873 +sa(dp34874 +g25267 +g27 +sg25268 +S'Corner Wash-stand' +p34875 +sg25270 +S'Bernard Gussow' +p34876 +sa(dp34877 +g25267 +g27 +sg25268 +S'Wash-stand' +p34878 +sg25270 +S'Edward A. Darby' +p34879 +sa(dp34880 +g25267 +g27 +sg25268 +S'Wash Stand' +p34881 +sg25270 +S'American 20th Century' +p34882 +sa(dp34883 +g25267 +g27 +sg25268 +S'Dutch Sink' +p34884 +sg25270 +S'Ernest A. Towers, Jr.' +p34885 +sa(dp34886 +g25267 +g27 +sg25268 +S'Washstand' +p34887 +sg25270 +S'Henry Moran' +p34888 +sa(dp34889 +g25267 +g27 +sg25268 +S'Lowboy' +p34890 +sg25270 +S'Frank Wenger' +p34891 +sa(dp34892 +g25267 +g27 +sg25268 +S'Slate-top Table' +p34893 +sg25270 +S'M. Rosenshield-von-Paulin' +p34894 +sa(dp34895 +g25267 +g27 +sg25268 +S'Slate-top Table' +p34896 +sg25270 +S'M. Rosenshield-von-Paulin' +p34897 +sa(dp34898 +g25268 +S'Baluster Vase' +p34899 +sg25270 +S'Chinese Qing Dynasty' +p34900 +sg25273 +S'overall: 74.1 x 28 cm (29 3/16 x 11 in.)' +p34901 +sg25275 +S'\nporcelain with overglaze famille verte enamels' +p34902 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e36.jpg' +p34903 +sg25267 +g27 +sa(dp34904 +g25267 +g27 +sg25268 +S'Slate-top Table' +p34905 +sg25270 +S'M. Rosenshield-von-Paulin' +p34906 +sa(dp34907 +g25267 +g27 +sg25268 +S'Slate-top Table' +p34908 +sg25270 +S'M. Rosenshield-von-Paulin' +p34909 +sa(dp34910 +g25267 +g27 +sg25268 +S'Window Seat' +p34911 +sg25270 +S'Jack Carr' +p34912 +sa(dp34913 +g25267 +g27 +sg25268 +S'Settee' +p34914 +sg25270 +S'Charles Cullen' +p34915 +sa(dp34916 +g25267 +g27 +sg25268 +S'Window Seat' +p34917 +sg25270 +S'Ferdinand Cartier' +p34918 +sa(dp34919 +g25267 +g27 +sg25268 +S'Window Seat' +p34920 +sg25270 +S'Nicholas Gorid' +p34921 +sa(dp34922 +g25267 +g27 +sg25268 +S'Nicholas Bayard Estate' +p34923 +sg25270 +S'Helen Miller' +p34924 +sa(dp34925 +g25267 +g27 +sg25268 +S'Wine Cooler' +p34926 +sg25270 +S'Artist Information (' +p34927 +sa(dp34928 +g25267 +g27 +sg25268 +S'Wine Cooler' +p34929 +sg25270 +S'Henry Meyers' +p34930 +sa(dp34931 +g25267 +g27 +sg25268 +S'Wine Cooler with Cover' +p34932 +sg25270 +S'Artist Information (' +p34933 +sa(dp34934 +g25268 +S'Baluster Vase' +p34935 +sg25270 +S'Chinese Qing Dynasty' +p34936 +sg25273 +S'overall: 77.5 x 29.5 cm (30 1/2 x 11 5/8 in.)' +p34937 +sg25275 +S'\nporcelain with overglaze famille verte enamels' +p34938 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e37.jpg' +p34939 +sg25267 +g27 +sa(dp34940 +g25267 +g27 +sg25268 +S'Wine Chest' +p34941 +sg25270 +S'Charles Bowman' +p34942 +sa(dp34943 +g25267 +g27 +sg25268 +S'Table' +p34944 +sg25270 +S'Warren Booth' +p34945 +sa(dp34946 +g25267 +g27 +sg25268 +S'Table (pedestal)' +p34947 +sg25270 +S'LeRoy Griffith' +p34948 +sa(dp34949 +g25267 +S'The trestle table, which is described in mid-seventeenth-century inventories\r\n as a "table board and frame," is the oldest form of American table. In this New\r\n England example, the "table board" is a single plank of pine two feet wide and\r\n over twelve feet in length. The long, narrow plank rests on a frame consisting of\r\n three oak trestles. The trestles are held in position by a pine brace that passes\r\n through them and is pegged into place.\n ' +p34950 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002c4.jpg' +p34951 +sg25268 +S'Trestle Table' +p34952 +sg25270 +S'Isadore Goldberg' +p34953 +sa(dp34954 +g25267 +g27 +sg25268 +S'Candle Stand' +p34955 +sg25270 +S'Rex F. Bush' +p34956 +sa(dp34957 +g25267 +g27 +sg25268 +S'Candle Stand' +p34958 +sg25270 +S'Rex F. Bush' +p34959 +sa(dp34960 +g25267 +g27 +sg25268 +S'Carved Mahogany Table' +p34961 +sg25270 +S'Florence Truelson' +p34962 +sa(dp34963 +g25267 +g27 +sg25268 +S'Table' +p34964 +sg25270 +S'Charles Bowman' +p34965 +sa(dp34966 +g25267 +g27 +sg25268 +S'Washstand' +p34967 +sg25270 +S'Joseph Cannella' +p34968 +sa(dp34969 +g25267 +g27 +sg25268 +S'Washstand' +p34970 +sg25270 +S'Leo Drozdoff' +p34971 +sa(dp34972 +g25268 +S'Baluster Vase' +p34973 +sg25270 +S'Chinese Qing Dynasty' +p34974 +sg25273 +S'overall: 77.3 x 28.6 cm (30 7/16 x 11 1/4 in.)' +p34975 +sg25275 +S'\nporcelain with overglaze famille verte enamels' +p34976 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f66.jpg' +p34977 +sg25267 +g27 +sa(dp34978 +g25267 +g27 +sg25268 +S'Wooden Armoire' +p34979 +sg25270 +S'Adele Brooks' +p34980 +sa(dp34981 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a0005526.jpg' +p34982 +sg25268 +S'Triangular Corner Safe' +p34983 +sg25270 +S'Rosa Rivero' +p34984 +sa(dp34985 +g25267 +g27 +sg25268 +S'Chest' +p34986 +sg25270 +S'Eva Perry' +p34987 +sa(dp34988 +g25267 +g27 +sg25268 +S'Washstand' +p34989 +sg25270 +S'Anne B. Trepagnier' +p34990 +sa(dp34991 +g25267 +g27 +sg25268 +S'Tea Table' +p34992 +sg25270 +S'Charles Henning' +p34993 +sa(dp34994 +g25267 +g27 +sg25268 +S'Plantation Clock' +p34995 +sg25270 +S'Al Curry' +p34996 +sa(dp34997 +g25267 +g27 +sg25268 +S'Writing Desk' +p34998 +sg25270 +S'Herbert S. Frere' +p34999 +sa(dp35000 +g25267 +g27 +sg25268 +S'Wooden Bed' +p35001 +sg25270 +S'Al Curry' +p35002 +sa(dp35003 +g25267 +g27 +sg25268 +S'Writing Desk' +p35004 +sg25270 +S'Artist Information (' +p35005 +sa(dp35006 +g25267 +g27 +sg25268 +S'Duncan Phyfe Sofa' +p35007 +sg25270 +S'Edward L. Loper' +p35008 +sa(dp35009 +g25268 +S'Large Covered Baluster Jar' +p35010 +sg25270 +S'Chinese Qing Dynasty' +p35011 +sg25273 +S'overall (with cover): 133.4 x 48.9 cm (52 1/2 x 19 1/4 in.)\r\noverall (height without cover): 107.6 cm (42 3/8 in.)' +p35012 +sg25275 +S'\nporcelain with overglaze famille rose enamels' +p35013 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f67.jpg' +p35014 +sg25267 +g27 +sa(dp35015 +g25267 +g27 +sg25268 +S'Tabarette' +p35016 +sg25270 +S'Ralph Morton' +p35017 +sa(dp35018 +g25267 +g27 +sg25268 +S'Sofa' +p35019 +sg25270 +S'Florence Choate' +p35020 +sa(dp35021 +g25267 +g27 +sg25268 +S'Side Chair' +p35022 +sg25270 +S'Arthur Johnson' +p35023 +sa(dp35024 +g25267 +g27 +sg25268 +S'Chest' +p35025 +sg25270 +S'Charles Squires' +p35026 +sa(dp35027 +g25267 +g27 +sg25268 +S'Tall Clock' +p35028 +sg25270 +S'Artist Information (' +p35029 +sa(dp35030 +g25267 +g27 +sg25268 +S'Card Table' +p35031 +sg25270 +S'Leo Drozdoff' +p35032 +sa(dp35033 +g25267 +S'Between 1760 and 1770, American highboys became very ornate. The most elaborate\r\n pieces came from Philadelphia, which was a center of style and culture and one\r\n of the most important American cities both before and after the Revolution. This\r\n highboy was made by William Savery, a leading cabinetmaker of Philadelphia. It\r\n has a carved scrolled bonnet top; between the scrolls is a lavishly carved design\r\n of leaves and tendrils. The quarter columns at the front corners are ornamented\r\n with vine carving. Carved designs in the acanthus motif appear on the cabriole\r\n legs, and carved shell-like forms ornament the shaped skirting. The elaborate carving,\r\n a combination of motifs based upon rhythmically intertwined curves, produces an\r\n effect of great decorative richness, characteristic of the fully developed Chippendale\r\n style as practiced by the cabinetmakers of Philadelphia.\n ' +p35034 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002cb.jpg' +p35035 +sg25268 +S'Highboy' +p35036 +sg25270 +S'Francis Borelli' +p35037 +sa(dp35038 +g25267 +g27 +sg25268 +S'Highboy' +p35039 +sg25270 +S'Charles Squires' +p35040 +sa(dp35041 +g25267 +g27 +sg25268 +S'Shelf Clock' +p35042 +sg25270 +S'Frank Wenger' +p35043 +sa(dp35044 +g25267 +g27 +sg25268 +S'Chest of Drawers' +p35045 +sg25270 +S'Artist Information (' +p35046 +sa(dp35047 +g25268 +S'Large Covered Baluster Jar' +p35048 +sg25270 +S'Chinese Qing Dynasty' +p35049 +sg25273 +S'overall (with cover): 133 x 49.7 cm (52 3/8 x 19 9/16 in.)\r\noverall (height without cover): 107.3 cm (42 1/4 in.)' +p35050 +sg25275 +S'\nporcelain with overglaze famille rose enamels' +p35051 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f68.jpg' +p35052 +sg25267 +g27 +sa(dp35053 +g25267 +g27 +sg25268 +S'Dining Room Table' +p35054 +sg25270 +S'Ernest A. Towers, Jr.' +p35055 +sa(dp35056 +g25267 +g27 +sg25268 +S'Bureau' +p35057 +sg25270 +S'Rosa Rivero' +p35058 +sa(dp35059 +g25267 +g27 +sg25268 +S'Occasional Table' +p35060 +sg25270 +S'Michael Riccitelli' +p35061 +sa(dp35062 +g25267 +g27 +sg25268 +S'Painted Wooden Chest' +p35063 +sg25270 +S'Daniel Fletcher' +p35064 +sa(dp35065 +g25267 +S'The Chippendale style is an ornate variation of Queen Anne designs. The style\r\n is named for an English cabinetmaker, Thomas Chippendale, whose volumes of plates\r\n and text, \n ' +p35066 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002ca.jpg' +p35067 +sg25268 +S'Chair' +p35068 +sg25270 +S'Bernard Gussow' +p35069 +sa(dp35070 +g25267 +g27 +sg25268 +S'Seat Table' +p35071 +sg25270 +S'Paul Poffinbarger' +p35072 +sa(dp35073 +g25267 +g27 +sg25268 +S'Hutch Dresser' +p35074 +sg25270 +S'Leslie Macklem' +p35075 +sa(dp35076 +g25267 +g27 +sg25268 +S'Bible Box' +p35077 +sg25270 +S'Alfred Koehn' +p35078 +sa(dp35079 +g25267 +S'As the popular William and Mary forms were refined to meet new demands for elegant\r\n furniture, another style evolved, named after Queen Anne, who ruled England from\r\n 1702 to 1714. American Queen Anne furniture was produced from the 1720s until about\r\n 1750 and is characterized by delicate lines, slender proportions, graceful S-curves,\r\n and handsomely carved woods. Walnut was the favored wood, but mahogany imported\r\n from the West Indies, native American cherry, and maple were also used. Jappaning\r\n continued to be popular, but natural wood, richly figured and carved, was extremely\r\n fashionable. During the Queen Anne period in America, the highboy attained its characteristic\r\n form. This highboy, made of curly maple, is surmounted by a scrolled pediment with\r\n a broken arch, called a bonnet top, a consistent feature of the highboy form. Three\r\n finials, vigorously carved in a flame design, echo the sweeping curves of the bonnet.\r\n The natural decorative quality of the figured wood is complemented by restrained\r\n shell carving on the middle drawers at both top and bottom of the case. The high\r\n chest stands on cabriole legs, that is, legs with broad outcurving knees tapering\r\n to slim incurved ankles, which spread into a pad foot. The cabriole leg was a distinctive\r\n feature developed in the Queen Anne period; its shape repeats the S-curve that\r\n dominated all Queen Anne design.\n ' +p35080 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000363.jpg' +p35081 +sg25268 +S'Highboy' +p35082 +sg25270 +S'Leonard Battee' +p35083 +sa(dp35084 +g25267 +g27 +sg25268 +S'Shaker Chair - Rocker' +p35085 +sg25270 +S'Adele Brooks' +p35086 +sa(dp35087 +g25268 +S'Covered Jar' +p35088 +sg25270 +S'Chinese Qing Dynasty' +p35089 +sg25273 +S'overall: 50.8 x 25.4 cm (20 x 10 in.)' +p35090 +sg25275 +S'\nporcelain with overglaze famille rose enamels, on gilded bronze mount' +p35091 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f69.jpg' +p35092 +sg25267 +g27 +sa(dp35093 +g25267 +g27 +sg25268 +S"Infant's High Chair" +p35094 +sg25270 +S'Mario De Ferrante' +p35095 +sa(dp35096 +g25267 +g27 +sg25268 +S'Side Chair' +p35097 +sg25270 +S'Lawrence Phillips' +p35098 +sa(dp35099 +g25267 +g27 +sg25268 +S'Keystone' +p35100 +sg25270 +S'Raymond E. Noble' +p35101 +sa(dp35102 +g25267 +g27 +sg25268 +S'Wall Painting' +p35103 +sg25270 +S'Hal Blakeley' +p35104 +sa(dp35105 +g25267 +g27 +sg25268 +S'Arched Doorway Mission San Diego' +p35106 +sg25270 +S'William Kieckhofel' +p35107 +sa(dp35108 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00061/a000610f.jpg' +p35109 +sg25268 +S'Restoration Drawing Wall Painting and Door, Facade Mission House' +p35110 +sg25270 +S'Cornelius Christoffels' +p35111 +sa(dp35112 +g25267 +g27 +sg25268 +S'Restoration Drawing Wall Painting and Door, Facade Mission House' +p35113 +sg25270 +S'Artist Information (' +p35114 +sa(dp35115 +g25267 +g27 +sg25268 +S'Doorway, Stone' +p35116 +sg25270 +S'Juanita Donahoo' +p35117 +sa(dp35118 +g25267 +g27 +sg25268 +S'Stone Doorway, Carved' +p35119 +sg25270 +S'Cornelius Christoffels' +p35120 +sa(dp35121 +g25267 +g27 +sg25268 +S'Doorway, Stone' +p35122 +sg25270 +S'Juanita Donahoo' +p35123 +sa(dp35124 +g25268 +S'Covered Jar' +p35125 +sg25270 +S'Chinese Qing Dynasty' +p35126 +sg25273 +S'overall: 50.8 x 25.4 cm (20 x 10 in.)' +p35127 +sg25275 +S'\nporcelain with overglaze famille rose enamels, on gilded bronze mount' +p35128 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f6a.jpg' +p35129 +sg25267 +g27 +sa(dp35130 +g25267 +g27 +sg25268 +S'Stone Doorway, Carved' +p35131 +sg25270 +S'Hal Blakeley' +p35132 +sa(dp35133 +g25267 +S"Aided by the fertility of its lands, San Fernando Rey de España became one of\r\n the most prosperous missions in California. It is located between Santa Barbara\r\n and Los Angeles. In 1819, the mission owned cattle and sheep numbering twelve\r\n thousand or more, along with five hundred horses and mules. The vineyards produced\r\n as much as two thousand gallons a year of both wine and brandy. The wall painting\r\n decorated the doorway of the mission house. The hunting scene illustrated the\r\n Indian practice of decoying deer: the animal on the right is actually a deer's\r\n pelt draped over the hunter, enabling him to come within shooting distance of\r\n the creature he is stalking. Painted in red on a white ground, the design\r\n represents the native Indian style and shows affinities with hunting-culture\r\n paintings elsewhere.\n " +p35134 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000038d.jpg' +p35135 +sg25268 +S'Restoration Drawing: Wall Decoration Over Doorway, Facade of Mission-House' +p35136 +sg25270 +S'Geoffrey Holt' +p35137 +sa(dp35138 +g25267 +g27 +sg25268 +S'Restoration Drawing: Wall Decoration Over Doorway, Facade of Mission House' +p35139 +sg25270 +S'Robert W.R. Taylor' +p35140 +sa(dp35141 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00061/a000610b.jpg' +p35142 +sg25268 +S'Restoration Drawing: Facade of Mission House' +p35143 +sg25270 +S'Geoffrey Holt' +p35144 +sa(dp35145 +g25267 +g27 +sg25268 +S'Restoration Drawing: Wall Decoration over Doorway, Facade of Mission House' +p35146 +sg25270 +S'Robert W.R. Taylor' +p35147 +sa(dp35148 +g25267 +g27 +sg25268 +S'Reconstruction of Interior' +p35149 +sg25270 +S'Artist Information (' +p35150 +sa(dp35151 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00061/a0006112.jpg' +p35152 +sg25268 +S'Restoration Drawing: Main Doorway & Arch to Mission House' +p35153 +sg25270 +S'Artist Information (' +p35154 +sa(dp35155 +g25267 +g27 +sg25268 +S'Restoration Drawing: Main Doorway & Arch to Mission House' +p35156 +sg25270 +S'William Kieckhofel' +p35157 +sa(dp35158 +g25267 +g27 +sg25268 +S'Restoration Drawing: Detail of Arch, Main Doorway, and Door, Mission-House' +p35159 +sg25270 +S'Artist Information (' +p35160 +sa(dp35161 +g25267 +g27 +sg25268 +S'Restoration Drawing: Main Doorway, with Decorations, Mission House' +p35162 +sg25270 +S'Artist Information (' +p35163 +sa(dp35164 +g25268 +S'Covered Jar' +p35165 +sg25270 +S'Chinese Qing Dynasty' +p35166 +sg25273 +S'overall: 50.8 x 25.4 cm (20 x 10 in.)' +p35167 +sg25275 +S'\nporcelain with overglaze famille rose enamels, on gilded bronze mount' +p35168 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f6b.jpg' +p35169 +sg25267 +g27 +sa(dp35170 +g25267 +g27 +sg25268 +S'Doorway' +p35171 +sg25270 +S'Robert W.R. Taylor' +p35172 +sa(dp35173 +g25267 +g27 +sg25268 +S'Restoration Drawing: Main Doorway & Arch to Mission House' +p35174 +sg25270 +S'Robert W.R. Taylor' +p35175 +sa(dp35176 +g25267 +g27 +sg25268 +S'Restoration Drawing: Main Doorway and Arch toMission House' +p35177 +sg25270 +S'Robert W.R. Taylor' +p35178 +sa(dp35179 +g25267 +g27 +sg25268 +S'Restoration Drawing' +p35180 +sg25270 +S'Artist Information (' +p35181 +sa(dp35182 +g25267 +g27 +sg25268 +S'Wall Painting (Door)' +p35183 +sg25270 +S'William Kieckhofel' +p35184 +sa(dp35185 +g25267 +g27 +sg25268 +S'Wall Painting and Door (Interior)' +p35186 +sg25270 +S'Artist Information (' +p35187 +sa(dp35188 +g25267 +g27 +sg25268 +S'Wall Painting and Door (Interior)' +p35189 +sg25270 +S'Artist Information (' +p35190 +sa(dp35191 +g25267 +g27 +sg25268 +S'Wall Painting and Door (Interior)' +p35192 +sg25270 +S'Robert W.R. Taylor' +p35193 +sa(dp35194 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00061/a0006110.jpg' +p35195 +sg25268 +S'Restoration Drawing: Wall Painting' +p35196 +sg25270 +S'Artist Information (' +p35197 +sa(dp35198 +g25267 +g27 +sg25268 +S'South Wall of "Governor\'s Room" at Mission' +p35199 +sg25270 +S'N.H. Yeckley' +p35200 +sa(dp35201 +g25268 +S'Beaker Vase' +p35202 +sg25270 +S'Chinese Qing Dynasty' +p35203 +sg25273 +S'overall: 34.9 x 19.1 cm (13 3/4 x 7 1/2 in.)' +p35204 +sg25275 +S'\nporcelain with overglaze famille rose enamels' +p35205 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f6c.jpg' +p35206 +sg25267 +g27 +sa(dp35207 +g25267 +g27 +sg25268 +S'Doorway' +p35208 +sg25270 +S'Dayton Brown' +p35209 +sa(dp35210 +g25267 +g27 +sg25268 +S'Doorway and Wall Painting' +p35211 +sg25270 +S'Juanita Donahoo' +p35212 +sa(dp35213 +g25267 +g27 +sg25268 +S'Doorway and Wall Painting' +p35214 +sg25270 +S'Randolph F. Miller' +p35215 +sa(dp35216 +g25267 +g27 +sg25268 +S'Doorway, Wall Painting and Doors' +p35217 +sg25270 +S'Edward Jewett' +p35218 +sa(dp35219 +g25267 +g27 +sg25268 +S'Doors' +p35220 +sg25270 +S'Edward Jewett' +p35221 +sa(dp35222 +g25267 +g27 +sg25268 +S'Chimney' +p35223 +sg25270 +S'Raymond E. Noble' +p35224 +sa(dp35225 +g25267 +g27 +sg25268 +S'Chimney' +p35226 +sg25270 +S'Raymond E. Noble' +p35227 +sa(dp35228 +g25267 +g27 +sg25268 +S'Wall Painting and Baptismal Niche' +p35229 +sg25270 +S'Juanita Donahoo' +p35230 +sa(dp35231 +g25267 +g27 +sg25268 +S'Wall Painting and Baptismal Niche' +p35232 +sg25270 +S'Harry Mann Waddell' +p35233 +sa(dp35234 +g25267 +g27 +sg25268 +S'Wall Painting and Niche: Restoration Drawing' +p35235 +sg25270 +S'George E. Rhone' +p35236 +sa(dp35237 +g25268 +S'Beaker Vase' +p35238 +sg25270 +S'Chinese Qing Dynasty' +p35239 +sg25273 +S'overall: 35.6 x 18.4 cm (14 x 7 1/4 in.)' +p35240 +sg25275 +S'\nporcelain with overglaze famille rose enamels' +p35241 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f6d.jpg' +p35242 +sg25267 +S'This vase is a part of garniture of five porcelains that conforms to the standard eighteenth-century ideal in comprising three identical covered jars and two identical beaker vases.\n (Text by Stephen Little, published in the NGA Systematic Catalogue: \n Notes
\n\n \n ' +p35243 +sa(dp35244 +g25267 +g27 +sg25268 +S'Wall Decorations (Drawing Made from a Restoration)' +p35245 +sg25270 +S'Randolph F. Miller' +p35246 +sa(dp35247 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00112/a00112d4.jpg' +p35248 +sg25268 +S'Ceiling Decoration, Detail of (From a Restoration)' +p35249 +sg25270 +S'Randolph F. Miller' +p35250 +sa(dp35251 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00061/a0006111.jpg' +p35252 +sg25268 +S'Restoration Drawing: Wall Decoration Over Doorway in Mission House' +p35253 +sg25270 +S'Geoffrey Holt' +p35254 +sa(dp35255 +g25267 +g27 +sg25268 +S'Statue of Santo (probably St. Dominic)' +p35256 +sg25270 +S'Juanita Donahoo' +p35257 +sa(dp35258 +g25267 +g27 +sg25268 +S'Wall Painting: Restoration Drawing' +p35259 +sg25270 +S'Edith Towner' +p35260 +sa(dp35261 +g25267 +g27 +sg25268 +S'Wall Painting' +p35262 +sg25270 +S'Edward Jewett' +p35263 +sa(dp35264 +g25267 +g27 +sg25268 +S'Wall and Ceiling Decorations' +p35265 +sg25270 +S'Randolph F. Miller' +p35266 +sa(dp35267 +g25267 +g27 +sg25268 +S'Wall Painting' +p35268 +sg25270 +S'George E. Rhone' +p35269 +sa(dp35270 +g25267 +g27 +sg25268 +S'Wall Painting' +p35271 +sg25270 +S'William McAuley' +p35272 +sa(dp35273 +g25267 +g27 +sg25268 +S'Restoration Drawing: Wall Painting Around Window, with Grille' +p35274 +sg25270 +S'Artist Information (' +p35275 +sa(dp35276 +g25268 +S'Large Fish Bowl' +p35277 +sg25270 +S'Chinese Qing Dynasty' +p35278 +sg25273 +S'overall: 43.2 x 61.6 cm (17 x 24 1/4 in.)' +p35279 +sg25275 +S'\nporcelain with blue and overglaze famille rose enamels' +p35280 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f6f.jpg' +p35281 +sg25267 +g27 +sa(dp35282 +g25267 +g27 +sg25268 +S'Wall Painting' +p35283 +sg25270 +S'George E. Rhone' +p35284 +sa(dp35285 +g25267 +g27 +sg25268 +S'Wall Painting' +p35286 +sg25270 +S'Cornelius Christoffels' +p35287 +sa(dp35288 +g25267 +g27 +sg25268 +S'Restoration Drawing: Wall Painting' +p35289 +sg25270 +S'Artist Information (' +p35290 +sa(dp35291 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00061/a000610e.jpg' +p35292 +sg25268 +S'Restoration Drawing: Wall Painting; Door' +p35293 +sg25270 +S'Artist Information (' +p35294 +sa(dp35295 +g25267 +g27 +sg25268 +S'Wall Painting' +p35296 +sg25270 +S'Edward Jewett' +p35297 +sa(dp35298 +g25267 +g27 +sg25268 +S'Shell Top Doorway San Luis Rey Mission' +p35299 +sg25270 +S'Howard H. Sherman' +p35300 +sa(dp35301 +g25267 +S'This window from the Mission of Santa Barbara is located in the sanctuary of\r\n the church. Executed in tempera paint on plaster, the graceful floral design\r\n around the window reflects a distinctly European inspiration, in contrast to the\r\n native character of some mission painting. The painting was possibly designed\r\n by a padre, or, more probably, by a layman decorator engaged for the work. In\r\n either case, the designer would have been assisted in painting by an Indian\r\n apprentice. Originally done in about 1820, this painting was restored after\r\n the earthquake of 1925.\n ' +p35302 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000038c.jpg' +p35303 +sg25268 +S'Wall Painting' +p35304 +sg25270 +S'Edward Jewett' +p35305 +sa(dp35306 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00061/a000610d.jpg' +p35307 +sg25268 +S'Wall Painting' +p35308 +sg25270 +S'Edward Jewett' +p35309 +sa(dp35310 +g25267 +g27 +sg25268 +S'Painted Wall Decoration, Detail of Pilaster' +p35311 +sg25270 +S'Warren W. Lemmon' +p35312 +sa(dp35313 +g25267 +g27 +sg25268 +S'Detail, Painted Decoration on Sanctuary Wall' +p35314 +sg25270 +S'Edward Jewett' +p35315 +sa(dp35316 +g25268 +S'Large Fish Bowl' +p35317 +sg25270 +S'Chinese Qing Dynasty' +p35318 +sg25273 +S'overall: 41.9 x 59.5 cm (16 1/2 x 23 7/16 in.)' +p35319 +sg25275 +S'\nporcelain with blue and overglaze famille rose enamels' +p35320 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e38.jpg' +p35321 +sg25267 +g27 +sa(dp35322 +g25267 +g27 +sg25268 +S'Details of Painted Decorations on Reredos and Walls' +p35323 +sg25270 +S'Randolph F. Miller' +p35324 +sa(dp35325 +g25267 +g27 +sg25268 +S'Pilaster and Sidewall in Church San Luis Rey Mission' +p35326 +sg25270 +S'Howard H. Sherman' +p35327 +sa(dp35328 +g25267 +g27 +sg25268 +S'Detail of Painting on Altar Panel' +p35329 +sg25270 +S'Emery Gellert' +p35330 +sa(dp35331 +g25267 +g27 +sg25268 +S'Wall Painting' +p35332 +sg25270 +S'Dana Bartlett' +p35333 +sa(dp35334 +g25267 +g27 +sg25268 +S'Wall Decoration, on Adobe Ranch House' +p35335 +sg25270 +S'Frank C. Barks' +p35336 +sa(dp35337 +g25267 +g27 +sg25268 +S'Wall Painting' +p35338 +sg25270 +S'Edward Jewett' +p35339 +sa(dp35340 +g25267 +g27 +sg25268 +S'Wall Painting (Reredos)' +p35341 +sg25270 +S'Cornelius Christoffels' +p35342 +sa(dp35343 +g25267 +g27 +sg25268 +S'Wall Painting (Reredos)' +p35344 +sg25270 +S'William McAuley' +p35345 +sa(dp35346 +g25267 +S'The interiors of Spanish colonial missions were usually decorated with wall\n paintings. Seen here are the holy water font, beam, and ceiling decoration from\n Mission San Juan Capistrano, located between modern Los Angeles and San Diego.\n Although the mission itself dates from about 1776, the decoration is a restoration\n from about 1812-1813. The font is carved sandstone and plaster. Bold, brilliant\n colors are used to create strong contrasts. In the ornamental borders the motifs\n are derived from European art but appear in simplified, almost primitive shapes.\n There was no single "mission style" of decoration in California; European, Mexican,\n and Indian influences were intermingled everywhere, and the arts found at the\n different missions were markedly individual in character.\n ' +p35347 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000038b.jpg' +p35348 +sg25268 +S'Wall and Ceiling Decorations, and Holy Water Font; Restoration Drawing' +p35349 +sg25270 +S'Randolph F. Miller' +p35350 +sa(dp35351 +g25267 +g27 +sg25268 +S'Details of Wall Paintings, Side Wall of Sanctuary' +p35352 +sg25270 +S'Randolph F. Miller' +p35353 +sa(dp35354 +g25268 +S'The Presentation of the Virgin' +p35355 +sg25270 +S'Andrea di Bartolo' +p35356 +sg25273 +S'tempera on panel' +p35357 +sg25275 +S'c. 1400' +p35358 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002b/a0002b10.jpg' +p35359 +sg25267 +S'Here, the young Virgin enters the same temple \r\n portico and is greeted by the same priest we saw in the first panel, \n ' +p35360 +sa(dp35361 +g25268 +S'Large Fish Bowl' +p35362 +sg25270 +S'Chinese Qing Dynasty' +p35363 +sg25273 +S'overall: 43 x 60.3 cm (16 15/16 x 23 3/4 in.)' +p35364 +sg25275 +S'\nporcelain with blue and overglaze famille rose enamels' +p35365 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e3a.jpg' +p35366 +sg25267 +g27 +sa(dp35367 +g25267 +g27 +sg25268 +S'Detail of Wall Painting' +p35368 +sg25270 +S'Randolph F. Miller' +p35369 +sa(dp35370 +g25267 +g27 +sg25268 +S'Cream Pitcher' +p35371 +sg25270 +S'Hugh Ryan' +p35372 +sa(dp35373 +g25267 +g27 +sg25268 +S'Flower Pot' +p35374 +sg25270 +S'Anna Aloisi' +p35375 +sa(dp35376 +g25267 +g27 +sg25268 +S'Large Mug' +p35377 +sg25270 +S'Elizabeth Jones' +p35378 +sa(dp35379 +g25267 +g27 +sg25268 +S'Large Mug' +p35380 +sg25270 +S'Mina Lowry' +p35381 +sa(dp35382 +g25267 +g27 +sg25268 +S'Small Cup and Saucer' +p35383 +sg25270 +S'Harry Mann Waddell' +p35384 +sa(dp35385 +g25267 +g27 +sg25268 +S'Bowl' +p35386 +sg25270 +S'Wilford H. Shurtliff' +p35387 +sa(dp35388 +g25267 +g27 +sg25268 +S'Small Earthen Jar' +p35389 +sg25270 +S'Ludmilla Calderon' +p35390 +sa(dp35391 +g25267 +g27 +sg25268 +S'Crockery Flower Vase' +p35392 +sg25270 +S'Clyde L. Cheney' +p35393 +sa(dp35394 +g25267 +g27 +sg25268 +S'Earthen Pitcher' +p35395 +sg25270 +S'Clyde L. Cheney' +p35396 +sa(dp35397 +g25268 +S'Large Fish Bowl' +p35398 +sg25270 +S'Chinese Qing Dynasty' +p35399 +sg25273 +S'overall: 44.5 x 59.8 cm (17 1/2 x 23 9/16 in.)' +p35400 +sg25275 +S'\nporcelain with blue and overglaze famille rose enamels' +p35401 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e3c.jpg' +p35402 +sg25267 +g27 +sa(dp35403 +g25267 +g27 +sg25268 +S'Eardley Jar' +p35404 +sg25270 +S'Clyde L. Cheney' +p35405 +sa(dp35406 +g25267 +g27 +sg25268 +S'Preserving Jar' +p35407 +sg25270 +S'Clyde L. Cheney' +p35408 +sa(dp35409 +g25267 +g27 +sg25268 +S'Preserving Jar' +p35410 +sg25270 +S'Clyde L. Cheney' +p35411 +sa(dp35412 +g25267 +g27 +sg25268 +S'Sugar Bowl' +p35413 +sg25270 +S'Wilford H. Shurtliff' +p35414 +sa(dp35415 +g25267 +g27 +sg25268 +S'Pitcher' +p35416 +sg25270 +S'Wilford H. Shurtliff' +p35417 +sa(dp35418 +g25267 +g27 +sg25268 +S'Bourganet' +p35419 +sg25270 +S'Aaron Fastovsky' +p35420 +sa(dp35421 +g25267 +g27 +sg25268 +S'Moravian Pitcher' +p35422 +sg25270 +S'Wellington Blewett' +p35423 +sa(dp35424 +g25267 +g27 +sg25268 +S'Vase' +p35425 +sg25270 +S'Charles Moss' +p35426 +sa(dp35427 +g25267 +g27 +sg25268 +S'Hen on Basket' +p35428 +sg25270 +S'J. Howard Iams' +p35429 +sa(dp35430 +g25267 +g27 +sg25268 +S'Pitcher' +p35431 +sg25270 +S'Alvin Shiren' +p35432 +sa(dp35433 +g25268 +S'Large Fish Bowl' +p35434 +sg25270 +S'Chinese Qing Dynasty' +p35435 +sg25273 +S'overall: 42.9 x 58.3 cm (16 7/8 x 22 15/16 in.)' +p35436 +sg25275 +S'\nporcelain with overglaze famille verte enamels' +p35437 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e3d.jpg' +p35438 +sg25267 +g27 +sa(dp35439 +g25267 +g27 +sg25268 +S'Bowl' +p35440 +sg25270 +S'Alfred Parys' +p35441 +sa(dp35442 +g25267 +g27 +sg25268 +S'Redware Pitcher' +p35443 +sg25270 +S'Betty Jacob' +p35444 +sa(dp35445 +g25267 +g27 +sg25268 +S'Bowl' +p35446 +sg25270 +S'Agnes Karlin' +p35447 +sa(dp35448 +g25267 +g27 +sg25268 +S'Earthenware, Jelly Mold' +p35449 +sg25270 +S'Ruth Bialostosky' +p35450 +sa(dp35451 +g25267 +g27 +sg25268 +S'"Turk\'s Head" Mold' +p35452 +sg25270 +S'Isadore Goldberg' +p35453 +sa(dp35454 +g25267 +g27 +sg25268 +S'Earthenware Pot' +p35455 +sg25270 +S'Artist Information (' +p35456 +sa(dp35457 +g25267 +g27 +sg25268 +S'Measure with Handle' +p35458 +sg25270 +S'Anna Aloisi' +p35459 +sa(dp35460 +g25267 +g27 +sg25268 +S'Jar' +p35461 +sg25270 +S'Yolande Delasser' +p35462 +sa(dp35463 +g25267 +g27 +sg25268 +S'Vase' +p35464 +sg25270 +S'Jessica Price' +p35465 +sa(dp35466 +g25267 +g27 +sg25268 +S'"Turk\'s Head" Mold' +p35467 +sg25270 +S'Isadore Goldberg' +p35468 +sa(dp35469 +g25268 +S'Large Fish Bowl' +p35470 +sg25270 +S'Chinese Qing Dynasty' +p35471 +sg25273 +S'overall: 49.7 x 56 cm (19 9/16 x 22 1/16 in.)' +p35472 +sg25275 +S'\nporcelain with overglaze famille verte enamels' +p35473 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e3e.jpg' +p35474 +sg25267 +g27 +sa(dp35475 +g25267 +g27 +sg25268 +S'Jug' +p35476 +sg25270 +S'Anna Aloisi' +p35477 +sa(dp35478 +g25267 +g27 +sg25268 +S'Churn' +p35479 +sg25270 +S'Frank Fumagalli' +p35480 +sa(dp35481 +g25267 +g27 +sg25268 +S'Pitcher' +p35482 +sg25270 +S'Richard Barnett' +p35483 +sa(dp35484 +g25267 +g27 +sg25268 +S'Asthma Jar' +p35485 +sg25270 +S'Richard Barnett' +p35486 +sa(dp35487 +g25267 +g27 +sg25268 +S'Earthenware Bowl' +p35488 +sg25270 +S'Richard Barnett' +p35489 +sa(dp35490 +g25267 +g27 +sg25268 +S'Teapot' +p35491 +sg25270 +S'Rex F. Bush' +p35492 +sa(dp35493 +g25267 +g27 +sg25268 +S'Cracker and Butter Jar' +p35494 +sg25270 +S'John Jordan' +p35495 +sa(dp35496 +g25267 +g27 +sg25268 +S'Pitcher' +p35497 +sg25270 +S'Carl Buergerniss' +p35498 +sa(dp35499 +g25267 +g27 +sg25268 +S'Wide Top Jug or Pitcher' +p35500 +sg25270 +S'Carl Buergerniss' +p35501 +sa(dp35502 +g25267 +g27 +sg25268 +S'Earthenware Mug' +p35503 +sg25270 +S'Paul Ward' +p35504 +sa(dp35505 +g25268 +S'Large Fish Bowl' +p35506 +sg25270 +S'Chinese Qing Dynasty' +p35507 +sg25273 +S'overall: 49.7 x 56 cm (19 9/16 x 22 1/16 in.)' +p35508 +sg25275 +S'\nporcelain with overglaze famille verte enamels' +p35509 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e3f.jpg' +p35510 +sg25267 +g27 +sa(dp35511 +g25267 +g27 +sg25268 +S'Earthenware Pitcher' +p35512 +sg25270 +S'Mina Lowry' +p35513 +sa(dp35514 +g25267 +g27 +sg25268 +S'Pitcher' +p35515 +sg25270 +S'Mina Lowry' +p35516 +sa(dp35517 +g25267 +g27 +sg25268 +S'Small Pitcher' +p35518 +sg25270 +S'Thomas Holloway' +p35519 +sa(dp35520 +g25267 +g27 +sg25268 +S'Preserving Crock' +p35521 +sg25270 +S'Joseph Sudek' +p35522 +sa(dp35523 +g25267 +S'At the end of the eighteenth century, English pottery factories, in hopes of regaining their rich prewar markets in America, flooded the country with cheaply made earthenware. While these imports were popular, having great decorative appeal, \n by the beginning of the nineteenth century American sentiment discouraged industrial dependence on England; American potteries were encouraged to compete for the growing domestic markets. Mass production techniques, modeled upon processes \n used in England, were brought to this country by immigrant potters. Often these immigrants brought with them as well the molds and patterns they had used at home. Thus, popular English ceramic styles and forms could be duplicated in the \n United States, satisfying the American taste for imported styles with domestically made products. The pottery centers that developed in Vermont, New Jersey, and Ohio produced a wide variety of utilitarian and decorative, or "fancy," wares \n based upon English pottery types. Close to its English prototype is this "Toby jug," which features a popular English character, Toby Fillpot, the subject of an eighteenth-century English barroom ballad. The jug, made in New Jersey, \n may have been modeled by Daniel Greatbach, an English potter who came to America in the 1830s to design molded ware for potteries in New Jersey and in Vermont.\n ' +p35524 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003ea.jpg' +p35525 +sg25268 +S'Toby Mug Set (2 pieces)' +p35526 +sg25270 +S'John Cutting' +p35527 +sa(dp35528 +g25267 +g27 +sg25268 +S'Pitcher' +p35529 +sg25270 +S'Francis Law Durand' +p35530 +sa(dp35531 +g25267 +g27 +sg25268 +S'Mug' +p35532 +sg25270 +S'Mina Lowry' +p35533 +sa(dp35534 +g25267 +g27 +sg25268 +S'Bean Pot' +p35535 +sg25270 +S'Artist Information (' +p35536 +sa(dp35537 +g25267 +g27 +sg25268 +S'Jam Crock' +p35538 +sg25270 +S'Carl Buergerniss' +p35539 +sa(dp35540 +g25267 +g27 +sg25268 +S'Cup' +p35541 +sg25270 +S'Francis Law Durand' +p35542 +sa(dp35543 +g25268 +S'Large Fish Bowl' +p35544 +sg25270 +S'Chinese Qing Dynasty' +p35545 +sg25273 +S'overall: 46.4 x 57.6 cm (18 1/4 x 22 11/16 in.)' +p35546 +sg25275 +S'\nporcelain with underglaze blue and famille verte enamels' +p35547 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e40.jpg' +p35548 +sg25267 +g27 +sa(dp35549 +g25267 +g27 +sg25268 +S'Server Dish' +p35550 +sg25270 +S'Joseph Sudek' +p35551 +sa(dp35552 +g25267 +g27 +sg25268 +S'Pitcher' +p35553 +sg25270 +S'Francis Law Durand' +p35554 +sa(dp35555 +g25267 +g27 +sg25268 +S'Pitcher (Individual Creamer)' +p35556 +sg25270 +S'Francis Law Durand' +p35557 +sa(dp35558 +g25267 +g27 +sg25268 +S'Pitcher' +p35559 +sg25270 +S'Philip Smith' +p35560 +sa(dp35561 +g25267 +g27 +sg25268 +S'Jug' +p35562 +sg25270 +S'Sydney Roberts' +p35563 +sa(dp35564 +g25267 +g27 +sg25268 +S'Jug' +p35565 +sg25270 +S'Clarence W. Dawson' +p35566 +sa(dp35567 +g25267 +g27 +sg25268 +S'Flower Urn' +p35568 +sg25270 +S'Clarence W. Dawson' +p35569 +sa(dp35570 +g25267 +g27 +sg25268 +S'Pottery Milk Jug' +p35571 +sg25270 +S'Edward Bashaw' +p35572 +sa(dp35573 +g25267 +g27 +sg25268 +S'Vase' +p35574 +sg25270 +S'Edward Bashaw' +p35575 +sa(dp35576 +g25267 +g27 +sg25268 +S'(Large) Fruit Jar' +p35577 +sg25270 +S'Robert Cole' +p35578 +sa(dp35579 +g25273 +g27 +sg25267 +g27 +sg25275 +S'19th century' +p35580 +sg25268 +S'Cut Velvet, White Ground' +p35581 +sg25270 +S'Unknown 19th Century' +p35582 +sa(dp35583 +g25267 +g27 +sg25268 +S'Pottery Jug' +p35584 +sg25270 +S'Gerald Scalise' +p35585 +sa(dp35586 +g25267 +g27 +sg25268 +S'Galena Pottery (Bowl)' +p35587 +sg25270 +S'Alfred Koehn' +p35588 +sa(dp35589 +g25267 +g27 +sg25268 +S'Pottery Pitcher' +p35590 +sg25270 +S'Bisby Finley' +p35591 +sa(dp35592 +g25267 +g27 +sg25268 +S'Galena Jug' +p35593 +sg25270 +S'Archie Thompson' +p35594 +sa(dp35595 +g25267 +g27 +sg25268 +S'Pottery Jug' +p35596 +sg25270 +S'Bisby Finley' +p35597 +sa(dp35598 +g25267 +g27 +sg25268 +S'Pottery Jug' +p35599 +sg25270 +S'Al Curry' +p35600 +sa(dp35601 +g25267 +g27 +sg25268 +S'Pottery Jar' +p35602 +sg25270 +S'Bisby Finley' +p35603 +sa(dp35604 +g25267 +g27 +sg25268 +S'Pottery Jar with Lid' +p35605 +sg25270 +S'Annie B. Johnston' +p35606 +sa(dp35607 +g25267 +g27 +sg25268 +S'Stoneware Jar' +p35608 +sg25270 +S'Annie B. Johnston' +p35609 +sa(dp35610 +g25267 +g27 +sg25268 +S'Pottery Flower Pot' +p35611 +sg25270 +S'Annie B. Johnston' +p35612 +sa(dp35613 +g25273 +g27 +sg25267 +g27 +sg25275 +S'19th century' +p35614 +sg25268 +S'Cut Velvet, Yellow Ground' +p35615 +sg25270 +S'Unknown 19th Century' +p35616 +sa(dp35617 +g25267 +g27 +sg25268 +S'Stoneware Flower Pot' +p35618 +sg25270 +S'Annie B. Johnston' +p35619 +sa(dp35620 +g25267 +g27 +sg25268 +S'Stoneware Jar' +p35621 +sg25270 +S'Annie B. Johnston' +p35622 +sa(dp35623 +g25267 +g27 +sg25268 +S'Pottery Flower Pot' +p35624 +sg25270 +S'Annie B. Johnston' +p35625 +sa(dp35626 +g25267 +g27 +sg25268 +S'Earthenware Jar' +p35627 +sg25270 +S'Annie B. Johnston' +p35628 +sa(dp35629 +g25267 +g27 +sg25268 +S'Stoneware Jar' +p35630 +sg25270 +S'Annie B. Johnston' +p35631 +sa(dp35632 +g25267 +g27 +sg25268 +S'Pottery Jar with Lid' +p35633 +sg25270 +S'Annie B. Johnston' +p35634 +sa(dp35635 +g25267 +g27 +sg25268 +S'Stoneware Flower Pot' +p35636 +sg25270 +S'Annie B. Johnston' +p35637 +sa(dp35638 +g25267 +g27 +sg25268 +S'Pottery Flower Pot' +p35639 +sg25270 +S'Annie B. Johnston' +p35640 +sa(dp35641 +g25267 +g27 +sg25268 +S'Pottery Flat Bowl' +p35642 +sg25270 +S'Annie B. Johnston' +p35643 +sa(dp35644 +g25267 +g27 +sg25268 +S'Crock' +p35645 +sg25270 +S'James M. Lawson' +p35646 +sa(dp35647 +g25273 +g27 +sg25267 +g27 +sg25275 +S'19th century' +p35648 +sg25268 +S'Cut Velvet, Gold Ground' +p35649 +sg25270 +S'Unknown 19th Century' +p35650 +sa(dp35651 +g25267 +g27 +sg25268 +S'Crock' +p35652 +sg25270 +S'Artist Information (' +p35653 +sa(dp35654 +g25267 +g27 +sg25268 +S'Pitcher' +p35655 +sg25270 +S'Gordon Saltar' +p35656 +sa(dp35657 +g25267 +g27 +sg25268 +S'Pitcher' +p35658 +sg25270 +S'Gordon Saltar' +p35659 +sa(dp35660 +g25267 +g27 +sg25268 +S'Pitcher' +p35661 +sg25270 +S'George H. Alexander' +p35662 +sa(dp35663 +g25267 +g27 +sg25268 +S'Bread Tray' +p35664 +sg25270 +S'John Matulis' +p35665 +sa(dp35666 +g25267 +g27 +sg25268 +S'Meat Dish' +p35667 +sg25270 +S'Philip Smith' +p35668 +sa(dp35669 +g25267 +g27 +sg25268 +S'Pie Plate' +p35670 +sg25270 +S'Artist Information (' +p35671 +sa(dp35672 +g25267 +g27 +sg25268 +S'Pie Plate' +p35673 +sg25270 +S'Paul Ward' +p35674 +sa(dp35675 +g25267 +g27 +sg25268 +S'Plate' +p35676 +sg25270 +S'Giacinto Capelli' +p35677 +sa(dp35678 +g25267 +g27 +sg25268 +S'Plate' +p35679 +sg25270 +S'Giacinto Capelli' +p35680 +sa(dp35681 +g25273 +g27 +sg25267 +g27 +sg25275 +S'19th century' +p35682 +sg25268 +S'Cut Velvet, Blue Ground' +p35683 +sg25270 +S'Unknown 19th Century' +p35684 +sa(dp35685 +g25267 +g27 +sg25268 +S'Small Plate or Saucer' +p35686 +sg25270 +S'John Matulis' +p35687 +sa(dp35688 +g25267 +g27 +sg25268 +S'Pie Plate' +p35689 +sg25270 +S'Carl Buergerniss' +p35690 +sa(dp35691 +g25267 +g27 +sg25268 +S'Pie Plate' +p35692 +sg25270 +S'Elmer Weise' +p35693 +sa(dp35694 +g25267 +g27 +sg25268 +S'Pie Plate' +p35695 +sg25270 +S'John Matulis' +p35696 +sa(dp35697 +g25267 +g27 +sg25268 +S'Small Pie Plate' +p35698 +sg25270 +S'Carl Buergerniss' +p35699 +sa(dp35700 +g25267 +g27 +sg25268 +S'Pie Plate' +p35701 +sg25270 +S'Carl Buergerniss' +p35702 +sa(dp35703 +g25267 +g27 +sg25268 +S'Plate' +p35704 +sg25270 +S'John Dana' +p35705 +sa(dp35706 +g25267 +g27 +sg25268 +S'Pie Plate' +p35707 +sg25270 +S'Anna Aloisi' +p35708 +sa(dp35709 +g25267 +g27 +sg25268 +S'Plate' +p35710 +sg25270 +S'Yolande Delasser' +p35711 +sa(dp35712 +g25267 +g27 +sg25268 +S'Dish' +p35713 +sg25270 +S'Isadore Goldberg' +p35714 +sa(dp35715 +g25268 +S'The Nativity of the Virgin' +p35716 +sg25270 +S'Andrea di Bartolo' +p35717 +sg25273 +S'tempera on panel' +p35718 +sg25275 +S'c. 1400' +p35719 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a000084e.jpg' +p35720 +sg25267 +S"In this panel—the second in a series of three paintings by this artist illustrating scenes from the life of Mary—we see Anne and the new infant being tended \r\n just after her birth. Details—such as the chicken brought to the new mother—made the Virgin \r\n approachable and brought sacred events into the realm of the viewer's \r\n own experience.\n " +p35721 +sa(dp35722 +g25273 +g27 +sg25267 +g27 +sg25275 +S'19th century' +p35723 +sg25268 +S'Velvet, Green' +p35724 +sg25270 +S'Unknown 19th Century' +p35725 +sa(dp35726 +g25267 +g27 +sg25268 +S'Pie Plate' +p35727 +sg25270 +S'Mina Lowry' +p35728 +sa(dp35729 +g25267 +g27 +sg25268 +S'Pie Plate' +p35730 +sg25270 +S'Rolland Livingstone' +p35731 +sa(dp35732 +g25267 +S'The potter has used both slip decoration and a very thin lead glaze on this pie plate. The notched edge is characteristic of New England decoration, as are the wavy lines that adorn the surface. The linear ornament was produced by "trailing on," \n or pouring slip, that is, liquid clay, directly from a bottle through a quill onto the clay body. The piece was then sprinkled lightly with powdered lead and fired.\n ' +p35733 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003e2.jpg' +p35734 +sg25268 +S'Pie Plate' +p35735 +sg25270 +S'Alfred Parys' +p35736 +sa(dp35737 +g25267 +g27 +sg25268 +S'Pottery Jug' +p35738 +sg25270 +S'Sydney Roberts' +p35739 +sa(dp35740 +g25267 +g27 +sg25268 +S'Small Pitcher' +p35741 +sg25270 +S'William Schmidt' +p35742 +sa(dp35743 +g25267 +g27 +sg25268 +S'Jug' +p35744 +sg25270 +S'Frank Fumagalli' +p35745 +sa(dp35746 +g25267 +g27 +sg25268 +S'Small Pitcher' +p35747 +sg25270 +S'Guido Metelli' +p35748 +sa(dp35749 +g25267 +g27 +sg25268 +S'Bean Pot' +p35750 +sg25270 +S'John Matulis' +p35751 +sa(dp35752 +g25267 +g27 +sg25268 +S'Jug' +p35753 +sg25270 +S'Alfred Parys' +p35754 +sa(dp35755 +g25267 +g27 +sg25268 +S'Jug' +p35756 +sg25270 +S'John Dana' +p35757 +sa(dp35758 +g25273 +g27 +sg25267 +g27 +sg25275 +S'19th century' +p35759 +sg25268 +S'Velvet, Green Ground' +p35760 +sg25270 +S'Unknown 19th Century' +p35761 +sa(dp35762 +g25267 +g27 +sg25268 +S'Jug' +p35763 +sg25270 +S'John Matulis' +p35764 +sa(dp35765 +g25267 +g27 +sg25268 +S'Creamer' +p35766 +sg25270 +S'John Matulis' +p35767 +sa(dp35768 +g25267 +g27 +sg25268 +S'Small Jug' +p35769 +sg25270 +S'Philip Smith' +p35770 +sa(dp35771 +g25267 +g27 +sg25268 +S'Covered Jar' +p35772 +sg25270 +S'John Collins' +p35773 +sa(dp35774 +g25267 +g27 +sg25268 +S'Vase' +p35775 +sg25270 +S'Alfred H. Smith' +p35776 +sa(dp35777 +g25267 +g27 +sg25268 +S'Preserve Jar' +p35778 +sg25270 +S'Clyde L. Cheney' +p35779 +sa(dp35780 +g25267 +g27 +sg25268 +S'Pottery Basket' +p35781 +sg25270 +S'J. Howard Iams' +p35782 +sa(dp35783 +g25267 +g27 +sg25268 +S'Sugar Bowl' +p35784 +sg25270 +S'Yolande Delasser' +p35785 +sa(dp35786 +g25267 +g27 +sg25268 +S'Churn' +p35787 +sg25270 +S'Aaron Fastovsky' +p35788 +sa(dp35789 +g25267 +g27 +sg25268 +S'Apple Butter Pot' +p35790 +sg25270 +S'Nicholas Amantea' +p35791 +sa(dp35792 +g25273 +g27 +sg25267 +g27 +sg25275 +S'19th century' +p35793 +sg25268 +S'Velvet, Green Ground' +p35794 +sg25270 +S'Unknown 19th Century' +p35795 +sa(dp35796 +g25267 +g27 +sg25268 +S'Pitcher' +p35797 +sg25270 +S'Eugene Shellady' +p35798 +sa(dp35799 +g25267 +g27 +sg25268 +S'Flower Pot' +p35800 +sg25270 +S'Charles Moss' +p35801 +sa(dp35802 +g25267 +g27 +sg25268 +S'Pitcher' +p35803 +sg25270 +S'Betty Jacob' +p35804 +sa(dp35805 +g25267 +g27 +sg25268 +S'Vase' +p35806 +sg25270 +S'Giacinto Capelli' +p35807 +sa(dp35808 +g25267 +g27 +sg25268 +S'Pitcher' +p35809 +sg25270 +S'Genevieve Jordan' +p35810 +sa(dp35811 +g25267 +g27 +sg25268 +S'Pitcher' +p35812 +sg25270 +S'Henry Moran' +p35813 +sa(dp35814 +g25267 +g27 +sg25268 +S'Flower Crock' +p35815 +sg25270 +S'Robert Stewart' +p35816 +sa(dp35817 +g25267 +g27 +sg25268 +S'Pitcher' +p35818 +sg25270 +S'Henry Moran' +p35819 +sa(dp35820 +g25267 +g27 +sg25268 +S'Moravian Pitcher' +p35821 +sg25270 +S'William Ludwig' +p35822 +sa(dp35823 +g25267 +g27 +sg25268 +S'Jar' +p35824 +sg25270 +S'Carl Buergerniss' +p35825 +sa(dp35826 +g25273 +S'velvet: dyed silk warp and weft; linings (old and modern): unbleached linen, dyed silk and cotton' +p35827 +sg25267 +g27 +sg25275 +S'19th century' +p35828 +sg25268 +S'Velvet Cope, Green with Gold Lining' +p35829 +sg25270 +S'Unknown 19th Century' +p35830 +sa(dp35831 +g25267 +g27 +sg25268 +S'Flower Vase' +p35832 +sg25270 +S'Francis Law Durand' +p35833 +sa(dp35834 +g25267 +g27 +sg25268 +S'Vase' +p35835 +sg25270 +S'John Matulis' +p35836 +sa(dp35837 +g25267 +g27 +sg25268 +S'Vase' +p35838 +sg25270 +S'Nicholas Amantea' +p35839 +sa(dp35840 +g25267 +g27 +sg25268 +S'Bean Pot' +p35841 +sg25270 +S'Vincent Murphy' +p35842 +sa(dp35843 +g25267 +g27 +sg25268 +S'Spice Jar' +p35844 +sg25270 +S'John Matulis' +p35845 +sa(dp35846 +g25267 +g27 +sg25268 +S'Covered Jar' +p35847 +sg25270 +S'Alfred Parys' +p35848 +sa(dp35849 +g25267 +g27 +sg25268 +S'Snuff Jar' +p35850 +sg25270 +S'Guido Metelli' +p35851 +sa(dp35852 +g25267 +g27 +sg25268 +S'Jar with Cover' +p35853 +sg25270 +S'Guido Metelli' +p35854 +sa(dp35855 +g25267 +g27 +sg25268 +S'Preserve Jar' +p35856 +sg25270 +S'Alfred Parys' +p35857 +sa(dp35858 +g25267 +g27 +sg25268 +S'Preserve Jar' +p35859 +sg25270 +S'John Matulis' +p35860 +sa(dp35861 +g25273 +g27 +sg25267 +g27 +sg25275 +S'19th century' +p35862 +sg25268 +S'Velvet Dalmatic, Red' +p35863 +sg25270 +S'Unknown 19th Century' +p35864 +sa(dp35865 +g25267 +g27 +sg25268 +S'Melon Shaped Jar' +p35866 +sg25270 +S'American 20th Century' +p35867 +sa(dp35868 +g25267 +g27 +sg25268 +S'Cup and Saucer' +p35869 +sg25270 +S'Aaron Fastovsky' +p35870 +sa(dp35871 +g25267 +g27 +sg25268 +S'Water Cooler' +p35872 +sg25270 +S'Frank Fumagalli' +p35873 +sa(dp35874 +g25267 +g27 +sg25268 +S'Red Glazed Preserve Jar' +p35875 +sg25270 +S'Alfred Parys' +p35876 +sa(dp35877 +g25267 +g27 +sg25268 +S'Preserve Jar' +p35878 +sg25270 +S'Philip Smith' +p35879 +sa(dp35880 +g25267 +g27 +sg25268 +S'Preserve Jar' +p35881 +sg25270 +S'John Matulis' +p35882 +sa(dp35883 +g25267 +g27 +sg25268 +S'Jar' +p35884 +sg25270 +S'John Matulis' +p35885 +sa(dp35886 +g25267 +g27 +sg25268 +S'Cup' +p35887 +sg25270 +S'Aaron Fastovsky' +p35888 +sa(dp35889 +g25267 +g27 +sg25268 +S'Mug' +p35890 +sg25270 +S'Nicholas Amantea' +p35891 +sa(dp35892 +g25267 +g27 +sg25268 +S'Cup with Slip Decoration' +p35893 +sg25270 +S'John Matulis' +p35894 +sa(dp35895 +g25268 +S'T\xc3\xaate-\xc3\xa0-t\xc3\xaate' +p35896 +sg25270 +S'Fran\xc3\xa7ois Boucher' +p35897 +sg25273 +S'black chalk heightened with white on laid paper' +p35898 +sg25275 +S'1764' +p35899 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0001d/a0001dc4.jpg' +p35900 +sg25267 +g27 +sa(dp35901 +g25267 +g27 +sg25268 +S'Mug with Slip Decoration' +p35902 +sg25270 +S'John Matulis' +p35903 +sa(dp35904 +g25267 +g27 +sg25268 +S'Shaving Mug' +p35905 +sg25270 +S'Mina Lowry' +p35906 +sa(dp35907 +g25267 +g27 +sg25268 +S'Tall Drinking Mug' +p35908 +sg25270 +S'American 20th Century' +p35909 +sa(dp35910 +g25267 +g27 +sg25268 +S'Drinking Cup' +p35911 +sg25270 +S'John Matulis' +p35912 +sa(dp35913 +g25267 +g27 +sg25268 +S'Drinking Cup' +p35914 +sg25270 +S'John Matulis' +p35915 +sa(dp35916 +g25267 +g27 +sg25268 +S'Bowl' +p35917 +sg25270 +S'Philip Smith' +p35918 +sa(dp35919 +g25267 +g27 +sg25268 +S'Small Vase' +p35920 +sg25270 +S'Guido Metelli' +p35921 +sa(dp35922 +g25267 +g27 +sg25268 +S'Small Bowl' +p35923 +sg25270 +S'Alfred Parys' +p35924 +sa(dp35925 +g25267 +g27 +sg25268 +S'Pie Plate' +p35926 +sg25270 +S'Agnes Karlin' +p35927 +sa(dp35928 +g25267 +g27 +sg25268 +S'Bowl' +p35929 +sg25270 +S'John Matulis' +p35930 +sa(dp35931 +g25268 +S'Young Woman in Netherlandish Dress' +p35932 +sg25270 +S'Albrecht D\xc3\xbcrer' +p35933 +sg25273 +S'brush and brown and white ink on gray-violet prepared paper' +p35934 +sg25275 +S'1521' +p35935 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00024/a0002447.jpg' +p35936 +sg25267 +g27 +sa(dp35937 +g25267 +g27 +sg25268 +S'Small Vase' +p35938 +sg25270 +S'Philip Smith' +p35939 +sa(dp35940 +g25267 +g27 +sg25268 +S'Pie Plate' +p35941 +sg25270 +S'Jules Lefevere' +p35942 +sa(dp35943 +g25267 +g27 +sg25268 +S'Curtain Tie Back' +p35944 +sg25270 +S'Frank Fumagalli' +p35945 +sa(dp35946 +g25267 +g27 +sg25268 +S'Teapot' +p35947 +sg25270 +S'Margaret Stottlemeyer' +p35948 +sa(dp35949 +g25267 +S"This soap dish is finished in a type of glaze called flint enamel, made popular by the Fenton pottery in Bennington, Vermont. A flint-enamel finish is achieved by adding colored oxides to a brown Rockingham glaze or to a clear glaze. Here \n the green tones have been produced through the use of copper oxide. In 1849, Christopher Webber Fenton patented his method of adding color to glazed surfaces; Fenton's process\n consisted of sprinkling powdered oxides on a previously glazed piece and then firing it again. In the kiln, the oxides melted and fused with the glaze, producing a lustrous, enamellike surface of the kind we see here.\n " +p35950 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003ed.jpg' +p35951 +sg25268 +S'Soap Dish and Strainer' +p35952 +sg25270 +S'Roy Williams' +p35953 +sa(dp35954 +g25267 +g27 +sg25268 +S'Bowl - Bennington' +p35955 +sg25270 +S'Charles Moss' +p35956 +sa(dp35957 +g25267 +g27 +sg25268 +S'Candlestick' +p35958 +sg25270 +S'Lawrence Porth' +p35959 +sa(dp35960 +g25267 +g27 +sg25268 +S'Stoneware Teapot' +p35961 +sg25270 +S'Arthur G. Merkley' +p35962 +sa(dp35963 +g25267 +g27 +sg25268 +S'Mug for Table Use' +p35964 +sg25270 +S'Carl Buergerniss' +p35965 +sa(dp35966 +g25267 +S'Frequently, redware was glazed to seal the surface, making the pottery less absorbent and easier to clean. Early colonial potters dusted powdered lead onto the unfired clay. Later potters often dipped the unfired ware into a liquid that \n combined powdered lead, fine sand, and water. During the firing process, the lead melted and fused with the silica in the clay to form a hard, transparent coating, or glaze. For decorative effect, manganese oxide was often added to the glaze to \n produce mottling, which ranged from brown to black. On this covered jar, you can see how the transparent glaze is enriched by splashes of dark color. The handsome surface is further enhanced by a series of incised lines that encircle the vessel \n and emphasize its roundness.\n ' +p35967 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003e1.jpg' +p35968 +sg25268 +S'Jar with Cover' +p35969 +sg25270 +S'Hedwig Emanuel' +p35970 +sa(dp35971 +g25268 +S'The Dismissal of Hagar' +p35972 +sg25270 +S'Artist Information (' +p35973 +sg25273 +S'Dutch, 1606 - 1669' +p35974 +sg25275 +S'(related artist)' +p35975 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006dd0.jpg' +p35976 +sg25267 +g27 +sa(dp35977 +g25267 +g27 +sg25268 +S'Pottery Foot Warmer' +p35978 +sg25270 +S'Annie B. Johnston' +p35979 +sa(dp35980 +g25267 +S'The nineteenth century was a time of experimentation not only with novel forms, but also with a variety of glazes. Both the Norton and Fenton potteries of Bennington, Vermont, became famous for their "Rockingham" ware. \n Typically, Rockingham pottery is covered with a mottled brown glaze, made to imitate the tortoiseshell appearance of wares produced at the Marquis of Rockingham\'s pottery in England. This inhaler, or "croup kettle," \n displays the brown streaks and splotches characteristic of Rockingham glaze. The brown color is part of the glaze itself, which was spattered on the fired clay body. Variations in color were achieved by applying the glaze more heavily in some \n spots, thinning it in others, and by allowing it to streak. The glazing process permitted random and accidental effects; consequently, no two pieces of Rockingham ware were alike. Although Rockingham ware is associated primarily with Bennington, \n other American potteries also produced it. The Bennington pieces, at least until 1856, were exceptionally fine in finish because a double glaze technique was used. A glossy underglaze was applied to the clay piece. After an initial firing, the \n brown Rockingham glaze was spattered on and the piece was fired again. The result was a final glaze effect of extraordinary depth and brilliance.\n ' +p35981 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003ec.jpg' +p35982 +sg25268 +S'Inhaler' +p35983 +sg25270 +S'Yolande Delasser' +p35984 +sa(dp35985 +g25267 +g27 +sg25268 +S'Candlestick' +p35986 +sg25270 +S'Roy Williams' +p35987 +sa(dp35988 +g25267 +g27 +sg25268 +S'Shaving Mug' +p35989 +sg25270 +S'Yolande Delasser' +p35990 +sa(dp35991 +g25267 +g27 +sg25268 +S'Shaving Mug' +p35992 +sg25270 +S'Frank Fumagalli' +p35993 +sa(dp35994 +g25267 +g27 +sg25268 +S'Sugar Bowl' +p35995 +sg25270 +S'Nicholas Amantea' +p35996 +sa(dp35997 +g25267 +g27 +sg25268 +S'Shaving Mug' +p35998 +sg25270 +S'Mina Lowry' +p35999 +sa(dp36000 +g25267 +S'Among the many unusual animal and Toby forms designed by Daniel Greatbach, pitchers of this type, with its handle in the shape of a hound, were very popular. Hound-handled pitchers are often identified with \n the Bennington, Vermont, potteries, but they were, in fact, produced by many others as well. This pitcher was probably made in Ohio, for it has the crisp shape, precise relief-molded decoration, \n and overall brown-orange glaze characteristically produced by the potteries of the Ohio River Valley.\n ' +p36001 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003eb.jpg' +p36002 +sg25268 +S'Pitcher' +p36003 +sg25270 +S'Samuel W. Ford' +p36004 +sa(dp36005 +g25267 +g27 +sg25268 +S'Pitcher' +p36006 +sg25270 +S'Giacinto Capelli' +p36007 +sa(dp36008 +g25267 +g27 +sg25268 +S'Pitcher' +p36009 +sg25270 +S'Max Soltmann' +p36010 +sa(dp36011 +g25268 +S'The Adoration of the Shepherds' +p36012 +sg25270 +S'Artist Information (' +p36013 +sg25273 +S'Dutch, 1606 - 1669' +p36014 +sg25275 +S'(related artist)' +p36015 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f39.jpg' +p36016 +sg25267 +g27 +sa(dp36017 +g25267 +g27 +sg25268 +S'Pitcher' +p36018 +sg25270 +S'J. Howard Iams' +p36019 +sa(dp36020 +g25267 +g27 +sg25268 +S'Pitcher' +p36021 +sg25270 +S'Max Soltmann' +p36022 +sa(dp36023 +g25267 +g27 +sg25268 +S'Pitcher' +p36024 +sg25270 +S'John Fisk' +p36025 +sa(dp36026 +g25267 +g27 +sg25268 +S'Pitcher' +p36027 +sg25270 +S'Giacinto Capelli' +p36028 +sa(dp36029 +g25267 +g27 +sg25268 +S'Pitcher' +p36030 +sg25270 +S'Charles Caseau' +p36031 +sa(dp36032 +g25267 +g27 +sg25268 +S'Crockery Pitcher' +p36033 +sg25270 +S'Ernest A. Towers, Jr.' +p36034 +sa(dp36035 +g25267 +g27 +sg25268 +S'Pitcher' +p36036 +sg25270 +S'M.H. McDowell' +p36037 +sa(dp36038 +g25267 +g27 +sg25268 +S'Crockery Pitcher' +p36039 +sg25270 +S'Ernest A. Towers, Jr.' +p36040 +sa(dp36041 +g25267 +g27 +sg25268 +S'Pitcher' +p36042 +sg25270 +S'John Fisk' +p36043 +sa(dp36044 +g25267 +g27 +sg25268 +S'Pitcher' +p36045 +sg25270 +S'Charles Caseau' +p36046 +sa(dp36047 +g25268 +S'Angel Standing' +p36048 +sg25270 +S'Rembrandt van Rijn' +p36049 +sg25273 +S', unknown date' +p36050 +sg25275 +S'\n' +p36051 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006fce.jpg' +p36052 +sg25267 +g27 +sa(dp36053 +g25267 +g27 +sg25268 +S'Pitcher' +p36054 +sg25270 +S'Charlotte Sperber' +p36055 +sa(dp36056 +g25267 +g27 +sg25268 +S'Sugar Bowl' +p36057 +sg25270 +S'Charles Moss' +p36058 +sa(dp36059 +g25267 +g27 +sg25268 +S'Butter Crock' +p36060 +sg25270 +S'Charles Moss' +p36061 +sa(dp36062 +g25267 +g27 +sg25268 +S'Sugar Bowl' +p36063 +sg25270 +S'Robert Stewart' +p36064 +sa(dp36065 +g25267 +g27 +sg25268 +S'Cake Mold' +p36066 +sg25270 +S'Richard Barnett' +p36067 +sa(dp36068 +g25267 +g27 +sg25268 +S'Cake Mold' +p36069 +sg25270 +S'Charles Moss' +p36070 +sa(dp36071 +g25267 +g27 +sg25268 +S'Cake Mold' +p36072 +sg25270 +S'Randolph Atkinson' +p36073 +sa(dp36074 +g25267 +g27 +sg25268 +S"Turk's Head Baking Dish" +p36075 +sg25270 +S'John B. Moll' +p36076 +sa(dp36077 +g25267 +g27 +sg25268 +S'Mold' +p36078 +sg25270 +S'Anna Aloisi' +p36079 +sa(dp36080 +g25267 +g27 +sg25268 +S'Crockery Mold' +p36081 +sg25270 +S'William Kieckhofel' +p36082 +sa(dp36083 +g25268 +S'Joachim and the Beggars' +p36084 +sg25270 +S'Andrea di Bartolo' +p36085 +sg25273 +S'tempera on panel' +p36086 +sg25275 +S'c. 1400' +p36087 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a0000833.jpg' +p36088 +sg25267 +S"As devotion to the Virgin increased in the late Middle Ages, so did the \r\n legends surrounding her life. An entire cycle of stories evolved that \r\n loosely paralleled events of Christ's own birth and childhood, and they \r\n became popular subjects for artists.\n This panel, as well as \n " +p36089 +sa(dp36090 +g25268 +S'Hagar Seated at the Fountain' +p36091 +sg25270 +S'Rembrandt van Rijn' +p36092 +sg25273 +S'pen and brown ink' +p36093 +sg25275 +S'1654/1655' +p36094 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006ee6.jpg' +p36095 +sg25267 +g27 +sa(dp36096 +g25267 +g27 +sg25268 +S'Posset Pot' +p36097 +sg25270 +S'Roberta Elvis' +p36098 +sa(dp36099 +g25267 +g27 +sg25268 +S'Wall Pocket for Flowers' +p36100 +sg25270 +S'Gertrude Lemberg' +p36101 +sa(dp36102 +g25267 +g27 +sg25268 +S'Stew pot' +p36103 +sg25270 +S'Joseph Sudek' +p36104 +sa(dp36105 +g25267 +g27 +sg25268 +S'Syrup Pitcher' +p36106 +sg25270 +S'William Ludwig' +p36107 +sa(dp36108 +g25267 +g27 +sg25268 +S'Rockingham Pitcher' +p36109 +sg25270 +S'Richard Barnett' +p36110 +sa(dp36111 +g25267 +g27 +sg25268 +S'Pitcher' +p36112 +sg25270 +S'Samuel O. Klein' +p36113 +sa(dp36114 +g25267 +g27 +sg25268 +S'Bennington Pitcher' +p36115 +sg25270 +S'Margaret Stottlemeyer' +p36116 +sa(dp36117 +g25267 +g27 +sg25268 +S'Ewer - Fulton Steamboat' +p36118 +sg25270 +S'George Yanosko' +p36119 +sa(dp36120 +g25267 +g27 +sg25268 +S'Rockingham Pitcher' +p36121 +sg25270 +S'Eleanor Gausser' +p36122 +sa(dp36123 +g25267 +g27 +sg25268 +S'Earthen Jug' +p36124 +sg25270 +S'Ursula Lauderdale' +p36125 +sa(dp36126 +g25268 +S'Christ before Pilate' +p36127 +sg25270 +S'Artist Information (' +p36128 +sg25273 +S'Dutch, 1606 - 1669' +p36129 +sg25275 +S'(related artist)' +p36130 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006d18.jpg' +p36131 +sg25267 +g27 +sa(dp36132 +g25267 +g27 +sg25268 +S'Pitcher' +p36133 +sg25270 +S"J.J. O'Neill" +p36134 +sa(dp36135 +g25267 +g27 +sg25268 +S'Trick Drinking Mug' +p36136 +sg25270 +S'Artist Information (' +p36137 +sa(dp36138 +g25267 +g27 +sg25268 +S'Pitcher' +p36139 +sg25270 +S'Elmo Fleming' +p36140 +sa(dp36141 +g25267 +g27 +sg25268 +S'Bennington Pitcher' +p36142 +sg25270 +S'Howard H. Sherman' +p36143 +sa(dp36144 +g25267 +g27 +sg25268 +S'Pitcher' +p36145 +sg25270 +S'Ralph Atkinson' +p36146 +sa(dp36147 +g25267 +g27 +sg25268 +S'Pitcher' +p36148 +sg25270 +S'Francis Law Durand' +p36149 +sa(dp36150 +g25267 +g27 +sg25268 +S'Pitcher' +p36151 +sg25270 +S'Francis Law Durand' +p36152 +sa(dp36153 +g25267 +g27 +sg25268 +S'Cheese Pot' +p36154 +sg25270 +S'Frank Fumagalli' +p36155 +sa(dp36156 +g25267 +g27 +sg25268 +S'Napoleon Toby Mug' +p36157 +sg25270 +S'Grace Halpin' +p36158 +sa(dp36159 +g25267 +g27 +sg25268 +S'Napoleon Toby Jug' +p36160 +sg25270 +S'Eugene Shellady' +p36161 +sa(dp36162 +g25268 +S'Death and the Miser' +p36163 +sg25270 +S'Nicolaes Maes' +p36164 +sg25273 +S'pen and brown ink with brown wash on laid paper' +p36165 +sg25275 +S'1650/1655' +p36166 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005b/a0005b14.jpg' +p36167 +sg25267 +g27 +sa(dp36168 +g25267 +g27 +sg25268 +S'Toby Mug' +p36169 +sg25270 +S'John Cutting' +p36170 +sa(dp36171 +g25267 +g27 +sg25268 +S'Toby Pottery Jug' +p36172 +sg25270 +S'Katharine Merrill' +p36173 +sa(dp36174 +g25267 +g27 +sg25268 +S'Brown Pottery Toby Jug' +p36175 +sg25270 +S'Dorothy Brennan' +p36176 +sa(dp36177 +g25267 +g27 +sg25268 +S'Napoleon Jug' +p36178 +sg25270 +S'Roy Moon' +p36179 +sa(dp36180 +g25267 +g27 +sg25268 +S'Toby Mug' +p36181 +sg25270 +S'John Cutting' +p36182 +sa(dp36183 +g25267 +g27 +sg25268 +S'Pottery Jug' +p36184 +sg25270 +S'George C. Brown' +p36185 +sa(dp36186 +g25267 +g27 +sg25268 +S'Demi-John Pottery' +p36187 +sg25270 +S'John Jordan' +p36188 +sa(dp36189 +g25267 +g27 +sg25268 +S'Jug' +p36190 +sg25270 +S'Yolande Delasser' +p36191 +sa(dp36192 +g25267 +g27 +sg25268 +S'Jug' +p36193 +sg25270 +S'Vincent Carano' +p36194 +sa(dp36195 +g25267 +g27 +sg25268 +S'Jug' +p36196 +sg25270 +S'Bessie Forman' +p36197 +sa(dp36198 +g25268 +S'Eliezer and Rebecca at the Well' +p36199 +sg25270 +S'Rembrandt van Rijn' +p36200 +sg25273 +S'reed pen and brown ink with brown wash and white gouache' +p36201 +sg25275 +S'1640s' +p36202 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00026/a00026e3.jpg' +p36203 +sg25267 +g27 +sa(dp36204 +g25267 +g27 +sg25268 +S'Flower Pot' +p36205 +sg25270 +S'Alfred Parys' +p36206 +sa(dp36207 +g25267 +g27 +sg25268 +S'Jug for Batter' +p36208 +sg25270 +S'Yolande Delasser' +p36209 +sa(dp36210 +g25267 +g27 +sg25268 +S'Jug for Batter' +p36211 +sg25270 +S'Yolande Delasser' +p36212 +sa(dp36213 +g25267 +g27 +sg25268 +S'Pottery Jar' +p36214 +sg25270 +S'Paul Ward' +p36215 +sa(dp36216 +g25267 +g27 +sg25268 +S'Jar' +p36217 +sg25270 +S'Charles Caseau' +p36218 +sa(dp36219 +g25267 +g27 +sg25268 +S'Pottery Piece' +p36220 +sg25270 +S'Sydney Roberts' +p36221 +sa(dp36222 +g25267 +g27 +sg25268 +S'Jar' +p36223 +sg25270 +S'Nicholas Amantea' +p36224 +sa(dp36225 +g25267 +g27 +sg25268 +S'Jar with Cover' +p36226 +sg25270 +S'Jessica Price' +p36227 +sa(dp36228 +g25267 +g27 +sg25268 +S'Flower Pot' +p36229 +sg25270 +S'Fritz Boehmer' +p36230 +sa(dp36231 +g25267 +g27 +sg25268 +S'Jug' +p36232 +sg25270 +S'John Dana' +p36233 +sa(dp36234 +g25268 +S'God the Father Supported by Angels' +p36235 +sg25270 +S'Rembrandt van Rijn' +p36236 +sg25273 +S'pen and brown ink on laid paper' +p36237 +sg25275 +S'1655/1660' +p36238 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005b/a0005b13.jpg' +p36239 +sg25267 +g27 +sa(dp36240 +g25267 +g27 +sg25268 +S'Flower Pot' +p36241 +sg25270 +S'James Vail' +p36242 +sa(dp36243 +g25267 +g27 +sg25268 +S'Flower Pot' +p36244 +sg25270 +S'William Spiecker' +p36245 +sa(dp36246 +g25267 +g27 +sg25268 +S'Jardiniere' +p36247 +sg25270 +S'Frank Fumagalli' +p36248 +sa(dp36249 +g25267 +g27 +sg25268 +S'Vinegar Jug' +p36250 +sg25270 +S'Francis Law Durand' +p36251 +sa(dp36252 +g25267 +g27 +sg25268 +S'Bottle' +p36253 +sg25270 +S'Charles Caseau' +p36254 +sa(dp36255 +g25267 +g27 +sg25268 +S'Spirit Flask' +p36256 +sg25270 +S'J. Herman McCollum' +p36257 +sa(dp36258 +g25267 +g27 +sg25268 +S'Bottle' +p36259 +sg25270 +S'Alfred Parys' +p36260 +sa(dp36261 +g25267 +g27 +sg25268 +S'Flask' +p36262 +sg25270 +S'Charles Caseau' +p36263 +sa(dp36264 +g25267 +g27 +sg25268 +S'Flask' +p36265 +sg25270 +S'John Fisk' +p36266 +sa(dp36267 +g25267 +g27 +sg25268 +S'Flask' +p36268 +sg25270 +S'John Fisk' +p36269 +sa(dp36270 +g25268 +S'Hannah Rejecting the Reproaches of the Prophet Eli' +p36271 +sg25270 +S'Artist Information (' +p36272 +sg25273 +S'Dutch, 1606 - 1669' +p36273 +sg25275 +S'(artist after)' +p36274 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006e2d.jpg' +p36275 +sg25267 +g27 +sa(dp36276 +g25267 +g27 +sg25268 +S'Liquor Bottle' +p36277 +sg25270 +S'Charles Caseau' +p36278 +sa(dp36279 +g25267 +g27 +sg25268 +S'Bottle' +p36280 +sg25270 +S'John Matulis' +p36281 +sa(dp36282 +g25267 +g27 +sg25268 +S'Pottery Bottle' +p36283 +sg25270 +S'Willoughby Ions' +p36284 +sa(dp36285 +g25267 +g27 +sg25268 +S'Pottery Bottle' +p36286 +sg25270 +S'Willoughby Ions' +p36287 +sa(dp36288 +g25267 +g27 +sg25268 +S'Ring-shaped Pottery Bottle' +p36289 +sg25270 +S'Artist Information (' +p36290 +sa(dp36291 +g25267 +g27 +sg25268 +S'Ring Bottle' +p36292 +sg25270 +S'John Dana' +p36293 +sa(dp36294 +g25267 +g27 +sg25268 +S'Ring Bottle' +p36295 +sg25270 +S'Jessica Price' +p36296 +sa(dp36297 +g25267 +g27 +sg25268 +S'Book Flask' +p36298 +sg25270 +S'Richard Barnett' +p36299 +sa(dp36300 +g25267 +g27 +sg25268 +S'Water Bottle' +p36301 +sg25270 +S'William H. Edwards' +p36302 +sa(dp36303 +g25267 +S'In the nineteenth century, newly developed glazes often appeared on novelty forms. This coachman winebottle, an offshoot of the Toby form, was another design produced by the prolific English potter, Daniel Greatbach, while he was working at \n Bennington. Here, the fluidity of the Rockingham glaze enhances the cascading folds of the voluminous cloak. Though this piece is in the form of a wine bottle, it was intended also as a household ornament; therefore, its design is predominantly \n decorative rather than solely utilitarian.\n ' +p36304 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003ee.jpg' +p36305 +sg25268 +S'Wine Bottle' +p36306 +sg25270 +S'Al Curry' +p36307 +sa(dp36308 +g25268 +S"Jacob's Dream" +p36309 +sg25270 +S'Artist Information (' +p36310 +sg25273 +S'Dutch, 1606 - 1669' +p36311 +sg25275 +S'(related artist)' +p36312 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006dfe.jpg' +p36313 +sg25267 +g27 +sa(dp36314 +g25267 +g27 +sg25268 +S'Terracotta Wine Bottle' +p36315 +sg25270 +S'Al Curry' +p36316 +sa(dp36317 +g25267 +g27 +sg25268 +S'Book Bottle' +p36318 +sg25270 +S'Yolande Delasser' +p36319 +sa(dp36320 +g25267 +g27 +sg25268 +S'Ring Bottle' +p36321 +sg25270 +S'A. Zaidenberg' +p36322 +sa(dp36323 +g25267 +g27 +sg25268 +S'Book Bottle' +p36324 +sg25270 +S'Anna Aloisi' +p36325 +sa(dp36326 +g25267 +g27 +sg25268 +S'Pottery Pig Bottle' +p36327 +sg25270 +S'Eugene W. Davis' +p36328 +sa(dp36329 +g25267 +g27 +sg25268 +S'Bird Decorations on Stoneware' +p36330 +sg25270 +S'Charles Caseau' +p36331 +sa(dp36332 +g25267 +g27 +sg25268 +S'Jar' +p36333 +sg25270 +S'Jessica Price' +p36334 +sa(dp36335 +g25267 +g27 +sg25268 +S'Jug' +p36336 +sg25270 +S'Yolande Delasser' +p36337 +sa(dp36338 +g25267 +g27 +sg25268 +S'Jug' +p36339 +sg25270 +S'Yolande Delasser' +p36340 +sa(dp36341 +g25267 +g27 +sg25268 +S'Jug' +p36342 +sg25270 +S'Yolande Delasser' +p36343 +sa(dp36344 +g25268 +S'Judas Leaving the High Priest' +p36345 +sg25270 +S'Artist Information (' +p36346 +sg25273 +S'Dutch, 1606 - 1669' +p36347 +sg25275 +S'(related artist)' +p36348 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006e5d.jpg' +p36349 +sg25267 +g27 +sa(dp36350 +g25267 +g27 +sg25268 +S'Jug' +p36351 +sg25270 +S'Yolande Delasser' +p36352 +sa(dp36353 +g25267 +g27 +sg25268 +S'Decoration for Stoneware' +p36354 +sg25270 +S'A. Zimet' +p36355 +sa(dp36356 +g25267 +g27 +sg25268 +S'Decoration for Stoneware' +p36357 +sg25270 +S'A. Zimet' +p36358 +sa(dp36359 +g25267 +g27 +sg25268 +S'Decoration for Stoneware' +p36360 +sg25270 +S'A. Zimet' +p36361 +sa(dp36362 +g25267 +g27 +sg25268 +S'Decoration for Stoneware' +p36363 +sg25270 +S'A. 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Claflin' +p38126 +sa(dp38127 +g25267 +g27 +sg25268 +S'Bulto, Crucifix' +p38128 +sg25270 +S'Majel G. Claflin' +p38129 +sa(dp38130 +g25267 +g27 +sg25268 +S'Crucifix, from Vicinity of Taos' +p38131 +sg25270 +S'E. Boyd' +p38132 +sa(dp38133 +g25267 +g27 +sg25268 +S'Cristo, Carved and Painted, on Black Carved Wooden Cross' +p38134 +sg25270 +S'Majel G. Claflin' +p38135 +sa(dp38136 +g25267 +g27 +sg25268 +S'Bulto - Holy Family' +p38137 +sg25270 +S'E. Boyd' +p38138 +sa(dp38139 +g25267 +g27 +sg25268 +S'Bulto of San Ysidro' +p38140 +sg25270 +S'E. Boyd' +p38141 +sa(dp38142 +g25267 +g27 +sg25268 +S'Bulto - Santa Rita' +p38143 +sg25270 +S'Majel G. Claflin' +p38144 +sa(dp38145 +g25267 +g27 +sg25268 +S'Bulto, Santa Rita' +p38146 +sg25270 +S'Majel G. Claflin' +p38147 +sa(dp38148 +g25267 +g27 +sg25268 +S'Carved and Painted Santo - Santa Rita' +p38149 +sg25270 +S'Majel G. Claflin' +p38150 +sa(dp38151 +g25273 +S'pen and black ink with brown wash' +p38152 +sg25267 +g27 +sg25275 +S'1757' +p38153 +sg25268 +S"Fourth Day, Tenth Story, A Doctor's Wife Puts Her Lover in a Chest" +p38154 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p38155 +sa(dp38156 +g25267 +g27 +sg25268 +S'Santa Rita - (Bulto)' +p38157 +sg25270 +S'Majel G. Claflin' +p38158 +sa(dp38159 +g25267 +g27 +sg25268 +S'Santa (One of Eight Virgins) Front View' +p38160 +sg25270 +S'Majel G. Claflin' +p38161 +sa(dp38162 +g25267 +g27 +sg25268 +S'Santa (One of Eight Virgins) Side View' +p38163 +sg25270 +S'Majel G. Claflin' +p38164 +sa(dp38165 +g25267 +g27 +sg25268 +S'New Mexico, "Bulto", Polychromed Wooden Figure' +p38166 +sg25270 +S'E. Boyd' +p38167 +sa(dp38168 +g25267 +g27 +sg25268 +S'"Guadalupe" Wood Santo or Bulto' +p38169 +sg25270 +S'Majel G. Claflin' +p38170 +sa(dp38171 +g25267 +g27 +sg25268 +S'Our Lady of Guadalupe (Bulto)' +p38172 +sg25270 +S'Majel G. Claflin' +p38173 +sa(dp38174 +g25267 +g27 +sg25268 +S'Bulto (Virgin)' +p38175 +sg25270 +S'Majel G. Claflin' +p38176 +sa(dp38177 +g25267 +g27 +sg25268 +S'Bulto (Santa Rita)' +p38178 +sg25270 +S'Majel G. Claflin' +p38179 +sa(dp38180 +g25267 +g27 +sg25268 +S'Head of Guadalupe' +p38181 +sg25270 +S'Majel G. Claflin' +p38182 +sa(dp38183 +g25267 +g27 +sg25268 +S'Bulto' +p38184 +sg25270 +S"Carl O'Bergh" +p38185 +sa(dp38186 +g25273 +S'pen and black ink with brown wash' +p38187 +sg25267 +g27 +sg25275 +S'1757' +p38188 +sg25268 +S'Fifth Day, Frontispiece' +p38189 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p38190 +sa(dp38191 +g25267 +g27 +sg25268 +S'Bulto of the Virgin of Guadalupe' +p38192 +sg25270 +S'E. Boyd' +p38193 +sa(dp38194 +g25267 +g27 +sg25268 +S'Large Painted Wooden Saint-Virgin Mary' +p38195 +sg25270 +S'Majel G. Claflin' +p38196 +sa(dp38197 +g25267 +g27 +sg25268 +S'Carved and Painted Wooden Santo (St. Joseph)' +p38198 +sg25270 +S'Majel G. Claflin' +p38199 +sa(dp38200 +g25267 +g27 +sg25268 +S'Santo - San Antonio de Padua' +p38201 +sg25270 +S'Ranka S. Woods' +p38202 +sa(dp38203 +g25267 +g27 +sg25268 +S'Head of Carved Figure with Tin Crown' +p38204 +sg25270 +S'Majel G. Claflin' +p38205 +sa(dp38206 +g25267 +g27 +sg25268 +S'Bulto, St. Francis' +p38207 +sg25270 +S'Majel G. Claflin' +p38208 +sa(dp38209 +g25267 +g27 +sg25268 +S'Santo "Christo"' +p38210 +sg25270 +S'Majel G. Claflin' +p38211 +sa(dp38212 +g25267 +g27 +sg25268 +S'San Jose, Carved and Painted Wooden Santo' +p38213 +sg25270 +S'Majel G. Claflin' +p38214 +sa(dp38215 +g25267 +g27 +sg25268 +S'Carved and Painted Santo - San Jose' +p38216 +sg25270 +S'Majel G. Claflin' +p38217 +sa(dp38218 +g25267 +g27 +sg25268 +S'Old Bulto San Lorenzo' +p38219 +sg25270 +S'Conrado Barrio' +p38220 +sa(dp38221 +g25268 +S'Portrait of a Man' +p38222 +sg25270 +S'Andrea del Castagno' +p38223 +sg25273 +S'tempera on panel' +p38224 +sg25275 +S'c. 1450' +p38225 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a0000772.jpg' +p38226 +sg25267 +S"Today, we are accustomed to meeting the gazes of men and women who look out at us from portraits, but this has not always been the case. The first independent portraits of the Renaissance presented sitters in strict profile, a pose that offered a concise likeness while maintaining a hierarchical reserve appropriate to high status. By the 1430s or so, artists in northern Europe began to adopt a three-quarter pose, which could convey a much greater sense of personality. In Italy, however, profile views continued to dominate. Perhaps their popularity was linked with profile portrait medals—very popular among Italian collectors—and with the ancient Roman coins that inspired them. In any case, Castagno's image is one of the earliest three-quarter-view portraits from Italy to survive; it is also one of only two known until the appearance of Leonardo's \n The man's forceful personality is almost aggressively projected. His face is composed of brightly lit and sharply delineated planes, which seem almost to carve his features with palpable form. He turns a proud, animated face to hold our eye.\n " +p38227 +sa(dp38228 +g25273 +S'pen and black ink with brown wash' +p38229 +sg25267 +g27 +sg25275 +S'1757' +p38230 +sg25268 +S'Fifth Day, Third Story, Pietro Boccamazza' +p38231 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p38232 +sa(dp38233 +g25267 +g27 +sg25268 +S'Bulto:"Holy Trinity"' +p38234 +sg25270 +S'Majel G. Claflin' +p38235 +sa(dp38236 +g25267 +g27 +sg25268 +S'Immaculate Conception' +p38237 +sg25270 +S'Majel G. Claflin' +p38238 +sa(dp38239 +g25267 +g27 +sg25268 +S'Bulto St. Rocce' +p38240 +sg25270 +S'E. Boyd' +p38241 +sa(dp38242 +g25267 +g27 +sg25268 +S'Unnamed Bulto' +p38243 +sg25270 +S'Majel G. Claflin' +p38244 +sa(dp38245 +g25267 +g27 +sg25268 +S'Bulto (Wooden Figure of Saint)' +p38246 +sg25270 +S'E. Boyd' +p38247 +sa(dp38248 +g25267 +g27 +sg25268 +S'Bulto-Figure of Saint' +p38249 +sg25270 +S'E. Boyd' +p38250 +sa(dp38251 +g25267 +g27 +sg25268 +S'Santo Bulto' +p38252 +sg25270 +S'George E. Rhone' +p38253 +sa(dp38254 +g25267 +g27 +sg25268 +S'Bulto' +p38255 +sg25270 +S"Carl O'Bergh" +p38256 +sa(dp38257 +g25267 +g27 +sg25268 +S'Bulto' +p38258 +sg25270 +S"Carl O'Bergh" +p38259 +sa(dp38260 +g25267 +g27 +sg25268 +S'Friar - Probably a Santo' +p38261 +sg25270 +S'Majel G. Claflin' +p38262 +sa(dp38263 +g25273 +S'graphite' +p38264 +sg25267 +g27 +sg25275 +S'1757' +p38265 +sg25268 +S'Fifth Day, Fourth Story, The Nightingale' +p38266 +sg25270 +S'Charles Eisen' +p38267 +sa(dp38268 +g25267 +g27 +sg25268 +S'Carved and Painted Wooden Santo (St. Anthony)' +p38269 +sg25270 +S'Majel G. Claflin' +p38270 +sa(dp38271 +g25267 +g27 +sg25268 +S'Wooden Santo - Friar with Cross on Breast' +p38272 +sg25270 +S'Majel G. Claflin' +p38273 +sa(dp38274 +g25267 +g27 +sg25268 +S'Wooden Santo in Bright Green Dress' +p38275 +sg25270 +S'Majel G. Claflin' +p38276 +sa(dp38277 +g25267 +g27 +sg25268 +S'Bulto, probably San Antonio' +p38278 +sg25270 +S'E. Boyd' +p38279 +sa(dp38280 +g25267 +g27 +sg25268 +S'Lunette and Detail from Altar Church at Sanctuario, Chimayo' +p38281 +sg25270 +S'E. Boyd' +p38282 +sa(dp38283 +g25267 +S'One of the popular motifs for the "retablo" painter was the Holy Trinity "La Santisima Trinidad." This has always been a difficult subject for the artist to depict;\r\n the usual portrayal consists of the Father, the Son, and a dove representing the Holy Spirit. The version shown in this "retablo" originated in Byzantium.\r\n It portrays the Holy Trinity as three men. The Byzantine form was abandoned in Europe in 1745 because of a papal edict, but continued unchanged in Spanish America.\n ' +p38284 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003cf.jpg' +p38285 +sg25268 +S'Retabla of the Trinity' +p38286 +sg25270 +S'E. Boyd' +p38287 +sa(dp38288 +g25267 +g27 +sg25268 +S'Fragment of Reredos' +p38289 +sg25270 +S'Warren W. Lemmon' +p38290 +sa(dp38291 +g25267 +g27 +sg25268 +S'Fragment of Reredos' +p38292 +sg25270 +S'Edward Jewett' +p38293 +sa(dp38294 +g25267 +g27 +sg25268 +S'Detail of Panel from Reredos, Church of Sanctuario at Chimayo' +p38295 +sg25270 +S'E. Boyd' +p38296 +sa(dp38297 +g25267 +g27 +sg25268 +S'Detail from Main Reredos at Sanctuario Church, Chimayo' +p38298 +sg25270 +S'E. Boyd' +p38299 +sa(dp38300 +g25273 +S'pen and black ink with brown wash' +p38301 +sg25267 +g27 +sg25275 +S'1757' +p38302 +sg25268 +S"Fifth Day, Fifth Story, Guidotto da Cremona's Daughter" +p38303 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p38304 +sa(dp38305 +g25267 +g27 +sg25268 +S'Main Reredos in Santa Cruz Church, Santa Fe County' +p38306 +sg25270 +S'E. Boyd' +p38307 +sa(dp38308 +g25267 +g27 +sg25268 +S'Companion Panel from Main Reredos, Church of Sanctuario, Chimayo' +p38309 +sg25270 +S'E. Boyd' +p38310 +sa(dp38311 +g25267 +g27 +sg25268 +S'Laguna Main Altarpiece' +p38312 +sg25270 +S'E. Boyd' +p38313 +sa(dp38314 +g25267 +g27 +sg25268 +S'Hand Drawn "Santo Nino de Atocha"-Hand Made Tin Frame' +p38315 +sg25270 +S'Majel G. Claflin' +p38316 +sa(dp38317 +g25267 +g27 +sg25268 +S"Retablo-Child's Saint" +p38318 +sg25270 +S'E. Boyd' +p38319 +sa(dp38320 +g25267 +g27 +sg25268 +S'The Christ Child-Retalba El Nino Perdido, (The Lost Child) a Retabla' +p38321 +sg25270 +S'E. Boyd' +p38322 +sa(dp38323 +g25267 +g27 +sg25268 +S'Santo' +p38324 +sg25270 +S'Maude Valle' +p38325 +sa(dp38326 +g25267 +g27 +sg25268 +S'Retablo' +p38327 +sg25270 +S'E. Boyd' +p38328 +sa(dp38329 +g25267 +g27 +sg25268 +S'Small Christo Head - Retablo' +p38330 +sg25270 +S'Majel G. Claflin' +p38331 +sa(dp38332 +g25267 +g27 +sg25268 +S'Panel - Cross and Drapes' +p38333 +sg25270 +S'American 20th Century' +p38334 +sa(dp38335 +g25273 +S'pen and black ink with brown wash' +p38336 +sg25267 +g27 +sg25275 +S'1757' +p38337 +sg25268 +S'Fifth Day, Tenth Story, The Wives of Pietro di Vinciolo and Hercolano' +p38338 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p38339 +sa(dp38340 +g25267 +g27 +sg25268 +S'Retablo (Sacred Heart)' +p38341 +sg25270 +S'Majel G. Claflin' +p38342 +sa(dp38343 +g25267 +g27 +sg25268 +S'Retablo' +p38344 +sg25270 +S'E. Boyd' +p38345 +sa(dp38346 +g25267 +g27 +sg25268 +S'Retablo' +p38347 +sg25270 +S'E. Boyd' +p38348 +sa(dp38349 +g25267 +g27 +sg25268 +S'Retablo' +p38350 +sg25270 +S'Margery Parish' +p38351 +sa(dp38352 +g25267 +g27 +sg25268 +S'Retablo-Santa Rita' +p38353 +sg25270 +S'Majel G. Claflin' +p38354 +sa(dp38355 +g25267 +g27 +sg25268 +S'Santo Retablo' +p38356 +sg25270 +S'Emile Cero' +p38357 +sa(dp38358 +g25267 +g27 +sg25268 +S'Santa Clara de Asis' +p38359 +sg25270 +S'American 20th Century' +p38360 +sa(dp38361 +g25267 +g27 +sg25268 +S'Santos Retablos' +p38362 +sg25270 +S'Maude Valle' +p38363 +sa(dp38364 +g25267 +g27 +sg25268 +S'Santo' +p38365 +sg25270 +S'Maude Valle' +p38366 +sa(dp38367 +g25267 +g27 +sg25268 +S'Santo' +p38368 +sg25270 +S'Maude Valle' +p38369 +sa(dp38370 +g25273 +S'pen and black ink with brown wash' +p38371 +sg25267 +g27 +sg25275 +S'1757' +p38372 +sg25268 +S'Title Page for Volume II of Boccaccio\'s "Decamerone"' +p38373 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p38374 +sa(dp38375 +g25267 +g27 +sg25268 +S'Retablo' +p38376 +sg25270 +S'Margery Parish' +p38377 +sa(dp38378 +g25267 +g27 +sg25268 +S'Santos Retablos' +p38379 +sg25270 +S'Maude Valle' +p38380 +sa(dp38381 +g25267 +g27 +sg25268 +S'Wall Hanging of Santa Barbara' +p38382 +sg25270 +S'E. Boyd' +p38383 +sa(dp38384 +g25267 +S"The New Mexican panel paintings were known as "retablos." They were probably the work of only about a dozen men. This particular piece has been attributed to Miguel Aragon of Cordova, New Mexico, one of the best-known artists. Representing Saint Anthony in a characteristic pose, this panel is from an early nineteenth-century altarpiece in the Church of Llano Quemado near Taos. The altarpiece, or "reredos," had eight panels arranged in two tiers of four each; it was similar in concept to the many-paneled altarpieces of fifteenth-century Spain and Italy. Typical of Miguel Aragon's work, the panels of this altarpiece have white backgrounds with simple figure compositions. Also typical of the artist's style are the two small trees in the foreground, the draperylike framing, the clear, bright, color scheme, and the carefully delineated eyelids of the saint.\n " +p38385 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003cd.jpg' +p38386 +sg25268 +S'Panel from Altar Piece of San Antonio' +p38387 +sg25270 +S'E. Boyd' +p38388 +sa(dp38389 +g25267 +g27 +sg25268 +S'Retablo' +p38390 +sg25270 +S'Majel G. Claflin' +p38391 +sa(dp38392 +g25267 +g27 +sg25268 +S'Santos Retablos' +p38393 +sg25270 +S'Maude Valle' +p38394 +sa(dp38395 +g25267 +g27 +sg25268 +S'Retablo' +p38396 +sg25270 +S'American 20th Century' +p38397 +sa(dp38398 +g25267 +g27 +sg25268 +S'Retablo' +p38399 +sg25270 +S'American 20th Century' +p38400 +sa(dp38401 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00061/a000610a.jpg' +p38402 +sg25268 +S'San Buenaventura' +p38403 +sg25270 +S'American 20th Century' +p38404 +sa(dp38405 +g25267 +g27 +sg25268 +S'St. Joseph' +p38406 +sg25270 +S'Artist Information (' +p38407 +sa(dp38408 +g25273 +S'(artist)' +p38409 +sg25267 +g27 +sg25275 +S'\n' +p38410 +sg25268 +S'Album of Preliminary Drawings for Boccaccio\'s "Decamerone" (1757 edition), volume II' +p38411 +sg25270 +S'Artist Information (' +p38412 +sa(dp38413 +g25267 +g27 +sg25268 +S'Panel from Altar Piece of San Antonio' +p38414 +sg25270 +S'E. Boyd' +p38415 +sa(dp38416 +g25267 +g27 +sg25268 +S'Retablo' +p38417 +sg25270 +S'E. Boyd' +p38418 +sa(dp38419 +g25267 +g27 +sg25268 +S'St. John Nepomucene-Painted on Buffalo Hide Prior to 1800' +p38420 +sg25270 +S'E. Boyd' +p38421 +sa(dp38422 +g25267 +g27 +sg25268 +S'Detail from Large Altar on East Wall of Sanctuario Church at Chimayo. St. Christopher' +p38423 +sg25270 +S'E. Boyd' +p38424 +sa(dp38425 +g25267 +g27 +sg25268 +S'St. John Nepomucene-Painted on Buffalo Hide Prior to 1800' +p38426 +sg25270 +S'E. Boyd' +p38427 +sa(dp38428 +g25267 +g27 +sg25268 +S'Santos Retablos' +p38429 +sg25270 +S'Maude Valle' +p38430 +sa(dp38431 +g25267 +g27 +sg25268 +S'Santo de Retablo' +p38432 +sg25270 +S'Robert W.R. Taylor' +p38433 +sa(dp38434 +g25267 +g27 +sg25268 +S'Santo' +p38435 +sg25270 +S'Maude Valle' +p38436 +sa(dp38437 +g25267 +g27 +sg25268 +S'Santo Bulto (Santiago or San Diego)' +p38438 +sg25270 +S'Eldora P. Lorenzini' +p38439 +sa(dp38440 +g25267 +g27 +sg25268 +S'Santos (San Juan)' +p38441 +sg25270 +S"Carl O'Bergh" +p38442 +sa(dp38443 +g25273 +S'pen and black ink with brown wash' +p38444 +sg25267 +g27 +sg25275 +S'1757' +p38445 +sg25268 +S'Sixth Day, Second Story, Cisti the Baker and His Wine' +p38446 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p38447 +sa(dp38448 +g25267 +g27 +sg25268 +S'Santo (Lady of Guadaloupe)' +p38449 +sg25270 +S"Carl O'Bergh" +p38450 +sa(dp38451 +g25267 +g27 +sg25268 +S'Santo (Nuestra-Sonora di la Luze)' +p38452 +sg25270 +S"Carl O'Bergh" +p38453 +sa(dp38454 +g25267 +g27 +sg25268 +S'Retabla of Holy Ghost' +p38455 +sg25270 +S'E. Boyd' +p38456 +sa(dp38457 +g25267 +g27 +sg25268 +S'Retabla of Holy Ghost' +p38458 +sg25270 +S'E. Boyd' +p38459 +sa(dp38460 +g25267 +g27 +sg25268 +S'Retablo - Virgin & Child' +p38461 +sg25270 +S'E. Boyd' +p38462 +sa(dp38463 +g25267 +g27 +sg25268 +S'Retablo-Santa Rita' +p38464 +sg25270 +S'E. Boyd' +p38465 +sa(dp38466 +g25267 +g27 +sg25268 +S'Santo' +p38467 +sg25270 +S'Maude Valle' +p38468 +sa(dp38469 +g25267 +g27 +sg25268 +S'Retablo' +p38470 +sg25270 +S'Ranka S. Woods' +p38471 +sa(dp38472 +g25267 +g27 +sg25268 +S'Retablo' +p38473 +sg25270 +S'Ranka S. Woods' +p38474 +sa(dp38475 +g25267 +g27 +sg25268 +S'Mission Chant' +p38476 +sg25270 +S'Ann Gene Buckley' +p38477 +sa(dp38478 +g25273 +S'pen and black ink with brown wash' +p38479 +sg25267 +g27 +sg25275 +S'1757' +p38480 +sg25268 +S'Sixth Day, Fifth Story, Forese da Rabatta and Giotto the Painter' +p38481 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p38482 +sa(dp38483 +g25267 +g27 +sg25268 +S'Full Rigged Pack-Saddle' +p38484 +sg25270 +S'American 20th Century' +p38485 +sa(dp38486 +g25267 +g27 +sg25268 +S'Water Filter' +p38487 +sg25270 +S'Gordena Jackson' +p38488 +sa(dp38489 +g25267 +g27 +sg25268 +S'Baptismal Font with Top' +p38490 +sg25270 +S'George Seideneck' +p38491 +sa(dp38492 +g25267 +g27 +sg25268 +S'Baptismal Font' +p38493 +sg25270 +S'George Seideneck' +p38494 +sa(dp38495 +g25267 +g27 +sg25268 +S'Stone Baptismal Font' +p38496 +sg25270 +S'George Seideneck' +p38497 +sa(dp38498 +g25267 +g27 +sg25268 +S'Sandstone Holy Water Font' +p38499 +sg25270 +S'Rose Campbell-Gerke' +p38500 +sa(dp38501 +g25267 +g27 +sg25268 +S'Stone Baptismal Font' +p38502 +sg25270 +S'Rose Campbell-Gerke' +p38503 +sa(dp38504 +g25267 +g27 +sg25268 +S'Lavabo' +p38505 +sg25270 +S'Rose Campbell-Gerke' +p38506 +sa(dp38507 +g25267 +g27 +sg25268 +S'Carved Stone Wash Basin at Carmel Mission' +p38508 +sg25270 +S'Gordena Jackson' +p38509 +sa(dp38510 +g25267 +g27 +sg25268 +S'Carved Stone was Basin' +p38511 +sg25270 +S'Rose Campbell-Gerke' +p38512 +sa(dp38513 +g25273 +S'pen and black ink with brown wash' +p38514 +sg25267 +g27 +sg25275 +S'1757' +p38515 +sg25268 +S"Sixth Day, Seventh Story, Madonna Filipa's Escape" +p38516 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p38517 +sa(dp38518 +g25267 +g27 +sg25268 +S'Baptismal Font at San Luis Rey Mission Church' +p38519 +sg25270 +S'Howard H. Sherman' +p38520 +sa(dp38521 +g25267 +g27 +sg25268 +S'Holy Water Font' +p38522 +sg25270 +S'Bill Bowen' +p38523 +sa(dp38524 +g25267 +g27 +sg25268 +S'Holy Water Font, Santa Barbara' +p38525 +sg25270 +S'W.J. Goodacre' +p38526 +sa(dp38527 +g25267 +g27 +sg25268 +S'Chapel Window' +p38528 +sg25270 +S'Vera Van Voris' +p38529 +sa(dp38530 +g25267 +g27 +sg25268 +S'Small Stone Fountain' +p38531 +sg25270 +S'Ursula Lauderdale' +p38532 +sa(dp38533 +g25267 +g27 +sg25268 +S'Keystone in Arch at San Juan Capistrano Mission' +p38534 +sg25270 +S'Randolph F. Miller' +p38535 +sa(dp38536 +g25267 +g27 +sg25268 +S'Keystone in Arch' +p38537 +sg25270 +S'Randolph F. Miller' +p38538 +sa(dp38539 +g25267 +g27 +sg25268 +S'Capital on Column' +p38540 +sg25270 +S'Gerald Transpota' +p38541 +sa(dp38542 +g25267 +g27 +sg25268 +S'Tombstone' +p38543 +sg25270 +S'J. Henry Marley' +p38544 +sa(dp38545 +g25267 +g27 +sg25268 +S'Ceiling Ornament, Sandstone' +p38546 +sg25270 +S'Edith Towner' +p38547 +sa(dp38548 +g25273 +S'pen and black ink with brown wash' +p38549 +sg25267 +g27 +sg25275 +S'1757' +p38550 +sg25268 +S'Sixth Day, Eighth Story, Fresco and His Niece' +p38551 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p38552 +sa(dp38553 +g25267 +g27 +sg25268 +S'Cement Head Stone' +p38554 +sg25270 +S'Majel G. Claflin' +p38555 +sa(dp38556 +g25267 +g27 +sg25268 +S'Cross over Main Entrance to Mission' +p38557 +sg25270 +S'Geoffrey Holt' +p38558 +sa(dp38559 +g25267 +g27 +sg25268 +S'Cross over Main Entrance to Mission' +p38560 +sg25270 +S'Geoffrey Holt' +p38561 +sa(dp38562 +g25267 +g27 +sg25268 +S'Fragment from Original Architrave of Mission Church Facade' +p38563 +sg25270 +S'W.J. Goodacre' +p38564 +sa(dp38565 +g25267 +g27 +sg25268 +S'Keystone Design' +p38566 +sg25270 +S'William Herbert' +p38567 +sa(dp38568 +g25267 +g27 +sg25268 +S'Doorway, Main Entrance to Mission' +p38569 +sg25270 +S'Geoffrey Holt' +p38570 +sa(dp38571 +g25267 +g27 +sg25268 +S'Small Statue of Guadalupe Cut in Stone' +p38572 +sg25270 +S'Majel G. Claflin' +p38573 +sa(dp38574 +g25267 +g27 +sg25268 +S'"Faith, Hope and Charity": Stone Figures from Facade of Mission' +p38575 +sg25270 +S'Edward Jewett' +p38576 +sa(dp38577 +g25267 +g27 +sg25268 +S'Carving "Soul in Purgatory"' +p38578 +sg25270 +S'Ethel Dougan' +p38579 +sa(dp38580 +g25267 +S'This waterspout in the form of a human face, from the Mission of San Luis Rey de Francia, in San Diego County, and the one from Santa Barbara may both have been designed by the same person — Padre Antonio Peyri or his assistant. Padre Peyri was in\r\n charge of San Luis mission from its establishment in 1798 until 1832. The Mission of San Luis Rey, named after King Louis IX of France, was adorned with other stone waterspouts carved in the shape of animal or human faces. Such decoration derives from\r\n European tradition; in Spain, such faces can be seen as corbels, or architectural supports, on medieval churches.\n ' +p38581 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003cb.jpg' +p38582 +sg25268 +S'Water Spout' +p38583 +sg25270 +S'Raymond E. Noble' +p38584 +sa(dp38585 +g25273 +S'pen and black ink with brown wash' +p38586 +sg25267 +g27 +sg25275 +S'1757' +p38587 +sg25268 +S'Sixth Day, Ninth Story, Guido Cavalcanti and the Florentines' +p38588 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p38589 +sa(dp38590 +g25267 +S'In California, most existing carving in the round is of stone, in contrast\r\n to the many wooden "bultos," or statues, of New Mexico. An example is this sandstone waterspout from the Santa Barbara mission. One of the reasons the site was selected for a\r\n mission, in fact, was the presence of abundant building stone. This piece may represent the grizzly bear, native to California. The waterspout was situated at the head of a stone laundry vat below a fountain in front of the mission.\r\n The overflow from the fountain was conducted to the laundry vat, emptying through the mouth of\r\n the bear into the basin of the vat. Indians brought their family wash to this basin, dipping garments in the water and beating them against the rim with paddles.\n ' +p38591 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003ca.jpg' +p38592 +sg25268 +S'Water Spout, Sandstone' +p38593 +sg25270 +S'Raymond E. Noble' +p38594 +sa(dp38595 +g25267 +g27 +sg25268 +S'Stone Fountain' +p38596 +sg25270 +S'Raymond E. Noble' +p38597 +sa(dp38598 +g25267 +g27 +sg25268 +S'Mission Fountain' +p38599 +sg25270 +S'Geoffrey Holt' +p38600 +sa(dp38601 +g25267 +g27 +sg25268 +S'Finial, from Reredos' +p38602 +sg25270 +S'R.J. De Freitas' +p38603 +sa(dp38604 +g25267 +g27 +sg25268 +S'Carved Wood Panel' +p38605 +sg25270 +S'Edward Jewett' +p38606 +sa(dp38607 +g25267 +g27 +sg25268 +S'Wooden Grave Marker' +p38608 +sg25270 +S'Majel G. Claflin' +p38609 +sa(dp38610 +g25267 +g27 +sg25268 +S'Wooden Cross used as Headstone' +p38611 +sg25270 +S'Majel G. Claflin' +p38612 +sa(dp38613 +g25267 +g27 +sg25268 +S'Hand Made & Painted Wooden Cross - Headstone' +p38614 +sg25270 +S'Majel G. Claflin' +p38615 +sa(dp38616 +g25267 +g27 +sg25268 +S'Wooden Cross used as Headstone (Hand Made)' +p38617 +sg25270 +S'Majel G. Claflin' +p38618 +sa(dp38619 +g25267 +g27 +sg25268 +S"Child's Grave with Hand Made Cross of Wood" +p38620 +sg25270 +S'Majel G. Claflin' +p38621 +sa(dp38622 +g25273 +S'pen and black ink with brown wash' +p38623 +sg25267 +g27 +sg25275 +S'1757' +p38624 +sg25268 +S"Sixth Day, Tenth Story, Brother Cipolla and the Angel Gabriel's Feather" +p38625 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p38626 +sa(dp38627 +g25267 +g27 +sg25268 +S'Cedar Cross' +p38628 +sg25270 +S'Majel G. Claflin' +p38629 +sa(dp38630 +g25267 +g27 +sg25268 +S'Cross' +p38631 +sg25270 +S"Carl O'Bergh" +p38632 +sa(dp38633 +g25267 +g27 +sg25268 +S'Carved Cross - Grave' +p38634 +sg25270 +S'Majel G. Claflin' +p38635 +sa(dp38636 +g25267 +g27 +sg25268 +S'Crucifix' +p38637 +sg25270 +S'Pearl Davis' +p38638 +sa(dp38639 +g25267 +g27 +sg25268 +S'Processional Cross' +p38640 +sg25270 +S'William Hoffman' +p38641 +sa(dp38642 +g25267 +g27 +sg25268 +S"Child's Grave with Wooden Cross - Bottle Decorations" +p38643 +sg25270 +S'Majel G. Claflin' +p38644 +sa(dp38645 +g25267 +g27 +sg25268 +S'Straw Inlay Cross' +p38646 +sg25270 +S'Margery Parish' +p38647 +sa(dp38648 +g25267 +g27 +sg25268 +S'Processional Cross' +p38649 +sg25270 +S'David P Willoughby' +p38650 +sa(dp38651 +g25267 +g27 +sg25268 +S'Altar Chimes on Wheel' +p38652 +sg25270 +S'William Kieckhofel' +p38653 +sa(dp38654 +g25267 +g27 +sg25268 +S'Carved and Painted Keystone' +p38655 +sg25270 +S'Randolph F. Miller' +p38656 +sa(dp38657 +g25273 +S'pen and black ink with brown wash' +p38658 +sg25267 +g27 +sg25275 +S'1757' +p38659 +sg25268 +S"Seventh Day, First Story, Gianni Lotteringhi and His Wife's Conjurations" +p38660 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p38661 +sa(dp38662 +g25267 +g27 +sg25268 +S'Keystone' +p38663 +sg25270 +S'Raymond E. Noble' +p38664 +sa(dp38665 +g25267 +g27 +sg25268 +S'Penitente Santo Entierro or (Saint in Earth)' +p38666 +sg25270 +S'Eldora P. Lorenzini' +p38667 +sa(dp38668 +g25267 +g27 +sg25268 +S'Cruciform - Bulto' +p38669 +sg25270 +S'Majel G. Claflin' +p38670 +sa(dp38671 +g25267 +g27 +sg25268 +S'Carved Wooden Crucifix' +p38672 +sg25270 +S'Vera Van Voris' +p38673 +sa(dp38674 +g25267 +g27 +sg25268 +S'Santo' +p38675 +sg25270 +S'Eldora P. Lorenzini' +p38676 +sa(dp38677 +g25267 +g27 +sg25268 +S'Santo (Bulto)' +p38678 +sg25270 +S'Polly Duncan' +p38679 +sa(dp38680 +g25267 +g27 +sg25268 +S'Santo-bulto' +p38681 +sg25270 +S'Eldora P. Lorenzini' +p38682 +sa(dp38683 +g25267 +g27 +sg25268 +S'Retablo' +p38684 +sg25270 +S'Eldora P. Lorenzini' +p38685 +sa(dp38686 +g25267 +g27 +sg25268 +S'Immaculate Conception' +p38687 +sg25270 +S'Majel G. Claflin' +p38688 +sa(dp38689 +g25267 +g27 +sg25268 +S'Retablo - Santa Maria' +p38690 +sg25270 +S'Majel G. Claflin' +p38691 +sa(dp38692 +g25273 +S'pen and black ink with brown wash' +p38693 +sg25267 +g27 +sg25275 +S'1757' +p38694 +sg25268 +S"Seventh Day, Third Story, Brother Rinaldo's Cure for the Worms" +p38695 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p38696 +sa(dp38697 +g25267 +g27 +sg25268 +S'One painted, Wooden Candelabrum, with Dove' +p38698 +sg25270 +S'Majel G. Claflin' +p38699 +sa(dp38700 +g25267 +g27 +sg25268 +S'Cross' +p38701 +sg25270 +S"Carl O'Bergh" +p38702 +sa(dp38703 +g25267 +g27 +sg25268 +S'Bulto (Penitente Nazarine Christ)' +p38704 +sg25270 +S'Eldora P. Lorenzini' +p38705 +sa(dp38706 +g25267 +g27 +sg25268 +S'Santo Bulto' +p38707 +sg25270 +S'Eldora P. Lorenzini' +p38708 +sa(dp38709 +g25267 +g27 +sg25268 +S'Bulto, Priest Carrying Cross and Skull' +p38710 +sg25270 +S"Carl O'Bergh" +p38711 +sa(dp38712 +g25267 +g27 +sg25268 +S'Santo (St. Joseph)' +p38713 +sg25270 +S"Carl O'Bergh" +p38714 +sa(dp38715 +g25267 +g27 +sg25268 +S'Santo (Santa Rita)' +p38716 +sg25270 +S"Carl O'Bergh" +p38717 +sa(dp38718 +g25267 +S'In New Mexico, priests taught skills to local workers, who became known as "santeros." The latter produced ""santos," or religious images, that were either carved in the round — "bultos" — or painted on panels — "retablos." \r\n Whereas the California missions owned numbers of oil paintings, either imported from Mexico or the work of mission-trained artists, in New Mexico such paintings are rarely found. \r\n Instead, the artists were taught to paint with tempera on wooden panels that were first treated with gesso. A few panels were modeled in the gesso, like this one representing Our Lady of Sorrows. \r\n This type is rare and is believed to be from the early "santero" period in New Mexico. Such paintings have been dated by tree rings in the wood panels to the period 1765–1812.\n ' +p38719 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003cc.jpg' +p38720 +sg25268 +S'Santo' +p38721 +sg25270 +S'Maude Valle' +p38722 +sa(dp38723 +g25267 +g27 +sg25268 +S'San Acacio' +p38724 +sg25270 +S'Margery Parish' +p38725 +sa(dp38726 +g25267 +g27 +sg25268 +S'Santos Retablos' +p38727 +sg25270 +S'Maude Valle' +p38728 +sa(dp38729 +g25273 +S'pen and black ink with brown wash' +p38730 +sg25267 +g27 +sg25275 +S'1757' +p38731 +sg25268 +S"Seventh Day, Fourth Story, Monna Ghita's Trick upon Her Husband Tofano" +p38732 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p38733 +sa(dp38734 +g25267 +g27 +sg25268 +S'Bulto (Santa Barbara)' +p38735 +sg25270 +S'Eldora P. Lorenzini' +p38736 +sa(dp38737 +g25267 +g27 +sg25268 +S'Santo, Bulto (Our Lady)' +p38738 +sg25270 +S'Polly Duncan' +p38739 +sa(dp38740 +g25267 +g27 +sg25268 +S'Bulto (San Acacio)' +p38741 +sg25270 +S'Eldora P. Lorenzini' +p38742 +sa(dp38743 +g25267 +g27 +sg25268 +S'Mission Chimes' +p38744 +sg25270 +S'Bertha Semple' +p38745 +sa(dp38746 +g25267 +g27 +sg25268 +S'Altar Chimes' +p38747 +sg25270 +S'Artist Information (' +p38748 +sa(dp38749 +g25267 +g27 +sg25268 +S'Saint George & the Dragon, Carved Out of Section of Plank - Painted' +p38750 +sg25270 +S'Majel G. Claflin' +p38751 +sa(dp38752 +g25267 +g27 +sg25268 +S'Retablo-Our Lady of Sorrows "Nuestra Senora de los Siete Dolores' +p38753 +sg25270 +S'Majel G. Claflin' +p38754 +sa(dp38755 +g25267 +g27 +sg25268 +S'Retablos' +p38756 +sg25270 +S'Ranka S. Woods' +p38757 +sa(dp38758 +g25267 +g27 +sg25268 +S'Santo (Bulto)' +p38759 +sg25270 +S'Polly Duncan' +p38760 +sa(dp38761 +g25267 +g27 +sg25268 +S'San Antonio de Padua, Santo bulto' +p38762 +sg25270 +S'Artist Information (' +p38763 +sa(dp38764 +g25273 +S'pen and black ink with brown wash' +p38765 +sg25267 +g27 +sg25275 +S'1757' +p38766 +sg25268 +S"Seventh Day, Fifth Story, The Husband's Confession of His Wife" +p38767 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p38768 +sa(dp38769 +g25267 +g27 +sg25268 +S'Bulto' +p38770 +sg25270 +S"Carl O'Bergh" +p38771 +sa(dp38772 +g25267 +g27 +sg25268 +S'Crucifix' +p38773 +sg25270 +S"Carl O'Bergh" +p38774 +sa(dp38775 +g25267 +g27 +sg25268 +S'Crucifix' +p38776 +sg25270 +S"Carl O'Bergh" +p38777 +sa(dp38778 +g25267 +g27 +sg25268 +S'Santo Bulto (Santiago or San Diego)' +p38779 +sg25270 +S'Eldora P. Lorenzini' +p38780 +sa(dp38781 +g25267 +S'This is an exceptionally fine "bulto." It represents the Virgin and Child, a favorite subject of New Mexico artists. The Virgin, "Nuestra Señora," was portrayed in at least half a dozen versions that differ in their attributes. In this case, several attributes have been merged, such as the crescent on the skirt, which usually belongs to the praying Immaculata Virgin; and the outstretched arm, which is a gesture characteristic of the Madonna known as Our Lady of Mount Carmel.\r\n The tilt of the head and the gestures of the arms give particular liveliness to this "bulto." The upper part of the figure is solid; the lower part is a hollow framework built up on an armature of sticks, bound together, fastened to the waist and base, and covered with cloth dipped in gesso. The bell-shaped skirt gave a fine opportunity for decoration. Figures like this, about two feet high, were carried in processions at church festivals.\n ' +p38782 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003db.jpg' +p38783 +sg25268 +S'Nuestra Senora' +p38784 +sg25270 +S'Polly Duncan' +p38785 +sa(dp38786 +g25267 +g27 +sg25268 +S'Bulto (The Holy Family)' +p38787 +sg25270 +S'Eldora P. Lorenzini' +p38788 +sa(dp38789 +g25267 +g27 +sg25268 +S'Retablo (St. Longinus)' +p38790 +sg25270 +S'Eldora P. Lorenzini' +p38791 +sa(dp38792 +g25267 +g27 +sg25268 +S'"Santos Retablos"' +p38793 +sg25270 +S'Maude Valle' +p38794 +sa(dp38795 +g25267 +g27 +sg25268 +S'Bulto (San Miguel)' +p38796 +sg25270 +S'Eldora P. Lorenzini' +p38797 +sa(dp38798 +g25267 +g27 +sg25268 +S'Santo' +p38799 +sg25270 +S'Eldora P. Lorenzini' +p38800 +sa(dp38801 +g25273 +S'pen and black ink with brown wash' +p38802 +sg25267 +g27 +sg25275 +S'1757' +p38803 +sg25268 +S'Seventh Day, Sixth Story, Isabella, Leonetto and Lambertuccio' +p38804 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p38805 +sa(dp38806 +g25267 +g27 +sg25268 +S'Retablo' +p38807 +sg25270 +S'Ranka S. Woods' +p38808 +sa(dp38809 +g25267 +g27 +sg25268 +S'Bulto (Saint with Hands Extended)' +p38810 +sg25270 +S"Carl O'Bergh" +p38811 +sa(dp38812 +g25267 +g27 +sg25268 +S'New Mexico, "Bulto", Polychromed Wooden Figure' +p38813 +sg25270 +S'E. Boyd' +p38814 +sa(dp38815 +g25267 +g27 +sg25268 +S'Tin-Mirror Candle Sconce' +p38816 +sg25270 +S'Majel G. Claflin' +p38817 +sa(dp38818 +g25267 +g27 +sg25268 +S'Penitente Cross, Carved Wood' +p38819 +sg25270 +S'Majel G. Claflin' +p38820 +sa(dp38821 +g25267 +g27 +sg25268 +S'Sanctum, Carved from Wood' +p38822 +sg25270 +S'Alexander Chudom' +p38823 +sa(dp38824 +g25267 +g27 +sg25268 +S'Shrine for statuette' +p38825 +sg25270 +S'Albert Pratt' +p38826 +sa(dp38827 +g25267 +g27 +sg25268 +S'Wooden Cross, Carved, Used as Headstone' +p38828 +sg25270 +S'Majel G. Claflin' +p38829 +sa(dp38830 +g25267 +g27 +sg25268 +S'Retablo - San Christopher' +p38831 +sg25270 +S'Majel G. Claflin' +p38832 +sa(dp38833 +g25267 +g27 +sg25268 +S'Wooden Santa' +p38834 +sg25270 +S'Syrena Swanson' +p38835 +sa(dp38836 +g25273 +S'pen and black ink with brown wash' +p38837 +sg25267 +g27 +sg25275 +S'1757' +p38838 +sg25268 +S'Seventh Day, Seventh Story, Beatrice Sends Her Lover to Beat Her Husband' +p38839 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p38840 +sa(dp38841 +g25267 +g27 +sg25268 +S'Bulto-"Madonna"' +p38842 +sg25270 +S"Carl O'Bergh" +p38843 +sa(dp38844 +g25267 +g27 +sg25268 +S'Santos Retablos' +p38845 +sg25270 +S'Maude Valle' +p38846 +sa(dp38847 +g25267 +g27 +sg25268 +S'Station of The Cross No. 3: "Jesus Falls the First Time"' +p38848 +sg25270 +S'William Herbert' +p38849 +sa(dp38850 +g25267 +g27 +sg25268 +S'Carved and Painted Santo-San Jose' +p38851 +sg25270 +S'Majel G. Claflin' +p38852 +sa(dp38853 +g25267 +S'Muted color schemes are typical of "retablos" in New Mexico. This "retablo," depicting Saint Michael, is painted on gesso over cottonwood. In keeping with most other "retablos," the design of this piece is flat and abstract in feeling; decorative motifs like the drapery are simplified. In these respects it is akin to a folk art style; the origins of this type of painting, however, go back to the numerous devotional images painted by followers of the seventeenth-century Spanish painter Murillo.\n ' +p38854 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003d9.jpg' +p38855 +sg25268 +S'Santo (St. Michael)' +p38856 +sg25270 +S'Margery Parish' +p38857 +sa(dp38858 +g25267 +g27 +sg25268 +S'Red Wooden Cross used as Headstone' +p38859 +sg25270 +S'Majel G. Claflin' +p38860 +sa(dp38861 +g25267 +g27 +sg25268 +S'Wooden Retablo, San Antonio' +p38862 +sg25270 +S'Majel G. Claflin' +p38863 +sa(dp38864 +g25267 +g27 +sg25268 +S'Section of Wall Decoration-Mission San Francisco de Assis (Dolores)' +p38865 +sg25270 +S'Hilda Olson' +p38866 +sa(dp38867 +g25267 +g27 +sg25268 +S'Archangel "Bulto"' +p38868 +sg25270 +S'Majel G. Claflin' +p38869 +sa(dp38870 +g25267 +g27 +sg25268 +S'Retablo (Virgin)' +p38871 +sg25270 +S'Majel G. Claflin' +p38872 +sa(dp38873 +g25273 +S'pen and black ink with brown wash' +p38874 +sg25267 +g27 +sg25275 +S'1757' +p38875 +sg25268 +S'Seventh Day, Eighth Story, Arriguccio Outwitted by His Wife' +p38876 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p38877 +sa(dp38878 +g25267 +g27 +sg25268 +S'San Miguel - The Archangel and Satan' +p38879 +sg25270 +S'E. Boyd' +p38880 +sa(dp38881 +g25267 +g27 +sg25268 +S'Santo' +p38882 +sg25270 +S'Maude Valle' +p38883 +sa(dp38884 +g25267 +S"The individual "santeros," or artists who created images of saints, are usually not known by name, but scholarly research has identified several distinct styles and artists. A painter whose work stands out was Molleno. This unidentified saint, possibly Saint Rosalia of Palermo, is shown on one of a series of altarpieces of a church. The panel exemplifies Molleno's early style, somewhat like traditional Spanish style, especially in the elongated figure and expressive hands. The color scheme, with its emphasis on bold, black outlines, is characteristic of Molleno's work.\n " +p38885 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003ce.jpg' +p38886 +sg25268 +S'Retablo' +p38887 +sg25270 +S"Carl O'Bergh" +p38888 +sa(dp38889 +g25267 +g27 +sg25268 +S'Map' +p38890 +sg25270 +S'Hal Blakeley' +p38891 +sa(dp38892 +g25267 +g27 +sg25268 +S'Arm Chair (Ecclesiastical)' +p38893 +sg25270 +S'Artist Information (' +p38894 +sa(dp38895 +g25267 +g27 +sg25268 +S'Hand-Carved Armchair' +p38896 +sg25270 +S'Cornelius Christoffels' +p38897 +sa(dp38898 +g25267 +g27 +sg25268 +S'Wooden Chest' +p38899 +sg25270 +S'Emile Cero' +p38900 +sa(dp38901 +g25267 +g27 +sg25268 +S'Iron Window Grille' +p38902 +sg25270 +S'Artist Information (' +p38903 +sa(dp38904 +g25267 +g27 +sg25268 +S'Iron Grille at Window: Restoration Drawing' +p38905 +sg25270 +S'Artist Information (' +p38906 +sa(dp38907 +g25267 +g27 +sg25268 +S'Sacristy Chair' +p38908 +sg25270 +S'Rose Campbell-Gerke' +p38909 +sa(dp38910 +g25273 +S'pen and black ink with brown wash' +p38911 +sg25267 +g27 +sg25275 +S'1757' +p38912 +sg25268 +S'Seventh Day, Ninth Story, Lidia Makes Her Husband Discredit His Own Eyes' +p38913 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p38914 +sa(dp38915 +g25267 +g27 +sg25268 +S'Painted Keystone' +p38916 +sg25270 +S'Randolph F. Miller' +p38917 +sa(dp38918 +g25267 +g27 +sg25268 +S'Candlesticks' +p38919 +sg25270 +S'Edith Towner' +p38920 +sa(dp38921 +g25267 +g27 +sg25268 +S'Mission Bench' +p38922 +sg25270 +S'Edward Jewett' +p38923 +sa(dp38924 +g25267 +g27 +sg25268 +S'Wooden Bench' +p38925 +sg25270 +S'Edward Jewett' +p38926 +sa(dp38927 +g25267 +g27 +sg25268 +S'Folding Bed' +p38928 +sg25270 +S'Edward Jewett' +p38929 +sa(dp38930 +g25267 +g27 +sg25268 +S'Bed' +p38931 +sg25270 +S'Richard Reimer' +p38932 +sa(dp38933 +g25267 +g27 +sg25268 +S'Bed, Four Poster' +p38934 +sg25270 +S'Arthur P. Reynolds' +p38935 +sa(dp38936 +g25267 +g27 +sg25268 +S'Rawhide Bedstead' +p38937 +sg25270 +S'Edward Jewett' +p38938 +sa(dp38939 +g25267 +g27 +sg25268 +S'Bench' +p38940 +sg25270 +S'Hal Blakeley' +p38941 +sa(dp38942 +g25267 +g27 +sg25268 +S'Water Pitcher' +p38943 +sg25270 +S'Jessie M. Youngs' +p38944 +sa(dp38945 +g25273 +S'pen and black ink with brown wash' +p38946 +sg25267 +g27 +sg25275 +S'1757' +p38947 +sg25268 +S'Seventh Day, Tenth Story, Tingoccio, after Dying, Revisits His Friend Meuccio' +p38948 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p38949 +sa(dp38950 +g25267 +g27 +sg25268 +S'Crock' +p38951 +sg25270 +S'Nicholas Amantea' +p38952 +sa(dp38953 +g25267 +g27 +sg25268 +S'Molasses Jug' +p38954 +sg25270 +S'Giacinto Capelli' +p38955 +sa(dp38956 +g25267 +g27 +sg25268 +S'Crock' +p38957 +sg25270 +S'John Tarantino' +p38958 +sa(dp38959 +g25267 +g27 +sg25268 +S'Crock' +p38960 +sg25270 +S'Nicholas Amantea' +p38961 +sa(dp38962 +g25267 +g27 +sg25268 +S'Jar' +p38963 +sg25270 +S'Charles Caseau' +p38964 +sa(dp38965 +g25267 +g27 +sg25268 +S'Jug' +p38966 +sg25270 +S'Giacinto Capelli' +p38967 +sa(dp38968 +g25267 +g27 +sg25268 +S'Jug' +p38969 +sg25270 +S'Howard Lumbard' +p38970 +sa(dp38971 +g25267 +g27 +sg25268 +S'Jar' +p38972 +sg25270 +S'Yolande Delasser' +p38973 +sa(dp38974 +g25267 +g27 +sg25268 +S'Crock' +p38975 +sg25270 +S'Charles Caseau' +p38976 +sa(dp38977 +g25267 +g27 +sg25268 +S'Jug' +p38978 +sg25270 +S'John Dana' +p38979 +sa(dp38980 +g25268 +S'Eighth Day, First Story, Madonna Ambruogia Gives Her Husband the Two Hundred Florins She Was Given by Gulfardo in Payment for Her Favors' +p38981 +sg25270 +S'Charles-Nicolas Cochin II' +p38982 +sg25273 +S'graphite on vellum with a bordern line in pen and brown ink' +p38983 +sg25275 +S'c. 1757' +p38984 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00060/a00060d5.jpg' +p38985 +sg25267 +g27 +sa(dp38986 +g25267 +g27 +sg25268 +S'Pitcher' +p38987 +sg25270 +S'Giacinto Capelli' +p38988 +sa(dp38989 +g25267 +g27 +sg25268 +S'Pitcher' +p38990 +sg25270 +S'Frank Fumagalli' +p38991 +sa(dp38992 +g25267 +g27 +sg25268 +S'Jug' +p38993 +sg25270 +S'Yolande Delasser' +p38994 +sa(dp38995 +g25267 +g27 +sg25268 +S'Jug' +p38996 +sg25270 +S'Yolande Delasser' +p38997 +sa(dp38998 +g25267 +g27 +sg25268 +S'Miniature Crock' +p38999 +sg25270 +S'Janet Riza' +p39000 +sa(dp39001 +g25267 +g27 +sg25268 +S'Jar' +p39002 +sg25270 +S'Yolande Delasser' +p39003 +sa(dp39004 +g25267 +g27 +sg25268 +S'Jar' +p39005 +sg25270 +S'Yolande Delasser' +p39006 +sa(dp39007 +g25267 +g27 +sg25268 +S'Water Jug' +p39008 +sg25270 +S'Yolande Delasser' +p39009 +sa(dp39010 +g25267 +g27 +sg25268 +S'Water Jug' +p39011 +sg25270 +S'Yolande Delasser' +p39012 +sa(dp39013 +g25267 +S'After about 1825, the simple, straightforward, functional forms of stoneware were enlivened by exuberantly painted decoration. Freehand designs in cobalt blue display new freedom and fluidity as seen in the broad, \n bold brushstrokes on this milk pan. The clarity and vigor of the floral design aptly complement the clean, fluid shape of the pot.\n ' +p39014 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003e7.jpg' +p39015 +sg25268 +S'Milk Pan' +p39016 +sg25270 +S'John Tarantino' +p39017 +sa(dp39018 +g25273 +S'pen and black ink with brown wash' +p39019 +sg25267 +g27 +sg25275 +S'1757' +p39020 +sg25268 +S"Eighth Day, Third Story, Calandrino's Search for the Heliotrope" +p39021 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p39022 +sa(dp39023 +g25267 +g27 +sg25268 +S'Jug' +p39024 +sg25270 +S'Bisby Finley' +p39025 +sa(dp39026 +g25267 +g27 +sg25268 +S'Stoneware Jar' +p39027 +sg25270 +S'Richard Barnett' +p39028 +sa(dp39029 +g25267 +g27 +sg25268 +S'Stoneware Jar' +p39030 +sg25270 +S'Richard Barnett' +p39031 +sa(dp39032 +g25267 +g27 +sg25268 +S'Stoneware Pitcher' +p39033 +sg25270 +S'Richard Barnett' +p39034 +sa(dp39035 +g25267 +g27 +sg25268 +S'Five Gallon Churn' +p39036 +sg25270 +S'Clyde L. 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Vladimar Fischer' +p39063 +sa(dp39064 +g25267 +g27 +sg25268 +S'Crock' +p39065 +sg25270 +S'Aaron Fastovsky' +p39066 +sa(dp39067 +g25267 +g27 +sg25268 +S'Crock' +p39068 +sg25270 +S'John Tarantino' +p39069 +sa(dp39070 +g25267 +g27 +sg25268 +S'Crock' +p39071 +sg25270 +S'Jeanne Taylor' +p39072 +sa(dp39073 +g25267 +g27 +sg25268 +S'Jar' +p39074 +sg25270 +S'Yolande Delasser' +p39075 +sa(dp39076 +g25267 +g27 +sg25268 +S'Pot' +p39077 +sg25270 +S'Giacinto Capelli' +p39078 +sa(dp39079 +g25267 +g27 +sg25268 +S'Pitcher' +p39080 +sg25270 +S'George Loughridge' +p39081 +sa(dp39082 +g25267 +g27 +sg25268 +S'Crock' +p39083 +sg25270 +S'Charles Caseau' +p39084 +sa(dp39085 +g25267 +g27 +sg25268 +S'Jug' +p39086 +sg25270 +S'John Tarantino' +p39087 +sa(dp39088 +g25273 +S'pen and black ink with brown wash' +p39089 +sg25267 +g27 +sg25275 +S'1757' +p39090 +sg25268 +S'Eighth Day, Fifth Story, Three Young Sparks and a Judge' +p39091 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p39092 +sa(dp39093 +g25267 +g27 +sg25268 +S'Jug (for Wine, Cider, or Vinegar)' +p39094 +sg25270 +S'John Tarantino' +p39095 +sa(dp39096 +g25267 +g27 +sg25268 +S'Crock' +p39097 +sg25270 +S'Isadore Goldberg' +p39098 +sa(dp39099 +g25267 +g27 +sg25268 +S'Stoneware Jug' +p39100 +sg25270 +S'Arthur Mathews' +p39101 +sa(dp39102 +g25267 +g27 +sg25268 +S'Batter Jug' +p39103 +sg25270 +S'John Tarantino' +p39104 +sa(dp39105 +g25267 +g27 +sg25268 +S'Batter Jug' +p39106 +sg25270 +S'John Tarantino' +p39107 +sa(dp39108 +g25267 +g27 +sg25268 +S'Crock' +p39109 +sg25270 +S'Elsie Wein' +p39110 +sa(dp39111 +g25267 +g27 +sg25268 +S'Jug' +p39112 +sg25270 +S'Anne Nemtzoff' +p39113 +sa(dp39114 +g25267 +g27 +sg25268 +S'Jug' +p39115 +sg25270 +S'Anne Nemtzoff' +p39116 +sa(dp39117 +g25267 +g27 +sg25268 +S'Water Crock' +p39118 +sg25270 +S'Vincent P. 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Howard Iams' +p39139 +sa(dp39140 +g25267 +g27 +sg25268 +S'Jug' +p39141 +sg25270 +S'Yolande Delasser' +p39142 +sa(dp39143 +g25267 +g27 +sg25268 +S'Stoneware Cream Pitcher' +p39144 +sg25270 +S'Margaret Stottlemeyer' +p39145 +sa(dp39146 +g25267 +g27 +sg25268 +S'Fruit Jar' +p39147 +sg25270 +S'Violet Hartenstein' +p39148 +sa(dp39149 +g25267 +g27 +sg25268 +S'Jar' +p39150 +sg25270 +S'Yolande Delasser' +p39151 +sa(dp39152 +g25267 +g27 +sg25268 +S'Pitcher' +p39153 +sg25270 +S'Isadore Goldberg' +p39154 +sa(dp39155 +g25267 +g27 +sg25268 +S'Pitcher' +p39156 +sg25270 +S'Carl Strehlau' +p39157 +sa(dp39158 +g25273 +S'pen and black ink with brown wash' +p39159 +sg25267 +g27 +sg25275 +S'1757' +p39160 +sg25268 +S'Eighth Day, Eighth Story, The Witty Revenge' +p39161 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p39162 +sa(dp39163 +g25267 +g27 +sg25268 +S'Jar' +p39164 +sg25270 +S'Elsie Wein' +p39165 +sa(dp39166 +g25267 +g27 +sg25268 +S'Crock' +p39167 +sg25270 +S'Nicholas Amantea' +p39168 +sa(dp39169 +g25267 +g27 +sg25268 +S'Crock' +p39170 +sg25270 +S'John Tarantino' +p39171 +sa(dp39172 +g25267 +g27 +sg25268 +S'Jug' +p39173 +sg25270 +S'Giacinto Capelli' +p39174 +sa(dp39175 +g25267 +g27 +sg25268 +S'Crock' +p39176 +sg25270 +S'I. Domskoy Kallman' +p39177 +sa(dp39178 +g25267 +g27 +sg25268 +S'Pottery Jam Jar' +p39179 +sg25270 +S'Magnus S. Fossum' +p39180 +sa(dp39181 +g25267 +g27 +sg25268 +S'Jug' +p39182 +sg25270 +S'Samuel Sulkowitz' +p39183 +sa(dp39184 +g25267 +g27 +sg25268 +S'Jar' +p39185 +sg25270 +S'Jessica Price' +p39186 +sa(dp39187 +g25267 +g27 +sg25268 +S'Crock' +p39188 +sg25270 +S'Yolande Delasser' +p39189 +sa(dp39190 +g25267 +g27 +sg25268 +S'Jug' +p39191 +sg25270 +S'Artist Information (' +p39192 +sa(dp39193 +g25273 +S'pen and black ink with brown wash' +p39194 +sg25267 +g27 +sg25275 +S'1757' +p39195 +sg25268 +S"Eighth Day, Tenth Story, The Merchant's Revenge on the Courtesan" +p39196 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p39197 +sa(dp39198 +g25267 +g27 +sg25268 +S'Gray Pottery Jar' +p39199 +sg25270 +S'Gerald Scalise' +p39200 +sa(dp39201 +g25267 +g27 +sg25268 +S'Jar' +p39202 +sg25270 +S'John Dana' +p39203 +sa(dp39204 +g25267 +g27 +sg25268 +S'Design' +p39205 +sg25270 +S'Hedwig Emanuel' +p39206 +sa(dp39207 +g25267 +g27 +sg25268 +S'Pitcher' +p39208 +sg25270 +S'Hedwig Emanuel' +p39209 +sa(dp39210 +g25267 +g27 +sg25268 +S'Teapot' +p39211 +sg25270 +S'American 20th Century' +p39212 +sa(dp39213 +g25267 +g27 +sg25268 +S'Churn' +p39214 +sg25270 +S'Mary Berner' +p39215 +sa(dp39216 +g25267 +g27 +sg25268 +S'Pitcher' +p39217 +sg25270 +S'Anna Aloisi' +p39218 +sa(dp39219 +g25267 +g27 +sg25268 +S'Stone Jar' +p39220 +sg25270 +S'Edna C. Rex' +p39221 +sa(dp39222 +g25267 +g27 +sg25268 +S'Flask' +p39223 +sg25270 +S'John Tarantino' +p39224 +sa(dp39225 +g25267 +g27 +sg25268 +S'Pitcher' +p39226 +sg25270 +S'Gertrude Lemberg' +p39227 +sa(dp39228 +g25273 +S'pen and black ink with brown wash' +p39229 +sg25267 +g27 +sg25275 +S'1757' +p39230 +sg25268 +S'Ninth Day, Second Story, The Abbess, the Nun and the Breeches' +p39231 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p39232 +sa(dp39233 +g25267 +g27 +sg25268 +S'Pitcher' +p39234 +sg25270 +S'John Fisk' +p39235 +sa(dp39236 +g25267 +g27 +sg25268 +S'Wall Pocket for Flowers' +p39237 +sg25270 +S'Gertrude Lemberg' +p39238 +sa(dp39239 +g25267 +g27 +sg25268 +S'Flask' +p39240 +sg25270 +S'John Tarantino' +p39241 +sa(dp39242 +g25267 +g27 +sg25268 +S'Flask' +p39243 +sg25270 +S'Alvin Shiren' +p39244 +sa(dp39245 +g25267 +g27 +sg25268 +S'Pitcher' +p39246 +sg25270 +S'Charles Caseau' +p39247 +sa(dp39248 +g25267 +g27 +sg25268 +S'Plate' +p39249 +sg25270 +S'Gertrude Lemberg' +p39250 +sa(dp39251 +g25267 +g27 +sg25268 +S'Pie Plate' +p39252 +sg25270 +S'Meyer Goldbaum' +p39253 +sa(dp39254 +g25267 +g27 +sg25268 +S'Jug' +p39255 +sg25270 +S'Nicholas Amantea' +p39256 +sa(dp39257 +g25267 +g27 +sg25268 +S'Jar' +p39258 +sg25270 +S'American 20th Century' +p39259 +sa(dp39260 +g25267 +g27 +sg25268 +S'Jug' +p39261 +sg25270 +S'Salvatore Borrazzo' +p39262 +sa(dp39263 +g25273 +S'graphite' +p39264 +sg25267 +g27 +sg25275 +S'1757' +p39265 +sg25268 +S'Ninth Day, Fourth Story, Fortarrigo Gets His Master Apprehended as a Thief' +p39266 +sg25270 +S'Charles Eisen' +p39267 +sa(dp39268 +g25267 +g27 +sg25268 +S'Jar' +p39269 +sg25270 +S'Francis Bruner' +p39270 +sa(dp39271 +g25267 +g27 +sg25268 +S'Quart Stoneware Preserving Jar' +p39272 +sg25270 +S'George V. 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Johnston' +p39323 +sa(dp39324 +g25267 +g27 +sg25268 +S'Churn' +p39325 +sg25270 +S'George Loughridge' +p39326 +sa(dp39327 +g25267 +g27 +sg25268 +S'Churn' +p39328 +sg25270 +S'Yolande Delasser' +p39329 +sa(dp39330 +g25267 +g27 +sg25268 +S'Churn' +p39331 +sg25270 +S'Frank Fumagalli' +p39332 +sa(dp39333 +g25273 +S'pen and black ink with brown wash' +p39334 +sg25267 +g27 +sg25275 +S'1757' +p39335 +sg25268 +S"Ninth Day, Ninth Story, Solomon's Advice to Two Young Men" +p39336 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p39337 +sa(dp39338 +g25267 +g27 +sg25268 +S'Jug' +p39339 +sg25270 +S'Yolande Delasser' +p39340 +sa(dp39341 +g25267 +g27 +sg25268 +S'Churn' +p39342 +sg25270 +S'David S. De Vault' +p39343 +sa(dp39344 +g25267 +g27 +sg25268 +S'Jug' +p39345 +sg25270 +S'Nicholas Amantea' +p39346 +sa(dp39347 +g25267 +g27 +sg25268 +S'Jug' +p39348 +sg25270 +S'Nicholas Amantea' +p39349 +sa(dp39350 +g25267 +g27 +sg25268 +S'Jar' +p39351 +sg25270 +S'Nicholas Amantea' +p39352 +sa(dp39353 +g25267 +g27 +sg25268 +S'Jar' +p39354 +sg25270 +S'Yolande Delasser' +p39355 +sa(dp39356 +g25267 +g27 +sg25268 +S'Jar' +p39357 +sg25270 +S'Yolande Delasser' +p39358 +sa(dp39359 +g25267 +g27 +sg25268 +S'Jug' +p39360 +sg25270 +S'Yolande Delasser' +p39361 +sa(dp39362 +g25267 +g27 +sg25268 +S'Jug' +p39363 +sg25270 +S'John Dana' +p39364 +sa(dp39365 +g25267 +g27 +sg25268 +S'Jug' +p39366 +sg25270 +S'Nicholas Amantea' +p39367 +sa(dp39368 +g25273 +S'pen and black ink with brown wash' +p39369 +sg25267 +g27 +sg25275 +S'1757' +p39370 +sg25268 +S'Tenth Day, Frontispiece' +p39371 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p39372 +sa(dp39373 +g25267 +g27 +sg25268 +S'Jug' +p39374 +sg25270 +S'Charles Garjian' +p39375 +sa(dp39376 +g25267 +g27 +sg25268 +S'Jug' +p39377 +sg25270 +S'Yolande Delasser' +p39378 +sa(dp39379 +g25267 +g27 +sg25268 +S'Jug' +p39380 +sg25270 +S'Nicholas Amantea' +p39381 +sa(dp39382 +g25267 +g27 +sg25268 +S'Jug' +p39383 +sg25270 +S'Nicholas Amantea' +p39384 +sa(dp39385 +g25267 +g27 +sg25268 +S'Jar' +p39386 +sg25270 +S'John Tarantino' +p39387 +sa(dp39388 +g25267 +g27 +sg25268 +S'Crock' +p39389 +sg25270 +S'Daniel Fletcher' +p39390 +sa(dp39391 +g25267 +g27 +sg25268 +S'Stone Fruit Jar with Star' +p39392 +sg25270 +S'Margaret Stottlemeyer' +p39393 +sa(dp39394 +g25267 +g27 +sg25268 +S'Jug' +p39395 +sg25270 +S'Elsie Wein' +p39396 +sa(dp39397 +g25267 +g27 +sg25268 +S'One Gallon Jug' +p39398 +sg25270 +S'A.R. Tolman' +p39399 +sa(dp39400 +g25267 +g27 +sg25268 +S'Jug' +p39401 +sg25270 +S'Yolande Delasser' +p39402 +sa(dp39403 +g25273 +S'pen and black ink with brown wash' +p39404 +sg25267 +g27 +sg25275 +S'1757' +p39405 +sg25268 +S"Tenth Day, First Story, Ruggieri de' Figiovanni and the King of Spain" +p39406 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p39407 +sa(dp39408 +g25267 +g27 +sg25268 +S'Jar' +p39409 +sg25270 +S'Howell Rosenbaum' +p39410 +sa(dp39411 +g25267 +g27 +sg25268 +S'Pitcher' +p39412 +sg25270 +S'Roberta Spicer' +p39413 +sa(dp39414 +g25267 +g27 +sg25268 +S'Server Dish' +p39415 +sg25270 +S'Joseph Sudek' +p39416 +sa(dp39417 +g25267 +g27 +sg25268 +S'Pitcher' +p39418 +sg25270 +S'Joseph Sudek' +p39419 +sa(dp39420 +g25267 +g27 +sg25268 +S'Mold' +p39421 +sg25270 +S'Roberta Spicer' +p39422 +sa(dp39423 +g25267 +g27 +sg25268 +S'Mold' +p39424 +sg25270 +S'Roberta Spicer' +p39425 +sa(dp39426 +g25267 +g27 +sg25268 +S'Compote' +p39427 +sg25270 +S'Bena Mayer' +p39428 +sa(dp39429 +g25267 +g27 +sg25268 +S'Water Pitcher' +p39430 +sg25270 +S'Edward White' +p39431 +sa(dp39432 +g25267 +g27 +sg25268 +S'Inkwell' +p39433 +sg25270 +S'Jessie M. Youngs' +p39434 +sa(dp39435 +g25267 +g27 +sg25268 +S'Inkwell' +p39436 +sg25270 +S'Frank Fumagalli' +p39437 +sa(dp39438 +g25273 +S'pen and black ink with brown wash' +p39439 +sg25267 +g27 +sg25275 +S'1757' +p39440 +sg25268 +S'Tenth Day, Second Story, The Robber Tacco Cures the Abbot of Cligni' +p39441 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p39442 +sa(dp39443 +g25267 +g27 +sg25268 +S'Inkwell' +p39444 +sg25270 +S'Frank Fumagalli' +p39445 +sa(dp39446 +g25267 +g27 +sg25268 +S'Ink Bottle' +p39447 +sg25270 +S'John Jordan' +p39448 +sa(dp39449 +g25267 +g27 +sg25268 +S'Punch Bowl' +p39450 +sg25270 +S'Charles Caseau' +p39451 +sa(dp39452 +g25267 +g27 +sg25268 +S'Bowl: "Sinking of the Maine"' +p39453 +sg25270 +S'Edith Magnette' +p39454 +sa(dp39455 +g25267 +g27 +sg25268 +S'Pitcher' +p39456 +sg25270 +S'Rolland Livingstone' +p39457 +sa(dp39458 +g25267 +g27 +sg25268 +S'Pitcher' +p39459 +sg25270 +S'Charles Caseau' +p39460 +sa(dp39461 +g25267 +g27 +sg25268 +S'Punch Bowl' +p39462 +sg25270 +S'Rolland Livingstone' +p39463 +sa(dp39464 +g25267 +g27 +sg25268 +S'Pitcher' +p39465 +sg25270 +S'Francis Law Durand' +p39466 +sa(dp39467 +g25267 +g27 +sg25268 +S'Small Crock' +p39468 +sg25270 +S'George Loughridge' +p39469 +sa(dp39470 +g25267 +g27 +sg25268 +S'Pottery Jug' +p39471 +sg25270 +S'Frances Godfrey' +p39472 +sa(dp39473 +g25273 +S'pen and black ink with brown wash' +p39474 +sg25267 +g27 +sg25275 +S'1757' +p39475 +sg25268 +S"Tenth Day, Third Story, Mitridanes Overcome by Nathan's Generosity" +p39476 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p39477 +sa(dp39478 +g25267 +g27 +sg25268 +S'Jar' +p39479 +sg25270 +S'Charles Caseau' +p39480 +sa(dp39481 +g25267 +g27 +sg25268 +S'Churn' +p39482 +sg25270 +S'Magnus S. Fossum' +p39483 +sa(dp39484 +g25267 +g27 +sg25268 +S'Crock' +p39485 +sg25270 +S'John Tarantino' +p39486 +sa(dp39487 +g25267 +g27 +sg25268 +S'Churn' +p39488 +sg25270 +S'Samuel Sulkowitz' +p39489 +sa(dp39490 +g25267 +g27 +sg25268 +S'Jug' +p39491 +sg25270 +S'Nicholas Amantea' +p39492 +sa(dp39493 +g25267 +g27 +sg25268 +S'Molasses Jug' +p39494 +sg25270 +S'Samuel Faigin' +p39495 +sa(dp39496 +g25267 +g27 +sg25268 +S'Yellow Stoneware Jug' +p39497 +sg25270 +S'Herman O. Stroh' +p39498 +sa(dp39499 +g25267 +g27 +sg25268 +S'Jug' +p39500 +sg25270 +S'William Frank' +p39501 +sa(dp39502 +g25267 +g27 +sg25268 +S'Vase' +p39503 +sg25270 +S'Anne Nemtzoff' +p39504 +sa(dp39505 +g25267 +g27 +sg25268 +S'Jug' +p39506 +sg25270 +S'Aaron Fastovsky' +p39507 +sa(dp39508 +g25273 +S'pen and black ink with brown wash' +p39509 +sg25267 +g27 +sg25275 +S'1757' +p39510 +sg25268 +S"Tenth Day, Fourth Story, Gentil de Carisendi's Generosity" +p39511 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p39512 +sa(dp39513 +g25267 +g27 +sg25268 +S'Crock' +p39514 +sg25270 +S'Nicholas Amantea' +p39515 +sa(dp39516 +g25267 +g27 +sg25268 +S'Crock' +p39517 +sg25270 +S'Yolande Delasser' +p39518 +sa(dp39519 +g25267 +g27 +sg25268 +S'Crock' +p39520 +sg25270 +S'Charles Caseau' +p39521 +sa(dp39522 +g25267 +g27 +sg25268 +S'Vase' +p39523 +sg25270 +S'John Cutting' +p39524 +sa(dp39525 +g25267 +g27 +sg25268 +S'Sugar Bowl' +p39526 +sg25270 +S'John Fisk' +p39527 +sa(dp39528 +g25267 +g27 +sg25268 +S'Pottery Jug' +p39529 +sg25270 +S'Michael J. Miceli' +p39530 +sa(dp39531 +g25267 +g27 +sg25268 +S'Cream Pitcher and Sugar Bowl' +p39532 +sg25270 +S'Frank Nelson' +p39533 +sa(dp39534 +g25267 +g27 +sg25268 +S'Pottery Ornament of Little Red Riding Hood' +p39535 +sg25270 +S'Dana Bartlett' +p39536 +sa(dp39537 +g25267 +g27 +sg25268 +S'Pitcher' +p39538 +sg25270 +S'Barnes' +p39539 +sa(dp39540 +g25267 +g27 +sg25268 +S'Pitcher' +p39541 +sg25270 +S'Barnes' +p39542 +sa(dp39543 +g25273 +S'pen and black ink with brown wash' +p39544 +sg25267 +g27 +sg25275 +S'1757' +p39545 +sg25268 +S"Tenth Day, Fifth Story, Ansaldo's Garden" +p39546 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p39547 +sa(dp39548 +g25267 +g27 +sg25268 +S'Pitcher' +p39549 +sg25270 +S'Barnes' +p39550 +sa(dp39551 +g25267 +g27 +sg25268 +S'Majolica Pitcher' +p39552 +sg25270 +S'Della Button' +p39553 +sa(dp39554 +g25267 +g27 +sg25268 +S'Jar' +p39555 +sg25270 +S'Harry Mann Waddell' +p39556 +sa(dp39557 +g25267 +g27 +sg25268 +S'Owl Pitcher' +p39558 +sg25270 +S'Amos C. Brinton' +p39559 +sa(dp39560 +g25267 +g27 +sg25268 +S'Cream Pitcher' +p39561 +sg25270 +S'Edward L. Loper' +p39562 +sa(dp39563 +g25267 +g27 +sg25268 +S'Water Pitcher' +p39564 +sg25270 +S'Al Curry' +p39565 +sa(dp39566 +g25267 +g27 +sg25268 +S'Dog Pitcher' +p39567 +sg25270 +S'Ernest A. Towers, Jr.' +p39568 +sa(dp39569 +g25267 +g27 +sg25268 +S'Possum Pitcher' +p39570 +sg25270 +S'Ernest A. Towers, Jr.' +p39571 +sa(dp39572 +g25267 +g27 +sg25268 +S'Pitcher' +p39573 +sg25270 +S'Carl Buergerniss' +p39574 +sa(dp39575 +g25267 +g27 +sg25268 +S'Crockery Pitcher' +p39576 +sg25270 +S'Doris Hollingsworth' +p39577 +sa(dp39578 +g25273 +S'pen and black ink with brown wash' +p39579 +sg25267 +g27 +sg25275 +S'1757' +p39580 +sg25268 +S"Tenth Day, Sixth Story, King Carlo and Uberti's Daughters" +p39581 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p39582 +sa(dp39583 +g25267 +g27 +sg25268 +S'Plate' +p39584 +sg25270 +S'Dorothy Posten' +p39585 +sa(dp39586 +g25267 +g27 +sg25268 +S'Pitcher' +p39587 +sg25270 +S'Samuel O. Klein' +p39588 +sa(dp39589 +g25267 +g27 +sg25268 +S'Fish Pitcher' +p39590 +sg25270 +S'Edward L. 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Howard Iams' +p39715 +sa(dp39716 +g25267 +g27 +sg25268 +S'Plate' +p39717 +sg25270 +S'American 20th Century' +p39718 +sa(dp39719 +g25273 +S'pen and black ink with brown wash' +p39720 +sg25267 +g27 +sg25275 +S'1757' +p39721 +sg25268 +S'Tenth Day, Tenth Story, Griselda' +p39722 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p39723 +sa(dp39724 +g25267 +g27 +sg25268 +S'Cup' +p39725 +sg25270 +S'Edward White' +p39726 +sa(dp39727 +g25267 +g27 +sg25268 +S'Sugar Bowl' +p39728 +sg25270 +S'Edward White' +p39729 +sa(dp39730 +g25267 +g27 +sg25268 +S'Sugar Bowl' +p39731 +sg25270 +S'Richard Barnett' +p39732 +sa(dp39733 +g25267 +g27 +sg25268 +S'Parian Ware Tie Back' +p39734 +sg25270 +S'Richard Barnett' +p39735 +sa(dp39736 +g25267 +g27 +sg25268 +S'Oval Shaving Mug' +p39737 +sg25270 +S'J. Howard Iams' +p39738 +sa(dp39739 +g25267 +g27 +sg25268 +S'Porcelain Vase' +p39740 +sg25270 +S'Herbert Gallager' +p39741 +sa(dp39742 +g25267 +g27 +sg25268 +S'China Plate' +p39743 +sg25270 +S'Geoffrey Holt' +p39744 +sa(dp39745 +g25267 +g27 +sg25268 +S'Vase' +p39746 +sg25270 +S'Cleo Lovett' +p39747 +sa(dp39748 +g25267 +g27 +sg25268 +S'Swan' +p39749 +sg25270 +S'Cleo Lovett' +p39750 +sa(dp39751 +g25267 +g27 +sg25268 +S'Vase' +p39752 +sg25270 +S'J. Howard Iams' +p39753 +sa(dp39754 +g25273 +S'pen and black ink with brown wash' +p39755 +sg25267 +g27 +sg25275 +S'1757' +p39756 +sg25268 +S'Title Page for Volume III of Boccaccio\'s "Decamerone"' +p39757 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p39758 +sa(dp39759 +g25267 +g27 +sg25268 +S"China Invalid's Cup" +p39760 +sg25270 +S'Vincent P. 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Brush' +p39805 +sa(dp39806 +g25267 +g27 +sg25268 +S'Dinner Tray' +p39807 +sg25270 +S'Joseph Sudek' +p39808 +sa(dp39809 +g25267 +g27 +sg25268 +S'Saucer' +p39810 +sg25270 +S'Irene M. Burge' +p39811 +sa(dp39812 +g25267 +g27 +sg25268 +S'Platter' +p39813 +sg25270 +S'Joseph Sudek' +p39814 +sa(dp39815 +g25267 +g27 +sg25268 +S'Sugar Bowl' +p39816 +sg25270 +S'John Cutting' +p39817 +sa(dp39818 +g25267 +g27 +sg25268 +S'Bowl' +p39819 +sg25270 +S'William Ludwig' +p39820 +sa(dp39821 +g25267 +g27 +sg25268 +S'Jar' +p39822 +sg25270 +S'Margaret Stottlemeyer' +p39823 +sa(dp39824 +g25273 +S'pen and black ink with brown wash' +p39825 +sg25267 +g27 +sg25275 +S'1757' +p39826 +sg25268 +S'Cul-de-lampe for Second Day, Third Story and Vignette for the Life of Boccaccio' +p39827 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p39828 +sa(dp39829 +g25267 +g27 +sg25268 +S'Waste Bowl' +p39830 +sg25270 +S'J. Howard Iams' +p39831 +sa(dp39832 +g25267 +g27 +sg25268 +S'Soup Bowl' +p39833 +sg25270 +S'William Kerby' +p39834 +sa(dp39835 +g25267 +g27 +sg25268 +S'Sugar Bowl' +p39836 +sg25270 +S'Ludmilla Calderon' +p39837 +sa(dp39838 +g25267 +g27 +sg25268 +S'Bowl' +p39839 +sg25270 +S'Carl Buergerniss' +p39840 +sa(dp39841 +g25267 +g27 +sg25268 +S'Bowl' +p39842 +sg25270 +S'Hugh Clarke' +p39843 +sa(dp39844 +g25267 +g27 +sg25268 +S'Bowl' +p39845 +sg25270 +S'Joseph Sudek' +p39846 +sa(dp39847 +g25267 +g27 +sg25268 +S'Bowl' +p39848 +sg25270 +S'Joseph Sudek' +p39849 +sa(dp39850 +g25267 +g27 +sg25268 +S'Bowl' +p39851 +sg25270 +S'Lillian Causey' +p39852 +sa(dp39853 +g25267 +g27 +sg25268 +S'Sugar Bowl' +p39854 +sg25270 +S'Joseph Sudek' +p39855 +sa(dp39856 +g25267 +g27 +sg25268 +S'Jubilee Cup' +p39857 +sg25270 +S'Frank J. Mace' +p39858 +sa(dp39859 +g25273 +S'pen and black ink with brown wash' +p39860 +sg25267 +g27 +sg25275 +S'1757' +p39861 +sg25268 +S'Cul-de-lampe for First Day, Introduction and Cul-de-lampe for First Day, First Story' +p39862 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p39863 +sa(dp39864 +g25267 +g27 +sg25268 +S'Shaving Mug' +p39865 +sg25270 +S'Roberta Spicer' +p39866 +sa(dp39867 +g25267 +g27 +sg25268 +S'Shaving Mug' +p39868 +sg25270 +S'Roberta Spicer' +p39869 +sa(dp39870 +g25267 +g27 +sg25268 +S'Shaving Mug' +p39871 +sg25270 +S'Mary Ann Burton' +p39872 +sa(dp39873 +g25267 +g27 +sg25268 +S'Mug' +p39874 +sg25270 +S'Roberta Spicer' +p39875 +sa(dp39876 +g25267 +g27 +sg25268 +S'Foot Warmer' +p39877 +sg25270 +S'Gordon Saltar' +p39878 +sa(dp39879 +g25267 +g27 +sg25268 +S'Luster Mug' +p39880 +sg25270 +S'Robert Schuerer' +p39881 +sa(dp39882 +g25267 +g27 +sg25268 +S'Plate' +p39883 +sg25270 +S'J. Howard Iams' +p39884 +sa(dp39885 +g25267 +g27 +sg25268 +S'Plate' +p39886 +sg25270 +S'Samuel Faigin' +p39887 +sa(dp39888 +g25267 +g27 +sg25268 +S'Plate' +p39889 +sg25270 +S'Kurt Melzer' +p39890 +sa(dp39891 +g25267 +g27 +sg25268 +S'Plate' +p39892 +sg25270 +S'Joseph Sudek' +p39893 +sa(dp39894 +g25273 +S'pen and black ink with brown wash' +p39895 +sg25267 +g27 +sg25275 +S'1757' +p39896 +sg25268 +S'Cul-de-lampe for First Day, Third Story and Cul-de-lampe for First Day, Fifth Story' +p39897 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p39898 +sa(dp39899 +g25267 +g27 +sg25268 +S'Plate' +p39900 +sg25270 +S'Joseph Sudek' +p39901 +sa(dp39902 +g25267 +g27 +sg25268 +S'Dinner Plate' +p39903 +sg25270 +S'Joseph Sudek' +p39904 +sa(dp39905 +g25267 +g27 +sg25268 +S'Cup and Saucer' +p39906 +sg25270 +S'Albert Camilli' +p39907 +sa(dp39908 +g25267 +g27 +sg25268 +S'Teacup and Saucer' +p39909 +sg25270 +S'David Ramage' +p39910 +sa(dp39911 +g25267 +g27 +sg25268 +S'Tea Cup' +p39912 +sg25270 +S'J. Howard Iams' +p39913 +sa(dp39914 +g25267 +g27 +sg25268 +S'Moustache Cup and Saucer' +p39915 +sg25270 +S'Hal Blakeley' +p39916 +sa(dp39917 +g25267 +g27 +sg25268 +S"Invalid's Feeding Cup" +p39918 +sg25270 +S'Carl Buergerniss' +p39919 +sa(dp39920 +g25267 +g27 +sg25268 +S'Cup and Saucer' +p39921 +sg25270 +S'Erwin Schwabe' +p39922 +sa(dp39923 +g25267 +g27 +sg25268 +S'Cup and Saucer' +p39924 +sg25270 +S'Irene M. Burge' +p39925 +sa(dp39926 +g25267 +g27 +sg25268 +S'Cup and Saucer' +p39927 +sg25270 +S'Thomas Holloway' +p39928 +sa(dp39929 +g25273 +S'brush and brown ink with brown wash over red chalk(top), and pen and black ink with brown wash (bottom), on two joined sheets' +p39930 +sg25267 +g27 +sg25275 +S'1757' +p39931 +sg25268 +S'Cul-de-lampe for First Day, Sixth Story and Cul-de-lampe for Second Day, Fourth Story' +p39932 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p39933 +sa(dp39934 +g25267 +g27 +sg25268 +S'Cup' +p39935 +sg25270 +S'J. Howard Iams' +p39936 +sa(dp39937 +g25267 +g27 +sg25268 +S'Cup and Saucer' +p39938 +sg25270 +S'Hugh Clarke' +p39939 +sa(dp39940 +g25267 +g27 +sg25268 +S'Egg Cup' +p39941 +sg25270 +S'William Vergani' +p39942 +sa(dp39943 +g25267 +g27 +sg25268 +S'Moustache Cup and Saucer' +p39944 +sg25270 +S'Hal Blakeley' +p39945 +sa(dp39946 +g25267 +g27 +sg25268 +S'Cup and Saucer' +p39947 +sg25270 +S'Lillian Causey' +p39948 +sa(dp39949 +g25267 +g27 +sg25268 +S'Saucer' +p39950 +sg25270 +S'Joseph Sudek' +p39951 +sa(dp39952 +g25267 +g27 +sg25268 +S'Saucer' +p39953 +sg25270 +S'Joseph Sudek' +p39954 +sa(dp39955 +g25267 +g27 +sg25268 +S'Cup' +p39956 +sg25270 +S'Joseph Sudek' +p39957 +sa(dp39958 +g25267 +g27 +sg25268 +S'Teacup' +p39959 +sg25270 +S'Dana Bartlett' +p39960 +sa(dp39961 +g25267 +g27 +sg25268 +S'Robineau Scarab Vase' +p39962 +sg25270 +S'Richard Whitaker' +p39963 +sa(dp39964 +g25273 +S'pen and black ink with brown wash' +p39965 +sg25267 +g27 +sg25275 +S'1757' +p39966 +sg25268 +S'Cul-de-lampe for Third Day, Ninth Story and Cul-de-lampe for Third Day, Tenth Story' +p39967 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p39968 +sa(dp39969 +g25267 +g27 +sg25268 +S'Pitcher' +p39970 +sg25270 +S'American 20th Century' +p39971 +sa(dp39972 +g25267 +g27 +sg25268 +S'Hen on Nest' +p39973 +sg25270 +S'Robert Gilson' +p39974 +sa(dp39975 +g25267 +g27 +sg25268 +S'Pitcher' +p39976 +sg25270 +S'Mamie M. Jones' +p39977 +sa(dp39978 +g25267 +g27 +sg25268 +S'Cream Pitcher' +p39979 +sg25270 +S'Ella Josephine Sterling' +p39980 +sa(dp39981 +g25267 +g27 +sg25268 +S'Pitcher' +p39982 +sg25270 +S'Alfred Walbeck' +p39983 +sa(dp39984 +g25267 +g27 +sg25268 +S'Pitcher' +p39985 +sg25270 +S'Roberta Spicer' +p39986 +sa(dp39987 +g25267 +g27 +sg25268 +S'Pitcher' +p39988 +sg25270 +S'Roberta Spicer' +p39989 +sa(dp39990 +g25267 +g27 +sg25268 +S'Pitcher' +p39991 +sg25270 +S'Joseph Sudek' +p39992 +sa(dp39993 +g25267 +g27 +sg25268 +S'Chocolate Pitcher' +p39994 +sg25270 +S'Robert Schuerer' +p39995 +sa(dp39996 +g25267 +g27 +sg25268 +S'Pitcher' +p39997 +sg25270 +S'John Cutting' +p39998 +sa(dp39999 +g25273 +S'pen and black ink with brown wash over traces of red chalk' +p40000 +sg25267 +g27 +sg25275 +S'1757' +p40001 +sg25268 +S'Cul-de-lampe for Fourth Day, Introduction and Cul-de-lampe for Fourth Day, Eighth Story' +p40002 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p40003 +sa(dp40004 +g25267 +g27 +sg25268 +S'Bisque Water Pitcher' +p40005 +sg25270 +S'Ernest A. Towers, Jr.' +p40006 +sa(dp40007 +g25267 +g27 +sg25268 +S'Cream Pitcher' +p40008 +sg25270 +S'Joseph Sudek' +p40009 +sa(dp40010 +g25267 +g27 +sg25268 +S'Pitcher' +p40011 +sg25270 +S'Joseph Sudek' +p40012 +sa(dp40013 +g25267 +g27 +sg25268 +S'Teapot' +p40014 +sg25270 +S'Joseph Sudek' +p40015 +sa(dp40016 +g25267 +g27 +sg25268 +S'Sugar Bowl' +p40017 +sg25270 +S'Joseph Sudek' +p40018 +sa(dp40019 +g25267 +g27 +sg25268 +S'Pitcher' +p40020 +sg25270 +S'J. Howard Iams' +p40021 +sa(dp40022 +g25267 +g27 +sg25268 +S'Pie Plate and Cup Plate' +p40023 +sg25270 +S'Cora Parker' +p40024 +sa(dp40025 +g25267 +g27 +sg25268 +S'Pitcher' +p40026 +sg25270 +S'Ella Josephine Sterling' +p40027 +sa(dp40028 +g25267 +g27 +sg25268 +S'Pitcher' +p40029 +sg25270 +S'Frances Lichten' +p40030 +sa(dp40031 +g25267 +g27 +sg25268 +S'Pitcher' +p40032 +sg25270 +S'Roberta Spicer' +p40033 +sa(dp40034 +g25273 +S'pen and black ink with brown wash over red chalk' +p40035 +sg25267 +g27 +sg25275 +S'1757' +p40036 +sg25268 +S'Cul-de-lampe for Fourth Day, First Story and Cul-de-lampe for Fourth Day, Ninth Story' +p40037 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p40038 +sa(dp40039 +g25267 +g27 +sg25268 +S'Pitcher' +p40040 +sg25270 +S'Frances Lichten' +p40041 +sa(dp40042 +g25267 +g27 +sg25268 +S'White Glazed Porcelain Pitcher' +p40043 +sg25270 +S'Paul Ward' +p40044 +sa(dp40045 +g25267 +g27 +sg25268 +S'Pitcher' +p40046 +sg25270 +S'Francis Law Durand' +p40047 +sa(dp40048 +g25267 +g27 +sg25268 +S'Plate' +p40049 +sg25270 +S'Byron Dingman' +p40050 +sa(dp40051 +g25267 +g27 +sg25268 +S'Plate' +p40052 +sg25270 +S'Byron Dingman' +p40053 +sa(dp40054 +g25267 +g27 +sg25268 +S'Shaving Mug' +p40055 +sg25270 +S'Irene M. Burge' +p40056 +sa(dp40057 +g25267 +g27 +sg25268 +S'Mug' +p40058 +sg25270 +S'George B. Meyer' +p40059 +sa(dp40060 +g25267 +g27 +sg25268 +S'Mug' +p40061 +sg25270 +S'Samuel O. Klein' +p40062 +sa(dp40063 +g25267 +g27 +sg25268 +S'Pitcher' +p40064 +sg25270 +S'Eugene Shellady' +p40065 +sa(dp40066 +g25267 +g27 +sg25268 +S'Cream Pitcher' +p40067 +sg25270 +S'Thomas Holloway' +p40068 +sa(dp40069 +g25273 +S'pen and black ink with brown wash over red chalk' +p40070 +sg25267 +g27 +sg25275 +S'1757' +p40071 +sg25268 +S'Cul-de-lampe for Fourth Day, Second Story and Cul-de-lampe for Fourth Day, Third Story' +p40072 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p40073 +sa(dp40074 +g25267 +g27 +sg25268 +S'Beer Pitcher' +p40075 +sg25270 +S'Florence Stevenson' +p40076 +sa(dp40077 +g25267 +g27 +sg25268 +S'Beer Pitcher' +p40078 +sg25270 +S'Florence Stevenson' +p40079 +sa(dp40080 +g25267 +g27 +sg25268 +S'Bowl' +p40081 +sg25270 +S'Edward White' +p40082 +sa(dp40083 +g25267 +g27 +sg25268 +S'Small Sugar Bowl' +p40084 +sg25270 +S'Thomas Holloway' +p40085 +sa(dp40086 +g25267 +g27 +sg25268 +S'Creamer' +p40087 +sg25270 +S'Thomas Holloway' +p40088 +sa(dp40089 +g25267 +g27 +sg25268 +S'Soup Tureen' +p40090 +sg25270 +S'Joseph Sudek' +p40091 +sa(dp40092 +g25267 +g27 +sg25268 +S'Creamer' +p40093 +sg25270 +S'Joseph Sudek' +p40094 +sa(dp40095 +g25267 +g27 +sg25268 +S'Pitcher' +p40096 +sg25270 +S'Eva Wilson' +p40097 +sa(dp40098 +g25267 +g27 +sg25268 +S'Plate' +p40099 +sg25270 +S'Albert Eyth' +p40100 +sa(dp40101 +g25267 +g27 +sg25268 +S'Sugar Bowl' +p40102 +sg25270 +S'Albert Eyth' +p40103 +sa(dp40104 +g25273 +S'pen and black ink with brown wash over red chalk' +p40105 +sg25267 +g27 +sg25275 +S'1757' +p40106 +sg25268 +S'Cul-de-lampe for Fourth Day, Fifth Story and Cul-de-lampe for Fourth Day, Seventh Story' +p40107 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p40108 +sa(dp40109 +g25267 +g27 +sg25268 +S'Plate' +p40110 +sg25270 +S'Albert Eyth' +p40111 +sa(dp40112 +g25267 +g27 +sg25268 +S'Plate' +p40113 +sg25270 +S'Albert Eyth' +p40114 +sa(dp40115 +g25267 +g27 +sg25268 +S'Plate' +p40116 +sg25270 +S'Albert Eyth' +p40117 +sa(dp40118 +g25267 +g27 +sg25268 +S'Teapot' +p40119 +sg25270 +S'Edward White' +p40120 +sa(dp40121 +g25267 +g27 +sg25268 +S'Pitcher' +p40122 +sg25270 +S'Edward White' +p40123 +sa(dp40124 +g25267 +g27 +sg25268 +S'Inkwell' +p40125 +sg25270 +S'Gertrude Lemberg' +p40126 +sa(dp40127 +g25267 +g27 +sg25268 +S'Inkwell' +p40128 +sg25270 +S'Nicholas Amantea' +p40129 +sa(dp40130 +g25267 +g27 +sg25268 +S'Wash Bowl' +p40131 +sg25270 +S'Frank Fumagalli' +p40132 +sa(dp40133 +g25267 +g27 +sg25268 +S'Wash Bowl and Pitcher' +p40134 +sg25270 +S'Frank Fumagalli' +p40135 +sa(dp40136 +g25267 +g27 +sg25268 +S'Ceramic Ink Well' +p40137 +sg25270 +S'John Jordan' +p40138 +sa(dp40139 +g25273 +S'pen and black ink with brown wash' +p40140 +sg25267 +g27 +sg25275 +S'1757' +p40141 +sg25268 +S'Cul-de-lampe for Fifth Day, First Story and Cul-de-lampe for Fifth Day, Fourth Story' +p40142 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p40143 +sa(dp40144 +g25267 +g27 +sg25268 +S'Pottery Ink Stand' +p40145 +sg25270 +S'John Jordan' +p40146 +sa(dp40147 +g25267 +g27 +sg25268 +S'Syrup Pitcher' +p40148 +sg25270 +S'John Cutting' +p40149 +sa(dp40150 +g25267 +g27 +sg25268 +S'Ink Bottle' +p40151 +sg25270 +S'Marie Lutrell' +p40152 +sa(dp40153 +g25267 +g27 +sg25268 +S'Wash Bowl' +p40154 +sg25270 +S'Frank Fumagalli' +p40155 +sa(dp40156 +g25267 +g27 +sg25268 +S'Inkwell' +p40157 +sg25270 +S'Isadore Goldberg' +p40158 +sa(dp40159 +g25267 +g27 +sg25268 +S'Inkwell' +p40160 +sg25270 +S'William High' +p40161 +sa(dp40162 +g25267 +g27 +sg25268 +S'Ink Bottle' +p40163 +sg25270 +S'Frank Fumagalli' +p40164 +sa(dp40165 +g25267 +g27 +sg25268 +S'Teapot' +p40166 +sg25270 +S'Ludmilla Calderon' +p40167 +sa(dp40168 +g25267 +g27 +sg25268 +S'Pitcher' +p40169 +sg25270 +S'Charles Caseau' +p40170 +sa(dp40171 +g25267 +g27 +sg25268 +S'Saucer' +p40172 +sg25270 +S'Joseph Sudek' +p40173 +sa(dp40174 +g25273 +S'pen and black ink with brown wash' +p40175 +sg25267 +g27 +sg25275 +S'1757' +p40176 +sg25268 +S'Cul-de-lampe for Fifth Day, Introduction and Cul-de-lampe for Fifth Day, Second Story' +p40177 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p40178 +sa(dp40179 +g25267 +g27 +sg25268 +S'Cake Saucer' +p40180 +sg25270 +S'Joseph Sudek' +p40181 +sa(dp40182 +g25267 +g27 +sg25268 +S'Pitcher' +p40183 +sg25270 +S'William L. Antrim' +p40184 +sa(dp40185 +g25267 +g27 +sg25268 +S'Spirit Lamp with Teapot' +p40186 +sg25270 +S'J. Howard Iams' +p40187 +sa(dp40188 +g25267 +g27 +sg25268 +S'Plates' +p40189 +sg25270 +S'J. Howard Iams' +p40190 +sa(dp40191 +g25267 +g27 +sg25268 +S'Stoneware Pitcher' +p40192 +sg25270 +S'Lucille Pettijohn' +p40193 +sa(dp40194 +g25267 +g27 +sg25268 +S'Stoneware Crock' +p40195 +sg25270 +S'George Loughridge' +p40196 +sa(dp40197 +g25267 +g27 +sg25268 +S'Jug' +p40198 +sg25270 +S'Artist Information (' +p40199 +sa(dp40200 +g25267 +g27 +sg25268 +S'Cask' +p40201 +sg25270 +S'Richard Barnett' +p40202 +sa(dp40203 +g25267 +g27 +sg25268 +S'Water Cooler' +p40204 +sg25270 +S'Richard Barnett' +p40205 +sa(dp40206 +g25267 +g27 +sg25268 +S'Wine jug' +p40207 +sg25270 +S'Fritz Boehmer' +p40208 +sa(dp40209 +g25273 +S'pen and black ink with brown wash' +p40210 +sg25267 +g27 +sg25275 +S'1757' +p40211 +sg25268 +S'Cul-de-lampe for Fifth Day, Fifth Story and Cul-de-lampe for Fifth Day, Sixth Story' +p40212 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p40213 +sa(dp40214 +g25267 +S'Stoneware is made from fine, dense gray-blue or buff clay that is capable of withstanding a high firing temperature. The clay is fired to the point at which it fuses and becomes glasslike and impervious to liquids. This hard, durable, \n nonporous pottery was imported in great quantities from Europe and England until the Revolution. Up to that time, the only clay deposits suitable for stoneware were located in the New York-New Jersey coastal areas, and colonists found it \n less expensive to import stoneware than to ship the clay to potteries in other areas, since transportation among the colonies was poor and domestic shipping costly. American stoneware production developed initially because most foreign \n supplies were cut off during the Revolution and, later, because of high tariffs on foreign imports. Eventually, improved domestic waterways and newly found deposits of the high-firing clay made it possible for American potters to produce \n stoneware cheaply. Although stoneware will hold liquid without being glazed, in most cases it was finished by a simple process known as salt glazing. Common salt was shoveled into the fire of the kiln when it was at its highest temperature. \n Salt vapors condensed on the pottery, mixing with the silica in the clay to form a thin, hard, glossy, finish. The luster of this New York-made stoneware jug is characteristic of a salt-glazed surface.\n ' +p40215 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003e5.jpg' +p40216 +sg25268 +S'Jug' +p40217 +sg25270 +S'Giacinto Capelli' +p40218 +sa(dp40219 +g25267 +g27 +sg25268 +S'Jug' +p40220 +sg25270 +S'John Tarantino' +p40221 +sa(dp40222 +g25267 +g27 +sg25268 +S'Jar' +p40223 +sg25270 +S'George Loughridge' +p40224 +sa(dp40225 +g25267 +S"Late eighteenth-century and early nineteenth-century stoneware was generally bulbous in profile. The bulging egg shape of this jug was a common form before 1840. Early stoneware was decorated simply, usually with an incised design. It \n became increasingly common to enhance the incised decoration with blue slip, painted on before firing and glazing. Cobalt blue is the characteristic color of stoneware decoration. The bow knot design that appears on this piece was a favored motif \n of Thomas Commeraw, a potter who made stoneware between 1802 and 1820 at Corlear's Hook, near New York. Notice that the jug is marked with his name and the location of his pottery, a frequent practice in the nineteenth century.\n " +p40226 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003e6.jpg' +p40227 +sg25268 +S'Jug' +p40228 +sg25270 +S'George Loughridge' +p40229 +sa(dp40230 +g25267 +g27 +sg25268 +S'Jug' +p40231 +sg25270 +S'John Tarantino' +p40232 +sa(dp40233 +g25267 +g27 +sg25268 +S'Bird Decorations on Jug' +p40234 +sg25270 +S'Charles Caseau' +p40235 +sa(dp40236 +g25267 +g27 +sg25268 +S'Crock' +p40237 +sg25270 +S'George Loughridge' +p40238 +sa(dp40239 +g25267 +g27 +sg25268 +S'Stone Jug' +p40240 +sg25270 +S'Carl Buergerniss' +p40241 +sa(dp40242 +g25267 +g27 +sg25268 +S'Jug' +p40243 +sg25270 +S'Yolande Delasser' +p40244 +sa(dp40245 +g25267 +g27 +sg25268 +S'Jug' +p40246 +sg25270 +S'Francis Law Durand' +p40247 +sa(dp40248 +g25273 +S'pen and black ink with brown wash' +p40249 +sg25267 +g27 +sg25275 +S'1757' +p40250 +sg25268 +S'Cul-de-lampe for Sixth Day, Tenth Story' +p40251 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p40252 +sa(dp40253 +g25267 +g27 +sg25268 +S'Pickle Jar' +p40254 +sg25270 +S'Francis Law Durand' +p40255 +sa(dp40256 +g25267 +g27 +sg25268 +S'Jar' +p40257 +sg25270 +S'Carl Buergerniss' +p40258 +sa(dp40259 +g25267 +g27 +sg25268 +S'Galena Big Jug' +p40260 +sg25270 +S'William Spiecker' +p40261 +sa(dp40262 +g25267 +g27 +sg25268 +S'Crock' +p40263 +sg25270 +S'Eleanor Gausser' +p40264 +sa(dp40265 +g25267 +g27 +sg25268 +S'Crock' +p40266 +sg25270 +S'Fred Weiss' +p40267 +sa(dp40268 +g25267 +g27 +sg25268 +S'Two-Handled Crock' +p40269 +sg25270 +S'Fred Weiss' +p40270 +sa(dp40271 +g25267 +g27 +sg25268 +S'Batter Jar' +p40272 +sg25270 +S'Fred Weiss' +p40273 +sa(dp40274 +g25267 +g27 +sg25268 +S'Water or Wine Keg' +p40275 +sg25270 +S'Giacinto Capelli' +p40276 +sa(dp40277 +g25267 +g27 +sg25268 +S'Jug' +p40278 +sg25270 +S'Samuel Philpot' +p40279 +sa(dp40280 +g25267 +g27 +sg25268 +S'Jug' +p40281 +sg25270 +S'Giacinto Capelli' +p40282 +sa(dp40283 +g25273 +S'pen and black ink with brown wash' +p40284 +sg25267 +g27 +sg25275 +S'1757' +p40285 +sg25268 +S'Cul-de-lampe for Seventh Day, Introduction and Cul-de-lampe for Seventh Day, First Story' +p40286 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p40287 +sa(dp40288 +g25267 +g27 +sg25268 +S'Galena Pottery Jug' +p40289 +sg25270 +S'William Spiecker' +p40290 +sa(dp40291 +g25267 +g27 +sg25268 +S'Jug' +p40292 +sg25270 +S'Lee Brown' +p40293 +sa(dp40294 +g25267 +g27 +sg25268 +S'Stoneware Crock' +p40295 +sg25270 +S'Mary Fitzgerald' +p40296 +sa(dp40297 +g25267 +g27 +sg25268 +S'Wine or Water Jar' +p40298 +sg25270 +S'Giacinto Capelli' +p40299 +sa(dp40300 +g25267 +S'The earliest stoneware was unglazed on the inside, because pieces were stacked mouth-to-mouth in the kiln to conserve space. The inside surfaces, therefore, could not be reached by the salt vapor. \n After 1800, the interiors were usually coated before firing with dark brown or "Albany mud," named after the color of the clay and the location of its source. The brown lining of this jar is of Albany slip. \n The presence of an Albany slip coating does not indicate, however, that a pot was made only in that area, for during the nineteenth century, the clay was shipped from Albany, New York, to potteries throughout the country.\n ' +p40301 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003e8.jpg' +p40302 +sg25268 +S'Jar' +p40303 +sg25270 +S'Nicholas Amantea' +p40304 +sa(dp40305 +g25267 +g27 +sg25268 +S'Churn' +p40306 +sg25270 +S'Nicholas Amantea' +p40307 +sa(dp40308 +g25267 +g27 +sg25268 +S'Earthenware Butter Churn' +p40309 +sg25270 +S'Wilbur M Rice' +p40310 +sa(dp40311 +g25267 +g27 +sg25268 +S'Pottery Vase' +p40312 +sg25270 +S'Stanley Mazur' +p40313 +sa(dp40314 +g25267 +g27 +sg25268 +S'Galena Covered Jug' +p40315 +sg25270 +S'William Spiecker' +p40316 +sa(dp40317 +g25267 +g27 +sg25268 +S'Slipware Platter' +p40318 +sg25270 +S'Fred Weiss' +p40319 +sa(dp40320 +g25273 +S'pen and black ink with brown wash' +p40321 +sg25267 +g27 +sg25275 +S'1757' +p40322 +sg25268 +S'Cul-de-lampe for Seventh Day, Second Story and Cul-de-lampe for Seventh Day, Third Story' +p40323 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p40324 +sa(dp40325 +g25267 +g27 +sg25268 +S'Pottery Molds' +p40326 +sg25270 +S'Joseph Shapiro' +p40327 +sa(dp40328 +g25267 +g27 +sg25268 +S'Glazed Pottery Duck Bottle' +p40329 +sg25270 +S'Ethel Clarke' +p40330 +sa(dp40331 +g25267 +g27 +sg25268 +S'Jug' +p40332 +sg25270 +S'Alfred Parys' +p40333 +sa(dp40334 +g25267 +g27 +sg25268 +S'Grotesque Jug' +p40335 +sg25270 +S'Frank Fumagalli' +p40336 +sa(dp40337 +g25267 +g27 +sg25268 +S'Grotesque Jug' +p40338 +sg25270 +S'Yolande Delasser' +p40339 +sa(dp40340 +g25267 +g27 +sg25268 +S'Jar: For Salt, Meat, or Lard' +p40341 +sg25270 +S'Margaret Gordon' +p40342 +sa(dp40343 +g25267 +g27 +sg25268 +S'Wine Jug' +p40344 +sg25270 +S'Fritz Boehmer' +p40345 +sa(dp40346 +g25267 +g27 +sg25268 +S'Crock' +p40347 +sg25270 +S'John Tarantino' +p40348 +sa(dp40349 +g25267 +g27 +sg25268 +S'Pitcher' +p40350 +sg25270 +S'Francis Law Durand' +p40351 +sa(dp40352 +g25267 +g27 +sg25268 +S'Pitcher w/ Hound Handle' +p40353 +sg25270 +S'Edith Miller' +p40354 +sa(dp40355 +g25273 +S'pen and black ink with brown wash (top), and brushand brown ink over red chalk (bottom), on two joined sheets' +p40356 +sg25267 +g27 +sg25275 +S'1757' +p40357 +sg25268 +S'Cul-de-lampe for Seventh Day, Fourth Story and Cul-de-lampe for First Day, Fourth Story' +p40358 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p40359 +sa(dp40360 +g25267 +g27 +sg25268 +S'Churn' +p40361 +sg25270 +S'Racine Vernier' +p40362 +sa(dp40363 +g25267 +g27 +sg25268 +S'Preserving Jar' +p40364 +sg25270 +S'Frank Maurer' +p40365 +sa(dp40366 +g25267 +g27 +sg25268 +S'Water Pitcher' +p40367 +sg25270 +S'Raymond McGough' +p40368 +sa(dp40369 +g25267 +g27 +sg25268 +S'Pickle Jar' +p40370 +sg25270 +S'Fritz Boehmer' +p40371 +sa(dp40372 +g25267 +g27 +sg25268 +S'Jar' +p40373 +sg25270 +S'Giacinto Capelli' +p40374 +sa(dp40375 +g25267 +g27 +sg25268 +S'Jar' +p40376 +sg25270 +S'Isadore Goldberg' +p40377 +sa(dp40378 +g25267 +g27 +sg25268 +S'Tan Stoneware Jug' +p40379 +sg25270 +S'George Loughridge' +p40380 +sa(dp40381 +g25267 +g27 +sg25268 +S'Jar' +p40382 +sg25270 +S'Clinton Myers' +p40383 +sa(dp40384 +g25267 +g27 +sg25268 +S'Jar' +p40385 +sg25270 +S'Aaron Fastovsky' +p40386 +sa(dp40387 +g25267 +g27 +sg25268 +S'Crock' +p40388 +sg25270 +S'George Loughridge' +p40389 +sa(dp40390 +g25273 +S'pen and black ink with brown wash (top), and pen and brown ink with brown wash over red chalk (bottom), on two joined sheets' +p40391 +sg25267 +g27 +sg25275 +S'1757' +p40392 +sg25268 +S'Cul-de-lampe for Seventh Day, Fifth Story and Cul-de-lampe for Fourth Day, Tenth Story' +p40393 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p40394 +sa(dp40395 +g25267 +g27 +sg25268 +S'Crock' +p40396 +sg25270 +S'Nicholas Amantea' +p40397 +sa(dp40398 +g25267 +g27 +sg25268 +S'Jug' +p40399 +sg25270 +S'Charlotte Sperber' +p40400 +sa(dp40401 +g25267 +g27 +sg25268 +S'Crock' +p40402 +sg25270 +S'Edith Miller' +p40403 +sa(dp40404 +g25267 +g27 +sg25268 +S'Vase' +p40405 +sg25270 +S'Isadore Goldberg' +p40406 +sa(dp40407 +g25267 +g27 +sg25268 +S'Jug' +p40408 +sg25270 +S'Yolande Delasser' +p40409 +sa(dp40410 +g25267 +S'By the middle of the nineteenth century, most of the active pottery shops had become full-scale factories. Expansion and mechanization led to changes in the appearance of stoneware products. Jars and crocks became flat-based and straight-sided, \n a form more quickly and easily made. This stoneware jar exemplifies factory techniques. Notice the "ear" handles, which are both easier to shape and less likely to break than the open loop handles of earlier wares. Late nineteenth-century \n stoneware also differs from earlier products in that time-consuming freehand painting gave way to faster decorative techniques. Simple slip-trailed designs as well as stenciled decoration came into general use. Although this jar retains \n a few summarily painted lines, the stenciled decoration is dominant.\n ' +p40411 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003e9.jpg' +p40412 +sg25268 +S'Churn' +p40413 +sg25270 +S'John Tarantino' +p40414 +sa(dp40415 +g25267 +g27 +sg25268 +S'Jar' +p40416 +sg25270 +S'Giacinto Capelli' +p40417 +sa(dp40418 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a0005529.jpg' +p40419 +sg25268 +S'Crock' +p40420 +sg25270 +S'Artist Information (' +p40421 +sa(dp40422 +g25267 +g27 +sg25268 +S'Apple Butter Crock' +p40423 +sg25270 +S'Fritz Boehmer' +p40424 +sa(dp40425 +g25267 +g27 +sg25268 +S'Jar' +p40426 +sg25270 +S'John Tarantino' +p40427 +sa(dp40428 +g25273 +S'pen and black ink with brown wash' +p40429 +sg25267 +g27 +sg25275 +S'1757' +p40430 +sg25268 +S'Cul-de-lampe for Seventh Day, Eighth Story and Cul-de-lampe for Seventh Day, Sixth Story' +p40431 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p40432 +sa(dp40433 +g25267 +g27 +sg25268 +S'Crock' +p40434 +sg25270 +S'Yolande Delasser' +p40435 +sa(dp40436 +g25267 +g27 +sg25268 +S'Jug' +p40437 +sg25270 +S'Elsie Wein' +p40438 +sa(dp40439 +g25267 +g27 +sg25268 +S'Wine Keg' +p40440 +sg25270 +S'John Tarantino' +p40441 +sa(dp40442 +g25267 +g27 +sg25268 +S'Bowl' +p40443 +sg25270 +S'Lloyd Charles Lemcke' +p40444 +sa(dp40445 +g25267 +g27 +sg25268 +S'Pitcher' +p40446 +sg25270 +S'Giacinto Capelli' +p40447 +sa(dp40448 +g25267 +g27 +sg25268 +S'Jug' +p40449 +sg25270 +S'Giacinto Capelli' +p40450 +sa(dp40451 +g25267 +g27 +sg25268 +S'Jar with Cover' +p40452 +sg25270 +S'Alvin Shiren' +p40453 +sa(dp40454 +g25267 +g27 +sg25268 +S'Large Earthen Jar' +p40455 +sg25270 +S'Clyde L. Cheney' +p40456 +sa(dp40457 +g25267 +g27 +sg25268 +S'Glazed Clay Bowl' +p40458 +sg25270 +S'Clyde L. Cheney' +p40459 +sa(dp40460 +g25267 +g27 +sg25268 +S'Pitcher' +p40461 +sg25270 +S'Mina Lowry' +p40462 +sa(dp40463 +g25273 +S'pen and black ink with brown wash' +p40464 +sg25267 +g27 +sg25275 +S'1757' +p40465 +sg25268 +S'Cul-de-lampe for Seventh Day, Ninth Story and Cul-de-lampe for Seventh Day, Tenth Story' +p40466 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p40467 +sa(dp40468 +g25267 +g27 +sg25268 +S'Plate' +p40469 +sg25270 +S'Anna Aloisi' +p40470 +sa(dp40471 +g25267 +g27 +sg25268 +S'Two Quart Jar' +p40472 +sg25270 +S'Clyde L. Cheney' +p40473 +sa(dp40474 +g25267 +g27 +sg25268 +S'Brown Crock' +p40475 +sg25270 +S'John Tarantino' +p40476 +sa(dp40477 +g25267 +g27 +sg25268 +S'Pitcher' +p40478 +sg25270 +S'John Tarantino' +p40479 +sa(dp40480 +g25267 +g27 +sg25268 +S'Bean Pot' +p40481 +sg25270 +S'Georgine E. Mason' +p40482 +sa(dp40483 +g25267 +g27 +sg25268 +S'Pottery Dog Ornament' +p40484 +sg25270 +S'Cleo Lovett' +p40485 +sa(dp40486 +g25267 +g27 +sg25268 +S'Ceramic Pitcher' +p40487 +sg25270 +S'Ray Price' +p40488 +sa(dp40489 +g25267 +g27 +sg25268 +S'Tall Drinking Mug' +p40490 +sg25270 +S'John Matulis' +p40491 +sa(dp40492 +g25267 +g27 +sg25268 +S'Toby Mug' +p40493 +sg25270 +S'Cleo Lovett' +p40494 +sa(dp40495 +g25267 +g27 +sg25268 +S'Preserving Jar' +p40496 +sg25270 +S'Frank J. Mace' +p40497 +sa(dp40498 +g25268 +S'Nine Children Listening to a Girl Tell a Story; A Boy Handing a Purse to a Girl Seated on a Bed' +p40499 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p40500 +sg25273 +S'pen and gray ink with brown wash on laid paper' +p40501 +sg25275 +S'c. 1757' +p40502 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00060/a00060d2.jpg' +p40503 +sg25267 +g27 +sa(dp40504 +g25267 +g27 +sg25268 +S'Fruit Jar' +p40505 +sg25270 +S'Paul Poffinbarger' +p40506 +sa(dp40507 +g25267 +g27 +sg25268 +S'Eardley Jar' +p40508 +sg25270 +S'Frank J. Mace' +p40509 +sa(dp40510 +g25267 +g27 +sg25268 +S'Earthen Churn' +p40511 +sg25270 +S'Clyde L. Cheney' +p40512 +sa(dp40513 +g25267 +g27 +sg25268 +S'Preserving Jar' +p40514 +sg25270 +S'Wilford H. Shurtliff' +p40515 +sa(dp40516 +g25267 +g27 +sg25268 +S'Stoneware Jar' +p40517 +sg25270 +S'Joseph Goldberg' +p40518 +sa(dp40519 +g25267 +g27 +sg25268 +S'Crock' +p40520 +sg25270 +S'Joseph Goldberg' +p40521 +sa(dp40522 +g25267 +g27 +sg25268 +S'Jar' +p40523 +sg25270 +S'John Tarantino' +p40524 +sa(dp40525 +g25267 +g27 +sg25268 +S'Preserve Jar' +p40526 +sg25270 +S'John Tarantino' +p40527 +sa(dp40528 +g25267 +g27 +sg25268 +S'Preserve Jar' +p40529 +sg25270 +S'Frank Fumagalli' +p40530 +sa(dp40531 +g25267 +g27 +sg25268 +S'Grotesque Jug' +p40532 +sg25270 +S'George Loughridge' +p40533 +sa(dp40534 +g25273 +S'pen and black ink with brown wash' +p40535 +sg25267 +g27 +sg25275 +S'1757' +p40536 +sg25268 +S'Cul-de-lampe for Eighth Day, Second Story and Cul-de-lampe for Eighth Day, Sixth Story' +p40537 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p40538 +sa(dp40539 +g25267 +g27 +sg25268 +S'Water Jug' +p40540 +sg25270 +S'Arthur Mathews' +p40541 +sa(dp40542 +g25267 +g27 +sg25268 +S'Pitcher' +p40543 +sg25270 +S'Elsie Wein' +p40544 +sa(dp40545 +g25267 +g27 +sg25268 +S'Jar' +p40546 +sg25270 +S'John Tarantino' +p40547 +sa(dp40548 +g25267 +g27 +sg25268 +S'Jar' +p40549 +sg25270 +S'American 20th Century' +p40550 +sa(dp40551 +g25267 +g27 +sg25268 +S'Jar' +p40552 +sg25270 +S'Giacinto Capelli' +p40553 +sa(dp40554 +g25267 +g27 +sg25268 +S'Jug' +p40555 +sg25270 +S'Aaron Fastovsky' +p40556 +sa(dp40557 +g25267 +g27 +sg25268 +S'Water Pitcher' +p40558 +sg25270 +S'Al Curry' +p40559 +sa(dp40560 +g25267 +g27 +sg25268 +S'Pitcher' +p40561 +sg25270 +S'Paul Ward' +p40562 +sa(dp40563 +g25267 +g27 +sg25268 +S'Stoneware Ink Bottle' +p40564 +sg25270 +S'Sydney Roberts' +p40565 +sa(dp40566 +g25267 +g27 +sg25268 +S'Yellow Jar' +p40567 +sg25270 +S'Richard Barnett' +p40568 +sa(dp40569 +g25273 +S'pen and black ink with brown wash' +p40570 +sg25267 +g27 +sg25275 +S'1757' +p40571 +sg25268 +S'Cul-de-lampe for Eighth Day, Third Story and Cul-de-lampe for Eighth Day, Fourth Story' +p40572 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p40573 +sa(dp40574 +g25267 +g27 +sg25268 +S'Earthenware Pitcher' +p40575 +sg25270 +S'Richard Barnett' +p40576 +sa(dp40577 +g25267 +g27 +sg25268 +S'Coffee Pot' +p40578 +sg25270 +S'Richard Barnett' +p40579 +sa(dp40580 +g25267 +g27 +sg25268 +S'Water or Wine Jug' +p40581 +sg25270 +S'Nicholas Amantea' +p40582 +sa(dp40583 +g25267 +g27 +sg25268 +S'Jug' +p40584 +sg25270 +S'Nicholas Amantea' +p40585 +sa(dp40586 +g25267 +g27 +sg25268 +S'Jar' +p40587 +sg25270 +S'Nicholas Amantea' +p40588 +sa(dp40589 +g25267 +S'Earthenware pottery is distinct from porcelain in that it is made from a coarse, iron-bearing clay. American potters produced a variety of wares named after the color of the clay used, but by far the most common American pottery made in the \n eighteenth and nineteenth centuries was "redware," earthenware made from the red clay readily available along most of the Eastern seaboard. Red clay lay close to the surface and was easily dug; it could be worked with little difficulty and fired \n at a low temperature. Thus, early potters needed only simple equipment to make redware articles for colonial kitchens. Redware was used primarily at the table, for its porosity rendered it less desirable for prolonged food storage. Although \n most redware was produced strictly for utilitarian purposes, colonial potters would frequently put decorative designs on their products. On this jar, "1765" has been painted boldly in cream-colored slip. Slip is a clay diluted with water so that \n it can be applied with a brush. The numbers provide a lively contrast with the red clay as well as information as to the date of manufacture.\n ' +p40590 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003d4.jpg' +p40591 +sg25268 +S'Covered Jar' +p40592 +sg25270 +S'John Matulis' +p40593 +sa(dp40594 +g25267 +g27 +sg25268 +S'Vase' +p40595 +sg25270 +S'Byron Dingman' +p40596 +sa(dp40597 +g25267 +g27 +sg25268 +S'Vase' +p40598 +sg25270 +S'Gerald Transpota' +p40599 +sa(dp40600 +g25267 +g27 +sg25268 +S'Vase' +p40601 +sg25270 +S'Dana Bartlett' +p40602 +sa(dp40603 +g25267 +g27 +sg25268 +S'Porcelain Vase' +p40604 +sg25270 +S'Edith Magnette' +p40605 +sa(dp40606 +g25273 +S'pen and black ink with brown wash' +p40607 +sg25267 +g27 +sg25275 +S'1757' +p40608 +sg25268 +S'Cul-de-lampe for Eighth Day, Ninth Story and Cul-de-lampe for Eighth Day, Tenth Story' +p40609 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p40610 +sa(dp40611 +g25267 +g27 +sg25268 +S'Vase' +p40612 +sg25270 +S'John Dana' +p40613 +sa(dp40614 +g25267 +g27 +sg25268 +S'Vase' +p40615 +sg25270 +S'John Dana' +p40616 +sa(dp40617 +g25267 +g27 +sg25268 +S'White Porcelain Vase' +p40618 +sg25270 +S'Josephine Lindley' +p40619 +sa(dp40620 +g25267 +g27 +sg25268 +S'Porcelain Vase' +p40621 +sg25270 +S'John Fisk' +p40622 +sa(dp40623 +g25267 +g27 +sg25268 +S'Vase' +p40624 +sg25270 +S'Charles Moss' +p40625 +sa(dp40626 +g25267 +g27 +sg25268 +S'Jug' +p40627 +sg25270 +S'John Tarantino' +p40628 +sa(dp40629 +g25267 +g27 +sg25268 +S'Creamer' +p40630 +sg25270 +S'Joseph Sudek' +p40631 +sa(dp40632 +g25267 +g27 +sg25268 +S'Waste Jar' +p40633 +sg25270 +S'Joseph Sudek' +p40634 +sa(dp40635 +g25267 +g27 +sg25268 +S'Tureen' +p40636 +sg25270 +S'Ralph Atkinson' +p40637 +sa(dp40638 +g25267 +g27 +sg25268 +S'Porcelain Jar' +p40639 +sg25270 +S'Raymond Manupelli' +p40640 +sa(dp40641 +g25273 +S'pen and black ink with brown wash' +p40642 +sg25267 +g27 +sg25275 +S'1757' +p40643 +sg25268 +S'Cul-de-lampe for Ninth Day, First Story and Cul-de-lampe for Ninth Day, Third Story' +p40644 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p40645 +sa(dp40646 +g25267 +g27 +sg25268 +S'Lazy Susan' +p40647 +sg25270 +S'Harry Mann Waddell' +p40648 +sa(dp40649 +g25267 +g27 +sg25268 +S'Plate' +p40650 +sg25270 +S'Margaret Stottlemeyer' +p40651 +sa(dp40652 +g25267 +g27 +sg25268 +S'Potpourri Jar' +p40653 +sg25270 +S'Frank M. Keane' +p40654 +sa(dp40655 +g25267 +g27 +sg25268 +S'Sugar Bowl' +p40656 +sg25270 +S'Robert Stewart' +p40657 +sa(dp40658 +g25267 +g27 +sg25268 +S'Teapot' +p40659 +sg25270 +S'Robert Stewart' +p40660 +sa(dp40661 +g25267 +g27 +sg25268 +S'Perfume Bottle' +p40662 +sg25270 +S'Erwin Schwabe' +p40663 +sa(dp40664 +g25267 +g27 +sg25268 +S'Candle Holder' +p40665 +sg25270 +S'Thomas Holloway' +p40666 +sa(dp40667 +g25267 +g27 +sg25268 +S'Fruit Bowl' +p40668 +sg25270 +S'Margaret Stottlemeyer' +p40669 +sa(dp40670 +g25267 +g27 +sg25268 +S'Teapot' +p40671 +sg25270 +S'Erwin Schwabe' +p40672 +sa(dp40673 +g25267 +g27 +sg25268 +S'Sugar Bowl and Teapot' +p40674 +sg25270 +S'Frances Lichten' +p40675 +sa(dp40676 +g25273 +S'pen and black ink with brown wash' +p40677 +sg25267 +g27 +sg25275 +S'1757' +p40678 +sg25268 +S'Cul-de-lampe for Ninth Day, Fifth Story and Cul-de-lampe for Ninth Day, Eighth Story' +p40679 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p40680 +sa(dp40681 +g25267 +g27 +sg25268 +S'Teapot' +p40682 +sg25270 +S'Ralph Atkinson' +p40683 +sa(dp40684 +g25267 +g27 +sg25268 +S'Teapot' +p40685 +sg25270 +S'J. Howard Iams' +p40686 +sa(dp40687 +g25267 +g27 +sg25268 +S'Teapot' +p40688 +sg25270 +S'Joseph Sudek' +p40689 +sa(dp40690 +g25267 +g27 +sg25268 +S'Teapot' +p40691 +sg25270 +S'Ralph Atkinson' +p40692 +sa(dp40693 +g25267 +g27 +sg25268 +S'Teapot' +p40694 +sg25270 +S'Thomas Holloway' +p40695 +sa(dp40696 +g25267 +g27 +sg25268 +S'Earthenware Roasting Pot' +p40697 +sg25270 +S'Einar Heiberg' +p40698 +sa(dp40699 +g25267 +g27 +sg25268 +S'Pa. German Dish' +p40700 +sg25270 +S'Eugene Shellady' +p40701 +sa(dp40702 +g25267 +g27 +sg25268 +S'Pa. German Covered Bowl' +p40703 +sg25270 +S'Alvin Shiren' +p40704 +sa(dp40705 +g25267 +S'This jug, probably a product of a Pennsylvania craftsman, illustrates a technique known as "sgraffito." In this technique, a piece was completely covered with a thin coating of a light-colored slip. When the slip was partially dry, the design \n was drawn by scratching lines through the slip coating, exposing the clay beneath. In addition to the floral design that covers the surface of the jug, a German inscription appears on the neck. It says, "This and the giver are thine forever. 1775." \n Inscribed and dated pieces such as this one were customarily made as special marriage gifts, although elaborately decorated wares were also made to commemorate other occasions, such as births and baptisms.\n ' +p40706 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003e4.jpg' +p40707 +sg25268 +S'Pennsylvania German Puzzle Jug' +p40708 +sg25270 +S'Yolande Delasser' +p40709 +sa(dp40710 +g25267 +g27 +sg25268 +S'Mission Bench' +p40711 +sg25270 +S'Vera Van Voris' +p40712 +sa(dp40713 +g25273 +S'pen and black ink with brown wash' +p40714 +sg25267 +g27 +sg25275 +S'1757' +p40715 +sg25268 +S'Cul-de-lampe for Ninth Day, Seventh Story and Cul-de-lampe for Ninth Day, Sixth Story' +p40716 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p40717 +sa(dp40718 +g25267 +g27 +sg25268 +S'Mission Bench' +p40719 +sg25270 +S'Emile Cero' +p40720 +sa(dp40721 +g25267 +g27 +sg25268 +S'Church Bench - Wooden' +p40722 +sg25270 +S'Majel G. Claflin' +p40723 +sa(dp40724 +g25267 +g27 +sg25268 +S'Bench' +p40725 +sg25270 +S'Margery Parish' +p40726 +sa(dp40727 +g25267 +g27 +sg25268 +S'Bench' +p40728 +sg25270 +S'Robert W.R. Taylor' +p40729 +sa(dp40730 +g25267 +g27 +sg25268 +S'Bench' +p40731 +sg25270 +S'Edward Jewett' +p40732 +sa(dp40733 +g25267 +g27 +sg25268 +S'Mission Bench' +p40734 +sg25270 +S'Edward Jewett' +p40735 +sa(dp40736 +g25267 +g27 +sg25268 +S'Mission Bench' +p40737 +sg25270 +S'Randolph F. Miller' +p40738 +sa(dp40739 +g25267 +g27 +sg25268 +S'"Highboy" (Chest of Drawers)' +p40740 +sg25270 +S'Edith Towner' +p40741 +sa(dp40742 +g25267 +g27 +sg25268 +S'Cupboard' +p40743 +sg25270 +S'Edward Jewett' +p40744 +sa(dp40745 +g25267 +g27 +sg25268 +S'Cupboard for Corner' +p40746 +sg25270 +S'Edward Jewett' +p40747 +sa(dp40748 +g25273 +S'pen and black ink with brown wash' +p40749 +sg25267 +g27 +sg25275 +S'1757' +p40750 +sg25268 +S'Cul-de-lampe for Ninth Day, Ninth Story and Cul-de-lampe for Tenth Day, First Story' +p40751 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p40752 +sa(dp40753 +g25267 +g27 +sg25268 +S'Built-in Cabinet' +p40754 +sg25270 +S'Marius Hansen' +p40755 +sa(dp40756 +g25267 +g27 +sg25268 +S'Hand-carved Cabinet' +p40757 +sg25270 +S'Vera Van Voris' +p40758 +sa(dp40759 +g25267 +g27 +sg25268 +S'Chest of Native Pine, Painted in Oil' +p40760 +sg25270 +S'E. Boyd' +p40761 +sa(dp40762 +g25267 +S'Richly painted chests had been made in the area of Chihuahua, Mexico, at the turn of the eighteenth century. Visitors from New Mexico brought examples back with them as containers for wedding finery. During the first part of the nineteenth century,\r\n such chests were copied in New Mexico, possibly by artists who had lived in or had come from Mexico. This example, made in pine, is attributed to a period between 1810 and 1820. It is from the Rio Grande Valley south of Taos. One of a group of about forty chests of a similar type, it displays lush decorative motifs and bright colors.\n ' +p40763 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003d5.jpg' +p40764 +sg25268 +S'Chest of Native Pine Painted in Oil' +p40765 +sg25270 +S'E. Boyd' +p40766 +sa(dp40767 +g25267 +g27 +sg25268 +S'Painted Chest, Michoacan' +p40768 +sg25270 +S'Chester Faris' +p40769 +sa(dp40770 +g25267 +g27 +sg25268 +S'Painted Chest' +p40771 +sg25270 +S'Majel G. Claflin' +p40772 +sa(dp40773 +g25267 +g27 +sg25268 +S'Painted Chest' +p40774 +sg25270 +S'D.P. Jones' +p40775 +sa(dp40776 +g25267 +g27 +sg25268 +S'Painted Chest' +p40777 +sg25270 +S'Chester Faris' +p40778 +sa(dp40779 +g25267 +g27 +sg25268 +S'Side of Chest' +p40780 +sg25270 +S'D.P. Jones' +p40781 +sa(dp40782 +g25267 +g27 +sg25268 +S'End of Chest' +p40783 +sg25270 +S'D.P. Jones' +p40784 +sa(dp40785 +g25273 +S'pen and black ink with brown wash' +p40786 +sg25267 +g27 +sg25275 +S'1757' +p40787 +sg25268 +S'Cul-de-lampe for Ninth Day, Tenth Story and Cul-de-lampe for Tenth Day, Introduction' +p40788 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p40789 +sa(dp40790 +g25267 +g27 +sg25268 +S'Chest' +p40791 +sg25270 +S'D.P. Jones' +p40792 +sa(dp40793 +g25267 +g27 +sg25268 +S'Chest' +p40794 +sg25270 +S'Margery Parish' +p40795 +sa(dp40796 +g25267 +g27 +sg25268 +S'Chest' +p40797 +sg25270 +S'American 20th Century' +p40798 +sa(dp40799 +g25267 +g27 +sg25268 +S'Trastero (chest)' +p40800 +sg25270 +S'Margery Parish' +p40801 +sa(dp40802 +g25267 +g27 +sg25268 +S'Small Chest' +p40803 +sg25270 +S'E. Boyd' +p40804 +sa(dp40805 +g25267 +g27 +sg25268 +S'Box' +p40806 +sg25270 +S'Majel G. Claflin' +p40807 +sa(dp40808 +g25267 +g27 +sg25268 +S'Large Chest' +p40809 +sg25270 +S'Majel G. Claflin' +p40810 +sa(dp40811 +g25267 +g27 +sg25268 +S'Native Pine Box' +p40812 +sg25270 +S'E. Boyd' +p40813 +sa(dp40814 +g25267 +g27 +sg25268 +S'Rawhide Chest, with Lock (Inside View)' +p40815 +sg25270 +S'Gerald Transpota' +p40816 +sa(dp40817 +g25267 +g27 +sg25268 +S'Chest' +p40818 +sg25270 +S'Margery Parish' +p40819 +sa(dp40820 +g25273 +S'pen and black ink with brown wash' +p40821 +sg25267 +g27 +sg25275 +S'1757' +p40822 +sg25268 +S'Cul-de-lampe for Tenth Day, Second Story and Cul-de-lampe for Tenth Day, Fourth Story' +p40823 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p40824 +sa(dp40825 +g25267 +g27 +sg25268 +S'Chest' +p40826 +sg25270 +S'Margery Parish' +p40827 +sa(dp40828 +g25267 +S'The carving of this chest is identified with Taos, New Mexico. The piece dates from about 1870. Decorative motifs are contained in separate units which, varied and repeated, cover the panel without any connection between the units; sequence rather than rhythm is the underlying principle. The sawtooth motif on the base is typical of effects resulting from limited tools. The massive proportions of such chests were in harmony with the large adobe houses of the southwest.\n ' +p40829 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003dc.jpg' +p40830 +sg25268 +S'"Casa en Mesita" or Chest on Stand' +p40831 +sg25270 +S'Majel G. Claflin' +p40832 +sa(dp40833 +g25267 +g27 +sg25268 +S'Chest' +p40834 +sg25270 +S'Edward Jewett' +p40835 +sa(dp40836 +g25267 +g27 +sg25268 +S'Chest' +p40837 +sg25270 +S'Majel G. Claflin' +p40838 +sa(dp40839 +g25267 +g27 +sg25268 +S'Grain Chest' +p40840 +sg25270 +S'Majel G. Claflin' +p40841 +sa(dp40842 +g25267 +g27 +sg25268 +S'Chest' +p40843 +sg25270 +S'Margery Parish' +p40844 +sa(dp40845 +g25267 +g27 +sg25268 +S'"Chest"' +p40846 +sg25270 +S'Edith Towner' +p40847 +sa(dp40848 +g25267 +g27 +sg25268 +S'Chest for Clothing or Blankets' +p40849 +sg25270 +S'Majel G. Claflin' +p40850 +sa(dp40851 +g25267 +g27 +sg25268 +S'Baby Cradle' +p40852 +sg25270 +S'Grace Thomas' +p40853 +sa(dp40854 +g25267 +g27 +sg25268 +S'Chair' +p40855 +sg25270 +S'Vera Van Voris' +p40856 +sa(dp40857 +g25273 +S'pen and black ink with brown wash' +p40858 +sg25267 +g27 +sg25275 +S'1757' +p40859 +sg25268 +S'Cul-de-lampe for Tenth Day, Third Story and Cul-de-lampe for Tenth Day, Sixth Story' +p40860 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p40861 +sa(dp40862 +g25267 +g27 +sg25268 +S'Chair' +p40863 +sg25270 +S'Natalie Simon' +p40864 +sa(dp40865 +g25267 +g27 +sg25268 +S'Chair' +p40866 +sg25270 +S'Majel G. Claflin' +p40867 +sa(dp40868 +g25267 +g27 +sg25268 +S'Sanctuary Chair' +p40869 +sg25270 +S'William Kieckhofel' +p40870 +sa(dp40871 +g25267 +g27 +sg25268 +S'Chair' +p40872 +sg25270 +S'Edward Jewett' +p40873 +sa(dp40874 +g25267 +g27 +sg25268 +S'Chair (Scale Drawing)' +p40875 +sg25270 +S'Edward Jewett' +p40876 +sa(dp40877 +g25267 +g27 +sg25268 +S'Chair' +p40878 +sg25270 +S'Majel G. Claflin' +p40879 +sa(dp40880 +g25267 +S'Spanish Renaissance traditions were continued in the furniture of Mexico and reached California and New Mexico with the establishment of the early missions. This armchair from California is of pine and dates from the late eighteenth century. Often such furniture, doweled and pegged together without nails, shows the natural unpainted wood and a native folk style in the carved motifs. The primitive lines and rigid construction of the pieces can be attributed to the scarcity of tools and implements.\n ' +p40881 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003d3.jpg' +p40882 +sg25268 +S'Chair (Arm)' +p40883 +sg25270 +S'Hal Blakeley' +p40884 +sa(dp40885 +g25267 +g27 +sg25268 +S'Chair' +p40886 +sg25270 +S'William Kieckhofel' +p40887 +sa(dp40888 +g25267 +g27 +sg25268 +S'Chair' +p40889 +sg25270 +S'Robert W.R. Taylor' +p40890 +sa(dp40891 +g25267 +g27 +sg25268 +S'Arm Chair' +p40892 +sg25270 +S'Hal Blakeley' +p40893 +sa(dp40894 +g25273 +S'pen and black ink with brown wash' +p40895 +sg25267 +g27 +sg25275 +S'1757' +p40896 +sg25268 +S'Cul-de-lampe for Tenth Day, Fifth Story and Cul-de-lampe for Tenth Day, Seventh Story' +p40897 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p40898 +sa(dp40899 +g25267 +g27 +sg25268 +S'Sacristy chair' +p40900 +sg25270 +S'Vera Van Voris' +p40901 +sa(dp40902 +g25267 +g27 +sg25268 +S'Sacramental Chair' +p40903 +sg25270 +S'Gordena Jackson' +p40904 +sa(dp40905 +g25267 +g27 +sg25268 +S'Dining Room Suite' +p40906 +sg25270 +S'Juanita Lantz' +p40907 +sa(dp40908 +g25267 +g27 +sg25268 +S'Chair' +p40909 +sg25270 +S'Margery Parish' +p40910 +sa(dp40911 +g25267 +g27 +sg25268 +S"Miner's Chair - Hand Made" +p40912 +sg25270 +S'Rose Campbell-Gerke' +p40913 +sa(dp40914 +g25267 +g27 +sg25268 +S'Chair' +p40915 +sg25270 +S'Grace Thomas' +p40916 +sa(dp40917 +g25267 +g27 +sg25268 +S'Wooden Chair' +p40918 +sg25270 +S'Majel G. Claflin' +p40919 +sa(dp40920 +g25267 +g27 +sg25268 +S'Chair' +p40921 +sg25270 +S'Grace Thomas' +p40922 +sa(dp40923 +g25267 +g27 +sg25268 +S'Small Wooden Chair' +p40924 +sg25270 +S'Majel G. Claflin' +p40925 +sa(dp40926 +g25267 +g27 +sg25268 +S'Ranch Chair' +p40927 +sg25270 +S'Verna Tallman' +p40928 +sa(dp40929 +g25273 +S'pen and black ink with brown wash' +p40930 +sg25267 +g27 +sg25275 +S'1757' +p40931 +sg25268 +S'Cul-de-lampe for Tenth Day, Eighth Story and Cul-de-lampe for Tenth Day, Tenth Story' +p40932 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p40933 +sa(dp40934 +g25267 +g27 +sg25268 +S'Chair' +p40935 +sg25270 +S'Majel G. Claflin' +p40936 +sa(dp40937 +g25267 +g27 +sg25268 +S'Hutch Table' +p40938 +sg25270 +S'Margery Parish' +p40939 +sa(dp40940 +g25267 +g27 +sg25268 +S'Sanctuary Table' +p40941 +sg25270 +S'Dayton Brown' +p40942 +sa(dp40943 +g25267 +g27 +sg25268 +S'Bier' +p40944 +sg25270 +S'Randolph F. Miller' +p40945 +sa(dp40946 +g25267 +g27 +sg25268 +S'Table' +p40947 +sg25270 +S'William Kieckhofel' +p40948 +sa(dp40949 +g25267 +g27 +sg25268 +S'Decorative Panel Under Window' +p40950 +sg25270 +S'Albert Pratt' +p40951 +sa(dp40952 +g25267 +g27 +sg25268 +S'Sant de Retablo' +p40953 +sg25270 +S'Artist Information (' +p40954 +sa(dp40955 +g25267 +g27 +sg25268 +S'Santo de Retablo (Virgin Mary)' +p40956 +sg25270 +S'Artist Information (' +p40957 +sa(dp40958 +g25267 +g27 +sg25268 +S'Reliquary of Father Junipero Serra' +p40959 +sg25270 +S'William Kieckhofel' +p40960 +sa(dp40961 +g25267 +g27 +sg25268 +S'Water Spout' +p40962 +sg25270 +S'Raymond E. Noble' +p40963 +sa(dp40964 +g25273 +S'pen and black ink with brown wash' +p40965 +sg25267 +g27 +sg25275 +S'1757' +p40966 +sg25268 +S'Cul-de-lampe for Tenth Day, Ninth Story and Cul-de-lampe for Last Page' +p40967 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p40968 +sa(dp40969 +g25267 +g27 +sg25268 +S'Wrought Iron Cross (Restored)' +p40970 +sg25270 +S'Gordena Jackson' +p40971 +sa(dp40972 +g25267 +g27 +sg25268 +S'Wooden Plaque - Lamb of God' +p40973 +sg25270 +S'Gordena Jackson' +p40974 +sa(dp40975 +g25267 +g27 +sg25268 +S'Armchair' +p40976 +sg25270 +S'Robert W.R. Taylor' +p40977 +sa(dp40978 +g25267 +g27 +sg25268 +S'Doorway and Doors' +p40979 +sg25270 +S'Randolph F. Miller' +p40980 +sa(dp40981 +g25267 +g27 +sg25268 +S'Book Cover' +p40982 +sg25270 +S'Randolph F. Miller' +p40983 +sa(dp40984 +g25267 +S'The workshops of San Fernando were renowned for their ironwork. Produced by\r\n Indian blacksmiths, this handsome window grille is an example of their craft, and its style is typical of San Fernando, which created the most ornate grilles of all the missions.\r\n This window grille continues an art form that was indigenous to Spain. Not only is the design of European origin, but iron itself was a new artistic medium for the Indian craftsmen of California who had previously worked only in stone and wood.\n ' +p40985 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003d8.jpg' +p40986 +sg25268 +S'Iron Grille' +p40987 +sg25270 +S'William Kieckhofel' +p40988 +sa(dp40989 +g25267 +g27 +sg25268 +S'Mission Fountain' +p40990 +sg25270 +S'William Kieckhofel' +p40991 +sa(dp40992 +g25267 +g27 +sg25268 +S'Mission Fountain' +p40993 +sg25270 +S'Raymond E. Noble' +p40994 +sa(dp40995 +g25267 +g27 +sg25268 +S'Hand-carved Armchair' +p40996 +sg25270 +S'Gerald Transpota' +p40997 +sa(dp40998 +g25267 +g27 +sg25268 +S'Choir Rail' +p40999 +sg25270 +S'Josephine C. Romano' +p41000 +sa(dp41001 +g25273 +S'Italian, 1313 - 1375' +p41002 +sg25267 +g27 +sg25275 +S'(author)' +p41003 +sg25268 +S'Le Decameron ... (volume I)' +p41004 +sg25270 +S'Artist Information (' +p41005 +sa(dp41006 +g25267 +g27 +sg25268 +S'Pa. German Fractur' +p41007 +sg25270 +S'Elmer R. Kottcamp' +p41008 +sa(dp41009 +g25267 +g27 +sg25268 +S'Pa. German Fraktur' +p41010 +sg25270 +S'Albert Levone' +p41011 +sa(dp41012 +g25267 +g27 +sg25268 +S'Pa. German Music Book' +p41013 +sg25270 +S'Elmer G. Anderson' +p41014 +sa(dp41015 +g25267 +g27 +sg25268 +S'Pa. German Birth Certificate' +p41016 +sg25270 +S'Charlotte Angus' +p41017 +sa(dp41018 +g25267 +g27 +sg25268 +S'Pa. German Birth Certificate' +p41019 +sg25270 +S'Myra Newswanger' +p41020 +sa(dp41021 +g25267 +S'Births, baptisms, and deaths were three important family occasions recorded in fracturs. Because such records were required by law in the old country, the tradition was continued in America. \n This is a birth certificate recording the birth of Lea Herold, April 5, 1824. Done on old wrapping paper, the elaborate design dwarfs the writing. Flowers sprawl profusely over the page in the bold colors that mark Pennsylvania German art.\n ' +p41022 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000379.jpg' +p41023 +sg25268 +S'Birth Certificate' +p41024 +sg25270 +S'Charles Roadman' +p41025 +sa(dp41026 +g25267 +g27 +sg25268 +S'Love Seat' +p41027 +sg25270 +S'Joseph Rothenberg' +p41028 +sa(dp41029 +g25267 +g27 +sg25268 +S'Gate Leg Table' +p41030 +sg25270 +S'Frank Wenger' +p41031 +sa(dp41032 +g25267 +g27 +sg25268 +S'Low Boy' +p41033 +sg25270 +S'Frank Wenger' +p41034 +sa(dp41035 +g25267 +g27 +sg25268 +S'Sideboard' +p41036 +sg25270 +S'M. 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1695' +p41179 +sg25267 +g27 +sg25275 +S'(author)' +p41180 +sg25268 +S'Contes et nouvelles en vers (volume I)' +p41181 +sg25270 +S'Artist Information (' +p41182 +sa(dp41183 +g25268 +S'Basement of Urban House, 1910' +p41184 +sg25270 +S'Perkins Harnly' +p41185 +sg25273 +S'watercolor, pen and ink, gouache, and graphite on paper' +p41186 +sg25275 +S'c. 1947' +p41187 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a00064fa.jpg' +p41188 +sg25267 +g27 +sa(dp41189 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00058/a00058e9.jpg' +p41190 +sg25268 +S'Boudoir' +p41191 +sg25270 +S'Perkins Harnly' +p41192 +sa(dp41193 +g25267 +g27 +sg25268 +S'Sitting Room' +p41194 +sg25270 +S'Perkins Harnly' +p41195 +sa(dp41196 +g25267 +g27 +sg25268 +S'Interior of Pullman Coach, 1888' +p41197 +sg25270 +S'American 20th Century' +p41198 +sa(dp41199 +g25267 +g27 +sg25268 +S'Conservatory Fountain' +p41200 +sg25270 +S'Artist Information (' +p41201 +sa(dp41202 +g25267 +g27 +sg25268 +S"Woman's Bedroom" +p41203 +sg25270 +S'Perkins Harnly' +p41204 +sa(dp41205 +g25267 +g27 +sg25268 +S"Dentist's Operating Room" +p41206 +sg25270 +S'Perkins Harnly' +p41207 +sa(dp41208 +g25273 +S'watercolor, gouache, and graphite on paper' +p41209 +sg25267 +g27 +sg25275 +S'1935/1942' +p41210 +sg25268 +S'Second Floor Stair Landing and Hall' +p41211 +sg25270 +S'Perkins Harnly' +p41212 +sa(dp41213 +g25267 +g27 +sg25268 +S'Pullman Coach' +p41214 +sg25270 +S'Perkins Harnly' +p41215 +sa(dp41216 +g25267 +g27 +sg25268 +S'Entrance Hall' +p41217 +sg25270 +S'Perkins Harnly' +p41218 +sa(dp41219 +g25273 +S'pen and black ink and brush and black ink with gray wash' +p41220 +sg25267 +g27 +sg25275 +S'1795' +p41221 +sg25268 +S'Le depart' +p41222 +sg25270 +S'Jean-Jacques-Fran\xc3\xa7ois Le Barbier I' +p41223 +sa(dp41224 +g25273 +S'watercolor, gouache, pen and ink, and graphite on paper' +p41225 +sg25267 +g27 +sg25275 +S'1935/1942' +p41226 +sg25268 +S'Iron Foundry, 1910' +p41227 +sg25270 +S'Perkins Harnly' +p41228 +sa(dp41229 +g25273 +S'watercolor, gouache, pen and ink, and graphite on paper' +p41230 +sg25267 +g27 +sg25275 +S'1935/1942' +p41231 +sg25268 +S'Window Alcove' +p41232 +sg25270 +S'Perkins Harnly' +p41233 +sa(dp41234 +g25267 +g27 +sg25268 +S'Stage Backdrop' +p41235 +sg25270 +S'Perkins Harnly' +p41236 +sa(dp41237 +g25267 +g27 +sg25268 +S'Fire Station' +p41238 +sg25270 +S'Perkins Harnly' +p41239 +sa(dp41240 +g25267 +g27 +sg25268 +S'Conservatory Window with Flowers' +p41241 +sg25270 +S'Perkins Harnly' +p41242 +sa(dp41243 +g25273 +S'watercolor, gouache, pen and ink, and graphite on paper' +p41244 +sg25267 +g27 +sg25275 +S'c. 1946' +p41245 +sg25268 +S'Hollywood Hotel Lobby, 1902' +p41246 +sg25270 +S'Perkins Harnly' +p41247 +sa(dp41248 +g25267 +g27 +sg25268 +S'Backdrop for Vaudeville Stage' +p41249 +sg25270 +S'Artist Information (' +p41250 +sa(dp41251 +g25267 +g27 +sg25268 +S'Bathroom' +p41252 +sg25270 +S'Perkins Harnly' +p41253 +sa(dp41254 +g25267 +g27 +sg25268 +S'Stable' +p41255 +sg25270 +S'Perkins Harnly' +p41256 +sa(dp41257 +g25267 +g27 +sg25268 +S'Cozy Corner' +p41258 +sg25270 +S'Perkins Harnly' +p41259 +sa(dp41260 +g25273 +S'French, 1732 - 1806' +p41261 +sg25267 +g27 +sg25275 +S'(artist after)' +p41262 +sg25268 +S"La Matrone d'Ephese" +p41263 +sg25270 +S'Artist Information (' +p41264 +sa(dp41265 +g25267 +g27 +sg25268 +S'Dining Room' +p41266 +sg25270 +S'Perkins Harnly' +p41267 +sa(dp41268 +g25267 +g27 +sg25268 +S'Grocery Store' +p41269 +sg25270 +S'Perkins Harnly' +p41270 +sa(dp41271 +g25267 +g27 +sg25268 +S'Soda Fountain' +p41272 +sg25270 +S'Hans Westendorff' +p41273 +sa(dp41274 +g25273 +S'watercolor, pen and ink, gouache, and graphite on paper' +p41275 +sg25267 +g27 +sg25275 +S'1935/1942' +p41276 +sg25268 +S'Millinery Shop, 1905' +p41277 +sg25270 +S'Perkins Harnly' +p41278 +sa(dp41279 +g25273 +S'watercolor, gouache, pen and ink, and graphite on paperboard' +p41280 +sg25267 +g27 +sg25275 +S'1935/1942' +p41281 +sg25268 +S'Print Shop, 1870' +p41282 +sg25270 +S'Perkins Harnly' +p41283 +sa(dp41284 +g25273 +S'watercolor, gouache, pen and ink, and graphite on paper' +p41285 +sg25267 +g27 +sg25275 +S'1935/1942' +p41286 +sg25268 +S'Pool Room, 1890' +p41287 +sg25270 +S'Perkins Harnly' +p41288 +sa(dp41289 +g25273 +S'watercolor, gouache, pen and ink, and graphite on paper' +p41290 +sg25267 +g27 +sg25275 +S'1935/1942' +p41291 +sg25268 +S'Rural Sitting Room, 1900' +p41292 +sg25270 +S'Perkins Harnly' +p41293 +sa(dp41294 +g25273 +S'watercolor, gouache, pen and ink, and graphite on paper' +p41295 +sg25267 +g27 +sg25275 +S'1935/1942' +p41296 +sg25268 +S'Blacksmith Shop' +p41297 +sg25270 +S'Perkins Harnly' +p41298 +sa(dp41299 +g25273 +S'watercolor, gouache, pen and ink, and graphite on paper' +p41300 +sg25267 +g27 +sg25275 +S'1935/1942' +p41301 +sg25268 +S"Architect's Drafting Room, 1884" +p41302 +sg25270 +S'Perkins Harnly' +p41303 +sa(dp41304 +g25273 +S'watercolor, pen and ink, gouache, and graphite on paper' +p41305 +sg25267 +g27 +sg25275 +S'1935/1942' +p41306 +sg25268 +S'Barn Gangway' +p41307 +sg25270 +S'Perkins Harnly' +p41308 +sa(dp41309 +g25273 +S'French, 1621 - 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Pieces such as this chest were the work of the joiner, or carpenter, for cabinetmaking\r\n had not yet evolved as a specialty. Simple rectangular construction was the rule.\r\n During the seventeenth century, drawers were added to the box form of early chests,\r\n and the form evolved gradually into the chest of drawers as we know it today. Chest\r\n fronts were often divided into panels that were architectural in character. Frequently\r\n the panels were carved in shallow foliate designs, as seen on this late seventeenth-century\r\n oak chest. In addition to carving them, the seventeenth-century craftsman\r\n embellished his products with turning, that is, with bulbous shapes turned on a\r\n lathe. Turnings, split in half and painted black, were frequently applied between\r\n carved panels on chests, as has been done here.\n ' +p41415 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002c0.jpg' +p41416 +sg25268 +S'Tulip and Sunflower Chest' +p41417 +sg25270 +S'Harold Merriam' +p41418 +sa(dp41419 +g25273 +S'Widener Collection' +p41420 +sg25267 +g27 +sg25275 +S'\nbound volume with 15 drawings and 21 prints by various artists for 1767-1771 ed. of "Les Metamorphoses d\'Ovide"' +p41421 +sg25268 +S'Album of Preliminary Drawings and Prints for "Les Metamorphoses d\'Ovide" (volume 1)' +p41422 +sg25270 +S'Various Artists' +p41423 +sa(dp41424 +g25267 +g27 +sg25268 +S'Wall Painting' +p41425 +sg25270 +S'Martin Partyka' +p41426 +sa(dp41427 +g25267 +g27 +sg25268 +S'Map: California Land Grant Study' +p41428 +sg25270 +S'Hal Blakeley' +p41429 +sa(dp41430 +g25267 +g27 +sg25268 +S'Lockwood Painted Mirror' +p41431 +sg25270 +S'Majel G. Claflin' +p41432 +sa(dp41433 +g25267 +g27 +sg25268 +S'Decorah Altar' +p41434 +sg25270 +S'Raymond Neumann' +p41435 +sa(dp41436 +g25267 +g27 +sg25268 +S'Tavern Sign' +p41437 +sg25270 +S'John Matulis' +p41438 +sa(dp41439 +g25267 +g27 +sg25268 +S'Nameboard from Schooner' +p41440 +sg25270 +S'Beverly Chichester' +p41441 +sa(dp41442 +g25267 +g27 +sg25268 +S'Painted Chest' +p41443 +sg25270 +S'American 20th Century' +p41444 +sa(dp41445 +g25267 +g27 +sg25268 +S'Clock' +p41446 +sg25270 +S'Frank Wenger' +p41447 +sa(dp41448 +g25267 +g27 +sg25268 +S'Wall Painting' +p41449 +sg25270 +S'Martin Partyka' +p41450 +sa(dp41451 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a000553e.jpg' +p41452 +sg25268 +S'Shaker Rug' +p41453 +sg25270 +S'George V. Vezolles' +p41454 +sa(dp41455 +g25273 +S'engraving' +p41456 +sg25267 +g27 +sg25275 +S'1767' +p41457 +sg25268 +S'Dedication Page' +p41458 +sg25270 +S'Pierre-Philippe Choffard' +p41459 +sa(dp41460 +g25267 +g27 +sg25268 +S'Jacquard' +p41461 +sg25270 +S'Arthur G. Merkley' +p41462 +sa(dp41463 +g25267 +g27 +sg25268 +S'Tavern Sign' +p41464 +sg25270 +S'American 20th Century' +p41465 +sa(dp41466 +g25267 +g27 +sg25268 +S'Tavern Sign' +p41467 +sg25270 +S'Alfred Parys' +p41468 +sa(dp41469 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p41470 +sg25270 +S'Walter Hochstrasser' +p41471 +sa(dp41472 +g25267 +g27 +sg25268 +S'Death Angel and Cart' +p41473 +sg25270 +S'Eldora P. Lorenzini' +p41474 +sa(dp41475 +g25267 +S"Made in the late nineteenth century, this weather vane represents a contemporaneous\n fire engine. By combining brass, copper, zinc, and iron, the craftsman created a\n functional yet decorative object. The boiler of the engine is made of brass, while\n the other engine parts, the men's bodies, and the horses are copper. The heads\n of the firemen are zinc; the supporting bars are iron painted black. This weather vane\n may have topped a firehouse. Compared with the simple, stylized forms common in\n the folk art tradition, the attention to detail marks this fire engine as an unusually\n fine piece. The craftsman who executed such a work had to be skilled in shaping\n the metal as well as sensitive to the elements of design.\n " +p41476 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002e6.jpg' +p41477 +sg25268 +S'Weather Vane: Model Fire Engine' +p41478 +sg25270 +S'Beverly Chichester' +p41479 +sa(dp41480 +g25267 +g27 +sg25268 +S'Chest' +p41481 +sg25270 +S'D.P. Jones' +p41482 +sa(dp41483 +g25267 +g27 +sg25268 +S'Hand-Painted Wall' +p41484 +sg25270 +S'Martin Partyka' +p41485 +sa(dp41486 +g25267 +g27 +sg25268 +S'Hand-Painted Wall' +p41487 +sg25270 +S'Martin Partyka' +p41488 +sa(dp41489 +g25267 +g27 +sg25268 +S'Wall Stencil' +p41490 +sg25270 +S'Mildred E. Bent' +p41491 +sa(dp41492 +g25273 +S'engraving' +p41493 +sg25267 +g27 +sg25275 +S'1767' +p41494 +sg25268 +S'Dedication Page' +p41495 +sg25270 +S'Pierre-Philippe Choffard' +p41496 +sa(dp41497 +g25267 +g27 +sg25268 +S'Wall Stencil' +p41498 +sg25270 +S'Artist Information (' +p41499 +sa(dp41500 +g25267 +g27 +sg25268 +S'Wall Stencil' +p41501 +sg25270 +S'Michael Lauretano' +p41502 +sa(dp41503 +g25267 +g27 +sg25268 +S'Wall Stencil (copy)' +p41504 +sg25270 +S'Ray Holden' +p41505 +sa(dp41506 +g25267 +g27 +sg25268 +S'Wall Stencil' +p41507 +sg25270 +S'Ray Holden' +p41508 +sa(dp41509 +g25267 +g27 +sg25268 +S'Wall Stencil' +p41510 +sg25270 +S'Alvin M. Gully' +p41511 +sa(dp41512 +g25267 +g27 +sg25268 +S'Colcha' +p41513 +sg25270 +S'Margery Parish' +p41514 +sa(dp41515 +g25267 +g27 +sg25268 +S'Stencilled Floor' +p41516 +sg25270 +S'Jerome Hoxie' +p41517 +sa(dp41518 +g25267 +g27 +sg25268 +S'Stencilled Floor' +p41519 +sg25270 +S'Jerome Hoxie' +p41520 +sa(dp41521 +g25267 +g27 +sg25268 +S'Tavern Bust' +p41522 +sg25270 +S'Walter Hochstrasser' +p41523 +sa(dp41524 +g25267 +g27 +sg25268 +S'Stencilled Floor' +p41525 +sg25270 +S'Michael Lauretano' +p41526 +sa(dp41527 +g25273 +S'graphite' +p41528 +sg25267 +g27 +sg25275 +S'1765' +p41529 +sg25268 +S'Ovide recoit des mains da sa muse ...' +p41530 +sg25270 +S'Charles Eisen' +p41531 +sa(dp41532 +g25267 +g27 +sg25268 +S'Virgin Mary' +p41533 +sg25270 +S'Stanley Mazur' +p41534 +sa(dp41535 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p41536 +sg25270 +S'American 20th Century' +p41537 +sa(dp41538 +g25267 +g27 +sg25268 +S'Male Tea Shop Figure' +p41539 +sg25270 +S'David Ramage' +p41540 +sa(dp41541 +g25267 +g27 +sg25268 +S'Stencilled Floor' +p41542 +sg25270 +S'Michael Lauretano' +p41543 +sa(dp41544 +g25267 +g27 +sg25268 +S'Hand Carved Eagle' +p41545 +sg25270 +S'John Cutting' +p41546 +sa(dp41547 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p41548 +sg25270 +S'Stanley Mazur' +p41549 +sa(dp41550 +g25267 +g27 +sg25268 +S"Doctor's Buggy" +p41551 +sg25270 +S'Fred Weiss' +p41552 +sa(dp41553 +g25267 +g27 +sg25268 +S'Corner Cupboard' +p41554 +sg25270 +S'Robert Stewart' +p41555 +sa(dp41556 +g25267 +g27 +sg25268 +S'Highboy' +p41557 +sg25270 +S'Frank Wenger' +p41558 +sa(dp41559 +g25267 +g27 +sg25268 +S'Mirror' +p41560 +sg25270 +S'Robert Stewart' +p41561 +sa(dp41562 +g25273 +S'(artist after)' +p41563 +sg25267 +g27 +sg25275 +S'\n' +p41564 +sg25268 +S'Ovide recoit des mains de sa muse ...' +p41565 +sg25270 +S'Artist Information (' +p41566 +sa(dp41567 +g25267 +g27 +sg25268 +S'Gilt Mirror' +p41568 +sg25270 +S'Robert Stewart' +p41569 +sa(dp41570 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p41571 +sg25270 +S'Richard F. Smith' +p41572 +sa(dp41573 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c628.jpg' +p41574 +sg25268 +S'Cigar Store Indian' +p41575 +sg25270 +S'Walter Hochstrasser' +p41576 +sa(dp41577 +g25267 +g27 +sg25268 +S'Tall Clock' +p41578 +sg25270 +S'Ferdinand Cartier' +p41579 +sa(dp41580 +g25267 +g27 +sg25268 +S'Cigar Store Figure' +p41581 +sg25270 +S'Eugene Croe' +p41582 +sa(dp41583 +g25267 +g27 +sg25268 +S'Window Shade' +p41584 +sg25270 +S'Artist Information (' +p41585 +sa(dp41586 +g25267 +g27 +sg25268 +S'Window Shade' +p41587 +sg25270 +S'Artist Information (' +p41588 +sa(dp41589 +g25267 +g27 +sg25268 +S'Hudson River Estate' +p41590 +sg25270 +S'Virginia Richards' +p41591 +sa(dp41592 +g25267 +g27 +sg25268 +S'Shop Figure' +p41593 +sg25270 +S'Frank Gray' +p41594 +sa(dp41595 +g25267 +g27 +sg25268 +S'Carousel Horse' +p41596 +sg25270 +S'Mina Lowry' +p41597 +sa(dp41598 +g25273 +S'(artist after)' +p41599 +sg25267 +g27 +sg25275 +S'\n' +p41600 +sg25268 +S'Dieu debrouille le Cahos ...' +p41601 +sg25270 +S'Artist Information (' +p41602 +sa(dp41603 +g25267 +g27 +sg25268 +S'Doll Carriage' +p41604 +sg25270 +S'Louella Long' +p41605 +sa(dp41606 +g25267 +g27 +sg25268 +S'Hobby Horse' +p41607 +sg25270 +S'Mina Lowry' +p41608 +sa(dp41609 +g25267 +S"Wax dolls have been made from very early times — by the ancient Romans, for example, on through the first quarter of the twentieth century. This wax doll was probably made in England, which was noted for its wax dolls in the last half of the nineteenth century. This doll dates from the 1870s, and her elaborate costume is typical of the period. The dress is of blue taffeta trimmed with white organdy lace. The doll's childlike face and hairstyle might seem better suited to a child's body, but the true child doll was not yet common. Not until the 1880s was there a change from predominantly adult dolls to dolls representing children and babies. Many collectors still prefer dolls with features of a child but dressed as an adult.\n " +p41610 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002ef.jpg' +p41611 +sg25268 +S'Doll in Blue Dress' +p41612 +sg25270 +S'Lillian Causey' +p41613 +sa(dp41614 +g25267 +g27 +sg25268 +S'"Age of Chivalry" Circus Wagon' +p41615 +sg25270 +S'Howard Weld' +p41616 +sa(dp41617 +g25267 +g27 +sg25268 +S'Desk' +p41618 +sg25270 +S'Ferdinand Cartier' +p41619 +sa(dp41620 +g25267 +g27 +sg25268 +S'Highboy' +p41621 +sg25270 +S'Lawrence Phillips' +p41622 +sa(dp41623 +g25267 +g27 +sg25268 +S'Jacobean Armchair' +p41624 +sg25270 +S'Artist Information (' +p41625 +sa(dp41626 +g25267 +g27 +sg25268 +S'Highboy' +p41627 +sg25270 +S'M. Rosenshield-von-Paulin' +p41628 +sa(dp41629 +g25267 +g27 +sg25268 +S'Clock' +p41630 +sg25270 +S'Isidore Sovensky' +p41631 +sa(dp41632 +g25267 +g27 +sg25268 +S'Wine Chest' +p41633 +sg25270 +S'Leonard Battee' +p41634 +sa(dp41635 +g25273 +S'(artist after)' +p41636 +sg25267 +g27 +sg25275 +S'\n' +p41637 +sg25268 +S'Dieu debrouille le Cahos ...' +p41638 +sg25270 +S'Artist Information (' +p41639 +sa(dp41640 +g25267 +g27 +sg25268 +S'Apotheosis of Franklin' +p41641 +sg25270 +S'A. Zimet' +p41642 +sa(dp41643 +g25267 +g27 +sg25268 +S'Tavern Sign' +p41644 +sg25270 +S'Alfred Parys' +p41645 +sa(dp41646 +g25267 +g27 +sg25268 +S'Wall Design' +p41647 +sg25270 +S'American 20th Century' +p41648 +sa(dp41649 +g25267 +g27 +sg25268 +S'Cutting House (NYC)' +p41650 +sg25270 +S'J.N. Colgan' +p41651 +sa(dp41652 +g25267 +g27 +sg25268 +S'Wall Design' +p41653 +sg25270 +S'American 20th Century' +p41654 +sa(dp41655 +g25267 +g27 +sg25268 +S'Quilt' +p41656 +sg25270 +S'American 20th Century' +p41657 +sa(dp41658 +g25267 +g27 +sg25268 +S'Court Cupboard' +p41659 +sg25270 +S'Leo Drozdoff' +p41660 +sa(dp41661 +g25267 +g27 +sg25268 +S'Sleigh' +p41662 +sg25270 +S'Fred Weiss' +p41663 +sa(dp41664 +g25267 +g27 +sg25268 +S'Panels from Hartford Chest' +p41665 +sg25270 +S'Harold Merriam' +p41666 +sa(dp41667 +g25267 +g27 +sg25268 +S'Cigar Store Indian "Trapper"' +p41668 +sg25270 +S'Stanley Mazur' +p41669 +sa(dp41670 +g25273 +S'graphite' +p41671 +sg25267 +g27 +sg25275 +S'1765' +p41672 +sg25268 +S"Promethee forme l'homme de terre et d'eau, et Minerve anime son ouvrage" +p41673 +sg25270 +S'Charles Eisen' +p41674 +sa(dp41675 +g25267 +g27 +sg25268 +S'Entrance to Cutting House' +p41676 +sg25270 +S'Lorenz Rothkranz' +p41677 +sa(dp41678 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a000553f.jpg' +p41679 +sg25268 +S'Gate' +p41680 +sg25270 +S'American 20th Century' +p41681 +sa(dp41682 +g25267 +g27 +sg25268 +S'Quilt' +p41683 +sg25270 +S'Margaret Concha' +p41684 +sa(dp41685 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p41686 +sg25270 +S'Walter Hochstrasser' +p41687 +sa(dp41688 +g25267 +g27 +sg25268 +S'Chest Design' +p41689 +sg25270 +S'Chester Faris' +p41690 +sa(dp41691 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00054/a0005449.jpg' +p41692 +sg25268 +S'Locomotive' +p41693 +sg25270 +S'American 20th Century' +p41694 +sa(dp41695 +g25267 +g27 +sg25268 +S'Christ in the Sepulchre' +p41696 +sg25270 +S'Eldora P. Lorenzini' +p41697 +sa(dp41698 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p41699 +sg25270 +S'Vincent McPharlin' +p41700 +sa(dp41701 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p41702 +sg25270 +S'Walter Hochstrasser' +p41703 +sa(dp41704 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p41705 +sg25270 +S'Walter Hochstrasser' +p41706 +sa(dp41707 +g25273 +S'(artist after)' +p41708 +sg25267 +g27 +sg25275 +S'\n' +p41709 +sg25268 +S"Promethee forme l'homme de terre et d'eau, et Minerve anime son ouvrage" +p41710 +sg25270 +S'Artist Information (' +p41711 +sa(dp41712 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p41713 +sg25270 +S'Walter Hochstrasser' +p41714 +sa(dp41715 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p41716 +sg25270 +S'Walter Hochstrasser' +p41717 +sa(dp41718 +g25267 +g27 +sg25268 +S'Wallpaper' +p41719 +sg25270 +S'American 20th Century' +p41720 +sa(dp41721 +g25267 +g27 +sg25268 +S'Wallpaper' +p41722 +sg25270 +S'American 20th Century' +p41723 +sa(dp41724 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00054/a000544d.jpg' +p41725 +sg25268 +S'Whirligig' +p41726 +sg25270 +S'Mina Lowry' +p41727 +sa(dp41728 +g25267 +g27 +sg25268 +S'Tavern Sign: "J. Porter"' +p41729 +sg25270 +S'Alfred Parys' +p41730 +sa(dp41731 +g25267 +g27 +sg25268 +S'Stepping Stone' +p41732 +sg25270 +S'Edward DiGennero' +p41733 +sa(dp41734 +g25267 +g27 +sg25268 +S'Hand Painted Wall (Detail)' +p41735 +sg25270 +S'Martin Partyka' +p41736 +sa(dp41737 +g25267 +g27 +sg25268 +S'Fragment of Wall Decoration' +p41738 +sg25270 +S'Michael Lauretano' +p41739 +sa(dp41740 +g25267 +g27 +sg25268 +S'Wall Decoration' +p41741 +sg25270 +S'Michael Lauretano' +p41742 +sa(dp41743 +g25273 +S'graphite' +p41744 +sg25267 +g27 +sg25275 +S'1765' +p41745 +sg25268 +S'Le printemps, saison ou tout renait dans la nature' +p41746 +sg25270 +S'Charles Eisen' +p41747 +sa(dp41748 +g25267 +g27 +sg25268 +S'Free Hand Wall Decoration' +p41749 +sg25270 +S'Michael Lauretano' +p41750 +sa(dp41751 +g25267 +g27 +sg25268 +S'Wall Decoration Below Chair Rail' +p41752 +sg25270 +S'Alvin M. Gully' +p41753 +sa(dp41754 +g25267 +g27 +sg25268 +S'Free Hand Decorated Wall' +p41755 +sg25270 +S'Michael Lauretano' +p41756 +sa(dp41757 +g25267 +g27 +sg25268 +S'Fragment of Wall Decoration' +p41758 +sg25270 +S'Michael Lauretano' +p41759 +sa(dp41760 +g25267 +g27 +sg25268 +S'Free Hand Decorated Wall' +p41761 +sg25270 +S'Michael Lauretano' +p41762 +sa(dp41763 +g25267 +g27 +sg25268 +S'Hand Painted Wall (Detail)' +p41764 +sg25270 +S'Martin Partyka' +p41765 +sa(dp41766 +g25267 +g27 +sg25268 +S'Hand Painted Wall' +p41767 +sg25270 +S'Martin Partyka' +p41768 +sa(dp41769 +g25267 +g27 +sg25268 +S'A Silk Screen Printing of Early Connecticut Wall Decorations, Portfolio Cover' +p41770 +sg25270 +S'Lawrence Flynn' +p41771 +sa(dp41772 +g25267 +g27 +sg25268 +S'Free Hand Decoration' +p41773 +sg25270 +S'Michael Lauretano' +p41774 +sa(dp41775 +g25267 +g27 +sg25268 +S'Decorated Wall' +p41776 +sg25270 +S'Martin Partyka' +p41777 +sa(dp41778 +g25273 +S'(artist after)' +p41779 +sg25267 +g27 +sg25275 +S'\n' +p41780 +sg25268 +S'Le printemps, saison ou tout renait dans la Nature' +p41781 +sg25270 +S'Artist Information (' +p41782 +sa(dp41783 +g25267 +g27 +sg25268 +S'Free Hand Decorated Wall (Detail)' +p41784 +sg25270 +S'Michael Lauretano' +p41785 +sa(dp41786 +g25267 +g27 +sg25268 +S'Hand Painted Wall (Detail)' +p41787 +sg25270 +S'Michael Lauretano' +p41788 +sa(dp41789 +g25267 +g27 +sg25268 +S'Hand Painted Wall' +p41790 +sg25270 +S'Martin Partyka' +p41791 +sa(dp41792 +g25267 +g27 +sg25268 +S'Free Hand Decorated Wall' +p41793 +sg25270 +S'Michael Lauretano' +p41794 +sa(dp41795 +g25267 +g27 +sg25268 +S'Stencilled Wall' +p41796 +sg25270 +S'Michael Lauretano' +p41797 +sa(dp41798 +g25267 +g27 +sg25268 +S'Free Hand Wall Decoration' +p41799 +sg25270 +S'Michael Lauretano' +p41800 +sa(dp41801 +g25267 +g27 +sg25268 +S'Wall Decoration' +p41802 +sg25270 +S'Alvin M. Gully' +p41803 +sa(dp41804 +g25267 +g27 +sg25268 +S'Wall Decoration' +p41805 +sg25270 +S'Martin Partyka' +p41806 +sa(dp41807 +g25267 +g27 +sg25268 +S'Free Hand Decorated Wall' +p41808 +sg25270 +S'Michael Lauretano' +p41809 +sa(dp41810 +g25267 +g27 +sg25268 +S'Free Hand Decorated Wall' +p41811 +sg25270 +S'Edward DiGennero' +p41812 +sa(dp41813 +g25273 +S'graphite' +p41814 +sg25267 +g27 +sg25275 +S'1765' +p41815 +sg25268 +S"L'ete, saison riante et autant utile que belle" +p41816 +sg25270 +S'Charles Eisen' +p41817 +sa(dp41818 +g25267 +g27 +sg25268 +S'Fragment of Wall Decoration' +p41819 +sg25270 +S'Michael Lauretano' +p41820 +sa(dp41821 +g25267 +g27 +sg25268 +S'Hand Painted Wall (Detail)' +p41822 +sg25270 +S'Martin Partyka' +p41823 +sa(dp41824 +g25267 +g27 +sg25268 +S'Hand Painted Wall (Detail)' +p41825 +sg25270 +S'Artist Information (' +p41826 +sa(dp41827 +g25267 +g27 +sg25268 +S'Stencilled Wall' +p41828 +sg25270 +S'Ray Holden' +p41829 +sa(dp41830 +g25267 +g27 +sg25268 +S'Hand Painted Wall (Detail)' +p41831 +sg25270 +S'Martin Partyka' +p41832 +sa(dp41833 +g25267 +g27 +sg25268 +S'Masonic Picture' +p41834 +sg25270 +S'Artist Information (' +p41835 +sa(dp41836 +g25267 +S"Miniature rooms are among the choicest items in the eyes of collectors. Here\n is a kitchen, only ten inches high, made of tinned sheet iron. One wall has been\n entirely omitted, as in a doll's house, to allow a complete view of the interior.\n A red-painted stove and hood are on the back wall, and a working pump is on the\n side wall. Some kitchen utensils are on the stove and floor; others hang on the\n three walls from hooks or are placed on racks.\n " +p41837 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002fb.jpg' +p41838 +sg25268 +S'Toy Kitchen' +p41839 +sg25270 +S'Artist Information (' +p41840 +sa(dp41841 +g25267 +g27 +sg25268 +S'Toy Stove' +p41842 +sg25270 +S'Einar Heiberg' +p41843 +sa(dp41844 +g25267 +g27 +sg25268 +S'Toy Cannon' +p41845 +sg25270 +S'Charles Henning' +p41846 +sa(dp41847 +g25267 +g27 +sg25268 +S'Trotter in Action' +p41848 +sg25270 +S'Henry Murphy' +p41849 +sa(dp41850 +g25268 +S'Madonna Enthroned with Saints and Angels [left panel]' +p41851 +sg25270 +S'Agnolo Gaddi' +p41852 +sg25273 +S'tempera on panel' +p41853 +sg25275 +S'1380/1390' +p41854 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002b/a0002bf9.jpg' +p41855 +sg25267 +S'This three-part altarpiece or triptych (1937.1.4.a shown here, see also \n Four saints flank the throne. At the far left, holding the cross upon which he was crucified, is Andrew the Apostle, one of Christ’s first disciples. On the far right is Catherine of Alexandria. A princess and scholar, she wears a crown and carries a book. She stands upon a broken wheel with spikes, in reference to a torture from which she was miraculously rescued, and holds a palm frond to signify her triumph over death as a martyr.\n Saint Benedict, a sixth-century founder of monasticism, displays a text with the opening words of the Benedictine Rule, “Harken, O son, to the precepts of the master.” Reading from another book is Saint Bernard, a twelfth-century monastic reformer who helped found the strict, Cistercian branch of Benedictine monks. The white robes of Benedict and Bernard suggest the altar was commissioned for a Cistercian monastery.\n The clearly organized color scheme makes it evident why Agnolo Gaddi, whose father had been a pupil of \n ' +p41856 +sa(dp41857 +g25268 +S'The Adoration of the Child' +p41858 +sg25270 +S'Filippino Lippi' +p41859 +sg25273 +S'oil (?) on panel' +p41860 +sg25275 +S'c. 1475/1480' +p41861 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a0000775.jpg' +p41862 +sg25267 +g27 +sa(dp41863 +g25273 +S'(artist after)' +p41864 +sg25267 +g27 +sg25275 +S'\n' +p41865 +sg25268 +S"L'ete, saison riante et autant utile que belle" +p41866 +sg25270 +S'Artist Information (' +p41867 +sa(dp41868 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002fa.jpg' +p41869 +sg25268 +S'Toy Wagon' +p41870 +sg25270 +S'Philip Johnson' +p41871 +sa(dp41872 +g25267 +S'With the introduction of tin toys about 1840, more complicated methods of animation\n were developed. This brightly painted model of a side-wheeler, made of both wood\n and tin, has a windup mechanism that turns the paddle wheels.\n ' +p41873 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002db.jpg' +p41874 +sg25268 +S'Model of a Side-Wheeler' +p41875 +sg25270 +S'William Pollman' +p41876 +sa(dp41877 +g25267 +S"Pull toys, set on wheels, provided animation to heighten a child's pleasure.\n Pull toys were frequently made of wood, as in this streetcar model of about 1885.\n Inscribed with the owner's name, Vera, this handmade toy is of pine. The sides\n have sawn-out decorations of crescents, and the windows of the ends and cupola\n are backed with colored glass. There is a hole on top to insert a candle.\n " +p41878 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002d6.jpg' +p41879 +sg25268 +S'Toy Streetcar' +p41880 +sg25270 +S'Michael Fallon' +p41881 +sa(dp41882 +g25267 +S'Vehicular toys record the history of transportation in the United States. This\n is a miniature covered wagon, pulled by oxen. It imitates the primitive oxcarts\n in general use in the 1860s and 1870s and was made by an unknown pioneer settler\n near Stoughton, Wisconsin. The model is hand-carved of pine; the covering of the\n wagon is linen.\n ' +p41883 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002d8.jpg' +p41884 +sg25268 +S'Miniature Oxcart' +p41885 +sg25270 +S'Eugene Bartz' +p41886 +sa(dp41887 +g25267 +S'Noah\'s Ark with its many animals has been a favorite toy of children for generations.\n This example was probably made by a Pennsylvania German craftsman about 1835. The\n colorful ark consists of pieces of pine glued together. It has one sliding panel\n to let the animals go inside. Fifteen animals are whittled from pine and painted\n in polychrome oil colors. The ark is decorated with a painted and stenciled design\n in mat polychrome. Noah\'s Ark was known as "Sunday toy": children were not allowed\n to play with most toys on Sunday, but Noah\'s Ark was an exception because of its\n biblical subject matter.\n ' +p41888 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002f7.jpg' +p41889 +sg25268 +S"Noah's Ark and Animals" +p41890 +sg25270 +S'Ben Lassen' +p41891 +sa(dp41892 +g25267 +g27 +sg25268 +S'Toy Horse' +p41893 +sg25270 +S'Charlotte Angus' +p41894 +sa(dp41895 +g25267 +g27 +sg25268 +S'Hobby Horse' +p41896 +sg25270 +S'Adele Brooks' +p41897 +sa(dp41898 +g25267 +g27 +sg25268 +S'Toy Rooster' +p41899 +sg25270 +S'Mina Lowry' +p41900 +sa(dp41901 +g25267 +g27 +sg25268 +S'Toy Horse' +p41902 +sg25270 +S'Elizabeth Moutal' +p41903 +sa(dp41904 +g25267 +S'Another pull toy is this dachshund of about 1880. Loosely jointed, it undoubtedly\n once had wheels under the legs so that it could move along a flat surface with its\n body undulating from side to side.\n ' +p41905 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002f6.jpg' +p41906 +sg25268 +S'Dachshund' +p41907 +sg25270 +S'Frank Budash' +p41908 +sa(dp41909 +g25273 +S'graphite' +p41910 +sg25267 +g27 +sg25275 +S'1765' +p41911 +sg25268 +S"L'automne, saison ou triomphe Bacchus" +p41912 +sg25270 +S'Charles Eisen' +p41913 +sa(dp41914 +g25267 +g27 +sg25268 +S'Doll: "Maggie Bentley"' +p41915 +sg25270 +S'Artist Information (' +p41916 +sa(dp41917 +g25267 +g27 +sg25268 +S'Doll' +p41918 +sg25270 +S'John Sullivan' +p41919 +sa(dp41920 +g25267 +S"This china-headed doll has a particularly lovely costume. The dress is plaid \r\n silk taffeta; it is worn over a petticoat of tan alpaca trimmed with blue silk bands. The pantalettes are of cotton with eyelet embroidery. The doll's hairstyle makes her a collector's item; china dolls with a knot on the head are rare. This feature, however, is almost completely hidden by the silk bonnet. This doll has a cloth body and arms and feet of kid. The head is glazed porcelain. China-head dolls were first made in Europe around 1750 but did not become extremely popular until the 1840s. This doll dates from 1840–1850. Often the heads were imported to America and used on American-made dolls' bodies.\n " +p41921 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002eb.jpg' +p41922 +sg25268 +S'Doll in Plaid Dress' +p41923 +sg25270 +S'Beverly Chichester' +p41924 +sa(dp41925 +g25267 +g27 +sg25268 +S'Doll with China Head' +p41926 +sg25270 +S'J. Herman McCollum' +p41927 +sa(dp41928 +g25267 +g27 +sg25268 +S'Doll: "Donald"' +p41929 +sg25270 +S'Eugene Croe' +p41930 +sa(dp41931 +g25267 +g27 +sg25268 +S'Doll: "Camela"' +p41932 +sg25270 +S'Eugene Croe' +p41933 +sa(dp41934 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a0005500.jpg' +p41935 +sg25268 +S'Doll' +p41936 +sg25270 +S'Molly Bodenstein' +p41937 +sa(dp41938 +g25267 +g27 +sg25268 +S'Civil War Soldier' +p41939 +sg25270 +S'Mina Lowry' +p41940 +sa(dp41941 +g25267 +g27 +sg25268 +S'Marionette: "King Saul"' +p41942 +sg25270 +S'Elmer Weise' +p41943 +sa(dp41944 +g25267 +g27 +sg25268 +S'Doll: "Eugenia"' +p41945 +sg25270 +S'Eugene Croe' +p41946 +sa(dp41947 +g25273 +S'(artist after)' +p41948 +sg25267 +g27 +sg25275 +S'\n' +p41949 +sg25268 +S"L'automne, saison ou triomphe Bacchus" +p41950 +sg25270 +S'Artist Information (' +p41951 +sa(dp41952 +g25267 +g27 +sg25268 +S'Doll (Greiner Patented Head)' +p41953 +sg25270 +S'Stanley Mazur' +p41954 +sa(dp41955 +g25267 +g27 +sg25268 +S"Child's Rocking Chair" +p41956 +sg25270 +S'Alfred H. Smith' +p41957 +sa(dp41958 +g25267 +g27 +sg25268 +S'Sled' +p41959 +sg25270 +S'Harriette Gale' +p41960 +sa(dp41961 +g25267 +S'This is a child\'s sled made of pine and poplar wood with oak struts. The sled\n is painted and includes a butterfly motif in white. It must have been made for a\n girl, since the name "Lettie Augusta Davis" is painted on the top in white letters,\n but such coasting sleds were usually intended for boys at that time. The sled was\n made in 1874 by Carpenter Davis.\n ' +p41962 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000302.jpg' +p41963 +sg25268 +S'Sled' +p41964 +sg25270 +S'Wayne White' +p41965 +sa(dp41966 +g25267 +S"The rocking horse, or hobbyhorse, has survived in many versions. This nineteenth-century example is made of pine painted with oil colors. The two parallel rockers are each cut in profile from a single piece of wood. The actual form of the horse is incidental in this case: a horse's head and neck, cut in profile, are attached to the forward end of the rocker. The harness and ears are leather and fastened on with tacks. This rocking horse is essentially a low-back Windsor chair with splayed legs fastened to a rocking platform; since the chair is more complex than the horse, it is possible that the craftsman was a chair maker by trade.\n " +p41967 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005f/a0005f66.jpg' +p41968 +sg25268 +S'Rocking Horse' +p41969 +sg25270 +S'Mina Lowry' +p41970 +sa(dp41971 +g25267 +g27 +sg25268 +S'Toy Bank: Hunter Shooting Bear' +p41972 +sg25270 +S'Einar Heiberg' +p41973 +sa(dp41974 +g25267 +g27 +sg25268 +S'Day Bed' +p41975 +sg25270 +S'Nicholas Gorid' +p41976 +sa(dp41977 +g25267 +g27 +sg25268 +S'Day Bed' +p41978 +sg25270 +S'B. Holst-Grubbe' +p41979 +sa(dp41980 +g25267 +g27 +sg25268 +S'Day Bed' +p41981 +sg25270 +S'B. Holst-Grubbe' +p41982 +sa(dp41983 +g25267 +g27 +sg25268 +S'Wash Stand' +p41984 +sg25270 +S'Francis Borelli' +p41985 +sa(dp41986 +g25273 +S'graphite' +p41987 +sg25267 +g27 +sg25275 +S'1765' +p41988 +sg25268 +S"L'hiver, saison qui quoiqu'utile a la nature ..." +p41989 +sg25270 +S'Charles Eisen' +p41990 +sa(dp41991 +g25267 +g27 +sg25268 +S'Corner Cupboard' +p41992 +sg25270 +S'Meyer Goldbaum' +p41993 +sa(dp41994 +g25267 +g27 +sg25268 +S'Pole Screen and Candlestand' +p41995 +sg25270 +S'Elizabeth Curtis' +p41996 +sa(dp41997 +g25267 +g27 +sg25268 +S'Study for Drawing of Chair' +p41998 +sg25270 +S'American 20th Century' +p41999 +sa(dp42000 +g25267 +g27 +sg25268 +S'Windsor Chair' +p42001 +sg25270 +S'Ray Holden' +p42002 +sa(dp42003 +g25267 +g27 +sg25268 +S'High-Back Side Chair' +p42004 +sg25270 +S'Arthur Johnson' +p42005 +sa(dp42006 +g25267 +g27 +sg25268 +S'Side Chair' +p42007 +sg25270 +S'M. Rosenshield-von-Paulin' +p42008 +sa(dp42009 +g25267 +g27 +sg25268 +S'Hepplewhite Arm Chair' +p42010 +sg25270 +S'Elizabeth Curtis' +p42011 +sa(dp42012 +g25267 +g27 +sg25268 +S'Chest of Drawers' +p42013 +sg25270 +S'Lorenz Rothkranz' +p42014 +sa(dp42015 +g25267 +g27 +sg25268 +S'Chest' +p42016 +sg25270 +S'Paul Farkas' +p42017 +sa(dp42018 +g25267 +g27 +sg25268 +S'Chest of Drawers' +p42019 +sg25270 +S'Harry Eisman' +p42020 +sa(dp42021 +g25273 +S'(artist after)' +p42022 +sg25267 +g27 +sg25275 +S'\n' +p42023 +sg25268 +S"L'hiver, saison qui quoiqu'utile a la nature ..." +p42024 +sg25270 +S'Artist Information (' +p42025 +sa(dp42026 +g25267 +g27 +sg25268 +S'Chest of Drawers' +p42027 +sg25270 +S'Gilbert Sackerman' +p42028 +sa(dp42029 +g25267 +g27 +sg25268 +S'Chest of Drawers' +p42030 +sg25270 +S'Louis Annino' +p42031 +sa(dp42032 +g25267 +g27 +sg25268 +S'Clock' +p42033 +sg25270 +S'Nicholas Gorid' +p42034 +sa(dp42035 +g25267 +g27 +sg25268 +S'Clock' +p42036 +sg25270 +S'Ruth Bialostosky' +p42037 +sa(dp42038 +g25267 +g27 +sg25268 +S'Tall Clock' +p42039 +sg25270 +S'John Dieterich' +p42040 +sa(dp42041 +g25267 +g27 +sg25268 +S'Clock' +p42042 +sg25270 +S'Lawrence Phillips' +p42043 +sa(dp42044 +g25267 +g27 +sg25268 +S'Clock' +p42045 +sg25270 +S'Lawrence Phillips' +p42046 +sa(dp42047 +g25267 +g27 +sg25268 +S'Grandfather Clock' +p42048 +sg25270 +S'Francis Law Durand' +p42049 +sa(dp42050 +g25267 +g27 +sg25268 +S'Clock' +p42051 +sg25270 +S'Nicholas Gorid' +p42052 +sa(dp42053 +g25267 +g27 +sg25268 +S'Clock' +p42054 +sg25270 +S'Artist Information (' +p42055 +sa(dp42056 +g25273 +S'graphite' +p42057 +sg25267 +g27 +sg25275 +S'1765' +p42058 +sg25268 +S"L'age d'or et l'age d'argent ..." +p42059 +sg25270 +S'Charles Eisen' +p42060 +sa(dp42061 +g25267 +g27 +sg25268 +S'Grandfather Clock' +p42062 +sg25270 +S'Giacinto Capelli' +p42063 +sa(dp42064 +g25267 +g27 +sg25268 +S'Shelf Clock' +p42065 +sg25270 +S'M. Rosenshield-von-Paulin' +p42066 +sa(dp42067 +g25267 +g27 +sg25268 +S'Grandfather Clock' +p42068 +sg25270 +S'Walter W. Jennings' +p42069 +sa(dp42070 +g25267 +g27 +sg25268 +S'Grandfather Clock' +p42071 +sg25270 +S'Nicholas Gorid' +p42072 +sa(dp42073 +g25267 +g27 +sg25268 +S'Cradle' +p42074 +sg25270 +S'American 20th Century' +p42075 +sa(dp42076 +g25267 +g27 +sg25268 +S'Cradle' +p42077 +sg25270 +S'Anna Aloisi' +p42078 +sa(dp42079 +g25267 +g27 +sg25268 +S"Doll's Cradle and Quilt" +p42080 +sg25270 +S'Margaret Linsley' +p42081 +sa(dp42082 +g25267 +g27 +sg25268 +S'Day Bed' +p42083 +sg25270 +S'Irene Malawicz' +p42084 +sa(dp42085 +g25267 +g27 +sg25268 +S'Day Bed' +p42086 +sg25270 +S'B. Holst-Grubbe' +p42087 +sa(dp42088 +g25267 +g27 +sg25268 +S'Wooden Table' +p42089 +sg25270 +S'Hal Blakeley' +p42090 +sa(dp42091 +g25273 +S'(artist after)' +p42092 +sg25267 +g27 +sg25275 +S'\n' +p42093 +sg25268 +S"L'age d'or et l'age d'argent ..." +p42094 +sg25270 +S'Artist Information (' +p42095 +sa(dp42096 +g25267 +g27 +sg25268 +S'Table' +p42097 +sg25270 +S'John Garay' +p42098 +sa(dp42099 +g25267 +g27 +sg25268 +S'Shaker Dining Table with Marble Top' +p42100 +sg25270 +S'John W. Kelleher' +p42101 +sa(dp42102 +g25267 +g27 +sg25268 +S'Table' +p42103 +sg25270 +S'Harry Eisman' +p42104 +sa(dp42105 +g25267 +g27 +sg25268 +S'Console Table' +p42106 +sg25270 +S'Ferdinand Cartier' +p42107 +sa(dp42108 +g25267 +g27 +sg25268 +S'Table' +p42109 +sg25270 +S'Frederick Jackson' +p42110 +sa(dp42111 +g25267 +g27 +sg25268 +S'Tavern Table' +p42112 +sg25270 +S'Isadore Goldberg' +p42113 +sa(dp42114 +g25267 +g27 +sg25268 +S'Card Table' +p42115 +sg25270 +S'Florence Choate' +p42116 +sa(dp42117 +g25267 +g27 +sg25268 +S'Sofa' +p42118 +sg25270 +S'Ernest Busenbark' +p42119 +sa(dp42120 +g25267 +g27 +sg25268 +S'Sofa' +p42121 +sg25270 +S'Florence Neal' +p42122 +sa(dp42123 +g25267 +g27 +sg25268 +S'Queen Ann Sofa' +p42124 +sg25270 +S'Florence Neal' +p42125 +sa(dp42126 +g25273 +S'graphite' +p42127 +sg25267 +g27 +sg25275 +S'1765' +p42128 +sg25268 +S"L'age d'arian et l'age de fer ..." +p42129 +sg25270 +S'Charles Eisen' +p42130 +sa(dp42131 +g25267 +g27 +sg25268 +S'Sideboard' +p42132 +sg25270 +S'Harry Eisman' +p42133 +sa(dp42134 +g25267 +g27 +sg25268 +S'Mirror' +p42135 +sg25270 +S'Nicholas Gorid' +p42136 +sa(dp42137 +g25267 +g27 +sg25268 +S'Bench' +p42138 +sg25270 +S'Elizabeth Curtis' +p42139 +sa(dp42140 +g25267 +g27 +sg25268 +S'Bench' +p42141 +sg25270 +S'Elizabeth Curtis' +p42142 +sa(dp42143 +g25267 +g27 +sg25268 +S'Lowboy' +p42144 +sg25270 +S'Isadore Goldberg' +p42145 +sa(dp42146 +g25267 +g27 +sg25268 +S'Lowboy' +p42147 +sg25270 +S'Louis Annino' +p42148 +sa(dp42149 +g25267 +g27 +sg25268 +S'Roll-Top Desk' +p42150 +sg25270 +S'M. Rosenshield-von-Paulin' +p42151 +sa(dp42152 +g25267 +g27 +sg25268 +S'Shaker Desk' +p42153 +sg25270 +S'Alfred H. Smith' +p42154 +sa(dp42155 +g25267 +g27 +sg25268 +S'Cabinet-Top Desk' +p42156 +sg25270 +S'Francis Borelli' +p42157 +sa(dp42158 +g25267 +g27 +sg25268 +S"Child's Desk" +p42159 +sg25270 +S'Mina Lowry' +p42160 +sa(dp42161 +g25273 +S'(artist after)' +p42162 +sg25267 +g27 +sg25275 +S'\n' +p42163 +sg25268 +S"L'age d'arain et l'age de fer" +p42164 +sg25270 +S'Artist Information (' +p42165 +sa(dp42166 +g25267 +g27 +sg25268 +S'Roll-Top Desk' +p42167 +sg25270 +S'George Loughridge' +p42168 +sa(dp42169 +g25267 +g27 +sg25268 +S"Lady's Writing Cabinet" +p42170 +sg25270 +S'Nicholas Gorid' +p42171 +sa(dp42172 +g25267 +g27 +sg25268 +S'American Desk' +p42173 +sg25270 +S'Aaron Dermansky' +p42174 +sa(dp42175 +g25267 +g27 +sg25268 +S'American Desk' +p42176 +sg25270 +S'Aaron Dermansky' +p42177 +sa(dp42178 +g25267 +g27 +sg25268 +S'Table' +p42179 +sg25270 +S'American 20th Century' +p42180 +sa(dp42181 +g25267 +g27 +sg25268 +S'Plan for Rendering' +p42182 +sg25270 +S'American 20th Century' +p42183 +sa(dp42184 +g25267 +g27 +sg25268 +S'Slant-Top Desk' +p42185 +sg25270 +S'Nicholas Gorid' +p42186 +sa(dp42187 +g25267 +g27 +sg25268 +S'Large Mug' +p42188 +sg25270 +S'Mina Lowry' +p42189 +sa(dp42190 +g25267 +g27 +sg25268 +S'Storage Box (Copper)' +p42191 +sg25270 +S'Albert Pratt' +p42192 +sa(dp42193 +g25267 +g27 +sg25268 +S'Utility Box' +p42194 +sg25270 +S'Christabel Scrymser' +p42195 +sa(dp42196 +g25273 +S'graphite' +p42197 +sg25267 +g27 +sg25275 +S'1765' +p42198 +sg25268 +S'Les geants foudroyes par Jupiter ...' +p42199 +sg25270 +S'Charles Eisen' +p42200 +sa(dp42201 +g25267 +g27 +sg25268 +S'Snuff Box' +p42202 +sg25270 +S'Madeline Arnold' +p42203 +sa(dp42204 +g25267 +g27 +sg25268 +S'Box' +p42205 +sg25270 +S'Sylvia De Zon' +p42206 +sa(dp42207 +g25267 +g27 +sg25268 +S'Dough Trough' +p42208 +sg25270 +S'Charles Charon' +p42209 +sa(dp42210 +g25267 +g27 +sg25268 +S'Painted Box' +p42211 +sg25270 +S'Douglas Cox' +p42212 +sa(dp42213 +g25267 +g27 +sg25268 +S'Wood Box' +p42214 +sg25270 +S'Betty Jean Davis' +p42215 +sa(dp42216 +g25267 +g27 +sg25268 +S'Cupboard' +p42217 +sg25270 +S'Edward Jewett' +p42218 +sa(dp42219 +g25267 +g27 +sg25268 +S'Hand Carved Cabinet' +p42220 +sg25270 +S'Ethel Dougan' +p42221 +sa(dp42222 +g25267 +g27 +sg25268 +S'Cabinet' +p42223 +sg25270 +S'Isadore Goldberg' +p42224 +sa(dp42225 +g25267 +g27 +sg25268 +S'Knife and Spoon Box' +p42226 +sg25270 +S'Harry Eisman' +p42227 +sa(dp42228 +g25267 +g27 +sg25268 +S'Cellaret' +p42229 +sg25270 +S'Carl Weiss' +p42230 +sa(dp42231 +g25273 +S'(artist after)' +p42232 +sg25267 +g27 +sg25275 +S'\n' +p42233 +sg25268 +S'Les geants foudroyes par Jupiter ...' +p42234 +sg25270 +S'Artist Information (' +p42235 +sa(dp42236 +g25267 +g27 +sg25268 +S'Plate' +p42237 +sg25270 +S'Charlotte Sperber' +p42238 +sa(dp42239 +g25267 +g27 +sg25268 +S'Crock' +p42240 +sg25270 +S'George Loughridge' +p42241 +sa(dp42242 +g25267 +g27 +sg25268 +S'Wash Bowl and Pitcher' +p42243 +sg25270 +S'Frank Fumagalli' +p42244 +sa(dp42245 +g25267 +g27 +sg25268 +S'Crock' +p42246 +sg25270 +S'John Tarantino' +p42247 +sa(dp42248 +g25267 +g27 +sg25268 +S'Stoneware Jar' +p42249 +sg25270 +S'John Dana' +p42250 +sa(dp42251 +g25267 +g27 +sg25268 +S'Stoneware Jar' +p42252 +sg25270 +S'John Dana' +p42253 +sa(dp42254 +g25267 +g27 +sg25268 +S'Stoneware Crock' +p42255 +sg25270 +S'Anna Aloisi' +p42256 +sa(dp42257 +g25267 +g27 +sg25268 +S'Preserve Jar' +p42258 +sg25270 +S'Yolande Delasser' +p42259 +sa(dp42260 +g25267 +g27 +sg25268 +S'Jar' +p42261 +sg25270 +S'Francis Borelli' +p42262 +sa(dp42263 +g25267 +g27 +sg25268 +S'Small Pot' +p42264 +sg25270 +S'Yolande Delasser' +p42265 +sa(dp42266 +g25273 +S'graphite with brown wash' +p42267 +sg25267 +g27 +sg25275 +S'1765' +p42268 +sg25268 +S"Jupiter fait assembler les dieux, et propose de detruire l'univers" +p42269 +sg25270 +S'Charles Monnet' +p42270 +sa(dp42271 +g25267 +g27 +sg25268 +S'Jar' +p42272 +sg25270 +S'Yolande Delasser' +p42273 +sa(dp42274 +g25267 +g27 +sg25268 +S'Crock' +p42275 +sg25270 +S'Yolande Delasser' +p42276 +sa(dp42277 +g25267 +g27 +sg25268 +S'Crock' +p42278 +sg25270 +S'John Fisk' +p42279 +sa(dp42280 +g25267 +g27 +sg25268 +S'Crock' +p42281 +sg25270 +S'John Tarantino' +p42282 +sa(dp42283 +g25267 +g27 +sg25268 +S'Jar' +p42284 +sg25270 +S'Frank Fumagalli' +p42285 +sa(dp42286 +g25267 +g27 +sg25268 +S'Crock' +p42287 +sg25270 +S'John Tarantino' +p42288 +sa(dp42289 +g25267 +g27 +sg25268 +S'Wooden Noggin' +p42290 +sg25270 +S'Gene Luedke' +p42291 +sa(dp42292 +g25267 +g27 +sg25268 +S'Cup' +p42293 +sg25270 +S'Jessica Price' +p42294 +sa(dp42295 +g25267 +g27 +sg25268 +S'Mustache Cup and Saucer' +p42296 +sg25270 +S'Dana Bartlett' +p42297 +sa(dp42298 +g25267 +g27 +sg25268 +S'Butter Box' +p42299 +sg25270 +S'Harry Grossen' +p42300 +sa(dp42301 +g25273 +S'(artist after)' +p42302 +sg25267 +g27 +sg25275 +S'\n' +p42303 +sg25268 +S"Jupiter fait assembler les dieux, et propose de detruire l'univers" +p42304 +sg25270 +S'Artist Information (' +p42305 +sa(dp42306 +g25267 +g27 +sg25268 +S'Andiron' +p42307 +sg25270 +S'Max Schwartz' +p42308 +sa(dp42309 +g25267 +g27 +sg25268 +S'Andiron' +p42310 +sg25270 +S'Alexander Berth' +p42311 +sa(dp42312 +g25267 +g27 +sg25268 +S'Andiron (One of Pair)' +p42313 +sg25270 +S'Mildred Ford' +p42314 +sa(dp42315 +g25267 +g27 +sg25268 +S'Andiron (One of Pair)' +p42316 +sg25270 +S'Mildred Ford' +p42317 +sa(dp42318 +g25267 +g27 +sg25268 +S'Andiron (One of Pair)' +p42319 +sg25270 +S'Mildred Ford' +p42320 +sa(dp42321 +g25267 +g27 +sg25268 +S'Andirons' +p42322 +sg25270 +S'Hans Korsch' +p42323 +sa(dp42324 +g25267 +g27 +sg25268 +S'Andirons' +p42325 +sg25270 +S'Hans Korsch' +p42326 +sa(dp42327 +g25267 +g27 +sg25268 +S'Andiron' +p42328 +sg25270 +S'Hans Korsch' +p42329 +sa(dp42330 +g25267 +g27 +sg25268 +S'Andiron' +p42331 +sg25270 +S'Hans Korsch' +p42332 +sa(dp42333 +g25267 +g27 +sg25268 +S'Andiron' +p42334 +sg25270 +S'Hans Korsch' +p42335 +sa(dp42336 +g25273 +S'pen and black ink and brush and brown ink with brown wash' +p42337 +sg25267 +g27 +sg25275 +S'published 1767/1771' +p42338 +sg25268 +S"Jupiter pour punir Lycaon Roi d'Arcadie, le Metamorphose en Loup" +p42339 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p42340 +sa(dp42341 +g25267 +g27 +sg25268 +S'Bandbox' +p42342 +sg25270 +S'Joseph Rothenberg' +p42343 +sa(dp42344 +g25267 +g27 +sg25268 +S'Bandbox' +p42345 +sg25270 +S'Paul Farkas' +p42346 +sa(dp42347 +g25267 +g27 +sg25268 +S'Bandbox' +p42348 +sg25270 +S'Arsen Maralian' +p42349 +sa(dp42350 +g25267 +g27 +sg25268 +S'Bandbox' +p42351 +sg25270 +S'Selma Sandler' +p42352 +sa(dp42353 +g25267 +g27 +sg25268 +S'Toilette Box' +p42354 +sg25270 +S'John Cutting' +p42355 +sa(dp42356 +g25267 +g27 +sg25268 +S'Bandbox' +p42357 +sg25270 +S'Joseph Rothenberg' +p42358 +sa(dp42359 +g25267 +g27 +sg25268 +S'Bandbox' +p42360 +sg25270 +S'Jessie M. Youngs' +p42361 +sa(dp42362 +g25267 +g27 +sg25268 +S'Bandbox' +p42363 +sg25270 +S'Gilbert Sackerman' +p42364 +sa(dp42365 +g25267 +g27 +sg25268 +S'Bandbox' +p42366 +sg25270 +S'Lina Manetto' +p42367 +sa(dp42368 +g25267 +g27 +sg25268 +S'Bandbox' +p42369 +sg25270 +S'Lee Hager' +p42370 +sa(dp42371 +g25273 +S'(artist after)' +p42372 +sg25267 +g27 +sg25275 +S'\n' +p42373 +sg25268 +S"Jupiter pour punir Lycaon Roi d'Arcadie, le Metamorphose en Loup" +p42374 +sg25270 +S'Artist Information (' +p42375 +sa(dp42376 +g25267 +g27 +sg25268 +S'Beaded Purse' +p42377 +sg25270 +S'Josephine C. Romano' +p42378 +sa(dp42379 +g25267 +g27 +sg25268 +S'Beaded Purse' +p42380 +sg25270 +S'Ann Gene Buckley' +p42381 +sa(dp42382 +g25267 +g27 +sg25268 +S'Bellows' +p42383 +sg25270 +S'Benjamin Resnick' +p42384 +sa(dp42385 +g25267 +g27 +sg25268 +S'Billethead' +p42386 +sg25270 +S'Hazel Hyde' +p42387 +sa(dp42388 +g25267 +g27 +sg25268 +S'Wooden Birds' +p42389 +sg25270 +S'Alice Domey' +p42390 +sa(dp42391 +g25267 +g27 +sg25268 +S'Bishop Hill: Dowel Cutter' +p42392 +sg25270 +S'H. Langden Brown' +p42393 +sa(dp42394 +g25267 +g27 +sg25268 +S'Parchment Book Cover' +p42395 +sg25270 +S'Edith Towner' +p42396 +sa(dp42397 +g25267 +g27 +sg25268 +S'Parchment Book Cover' +p42398 +sg25270 +S'Robert W.R. Taylor' +p42399 +sa(dp42400 +g25267 +g27 +sg25268 +S"Baby's Shoe" +p42401 +sg25270 +S'Josephine C. Romano' +p42402 +sa(dp42403 +g25267 +g27 +sg25268 +S'Slippers' +p42404 +sg25270 +S'Doris Beer' +p42405 +sa(dp42406 +g25268 +S'The Great Flood' +p42407 +sg25270 +S'Charles Eisen' +p42408 +sg25273 +S'graphite on vellum' +p42409 +sg25275 +S'1765' +p42410 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00061/a00061a2.jpg' +p42411 +sg25267 +g27 +sa(dp42412 +g25267 +g27 +sg25268 +S'Stock' +p42413 +sg25270 +S'Eva Noe' +p42414 +sa(dp42415 +g25267 +g27 +sg25268 +S'Door Knocker' +p42416 +sg25270 +S'Joseph Stonefield' +p42417 +sa(dp42418 +g25267 +g27 +sg25268 +S'Door Knocker' +p42419 +sg25270 +S'Winifred Luten' +p42420 +sa(dp42421 +g25267 +g27 +sg25268 +S'Cigar Store Figure' +p42422 +sg25270 +S'Joseph Goldberg' +p42423 +sa(dp42424 +g25267 +g27 +sg25268 +S'Doorstop (Doll)' +p42425 +sg25270 +S'Rosa Burger' +p42426 +sa(dp42427 +g25267 +g27 +sg25268 +S'Doll: "Florence"' +p42428 +sg25270 +S'Edith Towner' +p42429 +sa(dp42430 +g25267 +g27 +sg25268 +S'Doll: "Carrie"' +p42431 +sg25270 +S'Edith Towner' +p42432 +sa(dp42433 +g25267 +g27 +sg25268 +S'Wax Face Cotton Doll' +p42434 +sg25270 +S'Charles Goodwin' +p42435 +sa(dp42436 +g25267 +g27 +sg25268 +S'Doll' +p42437 +sg25270 +S'Arthur Wolfson' +p42438 +sa(dp42439 +g25267 +g27 +sg25268 +S'Dancing Doll' +p42440 +sg25270 +S'Mina Lowry' +p42441 +sa(dp42442 +g25273 +S'(artist after)' +p42443 +sg25267 +g27 +sg25275 +S'\n' +p42444 +sg25268 +S'Le deluge universel' +p42445 +sg25270 +S'Artist Information (' +p42446 +sa(dp42447 +g25267 +g27 +sg25268 +S'Doll: "Flora Richardson"' +p42448 +sg25270 +S'Edith Towner' +p42449 +sa(dp42450 +g25267 +g27 +sg25268 +S'Doll: "Rachel"' +p42451 +sg25270 +S'Edith Towner' +p42452 +sa(dp42453 +g25267 +g27 +sg25268 +S'Doll: "Rose Bates"' +p42454 +sg25270 +S'Edith Towner' +p42455 +sa(dp42456 +g25267 +g27 +sg25268 +S'Doll: "Lydia Sherman"' +p42457 +sg25270 +S'Edith Towner' +p42458 +sa(dp42459 +g25267 +g27 +sg25268 +S'Doll: "Betsey Paine"' +p42460 +sg25270 +S'Edith Towner' +p42461 +sa(dp42462 +g25267 +g27 +sg25268 +S'Dough Trough' +p42463 +sg25270 +S'Hedwig Emanuel' +p42464 +sa(dp42465 +g25267 +g27 +sg25268 +S"Ship's Sternpiece" +p42466 +sg25270 +S'Cornelius Christoffels' +p42467 +sa(dp42468 +g25267 +g27 +sg25268 +S'Fan' +p42469 +sg25270 +S'Vincent Burzy' +p42470 +sa(dp42471 +g25267 +g27 +sg25268 +S'Figurehead' +p42472 +sg25270 +S'Elizabeth Fairchild' +p42473 +sa(dp42474 +g25267 +g27 +sg25268 +S'Figurehead: Hercules' +p42475 +sg25270 +S'Mina Lowry' +p42476 +sa(dp42477 +g25273 +S'pen and black ink and brush and brown ink with brown wash' +p42478 +sg25267 +g27 +sg25275 +S'published 1767/1771' +p42479 +sg25268 +S'Neptune calme les flots ...' +p42480 +sg25270 +S'Charles Monnet' +p42481 +sa(dp42482 +g25267 +g27 +sg25268 +S'Figurehead: "Andrew Jackson"' +p42483 +sg25270 +S'Elizabeth Fairchild' +p42484 +sa(dp42485 +g25267 +g27 +sg25268 +S'Indian' +p42486 +sg25270 +S'A. Zaidenberg' +p42487 +sa(dp42488 +g25267 +g27 +sg25268 +S'Tongs and Shovel' +p42489 +sg25270 +S'Hans Korsch' +p42490 +sa(dp42491 +g25267 +g27 +sg25268 +S'Tongs and Shovel' +p42492 +sg25270 +S'Hans Korsch' +p42493 +sa(dp42494 +g25267 +g27 +sg25268 +S'Warming Pan' +p42495 +sg25270 +S'Gordon Sanborn' +p42496 +sa(dp42497 +g25267 +g27 +sg25268 +S'Tongs and Shovel' +p42498 +sg25270 +S'Hans Korsch' +p42499 +sa(dp42500 +g25267 +g27 +sg25268 +S'Fireplace Equipment' +p42501 +sg25270 +S'Jack Staloff' +p42502 +sa(dp42503 +g25267 +g27 +sg25268 +S'Shoe Shine Foot Rest' +p42504 +sg25270 +S'Stanley Mazur' +p42505 +sa(dp42506 +g25267 +g27 +sg25268 +S'Pewter Foot Warmer' +p42507 +sg25270 +S'Charles Garjian' +p42508 +sa(dp42509 +g25267 +g27 +sg25268 +S'Feather Wreath Oval Frame' +p42510 +sg25270 +S'Artist Information (' +p42511 +sa(dp42512 +g25273 +S'(artist after)' +p42513 +sg25267 +g27 +sg25275 +S'\n' +p42514 +sg25268 +S'Neptune calme les flots ...' +p42515 +sg25270 +S'Artist Information (' +p42516 +sa(dp42517 +g25267 +g27 +sg25268 +S'Bed' +p42518 +sg25270 +S'Isadore Goldberg' +p42519 +sa(dp42520 +g25267 +g27 +sg25268 +S'Spindle Settee Chest' +p42521 +sg25270 +S'Roberta Elvis' +p42522 +sa(dp42523 +g25267 +g27 +sg25268 +S"Boy's Suit" +p42524 +sg25270 +S'Nancy Crimi' +p42525 +sa(dp42526 +g25267 +g27 +sg25268 +S"Boy's Suit" +p42527 +sg25270 +S'Nancy Crimi' +p42528 +sa(dp42529 +g25267 +g27 +sg25268 +S"Child's Dress" +p42530 +sg25270 +S'George Robin' +p42531 +sa(dp42532 +g25267 +g27 +sg25268 +S"Boy's Suit" +p42533 +sg25270 +S'Nancy Crimi' +p42534 +sa(dp42535 +g25267 +g27 +sg25268 +S"Sugar Merchant's Suit" +p42536 +sg25270 +S'Henry De Wolfe' +p42537 +sa(dp42538 +g25267 +g27 +sg25268 +S"Child's Dress" +p42539 +sg25270 +S'Esther Hansen' +p42540 +sa(dp42541 +g25267 +g27 +sg25268 +S'Coat' +p42542 +sg25270 +S'Margaret Concha' +p42543 +sa(dp42544 +g25267 +g27 +sg25268 +S"Woman's Coat" +p42545 +sg25270 +S'Margaret Concha' +p42546 +sa(dp42547 +g25273 +S'(artist after)' +p42548 +sg25267 +g27 +sg25275 +S'\n' +p42549 +sg25268 +S'Neptune calme les flots ...' +p42550 +sg25270 +S'Artist Information (' +p42551 +sa(dp42552 +g25267 +g27 +sg25268 +S'Pants and Coat' +p42553 +sg25270 +S'Margaret Concha' +p42554 +sa(dp42555 +g25267 +g27 +sg25268 +S'Suit' +p42556 +sg25270 +S'Margaret Concha' +p42557 +sa(dp42558 +g25267 +g27 +sg25268 +S'Coat' +p42559 +sg25270 +S'Roberta Spicer' +p42560 +sa(dp42561 +g25267 +g27 +sg25268 +S"Boys's Dress" +p42562 +sg25270 +S'Esther Hansen' +p42563 +sa(dp42564 +g25267 +g27 +sg25268 +S'Apron' +p42565 +sg25270 +S'Miriam Goldberg' +p42566 +sa(dp42567 +g25267 +g27 +sg25268 +S'Apron' +p42568 +sg25270 +S'Nancy Crimi' +p42569 +sa(dp42570 +g25267 +g27 +sg25268 +S'Apron' +p42571 +sg25270 +S'Mae Szilvasy' +p42572 +sa(dp42573 +g25267 +g27 +sg25268 +S'Handbag' +p42574 +sg25270 +S'Florence Earl' +p42575 +sa(dp42576 +g25267 +g27 +sg25268 +S'Pa. German Jar' +p42577 +sg25270 +S'Aaron Fastovsky' +p42578 +sa(dp42579 +g25267 +g27 +sg25268 +S'Pa. German Plate' +p42580 +sg25270 +S'Eugene Shellady' +p42581 +sa(dp42582 +g25273 +S'pen and black ink and brush and brown ink with brown wash' +p42583 +sg25267 +g27 +sg25275 +S'published 1767/1771' +p42584 +sg25268 +S"Deucalion et Pyrrha repeuplant la terre, suivant l'oracle de Themis" +p42585 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p42586 +sa(dp42587 +g25267 +g27 +sg25268 +S'Hand Painted Wall (Detail)' +p42588 +sg25270 +S'Martin Partyka' +p42589 +sa(dp42590 +g25267 +g27 +sg25268 +S'Jar with Cover' +p42591 +sg25270 +S'Charlotte Angus' +p42592 +sa(dp42593 +g25267 +g27 +sg25268 +S'Pa. German Plate' +p42594 +sg25270 +S'Eugene Shellady' +p42595 +sa(dp42596 +g25267 +g27 +sg25268 +S'Pa. German Pie Plate' +p42597 +sg25270 +S'Elmer G. Anderson' +p42598 +sa(dp42599 +g25267 +S'This sgrafitto jar is dated 1830. As Pennsylvania German potters became more experienced, techniques and styles became bold and assured. The design of curved tulip leaves and petals, scallops, dots, \n and borders is highlighted by touches of green in the glaze.\n ' +p42600 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003c3.jpg' +p42601 +sg25268 +S'Pennsylvania German Covered Jar' +p42602 +sg25270 +S'Henry Moran' +p42603 +sa(dp42604 +g25267 +g27 +sg25268 +S'Jar with Cover' +p42605 +sg25270 +S'Alvin Shiren' +p42606 +sa(dp42607 +g25267 +g27 +sg25268 +S'Jar' +p42608 +sg25270 +S'Charles Caseau' +p42609 +sa(dp42610 +g25267 +g27 +sg25268 +S'Jar' +p42611 +sg25270 +S'Charles Caseau' +p42612 +sa(dp42613 +g25267 +g27 +sg25268 +S'Covered Bowl' +p42614 +sg25270 +S'Jessica Price' +p42615 +sa(dp42616 +g25267 +g27 +sg25268 +S'Jar' +p42617 +sg25270 +S'American 20th Century' +p42618 +sa(dp42619 +g25273 +S'(artist after)' +p42620 +sg25267 +g27 +sg25275 +S'\n' +p42621 +sg25268 +S"Deucalion et Pyrrha repeuplant la terre, suivant l'oracle de Themis" +p42622 +sg25270 +S'Artist Information (' +p42623 +sa(dp42624 +g25267 +g27 +sg25268 +S'Jug' +p42625 +sg25270 +S'Charles Caseau' +p42626 +sa(dp42627 +g25267 +g27 +sg25268 +S'Jar' +p42628 +sg25270 +S'Jean Peszel' +p42629 +sa(dp42630 +g25267 +g27 +sg25268 +S'Cookie Jar with Cover' +p42631 +sg25270 +S'Nicholas Amantea' +p42632 +sa(dp42633 +g25267 +g27 +sg25268 +S'Crock' +p42634 +sg25270 +S'Charles Caseau' +p42635 +sa(dp42636 +g25267 +g27 +sg25268 +S'Jug' +p42637 +sg25270 +S'Nicholas Amantea' +p42638 +sa(dp42639 +g25267 +S'In the early days when every Pennsylvania German family had to farm for its livelihood, pottery was made by farmer-artisans skilled in that craft. Having brought these skills from the homeland, they were able to supplement \n the family income by supplying plates, dishes, and other ceramic articles to neighboring households. Because Pennsylvania earth was rich in red clay, potters produced redware -- pottery that turned a deep brownish red after firing. \n This plate, inscribed, "1793 H R," may have been made by the potter Henry Roudebush. The proudly strutting peacock and stylized flower are typical Pennsylvania German motifs. The plate is decorated by a technique know as sgraffito or "scratching." \n In this process the potter coated the concave surface of the plate with white slip -- a thin white clay. After it dried, the design was scratched into the white slip with a sharp instrument to expose the red clay underneath. \n A transparent glaze was applied and the piece was then fired. Because of their decorative nature, plates of this kind were commonly presented as gifts.\n ' +p42640 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000369.jpg' +p42641 +sg25268 +S'Pennsylvania German Plate' +p42642 +sg25270 +S'Aaron Fastovsky' +p42643 +sa(dp42644 +g25267 +g27 +sg25268 +S'Pa. German Plate' +p42645 +sg25270 +S'Aaron Fastovsky' +p42646 +sa(dp42647 +g25267 +g27 +sg25268 +S'Pa. German Dish' +p42648 +sg25270 +S'Frances Lichten' +p42649 +sa(dp42650 +g25267 +S'Many of the surviving redware pieces are those that were made with special care and intended primarily for decorative purposes. The earliest redware was almost purely utilitarian, but gradually ornamentation emerged as an integral part of the \n potter\'s craft. The Pennsylvania Germans, in particular, were known for their elaborately decorated pottery, as exemplified by this slip-decorated plate. Here the potter has trailed on a design of blue, black, and yellow slips, which contrast vividly \n with the red clay background. Slip designs of this kind were beaten into the moist clay body to smooth and level the surface before firing. The symmetrical design, composed of floral and star motifs, is characteristic of Pennsylvania German art. \n The large, bold forms in the center of the plate are framed by a carefully lettered border in German that says, "Fortune or misfortune is our breakfast every morning, 1796, 18th of August."\n ' +p42651 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003e3.jpg' +p42652 +sg25268 +S'Pennsylvania German Dish' +p42653 +sg25270 +S'Eugene Shellady' +p42654 +sa(dp42655 +g25267 +S'Slip-trailing was another method used by potters to decorate ornamental redware. A more difficult technique than sgraffito, slip-trailed decoration resulted from pouring slip -- a thin, white clay -- from a slip cup through a goose quill. \n This method required great skill in controlling the thin stream of slip to achieve the desired pattern. In decorating this plate, several goose quills were used at once in the slip-trailing process to achieve the concentric lines \n around the border. When the slip dried, it was beaten into the piece so that the decoration became an integral part of the fired dish. The design on this dish, representing the traditional Pennsylvania German tulip, was drawn in white, \n green, and black slip. Dated October 1797, the dish was made by John Leidy when he was sixteen years old. The inscription around the rim reads: "Rather would I single live than the wife the breeches give."\n ' +p42656 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000372.jpg' +p42657 +sg25268 +S'Pennsylvania German Plate' +p42658 +sg25270 +S'Eugene Shellady' +p42659 +sa(dp42660 +g25273 +S'pen and black ink and brush and brown ink with brown wash' +p42661 +sg25267 +g27 +sg25275 +S'published 1767/1771' +p42662 +sg25268 +S'Le serpent python tu\xc3\xa9 \xc3\xa0 coups de fleches par Apollon' +p42663 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p42664 +sa(dp42665 +g25267 +g27 +sg25268 +S'Earthenware Drain Tile' +p42666 +sg25270 +S'Annie B. Johnston' +p42667 +sa(dp42668 +g25267 +g27 +sg25268 +S'Dinner Plate' +p42669 +sg25270 +S'Edith Olney' +p42670 +sa(dp42671 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000366.jpg' +p42672 +sg25268 +S'Carousel Horse' +p42673 +sg25270 +S'George Constantine' +p42674 +sa(dp42675 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003ad.jpg' +p42676 +sg25268 +S'Carousel Reindeer' +p42677 +sg25270 +S'Michael Riccitelli' +p42678 +sa(dp42679 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003aa.jpg' +p42680 +sg25268 +S'Tavern Sign' +p42681 +sg25270 +S'Alfred Parys' +p42682 +sa(dp42683 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003a1.jpg' +p42684 +sg25268 +S'St. Joseph Carving' +p42685 +sg25270 +S'Stanley Mazur' +p42686 +sa(dp42687 +g25267 +S'Shop figures and trade signs are a form of American folk art that is still in use today for ornamental\n purposes. The first shop signs, however, were not only decorative, they were a practical aid to those\n potential customers that could not read. In addition, signs pinpointed the location of a shop before\n the days of house numbers. Early American streets presented a lively picture of activities with signs such\n as barber poles, wooden Indians, gloves, clocks, boots, and spectacles calling attention to services or\n goods offered for sale. Some carvers of shop figures and signs were drawn from among the makers of\n ship decorations. The shift in emphasis was increasingly felt in the late nineteenth century, when\n figurehead carvers were being forced out of business with the demise of the clipper ship era. These\n craftsmen gradually turned to the full-time production of wooden Indians and other signs. The Indian, as\n the first American to cultivate tobacco, became the traditional symbol for cigar stores. The production of\n wooden Indians flourished from about 1840 to the end of the century. In the 1890s, city ordinances\n required that figures be confined to the interiors of shops, and gradually the statues went out of use. This\n woman, or Pocahontas, as female Indian figures were sometimes called, was made by a particularly\n capable artisan. The pose of the statue reflects classical or Egyptian inspiration. The figure is elegantly\n fashioned; the stance seems natural, the costume has been simplified, and the colors are harmonious.\n ' +p42688 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003f5.jpg' +p42689 +sg25268 +S'Cigar Store Indian' +p42690 +sg25270 +S'Henry Tomaszewski' +p42691 +sa(dp42692 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000399.jpg' +p42693 +sg25268 +S'Muse with a Scroll' +p42694 +sg25270 +S'John Matulis' +p42695 +sa(dp42696 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000039a.jpg' +p42697 +sg25268 +S'Circus Wagon Figure' +p42698 +sg25270 +S'John Matulis' +p42699 +sa(dp42700 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000031a.jpg' +p42701 +sg25268 +S'Horse Weather Vane' +p42702 +sg25270 +S'Nicholas Acampora' +p42703 +sa(dp42704 +g25273 +S'(artist after)' +p42705 +sg25267 +g27 +sg25275 +S'\n' +p42706 +sg25268 +S'Le serpent python tue a coups de fleches par Apollon' +p42707 +sg25270 +S'Artist Information (' +p42708 +sa(dp42709 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003ab.jpg' +p42710 +sg25268 +S'Eagle Figurehead' +p42711 +sg25270 +S'F.W. Powell' +p42712 +sa(dp42713 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003a9.jpg' +p42714 +sg25268 +S'Red Lion Inn Sign' +p42715 +sg25270 +S'Martin Partyka' +p42716 +sa(dp42717 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003a2.jpg' +p42718 +sg25268 +S'Circus wagon figure: dancing girl' +p42719 +sg25270 +S'Katharine Merrill' +p42720 +sa(dp42721 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000035f.jpg' +p42722 +sg25268 +S'Carousel horse' +p42723 +sg25270 +S'Mildred E. Bent' +p42724 +sa(dp42725 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a0000464.jpg' +p42726 +sg25268 +S'Carousel Rooster' +p42727 +sg25270 +S'Clayton Clements' +p42728 +sa(dp42729 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000039b.jpg' +p42730 +sg25268 +S'Circus wagon figure: medieval lady' +p42731 +sg25270 +S'John Matulis' +p42732 +sa(dp42733 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000362.jpg' +p42734 +sg25268 +S'Carousel Panthers' +p42735 +sg25270 +S'Dorothy Handy' +p42736 +sa(dp42737 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003ba.jpg' +p42738 +sg25268 +S'Carousel Horse' +p42739 +sg25270 +S'Henry Tomaszewski' +p42740 +sa(dp42741 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003a7.jpg' +p42742 +sg25268 +S'Shop Sign' +p42743 +sg25270 +S'Henry Murphy' +p42744 +sa(dp42745 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000395.jpg' +p42746 +sg25268 +S'Sacred Cod' +p42747 +sg25270 +S'John W. Kelleher' +p42748 +sa(dp42749 +g25273 +S'pen and black ink and brush and brown ink with brown wash' +p42750 +sg25267 +g27 +sg25275 +S'published 1767/1771' +p42751 +sg25268 +S'Daphne poursuivie par Apollon, et changee en Laurier par son Pere' +p42752 +sg25270 +S'Charles Monnet' +p42753 +sa(dp42754 +g25267 +S"The ideal trade sign was completely self-explanatory. This butcher's sign is not only clear in its message,\n but it is well composed and witty in design. It was made between 1830 and 1850 for a slaughterhouse. \n " +p42755 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000035d.jpg' +p42756 +sg25268 +S"Butcher's Shop Sign" +p42757 +sg25270 +S'Laura Bilodeau' +p42758 +sa(dp42759 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000032d.jpg' +p42760 +sg25268 +S'Carousel Dog' +p42761 +sg25270 +S'Dorothy Handy' +p42762 +sa(dp42763 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000365.jpg' +p42764 +sg25268 +S"David Reed's Tavern Sign (verso)" +p42765 +sg25270 +S'Frances Cohen' +p42766 +sa(dp42767 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a0000465.jpg' +p42768 +sg25268 +S"David Reed's Tavern Sign (recto)" +p42769 +sg25270 +S'Frances Cohen' +p42770 +sa(dp42771 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003b6.jpg' +p42772 +sg25268 +S'Hardware Shop Sign' +p42773 +sg25270 +S'Alice Stearns' +p42774 +sa(dp42775 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000322.jpg' +p42776 +sg25268 +S"Tea importer's sign" +p42777 +sg25270 +S'George Constantine' +p42778 +sa(dp42779 +g25267 +S"Certain wooden household articles were related functionally. Weathervanes, designed to adorn\n the roof of a house and to move with the wind, were akin to whirligigs. The latter also functioned\n as toys. Weathervanes, among the first meteorological instruments, have been a part of American\n folk art for more than 300 years. While many were made of metal, a large number were also of wood,\n providing one of the earliest avenues of expression for the woodcarver's art in America. The first\n American weathervanes were probably used on churches and were frequently in the shape of\n roosters -- a reference to Christ's warning that Peter would deny him before the cock crowed\n twice. But flourishing farm life in the nineteenth century prompted the adoption of many diverse\n silhouettes. Running-horse weathervanes were popular. Some were fashioned after Currier and\n Ives prints, but this one is somewhat more unusual. While interesting texture is added through\n the repeated grooves of mane and tail, the artist has concentrated on uninhibited, flowing\n contours. The most important aspect of a weathervane, indeed, was its silhouette, since it would\n be viewed from a distance against the sky. \n " +p42780 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000347.jpg' +p42781 +sg25268 +S'Horse Weather Vane' +p42782 +sg25270 +S'Lloyd Broome' +p42783 +sa(dp42784 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000393.jpg' +p42785 +sg25268 +S'Eagle' +p42786 +sg25270 +S'Jane Iverson' +p42787 +sa(dp42788 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000039c.jpg' +p42789 +sg25268 +S'Inn Sign: "J. Carter" (verso)' +p42790 +sg25270 +S'John Matulis' +p42791 +sa(dp42792 +g25267 +S'Not all shop signs were human figures. Many, like this shoe, simply exhibited a sample of the goods for\n sale within. This is a more direct method of advertising. This carving of a shoe is a fine piece of craftsmanship, with\n graceful lines and precise details. The grain and character of the wood are shown to good advantage.\n ' +p42793 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000340.jpg' +p42794 +sg25268 +S'Shop Sign' +p42795 +sg25270 +S'Robert Pohle' +p42796 +sa(dp42797 +g25273 +S'Widener Collection' +p42798 +sg25267 +g27 +sg25275 +S'\nbound volume with 17 drawings and 18 prints by various artists for the 1767-1771 ed. of "Les Metamorphoses d\' Ovide"' +p42799 +sg25268 +S'Album of Preliminary Drawings and Prints for "Les Metamorphoses d\'Ovide" (volume 2)' +p42800 +sg25270 +S'Various Artists' +p42801 +sa(dp42802 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003bb.jpg' +p42803 +sg25268 +S'Barber Pole' +p42804 +sg25270 +S'Vera Van Voris' +p42805 +sa(dp42806 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003b4.jpg' +p42807 +sg25268 +S'Fish Woodcarving' +p42808 +sg25270 +S'Ingrid Selmer-Larsen' +p42809 +sa(dp42810 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000039d.jpg' +p42811 +sg25268 +S'Inn Sign: "J. Carter" (recto)' +p42812 +sg25270 +S'John Matulis' +p42813 +sa(dp42814 +g25267 +S'This ballet girl, a rather plump blonde with luxuriantly disheveled hair, was an ornament for the\n calliope, or steam organ. Carved around 1895, it is typical of the figures of dancers and\n musicians favored as suitable subjects for calliopes.\n ' +p42815 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000343.jpg' +p42816 +sg25268 +S'Carousel Calliope Figure' +p42817 +sg25270 +S'Robert Pohle' +p42818 +sa(dp42819 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003a3.jpg' +p42820 +sg25268 +S'Wooden Weather Vane' +p42821 +sg25270 +S'Zabelle Missirian' +p42822 +sa(dp42823 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000324.jpg' +p42824 +sg25268 +S'Cigar Store Indian' +p42825 +sg25270 +S'Eugene Croe' +p42826 +sa(dp42827 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003ac.jpg' +p42828 +sg25268 +S'Tavern Sign' +p42829 +sg25270 +S'E.J. Reynolds' +p42830 +sa(dp42831 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000321.jpg' +p42832 +sg25268 +S'Shop Sign' +p42833 +sg25270 +S'Frances Cohen' +p42834 +sa(dp42835 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003ae.jpg' +p42836 +sg25268 +S'Rooster Weather Vane' +p42837 +sg25270 +S'Michael Riccitelli' +p42838 +sa(dp42839 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000396.jpg' +p42840 +sg25268 +S"Tea Importer's Sign" +p42841 +sg25270 +S'Artist Information (' +p42842 +sa(dp42843 +g25273 +S'(artist after)' +p42844 +sg25267 +g27 +sg25275 +S'\n' +p42845 +sg25268 +S'Daphne poursuivie par Apollon, et changee en Laurier par son Pere' +p42846 +sg25270 +S'Artist Information (' +p42847 +sa(dp42848 +g25267 +g27 +sg25268 +S'Carousel Dog' +p42849 +sg25270 +S'Robert Pohle' +p42850 +sa(dp42851 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000329.jpg' +p42852 +sg25268 +S'Tavern sign' +p42853 +sg25270 +S'Harriette Gale' +p42854 +sa(dp42855 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000032e.jpg' +p42856 +sg25268 +S'Taniscot Engine House Sign' +p42857 +sg25270 +S'Edbury Hatch' +p42858 +sa(dp42859 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000327.jpg' +p42860 +sg25268 +S'Circus Wagon Figure' +p42861 +sg25270 +S'Lawrence Flynn' +p42862 +sa(dp42863 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000031b.jpg' +p42864 +sg25268 +S'Sternpiece from "Shanunga"' +p42865 +sg25270 +S'Mildred E. Bent' +p42866 +sa(dp42867 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000325.jpg' +p42868 +sg25268 +S'Peacock Stern Carving' +p42869 +sg25270 +S'John Davis' +p42870 +sa(dp42871 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000031d.jpg' +p42872 +sg25268 +S'George Washington' +p42873 +sg25270 +S'Laura Bilodeau' +p42874 +sa(dp42875 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000031f.jpg' +p42876 +sg25268 +S'Serpent Weather Vane' +p42877 +sg25270 +S'Lloyd Broome' +p42878 +sa(dp42879 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000394.jpg' +p42880 +sg25268 +S'Dragon Weather Vane' +p42881 +sg25270 +S'Dorothy Hay Jensen' +p42882 +sa(dp42883 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003a4.jpg' +p42884 +sg25268 +S'Figurehead from the Sloop "Postmaster"' +p42885 +sg25270 +S'Elizabeth Moutal' +p42886 +sa(dp42887 +g25268 +S"Jupiter couvre la Terre de Nuages pour jouir d'Io" +p42888 +sg25270 +S'Charles Monnet' +p42889 +sg25273 +S'pen and black ink and brush and brown ink with brown wash over graphite' +p42890 +sg25275 +S'published 1767/1771' +p42891 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00061/a00061a0.jpg' +p42892 +sg25267 +g27 +sa(dp42893 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000031c.jpg' +p42894 +sg25268 +S'Wooden Rooster' +p42895 +sg25270 +S'Sadie Berman' +p42896 +sa(dp42897 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000031e.jpg' +p42898 +sg25268 +S'Knife and Fork Holder' +p42899 +sg25270 +S'Wellington Blewett' +p42900 +sa(dp42901 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000032a.jpg' +p42902 +sg25268 +S'Carved Box' +p42903 +sg25270 +S'Charles Garjian' +p42904 +sa(dp42905 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000323.jpg' +p42906 +sg25268 +S"Tradesman's Sign" +p42907 +sg25270 +S'George Constantine' +p42908 +sa(dp42909 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003b8.jpg' +p42910 +sg25268 +S'Decorated Box' +p42911 +sg25270 +S'Carl Strehlau' +p42912 +sa(dp42913 +g25267 +S"The billethead, in use for centuries, was common in America between 1830 and 1880. An alternative to the figurehead, it was a less elaborate and costly decoration for a ship's bow. Despite its smaller size and lack of a nameable subject, carvers often lavished it with considerable attention. The liveliness of this example with its lush foliate design and crisp carving bespeaks an experienced and talented craftsman. At one time painted (the Index data sheet describes minute traces of black and salmon), its cracked and weather-beaten surface is evidence of its age and history. According to the records of the Peabody Essex Museum in Salem, Massachusetts, in whose collection the object has been since 1905, this billethead once decorated the ship \n " +p42914 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003f3.jpg' +p42915 +sg25268 +S'Billethead from Ship "Favorite"' +p42916 +sg25270 +S'Hazel Hyde' +p42917 +sa(dp42918 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000032b.jpg' +p42919 +sg25268 +S'The Windham Bacchus' +p42920 +sg25270 +S'Alvin M. Gully' +p42921 +sa(dp42922 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003bc.jpg' +p42923 +sg25268 +S'Oxen Yoke' +p42924 +sg25270 +S'Henry Waldeck' +p42925 +sa(dp42926 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003a5.jpg' +p42927 +sg25268 +S'Figurehead from Schooner "Packet"' +p42928 +sg25270 +S'Elizabeth Moutal' +p42929 +sa(dp42930 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000326.jpg' +p42931 +sg25268 +S'Rabbet Plane' +p42932 +sg25270 +S'Samuel Faigin' +p42933 +sa(dp42934 +g25273 +S'(artist after)' +p42935 +sg25267 +g27 +sg25275 +S'\n' +p42936 +sg25268 +S"Jupiter couvre la Terre de Nuages pour jouir d'Io" +p42937 +sg25270 +S'Artist Information (' +p42938 +sa(dp42939 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003a8.jpg' +p42940 +sg25268 +S"Ship's Figurehead" +p42941 +sg25270 +S'Marian Page' +p42942 +sa(dp42943 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003b3.jpg' +p42944 +sg25268 +S'Utility Box' +p42945 +sg25270 +S'Christabel Scrymser' +p42946 +sa(dp42947 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000361.jpg' +p42948 +sg25268 +S"Tradesman's Sign" +p42949 +sg25270 +S'Beatrice DeKalb' +p42950 +sa(dp42951 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003b0.jpg' +p42952 +sg25268 +S'Dough Trough' +p42953 +sg25270 +S'M. Rosenshield-von-Paulin' +p42954 +sa(dp42955 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000392.jpg' +p42956 +sg25268 +S'Stern Board from Ship "John Penrose"' +p42957 +sg25270 +S'Mary E. Humes' +p42958 +sa(dp42959 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000320.jpg' +p42960 +sg25268 +S"Ship's Billethead" +p42961 +sg25270 +S'Lucille Chabot' +p42962 +sa(dp42963 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003b7.jpg' +p42964 +sg25268 +S'Tavern Sign' +p42965 +sg25270 +S'Alice Stearns' +p42966 +sa(dp42967 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000039e.jpg' +p42968 +sg25268 +S"J. Alderman's Tavern Sign" +p42969 +sg25270 +S'John Matulis' +p42970 +sa(dp42971 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000328.jpg' +p42972 +sg25268 +S'Billethead' +p42973 +sg25270 +S'Betty Fuerst' +p42974 +sa(dp42975 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000398.jpg' +p42976 +sg25268 +S'Cigar Store Indian' +p42977 +sg25270 +S'Georgine E. Mason' +p42978 +sa(dp42979 +g25273 +S', 1766' +p42980 +sg25267 +g27 +sg25275 +S'\n' +p42981 +sg25268 +S'Jupiter change Io en Vache pour la d\xc3\xa9rober a jalousie de Junon' +p42982 +sg25270 +S'Jean-Michel Moreau the Younger' +p42983 +sa(dp42984 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000360.jpg' +p42985 +sg25268 +S"Shoemaker's Bench" +p42986 +sg25270 +S'Pearl Davis' +p42987 +sa(dp42988 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00054/a0005451.jpg' +p42989 +sg25268 +S'Eagle from Paddle Wheel Cover of "Island Home"' +p42990 +sg25270 +S'Alfred H. Smith' +p42991 +sa(dp42992 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000397.jpg' +p42993 +sg25268 +S'Cigar Store Figure: Punch' +p42994 +sg25270 +S'Elmer R. Kottcamp' +p42995 +sa(dp42996 +g25267 +S'The traveling circus received its start in America in 1824, when John Robinson took three wagons, five horses, and a tent across the Allegheny mountains. It was not long before the American circus became the "Greatest Show on Earth," bringing excitement to many towns, small and large, across the country. Circuses were transported by means of wagons, which became glamorous showpieces in themselves. The wagon builders employed woodcarvers to decorate the exteriors with figures and scrollwork. The result added to the impressive effect of a traveling company. Few circus carvings remain, however; not only were the wooden figures perishable, but they were not taken seriously in their own time and usually were not considered worthy of preservation. This circus wagon, of about 1875, is named "United States." Elaborately gilded and carved, it appropriately displays the Goddess of Liberty flanked by Indian maidens as symbols of our country. \n ' +p42997 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000341.jpg' +p42998 +sg25268 +S'Circus Wagon' +p42999 +sg25270 +S'Frank M. Keane' +p43000 +sa(dp43001 +g25267 +S'Wood carving and whittling were favorite pastimes of men and boys in early America, and particularly in the Pennsylvania German region where wood was abundant. With only a small knife and a block of wood, amateur carvers created a variety of useful \n and decorative items for the home. This carved group of "Adam and Eve in the Garden of Eden" was done by Wilhelm Schimmel. An itinerant carver of the mid-nineteenth century, he wandered throughout the southeastern counties of Pennsylvania exchanging \n his whittled animals and toys for a meal or a glass of rum. This unusual carving may have been a "Sunday toy" -- a toy with which children could play on Sundays when boisterous activity was not permitted. Schimmel carved each of the pieces in this \n group separately, then combined them and finished the work with oil color. While technically crude, Schimmel\'s carvings are treasured for their lively portrayal of his subjects.\n ' +p43002 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000371.jpg' +p43003 +sg25268 +S'Adam and Eve' +p43004 +sg25270 +S'Yolande Delasser' +p43005 +sa(dp43006 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000038f.jpg' +p43007 +sg25268 +S'Desk Box' +p43008 +sg25270 +S'Henry Granet' +p43009 +sa(dp43010 +g25267 +S'An architectural arrangement was not always painted onto dower chests but was sometimes built in. This chest is constructed with three recessed panels divided by brown and ivory-colored pilasters. Red and green flowers and stars on an ivory ground \n provide the decorative motifs. Made in the late eighteenth century, this chest is set on onion feet. It is inscribed with the name of the original owner, "Christina Ernstin."\n ' +p43011 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000036f.jpg' +p43012 +sg25268 +S'Dower Chest' +p43013 +sg25270 +S'Carl Strehlau' +p43014 +sa(dp43015 +g25267 +S'Pennsylvania German furniture is heavy and ornate, much like traditional German peasant styles. Because the Pennsylvania forests supplied an abundance of wood, there was never a shortage of materials. Furniture, like this kitchen cupboard, was often \n made for the dowry of a son or daughter. If the farmer was a skilled cabinetmaker he would make the piece himself, leaving the decoration to an itinerant journeyman. Decoration of furniture was done both freehand and by stenciling. This cupboard was \n made for Rebecca Braun in 1828. The bright red paint contrasts with the ivory-colored window frames and green trim. The circular geometrical shapes are similar to decorations often found on Pennsylvania German barns. The angels on the door panels were \n traced from designs on birth certificates of that time. Cupboards were used not only for storage of household utensils, but to display ornamental pottery and toleware as well.\n ' +p43016 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003b2.jpg' +p43017 +sg25268 +S'Painted Cabinet' +p43018 +sg25270 +S'Carl Strehlau' +p43019 +sa(dp43020 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000391.jpg' +p43021 +sg25268 +S'Chest of Drawers' +p43022 +sg25270 +S'Charles Henning' +p43023 +sa(dp43024 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003b9.jpg' +p43025 +sg25268 +S'Trunk' +p43026 +sg25270 +S'John Thorsen' +p43027 +sa(dp43028 +g25268 +S'Cupids Disarming Sleeping Nymphs' +p43029 +sg25270 +S'Giuseppe Maria Crespi' +p43030 +sg25273 +S'oil on copper' +p43031 +sg25275 +S'c. 1690/1705' +p43032 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a0000603.jpg' +p43033 +sg25267 +g27 +sa(dp43034 +g25273 +S'(artist after)' +p43035 +sg25267 +g27 +sg25275 +S'\n' +p43036 +sg25268 +S'Jupiter change Io en Vache pour la d\xc3\xa9rober \xc3\xa0 la jalousie de Junon' +p43037 +sg25270 +S'Artist Information (' +p43038 +sa(dp43039 +g25267 +S'Dishes made by Pennsylvania German potters came in a variety of sizes and shapes. This oval one with scalloped edges was elaborately decorated by the sgraffito technique. Notice the bold floral design that contrasts with \n the light strokes of lettering that form a delicate border. Splashes of green worked into the glaze heighten the color of the red clay that is exposed. The dish was made by Samuel Troxel. The inscription reads: "From clay and many skills, \n the potter fashions what he will, July the 19th 1823."\n ' +p43040 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003c1.jpg' +p43041 +sg25268 +S'Pennsylvania German Dish' +p43042 +sg25270 +S'Albert Levone' +p43043 +sa(dp43044 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003b1.jpg' +p43045 +sg25268 +S'Carousel Horse' +p43046 +sg25270 +S'Albert Ryder' +p43047 +sa(dp43048 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a0000466.jpg' +p43049 +sg25268 +S'Circus Wagon Figure: Pan' +p43050 +sg25270 +S'John Collins' +p43051 +sa(dp43052 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003a6.jpg' +p43053 +sg25268 +S'Figurehead' +p43054 +sg25270 +S'Elizabeth Moutal' +p43055 +sa(dp43056 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000032c.jpg' +p43057 +sg25268 +S'Cigar Store Indian' +p43058 +sg25270 +S'Emil Hagen' +p43059 +sa(dp43060 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000390.jpg' +p43061 +sg25268 +S"Ship Carver's Sign" +p43062 +sg25270 +S'Dorothy Hay Jensen' +p43063 +sa(dp43064 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003af.jpg' +p43065 +sg25268 +S'Carousel Dog' +p43066 +sg25270 +S'Michael Riccitelli' +p43067 +sa(dp43068 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000033f.jpg' +p43069 +sg25268 +S'Carousel Horse' +p43070 +sg25270 +S'John W. Kelleher' +p43071 +sa(dp43072 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000039f.jpg' +p43073 +sg25268 +S"R. Angell's Tavern Sign" +p43074 +sg25270 +S'John Matulis' +p43075 +sa(dp43076 +g25267 +S'Wilhelm Schimmel was a Pennsylvania carver well known for his eagles, parrots,\n and roosters. An example of his work is this small, perky rooster. Though just ten inches high, it\n has an air of monumentality. Schimmel, born in Germany, immigrated to the United States\n shortly after the Civil War. He was an itinerant worker who wandered the Pennsylvania\n countryside making carvings to earn his keep. His only tools were a jackknife, bits of glass to\n smooth away the knife marks, and a few paint brushes. He died in a almshouse, but today his\n carvings are famous. \n ' +p43077 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000034f.jpg' +p43078 +sg25268 +S'Rooster Woodcarving' +p43079 +sg25270 +S'Marian Page' +p43080 +sa(dp43081 +g25273 +S'pen and black ink and brush and brown ink with brown wash' +p43082 +sg25267 +g27 +sg25275 +S'published 1767/1771' +p43083 +sg25268 +S'Syrinx, fille du Fleuve Ladon, est poursuivie par Pan, et changee en Roseaux' +p43084 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p43085 +sa(dp43086 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003a0.jpg' +p43087 +sg25268 +S"William Gordon's Tavern Sign" +p43088 +sg25270 +S'John Matulis' +p43089 +sa(dp43090 +g25267 +g27 +sg25268 +S'Rifle Patchbox' +p43091 +sg25270 +S'Albert Levone' +p43092 +sa(dp43093 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000038e.jpg' +p43094 +sg25268 +S'Figurehead' +p43095 +sg25270 +S'Joseph Goldberg' +p43096 +sa(dp43097 +g25267 +g27 +sg25268 +S"Child's Side Saddle" +p43098 +sg25270 +S'Rose Campbell-Gerke' +p43099 +sa(dp43100 +g25267 +g27 +sg25268 +S'Chalkware Rooster' +p43101 +sg25270 +S'Betty Fuerst' +p43102 +sa(dp43103 +g25267 +g27 +sg25268 +S'Toy Train' +p43104 +sg25270 +S'Robert Clark' +p43105 +sa(dp43106 +g25267 +S'Baskets of the California Indians have been considered the finest of their type ever made. This one was made in 1822 at the Mission of Buenaventura. An inscription woven into the border reads:\r\n "Made by Anna Maria Marta, Neophyte of the Mission of the Serafic Doctor, Saint Bonaventura." The central panel shows the coat of arms of Spain: a crown above the castles of Castile and the lions of Leon. The representation of the coat of arms is so simplified that it is barely recognizable, partly because the technique of weaving tends to give a geometric character to any design.\r\n The basket is made in the usual Indian fashion: coils of a tall, thin grass were covered with rush and sewn together.\n ' +p43107 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003de.jpg' +p43108 +sg25268 +S'Indian Basket' +p43109 +sg25270 +S'Gordena Jackson' +p43110 +sa(dp43111 +g25267 +g27 +sg25268 +S'Metal Toy: Trick Pony Bell Ringer' +p43112 +sg25270 +S'Charles Henning' +p43113 +sa(dp43114 +g25267 +g27 +sg25268 +S'Toy Spinning Wheel' +p43115 +sg25270 +S'Walter Praefke' +p43116 +sa(dp43117 +g25267 +g27 +sg25268 +S'Figurehead: "Marie-Antoinette"' +p43118 +sg25270 +S'Mildred E. Bent' +p43119 +sa(dp43120 +g25273 +S'(artist after)' +p43121 +sg25267 +g27 +sg25275 +S'\n' +p43122 +sg25268 +S'Syrinx, fille du Fleuve Ladon, est poursuvie par Pan, et changee en Roseaux' +p43123 +sg25270 +S'Artist Information (' +p43124 +sa(dp43125 +g25267 +g27 +sg25268 +S'Figurehead' +p43126 +sg25270 +S'Helen E. Gilman' +p43127 +sa(dp43128 +g25267 +g27 +sg25268 +S'Figurehead' +p43129 +sg25270 +S'John W. Kelleher' +p43130 +sa(dp43131 +g25267 +g27 +sg25268 +S'Figurehead: "Janus"' +p43132 +sg25270 +S'Ingrid Selmer-Larsen' +p43133 +sa(dp43134 +g25267 +g27 +sg25268 +S'Figurehead: "Quaker"' +p43135 +sg25270 +S'Elizabeth Moutal' +p43136 +sa(dp43137 +g25267 +g27 +sg25268 +S'Figurehead' +p43138 +sg25270 +S'Alfred Denghausen' +p43139 +sa(dp43140 +g25267 +g27 +sg25268 +S'Figurehead' +p43141 +sg25270 +S'George Constantine' +p43142 +sa(dp43143 +g25267 +g27 +sg25268 +S'Figurehead from "Julia Lawrence"' +p43144 +sg25270 +S'Rosamond P. Gray' +p43145 +sa(dp43146 +g25267 +g27 +sg25268 +S'Figurehead' +p43147 +sg25270 +S'John Davis' +p43148 +sa(dp43149 +g25267 +g27 +sg25268 +S'Figurehead' +p43150 +sg25270 +S'Ingrid Selmer-Larsen' +p43151 +sa(dp43152 +g25267 +g27 +sg25268 +S'Figurehead' +p43153 +sg25270 +S'Rosamond P. Gray' +p43154 +sa(dp43155 +g25273 +S'graphite' +p43156 +sg25267 +g27 +sg25275 +S'1765' +p43157 +sg25268 +S"Argus gardien d'Io est endormi par Mercure, qui lui tranche la Tete" +p43158 +sg25270 +S'Charles Eisen' +p43159 +sa(dp43160 +g25267 +g27 +sg25268 +S'Figurehead' +p43161 +sg25270 +S'Lucille Chabot' +p43162 +sa(dp43163 +g25267 +g27 +sg25268 +S'Pine Bust of Washington' +p43164 +sg25270 +S'Lucille Chabot' +p43165 +sa(dp43166 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003c9.jpg' +p43167 +sg25268 +S"Carved Figure (Possibly a Tailor's Shop Sign)" +p43168 +sg25270 +S'Frank McEntee' +p43169 +sa(dp43170 +g25267 +S'Before the Civil War, most American dolls were made at home, and the practice \n continued much later, in many cases. This rag doll, one of the most popular doll \n types, is a charming product of home manufacture during the 1880s. Named "Mollie \n Bentley," this doll was the work of a girl by the same name who lived in Lancaster \n County, Pennsylvania. The doll\'s body and dress were made of various scraps of \n materials found about the house. "Mollie\'s" clothing includes two types of cotton \n fabric popular in the nineteenth century: calico, a name derived from Calicut, \n India, where cotton textiles were first printed; and gingham, whose name is of \n either Malayan or French origin, a fabric that had been used from the early days \n of the colonies.\n ' +p43171 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000030b.jpg' +p43172 +sg25268 +S'Doll: "Mollie Bentley"' +p43173 +sg25270 +S'Artist Information (' +p43174 +sa(dp43175 +g25267 +g27 +sg25268 +S'Side Saddle' +p43176 +sg25270 +S'Frank C. Barks' +p43177 +sa(dp43178 +g25267 +g27 +sg25268 +S'Spur' +p43179 +sg25270 +S'Raymond E. Noble' +p43180 +sa(dp43181 +g25267 +g27 +sg25268 +S'Spur' +p43182 +sg25270 +S'Gerald Transpota' +p43183 +sa(dp43184 +g25267 +g27 +sg25268 +S'Spur' +p43185 +sg25270 +S'William Kieckhofel' +p43186 +sa(dp43187 +g25273 +S'watercolor, graphite, pen and ink, and gouache on paper' +p43188 +sg25267 +g27 +sg25275 +S'1946' +p43189 +sg25268 +S'"California Mission Style" Interior' +p43190 +sg25270 +S'Perkins Harnly' +p43191 +sa(dp43192 +g25267 +g27 +sg25268 +S'Painted Chest' +p43193 +sg25270 +S'E. Boyd' +p43194 +sa(dp43195 +g25273 +S'(artist after)' +p43196 +sg25267 +g27 +sg25275 +S'\n' +p43197 +sg25268 +S"Argus gardien d'Io est endormi par Mercure, qui lui tranche la tete" +p43198 +sg25270 +S'Artist Information (' +p43199 +sa(dp43200 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a0005530.jpg' +p43201 +sg25268 +S'Civil War Drum' +p43202 +sg25270 +S'Wayne White' +p43203 +sa(dp43204 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00063/a0006388.jpg' +p43205 +sg25268 +S'Eagle Sternpiece' +p43206 +sg25270 +S'Alfred H. Smith' +p43207 +sa(dp43208 +g25267 +g27 +sg25268 +S'Wooden Jointed Doll' +p43209 +sg25270 +S'Jane Iverson' +p43210 +sa(dp43211 +g25267 +g27 +sg25268 +S'Potato Masher' +p43212 +sg25270 +S'Luther D. Wenrich' +p43213 +sa(dp43214 +g25267 +g27 +sg25268 +S'Lard Oil Lamp' +p43215 +sg25270 +S'Franklyn Syres' +p43216 +sa(dp43217 +g25267 +g27 +sg25268 +S'Roasting Stand with Drip Pan' +p43218 +sg25270 +S'Roy Weber' +p43219 +sa(dp43220 +g25267 +g27 +sg25268 +S'Whirligig' +p43221 +sg25270 +S'Luther D. Wenrich' +p43222 +sa(dp43223 +g25267 +g27 +sg25268 +S'William Penn Carving' +p43224 +sg25270 +S'Frances Lichten' +p43225 +sa(dp43226 +g25267 +g27 +sg25268 +S'Pa. German Music Box' +p43227 +sg25270 +S'Charlotte Angus' +p43228 +sa(dp43229 +g25267 +g27 +sg25268 +S'Andirons' +p43230 +sg25270 +S'Henry Meyers' +p43231 +sa(dp43232 +g25273 +S'pen and black ink and brush and brown ink with brown wash over graphite' +p43233 +sg25267 +g27 +sg25275 +S'published 1767/1771' +p43234 +sg25268 +S"Jupiter prie Junon de changer le sort d'Io" +p43235 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p43236 +sa(dp43237 +g25267 +g27 +sg25268 +S'Andiron' +p43238 +sg25270 +S'Jacob Lipkin' +p43239 +sa(dp43240 +g25267 +g27 +sg25268 +S'Andiron' +p43241 +sg25270 +S'Jack Staloff' +p43242 +sa(dp43243 +g25267 +g27 +sg25268 +S'Fire Dogs' +p43244 +sg25270 +S'Rex F. Bush' +p43245 +sa(dp43246 +g25267 +g27 +sg25268 +S'Large Andiron' +p43247 +sg25270 +S'Artist Information (' +p43248 +sa(dp43249 +g25267 +g27 +sg25268 +S'Andiron' +p43250 +sg25270 +S'Salvatore Borrazzo' +p43251 +sa(dp43252 +g25267 +g27 +sg25268 +S'Andirons' +p43253 +sg25270 +S'Dana Bartlett' +p43254 +sa(dp43255 +g25267 +g27 +sg25268 +S'Andirons' +p43256 +sg25270 +S'Ray Price' +p43257 +sa(dp43258 +g25267 +g27 +sg25268 +S'Brass Andirons' +p43259 +sg25270 +S'Robert Clark' +p43260 +sa(dp43261 +g25267 +g27 +sg25268 +S'Newspaper Brand Announcements' +p43262 +sg25270 +S'Elizabeth Johnson' +p43263 +sa(dp43264 +g25267 +g27 +sg25268 +S'Adze' +p43265 +sg25270 +S'Lloyd Charles Lemcke' +p43266 +sa(dp43267 +g25273 +S'(artist after)' +p43268 +sg25267 +g27 +sg25275 +S'\n' +p43269 +sg25268 +S"Jupiter prie Junon de changer le sort d'Io" +p43270 +sg25270 +S'Artist Information (' +p43271 +sa(dp43272 +g25267 +g27 +sg25268 +S'Coopers Adz' +p43273 +sg25270 +S'Francis Jennings' +p43274 +sa(dp43275 +g25267 +g27 +sg25268 +S'Hand Forged Adze' +p43276 +sg25270 +S'Donald Streeter' +p43277 +sa(dp43278 +g25267 +g27 +sg25268 +S'Altar Rail Gate' +p43279 +sg25270 +S'Manuel G. Runyan' +p43280 +sa(dp43281 +g25267 +g27 +sg25268 +S'Chinese Altar Tray' +p43282 +sg25270 +S'Vera Van Voris' +p43283 +sa(dp43284 +g25267 +g27 +sg25268 +S'Butter Box' +p43285 +sg25270 +S'William Spiecker' +p43286 +sa(dp43287 +g25267 +g27 +sg25268 +S'Round Top Table' +p43288 +sg25270 +S'Violet Hartenstein' +p43289 +sa(dp43290 +g25267 +g27 +sg25268 +S"Baker's Mixing Spoon" +p43291 +sg25270 +S'Paul Poffinbarger' +p43292 +sa(dp43293 +g25267 +g27 +sg25268 +S"Baker's Cabinet" +p43294 +sg25270 +S'American 20th Century' +p43295 +sa(dp43296 +g25267 +g27 +sg25268 +S'Footstool' +p43297 +sg25270 +S'Frank Eiseman' +p43298 +sa(dp43299 +g25267 +g27 +sg25268 +S'Dough Trough Bench' +p43300 +sg25270 +S'LeRoy Griffith' +p43301 +sa(dp43302 +g25268 +S'Phaeton au Palais du Soleil ...' +p43303 +sg25270 +S'Jean-Michel Moreau the Younger' +p43304 +sg25273 +S', 1766' +p43305 +sg25275 +S'\n' +p43306 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00061/a00061a1.jpg' +p43307 +sg25267 +g27 +sa(dp43308 +g25267 +g27 +sg25268 +S'Clothes Pin Basket' +p43309 +sg25270 +S'Herndon Hightower' +p43310 +sa(dp43311 +g25267 +g27 +sg25268 +S'Weather Vane' +p43312 +sg25270 +S'Frank Eiseman' +p43313 +sa(dp43314 +g25267 +g27 +sg25268 +S'Footstool Top' +p43315 +sg25270 +S'E.J. Reynolds' +p43316 +sa(dp43317 +g25267 +g27 +sg25268 +S"Baker's Table" +p43318 +sg25270 +S'Earl Butlin' +p43319 +sa(dp43320 +g25267 +g27 +sg25268 +S'Rocking Chair (Square Back)' +p43321 +sg25270 +S'Robert Gilson' +p43322 +sa(dp43323 +g25267 +g27 +sg25268 +S'Clock Reel' +p43324 +sg25270 +S'Frank Eiseman' +p43325 +sa(dp43326 +g25267 +g27 +sg25268 +S'Sewing Screw' +p43327 +sg25270 +S'Frank Eiseman' +p43328 +sa(dp43329 +g25267 +g27 +sg25268 +S'Ammunition Bag' +p43330 +sg25270 +S'Ethel Dougan' +p43331 +sa(dp43332 +g25267 +g27 +sg25268 +S'Anchor Link' +p43333 +sg25270 +S'Samuel Faigin' +p43334 +sa(dp43335 +g25267 +g27 +sg25268 +S'Anchor Trip Hook' +p43336 +sg25270 +S'William Frank' +p43337 +sa(dp43338 +g25273 +S'(artist after)' +p43339 +sg25267 +g27 +sg25275 +S'\n' +p43340 +sg25268 +S'Pha\xc3\xa9ton au Palais du Soleil, demande \xc3\xa0 son P\xc3\xa8re de conduire son Char pendant un jour' +p43341 +sg25270 +S'Artist Information (' +p43342 +sa(dp43343 +g25267 +g27 +sg25268 +S'Brass Andiron' +p43344 +sg25270 +S'Henry Meyers' +p43345 +sa(dp43346 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43347 +sg25270 +S'Hans Korsch' +p43348 +sa(dp43349 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43350 +sg25270 +S'Hans Korsch' +p43351 +sa(dp43352 +g25267 +g27 +sg25268 +S'Andiron' +p43353 +sg25270 +S'Janet Riza' +p43354 +sa(dp43355 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43356 +sg25270 +S'Hans Korsch' +p43357 +sa(dp43358 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43359 +sg25270 +S'Jack Staloff' +p43360 +sa(dp43361 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43362 +sg25270 +S'Hans Korsch' +p43363 +sa(dp43364 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43365 +sg25270 +S'Jack Staloff' +p43366 +sa(dp43367 +g25267 +g27 +sg25268 +S'Brass Andirons' +p43368 +sg25270 +S'Edward L. Loper' +p43369 +sa(dp43370 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43371 +sg25270 +S'Hans Korsch' +p43372 +sa(dp43373 +g25273 +S'graphite' +p43374 +sg25267 +g27 +sg25275 +S'1766' +p43375 +sg25268 +S'Pour prevenir un Embrasement universal, Jupiter foudroye Phaeton' +p43376 +sg25270 +S'Charles Eisen' +p43377 +sa(dp43378 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43379 +sg25270 +S'Jack Staloff' +p43380 +sa(dp43381 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43382 +sg25270 +S'Hans Korsch' +p43383 +sa(dp43384 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43385 +sg25270 +S'Jack Staloff' +p43386 +sa(dp43387 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43388 +sg25270 +S'Hans Korsch' +p43389 +sa(dp43390 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43391 +sg25270 +S'Jack Staloff' +p43392 +sa(dp43393 +g25267 +g27 +sg25268 +S'Andirons (right and left)' +p43394 +sg25270 +S'Hans Korsch' +p43395 +sa(dp43396 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43397 +sg25270 +S'Hans Korsch' +p43398 +sa(dp43399 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43400 +sg25270 +S'Hans Korsch' +p43401 +sa(dp43402 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43403 +sg25270 +S'Hans Korsch' +p43404 +sa(dp43405 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43406 +sg25270 +S'Hans Korsch' +p43407 +sa(dp43408 +g25268 +S'The Faint' +p43409 +sg25270 +S'Pietro Longhi' +p43410 +sg25273 +S'oil on canvas' +p43411 +sg25275 +S'c. 1744' +p43412 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a0000614.jpg' +p43413 +sg25267 +S"A woman in a powder-pink gown seems to be at the center of a domestic crisis as she sinks\nback,\ndeathly pale, into a chair. The explanation for her indisposition is not hard to discover. A table\nhas been tipped over at the left, spilling cards, an open purse, and coins on to the floor. The lady\nhas been gambling. Dealt an unfortunate hand of cards, she pretended to faint, conveniently\nupsetting the table as she swooned. Her servants and companions rush to her aid, while the man\non the right may be a doctor, or a gambling partner who had been winning.\n Longhi's fame rested on such intimate glimpses of Venetian upperclass life in a period of\nrefined\ndecadence. His aristocratic subjects were also his patrons, and they would have appreciated this\naccurate portrayal of an elegant interior with a chinoiserie card table and moss-green damask on\nthe walls. The realistic comedy of Longhi's playwright friend Carlo Goldoni may have been a\nsource of inspiration, but Longhi's vignettes lack Goldoni's satirical bite. The feathery touch of\nLonghi's brush and the filtered light soften the scene, as do the pastel colors and the diminutive,\ndoll-like actors.\n " +p43414 +sa(dp43415 +g25273 +S'(artist after)' +p43416 +sg25267 +g27 +sg25275 +S'\n' +p43417 +sg25268 +S'Pour prevenir un Embrasement universel, Jupiter foudroye Phaeton' +p43418 +sg25270 +S'Artist Information (' +p43419 +sa(dp43420 +g25267 +g27 +sg25268 +S'Cast Iron and Brass Andiron' +p43421 +sg25270 +S'Vincent P. Rosel' +p43422 +sa(dp43423 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43424 +sg25270 +S'Hans Korsch' +p43425 +sa(dp43426 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43427 +sg25270 +S'Hans Korsch' +p43428 +sa(dp43429 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43430 +sg25270 +S'Hans Korsch' +p43431 +sa(dp43432 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43433 +sg25270 +S'Hans Korsch' +p43434 +sa(dp43435 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43436 +sg25270 +S'Hans Korsch' +p43437 +sa(dp43438 +g25267 +g27 +sg25268 +S'Andiron' +p43439 +sg25270 +S'Hans Korsch' +p43440 +sa(dp43441 +g25267 +g27 +sg25268 +S'Fire Dogs or Andirons' +p43442 +sg25270 +S'Frank J. Mace' +p43443 +sa(dp43444 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43445 +sg25270 +S'Maurice Van Felix' +p43446 +sa(dp43447 +g25267 +g27 +sg25268 +S'Andirons' +p43448 +sg25270 +S'Ethel Dougan' +p43449 +sa(dp43450 +g25273 +S'(artist after)' +p43451 +sg25267 +g27 +sg25275 +S'\n' +p43452 +sg25268 +S'Pour prevenir un Embrasement universel, Jupiter foudroye Phaeton' +p43453 +sg25270 +S'Artist Information (' +p43454 +sa(dp43455 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43456 +sg25270 +S'Mildred Ford' +p43457 +sa(dp43458 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43459 +sg25270 +S'Jack Staloff' +p43460 +sa(dp43461 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43462 +sg25270 +S'Maurice Van Felix' +p43463 +sa(dp43464 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43465 +sg25270 +S'Herman Bader' +p43466 +sa(dp43467 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43468 +sg25270 +S'Jack Staloff' +p43469 +sa(dp43470 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43471 +sg25270 +S'Artist Information (' +p43472 +sa(dp43473 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43474 +sg25270 +S'Milton Grubstein' +p43475 +sa(dp43476 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43477 +sg25270 +S'Milton Grubstein' +p43478 +sa(dp43479 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43480 +sg25270 +S'Jacob Lipkin' +p43481 +sa(dp43482 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43483 +sg25270 +S'Jacob Lipkin' +p43484 +sa(dp43485 +g25273 +S'pen and black ink and brush and brown ink with brown wash' +p43486 +sg25267 +g27 +sg25275 +S'published 1767/1771' +p43487 +sg25268 +S'Le Tombeau de Phaeton ...' +p43488 +sg25270 +S'Charles Monnet' +p43489 +sa(dp43490 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43491 +sg25270 +S'Herman Bader' +p43492 +sa(dp43493 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43494 +sg25270 +S'Herman Bader' +p43495 +sa(dp43496 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43497 +sg25270 +S'Jacob Lipkin' +p43498 +sa(dp43499 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43500 +sg25270 +S'Herman Bader' +p43501 +sa(dp43502 +g25267 +g27 +sg25268 +S'Andiron or Fire Dog' +p43503 +sg25270 +S'Paul Poffinbarger' +p43504 +sa(dp43505 +g25267 +g27 +sg25268 +S'Andiron or Fire Dog' +p43506 +sg25270 +S'Carl Buergerniss' +p43507 +sa(dp43508 +g25267 +g27 +sg25268 +S'Andiron (George Washington)' +p43509 +sg25270 +S'Josephine Lindley' +p43510 +sa(dp43511 +g25267 +g27 +sg25268 +S'Andiron (Marching Hessian)' +p43512 +sg25270 +S'Cushman Parker' +p43513 +sa(dp43514 +g25267 +g27 +sg25268 +S'Andiron' +p43515 +sg25270 +S'Eugene Bartz' +p43516 +sa(dp43517 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43518 +sg25270 +S'Salvatore Borrazzo' +p43519 +sa(dp43520 +g25273 +S'(artist after)' +p43521 +sg25267 +g27 +sg25275 +S'\n' +p43522 +sg25268 +S'Le Tombeau de Phaeton ...' +p43523 +sg25270 +S'Artist Information (' +p43524 +sa(dp43525 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43526 +sg25270 +S'Filippo Porreca' +p43527 +sa(dp43528 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43529 +sg25270 +S'Jack Staloff' +p43530 +sa(dp43531 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43532 +sg25270 +S'Mildred Ford' +p43533 +sa(dp43534 +g25267 +g27 +sg25268 +S'Wrought Iron Andirion' +p43535 +sg25270 +S'Henry Meyers' +p43536 +sa(dp43537 +g25267 +g27 +sg25268 +S'Unicorn' +p43538 +sg25270 +S'Alice Stearns' +p43539 +sa(dp43540 +g25267 +g27 +sg25268 +S'Relief Panel of Bear' +p43541 +sg25270 +S'Flora Merchant' +p43542 +sa(dp43543 +g25267 +g27 +sg25268 +S'Market Basket' +p43544 +sg25270 +S'D.J. Grant' +p43545 +sa(dp43546 +g25267 +g27 +sg25268 +S'Woodcarving of a Lion' +p43547 +sg25270 +S'Alice Stearns' +p43548 +sa(dp43549 +g25267 +g27 +sg25268 +S'Carved Wooden Basket' +p43550 +sg25270 +S'Regina Henderer' +p43551 +sa(dp43552 +g25267 +g27 +sg25268 +S"Mantle Carving (Dog's Head)" +p43553 +sg25270 +S'Henry Murphy' +p43554 +sa(dp43555 +g25268 +S'Jupiter and Callisto' +p43556 +sg25270 +S'Charles Eisen' +p43557 +sg25273 +S'graphite on vellum' +p43558 +sg25275 +S'1765' +p43559 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00060/a00060d9.jpg' +p43560 +sg25267 +g27 +sa(dp43561 +g25267 +g27 +sg25268 +S"Wood Carving of Tiger's Head" +p43562 +sg25270 +S'Joseph Glover' +p43563 +sa(dp43564 +g25267 +g27 +sg25268 +S'Cow and Calf Toy' +p43565 +sg25270 +S'Isabella Ruth Doerfler' +p43566 +sa(dp43567 +g25267 +g27 +sg25268 +S'Cat Head Gargoyle' +p43568 +sg25270 +S'John Davis' +p43569 +sa(dp43570 +g25267 +g27 +sg25268 +S"Carved Dog's Head" +p43571 +sg25270 +S'Vera Van Voris' +p43572 +sa(dp43573 +g25267 +g27 +sg25268 +S"Carved Lion's Head" +p43574 +sg25270 +S'Vera Van Voris' +p43575 +sa(dp43576 +g25267 +g27 +sg25268 +S'Toy Fish' +p43577 +sg25270 +S'Charles Garjian' +p43578 +sa(dp43579 +g25267 +g27 +sg25268 +S'Toy Cow' +p43580 +sg25270 +S'Hester Duany' +p43581 +sa(dp43582 +g25267 +g27 +sg25268 +S'Figure of a Deer' +p43583 +sg25270 +S'Mina Lowry' +p43584 +sa(dp43585 +g25267 +g27 +sg25268 +S'Carved Cat Head (Detail)' +p43586 +sg25270 +S'Alton K. Skillin' +p43587 +sa(dp43588 +g25267 +g27 +sg25268 +S"Decorative Horse's Head" +p43589 +sg25270 +S'Albert Ryder' +p43590 +sa(dp43591 +g25273 +S'(artist after)' +p43592 +sg25267 +g27 +sg25275 +S'\n' +p43593 +sg25268 +S'Jupiter prend la forme de Diane, pour rendre sensible la Nymphe Calisto' +p43594 +sg25270 +S'Artist Information (' +p43595 +sa(dp43596 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43597 +sg25270 +S'Jacob Lipkin' +p43598 +sa(dp43599 +g25267 +g27 +sg25268 +S'Wrought Iron Andiron' +p43600 +sg25270 +S'Natalie Simon' +p43601 +sa(dp43602 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43603 +sg25270 +S'Maurice Van Felix' +p43604 +sa(dp43605 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43606 +sg25270 +S'Jack Staloff' +p43607 +sa(dp43608 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43609 +sg25270 +S'Salvatore Borrazzo' +p43610 +sa(dp43611 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43612 +sg25270 +S'Gordon Sanborn' +p43613 +sa(dp43614 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43615 +sg25270 +S'Maurice Van Felix' +p43616 +sa(dp43617 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43618 +sg25270 +S'Salvatore Borrazzo' +p43619 +sa(dp43620 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43621 +sg25270 +S'Jack Staloff' +p43622 +sa(dp43623 +g25267 +g27 +sg25268 +S'Andiron (one of pair)' +p43624 +sg25270 +S'Arsen Maralian' +p43625 +sa(dp43626 +g25273 +S'graphite' +p43627 +sg25267 +g27 +sg25275 +S'1766' +p43628 +sg25268 +S'Les Nymphes decouvrent a Diane la grossesse de Calisto' +p43629 +sg25270 +S'Charles Eisen' +p43630 +sa(dp43631 +g25267 +g27 +sg25268 +S'Bandbox Design - Rhino' +p43632 +sg25270 +S'Isabella Ruth Doerfler' +p43633 +sa(dp43634 +g25267 +g27 +sg25268 +S'Bandbox Paper' +p43635 +sg25270 +S'Martin Partyka' +p43636 +sa(dp43637 +g25267 +g27 +sg25268 +S'Wallpaper from Bandbox' +p43638 +sg25270 +S'Charlotte Angus' +p43639 +sa(dp43640 +g25267 +g27 +sg25268 +S'Bandbox' +p43641 +sg25270 +S'Martin Partyka' +p43642 +sa(dp43643 +g25267 +g27 +sg25268 +S'Bandbox Design' +p43644 +sg25270 +S'Isabella Ruth Doerfler' +p43645 +sa(dp43646 +g25267 +g27 +sg25268 +S'Bandbox Design' +p43647 +sg25270 +S'Isabella Ruth Doerfler' +p43648 +sa(dp43649 +g25267 +g27 +sg25268 +S'Bandbox Paper' +p43650 +sg25270 +S'Robert Galvin' +p43651 +sa(dp43652 +g25267 +g27 +sg25268 +S'Bandbox Design (Rabbit Hunt)' +p43653 +sg25270 +S'American 20th Century' +p43654 +sa(dp43655 +g25267 +g27 +sg25268 +S'Bandbox Design (Grouse)' +p43656 +sg25270 +S'Harold Merriam' +p43657 +sa(dp43658 +g25267 +g27 +sg25268 +S'Theatrical Painting' +p43659 +sg25270 +S'Gilbert Sackerman' +p43660 +sa(dp43661 +g25273 +S'(artist after)' +p43662 +sg25267 +g27 +sg25275 +S'\n' +p43663 +sg25268 +S'Les Nymphes decouvrent a Diane la grossesse de Calisto' +p43664 +sg25270 +S'Artist Information (' +p43665 +sa(dp43666 +g25267 +g27 +sg25268 +S'Footstool' +p43667 +sg25270 +S'American 20th Century' +p43668 +sa(dp43669 +g25267 +g27 +sg25268 +S'Chalkware Ornament' +p43670 +sg25270 +S'Beatrice DeKalb' +p43671 +sa(dp43672 +g25267 +g27 +sg25268 +S'Chalkware Bird' +p43673 +sg25270 +S'J. Herman McCollum' +p43674 +sa(dp43675 +g25267 +g27 +sg25268 +S'Chalkware Rooster' +p43676 +sg25270 +S'Mina Lowry' +p43677 +sa(dp43678 +g25267 +g27 +sg25268 +S'Chalkware Pigeon Figurine' +p43679 +sg25270 +S'Mina Lowry' +p43680 +sa(dp43681 +g25267 +g27 +sg25268 +S'Parrot' +p43682 +sg25270 +S'Mina Lowry' +p43683 +sa(dp43684 +g25267 +g27 +sg25268 +S'Bank (Dove)' +p43685 +sg25270 +S'Elisabeth Fulda' +p43686 +sa(dp43687 +g25267 +g27 +sg25268 +S'Pottery Pig' +p43688 +sg25270 +S'John Winters' +p43689 +sa(dp43690 +g25267 +g27 +sg25268 +S'Stag Statuette' +p43691 +sg25270 +S'Charles Caseau' +p43692 +sa(dp43693 +g25267 +g27 +sg25268 +S'Statuette of a Dog' +p43694 +sg25270 +S'Frank Fumagalli' +p43695 +sa(dp43696 +g25273 +S'pen and black ink and brush and brown ink with brown and blue wash' +p43697 +sg25267 +g27 +sg25275 +S'1766' +p43698 +sg25268 +S'Arcas pret a tuer sa Mere Calisto' +p43699 +sg25270 +S'Charles Monnet' +p43700 +sa(dp43701 +g25267 +g27 +sg25268 +S'Statuette of a Dog' +p43702 +sg25270 +S'Frank Fumagalli' +p43703 +sa(dp43704 +g25267 +g27 +sg25268 +S'Statuette of a Dog' +p43705 +sg25270 +S'Yolande Delasser' +p43706 +sa(dp43707 +g25267 +g27 +sg25268 +S'Lion' +p43708 +sg25270 +S'John Matulis' +p43709 +sa(dp43710 +g25267 +g27 +sg25268 +S'Dog (Mantel Ornament)' +p43711 +sg25270 +S'Z.S. Lupus' +p43712 +sa(dp43713 +g25267 +g27 +sg25268 +S'Ceramic Coach Dog' +p43714 +sg25270 +S'George Yanosko' +p43715 +sa(dp43716 +g25267 +g27 +sg25268 +S'Lion and Ball Figurine' +p43717 +sg25270 +S'Ella Josephine Sterling' +p43718 +sa(dp43719 +g25267 +g27 +sg25268 +S'Squirrel Statuette' +p43720 +sg25270 +S'Yolande Delasser' +p43721 +sa(dp43722 +g25267 +S'Both earthenware and porcelain were produced at the Bennington potteries. Their output included functional items and a great variety of decorative wares. Among the most popular of the elaborately modeled forms is the so-called "Bennington poodle," \n a standing poodle with a basket of fruit in its mouth. These poodles were usually made in pairs as mantel ornaments; here we see just one of a pair. A variety of glazes was used on these figures; this poodle has been given a Rockingham glaze whose \n fluidity emphasizes the sleekness of the body. In contrast to the smooth surface, the mane is shaggy. The potter achieved this effect, popularly called "cole-slaw decoration," by pushing moist clay through a fine screen. Decorative animal forms were \n produced by most American potteries during the nineteenth century, but Bennington animals, in particular, display careful modeling, uniform and brilliant glazes, and interesting touches of inventiveness and whimsy.\n ' +p43723 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003ef.jpg' +p43724 +sg25268 +S'Ceramic Dog' +p43725 +sg25270 +S'Marion Curtiss' +p43726 +sa(dp43727 +g25267 +g27 +sg25268 +S'Spaniel (Paper Weight)' +p43728 +sg25270 +S'Cleo Lovett' +p43729 +sa(dp43730 +g25267 +g27 +sg25268 +S'Monkey Statuette' +p43731 +sg25270 +S'Frank Fumagalli' +p43732 +sa(dp43733 +g25273 +S'(artist after)' +p43734 +sg25267 +g27 +sg25275 +S'\n' +p43735 +sg25268 +S'Arcas pret a tuer sa Mere Calisto ...' +p43736 +sg25270 +S'Artist Information (' +p43737 +sa(dp43738 +g25267 +g27 +sg25268 +S'Dog Statuette' +p43739 +sg25270 +S'Frank Fumagalli' +p43740 +sa(dp43741 +g25267 +g27 +sg25268 +S'Ornamental Iron Griffon' +p43742 +sg25270 +S'Harriette Gale' +p43743 +sa(dp43744 +g25267 +g27 +sg25268 +S'Garden Ornament (Greyhound)' +p43745 +sg25270 +S'George Constantine' +p43746 +sa(dp43747 +g25267 +g27 +sg25268 +S'Garden Figure (Rabbit)' +p43748 +sg25270 +S'Maurice Van Felix' +p43749 +sa(dp43750 +g25267 +g27 +sg25268 +S'Cast Iron Dog' +p43751 +sg25270 +S'Samuel Fineman' +p43752 +sa(dp43753 +g25267 +g27 +sg25268 +S'Muzzle of a Lion (one of pair)' +p43754 +sg25270 +S'Maurice Van Felix' +p43755 +sa(dp43756 +g25267 +g27 +sg25268 +S'Cast Iron Frog' +p43757 +sg25270 +S'Ralph Morton' +p43758 +sa(dp43759 +g25267 +g27 +sg25268 +S'Paperweight (Deer)' +p43760 +sg25270 +S'Edward W. Buechner' +p43761 +sa(dp43762 +g25267 +g27 +sg25268 +S'Greyhound' +p43763 +sg25270 +S'John B. Moll' +p43764 +sa(dp43765 +g25267 +g27 +sg25268 +S'Rabbit' +p43766 +sg25270 +S'Rex F. Bush' +p43767 +sa(dp43768 +g25268 +S'The Game of the Cooking Pot' +p43769 +sg25270 +S'Pietro Longhi' +p43770 +sg25273 +S'oil on canvas' +p43771 +sg25275 +S'c. 1744' +p43772 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a0000615.jpg' +p43773 +sg25267 +g27 +sa(dp43774 +g25273 +S'(artist after)' +p43775 +sg25267 +g27 +sg25275 +S'\n' +p43776 +sg25268 +S'Arcas pret a tuer sa Mere Calisto ...' +p43777 +sg25270 +S'Artist Information (' +p43778 +sa(dp43779 +g25267 +g27 +sg25268 +S'Cast Iron Dog' +p43780 +sg25270 +S'Francis Law Durand' +p43781 +sa(dp43782 +g25267 +g27 +sg25268 +S'Cast Lead Dog' +p43783 +sg25270 +S'Herman Bader' +p43784 +sa(dp43785 +g25267 +g27 +sg25268 +S'Chalkware Rabbit' +p43786 +sg25270 +S'Stanley Mazur' +p43787 +sa(dp43788 +g25267 +g27 +sg25268 +S'Chalkware Rabbit' +p43789 +sg25270 +S'Betty Fuerst' +p43790 +sa(dp43791 +g25267 +g27 +sg25268 +S'Chalkware Rabbit' +p43792 +sg25270 +S'Laura Bilodeau' +p43793 +sa(dp43794 +g25267 +g27 +sg25268 +S'Squirrel' +p43795 +sg25270 +S'Mina Lowry' +p43796 +sa(dp43797 +g25267 +g27 +sg25268 +S'Goat' +p43798 +sg25270 +S'Mina Lowry' +p43799 +sa(dp43800 +g25267 +g27 +sg25268 +S'Goat' +p43801 +sg25270 +S'Mina Lowry' +p43802 +sa(dp43803 +g25267 +g27 +sg25268 +S'Goat' +p43804 +sg25270 +S'John W. Kelleher' +p43805 +sa(dp43806 +g25267 +g27 +sg25268 +S'Chalkware Deer' +p43807 +sg25270 +S'Milton Bevier' +p43808 +sa(dp43809 +g25273 +S', published 1767/1771' +p43810 +sg25267 +g27 +sg25275 +S'\n' +p43811 +sg25268 +S'Coronis poursuivie par Neptune, et Metamorphosee en Corneille par Minerve' +p43812 +sg25270 +S'Jean-Michel Moreau the Younger' +p43813 +sa(dp43814 +g25267 +g27 +sg25268 +S'Deer Figurine' +p43815 +sg25270 +S'Mina Lowry' +p43816 +sa(dp43817 +g25267 +g27 +sg25268 +S'Deer Figurine' +p43818 +sg25270 +S'Mina Lowry' +p43819 +sa(dp43820 +g25267 +g27 +sg25268 +S'Chalkware Deer' +p43821 +sg25270 +S'H. Langden Brown' +p43822 +sa(dp43823 +g25267 +g27 +sg25268 +S'Horse Statue' +p43824 +sg25270 +S'Alf Bruseth' +p43825 +sa(dp43826 +g25267 +g27 +sg25268 +S'Toy Cow on Stand' +p43827 +sg25270 +S'James McLellan' +p43828 +sa(dp43829 +g25267 +g27 +sg25268 +S'Prince Charles Spaniel' +p43830 +sg25270 +S'Mina Lowry' +p43831 +sa(dp43832 +g25267 +g27 +sg25268 +S'Chalkware Dog' +p43833 +sg25270 +S'Sadie Berman' +p43834 +sa(dp43835 +g25267 +g27 +sg25268 +S'Chalkware Dog' +p43836 +sg25270 +S'Sadie Berman' +p43837 +sa(dp43838 +g25267 +g27 +sg25268 +S'Chalkware Dog' +p43839 +sg25270 +S'Sadie Berman' +p43840 +sa(dp43841 +g25267 +g27 +sg25268 +S'Chalkware Dog' +p43842 +sg25270 +S'Zabelle Missirian' +p43843 +sa(dp43844 +g25273 +S', 1766' +p43845 +sg25267 +g27 +sg25275 +S'\n' +p43846 +sg25268 +S'Coronis poursuivie par Neptune, et Metamorphosee en Corneille par Minerve' +p43847 +sg25270 +S'Jean-Michel Moreau the Younger' +p43848 +sa(dp43849 +g25267 +g27 +sg25268 +S'Chalkware Greyhound' +p43850 +sg25270 +S'Gertrude Koch' +p43851 +sa(dp43852 +g25267 +g27 +sg25268 +S'Chalkware Cat' +p43853 +sg25270 +S'Gertrude Koch' +p43854 +sa(dp43855 +g25267 +g27 +sg25268 +S'Chalkware Cat' +p43856 +sg25270 +S'Betty Fuerst' +p43857 +sa(dp43858 +g25267 +g27 +sg25268 +S'Cat Saving Bank' +p43859 +sg25270 +S'Mina Lowry' +p43860 +sa(dp43861 +g25267 +g27 +sg25268 +S'Prince Charles Spaniel' +p43862 +sg25270 +S'Mina Lowry' +p43863 +sa(dp43864 +g25267 +g27 +sg25268 +S'Bandbox Design - Squirrels' +p43865 +sg25270 +S'Isabella Ruth Doerfler' +p43866 +sa(dp43867 +g25267 +g27 +sg25268 +S'Bandbox Design' +p43868 +sg25270 +S'Walter Doran' +p43869 +sa(dp43870 +g25267 +g27 +sg25268 +S'Bandbox Design - Hunting Scene' +p43871 +sg25270 +S'Harold Merriam' +p43872 +sa(dp43873 +g25267 +g27 +sg25268 +S'Bandbox Design' +p43874 +sg25270 +S'Lawrence Flynn' +p43875 +sa(dp43876 +g25267 +g27 +sg25268 +S'Ballot Box' +p43877 +sg25270 +S'Rose Campbell-Gerke' +p43878 +sa(dp43879 +g25273 +S'(artist after)' +p43880 +sg25267 +g27 +sg25275 +S'\n' +p43881 +sg25268 +S'Coronis poursuivie par Neptune, et M\xc3\xa9tamorphos\xc3\xa9e en Corneille par Minerve' +p43882 +sg25270 +S'Artist Information (' +p43883 +sa(dp43884 +g25267 +g27 +sg25268 +S'Cannon-shaped Ballot Box' +p43885 +sg25270 +S'Joseph Ficcadenti' +p43886 +sa(dp43887 +g25267 +g27 +sg25268 +S'Ballot Box' +p43888 +sg25270 +S'Robert T. Gills' +p43889 +sa(dp43890 +g25267 +g27 +sg25268 +S'Post Axe' +p43891 +sg25270 +S'James M. Lawson' +p43892 +sa(dp43893 +g25267 +g27 +sg25268 +S'Hacking Axe' +p43894 +sg25270 +S'Fred Hassebrock' +p43895 +sa(dp43896 +g25267 +g27 +sg25268 +S'Post Axe' +p43897 +sg25270 +S'William H. Edwards' +p43898 +sa(dp43899 +g25267 +g27 +sg25268 +S'Axe' +p43900 +sg25270 +S'Hal Blakeley' +p43901 +sa(dp43902 +g25267 +g27 +sg25268 +S"Ship Builder's Axe Head" +p43903 +sg25270 +S'Harvey Beck' +p43904 +sa(dp43905 +g25267 +g27 +sg25268 +S'Pioneeer Broad Axe' +p43906 +sg25270 +S'Glenn Wilson' +p43907 +sa(dp43908 +g25267 +g27 +sg25268 +S'Post Hole Axe' +p43909 +sg25270 +S'George C. Brown' +p43910 +sa(dp43911 +g25267 +g27 +sg25268 +S'Broad Axe' +p43912 +sg25270 +S'Archie Thompson' +p43913 +sa(dp43914 +g25273 +S', 1766' +p43915 +sg25267 +g27 +sg25275 +S'\n' +p43916 +sg25268 +S'Nyctimene metamorphosee en Hibou ...' +p43917 +sg25270 +S'Jean-Michel Moreau the Younger' +p43918 +sa(dp43919 +g25267 +g27 +sg25268 +S'Broad Axe' +p43920 +sg25270 +S'Roberta Elvis' +p43921 +sa(dp43922 +g25267 +g27 +sg25268 +S'Bishop Hill: Old Colony Auger' +p43923 +sg25270 +S'H. Langden Brown' +p43924 +sa(dp43925 +g25267 +g27 +sg25268 +S'Handmade Auger' +p43926 +sg25270 +S'William Frank' +p43927 +sa(dp43928 +g25267 +g27 +sg25268 +S'Auger' +p43929 +sg25270 +S'Herman O. Stroh' +p43930 +sa(dp43931 +g25267 +g27 +sg25268 +S'Auger' +p43932 +sg25270 +S'Alfonso Moreno' +p43933 +sa(dp43934 +g25267 +g27 +sg25268 +S"Ship Builder's Auger" +p43935 +sg25270 +S'Erwin Stenzel' +p43936 +sa(dp43937 +g25267 +g27 +sg25268 +S'Asparagus Buncher' +p43938 +sg25270 +S'Charles Garjian' +p43939 +sa(dp43940 +g25267 +g27 +sg25268 +S'Army Kit' +p43941 +sg25270 +S'Carl Buergerniss' +p43942 +sa(dp43943 +g25267 +g27 +sg25268 +S'Apple Peeler' +p43944 +sg25270 +S'Artist Information (' +p43945 +sa(dp43946 +g25267 +g27 +sg25268 +S'Apple Peeler' +p43947 +sg25270 +S'Samuel W. Ford' +p43948 +sa(dp43949 +g25273 +S'(artist after)' +p43950 +sg25267 +g27 +sg25275 +S'\n' +p43951 +sg25268 +S'Nyctim\xc3\xa8ne m\xc3\xa9tamorphos\xc3\xa9e en Hibou, pour punition de sa flamme criminelle avec son P\xc3\xa8re Nyct\xc3\xa9e' +p43952 +sg25270 +S'Artist Information (' +p43953 +sa(dp43954 +g25267 +g27 +sg25268 +S'Apple Parer' +p43955 +sg25270 +S'Regina Henderer' +p43956 +sa(dp43957 +g25267 +g27 +sg25268 +S"Lion's Head (one of pair)" +p43958 +sg25270 +S'Edward DiGennero' +p43959 +sa(dp43960 +g25267 +g27 +sg25268 +S"Lion's Head (one of pair)" +p43961 +sg25270 +S'Edward DiGennero' +p43962 +sa(dp43963 +g25267 +g27 +sg25268 +S'Bandbox' +p43964 +sg25270 +S'American 20th Century' +p43965 +sa(dp43966 +g25267 +g27 +sg25268 +S'Bandbox' +p43967 +sg25270 +S'Stewart Wheeler' +p43968 +sa(dp43969 +g25267 +g27 +sg25268 +S'Bandbox' +p43970 +sg25270 +S'Dorothy Dwin' +p43971 +sa(dp43972 +g25267 +g27 +sg25268 +S"Man's Hat Box" +p43973 +sg25270 +S'Max Soltmann' +p43974 +sa(dp43975 +g25267 +g27 +sg25268 +S'Bandbox' +p43976 +sg25270 +S'Paul Ward' +p43977 +sa(dp43978 +g25267 +g27 +sg25268 +S'Bandbox' +p43979 +sg25270 +S'Joseph Rothenberg' +p43980 +sa(dp43981 +g25267 +g27 +sg25268 +S'Bandbox' +p43982 +sg25270 +S'Holger Hansen' +p43983 +sa(dp43984 +g25273 +S'graphite' +p43985 +sg25267 +g27 +sg25275 +S'1766' +p43986 +sg25268 +S'Ocyroe Fille du Centaure Chiron announce a son Pere les destines du jeune Esculape' +p43987 +sg25270 +S'Charles Eisen' +p43988 +sa(dp43989 +g25267 +g27 +sg25268 +S'Bandbox' +p43990 +sg25270 +S'Charles Caseau' +p43991 +sa(dp43992 +g25267 +g27 +sg25268 +S'Bandbox' +p43993 +sg25270 +S'Walter Doran' +p43994 +sa(dp43995 +g25267 +g27 +sg25268 +S'Bandbox' +p43996 +sg25270 +S'Gilbert Sackerman' +p43997 +sa(dp43998 +g25267 +g27 +sg25268 +S'Bandbox' +p43999 +sg25270 +S'Lazar Rubinstein' +p44000 +sa(dp44001 +g25267 +g27 +sg25268 +S'Bandbox Sections' +p44002 +sg25270 +S'Lazar Rubinstein' +p44003 +sa(dp44004 +g25267 +g27 +sg25268 +S'Bonnet Box' +p44005 +sg25270 +S'Stewart Wheeler' +p44006 +sa(dp44007 +g25267 +g27 +sg25268 +S'Bandbox' +p44008 +sg25270 +S'Gilbert Sackerman' +p44009 +sa(dp44010 +g25267 +g27 +sg25268 +S'Bandbox - Castle Garden' +p44011 +sg25270 +S'Harold Merriam' +p44012 +sa(dp44013 +g25267 +g27 +sg25268 +S'Bandbox Cover' +p44014 +sg25270 +S'Stewart Wheeler' +p44015 +sa(dp44016 +g25267 +g27 +sg25268 +S'Wallpaper from Bandbox' +p44017 +sg25270 +S'Charlotte Angus' +p44018 +sa(dp44019 +g25273 +S'(artist after)' +p44020 +sg25267 +g27 +sg25275 +S'\n' +p44021 +sg25268 +S'Ocyroe Fille du Centaure Chiron announce a son Pere les destinees du jeune Esculape' +p44022 +sg25270 +S'Artist Information (' +p44023 +sa(dp44024 +g25267 +g27 +sg25268 +S'Bandbox Design (Deaf and Dumb Asylum)' +p44025 +sg25270 +S'Martin Partyka' +p44026 +sa(dp44027 +g25267 +g27 +sg25268 +S'Wallpaper for Bandbox Covering' +p44028 +sg25270 +S'Albert Levone' +p44029 +sa(dp44030 +g25267 +g27 +sg25268 +S'Bandbox' +p44031 +sg25270 +S'David Dorfman' +p44032 +sa(dp44033 +g25267 +g27 +sg25268 +S'Bandbox Design' +p44034 +sg25270 +S'Harold Merriam' +p44035 +sa(dp44036 +g25267 +g27 +sg25268 +S'Bandbox (section)' +p44037 +sg25270 +S'David Dorfman' +p44038 +sa(dp44039 +g25267 +g27 +sg25268 +S'Wallpaper Used as Bandbox Covering' +p44040 +sg25270 +S'Albert Levone' +p44041 +sa(dp44042 +g25267 +g27 +sg25268 +S'Bandbox Design' +p44043 +sg25270 +S'Gilbert Sackerman' +p44044 +sa(dp44045 +g25267 +g27 +sg25268 +S'Bandbox Design' +p44046 +sg25270 +S'Alfonso Umana' +p44047 +sa(dp44048 +g25267 +g27 +sg25268 +S'Bandbox Design' +p44049 +sg25270 +S'American 20th Century' +p44050 +sa(dp44051 +g25267 +g27 +sg25268 +S'Bandbox Design' +p44052 +sg25270 +S'Martin Partyka' +p44053 +sa(dp44054 +g25273 +S'pen and black ink and brush and brown ink with brown ink over graphite' +p44055 +sg25267 +g27 +sg25275 +S'published 1767/1771' +p44056 +sg25268 +S'Mercure Metamorphose en Pierre de Touche le Berger Battus' +p44057 +sg25270 +S'Charles Monnet' +p44058 +sa(dp44059 +g25267 +g27 +sg25268 +S'Wallpaper from Bandbox Cover' +p44060 +sg25270 +S'Charlotte Angus' +p44061 +sa(dp44062 +g25267 +g27 +sg25268 +S'Wallpaper from Bandbox Covering' +p44063 +sg25270 +S'Harold Merriam' +p44064 +sa(dp44065 +g25267 +g27 +sg25268 +S'Bandbox Design (Eagle and Rabbit)' +p44066 +sg25270 +S'Martin Partyka' +p44067 +sa(dp44068 +g25267 +g27 +sg25268 +S'Bandbox Design' +p44069 +sg25270 +S'Harold Merriam' +p44070 +sa(dp44071 +g25267 +g27 +sg25268 +S'Bandbox Design' +p44072 +sg25270 +S'Martin Partyka' +p44073 +sa(dp44074 +g25267 +g27 +sg25268 +S'Bandbox' +p44075 +sg25270 +S'Harold Merriam' +p44076 +sa(dp44077 +g25267 +g27 +sg25268 +S'Bandbox Design' +p44078 +sg25270 +S'Alfred Koehn' +p44079 +sa(dp44080 +g25267 +g27 +sg25268 +S'Bandbox Design - Stagecoach' +p44081 +sg25270 +S'Eleanor Ruelos' +p44082 +sa(dp44083 +g25267 +g27 +sg25268 +S'Bandbox' +p44084 +sg25270 +S'Joseph Rothenberg' +p44085 +sa(dp44086 +g25267 +g27 +sg25268 +S'Bandbox' +p44087 +sg25270 +S'Arsen Maralian' +p44088 +sa(dp44089 +g25273 +S'(artist after)' +p44090 +sg25267 +g27 +sg25275 +S'\n' +p44091 +sg25268 +S'Mercure Metamorphose en Pierre de Touche le Berger Battus' +p44092 +sg25270 +S'Artist Information (' +p44093 +sa(dp44094 +g25267 +g27 +sg25268 +S'Bandbox' +p44095 +sg25270 +S'Gilbert Sackerman' +p44096 +sa(dp44097 +g25267 +g27 +sg25268 +S'Bandbox' +p44098 +sg25270 +S'Gilbert Sackerman' +p44099 +sa(dp44100 +g25267 +g27 +sg25268 +S'Bandbox' +p44101 +sg25270 +S'Gilbert Sackerman' +p44102 +sa(dp44103 +g25267 +g27 +sg25268 +S'Bandbox' +p44104 +sg25270 +S'Joseph Rothenberg' +p44105 +sa(dp44106 +g25267 +g27 +sg25268 +S'Bandbox' +p44107 +sg25270 +S'Gilbert Sackerman' +p44108 +sa(dp44109 +g25267 +g27 +sg25268 +S'Bandbox' +p44110 +sg25270 +S'John Swientochowski' +p44111 +sa(dp44112 +g25267 +g27 +sg25268 +S'Bandbox' +p44113 +sg25270 +S'Arsen Maralian' +p44114 +sa(dp44115 +g25267 +g27 +sg25268 +S'Bandbox' +p44116 +sg25270 +S'Walter Doran' +p44117 +sa(dp44118 +g25267 +g27 +sg25268 +S'Bandbox' +p44119 +sg25270 +S'Carl Buergerniss' +p44120 +sa(dp44121 +g25267 +g27 +sg25268 +S'Bandbox' +p44122 +sg25270 +S'Alfonso Umana' +p44123 +sa(dp44124 +g25273 +S'graphite' +p44125 +sg25267 +g27 +sg25275 +S'1766' +p44126 +sg25268 +S"Apollon gardant les Troupeaux d'Admet dans les Campagnes de Messene" +p44127 +sg25270 +S'Charles Eisen' +p44128 +sa(dp44129 +g25267 +g27 +sg25268 +S'Bandbox' +p44130 +sg25270 +S'Joseph Rothenberg' +p44131 +sa(dp44132 +g25267 +g27 +sg25268 +S'Bandbox' +p44133 +sg25270 +S'American 20th Century' +p44134 +sa(dp44135 +g25267 +g27 +sg25268 +S'Bandbox' +p44136 +sg25270 +S'Joseph Rothenberg' +p44137 +sa(dp44138 +g25267 +g27 +sg25268 +S'Bandbox' +p44139 +sg25270 +S'Walter Doran' +p44140 +sa(dp44141 +g25267 +g27 +sg25268 +S'Bandbox' +p44142 +sg25270 +S'Gilbert Sackerman' +p44143 +sa(dp44144 +g25267 +g27 +sg25268 +S'Bandbox' +p44145 +sg25270 +S'Gilbert Sackerman' +p44146 +sa(dp44147 +g25267 +g27 +sg25268 +S'Hat Box' +p44148 +sg25270 +S'Joseph Rothenberg' +p44149 +sa(dp44150 +g25267 +g27 +sg25268 +S'Hat Box' +p44151 +sg25270 +S'Walter Praefke' +p44152 +sa(dp44153 +g25267 +g27 +sg25268 +S'Bandbox' +p44154 +sg25270 +S'Samuel O. Klein' +p44155 +sa(dp44156 +g25267 +g27 +sg25268 +S'Toilette Box' +p44157 +sg25270 +S'John Cutting' +p44158 +sa(dp44159 +g25273 +S'Widener Collection' +p44160 +sg25267 +g27 +sg25275 +S'\nbound volume with 15 drawings and 22 prints by various artists for the 1767-1771 ed. of "Les Metamorphoses d\'Ovide"' +p44161 +sg25268 +S'Album of Preliminary Drawings and Prints for "Les Metamorphoses d\'Ovide" (volume 3)' +p44162 +sg25270 +S'Various Artists' +p44163 +sa(dp44164 +g25267 +g27 +sg25268 +S'Bonnet Box' +p44165 +sg25270 +S'Stewart Wheeler' +p44166 +sa(dp44167 +g25267 +g27 +sg25268 +S'Bandbox or Hat Box' +p44168 +sg25270 +S'Jessie M. Youngs' +p44169 +sa(dp44170 +g25267 +g27 +sg25268 +S'Hat Box' +p44171 +sg25270 +S'Charles Moss' +p44172 +sa(dp44173 +g25267 +g27 +sg25268 +S'Small Hat Box' +p44174 +sg25270 +S'Charles Moss' +p44175 +sa(dp44176 +g25267 +g27 +sg25268 +S'Bandbox' +p44177 +sg25270 +S'Joseph Rothenberg' +p44178 +sa(dp44179 +g25267 +g27 +sg25268 +S'Bandbox' +p44180 +sg25270 +S'Gilbert Sackerman' +p44181 +sa(dp44182 +g25267 +g27 +sg25268 +S'Bandbox' +p44183 +sg25270 +S'Nicholas Acampora' +p44184 +sa(dp44185 +g25267 +g27 +sg25268 +S'Bandbox' +p44186 +sg25270 +S'Alfonso Umana' +p44187 +sa(dp44188 +g25267 +g27 +sg25268 +S'Bandbox' +p44189 +sg25270 +S'John Tarantino' +p44190 +sa(dp44191 +g25267 +g27 +sg25268 +S'Bandbox' +p44192 +sg25270 +S'Joseph Rothenberg' +p44193 +sa(dp44194 +g25273 +S'(artist after)' +p44195 +sg25267 +g27 +sg25275 +S'\n' +p44196 +sg25268 +S"Apollon gardant les Troupeaux d'Admet dans les Campagnes de Messene" +p44197 +sg25270 +S'Artist Information (' +p44198 +sa(dp44199 +g25267 +g27 +sg25268 +S'Bandbox' +p44200 +sg25270 +S'John Tarantino' +p44201 +sa(dp44202 +g25267 +g27 +sg25268 +S'Bandbox' +p44203 +sg25270 +S'Mina Lowry' +p44204 +sa(dp44205 +g25267 +g27 +sg25268 +S'Bandbox (detail)' +p44206 +sg25270 +S'Holger Hansen' +p44207 +sa(dp44208 +g25267 +g27 +sg25268 +S'Bandbox' +p44209 +sg25270 +S'Joseph Rothenberg' +p44210 +sa(dp44211 +g25267 +g27 +sg25268 +S'Bandbox' +p44212 +sg25270 +S'Dorothy Dwin' +p44213 +sa(dp44214 +g25267 +g27 +sg25268 +S'Bandbox' +p44215 +sg25270 +S'Walter Doran' +p44216 +sa(dp44217 +g25267 +g27 +sg25268 +S'Bandbox Design' +p44218 +sg25270 +S'Walter Doran' +p44219 +sa(dp44220 +g25267 +g27 +sg25268 +S'Bandbox Design' +p44221 +sg25270 +S'Isabella Ruth Doerfler' +p44222 +sa(dp44223 +g25267 +g27 +sg25268 +S'Bandbox' +p44224 +sg25270 +S'Gilbert Sackerman' +p44225 +sa(dp44226 +g25267 +g27 +sg25268 +S'Bandbox' +p44227 +sg25270 +S'Marie Lutrell' +p44228 +sa(dp44229 +g25273 +S'graphite' +p44230 +sg25267 +g27 +sg25275 +S'1766' +p44231 +sg25268 +S"Mercure arrette sur la Ville d'Athenes devient amoureux d'Herse" +p44232 +sg25270 +S'Charles Eisen' +p44233 +sa(dp44234 +g25267 +g27 +sg25268 +S'Bandbox' +p44235 +sg25270 +S'Stewart Wheeler' +p44236 +sa(dp44237 +g25267 +g27 +sg25268 +S'Bandbox' +p44238 +sg25270 +S'Walter Doran' +p44239 +sa(dp44240 +g25267 +g27 +sg25268 +S'Horse on Barrel Bank' +p44241 +sg25270 +S'William O. Fletcher' +p44242 +sa(dp44243 +g25267 +g27 +sg25268 +S'Rearing Horse Bank' +p44244 +sg25270 +S'Alf Bruseth' +p44245 +sa(dp44246 +g25267 +g27 +sg25268 +S'Cat and Ball Coin Bank' +p44247 +sg25270 +S'William O. Fletcher' +p44248 +sa(dp44249 +g25267 +g27 +sg25268 +S'Prize Pig Coin Bank' +p44250 +sg25270 +S'Alf Bruseth' +p44251 +sa(dp44252 +g25267 +g27 +sg25268 +S'Bank Camel' +p44253 +sg25270 +S'William O. Fletcher' +p44254 +sa(dp44255 +g25267 +g27 +sg25268 +S'Toy Bank: Elephant' +p44256 +sg25270 +S'William O. Fletcher' +p44257 +sa(dp44258 +g25267 +g27 +sg25268 +S'Penny Bank: Pig' +p44259 +sg25270 +S'Charles Henning' +p44260 +sa(dp44261 +g25267 +g27 +sg25268 +S'Penny Bank (Elephant)' +p44262 +sg25270 +S'Ben Lassen' +p44263 +sa(dp44264 +g25273 +S'(artist after)' +p44265 +sg25267 +g27 +sg25275 +S'\n' +p44266 +sg25268 +S"Mercure arrette sur la ville d'Athenes devient amoureux d'Herse" +p44267 +sg25270 +S'Artist Information (' +p44268 +sa(dp44269 +g25267 +g27 +sg25268 +S"Child's Saving Bank (Deer)" +p44270 +sg25270 +S'Carl Buergerniss' +p44271 +sa(dp44272 +g25267 +g27 +sg25268 +S'Toy bank: Pig' +p44273 +sg25270 +S'Walter Hochstrasser' +p44274 +sa(dp44275 +g25267 +g27 +sg25268 +S'Bank: Elephant' +p44276 +sg25270 +S'Charles Moss' +p44277 +sa(dp44278 +g25267 +g27 +sg25268 +S'Toy Bank: Horse' +p44279 +sg25270 +S'Chris Makrenos' +p44280 +sa(dp44281 +g25267 +g27 +sg25268 +S'Iron Bank Elephant' +p44282 +sg25270 +S'Z.S. Lupus' +p44283 +sa(dp44284 +g25267 +g27 +sg25268 +S'Toy Bank: Elephant' +p44285 +sg25270 +S'Walter Hochstrasser' +p44286 +sa(dp44287 +g25267 +g27 +sg25268 +S'Monkey Bank' +p44288 +sg25270 +S'Ernest A. Towers, Jr.' +p44289 +sa(dp44290 +g25267 +g27 +sg25268 +S'"I Hear a Call" Bank' +p44291 +sg25270 +S'William O. Fletcher' +p44292 +sa(dp44293 +g25267 +g27 +sg25268 +S"Horse's Head Bank" +p44294 +sg25270 +S'Alf Bruseth' +p44295 +sa(dp44296 +g25267 +g27 +sg25268 +S'Toy Bank: Elephant' +p44297 +sg25270 +S'Frank Gray' +p44298 +sa(dp44299 +g25273 +S'pen and black ink and brush and black ink with gray wash and white heightening' +p44300 +sg25267 +g27 +sg25275 +S'1766' +p44301 +sg25268 +S"Pallas commande a l'Envie de rendre Aglaure jalouse de sa soeur Herse" +p44302 +sg25270 +S'Jean-Baptiste Le Prince' +p44303 +sa(dp44304 +g25267 +g27 +sg25268 +S'Toy Bank: Trick pony' +p44305 +sg25270 +S'Florian Rokita' +p44306 +sa(dp44307 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00051/a00051d5.jpg' +p44308 +sg25268 +S'Toy Bank: Speaking Dog' +p44309 +sg25270 +S'Edward L. Loper' +p44310 +sa(dp44311 +g25267 +g27 +sg25268 +S'Toy Bank: "Jonah and the Whale"' +p44312 +sg25270 +S'Rose Campbell-Gerke' +p44313 +sa(dp44314 +g25267 +S'Perhaps the most avidly collected toys of all are mechanical banks. Simple cast\n iron banks with no animation were first manufactured just after the Civil War. With\n the development of spring mechanisms, many intricate and ingenious models appeared.\n Mechanical banks flourished between about 1870 and 1910. In this example, dated\n 1906, a coin is placed in the gun; when the lever is pressed, the coin is shot into\n a slot in the tree trunk and the bear\'s head springs up. The toy is derived from\n a famous event: Theodore Roosevelt, on a hunting expedition in Mississippi, refused\n to shoot a bear cub. The cartoonist Clifford Berryman was present and immortalized\n the incident in the next day\'s newspaper; thus, the "Teddy bear" was born. This\n bank was made by the Steven Company Iron Foundry of Cromwell, Connecticut.\n ' +p44315 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002dd.jpg' +p44316 +sg25268 +S'Toy Bank: "Teddy and the Bear"' +p44317 +sg25270 +S'Pearl Torell' +p44318 +sa(dp44319 +g25267 +g27 +sg25268 +S'Toy Bank: "Paddy and the Pig"' +p44320 +sg25270 +S'Sarkis Erganian' +p44321 +sa(dp44322 +g25267 +g27 +sg25268 +S'Toy Bank: Chief Big Moon' +p44323 +sg25270 +S'George File' +p44324 +sa(dp44325 +g25267 +g27 +sg25268 +S'Toy Bank: Paddy and the Pig' +p44326 +sg25270 +S'Chris Makrenos' +p44327 +sa(dp44328 +g25267 +g27 +sg25268 +S'Toy: Speaking Dog Bank' +p44329 +sg25270 +S'Chris Makrenos' +p44330 +sa(dp44331 +g25267 +g27 +sg25268 +S'Speaking Dog Mechanical Bank' +p44332 +sg25270 +S'Einar Heiberg' +p44333 +sa(dp44334 +g25267 +g27 +sg25268 +S'Penny Bank' +p44335 +sg25270 +S'Grace Halpin' +p44336 +sa(dp44337 +g25273 +S'(artist after)' +p44338 +sg25267 +g27 +sg25275 +S'\n' +p44339 +sg25268 +S"Pallas commande a l'envie de rendre Aglaure jalouse de sa soeur Herse" +p44340 +sg25270 +S'Artist Information (' +p44341 +sa(dp44342 +g25267 +g27 +sg25268 +S'Toy Bank' +p44343 +sg25270 +S'James McKenzie' +p44344 +sa(dp44345 +g25267 +g27 +sg25268 +S'Toy Bank: Bear and Indian' +p44346 +sg25270 +S'Ethel Clarke' +p44347 +sa(dp44348 +g25267 +g27 +sg25268 +S'Toy Bank: Speaking Dog and Figure' +p44349 +sg25270 +S'American 20th Century' +p44350 +sa(dp44351 +g25267 +g27 +sg25268 +S'Toy Bank: Figure with Mule' +p44352 +sg25270 +S'Chris Makrenos' +p44353 +sa(dp44354 +g25267 +g27 +sg25268 +S'Toy Bank' +p44355 +sg25270 +S'Pearl Torell' +p44356 +sa(dp44357 +g25267 +g27 +sg25268 +S'Toy Bank' +p44358 +sg25270 +S'Nicholas Amantea' +p44359 +sa(dp44360 +g25267 +g27 +sg25268 +S'Toy Bank' +p44361 +sg25270 +S'Alf Bruseth' +p44362 +sa(dp44363 +g25267 +g27 +sg25268 +S'Toy Bank' +p44364 +sg25270 +S'William O. Fletcher' +p44365 +sa(dp44366 +g25267 +g27 +sg25268 +S'Toy Bank' +p44367 +sg25270 +S'Edward D. Williams' +p44368 +sa(dp44369 +g25267 +g27 +sg25268 +S'Toy Bank' +p44370 +sg25270 +S'Archie Thompson' +p44371 +sa(dp44372 +g25273 +S'pen and black ink and brush and brown ink with brown wash' +p44373 +sg25267 +g27 +sg25275 +S'published 1767/1771' +p44374 +sg25268 +S"Mercure entre dans l'apartement d'Herse ..." +p44375 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p44376 +sa(dp44377 +g25267 +g27 +sg25268 +S'Toy Bank' +p44378 +sg25270 +S'Bertha Semple' +p44379 +sa(dp44380 +g25267 +g27 +sg25268 +S'Toy Bank' +p44381 +sg25270 +S'Beverly Chichester' +p44382 +sa(dp44383 +g25267 +g27 +sg25268 +S'Cast Iron Mule Bank' +p44384 +sg25270 +S'Sarkis Erganian' +p44385 +sa(dp44386 +g25267 +g27 +sg25268 +S'Toy Bank: Donkey Cart' +p44387 +sg25270 +S'Charles Moss' +p44388 +sa(dp44389 +g25267 +g27 +sg25268 +S'Toy Bank: Building and Revolving Dog' +p44390 +sg25270 +S'William O. Fletcher' +p44391 +sa(dp44392 +g25267 +g27 +sg25268 +S'Toy Bank: Frog' +p44393 +sg25270 +S'Chris Makrenos' +p44394 +sa(dp44395 +g25267 +g27 +sg25268 +S'Toy Bank: Tabby Cat' +p44396 +sg25270 +S'George File' +p44397 +sa(dp44398 +g25267 +g27 +sg25268 +S'Toy Bank: Monkey and Lion' +p44399 +sg25270 +S'George File' +p44400 +sa(dp44401 +g25267 +g27 +sg25268 +S'Toy Bank: Donkey and Cart' +p44402 +sg25270 +S'Isidore Danziger' +p44403 +sa(dp44404 +g25267 +g27 +sg25268 +S'Toy Bank: Donkey and House' +p44405 +sg25270 +S'Jennie Kamar' +p44406 +sa(dp44407 +g25273 +S'(artist after)' +p44408 +sg25267 +g27 +sg25275 +S'\n' +p44409 +sg25268 +S"Mercure entre dans l'apartement d'Herse ..." +p44410 +sg25270 +S'Artist Information (' +p44411 +sa(dp44412 +g25267 +S"The mechanical bank had a special purpose as a child's toy: it made saving fun;\n thrift was turned into a game. The spring and lever action was well suited to a\n wide range of subjects. The bank shown here consists of a bullfrog sitting on a\n cylinder whose walls are pierced in a latticework design. The frog's right front\n foot rests on a spring; when the foot is pressed down, the frog's eyes roll and\n its lower jaw opens to receive coins. Foundries produced mechanical toy banks of\n cast iron by the millions between about 1870 and 1910. This piece was issued a patent\n on August 20, 1872.\n " +p44413 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002de.jpg' +p44414 +sg25268 +S'Toy Bank: Frog' +p44415 +sg25270 +S'William O. Fletcher' +p44416 +sa(dp44417 +g25267 +g27 +sg25268 +S'Toy Bank: Mule and Manger' +p44418 +sg25270 +S'Chris Makrenos' +p44419 +sa(dp44420 +g25267 +g27 +sg25268 +S'Toy Bank: Frog' +p44421 +sg25270 +S'William O. Fletcher' +p44422 +sa(dp44423 +g25267 +g27 +sg25268 +S'Toy Bank: Monkey and Hurdy-Gurdy' +p44424 +sg25270 +S'Cushman Parker' +p44425 +sa(dp44426 +g25267 +g27 +sg25268 +S'Toy Bank: Bird Feeding its Young' +p44427 +sg25270 +S'American 20th Century' +p44428 +sa(dp44429 +g25267 +g27 +sg25268 +S'Toy Bank: Eagle' +p44430 +sg25270 +S'William High' +p44431 +sa(dp44432 +g25267 +g27 +sg25268 +S'Toy Bank: Bird' +p44433 +sg25270 +S'George File' +p44434 +sa(dp44435 +g25267 +g27 +sg25268 +S'Toy Bank: "I Always Did \'Spise a Mule"' +p44436 +sg25270 +S'Florian Rokita' +p44437 +sa(dp44438 +g25267 +g27 +sg25268 +S'Rooster Coin Bank' +p44439 +sg25270 +S'William O. Fletcher' +p44440 +sa(dp44441 +g25267 +g27 +sg25268 +S'Mechanical Bank' +p44442 +sg25270 +S'Robert Clark' +p44443 +sa(dp44444 +g25273 +S'(artist after)' +p44445 +sg25267 +g27 +sg25275 +S'\n' +p44446 +sg25268 +S'Jupiter Metamorphose en Taureau ...' +p44447 +sg25270 +S'Artist Information (' +p44448 +sa(dp44449 +g25267 +g27 +sg25268 +S'Iron Bank' +p44450 +sg25270 +S'LeRoy Griffith' +p44451 +sa(dp44452 +g25267 +g27 +sg25268 +S'Toy Bank: Eagle' +p44453 +sg25270 +S'Clarence W. Dawson' +p44454 +sa(dp44455 +g25267 +g27 +sg25268 +S'Owl on Log Bank' +p44456 +sg25270 +S'William O. Fletcher' +p44457 +sa(dp44458 +g25267 +g27 +sg25268 +S'Mechanical Penny Bank: Owl' +p44459 +sg25270 +S'E.J. Gilsleider' +p44460 +sa(dp44461 +g25267 +g27 +sg25268 +S'Cast Iron Toy Bank: Independence Hall' +p44462 +sg25270 +S'Dorothy Brennan' +p44463 +sa(dp44464 +g25267 +g27 +sg25268 +S'State Bank #2' +p44465 +sg25270 +S'Clementine Fossek' +p44466 +sa(dp44467 +g25267 +g27 +sg25268 +S'Tiled Roof House Bank' +p44468 +sg25270 +S'William O. Fletcher' +p44469 +sa(dp44470 +g25267 +g27 +sg25268 +S'Cathedral Coin Box' +p44471 +sg25270 +S'Alf Bruseth' +p44472 +sa(dp44473 +g25267 +g27 +sg25268 +S'Byzantine Dome Coin Bank' +p44474 +sg25270 +S'William O. Fletcher' +p44475 +sa(dp44476 +g25267 +g27 +sg25268 +S'Russian Church Coin Bank' +p44477 +sg25270 +S'Clementine Fossek' +p44478 +sa(dp44479 +g25268 +S'Sir John Reade, Bart.' +p44480 +sg25270 +S'Rosalba Carriera' +p44481 +sg25273 +S'pastel' +p44482 +sg25275 +S'1739' +p44483 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00062/a00062da.jpg' +p44484 +sg25267 +g27 +sa(dp44485 +g25273 +S'pen and black ink and brush and brown ink with brown wash and white heightening' +p44486 +sg25267 +g27 +sg25275 +S'published 1767/1771' +p44487 +sg25268 +S"Agener ordonne a Cadmus d'aller chercher sa Soeur Europe, enlevee par Jupiter" +p44488 +sg25270 +S'Charles Monnet' +p44489 +sa(dp44490 +g25267 +g27 +sg25268 +S'Home Savings bank' +p44491 +sg25270 +S'William O. Fletcher' +p44492 +sa(dp44493 +g25267 +g27 +sg25268 +S'House Coin Bank' +p44494 +sg25270 +S'Alf Bruseth' +p44495 +sa(dp44496 +g25267 +g27 +sg25268 +S'Toy Bank: "Waste Not - Want Not"' +p44497 +sg25270 +S'William O. Fletcher' +p44498 +sa(dp44499 +g25267 +g27 +sg25268 +S'Toy Bank: "Bank Building"' +p44500 +sg25270 +S'Alf Bruseth' +p44501 +sa(dp44502 +g25267 +g27 +sg25268 +S'Iron "Bank" Bank' +p44503 +sg25270 +S'Clementine Fossek' +p44504 +sa(dp44505 +g25267 +g27 +sg25268 +S'Toy Bank Building' +p44506 +sg25270 +S'Alf Bruseth' +p44507 +sa(dp44508 +g25267 +g27 +sg25268 +S'Toy House' +p44509 +sg25270 +S'Nicholas Acampora' +p44510 +sa(dp44511 +g25267 +g27 +sg25268 +S'Penny Bank' +p44512 +sg25270 +S'Samuel O. Klein' +p44513 +sa(dp44514 +g25267 +g27 +sg25268 +S'Bank: Toy Building' +p44515 +sg25270 +S'Telli' +p44516 +sa(dp44517 +g25267 +g27 +sg25268 +S'Penny Bank' +p44518 +sg25270 +S'Herman Schulze' +p44519 +sa(dp44520 +g25273 +S'(artist after)' +p44521 +sg25267 +g27 +sg25275 +S'\n' +p44522 +sg25268 +S"Agener ordonne a Cadmus s'aller chercher sa soeur Europe, enlevee par Jupiter" +p44523 +sg25270 +S'Artist Information (' +p44524 +sa(dp44525 +g25267 +g27 +sg25268 +S'Penny Bank' +p44526 +sg25270 +S'Charles Charon' +p44527 +sa(dp44528 +g25267 +g27 +sg25268 +S'Painted Tin Toy Bank' +p44529 +sg25270 +S'John Hall' +p44530 +sa(dp44531 +g25267 +g27 +sg25268 +S'Red School House Bank' +p44532 +sg25270 +S'William O. Fletcher' +p44533 +sa(dp44534 +g25267 +g27 +sg25268 +S'Bank: Toy Building with Figure' +p44535 +sg25270 +S'Clementine Fossek' +p44536 +sa(dp44537 +g25267 +g27 +sg25268 +S'"City Bank" Toy Bank' +p44538 +sg25270 +S'William O. Fletcher' +p44539 +sa(dp44540 +g25267 +g27 +sg25268 +S'Toy Bank' +p44541 +sg25270 +S'Chris Makrenos' +p44542 +sa(dp44543 +g25267 +g27 +sg25268 +S'Toy Bank' +p44544 +sg25270 +S'Florian Rokita' +p44545 +sa(dp44546 +g25267 +g27 +sg25268 +S'Novelty Bank' +p44547 +sg25270 +S'Alf Bruseth' +p44548 +sa(dp44549 +g25267 +g27 +sg25268 +S'Penny Bank' +p44550 +sg25270 +S'Grace Halpin' +p44551 +sa(dp44552 +g25267 +g27 +sg25268 +S"Wall's Excelsior Bank (mechanical)" +p44553 +sg25270 +S'William O. 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Langden Brown' +p45475 +sa(dp45476 +g25267 +g27 +sg25268 +S'Bandbox' +p45477 +sg25270 +S'American 20th Century' +p45478 +sa(dp45479 +g25267 +g27 +sg25268 +S'Bell' +p45480 +sg25270 +S'American 20th Century' +p45481 +sa(dp45482 +g25267 +g27 +sg25268 +S'Hoe' +p45483 +sg25270 +S'Cornelius Christoffels' +p45484 +sa(dp45485 +g25267 +g27 +sg25268 +S'Gong' +p45486 +sg25270 +S'Albert Rudin' +p45487 +sa(dp45488 +g25267 +g27 +sg25268 +S'Bell' +p45489 +sg25270 +S'American 20th Century' +p45490 +sa(dp45491 +g25267 +g27 +sg25268 +S'Andiron' +p45492 +sg25270 +S'Donald Streeter' +p45493 +sa(dp45494 +g25267 +g27 +sg25268 +S'Bandbox' +p45495 +sg25270 +S'Gilbert Sackerman' +p45496 +sa(dp45497 +g25267 +g27 +sg25268 +S'Cheese Mold' +p45498 +sg25270 +S'Roberta Elvis' +p45499 +sa(dp45500 +g25273 +S'Widener Collection' +p45501 +sg25267 +g27 +sg25275 +S'\nbound volume with 17 drawings and 18 prints by various artists for the 1767-1771 ed. of "Les Metamorphoses d\'Ovide"' +p45502 +sg25268 +S'Album of Preliminary Drawings and Prints for "Les Metamorphoses d\'Ovide" (volume 4)' +p45503 +sg25270 +S'Various Artists' +p45504 +sa(dp45505 +g25267 +g27 +sg25268 +S'Bandbox Design' +p45506 +sg25270 +S'American 20th Century' +p45507 +sa(dp45508 +g25267 +g27 +sg25268 +S'Cake Basket' +p45509 +sg25270 +S'Mary Berner' +p45510 +sa(dp45511 +g25267 +g27 +sg25268 +S'Teapot' +p45512 +sg25270 +S'American 20th Century' +p45513 +sa(dp45514 +g25267 +g27 +sg25268 +S'Teapot' +p45515 +sg25270 +S'Leo Drozdoff' +p45516 +sa(dp45517 +g25267 +g27 +sg25268 +S'Mug' +p45518 +sg25270 +S'Charlotte Winter' +p45519 +sa(dp45520 +g25267 +g27 +sg25268 +S'Teapot' +p45521 +sg25270 +S'Franklin C. 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De Vault' +p45876 +sa(dp45877 +g25267 +g27 +sg25268 +S'Bit Brace' +p45878 +sg25270 +S'Alfonso Moreno' +p45879 +sa(dp45880 +g25267 +g27 +sg25268 +S"Carpenter's Brace" +p45881 +sg25270 +S'Frank Gray' +p45882 +sa(dp45883 +g25267 +g27 +sg25268 +S"Carpenter's Brace" +p45884 +sg25270 +S'Jacob Lipkin' +p45885 +sa(dp45886 +g25267 +g27 +sg25268 +S'Hand Tool' +p45887 +sg25270 +S'Thomas Holloway' +p45888 +sa(dp45889 +g25267 +g27 +sg25268 +S'Bit and Countersink' +p45890 +sg25270 +S'Fred Hassebrock' +p45891 +sa(dp45892 +g25273 +S'(artist after)' +p45893 +sg25267 +g27 +sg25275 +S'\n' +p45894 +sg25268 +S'Phinee entre dans la Salle de Festin ... addressant le parole a Persee' +p45895 +sg25270 +S'Artist Information (' +p45896 +sa(dp45897 +g25267 +g27 +sg25268 +S"Carpenter's Brace" +p45898 +sg25270 +S'Henrietta S. Hukill' +p45899 +sa(dp45900 +g25267 +g27 +sg25268 +S"Carpenter's Brace" +p45901 +sg25270 +S'William H. 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Loper' +p45917 +sa(dp45918 +g25267 +g27 +sg25268 +S'Snuff Box' +p45919 +sg25270 +S'Edward DiGennero' +p45920 +sa(dp45921 +g25267 +g27 +sg25268 +S'Snuff Box' +p45922 +sg25270 +S'Ann Gene Buckley' +p45923 +sa(dp45924 +g25267 +g27 +sg25268 +S'Snuff Box' +p45925 +sg25270 +S'Madeline Arnold' +p45926 +sa(dp45927 +g25268 +S'Perseus Turning Phinneas to Stone with the Head of Medusa' +p45928 +sg25270 +S'Charles Monnet' +p45929 +sg25273 +S'pen and black ink with brown wash over traces of graphite, with double border line by the artist in pen and gray ink, on laid paper' +p45930 +sg25275 +S'1767' +p45931 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00060/a00060d6.jpg' +p45932 +sg25267 +g27 +sa(dp45933 +g25267 +g27 +sg25268 +S'Snuff Box' +p45934 +sg25270 +S'Alf Bruseth' +p45935 +sa(dp45936 +g25267 +g27 +sg25268 +S'Snuff Box' +p45937 +sg25270 +S'Donald Streeter' +p45938 +sa(dp45939 +g25267 +g27 +sg25268 +S'Snuff Box' +p45940 +sg25270 +S'Alfred Walbeck' +p45941 +sa(dp45942 +g25267 +g27 +sg25268 +S'Snuff Box' +p45943 +sg25270 +S'Marie Famularo' +p45944 +sa(dp45945 +g25267 +g27 +sg25268 +S'Branding Hammer' +p45946 +sg25270 +S'Joseph L. Boyd' +p45947 +sa(dp45948 +g25267 +g27 +sg25268 +S'Branding Iron Used for Boxes and Bags' +p45949 +sg25270 +S'Ralph Russell' +p45950 +sa(dp45951 +g25267 +g27 +sg25268 +S'Fish Marker' +p45952 +sg25270 +S'Lloyd Charles Lemcke' +p45953 +sa(dp45954 +g25267 +g27 +sg25268 +S'Log Marker' +p45955 +sg25270 +S'Frank Volem' +p45956 +sa(dp45957 +g25267 +g27 +sg25268 +S'Log Marker' +p45958 +sg25270 +S'Samuel Faigin' +p45959 +sa(dp45960 +g25267 +g27 +sg25268 +S'Branding Iron' +p45961 +sg25270 +S'Henry Rasmusen' +p45962 +sa(dp45963 +g25273 +S'(artist after)' +p45964 +sg25267 +g27 +sg25275 +S'\n' +p45965 +sg25268 +S'Persee ... presente la tete de Meduse' +p45966 +sg25270 +S'Artist Information (' +p45967 +sa(dp45968 +g25267 +g27 +sg25268 +S'Branding Iron' +p45969 +sg25270 +S'Eugene Upton' +p45970 +sa(dp45971 +g25267 +g27 +sg25268 +S'Branding Iron' +p45972 +sg25270 +S'Elizabeth Chambers' +p45973 +sa(dp45974 +g25267 +g27 +sg25268 +S'Branding Iron' +p45975 +sg25270 +S'Elizabeth Chambers' +p45976 +sa(dp45977 +g25267 +g27 +sg25268 +S'Branding Iron' +p45978 +sg25270 +S'Alfonso Moreno' +p45979 +sa(dp45980 +g25267 +g27 +sg25268 +S'Branding Iron' +p45981 +sg25270 +S'Fred Hassebrock' +p45982 +sa(dp45983 +g25267 +g27 +sg25268 +S'Branding Iron' +p45984 +sg25270 +S'J. Henry Marley' +p45985 +sa(dp45986 +g25267 +g27 +sg25268 +S'Branding Iron' +p45987 +sg25270 +S'Geoffrey Holt' +p45988 +sa(dp45989 +g25267 +g27 +sg25268 +S'Branding Iron' +p45990 +sg25270 +S'J. Henry Marley' +p45991 +sa(dp45992 +g25267 +g27 +sg25268 +S'Branding Iron' +p45993 +sg25270 +S'Elizabeth Johnson' +p45994 +sa(dp45995 +g25267 +g27 +sg25268 +S'Branding Iron' +p45996 +sg25270 +S'Elizabeth Johnson' +p45997 +sa(dp45998 +g25273 +S'graphite' +p45999 +sg25267 +g27 +sg25275 +S'1767' +p46000 +sg25268 +S'Minerve va sur le Mont Helicon our visiter les Muses' +p46001 +sg25270 +S'Charles Eisen' +p46002 +sa(dp46003 +g25267 +g27 +sg25268 +S'Branding Iron' +p46004 +sg25270 +S'Elizabeth Johnson' +p46005 +sa(dp46006 +g25267 +g27 +sg25268 +S'Branding Iron' +p46007 +sg25270 +S'Elizabeth Johnson' +p46008 +sa(dp46009 +g25267 +g27 +sg25268 +S'Branding Iron' +p46010 +sg25270 +S'Elizabeth Johnson' +p46011 +sa(dp46012 +g25267 +g27 +sg25268 +S'Branding Iron' +p46013 +sg25270 +S'Elizabeth Johnson' +p46014 +sa(dp46015 +g25267 +g27 +sg25268 +S'Branding Iron' +p46016 +sg25270 +S'Elizabeth Johnson' +p46017 +sa(dp46018 +g25267 +g27 +sg25268 +S'Branding Iron' +p46019 +sg25270 +S'Elizabeth Johnson' +p46020 +sa(dp46021 +g25267 +g27 +sg25268 +S'Branding Iron' +p46022 +sg25270 +S'Elizabeth Johnson' +p46023 +sa(dp46024 +g25267 +g27 +sg25268 +S'Branding Iron' +p46025 +sg25270 +S'Elizabeth Johnson' +p46026 +sa(dp46027 +g25267 +g27 +sg25268 +S'Branding Iron' +p46028 +sg25270 +S'Elizabeth Johnson' +p46029 +sa(dp46030 +g25267 +g27 +sg25268 +S'Branding Iron' +p46031 +sg25270 +S'Elizabeth Johnson' +p46032 +sa(dp46033 +g25273 +S'(artist after)' +p46034 +sg25267 +g27 +sg25275 +S'\n' +p46035 +sg25268 +S'Minerve va sur le Mont Helicon pour visiter les Muses' +p46036 +sg25270 +S'Artist Information (' +p46037 +sa(dp46038 +g25267 +g27 +sg25268 +S'Branding Iron' +p46039 +sg25270 +S'Elizabeth Johnson' +p46040 +sa(dp46041 +g25267 +g27 +sg25268 +S'Branding Iron' +p46042 +sg25270 +S'Elizabeth Johnson' +p46043 +sa(dp46044 +g25267 +g27 +sg25268 +S'Branding Iron' +p46045 +sg25270 +S'Elizabeth Johnson' +p46046 +sa(dp46047 +g25267 +g27 +sg25268 +S'Branding Iron' +p46048 +sg25270 +S'Elizabeth Johnson' +p46049 +sa(dp46050 +g25267 +g27 +sg25268 +S'Branding Iron' +p46051 +sg25270 +S'Elizabeth Johnson' +p46052 +sa(dp46053 +g25267 +g27 +sg25268 +S'Cattle Brand' +p46054 +sg25270 +S'J. Henry Marley' +p46055 +sa(dp46056 +g25267 +g27 +sg25268 +S'Cattle Brand' +p46057 +sg25270 +S'J. Henry Marley' +p46058 +sa(dp46059 +g25267 +g27 +sg25268 +S'Cattle Brand' +p46060 +sg25270 +S'J. Henry Marley' +p46061 +sa(dp46062 +g25267 +g27 +sg25268 +S'Cattle Brand' +p46063 +sg25270 +S'J. Henry Marley' +p46064 +sa(dp46065 +g25267 +g27 +sg25268 +S'Cattle Brand' +p46066 +sg25270 +S'J. Henry Marley' +p46067 +sa(dp46068 +g25273 +S'graphite' +p46069 +sg25267 +g27 +sg25275 +S'1767' +p46070 +sg25268 +S"Venus prie son Fils de percer d'une de ses Fleches le Coeur de Pluton" +p46071 +sg25270 +S'Charles Eisen' +p46072 +sa(dp46073 +g25267 +g27 +sg25268 +S'Cattle Brand' +p46074 +sg25270 +S'J. Henry Marley' +p46075 +sa(dp46076 +g25267 +g27 +sg25268 +S'Cattle Brand' +p46077 +sg25270 +S'J. Henry Marley' +p46078 +sa(dp46079 +g25267 +g27 +sg25268 +S'Cattle Brand' +p46080 +sg25270 +S'J. Henry Marley' +p46081 +sa(dp46082 +g25267 +g27 +sg25268 +S'Cattle Brand' +p46083 +sg25270 +S'J. Henry Marley' +p46084 +sa(dp46085 +g25267 +g27 +sg25268 +S'Cattle Brand' +p46086 +sg25270 +S'J. Henry Marley' +p46087 +sa(dp46088 +g25267 +g27 +sg25268 +S'Cattle Brand' +p46089 +sg25270 +S'J. Henry Marley' +p46090 +sa(dp46091 +g25267 +g27 +sg25268 +S'Cattle Brand' +p46092 +sg25270 +S'J. Henry Marley' +p46093 +sa(dp46094 +g25267 +g27 +sg25268 +S'Cattle Brand' +p46095 +sg25270 +S'J. Henry Marley' +p46096 +sa(dp46097 +g25267 +g27 +sg25268 +S'Cattle Brand' +p46098 +sg25270 +S'J. Henry Marley' +p46099 +sa(dp46100 +g25267 +g27 +sg25268 +S'Cattle Brand' +p46101 +sg25270 +S'J. Henry Marley' +p46102 +sa(dp46103 +g25273 +S'(artist after)' +p46104 +sg25267 +g27 +sg25275 +S'\n' +p46105 +sg25268 +S"Venus prie son Fils de percer d'une deses Flechs le Coeur de Pluton" +p46106 +sg25270 +S'Artist Information (' +p46107 +sa(dp46108 +g25267 +g27 +sg25268 +S'Cattle Brand' +p46109 +sg25270 +S'J. Henry Marley' +p46110 +sa(dp46111 +g25267 +g27 +sg25268 +S'Cattle Brand' +p46112 +sg25270 +S'J. Henry Marley' +p46113 +sa(dp46114 +g25267 +g27 +sg25268 +S'Cattle Brand' +p46115 +sg25270 +S'J. Henry Marley' +p46116 +sa(dp46117 +g25267 +g27 +sg25268 +S'Cattle Brand' +p46118 +sg25270 +S'J. Henry Marley' +p46119 +sa(dp46120 +g25267 +g27 +sg25268 +S'Cattle Brand' +p46121 +sg25270 +S'J. Henry Marley' +p46122 +sa(dp46123 +g25267 +g27 +sg25268 +S'Cattle Brand' +p46124 +sg25270 +S'J. Henry Marley' +p46125 +sa(dp46126 +g25267 +g27 +sg25268 +S'Cattle Brand' +p46127 +sg25270 +S'J. Henry Marley' +p46128 +sa(dp46129 +g25267 +g27 +sg25268 +S'Cattle Brand' +p46130 +sg25270 +S'J. Henry Marley' +p46131 +sa(dp46132 +g25267 +g27 +sg25268 +S'Cattle Brand' +p46133 +sg25270 +S'J. Henry Marley' +p46134 +sa(dp46135 +g25267 +g27 +sg25268 +S'Cattle Brand' +p46136 +sg25270 +S'J. Henry Marley' +p46137 +sa(dp46138 +g25273 +S', 1767' +p46139 +sg25267 +g27 +sg25275 +S'\n' +p46140 +sg25268 +S'Pluton enleve Proserpine et convertit en Montaine Cyane ...' +p46141 +sg25270 +S'Jean-Michel Moreau the Younger' +p46142 +sa(dp46143 +g25267 +g27 +sg25268 +S'Cattle Brand' +p46144 +sg25270 +S'J. Henry Marley' +p46145 +sa(dp46146 +g25267 +g27 +sg25268 +S'Cattle Brand' +p46147 +sg25270 +S'J. Henry Marley' +p46148 +sa(dp46149 +g25267 +g27 +sg25268 +S'Cattle Brand' +p46150 +sg25270 +S'J. Henry Marley' +p46151 +sa(dp46152 +g25267 +g27 +sg25268 +S'Cattle Brand' +p46153 +sg25270 +S'J. Henry Marley' +p46154 +sa(dp46155 +g25267 +g27 +sg25268 +S'Cattle Brand' +p46156 +sg25270 +S'J. Henry Marley' +p46157 +sa(dp46158 +g25267 +g27 +sg25268 +S'Cattle Brand' +p46159 +sg25270 +S'J. Henry Marley' +p46160 +sa(dp46161 +g25267 +g27 +sg25268 +S'Cattle Brand' +p46162 +sg25270 +S'J. Henry Marley' +p46163 +sa(dp46164 +g25267 +g27 +sg25268 +S'Cattle Brand' +p46165 +sg25270 +S'J. Henry Marley' +p46166 +sa(dp46167 +g25267 +g27 +sg25268 +S'Cattle Brand' +p46168 +sg25270 +S'J. Henry Marley' +p46169 +sa(dp46170 +g25267 +g27 +sg25268 +S'Cattle Brand' +p46171 +sg25270 +S'J. Henry Marley' +p46172 +sa(dp46173 +g25273 +S'(artist after)' +p46174 +sg25267 +g27 +sg25275 +S'\n' +p46175 +sg25268 +S"Pluton enl\xc3\xa8ve Proserpine et convertit en Fontaine Cyan\xc3\xa9 qui vouloit s'y opposer" +p46176 +sg25270 +S'Artist Information (' +p46177 +sa(dp46178 +g25267 +g27 +sg25268 +S'Butter Mold' +p46179 +sg25270 +S'John Price' +p46180 +sa(dp46181 +g25267 +g27 +sg25268 +S'Butter Mold' +p46182 +sg25270 +S'Wilbur M Rice' +p46183 +sa(dp46184 +g25267 +g27 +sg25268 +S'Butter Mold' +p46185 +sg25270 +S'Wilbur M Rice' +p46186 +sa(dp46187 +g25267 +g27 +sg25268 +S'Butter Stamp' +p46188 +sg25270 +S'Florence Choate' +p46189 +sa(dp46190 +g25267 +g27 +sg25268 +S'Butter Mold' +p46191 +sg25270 +S'Michael Dadante' +p46192 +sa(dp46193 +g25267 +g27 +sg25268 +S'Butter Mold' +p46194 +sg25270 +S'Robert Pohle' +p46195 +sa(dp46196 +g25267 +g27 +sg25268 +S'Butter Mold' +p46197 +sg25270 +S'Michael Riccitelli' +p46198 +sa(dp46199 +g25267 +g27 +sg25268 +S'Butter Mold' +p46200 +sg25270 +S'Roy Weber' +p46201 +sa(dp46202 +g25267 +g27 +sg25268 +S'Butter Mold' +p46203 +sg25270 +S'Roberta Spicer' +p46204 +sa(dp46205 +g25267 +g27 +sg25268 +S'Butter Mold' +p46206 +sg25270 +S'Roberta Spicer' +p46207 +sa(dp46208 +g25273 +S', 1767' +p46209 +sg25267 +g27 +sg25275 +S'\n' +p46210 +sg25268 +S'Ceres apprend par Arethuse que Pluton avoit enleve sa Fille Proserpine' +p46211 +sg25270 +S'Jean-Michel Moreau the Younger' +p46212 +sa(dp46213 +g25267 +g27 +sg25268 +S'Butter Mold' +p46214 +sg25270 +S'Michael Rekucki' +p46215 +sa(dp46216 +g25267 +g27 +sg25268 +S'Butter Mold' +p46217 +sg25270 +S'Charlotte Angus' +p46218 +sa(dp46219 +g25267 +g27 +sg25268 +S'Butter Mold' +p46220 +sg25270 +S'Marie Lutrell' +p46221 +sa(dp46222 +g25267 +g27 +sg25268 +S'Butter Mold' +p46223 +sg25270 +S'John Hall' +p46224 +sa(dp46225 +g25267 +g27 +sg25268 +S'Brush Cutter' +p46226 +sg25270 +S'Nicholas Amantea' +p46227 +sa(dp46228 +g25267 +g27 +sg25268 +S'Broom' +p46229 +sg25270 +S'Peter Antonelli' +p46230 +sa(dp46231 +g25267 +g27 +sg25268 +S'Squab Broiler' +p46232 +sg25270 +S'Francis Jennings' +p46233 +sa(dp46234 +g25267 +g27 +sg25268 +S'Bristle Remover for Hogs' +p46235 +sg25270 +S'Frank Volem' +p46236 +sa(dp46237 +g25267 +g27 +sg25268 +S"Cowboy's Hackamore Bit" +p46238 +sg25270 +S'Cecil Smith' +p46239 +sa(dp46240 +g25267 +g27 +sg25268 +S'Bridle Bit' +p46241 +sg25270 +S'Cecil Smith' +p46242 +sa(dp46243 +g25268 +S'A Miracle of Saint Francis of Paola' +p46244 +sg25270 +S'Sebastiano Ricci' +p46245 +sg25273 +S'oil on canvas' +p46246 +sg25275 +S'1733' +p46247 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a000061d.jpg' +p46248 +sg25267 +g27 +sa(dp46249 +g25273 +S'(artist after)' +p46250 +sg25267 +g27 +sg25275 +S'\n' +p46251 +sg25268 +S'C\xc3\xa9r\xc3\xa8s apprend par Ar\xc3\xa9thuse que Pluton avoit enlev\xc3\xa9 Proserpine' +p46252 +sg25270 +S'Artist Information (' +p46253 +sa(dp46254 +g25267 +g27 +sg25268 +S'"Jay Eye See" Driving Bit' +p46255 +sg25270 +S'Harold Ballerd' +p46256 +sa(dp46257 +g25267 +g27 +sg25268 +S'Iron Breast Plate' +p46258 +sg25270 +S'American 20th Century' +p46259 +sa(dp46260 +g25267 +g27 +sg25268 +S"Lead Miner's Wooden Bucket" +p46261 +sg25270 +S'Artist Information (' +p46262 +sa(dp46263 +g25267 +g27 +sg25268 +S'Sugar Bucket' +p46264 +sg25270 +S'Ardella Watkins' +p46265 +sa(dp46266 +g25267 +g27 +sg25268 +S'Wooden Bucket' +p46267 +sg25270 +S'Charles Garjian' +p46268 +sa(dp46269 +g25267 +g27 +sg25268 +S'Sugar Bucket' +p46270 +sg25270 +S'John Jordan' +p46271 +sa(dp46272 +g25267 +g27 +sg25268 +S'Sugar Pail with Cover' +p46273 +sg25270 +S'Erwin Stenzel' +p46274 +sa(dp46275 +g25267 +g27 +sg25268 +S"Miner's Ore Bucket" +p46276 +sg25270 +S'Max Fernekes' +p46277 +sa(dp46278 +g25267 +g27 +sg25268 +S'Milk Bucket' +p46279 +sg25270 +S'Jacob Gielens' +p46280 +sa(dp46281 +g25267 +g27 +sg25268 +S'Bucket' +p46282 +sg25270 +S'Frank Budash' +p46283 +sa(dp46284 +g25273 +S', 1766' +p46285 +sg25267 +g27 +sg25275 +S'\n' +p46286 +sg25268 +S"Ou fuyez vous Belle Arethuse, s'ecrie alors Alphee, ou fuyez vous" +p46287 +sg25270 +S'Jean-Michel Moreau the Younger' +p46288 +sa(dp46289 +g25267 +g27 +sg25268 +S'Wooden Sugar Bucket' +p46290 +sg25270 +S'Annie B. Johnston' +p46291 +sa(dp46292 +g25267 +g27 +sg25268 +S'Button Hole Cutter' +p46293 +sg25270 +S'Sydney Roberts' +p46294 +sa(dp46295 +g25267 +g27 +sg25268 +S'Butter Firkin' +p46296 +sg25270 +S'Orison Daeda' +p46297 +sa(dp46298 +g25267 +g27 +sg25268 +S'Butter Tub' +p46299 +sg25270 +S'Eugene C. Miller' +p46300 +sa(dp46301 +g25267 +g27 +sg25268 +S'Butter Tub' +p46302 +sg25270 +S'Edward Unger' +p46303 +sa(dp46304 +g25267 +g27 +sg25268 +S'Butter Mold' +p46305 +sg25270 +S'Harry Mann Waddell' +p46306 +sa(dp46307 +g25267 +g27 +sg25268 +S'Butter Mold' +p46308 +sg25270 +S'Edward L. Loper' +p46309 +sa(dp46310 +g25267 +g27 +sg25268 +S'Butter Molder' +p46311 +sg25270 +S'Della Button' +p46312 +sa(dp46313 +g25267 +g27 +sg25268 +S'Butter Worker' +p46314 +sg25270 +S'Gene Luedke' +p46315 +sa(dp46316 +g25267 +g27 +sg25268 +S'Butter Scoop' +p46317 +sg25270 +S'Chris Makrenos' +p46318 +sa(dp46319 +g25273 +S'(artist after)' +p46320 +sg25267 +g27 +sg25275 +S'\n' +p46321 +sg25268 +S"O\xc3\xb9 fuyez vous Belle Ar\xc3\xa9thuse, s'\xc3\xa9crie alors Alph\xc3\xa9e, o\xc3\xb9 fuyez-vous" +p46322 +sg25270 +S'Artist Information (' +p46323 +sa(dp46324 +g25267 +g27 +sg25268 +S'Butter Mold' +p46325 +sg25270 +S'John Hall' +p46326 +sa(dp46327 +g25267 +g27 +sg25268 +S'Butter Worker' +p46328 +sg25270 +S'Hester Duany' +p46329 +sa(dp46330 +g25267 +g27 +sg25268 +S'Butter Ladle' +p46331 +sg25270 +S'Alexander Anderson' +p46332 +sa(dp46333 +g25267 +g27 +sg25268 +S'Butter Paddle' +p46334 +sg25270 +S'James Drake' +p46335 +sa(dp46336 +g25267 +g27 +sg25268 +S'Butter Mold - Burr Design' +p46337 +sg25270 +S'Lawrence Flynn' +p46338 +sa(dp46339 +g25267 +g27 +sg25268 +S'Butter Print and Mold' +p46340 +sg25270 +S'Georgine E. Mason' +p46341 +sa(dp46342 +g25267 +g27 +sg25268 +S'Butter Print and Mold' +p46343 +sg25270 +S'Anthony Zuccarello' +p46344 +sa(dp46345 +g25267 +g27 +sg25268 +S'Wooden Butter Stamp' +p46346 +sg25270 +S'Frank Gray' +p46347 +sa(dp46348 +g25267 +g27 +sg25268 +S'Butter Mold' +p46349 +sg25270 +S'Mary Owen' +p46350 +sa(dp46351 +g25267 +g27 +sg25268 +S'Butter Mold' +p46352 +sg25270 +S'Mary Owen' +p46353 +sa(dp46354 +g25273 +S'pen and black ink and brush and brown ink with brown wash' +p46355 +sg25267 +g27 +sg25275 +S'1767' +p46356 +sg25268 +S'Ceres Metamorphose en Lynx Lyncus ...' +p46357 +sg25270 +S'Charles Monnet' +p46358 +sa(dp46359 +g25267 +g27 +sg25268 +S'Butter Molds' +p46360 +sg25270 +S'Harvey Beck' +p46361 +sa(dp46362 +g25267 +g27 +sg25268 +S'Butter Molds' +p46363 +sg25270 +S'Robert Pohle' +p46364 +sa(dp46365 +g25267 +g27 +sg25268 +S'Butter Mold' +p46366 +sg25270 +S'Franklyn Syres' +p46367 +sa(dp46368 +g25267 +g27 +sg25268 +S'Butter Mold' +p46369 +sg25270 +S'Samuel W. Ford' +p46370 +sa(dp46371 +g25267 +g27 +sg25268 +S'Butter Mold' +p46372 +sg25270 +S'Wilford H. 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Langden Brown' +p46867 +sa(dp46868 +g25267 +g27 +sg25268 +S'Needle Case' +p46869 +sg25270 +S'Thomas Holloway' +p46870 +sa(dp46871 +g25267 +g27 +sg25268 +S'Needle and Pin Case' +p46872 +sg25270 +S'Ann Gene Buckley' +p46873 +sa(dp46874 +g25267 +g27 +sg25268 +S'Miniature Case' +p46875 +sg25270 +S'Thomas Holloway' +p46876 +sa(dp46877 +g25267 +g27 +sg25268 +S'Needle Case' +p46878 +sg25270 +S'Ruth Buker' +p46879 +sa(dp46880 +g25267 +g27 +sg25268 +S'Thimble Case' +p46881 +sg25270 +S'David P Willoughby' +p46882 +sa(dp46883 +g25267 +g27 +sg25268 +S'Carved Cameo in Daguerreotype Case' +p46884 +sg25270 +S'Clementine Fossek' +p46885 +sa(dp46886 +g25273 +S'(artist after)' +p46887 +sg25267 +g27 +sg25275 +S'\n' +p46888 +sg25268 +S'Progne delivre Philomele de sa prison ...' +p46889 +sg25270 +S'Artist Information (' +p46890 +sa(dp46891 +g25267 +g27 +sg25268 +S'Leather Cartridge Case' +p46892 +sg25270 +S'Fred Hassebrock' +p46893 +sa(dp46894 +g25267 +g27 +sg25268 +S'Cartridge Box and Bullet' +p46895 +sg25270 +S'Manuel G. 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Stroh' +p47281 +sa(dp47282 +g25267 +g27 +sg25268 +S'Cherry Pitter' +p47283 +sg25270 +S'Herman Schulze' +p47284 +sa(dp47285 +g25267 +g27 +sg25268 +S'Cherry Pitter' +p47286 +sg25270 +S'Wayne White' +p47287 +sa(dp47288 +g25267 +g27 +sg25268 +S'Cherry Pitter' +p47289 +sg25270 +S'Archie Thompson' +p47290 +sa(dp47291 +g25267 +g27 +sg25268 +S'Chandelier' +p47292 +sg25270 +S'Simon Weiss' +p47293 +sa(dp47294 +g25267 +g27 +sg25268 +S'Chandelier' +p47295 +sg25270 +S'Artist Information (' +p47296 +sa(dp47297 +g25267 +g27 +sg25268 +S'Wood and Tin Chandelier' +p47298 +sg25270 +S'George Constantine' +p47299 +sa(dp47300 +g25267 +g27 +sg25268 +S'Chandelier' +p47301 +sg25270 +S'John H. Tercuzzi' +p47302 +sa(dp47303 +g25267 +g27 +sg25268 +S'Chandelier' +p47304 +sg25270 +S'Florence Huston' +p47305 +sa(dp47306 +g25273 +S'(artist after)' +p47307 +sg25267 +g27 +sg25275 +S'\n' +p47308 +sg25268 +S'Hercule enchaine Cerbere qui de rage souille la terre de son ecume' +p47309 +sg25270 +S'Artist Information (' +p47310 +sa(dp47311 +g25267 +g27 +sg25268 +S'Candle Chandelier' +p47312 +sg25270 +S'Columbus Simpson' +p47313 +sa(dp47314 +g25267 +g27 +sg25268 +S'Candle Chandelier' +p47315 +sg25270 +S'Columbus Simpson' +p47316 +sa(dp47317 +g25267 +g27 +sg25268 +S'Chandelier' +p47318 +sg25270 +S'Mildred Ford' +p47319 +sa(dp47320 +g25267 +g27 +sg25268 +S'Chandelier' +p47321 +sg25270 +S'Mildred Ford' +p47322 +sa(dp47323 +g25267 +g27 +sg25268 +S'Chalice' +p47324 +sg25270 +S'Mina Lowry' +p47325 +sa(dp47326 +g25267 +g27 +sg25268 +S'Chalice' +p47327 +sg25270 +S'Ivar Julius' +p47328 +sa(dp47329 +g25267 +g27 +sg25268 +S'Birth Record' +p47330 +sg25270 +S'Albert Levone' +p47331 +sa(dp47332 +g25267 +g27 +sg25268 +S'Marriage Certificate' +p47333 +sg25270 +S'J. Howard Iams' +p47334 +sa(dp47335 +g25267 +g27 +sg25268 +S'Clothes Washer' +p47336 +sg25270 +S'Alexander Anderson' +p47337 +sa(dp47338 +g25267 +g27 +sg25268 +S'Clothes Wringer' +p47339 +sg25270 +S'Herndon Hightower' +p47340 +sa(dp47341 +g25273 +S'pen and black ink with brush and brown wash' +p47342 +sg25267 +g27 +sg25275 +S'1768' +p47343 +sg25268 +S'Eaque refuse a Minos le secourse ...' +p47344 +sg25270 +S'Charles Monnet' +p47345 +sa(dp47346 +g25267 +g27 +sg25268 +S'Clothes Pin' +p47347 +sg25270 +S'Ralph Atkinson' +p47348 +sa(dp47349 +g25267 +g27 +sg25268 +S'Clothes Pins' +p47350 +sg25270 +S'Harley Kempter' +p47351 +sa(dp47352 +g25267 +g27 +sg25268 +S'Clothes Pins' +p47353 +sg25270 +S'Robert Gilson' +p47354 +sa(dp47355 +g25267 +g27 +sg25268 +S'Clock Jack' +p47356 +sg25270 +S'Benjamin Resnick' +p47357 +sa(dp47358 +g25267 +g27 +sg25268 +S'Clock Jack' +p47359 +sg25270 +S'Al Curry' +p47360 +sa(dp47361 +g25267 +g27 +sg25268 +S'Cleaver' +p47362 +sg25270 +S'Edward Unger' +p47363 +sa(dp47364 +g25267 +g27 +sg25268 +S'Cleaver' +p47365 +sg25270 +S'William Frank' +p47366 +sa(dp47367 +g25267 +g27 +sg25268 +S'Clam Rake' +p47368 +sg25270 +S'William Mills' +p47369 +sa(dp47370 +g25267 +g27 +sg25268 +S'Walnut Screw Clamp' +p47371 +sg25270 +S'George File' +p47372 +sa(dp47373 +g25267 +g27 +sg25268 +S"Carpenter's Clamp" +p47374 +sg25270 +S'Alexander Anderson' +p47375 +sa(dp47376 +g25273 +S'(artist after)' +p47377 +sg25267 +g27 +sg25275 +S'\n' +p47378 +sg25268 +S'Eaque refuse a Minos le secourse ...' +p47379 +sg25270 +S'Artist Information (' +p47380 +sa(dp47381 +g25267 +g27 +sg25268 +S'Clamp' +p47382 +sg25270 +S'Edward Unger' +p47383 +sa(dp47384 +g25267 +g27 +sg25268 +S'Butter Churn' +p47385 +sg25270 +S'Jay Katz' +p47386 +sa(dp47387 +g25267 +g27 +sg25268 +S'Butter Churn' +p47388 +sg25270 +S'Harold Ballerd' +p47389 +sa(dp47390 +g25267 +g27 +sg25268 +S'Wooden Churn' +p47391 +sg25270 +S'Clyde L. Cheney' +p47392 +sa(dp47393 +g25267 +g27 +sg25268 +S'Butter Churn' +p47394 +sg25270 +S'Paul Ward' +p47395 +sa(dp47396 +g25267 +g27 +sg25268 +S'Churn' +p47397 +sg25270 +S'Ardella Watkins' +p47398 +sa(dp47399 +g25267 +g27 +sg25268 +S'Churn' +p47400 +sg25270 +S'Ralph Atkinson' +p47401 +sa(dp47402 +g25267 +g27 +sg25268 +S'Butter Churn' +p47403 +sg25270 +S'Benjamin Resnick' +p47404 +sa(dp47405 +g25267 +g27 +sg25268 +S'Crockery Churn' +p47406 +sg25270 +S'Margaret Golden' +p47407 +sa(dp47408 +g25267 +g27 +sg25268 +S'Butter Churn' +p47409 +sg25270 +S'Paul Ward' +p47410 +sa(dp47411 +g25273 +S'brush and brown ink with brown wash over graphite' +p47412 +sg25267 +g27 +sg25275 +S'1768' +p47413 +sg25268 +S"Jupiter a la priere d'Eaque son fils ..." +p47414 +sg25270 +S'Charles Monnet' +p47415 +sa(dp47416 +g25267 +g27 +sg25268 +S'Stoneware Churn' +p47417 +sg25270 +S'Annie B. Johnston' +p47418 +sa(dp47419 +g25267 +g27 +sg25268 +S'Food Chopper' +p47420 +sg25270 +S'Earl Butlin' +p47421 +sa(dp47422 +g25267 +g27 +sg25268 +S'Chopping Knife' +p47423 +sg25270 +S'Stanley Chin' +p47424 +sa(dp47425 +g25267 +g27 +sg25268 +S'Chopping Knife' +p47426 +sg25270 +S'Nicholas Amantea' +p47427 +sa(dp47428 +g25267 +g27 +sg25268 +S'Chopping Knife' +p47429 +sg25270 +S'Walter Praefke' +p47430 +sa(dp47431 +g25267 +g27 +sg25268 +S'Chopping Knife' +p47432 +sg25270 +S'Nicholas Amantea' +p47433 +sa(dp47434 +g25267 +g27 +sg25268 +S'Six Bladed Food Chopper' +p47435 +sg25270 +S'Thomas Dooley' +p47436 +sa(dp47437 +g25267 +g27 +sg25268 +S'Chopping Knife' +p47438 +sg25270 +S'Charles Charon' +p47439 +sa(dp47440 +g25267 +g27 +sg25268 +S'Chopping Knife' +p47441 +sg25270 +S'Nicholas Amantea' +p47442 +sa(dp47443 +g25267 +g27 +sg25268 +S"Comb (For Horses' Manes and Tails)" +p47444 +sg25270 +S'H. Langden Brown' +p47445 +sa(dp47446 +g25273 +S'(artist after)' +p47447 +sg25267 +g27 +sg25275 +S'\n' +p47448 +sg25268 +S"Jupiter a la priere d'Eaque son fils ..." +p47449 +sg25270 +S'Artist Information (' +p47450 +sa(dp47451 +g25267 +g27 +sg25268 +S'Comb (For Agricultural Use)' +p47452 +sg25270 +S'Charlotte Winter' +p47453 +sa(dp47454 +g25267 +g27 +sg25268 +S'Wool Comb' +p47455 +sg25270 +S'Charlotte Angus' +p47456 +sa(dp47457 +g25267 +g27 +sg25268 +S'Colander' +p47458 +sg25270 +S'Yolande Delasser' +p47459 +sa(dp47460 +g25267 +g27 +sg25268 +S'Coffee Roaster' +p47461 +sg25270 +S'Jessie M. Youngs' +p47462 +sa(dp47463 +g25267 +g27 +sg25268 +S'Fireplace Coffee Roaster' +p47464 +sg25270 +S'Salvatore Borrazzo' +p47465 +sa(dp47466 +g25267 +g27 +sg25268 +S'Coffee Roaster' +p47467 +sg25270 +S'Claude Marshall' +p47468 +sa(dp47469 +g25267 +g27 +sg25268 +S'Coffee Roaster' +p47470 +sg25270 +S'Karl Joubert' +p47471 +sa(dp47472 +g25267 +g27 +sg25268 +S'Coffee Pot' +p47473 +sg25270 +S'Nicholas Acampora' +p47474 +sa(dp47475 +g25267 +g27 +sg25268 +S'Coffee Mill' +p47476 +sg25270 +S'Archie Thompson' +p47477 +sa(dp47478 +g25267 +g27 +sg25268 +S'Coffee Mill' +p47479 +sg25270 +S'Carl Buergerniss' +p47480 +sa(dp47481 +g25273 +S'(artist after)' +p47482 +sg25267 +g27 +sg25275 +S'\n' +p47483 +sg25268 +S"Jupiter a la priere d'Eaque son fils ..." +p47484 +sg25270 +S'Artist Information (' +p47485 +sa(dp47486 +g25267 +g27 +sg25268 +S'Coffee Grinder' +p47487 +sg25270 +S'Archie Thompson' +p47488 +sa(dp47489 +g25267 +g27 +sg25268 +S'Coffee Mill' +p47490 +sg25270 +S'Carl Buergerniss' +p47491 +sa(dp47492 +g25267 +g27 +sg25268 +S'Coffee Mill' +p47493 +sg25270 +S'Milton Bevier' +p47494 +sa(dp47495 +g25267 +g27 +sg25268 +S'Coffee Mill' +p47496 +sg25270 +S'Clarence W. Dawson' +p47497 +sa(dp47498 +g25267 +g27 +sg25268 +S'Coffee Mill' +p47499 +sg25270 +S'Ray Price' +p47500 +sa(dp47501 +g25267 +g27 +sg25268 +S'Coffee Mill' +p47502 +sg25270 +S'Clarence Secor' +p47503 +sa(dp47504 +g25267 +g27 +sg25268 +S'Coffee Grinder' +p47505 +sg25270 +S'Dayton Brown' +p47506 +sa(dp47507 +g25267 +g27 +sg25268 +S'Coffee Mill' +p47508 +sg25270 +S'Frank C. Barks' +p47509 +sa(dp47510 +g25267 +g27 +sg25268 +S'Coffee Grinder' +p47511 +sg25270 +S'William H. Edwards' +p47512 +sa(dp47513 +g25267 +g27 +sg25268 +S'Coffee Grinder' +p47514 +sg25270 +S'Artist Information (' +p47515 +sa(dp47516 +g25268 +S'Aurora and Cephalus' +p47517 +sg25270 +S'Fran\xc3\xa7ois Boucher' +p47518 +sg25273 +S'brown chalk with stumping on light beige laid paper, with later framing line in brown ink' +p47519 +sg25275 +S'c. 1766' +p47520 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00031/a0003197.jpg' +p47521 +sg25267 +g27 +sa(dp47522 +g25267 +g27 +sg25268 +S'Coffee Grinder' +p47523 +sg25270 +S'Richard Taylor' +p47524 +sa(dp47525 +g25267 +g27 +sg25268 +S'Wall Hopper' +p47526 +sg25270 +S'LeRoy Griffith' +p47527 +sa(dp47528 +g25267 +g27 +sg25268 +S'Coffee Grinder' +p47529 +sg25270 +S'Gordon Sanborn' +p47530 +sa(dp47531 +g25267 +g27 +sg25268 +S'Coffee Grinder' +p47532 +sg25270 +S'Raymond Manupelli' +p47533 +sa(dp47534 +g25267 +g27 +sg25268 +S'Coffee Grinder' +p47535 +sg25270 +S'Herman Bader' +p47536 +sa(dp47537 +g25267 +g27 +sg25268 +S'Coffee Grinder' +p47538 +sg25270 +S'Pearl Davis' +p47539 +sa(dp47540 +g25267 +g27 +sg25268 +S'Coal Scuttle' +p47541 +sg25270 +S'Mildred Ford' +p47542 +sa(dp47543 +g25267 +g27 +sg25268 +S'Apron' +p47544 +sg25270 +S'Henry Moran' +p47545 +sa(dp47546 +g25267 +g27 +sg25268 +S'Window Cornice' +p47547 +sg25270 +S'Henry Murphy' +p47548 +sa(dp47549 +g25267 +g27 +sg25268 +S'Fireplace' +p47550 +sg25270 +S'Wellington Blewett' +p47551 +sa(dp47552 +g25273 +S'(artist after)' +p47553 +sg25267 +g27 +sg25275 +S'\n' +p47554 +sg25268 +S"L'Aurore appercoit Cephale dont elle devient amoureuse et l'eleve" +p47555 +sg25270 +S'Artist Information (' +p47556 +sa(dp47557 +g25267 +g27 +sg25268 +S'Cornice' +p47558 +sg25270 +S'Al Curry' +p47559 +sa(dp47560 +g25267 +g27 +sg25268 +S'Cookie Cutter' +p47561 +sg25270 +S'Adolph Opstad' +p47562 +sa(dp47563 +g25267 +g27 +sg25268 +S'Cookie Cutter' +p47564 +sg25270 +S'Michael Rekucki' +p47565 +sa(dp47566 +g25267 +g27 +sg25268 +S'Cooking Pot' +p47567 +sg25270 +S'Ludmilla Calderon' +p47568 +sa(dp47569 +g25267 +g27 +sg25268 +S'Cookie Cutter' +p47570 +sg25270 +S'Helen Hobart' +p47571 +sa(dp47572 +g25267 +g27 +sg25268 +S'Pewter Compote' +p47573 +sg25270 +S'Carmel Wilson' +p47574 +sa(dp47575 +g25267 +g27 +sg25268 +S'Compote' +p47576 +sg25270 +S'Helen Hobart' +p47577 +sa(dp47578 +g25267 +g27 +sg25268 +S"Ship's Compass" +p47579 +sg25270 +S'Magnus S. Fossum' +p47580 +sa(dp47581 +g25267 +g27 +sg25268 +S'Baby Cap' +p47582 +sg25270 +S'Rosalia Lane' +p47583 +sa(dp47584 +g25267 +g27 +sg25268 +S'Cape (Pattern)' +p47585 +sg25270 +S'Charles Criswell' +p47586 +sa(dp47587 +g25273 +S'brush and brown ink with brown wash over graphite' +p47588 +sg25267 +g27 +sg25275 +S'1768' +p47589 +sg25268 +S"Procris tuee d'un coup de fleche ..." +p47590 +sg25270 +S'Charles Monnet' +p47591 +sa(dp47592 +g25267 +g27 +sg25268 +S"Lady's Evening Coat" +p47593 +sg25270 +S'Florence Grant Brown' +p47594 +sa(dp47595 +g25267 +g27 +sg25268 +S"Child's Dress" +p47596 +sg25270 +S'Florence Grant Brown' +p47597 +sa(dp47598 +g25267 +g27 +sg25268 +S"Girl's Dress" +p47599 +sg25270 +S'Virginia Berge' +p47600 +sa(dp47601 +g25267 +g27 +sg25268 +S"Girl's Dress" +p47602 +sg25270 +S'Nancy Crimi' +p47603 +sa(dp47604 +g25267 +g27 +sg25268 +S"Description of a Girl's Dress" +p47605 +sg25270 +S'Nancy Crimi' +p47606 +sa(dp47607 +g25267 +g27 +sg25268 +S"Description of a Girl's Dress" +p47608 +sg25270 +S'Nancy Crimi' +p47609 +sa(dp47610 +g25267 +g27 +sg25268 +S"Girl's Dress (Pattern)" +p47611 +sg25270 +S'Nancy Crimi' +p47612 +sa(dp47613 +g25267 +g27 +sg25268 +S"Girl's Dress (Pattern)" +p47614 +sg25270 +S'Nancy Crimi' +p47615 +sa(dp47616 +g25267 +g27 +sg25268 +S'Dress' +p47617 +sg25270 +S'Edna C. Rex' +p47618 +sa(dp47619 +g25267 +g27 +sg25268 +S'Dress' +p47620 +sg25270 +S'Edna C. Rex' +p47621 +sa(dp47622 +g25273 +S'(artist after)' +p47623 +sg25267 +g27 +sg25275 +S'\n' +p47624 +sg25268 +S"Procris tuee d'un coup de fleche ..." +p47625 +sg25270 +S'Artist Information (' +p47626 +sa(dp47627 +g25267 +g27 +sg25268 +S'Wedding Dress' +p47628 +sg25270 +S'Linnet Alward' +p47629 +sa(dp47630 +g25267 +g27 +sg25268 +S'Wedding Dress' +p47631 +sg25270 +S'Mary E. Humes' +p47632 +sa(dp47633 +g25267 +g27 +sg25268 +S'Silk Taffeta Costume' +p47634 +sg25270 +S'Sarah F. Williams' +p47635 +sa(dp47636 +g25267 +g27 +sg25268 +S'Dress' +p47637 +sg25270 +S'Virginia Berge' +p47638 +sa(dp47639 +g25267 +g27 +sg25268 +S'Dress' +p47640 +sg25270 +S'Paul Ward' +p47641 +sa(dp47642 +g25267 +g27 +sg25268 +S'Afternoon Dress' +p47643 +sg25270 +S'Nancy Crimi' +p47644 +sa(dp47645 +g25267 +g27 +sg25268 +S'Wedding Dress' +p47646 +sg25270 +S'Mary E. Humes' +p47647 +sa(dp47648 +g25267 +g27 +sg25268 +S'Dress' +p47649 +sg25270 +S'Jessie M. Benge' +p47650 +sa(dp47651 +g25267 +g27 +sg25268 +S'Dress' +p47652 +sg25270 +S'Irene Lawson' +p47653 +sa(dp47654 +g25267 +g27 +sg25268 +S'Dress' +p47655 +sg25270 +S'Doris Beer' +p47656 +sa(dp47657 +g25273 +S'graphite' +p47658 +sg25267 +g27 +sg25275 +S'1767' +p47659 +sg25268 +S'Scylla est meprisee par Minos ...' +p47660 +sg25270 +S'Charles Eisen' +p47661 +sa(dp47662 +g25267 +g27 +sg25268 +S'Dress' +p47663 +sg25270 +S'Jean Peszel' +p47664 +sa(dp47665 +g25267 +S'In early America, weather vanes were a common sight atop churches, barns, and shops. Although many vanes were made of wood, craftsmen who worked in iron, copper, tin, and brass also produced weather vanes of outstanding design and conception, often combining several metals. This weather vane, representing the Angel Gabriel, originally graced the steeple of the Universalist Church in Newburyport, Massachusetts. The angel is a much less common weather vane subject than, for example, horses or roosters, and the image of Gabriel is rarer still. Although there are several known examples of the archangel blowing his horn, this version appears to be unique. Made in 1840 by the Gould and Hazlett Company of Boston, the angel has a flat body cut from sheet iron and gilded; the tubular horn was made of copper. The pieces were then fastened together with iron rivets. The work shows grace in the flowing contours of the angel\'s wings and robe, yet it is also crude, in the obvious, heavy bracing that supports the figure. The artist, Lucille Chabot, had to experiment to arrive at a technique that would "get the thing to glow...not to get it grainy." She achieved the desired effect by a "series of glazes, one color over another."\n ' +p47666 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002e1.jpg' +p47667 +sg25268 +S'Gabriel Weather Vane' +p47668 +sg25270 +S'Lucille Chabot' +p47669 +sa(dp47670 +g25267 +g27 +sg25268 +S'Dress' +p47671 +sg25270 +S'Nancy Crimi' +p47672 +sa(dp47673 +g25267 +g27 +sg25268 +S'Dress' +p47674 +sg25270 +S'Mary E. Humes' +p47675 +sa(dp47676 +g25267 +g27 +sg25268 +S'Dress' +p47677 +sg25270 +S'Gertrude Lemberg' +p47678 +sa(dp47679 +g25267 +g27 +sg25268 +S'Costume' +p47680 +sg25270 +S'Mary E. Humes' +p47681 +sa(dp47682 +g25267 +g27 +sg25268 +S'Dress' +p47683 +sg25270 +S'Roberta Spicer' +p47684 +sa(dp47685 +g25267 +g27 +sg25268 +S'Costume' +p47686 +sg25270 +S'Mary E. Humes' +p47687 +sa(dp47688 +g25267 +g27 +sg25268 +S'Costume' +p47689 +sg25270 +S'Mary E. Humes' +p47690 +sa(dp47691 +g25267 +g27 +sg25268 +S'Dress' +p47692 +sg25270 +S'Winifred Gibbes' +p47693 +sa(dp47694 +g25273 +S'(artist after)' +p47695 +sg25267 +g27 +sg25275 +S'\n' +p47696 +sg25268 +S'Scylla est meprisee par Minos ...' +p47697 +sg25270 +S'Artist Information (' +p47698 +sa(dp47699 +g25267 +g27 +sg25268 +S'Dress' +p47700 +sg25270 +S'Bessie Forman' +p47701 +sa(dp47702 +g25267 +g27 +sg25268 +S'Dress' +p47703 +sg25270 +S'Mary E. Humes' +p47704 +sa(dp47705 +g25267 +g27 +sg25268 +S'Dress' +p47706 +sg25270 +S'Katharine Morris' +p47707 +sa(dp47708 +g25267 +g27 +sg25268 +S'Dress' +p47709 +sg25270 +S'Henry Moran' +p47710 +sa(dp47711 +g25267 +g27 +sg25268 +S'Dress' +p47712 +sg25270 +S'Mary E. Humes' +p47713 +sa(dp47714 +g25267 +S"By the 1870s, women's dresses gained fullness in back by use of a padded \n bustle. This two-piece dress, made of red cotton with white eyelet embroidery, \n has a bustle in back. The lines of the dress, however, are softer and fall closer \n to the body than those of fashions in the previous decade, indicating a movement \n toward a more natural form for women's clothing.\n " +p47715 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000035b.jpg' +p47716 +sg25268 +S'Dress' +p47717 +sg25270 +S'Henry De Wolfe' +p47718 +sa(dp47719 +g25267 +g27 +sg25268 +S'Gown' +p47720 +sg25270 +S'Douglas Campbell' +p47721 +sa(dp47722 +g25267 +g27 +sg25268 +S'High Silk Hat' +p47723 +sg25270 +S'John Swientochowski' +p47724 +sa(dp47725 +g25267 +g27 +sg25268 +S'The Sowers' +p47726 +sg25270 +S'Artist Information (' +p47727 +sa(dp47728 +g25267 +g27 +sg25268 +S'Mrs. Charlotte Root' +p47729 +sg25270 +S'Artist Information (' +p47730 +sa(dp47731 +g25273 +S', 1768' +p47732 +sg25267 +g27 +sg25275 +S'\n' +p47733 +sg25268 +S"Thesee par le secours d'Ariene, tue le Minotaur ..." +p47734 +sg25270 +S'Jean-Michel Moreau the Younger' +p47735 +sa(dp47736 +g25267 +g27 +sg25268 +S'Planting Corn' +p47737 +sg25270 +S'Artist Information (' +p47738 +sa(dp47739 +g25267 +g27 +sg25268 +S'Breaking Ground' +p47740 +sg25270 +S'Artist Information (' +p47741 +sa(dp47742 +g25267 +g27 +sg25268 +S'Early Camp Dugouts' +p47743 +sg25270 +S'Artist Information (' +p47744 +sa(dp47745 +g25267 +g27 +sg25268 +S'Women Operating the Pile Driver' +p47746 +sg25270 +S'Artist Information (' +p47747 +sa(dp47748 +g25267 +g27 +sg25268 +S'Lars Soderquist' +p47749 +sg25270 +S'Artist Information (' +p47750 +sa(dp47751 +g25267 +g27 +sg25268 +S'"It Will Soon be Here"' +p47752 +sg25270 +S'Artist Information (' +p47753 +sa(dp47754 +g25267 +g27 +sg25268 +S'Harvesting with Grain Cradles' +p47755 +sg25270 +S'Artist Information (' +p47756 +sa(dp47757 +g25267 +g27 +sg25268 +S'Hat' +p47758 +sg25270 +S'Marie Famularo' +p47759 +sa(dp47760 +g25267 +g27 +sg25268 +S'Black Satin Jacket' +p47761 +sg25270 +S'Joseph L. Boyd' +p47762 +sa(dp47763 +g25267 +g27 +sg25268 +S'Baby Jacket' +p47764 +sg25270 +S'Lucien Verbeke' +p47765 +sa(dp47766 +g25273 +S'(artist after)' +p47767 +sg25267 +g27 +sg25275 +S'\n' +p47768 +sg25268 +S"Th\xc3\xa9s\xc3\xa9e par le secours d'Ariane, tu\xc3\xab le Minotaure, et se d\xc3\xa9livre du labyrinthe" +p47769 +sg25270 +S'Artist Information (' +p47770 +sa(dp47771 +g25267 +g27 +sg25268 +S'Cape' +p47772 +sg25270 +S'Eleanor Gausser' +p47773 +sa(dp47774 +g25267 +g27 +sg25268 +S'Bonnet' +p47775 +sg25270 +S'Margaret Concha' +p47776 +sa(dp47777 +g25267 +g27 +sg25268 +S'Dress' +p47778 +sg25270 +S'Nancy Crimi' +p47779 +sa(dp47780 +g25267 +g27 +sg25268 +S'Cap' +p47781 +sg25270 +S'Rosalia Lane' +p47782 +sa(dp47783 +g25267 +g27 +sg25268 +S'Cap' +p47784 +sg25270 +S'Rosalia Lane' +p47785 +sa(dp47786 +g25267 +g27 +sg25268 +S'Purse' +p47787 +sg25270 +S'Gladys Cook' +p47788 +sa(dp47789 +g25267 +g27 +sg25268 +S'Pattern for a Dress' +p47790 +sg25270 +S'Jean Peszel' +p47791 +sa(dp47792 +g25267 +g27 +sg25268 +S'Handkerchief' +p47793 +sg25270 +S'American 20th Century' +p47794 +sa(dp47795 +g25267 +g27 +sg25268 +S'Dress' +p47796 +sg25270 +S'Roberta Spicer' +p47797 +sa(dp47798 +g25267 +g27 +sg25268 +S'Shoes' +p47799 +sg25270 +S'Jean Peszel' +p47800 +sa(dp47801 +g25273 +S'graphite' +p47802 +sg25267 +g27 +sg25275 +S'1767' +p47803 +sg25268 +S"Le chaleur du Soleil fond la cire qui attachoit les ailes d'Icare ..." +p47804 +sg25270 +S'Charles Eisen' +p47805 +sa(dp47806 +g25267 +g27 +sg25268 +S'Shoes' +p47807 +sg25270 +S'Nancy Crimi' +p47808 +sa(dp47809 +g25267 +g27 +sg25268 +S'Shoe' +p47810 +sg25270 +S'Jessie M. Benge' +p47811 +sa(dp47812 +g25267 +g27 +sg25268 +S'Shoe' +p47813 +sg25270 +S'Mae A. Clarke' +p47814 +sa(dp47815 +g25267 +g27 +sg25268 +S'Slipper' +p47816 +sg25270 +S'Artist Information (' +p47817 +sa(dp47818 +g25267 +g27 +sg25268 +S'Shoe' +p47819 +sg25270 +S'Melita Hofmann' +p47820 +sa(dp47821 +g25267 +g27 +sg25268 +S'Costume' +p47822 +sg25270 +S'Lillian Causey' +p47823 +sa(dp47824 +g25267 +g27 +sg25268 +S'Slipper' +p47825 +sg25270 +S'Melita Hofmann' +p47826 +sa(dp47827 +g25267 +g27 +sg25268 +S'Shoe' +p47828 +sg25270 +S'American 20th Century' +p47829 +sa(dp47830 +g25267 +g27 +sg25268 +S'Shoe' +p47831 +sg25270 +S'Hedwig Emanuel' +p47832 +sa(dp47833 +g25267 +g27 +sg25268 +S'Slippers' +p47834 +sg25270 +S'Margaret Concha' +p47835 +sa(dp47836 +g25273 +S'(artist after)' +p47837 +sg25267 +g27 +sg25275 +S'\n' +p47838 +sg25268 +S"Le chaleur du Soleil fond la cire qui attachoit les ailes d'Icare ..." +p47839 +sg25270 +S'Artist Information (' +p47840 +sa(dp47841 +g25267 +g27 +sg25268 +S'Shoe' +p47842 +sg25270 +S'Melita Hofmann' +p47843 +sa(dp47844 +g25267 +g27 +sg25268 +S'Scarf' +p47845 +sg25270 +S'Sylvia De Zon' +p47846 +sa(dp47847 +g25267 +g27 +sg25268 +S'Slipper' +p47848 +sg25270 +S'Melita Hofmann' +p47849 +sa(dp47850 +g25267 +g27 +sg25268 +S'Slipper' +p47851 +sg25270 +S'Margaret Concha' +p47852 +sa(dp47853 +g25267 +g27 +sg25268 +S'Slipper' +p47854 +sg25270 +S'Nancy Crimi' +p47855 +sa(dp47856 +g25267 +g27 +sg25268 +S'Slipper' +p47857 +sg25270 +S'Melita Hofmann' +p47858 +sa(dp47859 +g25267 +g27 +sg25268 +S'Shoes' +p47860 +sg25270 +S'Nancy Crimi' +p47861 +sa(dp47862 +g25267 +g27 +sg25268 +S'Dress' +p47863 +sg25270 +S'Florence Earl' +p47864 +sa(dp47865 +g25267 +g27 +sg25268 +S'Purse' +p47866 +sg25270 +S'Florence Earl' +p47867 +sa(dp47868 +g25267 +g27 +sg25268 +S'Hat' +p47869 +sg25270 +S'Florence Earl' +p47870 +sa(dp47871 +g25273 +S'(artist after)' +p47872 +sg25267 +g27 +sg25275 +S'\n' +p47873 +sg25268 +S"Le chaleur du Soleil fond la cire qui attachoit les ailes d'Icare ..." +p47874 +sg25270 +S'Artist Information (' +p47875 +sa(dp47876 +g25267 +g27 +sg25268 +S'Hat' +p47877 +sg25270 +S'American 20th Century' +p47878 +sa(dp47879 +g25267 +g27 +sg25268 +S'Jacket' +p47880 +sg25270 +S'Gladys Cook' +p47881 +sa(dp47882 +g25267 +g27 +sg25268 +S'Dress' +p47883 +sg25270 +S'American 20th Century' +p47884 +sa(dp47885 +g25267 +g27 +sg25268 +S'Pattern' +p47886 +sg25270 +S'Percival Jenner' +p47887 +sa(dp47888 +g25267 +g27 +sg25268 +S"Man's Suit" +p47889 +sg25270 +S'Lillian Causey' +p47890 +sa(dp47891 +g25267 +g27 +sg25268 +S'Delaware Militia Coat' +p47892 +sg25270 +S'Artist Information (' +p47893 +sa(dp47894 +g25267 +g27 +sg25268 +S'Waistcoat' +p47895 +sg25270 +S'Louis Maldarelli' +p47896 +sa(dp47897 +g25267 +g27 +sg25268 +S"Girl's Dress" +p47898 +sg25270 +S'Nancy Crimi' +p47899 +sa(dp47900 +g25267 +g27 +sg25268 +S'Dress' +p47901 +sg25270 +S'Nancy Crimi' +p47902 +sa(dp47903 +g25267 +g27 +sg25268 +S'Crimping Wheel' +p47904 +sg25270 +S'John Wilkes' +p47905 +sa(dp47906 +g25273 +S'graphite' +p47907 +sg25267 +g27 +sg25275 +S'1767' +p47908 +sg25268 +S'Perdix ... metamorphose en perdix' +p47909 +sg25270 +S'Charles Eisen' +p47910 +sa(dp47911 +g25267 +g27 +sg25268 +S'Cranberry Picker' +p47912 +sg25270 +S'Frank Budash' +p47913 +sa(dp47914 +g25267 +g27 +sg25268 +S'Corn Jobber' +p47915 +sg25270 +S'Ivar Julius' +p47916 +sa(dp47917 +g25267 +S'This "visiting dress," dated 1883, is made of wool. It is constructed of \n multiple pieces. The waist has eight fitted parts, six in back and two in front. \n The overskirt is draped from the bustle at the back where it falls in a train. \n The vest, cuffs, and ruffle around the bottom of the skirt are of red velvet.\n Complicated designs were common for dresses in the mid-1880s. The introduction \n and development of the sewing machine made construction of dresses with intricate \n patterns possible.\n ' +p47918 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000033a.jpg' +p47919 +sg25268 +S'Visiting Dress' +p47920 +sg25270 +S'Nancy Crimi' +p47921 +sa(dp47922 +g25267 +g27 +sg25268 +S"Child's Silk Coat" +p47923 +sg25270 +S'Jacob Gielens' +p47924 +sa(dp47925 +g25267 +g27 +sg25268 +S"Men's Bedroom Slippers" +p47926 +sg25270 +S'Paul Poffinbarger' +p47927 +sa(dp47928 +g25267 +g27 +sg25268 +S'Knife, Fork, and Spoon' +p47929 +sg25270 +S'William Ludwig' +p47930 +sa(dp47931 +g25267 +g27 +sg25268 +S"Officer's Mess Knife" +p47932 +sg25270 +S'Vincent P. Rosel' +p47933 +sa(dp47934 +g25267 +g27 +sg25268 +S'Cup Holder' +p47935 +sg25270 +S'Irving L. Biehn' +p47936 +sa(dp47937 +g25267 +g27 +sg25268 +S'Drinking Cup' +p47938 +sg25270 +S'Paul Poffinbarger' +p47939 +sa(dp47940 +g25267 +g27 +sg25268 +S'Syrup Cruet' +p47941 +sg25270 +S'Edward L. Loper' +p47942 +sa(dp47943 +g25273 +S'(artist after)' +p47944 +sg25267 +g27 +sg25275 +S'\n' +p47945 +sg25268 +S'Perdix ... metamorphose en perdix' +p47946 +sg25270 +S'Artist Information (' +p47947 +sa(dp47948 +g25267 +g27 +sg25268 +S'Crown' +p47949 +sg25270 +S'Al Curry' +p47950 +sa(dp47951 +g25267 +g27 +sg25268 +S'Cross' +p47952 +sg25270 +S'Ray Price' +p47953 +sa(dp47954 +g25267 +g27 +sg25268 +S'Cross' +p47955 +sg25270 +S'Kurt Melzer' +p47956 +sa(dp47957 +g25267 +g27 +sg25268 +S'Wooden Cross' +p47958 +sg25270 +S'George File' +p47959 +sa(dp47960 +g25267 +g27 +sg25268 +S'Cross' +p47961 +sg25270 +S'Manuel G. Runyan' +p47962 +sa(dp47963 +g25267 +g27 +sg25268 +S'Wrought Iron Cross' +p47964 +sg25270 +S'Arelia Arbo' +p47965 +sa(dp47966 +g25267 +g27 +sg25268 +S'Cross' +p47967 +sg25270 +S'Manuel G. Runyan' +p47968 +sa(dp47969 +g25267 +g27 +sg25268 +S'Cross' +p47970 +sg25270 +S'Al Curry' +p47971 +sa(dp47972 +g25267 +g27 +sg25268 +S'Cross' +p47973 +sg25270 +S'Carl Keksi' +p47974 +sa(dp47975 +g25267 +g27 +sg25268 +S'Cross' +p47976 +sg25270 +S'Lucien Verbeke' +p47977 +sa(dp47978 +g25273 +S'pen and black ink and brush and brown ink with brown wash over graphite' +p47979 +sg25267 +g27 +sg25275 +S'1768' +p47980 +sg25268 +S'Meleagre presente a Atalante la hure du Sanglier de Calydon ...' +p47981 +sg25270 +S'Charles Monnet' +p47982 +sa(dp47983 +g25267 +g27 +sg25268 +S'Cross' +p47984 +sg25270 +S'Ray Price' +p47985 +sa(dp47986 +g25267 +g27 +sg25268 +S'Cross' +p47987 +sg25270 +S'Arelia Arbo' +p47988 +sa(dp47989 +g25267 +g27 +sg25268 +S'Cross' +p47990 +sg25270 +S'Ray Price' +p47991 +sa(dp47992 +g25267 +g27 +sg25268 +S'Cross' +p47993 +sg25270 +S'Lucien Verbeke' +p47994 +sa(dp47995 +g25267 +g27 +sg25268 +S'Cross Bow' +p47996 +sg25270 +S'American 20th Century' +p47997 +sa(dp47998 +g25267 +g27 +sg25268 +S'Pie Crust Crimper' +p47999 +sg25270 +S'Samuel O. Klein' +p48000 +sa(dp48001 +g25267 +g27 +sg25268 +S'Pie Crust Fluter' +p48002 +sg25270 +S'Frank M. Keane' +p48003 +sa(dp48004 +g25267 +g27 +sg25268 +S'Cookie Cutter' +p48005 +sg25270 +S'Jennie Kamar' +p48006 +sa(dp48007 +g25267 +g27 +sg25268 +S'Cookie Cutter' +p48008 +sg25270 +S'George Beyer' +p48009 +sa(dp48010 +g25267 +g27 +sg25268 +S'Pastry Jagger' +p48011 +sg25270 +S'Adelaide Dyball' +p48012 +sa(dp48013 +g25273 +S'(artist after)' +p48014 +sg25267 +g27 +sg25275 +S'\n' +p48015 +sg25268 +S'Meleagre presente a Atalante la hure du Sanglier de Calydon ...' +p48016 +sg25270 +S'Artist Information (' +p48017 +sa(dp48018 +g25267 +g27 +sg25268 +S'Pastry Jagger' +p48019 +sg25270 +S'James Drake' +p48020 +sa(dp48021 +g25267 +g27 +sg25268 +S'Cranberry Harvesting Scoop' +p48022 +sg25270 +S'William Frank' +p48023 +sa(dp48024 +g25267 +g27 +sg25268 +S'Windmill Counterbalance' +p48025 +sg25270 +S'Wilbur M Rice' +p48026 +sa(dp48027 +g25267 +g27 +sg25268 +S'Counterbalance Rooster' +p48028 +sg25270 +S'Lloyd Charles Lemcke' +p48029 +sa(dp48030 +g25267 +g27 +sg25268 +S'Counterbalance Rooster' +p48031 +sg25270 +S'James Vail' +p48032 +sa(dp48033 +g25267 +g27 +sg25268 +S'Corn Planter' +p48034 +sg25270 +S'Max Fernekes' +p48035 +sa(dp48036 +g25267 +g27 +sg25268 +S'Hand Bottle Corker' +p48037 +sg25270 +S'Ray Price' +p48038 +sa(dp48039 +g25267 +g27 +sg25268 +S'Cork Compressor' +p48040 +sg25270 +S'Edward L. Loper' +p48041 +sa(dp48042 +g25267 +g27 +sg25268 +S'Cuspidor' +p48043 +sg25270 +S'Giacinto Capelli' +p48044 +sa(dp48045 +g25267 +g27 +sg25268 +S'Crockery Cuspidor' +p48046 +sg25270 +S'Vincent P. Rosel' +p48047 +sa(dp48048 +g25273 +S'brush and brown ink with brown wash over graphite' +p48049 +sg25267 +g27 +sg25275 +S'1768' +p48050 +sg25268 +S'Thesee a son retour de la chasse de Calydon ...' +p48051 +sg25270 +S'Charles Monnet' +p48052 +sa(dp48053 +g25267 +g27 +sg25268 +S'Cuspidor' +p48054 +sg25270 +S'Hans Mangelsdorf' +p48055 +sa(dp48056 +g25267 +g27 +sg25268 +S'Cuspidor' +p48057 +sg25270 +S'Charles Moss' +p48058 +sa(dp48059 +g25267 +g27 +sg25268 +S'Churn' +p48060 +sg25270 +S'Aaron Fastovsky' +p48061 +sa(dp48062 +g25267 +g27 +sg25268 +S'Dasher for Butter Churn' +p48063 +sg25270 +S'Clyde L. Cheney' +p48064 +sa(dp48065 +g25267 +g27 +sg25268 +S'Decoy (Red-Wing Black Bird)' +p48066 +sg25270 +S'Charles Garjian' +p48067 +sa(dp48068 +g25267 +g27 +sg25268 +S'Decoy Duck' +p48069 +sg25270 +S'Rose Campbell-Gerke' +p48070 +sa(dp48071 +g25267 +g27 +sg25268 +S'Decoy Duck' +p48072 +sg25270 +S'Rose Campbell-Gerke' +p48073 +sa(dp48074 +g25267 +g27 +sg25268 +S'Decoy Duck #1' +p48075 +sg25270 +S'Lloyd Charles Lemcke' +p48076 +sa(dp48077 +g25267 +g27 +sg25268 +S'Wooden Duck' +p48078 +sg25270 +S'American 20th Century' +p48079 +sa(dp48080 +g25267 +g27 +sg25268 +S'Flying Duck' +p48081 +sg25270 +S'Malcolm Hackney' +p48082 +sa(dp48083 +g25273 +S'(artist after)' +p48084 +sg25267 +g27 +sg25275 +S'\n' +p48085 +sg25268 +S'Thesee a son retour de la chasse de Calydon ...' +p48086 +sg25270 +S'Artist Information (' +p48087 +sa(dp48088 +g25267 +g27 +sg25268 +S'Snipe Decoy' +p48089 +sg25270 +S'Lawrence Flynn' +p48090 +sa(dp48091 +g25267 +g27 +sg25268 +S'Wooden Decoy' +p48092 +sg25270 +S'Chris Makrenos' +p48093 +sa(dp48094 +g25267 +g27 +sg25268 +S'Wooden Decoy' +p48095 +sg25270 +S'Chris Makrenos' +p48096 +sa(dp48097 +g25267 +g27 +sg25268 +S'Three Decoy Ducks' +p48098 +sg25270 +S'Harriette Gale' +p48099 +sa(dp48100 +g25267 +g27 +sg25268 +S'Decoy Duck' +p48101 +sg25270 +S'Harriette Gale' +p48102 +sa(dp48103 +g25267 +g27 +sg25268 +S'Decoy' +p48104 +sg25270 +S'Rocco Navigato' +p48105 +sa(dp48106 +g25267 +g27 +sg25268 +S'Decoy' +p48107 +sg25270 +S'Oscar Bluhme' +p48108 +sa(dp48109 +g25267 +g27 +sg25268 +S'Decoy' +p48110 +sg25270 +S'Wellington Blewett' +p48111 +sa(dp48112 +g25267 +g27 +sg25268 +S'Gadwall Decoy' +p48113 +sg25270 +S'Samuel W. Ford' +p48114 +sa(dp48115 +g25267 +g27 +sg25268 +S'Greater Yellow Leg Decoy' +p48116 +sg25270 +S'Samuel W. 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Reynolds' +p48197 +sa(dp48198 +g25267 +g27 +sg25268 +S'Ladle' +p48199 +sg25270 +S'Charles Garjian' +p48200 +sa(dp48201 +g25267 +g27 +sg25268 +S'Ladle' +p48202 +sg25270 +S'Rosa G. Busey' +p48203 +sa(dp48204 +g25267 +g27 +sg25268 +S'Copper Dipper' +p48205 +sg25270 +S'George V. 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Howard Iams' +p48280 +sa(dp48281 +g25267 +g27 +sg25268 +S'Door Knocker' +p48282 +sg25270 +S'Janet Riza' +p48283 +sa(dp48284 +g25267 +g27 +sg25268 +S'Door Knocker' +p48285 +sg25270 +S'Jack Staloff' +p48286 +sa(dp48287 +g25267 +g27 +sg25268 +S'Door Knocker' +p48288 +sg25270 +S'Arsen Maralian' +p48289 +sa(dp48290 +g25267 +g27 +sg25268 +S'Door Knocker' +p48291 +sg25270 +S'Julius Bellamy' +p48292 +sa(dp48293 +g25267 +g27 +sg25268 +S'Door Knocker' +p48294 +sg25270 +S'Columbus Simpson' +p48295 +sa(dp48296 +g25273 +S'(artist after)' +p48297 +sg25267 +g27 +sg25275 +S'\n' +p48298 +sg25268 +S'Achelous se metamorphose en Taureau ...' +p48299 +sg25270 +S'Artist Information (' +p48300 +sa(dp48301 +g25267 +g27 +sg25268 +S'Door Knocker' +p48302 +sg25270 +S'Julius Bellamy' +p48303 +sa(dp48304 +g25267 +g27 +sg25268 +S'Door Knocker' +p48305 +sg25270 +S'William L. Antrim' +p48306 +sa(dp48307 +g25267 +g27 +sg25268 +S'Door Knocker' +p48308 +sg25270 +S'William L. Antrim' +p48309 +sa(dp48310 +g25267 +g27 +sg25268 +S'Door Knocker' +p48311 +sg25270 +S'Frank Gray' +p48312 +sa(dp48313 +g25267 +g27 +sg25268 +S'Door Knocker' +p48314 +sg25270 +S'William L. Antrim' +p48315 +sa(dp48316 +g25267 +g27 +sg25268 +S'Door Knocker' +p48317 +sg25270 +S'Grace Halpin' +p48318 +sa(dp48319 +g25267 +g27 +sg25268 +S'Door Knocker' +p48320 +sg25270 +S'Regina Henderer' +p48321 +sa(dp48322 +g25267 +g27 +sg25268 +S'Door Knocker' +p48323 +sg25270 +S'Christopher Hobbs' +p48324 +sa(dp48325 +g25267 +g27 +sg25268 +S'Door Knocker' +p48326 +sg25270 +S'Ben Lassen' +p48327 +sa(dp48328 +g25267 +g27 +sg25268 +S'Door Knocker' +p48329 +sg25270 +S'Wayne White' +p48330 +sa(dp48331 +g25273 +S', 1767' +p48332 +sg25267 +g27 +sg25275 +S'\n' +p48333 +sg25268 +S"L'Enlevement de Dejanire par the Centaure Nessus" +p48334 +sg25270 +S'Jean-Michel Moreau the Younger' +p48335 +sa(dp48336 +g25267 +g27 +sg25268 +S'Door Knocker' +p48337 +sg25270 +S'E.N. 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Langden Brown' +p48446 +sa(dp48447 +g25267 +g27 +sg25268 +S'Door Stop' +p48448 +sg25270 +S'Archie Thompson' +p48449 +sa(dp48450 +g25267 +g27 +sg25268 +S'Door Stop' +p48451 +sg25270 +S'Sarkis Erganian' +p48452 +sa(dp48453 +g25267 +g27 +sg25268 +S'Door Stop' +p48454 +sg25270 +S'Gerard Barnett' +p48455 +sa(dp48456 +g25267 +g27 +sg25268 +S'Door Stop' +p48457 +sg25270 +S'Ben Lassen' +p48458 +sa(dp48459 +g25267 +g27 +sg25268 +S'Door Stop' +p48460 +sg25270 +S'Nicholas Amantea' +p48461 +sa(dp48462 +g25267 +g27 +sg25268 +S'Cuspidor' +p48463 +sg25270 +S'Adolph Opstad' +p48464 +sa(dp48465 +g25267 +g27 +sg25268 +S'Decoy Duck' +p48466 +sg25270 +S'John Sullivan' +p48467 +sa(dp48468 +g25267 +g27 +sg25268 +S'Family Record' +p48469 +sg25270 +S'John Wilkes' +p48470 +sa(dp48471 +g25273 +S'graphite with gray wash and white heightening' +p48472 +sg25267 +g27 +sg25275 +S'1768' +p48473 +sg25268 +S'Hercule monte au Ciel ...' +p48474 +sg25270 +S'Charles Eisen' +p48475 +sa(dp48476 +g25267 +g27 +sg25268 +S'Gatepost Finial' +p48477 +sg25270 +S'Adolph Opstad' +p48478 +sa(dp48479 +g25267 +g27 +sg25268 +S'Golden Eagle' +p48480 +sg25270 +S'Clarence W. 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Hentz' +p49006 +sa(dp49007 +g25267 +g27 +sg25268 +S'Figurehead' +p49008 +sg25270 +S'Joseph Goldberg' +p49009 +sa(dp49010 +g25267 +g27 +sg25268 +S'Figurehead' +p49011 +sg25270 +S'American 20th Century' +p49012 +sa(dp49013 +g25267 +g27 +sg25268 +S'"Indian Princess" Figurehead' +p49014 +sg25270 +S'Mary E. Humes' +p49015 +sa(dp49016 +g25267 +g27 +sg25268 +S'"William Wirt" Figurehead' +p49017 +sg25270 +S'Molly Bodenstein' +p49018 +sa(dp49019 +g25267 +g27 +sg25268 +S'Figurehead from Bark "George"' +p49020 +sg25270 +S'Mary E. Humes' +p49021 +sa(dp49022 +g25267 +g27 +sg25268 +S'"Daniel Webster" Figurehead' +p49023 +sg25270 +S'F.W. Powell' +p49024 +sa(dp49025 +g25267 +g27 +sg25268 +S'Figurehead' +p49026 +sg25270 +S'Ingrid Selmer-Larsen' +p49027 +sa(dp49028 +g25267 +g27 +sg25268 +S'"Commodore Morris" Figurehead' +p49029 +sg25270 +S'F.W. Powell' +p49030 +sa(dp49031 +g25273 +S'(artist after)' +p49032 +sg25267 +g27 +sg25275 +S'\n' +p49033 +sg25268 +S'Euridice est ravie \xc3\xa0 Orph\xc3\xa9e' +p49034 +sg25270 +S'Artist Information (' +p49035 +sa(dp49036 +g25267 +g27 +sg25268 +S'Figurehead: Benjamin Franklin' +p49037 +sg25270 +S'Lawrence Flynn' +p49038 +sa(dp49039 +g25267 +g27 +sg25268 +S'Figurehead' +p49040 +sg25270 +S'Betty Fuerst' +p49041 +sa(dp49042 +g25267 +g27 +sg25268 +S'Bust of P.J. Landry' +p49043 +sg25270 +S'Al Curry' +p49044 +sa(dp49045 +g25267 +g27 +sg25268 +S'Half Length Figurehead' +p49046 +sg25270 +S'Rosamond P. Gray' +p49047 +sa(dp49048 +g25267 +g27 +sg25268 +S'Figurehead: Bust of Washington' +p49049 +sg25270 +S'Betty Fuerst' +p49050 +sa(dp49051 +g25267 +g27 +sg25268 +S'Figurehead: Warrior' +p49052 +sg25270 +S'Mary E. Humes' +p49053 +sa(dp49054 +g25267 +g27 +sg25268 +S'Eagle Woodcarving' +p49055 +sg25270 +S'Willard Hazen' +p49056 +sa(dp49057 +g25267 +S'Some small vessels had only an eagle as a bow decoration. In this eagle head, the carving terminates at\n the neck. Aside from patriotic associations, the eagle, with its sharp eyes, was especially appropriate to\n symbolize a lookout or guide. This particular example served as a figurehead on the \n ' +p49058 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003f2.jpg' +p49059 +sg25268 +S'Figurehead' +p49060 +sg25270 +S'Jerome Hoxie' +p49061 +sa(dp49062 +g25267 +g27 +sg25268 +S'Figurehead: Hercules' +p49063 +sg25270 +S'Virginia Richards' +p49064 +sa(dp49065 +g25267 +g27 +sg25268 +S'Figurehead: Hercules' +p49066 +sg25270 +S'Virginia Richards' +p49067 +sa(dp49068 +g25268 +S'Portrait of a Youth' +p49069 +sg25270 +S'Filippino Lippi' +p49070 +sg25273 +S'oil and tempera on panel' +p49071 +sg25275 +S'c. 1485' +p49072 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004a/a0004ae2.jpg' +p49073 +sg25267 +S"Filippino Lippi was the son of the painter Fra Filippo Lippi, who was undoubtedly\nthe boy's first master. After his father died in 1469, he became a pupil of Botticelli,\nwho had a profound influence on his style. In fact, the Washington portrait comes\nso close to Botticelli's style that there has been considerable disagreement among\nscholars as to exactly which artist was responsible for it. Although it has been\nattributed more often to Botticelli than to Filippino, most recent authors are now\nagreed that it is by the younger painter. In 1483 or 1484, Filippino was assigned\nthe task of finishing Masaccio's great frescoes in the Brancacci Chapel in Florence.\nThis portrait bears a great resemblance to a young man portrayed there by Filippino.\n During the Gothic era and early Renaissance, donors of a painting would often be\nportrayed as tiny figures praying at the lower edge of a painting, as in Crivelli's\n\n " +p49074 +sa(dp49075 +g25268 +S'Ugolino Martelli' +p49076 +sg25270 +S'Florentine 16th Century' +p49077 +sg25273 +S'oil on panel' +p49078 +sg25275 +S'mid 16th century' +p49079 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a000080f.jpg' +p49080 +sg25267 +g27 +sa(dp49081 +g25273 +S'graphite' +p49082 +sg25267 +g27 +sg25275 +S'1767' +p49083 +sg25268 +S'Orphee sur le mont Rhodope attire ...' +p49084 +sg25270 +S'Charles Eisen' +p49085 +sa(dp49086 +g25267 +g27 +sg25268 +S'Figurehead' +p49087 +sg25270 +S'American 20th Century' +p49088 +sa(dp49089 +g25267 +g27 +sg25268 +S'Figurehead' +p49090 +sg25270 +S'Lucille Lacoursiere' +p49091 +sa(dp49092 +g25267 +g27 +sg25268 +S'Figurehead from "Indian Princess"' +p49093 +sg25270 +S'Elizabeth Moutal' +p49094 +sa(dp49095 +g25267 +g27 +sg25268 +S'Draped Figure' +p49096 +sg25270 +S'Mina Lowry' +p49097 +sa(dp49098 +g25267 +g27 +sg25268 +S'Figurehead' +p49099 +sg25270 +S'Flora Merchant' +p49100 +sa(dp49101 +g25267 +g27 +sg25268 +S'Figurehead "General Schofield"' +p49102 +sg25270 +S'Molly Bodenstein' +p49103 +sa(dp49104 +g25267 +g27 +sg25268 +S'Figurehead "S.S. Robert Fulton"' +p49105 +sg25270 +S'Louis Plogsted' +p49106 +sa(dp49107 +g25267 +g27 +sg25268 +S'Figurehead' +p49108 +sg25270 +S'Robert Pohle' +p49109 +sa(dp49110 +g25267 +g27 +sg25268 +S'Figurehead' +p49111 +sg25270 +S'Helen E. Gilman' +p49112 +sa(dp49113 +g25267 +g27 +sg25268 +S'Figurehead' +p49114 +sg25270 +S'Elizabeth Moutal' +p49115 +sa(dp49116 +g25273 +S'(artist after)' +p49117 +sg25267 +g27 +sg25275 +S'\n' +p49118 +sg25268 +S'Orphee sur le mont Rhodope attire ...' +p49119 +sg25270 +S'Artist Information (' +p49120 +sa(dp49121 +g25267 +g27 +sg25268 +S'Figurehead "Marie"' +p49122 +sg25270 +S'Ingrid Selmer-Larsen' +p49123 +sa(dp49124 +g25267 +g27 +sg25268 +S'Figurehead: Mermaid' +p49125 +sg25270 +S'Lucille Chabot' +p49126 +sa(dp49127 +g25267 +g27 +sg25268 +S'Figurehead "Martha"' +p49128 +sg25270 +S'Mary E. Humes' +p49129 +sa(dp49130 +g25267 +g27 +sg25268 +S'Figurehead' +p49131 +sg25270 +S'Jane Iverson' +p49132 +sa(dp49133 +g25267 +g27 +sg25268 +S'Soldier Figure' +p49134 +sg25270 +S'Joseph Rothenberg' +p49135 +sa(dp49136 +g25267 +g27 +sg25268 +S'Fireplace Ornament' +p49137 +sg25270 +S'Andrew Topolosky' +p49138 +sa(dp49139 +g25267 +g27 +sg25268 +S'Cast Iron Figure' +p49140 +sg25270 +S'Eugene Barrell' +p49141 +sa(dp49142 +g25267 +g27 +sg25268 +S'Cast Iron Ornament' +p49143 +sg25270 +S'Austin L. Davison' +p49144 +sa(dp49145 +g25267 +g27 +sg25268 +S'Figure' +p49146 +sg25270 +S'Byron Dingman' +p49147 +sa(dp49148 +g25267 +g27 +sg25268 +S'Statuette' +p49149 +sg25270 +S'Yolande Delasser' +p49150 +sa(dp49151 +g25273 +S'pen and black ink and brush and brown ink with brown wash' +p49152 +sg25267 +g27 +sg25275 +S'1768' +p49153 +sg25268 +S'Cyparisse voulent de donner la mort, est metamorphose en cypres par Apollon' +p49154 +sg25270 +S'Charles Monnet' +p49155 +sa(dp49156 +g25267 +g27 +sg25268 +S'Statuette' +p49157 +sg25270 +S'Yolande Delasser' +p49158 +sa(dp49159 +g25267 +g27 +sg25268 +S'Statuette' +p49160 +sg25270 +S'Yolande Delasser' +p49161 +sa(dp49162 +g25267 +g27 +sg25268 +S'Statuette' +p49163 +sg25270 +S'Yolande Delasser' +p49164 +sa(dp49165 +g25267 +g27 +sg25268 +S'Statuette' +p49166 +sg25270 +S'Frank Fumagalli' +p49167 +sa(dp49168 +g25267 +g27 +sg25268 +S'Statuette' +p49169 +sg25270 +S'Ralph Atkinson' +p49170 +sa(dp49171 +g25267 +g27 +sg25268 +S'Statuette (Queen Victoria)' +p49172 +sg25270 +S'Mina Lowry' +p49173 +sa(dp49174 +g25267 +g27 +sg25268 +S'Horse and Rider' +p49175 +sg25270 +S'Mina Lowry' +p49176 +sa(dp49177 +g25267 +g27 +sg25268 +S'Figure' +p49178 +sg25270 +S'Mina Lowry' +p49179 +sa(dp49180 +g25267 +g27 +sg25268 +S'Chalkware Figure' +p49181 +sg25270 +S'Mina Lowry' +p49182 +sa(dp49183 +g25267 +g27 +sg25268 +S'Fisherman and Woman' +p49184 +sg25270 +S'Mina Lowry' +p49185 +sa(dp49186 +g25273 +S'(artist after)' +p49187 +sg25267 +g27 +sg25275 +S'\n' +p49188 +sg25268 +S'Cyparisse voulant de donner la mort, est metamorphose en cypres par Apollon' +p49189 +sg25270 +S'Artist Information (' +p49190 +sa(dp49191 +g25267 +g27 +sg25268 +S'Portrait Bust' +p49192 +sg25270 +S'Mina Lowry' +p49193 +sa(dp49194 +g25267 +g27 +sg25268 +S'Figurine' +p49195 +sg25270 +S'Mina Lowry' +p49196 +sa(dp49197 +g25267 +g27 +sg25268 +S'Figure of Knickerbocker' +p49198 +sg25270 +S'Gilbert Sackerman' +p49199 +sa(dp49200 +g25267 +g27 +sg25268 +S'Figurine' +p49201 +sg25270 +S'Mina Lowry' +p49202 +sa(dp49203 +g25267 +g27 +sg25268 +S'Figurine' +p49204 +sg25270 +S'Mina Lowry' +p49205 +sa(dp49206 +g25267 +g27 +sg25268 +S'Figurine' +p49207 +sg25270 +S'Mina Lowry' +p49208 +sa(dp49209 +g25267 +g27 +sg25268 +S'Mantle Ornament' +p49210 +sg25270 +S'Mina Lowry' +p49211 +sa(dp49212 +g25267 +g27 +sg25268 +S'Plaster Cast Figurine' +p49213 +sg25270 +S'Austin L. Davison' +p49214 +sa(dp49215 +g25267 +g27 +sg25268 +S'Madonna and Child' +p49216 +sg25270 +S'Mina Lowry' +p49217 +sa(dp49218 +g25267 +g27 +sg25268 +S'Figure of Napolean' +p49219 +sg25270 +S'Mina Lowry' +p49220 +sa(dp49221 +g25273 +S'graphite' +p49222 +sg25267 +g27 +sg25275 +S'1768' +p49223 +sg25268 +S'Jupiter metamorphose en Aigle, enleve Ganimede' +p49224 +sg25270 +S'Charles Eisen' +p49225 +sa(dp49226 +g25267 +g27 +sg25268 +S'Statue Clock Decoration' +p49227 +sg25270 +S'Walter Hochstrasser' +p49228 +sa(dp49229 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p49230 +sg25270 +S'Richard F. Smith' +p49231 +sa(dp49232 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p49233 +sg25270 +S'Alice Stearns' +p49234 +sa(dp49235 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p49236 +sg25270 +S'Alice Stearns' +p49237 +sa(dp49238 +g25267 +g27 +sg25268 +S'Wooden Indian' +p49239 +sg25270 +S'Robert W.R. Taylor' +p49240 +sa(dp49241 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p49242 +sg25270 +S'Henry Granet' +p49243 +sa(dp49244 +g25267 +g27 +sg25268 +S'Carved Wooden Indian' +p49245 +sg25270 +S'Verna Tallman' +p49246 +sa(dp49247 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p49248 +sg25270 +S'Bernard Westmacott' +p49249 +sa(dp49250 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p49251 +sg25270 +S'Henry Granet' +p49252 +sa(dp49253 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p49254 +sg25270 +S'Bernard Westmacott' +p49255 +sa(dp49256 +g25273 +S'(artist after)' +p49257 +sg25267 +g27 +sg25275 +S'\n' +p49258 +sg25268 +S'Jupiter metamorphose en Aigle, enleve Ganimede' +p49259 +sg25270 +S'Artist Information (' +p49260 +sa(dp49261 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p49262 +sg25270 +S'Walter Hochstrasser' +p49263 +sa(dp49264 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p49265 +sg25270 +S'LeRoy Griffith' +p49266 +sa(dp49267 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p49268 +sg25270 +S'Sydney Roberts' +p49269 +sa(dp49270 +g25267 +g27 +sg25268 +S'Wooden Indian' +p49271 +sg25270 +S'Robert W.R. Taylor' +p49272 +sa(dp49273 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p49274 +sg25270 +S'Joseph Goldberg' +p49275 +sa(dp49276 +g25267 +g27 +sg25268 +S'Indian Chief' +p49277 +sg25270 +S'Harold A. Doughty' +p49278 +sa(dp49279 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p49280 +sg25270 +S'Adele Brooks' +p49281 +sa(dp49282 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p49283 +sg25270 +S'John Sullivan' +p49284 +sa(dp49285 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p49286 +sg25270 +S'Chris Makrenos' +p49287 +sa(dp49288 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p49289 +sg25270 +S'Flora Merchant' +p49290 +sa(dp49291 +g25273 +S'graphite' +p49292 +sg25267 +g27 +sg25275 +S'1768' +p49293 +sg25268 +S'Hyacinthe jouant avec Apollon ...' +p49294 +sg25270 +S'Charles Eisen' +p49295 +sa(dp49296 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p49297 +sg25270 +S'Gerald Transpota' +p49298 +sa(dp49299 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p49300 +sg25270 +S'N.H. Yeckley' +p49301 +sa(dp49302 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p49303 +sg25270 +S'Henry Murphy' +p49304 +sa(dp49305 +g25267 +g27 +sg25268 +S'Figurehead' +p49306 +sg25270 +S'Frances Cohen' +p49307 +sa(dp49308 +g25267 +g27 +sg25268 +S'"Victorian Lady" Figurehead' +p49309 +sg25270 +S'Molly Bodenstein' +p49310 +sa(dp49311 +g25267 +g27 +sg25268 +S'"Belle of Oregon" Figurhead' +p49312 +sg25270 +S'Elisabeth Fulda' +p49313 +sa(dp49314 +g25267 +g27 +sg25268 +S'"Galatea" Figurehead' +p49315 +sg25270 +S'Mary E. Humes' +p49316 +sa(dp49317 +g25267 +g27 +sg25268 +S'"The Rhine" Figurehead' +p49318 +sg25270 +S'Rosamond P. Gray' +p49319 +sa(dp49320 +g25267 +g27 +sg25268 +S'"The Rhine" Figurehead' +p49321 +sg25270 +S'Rosamond P. 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Cheney' +p50387 +sa(dp50388 +g25273 +S'(artist after)' +p50389 +sg25267 +g27 +sg25275 +S'\n' +p50390 +sg25268 +S'Apres les festin donne aux noces de Pirithous...' +p50391 +sg25270 +S'Artist Information (' +p50392 +sa(dp50393 +g25267 +g27 +sg25268 +S'Wrought Iron Fireplace Shovel' +p50394 +sg25270 +S'Donald Streeter' +p50395 +sa(dp50396 +g25267 +g27 +sg25268 +S'Fire Shovel' +p50397 +sg25270 +S'Eva Perry' +p50398 +sa(dp50399 +g25267 +g27 +sg25268 +S'Iron Fork' +p50400 +sg25270 +S'Frank Eiseman' +p50401 +sa(dp50402 +g25267 +g27 +sg25268 +S'Fireplace Shovel' +p50403 +sg25270 +S'Albert Geuppert' +p50404 +sa(dp50405 +g25267 +g27 +sg25268 +S'Fire Tongs and Shovel' +p50406 +sg25270 +S'Hans Korsch' +p50407 +sa(dp50408 +g25267 +g27 +sg25268 +S'Fireplace Tongs' +p50409 +sg25270 +S'Paul Poffinbarger' +p50410 +sa(dp50411 +g25267 +g27 +sg25268 +S'Fire Tongs, Shovel, and Jamb Hooks' +p50412 +sg25270 +S'Hans Korsch' +p50413 +sa(dp50414 +g25267 +g27 +sg25268 +S'Fire Tongs and Shovel' +p50415 +sg25270 +S'American 20th Century' +p50416 +sa(dp50417 +g25267 +g27 +sg25268 +S'Fire Tongs and Shovel' +p50418 +sg25270 +S'Hans Korsch' +p50419 +sa(dp50420 +g25267 +g27 +sg25268 +S'Fire Tongs and Shovel' +p50421 +sg25270 +S'Hans Korsch' +p50422 +sa(dp50423 +g25273 +S'pen and black ink and brush and brown ink with brown wash' +p50424 +sg25267 +g27 +sg25275 +S'1769' +p50425 +sg25268 +S"Apres la mort d'Achille, Ajax et Ulisse disputent ses armes ..." +p50426 +sg25270 +S'Charles Monnet' +p50427 +sa(dp50428 +g25267 +g27 +sg25268 +S'Fire Tools' +p50429 +sg25270 +S'Hans Korsch' +p50430 +sa(dp50431 +g25267 +g27 +sg25268 +S'Fire Tongs and Shovel' +p50432 +sg25270 +S'Hans Korsch' +p50433 +sa(dp50434 +g25267 +g27 +sg25268 +S'Fireplace Shovel' +p50435 +sg25270 +S'Arsen Maralian' +p50436 +sa(dp50437 +g25267 +g27 +sg25268 +S'Fire Tongs, Shovel, and Jamb Hooks' +p50438 +sg25270 +S'Hans Korsch' +p50439 +sa(dp50440 +g25267 +g27 +sg25268 +S'Fire Shovel and Tongs' +p50441 +sg25270 +S'Hans Korsch' +p50442 +sa(dp50443 +g25267 +g27 +sg25268 +S'Fire Shovel and Tongs' +p50444 +sg25270 +S'Hans Korsch' +p50445 +sa(dp50446 +g25267 +g27 +sg25268 +S'Flue Shovel' +p50447 +sg25270 +S'John Cooke' +p50448 +sa(dp50449 +g25267 +g27 +sg25268 +S'Fire Shovel' +p50450 +sg25270 +S'Marie Famularo' +p50451 +sa(dp50452 +g25267 +g27 +sg25268 +S'Fire Shovel' +p50453 +sg25270 +S'Marie Famularo' +p50454 +sa(dp50455 +g25267 +g27 +sg25268 +S'Fire Shovel' +p50456 +sg25270 +S'Hans Korsch' +p50457 +sa(dp50458 +g25273 +S'(artist after)' +p50459 +sg25267 +g27 +sg25275 +S'\n' +p50460 +sg25268 +S"Apres la mort d'Achille, Ajax et Ulisse disputent ses armes ..." +p50461 +sg25270 +S'Artist Information (' +p50462 +sa(dp50463 +g25267 +g27 +sg25268 +S'Fireplace Tongs' +p50464 +sg25270 +S'Paul Poffinbarger' +p50465 +sa(dp50466 +g25267 +g27 +sg25268 +S'Paper Fire Grate Cover' +p50467 +sg25270 +S'Vincent P. Rosel' +p50468 +sa(dp50469 +g25267 +g27 +sg25268 +S'Fireside Set' +p50470 +sg25270 +S'Hans Mangelsdorf' +p50471 +sa(dp50472 +g25267 +g27 +sg25268 +S'Fire Rail' +p50473 +sg25270 +S"James O'Mara" +p50474 +sa(dp50475 +g25267 +g27 +sg25268 +S'Iron Fireplace' +p50476 +sg25270 +S'Thomas Byrne' +p50477 +sa(dp50478 +g25267 +g27 +sg25268 +S'Andirons and Fireback' +p50479 +sg25270 +S'Ludmilla Calderon' +p50480 +sa(dp50481 +g25267 +g27 +sg25268 +S'Fork' +p50482 +sg25270 +S'Benjamin Resnick' +p50483 +sa(dp50484 +g25267 +g27 +sg25268 +S'Toasting Fork' +p50485 +sg25270 +S'Anna Aloisi' +p50486 +sa(dp50487 +g25267 +g27 +sg25268 +S'Fork' +p50488 +sg25270 +S'Anthony Zuccarello' +p50489 +sa(dp50490 +g25267 +g27 +sg25268 +S'Wooden Spoon and Fork' +p50491 +sg25270 +S'John Cutting' +p50492 +sa(dp50493 +g25268 +S'The Mystic Marriage of Saint Catherine' +p50494 +sg25270 +S'Correggio' +p50495 +sg25273 +S'oil on panel' +p50496 +sg25275 +S'1510/1515' +p50497 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a00007ff.jpg' +p50498 +sg25267 +g27 +sa(dp50499 +g25273 +S'graphite' +p50500 +sg25267 +g27 +sg25275 +S'1768' +p50501 +sg25268 +S"Les Grecs s'en retournant en leur pays ..." +p50502 +sg25270 +S'Charles Eisen' +p50503 +sa(dp50504 +g25267 +g27 +sg25268 +S'Fork' +p50505 +sg25270 +S'John Swientochowski' +p50506 +sa(dp50507 +g25267 +g27 +sg25268 +S'Pickle Fork' +p50508 +sg25270 +S'John R. 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Zaidenberg' +p51782 +sa(dp51783 +g25267 +g27 +sg25268 +S'Salt Cellar' +p51784 +sg25270 +S'John Tarantino' +p51785 +sa(dp51786 +g25267 +g27 +sg25268 +S'Baptismal Bowl' +p51787 +sg25270 +S'Beverly Chichester' +p51788 +sa(dp51789 +g25267 +g27 +sg25268 +S'Salt Cellar' +p51790 +sg25270 +S'John Tarantino' +p51791 +sa(dp51792 +g25267 +g27 +sg25268 +S'Vase' +p51793 +sg25270 +S'Isidore Steinberg' +p51794 +sa(dp51795 +g25273 +S'(artist after)' +p51796 +sg25267 +g27 +sg25275 +S'\n' +p51797 +sg25268 +S'Cippus harangue le Peuple Romain ...' +p51798 +sg25270 +S'Artist Information (' +p51799 +sa(dp51800 +g25267 +g27 +sg25268 +S'Scent Bottle' +p51801 +sg25270 +S'Paul Ward' +p51802 +sa(dp51803 +g25267 +g27 +sg25268 +S'Water Pitcher' +p51804 +sg25270 +S'John Dana' +p51805 +sa(dp51806 +g25267 +g27 +sg25268 +S'Stiegel Perfume Vial' +p51807 +sg25270 +S'John Jordan' +p51808 +sa(dp51809 +g25267 +g27 +sg25268 +S'Vase' +p51810 +sg25270 +S'Isidore Steinberg' +p51811 +sa(dp51812 +g25267 +g27 +sg25268 +S'Sugar Bowl' +p51813 +sg25270 +S'John Dana' +p51814 +sa(dp51815 +g25267 +g27 +sg25268 +S'Stiegel Vase' +p51816 +sg25270 +S'G.A. Spangenberg' +p51817 +sa(dp51818 +g25267 +g27 +sg25268 +S'Flask' +p51819 +sg25270 +S'John Dana' +p51820 +sa(dp51821 +g25267 +g27 +sg25268 +S'Cream Pitcher' +p51822 +sg25270 +S'John Dana' +p51823 +sa(dp51824 +g25267 +g27 +sg25268 +S'Tumbler' +p51825 +sg25270 +S'John Dana' +p51826 +sa(dp51827 +g25267 +g27 +sg25268 +S'Flask (Swirl)' +p51828 +sg25270 +S'Raymond McGough' +p51829 +sa(dp51830 +g25273 +S', 1769' +p51831 +sg25267 +g27 +sg25275 +S'\n' +p51832 +sg25268 +S'Jules Cesar assassine dans le Senat est metamorphose en Comete ...' +p51833 +sg25270 +S'Jean-Michel Moreau the Younger' +p51834 +sa(dp51835 +g25267 +g27 +sg25268 +S'Flask (Pitkin Type)' +p51836 +sg25270 +S'Charles Caseau' +p51837 +sa(dp51838 +g25267 +g27 +sg25268 +S'Salt Cellar' +p51839 +sg25270 +S'Giacinto Capelli' +p51840 +sa(dp51841 +g25267 +g27 +sg25268 +S'Pitcher' +p51842 +sg25270 +S'John Tarantino' +p51843 +sa(dp51844 +g25267 +g27 +sg25268 +S'Wash Bowl and Pitcher' +p51845 +sg25270 +S'Charles Caseau' +p51846 +sa(dp51847 +g25267 +g27 +sg25268 +S'Perfume Bottle' +p51848 +sg25270 +S'William P. Shearwood' +p51849 +sa(dp51850 +g25267 +g27 +sg25268 +S'Cologne Bottle' +p51851 +sg25270 +S'Elizabeth Dimling' +p51852 +sa(dp51853 +g25267 +g27 +sg25268 +S'Toilet Bottle' +p51854 +sg25270 +S'Charles Moss' +p51855 +sa(dp51856 +g25267 +g27 +sg25268 +S'Barber Shop Bottle' +p51857 +sg25270 +S'Gertrude Lemberg' +p51858 +sa(dp51859 +g25267 +g27 +sg25268 +S'Bottle' +p51860 +sg25270 +S'Charles Moss' +p51861 +sa(dp51862 +g25267 +g27 +sg25268 +S'Vase' +p51863 +sg25270 +S'Madeline Arnold' +p51864 +sa(dp51865 +g25273 +S'(artist after)' +p51866 +sg25267 +g27 +sg25275 +S'\n' +p51867 +sg25268 +S'Jules Cesar assassin\xc3\xa9 dans le Senat est m\xc3\xa9tamorphos\xc3\xa9 en Com\xc3\xaate par les soins de Venus' +p51868 +sg25270 +S'Artist Information (' +p51869 +sa(dp51870 +g25267 +g27 +sg25268 +S'Shoe Blacking Bottle' +p51871 +sg25270 +S'Van Silvay' +p51872 +sa(dp51873 +g25267 +g27 +sg25268 +S'Jar' +p51874 +sg25270 +S'Isidore Steinberg' +p51875 +sa(dp51876 +g25267 +g27 +sg25268 +S'Shoe Blacking Bottle' +p51877 +sg25270 +S'Charles Garjian' +p51878 +sa(dp51879 +g25267 +g27 +sg25268 +S'Liquor Flask' +p51880 +sg25270 +S'Arthur G. Merkley' +p51881 +sa(dp51882 +g25267 +g27 +sg25268 +S'Green Bottle' +p51883 +sg25270 +S'Cora Parker' +p51884 +sa(dp51885 +g25267 +g27 +sg25268 +S'Carboy' +p51886 +sg25270 +S'Edward White' +p51887 +sa(dp51888 +g25267 +g27 +sg25268 +S'Blue-green Flask' +p51889 +sg25270 +S'V.L. Vance' +p51890 +sa(dp51891 +g25267 +g27 +sg25268 +S'Gemel Bottle' +p51892 +sg25270 +S'Alvin Shiren' +p51893 +sa(dp51894 +g25267 +g27 +sg25268 +S'Liquor Bottle' +p51895 +sg25270 +S'Nicholas Amantea' +p51896 +sa(dp51897 +g25267 +g27 +sg25268 +S'Gemel Bottle' +p51898 +sg25270 +S'John Dana' +p51899 +sa(dp51900 +g25273 +S'etching [trial proof]' +p51901 +sg25267 +g27 +sg25275 +S'1770' +p51902 +sg25268 +S'Fin des Estampes des Metamorphoses' +p51903 +sg25270 +S'Pierre-Philippe Choffard' +p51904 +sa(dp51905 +g25267 +g27 +sg25268 +S'Wine or Spirits Bottle' +p51906 +sg25270 +S'Anna Aloisi' +p51907 +sa(dp51908 +g25267 +g27 +sg25268 +S'Scent Bottle' +p51909 +sg25270 +S'Anna Aloisi' +p51910 +sa(dp51911 +g25267 +g27 +sg25268 +S'Bellows Bottle' +p51912 +sg25270 +S'Gertrude Lemberg' +p51913 +sa(dp51914 +g25267 +g27 +sg25268 +S'Bellows Bottle' +p51915 +sg25270 +S'Frank Fumagalli' +p51916 +sa(dp51917 +g25267 +g27 +sg25268 +S'Miniature Bellows Bottle' +p51918 +sg25270 +S'John Tarantino' +p51919 +sa(dp51920 +g25267 +g27 +sg25268 +S'Shell Shaped Flask' +p51921 +sg25270 +S'Raymond McGough' +p51922 +sa(dp51923 +g25267 +g27 +sg25268 +S'Oyster Shaped Flask' +p51924 +sg25270 +S'Francis Law Durand' +p51925 +sa(dp51926 +g25267 +g27 +sg25268 +S'Scent Bottle' +p51927 +sg25270 +S'Paul Ward' +p51928 +sa(dp51929 +g25267 +g27 +sg25268 +S'Scent Bottle' +p51930 +sg25270 +S'Paul Ward' +p51931 +sa(dp51932 +g25267 +g27 +sg25268 +S'Scent Bottle' +p51933 +sg25270 +S'Paul Ward' +p51934 +sa(dp51935 +g25273 +S'etching and engraving' +p51936 +sg25267 +g27 +sg25275 +S'1770' +p51937 +sg25268 +S'Fin des Estampes des Metamorphoses' +p51938 +sg25270 +S'Pierre-Philippe Choffard' +p51939 +sa(dp51940 +g25267 +g27 +sg25268 +S'Mouse' +p51941 +sg25270 +S'Giacinto Capelli' +p51942 +sa(dp51943 +g25267 +g27 +sg25268 +S'Toilet Bottle' +p51944 +sg25270 +S'Paul Ward' +p51945 +sa(dp51946 +g25267 +g27 +sg25268 +S'Flask' +p51947 +sg25270 +S'Eugene La Foret' +p51948 +sa(dp51949 +g25267 +g27 +sg25268 +S'Flask' +p51950 +sg25270 +S'Janet Riza' +p51951 +sa(dp51952 +g25267 +g27 +sg25268 +S'Cream Pitcher' +p51953 +sg25270 +S'Beverly Chichester' +p51954 +sa(dp51955 +g25267 +g27 +sg25268 +S'Basket' +p51956 +sg25270 +S'Gertrude Lemberg' +p51957 +sa(dp51958 +g25267 +g27 +sg25268 +S'Vase' +p51959 +sg25270 +S'Lillian Causey' +p51960 +sa(dp51961 +g25267 +g27 +sg25268 +S'Corn Glass Vase' +p51962 +sg25270 +S'Robert Stewart' +p51963 +sa(dp51964 +g25267 +g27 +sg25268 +S'Candlestick' +p51965 +sg25270 +S'William Schmidt' +p51966 +sa(dp51967 +g25267 +g27 +sg25268 +S'Glass Nut Dishes' +p51968 +sg25270 +S'Beulah Bradleigh' +p51969 +sa(dp51970 +g25273 +S'pen and brown ink and watercolor with gray wash on laid paper' +p51971 +sg25267 +g27 +sg25275 +S'c. 1786/1789' +p51972 +sg25268 +S'Costume de Mlle. Saint-Val, Role de Zulma, dans Odmar et Zulma' +p51973 +sg25270 +S'Brion de la Tour' +p51974 +sa(dp51975 +g25267 +g27 +sg25268 +S'Glass' +p51976 +sg25270 +S'Janet Riza' +p51977 +sa(dp51978 +g25267 +g27 +sg25268 +S'Vase' +p51979 +sg25270 +S'Gertrude Lemberg' +p51980 +sa(dp51981 +g25267 +g27 +sg25268 +S'Coster House' +p51982 +sg25270 +S'Meyer Goldbaum' +p51983 +sa(dp51984 +g25267 +g27 +sg25268 +S'N.W. Stuyvesant Residence' +p51985 +sg25270 +S'Tabea Hosier' +p51986 +sa(dp51987 +g25267 +g27 +sg25268 +S'Ingraham Residence' +p51988 +sg25270 +S'William Merklin' +p51989 +sa(dp51990 +g25267 +g27 +sg25268 +S'Wood Residence' +p51991 +sg25270 +S'Tabea Hosier' +p51992 +sa(dp51993 +g25267 +g27 +sg25268 +S'Table' +p51994 +sg25270 +S'Leo Drozdoff' +p51995 +sa(dp51996 +g25267 +g27 +sg25268 +S'Italian Style Villa' +p51997 +sg25270 +S'Virginia Richards' +p51998 +sa(dp51999 +g25267 +g27 +sg25268 +S"Stuyvesant's Great House" +p52000 +sg25270 +S'George Stonehill' +p52001 +sa(dp52002 +g25267 +g27 +sg25268 +S"West India Company's Gardens" +p52003 +sg25270 +S'Helen Miller' +p52004 +sa(dp52005 +g25273 +S'bound volume with 44 drawings (for 1786-89 ed. of " Costumes et annales ...") in pen and ink and watercolor, plus 5 additional drawings' +p52006 +sg25267 +g27 +sg25275 +S'c. 1786/1789' +p52007 +sg25268 +S'Album of Drawings for Charnois\'s "Costumes et annales des grandes theatres de Paris"' +p52008 +sg25270 +S'Brion de la Tour' +p52009 +sa(dp52010 +g25267 +g27 +sg25268 +S'Pier Table' +p52011 +sg25270 +S'John Dieterich' +p52012 +sa(dp52013 +g25267 +g27 +sg25268 +S'Chair' +p52014 +sg25270 +S'Bessie Forman' +p52015 +sa(dp52016 +g25267 +g27 +sg25268 +S'Secretary' +p52017 +sg25270 +S'Henry Meyers' +p52018 +sa(dp52019 +g25267 +g27 +sg25268 +S'Pier Table' +p52020 +sg25270 +S'John Dieterich' +p52021 +sa(dp52022 +g25267 +g27 +sg25268 +S'Lap Desk' +p52023 +sg25270 +S'Edna C. Rex' +p52024 +sa(dp52025 +g25267 +g27 +sg25268 +S'Chair' +p52026 +sg25270 +S'Francis Law Durand' +p52027 +sa(dp52028 +g25267 +g27 +sg25268 +S'Chair' +p52029 +sg25270 +S'Artist Information (' +p52030 +sa(dp52031 +g25267 +g27 +sg25268 +S'Dutch Garden Plan' +p52032 +sg25270 +S'George Stonehill' +p52033 +sa(dp52034 +g25267 +g27 +sg25268 +S'Hooded Cradle' +p52035 +sg25270 +S'Columbus Simpson' +p52036 +sa(dp52037 +g25267 +g27 +sg25268 +S'Chest' +p52038 +sg25270 +S'Columbus Simpson' +p52039 +sa(dp52040 +g25273 +S'pen and black ink and watercolor with gray wash over graphite on laid paper' +p52041 +sg25267 +g27 +sg25275 +S'c. 1786/1789' +p52042 +sg25268 +S"Costume de Philippe, Role d'Alcindor dans Belle Arsene" +p52043 +sg25270 +S'Brion de la Tour' +p52044 +sa(dp52045 +g25267 +g27 +sg25268 +S'Writing Desk and Table' +p52046 +sg25270 +S'Henry Meyers' +p52047 +sa(dp52048 +g25267 +g27 +sg25268 +S'Chair' +p52049 +sg25270 +S'Gordon Sanborn' +p52050 +sa(dp52051 +g25267 +g27 +sg25268 +S'Sofa' +p52052 +sg25270 +S'Herman Bader' +p52053 +sa(dp52054 +g25267 +g27 +sg25268 +S'Sewing Table' +p52055 +sg25270 +S'Bessie Forman' +p52056 +sa(dp52057 +g25267 +g27 +sg25268 +S'Cabinet' +p52058 +sg25270 +S'Raymond E. Noble' +p52059 +sa(dp52060 +g25267 +g27 +sg25268 +S'Desk' +p52061 +sg25270 +S'Henry Meyers' +p52062 +sa(dp52063 +g25267 +g27 +sg25268 +S'Desk' +p52064 +sg25270 +S'Bernard Gussow' +p52065 +sa(dp52066 +g25267 +g27 +sg25268 +S'Table' +p52067 +sg25270 +S'Frederick Jackson' +p52068 +sa(dp52069 +g25267 +g27 +sg25268 +S'Cradle' +p52070 +sg25270 +S'Joseph Sudek' +p52071 +sa(dp52072 +g25267 +g27 +sg25268 +S'Cradle' +p52073 +sg25270 +S'Edward L. Loper' +p52074 +sa(dp52075 +g25273 +S'pen and black ink and watercolor with gray wash over graphite on laid paper' +p52076 +sg25267 +g27 +sg25275 +S'c. 1786/1789' +p52077 +sg25268 +S"Costume d'Arnolphe dans l'Ecole des Femmes" +p52078 +sg25270 +S'Brion de la Tour' +p52079 +sa(dp52080 +g25267 +g27 +sg25268 +S'Cabinet' +p52081 +sg25270 +S'Ferdinand Cartier' +p52082 +sa(dp52083 +g25267 +g27 +sg25268 +S'Chest' +p52084 +sg25270 +S'Nicholas Gorid' +p52085 +sa(dp52086 +g25267 +g27 +sg25268 +S'Shelf Clock' +p52087 +sg25270 +S'American 20th Century' +p52088 +sa(dp52089 +g25267 +g27 +sg25268 +S'Chest' +p52090 +sg25270 +S'Ada V. May' +p52091 +sa(dp52092 +g25267 +g27 +sg25268 +S'Chest' +p52093 +sg25270 +S'Columbus Simpson' +p52094 +sa(dp52095 +g25267 +g27 +sg25268 +S'Walnut Chair' +p52096 +sg25270 +S'Frederick Jackson' +p52097 +sa(dp52098 +g25267 +g27 +sg25268 +S'Chair' +p52099 +sg25270 +S'Harold Smith' +p52100 +sa(dp52101 +g25267 +g27 +sg25268 +S'Mug' +p52102 +sg25270 +S'Philip Johnson' +p52103 +sa(dp52104 +g25267 +g27 +sg25268 +S'Covered Mug' +p52105 +sg25270 +S'Philip Johnson' +p52106 +sa(dp52107 +g25267 +g27 +sg25268 +S'Amber Glass' +p52108 +sg25270 +S'Raymond Manupelli' +p52109 +sa(dp52110 +g25273 +S'pen and brown ink and watercolor with gray wash on blue laid paper' +p52111 +sg25267 +g27 +sg25275 +S'c. 1786/1789' +p52112 +sg25268 +S'Costume de Babet dans le Droit de Seigneur' +p52113 +sg25270 +S'Brion de la Tour' +p52114 +sa(dp52115 +g25267 +g27 +sg25268 +S'Flip Glass' +p52116 +sg25270 +S'Elizabeth Dimling' +p52117 +sa(dp52118 +g25267 +g27 +sg25268 +S'Glass' +p52119 +sg25270 +S'Nicholas Amantea' +p52120 +sa(dp52121 +g25267 +g27 +sg25268 +S'Wine Glass' +p52122 +sg25270 +S'Agnes Karlin' +p52123 +sa(dp52124 +g25267 +g27 +sg25268 +S'Glass' +p52125 +sg25270 +S'Lillian Causey' +p52126 +sa(dp52127 +g25267 +g27 +sg25268 +S'Drinking Glass' +p52128 +sg25270 +S'Hugh Clarke' +p52129 +sa(dp52130 +g25267 +g27 +sg25268 +S'Goblet' +p52131 +sg25270 +S'Philip Johnson' +p52132 +sa(dp52133 +g25267 +g27 +sg25268 +S'Liqueur Glass' +p52134 +sg25270 +S'Michael Trekur' +p52135 +sa(dp52136 +g25267 +g27 +sg25268 +S'Goblet' +p52137 +sg25270 +S'Janet Riza' +p52138 +sa(dp52139 +g25267 +g27 +sg25268 +S'Wine Glass' +p52140 +sg25270 +S'Albert Eyth' +p52141 +sa(dp52142 +g25267 +g27 +sg25268 +S'Glass' +p52143 +sg25270 +S'Maud M. Holme' +p52144 +sa(dp52145 +g25273 +S'pen and black ink and watercolor with gray wash on laid paper' +p52146 +sg25267 +g27 +sg25275 +S'probably 1786' +p52147 +sg25268 +S'Mlle. Raucourt, Role de Leontine dans Heraclius' +p52148 +sg25270 +S'Brion de la Tour' +p52149 +sa(dp52150 +g25267 +g27 +sg25268 +S'Glass' +p52151 +sg25270 +S'Gertrude Lemberg' +p52152 +sa(dp52153 +g25267 +g27 +sg25268 +S'Glass' +p52154 +sg25270 +S'American 20th Century' +p52155 +sa(dp52156 +g25267 +g27 +sg25268 +S'Spoon Holder' +p52157 +sg25270 +S'Carl Buergerniss' +p52158 +sa(dp52159 +g25267 +g27 +sg25268 +S'Glass' +p52160 +sg25270 +S'Lillian Causey' +p52161 +sa(dp52162 +g25267 +g27 +sg25268 +S'Pitcher' +p52163 +sg25270 +S'Anna Aloisi' +p52164 +sa(dp52165 +g25267 +g27 +sg25268 +S'Mug' +p52166 +sg25270 +S'Gertrude Lemberg' +p52167 +sa(dp52168 +g25267 +g27 +sg25268 +S'Vase' +p52169 +sg25270 +S'American 20th Century' +p52170 +sa(dp52171 +g25267 +g27 +sg25268 +S'Bottle' +p52172 +sg25270 +S'Janet Riza' +p52173 +sa(dp52174 +g25267 +g27 +sg25268 +S'Bowl' +p52175 +sg25270 +S'John Dana' +p52176 +sa(dp52177 +g25267 +g27 +sg25268 +S'Bottle' +p52178 +sg25270 +S'John Tarantino' +p52179 +sa(dp52180 +g25273 +S'pen and black ink and watercolor with gray wash over graphite on laid paper' +p52181 +sg25267 +g27 +sg25275 +S'c. 1786/1787' +p52182 +sg25268 +S'Costume de M. St. Fal, Role de Patrocle dans Briseis' +p52183 +sg25270 +S'Brion de la Tour' +p52184 +sa(dp52185 +g25267 +g27 +sg25268 +S'Vase' +p52186 +sg25270 +S'John Tarantino' +p52187 +sa(dp52188 +g25267 +g27 +sg25268 +S'Mug' +p52189 +sg25270 +S'S. Brodsky' +p52190 +sa(dp52191 +g25267 +g27 +sg25268 +S'Bottle' +p52192 +sg25270 +S'S. Brodsky' +p52193 +sa(dp52194 +g25267 +g27 +sg25268 +S'Whiskey Glass' +p52195 +sg25270 +S'Gertrude Lemberg' +p52196 +sa(dp52197 +g25267 +g27 +sg25268 +S'Pitcher' +p52198 +sg25270 +S'Ella Josephine Sterling' +p52199 +sa(dp52200 +g25267 +g27 +sg25268 +S'Trumpet Glass Vase' +p52201 +sg25270 +S'Ella Josephine Sterling' +p52202 +sa(dp52203 +g25267 +g27 +sg25268 +S'Salt Cellar' +p52204 +sg25270 +S'American 20th Century' +p52205 +sa(dp52206 +g25267 +g27 +sg25268 +S'Sweet Meat Jar' +p52207 +sg25270 +S'Dorothy Posten' +p52208 +sa(dp52209 +g25267 +g27 +sg25268 +S'Mug' +p52210 +sg25270 +S'Lillian Causey' +p52211 +sa(dp52212 +g25267 +g27 +sg25268 +S'Mug' +p52213 +sg25270 +S'John Dana' +p52214 +sa(dp52215 +g25273 +S'pen and black ink and watercolor with brown wash on laid paper' +p52216 +sg25267 +g27 +sg25275 +S'c. 1786/1787' +p52217 +sg25268 +S"Costume d'un hastat en marche portant sa lance" +p52218 +sg25270 +S'Brion de la Tour' +p52219 +sa(dp52220 +g25267 +g27 +sg25268 +S'Sugar Bowl' +p52221 +sg25270 +S'Janet Riza' +p52222 +sa(dp52223 +g25267 +g27 +sg25268 +S'Vase' +p52224 +sg25270 +S'Janet Riza' +p52225 +sa(dp52226 +g25267 +g27 +sg25268 +S'Cobalt Vase' +p52227 +sg25270 +S'Dorothy Posten' +p52228 +sa(dp52229 +g25267 +g27 +sg25268 +S'Glass' +p52230 +sg25270 +S'John Dana' +p52231 +sa(dp52232 +g25267 +g27 +sg25268 +S'Ruby Bowl with Clear Foot' +p52233 +sg25270 +S'Marcus Moran' +p52234 +sa(dp52235 +g25267 +g27 +sg25268 +S'Vase' +p52236 +sg25270 +S'Gertrude Lemberg' +p52237 +sa(dp52238 +g25267 +g27 +sg25268 +S'Glass' +p52239 +sg25270 +S'John Dana' +p52240 +sa(dp52241 +g25267 +g27 +sg25268 +S'Mug' +p52242 +sg25270 +S'Gertrude Lemberg' +p52243 +sa(dp52244 +g25267 +g27 +sg25268 +S'Rummer' +p52245 +sg25270 +S'John Dana' +p52246 +sa(dp52247 +g25267 +g27 +sg25268 +S'Covered Flip' +p52248 +sg25270 +S'Gertrude Lemberg' +p52249 +sa(dp52250 +g25268 +S'The Parable of Lazarus and the Rich Man' +p52251 +sg25270 +S'Artist Information (' +p52252 +sg25273 +S'Italian, 1589 - 1623' +p52253 +sg25275 +S'(related artist)' +p52254 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a0000606.jpg' +p52255 +sg25267 +g27 +sa(dp52256 +g25273 +S'pen and black ink and watercolor with gray wash on laid paper' +p52257 +sg25267 +g27 +sg25275 +S'c. 1786/1787' +p52258 +sg25268 +S"Costume de M. de Blainville ou l'optimiste dans la Comedie de ce nom" +p52259 +sg25270 +S'Brion de la Tour' +p52260 +sa(dp52261 +g25267 +g27 +sg25268 +S'Vase' +p52262 +sg25270 +S'John Dana' +p52263 +sa(dp52264 +g25267 +g27 +sg25268 +S'Liquor Bottle' +p52265 +sg25270 +S'Gertrude Lemberg' +p52266 +sa(dp52267 +g25267 +g27 +sg25268 +S'Vase' +p52268 +sg25270 +S'Frank M. Keane' +p52269 +sa(dp52270 +g25267 +g27 +sg25268 +S'Decanter' +p52271 +sg25270 +S'John Dana' +p52272 +sa(dp52273 +g25267 +g27 +sg25268 +S'Bottle' +p52274 +sg25270 +S'Francis Law Durand' +p52275 +sa(dp52276 +g25267 +g27 +sg25268 +S'Bottle' +p52277 +sg25270 +S'Jessica Price' +p52278 +sa(dp52279 +g25267 +g27 +sg25268 +S'Whiskey Flask' +p52280 +sg25270 +S'G.A. Spangenberg' +p52281 +sa(dp52282 +g25267 +g27 +sg25268 +S'Salt Cup' +p52283 +sg25270 +S'Henry Meyers' +p52284 +sa(dp52285 +g25267 +g27 +sg25268 +S'Inkwell' +p52286 +sg25270 +S'Charles Garjian' +p52287 +sa(dp52288 +g25267 +g27 +sg25268 +S'Bottle' +p52289 +sg25270 +S'Frank Fumagalli' +p52290 +sa(dp52291 +g25273 +S'pen and black ink and watercolor with gray wash on laid paper' +p52292 +sg25267 +g27 +sg25275 +S'c. 1786/1787' +p52293 +sg25268 +S'Costume de M. St. Fal, Role de Zeangir dans Mustapha' +p52294 +sg25270 +S'Brion de la Tour' +p52295 +sa(dp52296 +g25267 +g27 +sg25268 +S'Pitcher' +p52297 +sg25270 +S'Janet Riza' +p52298 +sa(dp52299 +g25267 +g27 +sg25268 +S'Pitcher' +p52300 +sg25270 +S'Janet Riza' +p52301 +sa(dp52302 +g25267 +g27 +sg25268 +S'Pitcher' +p52303 +sg25270 +S'Gertrude Lemberg' +p52304 +sa(dp52305 +g25267 +g27 +sg25268 +S'Cruet' +p52306 +sg25270 +S'Dorothy Posten' +p52307 +sa(dp52308 +g25267 +g27 +sg25268 +S'Paperweight' +p52309 +sg25270 +S'Gertrude Lemberg' +p52310 +sa(dp52311 +g25267 +g27 +sg25268 +S'Paper Weight' +p52312 +sg25270 +S'Robert Stewart' +p52313 +sa(dp52314 +g25267 +g27 +sg25268 +S'Witch Ball' +p52315 +sg25270 +S'Paul Ward' +p52316 +sa(dp52317 +g25267 +g27 +sg25268 +S'Small Jar' +p52318 +sg25270 +S'Kay Whiteley' +p52319 +sa(dp52320 +g25267 +g27 +sg25268 +S'Compote' +p52321 +sg25270 +S'Anna Aloisi' +p52322 +sa(dp52323 +g25267 +g27 +sg25268 +S'Jumel Mansion' +p52324 +sg25270 +S'Virginia Richards' +p52325 +sa(dp52326 +g25273 +S'pen and black ink and watercolor with gray wash on laid paper' +p52327 +sg25267 +g27 +sg25275 +S'c. 1786/1787' +p52328 +sg25268 +S"Costume du Mme. Dugazon Role d'Azemia" +p52329 +sg25270 +S'Brion de la Tour' +p52330 +sa(dp52331 +g25267 +g27 +sg25268 +S'Parterre - J. W. Wood' +p52332 +sg25270 +S'Artist Information (' +p52333 +sa(dp52334 +g25267 +g27 +sg25268 +S'Thomas C. Veitch Estate' +p52335 +sg25270 +S'Artist Information (' +p52336 +sa(dp52337 +g25267 +g27 +sg25268 +S'Isaace P. Martin Garden' +p52338 +sg25270 +S'Artist Information (' +p52339 +sa(dp52340 +g25267 +g27 +sg25268 +S'Jumel Estate' +p52341 +sg25270 +S'Virginia Richards' +p52342 +sa(dp52343 +g25267 +g27 +sg25268 +S"Smith's Folly - Mt. Vernon" +p52344 +sg25270 +S'Tabea Hosier' +p52345 +sa(dp52346 +g25267 +g27 +sg25268 +S'Whitehall Estate and Garden' +p52347 +sg25270 +S'Leo Drozdoff' +p52348 +sa(dp52349 +g25267 +g27 +sg25268 +S'Parmentier Grounds' +p52350 +sg25270 +S'Virginia Richards' +p52351 +sa(dp52352 +g25267 +g27 +sg25268 +S'Liquor Bottle' +p52353 +sg25270 +S'Adele Brooks' +p52354 +sa(dp52355 +g25267 +g27 +sg25268 +S'Indian Bottle (Medicine Bottle)' +p52356 +sg25270 +S'Loraine Makimson' +p52357 +sa(dp52358 +g25267 +g27 +sg25268 +S'Wine Glass' +p52359 +sg25270 +S'Palmyra Pimentel' +p52360 +sa(dp52361 +g25273 +S'pen and black ink and watercolor with gray wash on laid paper' +p52362 +sg25267 +g27 +sg25275 +S'c. 1786/1787' +p52363 +sg25268 +S'Costume du Mme. Dugazon, Role de Sophie de Ville-Hardouin dans la Comedie de Sargines' +p52364 +sg25270 +S'Brion de la Tour' +p52365 +sa(dp52366 +g25267 +g27 +sg25268 +S'Ale Schooner' +p52367 +sg25270 +S'Alice Cosgrove' +p52368 +sa(dp52369 +g25267 +g27 +sg25268 +S'Wine Glass' +p52370 +sg25270 +S'Palmyra Pimentel' +p52371 +sa(dp52372 +g25267 +g27 +sg25268 +S'Goblet' +p52373 +sg25270 +S'John Dana' +p52374 +sa(dp52375 +g25267 +g27 +sg25268 +S'Cordial Glass' +p52376 +sg25270 +S'John Tarantino' +p52377 +sa(dp52378 +g25267 +g27 +sg25268 +S'Wine Glass' +p52379 +sg25270 +S'Frank Fumagalli' +p52380 +sa(dp52381 +g25267 +g27 +sg25268 +S'Wine Glass' +p52382 +sg25270 +S'John Dana' +p52383 +sa(dp52384 +g25267 +g27 +sg25268 +S'Cordial Glass' +p52385 +sg25270 +S'Frank Fumagalli' +p52386 +sa(dp52387 +g25267 +g27 +sg25268 +S'Wine Glass' +p52388 +sg25270 +S'May Hays' +p52389 +sa(dp52390 +g25267 +g27 +sg25268 +S'Wine Glass' +p52391 +sg25270 +S'Michael Fenga' +p52392 +sa(dp52393 +g25267 +g27 +sg25268 +S'Cruet' +p52394 +sg25270 +S'Marie Mitchell' +p52395 +sa(dp52396 +g25273 +S'pen and black ink and watercolor with gray wash on laid paper' +p52397 +sg25267 +g27 +sg25275 +S'c. 1786/1787' +p52398 +sg25268 +S'Costume de M. Dugazon dans le Menteur' +p52399 +sg25270 +S'Brion de la Tour' +p52400 +sa(dp52401 +g25267 +g27 +sg25268 +S'Cruet' +p52402 +sg25270 +S'Charles Caseau' +p52403 +sa(dp52404 +g25267 +g27 +sg25268 +S'Candlestick' +p52405 +sg25270 +S'John Dana' +p52406 +sa(dp52407 +g25267 +g27 +sg25268 +S'Candlestick' +p52408 +sg25270 +S'Janet Riza' +p52409 +sa(dp52410 +g25267 +g27 +sg25268 +S'Cruet' +p52411 +sg25270 +S'John Tarantino' +p52412 +sa(dp52413 +g25267 +g27 +sg25268 +S'Clear Glass Cruet' +p52414 +sg25270 +S'V.L. Vance' +p52415 +sa(dp52416 +g25267 +g27 +sg25268 +S'Candlestick' +p52417 +sg25270 +S'Margaret Stottlemeyer' +p52418 +sa(dp52419 +g25267 +g27 +sg25268 +S'Vinegar Cruet' +p52420 +sg25270 +S'Ralph Atkinson' +p52421 +sa(dp52422 +g25267 +g27 +sg25268 +S'Compote' +p52423 +sg25270 +S'John Dana' +p52424 +sa(dp52425 +g25267 +g27 +sg25268 +S'Covered Compote' +p52426 +sg25270 +S'John Dana' +p52427 +sa(dp52428 +g25267 +g27 +sg25268 +S'Compote' +p52429 +sg25270 +S'John Tarantino' +p52430 +sa(dp52431 +g25273 +S'pen and black ink and watercolor with gray wash on light blue laid paper' +p52432 +sg25267 +g27 +sg25275 +S'c. 1786/1787' +p52433 +sg25268 +S'Mlle. Renaud Cadette Role et Costume de Venus dans les Trois Deesses Rivales ou le double judgement de Paris' +p52434 +sg25270 +S'Brion de la Tour' +p52435 +sa(dp52436 +g25267 +g27 +sg25268 +S'Tieback' +p52437 +sg25270 +S'Helen Bronson' +p52438 +sa(dp52439 +g25267 +g27 +sg25268 +S'Hurricane Shade' +p52440 +sg25270 +S'John Dana' +p52441 +sa(dp52442 +g25267 +g27 +sg25268 +S'Witch Ball' +p52443 +sg25270 +S'John Dana' +p52444 +sa(dp52445 +g25267 +g27 +sg25268 +S'Flower (Lily)' +p52446 +sg25270 +S'Grace Halpin' +p52447 +sa(dp52448 +g25267 +g27 +sg25268 +S'Witch Ball' +p52449 +sg25270 +S'Paul Ward' +p52450 +sa(dp52451 +g25267 +g27 +sg25268 +S'Glass Button Hook' +p52452 +sg25270 +S'Francis Law Durand' +p52453 +sa(dp52454 +g25267 +g27 +sg25268 +S'Button Hook' +p52455 +sg25270 +S'Frank Fumagalli' +p52456 +sa(dp52457 +g25267 +g27 +sg25268 +S'Jersey Pipe' +p52458 +sg25270 +S'Francis Law Durand' +p52459 +sa(dp52460 +g25267 +g27 +sg25268 +S'Nursing Bottle' +p52461 +sg25270 +S'Gordon Saltar' +p52462 +sa(dp52463 +g25267 +g27 +sg25268 +S'Glass Medicine Vial' +p52464 +sg25270 +S'American 20th Century' +p52465 +sa(dp52466 +g25273 +S'pen and black ink and watercolor with gray wash over graphite on laid paper' +p52467 +sg25267 +g27 +sg25275 +S'c. 1786/1787' +p52468 +sg25268 +S"Costume de M. Lays, Role de Taddee dans l'opera de Theodore a Venise" +p52469 +sg25270 +S'Brion de la Tour' +p52470 +sa(dp52471 +g25267 +g27 +sg25268 +S'Medicine Bottle' +p52472 +sg25270 +S'John Dana' +p52473 +sa(dp52474 +g25267 +g27 +sg25268 +S'Medicine Bottle' +p52475 +sg25270 +S'Frank Budash' +p52476 +sa(dp52477 +g25267 +g27 +sg25268 +S'Vase' +p52478 +sg25270 +S'Isidore Steinberg' +p52479 +sa(dp52480 +g25267 +g27 +sg25268 +S'Glass Nursing Bottle' +p52481 +sg25270 +S'Artist Information (' +p52482 +sa(dp52483 +g25267 +g27 +sg25268 +S'Medicine Bottle' +p52484 +sg25270 +S'Donald Streeter' +p52485 +sa(dp52486 +g25267 +g27 +sg25268 +S'American "Bohemian" Mug' +p52487 +sg25270 +S'Frank M. Keane' +p52488 +sa(dp52489 +g25267 +g27 +sg25268 +S'Ornamental Goblet' +p52490 +sg25270 +S'Frank Fumagalli' +p52491 +sa(dp52492 +g25267 +g27 +sg25268 +S'Ruby Case-Glass Goblet' +p52493 +sg25270 +S'Robert Stewart' +p52494 +sa(dp52495 +g25267 +g27 +sg25268 +S'Ruby Vase' +p52496 +sg25270 +S'Edward White' +p52497 +sa(dp52498 +g25267 +g27 +sg25268 +S'Ruby Pitcher' +p52499 +sg25270 +S'Ralph Atkinson' +p52500 +sa(dp52501 +g25273 +S'pen and black ink and watercolor with gray wash over graphite on laid paper' +p52502 +sg25267 +g27 +sg25275 +S'c. 1786/1787' +p52503 +sg25268 +S"Mlle. Maillard, dans Tarare, Role d'Astasie" +p52504 +sg25270 +S'Brion de la Tour' +p52505 +sa(dp52506 +g25267 +g27 +sg25268 +S'Vase' +p52507 +sg25270 +S'John Tarantino' +p52508 +sa(dp52509 +g25267 +g27 +sg25268 +S'Decanter' +p52510 +sg25270 +S'Frank M. Keane' +p52511 +sa(dp52512 +g25267 +g27 +sg25268 +S'Vinegar and Oil Bottle' +p52513 +sg25270 +S'Chris Makrenos' +p52514 +sa(dp52515 +g25267 +g27 +sg25268 +S'Glass Perfume Bottle' +p52516 +sg25270 +S'Isabelle De Strange' +p52517 +sa(dp52518 +g25267 +g27 +sg25268 +S'Decanter and Stopper' +p52519 +sg25270 +S'Edward White' +p52520 +sa(dp52521 +g25267 +g27 +sg25268 +S'Carafe' +p52522 +sg25270 +S'Janet Riza' +p52523 +sa(dp52524 +g25267 +g27 +sg25268 +S"Barber's Bottle" +p52525 +sg25270 +S'Edward White' +p52526 +sa(dp52527 +g25267 +g27 +sg25268 +S'Vinegar Cruet' +p52528 +sg25270 +S'Ralph Atkinson' +p52529 +sa(dp52530 +g25267 +g27 +sg25268 +S'Bottle' +p52531 +sg25270 +S'J. Howard Iams' +p52532 +sa(dp52533 +g25267 +g27 +sg25268 +S'Vinegar Cruet' +p52534 +sg25270 +S'Robert Stewart' +p52535 +sa(dp52536 +g25273 +S'pen and black ink and watercolor with gray wash over graphite on laid paper' +p52537 +sg25267 +g27 +sg25275 +S'c. 1786/1787' +p52538 +sg25268 +S'Costume de Mlle. Contat. Role de Rosalie dans les Caprices' +p52539 +sg25270 +S'Brion de la Tour' +p52540 +sa(dp52541 +g25267 +g27 +sg25268 +S'Vase' +p52542 +sg25270 +S'John Dana' +p52543 +sa(dp52544 +g25267 +g27 +sg25268 +S'Sugar Bowl' +p52545 +sg25270 +S'John Dana' +p52546 +sa(dp52547 +g25267 +g27 +sg25268 +S'Celery Vase' +p52548 +sg25270 +S'Palmyra Pimentel' +p52549 +sa(dp52550 +g25267 +g27 +sg25268 +S'Creamer' +p52551 +sg25270 +S'Frank Fumagalli' +p52552 +sa(dp52553 +g25267 +g27 +sg25268 +S'Goblet' +p52554 +sg25270 +S'Charles Garjian' +p52555 +sa(dp52556 +g25267 +g27 +sg25268 +S'Creamer' +p52557 +sg25270 +S'Frank Fumagalli' +p52558 +sa(dp52559 +g25267 +g27 +sg25268 +S'Goblet' +p52560 +sg25270 +S'John Dana' +p52561 +sa(dp52562 +g25267 +g27 +sg25268 +S'Goblet' +p52563 +sg25270 +S'John Dana' +p52564 +sa(dp52565 +g25267 +g27 +sg25268 +S'Paper Weight' +p52566 +sg25270 +S'Joseph Mitry' +p52567 +sa(dp52568 +g25267 +g27 +sg25268 +S'Tumbler' +p52569 +sg25270 +S'Gertrude Lemberg' +p52570 +sa(dp52571 +g25273 +S'pen and black ink with gray wash over graphite on laid paper' +p52572 +sg25267 +g27 +sg25275 +S'c. 1786/1787' +p52573 +sg25268 +S'Costume de M. de la Rive dans le Role de Tancrede' +p52574 +sg25270 +S'Brion de la Tour' +p52575 +sa(dp52576 +g25267 +g27 +sg25268 +S'Paper Weight' +p52577 +sg25270 +S'Vincent Murphy' +p52578 +sa(dp52579 +g25267 +g27 +sg25268 +S'Paper Weight' +p52580 +sg25270 +S'Frank Fumagalli' +p52581 +sa(dp52582 +g25267 +g27 +sg25268 +S'Jelly Tumbler' +p52583 +sg25270 +S'Van Silvay' +p52584 +sa(dp52585 +g25267 +g27 +sg25268 +S'Whiskey Glasses (Cobalt)' +p52586 +sg25270 +S'Edward White' +p52587 +sa(dp52588 +g25267 +g27 +sg25268 +S'Tumbler' +p52589 +sg25270 +S'Ralph Atkinson' +p52590 +sa(dp52591 +g25267 +g27 +sg25268 +S'Shallow Dish' +p52592 +sg25270 +S'John Tarantino' +p52593 +sa(dp52594 +g25267 +g27 +sg25268 +S'Paper Weight' +p52595 +sg25270 +S'Gertrude Lemberg' +p52596 +sa(dp52597 +g25267 +g27 +sg25268 +S'Glass Plate' +p52598 +sg25270 +S'Wellington Blewett' +p52599 +sa(dp52600 +g25267 +g27 +sg25268 +S'Blown Decanter' +p52601 +sg25270 +S'Robert Stewart' +p52602 +sa(dp52603 +g25267 +g27 +sg25268 +S'Whiskey Glass' +p52604 +sg25270 +S'Emma Wilson' +p52605 +sa(dp52606 +g25268 +S'Madonna and Child' +p52607 +sg25270 +S'Sandro Botticelli' +p52608 +sg25273 +S'tempera on panel' +p52609 +sg25275 +S'c. 1470' +p52610 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a000076e.jpg' +p52611 +sg25267 +g27 +sa(dp52612 +g25273 +S'pen and black ink and watercolor with gray wash on laid paper' +p52613 +sg25267 +g27 +sg25275 +S'c. 1786/1787' +p52614 +sg25268 +S'Costume de Mme. St. Aubin, dans Lucette et Lucase' +p52615 +sg25270 +S'Brion de la Tour' +p52616 +sa(dp52617 +g25267 +g27 +sg25268 +S'Toddy Glass' +p52618 +sg25270 +S'Minnetta Good' +p52619 +sa(dp52620 +g25267 +g27 +sg25268 +S'Bottle' +p52621 +sg25270 +S'Anna Aloisi' +p52622 +sa(dp52623 +g25267 +g27 +sg25268 +S'Small Blue Milk Pitcher' +p52624 +sg25270 +S'Chris Makrenos' +p52625 +sa(dp52626 +g25267 +g27 +sg25268 +S'Glass Sauce Dish' +p52627 +sg25270 +S'V.L. Vance' +p52628 +sa(dp52629 +g25267 +g27 +sg25268 +S'Small Glass Bowl' +p52630 +sg25270 +S'V.L. Vance' +p52631 +sa(dp52632 +g25267 +g27 +sg25268 +S'Glass Bowl' +p52633 +sg25270 +S'V.L. Vance' +p52634 +sa(dp52635 +g25267 +g27 +sg25268 +S'Cream Pitcher' +p52636 +sg25270 +S'Wilford H. Shurtliff' +p52637 +sa(dp52638 +g25267 +g27 +sg25268 +S'Bottle' +p52639 +sg25270 +S'Ralph Atkinson' +p52640 +sa(dp52641 +g25267 +g27 +sg25268 +S'Bottle' +p52642 +sg25270 +S'Alfred Walbeck' +p52643 +sa(dp52644 +g25267 +g27 +sg25268 +S'Powder Horn' +p52645 +sg25270 +S'Edward White' +p52646 +sa(dp52647 +g25273 +S'pen and black ink and watercolor with gray wash over graphite on laid paper' +p52648 +sg25267 +g27 +sg25275 +S'c. 1786/1787' +p52649 +sg25268 +S"Costume de M. St. Prix, Role d'Oreste, dans Andromaque" +p52650 +sg25270 +S'Brion de la Tour' +p52651 +sa(dp52652 +g25267 +g27 +sg25268 +S'Rolling Pin (Glass)' +p52653 +sg25270 +S'Donald Williams' +p52654 +sa(dp52655 +g25267 +g27 +sg25268 +S'Bellows Bottle' +p52656 +sg25270 +S'John Tarantino' +p52657 +sa(dp52658 +g25267 +g27 +sg25268 +S'Sugar Bowl with Cover' +p52659 +sg25270 +S'John Tarantino' +p52660 +sa(dp52661 +g25267 +g27 +sg25268 +S'Bottle' +p52662 +sg25270 +S'John Dana' +p52663 +sa(dp52664 +g25267 +g27 +sg25268 +S'Cream Pitcher' +p52665 +sg25270 +S'John Tarantino' +p52666 +sa(dp52667 +g25267 +g27 +sg25268 +S'Pitcher' +p52668 +sg25270 +S'Michael Trekur' +p52669 +sa(dp52670 +g25267 +g27 +sg25268 +S'Vase (Green with Red Swirl)' +p52671 +sg25270 +S'Elizabeth Dimling' +p52672 +sa(dp52673 +g25267 +g27 +sg25268 +S'Vase (Blue and White)' +p52674 +sg25270 +S'Albert Eyth' +p52675 +sa(dp52676 +g25267 +g27 +sg25268 +S'Pitcher' +p52677 +sg25270 +S'Isidore Steinberg' +p52678 +sa(dp52679 +g25267 +g27 +sg25268 +S'Tumbler' +p52680 +sg25270 +S'Janet Riza' +p52681 +sa(dp52682 +g25273 +S'pen and black ink and watercolor with gray wash over graphite on laid paper' +p52683 +sg25267 +g27 +sg25275 +S'c. 1786/1787' +p52684 +sg25268 +S"Costume de Mlle. Fleury, Role d'Ophelie dans Hamlet" +p52685 +sg25270 +S'Brion de la Tour' +p52686 +sa(dp52687 +g25267 +g27 +sg25268 +S'Glass Vase' +p52688 +sg25270 +S'Robert Schuerer' +p52689 +sa(dp52690 +g25267 +g27 +sg25268 +S'Ornamental Small Basket' +p52691 +sg25270 +S'John Tarantino' +p52692 +sa(dp52693 +g25267 +g27 +sg25268 +S'Vase' +p52694 +sg25270 +S'Michael Trekur' +p52695 +sa(dp52696 +g25267 +g27 +sg25268 +S'Ruby Vase' +p52697 +sg25270 +S'Ralph Atkinson' +p52698 +sa(dp52699 +g25267 +g27 +sg25268 +S'Ornamental Ruby Vase' +p52700 +sg25270 +S'Robert Stewart' +p52701 +sa(dp52702 +g25267 +g27 +sg25268 +S'Vase (Red Opaque Glass)' +p52703 +sg25270 +S'Robert Stewart' +p52704 +sa(dp52705 +g25267 +g27 +sg25268 +S'Tumbler (Ruby)' +p52706 +sg25270 +S'Edward White' +p52707 +sa(dp52708 +g25267 +g27 +sg25268 +S'Vase' +p52709 +sg25270 +S'John Dana' +p52710 +sa(dp52711 +g25267 +g27 +sg25268 +S'Pitcher' +p52712 +sg25270 +S'Ralph Atkinson' +p52713 +sa(dp52714 +g25267 +g27 +sg25268 +S'Vase (Ruby Glass)' +p52715 +sg25270 +S'Ralph Atkinson' +p52716 +sa(dp52717 +g25273 +S'pen and black ink and watercolor with gray wash over graphite on laid paper' +p52718 +sg25267 +g27 +sg25275 +S'c. 1786/1787' +p52719 +sg25268 +S'Costume de M. de la Rive, Role de Pigmalion' +p52720 +sg25270 +S'Brion de la Tour' +p52721 +sa(dp52722 +g25267 +g27 +sg25268 +S'Ruby Pitcher' +p52723 +sg25270 +S'Ralph Atkinson' +p52724 +sa(dp52725 +g25267 +g27 +sg25268 +S'Pitcher (Amberina)' +p52726 +sg25270 +S'George Yanosko' +p52727 +sa(dp52728 +g25267 +g27 +sg25268 +S'Pitcher (Amberina)' +p52729 +sg25270 +S'Joseph Mitry' +p52730 +sa(dp52731 +g25267 +g27 +sg25268 +S'Compote' +p52732 +sg25270 +S'Edith Towner' +p52733 +sa(dp52734 +g25267 +g27 +sg25268 +S'Pitcher' +p52735 +sg25270 +S'Robert Stewart' +p52736 +sa(dp52737 +g25267 +g27 +sg25268 +S'Vase' +p52738 +sg25270 +S'Robert Stewart' +p52739 +sa(dp52740 +g25267 +g27 +sg25268 +S'Vase (Amberina)' +p52741 +sg25270 +S'Robert Stewart' +p52742 +sa(dp52743 +g25267 +g27 +sg25268 +S'Glass' +p52744 +sg25270 +S'Lillian Causey' +p52745 +sa(dp52746 +g25267 +g27 +sg25268 +S'Glass' +p52747 +sg25270 +S'Lillian Causey' +p52748 +sa(dp52749 +g25267 +g27 +sg25268 +S'Vase' +p52750 +sg25270 +S'Grace Halpin' +p52751 +sa(dp52752 +g25273 +S'pen and black ink and watercolor with gray wash over graphite on laid paper' +p52753 +sg25267 +g27 +sg25275 +S'c. 1786/1787' +p52754 +sg25268 +S"Mr. Granger, Role et Costume de Vauglenne, dans l'Habitant de la Guadeloupe" +p52755 +sg25270 +S'Brion de la Tour' +p52756 +sa(dp52757 +g25267 +g27 +sg25268 +S'Salt Cellar' +p52758 +sg25270 +S'Grace Halpin' +p52759 +sa(dp52760 +g25267 +g27 +sg25268 +S'Small Vase' +p52761 +sg25270 +S'Paul Ward' +p52762 +sa(dp52763 +g25267 +g27 +sg25268 +S'Small Vase' +p52764 +sg25270 +S'Paul Ward' +p52765 +sa(dp52766 +g25267 +g27 +sg25268 +S'Covered Compote' +p52767 +sg25270 +S'Beverly Chichester' +p52768 +sa(dp52769 +g25267 +g27 +sg25268 +S'Mouse' +p52770 +sg25270 +S'Giacinto Capelli' +p52771 +sa(dp52772 +g25267 +g27 +sg25268 +S'Sugar Bowl' +p52773 +sg25270 +S'Robert Stewart' +p52774 +sa(dp52775 +g25267 +g27 +sg25268 +S'Jug' +p52776 +sg25270 +S'Roberta Elvis' +p52777 +sa(dp52778 +g25267 +g27 +sg25268 +S'Covered Sugar Bowl' +p52779 +sg25270 +S'Beverly Chichester' +p52780 +sa(dp52781 +g25267 +g27 +sg25268 +S'Mirrored Glass Vase' +p52782 +sg25270 +S'Edward White' +p52783 +sa(dp52784 +g25267 +g27 +sg25268 +S'Water Pitcher' +p52785 +sg25270 +S'John Tarantino' +p52786 +sa(dp52787 +g25273 +S'pen and black ink and watercolor with gray wash over graphite on laid paper' +p52788 +sg25267 +g27 +sg25275 +S'c. 1786/1787' +p52789 +sg25268 +S'Costume de M. de la Rive dans le Role de Tancrede' +p52790 +sg25270 +S'Brion de la Tour' +p52791 +sa(dp52792 +g25267 +g27 +sg25268 +S'Green Vase' +p52793 +sg25270 +S'Edward White' +p52794 +sa(dp52795 +g25267 +g27 +sg25268 +S'Sherry Wine Glass' +p52796 +sg25270 +S'John Dana' +p52797 +sa(dp52798 +g25267 +g27 +sg25268 +S'Glass Pitcher' +p52799 +sg25270 +S'Beverly Chichester' +p52800 +sa(dp52801 +g25267 +g27 +sg25268 +S'Bowl' +p52802 +sg25270 +S'Giacinto Capelli' +p52803 +sa(dp52804 +g25267 +g27 +sg25268 +S'Bar Bottle' +p52805 +sg25270 +S'Isidore Steinberg' +p52806 +sa(dp52807 +g25267 +g27 +sg25268 +S'Amber Pan' +p52808 +sg25270 +S'Chris Makrenos' +p52809 +sa(dp52810 +g25267 +g27 +sg25268 +S'Dish with Foot' +p52811 +sg25270 +S'Beverly Chichester' +p52812 +sa(dp52813 +g25267 +g27 +sg25268 +S'Whiskey Flask' +p52814 +sg25270 +S'Fritz Boehmer' +p52815 +sa(dp52816 +g25267 +g27 +sg25268 +S'Bottle' +p52817 +sg25270 +S'Janet Riza' +p52818 +sa(dp52819 +g25267 +g27 +sg25268 +S'Covered Compote' +p52820 +sg25270 +S'Beverly Chichester' +p52821 +sa(dp52822 +g25273 +S'pen and black ink and watercolor with gray wash over graphite on laid paper' +p52823 +sg25267 +g27 +sg25275 +S'c. 1786/1787' +p52824 +sg25268 +S"Costume de M. Cheron Role d'Oedipe a Colone" +p52825 +sg25270 +S'Brion de la Tour' +p52826 +sa(dp52827 +g25267 +g27 +sg25268 +S'Dish' +p52828 +sg25270 +S'V.L. Vance' +p52829 +sa(dp52830 +g25267 +g27 +sg25268 +S'Milk Bowl' +p52831 +sg25270 +S'Frank Fumagalli' +p52832 +sa(dp52833 +g25267 +g27 +sg25268 +S'Glass Pitcher' +p52834 +sg25270 +S'V.L. Vance' +p52835 +sa(dp52836 +g25267 +g27 +sg25268 +S'Amethyst Glass Bowl' +p52837 +sg25270 +S'V.L. Vance' +p52838 +sa(dp52839 +g25267 +g27 +sg25268 +S'Flask' +p52840 +sg25270 +S'Charles Caseau' +p52841 +sa(dp52842 +g25267 +g27 +sg25268 +S'Flat Glass Bowl' +p52843 +sg25270 +S'V.L. Vance' +p52844 +sa(dp52845 +g25267 +g27 +sg25268 +S'Covered Dish' +p52846 +sg25270 +S'Roberta Elvis' +p52847 +sa(dp52848 +g25267 +g27 +sg25268 +S'Butter Dish (Hen)' +p52849 +sg25270 +S'Edward Bashaw' +p52850 +sa(dp52851 +g25267 +g27 +sg25268 +S'Covered Dish (Hen)' +p52852 +sg25270 +S'Sydney Roberts' +p52853 +sa(dp52854 +g25267 +g27 +sg25268 +S'Sugar Bowl' +p52855 +sg25270 +S'Robert Stewart' +p52856 +sa(dp52857 +g25273 +S'pen and black ink and watercolor on light blue laid paper' +p52858 +sg25267 +g27 +sg25275 +S'c. 1786/1787' +p52859 +sg25268 +S'Costume de Mr. Trial, Role du Pere la Joie dans les Vendangeurs' +p52860 +sg25270 +S'Brion de la Tour' +p52861 +sa(dp52862 +g25267 +g27 +sg25268 +S'Mug' +p52863 +sg25270 +S'American 20th Century' +p52864 +sa(dp52865 +g25267 +g27 +sg25268 +S'Pitcher' +p52866 +sg25270 +S'Roberta Spicer' +p52867 +sa(dp52868 +g25267 +g27 +sg25268 +S'Candlestick' +p52869 +sg25270 +S'Beulah Bradleigh' +p52870 +sa(dp52871 +g25267 +g27 +sg25268 +S'Compote' +p52872 +sg25270 +S'Ralph Atkinson' +p52873 +sa(dp52874 +g25267 +g27 +sg25268 +S'Salt Cellar' +p52875 +sg25270 +S'Janet Riza' +p52876 +sa(dp52877 +g25267 +g27 +sg25268 +S'Box (Log Cabin)' +p52878 +sg25270 +S'Henry Moran' +p52879 +sa(dp52880 +g25267 +g27 +sg25268 +S'Vase' +p52881 +sg25270 +S'Robert Stewart' +p52882 +sa(dp52883 +g25267 +g27 +sg25268 +S'Salt Shaker' +p52884 +sg25270 +S'Wellington Blewett' +p52885 +sa(dp52886 +g25267 +g27 +sg25268 +S'Flask' +p52887 +sg25270 +S'Nicholas Amantea' +p52888 +sa(dp52889 +g25267 +g27 +sg25268 +S'Flask' +p52890 +sg25270 +S'Charles Caseau' +p52891 +sa(dp52892 +g25273 +S'pen and black ink and watercolor with gray wash on laid paper' +p52893 +sg25267 +g27 +sg25275 +S'c. 1786/1787' +p52894 +sg25268 +S"Costume de Mlle. St. Huberti, Role d'Iphigenie en Aulide" +p52895 +sg25270 +S'Brion de la Tour' +p52896 +sa(dp52897 +g25267 +g27 +sg25268 +S'Pocket Flask' +p52898 +sg25270 +S'Chris Makrenos' +p52899 +sa(dp52900 +g25267 +g27 +sg25268 +S'Flask - Liquor' +p52901 +sg25270 +S'John Dana' +p52902 +sa(dp52903 +g25267 +g27 +sg25268 +S'Milk Glass Vase' +p52904 +sg25270 +S'Wellington Blewett' +p52905 +sa(dp52906 +g25267 +g27 +sg25268 +S'Glass Pocket Flask' +p52907 +sg25270 +S'G.A. Spangenberg' +p52908 +sa(dp52909 +g25267 +g27 +sg25268 +S'Scent Bottle with Stopper' +p52910 +sg25270 +S'Charles Moss' +p52911 +sa(dp52912 +g25267 +g27 +sg25268 +S'Flask' +p52913 +sg25270 +S'John Tarantino' +p52914 +sa(dp52915 +g25267 +g27 +sg25268 +S'Trinket Box with Lid' +p52916 +sg25270 +S'Charles Moss' +p52917 +sa(dp52918 +g25267 +g27 +sg25268 +S'Powder Box' +p52919 +sg25270 +S'Florence Stevenson' +p52920 +sa(dp52921 +g25267 +g27 +sg25268 +S'Deep Aquamarine Bottle' +p52922 +sg25270 +S'V.L. Vance' +p52923 +sa(dp52924 +g25267 +g27 +sg25268 +S'Flask' +p52925 +sg25270 +S'Dorothy Posten' +p52926 +sa(dp52927 +g25273 +S'graphite with white gouache on laid paper' +p52928 +sg25267 +g27 +sg25275 +S'c. 1786/1787' +p52929 +sg25268 +S"Costume d'Edouard dans le Siege de Calais" +p52930 +sg25270 +S'Brion de la Tour' +p52931 +sa(dp52932 +g25267 +g27 +sg25268 +S'Table Glass' +p52933 +sg25270 +S'Emilio Zito' +p52934 +sa(dp52935 +g25267 +g27 +sg25268 +S'Iridescent Jar' +p52936 +sg25270 +S'Thomas Holloway' +p52937 +sa(dp52938 +g25267 +g27 +sg25268 +S'Amber Jar (Blown)' +p52939 +sg25270 +S'Ralph Atkinson' +p52940 +sa(dp52941 +g25267 +g27 +sg25268 +S'Flower Vase' +p52942 +sg25270 +S'Paul Ward' +p52943 +sa(dp52944 +g25267 +g27 +sg25268 +S'Vase (Morning Glory)' +p52945 +sg25270 +S'Robert Stewart' +p52946 +sa(dp52947 +g25267 +g27 +sg25268 +S'Butter Dish (Ameberina)' +p52948 +sg25270 +S'Ralph Atkinson' +p52949 +sa(dp52950 +g25267 +g27 +sg25268 +S'Cream Pitcher' +p52951 +sg25270 +S'Janet Riza' +p52952 +sa(dp52953 +g25267 +g27 +sg25268 +S'Cream Pitcher' +p52954 +sg25270 +S'Janet Riza' +p52955 +sa(dp52956 +g25267 +g27 +sg25268 +S'Creamer' +p52957 +sg25270 +S'John Tarantino' +p52958 +sa(dp52959 +g25267 +g27 +sg25268 +S'Cream Pitcher' +p52960 +sg25270 +S'Frank Fumagalli' +p52961 +sa(dp52962 +g25273 +S'pen and black ink and watercolor with gray wash on laid paper' +p52963 +sg25267 +g27 +sg25275 +S'c. 1786/1787' +p52964 +sg25268 +S'Costume de Mlle. de Garcins jouant le Role dePalmire dans Mahomet' +p52965 +sg25270 +S'Brion de la Tour' +p52966 +sa(dp52967 +g25267 +g27 +sg25268 +S'Christmas Tree Light' +p52968 +sg25270 +S'Samuel O. Klein' +p52969 +sa(dp52970 +g25267 +g27 +sg25268 +S'Cream Pitcher' +p52971 +sg25270 +S'Janet Riza' +p52972 +sa(dp52973 +g25267 +g27 +sg25268 +S'Christmas Light' +p52974 +sg25270 +S'Giacinto Capelli' +p52975 +sa(dp52976 +g25267 +g27 +sg25268 +S'Cream Pitcher' +p52977 +sg25270 +S'Janet Riza' +p52978 +sa(dp52979 +g25267 +g27 +sg25268 +S'Christmas Light' +p52980 +sg25270 +S'John Dana' +p52981 +sa(dp52982 +g25267 +g27 +sg25268 +S'Christmas Light' +p52983 +sg25270 +S'John Dana' +p52984 +sa(dp52985 +g25267 +g27 +sg25268 +S'Bowl' +p52986 +sg25270 +S'John Dana' +p52987 +sa(dp52988 +g25267 +g27 +sg25268 +S'Ribbed Glass Bowl' +p52989 +sg25270 +S'Beverly Chichester' +p52990 +sa(dp52991 +g25267 +g27 +sg25268 +S'Low Glass Dish' +p52992 +sg25270 +S'Beverly Chichester' +p52993 +sa(dp52994 +g25267 +g27 +sg25268 +S'Glass Bowl' +p52995 +sg25270 +S'Ella Josephine Sterling' +p52996 +sa(dp52997 +g25273 +S'pen and black ink and watercolor with gray wash over graphite on laid paper' +p52998 +sg25267 +g27 +sg25275 +S'c. 1786/1787' +p52999 +sg25268 +S'Mlle. St. Huberti, Role de Penelope' +p53000 +sg25270 +S'Brion de la Tour' +p53001 +sa(dp53002 +g25267 +g27 +sg25268 +S'Glass Bowl' +p53003 +sg25270 +S'Raymond Manupelli' +p53004 +sa(dp53005 +g25267 +g27 +sg25268 +S'Whiskey Bottle' +p53006 +sg25270 +S'Gerald Scalise' +p53007 +sa(dp53008 +g25267 +g27 +sg25268 +S'Log Cabin Flask' +p53009 +sg25270 +S'David S. De Vault' +p53010 +sa(dp53011 +g25267 +g27 +sg25268 +S'Bottle' +p53012 +sg25270 +S'Ralph Atkinson' +p53013 +sa(dp53014 +g25267 +g27 +sg25268 +S'Indian Maiden Bitters Bottle' +p53015 +sg25270 +S'G.A. Spangenberg' +p53016 +sa(dp53017 +g25267 +g27 +sg25268 +S'Bitters Bottle (Indian)' +p53018 +sg25270 +S'G.A. Spangenberg' +p53019 +sa(dp53020 +g25267 +g27 +sg25268 +S'Bottle' +p53021 +sg25270 +S'Dorothy Brennan' +p53022 +sa(dp53023 +g25267 +g27 +sg25268 +S'Glass Bitters Bottle' +p53024 +sg25270 +S'G.A. Spangenberg' +p53025 +sa(dp53026 +g25267 +g27 +sg25268 +S'McHenry Bottle' +p53027 +sg25270 +S'Ralph Atkinson' +p53028 +sa(dp53029 +g25267 +g27 +sg25268 +S'Bottle' +p53030 +sg25270 +S'Loraine Makimson' +p53031 +sa(dp53032 +g25273 +S'pen and black ink and watercolor with gray wash over graphite on laid paper' +p53033 +sg25267 +g27 +sg25275 +S'c. 1786/1787' +p53034 +sg25268 +S'Costume de Mlle. Carline, Role de Julie dans les Etourdis, ou le Mort Suppose' +p53035 +sg25270 +S'Brion de la Tour' +p53036 +sa(dp53037 +g25267 +g27 +sg25268 +S'Glass Bottle' +p53038 +sg25270 +S'Claude Marshall' +p53039 +sa(dp53040 +g25267 +g27 +sg25268 +S'Jenny Lind Bottle' +p53041 +sg25270 +S'Paul Ward' +p53042 +sa(dp53043 +g25267 +g27 +sg25268 +S'Jersey Milk Bottle' +p53044 +sg25270 +S'Columbus Simpson' +p53045 +sa(dp53046 +g25267 +g27 +sg25268 +S'Glass Bottle' +p53047 +sg25270 +S'Anna Aloisi' +p53048 +sa(dp53049 +g25267 +g27 +sg25268 +S'Covered Dish (Duck)' +p53050 +sg25270 +S'LeRoy Griffith' +p53051 +sa(dp53052 +g25267 +g27 +sg25268 +S'Covered Dish (Cat)' +p53053 +sg25270 +S'James Vail' +p53054 +sa(dp53055 +g25267 +g27 +sg25268 +S'Glass Fruit Jar' +p53056 +sg25270 +S'Robert Penson' +p53057 +sa(dp53058 +g25267 +g27 +sg25268 +S'Fruit Jar' +p53059 +sg25270 +S'J. Howard Iams' +p53060 +sa(dp53061 +g25267 +g27 +sg25268 +S'Jar' +p53062 +sg25270 +S'John Tarantino' +p53063 +sa(dp53064 +g25267 +g27 +sg25268 +S'Ink Bottle' +p53065 +sg25270 +S'Jack Williamson' +p53066 +sa(dp53067 +g25273 +S'pen and black ink and watercolor with gray wash over graphite on laid paper' +p53068 +sg25267 +g27 +sg25275 +S'c. 1786/1787' +p53069 +sg25268 +S"Mr. Fleuri dans l'Ecole des Pere, Role de St. Fonds" +p53070 +sg25270 +S'Brion de la Tour' +p53071 +sa(dp53072 +g25267 +g27 +sg25268 +S'Inkwell' +p53073 +sg25270 +S'Giacinto Capelli' +p53074 +sa(dp53075 +g25267 +g27 +sg25268 +S'Inkwell' +p53076 +sg25270 +S'John Fisk' +p53077 +sa(dp53078 +g25267 +g27 +sg25268 +S'Inkwell' +p53079 +sg25270 +S'Anne Mentzoff' +p53080 +sa(dp53081 +g25267 +g27 +sg25268 +S'Inkwell' +p53082 +sg25270 +S'Nicholas Amantea' +p53083 +sa(dp53084 +g25267 +g27 +sg25268 +S'Inkwell' +p53085 +sg25270 +S'Frank Fumagalli' +p53086 +sa(dp53087 +g25267 +g27 +sg25268 +S'Inkwell' +p53088 +sg25270 +S'Janet Riza' +p53089 +sa(dp53090 +g25267 +g27 +sg25268 +S'Flower Holder' +p53091 +sg25270 +S'Alfred Walbeck' +p53092 +sa(dp53093 +g25267 +g27 +sg25268 +S'Glass Hat' +p53094 +sg25270 +S'Yolande Delasser' +p53095 +sa(dp53096 +g25267 +g27 +sg25268 +S'Amber Glass Hat' +p53097 +sg25270 +S'Katherine Hastings' +p53098 +sa(dp53099 +g25267 +g27 +sg25268 +S'Glass Hat' +p53100 +sg25270 +S'Michael Trekur' +p53101 +sa(dp53102 +g25273 +S'pen and black ink and watercolor with gray wash over graphite on laid paper' +p53103 +sg25267 +g27 +sg25275 +S'c. 1786/1787' +p53104 +sg25268 +S"Costume de M. Rousseau, Role d'Hyppolite dans Phedre" +p53105 +sg25270 +S'Brion de la Tour' +p53106 +sa(dp53107 +g25267 +g27 +sg25268 +S'Cream Pitcher' +p53108 +sg25270 +S'Nicholas Amantea' +p53109 +sa(dp53110 +g25267 +g27 +sg25268 +S'Carafe' +p53111 +sg25270 +S'Van Silvay' +p53112 +sa(dp53113 +g25267 +g27 +sg25268 +S'Bottle' +p53114 +sg25270 +S'Anna Aloisi' +p53115 +sa(dp53116 +g25267 +g27 +sg25268 +S'Bottle (For Spring Water)' +p53117 +sg25270 +S'John Fisk' +p53118 +sa(dp53119 +g25267 +g27 +sg25268 +S'Bottle' +p53120 +sg25270 +S'Anna Aloisi' +p53121 +sa(dp53122 +g25267 +g27 +sg25268 +S'Decanter' +p53123 +sg25270 +S'John Tarantino' +p53124 +sa(dp53125 +g25267 +g27 +sg25268 +S'Decanter' +p53126 +sg25270 +S'John Dana' +p53127 +sa(dp53128 +g25267 +g27 +sg25268 +S'Cream Pitcher' +p53129 +sg25270 +S'Nicholas Amantea' +p53130 +sa(dp53131 +g25267 +g27 +sg25268 +S'Decanter' +p53132 +sg25270 +S'Nicholas Amantea' +p53133 +sa(dp53134 +g25267 +g27 +sg25268 +S'Pitcher' +p53135 +sg25270 +S'Joseph Mitry' +p53136 +sa(dp53137 +g25273 +S'pen and black ink and watercolor with gray wash on laid paper' +p53138 +sg25267 +g27 +sg25275 +S'c. 1786/1787' +p53139 +sg25268 +S'Adrienne le Couvreur, Role de Cornelie, dans la Mort de Pompee' +p53140 +sg25270 +S'Brion de la Tour' +p53141 +sa(dp53142 +g25267 +g27 +sg25268 +S'Cream Pitcher' +p53143 +sg25270 +S'John Dana' +p53144 +sa(dp53145 +g25267 +g27 +sg25268 +S'Creamer' +p53146 +sg25270 +S'Florian Rokita' +p53147 +sa(dp53148 +g25267 +g27 +sg25268 +S'Cruet' +p53149 +sg25270 +S'John Dana' +p53150 +sa(dp53151 +g25267 +g27 +sg25268 +S'Cream Pitcher' +p53152 +sg25270 +S'Frank Fumagalli' +p53153 +sa(dp53154 +g25267 +g27 +sg25268 +S'Creamer' +p53155 +sg25270 +S'Giacinto Capelli' +p53156 +sa(dp53157 +g25267 +g27 +sg25268 +S'Cream Pitcher' +p53158 +sg25270 +S'Charles Caseau' +p53159 +sa(dp53160 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00051/a0005162.jpg' +p53161 +sg25268 +S'Gilded Weathercock' +p53162 +sg25270 +S'Laura Bilodeau' +p53163 +sa(dp53164 +g25267 +S'Constantly seeking ways of adding animation and novelty to their products, toy\n makers invented many ingenious products. Pennsylvannia German artists were especially\n creative in this respect. The hand-operated wooden toy shown here consists of two\n jointed figures that revolve around a pole when the handle is turned. Made about\n 1835, the toy is hand-carved of pine. The wood has a natural finish, but the features\n are tinted.\n ' +p53165 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002d7.jpg' +p53166 +sg25268 +S'Handcarved Toy' +p53167 +sg25270 +S'Betty Jean Davis' +p53168 +sa(dp53169 +g25267 +g27 +sg25268 +S'Weather Vane (Fish)' +p53170 +sg25270 +S'American 20th Century' +p53171 +sa(dp53172 +g25267 +g27 +sg25268 +S'Spinning Wheel' +p53173 +sg25270 +S'George V. Vezolles' +p53174 +sa(dp53175 +g25273 +S'pen and black ink and watercolor with gray wash over graphite on laid paper' +p53176 +sg25267 +g27 +sg25275 +S'c. 1786/1787' +p53177 +sg25268 +S"Costume de M. Vanhove, Role d'Auguste dans Cinne" +p53178 +sg25270 +S'Brion de la Tour' +p53179 +sa(dp53180 +g25267 +g27 +sg25268 +S'Pa. German Chest' +p53181 +sg25270 +S'Frances Lichten' +p53182 +sa(dp53183 +g25267 +g27 +sg25268 +S'Flask' +p53184 +sg25270 +S'Charles Caseau' +p53185 +sa(dp53186 +g25267 +g27 +sg25268 +S'Liquor Flask' +p53187 +sg25270 +S'Charles Caseau' +p53188 +sa(dp53189 +g25267 +g27 +sg25268 +S'Liquor Flask' +p53190 +sg25270 +S'Charles Caseau' +p53191 +sa(dp53192 +g25267 +g27 +sg25268 +S'Liquor Flask' +p53193 +sg25270 +S'Charles Caseau' +p53194 +sa(dp53195 +g25267 +g27 +sg25268 +S'Whiskey Flask' +p53196 +sg25270 +S'G.A. Spangenberg' +p53197 +sa(dp53198 +g25267 +g27 +sg25268 +S'Whiskey Flask' +p53199 +sg25270 +S'G.A. Spangenberg' +p53200 +sa(dp53201 +g25267 +g27 +sg25268 +S'Pitcher' +p53202 +sg25270 +S'John Dana' +p53203 +sa(dp53204 +g25267 +g27 +sg25268 +S'Pitcher' +p53205 +sg25270 +S'John Dana' +p53206 +sa(dp53207 +g25267 +g27 +sg25268 +S'Water Pitcher' +p53208 +sg25270 +S'John Dana' +p53209 +sa(dp53210 +g25273 +S'pen and black ink and watercolor with gray wash over graphite on laid paper' +p53211 +sg25267 +g27 +sg25275 +S'c. 1786/1787' +p53212 +sg25268 +S'Costume de Mlle. Trial, Role de la Belle Arsene' +p53213 +sg25270 +S'Brion de la Tour' +p53214 +sa(dp53215 +g25267 +g27 +sg25268 +S'Pitcher' +p53216 +sg25270 +S'Frank Fumagalli' +p53217 +sa(dp53218 +g25267 +g27 +sg25268 +S'Blue Hobnail Pitcher' +p53219 +sg25270 +S'Ralph Atkinson' +p53220 +sa(dp53221 +g25267 +g27 +sg25268 +S'Small Pitcher' +p53222 +sg25270 +S'Charles Caseau' +p53223 +sa(dp53224 +g25267 +g27 +sg25268 +S'Pitcher' +p53225 +sg25270 +S'Frank Fumagalli' +p53226 +sa(dp53227 +g25267 +g27 +sg25268 +S'Small Pitcher' +p53228 +sg25270 +S'John Dana' +p53229 +sa(dp53230 +g25267 +g27 +sg25268 +S'Molasses Jug' +p53231 +sg25270 +S'Giacinto Capelli' +p53232 +sa(dp53233 +g25267 +g27 +sg25268 +S'Cobalt Blue Cup' +p53234 +sg25270 +S'Robert Stewart' +p53235 +sa(dp53236 +g25267 +g27 +sg25268 +S'Covered Mug' +p53237 +sg25270 +S'Gertrude Lemberg' +p53238 +sa(dp53239 +g25267 +g27 +sg25268 +S'Mustard Pot' +p53240 +sg25270 +S'Michael Fenga' +p53241 +sa(dp53242 +g25267 +g27 +sg25268 +S'Mug' +p53243 +sg25270 +S'Giacinto Capelli' +p53244 +sa(dp53245 +g25273 +S'pen and black ink and watercolor with gray wash over graphite on laid paper' +p53246 +sg25267 +g27 +sg25275 +S'c. 1786/1787' +p53247 +sg25268 +S"Costume de Mlle. Maillard, Role d'Armide" +p53248 +sg25270 +S'Brion de la Tour' +p53249 +sa(dp53250 +g25267 +g27 +sg25268 +S'Mustard Pot' +p53251 +sg25270 +S'John Dana' +p53252 +sa(dp53253 +g25267 +g27 +sg25268 +S'Molasses Jug' +p53254 +sg25270 +S'Giacinto Capelli' +p53255 +sa(dp53256 +g25267 +g27 +sg25268 +S'Mug' +p53257 +sg25270 +S'Frank Fumagalli' +p53258 +sa(dp53259 +g25267 +g27 +sg25268 +S'Mustard Pot' +p53260 +sg25270 +S'Elisabeth Fulda' +p53261 +sa(dp53262 +g25267 +g27 +sg25268 +S'Preserving Jar' +p53263 +sg25270 +S'Joseph Mitry' +p53264 +sa(dp53265 +g25267 +g27 +sg25268 +S'Candy Container' +p53266 +sg25270 +S'Francis Law Durand' +p53267 +sa(dp53268 +g25267 +g27 +sg25268 +S'Mason Jar' +p53269 +sg25270 +S'Artist Information (' +p53270 +sa(dp53271 +g25267 +g27 +sg25268 +S'Jar' +p53272 +sg25270 +S'John Dana' +p53273 +sa(dp53274 +g25267 +g27 +sg25268 +S'Whiskey Flask' +p53275 +sg25270 +S'G.A. Spangenberg' +p53276 +sa(dp53277 +g25267 +g27 +sg25268 +S'Flask' +p53278 +sg25270 +S'Henry Moran' +p53279 +sa(dp53280 +g25273 +S'pen and black ink and watercolor with gray wash over graphite on laid paper' +p53281 +sg25267 +g27 +sg25275 +S'c. 1786/1787' +p53282 +sg25268 +S'Costume de Mlle. Carline dans le Role de Zilia' +p53283 +sg25270 +S'Brion de la Tour' +p53284 +sa(dp53285 +g25267 +g27 +sg25268 +S'Whiskey Flask' +p53286 +sg25270 +S'G.A. Spangenberg' +p53287 +sa(dp53288 +g25267 +g27 +sg25268 +S'Whiskey Flask' +p53289 +sg25270 +S'Alf Bruseth' +p53290 +sa(dp53291 +g25267 +g27 +sg25268 +S'Flask' +p53292 +sg25270 +S'Charles Caseau' +p53293 +sa(dp53294 +g25267 +g27 +sg25268 +S'Flask' +p53295 +sg25270 +S'Wellington Blewett' +p53296 +sa(dp53297 +g25267 +g27 +sg25268 +S'Glass Whiskey Flask' +p53298 +sg25270 +S'G.A. Spangenberg' +p53299 +sa(dp53300 +g25267 +g27 +sg25268 +S'"Liberty" Bottle' +p53301 +sg25270 +S'Maud M. Holme' +p53302 +sa(dp53303 +g25267 +g27 +sg25268 +S'Washington Eagle Flask' +p53304 +sg25270 +S'V.L. Vance' +p53305 +sa(dp53306 +g25267 +g27 +sg25268 +S'Whiskey Bottle' +p53307 +sg25270 +S'Loraine Makimson' +p53308 +sa(dp53309 +g25267 +g27 +sg25268 +S'Green Whiskey Bottle' +p53310 +sg25270 +S'Loraine Makimson' +p53311 +sa(dp53312 +g25267 +g27 +sg25268 +S'Glass Bottle' +p53313 +sg25270 +S'LeRoy Griffith' +p53314 +sa(dp53315 +g25273 +S'pen and black ink and watercolor with gray wash over graphite on laid paper' +p53316 +sg25267 +g27 +sg25275 +S'1787' +p53317 +sg25268 +S"Mlle. Saint-Val, Role d'Iphigenie en Tauride" +p53318 +sg25270 +S'Brion de la Tour' +p53319 +sa(dp53320 +g25267 +g27 +sg25268 +S'Glass Bottle' +p53321 +sg25270 +S'Orville A. Carroll' +p53322 +sa(dp53323 +g25267 +g27 +sg25268 +S'Flask' +p53324 +sg25270 +S'Carl Buergerniss' +p53325 +sa(dp53326 +g25267 +g27 +sg25268 +S'Flask' +p53327 +sg25270 +S'Chris Makrenos' +p53328 +sa(dp53329 +g25267 +g27 +sg25268 +S'Flask' +p53330 +sg25270 +S'Charles Caseau' +p53331 +sa(dp53332 +g25267 +g27 +sg25268 +S'Glass Bottle' +p53333 +sg25270 +S'A. Zaidenberg' +p53334 +sa(dp53335 +g25267 +g27 +sg25268 +S'Blue-Green Corset Flask' +p53336 +sg25270 +S'Beverly Chichester' +p53337 +sa(dp53338 +g25267 +g27 +sg25268 +S'Blue-Green Flask' +p53339 +sg25270 +S'V.L. Vance' +p53340 +sa(dp53341 +g25267 +g27 +sg25268 +S'Flask' +p53342 +sg25270 +S'Hal Blakeley' +p53343 +sa(dp53344 +g25267 +g27 +sg25268 +S'Flask' +p53345 +sg25270 +S'Hal Blakeley' +p53346 +sa(dp53347 +g25267 +g27 +sg25268 +S'Flask' +p53348 +sg25270 +S'Charles Caseau' +p53349 +sa(dp53350 +g25273 +S'pen and black ink and watercolor with gray wash over graphite on laid paper' +p53351 +sg25267 +g27 +sg25275 +S'c. 1786/1787' +p53352 +sg25268 +S"Costume de Mlle. Raucour, Role d'Orphanis, dans la Tragedie de ce nom" +p53353 +sg25270 +S'Brion de la Tour' +p53354 +sa(dp53355 +g25267 +g27 +sg25268 +S'Flask' +p53356 +sg25270 +S'Charles Caseau' +p53357 +sa(dp53358 +g25267 +g27 +sg25268 +S'Flask' +p53359 +sg25270 +S'Charles Caseau' +p53360 +sa(dp53361 +g25267 +g27 +sg25268 +S'Flask' +p53362 +sg25270 +S'Charles Caseau' +p53363 +sa(dp53364 +g25267 +g27 +sg25268 +S'Bottle' +p53365 +sg25270 +S'Francis Law Durand' +p53366 +sa(dp53367 +g25267 +g27 +sg25268 +S'Gen. Washington Flask' +p53368 +sg25270 +S'G.A. Spangenberg' +p53369 +sa(dp53370 +g25267 +g27 +sg25268 +S'Flask' +p53371 +sg25270 +S'Charles Caseau' +p53372 +sa(dp53373 +g25267 +g27 +sg25268 +S'Liquor Flask' +p53374 +sg25270 +S'Charles Caseau' +p53375 +sa(dp53376 +g25267 +g27 +sg25268 +S'Green Glass Flask' +p53377 +sg25270 +S'V.L. Vance' +p53378 +sa(dp53379 +g25267 +g27 +sg25268 +S'Salt Cellar' +p53380 +sg25270 +S'Giacinto Capelli' +p53381 +sa(dp53382 +g25267 +g27 +sg25268 +S'Salt Shaker' +p53383 +sg25270 +S'Elisabeth Fulda' +p53384 +sa(dp53385 +g25273 +S'pen and black ink and watercolor with gray wash over graphite on light blue laid paper' +p53386 +sg25267 +g27 +sg25275 +S'c. 1786/1787' +p53387 +sg25268 +S'Costume de M. Lainez, Role de Dardanus au 3e Acte' +p53388 +sg25270 +S'Brion de la Tour' +p53389 +sa(dp53390 +g25267 +g27 +sg25268 +S'Salt Shaker' +p53391 +sg25270 +S'Michael Fenga' +p53392 +sa(dp53393 +g25267 +g27 +sg25268 +S'Salt Shaker' +p53394 +sg25270 +S'Palmyra Pimentel' +p53395 +sa(dp53396 +g25267 +g27 +sg25268 +S'Salt Cellar' +p53397 +sg25270 +S'Frank Fumagalli' +p53398 +sa(dp53399 +g25267 +g27 +sg25268 +S'Salt Cup' +p53400 +sg25270 +S'Van Silvay' +p53401 +sa(dp53402 +g25267 +g27 +sg25268 +S'Salt Cup' +p53403 +sg25270 +S'John Tarantino' +p53404 +sa(dp53405 +g25267 +g27 +sg25268 +S'Salt Cellar' +p53406 +sg25270 +S'Janet Riza' +p53407 +sa(dp53408 +g25267 +g27 +sg25268 +S'Glass' +p53409 +sg25270 +S'V.L. Vance' +p53410 +sa(dp53411 +g25267 +g27 +sg25268 +S'Decanter' +p53412 +sg25270 +S'George Yanosko' +p53413 +sa(dp53414 +g25267 +g27 +sg25268 +S'Carafe' +p53415 +sg25270 +S'Samuel O. 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Langden Brown' +p53752 +sa(dp53753 +g25267 +g27 +sg25268 +S'Cradle' +p53754 +sg25270 +S'Chris Makrenos' +p53755 +sa(dp53756 +g25267 +g27 +sg25268 +S'Dancing Doll: Harlequin' +p53757 +sg25270 +S'Mina Lowry' +p53758 +sa(dp53759 +g25267 +g27 +sg25268 +S'Hand Puppet Judy' +p53760 +sg25270 +S'Dorothy Brennan' +p53761 +sa(dp53762 +g25267 +g27 +sg25268 +S'Cup Plates' +p53763 +sg25270 +S'Paul Ward' +p53764 +sa(dp53765 +g25267 +g27 +sg25268 +S'Cup Plate' +p53766 +sg25270 +S'Roberta Elvis' +p53767 +sa(dp53768 +g25267 +g27 +sg25268 +S'Cup Plate' +p53769 +sg25270 +S'Roberta Elvis' +p53770 +sa(dp53771 +g25273 +S'(artist)' +p53772 +sg25267 +g27 +sg25275 +S'\n' +p53773 +sg25268 +S'Album of Preliminary Drawings for "Titi Lucretii Cari"' +p53774 +sg25270 +S'Artist Information (' +p53775 +sa(dp53776 +g25267 +g27 +sg25268 +S'Mirror Support' +p53777 +sg25270 +S'Gertrude Lemberg' +p53778 +sa(dp53779 +g25267 +g27 +sg25268 +S'Honey Dish' +p53780 +sg25270 +S'Marie Famularo' +p53781 +sa(dp53782 +g25267 +g27 +sg25268 +S'Sandwich Glass' +p53783 +sg25270 +S'Marie Famularo' +p53784 +sa(dp53785 +g25267 +g27 +sg25268 +S'Sandwich Glass Cup Plate' +p53786 +sg25270 +S'Marie Famularo' +p53787 +sa(dp53788 +g25267 +g27 +sg25268 +S'Compote' +p53789 +sg25270 +S'Michael Fenga' +p53790 +sa(dp53791 +g25267 +g27 +sg25268 +S'Covered Rabbit Dish' +p53792 +sg25270 +S'George Yanosko' +p53793 +sa(dp53794 +g25267 +g27 +sg25268 +S'Hen on Dish' +p53795 +sg25270 +S'Katherine Hastings' +p53796 +sa(dp53797 +g25267 +g27 +sg25268 +S'Butter Dish' +p53798 +sg25270 +S'Janet Riza' +p53799 +sa(dp53800 +g25267 +g27 +sg25268 +S'Compote' +p53801 +sg25270 +S'Anna Aloisi' +p53802 +sa(dp53803 +g25267 +g27 +sg25268 +S'Ornamental Compote' +p53804 +sg25270 +S'Ralph Atkinson' +p53805 +sa(dp53806 +g25273 +S'graphite' +p53807 +sg25267 +g27 +sg25275 +S'1753' +p53808 +sg25268 +S'Title Page' +p53809 +sg25270 +S'Charles Eisen' +p53810 +sa(dp53811 +g25267 +g27 +sg25268 +S'Covered Compote' +p53812 +sg25270 +S'James Vail' +p53813 +sa(dp53814 +g25267 +g27 +sg25268 +S'Glass Honey Dish' +p53815 +sg25270 +S'John N. 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Davison' +p55610 +sa(dp55611 +g25267 +g27 +sg25268 +S'Iron Indian Head' +p55612 +sg25270 +S'Charles Moss' +p55613 +sa(dp55614 +g25267 +g27 +sg25268 +S'Fence Post' +p55615 +sg25270 +S'Albert Eyth' +p55616 +sa(dp55617 +g25267 +g27 +sg25268 +S'Iron Fence' +p55618 +sg25270 +S'Albert Eyth' +p55619 +sa(dp55620 +g25267 +g27 +sg25268 +S'Iron Ornament' +p55621 +sg25270 +S'Eugene Shellady' +p55622 +sa(dp55623 +g25267 +g27 +sg25268 +S'Window Grille Standards' +p55624 +sg25270 +S'Austin L. Davison' +p55625 +sa(dp55626 +g25267 +g27 +sg25268 +S'Coal Grate for Fireplace' +p55627 +sg25270 +S'Austin L. Davison' +p55628 +sa(dp55629 +g25268 +S'A Dancer' +p55630 +sg25270 +S'Jean-Michel Moreau the Younger' +p55631 +sg25273 +S', 1777' +p55632 +sg25275 +S'\n' +p55633 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005f/a0005fb6.jpg' +p55634 +sg25267 +g27 +sa(dp55635 +g25267 +g27 +sg25268 +S'Window Grille' +p55636 +sg25270 +S'Austin L. Davison' +p55637 +sa(dp55638 +g25267 +g27 +sg25268 +S'Newel Figure' +p55639 +sg25270 +S'Milton Grubstein' +p55640 +sa(dp55641 +g25267 +g27 +sg25268 +S'Cast Iron Fence' +p55642 +sg25270 +S'Eugene Shellady' +p55643 +sa(dp55644 +g25267 +g27 +sg25268 +S'Cast Iron Fence Finial' +p55645 +sg25270 +S'Austin L. Davison' +p55646 +sa(dp55647 +g25267 +g27 +sg25268 +S'Window Grille' +p55648 +sg25270 +S'Austin L. Davison' +p55649 +sa(dp55650 +g25267 +g27 +sg25268 +S'Fence' +p55651 +sg25270 +S'Austin L. Davison' +p55652 +sa(dp55653 +g25267 +g27 +sg25268 +S'Fragment of Fence' +p55654 +sg25270 +S'Austin L. Davison' +p55655 +sa(dp55656 +g25267 +g27 +sg25268 +S'Window Grille' +p55657 +sg25270 +S'Austin L. Davison' +p55658 +sa(dp55659 +g25267 +g27 +sg25268 +S'Iron Officer on Horse' +p55660 +sg25270 +S'John Wilkes' +p55661 +sa(dp55662 +g25267 +g27 +sg25268 +S'Fence' +p55663 +sg25270 +S'Helen Alpiner Blumenstiel' +p55664 +sa(dp55665 +g25273 +S', 1770' +p55666 +sg25267 +g27 +sg25275 +S'\n' +p55667 +sg25268 +S"La Religion protegeant l'Humanite Contre la Fanatisme" +p55668 +sg25270 +S'Jean-Michel Moreau the Younger' +p55669 +sa(dp55670 +g25267 +g27 +sg25268 +S'Cast Iron Gate' +p55671 +sg25270 +S'Ralph Atkinson' +p55672 +sa(dp55673 +g25267 +g27 +sg25268 +S'Cast Iron Panel' +p55674 +sg25270 +S'Ralph Atkinson' +p55675 +sa(dp55676 +g25267 +g27 +sg25268 +S'Iron Gate' +p55677 +sg25270 +S'Ralph Atkinson' +p55678 +sa(dp55679 +g25267 +g27 +sg25268 +S'Cast Iron Gate Top' +p55680 +sg25270 +S'J. Howard Iams' +p55681 +sa(dp55682 +g25267 +g27 +sg25268 +S'Cast Iron Gate Top' +p55683 +sg25270 +S'J. Howard Iams' +p55684 +sa(dp55685 +g25267 +g27 +sg25268 +S'Cast Iron Fence' +p55686 +sg25270 +S'Charlotte Angus' +p55687 +sa(dp55688 +g25267 +g27 +sg25268 +S'Cast Iron Fencing' +p55689 +sg25270 +S'Charlotte Angus' +p55690 +sa(dp55691 +g25267 +g27 +sg25268 +S'Cast Iron Gate' +p55692 +sg25270 +S'Eugene Shellady' +p55693 +sa(dp55694 +g25267 +g27 +sg25268 +S'Cast Iron Gate' +p55695 +sg25270 +S'Albert Levone' +p55696 +sa(dp55697 +g25267 +g27 +sg25268 +S'Fencing' +p55698 +sg25270 +S'Eugene Shellady' +p55699 +sa(dp55700 +g25273 +S', published 1777' +p55701 +sg25267 +g27 +sg25275 +S'\n' +p55702 +sg25268 +S'Album of Preliminary Drawings for Marmontel\'s "Les Incas"' +p55703 +sg25270 +S'Jean-Michel Moreau the Younger' +p55704 +sa(dp55705 +g25267 +g27 +sg25268 +S'Cemetary Plot Enclosure' +p55706 +sg25270 +S'Charlotte Angus' +p55707 +sa(dp55708 +g25267 +g27 +sg25268 +S'Gate' +p55709 +sg25270 +S'Eugene Shellady' +p55710 +sa(dp55711 +g25267 +g27 +sg25268 +S'Fencing' +p55712 +sg25270 +S'Eugene Shellady' +p55713 +sa(dp55714 +g25267 +g27 +sg25268 +S'Cemetary Gate' +p55715 +sg25270 +S'Austin L. Davison' +p55716 +sa(dp55717 +g25267 +g27 +sg25268 +S'Cast Iron Window Grille' +p55718 +sg25270 +S'Austin L. Davison' +p55719 +sa(dp55720 +g25267 +g27 +sg25268 +S'Fragment of Fence' +p55721 +sg25270 +S'Austin L. Davison' +p55722 +sa(dp55723 +g25267 +g27 +sg25268 +S'Gate for Cemetary Plot' +p55724 +sg25270 +S'Austin L. Davison' +p55725 +sa(dp55726 +g25267 +g27 +sg25268 +S'Section of Cast Iron Balcony' +p55727 +sg25270 +S'Austin L. Davison' +p55728 +sa(dp55729 +g25267 +g27 +sg25268 +S'Foot Scraper' +p55730 +sg25270 +S'Francis Law Durand' +p55731 +sa(dp55732 +g25267 +g27 +sg25268 +S'Foot Scraper' +p55733 +sg25270 +S'Austin L. Davison' +p55734 +sa(dp55735 +g25273 +S', 1770' +p55736 +sg25267 +g27 +sg25275 +S'\n' +p55737 +sg25268 +S'Ses Levres en pronancant le voeu que son couer devoit abjurer' +p55738 +sg25270 +S'Jean-Michel Moreau the Younger' +p55739 +sa(dp55740 +g25267 +g27 +sg25268 +S'Foot Scraper' +p55741 +sg25270 +S'Milton Grubstein' +p55742 +sa(dp55743 +g25267 +g27 +sg25268 +S'Foot Scraper' +p55744 +sg25270 +S'Ralph Morton' +p55745 +sa(dp55746 +g25267 +g27 +sg25268 +S'Dachsund Foot Scraper' +p55747 +sg25270 +S'Henrietta S. Hukill' +p55748 +sa(dp55749 +g25267 +g27 +sg25268 +S'Foot Scraper' +p55750 +sg25270 +S'Franklin C. Moyan' +p55751 +sa(dp55752 +g25267 +g27 +sg25268 +S'Foot Scraper' +p55753 +sg25270 +S'John Price' +p55754 +sa(dp55755 +g25267 +g27 +sg25268 +S'Corner Shelf Bracket' +p55756 +sg25270 +S'Milton Grubstein' +p55757 +sa(dp55758 +g25267 +g27 +sg25268 +S'Bracket' +p55759 +sg25270 +S'Austin L. Davison' +p55760 +sa(dp55761 +g25267 +g27 +sg25268 +S'Plaque' +p55762 +sg25270 +S'Edmond Lorts' +p55763 +sa(dp55764 +g25267 +g27 +sg25268 +S'Cast Iron Lamp Bracket' +p55765 +sg25270 +S'Thomas Byrne' +p55766 +sa(dp55767 +g25267 +g27 +sg25268 +S'Cast Iron Urn Holder' +p55768 +sg25270 +S'Thomas Byrne' +p55769 +sa(dp55770 +g25268 +S'Portrait of a Man as Saint George' +p55771 +sg25270 +S'Jacopo Tintoretto' +p55772 +sg25273 +S'oil on canvas' +p55773 +sg25275 +S'1540/1550' +p55774 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0003a/a0003a16.jpg' +p55775 +sg25267 +S"The son of a cloth dyer (\n The pose of this unidentified sitter recalls earlier portraits by\n Giorgione and Titian. Gazing over his right shoulder, the man rests his\n right arm on a cloth-covered table. In his left hand he holds a red\n standard emblazoned with the white cross of the Christian knight Saint\n George. An ornate helmet is seen on the table before him while a menacing\n dragon emerges from the darkness behind him. The sitter's depiction with\n the attributes of Saint George perhaps refers to his name or to his patron\n saint.\n As an example of Tintoretto's early painting style, this enigmatic\n portrait displays a thoughtful balance of rich color and precise drawing.\n The bright red and teal blue of the banner and helmet are enhanced by gold\n highlights. In contrast to the sitter's carefully described face and beard,\n the dragon is merely suggested with quick, sketchy brushstrokes.\n " +p55776 +sa(dp55777 +g25273 +S', 1770' +p55778 +sg25267 +g27 +sg25275 +S'\n' +p55779 +sg25268 +S"Que fais tu? Ne sommes-nous pas freres? N'es-tu pas mon egal?" +p55780 +sg25270 +S'Jean-Michel Moreau the Younger' +p55781 +sa(dp55782 +g25267 +g27 +sg25268 +S'Iron Brackets' +p55783 +sg25270 +S'Al Curry' +p55784 +sa(dp55785 +g25267 +g27 +sg25268 +S'Iron Work on Balcony' +p55786 +sg25270 +S'Ray Price' +p55787 +sa(dp55788 +g25267 +g27 +sg25268 +S'Lamp Bracket' +p55789 +sg25270 +S'Marie Famularo' +p55790 +sa(dp55791 +g25267 +g27 +sg25268 +S'Wrought Iron Lamp' +p55792 +sg25270 +S'Ray Price' +p55793 +sa(dp55794 +g25267 +g27 +sg25268 +S'Lamp Bracket' +p55795 +sg25270 +S'Marie Famularo' +p55796 +sa(dp55797 +g25267 +g27 +sg25268 +S'City Gas Light Bracket' +p55798 +sg25270 +S'Lucien Verbeke' +p55799 +sa(dp55800 +g25267 +g27 +sg25268 +S'Wrought Iron Brackets' +p55801 +sg25270 +S'Al Curry' +p55802 +sa(dp55803 +g25267 +g27 +sg25268 +S'Cast Iron Lighting Brackets' +p55804 +sg25270 +S'Lucien Verbeke' +p55805 +sa(dp55806 +g25267 +g27 +sg25268 +S'Iron Bracket' +p55807 +sg25270 +S'Albert Eyth' +p55808 +sa(dp55809 +g25267 +g27 +sg25268 +S'Iron Bannister' +p55810 +sg25270 +S'Edward L. Loper' +p55811 +sa(dp55812 +g25273 +S', 1770' +p55813 +sg25267 +g27 +sg25275 +S'\n' +p55814 +sg25268 +S"Daigne agreer cette douce compagne, elle est sensible elle t'aimera" +p55815 +sg25270 +S'Jean-Michel Moreau the Younger' +p55816 +sa(dp55817 +g25267 +g27 +sg25268 +S'Iron Railing' +p55818 +sg25270 +S'Ernest A. Towers, Jr.' +p55819 +sa(dp55820 +g25267 +g27 +sg25268 +S'Iron Bannister' +p55821 +sg25270 +S'Edward L. Loper' +p55822 +sa(dp55823 +g25267 +g27 +sg25268 +S'Iron Porch Supports' +p55824 +sg25270 +S'John R. Towers' +p55825 +sa(dp55826 +g25267 +g27 +sg25268 +S'Iron Cellar Door' +p55827 +sg25270 +S'Edward L. Loper' +p55828 +sa(dp55829 +g25267 +g27 +sg25268 +S'Iron Railing and Gate' +p55830 +sg25270 +S'James M. Lawson' +p55831 +sa(dp55832 +g25267 +g27 +sg25268 +S'Iron Railing' +p55833 +sg25270 +S'Samuel Fineman' +p55834 +sa(dp55835 +g25267 +g27 +sg25268 +S'Iron Cellar Door' +p55836 +sg25270 +S'Edward L. Loper' +p55837 +sa(dp55838 +g25267 +g27 +sg25268 +S'Cast Iron Gate Front' +p55839 +sg25270 +S'Beamon Meacham' +p55840 +sa(dp55841 +g25267 +g27 +sg25268 +S'Iron Gate and Fence' +p55842 +sg25270 +S'Lucien Verbeke' +p55843 +sa(dp55844 +g25267 +g27 +sg25268 +S'Cross' +p55845 +sg25270 +S'Ray Price' +p55846 +sa(dp55847 +g25273 +S', 1776' +p55848 +sg25267 +g27 +sg25275 +S'\n' +p55849 +sg25268 +S'Cora, desolee et tremblante, etoit tombee a ses genoux' +p55850 +sg25270 +S'Jean-Michel Moreau the Younger' +p55851 +sa(dp55852 +g25267 +g27 +sg25268 +S'Iron Gate and Fence' +p55853 +sg25270 +S'Joseph L. Boyd' +p55854 +sa(dp55855 +g25267 +g27 +sg25268 +S'Fence and Posts' +p55856 +sg25270 +S'Mary E. Humes' +p55857 +sa(dp55858 +g25267 +g27 +sg25268 +S'Wrought Iron Railing' +p55859 +sg25270 +S'Thomas Byrne' +p55860 +sa(dp55861 +g25267 +g27 +sg25268 +S'Balcony Railing' +p55862 +sg25270 +S'Ray Price' +p55863 +sa(dp55864 +g25267 +g27 +sg25268 +S'Wrought Iron Railing' +p55865 +sg25270 +S'Ray Price' +p55866 +sa(dp55867 +g25267 +g27 +sg25268 +S'Cast Iron Balcony Rail' +p55868 +sg25270 +S'Thomas Byrne' +p55869 +sa(dp55870 +g25267 +g27 +sg25268 +S'Wrought Iron Railing' +p55871 +sg25270 +S'Thomas Byrne' +p55872 +sa(dp55873 +g25267 +g27 +sg25268 +S'Balcony Railing' +p55874 +sg25270 +S'Lucien Verbeke' +p55875 +sa(dp55876 +g25267 +g27 +sg25268 +S'Iron Fence' +p55877 +sg25270 +S'Mary E. Humes' +p55878 +sa(dp55879 +g25267 +g27 +sg25268 +S'Wrought Iron Balcony Rail' +p55880 +sg25270 +S'Lucien Verbeke' +p55881 +sa(dp55882 +g25273 +S', 1776' +p55883 +sg25267 +g27 +sg25275 +S'\n' +p55884 +sg25268 +S"O malheureux enfant! qui m'eut dit qu'un jour tu aurois a rougir de ton pere?" +p55885 +sg25270 +S'Jean-Michel Moreau the Younger' +p55886 +sa(dp55887 +g25267 +g27 +sg25268 +S'Wrought Iron Balcony' +p55888 +sg25270 +S'Al Curry' +p55889 +sa(dp55890 +g25267 +g27 +sg25268 +S'Iron Balcony' +p55891 +sg25270 +S'Arelia Arbo' +p55892 +sa(dp55893 +g25267 +g27 +sg25268 +S'Balcony Railing' +p55894 +sg25270 +S'Rolland Livingstone' +p55895 +sa(dp55896 +g25267 +g27 +sg25268 +S'Wrought Iron Balcony Rail' +p55897 +sg25270 +S'Al Curry' +p55898 +sa(dp55899 +g25267 +g27 +sg25268 +S'Cast Iron Balcony Rail' +p55900 +sg25270 +S'Ray Price' +p55901 +sa(dp55902 +g25267 +g27 +sg25268 +S'Iron Balcony Railings' +p55903 +sg25270 +S'Arelia Arbo' +p55904 +sa(dp55905 +g25267 +g27 +sg25268 +S'Wrought Iron Balcony' +p55906 +sg25270 +S'Ray Price' +p55907 +sa(dp55908 +g25267 +g27 +sg25268 +S'Wrought Iron Balcony Rail' +p55909 +sg25270 +S'Al Curry' +p55910 +sa(dp55911 +g25267 +g27 +sg25268 +S'Wrought Iron Ornament' +p55912 +sg25270 +S'Arelia Arbo' +p55913 +sa(dp55914 +g25267 +g27 +sg25268 +S'Balcony Railings' +p55915 +sg25270 +S'Arelia Arbo' +p55916 +sa(dp55917 +g25273 +S', 1776' +p55918 +sg25267 +g27 +sg25275 +S'\n' +p55919 +sg25268 +S'Vois, cruel, ce qu tu me coutes' +p55920 +sg25270 +S'Jean-Michel Moreau the Younger' +p55921 +sa(dp55922 +g25267 +g27 +sg25268 +S'Cast Iron Work' +p55923 +sg25270 +S'Joseph L. Boyd' +p55924 +sa(dp55925 +g25267 +g27 +sg25268 +S'Wrought Iron Balcony Railing' +p55926 +sg25270 +S'Arelia Arbo' +p55927 +sa(dp55928 +g25267 +g27 +sg25268 +S'Wrought Iron Balcony Rail' +p55929 +sg25270 +S'Arelia Arbo' +p55930 +sa(dp55931 +g25267 +g27 +sg25268 +S'Wrought Iron Railing' +p55932 +sg25270 +S'Joseph L. Boyd' +p55933 +sa(dp55934 +g25267 +g27 +sg25268 +S'Iron Cross' +p55935 +sg25270 +S'H. Langden Brown' +p55936 +sa(dp55937 +g25267 +g27 +sg25268 +S'Wrought Iron Numerals' +p55938 +sg25270 +S'Samuel Fineman' +p55939 +sa(dp55940 +g25267 +g27 +sg25268 +S'Bent Raider or Pike' +p55941 +sg25270 +S'Orison Daeda' +p55942 +sa(dp55943 +g25267 +g27 +sg25268 +S'Rain Gutter Stirrup' +p55944 +sg25270 +S'Harold Ballerd' +p55945 +sa(dp55946 +g25267 +g27 +sg25268 +S'Foot Scraper' +p55947 +sg25270 +S'Ralph Atkinson' +p55948 +sa(dp55949 +g25267 +g27 +sg25268 +S'Foot Scraper' +p55950 +sg25270 +S'Nicholas Amantea' +p55951 +sa(dp55952 +g25273 +S', 1776' +p55953 +sg25267 +g27 +sg25275 +S'\n' +p55954 +sg25268 +S"Ah, cruel! dis-nous donc, si tu veux mourir, quel est l'ami que tu nous laisses" +p55955 +sg25270 +S'Jean-Michel Moreau the Younger' +p55956 +sa(dp55957 +g25267 +g27 +sg25268 +S'Foot Scraper' +p55958 +sg25270 +S'Stanley Chin' +p55959 +sa(dp55960 +g25267 +g27 +sg25268 +S'Foot Scraper' +p55961 +sg25270 +S'Artist Information (' +p55962 +sa(dp55963 +g25267 +g27 +sg25268 +S'Foot Scraper' +p55964 +sg25270 +S'Helen Hobart' +p55965 +sa(dp55966 +g25267 +g27 +sg25268 +S'Cast Iron Foot Scraper' +p55967 +sg25270 +S'Austin L. Davison' +p55968 +sa(dp55969 +g25267 +g27 +sg25268 +S'Foot Scraper and Tray' +p55970 +sg25270 +S'John H. Tercuzzi' +p55971 +sa(dp55972 +g25267 +S'The whirligig is a special kind of weathervane, which can indicate velocity as well as wind\n direction. Based on the principle of the windmill, whirligigs were usually in the form of a human\n figure so that the paddlelike arms, extending in opposite directions, could be set spinning by the\n wind. Although the larger whirligigs were undoubtedly placed outdoors to function as vanes,\n smaller versions may well have served as children\'s toys. A clue for dating whirligigs is the\n costume of the figure. This example, known as "Sailor Jack," wears a hat that suggests an\n officer in the War of 1812. Thus, it was most likely made in the early nineteenth century. The\n carving of the figure, however, is timelessly abstract.\n ' +p55973 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000034a.jpg' +p55974 +sg25268 +S'"Sailor Jack" Whirligig' +p55975 +sg25270 +S'Frances Cohen' +p55976 +sa(dp55977 +g25267 +g27 +sg25268 +S'Clamp Jack' +p55978 +sg25270 +S'Eugene Bartz' +p55979 +sa(dp55980 +g25267 +g27 +sg25268 +S'Wall Bracket Candleholder' +p55981 +sg25270 +S'Richard Barnett' +p55982 +sa(dp55983 +g25267 +g27 +sg25268 +S'Wrought Iron Balcony Rail' +p55984 +sg25270 +S'Arelia Arbo' +p55985 +sa(dp55986 +g25267 +g27 +sg25268 +S'Wrought Iron Balcony Rail' +p55987 +sg25270 +S'Al Curry' +p55988 +sa(dp55989 +g25273 +S', 1776' +p55990 +sg25267 +g27 +sg25275 +S'\n' +p55991 +sg25268 +S"La famille d'Ataliba ... dormoit autour de lui" +p55992 +sg25270 +S'Jean-Michel Moreau the Younger' +p55993 +sa(dp55994 +g25267 +g27 +sg25268 +S'Shoe Shine Foot Rest' +p55995 +sg25270 +S'Stanley Mazur' +p55996 +sa(dp55997 +g25267 +g27 +sg25268 +S'Deer Lawn Figure' +p55998 +sg25270 +S'Elisabeth Fulda' +p55999 +sa(dp56000 +g25267 +g27 +sg25268 +S'Iron Work' +p56001 +sg25270 +S'Lucien Verbeke' +p56002 +sa(dp56003 +g25267 +g27 +sg25268 +S'Iron Fence - Sea Horse Design' +p56004 +sg25270 +S'Carl Hobby' +p56005 +sa(dp56006 +g25267 +g27 +sg25268 +S'Cast Iron Pillar' +p56007 +sg25270 +S'Vera Van Voris' +p56008 +sa(dp56009 +g25267 +g27 +sg25268 +S'Iron' +p56010 +sg25270 +S'John Thorsen' +p56011 +sa(dp56012 +g25267 +g27 +sg25268 +S'Cast Iron Fruit Jar' +p56013 +sg25270 +S'Doris Hollingsworth' +p56014 +sa(dp56015 +g25267 +g27 +sg25268 +S'Portion of a Drawing Room' +p56016 +sg25270 +S'Elisabeth Fulda' +p56017 +sa(dp56018 +g25267 +g27 +sg25268 +S'Stencilled Inkwells' +p56019 +sg25270 +S'Lawrence Flynn' +p56020 +sa(dp56021 +g25267 +g27 +sg25268 +S'Hot Water Goose' +p56022 +sg25270 +S'Archie Thompson' +p56023 +sa(dp56024 +g25273 +S'Greek, c. 305 - c. 255 B.C.' +p56025 +sg25267 +g27 +sg25275 +S'(author)' +p56026 +sg25268 +S'Traduction nouvelle ... ; Hero et Leandre' +p56027 +sg25270 +S'Artist Information (' +p56028 +sa(dp56029 +g25267 +g27 +sg25268 +S'Horse Collar and Hame' +p56030 +sg25270 +S'Wilbur M Rice' +p56031 +sa(dp56032 +g25267 +g27 +sg25268 +S'Scraper' +p56033 +sg25270 +S'Frank Maurer' +p56034 +sa(dp56035 +g25267 +g27 +sg25268 +S'Wrought Iron Ornament' +p56036 +sg25270 +S'Mauvell' +p56037 +sa(dp56038 +g25267 +g27 +sg25268 +S'Foot Scraper' +p56039 +sg25270 +S'Jacob Lipkin' +p56040 +sa(dp56041 +g25267 +g27 +sg25268 +S'Foot Scraper' +p56042 +sg25270 +S'Julius Bellamy' +p56043 +sa(dp56044 +g25267 +g27 +sg25268 +S'Foot Scraper' +p56045 +sg25270 +S'Holger Hansen' +p56046 +sa(dp56047 +g25267 +g27 +sg25268 +S'Foot Scraper' +p56048 +sg25270 +S'Filippo Porreca' +p56049 +sa(dp56050 +g25267 +g27 +sg25268 +S'Iron Work' +p56051 +sg25270 +S'Lena Nastasi' +p56052 +sa(dp56053 +g25267 +g27 +sg25268 +S'Iron Fence' +p56054 +sg25270 +S'Florence Huston' +p56055 +sa(dp56056 +g25267 +g27 +sg25268 +S'Fence' +p56057 +sg25270 +S'Florence Huston' +p56058 +sa(dp56059 +g25273 +S'(author)' +p56060 +sg25267 +g27 +sg25275 +S'\n' +p56061 +sg25268 +S'Traduction nouvelle ...' +p56062 +sg25270 +S'Artist Information (' +p56063 +sa(dp56064 +g25267 +g27 +sg25268 +S'Wrought Iron Fence' +p56065 +sg25270 +S'Francis Law Durand' +p56066 +sa(dp56067 +g25267 +g27 +sg25268 +S'Iron Balcony' +p56068 +sg25270 +S'Thomas Byrne' +p56069 +sa(dp56070 +g25267 +g27 +sg25268 +S'Iron Work in Attic Window' +p56071 +sg25270 +S'Ray Price' +p56072 +sa(dp56073 +g25267 +g27 +sg25268 +S'Iron Gate' +p56074 +sg25270 +S'Sebastian Simonet' +p56075 +sa(dp56076 +g25267 +g27 +sg25268 +S'Wrought Iron Gate' +p56077 +sg25270 +S'Al Curry' +p56078 +sa(dp56079 +g25267 +g27 +sg25268 +S'Iron Gate' +p56080 +sg25270 +S'Clarence W. Dawson' +p56081 +sa(dp56082 +g25267 +g27 +sg25268 +S'Wrought and Cast Iron Gates' +p56083 +sg25270 +S'Al Curry' +p56084 +sa(dp56085 +g25267 +g27 +sg25268 +S'Wrought Iron Door' +p56086 +sg25270 +S'Al Curry' +p56087 +sa(dp56088 +g25267 +g27 +sg25268 +S'Wishing Gates' +p56089 +sg25270 +S'Lucien Verbeke' +p56090 +sa(dp56091 +g25267 +g27 +sg25268 +S'Wrought and Cast Iron Doorway' +p56092 +sg25270 +S'Al Curry' +p56093 +sa(dp56094 +g25273 +S'Italian, 1474 - 1533' +p56095 +sg25267 +g27 +sg25275 +S'(author)' +p56096 +sg25268 +S'Orlando Furioso (volume I)' +p56097 +sg25270 +S'Artist Information (' +p56098 +sa(dp56099 +g25267 +g27 +sg25268 +S'Cast Iron Gateway' +p56100 +sg25270 +S'Ray Price' +p56101 +sa(dp56102 +g25267 +g27 +sg25268 +S'Iron Gate and Fence' +p56103 +sg25270 +S'Ray Price' +p56104 +sa(dp56105 +g25267 +g27 +sg25268 +S'Iron Gates' +p56106 +sg25270 +S'Lucien Verbeke' +p56107 +sa(dp56108 +g25267 +g27 +sg25268 +S'Wrought Iron Door' +p56109 +sg25270 +S'Al Curry' +p56110 +sa(dp56111 +g25267 +g27 +sg25268 +S'Cast Iron Gate and Fence' +p56112 +sg25270 +S'Al Curry' +p56113 +sa(dp56114 +g25267 +g27 +sg25268 +S'Cast Iron Balcony Railing' +p56115 +sg25270 +S'Ray Price' +p56116 +sa(dp56117 +g25267 +g27 +sg25268 +S'Cast Iron Gate' +p56118 +sg25270 +S'Ray Price' +p56119 +sa(dp56120 +g25267 +g27 +sg25268 +S'Cast Iron Fence' +p56121 +sg25270 +S'Al Curry' +p56122 +sa(dp56123 +g25267 +g27 +sg25268 +S'Wrought Iron Door' +p56124 +sg25270 +S'Ray Price' +p56125 +sa(dp56126 +g25267 +g27 +sg25268 +S'Iron Work on Doorway' +p56127 +sg25270 +S'Al Curry' +p56128 +sa(dp56129 +g25268 +S'The Adoration of the Magi' +p56130 +sg25270 +S'Sandro Botticelli' +p56131 +sg25273 +S'tempera and oil on panel' +p56132 +sg25275 +S'c. 1478/1482' +p56133 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005c5.jpg' +p56134 +sg25267 +S"Sandro Botticelli, a Florentine, painted several versions of the theme of\r\nthe Adoration of the Magi. The Magi, or wise men, were particularly venerated in\r\nFlorence, as one of the city's leading religious confraternities was dedicated to\r\nthem. The members of the confraternity took part in pageants organized every five\r\nyears, when the journey to Bethlehem of the Magi and their retinue, often numbering\r\nin the hundreds, was re-enacted through the streets of Florence.\n The Washington \n Earlier Renaissance paintings of this theme, such as the Gallery's tondo by Fra\r\nAngelico and Fra Lippi, emphasize the pomp and pageantry of the scene. As painted\r\nby Botticelli in this late version, the religious aspect is stressed. Each figure\r\nis an expression of piety, the postures of their hands and bodies revealing devotion,\r\nreverence and contemplation on the divine mystery before them.\n " +p56135 +sa(dp56136 +g25273 +S'Italian, 1474 - 1533' +p56137 +sg25267 +g27 +sg25275 +S'(author)' +p56138 +sg25268 +S'Orlando Furioso (volume II)' +p56139 +sg25270 +S'Artist Information (' +p56140 +sa(dp56141 +g25267 +g27 +sg25268 +S'Wrought and Cast Iron Gate' +p56142 +sg25270 +S'Al Curry' +p56143 +sa(dp56144 +g25267 +g27 +sg25268 +S'Cast Iron Gate' +p56145 +sg25270 +S'Lucien Verbeke' +p56146 +sa(dp56147 +g25267 +g27 +sg25268 +S'Altar Railing' +p56148 +sg25270 +S'Ray Price' +p56149 +sa(dp56150 +g25267 +g27 +sg25268 +S'Iron Fence and Gate' +p56151 +sg25270 +S'Ray Price' +p56152 +sa(dp56153 +g25267 +g27 +sg25268 +S'Wrought Iron Cross' +p56154 +sg25270 +S'American 20th Century' +p56155 +sa(dp56156 +g25267 +g27 +sg25268 +S'Iron Gate and Fence' +p56157 +sg25270 +S'Ray Price' +p56158 +sa(dp56159 +g25267 +g27 +sg25268 +S'Iron Gate and Fence' +p56160 +sg25270 +S'Lucien Verbeke' +p56161 +sa(dp56162 +g25267 +g27 +sg25268 +S'Iron Gate and Fence' +p56163 +sg25270 +S'Lucien Verbeke' +p56164 +sa(dp56165 +g25267 +g27 +sg25268 +S'Iron Cross - Gate Ornament' +p56166 +sg25270 +S'Arelia Arbo' +p56167 +sa(dp56168 +g25267 +g27 +sg25268 +S'Brooch' +p56169 +sg25270 +S'Walter W. Jennings' +p56170 +sa(dp56171 +g25273 +S'Italian, 1474 - 1533' +p56172 +sg25267 +g27 +sg25275 +S'(author)' +p56173 +sg25268 +S'Orlando Furioso (volume III)' +p56174 +sg25270 +S'Artist Information (' +p56175 +sa(dp56176 +g25267 +g27 +sg25268 +S'Brooch' +p56177 +sg25270 +S'Gladys Cook' +p56178 +sa(dp56179 +g25267 +g27 +sg25268 +S'Bracelet' +p56180 +sg25270 +S'John H. Tercuzzi' +p56181 +sa(dp56182 +g25267 +g27 +sg25268 +S'Wagon Jack' +p56183 +sg25270 +S'Mary Hansen' +p56184 +sa(dp56185 +g25267 +g27 +sg25268 +S'Pegging Jack' +p56186 +sg25270 +S'Henry Waldeck' +p56187 +sa(dp56188 +g25267 +g27 +sg25268 +S'Wheel Jack' +p56189 +sg25270 +S'Orville Skaren' +p56190 +sa(dp56191 +g25267 +g27 +sg25268 +S'Wagon Jack' +p56192 +sg25270 +S'Samuel W. Ford' +p56193 +sa(dp56194 +g25267 +g27 +sg25268 +S'Wagon Jack' +p56195 +sg25270 +S'John B. Moll' +p56196 +sa(dp56197 +g25267 +g27 +sg25268 +S'Loop Earrings' +p56198 +sg25270 +S'Tulita Westfall' +p56199 +sa(dp56200 +g25267 +g27 +sg25268 +S'Amber Hairpin' +p56201 +sg25270 +S'American 20th Century' +p56202 +sa(dp56203 +g25267 +g27 +sg25268 +S'Mourning Ring' +p56204 +sg25270 +S'John H. Tercuzzi' +p56205 +sa(dp56206 +g25273 +S'Italian, 1474 - 1533' +p56207 +sg25267 +g27 +sg25275 +S'(author)' +p56208 +sg25268 +S'Orlando Furioso (volume IV)' +p56209 +sg25270 +S'Artist Information (' +p56210 +sa(dp56211 +g25267 +g27 +sg25268 +S"Jeweler's Wire Making Machine" +p56212 +sg25270 +S'Al Curry' +p56213 +sa(dp56214 +g25267 +g27 +sg25268 +S'Rosary Beads' +p56215 +sg25270 +S'Josephine C. Romano' +p56216 +sa(dp56217 +g25267 +g27 +sg25268 +S'Key-Escutcheon-Drawer Pull' +p56218 +sg25270 +S'Kurt Melzer' +p56219 +sa(dp56220 +g25267 +g27 +sg25268 +S'Keys to John Marshall House' +p56221 +sg25270 +S'Edna C. Rex' +p56222 +sa(dp56223 +g25267 +g27 +sg25268 +S'Brass Key' +p56224 +sg25270 +S'D.J. Grant' +p56225 +sa(dp56226 +g25267 +g27 +sg25268 +S'Keys to John Marshall House' +p56227 +sg25270 +S'Edna C. Rex' +p56228 +sa(dp56229 +g25267 +g27 +sg25268 +S'Key and Lock' +p56230 +sg25270 +S'Ronau William Woiceske' +p56231 +sa(dp56232 +g25267 +g27 +sg25268 +S'Key' +p56233 +sg25270 +S'Edna C. Rex' +p56234 +sa(dp56235 +g25267 +g27 +sg25268 +S'Kettle Ring' +p56236 +sg25270 +S'Frank McEntee' +p56237 +sa(dp56238 +g25267 +g27 +sg25268 +S'Kettle Tilter' +p56239 +sg25270 +S'Jacob Lipkin' +p56240 +sa(dp56241 +g25273 +S'French, 1747 - 1791' +p56242 +sg25267 +g27 +sg25275 +S'(author)' +p56243 +sg25268 +S'Idylles' +p56244 +sg25270 +S'Artist Information (' +p56245 +sa(dp56246 +g25267 +g27 +sg25268 +S'Soup Kettle' +p56247 +sg25270 +S'Stanley Mazur' +p56248 +sa(dp56249 +g25267 +g27 +sg25268 +S'Soap Kettle' +p56250 +sg25270 +S'Clyde L. Cheney' +p56251 +sa(dp56252 +g25267 +g27 +sg25268 +S'Potato Kettle' +p56253 +sg25270 +S'Harry Jennings' +p56254 +sa(dp56255 +g25267 +g27 +sg25268 +S'Fireplace Kettle' +p56256 +sg25270 +S'Hugh Clarke' +p56257 +sa(dp56258 +g25267 +g27 +sg25268 +S'Soup Pot' +p56259 +sg25270 +S'Francis Law Durand' +p56260 +sa(dp56261 +g25267 +g27 +sg25268 +S'Kettle' +p56262 +sg25270 +S'Milton Grubstein' +p56263 +sa(dp56264 +g25267 +g27 +sg25268 +S'Kettle' +p56265 +sg25270 +S'Maurice Van Felix' +p56266 +sa(dp56267 +g25267 +g27 +sg25268 +S'Iron Pot and Pot Hooks' +p56268 +sg25270 +S'Charles Goodwin' +p56269 +sa(dp56270 +g25267 +g27 +sg25268 +S'Cooking Kettle' +p56271 +sg25270 +S'Thomas Dooley' +p56272 +sa(dp56273 +g25267 +g27 +sg25268 +S'Kettle' +p56274 +sg25270 +S'Tulita Westfall' +p56275 +sa(dp56276 +g25273 +S'French, 1747 - 1791' +p56277 +sg25267 +g27 +sg25275 +S'(author)' +p56278 +sg25268 +S'Pygmalion; Idylles' +p56279 +sg25270 +S'Artist Information (' +p56280 +sa(dp56281 +g25267 +g27 +sg25268 +S'Copper Candy Vessel' +p56282 +sg25270 +S'Artist Information (' +p56283 +sa(dp56284 +g25267 +g27 +sg25268 +S'Fireplace Kettle' +p56285 +sg25270 +S'Francis Law Durand' +p56286 +sa(dp56287 +g25267 +g27 +sg25268 +S'Fireplace Pot' +p56288 +sg25270 +S'Francis Law Durand' +p56289 +sa(dp56290 +g25267 +g27 +sg25268 +S'Copper Kettle' +p56291 +sg25270 +S'George Seideneck' +p56292 +sa(dp56293 +g25267 +g27 +sg25268 +S'Kettle' +p56294 +sg25270 +S'Yolande Delasser' +p56295 +sa(dp56296 +g25267 +g27 +sg25268 +S'Kettle' +p56297 +sg25270 +S'Francis Law Durand' +p56298 +sa(dp56299 +g25267 +g27 +sg25268 +S'Wrought Iron Kettle' +p56300 +sg25270 +S'Arthur Stewart' +p56301 +sa(dp56302 +g25267 +g27 +sg25268 +S'Keno Gambling Game' +p56303 +sg25270 +S'Sebastian Simonet' +p56304 +sa(dp56305 +g25267 +g27 +sg25268 +S'Liquor Container' +p56306 +sg25270 +S'Jacob Gielens' +p56307 +sa(dp56308 +g25267 +g27 +sg25268 +S'Field Keg' +p56309 +sg25270 +S'Edward L. Loper' +p56310 +sa(dp56311 +g25273 +S'French, 1747 - 1791' +p56312 +sg25267 +g27 +sg25275 +S'(author)' +p56313 +sg25268 +S'Pygmalion; Idylles' +p56314 +sg25270 +S'Artist Information (' +p56315 +sa(dp56316 +g25267 +g27 +sg25268 +S'Field Water Keg' +p56317 +sg25270 +S'John Price' +p56318 +sa(dp56319 +g25267 +g27 +sg25268 +S'Triangle Field Water Keg' +p56320 +sg25270 +S'Roger Deats' +p56321 +sa(dp56322 +g25267 +g27 +sg25268 +S'Antique Liquor Keg' +p56323 +sg25270 +S'Rose Campbell-Gerke' +p56324 +sa(dp56325 +g25267 +g27 +sg25268 +S'Knife and Fork' +p56326 +sg25270 +S'Stanley Mazur' +p56327 +sa(dp56328 +g25267 +g27 +sg25268 +S'Knife and Fork' +p56329 +sg25270 +S'Grace Halpin' +p56330 +sa(dp56331 +g25267 +g27 +sg25268 +S'Knife' +p56332 +sg25270 +S'Harold Ballerd' +p56333 +sa(dp56334 +g25267 +g27 +sg25268 +S'Shingle Knife' +p56335 +sg25270 +S'Alfonso Moreno' +p56336 +sa(dp56337 +g25267 +g27 +sg25268 +S'Corn Knife' +p56338 +sg25270 +S'Herman O. Stroh' +p56339 +sa(dp56340 +g25267 +g27 +sg25268 +S"Horse Shoer's Knife" +p56341 +sg25270 +S'George C. Brown' +p56342 +sa(dp56343 +g25267 +g27 +sg25268 +S'Combination Saw/Knife' +p56344 +sg25270 +S'George Roehl' +p56345 +sa(dp56346 +g25273 +S'French, 1747 - 1791' +p56347 +sg25267 +g27 +sg25275 +S'(author)' +p56348 +sg25268 +S'Romances' +p56349 +sg25270 +S'Artist Information (' +p56350 +sa(dp56351 +g25267 +g27 +sg25268 +S'Corn Knife' +p56352 +sg25270 +S'Walter Praefke' +p56353 +sa(dp56354 +g25267 +g27 +sg25268 +S'Sheath Knife' +p56355 +sg25270 +S'Jesse W. Skeen' +p56356 +sa(dp56357 +g25267 +g27 +sg25268 +S'Hay Knife' +p56358 +sg25270 +S'Samuel Faigin' +p56359 +sa(dp56360 +g25267 +g27 +sg25268 +S'Kettle' +p56361 +sg25270 +S'Nicholas Amantea' +p56362 +sa(dp56363 +g25267 +g27 +sg25268 +S'Kettle Tilter' +p56364 +sg25270 +S'Jacob Lipkin' +p56365 +sa(dp56366 +g25267 +g27 +sg25268 +S'Kettle Tilter' +p56367 +sg25270 +S'Jacob Lipkin' +p56368 +sa(dp56369 +g25267 +g27 +sg25268 +S'Hay Knife' +p56370 +sg25270 +S'Alfonso Moreno' +p56371 +sa(dp56372 +g25267 +g27 +sg25268 +S'Straw Knife' +p56373 +sg25270 +S'Alexander Anderson' +p56374 +sa(dp56375 +g25267 +g27 +sg25268 +S"Cooper's Chamfer Knife" +p56376 +sg25270 +S'Thomas Dooley' +p56377 +sa(dp56378 +g25267 +g27 +sg25268 +S'Hay Knife' +p56379 +sg25270 +S'Herman O. 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Joyce' +p56397 +sa(dp56398 +g25267 +g27 +sg25268 +S'Dagger and Sheath' +p56399 +sg25270 +S'Michael Rekucki' +p56400 +sa(dp56401 +g25267 +g27 +sg25268 +S'Chopping Knife' +p56402 +sg25270 +S'Nicholas Amantea' +p56403 +sa(dp56404 +g25267 +g27 +sg25268 +S'Chopping Knife' +p56405 +sg25270 +S'Simon Clever' +p56406 +sa(dp56407 +g25267 +g27 +sg25268 +S'Chopping Knife' +p56408 +sg25270 +S'Nicholas Amantea' +p56409 +sa(dp56410 +g25267 +g27 +sg25268 +S'Chopper' +p56411 +sg25270 +S'George Roehl' +p56412 +sa(dp56413 +g25267 +g27 +sg25268 +S'Food Chopper' +p56414 +sg25270 +S'Clarence Secor' +p56415 +sa(dp56416 +g25273 +S'Widener Collection' +p56417 +sg25267 +g27 +sg25275 +S'\nbound volume with 206 etchings and engravings by various artists after Borel, Le Barbier, Marillier, Monsiau, and J.M. Moreau' +p56418 +sg25268 +S'Collection of Prints from the Complete Works of Arnaud Berquin' +p56419 +sg25270 +S'Various Artists' +p56420 +sa(dp56421 +g25267 +g27 +sg25268 +S'Chopping Knife' +p56422 +sg25270 +S'Herman Schulze' +p56423 +sa(dp56424 +g25267 +g27 +sg25268 +S'Envelope Opener' +p56425 +sg25270 +S'Walter W. Jennings' +p56426 +sa(dp56427 +g25267 +g27 +sg25268 +S'Stock Lance Knife' +p56428 +sg25270 +S'Henry Meyers' +p56429 +sa(dp56430 +g25267 +g27 +sg25268 +S'Fruit Knife' +p56431 +sg25270 +S'Frank M. Keane' +p56432 +sa(dp56433 +g25267 +g27 +sg25268 +S'Quill Sharpener Knife' +p56434 +sg25270 +S'Gordon Saltar' +p56435 +sa(dp56436 +g25267 +g27 +sg25268 +S'Paper Knife' +p56437 +sg25270 +S'Artist Information (' +p56438 +sa(dp56439 +g25267 +g27 +sg25268 +S'Paper Knife' +p56440 +sg25270 +S'Max Fernekes' +p56441 +sa(dp56442 +g25267 +g27 +sg25268 +S'Rolled Leather Knapsack' +p56443 +sg25270 +S'Artist Information (' +p56444 +sa(dp56445 +g25267 +g27 +sg25268 +S'Door Handle with Thumb Press' +p56446 +sg25270 +S'Jack Staloff' +p56447 +sa(dp56448 +g25267 +g27 +sg25268 +S'Hand Forged Latch' +p56449 +sg25270 +S'Donald Streeter' +p56450 +sa(dp56451 +g25273 +S'Italian, 1313 - 1375' +p56452 +sg25267 +g27 +sg25275 +S'(author)' +p56453 +sg25268 +S'Il Decamerone ... (volume I)' +p56454 +sg25270 +S'Artist Information (' +p56455 +sa(dp56456 +g25267 +g27 +sg25268 +S'Door Handle' +p56457 +sg25270 +S'Herman Bader' +p56458 +sa(dp56459 +g25267 +g27 +sg25268 +S'Door Handle with Thumb Press' +p56460 +sg25270 +S'Jacob Lipkin' +p56461 +sa(dp56462 +g25267 +g27 +sg25268 +S'Door Handle' +p56463 +sg25270 +S'Maurice Van Felix' +p56464 +sa(dp56465 +g25267 +g27 +sg25268 +S'Latch' +p56466 +sg25270 +S'Mildred Ford' +p56467 +sa(dp56468 +g25267 +g27 +sg25268 +S'Suffolk Latch' +p56469 +sg25270 +S'Regina Henderer' +p56470 +sa(dp56471 +g25267 +g27 +sg25268 +S'Suffolk Latch' +p56472 +sg25270 +S'Regina Henderer' +p56473 +sa(dp56474 +g25267 +g27 +sg25268 +S'Door Latch and Handle' +p56475 +sg25270 +S'Paul Poffinbarger' +p56476 +sa(dp56477 +g25267 +g27 +sg25268 +S'Norfolk Latch' +p56478 +sg25270 +S'Samuel W. 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Howard Iams' +p56931 +sa(dp56932 +g25267 +g27 +sg25268 +S'Bridal Wreath' +p56933 +sg25270 +S'Verna Tallman' +p56934 +sa(dp56935 +g25267 +g27 +sg25268 +S'Silver Knitting Shield' +p56936 +sg25270 +S'Columbus Simpson' +p56937 +sa(dp56938 +g25267 +g27 +sg25268 +S'Candlestick' +p56939 +sg25270 +S'Bernard Krieger' +p56940 +sa(dp56941 +g25267 +g27 +sg25268 +S'Horse Shoe Candle Holder' +p56942 +sg25270 +S'John Swientochowski' +p56943 +sa(dp56944 +g25267 +g27 +sg25268 +S'Candle Stand' +p56945 +sg25270 +S'Gordon Sanborn' +p56946 +sa(dp56947 +g25273 +S'Spanish, 1547 - 1616' +p56948 +sg25267 +g27 +sg25275 +S'(author)' +p56949 +sg25268 +S'Don Quichotte de la Manche (volume IV)' +p56950 +sg25270 +S'Artist Information (' +p56951 +sa(dp56952 +g25267 +g27 +sg25268 +S'Candle Pendant' +p56953 +sg25270 +S'Cushman Parker' +p56954 +sa(dp56955 +g25267 +g27 +sg25268 +S'Rush and Candle Stand' +p56956 +sg25270 +S'Irene Lawson' +p56957 +sa(dp56958 +g25267 +g27 +sg25268 +S'Rush and Candle Stand' +p56959 +sg25270 +S'Irene Lawson' +p56960 +sa(dp56961 +g25267 +g27 +sg25268 +S'Rush and Candle Stand' +p56962 +sg25270 +S'Irene Lawson' +p56963 +sa(dp56964 +g25267 +g27 +sg25268 +S'Rush and Candle Stand' +p56965 +sg25270 +S'Irene Lawson' +p56966 +sa(dp56967 +g25267 +g27 +sg25268 +S'Rush and Candle Stand' +p56968 +sg25270 +S'Irene Lawson' +p56969 +sa(dp56970 +g25267 +g27 +sg25268 +S'Rush and Candle Stand' +p56971 +sg25270 +S'Irene Lawson' +p56972 +sa(dp56973 +g25267 +g27 +sg25268 +S'Rush and Candle Stand' +p56974 +sg25270 +S'Irene Lawson' +p56975 +sa(dp56976 +g25267 +g27 +sg25268 +S'Candle and Rush Light Holder' +p56977 +sg25270 +S'Jack Staloff' +p56978 +sa(dp56979 +g25267 +g27 +sg25268 +S'Rush and Candle Holder' +p56980 +sg25270 +S'Jack Staloff' +p56981 +sa(dp56982 +g25273 +S'Spanish, 1547 - 1616' +p56983 +sg25267 +g27 +sg25275 +S'(author)' +p56984 +sg25268 +S'Don Quichotte de la Manche (volume V)' +p56985 +sg25270 +S'Artist Information (' +p56986 +sa(dp56987 +g25267 +g27 +sg25268 +S'Rush Light and Candle Holder' +p56988 +sg25270 +S'Benjamin Resnick' +p56989 +sa(dp56990 +g25267 +g27 +sg25268 +S'Candle Holder' +p56991 +sg25270 +S'Benjamin Resnick' +p56992 +sa(dp56993 +g25267 +g27 +sg25268 +S'Candle Holder' +p56994 +sg25270 +S'American 20th Century' +p56995 +sa(dp56996 +g25267 +g27 +sg25268 +S'Rush and Candle Stand' +p56997 +sg25270 +S'Benjamin Resnick' +p56998 +sa(dp56999 +g25267 +g27 +sg25268 +S'Rush Holder with Candle Socket' +p57000 +sg25270 +S'Wellington Blewett' +p57001 +sa(dp57002 +g25267 +g27 +sg25268 +S'Rush Light and Candle Holder' +p57003 +sg25270 +S'Filippo Porreca' +p57004 +sa(dp57005 +g25267 +g27 +sg25268 +S'Rush Holder with Candle Socket' +p57006 +sg25270 +S'H. Langden Brown' +p57007 +sa(dp57008 +g25267 +g27 +sg25268 +S'Rush Burner Candle Holder' +p57009 +sg25270 +S'Gerald Bernhardt' +p57010 +sa(dp57011 +g25267 +g27 +sg25268 +S'Combination Rush/Candle Holder' +p57012 +sg25270 +S'Leslie Macklem' +p57013 +sa(dp57014 +g25267 +g27 +sg25268 +S'Candle and Rush Light Holder' +p57015 +sg25270 +S'Jack Staloff' +p57016 +sa(dp57017 +g25273 +S'Spanish, 1547 - 1616' +p57018 +sg25267 +g27 +sg25275 +S'(author)' +p57019 +sg25268 +S'Don Quichotte de la Manche (volume VI)' +p57020 +sg25270 +S'Artist Information (' +p57021 +sa(dp57022 +g25267 +g27 +sg25268 +S'Rush Holder' +p57023 +sg25270 +S'John Petrucci' +p57024 +sa(dp57025 +g25267 +g27 +sg25268 +S'Rush Holder' +p57026 +sg25270 +S'Irene Lawson' +p57027 +sa(dp57028 +g25267 +g27 +sg25268 +S'Rush Light Holder' +p57029 +sg25270 +S'Milton Grubstein' +p57030 +sa(dp57031 +g25267 +g27 +sg25268 +S'Rush Burner Paperweight' +p57032 +sg25270 +S'Gerald Bernhardt' +p57033 +sa(dp57034 +g25267 +g27 +sg25268 +S'Candle Holder' +p57035 +sg25270 +S'W.J. Goodacre' +p57036 +sa(dp57037 +g25267 +g27 +sg25268 +S'Candle Sticker' +p57038 +sg25270 +S'Frank M. Keane' +p57039 +sa(dp57040 +g25267 +g27 +sg25268 +S'Candle Holder' +p57041 +sg25270 +S'Dana Bartlett' +p57042 +sa(dp57043 +g25267 +g27 +sg25268 +S'Candle Holder' +p57044 +sg25270 +S'Eldon Allen' +p57045 +sa(dp57046 +g25267 +g27 +sg25268 +S"Miner's Candlestick" +p57047 +sg25270 +S'Florence Huston' +p57048 +sa(dp57049 +g25267 +g27 +sg25268 +S"Miner's Candle Holder" +p57050 +sg25270 +S'Walter L. Webster' +p57051 +sa(dp57052 +g25273 +S'Spanish, 1547 - 1616' +p57053 +sg25267 +g27 +sg25275 +S'(author)' +p57054 +sg25268 +S"Les Principales Aventures de l'admirable Don Quichotte..." +p57055 +sg25270 +S'Artist Information (' +p57056 +sa(dp57057 +g25267 +g27 +sg25268 +S"Miner's Candle Holder" +p57058 +sg25270 +S'Benjamin Resnick' +p57059 +sa(dp57060 +g25267 +g27 +sg25268 +S'Candle Holder' +p57061 +sg25270 +S'Harry G. Aberdeen' +p57062 +sa(dp57063 +g25267 +g27 +sg25268 +S'Sconce' +p57064 +sg25270 +S'Alfred Koehn' +p57065 +sa(dp57066 +g25267 +g27 +sg25268 +S'Wall Fixture' +p57067 +sg25270 +S'Florence Huston' +p57068 +sa(dp57069 +g25267 +g27 +sg25268 +S'Chandeleir' +p57070 +sg25270 +S'Mildred Ford' +p57071 +sa(dp57072 +g25267 +g27 +sg25268 +S'Chandelier' +p57073 +sg25270 +S'Mildred Ford' +p57074 +sa(dp57075 +g25267 +S"Because England restricted the importation of raw tin into the colonies, tinware\n was scarce in America before the Revolution. By the nineteenth century, however,\n tin was plentiful and in great demand for a variety of household articles. Lighting\n devices were commonly made of tinplate. The lightness of the metal allowed sconces to\n be hung from the wall or chandeliers from the ceiling. The flexibility of the material\n allowed craftsmen to fashion decorative shapes. This chandelier, made in the 1830s,\n was constructed of sheet tin. The barrel-shaped body provides a central core from\n which six arms extend outward to terminate in candleholders. The S-curves of the\n arms serve to diffuse the light away from the center while providing a decorative\n aspect to the chandelier's form. Ribbed bands around the body of the chandelier\n and ribs extending along the arms suggest a linear pattern that is emphasized\n by the fluting of the candleholders. The simplicity of this linear pattern and\n the round forms of the central body and candleholders provide a unified and pleasing\n sound.\n " +p57076 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000305.jpg' +p57077 +sg25268 +S'Tole Candle Wall Bracket' +p57078 +sg25270 +S'David S. De Vault' +p57079 +sa(dp57080 +g25267 +g27 +sg25268 +S'Brass Lantern' +p57081 +sg25270 +S'Margaret Stottlemeyer' +p57082 +sa(dp57083 +g25267 +g27 +sg25268 +S'Brass Lantern' +p57084 +sg25270 +S'Margaret Stottlemeyer' +p57085 +sa(dp57086 +g25267 +g27 +sg25268 +S'Night Lamp' +p57087 +sg25270 +S'Dorothy Posten' +p57088 +sa(dp57089 +g25273 +S'(author)' +p57090 +sg25267 +g27 +sg25275 +S'\n' +p57091 +sg25268 +S'Costumes et annales des grandes theatres de Paris (volume I)' +p57092 +sg25270 +S'Artist Information (' +p57093 +sa(dp57094 +g25267 +g27 +sg25268 +S'Wardroom Lamp from "Constitution"' +p57095 +sg25270 +S'Artist Information (' +p57096 +sa(dp57097 +g25267 +g27 +sg25268 +S'Candelabra' +p57098 +sg25270 +S'Walter Hochstrasser' +p57099 +sa(dp57100 +g25267 +g27 +sg25268 +S'Candelabra' +p57101 +sg25270 +S'Richard Taylor' +p57102 +sa(dp57103 +g25267 +g27 +sg25268 +S'Candlestick' +p57104 +sg25270 +S'Paul Ward' +p57105 +sa(dp57106 +g25267 +g27 +sg25268 +S'Candle Stand' +p57107 +sg25270 +S'Paul Ward' +p57108 +sa(dp57109 +g25267 +g27 +sg25268 +S'Combination Rush & Candle Stand' +p57110 +sg25270 +S'Samuel Fineman' +p57111 +sa(dp57112 +g25267 +g27 +sg25268 +S'Candlestick' +p57113 +sg25270 +S'Mary Hansen' +p57114 +sa(dp57115 +g25267 +g27 +sg25268 +S'Candle Holder' +p57116 +sg25270 +S'Joseph L. Boyd' +p57117 +sa(dp57118 +g25267 +g27 +sg25268 +S'Candle Holder' +p57119 +sg25270 +S'David S. De Vault' +p57120 +sa(dp57121 +g25267 +g27 +sg25268 +S'Brass Candle Holder' +p57122 +sg25270 +S'Gerald Bernhardt' +p57123 +sa(dp57124 +g25273 +S'(author)' +p57125 +sg25267 +g27 +sg25275 +S'\n' +p57126 +sg25268 +S'Costumes et annales des grandes theatres de Paris (volume II)' +p57127 +sg25270 +S'Artist Information (' +p57128 +sa(dp57129 +g25267 +g27 +sg25268 +S'Candlestick' +p57130 +sg25270 +S'Philip Johnson' +p57131 +sa(dp57132 +g25267 +g27 +sg25268 +S'Candlestick' +p57133 +sg25270 +S'Philip Johnson' +p57134 +sa(dp57135 +g25267 +g27 +sg25268 +S'Sconce' +p57136 +sg25270 +S'Edward D. Williams' +p57137 +sa(dp57138 +g25267 +g27 +sg25268 +S'Brass Candlestick' +p57139 +sg25270 +S'Edward L. Loper' +p57140 +sa(dp57141 +g25267 +g27 +sg25268 +S'Candlestand' +p57142 +sg25270 +S'Jack Staloff' +p57143 +sa(dp57144 +g25267 +g27 +sg25268 +S'Iron and Brass Candlestand' +p57145 +sg25270 +S'Francis Borelli' +p57146 +sa(dp57147 +g25267 +g27 +sg25268 +S'Candlestand' +p57148 +sg25270 +S'Jack Staloff' +p57149 +sa(dp57150 +g25267 +g27 +sg25268 +S'Candlestick Stand' +p57151 +sg25270 +S'Jack Staloff' +p57152 +sa(dp57153 +g25267 +g27 +sg25268 +S'Adjustable Candle Holder' +p57154 +sg25270 +S'Howard Lumbard' +p57155 +sa(dp57156 +g25267 +g27 +sg25268 +S'Adjustable Candle Holder' +p57157 +sg25270 +S'Howard Lumbard' +p57158 +sa(dp57159 +g25273 +S'(author)' +p57160 +sg25267 +g27 +sg25275 +S'\n' +p57161 +sg25268 +S'Costumes et annales des grandes theatres de Paris (volume III)' +p57162 +sg25270 +S'Artist Information (' +p57163 +sa(dp57164 +g25267 +g27 +sg25268 +S'Candlestand' +p57165 +sg25270 +S'Charles Garjian' +p57166 +sa(dp57167 +g25267 +g27 +sg25268 +S'Iron Candlestick' +p57168 +sg25270 +S'Joseph Papa' +p57169 +sa(dp57170 +g25267 +g27 +sg25268 +S'Candlestick' +p57171 +sg25270 +S'Cecily Edwards' +p57172 +sa(dp57173 +g25267 +g27 +sg25268 +S'Candle Holder' +p57174 +sg25270 +S'Bernard Westmacott' +p57175 +sa(dp57176 +g25267 +g27 +sg25268 +S'Candle Holder' +p57177 +sg25270 +S'Gerald Bernhardt' +p57178 +sa(dp57179 +g25267 +g27 +sg25268 +S'Candle Holder' +p57180 +sg25270 +S'Mildred Ford' +p57181 +sa(dp57182 +g25267 +g27 +sg25268 +S'Candlestand' +p57183 +sg25270 +S'Jack Staloff' +p57184 +sa(dp57185 +g25267 +g27 +sg25268 +S'Three Legged Candlestick' +p57186 +sg25270 +S'William Schmidt' +p57187 +sa(dp57188 +g25267 +g27 +sg25268 +S'Tin Lantern' +p57189 +sg25270 +S'David S. De Vault' +p57190 +sa(dp57191 +g25267 +g27 +sg25268 +S'Sheet Iron Lantern' +p57192 +sg25270 +S'Isabelle De Strange' +p57193 +sa(dp57194 +g25268 +S'Portrait of a Young Man' +p57195 +sg25270 +S'Giuseppe Ghislandi' +p57196 +sg25273 +S', after 1720' +p57197 +sg25275 +S'\n' +p57198 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f2f.jpg' +p57199 +sg25267 +g27 +sa(dp57200 +g25273 +S'(author)' +p57201 +sg25267 +g27 +sg25275 +S'\n' +p57202 +sg25268 +S'Costumes et annales des grandes theatres de Paris (volume IV)' +p57203 +sg25270 +S'Artist Information (' +p57204 +sa(dp57205 +g25267 +g27 +sg25268 +S'Hand Lantern' +p57206 +sg25270 +S'William Schmidt' +p57207 +sa(dp57208 +g25267 +g27 +sg25268 +S'Lantern' +p57209 +sg25270 +S'Mildred Ford' +p57210 +sa(dp57211 +g25267 +g27 +sg25268 +S'Pierced Iron Lantern' +p57212 +sg25270 +S'Florian Rokita' +p57213 +sa(dp57214 +g25267 +g27 +sg25268 +S'Hand Lantern' +p57215 +sg25270 +S'William Schmidt' +p57216 +sa(dp57217 +g25267 +g27 +sg25268 +S'Lantern' +p57218 +sg25270 +S'Rose Campbell-Gerke' +p57219 +sa(dp57220 +g25267 +g27 +sg25268 +S'Pierced Tin Lantern' +p57221 +sg25270 +S'Francis Bruner' +p57222 +sa(dp57223 +g25267 +g27 +sg25268 +S'Candle Lantern' +p57224 +sg25270 +S'Clyde L. Cheney' +p57225 +sa(dp57226 +g25267 +g27 +sg25268 +S'Lantern' +p57227 +sg25270 +S'Mildred Ford' +p57228 +sa(dp57229 +g25267 +g27 +sg25268 +S'Lantern' +p57230 +sg25270 +S'Albert Eyth' +p57231 +sa(dp57232 +g25267 +g27 +sg25268 +S'Lantern' +p57233 +sg25270 +S'Columbus Simpson' +p57234 +sa(dp57235 +g25273 +S'(author)' +p57236 +sg25267 +g27 +sg25275 +S'\n' +p57237 +sg25268 +S'Costumes et annales des grandes theatres de Paris (volume V)' +p57238 +sg25270 +S'Artist Information (' +p57239 +sa(dp57240 +g25267 +g27 +sg25268 +S'Lantern' +p57241 +sg25270 +S'Holger Hansen' +p57242 +sa(dp57243 +g25267 +g27 +sg25268 +S'Pierced Tin Lantern' +p57244 +sg25270 +S'Edward D. 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Zaidenberg' +p57674 +sa(dp57675 +g25267 +g27 +sg25268 +S'Lamp' +p57676 +sg25270 +S'Joseph Wolins' +p57677 +sa(dp57678 +g25267 +g27 +sg25268 +S'Camphene Lamp' +p57679 +sg25270 +S'Eugene Barrell' +p57680 +sa(dp57681 +g25267 +g27 +sg25268 +S'Camp Lamp' +p57682 +sg25270 +S'Albert Rudin' +p57683 +sa(dp57684 +g25267 +g27 +sg25268 +S'Whale Oil Ship Lamp' +p57685 +sg25270 +S'Howard Lumbard' +p57686 +sa(dp57687 +g25267 +g27 +sg25268 +S'Pewter Lamp' +p57688 +sg25270 +S'Sydney Roberts' +p57689 +sa(dp57690 +g25273 +S'etching' +p57691 +sg25267 +g27 +sg25275 +S'published 1775' +p57692 +sg25268 +S'Head-Piece' +p57693 +sg25270 +S'Pierre-Philippe Choffard' +p57694 +sa(dp57695 +g25267 +g27 +sg25268 +S'Betty Lamp and Stand' +p57696 +sg25270 +S'Amelia Tuccio' +p57697 +sa(dp57698 +g25267 +g27 +sg25268 +S'Betty Lamp' +p57699 +sg25270 +S'Jack Staloff' +p57700 +sa(dp57701 +g25267 +g27 +sg25268 +S'Betty Lamp' +p57702 +sg25270 +S'Philip Johnson' +p57703 +sa(dp57704 +g25267 +g27 +sg25268 +S'Betty Lamp and Stamp' +p57705 +sg25270 +S'Mildred Ford' +p57706 +sa(dp57707 +g25267 +g27 +sg25268 +S'Betty Lamp' +p57708 +sg25270 +S'Amelia Tuccio' +p57709 +sa(dp57710 +g25267 +g27 +sg25268 +S'Wrought Iron Betty Lamp' +p57711 +sg25270 +S'H. 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Brinton' +p58446 +sa(dp58447 +g25267 +g27 +sg25268 +S'Student Lamp' +p58448 +sg25270 +S'Alvin J. Doria' +p58449 +sa(dp58450 +g25267 +g27 +sg25268 +S'Lamp' +p58451 +sg25270 +S'Margaret Stottlemeyer' +p58452 +sa(dp58453 +g25267 +g27 +sg25268 +S'Lamp' +p58454 +sg25270 +S'Philip Johnson' +p58455 +sa(dp58456 +g25267 +g27 +sg25268 +S'Binnacle Lamp' +p58457 +sg25270 +S'Herman O. Stroh' +p58458 +sa(dp58459 +g25267 +g27 +sg25268 +S'Combination Peg Lamp/Candleholder' +p58460 +sg25270 +S'John Cutting' +p58461 +sa(dp58462 +g25267 +g27 +sg25268 +S'Tubular Hand Lamp' +p58463 +sg25270 +S'John H. 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Moreau, and A. de Saint-Aubin' +p58502 +sg25268 +S'Album of Miscellaneous Prints' +p58503 +sg25270 +S'Various Artists' +p58504 +sa(dp58505 +g25267 +g27 +sg25268 +S'Carved Casing' +p58506 +sg25270 +S'Hans Mangelsdorf' +p58507 +sa(dp58508 +g25267 +g27 +sg25268 +S"Saddler's Mallet" +p58509 +sg25270 +S'Alexander Anderson' +p58510 +sa(dp58511 +g25267 +g27 +sg25268 +S'Chalking Mallet' +p58512 +sg25270 +S'Eugene Bartz' +p58513 +sa(dp58514 +g25267 +g27 +sg25268 +S'Bung Starter Mallet' +p58515 +sg25270 +S'Irving L. 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Moreau, Longueil, Le Beau, Massard, De Ghendt, Duclos, Cochin, and Duflosafter various artists' +p58537 +sg25268 +S'Collection of Prints' +p58538 +sg25270 +S'Various Artists' +p58539 +sa(dp58540 +g25267 +g27 +sg25268 +S'Mail Box' +p58541 +sg25270 +S'Marjorie Lee' +p58542 +sa(dp58543 +g25267 +g27 +sg25268 +S'Leather Mail Bag' +p58544 +sg25270 +S'Walter Praefke' +p58545 +sa(dp58546 +g25267 +g27 +sg25268 +S'Cast Iron Mail Box' +p58547 +sg25270 +S'Roger Deats' +p58548 +sa(dp58549 +g25267 +g27 +sg25268 +S'Mail Box' +p58550 +sg25270 +S'Franklin C. 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Dawson' +p58624 +sa(dp58625 +g25267 +g27 +sg25268 +S'Potato Masher' +p58626 +sg25270 +S'Marie Alain' +p58627 +sa(dp58628 +g25267 +g27 +sg25268 +S'Masher' +p58629 +sg25270 +S'American 20th Century' +p58630 +sa(dp58631 +g25267 +g27 +sg25268 +S'Masher' +p58632 +sg25270 +S'Nicholas Amantea' +p58633 +sa(dp58634 +g25267 +g27 +sg25268 +S'Masher' +p58635 +sg25270 +S'Simon Clever' +p58636 +sa(dp58637 +g25267 +g27 +sg25268 +S'Grape Crusher' +p58638 +sg25270 +S'Clarence Secor' +p58639 +sa(dp58640 +g25273 +S'(artist)' +p58641 +sg25267 +g27 +sg25275 +S'\n' +p58642 +sg25268 +S'Fables nouvelles (volume I)' +p58643 +sg25270 +S'Artist Information (' +p58644 +sa(dp58645 +g25267 +g27 +sg25268 +S'Wine Masher' +p58646 +sg25270 +S'Alfonso Moreno' +p58647 +sa(dp58648 +g25267 +g27 +sg25268 +S'Dance Mask' +p58649 +sg25270 +S'Joseph Coyle' +p58650 +sa(dp58651 +g25267 +g27 +sg25268 +S'Masks' +p58652 +sg25270 +S'Louis Plogsted' +p58653 +sa(dp58654 +g25267 +g27 +sg25268 +S'Mask' +p58655 +sg25270 +S'Joseph Coyle' +p58656 +sa(dp58657 +g25267 +g27 +sg25268 +S'Marble' +p58658 +sg25270 +S'Vincent Murphy' +p58659 +sa(dp58660 +g25267 +g27 +sg25268 +S'Marble Ornament (from top of mantelpiece)' +p58661 +sg25270 +S'Manuel G. 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(volume I)' +p59137 +sg25270 +S'Various Artists' +p59138 +sg25273 +S'page size: 40.8 x 19.4 cm (16 1/16 x 7 5/8 in.)' +p59139 +sg25275 +S'\nbound volume with 198 hand-colored and black and white etchings and engravings' +p59140 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00066/a00066fc.jpg' +p59141 +sg25267 +g27 +sa(dp59142 +g25267 +g27 +sg25268 +S'Cylinder Pipe Organ' +p59143 +sg25270 +S'Emilio Zito' +p59144 +sa(dp59145 +g25267 +g27 +sg25268 +S'Gem Roller Organ' +p59146 +sg25270 +S'John Dieterich' +p59147 +sa(dp59148 +g25267 +g27 +sg25268 +S'Melodeon' +p59149 +sg25270 +S'Regina Henderer' +p59150 +sa(dp59151 +g25267 +g27 +sg25268 +S'Melodeon' +p59152 +sg25270 +S'Edna C. Rex' +p59153 +sa(dp59154 +g25267 +g27 +sg25268 +S'Melodeon' +p59155 +sg25270 +S'Rex F. Bush' +p59156 +sa(dp59157 +g25267 +g27 +sg25268 +S'Melodeon' +p59158 +sg25270 +S'John Dieterich' +p59159 +sa(dp59160 +g25267 +g27 +sg25268 +S'Dulcimer' +p59161 +sg25270 +S'Rex F. 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(volume II)" +p59175 +sg25270 +S'Various Artists' +p59176 +sa(dp59177 +g25267 +g27 +sg25268 +S'Reading Lamp' +p59178 +sg25270 +S'Joseph Cannella' +p59179 +sa(dp59180 +g25267 +g27 +sg25268 +S'Lock, Key, Hinge' +p59181 +sg25270 +S'Charles Bowman' +p59182 +sa(dp59183 +g25267 +g27 +sg25268 +S'Mail Pouch' +p59184 +sg25270 +S'Stella Mosher' +p59185 +sa(dp59186 +g25267 +g27 +sg25268 +S'Conductor Head' +p59187 +sg25270 +S'Kurt Melzer' +p59188 +sa(dp59189 +g25267 +g27 +sg25268 +S'Conductor Head' +p59190 +sg25270 +S'Ivar Julius' +p59191 +sa(dp59192 +g25267 +g27 +sg25268 +S'Vinyard Basket' +p59193 +sg25270 +S'Kurt Melzer' +p59194 +sa(dp59195 +g25267 +g27 +sg25268 +S'Grape Crusher' +p59196 +sg25270 +S'Kurt Melzer' +p59197 +sa(dp59198 +g25267 +g27 +sg25268 +S'Psalmodicon' +p59199 +sg25270 +S'Wilbur M Rice' +p59200 +sa(dp59201 +g25267 +g27 +sg25268 +S"Woman's Accordian" +p59202 +sg25270 +S'John Thorsen' +p59203 +sa(dp59204 +g25267 +g27 +sg25268 +S'Church Organ' +p59205 +sg25270 +S'Amos C. 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Moyan' +p59577 +sa(dp59578 +g25267 +g27 +sg25268 +S'Lamp' +p59579 +sg25270 +S'Henry Meyers' +p59580 +sa(dp59581 +g25267 +g27 +sg25268 +S'Lamp' +p59582 +sg25270 +S'Edith Towner' +p59583 +sa(dp59584 +g25267 +g27 +sg25268 +S'Lantern' +p59585 +sg25270 +S'Marie Famularo' +p59586 +sa(dp59587 +g25267 +g27 +sg25268 +S'Candlestick' +p59588 +sg25270 +S'Holger Hansen' +p59589 +sa(dp59590 +g25267 +g27 +sg25268 +S'Candlestick' +p59591 +sg25270 +S'Lillian Causey' +p59592 +sa(dp59593 +g25267 +g27 +sg25268 +S'Lamp' +p59594 +sg25270 +S'Lawrence Phillips' +p59595 +sa(dp59596 +g25267 +g27 +sg25268 +S'Lamp' +p59597 +sg25270 +S'John Dana' +p59598 +sa(dp59599 +g25273 +S'(artist after)' +p59600 +sg25267 +g27 +sg25275 +S'\n' +p59601 +sg25268 +S'Descartes' +p59602 +sg25270 +S'Artist Information (' +p59603 +sa(dp59604 +g25267 +g27 +sg25268 +S'Lamp' +p59605 +sg25270 +S'S. Brodsky' +p59606 +sa(dp59607 +g25267 +g27 +sg25268 +S'Whale Oil Lamp' +p59608 +sg25270 +S'Charles Caseau' +p59609 +sa(dp59610 +g25267 +g27 +sg25268 +S'Lamp' +p59611 +sg25270 +S'Frank Fumagalli' +p59612 +sa(dp59613 +g25267 +g27 +sg25268 +S'Lamp' +p59614 +sg25270 +S'Gertrude Lemberg' +p59615 +sa(dp59616 +g25267 +g27 +sg25268 +S'Lamp' +p59617 +sg25270 +S'Irving D. Genin' +p59618 +sa(dp59619 +g25267 +g27 +sg25268 +S'Lamp' +p59620 +sg25270 +S'John Dana' +p59621 +sa(dp59622 +g25267 +g27 +sg25268 +S'Lamp' +p59623 +sg25270 +S'Joseph Leboit' +p59624 +sa(dp59625 +g25267 +g27 +sg25268 +S'Lamp' +p59626 +sg25270 +S'Frank Fumagalli' +p59627 +sa(dp59628 +g25267 +g27 +sg25268 +S'Lamp' +p59629 +sg25270 +S'American 20th Century' +p59630 +sa(dp59631 +g25267 +g27 +sg25268 +S'Lamp' +p59632 +sg25270 +S'Sara Garfinkel' +p59633 +sa(dp59634 +g25273 +S'(artist after)' +p59635 +sg25267 +g27 +sg25275 +S'\n' +p59636 +sg25268 +S'Montesquieu' +p59637 +sg25270 +S'Artist Information (' +p59638 +sa(dp59639 +g25267 +g27 +sg25268 +S'Lamp' +p59640 +sg25270 +S"James O'Mara" +p59641 +sa(dp59642 +g25267 +g27 +sg25268 +S'Lamp' +p59643 +sg25270 +S'Albert Levone' +p59644 +sa(dp59645 +g25267 +g27 +sg25268 +S'Lamp' +p59646 +sg25270 +S'Artist Information (' +p59647 +sa(dp59648 +g25267 +g27 +sg25268 +S'Lamp' +p59649 +sg25270 +S'Janet Riza' +p59650 +sa(dp59651 +g25267 +g27 +sg25268 +S'Candlestick' +p59652 +sg25270 +S'Francis Law Durand' +p59653 +sa(dp59654 +g25267 +g27 +sg25268 +S'Pewter Lamp' +p59655 +sg25270 +S'American 20th Century' +p59656 +sa(dp59657 +g25267 +g27 +sg25268 +S'Wall Sconce' +p59658 +sg25270 +S'Francis Law Durand' +p59659 +sa(dp59660 +g25267 +g27 +sg25268 +S'Lamp' +p59661 +sg25270 +S'Joseph Leboit' +p59662 +sa(dp59663 +g25267 +g27 +sg25268 +S'Lamp' +p59664 +sg25270 +S'Herman Bader' +p59665 +sa(dp59666 +g25267 +g27 +sg25268 +S'Lamp' +p59667 +sg25270 +S'Charlotte Winter' +p59668 +sa(dp59669 +g25268 +S'Profile Portrait of a Lady' +p59670 +sg25270 +S'Franco-Flemish 15th Century' +p59671 +sg25273 +S'painted surface: 52 x 36.6 cm (20 1/2 x 14 7/16 in.)\r\noverall (panel): 53 x 37.6 cm (20 7/8 x 14 13/16 in.)\r\nframed: 74.1 x 61.3 x 5.4 cm (29 3/16 x 24 1/8 x 2 1/8 in.)' +p59672 +sg25275 +S'\noil on panel' +p59673 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005bc.jpg' +p59674 +sg25267 +S"Portraits were often included in devotional works, in which donors were \n depicted as witnessing a sacred scene. Independent portraits, however, are \n extremely rare before about 1425. This painting is the only one of a woman \n known to exist today. Her identity remains a mystery, but her dress and \n hauteur suggest she may have been at the French court; evidently she was a \n person of considerable rank. Portraits were commonly made of prospective \n partners in arranged marriages between powerful royal families. Van Eyck, \n for example, painted such portraits while on diplomatic assignment. The age \n and commanding presence of this woman, however, may indicate that she was \n already in a strong dynastic position. Her profile pose produces a clear \n and authoritative image and avoids direct contact with the viewer's \n gaze.\n The austere line of the subject's features is emphasized by the high \n forehead of her fashionable plucked hair line. High contrast against the \n flat background exaggerates the refinement of her likeness. The artist has \n painted individual details, such as the crimped curl at the brow and the \n heavy cage beads pinned at the shoulders, with careful attention; yet they \n are subordinated in a composition that has geometric, almost abstract \n severity. These ornamental qualities are typical of the International \n Style, which predominated all over Europe until it was supplanted by the \n more naturalistic work of the painters \n " +p59675 +sa(dp59676 +g25268 +S'The Crucifixion with Saint Jerome and Saint Francis' +p59677 +sg25270 +S'Pesellino' +p59678 +sg25273 +S'tempera on panel' +p59679 +sg25275 +S'c. 1445/1450' +p59680 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a0000766.jpg' +p59681 +sg25267 +g27 +sa(dp59682 +g25273 +S'(artist after)' +p59683 +sg25267 +g27 +sg25275 +S'\n' +p59684 +sg25268 +S'Polignac' +p59685 +sg25270 +S'Artist Information (' +p59686 +sa(dp59687 +g25267 +g27 +sg25268 +S'Lamp' +p59688 +sg25270 +S'Filippo Porreca' +p59689 +sa(dp59690 +g25267 +g27 +sg25268 +S'Combination Wall and Standing Lamp' +p59691 +sg25270 +S'Jacob Lipkin' +p59692 +sa(dp59693 +g25267 +g27 +sg25268 +S'Lamp' +p59694 +sg25270 +S'Burrell' +p59695 +sa(dp59696 +g25267 +g27 +sg25268 +S'Lamp' +p59697 +sg25270 +S'Hester Duany' +p59698 +sa(dp59699 +g25267 +g27 +sg25268 +S'Lamp' +p59700 +sg25270 +S'Carl Weiss' +p59701 +sa(dp59702 +g25267 +g27 +sg25268 +S'Lamp' +p59703 +sg25270 +S'Gilbert Sackerman' +p59704 +sa(dp59705 +g25267 +g27 +sg25268 +S'Lamp' +p59706 +sg25270 +S'John Dana' +p59707 +sa(dp59708 +g25267 +g27 +sg25268 +S'Lantern' +p59709 +sg25270 +S'Edith Magnette' +p59710 +sa(dp59711 +g25267 +g27 +sg25268 +S'Lamp' +p59712 +sg25270 +S'Charles Caseau' +p59713 +sa(dp59714 +g25267 +g27 +sg25268 +S'Lamp' +p59715 +sg25270 +S'Rollington Campbell' +p59716 +sa(dp59717 +g25273 +S'(artist after)' +p59718 +sg25267 +g27 +sg25275 +S'\n' +p59719 +sg25268 +S'Rousseau' +p59720 +sg25270 +S'Artist Information (' +p59721 +sa(dp59722 +g25267 +g27 +sg25268 +S'Lamp' +p59723 +sg25270 +S'Ruth Bialostosky' +p59724 +sa(dp59725 +g25267 +g27 +sg25268 +S'Cake Mold' +p59726 +sg25270 +S'Suzanne Roy' +p59727 +sa(dp59728 +g25267 +g27 +sg25268 +S'Lottery Wheel' +p59729 +sg25270 +S'James M. Lawson' +p59730 +sa(dp59731 +g25267 +g27 +sg25268 +S'Table Lamp' +p59732 +sg25270 +S'Ray Price' +p59733 +sa(dp59734 +g25267 +g27 +sg25268 +S'Lamp' +p59735 +sg25270 +S'Ella Josephine Sterling' +p59736 +sa(dp59737 +g25267 +g27 +sg25268 +S'Kerosene Street Car Lamp' +p59738 +sg25270 +S'Florence Huston' +p59739 +sa(dp59740 +g25267 +g27 +sg25268 +S'Lamp' +p59741 +sg25270 +S'American 20th Century' +p59742 +sa(dp59743 +g25267 +g27 +sg25268 +S'Spark Lamp' +p59744 +sg25270 +S'John Dana' +p59745 +sa(dp59746 +g25267 +g27 +sg25268 +S'Lamp' +p59747 +sg25270 +S'Gertrude Lemberg' +p59748 +sa(dp59749 +g25267 +g27 +sg25268 +S'Lamp' +p59750 +sg25270 +S'Frank Fumagalli' +p59751 +sa(dp59752 +g25273 +S'(artist after)' +p59753 +sg25267 +g27 +sg25275 +S'\n' +p59754 +sg25268 +S'Fenelon' +p59755 +sg25270 +S'Artist Information (' +p59756 +sa(dp59757 +g25267 +g27 +sg25268 +S'Lamp' +p59758 +sg25270 +S'John Tarantino' +p59759 +sa(dp59760 +g25267 +g27 +sg25268 +S'Spark Lamp' +p59761 +sg25270 +S'John Dana' +p59762 +sa(dp59763 +g25267 +g27 +sg25268 +S'Lamp' +p59764 +sg25270 +S'John Dana' +p59765 +sa(dp59766 +g25267 +g27 +sg25268 +S'Spark Lamp' +p59767 +sg25270 +S'John Tarantino' +p59768 +sa(dp59769 +g25267 +g27 +sg25268 +S'Metal Lantern' +p59770 +sg25270 +S'Edward L. Loper' +p59771 +sa(dp59772 +g25267 +g27 +sg25268 +S'Whale Oil Lamp' +p59773 +sg25270 +S'David S. De Vault' +p59774 +sa(dp59775 +g25267 +g27 +sg25268 +S'Lamps' +p59776 +sg25270 +S'Margaret Stottlemeyer' +p59777 +sa(dp59778 +g25267 +g27 +sg25268 +S'Lantern' +p59779 +sg25270 +S'Albert Eyth' +p59780 +sa(dp59781 +g25267 +g27 +sg25268 +S'Lamp' +p59782 +sg25270 +S'Marcus Moran' +p59783 +sa(dp59784 +g25267 +g27 +sg25268 +S'Lamp Base' +p59785 +sg25270 +S'Willoughby Ions' +p59786 +sa(dp59787 +g25273 +S'(artist after)' +p59788 +sg25267 +g27 +sg25275 +S'\n' +p59789 +sg25268 +S'Adrienne Lecouvreur' +p59790 +sg25270 +S'Artist Information (' +p59791 +sa(dp59792 +g25267 +g27 +sg25268 +S'Pa. German Water Whistle' +p59793 +sg25270 +S'Carl Strehlau' +p59794 +sa(dp59795 +g25267 +g27 +sg25268 +S'Peavy' +p59796 +sg25270 +S'Max Fernekes' +p59797 +sa(dp59798 +g25267 +g27 +sg25268 +S'Star Pastry Squeezer' +p59799 +sg25270 +S'John Petrucci' +p59800 +sa(dp59801 +g25267 +g27 +sg25268 +S'Pa. German Prince Charles Spaniel' +p59802 +sg25270 +S'Mina Lowry' +p59803 +sa(dp59804 +g25267 +g27 +sg25268 +S'Pa. German Chalkware Chicken' +p59805 +sg25270 +S'Frank McEntee' +p59806 +sa(dp59807 +g25267 +g27 +sg25268 +S'Pa. German Seated Cat' +p59808 +sg25270 +S'Andrew Topolosky' +p59809 +sa(dp59810 +g25267 +g27 +sg25268 +S'Pa. German Dog Figurine' +p59811 +sg25270 +S'Mina Lowry' +p59812 +sa(dp59813 +g25267 +g27 +sg25268 +S'Pa. German Prince Charles Spaniel' +p59814 +sg25270 +S'Mina Lowry' +p59815 +sa(dp59816 +g25267 +g27 +sg25268 +S'Pa. German Prince Charles Spaniel' +p59817 +sg25270 +S'Mina Lowry' +p59818 +sa(dp59819 +g25267 +g27 +sg25268 +S'Pa. German Chalkware Cat' +p59820 +sg25270 +S'Mina Lowry' +p59821 +sa(dp59822 +g25273 +S'1 vol: ill: etchings and aquatints' +p59823 +sg25267 +g27 +sg25275 +S'published 1789/1791' +p59824 +sg25268 +S'Gravures Historiques ... (volume I)' +p59825 +sg25270 +S'Jean-Fran\xc3\xa7ois Janinet' +p59826 +sa(dp59827 +g25267 +g27 +sg25268 +S'Pa. German Chalkware Cat' +p59828 +sg25270 +S'Mina Lowry' +p59829 +sa(dp59830 +g25267 +g27 +sg25268 +S'Pa. German Dresser' +p59831 +sg25270 +S'Austin L. Davison' +p59832 +sa(dp59833 +g25267 +g27 +sg25268 +S'Pa. German Chair' +p59834 +sg25270 +S'American 20th Century' +p59835 +sa(dp59836 +g25267 +g27 +sg25268 +S'Pa. German Dower Chest' +p59837 +sg25270 +S'Frances Lichten' +p59838 +sa(dp59839 +g25267 +g27 +sg25268 +S'Pa. German Dowry Chest' +p59840 +sg25270 +S'American 20th Century' +p59841 +sa(dp59842 +g25267 +g27 +sg25268 +S'Pa. German Dower Chest' +p59843 +sg25270 +S'John Dieterich' +p59844 +sa(dp59845 +g25267 +g27 +sg25268 +S'Pa. German Dower Chest' +p59846 +sg25270 +S'Michael Trekur' +p59847 +sa(dp59848 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00067/a0006746.jpg' +p59849 +sg25268 +S'Pa. German Patch Box' +p59850 +sg25270 +S'Albert Levone' +p59851 +sa(dp59852 +g25267 +g27 +sg25268 +S'Pa. German Stove Plate' +p59853 +sg25270 +S'Charles Von Urban' +p59854 +sa(dp59855 +g25267 +g27 +sg25268 +S'Pa. German Stove Plate' +p59856 +sg25270 +S'Charles Von Urban' +p59857 +sa(dp59858 +g25273 +S'1 vol: ill: etchings and aquatints' +p59859 +sg25267 +g27 +sg25275 +S'published 1789/1791' +p59860 +sg25268 +S'Gravures Historiques ... (volume II)' +p59861 +sg25270 +S'Jean-Fran\xc3\xa7ois Janinet' +p59862 +sa(dp59863 +g25267 +g27 +sg25268 +S'Pa. German Stove Plate' +p59864 +sg25270 +S'Charles Von Urban' +p59865 +sa(dp59866 +g25267 +g27 +sg25268 +S'Pa. German Stove Plate' +p59867 +sg25270 +S'Charles Von Urban' +p59868 +sa(dp59869 +g25267 +g27 +sg25268 +S'Pa. German Stove Plate' +p59870 +sg25270 +S'Charles Von Urban' +p59871 +sa(dp59872 +g25267 +g27 +sg25268 +S'Pa. German Stove Plate' +p59873 +sg25270 +S'Charles Von Urban' +p59874 +sa(dp59875 +g25267 +g27 +sg25268 +S'Pa. German Stove Plate' +p59876 +sg25270 +S'Charles Von Urban' +p59877 +sa(dp59878 +g25267 +g27 +sg25268 +S'Pa. German Stove Plate' +p59879 +sg25270 +S'Charles Von Urban' +p59880 +sa(dp59881 +g25267 +g27 +sg25268 +S'Pa. German Fireback' +p59882 +sg25270 +S'Charles Von Urban' +p59883 +sa(dp59884 +g25267 +g27 +sg25268 +S'Pa. German Jamb Stove (Five Plate)' +p59885 +sg25270 +S'Charles Von Urban' +p59886 +sa(dp59887 +g25267 +g27 +sg25268 +S"Pa. German Bride's Box" +p59888 +sg25270 +S'Frances Lichten' +p59889 +sa(dp59890 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a0005518.jpg' +p59891 +sg25268 +S'Dough Trough' +p59892 +sg25270 +S'M. Rosenshield-von-Paulin' +p59893 +sa(dp59894 +g25273 +S'bound volume with 54 hand-colored etchings and aquatints' +p59895 +sg25267 +g27 +sg25275 +S'published 1789/1791' +p59896 +sg25268 +S'Illustrations from "Gravures Historiques ..."' +p59897 +sg25270 +S'Jean-Fran\xc3\xa7ois Janinet' +p59898 +sa(dp59899 +g25267 +g27 +sg25268 +S'Pa. German Flat-iron Stand' +p59900 +sg25270 +S'Milton Grubstein' +p59901 +sa(dp59902 +g25267 +g27 +sg25268 +S'Pa. German Flat-iron Stand' +p59903 +sg25270 +S'Filippo Porreca' +p59904 +sa(dp59905 +g25267 +g27 +sg25268 +S'Pa. German Stove Plate' +p59906 +sg25270 +S'Charles Von Urban' +p59907 +sa(dp59908 +g25267 +g27 +sg25268 +S'Pa. German Stove Plate' +p59909 +sg25270 +S'Charles Von Urban' +p59910 +sa(dp59911 +g25267 +g27 +sg25268 +S'Pa. German Stove Plate' +p59912 +sg25270 +S'Charles Von Urban' +p59913 +sa(dp59914 +g25267 +g27 +sg25268 +S'Pa. German Stove Plate' +p59915 +sg25270 +S'Charles Von Urban' +p59916 +sa(dp59917 +g25267 +g27 +sg25268 +S'Pa. German Stove Plate' +p59918 +sg25270 +S'Charles Von Urban' +p59919 +sa(dp59920 +g25267 +g27 +sg25268 +S'Pa. German Stove Plate' +p59921 +sg25270 +S'Charles Von Urban' +p59922 +sa(dp59923 +g25267 +g27 +sg25268 +S'Pa. German Jamb Stove' +p59924 +sg25270 +S'Charles Von Urban' +p59925 +sa(dp59926 +g25267 +g27 +sg25268 +S'Pa. German Stove Plate' +p59927 +sg25270 +S'Charles Von Urban' +p59928 +sa(dp59929 +g25273 +S'French, 1709 - 1777' +p59930 +sg25267 +g27 +sg25275 +S'(author)' +p59931 +sg25268 +S'Oeuvres de Gresset (volume I)' +p59932 +sg25270 +S'Artist Information (' +p59933 +sa(dp59934 +g25267 +g27 +sg25268 +S'Pa. German Fire Back' +p59935 +sg25270 +S'Charles Von Urban' +p59936 +sa(dp59937 +g25267 +g27 +sg25268 +S'Pa. German Stove Plate' +p59938 +sg25270 +S'Moses' +p59939 +sa(dp59940 +g25267 +g27 +sg25268 +S'Pa. German Fire Back' +p59941 +sg25270 +S'Moses' +p59942 +sa(dp59943 +g25267 +g27 +sg25268 +S'Pa. German Springele Mold' +p59944 +sg25270 +S'Charles Von Urban' +p59945 +sa(dp59946 +g25267 +g27 +sg25268 +S'Pa. German Coffee Pot' +p59947 +sg25270 +S'Charles Von Urban' +p59948 +sa(dp59949 +g25267 +g27 +sg25268 +S'Pa. German Toy Bird' +p59950 +sg25270 +S'Charles Garjian' +p59951 +sa(dp59952 +g25267 +g27 +sg25268 +S'Pa. German Bird' +p59953 +sg25270 +S'Frances Lichten' +p59954 +sa(dp59955 +g25267 +g27 +sg25268 +S'Pa. German Butter Stamp' +p59956 +sg25270 +S'Charles Von Urban' +p59957 +sa(dp59958 +g25267 +g27 +sg25268 +S'Pa. German Meat Chopper' +p59959 +sg25270 +S'Nicholas Amantea' +p59960 +sa(dp59961 +g25267 +g27 +sg25268 +S'Pa. German Teapot' +p59962 +sg25270 +S'Eugene Shellady' +p59963 +sa(dp59964 +g25273 +S', published 1803' +p59965 +sg25267 +g27 +sg25275 +S'\n' +p59966 +sg25268 +S'Oeuvres de Gresset (volume II)' +p59967 +sg25270 +S'Jean-Baptiste-Louis Gresset' +p59968 +sa(dp59969 +g25267 +g27 +sg25268 +S'Pa. German Dish' +p59970 +sg25270 +S'William L. Antrim' +p59971 +sa(dp59972 +g25267 +g27 +sg25268 +S'Pa. German Dish' +p59973 +sg25270 +S'William L. Antrim' +p59974 +sa(dp59975 +g25267 +g27 +sg25268 +S'Pa. German Dish' +p59976 +sg25270 +S'William L. Antrim' +p59977 +sa(dp59978 +g25267 +g27 +sg25268 +S'Pa. German Tin Sconce' +p59979 +sg25270 +S'William L. Antrim' +p59980 +sa(dp59981 +g25267 +g27 +sg25268 +S'Pa. German Plate' +p59982 +sg25270 +S'Eugene Shellady' +p59983 +sa(dp59984 +g25267 +g27 +sg25268 +S'Pa. German Plate' +p59985 +sg25270 +S'William L. Antrim' +p59986 +sa(dp59987 +g25267 +g27 +sg25268 +S'Pa. German Dish' +p59988 +sg25270 +S'William L. Antrim' +p59989 +sa(dp59990 +g25267 +g27 +sg25268 +S'Pa. German Plate' +p59991 +sg25270 +S'Eugene Shellady' +p59992 +sa(dp59993 +g25267 +g27 +sg25268 +S'Pa. German Plate' +p59994 +sg25270 +S'William L. Antrim' +p59995 +sa(dp59996 +g25267 +g27 +sg25268 +S'Pa. German Plate' +p59997 +sg25270 +S'William L. Antrim' +p59998 +sa(dp59999 +g25273 +S', published 1803' +p60000 +sg25267 +g27 +sg25275 +S'\n' +p60001 +sg25268 +S'Oeuvres de Gresset (volume III)' +p60002 +sg25270 +S'Jean-Baptiste-Louis Gresset' +p60003 +sa(dp60004 +g25267 +g27 +sg25268 +S'Pa. German Pie Dish' +p60005 +sg25270 +S'C.W. Perky' +p60006 +sa(dp60007 +g25267 +g27 +sg25268 +S'Pa. German Plate' +p60008 +sg25270 +S'William L. Antrim' +p60009 +sa(dp60010 +g25267 +g27 +sg25268 +S'Pa. German Dish' +p60011 +sg25270 +S'William L. Antrim' +p60012 +sa(dp60013 +g25267 +g27 +sg25268 +S'Pa. German Jar' +p60014 +sg25270 +S'William L. Antrim' +p60015 +sa(dp60016 +g25267 +g27 +sg25268 +S'Pa. German Pie Plate' +p60017 +sg25270 +S'William L. Antrim' +p60018 +sa(dp60019 +g25267 +g27 +sg25268 +S'Pa. German Plate' +p60020 +sg25270 +S'William L. Antrim' +p60021 +sa(dp60022 +g25267 +g27 +sg25268 +S'Pa. German Plate' +p60023 +sg25270 +S'William L. Antrim' +p60024 +sa(dp60025 +g25267 +g27 +sg25268 +S'Pa. German Ship' +p60026 +sg25270 +S'Marie Lutrell' +p60027 +sa(dp60028 +g25267 +S"Ship models appeared frequently as children's toys; this one of hand-carved,\n painted wood is mounted on wheels to function as a pull toy. A particularly colorful\n and charming example, it dates from the early nineteenth century and is of Pennsylvania\n German origin. The model imitates a warship, and the figures of soldiers are appropriately\n costumed.\n " +p60029 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002da.jpg' +p60030 +sg25268 +S'Toy Warship' +p60031 +sg25270 +S'Frances Lichten' +p60032 +sa(dp60033 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00054/a00054f8.jpg' +p60034 +sg25268 +S'Pa. German Pins' +p60035 +sg25270 +S'Selma Sandler' +p60036 +sa(dp60037 +g25273 +S'(artist after)' +p60038 +sg25267 +g27 +sg25275 +S'\n' +p60039 +sg25268 +S'Jean-Baptiste-Louis Gresset' +p60040 +sg25270 +S'Artist Information (' +p60041 +sa(dp60042 +g25267 +g27 +sg25268 +S'Pa. German Weather Vane' +p60043 +sg25270 +S'Elmer R. Kottcamp' +p60044 +sa(dp60045 +g25267 +S'This coffeepot was made by Eben Smith, a pewterer and brazier from Beverly,\n Massachusetts. Beverly was a center of Britannia production in the mid-nineteenth\n century, and this piece may be of that alloy. Britannia is a type of pewter that\n contains a high percentage of tin with antimony added for hardness. It became\n popular in the nineteenth century because its shiny surface resembled silver and\n its hardness provided durability. Britannia was either cast like pewter or rolled\n into sheets and fashioned over wooden forms. Objects made of Britannia are usually\n thinner and lighter than those made of regular pewter. This coffeepot was designed\n in a modified lighthouse form with a domed lid topped by a small wooden knob. The\n S-shaped spout and scroll handle provide a boldness of form associated with Britannia\n ware. Encircling the body of this pot are rounded bands that were common on Britannia\n ware, because they served to strengthen the thin walls. The floral medallion on\n the side suggests the bright cut ornament often used for decoration by silversmiths.\n ' +p60046 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000308.jpg' +p60047 +sg25268 +S'Coffee Pot' +p60048 +sg25270 +S'Frank McEntee' +p60049 +sa(dp60050 +g25267 +g27 +sg25268 +S'Coffee Pot' +p60051 +sg25270 +S'Oscar Bluhme' +p60052 +sa(dp60053 +g25267 +S'From the seventeenth century to the nineteenth centuries, pewter was popular\n among middle class Americans for tableware and serving pieces, because it was\n more refined than wood and less costly than fine china. Pewter is an alloy\n of tin with varying combinations of copper, brass, lead, antimony, and bismuth.\n Because English law restricted the importation of raw tin into the colonies,\n pewterware was imported as a finished product. Colonial pewterers obtained their\n material by melting down worn-out pewter and recasting it into new forms.\n Brass molds, made by the pewterer himself, were most often used.\n After the piece was cast, it was skimmed on a lathe to make it smooth. The\n various components of a pewter object, such as the body, the foot, and the handle,\n were cast separately and soldered together. This pewter flagon was made in the\n early nineteenth century by the Boardman brothers. The Boardmans were a family\n with a tradition of pewtering, having inherited from their uncle, Samuel Boardman\n Danforth, many of the molds from which they cast their wares. This flagon is derived\n from Danforth styles. It was designed from a modified basin foot -- that is, the\n bottom of the piece was cast from a basin mold, inverted, and soldered to the body\n of the vessel. The handle is a double-C scroll, while the lid is a flattened dome.\n Though not all flagons were made with spouts, the Boardmans included one here.\n Flagons were originally used in homes to bring beer and cider to the table, but\n later ones, such as this, were often found in churches as part of the communion\n service.\n ' +p60054 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002e7.jpg' +p60055 +sg25268 +S'Pewter Flagon' +p60056 +sg25270 +S'Archie Thompson' +p60057 +sa(dp60058 +g25267 +g27 +sg25268 +S'Pewter Tankard' +p60059 +sg25270 +S'Oscar Bluhme' +p60060 +sa(dp60061 +g25267 +g27 +sg25268 +S'Plow' +p60062 +sg25270 +S'John Thorsen' +p60063 +sa(dp60064 +g25267 +g27 +sg25268 +S'Wooden Harrow or Cultivator' +p60065 +sg25270 +S'Wilbur M Rice' +p60066 +sa(dp60067 +g25267 +g27 +sg25268 +S'Powder Flask' +p60068 +sg25270 +S'Benjamin Von Lutze' +p60069 +sa(dp60070 +g25267 +g27 +sg25268 +S'Powder Horn' +p60071 +sg25270 +S'Alfred Koehn' +p60072 +sa(dp60073 +g25267 +g27 +sg25268 +S'Hunting Horn' +p60074 +sg25270 +S'Stanley Mazur' +p60075 +sa(dp60076 +g25273 +S'Italian, 65 - 8 B.C.' +p60077 +sg25267 +g27 +sg25275 +S'(author)' +p60078 +sg25268 +S'Quinti Horatii Flacci Opera (volume I)' +p60079 +sg25270 +S'Artist Information (' +p60080 +sa(dp60081 +g25267 +g27 +sg25268 +S'Pa. German Toy Soldier' +p60082 +sg25270 +S'Carl Strehlau' +p60083 +sa(dp60084 +g25267 +g27 +sg25268 +S'Pa. German Toy Stamping Mill' +p60085 +sg25270 +S'Frances Lichten' +p60086 +sa(dp60087 +g25267 +g27 +sg25268 +S'Pa. German Cradle with Doll & Coverlet' +p60088 +sg25270 +S'John Fisk' +p60089 +sa(dp60090 +g25267 +g27 +sg25268 +S'Pa. German Balancing Man' +p60091 +sg25270 +S'Mina Lowry' +p60092 +sa(dp60093 +g25267 +g27 +sg25268 +S'Pa. German Squirrel Figure' +p60094 +sg25270 +S'Arsen Maralian' +p60095 +sa(dp60096 +g25267 +g27 +sg25268 +S'Pa. German Bowl' +p60097 +sg25270 +S'Anna Aloisi' +p60098 +sa(dp60099 +g25267 +g27 +sg25268 +S'Pa. German Bowl' +p60100 +sg25270 +S'Hyman Pearlman' +p60101 +sa(dp60102 +g25267 +g27 +sg25268 +S'Pa. German Bowl' +p60103 +sg25270 +S'Ruth Bialostosky' +p60104 +sa(dp60105 +g25267 +g27 +sg25268 +S'Pa. German Deep Dish' +p60106 +sg25270 +S'Agnes Karlin' +p60107 +sa(dp60108 +g25267 +g27 +sg25268 +S'Pa. German Plate' +p60109 +sg25270 +S'Ella Josephine Sterling' +p60110 +sa(dp60111 +g25273 +S'Italian, 65 - 8 B.C.' +p60112 +sg25267 +g27 +sg25275 +S'(author)' +p60113 +sg25268 +S'Quinti Horatii Flacci Opera (volume II)' +p60114 +sg25270 +S'Artist Information (' +p60115 +sa(dp60116 +g25267 +g27 +sg25268 +S'Pa. German Watering Can' +p60117 +sg25270 +S'Margaret Stottlemeyer' +p60118 +sa(dp60119 +g25267 +g27 +sg25268 +S'Pa. German Plate' +p60120 +sg25270 +S'Lawrence Porth' +p60121 +sa(dp60122 +g25267 +g27 +sg25268 +S'Pa. German Plate' +p60123 +sg25270 +S'American 20th Century' +p60124 +sa(dp60125 +g25267 +g27 +sg25268 +S'Pa. German Chest' +p60126 +sg25270 +S'American 20th Century' +p60127 +sa(dp60128 +g25267 +g27 +sg25268 +S'Pa. German Coffee Pot' +p60129 +sg25270 +S'Florence Stevenson' +p60130 +sa(dp60131 +g25267 +g27 +sg25268 +S'Pa. German Flower Pot and Tray' +p60132 +sg25270 +S'William L. Antrim' +p60133 +sa(dp60134 +g25267 +g27 +sg25268 +S'Pa. German Plate' +p60135 +sg25270 +S'Eugene Shellady' +p60136 +sa(dp60137 +g25267 +g27 +sg25268 +S'Pa. German Plate' +p60138 +sg25270 +S'Paul Lauterbach' +p60139 +sa(dp60140 +g25267 +g27 +sg25268 +S'Pa. German Plate' +p60141 +sg25270 +S'Eugene Shellady' +p60142 +sa(dp60143 +g25267 +g27 +sg25268 +S'Pa. German Dish' +p60144 +sg25270 +S'Max Soltmann' +p60145 +sa(dp60146 +g25273 +S'French, 1747 - 1790' +p60147 +sg25267 +g27 +sg25275 +S'(author)' +p60148 +sg25268 +S'Historiettes ou nouvelles' +p60149 +sg25270 +S'Artist Information (' +p60150 +sa(dp60151 +g25267 +g27 +sg25268 +S'Pa. German Cider Jug' +p60152 +sg25270 +S'Charles T. Smith' +p60153 +sa(dp60154 +g25267 +g27 +sg25268 +S'Pa. German Pie Dish' +p60155 +sg25270 +S'Eugene Shellady' +p60156 +sa(dp60157 +g25267 +g27 +sg25268 +S'Pa. German Plate' +p60158 +sg25270 +S'William L. Antrim' +p60159 +sa(dp60160 +g25267 +g27 +sg25268 +S'Pewter Bowl' +p60161 +sg25270 +S'Henry Meyers' +p60162 +sa(dp60163 +g25267 +g27 +sg25268 +S'Pewter Cup' +p60164 +sg25270 +S'Henry Meyers' +p60165 +sa(dp60166 +g25267 +g27 +sg25268 +S'Pewter Tea Set' +p60167 +sg25270 +S'Beulah Bradleigh' +p60168 +sa(dp60169 +g25267 +g27 +sg25268 +S'Pewter Dram Bottle' +p60170 +sg25270 +S'Henry Meyers' +p60171 +sa(dp60172 +g25267 +g27 +sg25268 +S'Pewter Sugar Bowl' +p60173 +sg25270 +S'Charles Cullen' +p60174 +sa(dp60175 +g25267 +g27 +sg25268 +S'Pewter Pitcher' +p60176 +sg25270 +S'Hyman Pearlman' +p60177 +sa(dp60178 +g25267 +g27 +sg25268 +S'Pewter Cup' +p60179 +sg25270 +S'Eugene Barrell' +p60180 +sa(dp60181 +g25273 +S'French, 1741 - 1814' +p60182 +sg25267 +g27 +sg25275 +S'(artist after)' +p60183 +sg25268 +S'Plates from Imbert\'s "Le jugement de Paris..."' +p60184 +sg25270 +S'Artist Information (' +p60185 +sa(dp60186 +g25267 +g27 +sg25268 +S'Pewter Cup' +p60187 +sg25270 +S'Matthew Mangiacotti' +p60188 +sa(dp60189 +g25267 +g27 +sg25268 +S'Pewter Beaker' +p60190 +sg25270 +S'Harry Goodman' +p60191 +sa(dp60192 +g25267 +g27 +sg25268 +S'Pewter Pitcher' +p60193 +sg25270 +S'Alfred Nason' +p60194 +sa(dp60195 +g25267 +g27 +sg25268 +S'Pewter Beaker' +p60196 +sg25270 +S'A. Zaidenberg' +p60197 +sa(dp60198 +g25267 +g27 +sg25268 +S'Pewter Beaker' +p60199 +sg25270 +S'John Garay' +p60200 +sa(dp60201 +g25267 +g27 +sg25268 +S'Pewter Beaker' +p60202 +sg25270 +S'Anna Aloisi' +p60203 +sa(dp60204 +g25267 +g27 +sg25268 +S'Enameled Pewter Beaker' +p60205 +sg25270 +S'Harry Goodman' +p60206 +sa(dp60207 +g25267 +g27 +sg25268 +S'Pewter Beaker' +p60208 +sg25270 +S'A. Zaidenberg' +p60209 +sa(dp60210 +g25267 +g27 +sg25268 +S'Pewter Drinking Cup' +p60211 +sg25270 +S'Winslow Rich' +p60212 +sa(dp60213 +g25267 +g27 +sg25268 +S'Pewter Beaker' +p60214 +sg25270 +S'Gertrude Lemberg' +p60215 +sa(dp60216 +g25273 +S'French, 1734 - 1794' +p60217 +sg25267 +g27 +sg25275 +S'(author)' +p60218 +sg25268 +S'Choix de chansons (volume I)' +p60219 +sg25270 +S'Artist Information (' +p60220 +sa(dp60221 +g25267 +g27 +sg25268 +S'Pewter Pitcher' +p60222 +sg25270 +S'Rollington Campbell' +p60223 +sa(dp60224 +g25267 +g27 +sg25268 +S'Pewter Beaker' +p60225 +sg25270 +S'Eugene Barrell' +p60226 +sa(dp60227 +g25267 +g27 +sg25268 +S'Quill Pens' +p60228 +sg25270 +S'Erwin Schwabe' +p60229 +sa(dp60230 +g25267 +g27 +sg25268 +S'Ink Marking Pen' +p60231 +sg25270 +S'Edward Bashaw' +p60232 +sa(dp60233 +g25267 +g27 +sg25268 +S'Glass Pen' +p60234 +sg25270 +S'Amos C. Brinton' +p60235 +sa(dp60236 +g25267 +g27 +sg25268 +S'Refillable Pencil' +p60237 +sg25270 +S'Mary Fitzgerald' +p60238 +sa(dp60239 +g25267 +g27 +sg25268 +S'Pewter Cream Pitcher' +p60240 +sg25270 +S'Fritz Boehmer' +p60241 +sa(dp60242 +g25267 +g27 +sg25268 +S'Pewter Pitcher' +p60243 +sg25270 +S'Eugene Barrell' +p60244 +sa(dp60245 +g25267 +g27 +sg25268 +S'Pewter Pitcher' +p60246 +sg25270 +S'Francis Borelli' +p60247 +sa(dp60248 +g25267 +g27 +sg25268 +S'Pewter Pitcher' +p60249 +sg25270 +S'Max Schwartz' +p60250 +sa(dp60251 +g25273 +S'French, 1734 - 1794' +p60252 +sg25267 +g27 +sg25275 +S'(author)' +p60253 +sg25268 +S'Choix de chansons (volume II)' +p60254 +sg25270 +S'Artist Information (' +p60255 +sa(dp60256 +g25267 +g27 +sg25268 +S'Pewter Creamer' +p60257 +sg25270 +S'Henry Meyers' +p60258 +sa(dp60259 +g25267 +g27 +sg25268 +S'Pewter Creamer' +p60260 +sg25270 +S'Charles Cullen' +p60261 +sa(dp60262 +g25267 +g27 +sg25268 +S'Pewter Pitcher' +p60263 +sg25270 +S'Henry Meyers' +p60264 +sa(dp60265 +g25267 +g27 +sg25268 +S'Pewter Chalice' +p60266 +sg25270 +S'James Vail' +p60267 +sa(dp60268 +g25267 +g27 +sg25268 +S'Pewter Chalice' +p60269 +sg25270 +S'Eugene La Foret' +p60270 +sa(dp60271 +g25267 +g27 +sg25268 +S'Sacramental Ewer' +p60272 +sg25270 +S'Aaron Fastovsky' +p60273 +sa(dp60274 +g25267 +g27 +sg25268 +S'Pewter Chalice' +p60275 +sg25270 +S'Arthur Stewart' +p60276 +sa(dp60277 +g25267 +g27 +sg25268 +S'Pewter Chalice' +p60278 +sg25270 +S'Henry Meyers' +p60279 +sa(dp60280 +g25267 +g27 +sg25268 +S'Pewter Chalice' +p60281 +sg25270 +S'Henry Meyers' +p60282 +sa(dp60283 +g25267 +g27 +sg25268 +S'Pewter Chalice' +p60284 +sg25270 +S'Henry Meyers' +p60285 +sa(dp60286 +g25273 +S'French, 1734 - 1794' +p60287 +sg25267 +g27 +sg25275 +S'(author)' +p60288 +sg25268 +S'Choix de chansons (volume III)' +p60289 +sg25270 +S'Artist Information (' +p60290 +sa(dp60291 +g25267 +g27 +sg25268 +S'Pewter Caster' +p60292 +sg25270 +S'J. Howard Iams' +p60293 +sa(dp60294 +g25267 +g27 +sg25268 +S'Pewter Caster' +p60295 +sg25270 +S'Eugene Barrell' +p60296 +sa(dp60297 +g25267 +g27 +sg25268 +S'Pewter Coffee Pot' +p60298 +sg25270 +S'Harry Mann Waddell' +p60299 +sa(dp60300 +g25267 +g27 +sg25268 +S'Pewter Coffee Pot' +p60301 +sg25270 +S'Eugene Barrell' +p60302 +sa(dp60303 +g25267 +g27 +sg25268 +S'Pewter Coffee Pot' +p60304 +sg25270 +S'Eugene Barrell' +p60305 +sa(dp60306 +g25267 +g27 +sg25268 +S'Pewter Coffee Pot' +p60307 +sg25270 +S'Eugene Barrell' +p60308 +sa(dp60309 +g25267 +g27 +sg25268 +S'Pewter Coffee Pot' +p60310 +sg25270 +S'Eugene Barrell' +p60311 +sa(dp60312 +g25267 +g27 +sg25268 +S'Pewter Coffee Pot' +p60313 +sg25270 +S'Robert Brigadier' +p60314 +sa(dp60315 +g25267 +g27 +sg25268 +S'Pewter Coffee Pot' +p60316 +sg25270 +S'Herman Bader' +p60317 +sa(dp60318 +g25267 +g27 +sg25268 +S'Pewter Flagon' +p60319 +sg25270 +S'Eugene Barrell' +p60320 +sa(dp60321 +g25273 +S'French, 1734 - 1794' +p60322 +sg25267 +g27 +sg25275 +S'(author)' +p60323 +sg25268 +S'Choix de chansons (volume IV)' +p60324 +sg25270 +S'Artist Information (' +p60325 +sa(dp60326 +g25267 +g27 +sg25268 +S'Pewter Coffee Urn' +p60327 +sg25270 +S'Philip Johnson' +p60328 +sa(dp60329 +g25267 +g27 +sg25268 +S'Pewter Coffee Pot' +p60330 +sg25270 +S'Henry Meyers' +p60331 +sa(dp60332 +g25267 +g27 +sg25268 +S'Pewter Coffee Pot' +p60333 +sg25270 +S'Dana Bartlett' +p60334 +sa(dp60335 +g25267 +g27 +sg25268 +S'Pewter Coffee Pot' +p60336 +sg25270 +S'Holger Hansen' +p60337 +sa(dp60338 +g25267 +g27 +sg25268 +S'Pewter Coffee Pot' +p60339 +sg25270 +S'Eugene Barrell' +p60340 +sa(dp60341 +g25267 +g27 +sg25268 +S'Pewter Coffee Pot' +p60342 +sg25270 +S'Eugene Barrell' +p60343 +sa(dp60344 +g25267 +g27 +sg25268 +S'Pewter Coffee Pot' +p60345 +sg25270 +S'Burton Ewing' +p60346 +sa(dp60347 +g25267 +g27 +sg25268 +S'Pewter Coffee Pot' +p60348 +sg25270 +S'A. Zaidenberg' +p60349 +sa(dp60350 +g25267 +g27 +sg25268 +S'Pewter Bowl' +p60351 +sg25270 +S'Henry Meyers' +p60352 +sa(dp60353 +g25267 +g27 +sg25268 +S'Pewter Flask' +p60354 +sg25270 +S'Charles Johnson' +p60355 +sa(dp60356 +g25273 +S'French, 1621 - 1695' +p60357 +sg25267 +g27 +sg25275 +S'(author)' +p60358 +sg25268 +S'Les amours de Psyche et de Cupidon' +p60359 +sg25270 +S'Artist Information (' +p60360 +sa(dp60361 +g25267 +g27 +sg25268 +S'Pewter Sugar Bowl' +p60362 +sg25270 +S'Helen Bronson' +p60363 +sa(dp60364 +g25267 +g27 +sg25268 +S'Pewter Sugar Bowl' +p60365 +sg25270 +S'Anne B. Trepagnier' +p60366 +sa(dp60367 +g25267 +g27 +sg25268 +S'Pewter Salt or Sugar Bowl' +p60368 +sg25270 +S'Sara Garfinkel' +p60369 +sa(dp60370 +g25267 +g27 +sg25268 +S'Pewter Box with Two Compartments' +p60371 +sg25270 +S'Harry Goodman' +p60372 +sa(dp60373 +g25267 +g27 +sg25268 +S'Pewter Sugar Bowl' +p60374 +sg25270 +S'Harry Goodman' +p60375 +sa(dp60376 +g25267 +g27 +sg25268 +S'Pewter Sugar Bowl' +p60377 +sg25270 +S'Sidney Liswood' +p60378 +sa(dp60379 +g25267 +g27 +sg25268 +S'Enamel Pitcher' +p60380 +sg25270 +S'Richard Taylor' +p60381 +sa(dp60382 +g25267 +g27 +sg25268 +S'Pewter Tankard' +p60383 +sg25270 +S'Arsen Maralian' +p60384 +sa(dp60385 +g25267 +g27 +sg25268 +S'Pewter Mug' +p60386 +sg25270 +S'Sidney Liswood' +p60387 +sa(dp60388 +g25267 +g27 +sg25268 +S'Pewter Mug' +p60389 +sg25270 +S'Henry Meyers' +p60390 +sa(dp60391 +g25273 +S'Widener Collection' +p60392 +sg25267 +g27 +sg25275 +S'\nbound volume with 18 etch. and engr. (includes trial proofs) by Audouin, Dambruh, Duhamel, Dupreel, de Ghendt, Halbou, Petit & Simonet after Rigault and J.M. Moreau for the 1795 ed. of La Fontaine\'s "Les amours de Psyche et Cupidon ..."' +p60393 +sg25268 +S'Album of Prints for La Fontaine\'s "Les amours de Psyche et Cupidon"' +p60394 +sg25270 +S'Various Artists' +p60395 +sa(dp60396 +g25267 +g27 +sg25268 +S'Pewter Mug' +p60397 +sg25270 +S'Charles Cullen' +p60398 +sa(dp60399 +g25267 +g27 +sg25268 +S'Pewter Mug' +p60400 +sg25270 +S'Filippo Porreca' +p60401 +sa(dp60402 +g25267 +g27 +sg25268 +S'Pewter Tankard' +p60403 +sg25270 +S'Henry Meyers' +p60404 +sa(dp60405 +g25267 +g27 +sg25268 +S'Pewter Mug' +p60406 +sg25270 +S'Henry Meyers' +p60407 +sa(dp60408 +g25267 +g27 +sg25268 +S'Pewter Mug' +p60409 +sg25270 +S'Henry Meyers' +p60410 +sa(dp60411 +g25267 +g27 +sg25268 +S'Britannia Mug' +p60412 +sg25270 +S'Joseph Wolins' +p60413 +sa(dp60414 +g25267 +g27 +sg25268 +S'Pewter Mug' +p60415 +sg25270 +S'Filippo Porreca' +p60416 +sa(dp60417 +g25267 +g27 +sg25268 +S'Pewter Mug' +p60418 +sg25270 +S'Henry Meyers' +p60419 +sa(dp60420 +g25267 +g27 +sg25268 +S'Pewter Mug' +p60421 +sg25270 +S'A. 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Zimet' +p60579 +sa(dp60580 +g25267 +g27 +sg25268 +S'Pewter Pitcher' +p60581 +sg25270 +S'Charles Cullen' +p60582 +sa(dp60583 +g25267 +g27 +sg25268 +S'Pewter Pitcher' +p60584 +sg25270 +S'Sidney Liswood' +p60585 +sa(dp60586 +g25267 +g27 +sg25268 +S'Pewter Pitcher' +p60587 +sg25270 +S'Henry Granet' +p60588 +sa(dp60589 +g25267 +g27 +sg25268 +S'Pewter Pitcher' +p60590 +sg25270 +S'Sidney Liswood' +p60591 +sa(dp60592 +g25267 +g27 +sg25268 +S'Pewter Water Pitcher' +p60593 +sg25270 +S'Arsen Maralian' +p60594 +sa(dp60595 +g25267 +g27 +sg25268 +S'Pewter Pan' +p60596 +sg25270 +S'Arsen Maralian' +p60597 +sa(dp60598 +g25267 +g27 +sg25268 +S'Pewter Plate' +p60599 +sg25270 +S'Charles Cullen' +p60600 +sa(dp60601 +g25273 +S'graphite on vellum' +p60602 +sg25267 +g27 +sg25275 +S'published 1762' +p60603 +sg25268 +S'Promettre est un et tenir un autre' +p60604 +sg25270 +S'Charles Eisen' +p60605 +sa(dp60606 +g25267 +g27 +sg25268 +S'Pewter Plate' +p60607 +sg25270 +S'Harry Goodman' +p60608 +sa(dp60609 +g25267 +g27 +sg25268 +S'Pewter Platter' +p60610 +sg25270 +S'Harry Goodman' +p60611 +sa(dp60612 +g25267 +g27 +sg25268 +S'Pewter Basin' +p60613 +sg25270 +S'Harry Goodman' +p60614 +sa(dp60615 +g25267 +g27 +sg25268 +S'Pewter Plate' +p60616 +sg25270 +S'Geoffrey Holt' +p60617 +sa(dp60618 +g25267 +g27 +sg25268 +S'Pewter Ladle' +p60619 +sg25270 +S'Henry Meyers' +p60620 +sa(dp60621 +g25267 +g27 +sg25268 +S'Pewter Ladle' +p60622 +sg25270 +S'Meyer Goldbaum' +p60623 +sa(dp60624 +g25267 +g27 +sg25268 +S'Pewter Spoon' +p60625 +sg25270 +S'Henry Meyers' +p60626 +sa(dp60627 +g25267 +g27 +sg25268 +S'Pewter Ladle' +p60628 +sg25270 +S'Matthew Mangiacotti' +p60629 +sa(dp60630 +g25267 +g27 +sg25268 +S'Pewter Spoon' +p60631 +sg25270 +S'Grace Halpin' +p60632 +sa(dp60633 +g25267 +g27 +sg25268 +S'Pewter Spoon' +p60634 +sg25270 +S'Burton Ewing' +p60635 +sa(dp60636 +g25273 +S'French, 1621 - 1695' +p60637 +sg25267 +g27 +sg25275 +S'(author)' +p60638 +sg25268 +S'Contes et nouvelles en vers (volume I)' +p60639 +sg25270 +S'Artist Information (' +p60640 +sa(dp60641 +g25267 +g27 +sg25268 +S'American Pewter Kerfoot' +p60642 +sg25270 +S'Henry Meyers' +p60643 +sa(dp60644 +g25267 +g27 +sg25268 +S'Pewter Porringer' +p60645 +sg25270 +S'Charles Cullen' +p60646 +sa(dp60647 +g25267 +g27 +sg25268 +S'Pewter Porringer' +p60648 +sg25270 +S'Eugene Barrell' +p60649 +sa(dp60650 +g25267 +g27 +sg25268 +S'Pewter Porringer' +p60651 +sg25270 +S'Louis Annino' +p60652 +sa(dp60653 +g25267 +g27 +sg25268 +S'Pewter Porringer' +p60654 +sg25270 +S'Charles Cullen' +p60655 +sa(dp60656 +g25267 +g27 +sg25268 +S'Pewter Porringer' +p60657 +sg25270 +S'Charles Cullen' +p60658 +sa(dp60659 +g25267 +g27 +sg25268 +S'Pewter Porringer' +p60660 +sg25270 +S'Charles Cullen' +p60661 +sa(dp60662 +g25267 +g27 +sg25268 +S'Pewter Porringer' +p60663 +sg25270 +S'Charles Cullen' +p60664 +sa(dp60665 +g25267 +g27 +sg25268 +S'Pewter Porringer' +p60666 +sg25270 +S'Charles Cullen' +p60667 +sa(dp60668 +g25267 +g27 +sg25268 +S'Pewter Porringer' +p60669 +sg25270 +S'A. 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Fletcher' +p61405 +sa(dp61406 +g25267 +g27 +sg25268 +S'Saw' +p61407 +sg25270 +S'Frank Budash' +p61408 +sa(dp61409 +g25267 +g27 +sg25268 +S'Sauerkraut Stomper' +p61410 +sg25270 +S'Edward Unger' +p61411 +sa(dp61412 +g25273 +S'Greek, active 3rd century' +p61413 +sg25267 +g27 +sg25275 +S'(author)' +p61414 +sg25268 +S'Les amours pastorales de Daphnis et de Chlo\xc3\xa9' +p61415 +sg25270 +S'Artist Information (' +p61416 +sa(dp61417 +g25267 +g27 +sg25268 +S'Iron Pot with Cover' +p61418 +sg25270 +S'Artist Information (' +p61419 +sa(dp61420 +g25267 +g27 +sg25268 +S'Skillet' +p61421 +sg25270 +S'William Frank' +p61422 +sa(dp61423 +g25267 +g27 +sg25268 +S'Onion Kettle' +p61424 +sg25270 +S'Harry Jennings' +p61425 +sa(dp61426 +g25267 +g27 +sg25268 +S'Skillet' +p61427 +sg25270 +S'Rollington Campbell' +p61428 +sa(dp61429 +g25267 +g27 +sg25268 +S'Sauce Pan' +p61430 +sg25270 +S'Roy Weber' +p61431 +sa(dp61432 +g25267 +g27 +sg25268 +S'Skillet' +p61433 +sg25270 +S'John H. Tercuzzi' +p61434 +sa(dp61435 +g25267 +g27 +sg25268 +S'Pot with Legs' +p61436 +sg25270 +S'Artist Information (' +p61437 +sa(dp61438 +g25267 +g27 +sg25268 +S'Sand Shaker' +p61439 +sg25270 +S'Renee A. Monfalcone' +p61440 +sa(dp61441 +g25267 +g27 +sg25268 +S'Ink Sander' +p61442 +sg25270 +S'Frank Gray' +p61443 +sa(dp61444 +g25267 +g27 +sg25268 +S'Sander' +p61445 +sg25270 +S'Aaron Fastovsky' +p61446 +sa(dp61447 +g25268 +S'A Gentleman in Adoration before the Madonna' +p61448 +sg25270 +S'Giovanni Battista Moroni' +p61449 +sg25273 +S'oil on canvas' +p61450 +sg25275 +S'c. 1560' +p61451 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a0000817.jpg' +p61452 +sg25267 +g27 +sa(dp61453 +g25273 +S'Greek, active 3rd century' +p61454 +sg25267 +g27 +sg25275 +S'(author)' +p61455 +sg25268 +S'Longi Pastoralium de Daphnide et Chloe (volume I)' +p61456 +sg25270 +S'Artist Information (' +p61457 +sa(dp61458 +g25267 +g27 +sg25268 +S'Sand Shaker' +p61459 +sg25270 +S'M. Louise Kent' +p61460 +sa(dp61461 +g25267 +g27 +sg25268 +S'Sand Shaker' +p61462 +sg25270 +S'M. Louise Kent' +p61463 +sa(dp61464 +g25267 +g27 +sg25268 +S'Sand Shaker' +p61465 +sg25270 +S'Jessie M. Youngs' +p61466 +sa(dp61467 +g25267 +g27 +sg25268 +S'Sand Box and Seal' +p61468 +sg25270 +S'Claude Marshall' +p61469 +sa(dp61470 +g25267 +g27 +sg25268 +S'Sand Blotter' +p61471 +sg25270 +S'Milton Bevier' +p61472 +sa(dp61473 +g25267 +g27 +sg25268 +S'Letter Sander' +p61474 +sg25270 +S'Cora Parker' +p61475 +sa(dp61476 +g25267 +g27 +sg25268 +S'Top of Letter Sander' +p61477 +sg25270 +S'Cora Parker' +p61478 +sa(dp61479 +g25267 +g27 +sg25268 +S'Sand Sifter' +p61480 +sg25270 +S'Edward L. Loper' +p61481 +sa(dp61482 +g25267 +g27 +sg25268 +S'Pewter Salt Shaker' +p61483 +sg25270 +S'Orrie McCombs' +p61484 +sa(dp61485 +g25267 +g27 +sg25268 +S'Salt Shaker' +p61486 +sg25270 +S'Henry Meyers' +p61487 +sa(dp61488 +g25273 +S', published 1778' +p61489 +sg25267 +g27 +sg25275 +S'\n' +p61490 +sg25268 +S'Longi Pastoralium de Daphnide et Chloe (volume II)' +p61491 +sg25270 +S'Longus' +p61492 +sa(dp61493 +g25267 +g27 +sg25268 +S'Salt Shaker' +p61494 +sg25270 +S'Henry Meyers' +p61495 +sa(dp61496 +g25267 +g27 +sg25268 +S'Salt Shaker' +p61497 +sg25270 +S'Henry Meyers' +p61498 +sa(dp61499 +g25267 +g27 +sg25268 +S'Safe' +p61500 +sg25270 +S'Joseph L. Boyd' +p61501 +sa(dp61502 +g25267 +g27 +sg25268 +S"Physicians's Saddle Bag" +p61503 +sg25270 +S'Ray Price' +p61504 +sa(dp61505 +g25267 +g27 +sg25268 +S'Glass Rolling Pin' +p61506 +sg25270 +S'Amos C. Brinton' +p61507 +sa(dp61508 +g25267 +g27 +sg25268 +S'Dough Rolling Pin' +p61509 +sg25270 +S'Manuel G. Runyan' +p61510 +sa(dp61511 +g25267 +g27 +sg25268 +S'Roasing Oven' +p61512 +sg25270 +S'Samuel Fineman' +p61513 +sa(dp61514 +g25267 +g27 +sg25268 +S'Rolling PIn' +p61515 +sg25270 +S'Augustine Haugland' +p61516 +sa(dp61517 +g25267 +g27 +sg25268 +S'Wooden Scoop' +p61518 +sg25270 +S'Eugene Bartz' +p61519 +sa(dp61520 +g25267 +g27 +sg25268 +S'Scouring Box' +p61521 +sg25270 +S'M. Rosenshield-von-Paulin' +p61522 +sa(dp61523 +g25273 +S'French, 1760 - 1797' +p61524 +sg25267 +g27 +sg25275 +S'(author)' +p61525 +sg25268 +S'Les amours du chevalier de Faublas (volume I)' +p61526 +sg25270 +S'Artist Information (' +p61527 +sa(dp61528 +g25267 +g27 +sg25268 +S'Wooden Meal Scoop' +p61529 +sg25270 +S'Gene Luedke' +p61530 +sa(dp61531 +g25267 +g27 +sg25268 +S'Grain Scoop' +p61532 +sg25270 +S'Mary Hansen' +p61533 +sa(dp61534 +g25267 +g27 +sg25268 +S'Grain Scoop' +p61535 +sg25270 +S'LeRoy Griffith' +p61536 +sa(dp61537 +g25267 +g27 +sg25268 +S'Scoop' +p61538 +sg25270 +S'Michael Dadante' +p61539 +sa(dp61540 +g25267 +g27 +sg25268 +S'Boudoir Set' +p61541 +sg25270 +S'Hugh Clarke' +p61542 +sa(dp61543 +g25267 +g27 +sg25268 +S'Scissors' +p61544 +sg25270 +S'Roberta Elvis' +p61545 +sa(dp61546 +g25267 +g27 +sg25268 +S'Scissors' +p61547 +sg25270 +S'Walter Praefke' +p61548 +sa(dp61549 +g25267 +g27 +sg25268 +S'Scissors' +p61550 +sg25270 +S'Wellington Blewett' +p61551 +sa(dp61552 +g25267 +g27 +sg25268 +S'Scales' +p61553 +sg25270 +S'Peter Connin' +p61554 +sa(dp61555 +g25267 +g27 +sg25268 +S'Weighing Scale' +p61556 +sg25270 +S'Richard Taylor' +p61557 +sa(dp61558 +g25273 +S'French, 1760 - 1797' +p61559 +sg25267 +g27 +sg25275 +S'(author)' +p61560 +sg25268 +S'Les amours du chevalier de Faublas (volume II)' +p61561 +sg25270 +S'Artist Information (' +p61562 +sa(dp61563 +g25267 +g27 +sg25268 +S'Scales' +p61564 +sg25270 +S'Harry Grossen' +p61565 +sa(dp61566 +g25267 +g27 +sg25268 +S'Steel Yard' +p61567 +sg25270 +S'Frank M. Keane' +p61568 +sa(dp61569 +g25267 +g27 +sg25268 +S'Iron Scales' +p61570 +sg25270 +S'Samuel Fineman' +p61571 +sa(dp61572 +g25267 +g27 +sg25268 +S'Scale' +p61573 +sg25270 +S'Max Unger' +p61574 +sa(dp61575 +g25267 +g27 +sg25268 +S'Scales for Weighing Gold' +p61576 +sg25270 +S'Robert W.R. Taylor' +p61577 +sa(dp61578 +g25267 +g27 +sg25268 +S'Scales' +p61579 +sg25270 +S'Broda' +p61580 +sa(dp61581 +g25267 +g27 +sg25268 +S'Buck Saw' +p61582 +sg25270 +S'Lloyd Charles Lemcke' +p61583 +sa(dp61584 +g25267 +g27 +sg25268 +S'Handmade Saw' +p61585 +sg25270 +S'Evelyn Bailey' +p61586 +sa(dp61587 +g25267 +g27 +sg25268 +S'Whipsaw' +p61588 +sg25270 +S'William Hoffman' +p61589 +sa(dp61590 +g25267 +g27 +sg25268 +S'Saw' +p61591 +sg25270 +S'Edward Unger' +p61592 +sa(dp61593 +g25273 +S'French, 1760 - 1797' +p61594 +sg25267 +g27 +sg25275 +S'(author)' +p61595 +sg25268 +S'Les amours du chevalier de Faublas (volume III)' +p61596 +sg25270 +S'Artist Information (' +p61597 +sa(dp61598 +g25267 +g27 +sg25268 +S'Bucksaw' +p61599 +sg25270 +S'Henry Waldeck' +p61600 +sa(dp61601 +g25267 +g27 +sg25268 +S'Saw' +p61602 +sg25270 +S'Charles Charon' +p61603 +sa(dp61604 +g25267 +g27 +sg25268 +S'Coopersmith Saw' +p61605 +sg25270 +S'Lloyd Charles Lemcke' +p61606 +sa(dp61607 +g25267 +g27 +sg25268 +S'Hack Saw' +p61608 +sg25270 +S'Paul Poffinbarger' +p61609 +sa(dp61610 +g25267 +g27 +sg25268 +S'Sausage Stuffer' +p61611 +sg25270 +S'J. Howard Iams' +p61612 +sa(dp61613 +g25267 +g27 +sg25268 +S'Bologna Stuffer' +p61614 +sg25270 +S'Richard Taylor' +p61615 +sa(dp61616 +g25267 +g27 +sg25268 +S'Sausage Stuffer' +p61617 +sg25270 +S'Samuel Fineman' +p61618 +sa(dp61619 +g25267 +g27 +sg25268 +S'Sausage Stuffer' +p61620 +sg25270 +S'Raymond Manupelli' +p61621 +sa(dp61622 +g25267 +g27 +sg25268 +S'Shaker Visionary Image' +p61623 +sg25270 +S'American 20th Century' +p61624 +sa(dp61625 +g25267 +g27 +sg25268 +S'Shaker Visionary Image' +p61626 +sg25270 +S'American 20th Century' +p61627 +sa(dp61628 +g25273 +S'French, 1760 - 1797' +p61629 +sg25267 +g27 +sg25275 +S'(author)' +p61630 +sg25268 +S'Les amours du chevalier de Faublas (volume IV)' +p61631 +sg25270 +S'Artist Information (' +p61632 +sa(dp61633 +g25267 +g27 +sg25268 +S'Shaker Visionary Image' +p61634 +sg25270 +S'American 20th Century' +p61635 +sa(dp61636 +g25267 +g27 +sg25268 +S'Shaker Visionary Image' +p61637 +sg25270 +S'American 20th Century' +p61638 +sa(dp61639 +g25267 +g27 +sg25268 +S'Hummingbird Holder' +p61640 +sg25270 +S'Christabel Scrymser' +p61641 +sa(dp61642 +g25267 +g27 +sg25268 +S'Sewing Holder' +p61643 +sg25270 +S'Ernest A. Towers, Jr.' +p61644 +sa(dp61645 +g25267 +g27 +sg25268 +S'Sewing Bird' +p61646 +sg25270 +S'Archie Thompson' +p61647 +sa(dp61648 +g25267 +g27 +sg25268 +S'Sewing Bird' +p61649 +sg25270 +S'William Spiecker' +p61650 +sa(dp61651 +g25267 +g27 +sg25268 +S'Sewing Bird' +p61652 +sg25270 +S'Frank McEntee' +p61653 +sa(dp61654 +g25267 +g27 +sg25268 +S'Sewing Bird' +p61655 +sg25270 +S'Robert Clark' +p61656 +sa(dp61657 +g25267 +g27 +sg25268 +S'Sewing Bird' +p61658 +sg25270 +S'Frances Lichten' +p61659 +sa(dp61660 +g25267 +g27 +sg25268 +S'Sewing Bird' +p61661 +sg25270 +S'Edward A. Darby' +p61662 +sa(dp61663 +g25273 +S'Italian, c. 99 - 55 B.C.' +p61664 +sg25267 +g27 +sg25275 +S'(author)' +p61665 +sg25268 +S'Di Tito Lucrezio Caro (volume I)' +p61666 +sg25270 +S'Artist Information (' +p61667 +sa(dp61668 +g25267 +g27 +sg25268 +S'Sewing Bird' +p61669 +sg25270 +S'Frank McEntee' +p61670 +sa(dp61671 +g25267 +g27 +sg25268 +S'Sewing Bird' +p61672 +sg25270 +S'Charlotte Winter' +p61673 +sa(dp61674 +g25267 +g27 +sg25268 +S'Scrimshaw' +p61675 +sg25270 +S'Oscar Bluhme' +p61676 +sa(dp61677 +g25267 +g27 +sg25268 +S'Horn' +p61678 +sg25270 +S'Carl Strehlau' +p61679 +sa(dp61680 +g25267 +g27 +sg25268 +S'Horn Cup' +p61681 +sg25270 +S'Florian Rokita' +p61682 +sa(dp61683 +g25267 +g27 +sg25268 +S'Scrimshaw' +p61684 +sg25270 +S'Edith Miller' +p61685 +sa(dp61686 +g25267 +g27 +sg25268 +S'Scrimshaw' +p61687 +sg25270 +S'Paul Ward' +p61688 +sa(dp61689 +g25267 +g27 +sg25268 +S'Cup of Horn' +p61690 +sg25270 +S'Cornelius Christoffels' +p61691 +sa(dp61692 +g25267 +g27 +sg25268 +S'Scrimshaw' +p61693 +sg25270 +S'Paul Ward' +p61694 +sa(dp61695 +g25267 +g27 +sg25268 +S'Scrimshaw' +p61696 +sg25270 +S'Paul Ward' +p61697 +sa(dp61698 +g25273 +S'Italian, c. 99 - 55 B.C.' +p61699 +sg25267 +g27 +sg25275 +S'(author)' +p61700 +sg25268 +S'Di Tito Lucrezio Caro (volume II)' +p61701 +sg25270 +S'Artist Information (' +p61702 +sa(dp61703 +g25267 +g27 +sg25268 +S"Whale's Tooth" +p61704 +sg25270 +S'Carl Strehlau' +p61705 +sa(dp61706 +g25267 +g27 +sg25268 +S"Whale's Tooth" +p61707 +sg25270 +S'Carl Strehlau' +p61708 +sa(dp61709 +g25267 +g27 +sg25268 +S"Lead Miner's Screen" +p61710 +sg25270 +S'Frank Volem' +p61711 +sa(dp61712 +g25267 +g27 +sg25268 +S'Turpentine Scraper' +p61713 +sg25270 +S'Fred Hassebrock' +p61714 +sa(dp61715 +g25267 +g27 +sg25268 +S'Oven Scraper' +p61716 +sg25270 +S'Maurice Van Felix' +p61717 +sa(dp61718 +g25267 +g27 +sg25268 +S'Oven Scraper' +p61719 +sg25270 +S'Jacob Lipkin' +p61720 +sa(dp61721 +g25267 +g27 +sg25268 +S'Wash Board' +p61722 +sg25270 +S'Mary Hansen' +p61723 +sa(dp61724 +g25267 +g27 +sg25268 +S'Scouring Board' +p61725 +sg25270 +S'Max Fernekes' +p61726 +sa(dp61727 +g25267 +g27 +sg25268 +S'Grain Shovel' +p61728 +sg25270 +S'Mary Hansen' +p61729 +sa(dp61730 +g25267 +g27 +sg25268 +S'Scouring Board' +p61731 +sg25270 +S'M. Rosenshield-von-Paulin' +p61732 +sa(dp61733 +g25273 +S', published 1796' +p61734 +sg25267 +g27 +sg25275 +S'\n' +p61735 +sg25268 +S'Oeuvres choisies de Malherbe' +p61736 +sg25270 +S'Francois de Malherbe' +p61737 +sa(dp61738 +g25267 +g27 +sg25268 +S'Grain Scoop' +p61739 +sg25270 +S'LeRoy Griffith' +p61740 +sa(dp61741 +g25267 +g27 +sg25268 +S'Shaker Medicine Chest' +p61742 +sg25270 +S'William Paul Childers' +p61743 +sa(dp61744 +g25267 +g27 +sg25268 +S'Shaker Room Cupboard' +p61745 +sg25270 +S'George V. Vezolles' +p61746 +sa(dp61747 +g25267 +g27 +sg25268 +S'Grain Scoop' +p61748 +sg25270 +S'Isidore Danziger' +p61749 +sa(dp61750 +g25267 +g27 +sg25268 +S'Shaker Visionary Image' +p61751 +sg25270 +S'American 20th Century' +p61752 +sa(dp61753 +g25267 +S'To make work more efficient, Shakers adapted many common items to specific\n purposes. This bean sieve was made by adding holes to the bottom of a basic basket\n design. The careful workmanship and perfect symmetry of the weave suggest the high\n standard of quality required of even the simplest articles.\n ' +p61754 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000037d.jpg' +p61755 +sg25268 +S'Shaker Basket' +p61756 +sg25270 +S'Alfred H. Smith' +p61757 +sa(dp61758 +g25267 +g27 +sg25268 +S'Sewing Machine' +p61759 +sg25270 +S'Paul Poffinbarger' +p61760 +sa(dp61761 +g25267 +g27 +sg25268 +S'Sewing Machine' +p61762 +sg25270 +S'Clyde L. Cheney' +p61763 +sa(dp61764 +g25267 +g27 +sg25268 +S'Sewing Machine' +p61765 +sg25270 +S'John H. Tercuzzi' +p61766 +sa(dp61767 +g25267 +g27 +sg25268 +S'Sewing Machine' +p61768 +sg25270 +S'Harold Oldfield' +p61769 +sa(dp61770 +g25273 +S'etching and engraving' +p61771 +sg25267 +g27 +sg25275 +S'1814' +p61772 +sg25268 +S'Francois de Malherbe' +p61773 +sg25270 +S'Simon Jacques Rochard' +p61774 +sa(dp61775 +g25267 +g27 +sg25268 +S'Pincushion' +p61776 +sg25270 +S'M. Louise Kent' +p61777 +sa(dp61778 +g25267 +g27 +sg25268 +S'Sewing Container' +p61779 +sg25270 +S'Margaret Stottlemeyer' +p61780 +sa(dp61781 +g25267 +g27 +sg25268 +S'Needle Case' +p61782 +sg25270 +S'Samuel O. Klein' +p61783 +sa(dp61784 +g25267 +g27 +sg25268 +S'Sewing Kit and Spool Box' +p61785 +sg25270 +S'Edward L. Loper' +p61786 +sa(dp61787 +g25267 +g27 +sg25268 +S'Sewing Box' +p61788 +sg25270 +S'George H. Alexander' +p61789 +sa(dp61790 +g25267 +g27 +sg25268 +S"Sailor's Sewing Kit" +p61791 +sg25270 +S'Samuel Faigin' +p61792 +sa(dp61793 +g25267 +g27 +sg25268 +S'Sewing Basket' +p61794 +sg25270 +S'Regina Henderer' +p61795 +sa(dp61796 +g25267 +g27 +sg25268 +S'Sewing Cabinet' +p61797 +sg25270 +S'Robert A. Young' +p61798 +sa(dp61799 +g25267 +g27 +sg25268 +S'Sewing Box' +p61800 +sg25270 +S'Columbus Simpson' +p61801 +sa(dp61802 +g25267 +g27 +sg25268 +S'Birch Bark Sewing Basket' +p61803 +sg25270 +S'John Cooke' +p61804 +sa(dp61805 +g25268 +S'Madonna and Child with Angels' +p61806 +sg25270 +S'Ferrarese 15th Century' +p61807 +sg25273 +S'overall: 53.5 x 36.2 cm (21 1/16 x 14 1/4 in.)\r\nframed: 68.6 x 51.4 x 7 cm (27 x 20 1/4 x 2 3/4 in.)' +p61808 +sg25275 +S'\ntempera on panel' +p61809 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a0000855.jpg' +p61810 +sg25267 +g27 +sa(dp61811 +g25273 +S'(artist)' +p61812 +sg25267 +g27 +sg25275 +S'\n' +p61813 +sg25268 +S'Les nouvelles ... (volume I)' +p61814 +sg25270 +S'Artist Information (' +p61815 +sa(dp61816 +g25267 +g27 +sg25268 +S'Inlaid Sewing Box' +p61817 +sg25270 +S'Francis Law Durand' +p61818 +sa(dp61819 +g25267 +g27 +sg25268 +S'Sewing Box' +p61820 +sg25270 +S'Columbus Simpson' +p61821 +sa(dp61822 +g25267 +g27 +sg25268 +S'Sewing Box' +p61823 +sg25270 +S'Herbert Marsh' +p61824 +sa(dp61825 +g25267 +g27 +sg25268 +S'Sewing Cabinet' +p61826 +sg25270 +S'Paul Ward' +p61827 +sa(dp61828 +g25267 +g27 +sg25268 +S'Sewing Stand' +p61829 +sg25270 +S'Mary C. Davidson' +p61830 +sa(dp61831 +g25267 +g27 +sg25268 +S'Sewing Stand' +p61832 +sg25270 +S'James Vail' +p61833 +sa(dp61834 +g25267 +g27 +sg25268 +S'Twin Sewing Bird' +p61835 +sg25270 +S'Oscar Bluhme' +p61836 +sa(dp61837 +g25267 +g27 +sg25268 +S'Clamp Pincushion' +p61838 +sg25270 +S'Nicholas Amantea' +p61839 +sa(dp61840 +g25267 +g27 +sg25268 +S'Emery in the Shape of a Strawberry' +p61841 +sg25270 +S'Ann Gene Buckley' +p61842 +sa(dp61843 +g25267 +g27 +sg25268 +S'Sewing Bird' +p61844 +sg25270 +S'John H. Tercuzzi' +p61845 +sa(dp61846 +g25273 +S'(artist)' +p61847 +sg25267 +g27 +sg25275 +S'\n' +p61848 +sg25268 +S'Les nouvelles ... (volume II)' +p61849 +sg25270 +S'Artist Information (' +p61850 +sa(dp61851 +g25267 +g27 +sg25268 +S'Silver Bird Sewing Holder' +p61852 +sg25270 +S'James M. Lawson' +p61853 +sa(dp61854 +g25267 +g27 +sg25268 +S'Sewing Bird' +p61855 +sg25270 +S'Artist Information (' +p61856 +sa(dp61857 +g25267 +g27 +sg25268 +S'Sewing Bird' +p61858 +sg25270 +S'Columbus Simpson' +p61859 +sa(dp61860 +g25267 +g27 +sg25268 +S'Pincushion and Thread Holder' +p61861 +sg25270 +S'Raymond Manupelli' +p61862 +sa(dp61863 +g25267 +g27 +sg25268 +S'Shaker Glove' +p61864 +sg25270 +S'Elizabeth Moutal' +p61865 +sa(dp61866 +g25267 +g27 +sg25268 +S'Shaker Gloves' +p61867 +sg25270 +S'Orville Cline' +p61868 +sa(dp61869 +g25267 +g27 +sg25268 +S"Shaker Man's Collar" +p61870 +sg25270 +S'Elizabeth Moutal' +p61871 +sa(dp61872 +g25267 +g27 +sg25268 +S"Shaker Woman's Money Bag" +p61873 +sg25270 +S'Ingrid Selmer-Larsen' +p61874 +sa(dp61875 +g25267 +g27 +sg25268 +S'Shaker Infirmary Cap' +p61876 +sg25270 +S'Alice Stearns' +p61877 +sa(dp61878 +g25267 +g27 +sg25268 +S'Shaker Two-step Bench' +p61879 +sg25270 +S'Lawrence Foster' +p61880 +sa(dp61881 +g25273 +S'(artist)' +p61882 +sg25267 +g27 +sg25275 +S'\n' +p61883 +sg25268 +S'Les nouvelles ... (volume III)' +p61884 +sg25270 +S'Artist Information (' +p61885 +sa(dp61886 +g25267 +g27 +sg25268 +S'Shaker Porch Bench' +p61887 +sg25270 +S'Lon Cronk' +p61888 +sa(dp61889 +g25267 +g27 +sg25268 +S'Shaker Stools' +p61890 +sg25270 +S'Lawrence Foster' +p61891 +sa(dp61892 +g25267 +g27 +sg25268 +S'Shaker Loom Stool' +p61893 +sg25270 +S'Irving I. Smith' +p61894 +sa(dp61895 +g25267 +g27 +sg25268 +S'Shaker Long House Bench' +p61896 +sg25270 +S'Lawrence Foster' +p61897 +sa(dp61898 +g25267 +g27 +sg25268 +S'Shaker Short Bench' +p61899 +sg25270 +S'Lawrence Foster' +p61900 +sa(dp61901 +g25267 +g27 +sg25268 +S'Shaker Bed' +p61902 +sg25270 +S'Elbert S. Mowery' +p61903 +sa(dp61904 +g25267 +g27 +sg25268 +S'Shaker Bed' +p61905 +sg25270 +S'Lon Cronk' +p61906 +sa(dp61907 +g25267 +g27 +sg25268 +S'Shaker Bed' +p61908 +sg25270 +S'Elbert S. Mowery' +p61909 +sa(dp61910 +g25267 +S'Little more than cots, Shaker beds were derived from traditional eighteenth-century\n styles. They had simple, low headboards and measured less than thirty-six inches\n across. The holes bored around the frame were used to secure ropes that served as springs.\n The legs of this bed are set on rollers so that it could be easily moved in order\n to clean the floors. Though this one retains its natural wood finish, Shaker beds\n were often painted green.\n ' +p61911 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000387.jpg' +p61912 +sg25268 +S'Shaker Cot' +p61913 +sg25270 +S'Alfred H. Smith' +p61914 +sa(dp61915 +g25267 +g27 +sg25268 +S'Shaker Rug Beater' +p61916 +sg25270 +S'Orville Cline' +p61917 +sa(dp61918 +g25273 +S'engraving' +p61919 +sg25267 +g27 +sg25275 +S'unknown date\n' +p61920 +sg25268 +S'Louis XVI and Marie-Antoinette' +p61921 +sg25270 +S'Augustin de Saint-Aubin' +p61922 +sa(dp61923 +g25267 +g27 +sg25268 +S'Shaker Tape Loom' +p61924 +sg25270 +S'Irving I. Smith' +p61925 +sa(dp61926 +g25267 +g27 +sg25268 +S'Shaker Sugar Jar' +p61927 +sg25270 +S'Charles Goodwin' +p61928 +sa(dp61929 +g25267 +g27 +sg25268 +S'Shaker Grease Lamp' +p61930 +sg25270 +S'Charles Goodwin' +p61931 +sa(dp61932 +g25267 +g27 +sg25268 +S'Shaker Tin Dish Drainer' +p61933 +sg25270 +S'Lon Cronk' +p61934 +sa(dp61935 +g25267 +g27 +sg25268 +S'Shaker Sugar Jar' +p61936 +sg25270 +S'Charles Goodwin' +p61937 +sa(dp61938 +g25267 +g27 +sg25268 +S'Shaker Dish Drainer' +p61939 +sg25270 +S'Lon Cronk' +p61940 +sa(dp61941 +g25267 +g27 +sg25268 +S'Shaker Door Latch' +p61942 +sg25270 +S'Elbert S. Mowery' +p61943 +sa(dp61944 +g25267 +g27 +sg25268 +S'Shaker Kerchief' +p61945 +sg25270 +S'Helen E. Gilman' +p61946 +sa(dp61947 +g25267 +g27 +sg25268 +S"Shaker Woman's Stocking" +p61948 +sg25270 +S'Betty Fuerst' +p61949 +sa(dp61950 +g25267 +g27 +sg25268 +S'Shaker Hair Wreath' +p61951 +sg25270 +S'Helen Bronson' +p61952 +sa(dp61953 +g25273 +S'Widener Collection' +p61954 +sg25267 +g27 +sg25275 +S'\nbound volume with 32 prints and 2 drawings (drawings by St.-Aubin and Bernard: 1942.9.1681, 1692) plus a manuscript account of contents by Edward Clayton' +p61955 +sg25268 +S'Portraits of Marie-Antoinette' +p61956 +sg25270 +S'Various Artists' +p61957 +sa(dp61958 +g25267 +g27 +sg25268 +S'Shaker Cupboard' +p61959 +sg25270 +S'George V. Vezolles' +p61960 +sa(dp61961 +g25267 +g27 +sg25268 +S'Shaker Cabinet' +p61962 +sg25270 +S'George V. Vezolles' +p61963 +sa(dp61964 +g25267 +g27 +sg25268 +S'Shaker Cabinet' +p61965 +sg25270 +S'Edward D. Williams' +p61966 +sa(dp61967 +g25267 +g27 +sg25268 +S'Shaker Bookcase' +p61968 +sg25270 +S'John W. Kelleher' +p61969 +sa(dp61970 +g25267 +g27 +sg25268 +S'Shaker Cabinet' +p61971 +sg25270 +S'George V. Vezolles' +p61972 +sa(dp61973 +g25267 +g27 +sg25268 +S'Shaker Cabinet' +p61974 +sg25270 +S'Winslow Rich' +p61975 +sa(dp61976 +g25267 +g27 +sg25268 +S'Shaker Cabinet' +p61977 +sg25270 +S'John W. Kelleher' +p61978 +sa(dp61979 +g25267 +g27 +sg25268 +S'Shaker Cabinet with Drawers' +p61980 +sg25270 +S'Alfred H. Smith' +p61981 +sa(dp61982 +g25267 +g27 +sg25268 +S'Shaker Wooden Wall Shelf' +p61983 +sg25270 +S'Alois E. Ulrich' +p61984 +sa(dp61985 +g25267 +g27 +sg25268 +S'Shaker Wood Box and Kindling Box' +p61986 +sg25270 +S'George V. Vezolles' +p61987 +sa(dp61988 +g25273 +S'(artist)' +p61989 +sg25267 +g27 +sg25275 +S'\n' +p61990 +sg25268 +S'Louis XV' +p61991 +sg25270 +S'Artist Information (' +p61992 +sa(dp61993 +g25267 +g27 +sg25268 +S'Shaker Candle Sconce' +p61994 +sg25270 +S'Anne Ger' +p61995 +sa(dp61996 +g25267 +g27 +sg25268 +S'Shaker Tray' +p61997 +sg25270 +S'Lawrence Foster' +p61998 +sa(dp61999 +g25267 +g27 +sg25268 +S'Shaker Mirror Rack' +p62000 +sg25270 +S'Victor F. Muollo' +p62001 +sa(dp62002 +g25267 +g27 +sg25268 +S'Shaker Cabinet' +p62003 +sg25270 +S'Irving I. Smith' +p62004 +sa(dp62005 +g25267 +g27 +sg25268 +S'Shaker Oval Box' +p62006 +sg25270 +S'Alfred H. Smith' +p62007 +sa(dp62008 +g25267 +g27 +sg25268 +S'Shaker Wood Box' +p62009 +sg25270 +S'Alois E. Ulrich' +p62010 +sa(dp62011 +g25267 +g27 +sg25268 +S'Shaker Two Slat Chair' +p62012 +sg25270 +S'Irving I. Smith' +p62013 +sa(dp62014 +g25267 +g27 +sg25268 +S'Shaker Three Slat Titlting Chair' +p62015 +sg25270 +S'Victor F. Muollo' +p62016 +sa(dp62017 +g25267 +g27 +sg25268 +S'Shaker Chair' +p62018 +sg25270 +S'Francis Law Durand' +p62019 +sa(dp62020 +g25267 +g27 +sg25268 +S'Shaker Dining Chair' +p62021 +sg25270 +S'John W. Kelleher' +p62022 +sa(dp62023 +g25273 +S'engraving' +p62024 +sg25267 +g27 +sg25275 +S'unknown date\n' +p62025 +sg25268 +S'Un bon prince est aime jusque dans des enfans' +p62026 +sg25270 +S'Marie-Anne Crosier' +p62027 +sa(dp62028 +g25267 +g27 +sg25268 +S'Shaker Three Slat Chair' +p62029 +sg25270 +S'Alfred H. Smith' +p62030 +sa(dp62031 +g25267 +g27 +sg25268 +S'Shaker Chair Finials and Ball & Socket Foot' +p62032 +sg25270 +S'Ray Holden' +p62033 +sa(dp62034 +g25267 +g27 +sg25268 +S'Shaker Dining Chair' +p62035 +sg25270 +S'John Davis' +p62036 +sa(dp62037 +g25267 +g27 +sg25268 +S'Shaker Chest' +p62038 +sg25270 +S'Ray Holden' +p62039 +sa(dp62040 +g25267 +g27 +sg25268 +S'Shaker Table' +p62041 +sg25270 +S'Orville A. Carroll' +p62042 +sa(dp62043 +g25267 +g27 +sg25268 +S'Shaker Blanket Chest' +p62044 +sg25270 +S'John Davis' +p62045 +sa(dp62046 +g25267 +g27 +sg25268 +S'Shaker Blanket Box' +p62047 +sg25270 +S'George V. Vezolles' +p62048 +sa(dp62049 +g25267 +g27 +sg25268 +S'Shaker Sugar Chest' +p62050 +sg25270 +S'Artist Information (' +p62051 +sa(dp62052 +g25267 +g27 +sg25268 +S"Shaker Dressmaker's Counter" +p62053 +sg25270 +S'Anne Ger' +p62054 +sa(dp62055 +g25267 +g27 +sg25268 +S'Shaker Chest of Drawers' +p62056 +sg25270 +S'John W. Kelleher' +p62057 +sa(dp62058 +g25273 +S'(artist after)' +p62059 +sg25267 +g27 +sg25275 +S'\n' +p62060 +sg25268 +S'Louis XV' +p62061 +sg25270 +S'Artist Information (' +p62062 +sa(dp62063 +g25267 +g27 +sg25268 +S'Shaker Chest of Drawers' +p62064 +sg25270 +S'John W. Kelleher' +p62065 +sa(dp62066 +g25267 +g27 +sg25268 +S'Shaker Chest of Drawers' +p62067 +sg25270 +S'John W. Kelleher' +p62068 +sa(dp62069 +g25267 +g27 +sg25268 +S'Shaker Chest of Drawers' +p62070 +sg25270 +S'Alfred H. Smith' +p62071 +sa(dp62072 +g25267 +g27 +sg25268 +S'Shaker Chest of Drawers' +p62073 +sg25270 +S'Ray Holden' +p62074 +sa(dp62075 +g25267 +g27 +sg25268 +S'Shaker Blanket Chest' +p62076 +sg25270 +S'Ray Holden' +p62077 +sa(dp62078 +g25267 +g27 +sg25268 +S"Shaker Tailor's Work Bench" +p62079 +sg25270 +S'Ray Holden' +p62080 +sa(dp62081 +g25267 +S'Clocks, such as this one, were found in Shaker dormitories and shops. Its design\n is a simplified version of the traditional New England clock. Ornamental features\n have been deleted, and only the major elements of the classic base, shaft, and capital\n have been retained. An exception to Shaker custom, Benjamin Youngs followed the\n tradition of other clockmakers by inscribing his name on the face. Shaker craftsmen\n were not usually permitted to sign their works, for this represented a display of\n personal pride.\n ' +p62082 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000389.jpg' +p62083 +sg25268 +S'Shaker Tall Clock' +p62084 +sg25270 +S'Irving I. Smith' +p62085 +sa(dp62086 +g25267 +g27 +sg25268 +S'Shaker Wall Clock' +p62087 +sg25270 +S'Anne Ger' +p62088 +sa(dp62089 +g25267 +g27 +sg25268 +S'Shaker Tall Clock' +p62090 +sg25270 +S'William Paul Childers' +p62091 +sa(dp62092 +g25267 +g27 +sg25268 +S'Shaker Cupboard' +p62093 +sg25270 +S'Alfred H. Smith' +p62094 +sa(dp62095 +g25273 +S'engraving' +p62096 +sg25267 +g27 +sg25275 +S'unknown date\n' +p62097 +sg25268 +S'Marie-Antoinette' +p62098 +sg25270 +S'Jean Massard' +p62099 +sa(dp62100 +g25267 +g27 +sg25268 +S'Shaker Tall Tin Cupboard' +p62101 +sg25270 +S'Anne Ger' +p62102 +sa(dp62103 +g25267 +g27 +sg25268 +S'Sugar Scoop' +p62104 +sg25270 +S'Lelah Nelson' +p62105 +sa(dp62106 +g25267 +g27 +sg25268 +S'Wooden Meal Scoop' +p62107 +sg25270 +S'Wilbur M Rice' +p62108 +sa(dp62109 +g25267 +g27 +sg25268 +S'Shaker Cupboard' +p62110 +sg25270 +S'George V. Vezolles' +p62111 +sa(dp62112 +g25267 +g27 +sg25268 +S'Shaker Candle Stand' +p62113 +sg25270 +S'Lon Cronk' +p62114 +sa(dp62115 +g25267 +g27 +sg25268 +S'Shaker Clock Hanger' +p62116 +sg25270 +S'Ray Holden' +p62117 +sa(dp62118 +g25267 +g27 +sg25268 +S'Shaker Wooden Basket' +p62119 +sg25270 +S'Eugene Barrell' +p62120 +sa(dp62121 +g25267 +g27 +sg25268 +S'Shaker Cedar Basket' +p62122 +sg25270 +S'Edward D. Williams' +p62123 +sa(dp62124 +g25267 +g27 +sg25268 +S'Shaker Peg Leg Stand' +p62125 +sg25270 +S'Irving I. Smith' +p62126 +sa(dp62127 +g25267 +g27 +sg25268 +S'Shaker Wash Stand' +p62128 +sg25270 +S'Ray Holden' +p62129 +sa(dp62130 +g25273 +S'engraving' +p62131 +sg25267 +g27 +sg25275 +S'unknown date\n' +p62132 +sg25268 +S'Louis-Auguste, Dauphin of France' +p62133 +sg25270 +S'Jean Massard' +p62134 +sa(dp62135 +g25267 +g27 +sg25268 +S'Shaker Stand' +p62136 +sg25270 +S'Ray Holden' +p62137 +sa(dp62138 +g25267 +g27 +sg25268 +S'Shaker Stand' +p62139 +sg25270 +S'Ray Holden' +p62140 +sa(dp62141 +g25267 +S'Candlestands, like this one, were a standard item in each Shaker bedroom, or "retiring room." They were typically made of cherry with a round top and a slender shaft which expanded downward to a tripod base. \n The legs curve outward to form graceful arcs. Candlestands were usually about twenty-five inches high and could serve a variety of uses within the room.\n ' +p62142 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000383.jpg' +p62143 +sg25268 +S'Shaker Table' +p62144 +sg25270 +S'Victor F. Muollo' +p62145 +sa(dp62146 +g25267 +g27 +sg25268 +S'Shaker Desk' +p62147 +sg25270 +S'Ray Holden' +p62148 +sa(dp62149 +g25267 +g27 +sg25268 +S'Shaker Sewing Table' +p62150 +sg25270 +S'Alfred H. Smith' +p62151 +sa(dp62152 +g25267 +g27 +sg25268 +S'Shaker Small Corner Cupboard' +p62153 +sg25270 +S'Lon Cronk' +p62154 +sa(dp62155 +g25267 +g27 +sg25268 +S'Shaker Lap Desk' +p62156 +sg25270 +S'Irving I. Smith' +p62157 +sa(dp62158 +g25267 +g27 +sg25268 +S'Shaker Desk' +p62159 +sg25270 +S'Irving I. Smith' +p62160 +sa(dp62161 +g25267 +g27 +sg25268 +S'Shaker Desk' +p62162 +sg25270 +S'John W. Kelleher' +p62163 +sa(dp62164 +g25267 +g27 +sg25268 +S'Shaker Desk' +p62165 +sg25270 +S'Alfred H. Smith' +p62166 +sa(dp62167 +g25273 +S'engraving' +p62168 +sg25267 +g27 +sg25275 +S'1770' +p62169 +sg25268 +S'Frontispiece: Moreau\'s "Bibliotheque de Madame la Dauphine"' +p62170 +sg25270 +S'Charles Eisen' +p62171 +sa(dp62172 +g25267 +g27 +sg25268 +S'Shaker Secretary' +p62173 +sg25270 +S'John W. Kelleher' +p62174 +sa(dp62175 +g25267 +g27 +sg25268 +S'Shaker Secretary' +p62176 +sg25270 +S'Alfred H. Smith' +p62177 +sa(dp62178 +g25267 +g27 +sg25268 +S'Shaker Cupboard' +p62179 +sg25270 +S'Irving I. Smith' +p62180 +sa(dp62181 +g25267 +g27 +sg25268 +S'Shaker Hanging Cupboard' +p62182 +sg25270 +S'Victor F. Muollo' +p62183 +sa(dp62184 +g25267 +g27 +sg25268 +S'Shaker Cupboard with Drawers' +p62185 +sg25270 +S'Howard Weld' +p62186 +sa(dp62187 +g25267 +g27 +sg25268 +S'Shaker Dining Room Cupboard' +p62188 +sg25270 +S'William Paul Childers' +p62189 +sa(dp62190 +g25267 +g27 +sg25268 +S'Shaker Lamp Stand' +p62191 +sg25270 +S'American 20th Century' +p62192 +sa(dp62193 +g25267 +g27 +sg25268 +S'Shaker Pegs and Candlestand' +p62194 +sg25270 +S'George V. Vezolles' +p62195 +sa(dp62196 +g25267 +g27 +sg25268 +S'Shaker Towel Rack' +p62197 +sg25270 +S'Anne Ger' +p62198 +sa(dp62199 +g25267 +g27 +sg25268 +S'Shaker Music Rack' +p62200 +sg25270 +S'Alfred H. Smith' +p62201 +sa(dp62202 +g25273 +S'(artist)' +p62203 +sg25267 +g27 +sg25275 +S'\n' +p62204 +sg25268 +S'Frontispiece: La Borde\'s "Choix de Chansons": vol. II' +p62205 +sg25270 +S'Artist Information (' +p62206 +sa(dp62207 +g25267 +g27 +sg25268 +S'Shaker Looking Glass and Rack' +p62208 +sg25270 +S'Victor F. Muollo' +p62209 +sa(dp62210 +g25267 +g27 +sg25268 +S'Shaker Yoke' +p62211 +sg25270 +S'T. Joyce' +p62212 +sa(dp62213 +g25267 +g27 +sg25268 +S'Shaker Nursing Chair' +p62214 +sg25270 +S'Helen Bronson' +p62215 +sa(dp62216 +g25267 +g27 +sg25268 +S"Shaker Child's Rocker" +p62217 +sg25270 +S'Ray Holden' +p62218 +sa(dp62219 +g25267 +g27 +sg25268 +S'Shaker Side Chair' +p62220 +sg25270 +S'Ray Holden' +p62221 +sa(dp62222 +g25267 +g27 +sg25268 +S'Shaker Mushroom Rocker' +p62223 +sg25270 +S'Ray Holden' +p62224 +sa(dp62225 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000382.jpg' +p62226 +sg25268 +S'Rocking Chair' +p62227 +sg25270 +S'Frank Gutting' +p62228 +sa(dp62229 +g25267 +g27 +sg25268 +S'Shaker Rocking Chair' +p62230 +sg25270 +S'Adele Brooks' +p62231 +sa(dp62232 +g25267 +g27 +sg25268 +S'Shaker Rocking Chair' +p62233 +sg25270 +S'Victor F. Muollo' +p62234 +sa(dp62235 +g25267 +g27 +sg25268 +S'Shaker Sewing Desk' +p62236 +sg25270 +S'John Davis' +p62237 +sa(dp62238 +g25268 +S'Marie-Antoinette' +p62239 +sg25270 +S'Richard Brookshaw' +p62240 +sg25273 +S'mezzotint' +p62241 +sg25275 +S'unknown date\n' +p62242 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00062/a000621b.jpg' +p62243 +sg25267 +g27 +sa(dp62244 +g25267 +S'In this piece the Shakers adapted the basic pedestal table, such as the candlestand,\n for a specialized use. Drawers have been added on opposite sides of the table so\n that it could be used for sewing by two sisters at once. The tripod base of the\n candlestand has been modified to a four-legged variety here. As in other pedestal\n tables, stability of the vase-shaped base and pedestal shaft has been insured by\n the precise calculations of Shaker craftsmanship.\n ' +p62245 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003c8.jpg' +p62246 +sg25268 +S'Shaker Round Table' +p62247 +sg25270 +S'Alfred H. Smith' +p62248 +sa(dp62249 +g25267 +g27 +sg25268 +S'Shaker Sewing Table' +p62250 +sg25270 +S'Irving I. Smith' +p62251 +sa(dp62252 +g25267 +g27 +sg25268 +S'Shaker Tripod Sewing Stand' +p62253 +sg25270 +S'Irving I. Smith' +p62254 +sa(dp62255 +g25267 +g27 +sg25268 +S'Shaker Sewing Table' +p62256 +sg25270 +S'Irving I. Smith' +p62257 +sa(dp62258 +g25267 +g27 +sg25268 +S'Shaker School Desk' +p62259 +sg25270 +S'Ray Holden' +p62260 +sa(dp62261 +g25267 +S'The trestle table had its ancestry in early European styles. Shakers transformed the heavy, ornate style by narrowing and lightening the trestle ends to dimensions \n still sufficient for rigidity and strength. The variation they introduced succeeds in combining beauty and utility. This table was made especially long and wide to be used in the communal \n dining room of a Shaker village. The chairs are unlike those typically made by Shakers. The legs are bulbous with a pronounced taper toward the top and bottom. The spindles on the back, \n with a small diamond-shaped ornament, suggest the nineteenth-century Windsor style popular in the outside world. Made in Pleasant Hill, Kentucky, these pieces reflect a more elaborate \n style than was common in most Shaker furniture. Even though the sect emphasized uniformity, difference among the communities were nonetheless evident.\n ' +p62262 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003c2.jpg' +p62263 +sg25268 +S'Shaker Dining Table and Chairs' +p62264 +sg25270 +S'Lon Cronk' +p62265 +sa(dp62266 +g25267 +g27 +sg25268 +S'Shaker Dining Table' +p62267 +sg25270 +S'Winslow Rich' +p62268 +sa(dp62269 +g25267 +g27 +sg25268 +S'Shaker Table' +p62270 +sg25270 +S'Winslow Rich' +p62271 +sa(dp62272 +g25267 +g27 +sg25268 +S'Shaker Small Table' +p62273 +sg25270 +S'Alfred H. Smith' +p62274 +sa(dp62275 +g25267 +g27 +sg25268 +S'Shaker Table' +p62276 +sg25270 +S'John W. Kelleher' +p62277 +sa(dp62278 +g25273 +S'(artist after)' +p62279 +sg25267 +g27 +sg25275 +S'\n' +p62280 +sg25268 +S'Marie-Antoinette' +p62281 +sg25270 +S'Artist Information (' +p62282 +sa(dp62283 +g25267 +g27 +sg25268 +S'Shaker Sewing Table' +p62284 +sg25270 +S'John Davis' +p62285 +sa(dp62286 +g25267 +g27 +sg25268 +S'Shaker Low Table' +p62287 +sg25270 +S'Howard Weld' +p62288 +sa(dp62289 +g25267 +g27 +sg25268 +S'Shaker Drop-leaf Table' +p62290 +sg25270 +S'Howard Weld' +p62291 +sa(dp62292 +g25267 +g27 +sg25268 +S'Shaker Drop-leaf Table' +p62293 +sg25270 +S'Irving I. Smith' +p62294 +sa(dp62295 +g25267 +g27 +sg25268 +S'Shaker Trestle Dining Table' +p62296 +sg25270 +S'Anne Ger' +p62297 +sa(dp62298 +g25267 +g27 +sg25268 +S'Shaker Refectory Table with Benches' +p62299 +sg25270 +S'Alfred H. Smith' +p62300 +sa(dp62301 +g25267 +g27 +sg25268 +S'Shaker Drop-leaf Table' +p62302 +sg25270 +S'Ray Holden' +p62303 +sa(dp62304 +g25267 +g27 +sg25268 +S'Shaker Kitchen Table' +p62305 +sg25270 +S'Ray Holden' +p62306 +sa(dp62307 +g25267 +g27 +sg25268 +S'Shaker Table' +p62308 +sg25270 +S'Ray Holden' +p62309 +sa(dp62310 +g25267 +g27 +sg25268 +S'Shaker Dining Table' +p62311 +sg25270 +S'Lon Cronk' +p62312 +sa(dp62313 +g25273 +S'(artist after)' +p62314 +sg25267 +g27 +sg25275 +S'\n' +p62315 +sg25268 +S'Marie-Antoinette' +p62316 +sg25270 +S'Artist Information (' +p62317 +sa(dp62318 +g25267 +g27 +sg25268 +S'Shaker Refectory Table' +p62319 +sg25270 +S'Lon Cronk' +p62320 +sa(dp62321 +g25267 +g27 +sg25268 +S'Shaker Ironing Table' +p62322 +sg25270 +S'Irving I. Smith' +p62323 +sa(dp62324 +g25267 +S'This kitchen piece is a type of washstand or dry sink set on a cabinet. The\n high back protected the wall from splashing water, while the space below provided\n a small storage area. The Shakers showed a fine appreciation for the natural beauty\n of the material. Made of white maple, the sink has a light stain that enhances\n the decorative grain of the wood.\n ' +p62325 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000388.jpg' +p62326 +sg25268 +S'Shaker Kitchen Piece with Tray' +p62327 +sg25270 +S'Alfred H. Smith' +p62328 +sa(dp62329 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a000556b.jpg' +p62330 +sg25268 +S'Shaker Wash Stand with Drawers' +p62331 +sg25270 +S'Irving I. Smith' +p62332 +sa(dp62333 +g25267 +g27 +sg25268 +S'Shaker Wash Stand' +p62334 +sg25270 +S'Lawrence Foster' +p62335 +sa(dp62336 +g25267 +g27 +sg25268 +S'Shaker Newel Post' +p62337 +sg25270 +S'Anne Ger' +p62338 +sa(dp62339 +g25267 +g27 +sg25268 +S'Shaker Stairway' +p62340 +sg25270 +S'Lon Cronk' +p62341 +sa(dp62342 +g25267 +g27 +sg25268 +S'Shaker Spiral Staircase' +p62343 +sg25270 +S'George V. Vezolles' +p62344 +sa(dp62345 +g25267 +g27 +sg25268 +S'Shaker Spiral Staircase' +p62346 +sg25270 +S'George V. Vezolles' +p62347 +sa(dp62348 +g25267 +g27 +sg25268 +S'Shaker Newel Post' +p62349 +sg25270 +S'John W. Kelleher' +p62350 +sa(dp62351 +g25273 +S'Herold 1935, no. 34, State (4)' +p62352 +sg25267 +g27 +sg25275 +S'\ncrayon-manner engraving' +p62353 +sg25268 +S'Marie-Antoinette' +p62354 +sg25270 +S'French 18th Century' +p62355 +sa(dp62356 +g25267 +g27 +sg25268 +S'Shaker Case' +p62357 +sg25270 +S'Betty Fuerst' +p62358 +sa(dp62359 +g25267 +g27 +sg25268 +S'Shaker Spool Rack and Spools' +p62360 +sg25270 +S'Orville Cline' +p62361 +sa(dp62362 +g25267 +g27 +sg25268 +S'Shaker Case' +p62363 +sg25270 +S'Helen E. Gilman' +p62364 +sa(dp62365 +g25267 +g27 +sg25268 +S'Shaker Needle Case' +p62366 +sg25270 +S'Ingrid Selmer-Larsen' +p62367 +sa(dp62368 +g25267 +g27 +sg25268 +S'Shaker Case for Knitting Needles' +p62369 +sg25270 +S'Helen E. Gilman' +p62370 +sa(dp62371 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a0005543.jpg' +p62372 +sg25268 +S'Shaker Case for Knitting Needles' +p62373 +sg25270 +S'Elizabeth Moutal' +p62374 +sa(dp62375 +g25267 +g27 +sg25268 +S'Shaker Case for Knitting Needles' +p62376 +sg25270 +S'Elizabeth Moutal' +p62377 +sa(dp62378 +g25267 +g27 +sg25268 +S'Shaker Kerchief' +p62379 +sg25270 +S'Lucille Chabot' +p62380 +sa(dp62381 +g25267 +g27 +sg25268 +S'Shaker Tow or Garden Sheet' +p62382 +sg25270 +S'Elizabeth Moutal' +p62383 +sa(dp62384 +g25267 +g27 +sg25268 +S'Shaker Bedspread' +p62385 +sg25270 +S'George Constantine' +p62386 +sa(dp62387 +g25273 +S'engraving in red' +p62388 +sg25267 +g27 +sg25275 +S'unknown date\n' +p62389 +sg25268 +S'Marie-Antoinette' +p62390 +sg25270 +S'Charles-Eugene Duponchel' +p62391 +sa(dp62392 +g25267 +g27 +sg25268 +S'Shaker Textile' +p62393 +sg25270 +S'Elizabeth Moutal' +p62394 +sa(dp62395 +g25267 +g27 +sg25268 +S'Shaker Coverlet' +p62396 +sg25270 +S'Martha Sancher' +p62397 +sa(dp62398 +g25267 +g27 +sg25268 +S'Shaker Rug' +p62399 +sg25270 +S'Mona Brown' +p62400 +sa(dp62401 +g25267 +g27 +sg25268 +S'Shaker Dress Material' +p62402 +sg25270 +S'Ingrid Selmer-Larsen' +p62403 +sa(dp62404 +g25267 +g27 +sg25268 +S'Shaker Material' +p62405 +sg25270 +S'American 20th Century' +p62406 +sa(dp62407 +g25267 +g27 +sg25268 +S'Shaker Coverlet' +p62408 +sg25270 +S'Alois E. Ulrich' +p62409 +sa(dp62410 +g25267 +g27 +sg25268 +S'Shaker Bedspread' +p62411 +sg25270 +S'Lucille Chabot' +p62412 +sa(dp62413 +g25267 +g27 +sg25268 +S'Shaker Bedspread' +p62414 +sg25270 +S'George Constantine' +p62415 +sa(dp62416 +g25267 +S'Shaker stoves were distinctive for their plain, clean lines in an era when most\n woodburning stoves had at least some decoration. Shakers simplified the basic stove\n design and emphasized features that enhanced efficiency. The shape of most Shaker\n stoves was rectangular and low, so that heavy logs could be easily placed inside.\n The metal door, set into the baseboard behind the stove, is for the convenient\n disposal of ashes.\n ' +p62417 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000038a.jpg' +p62418 +sg25268 +S'Shaker Stove/Built-in Closet' +p62419 +sg25270 +S'John W. Kelleher' +p62420 +sa(dp62421 +g25267 +g27 +sg25268 +S'Shaker Stove' +p62422 +sg25270 +S'George V. Vezolles' +p62423 +sa(dp62424 +g25273 +S'engraving' +p62425 +sg25267 +g27 +sg25275 +S'unknown date\n' +p62426 +sg25268 +S'Louis XVI and Marie-Antoinette' +p62427 +sg25270 +S'Augustin de Saint-Aubin' +p62428 +sa(dp62429 +g25267 +g27 +sg25268 +S'Shaker Compass' +p62430 +sg25270 +S'Richard Barnett' +p62431 +sa(dp62432 +g25267 +g27 +sg25268 +S'Shaker Barometer' +p62433 +sg25270 +S'Alois E. Ulrich' +p62434 +sa(dp62435 +g25267 +g27 +sg25268 +S'Shaker Spinning Wheel Flax' +p62436 +sg25270 +S'George V. Vezolles' +p62437 +sa(dp62438 +g25267 +g27 +sg25268 +S'Shaker Scales' +p62439 +sg25270 +S'George V. Vezolles' +p62440 +sa(dp62441 +g25267 +g27 +sg25268 +S'Shaker Scales' +p62442 +sg25270 +S'George V. Vezolles' +p62443 +sa(dp62444 +g25267 +g27 +sg25268 +S'Shaker Scales' +p62445 +sg25270 +S'George V. Vezolles' +p62446 +sa(dp62447 +g25267 +g27 +sg25268 +S'Shaker Scales' +p62448 +sg25270 +S'Lon Cronk' +p62449 +sa(dp62450 +g25267 +g27 +sg25268 +S'Shaker Scales' +p62451 +sg25270 +S'George V. Vezolles' +p62452 +sa(dp62453 +g25267 +g27 +sg25268 +S'Shaker Textile Sample' +p62454 +sg25270 +S'Harold Weisenborn' +p62455 +sa(dp62456 +g25267 +g27 +sg25268 +S'Shaker Rug Strip' +p62457 +sg25270 +S'Lucille Chabot' +p62458 +sa(dp62459 +g25273 +S'(artist after)' +p62460 +sg25267 +g27 +sg25275 +S'\n' +p62461 +sg25268 +S'Louis XII, Henri IV, and Louis XVI' +p62462 +sg25270 +S'Artist Information (' +p62463 +sa(dp62464 +g25267 +g27 +sg25268 +S'Fragment of Shaker Hall Rug' +p62465 +sg25270 +S'Charles Goodwin' +p62466 +sa(dp62467 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ac/a000ac1f.jpg' +p62468 +sg25268 +S'Shaker Rug' +p62469 +sg25270 +S'Elbert S. Mowery' +p62470 +sa(dp62471 +g25267 +g27 +sg25268 +S'Shaker Rug' +p62472 +sg25270 +S'Alois E. Ulrich' +p62473 +sa(dp62474 +g25267 +g27 +sg25268 +S'Shaker Rug Binding Tapes' +p62475 +sg25270 +S'Helen Dana' +p62476 +sa(dp62477 +g25267 +g27 +sg25268 +S'Shaker Rug Bindings' +p62478 +sg25270 +S'Ingrid Selmer-Larsen' +p62479 +sa(dp62480 +g25267 +g27 +sg25268 +S'Shaker Rug Strips' +p62481 +sg25270 +S'Lucille Chabot' +p62482 +sa(dp62483 +g25267 +g27 +sg25268 +S'Shaker Shirred Rug' +p62484 +sg25270 +S'Charles Goodwin' +p62485 +sa(dp62486 +g25267 +g27 +sg25268 +S'Shaker Chair Seat Covering' +p62487 +sg25270 +S'Alice Stearns' +p62488 +sa(dp62489 +g25267 +g27 +sg25268 +S'Shaker Rug' +p62490 +sg25270 +S'George V. Vezolles' +p62491 +sa(dp62492 +g25267 +g27 +sg25268 +S'Shaker Woolen Rug' +p62493 +sg25270 +S'George V. Vezolles' +p62494 +sa(dp62495 +g25273 +S'Widener Collection' +p62496 +sg25267 +g27 +sg25275 +S'\nstipple engraving in black and red' +p62497 +sg25268 +S'Marie-Antoinette' +p62498 +sg25270 +S'French 18th Century' +p62499 +sa(dp62500 +g25267 +g27 +sg25268 +S'Shaker Rug Material' +p62501 +sg25270 +S'Elizabeth Moutal' +p62502 +sa(dp62503 +g25267 +g27 +sg25268 +S'Shaker Rug (Detail)' +p62504 +sg25270 +S'Lucille Gilchrist' +p62505 +sa(dp62506 +g25267 +g27 +sg25268 +S'Shaker Tufted Wool Rug' +p62507 +sg25270 +S'Orville A. Carroll' +p62508 +sa(dp62509 +g25267 +g27 +sg25268 +S'Shaker Comb for Grass Seed' +p62510 +sg25270 +S'Elbert S. Mowery' +p62511 +sa(dp62512 +g25267 +g27 +sg25268 +S'Shaker Comb and Case' +p62513 +sg25270 +S'Orville Cline' +p62514 +sa(dp62515 +g25267 +g27 +sg25268 +S'Shaker Seed Comb' +p62516 +sg25270 +S'Francis Bruner' +p62517 +sa(dp62518 +g25267 +g27 +sg25268 +S'Shaker Clay Pipe' +p62519 +sg25270 +S'John Greenwell' +p62520 +sa(dp62521 +g25267 +g27 +sg25268 +S'Shaker Broom' +p62522 +sg25270 +S'Peter Antonelli' +p62523 +sa(dp62524 +g25267 +g27 +sg25268 +S'Shaving Horse' +p62525 +sg25270 +S'Clarence W. Dawson' +p62526 +sa(dp62527 +g25267 +g27 +sg25268 +S'Trimming Shears' +p62528 +sg25270 +S'Harold Ballerd' +p62529 +sa(dp62530 +g25268 +S'Saint Catherine' +p62531 +sg25270 +S'Lorenzo Lotto' +p62532 +sg25273 +S'oil on panel' +p62533 +sg25275 +S'1522' +p62534 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005d3.jpg' +p62535 +sg25267 +g27 +sa(dp62536 +g25273 +S', 1782' +p62537 +sg25267 +g27 +sg25275 +S'\n' +p62538 +sg25268 +S'Marie-Antoinette' +p62539 +sg25270 +S'Jean-Joseph Bernard called Bernard de Paris' +p62540 +sa(dp62541 +g25267 +g27 +sg25268 +S'Stern Piece' +p62542 +sg25270 +S'Elizabeth Moutal' +p62543 +sa(dp62544 +g25267 +g27 +sg25268 +S'Porthole and Woodwork Detail' +p62545 +sg25270 +S'Margaret Gordon' +p62546 +sa(dp62547 +g25267 +g27 +sg25268 +S'Sideboard' +p62548 +sg25270 +S'Margaret Gordon' +p62549 +sa(dp62550 +g25267 +g27 +sg25268 +S'Scroll Work' +p62551 +sg25270 +S'Margaret Gordon' +p62552 +sa(dp62553 +g25267 +g27 +sg25268 +S'Carved Frame of Bunk' +p62554 +sg25270 +S'Margaret Gordon' +p62555 +sa(dp62556 +g25267 +g27 +sg25268 +S'Carved Stork' +p62557 +sg25270 +S'Betty Fuerst' +p62558 +sa(dp62559 +g25267 +g27 +sg25268 +S"Keystone from Ship's Woodwork" +p62560 +sg25270 +S'Lucille Chabot' +p62561 +sa(dp62562 +g25267 +g27 +sg25268 +S'Woodcarving' +p62563 +sg25270 +S'Victor F. Muollo' +p62564 +sa(dp62565 +g25267 +g27 +sg25268 +S'Ship in a Bottle' +p62566 +sg25270 +S'Charles R. Shane' +p62567 +sa(dp62568 +g25267 +g27 +sg25268 +S'Shaker Bonnet' +p62569 +sg25270 +S'Elizabeth Moutal' +p62570 +sa(dp62571 +g25268 +S'Minerva Crowning the Genius of Fine Arts' +p62572 +sg25270 +S'French 18th Century' +p62573 +sg25273 +S'Widener Collection' +p62574 +sg25275 +S'\nhand-colored stipple engraving with gold leaf on satin' +p62575 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00062/a000621a.jpg' +p62576 +sg25267 +g27 +sa(dp62577 +g25267 +g27 +sg25268 +S'Shaker Bonnet' +p62578 +sg25270 +S'Wilbur M Rice' +p62579 +sa(dp62580 +g25267 +g27 +sg25268 +S'Scrimshaw: Swordfish Bill' +p62581 +sg25270 +S'Oscar Bluhme' +p62582 +sa(dp62583 +g25267 +g27 +sg25268 +S'Scrimshaw: Walrus Tusk' +p62584 +sg25270 +S'Oscar Bluhme' +p62585 +sa(dp62586 +g25267 +g27 +sg25268 +S'Scrimshaw: Walrus Tusk' +p62587 +sg25270 +S'Oscar Bluhme' +p62588 +sa(dp62589 +g25267 +g27 +sg25268 +S'Sausage Stuffer and Funnel' +p62590 +sg25270 +S'Albert Rudin' +p62591 +sa(dp62592 +g25267 +g27 +sg25268 +S'Letter Box' +p62593 +sg25270 +S'Rocco Navigato' +p62594 +sa(dp62595 +g25267 +g27 +sg25268 +S'Side Saddle' +p62596 +sg25270 +S'Sydney Roberts' +p62597 +sa(dp62598 +g25267 +g27 +sg25268 +S'Rolling Pin' +p62599 +sg25270 +S'Albert Rudin' +p62600 +sa(dp62601 +g25267 +g27 +sg25268 +S"Policeman's Rattle" +p62602 +sg25270 +S'Alfred Koehn' +p62603 +sa(dp62604 +g25267 +g27 +sg25268 +S'Bullet Pouch and Powder Horn' +p62605 +sg25270 +S'Cecil Smith' +p62606 +sa(dp62607 +g25273 +S'Widener Collection' +p62608 +sg25267 +g27 +sg25275 +S'\nhand-colored stipple engraving with gold leaf on satin' +p62609 +sg25268 +S'Louis XVI and Marie-Antoinette' +p62610 +sg25270 +S'French 18th Century' +p62611 +sa(dp62612 +g25267 +g27 +sg25268 +S'Sleigh' +p62613 +sg25270 +S'Amos C. Brinton' +p62614 +sa(dp62615 +g25267 +g27 +sg25268 +S'Goose Neck Cutter' +p62616 +sg25270 +S'Rolland Ayres' +p62617 +sa(dp62618 +g25267 +g27 +sg25268 +S'Red River Dog Sled' +p62619 +sg25270 +S'Wilbur M Rice' +p62620 +sa(dp62621 +g25267 +g27 +sg25268 +S'New England Cutter' +p62622 +sg25270 +S'David Ramage' +p62623 +sa(dp62624 +g25267 +g27 +sg25268 +S'New England Cutter' +p62625 +sg25270 +S'Fred Weiss' +p62626 +sa(dp62627 +g25267 +g27 +sg25268 +S'Shoe Shop Sign: Two Views' +p62628 +sg25270 +S'American 20th Century' +p62629 +sa(dp62630 +g25267 +g27 +sg25268 +S'Shop Sign Key' +p62631 +sg25270 +S'Henry Tomaszewski' +p62632 +sa(dp62633 +g25267 +g27 +sg25268 +S"Blacksmith's Sign" +p62634 +sg25270 +S'W.W. Zausch' +p62635 +sa(dp62636 +g25267 +g27 +sg25268 +S'Model Brig' +p62637 +sg25270 +S'William Kerby' +p62638 +sa(dp62639 +g25267 +S'The United Society of Believers in Christ\'s Second Appearing was the official name of the Shakers, or "Shaking Quakers." They earned the name Shakers because of their group dancing, which was an important feature of their religious service. \n In the decade from 1837 to 1847, Shakers were immersed in an intense emotionalism expressed in elaborate rituals, in visions, and in various psychic experiences. Spirit drawings were received as "gifts" or visions from God. Never regarded as\n art, they were sacred, pictorial drawings of divine revelations. The Shakers\' Millenial Laws placed restrictions on the use of decoration, but through spirit drawings, the Shakers revealed a delight in the ornamental. In this example, the\n Shaker sense of artistry is expressed in the variety of symbols used. The heart is a symbol of love; lamps and candles represent heavenly light; doves, birds, and the falling feather reflect the daily speech of the Shakers. The clock signifies\n mortality, while the trees, a common symbol in spirit drawings, represent the Tree of Life.\n ' +p62640 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000037a.jpg' +p62641 +sg25268 +S'Shaker Visionary Image' +p62642 +sg25270 +S'Orville Cline' +p62643 +sa(dp62644 +g25273 +S'Widener Collection' +p62645 +sg25267 +g27 +sg25275 +S'\nhand-colored stipple engraving with gold leaf on satin' +p62646 +sg25268 +S'The Royal Children and Duchesse de Polignac?' +p62647 +sg25270 +S'French 18th Century' +p62648 +sa(dp62649 +g25267 +g27 +sg25268 +S'Shaker Chair' +p62650 +sg25270 +S'Emil Hagen' +p62651 +sa(dp62652 +g25267 +g27 +sg25268 +S'Shaker Rocking Chair' +p62653 +sg25270 +S'Orville Cline' +p62654 +sa(dp62655 +g25267 +g27 +sg25268 +S'Colcha' +p62656 +sg25270 +S'American 20th Century' +p62657 +sa(dp62658 +g25267 +g27 +sg25268 +S'Colcha' +p62659 +sg25270 +S'Etna Wiswall' +p62660 +sa(dp62661 +g25267 +g27 +sg25268 +S'Colcha' +p62662 +sg25270 +S'American 20th Century' +p62663 +sa(dp62664 +g25267 +g27 +sg25268 +S'Colcha' +p62665 +sg25270 +S'Margery Parish' +p62666 +sa(dp62667 +g25267 +g27 +sg25268 +S'Bedspread' +p62668 +sg25270 +S'Margery Parish' +p62669 +sa(dp62670 +g25267 +g27 +sg25268 +S'Colcha' +p62671 +sg25270 +S'Majel G. 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Working at Embroidery' +p62682 +sg25270 +S'French 18th Century' +p62683 +sa(dp62684 +g25267 +g27 +sg25268 +S'Textile' +p62685 +sg25270 +S'American 20th Century' +p62686 +sa(dp62687 +g25267 +g27 +sg25268 +S'Textile' +p62688 +sg25270 +S'American 20th Century' +p62689 +sa(dp62690 +g25267 +g27 +sg25268 +S'Textile' +p62691 +sg25270 +S'American 20th Century' +p62692 +sa(dp62693 +g25267 +g27 +sg25268 +S'Textile' +p62694 +sg25270 +S'American 20th Century' +p62695 +sa(dp62696 +g25267 +g27 +sg25268 +S'Textile' +p62697 +sg25270 +S'American 20th Century' +p62698 +sa(dp62699 +g25267 +g27 +sg25268 +S'Textile' +p62700 +sg25270 +S'American 20th Century' +p62701 +sa(dp62702 +g25267 +g27 +sg25268 +S'Textile' +p62703 +sg25270 +S'American 20th Century' +p62704 +sa(dp62705 +g25267 +g27 +sg25268 +S'Textile' +p62706 +sg25270 +S'American 20th Century' +p62707 +sa(dp62708 +g25267 +g27 +sg25268 +S'Textile' +p62709 +sg25270 +S'American 20th Century' +p62710 +sa(dp62711 +g25267 +g27 +sg25268 +S'Textile' +p62712 +sg25270 +S'American 20th Century' +p62713 +sa(dp62714 +g25273 +S'(artist after)' +p62715 +sg25267 +g27 +sg25275 +S'\n' +p62716 +sg25268 +S'Melpomene Presenting Marie-Antoinette with the Works of Metastasio' +p62717 +sg25270 +S'Artist Information (' +p62718 +sa(dp62719 +g25267 +g27 +sg25268 +S'Textile' +p62720 +sg25270 +S'American 20th Century' +p62721 +sa(dp62722 +g25267 +g27 +sg25268 +S'Colcha' +p62723 +sg25270 +S'Majel G. 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Stroh' +p63060 +sa(dp63061 +g25267 +g27 +sg25268 +S'Wooden Grain Shovel' +p63062 +sg25270 +S'Pearl Davis' +p63063 +sa(dp63064 +g25267 +g27 +sg25268 +S'Grain Shovel' +p63065 +sg25270 +S'Eugene Bartz' +p63066 +sa(dp63067 +g25267 +g27 +sg25268 +S'Silver Cake Basket' +p63068 +sg25270 +S'Giacinto Capelli' +p63069 +sa(dp63070 +g25273 +S'(artist after)' +p63071 +sg25267 +g27 +sg25275 +S'\n' +p63072 +sg25268 +S'Louis XVI, Marie-Antoinette, and the Dauphin' +p63073 +sg25270 +S'Artist Information (' +p63074 +sa(dp63075 +g25267 +g27 +sg25268 +S'Silver Bowl' +p63076 +sg25270 +S'Amelia Tuccio' +p63077 +sa(dp63078 +g25267 +g27 +sg25268 +S'Silver Wine Taster' +p63079 +sg25270 +S'Horace Reina' +p63080 +sa(dp63081 +g25267 +g27 +sg25268 +S'Silver Dish' +p63082 +sg25270 +S'Clayton Braun' +p63083 +sa(dp63084 +g25267 +g27 +sg25268 +S'Silver Bowl' +p63085 +sg25270 +S'Charles Cullen' +p63086 +sa(dp63087 +g25267 +g27 +sg25268 +S'Silver Bowl' +p63088 +sg25270 +S'Clayton Braun' +p63089 +sa(dp63090 +g25267 +g27 +sg25268 +S'Silver Bowl' +p63091 +sg25270 +S'Hester Duany' +p63092 +sa(dp63093 +g25267 +g27 +sg25268 +S'Silver Beaker' +p63094 +sg25270 +S'Michael Fenga' +p63095 +sa(dp63096 +g25267 +g27 +sg25268 +S'Silver Beaker' +p63097 +sg25270 +S'Palmyra Pimentel' +p63098 +sa(dp63099 +g25267 +g27 +sg25268 +S'Silver Beaker' +p63100 +sg25270 +S'Dorothy Dwin' +p63101 +sa(dp63102 +g25267 +g27 +sg25268 +S'Silver Beaker' +p63103 +sg25270 +S'Horace Reina' +p63104 +sa(dp63105 +g25273 +S'(artist after)' +p63106 +sg25267 +g27 +sg25275 +S'\n' +p63107 +sg25268 +S'Louis XVI, Marie-Antoinette, and the Dauphin' +p63108 +sg25270 +S'Artist Information (' +p63109 +sa(dp63110 +g25267 +g27 +sg25268 +S'Silver Beaker' +p63111 +sg25270 +S'Holger Hansen' +p63112 +sa(dp63113 +g25267 +g27 +sg25268 +S'Silver Christening Bowl' +p63114 +sg25270 +S'Paul Ward' +p63115 +sa(dp63116 +g25267 +g27 +sg25268 +S'Silver Christening Bowl' +p63117 +sg25270 +S'Horace Reina' +p63118 +sa(dp63119 +g25267 +g27 +sg25268 +S'Silver Basin' +p63120 +sg25270 +S'Horace Reina' +p63121 +sa(dp63122 +g25267 +g27 +sg25268 +S'Silver Baptismal Basin' +p63123 +sg25270 +S'Horace Reina' +p63124 +sa(dp63125 +g25267 +g27 +sg25268 +S'Silver Christening Bowl' +p63126 +sg25270 +S'Paul Ward' +p63127 +sa(dp63128 +g25267 +g27 +sg25268 +S'Silver Christening Bowl' +p63129 +sg25270 +S'Paul Ward' +p63130 +sa(dp63131 +g25267 +g27 +sg25268 +S'Silver Baptismal Basin' +p63132 +sg25270 +S'Michael Fenga' +p63133 +sa(dp63134 +g25267 +g27 +sg25268 +S'Silver Alms Dish' +p63135 +sg25270 +S'Simon Weiss' +p63136 +sa(dp63137 +g25267 +g27 +sg25268 +S'Silver Spoon Holder' +p63138 +sg25270 +S'Samuel O. Klein' +p63139 +sa(dp63140 +g25273 +S'(artist after)' +p63141 +sg25267 +g27 +sg25275 +S'\n' +p63142 +sg25268 +S'Louis XVI, Marie-Antoinette, and the Dauphin' +p63143 +sg25270 +S'Artist Information (' +p63144 +sa(dp63145 +g25267 +g27 +sg25268 +S'Silver Spoon Holder' +p63146 +sg25270 +S'Dana Bartlett' +p63147 +sa(dp63148 +g25267 +g27 +sg25268 +S'Silver Gravy Ladle' +p63149 +sg25270 +S'Francis Law Durand' +p63150 +sa(dp63151 +g25267 +g27 +sg25268 +S'Silver Sugar Spoon' +p63152 +sg25270 +S'Anthony Zuccarello' +p63153 +sa(dp63154 +g25267 +g27 +sg25268 +S'Silver Pipkin' +p63155 +sg25270 +S'Amelia Tuccio' +p63156 +sa(dp63157 +g25267 +g27 +sg25268 +S'Silver Folding Spoon' +p63158 +sg25270 +S'Alfred Walbeck' +p63159 +sa(dp63160 +g25267 +g27 +sg25268 +S'Silver Spoon' +p63161 +sg25270 +S'Erwin Schwabe' +p63162 +sa(dp63163 +g25267 +g27 +sg25268 +S'Silver Spoon' +p63164 +sg25270 +S'William P. Shearwood' +p63165 +sa(dp63166 +g25267 +g27 +sg25268 +S'Silver Sugar Spoon' +p63167 +sg25270 +S'Francis Law Durand' +p63168 +sa(dp63169 +g25267 +g27 +sg25268 +S'Silver Gravy Ladle' +p63170 +sg25270 +S'Francis Law Durand' +p63171 +sa(dp63172 +g25267 +g27 +sg25268 +S'Silver Spoon' +p63173 +sg25270 +S'Erwin Schwabe' +p63174 +sa(dp63175 +g25273 +S'Widener Collection' +p63176 +sg25267 +g27 +sg25275 +S'\netching and engraving' +p63177 +sg25268 +S'La Dame du Palais de la Reine' +p63178 +sg25270 +S'French 18th Century' +p63179 +sa(dp63180 +g25267 +g27 +sg25268 +S'Silver Funeral Spoon' +p63181 +sg25270 +S'Jack Staloff' +p63182 +sa(dp63183 +g25267 +g27 +sg25268 +S'Silver Gravy Ladle' +p63184 +sg25270 +S'Eugene Barrell' +p63185 +sa(dp63186 +g25267 +g27 +sg25268 +S'Silver Whiskey Flask' +p63187 +sg25270 +S'Robert Stewart' +p63188 +sa(dp63189 +g25267 +g27 +sg25268 +S'Silver Communion Beaker' +p63190 +sg25270 +S'Hester Duany' +p63191 +sa(dp63192 +g25267 +g27 +sg25268 +S'Silver Whiskey Flask' +p63193 +sg25270 +S'Robert Stewart' +p63194 +sa(dp63195 +g25267 +g27 +sg25268 +S'Silver and Glass Flagon' +p63196 +sg25270 +S'Carmel Wilson' +p63197 +sa(dp63198 +g25267 +g27 +sg25268 +S'Silver Creamer' +p63199 +sg25270 +S'Arsen Maralian' +p63200 +sa(dp63201 +g25267 +g27 +sg25268 +S'Silver Creamer' +p63202 +sg25270 +S'Nicholas Zupa' +p63203 +sa(dp63204 +g25267 +g27 +sg25268 +S'Silver Communion Cup' +p63205 +sg25270 +S'Aaron Fastovsky' +p63206 +sa(dp63207 +g25267 +g27 +sg25268 +S'Silver Chocolate Pot' +p63208 +sg25270 +S'Leo Drozdoff' +p63209 +sa(dp63210 +g25273 +S'etching and mezzotint in brown' +p63211 +sg25267 +g27 +sg25275 +S'unknown date\n' +p63212 +sg25268 +S'Le Traitre Louis XVI' +p63213 +sg25270 +S'Villeneuve' +p63214 +sa(dp63215 +g25267 +g27 +sg25268 +S'Silver Coffee Pot' +p63216 +sg25270 +S'American 20th Century' +p63217 +sa(dp63218 +g25267 +g27 +sg25268 +S'Silver Coffee Pot' +p63219 +sg25270 +S'Aaron Fastovsky' +p63220 +sa(dp63221 +g25267 +g27 +sg25268 +S'Silver Coffee Pot' +p63222 +sg25270 +S'Simon Weiss' +p63223 +sa(dp63224 +g25267 +g27 +sg25268 +S'Silver Coffee Pot' +p63225 +sg25270 +S'Michael Fenga' +p63226 +sa(dp63227 +g25267 +g27 +sg25268 +S'Silver Candlestick' +p63228 +sg25270 +S'Horace Reina' +p63229 +sa(dp63230 +g25267 +g27 +sg25268 +S'Silver Candle Snuffer' +p63231 +sg25270 +S'Michael Fenga' +p63232 +sa(dp63233 +g25267 +g27 +sg25268 +S'Silver Candlestick Holder' +p63234 +sg25270 +S'Clayton Braun' +p63235 +sa(dp63236 +g25267 +g27 +sg25268 +S'Silver Caster' +p63237 +sg25270 +S'Hester Duany' +p63238 +sa(dp63239 +g25267 +g27 +sg25268 +S'Silver Caster' +p63240 +sg25270 +S'Louis Annino' +p63241 +sa(dp63242 +g25267 +g27 +sg25268 +S'Silver Trencher Salt' +p63243 +sg25270 +S'Eugene La Foret' +p63244 +sa(dp63245 +g25268 +S'The Alba Madonna' +p63246 +sg25270 +S'Raphael' +p63247 +sg25273 +S'oil on panel transferred to canvas' +p63248 +sg25275 +S'c. 1510' +p63249 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005e1.jpg' +p63250 +sg25267 +S"After four years in Florence, Raphael moved to Rome in 1508, probably to execute more significant commissions under the papal reign of Julius II. The major work in America from Raphael's Roman period is \n The Alba Madonna\n " +p63251 +sa(dp63252 +g25273 +S'etching and mezzotint in brown' +p63253 +sg25267 +g27 +sg25275 +S'unknown date\n' +p63254 +sg25268 +S'La Panthere Autrichienne' +p63255 +sg25270 +S'Villeneuve' +p63256 +sa(dp63257 +g25267 +g27 +sg25268 +S'Silver Trencher Salt' +p63258 +sg25270 +S'Clayton Braun' +p63259 +sa(dp63260 +g25267 +g27 +sg25268 +S'Silver Dredger' +p63261 +sg25270 +S'Michael Fenga' +p63262 +sa(dp63263 +g25267 +g27 +sg25268 +S'Silver Salt Cellar' +p63264 +sg25270 +S'Amelia Tuccio' +p63265 +sa(dp63266 +g25267 +g27 +sg25268 +S'Silver Salt Cellar' +p63267 +sg25270 +S'Walter Doran' +p63268 +sa(dp63269 +g25267 +g27 +sg25268 +S'Silver Salt Trencher' +p63270 +sg25270 +S'Kalamian Walton' +p63271 +sa(dp63272 +g25267 +g27 +sg25268 +S'Silver Caster' +p63273 +sg25270 +S'Hans Westendorff' +p63274 +sa(dp63275 +g25267 +g27 +sg25268 +S'Silver Brazier' +p63276 +sg25270 +S'Amelia Tuccio' +p63277 +sa(dp63278 +g25267 +g27 +sg25268 +S'Silver Brazier' +p63279 +sg25270 +S'Horace Reina' +p63280 +sa(dp63281 +g25267 +g27 +sg25268 +S'Silver Basin' +p63282 +sg25270 +S'Vincent Carano' +p63283 +sa(dp63284 +g25267 +g27 +sg25268 +S'Silver Bowl' +p63285 +sg25270 +S'Giacinto Capelli' +p63286 +sa(dp63287 +g25273 +S'(artist)' +p63288 +sg25267 +g27 +sg25275 +S'\n' +p63289 +sg25268 +S'Belisaire' +p63290 +sg25270 +S'Artist Information (' +p63291 +sa(dp63292 +g25267 +g27 +sg25268 +S'Silver Baptismal Bowl' +p63293 +sg25270 +S'Giacinto Capelli' +p63294 +sa(dp63295 +g25267 +g27 +sg25268 +S'Silver Bowl' +p63296 +sg25270 +S'Michael Fenga' +p63297 +sa(dp63298 +g25267 +g27 +sg25268 +S'Silver Saucepan with Cover' +p63299 +sg25270 +S'Giacinto Capelli' +p63300 +sa(dp63301 +g25267 +g27 +sg25268 +S'Silver Bowl' +p63302 +sg25270 +S'Amelia Tuccio' +p63303 +sa(dp63304 +g25267 +g27 +sg25268 +S'Silver Bowl' +p63305 +sg25270 +S'Charles Cullen' +p63306 +sa(dp63307 +g25267 +g27 +sg25268 +S'Silver Mug' +p63308 +sg25270 +S'Amelia Tuccio' +p63309 +sa(dp63310 +g25267 +g27 +sg25268 +S'Silver Mug' +p63311 +sg25270 +S'Isidore Steinberg' +p63312 +sa(dp63313 +g25267 +g27 +sg25268 +S'Silver Mug' +p63314 +sg25270 +S'Holger Hansen' +p63315 +sa(dp63316 +g25267 +g27 +sg25268 +S'Silver Mug' +p63317 +sg25270 +S'Horace Reina' +p63318 +sa(dp63319 +g25267 +g27 +sg25268 +S'Silver Mug' +p63320 +sg25270 +S'Aaron Fastovsky' +p63321 +sa(dp63322 +g25273 +S'pen and black ink with brown wash and white heightening' +p63323 +sg25267 +g27 +sg25275 +S'published 1767' +p63324 +sg25268 +S'Ecce Spectaculum Dignum' +p63325 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p63326 +sa(dp63327 +g25267 +g27 +sg25268 +S'Silver Mug' +p63328 +sg25270 +S'Clayton Braun' +p63329 +sa(dp63330 +g25267 +g27 +sg25268 +S'Silver Mug' +p63331 +sg25270 +S'Vincent Carano' +p63332 +sa(dp63333 +g25267 +g27 +sg25268 +S'Silver Mug' +p63334 +sg25270 +S'Amelia Tuccio' +p63335 +sa(dp63336 +g25267 +g27 +sg25268 +S'Silver Cup' +p63337 +sg25270 +S'Hester Duany' +p63338 +sa(dp63339 +g25267 +g27 +sg25268 +S'Silver Cup' +p63340 +sg25270 +S'Michael Fenga' +p63341 +sa(dp63342 +g25267 +g27 +sg25268 +S'Silver Mug' +p63343 +sg25270 +S'Vincent Carano' +p63344 +sa(dp63345 +g25267 +g27 +sg25268 +S'Silver Communion Mug' +p63346 +sg25270 +S'Isidore Steinberg' +p63347 +sa(dp63348 +g25267 +g27 +sg25268 +S'Silver Mug' +p63349 +sg25270 +S'Hester Duany' +p63350 +sa(dp63351 +g25267 +g27 +sg25268 +S'Silver Mug' +p63352 +sg25270 +S'Leo Drozdoff' +p63353 +sa(dp63354 +g25267 +g27 +sg25268 +S'Silver Fork' +p63355 +sg25270 +S'Charlotte Winter' +p63356 +sa(dp63357 +g25273 +S'pen and black ink with brown wash and white heightening' +p63358 +sg25267 +g27 +sg25275 +S'published 1767' +p63359 +sg25268 +S'Les Monstres! voil\xc3\xa0 sa r\xc3\xa9compense' +p63360 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p63361 +sa(dp63362 +g25267 +g27 +sg25268 +S'Silver Fork' +p63363 +sg25270 +S'Herbert Russin' +p63364 +sa(dp63365 +g25267 +g27 +sg25268 +S'Silver Knife' +p63366 +sg25270 +S'Charlotte Winter' +p63367 +sa(dp63368 +g25267 +g27 +sg25268 +S'Silver Caudle Cup' +p63369 +sg25270 +S'Amelia Tuccio' +p63370 +sa(dp63371 +g25267 +g27 +sg25268 +S'Silver Cup with Cover' +p63372 +sg25270 +S'Vincent Carano' +p63373 +sa(dp63374 +g25267 +g27 +sg25268 +S'Silver Caudle Cup' +p63375 +sg25270 +S'Lawrence Flynn' +p63376 +sa(dp63377 +g25267 +g27 +sg25268 +S'Silver Mustard Pot' +p63378 +sg25270 +S'Hester Duany' +p63379 +sa(dp63380 +g25267 +g27 +sg25268 +S'Silver Creamer' +p63381 +sg25270 +S'Amelia Tuccio' +p63382 +sa(dp63383 +g25267 +g27 +sg25268 +S'Silver Tea Set Creamer' +p63384 +sg25270 +S'Simon Weiss' +p63385 +sa(dp63386 +g25267 +g27 +sg25268 +S'Silver Creamer' +p63387 +sg25270 +S'Hester Duany' +p63388 +sa(dp63389 +g25267 +g27 +sg25268 +S'Silver Water Pitcher' +p63390 +sg25270 +S'Clayton Braun' +p63391 +sa(dp63392 +g25273 +S'pen and black ink with brown wash and white heightening' +p63393 +sg25267 +g27 +sg25275 +S'published 1767' +p63394 +sg25268 +S"Qu'il approche, et que je l'embrasse" +p63395 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p63396 +sa(dp63397 +g25267 +g27 +sg25268 +S'Silver Creamer' +p63398 +sg25270 +S'Matthew Mangiacotti' +p63399 +sa(dp63400 +g25267 +g27 +sg25268 +S'Silver Creamer' +p63401 +sg25270 +S'Amelia Tuccio' +p63402 +sa(dp63403 +g25267 +g27 +sg25268 +S'Silver Creamer' +p63404 +sg25270 +S'Giacinto Capelli' +p63405 +sa(dp63406 +g25267 +g27 +sg25268 +S'Silver Creamer' +p63407 +sg25270 +S'Matthew Mangiacotti' +p63408 +sa(dp63409 +g25267 +g27 +sg25268 +S'Silver Creamer' +p63410 +sg25270 +S'Eugene Barrell' +p63411 +sa(dp63412 +g25267 +g27 +sg25268 +S'Silver Creamer' +p63413 +sg25270 +S'Paul Ward' +p63414 +sa(dp63415 +g25267 +g27 +sg25268 +S'Silver Creamer' +p63416 +sg25270 +S'Michael Fenga' +p63417 +sa(dp63418 +g25267 +g27 +sg25268 +S'Silver Creamer' +p63419 +sg25270 +S'Simon Weiss' +p63420 +sa(dp63421 +g25267 +g27 +sg25268 +S'Silver Tea Caddy' +p63422 +sg25270 +S'Michael Fenga' +p63423 +sa(dp63424 +g25267 +g27 +sg25268 +S'Silver Tea Caddy' +p63425 +sg25270 +S'Hester Duany' +p63426 +sa(dp63427 +g25273 +S'pen and black ink with brown wash and white heightening' +p63428 +sg25267 +g27 +sg25275 +S'published 1767' +p63429 +sg25268 +S'Tremblez, Laches: son Innocence et sa Vertus me sont connues' +p63430 +sg25270 +S'Hubert Fran\xc3\xa7ois Gravelot' +p63431 +sa(dp63432 +g25267 +g27 +sg25268 +S'Silver Tea Caddy' +p63433 +sg25270 +S'Michael Fenga' +p63434 +sa(dp63435 +g25267 +g27 +sg25268 +S'Silver Snuff Box' +p63436 +sg25270 +S'Clayton Braun' +p63437 +sa(dp63438 +g25267 +g27 +sg25268 +S'Silver Sauce Boat' +p63439 +sg25270 +S'Michael Fenga' +p63440 +sa(dp63441 +g25267 +g27 +sg25268 +S'Silver Tea Caddy' +p63442 +sg25270 +S'Nicholas Zupa' +p63443 +sa(dp63444 +g25267 +g27 +sg25268 +S'Silver Sauce Boat' +p63445 +sg25270 +S'Amelia Tuccio' +p63446 +sa(dp63447 +g25267 +g27 +sg25268 +S'Silver Pitcher' +p63448 +sg25270 +S'Michael Fenga' +p63449 +sa(dp63450 +g25267 +g27 +sg25268 +S'Silver Sauce Boat' +p63451 +sg25270 +S'Michael Fenga' +p63452 +sa(dp63453 +g25267 +g27 +sg25268 +S'Silver Sauce Boat' +p63454 +sg25270 +S'Francisco Alvarez' +p63455 +sa(dp63456 +g25267 +g27 +sg25268 +S'Silver Sauce Boat' +p63457 +sg25270 +S'Aaron Fastovsky' +p63458 +sa(dp63459 +g25267 +g27 +sg25268 +S'Silver Sauce Boat' +p63460 +sg25270 +S'Giacinto Capelli' +p63461 +sa(dp63462 +g25273 +S'French, 1723 - 1799' +p63463 +sg25267 +g27 +sg25275 +S'(author)' +p63464 +sg25268 +S'Contes moraux (volume I)' +p63465 +sg25270 +S'Artist Information (' +p63466 +sa(dp63467 +g25267 +g27 +sg25268 +S'Silver Meat Platter' +p63468 +sg25270 +S'Hester Duany' +p63469 +sa(dp63470 +g25267 +g27 +sg25268 +S'Silver Tray' +p63471 +sg25270 +S'Horace Reina' +p63472 +sa(dp63473 +g25267 +g27 +sg25268 +S'Silver Tray' +p63474 +sg25270 +S'Michael Fenga' +p63475 +sa(dp63476 +g25267 +g27 +sg25268 +S'Silver Tray' +p63477 +sg25270 +S'Michael Fenga' +p63478 +sa(dp63479 +g25267 +g27 +sg25268 +S'Silver Salver' +p63480 +sg25270 +S'Clayton Braun' +p63481 +sa(dp63482 +g25267 +g27 +sg25268 +S'Silver Salver' +p63483 +sg25270 +S'Milton Grubstein' +p63484 +sa(dp63485 +g25267 +g27 +sg25268 +S'Silver Salver' +p63486 +sg25270 +S'Vincent Carano' +p63487 +sa(dp63488 +g25267 +g27 +sg25268 +S'Silver Tray' +p63489 +sg25270 +S'Simon Weiss' +p63490 +sa(dp63491 +g25267 +g27 +sg25268 +S'Silver Salver' +p63492 +sg25270 +S'Vincent Carano' +p63493 +sa(dp63494 +g25267 +g27 +sg25268 +S'Silver Porringer' +p63495 +sg25270 +S'Amelia Tuccio' +p63496 +sa(dp63497 +g25273 +S'French, 1723 - 1799' +p63498 +sg25267 +g27 +sg25275 +S'(author)' +p63499 +sg25268 +S'Contes moraux (volume II)' +p63500 +sg25270 +S'Artist Information (' +p63501 +sa(dp63502 +g25267 +g27 +sg25268 +S'Silver Bowl' +p63503 +sg25270 +S'Amelia Tuccio' +p63504 +sa(dp63505 +g25267 +g27 +sg25268 +S'Silver Porringer' +p63506 +sg25270 +S'Clayton Braun' +p63507 +sa(dp63508 +g25267 +g27 +sg25268 +S'Silver Porringer' +p63509 +sg25270 +S'Horace Reina' +p63510 +sa(dp63511 +g25267 +g27 +sg25268 +S'Silver Porringer' +p63512 +sg25270 +S'Giacinto Capelli' +p63513 +sa(dp63514 +g25267 +g27 +sg25268 +S'Silver Porringer' +p63515 +sg25270 +S'Herbert Russin' +p63516 +sa(dp63517 +g25267 +g27 +sg25268 +S'Silver Mug' +p63518 +sg25270 +S'Hester Duany' +p63519 +sa(dp63520 +g25267 +g27 +sg25268 +S'Silver Mug' +p63521 +sg25270 +S'Aaron Fastovsky' +p63522 +sa(dp63523 +g25267 +g27 +sg25268 +S'Silver Mug' +p63524 +sg25270 +S'Leo Drozdoff' +p63525 +sa(dp63526 +g25267 +g27 +sg25268 +S'Silver Mug' +p63527 +sg25270 +S'Palmyra Pimentel' +p63528 +sa(dp63529 +g25267 +g27 +sg25268 +S'Silver Mug' +p63530 +sg25270 +S'Artist Information (' +p63531 +sa(dp63532 +g25273 +S'French, 1723 - 1799' +p63533 +sg25267 +g27 +sg25275 +S'(author)' +p63534 +sg25268 +S'Contes moraux (volume III)' +p63535 +sg25270 +S'Artist Information (' +p63536 +sa(dp63537 +g25267 +S'This locomotive is made from tinned sheet iron painted with oil colors and touches\n of gilt; it is fitted with a clock spring for propulsion. Clockwork mechanisms reached\n a peak in the twenty-five years following the Civil War. Locomotives were among\n the most popular clockwork toys. This toy dates from the third quarter of the nineteenth\n century. The cowcatcher in front, the eagle on the headlight, and the broad funnel\n characterize an early stage in the development of the American locomotive. A bell\n (now missing) was originally suspended from the scrolling frame arched across the\n top of the boiler. The locomotive runs on four cast iron wheels. In place of spokes,\n the wheels have ornate tracery.\n ' +p63538 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002ff.jpg' +p63539 +sg25268 +S'Toy Locomotive' +p63540 +sg25270 +S'Charles Henning' +p63541 +sa(dp63542 +g25267 +g27 +sg25268 +S'Top' +p63543 +sg25270 +S'Mina Lowry' +p63544 +sa(dp63545 +g25267 +g27 +sg25268 +S'Doll' +p63546 +sg25270 +S'Esther Peck' +p63547 +sa(dp63548 +g25267 +S'This small horse -- only twelve inches high -- could not have been a hobbyhorse,\n but it was a delightful toy in the hobbyhorse style. Made about 1835 in Pennsylvania,\n it was carved from a single piece of pine. The eyes, nostrils, hooves, and horns\n are painted. Iron nails driven into the top of the neck keep a horizontal crack\n from opening further.\n ' +p63549 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a00004b7.jpg' +p63550 +sg25268 +S'Toy Horse' +p63551 +sg25270 +S'Mina Lowry' +p63552 +sa(dp63553 +g25267 +g27 +sg25268 +S'Silver Teaspoon' +p63554 +sg25270 +S'Kalamian Walton' +p63555 +sa(dp63556 +g25267 +g27 +sg25268 +S'Silver Teaspoon' +p63557 +sg25270 +S'Kalamian Walton' +p63558 +sa(dp63559 +g25267 +g27 +sg25268 +S'Silver Spoon' +p63560 +sg25270 +S'Horace Reina' +p63561 +sa(dp63562 +g25267 +g27 +sg25268 +S'Silver Ladle' +p63563 +sg25270 +S'Karl Joubert' +p63564 +sa(dp63565 +g25267 +g27 +sg25268 +S'Silver Ladle' +p63566 +sg25270 +S'Karl Joubert' +p63567 +sa(dp63568 +g25267 +g27 +sg25268 +S'Silver Ladle' +p63569 +sg25270 +S'Hester Duany' +p63570 +sa(dp63571 +g25273 +S'French, 1723 - 1799' +p63572 +sg25267 +g27 +sg25275 +S'(author)' +p63573 +sg25268 +S'Les Incas (volume I)' +p63574 +sg25270 +S'Artist Information (' +p63575 +sa(dp63576 +g25267 +g27 +sg25268 +S'Silver Teaspoon' +p63577 +sg25270 +S'Kalamian Walton' +p63578 +sa(dp63579 +g25267 +g27 +sg25268 +S'Silver Teaspoon' +p63580 +sg25270 +S'Kalamian Walton' +p63581 +sa(dp63582 +g25267 +g27 +sg25268 +S'Silver Teaspoon' +p63583 +sg25270 +S'Kalamian Walton' +p63584 +sa(dp63585 +g25267 +g27 +sg25268 +S'Silver Teaspoon' +p63586 +sg25270 +S'Kalamian Walton' +p63587 +sa(dp63588 +g25267 +g27 +sg25268 +S'Silver Spoon' +p63589 +sg25270 +S'Kalamian Walton' +p63590 +sa(dp63591 +g25267 +g27 +sg25268 +S'Silver Spoon' +p63592 +sg25270 +S'Kalamian Walton' +p63593 +sa(dp63594 +g25267 +g27 +sg25268 +S'Silver Spoon' +p63595 +sg25270 +S'Kalamian Walton' +p63596 +sa(dp63597 +g25267 +g27 +sg25268 +S'Silver Spoon' +p63598 +sg25270 +S'Kalamian Walton' +p63599 +sa(dp63600 +g25267 +g27 +sg25268 +S'Silver Funeral Spoon' +p63601 +sg25270 +S'Kalamian Walton' +p63602 +sa(dp63603 +g25267 +g27 +sg25268 +S'Silver Funeral Spoon' +p63604 +sg25270 +S'Kalamian Walton' +p63605 +sa(dp63606 +g25268 +S'Venus' +p63607 +sg25270 +S'Bernardino Luini' +p63608 +sg25273 +S'oil on panel' +p63609 +sg25275 +S'c. 1530' +p63610 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005d6.jpg' +p63611 +sg25267 +g27 +sa(dp63612 +g25273 +S'French, 1723 - 1799' +p63613 +sg25267 +g27 +sg25275 +S'(author)' +p63614 +sg25268 +S'Les Incas (volume II)' +p63615 +sg25270 +S'Artist Information (' +p63616 +sa(dp63617 +g25267 +g27 +sg25268 +S'Silver Spoon' +p63618 +sg25270 +S'Charlotte Winter' +p63619 +sa(dp63620 +g25267 +g27 +sg25268 +S'Silver Spoon' +p63621 +sg25270 +S'Kalamian Walton' +p63622 +sa(dp63623 +g25267 +g27 +sg25268 +S'Silver Spoon' +p63624 +sg25270 +S'Kalamian Walton' +p63625 +sa(dp63626 +g25267 +g27 +sg25268 +S'Silver Salt Spoon' +p63627 +sg25270 +S'Florence Hastings' +p63628 +sa(dp63629 +g25267 +g27 +sg25268 +S'Silver Demi-tasse Spoon' +p63630 +sg25270 +S'Kalamian Walton' +p63631 +sa(dp63632 +g25267 +g27 +sg25268 +S'Silver Demi-tasse Spoon' +p63633 +sg25270 +S'Kalamian Walton' +p63634 +sa(dp63635 +g25267 +g27 +sg25268 +S'Silver Spoon' +p63636 +sg25270 +S'Kalamian Walton' +p63637 +sa(dp63638 +g25267 +g27 +sg25268 +S'Silver Spoon' +p63639 +sg25270 +S'Kalamian Walton' +p63640 +sa(dp63641 +g25267 +g27 +sg25268 +S'Silver Teaspoon' +p63642 +sg25270 +S'Kalamian Walton' +p63643 +sa(dp63644 +g25267 +g27 +sg25268 +S'Silver Teaspoon' +p63645 +sg25270 +S'Kalamian Walton' +p63646 +sa(dp63647 +g25273 +S'French, 1622 - 1673' +p63648 +sg25267 +g27 +sg25275 +S'(author)' +p63649 +sg25268 +S'Oeuvres de Moliere (volume I)' +p63650 +sg25270 +S'Artist Information (' +p63651 +sa(dp63652 +g25267 +g27 +sg25268 +S'Silver Punch Strainer' +p63653 +sg25270 +S'John R. Towers' +p63654 +sa(dp63655 +g25267 +g27 +sg25268 +S'Silver Strainer' +p63656 +sg25270 +S'Kalamian Walton' +p63657 +sa(dp63658 +g25267 +g27 +sg25268 +S'Silver Punch Strainer' +p63659 +sg25270 +S'Aaron Fastovsky' +p63660 +sa(dp63661 +g25267 +g27 +sg25268 +S'Silver Lemon Strainer' +p63662 +sg25270 +S'Kalamian Walton' +p63663 +sa(dp63664 +g25267 +g27 +sg25268 +S'Silver Lemon Strainer' +p63665 +sg25270 +S'Michael Fenga' +p63666 +sa(dp63667 +g25267 +g27 +sg25268 +S'Silver Lemon Strainer' +p63668 +sg25270 +S'Kalamian Walton' +p63669 +sa(dp63670 +g25267 +g27 +sg25268 +S'Silver Punch Strainer' +p63671 +sg25270 +S'Charlotte Winter' +p63672 +sa(dp63673 +g25267 +g27 +sg25268 +S'Silver Punch Strainer' +p63674 +sg25270 +S'John R. Towers' +p63675 +sa(dp63676 +g25267 +g27 +sg25268 +S'Silver Sugar Urn' +p63677 +sg25270 +S'E.J. Gilsleider' +p63678 +sa(dp63679 +g25267 +g27 +sg25268 +S'Silver Sugar Bowl' +p63680 +sg25270 +S'Paul Ward' +p63681 +sa(dp63682 +g25273 +S'French, 1622 - 1673' +p63683 +sg25267 +g27 +sg25275 +S'(author)' +p63684 +sg25268 +S'Oeuvres de Moliere (volume II)' +p63685 +sg25270 +S'Artist Information (' +p63686 +sa(dp63687 +g25267 +g27 +sg25268 +S'Silver Sugar Bowl' +p63688 +sg25270 +S'Hans Westendorff' +p63689 +sa(dp63690 +g25267 +g27 +sg25268 +S'Silver Sugar Bowl' +p63691 +sg25270 +S'Michael Fenga' +p63692 +sa(dp63693 +g25267 +g27 +sg25268 +S'Silver Sugar Bowl' +p63694 +sg25270 +S'Hester Duany' +p63695 +sa(dp63696 +g25267 +g27 +sg25268 +S'Silver Sugar Bowl' +p63697 +sg25270 +S'Simon Weiss' +p63698 +sa(dp63699 +g25267 +g27 +sg25268 +S'Silver Sugar Bowl' +p63700 +sg25270 +S'Aaron Fastovsky' +p63701 +sa(dp63702 +g25267 +g27 +sg25268 +S'Silver Sugar Bowl' +p63703 +sg25270 +S'Aaron Fastovsky' +p63704 +sa(dp63705 +g25267 +g27 +sg25268 +S'Silver Sugar Bowl' +p63706 +sg25270 +S'Michael Fenga' +p63707 +sa(dp63708 +g25267 +g27 +sg25268 +S'Silver Sugar Bowl' +p63709 +sg25270 +S'Leo Drozdoff' +p63710 +sa(dp63711 +g25267 +g27 +sg25268 +S'Silver Sugar Bowl' +p63712 +sg25270 +S'Hester Duany' +p63713 +sa(dp63714 +g25267 +g27 +sg25268 +S'Silver Sugar Tongs' +p63715 +sg25270 +S'Kalamian Walton' +p63716 +sa(dp63717 +g25273 +S'French, 1622 - 1673' +p63718 +sg25267 +g27 +sg25275 +S'(author)' +p63719 +sg25268 +S'Oeuvres de Moliere (volume III)' +p63720 +sg25270 +S'Artist Information (' +p63721 +sa(dp63722 +g25267 +g27 +sg25268 +S'Silver Sugar Tongs' +p63723 +sg25270 +S'Grace Halpin' +p63724 +sa(dp63725 +g25267 +g27 +sg25268 +S'Silver Sugar Tongs' +p63726 +sg25270 +S'Kalamian Walton' +p63727 +sa(dp63728 +g25267 +g27 +sg25268 +S'Silver Sugar Tongs' +p63729 +sg25270 +S'Kalamian Walton' +p63730 +sa(dp63731 +g25267 +g27 +sg25268 +S'Silver Sugar Tongs' +p63732 +sg25270 +S'Kalamian Walton' +p63733 +sa(dp63734 +g25267 +g27 +sg25268 +S'Silver Sugar Tongs' +p63735 +sg25270 +S'Suzanne Roy' +p63736 +sa(dp63737 +g25267 +g27 +sg25268 +S'Silver Sugar Tongs' +p63738 +sg25270 +S'Kalamian Walton' +p63739 +sa(dp63740 +g25267 +g27 +sg25268 +S'Silver Sugar Tongs' +p63741 +sg25270 +S'Anthony Zuccarello' +p63742 +sa(dp63743 +g25267 +g27 +sg25268 +S'Silver Sugar Tongs' +p63744 +sg25270 +S'Kalamian Walton' +p63745 +sa(dp63746 +g25267 +g27 +sg25268 +S'Silver Teapot' +p63747 +sg25270 +S'Michael Fenga' +p63748 +sa(dp63749 +g25267 +g27 +sg25268 +S'Silver Teapot' +p63750 +sg25270 +S'Clayton Braun' +p63751 +sa(dp63752 +g25273 +S'French, 1622 - 1673' +p63753 +sg25267 +g27 +sg25275 +S'(author)' +p63754 +sg25268 +S'Oeuvres de Moliere (volume IV)' +p63755 +sg25270 +S'Artist Information (' +p63756 +sa(dp63757 +g25267 +g27 +sg25268 +S'Silver Teapot' +p63758 +sg25270 +S'Paul Ward' +p63759 +sa(dp63760 +g25267 +g27 +sg25268 +S'Silver Teapot' +p63761 +sg25270 +S'Clayton Braun' +p63762 +sa(dp63763 +g25267 +g27 +sg25268 +S'Silver Teapot' +p63764 +sg25270 +S'Horace Reina' +p63765 +sa(dp63766 +g25267 +g27 +sg25268 +S'Silver Teapot' +p63767 +sg25270 +S'Dorothy Dwin' +p63768 +sa(dp63769 +g25267 +g27 +sg25268 +S'Silver Teapot' +p63770 +sg25270 +S'Hester Duany' +p63771 +sa(dp63772 +g25267 +g27 +sg25268 +S'Silver Teapot' +p63773 +sg25270 +S'Horace Reina' +p63774 +sa(dp63775 +g25267 +g27 +sg25268 +S'Silver Teapot' +p63776 +sg25270 +S'Giacinto Capelli' +p63777 +sa(dp63778 +g25267 +g27 +sg25268 +S'Silver Teapot' +p63779 +sg25270 +S'Hester Duany' +p63780 +sa(dp63781 +g25267 +g27 +sg25268 +S'Silver Teapot' +p63782 +sg25270 +S'Aaron Fastovsky' +p63783 +sa(dp63784 +g25267 +g27 +sg25268 +S'Silver Teapot' +p63785 +sg25270 +S'Simon Weiss' +p63786 +sa(dp63787 +g25273 +S'French, 1622 - 1673' +p63788 +sg25267 +g27 +sg25275 +S'(author)' +p63789 +sg25268 +S'Oeuvres de Moliere (volume V)' +p63790 +sg25270 +S'Artist Information (' +p63791 +sa(dp63792 +g25267 +g27 +sg25268 +S'Silver Teapot' +p63793 +sg25270 +S'Clayton Braun' +p63794 +sa(dp63795 +g25267 +g27 +sg25268 +S'Silver Teapot' +p63796 +sg25270 +S'Charles Garjian' +p63797 +sa(dp63798 +g25267 +g27 +sg25268 +S'Silver Tankard: Detail' +p63799 +sg25270 +S'Lawrence Flynn' +p63800 +sa(dp63801 +g25267 +g27 +sg25268 +S'Silver Tankard' +p63802 +sg25270 +S'Lawrence Flynn' +p63803 +sa(dp63804 +g25267 +g27 +sg25268 +S'Silver Tankard' +p63805 +sg25270 +S'Clayton Braun' +p63806 +sa(dp63807 +g25267 +g27 +sg25268 +S'Silver Tankard' +p63808 +sg25270 +S'Clayton Braun' +p63809 +sa(dp63810 +g25267 +g27 +sg25268 +S'Silver Tankard' +p63811 +sg25270 +S'Charles Cullen' +p63812 +sa(dp63813 +g25267 +g27 +sg25268 +S'Silver Tankard' +p63814 +sg25270 +S'Michael Fenga' +p63815 +sa(dp63816 +g25267 +g27 +sg25268 +S'Silver Tankard' +p63817 +sg25270 +S'Michael Fenga' +p63818 +sa(dp63819 +g25267 +g27 +sg25268 +S'Silver Tankard' +p63820 +sg25270 +S'Simon Weiss' +p63821 +sa(dp63822 +g25273 +S'French, 1622 - 1673' +p63823 +sg25267 +g27 +sg25275 +S'(author)' +p63824 +sg25268 +S'Oeuvres de Moliere (volume VI)' +p63825 +sg25270 +S'Artist Information (' +p63826 +sa(dp63827 +g25267 +g27 +sg25268 +S'Silver Tankard' +p63828 +sg25270 +S'Amelia Tuccio' +p63829 +sa(dp63830 +g25267 +g27 +sg25268 +S'Silver Tankard' +p63831 +sg25270 +S'Isidore Steinberg' +p63832 +sa(dp63833 +g25267 +g27 +sg25268 +S'Silver Tankard' +p63834 +sg25270 +S'Hester Duany' +p63835 +sa(dp63836 +g25267 +g27 +sg25268 +S'Silver Tankard' +p63837 +sg25270 +S'Clayton Braun' +p63838 +sa(dp63839 +g25267 +g27 +sg25268 +S'Silver Tankard' +p63840 +sg25270 +S'Isidore Steinberg' +p63841 +sa(dp63842 +g25267 +g27 +sg25268 +S'Silver Tankard' +p63843 +sg25270 +S'Simon Weiss' +p63844 +sa(dp63845 +g25267 +g27 +sg25268 +S'Silver Tankard' +p63846 +sg25270 +S'Hester Duany' +p63847 +sa(dp63848 +g25267 +g27 +sg25268 +S'Silver Tankard' +p63849 +sg25270 +S'Lawrence Flynn' +p63850 +sa(dp63851 +g25267 +g27 +sg25268 +S'Silver Tankard' +p63852 +sg25270 +S'Giacinto Capelli' +p63853 +sa(dp63854 +g25267 +g27 +sg25268 +S'Silver Tankard' +p63855 +sg25270 +S'Simon Weiss' +p63856 +sa(dp63857 +g25273 +S'Widener Collection' +p63858 +sg25267 +g27 +sg25275 +S'\nbound volume with 61 etch. and engr. (includes trial proofs) by Cathelin, Bacquoy, Delaunay, Duclos, de Ghendt, Helman, Lebas, Legrand, Leveau, Masquelier, Nee, Simonet, and J.M. Moreauafter Mignard and J.M. Moreau for 1773 ed. of Mol iere\'s "Oeuvres"' +p63859 +sg25268 +S'Album of Prints for Moliere\'s "Oeuvres"' +p63860 +sg25270 +S'Various Artists' +p63861 +sa(dp63862 +g25267 +g27 +sg25268 +S'Silver Tankard' +p63863 +sg25270 +S'Filippo Porreca' +p63864 +sa(dp63865 +g25267 +g27 +sg25268 +S'Silver Tankard' +p63866 +sg25270 +S'Amelia Tuccio' +p63867 +sa(dp63868 +g25267 +g27 +sg25268 +S'Silver Tankard' +p63869 +sg25270 +S'Lawrence Flynn' +p63870 +sa(dp63871 +g25267 +g27 +sg25268 +S'Silver Tankard' +p63872 +sg25270 +S'Leo Drozdoff' +p63873 +sa(dp63874 +g25267 +g27 +sg25268 +S'Silver Tankard' +p63875 +sg25270 +S'Giacinto Capelli' +p63876 +sa(dp63877 +g25267 +g27 +sg25268 +S'Silver Tankard' +p63878 +sg25270 +S'Charlotte Winter' +p63879 +sa(dp63880 +g25267 +g27 +sg25268 +S'Silver Tankard' +p63881 +sg25270 +S'Simon Weiss' +p63882 +sa(dp63883 +g25267 +g27 +sg25268 +S'Silver Teapot' +p63884 +sg25270 +S'Lawrence Flynn' +p63885 +sa(dp63886 +g25267 +g27 +sg25268 +S'Silver Teapot' +p63887 +sg25270 +S'E.J. Gilsleider' +p63888 +sa(dp63889 +g25267 +g27 +sg25268 +S'Silver Teapot' +p63890 +sg25270 +S'Hester Duany' +p63891 +sa(dp63892 +g25273 +S'French, 1703 - 1770' +p63893 +sg25267 +g27 +sg25275 +S'(artist after)' +p63894 +sg25268 +S'Illustrations for "Oeuvres de Moliere"' +p63895 +sg25270 +S'Artist Information (' +p63896 +sa(dp63897 +g25267 +g27 +sg25268 +S'Silver Teapot' +p63898 +sg25270 +S'American 20th Century' +p63899 +sa(dp63900 +g25267 +g27 +sg25268 +S'Silver Teapot' +p63901 +sg25270 +S'Amelia Tuccio' +p63902 +sa(dp63903 +g25267 +g27 +sg25268 +S'Silver Teapot' +p63904 +sg25270 +S'Hans Westendorff' +p63905 +sa(dp63906 +g25267 +g27 +sg25268 +S'Silver Teapot' +p63907 +sg25270 +S'Hester Duany' +p63908 +sa(dp63909 +g25267 +g27 +sg25268 +S'Silver Tankard' +p63910 +sg25270 +S'Isidore Steinberg' +p63911 +sa(dp63912 +g25267 +g27 +sg25268 +S'Silver Tankard' +p63913 +sg25270 +S'Horace Reina' +p63914 +sa(dp63915 +g25267 +g27 +sg25268 +S'Silver Tankard' +p63916 +sg25270 +S'Eugene La Foret' +p63917 +sa(dp63918 +g25267 +g27 +sg25268 +S'Silver Tankard' +p63919 +sg25270 +S'Simon Weiss' +p63920 +sa(dp63921 +g25267 +g27 +sg25268 +S'Silver Tankard' +p63922 +sg25270 +S'Clayton Braun' +p63923 +sa(dp63924 +g25267 +g27 +sg25268 +S'Silver Tankard' +p63925 +sg25270 +S'Lawrence Flynn' +p63926 +sa(dp63927 +g25268 +S'Francois Boucher' +p63928 +sg25270 +S'Louis Bosse' +p63929 +sg25273 +g27 +sg25275 +S'unknown date\n' +p63930 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f37.jpg' +p63931 +sg25267 +g27 +sa(dp63932 +g25267 +g27 +sg25268 +S'Silver Tankard' +p63933 +sg25270 +S'Lawrence Flynn' +p63934 +sa(dp63935 +g25267 +g27 +sg25268 +S'Silver Tankard' +p63936 +sg25270 +S'Lawrence Flynn' +p63937 +sa(dp63938 +g25267 +g27 +sg25268 +S'Silver Tazza' +p63939 +sg25270 +S'Horace Reina' +p63940 +sa(dp63941 +g25267 +g27 +sg25268 +S'Silver Wine Coasters' +p63942 +sg25270 +S'Clayton Braun' +p63943 +sa(dp63944 +g25267 +g27 +sg25268 +S'Silver Chalice' +p63945 +sg25270 +S'Lena Nastasi' +p63946 +sa(dp63947 +g25267 +g27 +sg25268 +S'Silver Beaker with Handles' +p63948 +sg25270 +S'Rose Campbell-Gerke' +p63949 +sa(dp63950 +g25267 +g27 +sg25268 +S'Silver Baby Spoon and Fork' +p63951 +sg25270 +S'Rose Campbell-Gerke' +p63952 +sa(dp63953 +g25267 +g27 +sg25268 +S'Silver Goblet' +p63954 +sg25270 +S'Rose Campbell-Gerke' +p63955 +sa(dp63956 +g25267 +g27 +sg25268 +S'Silver Teapot' +p63957 +sg25270 +S'Lawrence Flynn' +p63958 +sa(dp63959 +g25267 +g27 +sg25268 +S'Silver Tankard: Detail' +p63960 +sg25270 +S'Lawrence Flynn' +p63961 +sa(dp63962 +g25268 +S'Laurent Cars' +p63963 +sg25270 +S'Artist Information (' +p63964 +sg25273 +S'(artist after)' +p63965 +sg25275 +S'\n' +p63966 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a000960c.jpg' +p63967 +sg25267 +g27 +sa(dp63968 +g25267 +g27 +sg25268 +S'Silver Flagon: Detail' +p63969 +sg25270 +S'Lawrence Flynn' +p63970 +sa(dp63971 +g25267 +g27 +sg25268 +S'Silver Beaker' +p63972 +sg25270 +S'Lawrence Flynn' +p63973 +sa(dp63974 +g25267 +g27 +sg25268 +S'Silver Beaker' +p63975 +sg25270 +S'Lawrence Flynn' +p63976 +sa(dp63977 +g25267 +g27 +sg25268 +S'Silver Tankard' +p63978 +sg25270 +S'Lawrence Flynn' +p63979 +sa(dp63980 +g25267 +g27 +sg25268 +S'Silver Caudle Cup' +p63981 +sg25270 +S'Lawrence Flynn' +p63982 +sa(dp63983 +g25267 +g27 +sg25268 +S'Silver Vase of "Blue" Silver' +p63984 +sg25270 +S'Frank M. Keane' +p63985 +sa(dp63986 +g25267 +g27 +sg25268 +S'Silver Punch Bowl' +p63987 +sg25270 +S'Lawrence Flynn' +p63988 +sa(dp63989 +g25267 +g27 +sg25268 +S'Silver Teapot' +p63990 +sg25270 +S'Lawrence Flynn' +p63991 +sa(dp63992 +g25267 +g27 +sg25268 +S'Silver Flagon' +p63993 +sg25270 +S'Lawrence Flynn' +p63994 +sa(dp63995 +g25267 +g27 +sg25268 +S'Tankard Lid' +p63996 +sg25270 +S'Lawrence Flynn' +p63997 +sa(dp63998 +g25273 +S'(author)' +p63999 +sg25267 +g27 +sg25275 +S'\n' +p64000 +sg25268 +S"Suite d'estampes des principaux sujects des comedies de Moliere" +p64001 +sg25270 +S'Artist Information (' +p64002 +sa(dp64003 +g25267 +g27 +sg25268 +S'Details of a Punch Bowl' +p64004 +sg25270 +S'Lawrence Flynn' +p64005 +sa(dp64006 +g25267 +g27 +sg25268 +S'Two Handled Beaker' +p64007 +sg25270 +S'Lawrence Flynn' +p64008 +sa(dp64009 +g25267 +g27 +sg25268 +S'Silver Tankard' +p64010 +sg25270 +S'Lawrence Flynn' +p64011 +sa(dp64012 +g25267 +g27 +sg25268 +S'Ice Water Pitcher' +p64013 +sg25270 +S'Carl Buergerniss' +p64014 +sa(dp64015 +g25267 +g27 +sg25268 +S'Tankard' +p64016 +sg25270 +S'Lawrence Flynn' +p64017 +sa(dp64018 +g25267 +g27 +sg25268 +S'Two Seated Sleigh' +p64019 +sg25270 +S'Rolland Ayres' +p64020 +sa(dp64021 +g25267 +g27 +sg25268 +S'Sleigh' +p64022 +sg25270 +S'David Ramage' +p64023 +sa(dp64024 +g25267 +g27 +sg25268 +S'Sleigh' +p64025 +sg25270 +S'David Ramage' +p64026 +sa(dp64027 +g25267 +g27 +sg25268 +S'Silver Marrow Spoon' +p64028 +sg25270 +S'Alfred Nason' +p64029 +sa(dp64030 +g25267 +g27 +sg25268 +S'Silver Teaspoon' +p64031 +sg25270 +S'David P Willoughby' +p64032 +sa(dp64033 +g25273 +S'1 vol: ill: engravings, frontispiece engraved by Littret after Seve' +p64034 +sg25267 +g27 +sg25275 +S'published 1767' +p64035 +sg25268 +S'Oeuvres de Monsieur de Montesquieu (volume I)' +p64036 +sg25270 +S'baron de Charles de Secondat Montesquieu' +p64037 +sa(dp64038 +g25267 +g27 +sg25268 +S'Silver Knife (Rogers Silverware)' +p64039 +sg25270 +S'Ludmilla Calderon' +p64040 +sa(dp64041 +g25267 +g27 +sg25268 +S'Silver Fork (Rogers Silverware)' +p64042 +sg25270 +S'Ludmilla Calderon' +p64043 +sa(dp64044 +g25267 +g27 +sg25268 +S'Silver Fork (Rogers Silverware)' +p64045 +sg25270 +S'Ludmilla Calderon' +p64046 +sa(dp64047 +g25267 +g27 +sg25268 +S'Silver Sugar Tongs' +p64048 +sg25270 +S'John R. Towers' +p64049 +sa(dp64050 +g25267 +g27 +sg25268 +S'Silver Chalice' +p64051 +sg25270 +S'Lawrence Flynn' +p64052 +sa(dp64053 +g25267 +g27 +sg25268 +S'Silver Sugar Tongs' +p64054 +sg25270 +S'John R. Towers' +p64055 +sa(dp64056 +g25267 +g27 +sg25268 +S'Silver Cup and Saucer' +p64057 +sg25270 +S'Magnus S. Fossum' +p64058 +sa(dp64059 +g25267 +g27 +sg25268 +S'Bishop Hill: Large Silver Spoon' +p64060 +sg25270 +S'Archie Thompson' +p64061 +sa(dp64062 +g25267 +g27 +sg25268 +S'Silver Candlestick' +p64063 +sg25270 +S'Leo Drozdoff' +p64064 +sa(dp64065 +g25267 +g27 +sg25268 +S'Silver Salt Spoon' +p64066 +sg25270 +S'Harry Mann Waddell' +p64067 +sa(dp64068 +g25273 +S'1 vol: ill: engravings' +p64069 +sg25267 +g27 +sg25275 +S'published 1767' +p64070 +sg25268 +S'Oeuvres de Monsieur de Montesquieu (volume II)' +p64071 +sg25270 +S'baron de Charles de Secondat Montesquieu' +p64072 +sa(dp64073 +g25267 +g27 +sg25268 +S'Silver Kettle with Lamp & Stand' +p64074 +sg25270 +S'R.E. Schearer' +p64075 +sa(dp64076 +g25267 +g27 +sg25268 +S'Silver Teapot' +p64077 +sg25270 +S'Edward White' +p64078 +sa(dp64079 +g25267 +g27 +sg25268 +S'Silver Beaker' +p64080 +sg25270 +S'Michael Fenga' +p64081 +sa(dp64082 +g25267 +g27 +sg25268 +S'Silver Teapot' +p64083 +sg25270 +S'Eugene Croe' +p64084 +sa(dp64085 +g25267 +g27 +sg25268 +S'Silver Beaker' +p64086 +sg25270 +S'Dorothy Dwin' +p64087 +sa(dp64088 +g25267 +g27 +sg25268 +S'Silver Cake Dish' +p64089 +sg25270 +S'Francis Law Durand' +p64090 +sa(dp64091 +g25267 +g27 +sg25268 +S'Silver Cake Dish' +p64092 +sg25270 +S'Francis Law Durand' +p64093 +sa(dp64094 +g25267 +g27 +sg25268 +S'Silver Teaspoon' +p64095 +sg25270 +S'David P Willoughby' +p64096 +sa(dp64097 +g25267 +g27 +sg25268 +S'Silver Candlestick' +p64098 +sg25270 +S'Horace Reina' +p64099 +sa(dp64100 +g25267 +g27 +sg25268 +S'Silver Porringer' +p64101 +sg25270 +S'Clayton Braun' +p64102 +sa(dp64103 +g25273 +S'1 vol: ill: engravings' +p64104 +sg25267 +g27 +sg25275 +S'published 1767' +p64105 +sg25268 +S'Oeuvres de Monsieur de Montesquieu (volume III)' +p64106 +sg25270 +S'baron de Charles de Secondat Montesquieu' +p64107 +sa(dp64108 +g25267 +g27 +sg25268 +S'Silver Caster' +p64109 +sg25270 +S'Holger Hansen' +p64110 +sa(dp64111 +g25267 +g27 +sg25268 +S'Silver Teapot' +p64112 +sg25270 +S'Hans Westendorff' +p64113 +sa(dp64114 +g25267 +g27 +sg25268 +S'Silver Teaspoon' +p64115 +sg25270 +S'Irene M. Burge' +p64116 +sa(dp64117 +g25267 +g27 +sg25268 +S'Silver Pitcher' +p64118 +sg25270 +S'David P Willoughby' +p64119 +sa(dp64120 +g25267 +g27 +sg25268 +S'Silver Strainer' +p64121 +sg25270 +S'Kalamian Walton' +p64122 +sa(dp64123 +g25267 +g27 +sg25268 +S'Silver Tray' +p64124 +sg25270 +S'Irene M. Burge' +p64125 +sa(dp64126 +g25267 +g27 +sg25268 +S'Silver Teaspoon' +p64127 +sg25270 +S'David P Willoughby' +p64128 +sa(dp64129 +g25267 +g27 +sg25268 +S'Silver Caster' +p64130 +sg25270 +S'Dorothy Dwin' +p64131 +sa(dp64132 +g25267 +g27 +sg25268 +S'Silver Pitcher' +p64133 +sg25270 +S'Dorothy Dwin' +p64134 +sa(dp64135 +g25267 +g27 +sg25268 +S'Silver Teapot' +p64136 +sg25270 +S'Dorothy Dwin' +p64137 +sa(dp64138 +g25273 +S'(author)' +p64139 +sg25267 +g27 +sg25275 +S'\n' +p64140 +sg25268 +S'Le temple de Gnide' +p64141 +sg25270 +S'Artist Information (' +p64142 +sa(dp64143 +g25267 +S'In early America, silversmithing was practiced primarily in the urban centers\n of New York, Philadelphia, and Boston, where social and intellectual connections\n with England were strongest. English silver provided the standard in quality and\n fashion, reflected by American silver work. Craftsmen obtained their material most\n often by melting down old coins or silverware. From flat silver sheets, the craftsmen\n hammered the metal into the desired shape. After the piece was formed, the surface\n was smoothed by beating it lightly with a special hammer. By the mid-eighteenth\n century, thumbpieces, finials, and handles were cast in silver and soldered onto\n the body. This piece is a spout cup made by the Boston silversmith John Edwards\n in the early eighteenth century. He is identified by the small mark on the neck\n of the cup, which he used to sign his products. Spout cups were used for drinking\n by small children, the sick, and the elderly. The design of this one is simple\n but refined, unlike more elaborate forms common in that period. The cup is set on\n a foot ring and has a flat strap handle and a slender, curving spout. Incised bands\n around the neck of the cup are repeated around the base and on the handle, serving\n to further emphasize the restraint and elegance of this piece.\n ' +p64144 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000309.jpg' +p64145 +sg25268 +S'Silver Spout Cup' +p64146 +sg25270 +S'Palmyra Pimentel' +p64147 +sa(dp64148 +g25267 +g27 +sg25268 +S'Silver Caudle Cup' +p64149 +sg25270 +S'Aaron Fastovsky' +p64150 +sa(dp64151 +g25267 +g27 +sg25268 +S'Silver Mug' +p64152 +sg25270 +S'Filippo Porreca' +p64153 +sa(dp64154 +g25267 +g27 +sg25268 +S'Silver Mug' +p64155 +sg25270 +S'Lawrence Flynn' +p64156 +sa(dp64157 +g25267 +g27 +sg25268 +S'Silver Tankard' +p64158 +sg25270 +S'Isidore Steinberg' +p64159 +sa(dp64160 +g25267 +g27 +sg25268 +S'Silver Skewer' +p64161 +sg25270 +S'Margaret Knapp' +p64162 +sa(dp64163 +g25267 +g27 +sg25268 +S'Silver Sugar Urn' +p64164 +sg25270 +S'Hardin Walsh' +p64165 +sa(dp64166 +g25267 +g27 +sg25268 +S'Silver Tankard: Details' +p64167 +sg25270 +S'Lawrence Flynn' +p64168 +sa(dp64169 +g25267 +g27 +sg25268 +S'Silver Tablespoon' +p64170 +sg25270 +S'David P Willoughby' +p64171 +sa(dp64172 +g25267 +g27 +sg25268 +S'Silver Beaker' +p64173 +sg25270 +S'Palmyra Pimentel' +p64174 +sa(dp64175 +g25273 +S'1 vol: ill: 175 hand-colored engravings' +p64176 +sg25267 +g27 +sg25275 +S'published 1772' +p64177 +sg25268 +S'Uniformes militaires ...' +p64178 +sg25270 +S'Claude-Antoine Littrey de Montigny' +p64179 +sa(dp64180 +g25267 +g27 +sg25268 +S'Silver Tankard' +p64181 +sg25270 +S'Lawrence Flynn' +p64182 +sa(dp64183 +g25267 +g27 +sg25268 +S'Silver Mug' +p64184 +sg25270 +S'Hester Duany' +p64185 +sa(dp64186 +g25267 +g27 +sg25268 +S'Silver Mug' +p64187 +sg25270 +S'Palmyra Pimentel' +p64188 +sa(dp64189 +g25267 +g27 +sg25268 +S'Silver Beaker' +p64190 +sg25270 +S'Dorothy Dwin' +p64191 +sa(dp64192 +g25267 +g27 +sg25268 +S'Silver Beaker' +p64193 +sg25270 +S'Helen Alpiner Blumenstiel' +p64194 +sa(dp64195 +g25267 +g27 +sg25268 +S'Silver Cup' +p64196 +sg25270 +S'Edward Jewett' +p64197 +sa(dp64198 +g25267 +S'After the Revolution, the design of silver and of most other decorative arts\n assumed a classical style. Craftsmen created elegant designs based on interplays\n of graceful curves and smooth straight lines. A corresponding refinement was seen\n in surface decoration. This silver teapot, made in the late eighteenth century\n by Isaac Hutton in Albany, New York, reflects the new classicism. Notice that the\n oval body is shaped into serpentine curves that form vertical panels. The theme\n is continued in the straight, tapering spout, which is oval in cross section. Further\n emphasizing the classical design are an urn finial atop the bell-shaped lid and\n the foliate shield medallion that decorates the side. Typical of New York teapots\n during this period are the bright-cut bands of floral swags that encircle the\n top and bottom of the piece. This bright-cut form of engraving, achieved by using\n a small gouge to chip-carve the decoration, was also used at the base of the lid.\n The shape of the wooden scroll handle relates to the undulating surface of the\n pot. The wooden handle protected the user when the pot was filled with hot tea.\n ' +p64199 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000030a.jpg' +p64200 +sg25268 +S'Silver Teapot' +p64201 +sg25270 +S'Michael Fenga' +p64202 +sa(dp64203 +g25267 +g27 +sg25268 +S'Silver Tankard' +p64204 +sg25270 +S'Michael Fenga' +p64205 +sa(dp64206 +g25267 +g27 +sg25268 +S'Silver Caster' +p64207 +sg25270 +S'Hester Duany' +p64208 +sa(dp64209 +g25267 +g27 +sg25268 +S'Silver Box' +p64210 +sg25270 +S'Sara Garfinkel' +p64211 +sa(dp64212 +g25273 +S'French, 1741 - 1814' +p64213 +sg25267 +g27 +sg25275 +S'(artist after)' +p64214 +sg25268 +S"Seconde suite d'estampes, pour servier a l'histoire des Modes ...." +p64215 +sg25270 +S'Artist Information (' +p64216 +sa(dp64217 +g25267 +g27 +sg25268 +S'Silver Tankard' +p64218 +sg25270 +S'Horace Reina' +p64219 +sa(dp64220 +g25267 +g27 +sg25268 +S'Silver Teapot' +p64221 +sg25270 +S'Harry Mann Waddell' +p64222 +sa(dp64223 +g25267 +g27 +sg25268 +S'Silver Flagon' +p64224 +sg25270 +S'Hester Duany' +p64225 +sa(dp64226 +g25267 +g27 +sg25268 +S'Silver Creamer' +p64227 +sg25270 +S'Giacinto Capelli' +p64228 +sa(dp64229 +g25267 +g27 +sg25268 +S'Silver Pitcher' +p64230 +sg25270 +S'Hester Duany' +p64231 +sa(dp64232 +g25267 +g27 +sg25268 +S'Silver Caster' +p64233 +sg25270 +S'Hester Duany' +p64234 +sa(dp64235 +g25267 +g27 +sg25268 +S'Silver Ladle' +p64236 +sg25270 +S'George Fairbanks' +p64237 +sa(dp64238 +g25267 +g27 +sg25268 +S'Silver Coffee Pot' +p64239 +sg25270 +S'Ernest A. Towers, Jr.' +p64240 +sa(dp64241 +g25267 +g27 +sg25268 +S'Monogrammed Silver Cream Pitcher' +p64242 +sg25270 +S'David P Willoughby' +p64243 +sa(dp64244 +g25267 +g27 +sg25268 +S'Silver Hot Water Pot' +p64245 +sg25270 +S'Leo Drozdoff' +p64246 +sa(dp64247 +g25273 +S'Swiss, 1745 - 1801' +p64248 +sg25267 +g27 +sg25275 +S'(artist after)' +p64249 +sg25268 +S"Estampes pour servir a l'Histoire des Moeurs et du Costume ... (volume I)" +p64250 +sg25270 +S'Artist Information (' +p64251 +sa(dp64252 +g25267 +g27 +sg25268 +S'Silver Sugar Bowl' +p64253 +sg25270 +S'Lawrence Flynn' +p64254 +sa(dp64255 +g25267 +g27 +sg25268 +S'Silver Chocolate Pot' +p64256 +sg25270 +S'Florence Hastings' +p64257 +sa(dp64258 +g25267 +g27 +sg25268 +S'Silver Chocolate Pot' +p64259 +sg25270 +S'Florence Hastings' +p64260 +sa(dp64261 +g25267 +g27 +sg25268 +S'Silver Sugar Bowl' +p64262 +sg25270 +S'Florence Hastings' +p64263 +sa(dp64264 +g25267 +g27 +sg25268 +S'Silver Teapot' +p64265 +sg25270 +S'Florence Hastings' +p64266 +sa(dp64267 +g25267 +g27 +sg25268 +S'Silver Creamer' +p64268 +sg25270 +S'Florence Hastings' +p64269 +sa(dp64270 +g25267 +g27 +sg25268 +S'Silver Teapot' +p64271 +sg25270 +S'Aaron Fastovsky' +p64272 +sa(dp64273 +g25267 +g27 +sg25268 +S'Silver Ornament for Scroll' +p64274 +sg25270 +S'Aaron Fastovsky' +p64275 +sa(dp64276 +g25267 +g27 +sg25268 +S'Silver Mug' +p64277 +sg25270 +S'Holger Hansen' +p64278 +sa(dp64279 +g25267 +g27 +sg25268 +S'Silver Tablespoon' +p64280 +sg25270 +S'Florence Grant Brown' +p64281 +sa(dp64282 +g25273 +S'French, 1741 - 1814' +p64283 +sg25267 +g27 +sg25275 +S'(artist after)' +p64284 +sg25268 +S"Estampes pour servir a l'Histoire des Moeurs et du Costume ... (volume II)" +p64285 +sg25270 +S'Artist Information (' +p64286 +sa(dp64287 +g25267 +g27 +sg25268 +S'Silver Sugar Tongs' +p64288 +sg25270 +S'Florence Grant Brown' +p64289 +sa(dp64290 +g25267 +g27 +sg25268 +S'Silver Coffee Pot' +p64291 +sg25270 +S'Madeline Arnold' +p64292 +sa(dp64293 +g25267 +g27 +sg25268 +S'Snubber for Bull' +p64294 +sg25270 +S'William Frank' +p64295 +sa(dp64296 +g25267 +g27 +sg25268 +S'Snow Catcher' +p64297 +sg25270 +S'Milton Grubstein' +p64298 +sa(dp64299 +g25267 +g27 +sg25268 +S'Snow Breaker' +p64300 +sg25270 +S'Frank Gray' +p64301 +sa(dp64302 +g25267 +g27 +sg25268 +S'Detail of Early Cutter' +p64303 +sg25270 +S'Dorothy Brennan' +p64304 +sa(dp64305 +g25267 +g27 +sg25268 +S'Sled Starting Hook' +p64306 +sg25270 +S'Herman O. Stroh' +p64307 +sa(dp64308 +g25267 +g27 +sg25268 +S'Sleigh Chair' +p64309 +sg25270 +S'Florence Truelson' +p64310 +sa(dp64311 +g25267 +g27 +sg25268 +S'Sleigh Chair' +p64312 +sg25270 +S'Florence Truelson' +p64313 +sa(dp64314 +g25267 +g27 +sg25268 +S"Child's Sled" +p64315 +sg25270 +S'Francis Law Durand' +p64316 +sa(dp64317 +g25268 +S"Estampes pour servir a l'Histoire des Moeurs et du Costume ... (volume III)" +p64318 +sg25270 +S'Artist Information (' +p64319 +sg25273 +S'French, 1741 - 1814' +p64320 +sg25275 +S'(artist after)' +p64321 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004c/a0004c95.jpg' +p64322 +sg25267 +g27 +sa(dp64323 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00054/a00054f9.jpg' +p64324 +sg25268 +S"Child's Sled" +p64325 +sg25270 +S'Ingrid Selmer-Larsen' +p64326 +sa(dp64327 +g25267 +g27 +sg25268 +S'Kitchen Utensils' +p64328 +sg25270 +S'Fritz Boehmer' +p64329 +sa(dp64330 +g25267 +g27 +sg25268 +S'Skimmer' +p64331 +sg25270 +S'Charles Moss' +p64332 +sa(dp64333 +g25267 +g27 +sg25268 +S'Skimmer' +p64334 +sg25270 +S'Charles Moss' +p64335 +sa(dp64336 +g25267 +g27 +sg25268 +S'Skimmer' +p64337 +sg25270 +S'Herbert Marsh' +p64338 +sa(dp64339 +g25267 +g27 +sg25268 +S'Creamer Skimmer' +p64340 +sg25270 +S'Amelia Tuccio' +p64341 +sa(dp64342 +g25267 +g27 +sg25268 +S'Brass Cream Skimmer' +p64343 +sg25270 +S'Sydney Roberts' +p64344 +sa(dp64345 +g25267 +g27 +sg25268 +S'Brass Sugar Skimmer' +p64346 +sg25270 +S'Annie B. Johnston' +p64347 +sa(dp64348 +g25267 +g27 +sg25268 +S'Skewers and Holder' +p64349 +sg25270 +S'Artist Information (' +p64350 +sa(dp64351 +g25267 +g27 +sg25268 +S'Skewers and Holder' +p64352 +sg25270 +S'Bernard Krieger' +p64353 +sa(dp64354 +g25273 +S'(artist after)' +p64355 +sg25267 +g27 +sg25275 +S'\n' +p64356 +sg25268 +S'Les pr\xc3\xa9cautions' +p64357 +sg25270 +S'Artist Information (' +p64358 +sa(dp64359 +g25267 +g27 +sg25268 +S'Skewers and Holder' +p64360 +sg25270 +S'Charles Cullen' +p64361 +sa(dp64362 +g25267 +g27 +sg25268 +S'Skewers and Holder' +p64363 +sg25270 +S'Francis Borelli' +p64364 +sa(dp64365 +g25267 +g27 +sg25268 +S'Skewers and Holder' +p64366 +sg25270 +S'Holger Hansen' +p64367 +sa(dp64368 +g25267 +g27 +sg25268 +S'Money Vest' +p64369 +sg25270 +S'John Thorsen' +p64370 +sa(dp64371 +g25267 +g27 +sg25268 +S'Painted Chest' +p64372 +sg25270 +S'D.P. Jones' +p64373 +sa(dp64374 +g25267 +S"A love of embellishment is apparent in the riding gear of the old southwest, including everything from saddles and stirrups to bridles, bits, and spurs. The materials were iron, silver, leather, or even — as in this child's sidesaddle — velvet and silk.\r\n Like many other traditions of the American southwest, this craft developed from Mexican practices that in turn had their origins in medieval and Renaissance Spain. This saddle is a particularly handsome piece. It was made about 1820 by an unknown craftsman in Monterey, California. The designs are embroidered in silk and show Diana, protectress of maidens, in a chariot drawn by two goats, and cornucopias — attributes identifying the goddess with fertility rites and the harvest. The seat is upholstered in padded green velvet.\n " +p64375 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003d6.jpg' +p64376 +sg25268 +S'Saddle' +p64377 +sg25270 +S'Rose Campbell-Gerke' +p64378 +sa(dp64379 +g25267 +g27 +sg25268 +S'Bolero' +p64380 +sg25270 +S'Josephine C. Romano' +p64381 +sa(dp64382 +g25267 +g27 +sg25268 +S'Jacket' +p64383 +sg25270 +S'Syrena Swanson' +p64384 +sa(dp64385 +g25267 +g27 +sg25268 +S'Jacket' +p64386 +sg25270 +S'Josephine C. Romano' +p64387 +sa(dp64388 +g25267 +g27 +sg25268 +S'Bolero Jacket' +p64389 +sg25270 +S'Josephine C. Romano' +p64390 +sa(dp64391 +g25273 +S'(author)' +p64392 +sg25267 +g27 +sg25275 +S'\n' +p64393 +sg25268 +S'Primerose' +p64394 +sg25270 +S'Artist Information (' +p64395 +sa(dp64396 +g25267 +g27 +sg25268 +S'Coat' +p64397 +sg25270 +S'Hal Blakeley' +p64398 +sa(dp64399 +g25267 +g27 +sg25268 +S"Man's Trousers" +p64400 +sg25270 +S'Syrena Swanson' +p64401 +sa(dp64402 +g25267 +g27 +sg25268 +S"Trapper's Jacket" +p64403 +sg25270 +S'Ellen Duncan' +p64404 +sa(dp64405 +g25267 +g27 +sg25268 +S'Embroidered Velvet Vest' +p64406 +sg25270 +S'Majel G. Claflin' +p64407 +sa(dp64408 +g25267 +g27 +sg25268 +S'Embroidered Bolero Jacket' +p64409 +sg25270 +S'Hal Blakeley' +p64410 +sa(dp64411 +g25267 +g27 +sg25268 +S"Man's Bolero" +p64412 +sg25270 +S'Syrena Swanson' +p64413 +sa(dp64414 +g25267 +g27 +sg25268 +S'Burse and Chalice Veil' +p64415 +sg25270 +S'Artist Information (' +p64416 +sa(dp64417 +g25267 +g27 +sg25268 +S'Mission Stole and Maniple' +p64418 +sg25270 +S'Syrena Swanson' +p64419 +sa(dp64420 +g25267 +g27 +sg25268 +S'Apron' +p64421 +sg25270 +S'David P Willoughby' +p64422 +sa(dp64423 +g25267 +g27 +sg25268 +S'Manta or Poncho' +p64424 +sg25270 +S'Syrena Swanson' +p64425 +sa(dp64426 +g25273 +S'French, 1759 - 1842' +p64427 +sg25267 +g27 +sg25275 +S'(author)' +p64428 +sg25268 +S'Zelomir' +p64429 +sg25270 +S'Artist Information (' +p64430 +sa(dp64431 +g25267 +g27 +sg25268 +S"Child's Dress" +p64432 +sg25270 +S'Gladys C. Parker' +p64433 +sa(dp64434 +g25267 +g27 +sg25268 +S"Child's Bodice" +p64435 +sg25270 +S'Irene M. Burge' +p64436 +sa(dp64437 +g25267 +g27 +sg25268 +S"Child's Skirt" +p64438 +sg25270 +S'Syrena Swanson' +p64439 +sa(dp64440 +g25267 +g27 +sg25268 +S"Child's Cape" +p64441 +sg25270 +S'Gladys C. Parker' +p64442 +sa(dp64443 +g25267 +g27 +sg25268 +S'Petticoat' +p64444 +sg25270 +S'Edith Towner' +p64445 +sa(dp64446 +g25267 +g27 +sg25268 +S'Skirt' +p64447 +sg25270 +S'Ann Gene Buckley' +p64448 +sa(dp64449 +g25267 +g27 +sg25268 +S'Skirt - Border Design' +p64450 +sg25270 +S'Randolph F. Miller' +p64451 +sa(dp64452 +g25267 +g27 +sg25268 +S'Collar (For Child)' +p64453 +sg25270 +S'Ann Gene Buckley' +p64454 +sa(dp64455 +g25267 +g27 +sg25268 +S"Lady's Bolero" +p64456 +sg25270 +S'Syrena Swanson' +p64457 +sa(dp64458 +g25267 +g27 +sg25268 +S'St. George (Painted on Deerskin)' +p64459 +sg25270 +S'E. Boyd' +p64460 +sa(dp64461 +g25273 +S'(artist)' +p64462 +sg25267 +g27 +sg25275 +S'\n' +p64463 +sg25268 +S'Zelomir' +p64464 +sg25270 +S'Artist Information (' +p64465 +sa(dp64466 +g25267 +g27 +sg25268 +S'Leather Belt' +p64467 +sg25270 +S'Harry Mann Waddell' +p64468 +sa(dp64469 +g25267 +g27 +sg25268 +S'Ankle Band or Garters' +p64470 +sg25270 +S'Lyman Young' +p64471 +sa(dp64472 +g25267 +g27 +sg25268 +S'Suspenders' +p64473 +sg25270 +S'Evelyn Bailey' +p64474 +sa(dp64475 +g25267 +g27 +sg25268 +S'Hose' +p64476 +sg25270 +S'Ann Gene Buckley' +p64477 +sa(dp64478 +g25267 +g27 +sg25268 +S"Man's Beaded Taffeta Necktie" +p64479 +sg25270 +S'Verna Tallman' +p64480 +sa(dp64481 +g25267 +g27 +sg25268 +S'Silk Embroidered Suspenders' +p64482 +sg25270 +S'Ann Gene Buckley' +p64483 +sa(dp64484 +g25267 +g27 +sg25268 +S'Costume Accessory (Orange Blossoms)' +p64485 +sg25270 +S'Ruth M. Barnes' +p64486 +sa(dp64487 +g25267 +g27 +sg25268 +S'Costume Accessory (Orange Blossoms)' +p64488 +sg25270 +S'Lyman Young' +p64489 +sa(dp64490 +g25267 +g27 +sg25268 +S'Dancing Shoe' +p64491 +sg25270 +S'Ann Gene Buckley' +p64492 +sa(dp64493 +g25267 +g27 +sg25268 +S'Evening Slipper' +p64494 +sg25270 +S'William Kieckhofel' +p64495 +sa(dp64496 +g25273 +S'pen and black ink and brush and black ink with gray wash' +p64497 +sg25267 +g27 +sg25275 +S'published 1801' +p64498 +sg25268 +S"Il l'emporte en fureur pour l'achever aux yeux de Toreslaw" +p64499 +sg25270 +S'Louis-Joseph Lefevre' +p64500 +sa(dp64501 +g25267 +g27 +sg25268 +S'Velvet Shoe' +p64502 +sg25270 +S'Gerald Transpota' +p64503 +sa(dp64504 +g25267 +g27 +sg25268 +S"Baby's Shoe" +p64505 +sg25270 +S'Hal Blakeley' +p64506 +sa(dp64507 +g25267 +g27 +sg25268 +S'Silver Sugar Bowl' +p64508 +sg25270 +S'Nicholas Zupa' +p64509 +sa(dp64510 +g25267 +g27 +sg25268 +S'Silver Bowl' +p64511 +sg25270 +S'Lawrence Flynn' +p64512 +sa(dp64513 +g25267 +g27 +sg25268 +S'Silver Bowl' +p64514 +sg25270 +S'Nicholas Zupa' +p64515 +sa(dp64516 +g25267 +g27 +sg25268 +S'Silver Bowl' +p64517 +sg25270 +S'Horace Reina' +p64518 +sa(dp64519 +g25267 +g27 +sg25268 +S'Silver Sugar Bowl with Cover' +p64520 +sg25270 +S'Hester Duany' +p64521 +sa(dp64522 +g25267 +g27 +sg25268 +S'Silver Sugar Bowl' +p64523 +sg25270 +S'Hester Duany' +p64524 +sa(dp64525 +g25267 +g27 +sg25268 +S'Silver Sugar Bowl' +p64526 +sg25270 +S'Isidore Steinberg' +p64527 +sa(dp64528 +g25267 +g27 +sg25268 +S'Silver Sugar Urn' +p64529 +sg25270 +S'Vincent Carano' +p64530 +sa(dp64531 +g25273 +S'pen and black ink and brush and black ink with gray wash' +p64532 +sg25267 +g27 +sg25275 +S'published 1801' +p64533 +sg25268 +S'Non tu ne mourras pas ... cet enfant a besoin de Toi' +p64534 +sg25270 +S'Louis-Joseph Lefevre' +p64535 +sa(dp64536 +g25267 +g27 +sg25268 +S'Silver Sugar Bowl' +p64537 +sg25270 +S'Simon Weiss' +p64538 +sa(dp64539 +g25267 +g27 +sg25268 +S'Silver Sugar Bowl' +p64540 +sg25270 +S'Simon Weiss' +p64541 +sa(dp64542 +g25267 +g27 +sg25268 +S'Silver Sugar Bowl' +p64543 +sg25270 +S'Simon Weiss' +p64544 +sa(dp64545 +g25267 +g27 +sg25268 +S'Silver Bowl' +p64546 +sg25270 +S'Vincent Murphy' +p64547 +sa(dp64548 +g25267 +g27 +sg25268 +S'Silver Covered Sugar Urn' +p64549 +sg25270 +S'Simon Weiss' +p64550 +sa(dp64551 +g25267 +g27 +sg25268 +S'Silver Sugar Bowl' +p64552 +sg25270 +S'Bernard Westmacott' +p64553 +sa(dp64554 +g25267 +g27 +sg25268 +S'Silver Sugar Bowl' +p64555 +sg25270 +S'Hester Duany' +p64556 +sa(dp64557 +g25267 +g27 +sg25268 +S'Silver Sugar Bowl and Tongs' +p64558 +sg25270 +S'Margaret Stottlemeyer' +p64559 +sa(dp64560 +g25267 +g27 +sg25268 +S'Silver Waste Bowl' +p64561 +sg25270 +S'Giacinto Capelli' +p64562 +sa(dp64563 +g25267 +g27 +sg25268 +S'Silver Sugar Bowl' +p64564 +sg25270 +S'Herbert Russin' +p64565 +sa(dp64566 +g25273 +S'pen and black ink and brush and black ink with gray wash' +p64567 +sg25267 +g27 +sg25275 +S'published 1801' +p64568 +sg25268 +S"Rosisla a tout oublie sinon qu'elle aime ..." +p64569 +sg25270 +S'Louis-Joseph Lefevre' +p64570 +sa(dp64571 +g25267 +g27 +sg25268 +S'Silver Bowl' +p64572 +sg25270 +S'Isidore Steinberg' +p64573 +sa(dp64574 +g25267 +g27 +sg25268 +S'Sugar Bowl' +p64575 +sg25270 +S'Horace Reina' +p64576 +sa(dp64577 +g25267 +g27 +sg25268 +S'Silver Porringer' +p64578 +sg25270 +S'Hester Duany' +p64579 +sa(dp64580 +g25267 +g27 +sg25268 +S'Silver Porringer' +p64581 +sg25270 +S'Hester Duany' +p64582 +sa(dp64583 +g25267 +g27 +sg25268 +S'Silver Porringer' +p64584 +sg25270 +S'Joseph Rothenberg' +p64585 +sa(dp64586 +g25267 +g27 +sg25268 +S'Silver Porringer' +p64587 +sg25270 +S'Charles Cullen' +p64588 +sa(dp64589 +g25267 +g27 +sg25268 +S'Silver Porringer' +p64590 +sg25270 +S'Horace Reina' +p64591 +sa(dp64592 +g25267 +g27 +sg25268 +S'Silver Porringer' +p64593 +sg25270 +S'Hester Duany' +p64594 +sa(dp64595 +g25267 +g27 +sg25268 +S'Silver Porringer' +p64596 +sg25270 +S'Leo Drozdoff' +p64597 +sa(dp64598 +g25267 +g27 +sg25268 +S'Silver Porringer' +p64599 +sg25270 +S'Michael Fenga' +p64600 +sa(dp64601 +g25273 +S'pen and black ink and brush and black ink with gray wash' +p64602 +sg25267 +g27 +sg25275 +S'published 1801' +p64603 +sg25268 +S'Seroit-ce Zelomir ... mon fils!' +p64604 +sg25270 +S'Louis-Joseph Lefevre' +p64605 +sa(dp64606 +g25267 +g27 +sg25268 +S'Silver Porringer' +p64607 +sg25270 +S'Joseph Leboit' +p64608 +sa(dp64609 +g25267 +g27 +sg25268 +S'Silver Sugar Bowl' +p64610 +sg25270 +S'Alfred Nason' +p64611 +sa(dp64612 +g25267 +g27 +sg25268 +S'Silver Porringer' +p64613 +sg25270 +S'Hester Duany' +p64614 +sa(dp64615 +g25267 +g27 +sg25268 +S'Silver Monteith Bowl' +p64616 +sg25270 +S'Edgar L. Pearce' +p64617 +sa(dp64618 +g25267 +g27 +sg25268 +S'Silver Porringer' +p64619 +sg25270 +S'Rollington Campbell' +p64620 +sa(dp64621 +g25267 +g27 +sg25268 +S'Silver Bowl' +p64622 +sg25270 +S'Hans Westendorff' +p64623 +sa(dp64624 +g25267 +g27 +sg25268 +S'Silver Porringer' +p64625 +sg25270 +S'Milton Grubstein' +p64626 +sa(dp64627 +g25267 +g27 +sg25268 +S'Silver Sugar Bowl' +p64628 +sg25270 +S'Simon Weiss' +p64629 +sa(dp64630 +g25267 +g27 +sg25268 +S'Silver Tea Caddy' +p64631 +sg25270 +S'Kalamian Walton' +p64632 +sa(dp64633 +g25267 +g27 +sg25268 +S'Silver Bowl' +p64634 +sg25270 +S'Hester Duany' +p64635 +sa(dp64636 +g25273 +S'pen and black ink and brush and black ink with gray wash' +p64637 +sg25267 +g27 +sg25275 +S'published 1801' +p64638 +sg25268 +S'Oh ma fille ... cher Etienne ... tiens ... lis, Rosisla' +p64639 +sg25270 +S'Louis-Joseph Lefevre' +p64640 +sa(dp64641 +g25267 +g27 +sg25268 +S'Silver Sugar Bowl' +p64642 +sg25270 +S'Clayton Braun' +p64643 +sa(dp64644 +g25267 +g27 +sg25268 +S'Silver Sugar Bowl' +p64645 +sg25270 +S'Simon Weiss' +p64646 +sa(dp64647 +g25267 +g27 +sg25268 +S'Silver Sugar Bowl' +p64648 +sg25270 +S'Matthew Mangiacotti' +p64649 +sa(dp64650 +g25267 +g27 +sg25268 +S'Silver Porringer' +p64651 +sg25270 +S'Charles Cullen' +p64652 +sa(dp64653 +g25267 +g27 +sg25268 +S'Silver Bowl' +p64654 +sg25270 +S'Lon Cronk' +p64655 +sa(dp64656 +g25267 +g27 +sg25268 +S'Silver Porringer' +p64657 +sg25270 +S'Vincent Carano' +p64658 +sa(dp64659 +g25267 +g27 +sg25268 +S'Silver Bowl' +p64660 +sg25270 +S'Michael Fenga' +p64661 +sa(dp64662 +g25267 +g27 +sg25268 +S'Silver Bowl' +p64663 +sg25270 +S'Hester Duany' +p64664 +sa(dp64665 +g25267 +g27 +sg25268 +S'Silver Bowl' +p64666 +sg25270 +S'Michael Fenga' +p64667 +sa(dp64668 +g25267 +g27 +sg25268 +S'Two Handled Silver Bowl' +p64669 +sg25270 +S'Isidore Steinberg' +p64670 +sa(dp64671 +g25273 +S'pen and black ink and brush and black ink with gray wash' +p64672 +sg25267 +g27 +sg25275 +S'published 1801' +p64673 +sg25268 +S'Zelomir ... there is your mother ...' +p64674 +sg25270 +S'Louis-Joseph Lefevre' +p64675 +sa(dp64676 +g25267 +g27 +sg25268 +S'Silver Sugar Urn' +p64677 +sg25270 +S'Vincent Carano' +p64678 +sa(dp64679 +g25267 +g27 +sg25268 +S'Silver Sugar Bowl' +p64680 +sg25270 +S'S. Brodsky' +p64681 +sa(dp64682 +g25267 +g27 +sg25268 +S'Silver Sugar Bowl' +p64683 +sg25270 +S'Francis Law Durand' +p64684 +sa(dp64685 +g25267 +g27 +sg25268 +S'Silver Bowl' +p64686 +sg25270 +S'Louis Gersh' +p64687 +sa(dp64688 +g25267 +g27 +sg25268 +S'Silver Sugar Bowl with Cover' +p64689 +sg25270 +S'Frank Fumagalli' +p64690 +sa(dp64691 +g25267 +g27 +sg25268 +S'Silver Sugar Bowl with Cover' +p64692 +sg25270 +S'Vincent Carano' +p64693 +sa(dp64694 +g25267 +g27 +sg25268 +S'Silver Creamer' +p64695 +sg25270 +S'Vincent Carano' +p64696 +sa(dp64697 +g25267 +g27 +sg25268 +S'Silver Cream Pitcher' +p64698 +sg25270 +S'Henry Meyers' +p64699 +sa(dp64700 +g25267 +g27 +sg25268 +S'Silver Pitcher' +p64701 +sg25270 +S'Isidore Steinberg' +p64702 +sa(dp64703 +g25267 +g27 +sg25268 +S'Silver Creamer' +p64704 +sg25270 +S'Eugene Barrell' +p64705 +sa(dp64706 +g25273 +S'Italian, 43 B.C. - 17/18 A.D.' +p64707 +sg25267 +g27 +sg25275 +S'(author)' +p64708 +sg25268 +S"Les Metamorphoses d'Ovide (volume I)" +p64709 +sg25270 +S'Artist Information (' +p64710 +sa(dp64711 +g25267 +g27 +sg25268 +S'Silver Wine Flagon' +p64712 +sg25270 +S'Eugene Barrell' +p64713 +sa(dp64714 +g25267 +g27 +sg25268 +S'Silver Creamer' +p64715 +sg25270 +S'Eugene Barrell' +p64716 +sa(dp64717 +g25267 +g27 +sg25268 +S'Silver Creamer' +p64718 +sg25270 +S'Joseph Leboit' +p64719 +sa(dp64720 +g25267 +g27 +sg25268 +S'Silver Cream Pitcher' +p64721 +sg25270 +S'Margaret Stottlemeyer' +p64722 +sa(dp64723 +g25267 +g27 +sg25268 +S'Silver Cream Pitcher' +p64724 +sg25270 +S'Francis Law Durand' +p64725 +sa(dp64726 +g25267 +g27 +sg25268 +S'Silver Creamer' +p64727 +sg25270 +S'Hester Duany' +p64728 +sa(dp64729 +g25267 +g27 +sg25268 +S'Silver Pitcher' +p64730 +sg25270 +S'Frank Fumagalli' +p64731 +sa(dp64732 +g25267 +g27 +sg25268 +S'Silver Pitcher' +p64733 +sg25270 +S'D. Brandfield' +p64734 +sa(dp64735 +g25267 +g27 +sg25268 +S'Silver Pitcher' +p64736 +sg25270 +S'Gordon Sanborn' +p64737 +sa(dp64738 +g25267 +g27 +sg25268 +S'Silver Pitcher' +p64739 +sg25270 +S'Charlotte Winter' +p64740 +sa(dp64741 +g25273 +S'Italian, 43 B.C. - 17/18 A.D.' +p64742 +sg25267 +g27 +sg25275 +S'(author)' +p64743 +sg25268 +S"Les Metamorphoses d'Ovide (volume II)" +p64744 +sg25270 +S'Artist Information (' +p64745 +sa(dp64746 +g25267 +g27 +sg25268 +S'Silver Pitcher' +p64747 +sg25270 +S'Michael Fenga' +p64748 +sa(dp64749 +g25267 +g27 +sg25268 +S'Silver Creamer' +p64750 +sg25270 +S'Leo Drozdoff' +p64751 +sa(dp64752 +g25267 +g27 +sg25268 +S'Silver Creamer' +p64753 +sg25270 +S'Eugene Barrell' +p64754 +sa(dp64755 +g25267 +g27 +sg25268 +S'Silver Creamer' +p64756 +sg25270 +S'Hester Duany' +p64757 +sa(dp64758 +g25267 +g27 +sg25268 +S'Silver Creamer' +p64759 +sg25270 +S'Hester Duany' +p64760 +sa(dp64761 +g25267 +g27 +sg25268 +S'Silver Creamer' +p64762 +sg25270 +S'Nicholas Zupa' +p64763 +sa(dp64764 +g25267 +g27 +sg25268 +S'Silver Creamer' +p64765 +sg25270 +S'Simon Weiss' +p64766 +sa(dp64767 +g25267 +g27 +sg25268 +S'Silver Creamer' +p64768 +sg25270 +S'Francisco Alvarez' +p64769 +sa(dp64770 +g25267 +g27 +sg25268 +S'Silver Creamer' +p64771 +sg25270 +S'Simon Weiss' +p64772 +sa(dp64773 +g25267 +g27 +sg25268 +S'Silver Creamer' +p64774 +sg25270 +S'Francisco Alvarez' +p64775 +sa(dp64776 +g25273 +S'Italian, 43 B.C. - 17/18 A.D.' +p64777 +sg25267 +g27 +sg25275 +S'(author)' +p64778 +sg25268 +S"Les Metamorphoses d'Ovide (volume III)" +p64779 +sg25270 +S'Artist Information (' +p64780 +sa(dp64781 +g25267 +g27 +sg25268 +S'Silver Creamer' +p64782 +sg25270 +S'Simon Weiss' +p64783 +sa(dp64784 +g25267 +g27 +sg25268 +S'Silver Creamer' +p64785 +sg25270 +S'Giacinto Capelli' +p64786 +sa(dp64787 +g25267 +g27 +sg25268 +S'Silver Creamer' +p64788 +sg25270 +S'John R. 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Brodsky' +p65434 +sa(dp65435 +g25267 +g27 +sg25268 +S'Silver Teapot with Tray' +p65436 +sg25270 +S'Giacinto Capelli' +p65437 +sa(dp65438 +g25267 +g27 +sg25268 +S'Silver Teapot' +p65439 +sg25270 +S'Vincent Carano' +p65440 +sa(dp65441 +g25273 +S'color etching, engraving, and aquatint' +p65442 +sg25267 +g27 +sg25275 +S'published 1801' +p65443 +sg25268 +S'Frontispiece' +p65444 +sg25270 +S'Philibert-Louis Debucourt' +p65445 +sa(dp65446 +g25267 +g27 +sg25268 +S'Silver Teapot' +p65447 +sg25270 +S'Francis Law Durand' +p65448 +sa(dp65449 +g25267 +g27 +sg25268 +S'Silver Teapot' +p65450 +sg25270 +S'Vincent Carano' +p65451 +sa(dp65452 +g25267 +g27 +sg25268 +S'Silver Chocolate Pot' +p65453 +sg25270 +S'Fletcher Hanks' +p65454 +sa(dp65455 +g25267 +g27 +sg25268 +S'Silver Teapot' +p65456 +sg25270 +S'Gordon Sanborn' +p65457 +sa(dp65458 +g25267 +g27 +sg25268 +S'Silver Teapot' +p65459 +sg25270 +S'Frank Fumagalli' +p65460 +sa(dp65461 +g25267 +g27 +sg25268 +S'Silver Teapot and Tray' +p65462 +sg25270 +S'Isidore Steinberg' +p65463 +sa(dp65464 +g25267 +g27 +sg25268 +S'Silver Hot Water Urn' +p65465 +sg25270 +S'Nicholas Zupa' +p65466 +sa(dp65467 +g25267 +g27 +sg25268 +S'Silver Teapot' +p65468 +sg25270 +S'Clayton Braun' +p65469 +sa(dp65470 +g25267 +g27 +sg25268 +S'Silver Teapot' +p65471 +sg25270 +S'Gordon Sanborn' +p65472 +sa(dp65473 +g25267 +g27 +sg25268 +S'Silver Urn' +p65474 +sg25270 +S'Hester Duany' +p65475 +sa(dp65476 +g25273 +S'color etching, engraving, and aquatint' +p65477 +sg25267 +g27 +sg25275 +S'published 1801' +p65478 +sg25268 +S'Le couronnement' +p65479 +sg25270 +S'Philibert-Louis Debucourt' +p65480 +sa(dp65481 +g25267 +g27 +sg25268 +S'Silver Flagon' +p65482 +sg25270 +S'Louis Annino' +p65483 +sa(dp65484 +g25267 +g27 +sg25268 +S'Silver Teapot' +p65485 +sg25270 +S'Arthur Wegg' +p65486 +sa(dp65487 +g25267 +g27 +sg25268 +S'Silver Coffee Pot' +p65488 +sg25270 +S'Vincent Carano' +p65489 +sa(dp65490 +g25267 +g27 +sg25268 +S'Teapot' +p65491 +sg25270 +S'American 20th Century' +p65492 +sa(dp65493 +g25267 +g27 +sg25268 +S'Silver Teapot' +p65494 +sg25270 +S'John R. 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Jennings' +p65501 +sa(dp65502 +g25267 +g27 +sg25268 +S'Silver Coffee Pot' +p65503 +sg25270 +S'Margaret Stottlemeyer' +p65504 +sa(dp65505 +g25267 +g27 +sg25268 +S'Silver Teapot' +p65506 +sg25270 +S'Carmel Wilson' +p65507 +sa(dp65508 +g25267 +g27 +sg25268 +S'Saddle' +p65509 +sg25270 +S'Cornelius Christoffels' +p65510 +sa(dp65511 +g25273 +S'color etching, engraving, and aquatint' +p65512 +sg25267 +g27 +sg25275 +S'published 1801' +p65513 +sg25268 +S'Le colombes' +p65514 +sg25270 +S'Philibert-Louis Debucourt' +p65515 +sa(dp65516 +g25267 +g27 +sg25268 +S'Saddle' +p65517 +sg25270 +S'American 20th Century' +p65518 +sa(dp65519 +g25267 +g27 +sg25268 +S'Pack Saddle' +p65520 +sg25270 +S'Cornelius Christoffels' +p65521 +sa(dp65522 +g25267 +g27 +sg25268 +S'Saddle' +p65523 +sg25270 +S'Gordena Jackson' +p65524 +sa(dp65525 +g25267 +g27 +sg25268 +S'Saddle' +p65526 +sg25270 +S'Rose Campbell-Gerke' +p65527 +sa(dp65528 +g25267 +g27 +sg25268 +S'Saddle' +p65529 +sg25270 +S'Arthur P. Reynolds' +p65530 +sa(dp65531 +g25267 +g27 +sg25268 +S'Side Saddle' +p65532 +sg25270 +S'Randolph F. Miller' +p65533 +sa(dp65534 +g25267 +g27 +sg25268 +S'Side Saddle' +p65535 +sg25270 +S'Randolph F. Miller' +p65536 +sa(dp65537 +g25267 +g27 +sg25268 +S'Side Saddle' +p65538 +sg25270 +S'Randolph F. Miller' +p65539 +sa(dp65540 +g25267 +g27 +sg25268 +S'Side Saddle' +p65541 +sg25270 +S'Frank C. Barks' +p65542 +sa(dp65543 +g25267 +g27 +sg25268 +S'Saddle' +p65544 +sg25270 +S'Gerald Transpota' +p65545 +sa(dp65546 +g25273 +S'color etching, engraving, and aquatint' +p65547 +sg25267 +g27 +sg25275 +S'published 1801' +p65548 +sg25268 +S'La course' +p65549 +sg25270 +S'Philibert-Louis Debucourt' +p65550 +sa(dp65551 +g25267 +g27 +sg25268 +S'Side Saddle' +p65552 +sg25270 +S'Artist Information (' +p65553 +sa(dp65554 +g25267 +g27 +sg25268 +S'Saddle Bags' +p65555 +sg25270 +S'Edward Jewett' +p65556 +sa(dp65557 +g25267 +g27 +sg25268 +S'Saddle' +p65558 +sg25270 +S'Artist Information (' +p65559 +sa(dp65560 +g25267 +g27 +sg25268 +S"Woman's Side Saddle" +p65561 +sg25270 +S'Lyman Young' +p65562 +sa(dp65563 +g25267 +g27 +sg25268 +S'Saddle' +p65564 +sg25270 +S'Frank C. Barks' +p65565 +sa(dp65566 +g25267 +g27 +sg25268 +S'Side Saddle' +p65567 +sg25270 +S'Bertha Semple' +p65568 +sa(dp65569 +g25267 +g27 +sg25268 +S'Spur Cover' +p65570 +sg25270 +S'Edith Towner' +p65571 +sa(dp65572 +g25267 +g27 +sg25268 +S'Leather Saddle' +p65573 +sg25270 +S'William McAuley' +p65574 +sa(dp65575 +g25267 +g27 +sg25268 +S'Saddle' +p65576 +sg25270 +S'Arthur P. Reynolds' +p65577 +sa(dp65578 +g25267 +g27 +sg25268 +S'Saddle' +p65579 +sg25270 +S'Ranka S. Woods' +p65580 +sa(dp65581 +g25273 +S'color etching, engraving, and aquatint' +p65582 +sg25267 +g27 +sg25275 +S'published 1801' +p65583 +sg25268 +S"L'invocation a l'amour" +p65584 +sg25270 +S'Philibert-Louis Debucourt' +p65585 +sa(dp65586 +g25267 +g27 +sg25268 +S'Saddle' +p65587 +sg25270 +S'Arthur P. Reynolds' +p65588 +sa(dp65589 +g25267 +g27 +sg25268 +S'Stirrups' +p65590 +sg25270 +S'Arthur P. 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Reynolds' +p65612 +sa(dp65613 +g25267 +g27 +sg25268 +S'Headstall' +p65614 +sg25270 +S'Hal Blakeley' +p65615 +sa(dp65616 +g25273 +S'color etching, engraving, and aquatint' +p65617 +sg25267 +g27 +sg25275 +S'published 1801' +p65618 +sg25268 +S"L'entree a la grotte" +p65619 +sg25270 +S'Philibert-Louis Debucourt' +p65620 +sa(dp65621 +g25267 +g27 +sg25268 +S'Embroidered Leather Scabbard' +p65622 +sg25270 +S'Lyman Young' +p65623 +sa(dp65624 +g25267 +g27 +sg25268 +S'Saddle Bag' +p65625 +sg25270 +S'Bertha Semple' +p65626 +sa(dp65627 +g25267 +g27 +sg25268 +S'Stirrup' +p65628 +sg25270 +S'Harry Mann Waddell' +p65629 +sa(dp65630 +g25267 +g27 +sg25268 +S'Gun Holster' +p65631 +sg25270 +S'Dana Bartlett' +p65632 +sa(dp65633 +g25267 +g27 +sg25268 +S'Saddle Cover' +p65634 +sg25270 +S'Artist Information (' +p65635 +sa(dp65636 +g25267 +g27 +sg25268 +S'Gun Holster' +p65637 +sg25270 +S'Artist Information (' +p65638 +sa(dp65639 +g25267 +g27 +sg25268 +S'Leather Seat' +p65640 +sg25270 +S'Gerald Transpota' +p65641 +sa(dp65642 +g25267 +g27 +sg25268 +S'Cover' +p65643 +sg25270 +S'Artist Information (' +p65644 +sa(dp65645 +g25267 +g27 +sg25268 +S'Cowhide Trunk' +p65646 +sg25270 +S'Robert W.R. Taylor' +p65647 +sa(dp65648 +g25267 +g27 +sg25268 +S'Leather Covered Box' +p65649 +sg25270 +S'Majel G. Claflin' +p65650 +sa(dp65651 +g25273 +S'color etching, engraving, and aquatint' +p65652 +sg25267 +g27 +sg25275 +S'published 1801' +p65653 +sg25268 +S'Le matin' +p65654 +sg25270 +S'Philibert-Louis Debucourt' +p65655 +sa(dp65656 +g25267 +g27 +sg25268 +S'Cowhide Trunk' +p65657 +sg25270 +S'Harry Mann Waddell' +p65658 +sa(dp65659 +g25267 +g27 +sg25268 +S'Trunk' +p65660 +sg25270 +S'Albert Pratt' +p65661 +sa(dp65662 +g25267 +g27 +sg25268 +S'Rawhide Chest' +p65663 +sg25270 +S'Gerald Transpota' +p65664 +sa(dp65665 +g25267 +g27 +sg25268 +S'Trunk' +p65666 +sg25270 +S'Edward Jewett' +p65667 +sa(dp65668 +g25267 +g27 +sg25268 +S'Map' +p65669 +sg25270 +S'Norman Kamps' +p65670 +sa(dp65671 +g25267 +g27 +sg25268 +S'Map' +p65672 +sg25270 +S'Norman Kamps' +p65673 +sa(dp65674 +g25267 +g27 +sg25268 +S'Brass Candlestick' +p65675 +sg25270 +S'Harry Mann Waddell' +p65676 +sa(dp65677 +g25267 +g27 +sg25268 +S'Spur' +p65678 +sg25270 +S'Gerald Transpota' +p65679 +sa(dp65680 +g25267 +g27 +sg25268 +S'Spur' +p65681 +sg25270 +S'Cornelius Christoffels' +p65682 +sa(dp65683 +g25267 +g27 +sg25268 +S'Spur' +p65684 +sg25270 +S'Rose Campbell-Gerke' +p65685 +sa(dp65686 +g25273 +S'color etching, engraving, and aquatint' +p65687 +sg25267 +g27 +sg25275 +S'published 1801' +p65688 +sg25268 +S'La tempeste' +p65689 +sg25270 +S'Philibert-Louis Debucourt' +p65690 +sa(dp65691 +g25267 +g27 +sg25268 +S'Spur' +p65692 +sg25270 +S'Gerald Transpota' +p65693 +sa(dp65694 +g25267 +g27 +sg25268 +S'Bit' +p65695 +sg25270 +S'Cornelius Christoffels' +p65696 +sa(dp65697 +g25267 +g27 +sg25268 +S'Bit' +p65698 +sg25270 +S'Gerald Transpota' +p65699 +sa(dp65700 +g25267 +g27 +sg25268 +S'Iron Bit' +p65701 +sg25270 +S'Ethel Dougan' +p65702 +sa(dp65703 +g25267 +g27 +sg25268 +S'Ring Bit' +p65704 +sg25270 +S'Gordena Jackson' +p65705 +sa(dp65706 +g25267 +g27 +sg25268 +S'Snaffle Bit' +p65707 +sg25270 +S'Ethel Dougan' +p65708 +sa(dp65709 +g25267 +g27 +sg25268 +S'Bit' +p65710 +sg25270 +S'Gerald Transpota' +p65711 +sa(dp65712 +g25267 +g27 +sg25268 +S'Bit' +p65713 +sg25270 +S'Cornelius Christoffels' +p65714 +sa(dp65715 +g25267 +g27 +sg25268 +S'Wrought Iron Bit' +p65716 +sg25270 +S'Cornelius Christoffels' +p65717 +sa(dp65718 +g25267 +g27 +sg25268 +S'Bit' +p65719 +sg25270 +S'Artist Information (' +p65720 +sa(dp65721 +g25268 +S'The Annunciation to the Shepherds' +p65722 +sg25270 +S'Jacopo Bassano' +p65723 +sg25273 +S'oil on canvas' +p65724 +sg25275 +S'probably 1555/1560' +p65725 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a000084f.jpg' +p65726 +sg25267 +S"In this inventive interpretation of the announcement of Christ's birth,\n Jacopo Bassano merged the biblical narrative with a pastoral scene. Rather\n than present the traditional image of an angel appearing before three\n shepherds in the field, the miracle is here experienced by a family group\n placed in a moonlit landscape that recalls the mountainous terrain\n surrounding the artist's native town of Bassano. An angel descends through\n dark clouds in a flash of heavenly light, and each family member reacts\n differently to the presence of the divine messenger. Particularly odd is\n the inclusion of the female figure, who kneels in the foreground milking a\n cow.\n Unlike the bright palette and tight handling of paint in his earlier \n " +p65727 +sa(dp65728 +g25273 +S'color etching, engraving, and aquatint' +p65729 +sg25267 +g27 +sg25275 +S'published 1801' +p65730 +sg25268 +S"La mort d'Hero" +p65731 +sg25270 +S'Philibert-Louis Debucourt' +p65732 +sa(dp65733 +g25267 +g27 +sg25268 +S'Spade Bit' +p65734 +sg25270 +S'Rose Campbell-Gerke' +p65735 +sa(dp65736 +g25267 +g27 +sg25268 +S'Spade Bit' +p65737 +sg25270 +S'Rose Campbell-Gerke' +p65738 +sa(dp65739 +g25267 +g27 +sg25268 +S'Bit' +p65740 +sg25270 +S'Rose Campbell-Gerke' +p65741 +sa(dp65742 +g25267 +g27 +sg25268 +S'Spanish Bit' +p65743 +sg25270 +S'Artist Information (' +p65744 +sa(dp65745 +g25267 +g27 +sg25268 +S'Iron Bit' +p65746 +sg25270 +S'Ethel Dougan' +p65747 +sa(dp65748 +g25267 +g27 +sg25268 +S'Spade Bit' +p65749 +sg25270 +S'Artist Information (' +p65750 +sa(dp65751 +g25267 +g27 +sg25268 +S'Bit' +p65752 +sg25270 +S'Gerald Transpota' +p65753 +sa(dp65754 +g25267 +g27 +sg25268 +S'Bit' +p65755 +sg25270 +S'Harry Mann Waddell' +p65756 +sa(dp65757 +g25267 +g27 +sg25268 +S'Bit' +p65758 +sg25270 +S'Randolph F. Miller' +p65759 +sa(dp65760 +g25267 +g27 +sg25268 +S'Bit' +p65761 +sg25270 +S'Arthur P. Reynolds' +p65762 +sa(dp65763 +g25273 +S'French, 1702 - 1780' +p65764 +sg25267 +g27 +sg25275 +S'(author)' +p65765 +sg25268 +S'Les graces' +p65766 +sg25270 +S'Artist Information (' +p65767 +sa(dp65768 +g25267 +g27 +sg25268 +S'Bit' +p65769 +sg25270 +S'Artist Information (' +p65770 +sa(dp65771 +g25267 +g27 +sg25268 +S'Concha' +p65772 +sg25270 +S'Artist Information (' +p65773 +sa(dp65774 +g25267 +g27 +sg25268 +S'Bit' +p65775 +sg25270 +S'Artist Information (' +p65776 +sa(dp65777 +g25267 +g27 +sg25268 +S'Bit' +p65778 +sg25270 +S'A. Regli' +p65779 +sa(dp65780 +g25267 +g27 +sg25268 +S'Bit' +p65781 +sg25270 +S'Arthur P. Reynolds' +p65782 +sa(dp65783 +g25267 +g27 +sg25268 +S'Bit' +p65784 +sg25270 +S'Arthur P. Reynolds' +p65785 +sa(dp65786 +g25267 +g27 +sg25268 +S'Bridle Bit' +p65787 +sg25270 +S'Gerald Transpota' +p65788 +sa(dp65789 +g25267 +g27 +sg25268 +S'Spanish Bit' +p65790 +sg25270 +S'Gerald Transpota' +p65791 +sa(dp65792 +g25267 +g27 +sg25268 +S'Bit' +p65793 +sg25270 +S'Artist Information (' +p65794 +sa(dp65795 +g25267 +g27 +sg25268 +S'Bit with Curb' +p65796 +sg25270 +S'Frank C. Barks' +p65797 +sa(dp65798 +g25273 +S'French, c. 1490 - probably 1553' +p65799 +sg25267 +g27 +sg25275 +S'(author)' +p65800 +sg25268 +S'Oeuvres de Maitre Francois Rabelais (volume I)' +p65801 +sg25270 +S'Artist Information (' +p65802 +sa(dp65803 +g25267 +g27 +sg25268 +S'Bit' +p65804 +sg25270 +S'Artist Information (' +p65805 +sa(dp65806 +g25267 +g27 +sg25268 +S'Eagle Bit' +p65807 +sg25270 +S'Artist Information (' +p65808 +sa(dp65809 +g25267 +g27 +sg25268 +S'Eagle Bit' +p65810 +sg25270 +S'Frank C. Barks' +p65811 +sa(dp65812 +g25267 +g27 +sg25268 +S'Bit' +p65813 +sg25270 +S'Artist Information (' +p65814 +sa(dp65815 +g25267 +g27 +sg25268 +S'Bit' +p65816 +sg25270 +S'William Herbert' +p65817 +sa(dp65818 +g25267 +g27 +sg25268 +S'Spanish Spade Bit' +p65819 +sg25270 +S'Artist Information (' +p65820 +sa(dp65821 +g25267 +g27 +sg25268 +S'Spade Bit' +p65822 +sg25270 +S'Harry Mann Waddell' +p65823 +sa(dp65824 +g25267 +g27 +sg25268 +S'Bit' +p65825 +sg25270 +S'Gerald Transpota' +p65826 +sa(dp65827 +g25267 +g27 +sg25268 +S'"Sultan\'s" Bit' +p65828 +sg25270 +S'Artist Information (' +p65829 +sa(dp65830 +g25267 +g27 +sg25268 +S'Bit' +p65831 +sg25270 +S'Arthur P. Reynolds' +p65832 +sa(dp65833 +g25273 +S'French, c. 1490 - probably 1553' +p65834 +sg25267 +g27 +sg25275 +S'(author)' +p65835 +sg25268 +S'Oeuvres de Maitre Francois Rabelais (volume II)' +p65836 +sg25270 +S'Artist Information (' +p65837 +sa(dp65838 +g25267 +g27 +sg25268 +S'Bit' +p65839 +sg25270 +S'Arthur P. Reynolds' +p65840 +sa(dp65841 +g25267 +g27 +sg25268 +S'Bit' +p65842 +sg25270 +S'Arthur P. Reynolds' +p65843 +sa(dp65844 +g25267 +g27 +sg25268 +S'Bit' +p65845 +sg25270 +S'Edward Jewett' +p65846 +sa(dp65847 +g25267 +g27 +sg25268 +S'Bit' +p65848 +sg25270 +S'Arthur P. Reynolds' +p65849 +sa(dp65850 +g25267 +g27 +sg25268 +S'Bridle' +p65851 +sg25270 +S'Gordena Jackson' +p65852 +sa(dp65853 +g25267 +g27 +sg25268 +S'Horse Hair Bridle' +p65854 +sg25270 +S'Gordena Jackson' +p65855 +sa(dp65856 +g25267 +g27 +sg25268 +S'Spur' +p65857 +sg25270 +S'J. Henry Marley' +p65858 +sa(dp65859 +g25267 +g27 +sg25268 +S'Spur' +p65860 +sg25270 +S'Vera Van Voris' +p65861 +sa(dp65862 +g25267 +g27 +sg25268 +S'Spur' +p65863 +sg25270 +S'William Kieckhofel' +p65864 +sa(dp65865 +g25267 +g27 +sg25268 +S'Spur' +p65866 +sg25270 +S'Raymond E. Noble' +p65867 +sa(dp65868 +g25273 +S'French, c. 1490 - probably 1553' +p65869 +sg25267 +g27 +sg25275 +S'(author)' +p65870 +sg25268 +S'Oeuvres de Maitre Francois Rabelais (volume III)' +p65871 +sg25270 +S'Artist Information (' +p65872 +sa(dp65873 +g25267 +g27 +sg25268 +S'Spur' +p65874 +sg25270 +S'Edward Jewett' +p65875 +sa(dp65876 +g25267 +g27 +sg25268 +S'Balance Scales' +p65877 +sg25270 +S'William Kieckhofel' +p65878 +sa(dp65879 +g25267 +g27 +sg25268 +S'Branding Iron' +p65880 +sg25270 +S'Cornelius Christoffels' +p65881 +sa(dp65882 +g25267 +g27 +sg25268 +S'Knife' +p65883 +sg25270 +S'Cornelius Christoffels' +p65884 +sa(dp65885 +g25267 +g27 +sg25268 +S'Tomahawk' +p65886 +sg25270 +S'Cornelius Christoffels' +p65887 +sa(dp65888 +g25267 +g27 +sg25268 +S'Branding Iron' +p65889 +sg25270 +S'Rose Campbell-Gerke' +p65890 +sa(dp65891 +g25267 +g27 +sg25268 +S'Bullet Mold' +p65892 +sg25270 +S'Majel G. Claflin' +p65893 +sa(dp65894 +g25267 +g27 +sg25268 +S'Hoe Blade' +p65895 +sg25270 +S'Cornelius Christoffels' +p65896 +sa(dp65897 +g25267 +g27 +sg25268 +S'Whip Socket' +p65898 +sg25270 +S'William McAuley' +p65899 +sa(dp65900 +g25267 +g27 +sg25268 +S'Spur' +p65901 +sg25270 +S'Gerald Transpota' +p65902 +sa(dp65903 +g25273 +S'French, 1639 - 1699' +p65904 +sg25267 +g27 +sg25275 +S'(author)' +p65905 +sg25268 +S'Oeuvres (volume I)' +p65906 +sg25270 +S'Artist Information (' +p65907 +sa(dp65908 +g25267 +g27 +sg25268 +S'Spur' +p65909 +sg25270 +S'W.J. Goodacre' +p65910 +sa(dp65911 +g25267 +g27 +sg25268 +S'Spur' +p65912 +sg25270 +S'Gerald Transpota' +p65913 +sa(dp65914 +g25267 +g27 +sg25268 +S'Spur' +p65915 +sg25270 +S'Gerald Transpota' +p65916 +sa(dp65917 +g25267 +g27 +sg25268 +S'Spur' +p65918 +sg25270 +S'Hal Blakeley' +p65919 +sa(dp65920 +g25267 +g27 +sg25268 +S'Spur' +p65921 +sg25270 +S'Harry Mann Waddell' +p65922 +sa(dp65923 +g25267 +g27 +sg25268 +S'Spur' +p65924 +sg25270 +S'Gerald Transpota' +p65925 +sa(dp65926 +g25267 +g27 +sg25268 +S'Spur' +p65927 +sg25270 +S'Robert W.R. Taylor' +p65928 +sa(dp65929 +g25267 +g27 +sg25268 +S'Spur' +p65930 +sg25270 +S'Cornelius Christoffels' +p65931 +sa(dp65932 +g25267 +g27 +sg25268 +S'Spur' +p65933 +sg25270 +S'Cornelius Christoffels' +p65934 +sa(dp65935 +g25267 +g27 +sg25268 +S'Spur' +p65936 +sg25270 +S'Robert W.R. Taylor' +p65937 +sa(dp65938 +g25273 +S'French, 1639 - 1699' +p65939 +sg25267 +g27 +sg25275 +S'(author)' +p65940 +sg25268 +S'Oeuvres (volume II)' +p65941 +sg25270 +S'Artist Information (' +p65942 +sa(dp65943 +g25267 +g27 +sg25268 +S'Spur' +p65944 +sg25270 +S'Gerald Transpota' +p65945 +sa(dp65946 +g25267 +g27 +sg25268 +S'Spur' +p65947 +sg25270 +S'Gerald Transpota' +p65948 +sa(dp65949 +g25267 +g27 +sg25268 +S'Spur' +p65950 +sg25270 +S'Gerald Transpota' +p65951 +sa(dp65952 +g25267 +g27 +sg25268 +S'Spur' +p65953 +sg25270 +S'Emile Cero' +p65954 +sa(dp65955 +g25267 +g27 +sg25268 +S'Spur' +p65956 +sg25270 +S'R.J. De Freitas' +p65957 +sa(dp65958 +g25267 +g27 +sg25268 +S'Spur' +p65959 +sg25270 +S'Arthur P. Reynolds' +p65960 +sa(dp65961 +g25267 +g27 +sg25268 +S'Spur' +p65962 +sg25270 +S'Gerald Transpota' +p65963 +sa(dp65964 +g25267 +g27 +sg25268 +S'Spur' +p65965 +sg25270 +S'Arthur P. Reynolds' +p65966 +sa(dp65967 +g25267 +g27 +sg25268 +S'Spur' +p65968 +sg25270 +S'Albert Pratt' +p65969 +sa(dp65970 +g25267 +g27 +sg25268 +S'Spur' +p65971 +sg25270 +S'Majel G. Claflin' +p65972 +sa(dp65973 +g25273 +S'French, 1639 - 1699' +p65974 +sg25267 +g27 +sg25275 +S'(author)' +p65975 +sg25268 +S'Oeuvres (volume III)' +p65976 +sg25270 +S'Artist Information (' +p65977 +sa(dp65978 +g25267 +g27 +sg25268 +S'Spur' +p65979 +sg25270 +S'J. Henry Marley' +p65980 +sa(dp65981 +g25267 +g27 +sg25268 +S'Spur' +p65982 +sg25270 +S'Pearl Torell' +p65983 +sa(dp65984 +g25267 +g27 +sg25268 +S'Spur' +p65985 +sg25270 +S'Gerald Transpota' +p65986 +sa(dp65987 +g25267 +g27 +sg25268 +S'Spur' +p65988 +sg25270 +S'Robert W.R. Taylor' +p65989 +sa(dp65990 +g25267 +g27 +sg25268 +S'Spur' +p65991 +sg25270 +S'Robert W.R. Taylor' +p65992 +sa(dp65993 +g25267 +g27 +sg25268 +S'Spur' +p65994 +sg25270 +S'Robert W.R. Taylor' +p65995 +sa(dp65996 +g25267 +g27 +sg25268 +S'Spur' +p65997 +sg25270 +S'Cornelius Christoffels' +p65998 +sa(dp65999 +g25267 +g27 +sg25268 +S'Spur' +p66000 +sg25270 +S'Cornelius Christoffels' +p66001 +sa(dp66002 +g25267 +g27 +sg25268 +S'Spur' +p66003 +sg25270 +S'Gerald Transpota' +p66004 +sa(dp66005 +g25267 +g27 +sg25268 +S'Spur' +p66006 +sg25270 +S'W.J. Goodacre' +p66007 +sa(dp66008 +g25273 +S'Widener Collection' +p66009 +sg25267 +g27 +sg25275 +S'\n1 vol: ill: engraved head- and tail-pieces' +p66010 +sg25268 +S"Recueil des comedies et ballets ... pendant l'hiver de 1747 a 1748 (volume I)" +p66011 +sg25270 +S'French 18th Century' +p66012 +sa(dp66013 +g25267 +g27 +sg25268 +S'Spur' +p66014 +sg25270 +S'Eldon Allen' +p66015 +sa(dp66016 +g25267 +g27 +sg25268 +S'Spur' +p66017 +sg25270 +S'Verna Tallman' +p66018 +sa(dp66019 +g25267 +g27 +sg25268 +S'Spur' +p66020 +sg25270 +S'Bertha Semple' +p66021 +sa(dp66022 +g25267 +g27 +sg25268 +S'Spur' +p66023 +sg25270 +S'Rose Campbell-Gerke' +p66024 +sa(dp66025 +g25267 +g27 +sg25268 +S'Spur' +p66026 +sg25270 +S'George E. Rhone' +p66027 +sa(dp66028 +g25267 +g27 +sg25268 +S'Spur' +p66029 +sg25270 +S'William Hoffman' +p66030 +sa(dp66031 +g25267 +g27 +sg25268 +S'Spur' +p66032 +sg25270 +S'Harry Mann Waddell' +p66033 +sa(dp66034 +g25267 +g27 +sg25268 +S'Spur' +p66035 +sg25270 +S'Artist Information (' +p66036 +sa(dp66037 +g25267 +g27 +sg25268 +S'Spur' +p66038 +sg25270 +S'William Hoffman' +p66039 +sa(dp66040 +g25267 +g27 +sg25268 +S'Spur' +p66041 +sg25270 +S'Hal Blakeley' +p66042 +sa(dp66043 +g25273 +S'Widener Collection' +p66044 +sg25267 +g27 +sg25275 +S'\n1 vol: ill: engraved head- and tail-pieces' +p66045 +sg25268 +S"Divertissemens du th\xc3\xa9\xc3\xa2tre ... pendant l'hiver de 1748 a 1749 (volume II)" +p66046 +sg25270 +S'French 18th Century' +p66047 +sa(dp66048 +g25267 +g27 +sg25268 +S'Spur' +p66049 +sg25270 +S'Artist Information (' +p66050 +sa(dp66051 +g25267 +g27 +sg25268 +S'Spur' +p66052 +sg25270 +S'Cornelius Christoffels' +p66053 +sa(dp66054 +g25267 +g27 +sg25268 +S'Spur' +p66055 +sg25270 +S'Gerald Transpota' +p66056 +sa(dp66057 +g25267 +g27 +sg25268 +S'Spur' +p66058 +sg25270 +S'Artist Information (' +p66059 +sa(dp66060 +g25267 +g27 +sg25268 +S'Spur' +p66061 +sg25270 +S'Robert W.R. Taylor' +p66062 +sa(dp66063 +g25267 +g27 +sg25268 +S'Spur' +p66064 +sg25270 +S'Robert W.R. Taylor' +p66065 +sa(dp66066 +g25267 +g27 +sg25268 +S'Spur' +p66067 +sg25270 +S'Robert W.R. Taylor' +p66068 +sa(dp66069 +g25267 +g27 +sg25268 +S'Spur' +p66070 +sg25270 +S'Robert W.R. Taylor' +p66071 +sa(dp66072 +g25267 +g27 +sg25268 +S'Spur' +p66073 +sg25270 +S'Arthur P. Reynolds' +p66074 +sa(dp66075 +g25267 +g27 +sg25268 +S'Spur' +p66076 +sg25270 +S'Robert W.R. Taylor' +p66077 +sa(dp66078 +g25273 +S'Widener Collection' +p66079 +sg25267 +g27 +sg25275 +S'\n1 vol: ill: engraved head- and tail-pieces' +p66080 +sg25268 +S"Divertissemens du th\xc3\xa9\xc3\xa2tre ... pendant l'hiver de 1748 a 1749 (volume III)" +p66081 +sg25270 +S'French 18th Century' +p66082 +sa(dp66083 +g25267 +g27 +sg25268 +S'Spur' +p66084 +sg25270 +S'R.J. De Freitas' +p66085 +sa(dp66086 +g25267 +g27 +sg25268 +S'Spur' +p66087 +sg25270 +S'Gerald Transpota' +p66088 +sa(dp66089 +g25267 +g27 +sg25268 +S'Spur' +p66090 +sg25270 +S'Robert W.R. Taylor' +p66091 +sa(dp66092 +g25267 +g27 +sg25268 +S'Spur' +p66093 +sg25270 +S'William McAuley' +p66094 +sa(dp66095 +g25267 +g27 +sg25268 +S'Spur' +p66096 +sg25270 +S'Verna Tallman' +p66097 +sa(dp66098 +g25267 +g27 +sg25268 +S'Spur' +p66099 +sg25270 +S'Robert W.R. Taylor' +p66100 +sa(dp66101 +g25267 +g27 +sg25268 +S'Spur' +p66102 +sg25270 +S'William Kieckhofel' +p66103 +sa(dp66104 +g25267 +g27 +sg25268 +S'Needle Book' +p66105 +sg25270 +S'Ruth M. Barnes' +p66106 +sa(dp66107 +g25267 +g27 +sg25268 +S'Woven Mat' +p66108 +sg25270 +S'Cornelius Christoffels' +p66109 +sa(dp66110 +g25267 +S"In 1939 the saddle blanket portrayed in this rendering belonged to J. G. Trescony, owner of Rancho San Lucas in Monterey County, California. It is made of hand-spun woolen thread dyed with native dyes. Since there was no blanket-weaving tradition among Native Americans in California, it is unlikely that Trescony's blanket was made in this region. It seems most closely related to a hybrid style of blanket-weaving that evolved through overlapping traditions among indigenous peoples and Hispanic settlers in northern New Mexico, along with significant influence from Mexico. Like many other Index objects, the blanket may therefore have traveled to a place far from its origin by the time it was rendered in the 1930s. The serrated zig-zag motif in this rendering probably originated in central or northern Mexico in the middle of the nineteenth century. It was one of the patterns used by Hispanic Mexican weavers for an intricately woven, splendidly ornamented garment known as the Saltillo serape. This pattern was then used by New Mexican weavers in the mid-nineteenth century. Both Hispanic and Navajo weavers combined zig-zags, as well as other Saltillo patterns, with the bands of plain stripes that had characterized an earlier, simpler blanket style. The design of the saddle blanket in Ethel Dougan's rendering may have resulted from this particular pairing of designs.\n " +p66111 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003dd.jpg' +p66112 +sg25268 +S'Saddle Blanket' +p66113 +sg25270 +S'Ethel Dougan' +p66114 +sa(dp66115 +g25273 +S'Widener Collection' +p66116 +sg25267 +g27 +sg25275 +S'\n1 vol: ill: engraved head- and tail-pieces' +p66117 +sg25268 +S"Divertissemens du th\xc3\xa9\xc3\xa2tre ... pendant l'hiver de 1749 a 1750 (volume IV)" +p66118 +sg25270 +S'French 18th Century' +p66119 +sa(dp66120 +g25267 +g27 +sg25268 +S'Embroidery from Bedspread' +p66121 +sg25270 +S'Majel G. Claflin' +p66122 +sa(dp66123 +g25267 +g27 +sg25268 +S'Spanish Colonial Bedspread' +p66124 +sg25270 +S'Majel G. Claflin' +p66125 +sa(dp66126 +g25267 +g27 +sg25268 +S'Colcha' +p66127 +sg25270 +S'American 20th Century' +p66128 +sa(dp66129 +g25267 +g27 +sg25268 +S"Sultan's Stirrup" +p66130 +sg25270 +S'Artist Information (' +p66131 +sa(dp66132 +g25267 +g27 +sg25268 +S'Wooden Stirrup' +p66133 +sg25270 +S'Florence Hastings' +p66134 +sa(dp66135 +g25267 +g27 +sg25268 +S'Stirrup' +p66136 +sg25270 +S'William Kieckhofel' +p66137 +sa(dp66138 +g25267 +g27 +sg25268 +S'Stirrup' +p66139 +sg25270 +S'Robert W.R. 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Henry Marley' +p66382 +sa(dp66383 +g25267 +g27 +sg25268 +S'Chest' +p66384 +sg25270 +S'J. Henry Marley' +p66385 +sa(dp66386 +g25267 +g27 +sg25268 +S'Mission Bench' +p66387 +sg25270 +S'Geoffrey Holt' +p66388 +sa(dp66389 +g25267 +g27 +sg25268 +S'Unknown Object' +p66390 +sg25270 +S'American 20th Century' +p66391 +sa(dp66392 +g25267 +g27 +sg25268 +S'Bench' +p66393 +sg25270 +S'Hal Blakeley' +p66394 +sa(dp66395 +g25273 +S'(artist after)' +p66396 +sg25267 +g27 +sg25275 +S'\n' +p66397 +sg25268 +S'Bataille arrivee dans le tripot, qui trouble la comedie' +p66398 +sg25270 +S'Artist Information (' +p66399 +sa(dp66400 +g25267 +g27 +sg25268 +S'Gun Holster' +p66401 +sg25270 +S'Majel G. Claflin' +p66402 +sa(dp66403 +g25267 +g27 +sg25268 +S'Confessional' +p66404 +sg25270 +S'William Hoffman' +p66405 +sa(dp66406 +g25267 +g27 +sg25268 +S'Tin Sconce' +p66407 +sg25270 +S'Majel G. 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Vezolles' +p66569 +sa(dp66570 +g25273 +S'(artist after)' +p66571 +sg25267 +g27 +sg25275 +S'\n' +p66572 +sg25268 +S'Le poete Roguebrune rompt la ceinture de sa culotte' +p66573 +sg25270 +S'Artist Information (' +p66574 +sa(dp66575 +g25267 +g27 +sg25268 +S'Spinning Wheel' +p66576 +sg25270 +S'Virgil A. Liberto' +p66577 +sa(dp66578 +g25267 +g27 +sg25268 +S'Wood Spinning Wheel' +p66579 +sg25270 +S'Arthur Mathews' +p66580 +sa(dp66581 +g25267 +g27 +sg25268 +S'Reel' +p66582 +sg25270 +S'Florence Truelson' +p66583 +sa(dp66584 +g25267 +g27 +sg25268 +S'Spinning Wheel' +p66585 +sg25270 +S'Lorenz Rothkranz' +p66586 +sa(dp66587 +g25267 +g27 +sg25268 +S'Spinning Wheel' +p66588 +sg25270 +S'Eugene La Foret' +p66589 +sa(dp66590 +g25267 +g27 +sg25268 +S'Shaker Flax Spinning Wheel' +p66591 +sg25270 +S'Lon Cronk' +p66592 +sa(dp66593 +g25267 +g27 +sg25268 +S'Flap Jack Spider' +p66594 +sg25270 +S'Eugene R. Szepessy' +p66595 +sa(dp66596 +g25267 +g27 +sg25268 +S'Spit' +p66597 +sg25270 +S'Emile Cero' +p66598 +sa(dp66599 +g25267 +g27 +sg25268 +S'Spice Sifter' +p66600 +sg25270 +S'Stanley Chin' +p66601 +sa(dp66602 +g25267 +g27 +sg25268 +S'Improved Splint' +p66603 +sg25270 +S'William Lang' +p66604 +sa(dp66605 +g25273 +S'(artist after)' +p66606 +sg25267 +g27 +sg25275 +S'\n' +p66607 +sg25268 +S"Ragotin declame des vers des paysans croyent qu'il presche" +p66608 +sg25270 +S'Artist Information (' +p66609 +sa(dp66610 +g25267 +g27 +sg25268 +S'Spokeshave' +p66611 +sg25270 +S'Herman O. Stroh' +p66612 +sa(dp66613 +g25267 +g27 +sg25268 +S'Spatula' +p66614 +sg25270 +S'John Swientochowski' +p66615 +sa(dp66616 +g25267 +g27 +sg25268 +S'Stern Board' +p66617 +sg25270 +S'Renee A. Monfalcone' +p66618 +sa(dp66619 +g25267 +g27 +sg25268 +S'Stern Piece' +p66620 +sg25270 +S'Robert Pohle' +p66621 +sa(dp66622 +g25267 +g27 +sg25268 +S'Stern Board' +p66623 +sg25270 +S'Helen E. Gilman' +p66624 +sa(dp66625 +g25267 +g27 +sg25268 +S'Stern Board' +p66626 +sg25270 +S'Alton K. Skillin' +p66627 +sa(dp66628 +g25267 +g27 +sg25268 +S'Stern Piece: Pocahontas' +p66629 +sg25270 +S'Albert Ryder' +p66630 +sa(dp66631 +g25267 +g27 +sg25268 +S'Parlor Stereoscope' +p66632 +sg25270 +S'Chris Makrenos' +p66633 +sa(dp66634 +g25267 +g27 +sg25268 +S'Stereooptician' +p66635 +sg25270 +S'William Spiecker' +p66636 +sa(dp66637 +g25267 +g27 +sg25268 +S'Stereoscope' +p66638 +sg25270 +S'Carl Buergerniss' +p66639 +sa(dp66640 +g25273 +S'(artist after)' +p66641 +sg25267 +g27 +sg25275 +S'\n' +p66642 +sg25268 +S'Le destin retire Ragotin ...' +p66643 +sg25270 +S'Artist Information (' +p66644 +sa(dp66645 +g25267 +g27 +sg25268 +S'Stage-coach' +p66646 +sg25270 +S'Rose Campbell-Gerke' +p66647 +sa(dp66648 +g25267 +g27 +sg25268 +S'Stand for Incense Burner' +p66649 +sg25270 +S'Walter Hochstrasser' +p66650 +sa(dp66651 +g25267 +g27 +sg25268 +S'Spreader for Schooner Rigging' +p66652 +sg25270 +S'Erwin Stenzel' +p66653 +sa(dp66654 +g25267 +g27 +sg25268 +S'Utensil Holder' +p66655 +sg25270 +S'Franklin C. Moyan' +p66656 +sa(dp66657 +g25267 +g27 +sg25268 +S'Spoon Rack' +p66658 +sg25270 +S'Frederick Jackson' +p66659 +sa(dp66660 +g25267 +g27 +sg25268 +S'Wooden Spoon' +p66661 +sg25270 +S'American 20th Century' +p66662 +sa(dp66663 +g25267 +g27 +sg25268 +S'Dessert Spoon' +p66664 +sg25270 +S'Frank M. Keane' +p66665 +sa(dp66666 +g25267 +g27 +sg25268 +S'Childs Porridge Spoon' +p66667 +sg25270 +S'Milton Bevier' +p66668 +sa(dp66669 +g25267 +g27 +sg25268 +S'Wooden Spoon' +p66670 +sg25270 +S'Henry Rasmusen' +p66671 +sa(dp66672 +g25267 +g27 +sg25268 +S'Spoon' +p66673 +sg25270 +S'Carl Keksi' +p66674 +sa(dp66675 +g25273 +S'(artist after)' +p66676 +sg25267 +g27 +sg25275 +S'\n' +p66677 +sg25268 +S"Ragotin retire du coffre ou la servante l'avoit enferme" +p66678 +sg25270 +S'Artist Information (' +p66679 +sa(dp66680 +g25267 +g27 +sg25268 +S'Spoon' +p66681 +sg25270 +S'Wilbur M Rice' +p66682 +sa(dp66683 +g25267 +g27 +sg25268 +S'Square Wooden Spoon' +p66684 +sg25270 +S'Wilbur M Rice' +p66685 +sa(dp66686 +g25267 +g27 +sg25268 +S'Stern Piece' +p66687 +sg25270 +S'Ingrid Selmer-Larsen' +p66688 +sa(dp66689 +g25267 +g27 +sg25268 +S'Stern Piece' +p66690 +sg25270 +S'Karl J. Hentz' +p66691 +sa(dp66692 +g25267 +g27 +sg25268 +S'Stern Board' +p66693 +sg25270 +S'Betty Fuerst' +p66694 +sa(dp66695 +g25267 +g27 +sg25268 +S'Stern Piece: Eagle' +p66696 +sg25270 +S'Mary E. Humes' +p66697 +sa(dp66698 +g25267 +g27 +sg25268 +S'Stern Board' +p66699 +sg25270 +S'Betty Fuerst' +p66700 +sa(dp66701 +g25267 +g27 +sg25268 +S'Stern Board' +p66702 +sg25270 +S'Mary E. Humes' +p66703 +sa(dp66704 +g25267 +g27 +sg25268 +S'Stern Board' +p66705 +sg25270 +S'Mary E. Humes' +p66706 +sa(dp66707 +g25267 +g27 +sg25268 +S'Stern Board' +p66708 +sg25270 +S'Louis Plogsted' +p66709 +sa(dp66710 +g25273 +S'(artist after)' +p66711 +sg25267 +g27 +sg25275 +S'\n' +p66712 +sg25268 +S'Un serurier coupe le pot de chambre pour degager le pied de Ragotin' +p66713 +sg25270 +S'Artist Information (' +p66714 +sa(dp66715 +g25267 +g27 +sg25268 +S'Eagle Stern Piece' +p66716 +sg25270 +S'Betty Fuerst' +p66717 +sa(dp66718 +g25267 +g27 +sg25268 +S'Stern Decoration' +p66719 +sg25270 +S'Jerome Hoxie' +p66720 +sa(dp66721 +g25267 +g27 +sg25268 +S"Ship's Stern Piece" +p66722 +sg25270 +S'Cornelius Christoffels' +p66723 +sa(dp66724 +g25267 +g27 +sg25268 +S'Saddle Stirrup' +p66725 +sg25270 +S'Manuel G. Runyan' +p66726 +sa(dp66727 +g25267 +g27 +sg25268 +S'Stirrup Shoe' +p66728 +sg25270 +S'Irving L. Biehn' +p66729 +sa(dp66730 +g25267 +g27 +sg25268 +S'Carved Stone Pattern' +p66731 +sg25270 +S'Helen Alpiner Blumenstiel' +p66732 +sa(dp66733 +g25267 +g27 +sg25268 +S'Stone Carved Out to Hold War Paint' +p66734 +sg25270 +S'Marie Lutrell' +p66735 +sa(dp66736 +g25267 +g27 +sg25268 +S'Bas Relief' +p66737 +sg25270 +S'Edward L. Loper' +p66738 +sa(dp66739 +g25267 +g27 +sg25268 +S'Stone Olla' +p66740 +sg25270 +S'Rose Campbell-Gerke' +p66741 +sa(dp66742 +g25267 +g27 +sg25268 +S'Stove' +p66743 +sg25270 +S'Robert W.R. Taylor' +p66744 +sa(dp66745 +g25273 +S'(artist after)' +p66746 +sg25267 +g27 +sg25275 +S'\n' +p66747 +sg25268 +S"Piramide d'ailes et de cuisses de poulets" +p66748 +sg25270 +S'Artist Information (' +p66749 +sa(dp66750 +g25267 +g27 +sg25268 +S'Stove' +p66751 +sg25270 +S'Harry G. Aberdeen' +p66752 +sa(dp66753 +g25267 +g27 +sg25268 +S'Cast Iron Stove' +p66754 +sg25270 +S'Edmond Lorts' +p66755 +sa(dp66756 +g25267 +g27 +sg25268 +S'Foot Stove' +p66757 +sg25270 +S'Wilbur M Rice' +p66758 +sa(dp66759 +g25267 +g27 +sg25268 +S'Foot Stove' +p66760 +sg25270 +S'Lloyd Quackenbush' +p66761 +sa(dp66762 +g25267 +g27 +sg25268 +S'Stove' +p66763 +sg25270 +S'Harry Grossen' +p66764 +sa(dp66765 +g25267 +g27 +sg25268 +S'Cast Iron Toy Stove' +p66766 +sg25270 +S'Edmond Lorts' +p66767 +sa(dp66768 +g25267 +g27 +sg25268 +S'Toy Stove' +p66769 +sg25270 +S'Ralph Atkinson' +p66770 +sa(dp66771 +g25267 +g27 +sg25268 +S'Stove' +p66772 +sg25270 +S'American 20th Century' +p66773 +sa(dp66774 +g25267 +g27 +sg25268 +S'Box Stove' +p66775 +sg25270 +S'Charles Von Urban' +p66776 +sa(dp66777 +g25267 +g27 +sg25268 +S'Box Stove' +p66778 +sg25270 +S'Charles Von Urban' +p66779 +sa(dp66780 +g25268 +S'The Niccolini-Cowper Madonna' +p66781 +sg25270 +S'Raphael' +p66782 +sg25273 +S'oil on panel' +p66783 +sg25275 +S'1508' +p66784 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a000081e.jpg' +p66785 +sg25267 +S"This may be the last work Raphael painted in Florence before he left for Rome. It is more complex than the \n In Raphael's \n " +p66786 +sa(dp66787 +g25268 +S'Temporary Tribune in the Campo San Zanipolo, Venice' +p66788 +sg25270 +S'Francesco Guardi' +p66789 +sg25273 +S'oil on canvas' +p66790 +sg25275 +S'1782 or after' +p66791 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00009/a0000910.jpg' +p66792 +sg25267 +g27 +sa(dp66793 +g25273 +S'(artist after)' +p66794 +sg25267 +g27 +sg25275 +S'\n' +p66795 +sg25268 +S'Madame de Bouvillon ouvre la porte a Ragotin qui luy fait un bosse au frond' +p66796 +sg25270 +S'Artist Information (' +p66797 +sa(dp66798 +g25267 +g27 +sg25268 +S'Stove' +p66799 +sg25270 +S'Albert Geuppert' +p66800 +sa(dp66801 +g25267 +g27 +sg25268 +S'Stove' +p66802 +sg25270 +S'Sarkis Erganian' +p66803 +sa(dp66804 +g25267 +g27 +sg25268 +S'Sword' +p66805 +sg25270 +S'A.R. Tolman' +p66806 +sa(dp66807 +g25267 +g27 +sg25268 +S'Soap Stone Stove' +p66808 +sg25270 +S'Artist Information (' +p66809 +sa(dp66810 +g25267 +g27 +sg25268 +S'Stove' +p66811 +sg25270 +S'Einar Heiberg' +p66812 +sa(dp66813 +g25267 +g27 +sg25268 +S'Cast Iron Heater Stove' +p66814 +sg25270 +S'Dolores Haupt' +p66815 +sa(dp66816 +g25267 +g27 +sg25268 +S'Stirrup' +p66817 +sg25270 +S'Cecil Smith' +p66818 +sa(dp66819 +g25267 +g27 +sg25268 +S'Carved Wooden Eagle' +p66820 +sg25270 +S'Robert Gilson' +p66821 +sa(dp66822 +g25267 +g27 +sg25268 +S'Stern Piece' +p66823 +sg25270 +S'Sadie Berman' +p66824 +sa(dp66825 +g25267 +g27 +sg25268 +S'Stern Piece' +p66826 +sg25270 +S'Laura Bilodeau' +p66827 +sa(dp66828 +g25273 +S'(artist after)' +p66829 +sg25267 +g27 +sg25275 +S'\n' +p66830 +sg25268 +S'Madame de Bouvillon pour tenter le destin le prie du luy chercher une puce' +p66831 +sg25270 +S'Artist Information (' +p66832 +sa(dp66833 +g25267 +g27 +sg25268 +S'Eagle Stern Piece' +p66834 +sg25270 +S'Irving I. Smith' +p66835 +sa(dp66836 +g25267 +g27 +sg25268 +S'Wooden Spoon Rack' +p66837 +sg25270 +S'Sarkis Erganian' +p66838 +sa(dp66839 +g25267 +g27 +sg25268 +S'Spinning Wheel' +p66840 +sg25270 +S'Oscar Bluhme' +p66841 +sa(dp66842 +g25267 +g27 +sg25268 +S'Three Notch Survey Mark' +p66843 +sg25270 +S'Manuel G. Runyan' +p66844 +sa(dp66845 +g25267 +g27 +sg25268 +S'Sun Dial' +p66846 +sg25270 +S'Michael Chomyk' +p66847 +sa(dp66848 +g25267 +g27 +sg25268 +S'Sun Dial' +p66849 +sg25270 +S'William Kerby' +p66850 +sa(dp66851 +g25267 +g27 +sg25268 +S'Sun Dial' +p66852 +sg25270 +S'Henry Meyers' +p66853 +sa(dp66854 +g25267 +g27 +sg25268 +S'Loaf Sugar Cutter' +p66855 +sg25270 +S'Thomas Dooley' +p66856 +sa(dp66857 +g25267 +g27 +sg25268 +S'Sugar Cutter' +p66858 +sg25270 +S'Edward L. Loper' +p66859 +sa(dp66860 +g25267 +g27 +sg25268 +S'Sugar Industry Implements' +p66861 +sg25270 +S'Ray Price' +p66862 +sa(dp66863 +g25273 +S'(artist after)' +p66864 +sg25267 +g27 +sg25275 +S'\n' +p66865 +sg25268 +S'Ragotin trouve des Bohemiens dans sa maison de campagne' +p66866 +sg25270 +S'Artist Information (' +p66867 +sa(dp66868 +g25267 +g27 +sg25268 +S'Wood Sugar Bowl' +p66869 +sg25270 +S'David S. De Vault' +p66870 +sa(dp66871 +g25267 +g27 +sg25268 +S'Sugar Bowl with Cover' +p66872 +sg25270 +S'Rose Campbell-Gerke' +p66873 +sa(dp66874 +g25267 +g27 +sg25268 +S'Sugar Container' +p66875 +sg25270 +S'Al Curry' +p66876 +sa(dp66877 +g25267 +g27 +sg25268 +S'Straw Roller' +p66878 +sg25270 +S'Jessie M. Youngs' +p66879 +sa(dp66880 +g25267 +g27 +sg25268 +S'Starch Strainer' +p66881 +sg25270 +S'Stanley Mazur' +p66882 +sa(dp66883 +g25267 +g27 +sg25268 +S'Copper Sugar Strainer' +p66884 +sg25270 +S'Annie B. Johnston' +p66885 +sa(dp66886 +g25267 +g27 +sg25268 +S'Copper Sugar Strainer' +p66887 +sg25270 +S'Annie B. Johnston' +p66888 +sa(dp66889 +g25267 +g27 +sg25268 +S'Strainer' +p66890 +sg25270 +S'Isidore Danziger' +p66891 +sa(dp66892 +g25267 +g27 +sg25268 +S'Stove Urn' +p66893 +sg25270 +S'Milton Grubstein' +p66894 +sa(dp66895 +g25267 +g27 +sg25268 +S'Stove Urn' +p66896 +sg25270 +S'Milton Grubstein' +p66897 +sa(dp66898 +g25273 +S'(artist after)' +p66899 +sg25267 +g27 +sg25275 +S'\n' +p66900 +sg25268 +S"Ragotin pousse brusquement dans l'eau le pere gifflot ..." +p66901 +sg25270 +S'Artist Information (' +p66902 +sa(dp66903 +g25267 +g27 +sg25268 +S'Stove Lid Lifter' +p66904 +sg25270 +S'Adelaide Dyball' +p66905 +sa(dp66906 +g25267 +g27 +sg25268 +S'Tin Stove' +p66907 +sg25270 +S'Vincent P. Rosel' +p66908 +sa(dp66909 +g25267 +g27 +sg25268 +S'Portable Charcoal Stove' +p66910 +sg25270 +S'Ernest A. Towers, Jr.' +p66911 +sa(dp66912 +g25267 +g27 +sg25268 +S'Portable Cast Iron Cook Stove' +p66913 +sg25270 +S'Al Curry' +p66914 +sa(dp66915 +g25267 +g27 +sg25268 +S'Brazier' +p66916 +sg25270 +S'Sarkis Erganian' +p66917 +sa(dp66918 +g25267 +g27 +sg25268 +S'Charcoal Stove' +p66919 +sg25270 +S'John Price' +p66920 +sa(dp66921 +g25267 +g27 +sg25268 +S'Tin Milk Warmer' +p66922 +sg25270 +S'Edward L. Loper' +p66923 +sa(dp66924 +g25267 +g27 +sg25268 +S'Franklin Baking Oven' +p66925 +sg25270 +S'Artist Information (' +p66926 +sa(dp66927 +g25267 +g27 +sg25268 +S"Tailor's Stove" +p66928 +sg25270 +S'John Bodine' +p66929 +sa(dp66930 +g25267 +g27 +sg25268 +S'Wood Burner Cook Stove' +p66931 +sg25270 +S'Walter L. Webster' +p66932 +sa(dp66933 +g25273 +S'French, 1751 - 1847' +p66934 +sg25267 +g27 +sg25275 +S'(artist)' +p66935 +sg25268 +S'Portraits des grands hommes ... (volume I)' +p66936 +sg25270 +S'Artist Information (' +p66937 +sa(dp66938 +g25267 +g27 +sg25268 +S'Cannon Stove' +p66939 +sg25270 +S'Regina Henderer' +p66940 +sa(dp66941 +g25267 +g27 +sg25268 +S'Coal Stove' +p66942 +sg25270 +S'Frank Gray' +p66943 +sa(dp66944 +g25267 +g27 +sg25268 +S'Franklin Stove' +p66945 +sg25270 +S'J. Howard Iams' +p66946 +sa(dp66947 +g25267 +g27 +sg25268 +S'Kitchen Range' +p66948 +sg25270 +S'David Ramage' +p66949 +sa(dp66950 +g25267 +g27 +sg25268 +S'Copper Tea Kettle' +p66951 +sg25270 +S'Clyde L. Cheney' +p66952 +sa(dp66953 +g25267 +g27 +sg25268 +S'Copper Kettle' +p66954 +sg25270 +S'A.R. Tolman' +p66955 +sa(dp66956 +g25267 +g27 +sg25268 +S'Copper Tea Kettle' +p66957 +sg25270 +S'J. Howard Iams' +p66958 +sa(dp66959 +g25267 +g27 +sg25268 +S'Tea Kettle' +p66960 +sg25270 +S'Michael Rekucki' +p66961 +sa(dp66962 +g25267 +g27 +sg25268 +S'Copper Tea Kettle' +p66963 +sg25270 +S'Isabella Ruth Doerfler' +p66964 +sa(dp66965 +g25267 +g27 +sg25268 +S'Tea Kettle' +p66966 +sg25270 +S'William Kieckhofel' +p66967 +sa(dp66968 +g25273 +S'(artist)' +p66969 +sg25267 +g27 +sg25275 +S'\n' +p66970 +sg25268 +S'Portraits des grands hommes ... (volume II)' +p66971 +sg25270 +S'Artist Information (' +p66972 +sa(dp66973 +g25267 +g27 +sg25268 +S'Copper Kettle with Spout' +p66974 +sg25270 +S'Artist Information (' +p66975 +sa(dp66976 +g25267 +S"Teakettles were the most popular items made of copper. Domestic copperware\n was scarce during British colonial rule because the smelting of copper ore was\n restricted. But, as the number of facilities for the production of sheet copper\n increased, coppersmiths produced greater varieties of household utensils. This\n kettle, dated 1799, was made by shaping a copper sheet into a cylinder and then\n hammering the metal to the desired form. Although the design of copper teakettles\n was derived from European sources, the outward flare of the body is distinctly\n American. The curve of the handle, and domed lid, and the roundness of the kettle's\n body are in contrast with the sleek appearance of the gooseneck spout. Coppersmiths\n were skilled at their craft and often signed their works. The flat handle of the\n teakettle provided a convenient surface for the craftsman's mark. This kettle is\n unmarked but has been engraved instead with the names of its owners and their\n birth and death dates.\n " +p66977 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000307.jpg' +p66978 +sg25268 +S'Copper Kettle' +p66979 +sg25270 +S'Samuel W. Ford' +p66980 +sa(dp66981 +g25267 +g27 +sg25268 +S'Copper Tea Kettle' +p66982 +sg25270 +S'Eugene Croe' +p66983 +sa(dp66984 +g25267 +g27 +sg25268 +S'Copper Kettle' +p66985 +sg25270 +S'Edward L. Loper' +p66986 +sa(dp66987 +g25267 +g27 +sg25268 +S'Tea Caddy' +p66988 +sg25270 +S'Marie Lutrell' +p66989 +sa(dp66990 +g25267 +g27 +sg25268 +S'Teapot' +p66991 +sg25270 +S'Henry Meyers' +p66992 +sa(dp66993 +g25267 +g27 +sg25268 +S'Teapot' +p66994 +sg25270 +S'Daniel Fletcher' +p66995 +sa(dp66996 +g25267 +g27 +sg25268 +S'Tavern Sign' +p66997 +sg25270 +S'Samuel Fineman' +p66998 +sa(dp66999 +g25267 +g27 +sg25268 +S'Wine Shop Emblem' +p67000 +sg25270 +S'Artist Information (' +p67001 +sa(dp67002 +g25267 +g27 +sg25268 +S'Tavern Sign' +p67003 +sg25270 +S'Robert W.R. Taylor' +p67004 +sa(dp67005 +g25273 +S'(artist)' +p67006 +sg25267 +g27 +sg25275 +S'\n' +p67007 +sg25268 +S'Portraits des grands hommes ... 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Biehn' +p67012 +sa(dp67013 +g25267 +g27 +sg25268 +S'Wood Tankard' +p67014 +sg25270 +S'Richard Taylor' +p67015 +sa(dp67016 +g25267 +g27 +sg25268 +S'Drinking Vessel (Loving Cup)' +p67017 +sg25270 +S'Frank McEntee' +p67018 +sa(dp67019 +g25267 +g27 +sg25268 +S'Tankard' +p67020 +sg25270 +S'Hester Duany' +p67021 +sa(dp67022 +g25267 +g27 +sg25268 +S'Wooden Noggin' +p67023 +sg25270 +S'Wilbur M Rice' +p67024 +sa(dp67025 +g25267 +g27 +sg25268 +S'Sword and Sheath' +p67026 +sg25270 +S'Cecil Smith' +p67027 +sa(dp67028 +g25267 +g27 +sg25268 +S'Sabre' +p67029 +sg25270 +S'Carl Buergerniss' +p67030 +sa(dp67031 +g25267 +g27 +sg25268 +S'Sabre' +p67032 +sg25270 +S'Carl Buergerniss' +p67033 +sa(dp67034 +g25267 +g27 +sg25268 +S'Sword' +p67035 +sg25270 +S'Fletcher Hanks' +p67036 +sa(dp67037 +g25267 +g27 +sg25268 +S'Sword' +p67038 +sg25270 +S'Fletcher Hanks' +p67039 +sa(dp67040 +g25273 +S'French, 1751 - 1847' +p67041 +sg25267 +g27 +sg25275 +S'(artist)' +p67042 +sg25268 +S'Portraits des grands hommes ... 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Klein' +p67870 +sa(dp67871 +g25267 +g27 +sg25268 +S'Tin Mug' +p67872 +sg25270 +S'Lucille Manson' +p67873 +sa(dp67874 +g25267 +g27 +sg25268 +S'Toleware Tray' +p67875 +sg25270 +S'Betty Jacob' +p67876 +sa(dp67877 +g25267 +g27 +sg25268 +S'Toleware Tray' +p67878 +sg25270 +S'Mildred Ford' +p67879 +sa(dp67880 +g25267 +g27 +sg25268 +S'Toleware Tin Tray' +p67881 +sg25270 +S'Eugene Shellady' +p67882 +sa(dp67883 +g25267 +g27 +sg25268 +S'Toleware Tray' +p67884 +sg25270 +S'David S. De Vault' +p67885 +sa(dp67886 +g25267 +g27 +sg25268 +S'Toleware Tray' +p67887 +sg25270 +S'Alice Cosgrove' +p67888 +sa(dp67889 +g25268 +S'Le concert agreable' +p67890 +sg25270 +S'Artist Information (' +p67891 +sg25273 +S'(artist after)' +p67892 +sg25275 +S'\n' +p67893 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a000974f.jpg' +p67894 +sg25267 +g27 +sa(dp67895 +g25267 +g27 +sg25268 +S'Toleware Bread Tray' +p67896 +sg25270 +S'Mildred Ford' +p67897 +sa(dp67898 +g25267 +g27 +sg25268 +S'Toleware Bread Tray' +p67899 +sg25270 +S'Mildred Ford' +p67900 +sa(dp67901 +g25267 +g27 +sg25268 +S'Toleware Bread Tray' +p67902 +sg25270 +S'Mildred Ford' +p67903 +sa(dp67904 +g25267 +g27 +sg25268 +S'Toleware Metal Teapot' +p67905 +sg25270 +S'Andrew Topolosky' +p67906 +sa(dp67907 +g25267 +g27 +sg25268 +S'Toleware Tin Coffee Pot' +p67908 +sg25270 +S'Jacob Gielens' +p67909 +sa(dp67910 +g25267 +g27 +sg25268 +S'Toleware Tin Tea Caddy' +p67911 +sg25270 +S'Clarence W. Dawson' +p67912 +sa(dp67913 +g25267 +g27 +sg25268 +S'Toleware Tin Tea Caddy' +p67914 +sg25270 +S'Jacob Gielens' +p67915 +sa(dp67916 +g25267 +g27 +sg25268 +S'Toleware Tea Cannister' +p67917 +sg25270 +S'Edward White' +p67918 +sa(dp67919 +g25267 +g27 +sg25268 +S'Toleware Tea Caddy' +p67920 +sg25270 +S'Charles Henning' +p67921 +sa(dp67922 +g25267 +g27 +sg25268 +S'Toleware Tea Caddy' +p67923 +sg25270 +S'Charles Henning' +p67924 +sa(dp67925 +g25268 +S'Le dejeuner anglais' +p67926 +sg25270 +S'Artist Information (' +p67927 +sg25273 +S'(artist after)' +p67928 +sg25275 +S'\n' +p67929 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e7c.jpg' +p67930 +sg25267 +g27 +sa(dp67931 +g25267 +g27 +sg25268 +S'Toleware Tea Caddy' +p67932 +sg25270 +S'William Frank' +p67933 +sa(dp67934 +g25267 +g27 +sg25268 +S'Carved Date Stone' +p67935 +sg25270 +S'Leslie Macklem' +p67936 +sa(dp67937 +g25267 +g27 +sg25268 +S'Iron Doorway to Tomb' +p67938 +sg25270 +S'Thomas Byrne' +p67939 +sa(dp67940 +g25267 +g27 +sg25268 +S'Digging Tool' +p67941 +sg25270 +S'Arthur P. Reynolds' +p67942 +sa(dp67943 +g25267 +g27 +sg25268 +S'Marking Tool' +p67944 +sg25270 +S'Harley Kempter' +p67945 +sa(dp67946 +g25267 +g27 +sg25268 +S'Carving for a Tombstone' +p67947 +sg25270 +S'Gordena Jackson' +p67948 +sa(dp67949 +g25267 +g27 +sg25268 +S'Rope Making Tool' +p67950 +sg25270 +S'Emile Cero' +p67951 +sa(dp67952 +g25267 +g27 +sg25268 +S'Tongs' +p67953 +sg25270 +S'Stanley Mazur' +p67954 +sa(dp67955 +g25267 +g27 +sg25268 +S'Ice Tongs' +p67956 +sg25270 +S'Eugene Bartz' +p67957 +sa(dp67958 +g25267 +g27 +sg25268 +S'Tongs' +p67959 +sg25270 +S'Samuel Fineman' +p67960 +sa(dp67961 +g25268 +S'La lecon interrompue' +p67962 +sg25270 +S'Artist Information (' +p67963 +sg25273 +S'(artist after)' +p67964 +sg25275 +S'\n' +p67965 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e7d.jpg' +p67966 +sg25267 +g27 +sa(dp67967 +g25267 +g27 +sg25268 +S'Tongs' +p67968 +sg25270 +S'Pearl Davis' +p67969 +sa(dp67970 +g25267 +g27 +sg25268 +S'Tongs' +p67971 +sg25270 +S'Richard Schoene' +p67972 +sa(dp67973 +g25267 +g27 +sg25268 +S'Tongs' +p67974 +sg25270 +S'Mildred Ford' +p67975 +sa(dp67976 +g25267 +g27 +sg25268 +S'Bread Tray' +p67977 +sg25270 +S'Albert Eyth' +p67978 +sa(dp67979 +g25267 +g27 +sg25268 +S'Tray' +p67980 +sg25270 +S'Grace Halpin' +p67981 +sa(dp67982 +g25267 +g27 +sg25268 +S'Tray' +p67983 +sg25270 +S'Mary Fitzgerald' +p67984 +sa(dp67985 +g25267 +g27 +sg25268 +S'Tray' +p67986 +sg25270 +S'Charles Roadman' +p67987 +sa(dp67988 +g25267 +g27 +sg25268 +S'Tray' +p67989 +sg25270 +S'Charles Henning' +p67990 +sa(dp67991 +g25267 +g27 +sg25268 +S'Bread Tray' +p67992 +sg25270 +S'Mildred Ford' +p67993 +sa(dp67994 +g25267 +g27 +sg25268 +S'Toleware Tray' +p67995 +sg25270 +S'Raymond McGough' +p67996 +sa(dp67997 +g25268 +S'Le roman dangereux' +p67998 +sg25270 +S'Artist Information (' +p67999 +sg25273 +S'(artist after)' +p68000 +sg25275 +S'\n' +p68001 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a0009711.jpg' +p68002 +sg25267 +g27 +sa(dp68003 +g25267 +g27 +sg25268 +S'Tray' +p68004 +sg25270 +S'Grace Halpin' +p68005 +sa(dp68006 +g25267 +g27 +sg25268 +S'Tray' +p68007 +sg25270 +S'American 20th Century' +p68008 +sa(dp68009 +g25267 +g27 +sg25268 +S'Tin Tray' +p68010 +sg25270 +S'Victor F. Muollo' +p68011 +sa(dp68012 +g25267 +g27 +sg25268 +S'Tombstone' +p68013 +sg25270 +S'Ursula Lauderdale' +p68014 +sa(dp68015 +g25267 +g27 +sg25268 +S'Iron Tomb' +p68016 +sg25270 +S'Thomas Byrne' +p68017 +sa(dp68018 +g25267 +g27 +sg25268 +S'Swing Torch' +p68019 +sg25270 +S'Herman Bader' +p68020 +sa(dp68021 +g25267 +g27 +sg25268 +S'Parade Torch' +p68022 +sg25270 +S'William H. Edwards' +p68023 +sa(dp68024 +g25267 +g27 +sg25268 +S'Torch' +p68025 +sg25270 +S'Ray Price' +p68026 +sa(dp68027 +g25267 +g27 +sg25268 +S"Fireman's Torch" +p68028 +sg25270 +S'Elmer G. Anderson' +p68029 +sa(dp68030 +g25267 +g27 +sg25268 +S"Fireman's Torch" +p68031 +sg25270 +S'Elmer G. Anderson' +p68032 +sa(dp68033 +g25268 +S"La Consolation de l'absence" +p68034 +sg25270 +S'Artist Information (' +p68035 +sg25273 +S'(artist after)' +p68036 +sg25275 +S'\n' +p68037 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e8c.jpg' +p68038 +sg25267 +g27 +sa(dp68039 +g25267 +g27 +sg25268 +S"Fireman's Torch" +p68040 +sg25270 +S'Elmer G. Anderson' +p68041 +sa(dp68042 +g25267 +g27 +sg25268 +S'Toy Automobile' +p68043 +sg25270 +S'Wilbur M Rice' +p68044 +sa(dp68045 +g25267 +g27 +sg25268 +S'Wood Carving of 6 Balls' +p68046 +sg25270 +S'Alf Bruseth' +p68047 +sa(dp68048 +g25267 +g27 +sg25268 +S'Miniature Boat' +p68049 +sg25270 +S'Raoul Du Bois' +p68050 +sa(dp68051 +g25267 +g27 +sg25268 +S'Doll Carriage' +p68052 +sg25270 +S'Walter W. Jennings' +p68053 +sa(dp68054 +g25267 +g27 +sg25268 +S'Toy Wagon' +p68055 +sg25270 +S'Francis Law Durand' +p68056 +sa(dp68057 +g25267 +g27 +sg25268 +S'Doll Buggy and Rug' +p68058 +sg25270 +S'Randolph F. Miller' +p68059 +sa(dp68060 +g25267 +S'Doll furniture and accessories must be included among the toy replicas of the\n adult world. This doll buggy, of about 1867, is made of wood and is styled like\n a cabriolet, or horse carriage. The hood, or calash, is fringed.\n ' +p68061 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002e0.jpg' +p68062 +sg25268 +S'Doll Buggy' +p68063 +sg25270 +S'Eugene Croe' +p68064 +sa(dp68065 +g25267 +g27 +sg25268 +S'Doll Buggy' +p68066 +sg25270 +S'Alfonso Moreno' +p68067 +sa(dp68068 +g25267 +g27 +sg25268 +S'Doll Carriage' +p68069 +sg25270 +S'Walter W. Jennings' +p68070 +sa(dp68071 +g25268 +S'Les deux confidantes' +p68072 +sg25270 +S'Artist Information (' +p68073 +sg25273 +S'(artist after)' +p68074 +sg25275 +S'\n' +p68075 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a000973f.jpg' +p68076 +sg25267 +g27 +sa(dp68077 +g25267 +g27 +sg25268 +S'Baby Buggy' +p68078 +sg25270 +S'Floyd R. Sharp' +p68079 +sa(dp68080 +g25267 +g27 +sg25268 +S'Turtle Shell Bureau' +p68081 +sg25270 +S'Esther Molina' +p68082 +sa(dp68083 +g25267 +g27 +sg25268 +S"Doll's Dresser" +p68084 +sg25270 +S'Dana Bartlett' +p68085 +sa(dp68086 +g25267 +g27 +sg25268 +S'Doll Furniture - Sideboard' +p68087 +sg25270 +S'Ellen Duncan' +p68088 +sa(dp68089 +g25267 +g27 +sg25268 +S'Toy Trunk' +p68090 +sg25270 +S'Edith Magnette' +p68091 +sa(dp68092 +g25267 +g27 +sg25268 +S'Toy Cupboard' +p68093 +sg25270 +S'Richard Taylor' +p68094 +sa(dp68095 +g25267 +g27 +sg25268 +S"Childs's Dresser" +p68096 +sg25270 +S'Edward L. Loper' +p68097 +sa(dp68098 +g25267 +g27 +sg25268 +S'Toy Chair' +p68099 +sg25270 +S'Mary E. Humes' +p68100 +sa(dp68101 +g25267 +g27 +sg25268 +S'Doll Settee' +p68102 +sg25270 +S'Austin L. Davison' +p68103 +sa(dp68104 +g25267 +g27 +sg25268 +S'Doll Chair' +p68105 +sg25270 +S'Julie C. Brush' +p68106 +sa(dp68107 +g25268 +S'Le moineau de lesbie' +p68108 +sg25270 +S'Artist Information (' +p68109 +sg25273 +S'(artist after)' +p68110 +sg25275 +S'\n' +p68111 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a0009709.jpg' +p68112 +sg25267 +g27 +sa(dp68113 +g25267 +g27 +sg25268 +S'Doll Sofa' +p68114 +sg25270 +S'Julie C. Brush' +p68115 +sa(dp68116 +g25267 +g27 +sg25268 +S'Doll Chair' +p68117 +sg25270 +S'Julie C. Brush' +p68118 +sa(dp68119 +g25267 +g27 +sg25268 +S'Toy Chair' +p68120 +sg25270 +S'Edith Magnette' +p68121 +sa(dp68122 +g25267 +g27 +sg25268 +S"Child's Settee" +p68123 +sg25270 +S'Mina Lowry' +p68124 +sa(dp68125 +g25267 +g27 +sg25268 +S'Doll Furniture - Chair' +p68126 +sg25270 +S'Ellen Duncan' +p68127 +sa(dp68128 +g25267 +g27 +sg25268 +S'Toy Chair' +p68129 +sg25270 +S'Edith Magnette' +p68130 +sa(dp68131 +g25267 +g27 +sg25268 +S'Doll Furniture - Table' +p68132 +sg25270 +S'Ellen Duncan' +p68133 +sa(dp68134 +g25267 +g27 +sg25268 +S"Doll's Suit and Hat" +p68135 +sg25270 +S'Louis Maldarelli' +p68136 +sa(dp68137 +g25267 +g27 +sg25268 +S'Doll Dress' +p68138 +sg25270 +S'Mary E. Humes' +p68139 +sa(dp68140 +g25267 +g27 +sg25268 +S"Doll's Dress" +p68141 +sg25270 +S'Lillian Stahl' +p68142 +sa(dp68143 +g25268 +S'Venus et les amours' +p68144 +sg25270 +S'Artist Information (' +p68145 +sg25273 +S'(artist after)' +p68146 +sg25275 +S'\n' +p68147 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a0009707.jpg' +p68148 +sg25267 +g27 +sa(dp68149 +g25267 +g27 +sg25268 +S"Doll's Jacket" +p68150 +sg25270 +S'Chris Makrenos' +p68151 +sa(dp68152 +g25267 +g27 +sg25268 +S"Doll's Cotton Petticoat" +p68153 +sg25270 +S'Evelyn Bailey' +p68154 +sa(dp68155 +g25267 +g27 +sg25268 +S"Doll's Dress" +p68156 +sg25270 +S'Edith Towner' +p68157 +sa(dp68158 +g25267 +g27 +sg25268 +S'Doll and Wardrobe' +p68159 +sg25270 +S'Mina Lowry' +p68160 +sa(dp68161 +g25267 +g27 +sg25268 +S'Doll and Wardrobe' +p68162 +sg25270 +S'Mina Lowry' +p68163 +sa(dp68164 +g25267 +g27 +sg25268 +S"Doll's Dress and Shift" +p68165 +sg25270 +S'Rosalia Lane' +p68166 +sa(dp68167 +g25267 +g27 +sg25268 +S'Doll Parasol' +p68168 +sg25270 +S'Ernest A. Towers, Jr.' +p68169 +sa(dp68170 +g25267 +g27 +sg25268 +S'Lace on Wax Doll' +p68171 +sg25270 +S'Edward L. Loper' +p68172 +sa(dp68173 +g25267 +g27 +sg25268 +S"Doll's Hat" +p68174 +sg25270 +S'Marie Alain' +p68175 +sa(dp68176 +g25267 +g27 +sg25268 +S"Doll's Straw Bonnet" +p68177 +sg25270 +S'Orville Cline' +p68178 +sa(dp68179 +g25268 +S'Les moeurs du temps' +p68180 +sg25270 +S'Artist Information (' +p68181 +sg25273 +S'(artist after)' +p68182 +sg25275 +S'\n' +p68183 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f8e.jpg' +p68184 +sg25267 +g27 +sa(dp68185 +g25267 +g27 +sg25268 +S"Doll's Gingham Sunbonnet" +p68186 +sg25270 +S'Bertha Semple' +p68187 +sa(dp68188 +g25267 +g27 +sg25268 +S'Toleware Coffee Pot' +p68189 +sg25270 +S'Charles Henning' +p68190 +sa(dp68191 +g25267 +g27 +sg25268 +S'Toleware Tin Teapot' +p68192 +sg25270 +S'Beverly Chichester' +p68193 +sa(dp68194 +g25267 +g27 +sg25268 +S'Toleware Tin Coffee Pot' +p68195 +sg25270 +S'William Frank' +p68196 +sa(dp68197 +g25267 +g27 +sg25268 +S'Toleware Coffee Pot' +p68198 +sg25270 +S'Max Soltmann' +p68199 +sa(dp68200 +g25267 +g27 +sg25268 +S'Toleware Coffee Pot' +p68201 +sg25270 +S'William L. Antrim' +p68202 +sa(dp68203 +g25267 +g27 +sg25268 +S'Toleware Coffee Pot' +p68204 +sg25270 +S'Lelah Nelson' +p68205 +sa(dp68206 +g25267 +g27 +sg25268 +S'Toleware Coffee Pot' +p68207 +sg25270 +S'Charles T. Smith' +p68208 +sa(dp68209 +g25267 +g27 +sg25268 +S'Toleware Teapot' +p68210 +sg25270 +S'Ernest Graham' +p68211 +sa(dp68212 +g25267 +g27 +sg25268 +S'Toleware Teapot' +p68213 +sg25270 +S'J. Howard Iams' +p68214 +sa(dp68215 +g25268 +S'Le Bon Example' +p68216 +sg25270 +S'Artist Information (' +p68217 +sg25273 +S'(artist after)' +p68218 +sg25275 +S'\n' +p68219 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a00096b7.jpg' +p68220 +sg25267 +g27 +sa(dp68221 +g25267 +g27 +sg25268 +S'Toleware Document Box' +p68222 +sg25270 +S'J. Howard Iams' +p68223 +sa(dp68224 +g25267 +g27 +sg25268 +S'Toleware Document Box' +p68225 +sg25270 +S'Charles Henning' +p68226 +sa(dp68227 +g25267 +g27 +sg25268 +S'Election Torch' +p68228 +sg25270 +S'Ivar Julius' +p68229 +sa(dp68230 +g25267 +g27 +sg25268 +S'Tombstone' +p68231 +sg25270 +S'Robert Clark' +p68232 +sa(dp68233 +g25267 +g27 +sg25268 +S'Tray' +p68234 +sg25270 +S'Natalie Thompson' +p68235 +sa(dp68236 +g25267 +g27 +sg25268 +S'Fruit Tray' +p68237 +sg25270 +S'Elmer G. Anderson' +p68238 +sa(dp68239 +g25267 +g27 +sg25268 +S'Apple Dish' +p68240 +sg25270 +S'Mildred E. Bent' +p68241 +sa(dp68242 +g25267 +g27 +sg25268 +S'Bread Tray' +p68243 +sg25270 +S'Mildred Ford' +p68244 +sa(dp68245 +g25267 +g27 +sg25268 +S'Bread Tray' +p68246 +sg25270 +S'Elmer G. Anderson' +p68247 +sa(dp68248 +g25267 +g27 +sg25268 +S'Teapot' +p68249 +sg25270 +S'George File' +p68250 +sa(dp68251 +g25268 +S'Mademoiselle Sa Soeur' +p68252 +sg25270 +S'Artist Information (' +p68253 +sg25273 +S'(artist after)' +p68254 +sg25275 +S'\n' +p68255 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a00096b8.jpg' +p68256 +sg25267 +g27 +sa(dp68257 +g25267 +g27 +sg25268 +S'Toleware Tin Box' +p68258 +sg25270 +S'Frank Gray' +p68259 +sa(dp68260 +g25267 +g27 +sg25268 +S'Chest' +p68261 +sg25270 +S'Thomas Watts' +p68262 +sa(dp68263 +g25267 +S'Toleware is painted tinplate. Also called "japanned-ware," it originated in\n the Orient, spread to Europe, and then to America, where its height of popularity\n was reached in the nineteenth century. Because toleware was prized for its decoration,\n it was often presented as a wedding or birthday gift and reserved for display.\n Like this box, toleware was generally painted with a black asphaltum varnish that\n imitated lacquer. The decoration was executed with oil paint in bright yellow,\n greens, blues, and oranges. Fruits, flowers, and ornamental swirls provided common\n motifs. This document box was a type used for string money, jewels, and valuable\n papers. It was probably made in the early nineteenth century at Stevens Plains,\n Maine, a center for toleware manufacture in that period. The box is painted with\n asphaltum and decorated with a type of oil color associated Connecticut jappaners.\n The box has been attributed to Oliver Buckley, a japanner who was trained in Connecticut\n and settled in Stevens Plains. His designs usually feature a round spot of orange\n with brushstrokes overlaid. Leaf forms fill the areas between spots. The handle\n of the box is made of cast brass and is bolted to the lid with two round brass\n plates.\n ' +p68264 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000306.jpg' +p68265 +sg25268 +S'Toleware Box' +p68266 +sg25270 +S'John H. Tercuzzi' +p68267 +sa(dp68268 +g25267 +g27 +sg25268 +S'Toy Grocery Store' +p68269 +sg25270 +S'Raoul Du Bois' +p68270 +sa(dp68271 +g25267 +g27 +sg25268 +S"Basket Maker's Store" +p68272 +sg25270 +S'John Fisk' +p68273 +sa(dp68274 +g25267 +g27 +sg25268 +S'Toy Stove' +p68275 +sg25270 +S'Philip Johnson' +p68276 +sa(dp68277 +g25267 +g27 +sg25268 +S'Stove' +p68278 +sg25270 +S'Al Curry' +p68279 +sa(dp68280 +g25267 +g27 +sg25268 +S'Toy Stove' +p68281 +sg25270 +S'Mina Lowry' +p68282 +sa(dp68283 +g25267 +g27 +sg25268 +S"Child's Toy Iron Kettle" +p68284 +sg25270 +S'William O. Fletcher' +p68285 +sa(dp68286 +g25267 +g27 +sg25268 +S'Toy Stove' +p68287 +sg25270 +S'Philip Johnson' +p68288 +sa(dp68289 +g25268 +S'Mlle. Salle' +p68290 +sg25270 +S'Artist Information (' +p68291 +sg25273 +S'(artist after)' +p68292 +sg25275 +S'\n' +p68293 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a00097e6.jpg' +p68294 +sg25267 +g27 +sa(dp68295 +g25267 +g27 +sg25268 +S"Baby's Rattle" +p68296 +sg25270 +S'Columbus Simpson' +p68297 +sa(dp68298 +g25267 +g27 +sg25268 +S'Toy China Set' +p68299 +sg25270 +S'Albert Camilli' +p68300 +sa(dp68301 +g25267 +g27 +sg25268 +S"Doll's Trunk" +p68302 +sg25270 +S'Mina Lowry' +p68303 +sa(dp68304 +g25267 +g27 +sg25268 +S'Toy School House' +p68305 +sg25270 +S'Eugene La Foret' +p68306 +sa(dp68307 +g25267 +g27 +sg25268 +S'Doll Bed' +p68308 +sg25270 +S'Therkel Anderson' +p68309 +sa(dp68310 +g25267 +g27 +sg25268 +S'Doll Cradle' +p68311 +sg25270 +S'Leslie Macklem' +p68312 +sa(dp68313 +g25267 +g27 +sg25268 +S'Two Cradles with Dolls' +p68314 +sg25270 +S'John Fisk' +p68315 +sa(dp68316 +g25267 +g27 +sg25268 +S"Doll's Cradle" +p68317 +sg25270 +S'Geoffrey Holt' +p68318 +sa(dp68319 +g25267 +g27 +sg25268 +S"Doll's Cradle" +p68320 +sg25270 +S'William F. Morris' +p68321 +sa(dp68322 +g25267 +g27 +sg25268 +S'Doll Bed' +p68323 +sg25270 +S'Dana Bartlett' +p68324 +sa(dp68325 +g25268 +S'Le matin' +p68326 +sg25270 +S'Artist Information (' +p68327 +sg25273 +S'(artist after)' +p68328 +sg25275 +S'\n' +p68329 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a00097f0.jpg' +p68330 +sg25267 +g27 +sa(dp68331 +g25267 +g27 +sg25268 +S"Doll's Cradle" +p68332 +sg25270 +S'Joe Brennan' +p68333 +sa(dp68334 +g25267 +g27 +sg25268 +S"Doll's Bed" +p68335 +sg25270 +S'Francis Law Durand' +p68336 +sa(dp68337 +g25267 +g27 +sg25268 +S"Doll's Bed" +p68338 +sg25270 +S'Max Fernekes' +p68339 +sa(dp68340 +g25267 +g27 +sg25268 +S'Doll Cradle' +p68341 +sg25270 +S'Therkel Anderson' +p68342 +sa(dp68343 +g25267 +g27 +sg25268 +S'Doll Cradle' +p68344 +sg25270 +S'Julie C. Brush' +p68345 +sa(dp68346 +g25267 +g27 +sg25268 +S'Candle Box' +p68347 +sg25270 +S'Carl Strehlau' +p68348 +sa(dp68349 +g25267 +g27 +sg25268 +S'1829 Show Towel' +p68350 +sg25270 +S'Frances Lichten' +p68351 +sa(dp68352 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a0005519.jpg' +p68353 +sg25268 +S'Dower Chest' +p68354 +sg25270 +S'American 20th Century' +p68355 +sa(dp68356 +g25267 +g27 +sg25268 +S'Doll' +p68357 +sg25270 +S'Mina Lowry' +p68358 +sa(dp68359 +g25267 +g27 +sg25268 +S'Doll' +p68360 +sg25270 +S'Raoul Du Bois' +p68361 +sa(dp68362 +g25268 +S'Le midi' +p68363 +sg25270 +S'Artist Information (' +p68364 +sg25273 +S'(artist after)' +p68365 +sg25275 +S'\n' +p68366 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a00097ef.jpg' +p68367 +sg25267 +g27 +sa(dp68368 +g25267 +g27 +sg25268 +S'Doll with China Head' +p68369 +sg25270 +S'Edith Towner' +p68370 +sa(dp68371 +g25267 +g27 +sg25268 +S'Doll - "Carrie"' +p68372 +sg25270 +S'Hal Blakeley' +p68373 +sa(dp68374 +g25267 +g27 +sg25268 +S'Doll - "Retta Hervey"' +p68375 +sg25270 +S'Edith Towner' +p68376 +sa(dp68377 +g25267 +g27 +sg25268 +S'Doll - "Florence"' +p68378 +sg25270 +S'Artist Information (' +p68379 +sa(dp68380 +g25267 +g27 +sg25268 +S'Doll and Costume' +p68381 +sg25270 +S'Mary E. Humes' +p68382 +sa(dp68383 +g25267 +g27 +sg25268 +S'Doll' +p68384 +sg25270 +S'Grace Halpin' +p68385 +sa(dp68386 +g25267 +S"A major category of dolls is the bisque type. Bisque is a ceramic material \r\n with a hard, mat surface. Often used for the doll's head alone, the quality of \r\n bisque work varies considerably. The tiny doll is only four inches high. It has \r\n real hair and wears a lavender dress of cotton trimmed with lace, a purple sash, and purple bows at the shoulders. The cotton turban is black and turquoise; the blue shoes are of self material, that is, the same material as the doll's legs. Popular in America in the 1860s, most bisque dolls were made in Europe, especially in France and Germany. Some examples such as this one may date from an earlier \r\n period.\n " +p68387 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000314.jpg' +p68388 +sg25268 +S'Doll of Bisque' +p68389 +sg25270 +S'Edith Towner' +p68390 +sa(dp68391 +g25267 +g27 +sg25268 +S'Doll - "Felicia"' +p68392 +sg25270 +S'Edith Towner' +p68393 +sa(dp68394 +g25267 +g27 +sg25268 +S'Quaker Doll' +p68395 +sg25270 +S'Bertha Semple' +p68396 +sa(dp68397 +g25267 +g27 +sg25268 +S'Quaker Doll' +p68398 +sg25270 +S'Jacob Gielens' +p68399 +sa(dp68400 +g25268 +S"L'apres-diner" +p68401 +sg25270 +S'Artist Information (' +p68402 +sg25273 +S'(artist after)' +p68403 +sg25275 +S'\n' +p68404 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a00097ee.jpg' +p68405 +sg25267 +g27 +sa(dp68406 +g25267 +g27 +sg25268 +S'Doll with China Head' +p68407 +sg25270 +S'Lelah Nelson' +p68408 +sa(dp68409 +g25267 +g27 +sg25268 +S'Boy Doll' +p68410 +sg25270 +S'Eugene Croe' +p68411 +sa(dp68412 +g25267 +g27 +sg25268 +S'Doll - "Emily"' +p68413 +sg25270 +S'Rex F. Bush' +p68414 +sa(dp68415 +g25267 +g27 +sg25268 +S'Doll with Bisque Head' +p68416 +sg25270 +S'Dorothy Harris' +p68417 +sa(dp68418 +g25267 +g27 +sg25268 +S'Doll with Bisque Head' +p68419 +sg25270 +S'Beverly Chichester' +p68420 +sa(dp68421 +g25267 +g27 +sg25268 +S'China Headed Negro Doll' +p68422 +sg25270 +S'Henry Murphy' +p68423 +sa(dp68424 +g25267 +g27 +sg25268 +S'Model Ship "Idlewild"' +p68425 +sg25270 +S'Frank Gray' +p68426 +sa(dp68427 +g25267 +g27 +sg25268 +S'Doll Carriage' +p68428 +sg25270 +S'James M. Lawson' +p68429 +sa(dp68430 +g25267 +g27 +sg25268 +S'Doll Go-Cart' +p68431 +sg25270 +S'David Ramage' +p68432 +sa(dp68433 +g25267 +g27 +sg25268 +S'Doll Buggy' +p68434 +sg25270 +S'Richard Barnett' +p68435 +sa(dp68436 +g25268 +S'La soiree' +p68437 +sg25270 +S'Artist Information (' +p68438 +sg25273 +S'(artist after)' +p68439 +sg25275 +S'\n' +p68440 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a00097ed.jpg' +p68441 +sg25267 +g27 +sa(dp68442 +g25267 +g27 +sg25268 +S'Doll Coach' +p68443 +sg25270 +S'Ernest A. Towers, Jr.' +p68444 +sa(dp68445 +g25267 +g27 +sg25268 +S'Baby Carriage' +p68446 +sg25270 +S'Rolland Ayres' +p68447 +sa(dp68448 +g25267 +g27 +sg25268 +S'Doll Carriage' +p68449 +sg25270 +S'Rex F. Bush' +p68450 +sa(dp68451 +g25267 +g27 +sg25268 +S'Go-Cart and Doll' +p68452 +sg25270 +S'Beverly Chichester' +p68453 +sa(dp68454 +g25267 +g27 +sg25268 +S"Doll's Dress" +p68455 +sg25270 +S'Lillian Causey' +p68456 +sa(dp68457 +g25267 +g27 +sg25268 +S'Doll Wardrobe' +p68458 +sg25270 +S'Dorothy Harris' +p68459 +sa(dp68460 +g25267 +g27 +sg25268 +S"Doll's Dress" +p68461 +sg25270 +S'Marie Alain' +p68462 +sa(dp68463 +g25267 +g27 +sg25268 +S'Doll Dress' +p68464 +sg25270 +S'James McLellan' +p68465 +sa(dp68466 +g25267 +g27 +sg25268 +S'Doll Cradle' +p68467 +sg25270 +S'Orville Cline' +p68468 +sa(dp68469 +g25267 +g27 +sg25268 +S'Doll Cradle' +p68470 +sg25270 +S'Clarence W. Dawson' +p68471 +sa(dp68472 +g25268 +S'La Declaration' +p68473 +sg25270 +S'Artist Information (' +p68474 +sg25273 +S'(artist after)' +p68475 +sg25275 +S'\n' +p68476 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a000964c.jpg' +p68477 +sg25267 +g27 +sa(dp68478 +g25267 +g27 +sg25268 +S'Doll Bed' +p68479 +sg25270 +S'Lillian Causey' +p68480 +sa(dp68481 +g25267 +g27 +sg25268 +S'Doll - "Guenevere"' +p68482 +sg25270 +S'Rex F. Bush' +p68483 +sa(dp68484 +g25267 +g27 +sg25268 +S'Doll with Grey Wig - "Matilda"' +p68485 +sg25270 +S'Rex F. Bush' +p68486 +sa(dp68487 +g25267 +g27 +sg25268 +S'Doll - "Antoinette"' +p68488 +sg25270 +S'Eugene Croe' +p68489 +sa(dp68490 +g25267 +g27 +sg25268 +S'Doll' +p68491 +sg25270 +S'Stella Mosher' +p68492 +sa(dp68493 +g25267 +g27 +sg25268 +S'Doll - "Grace"' +p68494 +sg25270 +S'Eugene Croe' +p68495 +sa(dp68496 +g25267 +S"One type of bisque used for dolls was known as "Parian" bisque; this was usually an untinted soft paste or hard paste porcelain. This doll, named "Cornelia," has head, arms, and legs of Parian bisque, with some color added to the cheeks. The doll's body is cloth. The date of the doll is 1876, when Parian dolls with molded hairdos were popular. Wigged dolls' heads, also being made at this time, were principally of tinted bisque. Note the ribbon of self material in her hair. She wears a velvet dress and machine-embroidered cotton underwear. Her eyes are of glass.\n " +p68497 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002e9.jpg' +p68498 +sg25268 +S'Doll--"Cornelia"' +p68499 +sg25270 +S'Anne Colman' +p68500 +sa(dp68501 +g25267 +g27 +sg25268 +S'Doll - "Lulu"' +p68502 +sg25270 +S'Mary E. Humes' +p68503 +sa(dp68504 +g25267 +g27 +sg25268 +S'Doll - "Ann Blairs"' +p68505 +sg25270 +S'Mary E. Humes' +p68506 +sa(dp68507 +g25267 +g27 +sg25268 +S'Doll - "Hattie"' +p68508 +sg25270 +S'Edith Towner' +p68509 +sa(dp68510 +g25268 +S'Le Serment' +p68511 +sg25270 +S'Artist Information (' +p68512 +sg25273 +S'(artist after)' +p68513 +sg25275 +S'\n' +p68514 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a000964b.jpg' +p68515 +sg25267 +g27 +sa(dp68516 +g25267 +S'This doll is named "Hanna Hitch." She is a black china-head doll made in Germany \n and dating from 1876. She has kid arms and a cloth body. The doll\'s costume is \n of gray-green alpaca with a plaid taffeta turban. Black china-head dolls are rare; \n the heads for such dolls were more often made of bisque or other materials. Germany \n was a leader in the production of china dolls, especially after 1870 when factory \n methods were introduced. A great number of china and bisque dolls in the nineteenth \n century came from Germany because dollmakers were being subsidized by the government \n and could sell the dolls cheaply.\n ' +p68517 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000317.jpg' +p68518 +sg25268 +S'Doll--"Hannah Hitch"' +p68519 +sg25270 +S'Edith Towner' +p68520 +sa(dp68521 +g25267 +g27 +sg25268 +S'Doll - "Lilla Rosella Hatch"' +p68522 +sg25270 +S'Hal Blakeley' +p68523 +sa(dp68524 +g25267 +g27 +sg25268 +S'Doll' +p68525 +sg25270 +S'Lillian Causey' +p68526 +sa(dp68527 +g25267 +g27 +sg25268 +S'Pen Wiper Doll' +p68528 +sg25270 +S'Eugene C. Miller' +p68529 +sa(dp68530 +g25267 +g27 +sg25268 +S'Doll - "Abbie"' +p68531 +sg25270 +S'Edith Towner' +p68532 +sa(dp68533 +g25267 +g27 +sg25268 +S'Doll - "Annie Sampson"' +p68534 +sg25270 +S'Edith Towner' +p68535 +sa(dp68536 +g25267 +g27 +sg25268 +S'Doll - "Mitio"' +p68537 +sg25270 +S'Edith Towner' +p68538 +sa(dp68539 +g25267 +g27 +sg25268 +S'Doll - "Eugenia"' +p68540 +sg25270 +S'Edith Towner' +p68541 +sa(dp68542 +g25267 +g27 +sg25268 +S'Doll - "Minerva Pratt"' +p68543 +sg25270 +S'Josephine C. Romano' +p68544 +sa(dp68545 +g25267 +g27 +sg25268 +S'Doll - "Rose Bates"' +p68546 +sg25270 +S'Josephine C. Romano' +p68547 +sa(dp68548 +g25268 +S"La Fontaine d'Amour (The Fountain of Love)" +p68549 +sg25270 +S'Artist Information (' +p68550 +sg25273 +S'(artist after)' +p68551 +sg25275 +S'\n' +p68552 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a0009747.jpg' +p68553 +sg25267 +g27 +sa(dp68554 +g25267 +S'This is a rare and interesting peddler doll; it represents the era of street \n vendors, who sold items of every imaginable description, from handmade lace to \n kitchen utensils. This china-headed doll, dating about 1860, carries a basket \n filled with notions. Such dolls were especially popular during the late eighteenth \n and nineteenth century in England, where peddlers constantly hawked their wares \n on the streets.\n ' +p68555 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000316.jpg' +p68556 +sg25268 +S'Peddler Doll' +p68557 +sg25270 +S'Mina Lowry' +p68558 +sa(dp68559 +g25267 +g27 +sg25268 +S'Doll and Dress' +p68560 +sg25270 +S'Mary E. Humes' +p68561 +sa(dp68562 +g25267 +g27 +sg25268 +S'Doll and Costume' +p68563 +sg25270 +S'Mary E. Humes' +p68564 +sa(dp68565 +g25267 +g27 +sg25268 +S'Doll - "Mary"' +p68566 +sg25270 +S'Josephine C. Romano' +p68567 +sa(dp68568 +g25267 +g27 +sg25268 +S'Costume Doll' +p68569 +sg25270 +S'Al Curry' +p68570 +sa(dp68571 +g25267 +g27 +sg25268 +S'Doll - "Flora Richardson"' +p68572 +sg25270 +S'Edith Towner' +p68573 +sa(dp68574 +g25267 +g27 +sg25268 +S'Doll' +p68575 +sg25270 +S'Francis Law Durand' +p68576 +sa(dp68577 +g25267 +g27 +sg25268 +S'Doll' +p68578 +sg25270 +S'Mina Lowry' +p68579 +sa(dp68580 +g25267 +g27 +sg25268 +S'Walking Doll (Mechanical)' +p68581 +sg25270 +S'Mina Lowry' +p68582 +sa(dp68583 +g25267 +g27 +sg25268 +S'Shaker Doll' +p68584 +sg25270 +S'Mary Fitzgerald' +p68585 +sa(dp68586 +g25268 +S"Le Songe d'Amour (Love's Dream)" +p68587 +sg25270 +S'Artist Information (' +p68588 +sg25273 +S'(artist after)' +p68589 +sg25275 +S'\n' +p68590 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a0009748.jpg' +p68591 +sg25267 +g27 +sa(dp68592 +g25267 +g27 +sg25268 +S'Doll' +p68593 +sg25270 +S'Mina Lowry' +p68594 +sa(dp68595 +g25267 +g27 +sg25268 +S'Doll' +p68596 +sg25270 +S'Mina Lowry' +p68597 +sa(dp68598 +g25267 +g27 +sg25268 +S'German China Head Doll' +p68599 +sg25270 +S'American 20th Century' +p68600 +sa(dp68601 +g25267 +g27 +sg25268 +S'Doll' +p68602 +sg25270 +S'Jacob Gielens' +p68603 +sa(dp68604 +g25267 +g27 +sg25268 +S'Primitive Doll' +p68605 +sg25270 +S'Percival Jenner' +p68606 +sa(dp68607 +g25267 +g27 +sg25268 +S'Rag Doll' +p68608 +sg25270 +S'Jane Iverson' +p68609 +sa(dp68610 +g25267 +S"Handmade dolls were among the many crafts produced by people of the Spanish \r\n colonial southwest. This rag doll, possibly dating from 1795, was made by a California Indian woman for the original owner, a Mrs. Villa. The doll may be seen as an Indian's interpretation of Spanish colonial women. In the early days of the United States, southwest arts and crafts were often the work of Indian artisans.\n " +p68611 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000310.jpg' +p68612 +sg25268 +S'Doll' +p68613 +sg25270 +S'Bertha Semple' +p68614 +sa(dp68615 +g25267 +g27 +sg25268 +S'Doll' +p68616 +sg25270 +S'Melita Hofmann' +p68617 +sa(dp68618 +g25267 +g27 +sg25268 +S'Rag Doll "Susie"' +p68619 +sg25270 +S'Bertha Semple' +p68620 +sa(dp68621 +g25267 +g27 +sg25268 +S'Rag Doll Bodice' +p68622 +sg25270 +S'Cecily Edwards' +p68623 +sa(dp68624 +g25268 +S"Le Chiffre d'amour" +p68625 +sg25270 +S'Artist Information (' +p68626 +sg25273 +S'(artist after)' +p68627 +sg25275 +S'\n' +p68628 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e76.jpg' +p68629 +sg25267 +g27 +sa(dp68630 +g25267 +S'Boy dolls have never been common. This doll, named "Johnnie," dates from the \r\n early nineteenth century. He wears a blue challis suit and finely hand-tucked \r\n linens. His body is of heavy cotton cloth with hair and features embroidered \r\n in yarn. His expression suggests that he may have been modeled after a specific \r\n little boy.\n ' +p68631 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000367.jpg' +p68632 +sg25268 +S'Rag Doll "Johnnie"' +p68633 +sg25270 +S'Vera Van Voris' +p68634 +sa(dp68635 +g25267 +g27 +sg25268 +S'Nude Doll' +p68636 +sg25270 +S'Max Fernekes' +p68637 +sa(dp68638 +g25267 +g27 +sg25268 +S'Primitive Doll' +p68639 +sg25270 +S'Percival Jenner' +p68640 +sa(dp68641 +g25267 +g27 +sg25268 +S'Doll' +p68642 +sg25270 +S'Ray Price' +p68643 +sa(dp68644 +g25267 +g27 +sg25268 +S'Rag Doll' +p68645 +sg25270 +S'Jane Iverson' +p68646 +sa(dp68647 +g25267 +g27 +sg25268 +S'Rag Doll' +p68648 +sg25270 +S'American 20th Century' +p68649 +sa(dp68650 +g25267 +g27 +sg25268 +S'Rag Doll' +p68651 +sg25270 +S'Verna Tallman' +p68652 +sa(dp68653 +g25267 +g27 +sg25268 +S'Rag Doll' +p68654 +sg25270 +S'Cecily Edwards' +p68655 +sa(dp68656 +g25267 +g27 +sg25268 +S'Indian Dolls' +p68657 +sg25270 +S'Jane Iverson' +p68658 +sa(dp68659 +g25267 +g27 +sg25268 +S'China Doll' +p68660 +sg25270 +S'Adele Brooks' +p68661 +sa(dp68662 +g25268 +S'La Bascule' +p68663 +sg25270 +S'Artist Information (' +p68664 +sg25273 +S'(artist after)' +p68665 +sg25275 +S'\n' +p68666 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a0009655.jpg' +p68667 +sg25267 +g27 +sa(dp68668 +g25267 +g27 +sg25268 +S'Doll' +p68669 +sg25270 +S'Mina Lowry' +p68670 +sa(dp68671 +g25267 +g27 +sg25268 +S'Doll - "Nancy Lou"' +p68672 +sg25270 +S'Rex F. Bush' +p68673 +sa(dp68674 +g25267 +g27 +sg25268 +S'Doll with China Head' +p68675 +sg25270 +S'Mary Fitzgerald' +p68676 +sa(dp68677 +g25267 +g27 +sg25268 +S'Doll' +p68678 +sg25270 +S'Anne Colman' +p68679 +sa(dp68680 +g25267 +g27 +sg25268 +S'Doll' +p68681 +sg25270 +S'Stanley Mazur' +p68682 +sa(dp68683 +g25267 +g27 +sg25268 +S'China-Headed Doll' +p68684 +sg25270 +S'Beverly Chichester' +p68685 +sa(dp68686 +g25267 +g27 +sg25268 +S'Doll' +p68687 +sg25270 +S'Mina Lowry' +p68688 +sa(dp68689 +g25267 +g27 +sg25268 +S'Mechanical Walking Doll' +p68690 +sg25270 +S'Bertha Semple' +p68691 +sa(dp68692 +g25267 +g27 +sg25268 +S'Walking Doll' +p68693 +sg25270 +S'Jane Iverson' +p68694 +sa(dp68695 +g25267 +g27 +sg25268 +S'Doll - "Narcissa Savery"' +p68696 +sg25270 +S'Josephine C. Romano' +p68697 +sa(dp68698 +g25268 +S'Colin Maillard' +p68699 +sg25270 +S'Artist Information (' +p68700 +sg25273 +S'(artist after)' +p68701 +sg25275 +S'\n' +p68702 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a0009656.jpg' +p68703 +sg25267 +g27 +sa(dp68704 +g25267 +S"The 1860's began a golden age for dolls. It was also during this decade that \n some interesting changes in doll-making occurred and a number of new patents were \n obtained. Before 1860, for example, dolls were not jointed and therefore usually \n not able to sit down. This charming mechanical doll of the early 1860s mot only \n sits on her three-wheeled iron velocipede, but strikes the bell in front of her \n as the tricycle moves. The rear bell chimes with the forward movement. The doll \n is dressed in a black velvet jacket, a silk blouse trimmed with white lace at \n the neck and sleeves, and a pink and white striped skirt. Notice the jaunty til \n of the satin military-style hat adorned with pink ribbons and braid.\n " +p68705 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003c0.jpg' +p68706 +sg25268 +S'Doll on Velocipede' +p68707 +sg25270 +S'Mina Lowry' +p68708 +sa(dp68709 +g25267 +g27 +sg25268 +S'Doll' +p68710 +sg25270 +S'Harry Grossen' +p68711 +sa(dp68712 +g25267 +g27 +sg25268 +S'Doll - "Delight Bates"' +p68713 +sg25270 +S'Edith Towner' +p68714 +sa(dp68715 +g25267 +g27 +sg25268 +S'Doll - "Hepzibah"' +p68716 +sg25270 +S'Josephine C. Romano' +p68717 +sa(dp68718 +g25267 +g27 +sg25268 +S'Dolls - "Molly and Polly"' +p68719 +sg25270 +S'Edith Towner' +p68720 +sa(dp68721 +g25267 +g27 +sg25268 +S'Pioneer Doll' +p68722 +sg25270 +S'Verna Tallman' +p68723 +sa(dp68724 +g25267 +g27 +sg25268 +S'Doll - "Rachel"' +p68725 +sg25270 +S'Hal Blakeley' +p68726 +sa(dp68727 +g25267 +g27 +sg25268 +S'Doll' +p68728 +sg25270 +S'Josephine C. Romano' +p68729 +sa(dp68730 +g25267 +g27 +sg25268 +S'Doll - "Sarah"' +p68731 +sg25270 +S'Edith Towner' +p68732 +sa(dp68733 +g25267 +g27 +sg25268 +S'Doll - "Lydia Sherman"' +p68734 +sg25270 +S'Josephine C. Romano' +p68735 +sa(dp68736 +g25268 +S'Le Baiser \xc3\xa0 la Derob\xc3\xa9e (The Stolen Kiss)' +p68737 +sg25270 +S'Artist Information (' +p68738 +sg25273 +S'(artist after)' +p68739 +sg25275 +S'\n' +p68740 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a0009746.jpg' +p68741 +sg25267 +g27 +sa(dp68742 +g25267 +g27 +sg25268 +S'Quaker Doll' +p68743 +sg25270 +S'Max Fernekes' +p68744 +sa(dp68745 +g25267 +g27 +sg25268 +S'Baltimore Doll' +p68746 +sg25270 +S'Walter Praefke' +p68747 +sa(dp68748 +g25267 +g27 +sg25268 +S'Doll' +p68749 +sg25270 +S'Walter Praefke' +p68750 +sa(dp68751 +g25267 +g27 +sg25268 +S'Doll' +p68752 +sg25270 +S'Eugene Croe' +p68753 +sa(dp68754 +g25267 +S"This doll is one of the loveliest of the so-called "milliner's models." The \r\n term is actually a misnomer, for such dolls were meant to be used as toys. Many \r\n early nineteenth-century paintings show children holding such dolls. There may \r\n have been actual milliner's models before the toy doll of that name came into use, \r\n but we do not know how close the resemblance between the two may have been. This \r\n doll is dated about 1834. The costume is simple and beautifully made; the hairstyle \r\n is that of a young girl of the period. Pantalettes are typical for this sort of \r\n doll.\n " +p68755 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002ec.jpg' +p68756 +sg25268 +S'Doll--"Betsy"' +p68757 +sg25270 +S'Eugene Croe' +p68758 +sa(dp68759 +g25267 +g27 +sg25268 +S'Doll' +p68760 +sg25270 +S'Rex F. Bush' +p68761 +sa(dp68762 +g25267 +g27 +sg25268 +S'Doll and Costume' +p68763 +sg25270 +S'Mary E. Humes' +p68764 +sa(dp68765 +g25267 +g27 +sg25268 +S'Doll' +p68766 +sg25270 +S'Mary E. Humes' +p68767 +sa(dp68768 +g25267 +g27 +sg25268 +S'Doll' +p68769 +sg25270 +S'Beverly Chichester' +p68770 +sa(dp68771 +g25267 +g27 +sg25268 +S'Negro Woman Doll' +p68772 +sg25270 +S'Bertha Semple' +p68773 +sa(dp68774 +g25268 +S'Le Verrou' +p68775 +sg25270 +S'Artist Information (' +p68776 +sg25273 +S'(artist after)' +p68777 +sg25275 +S'\n' +p68778 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a00096a0.jpg' +p68779 +sg25267 +g27 +sa(dp68780 +g25267 +g27 +sg25268 +S'Doll - "Martha"' +p68781 +sg25270 +S'Rex F. Bush' +p68782 +sa(dp68783 +g25267 +g27 +sg25268 +S'Doll' +p68784 +sg25270 +S'Lillian Causey' +p68785 +sa(dp68786 +g25267 +g27 +sg25268 +S'Doll' +p68787 +sg25270 +S'Jane Iverson' +p68788 +sa(dp68789 +g25267 +g27 +sg25268 +S'Greiner Doll "Minerva"' +p68790 +sg25270 +S'Rex F. Bush' +p68791 +sa(dp68792 +g25267 +g27 +sg25268 +S'Doll - "Hepzabah"' +p68793 +sg25270 +S'Eugene Croe' +p68794 +sa(dp68795 +g25267 +g27 +sg25268 +S'Doll - "Drucilla"' +p68796 +sg25270 +S'Rex F. Bush' +p68797 +sa(dp68798 +g25267 +g27 +sg25268 +S'Doll' +p68799 +sg25270 +S'Christabel Scrymser' +p68800 +sa(dp68801 +g25267 +g27 +sg25268 +S'Costume Doll' +p68802 +sg25270 +S'Al Curry' +p68803 +sa(dp68804 +g25267 +g27 +sg25268 +S'Doll' +p68805 +sg25270 +S'Helen Bronson' +p68806 +sa(dp68807 +g25267 +S"This beautiful wax doll of about 1871 is named "Belle Hervey." She has real \r\n hair embedded in her wax head. This was an expensive process, characteristic only \r\n of luxury dolls. Belle's arms and legs are also wax, while her torso is made of \r\n cloth. Her eyes are glass. The overdress with postillion is of black taffeta trimmed \r\n with pale pink silk ribbon and black lace; there are pink buttons on the basque, \r\n or bodice, and the shoes are bright red and buttoned. Her underclothes are trimmed \r\n with bands of tucked muslin and lace; there is a pink edge on the dainty lace hose.\n " +p68808 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000318.jpg' +p68809 +sg25268 +S'Doll--"Belle Hervey"' +p68810 +sg25270 +S'Edith Towner' +p68811 +sa(dp68812 +g25268 +S'La Rose mal defendue (The Poorly Defended Rose)' +p68813 +sg25270 +S'Philibert-Louis Debucourt' +p68814 +sg25273 +S'etching and engraving in black' +p68815 +sg25275 +S'1791' +p68816 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a00096ca.jpg' +p68817 +sg25267 +g27 +sa(dp68818 +g25267 +g27 +sg25268 +S'Doll' +p68819 +sg25270 +S'Walter Praefke' +p68820 +sa(dp68821 +g25267 +g27 +sg25268 +S'Doll - "Ida Stebbins"' +p68822 +sg25270 +S'Edith Towner' +p68823 +sa(dp68824 +g25267 +g27 +sg25268 +S'Doll' +p68825 +sg25270 +S'Eugene Croe' +p68826 +sa(dp68827 +g25267 +g27 +sg25268 +S'Doll' +p68828 +sg25270 +S'Marion Curtiss' +p68829 +sa(dp68830 +g25267 +g27 +sg25268 +S'Doll - "Abigail"' +p68831 +sg25270 +S'Eugene Croe' +p68832 +sa(dp68833 +g25267 +g27 +sg25268 +S'Doll' +p68834 +sg25270 +S'Raoul Du Bois' +p68835 +sa(dp68836 +g25267 +g27 +sg25268 +S'Doll - "Lily May"' +p68837 +sg25270 +S'Eugene Croe' +p68838 +sa(dp68839 +g25267 +g27 +sg25268 +S'Fashion Doll' +p68840 +sg25270 +S'Gwyneth King' +p68841 +sa(dp68842 +g25267 +g27 +sg25268 +S'Wax Headed Doll' +p68843 +sg25270 +S'Dorothy Brennan' +p68844 +sa(dp68845 +g25267 +g27 +sg25268 +S'Wax Doll' +p68846 +sg25270 +S'Mary E. Humes' +p68847 +sa(dp68848 +g25268 +S'La tricoteuse endormie' +p68849 +sg25270 +S'Artist Information (' +p68850 +sg25273 +S'(artist after)' +p68851 +sg25275 +S'\n' +p68852 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f90.jpg' +p68853 +sg25267 +g27 +sa(dp68854 +g25267 +g27 +sg25268 +S'Wax Doll' +p68855 +sg25270 +S'Mary E. Humes' +p68856 +sa(dp68857 +g25267 +g27 +sg25268 +S'Wax Doll' +p68858 +sg25270 +S'Edna C. Rex' +p68859 +sa(dp68860 +g25267 +g27 +sg25268 +S'Doll in Costume' +p68861 +sg25270 +S'Gwyneth King' +p68862 +sa(dp68863 +g25267 +g27 +sg25268 +S'Doll - "Sally Taber"' +p68864 +sg25270 +S'Edith Towner' +p68865 +sa(dp68866 +g25267 +g27 +sg25268 +S'Wooden Doll' +p68867 +sg25270 +S'Jane Iverson' +p68868 +sa(dp68869 +g25267 +g27 +sg25268 +S'Doll in the "Thimble Holder"' +p68870 +sg25270 +S'Eugene Croe' +p68871 +sa(dp68872 +g25267 +g27 +sg25268 +S'Gingham Doll' +p68873 +sg25270 +S'William Frank' +p68874 +sa(dp68875 +g25267 +g27 +sg25268 +S'Fashion Doll' +p68876 +sg25270 +S'Mina Lowry' +p68877 +sa(dp68878 +g25267 +g27 +sg25268 +S'Carved Wood Doll' +p68879 +sg25270 +S'Edith Towner' +p68880 +sa(dp68881 +g25267 +g27 +sg25268 +S'Doll' +p68882 +sg25270 +S'Raoul Du Bois' +p68883 +sa(dp68884 +g25268 +S'Flore a son lever' +p68885 +sg25270 +S'Artist Information (' +p68886 +sg25273 +S'(artist after)' +p68887 +sg25275 +S'\n' +p68888 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f14.jpg' +p68889 +sg25267 +g27 +sa(dp68890 +g25267 +g27 +sg25268 +S'Doll' +p68891 +sg25270 +S'Mina Lowry' +p68892 +sa(dp68893 +g25267 +g27 +sg25268 +S'Doll' +p68894 +sg25270 +S'Raoul Du Bois' +p68895 +sa(dp68896 +g25267 +g27 +sg25268 +S'Wooden Doll' +p68897 +sg25270 +S'Evelyn Bailey' +p68898 +sa(dp68899 +g25267 +g27 +sg25268 +S'Jointed Wooden Dolls' +p68900 +sg25270 +S'Arelia Arbo' +p68901 +sa(dp68902 +g25267 +g27 +sg25268 +S'Jointed Wooden Dolls' +p68903 +sg25270 +S'Jane Iverson' +p68904 +sa(dp68905 +g25267 +g27 +sg25268 +S'Wooden Doll' +p68906 +sg25270 +S'Marie Lutrell' +p68907 +sa(dp68908 +g25267 +g27 +sg25268 +S'Doll' +p68909 +sg25270 +S'John Sullivan' +p68910 +sa(dp68911 +g25267 +S"Early American dolls are shown in a wide variety of costumes. This fine doll \n of the eighteenth century represents a Quaker woman. The doll's head, arms, and \n legs are made of carved and painted wood. Throughout history, wood has been one \n of the most frequently used materials for making dolls. For many dollmakers, it \n was both readily available and inexpensive.\n " +p68912 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000313.jpg' +p68913 +sg25268 +S'Doll' +p68914 +sg25270 +S'Mina Lowry' +p68915 +sa(dp68916 +g25267 +g27 +sg25268 +S'Doll' +p68917 +sg25270 +S'Lucille Lacoursiere' +p68918 +sa(dp68919 +g25267 +g27 +sg25268 +S'Doll - "Charlotte Blankenship"' +p68920 +sg25270 +S'Edith Towner' +p68921 +sa(dp68922 +g25268 +S'Charlotte Corday' +p68923 +sg25270 +S'Angelique Allais' +p68924 +sg25273 +S'color aquatint' +p68925 +sg25275 +S'unknown date\n' +p68926 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f16.jpg' +p68927 +sg25267 +g27 +sa(dp68928 +g25267 +g27 +sg25268 +S'Doll - "Eleanor Cabot"' +p68929 +sg25270 +S'Edith Towner' +p68930 +sa(dp68931 +g25267 +g27 +sg25268 +S'Doll - "Betsey Paine"' +p68932 +sg25270 +S'Josephine C. Romano' +p68933 +sa(dp68934 +g25267 +g27 +sg25268 +S'Doll - "Nellie Bates"' +p68935 +sg25270 +S'Artist Information (' +p68936 +sa(dp68937 +g25267 +g27 +sg25268 +S'Wax Doll' +p68938 +sg25270 +S'Edward L. Loper' +p68939 +sa(dp68940 +g25267 +g27 +sg25268 +S'Doll - "Lydia"' +p68941 +sg25270 +S'Anne Colman' +p68942 +sa(dp68943 +g25267 +S"The fashions and tastes of a particular era may often be reflected in its dolls. This Parian bisque doll, dated between 1840 and 1860, wears a costume of sprigged wool challis edged with coordinated braid; the bonnet is velvet edged with black fringe. The style dates from about 1850 when patterned fabrics such as this were fashionable. The doll's hairstyle imitates one popular with children between the 1830s and 1860s.\n " +p68944 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002ea.jpg' +p68945 +sg25268 +S'Doll with China Head' +p68946 +sg25270 +S'Mary Porter' +p68947 +sa(dp68948 +g25267 +g27 +sg25268 +S'Doll - "Amelia"' +p68949 +sg25270 +S'Eugene Croe' +p68950 +sa(dp68951 +g25267 +g27 +sg25268 +S'Three Dolls' +p68952 +sg25270 +S'Eugene Croe' +p68953 +sa(dp68954 +g25267 +g27 +sg25268 +S'Doll - "Mabel Ellis"' +p68955 +sg25270 +S'Stanley Mazur' +p68956 +sa(dp68957 +g25267 +g27 +sg25268 +S'China Headed Doll' +p68958 +sg25270 +S'Lelah Nelson' +p68959 +sa(dp68960 +g25268 +S'Le Tambourin' +p68961 +sg25270 +S'Artist Information (' +p68962 +sg25273 +S'(artist after)' +p68963 +sg25275 +S'\n' +p68964 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e9b.jpg' +p68965 +sg25267 +g27 +sa(dp68966 +g25267 +g27 +sg25268 +S'Doll' +p68967 +sg25270 +S'Lillian Causey' +p68968 +sa(dp68969 +g25267 +g27 +sg25268 +S'Doll' +p68970 +sg25270 +S'Cora Parker' +p68971 +sa(dp68972 +g25267 +g27 +sg25268 +S'China Headed Doll' +p68973 +sg25270 +S'William Paul Childers' +p68974 +sa(dp68975 +g25267 +S'This doll has a fine china head. She wears a black bonnet over a close-fitting \n white cap. Her dress of taupe silk has a full-gathered skirt. A white shawl is \n pinned at the waist with an organdy kerchief under it. Three white petticoats and \n pantalettes are under her dress, and she wears high black shoes. This doll dates \n from the 1840s or 1850s, when china dolls were becoming popular. Unlike the all-cloth \n dolls that were often homemade in early America, china and bisque dolls were \n produced in factories.\n ' +p68976 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000315.jpg' +p68977 +sg25268 +S'Quaker Costume Doll' +p68978 +sg25270 +S'Charlotte Angus' +p68979 +sa(dp68980 +g25267 +g27 +sg25268 +S'Quaker Doll' +p68981 +sg25270 +S'Gwyneth King' +p68982 +sa(dp68983 +g25267 +g27 +sg25268 +S'Doll - "Polly"' +p68984 +sg25270 +S'William Bos' +p68985 +sa(dp68986 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p68987 +sg25270 +S'Einar Heiberg' +p68988 +sa(dp68989 +g25267 +g27 +sg25268 +S'Doll' +p68990 +sg25270 +S'Kapousouz' +p68991 +sa(dp68992 +g25267 +g27 +sg25268 +S'Doll' +p68993 +sg25270 +S'Kapousouz' +p68994 +sa(dp68995 +g25267 +g27 +sg25268 +S'Wooden Doll' +p68996 +sg25270 +S'Bertha Semple' +p68997 +sa(dp68998 +g25268 +S'La jeunesse' +p68999 +sg25270 +S'Artist Information (' +p69000 +sg25273 +S'(artist after)' +p69001 +sg25275 +S'\n' +p69002 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a00097ea.jpg' +p69003 +sg25267 +g27 +sa(dp69004 +g25267 +g27 +sg25268 +S'Doll' +p69005 +sg25270 +S'Henry Murphy' +p69006 +sa(dp69007 +g25267 +g27 +sg25268 +S'Wooden Doll' +p69008 +sg25270 +S'Bertha Semple' +p69009 +sa(dp69010 +g25267 +g27 +sg25268 +S'Kachina Doll' +p69011 +sg25270 +S'Jane Iverson' +p69012 +sa(dp69013 +g25267 +g27 +sg25268 +S'Dancing Doll' +p69014 +sg25270 +S'Selma Sandler' +p69015 +sa(dp69016 +g25267 +g27 +sg25268 +S'Dancing Doll' +p69017 +sg25270 +S'Selma Sandler' +p69018 +sa(dp69019 +g25267 +g27 +sg25268 +S'Old American Wooden Doll' +p69020 +sg25270 +S'Marie Lutrell' +p69021 +sa(dp69022 +g25267 +g27 +sg25268 +S'Carved Bust: Doll' +p69023 +sg25270 +S'Robert Pohle' +p69024 +sa(dp69025 +g25267 +g27 +sg25268 +S'Doll - "Phoebe"' +p69026 +sg25270 +S'Eugene Croe' +p69027 +sa(dp69028 +g25267 +g27 +sg25268 +S'Dolls' +p69029 +sg25270 +S'Rosalia Lane' +p69030 +sa(dp69031 +g25267 +g27 +sg25268 +S'Jointed Dutch Doll' +p69032 +sg25270 +S'Beverly Chichester' +p69033 +sa(dp69034 +g25268 +S'La vieillesse' +p69035 +sg25270 +S'Artist Information (' +p69036 +sg25273 +S'(artist after)' +p69037 +sg25275 +S'\n' +p69038 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a00097e9.jpg' +p69039 +sg25267 +g27 +sa(dp69040 +g25267 +g27 +sg25268 +S'Cree Indian Dolls' +p69041 +sg25270 +S'Jane Iverson' +p69042 +sa(dp69043 +g25267 +g27 +sg25268 +S'Dairy Maid Doll' +p69044 +sg25270 +S'Beverly Chichester' +p69045 +sa(dp69046 +g25267 +g27 +sg25268 +S'Doll - "Cynthia"' +p69047 +sg25270 +S'Anne Colman' +p69048 +sa(dp69049 +g25267 +g27 +sg25268 +S'Doll' +p69050 +sg25270 +S'Clinton Myers' +p69051 +sa(dp69052 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000be/a000be74.jpg' +p69053 +sg25268 +S'Hand Puppet "Judy" and Child' +p69054 +sg25270 +S'George File' +p69055 +sa(dp69056 +g25267 +g27 +sg25268 +S'Doll - "Clarissa"' +p69057 +sg25270 +S'Rex F. Bush' +p69058 +sa(dp69059 +g25267 +g27 +sg25268 +S'Wooden Doll - "Sadie Berman"' +p69060 +sg25270 +S'Sadie Berman' +p69061 +sa(dp69062 +g25267 +g27 +sg25268 +S'Dancing Doll' +p69063 +sg25270 +S'Mina Lowry' +p69064 +sa(dp69065 +g25267 +g27 +sg25268 +S'Doll - "Symphronia"' +p69066 +sg25270 +S'Eugene Croe' +p69067 +sa(dp69068 +g25267 +S"Papier-mâché was a widely used substance for making dolls. \r\n Papier-mâché itself is a composition made from paper pulp combined \r\n with various other substances. Dolls made of this material reached a height of \r\n popularity in the mid-nineteenth century. They first appeared much earlier, however. \r\n Edouard Fournier's \n " +p69069 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002ee.jpg' +p69070 +sg25268 +S'Doll--"Nina"' +p69071 +sg25270 +S'Renee A. Monfalcone' +p69072 +sa(dp69073 +g25268 +S'Les oublies' +p69074 +sg25270 +S'Nicolas Schencker' +p69075 +sg25273 +S'hand-colored engraving' +p69076 +sg25275 +S'unknown date\n' +p69077 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000eeef.jpg' +p69078 +sg25267 +g27 +sa(dp69079 +g25267 +g27 +sg25268 +S'Doll' +p69080 +sg25270 +S'Florian Rokita' +p69081 +sa(dp69082 +g25267 +S"In 1862, Enuch Rice Morrison obtained patents in both England and America for \r\n an "Autoperipatetikos," or walking doll. The walking mechanism was operated by \r\n a clock spring. The underside of the mechanism is illustrated at the upper left. \r\n It is encased in a wooden base attached to the doll with papier-mâché \r\n backwheel pivots. The heads of walking dolls were made in a variety of materials; \r\n this one is Parian bisque. The arms are of kid. The doll's black moiré \r\n dress is trimmed with black lace.\n " +p69083 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000319.jpg' +p69084 +sg25268 +S'Walking Doll' +p69085 +sg25270 +S'Beverly Chichester' +p69086 +sa(dp69087 +g25267 +g27 +sg25268 +S'Woman Doll in Buckskin' +p69088 +sg25270 +S'George File' +p69089 +sa(dp69090 +g25267 +S'Here is a handmade cloth doll representing a grandmother knitting a red wool \n sock. The doll was made by a southern gentlewoman who supported herself after \n the Civil War by making fine cloth dolls. This was the one-thousandth doll made \n by this woman.\n ' +p69091 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000030c.jpg' +p69092 +sg25268 +S'Doll' +p69093 +sg25270 +S'Jane Iverson' +p69094 +sa(dp69095 +g25267 +g27 +sg25268 +S'Doll' +p69096 +sg25270 +S'Florence Milto' +p69097 +sa(dp69098 +g25267 +S'Hundreds of dolls made by American Indians have survived in public and private collections. These two Apache women in voluminous, bright cotton dresses were made in Arizona around 1900. They were passed along from Anna Kittare of San Carlos, Arizona, the original owner, until they found a permanent home in Massachusetts at the Wenham Historical Society. The dolls have cloth bodies and yarn hair.\n ' +p69099 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000364.jpg' +p69100 +sg25268 +S'Dolls (Apache Women)' +p69101 +sg25270 +S'American 20th Century' +p69102 +sa(dp69103 +g25267 +g27 +sg25268 +S'Rag Doll' +p69104 +sg25270 +S'Frances Lichten' +p69105 +sa(dp69106 +g25267 +g27 +sg25268 +S'Doll - "Aggie"' +p69107 +sg25270 +S'Eugene Croe' +p69108 +sa(dp69109 +g25267 +g27 +sg25268 +S'Doll' +p69110 +sg25270 +S'Marie Famularo' +p69111 +sa(dp69112 +g25267 +g27 +sg25268 +S'Doll' +p69113 +sg25270 +S'Erwin Stenzel' +p69114 +sa(dp69115 +g25268 +S'La cache-cache' +p69116 +sg25270 +S'Nicolas Schencker' +p69117 +sg25273 +S'hand-colored engraving' +p69118 +sg25275 +S'unknown date\n' +p69119 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000eef0.jpg' +p69120 +sg25267 +g27 +sa(dp69121 +g25267 +g27 +sg25268 +S'Nut Head Doll #2' +p69122 +sg25270 +S'William Frank' +p69123 +sa(dp69124 +g25267 +S'Carved nuts formed the heads of many early dolls. Different kinds of nuts were \n used: hazelnuts, walnuts, hickory nuts, and even cashews. These dolls were expendable \n and could be discarded when the children began to tire of them. This example \n represents a colonial gentlemen with elegant clothes and a wise expression. The \n doll is from Wisconsin and was made in the eighteenth century.\n ' +p69125 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000030e.jpg' +p69126 +sg25268 +S'Nut Head Doll' +p69127 +sg25270 +S'Jacob Gielens' +p69128 +sa(dp69129 +g25267 +g27 +sg25268 +S'Doorstop Doll' +p69130 +sg25270 +S'Rosa Burger' +p69131 +sa(dp69132 +g25267 +g27 +sg25268 +S'Doll' +p69133 +sg25270 +S'Raoul Du Bois' +p69134 +sa(dp69135 +g25267 +g27 +sg25268 +S'Doll' +p69136 +sg25270 +S'Verna Tallman' +p69137 +sa(dp69138 +g25267 +g27 +sg25268 +S'Doll' +p69139 +sg25270 +S'Mina Lowry' +p69140 +sa(dp69141 +g25267 +g27 +sg25268 +S'Doll' +p69142 +sg25270 +S'Francis Law Durand' +p69143 +sa(dp69144 +g25267 +g27 +sg25268 +S'Christmas Tree Doll' +p69145 +sg25270 +S'Mina Lowry' +p69146 +sa(dp69147 +g25267 +g27 +sg25268 +S'Plate of Dolls' +p69148 +sg25270 +S'Jane Iverson' +p69149 +sa(dp69150 +g25267 +g27 +sg25268 +S'Doll' +p69151 +sg25270 +S'Jane Iverson' +p69152 +sa(dp69153 +g25268 +S'Le Depart du Courrier' +p69154 +sg25270 +S'Artist Information (' +p69155 +sg25273 +S'(artist after)' +p69156 +sg25275 +S'\n' +p69157 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a0009653.jpg' +p69158 +sg25267 +g27 +sa(dp69159 +g25267 +g27 +sg25268 +S'Clay Indian Doll - "Saguna"' +p69160 +sg25270 +S'Jane Iverson' +p69161 +sa(dp69162 +g25267 +g27 +sg25268 +S'Costume Doll' +p69163 +sg25270 +S'Jane Iverson' +p69164 +sa(dp69165 +g25267 +g27 +sg25268 +S'Doll' +p69166 +sg25270 +S'Mina Lowry' +p69167 +sa(dp69168 +g25267 +g27 +sg25268 +S'Rag Doll Nurse and Baby' +p69169 +sg25270 +S'Mina Lowry' +p69170 +sa(dp69171 +g25267 +g27 +sg25268 +S'Rag Doll' +p69172 +sg25270 +S'Verna Tallman' +p69173 +sa(dp69174 +g25267 +g27 +sg25268 +S'Wax Group (Detail)' +p69175 +sg25270 +S'Mina Lowry' +p69176 +sa(dp69177 +g25267 +g27 +sg25268 +S'Pewter Doll' +p69178 +sg25270 +S'William Frank' +p69179 +sa(dp69180 +g25267 +g27 +sg25268 +S'Doll' +p69181 +sg25270 +S'Kapousouz' +p69182 +sa(dp69183 +g25267 +g27 +sg25268 +S'Leather Bodied Doll' +p69184 +sg25270 +S'Jane Iverson' +p69185 +sa(dp69186 +g25267 +g27 +sg25268 +S'Doll' +p69187 +sg25270 +S'Carl Buergerniss' +p69188 +sa(dp69189 +g25268 +S"L'Arrivee du Courrier" +p69190 +sg25270 +S'Artist Information (' +p69191 +sg25273 +S'(artist after)' +p69192 +sg25275 +S'\n' +p69193 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a0009654.jpg' +p69194 +sg25267 +g27 +sa(dp69195 +g25267 +g27 +sg25268 +S'Doll' +p69196 +sg25270 +S'Jane Iverson' +p69197 +sa(dp69198 +g25267 +g27 +sg25268 +S'Wooden Doll' +p69199 +sg25270 +S'Jane Iverson' +p69200 +sa(dp69201 +g25267 +g27 +sg25268 +S'Doll' +p69202 +sg25270 +S'Jacob Gielens' +p69203 +sa(dp69204 +g25267 +g27 +sg25268 +S'Doll' +p69205 +sg25270 +S'Max Fernekes' +p69206 +sa(dp69207 +g25267 +g27 +sg25268 +S'Doll' +p69208 +sg25270 +S'Kapousouz' +p69209 +sa(dp69210 +g25267 +g27 +sg25268 +S'Doll' +p69211 +sg25270 +S'Raoul Du Bois' +p69212 +sa(dp69213 +g25267 +g27 +sg25268 +S'Doll' +p69214 +sg25270 +S'Helen Bronson' +p69215 +sa(dp69216 +g25267 +S'This apple-head trio was designed and made in North Carolina about 1892. \n Apple-head dolls probably originated with the Iroquois Indians. The expression \n on the face was produced by pinching the surface of the apple when it began to \n shrink.\n ' +p69217 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000030f.jpg' +p69218 +sg25268 +S'American Dolls' +p69219 +sg25270 +S'Jane Iverson' +p69220 +sa(dp69221 +g25267 +g27 +sg25268 +S'Indian Doll - Winnipeg Brave' +p69222 +sg25270 +S'Jane Iverson' +p69223 +sa(dp69224 +g25267 +g27 +sg25268 +S'Wax Group' +p69225 +sg25270 +S'Mina Lowry' +p69226 +sa(dp69227 +g25268 +S"L'enfance" +p69228 +sg25270 +S'Artist Information (' +p69229 +sg25273 +S'(artist after)' +p69230 +sg25275 +S'\n' +p69231 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a00097e8.jpg' +p69232 +sg25267 +g27 +sa(dp69233 +g25267 +g27 +sg25268 +S'Doll' +p69234 +sg25270 +S'Frances Lichten' +p69235 +sa(dp69236 +g25267 +g27 +sg25268 +S'Doll' +p69237 +sg25270 +S'Lillian Causey' +p69238 +sa(dp69239 +g25267 +g27 +sg25268 +S'"Dutch" Doll' +p69240 +sg25270 +S'Beverly Chichester' +p69241 +sa(dp69242 +g25267 +g27 +sg25268 +S'Fort Dearborn Doll' +p69243 +sg25270 +S'Wayne White' +p69244 +sa(dp69245 +g25267 +g27 +sg25268 +S'Wooden Doll' +p69246 +sg25270 +S'Beverly Chichester' +p69247 +sa(dp69248 +g25267 +g27 +sg25268 +S'Doll' +p69249 +sg25270 +S'Hans Mangelsdorf' +p69250 +sa(dp69251 +g25267 +g27 +sg25268 +S'Doll - "Adeline"' +p69252 +sg25270 +S'Eugene Croe' +p69253 +sa(dp69254 +g25267 +g27 +sg25268 +S'Doll - "Martha Ann"' +p69255 +sg25270 +S'Anne Colman' +p69256 +sa(dp69257 +g25267 +g27 +sg25268 +S'Dalmatian' +p69258 +sg25270 +S'Betty Fuerst' +p69259 +sa(dp69260 +g25267 +g27 +sg25268 +S'Toy Horse' +p69261 +sg25270 +S'Frank Budash' +p69262 +sa(dp69263 +g25268 +S'Le Reine annoncant a Mmme. de Bellegarde des juges et la liberte de son mari en mai 1' +p69264 +sg25270 +S'Artist Information (' +p69265 +sg25273 +S'(artist after)' +p69266 +sg25275 +S'\n' +p69267 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a0009703.jpg' +p69268 +sg25267 +g27 +sa(dp69269 +g25267 +g27 +sg25268 +S'Toy Horse' +p69270 +sg25270 +S'Selma Sandler' +p69271 +sa(dp69272 +g25267 +g27 +sg25268 +S'Toy Horse' +p69273 +sg25270 +S'Mina Lowry' +p69274 +sa(dp69275 +g25267 +g27 +sg25268 +S'Toy Wooden Horse' +p69276 +sg25270 +S'David Ramage' +p69277 +sa(dp69278 +g25267 +g27 +sg25268 +S'Horse' +p69279 +sg25270 +S'Einar Heiberg' +p69280 +sa(dp69281 +g25267 +g27 +sg25268 +S'Horse' +p69282 +sg25270 +S'Selma Sandler' +p69283 +sa(dp69284 +g25267 +g27 +sg25268 +S'Salem Dolls' +p69285 +sg25270 +S'Beverly Chichester' +p69286 +sa(dp69287 +g25267 +g27 +sg25268 +S'Paper Doll' +p69288 +sg25270 +S'Beverly Chichester' +p69289 +sa(dp69290 +g25267 +g27 +sg25268 +S'Toy Shetland Pony' +p69291 +sg25270 +S'Nicholas Acampora' +p69292 +sa(dp69293 +g25267 +g27 +sg25268 +S'Carved Toy Horse' +p69294 +sg25270 +S'Hester Duany' +p69295 +sa(dp69296 +g25267 +g27 +sg25268 +S'Horse' +p69297 +sg25270 +S'James Baare Turnbull' +p69298 +sa(dp69299 +g25268 +S"L'enlevement nocturne" +p69300 +sg25270 +S'Artist Information (' +p69301 +sg25273 +S'(artist after)' +p69302 +sg25275 +S'\n' +p69303 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a0009742.jpg' +p69304 +sg25267 +g27 +sa(dp69305 +g25267 +g27 +sg25268 +S'Horse' +p69306 +sg25270 +S'Selma Sandler' +p69307 +sa(dp69308 +g25267 +g27 +sg25268 +S'Toy Horse' +p69309 +sg25270 +S'Arsen Maralian' +p69310 +sa(dp69311 +g25267 +g27 +sg25268 +S'Paper Doll (Boy)' +p69312 +sg25270 +S'Beverly Chichester' +p69313 +sa(dp69314 +g25267 +g27 +sg25268 +S'Knitted Doll "Duke"' +p69315 +sg25270 +S'Verna Tallman' +p69316 +sa(dp69317 +g25267 +g27 +sg25268 +S'Rag Doll - "Tilly"' +p69318 +sg25270 +S'Rex F. Bush' +p69319 +sa(dp69320 +g25267 +g27 +sg25268 +S'Knitted Doll' +p69321 +sg25270 +S'Jane Iverson' +p69322 +sa(dp69323 +g25267 +g27 +sg25268 +S'Rag Doll "Billy"' +p69324 +sg25270 +S'Rex F. Bush' +p69325 +sa(dp69326 +g25267 +g27 +sg25268 +S'Knitted Doll with Flag' +p69327 +sg25270 +S'Verna Tallman' +p69328 +sa(dp69329 +g25267 +g27 +sg25268 +S'Knitted Doll' +p69330 +sg25270 +S'Jane Iverson' +p69331 +sa(dp69332 +g25267 +g27 +sg25268 +S'Corn Husk Doll' +p69333 +sg25270 +S'Jacob Gielens' +p69334 +sa(dp69335 +g25268 +S'Painting' +p69336 +sg25270 +S'Rosalba Carriera' +p69337 +sg25273 +S'pastel' +p69338 +sg25275 +S'1720/1725' +p69339 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005c/a0005cec.jpg' +p69340 +sg25267 +g27 +sa(dp69341 +g25268 +S'La fuite a dessein' +p69342 +sg25270 +S'Artist Information (' +p69343 +sg25273 +S'(artist)' +p69344 +sg25275 +S'\n' +p69345 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f12.jpg' +p69346 +sg25267 +g27 +sa(dp69347 +g25267 +S'The range of materials used to make dolls shows great ingenuity. In the \n eighteenth and early nineteenth centuries, a number of American dolls were made \n from cornhusks and corncobs. This cornhusk doll was made about 1895 in Essex \n County, Massachusetts. The husk forms the head, limbs, and clothes; cornsilk \n provides the hair. Cornhusk dolls may have been invented by the early settlers \n themselves or copied from the Indians. Improvised, handmade dolls of various \n materials are a tradition in America. Common in the early days of our country, \n homemade dolls are still found in areas where the commercially produced type \n is not easily affordable.\n ' +p69348 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000030d.jpg' +p69349 +sg25268 +S'Corn Husk Doll' +p69350 +sg25270 +S'Jane Iverson' +p69351 +sa(dp69352 +g25267 +g27 +sg25268 +S'Corn Husk Doll on Horse' +p69353 +sg25270 +S'Wilbur M Rice' +p69354 +sa(dp69355 +g25267 +g27 +sg25268 +S'Corn Husk Doll' +p69356 +sg25270 +S'Wilbur M Rice' +p69357 +sa(dp69358 +g25267 +g27 +sg25268 +S'Indian Doll Group' +p69359 +sg25270 +S'Jane Iverson' +p69360 +sa(dp69361 +g25267 +g27 +sg25268 +S'Doorstop Doll' +p69362 +sg25270 +S'Renee A. Monfalcone' +p69363 +sa(dp69364 +g25267 +g27 +sg25268 +S'Clay Indian Dolls' +p69365 +sg25270 +S'Jane Iverson' +p69366 +sa(dp69367 +g25267 +g27 +sg25268 +S'Cree Papoose Doll' +p69368 +sg25270 +S'Jane Iverson' +p69369 +sa(dp69370 +g25267 +g27 +sg25268 +S'Clay Pipe Doll' +p69371 +sg25270 +S'Jane Iverson' +p69372 +sa(dp69373 +g25267 +g27 +sg25268 +S'Hickory Nut Doll' +p69374 +sg25270 +S'Harry Grossen' +p69375 +sa(dp69376 +g25267 +g27 +sg25268 +S'Doll (Composition)' +p69377 +sg25270 +S'Archie Thompson' +p69378 +sa(dp69379 +g25268 +S'Rose et Colas' +p69380 +sg25270 +S'Artist Information (' +p69381 +sg25273 +S'(artist after)' +p69382 +sg25275 +S'\n' +p69383 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a000974b.jpg' +p69384 +sg25267 +g27 +sa(dp69385 +g25267 +g27 +sg25268 +S'Doll - "Leslie Simpson"' +p69386 +sg25270 +S'Artist Information (' +p69387 +sa(dp69388 +g25267 +g27 +sg25268 +S'Rocking Horse' +p69389 +sg25270 +S'Harriette Gale' +p69390 +sa(dp69391 +g25267 +g27 +sg25268 +S'Rocking Horse' +p69392 +sg25270 +S'Rex F. Bush' +p69393 +sa(dp69394 +g25267 +g27 +sg25268 +S'Rocking Horse' +p69395 +sg25270 +S'Willard Hazen' +p69396 +sa(dp69397 +g25267 +g27 +sg25268 +S"Child's Rocking Horse" +p69398 +sg25270 +S'Ernest A. Towers, Jr.' +p69399 +sa(dp69400 +g25267 +g27 +sg25268 +S'Rock Horse' +p69401 +sg25270 +S'Henry Tomaszewski' +p69402 +sa(dp69403 +g25267 +g27 +sg25268 +S'Wooden Rocking Horse' +p69404 +sg25270 +S'Lester Kausch' +p69405 +sa(dp69406 +g25267 +g27 +sg25268 +S"Child's Hobby Horse" +p69407 +sg25270 +S'Theodore Pfitzer' +p69408 +sa(dp69409 +g25267 +g27 +sg25268 +S'Hobby Horse Toy' +p69410 +sg25270 +S'Raoul Du Bois' +p69411 +sa(dp69412 +g25267 +g27 +sg25268 +S'Hobby Toy' +p69413 +sg25270 +S'Raoul Du Bois' +p69414 +sa(dp69415 +g25268 +S'La Petite Therese' +p69416 +sg25270 +S'Artist Information (' +p69417 +sg25273 +S'(artist after)' +p69418 +sg25275 +S'\n' +p69419 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e50.jpg' +p69420 +sg25267 +g27 +sa(dp69421 +g25267 +g27 +sg25268 +S'Toy Rocking Horse' +p69422 +sg25270 +S'John Fisk' +p69423 +sa(dp69424 +g25267 +g27 +sg25268 +S'Wooden Rocking Horse' +p69425 +sg25270 +S'Laura Bilodeau' +p69426 +sa(dp69427 +g25267 +g27 +sg25268 +S'Dancing Doll' +p69428 +sg25270 +S'Selma Sandler' +p69429 +sa(dp69430 +g25267 +g27 +sg25268 +S'Jigging Figure' +p69431 +sg25270 +S'David Ramage' +p69432 +sa(dp69433 +g25267 +g27 +sg25268 +S'Miniature Lumber Camp' +p69434 +sg25270 +S'Alfonso Moreno' +p69435 +sa(dp69436 +g25267 +g27 +sg25268 +S'Doll' +p69437 +sg25270 +S'Francis Law Durand' +p69438 +sa(dp69439 +g25267 +g27 +sg25268 +S'Toy Figure' +p69440 +sg25270 +S'Stanley Chin' +p69441 +sa(dp69442 +g25267 +g27 +sg25268 +S'Toy Rooster' +p69443 +sg25270 +S'Lillian Hunter' +p69444 +sa(dp69445 +g25267 +g27 +sg25268 +S'Toy Animal' +p69446 +sg25270 +S'Stanley Chin' +p69447 +sa(dp69448 +g25267 +g27 +sg25268 +S'Horse and Rider' +p69449 +sg25270 +S'Philip Johnson' +p69450 +sa(dp69451 +g25268 +S'Les sabots' +p69452 +sg25270 +S'Artist Information (' +p69453 +sg25273 +S'(artist after)' +p69454 +sg25275 +S'\n' +p69455 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e4b.jpg' +p69456 +sg25267 +g27 +sa(dp69457 +g25267 +g27 +sg25268 +S'Toy Yoke of Oxen' +p69458 +sg25270 +S'Joseph Goldberg' +p69459 +sa(dp69460 +g25267 +g27 +sg25268 +S'Toy Elephant' +p69461 +sg25270 +S'Orison Daeda' +p69462 +sa(dp69463 +g25267 +g27 +sg25268 +S'Wooden Pig' +p69464 +sg25270 +S'Wilbur M Rice' +p69465 +sa(dp69466 +g25267 +g27 +sg25268 +S'"Sinbad" Marionette' +p69467 +sg25270 +S'George File' +p69468 +sa(dp69469 +g25267 +g27 +sg25268 +S'Marionette' +p69470 +sg25270 +S'Beverly Chichester' +p69471 +sa(dp69472 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005e/a0005e6e.jpg' +p69473 +sg25268 +S'"David and Goliath" Marionette' +p69474 +sg25270 +S'Ruth Abrams' +p69475 +sa(dp69476 +g25267 +g27 +sg25268 +S'"Fan Dancer" Marionette' +p69477 +sg25270 +S'Elmer Weise' +p69478 +sa(dp69479 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005e/a0005e6f.jpg' +p69480 +sg25268 +S'Lady Marionette' +p69481 +sg25270 +S'James McLellan' +p69482 +sa(dp69483 +g25267 +g27 +sg25268 +S'Marionette (Details)' +p69484 +sg25270 +S'Frank Gray' +p69485 +sa(dp69486 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005e/a0005e70.jpg' +p69487 +sg25268 +S'"Cannibal" Marionette' +p69488 +sg25270 +S'James McLellan' +p69489 +sa(dp69490 +g25268 +S'Noce de Village (Village Wedding)' +p69491 +sg25270 +S'Artist Information (' +p69492 +sg25273 +S'(artist after)' +p69493 +sg25275 +S'\n' +p69494 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e97.jpg' +p69495 +sg25267 +g27 +sa(dp69496 +g25267 +g27 +sg25268 +S'"King Saul" Marionette' +p69497 +sg25270 +S'Elmer Weise' +p69498 +sa(dp69499 +g25267 +g27 +sg25268 +S'Marionette (Detail)' +p69500 +sg25270 +S'Elmer Weise' +p69501 +sa(dp69502 +g25267 +g27 +sg25268 +S'Tight-rope Walker Marionette' +p69503 +sg25270 +S'Florian Rokita' +p69504 +sa(dp69505 +g25267 +g27 +sg25268 +S'Skeleton Marionette' +p69506 +sg25270 +S'George File' +p69507 +sa(dp69508 +g25267 +g27 +sg25268 +S'Juggling Marionette' +p69509 +sg25270 +S'Elmer Weise' +p69510 +sa(dp69511 +g25267 +g27 +sg25268 +S'Minstrel Marionette' +p69512 +sg25270 +S'Elmer Weise' +p69513 +sa(dp69514 +g25267 +g27 +sg25268 +S'Puppet' +p69515 +sg25270 +S'George File' +p69516 +sa(dp69517 +g25267 +g27 +sg25268 +S'Marionette (Detail)' +p69518 +sg25270 +S'Elmer Weise' +p69519 +sa(dp69520 +g25267 +g27 +sg25268 +S'"Negro Bride" Puppet' +p69521 +sg25270 +S'Verna Tallman' +p69522 +sa(dp69523 +g25267 +g27 +sg25268 +S'Puppet with Opera Glass' +p69524 +sg25270 +S'Verna Tallman' +p69525 +sa(dp69526 +g25268 +S'Foire de Village' +p69527 +sg25270 +S'Artist Information (' +p69528 +sg25273 +S'(artist after)' +p69529 +sg25275 +S'\n' +p69530 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e9c.jpg' +p69531 +sg25267 +g27 +sa(dp69532 +g25267 +g27 +sg25268 +S'Shark Puppet' +p69533 +sg25270 +S'Sebastian Simonet' +p69534 +sa(dp69535 +g25267 +g27 +sg25268 +S'Puppet - "Liza"' +p69536 +sg25270 +S'Bertha Semple' +p69537 +sa(dp69538 +g25267 +g27 +sg25268 +S'Puppet - "Uncle Tom"' +p69539 +sg25270 +S'Bertha Semple' +p69540 +sa(dp69541 +g25267 +g27 +sg25268 +S'Puppet - "Simon Legree"' +p69542 +sg25270 +S'Elmer Weise' +p69543 +sa(dp69544 +g25267 +g27 +sg25268 +S'Puppet - "Mrs. Shelby"' +p69545 +sg25270 +S'Bertha Semple' +p69546 +sa(dp69547 +g25267 +S'Spring or "clockwork" mechanisms were sometimes used to produce sounds in toys \n as well as to make them move. Music boxes were operated by this type of action,\n as is this mechanical figure of a man with a cello. When the toy is wound, the musician\n nods and moves his bow. The toy, dating from the late nineteenth century, plays\n an old-fashioned dance tune.\n ' +p69548 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002fe.jpg' +p69549 +sg25268 +S'Man with Cello' +p69550 +sg25270 +S'Mina Lowry' +p69551 +sa(dp69552 +g25267 +S'This hollow, articulated, or jointed, figure of a boy illustrates the rather\n complicated animation that could be produced with spring mechanisms. The windup\n key is located on his left side; it is attached to a spring inside the body. As\n the spring releases, the arms revolve. Simultaneously, the upper part of the figure,\n which is articulated at the waist, moves from side to side. The combined actions\n of arms and body move the figure around on its feet. The figure, painted with oil\n colors, dates from the late nineteenth century.\n ' +p69553 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002fc.jpg' +p69554 +sg25268 +S'Mechanical Toy' +p69555 +sg25270 +S'Isidore Danziger' +p69556 +sa(dp69557 +g25267 +g27 +sg25268 +S'Mechanical Toy' +p69558 +sg25270 +S'Gwendolyn Jackson' +p69559 +sa(dp69560 +g25267 +g27 +sg25268 +S'Mechanical Toy' +p69561 +sg25270 +S'Isidore Danziger' +p69562 +sa(dp69563 +g25267 +g27 +sg25268 +S'Toy Boy and Goat' +p69564 +sg25270 +S'Harry Grossen' +p69565 +sa(dp69566 +g25268 +S'T\xc3\xaate de Flore' +p69567 +sg25270 +S'Artist Information (' +p69568 +sg25273 +S'(artist after)' +p69569 +sg25275 +S'\n' +p69570 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005e/a0005e14.jpg' +p69571 +sg25267 +g27 +sa(dp69572 +g25267 +g27 +sg25268 +S'Dancing Doll in a Box' +p69573 +sg25270 +S'Donald Humphrey' +p69574 +sa(dp69575 +g25267 +S"Another kind of toy that emitted a sound was the squeak toy. An example is\n this kitten holding a fiddle. Such toys were made in a wide variety of birds and\n beasts. The figure is mounted on a small bellows which, when depressed, produces\n a sound suggestive of the animal's natural call.\n " +p69576 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002dc.jpg' +p69577 +sg25268 +S'Squeak Toy Kitten' +p69578 +sg25270 +S'Frank McEntee' +p69579 +sa(dp69580 +g25267 +g27 +sg25268 +S'Toy Pump' +p69581 +sg25270 +S'Arsen Maralian' +p69582 +sa(dp69583 +g25267 +g27 +sg25268 +S'Wheel with Figure' +p69584 +sg25270 +S'American 20th Century' +p69585 +sa(dp69586 +g25267 +g27 +sg25268 +S'"Humpty Dumpty" Jumping Jack' +p69587 +sg25270 +S'Robert Gilson' +p69588 +sa(dp69589 +g25267 +g27 +sg25268 +S'"Juggling" Marionette' +p69590 +sg25270 +S'James McLellan' +p69591 +sa(dp69592 +g25267 +g27 +sg25268 +S'Marionette - "Topsy"' +p69593 +sg25270 +S'Joseph Shapiro' +p69594 +sa(dp69595 +g25267 +g27 +sg25268 +S'Puppet - "Cotton Picker"' +p69596 +sg25270 +S'Vera Van Voris' +p69597 +sa(dp69598 +g25267 +g27 +sg25268 +S'"Mother Goose" marionette' +p69599 +sg25270 +S'Rose Campbell-Gerke' +p69600 +sa(dp69601 +g25267 +g27 +sg25268 +S'Marionette' +p69602 +sg25270 +S'Verna Tallman' +p69603 +sa(dp69604 +g25268 +S'La Rixe (The Brawl)' +p69605 +sg25270 +S'Artist Information (' +p69606 +sg25273 +S'(artist after)' +p69607 +sg25275 +S'\n' +p69608 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e9a.jpg' +p69609 +sg25267 +g27 +sa(dp69610 +g25267 +g27 +sg25268 +S'Puppet - "Chinese Minstrel"' +p69611 +sg25270 +S'Vera Van Voris' +p69612 +sa(dp69613 +g25267 +g27 +sg25268 +S'Marionette - "Biddy"' +p69614 +sg25270 +S'Hilda Olson' +p69615 +sa(dp69616 +g25267 +g27 +sg25268 +S'"Dog Toby" Hand Puppet' +p69617 +sg25270 +S'Dorothy Brennan' +p69618 +sa(dp69619 +g25267 +g27 +sg25268 +S'"Bell Hop" Marionette' +p69620 +sg25270 +S'Emile Cero' +p69621 +sa(dp69622 +g25267 +g27 +sg25268 +S'"Drunken Clown" Puppet' +p69623 +sg25270 +S'Verna Tallman' +p69624 +sa(dp69625 +g25267 +g27 +sg25268 +S'Tin Toy' +p69626 +sg25270 +S'American 20th Century' +p69627 +sa(dp69628 +g25267 +g27 +sg25268 +S'Toy - Man on Music Box' +p69629 +sg25270 +S'John Fisk' +p69630 +sa(dp69631 +g25267 +g27 +sg25268 +S'Music Box' +p69632 +sg25270 +S'Chris Makrenos' +p69633 +sa(dp69634 +g25267 +g27 +sg25268 +S"Noah's Ark with Animals" +p69635 +sg25270 +S'Mina Lowry' +p69636 +sa(dp69637 +g25267 +g27 +sg25268 +S'Toy Elephant' +p69638 +sg25270 +S'Stanley Chin' +p69639 +sa(dp69640 +g25268 +S'La Blanchisseuse' +p69641 +sg25270 +S'Artist Information (' +p69642 +sg25273 +S'(artist after)' +p69643 +sg25275 +S'\n' +p69644 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e3f.jpg' +p69645 +sg25267 +g27 +sa(dp69646 +g25267 +g27 +sg25268 +S"Noah's Ark with Animals" +p69647 +sg25270 +S'Mina Lowry' +p69648 +sa(dp69649 +g25267 +g27 +sg25268 +S"Toy Noah's Ark" +p69650 +sg25270 +S'Chris Makrenos' +p69651 +sa(dp69652 +g25267 +g27 +sg25268 +S'Hand Puppet - Policeman' +p69653 +sg25270 +S'Elmer Weise' +p69654 +sa(dp69655 +g25267 +g27 +sg25268 +S'Hand Puppet - Devil' +p69656 +sg25270 +S'Joseph Shapiro' +p69657 +sa(dp69658 +g25267 +g27 +sg25268 +S'Hand Puppet - Chinaman' +p69659 +sg25270 +S'Joseph Shapiro' +p69660 +sa(dp69661 +g25267 +g27 +sg25268 +S'Hand Puppet - Snapdragon' +p69662 +sg25270 +S'Chris Makrenos' +p69663 +sa(dp69664 +g25267 +g27 +sg25268 +S'"Punch" Clown Puppet' +p69665 +sg25270 +S'Florian Rokita' +p69666 +sa(dp69667 +g25267 +g27 +sg25268 +S'"Punch" Boxer with Blue Coat' +p69668 +sg25270 +S'Ruth Abrams' +p69669 +sa(dp69670 +g25267 +g27 +sg25268 +S'Marionette - Missionary' +p69671 +sg25270 +S'Dorothy Harris' +p69672 +sa(dp69673 +g25267 +g27 +sg25268 +S'"The Doctor" Marionette' +p69674 +sg25270 +S'Ruth Abrams' +p69675 +sa(dp69676 +g25268 +S'La Fontaine' +p69677 +sg25270 +S'Artist Information (' +p69678 +sg25273 +S'(artist after)' +p69679 +sg25275 +S'\n' +p69680 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e40.jpg' +p69681 +sg25267 +g27 +sa(dp69682 +g25267 +g27 +sg25268 +S'Horse Puppet' +p69683 +sg25270 +S'James McLellan' +p69684 +sa(dp69685 +g25267 +g27 +sg25268 +S'"Sambo" Hand Puppet' +p69686 +sg25270 +S'Ruth Abrams' +p69687 +sa(dp69688 +g25267 +g27 +sg25268 +S'"Baby" Hand Puppet' +p69689 +sg25270 +S'Elmer Weise' +p69690 +sa(dp69691 +g25267 +g27 +sg25268 +S'Policeman Hand Puppet' +p69692 +sg25270 +S'Florian Rokita' +p69693 +sa(dp69694 +g25267 +g27 +sg25268 +S'Negro Hand Puppet' +p69695 +sg25270 +S'Beverly Chichester' +p69696 +sa(dp69697 +g25267 +g27 +sg25268 +S'Blind Man Hand Puppet' +p69698 +sg25270 +S'David Ramage' +p69699 +sa(dp69700 +g25267 +g27 +sg25268 +S'Trivet' +p69701 +sg25270 +S'Dorothea Bates' +p69702 +sa(dp69703 +g25267 +g27 +sg25268 +S'Toy Iron' +p69704 +sg25270 +S'LeRoy Griffith' +p69705 +sa(dp69706 +g25267 +g27 +sg25268 +S'Elephant' +p69707 +sg25270 +S'Raoul Du Bois' +p69708 +sa(dp69709 +g25267 +g27 +sg25268 +S'Plush Toy Dog' +p69710 +sg25270 +S'John Winters' +p69711 +sa(dp69712 +g25268 +S'La bonne education' +p69713 +sg25270 +S'Artist Information (' +p69714 +sg25273 +S'(artist after)' +p69715 +sg25275 +S'\n' +p69716 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a000971f.jpg' +p69717 +sg25267 +g27 +sa(dp69718 +g25267 +g27 +sg25268 +S'Rattle' +p69719 +sg25270 +S'Michael Fenga' +p69720 +sa(dp69721 +g25267 +g27 +sg25268 +S'Rattle' +p69722 +sg25270 +S'Rex F. Bush' +p69723 +sa(dp69724 +g25267 +g27 +sg25268 +S'Wooden Toys' +p69725 +sg25270 +S'Rex F. Bush' +p69726 +sa(dp69727 +g25267 +g27 +sg25268 +S'Two Tin Rattles' +p69728 +sg25270 +S'Raoul Du Bois' +p69729 +sa(dp69730 +g25267 +g27 +sg25268 +S'Toy School House' +p69731 +sg25270 +S'Raoul Du Bois' +p69732 +sa(dp69733 +g25267 +g27 +sg25268 +S'Toy Theater with Automatic Dancer' +p69734 +sg25270 +S'Mina Lowry' +p69735 +sa(dp69736 +g25267 +g27 +sg25268 +S'Backdrop for Puppet Show' +p69737 +sg25270 +S'Vera Van Voris' +p69738 +sa(dp69739 +g25267 +g27 +sg25268 +S'Hand Puppet Boxer' +p69740 +sg25270 +S'David Ramage' +p69741 +sa(dp69742 +g25267 +g27 +sg25268 +S'Marionette' +p69743 +sg25270 +S'Pearl Torell' +p69744 +sa(dp69745 +g25267 +g27 +sg25268 +S'"Barnacle Bill" Puppet' +p69746 +sg25270 +S'Chris Makrenos' +p69747 +sa(dp69748 +g25268 +S'Le Chateau de Cartes' +p69749 +sg25270 +S'Artist Information (' +p69750 +sg25273 +S'(artist after)' +p69751 +sg25275 +S'\n' +p69752 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f66.jpg' +p69753 +sg25267 +g27 +sa(dp69754 +g25267 +g27 +sg25268 +S'Clown Hand Puppet' +p69755 +sg25270 +S'Lillian Stahl' +p69756 +sa(dp69757 +g25267 +g27 +sg25268 +S'Judge Hand Puppet' +p69758 +sg25270 +S'Beverly Chichester' +p69759 +sa(dp69760 +g25267 +g27 +sg25268 +S'Minstrel Hand Puppet' +p69761 +sg25270 +S'Beverly Chichester' +p69762 +sa(dp69763 +g25267 +g27 +sg25268 +S'Marionette' +p69764 +sg25270 +S'American 20th Century' +p69765 +sa(dp69766 +g25267 +g27 +sg25268 +S'Puppet' +p69767 +sg25270 +S'Hilda Olson' +p69768 +sa(dp69769 +g25267 +g27 +sg25268 +S'Head of a Clown Marionette' +p69770 +sg25270 +S'Vera Van Voris' +p69771 +sa(dp69772 +g25267 +g27 +sg25268 +S'Negro Minstrel' +p69773 +sg25270 +S'Sebastian Simonet' +p69774 +sa(dp69775 +g25267 +g27 +sg25268 +S'Negro Minstrel' +p69776 +sg25270 +S'Gordena Jackson' +p69777 +sa(dp69778 +g25267 +g27 +sg25268 +S'Wood Chopper Puppet' +p69779 +sg25270 +S'Bertha Semple' +p69780 +sa(dp69781 +g25267 +g27 +sg25268 +S'Minstrel Puppet' +p69782 +sg25270 +S'Verna Tallman' +p69783 +sa(dp69784 +g25268 +S'Dame cachetant une lettre (Lady Sealing a Letter)' +p69785 +sg25270 +S'Artist Information (' +p69786 +sg25273 +S'(artist after)' +p69787 +sg25275 +S'\n' +p69788 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f67.jpg' +p69789 +sg25267 +g27 +sa(dp69790 +g25267 +g27 +sg25268 +S'Puppet - "Clown on a Tear"' +p69791 +sg25270 +S'Verna Tallman' +p69792 +sa(dp69793 +g25267 +g27 +sg25268 +S'Puppet - "Tight Rope Walker"' +p69794 +sg25270 +S'Pearl Torell' +p69795 +sa(dp69796 +g25267 +g27 +sg25268 +S'Marionette' +p69797 +sg25270 +S'Vera Van Voris' +p69798 +sa(dp69799 +g25267 +g27 +sg25268 +S'Puppet' +p69800 +sg25270 +S'George File' +p69801 +sa(dp69802 +g25267 +g27 +sg25268 +S'Mechanically Operated Toy' +p69803 +sg25270 +S'Nicholas Amantea' +p69804 +sa(dp69805 +g25267 +g27 +sg25268 +S"Lano's Pop Out Marionette" +p69806 +sg25270 +S'Frank Gray' +p69807 +sa(dp69808 +g25267 +S'A true rocking horse, this piece is primitive in construction, yet its design is \n vigorous and spirited. The stylized, round body is actually a single wooden log, while the head \n and neck are carved from another single block. the flat, stick legs are mortised into the \n underside of the body. The horse is mounted on a pair of rockers. This rocking horse was made \n between 1853 and 1856 by Benjamin P. Crandall of New York City; his name appears on the under \n surface of the horse. Like many other toy makers, Crandall did not produce toys exclusively and \n was listed also as a carpenter and maker of wagons, carriages, and perambulators.\n ' +p69809 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00054/a000544c.jpg' +p69810 +sg25268 +S'Rocking Horse' +p69811 +sg25270 +S'Mina Lowry' +p69812 +sa(dp69813 +g25267 +g27 +sg25268 +S'Horse with Rider' +p69814 +sg25270 +S'Selma Sandler' +p69815 +sa(dp69816 +g25267 +g27 +sg25268 +S'Rocking Horse' +p69817 +sg25270 +S'Lucille Chabot' +p69818 +sa(dp69819 +g25267 +g27 +sg25268 +S'Hobby Horse' +p69820 +sg25270 +S'Wilbur M Rice' +p69821 +sa(dp69822 +g25268 +S'Le Dessinateur (The Draughtsman)' +p69823 +sg25270 +S'Artist Information (' +p69824 +sg25273 +S'(artist after)' +p69825 +sg25275 +S'\n' +p69826 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00057/a0005728.jpg' +p69827 +sg25267 +g27 +sa(dp69828 +g25267 +g27 +sg25268 +S'Hobby Horse' +p69829 +sg25270 +S'Ernest A. Towers, Jr.' +p69830 +sa(dp69831 +g25267 +g27 +sg25268 +S'Hobby Horse' +p69832 +sg25270 +S'Mina Lowry' +p69833 +sa(dp69834 +g25267 +g27 +sg25268 +S'Toy Iron' +p69835 +sg25270 +S'Lillian Hunter' +p69836 +sa(dp69837 +g25267 +g27 +sg25268 +S'Toy Shovel' +p69838 +sg25270 +S'Eugene Bartz' +p69839 +sa(dp69840 +g25267 +g27 +sg25268 +S'Jack Straws' +p69841 +sg25270 +S'Hester Duany' +p69842 +sa(dp69843 +g25267 +g27 +sg25268 +S'Steamboat Coin Bank' +p69844 +sg25270 +S'Alf Bruseth' +p69845 +sa(dp69846 +g25267 +g27 +sg25268 +S'Toy Sledge and Oxen' +p69847 +sg25270 +S'William Kerby' +p69848 +sa(dp69849 +g25267 +g27 +sg25268 +S'One Horse Sleigh' +p69850 +sg25270 +S'Aaron Fastovsky' +p69851 +sa(dp69852 +g25267 +g27 +sg25268 +S'Ambulance Carriage Toy' +p69853 +sg25270 +S'Chris Makrenos' +p69854 +sa(dp69855 +g25267 +g27 +sg25268 +S'Toy Fire Engine' +p69856 +sg25270 +S'Harry Grossen' +p69857 +sa(dp69858 +g25268 +S"L'Ecureuse" +p69859 +sg25270 +S'Artist Information (' +p69860 +sg25273 +S'(artist after)' +p69861 +sg25275 +S'\n' +p69862 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e42.jpg' +p69863 +sg25267 +g27 +sa(dp69864 +g25267 +g27 +sg25268 +S'Toy Fire Engine' +p69865 +sg25270 +S'William Spiecker' +p69866 +sa(dp69867 +g25267 +g27 +sg25268 +S'Toy Goat Cart' +p69868 +sg25270 +S'Elmer Weise' +p69869 +sa(dp69870 +g25267 +g27 +sg25268 +S'Toy - Two Horse Hack' +p69871 +sg25270 +S'Page Coffman' +p69872 +sa(dp69873 +g25267 +g27 +sg25268 +S'Toy Coach and Two Horses' +p69874 +sg25270 +S'Raoul Du Bois' +p69875 +sa(dp69876 +g25267 +g27 +sg25268 +S'Trotter and Gig Iron Toy' +p69877 +sg25270 +S'George File' +p69878 +sa(dp69879 +g25267 +g27 +sg25268 +S'Toy Cannon' +p69880 +sg25270 +S'Albert Geuppert' +p69881 +sa(dp69882 +g25267 +g27 +sg25268 +S'Toy Coach' +p69883 +sg25270 +S'Dorothy Brennan' +p69884 +sa(dp69885 +g25267 +g27 +sg25268 +S'Trail Board' +p69886 +sg25270 +S'Elizabeth Moutal' +p69887 +sa(dp69888 +g25267 +g27 +sg25268 +S"Ship's Trailboard" +p69889 +sg25270 +S'Sadie Berman' +p69890 +sa(dp69891 +g25267 +g27 +sg25268 +S'Stern Piece' +p69892 +sg25270 +S'Harriette Gale' +p69893 +sa(dp69894 +g25268 +S'Le Garcon cabaretier' +p69895 +sg25270 +S'Artist Information (' +p69896 +sg25273 +S'(artist after)' +p69897 +sg25275 +S'\n' +p69898 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e41.jpg' +p69899 +sg25267 +g27 +sa(dp69900 +g25267 +g27 +sg25268 +S'Trammel' +p69901 +sg25270 +S'Mary Hansen' +p69902 +sa(dp69903 +g25267 +g27 +sg25268 +S'Pin Tray' +p69904 +sg25270 +S'John Cooke' +p69905 +sa(dp69906 +g25267 +g27 +sg25268 +S'Flat Iron Holder' +p69907 +sg25270 +S'Milton Grubstein' +p69908 +sa(dp69909 +g25267 +g27 +sg25268 +S'Trivet' +p69910 +sg25270 +S'Roy Weber' +p69911 +sa(dp69912 +g25267 +g27 +sg25268 +S'Iron Stand' +p69913 +sg25270 +S'Roy Weber' +p69914 +sa(dp69915 +g25267 +g27 +sg25268 +S'Flat Iron Stand' +p69916 +sg25270 +S'Elmer Weise' +p69917 +sa(dp69918 +g25267 +g27 +sg25268 +S'Trivet' +p69919 +sg25270 +S'Joseph L. Boyd' +p69920 +sa(dp69921 +g25267 +g27 +sg25268 +S'Trivet' +p69922 +sg25270 +S'Clarence W. Dawson' +p69923 +sa(dp69924 +g25267 +g27 +sg25268 +S'Trivet' +p69925 +sg25270 +S'Margaret Golden' +p69926 +sa(dp69927 +g25267 +g27 +sg25268 +S'Trivet' +p69928 +sg25270 +S'Albert Rudin' +p69929 +sa(dp69930 +g25268 +S'Etude du dessin' +p69931 +sg25270 +S'Artist Information (' +p69932 +sg25273 +S'(artist after)' +p69933 +sg25275 +S'\n' +p69934 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a000971e.jpg' +p69935 +sg25267 +g27 +sa(dp69936 +g25267 +g27 +sg25268 +S'Trivet' +p69937 +sg25270 +S'Helen Hobart' +p69938 +sa(dp69939 +g25267 +g27 +sg25268 +S'Iron Stand' +p69940 +sg25270 +S'Austin L. Davison' +p69941 +sa(dp69942 +g25267 +g27 +sg25268 +S'Trivet' +p69943 +sg25270 +S'Edith Miller' +p69944 +sa(dp69945 +g25267 +g27 +sg25268 +S'Trivet' +p69946 +sg25270 +S'Charles Moss' +p69947 +sa(dp69948 +g25267 +g27 +sg25268 +S'Trivet' +p69949 +sg25270 +S'Filippo Porreca' +p69950 +sa(dp69951 +g25267 +g27 +sg25268 +S'Trivet' +p69952 +sg25270 +S'Joseph Rothenberg' +p69953 +sa(dp69954 +g25267 +g27 +sg25268 +S'Trivet' +p69955 +sg25270 +S'Milton Grubstein' +p69956 +sa(dp69957 +g25267 +g27 +sg25268 +S'Flat Iron Holder' +p69958 +sg25270 +S'Charles Garjian' +p69959 +sa(dp69960 +g25267 +g27 +sg25268 +S'Flat Iron Holder' +p69961 +sg25270 +S'Helen Hobart' +p69962 +sa(dp69963 +g25267 +g27 +sg25268 +S'Flat Iron Holder' +p69964 +sg25270 +S'Vincent McPharlin' +p69965 +sa(dp69966 +g25268 +S'Jeune fille au volant (Jeune fille a la raguette)' +p69967 +sg25270 +S'Artist Information (' +p69968 +sg25273 +S'(artist after)' +p69969 +sg25275 +S'\n' +p69970 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008efc.jpg' +p69971 +sg25267 +g27 +sa(dp69972 +g25267 +g27 +sg25268 +S'Metal Trivet' +p69973 +sg25270 +S'Violet Hartenstein' +p69974 +sa(dp69975 +g25267 +g27 +sg25268 +S'Metal Trivet' +p69976 +sg25270 +S'Glenn Wilson' +p69977 +sa(dp69978 +g25267 +g27 +sg25268 +S'Trivet' +p69979 +sg25270 +S'Ardella Watkins' +p69980 +sa(dp69981 +g25267 +g27 +sg25268 +S'Trivet' +p69982 +sg25270 +S'Glenn Wilson' +p69983 +sa(dp69984 +g25267 +g27 +sg25268 +S'Flat Iron Holder' +p69985 +sg25270 +S'Jacob Lipkin' +p69986 +sa(dp69987 +g25267 +g27 +sg25268 +S'Flat Iron Holder' +p69988 +sg25270 +S'Julius Bellamy' +p69989 +sa(dp69990 +g25267 +g27 +sg25268 +S'Flat Iron Holder' +p69991 +sg25270 +S'Benjamin Resnick' +p69992 +sa(dp69993 +g25267 +g27 +sg25268 +S'Brass Trivet' +p69994 +sg25270 +S'Edward Bashaw' +p69995 +sa(dp69996 +g25267 +g27 +sg25268 +S'Trivet' +p69997 +sg25270 +S'Philip Johnson' +p69998 +sa(dp69999 +g25267 +g27 +sg25268 +S'Flat Iron Stand' +p70000 +sg25270 +S'Luther D. Wenrich' +p70001 +sa(dp70002 +g25268 +S'Le Jeune Soldat' +p70003 +sg25270 +S'Artist Information (' +p70004 +sg25273 +S'(artist after)' +p70005 +sg25275 +S'\n' +p70006 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e43.jpg' +p70007 +sg25267 +g27 +sa(dp70008 +g25267 +g27 +sg25268 +S'Trivet' +p70009 +sg25270 +S'Benjamin Resnick' +p70010 +sa(dp70011 +g25267 +g27 +sg25268 +S'Flat Iron Stand' +p70012 +sg25270 +S'Amos C. Brinton' +p70013 +sa(dp70014 +g25267 +g27 +sg25268 +S'Flat Iron Holder' +p70015 +sg25270 +S'Charles Garjian' +p70016 +sa(dp70017 +g25267 +g27 +sg25268 +S'Iron Stand' +p70018 +sg25270 +S'Austin L. 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XXX en Flore' +p70183 +sg25270 +S'Artist Information (' +p70184 +sg25273 +S'(artist after)' +p70185 +sg25275 +S'\n' +p70186 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a0009640.jpg' +p70187 +sg25267 +g27 +sa(dp70188 +g25267 +g27 +sg25268 +S'Flat Iron Holder' +p70189 +sg25270 +S'Helen Hobart' +p70190 +sa(dp70191 +g25267 +g27 +sg25268 +S'Flat Iron Holder' +p70192 +sg25270 +S'Julius Bellamy' +p70193 +sa(dp70194 +g25267 +g27 +sg25268 +S'Trivet' +p70195 +sg25270 +S'Violet Hartenstein' +p70196 +sa(dp70197 +g25267 +g27 +sg25268 +S'Trivet' +p70198 +sg25270 +S'Paul Poffinbarger' +p70199 +sa(dp70200 +g25267 +g27 +sg25268 +S'Trivet' +p70201 +sg25270 +S'Ardella Watkins' +p70202 +sa(dp70203 +g25267 +g27 +sg25268 +S'Flat Iron Stand' +p70204 +sg25270 +S'Amos C. Brinton' +p70205 +sa(dp70206 +g25267 +g27 +sg25268 +S'Trivet' +p70207 +sg25270 +S'Genevieve Jordan' +p70208 +sa(dp70209 +g25267 +g27 +sg25268 +S'Flat Iron Stand' +p70210 +sg25270 +S'Carl Buergerniss' +p70211 +sa(dp70212 +g25267 +g27 +sg25268 +S'Flat Iron Stand' +p70213 +sg25270 +S'Henrietta S. 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Rex' +p70265 +sa(dp70266 +g25267 +g27 +sg25268 +S'Trivet' +p70267 +sg25270 +S'Charles Garjian' +p70268 +sa(dp70269 +g25267 +g27 +sg25268 +S'Trivet' +p70270 +sg25270 +S'Charles Garjian' +p70271 +sa(dp70272 +g25267 +g27 +sg25268 +S'Flat Iron Stand' +p70273 +sg25270 +S'John Petrucci' +p70274 +sa(dp70275 +g25267 +g27 +sg25268 +S'Trivet' +p70276 +sg25270 +S'Charles McLoin' +p70277 +sa(dp70278 +g25267 +g27 +sg25268 +S'Trivet' +p70279 +sg25270 +S'Mildred Ford' +p70280 +sa(dp70281 +g25267 +g27 +sg25268 +S'Pot Trivet' +p70282 +sg25270 +S'Benjamin Resnick' +p70283 +sa(dp70284 +g25267 +g27 +sg25268 +S'Pot Trivets' +p70285 +sg25270 +S'Salvatore Borrazzo' +p70286 +sa(dp70287 +g25267 +g27 +sg25268 +S'Trivet' +p70288 +sg25270 +S'Charles Garjian' +p70289 +sa(dp70290 +g25268 +S'Le bouquet' +p70291 +sg25270 +S'Artist Information (' +p70292 +sg25273 +S'(artist after)' +p70293 +sg25275 +S'\n' +p70294 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f79.jpg' +p70295 +sg25267 +g27 +sa(dp70296 +g25267 +g27 +sg25268 +S'Trivet' +p70297 +sg25270 +S'Filippo Porreca' +p70298 +sa(dp70299 +g25267 +g27 +sg25268 +S'Wrought Iron Trivet' +p70300 +sg25270 +S'Lon Cronk' +p70301 +sa(dp70302 +g25267 +g27 +sg25268 +S'Trivet' +p70303 +sg25270 +S'Irene Lawson' +p70304 +sa(dp70305 +g25267 +g27 +sg25268 +S'Trivet' +p70306 +sg25270 +S'Albert Taxson' +p70307 +sa(dp70308 +g25267 +g27 +sg25268 +S'Flat Iron Holder' +p70309 +sg25270 +S'Neva Coffey' +p70310 +sa(dp70311 +g25267 +g27 +sg25268 +S'Flat Iron Holder' +p70312 +sg25270 +S'Jacob Lipkin' +p70313 +sa(dp70314 +g25267 +g27 +sg25268 +S'Flat Iron Holder' +p70315 +sg25270 +S'Janet Riza' +p70316 +sa(dp70317 +g25267 +g27 +sg25268 +S'Flat Iron Holder' +p70318 +sg25270 +S'Irene Lawson' +p70319 +sa(dp70320 +g25267 +g27 +sg25268 +S'Flat Iron Holder' +p70321 +sg25270 +S'Lazar Rubinstein' +p70322 +sa(dp70323 +g25267 +g27 +sg25268 +S'Umbrella Stand' +p70324 +sg25270 +S'Herman Bader' +p70325 +sa(dp70326 +g25268 +S'Le tric-trac' +p70327 +sg25270 +S'Artist Information (' +p70328 +sg25273 +S'(artist after)' +p70329 +sg25275 +S'\n' +p70330 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008eeb.jpg' +p70331 +sg25267 +g27 +sa(dp70332 +g25267 +g27 +sg25268 +S'Umbrella Stand' +p70333 +sg25270 +S'Artist Information (' +p70334 +sa(dp70335 +g25267 +g27 +sg25268 +S'Umbrella Stand' +p70336 +sg25270 +S'Elisabeth Fulda' +p70337 +sa(dp70338 +g25267 +g27 +sg25268 +S'Umbrella Stand' +p70339 +sg25270 +S'Milton Grubstein' +p70340 +sa(dp70341 +g25267 +g27 +sg25268 +S'Umbrella Stand' +p70342 +sg25270 +S'Elisabeth Fulda' +p70343 +sa(dp70344 +g25267 +g27 +sg25268 +S'Umbrella Stand' +p70345 +sg25270 +S'Herman Bader' +p70346 +sa(dp70347 +g25267 +g27 +sg25268 +S'Turpentine Dip Iron' +p70348 +sg25270 +S'Fred Hassebrock' +p70349 +sa(dp70350 +g25267 +g27 +sg25268 +S'Turpentine Hack' +p70351 +sg25270 +S'Fred Hassebrock' +p70352 +sa(dp70353 +g25267 +g27 +sg25268 +S'Iron Tweezer' +p70354 +sg25270 +S'George C. Brown' +p70355 +sa(dp70356 +g25267 +g27 +sg25268 +S'Milk Tub' +p70357 +sg25270 +S'Ralph Russell' +p70358 +sa(dp70359 +g25267 +g27 +sg25268 +S'Covered Tub' +p70360 +sg25270 +S'Edward White' +p70361 +sa(dp70362 +g25268 +S'La comete' +p70363 +sg25270 +S'Artist Information (' +p70364 +sg25273 +S'(artist after)' +p70365 +sg25275 +S'\n' +p70366 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008eec.jpg' +p70367 +sg25267 +g27 +sa(dp70368 +g25267 +g27 +sg25268 +S'Trunk' +p70369 +sg25270 +S'William Bos' +p70370 +sa(dp70371 +g25267 +g27 +sg25268 +S'Trunk' +p70372 +sg25270 +S'Joseph Ficcadenti' +p70373 +sa(dp70374 +g25267 +g27 +sg25268 +S'Chest or Trunk' +p70375 +sg25270 +S'Carl Buergerniss' +p70376 +sa(dp70377 +g25267 +g27 +sg25268 +S'Miniature Chest' +p70378 +sg25270 +S'Carl Buergerniss' +p70379 +sa(dp70380 +g25267 +g27 +sg25268 +S'Leather Covered Trunk' +p70381 +sg25270 +S'John Cutting' +p70382 +sa(dp70383 +g25267 +g27 +sg25268 +S'Stage Coach Trunk' +p70384 +sg25270 +S'J. Howard Iams' +p70385 +sa(dp70386 +g25267 +g27 +sg25268 +S'Chest' +p70387 +sg25270 +S'Edward L. Loper' +p70388 +sa(dp70389 +g25267 +g27 +sg25268 +S'Large Trunk' +p70390 +sg25270 +S'Edward L. Loper' +p70391 +sa(dp70392 +g25267 +g27 +sg25268 +S'Horse Hide Trunk' +p70393 +sg25270 +S'Frank M. Keane' +p70394 +sa(dp70395 +g25267 +g27 +sg25268 +S'Small Square Trunk' +p70396 +sg25270 +S'Regina Henderer' +p70397 +sa(dp70398 +g25268 +S"L'invocation a l'amour" +p70399 +sg25270 +S'Artist Information (' +p70400 +sg25273 +S'(artist after)' +p70401 +sg25275 +S'\n' +p70402 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b37a.jpg' +p70403 +sg25267 +g27 +sa(dp70404 +g25267 +g27 +sg25268 +S'Trunk' +p70405 +sg25270 +S'Georgine E. Mason' +p70406 +sa(dp70407 +g25267 +g27 +sg25268 +S'Trunk' +p70408 +sg25270 +S'Ferdinand Cartier' +p70409 +sa(dp70410 +g25267 +g27 +sg25268 +S'Hide Covered Trunk' +p70411 +sg25270 +S'Samuel O. Klein' +p70412 +sa(dp70413 +g25267 +g27 +sg25268 +S'Plate Treen' +p70414 +sg25270 +S'Wellington Blewett' +p70415 +sa(dp70416 +g25267 +g27 +sg25268 +S'Carved Transom' +p70417 +sg25270 +S'Lawrence Flynn' +p70418 +sa(dp70419 +g25267 +g27 +sg25268 +S'Trivet' +p70420 +sg25270 +S'Clarence W. Dawson' +p70421 +sa(dp70422 +g25267 +g27 +sg25268 +S'Iron Trivet' +p70423 +sg25270 +S'William O. Fletcher' +p70424 +sa(dp70425 +g25267 +g27 +sg25268 +S'Heart Shaped Trivet' +p70426 +sg25270 +S'Anna Aloisi' +p70427 +sa(dp70428 +g25267 +g27 +sg25268 +S'Flat Iron Holder' +p70429 +sg25270 +S'Neva Coffey' +p70430 +sa(dp70431 +g25267 +g27 +sg25268 +S'Trivet' +p70432 +sg25270 +S'Harry Grossen' +p70433 +sa(dp70434 +g25268 +S'Saint George and the Dragon' +p70435 +sg25270 +S'Raphael' +p70436 +sg25273 +S'oil on panel' +p70437 +sg25275 +S'c. 1506' +p70438 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005f3.jpg' +p70439 +sg25267 +S"Raphael was born in Urbino, a central Italian duchy noted for its elegant gentility and Renaissance scholarship. He moved to Florence toward the end of 1504.\n Saint George and the Dragon\n One unusual feature of the painting is the saint's blue garter on his armor–covered leg. Its inscription, HONI, begins the phrase \n " +p70440 +sa(dp70441 +g25268 +S'La Jeune Femme' +p70442 +sg25270 +S'Philibert-Louis Debucourt' +p70443 +sg25273 +S'aquatint and etching' +p70444 +sg25275 +S'1807' +p70445 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e5d.jpg' +p70446 +sg25267 +g27 +sa(dp70447 +g25267 +g27 +sg25268 +S'Toy Bus' +p70448 +sg25270 +S'Owen Middleton' +p70449 +sa(dp70450 +g25267 +g27 +sg25268 +S'Toy Sleigh' +p70451 +sg25270 +S'James McLellan' +p70452 +sa(dp70453 +g25267 +S"This doll's sleigh of about 1887 has painted decorations similar to those found\n on children's sleds of the period. It is wood with metal wire runners. The lining\n is blue velvet.\n " +p70454 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000301.jpg' +p70455 +sg25268 +S'Doll Sleigh' +p70456 +sg25270 +S'Beverly Chichester' +p70457 +sa(dp70458 +g25267 +g27 +sg25268 +S'Calash and Horses' +p70459 +sg25270 +S'John Hall' +p70460 +sa(dp70461 +g25267 +g27 +sg25268 +S'Toy Bus' +p70462 +sg25270 +S'American 20th Century' +p70463 +sa(dp70464 +g25267 +g27 +sg25268 +S'Trailboard' +p70465 +sg25270 +S'Beatrice DeKalb' +p70466 +sa(dp70467 +g25267 +g27 +sg25268 +S'Billet Head' +p70468 +sg25270 +S'Kurt Melzer' +p70469 +sa(dp70470 +g25267 +g27 +sg25268 +S'Trivet' +p70471 +sg25270 +S'Alfred Koehn' +p70472 +sa(dp70473 +g25267 +g27 +sg25268 +S'Skin Covered Trunk' +p70474 +sg25270 +S'Russell Madole' +p70475 +sa(dp70476 +g25267 +g27 +sg25268 +S'Trunk' +p70477 +sg25270 +S'Orrie McCombs' +p70478 +sa(dp70479 +g25268 +S"L'Innocente du Jour" +p70480 +sg25270 +S'Philibert-Louis Debucourt' +p70481 +sg25273 +S'aquatint and etching' +p70482 +sg25275 +S'1810' +p70483 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e5c.jpg' +p70484 +sg25267 +g27 +sa(dp70485 +g25267 +g27 +sg25268 +S'Trunk' +p70486 +sg25270 +S'Charles Bowman' +p70487 +sa(dp70488 +g25267 +g27 +sg25268 +S'Umbrella Stand' +p70489 +sg25270 +S'Jacob Lipkin' +p70490 +sa(dp70491 +g25267 +g27 +sg25268 +S'Valentine' +p70492 +sg25270 +S'John Thorsen' +p70493 +sa(dp70494 +g25267 +g27 +sg25268 +S'Urn Design' +p70495 +sg25270 +S'Charles Goodwin' +p70496 +sa(dp70497 +g25267 +g27 +sg25268 +S'Urn Design' +p70498 +sg25270 +S'Charles Goodwin' +p70499 +sa(dp70500 +g25267 +g27 +sg25268 +S'Urn Design' +p70501 +sg25270 +S'Charles Goodwin' +p70502 +sa(dp70503 +g25267 +g27 +sg25268 +S'Urn Design' +p70504 +sg25270 +S'Charles Goodwin' +p70505 +sa(dp70506 +g25267 +g27 +sg25268 +S'Ornamental Urn for Flowers' +p70507 +sg25270 +S'Ray Price' +p70508 +sa(dp70509 +g25267 +g27 +sg25268 +S'Cast Iron Urn' +p70510 +sg25270 +S'Austin L. Davison' +p70511 +sa(dp70512 +g25267 +g27 +sg25268 +S'Urn' +p70513 +sg25270 +S'Ralph Atkinson' +p70514 +sa(dp70515 +g25268 +S"L'Orange, ou le moderne Jugement de Paris" +p70516 +sg25270 +S'Philibert-Louis Debucourt' +p70517 +sg25273 +S'aquatint and etching' +p70518 +sg25275 +S'1801' +p70519 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a00096c5.jpg' +p70520 +sg25267 +g27 +sa(dp70521 +g25267 +g27 +sg25268 +S'Urn for Flowers' +p70522 +sg25270 +S'Ralph Atkinson' +p70523 +sa(dp70524 +g25267 +g27 +sg25268 +S'Urn for Flowers' +p70525 +sg25270 +S'Katherine Hastings' +p70526 +sa(dp70527 +g25267 +g27 +sg25268 +S'Carved Stone Urn' +p70528 +sg25270 +S'Clyde L. Cheney' +p70529 +sa(dp70530 +g25267 +g27 +sg25268 +S'Valentine' +p70531 +sg25270 +S'Stella Mosher' +p70532 +sa(dp70533 +g25267 +g27 +sg25268 +S'Valentine in Shadow Box' +p70534 +sg25270 +S'Inez McCombs' +p70535 +sa(dp70536 +g25267 +g27 +sg25268 +S'Valentine' +p70537 +sg25270 +S'William P. Shearwood' +p70538 +sa(dp70539 +g25267 +g27 +sg25268 +S'Valentine' +p70540 +sg25270 +S'Vincent P. Rosel' +p70541 +sa(dp70542 +g25267 +g27 +sg25268 +S'Valentine' +p70543 +sg25270 +S'Vincent P. Rosel' +p70544 +sa(dp70545 +g25267 +g27 +sg25268 +S'Valentine' +p70546 +sg25270 +S'Ernest A. Towers, Jr.' +p70547 +sa(dp70548 +g25267 +g27 +sg25268 +S'Bud Vase' +p70549 +sg25270 +S'Vera Van Voris' +p70550 +sa(dp70551 +g25268 +S"Les Courses du Matin, ou la Porte d'un Riche" +p70552 +sg25270 +S'Philibert-Louis Debucourt' +p70553 +sg25273 +S'aquatint and etching' +p70554 +sg25275 +S'1805' +p70555 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a00096c9.jpg' +p70556 +sg25267 +g27 +sa(dp70557 +g25267 +g27 +sg25268 +S'Maple Vase' +p70558 +sg25270 +S'Peter Connin' +p70559 +sa(dp70560 +g25267 +g27 +sg25268 +S'Rosewood Vase' +p70561 +sg25270 +S'Sebastian Simonet' +p70562 +sa(dp70563 +g25267 +g27 +sg25268 +S'Metal Vase' +p70564 +sg25270 +S'Harry Mann Waddell' +p70565 +sa(dp70566 +g25267 +g27 +sg25268 +S'Vase Stand' +p70567 +sg25270 +S'Otto E. Hake' +p70568 +sa(dp70569 +g25267 +g27 +sg25268 +S'Coal Vase' +p70570 +sg25270 +S'Charles Bowman' +p70571 +sa(dp70572 +g25267 +g27 +sg25268 +S'Wafer Iron' +p70573 +sg25270 +S'Paul Ward' +p70574 +sa(dp70575 +g25267 +g27 +sg25268 +S'Wafer Iron' +p70576 +sg25270 +S'Bernard Westmacott' +p70577 +sa(dp70578 +g25267 +g27 +sg25268 +S'Wafer Iron' +p70579 +sg25270 +S'Raymond Manupelli' +p70580 +sa(dp70581 +g25267 +g27 +sg25268 +S'Wafer Iron' +p70582 +sg25270 +S'Lawrence Flynn' +p70583 +sa(dp70584 +g25267 +g27 +sg25268 +S'Wafer Iron' +p70585 +sg25270 +S'Benjamin Resnick' +p70586 +sa(dp70587 +g25268 +S'Le Carnaval' +p70588 +sg25270 +S'Philibert-Louis Debucourt' +p70589 +sg25273 +S'aquatint, etching, and roulette work' +p70590 +sg25275 +S'1810' +p70591 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a00096c7.jpg' +p70592 +sg25267 +g27 +sa(dp70593 +g25267 +g27 +sg25268 +S'Oven' +p70594 +sg25270 +S'Arthur Stewart' +p70595 +sa(dp70596 +g25267 +g27 +sg25268 +S'Wafer Irons' +p70597 +sg25270 +S'Bernard Westmacott' +p70598 +sa(dp70599 +g25267 +g27 +sg25268 +S'Stencilled Wall' +p70600 +sg25270 +S'Ray Holden' +p70601 +sa(dp70602 +g25267 +g27 +sg25268 +S'Stencilled Wall' +p70603 +sg25270 +S'Ray Holden' +p70604 +sa(dp70605 +g25267 +g27 +sg25268 +S'Stencil Wall Decoration' +p70606 +sg25270 +S'Ray Holden' +p70607 +sa(dp70608 +g25267 +g27 +sg25268 +S'Stencilled Wall Decoration' +p70609 +sg25270 +S'Ray Holden' +p70610 +sa(dp70611 +g25267 +g27 +sg25268 +S'Stencilled Wall Decoration' +p70612 +sg25270 +S'Ray Holden' +p70613 +sa(dp70614 +g25267 +g27 +sg25268 +S'Stencilled Wall Decoration' +p70615 +sg25270 +S'Ray Holden' +p70616 +sa(dp70617 +g25267 +g27 +sg25268 +S'Stencilled Wall Decoration' +p70618 +sg25270 +S'Ray Holden' +p70619 +sa(dp70620 +g25267 +g27 +sg25268 +S'Detail of Stencilled Wall' +p70621 +sg25270 +S'Ray Holden' +p70622 +sa(dp70623 +g25268 +S'Mlle. 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Stencil' +p70705 +sg25270 +S'Ray Holden' +p70706 +sa(dp70707 +g25267 +g27 +sg25268 +S'Stencilled Ballroom' +p70708 +sg25270 +S'Ray Holden' +p70709 +sa(dp70710 +g25267 +g27 +sg25268 +S'Free Hand Decorated Wall' +p70711 +sg25270 +S'Michael Lauretano' +p70712 +sa(dp70713 +g25267 +g27 +sg25268 +S'Free Hand Decorated Wall' +p70714 +sg25270 +S'Michael Lauretano' +p70715 +sa(dp70716 +g25267 +g27 +sg25268 +S'Wall Paper' +p70717 +sg25270 +S'Paul Farkas' +p70718 +sa(dp70719 +g25267 +g27 +sg25268 +S'Wall Paper' +p70720 +sg25270 +S'Nicholas Acampora' +p70721 +sa(dp70722 +g25267 +g27 +sg25268 +S'Wall Paper' +p70723 +sg25270 +S'George Robin' +p70724 +sa(dp70725 +g25267 +g27 +sg25268 +S'Wall Paper' +p70726 +sg25270 +S'Sidney Liswood' +p70727 +sa(dp70728 +g25267 +g27 +sg25268 +S'Wall Paper' +p70729 +sg25270 +S'Margaret Knapp' +p70730 +sa(dp70731 +g25268 +S'Le mercure de France' +p70732 +sg25270 +S'Artist Information (' +p70733 +sg25273 +S'(artist after)' +p70734 +sg25275 +S'\n' +p70735 +sg25314 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Rosel' +p71370 +sa(dp71371 +g25267 +g27 +sg25268 +S'Weather Vane Finial' +p71372 +sg25270 +S'Helen Hobart' +p71373 +sa(dp71374 +g25267 +g27 +sg25268 +S'Rooster Weather Vane' +p71375 +sg25270 +S'Robert Pohle' +p71376 +sa(dp71377 +g25267 +g27 +sg25268 +S'Metal Weather Vane' +p71378 +sg25270 +S'American 20th Century' +p71379 +sa(dp71380 +g25267 +g27 +sg25268 +S'Weather Vane Finial' +p71381 +sg25270 +S'Mina Lowry' +p71382 +sa(dp71383 +g25267 +g27 +sg25268 +S'Weather Vane' +p71384 +sg25270 +S'Victor F. Muollo' +p71385 +sa(dp71386 +g25267 +g27 +sg25268 +S'Weather Vane' +p71387 +sg25270 +S'American 20th Century' +p71388 +sa(dp71389 +g25267 +g27 +sg25268 +S'Weather Vane Finial' +p71390 +sg25270 +S'Maurice Blumenfeld' +p71391 +sa(dp71392 +g25268 +S'Le curieux' +p71393 +sg25270 +S'Artist Information (' +p71394 +sg25273 +S'(artist after)' +p71395 +sg25275 +S'\n' +p71396 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f11.jpg' +p71397 +sg25267 +g27 +sa(dp71398 +g25267 +g27 +sg25268 +S'Weather Vane Rooster' +p71399 +sg25270 +S'Carl Strehlau' +p71400 +sa(dp71401 +g25267 +g27 +sg25268 +S'Weather Vane - Cock' +p71402 +sg25270 +S'Selma Sandler' +p71403 +sa(dp71404 +g25267 +g27 +sg25268 +S'Weather Vane' +p71405 +sg25270 +S'Robert Pohle' +p71406 +sa(dp71407 +g25267 +g27 +sg25268 +S'Weather Vane - Cock' +p71408 +sg25270 +S'Mina Lowry' +p71409 +sa(dp71410 +g25267 +g27 +sg25268 +S'Weather Vane' +p71411 +sg25270 +S'Beverly Chichester' +p71412 +sa(dp71413 +g25267 +g27 +sg25268 +S'Weather Vane - Cock' +p71414 +sg25270 +S'Ben Lassen' +p71415 +sa(dp71416 +g25267 +g27 +sg25268 +S'Metal Weather Vane' +p71417 +sg25270 +S'Helen E. Gilman' +p71418 +sa(dp71419 +g25267 +g27 +sg25268 +S'Weather Vane' +p71420 +sg25270 +S'Herbert Barnard' +p71421 +sa(dp71422 +g25267 +g27 +sg25268 +S'Cow Weather Vane' +p71423 +sg25270 +S'Wynna Wright' +p71424 +sa(dp71425 +g25267 +g27 +sg25268 +S'Weather Vane' +p71426 +sg25270 +S'Edward L. Loper' +p71427 +sa(dp71428 +g25268 +S'Le danger du tete-a-tete' +p71429 +sg25270 +S'Artist Information (' +p71430 +sg25273 +S'(artist after)' +p71431 +sg25275 +S'\n' +p71432 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a000969a.jpg' +p71433 +sg25267 +g27 +sa(dp71434 +g25267 +g27 +sg25268 +S'Cow Weather Vane' +p71435 +sg25270 +S'American 20th Century' +p71436 +sa(dp71437 +g25267 +g27 +sg25268 +S'Weather Vane' +p71438 +sg25270 +S'Carl Strehlau' +p71439 +sa(dp71440 +g25267 +g27 +sg25268 +S'Weather Vane Finial' +p71441 +sg25270 +S'Salvatore Borrazzo' +p71442 +sa(dp71443 +g25267 +g27 +sg25268 +S'Weather Vane Finial' +p71444 +sg25270 +S'Salvatore Borrazzo' +p71445 +sa(dp71446 +g25267 +g27 +sg25268 +S'Weather Vane' +p71447 +sg25270 +S'Elmer G. Anderson' +p71448 +sa(dp71449 +g25267 +g27 +sg25268 +S'Weather Vane' +p71450 +sg25270 +S'Elmer G. Anderson' +p71451 +sa(dp71452 +g25267 +g27 +sg25268 +S'Weather Vane' +p71453 +sg25270 +S'Bernard Westmacott' +p71454 +sa(dp71455 +g25267 +g27 +sg25268 +S'Weather Vane' +p71456 +sg25270 +S'Rollington Campbell' +p71457 +sa(dp71458 +g25267 +g27 +sg25268 +S'Weather Vane' +p71459 +sg25270 +S'Nicholas Acampora' +p71460 +sa(dp71461 +g25267 +g27 +sg25268 +S'Weather Vane - Setter Dog' +p71462 +sg25270 +S'Gordon Sanborn' +p71463 +sa(dp71464 +g25268 +S"L'enlevement nocturne" +p71465 +sg25270 +S'Artist Information (' +p71466 +sg25273 +S'(artist after)' +p71467 +sg25275 +S'\n' +p71468 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a0009743.jpg' +p71469 +sg25267 +g27 +sa(dp71470 +g25267 +g27 +sg25268 +S'Eagle Weather Vane' +p71471 +sg25270 +S'Edward L. Loper' +p71472 +sa(dp71473 +g25267 +g27 +sg25268 +S'Weather Vane Finial' +p71474 +sg25270 +S'Helen Hobart' +p71475 +sa(dp71476 +g25267 +g27 +sg25268 +S'Weather Vane - Eagle' +p71477 +sg25270 +S'Milton Grubstein' +p71478 +sa(dp71479 +g25267 +g27 +sg25268 +S'Weather Vane' +p71480 +sg25270 +S'Harriette Gale' +p71481 +sa(dp71482 +g25267 +g27 +sg25268 +S'Weather Vane' +p71483 +sg25270 +S'Henry Tomaszewski' +p71484 +sa(dp71485 +g25267 +g27 +sg25268 +S'Fish Weather Vane' +p71486 +sg25270 +S'Sadie Berman' +p71487 +sa(dp71488 +g25267 +g27 +sg25268 +S'Fish Weather Vane' +p71489 +sg25270 +S'Elizabeth Fairchild' +p71490 +sa(dp71491 +g25267 +g27 +sg25268 +S'Weather Vane Finial' +p71492 +sg25270 +S'Nicholas Acampora' +p71493 +sa(dp71494 +g25267 +g27 +sg25268 +S'Weather Vane' +p71495 +sg25270 +S'James McLellan' +p71496 +sa(dp71497 +g25267 +g27 +sg25268 +S'Weather Vane' +p71498 +sg25270 +S'Selma Sandler' +p71499 +sa(dp71500 +g25268 +S"L'Epouse indiscrete" +p71501 +sg25270 +S'Artist Information (' +p71502 +sg25273 +S'(artist after)' +p71503 +sg25275 +S'\n' +p71504 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e6f.jpg' +p71505 +sg25267 +g27 +sa(dp71506 +g25267 +g27 +sg25268 +S'Weather Vane' +p71507 +sg25270 +S'Mina Lowry' +p71508 +sa(dp71509 +g25267 +g27 +sg25268 +S'Weather Vane Finial' +p71510 +sg25270 +S'Helen Hobart' +p71511 +sa(dp71512 +g25267 +g27 +sg25268 +S'Horse and Rider Weather Vane' +p71513 +sg25270 +S'George File' +p71514 +sa(dp71515 +g25267 +g27 +sg25268 +S'Weather Vane - Horse' +p71516 +sg25270 +S'Herman Bader' +p71517 +sa(dp71518 +g25267 +g27 +sg25268 +S'Weather Vane - Horse' +p71519 +sg25270 +S'Sadie Berman' +p71520 +sa(dp71521 +g25267 +g27 +sg25268 +S'Weather Vane - Horse' +p71522 +sg25270 +S'American 20th Century' +p71523 +sa(dp71524 +g25267 +g27 +sg25268 +S'Weather Vane - Horse' +p71525 +sg25270 +S'Nicholas Amantea' +p71526 +sa(dp71527 +g25267 +g27 +sg25268 +S'Weather Vane' +p71528 +sg25270 +S'Frank Gray' +p71529 +sa(dp71530 +g25267 +g27 +sg25268 +S'Small Metal Weather Vane' +p71531 +sg25270 +S'Laura Bilodeau' +p71532 +sa(dp71533 +g25267 +g27 +sg25268 +S'Small Sheep Weather Vane' +p71534 +sg25270 +S'Mildred E. Bent' +p71535 +sa(dp71536 +g25268 +S'Venus and Cupid in a Landscape' +p71537 +sg25270 +S'Artist Information (' +p71538 +sg25273 +S'Italian, 1477/1478 - 1510' +p71539 +sg25275 +S'(related artist)' +p71540 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a000087e.jpg' +p71541 +sg25267 +S'\r\n Not all paintings in a Renaissance study would have been seen on the wall; even the greatest artists were called on to decorate everyday objects. In all probability this small panel was originally part of a box or cabinet. Under the bushy plant near the center is a keyhole, now filled and overpainted but visible in x-radiographs.\r\n\n \r\n Seated in a lyrical landscape, Venus, goddess of love, seems to be exchanging something—exactly what is no longer clear—with her son Cupid. Perhaps the scene illustrated some episode from an ancient myth—or perhaps the only “subject” is its poetic mood.\r\n\n ' +p71542 +sa(dp71543 +g25268 +S"L'Epouse indiscrete" +p71544 +sg25270 +S'Artist Information (' +p71545 +sg25273 +S'(artist after)' +p71546 +sg25275 +S'\n' +p71547 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a00096cf.jpg' +p71548 +sg25267 +g27 +sa(dp71549 +g25267 +g27 +sg25268 +S'Pig Weather Vane' +p71550 +sg25270 +S'Marian Page' +p71551 +sa(dp71552 +g25267 +g27 +sg25268 +S'Pig Weather Vane' +p71553 +sg25270 +S'Salvatore Borrazzo' +p71554 +sa(dp71555 +g25267 +g27 +sg25268 +S'Weather Vane Peacock' +p71556 +sg25270 +S'Selma Sandler' +p71557 +sa(dp71558 +g25267 +g27 +sg25268 +S'Ostrich Weather Vane' +p71559 +sg25270 +S'Herman Bader' +p71560 +sa(dp71561 +g25267 +g27 +sg25268 +S'Metal Indian Weather Vane' +p71562 +sg25270 +S'John W. Kelleher' +p71563 +sa(dp71564 +g25267 +g27 +sg25268 +S'Indian Weather Vane' +p71565 +sg25270 +S'Rollington Campbell' +p71566 +sa(dp71567 +g25267 +g27 +sg25268 +S'Indian Chief Weather Vane' +p71568 +sg25270 +S'Edward L. Loper' +p71569 +sa(dp71570 +g25267 +g27 +sg25268 +S'Weather Vane' +p71571 +sg25270 +S'Samuel Fineman' +p71572 +sa(dp71573 +g25267 +g27 +sg25268 +S'Copper Weather Vane' +p71574 +sg25270 +S'Victor F. Muollo' +p71575 +sa(dp71576 +g25267 +g27 +sg25268 +S'Weather Vane Finial' +p71577 +sg25270 +S'Milton Grubstein' +p71578 +sa(dp71579 +g25268 +S"Le fruit de l'amour secret" +p71580 +sg25270 +S'Artist Information (' +p71581 +sg25273 +S'(artist after)' +p71582 +sg25275 +S'\n' +p71583 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a0009754.jpg' +p71584 +sg25267 +g27 +sa(dp71585 +g25267 +g27 +sg25268 +S'Weather Vane' +p71586 +sg25270 +S'Samuel W. Ford' +p71587 +sa(dp71588 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00051/a0005166.jpg' +p71589 +sg25268 +S'Weather Vane' +p71590 +sg25270 +S'Joseph Goldberg' +p71591 +sa(dp71592 +g25267 +g27 +sg25268 +S'Weather Vane Finial' +p71593 +sg25270 +S'Philip Johnson' +p71594 +sa(dp71595 +g25267 +g27 +sg25268 +S'Galloping Horse Weather Vane' +p71596 +sg25270 +S'Chris Makrenos' +p71597 +sa(dp71598 +g25267 +g27 +sg25268 +S'Horse Weather Vane' +p71599 +sg25270 +S'Chris Makrenos' +p71600 +sa(dp71601 +g25267 +g27 +sg25268 +S'Weather Vane Finial' +p71602 +sg25270 +S'Isidore Sovensky' +p71603 +sa(dp71604 +g25267 +g27 +sg25268 +S'Horse Weather Vane' +p71605 +sg25270 +S'Rollington Campbell' +p71606 +sa(dp71607 +g25267 +g27 +sg25268 +S'Horse and Rider Weather Vane' +p71608 +sg25270 +S'Helen Hobart' +p71609 +sa(dp71610 +g25267 +g27 +sg25268 +S'Prairie Horse Weather Vane' +p71611 +sg25270 +S'Salvatore Borrazzo' +p71612 +sa(dp71613 +g25267 +g27 +sg25268 +S'Weather Vane' +p71614 +sg25270 +S'Rollington Campbell' +p71615 +sa(dp71616 +g25268 +S'Le Gouter' +p71617 +sg25270 +S'Artist Information (' +p71618 +sg25273 +S'(artist after)' +p71619 +sg25275 +S'\n' +p71620 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f40.jpg' +p71621 +sg25267 +g27 +sa(dp71622 +g25267 +g27 +sg25268 +S'Horse Weather Vane' +p71623 +sg25270 +S'Gordon Sanborn' +p71624 +sa(dp71625 +g25267 +g27 +sg25268 +S'Two Weather Vanes' +p71626 +sg25270 +S'Elmer G. Anderson' +p71627 +sa(dp71628 +g25267 +g27 +sg25268 +S'Metal Weather Vane' +p71629 +sg25270 +S'Frances Cohen' +p71630 +sa(dp71631 +g25267 +g27 +sg25268 +S'Weather Vane Finial' +p71632 +sg25270 +S'Adolph Opstad' +p71633 +sa(dp71634 +g25267 +g27 +sg25268 +S'Cow Weather Vane' +p71635 +sg25270 +S'Philip Johnson' +p71636 +sa(dp71637 +g25267 +g27 +sg25268 +S'Weather Vane Finial' +p71638 +sg25270 +S'Michael Chomyk' +p71639 +sa(dp71640 +g25267 +g27 +sg25268 +S'Weather Vane - Scroll with Index' +p71641 +sg25270 +S'Helen Hobart' +p71642 +sa(dp71643 +g25267 +g27 +sg25268 +S'Weather Vane' +p71644 +sg25270 +S'E.J. Gilsleider' +p71645 +sa(dp71646 +g25267 +g27 +sg25268 +S'Bed Warming Pan' +p71647 +sg25270 +S'Sarkis Erganian' +p71648 +sa(dp71649 +g25267 +S'Brass is an alloy of copper and zinc that was popular with early artisans for\n making a variety of household articles. Brass is hard yet malleable and will\n take a high polish. Because of the bright, golden beauty of this metal, articles\n such as andirons, candlesticks, and other accessories were made of brass for fine\n drawing rooms. This brass warming pan was used to warm cold bedsheets on a wintry\n night. Bedwarmers were a practical necessity in cold climates until modern heating\n systems came into existence. This bedwarmer was constructed with a hinged lid\n covering a pan several inches deep into which hot coals were usually placed. Holes\n perforated in the lid allowed smoke to escape. Wooden handles, often several feet\n long, were attached to eighteenth-century warming pans like this one. This pan\n was cast from a sand mold. The rims of the lid and the base were reinforced with\n wire to strengthen the edges and to provide a neat appearance. After the pan was\n cast, it was polished by hand to achieve a bright shine. The lid decoration was\n embossed, a process done by hammer and chisel. The pattern of wavy lines, the flowers,\n and the rooster lend a folk art quality to the design.\n ' +p71650 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002e5.jpg' +p71651 +sg25268 +S'Bed Warming Pan' +p71652 +sg25270 +S'V.L. Vance' +p71653 +sa(dp71654 +g25268 +S'Le Gouter' +p71655 +sg25270 +S'Artist Information (' +p71656 +sg25273 +S'(artist after)' +p71657 +sg25275 +S'\n' +p71658 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f3f.jpg' +p71659 +sg25267 +g27 +sa(dp71660 +g25267 +g27 +sg25268 +S'Wall Paper' +p71661 +sg25270 +S'Charlotte Angus' +p71662 +sa(dp71663 +g25267 +g27 +sg25268 +S'Wall Paper Border' +p71664 +sg25270 +S'Frances Lichten' +p71665 +sa(dp71666 +g25267 +g27 +sg25268 +S'Wall Paper' +p71667 +sg25270 +S'Holger Hansen' +p71668 +sa(dp71669 +g25267 +g27 +sg25268 +S'Wall Paper' +p71670 +sg25270 +S'Albert Levone' +p71671 +sa(dp71672 +g25267 +g27 +sg25268 +S'Weather Vane - "Goddess of Liberty"' +p71673 +sg25270 +S'David Ramage' +p71674 +sa(dp71675 +g25267 +g27 +sg25268 +S'Horse Weather Vane' +p71676 +sg25270 +S'Joseph Rothenberg' +p71677 +sa(dp71678 +g25267 +g27 +sg25268 +S'Wooden Horse Weather Vane' +p71679 +sg25270 +S'Alfred H. Smith' +p71680 +sa(dp71681 +g25267 +g27 +sg25268 +S'Black Horse Weather Vane' +p71682 +sg25270 +S'Beatrice DeKalb' +p71683 +sa(dp71684 +g25267 +g27 +sg25268 +S'Horse Weather Vane' +p71685 +sg25270 +S'Mildred E. Bent' +p71686 +sa(dp71687 +g25267 +g27 +sg25268 +S'Running Horse Weather Vane' +p71688 +sg25270 +S'Alfred Denghausen' +p71689 +sa(dp71690 +g25268 +S'Le D\xc3\xa9jeun\xc3\xa9' +p71691 +sg25270 +S'Artist Information (' +p71692 +sg25273 +S'(artist after)' +p71693 +sg25275 +S'\n' +p71694 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f41.jpg' +p71695 +sg25267 +g27 +sa(dp71696 +g25267 +g27 +sg25268 +S'Weather Vane' +p71697 +sg25270 +S'Helen D. Bashian' +p71698 +sa(dp71699 +g25267 +g27 +sg25268 +S'Horse Weather Vane' +p71700 +sg25270 +S'Lloyd Broome' +p71701 +sa(dp71702 +g25267 +g27 +sg25268 +S'Weather Vane' +p71703 +sg25270 +S'Robert Pohle' +p71704 +sa(dp71705 +g25267 +g27 +sg25268 +S'Weather Vane' +p71706 +sg25270 +S'Mina Lowry' +p71707 +sa(dp71708 +g25267 +g27 +sg25268 +S'Horse Weather Vane' +p71709 +sg25270 +S'Gordon Sanborn' +p71710 +sa(dp71711 +g25267 +g27 +sg25268 +S'Weather Vane' +p71712 +sg25270 +S'John Sullivan' +p71713 +sa(dp71714 +g25267 +g27 +sg25268 +S'Weather Vane' +p71715 +sg25270 +S'Selma Sandler' +p71716 +sa(dp71717 +g25267 +g27 +sg25268 +S'Weather Vane' +p71718 +sg25270 +S'Joseph Stonefield' +p71719 +sa(dp71720 +g25267 +g27 +sg25268 +S'Whale Weather Vane' +p71721 +sg25270 +S'Marian Page' +p71722 +sa(dp71723 +g25267 +g27 +sg25268 +S'Whale Weather Vane' +p71724 +sg25270 +S'Albert Ryder' +p71725 +sa(dp71726 +g25268 +S'Le jardinier galant' +p71727 +sg25270 +S'Artist Information (' +p71728 +sg25273 +S'(artist after)' +p71729 +sg25275 +S'\n' +p71730 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a0009712.jpg' +p71731 +sg25267 +g27 +sa(dp71732 +g25267 +g27 +sg25268 +S'Weather Vane' +p71733 +sg25270 +S'Donald Donovan' +p71734 +sa(dp71735 +g25267 +g27 +sg25268 +S'Swordfish Weather Vane' +p71736 +sg25270 +S'Robert Pohle' +p71737 +sa(dp71738 +g25267 +g27 +sg25268 +S'Fish Weather Vane' +p71739 +sg25270 +S'Frances Matsubara' +p71740 +sa(dp71741 +g25267 +g27 +sg25268 +S'Running Dog Weather Vane' +p71742 +sg25270 +S'Gordon Sanborn' +p71743 +sa(dp71744 +g25267 +g27 +sg25268 +S'Geometric Weather Vane' +p71745 +sg25270 +S'Laura Bilodeau' +p71746 +sa(dp71747 +g25267 +g27 +sg25268 +S'Weather Vane' +p71748 +sg25270 +S'Robert Pohle' +p71749 +sa(dp71750 +g25267 +g27 +sg25268 +S'Weather Vane' +p71751 +sg25270 +S'Elmer Weise' +p71752 +sa(dp71753 +g25267 +g27 +sg25268 +S'Weather Vane' +p71754 +sg25270 +S'Bernard Westmacott' +p71755 +sa(dp71756 +g25267 +g27 +sg25268 +S'Weather Vane' +p71757 +sg25270 +S'Joseph Stonefield' +p71758 +sa(dp71759 +g25267 +g27 +sg25268 +S'Weather Vane' +p71760 +sg25270 +S'Bernard Westmacott' +p71761 +sa(dp71762 +g25268 +S'Jusques dans la moindre chose' +p71763 +sg25270 +S'Artist Information (' +p71764 +sg25273 +S'(artist after)' +p71765 +sg25275 +S'\n' +p71766 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008d/a0008d39.jpg' +p71767 +sg25267 +g27 +sa(dp71768 +g25267 +g27 +sg25268 +S'Weather Vane' +p71769 +sg25270 +S'Mildred E. Bent' +p71770 +sa(dp71771 +g25267 +g27 +sg25268 +S'Weather Vane' +p71772 +sg25270 +S'Jerome Hoxie' +p71773 +sa(dp71774 +g25267 +g27 +sg25268 +S'Whirligig: Hessian Soldier' +p71775 +sg25270 +S'Mina Lowry' +p71776 +sa(dp71777 +g25267 +g27 +sg25268 +S'Whirligig' +p71778 +sg25270 +S'Joseph Stonefield' +p71779 +sa(dp71780 +g25267 +g27 +sg25268 +S'Whirligig' +p71781 +sg25270 +S'Mina Lowry' +p71782 +sa(dp71783 +g25267 +g27 +sg25268 +S'Whirligig' +p71784 +sg25270 +S'Bernard Westmacott' +p71785 +sa(dp71786 +g25267 +g27 +sg25268 +S'Whirligig' +p71787 +sg25270 +S'Bernard Westmacott' +p71788 +sa(dp71789 +g25267 +g27 +sg25268 +S'Whirligig' +p71790 +sg25270 +S'Bernard Westmacott' +p71791 +sa(dp71792 +g25267 +S'This carved figure is a whirligig. Used as both a toy and a weather vane, the whirligig was made so that the paddlelike arms could rotate in the wind. The head and body are made from a single piece of wood while the arms are attached by a rod \n that passes through the shoulders. Made about 1840, this whirligig was probably carved by an amateur.\n ' +p71793 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000376.jpg' +p71794 +sg25268 +S'Whirligig' +p71795 +sg25270 +S'Mina Lowry' +p71796 +sa(dp71797 +g25267 +g27 +sg25268 +S'Quirt' +p71798 +sg25270 +S'Flora G. Guerra' +p71799 +sa(dp71800 +g25268 +S'Jusques dans la moindre chose' +p71801 +sg25270 +S'Artist Information (' +p71802 +sg25273 +S'(artist after)' +p71803 +sg25275 +S'\n' +p71804 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a000960b.jpg' +p71805 +sg25267 +g27 +sa(dp71806 +g25267 +g27 +sg25268 +S'Whip Socket' +p71807 +sg25270 +S'William McAuley' +p71808 +sa(dp71809 +g25267 +g27 +sg25268 +S"Rawhide Herder's Whip" +p71810 +sg25270 +S'Alexander Anderson' +p71811 +sa(dp71812 +g25267 +g27 +sg25268 +S'Carriage Whip' +p71813 +sg25270 +S'Columbus Simpson' +p71814 +sa(dp71815 +g25267 +g27 +sg25268 +S'Whiffle Tree End' +p71816 +sg25270 +S'Henry Tomaszewski' +p71817 +sa(dp71818 +g25267 +g27 +sg25268 +S'Wheel Barrow' +p71819 +sg25270 +S'Geoffrey Holt' +p71820 +sa(dp71821 +g25267 +g27 +sg25268 +S'Wetting Cup' +p71822 +sg25270 +S'Julius Bellamy' +p71823 +sa(dp71824 +g25267 +g27 +sg25268 +S'Sheep Weather Vane' +p71825 +sg25270 +S'Laura Bilodeau' +p71826 +sa(dp71827 +g25267 +g27 +sg25268 +S'Cock Weather Vane' +p71828 +sg25270 +S'Joseph Rothenberg' +p71829 +sa(dp71830 +g25267 +g27 +sg25268 +S'Cock Weather Vane' +p71831 +sg25270 +S'Gordon Sanborn' +p71832 +sa(dp71833 +g25267 +g27 +sg25268 +S'Cock Weather Vane' +p71834 +sg25270 +S'Rollington Campbell' +p71835 +sa(dp71836 +g25268 +S'Marton' +p71837 +sg25270 +S'Artist Information (' +p71838 +sg25273 +S'(artist after)' +p71839 +sg25275 +S'\n' +p71840 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008c70.jpg' +p71841 +sg25267 +g27 +sa(dp71842 +g25267 +g27 +sg25268 +S'Cock Weather Vane' +p71843 +sg25270 +S'Hazel Hyde' +p71844 +sa(dp71845 +g25267 +g27 +sg25268 +S'Weather Vane' +p71846 +sg25270 +S'Elmer G. Anderson' +p71847 +sa(dp71848 +g25267 +g27 +sg25268 +S'Weather Vane' +p71849 +sg25270 +S'Elmer G. Anderson' +p71850 +sa(dp71851 +g25267 +g27 +sg25268 +S'Weather Vane' +p71852 +sg25270 +S'Roger Deats' +p71853 +sa(dp71854 +g25267 +g27 +sg25268 +S'Single Ox Yoke' +p71855 +sg25270 +S'Orville Skaren' +p71856 +sa(dp71857 +g25267 +g27 +sg25268 +S'Double Ox Yoke' +p71858 +sg25270 +S'Ethel Dougan' +p71859 +sa(dp71860 +g25267 +g27 +sg25268 +S'Yoke for Oxen' +p71861 +sg25270 +S'Rose Campbell-Gerke' +p71862 +sa(dp71863 +g25267 +g27 +sg25268 +S'Shoulder Yoke' +p71864 +sg25270 +S'Albert Geuppert' +p71865 +sa(dp71866 +g25267 +g27 +sg25268 +S'Oxen Yoke' +p71867 +sg25270 +S'Cornelius Frazier' +p71868 +sa(dp71869 +g25267 +g27 +sg25268 +S'Oxen Yoke' +p71870 +sg25270 +S'Hans Mangelsdorf' +p71871 +sa(dp71872 +g25268 +S'Sa taille est ravissante' +p71873 +sg25270 +S'Artist Information (' +p71874 +sg25273 +S'(artist after)' +p71875 +sg25275 +S'\n' +p71876 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008ee7.jpg' +p71877 +sg25267 +g27 +sa(dp71878 +g25267 +g27 +sg25268 +S'Oxen Yoke' +p71879 +sg25270 +S'Earl Butlin' +p71880 +sa(dp71881 +g25267 +g27 +sg25268 +S'Writing Desk Set' +p71882 +sg25270 +S'Ursula Lauderdale' +p71883 +sa(dp71884 +g25267 +g27 +sg25268 +S'Wrench for Tightening Rope Bed' +p71885 +sg25270 +S'Albert Geuppert' +p71886 +sa(dp71887 +g25267 +g27 +sg25268 +S'Pipe Wrench' +p71888 +sg25270 +S'Herman O. Stroh' +p71889 +sa(dp71890 +g25267 +g27 +sg25268 +S'Cemetary Wreath' +p71891 +sg25270 +S'Al Curry' +p71892 +sa(dp71893 +g25267 +g27 +sg25268 +S'Feather Wreath' +p71894 +sg25270 +S'Artist Information (' +p71895 +sa(dp71896 +g25267 +g27 +sg25268 +S'Well with Movable Beam' +p71897 +sg25270 +S'Majel G. Claflin' +p71898 +sa(dp71899 +g25267 +g27 +sg25268 +S'Whirligig' +p71900 +sg25270 +S'Selma Sandler' +p71901 +sa(dp71902 +g25267 +g27 +sg25268 +S'Whirligig' +p71903 +sg25270 +S'Mina Lowry' +p71904 +sa(dp71905 +g25267 +g27 +sg25268 +S'Sailor Jack Whirligig' +p71906 +sg25270 +S'Jane Iverson' +p71907 +sa(dp71908 +g25268 +S'The Crucifixion' +p71909 +sg25270 +S'Paolo Veneziano' +p71910 +sg25273 +S'tempera on panel' +p71911 +sg25275 +S'c. 1340' +p71912 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a09.jpg' +p71913 +sg25267 +S"The poet Petrarch called Venice “a world apart.” Protected by a\r\n bewildering\r\n network of canals, the city naturally turned to the sea and, in the\r\n thirteenth\r\n and fourteenth centuries, commanded an extensive empire in the\r\n eastern\r\n Mediterranean. When Venetian commercial interests diverted the\r\n Fourth\r\n Crusade from the Holy Land to loot the riches of Byzantium instead,\r\n many\r\n Greek artists were forced to find work in Italy.\n That the city remained tied to its Byzantine traditions is\r\n evident in\r\n the work of Paolo Veneziano, the first Venetian artist we know by\r\n name. If\r\n he was aware of the more naturalistic styles of his contemporaries\r\n in other\r\n parts of Italy, he chose not to emulate them. This painting’s small\r\n size\r\n and arched shape suggest that it might have originally crowned a\r\n larger\r\n panel in a multipart altarpiece. Paolo’s style is essentially\r\n Byzantine,\r\n with ethereal figures and flat gold backgrounds. But his form—the\r\n altarpiece—is a Western one.\n Paolo's \n " +p71914 +sa(dp71915 +g25268 +S'Sa taille est ravissante' +p71916 +sg25270 +S'Artist Information (' +p71917 +sg25273 +S'(artist after)' +p71918 +sg25275 +S'\n' +p71919 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008ee5.jpg' +p71920 +sg25267 +g27 +sa(dp71921 +g25267 +g27 +sg25268 +S'Wooden Whirligig' +p71922 +sg25270 +S'Laura Bilodeau' +p71923 +sa(dp71924 +g25267 +g27 +sg25268 +S'Whirligig' +p71925 +sg25270 +S'Isabelle De Strange' +p71926 +sa(dp71927 +g25267 +g27 +sg25268 +S'Horse Weather Vane' +p71928 +sg25270 +S'Robert Barton' +p71929 +sa(dp71930 +g25267 +g27 +sg25268 +S'Weather Vane' +p71931 +sg25270 +S'Joseph Rothenberg' +p71932 +sa(dp71933 +g25267 +g27 +sg25268 +S'Fish Weather Vane' +p71934 +sg25270 +S'Michael Riccitelli' +p71935 +sa(dp71936 +g25267 +g27 +sg25268 +S'Fish Shop Sign' +p71937 +sg25270 +S'Henry Murphy' +p71938 +sa(dp71939 +g25267 +g27 +sg25268 +S'Fish Weather Vane' +p71940 +sg25270 +S'Albert Ryder' +p71941 +sa(dp71942 +g25267 +g27 +sg25268 +S'Weather Vane' +p71943 +sg25270 +S'Frank Budash' +p71944 +sa(dp71945 +g25267 +g27 +sg25268 +S'Weather Vane' +p71946 +sg25270 +S'Frank Budash' +p71947 +sa(dp71948 +g25267 +g27 +sg25268 +S'Weather Vane Pattern' +p71949 +sg25270 +S'Winifred Luten' +p71950 +sa(dp71951 +g25268 +S'Le lever' +p71952 +sg25270 +S'Artist Information (' +p71953 +sg25273 +S'(artist after)' +p71954 +sg25275 +S'\n' +p71955 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a0009612.jpg' +p71956 +sg25267 +g27 +sa(dp71957 +g25267 +g27 +sg25268 +S'Weather Vane' +p71958 +sg25270 +S'Louis Plogsted' +p71959 +sa(dp71960 +g25267 +g27 +sg25268 +S'Weather Vane - Angel Gabriel' +p71961 +sg25270 +S'Howard Weld' +p71962 +sa(dp71963 +g25267 +g27 +sg25268 +S'Bucket Yoke' +p71964 +sg25270 +S'Bessie Vandre' +p71965 +sa(dp71966 +g25267 +g27 +sg25268 +S'Head Pad' +p71967 +sg25270 +S'John Wilkes' +p71968 +sa(dp71969 +g25267 +g27 +sg25268 +S'Zoar Plaids' +p71970 +sg25270 +S'Jerry Guinta' +p71971 +sa(dp71972 +g25267 +g27 +sg25268 +S'Zoar Cloth Samples' +p71973 +sg25270 +S'Jerry Guinta' +p71974 +sa(dp71975 +g25267 +g27 +sg25268 +S'Zoar Linens' +p71976 +sg25270 +S'Jerry Guinta' +p71977 +sa(dp71978 +g25267 +g27 +sg25268 +S'Zoar Flute Recorder' +p71979 +sg25270 +S'Jerry Guinta' +p71980 +sa(dp71981 +g25267 +g27 +sg25268 +S'Zoar Blue Bonnet Cabinet' +p71982 +sg25270 +S'Angelo Bulone' +p71983 +sa(dp71984 +g25267 +g27 +sg25268 +S'Hair Ornaments' +p71985 +sg25270 +S'Jerry Guinta' +p71986 +sa(dp71987 +g25268 +S'La toilette' +p71988 +sg25270 +S'Artist Information (' +p71989 +sg25273 +S'(artist)' +p71990 +sg25275 +S'\n' +p71991 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a0009663.jpg' +p71992 +sg25267 +g27 +sa(dp71993 +g25267 +g27 +sg25268 +S'Zoar Fractur Drawing' +p71994 +sg25270 +S'John Wilkes' +p71995 +sa(dp71996 +g25267 +g27 +sg25268 +S'Zoar Bonnet' +p71997 +sg25270 +S'Fritz Boehmer' +p71998 +sa(dp71999 +g25267 +g27 +sg25268 +S'Zoar Summer Bonnet' +p72000 +sg25270 +S'Fritz Boehmer' +p72001 +sa(dp72002 +g25267 +g27 +sg25268 +S"Figurehead: Turk's Head" +p72003 +sg25270 +S'Henry Murphy' +p72004 +sa(dp72005 +g25267 +g27 +sg25268 +S'Figurehead from "Kenilworth"' +p72006 +sg25270 +S'Curry M. Bartlett' +p72007 +sa(dp72008 +g25267 +g27 +sg25268 +S'Head from Barnum Circus Wagon' +p72009 +sg25270 +S'Robert Galvin' +p72010 +sa(dp72011 +g25267 +g27 +sg25268 +S'Head from Circus Wagon' +p72012 +sg25270 +S'Alvin M. Gully' +p72013 +sa(dp72014 +g25267 +g27 +sg25268 +S'Figurehead' +p72015 +sg25270 +S'George Constantine' +p72016 +sa(dp72017 +g25267 +g27 +sg25268 +S"Ship's Sternpiece" +p72018 +sg25270 +S'Albert Ryder' +p72019 +sa(dp72020 +g25267 +g27 +sg25268 +S"Ship's Figurehead" +p72021 +sg25270 +S'Alice Cosgrove' +p72022 +sa(dp72023 +g25268 +S'Le matin' +p72024 +sg25270 +S'Artist Information (' +p72025 +sg25273 +S'(artist after)' +p72026 +sg25275 +S'\n' +p72027 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f7e.jpg' +p72028 +sg25267 +g27 +sa(dp72029 +g25267 +g27 +sg25268 +S'Stern Board Carving' +p72030 +sg25270 +S'Sumner Merrill' +p72031 +sa(dp72032 +g25267 +g27 +sg25268 +S"Ship's Figurehead" +p72033 +sg25270 +S'Louis Plogsted' +p72034 +sa(dp72035 +g25267 +g27 +sg25268 +S'Figurehead' +p72036 +sg25270 +S'Nicholas Amantea' +p72037 +sa(dp72038 +g25267 +g27 +sg25268 +S'Figurehead: "Henry Clay"' +p72039 +sg25270 +S'Mina Lowry' +p72040 +sa(dp72041 +g25267 +g27 +sg25268 +S'Figurehead: "The Highlander"' +p72042 +sg25270 +S'Ingrid Selmer-Larsen' +p72043 +sa(dp72044 +g25267 +g27 +sg25268 +S"Ship's Figurehead" +p72045 +sg25270 +S'Lucille Lacoursiere' +p72046 +sa(dp72047 +g25267 +g27 +sg25268 +S'Figurehead: "Cassandra Adams"' +p72048 +sg25270 +S'Rosamond P. Gray' +p72049 +sa(dp72050 +g25267 +g27 +sg25268 +S'Figurehead of Rembrandt' +p72051 +sg25270 +S'Frances Cohen' +p72052 +sa(dp72053 +g25267 +g27 +sg25268 +S'Figurehead of Andrew Jackson' +p72054 +sg25270 +S'Joseph Goldberg' +p72055 +sa(dp72056 +g25267 +g27 +sg25268 +S'Figurehead: "Hercules"' +p72057 +sg25270 +S'John W. Kelleher' +p72058 +sa(dp72059 +g25268 +S'Le midi' +p72060 +sg25270 +S'Artist Information (' +p72061 +sg25273 +S'(artist after)' +p72062 +sg25275 +S'\n' +p72063 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f8b.jpg' +p72064 +sg25267 +g27 +sa(dp72065 +g25267 +g27 +sg25268 +S'Figurehead: "Brooks Walker"' +p72066 +sg25270 +S'F.W. Powell' +p72067 +sa(dp72068 +g25267 +g27 +sg25268 +S'Figurehead: Indian' +p72069 +sg25270 +S'Ingrid Selmer-Larsen' +p72070 +sa(dp72071 +g25267 +g27 +sg25268 +S'Figurehead' +p72072 +sg25270 +S'Elizabeth Moutal' +p72073 +sa(dp72074 +g25267 +g27 +sg25268 +S'Figurehead: "Belle of Bath"' +p72075 +sg25270 +S'Alton K. Skillin' +p72076 +sa(dp72077 +g25267 +g27 +sg25268 +S'Figurehead from Schooner "Polly"' +p72078 +sg25270 +S'Alton K. Skillin' +p72079 +sa(dp72080 +g25267 +g27 +sg25268 +S'Small Figurehead' +p72081 +sg25270 +S'Flora Merchant' +p72082 +sa(dp72083 +g25267 +g27 +sg25268 +S'Jenny Lind Figurehead' +p72084 +sg25270 +S'Isabella Ruth Doerfler' +p72085 +sa(dp72086 +g25267 +g27 +sg25268 +S'Sternpiece' +p72087 +sg25270 +S'Albert Gold' +p72088 +sa(dp72089 +g25267 +g27 +sg25268 +S'Figurehead: Benjamin Franklin' +p72090 +sg25270 +S'American 20th Century' +p72091 +sa(dp72092 +g25267 +g27 +sg25268 +S'Figurehead: Naval Officer' +p72093 +sg25270 +S'Rosamond P. Gray' +p72094 +sa(dp72095 +g25268 +S'Le soir' +p72096 +sg25270 +S'Artist Information (' +p72097 +sg25273 +S'(artist after)' +p72098 +sg25275 +S'\n' +p72099 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f7d.jpg' +p72100 +sg25267 +g27 +sa(dp72101 +g25267 +g27 +sg25268 +S'Figurehead' +p72102 +sg25270 +S'John Sullivan' +p72103 +sa(dp72104 +g25267 +g27 +sg25268 +S'Peacock Cabin Decoration' +p72105 +sg25270 +S'Flora Merchant' +p72106 +sa(dp72107 +g25267 +g27 +sg25268 +S'Spread Eagle Relief' +p72108 +sg25270 +S'Flora Merchant' +p72109 +sa(dp72110 +g25267 +g27 +sg25268 +S'Eagle' +p72111 +sg25270 +S'Flora Merchant' +p72112 +sa(dp72113 +g25267 +g27 +sg25268 +S'Eagle with Cannon' +p72114 +sg25270 +S'Hazel Hyde' +p72115 +sa(dp72116 +g25267 +g27 +sg25268 +S'Eagle from Tugboat Wheelhouse' +p72117 +sg25270 +S'John W. Kelleher' +p72118 +sa(dp72119 +g25267 +g27 +sg25268 +S'Billethead' +p72120 +sg25270 +S'Marian Page' +p72121 +sa(dp72122 +g25267 +g27 +sg25268 +S'Billet Head' +p72123 +sg25270 +S'Joseph Goldberg' +p72124 +sa(dp72125 +g25267 +g27 +sg25268 +S'Stern Carving: Spread Eagle' +p72126 +sg25270 +S'Flora Merchant' +p72127 +sa(dp72128 +g25267 +S'The stern of the ship was usually decorated with a sternboard or sternpiece, such as the one shown here.\n The eagle was a favorite motif, but other subjects included allegorical figures, the American Indian, and\n occasionally the shipowner or his wife. This sternpiece was made for the \n ' +p72129 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003f4.jpg' +p72130 +sg25268 +S'Sternpiece' +p72131 +sg25270 +S'American 20th Century' +p72132 +sa(dp72133 +g25268 +S'La nuit' +p72134 +sg25270 +S'Artist Information (' +p72135 +sg25273 +S'(artist after)' +p72136 +sg25275 +S'\n' +p72137 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f78.jpg' +p72138 +sg25267 +g27 +sa(dp72139 +g25267 +g27 +sg25268 +S"Ship's Carving" +p72140 +sg25270 +S'Albert Rudin' +p72141 +sa(dp72142 +g25267 +g27 +sg25268 +S'Eagle: Pilot House Ornament' +p72143 +sg25270 +S'Molly Bodenstein' +p72144 +sa(dp72145 +g25267 +g27 +sg25268 +S'Figurehead from "The Black Prince"' +p72146 +sg25270 +S'Molly Bodenstein' +p72147 +sa(dp72148 +g25267 +g27 +sg25268 +S'Figurehead: "Emma"' +p72149 +sg25270 +S'Molly Bodenstein' +p72150 +sa(dp72151 +g25267 +g27 +sg25268 +S'Figurehead: Abe Lincoln' +p72152 +sg25270 +S'Frances Cohen' +p72153 +sa(dp72154 +g25267 +g27 +sg25268 +S'Figurehead: "Ceres"' +p72155 +sg25270 +S'Elizabeth Fairchild' +p72156 +sa(dp72157 +g25267 +g27 +sg25268 +S'Figurehead' +p72158 +sg25270 +S'Elisabeth Fulda' +p72159 +sa(dp72160 +g25267 +g27 +sg25268 +S'Figurehead: Julius Caesar' +p72161 +sg25270 +S'American 20th Century' +p72162 +sa(dp72163 +g25267 +g27 +sg25268 +S'Carved Cat Head Gargoyle' +p72164 +sg25270 +S'Alton K. Skillin' +p72165 +sa(dp72166 +g25267 +g27 +sg25268 +S'Figurehead: Eagle' +p72167 +sg25270 +S'Frances Cohen' +p72168 +sa(dp72169 +g25268 +S'Marchez tout doux, parlez tout bas' +p72170 +sg25270 +S'Artist Information (' +p72171 +sg25273 +S'(artist after)' +p72172 +sg25275 +S'\n' +p72173 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f5a.jpg' +p72174 +sg25267 +g27 +sa(dp72175 +g25267 +g27 +sg25268 +S"Bear's Head" +p72176 +sg25270 +S'Laura Bilodeau' +p72177 +sa(dp72178 +g25267 +g27 +sg25268 +S'Sternpiece: Eagle' +p72179 +sg25270 +S'American 20th Century' +p72180 +sa(dp72181 +g25267 +g27 +sg25268 +S'Eagle from USS Enterprise' +p72182 +sg25270 +S'American 20th Century' +p72183 +sa(dp72184 +g25267 +g27 +sg25268 +S'Figurehead from the "Diadem"' +p72185 +sg25270 +S'Hazel Hyde' +p72186 +sa(dp72187 +g25267 +g27 +sg25268 +S'Billet Head: Eagle' +p72188 +sg25270 +S'Dorothy Van Dunker' +p72189 +sa(dp72190 +g25267 +g27 +sg25268 +S'Carved Eagle' +p72191 +sg25270 +S'Alice Cosgrove' +p72192 +sa(dp72193 +g25267 +g27 +sg25268 +S"Ship Chandler's Sign" +p72194 +sg25270 +S'Robert Pohle' +p72195 +sa(dp72196 +g25267 +g27 +sg25268 +S'Cigar Store Figure: Clown' +p72197 +sg25270 +S'Robert Pohle' +p72198 +sa(dp72199 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p72200 +sg25270 +S'Henry Murphy' +p72201 +sa(dp72202 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p72203 +sg25270 +S'Samuel Philpot' +p72204 +sa(dp72205 +g25268 +S'Le mod\xc3\xa8le honn\xc3\xaate' +p72206 +sg25270 +S'Artist Information (' +p72207 +sg25273 +S'(artist after)' +p72208 +sg25275 +S'\n' +p72209 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a0009737.jpg' +p72210 +sg25267 +g27 +sa(dp72211 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p72212 +sg25270 +S'Violet Hartenstein' +p72213 +sa(dp72214 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p72215 +sg25270 +S'Einar Heiberg' +p72216 +sa(dp72217 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p72218 +sg25270 +S'Elmer R. Kottcamp' +p72219 +sa(dp72220 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p72221 +sg25270 +S'Einar Heiberg' +p72222 +sa(dp72223 +g25267 +g27 +sg25268 +S'Cigar Store Man' +p72224 +sg25270 +S'Alvin M. Gully' +p72225 +sa(dp72226 +g25267 +g27 +sg25268 +S'Cigar Store Figure - Blackamoor' +p72227 +sg25270 +S'Dorothy Handy' +p72228 +sa(dp72229 +g25267 +g27 +sg25268 +S'Cigar Store Figure' +p72230 +sg25270 +S'Joseph Goldberg' +p72231 +sa(dp72232 +g25267 +g27 +sg25268 +S'"Bell in Hand" Tavern Sign' +p72233 +sg25270 +S'American 20th Century' +p72234 +sa(dp72235 +g25267 +g27 +sg25268 +S'Hotel Porter Figure' +p72236 +sg25270 +S'Alvin M. Gully' +p72237 +sa(dp72238 +g25267 +g27 +sg25268 +S'Tavern Sign Figure' +p72239 +sg25270 +S'Karl J. Hentz' +p72240 +sa(dp72241 +g25268 +S'Le mod\xc3\xa8le honn\xc3\xaate' +p72242 +sg25270 +S'Artist Information (' +p72243 +sg25273 +S'(artist)' +p72244 +sg25275 +S'\n' +p72245 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00061/a00061f3.jpg' +p72246 +sg25267 +g27 +sa(dp72247 +g25267 +g27 +sg25268 +S'Shop Sign - Grapes' +p72248 +sg25270 +S'Robert Pohle' +p72249 +sa(dp72250 +g25267 +g27 +sg25268 +S'Barber Pole' +p72251 +sg25270 +S'Elisabeth Fulda' +p72252 +sa(dp72253 +g25267 +g27 +sg25268 +S'Carved Goose' +p72254 +sg25270 +S'Sumner Merrill' +p72255 +sa(dp72256 +g25267 +g27 +sg25268 +S'Shoe Sign' +p72257 +sg25270 +S'Albert Ryder' +p72258 +sa(dp72259 +g25267 +g27 +sg25268 +S'Shop Sign' +p72260 +sg25270 +S'John Sullivan' +p72261 +sa(dp72262 +g25267 +g27 +sg25268 +S'Shop Sign' +p72263 +sg25270 +S'Albert Ryder' +p72264 +sa(dp72265 +g25267 +g27 +sg25268 +S'Glove Shop Sign' +p72266 +sg25270 +S'Joseph L. Boyd' +p72267 +sa(dp72268 +g25267 +g27 +sg25268 +S'Boot Shop Sign' +p72269 +sg25270 +S'Alice Stearns' +p72270 +sa(dp72271 +g25267 +g27 +sg25268 +S'Bunch of Grapes' +p72272 +sg25270 +S'Alice Stearns' +p72273 +sa(dp72274 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00054/a0005452.jpg' +p72275 +sg25268 +S'Shop Sign Spectacles' +p72276 +sg25270 +S'John H. Tercuzzi' +p72277 +sa(dp72278 +g25268 +S'Madonna Adoring the Child' +p72279 +sg25270 +S'Marco Basaiti' +p72280 +sg25273 +S'oil on panel' +p72281 +sg25275 +S'c. 1520' +p72282 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a00007ce.jpg' +p72283 +sg25267 +g27 +sa(dp72284 +g25268 +S'Le mod\xc3\xa8le honn\xc3\xaate' +p72285 +sg25270 +S'Artist Information (' +p72286 +sg25273 +S'(artist)' +p72287 +sg25275 +S'\n' +p72288 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a0009736.jpg' +p72289 +sg25267 +g27 +sa(dp72290 +g25267 +g27 +sg25268 +S'Metal Weather Vane: Glove' +p72291 +sg25270 +S'Harriette Gale' +p72292 +sa(dp72293 +g25267 +g27 +sg25268 +S'Baseball Player' +p72294 +sg25270 +S'Mina Lowry' +p72295 +sa(dp72296 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p72297 +sg25270 +S'Walter Hochstrasser' +p72298 +sa(dp72299 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p72300 +sg25270 +S'Chris Makrenos' +p72301 +sa(dp72302 +g25267 +g27 +sg25268 +S'Cigar Store Figure' +p72303 +sg25270 +S'Einar Heiberg' +p72304 +sa(dp72305 +g25267 +g27 +sg25268 +S'Carousel Horse' +p72306 +sg25270 +S'Henry Tomaszewski' +p72307 +sa(dp72308 +g25267 +g27 +sg25268 +S'Figure of Justice' +p72309 +sg25270 +S'Elmer R. Kottcamp' +p72310 +sa(dp72311 +g25267 +g27 +sg25268 +S'Little Wooden Hen' +p72312 +sg25270 +S'Mildred E. Bent' +p72313 +sa(dp72314 +g25267 +g27 +sg25268 +S'Architectural Ornament (City of Boston)' +p72315 +sg25270 +S'Flora Merchant' +p72316 +sa(dp72317 +g25267 +g27 +sg25268 +S'George Washington' +p72318 +sg25270 +S'Edward Grant' +p72319 +sa(dp72320 +g25268 +S'Le Rendez-vous' +p72321 +sg25270 +S'Artist Information (' +p72322 +sg25273 +S'(artist after)' +p72323 +sg25275 +S'\n' +p72324 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f3e.jpg' +p72325 +sg25267 +g27 +sa(dp72326 +g25267 +g27 +sg25268 +S'Butter Mold' +p72327 +sg25270 +S'Franklyn Syres' +p72328 +sa(dp72329 +g25267 +g27 +sg25268 +S'Butter Mold' +p72330 +sg25270 +S'Albert Levone' +p72331 +sa(dp72332 +g25267 +g27 +sg25268 +S'Carved Silhouette of a Woman' +p72333 +sg25270 +S'Rosamond P. Gray' +p72334 +sa(dp72335 +g25267 +g27 +sg25268 +S'Eagle' +p72336 +sg25270 +S'Alice Domey' +p72337 +sa(dp72338 +g25267 +g27 +sg25268 +S'Walking Stick' +p72339 +sg25270 +S'Frank Gray' +p72340 +sa(dp72341 +g25267 +g27 +sg25268 +S'Bust of Henry Clay' +p72342 +sg25270 +S'Elisabeth Fulda' +p72343 +sa(dp72344 +g25267 +g27 +sg25268 +S'Grain Sack Stamp' +p72345 +sg25270 +S'Elmer R. Kottcamp' +p72346 +sa(dp72347 +g25267 +g27 +sg25268 +S'Pipe Bowl' +p72348 +sg25270 +S'Carl Keksi' +p72349 +sa(dp72350 +g25267 +g27 +sg25268 +S'Pipe Bowl' +p72351 +sg25270 +S'Carl Keksi' +p72352 +sa(dp72353 +g25267 +g27 +sg25268 +S'Bust of Washington' +p72354 +sg25270 +S'Jane Iverson' +p72355 +sa(dp72356 +g25268 +S'Rose et Colas' +p72357 +sg25270 +S'Artist Information (' +p72358 +sg25273 +S'(artist after)' +p72359 +sg25275 +S'\n' +p72360 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a000969c.jpg' +p72361 +sg25267 +g27 +sa(dp72362 +g25267 +g27 +sg25268 +S'Lumberjacks Sawing a Log' +p72363 +sg25270 +S'Frank Eiseman' +p72364 +sa(dp72365 +g25267 +g27 +sg25268 +S'Indian Head' +p72366 +sg25270 +S'Elmer R. Kottcamp' +p72367 +sa(dp72368 +g25267 +g27 +sg25268 +S'Shaker Rug' +p72369 +sg25270 +S'Mona Brown' +p72370 +sa(dp72371 +g25267 +g27 +sg25268 +S'Shaker Textile' +p72372 +sg25270 +S'Helen E. Gilman' +p72373 +sa(dp72374 +g25267 +g27 +sg25268 +S'Purse' +p72375 +sg25270 +S'Melita Hofmann' +p72376 +sa(dp72377 +g25267 +S'The ornament of circus wagons was not intended to be studied carefully; it was meant to give a\n momentary impression in the passing parade. The same applied to the lavish floats depicting\n tableaux of historical or religious events. The carvings used for these purposes needed to be\n robust and colorful in order to have an effect as they passed by the crowds. This ferocious lion\n was designed to strike terror into the hearts of small children.\n ' +p72378 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000342.jpg' +p72379 +sg25268 +S'Circus Wagon Lion' +p72380 +sg25270 +S'Howard Weld' +p72381 +sa(dp72382 +g25267 +g27 +sg25268 +S'Circus Wagon Figure' +p72383 +sg25270 +S'John Matulis' +p72384 +sa(dp72385 +g25267 +g27 +sg25268 +S'Circus Wagon Monkey' +p72386 +sg25270 +S'John Matulis' +p72387 +sa(dp72388 +g25267 +g27 +sg25268 +S'Hobby Goat' +p72389 +sg25270 +S'Henrietta S. Hukill' +p72390 +sa(dp72391 +g25267 +g27 +sg25268 +S'Circus Wagon Figure: Turk' +p72392 +sg25270 +S'Robert Galvin' +p72393 +sa(dp72394 +g25268 +S'La Sentinelle en d\xc3\xa9faut' +p72395 +sg25270 +S'Artist Information (' +p72396 +sg25273 +S'(artist after)' +p72397 +sg25275 +S'\n' +p72398 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e70.jpg' +p72399 +sg25267 +g27 +sa(dp72400 +g25267 +g27 +sg25268 +S'Carousel Horse' +p72401 +sg25270 +S'Henry Murphy' +p72402 +sa(dp72403 +g25267 +g27 +sg25268 +S'Carousel Horse' +p72404 +sg25270 +S'Dorothy Handy' +p72405 +sa(dp72406 +g25267 +g27 +sg25268 +S'Head from a Statue: Minerva' +p72407 +sg25270 +S'Helen Bronson' +p72408 +sa(dp72409 +g25267 +g27 +sg25268 +S'George Washington on Horseback' +p72410 +sg25270 +S'Wilbur M Rice' +p72411 +sa(dp72412 +g25267 +g27 +sg25268 +S'Figure' +p72413 +sg25270 +S'Stanley Mazur' +p72414 +sa(dp72415 +g25267 +g27 +sg25268 +S'Rug Runner' +p72416 +sg25270 +S'American 20th Century' +p72417 +sa(dp72418 +g25267 +g27 +sg25268 +S'Hooked Rug' +p72419 +sg25270 +S'Margery Parish' +p72420 +sa(dp72421 +g25267 +g27 +sg25268 +S'Coverlet' +p72422 +sg25270 +S'Miriam Y. Solomon' +p72423 +sa(dp72424 +g25267 +g27 +sg25268 +S'Cotton Quilt' +p72425 +sg25270 +S'Katherine Hastings' +p72426 +sa(dp72427 +g25267 +g27 +sg25268 +S'Fragments of Shaker Chair Braid' +p72428 +sg25270 +S'Orville A. Carroll' +p72429 +sa(dp72430 +g25268 +S'La Sentinelle en d\xc3\xa9faut' +p72431 +sg25270 +S'Artist Information (' +p72432 +sg25273 +S'(artist after)' +p72433 +sg25275 +S'\n' +p72434 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a00096d0.jpg' +p72435 +sg25267 +g27 +sa(dp72436 +g25267 +g27 +sg25268 +S'Shaker Chair Braids' +p72437 +sg25270 +S'Edward D. Williams' +p72438 +sa(dp72439 +g25267 +g27 +sg25268 +S'Shaker Wool Braids' +p72440 +sg25270 +S'Edward D. Williams' +p72441 +sa(dp72442 +g25267 +g27 +sg25268 +S'Shaker Kerchief' +p72443 +sg25270 +S'Charles Goodwin' +p72444 +sa(dp72445 +g25267 +g27 +sg25268 +S'Shaker Textile' +p72446 +sg25270 +S'George Constantine' +p72447 +sa(dp72448 +g25267 +g27 +sg25268 +S'Handwoven Coverlet' +p72449 +sg25270 +S'Cornelius Christoffels' +p72450 +sa(dp72451 +g25267 +g27 +sg25268 +S'Hooked Rug' +p72452 +sg25270 +S'Ruth M. Barnes' +p72453 +sa(dp72454 +g25267 +g27 +sg25268 +S'Knitted Rug' +p72455 +sg25270 +S'Ingrid Selmer-Larsen' +p72456 +sa(dp72457 +g25267 +g27 +sg25268 +S'Hooked Rug' +p72458 +sg25270 +S'Ruth M. Barnes' +p72459 +sa(dp72460 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a0005540.jpg' +p72461 +sg25268 +S'Quilt' +p72462 +sg25270 +S'Charlotte Angus' +p72463 +sa(dp72464 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a000551a.jpg' +p72465 +sg25268 +S'Weather Vane: Rooster' +p72466 +sg25270 +S'Marian Page' +p72467 +sa(dp72468 +g25268 +S'Les Soins tardifs' +p72469 +sg25270 +S'Artist Information (' +p72470 +sg25273 +S'(artist after)' +p72471 +sg25275 +S'\n' +p72472 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e7a.jpg' +p72473 +sg25267 +g27 +sa(dp72474 +g25267 +g27 +sg25268 +S'Gabriel Weather Vane' +p72475 +sg25270 +S'Harriette Gale' +p72476 +sa(dp72477 +g25267 +g27 +sg25268 +S'Centaur Weather Vane' +p72478 +sg25270 +S'James McLellan' +p72479 +sa(dp72480 +g25267 +g27 +sg25268 +S'Indian Weather Vane' +p72481 +sg25270 +S'Alice Stearns' +p72482 +sa(dp72483 +g25267 +S'This shop figure clearly advertises the lunch offered by an eatery. Less visible in the rendering is the inscription, "Robb MANUF\'R. 114 Centre St. New York," which refers to the premier carver of show figures and trade signs at the time, Samuel A. Robb (1851-1928). Robb had been apprenticed to a carver and then studied drawing from life and from casts at the National Academy of Design and perspective drawing at Cooper Union. By 1875 he had set up his own shop in New York. During this decade baseball players became the favorite subject for cigar-store carvings, and Robb\'s workshop produced several. It is possible that the mustachioed batter in Ryder\'s rendering, probably carved between 1888 and 1903, is Mike "King" Kelly, to whom he bears a strong resemblance. Kelly, a catcher who played for Cincinnati, Chicago, Boston, and New York between 1878 and 1893, and who was inducted into the Baseball Hall of Fame in 1945, has been called the first superstar of baseball.\n ' +p72484 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003f7.jpg' +p72485 +sg25268 +S'Cigar Store Figure: Ball Player' +p72486 +sg25270 +S'Albert Ryder' +p72487 +sa(dp72488 +g25267 +g27 +sg25268 +S'Tavern Sign (Black Horse Tavern)' +p72489 +sg25270 +S'John Matulis' +p72490 +sa(dp72491 +g25267 +g27 +sg25268 +S'Chest' +p72492 +sg25270 +S'Frances Lichten' +p72493 +sa(dp72494 +g25267 +S'A "bulto" was used for daily reverence, for general decoration, and as a talisman. "Bultos" were placed in churches and private homes. "Bultos" and "retablos" were often produced by traveling "santeros," who went from town to town selling their work.\r\n This figure represents Saint Ignatius Loyola, the founder of the Jesuit order. The identification of the saint, who was a popular subject in Spanish New Mexico, is based on the monogram IHS, a contraction of "Jesus."\n ' +p72495 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003da.jpg' +p72496 +sg25268 +S'Bulto (St. Ignatius)' +p72497 +sg25270 +S"Carl O'Bergh" +p72498 +sa(dp72499 +g25267 +g27 +sg25268 +S'Flask' +p72500 +sg25270 +S'Charles Caseau' +p72501 +sa(dp72502 +g25267 +g27 +sg25268 +S'Jar' +p72503 +sg25270 +S'Elsie Wein' +p72504 +sa(dp72505 +g25267 +g27 +sg25268 +S'Chalkware Bird' +p72506 +sg25270 +S'Elmer R. Kottcamp' +p72507 +sa(dp72508 +g25268 +S'La soiree des Thuileries' +p72509 +sg25270 +S'Artist Information (' +p72510 +sg25273 +S'(artist after)' +p72511 +sg25275 +S'\n' +p72512 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a0009699.jpg' +p72513 +sg25267 +g27 +sa(dp72514 +g25267 +g27 +sg25268 +S'Chalkware Rooster' +p72515 +sg25270 +S'Elmer R. Kottcamp' +p72516 +sa(dp72517 +g25267 +g27 +sg25268 +S'Figure of a Sailor' +p72518 +sg25270 +S'Lucille Chabot' +p72519 +sa(dp72520 +g25267 +g27 +sg25268 +S'Dove' +p72521 +sg25270 +S'Franklyn Syres' +p72522 +sa(dp72523 +g25267 +g27 +sg25268 +S'Bandbox Design' +p72524 +sg25270 +S'Martin Partyka' +p72525 +sa(dp72526 +g25267 +g27 +sg25268 +S'Wallpaper from Bandbox' +p72527 +sg25270 +S'Charlotte Angus' +p72528 +sa(dp72529 +g25267 +g27 +sg25268 +S'Bandbox' +p72530 +sg25270 +S'Martin Partyka' +p72531 +sa(dp72532 +g25267 +g27 +sg25268 +S'Bandbox' +p72533 +sg25270 +S'Martin Partyka' +p72534 +sa(dp72535 +g25267 +g27 +sg25268 +S'Bandbox' +p72536 +sg25270 +S'Paul Ward' +p72537 +sa(dp72538 +g25267 +g27 +sg25268 +S'Bandbox' +p72539 +sg25270 +S'Holger Hansen' +p72540 +sa(dp72541 +g25267 +g27 +sg25268 +S'Patch Boxes of Kentucky Rifles' +p72542 +sg25270 +S'Albert Levone' +p72543 +sa(dp72544 +g25268 +S'La soiree des Thuileries' +p72545 +sg25270 +S'Artist Information (' +p72546 +sg25273 +S'(artist after)' +p72547 +sg25275 +S'\n' +p72548 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a0009698.jpg' +p72549 +sg25267 +g27 +sa(dp72550 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p72551 +sg25270 +S'Harriette Gale' +p72552 +sa(dp72553 +g25267 +g27 +sg25268 +S'Figurehead: Woman' +p72554 +sg25270 +S'Elizabeth Moutal' +p72555 +sa(dp72556 +g25267 +g27 +sg25268 +S'Retablo (Our Lady of Carmel)' +p72557 +sg25270 +S'Maude Valle' +p72558 +sa(dp72559 +g25267 +g27 +sg25268 +S'Pine Ornament (Eagle)' +p72560 +sg25270 +S'American 20th Century' +p72561 +sa(dp72562 +g25267 +g27 +sg25268 +S'Eagle' +p72563 +sg25270 +S'American 20th Century' +p72564 +sa(dp72565 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00054/a00054fa.jpg' +p72566 +sg25268 +S'Rooster' +p72567 +sg25270 +S'Howard Weld' +p72568 +sa(dp72569 +g25267 +g27 +sg25268 +S'Retablo - St. Procopio' +p72570 +sg25270 +S'Majel G. Claflin' +p72571 +sa(dp72572 +g25267 +g27 +sg25268 +S'Painted Panel from Pullman Car Interior' +p72573 +sg25270 +S'Wayne White' +p72574 +sa(dp72575 +g25267 +g27 +sg25268 +S'Historical Textile' +p72576 +sg25270 +S'Ernest Capaldo' +p72577 +sa(dp72578 +g25267 +g27 +sg25268 +S'Textile' +p72579 +sg25270 +S'John Osbold' +p72580 +sa(dp72581 +g25268 +S'Le leger vetement' +p72582 +sg25270 +S'Artist Information (' +p72583 +sg25273 +S'(artist after)' +p72584 +sg25275 +S'\n' +p72585 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008cf2.jpg' +p72586 +sg25267 +g27 +sa(dp72587 +g25267 +g27 +sg25268 +S'Figurehead' +p72588 +sg25270 +S'Elizabeth Fairchild' +p72589 +sa(dp72590 +g25267 +g27 +sg25268 +S'Tavern Sign' +p72591 +sg25270 +S'American 20th Century' +p72592 +sa(dp72593 +g25267 +g27 +sg25268 +S'Tavern Sign' +p72594 +sg25270 +S'John Matulis' +p72595 +sa(dp72596 +g25267 +g27 +sg25268 +S'Tavern Sign: "Temperance"' +p72597 +sg25270 +S'John Matulis' +p72598 +sa(dp72599 +g25267 +g27 +sg25268 +S'Bandbox' +p72600 +sg25270 +S'Harold Merriam' +p72601 +sa(dp72602 +g25267 +g27 +sg25268 +S'Toby Figure' +p72603 +sg25270 +S'Mina Lowry' +p72604 +sa(dp72605 +g25267 +g27 +sg25268 +S'Chest' +p72606 +sg25270 +S'Rolland Livingstone' +p72607 +sa(dp72608 +g25267 +g27 +sg25268 +S'Bishop Hill Square Desk' +p72609 +sg25270 +S'Archie Thompson' +p72610 +sa(dp72611 +g25267 +g27 +sg25268 +S'Headboard' +p72612 +sg25270 +S'Artist Information (' +p72613 +sa(dp72614 +g25267 +g27 +sg25268 +S'Secretary Desk' +p72615 +sg25270 +S'Eugene Croe' +p72616 +sa(dp72617 +g25268 +S'La Gaiet\xc3\xa9 de Sil\xc3\xa8ne' +p72618 +sg25270 +S'Artist Information (' +p72619 +sg25273 +S'(artist after)' +p72620 +sg25275 +S'\n' +p72621 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e72.jpg' +p72622 +sg25267 +g27 +sa(dp72623 +g25267 +g27 +sg25268 +S'Desk Box' +p72624 +sg25270 +S'Harry Eisman' +p72625 +sa(dp72626 +g25267 +g27 +sg25268 +S'Four Poster Bed' +p72627 +sg25270 +S'Peter C. Ustinoff' +p72628 +sa(dp72629 +g25267 +g27 +sg25268 +S'Chest' +p72630 +sg25270 +S'Esther Molina' +p72631 +sa(dp72632 +g25267 +g27 +sg25268 +S'Triangular Corner Safe' +p72633 +sg25270 +S'Gladys M. Guillaudeu' +p72634 +sa(dp72635 +g25267 +g27 +sg25268 +S'Cradle' +p72636 +sg25270 +S'Rex F. Bush' +p72637 +sa(dp72638 +g25267 +g27 +sg25268 +S'Bottle' +p72639 +sg25270 +S'Paul Ward' +p72640 +sa(dp72641 +g25267 +g27 +sg25268 +S'Glass' +p72642 +sg25270 +S'John Dana' +p72643 +sa(dp72644 +g25267 +g27 +sg25268 +S'Compote' +p72645 +sg25270 +S'Van Silvay' +p72646 +sa(dp72647 +g25267 +g27 +sg25268 +S'Salt Cup' +p72648 +sg25270 +S'Beverly Chichester' +p72649 +sa(dp72650 +g25267 +g27 +sg25268 +S'Pitcher' +p72651 +sg25270 +S'Beverly Chichester' +p72652 +sa(dp72653 +g25268 +S'La promenade au Jardin Turc' +p72654 +sg25270 +S'Artist Information (' +p72655 +sg25273 +S'(artist after)' +p72656 +sg25275 +S'\n' +p72657 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a00097e7.jpg' +p72658 +sg25267 +g27 +sa(dp72659 +g25267 +g27 +sg25268 +S'Bowl' +p72660 +sg25270 +S'John Tarantino' +p72661 +sa(dp72662 +g25267 +g27 +sg25268 +S'Toilet Water Bottle' +p72663 +sg25270 +S'Giacinto Capelli' +p72664 +sa(dp72665 +g25267 +g27 +sg25268 +S'Blue Glass Cruet and Stopper' +p72666 +sg25270 +S'George File' +p72667 +sa(dp72668 +g25267 +g27 +sg25268 +S'Flask' +p72669 +sg25270 +S'Michael Trekur' +p72670 +sa(dp72671 +g25267 +g27 +sg25268 +S'Pitcher' +p72672 +sg25270 +S'Giacinto Capelli' +p72673 +sa(dp72674 +g25267 +g27 +sg25268 +S'Dish' +p72675 +sg25270 +S'Van Silvay' +p72676 +sa(dp72677 +g25267 +g27 +sg25268 +S'American Glass Flask' +p72678 +sg25270 +S'William Kieckhofel' +p72679 +sa(dp72680 +g25267 +g27 +sg25268 +S'Camphene Lamp' +p72681 +sg25270 +S'Paul Ward' +p72682 +sa(dp72683 +g25267 +g27 +sg25268 +S'Cream Pitcher' +p72684 +sg25270 +S'Janet Riza' +p72685 +sa(dp72686 +g25267 +g27 +sg25268 +S'Bottle' +p72687 +sg25270 +S'Van Silvay' +p72688 +sa(dp72689 +g25268 +S'Le cocarde nationale' +p72690 +sg25270 +S'Artist Information (' +p72691 +sg25273 +S'(artist after)' +p72692 +sg25275 +S'\n' +p72693 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a0009720.jpg' +p72694 +sg25267 +g27 +sa(dp72695 +g25267 +g27 +sg25268 +S'Bowl' +p72696 +sg25270 +S'Van Silvay' +p72697 +sa(dp72698 +g25267 +g27 +sg25268 +S'Pitcher' +p72699 +sg25270 +S'Beverly Chichester' +p72700 +sa(dp72701 +g25267 +g27 +sg25268 +S'Pitcher' +p72702 +sg25270 +S'Elisabeth Fulda' +p72703 +sa(dp72704 +g25267 +g27 +sg25268 +S'Vase' +p72705 +sg25270 +S'Michael Fenga' +p72706 +sa(dp72707 +g25267 +g27 +sg25268 +S'Pitcher' +p72708 +sg25270 +S'Marie Mitchell' +p72709 +sa(dp72710 +g25267 +S'Pennsylvania German glassware was best known through the artistry of "Baron" Heinrich Wilhelm Stiegel. Stiegel was a master craftsman who became a legend in his own time as the flamboyant owner of iron and glassworks. \n Stiegel glass cannot be definitely identified since his workers took his methods to other factories after his own went bankrupt. However, Stiegel-type flint glass, or crystal, was widely known for its beauty, fragility, and the brilliance of its colors. \n A wide variety of glassware -- from wineglasses, sugar bowls, and cruets to windowpanes and chemists\' bottles -- was made at the Stiegel furnace. The flask shown here was a typical Stiegel product. Stiegel was the first American glass manufacturer \n to enamel glass. Pieces made of white, or clear, glass have their decoration of birds, tulips, and scrolls painted on freehand with red, green, and yellow enamel. The motifs used reflect typical Pennsylvania German traditions of decoration.\n ' +p72711 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003c4.jpg' +p72712 +sg25268 +S'Decorated Glass Flask' +p72713 +sg25270 +S'George File' +p72714 +sa(dp72715 +g25267 +g27 +sg25268 +S'Mortar and Pestle' +p72716 +sg25270 +S'Isidore Steinberg' +p72717 +sa(dp72718 +g25267 +g27 +sg25268 +S'Wooden Stirrup' +p72719 +sg25270 +S'Vera Van Voris' +p72720 +sa(dp72721 +g25267 +g27 +sg25268 +S'Unrigged Pack Saddle' +p72722 +sg25270 +S'American 20th Century' +p72723 +sa(dp72724 +g25267 +g27 +sg25268 +S'Bull Whip' +p72725 +sg25270 +S'Clyde L. Cheney' +p72726 +sa(dp72727 +g25268 +S'Sweet resistance (La douce resistance)' +p72728 +sg25270 +S'Artist Information (' +p72729 +sg25273 +S'(artist after)' +p72730 +sg25275 +S'\n' +p72731 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc42.jpg' +p72732 +sg25267 +g27 +sa(dp72733 +g25267 +g27 +sg25268 +S'Rawhide Quirt' +p72734 +sg25270 +S'Cecil Smith' +p72735 +sa(dp72736 +g25267 +g27 +sg25268 +S'Painting of St. Liberata' +p72737 +sg25270 +S'Majel G. Claflin' +p72738 +sa(dp72739 +g25267 +g27 +sg25268 +S'Candle Sconce with Mirror' +p72740 +sg25270 +S'E. Boyd' +p72741 +sa(dp72742 +g25267 +g27 +sg25268 +S'Pin' +p72743 +sg25270 +S'Tulita Westfall' +p72744 +sa(dp72745 +g25267 +g27 +sg25268 +S'Bulto' +p72746 +sg25270 +S'Majel G. Claflin' +p72747 +sa(dp72748 +g25267 +g27 +sg25268 +S'Spanish Southwest Saddle' +p72749 +sg25270 +S'Arthur P. Reynolds' +p72750 +sa(dp72751 +g25267 +g27 +sg25268 +S'Pack Saddle' +p72752 +sg25270 +S'Robert W.R. Taylor' +p72753 +sa(dp72754 +g25267 +g27 +sg25268 +S'Santo (St. Francis)' +p72755 +sg25270 +S'Robert W.R. Taylor' +p72756 +sa(dp72757 +g25267 +g27 +sg25268 +S'Santo' +p72758 +sg25270 +S'Cornelius Christoffels' +p72759 +sa(dp72760 +g25267 +g27 +sg25268 +S'Head of San Jose' +p72761 +sg25270 +S'Majel G. Claflin' +p72762 +sa(dp72763 +g25268 +S"It was pulled today (On la tire aujourd'hui)" +p72764 +sg25270 +S'Artist Information (' +p72765 +sg25273 +S'(artist after)' +p72766 +sg25275 +S'\n' +p72767 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc41.jpg' +p72768 +sg25267 +g27 +sa(dp72769 +g25267 +g27 +sg25268 +S'Retabla' +p72770 +sg25270 +S'Alfonso Mirabal' +p72771 +sa(dp72772 +g25267 +g27 +sg25268 +S'Saddle' +p72773 +sg25270 +S'Joe Brennan' +p72774 +sa(dp72775 +g25267 +g27 +sg25268 +S'Shaker Grandmother Clock' +p72776 +sg25270 +S'Orville Cline' +p72777 +sa(dp72778 +g25267 +S'The tradition of painted decoration goes back to the vogue for "Japanning" prevalent\r\n in the William and Mary and the Queen Anne periods. Sheraton "fancy furniture,"\r\n with painted decoration, was exceedingly popular in the early nineteenth century.\r\n Handsomely painted settees, blending two or three chair backs into a single unit,\r\n were produced in a variety of designs for use in fashionable drawing rooms. This\r\n settee, made about 1800 in New York City, features the popular Sheraton urn and\r\n floral motifs, which were favored by New York craftsmen. Dark backgrounds, such\r\n as that seen on this piece, were commonly used and were produced by applying layers\r\n of varnishes over deep brown, green, or black paint. Here, the background provides\r\n a striking contrast to the touches of light green, cream, pink, and white used\r\n to highlight the urn of flowers. Delicately painted white blossoms adorn the uprights\r\n of the seat back and of the arms and legs; they are reminiscent of the carved rosettes\r\n found on other Sheraton furniture.\n ' +p72779 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002d4.jpg' +p72780 +sg25268 +S'Settee--Sheraton Style' +p72781 +sg25270 +S'Charles Henning' +p72782 +sa(dp72783 +g25267 +g27 +sg25268 +S'Tall Clock' +p72784 +sg25270 +S'Arthur Johnson' +p72785 +sa(dp72786 +g25267 +g27 +sg25268 +S'Kas' +p72787 +sg25270 +S'Lorenz Rothkranz' +p72788 +sa(dp72789 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a0005541.jpg' +p72790 +sg25268 +S'Candle Stand' +p72791 +sg25270 +S'M. Rosenshield-von-Paulin' +p72792 +sa(dp72793 +g25267 +g27 +sg25268 +S'Candle Stand' +p72794 +sg25270 +S'Edward L. Loper' +p72795 +sa(dp72796 +g25267 +g27 +sg25268 +S'Portable Whale Oil Lamp' +p72797 +sg25270 +S'James M. Lawson' +p72798 +sa(dp72799 +g25267 +g27 +sg25268 +S'Cherry Candlestick' +p72800 +sg25270 +S'Mina Lowry' +p72801 +sa(dp72802 +g25268 +S"Que n'y est-il encore?" +p72803 +sg25270 +S'Artist Information (' +p72804 +sg25273 +S'(artist after)' +p72805 +sg25275 +S'\n' +p72806 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a0009741.jpg' +p72807 +sg25267 +g27 +sa(dp72808 +g25267 +g27 +sg25268 +S'Camphene Lamp' +p72809 +sg25270 +S'LeRoy Griffith' +p72810 +sa(dp72811 +g25267 +g27 +sg25268 +S'Betty Lamp' +p72812 +sg25270 +S'Maurice Van Felix' +p72813 +sa(dp72814 +g25267 +g27 +sg25268 +S'Whale Oil Lamp' +p72815 +sg25270 +S'James M. Lawson' +p72816 +sa(dp72817 +g25267 +g27 +sg25268 +S'Wooden Stirrup' +p72818 +sg25270 +S'Juanita Donahoo' +p72819 +sa(dp72820 +g25267 +g27 +sg25268 +S'Tammany Bank' +p72821 +sg25270 +S'Michael France' +p72822 +sa(dp72823 +g25267 +g27 +sg25268 +S'Hitching Post' +p72824 +sg25270 +S'American 20th Century' +p72825 +sa(dp72826 +g25267 +g27 +sg25268 +S'Hitching Post Finial' +p72827 +sg25270 +S'Mina Lowry' +p72828 +sa(dp72829 +g25267 +g27 +sg25268 +S'Bull Dog Bank' +p72830 +sg25270 +S'George File' +p72831 +sa(dp72832 +g25267 +g27 +sg25268 +S'Hitching Post' +p72833 +sg25270 +S'Pearl Torell' +p72834 +sa(dp72835 +g25267 +g27 +sg25268 +S'Toy Bank: Policeman' +p72836 +sg25270 +S'Walter Hochstrasser' +p72837 +sa(dp72838 +g25268 +S'La raclee avec des roses (The Thrashing with Roses)' +p72839 +sg25270 +S'Artist Information (' +p72840 +sg25273 +S'(artist after)' +p72841 +sg25275 +S'\n' +p72842 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f85.jpg' +p72843 +sg25267 +g27 +sa(dp72844 +g25267 +g27 +sg25268 +S'Stump Speaker Bank' +p72845 +sg25270 +S'Florian Rokita' +p72846 +sa(dp72847 +g25267 +g27 +sg25268 +S'Trammel' +p72848 +sg25270 +S'Wellington Blewett' +p72849 +sa(dp72850 +g25267 +g27 +sg25268 +S'Flatiron' +p72851 +sg25270 +S'Gwendolyn Jackson' +p72852 +sa(dp72853 +g25267 +g27 +sg25268 +S'Skid Shoe for Horse' +p72854 +sg25270 +S'Samuel Faigin' +p72855 +sa(dp72856 +g25267 +g27 +sg25268 +S'Swamp Shoe for Horse' +p72857 +sg25270 +S'Clarence Secor' +p72858 +sa(dp72859 +g25267 +g27 +sg25268 +S'Skewers and Holder' +p72860 +sg25270 +S'Artist Information (' +p72861 +sa(dp72862 +g25267 +g27 +sg25268 +S'Long Handled Bristle Brush' +p72863 +sg25270 +S'Richard Barnett' +p72864 +sa(dp72865 +g25267 +g27 +sg25268 +S'Broad Axe' +p72866 +sg25270 +S'Paul Poffinbarger' +p72867 +sa(dp72868 +g25267 +g27 +sg25268 +S'Trivet' +p72869 +sg25270 +S'William Roberts' +p72870 +sa(dp72871 +g25267 +g27 +sg25268 +S'Trivet' +p72872 +sg25270 +S'Albert Rudin' +p72873 +sa(dp72874 +g25268 +S'Le bain des pieds (The Foot-Bath)' +p72875 +sg25270 +S'Artist Information (' +p72876 +sg25273 +S'(artist after)' +p72877 +sg25275 +S'\n' +p72878 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f84.jpg' +p72879 +sg25267 +g27 +sa(dp72880 +g25267 +g27 +sg25268 +S'Trivet' +p72881 +sg25270 +S'Orrie McCombs' +p72882 +sa(dp72883 +g25267 +g27 +sg25268 +S'Trivet' +p72884 +sg25270 +S'Violet Hartenstein' +p72885 +sa(dp72886 +g25267 +g27 +sg25268 +S'Trivet' +p72887 +sg25270 +S'Violet Hartenstein' +p72888 +sa(dp72889 +g25267 +g27 +sg25268 +S'Trivet' +p72890 +sg25270 +S'Sydney Roberts' +p72891 +sa(dp72892 +g25267 +g27 +sg25268 +S'Trivet' +p72893 +sg25270 +S'Violet Hartenstein' +p72894 +sa(dp72895 +g25267 +g27 +sg25268 +S'Draw Shave' +p72896 +sg25270 +S'Robert Tardiff' +p72897 +sa(dp72898 +g25267 +g27 +sg25268 +S'Hatchel (Flax Comb)' +p72899 +sg25270 +S'LeRoy Griffith' +p72900 +sa(dp72901 +g25267 +g27 +sg25268 +S'Drawknife' +p72902 +sg25270 +S'Max Fernekes' +p72903 +sa(dp72904 +g25267 +g27 +sg25268 +S'Hammer Head' +p72905 +sg25270 +S'Clarence Secor' +p72906 +sa(dp72907 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000f9/a000f901.jpg' +p72908 +sg25268 +S'Kettle' +p72909 +sg25270 +S'Frank M. Keane' +p72910 +sa(dp72911 +g25268 +S"L'Indiscret" +p72912 +sg25270 +S'Artist Information (' +p72913 +sg25273 +S'(artist after)' +p72914 +sg25275 +S'\n' +p72915 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e93.jpg' +p72916 +sg25267 +g27 +sa(dp72917 +g25267 +g27 +sg25268 +S'Skillet' +p72918 +sg25270 +S'Alfred Goldstein' +p72919 +sa(dp72920 +g25267 +g27 +sg25268 +S'Kettle' +p72921 +sg25270 +S'Joseph Glover' +p72922 +sa(dp72923 +g25267 +g27 +sg25268 +S'Cast Iron Pot' +p72924 +sg25270 +S'Margaret Golden' +p72925 +sa(dp72926 +g25267 +g27 +sg25268 +S'Handmade Churn' +p72927 +sg25270 +S'Rex F. Bush' +p72928 +sa(dp72929 +g25267 +g27 +sg25268 +S'Chopping Bowl' +p72930 +sg25270 +S'Hester Duany' +p72931 +sa(dp72932 +g25267 +g27 +sg25268 +S'Copper Tea Kettle' +p72933 +sg25270 +S'Wayne White' +p72934 +sa(dp72935 +g25267 +g27 +sg25268 +S'Tea Kettle' +p72936 +sg25270 +S'Amelia Tuccio' +p72937 +sa(dp72938 +g25267 +g27 +sg25268 +S'Copper Measuring Cup' +p72939 +sg25270 +S'Wilford H. Shurtliff' +p72940 +sa(dp72941 +g25267 +g27 +sg25268 +S'Wooden Dipper' +p72942 +sg25270 +S'Elmer Weise' +p72943 +sa(dp72944 +g25267 +g27 +sg25268 +S'Kettle' +p72945 +sg25270 +S'Lloyd Charles Lemcke' +p72946 +sa(dp72947 +g25268 +S"L'Indiscret" +p72948 +sg25270 +S'Artist Information (' +p72949 +sg25273 +S'(artist after)' +p72950 +sg25275 +S'\n' +p72951 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e96.jpg' +p72952 +sg25267 +g27 +sa(dp72953 +g25267 +g27 +sg25268 +S'Tin Tea Caddy' +p72954 +sg25270 +S'Eldon Allen' +p72955 +sa(dp72956 +g25267 +g27 +sg25268 +S'Churn' +p72957 +sg25270 +S'Lelah Nelson' +p72958 +sa(dp72959 +g25267 +g27 +sg25268 +S'Bucket' +p72960 +sg25270 +S'Leslie Macklem' +p72961 +sa(dp72962 +g25267 +g27 +sg25268 +S'Bucket' +p72963 +sg25270 +S'Edward Bashaw' +p72964 +sa(dp72965 +g25267 +g27 +sg25268 +S'Grain Basket' +p72966 +sg25270 +S'Alfonso Moreno' +p72967 +sa(dp72968 +g25267 +g27 +sg25268 +S'Grinder' +p72969 +sg25270 +S'Nicholas Amantea' +p72970 +sa(dp72971 +g25267 +g27 +sg25268 +S'Tea Caddy' +p72972 +sg25270 +S'Amelia Tuccio' +p72973 +sa(dp72974 +g25267 +g27 +sg25268 +S'Maple Sugar Bucket' +p72975 +sg25270 +S'Chris Makrenos' +p72976 +sa(dp72977 +g25267 +g27 +sg25268 +S'Water Yoke' +p72978 +sg25270 +S'Albert Geuppert' +p72979 +sa(dp72980 +g25267 +g27 +sg25268 +S'Door Latch' +p72981 +sg25270 +S'Fritz Boehmer' +p72982 +sa(dp72983 +g25268 +S'Le paysan mecontent' +p72984 +sg25270 +S'Artist Information (' +p72985 +sg25273 +S'(artist after)' +p72986 +sg25275 +S'\n' +p72987 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e85.jpg' +p72988 +sg25267 +g27 +sa(dp72989 +g25267 +g27 +sg25268 +S'Hinge Butt' +p72990 +sg25270 +S'Nicholas Amantea' +p72991 +sa(dp72992 +g25267 +g27 +sg25268 +S'Mixing Spoon' +p72993 +sg25270 +S'John Lindermayer' +p72994 +sa(dp72995 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a000552c.jpg' +p72996 +sg25268 +S'Toaster' +p72997 +sg25270 +S'Nicholas Amantea' +p72998 +sa(dp72999 +g25267 +g27 +sg25268 +S'Butter Paddle' +p73000 +sg25270 +S'Florian Rokita' +p73001 +sa(dp73002 +g25267 +g27 +sg25268 +S'Steel Spatula' +p73003 +sg25270 +S'Fritz Boehmer' +p73004 +sa(dp73005 +g25267 +g27 +sg25268 +S'Steel Spatula' +p73006 +sg25270 +S'American 20th Century' +p73007 +sa(dp73008 +g25267 +g27 +sg25268 +S'Pestle' +p73009 +sg25270 +S'Alfonso Moreno' +p73010 +sa(dp73011 +g25267 +g27 +sg25268 +S'Door Lock' +p73012 +sg25270 +S'Alf Bruseth' +p73013 +sa(dp73014 +g25267 +g27 +sg25268 +S'Butter Worker' +p73015 +sg25270 +S'Hester Duany' +p73016 +sa(dp73017 +g25267 +g27 +sg25268 +S'Scoop' +p73018 +sg25270 +S'Alfonso Moreno' +p73019 +sa(dp73020 +g25268 +S'Vous avez la clef, mais il a trouve le serrure' +p73021 +sg25270 +S'Artist Information (' +p73022 +sg25273 +S'(artist after)' +p73023 +sg25275 +S'\n' +p73024 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f19.jpg' +p73025 +sg25267 +g27 +sa(dp73026 +g25267 +g27 +sg25268 +S'Maple Sugar Mold' +p73027 +sg25270 +S'George File' +p73028 +sa(dp73029 +g25267 +g27 +sg25268 +S'Cow Bell #6 (With Star)' +p73030 +sg25270 +S'Dorothy Brennan' +p73031 +sa(dp73032 +g25267 +g27 +sg25268 +S'Cherry Stoner' +p73033 +sg25270 +S'George C. Brown' +p73034 +sa(dp73035 +g25267 +g27 +sg25268 +S'Coffee Mill' +p73036 +sg25270 +S'Lelah Nelson' +p73037 +sa(dp73038 +g25267 +g27 +sg25268 +S'Flatiron/Crimping Iron' +p73039 +sg25270 +S'Maurice Van Felix' +p73040 +sa(dp73041 +g25267 +g27 +sg25268 +S'Candlestick' +p73042 +sg25270 +S'Christabel Scrymser' +p73043 +sa(dp73044 +g25267 +g27 +sg25268 +S'Mortar and Pestle' +p73045 +sg25270 +S'Wellington Blewett' +p73046 +sa(dp73047 +g25267 +g27 +sg25268 +S'Wrought Iron Banister Bracket' +p73048 +sg25270 +S'James McLellan' +p73049 +sa(dp73050 +g25267 +g27 +sg25268 +S'Fractur' +p73051 +sg25270 +S'Elmer R. Kottcamp' +p73052 +sa(dp73053 +g25267 +g27 +sg25268 +S'Newel Post' +p73054 +sg25270 +S'Alfred H. Smith' +p73055 +sa(dp73056 +g25268 +S'Young Woman with a Rose' +p73057 +sg25270 +S'Artist Information (' +p73058 +sg25273 +S'(artist after)' +p73059 +sg25275 +S'\n' +p73060 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a00055bd.jpg' +p73061 +sg25267 +g27 +sa(dp73062 +g25267 +g27 +sg25268 +S'Newel Post' +p73063 +sg25270 +S'American 20th Century' +p73064 +sa(dp73065 +g25267 +g27 +sg25268 +S'Shaker Desk Chair' +p73066 +sg25270 +S'American 20th Century' +p73067 +sa(dp73068 +g25267 +g27 +sg25268 +S'Shaker Secretary' +p73069 +sg25270 +S'Howard Weld' +p73070 +sa(dp73071 +g25267 +g27 +sg25268 +S'Shaker Cupboard' +p73072 +sg25270 +S'American 20th Century' +p73073 +sa(dp73074 +g25267 +g27 +sg25268 +S'Shaker Rug' +p73075 +sg25270 +S'Alice Stearns' +p73076 +sa(dp73077 +g25267 +g27 +sg25268 +S'Shaker Dress Material' +p73078 +sg25270 +S'American 20th Century' +p73079 +sa(dp73080 +g25267 +g27 +sg25268 +S'Shaker Silk Kerchief' +p73081 +sg25270 +S'Elizabeth Moutal' +p73082 +sa(dp73083 +g25267 +g27 +sg25268 +S'Shaker Dress Material' +p73084 +sg25270 +S'Lucille Gilchrist' +p73085 +sa(dp73086 +g25267 +g27 +sg25268 +S'Shaker Built-In Cupboard' +p73087 +sg25270 +S'John W. Kelleher' +p73088 +sa(dp73089 +g25267 +g27 +sg25268 +S'Shaker Sill Cupboard' +p73090 +sg25270 +S'Anne Ger' +p73091 +sa(dp73092 +g25268 +S'Jupiter and Leda' +p73093 +sg25270 +S'Artist Information (' +p73094 +sg25273 +S'(artist after)' +p73095 +sg25275 +S'\n' +p73096 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0007d/a0007d5a.jpg' +p73097 +sg25267 +g27 +sa(dp73098 +g25267 +g27 +sg25268 +S"Shaker Woman's Apron" +p73099 +sg25270 +S'Betty Fuerst' +p73100 +sa(dp73101 +g25267 +g27 +sg25268 +S'Shaker Rocking Chair' +p73102 +sg25270 +S'Lon Cronk' +p73103 +sa(dp73104 +g25267 +g27 +sg25268 +S'Shaker Newel Post' +p73105 +sg25270 +S'Alfred H. Smith' +p73106 +sa(dp73107 +g25267 +g27 +sg25268 +S'Illuminated Psalm' +p73108 +sg25270 +S'Elmer R. Kottcamp' +p73109 +sa(dp73110 +g25267 +g27 +sg25268 +S'Sink Bench' +p73111 +sg25270 +S'Elmer R. Kottcamp' +p73112 +sa(dp73113 +g25267 +g27 +sg25268 +S'Toy Rooster' +p73114 +sg25270 +S'Elmer R. Kottcamp' +p73115 +sa(dp73116 +g25267 +g27 +sg25268 +S'Chest Design' +p73117 +sg25270 +S'Etna Wiswall' +p73118 +sa(dp73119 +g25267 +g27 +sg25268 +S'Bulto' +p73120 +sg25270 +S'Eldora P. Lorenzini' +p73121 +sa(dp73122 +g25267 +g27 +sg25268 +S'Doorway' +p73123 +sg25270 +S'Pearl Davis' +p73124 +sa(dp73125 +g25267 +S'Isidore, the patron saint of farmers and protector of crops, was a farm laborer employed by a wealthy landowner near Madrid in the early twelfth century. According to legend, Isidore spent so many hours in prayer that he was in danger of falling behind with his farming chores. As a reward for his exceptional piety, divine intervention dispatched an angel to help Isidore finish his plowing on schedule. This miraculous event is the subject of an eighteenth-century New Mexican devotional sculpture, or \n ' +p73126 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003d2.jpg' +p73127 +sg25268 +S'Bulto' +p73128 +sg25270 +S'Eldora P. Lorenzini' +p73129 +sa(dp73130 +g25268 +S'Le reveil' +p73131 +sg25270 +S'Artist Information (' +p73132 +sg25273 +S'(artist after)' +p73133 +sg25275 +S'\n' +p73134 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f05.jpg' +p73135 +sg25267 +g27 +sa(dp73136 +g25267 +g27 +sg25268 +S'Jacket and Pants' +p73137 +sg25270 +S'Hal Blakeley' +p73138 +sa(dp73139 +g25267 +g27 +sg25268 +S'Penitent Christ' +p73140 +sg25270 +S'Eldora P. Lorenzini' +p73141 +sa(dp73142 +g25267 +g27 +sg25268 +S'Bridal Chest' +p73143 +sg25270 +S'John Koehl' +p73144 +sa(dp73145 +g25267 +g27 +sg25268 +S'Sea Chest' +p73146 +sg25270 +S'Rolland Livingstone' +p73147 +sa(dp73148 +g25267 +g27 +sg25268 +S'Wooden Indian Doll' +p73149 +sg25270 +S'Rex F. Bush' +p73150 +sa(dp73151 +g25267 +g27 +sg25268 +S'Doll' +p73152 +sg25270 +S'Rex F. Bush' +p73153 +sa(dp73154 +g25267 +g27 +sg25268 +S'Doll' +p73155 +sg25270 +S'Helen Bronson' +p73156 +sa(dp73157 +g25267 +S'Some of the most interesting dolls were modeled after famous personalities. \r\n This doll represents General Ulysses S. Grant of the U.S. Army. It was made in \r\n the 1860s for a woman in Cressy, Michigan. The relationship of doll types to \r\n historical events is particularly evident in this case, for the doll appeared at the time of the Civil War when General Grant was at the height of his popularity in the North. A variety of materials was used in making dolls during this period, including papier-mâché and rag. Papier-mâché was used for the head of the General Grant doll; the body is made of kid.\n ' +p73158 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002e8.jpg' +p73159 +sg25268 +S'Doll--"General Grant"' +p73160 +sg25270 +S'Rex F. Bush' +p73161 +sa(dp73162 +g25267 +S"This milliner's model doll is a much sought after type with a knot at the back \n of the head. Because her ears show, this doll is particularly interesting to collectors. \n Most milliner's model dolls are from the first half of the nineteenth century. \n This one, dating from 1843, wears a muslin dress and muslin pantalettes.\n " +p73163 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002ed.jpg' +p73164 +sg25268 +S'Doll' +p73165 +sg25270 +S'Elmer R. Kottcamp' +p73166 +sa(dp73167 +g25267 +g27 +sg25268 +S'Doll - "Elissa"' +p73168 +sg25270 +S'Rex F. Bush' +p73169 +sa(dp73170 +g25268 +S"L'Amant surpris" +p73171 +sg25270 +S'Artist Information (' +p73172 +sg25273 +S'(artist after)' +p73173 +sg25275 +S'\n' +p73174 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a00096f2.jpg' +p73175 +sg25267 +g27 +sa(dp73176 +g25267 +g27 +sg25268 +S'Quaker Doll' +p73177 +sg25270 +S'Charlotte Angus' +p73178 +sa(dp73179 +g25267 +g27 +sg25268 +S'Shaker Cupboard' +p73180 +sg25270 +S'John W. Kelleher' +p73181 +sa(dp73182 +g25267 +g27 +sg25268 +S'Shoe' +p73183 +sg25270 +S'Lucille Chabot' +p73184 +sa(dp73185 +g25267 +g27 +sg25268 +S"Woman's Shoe" +p73186 +sg25270 +S'Joseph Goldberg' +p73187 +sa(dp73188 +g25267 +g27 +sg25268 +S'Bride Box' +p73189 +sg25270 +S'Elmer R. Kottcamp' +p73190 +sa(dp73191 +g25267 +g27 +sg25268 +S'Nutcracker' +p73192 +sg25270 +S'Mina Lowry' +p73193 +sa(dp73194 +g25267 +g27 +sg25268 +S'Woman Churning' +p73195 +sg25270 +S'Mina Lowry' +p73196 +sa(dp73197 +g25267 +g27 +sg25268 +S'Horse Figure' +p73198 +sg25270 +S'Hester Duany' +p73199 +sa(dp73200 +g25267 +g27 +sg25268 +S'Doll' +p73201 +sg25270 +S'Henry Tomaszewski' +p73202 +sa(dp73203 +g25267 +g27 +sg25268 +S'Doll' +p73204 +sg25270 +S'David S. De Vault' +p73205 +sa(dp73206 +g25268 +S'The Upset Basket' +p73207 +sg25270 +S'Artist Information (' +p73208 +sg25273 +S'(artist after)' +p73209 +sg25275 +S'\n' +p73210 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a00096ad.jpg' +p73211 +sg25267 +g27 +sa(dp73212 +g25267 +g27 +sg25268 +S'Carved Wooden Doll' +p73213 +sg25270 +S'Elmer R. Kottcamp' +p73214 +sa(dp73215 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000f8/a000f8fa.jpg' +p73216 +sg25268 +S'Doll' +p73217 +sg25270 +S'Carmel Wilson' +p73218 +sa(dp73219 +g25267 +g27 +sg25268 +S'Doll' +p73220 +sg25270 +S'John Hall' +p73221 +sa(dp73222 +g25267 +g27 +sg25268 +S'Marionette - "Ahab"' +p73223 +sg25270 +S'Elmer Weise' +p73224 +sa(dp73225 +g25267 +g27 +sg25268 +S'Doll - "Leta"' +p73226 +sg25270 +S'Eugene Croe' +p73227 +sa(dp73228 +g25267 +g27 +sg25268 +S'Toy Train' +p73229 +sg25270 +S'George File' +p73230 +sa(dp73231 +g25267 +g27 +sg25268 +S'Toy Train' +p73232 +sg25270 +S'Francis Law Durand' +p73233 +sa(dp73234 +g25267 +S"Toy makers did not ignore children's appreciation of sound. Many toys incorporated\n a sound device of some sort, and in certain cases even musical notes were played.\n Toys like this bell cart of about 1860 were a special delight for children. Such\n objects, made from metal, combined sound with the old pull toy system of motion.\n In this case, a cast iron clapper strikes inside the bell as the toy is pulled along\n by a string. The cart consists of two cast zinc wheels with pierced designs of repeated\n heart shapes; the bell between is attached to the round iron axle. The bell is fashioned\n in two halves, of nickel-plated brass. The horse is die stamped from two pieces\n of tinned sheet iron and soldered together. Traces of paint indicate the horse was\n originally painted black and decorated with touches of oil color.\n " +p73235 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002fd.jpg' +p73236 +sg25268 +S'Toy Bell Cart' +p73237 +sg25270 +S'Stanley Chin' +p73238 +sa(dp73239 +g25267 +S'The repertoire of puppets is an extensive one and includes many characters and\n animals. This bull puppet of 1890 is particularly appealing. It is made of a cloth\n with a furry texture. The strings for operating the puppet are clearly visible here.\n Puppets have a long history, beginning as articulated stick figures in ancient\n Egypt, India, Greece, and Rome. During the Middle Ages, puppets were used in miracle\n plays. And in early America, puppet shows provided entertainment in remote frontier\n areas.\n ' +p73240 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002df.jpg' +p73241 +sg25268 +S'Puppet: Bull' +p73242 +sg25270 +S'Hilda Olson' +p73243 +sa(dp73244 +g25267 +g27 +sg25268 +S'Stove (Model)' +p73245 +sg25270 +S'George File' +p73246 +sa(dp73247 +g25268 +S'Mademoiselle Contat' +p73248 +sg25270 +S'J. Coutellier' +p73249 +sg25273 +S'color stipple engraving' +p73250 +sg25275 +S'unknown date\n' +p73251 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e46.jpg' +p73252 +sg25267 +g27 +sa(dp73253 +g25267 +g27 +sg25268 +S"Child's Top" +p73254 +sg25270 +S'Fritz Boehmer' +p73255 +sa(dp73256 +g25267 +g27 +sg25268 +S'Toy Locomotive' +p73257 +sg25270 +S'John Fisk' +p73258 +sa(dp73259 +g25267 +g27 +sg25268 +S'Wooden Rocking Horse' +p73260 +sg25270 +S'Helen E. Gilman' +p73261 +sa(dp73262 +g25267 +g27 +sg25268 +S'Hand Puppet "Punch"' +p73263 +sg25270 +S'William Kerby' +p73264 +sa(dp73265 +g25267 +g27 +sg25268 +S'Bowling Weather Vane' +p73266 +sg25270 +S'Hazel Hyde' +p73267 +sa(dp73268 +g25267 +g27 +sg25268 +S'Horse Weather Vane' +p73269 +sg25270 +S'American 20th Century' +p73270 +sa(dp73271 +g25267 +g27 +sg25268 +S'Weather Vane' +p73272 +sg25270 +S'H. Langden Brown' +p73273 +sa(dp73274 +g25267 +g27 +sg25268 +S'Grasshopper Weather Vane' +p73275 +sg25270 +S'Joseph Goldberg' +p73276 +sa(dp73277 +g25267 +g27 +sg25268 +S'Weathercock' +p73278 +sg25270 +S'Florian Rokita' +p73279 +sa(dp73280 +g25267 +g27 +sg25268 +S'Weathercock' +p73281 +sg25270 +S'Beverly Chichester' +p73282 +sa(dp73283 +g25268 +S'Mademoiselle Ollivier' +p73284 +sg25270 +S'J. Coutellier' +p73285 +sg25273 +S'color stipple engraving' +p73286 +sg25275 +S'unknown date\n' +p73287 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e45.jpg' +p73288 +sg25267 +g27 +sa(dp73289 +g25267 +g27 +sg25268 +S'Running Horse Weather Vane' +p73290 +sg25270 +S'Gertrude Koch' +p73291 +sa(dp73292 +g25267 +g27 +sg25268 +S'Horse and Jockey' +p73293 +sg25270 +S'Palmyra Pimentel' +p73294 +sa(dp73295 +g25267 +g27 +sg25268 +S'Dragon and Serpent Weather Vane' +p73296 +sg25270 +S'Betty Fuerst' +p73297 +sa(dp73298 +g25267 +g27 +sg25268 +S'Cock Weather Vane' +p73299 +sg25270 +S'Flora Merchant' +p73300 +sa(dp73301 +g25267 +g27 +sg25268 +S'Weather Vane' +p73302 +sg25270 +S'Alton K. Skillin' +p73303 +sa(dp73304 +g25267 +g27 +sg25268 +S'Weather Vane - Count Casimir Pulaski' +p73305 +sg25270 +S'Elmer R. Kottcamp' +p73306 +sa(dp73307 +g25267 +g27 +sg25268 +S'Weather Vane' +p73308 +sg25270 +S'Carl Strehlau' +p73309 +sa(dp73310 +g25267 +g27 +sg25268 +S'Butterfly Weather Vane' +p73311 +sg25270 +S'Hazel Hyde' +p73312 +sa(dp73313 +g25267 +g27 +sg25268 +S'Flying Eagle Weather Vane' +p73314 +sg25270 +S'Robert Barton' +p73315 +sa(dp73316 +g25267 +g27 +sg25268 +S'Cock Weather Vane' +p73317 +sg25270 +S'American 20th Century' +p73318 +sa(dp73319 +g25268 +S'Mademoiselle Maillard' +p73320 +sg25270 +S'J. Coutellier' +p73321 +sg25273 +S'color stipple engraving' +p73322 +sg25275 +S'unknown date\n' +p73323 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e44.jpg' +p73324 +sg25267 +g27 +sa(dp73325 +g25267 +g27 +sg25268 +S'Weather Vane - Horse and Rider' +p73326 +sg25270 +S'Victor F. Muollo' +p73327 +sa(dp73328 +g25267 +g27 +sg25268 +S'Weather Vane' +p73329 +sg25270 +S'John Sullivan' +p73330 +sa(dp73331 +g25267 +g27 +sg25268 +S'Gilt Weather Vane' +p73332 +sg25270 +S'Frances Cohen' +p73333 +sa(dp73334 +g25267 +g27 +sg25268 +S'Weather Vane' +p73335 +sg25270 +S'Elmer R. Kottcamp' +p73336 +sa(dp73337 +g25267 +g27 +sg25268 +S'Deer Weather Vane' +p73338 +sg25270 +S'Helen Hobart' +p73339 +sa(dp73340 +g25267 +g27 +sg25268 +S'Weather Vane Finial' +p73341 +sg25270 +S'Eric Mose' +p73342 +sa(dp73343 +g25267 +g27 +sg25268 +S'Weather Vane' +p73344 +sg25270 +S'Helen Hobart' +p73345 +sa(dp73346 +g25267 +g27 +sg25268 +S'Weather Vane' +p73347 +sg25270 +S'Beverly Chichester' +p73348 +sa(dp73349 +g25267 +g27 +sg25268 +S'Architectural Ornament (Eagle)' +p73350 +sg25270 +S'Robert Pohle' +p73351 +sa(dp73352 +g25267 +g27 +sg25268 +S'Toleware Tea Caddy' +p73353 +sg25270 +S'Mildred Ford' +p73354 +sa(dp73355 +g25268 +S'Mme. de M ... en habit de bal' +p73356 +sg25270 +S'Artist Information (' +p73357 +sg25273 +S'(artist after)' +p73358 +sg25275 +S'\n' +p73359 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a000963f.jpg' +p73360 +sg25267 +g27 +sa(dp73361 +g25267 +g27 +sg25268 +S'Cast Iron Andiron' +p73362 +sg25270 +S'Milton Grubstein' +p73363 +sa(dp73364 +g25267 +g27 +sg25268 +S'Measure Cup' +p73365 +sg25270 +S'Charles Henning' +p73366 +sa(dp73367 +g25267 +g27 +sg25268 +S"Fireman's Hat Shield" +p73368 +sg25270 +S'Henry Murphy' +p73369 +sa(dp73370 +g25267 +g27 +sg25268 +S'Bread Tray' +p73371 +sg25270 +S'Mildred Ford' +p73372 +sa(dp73373 +g25267 +g27 +sg25268 +S'Toaster or Broiler' +p73374 +sg25270 +S'Frank McEntee' +p73375 +sa(dp73376 +g25267 +g27 +sg25268 +S'Wells Fargo Gold Box' +p73377 +sg25270 +S'Rose Campbell-Gerke' +p73378 +sa(dp73379 +g25267 +g27 +sg25268 +S'Conestoga Tool Box' +p73380 +sg25270 +S'Samuel W. Ford' +p73381 +sa(dp73382 +g25267 +g27 +sg25268 +S'Hoseholder with Fire Company Insignia' +p73383 +sg25270 +S'Elmer G. Anderson' +p73384 +sa(dp73385 +g25267 +g27 +sg25268 +S'Bishop Hill: Woodturning Lathe' +p73386 +sg25270 +S'H. Langden Brown' +p73387 +sa(dp73388 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a000552d.jpg' +p73389 +sg25268 +S'Saw and Case' +p73390 +sg25270 +S'Albert Rudin' +p73391 +sa(dp73392 +g25268 +S'Allegory of Chastity' +p73393 +sg25270 +S'Lorenzo Lotto' +p73394 +sg25273 +S'oil on panel' +p73395 +sg25275 +S'c. 1505' +p73396 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002a/a0002afa.jpg' +p73397 +sg25267 +S'This small panel by Lotto can be dated to early in his career because of stylistic similarities to \n The subject of the panel has been the cause for much discussion. A variety of interpretations\nhave been suggested, including the classical, \n ' +p73398 +sa(dp73399 +g25268 +S'Mme. de M ... en habit de bal' +p73400 +sg25270 +S'Artist Information (' +p73401 +sg25273 +S'(artist after)' +p73402 +sg25275 +S'\n' +p73403 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a000974c.jpg' +p73404 +sg25267 +g27 +sa(dp73405 +g25267 +g27 +sg25268 +S'Conestoga Wagon Jacks' +p73406 +sg25270 +S'Nicholas Amantea' +p73407 +sa(dp73408 +g25267 +g27 +sg25268 +S'Coffee Pot' +p73409 +sg25270 +S'Ray Price' +p73410 +sa(dp73411 +g25267 +g27 +sg25268 +S'Dutch Bake Oven' +p73412 +sg25270 +S'Violet Hartenstein' +p73413 +sa(dp73414 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a000551b.jpg' +p73415 +sg25268 +S'Mortar and Pestles' +p73416 +sg25270 +S'Elizabeth Moutal' +p73417 +sa(dp73418 +g25267 +g27 +sg25268 +S'Thin Cake Iron' +p73419 +sg25270 +S'Harry Grossen' +p73420 +sa(dp73421 +g25267 +g27 +sg25268 +S'Whirligig' +p73422 +sg25270 +S'Yolande Delasser' +p73423 +sa(dp73424 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00054/a00054fb.jpg' +p73425 +sg25268 +S'Soldier' +p73426 +sg25270 +S'American 20th Century' +p73427 +sa(dp73428 +g25267 +g27 +sg25268 +S'Baptismal Certificate' +p73429 +sg25270 +S'American 20th Century' +p73430 +sa(dp73431 +g25267 +g27 +sg25268 +S'Fraktur' +p73432 +sg25270 +S'Albert Levone' +p73433 +sa(dp73434 +g25267 +g27 +sg25268 +S'Valentine' +p73435 +sg25270 +S'Rex F. Bush' +p73436 +sa(dp73437 +g25268 +S'Les cerises' +p73438 +sg25270 +S'Artist Information (' +p73439 +sg25273 +S'(artist after)' +p73440 +sg25275 +S'\n' +p73441 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e7f.jpg' +p73442 +sg25267 +g27 +sa(dp73443 +g25267 +g27 +sg25268 +S'Fraktur' +p73444 +sg25270 +S'Roy S. Brown' +p73445 +sa(dp73446 +g25267 +g27 +sg25268 +S'Rocking Horse' +p73447 +sg25270 +S'Raymond Neumann' +p73448 +sa(dp73449 +g25267 +S'The production of toy locomotives and toy trains was eventually extended to\n comprise an entire railway system in miniature. This locomotive and tender are made\n of wood and date from about 1850. Like its real counterpart of the day, this model\n had a name, The \n ' +p73450 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002d9.jpg' +p73451 +sg25268 +S'Toy Locomotive' +p73452 +sg25270 +S'Alice Stearns' +p73453 +sa(dp73454 +g25267 +S'American Indians made dolls depicting white settlers as well as their own \n people. Here are two views of a frontiersman dressed in buckskin. The doll was \n made in about 1850 by Plains Indians.\n ' +p73455 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000311.jpg' +p73456 +sg25268 +S'Frontiersman Doll' +p73457 +sg25270 +S'George File' +p73458 +sa(dp73459 +g25267 +g27 +sg25268 +S'Fraktur' +p73460 +sg25270 +S'Albert Levone' +p73461 +sa(dp73462 +g25267 +g27 +sg25268 +S'Fraktur' +p73463 +sg25270 +S'Richard Barnett' +p73464 +sa(dp73465 +g25267 +g27 +sg25268 +S'Fraktur' +p73466 +sg25270 +S'Richard Barnett' +p73467 +sa(dp73468 +g25267 +S'Compared to most weathervanes, which are single figures, this example was an ambitious\n project. Carved by an artisan from Salem, Massachusetts, the three figures represent an Indian, on\n a horse, about to spear an attacking mountain lion. On the whole the composition succeeds well;\n the diagonal line of the spear and upward-lunging animal contrasts with the backward movement\n of the horse. The tail and mane of the horse have been given particular attention in their detail.\n ' +p73469 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000349.jpg' +p73470 +sg25268 +S'Weather Vane' +p73471 +sg25270 +S'John Davis' +p73472 +sa(dp73473 +g25267 +g27 +sg25268 +S'Cow Weather Vane' +p73474 +sg25270 +S'Beverly Chichester' +p73475 +sa(dp73476 +g25267 +g27 +sg25268 +S'Indian Weather Vane' +p73477 +sg25270 +S'Nicholas Amantea' +p73478 +sa(dp73479 +g25268 +S'Les prunes' +p73480 +sg25270 +S'Artist Information (' +p73481 +sg25273 +S'(artist after)' +p73482 +sg25275 +S'\n' +p73483 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e7e.jpg' +p73484 +sg25267 +g27 +sa(dp73485 +g25267 +g27 +sg25268 +S'Horse Weather Vane' +p73486 +sg25270 +S'Henry Murphy' +p73487 +sa(dp73488 +g25267 +g27 +sg25268 +S'Weather Vane' +p73489 +sg25270 +S'Joseph Glover' +p73490 +sa(dp73491 +g25267 +g27 +sg25268 +S'Weather Vane Finial' +p73492 +sg25270 +S'Nicholas Amantea' +p73493 +sa(dp73494 +g25267 +g27 +sg25268 +S'Horse Weather Vane' +p73495 +sg25270 +S'David Ramage' +p73496 +sa(dp73497 +g25267 +g27 +sg25268 +S'Eagle' +p73498 +sg25270 +S'Mina Lowry' +p73499 +sa(dp73500 +g25267 +g27 +sg25268 +S'Revolver' +p73501 +sg25270 +S'Elizabeth Johnson' +p73502 +sa(dp73503 +g25267 +g27 +sg25268 +S'Deerskin Covered Chest' +p73504 +sg25270 +S'Samuel Faigin' +p73505 +sa(dp73506 +g25267 +g27 +sg25268 +S'Trunk' +p73507 +sg25270 +S'Regina Henderer' +p73508 +sa(dp73509 +g25267 +g27 +sg25268 +S'Powder Horn' +p73510 +sg25270 +S'Howell Rosenbaum' +p73511 +sa(dp73512 +g25267 +g27 +sg25268 +S'Powder Flask' +p73513 +sg25270 +S'Randolph F. Miller' +p73514 +sa(dp73515 +g25268 +S'Annette et Lubin' +p73516 +sg25270 +S'Philibert-Louis Debucourt' +p73517 +sg25273 +S'etching and wash manner, printed in blue, dark pink, bright pink, yellow, orange, brown, and black inks' +p73518 +sg25275 +S'1789' +p73519 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a00055aa.jpg' +p73520 +sg25267 +g27 +sa(dp73521 +g25267 +g27 +sg25268 +S'Revolver' +p73522 +sg25270 +S'Rose Campbell-Gerke' +p73523 +sa(dp73524 +g25267 +g27 +sg25268 +S'Powder Pouch' +p73525 +sg25270 +S'Howell Rosenbaum' +p73526 +sa(dp73527 +g25267 +g27 +sg25268 +S'Foot Warmer' +p73528 +sg25270 +S'Robert Gilson' +p73529 +sa(dp73530 +g25267 +g27 +sg25268 +S'Toleware Canteen' +p73531 +sg25270 +S'H. Langden Brown' +p73532 +sa(dp73533 +g25267 +g27 +sg25268 +S'Wallpaper' +p73534 +sg25270 +S'John Garay' +p73535 +sa(dp73536 +g25267 +g27 +sg25268 +S'Carousel Horse' +p73537 +sg25270 +S'Howard Weld' +p73538 +sa(dp73539 +g25267 +g27 +sg25268 +S'Ecclesiastical Vestment' +p73540 +sg25270 +S'Artist Information (' +p73541 +sa(dp73542 +g25267 +g27 +sg25268 +S'Ecclesiastical Vestment' +p73543 +sg25270 +S'Syrena Swanson' +p73544 +sa(dp73545 +g25267 +g27 +sg25268 +S"Dancing Girl from Spark's Carousel Wagon" +p73546 +sg25270 +S'Katharine Merrill' +p73547 +sa(dp73548 +g25267 +g27 +sg25268 +S'Carousel Rabbit' +p73549 +sg25270 +S'Robert Pohle' +p73550 +sa(dp73551 +g25268 +S"Le Compliment ou La Matin\xc3\xa9e du jour de l'an (The Compliment or New Year's Morning)" +p73552 +sg25270 +S'Philibert-Louis Debucourt' +p73553 +sg25273 +S'etching and wash manner, printed in blue, red, yellow, carmine, and black inks' +p73554 +sg25275 +S'1787' +p73555 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00059/a0005927.jpg' +p73556 +sg25267 +g27 +sa(dp73557 +g25267 +g27 +sg25268 +S'Carved Pinewood Mold' +p73558 +sg25270 +S'Franklyn Syres' +p73559 +sa(dp73560 +g25267 +g27 +sg25268 +S'Rag Doll' +p73561 +sg25270 +S'Charlotte Angus' +p73562 +sa(dp73563 +g25267 +S'Because "printed" butter was more appealing to customers than plain bricks, butter molds were used to shape and stamp decorative patterns on the butter sold at market. Pennsylvania German farmers carved the molds that their wives used to prepare the \n butter for sale. Turned on a lathe, this mold and its handle were made in one piece. Popular motifs were sheaves of grain, hearts, American eagles, and flowers. This mold shows a large, symmetrically designed tulip surrounded by small leaves and a \n notched border.\n ' +p73564 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000375.jpg' +p73565 +sg25268 +S'Buttermold' +p73566 +sg25270 +S'Roy Weber' +p73567 +sa(dp73568 +g25267 +g27 +sg25268 +S'Mantle Ornament' +p73569 +sg25270 +S'Mina Lowry' +p73570 +sa(dp73571 +g25267 +g27 +sg25268 +S'Chalkware Horse' +p73572 +sg25270 +S'Mina Lowry' +p73573 +sa(dp73574 +g25267 +g27 +sg25268 +S'Saffron Box' +p73575 +sg25270 +S'Charles Henning' +p73576 +sa(dp73577 +g25267 +g27 +sg25268 +S'Trivet' +p73578 +sg25270 +S'Austin L. Davison' +p73579 +sa(dp73580 +g25267 +S'Ironware cast at the foundry or wrought by a blacksmith was heavy and cumbersome.\n In contrast, the lightness of tinplate made it a popular metal for plain and decorative\n household utensils. Tinplate was made from thin sheets of iron coated with molten\n tin. This combination of metals is rustproof, with the strength and rigidity of\n iron but the malleability and lightness of tin. This tin cookie cutter was a common\n item made by Pennsylvania German tinsmiths. It may have been used by a housewife\n or by a gingerbread baker. The horse and rider pattern shown here was popular.\n Other common patterns were deer, stars, eagles, and the traditional gingerbread\n boy. The figure, which provided the cutting edge, was shaped of thin tin ribbons\n that were soldered to a flat base. Because cookie cutters were made by the local\n tinsmith or by amateur craftsmen, the simple but imaginative shapes display a true\n folk art quality.\n ' +p73581 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002e4.jpg' +p73582 +sg25268 +S'Cookie Cutter' +p73583 +sg25270 +S'Franklyn Syres' +p73584 +sa(dp73585 +g25267 +g27 +sg25268 +S'Cake Mold' +p73586 +sg25270 +S'Amelia Tuccio' +p73587 +sa(dp73588 +g25267 +S'Iron is one of the most abundant minerals available. The strength and malleability\n of this metal make it suitable for a variety of useful objects. This door latch\n is made of wrought iron forged by a blacksmith. An important member of the early\n American community, the blacksmith produced farm tools and implements, household\n utensils, and other hardware. Iron bars were heated at the forge until they were\n malleable. Then, with swift strokes, the blacksmith hammered the hot iron into\n the desired shape. This door latch is just one example of the blacksmith\'s craft.\n Made by a Pennsylvania German, it is called a "Suffolk" latch, a style in which\n the upper and lower cusps, or plates, are joined by a central handle. The thumb-press\n extending through a hole in the upper cusp attaches to the locking mechanism on\n the back of the door. The cusps are formed in an arrowhead design and embellished\n with curved points. A desire for the elaboration of simple, everyday objects was\n common to the German population of Pennsylvania as an extension of their European\n design traditions.\n ' +p73589 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002e2.jpg' +p73590 +sg25268 +S'Door Latch' +p73591 +sg25270 +S'Franklyn Syres' +p73592 +sa(dp73593 +g25268 +S"Les Bouquets, ou la Fete de la Grand'Maman" +p73594 +sg25270 +S'Philibert-Louis Debucourt' +p73595 +sg25273 +S'color aquatint and etching' +p73596 +sg25275 +S'1788' +p73597 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e56.jpg' +p73598 +sg25267 +g27 +sa(dp73599 +g25267 +g27 +sg25268 +S'Conestoga Wagon Tool Box Lid' +p73600 +sg25270 +S'Austin L. Davison' +p73601 +sa(dp73602 +g25267 +S'Toleware is painted tinplate. Also called "japanned-ware," it originated in the Orient, spread to Europe and then to America where it reached a height of popularity in the nineteenth century. Because toleware was prized for its decoration, it was \n often presented as a wedding or birthday gift and reserved for display. Like this coffeepot, toleware was generally painted with a black asphaltum varnish that imitated lacquer. The decoration was executed with oil paint in bright yellows, greens, blues, \n and Chinese vermilion. Fruits, flowers, and ornamental swirls were common motifs. Although toleware was made in several New England states as well as in Pennsylvania, the bold colors mark this pieces as Pennsylvania German.\n ' +p73603 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003be.jpg' +p73604 +sg25268 +S'Toleware Coffee Pot' +p73605 +sg25270 +S'Charles Henning' +p73606 +sa(dp73607 +g25267 +g27 +sg25268 +S'Toleware Coffee Pot' +p73608 +sg25270 +S'Charles Henning' +p73609 +sa(dp73610 +g25267 +S'Iron plantations, and later foundries, established great furnaces for casting\n iron products. The casting process included carving a wooden model of the object\n to be cast. The wooden pattern was then pressed into a bed of sand so that a relief\n of the form remained. Molten iron, poured into the sand mold and allowed to cool,\n resulted in the cast iron product. The stove plate shown here was produced in\n this manner. The five-plate, or jamb, stove was introduced by German immigrants\n in the late eighteenth century. It was cube-shaped with five sides, or plates,\n of cast iron and the sixth side opening into the wall. This stove plate is Pennsylvania\n German. Dated 1763, it was made at the furnace of George Stevenson whose name\n appears on its face. The flowers and heart are typical of Pennsylvania German decoration.\n An architectural motif of twisted columns and arches divides the space into areas\n which frame tulips and a heart.\n ' +p73611 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000303.jpg' +p73612 +sg25268 +S'Stove Plate' +p73613 +sg25270 +S'American 20th Century' +p73614 +sa(dp73615 +g25267 +g27 +sg25268 +S'Hinge' +p73616 +sg25270 +S'Franklyn Syres' +p73617 +sa(dp73618 +g25267 +g27 +sg25268 +S'Toleware Bread Tray' +p73619 +sg25270 +S'Mildred Ford' +p73620 +sa(dp73621 +g25267 +S'This polychrome bird resembles a parrot. In contrast to the naturalistic detail of the owl, the parrot is smoothly stylized and painted in the bright colors typical of Pennsylvania German decoration. \n Because thin wooden legs could easily break, the carver has ingeniously substituted wire to mount the bird on the sawed-off finial of a bedpost.\n ' +p73622 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000374.jpg' +p73623 +sg25268 +S'Pensylvania German Carved Bird' +p73624 +sg25270 +S'Carl Strehlau' +p73625 +sa(dp73626 +g25267 +g27 +sg25268 +S'Rooster' +p73627 +sg25270 +S'Hester Duany' +p73628 +sa(dp73629 +g25267 +g27 +sg25268 +S'Tin Candle Sconce' +p73630 +sg25270 +S'Franklyn Syres' +p73631 +sa(dp73632 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a000551c.jpg' +p73633 +sg25268 +S'Sampler' +p73634 +sg25270 +S'Elmer G. Anderson' +p73635 +sa(dp73636 +g25268 +S'Les Deux Baisers (The Two Kisses)' +p73637 +sg25270 +S'Philibert-Louis Debucourt' +p73638 +sg25273 +S'etching and wash manner, printed in blue, red, orange, yellow, and black inks' +p73639 +sg25275 +S'1786' +p73640 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e5b.jpg' +p73641 +sg25267 +g27 +sa(dp73642 +g25267 +g27 +sg25268 +S'Fractur' +p73643 +sg25270 +S'Charles Roadman' +p73644 +sa(dp73645 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00054/a00054fc.jpg' +p73646 +sg25268 +S'Poodle' +p73647 +sg25270 +S'Selma Sandler' +p73648 +sa(dp73649 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00054/a00054fd.jpg' +p73650 +sg25268 +S'Squirrel and Eagle' +p73651 +sg25270 +S'Giacinto Capelli' +p73652 +sa(dp73653 +g25267 +g27 +sg25268 +S'Plate' +p73654 +sg25270 +S'Eugene Shellady' +p73655 +sa(dp73656 +g25267 +g27 +sg25268 +S'Sideboard' +p73657 +sg25270 +S'Cecily Edwards' +p73658 +sa(dp73659 +g25267 +g27 +sg25268 +S'Plate' +p73660 +sg25270 +S'William L. Antrim' +p73661 +sa(dp73662 +g25267 +g27 +sg25268 +S'Pie Plate' +p73663 +sg25270 +S'Eugene Shellady' +p73664 +sa(dp73665 +g25267 +g27 +sg25268 +S'Pie Plate' +p73666 +sg25270 +S'Eugene Shellady' +p73667 +sa(dp73668 +g25267 +g27 +sg25268 +S'Wagon Seat' +p73669 +sg25270 +S'American 20th Century' +p73670 +sa(dp73671 +g25267 +g27 +sg25268 +S"Tailoress' Table" +p73672 +sg25270 +S'John W. Kelleher' +p73673 +sa(dp73674 +g25268 +S"Mgr. Le duc d'Orl\xc3\xa9ans" +p73675 +sg25270 +S'Philibert-Louis Debucourt' +p73676 +sg25273 +S'etching and wash manner, printed in red, yellow, blue, and black inks' +p73677 +sg25275 +S'1789' +p73678 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a00055b1.jpg' +p73679 +sg25267 +g27 +sa(dp73680 +g25267 +g27 +sg25268 +S'Table' +p73681 +sg25270 +S'Anne Ger' +p73682 +sa(dp73683 +g25267 +g27 +sg25268 +S'Door Handle' +p73684 +sg25270 +S'Richard Barnett' +p73685 +sa(dp73686 +g25267 +g27 +sg25268 +S'Built-in Cupboard' +p73687 +sg25270 +S'John W. Kelleher' +p73688 +sa(dp73689 +g25267 +g27 +sg25268 +S'Shaker Pin Cushion' +p73690 +sg25270 +S'William Paul Childers' +p73691 +sa(dp73692 +g25267 +g27 +sg25268 +S'Shaker Hand Loom' +p73693 +sg25270 +S'Alfred H. Smith' +p73694 +sa(dp73695 +g25267 +g27 +sg25268 +S'Wash Chest' +p73696 +sg25270 +S'Alfred H. Smith' +p73697 +sa(dp73698 +g25267 +g27 +sg25268 +S'Chest with Drawer' +p73699 +sg25270 +S'Alfred H. Smith' +p73700 +sa(dp73701 +g25267 +g27 +sg25268 +S'Wood Box' +p73702 +sg25270 +S'Lawrence Foster' +p73703 +sa(dp73704 +g25267 +g27 +sg25268 +S'Collar' +p73705 +sg25270 +S'Elizabeth Moutal' +p73706 +sa(dp73707 +g25267 +g27 +sg25268 +S'Stove' +p73708 +sg25270 +S'Joseph Glover' +p73709 +sa(dp73710 +g25268 +S'Heur et Malheur, ou la Cruche cassee' +p73711 +sg25270 +S'Philibert-Louis Debucourt' +p73712 +sg25273 +S'color aquatint' +p73713 +sg25275 +S'1787' +p73714 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e59.jpg' +p73715 +sg25267 +g27 +sa(dp73716 +g25267 +g27 +sg25268 +S'Shaker Bookcase' +p73717 +sg25270 +S'John W. Kelleher' +p73718 +sa(dp73719 +g25267 +g27 +sg25268 +S'Shaker Rocking Chair' +p73720 +sg25270 +S'Alfred H. Smith' +p73721 +sa(dp73722 +g25267 +g27 +sg25268 +S'Woven Covering for Chair Back' +p73723 +sg25270 +S'Ingrid Selmer-Larsen' +p73724 +sa(dp73725 +g25267 +g27 +sg25268 +S'Tapes for Chair Seat' +p73726 +sg25270 +S'Lucille Gilchrist' +p73727 +sa(dp73728 +g25267 +g27 +sg25268 +S'Piece of Shag' +p73729 +sg25270 +S'Frances Cohen' +p73730 +sa(dp73731 +g25267 +g27 +sg25268 +S"Man's Apron" +p73732 +sg25270 +S'Ingrid Selmer-Larsen' +p73733 +sa(dp73734 +g25267 +g27 +sg25268 +S'Handkerchief' +p73735 +sg25270 +S'George Constantine' +p73736 +sa(dp73737 +g25267 +g27 +sg25268 +S'Knitted Glove' +p73738 +sg25270 +S'Elizabeth Moutal' +p73739 +sa(dp73740 +g25267 +g27 +sg25268 +S"Woman's Cape" +p73741 +sg25270 +S'Helen E. Gilman' +p73742 +sa(dp73743 +g25267 +g27 +sg25268 +S'Desk' +p73744 +sg25270 +S'Alfred H. Smith' +p73745 +sa(dp73746 +g25268 +S"L'Escalade, ou les Adieux du Matin" +p73747 +sg25270 +S'Philibert-Louis Debucourt' +p73748 +sg25273 +S'color aquatint' +p73749 +sg25275 +S'1787' +p73750 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e5a.jpg' +p73751 +sg25267 +g27 +sa(dp73752 +g25267 +g27 +sg25268 +S'Cabinet' +p73753 +sg25270 +S'Irving I. Smith' +p73754 +sa(dp73755 +g25267 +g27 +sg25268 +S"Man's Coat" +p73756 +sg25270 +S'American 20th Century' +p73757 +sa(dp73758 +g25267 +g27 +sg25268 +S'Oval Boxes' +p73759 +sg25270 +S'Alfred H. Smith' +p73760 +sa(dp73761 +g25267 +g27 +sg25268 +S'Dress' +p73762 +sg25270 +S'Charles Goodwin' +p73763 +sa(dp73764 +g25267 +g27 +sg25268 +S'Food Safe' +p73765 +sg25270 +S'George V. Vezolles' +p73766 +sa(dp73767 +g25267 +g27 +sg25268 +S'Wig Block' +p73768 +sg25270 +S'American 20th Century' +p73769 +sa(dp73770 +g25267 +g27 +sg25268 +S'Shaker Circular Rug' +p73771 +sg25270 +S'Elizabeth Moutal' +p73772 +sa(dp73773 +g25267 +g27 +sg25268 +S'Shaker Table' +p73774 +sg25270 +S'Alfred H. Smith' +p73775 +sa(dp73776 +g25267 +S'Built-in cabinets were a standard feature of most Shaker rooms. By building\n in drawers and cupboards, greater efficiency was achieved in utilizing available\n space. Often, built-in cabinets were stained, like these, to provide a contrasting\n color scheme. The knobs, stained darker than the cabinets, furnish an interesting\n visual pattern. Rows of pegs lining the walls were another standard element of interior\n design. Used for hanging items such as chairs in addition to coats and hats, pegs\n served to keep a variety of things neatly out of the way.\n ' +p73777 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000385.jpg' +p73778 +sg25268 +S'Built-in Cupboard and Drawers' +p73779 +sg25270 +S'Alfred H. Smith' +p73780 +sa(dp73781 +g25267 +g27 +sg25268 +S'Shaker Table' +p73782 +sg25270 +S'Alfred H. Smith' +p73783 +sa(dp73784 +g25268 +S'La Rose' +p73785 +sg25270 +S'Philibert-Louis Debucourt' +p73786 +sg25273 +S'color aquatint' +p73787 +sg25275 +S'1788' +p73788 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e58.jpg' +p73789 +sg25267 +g27 +sa(dp73790 +g25267 +g27 +sg25268 +S'Shaker Rug' +p73791 +sg25270 +S'Charles Goodwin' +p73792 +sa(dp73793 +g25267 +g27 +sg25268 +S'Bonnet' +p73794 +sg25270 +S'Orville A. Carroll' +p73795 +sa(dp73796 +g25267 +g27 +sg25268 +S'Spanish Southwest Hutch Table' +p73797 +sg25270 +S'Margery Parish' +p73798 +sa(dp73799 +g25267 +g27 +sg25268 +S'Spur' +p73800 +sg25270 +S'Arthur P. Reynolds' +p73801 +sa(dp73802 +g25267 +g27 +sg25268 +S'Grease Lamp' +p73803 +sg25270 +S'Robert W.R. Taylor' +p73804 +sa(dp73805 +g25267 +g27 +sg25268 +S'Limestone Font' +p73806 +sg25270 +S'Ursula Lauderdale' +p73807 +sa(dp73808 +g25267 +g27 +sg25268 +S'Mechanical Bank: Jumping Dog' +p73809 +sg25270 +S'Edward W. Buechner' +p73810 +sa(dp73811 +g25267 +g27 +sg25268 +S'Toy Locomotive' +p73812 +sg25270 +S'Chris Makrenos' +p73813 +sa(dp73814 +g25267 +g27 +sg25268 +S'Crowing Cock' +p73815 +sg25270 +S'Chris Makrenos' +p73816 +sa(dp73817 +g25267 +g27 +sg25268 +S'Doll Cart' +p73818 +sg25270 +S'Chris Makrenos' +p73819 +sa(dp73820 +g25268 +S'La Main' +p73821 +sg25270 +S'Philibert-Louis Debucourt' +p73822 +sg25273 +S'color aquatint and etching' +p73823 +sg25275 +S'1788' +p73824 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e57.jpg' +p73825 +sg25267 +g27 +sa(dp73826 +g25267 +g27 +sg25268 +S'Doll: "Rose Anne"' +p73827 +sg25270 +S'Eugene Croe' +p73828 +sa(dp73829 +g25267 +g27 +sg25268 +S'"Lumbering"' +p73830 +sg25270 +S'American 20th Century' +p73831 +sa(dp73832 +g25267 +g27 +sg25268 +S'Doll Carriage' +p73833 +sg25270 +S'Peter Connin' +p73834 +sa(dp73835 +g25267 +g27 +sg25268 +S'Corn Husk Doll' +p73836 +sg25270 +S'Mina Lowry' +p73837 +sa(dp73838 +g25267 +g27 +sg25268 +S'Boxing Negroes' +p73839 +sg25270 +S'Owen Middleton' +p73840 +sa(dp73841 +g25267 +g27 +sg25268 +S'Toy Birds' +p73842 +sg25270 +S'Frank Budash' +p73843 +sa(dp73844 +g25267 +g27 +sg25268 +S'Rag Doll' +p73845 +sg25270 +S'Erwin Stenzel' +p73846 +sa(dp73847 +g25267 +g27 +sg25268 +S'Chest Design' +p73848 +sg25270 +S'Etna Wiswall' +p73849 +sa(dp73850 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000be/a000be75.jpg' +p73851 +sg25268 +S'Puppet: Pirate' +p73852 +sg25270 +S'Beverly Chichester' +p73853 +sa(dp73854 +g25267 +g27 +sg25268 +S'Toy Bank' +p73855 +sg25270 +S'Chris Makrenos' +p73856 +sa(dp73857 +g25268 +S"Le Menuet de la mariee (The Bride's Minuet)" +p73858 +sg25270 +S'Philibert-Louis Debucourt' +p73859 +sg25273 +S'etching and wash manner, printed in blue, orange-red, pale pink, yellow, and black inks' +p73860 +sg25275 +S'1786' +p73861 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a00055ae.jpg' +p73862 +sg25267 +g27 +sa(dp73863 +g25267 +g27 +sg25268 +S'Dolls' +p73864 +sg25270 +S'Eugene Croe' +p73865 +sa(dp73866 +g25267 +g27 +sg25268 +S'Doll Carriage' +p73867 +sg25270 +S'Samuel W. Ford' +p73868 +sa(dp73869 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00054/a00054fe.jpg' +p73870 +sg25268 +S'Rocking Horse' +p73871 +sg25270 +S'Elizabeth Fairchild' +p73872 +sa(dp73873 +g25267 +S'This goat once graced the Island Park Carousel in Portsmouth, Rhode Island, which opened in 1905/1906. The carousel was one of about forty built by the Charles I.D. Looff Company. Looff, a German immigrant, was a skilled artisan and woodcarver. The success of his first carousel, installed in 1875 at Coney Island, allowed him to open a factory in Brooklyn. Soon he had factories in East Providence (Riverside), Rhode Island, and Long Beach, California. Looff carved many works himself and, as his business grew, also employed a number of master carvers with their own distinct styles. Although the horse was the most popular subject, carousel animals often included dogs, bears, lions, giraffes, roosters, ostriches, and reindeer. This particular goat was recorded by Index artist Donald Donovan. He captured the well-used figure in great detail, showing the eagle-head saddle cantle and the weathered paint finish. \n ' +p73874 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000345.jpg' +p73875 +sg25268 +S'Carousel Goat' +p73876 +sg25270 +S'Donald Donovan' +p73877 +sa(dp73878 +g25267 +g27 +sg25268 +S'Fireplace Waffle Iron' +p73879 +sg25270 +S'Manuel G. Runyan' +p73880 +sa(dp73881 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000f8/a000f8fb.jpg' +p73882 +sg25268 +S"Servant's Bell" +p73883 +sg25270 +S'Manuel G. Runyan' +p73884 +sa(dp73885 +g25267 +g27 +sg25268 +S'Mortar and Pestle' +p73886 +sg25270 +S'Ursula Lauderdale' +p73887 +sa(dp73888 +g25267 +g27 +sg25268 +S'Key Basket' +p73889 +sg25270 +S'Renee A. Monfalcone' +p73890 +sa(dp73891 +g25267 +g27 +sg25268 +S'Latches' +p73892 +sg25270 +S'Al Curry' +p73893 +sa(dp73894 +g25267 +g27 +sg25268 +S'Wooden Doll' +p73895 +sg25270 +S'Lionel Ritchey' +p73896 +sa(dp73897 +g25268 +S'La Noce au Chateau' +p73898 +sg25270 +S'Philibert-Louis Debucourt' +p73899 +sg25273 +S'color aquatint and etching' +p73900 +sg25275 +S'1789' +p73901 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e5e.jpg' +p73902 +sg25267 +g27 +sa(dp73903 +g25267 +g27 +sg25268 +S"Dentist's Waiting Room" +p73904 +sg25270 +S'Perkins Harnly' +p73905 +sa(dp73906 +g25267 +g27 +sg25268 +S'Townhouse Parlor, 1869' +p73907 +sg25270 +S'Perkins Harnly' +p73908 +sa(dp73909 +g25267 +g27 +sg25268 +S'Bar' +p73910 +sg25270 +S'Perkins Harnly' +p73911 +sa(dp73912 +g25267 +g27 +sg25268 +S"Photographer's Studio" +p73913 +sg25270 +S'Artist Information (' +p73914 +sa(dp73915 +g25267 +g27 +sg25268 +S'Bedroom, 1882' +p73916 +sg25270 +S'Perkins Harnly' +p73917 +sa(dp73918 +g25267 +g27 +sg25268 +S'El Station Interior' +p73919 +sg25270 +S'Perkins Harnly' +p73920 +sa(dp73921 +g25267 +g27 +sg25268 +S'Barber Shop' +p73922 +sg25270 +S'Perkins Harnly' +p73923 +sa(dp73924 +g25267 +g27 +sg25268 +S'Bedroom, 1882' +p73925 +sg25270 +S'Perkins Harnly' +p73926 +sa(dp73927 +g25267 +g27 +sg25268 +S'Rural Kitchen' +p73928 +sg25270 +S'Perkins Harnly' +p73929 +sa(dp73930 +g25267 +g27 +sg25268 +S'Entrance Door' +p73931 +sg25270 +S'Hans Westendorff' +p73932 +sa(dp73933 +g25268 +S"L'Oiseau ranime" +p73934 +sg25270 +S'Philibert-Louis Debucourt' +p73935 +sg25273 +S'color aquatint' +p73936 +sg25275 +S'1787' +p73937 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a00096c4.jpg' +p73938 +sg25267 +g27 +sa(dp73939 +g25267 +g27 +sg25268 +S'Eagle' +p73940 +sg25270 +S'Flora Merchant' +p73941 +sa(dp73942 +g25267 +g27 +sg25268 +S'"Justice"' +p73943 +sg25270 +S'John W. Kelleher' +p73944 +sa(dp73945 +g25267 +g27 +sg25268 +S'Figurehead: "Samuel Skolfield"' +p73946 +sg25270 +S'Joseph Goldberg' +p73947 +sa(dp73948 +g25267 +g27 +sg25268 +S'Bust of Gov. John Winthrop' +p73949 +sg25270 +S'Joseph Goldberg' +p73950 +sa(dp73951 +g25267 +g27 +sg25268 +S'Sternpiece - Eagle' +p73952 +sg25270 +S'Al Curry' +p73953 +sa(dp73954 +g25267 +g27 +sg25268 +S'Indians' +p73955 +sg25270 +S'Raymond Neumann' +p73956 +sa(dp73957 +g25267 +g27 +sg25268 +S'Mirror - Chippendale Style' +p73958 +sg25270 +S'James M. Lawson' +p73959 +sa(dp73960 +g25267 +S'Bird carvings such as this dove fulfilled an ornamental function. The faithfully rendered\n shape of this example has a flowing contour, with the feathers, claws, and bill carefully\n articulated. While decoys were usually painted, carvers of ornamental birds often preferred\n unpainted natural wood.\n ' +p73961 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000034d.jpg' +p73962 +sg25268 +S'Dove Decoy' +p73963 +sg25270 +S'American 20th Century' +p73964 +sa(dp73965 +g25267 +g27 +sg25268 +S'Eagle' +p73966 +sg25270 +S'Jerome Hoxie' +p73967 +sa(dp73968 +g25267 +S'Wooden figures produced for tobacco shops included many subjects other than Indians. This example\n represents a lady of fashion, dressed in a costume for riding a horse. Her stance is quite daring for the Victorian period:\n by revealing her ankles she shows to what lengths tobacconists would go to attract customers. The figure\n comes from Arizona, a state where there were few women and where such a gesture would be sure to\n command attention.\n ' +p73969 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003f6.jpg' +p73970 +sg25268 +S'Cigar Store Figure' +p73971 +sg25270 +S'Elizabeth Johnson' +p73972 +sa(dp73973 +g25268 +S"The Palais Royal - Gallery's Walk / Promenade de la Galerie du Palais Royal" +p73974 +sg25270 +S'Artist Information (' +p73975 +sg25273 +S'(artist after)' +p73976 +sg25275 +S'\n' +p73977 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a00055b2.jpg' +p73978 +sg25267 +g27 +sa(dp73979 +g25267 +g27 +sg25268 +S'Puppet: "Judy"' +p73980 +sg25270 +S'Dorothy Brennan' +p73981 +sa(dp73982 +g25267 +g27 +sg25268 +S'Child of Punch and Judy' +p73983 +sg25270 +S'Dorothy Harris' +p73984 +sa(dp73985 +g25267 +g27 +sg25268 +S'Old Nick, the Devil' +p73986 +sg25270 +S'Florian Rokita' +p73987 +sa(dp73988 +g25267 +g27 +sg25268 +S"Punch's Sweatheart" +p73989 +sg25270 +S'Elmer Weise' +p73990 +sa(dp73991 +g25267 +g27 +sg25268 +S'Two-Headed Freak' +p73992 +sg25270 +S'Chris Makrenos' +p73993 +sa(dp73994 +g25267 +g27 +sg25268 +S'Joe, the Cannibal' +p73995 +sg25270 +S'Edward Strzalkowski' +p73996 +sa(dp73997 +g25267 +g27 +sg25268 +S'Marylin, the Trapeze Artist' +p73998 +sg25270 +S'Frank Gray' +p73999 +sa(dp74000 +g25267 +g27 +sg25268 +S'Jack, the Nimble Juggler' +p74001 +sg25270 +S'Ruth Abrams' +p74002 +sa(dp74003 +g25267 +g27 +sg25268 +S'Acrobat Albert' +p74004 +sg25270 +S'David Ramage' +p74005 +sa(dp74006 +g25267 +g27 +sg25268 +S'Jester' +p74007 +sg25270 +S'Elmer Weise' +p74008 +sa(dp74009 +g25268 +S"The Palais Royal--Garden's Walk / Promenade du Jardin du Palais Royal" +p74010 +sg25270 +S'Artist Information (' +p74011 +sg25273 +S'(artist after)' +p74012 +sg25275 +S'\n' +p74013 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a0009725.jpg' +p74014 +sg25267 +g27 +sa(dp74015 +g25267 +g27 +sg25268 +S'Marionette Clown' +p74016 +sg25270 +S'Lillian Stahl' +p74017 +sa(dp74018 +g25267 +g27 +sg25268 +S'Punch as Clown' +p74019 +sg25270 +S'Lillian Stahl' +p74020 +sa(dp74021 +g25267 +g27 +sg25268 +S"Innkeeper's Daughter" +p74022 +sg25270 +S'George File' +p74023 +sa(dp74024 +g25267 +g27 +sg25268 +S'Jim the Boxer' +p74025 +sg25270 +S'George File' +p74026 +sa(dp74027 +g25267 +g27 +sg25268 +S'Jerry the Policeman' +p74028 +sg25270 +S'Dorothy Harris' +p74029 +sa(dp74030 +g25267 +g27 +sg25268 +S'Ghost of Judy' +p74031 +sg25270 +S'Edward Strzalkowski' +p74032 +sa(dp74033 +g25267 +g27 +sg25268 +S'Judge Oscar O. Death' +p74034 +sg25270 +S'James McLellan' +p74035 +sa(dp74036 +g25267 +g27 +sg25268 +S'Stage Props for "Punch"' +p74037 +sg25270 +S'George File' +p74038 +sa(dp74039 +g25267 +g27 +sg25268 +S'Old Nick, the Devil' +p74040 +sg25270 +S'George File' +p74041 +sa(dp74042 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fa7a.jpg' +p74043 +sg25268 +S"Punch's Head" +p74044 +sg25270 +S'Edward Strzalkowski' +p74045 +sa(dp74046 +g25268 +S'La Promenade Publique' +p74047 +sg25270 +S'Philibert-Louis Debucourt' +p74048 +sg25273 +S'etching and wash manner, printed in blue, carmine, dark pink, yellow, and black inks' +p74049 +sg25275 +S'1792' +p74050 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a00055b3.jpg' +p74051 +sg25267 +g27 +sa(dp74052 +g25267 +S'The fish, one of the symbols of Christianity, was a form originally used for church weathervanes\n in Europe and early America. Fish weathervanes later appeared abundantly along the Eastern\n coast, particularly in New England, as a kind of regional symbol. This example exhibits the\n simple repetition of pattern -- here, little blocks along the upper and lower contours -- that is a\n characteristic of folk art.\n ' +p74053 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000348.jpg' +p74054 +sg25268 +S'Fish Weather Vane' +p74055 +sg25270 +S'Albert Ryder' +p74056 +sa(dp74057 +g25267 +g27 +sg25268 +S'Inn Sign' +p74058 +sg25270 +S'Robert Pohle' +p74059 +sa(dp74060 +g25267 +g27 +sg25268 +S'Billethead Soldier' +p74061 +sg25270 +S'American 20th Century' +p74062 +sa(dp74063 +g25267 +S'Early American bird carvings were frequently used as ornaments for fences or gateposts. One\n such carving is this bird, which probably represents a chicken, as suggested by its head, beak,\n and clawed feet. It is dated 1750. After 1782, the eagle, which became the symbol of the new\n republic, was a frequent theme of woodcarvers and also decorated fence and gateposts.\n ' +p74064 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000034e.jpg' +p74065 +sg25268 +S'Golden Eagle Gatepost' +p74066 +sg25270 +S'Henry Murphy' +p74067 +sa(dp74068 +g25267 +g27 +sg25268 +S'Butter Mold' +p74069 +sg25270 +S'Frances Lichten' +p74070 +sa(dp74071 +g25267 +g27 +sg25268 +S'Table Mirror' +p74072 +sg25270 +S'Helen Bronson' +p74073 +sa(dp74074 +g25267 +g27 +sg25268 +S'Eagle' +p74075 +sg25270 +S'Mina Lowry' +p74076 +sa(dp74077 +g25267 +g27 +sg25268 +S'Pipe Head: Lincoln' +p74078 +sg25270 +S'Carl Keksi' +p74079 +sa(dp74080 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p74081 +sg25270 +S'Charles Bowman' +p74082 +sa(dp74083 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p74084 +sg25270 +S'Rosamond P. Gray' +p74085 +sa(dp74086 +g25268 +S'La Rose mal defendue' +p74087 +sg25270 +S'Philibert-Louis Debucourt' +p74088 +sg25273 +S'etching and engraving printed in color from one plate inked "a la poupee"' +p74089 +sg25275 +S'1791' +p74090 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a00096c8.jpg' +p74091 +sg25267 +g27 +sa(dp74092 +g25267 +g27 +sg25268 +S'Gargoyle/Gutter Spout' +p74093 +sg25270 +S'Rosamond P. Gray' +p74094 +sa(dp74095 +g25267 +g27 +sg25268 +S'Half-Length Figure' +p74096 +sg25270 +S'Rosamond P. Gray' +p74097 +sa(dp74098 +g25267 +S"A much-admired shop sign was this sheaf of wheat, carved in relief by Clark Noble about 1900 for a\n bakery building. Heads and stems are carefully differentiated, while the simplicity of the sheaf's contour\n contributes to the total effect.\n " +p74099 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000035e.jpg' +p74100 +sg25268 +S'"Sheaf of Wheat" Shop Sign' +p74101 +sg25270 +S'Robert Pohle' +p74102 +sa(dp74103 +g25267 +g27 +sg25268 +S'Doll' +p74104 +sg25270 +S'Francis Law Durand' +p74105 +sa(dp74106 +g25267 +g27 +sg25268 +S"Carousel Horse's Head" +p74107 +sg25270 +S'Gerard Barnett' +p74108 +sa(dp74109 +g25267 +S'American figurehead carvers were famous for their work, which flourished from colonial times until the late nineteenth century. Aside from figureheads, these\n versatile craftsmen also produced sternboards, gangway boards, billetheads, and other wooden decorative carvings for ships. Almost every class of ship, from steamboats to whalers to clipper ships, came to be ornamented with carving. There was great variety among American figureheads, but this example represents the most characteristic type: a full-length female figure, seeming to step forward as she gazes out to the sea, the drapery of her gown apparently windblown. This figurehead, from the sailing ship\n \n ' +p74110 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003f0.jpg' +p74111 +sg25268 +S'Figurehead' +p74112 +sg25270 +S'American 20th Century' +p74113 +sa(dp74114 +g25267 +g27 +sg25268 +S'"Symbolic" Figure Carvings' +p74115 +sg25270 +S'Joseph L. Boyd' +p74116 +sa(dp74117 +g25267 +g27 +sg25268 +S'Virgin and Child' +p74118 +sg25270 +S'Milton Bevier' +p74119 +sa(dp74120 +g25267 +g27 +sg25268 +S'Decoy: Blue Winged Teal' +p74121 +sg25270 +S'Albert Geuppert' +p74122 +sa(dp74123 +g25267 +g27 +sg25268 +S'Pilot House Ornament' +p74124 +sg25270 +S'Mary E. Humes' +p74125 +sa(dp74126 +g25268 +S'La Rose mal defendue (The Poorly Defended Rose)' +p74127 +sg25270 +S'Artist Information (' +p74128 +sg25273 +S'(artist after)' +p74129 +sg25275 +S'\n' +p74130 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e61.jpg' +p74131 +sg25267 +g27 +sa(dp74132 +g25267 +g27 +sg25268 +S'Classical Leaves and Scroll' +p74133 +sg25270 +S'Randolph F. Miller' +p74134 +sa(dp74135 +g25267 +g27 +sg25268 +S'Carousel Drummer Girl' +p74136 +sg25270 +S'Robert Pohle' +p74137 +sa(dp74138 +g25267 +S'This pig is an example of the wide variety of domestic and exotic creatures designed for\n carousels. Though realistic, it is made particularly appealing for the purpose of the carnival. The\n surface modeling is dynamic, and the accessories are well carved. While hand-carved wooden\n carousel animals continued to be made well into the nineteenth century, they were eventually\n replaced by less expensive and less perishable versions in metal, plastic, and fiberglass.\n ' +p74139 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000346.jpg' +p74140 +sg25268 +S'Carousel Pig' +p74141 +sg25270 +S'Henry Tomaszewski' +p74142 +sa(dp74143 +g25267 +S"A fine example of a child's toy is this wooden doll made of pine. In the long history of doll-making, \n wooden ones were among the first to be produced in any quantity. This doll comes\n from New Hampshire where it was probably created about 1790 by a carver living in a Swiss settlement. The unpainted, natural wood has a smooth and beautifully grained surface. The\n doll's dress and shoes are carved in the wood.\n " +p74144 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000034b.jpg' +p74145 +sg25268 +S'Wooden Doll' +p74146 +sg25270 +S'John Tarantino' +p74147 +sa(dp74148 +g25267 +g27 +sg25268 +S'Flask' +p74149 +sg25270 +S'Beverly Chichester' +p74150 +sa(dp74151 +g25267 +g27 +sg25268 +S'Covered Mug' +p74152 +sg25270 +S'V.L. Vance' +p74153 +sa(dp74154 +g25267 +g27 +sg25268 +S'Compote' +p74155 +sg25270 +S'Beverly Chichester' +p74156 +sa(dp74157 +g25267 +g27 +sg25268 +S'Cow Weather Vane' +p74158 +sg25270 +S'Mina Lowry' +p74159 +sa(dp74160 +g25267 +g27 +sg25268 +S'Ember Carrier' +p74161 +sg25270 +S'Alois E. Ulrich' +p74162 +sa(dp74163 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a000551d.jpg' +p74164 +sg25268 +S'Coffeepot' +p74165 +sg25270 +S'Wayne White' +p74166 +sa(dp74167 +g25268 +S'The Crucifixion with the Virgin, Saint John, Saint Jerome, and Saint Mary Magdalene [left panel]' +p74168 +sg25270 +S'Pietro Perugino' +p74169 +sg25273 +S'oil on panel transferred to canvas' +p74170 +sg25275 +S'c. 1482/1485' +p74171 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000be/a000be58.jpg' +p74172 +sg25267 +S"Pietro Vannucci, called Perugino after the city in which he often lived, collaborated\r\nwith other celebrated painters in one of the most prestigious commissions of the\r\nlate fifteenth century -- the decoration of the walls of the Sistine Chapel in 1481-1482.\r\nHe headed active workshops in Perugia and Florence, where he would eventually be\r\novershadowed by his greatest pupil, Raphael.\n Perugino's \n From the late seventeenth to the early twentieth century Perugino's \n " +p74173 +sa(dp74174 +g25268 +S"L'Oiseau prive" +p74175 +sg25270 +S'Philibert-Louis Debucourt' +p74176 +sg25273 +S'color aquatint, etching, and stipple on blue paper' +p74177 +sg25275 +S'1795' +p74178 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e5f.jpg' +p74179 +sg25267 +g27 +sa(dp74180 +g25267 +g27 +sg25268 +S"Tailor's Shears and Iron" +p74181 +sg25270 +S'John Bodine' +p74182 +sa(dp74183 +g25267 +S'This toy model is an elegant and meticulous example of a nineteenth-century\n horse-drawn fire engine. The engine consists of a vertical cylindrical boiler at\n the back mounted on two pierced wheels. Cast iron was used for this model. While\n cast iron had been used earlier in the century for some toys and for parts such as \n wheels, miniature vehicles made entirely of iron did not appear until the 1880s.\n The toy was made between about 1885 and 1900 by the Ives Company of Bridgeport,\n Connecticut, a pioneer toy maker whose products are considered by collectors to\n be among the finest made. The name "Phoenix," cast in relief on the face of the\n door at the back of the boiler, was frequently used by Ives to identify its toys.\n ' +p74184 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002f9.jpg' +p74185 +sg25268 +S'Toy Fire Engine' +p74186 +sg25270 +S'Charles Henning' +p74187 +sa(dp74188 +g25267 +g27 +sg25268 +S'Fishing Spear' +p74189 +sg25270 +S'Albert Geuppert' +p74190 +sa(dp74191 +g25267 +g27 +sg25268 +S'Stove' +p74192 +sg25270 +S'George V. Vezolles' +p74193 +sa(dp74194 +g25267 +g27 +sg25268 +S'Warming Pan' +p74195 +sg25270 +S'Dayton Brown' +p74196 +sa(dp74197 +g25267 +g27 +sg25268 +S'Spur' +p74198 +sg25270 +S'Gerald Transpota' +p74199 +sa(dp74200 +g25267 +g27 +sg25268 +S'Toleware Bread Tray' +p74201 +sg25270 +S'Mildred Ford' +p74202 +sa(dp74203 +g25267 +g27 +sg25268 +S'Toleware Box' +p74204 +sg25270 +S'Charles Henning' +p74205 +sa(dp74206 +g25267 +g27 +sg25268 +S'Camphene Lamp' +p74207 +sg25270 +S'Helen Hobart' +p74208 +sa(dp74209 +g25267 +g27 +sg25268 +S'Silver Mug' +p74210 +sg25270 +S'Hester Duany' +p74211 +sa(dp74212 +g25268 +S'Pauvre Annette' +p74213 +sg25270 +S'Philibert-Louis Debucourt' +p74214 +sg25273 +S'color aquatint and etching' +p74215 +sg25275 +S'1795' +p74216 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e60.jpg' +p74217 +sg25267 +g27 +sa(dp74218 +g25267 +g27 +sg25268 +S'Match Box' +p74219 +sg25270 +S'John H. Tercuzzi' +p74220 +sa(dp74221 +g25267 +g27 +sg25268 +S'Andiron' +p74222 +sg25270 +S'Herman Bader' +p74223 +sa(dp74224 +g25267 +g27 +sg25268 +S'Flask' +p74225 +sg25270 +S'V.L. Vance' +p74226 +sa(dp74227 +g25267 +g27 +sg25268 +S'Flask' +p74228 +sg25270 +S'Chris Makrenos' +p74229 +sa(dp74230 +g25267 +g27 +sg25268 +S'Perfume Bottle' +p74231 +sg25270 +S'Chris Makrenos' +p74232 +sa(dp74233 +g25267 +g27 +sg25268 +S'Mug' +p74234 +sg25270 +S'Isidore Steinberg' +p74235 +sa(dp74236 +g25267 +g27 +sg25268 +S'Vase' +p74237 +sg25270 +S'John Tarantino' +p74238 +sa(dp74239 +g25267 +g27 +sg25268 +S'Flip Glass' +p74240 +sg25270 +S'John Dana' +p74241 +sa(dp74242 +g25267 +g27 +sg25268 +S'Decanter' +p74243 +sg25270 +S'Van Silvay' +p74244 +sa(dp74245 +g25267 +g27 +sg25268 +S'Bowl' +p74246 +sg25270 +S'Van Silvay' +p74247 +sa(dp74248 +g25268 +S'Frascati' +p74249 +sg25270 +S'Philibert-Louis Debucourt' +p74250 +sg25273 +S'hand-colored aquatint and etching' +p74251 +sg25275 +S'1807' +p74252 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a00096c6.jpg' +p74253 +sg25267 +g27 +sa(dp74254 +g25267 +g27 +sg25268 +S'Vase' +p74255 +sg25270 +S'Van Silvay' +p74256 +sa(dp74257 +g25267 +g27 +sg25268 +S'Flask' +p74258 +sg25270 +S'John Jordan' +p74259 +sa(dp74260 +g25267 +g27 +sg25268 +S'Horse Weather Vane' +p74261 +sg25270 +S'Dolores Haupt' +p74262 +sa(dp74263 +g25267 +g27 +sg25268 +S'Copper Bowl' +p74264 +sg25270 +S'Rex F. Bush' +p74265 +sa(dp74266 +g25267 +g27 +sg25268 +S'Garden Figure - George Washington' +p74267 +sg25270 +S'Zabelle Missirian' +p74268 +sa(dp74269 +g25267 +g27 +sg25268 +S'Mug' +p74270 +sg25270 +S'Sydney Roberts' +p74271 +sa(dp74272 +g25267 +g27 +sg25268 +S'Skillet with Four Legs' +p74273 +sg25270 +S'American 20th Century' +p74274 +sa(dp74275 +g25267 +g27 +sg25268 +S'Pewter Mug' +p74276 +sg25270 +S'Harry G. Aberdeen' +p74277 +sa(dp74278 +g25267 +g27 +sg25268 +S'Betty Lamp' +p74279 +sg25270 +S'Albert Rudin' +p74280 +sa(dp74281 +g25267 +g27 +sg25268 +S'Plate Warmer' +p74282 +sg25270 +S'Artist Information (' +p74283 +sa(dp74284 +g25268 +S'Madame du Barry' +p74285 +sg25270 +S'Artist Information (' +p74286 +sg25273 +S'(artist after)' +p74287 +sg25275 +S'\n' +p74288 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f34.jpg' +p74289 +sg25267 +g27 +sa(dp74290 +g25267 +g27 +sg25268 +S"Butcher's Sign" +p74291 +sg25270 +S'Vera Van Voris' +p74292 +sa(dp74293 +g25267 +g27 +sg25268 +S"Miner's Candlestick" +p74294 +sg25270 +S'Rose Campbell-Gerke' +p74295 +sa(dp74296 +g25267 +g27 +sg25268 +S"Miner's Candlestick" +p74297 +sg25270 +S'Benjamin Resnick' +p74298 +sa(dp74299 +g25267 +g27 +sg25268 +S'Built-in Drawers and Cupboards' +p74300 +sg25270 +S'Alfred H. Smith' +p74301 +sa(dp74302 +g25267 +g27 +sg25268 +S'Shaker Cabinet' +p74303 +sg25270 +S'Anne Ger' +p74304 +sa(dp74305 +g25267 +g27 +sg25268 +S'Shaker Desk' +p74306 +sg25270 +S'John W. Kelleher' +p74307 +sa(dp74308 +g25267 +g27 +sg25268 +S"Woman's Costume" +p74309 +sg25270 +S'Elizabeth Moutal' +p74310 +sa(dp74311 +g25267 +g27 +sg25268 +S"Shaker Man's Sock" +p74312 +sg25270 +S'Alice Stearns' +p74313 +sa(dp74314 +g25267 +g27 +sg25268 +S"Girl's Dress" +p74315 +sg25270 +S'Nancy Crimi' +p74316 +sa(dp74317 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00054/a00054ff.jpg' +p74318 +sg25268 +S'Toy Horse' +p74319 +sg25270 +S'Mina Lowry' +p74320 +sa(dp74321 +g25268 +S'Madame du Barry' +p74322 +sg25270 +S'Artist Information (' +p74323 +sg25273 +S'(artist after)' +p74324 +sg25275 +S'\n' +p74325 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a0009706.jpg' +p74326 +sg25267 +g27 +sa(dp74327 +g25267 +g27 +sg25268 +S'Eagle' +p74328 +sg25270 +S'American 20th Century' +p74329 +sa(dp74330 +g25267 +g27 +sg25268 +S'Figurehead' +p74331 +sg25270 +S'American 20th Century' +p74332 +sa(dp74333 +g25267 +g27 +sg25268 +S'Pie Plate' +p74334 +sg25270 +S'William L. Antrim' +p74335 +sa(dp74336 +g25267 +g27 +sg25268 +S'Toy Bank' +p74337 +sg25270 +S'Kurt Melzer' +p74338 +sa(dp74339 +g25267 +g27 +sg25268 +S'Coffee Pot' +p74340 +sg25270 +S'John Thorsen' +p74341 +sa(dp74342 +g25267 +g27 +sg25268 +S'Bandbox' +p74343 +sg25270 +S'Mina Lowry' +p74344 +sa(dp74345 +g25267 +g27 +sg25268 +S'Bandbox' +p74346 +sg25270 +S'Gilbert Sackerman' +p74347 +sa(dp74348 +g25267 +g27 +sg25268 +S'Patchwork Quilt' +p74349 +sg25270 +S'Elgin Moncure Styll' +p74350 +sa(dp74351 +g25267 +g27 +sg25268 +S'Coffee Mill' +p74352 +sg25270 +S'Frank C. Barks' +p74353 +sa(dp74354 +g25267 +g27 +sg25268 +S'Wood Grain (Demo.)' +p74355 +sg25270 +S'Harry Mann Waddell' +p74356 +sa(dp74357 +g25268 +S"Le Comte d'Artois as an enfant with Mlle. Clotide" +p74358 +sg25270 +S'Artist Information (' +p74359 +sg25273 +S'(artist after)' +p74360 +sg25275 +S'\n' +p74361 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a000964f.jpg' +p74362 +sg25267 +g27 +sa(dp74363 +g25267 +g27 +sg25268 +S'Blanket Chest' +p74364 +sg25270 +S'Alfred H. Smith' +p74365 +sa(dp74366 +g25267 +g27 +sg25268 +S'Washstand' +p74367 +sg25270 +S'American 20th Century' +p74368 +sa(dp74369 +g25267 +g27 +sg25268 +S"Child's Chair" +p74370 +sg25270 +S'American 20th Century' +p74371 +sa(dp74372 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p74373 +sg25270 +S'John Davis' +p74374 +sa(dp74375 +g25267 +g27 +sg25268 +S'Decoy' +p74376 +sg25270 +S'Mina Lowry' +p74377 +sa(dp74378 +g25267 +g27 +sg25268 +S'Rooster' +p74379 +sg25270 +S'Artist Information (' +p74380 +sa(dp74381 +g25267 +g27 +sg25268 +S'Sketch of Figurehead' +p74382 +sg25270 +S'American 20th Century' +p74383 +sa(dp74384 +g25267 +g27 +sg25268 +S'Figure of a Girl' +p74385 +sg25270 +S'Lucille Chabot' +p74386 +sa(dp74387 +g25267 +g27 +sg25268 +S'Bottle' +p74388 +sg25270 +S'V.L. Vance' +p74389 +sa(dp74390 +g25267 +g27 +sg25268 +S'Renderings of Stone (Demo.)' +p74391 +sg25270 +S'Ray Caswell' +p74392 +sa(dp74393 +g25268 +S'Roxelane' +p74394 +sg25270 +S'Artist Information (' +p74395 +sg25273 +S'(artist after)' +p74396 +sg25275 +S'\n' +p74397 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008ee6.jpg' +p74398 +sg25267 +g27 +sa(dp74399 +g25267 +g27 +sg25268 +S'Flatiron' +p74400 +sg25270 +S'Maurice Van Felix' +p74401 +sa(dp74402 +g25267 +g27 +sg25268 +S'Kettle' +p74403 +sg25270 +S'Edward Albritton' +p74404 +sa(dp74405 +g25267 +g27 +sg25268 +S'Color Notes on Iron' +p74406 +sg25270 +S'Gerald Transpota' +p74407 +sa(dp74408 +g25267 +g27 +sg25268 +S'Chair' +p74409 +sg25270 +S'American 20th Century' +p74410 +sa(dp74411 +g25267 +g27 +sg25268 +S'Figurehead' +p74412 +sg25270 +S'Irving I. Smith' +p74413 +sa(dp74414 +g25267 +g27 +sg25268 +S'Figurehead' +p74415 +sg25270 +S'Irving I. Smith' +p74416 +sa(dp74417 +g25267 +g27 +sg25268 +S'Bread Tray' +p74418 +sg25270 +S'Mildred Ford' +p74419 +sa(dp74420 +g25267 +g27 +sg25268 +S'Starboard Light' +p74421 +sg25270 +S'Eugene Bartz' +p74422 +sa(dp74423 +g25267 +g27 +sg25268 +S'Sconce' +p74424 +sg25270 +S'Amelia Tuccio' +p74425 +sa(dp74426 +g25267 +g27 +sg25268 +S'Torch' +p74427 +sg25270 +S'Elmer G. Anderson' +p74428 +sa(dp74429 +g25268 +S'Le charlatan francais' +p74430 +sg25270 +S'Artist Information (' +p74431 +sg25273 +S'(artist after)' +p74432 +sg25275 +S'\n' +p74433 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f96.jpg' +p74434 +sg25267 +g27 +sa(dp74435 +g25267 +g27 +sg25268 +S'Balcony Railing' +p74436 +sg25270 +S'Arelia Arbo' +p74437 +sa(dp74438 +g25267 +g27 +sg25268 +S'Balcony Railing' +p74439 +sg25270 +S'Al Curry' +p74440 +sa(dp74441 +g25267 +g27 +sg25268 +S'Fence' +p74442 +sg25270 +S'Pearl Torell' +p74443 +sa(dp74444 +g25267 +g27 +sg25268 +S'Tea Kettle' +p74445 +sg25270 +S'Edward L. Loper' +p74446 +sa(dp74447 +g25267 +g27 +sg25268 +S'Weather Vane' +p74448 +sg25270 +S'Herman Bader' +p74449 +sa(dp74450 +g25267 +g27 +sg25268 +S'Candlestick' +p74451 +sg25270 +S'Philip Johnson' +p74452 +sa(dp74453 +g25267 +g27 +sg25268 +S'Pewter Mug' +p74454 +sg25270 +S'Eugene Barrell' +p74455 +sa(dp74456 +g25267 +g27 +sg25268 +S'Teapot' +p74457 +sg25270 +S'American 20th Century' +p74458 +sa(dp74459 +g25267 +g27 +sg25268 +S'Teapot' +p74460 +sg25270 +S'American 20th Century' +p74461 +sa(dp74462 +g25267 +g27 +sg25268 +S'Firemark' +p74463 +sg25270 +S'Donald Williams' +p74464 +sa(dp74465 +g25268 +S'Le charlatan allemand' +p74466 +sg25270 +S'Artist Information (' +p74467 +sg25273 +S'(artist after)' +p74468 +sg25275 +S'\n' +p74469 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f94.jpg' +p74470 +sg25267 +g27 +sa(dp74471 +g25267 +g27 +sg25268 +S'Firemark' +p74472 +sg25270 +S'Rose Campbell-Gerke' +p74473 +sa(dp74474 +g25267 +S"Decorative ironwork was originally wrought at the forge. Used for gates, grilles,\n railings, and balconies, such ironwork represented the height of the blacksmith's\n craft. These decorative pieces first appeared in cities such as New Orleans, Charleston,\n and Baltimore. By the early nineteenth century, however, foundries were producing\n popular cast ironwork for other regions. This cast iron panel from a cemetery gate\n was made in the mid-nineteenth century. The ornate floral and arboreal motifs aretypical of Victorian decoration popular in that period. The lamb resting under\n a weeping willow tree was a common theme symbolic of grief and appropriate for\n the panel's use as a cemetery ornament.\n " +p74475 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002e3.jpg' +p74476 +sg25268 +S'Cast Iron Fence' +p74477 +sg25270 +S'Pearl Torell' +p74478 +sa(dp74479 +g25267 +g27 +sg25268 +S'Fence - Sea Horse Design' +p74480 +sg25270 +S'Pearl Torell' +p74481 +sa(dp74482 +g25267 +g27 +sg25268 +S'Fence' +p74483 +sg25270 +S'Rose Campbell-Gerke' +p74484 +sa(dp74485 +g25267 +g27 +sg25268 +S'Gate' +p74486 +sg25270 +S'Jerome Hoxie' +p74487 +sa(dp74488 +g25267 +g27 +sg25268 +S'Gate and Gatepost' +p74489 +sg25270 +S'Jerome Hoxie' +p74490 +sa(dp74491 +g25267 +g27 +sg25268 +S'Balcony Railing with Cast Rosette' +p74492 +sg25270 +S'Raymond Neumann' +p74493 +sa(dp74494 +g25267 +g27 +sg25268 +S'Bracket' +p74495 +sg25270 +S'Alvin J. Doria' +p74496 +sa(dp74497 +g25267 +g27 +sg25268 +S'Gate' +p74498 +sg25270 +S'Sarkis Erganian' +p74499 +sa(dp74500 +g25267 +g27 +sg25268 +S'Balcony' +p74501 +sg25270 +S'Gilbert Sackerman' +p74502 +sa(dp74503 +g25268 +S"L'accord du mariage" +p74504 +sg25270 +S'Artist Information (' +p74505 +sg25273 +S'(artist after)' +p74506 +sg25275 +S'\n' +p74507 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f7a.jpg' +p74508 +sg25267 +g27 +sa(dp74509 +g25267 +g27 +sg25268 +S'Fence Panel' +p74510 +sg25270 +S'J. Howard Iams' +p74511 +sa(dp74512 +g25267 +g27 +sg25268 +S'Hitching Post' +p74513 +sg25270 +S'David P Willoughby' +p74514 +sa(dp74515 +g25267 +g27 +sg25268 +S'Hitching Post' +p74516 +sg25270 +S'David P Willoughby' +p74517 +sa(dp74518 +g25267 +g27 +sg25268 +S'Hitching Post' +p74519 +sg25270 +S'Albert Ryder' +p74520 +sa(dp74521 +g25267 +g27 +sg25268 +S'Fence' +p74522 +sg25270 +S'Rose Campbell-Gerke' +p74523 +sa(dp74524 +g25267 +g27 +sg25268 +S'Suffolk Latch' +p74525 +sg25270 +S'Regina Henderer' +p74526 +sa(dp74527 +g25267 +g27 +sg25268 +S'Conestoga Hasp and Hinge' +p74528 +sg25270 +S'John Petrucci' +p74529 +sa(dp74530 +g25267 +g27 +sg25268 +S'Norfolk Latch' +p74531 +sg25270 +S'Henrietta S. Hukill' +p74532 +sa(dp74533 +g25267 +g27 +sg25268 +S'Hinge' +p74534 +sg25270 +S'Earl Butlin' +p74535 +sa(dp74536 +g25267 +g27 +sg25268 +S'Cast Iron Goat' +p74537 +sg25270 +S'Lucille Chabot' +p74538 +sa(dp74539 +g25268 +S'Le concert mecanique' +p74540 +sg25270 +S'Artist Information (' +p74541 +sg25273 +S'(artist after)' +p74542 +sg25275 +S'\n' +p74543 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f08.jpg' +p74544 +sg25267 +g27 +sa(dp74545 +g25267 +g27 +sg25268 +S"Cast Iron Cat's Head" +p74546 +sg25270 +S'Jane Iverson' +p74547 +sa(dp74548 +g25267 +g27 +sg25268 +S'Garden Figure' +p74549 +sg25270 +S'American 20th Century' +p74550 +sa(dp74551 +g25267 +g27 +sg25268 +S'Cast Iron Abraham Lincoln' +p74552 +sg25270 +S'Carl Buergerniss' +p74553 +sa(dp74554 +g25267 +g27 +sg25268 +S'Ornament' +p74555 +sg25270 +S'Erwin Stenzel' +p74556 +sa(dp74557 +g25267 +g27 +sg25268 +S'Leaf and Scroll' +p74558 +sg25270 +S'Thomas Dooley' +p74559 +sa(dp74560 +g25267 +g27 +sg25268 +S'Cast Iron Cresting' +p74561 +sg25270 +S'Samuel Faigin' +p74562 +sa(dp74563 +g25267 +g27 +sg25268 +S'Weather Vane' +p74564 +sg25270 +S'Chris Makrenos' +p74565 +sa(dp74566 +g25267 +g27 +sg25268 +S'Stove Plate' +p74567 +sg25270 +S'Charles Von Urban' +p74568 +sa(dp74569 +g25267 +g27 +sg25268 +S'Stove Plate' +p74570 +sg25270 +S'Charles Von Urban' +p74571 +sa(dp74572 +g25267 +S'The five-plate, or jamb, stove was introduced by German immigrants in the early nineteenth century. Set into the wall and fired from the fireplace of an adjoining room, these stoves used fuel more efficiently than open fireplaces and provided greater \n warmth for the whole room. Because Pennsylvania had rich iron ore deposits, pig iron was readily available. Iron plantations established great furnaces and cast pots, kettles, and other household utensils, as well as the iron stoveplates. Stoveplates \n were cast in sand molds. Carved wooden designs were pressed into sand so that a relief pattern remained. Molten iron was then poured into the sand mold and allowed to cool. Common stoveplate motifs were the flowers, birds, and scrolls of Pennsylvania \n German tradition, as well as biblical scenes or scenes with a moral lesson. This stove is dated 1749. The front plate shows Death in the form of a horned skeleton wielding a stick against the protests of a mortal. From behind, a friend is trying \n to aid the unfortunate victim.\n ' +p74573 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003bd.jpg' +p74574 +sg25268 +S'Jamb Stove' +p74575 +sg25270 +S'Roy Weber' +p74576 +sa(dp74577 +g25268 +S'Le concert mecanique' +p74578 +sg25270 +S'Artist Information (' +p74579 +sg25273 +S'(artist after)' +p74580 +sg25275 +S'\n' +p74581 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f07.jpg' +p74582 +sg25267 +g27 +sa(dp74583 +g25267 +g27 +sg25268 +S'Toy Bank' +p74584 +sg25270 +S'American 20th Century' +p74585 +sa(dp74586 +g25267 +g27 +sg25268 +S'Toy Bank' +p74587 +sg25270 +S'Hans Mangelsdorf' +p74588 +sa(dp74589 +g25267 +g27 +sg25268 +S'Toy Bank' +p74590 +sg25270 +S'Paul Kelly' +p74591 +sa(dp74592 +g25267 +g27 +sg25268 +S'Cast Iron Window Railing' +p74593 +sg25270 +S'Harley Kempter' +p74594 +sa(dp74595 +g25267 +g27 +sg25268 +S'Cast Iron Garden Balcony' +p74596 +sg25270 +S'Gilbert Sackerman' +p74597 +sa(dp74598 +g25267 +g27 +sg25268 +S'Garden Urn' +p74599 +sg25270 +S'John H. Tercuzzi' +p74600 +sa(dp74601 +g25267 +g27 +sg25268 +S'Wall Ornament' +p74602 +sg25270 +S'Molly Bodenstein' +p74603 +sa(dp74604 +g25267 +g27 +sg25268 +S'Weather Vane' +p74605 +sg25270 +S'Nicholas Acampora' +p74606 +sa(dp74607 +g25267 +g27 +sg25268 +S'Umbrella Stand' +p74608 +sg25270 +S'Milton Grubstein' +p74609 +sa(dp74610 +g25267 +g27 +sg25268 +S'Candle Sconce' +p74611 +sg25270 +S'Amelia Tuccio' +p74612 +sa(dp74613 +g25268 +S'Dame a sa toilette' +p74614 +sg25270 +S'Artist Information (' +p74615 +sg25273 +S'French, 1720 - 1778' +p74616 +sg25275 +S'(artist after)' +p74617 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008d/a0008d00.jpg' +p74618 +sg25267 +g27 +sa(dp74619 +g25267 +g27 +sg25268 +S'Flatiron Stand' +p74620 +sg25270 +S'Rose Campbell-Gerke' +p74621 +sa(dp74622 +g25267 +g27 +sg25268 +S'Trivet' +p74623 +sg25270 +S'Rocco Navigato' +p74624 +sa(dp74625 +g25267 +g27 +sg25268 +S'Trivet' +p74626 +sg25270 +S'William Ludwig' +p74627 +sa(dp74628 +g25267 +g27 +sg25268 +S'Trivet' +p74629 +sg25270 +S'William Ludwig' +p74630 +sa(dp74631 +g25267 +g27 +sg25268 +S'Trivet' +p74632 +sg25270 +S'William Ludwig' +p74633 +sa(dp74634 +g25267 +g27 +sg25268 +S'Trivet' +p74635 +sg25270 +S'Wellington Blewett' +p74636 +sa(dp74637 +g25267 +g27 +sg25268 +S'Trivet' +p74638 +sg25270 +S'F.C. Davenport' +p74639 +sa(dp74640 +g25267 +g27 +sg25268 +S'Trivet' +p74641 +sg25270 +S'Margaret Golden' +p74642 +sa(dp74643 +g25267 +g27 +sg25268 +S'Trivet' +p74644 +sg25270 +S'Margaret Golden' +p74645 +sa(dp74646 +g25267 +g27 +sg25268 +S'Trivet' +p74647 +sg25270 +S'Sydney Roberts' +p74648 +sa(dp74649 +g25268 +S"L'amant pressant" +p74650 +sg25270 +S'Artist Information (' +p74651 +sg25273 +S'French, 1720 - 1778' +p74652 +sg25275 +S'(artist after)' +p74653 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008cff.jpg' +p74654 +sg25267 +g27 +sa(dp74655 +g25267 +g27 +sg25268 +S'Trivet' +p74656 +sg25270 +S'Sydney Roberts' +p74657 +sa(dp74658 +g25267 +g27 +sg25268 +S'Trivet' +p74659 +sg25270 +S'Ardella Watkins' +p74660 +sa(dp74661 +g25267 +g27 +sg25268 +S'Trivet' +p74662 +sg25270 +S'Lon Cronk' +p74663 +sa(dp74664 +g25267 +g27 +sg25268 +S'Trivet' +p74665 +sg25270 +S'Michael Chomyk' +p74666 +sa(dp74667 +g25267 +g27 +sg25268 +S'Trivet' +p74668 +sg25270 +S'Ethel Clarke' +p74669 +sa(dp74670 +g25267 +g27 +sg25268 +S'Trivet' +p74671 +sg25270 +S'Salvatore Borrazzo' +p74672 +sa(dp74673 +g25267 +g27 +sg25268 +S'Trivet' +p74674 +sg25270 +S'Stanley Chin' +p74675 +sa(dp74676 +g25267 +g27 +sg25268 +S'Trivet' +p74677 +sg25270 +S'Fritz Boehmer' +p74678 +sa(dp74679 +g25267 +g27 +sg25268 +S'Trivet' +p74680 +sg25270 +S'Luther D. Wenrich' +p74681 +sa(dp74682 +g25267 +g27 +sg25268 +S'Trivet' +p74683 +sg25270 +S'William O. Fletcher' +p74684 +sa(dp74685 +g25268 +S'Le jour' +p74686 +sg25270 +S'Artist Information (' +p74687 +sg25273 +S'(artist after)' +p74688 +sg25275 +S'\n' +p74689 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a000973e.jpg' +p74690 +sg25267 +g27 +sa(dp74691 +g25267 +g27 +sg25268 +S'Branding Iron' +p74692 +sg25270 +S'Elizabeth Johnson' +p74693 +sa(dp74694 +g25267 +g27 +sg25268 +S'Sauce Pan' +p74695 +sg25270 +S'Edward L. Loper' +p74696 +sa(dp74697 +g25267 +g27 +sg25268 +S'Match Holder' +p74698 +sg25270 +S'Edward L. Loper' +p74699 +sa(dp74700 +g25267 +g27 +sg25268 +S'Iron Kettle' +p74701 +sg25270 +S'Herndon Hightower' +p74702 +sa(dp74703 +g25267 +g27 +sg25268 +S'Andiron' +p74704 +sg25270 +S'Jack Staloff' +p74705 +sa(dp74706 +g25267 +g27 +sg25268 +S'Andiron' +p74707 +sg25270 +S'Albert Taxson' +p74708 +sa(dp74709 +g25267 +g27 +sg25268 +S'Andiron' +p74710 +sg25270 +S'Lazar Rubinstein' +p74711 +sa(dp74712 +g25267 +S'Andirons came into use when formal fireplaces required decorative accessories,\n particularly in drawing rooms and in taverns.\n The earliest andirons were forged of wrought iron and decorated by simple scrolls\n or ogee curves, but by the mid-eighteenth century foundries were producing more\n elaborate cast iron varieties. The subject of this andiron, representing a "Marching\n Hessian," became popular in the 1780s after the American Revolution. Playing on\n patriotic sympathies, this andiron represented the Hessian soldier who fought for\n the British as a mercenary. Human figures on andirons were uncommon, and it is\n said that putting this figure to such menial use symbolized American resentment\n of the mercenary soldier. This andiron, cast from a sand mold, is in high relief.\n Polychrome paints were used to set off the details of the uniform and the facial\n expression.\n ' +p74713 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000304.jpg' +p74714 +sg25268 +S'Andiron' +p74715 +sg25270 +S'Isidore Danziger' +p74716 +sa(dp74717 +g25267 +g27 +sg25268 +S'Lamp' +p74718 +sg25270 +S'Christabel Scrymser' +p74719 +sa(dp74720 +g25267 +g27 +sg25268 +S'Candle Holder' +p74721 +sg25270 +S'Howard Lumbard' +p74722 +sa(dp74723 +g25268 +S'La nuit' +p74724 +sg25270 +S'Artist Information (' +p74725 +sg25273 +S'(artist after)' +p74726 +sg25275 +S'\n' +p74727 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a000973d.jpg' +p74728 +sg25267 +g27 +sa(dp74729 +g25267 +g27 +sg25268 +S'Shaker Stove' +p74730 +sg25270 +S'Joseph Glover' +p74731 +sa(dp74732 +g25267 +g27 +sg25268 +S'Log Marker' +p74733 +sg25270 +S'William Frank' +p74734 +sa(dp74735 +g25267 +g27 +sg25268 +S'Broad Axe Head' +p74736 +sg25270 +S'Herman O. Stroh' +p74737 +sa(dp74738 +g25267 +g27 +sg25268 +S'Chest' +p74739 +sg25270 +S'Frances Lichten' +p74740 +sa(dp74741 +g25267 +g27 +sg25268 +S'Jar with Cover' +p74742 +sg25270 +S'Charlotte Angus' +p74743 +sa(dp74744 +g25267 +g27 +sg25268 +S'Wallpaper' +p74745 +sg25270 +S'Mina Lowry' +p74746 +sa(dp74747 +g25267 +g27 +sg25268 +S'Wallpaper' +p74748 +sg25270 +S'Sidney Liswood' +p74749 +sa(dp74750 +g25267 +g27 +sg25268 +S'Wallpaper' +p74751 +sg25270 +S'Mina Lowry' +p74752 +sa(dp74753 +g25267 +g27 +sg25268 +S'Wallpaper' +p74754 +sg25270 +S'American 20th Century' +p74755 +sa(dp74756 +g25267 +g27 +sg25268 +S'Chest' +p74757 +sg25270 +S'Robert W.R. Taylor' +p74758 +sa(dp74759 +g25268 +S'Le belle nourrice' +p74760 +sg25270 +S'Artist Information (' +p74761 +sg25273 +S'(artist after)' +p74762 +sg25275 +S'\n' +p74763 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f0c.jpg' +p74764 +sg25267 +g27 +sa(dp74765 +g25267 +g27 +sg25268 +S'Small Table' +p74766 +sg25270 +S'Majel G. Claflin' +p74767 +sa(dp74768 +g25267 +g27 +sg25268 +S'Indian Blanket' +p74769 +sg25270 +S'Mary Edith Brooks' +p74770 +sa(dp74771 +g25267 +g27 +sg25268 +S'Chest of Drawers' +p74772 +sg25270 +S'Frances Lichten' +p74773 +sa(dp74774 +g25267 +g27 +sg25268 +S'Footstool' +p74775 +sg25270 +S'Albert Levone' +p74776 +sa(dp74777 +g25267 +g27 +sg25268 +S'Wallpaper' +p74778 +sg25270 +S'American 20th Century' +p74779 +sa(dp74780 +g25267 +g27 +sg25268 +S'Plate' +p74781 +sg25270 +S'Henry Moran' +p74782 +sa(dp74783 +g25267 +g27 +sg25268 +S'Wallpaper' +p74784 +sg25270 +S'David Dorfman' +p74785 +sa(dp74786 +g25267 +g27 +sg25268 +S'Cross' +p74787 +sg25270 +S'Majel G. Claflin' +p74788 +sa(dp74789 +g25267 +g27 +sg25268 +S'Shaker Wooden Dipper' +p74790 +sg25270 +S'Adelaide Dyball' +p74791 +sa(dp74792 +g25267 +S"Though Shaker dress conformed somewhat to prevailing styles, it emphasized simplicity. \n A favorite color used on wood and fabric alike was a warm brown made from butternut \n bark. Though subdued colors reflect the humble, self-effacing Shaker spirit, \n bright colors were not eliminated entirely. The man's costume incorporates\n a blue vest with a brown coat and trousers. In length and cut, the coat retains\n a lingering suggestion of eighteenth-century style. In keeping with their religious\n beliefs, Shakers rejected individualism in costume.\n " +p74793 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000037f.jpg' +p74794 +sg25268 +S"Shaker Man's Costume" +p74795 +sg25270 +S'American 20th Century' +p74796 +sa(dp74797 +g25268 +S'La jolie fermiere' +p74798 +sg25270 +S'Artist Information (' +p74799 +sg25273 +S'(artist after)' +p74800 +sg25275 +S'\n' +p74801 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008c50.jpg' +p74802 +sg25267 +g27 +sa(dp74803 +g25267 +g27 +sg25268 +S"Child's Side Saddle" +p74804 +sg25270 +S'Randolph F. Miller' +p74805 +sa(dp74806 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00065/a00065e7.jpg' +p74807 +sg25268 +S'Retablo - The Holy Family' +p74808 +sg25270 +S'George E. Rhone' +p74809 +sa(dp74810 +g25267 +g27 +sg25268 +S'Warming Pan' +p74811 +sg25270 +S'Marie Famularo' +p74812 +sa(dp74813 +g25267 +g27 +sg25268 +S'Figurehad: "Solomon Piper"' +p74814 +sg25270 +S'Ingrid Selmer-Larsen' +p74815 +sa(dp74816 +g25267 +g27 +sg25268 +S'Chalkware Deer' +p74817 +sg25270 +S'Mina Lowry' +p74818 +sa(dp74819 +g25267 +g27 +sg25268 +S'Silver Teapot' +p74820 +sg25270 +S'Leo Drozdoff' +p74821 +sa(dp74822 +g25267 +g27 +sg25268 +S'Water Pitcher' +p74823 +sg25270 +S'American 20th Century' +p74824 +sa(dp74825 +g25267 +g27 +sg25268 +S'Decoy (Hudsonian Godwit)' +p74826 +sg25270 +S'Samuel W. Ford' +p74827 +sa(dp74828 +g25267 +g27 +sg25268 +S'Trivet' +p74829 +sg25270 +S'LeRoy Griffith' +p74830 +sa(dp74831 +g25267 +g27 +sg25268 +S'Pan' +p74832 +sg25270 +S'Nicholas Acampora' +p74833 +sa(dp74834 +g25268 +S'Le matin' +p74835 +sg25270 +S'Artist Information (' +p74836 +sg25273 +S'(artist after)' +p74837 +sg25275 +S'\n' +p74838 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008c5a.jpg' +p74839 +sg25267 +g27 +sa(dp74840 +g25267 +g27 +sg25268 +S'Tumbler' +p74841 +sg25270 +S'Frank Budash' +p74842 +sa(dp74843 +g25267 +g27 +sg25268 +S'Sugar Bowl' +p74844 +sg25270 +S'John Tarantino' +p74845 +sa(dp74846 +g25267 +g27 +sg25268 +S'Eagle' +p74847 +sg25270 +S'Hester Duany' +p74848 +sa(dp74849 +g25267 +g27 +sg25268 +S'Buffalo' +p74850 +sg25270 +S'Robert Gilson' +p74851 +sa(dp74852 +g25267 +g27 +sg25268 +S"Wolf's Head" +p74853 +sg25270 +S'Harry King' +p74854 +sa(dp74855 +g25267 +g27 +sg25268 +S'Doll: Black Mama' +p74856 +sg25270 +S'Jacob Gielens' +p74857 +sa(dp74858 +g25267 +g27 +sg25268 +S'Candlestick' +p74859 +sg25270 +S'Fritz Boehmer' +p74860 +sa(dp74861 +g25267 +g27 +sg25268 +S"Fireman's Hat" +p74862 +sg25270 +S'Samuel W. Ford' +p74863 +sa(dp74864 +g25267 +g27 +sg25268 +S"Eagle's Head" +p74865 +sg25270 +S'American 20th Century' +p74866 +sa(dp74867 +g25267 +g27 +sg25268 +S'Figurehead: "Jenny Lind"' +p74868 +sg25270 +S'American 20th Century' +p74869 +sa(dp74870 +g25268 +S'Le midi' +p74871 +sg25270 +S'Artist Information (' +p74872 +sg25273 +S'(artist after)' +p74873 +sg25275 +S'\n' +p74874 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008c58.jpg' +p74875 +sg25267 +g27 +sa(dp74876 +g25267 +g27 +sg25268 +S'Figurehead: "C. Perry"' +p74877 +sg25270 +S'Elizabeth Moutal' +p74878 +sa(dp74879 +g25267 +g27 +sg25268 +S'Tavern Sign: "Temperance"' +p74880 +sg25270 +S'John Matulis' +p74881 +sa(dp74882 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p74883 +sg25270 +S'Robert Pohle' +p74884 +sa(dp74885 +g25267 +g27 +sg25268 +S'Horse Weather Vane' +p74886 +sg25270 +S'Selma Sandler' +p74887 +sa(dp74888 +g25267 +g27 +sg25268 +S'Painted Velvet' +p74889 +sg25270 +S'James Vail' +p74890 +sa(dp74891 +g25267 +g27 +sg25268 +S'Carousel Horse' +p74892 +sg25270 +S'Henry Murphy' +p74893 +sa(dp74894 +g25267 +g27 +sg25268 +S'Watercolor Design' +p74895 +sg25270 +S'Albert Levone' +p74896 +sa(dp74897 +g25267 +S"Though Shaker dress conformed somewhat to prevailing styles, it emphasized simplicity.\n A favorite color used on wood and fabric alike was a warm brown made from butternut\n bark. Though subdued colors reflect the humble, self-effacing Shaker spirit, \n bright colors were not eliminated entirely. The woman's costume has tight, narrow sleeves,\n a triangular kerchief, and a bell-shaped skirt that completely obscures the figure.\n Even so, severity is relieved through the use of white and orange with blue trimmings.\n In keeping with their religious beliefs, Shakers rejected individualism in costume.\n " +p74898 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000380.jpg' +p74899 +sg25268 +S"Shaker Woman's Costume" +p74900 +sg25270 +S'American 20th Century' +p74901 +sa(dp74902 +g25267 +g27 +sg25268 +S'Wooden Stirrup' +p74903 +sg25270 +S'Rose Campbell-Gerke' +p74904 +sa(dp74905 +g25267 +g27 +sg25268 +S"Fireman's Bucket" +p74906 +sg25270 +S'Georgina King' +p74907 +sa(dp74908 +g25268 +S"L'apres-midi" +p74909 +sg25270 +S'Artist Information (' +p74910 +sg25273 +S'(artist after)' +p74911 +sg25275 +S'\n' +p74912 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008c51.jpg' +p74913 +sg25267 +g27 +sa(dp74914 +g25267 +g27 +sg25268 +S'Hot Coal Carrier' +p74915 +sg25270 +S'Oscar Bluhme' +p74916 +sa(dp74917 +g25267 +g27 +sg25268 +S"Cat's Head" +p74918 +sg25270 +S'Harriette Gale' +p74919 +sa(dp74920 +g25267 +g27 +sg25268 +S'Figurehead: Quaker' +p74921 +sg25270 +S'American 20th Century' +p74922 +sa(dp74923 +g25267 +g27 +sg25268 +S'Indian Weather Vane' +p74924 +sg25270 +S'Carol Larson' +p74925 +sa(dp74926 +g25267 +g27 +sg25268 +S'Silver Tankard' +p74927 +sg25270 +S'Palmyra Pimentel' +p74928 +sa(dp74929 +g25267 +g27 +sg25268 +S'Trivet' +p74930 +sg25270 +S'Edward Bashaw' +p74931 +sa(dp74932 +g25267 +g27 +sg25268 +S'Candle Mold' +p74933 +sg25270 +S'Edward Bashaw' +p74934 +sa(dp74935 +g25267 +g27 +sg25268 +S'Glass Bowl' +p74936 +sg25270 +S'Beverly Chichester' +p74937 +sa(dp74938 +g25267 +g27 +sg25268 +S'Betty Lamp and Stand' +p74939 +sg25270 +S'Claude Marshall' +p74940 +sa(dp74941 +g25267 +g27 +sg25268 +S'Police Rattle' +p74942 +sg25270 +S'Ray Price' +p74943 +sa(dp74944 +g25268 +S'Le soir' +p74945 +sg25270 +S'Artist Information (' +p74946 +sg25273 +S'(artist after)' +p74947 +sg25275 +S'\n' +p74948 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008c52.jpg' +p74949 +sg25267 +g27 +sa(dp74950 +g25267 +g27 +sg25268 +S'Compass' +p74951 +sg25270 +S'Lloyd Charles Lemcke' +p74952 +sa(dp74953 +g25267 +g27 +sg25268 +S'Coffee Grinder' +p74954 +sg25270 +S'D.J. Grant' +p74955 +sa(dp74956 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000035c.jpg' +p74957 +sg25268 +S'Carousel Giraffe' +p74958 +sg25270 +S'Henry Tomaszewski' +p74959 +sa(dp74960 +g25267 +g27 +sg25268 +S'Log-Hauling' +p74961 +sg25270 +S'Claude Marshall' +p74962 +sa(dp74963 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00054/a000544f.jpg' +p74964 +sg25268 +S'Decoy' +p74965 +sg25270 +S'Selma Sandler' +p74966 +sa(dp74967 +g25267 +g27 +sg25268 +S'Glass Cologne Bottle' +p74968 +sg25270 +S'John Dana' +p74969 +sa(dp74970 +g25267 +g27 +sg25268 +S'Inn Sign: "A. Phelps\'"' +p74971 +sg25270 +S'Martin Partyka' +p74972 +sa(dp74973 +g25267 +g27 +sg25268 +S'Bandbox' +p74974 +sg25270 +S'Arsen Maralian' +p74975 +sa(dp74976 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00065/a00065e6.jpg' +p74977 +sg25268 +S"Locksmith's Sign" +p74978 +sg25270 +S'Joseph L. Boyd' +p74979 +sa(dp74980 +g25267 +g27 +sg25268 +S'The Navigator' +p74981 +sg25270 +S'Ingrid Selmer-Larsen' +p74982 +sa(dp74983 +g25268 +S'Le printemps' +p74984 +sg25270 +S'Artist Information (' +p74985 +sg25273 +S'(artist after)' +p74986 +sg25275 +S'\n' +p74987 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008c53.jpg' +p74988 +sg25267 +g27 +sa(dp74989 +g25267 +g27 +sg25268 +S'Bandbox - Firemen Scene' +p74990 +sg25270 +S'Walter Doran' +p74991 +sa(dp74992 +g25267 +g27 +sg25268 +S'Ox Cart' +p74993 +sg25270 +S'Wilbur M Rice' +p74994 +sa(dp74995 +g25267 +g27 +sg25268 +S'Straw Fork (Bishop Hill)' +p74996 +sg25270 +S'Archie Thompson' +p74997 +sa(dp74998 +g25267 +g27 +sg25268 +S'Painted Basin' +p74999 +sg25270 +S'John H. Tercuzzi' +p75000 +sa(dp75001 +g25267 +g27 +sg25268 +S'Rooster and Hen' +p75002 +sg25270 +S'Al Curry' +p75003 +sa(dp75004 +g25267 +g27 +sg25268 +S'Circus Wagon Figure: Medieval Lady' +p75005 +sg25270 +S'John Matulis' +p75006 +sa(dp75007 +g25267 +g27 +sg25268 +S'Figure of Justice' +p75008 +sg25270 +S'Elizabeth Moutal' +p75009 +sa(dp75010 +g25267 +g27 +sg25268 +S'Horse Weather Vane' +p75011 +sg25270 +S'American 20th Century' +p75012 +sa(dp75013 +g25267 +g27 +sg25268 +S'Cast Iron Toy Bank' +p75014 +sg25270 +S'Bertha Semple' +p75015 +sa(dp75016 +g25267 +S'The other form of artistic expression most common to colonial New Mexico was the "bulto." Also made by the "santeros," these are small carvings in the round representing a single religious figure or a group. Usually made of cottonwood roots or pine, the figures were covered with gesso ground and painted. This "bulto" depicts the Holy Trinity. Here, the three figures seem grown together, giving additional emphasis to the idea of the Trinity. A knotted leather thong is tied around the figures.\n ' +p75017 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003d0.jpg' +p75018 +sg25268 +S'Santo' +p75019 +sg25270 +S'Ranka S. Woods' +p75020 +sa(dp75021 +g25268 +S"L'ete" +p75022 +sg25270 +S'Artist Information (' +p75023 +sg25273 +S'(artist after)' +p75024 +sg25275 +S'\n' +p75025 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008c59.jpg' +p75026 +sg25267 +g27 +sa(dp75027 +g25267 +g27 +sg25268 +S'Toy Bank: Mule and Manger' +p75028 +sg25270 +S'D.J. Grant' +p75029 +sa(dp75030 +g25267 +g27 +sg25268 +S'"Jenny Lind" Mirror' +p75031 +sg25270 +S'Regina Henderer' +p75032 +sa(dp75033 +g25267 +g27 +sg25268 +S'Trivet' +p75034 +sg25270 +S'Artist Information (' +p75035 +sa(dp75036 +g25267 +g27 +sg25268 +S'Toy Bank' +p75037 +sg25270 +S'Archie Thompson' +p75038 +sa(dp75039 +g25267 +g27 +sg25268 +S'Trivet' +p75040 +sg25270 +S'F.C. Davenport' +p75041 +sa(dp75042 +g25267 +g27 +sg25268 +S'Shaker Stove' +p75043 +sg25270 +S'Lon Cronk' +p75044 +sa(dp75045 +g25267 +g27 +sg25268 +S'Eagle' +p75046 +sg25270 +S'Joseph Goldberg' +p75047 +sa(dp75048 +g25267 +S'Because efficiency and order were dominant themes in Shaker life, many types\n of cabinets and chests were built for storage. This cabinet is also a secretary. It was used\n by trustees of the community who were responsible for all business matters with\n the outside world and with other Shaker communities. Because the cabinets and drawers\n are identical on each side, the secretary could be used by two trustees. The fall\n front, used as a writing surface, provided sufficient space for both to work at\n the same time. Because storage was important, the piece is equipped with ample\n drawers and cupboards for efficient organization of papers and documents. An interesting\n feature of Shaker secretaries is that craftsmen found no advantage in sacrificing\n drawer space for the sake of recessed kneeholes.\n ' +p75049 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000384.jpg' +p75050 +sg25268 +S'Shaker Secretary Desk' +p75051 +sg25270 +S'John W. Kelleher' +p75052 +sa(dp75053 +g25267 +g27 +sg25268 +S'Shaker Table' +p75054 +sg25270 +S'Winslow Rich' +p75055 +sa(dp75056 +g25267 +S'Chests, like this one, were made for storage of blankets and other bulky items.\n Of the traditional features of chest design, only the slightly projecting lid,\n the reduced keyhole, and the slightly projecting base remain. In the place of carved\n or painted panels common in chests of the outside world, Shakers allowed the grain\n of the wood alone to decorate the immaculate expanse of broad surface.\n ' +p75057 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000386.jpg' +p75058 +sg25268 +S'Small Shaker Chest' +p75059 +sg25270 +S'Sumner Merrill' +p75060 +sa(dp75061 +g25268 +S"L'automne" +p75062 +sg25270 +S'Artist Information (' +p75063 +sg25273 +S'(artist after)' +p75064 +sg25275 +S'\n' +p75065 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008c56.jpg' +p75066 +sg25267 +g27 +sa(dp75067 +g25267 +S'Shaker simplicity is nowhere more evident than in chair design. Outwardly \n straightforward, each element of the design was carefully considered for greatest \n efficiency in use. This is a tilting chair named for the device attached to the back legs. \n A ball-and-socket joint was invented by the Shakers so that the chair could be tilted\n backward without having the legs scratch the floor or cause unnecessary wear of the rugs. \n Shaker chairs were famous for being light in weight yet sturdy. Because they were \n light they could be hung on the walls while the floors were being cleaned; their \n sturdiness provided durability over many years. The seat of this chair is made of \n cane. Caned chairs were uncommon except at the colony of Enfield, New Hampshire.\n ' +p75068 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000381.jpg' +p75069 +sg25268 +S'Shaker Tilting Chair' +p75070 +sg25270 +S'John W. Kelleher' +p75071 +sa(dp75072 +g25267 +g27 +sg25268 +S'Shaker Built-In Cupboard' +p75073 +sg25270 +S'American 20th Century' +p75074 +sa(dp75075 +g25267 +g27 +sg25268 +S'Chalkware Rooster' +p75076 +sg25270 +S'Betty Fuerst' +p75077 +sa(dp75078 +g25267 +g27 +sg25268 +S'Glass Bowl' +p75079 +sg25270 +S'Florian Rokita' +p75080 +sa(dp75081 +g25267 +g27 +sg25268 +S'Glass Bottle' +p75082 +sg25270 +S'Beverly Chichester' +p75083 +sa(dp75084 +g25267 +g27 +sg25268 +S'Toy Bank: Rooster' +p75085 +sg25270 +S'Beverly Chichester' +p75086 +sa(dp75087 +g25267 +S"This owl was whittled by Aaron Mountz, a friend and follower of Schimmel's. Birds were a favorite theme of both wood-carvers. This one is done with a naturalism of form that is enhanced with the detail of stylized feathers. By careful cross-hatching, \n each feather is represented in a way that is lively while providing an interesting surface texture. Mountz has rendered this carving not only as an individual owl, but, by its wise and aloof countenance, as a symbol of owl-ness. Though many of his \n carvings were painted, Mountz left this owl in unfinished wood.\n " +p75088 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000373.jpg' +p75089 +sg25268 +S'Owl' +p75090 +sg25270 +S'Hester Duany' +p75091 +sa(dp75092 +g25267 +g27 +sg25268 +S'Glass Bowl' +p75093 +sg25270 +S'Michael Trekur' +p75094 +sa(dp75095 +g25267 +g27 +sg25268 +S'Pitcher' +p75096 +sg25270 +S'Van Silvay' +p75097 +sa(dp75098 +g25267 +g27 +sg25268 +S'Pitcher' +p75099 +sg25270 +S'Van Silvay' +p75100 +sa(dp75101 +g25268 +S"L'hiver" +p75102 +sg25270 +S'Artist Information (' +p75103 +sg25273 +S'(artist after)' +p75104 +sg25275 +S'\n' +p75105 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008c57.jpg' +p75106 +sg25267 +g27 +sa(dp75107 +g25267 +g27 +sg25268 +S'Hitching Post' +p75108 +sg25270 +S'American 20th Century' +p75109 +sa(dp75110 +g25267 +g27 +sg25268 +S'Toleware Coffee Pot' +p75111 +sg25270 +S'Charles Henning' +p75112 +sa(dp75113 +g25267 +S"Dower chests were a necessary item for every Pennsylvania German girl preparing for marriage. They were used to store the linens, needlework, and household accessories that she collected over the years. Like other large pieces of furniture, dower \n chests were made by the village carpenter or by the farmer himself, but they were painted by an itinerant decorator. Usually three to four feet long, they were placed in the bedroom or parlor. Dower chests were decorated with traditional symbols: \n flowers, birds, hearts, scrolls, and geometrical designs. This one, set on bracket feet, displays typically bold and elaborate decoration. The painted panels suggest an architectural arrangement, a common mode of decoration. Ornate columns and arches \n enframered and black flowers growing out of urns. The small central panel was reserved for the bride's name and the date, while the side panels extend the architectural motif.\n " +p75114 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000036d.jpg' +p75115 +sg25268 +S'Pennsylvania German Chest' +p75116 +sg25270 +S'Betty Jean Davis' +p75117 +sa(dp75118 +g25267 +g27 +sg25268 +S"Horse's Head" +p75119 +sg25270 +S'Donald Donovan' +p75120 +sa(dp75121 +g25267 +g27 +sg25268 +S'Shaker Clock' +p75122 +sg25270 +S'Anne Ger' +p75123 +sa(dp75124 +g25267 +g27 +sg25268 +S'Steer Weather Vane' +p75125 +sg25270 +S'Zabelle Missirian' +p75126 +sa(dp75127 +g25267 +g27 +sg25268 +S'Bandbox' +p75128 +sg25270 +S'Paul Ward' +p75129 +sa(dp75130 +g25267 +g27 +sg25268 +S'Hitching Post' +p75131 +sg25270 +S'David Ramage' +p75132 +sa(dp75133 +g25267 +g27 +sg25268 +S'Bar Bit' +p75134 +sg25270 +S'Rose Campbell-Gerke' +p75135 +sa(dp75136 +g25267 +g27 +sg25268 +S'Spur and Rowel' +p75137 +sg25270 +S'Rose Campbell-Gerke' +p75138 +sa(dp75139 +g25268 +S'Country Pleasures' +p75140 +sg25270 +S'Artist Information (' +p75141 +sg25273 +S'(artist after)' +p75142 +sg25275 +S'\n' +p75143 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008c54.jpg' +p75144 +sg25267 +g27 +sa(dp75145 +g25267 +g27 +sg25268 +S'Bank Pidgeon' +p75146 +sg25270 +S'Emanuel Jacobson' +p75147 +sa(dp75148 +g25267 +g27 +sg25268 +S'Shaker Cabinet' +p75149 +sg25270 +S'William Paul Childers' +p75150 +sa(dp75151 +g25267 +g27 +sg25268 +S'Shaker Sewing Table' +p75152 +sg25270 +S'William Paul Childers' +p75153 +sa(dp75154 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a000552e.jpg' +p75155 +sg25268 +S'Figurehead' +p75156 +sg25270 +S'Elizabeth Moutal' +p75157 +sa(dp75158 +g25267 +g27 +sg25268 +S"Barber's Sign" +p75159 +sg25270 +S'Wynna Wright' +p75160 +sa(dp75161 +g25267 +g27 +sg25268 +S'Shaker Chest with Drawer' +p75162 +sg25270 +S'Alfred H. Smith' +p75163 +sa(dp75164 +g25267 +g27 +sg25268 +S'Squirrel' +p75165 +sg25270 +S'Beatrice DeKalb' +p75166 +sa(dp75167 +g25267 +g27 +sg25268 +S'Punch & Judy Toy Bank' +p75168 +sg25270 +S'Beverly Chichester' +p75169 +sa(dp75170 +g25267 +S'Busts or half-length figureheads were often used for small ships. This piece was made for a New Bedford\n whaler called the \n ' +p75171 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003f1.jpg' +p75172 +sg25268 +S'Figurehead from "Bartholomew Gosnold"' +p75173 +sg25270 +S'American 20th Century' +p75174 +sa(dp75175 +g25267 +g27 +sg25268 +S'Eagle' +p75176 +sg25270 +S'Jane Iverson' +p75177 +sa(dp75178 +g25268 +S'Country Dance' +p75179 +sg25270 +S'Artist Information (' +p75180 +sg25273 +S'(artist after)' +p75181 +sg25275 +S'\n' +p75182 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008c5b.jpg' +p75183 +sg25267 +g27 +sa(dp75184 +g25267 +g27 +sg25268 +S'Weather Vane' +p75185 +sg25270 +S'American 20th Century' +p75186 +sa(dp75187 +g25267 +g27 +sg25268 +S'Panel from Rug' +p75188 +sg25270 +S'Agnes Sims' +p75189 +sa(dp75190 +g25267 +g27 +sg25268 +S'Figurehead from Schooner "Haroldine"' +p75191 +sg25270 +S'American 20th Century' +p75192 +sa(dp75193 +g25267 +g27 +sg25268 +S'Eagle' +p75194 +sg25270 +S'Chris Makrenos' +p75195 +sa(dp75196 +g25267 +g27 +sg25268 +S'Bandbox - "Castle Garden"' +p75197 +sg25270 +S'Harold Merriam' +p75198 +sa(dp75199 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000f9/a000f902.jpg' +p75200 +sg25268 +S'Panel from Circus Wagon' +p75201 +sg25270 +S'Frank M. Keane' +p75202 +sa(dp75203 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p75204 +sg25270 +S'Georgine E. Mason' +p75205 +sa(dp75206 +g25267 +S'Although the various Shaker communities shared the same beliefs and organization,\n differences were reflected by certain designs. This rug, from Pleasant Hill, Kentucky,\n shows an exuberant decorative pattern not found in rug designs of the New England\n communities. Shakers used several techniques for rug-making, including braiding,\n tufting, and shirring. In each case, wool threads or pieces of woolen cloth were\n sewn to a cloth base. This rug was made with dyed rags shirred and sewn to a gunny\n sack backing. Shaker rugs were often colorful and the designs lively; this one\n suggests a symmetrical scheme that has gone slightly awry.\n ' +p75207 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000037e.jpg' +p75208 +sg25268 +S'Shaker Rug' +p75209 +sg25270 +S'George V. Vezolles' +p75210 +sa(dp75211 +g25267 +g27 +sg25268 +S'Hand Puppet' +p75212 +sg25270 +S'David Ramage' +p75213 +sa(dp75214 +g25267 +g27 +sg25268 +S'Figurehead: "Columbia"' +p75215 +sg25270 +S'Elizabeth Fairchild' +p75216 +sa(dp75217 +g25268 +S'Rural Concert' +p75218 +sg25270 +S'Artist Information (' +p75219 +sg25273 +S'(artist after)' +p75220 +sg25275 +S'\n' +p75221 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008c55.jpg' +p75222 +sg25267 +g27 +sa(dp75223 +g25267 +g27 +sg25268 +S'McLellan Saddle' +p75224 +sg25270 +S'Walter Praefke' +p75225 +sa(dp75226 +g25267 +g27 +sg25268 +S'Dagger and Sheath' +p75227 +sg25270 +S'Cornelius Christoffels' +p75228 +sa(dp75229 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a0005542.jpg' +p75230 +sg25268 +S'Cigar Store Figure' +p75231 +sg25270 +S'Robert Pohle' +p75232 +sa(dp75233 +g25267 +g27 +sg25268 +S'Primitive Bust' +p75234 +sg25270 +S'John Sullivan' +p75235 +sa(dp75236 +g25267 +g27 +sg25268 +S'Candlestick' +p75237 +sg25270 +S'Van Silvay' +p75238 +sa(dp75239 +g25267 +g27 +sg25268 +S'Glass Pitcher' +p75240 +sg25270 +S'Elisabeth Fulda' +p75241 +sa(dp75242 +g25267 +g27 +sg25268 +S'Confessional' +p75243 +sg25270 +S'Majel G. Claflin' +p75244 +sa(dp75245 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p75246 +sg25270 +S'Adele Brooks' +p75247 +sa(dp75248 +g25267 +g27 +sg25268 +S'Buttermold' +p75249 +sg25270 +S'Don Cecilio' +p75250 +sa(dp75251 +g25267 +g27 +sg25268 +S'Shaker Table and Chairs' +p75252 +sg25270 +S'Lon Cronk' +p75253 +sa(dp75254 +g25268 +S"Annette a l'age de quinze ans (Annette at the Age of Fifteen Years)" +p75255 +sg25270 +S'Artist Information (' +p75256 +sg25273 +S'(artist after)' +p75257 +sg25275 +S'\n' +p75258 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f93.jpg' +p75259 +sg25267 +g27 +sa(dp75260 +g25267 +g27 +sg25268 +S'Shaker Candle Table' +p75261 +sg25270 +S'Lon Cronk' +p75262 +sa(dp75263 +g25267 +g27 +sg25268 +S'Shaker Chair' +p75264 +sg25270 +S'American 20th Century' +p75265 +sa(dp75266 +g25267 +g27 +sg25268 +S'Shaker Stove' +p75267 +sg25270 +S'George V. Vezolles' +p75268 +sa(dp75269 +g25267 +g27 +sg25268 +S'Shaker Wood Box' +p75270 +sg25270 +S'Lawrence Foster' +p75271 +sa(dp75272 +g25267 +g27 +sg25268 +S'Shaker Cabinet' +p75273 +sg25270 +S'John W. Kelleher' +p75274 +sa(dp75275 +g25267 +S'This is a woodcut done by Heinrich Otto in 1722. A versatile decorator, Otto made fracturs drawn and painted by hand as well as printed from blocks of wood that he carved himself. This woodcut was added to a printed sheet and colored with \n paints and dyes made from materials at hand. Used as a wall decoration, the text is a hymn telling the story of the Temptation of Eve. Traditional bird and flower motifs frame the text and central illustration of the story. \n Notice the colorful birds and flowers in contrast to the primitive human forms and the sticklike tree.\n ' +p75276 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000378.jpg' +p75277 +sg25268 +S'Woodcut Vorschrift' +p75278 +sg25270 +S'Charlotte Angus' +p75279 +sa(dp75280 +g25267 +g27 +sg25268 +S'Cigar Store Figure' +p75281 +sg25270 +S'Albert Ryder' +p75282 +sa(dp75283 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p75284 +sg25270 +S'Walter Hochstrasser' +p75285 +sa(dp75286 +g25267 +g27 +sg25268 +S'Sp. Col. Chest' +p75287 +sg25270 +S'E. Boyd' +p75288 +sa(dp75289 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a0005533.jpg' +p75290 +sg25268 +S'Patchwork Quilt' +p75291 +sg25270 +S'Mae A. Clarke' +p75292 +sa(dp75293 +g25268 +S'The Madonna of the Carnation' +p75294 +sg25270 +S'Bernardino Luini' +p75295 +sg25273 +S'oil on panel' +p75296 +sg25275 +S'c. 1515' +p75297 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a0000802.jpg' +p75298 +sg25267 +S'The Madonna of the Carnation\n Though not as well known today, Luini was once considered the leading painter from the Lombardy region of northern Italy. He was born about 1480 and trained with several local masters, but his life and art were transformed by encountering the work of Leonardo da Vinci, who visited Milan once in the late 15th century and again briefly in the early 16th century. Leonardo, as a young artist in Florence, painted several pictures with the same theme as that seen in this painting: the Christ child reaching for a flower. And it seems clear that Luini is indebted to Leonardo not only for this poignant theme but for other aspects of the painting as well: the dark background, the softness of the forms, the chiaroscuro (light and dark) modeling, the sweet sentiment of the figures, the turning pose of the Child.\n Luini was a great painter of religious images, including frescoes, wood panels, large altarpieces, and small devotional works for the home. He was obviously very popular in his own time, as there are countless copies of his paintings. Then he regained popularity in the 19th century when the famous critic John Ruskin decided that Luini was greater than Leonardo, and many readers went to Italy looking for his works.\n ' +p75299 +sa(dp75300 +g25268 +S"Annette a l'age de vingt ans (Annette at the Age of Twenty Years)" +p75301 +sg25270 +S'Artist Information (' +p75302 +sg25273 +S'(artist after)' +p75303 +sg25275 +S'\n' +p75304 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f92.jpg' +p75305 +sg25267 +g27 +sa(dp75306 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p75307 +sg25270 +S'Robert Pohle' +p75308 +sa(dp75309 +g25267 +g27 +sg25268 +S'Quilt' +p75310 +sg25270 +S'Ralph Atkinson' +p75311 +sa(dp75312 +g25267 +g27 +sg25268 +S'Architectural Carving' +p75313 +sg25270 +S'American 20th Century' +p75314 +sa(dp75315 +g25267 +g27 +sg25268 +S'Figurehead' +p75316 +sg25270 +S'Ingrid Selmer-Larsen' +p75317 +sa(dp75318 +g25267 +g27 +sg25268 +S'Coverlet' +p75319 +sg25270 +S'Alois E. Ulrich' +p75320 +sa(dp75321 +g25267 +g27 +sg25268 +S'Coverlet' +p75322 +sg25270 +S'Alois E. Ulrich' +p75323 +sa(dp75324 +g25267 +g27 +sg25268 +S'Rag Doll' +p75325 +sg25270 +S'Archie Thompson' +p75326 +sa(dp75327 +g25267 +g27 +sg25268 +S'Doll' +p75328 +sg25270 +S'Artist Information (' +p75329 +sa(dp75330 +g25267 +g27 +sg25268 +S'Circus Wagon Figure: Dancing Girl' +p75331 +sg25270 +S'Katharine Merrill' +p75332 +sa(dp75333 +g25267 +g27 +sg25268 +S'Cherub' +p75334 +sg25270 +S'American 20th Century' +p75335 +sa(dp75336 +g25268 +S"The Cupboard (L'armoire)" +p75337 +sg25270 +S'Jean-Honor\xc3\xa9 Fragonard' +p75338 +sg25273 +S'etching' +p75339 +sg25275 +S'1778' +p75340 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a0009708.jpg' +p75341 +sg25267 +g27 +sa(dp75342 +g25267 +g27 +sg25268 +S'Ring Bit' +p75343 +sg25270 +S'Harry Mann Waddell' +p75344 +sa(dp75345 +g25267 +g27 +sg25268 +S'Spur' +p75346 +sg25270 +S'Randolph F. Miller' +p75347 +sa(dp75348 +g25267 +g27 +sg25268 +S'Steer Weather Vane' +p75349 +sg25270 +S'Mina Lowry' +p75350 +sa(dp75351 +g25267 +g27 +sg25268 +S'Flask' +p75352 +sg25270 +S'Paul Ward' +p75353 +sa(dp75354 +g25267 +g27 +sg25268 +S'Salt Cellar' +p75355 +sg25270 +S'Janet Riza' +p75356 +sa(dp75357 +g25267 +g27 +sg25268 +S'Flask' +p75358 +sg25270 +S'American 20th Century' +p75359 +sa(dp75360 +g25267 +g27 +sg25268 +S'Pitcher' +p75361 +sg25270 +S'Van Silvay' +p75362 +sa(dp75363 +g25267 +g27 +sg25268 +S'Bobcat' +p75364 +sg25270 +S'Harry King' +p75365 +sa(dp75366 +g25267 +g27 +sg25268 +S'Poodle' +p75367 +sg25270 +S'Mina Lowry' +p75368 +sa(dp75369 +g25267 +g27 +sg25268 +S'Billethead' +p75370 +sg25270 +S'Harriette Gale' +p75371 +sa(dp75372 +g25268 +S"Nymph Supported by Two Satyrs (Nymphe s'asseyant sur les mains de deux satyres)" +p75373 +sg25270 +S'Jean-Honor\xc3\xa9 Fragonard' +p75374 +sg25273 +S'etching' +p75375 +sg25275 +S'1763' +p75376 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008d/a0008d2f.jpg' +p75377 +sg25267 +g27 +sa(dp75378 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p75379 +sg25270 +S'American 20th Century' +p75380 +sa(dp75381 +g25267 +g27 +sg25268 +S'Cigar Store Figure' +p75382 +sg25270 +S'American 20th Century' +p75383 +sa(dp75384 +g25267 +g27 +sg25268 +S'Trivet' +p75385 +sg25270 +S'Joseph L. Boyd' +p75386 +sa(dp75387 +g25267 +g27 +sg25268 +S'Doll' +p75388 +sg25270 +S'Charles Goodwin' +p75389 +sa(dp75390 +g25267 +g27 +sg25268 +S'Cigar Store Figure: "Punch"' +p75391 +sg25270 +S'Raymond Neumann' +p75392 +sa(dp75393 +g25267 +g27 +sg25268 +S'Tea Kettle' +p75394 +sg25270 +S'Paul Poffinbarger' +p75395 +sa(dp75396 +g25267 +g27 +sg25268 +S'Candle Mold Filler' +p75397 +sg25270 +S'Oscar Bluhme' +p75398 +sa(dp75399 +g25267 +g27 +sg25268 +S'Quilt' +p75400 +sg25270 +S'American 20th Century' +p75401 +sa(dp75402 +g25267 +g27 +sg25268 +S'Civil War General' +p75403 +sg25270 +S'Mina Lowry' +p75404 +sa(dp75405 +g25267 +g27 +sg25268 +S'Over Door Panel' +p75406 +sg25270 +S'Nicholas Amantea' +p75407 +sa(dp75408 +g25268 +S"The Satyr's Family (La famille du satyre)" +p75409 +sg25270 +S'Jean-Honor\xc3\xa9 Fragonard' +p75410 +sg25273 +S'etching' +p75411 +sg25275 +S'1763' +p75412 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008d/a0008d2d.jpg' +p75413 +sg25267 +g27 +sa(dp75414 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p75415 +sg25270 +S'Artist Information (' +p75416 +sa(dp75417 +g25267 +g27 +sg25268 +S'Appliqued Bedspread' +p75418 +sg25270 +S'Suzanne Roy' +p75419 +sa(dp75420 +g25267 +g27 +sg25268 +S'Event Handkerchief' +p75421 +sg25270 +S'Hubbell McBride' +p75422 +sa(dp75423 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00054/a000544e.jpg' +p75424 +sg25268 +S'Cigar Store Figure' +p75425 +sg25270 +S'Albert Ryder' +p75426 +sa(dp75427 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p75428 +sg25270 +S'Robert W.R. Taylor' +p75429 +sa(dp75430 +g25267 +g27 +sg25268 +S'Coverlet' +p75431 +sg25270 +S'Edward White' +p75432 +sa(dp75433 +g25267 +g27 +sg25268 +S'Eagle' +p75434 +sg25270 +S'American 20th Century' +p75435 +sa(dp75436 +g25267 +g27 +sg25268 +S'Weather Vane Horse' +p75437 +sg25270 +S'Gertrude Koch' +p75438 +sa(dp75439 +g25267 +g27 +sg25268 +S'Bandbox' +p75440 +sg25270 +S'Holger Hansen' +p75441 +sa(dp75442 +g25267 +g27 +sg25268 +S'Chest' +p75443 +sg25270 +S'Ethelbert Brown' +p75444 +sa(dp75445 +g25268 +S'Nymph Astride a Satyr (Jeune fille a califourchon sur un satyre)' +p75446 +sg25270 +S'Jean-Honor\xc3\xa9 Fragonard' +p75447 +sg25273 +S'etching' +p75448 +sg25275 +S'1763' +p75449 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008d/a0008d30.jpg' +p75450 +sg25267 +g27 +sa(dp75451 +g25267 +g27 +sg25268 +S'Table Lamp' +p75452 +sg25270 +S'Samuel Faigin' +p75453 +sa(dp75454 +g25267 +g27 +sg25268 +S'Springerle for Christmas Cookies' +p75455 +sg25270 +S'Fritz Boehmer' +p75456 +sa(dp75457 +g25267 +g27 +sg25268 +S'Mug' +p75458 +sg25270 +S'Van Silvay' +p75459 +sa(dp75460 +g25267 +g27 +sg25268 +S'Pitcher' +p75461 +sg25270 +S'John Tarantino' +p75462 +sa(dp75463 +g25267 +g27 +sg25268 +S'Toy Locomotive' +p75464 +sg25270 +S'John Hall' +p75465 +sa(dp75466 +g25267 +g27 +sg25268 +S'Toy Bank: Uncle Sam' +p75467 +sg25270 +S'Elmer Weise' +p75468 +sa(dp75469 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p75470 +sg25270 +S'American 20th Century' +p75471 +sa(dp75472 +g25267 +g27 +sg25268 +S'Mug' +p75473 +sg25270 +S'Giacinto Capelli' +p75474 +sa(dp75475 +g25267 +g27 +sg25268 +S'Mug' +p75476 +sg25270 +S'Van Silvay' +p75477 +sa(dp75478 +g25267 +g27 +sg25268 +S'Tumbler' +p75479 +sg25270 +S'Charles Garjian' +p75480 +sa(dp75481 +g25268 +S"The Satyrs' Dance (Danse de satyres)" +p75482 +sg25270 +S'Jean-Honor\xc3\xa9 Fragonard' +p75483 +sg25273 +S'etching' +p75484 +sg25275 +S'1763' +p75485 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008d/a0008d2e.jpg' +p75486 +sg25267 +g27 +sa(dp75487 +g25267 +g27 +sg25268 +S'Pitcher' +p75488 +sg25270 +S'Artist Information (' +p75489 +sa(dp75490 +g25267 +g27 +sg25268 +S'Pa. German Plate' +p75491 +sg25270 +S'Charlotte Sperber' +p75492 +sa(dp75493 +g25267 +g27 +sg25268 +S'Jar with Cover' +p75494 +sg25270 +S'Alvin Shiren' +p75495 +sa(dp75496 +g25267 +g27 +sg25268 +S'Butter Churn' +p75497 +sg25270 +S'Charlotte Sperber' +p75498 +sa(dp75499 +g25267 +g27 +sg25268 +S'Jug' +p75500 +sg25270 +S'Jessica Price' +p75501 +sa(dp75502 +g25267 +g27 +sg25268 +S'Chair Seat' +p75503 +sg25270 +S'Elizabeth Moutal' +p75504 +sa(dp75505 +g25267 +g27 +sg25268 +S'Quilt' +p75506 +sg25270 +S'Suzanne Roy' +p75507 +sa(dp75508 +g25267 +g27 +sg25268 +S'Coverlet' +p75509 +sg25270 +S'Cornelius Christoffels' +p75510 +sa(dp75511 +g25267 +g27 +sg25268 +S'Coin Purse' +p75512 +sg25270 +S'Ruth M. Barnes' +p75513 +sa(dp75514 +g25267 +g27 +sg25268 +S'Desk' +p75515 +sg25270 +S'Winslow Rich' +p75516 +sa(dp75517 +g25268 +S'Ma chemise brule' +p75518 +sg25270 +S'Artist Information (' +p75519 +sg25273 +S'(artist after)' +p75520 +sg25275 +S'\n' +p75521 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a0009721.jpg' +p75522 +sg25267 +g27 +sa(dp75523 +g25267 +g27 +sg25268 +S'Side Chair' +p75524 +sg25270 +S'Dana Bartlett' +p75525 +sa(dp75526 +g25267 +g27 +sg25268 +S'Side Chair' +p75527 +sg25270 +S'Charles Squires' +p75528 +sa(dp75529 +g25267 +g27 +sg25268 +S'Chair' +p75530 +sg25270 +S'William Kieckhofel' +p75531 +sa(dp75532 +g25267 +g27 +sg25268 +S'Altar Tabernacle' +p75533 +sg25270 +S'Gerald Transpota' +p75534 +sa(dp75535 +g25267 +g27 +sg25268 +S'Horse' +p75536 +sg25270 +S'Mina Lowry' +p75537 +sa(dp75538 +g25267 +g27 +sg25268 +S'Toy Horse' +p75539 +sg25270 +S'American 20th Century' +p75540 +sa(dp75541 +g25267 +g27 +sg25268 +S'Bird' +p75542 +sg25270 +S'Mina Lowry' +p75543 +sa(dp75544 +g25267 +g27 +sg25268 +S'Baptismal Font' +p75545 +sg25270 +S'Artist Information (' +p75546 +sa(dp75547 +g25267 +g27 +sg25268 +S'Baptismal Font & Stand' +p75548 +sg25270 +S'Marius Hansen' +p75549 +sa(dp75550 +g25267 +g27 +sg25268 +S'Graduated Measure' +p75551 +sg25270 +S'Amelia Tuccio' +p75552 +sa(dp75553 +g25268 +S'La chemise enlevee' +p75554 +sg25270 +S'Artist Information (' +p75555 +sg25273 +S'(artist after)' +p75556 +sg25275 +S'\n' +p75557 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a0009710.jpg' +p75558 +sg25267 +g27 +sa(dp75559 +g25267 +g27 +sg25268 +S'Circus Wagon Monkey' +p75560 +sg25270 +S'John Matulis' +p75561 +sa(dp75562 +g25267 +g27 +sg25268 +S'Circus Wagon Figure: Muse' +p75563 +sg25270 +S'John Matulis' +p75564 +sa(dp75565 +g25267 +g27 +sg25268 +S'Hadley Chest' +p75566 +sg25270 +S'Lawrence Flynn' +p75567 +sa(dp75568 +g25267 +g27 +sg25268 +S'Figurehead' +p75569 +sg25270 +S'Alfred Walbeck' +p75570 +sa(dp75571 +g25267 +g27 +sg25268 +S'Copper Kettle' +p75572 +sg25270 +S'Orrie McCombs' +p75573 +sa(dp75574 +g25267 +g27 +sg25268 +S'Hat Box' +p75575 +sg25270 +S'Frank McEntee' +p75576 +sa(dp75577 +g25267 +g27 +sg25268 +S'Figurehead from "Union"' +p75578 +sg25270 +S'Frances Cohen' +p75579 +sa(dp75580 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a000552f.jpg' +p75581 +sg25268 +S'Rooster Weather Vane' +p75582 +sg25270 +S'Lucille Chabot' +p75583 +sa(dp75584 +g25267 +g27 +sg25268 +S'Eagle Weather Vane' +p75585 +sg25270 +S'Chris Makrenos' +p75586 +sa(dp75587 +g25267 +g27 +sg25268 +S'Figurehead' +p75588 +sg25270 +S'American 20th Century' +p75589 +sa(dp75590 +g25268 +S'La chemise enlevee' +p75591 +sg25270 +S'Artist Information (' +p75592 +sg25273 +S'(artist after)' +p75593 +sg25275 +S'\n' +p75594 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a000970c.jpg' +p75595 +sg25267 +g27 +sa(dp75596 +g25267 +g27 +sg25268 +S'Figurehead' +p75597 +sg25270 +S'Frances Cohen' +p75598 +sa(dp75599 +g25267 +g27 +sg25268 +S'Indian Woman' +p75600 +sg25270 +S'Robert W.R. Taylor' +p75601 +sa(dp75602 +g25267 +g27 +sg25268 +S'Indian' +p75603 +sg25270 +S'Robert W.R. Taylor' +p75604 +sa(dp75605 +g25267 +g27 +sg25268 +S'Powder Horn' +p75606 +sg25270 +S'William McAuley' +p75607 +sa(dp75608 +g25267 +g27 +sg25268 +S'Santo' +p75609 +sg25270 +S'Maude Valle' +p75610 +sa(dp75611 +g25267 +g27 +sg25268 +S'Jockey Hitching Post' +p75612 +sg25270 +S'American 20th Century' +p75613 +sa(dp75614 +g25267 +g27 +sg25268 +S'Clock' +p75615 +sg25270 +S'Arthur Johnson' +p75616 +sa(dp75617 +g25267 +g27 +sg25268 +S'Chest' +p75618 +sg25270 +S'M. Rosenshield-von-Paulin' +p75619 +sa(dp75620 +g25267 +g27 +sg25268 +S'Shaker Stove' +p75621 +sg25270 +S'John W. Kelleher' +p75622 +sa(dp75623 +g25267 +g27 +sg25268 +S'Poodle' +p75624 +sg25270 +S'Mina Lowry' +p75625 +sa(dp75626 +g25268 +S'La chemise enlevee' +p75627 +sg25270 +S'Artist Information (' +p75628 +sg25273 +S'(artist after)' +p75629 +sg25275 +S'\n' +p75630 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a000970d.jpg' +p75631 +sg25267 +g27 +sa(dp75632 +g25267 +g27 +sg25268 +S'Vase' +p75633 +sg25270 +S'Janet Riza' +p75634 +sa(dp75635 +g25267 +g27 +sg25268 +S'Bandbox Design' +p75636 +sg25270 +S'American 20th Century' +p75637 +sa(dp75638 +g25267 +S"Carousel sculpture was another type of woodcarving important to circuses and to amusement\n parks. While crude carousels of various kinds had been available in America before the Civil\n War, the carousel with a rotating platform did not appear until 1879, when a version was first\n made in North Tonawanda, New York. Carousels became regular attractions at fairs and\n carnivals as well as at circuses. Their numbers increased greatly during the last years of the\n nineteenth century. One of the best-known makers of carousel animals was Charles Looff, who\n worked in Riverside, Rhode Island, and produced a wide range of animal figures between 1876\n and 1918. Looff probably carved this fine, galloping steed after the turn of the century, since it is\n consistent with his late style both in liveliness and in the splendor of the animal's mane and accessories.\n " +p75639 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000344.jpg' +p75640 +sg25268 +S'Carousel Horse' +p75641 +sg25270 +S'Henry Murphy' +p75642 +sa(dp75643 +g25267 +g27 +sg25268 +S'Fish Weather Vane' +p75644 +sg25270 +S'Michael Riccitelli' +p75645 +sa(dp75646 +g25267 +g27 +sg25268 +S'Figurehead' +p75647 +sg25270 +S'American 20th Century' +p75648 +sa(dp75649 +g25267 +g27 +sg25268 +S'Chest' +p75650 +sg25270 +S'Carl Strehlau' +p75651 +sa(dp75652 +g25267 +g27 +sg25268 +S'Plate' +p75653 +sg25270 +S'Charlotte Angus' +p75654 +sa(dp75655 +g25267 +g27 +sg25268 +S'Dish' +p75656 +sg25270 +S'Charlotte Angus' +p75657 +sa(dp75658 +g25267 +S'This milk wagon is made from a combination of materials: the horse and figure\n are plaster, the wagon is wood, and the large milk cans and dipper are tin. The\n wagon dates from 1870. Before that time, milk was delivered from house to house\n by farm wagons. The Lake Wagon Company built the first vehicle to be used exclusively\n for milk delivery in New York City. This type of wagon then remained in general\n use until it was replaced by the closed wagon. Milk was dipped from the large cans\n into pitchers brought to the driver by housewives.\n ' +p75659 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002f8.jpg' +p75660 +sg25268 +S'Toy Milk Wagon' +p75661 +sg25270 +S'Henry Granet' +p75662 +sa(dp75663 +g25267 +g27 +sg25268 +S'Rocking Horse' +p75664 +sg25270 +S'Selma Sandler' +p75665 +sa(dp75666 +g25268 +S'The Triumph of Camillus' +p75667 +sg25270 +S'Artist Information (' +p75668 +sg25273 +S'(painter)' +p75669 +sg25275 +S'\n' +p75670 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005ca.jpg' +p75671 +sg25267 +S'Subjects like this one, taken from the writings of the ancient Roman author Livy, displayed the learning and \r\n sophistication of Renaissance patrons and were especially popular in \r\n domestic settings. The size of this painting suggests that it was probably displayed like a frieze with other \r\n panels in the home of a wealthy Florentine family.\n Here, the Roman senate honors the hero Camillus with a triumphal parade \r\n through Rome. Camillus returned from \r\n exile to rescue Rome from besieging Gauls. When informed that the city was \r\n ready to capitulate by paying off the enemy, Camillus stirred his troops \r\n and fellow citizens with powerful rhetoric. "With iron," he said, "and not \r\n with gold, Rome buys her freedom." This spirit of republican virtue \r\n appealed to fifteenth-century Florentines, who regarded ancient Rome as a \r\n paradigm for their own city. The scene\'s relevance was enhanced by its \r\n contemporary costumes and other familiar details. The decorated parade \r\n floats recalled the lavish spectacle of processions in Florence. The \r\n battered and blood-stained walls of the city enclose several buildings that \r\n could be recognized in Rome, including the dome of the Pantheon and the \r\n drums of Castel Sant\'Angelo. The heraldic colors that drape the \r\n horses probably belonged to the painting\'s patron, as yet unidentified.\n ' +p75672 +sa(dp75673 +g25268 +S"Le Chiffre d'amour" +p75674 +sg25270 +S'Artist Information (' +p75675 +sg25273 +S'(artist after)' +p75676 +sg25275 +S'\n' +p75677 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e75.jpg' +p75678 +sg25267 +g27 +sa(dp75679 +g25267 +g27 +sg25268 +S'Side Chair' +p75680 +sg25270 +S'Ferdinand Cartier' +p75681 +sa(dp75682 +g25267 +g27 +sg25268 +S'Table' +p75683 +sg25270 +S'Frank Wenger' +p75684 +sa(dp75685 +g25267 +g27 +sg25268 +S'Side Chair' +p75686 +sg25270 +S'Hans Westendorff' +p75687 +sa(dp75688 +g25267 +g27 +sg25268 +S'Shaker Built-In Cupboard' +p75689 +sg25270 +S'Sumner Merrill' +p75690 +sa(dp75691 +g25267 +g27 +sg25268 +S'Shaker Cabinet' +p75692 +sg25270 +S'John W. Kelleher' +p75693 +sa(dp75694 +g25267 +g27 +sg25268 +S'Stoneware Jar' +p75695 +sg25270 +S'Charles Caseau' +p75696 +sa(dp75697 +g25267 +g27 +sg25268 +S'Stoneware Crock' +p75698 +sg25270 +S'Charles Caseau' +p75699 +sa(dp75700 +g25267 +g27 +sg25268 +S'Plate' +p75701 +sg25270 +S'Hedwig Emanuel' +p75702 +sa(dp75703 +g25267 +g27 +sg25268 +S'Churn' +p75704 +sg25270 +S'American 20th Century' +p75705 +sa(dp75706 +g25267 +g27 +sg25268 +S'Pitcher' +p75707 +sg25270 +S'John Tarantino' +p75708 +sa(dp75709 +g25268 +S'La coquette fixee' +p75710 +sg25270 +S'Artist Information (' +p75711 +sg25273 +S'(artist)' +p75712 +sg25275 +S'\n' +p75713 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e4c.jpg' +p75714 +sg25267 +g27 +sa(dp75715 +g25267 +g27 +sg25268 +S'Betty Lamp' +p75716 +sg25270 +S'American 20th Century' +p75717 +sa(dp75718 +g25267 +g27 +sg25268 +S'Pitcher' +p75719 +sg25270 +S'Eugene La Foret' +p75720 +sa(dp75721 +g25267 +g27 +sg25268 +S'Window Grille' +p75722 +sg25270 +S'Harry Mann Waddell' +p75723 +sa(dp75724 +g25267 +g27 +sg25268 +S'Wallpaper' +p75725 +sg25270 +S'American 20th Century' +p75726 +sa(dp75727 +g25267 +g27 +sg25268 +S'Dirk' +p75728 +sg25270 +S'American 20th Century' +p75729 +sa(dp75730 +g25267 +g27 +sg25268 +S'Wooden Spoon' +p75731 +sg25270 +S'American 20th Century' +p75732 +sa(dp75733 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p75734 +sg25270 +S'American 20th Century' +p75735 +sa(dp75736 +g25267 +g27 +sg25268 +S'Spur' +p75737 +sg25270 +S'Hazel Sheckler' +p75738 +sa(dp75739 +g25267 +g27 +sg25268 +S'Silver Teapot' +p75740 +sg25270 +S'American 20th Century' +p75741 +sa(dp75742 +g25267 +g27 +sg25268 +S'Silver Creamer' +p75743 +sg25270 +S'Amelia Tuccio' +p75744 +sa(dp75745 +g25268 +S'La coquette fixee' +p75746 +sg25270 +S'Artist Information (' +p75747 +sg25273 +S'(artist)' +p75748 +sg25275 +S'\n' +p75749 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a00096b9.jpg' +p75750 +sg25267 +g27 +sa(dp75751 +g25267 +g27 +sg25268 +S'Candlestick' +p75752 +sg25270 +S'Janet Riza' +p75753 +sa(dp75754 +g25267 +g27 +sg25268 +S'Shoe Blacking Bottle' +p75755 +sg25270 +S'Anne Nemtzoff' +p75756 +sa(dp75757 +g25267 +g27 +sg25268 +S'Bottle for Toilet Water' +p75758 +sg25270 +S'Joseph Delaney' +p75759 +sa(dp75760 +g25267 +g27 +sg25268 +S'Vase' +p75761 +sg25270 +S'Alvin Shiren' +p75762 +sa(dp75763 +g25267 +g27 +sg25268 +S'Jelly Tumbler' +p75764 +sg25270 +S'American 20th Century' +p75765 +sa(dp75766 +g25267 +g27 +sg25268 +S'Whale Oil Lamp' +p75767 +sg25270 +S'Janet Riza' +p75768 +sa(dp75769 +g25267 +g27 +sg25268 +S'Garden Gate Latch' +p75770 +sg25270 +S'J. Peltzman' +p75771 +sa(dp75772 +g25267 +g27 +sg25268 +S'Civil War General' +p75773 +sg25270 +S'Mina Lowry' +p75774 +sa(dp75775 +g25267 +g27 +sg25268 +S'Dancing Doll' +p75776 +sg25270 +S'Mina Lowry' +p75777 +sa(dp75778 +g25267 +g27 +sg25268 +S'Bandbox' +p75779 +sg25270 +S'Lee Hager' +p75780 +sa(dp75781 +g25268 +S'La Culbute (The Tumble)' +p75782 +sg25270 +S'Artist Information (' +p75783 +sg25273 +S'(artist after)' +p75784 +sg25275 +S'\n' +p75785 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a00055b0.jpg' +p75786 +sg25267 +g27 +sa(dp75787 +g25267 +g27 +sg25268 +S'Side Chair' +p75788 +sg25270 +S'Ruth Bialostosky' +p75789 +sa(dp75790 +g25267 +S'At the end of the seventeenth century and in the early part of the eighteenth century,\r\n the newly affluent colonists created a demand for finely crafted furniture. American\r\n cabinetmakers responded through the use of richer woods and by modifying the \r\n earlier Jacobean forms in order to achieve the lighter, more graceful designs preferred\r\n by fashionable patrons. The taste of the well-to-do colonists and the products of\r\n American craftsmen reflected the influence of new fashions in English furniture\r\n design. English cabinetry began to take on some of the elegance of French styles\r\n as a result of the work of Continental craftsmen who came to England in the late\r\n seventeenth century. A style called William and Mary after the reigning English\r\n monarchs thus evolved in England after 1660 and was adopted by American cabinetmakers\r\n at the end of the century. Although Jacobean decorative techniques such as turning\r\n and carving were retained in furniture design, proportions were refined, curves\r\n and angles added, and structural members made slimmer. This pine and walnut\r\n table with a circular top and three finely turned legs splayed outward at a vigorous\r\n angle is a popular William and Mary form. The angle of the legs and the curve of\r\n the round table avoid the heaviness of the earlier Jacobean square forms. The bulbous\r\n uprights of Jacobean furniture have given way to slim and varied turnings. The total\r\n effect is one of lightness and refinement.\n ' +p75791 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002c8.jpg' +p75792 +sg25268 +S'Table' +p75793 +sg25270 +S'Louis Annino' +p75794 +sa(dp75795 +g25267 +g27 +sg25268 +S'Shelf Clock' +p75796 +sg25270 +S'American 20th Century' +p75797 +sa(dp75798 +g25267 +g27 +sg25268 +S'Closet and Drawers' +p75799 +sg25270 +S'Artist Information (' +p75800 +sa(dp75801 +g25267 +g27 +sg25268 +S'Side Chair' +p75802 +sg25270 +S'Francisco Alvarez' +p75803 +sa(dp75804 +g25267 +g27 +sg25268 +S'Cabinet with Drawers' +p75805 +sg25270 +S'Irving I. Smith' +p75806 +sa(dp75807 +g25267 +g27 +sg25268 +S'Sugar Bowl' +p75808 +sg25270 +S'Rolland Livingstone' +p75809 +sa(dp75810 +g25267 +g27 +sg25268 +S'Bottle' +p75811 +sg25270 +S'Nicholas Amantea' +p75812 +sa(dp75813 +g25273 +S'watercolor, colored pencil, pen and ink, and graphite on paper' +p75814 +sg25267 +g27 +sg25275 +S'1935/1942' +p75815 +sg25268 +S'Rural School Room, 1900' +p75816 +sg25270 +S'Perkins Harnly' +p75817 +sa(dp75818 +g25267 +g27 +sg25268 +S'Silver Creamer' +p75819 +sg25270 +S'Amelia Tuccio' +p75820 +sa(dp75821 +g25268 +S'La fuite a dessein' +p75822 +sg25270 +S'Artist Information (' +p75823 +sg25273 +S'(artist after)' +p75824 +sg25275 +S'\n' +p75825 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f0f.jpg' +p75826 +sg25267 +g27 +sa(dp75827 +g25267 +g27 +sg25268 +S'Window Grille' +p75828 +sg25270 +S'Geoffrey Holt' +p75829 +sa(dp75830 +g25267 +g27 +sg25268 +S'Dirk' +p75831 +sg25270 +S'A. Regli' +p75832 +sa(dp75833 +g25267 +g27 +sg25268 +S'Trivet' +p75834 +sg25270 +S'American 20th Century' +p75835 +sa(dp75836 +g25267 +g27 +sg25268 +S'Pitcher' +p75837 +sg25270 +S'Henry Granet' +p75838 +sa(dp75839 +g25267 +g27 +sg25268 +S'Bandbox' +p75840 +sg25270 +S'Lee Hager' +p75841 +sa(dp75842 +g25267 +g27 +sg25268 +S'Wallpaper' +p75843 +sg25270 +S'Mina Lowry' +p75844 +sa(dp75845 +g25267 +g27 +sg25268 +S'Bandbox' +p75846 +sg25270 +S'American 20th Century' +p75847 +sa(dp75848 +g25267 +g27 +sg25268 +S'Civil War Soldier' +p75849 +sg25270 +S'Mina Lowry' +p75850 +sa(dp75851 +g25267 +g27 +sg25268 +S'Dancing Doll' +p75852 +sg25270 +S'Mina Lowry' +p75853 +sa(dp75854 +g25267 +g27 +sg25268 +S'Ember Carrier' +p75855 +sg25270 +S'Mildred Ford' +p75856 +sa(dp75857 +g25268 +S"Les Hazards heureux de l'Escarpolette" +p75858 +sg25270 +S'Artist Information (' +p75859 +sg25273 +S'(artist after)' +p75860 +sg25275 +S'\n' +p75861 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a00096d2.jpg' +p75862 +sg25267 +g27 +sa(dp75863 +g25267 +g27 +sg25268 +S'Candelabrum' +p75864 +sg25270 +S'Mildred Ford' +p75865 +sa(dp75866 +g25267 +g27 +sg25268 +S'Candlestick' +p75867 +sg25270 +S'American 20th Century' +p75868 +sa(dp75869 +g25267 +g27 +sg25268 +S'Lamp' +p75870 +sg25270 +S'Clayton Braun' +p75871 +sa(dp75872 +g25267 +g27 +sg25268 +S'Tumbler' +p75873 +sg25270 +S'Anne Nemtzoff' +p75874 +sa(dp75875 +g25267 +g27 +sg25268 +S'Creamer' +p75876 +sg25270 +S'John Dana' +p75877 +sa(dp75878 +g25267 +g27 +sg25268 +S'Vase' +p75879 +sg25270 +S'Michael Trekur' +p75880 +sa(dp75881 +g25267 +g27 +sg25268 +S'Shaker Table' +p75882 +sg25270 +S'Winslow Rich' +p75883 +sa(dp75884 +g25267 +g27 +sg25268 +S'Shaker Chest of Drawers' +p75885 +sg25270 +S'Winslow Rich' +p75886 +sa(dp75887 +g25267 +g27 +sg25268 +S'Figure of a Black Man' +p75888 +sg25270 +S'Mina Lowry' +p75889 +sa(dp75890 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p75891 +sg25270 +S'Marius Hansen' +p75892 +sa(dp75893 +g25268 +S"Les Hazards heureux de l'Escarpolette" +p75894 +sg25270 +S'Artist Information (' +p75895 +sg25273 +S'(artist after)' +p75896 +sg25275 +S'\n' +p75897 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a00096d3.jpg' +p75898 +sg25267 +g27 +sa(dp75899 +g25267 +g27 +sg25268 +S'Cigar Store Indian' +p75900 +sg25270 +S'Marius Hansen' +p75901 +sa(dp75902 +g25267 +g27 +sg25268 +S'Barber Pole' +p75903 +sg25270 +S'American 20th Century' +p75904 +sa(dp75905 +g25267 +g27 +sg25268 +S'Glass Pitcher' +p75906 +sg25270 +S'American 20th Century' +p75907 +sa(dp75908 +g25267 +g27 +sg25268 +S'Toddy Glass' +p75909 +sg25270 +S'Frank Fumagalli' +p75910 +sa(dp75911 +g25267 +g27 +sg25268 +S'Sugar Bowl' +p75912 +sg25270 +S'Joseph Delaney' +p75913 +sa(dp75914 +g25267 +g27 +sg25268 +S'Vase' +p75915 +sg25270 +S'John Dana' +p75916 +sa(dp75917 +g25267 +g27 +sg25268 +S'Flask' +p75918 +sg25270 +S'Janet Riza' +p75919 +sa(dp75920 +g25267 +g27 +sg25268 +S'Bar Bottle' +p75921 +sg25270 +S'Anna Aloisi' +p75922 +sa(dp75923 +g25267 +g27 +sg25268 +S'Wallpaper' +p75924 +sg25270 +S'Mina Lowry' +p75925 +sa(dp75926 +g25267 +g27 +sg25268 +S'Bandbox' +p75927 +sg25270 +S'American 20th Century' +p75928 +sa(dp75929 +g25268 +S'The Waterworks' +p75930 +sg25270 +S'Artist Information (' +p75931 +sg25273 +S'(artist after)' +p75932 +sg25275 +S'\n' +p75933 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008cbc.jpg' +p75934 +sg25267 +g27 +sa(dp75935 +g25267 +g27 +sg25268 +S'Wallpaper Border' +p75936 +sg25270 +S'Moses Bank' +p75937 +sa(dp75938 +g25267 +g27 +sg25268 +S'Wallpaper Border' +p75939 +sg25270 +S'Lee Hager' +p75940 +sa(dp75941 +g25267 +g27 +sg25268 +S'Wallpaper Border' +p75942 +sg25270 +S'Sidney Liswood' +p75943 +sa(dp75944 +g25267 +g27 +sg25268 +S'Wallpaper' +p75945 +sg25270 +S'Moses Bank' +p75946 +sa(dp75947 +g25267 +g27 +sg25268 +S'Wallpaper Border' +p75948 +sg25270 +S'George Robin' +p75949 +sa(dp75950 +g25267 +g27 +sg25268 +S'Shaker Chest of Drawers' +p75951 +sg25270 +S'Winslow Rich' +p75952 +sa(dp75953 +g25267 +g27 +sg25268 +S'Table' +p75954 +sg25270 +S'Alfred H. 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Sherman' +p76745 +sa(dp76746 +g25267 +g27 +sg25268 +S'Jelly Mold' +p76747 +sg25270 +S'Anna Aloisi' +p76748 +sa(dp76749 +g25267 +g27 +sg25268 +S'Piano' +p76750 +sg25270 +S'George Loughridge' +p76751 +sa(dp76752 +g25267 +g27 +sg25268 +S'Nutcracker - Dog' +p76753 +sg25270 +S'Gerald Transpota' +p76754 +sa(dp76755 +g25267 +g27 +sg25268 +S'Shaker Scales' +p76756 +sg25270 +S'George V. Vezolles' +p76757 +sa(dp76758 +g25267 +g27 +sg25268 +S'Pewter Pitcher' +p76759 +sg25270 +S'Henry Granet' +p76760 +sa(dp76761 +g25267 +g27 +sg25268 +S'Porringer' +p76762 +sg25270 +S'Joseph Wolins' +p76763 +sa(dp76764 +g25268 +S'Allegory of Virtue and Vice' +p76765 +sg25270 +S'Albrecht Dürer' +p76766 +sg25273 +S'oil on panel' +p76767 +sg25275 +S'1505' +p76768 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002a/a0002afb.jpg' +p76769 +sg25267 +S"This small panel originally functioned as a cover for a portrait. Covers not only protected the painting underneath, but allowed the artist to expand symbolically on particular facets of the patron's personality and concerns. This allegorical scene covered a portrait, now in Naples, of Bernardo de' Rossi, bishop of Trevisio.\n Rossi had only recently survived an assassination attempt when Lotto painted him. This scene presents a view of the bishop's virtue and perseverance—and the ultimate award available to those who choose a difficult path over more immediate and worldly gratifications. The panel is clearly divided in two halves by the central tree. On the right side, a drunken satyr peers into a wine pitcher, the intoxicating liquid already spilled around him. His surroundings are lush and green, but farther in the distance a storm rises and a ship sinks below the waves. On the other side, where we find Rossi's coat-of-arms leaning against a tree, an industrious child busies himself with tools. Here the land is parched and rocky, but in the distance the same child, now with an angel's wings, climbs a hill toward a brilliant radiance. Even\r\nthe tree sprouts with new life, but on the left side only. It may refer to Job 14:7: "For there is hope of a tree, if it be cut down, that it\r\nwill sprout again." The bishop, like Job beset by troubles, would\r\nalso flourish through steadfast virtue.\n The clarity of Lotto's landscape has little to do with the soft dreaminess recently introduced by Giorgione. It shows instead the continuing influence of the kind of precision found in northern art, especially that of the German \n " +p76770 +sa(dp76771 +g25268 +S'La F\xc3\xa9licit\xc3\xa9 villageoise' +p76772 +sg25270 +S'Artist Information (' +p76773 +sg25273 +S'(artist after)' +p76774 +sg25275 +S'\n' +p76775 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e8e.jpg' +p76776 +sg25267 +g27 +sa(dp76777 +g25267 +g27 +sg25268 +S'Porringer' +p76778 +sg25270 +S'Eugene Barrell' +p76779 +sa(dp76780 +g25267 +g27 +sg25268 +S'Spoon' +p76781 +sg25270 +S'Holger Hansen' +p76782 +sa(dp76783 +g25267 +g27 +sg25268 +S'Funnel' +p76784 +sg25270 +S'Charles Garjian' +p76785 +sa(dp76786 +g25267 +g27 +sg25268 +S'Pitcher' +p76787 +sg25270 +S'Francis Borelli' +p76788 +sa(dp76789 +g25267 +g27 +sg25268 +S'Inkwell' +p76790 +sg25270 +S'Salvatore Borrazzo' +p76791 +sa(dp76792 +g25267 +g27 +sg25268 +S'Pewter Mug' +p76793 +sg25270 +S'Charlotte Winter' +p76794 +sa(dp76795 +g25267 +g27 +sg25268 +S'Pewter Box' +p76796 +sg25270 +S'Harry Goodman' +p76797 +sa(dp76798 +g25267 +g27 +sg25268 +S'Pewter Porringer' +p76799 +sg25270 +S'Charles Cullen' +p76800 +sa(dp76801 +g25267 +g27 +sg25268 +S'Pewter Porringer' +p76802 +sg25270 +S'Charles Cullen' +p76803 +sa(dp76804 +g25267 +g27 +sg25268 +S'Pewter Teapot' +p76805 +sg25270 +S'Charles Cullen' +p76806 +sa(dp76807 +g25268 +S'Lison dormait' +p76808 +sg25270 +S'Artist Information (' +p76809 +sg25273 +S'(artist after)' +p76810 +sg25275 +S'\n' +p76811 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a0009642.jpg' +p76812 +sg25267 +g27 +sa(dp76813 +g25267 +g27 +sg25268 +S'Pewter Commode Form' +p76814 +sg25270 +S'Charles Garjian' +p76815 +sa(dp76816 +g25267 +g27 +sg25268 +S'Pewter Commode Form' +p76817 +sg25270 +S'Charles Garjian' +p76818 +sa(dp76819 +g25267 +g27 +sg25268 +S'Pewter Porringer' +p76820 +sg25270 +S'Charles Cullen' +p76821 +sa(dp76822 +g25267 +g27 +sg25268 +S'Pewter Nursing Bottle' +p76823 +sg25270 +S'Charles Cullen' +p76824 +sa(dp76825 +g25267 +g27 +sg25268 +S'Powderhorn' +p76826 +sg25270 +S'William McAuley' +p76827 +sa(dp76828 +g25267 +g27 +sg25268 +S'Sewing Bird' +p76829 +sg25270 +S'Charlotte Winter' +p76830 +sa(dp76831 +g25267 +g27 +sg25268 +S'Silver Beaker' +p76832 +sg25270 +S'Vincent Carano' +p76833 +sa(dp76834 +g25267 +g27 +sg25268 +S'Silver Wine Tumbler' +p76835 +sg25270 +S'Vincent Carano' +p76836 +sa(dp76837 +g25267 +g27 +sg25268 +S'Silver Beaker' +p76838 +sg25270 +S'Karl Joubert' +p76839 +sa(dp76840 +g25267 +g27 +sg25268 +S'Silver Beaker' +p76841 +sg25270 +S'Hester Duany' +p76842 +sa(dp76843 +g25268 +S'Le Petit Jour' +p76844 +sg25270 +S'Artist Information (' +p76845 +sg25273 +S'(artist after)' +p76846 +sg25275 +S'\n' +p76847 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00061/a00061f5.jpg' +p76848 +sg25267 +g27 +sa(dp76849 +g25267 +g27 +sg25268 +S'Garden Bench' +p76850 +sg25270 +S'John B. 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Genin' +p76977 +sa(dp76978 +g25267 +g27 +sg25268 +S'Lamp' +p76979 +sg25270 +S'Arsen Maralian' +p76980 +sa(dp76981 +g25267 +g27 +sg25268 +S'Large Pitcher' +p76982 +sg25270 +S'S. Brodsky' +p76983 +sa(dp76984 +g25267 +g27 +sg25268 +S'Pitcher' +p76985 +sg25270 +S'John Fisk' +p76986 +sa(dp76987 +g25268 +S'Charlotte Corday' +p76988 +sg25270 +S'Artist Information (' +p76989 +sg25273 +S'(artist after)' +p76990 +sg25275 +S'\n' +p76991 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f1a.jpg' +p76992 +sg25267 +g27 +sa(dp76993 +g25267 +g27 +sg25268 +S'Blown Glass' +p76994 +sg25270 +S'Alvin Shiren' +p76995 +sa(dp76996 +g25267 +g27 +sg25268 +S'Blown Glass' +p76997 +sg25270 +S'Anna Aloisi' +p76998 +sa(dp76999 +g25267 +g27 +sg25268 +S'Blown Glass - Pitcher' +p77000 +sg25270 +S'Vincent Burzy' +p77001 +sa(dp77002 +g25267 +g27 +sg25268 +S'Blown Glass - Bottle' +p77003 +sg25270 +S'John Fisk' +p77004 +sa(dp77005 +g25267 +g27 +sg25268 +S'Blown Glass - Salt Cellar' +p77006 +sg25270 +S'John Fisk' +p77007 +sa(dp77008 +g25267 +g27 +sg25268 +S'Blown Glass' +p77009 +sg25270 +S'Anna Aloisi' +p77010 +sa(dp77011 +g25267 +g27 +sg25268 +S'Blown Glass' +p77012 +sg25270 +S'Frank Fumagalli' +p77013 +sa(dp77014 +g25267 +g27 +sg25268 +S'Blown Glass' +p77015 +sg25270 +S'Alvin Shiren' +p77016 +sa(dp77017 +g25267 +g27 +sg25268 +S'Toddy Glass' +p77018 +sg25270 +S'Minnetta Good' +p77019 +sa(dp77020 +g25267 +g27 +sg25268 +S'Blown Glass' +p77021 +sg25270 +S'Janet Riza' +p77022 +sa(dp77023 +g25268 +S'Le triomphe de Minette' +p77024 +sg25270 +S'Artist Information (' +p77025 +sg25273 +S'(artist after)' +p77026 +sg25275 +S'\n' +p77027 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a0009750.jpg' +p77028 +sg25267 +g27 +sa(dp77029 +g25267 +g27 +sg25268 +S'Blown Glass' +p77030 +sg25270 +S'American 20th Century' +p77031 +sa(dp77032 +g25267 +g27 +sg25268 +S'Blown Glass - Pitcher' +p77033 +sg25270 +S'Alvin Shiren' +p77034 +sa(dp77035 +g25267 +g27 +sg25268 +S'Blown Glass - Pitcher' +p77036 +sg25270 +S'Frank Fumagalli' +p77037 +sa(dp77038 +g25267 +g27 +sg25268 +S'Inkwell' +p77039 +sg25270 +S'Frank Fumagalli' +p77040 +sa(dp77041 +g25267 +g27 +sg25268 +S'Finger Bowl' +p77042 +sg25270 +S'John Tarantino' +p77043 +sa(dp77044 +g25267 +g27 +sg25268 +S'Candlestick' +p77045 +sg25270 +S'John Dana' +p77046 +sa(dp77047 +g25267 +g27 +sg25268 +S'Candlestick' +p77048 +sg25270 +S'John Tarantino' +p77049 +sa(dp77050 +g25267 +g27 +sg25268 +S'Salt Cellar' +p77051 +sg25270 +S'John Tarantino' +p77052 +sa(dp77053 +g25267 +g27 +sg25268 +S'Handle' +p77054 +sg25270 +S'John Garay' +p77055 +sa(dp77056 +g25267 +g27 +sg25268 +S'Handle' +p77057 +sg25270 +S'Bernard Westmacott' +p77058 +sa(dp77059 +g25268 +S'Le concert' +p77060 +sg25270 +S'Artist Information (' +p77061 +sg25273 +S'(artist after)' +p77062 +sg25275 +S'\n' +p77063 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a0009694.jpg' +p77064 +sg25267 +g27 +sa(dp77065 +g25267 +g27 +sg25268 +S'Door Handle with Thumb Press' +p77066 +sg25270 +S'Jack Staloff' +p77067 +sa(dp77068 +g25267 +g27 +sg25268 +S'Three Door Handles' +p77069 +sg25270 +S'Hans Korsch' +p77070 +sa(dp77071 +g25267 +g27 +sg25268 +S'Three Door Handles' +p77072 +sg25270 +S'Hans Korsch' +p77073 +sa(dp77074 +g25267 +g27 +sg25268 +S'Hasp' +p77075 +sg25270 +S'Geoffrey Holt' +p77076 +sa(dp77077 +g25267 +g27 +sg25268 +S'Latch' +p77078 +sg25270 +S'Geoffrey Holt' +p77079 +sa(dp77080 +g25267 +g27 +sg25268 +S'Hasps' +p77081 +sg25270 +S'Broda' +p77082 +sa(dp77083 +g25267 +g27 +sg25268 +S'Hinge' +p77084 +sg25270 +S'Joseph Stonefield' +p77085 +sa(dp77086 +g25267 +g27 +sg25268 +S'Hinge' +p77087 +sg25270 +S'Alexander Berth' +p77088 +sa(dp77089 +g25267 +g27 +sg25268 +S'Hitching Post' +p77090 +sg25270 +S'Robert W.R. 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Regli' +p77625 +sa(dp77626 +g25267 +g27 +sg25268 +S'Wall Painting' +p77627 +sg25270 +S'Cornelius Christoffels' +p77628 +sa(dp77629 +g25267 +g27 +sg25268 +S'Grille Doors of Wood' +p77630 +sg25270 +S'Robert W.R. Taylor' +p77631 +sa(dp77632 +g25267 +g27 +sg25268 +S'Grille Doors of Wood' +p77633 +sg25270 +S'Marius Hansen' +p77634 +sa(dp77635 +g25268 +S'Ah! Laisse-moi donc voir' +p77636 +sg25270 +S'Artist Information (' +p77637 +sg25273 +S'(artist after)' +p77638 +sg25275 +S'\n' +p77639 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008d/a0008d34.jpg' +p77640 +sg25267 +g27 +sa(dp77641 +g25267 +g27 +sg25268 +S'Pulpit - San Buenaventura Mission' +p77642 +sg25270 +S'Dayton Brown' +p77643 +sa(dp77644 +g25267 +g27 +sg25268 +S'Wall Bracket' +p77645 +sg25270 +S'Edward Jewett' +p77646 +sa(dp77647 +g25267 +g27 +sg25268 +S'Tabernacle' +p77648 +sg25270 +S'Josephine C. Romano' +p77649 +sa(dp77650 +g25267 +g27 +sg25268 +S'Evening Slipper' +p77651 +sg25270 +S'William Kieckhofel' +p77652 +sa(dp77653 +g25267 +g27 +sg25268 +S'Stand for Baptismal Font' +p77654 +sg25270 +S'Edward Jewett' +p77655 +sa(dp77656 +g25267 +g27 +sg25268 +S'Balance Scales' +p77657 +sg25270 +S'Ruth Buker' +p77658 +sa(dp77659 +g25267 +g27 +sg25268 +S'Spur' +p77660 +sg25270 +S'Robert W.R. Taylor' +p77661 +sa(dp77662 +g25267 +g27 +sg25268 +S'Painted Decorations on Ceiling' +p77663 +sg25270 +S'Harry Mann Waddell' +p77664 +sa(dp77665 +g25267 +g27 +sg25268 +S'Wall Painting' +p77666 +sg25270 +S'William Herbert' +p77667 +sa(dp77668 +g25267 +g27 +sg25268 +S'Wall Painting' +p77669 +sg25270 +S'Robert W.R. Taylor' +p77670 +sa(dp77671 +g25268 +S"L'amour" +p77672 +sg25270 +S'Artist Information (' +p77673 +sg25273 +S'(artist after)' +p77674 +sg25275 +S'\n' +p77675 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f9b.jpg' +p77676 +sg25267 +g27 +sa(dp77677 +g25267 +g27 +sg25268 +S'Wall Painting' +p77678 +sg25270 +S'Artist Information (' +p77679 +sa(dp77680 +g25267 +g27 +sg25268 +S'Wall Painting and Baptismal Niche' +p77681 +sg25270 +S'Frank C. Barks' +p77682 +sa(dp77683 +g25267 +g27 +sg25268 +S'Wall Painting and Baptismal Niche' +p77684 +sg25270 +S'Frank C. Barks' +p77685 +sa(dp77686 +g25267 +g27 +sg25268 +S'Wall Painting' +p77687 +sg25270 +S'Geoffrey Holt' +p77688 +sa(dp77689 +g25267 +g27 +sg25268 +S'Leather Seat in Confessional (Detail)' +p77690 +sg25270 +S'Randolph F. Miller' +p77691 +sa(dp77692 +g25267 +g27 +sg25268 +S'Restoration Drawing' +p77693 +sg25270 +S'Robert W.R. Taylor' +p77694 +sa(dp77695 +g25267 +g27 +sg25268 +S'Restoration Drawing' +p77696 +sg25270 +S'Robert W.R. Taylor' +p77697 +sa(dp77698 +g25267 +g27 +sg25268 +S'Door' +p77699 +sg25270 +S'Robert W.R. Taylor' +p77700 +sa(dp77701 +g25267 +g27 +sg25268 +S'Mecha (Cigarette Lighter)' +p77702 +sg25270 +S'Ann Gene Buckley' +p77703 +sa(dp77704 +g25267 +g27 +sg25268 +S'Coverlet' +p77705 +sg25270 +S'Howard H. Sherman' +p77706 +sa(dp77707 +g25268 +S'La folie' +p77708 +sg25270 +S'Artist Information (' +p77709 +sg25273 +S'(artist after)' +p77710 +sg25275 +S'\n' +p77711 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f9a.jpg' +p77712 +sg25267 +g27 +sa(dp77713 +g25267 +g27 +sg25268 +S'Quilt' +p77714 +sg25270 +S'Margaret Linsley' +p77715 +sa(dp77716 +g25267 +g27 +sg25268 +S'Flour Barrel' +p77717 +sg25270 +S'Wilbur M Rice' +p77718 +sa(dp77719 +g25267 +g27 +sg25268 +S'Teapot' +p77720 +sg25270 +S'Samuel O. Klein' +p77721 +sa(dp77722 +g25267 +g27 +sg25268 +S'Quilt Pattern' +p77723 +sg25270 +S'Ralph N. Morgan' +p77724 +sa(dp77725 +g25267 +g27 +sg25268 +S'Teapot' +p77726 +sg25270 +S'Daniel Fletcher' +p77727 +sa(dp77728 +g25267 +g27 +sg25268 +S'Stag Statuette' +p77729 +sg25270 +S'Cleo Lovett' +p77730 +sa(dp77731 +g25267 +g27 +sg25268 +S'Plate - "Boston State House"' +p77732 +sg25270 +S'Helmut Hiatt' +p77733 +sa(dp77734 +g25267 +g27 +sg25268 +S'Jug - "Peace and Prosperity"' +p77735 +sg25270 +S'Helmut Hiatt' +p77736 +sa(dp77737 +g25267 +g27 +sg25268 +S'Liverpool Jug' +p77738 +sg25270 +S'Helmut Hiatt' +p77739 +sa(dp77740 +g25267 +g27 +sg25268 +S'Jug - "Peace and Prosperity"' +p77741 +sg25270 +S'Helmut Hiatt' +p77742 +sa(dp77743 +g25268 +S'La Comparaison' +p77744 +sg25270 +S'Artist Information (' +p77745 +sg25273 +S'(artist after)' +p77746 +sg25275 +S'\n' +p77747 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00059/a0005926.jpg' +p77748 +sg25267 +g27 +sa(dp77749 +g25267 +g27 +sg25268 +S'Stoneware Crock' +p77750 +sg25270 +S'Yolande Delasser' +p77751 +sa(dp77752 +g25267 +g27 +sg25268 +S'Grey Stoneware Cuspidor' +p77753 +sg25270 +S'Frank Fumagalli' +p77754 +sa(dp77755 +g25267 +g27 +sg25268 +S'Glazed Stone China Pitcher' +p77756 +sg25270 +S'Charles Caseau' +p77757 +sa(dp77758 +g25267 +g27 +sg25268 +S'Sheraton Mahogany Sewing Table' +p77759 +sg25270 +S'Ferdinand Cartier' +p77760 +sa(dp77761 +g25267 +g27 +sg25268 +S'Cider or Water Jug' +p77762 +sg25270 +S'Yolande Delasser' +p77763 +sa(dp77764 +g25267 +g27 +sg25268 +S'Sheraton Painted Three-Back Settee' +p77765 +sg25270 +S'American 20th Century' +p77766 +sa(dp77767 +g25267 +g27 +sg25268 +S'Plate - "Stevens House, Hoboken"' +p77768 +sg25270 +S'Helmut Hiatt' +p77769 +sa(dp77770 +g25267 +g27 +sg25268 +S'Liverpool Jug' +p77771 +sg25270 +S'Helmut Hiatt' +p77772 +sa(dp77773 +g25267 +g27 +sg25268 +S'Flat Dish - Virginia State Arms' +p77774 +sg25270 +S'Helmut Hiatt' +p77775 +sa(dp77776 +g25267 +g27 +sg25268 +S'Plate' +p77777 +sg25270 +S'Helmut Hiatt' +p77778 +sa(dp77779 +g25268 +S"L'aveu difficile (The Difficult Confession)" +p77780 +sg25270 +S'Artist Information (' +p77781 +sg25273 +S'(artist after)' +p77782 +sg25275 +S'\n' +p77783 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a0009718.jpg' +p77784 +sg25267 +g27 +sa(dp77785 +g25267 +g27 +sg25268 +S'Plate - "Nahant Hotel"' +p77786 +sg25270 +S'Helmut Hiatt' +p77787 +sa(dp77788 +g25267 +g27 +sg25268 +S'Plate - "Bank of U.S., Philadelphia"' +p77789 +sg25270 +S'Helmut Hiatt' +p77790 +sa(dp77791 +g25267 +g27 +sg25268 +S'Platter - "Hospital, Boston"' +p77792 +sg25270 +S'Helmut Hiatt' +p77793 +sa(dp77794 +g25267 +g27 +sg25268 +S'Plate - "Exchange, Baltimore"' +p77795 +sg25270 +S'Helmut Hiatt' +p77796 +sa(dp77797 +g25267 +g27 +sg25268 +S'Cup - "Hartford Asylum"' +p77798 +sg25270 +S'Helmut Hiatt' +p77799 +sa(dp77800 +g25267 +g27 +sg25268 +S'Fruit Dish - "Quebec"' +p77801 +sg25270 +S'Helmut Hiatt' +p77802 +sa(dp77803 +g25267 +g27 +sg25268 +S'Plate - "Niagara"' +p77804 +sg25270 +S'Helmut Hiatt' +p77805 +sa(dp77806 +g25267 +g27 +sg25268 +S'Plate - "Erie Canal"' +p77807 +sg25270 +S'Helmut Hiatt' +p77808 +sa(dp77809 +g25267 +g27 +sg25268 +S'Platter' +p77810 +sg25270 +S'Helmut Hiatt' +p77811 +sa(dp77812 +g25267 +g27 +sg25268 +S'Platter - "Bridge over Skuykill"' +p77813 +sg25270 +S'Helmut Hiatt' +p77814 +sa(dp77815 +g25268 +S"L'Indiscretion" +p77816 +sg25270 +S'Artist Information (' +p77817 +sg25273 +S'(artist after)' +p77818 +sg25275 +S'\n' +p77819 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a0009719.jpg' +p77820 +sg25267 +g27 +sa(dp77821 +g25267 +g27 +sg25268 +S'Plate' +p77822 +sg25270 +S'Helmut Hiatt' +p77823 +sa(dp77824 +g25267 +g27 +sg25268 +S'Plate - "Octagon Church, Boston"' +p77825 +sg25270 +S'Helmut Hiatt' +p77826 +sa(dp77827 +g25267 +g27 +sg25268 +S'Plate - "Washington and Lafayette"' +p77828 +sg25270 +S'Helmut Hiatt' +p77829 +sa(dp77830 +g25267 +g27 +sg25268 +S'Plate - "State House, Boston"' +p77831 +sg25270 +S'Helmut Hiatt' +p77832 +sa(dp77833 +g25267 +g27 +sg25268 +S'Cup Plate - "U.S. Arms"' +p77834 +sg25270 +S'Helmut Hiatt' +p77835 +sa(dp77836 +g25267 +g27 +sg25268 +S'Platter - "North Carolina Arms"' +p77837 +sg25270 +S'Helmut Hiatt' +p77838 +sa(dp77839 +g25267 +g27 +sg25268 +S'Cup - "State House, Hartford"' +p77840 +sg25270 +S'Helmut Hiatt' +p77841 +sa(dp77842 +g25267 +g27 +sg25268 +S'Platter - "Chillicothe"' +p77843 +sg25270 +S'Helmut Hiatt' +p77844 +sa(dp77845 +g25267 +g27 +sg25268 +S'Liverpool Jug' +p77846 +sg25270 +S'Helmut Hiatt' +p77847 +sa(dp77848 +g25267 +g27 +sg25268 +S'Plate - "View of Washington"' +p77849 +sg25270 +S'Helmut Hiatt' +p77850 +sa(dp77851 +g25268 +S'Madonna Enthroned with Saints and Angels [middle panel]' +p77852 +sg25270 +S'Agnolo Gaddi' +p77853 +sg25273 +S'tempera on panel' +p77854 +sg25275 +S'1380/1390' +p77855 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000f5/a000f5b4.jpg' +p77856 +sg25267 +g27 +sa(dp77857 +g25268 +S'The Crucifixion with the Virgin, Saint John, Saint Jerome, and Saint Mary Magdalene [middle panel]' +p77858 +sg25270 +S'Pietro Perugino' +p77859 +sg25273 +S'oil on panel transferred to canvas' +p77860 +sg25275 +S'c. 1482/1485' +p77861 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005f0.jpg' +p77862 +sg25267 +S"Pietro Vannucci, called Perugino after the city in which he often lived, collaborated\r\nwith other celebrated painters in one of the most prestigious commissions of the\r\nlate fifteenth century -- the decoration of the walls of the Sistine Chapel in 1481-1482.\r\nHe headed active workshops in Perugia and Florence, where he would eventually be\r\novershadowed by his greatest pupil, Raphael.\n Perugino's \n From the late seventeenth to the early twentieth century Perugino's \n " +p77863 +sa(dp77864 +g25268 +S'Still Life with Fruit and Carafe' +p77865 +sg25270 +S'Pensionante del Saraceni' +p77866 +sg25273 +S'oil on canvas' +p77867 +sg25275 +S'c. 1610/1620' +p77868 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a000061b.jpg' +p77869 +sg25267 +S'Long thought to have been painted by Caravaggio, this still\r\n life shares his naturalistic arrangement of foodstuffs, placed\r\n close to the front of the picture plane. Here, however, the\r\n painter has used light to soften the forms of ripe fruit—edges\r\n of the highlighted apple on the pewter plate seem to blur and\r\n dissolve. This is characteristic of works painted by an artist\r\n dubbed the Pensionante del Saraceni, literally, the boarder\r\n of Saraceni. Carlo Saraceni was one of the many painters in\r\n Rome who were heavily influenced by Caravaggio.\n A slight elevation in viewpoint reduces the formality\r\n of this composition, but it nevertheless evinces the strong\r\n sense of geometry underlying its organization—stronger\r\n than in Saraceni’s or Caravaggio’s own paintings. Notice,\r\n for example, the repetition of round form in the melons,\r\n plates, and swelling wine carafe. This insistent structure,\r\n together with a certain elusive and undefinable “melancholy,”\r\n has suggested to some scholars that the painter was\r\n French. Saraceni was known as a francophile and is documented\r\n as having accommodated at least one French artist\r\n in his house—hence the name Pensionante. Some dozen\r\n paintings are thought to be by the same hand but the\r\n artist’s identity remains unknown.\n ' +p77870 +sa(dp77871 +g25268 +S'A Woman Playing the Guitar' +p77872 +sg25270 +S'Artist Information (' +p77873 +sg25273 +S'(artist after)' +p77874 +sg25275 +S'\n' +p77875 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a00055be.jpg' +p77876 +sg25267 +g27 +sa(dp77877 +g25267 +g27 +sg25268 +S'Plate - "City Hall, New York"' +p77878 +sg25270 +S'Helmut Hiatt' +p77879 +sa(dp77880 +g25267 +g27 +sg25268 +S'Teapot - "Baltimore Almshouse"' +p77881 +sg25270 +S'Helmut Hiatt' +p77882 +sa(dp77883 +g25267 +g27 +sg25268 +S'Plate - "Insane Hospital, Boston"' +p77884 +sg25270 +S'Helmut Hiatt' +p77885 +sa(dp77886 +g25267 +g27 +sg25268 +S'Platter - "Lake George"' +p77887 +sg25270 +S'Helmut Hiatt' +p77888 +sa(dp77889 +g25267 +g27 +sg25268 +S'Platter - "Connecticut Arms"' +p77890 +sg25270 +S'Helmut Hiatt' +p77891 +sa(dp77892 +g25267 +g27 +sg25268 +S'Memorial Plate - "Dewitt Clinton"' +p77893 +sg25270 +S'Helmut Hiatt' +p77894 +sa(dp77895 +g25267 +g27 +sg25268 +S'Platter - "Hudson River"' +p77896 +sg25270 +S'Helmut Hiatt' +p77897 +sa(dp77898 +g25267 +g27 +sg25268 +S'Plate' +p77899 +sg25270 +S'Helmut Hiatt' +p77900 +sa(dp77901 +g25267 +g27 +sg25268 +S'Fruit Dish - "Brooklyn Ferry"' +p77902 +sg25270 +S'Helmut Hiatt' +p77903 +sa(dp77904 +g25267 +g27 +sg25268 +S'Platter - "Pennsylvania Arms"' +p77905 +sg25270 +S'Helmut Hiatt' +p77906 +sa(dp77907 +g25268 +S'Ha! La joli petit chien' +p77908 +sg25270 +S'Artist Information (' +p77909 +sg25273 +S'(artist after)' +p77910 +sg25275 +S'\n' +p77911 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008d/a0008d36.jpg' +p77912 +sg25267 +g27 +sa(dp77913 +g25267 +g27 +sg25268 +S'The Campus Plate' +p77914 +sg25270 +S'Helmut Hiatt' +p77915 +sa(dp77916 +g25267 +g27 +sg25268 +S'Plate - "Steamer, Union Line"' +p77917 +sg25270 +S'Helmut Hiatt' +p77918 +sa(dp77919 +g25267 +g27 +sg25268 +S'Plate - "Orchard House, Catskills"' +p77920 +sg25270 +S'Helmut Hiatt' +p77921 +sa(dp77922 +g25267 +g27 +sg25268 +S'Cup Plate - "Castle Garden"' +p77923 +sg25270 +S'Helmut Hiatt' +p77924 +sa(dp77925 +g25267 +g27 +sg25268 +S'Plate - "Harvard College"' +p77926 +sg25270 +S'Helmut Hiatt' +p77927 +sa(dp77928 +g25267 +g27 +sg25268 +S'Teapot - "Wadsworth Tower"' +p77929 +sg25270 +S'Helmut Hiatt' +p77930 +sa(dp77931 +g25267 +g27 +sg25268 +S'Jug - "Peace and Prosperity"' +p77932 +sg25270 +S'Helmut Hiatt' +p77933 +sa(dp77934 +g25267 +g27 +sg25268 +S'Liverpool Jug' +p77935 +sg25270 +S'Helmut Hiatt' +p77936 +sa(dp77937 +g25267 +g27 +sg25268 +S'Plate - "Castle Garden and Battery"' +p77938 +sg25270 +S'Helmut Hiatt' +p77939 +sa(dp77940 +g25267 +g27 +sg25268 +S'Plate - "Newburgh on the Hudson"' +p77941 +sg25270 +S'Helmut Hiatt' +p77942 +sa(dp77943 +g25268 +S'Le petit conseil' +p77944 +sg25270 +S'Artist Information (' +p77945 +sg25273 +S'(artist after)' +p77946 +sg25275 +S'\n' +p77947 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008d/a0008d35.jpg' +p77948 +sg25267 +g27 +sa(dp77949 +g25267 +g27 +sg25268 +S'Platter - "Delaware Arms"' +p77950 +sg25270 +S'Helmut Hiatt' +p77951 +sa(dp77952 +g25267 +g27 +sg25268 +S'Plate - "Cadmus Anchored"' +p77953 +sg25270 +S'Helmut Hiatt' +p77954 +sa(dp77955 +g25267 +g27 +sg25268 +S'Plate - "Millenium"' +p77956 +sg25270 +S'Helmut Hiatt' +p77957 +sa(dp77958 +g25267 +g27 +sg25268 +S'Platter - "Georgia Arms"' +p77959 +sg25270 +S'Helmut Hiatt' +p77960 +sa(dp77961 +g25267 +g27 +sg25268 +S'Plate - "Baltimore and Ohio Railroad"' +p77962 +sg25270 +S'Helmut Hiatt' +p77963 +sa(dp77964 +g25267 +g27 +sg25268 +S'Plate - "Naval Battle"' +p77965 +sg25270 +S'Helmut Hiatt' +p77966 +sa(dp77967 +g25267 +g27 +sg25268 +S'Plate - "Penn\'s Treaty with the Indians"' +p77968 +sg25270 +S'Helmut Hiatt' +p77969 +sa(dp77970 +g25267 +g27 +sg25268 +S'Plate - "The Capitol, Washington"' +p77971 +sg25270 +S'Helmut Hiatt' +p77972 +sa(dp77973 +g25267 +g27 +sg25268 +S'Plate - "New Jersey Arms"' +p77974 +sg25270 +S'Helmut Hiatt' +p77975 +sa(dp77976 +g25267 +g27 +sg25268 +S'Plate - "Damn and Waterworks, Philadelphia"' +p77977 +sg25270 +S'Helmut Hiatt' +p77978 +sa(dp77979 +g25268 +S'La jeune vestale' +p77980 +sg25270 +S'Artist Information (' +p77981 +sg25273 +S'(artist after)' +p77982 +sg25275 +S'\n' +p77983 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f9c.jpg' +p77984 +sg25267 +g27 +sa(dp77985 +g25267 +g27 +sg25268 +S'Plate - "Baltimore and Ohio Railroad"' +p77986 +sg25270 +S'Helmut Hiatt' +p77987 +sa(dp77988 +g25267 +g27 +sg25268 +S'Cromwellian Leather Side Chair' +p77989 +sg25270 +S'Gilbert Sackerman' +p77990 +sa(dp77991 +g25267 +g27 +sg25268 +S'Doll' +p77992 +sg25270 +S'Archie Thompson' +p77993 +sa(dp77994 +g25267 +g27 +sg25268 +S'Baptismal Certificate' +p77995 +sg25270 +S'Ralph Atkinson' +p77996 +sa(dp77997 +g25267 +g27 +sg25268 +S'Red Earthenware Pitcher' +p77998 +sg25270 +S'Jessica Price' +p77999 +sa(dp78000 +g25267 +g27 +sg25268 +S"Infant's Dress" +p78001 +sg25270 +S'Marie Famularo' +p78002 +sa(dp78003 +g25267 +g27 +sg25268 +S'Tall Clock' +p78004 +sg25270 +S'Arthur Johnson' +p78005 +sa(dp78006 +g25267 +g27 +sg25268 +S'Dress' +p78007 +sg25270 +S'Melita Hofmann' +p78008 +sa(dp78009 +g25267 +g27 +sg25268 +S'Jar' +p78010 +sg25270 +S'Eugene Shellady' +p78011 +sa(dp78012 +g25267 +g27 +sg25268 +S'Toy Hook and Ladder, with Two Horses' +p78013 +sg25270 +S'Mina Lowry' +p78014 +sa(dp78015 +g25268 +S'La Venus aux colombes' +p78016 +sg25270 +S'Artist Information (' +p78017 +sg25273 +S'(artist after)' +p78018 +sg25275 +S'\n' +p78019 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f9d.jpg' +p78020 +sg25267 +g27 +sa(dp78021 +g25267 +g27 +sg25268 +S'Doll' +p78022 +sg25270 +S'Kapousouz' +p78023 +sa(dp78024 +g25267 +g27 +sg25268 +S'Doll' +p78025 +sg25270 +S'Mina Lowry' +p78026 +sa(dp78027 +g25267 +g27 +sg25268 +S'Toy Sleigh' +p78028 +sg25270 +S'Mina Lowry' +p78029 +sa(dp78030 +g25267 +g27 +sg25268 +S'Toy Fire Engine' +p78031 +sg25270 +S'Mina Lowry' +p78032 +sa(dp78033 +g25267 +g27 +sg25268 +S'Doll' +p78034 +sg25270 +S'Kapousouz' +p78035 +sa(dp78036 +g25267 +g27 +sg25268 +S'Doll' +p78037 +sg25270 +S'American 20th Century' +p78038 +sa(dp78039 +g25267 +g27 +sg25268 +S'Doll' +p78040 +sg25270 +S'Francis Law Durand' +p78041 +sa(dp78042 +g25267 +g27 +sg25268 +S'Calash' +p78043 +sg25270 +S'Mina Lowry' +p78044 +sa(dp78045 +g25267 +g27 +sg25268 +S'Doll: "Mary Scotia"' +p78046 +sg25270 +S'Mary E. Humes' +p78047 +sa(dp78048 +g25267 +g27 +sg25268 +S'Warmer' +p78049 +sg25270 +S'American 20th Century' +p78050 +sa(dp78051 +g25268 +S'Le repas des moissonneurs' +p78052 +sg25270 +S'Artist Information (' +p78053 +sg25273 +S'(artist after)' +p78054 +sg25275 +S'\n' +p78055 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a0009714.jpg' +p78056 +sg25267 +g27 +sa(dp78057 +g25267 +g27 +sg25268 +S'Wall Decoration' +p78058 +sg25270 +S'Margery Parish' +p78059 +sa(dp78060 +g25267 +g27 +sg25268 +S'Wall Stencil (Section of)' +p78061 +sg25270 +S'Ray Holden' +p78062 +sa(dp78063 +g25267 +g27 +sg25268 +S'Oval Water Cask' +p78064 +sg25270 +S'American 20th Century' +p78065 +sa(dp78066 +g25267 +g27 +sg25268 +S'Whirligig' +p78067 +sg25270 +S'American 20th Century' +p78068 +sa(dp78069 +g25267 +g27 +sg25268 +S'Warming Pan' +p78070 +sg25270 +S'Florence Stevenson' +p78071 +sa(dp78072 +g25267 +g27 +sg25268 +S'Weather Vane' +p78073 +sg25270 +S'Gordon Sanborn' +p78074 +sa(dp78075 +g25267 +g27 +sg25268 +S'Weather Vane' +p78076 +sg25270 +S'American 20th Century' +p78077 +sa(dp78078 +g25267 +g27 +sg25268 +S'Spice Box' +p78079 +sg25270 +S'American 20th Century' +p78080 +sa(dp78081 +g25267 +g27 +sg25268 +S'Bread Tray' +p78082 +sg25270 +S'American 20th Century' +p78083 +sa(dp78084 +g25267 +g27 +sg25268 +S'Flatiron' +p78085 +sg25270 +S'American 20th Century' +p78086 +sa(dp78087 +g25268 +S'Nina, ou La Folle par amour (Nina, or The Woman Maddened by Love)' +p78088 +sg25270 +S'Artist Information (' +p78089 +sg25273 +S'(artist after)' +p78090 +sg25275 +S'\n' +p78091 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f9e.jpg' +p78092 +sg25267 +g27 +sa(dp78093 +g25267 +g27 +sg25268 +S'Tracing Technique' +p78094 +sg25270 +S'American 20th Century' +p78095 +sa(dp78096 +g25267 +g27 +sg25268 +S'Bandbox' +p78097 +sg25270 +S'American 20th Century' +p78098 +sa(dp78099 +g25267 +g27 +sg25268 +S'Toy Locomotive' +p78100 +sg25270 +S'American 20th Century' +p78101 +sa(dp78102 +g25267 +g27 +sg25268 +S'Toy Horse' +p78103 +sg25270 +S'American 20th Century' +p78104 +sa(dp78105 +g25267 +g27 +sg25268 +S'Wedding Dress' +p78106 +sg25270 +S'American 20th Century' +p78107 +sa(dp78108 +g25267 +g27 +sg25268 +S'Hartford Cupboard (Detail)' +p78109 +sg25270 +S'Martin Partyka' +p78110 +sa(dp78111 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a0005535.jpg' +p78112 +sg25268 +S'Gabriel Weather Vane (Technique)' +p78113 +sg25270 +S'Lucille Chabot' +p78114 +sa(dp78115 +g25267 +g27 +sg25268 +S'Vase' +p78116 +sg25270 +S'John Dana' +p78117 +sa(dp78118 +g25267 +S'Because tin is unable to withstand hard use, most plain domestic articles have not survived. In contrast, decorated tinware, commonly presented as gifts and reserved for display, remains in relatively good condition.\n Some tinware was decorated by painting or by punching designs into the surface. Made about 1830, this Pennsylvania German coffeepot was made from flat sheets of tin hammered in separate sections over molds.\n The decoration was raised by dots punched in from the back creating an embossed effect. The punched sections were then shaped and soldered together. In the Pennsylvania German manner, a stylized floral and geometric pattern decorates the pot.\n The pot is finished with a reeded spout and a black wooden knob. The scroll handle, also of black wood, suggests forms associated with the handles of pewter and silver pots. However, in this case, the handle is crude and\n out of proportion to the body. Though the tinsmith copied styles prevalent in the finer metal crafts, his work was obviously more akin to that of the folk artist in simplicity of conception and execution.\n ' +p78119 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000036a.jpg' +p78120 +sg25268 +S'Tin Coffee Pot' +p78121 +sg25270 +S'Carl Strehlau' +p78122 +sa(dp78123 +g25267 +S'The art of carving wooden birds, whether for use as decoys or for purely ornamental purposes, has long been popular in America. This example is from the Mason Factory in Detroit, which was active from 1896 to 1924. Large workshops produced decoys in response to the demands of commercial hunters before the industry came to a sudden end with the passage of the Migratory Bird Treaty Act in 1918. The Mason Factory was one of the most important suppliers of factory decoys, offering five different grades that varied in detail and degree of hand-finishing. This decoy was rated a Challenge grade (next to best). It was carved from a single block of wood except for the head, which was attached separately and featured glass eyes. The originally fine paint surface has worn considerably, but the bird is still recognizable as a bufflehead drake, even though it is slightly longer and less stocky than its living match. Decoy forms were typically kept low and broad to prevent them from overturning in rough water.\n ' +p78124 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a000034c.jpg' +p78125 +sg25268 +S'Duck Decoy' +p78126 +sg25270 +S'Max Fernekes' +p78127 +sa(dp78128 +g25268 +S'Les nourrices' +p78129 +sg25270 +S'Artist Information (' +p78130 +sg25273 +S'(artist after)' +p78131 +sg25275 +S'\n' +p78132 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008d/a0008d32.jpg' +p78133 +sg25267 +g27 +sa(dp78134 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a000551e.jpg' +p78135 +sg25268 +S'Coffeepot' +p78136 +sg25270 +S'Charles Henning' +p78137 +sa(dp78138 +g25267 +g27 +sg25268 +S'Saddle (Technique Demonstration)' +p78139 +sg25270 +S'Gerald Transpota' +p78140 +sa(dp78141 +g25267 +g27 +sg25268 +S'Saddle' +p78142 +sg25270 +S'Hal Blakeley' +p78143 +sa(dp78144 +g25267 +g27 +sg25268 +S'Figurehead' +p78145 +sg25270 +S'John W. Kelleher' +p78146 +sa(dp78147 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a0005536.jpg' +p78148 +sg25268 +S'Crewel Embroidery' +p78149 +sg25270 +S'Suzanne Chapman' +p78150 +sa(dp78151 +g25267 +S'In colonial days, gateleg dropleaf tables were popular because they saved space. American gateleg tables followed early seventeenth-century English prototypes. They always had two swinging legs to support the hinged dropleaf ends, yet the shape of the tabletop varied. This table has an oval top, but square, round, and rectangular tops were also common. The wood used for this example is walnut, a finer wood than the oak that was predominant earlier. In the use of walnut, this table can be considered a departure from the traditions of the Jacobian style—it heralds the approach of the William and Mary style in eighteenth-century America. The Index data sheet indicates that the piece belonged to a family in Lewes, Delaware, and that it dates from about 1680, but it may have been made slightly later.\n ' +p78152 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002c5.jpg' +p78153 +sg25268 +S'Gateleg Table' +p78154 +sg25270 +S'Amos C. Brinton' +p78155 +sa(dp78156 +g25267 +g27 +sg25268 +S'Conestoga Wagon' +p78157 +sg25270 +S'H. Langden Brown' +p78158 +sa(dp78159 +g25267 +g27 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ff/a000ffa7.jpg' +p78160 +sg25268 +S'Figurehead' +p78161 +sg25270 +S'Elizabeth Moutal' +p78162 +sa(dp78163 +g25267 +g27 +sg25268 +S'Carousel Horse' +p78164 +sg25270 +S'American 20th Century' +p78165 +sa(dp78166 +g25267 +g27 +sg25268 +S'Press Cupboard (Detail)' +p78167 +sg25270 +S'Harold Merriam' +p78168 +sa(dp78169 +g25268 +S"L'oisseau prive" +p78170 +sg25270 +S'Artist Information (' +p78171 +sg25273 +S'(artist after)' +p78172 +sg25275 +S'\n' +p78173 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a0009717.jpg' +p78174 +sg25267 +g27 +sa(dp78175 +g25267 +g27 +sg25268 +S'Garden Setting' +p78176 +sg25270 +S'Perkins Harnly' +p78177 +sa(dp78178 +g25267 +g27 +sg25268 +S'Map of New York State' +p78179 +sg25270 +S'American 20th Century' +p78180 +sa(dp78181 +g25267 +g27 +sg25268 +S'Sculpture' +p78182 +sg25270 +S'American 20th Century' +p78183 +sa(dp78184 +g25267 +g27 +sg25268 +S'Sculpture' +p78185 +sg25270 +S'American 20th Century' +p78186 +sa(dp78187 +g25267 +g27 +sg25268 +S'Technique Demo (Wood Grain)' +p78188 +sg25270 +S'Harry Mann Waddell' +p78189 +sa(dp78190 +g25267 +g27 +sg25268 +S'Technique Demonstration' +p78191 +sg25270 +S'Gerald Transpota' +p78192 +sa(dp78193 +g25267 +g27 +sg25268 +S"Tradesman's Sign (Indian)" +p78194 +sg25270 +S'Helen E. Gilman' +p78195 +sa(dp78196 +g25267 +g27 +sg25268 +S'Figurehead: Indian' +p78197 +sg25270 +S'Hazel Hyde' +p78198 +sa(dp78199 +g25267 +g27 +sg25268 +S"Carving: Boar's Head" +p78200 +sg25270 +S'Joseph Goldberg' +p78201 +sa(dp78202 +g25267 +g27 +sg25268 +S'Carousel Horse (Study)' +p78203 +sg25270 +S'Elizabeth Moutal' +p78204 +sa(dp78205 +g25268 +S"Portrait d'une jeune princesse" +p78206 +sg25270 +S'Jean-Fran\xc3\xa7ois Janinet' +p78207 +sg25273 +S'color aquatint and etching' +p78208 +sg25275 +S'unknown date\n' +p78209 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008d/a0008d37.jpg' +p78210 +sg25267 +g27 +sa(dp78211 +g25267 +g27 +sg25268 +S'Sign' +p78212 +sg25270 +S'American 20th Century' +p78213 +sa(dp78214 +g25267 +g27 +sg25268 +S'Stool' +p78215 +sg25270 +S'Lawrence Foster' +p78216 +sa(dp78217 +g25267 +g27 +sg25268 +S'Technique Demo (Architectural Detail)' +p78218 +sg25270 +S'Raymond E. Noble' +p78219 +sa(dp78220 +g25267 +g27 +sg25268 +S'Sheraton Card Table' +p78221 +sg25270 +S'Nicholas Gorid' +p78222 +sa(dp78223 +g25267 +g27 +sg25268 +S'Lamp' +p78224 +sg25270 +S'Ruth Bialostosky' +p78225 +sa(dp78226 +g25267 +g27 +sg25268 +S'Shaker Rug Material' +p78227 +sg25270 +S'Elizabeth Moutal' +p78228 +sa(dp78229 +g25267 +g27 +sg25268 +S'Bandbox Paper' +p78230 +sg25270 +S'Michael Lauretano' +p78231 +sa(dp78232 +g25267 +g27 +sg25268 +S'Wall Painting' +p78233 +sg25270 +S'Edward Jewett' +p78234 +sa(dp78235 +g25267 +g27 +sg25268 +S'Bishop Hill: Small Spoon' +p78236 +sg25270 +S'Artist Information (' +p78237 +sa(dp78238 +g25267 +g27 +sg25268 +S'Stern Ornament' +p78239 +sg25270 +S'L. B. Hartmann' +p78240 +sa(dp78241 +g25268 +S'Allegory' +p78242 +sg25270 +S'Piero di Cosimo' +p78243 +sg25273 +S'oil on panel' +p78244 +sg25275 +S'c. 1500' +p78245 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a0000803.jpg' +p78246 +sg25267 +g27 +sa(dp78247 +g25268 +S"Projet d'un monument a \xc3\xa9riger pour le roi" +p78248 +sg25270 +S'Artist Information (' +p78249 +sg25273 +S'(artist after)' +p78250 +sg25275 +S'\n' +p78251 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a0009716.jpg' +p78252 +sg25267 +g27 +sa(dp78253 +g25267 +g27 +sg25268 +S'Stern Ornament' +p78254 +sg25270 +S'L. B. Hartmann' +p78255 +sa(dp78256 +g25267 +g27 +sg25268 +S'Table' +p78257 +sg25270 +S'American 20th Century' +p78258 +sa(dp78259 +g25267 +g27 +sg25268 +S"Ship's Stern Ornament" +p78260 +sg25270 +S'L. B. Hartmann' +p78261 +sa(dp78262 +g25267 +g27 +sg25268 +S'Technique Demo (Wood Grain)' +p78263 +sg25270 +S'American 20th Century' +p78264 +sa(dp78265 +g25267 +g27 +sg25268 +S'Technique Demo (Wood Grain)' +p78266 +sg25270 +S'Harry Mann Waddell' +p78267 +sa(dp78268 +g25267 +g27 +sg25268 +S'Desk' +p78269 +sg25270 +S'Arthur Johnson' +p78270 +sa(dp78271 +g25267 +g27 +sg25268 +S"Ship's Stern Ornament" +p78272 +sg25270 +S'L. B. Hartmann' +p78273 +sa(dp78274 +g25267 +g27 +sg25268 +S'Technique Demonstration' +p78275 +sg25270 +S'Eugene Barrell' +p78276 +sa(dp78277 +g25267 +g27 +sg25268 +S'Desk Box' +p78278 +sg25270 +S'Leo Drozdoff' +p78279 +sa(dp78280 +g25267 +g27 +sg25268 +S'Stern Piece from "Henrietta Francis"' +p78281 +sg25270 +S'American 20th Century' +p78282 +sa(dp78283 +g25268 +S"Offrande a l'amour" +p78284 +sg25270 +S'Artist Information (' +p78285 +sg25273 +S'(artist after)' +p78286 +sg25275 +S'\n' +p78287 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005b/a0005bde.jpg' +p78288 +sg25267 +g27 +sa(dp78289 +g25267 +g27 +sg25268 +S'Rooster Weather Vane' +p78290 +sg25270 +S'American 20th Century' +p78291 +sa(dp78292 +g25267 +g27 +sg25268 +S'Technique Demonstration' +p78293 +sg25270 +S'George E. Rhone' +p78294 +sa(dp78295 +g25267 +g27 +sg25268 +S'Technique Demonstration' +p78296 +sg25270 +S'American 20th Century' +p78297 +sa(dp78298 +g25267 +g27 +sg25268 +S'Tapestry' +p78299 +sg25270 +S'Pearl Gibbo' +p78300 +sa(dp78301 +g25267 +g27 +sg25268 +S'Foot Scraper' +p78302 +sg25270 +S'John Wilkes' +p78303 +sa(dp78304 +g25268 +S'Allies Day, May 1917' +p78305 +sg25270 +S'Childe Hassam' +p78306 +sg25273 +S'oil on canvas' +p78307 +sg25275 +S'1917' +p78308 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000e5.jpg' +p78309 +sg25267 +S"A patriotic whirlwind overtook mid–town Manhattan as America entered the First World War in the spring of 1917. On Fifth Avenue, the British Union Jack, the French Tricolor, and Stars and Stripes were displayed prominently during parades honoring America's allies. The colorful pageantry inspired Childe Hassam, who dedicated this picture "to the coming together of [our] three peoples in the fight for democracy." Hassam's flag paintings were first shown as a group in New York's Durand–Ruel Gallery in November 1918, just four days after the armistice was declared. Thus, the works,\r\noriginally created to herald America's entry into the war, also served to commemorate its victorious resolution.\n Hassam had studied in Paris from 1886–1889 and was strongly influenced by the impressionists. In many respects, \n " +p78310 +sa(dp78311 +g25273 +S'etching' +p78312 +sg25267 +g27 +sg25275 +S'probably 1747/1748' +p78313 +sg25268 +S'Title Plate' +p78314 +sg25270 +S'Giovanni Battista Piranesi' +p78315 +sa(dp78316 +g25273 +S'etching' +p78317 +sg25267 +g27 +sg25275 +S'probably 1747/1748' +p78318 +sg25268 +S'Veduta della Basilica, e Piazza de S. Pietro in Vaticano' +p78319 +sg25270 +S'Giovanni Battista Piranesi' +p78320 +sa(dp78321 +g25273 +S'etching' +p78322 +sg25267 +g27 +sg25275 +S'unknown date\n' +p78323 +sg25268 +S"Veduta dell' insigne Basilica Vaticana coll' ampio Portico, e Piazza adjacente" +p78324 +sg25270 +S'Giovanni Battista Piranesi' +p78325 +sa(dp78326 +g25273 +S'etching' +p78327 +sg25267 +g27 +sg25275 +S'unknown date\n' +p78328 +sg25268 +S'Veduta della gran Piazza e Basilica di S. Pietro' +p78329 +sg25270 +S'Giovanni Battista Piranesi' +p78330 +sa(dp78331 +g25268 +S'Les trois graces' +p78332 +sg25270 +S'Artist Information (' +p78333 +sg25273 +S'(artist after)' +p78334 +sg25275 +S'\n' +p78335 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008fa0.jpg' +p78336 +sg25267 +g27 +sa(dp78337 +g25273 +S'etching' +p78338 +sg25267 +g27 +sg25275 +S'probably 1748/1749' +p78339 +sg25268 +S'Veduta interna della Basilica di S. Pietro in Vaticano' +p78340 +sg25270 +S'Giovanni Battista Piranesi' +p78341 +sa(dp78342 +g25273 +S'etching' +p78343 +sg25267 +g27 +sg25275 +S'unknown date\n' +p78344 +sg25268 +S'Veduta interna della Basilica di S. Pietro in Vaticano vicino alla Tribuna' +p78345 +sg25270 +S'Giovanni Battista Piranesi' +p78346 +sa(dp78347 +g25273 +S'etching' +p78348 +sg25267 +g27 +sg25275 +S'1750/1751' +p78349 +sg25268 +S"Veduta dell' Esterno della gran Basilica di S. Pietro in Vaticano" +p78350 +sg25270 +S'Giovanni Battista Piranesi' +p78351 +sa(dp78352 +g25273 +S'etching' +p78353 +sg25267 +g27 +sg25275 +S'probably 1757/1758' +p78354 +sg25268 +S'Veduta della Basilica di S. Paolo fuor delle mura' +p78355 +sg25270 +S'Giovanni Battista Piranesi' +p78356 +sa(dp78357 +g25273 +S'etching' +p78358 +sg25267 +g27 +sg25275 +S'probably 1748/1749' +p78359 +sg25268 +S'Spaccato interno della Basilica di S. Paolo fuori delle Mura' +p78360 +sg25270 +S'Giovanni Battista Piranesi' +p78361 +sa(dp78362 +g25273 +S'etching' +p78363 +sg25267 +g27 +sg25275 +S'probably 1747/1748' +p78364 +sg25268 +S'Veduta della Basilica di S. Giovanni Laterano' +p78365 +sg25270 +S'Giovanni Battista Piranesi' +p78366 +sa(dp78367 +g25273 +S'etching' +p78368 +sg25267 +g27 +sg25275 +S'unknown date\n' +p78369 +sg25268 +S'Veduta della Facciata della Basilica di S. Giovanni Laterano' +p78370 +sg25270 +S'Giovanni Battista Piranesi' +p78371 +sa(dp78372 +g25273 +S'etching' +p78373 +sg25267 +g27 +sg25275 +S'unknown date\n' +p78374 +sg25268 +S'Veduta della Piazza e Basilica di S. Giovanni in Laterano' +p78375 +sg25270 +S'Giovanni Battista Piranesi' +p78376 +sa(dp78377 +g25273 +S'etching' +p78378 +sg25267 +g27 +sg25275 +S'unknown date\n' +p78379 +sg25268 +S'Veduta interna della Basilica di S. Giovanni Laterano' +p78380 +sg25270 +S'Giovanni Battista Piranesi' +p78381 +sa(dp78382 +g25273 +S'etching' +p78383 +sg25267 +g27 +sg25275 +S'probably 1747/1748' +p78384 +sg25268 +S'Veduta della Basilica di Sta. Maria Maggiore' +p78385 +sg25270 +S'Giovanni Battista Piranesi' +p78386 +sa(dp78387 +g25268 +S'La toilette de Venus' +p78388 +sg25270 +S'Artist Information (' +p78389 +sg25273 +S'(artist after)' +p78390 +sg25275 +S'\n' +p78391 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a0009715.jpg' +p78392 +sg25267 +g27 +sa(dp78393 +g25273 +S'etching' +p78394 +sg25267 +g27 +sg25275 +S'unknown date\n' +p78395 +sg25268 +S'Veduta interna della Basilica di S. Maria Maggiore' +p78396 +sg25270 +S'Giovanni Battista Piranesi' +p78397 +sa(dp78398 +g25273 +S'etching' +p78399 +sg25267 +g27 +sg25275 +S'1756/1757' +p78400 +sg25268 +S'Veduta della Facciata di dietro della Basilica di S. Maria Maggiore' +p78401 +sg25270 +S'Giovanni Battista Piranesi' +p78402 +sa(dp78403 +g25273 +S'etching' +p78404 +sg25267 +g27 +sg25275 +S'probably 1757/1758' +p78405 +sg25268 +S'Veduta della Facciata della Basilica di S. Croce in Gerusalemme' +p78406 +sg25270 +S'Giovanni Battista Piranesi' +p78407 +sa(dp78408 +g25273 +S'etching' +p78409 +sg25267 +g27 +sg25275 +S'1760/1761' +p78410 +sg25268 +S'Veduta della Basilica di S. Lorenzo fuor delle mura' +p78411 +sg25270 +S'Giovanni Battista Piranesi' +p78412 +sa(dp78413 +g25273 +S'etching' +p78414 +sg25267 +g27 +sg25275 +S'1761' +p78415 +sg25268 +S'Veduta della Basilica di S. Sebastiano' +p78416 +sg25270 +S'Giovanni Battista Piranesi' +p78417 +sa(dp78418 +g25273 +S'etching' +p78419 +sg25267 +g27 +sg25275 +S'probably 1747/1748' +p78420 +sg25268 +S'Veduta della Piazza del Popolo' +p78421 +sg25270 +S'Giovanni Battista Piranesi' +p78422 +sa(dp78423 +g25273 +S'etching' +p78424 +sg25267 +g27 +sg25275 +S'probably 1747/1748' +p78425 +sg25268 +S'Veduta della Piazza di Monte Cavallo' +p78426 +sg25270 +S'Giovanni Battista Piranesi' +p78427 +sa(dp78428 +g25273 +S'etching' +p78429 +sg25267 +g27 +sg25275 +S'unknown date\n' +p78430 +sg25268 +S'Veduta della Piazza di Monte Cavallo' +p78431 +sg25270 +S'Giovanni Battista Piranesi' +p78432 +sa(dp78433 +g25273 +S'etching' +p78434 +sg25267 +g27 +sg25275 +S'probably 1747/1748' +p78435 +sg25268 +S'Veduta di Piazza Navona sopra le rovine del Circo Agonale' +p78436 +sg25270 +S'Giovanni Battista Piranesi' +p78437 +sa(dp78438 +g25273 +S'etching' +p78439 +sg25267 +g27 +sg25275 +S'unknown date\n' +p78440 +sg25268 +S'Veduta di Piazza Navona sopra le rovine del Circo Agonale' +p78441 +sg25270 +S'Giovanni Battista Piranesi' +p78442 +sa(dp78443 +g25268 +S'Venus en reflection' +p78444 +sg25270 +S'Artist Information (' +p78445 +sg25273 +S'(artist after)' +p78446 +sg25275 +S'\n' +p78447 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f9f.jpg' +p78448 +sg25267 +g27 +sa(dp78449 +g25273 +S'etching' +p78450 +sg25267 +g27 +sg25275 +S'probably 1747/1748' +p78451 +sg25268 +S'Veduta della Piazza Rotonda' +p78452 +sg25270 +S'Giovanni Battista Piranesi' +p78453 +sa(dp78454 +g25273 +S'etching' +p78455 +sg25267 +g27 +sg25275 +S'1750/1751' +p78456 +sg25268 +S'Veduta di Piazza di Spagna' +p78457 +sg25270 +S'Giovanni Battista Piranesi' +p78458 +sa(dp78459 +g25273 +S'etching' +p78460 +sg25267 +g27 +sg25275 +S'unknown date\n' +p78461 +sg25268 +S'Veduta delle due Chiese ... presso la Colonna Trajana' +p78462 +sg25270 +S'Giovanni Battista Piranesi' +p78463 +sa(dp78464 +g25273 +S'etching' +p78465 +sg25267 +g27 +sg25275 +S'unknown date\n' +p78466 +sg25268 +S'Veduta ... della gran Fontana ... di Trevi' +p78467 +sg25270 +S'Giovanni Battista Piranesi' +p78468 +sa(dp78469 +g25273 +S'etching' +p78470 +sg25267 +g27 +sg25275 +S'probably 1747/1748' +p78471 +sg25268 +S'Veduta della vasta Fontana di Trevi' +p78472 +sg25270 +S'Giovanni Battista Piranesi' +p78473 +sa(dp78474 +g25273 +S'etching' +p78475 +sg25267 +g27 +sg25275 +S'1760/1761' +p78476 +sg25268 +S"Veduta del Castello dell' Acqua Felice" +p78477 +sg25270 +S'Giovanni Battista Piranesi' +p78478 +sa(dp78479 +g25273 +S'etching' +p78480 +sg25267 +g27 +sg25275 +S'1756/1757' +p78481 +sg25268 +S"Veduta del Castello dell' Acqua Paola sul Monte Aureo" +p78482 +sg25270 +S'Giovanni Battista Piranesi' +p78483 +sa(dp78484 +g25273 +S'etching' +p78485 +sg25267 +g27 +sg25275 +S'probably 1757/1758' +p78486 +sg25268 +S'Veduta del Palazzo ... della Sacra Consulta' +p78487 +sg25270 +S'Giovanni Battista Piranesi' +p78488 +sa(dp78489 +g25273 +S'etching' +p78490 +sg25267 +g27 +sg25275 +S'probably 1758/1759' +p78491 +sg25268 +S'Veduta della Gran Curia Innocenziana' +p78492 +sg25270 +S'Giovanni Battista Piranesi' +p78493 +sa(dp78494 +g25273 +S'etching' +p78495 +sg25267 +g27 +sg25275 +S'probably 1757/1758' +p78496 +sg25268 +S"Veduta ... del Palazzo dell' Accademia ... di Francia" +p78497 +sg25270 +S'Giovanni Battista Piranesi' +p78498 +sa(dp78499 +g25268 +S"Venus desarmant l'amour" +p78500 +sg25270 +S'Artist Information (' +p78501 +sg25273 +S'(artist after)' +p78502 +sg25275 +S'\n' +p78503 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008fa1.jpg' +p78504 +sg25267 +g27 +sa(dp78505 +g25273 +S'etching' +p78506 +sg25267 +g27 +sg25275 +S'unknown date\n' +p78507 +sg25268 +S'Veduta del Palazzo Stopani' +p78508 +sg25270 +S'Giovanni Battista Piranesi' +p78509 +sa(dp78510 +g25273 +S'etching' +p78511 +sg25267 +g27 +sg25275 +S'unknown date\n' +p78512 +sg25268 +S'Veduta del Palazzo Farnese' +p78513 +sg25270 +S'Giovanni Battista Piranesi' +p78514 +sa(dp78515 +g25273 +S'etching' +p78516 +sg25267 +g27 +sg25275 +S'probably 1758/1759' +p78517 +sg25268 +S'Veduta ... del Palazzo ... Barberini' +p78518 +sg25270 +S'Giovanni Battista Piranesi' +p78519 +sa(dp78520 +g25273 +S'etching' +p78521 +sg25267 +g27 +sg25275 +S'probably 1757/1758' +p78522 +sg25268 +S'Veduta del Palazzo Odescalchi' +p78523 +sg25270 +S'Giovanni Battista Piranesi' +p78524 +sa(dp78525 +g25273 +S'etching' +p78526 +sg25267 +g27 +sg25275 +S'unknown date\n' +p78527 +sg25268 +S'Veduta della Villa ... Albani' +p78528 +sg25270 +S'Giovanni Battista Piranesi' +p78529 +sa(dp78530 +g25273 +S'etching' +p78531 +sg25267 +g27 +sg25275 +S'unknown date\n' +p78532 +sg25268 +S'Villa Panfili' +p78533 +sg25270 +S'Giovanni Battista Piranesi' +p78534 +sa(dp78535 +g25273 +S'etching' +p78536 +sg25267 +g27 +sg25275 +S'probably 1757/1758' +p78537 +sg25268 +S'Veduta del Porto di Ripa Grande' +p78538 +sg25270 +S'Giovanni Battista Piranesi' +p78539 +sa(dp78540 +g25273 +S'etching' +p78541 +sg25267 +g27 +sg25275 +S'1750/1751' +p78542 +sg25268 +S'Veduta del Porto di Ripetta' +p78543 +sg25270 +S'Giovanni Battista Piranesi' +p78544 +sa(dp78545 +g25273 +S'etching' +p78546 +sg25267 +g27 +sg25275 +S'unknown date\n' +p78547 +sg25268 +S"Veduta dell' Isola Tiberina" +p78548 +sg25270 +S'Giovanni Battista Piranesi' +p78549 +sa(dp78550 +g25273 +S'etching' +p78551 +sg25267 +g27 +sg25275 +S'unknown date\n' +p78552 +sg25268 +S'Veduta del Ponte Molle' +p78553 +sg25270 +S'Giovanni Battista Piranesi' +p78554 +sa(dp78555 +g25268 +S'Modeles de coiffures' +p78556 +sg25270 +S'Jean-Fran\xc3\xa7ois Janinet' +p78557 +sg25273 +S'color crayon manner etching' +p78558 +sg25275 +S'unknown date\n' +p78559 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00090/a0009008.jpg' +p78560 +sg25267 +g27 +sa(dp78561 +g25268 +S'Veduta del Ponte Lugano' +p78562 +sg25270 +S'Giovanni Battista Piranesi' +p78563 +sg25273 +S'etching' +p78564 +sg25275 +S'unknown date\n' +p78565 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00112/a00112e3.jpg' +p78566 +sg25267 +g27 +sa(dp78567 +g25273 +S'etching' +p78568 +sg25267 +g27 +sg25275 +S'unknown date\n' +p78569 +sg25268 +S'Veduta ... della famiglia Plauzia' +p78570 +sg25270 +S'Giovanni Battista Piranesi' +p78571 +sa(dp78572 +g25268 +S'Veduta del Ponte Salario' +p78573 +sg25270 +S'Giovanni Battista Piranesi' +p78574 +sg25273 +S'etching' +p78575 +sg25275 +S'1756/1757' +p78576 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ff/a000ffa2.jpg' +p78577 +sg25267 +g27 +sa(dp78578 +g25273 +S'etching' +p78579 +sg25267 +g27 +sg25275 +S'1750/1751' +p78580 +sg25268 +S"Veduta del Ponte e Castello Sant' Angelo" +p78581 +sg25270 +S'Giovanni Battista Piranesi' +p78582 +sa(dp78583 +g25273 +S'etching' +p78584 +sg25267 +g27 +sg25275 +S'probably 1747/1748' +p78585 +sg25268 +S'Frontispiece, with Statue of Minerva' +p78586 +sg25270 +S'Giovanni Battista Piranesi' +p78587 +sa(dp78588 +g25273 +S'etching' +p78589 +sg25267 +g27 +sg25275 +S'1755/1756' +p78590 +sg25268 +S"Veduta del Mausoleo d' Elio Adriano" +p78591 +sg25270 +S'Giovanni Battista Piranesi' +p78592 +sa(dp78593 +g25273 +S'etching' +p78594 +sg25267 +g27 +sg25275 +S'1751/1753' +p78595 +sg25268 +S'Veduta della Dogana di Terra' +p78596 +sg25270 +S'Giovanni Battista Piranesi' +p78597 +sa(dp78598 +g25273 +S'etching' +p78599 +sg25267 +g27 +sg25275 +S'probably 1748/1749' +p78600 +sg25268 +S'Veduta degli Avanzi di due Triclinj che appartenevano alla Casa aurea di Nerone' +p78601 +sg25270 +S'Giovanni Battista Piranesi' +p78602 +sa(dp78603 +g25273 +S'etching' +p78604 +sg25267 +g27 +sg25275 +S'1756/1757' +p78605 +sg25268 +S'Veduta del tempio di Bacco' +p78606 +sg25270 +S'Giovanni Battista Piranesi' +p78607 +sa(dp78608 +g25273 +S'etching' +p78609 +sg25267 +g27 +sg25275 +S'unknown date\n' +p78610 +sg25268 +S"Veduta interna dell' antico Tempio di Bacco" +p78611 +sg25270 +S'Giovanni Battista Piranesi' +p78612 +sa(dp78613 +g25268 +S'Les heures du jour' +p78614 +sg25270 +S'Artist Information (' +p78615 +sg25273 +S'(artist after)' +p78616 +sg25275 +S'\n' +p78617 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00090/a0009009.jpg' +p78618 +sg25267 +g27 +sa(dp78619 +g25273 +S'etching' +p78620 +sg25267 +g27 +sg25275 +S'1751/1753' +p78621 +sg25268 +S"Veduta dell' avanzo del Castello" +p78622 +sg25270 +S'Giovanni Battista Piranesi' +p78623 +sa(dp78624 +g25273 +S'etching' +p78625 +sg25267 +g27 +sg25275 +S'probably 1747/1748' +p78626 +sg25268 +S'Veduta del Sepolcro di Cajo Cestio' +p78627 +sg25270 +S'Giovanni Battista Piranesi' +p78628 +sa(dp78629 +g25273 +S'etching' +p78630 +sg25267 +g27 +sg25275 +S'1761' +p78631 +sg25268 +S'Piramide di C. Cestio' +p78632 +sg25270 +S'Giovanni Battista Piranesi' +p78633 +sa(dp78634 +g25273 +S'etching' +p78635 +sg25267 +g27 +sg25275 +S'probably 1749/1750' +p78636 +sg25268 +S'Veduta interna del Sepolcro di S. Costanza' +p78637 +sg25270 +S'Giovanni Battista Piranesi' +p78638 +sa(dp78639 +g25273 +S'etching' +p78640 +sg25267 +g27 +sg25275 +S'1750/1751' +p78641 +sg25268 +S'Veduta ... del Serraglio delle fiere fabbricato da Domiziano' +p78642 +sg25270 +S'Giovanni Battista Piranesi' +p78643 +sa(dp78644 +g25273 +S'etching' +p78645 +sg25267 +g27 +sg25275 +S'1750/1751' +p78646 +sg25268 +S"Veduta dell' Atrio del Portico di Ottavia" +p78647 +sg25270 +S'Giovanni Battista Piranesi' +p78648 +sa(dp78649 +g25273 +S'etching' +p78650 +sg25267 +g27 +sg25275 +S'1750/1751' +p78651 +sg25268 +S"Veduta interna dell' Atrio del Portico di Ottavia" +p78652 +sg25270 +S'Giovanni Battista Piranesi' +p78653 +sa(dp78654 +g25273 +S'etching' +p78655 +sg25267 +g27 +sg25275 +S'unknown date\n' +p78656 +sg25268 +S'Veduta del Tempio delle Camene' +p78657 +sg25270 +S'Giovanni Battista Piranesi' +p78658 +sa(dp78659 +g25273 +S'etching' +p78660 +sg25267 +g27 +sg25275 +S'unknown date\n' +p78661 +sg25268 +S"Veduta della fonte e delle Spelonche d' Egeria" +p78662 +sg25270 +S'Giovanni Battista Piranesi' +p78663 +sa(dp78664 +g25273 +S'etching' +p78665 +sg25267 +g27 +sg25275 +S'1756/1757' +p78666 +sg25268 +S'Veduta degli avanzi del Foro di Nerva' +p78667 +sg25270 +S'Giovanni Battista Piranesi' +p78668 +sa(dp78669 +g25268 +S'Le Bain' +p78670 +sg25270 +S'Artist Information (' +p78671 +sg25273 +S'(artist after)' +p78672 +sg25275 +S'\n' +p78673 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f3a.jpg' +p78674 +sg25267 +g27 +sa(dp78675 +g25273 +S'etching' +p78676 +sg25267 +g27 +sg25275 +S'unknown date\n' +p78677 +sg25268 +S'Veduta degli avanzi del Foro di Nerva' +p78678 +sg25270 +S'Giovanni Battista Piranesi' +p78679 +sa(dp78680 +g25273 +S'etching' +p78681 +sg25267 +g27 +sg25275 +S'probably 1747/1748' +p78682 +sg25268 +S'Veduta del Romano Campidoglio' +p78683 +sg25270 +S'Giovanni Battista Piranesi' +p78684 +sa(dp78685 +g25273 +S'etching' +p78686 +sg25267 +g27 +sg25275 +S'unknown date\n' +p78687 +sg25268 +S'Veduta della Piazza del Campidoglio' +p78688 +sg25270 +S'Giovanni Battista Piranesi' +p78689 +sa(dp78690 +g25273 +S'etching' +p78691 +sg25267 +g27 +sg25275 +S'1761' +p78692 +sg25268 +S'Veduta del Campidoglio di Fianco' +p78693 +sg25270 +S'Giovanni Battista Piranesi' +p78694 +sa(dp78695 +g25273 +S'etching' +p78696 +sg25267 +g27 +sg25275 +S'probably 1747/1748' +p78697 +sg25268 +S'Veduta di Campo Vaccino' +p78698 +sg25270 +S'Giovanni Battista Piranesi' +p78699 +sa(dp78700 +g25273 +S'etching' +p78701 +sg25267 +g27 +sg25275 +S'unknown date\n' +p78702 +sg25268 +S'Veduta di Campo Vaccino' +p78703 +sg25270 +S'Giovanni Battista Piranesi' +p78704 +sa(dp78705 +g25273 +S'etching' +p78706 +sg25267 +g27 +sg25275 +S'probably 1749/1750' +p78707 +sg25268 +S"Veduta del Sito, ov'era l'antico Foro Romano" +p78708 +sg25270 +S'Giovanni Battista Piranesi' +p78709 +sa(dp78710 +g25273 +S'etching' +p78711 +sg25267 +g27 +sg25275 +S'probably 1749/1750' +p78712 +sg25268 +S"Veduta del Tempio d' Antonio e Faustina in Campo Vaccino" +p78713 +sg25270 +S'Giovanni Battista Piranesi' +p78714 +sa(dp78715 +g25273 +S'etching' +p78716 +sg25267 +g27 +sg25275 +S'1753/1754' +p78717 +sg25268 +S'Veduta del Tempio di Giove Tonante' +p78718 +sg25270 +S'Giovanni Battista Piranesi' +p78719 +sa(dp78720 +g25273 +S'etching' +p78721 +sg25267 +g27 +sg25275 +S'probably 1749/1750' +p78722 +sg25268 +S'Veduta degli avanzi del Tablino della Casa Aurea di Nerone' +p78723 +sg25270 +S'Giovanni Battista Piranesi' +p78724 +sa(dp78725 +g25268 +S'La Toilette' +p78726 +sg25270 +S'Artist Information (' +p78727 +sg25273 +S'(artist after)' +p78728 +sg25275 +S'\n' +p78729 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f39.jpg' +p78730 +sg25267 +g27 +sa(dp78731 +g25273 +S'etching' +p78732 +sg25267 +g27 +sg25275 +S'unknown date\n' +p78733 +sg25268 +S'Veduta degli avanzi del tablino della Casa aurea di Nerone' +p78734 +sg25270 +S'Giovanni Battista Piranesi' +p78735 +sa(dp78736 +g25273 +S'etching' +p78737 +sg25267 +g27 +sg25275 +S'probably 1749/1750' +p78738 +sg25268 +S'Teatro di Marcello' +p78739 +sg25270 +S'Giovanni Battista Piranesi' +p78740 +sa(dp78741 +g25273 +S'etching' +p78742 +sg25267 +g27 +sg25275 +S'1750/1751' +p78743 +sg25268 +S'Veduta del tempio della Fortuna Virile' +p78744 +sg25270 +S'Giovanni Battista Piranesi' +p78745 +sa(dp78746 +g25273 +S'etching' +p78747 +sg25267 +g27 +sg25275 +S'unknown date\n' +p78748 +sg25268 +S'Veduta del Tempio detto della Concordia' +p78749 +sg25270 +S'Giovanni Battista Piranesi' +p78750 +sa(dp78751 +g25273 +S'etching' +p78752 +sg25267 +g27 +sg25275 +S'unknown date\n' +p78753 +sg25268 +S'Altra veduta degli avanzi del Pronao del Tempio della Concordia' +p78754 +sg25270 +S'Giovanni Battista Piranesi' +p78755 +sa(dp78756 +g25273 +S'etching' +p78757 +sg25267 +g27 +sg25275 +S'1753/1754' +p78758 +sg25268 +S'Veduta del Tempio di Cibele' +p78759 +sg25270 +S'Giovanni Battista Piranesi' +p78760 +sa(dp78761 +g25273 +S'etching' +p78762 +sg25267 +g27 +sg25275 +S'probably 1748/1749' +p78763 +sg25268 +S'Colonna Trajana' +p78764 +sg25270 +S'Giovanni Battista Piranesi' +p78765 +sa(dp78766 +g25273 +S'etching' +p78767 +sg25267 +g27 +sg25275 +S'probably 1748/1749' +p78768 +sg25268 +S'Colonna Antonina' +p78769 +sg25270 +S'Giovanni Battista Piranesi' +p78770 +sa(dp78771 +g25273 +S'etching' +p78772 +sg25267 +g27 +sg25275 +S'probably 1749/1750' +p78773 +sg25268 +S'Obelisco Egizio' +p78774 +sg25270 +S'Giovanni Battista Piranesi' +p78775 +sa(dp78776 +g25273 +S'etching' +p78777 +sg25267 +g27 +sg25275 +S'probably 1749/1750' +p78778 +sg25268 +S'Arco di Settimio Severo' +p78779 +sg25270 +S'Giovanni Battista Piranesi' +p78780 +sa(dp78781 +g25268 +S'Marie-Antoinette, Dauphine' +p78782 +sg25270 +S'Artist Information (' +p78783 +sg25273 +S'(artist after)' +p78784 +sg25275 +S'\n' +p78785 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008cc7.jpg' +p78786 +sg25267 +g27 +sa(dp78787 +g25273 +S'etching' +p78788 +sg25267 +g27 +sg25275 +S'unknown date\n' +p78789 +sg25268 +S"Veduta dell' Arco di Settimio Severo" +p78790 +sg25270 +S'Giovanni Battista Piranesi' +p78791 +sa(dp78792 +g25273 +S'etching' +p78793 +sg25267 +g27 +sg25275 +S'1756/1757' +p78794 +sg25268 +S"Veduta dell' Arco di Tito" +p78795 +sg25270 +S'Giovanni Battista Piranesi' +p78796 +sa(dp78797 +g25273 +S'etching' +p78798 +sg25267 +g27 +sg25275 +S'1761' +p78799 +sg25268 +S"Veduta dell' ... Colosseo" +p78800 +sg25270 +S'Giovanni Battista Piranesi' +p78801 +sa(dp78802 +g25273 +S'etching' +p78803 +sg25267 +g27 +sg25275 +S'unknown date\n' +p78804 +sg25268 +S"Veduta dell' interno dell' ... Colosseo" +p78805 +sg25270 +S'Giovanni Battista Piranesi' +p78806 +sa(dp78807 +g25273 +S'etching' +p78808 +sg25267 +g27 +sg25275 +S'unknown date\n' +p78809 +sg25268 +S"Veduta dell' ... Colosseo" +p78810 +sg25270 +S'Giovanni Battista Piranesi' +p78811 +sa(dp78812 +g25273 +S'etching' +p78813 +sg25267 +g27 +sg25275 +S'probably 1747/1748' +p78814 +sg25268 +S"Veduta dell' Arco di Costantino, e ... il Colosseo" +p78815 +sg25270 +S'Giovanni Battista Piranesi' +p78816 +sa(dp78817 +g25273 +S'etching' +p78818 +sg25267 +g27 +sg25275 +S'unknown date\n' +p78819 +sg25268 +S"Veduta dell' Arco di Costantino" +p78820 +sg25270 +S'Giovanni Battista Piranesi' +p78821 +sa(dp78822 +g25273 +S'etching' +p78823 +sg25267 +g27 +sg25275 +S'unknown date\n' +p78824 +sg25268 +S"Veduta del Monumento eretto dall' Imperador Tito Vespasiano" +p78825 +sg25270 +S'Giovanni Battista Piranesi' +p78826 +sa(dp78827 +g25273 +S'etching' +p78828 +sg25267 +g27 +sg25275 +S'unknown date\n' +p78829 +sg25268 +S'Veduta del Sepolcro di Pisone Liciniano' +p78830 +sg25270 +S'Giovanni Battista Piranesi' +p78831 +sa(dp78832 +g25273 +S'etching' +p78833 +sg25267 +g27 +sg25275 +S'unknown date\n' +p78834 +sg25268 +S'Tempio antico volgarmente detto della Salute' +p78835 +sg25270 +S'Giovanni Battista Piranesi' +p78836 +sa(dp78837 +g25268 +S"L'accident imprevu" +p78838 +sg25270 +S'Artist Information (' +p78839 +sg25273 +S'(artist after)' +p78840 +sg25275 +S'\n' +p78841 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a00096bc.jpg' +p78842 +sg25267 +g27 +sa(dp78843 +g25273 +S'etching' +p78844 +sg25267 +g27 +sg25275 +S'unknown date\n' +p78845 +sg25268 +S'Rovine delle Terme Antoniniane' +p78846 +sg25270 +S'Giovanni Battista Piranesi' +p78847 +sa(dp78848 +g25268 +S'In Church' +p78849 +sg25270 +S'Honor\xc3\xa9 Daumier' +p78850 +sg25273 +S'oil on wood' +p78851 +sg25275 +S'1855/1857' +p78852 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00109/a00109de.jpg' +p78853 +sg25267 +g27 +sa(dp78854 +g25273 +S'(painter)' +p78855 +sg25267 +g27 +sg25275 +S'\n' +p78856 +sg25268 +S'Feast of the Gods' +p78857 +sg25270 +S'Artist Information (' +p78858 +sa(dp78859 +g25268 +S'Artist and Model' +p78860 +sg25270 +S'Jean-Louis Forain' +p78861 +sg25273 +S'oil on canvas' +p78862 +sg25275 +S'1925' +p78863 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a0000657.jpg' +p78864 +sg25267 +g27 +sa(dp78865 +g25268 +S'Behind the Scenes' +p78866 +sg25270 +S'Jean-Louis Forain' +p78867 +sg25273 +S'oil on canvas' +p78868 +sg25275 +S'c. 1880' +p78869 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a0000644.jpg' +p78870 +sg25267 +g27 +sa(dp78871 +g25268 +S'The Stockade' +p78872 +sg25270 +S'Jean-Louis Forain' +p78873 +sg25273 +S'oil on canvas' +p78874 +sg25275 +S'probably c. 1908' +p78875 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a0000645.jpg' +p78876 +sg25267 +g27 +sa(dp78877 +g25268 +S'The Petitioner' +p78878 +sg25270 +S'Jean-Louis Forain' +p78879 +sg25273 +S'oil on canvas' +p78880 +sg25275 +S'c. 1910' +p78881 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a0000651.jpg' +p78882 +sg25267 +g27 +sa(dp78883 +g25268 +S'Alexander Arnold Hannay' +p78884 +sg25270 +S'James McNeill Whistler' +p78885 +sg25273 +S'oil on wood' +p78886 +sg25275 +S'c. 1896' +p78887 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d4a.jpg' +p78888 +sg25267 +g27 +sa(dp78889 +g25273 +S'oil on panel' +p78890 +sg25267 +g27 +sg25275 +S'c. 1890-1894' +p78891 +sg25268 +S'Peach Blossom' +p78892 +sg25270 +S'Beatrice Godwin Whistler' +p78893 +sa(dp78894 +g25268 +S'Seated Figure' +p78895 +sg25270 +S'Jules Pascin' +p78896 +sg25273 +S'graphite on wove paper' +p78897 +sg25275 +S'unknown date\n' +p78898 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00072/a000722c.jpg' +p78899 +sg25267 +g27 +sa(dp78900 +g25268 +S'The Preparations for the Ballet' +p78901 +sg25270 +S'Artist Information (' +p78902 +sg25273 +S'(artist after)' +p78903 +sg25275 +S'\n' +p78904 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc45.jpg' +p78905 +sg25267 +g27 +sa(dp78906 +g25268 +S'Job and His Daughters' +p78907 +sg25270 +S'William Blake' +p78908 +sg25273 +S'pen and tempera on canvas' +p78909 +sg25275 +S'1799/1800' +p78910 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000fc.jpg' +p78911 +sg25267 +g27 +sa(dp78912 +g25273 +S'etching' +p78913 +sg25267 +g27 +sg25275 +S'1766' +p78914 +sg25268 +S'Veduta della Cascata di Tivoli' +p78915 +sg25270 +S'Giovanni Battista Piranesi' +p78916 +sa(dp78917 +g25273 +S'etching' +p78918 +sg25267 +g27 +sg25275 +S'unknown date\n' +p78919 +sg25268 +S'Sepolcro di Cecilia Metella' +p78920 +sg25270 +S'Giovanni Battista Piranesi' +p78921 +sa(dp78922 +g25273 +S'etching' +p78923 +sg25267 +g27 +sg25275 +S'unknown date\n' +p78924 +sg25268 +S'Rovine del Sisto o sia della gran sala delle Terme Antoniniane' +p78925 +sg25270 +S'Giovanni Battista Piranesi' +p78926 +sa(dp78927 +g25273 +S'etching' +p78928 +sg25267 +g27 +sg25275 +S'unknown date\n' +p78929 +sg25268 +S'Tempio detto volgarmente di Giano' +p78930 +sg25270 +S'Giovanni Battista Piranesi' +p78931 +sa(dp78932 +g25273 +S'etching' +p78933 +sg25267 +g27 +sg25275 +S'unknown date\n' +p78934 +sg25268 +S'Veduta del Tempio ottangolare di Minerva Medica' +p78935 +sg25270 +S'Giovanni Battista Piranesi' +p78936 +sa(dp78937 +g25268 +S'David Slaying Goliath' +p78938 +sg25270 +S'Artist Information (' +p78939 +sg25273 +S'(artist after)' +p78940 +sg25275 +S'\n' +p78941 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cb6b.jpg' +p78942 +sg25267 +g27 +sa(dp78943 +g25268 +S'Breezing Up (A Fair Wind)' +p78944 +sg25270 +S'Winslow Homer' +p78945 +sg25273 +S'oil on canvas' +p78946 +sg25275 +S'1873-1876' +p78947 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a0000101.jpg' +p78948 +sg25267 +S'Homer developed a penchant for forceful realism early in his career. Following an apprenticeship in a Boston lithography shop, he supported himself as a freelance illustrator, creating a wide variety of popular images that subsequently were published as wood engravings in national periodicals like \n Upon his return to the United States, Homer turned his attention to lively scenes of sports and recreation, painting warm and appealing images that perfectly suited the prevalent postwar nostalgia for a simpler, more innocent America. \n ' +p78949 +sa(dp78950 +g25268 +S'Commodore John Rodgers' +p78951 +sg25270 +S'John Wesley Jarvis' +p78952 +sg25273 +S'oil on canvas' +p78953 +sg25275 +S'c. 1814' +p78954 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a0000116.jpg' +p78955 +sg25267 +g27 +sa(dp78956 +g25268 +S"L'assemblee au concert" +p78957 +sg25270 +S'Artist Information (' +p78958 +sg25273 +S'(artist after)' +p78959 +sg25275 +S'\n' +p78960 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a00096e5.jpg' +p78961 +sg25267 +g27 +sa(dp78962 +g25268 +S'The Eel Gatherers' +p78963 +sg25270 +S'Jean-Baptiste-Camille Corot' +p78964 +sg25273 +S'oil on canvas' +p78965 +sg25275 +S'1860/1865' +p78966 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000dc4.jpg' +p78967 +sg25267 +g27 +sa(dp78968 +g25268 +S'The Stream (Le Ruisseau du Puits-Noir; vall\xc3\xa9e de la Loue)' +p78969 +sg25270 +S'Gustave Courbet' +p78970 +sg25273 +S'oil on canvas' +p78971 +sg25275 +S'1855' +p78972 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000db4.jpg' +p78973 +sg25267 +S'Courbet painted events and scenery primarily from his native Ornans, a village in the remote\nFranche-Comté region. A proponent of realism, he challenged traditional ideas about art\nby depicting simple peasants and rustic scenery with dignity and on the grand scale usually\nreserved for history paintings.\n Overhanging trees and lush green undergrowth surround a narrow waterway in the forest\ninterior shown in \n When he exhibited this painting at the Exposition Universelle in 1855, Courbet specifically\nidentified the wooded gorge in \n ' +p78974 +sa(dp78975 +g25273 +S'page size: 28.2 x 20.6 cm (11 1/8 x 8 1/8 in.)' +p78976 +sg25267 +g27 +sg25275 +S'\n1 vol: ill: 124 etchings and engravings on laid paper by various artists under the direction of P.-F. Basan' +p78977 +sg25268 +S"Recueil d'estampes gravees d'apres les tableaux du cabinet ... le duc De Choiseul" +p78978 +sg25270 +S'Various Artists' +p78979 +sa(dp78980 +g25273 +S'page size: 29.3 x 19.6 cm (11 9/16 x 7 11/16 in.)' +p78981 +sg25267 +g27 +sg25275 +S'\n1 vol: ill: 50 etchings and engravings on laid paper (plates 1-50)' +p78982 +sg25268 +S"Galerie Durand-Ruel: Recueil d'estampes gravees a l'eau-forte (volume I)" +p78983 +sg25270 +S'Various Artists' +p78984 +sa(dp78985 +g25273 +S'page size: 29.3 x 19.6 cm (11 9/16 x 7 11/16 in.)' +p78986 +sg25267 +g27 +sg25275 +S'\n1 vol: ill: 50 etchings and engravings on laid paper (plates 51-100)' +p78987 +sg25268 +S"Galerie Durand-Ruel: Recueil d'estampes gravees a l'eau-forte (volume II)" +p78988 +sg25270 +S'Various Artists' +p78989 +sa(dp78990 +g25273 +S'page size: 29.3 x 19.6 cm (11 9/16 x 7 11/16 in.)' +p78991 +sg25267 +g27 +sg25275 +S'\n1 vol: ill: 50 etchings and engravings on laid paper (plates 101-150)' +p78992 +sg25268 +S"Galerie Durand-Ruel: Recueil d'estampes gravees a l'eau-forte (volume III)" +p78993 +sg25270 +S'Various Artists' +p78994 +sa(dp78995 +g25273 +S'page size: 29.3 x 19.6 cm (11 9/16 x 7 11/16 in.)' +p78996 +sg25267 +g27 +sg25275 +S'\n1 vol: ill: 50 etchings and engravings on laid paper (plates 151-200)' +p78997 +sg25268 +S"Galerie Durand-Ruel: Recueil d'estampes gravees a l'eau-forte (volume IV)" +p78998 +sg25270 +S'Various Artists' +p78999 +sa(dp79000 +g25273 +S'page size: 29.3 x 19.6 cm (11 9/16 x 7 11/16 in.)' +p79001 +sg25267 +g27 +sg25275 +S'\n1 vol: ill: 50 etchings and engravings on laid paper (plates 201-250)' +p79002 +sg25268 +S"Galerie Durand-Ruel: Recueil d'estampes gravees a l'eau-forte (volume V)" +p79003 +sg25270 +S'Various Artists' +p79004 +sa(dp79005 +g25273 +S'page size: 29.3 x 19.6 cm (11 9/16 x 7 11/16 in.)' +p79006 +sg25267 +g27 +sg25275 +S'\n1 vol: ill: 50 etchings and engravings on laid paper (plates 251-300)' +p79007 +sg25268 +S"Galerie Durand-Ruel: Recueil d'estampes gravees a l'eau-forte (volume VI)" +p79008 +sg25270 +S'Various Artists' +p79009 +sa(dp79010 +g25273 +S'(author)' +p79011 +sg25267 +g27 +sg25275 +S'\n' +p79012 +sg25268 +S'Ballads' +p79013 +sg25270 +S'Artist Information (' +p79014 +sa(dp79015 +g25268 +S"L'assemblee au salon" +p79016 +sg25270 +S'Artist Information (' +p79017 +sg25273 +S'(artist after)' +p79018 +sg25275 +S'\n' +p79019 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a00096e6.jpg' +p79020 +sg25267 +g27 +sa(dp79021 +g25273 +S'(author)' +p79022 +sg25267 +g27 +sg25275 +S'\n' +p79023 +sg25268 +S'The Triumph of Temper' +p79024 +sg25270 +S'Artist Information (' +p79025 +sa(dp79026 +g25268 +S'Amos Lawrence' +p79027 +sg25270 +S'Chester Harding' +p79028 +sg25273 +S'oil on canvas' +p79029 +sg25275 +S'c. 1845' +p79030 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000db.jpg' +p79031 +sg25267 +g27 +sa(dp79032 +g25268 +S'An Easter Calendar Beginning with the Year 1466' +p79033 +sg25270 +S'German 15th Century' +p79034 +sg25273 +S'image: 18.8 x 13.8 cm (7 3/8 x 5 7/16 in.)\r\nsheet: 21.3 x 16 cm (8 3/8 x 6 5/16 in.)\r\noverall (external frame dimensions): 39.4 x 31.8 cm (15 1/2 x 12 1/2 in.)' +p79035 +sg25275 +S'\nwoodcut in dark brown, hand-colored in yellow, ochre, green, rose, and brown' +p79036 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00056/a0005682.jpg' +p79037 +sg25267 +g27 +sa(dp79038 +g25268 +S'Saint Jerome in the Desert' +p79039 +sg25270 +S'Hans Baldung Grien' +p79040 +sg25273 +S'woodcut' +p79041 +sg25275 +S'1511' +p79042 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a7eb.jpg' +p79043 +sg25267 +g27 +sa(dp79044 +g25268 +S'The Young White King at the Butts' +p79045 +sg25270 +S'Leonhard Beck' +p79046 +sg25273 +S'woodcut' +p79047 +sg25275 +S'1514/1516' +p79048 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ae/a000ae14.jpg' +p79049 +sg25267 +g27 +sa(dp79050 +g25268 +S'Sketch of a Woman' +p79051 +sg25270 +S'Richard Parkes Bonington' +p79052 +sg25273 +S'pen and brown ink on wove paper' +p79053 +sg25275 +S'1828' +p79054 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006b/a0006beb.jpg' +p79055 +sg25267 +g27 +sa(dp79056 +g25273 +S'(artist)' +p79057 +sg25267 +g27 +sg25275 +S'\n' +p79058 +sg25268 +S'Receuil de Fontaines; Second Livre de Fontaines ...' +p79059 +sg25270 +S'Artist Information (' +p79060 +sa(dp79061 +g25273 +S'lithograph' +p79062 +sg25267 +g27 +sg25275 +S'unknown date\n' +p79063 +sg25268 +S'Salute to the Sun' +p79064 +sg25270 +S'Angel Bracho' +p79065 +sa(dp79066 +g25268 +S'Saint Peter' +p79067 +sg25270 +S'Giovanni Antonio da Brescia' +p79068 +sg25273 +S'engraving' +p79069 +sg25275 +S'c. 1507' +p79070 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c73f.jpg' +p79071 +sg25267 +g27 +sa(dp79072 +g25273 +S'lithograph' +p79073 +sg25267 +g27 +sg25275 +S'unknown date\n' +p79074 +sg25268 +S'The Injured Eye' +p79075 +sg25270 +S'Julio Castellanos' +p79076 +sa(dp79077 +g25268 +S'La balancoire mysterieuse' +p79078 +sg25270 +S'Artist Information (' +p79079 +sg25273 +S'(artist after)' +p79080 +sg25275 +S'\n' +p79081 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e82.jpg' +p79082 +sg25267 +g27 +sa(dp79083 +g25268 +S"Cabinet d'un Peintre" +p79084 +sg25270 +S'Daniel Nikolaus Chodowiecki' +p79085 +sg25273 +S'etching' +p79086 +sg25275 +S'1771' +p79087 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b33a.jpg' +p79088 +sg25267 +g27 +sa(dp79089 +g25273 +S'lithograph' +p79090 +sg25267 +g27 +sg25275 +S'unknown date\n' +p79091 +sg25268 +S'Head of a Woman' +p79092 +sg25270 +S'Francisco Dosamantes' +p79093 +sa(dp79094 +g25268 +S'Auti te Pape (Women at the River)' +p79095 +sg25270 +S'Paul Gauguin' +p79096 +sg25273 +S'woodcut printed in black and gray by Pola Gauguin in 1921' +p79097 +sg25275 +S'1894/1895' +p79098 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00067/a000673b.jpg' +p79099 +sg25267 +g27 +sa(dp79100 +g25268 +S'Title Page for "Le Sourire" (Titre du Sourire)' +p79101 +sg25270 +S'Paul Gauguin' +p79102 +sg25273 +S'woodcut printed in black and gray by Pola Gauguin in 1921' +p79103 +sg25275 +S'in or after 1895' +p79104 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009a/a0009a88.jpg' +p79105 +sg25267 +g27 +sa(dp79106 +g25268 +S'Nave Nave Fenua (Delightful Land)' +p79107 +sg25270 +S'Paul Gauguin' +p79108 +sg25273 +S'woodcut printed in black and gray by Pola Gauguin in 1921' +p79109 +sg25275 +S'1894/1895' +p79110 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009a/a0009a78.jpg' +p79111 +sg25267 +g27 +sa(dp79112 +g25268 +S'Noa Noa (Fragrant, Fragrant)' +p79113 +sg25270 +S'Paul Gauguin' +p79114 +sg25273 +S'woodcut printed in black and gray by Pola Gauguin in 1921' +p79115 +sg25275 +S'1894/1895' +p79116 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00067/a000673f.jpg' +p79117 +sg25267 +g27 +sa(dp79118 +g25268 +S'Manoa Tupapau (She is Haunted by a Spirit)' +p79119 +sg25270 +S'Paul Gauguin' +p79120 +sg25273 +S'woodcut printed in black and gray by Pola Gauguin in 1921' +p79121 +sg25275 +S'1894/1895' +p79122 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009a/a0009a7a.jpg' +p79123 +sg25267 +g27 +sa(dp79124 +g25268 +S'Te Po (The Long Night)' +p79125 +sg25270 +S'Paul Gauguin' +p79126 +sg25273 +S'woodcut printed in black and gray by Pola Gauguin in 1921' +p79127 +sg25275 +S'1894/1895' +p79128 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009a/a0009a79.jpg' +p79129 +sg25267 +g27 +sa(dp79130 +g25268 +S'Les nymphes scrupuleuses' +p79131 +sg25270 +S'Artist Information (' +p79132 +sg25273 +S'(artist after)' +p79133 +sg25275 +S'\n' +p79134 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e81.jpg' +p79135 +sg25267 +g27 +sa(dp79136 +g25268 +S"The Universe is Created (L'Univers est cree)" +p79137 +sg25270 +S'Paul Gauguin' +p79138 +sg25273 +S'woodcut printed in black and gray by Pola Gauguin in 1921' +p79139 +sg25275 +S'c. 1894' +p79140 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009a/a0009a77.jpg' +p79141 +sg25267 +g27 +sa(dp79142 +g25268 +S'Maruru (Thank You)' +p79143 +sg25270 +S'Paul Gauguin' +p79144 +sg25273 +S'woodcut printed in black and gray on China paper by Pola Gauguin in 1921' +p79145 +sg25275 +S'1894/1895' +p79146 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00066/a00066dc.jpg' +p79147 +sg25267 +g27 +sa(dp79148 +g25268 +S'Mahna no Varua Ino (The Devil Speaks)' +p79149 +sg25270 +S'Paul Gauguin' +p79150 +sg25273 +S'woodcut printed in black and gray by Pola Gauguin in 1921' +p79151 +sg25275 +S'1894/1895' +p79152 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009a/a0009a7e.jpg' +p79153 +sg25267 +g27 +sa(dp79154 +g25268 +S'Cup' +p79155 +sg25270 +S'Wenzel Jamnitzer I' +p79156 +sg25273 +S'etching' +p79157 +sg25275 +S'unknown date\n' +p79158 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ac/a000ac97.jpg' +p79159 +sg25267 +g27 +sa(dp79160 +g25268 +S'Cup' +p79161 +sg25270 +S'Wenzel Jamnitzer I' +p79162 +sg25273 +S'etching' +p79163 +sg25275 +S'unknown date\n' +p79164 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ac/a000ac98.jpg' +p79165 +sg25267 +g27 +sa(dp79166 +g25268 +S'Jar with Neptune' +p79167 +sg25270 +S'Wenzel Jamnitzer I' +p79168 +sg25273 +S'etching' +p79169 +sg25275 +S'unknown date\n' +p79170 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ac/a000ac96.jpg' +p79171 +sg25267 +g27 +sa(dp79172 +g25268 +S'Woman and Child (Weib und Kind)' +p79173 +sg25270 +S'Wilhelm Lehmbruck' +p79174 +sg25273 +S'drypoint' +p79175 +sg25275 +S'1914' +p79176 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c4/a000c45e.jpg' +p79177 +sg25267 +g27 +sa(dp79178 +g25268 +S'Macbeth V (The Vision of Lady Macbeth)' +p79179 +sg25270 +S'Wilhelm Lehmbruck' +p79180 +sg25273 +S'Etching and drypoint' +p79181 +sg25275 +S'1918' +p79182 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c4/a000c459.jpg' +p79183 +sg25267 +g27 +sa(dp79184 +g25273 +S'1 vol: ill: 6 engravings' +p79185 +sg25267 +g27 +sg25275 +S'c. 1670' +p79186 +sg25268 +S"Panaux d'ornements et graves nouvellement" +p79187 +sg25270 +S'Alexis Loir I' +p79188 +sa(dp79189 +g25268 +S'Saint Bartholomew' +p79190 +sg25270 +S'Master FVB' +p79191 +sg25273 +S'engraving' +p79192 +sg25275 +S'c. 1490/1500' +p79193 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cce0.jpg' +p79194 +sg25267 +g27 +sa(dp79195 +g25268 +S'Le Billet doux' +p79196 +sg25270 +S'Artist Information (' +p79197 +sg25273 +S'(artist after)' +p79198 +sg25275 +S'\n' +p79199 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e87.jpg' +p79200 +sg25267 +g27 +sa(dp79201 +g25268 +S'Saint Paul' +p79202 +sg25270 +S'Master FVB' +p79203 +sg25273 +S'engraving' +p79204 +sg25275 +S'c. 1490/1500' +p79205 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cc/a000ccdb.jpg' +p79206 +sg25267 +g27 +sa(dp79207 +g25268 +S'Saint Paul' +p79208 +sg25270 +S'Master FVB' +p79209 +sg25273 +S'engraving' +p79210 +sg25275 +S'c. 1490/1500' +p79211 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cce2.jpg' +p79212 +sg25267 +g27 +sa(dp79213 +g25268 +S'Saint John the Evangelist' +p79214 +sg25270 +S'Master i.e.' +p79215 +sg25273 +S'engraving' +p79216 +sg25275 +S'c. 1480/1490' +p79217 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a3/a000a3bd.jpg' +p79218 +sg25267 +g27 +sa(dp79219 +g25273 +S'lithograph' +p79220 +sg25267 +g27 +sg25275 +S'1928' +p79221 +sg25268 +S'The Flag' +p79222 +sg25270 +S'Jos\xc3\xa9 Clemente Orozco' +p79223 +sa(dp79224 +g25273 +S'lithograph' +p79225 +sg25267 +g27 +sg25275 +S'1928' +p79226 +sg25268 +S'Requiem' +p79227 +sg25270 +S'Jos\xc3\xa9 Clemente Orozco' +p79228 +sa(dp79229 +g25268 +S'Eyeglass Peddlar' +p79230 +sg25270 +S'Adriaen van Ostade' +p79231 +sg25273 +S'etching' +p79232 +sg25275 +S'probably 1646' +p79233 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d2/a000d2ae.jpg' +p79234 +sg25267 +g27 +sa(dp79235 +g25268 +S'Christ Consoling the Centurion' +p79236 +sg25270 +S'Master IB' +p79237 +sg25273 +S'engraving' +p79238 +sg25275 +S'unknown date\n' +p79239 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ac/a000accf.jpg' +p79240 +sg25267 +g27 +sa(dp79241 +g25268 +S'Christ with Three of His Apostles' +p79242 +sg25270 +S'Master IB' +p79243 +sg25273 +S'engraving' +p79244 +sg25275 +S'unknown date\n' +p79245 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ac/a000accd.jpg' +p79246 +sg25267 +g27 +sa(dp79247 +g25268 +S'Christ Stilling the Storm' +p79248 +sg25270 +S'Master IB' +p79249 +sg25273 +S'engraving' +p79250 +sg25275 +S'unknown date\n' +p79251 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ac/a000acce.jpg' +p79252 +sg25267 +g27 +sa(dp79253 +g25268 +S'Le Billet doux' +p79254 +sg25270 +S'Artist Information (' +p79255 +sg25273 +S'(artist after)' +p79256 +sg25275 +S'\n' +p79257 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a00096d7.jpg' +p79258 +sg25267 +g27 +sa(dp79259 +g25268 +S'Couverture - Frontispice' +p79260 +sg25270 +S'Odilon Redon' +p79261 +sg25273 +S'lithograph' +p79262 +sg25275 +S'1890' +p79263 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005e/a0005e0e.jpg' +p79264 +sg25267 +g27 +sa(dp79265 +g25268 +S'Les Fleurs du Mal' +p79266 +sg25270 +S'Odilon Redon' +p79267 +sg25273 +S'portfolio with 9 lithographs' +p79268 +sg25275 +S'1890' +p79269 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a0/a000a00a.jpg' +p79270 +sg25267 +g27 +sa(dp79271 +g25268 +S"Je t'adore a l'egal de la voute nocturne. O vase de tristesse, o grande taciturne (I adore you as I adore the vault of the night sky, O vessel of sadness, O tall silent woman)" +p79272 +sg25270 +S'Odilon Redon' +p79273 +sg25273 +S'lithograph' +p79274 +sg25275 +S'1890' +p79275 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005d/a0005dd5.jpg' +p79276 +sg25267 +g27 +sa(dp79277 +g25268 +S"Parfois on trouve un vieux flacon qui se souvient, d'ou jaillit toute vive une ame qui revient (Sometimes one finds an old reminiscing flask, whence issues in full life a returning soul)" +p79278 +sg25270 +S'Odilon Redon' +p79279 +sg25273 +S'lithograph' +p79280 +sg25275 +S'1890' +p79281 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c9f.jpg' +p79282 +sg25267 +g27 +sa(dp79283 +g25268 +S'Si par une nuit lourde et sombre, un bon chretien, par charite, derriere quelque vieux decombre, enterre votre corps voute (If on a close dark night a good Christian, out of charity, behind some old ruin, buries your arched body)' +p79284 +sg25270 +S'Odilon Redon' +p79285 +sg25273 +S'lithograph' +p79286 +sg25275 +S'1890' +p79287 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009ca0.jpg' +p79288 +sg25267 +g27 +sa(dp79289 +g25268 +S'Volupte, Fantome Elastique! (Pleasure, elastic phantom!)' +p79290 +sg25270 +S'Odilon Redon' +p79291 +sg25273 +S'lithograph' +p79292 +sg25275 +S'1890' +p79293 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c9d.jpg' +p79294 +sg25267 +g27 +sa(dp79295 +g25268 +S'Sur le fond de nos nuits dieu de son doigt savant dessine un cauchemar multiforme et sans treve (On backdrop of our nights God with His knowing finger traces a multiform implacable nightmare)' +p79296 +sg25270 +S'Odilon Redon' +p79297 +sg25273 +S'lithograph' +p79298 +sg25275 +S'1890' +p79299 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009ca1.jpg' +p79300 +sg25267 +g27 +sa(dp79301 +g25268 +S"Sans cesse a mes cotes s'agite le demon (Ceaselessly by my side the demon stirs)" +p79302 +sg25270 +S'Odilon Redon' +p79303 +sg25273 +S'lithograph' +p79304 +sg25275 +S'1890' +p79305 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009ca2.jpg' +p79306 +sg25267 +g27 +sa(dp79307 +g25268 +S"Gloire et louange a toi, satan, dans les hauteurs du ciel ou tu regnas, et dans les profondeurs de l'enfer, ou vaincu, tu reves en silence! (Glory and praise to you, Satan, in the heights of heaven, where you reigned, and in thedepths of hell, where, vanquished, you dream in s ilence!)" +p79308 +sg25270 +S'Odilon Redon' +p79309 +sg25273 +S'lithograph' +p79310 +sg25275 +S'1890' +p79311 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009ca3.jpg' +p79312 +sg25267 +g27 +sa(dp79313 +g25268 +S'Cul-de-Lampe' +p79314 +sg25270 +S'Odilon Redon' +p79315 +sg25273 +S'lithograph' +p79316 +sg25275 +S'1890' +p79317 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c9e.jpg' +p79318 +sg25267 +g27 +sa(dp79319 +g25268 +S'Le Billet doux' +p79320 +sg25270 +S'Artist Information (' +p79321 +sg25273 +S'(artist after)' +p79322 +sg25275 +S'\n' +p79323 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a00096d6.jpg' +p79324 +sg25267 +g27 +sa(dp79325 +g25268 +S'Jan Asselyn' +p79326 +sg25270 +S'Rembrandt van Rijn' +p79327 +sg25273 +S'etching, drypoint and burin' +p79328 +sg25275 +S'c. 1647' +p79329 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d3/a000d373.jpg' +p79330 +sg25267 +g27 +sa(dp79331 +g25268 +S'Woman with the Arrow' +p79332 +sg25270 +S'Rembrandt van Rijn' +p79333 +sg25273 +S'etching, drypoint and burin' +p79334 +sg25275 +S'1661' +p79335 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005b/a0005b07.jpg' +p79336 +sg25267 +g27 +sa(dp79337 +g25268 +S'Jan Antonides van der Linden' +p79338 +sg25270 +S'Rembrandt van Rijn' +p79339 +sg25273 +S'etching, drypoint and burin' +p79340 +sg25275 +S'1665' +p79341 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d3/a000d35c.jpg' +p79342 +sg25267 +g27 +sa(dp79343 +g25273 +S'color aquatint' +p79344 +sg25267 +g27 +sg25275 +S'1936' +p79345 +sg25268 +S'Dame a la Huppe' +p79346 +sg25270 +S'Georges Rouault' +p79347 +sa(dp79348 +g25273 +S'lithograph in black' +p79349 +sg25267 +g27 +sg25275 +S'1929' +p79350 +sg25268 +S'Faubourg des Longues Peines (Demenagement)' +p79351 +sg25270 +S'Georges Rouault' +p79352 +sa(dp79353 +g25273 +S'portfolio with six lithographs plus title page' +p79354 +sg25267 +g27 +sg25275 +S'published 1929' +p79355 +sg25268 +S'La Petite Banlieue' +p79356 +sg25270 +S'Georges Rouault' +p79357 +sa(dp79358 +g25273 +S'lithograph in black' +p79359 +sg25267 +g27 +sg25275 +S'1929' +p79360 +sg25268 +S'Faubourg des Longues Peines (Dans la Rue)' +p79361 +sg25270 +S'Georges Rouault' +p79362 +sa(dp79363 +g25273 +S'lithograph in black' +p79364 +sg25267 +g27 +sg25275 +S'1929' +p79365 +sg25268 +S'Faubourg des Longues Peines (La Pauvre Eglise)' +p79366 +sg25270 +S'Georges Rouault' +p79367 +sa(dp79368 +g25273 +S'lithograph in black' +p79369 +sg25267 +g27 +sg25275 +S'1929' +p79370 +sg25268 +S'De Profundis' +p79371 +sg25270 +S'Georges Rouault' +p79372 +sa(dp79373 +g25273 +S'lithograph in black' +p79374 +sg25267 +g27 +sg25275 +S'1929' +p79375 +sg25268 +S'Faubourg des Longues Peines (La Pauvre Famille)' +p79376 +sg25270 +S'Georges Rouault' +p79377 +sa(dp79378 +g25268 +S"Qu'en dit l'Abb\xc3\xa9?" +p79379 +sg25270 +S'Artist Information (' +p79380 +sg25273 +S'(artist after)' +p79381 +sg25275 +S'\n' +p79382 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a00096d4.jpg' +p79383 +sg25267 +g27 +sa(dp79384 +g25273 +S'lithograph in black' +p79385 +sg25267 +g27 +sg25275 +S'1929' +p79386 +sg25268 +S'Faubourg des Longues Peines (Impasse)' +p79387 +sg25270 +S'Georges Rouault' +p79388 +sa(dp79389 +g25268 +S'Saint Lawrence' +p79390 +sg25270 +S'Martin Schongauer' +p79391 +sg25273 +S'engraving' +p79392 +sg25275 +S'c. 1490/1491' +p79393 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a4b3.jpg' +p79394 +sg25267 +g27 +sa(dp79395 +g25268 +S'The Nativity' +p79396 +sg25270 +S'Martin Schongauer' +p79397 +sg25273 +S'engraving' +p79398 +sg25275 +S'c. 1480/1490' +p79399 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a47a.jpg' +p79400 +sg25267 +g27 +sa(dp79401 +g25273 +S'lithograph' +p79402 +sg25267 +g27 +sg25275 +S'unknown date\n' +p79403 +sg25268 +S'Reclining Nude' +p79404 +sg25270 +S'David Alfaro Siqueiros' +p79405 +sa(dp79406 +g25268 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+g25268 +S'The Big Cedar' +p81239 +sg25270 +S'Childe Hassam' +p81240 +sg25273 +S'etching with plate tone and false biting' +p81241 +sg25275 +S'1927' +p81242 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00104/a00104de.jpg' +p81243 +sg25267 +g27 +sa(dp81244 +g25268 +S'Queen Marie-Antoinette' +p81245 +sg25270 +S'Artist Information (' +p81246 +sg25273 +S'(artist after)' +p81247 +sg25275 +S'\n' +p81248 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008cbf.jpg' +p81249 +sg25267 +g27 +sa(dp81250 +g25268 +S'The Broad Curtain' +p81251 +sg25270 +S'Childe Hassam' +p81252 +sg25273 +S'lithograph' +p81253 +sg25275 +S'1918' +p81254 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00104/a00104ec.jpg' +p81255 +sg25267 +g27 +sa(dp81256 +g25268 +S'Saint George on Horseback Slaying the Dragon' +p81257 +sg25270 +S'Daniel Hopfer' +p81258 +sg25273 +S'etching (iron), plate bitten twice' +p81259 +sg25275 +S'unknown date\n' +p81260 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ac/a000ac71.jpg' +p81261 +sg25267 +g27 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+sg25270 +S'Artist Information (' +p81367 +sg25273 +S'(artist)' +p81368 +sg25275 +S'\n' +p81369 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a0009681.jpg' +p81370 +sg25267 +g27 +sa(dp81371 +g25268 +S'Poesia (Poetry)' +p81372 +sg25270 +S'Master of the S-Series Tarocchi' +p81373 +sg25273 +S'engraving' +p81374 +sg25275 +S'probably c. 1470' +p81375 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c702.jpg' +p81376 +sg25267 +g27 +sa(dp81377 +g25268 +S'Cherub on a Vase with Inscription: "SOLI DEO HONOR"' +p81378 +sg25270 +S'Artist Information (' +p81379 +sg25273 +S'(artist)' +p81380 +sg25275 +S'\n' +p81381 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c728.jpg' +p81382 +sg25267 +g27 +sa(dp81383 +g25268 +S'Saint Christopher' +p81384 +sg25270 +S'Barthel Beham' +p81385 +sg25273 +S'engraving' +p81386 +sg25275 +S'1520' +p81387 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a7ad.jpg' +p81388 +sg25267 +g27 +sa(dp81389 +g25268 +S'Saint Sebaldus' +p81390 +sg25270 +S'Hans Springinklee' +p81391 +sg25273 +S', unknown date' +p81392 +sg25275 +S'\n' +p81393 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b2/a000b27a.jpg' +p81394 +sg25267 +g27 +sa(dp81395 +g25268 +S'Henry IV' +p81396 +sg25270 +S'Hendrick Goltzius' +p81397 +sg25273 +S', 1592' +p81398 +sg25275 +S'\n' +p81399 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ce2e.jpg' +p81400 +sg25267 +g27 +sa(dp81401 +g25268 +S'Apollo and Marsyas' +p81402 +sg25270 +S'Benedetto Montagna' +p81403 +sg25273 +S'engraving' +p81404 +sg25275 +S'c. 1515/1520' +p81405 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c75a.jpg' +p81406 +sg25267 +g27 +sa(dp81407 +g25268 +S'The First Oriental Head' +p81408 +sg25270 +S'Artist Information (' +p81409 +sg25273 +S'(artist)' +p81410 +sg25275 +S'\n' +p81411 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d3/a000d376.jpg' +p81412 +sg25267 +g27 +sa(dp81413 +g25268 +S'The Small Madonna and Child' +p81414 +sg25270 +S'Martin Schongauer' +p81415 +sg25273 +S'engraving' +p81416 +sg25275 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+S'Street Perspective with Places of Business Labeled' +p81561 +sg25270 +S'George Cruikshank' +p81562 +sg25273 +S'pen and brown ink over graphite annotations on laid paper' +p81563 +sg25275 +S'unknown date\n' +p81564 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c09.jpg' +p81565 +sg25267 +g27 +sa(dp81566 +g25268 +S'Sketch of Octagon Recess with Columns' +p81567 +sg25270 +S'George Cruikshank' +p81568 +sg25273 +S'pen and brown ink on laid paper' +p81569 +sg25275 +S'unknown date\n' +p81570 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c8b.jpg' +p81571 +sg25267 +g27 +sa(dp81572 +g25268 +S'Sketches of Grotesque Faces' +p81573 +sg25270 +S'George Cruikshank' +p81574 +sg25273 +S'graphite with pink, blue, and brown wash on wove paper' +p81575 +sg25275 +S'unknown date\n' +p81576 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c87.jpg' +p81577 +sg25267 +g27 +sa(dp81578 +g25268 +S'Sketch of Mounted Hussar' +p81579 +sg25270 +S'George Cruikshank' +p81580 +sg25273 +S'pen and ink with red, blue, and brown wash on two overlapped, joined sheets from a letter' +p81581 +sg25275 +S'unknown date\n' +p81582 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c0a.jpg' +p81583 +sg25267 +g27 +sa(dp81584 +g25268 +S'Half-Length of a Lawyer and Other Sketches' +p81585 +sg25270 +S'George Cruikshank' +p81586 +sg25273 +S'graphite and pen and brown ink with pink, brown, and blue wash' +p81587 +sg25275 +S'unknown date\n' +p81588 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c0b.jpg' +p81589 +sg25267 +g27 +sa(dp81590 +g25268 +S'Satirical Sketches' +p81591 +sg25270 +S'George Cruikshank' +p81592 +sg25273 +S'pen and brown ink and graphite' +p81593 +sg25275 +S'unknown date\n' +p81594 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c88.jpg' +p81595 +sg25267 +g27 +sa(dp81596 +g25268 +S'Sketches of Head, Arm, and Kneeling Figure' +p81597 +sg25270 +S'George Cruikshank' +p81598 +sg25273 +S'graphite, pen and black ink, with pink, brown, and green wash' +p81599 +sg25275 +S'unknown date\n' +p81600 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c89.jpg' +p81601 +sg25267 +g27 +sa(dp81602 +g25268 +S'Both Members of This Club' +p81603 +sg25270 +S'George Bellows' +p81604 +sg25273 +S'oil on canvas' +p81605 +sg25275 +S'1909' +p81606 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a0000032.jpg' +p81607 +sg25267 +S"Both Members of This Club\n In the painting one can almost sense the atmosphere of stale cigar smoke and body heat that typified these back–room bouts. At the match's frenzied climax, the victorious fighter on the right lunges forward, while the nearly vanquished boxer on the left, his face contorted with pain, weakly resists the blow and momentarily postpones his imminent defeat. Bellows' rapid, slashing brushwork, his characteristic use of dramatic lighting and lurid color, his selection of stark angles and dramatic close–ups all enhance the scene's immediacy. Members of the audience, their faces horribly disfigured by vicarious passion, display an animalistic bloodlust that reveals much about the darker aspects of human nature. The artist is suggesting that the men in the ring, teamed in their physical struggle, also must contend with the larger, perhaps even more brutal adversary of social injustice.\n " +p81608 +sa(dp81609 +g25273 +S'lithograph' +p81610 +sg25267 +g27 +sg25275 +S'1924' +p81611 +sg25268 +S'Never Again War (Nie Wieder Krieg)' +p81612 +sg25270 +S'K\xc3\xa4the Kollwitz' +p81613 +sa(dp81614 +g25268 +S'The Poet Virgil Suspended in a Basket' +p81615 +sg25270 +S'Lucas van Leyden' +p81616 +sg25273 +S'engraving' +p81617 +sg25275 +S'1525' +p81618 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d045.jpg' +p81619 +sg25267 +g27 +sa(dp81620 +g25268 +S'Par ici' +p81621 +sg25270 +S'Artist Information (' +p81622 +sg25273 +S'(artist after)' +p81623 +sg25275 +S'\n' +p81624 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008cf0.jpg' +p81625 +sg25267 +g27 +sa(dp81626 +g25268 +S'Female Genius Holding a Coat of Arms' +p81627 +sg25270 +S'Sebald Beham' +p81628 +sg25273 +S'engraving' +p81629 +sg25275 +S'1535' 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+S'William Blake' +p81652 +sg25273 +S'graphite on laid paper' +p81653 +sg25275 +S'c. 1824/1827' +p81654 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00069/a0006959.jpg' +p81655 +sg25267 +g27 +sa(dp81656 +g25268 +S'Enoch before the Great Glory' +p81657 +sg25270 +S'William Blake' +p81658 +sg25273 +S'graphite on laid paper' +p81659 +sg25275 +S'c. 1824/1827' +p81660 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00069/a0006958.jpg' +p81661 +sg25267 +g27 +sa(dp81662 +g25268 +S'The Vision of the Lord of Spirits' +p81663 +sg25270 +S'William Blake' +p81664 +sg25273 +S'graphite on laid paper' +p81665 +sg25275 +S'c. 1824/1827' +p81666 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006a/a0006a7c.jpg' +p81667 +sg25267 +g27 +sa(dp81668 +g25268 +S'Tarantelle' +p81669 +sg25270 +S'Stanley William Hayter' +p81670 +sg25273 +S'engraving and softground etching' +p81671 +sg25275 +S'1943' +p81672 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00060/a0006074.jpg' +p81673 +sg25267 +g27 +sa(dp81674 +g25268 +S'The Big 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inevitably necessitated\nthe widespread destruction of unspoiled nature, itself a still-powerful symbol\nof the nation's greatness. 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1516' +p82714 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a0008305.jpg' +p82715 +sg25267 +g27 +sa(dp82716 +g25268 +S"Saint Catherine of Alexandria (Saint Catherine d'Alexandrie)" +p82717 +sg25270 +S'Artist Information (' +p82718 +sg25273 +S'(artist after)' +p82719 +sg25275 +S'\n' +p82720 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008d/a0008d27.jpg' +p82721 +sg25267 +g27 +sa(dp82722 +g25273 +S'color etching' +p82723 +sg25267 +g27 +sg25275 +S'1944' +p82724 +sg25268 +S'Concerto' +p82725 +sg25270 +S'Sue Fuller' +p82726 +sa(dp82727 +g25273 +S'color etching' +p82728 +sg25267 +g27 +sg25275 +S'1944' +p82729 +sg25268 +S'Lancelot and Guinevere' +p82730 +sg25270 +S'Sue Fuller' +p82731 +sa(dp82732 +g25268 +S'The Goatherd (Le chevrier)' +p82733 +sg25270 +S'Claude Lorrain' +p82734 +sg25273 +S'etching' +p82735 +sg25275 +S'1663' +p82736 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00089/a0008913.jpg' +p82737 +sg25267 +g27 +sa(dp82738 +g25268 +S"Europa and the Bull (L'enl\xc3\xa8vement d'Europe)" 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+g25268 +S'Christ Among the Doctors' +p82832 +sg25270 +S'Artist Information (' +p82833 +sg25273 +S'(artist after)' +p82834 +sg25275 +S'\n' +p82835 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a43b.jpg' +p82836 +sg25267 +g27 +sa(dp82837 +g25268 +S'Saint Margaret' +p82838 +sg25270 +S'Israhel van Meckenem' +p82839 +sg25273 +S'engraving' +p82840 +sg25275 +S'c. 1480/1490' +p82841 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a402.jpg' +p82842 +sg25267 +g27 +sa(dp82843 +g25273 +S'drypoint and etching' +p82844 +sg25267 +g27 +sg25275 +S'1938' +p82845 +sg25268 +S'Eagle and Woman at Right' +p82846 +sg25270 +S'Joan Mir\xc3\xb3' +p82847 +sa(dp82848 +g25273 +S'etching in black and red' +p82849 +sg25267 +g27 +sg25275 +S'1938' +p82850 +sg25268 +S'Black and Red IV' +p82851 +sg25270 +S'Joan Mir\xc3\xb3' +p82852 +sa(dp82853 +g25268 +S'The Rape of Europa' +p82854 +sg25270 +S'Benedetto Montagna' +p82855 +sg25273 +S'engraving' +p82856 +sg25275 +S'c. 1515/1520' +p82857 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c757.jpg' +p82858 +sg25267 +g27 +sa(dp82859 +g25268 +S'Landscape with Horseman and Three Travelers' +p82860 +sg25270 +S'Gilles Neyts' +p82861 +sg25273 +S'etching' +p82862 +sg25275 +S'unknown date\n' +p82863 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d2/a000d281.jpg' +p82864 +sg25267 +g27 +sa(dp82865 +g25273 +S'watercolor' +p82866 +sg25267 +g27 +sg25275 +S'unknown date\n' +p82867 +sg25268 +S'Sailboats' +p82868 +sg25270 +S'Emil Nolde' +p82869 +sa(dp82870 +g25268 +S'Derniere heure de la Baronne de Rebecque' +p82871 +sg25270 +S'Augustin de Saint-Aubin' +p82872 +sg25273 +S'etching' +p82873 +sg25275 +S'1780' +p82874 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008b/a0008bea.jpg' +p82875 +sg25267 +g27 +sa(dp82876 +g25273 +S'etching' +p82877 +sg25267 +g27 +sg25275 +S'1911' +p82878 +sg25268 +S'Sick Man, Doctor, Death, and Devil (Kranker, Arzt, Tod und Teufel)' +p82879 +sg25270 +S'Emil Nolde' +p82880 +sa(dp82881 +g25273 +S'lithograph in black, red, and yellow' +p82882 +sg25267 +g27 +sg25275 +S'1913' +p82883 +sg25268 +S'The Three Kings (Die heiligen drei Konige)' +p82884 +sg25270 +S'Emil Nolde' +p82885 +sa(dp82886 +g25273 +S'etching' +p82887 +sg25267 +g27 +sg25275 +S'1918' +p82888 +sg25268 +S'Woman, Man, and Servant (Frau, Mann, Diener)' +p82889 +sg25270 +S'Emil Nolde' +p82890 +sa(dp82891 +g25268 +S'The Angler' +p82892 +sg25270 +S'Adriaen van Ostade' +p82893 +sg25273 +S'etching' +p82894 +sg25275 +S'probably 1653' +p82895 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d2/a000d29b.jpg' +p82896 +sg25267 +g27 +sa(dp82897 +g25268 +S"Peasants' Quarrel" +p82898 +sg25270 +S'Adriaen van Ostade' +p82899 +sg25273 +S'etching' +p82900 +sg25275 +S'1653' +p82901 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d2/a000d28b.jpg' +p82902 +sg25267 +g27 +sa(dp82903 +g25268 +S'Knife Grinder' +p82904 +sg25270 +S'Adriaen van Ostade' +p82905 +sg25273 +S'etching' +p82906 +sg25275 +S'probably 1682' +p82907 +sg25314 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Rats Taken Alive' +p83181 +sg25270 +S'Thomas Rowlandson' +p83182 +sa(dp83183 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1784' +p83184 +sg25268 +S"A Peep into Friar Bacon's Study" +p83185 +sg25270 +S'Thomas Rowlandson' +p83186 +sa(dp83187 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1784' +p83188 +sg25268 +S"Master Billy's Procession to Grocers' Hall" +p83189 +sg25270 +S'Thomas Rowlandson' +p83190 +sa(dp83191 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1784' +p83192 +sg25268 +S'The Champion of the People' +p83193 +sg25270 +S'Thomas Rowlandson' +p83194 +sa(dp83195 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1784' +p83196 +sg25268 +S'The State Auction' +p83197 +sg25270 +S'Thomas Rowlandson' +p83198 +sa(dp83199 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1784' +p83200 +sg25268 +S"Sir Cecil's Budget for Paying the National Debt" +p83201 +sg25270 +S'Thomas Rowlandson' +p83202 +sa(dp83203 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1784' +p83204 +sg25268 +S'The Drum-Major of Sedition' +p83205 +sg25270 +S'Thomas 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and Florence, where he would eventually be\r\novershadowed by his greatest pupil, Raphael.\n Perugino's \n From the late seventeenth to the early twentieth century Perugino's \n " +p83575 +sa(dp83576 +g25268 +S"Caffe\xc3\xa9 des Patriotes - A Patriot's Coff\xc3\xa9e House" +p83577 +sg25270 +S'Artist Information (' +p83578 +sg25273 +S'(artist after)' +p83579 +sg25275 +S'\n' +p83580 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a0009740.jpg' +p83581 +sg25267 +g27 +sa(dp83582 +g25268 +S'A Bed-warmer' +p83583 +sg25270 +S'Thomas Rowlandson' +p83584 +sg25273 +S'etching' +p83585 +sg25275 +S'c. 1785' +p83586 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00077/a000774b.jpg' +p83587 +sg25267 +g27 +sa(dp83588 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1785' +p83589 +sg25268 +S'By Authority Persons and Property Protected' +p83590 +sg25270 +S'Thomas Rowlandson' +p83591 +sa(dp83592 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1785' +p83593 +sg25268 +S'Intrusion on Study, or The Painter Disturbed' +p83594 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Rowlandson' +p83619 +sa(dp83620 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1785' +p83621 +sg25268 +S'Sympathy, or A Family on a Journey Laying the Dust' +p83622 +sg25270 +S'Thomas Rowlandson' +p83623 +sa(dp83624 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1785' +p83625 +sg25268 +S'Harmony' +p83626 +sg25270 +S'Thomas Rowlandson' +p83627 +sa(dp83628 +g25268 +S'Le danger des bosquets' +p83629 +sg25270 +S'Artist Information (' +p83630 +sg25273 +S'(artist after)' +p83631 +sg25275 +S'\n' +p83632 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a000971c.jpg' +p83633 +sg25267 +g27 +sa(dp83634 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1785' +p83635 +sg25268 +S'Nap in the Country; Nap in Town' +p83636 +sg25270 +S'Thomas Rowlandson' +p83637 +sa(dp83638 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p83639 +sg25268 +S'A French Family' +p83640 +sg25270 +S'Thomas Rowlandson' +p83641 +sa(dp83642 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p83643 +sg25268 +S'Returned from a Fox Chace' +p83644 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Pleading' +p83670 +sg25270 +S'Thomas Rowlandson' +p83671 +sa(dp83672 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1786' +p83673 +sg25268 +S'Love and Learning, or The Oxford Scholar' +p83674 +sg25270 +S'Thomas Rowlandson' +p83675 +sa(dp83676 +g25268 +S'Le desirs naissants' +p83677 +sg25270 +S'Artist Information (' +p83678 +sg25273 +S'(artist after)' +p83679 +sg25275 +S'\n' +p83680 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a000971b.jpg' +p83681 +sg25267 +g27 +sa(dp83682 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1786' +p83683 +sg25268 +S'The Polish Dwarf (Count Borwloski) Performing before the Grand Seigneur, March 1786' +p83684 +sg25270 +S'Thomas Rowlandson' +p83685 +sa(dp83686 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1786' +p83687 +sg25268 +S"A Box Lobby Hero: The Branded Bully, or The Ass Strip'd of the Lion's Skin" +p83688 +sg25270 +S'Thomas Rowlandson' +p83689 +sa(dp83690 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1786' +p83691 +sg25268 +S'Outre Compliments' +p83692 +sg25270 +S'Thomas Rowlandson' +p83693 +sa(dp83694 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1786' +p83695 +sg25268 +S'Brewers Drays' +p83696 +sg25270 +S'Thomas Rowlandson' +p83697 +sa(dp83698 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1794' +p83699 +sg25268 +S'A Visit to the Aunt' +p83700 +sg25270 +S'Thomas Rowlandson' +p83701 +sa(dp83702 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1786' +p83703 +sg25268 +S'All Hail Dalblair! Hail to the Laird of Auchinleck' +p83704 +sg25270 +S'Thomas Rowlandson' +p83705 +sa(dp83706 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1786' +p83707 +sg25268 +S'The Journalist, with a View of Auckinleck or Land of Stones' +p83708 +sg25270 +S'Thomas Rowlandson' +p83709 +sa(dp83710 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1786' +p83711 +sg25268 +S"The Embrace at Boyd's Inn" +p83712 +sg25270 +S'Thomas Rowlandson' +p83713 +sa(dp83714 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1786' +p83715 +sg25268 +S'Walking up the High Street, Edinburgh' +p83716 +sg25270 +S'Thomas Rowlandson' +p83717 +sa(dp83718 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1786' +p83719 +sg25268 +S"Tea at the Journalist's House in St James's Court" +p83720 +sg25270 +S'Thomas Rowlandson' +p83721 +sa(dp83722 +g25268 +S'Noce de Village (Village Wedding)' +p83723 +sg25270 +S'Artist Information (' +p83724 +sg25273 +S'(artist after)' +p83725 +sg25275 +S'\n' +p83726 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e98.jpg' +p83727 +sg25267 +g27 +sa(dp83728 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1786' +p83729 +sg25268 +S"Chatting 'till Two O'Clock in the Morning" +p83730 +sg25270 +S'Thomas Rowlandson' +p83731 +sa(dp83732 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1786' +p83733 +sg25268 +S'Veronica, A Breakfast Conversation' +p83734 +sg25270 +S'Thomas Rowlandson' +p83735 +sa(dp83736 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1786' +p83737 +sg25268 +S'Wit and Wisdom Making Preparations for Dinner' +p83738 +sg25270 +S'Thomas Rowlandson' +p83739 +sa(dp83740 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1786' +p83741 +sg25268 +S'Setting out from Edinburgh' +p83742 +sg25270 +S'Thomas Rowlandson' +p83743 +sa(dp83744 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1786' +p83745 +sg25268 +S'Scottifying the Palate at Leith' +p83746 +sg25270 +S'Thomas Rowlandson' +p83747 +sa(dp83748 +g25273 +S'etching' +p83749 +sg25267 +g27 +sg25275 +S'1786' +p83750 +sg25268 +S'Revising for the Second Edition' +p83751 +sg25270 +S'Thomas Rowlandson' +p83752 +sa(dp83753 +g25273 +S'etching' +p83754 +sg25267 +g27 +sg25275 +S'1786' +p83755 +sg25268 +S'The Reconciliation' +p83756 +sg25270 +S'Thomas Rowlandson' +p83757 +sa(dp83758 +g25268 +S'A Militia Meeting' +p83759 +sg25270 +S'Thomas Rowlandson' +p83760 +sg25273 +S'hand-colored etching' +p83761 +sg25275 +S'probably 1799' +p83762 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00077/a000777b.jpg' +p83763 +sg25267 +g27 +sa(dp83764 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1786' +p83765 +sg25268 +S'Domestic Shaving' +p83766 +sg25270 +S'Thomas Rowlandson' +p83767 +sa(dp83768 +g25273 +g27 +sg25267 +g27 +sg25275 +S'probably 1786' +p83769 +sg25268 +S'The Fallen Angel - Ubi Lapsus quid fecit' +p83770 +sg25270 +S'Thomas Rowlandson' +p83771 +sa(dp83772 +g25268 +S'Foire de Village' +p83773 +sg25270 +S'Artist Information (' +p83774 +sg25273 +S'(artist after)' +p83775 +sg25275 +S'\n' +p83776 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e99.jpg' +p83777 +sg25267 +g27 +sa(dp83778 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1786' +p83779 +sg25268 +S"How d'ye Do? Comfort and Relief Often Found in Relating One's Complaints" +p83780 +sg25270 +S'Thomas Rowlandson' +p83781 +sa(dp83782 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1786' +p83783 +sg25268 +S'The Convenience of Two Doors' +p83784 +sg25270 +S'Thomas Rowlandson' +p83785 +sa(dp83786 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1786' +p83787 +sg25268 +S'Music Has Charms to Soothe a Savage Breast' +p83788 +sg25270 +S'Thomas Rowlandson' +p83789 +sa(dp83790 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1786' +p83791 +sg25268 +S'Vicar and Moses' +p83792 +sg25270 +S'Thomas Rowlandson' +p83793 +sa(dp83794 +g25268 +S'The Bachelor' +p83795 +sg25270 +S'Artist Information (' +p83796 +sg25273 +S'(artist after)' +p83797 +sg25275 +S'\n' +p83798 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00076/a00076d6.jpg' +p83799 +sg25267 +g27 +sa(dp83800 +g25268 +S'The Married Man' +p83801 +sg25270 +S'Artist Information (' +p83802 +sg25273 +S'(artist after)' +p83803 +sg25275 +S'\n' +p83804 +sg25314 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Rowlandson' +p83964 +sa(dp83965 +g25273 +S'(artist after)' +p83966 +sg25267 +g27 +sg25275 +S'\n' +p83967 +sg25268 +S'Scene in "The Tempest" from Shakespeare (?)' +p83968 +sg25270 +S'Artist Information (' +p83969 +sa(dp83970 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p83971 +sg25268 +S'Love in the East' +p83972 +sg25270 +S'Thomas Rowlandson' +p83973 +sa(dp83974 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1787' +p83975 +sg25268 +S'Fox Hunting: A Landscape Scene' +p83976 +sg25270 +S'Thomas Rowlandson' +p83977 +sa(dp83978 +g25268 +S'La statue du dieu Pan (Statue of the God Pan)' +p83979 +sg25270 +S'Artist Information (' +p83980 +sg25273 +S'French, active 1793/1819' +p83981 +sg25275 +S'(artist after)' +p83982 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f91.jpg' +p83983 +sg25267 +g27 +sa(dp83984 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1787' +p83985 +sg25268 +S'Deer Hunting: A Landscape Scene' +p83986 +sg25270 +S'Thomas Rowlandson' +p83987 +sa(dp83988 +g25273 +g27 +sg25267 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Sunday Evening' +p85010 +sg25270 +S'Thomas Rowlandson' +p85011 +sa(dp85012 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p85013 +sg25268 +S'Miseries (?) Poste Royale' +p85014 +sg25270 +S'Thomas Rowlandson' +p85015 +sa(dp85016 +g25268 +S"Piqu\xc3\xa9 de ma raillerie, il s'\xc3\xa9vertue et remporte le prix" +p85017 +sg25270 +S'Artist Information (' +p85018 +sg25273 +S'(artist after)' +p85019 +sg25275 +S'\n' +p85020 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008fef.jpg' +p85021 +sg25267 +g27 +sa(dp85022 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1807' +p85023 +sg25268 +S'More Miseries. Being Nervous and Cross examined by Mr. Garrow' +p85024 +sg25270 +S'Thomas Rowlandson' +p85025 +sa(dp85026 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1807' +p85027 +sg25268 +S'Miseries of Public Places - After the Play' +p85028 +sg25270 +S'Thomas Rowlandson' +p85029 +sa(dp85030 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1807' +p85031 +sg25268 +S'Miseries Miscellaneous - The Necessity of Sending a Verbal Message' +p85032 +sg25270 +S'Thomas Rowlandson' +p85033 +sa(dp85034 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1807' +p85035 +sg25268 +S'More Miseries - Being over persuaded' +p85036 +sg25270 +S'Thomas Rowlandson' +p85037 +sa(dp85038 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p85039 +sg25268 +S'Miseries (?) How to Lose your Way' +p85040 +sg25270 +S'Thomas Rowlandson' +p85041 +sa(dp85042 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p85043 +sg25268 +S'Miseries - Dancing Bear' +p85044 +sg25270 +S'Thomas Rowlandson' +p85045 +sa(dp85046 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1807' +p85047 +sg25268 +S'Miseries Domestic - Squatting plump on an unsuspectected cat' +p85048 +sg25270 +S'Thomas Rowlandson' +p85049 +sa(dp85050 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1807' +p85051 +sg25268 +S'Miseries Personal - When in the Gout' +p85052 +sg25270 +S'Thomas Rowlandson' +p85053 +sa(dp85054 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1807' +p85055 +sg25268 +S'Miseries of the Table - Inviting a friend' +p85056 +sg25270 +S'Thomas Rowlandson' +p85057 +sa(dp85058 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1807' +p85059 +sg25268 +S'Miseries of Reading and Writing - As you are writing' +p85060 +sg25270 +S'Thomas Rowlandson' +p85061 +sa(dp85062 +g25268 +S"Courons v\xc3\xaete: l'astronomie est bonne \xc3\xa0 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View in Cornwall (?)' +p85440 +sg25270 +S'Thomas Rowlandson' +p85441 +sa(dp85442 +g25273 +g27 +sg25267 +g27 +sg25275 +S'probably 1790' +p85443 +sg25268 +S'Waiting for Dinner' +p85444 +sg25270 +S'Thomas Rowlandson' +p85445 +sa(dp85446 +g25273 +g27 +sg25267 +g27 +sg25275 +S'probably 1790' +p85447 +sg25268 +S'At Dinner' +p85448 +sg25270 +S'Thomas Rowlandson' +p85449 +sa(dp85450 +g25268 +S"Discours sur l'\xc3\xa9galit\xc3\xa9 des conditions: Il retourne chez ses \xc3\xa9gaux" +p85451 +sg25270 +S'Artist Information (' +p85452 +sg25273 +S'(artist after)' +p85453 +sg25275 +S'\n' +p85454 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00090/a0009001.jpg' +p85455 +sg25267 +g27 +sa(dp85456 +g25273 +g27 +sg25267 +g27 +sg25275 +S'probably 1790' +p85457 +sg25268 +S'After Dinner' +p85458 +sg25270 +S'Thomas Rowlandson' +p85459 +sa(dp85460 +g25273 +g27 +sg25267 +g27 +sg25275 +S'probably 1790' +p85461 +sg25268 +S'Preparing for Supper' +p85462 +sg25270 +S'Thomas Rowlandson' +p85463 +sa(dp85464 +g25273 +g27 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Century' +p86073 +sa(dp86074 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86075 +sg25268 +S'Between Heats' +p86076 +sg25270 +S'Thomas Rowlandson' +p86077 +sa(dp86078 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1799' +p86079 +sg25268 +S'A Magic Lantern' +p86080 +sg25270 +S'Thomas Rowlandson' +p86081 +sa(dp86082 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86083 +sg25268 +S'A Blacksmiths Shop' +p86084 +sg25270 +S'Thomas Rowlandson' +p86085 +sa(dp86086 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86087 +sg25268 +S'A Peep into the Retreat at Tinnehinch' +p86088 +sg25270 +S'Thomas Rowlandson' +p86089 +sa(dp86090 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1799' +p86091 +sg25268 +S'An Irish Howl' +p86092 +sg25270 +S'Thomas Rowlandson' +p86093 +sa(dp86094 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1799' +p86095 +sg25268 +S"St. James's Courtship" +p86096 +sg25270 +S'Thomas Rowlandson' +p86097 +sa(dp86098 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86099 +sg25268 +S"The Bookbinder's Wife" +p86100 +sg25270 +S'Thomas Rowlandson' +p86101 +sa(dp86102 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86103 +sg25268 +S'A Gold Ring' +p86104 +sg25270 +S'Thomas Rowlandson' +p86105 +sa(dp86106 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86107 +sg25268 +S'Self-Portrait' +p86108 +sg25270 +S'Thomas Rowlandson' +p86109 +sa(dp86110 +g25273 +S'bound volume: original contents: 153 etchings and engravings, some prints being removed from the volume; see separate entries for current locations' +p86111 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86112 +sg25268 +S'Caricatures (volume III)' +p86113 +sg25270 +S'Thomas Rowlandson' +p86114 +sa(dp86115 +g25268 +S'Captain Warren Delano' +p86116 +sg25270 +S'Charles Loring Elliott' +p86117 +sg25273 +S'oil on canvas' +p86118 +sg25275 +S'c. 1852' +p86119 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000a9.jpg' +p86120 +sg25267 +g27 +sa(dp86121 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86122 +sg25268 +S'The Caricature Magazine' +p86123 +sg25270 +S'Thomas Rowlandson' +p86124 +sa(dp86125 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86126 +sg25268 +S'Conversazioni' +p86127 +sg25270 +S'Thomas Rowlandson' +p86128 +sa(dp86129 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86130 +sg25268 +S'Being suddenly seized' +p86131 +sg25270 +S'Thomas Rowlandson' +p86132 +sa(dp86133 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1807' +p86134 +sg25268 +S'I Smell a Rat, or A Rogue in the Grain?' +p86135 +sg25270 +S'Thomas Rowlandson' +p86136 +sa(dp86137 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86138 +sg25268 +S'To Shandy Hall' +p86139 +sg25270 +S'Thomas Rowlandson' +p86140 +sa(dp86141 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86142 +sg25268 +S'Polygamy, or Plurality of Wives' +p86143 +sg25270 +S'Thomas Rowlandson' +p86144 +sa(dp86145 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86146 +sg25268 +S'A Hail Storm' +p86147 +sg25270 +S'Thomas Rowlandson' +p86148 +sa(dp86149 +g25273 +g27 +sg25267 +g27 +sg25275 +S'probably 1811' +p86150 +sg25268 +S'Conversazione' +p86151 +sg25270 +S'Thomas Rowlandson' +p86152 +sa(dp86153 +g25273 +g27 +sg25267 +g27 +sg25275 +S'probably 1811' +p86154 +sg25268 +S'The Country Club' +p86155 +sg25270 +S'Thomas Rowlandson' +p86156 +sa(dp86157 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86158 +sg25268 +S'The Inflexible Porter' +p86159 +sg25270 +S'Thomas Rowlandson' +p86160 +sa(dp86161 +g25268 +S'Head of a Youth (Dionysos or a Follower?)' +p86162 +sg25270 +S'Hellenistic 2nd Century B.C./1st Century A.D.' +p86163 +sg25273 +S'marble' +p86164 +sg25275 +S'c. 220/100 B.C.' +p86165 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002d85.jpg' +p86166 +sg25267 +g27 +sa(dp86167 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1798' +p86168 +sg25268 +S'Academy for Grown Horsemen' +p86169 +sg25270 +S'Thomas Rowlandson' +p86170 +sa(dp86171 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86172 +sg25268 +S'A Long Story' +p86173 +sg25270 +S'Thomas Rowlandson' +p86174 +sa(dp86175 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86176 +sg25268 +S'French Luxury' +p86177 +sg25270 +S'Thomas Rowlandson' +p86178 +sa(dp86179 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86180 +sg25268 +S'Grown Gentlemen Taught to Dance' +p86181 +sg25270 +S'Thomas Rowlandson' +p86182 +sa(dp86183 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86184 +sg25268 +S'A Country Club' +p86185 +sg25270 +S'Thomas Rowlandson' +p86186 +sa(dp86187 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86188 +sg25268 +S'A Visit to the Camp' +p86189 +sg25270 +S'Thomas Rowlandson' +p86190 +sa(dp86191 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86192 +sg25268 +S'Recruits' +p86193 +sg25270 +S'Thomas Rowlandson' +p86194 +sa(dp86195 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86196 +sg25268 +S'A Cart Race' +p86197 +sg25270 +S'Thomas Rowlandson' +p86198 +sa(dp86199 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1811' +p86200 +sg25268 +S'A Family Piece' +p86201 +sg25270 +S'Thomas Rowlandson' +p86202 +sa(dp86203 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86204 +sg25268 +S'Christmas Academicks, Playing a Rubber at Whist' +p86205 +sg25270 +S'Thomas Rowlandson' +p86206 +sa(dp86207 +g25273 +g27 +sg25267 +g27 +sg25275 +S'(sculptor)' +p86208 +sg25268 +S'Piet\xc3\xa0' +p86209 +sg25270 +S'Artist Information (' +p86210 +sa(dp86211 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86212 +sg25268 +S'Recruits' +p86213 +sg25270 +S'Thomas Rowlandson' +p86214 +sa(dp86215 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86216 +sg25268 +S'A Hail Storm' +p86217 +sg25270 +S'Thomas Rowlandson' +p86218 +sa(dp86219 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86220 +sg25268 +S'Pot Fair, Cambridge' +p86221 +sg25270 +S'Thomas Rowlandson' +p86222 +sa(dp86223 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86224 +sg25268 +S'Pont Neuf, Paris' +p86225 +sg25270 +S'Thomas Rowlandson' +p86226 +sa(dp86227 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86228 +sg25268 +S'Cobbler' +p86229 +sg25270 +S'Thomas Rowlandson' +p86230 +sa(dp86231 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86232 +sg25268 +S'A Long Story' +p86233 +sg25270 +S'Thomas Rowlandson' +p86234 +sa(dp86235 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86236 +sg25268 +S'Production of an Alehouse' +p86237 +sg25270 +S'Thomas Rowlandson' +p86238 +sa(dp86239 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86240 +sg25268 +S'A Lying-in Visit' +p86241 +sg25270 +S'Thomas Rowlandson' +p86242 +sa(dp86243 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86244 +sg25268 +S'Englishman at Paris' +p86245 +sg25270 +S'Thomas Rowlandson' +p86246 +sa(dp86247 +g25273 +g27 +sg25267 +g27 +sg25275 +S'probably 1799' +p86248 +sg25268 +S'A Grinning Match' +p86249 +sg25270 +S'Thomas Rowlandson' +p86250 +sa(dp86251 +g25268 +S'The Dead Christ Supported by an Angel (The Trinity)' +p86252 +sg25270 +S'Artist Information (' +p86253 +sg25273 +g27 +sg25275 +S'(sculptor)' +p86254 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002d8d.jpg' +p86255 +sg25267 +S'The lifeless and gaunt body of Christ slumps in the arms of an angel, \r\n whose face is marked by quiet grief. In the corner the hand of God, \r\n emerging from a swirl of stylized clouds, points with a gesture of \r\n benediction to the dove of the Holy Spirit as it descends to the head of \r\n Jesus. Such images inspired the viewer to contemplate and identify with the \r\n suffering of Christ. Dramatic depictions of great pathos and immediacy, \r\n called \n This small alabaster relief, probably made by a \r\n \n ' +p86256 +sa(dp86257 +g25273 +g27 +sg25267 +g27 +sg25275 +S'probably 1811' +p86258 +sg25268 +S'Morning, or The Man of Taste' +p86259 +sg25270 +S'Thomas Rowlandson' +p86260 +sa(dp86261 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86262 +sg25268 +S'The College Gate' +p86263 +sg25270 +S'Thomas Rowlandson' +p86264 +sa(dp86265 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86266 +sg25268 +S'A Militia Meeting' +p86267 +sg25270 +S'Thomas Rowlandson' +p86268 +sa(dp86269 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86270 +sg25268 +S'Evening, or The Man of Feeling' +p86271 +sg25270 +S'Thomas Rowlandson' +p86272 +sa(dp86273 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86274 +sg25268 +S'Smokers?' +p86275 +sg25270 +S'Thomas Rowlandson' +p86276 +sa(dp86277 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1807' +p86278 +sg25268 +S'Miseries of Social Life' +p86279 +sg25270 +S'Thomas Rowlandson' +p86280 +sa(dp86281 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1807' +p86282 +sg25268 +S'More Miseries - Endeavouring to make violent love' +p86283 +sg25270 +S'Thomas Rowlandson' +p86284 +sa(dp86285 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1806' +p86286 +sg25268 +S'Symptoms of Choking' +p86287 +sg25270 +S'Thomas Rowlandson' +p86288 +sa(dp86289 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1807' +p86290 +sg25268 +S'More Miseries - Being persuaded to put your finger into the Cage' +p86291 +sg25270 +S'Thomas Rowlandson' +p86292 +sa(dp86293 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1807' +p86294 +sg25268 +S'More Miseries - Sitting on a chair' +p86295 +sg25270 +S'Thomas Rowlandson' +p86296 +sa(dp86297 +g25268 +S'The Surprise' +p86298 +sg25270 +S'Clodion' +p86299 +sg25273 +S'terracotta' +p86300 +sg25275 +S'1799' +p86301 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002c/a0002c01.jpg' +p86302 +sg25267 +g27 +sa(dp86303 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1807' +p86304 +sg25268 +S'More Miseries - Having so flaccid a cheek' +p86305 +sg25270 +S'Thomas Rowlandson' +p86306 +sa(dp86307 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1807' +p86308 +sg25268 +S'More Miseries - At an Inn' +p86309 +sg25270 +S'Thomas Rowlandson' +p86310 +sa(dp86311 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1808' +p86312 +sg25268 +S'Symptoms of Restiveness' +p86313 +sg25270 +S'Thomas Rowlandson' +p86314 +sa(dp86315 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86316 +sg25268 +S'Showing Off' +p86317 +sg25270 +S'Thomas Rowlandson' +p86318 +sa(dp86319 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1807' +p86320 +sg25268 +S'Miseries of the Country' +p86321 +sg25270 +S'Thomas Rowlandson' +p86322 +sa(dp86323 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1806' +p86324 +sg25268 +S'Miseries of the Country' +p86325 +sg25270 +S'Thomas Rowlandson' +p86326 +sa(dp86327 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86328 +sg25268 +S'Miseries of Social Life' +p86329 +sg25270 +S'Thomas Rowlandson' +p86330 +sa(dp86331 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86332 +sg25268 +S'Miseries of Human Life: Introductory Dialogue' +p86333 +sg25270 +S'Thomas Rowlandson' +p86334 +sa(dp86335 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1806' +p86336 +sg25268 +S'The Political Hydra' +p86337 +sg25270 +S'Thomas Rowlandson' +p86338 +sa(dp86339 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1807' +p86340 +sg25268 +S'Miseries of Social Life' +p86341 +sg25270 +S'Thomas Rowlandson' +p86342 +sa(dp86343 +g25268 +S'Henry Pratt' +p86344 +sg25270 +S'Thomas Sully' +p86345 +sg25273 +S'oil on canvas' +p86346 +sg25275 +S'1815' +p86347 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a000025a.jpg' +p86348 +sg25267 +g27 +sa(dp86349 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86350 +sg25268 +S'Miseries of Traveling' +p86351 +sg25270 +S'Thomas Rowlandson' +p86352 +sa(dp86353 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86354 +sg25268 +S'Pilgrims and the Peas' +p86355 +sg25270 +S'Thomas Rowlandson' +p86356 +sa(dp86357 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86358 +sg25268 +S'The Prussian Eagle' +p86359 +sg25270 +S'Thomas Rowlandson' +p86360 +sa(dp86361 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86362 +sg25268 +S'The Rising Sun, or A View of the Continent' +p86363 +sg25270 +S'Thomas Rowlandson' +p86364 +sa(dp86365 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86366 +sg25268 +S'Enraged Vicar' +p86367 +sg25270 +S'Thomas Rowlandson' +p86368 +sa(dp86369 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1807' +p86370 +sg25268 +S'Murphy Delaney' +p86371 +sg25270 +S'Thomas Rowlandson' +p86372 +sa(dp86373 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1807' +p86374 +sg25268 +S'The Dog and the Devil' +p86375 +sg25270 +S'Thomas Rowlandson' +p86376 +sa(dp86377 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1807' +p86378 +sg25268 +S'Murphy Delaney' +p86379 +sg25270 +S'Thomas Rowlandson' +p86380 +sa(dp86381 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86382 +sg25268 +S'The Production of a Post House' +p86383 +sg25270 +S'Thomas Rowlandson' +p86384 +sa(dp86385 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1807' +p86386 +sg25268 +S'John Rosedale' +p86387 +sg25270 +S'Thomas Rowlandson' +p86388 +sa(dp86389 +g25268 +S'William Henry Cavendish Bentinck, 3rd Duke of Portland' +p86390 +sg25270 +S'Matthew Pratt' +p86391 +sg25273 +S'oil on canvas' +p86392 +sg25275 +S'c. 1774' +p86393 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a00001cb.jpg' +p86394 +sg25267 +g27 +sa(dp86395 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1807' +p86396 +sg25268 +S'Thomas Simmons' +p86397 +sg25270 +S'Thomas Rowlandson' +p86398 +sa(dp86399 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1807' +p86400 +sg25268 +S'Mrs. Showwell' +p86401 +sg25270 +S'Thomas Rowlandson' +p86402 +sa(dp86403 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1807' +p86404 +sg25268 +S'John Rosedale' +p86405 +sg25270 +S'Thomas Rowlandson' +p86406 +sa(dp86407 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1807' +p86408 +sg25268 +S'Black, Brown and Fair' +p86409 +sg25270 +S'Thomas Rowlandson' +p86410 +sa(dp86411 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1807' +p86412 +sg25268 +S'Black, Brown and Fair' +p86413 +sg25270 +S'Thomas Rowlandson' +p86414 +sa(dp86415 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1807' +p86416 +sg25268 +S'Miseries of Traveling' +p86417 +sg25270 +S'Thomas Rowlandson' +p86418 +sa(dp86419 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1812' +p86420 +sg25268 +S'The Learned Scotchman' +p86421 +sg25270 +S'Thomas Rowlandson' +p86422 +sa(dp86423 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86424 +sg25268 +S'Symptoms of Restiveness' +p86425 +sg25270 +S'Thomas Rowlandson' +p86426 +sa(dp86427 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1807' +p86428 +sg25268 +S'All the Talents' +p86429 +sg25270 +S'Thomas Rowlandson' +p86430 +sa(dp86431 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1810' +p86432 +sg25268 +S'A Parody on Milton' +p86433 +sg25270 +S'Thomas Rowlandson' +p86434 +sa(dp86435 +g25268 +S'John Bill Ricketts' +p86436 +sg25270 +S'Gilbert Stuart' +p86437 +sg25273 +S'oil on canvas' +p86438 +sg25275 +S'1795/1799' +p86439 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a0000238.jpg' +p86440 +sg25267 +g27 +sa(dp86441 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1807' +p86442 +sg25268 +S'The Captains Account Current of Charge and Discharge' +p86443 +sg25270 +S'Thomas Rowlandson' +p86444 +sa(dp86445 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1812' +p86446 +sg25268 +S'Miseries of London: Watermen, Oars? Sculls?' +p86447 +sg25270 +S'Thomas Rowlandson' +p86448 +sa(dp86449 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86450 +sg25268 +S'Miseries of Human Life' +p86451 +sg25270 +S'Thomas Rowlandson' +p86452 +sa(dp86453 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86454 +sg25268 +S'Snips' +p86455 +sg25270 +S'Thomas Rowlandson' +p86456 +sa(dp86457 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1807' +p86458 +sg25268 +S'A Cure for Lying and a Bad Memory' +p86459 +sg25270 +S'Thomas Rowlandson' +p86460 +sa(dp86461 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86462 +sg25268 +S'Miseries of Human Life' +p86463 +sg25270 +S'Thomas Rowlandson' +p86464 +sa(dp86465 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86466 +sg25268 +S'The Enraged Wife, or Punishment of Infidelity' +p86467 +sg25270 +S'Thomas Rowlandson' +p86468 +sa(dp86469 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1807' +p86470 +sg25268 +S'John Bull Making Observations on the Comet' +p86471 +sg25270 +S'Thomas 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Gordon' +p86883 +sg25270 +S'Thomas Rowlandson' +p86884 +sa(dp86885 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86886 +sg25268 +S'His Royal Highness, the Duke of York' +p86887 +sg25270 +S'Thomas Rowlandson' +p86888 +sa(dp86889 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86890 +sg25268 +S'Sir Francis Burdett Bart.' +p86891 +sg25270 +S'Thomas Rowlandson' +p86892 +sa(dp86893 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86894 +sg25268 +S'Benjamin Towne' +p86895 +sg25270 +S'Thomas Rowlandson' +p86896 +sa(dp86897 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86898 +sg25268 +S'General Clavering' +p86899 +sg25270 +S'Thomas Rowlandson' +p86900 +sa(dp86901 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86902 +sg25268 +S'William Dowler, Esq.' +p86903 +sg25270 +S'Thomas Rowlandson' +p86904 +sa(dp86905 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p86906 +sg25268 +S'Col. 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Camelford, Cornwall' +p87354 +sg25270 +S'Thomas Rowlandson' +p87355 +sa(dp87356 +g25273 +S'bound volume: original contents: 168 etchings and engravings, some prints being removed from the volume; see separate entries for current locations' +p87357 +sg25267 +g27 +sg25275 +S'unknown date\n' +p87358 +sg25268 +S'Caricatures (volume V)' +p87359 +sg25270 +S'Thomas Rowlandson' +p87360 +sa(dp87361 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1809' +p87362 +sg25268 +S'The Seat of Mr. Mitchell, Cornwall' +p87363 +sg25270 +S'Thomas Rowlandson' +p87364 +sa(dp87365 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1809' +p87366 +sg25268 +S'A Cottage in the Dutchy of Cornwall' +p87367 +sg25270 +S'Thomas Rowlandson' +p87368 +sa(dp87369 +g25268 +S'Long Lagoon' +p87370 +sg25270 +S'James McNeill Whistler' +p87371 +sg25273 +S'etching and drypoint' +p87372 +sg25275 +S'1880' +p87373 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000aa/a000aa05.jpg' +p87374 +sg25267 +g27 +sa(dp87375 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1809' 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Lump of Impertinence' +p87453 +sg25270 +S'Thomas Rowlandson' +p87454 +sa(dp87455 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p87456 +sg25268 +S'Don Quixote, Commander-in-Chief' +p87457 +sg25270 +S'Thomas Rowlandson' +p87458 +sa(dp87459 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1805' +p87460 +sg25268 +S'Rouler Moor, Cornwall' +p87461 +sg25270 +S'Thomas Rowlandson' +p87462 +sa(dp87463 +g25268 +S'Upright Venice' +p87464 +sg25270 +S'James McNeill Whistler' +p87465 +sg25273 +S'etching' +p87466 +sg25275 +S'1880' +p87467 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ab/a000ab55.jpg' +p87468 +sg25267 +g27 +sa(dp87469 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1805' +p87470 +sg25268 +S"View on Sir John Morshead's Estate at Blesland near Bodmin, Cornwall" +p87471 +sg25270 +S'Thomas Rowlandson' +p87472 +sa(dp87473 +g25268 +S'Cattle Not Insurable' +p87474 +sg25270 +S'Thomas Rowlandson' +p87475 +sg25273 +S'hand-colored etching and aquatint' +p87476 +sg25275 +S'published 1809' +p87477 +sg25314 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Hunting' +p88048 +sg25270 +S'Thomas Rowlandson' +p88049 +sa(dp88050 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1811' +p88051 +sg25268 +S'College Pranks' +p88052 +sg25270 +S'Thomas Rowlandson' +p88053 +sa(dp88054 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1811' +p88055 +sg25268 +S'The Gig Shop' +p88056 +sg25270 +S'Thomas Rowlandson' +p88057 +sa(dp88058 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1808' +p88059 +sg25268 +S'The Caricature Magazine' +p88060 +sg25270 +S'Thomas Rowlandson' +p88061 +sa(dp88062 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1811' +p88063 +sg25268 +S'Rural Sports, Balloon Hunting' +p88064 +sg25270 +S'Thomas Rowlandson' +p88065 +sa(dp88066 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1811' +p88067 +sg25268 +S'Life and Death of the Race Horse' +p88068 +sg25270 +S'Thomas Rowlandson' +p88069 +sa(dp88070 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1811' +p88071 +sg25268 +S'Six Classes of the Noble and Beautiful Animal, a Horse' +p88072 +sg25270 +S'Thomas Rowlandson' +p88073 +sa(dp88074 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1811' +p88075 +sg25268 +S'A Sufferer for Decency' +p88076 +sg25270 +S'Thomas Rowlandson' +p88077 +sa(dp88078 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1811' +p88079 +sg25268 +S'Kitty Careless in Quod' +p88080 +sg25270 +S'Thomas Rowlandson' +p88081 +sa(dp88082 +g25268 +S'Temple' +p88083 +sg25270 +S'James McNeill Whistler' +p88084 +sg25273 +S'etching' +p88085 +sg25275 +S'c. 1880/1881' +p88086 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000aa/a000aa52.jpg' +p88087 +sg25267 +g27 +sa(dp88088 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1811' +p88089 +sg25268 +S'Looking at the Comet Till you get a Criek in the Neck' +p88090 +sg25270 +S'Thomas Rowlandson' +p88091 +sa(dp88092 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1811' +p88093 +sg25268 +S'Masquerading' +p88094 +sg25270 +S'Thomas Rowlandson' +p88095 +sa(dp88096 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1811' +p88097 +sg25268 +S'Royal Academy' +p88098 +sg25270 +S'Thomas Rowlandson' +p88099 +sa(dp88100 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1811' +p88101 +sg25268 +S'A Milk-sop' +p88102 +sg25270 +S'Thomas Rowlandson' +p88103 +sa(dp88104 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1811' +p88105 +sg25268 +S'The Harmonic Society' +p88106 +sg25270 +S'Thomas Rowlandson' +p88107 +sa(dp88108 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1811' +p88109 +sg25268 +S'The Anatomist' +p88110 +sg25270 +S'Thomas Rowlandson' +p88111 +sa(dp88112 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1811' +p88113 +sg25268 +S'A Midwife Going to a Labour' +p88114 +sg25270 +S'Thomas Rowlandson' +p88115 +sa(dp88116 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1811' +p88117 +sg25268 +S'Summer Amusement, Bug Hunting' +p88118 +sg25270 +S'Thomas Rowlandson' +p88119 +sa(dp88120 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1811' +p88121 +sg25268 +S'A Sleepy Congregation' +p88122 +sg25270 +S'Thomas Rowlandson' +p88123 +sa(dp88124 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1808' +p88125 +sg25268 +S'Soldiers on a March' +p88126 +sg25270 +S'Thomas Rowlandson' +p88127 +sa(dp88128 +g25268 +S'Lobster-Pots' +p88129 +sg25270 +S'James McNeill Whistler' +p88130 +sg25273 +S'etching' +p88131 +sg25275 +S'c. 1880/1881' +p88132 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000aa/a000aa4b.jpg' +p88133 +sg25267 +g27 +sa(dp88134 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1811' +p88135 +sg25268 +S'Touch for Touch' +p88136 +sg25270 +S'Thomas Rowlandson' +p88137 +sa(dp88138 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1802' +p88139 +sg25268 +S'The Corporal in Good Quarters' +p88140 +sg25270 +S'Thomas Rowlandson' +p88141 +sa(dp88142 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1812' +p88143 +sg25268 +S'Catching an Elephant' +p88144 +sg25270 +S'Thomas Rowlandson' +p88145 +sa(dp88146 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1811' +p88147 +sg25268 +S'English Manner and French Prudence' +p88148 +sg25270 +S'Thomas Rowlandson' +p88149 +sa(dp88150 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1811' +p88151 +sg25268 +S'A Man of Feeling' +p88152 +sg25270 +S'Thomas Rowlandson' +p88153 +sa(dp88154 +g25268 +S'Modern 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Court' +p88178 +sg25270 +S'James McNeill Whistler' +p88179 +sg25273 +S'etching' +p88180 +sg25275 +S'c. 1880/1881' +p88181 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000aa/a000aa4d.jpg' +p88182 +sg25267 +g27 +sa(dp88183 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1812' +p88184 +sg25268 +S'English Exhibitions in Paris' +p88185 +sg25270 +S'Thomas Rowlandson' +p88186 +sa(dp88187 +g25268 +S'Ducking a Scold' +p88188 +sg25270 +S'Thomas Rowlandson' +p88189 +sg25273 +S'hand-colored etching' +p88190 +sg25275 +S'1809' +p88191 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00077/a0007791.jpg' +p88192 +sg25267 +g27 +sa(dp88193 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1812' +p88194 +sg25268 +S'Italian Picture Dealers Humbuging My Lord Anglaise' +p88195 +sg25270 +S'Thomas Rowlandson' +p88196 +sa(dp88197 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1812' +p88198 +sg25268 +S'A Spanish Cloak' +p88199 +sg25270 +S'Thomas Rowlandson' +p88200 +sa(dp88201 +g25268 +S'A Dog Fight' +p88202 +sg25270 +S'Thomas Rowlandson' +p88203 +sg25273 +S'hand-colored etching' +p88204 +sg25275 +S'1811' +p88205 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00077/a000779e.jpg' +p88206 +sg25267 +g27 +sa(dp88207 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1812' +p88208 +sg25268 +S'Land Stores' +p88209 +sg25270 +S'Thomas Rowlandson' +p88210 +sa(dp88211 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1812' +p88212 +sg25268 +S'Seas Stores' +p88213 +sg25270 +S'Thomas Rowlandson' +p88214 +sa(dp88215 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p88216 +sg25268 +S'King, Queen, Lord Flutter' +p88217 +sg25270 +S'Thomas Rowlandson' +p88218 +sa(dp88219 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1812' +p88220 +sg25268 +S'A Cat in Pattens' +p88221 +sg25270 +S'Thomas Rowlandson' +p88222 +sa(dp88223 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1812' +p88224 +sg25268 +S'Broad Grins or a Black Joke' +p88225 +sg25270 +S'Thomas Rowlandson' +p88226 +sa(dp88227 +g25268 +S'Drury Lane' +p88228 +sg25270 +S'James McNeill Whistler' +p88229 +sg25273 +S'etching' +p88230 +sg25275 +S'c. 1880/1881' +p88231 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000aa/a000aa3b.jpg' +p88232 +sg25267 +g27 +sa(dp88233 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1812' +p88234 +sg25268 +S'The Sweet Pea' +p88235 +sg25270 +S'Thomas Rowlandson' +p88236 +sa(dp88237 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p88238 +sg25268 +S'A Portrait' +p88239 +sg25270 +S'Thomas Rowlandson' +p88240 +sa(dp88241 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p88242 +sg25268 +S'A Portrait' +p88243 +sg25270 +S'Thomas Rowlandson' +p88244 +sa(dp88245 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p88246 +sg25268 +S'Midnight Revels' +p88247 +sg25270 +S'Thomas Rowlandson' +p88248 +sa(dp88249 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1810' +p88250 +sg25268 +S'Libel Hunters on the Look Out' +p88251 +sg25270 +S'Thomas Rowlandson' +p88252 +sa(dp88253 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p88254 +sg25268 +S'Comforts of an Irish Fishing Lodge' +p88255 +sg25270 +S'Thomas Rowlandson' +p88256 +sa(dp88257 +g25268 +S'Patience in a Punt' +p88258 +sg25270 +S'Thomas Rowlandson' +p88259 +sg25273 +S'hand-colored etching' +p88260 +sg25275 +S'1811' +p88261 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00077/a000779c.jpg' +p88262 +sg25267 +g27 +sa(dp88263 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1812' +p88264 +sg25268 +S'Plucking a Spoony' +p88265 +sg25270 +S'Thomas Rowlandson' +p88266 +sa(dp88267 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p88268 +sg25268 +S'Explication des Armes de Bounaparte' +p88269 +sg25270 +S'Thomas Rowlandson' +p88270 +sa(dp88271 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1811' +p88272 +sg25268 +S'Hiring a Servant' +p88273 +sg25270 +S'Thomas Rowlandson' +p88274 +sa(dp88275 +g25268 +S'Portrait of a Nobleman' +p88276 +sg25270 +S'French 16th Century' +p88277 +sg25273 +S'original panel: 31.2 x 22.7 cm (12 5/16 x 8 15/16 in.)\r\noverall (with wooden shims): 32.4 x 23.6 cm (12 3/4 x 9 5/16 in.)\r\nframed: 47.9 x 38.1 x 7.3 cm (18 7/8 x 15 x 2 7/8 in.)' +p88278 +sg25275 +S'\noil on fir or pine' +p88279 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ff/a000ff81.jpg' +p88280 +sg25267 +g27 +sa(dp88281 +g25273 +g27 +sg25267 +g27 +sg25275 +S'probably 1812' +p88282 +sg25268 +S'A Visit to the Doctor' +p88283 +sg25270 +S'Thomas Rowlandson' +p88284 +sa(dp88285 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1813' +p88286 +sg25268 +S'Dutch Nightmare' +p88287 +sg25270 +S'Thomas Rowlandson' +p88288 +sa(dp88289 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p88290 +sg25268 +S'The Bear, the Bull Dog and the Monkey' +p88291 +sg25270 +S'Thomas Rowlandson' +p88292 +sa(dp88293 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1813' +p88294 +sg25268 +S'Political Chemist and German Retorts' +p88295 +sg25270 +S'Thomas Rowlandson' +p88296 +sa(dp88297 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1813' +p88298 +sg25268 +S'The Corsican Munchausen' +p88299 +sg25270 +S'Thomas Rowlandson' +p88300 +sa(dp88301 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1813' +p88302 +sg25268 +S'Friends and Foes' +p88303 +sg25270 +S'Thomas Rowlandson' +p88304 +sa(dp88305 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1813' +p88306 +sg25268 +S'Funcking the Corsican' +p88307 +sg25270 +S'Thomas Rowlandson' +p88308 +sa(dp88309 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1813' +p88310 +sg25268 +S'The Mock Phoenix' +p88311 +sg25270 +S'Thomas Rowlandson' +p88312 +sa(dp88313 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p88314 +sg25268 +S'Birth of Bonoparte' +p88315 +sg25270 +S'Thomas Rowlandson' +p88316 +sa(dp88317 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1813' +p88318 +sg25268 +S'Mock Auction or Boney Selling Stolen Goods' +p88319 +sg25270 +S'Thomas Rowlandson' +p88320 +sa(dp88321 +g25268 +S'The Flight into Egypt' +p88322 +sg25270 +S'Vittore Carpaccio' +p88323 +sg25273 +S'oil on panel' +p88324 +sg25275 +S'c. 1515' +p88325 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a00007d2.jpg' +p88326 +sg25267 +S"Mary and Joseph's flight with Jesus to escape Herod's slaughter of the Hebrew babies is recounted in the gospel of Matthew. The subject is often found on predellas, the small scenes at the base of altarpieces, but this painting is too large to be a predella panel. Nor is it likely to have been the central section of an altarpiece—those were usually meditative, devotional images rather than narrative ones like this. Perhaps it was made for a religious confraternity. Such \n While Bellini began to use layered oil glazes to soften the edges of his forms, the younger Carpaccio continued to favor a harder (and increasingly old-fashioned) line. In this case, though, it enhances his narrative purpose: hard contours accentuate the gait of the ass and the long stride of Joseph, and they help frame the Virgin and Child in a way that almost enthrones them on their humble mount. In contrast, the luminous undersides of the clouds reveal the influence of Bellini's treatment of light.\n " +p88327 +sa(dp88328 +g25268 +S'Portrait of a Boy' +p88329 +sg25270 +S"Biagio d'Antonio" +p88330 +sg25273 +S'oil and tempera on panel' +p88331 +sg25275 +S'c. 1476/1480' +p88332 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a000076d.jpg' +p88333 +sg25267 +g27 +sa(dp88334 +g25268 +S'Saint Bernard with Donor [obverse]' +p88335 +sg25270 +S'Artist Information (' +p88336 +sg25273 +g27 +sg25275 +S'(related artist)' +p88337 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a0000548.jpg' +p88338 +sg25267 +g27 +sa(dp88339 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1813' +p88340 +sg25268 +S'The Glutton' +p88341 +sg25270 +S'Thomas Rowlandson' +p88342 +sa(dp88343 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1813' +p88344 +sg25268 +S'Unloading a Waggon' +p88345 +sg25270 +S'Thomas Rowlandson' +p88346 +sa(dp88347 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1813' +p88348 +sg25268 +S'The Norwich Bull Feast' +p88349 +sg25270 +S'Thomas Rowlandson' +p88350 +sa(dp88351 +g25268 +S'Doctor Syntax, in the Middle of a Smoking HotPolitical Squabble, wishes to Wet his W histle' +p88352 +sg25270 +S'Thomas Rowlandson' +p88353 +sg25273 +S'hand-colored etching' +p88354 +sg25275 +S'published 1813' +p88355 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00077/a00077b9.jpg' +p88356 +sg25267 +g27 +sa(dp88357 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1813' +p88358 +sg25268 +S'A Long Pull, a Strong Pull and a Pull Alltogether' +p88359 +sg25270 +S'Thomas Rowlandson' +p88360 +sa(dp88361 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1813' +p88362 +sg25268 +S'The Corsican Toad Under a Harrow' +p88363 +sg25270 +S'Thomas Rowlandson' +p88364 +sa(dp88365 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1813' +p88366 +sg25268 +S'Plump to the Devil We Boldly Kicked Both Nap and His Partner Joe' +p88367 +sg25270 +S'Thomas Rowlandson' +p88368 +sa(dp88369 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p88370 +sg25268 +S"Guy Faux's Dying Speech, Buonapartes Dying Speech" +p88371 +sg25270 +S'Thomas Rowlandson' +p88372 +sa(dp88373 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p88374 +sg25268 +S'Summer Amusement at Margate' +p88375 +sg25270 +S'Thomas Rowlandson' +p88376 +sa(dp88377 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1813' +p88378 +sg25268 +S"A Doleful Disaster or Miss Fubby Fatarmin's Wig Caught Fire" +p88379 +sg25270 +S'Thomas Rowlandson' +p88380 +sa(dp88381 +g25273 +g27 +sg25267 +g27 +sg25275 +S'(related artist)' +p88382 +sg25268 +S'Saint Margaret [reverse]' +p88383 +sg25270 +S'Artist Information (' +p88384 +sa(dp88385 +g25268 +S'Bartholomew Fair' +p88386 +sg25270 +S'Thomas Rowlandson' +p88387 +sg25273 +S'hand-colored etching' +p88388 +sg25275 +S'c. 1808' +p88389 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00077/a0007783.jpg' +p88390 +sg25267 +g27 +sa(dp88391 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1811' +p88392 +sg25268 +S'Rural Sports or How to Show off a Well Shaped Leg' +p88393 +sg25270 +S'Thomas Rowlandson' +p88394 +sa(dp88395 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1813' +p88396 +sg25268 +S'None but the Brave Deserve the Fair' +p88397 +sg25270 +S'Thomas Rowlandson' +p88398 +sa(dp88399 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p88400 +sg25268 +S'Mrs. Smouch Longing for Piggy' +p88401 +sg25270 +S'Thomas Rowlandson' +p88402 +sa(dp88403 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1813' +p88404 +sg25268 +S'Humors of Houndsditch' +p88405 +sg25270 +S'Thomas Rowlandson' +p88406 +sa(dp88407 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1813' +p88408 +sg25268 +S'The Last Gasp or Toadstools Mistaken for Mushrooms' +p88409 +sg25270 +S'Thomas Rowlandson' +p88410 +sa(dp88411 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1813' +p88412 +sg25268 +S'How to Vault in the Saddle' +p88413 +sg25270 +S'Thomas Rowlandson' +p88414 +sa(dp88415 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p88416 +sg25268 +S'The Two Kings of Terror' +p88417 +sg25270 +S'Thomas Rowlandson' +p88418 +sa(dp88419 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p88420 +sg25268 +S'Johanna Southcott, the Prophetess Excommunicating the Bishops' +p88421 +sg25270 +S'Thomas Rowlandson' +p88422 +sa(dp88423 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1814' +p88424 +sg25268 +S'Death and Bonaparte' +p88425 +sg25270 +S'Thomas Rowlandson' +p88426 +sa(dp88427 +g25268 +S'Portrait of a Lady' +p88428 +sg25270 +S'German 16th Century' +p88429 +sg25273 +S'overall: 44.2 x 31.7 cm (17 3/8 x 12 1/2 in.)\r\nframed: 72.4 x 60 cm (28 1/2 x 23 5/8 in.)' +p88430 +sg25275 +S'\ntempera on panel' +p88431 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a00004c6.jpg' +p88432 +sg25267 +g27 +sa(dp88433 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1814' +p88434 +sg25268 +S'Bluche(r) the Brave' +p88435 +sg25270 +S'Thomas Rowlandson' +p88436 +sa(dp88437 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1814' +p88438 +sg25268 +S"The Rogue's March" +p88439 +sg25270 +S'Thomas Rowlandson' +p88440 +sa(dp88441 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1814' +p88442 +sg25268 +S'Bloody Boney the Carcass Butcher' +p88443 +sg25270 +S'Thomas Rowlandson' +p88444 +sa(dp88445 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1814' +p88446 +sg25268 +S'A Friendly Visit' +p88447 +sg25270 +S'Thomas Rowlandson' +p88448 +sa(dp88449 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1814' +p88450 +sg25268 +S'Nap Dreading his Doleful Doom' +p88451 +sg25270 +S'Thomas Rowlandson' +p88452 +sa(dp88453 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1814' +p88454 +sg25268 +S'The Double Humbug' +p88455 +sg25270 +S'Thomas Rowlandson' +p88456 +sa(dp88457 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1814' +p88458 +sg25268 +S'Coming in at the Death of the Corsican Fox' +p88459 +sg25270 +S'Thomas Rowlandson' +p88460 +sa(dp88461 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1814' +p88462 +sg25268 +S'The Devils Darling' +p88463 +sg25270 +S'Thomas Rowlandson' +p88464 +sa(dp88465 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1814' +p88466 +sg25268 +S'The Affectionate Farewell' +p88467 +sg25270 +S'Thomas Rowlandson' +p88468 +sa(dp88469 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1814' +p88470 +sg25268 +S'Boney Turned Moralist' +p88471 +sg25270 +S'Thomas Rowlandson' +p88472 +sa(dp88473 +g25273 +S'etching and drypoint' +p88474 +sg25267 +g27 +sg25275 +S'unknown date\n' +p88475 +sg25268 +S'Andrew W. Mellon' +p88476 +sg25270 +S'Frederick Pauling' +p88477 +sa(dp88478 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p88479 +sg25268 +S'Napoleon Dance in Holland' +p88480 +sg25270 +S'Thomas Rowlandson' +p88481 +sa(dp88482 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1814' +p88483 +sg25268 +S'Head Runner of Runaways from Leipzic Fair' +p88484 +sg25270 +S'Thomas Rowlandson' +p88485 +sa(dp88486 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1811' +p88487 +sg25268 +S'A Picture of Misery' +p88488 +sg25270 +S'Thomas Rowlandson' +p88489 +sa(dp88490 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p88491 +sg25268 +S'Fashionable Dress of 1814' +p88492 +sg25270 +S'Thomas Rowlandson' +p88493 +sa(dp88494 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1814' +p88495 +sg25268 +S'Portsmouth Point' +p88496 +sg25270 +S'Thomas Rowlandson' +p88497 +sa(dp88498 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1814' +p88499 +sg25268 +S'Three Principal Requisites to Form a Man of Fashion' +p88500 +sg25270 +S'Thomas Rowlandson' +p88501 +sa(dp88502 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1814' +p88503 +sg25268 +S'The Four Seasons of Love' +p88504 +sg25270 +S'Thomas Rowlandson' +p88505 +sa(dp88506 +g25268 +S'Madame Very Restaurateur, Palais Royal Paris' +p88507 +sg25270 +S'Thomas Rowlandson' +p88508 +sg25273 +S'hand-colored etching' +p88509 +sg25275 +S'1814' +p88510 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00077/a00077b2.jpg' +p88511 +sg25267 +g27 +sa(dp88512 +g25268 +S'La Belle Limonaudiere au Cafe des Mille Colonnes, Palais Royal, Paris' +p88513 +sg25270 +S'Thomas Rowlandson' +p88514 +sg25273 +S'hand-colored etching' +p88515 +sg25275 +S'1814' +p88516 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00077/a00077b4.jpg' +p88517 +sg25267 +g27 +sa(dp88518 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p88519 +sg25268 +S'Miseries of Bathing, After Bathing' +p88520 +sg25270 +S'Thomas Rowlandson' +p88521 +sa(dp88522 +g25268 +S'Moonlight' +p88523 +sg25270 +S'Artist Information (' +p88524 +sg25273 +S'American, 1847 - 1919' +p88525 +sg25275 +S'(related artist)' +p88526 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c5/a000c59b.jpg' +p88527 +sg25267 +g27 +sa(dp88528 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p88529 +sg25268 +S'Miseries of Bathing' +p88530 +sg25270 +S'Thomas Rowlandson' +p88531 +sa(dp88532 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1814' +p88533 +sg25268 +S'Peace and Plenty' +p88534 +sg25270 +S'Thomas Rowlandson' +p88535 +sa(dp88536 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p88537 +sg25268 +S'A Medical Inspection or Miracles will Never Cease' +p88538 +sg25270 +S'Thomas Rowlandson' +p88539 +sa(dp88540 +g25268 +S"Mr. Bullock's Exhibition of Laplanders" +p88541 +sg25270 +S'Thomas Rowlandson' +p88542 +sg25273 +S'hand-colored etching and aquatint' +p88543 +sg25275 +S'unknown date\n' +p88544 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00077/a00077e1.jpg' +p88545 +sg25267 +g27 +sa(dp88546 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1814' +p88547 +sg25268 +S'Kicking Up a Breeze or Barrow Women Basting a Beadle' +p88548 +sg25270 +S'Thomas Rowlandson' +p88549 +sa(dp88550 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p88551 +sg25268 +S"Batchelor's Fare, Bread, Cheese and Kisses" +p88552 +sg25270 +S'Thomas Rowlandson' +p88553 +sa(dp88554 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1814' +p88555 +sg25268 +S'Quarter Day or Clearing the Premisses without Consulting your Landlord' +p88556 +sg25270 +S'Thomas Rowlandson' +p88557 +sa(dp88558 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1814' +p88559 +sg25268 +S'Crimping a Quaker' +p88560 +sg25270 +S'Thomas Rowlandson' +p88561 +sa(dp88562 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1814' +p88563 +sg25268 +S'Crimping a Quaker' +p88564 +sg25270 +S'Thomas Rowlandson' +p88565 +sa(dp88566 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1814' +p88567 +sg25268 +S'Macassar Oil, an Oily Puff for Soft Heads' +p88568 +sg25270 +S'Thomas Rowlandson' +p88569 +sa(dp88570 +g25268 +S'A Friendly Call' +p88571 +sg25270 +S'William Merritt Chase' +p88572 +sg25273 +S'oil on canvas' +p88573 +sg25275 +S'1895' +p88574 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a000004b.jpg' +p88575 +sg25267 +S"William Merritt Chase, an influential art teacher and one of the leading exponents of American impressionism, captured the genteel, privileged life of polite society in the 1890s. \n Chase's rendering of light, his facile brushwork, and his choice of everyday subject matter all recall the work of the French impressionists; yet, unlike his European contemporaries, the artist carefully composed his paintings to underscore abstract elements. Simple rectangular patterns of the floor, wall, and couch are echoed in the framed pictures and wall hangings while they are contrasted to the more curvilinear figures, chair, and plump pillows. The mirror framing Mrs. Chase offers a surprising reflection of a wall behind the viewer; Chase's compositional arrangement and his use of reflected imagery suggest that he may have been paying homage to the 17th–century Spanish artist Velázquez, whose much–admired painting \n " +p88576 +sa(dp88577 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1814' +p88578 +sg25268 +S'A Tailors Wedding' +p88579 +sg25270 +S'Thomas Rowlandson' +p88580 +sa(dp88581 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1814' +p88582 +sg25268 +S'Progress of Gallantry or Stolen Kisses Sweetest' +p88583 +sg25270 +S'Thomas Rowlandson' +p88584 +sa(dp88585 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1814' +p88586 +sg25268 +S'Miseries of London or a Surly Saucy Hackney Coachman' +p88587 +sg25270 +S'Thomas Rowlandson' +p88588 +sa(dp88589 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1814' +p88590 +sg25268 +S'Rural Sports or a Pleasant Way of Making Hay' +p88591 +sg25270 +S'Thomas Rowlandson' +p88592 +sa(dp88593 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1814' +p88594 +sg25268 +S'The Tyrant of the Continent is Fallen' +p88595 +sg25270 +S'Thomas Rowlandson' +p88596 +sa(dp88597 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p88598 +sg25268 +S'The Privy Council of a King' +p88599 +sg25270 +S'Thomas Rowlandson' +p88600 +sa(dp88601 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1815' +p88602 +sg25268 +S'Breaking Up the Blue Stocking Club' +p88603 +sg25270 +S'Thomas Rowlandson' +p88604 +sa(dp88605 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1815' +p88606 +sg25268 +S'Defrauding the Customs, or Shipping of Goods not Fairly Entered' +p88607 +sg25270 +S'Thomas Rowlandson' +p88608 +sa(dp88609 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1815' +p88610 +sg25268 +S'Hodges Explanation of a Hundred Migistrates' +p88611 +sg25270 +S'Thomas Rowlandson' +p88612 +sa(dp88613 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p88614 +sg25268 +S'Stolen Kisses' +p88615 +sg25270 +S'Thomas Rowlandson' +p88616 +sa(dp88617 +g25268 +S'Elisha Doane' +p88618 +sg25270 +S'American 18th Century' +p88619 +sg25273 +S'overall: 101.7 x 84.2 cm (40 1/16 x 33 1/8 in.)' +p88620 +sg25275 +S'\noil on canvas' +p88621 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c5/a000c59c.jpg' +p88622 +sg25267 +g27 +sa(dp88623 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p88624 +sg25268 +S'Neighborly Refreshment' +p88625 +sg25270 +S'Thomas Rowlandson' +p88626 +sa(dp88627 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1815' +p88628 +sg25268 +S'Vive le Roi! Vive le Empereur, Vive le Diable' +p88629 +sg25270 +S'Thomas Rowlandson' +p88630 +sa(dp88631 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1815' +p88632 +sg25268 +S'A Lamentable Cast of a Jury-man' +p88633 +sg25270 +S'Thomas Rowlandson' +p88634 +sa(dp88635 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1815' +p88636 +sg25268 +S'Sailors Drinking the Tunbridge Waters' +p88637 +sg25270 +S'Thomas Rowlandson' +p88638 +sa(dp88639 +g25268 +S"Boney's Trial, Sentence, and Dying Speech" +p88640 +sg25270 +S'Thomas Rowlandson' +p88641 +sg25273 +S'hand-colored etching' +p88642 +sg25275 +S'published 1815' +p88643 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00077/a00077bc.jpg' +p88644 +sg25267 +g27 +sa(dp88645 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1815' +p88646 +sg25268 +S'Hell Hounds Rallying Round the Idol of France' +p88647 +sg25270 +S'Thomas Rowlandson' +p88648 +sa(dp88649 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p88650 +sg25268 +S'My Wife!' +p88651 +sg25270 +S'Thomas Rowlandson' +p88652 +sa(dp88653 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1784' +p88654 +sg25268 +S'Vicar and Moses' +p88655 +sg25270 +S'Thomas Rowlandson' +p88656 +sa(dp88657 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p88658 +sg25268 +S'How came your so?' +p88659 +sg25270 +S'Thomas Rowlandson' +p88660 +sa(dp88661 +g25273 +g27 +sg25267 +g27 +sg25275 +S'probably 1794' +p88662 +sg25268 +S'Jews at Luncheon' +p88663 +sg25270 +S'Thomas Rowlandson' +p88664 +sa(dp88665 +g25273 +S'overall: 102.2 x 83.5 cm (40 1/4 x 32 7/8 in.)\r\nframed: 119.4 x 101.6 x 7.6 cm (47 x 40 x 3 in.)' +p88666 +sg25267 +g27 +sg25275 +S'\noil on canvas' +p88667 +sg25268 +S'Jane Cutler Doane' +p88668 +sg25270 +S'American 18th Century' +p88669 +sa(dp88670 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p88671 +sg25268 +S"Who's Best Off?" +p88672 +sg25270 +S'Thomas Rowlandson' +p88673 +sa(dp88674 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p88675 +sg25268 +S'Dispatch or Jack Preparing for Sea' +p88676 +sg25270 +S'Thomas Rowlandson' +p88677 +sa(dp88678 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p88679 +sg25268 +S'Coresus and Thalia' +p88680 +sg25270 +S'Thomas Rowlandson' +p88681 +sa(dp88682 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1815' +p88683 +sg25268 +S'The Corsican and His Blood Hounds' +p88684 +sg25270 +S'Thomas Rowlandson' +p88685 +sa(dp88686 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p88687 +sg25268 +S"Bonaparte's Carriage" +p88688 +sg25270 +S'Thomas Rowlandson' +p88689 +sa(dp88690 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1816' +p88691 +sg25268 +S'The Attempt to Wash the Blackamoor White' +p88692 +sg25270 +S'Thomas Rowlandson' +p88693 +sa(dp88694 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p88695 +sg25268 +S"R. Ackermann's Transparency on the Victory atWaterloo" +p88696 +sg25270 +S'Thomas Rowlandson' +p88697 +sa(dp88698 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p88699 +sg25268 +S'War in the East Against the Cats' +p88700 +sg25270 +S'Thomas Rowlandson' +p88701 +sa(dp88702 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1816' +p88703 +sg25268 +S'Rustic Recreations' +p88704 +sg25270 +S'Thomas Rowlandson' +p88705 +sa(dp88706 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1817' +p88707 +sg25268 +S'The Rowboat' +p88708 +sg25270 +S'Thomas Rowlandson' +p88709 +sa(dp88710 +g25273 +S'overall: 76.3 x 63.5 cm (30 1/16 x 25 in.)\r\nframed: 90.8 x 78.7 cm (35 3/4 x 31 in.)' +p88711 +sg25267 +g27 +sg25275 +S'\noil on canvas' +p88712 +sg25268 +S'Portrait of a Lady' +p88713 +sg25270 +S'American 19th Century' +p88714 +sa(dp88715 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1817' +p88716 +sg25268 +S'An Ordinary' +p88717 +sg25270 +S'Thomas Rowlandson' +p88718 +sa(dp88719 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1817' +p88720 +sg25268 +S'Social Party' +p88721 +sg25270 +S'Thomas Rowlandson' +p88722 +sa(dp88723 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1817' +p88724 +sg25268 +S"Richardson's Show" +p88725 +sg25270 +S'Thomas Rowlandson' +p88726 +sa(dp88727 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1817' +p88728 +sg25268 +S'The Fly' +p88729 +sg25270 +S'Thomas Rowlandson' +p88730 +sa(dp88731 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1818' +p88732 +sg25268 +S'The Last Jig or Adieu to Old England' +p88733 +sg25270 +S'Thomas Rowlandson' +p88734 +sa(dp88735 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1817' +p88736 +sg25268 +S'Rural Street' +p88737 +sg25270 +S'Thomas Rowlandson' +p88738 +sa(dp88739 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1817' +p88740 +sg25268 +S'The Shore' +p88741 +sg25270 +S'Thomas Rowlandson' +p88742 +sa(dp88743 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1817' +p88744 +sg25268 +S'The Stage Coach' +p88745 +sg25270 +S'Thomas Rowlandson' +p88746 +sa(dp88747 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1817' +p88748 +sg25268 +S'The Social Day' +p88749 +sg25270 +S'Thomas Rowlandson' +p88750 +sa(dp88751 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1817' +p88752 +sg25268 +S'Poultry Cart' +p88753 +sg25270 +S'Thomas Rowlandson' +p88754 +sa(dp88755 +g25268 +S'Portrait of a Lady' +p88756 +sg25270 +S'American 19th Century' +p88757 +sg25273 +S'overall: 76 x 64 cm (29 15/16 x 25 3/16 in.)\r\nframed: 90.8 x 78.7 x 4.4 cm (35 3/4 x 31 x 1 3/4 in.)' +p88758 +sg25275 +S'\noil on canvas' +p88759 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a000016c.jpg' +p88760 +sg25267 +g27 +sa(dp88761 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1816' +p88762 +sg25268 +S'A Flying Waggon' +p88763 +sg25270 +S'Thomas Rowlandson' +p88764 +sa(dp88765 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1817' +p88766 +sg25268 +S'Fish Monger' +p88767 +sg25270 +S'Thomas Rowlandson' +p88768 +sa(dp88769 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1817' +p88770 +sg25268 +S'The Barn Yard' +p88771 +sg25270 +S'Thomas Rowlandson' +p88772 +sa(dp88773 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1817' +p88774 +sg25268 +S'The Inn Yard' +p88775 +sg25270 +S'Thomas Rowlandson' +p88776 +sa(dp88777 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1817' +p88778 +sg25268 +S'Boating Party' +p88779 +sg25270 +S'Thomas Rowlandson' +p88780 +sa(dp88781 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p88782 +sg25268 +S'A Rare Acquisition to the Royal Menagerie' +p88783 +sg25270 +S'Thomas Rowlandson' +p88784 +sa(dp88785 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1823' +p88786 +sg25268 +S'The Chance-Seller of the Exchequer' +p88787 +sg25270 +S'Thomas Rowlandson' +p88788 +sa(dp88789 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1817' +p88790 +sg25268 +S'Oysters' +p88791 +sg25270 +S'Thomas Rowlandson' +p88792 +sa(dp88793 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1817' +p88794 +sg25268 +S'Cider Making' +p88795 +sg25270 +S'Thomas Rowlandson' +p88796 +sa(dp88797 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1817' +p88798 +sg25268 +S'Scenes at the Shore' +p88799 +sg25270 +S'Thomas Rowlandson' +p88800 +sa(dp88801 +g25268 +S'The Worship of the Golden Calf' +p88802 +sg25270 +S'Jacopo Tintoretto' +p88803 +sg25273 +S'oil on canvas' +p88804 +sg25275 +S'c. 1560' +p88805 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002b/a0002b2d.jpg' +p88806 +sg25267 +g27 +sa(dp88807 +g25273 +S'overall: 76.5 x 66 cm (30 1/8 x 26 in.)\r\nframed: 100.3 x 87.6 x 8.9 cm (39 1/2 x 34 1/2 x 3 1/2 in.)' +p88808 +sg25267 +g27 +sg25275 +S'\noil on canvas' +p88809 +sg25268 +S'Portrait of a Man' +p88810 +sg25270 +S'American 19th Century' +p88811 +sa(dp88812 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1817' +p88813 +sg25268 +S'Plough Inn' +p88814 +sg25270 +S'Thomas Rowlandson' +p88815 +sa(dp88816 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1819' +p88817 +sg25268 +S'A Rough Sketch of the Times' +p88818 +sg25270 +S'Thomas Rowlandson' +p88819 +sa(dp88820 +g25273 +g27 +sg25267 +g27 +sg25275 +S'1816' +p88821 +sg25268 +S'The Draper (?)' +p88822 +sg25270 +S'Thomas Rowlandson' +p88823 +sa(dp88824 +g25273 +S'woodcut' +p88825 +sg25267 +g27 +sg25275 +S'1913' +p88826 +sg25268 +S'Nudes Out-of-Doors (Akte im Freien)' +p88827 +sg25270 +S'Karl Schmidt-Rottluff' +p88828 +sa(dp88829 +g25273 +S'watercolor' +p88830 +sg25267 +g27 +sg25275 +S'unknown date\n' +p88831 +sg25268 +S'Autumn Landscape' +p88832 +sg25270 +S'Karl Schmidt-Rottluff' +p88833 +sa(dp88834 +g25273 +S'brush and black ink with gray wash' +p88835 +sg25267 +g27 +sg25275 +S'probably c. 1935' +p88836 +sg25268 +S'Haystacks' +p88837 +sg25270 +S'Karl Schmidt-Rottluff' +p88838 +sa(dp88839 +g25273 +S'woodcut' +p88840 +sg25267 +g27 +sg25275 +S'1915' +p88841 +sg25268 +S'Head of a Woman (Weiblicher Kopf)' +p88842 +sg25270 +S'Karl Schmidt-Rottluff' +p88843 +sa(dp88844 +g25273 +S'woodcut' +p88845 +sg25267 +g27 +sg25275 +S'1915' +p88846 +sg25268 +S'Head of a Woman (Frauenkopf)' +p88847 +sg25270 +S'Karl Schmidt-Rottluff' +p88848 +sa(dp88849 +g25273 +S'watercolor over graphite' +p88850 +sg25267 +g27 +sg25275 +S'c. 1935' +p88851 +sg25268 +S'Yellow Iris' +p88852 +sg25270 +S'Karl Schmidt-Rottluff' +p88853 +sa(dp88854 +g25268 +S'Myth of Creation' +p88855 +sg25270 +S'Stanley William Hayter' +p88856 +sg25273 +S'carved plaster relief cast from inked copper plate' +p88857 +sg25275 +S'1940' +p88858 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00062/a0006255.jpg' +p88859 +sg25267 +g27 +sa(dp88860 +g25268 +S'Mrs. William Griffin' +p88861 +sg25270 +S'Thomas Sully' +p88862 +sg25273 +S'oil on canvas' +p88863 +sg25275 +S'1830' +p88864 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a0000260.jpg' +p88865 +sg25267 +g27 +sa(dp88866 +g25273 +S'color linoleum cut' +p88867 +sg25267 +g27 +sg25275 +S'unknown date\n' +p88868 +sg25268 +S'Curves and Squares' +p88869 +sg25270 +S'Charles William Smith' +p88870 +sa(dp88871 +g25273 +S'color block print' +p88872 +sg25267 +g27 +sg25275 +S'unknown date\n' +p88873 +sg25268 +S'House and Boats' +p88874 +sg25270 +S'Charles William Smith' +p88875 +sa(dp88876 +g25273 +S'color block print' +p88877 +sg25267 +g27 +sg25275 +S'1940' +p88878 +sg25268 +S'Light Moving' +p88879 +sg25270 +S'Charles William Smith' +p88880 +sa(dp88881 +g25273 +S'color block print' +p88882 +sg25267 +g27 +sg25275 +S'unknown date\n' +p88883 +sg25268 +S'Waterfront' +p88884 +sg25270 +S'Charles William Smith' +p88885 +sa(dp88886 +g25268 +S'Saint John' +p88887 +sg25270 +S'Hans Springinklee' +p88888 +sg25273 +S'woodcut' +p88889 +sg25275 +S'unknown date\n' +p88890 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ad/a000ad5b.jpg' +p88891 +sg25267 +g27 +sa(dp88892 +g25273 +S'etching' +p88893 +sg25267 +g27 +sg25275 +S'1935' +p88894 +sg25268 +S"L'Usine" +p88895 +sg25270 +S'Jacques Villon' +p88896 +sa(dp88897 +g25268 +S'La Danseuse - A Study of the Nude' +p88898 +sg25270 +S'James McNeill Whistler' +p88899 +sg25273 +S'lithograph' +p88900 +sg25275 +S'unknown date\n' +p88901 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ab/a000abb0.jpg' +p88902 +sg25267 +g27 +sa(dp88903 +g25268 +S'The Fireplace' +p88904 +sg25270 +S'James McNeill Whistler' +p88905 +sg25273 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Southern Provinces of Naples' +p88983 +sg25270 +S'Thomas Rowlandson' +p88984 +sa(dp88985 +g25268 +S'Paris Diligence' +p88986 +sg25270 +S'Thomas Rowlandson' +p88987 +sg25273 +S'hand-colored etching' +p88988 +sg25275 +S'probably 1810' +p88989 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00077/a0007781.jpg' +p88990 +sg25267 +g27 +sa(dp88991 +g25268 +S'Preparing to Start' +p88992 +sg25270 +S'Thomas Rowlandson' +p88993 +sg25273 +S'hand-colored etching' +p88994 +sg25275 +S'1811' +p88995 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00077/a00077aa.jpg' +p88996 +sg25267 +g27 +sa(dp88997 +g25268 +S'Dancer Seen from Behind and Three Studies of Feet' +p88998 +sg25270 +S'Edgar Degas' +p88999 +sg25273 +S'black chalk and pastel on blue-gray laid paper' +p89000 +sg25275 +S'c. 1878' +p89001 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00031/a00031b3.jpg' +p89002 +sg25267 +g27 +sa(dp89003 +g25268 +S'Le stryge (The Vampire)' +p89004 +sg25270 +S'Charles Meryon' +p89005 +sg25273 +S'etching on green paper' 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Hirschvogel' +p89029 +sg25273 +S'etching' +p89030 +sg25275 +S'1545' +p89031 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ab/a000abc2.jpg' +p89032 +sg25267 +g27 +sa(dp89033 +g25268 +S'Great American Cock' +p89034 +sg25270 +S'Artist Information (' +p89035 +sg25273 +S'(artist after)' +p89036 +sg25275 +S'\n' +p89037 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00009/a0000934.jpg' +p89038 +sg25267 +g27 +sa(dp89039 +g25273 +S'(artist after)' +p89040 +sg25267 +g27 +sg25275 +S'\n' +p89041 +sg25268 +S'Yellow-billed Cuckoo' +p89042 +sg25270 +S'Artist Information (' +p89043 +sa(dp89044 +g25273 +S'(artist after)' +p89045 +sg25267 +g27 +sg25275 +S'\n' +p89046 +sg25268 +S'Prothonotary Warbler' +p89047 +sg25270 +S'Artist Information (' +p89048 +sa(dp89049 +g25273 +S'(artist after)' +p89050 +sg25267 +g27 +sg25275 +S'\n' +p89051 +sg25268 +S'Purple Finch' +p89052 +sg25270 +S'Artist Information (' +p89053 +sa(dp89054 +g25273 +S'(artist after)' +p89055 +sg25267 +g27 +sg25275 +S'\n' +p89056 +sg25268 +S'Bonaparte Fly Catcher' +p89057 +sg25270 +S'Artist Information (' +p89058 +sa(dp89059 +g25273 +S'(artist after)' +p89060 +sg25267 +g27 +sg25275 +S'\n' +p89061 +sg25268 +S'Great American Hen and Young' +p89062 +sg25270 +S'Artist Information (' +p89063 +sa(dp89064 +g25273 +S'(artist after)' +p89065 +sg25267 +g27 +sg25275 +S'\n' +p89066 +sg25268 +S'Purple Grackle' +p89067 +sg25270 +S'Artist Information (' +p89068 +sa(dp89069 +g25273 +S'(artist after)' +p89070 +sg25267 +g27 +sg25275 +S'\n' +p89071 +sg25268 +S'White-throated Sparrow' +p89072 +sg25270 +S'Artist Information (' +p89073 +sa(dp89074 +g25268 +S'Jean-Claude Fulchiron' +p89075 +sg25270 +S'Honor\xc3\xa9 Daumier' +p89076 +sg25273 +S'bronze' +p89077 +sg25275 +S'model c. 1832/1835, cast 1929/1930' +p89078 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0001f/a0001fa6.jpg' +p89079 +sg25267 +g27 +sa(dp89080 +g25273 +S'(artist after)' +p89081 +sg25267 +g27 +sg25275 +S'\n' +p89082 +sg25268 +S"Selby's Flycatcher" +p89083 +sg25270 +S'Artist Information (' +p89084 +sa(dp89085 +g25273 +S'(etcher)' +p89086 +sg25267 +g27 +sg25275 +S'\n' +p89087 +sg25268 +S'Brown Lark' +p89088 +sg25270 +S'Artist Information (' +p89089 +sa(dp89090 +g25273 +S'(artist after)' +p89091 +sg25267 +g27 +sg25275 +S'\n' +p89092 +sg25268 +S'The Bird of Washington or Great American Sea Eagle' +p89093 +sg25270 +S'Artist Information (' +p89094 +sa(dp89095 +g25268 +S'Baltimore Oriole' +p89096 +sg25270 +S'Artist Information (' +p89097 +sg25273 +S'(artist after)' +p89098 +sg25275 +S'\n' +p89099 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00009/a0000938.jpg' +p89100 +sg25267 +g27 +sa(dp89101 +g25273 +S'(artist after)' +p89102 +sg25267 +g27 +sg25275 +S'\n' +p89103 +sg25268 +S'Snow-Bird' +p89104 +sg25270 +S'Artist Information (' +p89105 +sa(dp89106 +g25273 +S'(artist after)' +p89107 +sg25267 +g27 +sg25275 +S'\n' +p89108 +sg25268 +S'Prairie Warbler' +p89109 +sg25270 +S'Artist Information (' +p89110 +sa(dp89111 +g25273 +S'(artist after)' +p89112 +sg25267 +g27 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Warbler' +p90059 +sg25270 +S'Artist Information (' +p90060 +sa(dp90061 +g25268 +S'Charles Henry Verhuel, Count of Sevenaar (?)' +p90062 +sg25270 +S'Honor\xc3\xa9 Daumier' +p90063 +sg25273 +S'bronze' +p90064 +sg25275 +S'model c. 1832/1835, cast 1929/1940' +p90065 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0001f/a0001fa1.jpg' +p90066 +sg25267 +g27 +sa(dp90067 +g25273 +S'(artist after)' +p90068 +sg25267 +g27 +sg25275 +S'\n' +p90069 +sg25268 +S'Wood Wren' +p90070 +sg25270 +S'Artist Information (' +p90071 +sa(dp90072 +g25273 +S'(artist after)' +p90073 +sg25267 +g27 +sg25275 +S'\n' +p90074 +sg25268 +S'Pine Finch' +p90075 +sg25270 +S'Artist Information (' +p90076 +sa(dp90077 +g25273 +S'(artist after)' +p90078 +sg25267 +g27 +sg25275 +S'\n' +p90079 +sg25268 +S'Golden Eagle' +p90080 +sg25270 +S'Artist Information (' +p90081 +sa(dp90082 +g25273 +S'(artist after)' +p90083 +sg25267 +g27 +sg25275 +S'\n' +p90084 +sg25268 +S'Ground Dove' +p90085 +sg25270 +S'Artist Information (' +p90086 +sa(dp90087 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Bailliot' +p90174 +sg25270 +S'Honor\xc3\xa9 Daumier' +p90175 +sg25273 +S'bronze' +p90176 +sg25275 +S'model c. 1832/1835, cast 1929/1940' +p90177 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0001f/a0001fa3.jpg' +p90178 +sg25267 +g27 +sa(dp90179 +g25273 +S'(artist after)' +p90180 +sg25267 +g27 +sg25275 +S'\n' +p90181 +sg25268 +S'Little Owl' +p90182 +sg25270 +S'Artist Information (' +p90183 +sa(dp90184 +g25273 +S'(artist after)' +p90185 +sg25267 +g27 +sg25275 +S'\n' +p90186 +sg25268 +S'Shore Lark' +p90187 +sg25270 +S'Artist Information (' +p90188 +sa(dp90189 +g25268 +S'Canada Goose' +p90190 +sg25270 +S'Artist Information (' +p90191 +sg25273 +S'(artist after)' +p90192 +sg25275 +S'\n' +p90193 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00009/a000093f.jpg' +p90194 +sg25267 +g27 +sa(dp90195 +g25273 +S'(artist after)' +p90196 +sg25267 +g27 +sg25275 +S'\n' +p90197 +sg25268 +S'Red-throated Diver' +p90198 +sg25270 +S'Artist Information (' +p90199 +sa(dp90200 +g25273 +S'(artist after)' +p90201 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Information (' +p90230 +sa(dp90231 +g25268 +S'Alfred-Fr\xc3\xa9d\xc3\xa9ric-Pierre, Comte de Falloux' +p90232 +sg25270 +S'Honor\xc3\xa9 Daumier' +p90233 +sg25273 +S'bronze' +p90234 +sg25275 +S'model possibly 1848/1850, cast 1929/1940' +p90235 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0001f/a0001fa4.jpg' +p90236 +sg25267 +g27 +sa(dp90237 +g25273 +S'(artist after)' +p90238 +sg25267 +g27 +sg25275 +S'\n' +p90239 +sg25268 +S"Wilson's Plover" +p90240 +sg25270 +S'Artist Information (' +p90241 +sa(dp90242 +g25273 +S'(artist after)' +p90243 +sg25267 +g27 +sg25275 +S'\n' +p90244 +sg25268 +S'Least Bittern' +p90245 +sg25270 +S'Artist Information (' +p90246 +sa(dp90247 +g25273 +S'(artist after)' +p90248 +sg25267 +g27 +sg25275 +S'\n' +p90249 +sg25268 +S'Great blue Heron' +p90250 +sg25270 +S'Artist Information (' +p90251 +sa(dp90252 +g25273 +S'(artist after)' +p90253 +sg25267 +g27 +sg25275 +S'\n' +p90254 +sg25268 +S'Hyperborean Phalarope' +p90255 +sg25270 +S'Artist Information (' +p90256 +sa(dp90257 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+sg25275 +S'\n' +p90287 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00057/a0005734.jpg' +p90288 +sg25267 +g27 +sa(dp90289 +g25268 +S'Jean Vatout' +p90290 +sg25270 +S'Honor\xc3\xa9 Daumier' +p90291 +sg25273 +S'bronze' +p90292 +sg25275 +S'model c. 1832/1835, cast 1929/1940' +p90293 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0001f/a0001fa5.jpg' +p90294 +sg25267 +g27 +sa(dp90295 +g25273 +S'(artist after)' +p90296 +sg25267 +g27 +sg25275 +S'\n' +p90297 +sg25268 +S'White Ibis' +p90298 +sg25270 +S'Artist Information (' +p90299 +sa(dp90300 +g25273 +S'(artist after)' +p90301 +sg25267 +g27 +sg25275 +S'\n' +p90302 +sg25268 +S'Pied Oyster-Catcher' +p90303 +sg25270 +S'Artist Information (' +p90304 +sa(dp90305 +g25273 +S'(artist after)' +p90306 +sg25267 +g27 +sg25275 +S'\n' +p90307 +sg25268 +S'Kittiwake Gull' +p90308 +sg25270 +S'Artist Information (' +p90309 +sa(dp90310 +g25273 +S'(artist after)' +p90311 +sg25267 +g27 +sg25275 +S'\n' +p90312 +sg25268 +S'Kildeer Plover' +p90313 +sg25270 +S'Artist Information (' +p90314 +sa(dp90315 +g25268 +S'Hooping Crane' +p90316 +sg25270 +S'Artist Information (' +p90317 +sg25273 +S'(artist after)' +p90318 +sg25275 +S'\n' +p90319 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00009/a0000942.jpg' +p90320 +sg25267 +g27 +sa(dp90321 +g25273 +S'(artist after)' +p90322 +sg25267 +g27 +sg25275 +S'\n' +p90323 +sg25268 +S'Pin-Tailed Duck' +p90324 +sg25270 +S'Artist Information (' +p90325 +sa(dp90326 +g25273 +S'(artist after)' +p90327 +sg25267 +g27 +sg25275 +S'\n' +p90328 +sg25268 +S'American Green-Winged Teal' +p90329 +sg25270 +S'Artist Information (' +p90330 +sa(dp90331 +g25273 +S'(artist after)' +p90332 +sg25267 +g27 +sg25275 +S'\n' +p90333 +sg25268 +S'Scaup Duck' +p90334 +sg25270 +S'Artist Information (' +p90335 +sa(dp90336 +g25273 +S'(artist after)' +p90337 +sg25267 +g27 +sg25275 +S'\n' +p90338 +sg25268 +S'Ruddy Plover' +p90339 +sg25270 +S'Artist Information (' +p90340 +sa(dp90341 +g25273 +S'(artist after)' +p90342 +sg25267 +g27 +sg25275 +S'\n' +p90343 +sg25268 +S'Long-billed Curlew' +p90344 +sg25270 +S'Artist Information (' +p90345 +sa(dp90346 +g25268 +S'Fugitives (Emigrants)' +p90347 +sg25270 +S'Honor\xc3\xa9 Daumier' +p90348 +sg25273 +S'bronze' +p90349 +sg25275 +S'model c. 1850/1852, cast 1893' +p90350 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00029/a00029bf.jpg' +p90351 +sg25267 +g27 +sa(dp90352 +g25273 +S'(artist after)' +p90353 +sg25267 +g27 +sg25275 +S'\n' +p90354 +sg25268 +S'Hooded Merganser' +p90355 +sg25270 +S'Artist Information (' +p90356 +sa(dp90357 +g25273 +S'(artist after)' +p90358 +sg25267 +g27 +sg25275 +S'\n' +p90359 +sg25268 +S'Sora or Rail' +p90360 +sg25270 +S'Artist Information (' +p90361 +sa(dp90362 +g25273 +S'(artist after)' +p90363 +sg25267 +g27 +sg25275 +S'\n' +p90364 +sg25268 +S'Tufted Duck' +p90365 +sg25270 +S'Artist Information (' +p90366 +sa(dp90367 +g25273 +S'(artist after)' +p90368 +sg25267 +g27 +sg25275 +S'\n' +p90369 +sg25268 +S'Sooty Tern' +p90370 +sg25270 +S'Artist Information (' +p90371 +sa(dp90372 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+p91317 +sg25267 +g27 +sg25275 +S'\n' +p91318 +sg25268 +S'Red-breasted Merganser' +p91319 +sg25270 +S'Artist Information (' +p91320 +sa(dp91321 +g25268 +S'Black-throated Guillemot, Nobbed-billed Auk, Curled-Crested Auk and Horned-billed Guillemot' +p91322 +sg25270 +S'Artist Information (' +p91323 +sg25273 +S'(artist after)' +p91324 +sg25275 +S'\n' +p91325 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00009/a000094b.jpg' +p91326 +sg25267 +g27 +sa(dp91327 +g25273 +S'(artist after)' +p91328 +sg25267 +g27 +sg25275 +S'\n' +p91329 +sg25268 +S'Golden-eye Duck' +p91330 +sg25270 +S'Artist Information (' +p91331 +sa(dp91332 +g25273 +S'(artist after)' +p91333 +sg25267 +g27 +sg25275 +S'\n' +p91334 +sg25268 +S'Eared Grebe' +p91335 +sg25270 +S'Artist Information (' +p91336 +sa(dp91337 +g25273 +S'(artist after)' +p91338 +sg25267 +g27 +sg25275 +S'\n' +p91339 +sg25268 +S'Semi-palmated Sandpiper' +p91340 +sg25270 +S'Artist Information (' +p91341 +sa(dp91342 +g25268 +S'Trumpeter Swan' +p91343 +sg25270 +S'Artist Information (' +p91344 +sg25273 +S'(artist after)' +p91345 +sg25275 +S'\n' +p91346 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00009/a000094c.jpg' +p91347 +sg25267 +g27 +sa(dp91348 +g25273 +S'(artist after)' +p91349 +sg25267 +g27 +sg25275 +S'\n' +p91350 +sg25268 +S'Dusky Albatros' +p91351 +sg25270 +S'Artist Information (' +p91352 +sa(dp91353 +g25273 +S'(artist after)' +p91354 +sg25267 +g27 +sg25275 +S'\n' +p91355 +sg25268 +S'American Scoter Duck' +p91356 +sg25270 +S'Artist Information (' +p91357 +sa(dp91358 +g25273 +S'(artist after)' +p91359 +sg25267 +g27 +sg25275 +S'\n' +p91360 +sg25268 +S"Havell's Tern and Trudeau's Tern" +p91361 +sg25270 +S'Artist Information (' +p91362 +sa(dp91363 +g25273 +S'(artist after)' +p91364 +sg25267 +g27 +sg25275 +S'\n' +p91365 +sg25268 +S'Marsh Tern' +p91366 +sg25270 +S'Artist Information (' +p91367 +sa(dp91368 +g25273 +S'(artist after)' +p91369 +sg25267 +g27 +sg25275 +S'\n' +p91370 +sg25268 +S'Common American Swan' +p91371 +sg25270 +S'Artist Information (' +p91372 +sa(dp91373 +g25273 +S'(artist after)' +p91374 +sg25267 +g27 +sg25275 +S'\n' +p91375 +sg25268 +S"Violet-green Cormorant and Townsend's Cormorant" +p91376 +sg25270 +S'Artist Information (' +p91377 +sa(dp91378 +g25273 +S'(artist after)' +p91379 +sg25267 +g27 +sg25275 +S'\n' +p91380 +sg25268 +S'Californian Partridge' +p91381 +sg25270 +S'Artist Information (' +p91382 +sa(dp91383 +g25273 +S'(artist after)' +p91384 +sg25267 +g27 +sg25275 +S'\n' +p91385 +sg25268 +S'Golden-winged Warbler and Cape May Warbler' +p91386 +sg25270 +S'Artist Information (' +p91387 +sa(dp91388 +g25273 +S'(artist after)' +p91389 +sg25267 +g27 +sg25275 +S'\n' +p91390 +sg25268 +S'Brown Creeper and Californian Nuthatch' +p91391 +sg25270 +S'Artist Information (' +p91392 +sa(dp91393 +g25273 +S'(artist after)' +p91394 +sg25267 +g27 +sg25275 +S'\n' +p91395 +sg25268 +S'Hairy Woodpecker' +p91396 +sg25270 +S'Artist Information (' +p91397 +sa(dp91398 +g25273 +S'(artist after)' +p91399 +sg25267 +g27 +sg25275 +S'\n' +p91400 +sg25268 +S"Maria's Woodpecker" +p91401 +sg25270 +S'Artist Information (' +p91402 +sa(dp91403 +g25273 +S'(artist after)' +p91404 +sg25267 +g27 +sg25275 +S'\n' +p91405 +sg25268 +S'American Ptarmigan and White-tailed Grous' +p91406 +sg25270 +S'Artist Information (' +p91407 +sa(dp91408 +g25268 +S'The Entombment' +p91409 +sg25270 +S'Martin Schongauer' +p91410 +sg25273 +S'engraving' +p91411 +sg25275 +S'c. 1480' +p91412 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a4a2.jpg' +p91413 +sg25267 +g27 +sa(dp91414 +g25273 +S'(artist after)' +p91415 +sg25267 +g27 +sg25275 +S'\n' +p91416 +sg25268 +S'Little Tawny Thrush' +p91417 +sg25270 +S'Artist Information (' +p91418 +sa(dp91419 +g25273 +S'(artist after)' +p91420 +sg25267 +g27 +sg25275 +S'\n' +p91421 +sg25268 +S'Prairie Starling' +p91422 +sg25270 +S'Artist Information (' +p91423 +sa(dp91424 +g25273 +S'(artist after)' +p91425 +sg25267 +g27 +sg25275 +S'\n' +p91426 +sg25268 +S'Brown Pelican' +p91427 +sg25270 +S'Artist Information (' +p91428 +sa(dp91429 +g25273 +S'(artist after)' +p91430 +sg25267 +g27 +sg25275 +S'\n' +p91431 +sg25268 +S'Rough-legged Falcon' +p91432 +sg25270 +S'Artist Information (' +p91433 +sa(dp91434 +g25273 +S'(artist after)' +p91435 +sg25267 +g27 +sg25275 +S'\n' +p91436 +sg25268 +S'Plumed Partridge and Thick-legged Partridge' +p91437 +sg25270 +S'Artist Information (' +p91438 +sa(dp91439 +g25273 +S'(artist after)' +p91440 +sg25267 +g27 +sg25275 +S'\n' +p91441 +sg25268 +S'Lazuli Finch' +p91442 +sg25270 +S'Artist Information (' +p91443 +sa(dp91444 +g25273 +S'(artist after)' +p91445 +sg25267 +g27 +sg25275 +S'\n' +p91446 +sg25268 +S'Columbian Humming Bird' +p91447 +sg25270 +S'Artist Information (' +p91448 +sa(dp91449 +g25273 +S'(artist after)' +p91450 +sg25267 +g27 +sg25275 +S'\n' +p91451 +sg25268 +S'Californian Vulture' +p91452 +sg25270 +S'Artist Information (' +p91453 +sa(dp91454 +g25273 +S'(artist after)' +p91455 +sg25267 +g27 +sg25275 +S'\n' +p91456 +sg25268 +S'White-Legged Oyster-Catcher and Slender-Billed Oyster-Catcher' +p91457 +sg25270 +S'Artist Information (' +p91458 +sa(dp91459 +g25273 +S'(artist after)' +p91460 +sg25267 +g27 +sg25275 +S'\n' +p91461 +sg25268 +S"Townsend's Sandpiper" +p91462 +sg25270 +S'Artist Information (' +p91463 +sa(dp91464 +g25268 +S'Christ in Limbo' +p91465 +sg25270 +S'Martin Schongauer' +p91466 +sg25273 +S'engraving' +p91467 +sg25275 +S'c. 1480' +p91468 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a49a.jpg' +p91469 +sg25267 +g27 +sa(dp91470 +g25273 +S'(artist after)' +p91471 +sg25267 +g27 +sg25275 +S'\n' +p91472 +sg25268 +S'Western Duck' +p91473 +sg25270 +S'Artist Information (' +p91474 +sa(dp91475 +g25273 +S'(artist after)' +p91476 +sg25267 +g27 +sg25275 +S'\n' +p91477 +sg25268 +S'Slender-billed Guillemot' +p91478 +sg25270 +S'Artist Information (' +p91479 +sa(dp91480 +g25268 +S'American Flamingo' +p91481 +sg25270 +S'Artist Information (' +p91482 +sg25273 +S'(artist after)' +p91483 +sg25275 +S'\n' +p91484 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00009/a000094d.jpg' +p91485 +sg25267 +g27 +sa(dp91486 +g25273 +S'(artist after)' +p91487 +sg25267 +g27 +sg25275 +S'\n' +p91488 +sg25268 +S'Burrowing Owl, Large-Headed Burrowing Owl andLittle Night Owl' +p91489 +sg25270 +S'Artist Information (' +p91490 +sa(dp91491 +g25273 +S'(artist after)' +p91492 +sg25267 +g27 +sg25275 +S'\n' +p91493 +sg25268 +S"Bullock's Oriole, Baltimore Oriole, Mexican Goldfinch and Varied Thrush" +p91494 +sg25270 +S'Artist Information (' +p91495 +sa(dp91496 +g25273 +S'(artist after)' +p91497 +sg25267 +g27 +sg25275 +S'\n' +p91498 +sg25268 +S"Little Tyrant Flycatcher, Small-Headed Flycatcher, Blue Mountain Warbler, Bartram's Vireo, Short-Legged Pewee, and Rocky Mountain Flycatcher" +p91499 +sg25270 +S'Artist Information (' +p91500 +sa(dp91501 +g25273 +S'(artist after)' +p91502 +sg25267 +g27 +sg25275 +S'\n' +p91503 +sg25268 +S'Columbian Water Ouzel and Arctic Water Ouzel' +p91504 +sg25270 +S'Artist Information (' +p91505 +sa(dp91506 +g25268 +S'Lady with a Harp: Eliza Ridgely' +p91507 +sg25270 +S'Thomas Sully' +p91508 +sg25273 +S'oil on canvas' +p91509 +sg25275 +S'1818' +p91510 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a0000263.jpg' +p91511 +sg25267 +S'When Thomas Sully painted fifteen-year-old Eliza Ridgely in the spring of 1818,\nhe was widely regarded as America\'s leading artist. Particularly noted for his graceful\nimages of women, he was a natural choice to paint this Baltimore merchant\'s daughter.\n In painting Eliza, Sully emphasized her privileged social status as well as her\ndelicate, youthful charm. Her family affluence is indicated by her up-to-the-minute\nhair style and dress, inspired by contemporary European designs in the neo-Grecian\nmanner. The satin of her Empire gown is carefully described through fluid brushwork\nand brilliant highlights. Eliza, as a young lady of cultural accomplishment, posed\nwith her European pedal harp. She idly plucks the harp strings and gazes dreamily\ninto space, as if musing on the lyrical chord she strikes. A fiery sunset heightens\nthe romantic reverie.\n Although she may very well have possessed luminous eyes, arched brows, and a porcelain\ncomplexion, Miss Ridgely\'s figure has been greatly idealized. Sully, for the sake\nof fashionable elegance, exaggerated her legs to half again as long as any conceivably\nnormal proportion. Sully once wrote, "From long experience I know that resemblance\nin a portrait is essential; but no fault will be found with the artist, at least\nby the sitter, if he improve the appearance."\n ' +p91512 +sa(dp91513 +g25268 +S'The Camera Obscura' +p91514 +sg25270 +S'Charles Am\xc3\xa9d\xc3\xa9e Philippe Van Loo' +p91515 +sg25273 +S'oil on canvas' +p91516 +sg25275 +S'1764' +p91517 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d8d.jpg' +p91518 +sg25267 +g27 +sa(dp91519 +g25268 +S'Soap Bubbles' +p91520 +sg25270 +S'Charles Am\xc3\xa9d\xc3\xa9e Philippe Van Loo' +p91521 +sg25273 +S'oil on canvas' +p91522 +sg25275 +S'1764' +p91523 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d8e.jpg' +p91524 +sg25267 +g27 +sa(dp91525 +g25268 +S'John Johnstone, Betty Johnstone, and Miss Wedderburn' +p91526 +sg25270 +S'Sir Henry Raeburn' +p91527 +sg25273 +S'oil on canvas' +p91528 +sg25275 +S'c. 1790/1795' +p91529 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a000056a.jpg' +p91530 +sg25267 +g27 +sa(dp91531 +g25268 +S'Aaron Baldwin' +p91532 +sg25270 +S'Francis Alexander' +p91533 +sg25273 +S'oil on wood' +p91534 +sg25275 +S'c. 1835' +p91535 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a0000001.jpg' +p91536 +sg25267 +g27 +sa(dp91537 +g25268 +S'Charles Carnan Ridgely' +p91538 +sg25270 +S'Thomas Sully' +p91539 +sg25273 +S'oil on canvas' +p91540 +sg25275 +S'1820' +p91541 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a0000261.jpg' +p91542 +sg25267 +g27 +sa(dp91543 +g25273 +S'(artist after)' +p91544 +sg25267 +g27 +sg25275 +S'\n' +p91545 +sg25268 +S'Georgetown and Federal City or City of Washington' +p91546 +sg25270 +S'Artist Information (' +p91547 +sa(dp91548 +g25273 +S'enamel on metal' +p91549 +sg25267 +g27 +sg25275 +S'1660' +p91550 +sg25268 +S'Louis de Bourbon, Prince de Cond\xc3\xa9 (Le Grand Cond\xc3\xa9)' +p91551 +sg25270 +S'Jean Petitot the Elder' +p91552 +sa(dp91553 +g25273 +S'enamel on metal' +p91554 +sg25267 +g27 +sg25275 +S'1660' +p91555 +sg25268 +S"Henri Jules, Duc d'Albert" +p91556 +sg25270 +S'Jean Petitot the Elder' +p91557 +sa(dp91558 +g25268 +S'Procession in the Courtyard of the Ducal Palace, Venice' +p91559 +sg25270 +S'Antonio Joli' +p91560 +sg25273 +S'oil on canvas' +p91561 +sg25275 +S'1742 or after' +p91562 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a000062e.jpg' +p91563 +sg25267 +g27 +sa(dp91564 +g25268 +S'Procession of Gondolas in the Bacino di San Marco, Venice' +p91565 +sg25270 +S'Antonio Joli' +p91566 +sg25273 +S'oil on canvas' +p91567 +sg25275 +S'1742 or after' +p91568 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a000062f.jpg' +p91569 +sg25267 +g27 +sa(dp91570 +g25268 +S"The Square of Saint Mark's, Venice" +p91571 +sg25270 +S'Canaletto' +p91572 +sg25273 +S'oil on canvas' +p91573 +sg25275 +S'1742/1744' +p91574 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a00008c8.jpg' +p91575 +sg25267 +g27 +sa(dp91576 +g25268 +S'Entrance to the Grand Canal from the Molo, Venice' +p91577 +sg25270 +S'Canaletto' +p91578 +sg25273 +S'oil on canvas' +p91579 +sg25275 +S'1742/1744' +p91580 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00009/a000090d.jpg' +p91581 +sg25267 +S"The most avid customers for Canaletto's views of Venice were the English gentlemen who\r\nflocked to the city as tourists during the eighteenth century. The buyer of the \n It was Canaletto's loving transcription, detail by detail, of his native city that made his\r\npaintings so popular: each view vividly calls to mind a particular time and place. Here it is\r\nmorning activity on the quay near St. Mark's Square that Canaletto recreated with such\r\nspecificity. Groups of people idle along the landing dock while a fishmonger shows the day's\r\ncatch of eels to a bewigged pair of gentlemen. Gondolas and ocean-going vessels ply the\r\nwaterways. Canaletto conveyed the sunlight that drenches Venice in fair weather, sparkling off\r\nthe canals and revealing fine-etched details of the tiles on distant rooftops or the bricks beneath\r\npeeling stucco. Across the lagoon toward the Island of San Giorgio appear (left) the domed\r\nchurch of the Redentore by the sixteenth-century architect Palladio, the double domed church of\r\nSanta Maria della Salute, designed by Longhena in the seventeenth century, and (center) the\r\nCustoms House.\n " +p91582 +sa(dp91583 +g25268 +S'The Emperor Hadrian' +p91584 +sg25270 +S'Ludovico Lombardo' +p91585 +sg25273 +S'bronze' +p91586 +sg25275 +S'c. 1550' +p91587 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002c/a0002c3a.jpg' +p91588 +sg25267 +g27 +sa(dp91589 +g25268 +S'Joseph Dugan' +p91590 +sg25270 +S'Thomas Sully' +p91591 +sg25273 +S'oil on canvas' +p91592 +sg25275 +S'1810' +p91593 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a0000262.jpg' +p91594 +sg25267 +g27 +sa(dp91595 +g25273 +S', published 1887' +p91596 +sg25267 +g27 +sg25275 +S'\n' +p91597 +sg25268 +S"Catalogue desciptif et analytique de l'oeuvre grave de Felicien Rops (volume I)" +p91598 +sg25270 +S'Eugene Rodrigues' +p91599 +sa(dp91600 +g25273 +S'(author)' +p91601 +sg25267 +g27 +sg25275 +S'\n' +p91602 +sg25268 +S"Supplement au catalogue de l'oeuvre grave de Felicien Rops (volume II)" +p91603 +sg25270 +S'Artist Information (' +p91604 +sa(dp91605 +g25273 +S'British, 1892 - 1957' +p91606 +sg25267 +g27 +sg25275 +S'(editor)' +p91607 +sg25268 +S'How to Distinguish Prints' +p91608 +sg25270 +S'Artist Information (' +p91609 +sa(dp91610 +g25273 +S'woodcut on wove paper' +p91611 +sg25267 +g27 +sg25275 +S'published 1926' +p91612 +sg25268 +S'A Cobbled Yard' +p91613 +sg25270 +S'John Frederick Greenwood' +p91614 +sa(dp91615 +g25273 +S'wood engraving on wove paper' +p91616 +sg25267 +g27 +sg25275 +S'published 1926' +p91617 +sg25268 +S'The Beacon' +p91618 +sg25270 +S'John Frederick Greenwood' +p91619 +sa(dp91620 +g25273 +S'linoleum cut on wove paper' +p91621 +sg25267 +g27 +sg25275 +S'published 1926' +p91622 +sg25268 +S'A Wiltshire Cottage' +p91623 +sg25270 +S'Hesketh Hubbard' +p91624 +sa(dp91625 +g25273 +S'color woodcut on wove paper' +p91626 +sg25267 +g27 +sg25275 +S'published 1926' +p91627 +sg25268 +S'Poole Harbour' +p91628 +sg25270 +S'Thomas Todd Blaylock' +p91629 +sa(dp91630 +g25273 +S'engraving on wove paper' +p91631 +sg25267 +g27 +sg25275 +S'published 1926' +p91632 +sg25268 +S'A Bookplate' +p91633 +sg25270 +S'Eli Marsden Wilson' +p91634 +sa(dp91635 +g25268 +S'Virgin and Child on a Grassy Bench' +p91636 +sg25270 +S'Martin Schongauer' +p91637 +sg25273 +S'engraving' +p91638 +sg25275 +S'c. 1475/1480' +p91639 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a4ac.jpg' +p91640 +sg25267 +g27 +sa(dp91641 +g25273 +S'etching (copper) on wove paper' +p91642 +sg25267 +g27 +sg25275 +S'published 1926' +p91643 +sg25268 +S'Shipping at Poole' +p91644 +sg25270 +S'Edward William Charlton' +p91645 +sa(dp91646 +g25273 +S'etching (zinc) on wove paper' +p91647 +sg25267 +g27 +sg25275 +S'published 1926' +p91648 +sg25268 +S'"Since 1742"' +p91649 +sg25270 +S'Sir Leslie Ward' +p91650 +sa(dp91651 +g25273 +S'color etching on wove paper' +p91652 +sg25267 +g27 +sg25275 +S'published 1926' +p91653 +sg25268 +S'La Rue Neuve, Auray, Brittany' +p91654 +sg25270 +S'Iaian MacNab' +p91655 +sa(dp91656 +g25273 +S'drypoint on wove paper' +p91657 +sg25267 +g27 +sg25275 +S'published 1926' +p91658 +sg25268 +S'Nude' +p91659 +sg25270 +S'Alfred Palmer' +p91660 +sa(dp91661 +g25273 +S'mezzotint on wove paper' +p91662 +sg25267 +g27 +sg25275 +S'published 1926' +p91663 +sg25268 +S'A Glimpse of the Severn from Lydney Park' +p91664 +sg25270 +S'Eli Marsden Wilson' +p91665 +sa(dp91666 +g25273 +S'dust ground aquatint on wove paper' +p91667 +sg25267 +g27 +sg25275 +S'published 1926' +p91668 +sg25268 +S'The Adoration' +p91669 +sg25270 +S'Cecil Mary Leslie' +p91670 +sa(dp91671 +g25273 +S'spirit ground aquatint on wove paper' +p91672 +sg25267 +g27 +sg25275 +S'1924' +p91673 +sg25268 +S'A Sussex Lane' +p91674 +sg25270 +S'Hugh Paton' +p91675 +sa(dp91676 +g25273 +S'color aquatint on wove paper' +p91677 +sg25267 +g27 +sg25275 +S'1924' +p91678 +sg25268 +S'On the Lagune' +p91679 +sg25270 +S'Hugh Paton' +p91680 +sa(dp91681 +g25273 +S'soft-ground etching on wove paper' +p91682 +sg25267 +g27 +sg25275 +S'1924' +p91683 +sg25268 +S'A Dort Canal' +p91684 +sg25270 +S'Hugh Paton' +p91685 +sa(dp91686 +g25273 +S'sandgrain etching on wove paper' +p91687 +sg25267 +g27 +sg25275 +S'published 1926' +p91688 +sg25268 +S'Evening: The First Snows' +p91689 +sg25270 +S'Iaian MacNab' +p91690 +sa(dp91691 +g25268 +S'Madonna with a Parrot' +p91692 +sg25270 +S'Martin Schongauer' +p91693 +sg25273 +S'engraving' +p91694 +sg25275 +S'c. 1470/1475' +p91695 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a4ae.jpg' +p91696 +sg25267 +g27 +sa(dp91697 +g25273 +S'lithograph on wove paper' +p91698 +sg25267 +g27 +sg25275 +S'published 1926' +p91699 +sg25268 +S"Smugglers' House: Chatham" +p91700 +sg25270 +S'Sir Leslie Ward' +p91701 +sa(dp91702 +g25273 +S'(author)' +p91703 +sg25267 +g27 +sg25275 +S'\n' +p91704 +sg25268 +S'Etchings and Drypoints by Muirhead Bone: 1898-1907 (volume I)' +p91705 +sg25270 +S'Artist Information (' +p91706 +sa(dp91707 +g25273 +S'drypoint on laid paper' +p91708 +sg25267 +g27 +sg25275 +S'1908' +p91709 +sg25268 +S'Portrait of the Artist in a Hat, No.2' +p91710 +sg25270 +S'Sir Muirhead Bone' +p91711 +sa(dp91712 +g25273 +S'1 vol: ill: 2 original etchings (see 1945.18.5.a-b) plus 15 copperplate reproductions' +p91713 +sg25267 +g27 +sg25275 +S'published 1924' +p91714 +sg25268 +S'A Descriptive Catalogue of the Etched Work of Donald Shaw MacLaughlan' +p91715 +sg25270 +S'Donald Shaw MacLaughlan' +p91716 +sa(dp91717 +g25273 +S'etching' +p91718 +sg25267 +g27 +sg25275 +S'1920' +p91719 +sg25268 +S'Trees and Fields' +p91720 +sg25270 +S'Donald Shaw MacLaughlan' +p91721 +sa(dp91722 +g25273 +S'etching' +p91723 +sg25267 +g27 +sg25275 +S'1906' +p91724 +sg25268 +S'Little Poigny' +p91725 +sg25270 +S'Donald Shaw MacLaughlan' +p91726 +sa(dp91727 +g25273 +S'American, 1866 - 1939' +p91728 +sg25267 +g27 +sg25275 +S'(author)' +p91729 +sg25268 +S'The Graphic Processes' +p91730 +sg25270 +S'Artist Information (' +p91731 +sa(dp91732 +g25273 +S'(artist)' +p91733 +sg25267 +g27 +sg25275 +S'\n' +p91734 +sg25268 +S'Die Kunst des Radierens' +p91735 +sg25270 +S'Artist Information (' +p91736 +sa(dp91737 +g25273 +S'drypoint on wove paper' +p91738 +sg25267 +g27 +sg25275 +S'published 1919' +p91739 +sg25268 +S'Amsterdame Judengasse' +p91740 +sg25270 +S'Max Liebermann' +p91741 +sa(dp91742 +g25273 +S'etching and drypoint on wove paper' +p91743 +sg25267 +g27 +sg25275 +S'1908/1909' +p91744 +sg25268 +S'Norwegian Landscape (Norwegische Landschaft)' +p91745 +sg25270 +S'Edvard Munch' +p91746 +sa(dp91747 +g25268 +S'Madonna on the Crescent' +p91748 +sg25270 +S'Martin Schongauer' +p91749 +sg25273 +S'engraving' +p91750 +sg25275 +S'c. 1470' +p91751 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a4ad.jpg' +p91752 +sg25267 +g27 +sa(dp91753 +g25273 +S'crayon manner engraving on wove paper' +p91754 +sg25267 +g27 +sg25275 +S'1905' +p91755 +sg25268 +S'Alter Jude aus Jaffa' +p91756 +sg25270 +S'Hermann Struck' +p91757 +sa(dp91758 +g25273 +S'soft-ground etching on wove paper' +p91759 +sg25267 +g27 +sg25275 +S'published 1919' +p91760 +sg25268 +S'Der Maler in der Landschaft' +p91761 +sg25270 +S'Hans Meid' +p91762 +sa(dp91763 +g25273 +S'etching on wove paper' +p91764 +sg25267 +g27 +sg25275 +S'published 1919' +p91765 +sg25268 +S'Aus Sluis' +p91766 +sg25270 +S'Paul Baum' +p91767 +sa(dp91768 +g25273 +S'lithograph on wove paper' +p91769 +sg25267 +g27 +sg25275 +S'published 1919' +p91770 +sg25268 +S'Der Bildermann' +p91771 +sg25270 +S'Max Slevogt' +p91772 +sa(dp91773 +g25268 +S'Siegfried and the Rhine Maidens' +p91774 +sg25270 +S'Albert Pinkham Ryder' +p91775 +sg25273 +S'oil on canvas' +p91776 +sg25275 +S'1888/1891' +p91777 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a00001fc.jpg' +p91778 +sg25267 +S"By his own account, Ryder was so enthralled by a five-hour performance of Wagner's \n Wagner's orchestration engulfed listeners with an overwhelming torrent of sound,\nand Ryder's composition offers a visual counterpart to this rhapsodic aesthetic\nexperience. Although Ryder's technical naiveté and his unorthodox methods have caused\nthe surfaces of his once-luminous paintings to crack and darken over time, the expressive\npower and emotional intensity of his art endures.\n " +p91779 +sa(dp91780 +g25273 +S'lithograph' +p91781 +sg25267 +g27 +sg25275 +S'1945/1946' +p91782 +sg25268 +S'Christ Helps the Hungry Children' +p91783 +sg25270 +S'Oskar Kokoschka' +p91784 +sa(dp91785 +g25273 +S'lithograph' +p91786 +sg25267 +g27 +sg25275 +S'unknown date\n' +p91787 +sg25268 +S'Off Limits, Kalihi' +p91788 +sg25270 +S'Alexander Samuel MacLeod' +p91789 +sa(dp91790 +g25273 +S'lithograph' +p91791 +sg25267 +g27 +sg25275 +S'unknown date\n' +p91792 +sg25268 +S'Okinawa Refugees' +p91793 +sg25270 +S'Alexander Samuel MacLeod' +p91794 +sa(dp91795 +g25273 +S'lithograph' +p91796 +sg25267 +g27 +sg25275 +S'unknown date\n' +p91797 +sg25268 +S'Hawaiian Soldier' +p91798 +sg25270 +S'Alexander Samuel MacLeod' +p91799 +sa(dp91800 +g25273 +S'lithograph' +p91801 +sg25267 +g27 +sg25275 +S'c. 1945' +p91802 +sg25268 +S'Bathing, Okinawa' +p91803 +sg25270 +S'Edward A. Sallenbach' +p91804 +sa(dp91805 +g25268 +S'Saint Paul' +p91806 +sg25270 +S'Martin Schongauer' +p91807 +sg25273 +S'engraving' +p91808 +sg25275 +S'c. 1480' +p91809 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a4a7.jpg' +p91810 +sg25267 +g27 +sa(dp91811 +g25273 +S'lithograph in black on wove paper' +p91812 +sg25267 +g27 +sg25275 +S'c. 1945' +p91813 +sg25268 +S'Battalion Communications' +p91814 +sg25270 +S'Edward A. Sallenbach' +p91815 +sa(dp91816 +g25273 +S'lithograph' +p91817 +sg25267 +g27 +sg25275 +S'unknown date\n' +p91818 +sg25268 +S'Mail' +p91819 +sg25270 +S'Edward A. Sallenbach' +p91820 +sa(dp91821 +g25273 +S'lithograph in black on wove paper' +p91822 +sg25267 +g27 +sg25275 +S'c. 1945' +p91823 +sg25268 +S'Mail Call' +p91824 +sg25270 +S'Edward A. Sallenbach' +p91825 +sa(dp91826 +g25273 +S'lithograph in black on wove paper' +p91827 +sg25267 +g27 +sg25275 +S'c. 1945' +p91828 +sg25268 +S'Observation Post' +p91829 +sg25270 +S'Edward A. Sallenbach' +p91830 +sa(dp91831 +g25273 +S'lithograph in black on wove paper' +p91832 +sg25267 +g27 +sg25275 +S'c. 1945' +p91833 +sg25268 +S'Okinawa Shower' +p91834 +sg25270 +S'Edward A. Sallenbach' +p91835 +sa(dp91836 +g25273 +S'lithograph' +p91837 +sg25267 +g27 +sg25275 +S'unknown date\n' +p91838 +sg25268 +S'Shafter Cafeteria' +p91839 +sg25270 +S'Edward A. Sallenbach' +p91840 +sa(dp91841 +g25273 +S'lithograph' +p91842 +sg25267 +g27 +sg25275 +S'unknown date\n' +p91843 +sg25268 +S'V-J Day Parade' +p91844 +sg25270 +S'Edward A. Sallenbach' +p91845 +sa(dp91846 +g25273 +S'lithograph' +p91847 +sg25267 +g27 +sg25275 +S'unknown date\n' +p91848 +sg25268 +S'Filipino Soldier' +p91849 +sg25270 +S'Alexander Samuel MacLeod' +p91850 +sa(dp91851 +g25273 +S'lithograph' +p91852 +sg25267 +g27 +sg25275 +S'unknown date\n' +p91853 +sg25268 +S'Man with a Broom' +p91854 +sg25270 +S'Vincent Zenone' +p91855 +sa(dp91856 +g25273 +S'lithograph' +p91857 +sg25267 +g27 +sg25275 +S'unknown date\n' +p91858 +sg25268 +S'G.I. Joe' +p91859 +sg25270 +S'Edwin Chapman' +p91860 +sa(dp91861 +g25273 +S'engraving' +p91862 +sg25267 +g27 +sg25275 +S'c. 1480' +p91863 +sg25268 +S'Saint John the Evangelist' +p91864 +sg25270 +S'Martin Schongauer' +p91865 +sa(dp91866 +g25273 +S'lithograph' +p91867 +sg25267 +g27 +sg25275 +S'unknown date\n' +p91868 +sg25268 +S'Amphibious Training' +p91869 +sg25270 +S'Michael Remus' +p91870 +sa(dp91871 +g25273 +S'lithograph' +p91872 +sg25267 +g27 +sg25275 +S'unknown date\n' +p91873 +sg25268 +S'A.J.A., 100th Infantry Battalion' +p91874 +sg25270 +S'Alexander Samuel MacLeod' +p91875 +sa(dp91876 +g25273 +S'lithograph' +p91877 +sg25267 +g27 +sg25275 +S'unknown date\n' +p91878 +sg25268 +S'Headquarters, AFMIDPAC' +p91879 +sg25270 +S'Alexander Samuel MacLeod' +p91880 +sa(dp91881 +g25268 +S'Head of a Man Looking Up to the Right' +p91882 +sg25270 +S'Alphonse Legros' +p91883 +sg25273 +S'metalpoint on prepared paper' +p91884 +sg25275 +S'1890s?' +p91885 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a00073dc.jpg' +p91886 +sg25267 +g27 +sa(dp91887 +g25268 +S'Study of Delphic Sibyl; Head of a Man' +p91888 +sg25270 +S'Artist Information (' +p91889 +sg25273 +S'(artist after)' +p91890 +sg25275 +S'\n' +p91891 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a00073db.jpg' +p91892 +sg25267 +g27 +sa(dp91893 +g25268 +S'At the Foot of the Cross' +p91894 +sg25270 +S'Alphonse Legros' +p91895 +sg25273 +S'pen and brown ink with brown wash over graphite on laid paper' +p91896 +sg25275 +S'unknown date\n' +p91897 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a00073df.jpg' +p91898 +sg25267 +g27 +sa(dp91899 +g25268 +S'Farmer and His Donkey (Le fermier et son ane)' +p91900 +sg25270 +S'Alphonse Legros' +p91901 +sg25273 +S'etching and drypoint' +p91902 +sg25275 +S'unknown date\n' +p91903 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bad.jpg' +p91904 +sg25267 +g27 +sa(dp91905 +g25268 +S'Choir of a Spanish Church' +p91906 +sg25270 +S'Alphonse Legros' +p91907 +sg25273 +S'charcoal' +p91908 +sg25275 +S'unknown date\n' +p91909 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a00073e3.jpg' +p91910 +sg25267 +g27 +sa(dp91911 +g25268 +S'Small Lake (Le petit lac)' +p91912 +sg25270 +S'Alphonse Legros' +p91913 +sg25273 +S'etching' +p91914 +sg25275 +S'unknown date\n' +p91915 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c16.jpg' +p91916 +sg25267 +g27 +sa(dp91917 +g25268 +S'Travelers Resting (Les voyageurs fatigues)' +p91918 +sg25270 +S'Alphonse Legros' +p91919 +sg25273 +S'drypoint on rose paper' +p91920 +sg25275 +S'unknown date\n' +p91921 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b48.jpg' +p91922 +sg25267 +g27 +sa(dp91923 +g25268 +S'Saint Thomas' +p91924 +sg25270 +S'Martin Schongauer' +p91925 +sg25273 +S'engraving' +p91926 +sg25275 +S'c. 1480' +p91927 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a4aa.jpg' +p91928 +sg25267 +g27 +sa(dp91929 +g25268 +S'Farm with Large Tree (La ferme au grand arbre)' +p91930 +sg25270 +S'Alphonse Legros' +p91931 +sg25273 +S'etching, drypoint and aquatint?' +p91932 +sg25275 +S'unknown date\n' +p91933 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b5c.jpg' +p91934 +sg25267 +g27 +sa(dp91935 +g25268 +S'Finding the Sheep (Le mouton retrouve)' +p91936 +sg25270 +S'Alphonse Legros' +p91937 +sg25273 +S'etching in brown' +p91938 +sg25275 +S'unknown date\n' +p91939 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b42.jpg' +p91940 +sg25267 +g27 +sa(dp91941 +g25268 +S'Jules Dalou, 2nd plate' +p91942 +sg25270 +S'Alphonse Legros' +p91943 +sg25273 +S'etching and drypoint' +p91944 +sg25275 +S'unknown date\n' +p91945 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b28.jpg' +p91946 +sg25267 +g27 +sa(dp91947 +g25268 +S'Stroll of the Convalescent (La promenade du convalescent)' +p91948 +sg25270 +S'Alphonse Legros' +p91949 +sg25273 +S'drypoint' +p91950 +sg25275 +S'unknown date\n' +p91951 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b33.jpg' +p91952 +sg25267 +g27 +sa(dp91953 +g25268 +S'Alphonse Legros' +p91954 +sg25270 +S'F\xc3\xa9lix Bracquemond' +p91955 +sg25273 +S'etching' +p91956 +sg25275 +S'1861' +p91957 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00091/a000913d.jpg' +p91958 +sg25267 +g27 +sa(dp91959 +g25268 +S'Alphonse Legros' +p91960 +sg25270 +S'F\xc3\xa9lix Bracquemond' +p91961 +sg25273 +S'etching' +p91962 +sg25275 +S'1861' +p91963 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00091/a000913f.jpg' +p91964 +sg25267 +g27 +sa(dp91965 +g25268 +S'Gust of Wind (Le coup de vent)' +p91966 +sg25270 +S'Alphonse Legros' +p91967 +sg25273 +S'etching' +p91968 +sg25275 +S'unknown date\n' +p91969 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009f98.jpg' +p91970 +sg25267 +g27 +sa(dp91971 +g25268 +S'Black Cat (Le chat noir)' +p91972 +sg25270 +S'Alphonse Legros' +p91973 +sg25273 +S'etching' +p91974 +sg25275 +S'unknown date\n' +p91975 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b61.jpg' +p91976 +sg25267 +g27 +sa(dp91977 +g25268 +S'Shadow (Ombre)' +p91978 +sg25270 +S'Alphonse Legros' +p91979 +sg25273 +S'etching' +p91980 +sg25275 +S'unknown date\n' +p91981 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b62.jpg' +p91982 +sg25267 +g27 +sa(dp91983 +g25268 +S'Supper of the Poor (Le souper chez misere)' +p91984 +sg25270 +S'Alphonse Legros' +p91985 +sg25273 +S'etching? and drypoint' +p91986 +sg25275 +S'unknown date\n' +p91987 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b65.jpg' +p91988 +sg25267 +g27 +sa(dp91989 +g25268 +S'Saint Judas Thaddaeus' +p91990 +sg25270 +S'Martin Schongauer' +p91991 +sg25273 +S'engraving' +p91992 +sg25275 +S'c. 1480' +p91993 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a4a6.jpg' +p91994 +sg25267 +g27 +sa(dp91995 +g25268 +S'Angler (Le pecheur a la ligne)' +p91996 +sg25270 +S'Alphonse Legros' +p91997 +sg25273 +S'etching' +p91998 +sg25275 +S'unknown date\n' +p91999 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b6b.jpg' +p92000 +sg25267 +g27 +sa(dp92001 +g25268 +S'Self-Portrait, 3rd plate' +p92002 +sg25270 +S'Alphonse Legros' +p92003 +sg25273 +S'etching? and drypoint' +p92004 +sg25275 +S'unknown date\n' +p92005 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b7a.jpg' +p92006 +sg25267 +g27 +sa(dp92007 +g25268 +S"Donkey Upset by Storm (L'ane renverse par la foudre)" +p92008 +sg25270 +S'Alphonse Legros' +p92009 +sg25273 +S'etching' +p92010 +sg25275 +S'unknown date\n' +p92011 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00098/a00098ed.jpg' +p92012 +sg25267 +g27 +sa(dp92013 +g25268 +S'Thunder (Un coup de foudre)' +p92014 +sg25270 +S'Alphonse Legros' +p92015 +sg25273 +S'etching and drypoint?' +p92016 +sg25275 +S'unknown date\n' +p92017 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00098/a00098e8.jpg' +p92018 +sg25267 +g27 +sa(dp92019 +g25268 +S'In the Forest of Fontainebleau (Dans la foret de Fontainebleau)' +p92020 +sg25270 +S'Alphonse Legros' +p92021 +sg25273 +S'etching and drypoint' +p92022 +sg25275 +S'unknown date\n' +p92023 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bc5.jpg' +p92024 +sg25267 +g27 +sa(dp92025 +g25268 +S"Drinking Trough, 2nd plate (L'abreuvoir)" +p92026 +sg25270 +S'Alphonse Legros' +p92027 +sg25273 +S'drypoint' +p92028 +sg25275 +S'unknown date\n' +p92029 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00098/a00098df.jpg' +p92030 +sg25267 +g27 +sa(dp92031 +g25268 +S'Women of Brussels (Femmes de Bruges)' +p92032 +sg25270 +S'Alphonse Legros' +p92033 +sg25273 +S'etching and drypoint' +p92034 +sg25275 +S'unknown date\n' +p92035 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bac.jpg' +p92036 +sg25267 +g27 +sa(dp92037 +g25268 +S'Hector Berlioz' +p92038 +sg25270 +S'Alphonse Legros' +p92039 +sg25273 +S'etching' +p92040 +sg25275 +S'unknown date\n' +p92041 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bd6.jpg' +p92042 +sg25267 +g27 +sa(dp92043 +g25268 +S'Edge of a Forest in Bourgogne (Un coin de foret en Bourgogne)' +p92044 +sg25270 +S'Alphonse Legros' +p92045 +sg25273 +S'etching and drypoint' +p92046 +sg25275 +S'unknown date\n' +p92047 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bd3.jpg' +p92048 +sg25267 +g27 +sa(dp92049 +g25268 +S'Rectory Wall (Le mur du presbytere)' +p92050 +sg25270 +S'Alphonse Legros' +p92051 +sg25273 +S'etching and drypoint' +p92052 +sg25275 +S'unknown date\n' +p92053 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bd1.jpg' +p92054 +sg25267 +g27 +sa(dp92055 +g25268 +S'Saint Simon' +p92056 +sg25270 +S'Martin Schongauer' +p92057 +sg25273 +S'engraving' +p92058 +sg25275 +S'c. 1480' +p92059 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a4bb.jpg' +p92060 +sg25267 +g27 +sa(dp92061 +g25268 +S'Along the River (Le long de la rive)' +p92062 +sg25270 +S'Alphonse Legros' +p92063 +sg25273 +S'etching and drypoint' +p92064 +sg25275 +S'unknown date\n' +p92065 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bd5.jpg' +p92066 +sg25267 +g27 +sa(dp92067 +g25268 +S"Avenue of Poplars (L'allee de peupliers)" +p92068 +sg25270 +S'Alphonse Legros' +p92069 +sg25273 +S'drypoint' +p92070 +sg25275 +S'unknown date\n' +p92071 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bf1.jpg' +p92072 +sg25267 +g27 +sa(dp92073 +g25268 +S"Poplars near Amiens (Pres d'Amiens, les tourbieres)" +p92074 +sg25270 +S'Alphonse Legros' +p92075 +sg25273 +S'drypoint and etching' +p92076 +sg25275 +S'unknown date\n' +p92077 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bf6.jpg' +p92078 +sg25267 +g27 +sa(dp92079 +g25268 +S'The Good Samaritan (Le bon samaritain)' +p92080 +sg25270 +S'Alphonse Legros' +p92081 +sg25273 +S'etching and drypoint' +p92082 +sg25275 +S'unknown date\n' +p92083 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c54.jpg' +p92084 +sg25267 +g27 +sa(dp92085 +g25268 +S'Self-Portrait' +p92086 +sg25270 +S'Alphonse Legros' +p92087 +sg25273 +S'lithograph' +p92088 +sg25275 +S'unknown date\n' +p92089 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009e/a0009e16.jpg' +p92090 +sg25267 +g27 +sa(dp92091 +g25268 +S'Self-Portrait' +p92092 +sg25270 +S'Alphonse Legros' +p92093 +sg25273 +S'goldpoint on prepared paper' +p92094 +sg25275 +S'c. 1895' +p92095 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a00073e1.jpg' +p92096 +sg25267 +g27 +sa(dp92097 +g25268 +S'Death and the Woodcutter, 4th plate (La mort et le bucheron)' +p92098 +sg25270 +S'Alphonse Legros' +p92099 +sg25273 +S'etching and drypoint?' +p92100 +sg25275 +S'unknown date\n' +p92101 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b7e.jpg' +p92102 +sg25267 +g27 +sa(dp92103 +g25268 +S"L'heureuse f\xc3\xa9condit\xc3\xa9" +p92104 +sg25270 +S'Artist Information (' +p92105 +sg25273 +S'(artist after)' +p92106 +sg25275 +S'\n' +p92107 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e79.jpg' +p92108 +sg25267 +g27 +sa(dp92109 +g25268 +S'Lodovico Widmann' +p92110 +sg25270 +S'Tiberio Tinelli' +p92111 +sg25273 +S'oil on canvas' +p92112 +sg25275 +S'probably 1637' +p92113 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a0000650.jpg' +p92114 +sg25267 +g27 +sa(dp92115 +g25268 +S'Allegory of Painting' +p92116 +sg25270 +S'Fran\xc3\xa7ois Boucher' +p92117 +sg25273 +S'oil on canvas' +p92118 +sg25275 +S'1765' +p92119 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d56.jpg' +p92120 +sg25267 +g27 +sa(dp92121 +g25268 +S'Saint Anthony' +p92122 +sg25270 +S'Martin Schongauer' +p92123 +sg25273 +S'engraving' +p92124 +sg25275 +S'c. 1480' +p92125 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a4b9.jpg' +p92126 +sg25267 +g27 +sa(dp92127 +g25268 +S'Allegory of Music' +p92128 +sg25270 +S'Fran\xc3\xa7ois Boucher' +p92129 +sg25273 +S'oil on canvas' +p92130 +sg25275 +S'1764' +p92131 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d57.jpg' +p92132 +sg25267 +g27 +sa(dp92133 +g25268 +S'Madame Bergeret' +p92134 +sg25270 +S'Fran\xc3\xa7ois Boucher' +p92135 +sg25273 +S'oil on canvas' +p92136 +sg25275 +S'possibly 1766' +p92137 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d58.jpg' +p92138 +sg25267 +S"Madame Marguerite Bergeret was the wife and sister of two of the eighteenth\ncentury's most ardent art patrons. Her brother, the Abbé Jean Claude de Saint-Non\ntraveled to Italy with Hubert Robert and Jean-Honoré Fragonard. Her husband, Jacques\nOnésime Bergeret, a wealthy financier, became a celebrated connoisseur and\ncollector.\n In the 1740s Boucher was establishing himself as a mature painter in Parisian art\ncircles. In this portrait he defines the chic of that decade: Madame Bergeret is\nplaced in a garden setting, dressed in a creamy silk gown, tight in the bodice with\npuffed sleeves highlighted with blue ribbons. Her face glows with youth and beauty\ndepicted in translucent whites. The most important motif, and the charm of the composition,\nis the profusion of roses -- emerging from a bronze vase, decorating her sleeves\nand hair, and arranged across the bench and on the foreground plane. Sacred to Venus,\nthe rose was a symbol well suited for a portrait of Bergeret's beloved wife.\n Boucher's vast talents were quickly noticed by the King's new mistress Madame de\nPompadour. Boucher became her favorite painter, and he produced several portraits\nof her, the most celebrated modeled on his earlier depiction of Madame Bergeret.\n " +p92139 +sa(dp92140 +g25268 +S'Family Portrait' +p92141 +sg25270 +S'Fran\xc3\xa7ois-Hubert Drouais' +p92142 +sg25273 +S'oil on canvas' +p92143 +sg25275 +S'1756' +p92144 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d65.jpg' +p92145 +sg25267 +S"François-Hubert Drouais dated his life-size informal family portrait 1 April\n1756, thereby revealing a hidden meaning. In the medieval calendar New Year's Day\ncoincided with the vernal equinox of 25 March, and 1 April, which marked the beginning\nof Spring, was celebrated with festivities and gift-giving. After the Gregorian\ncalendar of 1582 proclaimed 1 January as New Year's Day, the tradition of exchanging\nspringtime gifts on 1 April continued and is still celebrated today, albeit in a\nrather distilled form as April Fool's Day. The springtime exchange of gifts is elaborately\ndisplayed in Drouais' work: the little girl presents flowers to her mother, the\nhusband reads a letter or sonnet to his wife, and the wife, while arranging flowers\nin her daughter's hair, also points to their child as a symbolic gift to her husband.\n Drouais does not provide enough specific information for us to identify his sitters,\nbut he does give an intimate view into the boudoir. Neither husband nor wife are\nfully dressed; she wears a smock to prevent powder from spoiling her dress, and\nhe wears a silken housecoat embroidered with fashionable oriental motifs. Like his\nmaster Boucher, Drouais relishes in the display of contrasting tones and sumptuous\ncolors.\n " +p92146 +sa(dp92147 +g25268 +S'A Game of Horse and Rider' +p92148 +sg25270 +S'Jean-Honor\xc3\xa9 Fragonard' +p92149 +sg25273 +S'oil on canvas' +p92150 +sg25275 +S'c. 1775/1780' +p92151 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d68.jpg' +p92152 +sg25267 +S'Boys are shown romping at the edge of a forest park in a game of horse \r\n and rider, their disheveled exuberance in contrast to the rather prim \r\n couple nearby. These boys benefit from a new attitude toward childhood, \r\n influenced by Rousseau, who argued that children should be left to follow \r\n their natural instincts. In \n ' +p92153 +sa(dp92154 +g25268 +S'A Game of Hot Cockles' +p92155 +sg25270 +S'Jean-Honor\xc3\xa9 Fragonard' +p92156 +sg25273 +S'oil on canvas' +p92157 +sg25275 +S'c. 1775/1780' +p92158 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d69.jpg' +p92159 +sg25267 +g27 +sa(dp92160 +g25268 +S'The Visit to the Nursery' +p92161 +sg25270 +S'Jean-Honor\xc3\xa9 Fragonard' +p92162 +sg25273 +S'oil on canvas' +p92163 +sg25275 +S'c. 1775' +p92164 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d70.jpg' +p92165 +sg25267 +S'This tender scene may illustrate an episode from a sentimental novel, \r\n \n ' +p92166 +sa(dp92167 +g25268 +S'Ange Laurent de La Live de Jully' +p92168 +sg25270 +S'Jean-Baptiste Greuze' +p92169 +sg25273 +S'oil on canvas' +p92170 +sg25275 +S'probably 1759' +p92171 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d73.jpg' +p92172 +sg25267 +S"Like Jacques Onésime de Bergeret, Lalive de Jully (1725-79) was an influential collector,\namateur, and painter in the Parisian art world of the 1750s and 1760s. One of Jean-Baptiste\nGreuze's first patrons, Lalive is depicted seated on a chair he had commissioned as part of a suite\nof furniture \n Greuze placed Lalive in the center of the canvas; his torso twists toward the harp, as his\nhead, shown in three-quarter pose, turns to the viewer. He is casually attired in a white silk\ndressing gown, a scarf around his neck, and his britches unbuttoned at the knees. The captivating\nexpression, a faint smile and slightly raised eyebrows, further enhances the contrived informality\nof the portrait. The emphasis on the face and hands counterbalances the rigid series of parallel\nvertical lines that define the space.\n The prominent display of the harp, accompanied by the furniture with the portfolio of drawings and statue of the Erythrean Sibyl in the background, suggests that Greuze has depicted Lalive as a new Apollo, alluding to his patronage of the arts.\n " +p92173 +sa(dp92174 +g25268 +S'The Italian Comedians' +p92175 +sg25270 +S'Antoine Watteau' +p92176 +sg25273 +S'oil on canvas' +p92177 +sg25275 +S'probably 1720' +p92178 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d92.jpg' +p92179 +sg25267 +S"Antoine Watteau's \n The garland of flowers in the foreground steps suggests the actors are taking a bow after their performance; however the members united here were probably Watteau's own invention, and connected to a specific play or troupe. This tension between illusion and reality is typical of Watteau and influenced a generation of his followers to explore the relationships between painting and theater.\n " +p92180 +sa(dp92181 +g25268 +S'Old Woman with a Muff' +p92182 +sg25270 +S'French 18th Century' +p92183 +sg25273 +S'overall: 80.5 x 64.5 cm (31 11/16 x 25 3/8 in.)\r\nframed: 106.7 x 89.5 x 10.2 cm (42 x 35 1/4 x 4 in.)' +p92184 +sg25275 +S'\noil on canvas' +p92185 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005a/a0005aa4.jpg' +p92186 +sg25267 +g27 +sa(dp92187 +g25268 +S'Landscape with Peasants' +p92188 +sg25270 +S'Louis Le Nain' +p92189 +sg25273 +S'oil on canvas' +p92190 +sg25275 +S'c. 1640' +p92191 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d77.jpg' +p92192 +sg25267 +S"Louis Le Nain lived in a region to the north of Paris known for its open fields\nthat produced cereals and grain. Although he settled in Paris with his two brothers,\nwho were also painters, he produced a series of rural images that recall the landscape\nof his youth.\n In the \n Their fitted clothes and shoes suggest that the children were not peasants but perhaps\nmembers of an emerging class of farmers acquiring land in the early decades of the\ncentury. Le Nain's emphasis on the land in this composition implies that the rich\nsoil holds potential profits for these new landowners. The Le Nains' rural subjects\nwere very popular, suggesting their patrons appreciated the agricultural messages\nencoded in the structure of the paintings.\n " +p92193 +sa(dp92194 +g25268 +S'The Tribulations of Saint Anthony' +p92195 +sg25270 +S'Martin Schongauer' +p92196 +sg25273 +S'engraving on laid paper' +p92197 +sg25275 +S'c. 1470/1475' +p92198 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000fa0.jpg' +p92199 +sg25267 +g27 +sa(dp92200 +g25268 +S'The Herdsman' +p92201 +sg25270 +S'Artist Information (' +p92202 +sg25273 +S'French, 1604/1605 - 1682' +p92203 +sg25275 +S'(related artist)' +p92204 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005a/a0005acc.jpg' +p92205 +sg25267 +g27 +sa(dp92206 +g25268 +S'Madame Le F\xc3\xa8vre de Caumartin as Hebe' +p92207 +sg25270 +S'Jean-Marc Nattier' +p92208 +sg25273 +S'oil on canvas' +p92209 +sg25275 +S'1753' +p92210 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d78.jpg' +p92211 +sg25267 +S'Nattier entered the Academy as a history painter, but after financial \r\n losses in a shaky market scheme he turned to a more profitable career as a \r\n portraitist. Before long he was the most fashionable painter in Paris. His \r\n daughter wrote that he had "reconciled the two major branches of art" for \r\n he specialized in historical portraits, casting his sitters in mythological \r\n or literary roles.\n Madame de Caumartin as Hebe\n ' +p92212 +sa(dp92213 +g25268 +S'The Baptism of Christ' +p92214 +sg25270 +S'Nicolas Poussin' +p92215 +sg25273 +S'oil on canvas' +p92216 +sg25275 +S'1641/1642' +p92217 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d89.jpg' +p92218 +sg25267 +S'Although Nicolas Poussin\'s work exerted an enormous influence on the development\nof French seventeenth-century painting, the artist perfected his style in Rome,\nincorporating the lessons of Renaissance and contemporary Italian painters into\nhis own idiom. Poussin\'s \n In Poussin\'s composition, the river Jordan winds through the foreground plane where\nhe has placed thirteen figures. Christ is located to the right of the canvas; on\nhis left side -- which represents paradise -- two figures, probably wingless angels,\nkneel to help him. To his right, on the earthly side of the Jordan, Saint John holds\na vessel over Christ\'s head.\n The reactions of the figures to the right of Christ demonstrate why mastery of the\nhuman form was essential to history painting. The row of figures behind Saint John\nhave anguished expressions and contorted poses. Poussin has depicted the specific\nmoment when the voice of the Lord proclaimed: "This is my beloved son, in whom I\nam well pleased" (Matthew 3:17). By presenting complex poses and physiognomies,\nPoussin has evoked a very human reaction -- the fear of those present as they acknowledge\nChrist as the son of God -- thereby encouraging the viewer to identify with this\nsignificant moment.\n ' +p92219 +sa(dp92220 +g25268 +S"Madame d'Aguesseau de Fresnes" +p92221 +sg25270 +S'\xc3\x89lisabeth Louise Vig\xc3\xa9e Le Brun' +p92222 +sg25273 +S', 1789' +p92223 +sg25275 +S'\n' +p92224 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d8f.jpg' +p92225 +sg25267 +S"Politics played an important role in the career of Madame Vigée-Lebrun. A painter\r\nto Marie Antoinette since 1779, she was elected to the Royal Academy of Painting\r\nby the queen's decree in 1783. Her close ties to the royal family put her life\r\nin danger during the Revolution and she fled France in 1789, not to return until 1802.\r\nTherefore, it is not surprising that her\r\nportraits of society ladies reveal graceful poses, finished surfaces, and sweet,\r\nbut controlled expressions, that both mask and betray the charged political climate\r\nsurrounding her sitters.\n This young woman's elaborate costume displays three different foreign cultures.\r\nHer turban and jacket recall a Turkish harem outfit. The allusions to the exotic\r\nOrient signal an escape from the present as well as an Enlightenment acceptance\r\nof non-western ideas. Her flowing white gown recalls the costumes of ancient Greece\r\nand Rome, meant to inspire republican virtues. The prominent Wedgwood cameo at her\r\nsash is English; at this time British imports represented products of another political\r\nsystem, a parliamentary monarchy, that was considered as a potential model for France.\r\nIn rigorously detailing the costume, Vigée-Lebrun shows how deeply contemporary\r\npolitics had penetrated daily life. The subject's engaging expression conveys\r\nthe nascent tensions of the period.\n " +p92226 +sa(dp92227 +g25268 +S'Portrait of a Woman' +p92228 +sg25270 +S'French 18th Century' +p92229 +sg25273 +S'overall: 69.2 x 58.7 cm (27 1/4 x 23 1/8 in.)\r\nframed: 96.2 x 86.4 cm (37 7/8 x 34 in.)' +p92230 +sg25275 +S'\noil on canvas' +p92231 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005a/a0005aa6.jpg' +p92232 +sg25267 +g27 +sa(dp92233 +g25268 +S'Madame Moitessier' +p92234 +sg25270 +S'Jean-Auguste-Dominique Ingres' +p92235 +sg25273 +S'oil on canvas' +p92236 +sg25275 +S'1851' +p92237 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d99.jpg' +p92238 +sg25267 +S"Jean-Auguste-Dominique Ingres, a student of David, promulgated his master's neoclassical\naesthetic throughout his long and very successful career. Ingres espoused the supremacy\nof line over color, the study of antique sculpture, and the value of drawing after\nthe live model, principles he perfected in his expressive use of line to define\nform.\n Madame Moitessier, the daughter of a wealthy government official and wife of a lace\nmerchant, is shown in three-quarter length against a magenta damask background.\nShe wears a black velvet evening dress with a white lace band at the top which is\noverlaid with a black lace shawl. The black dress and her skin offset her glistening\njewels. The surface is finely finished, and the brushstroke almost invisible.\n Ingres has simplified Madame Moitessier's features, recalling a Greco-Roman ideal.\nHer hairstyle and the decorative halo of roses further accentuate the fact that\nher face is perfectly oval and her features symmetrical. The sitter's body is rather\nflat, thus emphasizing that the figure-ground relationship is a play between lines\nand shapes. Ingres, by exploiting the curvilinear possibilities of the female form,\nhas transformed Madame Moitessier into a monumental vision of ideal beauty.\n " +p92239 +sa(dp92240 +g25268 +S'F\xc3\xaate Champ\xc3\xaatre' +p92241 +sg25270 +S'Jean-Baptiste Joseph Pater' +p92242 +sg25273 +S'oil on canvas' +p92243 +sg25275 +S'c. 1730' +p92244 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d88.jpg' +p92245 +sg25267 +S"In this lush park elegant young aristocrats flirt, dance, and engage in\r\n intimate conversation, each couple an "episode" in the progress of\r\n courtship. Their anecdotal character makes Pater's paintings less ambiguous\r\n than \n Pater studied under Watteau—who admitted to being an impatient master—and took over his commissions after he died. Haunted by fear of poverty,\r\n Pater worked incessantly but also rather mechanically, reusing figure groups\r\n and motifs from one painting to the next. He was received by the Academy as\r\n a painter of "modern subjects," and more than six hundred of his\n Several of the poses in this painting and Pater's unfinished \n " +p92246 +sa(dp92247 +g25268 +S'Two Satyrs Fighting about a Nymph' +p92248 +sg25270 +S'Albrecht Altdorfer' +p92249 +sg25273 +S'engraving' +p92250 +sg25275 +S'c. 1520/1525' +p92251 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a78e.jpg' +p92252 +sg25267 +g27 +sa(dp92253 +g25268 +S'Saint Christopher' +p92254 +sg25270 +S'Martin Schongauer' +p92255 +sg25273 +S'engraving on laid paper' +p92256 +sg25275 +S'c. 1475/1480' +p92257 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a4b4.jpg' +p92258 +sg25267 +g27 +sa(dp92259 +g25273 +S'etching' +p92260 +sg25267 +g27 +sg25275 +S'unknown date\n' +p92261 +sg25268 +S'Changing Times' +p92262 +sg25270 +S'Clarence William Anderson' +p92263 +sa(dp92264 +g25268 +S'The Triumph of Julius Caesar' +p92265 +sg25270 +S'Artist Information (' +p92266 +sg25273 +S'(artist after)' +p92267 +sg25275 +S'\n' +p92268 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c8a0.jpg' +p92269 +sg25267 +g27 +sa(dp92270 +g25268 +S'Christ on the Cross' +p92271 +sg25270 +S'French 15th Century' +p92272 +sg25273 +S'Schreiber, undescribed' +p92273 +sg25275 +S'\nwoodcut on parchment' +p92274 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00082/a00082ef.jpg' +p92275 +sg25267 +g27 +sa(dp92276 +g25268 +S'Three Marys at the Tomb' +p92277 +sg25270 +S'Urs Graf I' +p92278 +sg25273 +S'hand-colored woodcut' +p92279 +sg25275 +S'unknown date\n' +p92280 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ef/a000efa0.jpg' +p92281 +sg25267 +g27 +sa(dp92282 +g25273 +S'etching on laid paper' +p92283 +sg25267 +g27 +sg25275 +S'1931' +p92284 +sg25268 +S'Sunlight on Stone, Caudebec-en-Caux' +p92285 +sg25270 +S'John Taylor Arms' +p92286 +sa(dp92287 +g25273 +S'etching on laid paper' +p92288 +sg25267 +g27 +sg25275 +S'1916' +p92289 +sg25268 +S'A Corner in Old Lisieux' +p92290 +sg25270 +S'John Taylor Arms' +p92291 +sa(dp92292 +g25268 +S'Study in Stone, Cathedral of Orense' +p92293 +sg25270 +S'John Taylor Arms' +p92294 +sg25273 +S'etching on laid paper' +p92295 +sg25275 +S'1933' +p92296 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00009/a0000933.jpg' +p92297 +sg25267 +g27 +sa(dp92298 +g25273 +S'etching in black on laid paper' +p92299 +sg25267 +g27 +sg25275 +S'1932' +p92300 +sg25268 +S'Limoges' +p92301 +sg25270 +S'John Taylor Arms' +p92302 +sa(dp92303 +g25273 +S'engraving' +p92304 +sg25267 +g27 +sg25275 +S'1926' +p92305 +sg25268 +S'Plane Tree Cottage' +p92306 +sg25270 +S'Robert Sargent Austin' +p92307 +sa(dp92308 +g25273 +S'etching' +p92309 +sg25267 +g27 +sg25275 +S'1929' +p92310 +sg25268 +S'The Belfry' +p92311 +sg25270 +S'Robert Sargent Austin' +p92312 +sa(dp92313 +g25268 +S'Saint George' +p92314 +sg25270 +S'Martin Schongauer' +p92315 +sg25273 +S'engraving' +p92316 +sg25275 +S'c. 1480/1490' +p92317 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a4b8.jpg' +p92318 +sg25267 +g27 +sa(dp92319 +g25273 +S'etching' +p92320 +sg25267 +g27 +sg25275 +S'1926' +p92321 +sg25268 +S'Sottocastello' +p92322 +sg25270 +S'Robert Sargent Austin' +p92323 +sa(dp92324 +g25273 +S'engraving' +p92325 +sg25267 +g27 +sg25275 +S'1926' +p92326 +sg25268 +S'Bethlehem' +p92327 +sg25270 +S'Robert Sargent Austin' +p92328 +sa(dp92329 +g25273 +S'etching' +p92330 +sg25267 +g27 +sg25275 +S'1923' +p92331 +sg25268 +S'Italian Mother' +p92332 +sg25270 +S'Robert Sargent Austin' +p92333 +sa(dp92334 +g25273 +S'etching' +p92335 +sg25267 +g27 +sg25275 +S'unknown date\n' +p92336 +sg25268 +S'Little Chinese Grocery' +p92337 +sg25270 +S'Loren Roberta Barton' +p92338 +sa(dp92339 +g25273 +S'etching' +p92340 +sg25267 +g27 +sg25275 +S'unknown date\n' +p92341 +sg25268 +S'Old Rookery' +p92342 +sg25270 +S'Loren Roberta Barton' +p92343 +sa(dp92344 +g25273 +S'etching' +p92345 +sg25267 +g27 +sg25275 +S'unknown date\n' +p92346 +sg25268 +S'Oriental Bazaar' +p92347 +sg25270 +S'Marius Alexander Jacques Bauer' +p92348 +sa(dp92349 +g25273 +S'drypoint' +p92350 +sg25267 +g27 +sg25275 +S'1929' +p92351 +sg25268 +S'Poling the Seine Boat' +p92352 +sg25270 +S'Gifford Beal' +p92353 +sa(dp92354 +g25273 +S'drypoint' +p92355 +sg25267 +g27 +sg25275 +S'1908 and 1921' +p92356 +sg25268 +S"The Jews' Quarter, Leeds" +p92357 +sg25270 +S'Sir Muirhead Bone' +p92358 +sa(dp92359 +g25273 +S'drypoint' +p92360 +sg25267 +g27 +sg25275 +S'1920' +p92361 +sg25268 +S'The Solent' +p92362 +sg25270 +S'Sir Muirhead Bone' +p92363 +sa(dp92364 +g25268 +S'Erasmus' +p92365 +sg25270 +S'Artist Information (' +p92366 +sg25273 +S'(artist after)' +p92367 +sg25275 +S'\n' +p92368 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00091/a0009141.jpg' +p92369 +sg25267 +g27 +sa(dp92370 +g25268 +S'Saint George and the Dragon' +p92371 +sg25270 +S'Martin Schongauer' +p92372 +sg25273 +S'engraving' +p92373 +sg25275 +S'c. 1470/1475' +p92374 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a4b7.jpg' +p92375 +sg25267 +g27 +sa(dp92376 +g25273 +S'etching' +p92377 +sg25267 +g27 +sg25275 +S'1929' +p92378 +sg25268 +S'Make Fast' +p92379 +sg25270 +S'Arthur Briscoe' +p92380 +sa(dp92381 +g25273 +S'etching' +p92382 +sg25267 +g27 +sg25275 +S'1929' +p92383 +sg25268 +S'The Main Brace' +p92384 +sg25270 +S'Arthur Briscoe' +p92385 +sa(dp92386 +g25268 +S'The Master-Smith' +p92387 +sg25270 +S'Anders Zorn' +p92388 +sg25273 +S'etching' +p92389 +sg25275 +S'1907' +p92390 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed25.jpg' +p92391 +sg25267 +g27 +sa(dp92392 +g25273 +S'etching and drypoint' +p92393 +sg25267 +g27 +sg25275 +S'1907' +p92394 +sg25268 +S'A Valley of the Ardennes' +p92395 +sg25270 +S'David Young Cameron' +p92396 +sa(dp92397 +g25268 +S'La Piera del Bando. V.' +p92398 +sg25270 +S'Canaletto' +p92399 +sg25273 +S'etching' +p92400 +sg25275 +S'c. 1735/1746' +p92401 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ca/a000cab1.jpg' +p92402 +sg25267 +g27 +sa(dp92403 +g25268 +S'Ale Porto del Dolo' +p92404 +sg25270 +S'Canaletto' +p92405 +sg25273 +S'etching' +p92406 +sg25275 +S'c. 1735/1746' +p92407 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cbe2.jpg' +p92408 +sg25267 +g27 +sa(dp92409 +g25268 +S'Mother and Child' +p92410 +sg25270 +S'Artist Information (' +p92411 +sg25273 +S'(artist after)' +p92412 +sg25275 +S'\n' +p92413 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000f4/a000f42a.jpg' +p92414 +sg25267 +g27 +sa(dp92415 +g25268 +S'Jacqueline' +p92416 +sg25270 +S'Mathilde J. De Cordoba' +p92417 +sg25273 +S'color drypoint' +p92418 +sg25275 +S'1911' +p92419 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fe/a000fe48.jpg' +p92420 +sg25267 +g27 +sa(dp92421 +g25268 +S'Charles Courtney Hoge' +p92422 +sg25270 +S'Mathilde J. De Cordoba' +p92423 +sg25273 +S'drypoint' +p92424 +sg25275 +S'1912' +p92425 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fe/a000fe49.jpg' +p92426 +sg25267 +g27 +sa(dp92427 +g25268 +S'Cupid Asleep' +p92428 +sg25270 +S'Artist Information (' +p92429 +sg25273 +S'(artist after)' +p92430 +sg25275 +S'\n' +p92431 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ca/a000ca03.jpg' +p92432 +sg25267 +g27 +sa(dp92433 +g25268 +S'Saint John the Baptist' +p92434 +sg25270 +S'Martin Schongauer' +p92435 +sg25273 +S'engraving' +p92436 +sg25275 +S'c. 1475' +p92437 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a4b5.jpg' +p92438 +sg25267 +g27 +sa(dp92439 +g25268 +S"Perry's Victory on Lake Erie" +p92440 +sg25270 +S'Napoleon Sarony' +p92441 +sg25273 +S'hand-colored lithograph' +p92442 +sg25275 +S'unknown date\n' +p92443 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fb/a000fb1c.jpg' +p92444 +sg25267 +g27 +sa(dp92445 +g25268 +S"William Penn's History" +p92446 +sg25270 +S'American 19th Century' +p92447 +sg25273 +S'Gift of Addie Burr Clark' +p92448 +sg25275 +S'\nhand-colored lithograph' +p92449 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fa1d.jpg' +p92450 +sg25267 +g27 +sa(dp92451 +g25273 +S', 1848' +p92452 +sg25267 +g27 +sg25275 +S'\n' +p92453 +sg25268 +S'Tree of Temperance' +p92454 +sg25270 +S'Artist Information (' +p92455 +sa(dp92456 +g25268 +S'William Henry Harrison, 9th President of the United States' +p92457 +sg25270 +S'Nathaniel Currier' +p92458 +sg25273 +S', unknown date' +p92459 +sg25275 +S'\n' +p92460 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fa1f.jpg' +p92461 +sg25267 +g27 +sa(dp92462 +g25268 +S"William Penn's Treaty with the Indians" +p92463 +sg25270 +S'Currier and Ives (publishers)' +p92464 +sg25273 +S'hand-colored lithograph' +p92465 +sg25275 +S'unknown date\n' +p92466 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fa20.jpg' +p92467 +sg25267 +g27 +sa(dp92468 +g25268 +S'Surrender of Cornwallis at Yorktown, Va., Oct. 1781' +p92469 +sg25270 +S'Nathaniel Currier' +p92470 +sg25273 +S', published 1845' +p92471 +sg25275 +S'\n' +p92472 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fa22.jpg' +p92473 +sg25267 +g27 +sa(dp92474 +g25273 +S'drypoint' +p92475 +sg25267 +g27 +sg25275 +S'1910' +p92476 +sg25268 +S'The Old Covenanter' +p92477 +sg25270 +S'Francis Dodd' +p92478 +sa(dp92479 +g25273 +S'drypoint' +p92480 +sg25267 +g27 +sg25275 +S'1914' +p92481 +sg25268 +S'Verona' +p92482 +sg25270 +S'Francis Dodd' +p92483 +sa(dp92484 +g25268 +S'Violin Player Seated in a Tavern' +p92485 +sg25270 +S'Cornelis Dusart' +p92486 +sg25273 +S'etching and roulette' +p92487 +sg25275 +S'1685' +p92488 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4fc.jpg' +p92489 +sg25267 +g27 +sa(dp92490 +g25268 +S'Village Festival' +p92491 +sg25270 +S'Cornelis Dusart' +p92492 +sg25273 +S'etching' +p92493 +sg25275 +S'1685' +p92494 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4fd.jpg' +p92495 +sg25267 +g27 +sa(dp92496 +g25268 +S'"But surely, Mr. Shakespeare, two heads is better than one"' +p92497 +sg25270 +S'Will Dyson' +p92498 +sg25273 +S'drypoint' +p92499 +sg25275 +S'unknown date\n' +p92500 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d7/a000d772.jpg' +p92501 +sg25267 +g27 +sa(dp92502 +g25273 +S'etching' +p92503 +sg25267 +g27 +sg25275 +S'1930' +p92504 +sg25268 +S'Early Morning, Brittany' +p92505 +sg25270 +S'Kerr Eby' +p92506 +sa(dp92507 +g25273 +S'etching and drypoint' +p92508 +sg25267 +g27 +sg25275 +S'1928' +p92509 +sg25268 +S'Sardine Fleet' +p92510 +sg25270 +S'Kerr Eby' +p92511 +sa(dp92512 +g25273 +S'etching' +p92513 +sg25267 +g27 +sg25275 +S'1926' +p92514 +sg25268 +S"The Whale's Back" +p92515 +sg25270 +S'Kerr Eby' +p92516 +sa(dp92517 +g25273 +S'etching' +p92518 +sg25267 +g27 +sg25275 +S'1925' +p92519 +sg25268 +S'Snow Fields' +p92520 +sg25270 +S'Kerr Eby' +p92521 +sa(dp92522 +g25273 +S'etching' +p92523 +sg25267 +g27 +sg25275 +S'1923' +p92524 +sg25268 +S'Polperro, No.2' +p92525 +sg25270 +S'Kerr Eby' +p92526 +sa(dp92527 +g25273 +S'etching' +p92528 +sg25267 +g27 +sg25275 +S'1925' +p92529 +sg25268 +S'Porthlevon' +p92530 +sg25270 +S'Kerr Eby' +p92531 +sa(dp92532 +g25273 +S'etching and drypoint' +p92533 +sg25267 +g27 +sg25275 +S'1930' +p92534 +sg25268 +S'Portage' +p92535 +sg25270 +S'Kerr Eby' +p92536 +sa(dp92537 +g25273 +S'etching' +p92538 +sg25267 +g27 +sg25275 +S'c. 1929' +p92539 +sg25268 +S'Shadows on the Agawa, No. 2' +p92540 +sg25270 +S'Kerr Eby' +p92541 +sa(dp92542 +g25273 +S'etching' +p92543 +sg25267 +g27 +sg25275 +S'c. 1928' +p92544 +sg25268 +S'Mist on the Agawa' +p92545 +sg25270 +S'Kerr Eby' +p92546 +sa(dp92547 +g25268 +S'Saint Martin Dividing His Cloak' +p92548 +sg25270 +S'Martin Schongauer' +p92549 +sg25273 +S'engraving' +p92550 +sg25275 +S'c. 1475' +p92551 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a4b6.jpg' +p92552 +sg25267 +g27 +sa(dp92553 +g25273 +S'etching, drypoint, and aquatint' +p92554 +sg25267 +g27 +sg25275 +S'probably 1918' +p92555 +sg25268 +S'Refugees' +p92556 +sg25270 +S'Kerr Eby' +p92557 +sa(dp92558 +g25273 +S'etching and aquatint' +p92559 +sg25267 +g27 +sg25275 +S'1937' +p92560 +sg25268 +S'Storm' +p92561 +sg25270 +S'Kerr Eby' +p92562 +sa(dp92563 +g25273 +S'etching and drypoint' +p92564 +sg25267 +g27 +sg25275 +S'1930' +p92565 +sg25268 +S'Salt Marshes' +p92566 +sg25270 +S'Kerr Eby' +p92567 +sa(dp92568 +g25268 +S'Tour du gros-horloge, Evreux' +p92569 +sg25270 +S'Richard Parkes Bonington' +p92570 +sg25273 +S'lithograph' +p92571 +sg25275 +S'1824' +p92572 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0007d/a0007db0.jpg' +p92573 +sg25267 +g27 +sa(dp92574 +g25268 +S'Rue du gros-horloge, Rouen' +p92575 +sg25270 +S'Richard Parkes Bonington' +p92576 +sg25273 +S'lithograph' +p92577 +sg25275 +S'1824' +p92578 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0007d/a0007de4.jpg' +p92579 +sg25267 +g27 +sa(dp92580 +g25273 +S'lithograph' +p92581 +sg25267 +g27 +sg25275 +S'unknown date\n' +p92582 +sg25268 +S'Indian Head' +p92583 +sg25270 +S'Nikolai Fechin' +p92584 +sa(dp92585 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+p95016 +sg25267 +g27 +sg25275 +S'unknown date\n' +p95017 +sg25268 +S'"And before the throne there was a sea of glass..." 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VI.4' +p95095 +sg25270 +S'Bernard Reder' +p95096 +sa(dp95097 +g25273 +S'woodcut' +p95098 +sg25267 +g27 +sg25275 +S'unknown date\n' +p95099 +sg25268 +S'"And I saw the Dead..." XX.12' +p95100 +sg25270 +S'Bernard Reder' +p95101 +sa(dp95102 +g25273 +S'woodcut' +p95103 +sg25267 +g27 +sg25275 +S'unknown date\n' +p95104 +sg25268 +S'"And I saw the Holy City..."' +p95105 +sg25270 +S'Bernard Reder' +p95106 +sa(dp95107 +g25273 +S'woodcut' +p95108 +sg25267 +g27 +sg25275 +S'unknown date\n' +p95109 +sg25268 +S'"And the beast was taken and with him the false prophet..." XIX.20' +p95110 +sg25270 +S'Bernard Reder' +p95111 +sa(dp95112 +g25273 +S'woodcut' +p95113 +sg25267 +g27 +sg25275 +S'unknown date\n' +p95114 +sg25268 +S'"And the beast was taken..." XIX.20' +p95115 +sg25270 +S'Bernard Reder' +p95116 +sa(dp95117 +g25273 +S'woodcut' +p95118 +sg25267 +g27 +sg25275 +S'unknown date\n' +p95119 +sg25268 +S'"And the beast was taken..." 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+S'http://www.nga.gov:80/thumb-l/a00096/a000967a.jpg' +p95232 +sg25267 +g27 +sa(dp95233 +g25268 +S"L'Isle Royalle" +p95234 +sg25270 +S'Jean-Baptiste Rigaud' +p95235 +sg25273 +S'etching and engraving' +p95236 +sg25275 +S'unknown date\n' +p95237 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a0009672.jpg' +p95238 +sg25267 +g27 +sa(dp95239 +g25268 +S'La Salle aux Marronniers' +p95240 +sg25270 +S'Jean-Baptiste Rigaud' +p95241 +sg25273 +S'etching and engraving' +p95242 +sg25275 +S'unknown date\n' +p95243 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a0009675.jpg' +p95244 +sg25267 +g27 +sa(dp95245 +g25268 +S"Le Bassin d'Apollon" +p95246 +sg25270 +S'Jean-Baptiste Rigaud' +p95247 +sg25273 +S'etching and engraving' +p95248 +sg25275 +S'unknown date\n' +p95249 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a0009673.jpg' +p95250 +sg25267 +g27 +sa(dp95251 +g25268 +S"Le Bassin d'Encelade" +p95252 +sg25270 +S'Jean-Baptiste Rigaud' +p95253 +sg25273 +S'etching and engraving' +p95254 +sg25275 +S'unknown date\n' +p95255 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a0009674.jpg' +p95256 +sg25267 +g27 +sa(dp95257 +g25268 +S"L'Obelisque" +p95258 +sg25270 +S'Jean-Baptiste Rigaud' +p95259 +sg25273 +S'etching and engraving' +p95260 +sg25275 +S'unknown date\n' +p95261 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a000967b.jpg' +p95262 +sg25267 +g27 +sa(dp95263 +g25268 +S'The Marriage of the Virgin' +p95264 +sg25270 +S'Artist Information (' +p95265 +sg25273 +S'(artist after)' +p95266 +sg25275 +S'\n' +p95267 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a437.jpg' +p95268 +sg25267 +g27 +sa(dp95269 +g25268 +S"Le Th\xc3\xa9\xc3\xa2tre d'Eau" +p95270 +sg25270 +S'Jean-Baptiste Rigaud' +p95271 +sg25273 +S'etching and engraving' +p95272 +sg25275 +S'unknown date\n' +p95273 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a0009679.jpg' +p95274 +sg25267 +g27 +sa(dp95275 +g25268 +S'Les Domes' +p95276 +sg25270 +S'Jean-Baptiste Rigaud' +p95277 +sg25273 +S'etching and engraving' +p95278 +sg25275 +S'unknown date\n' +p95279 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a0009678.jpg' +p95280 +sg25267 +g27 +sa(dp95281 +g25268 +S"Les Bains d'Apollon" +p95282 +sg25270 +S'Jean-Baptiste Rigaud' +p95283 +sg25273 +S'etching and engraving' +p95284 +sg25275 +S'unknown date\n' +p95285 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a000967c.jpg' +p95286 +sg25267 +g27 +sa(dp95287 +g25268 +S'Les Trois Fontaines' +p95288 +sg25270 +S'Jean-Baptiste Rigaud' +p95289 +sg25273 +S'etching and engraving' +p95290 +sg25275 +S'unknown date\n' +p95291 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a0009677.jpg' +p95292 +sg25267 +g27 +sa(dp95293 +g25268 +S"L'Arc de Triomphe" +p95294 +sg25270 +S'Jean-Baptiste Rigaud' +p95295 +sg25273 +S'etching and engraving' +p95296 +sg25275 +S'unknown date\n' +p95297 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a0009676.jpg' +p95298 +sg25267 +g27 +sa(dp95299 +g25268 +S'Frontispiece: The Dregs of Society (Las bas-fonds de la societe)' +p95300 +sg25270 +S'F\xc3\xa9licien Rops' +p95301 +sg25273 +S'etching' +p95302 +sg25275 +S'1864' +p95303 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d8/a000d819.jpg' +p95304 +sg25267 +g27 +sa(dp95305 +g25268 +S'Frontispiece: The Waifs (Les Epaves)' +p95306 +sg25270 +S'F\xc3\xa9licien Rops' +p95307 +sg25273 +S'etching' +p95308 +sg25275 +S'1868' +p95309 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d8/a000d811.jpg' +p95310 +sg25267 +g27 +sa(dp95311 +g25268 +S'The Red Iron (Le Fer Rouge)' +p95312 +sg25270 +S'F\xc3\xa9licien Rops' +p95313 +sg25273 +S'etching' +p95314 +sg25275 +S'1871' +p95315 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d8/a000d812.jpg' +p95316 +sg25267 +g27 +sa(dp95317 +g25268 +S'Belgian Border, Bill of Disorder (Frontiere de Belgique. Billet a Desordre)' +p95318 +sg25270 +S'F\xc3\xa9licien Rops' +p95319 +sg25273 +S'etching' +p95320 +sg25275 +S'1871' +p95321 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d8/a000d81a.jpg' +p95322 +sg25267 +g27 +sa(dp95323 +g25268 +S'Gaspard de la Nuit' +p95324 +sg25270 +S'F\xc3\xa9licien Rops' +p95325 +sg25273 +S'etching' +p95326 +sg25275 +S'1868' +p95327 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005e/a0005e86.jpg' +p95328 +sg25267 +g27 +sa(dp95329 +g25268 +S'Saint Sebastian' +p95330 +sg25270 +S'Tanzio da Varallo' +p95331 +sg25273 +S'oil on canvas' +p95332 +sg25275 +S'c. 1620/1630' +p95333 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a0000623.jpg' +p95334 +sg25267 +S"A fevered intensity in this portraval of Saint Sebastian marks it as a characteristic\nwork by Tanzio, whose native village of Varallo in the mountains north of Milan\nwas a major center of popular piety. The painter has shown Sebastian, who was persecuted\nas a Christian under Diocletian, being rescued by angels after the assault on him\nby the Emperor's archers. The thickset figure at the right who tenderly steadies\nSebastian's body for the angel's ministrations may be Saint Irene, who nursed the\nmartyr back to health.\n The visual excitement of Tanzio's portrayal serves to convey Sebastian's state of\nemotional transport and transcendence of bodily pain. Contributing to the fervid\ndrama is the extreme compression of the composition. Tanzio's large, solid forms\nare crowded by the frame, seeming to twist and strain to fit its confines. If the\nvivid illusionism and sharp contrasts of light and dark -- pulsating in the drapery\nacross Sebastian's lap and in the spiky patterns of expressively tapering fingers\n-- reveal a study of Caravaggio's art, Tanzio's use of discordant colors is uniquely\nhis own.\n " +p95335 +sa(dp95336 +g25268 +S'The Presentation in the Temple' +p95337 +sg25270 +S'Artist Information (' +p95338 +sg25273 +S'(artist after)' +p95339 +sg25275 +S'\n' +p95340 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a439.jpg' +p95341 +sg25267 +g27 +sa(dp95342 +g25268 +S'The Little Potato Peeler (La petite peleuse de pommes de terre)' +p95343 +sg25270 +S'F\xc3\xa9licien Rops' +p95344 +sg25273 +S'etching' +p95345 +sg25275 +S'unknown date\n' +p95346 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d8/a000d813.jpg' +p95347 +sg25267 +g27 +sa(dp95348 +g25268 +S'The Train of Maris (Le train de Maris)' +p95349 +sg25270 +S'F\xc3\xa9licien Rops' +p95350 +sg25273 +S'etching' +p95351 +sg25275 +S'unknown date\n' +p95352 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d8/a000d802.jpg' +p95353 +sg25267 +g27 +sa(dp95354 +g25273 +S'hand-colored etching' +p95355 +sg25267 +g27 +sg25275 +S'1797' +p95356 +sg25268 +S'Feyge Dam, with part of the Fish Market at Amsterdam' +p95357 +sg25270 +S'Thomas Rowlandson' +p95358 +sa(dp95359 +g25273 +S'colored aquatint' +p95360 +sg25267 +g27 +sg25275 +S'1797' +p95361 +sg25268 +S'Place de Meir at Antwerp' +p95362 +sg25270 +S'Thomas Rowlandson' +p95363 +sa(dp95364 +g25268 +S'Indian Dance' +p95365 +sg25270 +S'Louis Schanker' +p95366 +sg25273 +S'woodcut' +p95367 +sg25275 +S'unknown date\n' +p95368 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000b/a0000b86.jpg' +p95369 +sg25267 +g27 +sa(dp95370 +g25273 +S'etching' +p95371 +sg25267 +g27 +sg25275 +S'1945' +p95372 +sg25268 +S'The Flight into Egypt' +p95373 +sg25270 +S'Carl Max Schultheiss' +p95374 +sa(dp95375 +g25268 +S'Saint Jerome Writing' +p95376 +sg25270 +S'Hans Springinklee' +p95377 +sg25273 +S'woodcut' +p95378 +sg25275 +S'1522' +p95379 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b2/a000b27d.jpg' +p95380 +sg25267 +g27 +sa(dp95381 +g25273 +S'drypoint' +p95382 +sg25267 +g27 +sg25275 +S'1943' +p95383 +sg25268 +S'Half Moon Bay' +p95384 +sg25270 +S'James Swann' +p95385 +sa(dp95386 +g25273 +S'color screenprint' +p95387 +sg25267 +g27 +sg25275 +S'1945' +p95388 +sg25268 +S'Prayer' +p95389 +sg25270 +S'Albert Urban' +p95390 +sa(dp95391 +g25268 +S'Jan de Wael' +p95392 +sg25270 +S'Sir Anthony van Dyck' +p95393 +sg25273 +S'etching and engraving' +p95394 +sg25275 +S'probably 1626/1641' +p95395 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d0f0.jpg' +p95396 +sg25267 +g27 +sa(dp95397 +g25268 +S'Massacre of the Innocents' +p95398 +sg25270 +S'Artist Information (' +p95399 +sg25273 +S'(artist after)' +p95400 +sg25275 +S'\n' +p95401 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a436.jpg' +p95402 +sg25267 +g27 +sa(dp95403 +g25273 +S'engraving' +p95404 +sg25267 +g27 +sg25275 +S'unknown date\n' +p95405 +sg25268 +S"L'ecurie de Bucephale" +p95406 +sg25270 +S'Roger Vieillard' +p95407 +sa(dp95408 +g25273 +S'engraving [printed by Lacouriere]' +p95409 +sg25267 +g27 +sg25275 +S'unknown date\n' +p95410 +sg25268 +S'Hommage a Rimbaud' +p95411 +sg25270 +S'Roger Vieillard' +p95412 +sa(dp95413 +g25273 +S'engraving [printed by Lacouriere]' +p95414 +sg25267 +g27 +sg25275 +S'unknown date\n' +p95415 +sg25268 +S'Hommage a Rimbaud' +p95416 +sg25270 +S'Roger Vieillard' +p95417 +sa(dp95418 +g25273 +S'engraving on blue paper' +p95419 +sg25267 +g27 +sg25275 +S'unknown date\n' +p95420 +sg25268 +S'Notre Dame de Paris' +p95421 +sg25270 +S'Roger Vieillard' +p95422 +sa(dp95423 +g25273 +S'engraving' +p95424 +sg25267 +g27 +sg25275 +S'unknown date\n' +p95425 +sg25268 +S'Temple de la Liberte' +p95426 +sg25270 +S'Roger Vieillard' +p95427 +sa(dp95428 +g25268 +S"Head of an Old Woman (Visscher's Mother)" +p95429 +sg25270 +S'Cornelis Visscher' +p95430 +sg25273 +S'etching and engraving' +p95431 +sg25275 +S'unknown date\n' +p95432 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d493.jpg' +p95433 +sg25267 +g27 +sa(dp95434 +g25273 +S'woodcut' +p95435 +sg25267 +g27 +sg25275 +S'1584' +p95436 +sg25268 +S'Playing Cards' +p95437 +sg25270 +S'Andreas ? Voigt' +p95438 +sa(dp95439 +g25273 +S'woodcut' +p95440 +sg25267 +g27 +sg25275 +S'1584' +p95441 +sg25268 +S'Playing Cards' +p95442 +sg25270 +S'Andreas ? Voigt' +p95443 +sa(dp95444 +g25273 +S'woodcut' +p95445 +sg25267 +g27 +sg25275 +S'1584' +p95446 +sg25268 +S'Playing Cards' +p95447 +sg25270 +S'Andreas ? Voigt' +p95448 +sa(dp95449 +g25268 +S'A Gallery in the Gymnasium (Une galerie au gymnase)' +p95450 +sg25270 +S'Edouard Vuillard' +p95451 +sg25273 +S'color lithograph' +p95452 +sg25275 +S'published 1900' +p95453 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009f2b.jpg' +p95454 +sg25267 +g27 +sa(dp95455 +g25268 +S'The Death of the Virgin' +p95456 +sg25270 +S'Israhel van Meckenem' +p95457 +sg25273 +S'engraving' +p95458 +sg25275 +S'c. 1480/1490' +p95459 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a44d.jpg' +p95460 +sg25267 +g27 +sa(dp95461 +g25268 +S'Planks Attached to Four Trees' +p95462 +sg25270 +S'Anthonie Waterloo' +p95463 +sg25273 +S'etching' +p95464 +sg25275 +S'unknown date\n' +p95465 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4a5.jpg' +p95466 +sg25267 +g27 +sa(dp95467 +g25268 +S'Churchyard at the Waterside' +p95468 +sg25270 +S'Anthonie Waterloo' +p95469 +sg25273 +S'etching' +p95470 +sg25275 +S'unknown date\n' +p95471 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4ae.jpg' +p95472 +sg25267 +g27 +sa(dp95473 +g25268 +S'Cottage on a Hill' +p95474 +sg25270 +S'Anthonie Waterloo' +p95475 +sg25273 +S'etching' +p95476 +sg25275 +S'unknown date\n' +p95477 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4a6.jpg' +p95478 +sg25267 +g27 +sa(dp95479 +g25268 +S'Village Steeple at the Seaside' +p95480 +sg25270 +S'Anthonie Waterloo' +p95481 +sg25273 +S'etching' +p95482 +sg25275 +S'unknown date\n' +p95483 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4a7.jpg' +p95484 +sg25267 +g27 +sa(dp95485 +g25268 +S'Departure of Two Fishermen' +p95486 +sg25270 +S'Anthonie Waterloo' +p95487 +sg25273 +S'etching' +p95488 +sg25275 +S'unknown date\n' +p95489 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4a8.jpg' +p95490 +sg25267 +g27 +sa(dp95491 +g25268 +S'Two Cows on a Ferry' +p95492 +sg25270 +S'Anthonie Waterloo' +p95493 +sg25273 +S'etching' +p95494 +sg25275 +S'unknown date\n' +p95495 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4a9.jpg' +p95496 +sg25267 +g27 +sa(dp95497 +g25268 +S'Traveler Passing Two Large Trees' +p95498 +sg25270 +S'Anthonie Waterloo' +p95499 +sg25273 +S'etching' +p95500 +sg25275 +S'unknown date\n' +p95501 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4ab.jpg' +p95502 +sg25267 +g27 +sa(dp95503 +g25268 +S'Rider and Flock on a Bridge' +p95504 +sg25270 +S'Anthonie Waterloo' +p95505 +sg25273 +S'etching' +p95506 +sg25275 +S'unknown date\n' +p95507 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4aa.jpg' +p95508 +sg25267 +g27 +sa(dp95509 +g25268 +S'The Small Hamlet' +p95510 +sg25270 +S'Anthonie Waterloo' +p95511 +sg25273 +S'etching' +p95512 +sg25275 +S'unknown date\n' +p95513 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4a3.jpg' +p95514 +sg25267 +g27 +sa(dp95515 +g25268 +S'Three Peasants on a Knoll outside a Hamlet' +p95516 +sg25270 +S'Anthonie Waterloo' +p95517 +sg25273 +S'etching' +p95518 +sg25275 +S'unknown date\n' +p95519 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4a4.jpg' +p95520 +sg25267 +g27 +sa(dp95521 +g25268 +S'Christ Appearing to the Disciples' +p95522 +sg25270 +S'Israhel van Meckenem' +p95523 +sg25273 +S'engraving' +p95524 +sg25275 +S'c. 1465' +p95525 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a432.jpg' +p95526 +sg25267 +g27 +sa(dp95527 +g25268 +S'The Sentry Box on the Wall' +p95528 +sg25270 +S'Anthonie Waterloo' +p95529 +sg25273 +S'etching' +p95530 +sg25275 +S'unknown date\n' +p95531 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4ac.jpg' +p95532 +sg25267 +g27 +sa(dp95533 +g25268 +S'Four Men on a Stone Bridge' +p95534 +sg25270 +S'Anthonie Waterloo' +p95535 +sg25273 +S'etching' +p95536 +sg25275 +S'unknown date\n' +p95537 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4ad.jpg' +p95538 +sg25267 +g27 +sa(dp95539 +g25273 +S'lithograph' +p95540 +sg25267 +g27 +sg25275 +S'1945' +p95541 +sg25268 +S'Maine Lobsterman' +p95542 +sg25270 +S'Stow Wengenroth' +p95543 +sa(dp95544 +g25273 +S'pen and black ink on laid paper' +p95545 +sg25267 +g27 +sg25275 +S'1943' +p95546 +sg25268 +S'Girl Sleeping' +p95547 +sg25270 +S'Paul Wieghardt' +p95548 +sa(dp95549 +g25273 +S'pen and black ink' +p95550 +sg25267 +g27 +sg25275 +S'1945' +p95551 +sg25268 +S'Two Girls on the Floor' +p95552 +sg25270 +S'Paul Wieghardt' +p95553 +sa(dp95554 +g25268 +S'Reguliers Gate (Regeliers Poort)' +p95555 +sg25270 +S'Reinier Nooms, called Zeeman' +p95556 +sg25273 +S', unknown date' +p95557 +sg25275 +S'\n' +p95558 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d5eb.jpg' +p95559 +sg25267 +g27 +sa(dp95560 +g25268 +S'Zaagmolen Gate (Saaghmeulens Poortie)' +p95561 +sg25270 +S'Reinier Nooms, called Zeeman' +p95562 +sg25273 +S', unknown date' +p95563 +sg25275 +S'\n' +p95564 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d5ec.jpg' +p95565 +sg25267 +g27 +sa(dp95566 +g25268 +S'Haarlem Gate (Haerlemmer Poort)' +p95567 +sg25270 +S'Reinier Nooms, called Zeeman' +p95568 +sg25273 +S', 1617' +p95569 +sg25275 +S'\n' +p95570 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d5ed.jpg' +p95571 +sg25267 +g27 +sa(dp95572 +g25268 +S'Raam Gate (Raam Poortie)' +p95573 +sg25270 +S'Reinier Nooms, called Zeeman' +p95574 +sg25273 +S', unknown date' +p95575 +sg25275 +S'\n' +p95576 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d5ee.jpg' +p95577 +sg25267 +g27 +sa(dp95578 +g25268 +S'St. Antonis Gate (St. Antonis Poort)' +p95579 +sg25270 +S'Reinier Nooms, called Zeeman' +p95580 +sg25273 +S', 1636' +p95581 +sg25275 +S'\n' +p95582 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d5ef.jpg' +p95583 +sg25267 +g27 +sa(dp95584 +g25268 +S'Heyligeweg Gate (Heyligewechs Poort)' +p95585 +sg25270 +S'Reinier Nooms, called Zeeman' +p95586 +sg25273 +S', 1638' +p95587 +sg25275 +S'\n' +p95588 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d5ea.jpg' +p95589 +sg25267 +g27 +sa(dp95590 +g25268 +S'Carl Larsson' +p95591 +sg25270 +S'Anders Zorn' +p95592 +sg25273 +S'etching' +p95593 +sg25275 +S'1897' +p95594 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed36.jpg' +p95595 +sg25267 +g27 +sa(dp95596 +g25268 +S'Mr. and Mrs. Furstenburg' +p95597 +sg25270 +S'Anders Zorn' +p95598 +sg25273 +S'etching' +p95599 +sg25275 +S'1895' +p95600 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed37.jpg' +p95601 +sg25267 +g27 +sa(dp95602 +g25273 +S'woodcut' +p95603 +sg25267 +g27 +sg25275 +S'unknown date\n' +p95604 +sg25268 +S'"There appeared a great dragon..."' +p95605 +sg25270 +S'Bernard Reder' +p95606 +sa(dp95607 +g25268 +S'Cavalier and Two Ladies on Horseback' +p95608 +sg25270 +S'Constantin Guys' +p95609 +sg25273 +S'watercolor' +p95610 +sg25275 +S'unknown date\n' +p95611 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a00073a1.jpg' +p95612 +sg25267 +g27 +sa(dp95613 +g25268 +S'Head and Bust of a Woman' +p95614 +sg25270 +S'Sir Joshua Reynolds' +p95615 +sg25273 +S'pastel and charcoal on laid paper' +p95616 +sg25275 +S'unknown date\n' +p95617 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006e67.jpg' +p95618 +sg25267 +g27 +sa(dp95619 +g25273 +S'Italian, 1733 - 1813' +p95620 +sg25267 +g27 +sg25275 +S'(related artist)' +p95621 +sg25268 +S'Portrait of a Man' +p95622 +sg25270 +S'Artist Information (' +p95623 +sa(dp95624 +g25268 +S'La morgue, Paris (The Mortuary)' +p95625 +sg25270 +S'Charles Meryon' +p95626 +sg25273 +S'etching' +p95627 +sg25275 +S'1854' +p95628 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d1d.jpg' +p95629 +sg25267 +g27 +sa(dp95630 +g25273 +S'watercolor on ivory in metal locket' +p95631 +sg25267 +g27 +sg25275 +S'1801/1805' +p95632 +sg25268 +S'Maria Miles Heyward (1784-1862)' +p95633 +sg25270 +S'Edward Greene Malbone' +p95634 +sa(dp95635 +g25268 +S'Archbishop Diomede Falconio' +p95636 +sg25270 +S'Thomas Eakins' +p95637 +sg25273 +S'oil on canvas' +p95638 +sg25275 +S'1905' +p95639 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a000008d.jpg' +p95640 +sg25267 +S'The poet Walt Whitman declared, “Eakins is not a painter, he\r\nis a force.” Indeed, the uncompromising honesty in Eakins’\r\nportraits was thought too crude for social propriety. As one\r\nPhiladelphia gentleman joked, Eakins “would bring out all the\r\ntraits of my character that I had been trying to hide from the\r\npublic for years.”\n A few doctors, professors, and other intellectuals did\r\nappreciate his penetrating analyses. The full-length \n The church scholar, at age sixty-three, was only two years\r\nolder than the painter; even so, Eakins rudely called Falconio\r\n“the old man.” Eakins’ manners were blunt, and his art seldom\r\nflattered. Among the National Gallery’s other candid, late portraits\r\nby Eakins are \n ' +p95641 +sa(dp95642 +g25268 +S'Study' +p95643 +sg25270 +S'James McNeill Whistler' +p95644 +sg25273 +S'lithograph' +p95645 +sg25275 +S'1895' +p95646 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ab/a000ab26.jpg' +p95647 +sg25267 +g27 +sa(dp95648 +g25268 +S'Unfinished Sketch of Lady Haden' +p95649 +sg25270 +S'James McNeill Whistler' +p95650 +sg25273 +S'lithograph' +p95651 +sg25275 +S'1895' +p95652 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ab/a000abb7.jpg' +p95653 +sg25267 +g27 +sa(dp95654 +g25268 +S'Laoco\xc3\xb6n' +p95655 +sg25270 +S'El Greco' +p95656 +sg25273 +S', c. 1610/1614' +p95657 +sg25275 +S'\n' +p95658 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a0000495.jpg' +p95659 +sg25267 +S"Widespread interest in the story of Laocoön, a mythical priest of Troy, developed after an ancient, monumental sculpture representing him and his two sons was unearthed in 1506 in Rome. Suspecting trickery, Laocoön had warned his countrymen not to accept the wooden horse left outside Troy by the Greeks and had hurled his spear at it to prove that it was hollow. Thus the priest incurred the wrath of the gods, for desecrating an object dedicated to the goddess Athena. El Greco depicted serpents, sent by the angry gods, engaging Laocoön and one son in a mortal struggle, while a second son lies already dead at his father's side. The identity of the unfinished figures on the right continues to be debated; perhaps they represent the gods themselves\r\nsupervising their vengeance.\n Utilizing every available means — writhing line, lurid color, and illogically conceived space — the artist projected an unrelieved sense of doom. The figures seem incorporeal; sinuous outlines and anti–natural flesh tones contribute to their specterlike appearance. The striking setting carries this visionary late work of El Greco to an apocalyptic extreme.\n Did El Greco intend to relate this mythical theme of conflict and divine retribution to the Inquisition then raging in Toledo? Whatever the case, the story of Laocoön is the only classical theme he is known to have painted.\n " +p95660 +sa(dp95661 +g25268 +S'Madonna and Child in a Landscape' +p95662 +sg25270 +S'Giovanni Bellini' +p95663 +sg25273 +S'oil on panel' +p95664 +sg25275 +S'c. 1480/1485' +p95665 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a000075f.jpg' +p95666 +sg25267 +g27 +sa(dp95667 +g25268 +S'Portrait of a Youth' +p95668 +sg25270 +S'Giovanni Antonio Boltraffio' +p95669 +sg25273 +S'oil on panel' +p95670 +sg25275 +S'c. 1495/1498' +p95671 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a00007f6.jpg' +p95672 +sg25267 +g27 +sa(dp95673 +g25268 +S'Christ on the Cross with the Virgin and Saint John' +p95674 +sg25270 +S'Hans Brosamer' +p95675 +sg25273 +S'engraving' +p95676 +sg25275 +S'1542' +p95677 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b093.jpg' +p95678 +sg25267 +g27 +sa(dp95679 +g25273 +S'(artist)' +p95680 +sg25267 +g27 +sg25275 +S'\n' +p95681 +sg25268 +S'The Carcass' +p95682 +sg25270 +S'Artist Information (' +p95683 +sa(dp95684 +g25268 +S'The Trinity' +p95685 +sg25270 +S'Artist Information (' +p95686 +sg25273 +S'Bohemian, active 1414' +p95687 +sg25275 +S'(related artist)' +p95688 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0001e/a0001e26.jpg' +p95689 +sg25267 +g27 +sa(dp95690 +g25268 +S'Saint John' +p95691 +sg25270 +S'Netherlandish 15th Century' +p95692 +sg25273 +S'Lehrs, Vol. 4, p.250, no. 50' +p95693 +sg25275 +S'\nengraving' +p95694 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cc/a000ccd8.jpg' +p95695 +sg25267 +g27 +sa(dp95696 +g25268 +S'Madonna and Child with Saints Christopher and Erasmus' +p95697 +sg25270 +S'Netherlandish 15th Century' +p95698 +sg25273 +S'Lehrs, undescribed' +p95699 +sg25275 +S'\nengraving' +p95700 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cc/a000ccd9.jpg' +p95701 +sg25267 +g27 +sa(dp95702 +g25268 +S'Scribe Writing and the Author Presenting His Book' +p95703 +sg25270 +S'Georges Hurtrel' +p95704 +sg25273 +S'pen and black ink with black wash, heightened with white and gold, on gray prepared paper (grisaille)' +p95705 +sg25275 +S'in or before 1870' +p95706 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a00073a7.jpg' +p95707 +sg25267 +g27 +sa(dp95708 +g25273 +S'overall: 48.7 x 71 cm (19 3/16 x 27 15/16 in.)' +p95709 +sg25267 +g27 +sg25275 +S'\ntempera and gold leaf on vellum' +p95710 +sg25268 +S'Joshua before the Lord' +p95711 +sg25270 +S'French 13th Century' +p95712 +sa(dp95713 +g25273 +S'overall: 48.5 x 35.8 cm (19 1/8 x 14 1/8 in.)' +p95714 +sg25267 +g27 +sg25275 +S'\ntempera and gold leaf on vellum' +p95715 +sg25268 +S'Moses Counting the Children of Israel' +p95716 +sg25270 +S'French 13th Century' +p95717 +sa(dp95718 +g25273 +S'overall: 11.6 x 20.9 cm (4 9/16 x 8 1/4 in.)' +p95719 +sg25267 +g27 +sg25275 +S'\nminiature on vellum' +p95720 +sg25268 +S'Meeting of Achilles and Hector' +p95721 +sg25270 +S'Netherlandish 15th Century' +p95722 +sa(dp95723 +g25273 +S'miniature on vellum' +p95724 +sg25267 +g27 +sg25275 +S'c. 1409' +p95725 +sg25268 +S'Saint Christopher Carrying the Christ Child' +p95726 +sg25270 +S'Limbourg Brothers' +p95727 +sa(dp95728 +g25268 +S'Paradise with Christ in the Lap of Abraham' +p95729 +sg25270 +S'German 13th Century' +p95730 +sg25273 +S'overall: 22.4 x 15.7 cm (8 13/16 x 6 3/16 in.)' +p95731 +sg25275 +S'\ntempera and gold leaf on vellum' +p95732 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00033/a00033d4.jpg' +p95733 +sg25267 +g27 +sa(dp95734 +g25268 +S'The Nativity with Six Dominican Monks' +p95735 +sg25270 +S'Artist Information (' +p95736 +sg25273 +g27 +sg25275 +S'(artist)' +p95737 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00034/a0003423.jpg' +p95738 +sg25267 +g27 +sa(dp95739 +g25268 +S'Death of Saint Benedict' +p95740 +sg25270 +S'Fra Gregorio Mutii da Montalcino' +p95741 +sg25273 +S'miniature on vellum' +p95742 +sg25275 +S'1390/1395' +p95743 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005d/a0005d67.jpg' +p95744 +sg25267 +g27 +sa(dp95745 +g25268 +S'Saint Francis Receiving the Stigmata' +p95746 +sg25270 +S'Cosm\xc3\xa8 Tura' +p95747 +sg25273 +S'miniature on vellum' +p95748 +sg25275 +S'1470s' +p95749 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00028/a00028d8.jpg' +p95750 +sg25267 +g27 +sa(dp95751 +g25268 +S'Self-Portrait' +p95752 +sg25270 +S'Ernst Barlach' +p95753 +sg25273 +S'woodcut on yellowish old German paper' +p95754 +sg25275 +S'1928' +p95755 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b7/a000b76d.jpg' +p95756 +sg25267 +g27 +sa(dp95757 +g25268 +S'The Prince at the Bird-Catching' +p95758 +sg25270 +S'Leonhard Beck' +p95759 +sg25273 +S'woodcut' +p95760 +sg25275 +S'1514/1516' +p95761 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ae/a000aef8.jpg' +p95762 +sg25267 +g27 +sa(dp95763 +g25273 +S'lithograph in yellow' +p95764 +sg25267 +g27 +sg25275 +S'1945' +p95765 +sg25268 +S"Coq d'or" +p95766 +sg25270 +S'Alfred Bendiner' +p95767 +sa(dp95768 +g25273 +S'lithograph in blue' +p95769 +sg25267 +g27 +sg25275 +S'1945' +p95770 +sg25268 +S"Coq d'or" +p95771 +sg25270 +S'Alfred Bendiner' +p95772 +sa(dp95773 +g25273 +S'lithograph in yellow and blue (superimposed printing)' +p95774 +sg25267 +g27 +sg25275 +S'1945' +p95775 +sg25268 +S"Coq d'or" +p95776 +sg25270 +S'Alfred Bendiner' +p95777 +sa(dp95778 +g25273 +S'lithograph in red' +p95779 +sg25267 +g27 +sg25275 +S'1945' +p95780 +sg25268 +S"Coq d'or" +p95781 +sg25270 +S'Alfred Bendiner' +p95782 +sa(dp95783 +g25273 +S'lithograph in red and yellow' +p95784 +sg25267 +g27 +sg25275 +S'1945' +p95785 +sg25268 +S"Coq d'or" +p95786 +sg25270 +S'Alfred Bendiner' +p95787 +sa(dp95788 +g25273 +S'lithograph in red, yellow, and blue' +p95789 +sg25267 +g27 +sg25275 +S'1945' +p95790 +sg25268 +S"Coq d'or" +p95791 +sg25270 +S'Alfred Bendiner' +p95792 +sa(dp95793 +g25273 +S'lithograph' +p95794 +sg25267 +g27 +sg25275 +S'1944' +p95795 +sg25268 +S'The Home Front' +p95796 +sg25270 +S'Alfred Bendiner' +p95797 +sa(dp95798 +g25273 +S'etching on laid paper' +p95799 +sg25267 +g27 +sg25275 +S'unknown date\n' +p95800 +sg25268 +S'Title Page for Set of Sheep' +p95801 +sg25270 +S'Nicolaes Pietersz Berchem' +p95802 +sa(dp95803 +g25273 +S'bound volume with 23 etchings,including "Set of Sheep" (6 prints), "Set of Goats" (6 prints), "Woman\'s Book" (5 of set of 8), & "Man\'s Book" (6 of 8)' +p95804 +sg25267 +g27 +sg25275 +S'unknown date\n' +p95805 +sg25268 +S'Album of Animal Etchings' +p95806 +sg25270 +S'Nicolaes Pietersz Berchem' +p95807 +sa(dp95808 +g25273 +S'etching on laid paper' +p95809 +sg25267 +g27 +sg25275 +S'unknown date\n' +p95810 +sg25268 +S'Two Sheep' +p95811 +sg25270 +S'Nicolaes Pietersz Berchem' +p95812 +sa(dp95813 +g25273 +S'etching on laid paper' +p95814 +sg25267 +g27 +sg25275 +S'unknown date\n' +p95815 +sg25268 +S'Two Sheep' +p95816 +sg25270 +S'Nicolaes Pietersz Berchem' +p95817 +sa(dp95818 +g25273 +S'etching on laid paper' +p95819 +sg25267 +g27 +sg25275 +S'unknown date\n' +p95820 +sg25268 +S'Two Rams' +p95821 +sg25270 +S'Nicolaes Pietersz Berchem' +p95822 +sa(dp95823 +g25273 +S'etching on laid paper' +p95824 +sg25267 +g27 +sg25275 +S'unknown date\n' +p95825 +sg25268 +S'Two Sheep' +p95826 +sg25270 +S'Nicolaes Pietersz Berchem' +p95827 +sa(dp95828 +g25273 +S'etching on laid paper' +p95829 +sg25267 +g27 +sg25275 +S'unknown date\n' +p95830 +sg25268 +S'Two Sheep' +p95831 +sg25270 +S'Nicolaes Pietersz Berchem' +p95832 +sa(dp95833 +g25273 +S'etching on laid paper' +p95834 +sg25267 +g27 +sg25275 +S'unknown date\n' +p95835 +sg25268 +S'Title Page for Set of Goats' +p95836 +sg25270 +S'Nicolaes Pietersz Berchem' +p95837 +sa(dp95838 +g25273 +S'etching on laid paper' +p95839 +sg25267 +g27 +sg25275 +S'unknown date\n' +p95840 +sg25268 +S'Two Goats' +p95841 +sg25270 +S'Nicolaes Pietersz Berchem' +p95842 +sa(dp95843 +g25273 +S'etching on laid paper' +p95844 +sg25267 +g27 +sg25275 +S'unknown date\n' +p95845 +sg25268 +S'Two Goats' +p95846 +sg25270 +S'Nicolaes Pietersz Berchem' +p95847 +sa(dp95848 +g25268 +S'Virgin and Child in a Courtyard' +p95849 +sg25270 +S'Artist Information (' +p95850 +sg25273 +S'(artist after)' +p95851 +sg25275 +S'\n' +p95852 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a435.jpg' +p95853 +sg25267 +g27 +sa(dp95854 +g25273 +S'etching on laid paper' +p95855 +sg25267 +g27 +sg25275 +S'unknown date\n' +p95856 +sg25268 +S'Two Goats' +p95857 +sg25270 +S'Nicolaes Pietersz Berchem' +p95858 +sa(dp95859 +g25273 +S'etching on laid paper' +p95860 +sg25267 +g27 +sg25275 +S'unknown date\n' +p95861 +sg25268 +S'Two Goats' +p95862 +sg25270 +S'Nicolaes Pietersz Berchem' +p95863 +sa(dp95864 +g25273 +S'etching on laid paper' +p95865 +sg25267 +g27 +sg25275 +S'unknown date\n' +p95866 +sg25268 +S'Three Goats' +p95867 +sg25270 +S'Nicolaes Pietersz Berchem' +p95868 +sa(dp95869 +g25273 +S'etching on laid paper' +p95870 +sg25267 +g27 +sg25275 +S'unknown date\n' +p95871 +sg25268 +S'Large Stone with Bas-relief' +p95872 +sg25270 +S'Nicolaes Pietersz Berchem' +p95873 +sa(dp95874 +g25273 +S'etching on laid paper' +p95875 +sg25267 +g27 +sg25275 +S'unknown date\n' +p95876 +sg25268 +S'Three Sheep' +p95877 +sg25270 +S'Nicolaes Pietersz Berchem' +p95878 +sa(dp95879 +g25273 +S'etching on laid paper' +p95880 +sg25267 +g27 +sg25275 +S'unknown date\n' +p95881 +sg25268 +S'Ewe and Two Lambs' +p95882 +sg25270 +S'Nicolaes Pietersz Berchem' +p95883 +sa(dp95884 +g25273 +S'etching on laid paper' +p95885 +sg25267 +g27 +sg25275 +S'unknown date\n' +p95886 +sg25268 +S'Three Sheep and a Lamb' +p95887 +sg25270 +S'Nicolaes Pietersz Berchem' +p95888 +sa(dp95889 +g25273 +S'etching on laid paper' +p95890 +sg25267 +g27 +sg25275 +S'unknown date\n' +p95891 +sg25268 +S'Three Sheep' +p95892 +sg25270 +S'Nicolaes Pietersz Berchem' +p95893 +sa(dp95894 +g25273 +S'etching on laid paper' +p95895 +sg25267 +g27 +sg25275 +S'unknown date\n' +p95896 +sg25268 +S'Three Goats' +p95897 +sg25270 +S'Nicolaes Pietersz Berchem' +p95898 +sa(dp95899 +g25273 +S'etching on laid paper' +p95900 +sg25267 +g27 +sg25275 +S'unknown date\n' +p95901 +sg25268 +S'Ram and a Sheep' +p95902 +sg25270 +S'Nicolaes Pietersz Berchem' +p95903 +sa(dp95904 +g25268 +S'The Madonna with the Clock' +p95905 +sg25270 +S'Israhel van Meckenem' +p95906 +sg25273 +S'engraving' +p95907 +sg25275 +S'c. 1490' +p95908 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a434.jpg' +p95909 +sg25267 +g27 +sa(dp95910 +g25273 +S'etching on laid paper' +p95911 +sg25267 +g27 +sg25275 +S'unknown date\n' +p95912 +sg25268 +S'Two Goats' +p95913 +sg25270 +S'Nicolaes Pietersz Berchem' +p95914 +sa(dp95915 +g25273 +S'etching on laid paper' +p95916 +sg25267 +g27 +sg25275 +S'unknown date\n' +p95917 +sg25268 +S'Two Goats and a Kid' +p95918 +sg25270 +S'Nicolaes Pietersz Berchem' +p95919 +sa(dp95920 +g25273 +S'etching on laid paper' +p95921 +sg25267 +g27 +sg25275 +S'unknown date\n' +p95922 +sg25268 +S'Two Goats' +p95923 +sg25270 +S'Nicolaes Pietersz Berchem' +p95924 +sa(dp95925 +g25273 +S'etching on laid paper' +p95926 +sg25267 +g27 +sg25275 +S'unknown date\n' +p95927 +sg25268 +S'Three Sporting Dogs' +p95928 +sg25270 +S'Nicolaes Pietersz Berchem' +p95929 +sa(dp95930 +g25268 +S'The Woman on the Hinny' +p95931 +sg25270 +S'Jan Both' +p95932 +sg25273 +S'etching' +p95933 +sg25275 +S'unknown date\n' +p95934 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4d5.jpg' +p95935 +sg25267 +g27 +sa(dp95936 +g25268 +S'T\xc3\xaate de Flore (Head of Flora)' +p95937 +sg25270 +S'Artist Information (' +p95938 +sg25273 +S'(artist after)' +p95939 +sg25275 +S'\n' +p95940 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00010/a0001064.jpg' +p95941 +sg25267 +g27 +sa(dp95942 +g25268 +S'The Fishmongers' +p95943 +sg25270 +S'Peeter Bout' +p95944 +sg25273 +S'etching' +p95945 +sg25275 +S'unknown date\n' +p95946 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4e5.jpg' +p95947 +sg25267 +g27 +sa(dp95948 +g25268 +S'Huntsmen Resting' +p95949 +sg25270 +S'Peeter Bout' +p95950 +sg25273 +S'etching' +p95951 +sg25275 +S'unknown date\n' +p95952 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4ea.jpg' +p95953 +sg25267 +g27 +sa(dp95954 +g25268 +S'Ice Sleighs' +p95955 +sg25270 +S'Peeter Bout' +p95956 +sg25273 +S'etching' +p95957 +sg25275 +S'unknown date\n' +p95958 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4e9.jpg' +p95959 +sg25267 +g27 +sa(dp95960 +g25268 +S'The Skaters' +p95961 +sg25270 +S'Peeter Bout' +p95962 +sg25273 +S'etching' +p95963 +sg25275 +S'unknown date\n' +p95964 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4e8.jpg' +p95965 +sg25267 +g27 +sa(dp95966 +g25268 +S'The Holy Family' +p95967 +sg25270 +S'Israhel van Meckenem' +p95968 +sg25273 +S'engraving' +p95969 +sg25275 +S'c. 1475/1480' +p95970 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a44e.jpg' +p95971 +sg25267 +g27 +sa(dp95972 +g25268 +S'Grand Vase' +p95973 +sg25270 +S'Johann Teyler' +p95974 +sg25273 +S', unknown date' +p95975 +sg25275 +S'\n' +p95976 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f08.jpg' +p95977 +sg25267 +g27 +sa(dp95978 +g25268 +S'Grand Vase' +p95979 +sg25270 +S'Johann Teyler' +p95980 +sg25273 +S', unknown date' +p95981 +sg25275 +S'\n' +p95982 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d5ca.jpg' +p95983 +sg25267 +g27 +sa(dp95984 +g25268 +S'The River IJ at Amsterdam' +p95985 +sg25270 +S'Artist Information (' +p95986 +sg25273 +S'(artist after)' +p95987 +sg25275 +S'\n' +p95988 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d6/a000d62d.jpg' +p95989 +sg25267 +g27 +sa(dp95990 +g25268 +S'One of the Infantry Combats' +p95991 +sg25270 +S'Jacques Callot' +p95992 +sg25273 +S'etching' +p95993 +sg25275 +S'1616' +p95994 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008a/a0008aae.jpg' +p95995 +sg25267 +g27 +sa(dp95996 +g25268 +S'The Adoration of the Magi' +p95997 +sg25270 +S'Jacques Callot' +p95998 +sg25273 +S'etching' +p95999 +sg25275 +S'1623/1628' +p96000 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00086/a00086f4.jpg' +p96001 +sg25267 +g27 +sa(dp96002 +g25268 +S'Entry of M. le Comte de Brionne, Grand Chamberlain of His Highness,Representing Jason' +p96003 +sg25270 +S'Jacques Callot' +p96004 +sg25273 +S'etching' +p96005 +sg25275 +S'1627' +p96006 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00086/a0008600.jpg' +p96007 +sg25267 +g27 +sa(dp96008 +g25268 +S'Entry of M. de Couvonge and M. de Chalabre [extra plate]' +p96009 +sg25270 +S'Jacques Callot' +p96010 +sg25273 +S'etching' +p96011 +sg25275 +S'1627' +p96012 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00086/a00086b7.jpg' +p96013 +sg25267 +g27 +sa(dp96014 +g25268 +S'The Stag Hunt' +p96015 +sg25270 +S'Jacques Callot' +p96016 +sg25273 +S'etching' +p96017 +sg25275 +S'probably 1619' +p96018 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008d/a0008da0.jpg' +p96019 +sg25267 +g27 +sa(dp96020 +g25268 +S'The Crossing of the Red Sea' +p96021 +sg25270 +S'Jacques Callot' +p96022 +sg25273 +S'etching' +p96023 +sg25275 +S'1629' +p96024 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00086/a00086eb.jpg' +p96025 +sg25267 +g27 +sa(dp96026 +g25268 +S'The Crossing of the Red Sea' +p96027 +sg25270 +S'Jacques Callot' +p96028 +sg25273 +S'etching' +p96029 +sg25275 +S'1629' +p96030 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00086/a00086ec.jpg' +p96031 +sg25267 +g27 +sa(dp96032 +g25268 +S'Saint Matthew (Saint Paul?)' +p96033 +sg25270 +S'Artist Information (' +p96034 +sg25273 +S'(artist after)' +p96035 +sg25275 +S'\n' +p96036 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a42a.jpg' +p96037 +sg25267 +g27 +sa(dp96038 +g25268 +S'The Crossing of the Red Sea' +p96039 +sg25270 +S'Jacques Callot' +p96040 +sg25273 +S'etching' +p96041 +sg25275 +S'1629' +p96042 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00086/a00086ee.jpg' +p96043 +sg25267 +g27 +sa(dp96044 +g25268 +S'Frontispiece for Callot\'s "The New Testament"' +p96045 +sg25270 +S'Abraham Bosse' +p96046 +sg25273 +S'etching' +p96047 +sg25275 +S'1635' +p96048 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00088/a000881a.jpg' +p96049 +sg25267 +g27 +sa(dp96050 +g25268 +S'Christ Disputing with the Doctors' +p96051 +sg25270 +S'Jacques Callot' +p96052 +sg25273 +S'etching' +p96053 +sg25275 +S'1635' +p96054 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00088/a0008811.jpg' +p96055 +sg25267 +g27 +sa(dp96056 +g25268 +S'Fisher of Men' +p96057 +sg25270 +S'Jacques Callot' +p96058 +sg25273 +S'etching' +p96059 +sg25275 +S'1635' +p96060 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00088/a0008812.jpg' +p96061 +sg25267 +g27 +sa(dp96062 +g25268 +S'Jesus with the Pharisees' +p96063 +sg25270 +S'Jacques Callot' +p96064 +sg25273 +S'etching' +p96065 +sg25275 +S'1635' +p96066 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00088/a0008813.jpg' +p96067 +sg25267 +g27 +sa(dp96068 +g25268 +S'Sermon on the Mount' +p96069 +sg25270 +S'Jacques Callot' +p96070 +sg25273 +S'etching' +p96071 +sg25275 +S'1635' +p96072 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00088/a0008814.jpg' +p96073 +sg25267 +g27 +sa(dp96074 +g25268 +S'Christ and the Woman Taken in Adultery' +p96075 +sg25270 +S'Jacques Callot' +p96076 +sg25273 +S'etching' +p96077 +sg25275 +S'1635' +p96078 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00088/a00088c5.jpg' +p96079 +sg25267 +g27 +sa(dp96080 +g25268 +S'Stoning of Jesus' +p96081 +sg25270 +S'Jacques Callot' +p96082 +sg25273 +S'etching' +p96083 +sg25275 +S'1635' +p96084 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00088/a00088c6.jpg' +p96085 +sg25267 +g27 +sa(dp96086 +g25268 +S'Raising of Lazarus' +p96087 +sg25270 +S'Jacques Callot' +p96088 +sg25273 +S'etching' +p96089 +sg25275 +S'1635' +p96090 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00088/a00088b5.jpg' +p96091 +sg25267 +g27 +sa(dp96092 +g25268 +S'The Entry into Jerusalem' +p96093 +sg25270 +S'Jacques Callot' +p96094 +sg25273 +S'etching' +p96095 +sg25275 +S'1635' +p96096 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00088/a00088b6.jpg' +p96097 +sg25267 +g27 +sa(dp96098 +g25268 +S'Saint Andrew' +p96099 +sg25270 +S'Artist Information (' +p96100 +sg25273 +S'(artist after)' +p96101 +sg25275 +S'\n' +p96102 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a429.jpg' +p96103 +sg25267 +g27 +sa(dp96104 +g25268 +S"Caesar's Coin" +p96105 +sg25270 +S'Jacques Callot' +p96106 +sg25273 +S'etching' +p96107 +sg25275 +S'1635' +p96108 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00088/a00088bf.jpg' +p96109 +sg25267 +g27 +sa(dp96110 +g25268 +S'Conversion of Paul' +p96111 +sg25270 +S'Jacques Callot' +p96112 +sg25273 +S'etching' +p96113 +sg25275 +S'1635' +p96114 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00088/a00088c0.jpg' +p96115 +sg25267 +g27 +sa(dp96116 +g25268 +S'View of the Festival' +p96117 +sg25270 +S'Jacques Callot' +p96118 +sg25273 +S'etching' +p96119 +sg25275 +S'1616' +p96120 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008a/a0008aaf.jpg' +p96121 +sg25267 +g27 +sa(dp96122 +g25268 +S'The Coiffure' +p96123 +sg25270 +S'Mary Cassatt' +p96124 +sg25273 +S'drypoint' +p96125 +sg25275 +S'c. 1891' +p96126 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fa48.jpg' +p96127 +sg25267 +g27 +sa(dp96128 +g25268 +S'Afternoon Tea Party' +p96129 +sg25270 +S'Mary Cassatt' +p96130 +sg25273 +S'color drypoint and aquatint' +p96131 +sg25275 +S'1890/1891' +p96132 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fa49.jpg' +p96133 +sg25267 +g27 +sa(dp96134 +g25268 +S'Afternoon Tea Party' +p96135 +sg25270 +S'Mary Cassatt' +p96136 +sg25273 +S'drypoint and aquatint in black on wove paper' +p96137 +sg25275 +S'1890/1891' +p96138 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a4f.jpg' +p96139 +sg25267 +g27 +sa(dp96140 +g25268 +S'The Fitting' +p96141 +sg25270 +S'Mary Cassatt' +p96142 +sg25273 +S'drypoint in black on medium-weight laid paper' +p96143 +sg25275 +S'1890/1891' +p96144 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fa41.jpg' +p96145 +sg25267 +g27 +sa(dp96146 +g25268 +S'In the Opera Box (No. 3)' +p96147 +sg25270 +S'Mary Cassatt' +p96148 +sg25273 +S'softground etching, aquatint, and etching in black on wove paper' +p96149 +sg25275 +S'c. 1880' +p96150 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00058/a0005811.jpg' +p96151 +sg25267 +g27 +sa(dp96152 +g25268 +S'In the Opera Box (No. 3)' +p96153 +sg25270 +S'Mary Cassatt' +p96154 +sg25273 +S'soft-ground etching and aquatint' +p96155 +sg25275 +S'c. 1880' +p96156 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fa2b.jpg' +p96157 +sg25267 +g27 +sa(dp96158 +g25268 +S'In the Opera Box (No. 3) [recto]' +p96159 +sg25270 +S'Mary Cassatt' +p96160 +sg25273 +S'graphite on wove paper' +p96161 +sg25275 +S'1880' +p96162 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0aa.jpg' +p96163 +sg25267 +g27 +sa(dp96164 +g25268 +S'Saint James the Great' +p96165 +sg25270 +S'Artist Information (' +p96166 +sg25273 +S'(artist after)' +p96167 +sg25275 +S'\n' +p96168 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a42b.jpg' +p96169 +sg25267 +g27 +sa(dp96170 +g25273 +S'transferred soft-ground medium and traces of brown wash' +p96171 +sg25267 +g27 +sg25275 +S'1880' +p96172 +sg25268 +S'In the Opera Box [verso]' +p96173 +sg25270 +S'Mary Cassatt' +p96174 +sa(dp96175 +g25268 +S'Mimi Holding a Japanese Fan' +p96176 +sg25270 +S'Mary Cassatt' +p96177 +sg25273 +S'drypoint' +p96178 +sg25275 +S'c. 1889' +p96179 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fa32.jpg' +p96180 +sg25267 +g27 +sa(dp96181 +g25268 +S'Mimi as a Brunette' +p96182 +sg25270 +S'Mary Cassatt' +p96183 +sg25273 +S'drypoint' +p96184 +sg25275 +S'c. 1889' +p96185 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fa33.jpg' +p96186 +sg25267 +g27 +sa(dp96187 +g25268 +S'The Lamp' +p96188 +sg25270 +S'Mary Cassatt' +p96189 +sg25273 +S'drypoint and soft-ground etching in black on cream wove paper' +p96190 +sg25275 +S'c. 1891' +p96191 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ff/a000ffa3.jpg' +p96192 +sg25267 +g27 +sa(dp96193 +g25268 +S'Lydia at Afternoon Tea' +p96194 +sg25270 +S'Mary Cassatt' +p96195 +sg25273 +S'soft-ground etching and aquatint' +p96196 +sg25275 +S'1882' +p96197 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fa2d.jpg' +p96198 +sg25267 +g27 +sa(dp96199 +g25268 +S'Maternal Caress' +p96200 +sg25270 +S'Mary Cassatt' +p96201 +sg25273 +S'drypoint and soft-ground etching in color' +p96202 +sg25275 +S'c. 1891' +p96203 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fa43.jpg' +p96204 +sg25267 +g27 +sa(dp96205 +g25268 +S'Peasant Mother and Child' +p96206 +sg25270 +S'Mary Cassatt' +p96207 +sg25273 +S'drypoint' +p96208 +sg25275 +S'c. 1894' +p96209 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fa93.jpg' +p96210 +sg25267 +g27 +sa(dp96211 +g25268 +S'Preparing Bill for an Outing' +p96212 +sg25270 +S'Mary Cassatt' +p96213 +sg25273 +S'soft-ground etching' +p96214 +sg25275 +S'c. 1889' +p96215 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fa3a.jpg' +p96216 +sg25267 +g27 +sa(dp96217 +g25268 +S"Portrait of the Artist's Mother" +p96218 +sg25270 +S'Mary Cassatt' +p96219 +sg25273 +S'soft-ground etching and aquatint in light brown, yellow, and green' +p96220 +sg25275 +S'c. 1889' +p96221 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a50.jpg' +p96222 +sg25267 +S"In 1877, Mary Cassatt's parents came to live with her in Paris. From this time on, her \n mother Katherine became a favorite subject for Cassatt's paintings, drawings, and prints. \n In this portrait, Mrs. Cassatt, who was in poor health, sits in a chair, her head resting \n on her hand; she seems immersed in a contemplative reverie.\n This complex print combines both \n In the final \n " +p96223 +sa(dp96224 +g25273 +S'drypoint on wove paper' +p96225 +sg25267 +g27 +sg25275 +S'1890/1891' +p96226 +sg25268 +S'Woman Bathing' +p96227 +sg25270 +S'Mary Cassatt' +p96228 +sa(dp96229 +g25268 +S'Saint James the Less' +p96230 +sg25270 +S'Artist Information (' +p96231 +sg25273 +S'(artist after)' +p96232 +sg25275 +S'\n' +p96233 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a424.jpg' +p96234 +sg25267 +g27 +sa(dp96235 +g25268 +S'Woman Bathing' +p96236 +sg25270 +S'Mary Cassatt' +p96237 +sg25273 +S'color drypoint and aquatint' +p96238 +sg25275 +S'1890/1891' +p96239 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fa47.jpg' +p96240 +sg25267 +g27 +sa(dp96241 +g25268 +S'In the Omnibus' +p96242 +sg25270 +S'Mary Cassatt' +p96243 +sg25273 +S'soft-ground etching and drypoint in black, reworked with graphite' +p96244 +sg25275 +S'c. 1891' +p96245 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a52.jpg' +p96246 +sg25267 +g27 +sa(dp96247 +g25268 +S'The Visitor' +p96248 +sg25270 +S'Mary Cassatt' +p96249 +sg25273 +S'soft-ground etching, aquatint, etching, and drypoint on cream laid paper' +p96250 +sg25275 +S'c. 1880' +p96251 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004b/a0004b73.jpg' +p96252 +sg25267 +g27 +sa(dp96253 +g25268 +S'Francis M. Drexel' +p96254 +sg25270 +S'Timothy Cole' +p96255 +sg25273 +S'wood engraving' +p96256 +sg25275 +S'1927' +p96257 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fe/a000fe42.jpg' +p96258 +sg25267 +g27 +sa(dp96259 +g25268 +S'Mrs. Graham' +p96260 +sg25270 +S'Artist Information (' +p96261 +sg25273 +S'(artist after)' +p96262 +sg25275 +S'\n' +p96263 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fe/a000fe43.jpg' +p96264 +sg25267 +g27 +sa(dp96265 +g25268 +S'Elena Grimaldi' +p96266 +sg25270 +S'Artist Information (' +p96267 +sg25273 +S'(artist after)' +p96268 +sg25275 +S'\n' +p96269 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fe/a000fe41.jpg' +p96270 +sg25267 +g27 +sa(dp96271 +g25268 +S'Dr. Pasteur' +p96272 +sg25270 +S'Artist Information (' +p96273 +sg25273 +S'(artist after)' +p96274 +sg25275 +S'\n' +p96275 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fe/a000fe38.jpg' +p96276 +sg25267 +g27 +sa(dp96277 +g25268 +S'Rembrandt' +p96278 +sg25270 +S'Artist Information (' +p96279 +sg25273 +S'(artist after)' +p96280 +sg25275 +S'\n' +p96281 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fe/a000fe3c.jpg' +p96282 +sg25267 +g27 +sa(dp96283 +g25268 +S'Philemon and Baucis' +p96284 +sg25270 +S'Artist Information (' +p96285 +sg25273 +S'(artist after)' +p96286 +sg25275 +S'\n' +p96287 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fe/a000fe47.jpg' +p96288 +sg25267 +g27 +sa(dp96289 +g25268 +S'Philemon and Baucis' +p96290 +sg25270 +S'Artist Information (' +p96291 +sg25273 +S'(artist after)' +p96292 +sg25275 +S'\n' +p96293 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fe/a000fe46.jpg' +p96294 +sg25267 +g27 +sa(dp96295 +g25268 +S'Saint Philip' +p96296 +sg25270 +S'Artist Information (' +p96297 +sg25273 +S'(artist after)' +p96298 +sg25275 +S'\n' +p96299 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a422.jpg' +p96300 +sg25267 +g27 +sa(dp96301 +g25268 +S'Rodin' +p96302 +sg25270 +S'Artist Information (' +p96303 +sg25273 +S'(artist after)' +p96304 +sg25275 +S'\n' +p96305 +sg25314 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+sg25270 +S'Giovanni Battista Piranesi' +p98582 +sg25273 +S'etching, engraving, scratching, sulphur tint or open bite, drypoint' +p98583 +sg25275 +S'published 1750/1758' +p98584 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc31.jpg' +p98585 +sg25267 +g27 +sa(dp98586 +g25268 +S'The Sawhorse' +p98587 +sg25270 +S'Giovanni Battista Piranesi' +p98588 +sg25273 +S'etching, engraving, sulphur tint or open bite, scratching' +p98589 +sg25275 +S'published 1750/1758' +p98590 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc32.jpg' +p98591 +sg25267 +g27 +sa(dp98592 +g25268 +S'The Well' +p98593 +sg25270 +S'Giovanni Battista Piranesi' +p98594 +sg25273 +S'etching, engraving, scratching, burnishing, and lavis' +p98595 +sg25275 +S'published 1750/1758' +p98596 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0001e/a0001e2c.jpg' +p98597 +sg25267 +g27 +sa(dp98598 +g25268 +S'The Gothic Arch' +p98599 +sg25270 +S'Giovanni Battista Piranesi' +p98600 +sg25273 +S'etching, engraving, sulphur tint or open bite, burnishing' +p98601 +sg25275 +S'published 1750/1758' +p98602 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc2c.jpg' +p98603 +sg25267 +g27 +sa(dp98604 +g25268 +S'The Pier with a Lamp' +p98605 +sg25270 +S'Giovanni Battista Piranesi' +p98606 +sg25273 +S'etching, engraving, sulphur tint or open bite, burnishing' +p98607 +sg25275 +S'published 1750/1758' +p98608 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc2d.jpg' +p98609 +sg25267 +g27 +sa(dp98610 +g25268 +S'The Pier with Chains' +p98611 +sg25270 +S'Giovanni Battista Piranesi' +p98612 +sg25273 +S'etching, engraving, sulphur tint or open bite, burnishing' +p98613 +sg25275 +S'published 1750/1758' +p98614 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc2e.jpg' +p98615 +sg25267 +g27 +sa(dp98616 +g25273 +S'woodcut' +p98617 +sg25267 +g27 +sg25275 +S'1517' +p98618 +sg25268 +S'Massacre of the Innocents' +p98619 +sg25270 +S'Domenico Campagnola' +p98620 +sa(dp98621 +g25268 +S'Charles I, King of England' +p98622 +sg25270 +S'Artist Information (' +p98623 +sg25273 +S'(artist after)' +p98624 +sg25275 +S'\n' +p98625 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d5e9.jpg' +p98626 +sg25267 +g27 +sa(dp98627 +g25268 +S'Love as Folly' +p98628 +sg25270 +S'Jean-Honor\xc3\xa9 Fragonard' +p98629 +sg25273 +S'oil on canvas' +p98630 +sg25275 +S'c. 1773/1776' +p98631 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005a/a0005ab6.jpg' +p98632 +sg25267 +g27 +sa(dp98633 +g25268 +S'Love the Sentinel' +p98634 +sg25270 +S'Jean-Honor\xc3\xa9 Fragonard' +p98635 +sg25273 +S'oil on canvas' +p98636 +sg25275 +S'c. 1773/1776' +p98637 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005a/a0005ab7.jpg' +p98638 +sg25267 +g27 +sa(dp98639 +g25268 +S'Dutch Ships in a Lively Breeze' +p98640 +sg25270 +S'Artist Information (' +p98641 +sg25273 +S'Dutch, 1620/1622 - 1676' +p98642 +sg25275 +S'(related artist)' +p98643 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00069/a0006948.jpg' +p98644 +sg25267 +g27 +sa(dp98645 +g25268 +S'Captain Charles Stewart' +p98646 +sg25270 +S'Thomas Sully' +p98647 +sg25273 +S'oil on canvas' +p98648 +sg25275 +S'1811-1812' +p98649 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a0000267.jpg' +p98650 +sg25267 +S"This dashing young captain was to become one of America's most famous naval\ncommanders.\nIn the summer of 1813, Charles Stewart took command of the \n Portrayed at age thirty-three, the captain reveals his years of active duty by his\nvigorous stance, feet braced apart as though planted on a rolling deck -- an assertive,\neven swaggering, posture most unexpected in a formal portrait. His thumb aggressively\npresses down upon the desk's naval charts, and a world globe emerges beneath the\ntablecloth. The white, lower half of Stewart's uniform stands out against the shaded\nroom, while a shaft of sunshine on the upper wall silhouettes his dark, navy coat\nand cocked elbow.\n Captain Charles Stewart\n " +p98651 +sa(dp98652 +g25268 +S'The Mill' +p98653 +sg25270 +S'Artist Information (' +p98654 +sg25273 +S'(artist after)' +p98655 +sg25275 +S'\n' +p98656 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007a2f.jpg' +p98657 +sg25267 +g27 +sa(dp98658 +g25268 +S'Circular Ornament with Musicians Playing near a Well' +p98659 +sg25270 +S'Israhel van Meckenem' +p98660 +sg25273 +S'engraving' +p98661 +sg25275 +S'c. 1495/1503' +p98662 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00068/a0006849.jpg' +p98663 +sg25267 +g27 +sa(dp98664 +g25268 +S'A Prince of Saxony' +p98665 +sg25270 +S'Lucas Cranach the Elder' +p98666 +sg25273 +S'oil on panel' +p98667 +sg25275 +S'c. 1517' +p98668 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a0000541.jpg' +p98669 +sg25267 +g27 +sa(dp98670 +g25268 +S'A Princess of Saxony' +p98671 +sg25270 +S'Lucas Cranach the Elder' +p98672 +sg25273 +S'oil on panel' +p98673 +sg25275 +S'c. 1517' +p98674 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a00004be.jpg' +p98675 +sg25267 +g27 +sa(dp98676 +g25268 +S'Portrait of a Nobleman' +p98677 +sg25270 +S'Nicolaus Kremer' +p98678 +sg25273 +S'oil on panel' +p98679 +sg25275 +S'1529' +p98680 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a0000545.jpg' +p98681 +sg25267 +g27 +sa(dp98682 +g25268 +S'Hans Roth [obverse]' +p98683 +sg25270 +S'Bernhard Strigel' +p98684 +sg25273 +S'oil on panel' +p98685 +sg25275 +S'1527' +p98686 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a000056e.jpg' +p98687 +sg25267 +g27 +sa(dp98688 +g25273 +S'oil on panel' +p98689 +sg25267 +g27 +sg25275 +S'1527' +p98690 +sg25268 +S'Hans Roth [reverse]' +p98691 +sg25270 +S'Bernhard Strigel' +p98692 +sa(dp98693 +g25268 +S'Margarethe V\xc3\xb6hlin, Wife of Hans Roth [obverse]' +p98694 +sg25270 +S'Bernhard Strigel' +p98695 +sg25273 +S'oil on panel' +p98696 +sg25275 +S'1527' +p98697 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a0000543.jpg' +p98698 +sg25267 +g27 +sa(dp98699 +g25273 +S'oil on panel' +p98700 +sg25267 +g27 +sg25275 +S'1527' +p98701 +sg25268 +S'Margarethe V\xc3\xb6hlin, Wife of Hans Roth [reverse]' +p98702 +sg25270 +S'Bernhard Strigel' +p98703 +sa(dp98704 +g25268 +S'The Madonna of the Stars' +p98705 +sg25270 +S'Jacopo Tintoretto' +p98706 +sg25273 +S'oil on canvas' +p98707 +sg25275 +S'second half 16th century' +p98708 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a0000829.jpg' +p98709 +sg25267 +S"Here, Tintoretto combined a traditional religious subject with a tender\n image of young motherhood. Shown in half-length, the Virgin Mary is seated\n in an unidentified space, with the Christ child lying contentedly across\n her knees in a pose that prefigures images of the \n In contrast to the dramatic use of color found in many of Tintoretto's\n late works, his palette is here light and harmonious. The warm yellow of\n the background balances the soft red of the Virgin's dress and the Child's\n rosy flesh. The paint is thinly applied with the rapid, confident\n brushstrokes that characterize Tintoretto's later style. The painting's\n small size and intimate mood suggest that it was made for personal devotion\n in a private home.\n " +p98710 +sa(dp98711 +g25273 +S'wood engraving' +p98712 +sg25267 +g27 +sg25275 +S'1946' +p98713 +sg25268 +S'The Boyer Place' +p98714 +sg25270 +S'Grace Thurston Arnold Albee' +p98715 +sa(dp98716 +g25268 +S"Beggar's Opera, Act III" +p98717 +sg25270 +S'Artist Information (' +p98718 +sg25273 +S'(artist after)' +p98719 +sg25275 +S'\n' +p98720 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00078/a0007897.jpg' +p98721 +sg25267 +g27 +sa(dp98722 +g25268 +S'Head of an Aged Man' +p98723 +sg25270 +S'Israhel van Meckenem' +p98724 +sg25273 +S'engraving' +p98725 +sg25275 +S'c. 1480/1490' +p98726 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a4c9.jpg' +p98727 +sg25267 +g27 +sa(dp98728 +g25268 +S'Lecon de Dessin' +p98729 +sg25270 +S'Johann Anton Andree' +p98730 +sg25273 +S', unknown date' +p98731 +sg25275 +S'\n' +p98732 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b3f6.jpg' +p98733 +sg25267 +g27 +sa(dp98734 +g25268 +S'Lecon de Musique' +p98735 +sg25270 +S'Johann Anton Andree' +p98736 +sg25273 +S', unknown date' +p98737 +sg25275 +S'\n' +p98738 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b3f5.jpg' +p98739 +sg25267 +g27 +sa(dp98740 +g25273 +S'overall: 18.4 x 12.7 cm (7 1/4 x 5 in.)' +p98741 +sg25267 +g27 +sg25275 +S'\nminiature on vellum' +p98742 +sg25268 +S'The Crucifixion [recto]' +p98743 +sg25270 +S'German 13th Century' +p98744 +sa(dp98745 +g25273 +S'overall: 18.4 x 12.7 cm (7 1/4 x 5 in.)' +p98746 +sg25267 +g27 +sg25275 +S'\nminiature on vellum' +p98747 +sg25268 +S'The Three Women at the Tomb [verso]' +p98748 +sg25270 +S'German 13th Century' +p98749 +sa(dp98750 +g25268 +S'Madonna and Child with a Bell' +p98751 +sg25270 +S'German 15th Century' +p98752 +sg25273 +S'Lehrs, undescribed' +p98753 +sg25275 +S'\nengraving' +p98754 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a3/a000a3c9.jpg' +p98755 +sg25267 +g27 +sa(dp98756 +g25268 +S'Dance in a Madhouse' +p98757 +sg25270 +S'George Bellows' +p98758 +sg25273 +S'lithograph in black on Asian paper' +p98759 +sg25275 +S'1917' +p98760 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c1/a000c1c3.jpg' +p98761 +sg25267 +g27 +sa(dp98762 +g25273 +S'lithograph on wove paper' +p98763 +sg25267 +g27 +sg25275 +S'1916' +p98764 +sg25268 +S'Prayer Meeting, No.2' +p98765 +sg25270 +S'George Bellows' +p98766 +sa(dp98767 +g25268 +S'Pride' +p98768 +sg25270 +S'Jakob Binck' +p98769 +sg25273 +S'engraving' +p98770 +sg25275 +S'unknown date\n' +p98771 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a8ed.jpg' +p98772 +sg25267 +g27 +sa(dp98773 +g25273 +S'color lithograph' +p98774 +sg25267 +g27 +sg25275 +S'1945' +p98775 +sg25268 +S'Phaeton, or Chariot I' +p98776 +sg25270 +S'Georges Braque' +p98777 +sa(dp98778 +g25268 +S"Solomon's Idolatry" +p98779 +sg25270 +S'Hans Burgkmair I' +p98780 +sg25273 +S'woodcut' +p98781 +sg25275 +S'1519' +p98782 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a8dc.jpg' +p98783 +sg25267 +g27 +sa(dp98784 +g25268 +S'The Death of Lucretia' +p98785 +sg25270 +S'Israhel van Meckenem' +p98786 +sg25273 +S'engraving' +p98787 +sg25275 +S'c. 1500/1503' +p98788 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f5f.jpg' +p98789 +sg25267 +g27 +sa(dp98790 +g25273 +S'lithograph' +p98791 +sg25267 +g27 +sg25275 +S'1946' +p98792 +sg25268 +S'The Black Sheep' +p98793 +sg25270 +S'Malcolm Cameron' +p98794 +sa(dp98795 +g25268 +S'Piet\xc3\xa0 (the "Christ of Caprarola")' +p98796 +sg25270 +S'Annibale Carracci' +p98797 +sg25273 +S'etching, engraving and drypoint' +p98798 +sg25275 +S'1597' +p98799 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c990.jpg' +p98800 +sg25267 +g27 +sa(dp98801 +g25268 +S'Titian' +p98802 +sg25270 +S'Artist Information (' +p98803 +sg25273 +S'(artist after)' +p98804 +sg25275 +S'\n' +p98805 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cb73.jpg' +p98806 +sg25267 +g27 +sa(dp98807 +g25268 +S'Lady in Black, in a Loge, Facing Right' +p98808 +sg25270 +S'Mary Cassatt' +p98809 +sg25273 +S'soft-ground etching' +p98810 +sg25275 +S'c. 1880' +p98811 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005c/a0005c92.jpg' +p98812 +sg25267 +g27 +sa(dp98813 +g25268 +S'Afternoon Promenade' +p98814 +sg25270 +S'Mary Cassatt' +p98815 +sg25273 +S'soft-ground etching' +p98816 +sg25275 +S'c. 1881' +p98817 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fa30.jpg' +p98818 +sg25267 +g27 +sa(dp98819 +g25268 +S'The Corner of the Sofa (No. 3)' +p98820 +sg25270 +S'Mary Cassatt' +p98821 +sg25273 +S'soft-ground etching and aquatint' +p98822 +sg25275 +S'c. 1879' +p98823 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fa2f.jpg' +p98824 +sg25267 +g27 +sa(dp98825 +g25268 +S"The Sign Painter (Le Peintre d'Enseignes)" +p98826 +sg25270 +S'Nicolas-Toussaint Charlet' +p98827 +sg25273 +S'lithograph' +p98828 +sg25275 +S'unknown date\n' +p98829 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00091/a0009186.jpg' +p98830 +sg25267 +g27 +sa(dp98831 +g25273 +S'wood engraving' +p98832 +sg25267 +g27 +sg25275 +S'1946' +p98833 +sg25268 +S'Reflection in Crystal' +p98834 +sg25270 +S'Asa Cheffetz' +p98835 +sa(dp98836 +g25268 +S'Court with Trees (Bahnhof Tiergarten)' +p98837 +sg25270 +S'Lovis Corinth' +p98838 +sg25273 +S'drypoint' +p98839 +sg25275 +S'1920/1921' +p98840 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b6/a000b68e.jpg' +p98841 +sg25267 +g27 +sa(dp98842 +g25268 +S'Large Walchen Sea Landscape (Grosse Walchenseelandschaft)' +p98843 +sg25270 +S'Lovis Corinth' +p98844 +sg25273 +S'drypoint' +p98845 +sg25275 +S'1923' +p98846 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c5/a000c508.jpg' +p98847 +sg25267 +g27 +sa(dp98848 +g25268 +S'Coat of Arms with Tumbling Boy' +p98849 +sg25270 +S'Artist Information (' +p98850 +sg25273 +S'(artist after)' +p98851 +sg25275 +S'\n' +p98852 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a4cb.jpg' +p98853 +sg25267 +g27 +sa(dp98854 +g25268 +S'Mother-in-Law (Bei den Corinthern)' +p98855 +sg25270 +S'Lovis Corinth' +p98856 +sg25273 +S'drypoint' +p98857 +sg25275 +S'1919' +p98858 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b6/a000b680.jpg' +p98859 +sg25267 +g27 +sa(dp98860 +g25268 +S'On the Walchen Sea (Am Walchensee)' +p98861 +sg25270 +S'Lovis Corinth' +p98862 +sg25273 +S'drypoint' +p98863 +sg25275 +S'1920' +p98864 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b6/a000b689.jpg' +p98865 +sg25267 +g27 +sa(dp98866 +g25268 +S'Rape (Frauenr\xc3\xa4uber)' +p98867 +sg25270 +S'Lovis Corinth' +p98868 +sg25273 +S'drypoint' +p98869 +sg25275 +S'1920' +p98870 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b6/a000b690.jpg' +p98871 +sg25267 +g27 +sa(dp98872 +g25268 +S'Self-Portrait in a Straw Hat (Selbstbildnis im Strohhut)' +p98873 +sg25270 +S'Lovis Corinth' +p98874 +sg25273 +S'drypoint' +p98875 +sg25275 +S'1913' +p98876 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b6/a000b647.jpg' +p98877 +sg25267 +g27 +sa(dp98878 +g25268 +S'Self-Portrait in a Straw Hat (Selbstbildnis im Strohhut)' +p98879 +sg25270 +S'Lovis Corinth' +p98880 +sg25273 +S'drypoint' +p98881 +sg25275 +S'1913' +p98882 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b6/a000b64c.jpg' +p98883 +sg25267 +g27 +sa(dp98884 +g25268 +S'Street in K\xc3\xb6nigsberg (Strasse in K\xc3\xb6nigsberg)' +p98885 +sg25270 +S'Lovis Corinth' +p98886 +sg25273 +S'lithograph' +p98887 +sg25275 +S'1918' +p98888 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b6/a000b67b.jpg' +p98889 +sg25267 +g27 +sa(dp98890 +g25268 +S'The Temptation of Saint Anthony (Die Versuchung des heiligen Antonius)' +p98891 +sg25270 +S'Lovis Corinth' +p98892 +sg25273 +S'drypoint' +p98893 +sg25275 +S'1919' +p98894 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b6/a000b678.jpg' +p98895 +sg25267 +g27 +sa(dp98896 +g25273 +S'etching' +p98897 +sg25267 +g27 +sg25275 +S'1945' +p98898 +sg25268 +S'Brooklyn Landscape' +p98899 +sg25270 +S'Stephen Csoka' +p98900 +sa(dp98901 +g25268 +S"Donkey at a Watering Place (L'Ane a l'abreuvoir)" +p98902 +sg25270 +S'Charles-Fran\xc3\xa7ois Daubigny' +p98903 +sg25273 +S'aquatint' +p98904 +sg25275 +S'probably 1850' +p98905 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00091/a00091d0.jpg' +p98906 +sg25267 +g27 +sa(dp98907 +g25268 +S'Large Sheepfold (Le Grand parc a moutons)' +p98908 +sg25270 +S'Charles-Fran\xc3\xa7ois Daubigny' +p98909 +sg25273 +S'etching' +p98910 +sg25275 +S'1860' +p98911 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00091/a00091d7.jpg' +p98912 +sg25267 +g27 +sa(dp98913 +g25268 +S'Coat of Arms with Lion' +p98914 +sg25270 +S'Israhel van Meckenem' +p98915 +sg25273 +S'engraving' +p98916 +sg25275 +S'c. 1480/1490' +p98917 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a4ca.jpg' +p98918 +sg25267 +g27 +sa(dp98919 +g25268 +S'The Meadow at Grave, near Villerville (Le Pre des Graves, a Villerville)' +p98920 +sg25270 +S'Charles-Fran\xc3\xa7ois Daubigny' +p98921 +sg25273 +S'etching' +p98922 +sg25275 +S'1875' +p98923 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00091/a00091de.jpg' +p98924 +sg25267 +g27 +sa(dp98925 +g25268 +S'Satyr (Le 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+S'Bull Attacked by Dogs' +p99117 +sg25270 +S'Francisco de Goya' +p99118 +sg25273 +S'lithograph' +p99119 +sg25275 +S'c. 1825' +p99120 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000eda9.jpg' +p99121 +sg25267 +g27 +sa(dp99122 +g25273 +S'engraving on laid paper [state proof]' +p99123 +sg25267 +g27 +sg25275 +S'unknown date\n' +p99124 +sg25268 +S'The Ferocious Chase (Chasse feroce)' +p99125 +sg25270 +S'Joseph Hecht' +p99126 +sa(dp99127 +g25273 +S'drypoint' +p99128 +sg25267 +g27 +sg25275 +S'1946' +p99129 +sg25268 +S'Lancaster County Farmer' +p99130 +sg25270 +S'Arthur William Heintzelman' +p99131 +sa(dp99132 +g25273 +S'graphite on laid paper' +p99133 +sg25267 +g27 +sg25275 +S'1904' +p99134 +sg25268 +S'Four People Seated on a Bench' +p99135 +sg25270 +S'K\xc3\xa4the Kollwitz' +p99136 +sa(dp99137 +g25273 +S'woodcut in black, reworked with white gouache, on japan paper [trial proof]' +p99138 +sg25267 +g27 +sg25275 +S'1922/1923' +p99139 +sg25268 +S'The Sacrifice (Das Opfer)' +p99140 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Marcelle Lender, en buste)' +p99892 +sg25270 +S'Henri de Toulouse-Lautrec' +p99893 +sg25273 +S'lithograph in olive green on japan paper' +p99894 +sg25275 +S'1895' +p99895 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009e/a0009e4c.jpg' +p99896 +sg25267 +g27 +sa(dp99897 +g25268 +S'Miss Lo\xc3\xafe Fuller' +p99898 +sg25270 +S'Henri de Toulouse-Lautrec' +p99899 +sg25273 +S'color lithograph' +p99900 +sg25275 +S'1893' +p99901 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00020/a0002032.jpg' +p99902 +sg25267 +g27 +sa(dp99903 +g25268 +S'Ornament with Morris Dancers' +p99904 +sg25270 +S'Israhel van Meckenem' +p99905 +sg25273 +S'engraving' +p99906 +sg25275 +S'c. 1490/1500' +p99907 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a44c.jpg' +p99908 +sg25267 +g27 +sa(dp99909 +g25268 +S'Carabinier Mounting a Horse' +p99910 +sg25270 +S'Carle Vernet' +p99911 +sg25273 +S'lithograph' +p99912 +sg25275 +S'unknown date\n' +p99913 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009e/a0009e96.jpg' +p99914 +sg25267 +g27 +sa(dp99915 +g25268 +S'French Race Horses' +p99916 +sg25270 +S'Carle Vernet' +p99917 +sg25273 +S'hand-colored lithograph' +p99918 +sg25275 +S'unknown date\n' +p99919 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a0/a000a05d.jpg' +p99920 +sg25267 +g27 +sa(dp99921 +g25268 +S'Gellius de Bouma' +p99922 +sg25270 +S'Cornelis Visscher' +p99923 +sg25273 +S'engraving and etching' +p99924 +sg25275 +S'unknown date\n' +p99925 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d5e0.jpg' +p99926 +sg25267 +g27 +sa(dp99927 +g25273 +S'lithograph' +p99928 +sg25267 +g27 +sg25275 +S'1947' +p99929 +sg25268 +S'Cape Ann Willows' +p99930 +sg25270 +S'Stow Wengenroth' +p99931 +sa(dp99932 +g25268 +S'The Ball' +p99933 +sg25270 +S'Master MZ' +p99934 +sg25273 +S'engraving' +p99935 +sg25275 +S'1500' +p99936 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004c/a0004c13.jpg' +p99937 +sg25267 +g27 +sa(dp99938 +g25268 +S'Nieuwmarkt with St. Anthoniswaag (S. Anthoni s Marckt met de Waegh)' +p99939 +sg25270 +S'Reinier Nooms, called Zeeman' +p99940 +sg25273 +S', unknown date' +p99941 +sg25275 +S'\n' +p99942 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4b0.jpg' +p99943 +sg25267 +g27 +sa(dp99944 +g25268 +S'Eenhoorns Sluis (De Eenhoorns Sluys)' +p99945 +sg25270 +S'Reinier Nooms, called Zeeman' +p99946 +sg25273 +S', unknown date' +p99947 +sg25275 +S'\n' +p99948 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4b1.jpg' +p99949 +sg25267 +g27 +sa(dp99950 +g25268 +S'Noordenmarkt with the Noorden Kerk (De Noorder Marckt met de Kerck)' +p99951 +sg25270 +S'Reinier Nooms, called Zeeman' +p99952 +sg25273 +S', unknown date' +p99953 +sg25275 +S'\n' +p99954 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4b2.jpg' +p99955 +sg25267 +g27 +sa(dp99956 +g25268 +S'Roowaensche Quay (De Roowaensche Kaey)' +p99957 +sg25270 +S'Reinier Nooms, called Zeeman' +p99958 +sg25273 +S', unknown date' +p99959 +sg25275 +S'\n' +p99960 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4b7.jpg' +p99961 +sg25267 +g27 +sa(dp99962 +g25268 +S'The Ferry to Utrecht (Het veer van der Uytersche schiet-schuyten)' +p99963 +sg25270 +S'Reinier Nooms, called Zeeman' +p99964 +sg25273 +S', unknown date' +p99965 +sg25275 +S'\n' +p99966 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4b6.jpg' +p99967 +sg25267 +g27 +sa(dp99968 +g25268 +S'Appelmarkt (De Appelmarckt)' +p99969 +sg25270 +S'Reinier Nooms, called Zeeman' +p99970 +sg25273 +S', unknown date' +p99971 +sg25275 +S'\n' +p99972 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4b5.jpg' +p99973 +sg25267 +g27 +sa(dp99974 +g25268 +S'The Ferry to Leiden (Het Leytsche veer)' +p99975 +sg25270 +S'Reinier Nooms, called Zeeman' +p99976 +sg25273 +S', unknown date' +p99977 +sg25275 +S'\n' +p99978 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4b4.jpg' +p99979 +sg25267 +g27 +sa(dp99980 +g25268 +S'The Ferry to Naarden (Het Naerder veer)' +p99981 +sg25270 +S'Reinier Nooms, called Zeeman' +p99982 +sg25273 +S', unknown date' +p99983 +sg25275 +S'\n' +p99984 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4b3.jpg' +p99985 +sg25267 +g27 +sa(dp99986 +g25268 +S'Footit and Chocolat (Footit et Chocolat)' +p99987 +sg25270 +S'Artist Information (' +p99988 +sg25273 +S'French, 1864 - 1901' +p99989 +sg25275 +S'(artist after)' +p99990 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00069/a0006940.jpg' +p99991 +sg25267 +g27 +sa(dp99992 +g25268 +S'La valse des lapins' +p99993 +sg25270 +S'Henri de Toulouse-Lautrec' +p99994 +sg25273 +S'lithograph in black on japan paper' +p99995 +sg25275 +S'1895' +p99996 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009e/a0009eae.jpg' +p99997 +sg25267 +g27 +sa(dp99998 +g25268 +S'The Tournament' +p99999 +sg25270 +S'Master MZ' +p100000 +sg25273 +S'engraving' +p100001 +sg25275 +S'1500' +p100002 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004c/a0004c14.jpg' +p100003 +sg25267 +g27 +sa(dp100004 +g25273 +S'woodcut' +p100005 +sg25267 +g27 +sg25275 +S'c. 1514/1515' +p100006 +sg25268 +S"The Submersion of Pharoah's Army in the Red Sea" +p100007 +sg25270 +S'Titian' +p100008 +sa(dp100009 +g25268 +S'Ann Old Coleman (Mrs. Robert Coleman)' +p100010 +sg25270 +S'Jacob Eichholtz' +p100011 +sg25273 +S'oil on canvas transferred to wood' +p100012 +sg25275 +S'c. 1820' +p100013 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000a1.jpg' +p100014 +sg25267 +g27 +sa(dp100015 +g25268 +S'Robert Coleman' +p100016 +sg25270 +S'Jacob Eichholtz' +p100017 +sg25273 +S'oil on canvas transferred to wood' +p100018 +sg25275 +S'c. 1820' +p100019 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000a2.jpg' +p100020 +sg25267 +g27 +sa(dp100021 +g25268 +S'The Coleman Sisters' +p100022 +sg25270 +S'Thomas Sully' +p100023 +sg25273 +S'oil on canvas' +p100024 +sg25275 +S'1844' +p100025 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a0000268.jpg' +p100026 +sg25267 +g27 +sa(dp100027 +g25268 +S'Two Girls in a Landscape' +p100028 +sg25270 +S'George Frost' +p100029 +sg25273 +S', unknown date' +p100030 +sg25275 +S'\n' +p100031 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00071/a00071b5.jpg' +p100032 +sg25267 +g27 +sa(dp100033 +g25268 +S'Draped Figure Standing' +p100034 +sg25270 +S'James McNeill Whistler' +p100035 +sg25273 +S'lithograph' +p100036 +sg25275 +S'unknown date\n' +p100037 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ab/a000ab77.jpg' +p100038 +sg25267 +g27 +sa(dp100039 +g25268 +S'Red House, Paimpol' +p100040 +sg25270 +S'James McNeill Whistler' +p100041 +sg25273 +S'lithograph' +p100042 +sg25275 +S'1893' +p100043 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ac/a000ac13.jpg' +p100044 +sg25267 +g27 +sa(dp100045 +g25268 +S'Yellow House, Lannion' +p100046 +sg25270 +S'James McNeill Whistler' +p100047 +sg25273 +S'lithograph' +p100048 +sg25275 +S'1893' +p100049 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ac/a000ac22.jpg' +p100050 +sg25267 +g27 +sa(dp100051 +g25268 +S'Weary' +p100052 +sg25270 +S'James McNeill Whistler' +p100053 +sg25273 +S'drypoint on Japan paper' +p100054 +sg25275 +S'1863' +p100055 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ab/a000ab64.jpg' +p100056 +sg25267 +g27 +sa(dp100057 +g25268 +S'Draped Figure Reclining' +p100058 +sg25270 +S'James McNeill Whistler' +p100059 +sg25273 +S'color lithograph on Japan paper' +p100060 +sg25275 +S'unknown date\n' +p100061 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ab/a000ab14.jpg' +p100062 +sg25267 +g27 +sa(dp100063 +g25268 +S'Woman with the Owl' +p100064 +sg25270 +S'Master MZ' +p100065 +sg25273 +S'engraving' +p100066 +sg25275 +S'1500' +p100067 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a3/a000a3b5.jpg' +p100068 +sg25267 +g27 +sa(dp100069 +g25268 +S'Hound and Hunter' +p100070 +sg25270 +S'Winslow Homer' +p100071 +sg25273 +S'oil on canvas' +p100072 +sg25275 +S'1892' +p100073 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a0000102.jpg' +p100074 +sg25267 +S'At age forty-seven, Homer settled in Prout’s Neck, Maine.\r\nAlways a silent bachelor who guarded his technical methods\r\nand personal beliefs, he became almost a recluse. When he left\r\nthe coast of Maine, it was to fish or hunt in the Adirondack\r\nMountains and Canada or the Caribbean Sea and Bermuda—\r\ntaking his watercolor supplies with him.\n Homer’s \n To clarify that the stag is already dead and no longer struggling,\r\nhowever, Homer did repaint the churning water to hide\r\nmore of the animal. The hunter, therefore, simply ties up a\r\nheavy load, calling off the hound so it will not jump into the\r\nboat and swamp it.\n Homer once asked a museum curator, “Did you notice the\r\nboy’s hands—all sunburnt; the wrists somewhat sunburnt, but\r\nnot as brown as his hands; and the bit of forearm where his\r\nsleeve is pulled back not sunburnt at all? I spent more than a\r\nweek painting those hands.”\n ' +p100075 +sa(dp100076 +g25268 +S'Eve' +p100077 +sg25270 +S'Heinrich Aldegrever' +p100078 +sg25273 +S'engraving' +p100079 +sg25275 +S'unknown date\n' +p100080 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a68f.jpg' +p100081 +sg25267 +g27 +sa(dp100082 +g25268 +S'Head of a Roman Emperor' +p100083 +sg25270 +S'Artist Information (' +p100084 +sg25273 +S'Italian, c. 1447 - 1517' +p100085 +sg25275 +S'(related artist)' +p100086 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c724.jpg' +p100087 +sg25267 +g27 +sa(dp100088 +g25268 +S'Saint Cecilia' +p100089 +sg25270 +S'Artist Information (' +p100090 +sg25273 +S'(artist after)' +p100091 +sg25275 +S'\n' +p100092 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9e7.jpg' +p100093 +sg25267 +g27 +sa(dp100094 +g25268 +S'Los Supporting the Sun [recto]' +p100095 +sg25270 +S'William Blake' +p100096 +sg25273 +S'graphite' +p100097 +sg25275 +S'probably c. 1793' +p100098 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00070/a0007045.jpg' +p100099 +sg25267 +g27 +sa(dp100100 +g25268 +S'A Crouching Figure Holding a Shield [verso]' +p100101 +sg25270 +S'William Blake' +p100102 +sg25273 +S'graphite' +p100103 +sg25275 +S'probably c. 1793' +p100104 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00070/a0007015.jpg' +p100105 +sg25267 +g27 +sa(dp100106 +g25273 +S'watercolor and oil over charcoal' +p100107 +sg25267 +g27 +sg25275 +S'unknown date\n' +p100108 +sg25268 +S'View of Paris' +p100109 +sg25270 +S'Pierre Bonnard' +p100110 +sa(dp100111 +g25273 +S'lithograph' +p100112 +sg25267 +g27 +sg25275 +S'1925' +p100113 +sg25268 +S'Landscape from the South of France (Paysage du Midi)' +p100114 +sg25270 +S'Pierre Bonnard' +p100115 +sa(dp100116 +g25273 +S'lithograph' +p100117 +sg25267 +g27 +sg25275 +S'1925' +p100118 +sg25268 +S'Study of a Nude' +p100119 +sg25270 +S'Pierre Bonnard' +p100120 +sa(dp100121 +g25273 +S'lithograph' +p100122 +sg25267 +g27 +sg25275 +S'1925' +p100123 +sg25268 +S'The Bath' +p100124 +sg25270 +S'Pierre Bonnard' +p100125 +sa(dp100126 +g25268 +S'Memento Mori' +p100127 +sg25270 +S'Master MZ' +p100128 +sg25273 +S'engraving' +p100129 +sg25275 +S'c. 1500/1502' +p100130 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a3/a000a3b6.jpg' +p100131 +sg25267 +g27 +sa(dp100132 +g25273 +S'lithograph' +p100133 +sg25267 +g27 +sg25275 +S'1925' +p100134 +sg25268 +S'The Pitcher and the Fruit-Dish' +p100135 +sg25270 +S'Pierre Bonnard' +p100136 +sa(dp100137 +g25273 +S'etching' +p100138 +sg25267 +g27 +sg25275 +S'unknown date\n' +p100139 +sg25268 +S'Frontispiece for "The Prodigal Son"' +p100140 +sg25270 +S'Jacques Callot' +p100141 +sa(dp100142 +g25273 +S'bound volume with 11 etchings' +p100143 +sg25267 +g27 +sg25275 +S'published 1635' +p100144 +sg25268 +S'The Prodigal Son' +p100145 +sg25270 +S'Jacques Callot' +p100146 +sa(dp100147 +g25273 +S'etching' +p100148 +sg25267 +g27 +sg25275 +S'unknown date\n' +p100149 +sg25268 +S'The Inheritance' +p100150 +sg25270 +S'Jacques Callot' +p100151 +sa(dp100152 +g25273 +S'etching' +p100153 +sg25267 +g27 +sg25275 +S'unknown date\n' +p100154 +sg25268 +S'The Departure' +p100155 +sg25270 +S'Jacques Callot' +p100156 +sa(dp100157 +g25273 +S'etching' +p100158 +sg25267 +g27 +sg25275 +S'unknown date\n' +p100159 +sg25268 +S'The Dissipation' +p100160 +sg25270 +S'Jacques Callot' +p100161 +sa(dp100162 +g25273 +S'etching' +p100163 +sg25267 +g27 +sg25275 +S'unknown date\n' +p100164 +sg25268 +S'The Ruin' +p100165 +sg25270 +S'Jacques Callot' +p100166 +sa(dp100167 +g25273 +S'etching' +p100168 +sg25267 +g27 +sg25275 +S'unknown date\n' +p100169 +sg25268 +S'The Swineherd' +p100170 +sg25270 +S'Jacques Callot' +p100171 +sa(dp100172 +g25273 +S'etching' +p100173 +sg25267 +g27 +sg25275 +S'unknown date\n' +p100174 +sg25268 +S'Praying for Divine Help' +p100175 +sg25270 +S'Jacques Callot' +p100176 +sa(dp100177 +g25273 +S'etching' +p100178 +sg25267 +g27 +sg25275 +S'unknown date\n' +p100179 +sg25268 +S'Return of the Prodigal Son' +p100180 +sg25270 +S'Jacques Callot' +p100181 +sa(dp100182 +g25268 +S"The Testing of the King's Sons" +p100183 +sg25270 +S'Master MZ' +p100184 +sg25273 +S'engraving' +p100185 +sg25275 +S'c. 1500' +p100186 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a455.jpg' +p100187 +sg25267 +g27 +sa(dp100188 +g25273 +S'etching' +p100189 +sg25267 +g27 +sg25275 +S'unknown date\n' +p100190 +sg25268 +S'The Parents Bestow Gifts' +p100191 +sg25270 +S'Jacques Callot' +p100192 +sa(dp100193 +g25273 +S'etching' +p100194 +sg25267 +g27 +sg25275 +S'unknown date\n' +p100195 +sg25268 +S'Killing the Fatted Calf' +p100196 +sg25270 +S'Jacques Callot' +p100197 +sa(dp100198 +g25273 +S'etching' +p100199 +sg25267 +g27 +sg25275 +S'unknown date\n' +p100200 +sg25268 +S'The Feast' +p100201 +sg25270 +S'Jacques Callot' +p100202 +sa(dp100203 +g25273 +S'lithograph' +p100204 +sg25267 +g27 +sg25275 +S'1922/1923' +p100205 +sg25268 +S'The Farm' +p100206 +sg25270 +S'Marc Chagall' +p100207 +sa(dp100208 +g25273 +S'lithograph' +p100209 +sg25267 +g27 +sg25275 +S'1922/1923' +p100210 +sg25268 +S'On the Stove' +p100211 +sg25270 +S'Marc Chagall' +p100212 +sa(dp100213 +g25273 +S'etching' +p100214 +sg25267 +g27 +sg25275 +S'1922' +p100215 +sg25268 +S'Lovers on a Bench' +p100216 +sg25270 +S'Marc Chagall' +p100217 +sa(dp100218 +g25273 +S'etching and drypoint' +p100219 +sg25267 +g27 +sg25275 +S'1922' +p100220 +sg25268 +S"Grandfather's House" +p100221 +sg25270 +S'Marc Chagall' +p100222 +sa(dp100223 +g25273 +S'etching and drypoint' +p100224 +sg25267 +g27 +sg25275 +S'1922' +p100225 +sg25268 +S'House in Vitebsk' +p100226 +sg25270 +S'Marc Chagall' +p100227 +sa(dp100228 +g25273 +S'drypoint on laid paper' +p100229 +sg25267 +g27 +sg25275 +S'1922' +p100230 +sg25268 +S'Pokrowa Street, Vitebsk' +p100231 +sg25270 +S'Marc Chagall' +p100232 +sa(dp100233 +g25268 +S'Good Human Qualities' +p100234 +sg25270 +S'Daniel Nikolaus Chodowiecki' +p100235 +sg25273 +S'etching' +p100236 +sg25275 +S'1789' +p100237 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b3af.jpg' +p100238 +sg25267 +g27 +sa(dp100239 +g25268 +S'Christ between Saint Peter and Saint James Major [left panel]' +p100240 +sg25270 +S'Artist Information (' +p100241 +sg25273 +S'Italian, mentioned 1272 - active 1302' +p100242 +sg25275 +S'(related artist)' +p100243 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00029/a000296c.jpg' +p100244 +sg25267 +g27 +sa(dp100245 +g25268 +S'The Betrayal' +p100246 +sg25270 +S'Netherlandish 15th Century' +p100247 +sg25273 +S'Lehrs, Vol. 4, p.224, no. 18' +p100248 +sg25275 +S'\nengraving' +p100249 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cc/a000ccf6.jpg' +p100250 +sg25267 +g27 +sa(dp100251 +g25268 +S'Illustrations to Fables & Tales by Gellert, Gleim, Hagedorn, Lichtwer and Pfeffel' +p100252 +sg25270 +S'Daniel Nikolaus Chodowiecki' +p100253 +sg25273 +S'etching' +p100254 +sg25275 +S'1793' +p100255 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b357.jpg' +p100256 +sg25267 +g27 +sa(dp100257 +g25273 +S'etching' +p100258 +sg25267 +g27 +sg25275 +S'1898' +p100259 +sg25268 +S'Woman with Folded Hands (Frau mit ubereinandergelegten Handen)' +p100260 +sg25270 +S'K\xc3\xa4the Kollwitz' +p100261 +sa(dp100262 +g25273 +S'wood engraving' +p100263 +sg25267 +g27 +sg25275 +S'1947' +p100264 +sg25268 +S"Queen Anne's Lace" +p100265 +sg25270 +S'Warren Bryan Mack' +p100266 +sa(dp100267 +g25273 +S'color cellocut' +p100268 +sg25267 +g27 +sg25275 +S'1940s' +p100269 +sg25268 +S'The Alchemist II' +p100270 +sg25270 +S'Boris Margo' +p100271 +sa(dp100272 +g25273 +S'lithograph' +p100273 +sg25267 +g27 +sg25275 +S'1946' +p100274 +sg25268 +S'Curt Valentin' +p100275 +sg25270 +S'Andr\xc3\xa9 Masson' +p100276 +sa(dp100277 +g25268 +S'Saint George Standing' +p100278 +sg25270 +S'Master H.L.' +p100279 +sg25273 +S'engraving' +p100280 +sg25275 +S'1533' +p100281 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ac/a000acb9.jpg' +p100282 +sg25267 +g27 +sa(dp100283 +g25273 +S'lithograph' +p100284 +sg25267 +g27 +sg25275 +S'1897' +p100285 +sg25268 +S'Ibsen with Lighthouse (Ibsen mit Leuchtturm)' +p100286 +sg25270 +S'Edvard Munch' +p100287 +sa(dp100288 +g25273 +S'lithograph' +p100289 +sg25267 +g27 +sg25275 +S'1908/1909' +p100290 +sg25268 +S'Professor Jacobsen' +p100291 +sg25270 +S'Edvard Munch' +p100292 +sa(dp100293 +g25273 +S'lithograph' +p100294 +sg25267 +g27 +sg25275 +S'1921' +p100295 +sg25268 +S'Two People (Zwei Menschen)' +p100296 +sg25270 +S'Edvard Munch' +p100297 +sa(dp100298 +g25273 +S'aquatint and drypoint' +p100299 +sg25267 +g27 +sg25275 +S'1945/1947' +p100300 +sg25268 +S'The School Room' +p100301 +sg25270 +S'Mario Prassinos' +p100302 +sa(dp100303 +g25268 +S'The Lamentation' +p100304 +sg25270 +S'Netherlandish 15th Century' +p100305 +sg25273 +S'Lehrs, Vol. 4, p.228, no. 22, State i' +p100306 +sg25275 +S'\nengraving' +p100307 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cc/a000ccf5.jpg' +p100308 +sg25267 +g27 +sa(dp100309 +g25273 +S'lithograph' +p100310 +sg25267 +g27 +sg25275 +S'1934' +p100311 +sg25268 +S'Spiral' +p100312 +sg25270 +S'Anton Prinner' +p100313 +sa(dp100314 +g25268 +S'Two Fauns Carrying a Child' +p100315 +sg25270 +S'Marcantonio Raimondi' +p100316 +sg25273 +S'engraving' +p100317 +sg25275 +S'unknown date\n' +p100318 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c77f.jpg' +p100319 +sg25267 +g27 +sa(dp100320 +g25273 +S'lithograph' +p100321 +sg25267 +g27 +sg25275 +S'1933' +p100322 +sg25268 +S'Automne' +p100323 +sg25270 +S'Georges Rouault' +p100324 +sa(dp100325 +g25273 +S'color woodcut on black wove paper' +p100326 +sg25267 +g27 +sg25275 +S'l946' +p100327 +sg25268 +S'Personal World' +p100328 +sg25270 +S'Anne Ryan' +p100329 +sa(dp100330 +g25268 +S'The Pink Star' +p100331 +sg25270 +S'Anne Ryan' +p100332 +sg25273 +S'color woodcut' +p100333 +sg25275 +S'1946' +p100334 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000b/a0000b80.jpg' +p100335 +sg25267 +g27 +sa(dp100336 +g25273 +S'color woodcut' +p100337 +sg25267 +g27 +sg25275 +S'1946' +p100338 +sg25268 +S'Sleep' +p100339 +sg25270 +S'Anne Ryan' +p100340 +sa(dp100341 +g25268 +S'Tenements in a Sea Town' +p100342 +sg25270 +S'Anne Ryan' +p100343 +sg25273 +S'color woodcut' +p100344 +sg25275 +S'1946' +p100345 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000b/a0000b81.jpg' +p100346 +sg25267 +g27 +sa(dp100347 +g25268 +S'Two Shepherds and a Boy' +p100348 +sg25270 +S'John Skippe' +p100349 +sg25273 +S'chiaroscuro woodcut' +p100350 +sg25275 +S'unknown date\n' +p100351 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00077/a00077e9.jpg' +p100352 +sg25267 +g27 +sa(dp100353 +g25273 +S'engraving' +p100354 +sg25267 +g27 +sg25275 +S'1946' +p100355 +sg25268 +S'Eupalinos VI' +p100356 +sg25270 +S'Ferdinand Springer' +p100357 +sa(dp100358 +g25273 +S'engraving' +p100359 +sg25267 +g27 +sg25275 +S'1935' +p100360 +sg25268 +S'Little Torso' +p100361 +sg25270 +S'John Buckland Wright' +p100362 +sa(dp100363 +g25268 +S'Madonna and Child Enthroned' +p100364 +sg25270 +S'Master E.S.' +p100365 +sg25273 +S'engraving' +p100366 +sg25275 +S'c. 1466' +p100367 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a3/a000a3a4.jpg' +p100368 +sg25267 +g27 +sa(dp100369 +g25273 +S'woodcut in yellow on black tissue paper' +p100370 +sg25267 +g27 +sg25275 +S'1946' +p100371 +sg25268 +S'Christmas Card 1946' +p100372 +sg25270 +S'Adja Yunkers' +p100373 +sa(dp100374 +g25273 +S'woodcut block' +p100375 +sg25267 +g27 +sg25275 +S'1943' +p100376 +sg25268 +S'Accident in the Gobi Desert [recto]' +p100377 +sg25270 +S'Adja Yunkers' +p100378 +sa(dp100379 +g25273 +S'woodcut block' +p100380 +sg25267 +g27 +sg25275 +S'1943' +p100381 +sg25268 +S'Accident in the Gobi Desert [verso]' +p100382 +sg25270 +S'Adja Yunkers' +p100383 +sa(dp100384 +g25268 +S'Mucius Scaevola' +p100385 +sg25270 +S'conte Antonio Maria Zanetti I' +p100386 +sg25273 +S'chiaroscuro woodcut printed from 3 blocks: green and pink tone blocks with red line block' +p100387 +sg25275 +S'unknown date\n' +p100388 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cb62.jpg' +p100389 +sg25267 +g27 +sa(dp100390 +g25273 +S'drypoint and (etching?)' +p100391 +sg25267 +g27 +sg25275 +S'1888' +p100392 +sg25268 +S'Battle of the Beggars Desir and Rissole (Combat des pouilleux Desir et Rissole)' +p100393 +sg25270 +S'James Ensor' +p100394 +sa(dp100395 +g25268 +S'Nave Nave Fenua' +p100396 +sg25270 +S'Paul Gauguin' +p100397 +sg25273 +S'brush, gouache, and india ink with pen and india ink on dark tan wove paper' +p100398 +sg25275 +S'probably 1894' +p100399 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00029/a0002959.jpg' +p100400 +sg25267 +g27 +sa(dp100401 +g25268 +S'Nave Nave Fenua (Delightful Land)' +p100402 +sg25270 +S'Paul Gauguin' +p100403 +sg25273 +S'woodcut' +p100404 +sg25275 +S'1894/1895' +p100405 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00067/a0006717.jpg' +p100406 +sg25267 +g27 +sa(dp100407 +g25268 +S'Te Faruru (They are Making Love Here)' +p100408 +sg25270 +S'Paul Gauguin' +p100409 +sg25273 +S'woodcut in brown' +p100410 +sg25275 +S'1894/1895' +p100411 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009a/a0009a76.jpg' +p100412 +sg25267 +g27 +sa(dp100413 +g25268 +S'Te Po (The Long Night)' +p100414 +sg25270 +S'Paul Gauguin' +p100415 +sg25273 +S'woodcut in bistre on cream paper' +p100416 +sg25275 +S'1894/1895' +p100417 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00067/a0006707.jpg' +p100418 +sg25267 +g27 +sa(dp100419 +g25268 +S"The Universe is Created (L'Univers est cr\xc3\xa9\xc3\xa9)" +p100420 +sg25270 +S'Paul Gauguin' +p100421 +sg25273 +S'woodcut in tan, red-brown, red and black [trial proof]' +p100422 +sg25275 +S'c. 1894' +p100423 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00022/a000223e.jpg' +p100424 +sg25267 +g27 +sa(dp100425 +g25268 +S'Saint Mark' +p100426 +sg25270 +S'Master E.S.' +p100427 +sg25273 +S'engraving' +p100428 +sg25275 +S'c. 1460/1465' +p100429 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a3/a000a3ab.jpg' +p100430 +sg25267 +g27 +sa(dp100431 +g25273 +S'color lithograph' +p100432 +sg25267 +g27 +sg25275 +S'1947' +p100433 +sg25268 +S'Pears on a Plate' +p100434 +sg25270 +S'Max Kahn' +p100435 +sa(dp100436 +g25273 +S'color lithograph' +p100437 +sg25267 +g27 +sg25275 +S'unknown date\n' +p100438 +sg25268 +S'Pears on a Plate' +p100439 +sg25270 +S'Max Kahn' +p100440 +sa(dp100441 +g25273 +S'color lithograph' +p100442 +sg25267 +g27 +sg25275 +S'1947' +p100443 +sg25268 +S'Sleeping Children' +p100444 +sg25270 +S'Max Kahn' +p100445 +sa(dp100446 +g25273 +S'etching' +p100447 +sg25267 +g27 +sg25275 +S'1893' +p100448 +sg25268 +S'At the Church Wall (An der Kirchenmauer)' +p100449 +sg25270 +S'K\xc3\xa4the Kollwitz' +p100450 +sa(dp100451 +g25273 +S'etching' +p100452 +sg25267 +g27 +sg25275 +S'1905' +p100453 +sg25268 +S'Inspiration' +p100454 +sg25270 +S'K\xc3\xa4the Kollwitz' +p100455 +sa(dp100456 +g25273 +S'lithograph' +p100457 +sg25267 +g27 +sg25275 +S'1919' +p100458 +sg25268 +S'Memorial to Karl Liebknecht (Gedenkblatt fur Karl Liebknecht)' +p100459 +sg25270 +S'K\xc3\xa4the Kollwitz' +p100460 +sa(dp100461 +g25273 +S'lithograph' +p100462 +sg25267 +g27 +sg25275 +S'1919' +p100463 +sg25268 +S'Memorial to Karl Liebknecht (Gedenkblatt fur Karl Liebknecht)' +p100464 +sg25270 +S'K\xc3\xa4the Kollwitz' +p100465 +sa(dp100466 +g25273 +S'pen and black ink with black and gray wash' +p100467 +sg25267 +g27 +sg25275 +S'c. 1931' +p100468 +sg25268 +S'Mother and Child' +p100469 +sg25270 +S'K\xc3\xa4the Kollwitz' +p100470 +sa(dp100471 +g25273 +S'etching and soft-ground' +p100472 +sg25267 +g27 +sg25275 +S'1910' +p100473 +sg25268 +S'Pregnant Woman (Schwangere Frau)' +p100474 +sg25270 +S'K\xc3\xa4the Kollwitz' +p100475 +sa(dp100476 +g25273 +S'etching' +p100477 +sg25267 +g27 +sg25275 +S'1899' +p100478 +sg25268 +S'Revolt (Aufruhr)' +p100479 +sg25270 +S'K\xc3\xa4the Kollwitz' +p100480 +sa(dp100481 +g25268 +S'Saint Mark' +p100482 +sg25270 +S'Master E.S.' +p100483 +sg25273 +S'engraving' +p100484 +sg25275 +S'c. 1460/1465' +p100485 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a3/a000a3aa.jpg' +p100486 +sg25267 +g27 +sa(dp100487 +g25273 +S'woodcut' +p100488 +sg25267 +g27 +sg25275 +S'1923' +p100489 +sg25268 +S'Self-Portrait (Selbstbildnis von vorn)' +p100490 +sg25270 +S'K\xc3\xa4the Kollwitz' +p100491 +sa(dp100492 +g25273 +S'woodcut' +p100493 +sg25267 +g27 +sg25275 +S'1924' +p100494 +sg25268 +S'Self-Portrait (Selbstbildnis)' +p100495 +sg25270 +S'K\xc3\xa4the Kollwitz' +p100496 +sa(dp100497 +g25273 +S'lithograph in black on wove paper' +p100498 +sg25267 +g27 +sg25275 +S'1934' +p100499 +sg25268 +S'Self-Portrait' +p100500 +sg25270 +S'K\xc3\xa4the Kollwitz' +p100501 +sa(dp100502 +g25273 +S'pen and black ink with black wash' +p100503 +sg25267 +g27 +sg25275 +S'1891' +p100504 +sg25268 +S'Study of a Man' +p100505 +sg25270 +S'K\xc3\xa4the Kollwitz' +p100506 +sa(dp100507 +g25273 +S'charcoal on laid paper' +p100508 +sg25267 +g27 +sg25275 +S'1922/1923' +p100509 +sg25268 +S'The Survivors' +p100510 +sg25270 +S'K\xc3\xa4the Kollwitz' +p100511 +sa(dp100512 +g25268 +S'General Washington at Princeton' +p100513 +sg25270 +S'Charles Peale Polk' +p100514 +sg25273 +S'oil on canvas' +p100515 +sg25275 +S'c. 1790' +p100516 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a00001c2.jpg' +p100517 +sg25267 +g27 +sa(dp100518 +g25268 +S'Henri II de Lorraine' +p100519 +sg25270 +S'Sir Anthony van Dyck' +p100520 +sg25273 +S'oil on canvas' +p100521 +sg25275 +S'c. 1634' +p100522 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e1f.jpg' +p100523 +sg25267 +S'Henri II de Lorraine\n ' +p100524 +sa(dp100525 +g25268 +S'The Death of the Earl of Chatham' +p100526 +sg25270 +S'John Singleton Copley' +p100527 +sg25273 +S'oil on canvas' +p100528 +sg25275 +S'1779' +p100529 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d6f.jpg' +p100530 +sg25267 +S'On 7 April 1778, William Pitt, the first earl of Chatham, rose to speak \r\n in the House of Lords. In the midst of debate about the colonial \r\n revolutionaries, he suffered a stroke. The earl’s death removed one of \r\n Britain’s leading political moderates during the critical years of the \r\n American War of Independence. This small oil painting is Copley’s \r\n preliminary compositional sketch for a large canvas now in the Tate \r\n Gallery, London.\n In proper academic procedure, Copley first used browns and grays to work \r\n out the overall distribution of the scene before considering the color \r\n scheme and details. Sunshine pours in from a roundel window over the throne \r\n canopy, spotlighting the stricken Pitt. The pencil lines drawn over this \r\n study create a proportional grid called “squaring” that enabled the \r\n artist to transfer and enlarge the design. In 1781, after two years’ work, \r\n Copley installed his ten-foot-wide picture in a pavilion and charged \r\n admission to his popular one-work show. How Copley had persuaded fifty-five \r\n noblemen to sit for their portraits became the talk of British society.\n ' +p100531 +sa(dp100532 +g25268 +S"Venus at Vulcan's Forge" +p100533 +sg25270 +S'L\xc3\xa9on Davent' +p100534 +sg25273 +S'etching' +p100535 +sg25275 +S'unknown date\n' +p100536 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00084/a00084c1.jpg' +p100537 +sg25267 +g27 +sa(dp100538 +g25268 +S'Portrait of a Young Lady' +p100539 +sg25270 +S'Unknown 19th Century' +p100540 +sg25273 +S'overall: 61.3 x 46 cm (24 1/8 x 18 1/8 in.)\r\nframed: 81.3 x 66.4 x 8.3 cm (32 x 26 1/8 x 3 1/4 in.)' +p100541 +sg25275 +S'\noil on canvas' +p100542 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c610.jpg' +p100543 +sg25267 +g27 +sa(dp100544 +g25268 +S'Martyrdom of Saint Sebastian' +p100545 +sg25270 +S'Master E.S.' +p100546 +sg25273 +S'engraving' +p100547 +sg25275 +S'c. 1450/1460' +p100548 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a3/a000a3a8.jpg' +p100549 +sg25267 +g27 +sa(dp100550 +g25268 +S'Gouverneur Kemble' +p100551 +sg25270 +S'Asher Brown Durand' +p100552 +sg25273 +S'oil on canvas' +p100553 +sg25275 +S'1853' +p100554 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a0000083.jpg' +p100555 +sg25267 +g27 +sa(dp100556 +g25268 +S'William Clark Frazer' +p100557 +sg25270 +S'Jacob Eichholtz' +p100558 +sg25273 +S'oil on canvas' +p100559 +sg25275 +S'c. 1830' +p100560 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a000009e.jpg' +p100561 +sg25267 +g27 +sa(dp100562 +g25268 +S'James P. Smith' +p100563 +sg25270 +S'Jacob Eichholtz' +p100564 +sg25273 +S'oil on canvas' +p100565 +sg25275 +S'c. 1835' +p100566 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a000009f.jpg' +p100567 +sg25267 +g27 +sa(dp100568 +g25273 +S'overall: 64.8 x 54.3 cm (25 1/2 x 21 3/8 in.)\r\nframed: 88.9 x 78.1 x 4.4 cm (35 x 30 3/4 x 1 3/4 in.)' +p100569 +sg25267 +g27 +sg25275 +S'\noil on canvas' +p100570 +sg25268 +S'Portrait of a Man' +p100571 +sg25270 +S'American 19th Century' +p100572 +sa(dp100573 +g25268 +S'William Sidney Mount' +p100574 +sg25270 +S'Charles Loring Elliott' +p100575 +sg25273 +S'oil on canvas' +p100576 +sg25275 +S'c. 1850' +p100577 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000aa.jpg' +p100578 +sg25267 +g27 +sa(dp100579 +g25268 +S'Henry Theodore Tuckerman' +p100580 +sg25270 +S'Daniel Huntington' +p100581 +sg25273 +S'oil on canvas' +p100582 +sg25275 +S'1866' +p100583 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a000010e.jpg' +p100584 +sg25267 +g27 +sa(dp100585 +g25268 +S'George Pope Morris' +p100586 +sg25270 +S'Henry Inman' +p100587 +sg25273 +S'oil on canvas' +p100588 +sg25275 +S'c. 1836' +p100589 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a0000110.jpg' +p100590 +sg25267 +g27 +sa(dp100591 +g25268 +S'Charles Loring Elliott' +p100592 +sg25270 +S'American 19th Century' +p100593 +sg25273 +S'overall: 68.9 x 56.2 cm (27 1/8 x 22 1/8 in.)\r\nframed: 91.8 x 79.1 x 7.1 cm (36 1/8 x 31 1/8 x 2 13/16 in.)' +p100594 +sg25275 +S'\noil on canvas' +p100595 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a000016f.jpg' +p100596 +sg25267 +g27 +sa(dp100597 +g25268 +S'Timothy Matlack' +p100598 +sg25270 +S'Rembrandt Peale' +p100599 +sg25273 +S', 1802' +p100600 +sg25275 +S'\n' +p100601 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a00001c6.jpg' +p100602 +sg25267 +g27 +sa(dp100603 +g25268 +S'Robert Walsh' +p100604 +sg25270 +S'Thomas Sully' +p100605 +sg25273 +S'oil on canvas' +p100606 +sg25275 +S'1814' +p100607 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a0000265.jpg' +p100608 +sg25267 +g27 +sa(dp100609 +g25268 +S'The Knight and the Lady' +p100610 +sg25270 +S'Master E.S.' +p100611 +sg25273 +S'engraving' +p100612 +sg25275 +S'c. 1460/1465' +p100613 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f5a.jpg' +p100614 +sg25267 +g27 +sa(dp100615 +g25268 +S'Mr. Motte' +p100616 +sg25270 +S'Jeremiah Theus' +p100617 +sg25273 +S'oil on canvas' +p100618 +sg25275 +S'c. 1760' +p100619 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a0000271.jpg' +p100620 +sg25267 +g27 +sa(dp100621 +g25268 +S'William Rogers' +p100622 +sg25270 +S'John Trumbull' +p100623 +sg25273 +S'oil on canvas' +p100624 +sg25275 +S'1804/1808' +p100625 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a000027b.jpg' +p100626 +sg25267 +g27 +sa(dp100627 +g25268 +S'John Sudam' +p100628 +sg25270 +S'John Vanderlyn' +p100629 +sg25273 +S'oil on canvas' +p100630 +sg25275 +S'1829-1830' +p100631 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a0000284.jpg' +p100632 +sg25267 +g27 +sa(dp100633 +g25273 +S'oil on canvas' +p100634 +sg25267 +g27 +sg25275 +S'c. 1750/1770' +p100635 +sg25268 +S'Portrait of a Gentleman' +p100636 +sg25270 +S'British 18th Century' +p100637 +sa(dp100638 +g25268 +S'George Washington' +p100639 +sg25270 +S'Rembrandt Peale' +p100640 +sg25273 +S'oil on canvas' +p100641 +sg25275 +S'1859' +p100642 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a00001a7.jpg' +p100643 +sg25267 +g27 +sa(dp100644 +g25268 +S'Abraham Lincoln' +p100645 +sg25270 +S'Douglas Volk' +p100646 +sg25273 +S'oil on canvas' +p100647 +sg25275 +S'1908, reworked 1917' +p100648 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a0000285.jpg' +p100649 +sg25267 +g27 +sa(dp100650 +g25268 +S'Sarah Blake Sturgis' +p100651 +sg25270 +S'Francis Alexander' +p100652 +sg25273 +S'oil on canvas' +p100653 +sg25275 +S'1835' +p100654 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a0000002.jpg' +p100655 +sg25267 +g27 +sa(dp100656 +g25268 +S'A Painter and Visitors in a Studio' +p100657 +sg25270 +S'Unknown 19th Century' +p100658 +sg25273 +S'overall: 35 x 43 cm (13 3/4 x 16 15/16 in.)\r\nframed: 45.1 x 75.3 x 1.9 cm (17 3/4 x 29 5/8 x 3/4 in.)' +p100659 +sg25275 +S'\noil on paper on canvas' +p100660 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c618.jpg' +p100661 +sg25267 +g27 +sa(dp100662 +g25268 +S'Maria Gansevoort Melvill (Mrs. Allan Melvill)' +p100663 +sg25270 +S'Ezra Ames' +p100664 +sg25273 +S'oil on wood' +p100665 +sg25275 +S'c. 1815' +p100666 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c62a.jpg' +p100667 +sg25267 +g27 +sa(dp100668 +g25273 +S', c. 1841' +p100669 +sg25267 +g27 +sg25275 +S'\n' +p100670 +sg25268 +S'George Southward (?)' +p100671 +sg25270 +S'Joseph Alexander Ames' +p100672 +sa(dp100673 +g25268 +S'The Letter "K"' +p100674 +sg25270 +S'Master E.S.' +p100675 +sg25273 +S'engraving' +p100676 +sg25275 +S'c. 1466/1467' +p100677 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00057/a0005783.jpg' +p100678 +sg25267 +g27 +sa(dp100679 +g25268 +S'Portrait of a Gentleman' +p100680 +sg25270 +S'British 18th Century' +p100681 +sg25273 +S'oil on canvas' +p100682 +sg25275 +S'c. 1726/1740' +p100683 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000eff.jpg' +p100684 +sg25267 +g27 +sa(dp100685 +g25268 +S'Maria Hamilton Beckford (Mrs. William Beckford)' +p100686 +sg25270 +S'Benjamin West' +p100687 +sg25273 +S'oil on canvas' +p100688 +sg25275 +S'1799' +p100689 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d47.jpg' +p100690 +sg25267 +g27 +sa(dp100691 +g25268 +S'Portrait of a Man' +p100692 +sg25270 +S'European 18th Century' +p100693 +sg25273 +S'overall: 76.2 x 63.8 cm (30 x 25 1/8 in.)\r\nframed: 96.2 x 84.1 x 6.4 cm (37 7/8 x 33 1/8 x 2 1/2 in.)' +p100694 +sg25275 +S'\noil on canvas' +p100695 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c62b.jpg' +p100696 +sg25267 +g27 +sa(dp100697 +g25268 +S'A Military Officer' +p100698 +sg25270 +S'Joseph Blackburn' +p100699 +sg25273 +S'oil on canvas' +p100700 +sg25275 +S'1756' +p100701 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c62c.jpg' +p100702 +sg25267 +g27 +sa(dp100703 +g25273 +S', c. 1702/1730' +p100704 +sg25267 +g27 +sg25275 +S'\n' +p100705 +sg25268 +S'Portrait of an Officer' +p100706 +sg25270 +S'Enoch Seeman' +p100707 +sa(dp100708 +g25273 +S'overall: 103.8 x 76.5 cm (40 7/8 x 30 1/8 in.)\r\nframed: 117.5 x 89.9 x 5.7 cm (46 1/4 x 35 3/8 x 2 1/4 in.)' +p100709 +sg25267 +g27 +sg25275 +S'\noil on canvas' +p100710 +sg25268 +S'Portrait of a Lady' +p100711 +sg25270 +S'British 18th Century' +p100712 +sa(dp100713 +g25268 +S'Thomas Dawson, Viscount Cremorne' +p100714 +sg25270 +S'Mather Brown' +p100715 +sg25273 +S'oil on canvas' +p100716 +sg25275 +S'c. 1788' +p100717 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a000002d.jpg' +p100718 +sg25267 +g27 +sa(dp100719 +g25273 +S'oil on canvas' +p100720 +sg25267 +g27 +sg25275 +S'1737/1740' +p100721 +sg25268 +S'James, 5th Duke of Hamilton' +p100722 +sg25270 +S'Jeremiah Davison' +p100723 +sa(dp100724 +g25273 +S'oil on canvas' +p100725 +sg25267 +g27 +sg25275 +S'c. 1840' +p100726 +sg25268 +S"The Artist's Brother" +p100727 +sg25270 +S'Alvan Clark' +p100728 +sa(dp100729 +g25273 +S'oil on canvas' +p100730 +sg25267 +g27 +sg25275 +S'c. 1730/1750' +p100731 +sg25268 +S'Portrait of a Lady' +p100732 +sg25270 +S'British 18th Century' +p100733 +sa(dp100734 +g25268 +S'Saint Peter' +p100735 +sg25270 +S'Master E.S.' +p100736 +sg25273 +S'engraving' +p100737 +sg25275 +S'c. 1450/1460' +p100738 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a3/a000a3af.jpg' +p100739 +sg25267 +g27 +sa(dp100740 +g25273 +S'overall: 87.6 x 69.9 cm (34 1/2 x 27 1/2 in.)\r\nframed: 109.2 x 92.4 x 8.9 cm (43 x 36 3/8 x 3 1/2 in.)' +p100741 +sg25267 +g27 +sg25275 +S'\noil on canvas' +p100742 +sg25268 +S'Portrait of a Man' +p100743 +sg25270 +S'Unknown 18th Century' +p100744 +sa(dp100745 +g25268 +S'Portrait of a Man' +p100746 +sg25270 +S'Unknown 18th Century' +p100747 +sg25273 +S'overall: 72.7 x 60.3 cm (28 5/8 x 23 3/4 in.)\r\nframed: 90.2 x 80 x 7.9 cm (35 1/2 x 31 1/2 x 3 1/8 in.)' +p100748 +sg25275 +S'\noil on canvas' +p100749 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00066/a0006618.jpg' +p100750 +sg25267 +g27 +sa(dp100751 +g25268 +S'Portrait of a Man' +p100752 +sg25270 +S'French 17th Century' +p100753 +sg25273 +S'overall: 72.4 x 58.4 cm (28 1/2 x 23 in.)\r\nframed: 92.4 x 77.2 x 7 cm (36 3/8 x 30 3/8 x 2 3/4 in.)' +p100754 +sg25275 +S'\noil on canvas' +p100755 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005a/a0005ad0.jpg' +p100756 +sg25267 +g27 +sa(dp100757 +g25268 +S'Portrait of a Man' +p100758 +sg25270 +S'Unknown 18th Century' +p100759 +sg25273 +S'overall: 48.9 x 38.4 cm (19 1/4 x 15 1/8 in.)\r\nframed: 56.2 x 46 x 3.8 cm (22 1/8 x 18 1/8 x 1 1/2 in.)' +p100760 +sg25275 +S'\noil on canvas' +p100761 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c5/a000c58d.jpg' +p100762 +sg25267 +g27 +sa(dp100763 +g25273 +S'British, 1786 - 1854' +p100764 +sg25267 +g27 +sg25275 +S'(artist after)' +p100765 +sg25268 +S'Master Betty' +p100766 +sg25270 +S'Artist Information (' +p100767 +sa(dp100768 +g25268 +S'Portrait of a Man' +p100769 +sg25270 +S'American 19th Century' +p100770 +sg25273 +S'overall: 86.5 x 68.7 cm (34 1/16 x 27 1/16 in.)\r\nframed: 107 x 91.8 x 7.9 cm (42 1/8 x 36 1/8 x 3 1/8 in.)' +p100771 +sg25275 +S'\noil on canvas' +p100772 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a000044e.jpg' +p100773 +sg25267 +g27 +sa(dp100774 +g25273 +S'overall (original oval format): 69.8 x 57 cm (27 1/2 x 22 7/16 in.)\r\nsupport: 76.5 x 63.8 cm (30 1/8 x 25 1/8 in.)\r\nframed: 92.1 x 78.7 x 4.4 cm (36 1/4 x 31 x 1 3/4 in.)' +p100775 +sg25267 +g27 +sg25275 +S'\noil on canvas' +p100776 +sg25268 +S'Portrait of a Man' +p100777 +sg25270 +S'Unknown 18th Century' +p100778 +sa(dp100779 +g25273 +S'overall: 76 x 64 cm (29 15/16 x 25 3/16 in.)\r\nframed: 93.4 x 77.8 x 5.9 cm (36 3/4 x 30 5/8 x 2 5/16 in.)' +p100780 +sg25267 +g27 +sg25275 +S'\noil on canvas' +p100781 +sg25268 +S'Portrait of a Lady' +p100782 +sg25270 +S'British 18th Century' +p100783 +sa(dp100784 +g25273 +S'overall: 76.3 x 68.5 cm (30 1/16 x 26 15/16 in.)\r\nframed: 93.4 x 79.2 x 5.4 cm (36 3/4 x 31 3/16 x 2 1/8 in.)' +p100785 +sg25267 +g27 +sg25275 +S'\noil on canvas' +p100786 +sg25268 +S'Portrait of a Man' +p100787 +sg25270 +S'Unknown 18th Century' +p100788 +sa(dp100789 +g25273 +S'oil on canvas' +p100790 +sg25267 +g27 +sg25275 +S'c. 1715/1730' +p100791 +sg25268 +S'Portrait of a Lady' +p100792 +sg25270 +S'British 18th Century' +p100793 +sa(dp100794 +g25268 +S'The Judgment of Solomon' +p100795 +sg25270 +S'Master FVB' +p100796 +sg25273 +S'engraving' +p100797 +sg25275 +S'c. 1480' +p100798 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cc/a000ccf8.jpg' +p100799 +sg25267 +g27 +sa(dp100800 +g25268 +S'Thomas Earle' +p100801 +sg25270 +S'Ralph Earl' +p100802 +sg25273 +S'oil on canvas' +p100803 +sg25275 +S'1800' +p100804 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a0000097.jpg' +p100805 +sg25267 +g27 +sa(dp100806 +g25273 +S'overall: 75.5 x 63 cm (29 3/4 x 24 13/16 in.)\r\nframed: 82.9 x 70.8 x 3.5 cm (32 5/8 x 27 7/8 x 1 3/8 in.)' +p100807 +sg25267 +g27 +sg25275 +S'\noil on canvas' +p100808 +sg25268 +S'Portrait of a Gentleman' +p100809 +sg25270 +S'British 18th Century' +p100810 +sa(dp100811 +g25268 +S'Portrait of a Man' +p100812 +sg25270 +S'American 19th Century' +p100813 +sg25273 +S'overall: 76.5 x 61.6 cm (30 1/8 x 24 1/4 in.)\r\nframed: 87.6 x 72.4 x 7 cm (34 1/2 x 28 1/2 x 2 3/4 in.)' +p100814 +sg25275 +S'\noil on wood' +p100815 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000bd/a000bdd5.jpg' +p100816 +sg25267 +g27 +sa(dp100817 +g25268 +S'Phoebe Cassidy Freeman (Mrs. Clarkson Freeman)' +p100818 +sg25270 +S'Jacob Eichholtz' +p100819 +sg25273 +S'oil on canvas' +p100820 +sg25275 +S'c. 1830' +p100821 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000a0.jpg' +p100822 +sg25267 +g27 +sa(dp100823 +g25273 +S'overall: 73.3 x 59.1 cm (28 7/8 x 23 1/4 in.)\r\nframed: 97.8 x 83.8 x 6.4 cm (38 1/2 x 33 x 2 1/2 in.)' +p100824 +sg25267 +g27 +sg25275 +S'\noil on canvas' +p100825 +sg25268 +S'Miss Robinson' +p100826 +sg25270 +S'American 19th Century' +p100827 +sa(dp100828 +g25273 +S'overall: 76.2 x 65.7 cm (30 x 25 7/8 in.)\r\nframed: 94.3 x 81.9 x 4.1 cm (37 1/8 x 32 1/4 x 1 5/8 in.)' +p100829 +sg25267 +g27 +sg25275 +S'\noil on canvas' +p100830 +sg25268 +S'Portrait of a Man' +p100831 +sg25270 +S'Unknown 18th Century' +p100832 +sa(dp100833 +g25268 +S'Portrait of a Lady' +p100834 +sg25270 +S'British 18th Century' +p100835 +sg25273 +S'overall: 93.3 x 71.8 cm (36 3/4 x 28 1/4 in.)\r\nframed: 108.9 x 88.6 x 6.4 cm (42 7/8 x 34 7/8 x 2 1/2 in.)' +p100836 +sg25275 +S'\noil on canvas' +p100837 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f00.jpg' +p100838 +sg25267 +g27 +sa(dp100839 +g25273 +S'overall: 127 x 101.7 cm (50 x 40 1/16 in.)\r\nframed: 150.5 x 125.7 x 4.4 cm (59 1/4 x 49 1/2 x 1 3/4 in.)' +p100840 +sg25267 +g27 +sg25275 +S'\noil on canvas' +p100841 +sg25268 +S'Portrait of a Gentleman' +p100842 +sg25270 +S'British 18th Century' +p100843 +sa(dp100844 +g25273 +S'oil on canvas' +p100845 +sg25267 +g27 +sg25275 +S'c. 1810' +p100846 +sg25268 +S'Ebenezer Newhall' +p100847 +sg25270 +S'James Frothingham' +p100848 +sa(dp100849 +g25273 +S'overall: 76.2 x 61.3 cm (30 x 24 1/8 in.)\r\nframed: 91.1 x 75.9 x 5.1 cm (35 7/8 x 29 7/8 x 2 in.)' +p100850 +sg25267 +g27 +sg25275 +S'\noil on canvas' +p100851 +sg25268 +S'Portrait of a Man' +p100852 +sg25270 +S'American 19th Century' +p100853 +sa(dp100854 +g25268 +S'Saint Simon' +p100855 +sg25270 +S'Master FVB' +p100856 +sg25273 +S'engraving' +p100857 +sg25275 +S'c. 1490/1500' +p100858 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cc/a000ccdf.jpg' +p100859 +sg25267 +g27 +sa(dp100860 +g25273 +g27 +sg25267 +g27 +sg25275 +S'(painter)' +p100861 +sg25268 +S'Portrait of a Man' +p100862 +sg25270 +S'Artist Information (' +p100863 +sa(dp100864 +g25268 +S'Mother and Child' +p100865 +sg25270 +S'Artist Information (' +p100866 +sg25273 +g27 +sg25275 +S'(painter)' +p100867 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000bd/a000bdcf.jpg' +p100868 +sg25267 +g27 +sa(dp100869 +g25268 +S'Self-Portrait' +p100870 +sg25270 +S'Chester Harding' +p100871 +sg25273 +S'oil on canvas' +p100872 +sg25275 +S'c. 1825' +p100873 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000dc.jpg' +p100874 +sg25267 +g27 +sa(dp100875 +g25273 +S'overall: 50.5 x 37.5 cm (19 7/8 x 14 3/4 in.)\r\nframed: 74 x 61.6 x 11.4 cm (29 1/8 x 24 1/4 x 4 1/2 in.)' +p100876 +sg25267 +g27 +sg25275 +S'\noil on canvas on cardboard' +p100877 +sg25268 +S'Junius Brutus Booth' +p100878 +sg25270 +S'American 19th Century' +p100879 +sa(dp100880 +g25268 +S'Dr. James Hall' +p100881 +sg25270 +S'Daniel Huntington' +p100882 +sg25273 +S'oil on canvas' +p100883 +sg25275 +S'1857' +p100884 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a000010c.jpg' +p100885 +sg25267 +g27 +sa(dp100886 +g25268 +S'Dr. John Edwards Holbrook' +p100887 +sg25270 +S'Daniel Huntington' +p100888 +sg25273 +S'oil on canvas' +p100889 +sg25275 +S'1857' +p100890 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a000010d.jpg' +p100891 +sg25267 +g27 +sa(dp100892 +g25268 +S'Portrait of a Lady' +p100893 +sg25270 +S'American 19th Century' +p100894 +sg25273 +S'overall (oval): 76.2 x 63.8 cm (30 x 25 1/8 in.)\r\nframed: 103.2 x 90.5 x 11.4 cm (40 5/8 x 35 5/8 x 4 1/2 in.)' +p100895 +sg25275 +S'\noil on canvas' +p100896 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a0000441.jpg' +p100897 +sg25267 +g27 +sa(dp100898 +g25273 +S'overall: 86.4 x 68.6 cm (34 x 27 in.)\r\nframed: 108.6 x 91.4 x 10.8 cm (42 3/4 x 36 x 4 1/4 in.)' +p100899 +sg25267 +g27 +sg25275 +S'\noil on canvas' +p100900 +sg25268 +S'Portrait of a Man' +p100901 +sg25270 +S'American 19th Century' +p100902 +sa(dp100903 +g25273 +S'overall: 75.9 x 62.9 cm (29 7/8 x 24 3/4 in.)\r\nframed: 106 x 93.4 x 9.2 cm (41 3/4 x 36 3/4 x 3 5/8 in.)' +p100904 +sg25267 +g27 +sg25275 +S'\noil on canvas' +p100905 +sg25268 +S'Portrait of a Lady' +p100906 +sg25270 +S'American 19th Century' +p100907 +sa(dp100908 +g25273 +S'overall: 76.8 x 63.8 cm (30 1/4 x 25 1/8 in.)\r\nframed: 102.6 x 91.1 x 11.4 cm (40 3/8 x 35 7/8 x 4 1/2 in.)' +p100909 +sg25267 +g27 +sg25275 +S'\noil on canvas' +p100910 +sg25268 +S'Portrait of a Man' +p100911 +sg25270 +S'American 19th Century' +p100912 +sa(dp100913 +g25268 +S'Saint Judas Thaddaeus' +p100914 +sg25270 +S'Master FVB' +p100915 +sg25273 +S'engraving' +p100916 +sg25275 +S'c. 1490/1500' +p100917 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cc/a000ccde.jpg' +p100918 +sg25267 +g27 +sa(dp100919 +g25268 +S'Edwin Forrest' +p100920 +sg25270 +S'David Johnson' +p100921 +sg25273 +S'oil on canvas' +p100922 +sg25275 +S'1871' +p100923 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a000011c.jpg' +p100924 +sg25267 +g27 +sa(dp100925 +g25268 +S'Joseph Wesley Harper, Jr.' +p100926 +sg25270 +S'Eastman Johnson' +p100927 +sg25273 +S'oil on canvas' +p100928 +sg25275 +S'c. 1885' +p100929 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a000011d.jpg' +p100930 +sg25267 +g27 +sa(dp100931 +g25273 +g27 +sg25267 +g27 +sg25275 +S'(painter)' +p100932 +sg25268 +S'Portrait of a Gentleman' +p100933 +sg25270 +S'Artist Information (' +p100934 +sa(dp100935 +g25268 +S'John Peck' +p100936 +sg25270 +S'John Johnston' +p100937 +sg25273 +S'oil on canvas' +p100938 +sg25275 +S'c. 1795' +p100939 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a0000125.jpg' +p100940 +sg25267 +g27 +sa(dp100941 +g25273 +S'overall: 63.2 x 50.8 cm (24 7/8 x 20 in.)\r\nframed: 77.8 x 7 x 7.3 cm (30 5/8 x 2 3/4 x 2 7/8 in.)' +p100942 +sg25267 +g27 +sg25275 +S'\noil on canvas' +p100943 +sg25268 +S'Portrait of a Lady' +p100944 +sg25270 +S'American 19th Century' +p100945 +sa(dp100946 +g25268 +S'Abraham Lincoln' +p100947 +sg25270 +S'American 19th Century' +p100948 +sg25273 +S'overall: 76.2 x 63.6 cm (30 x 25 1/16 in.)\r\nframed: 101.9 x 90.2 x 8.9 cm (40 1/8 x 35 1/2 x 3 1/2 in.)' +p100949 +sg25275 +S'\noil on canvas' +p100950 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c3/a000c3fa.jpg' +p100951 +sg25267 +g27 +sa(dp100952 +g25273 +S'oil on canvas' +p100953 +sg25267 +g27 +sg25275 +S'c. 1879' +p100954 +sg25268 +S'William Morris Hunt' +p100955 +sg25270 +S'Thomas Bayley Lawson' +p100956 +sa(dp100957 +g25268 +S'Portrait of a Lady' +p100958 +sg25270 +S'French 19th Century' +p100959 +sg25273 +S'overall: 32.8 x 24.8 cm (12 15/16 x 9 3/4 in.)\r\nframed: 44.5 x 35.9 x 5.4 cm (17 1/2 x 14 1/8 x 2 1/8 in.)' +p100960 +sg25275 +S'\noil on canvas' +p100961 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c3/a000c3fb.jpg' +p100962 +sg25267 +g27 +sa(dp100963 +g25273 +S'overall: 76.2 x 63.5 cm (30 x 25 in.)\r\nframed: 95.9 x 83.2 x 7 cm (37 3/4 x 32 3/4 x 2 3/4 in.)' +p100964 +sg25267 +g27 +sg25275 +S'\noil on canvas' +p100965 +sg25268 +S'Portrait of a Man' +p100966 +sg25270 +S'American 19th Century' +p100967 +sa(dp100968 +g25273 +S'overall: 78.7 x 61 cm (31 x 24 in.)\r\nframed: 94.3 x 76.5 x 5.4 cm (37 1/8 x 30 1/8 x 2 1/8 in.)' +p100969 +sg25267 +g27 +sg25275 +S'\noil on canvas' +p100970 +sg25268 +S'Portrait of a Man' +p100971 +sg25270 +S'European 18th Century' +p100972 +sa(dp100973 +g25268 +S'Saint Philip' +p100974 +sg25270 +S'Master FVB' +p100975 +sg25273 +S'engraving' +p100976 +sg25275 +S'c. 1490/1500' +p100977 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cce1.jpg' +p100978 +sg25267 +g27 +sa(dp100979 +g25268 +S'Eliab Metcalf (?)' +p100980 +sg25270 +S'American 19th Century' +p100981 +sg25273 +S'overall: 68.1 x 53.5 cm (26 13/16 x 21 1/16 in.)\r\nframed: 85.4 x 72.4 x 4.8 cm (33 5/8 x 28 1/2 x 1 7/8 in.)' +p100982 +sg25275 +S'\noil on canvas' +p100983 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a0000167.jpg' +p100984 +sg25267 +g27 +sa(dp100985 +g25268 +S'Cora Livingston' +p100986 +sg25270 +S'Charles Cromwell Ingham' +p100987 +sg25273 +S'oil on canvas' +p100988 +sg25275 +S'c. 1833' +p100989 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a000010f.jpg' +p100990 +sg25267 +g27 +sa(dp100991 +g25268 +S'Mr. Van Vechten' +p100992 +sg25270 +S'Artist Information (' +p100993 +sg25273 +S'(painter)' +p100994 +sg25275 +S'\n' +p100995 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a000020b.jpg' +p100996 +sg25267 +g27 +sa(dp100997 +g25273 +S'overall: 91.8 x 71.4 cm (36 1/8 x 28 1/8 in.)\r\nframed: 116.5 x 96.5 x 6.4 cm (45 7/8 x 38 x 2 1/2 in.)' +p100998 +sg25267 +g27 +sg25275 +S'\noil on canvas' +p100999 +sg25268 +S'Portrait of a Lady' +p101000 +sg25270 +S'American 19th Century' +p101001 +sa(dp101002 +g25268 +S'Portrait of a Man' +p101003 +sg25270 +S'British 19th Century' +p101004 +sg25273 +S'overall: 122.9 x 92.4 cm (48 3/8 x 36 3/8 in.)\r\nframed: 143.5 x 113 x 7 cm (56 1/2 x 44 1/2 x 2 3/4 in.)' +p101005 +sg25275 +S'\noil on canvas' +p101006 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c3/a000c3fc.jpg' +p101007 +sg25267 +g27 +sa(dp101008 +g25268 +S'Amy Taylor Dickson (Mrs. John Dickson)' +p101009 +sg25270 +S'John Neagle' +p101010 +sg25273 +S'oil on canvas' +p101011 +sg25275 +S'c. 1835' +p101012 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a0000170.jpg' +p101013 +sg25267 +g27 +sa(dp101014 +g25268 +S'Thomas W. Dyott' +p101015 +sg25270 +S'John Neagle' +p101016 +sg25273 +S'oil on canvas' +p101017 +sg25275 +S'c. 1836' +p101018 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a0000171.jpg' +p101019 +sg25267 +g27 +sa(dp101020 +g25273 +S'overall: 76.2 x 63.8 cm (30 x 25 1/8 in.)\r\nframed: 95.9 x 84.5 x 7.6 cm (37 3/4 x 33 1/4 x 3 in.)' +p101021 +sg25267 +g27 +sg25275 +S'\noil on canvas' +p101022 +sg25268 +S'Ann Crook Dyer Rudman (Mrs. William Crook Rudman, Sr.)' +p101023 +sg25270 +S'American 19th Century' +p101024 +sa(dp101025 +g25268 +S'William Crook Rudman, Jr.' +p101026 +sg25270 +S'American 19th Century' +p101027 +sg25273 +S'overall: 76.4 x 64 cm (30 1/16 x 25 3/16 in.)\r\nframed: 90.2 x 80 x 7.3 cm (35 1/2 x 31 1/2 x 2 7/8 in.)' +p101028 +sg25275 +S'\noil on canvas' +p101029 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c620.jpg' +p101030 +sg25267 +g27 +sa(dp101031 +g25268 +S'The Reverend John Albert Ryan' +p101032 +sg25270 +S'John Neagle' +p101033 +sg25273 +S'oil on canvas' +p101034 +sg25275 +S'1825/1829' +p101035 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a0000172.jpg' +p101036 +sg25267 +g27 +sa(dp101037 +g25268 +S'Saint George and the Dragon' +p101038 +sg25270 +S'Artist Information (' +p101039 +sg25273 +S'(artist)' +p101040 +sg25275 +S'\n' +p101041 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cce3.jpg' +p101042 +sg25267 +g27 +sa(dp101043 +g25268 +S'Portrait of a Lady' +p101044 +sg25270 +S'John Neagle' +p101045 +sg25273 +S', c. 1825/1830' +p101046 +sg25275 +S'\n' +p101047 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c619.jpg' +p101048 +sg25267 +g27 +sa(dp101049 +g25273 +S'oil on canvas' +p101050 +sg25267 +g27 +sg25275 +S'c. 1770/1785' +p101051 +sg25268 +S'Portrait of a Gentleman' +p101052 +sg25270 +S'British 18th Century' +p101053 +sa(dp101054 +g25273 +S'overall: 76.2 x 63.5 cm (30 x 25 in.)\r\nframed: 98 x 83.2 x 8.9 cm (38 9/16 x 32 3/4 x 3 1/2 in.)' +p101055 +sg25267 +g27 +sg25275 +S'\noil on canvas' +p101056 +sg25268 +S'Portrait of a Man' +p101057 +sg25270 +S'American 19th Century' +p101058 +sa(dp101059 +g25268 +S'Richardson Stuart' +p101060 +sg25270 +S'Rembrandt Peale' +p101061 +sg25273 +S'oil on canvas' +p101062 +sg25275 +S'c. 1815' +p101063 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a00001a8.jpg' +p101064 +sg25267 +g27 +sa(dp101065 +g25273 +S'oil on canvas' +p101066 +sg25267 +g27 +sg25275 +S'c. 1702/1720' +p101067 +sg25268 +S'Portrait of a Gentleman' +p101068 +sg25270 +S'British 18th Century' +p101069 +sa(dp101070 +g25268 +S'Portrait of a Gentleman' +p101071 +sg25270 +S'British 18th Century' +p101072 +sg25273 +S'oil on canvas' +p101073 +sg25275 +S'c. 1710/1730' +p101074 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a00004ee.jpg' +p101075 +sg25267 +g27 +sa(dp101076 +g25268 +S'Portrait of a Gentleman' +p101077 +sg25270 +S'British 18th Century' +p101078 +sg25273 +S'oil on canvas' +p101079 +sg25275 +S'c. 1720/1740' +p101080 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f01.jpg' +p101081 +sg25267 +g27 +sa(dp101082 +g25268 +S'General William Smallwood' +p101083 +sg25270 +S'Robert Edge Pine' +p101084 +sg25273 +S'oil on canvas' +p101085 +sg25275 +S'1785/1788' +p101086 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a00001bf.jpg' +p101087 +sg25267 +g27 +sa(dp101088 +g25273 +S'overall: 127.3 x 101.3 cm (50 1/8 x 39 7/8 in.)\r\nframed: 144.8 x 119.4 x 5.4 cm (57 x 47 x 2 1/8 in.)' +p101089 +sg25267 +g27 +sg25275 +S'\noil on canvas' +p101090 +sg25268 +S'Portrait of a Man' +p101091 +sg25270 +S'Unknown 18th Century' +p101092 +sa(dp101093 +g25273 +S'overall: 55.5 x 48 cm (21 7/8 x 18 7/8 in.)\r\nframed: 71.4 x 63.5 x 4.1 cm (28 1/8 x 25 x 1 5/8 in.)' +p101094 +sg25267 +g27 +sg25275 +S'\noil on canvas' +p101095 +sg25268 +S'Portrait of a Gentleman' +p101096 +sg25270 +S'British 17th Century' +p101097 +sa(dp101098 +g25268 +S'The Crucifixion' +p101099 +sg25270 +S'Artist Information (' +p101100 +sg25273 +S'Flemish, active c. 1480/1500' +p101101 +sg25275 +S'(artist after)' +p101102 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cce4.jpg' +p101103 +sg25267 +g27 +sa(dp101104 +g25273 +S'overall: 76.2 x 63.5 cm (30 x 25 in.)\r\nframed: 88.9 x 76.2 x 8.8 cm (35 x 30 x 3 7/16 in.)' +p101105 +sg25267 +g27 +sg25275 +S'\noil on canvas' +p101106 +sg25268 +S'Portrait of a Man' +p101107 +sg25270 +S'Dutch 18th Century' +p101108 +sa(dp101109 +g25273 +S'overall: 74 x 61.3 cm (29 1/8 x 24 1/8 in.)\r\nframed: 90.5 x 78.1 x 5.1 cm (35 5/8 x 30 3/4 x 2 in.)' +p101110 +sg25267 +g27 +sg25275 +S'\noil on canvas' +p101111 +sg25268 +S'Francis Garden of Troup, Scotland (?)' +p101112 +sg25270 +S'Scottish 18th Century' +p101113 +sa(dp101114 +g25273 +S'overall: 76.2 x 63.5 cm (30 x 25 in.)\r\nframed: 101 x 88.9 x 7 cm (39 3/4 x 35 x 2 3/4 in.)' +p101115 +sg25267 +g27 +sg25275 +S'\noil on canvas' +p101116 +sg25268 +S'Portrait of a Gentleman' +p101117 +sg25270 +S'British 18th Century' +p101118 +sa(dp101119 +g25268 +S'Portrait of a Lady' +p101120 +sg25270 +S'Maria Verelst' +p101121 +sg25273 +S'oil on canvas' +p101122 +sg25275 +S'c. 1715/1730, perhaps close to 1725' +p101123 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e92.jpg' +p101124 +sg25267 +g27 +sa(dp101125 +g25268 +S'Frances Ludlum Morris (Mrs. Robert Morris) (?)' +p101126 +sg25270 +S'Frederick R. Spencer' +p101127 +sg25273 +S'oil on canvas' +p101128 +sg25275 +S'1838' +p101129 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a0000220.jpg' +p101130 +sg25267 +g27 +sa(dp101131 +g25273 +S'overall: 36.2 x 30.6 cm (14 1/4 x 12 1/16 in.)\r\nframed: 48.9 x 44.5 x 6 cm (19 1/4 x 17 1/2 x 2 3/8 in.)' +p101132 +sg25267 +g27 +sg25275 +S'\noil on canvas' +p101133 +sg25268 +S'Portrait of a Man' +p101134 +sg25270 +S'American 19th Century' +p101135 +sa(dp101136 +g25268 +S'Portrait of a Man' +p101137 +sg25270 +S'Dutch 17th Century' +p101138 +sg25273 +S'overall: 54.6 x 41.9 cm (21 1/2 x 16 1/2 in.)\r\nframed: 72.1 x 60.3 x 6.4 cm (28 3/8 x 23 3/4 x 2 1/2 in.)' +p101139 +sg25275 +S'\noil on canvas' +p101140 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00057/a000571d.jpg' +p101141 +sg25267 +g27 +sa(dp101142 +g25268 +S'Portrait of a Man' +p101143 +sg25270 +S'French 17th Century' +p101144 +sg25273 +S'overall: 58.4 x 47 cm (23 x 18 1/2 in.)\r\nframed: 71.8 x 59.7 x 3.5 cm (28 1/4 x 23 1/2 x 1 3/8 in.)' +p101145 +sg25275 +S'\noil on canvas' +p101146 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005a/a0005aa7.jpg' +p101147 +sg25267 +g27 +sa(dp101148 +g25268 +S'Portrait of a Man' +p101149 +sg25270 +S'Unknown 18th Century' +p101150 +sg25273 +S'overall: 65.4 x 91.4 cm (25 3/4 x 36 in.)\r\nframed: 74.9 x 66 x 5.1 cm (29 1/2 x 26 x 2 in.)' +p101151 +sg25275 +S'\noil on canvas' +p101152 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c611.jpg' +p101153 +sg25267 +g27 +sa(dp101154 +g25268 +S'Elizabeth, Countess of Effingham' +p101155 +sg25270 +S'Benjamin West' +p101156 +sg25273 +S'oil on canvas' +p101157 +sg25275 +S'c. 1797' +p101158 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d46.jpg' +p101159 +sg25267 +g27 +sa(dp101160 +g25268 +S'Coat of Arms with a Lion and Unicorn' +p101161 +sg25270 +S'Master hw' +p101162 +sg25273 +S'engraving' +p101163 +sg25275 +S'c. 1480/1490' +p101164 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a454.jpg' +p101165 +sg25267 +g27 +sa(dp101166 +g25273 +S'overall: 75.9 x 63.9 cm (29 7/8 x 25 3/16 in.)\r\nframed: 101 x 87.6 x 6.4 cm (39 3/4 x 34 1/2 x 2 1/2 in.)' +p101167 +sg25267 +g27 +sg25275 +S'\noil on canvas' +p101168 +sg25268 +S'The Hon. Sir Francis Burton Conyngham' +p101169 +sg25270 +S'British 18th Century' +p101170 +sa(dp101171 +g25268 +S'John Stevens (?)' +p101172 +sg25270 +S'John Wollaston' +p101173 +sg25273 +S'oil on canvas' +p101174 +sg25275 +S'c. 1749-1752' +p101175 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002a6.jpg' +p101176 +sg25267 +g27 +sa(dp101177 +g25268 +S'Charlotte Morton Dexter (Mrs. Andrew Dexter)' +p101178 +sg25270 +S'Artist Information (' +p101179 +sg25273 +S'(painter)' +p101180 +sg25275 +S'\n' +p101181 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a0000276.jpg' +p101182 +sg25267 +g27 +sa(dp101183 +g25268 +S'Unidentified British Navy Officer' +p101184 +sg25270 +S'John Wollaston' +p101185 +sg25273 +S'oil on canvas' +p101186 +sg25275 +S'c. 1745' +p101187 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002a7.jpg' +p101188 +sg25267 +g27 +sa(dp101189 +g25268 +S'William Seton' +p101190 +sg25270 +S'Artist Information (' +p101191 +sg25273 +S'American, 1755 - 1828' +p101192 +sg25275 +S'(artist after)' +p101193 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a0000246.jpg' +p101194 +sg25267 +g27 +sa(dp101195 +g25273 +S'American, 1755 - 1828' +p101196 +sg25267 +g27 +sg25275 +S'(artist after)' +p101197 +sg25268 +S'James Lloyd' +p101198 +sg25270 +S'Artist Information (' +p101199 +sa(dp101200 +g25268 +S'Thomas Alston' +p101201 +sg25270 +S'Thomas Sully' +p101202 +sg25273 +S'oil on canvas' +p101203 +sg25275 +S'1826' +p101204 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a0000264.jpg' +p101205 +sg25267 +g27 +sa(dp101206 +g25273 +S'overall: 44.5 x 35.6 cm (17 1/2 x 14 in.)\r\nframed: 59.1 x 49.2 x 3.8 cm (23 1/4 x 19 3/8 x 1 1/2 in.)' +p101207 +sg25267 +g27 +sg25275 +S'\noil on canvas' +p101208 +sg25268 +S'Portrait of a Man' +p101209 +sg25270 +S'American 19th Century' +p101210 +sa(dp101211 +g25268 +S'Julianna Hazlehurst' +p101212 +sg25270 +S'Jacob Eichholtz' +p101213 +sg25273 +S'oil on canvas' +p101214 +sg25275 +S'c. 1820' +p101215 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a000009d.jpg' +p101216 +sg25267 +g27 +sa(dp101217 +g25268 +S'John Philip Kemble' +p101218 +sg25270 +S'Artist Information (' +p101219 +sg25273 +S'(artist after)' +p101220 +sg25275 +S'\n' +p101221 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a0000266.jpg' +p101222 +sg25267 +g27 +sa(dp101223 +g25268 +S'Saint Anthony' +p101224 +sg25270 +S'Master FVB' +p101225 +sg25273 +S'engraving' +p101226 +sg25275 +S'c. 1490/1500' +p101227 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cc/a000ccdd.jpg' +p101228 +sg25267 +g27 +sa(dp101229 +g25268 +S'Portrait of a Gentleman' +p101230 +sg25270 +S'Joseph Wright' +p101231 +sg25273 +S'oil on canvas' +p101232 +sg25275 +S'c. 1760' +p101233 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f8f.jpg' +p101234 +sg25267 +g27 +sa(dp101235 +g25273 +S'overall: 71.8 x 60.3 cm (28 1/4 x 23 3/4 in.)\r\nframed: 87 x 78.1 x 9.2 cm (34 1/4 x 30 3/4 x 3 5/8 in.)' +p101236 +sg25267 +g27 +sg25275 +S'\noil on canvas' +p101237 +sg25268 +S'Portrait of a Man' +p101238 +sg25270 +S'Unknown 18th Century' +p101239 +sa(dp101240 +g25268 +S'Robert Devereux, 2nd Earl of Essex' +p101241 +sg25270 +S'Artist Information (' +p101242 +sg25273 +S'Flemish, c. 1561/1562 - 1636' +p101243 +sg25275 +S'(related artist)' +p101244 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a000073b.jpg' +p101245 +sg25267 +g27 +sa(dp101246 +g25268 +S'Portrait of an Old Man' +p101247 +sg25270 +S'Alphonse Legros' +p101248 +sg25273 +S'oil on canvas' +p101249 +sg25275 +S'unknown date\n' +p101250 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005e/a0005ea1.jpg' +p101251 +sg25267 +g27 +sa(dp101252 +g25268 +S'Head of a Young Girl (Tete de jeune fille)' +p101253 +sg25270 +S'Alphonse Legros' +p101254 +sg25273 +S'drypoint' +p101255 +sg25275 +S'unknown date\n' +p101256 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a0009905.jpg' +p101257 +sg25267 +g27 +sa(dp101258 +g25268 +S'Spanish Singers (Les chantres espagnols)' +p101259 +sg25270 +S'Alphonse Legros' +p101260 +sg25273 +S'etching' +p101261 +sg25275 +S'1865' +p101262 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b40.jpg' +p101263 +sg25267 +g27 +sa(dp101264 +g25268 +S'Saint Peter and Saint Paul in the Door of M. Richard (St. Pierre et St. Paul a la porte de M. Richard' +p101265 +sg25270 +S'Alphonse Legros' +p101266 +sg25273 +S'etching and drypoint?' +p101267 +sg25275 +S'unknown date\n' +p101268 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00098/a00098f3.jpg' +p101269 +sg25267 +g27 +sa(dp101270 +g25268 +S'G.F. Watts, R.A.' +p101271 +sg25270 +S'Alphonse Legros' +p101272 +sg25273 +S'drypoint' +p101273 +sg25275 +S'unknown date\n' +p101274 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b75.jpg' +p101275 +sg25267 +g27 +sa(dp101276 +g25268 +S'Milkmaid of Boulogne, 3rd plate (Laitiere a Boulogne)' +p101277 +sg25270 +S'Alphonse Legros' +p101278 +sg25273 +S'etching and drypoint?' +p101279 +sg25275 +S'unknown date\n' +p101280 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00098/a00098dc.jpg' +p101281 +sg25267 +g27 +sa(dp101282 +g25268 +S'Farm on a Hillside in Sunlight (La ferme du coteau; Effet de soleil sur le coteau)' +p101283 +sg25270 +S'Alphonse Legros' +p101284 +sg25273 +S'drypoint' +p101285 +sg25275 +S'unknown date\n' +p101286 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00098/a00098ea.jpg' +p101287 +sg25267 +g27 +sa(dp101288 +g25268 +S'The Stoning of Saint Stephen' +p101289 +sg25270 +S'Artist Information (' +p101290 +sg25273 +S'(artist after)' +p101291 +sg25275 +S'\n' +p101292 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a3/a000a3dc.jpg' +p101293 +sg25267 +g27 +sa(dp101294 +g25268 +S'Marsh (Les marais)' +p101295 +sg25270 +S'Alphonse Legros' +p101296 +sg25273 +S'drypoint' +p101297 +sg25275 +S'unknown date\n' +p101298 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bc7.jpg' +p101299 +sg25267 +g27 +sa(dp101300 +g25268 +S'Paralytic (Le paralytique)' +p101301 +sg25270 +S'Alphonse Legros' +p101302 +sg25273 +S'etching and drypoint?' +p101303 +sg25275 +S'unknown date\n' +p101304 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009ba5.jpg' +p101305 +sg25267 +g27 +sa(dp101306 +g25268 +S"Archeologist (L'archeologue)" +p101307 +sg25270 +S'Alphonse Legros' +p101308 +sg25273 +S'etching and drypoint' +p101309 +sg25275 +S'unknown date\n' +p101310 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009ba9.jpg' +p101311 +sg25267 +g27 +sa(dp101312 +g25268 +S"Birch Trees: Water's Edge Seen in Morning Light (Les bouleaux: Bord de l'eau, effet du matin" +p101313 +sg25270 +S'Alphonse Legros' +p101314 +sg25273 +S'etching and drypoint?' +p101315 +sg25275 +S'unknown date\n' +p101316 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009ba6.jpg' +p101317 +sg25267 +g27 +sa(dp101318 +g25268 +S'Return to the Cottage (Le retour a la chaumiere)' +p101319 +sg25270 +S'Alphonse Legros' +p101320 +sg25273 +S'drypoint' +p101321 +sg25275 +S'unknown date\n' +p101322 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009baa.jpg' +p101323 +sg25267 +g27 +sa(dp101324 +g25268 +S'Roman Ruin (Ruine romaine)' +p101325 +sg25270 +S'Alphonse Legros' +p101326 +sg25273 +S'etching and drypoint' +p101327 +sg25275 +S'unknown date\n' +p101328 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bd0.jpg' +p101329 +sg25267 +g27 +sa(dp101330 +g25268 +S'Meadow in Sunshine (Le pre ensoleille)' +p101331 +sg25270 +S'Alphonse Legros' +p101332 +sg25273 +S'drypoint and etching (?)' +p101333 +sg25275 +S'unknown date\n' +p101334 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bde.jpg' +p101335 +sg25267 +g27 +sa(dp101336 +g25268 +S'Memories of Fountainebleau in the Rain (Souvenir de Fountainebleau (Effet de pluie))' +p101337 +sg25270 +S'Alphonse Legros' +p101338 +sg25273 +S'drypoint' +p101339 +sg25275 +S'unknown date\n' +p101340 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bda.jpg' +p101341 +sg25267 +g27 +sa(dp101342 +g25268 +S'Sunrise, Woods of Clamard (Lever du soleil, bois de Clamard)' +p101343 +sg25270 +S'Alphonse Legros' +p101344 +sg25273 +S'drypoint and etching?' +p101345 +sg25275 +S'unknown date\n' +p101346 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bed.jpg' +p101347 +sg25267 +g27 +sa(dp101348 +g25268 +S'Ruins of a Monastery (Les ruines du monastere)' +p101349 +sg25270 +S'Alphonse Legros' +p101350 +sg25273 +S'drypoint and etching' +p101351 +sg25275 +S'unknown date\n' +p101352 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bf0.jpg' +p101353 +sg25267 +g27 +sa(dp101354 +g25273 +S'etching on wove paper' +p101355 +sg25267 +g27 +sg25275 +S'1911' +p101356 +sg25268 +S'La Cite Paris' +p101357 +sg25270 +S'Charles K. Gleeson' +p101358 +sa(dp101359 +g25268 +S'Plain (La plaine)' +p101360 +sg25270 +S'Alphonse Legros' +p101361 +sg25273 +S'etching and drypoint' +p101362 +sg25275 +S'unknown date\n' +p101363 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bee.jpg' +p101364 +sg25267 +g27 +sa(dp101365 +g25268 +S'Landscape (Paysage)' +p101366 +sg25270 +S'Alphonse Legros' +p101367 +sg25273 +S'etching' +p101368 +sg25275 +S'unknown date\n' +p101369 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c14.jpg' +p101370 +sg25267 +g27 +sa(dp101371 +g25268 +S'Landscape (Paysage)' +p101372 +sg25270 +S'Alphonse Legros' +p101373 +sg25273 +S'etching and drypoint' +p101374 +sg25275 +S'unknown date\n' +p101375 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c15.jpg' +p101376 +sg25267 +g27 +sa(dp101377 +g25268 +S'Mountain Landscape with two Figures at the Right' +p101378 +sg25270 +S'Alphonse Legros' +p101379 +sg25273 +S'watercolor over pen and brown ink' +p101380 +sg25275 +S'1905' +p101381 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f36.jpg' +p101382 +sg25267 +g27 +sa(dp101383 +g25268 +S'Near the Mill (Pres du moulin)' +p101384 +sg25270 +S'Alphonse Legros' +p101385 +sg25273 +S'etching and drypoint' +p101386 +sg25275 +S'unknown date\n' +p101387 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c0c.jpg' +p101388 +sg25267 +g27 +sa(dp101389 +g25268 +S'Return from the Plowing (Le retour de labourage)' +p101390 +sg25270 +S'Alphonse Legros' +p101391 +sg25273 +S'etching and drypoint' +p101392 +sg25275 +S'unknown date\n' +p101393 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c1e.jpg' +p101394 +sg25267 +g27 +sa(dp101395 +g25268 +S"Study of the Head of a Man Reading (Etude de tete d'homme lisant)" +p101396 +sg25270 +S'Alphonse Legros' +p101397 +sg25273 +S'etching and drypoint?' +p101398 +sg25275 +S'unknown date\n' +p101399 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c3f.jpg' +p101400 +sg25267 +g27 +sa(dp101401 +g25268 +S'Victor Hugo, 2nd plate' +p101402 +sg25270 +S'Alphonse Legros' +p101403 +sg25273 +S'etching and aquatint' +p101404 +sg25275 +S'unknown date\n' +p101405 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c44.jpg' +p101406 +sg25267 +g27 +sa(dp101407 +g25268 +S'Convalescent (Le convalescent)' +p101408 +sg25270 +S'Alphonse Legros' +p101409 +sg25273 +S'drypoint and etching?' +p101410 +sg25275 +S'unknown date\n' +p101411 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c50.jpg' +p101412 +sg25267 +g27 +sa(dp101413 +g25268 +S'Landscape: Morning Mist (Paysage: Brumes du matin)' +p101414 +sg25270 +S'Alphonse Legros' +p101415 +sg25273 +S'lithograph' +p101416 +sg25275 +S'unknown date\n' +p101417 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d57.jpg' +p101418 +sg25267 +g27 +sa(dp101419 +g25268 +S'Little Thames' +p101420 +sg25270 +S'Clifford Isaac Addams' +p101421 +sg25273 +g27 +sg25275 +S'unknown date\n' +p101422 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000f2/a000f2d7.jpg' +p101423 +sg25267 +g27 +sa(dp101424 +g25268 +S'Self-Portrait, 10th plate' +p101425 +sg25270 +S'Alphonse Legros' +p101426 +sg25273 +S'lithograph in red' +p101427 +sg25275 +S'1905' +p101428 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d5f.jpg' +p101429 +sg25267 +g27 +sa(dp101430 +g25268 +S'Self-Portrait, 13th plate' +p101431 +sg25270 +S'Alphonse Legros' +p101432 +sg25273 +S'etching retouched with crayon' +p101433 +sg25275 +S'1906' +p101434 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d64.jpg' +p101435 +sg25267 +g27 +sa(dp101436 +g25268 +S'Self-Portrait, 13th plate' +p101437 +sg25270 +S'Alphonse Legros' +p101438 +sg25273 +S'etching retouched in ink and crayon' +p101439 +sg25275 +S'1906' +p101440 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d63.jpg' +p101441 +sg25267 +g27 +sa(dp101442 +g25268 +S'Agnes Gordon Higginson Fuller (Mrs. George Fuller)' +p101443 +sg25270 +S'George Fuller' +p101444 +sg25273 +S'oil on canvas' +p101445 +sg25275 +S'c. 1877' +p101446 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000c4.jpg' +p101447 +sg25267 +g27 +sa(dp101448 +g25268 +S'Two Ladles' +p101449 +sg25270 +S'Heinrich Aldegrever' +p101450 +sg25273 +S'engraving' +p101451 +sg25275 +S'1539' +p101452 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a6d4.jpg' +p101453 +sg25267 +g27 +sa(dp101454 +g25273 +S'pen and black ink' +p101455 +sg25267 +g27 +sg25275 +S'unknown date\n' +p101456 +sg25268 +S'Reclining Nude' +p101457 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101458 +sa(dp101459 +g25273 +S'lithograph' +p101460 +sg25267 +g27 +sg25275 +S'unknown date\n' +p101461 +sg25268 +S'Trees' +p101462 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101463 +sa(dp101464 +g25273 +S'etching' +p101465 +sg25267 +g27 +sg25275 +S'1927' +p101466 +sg25268 +S'The Bay at Saint-Tropez (Le Golfe de Saint-Tropez)' +p101467 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101468 +sa(dp101469 +g25273 +S'etching' +p101470 +sg25267 +g27 +sg25275 +S'1934' +p101471 +sg25268 +S'Mediterranee' +p101472 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101473 +sa(dp101474 +g25273 +S'etching' +p101475 +sg25267 +g27 +sg25275 +S'1927' +p101476 +sg25268 +S'The Bay at Saint-Tropez (Le Golfe de Saint-Tropez)' +p101477 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101478 +sa(dp101479 +g25268 +S'Demolition' +p101480 +sg25270 +S'Clifford Isaac Addams' +p101481 +sg25273 +g27 +sg25275 +S'unknown date\n' +p101482 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000f2/a000f2d6.jpg' +p101483 +sg25267 +g27 +sa(dp101484 +g25273 +S'etching' +p101485 +sg25267 +g27 +sg25275 +S'1926' +p101486 +sg25268 +S"La Ferme a l'aire l'apres-midi" +p101487 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101488 +sa(dp101489 +g25273 +S'etching' +p101490 +sg25267 +g27 +sg25275 +S'1930' +p101491 +sg25268 +S'Saint-Tropez Landscape (Paysage Tropezien)' +p101492 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101493 +sa(dp101494 +g25273 +S'etching' +p101495 +sg25267 +g27 +sg25275 +S'1927' +p101496 +sg25268 +S'Harbor, Saint-Tropez (Saint-Tropez, le port)' +p101497 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101498 +sa(dp101499 +g25273 +S'etching' +p101500 +sg25267 +g27 +sg25275 +S'1927' +p101501 +sg25268 +S'Harbor, Saint-Tropez (Saint-Tropez, le port)' +p101502 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101503 +sa(dp101504 +g25273 +S'etching' +p101505 +sg25267 +g27 +sg25275 +S'1922' +p101506 +sg25268 +S'Beginning of Round (Debut de round)' +p101507 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101508 +sa(dp101509 +g25273 +S'etching' +p101510 +sg25267 +g27 +sg25275 +S'1922' +p101511 +sg25268 +S'Knock Out, Second Version (Le K.O. du noir (seconde version))' +p101512 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101513 +sa(dp101514 +g25273 +S'etching' +p101515 +sg25267 +g27 +sg25275 +S'1923' +p101516 +sg25268 +S"The Church at Villiers (L'Eglise de Villiers)" +p101517 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101518 +sa(dp101519 +g25273 +S'etching' +p101520 +sg25267 +g27 +sg25275 +S'1923' +p101521 +sg25268 +S"The Church at Villiers through the Trees (L'Eglise de Villiers dans les arbres)" +p101522 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101523 +sa(dp101524 +g25273 +S'drypoint' +p101525 +sg25267 +g27 +sg25275 +S'1923' +p101526 +sg25268 +S'The Chapel at Crecy, Large Plate (La Chapelle de Crecy (grande planche))' +p101527 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101528 +sa(dp101529 +g25273 +S'etching' +p101530 +sg25267 +g27 +sg25275 +S'1930' +p101531 +sg25268 +S'River Bank (La Berge)' +p101532 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101533 +sa(dp101534 +g25268 +S'Harbour Scene - Venice' +p101535 +sg25270 +S'Clifford Isaac Addams' +p101536 +sg25273 +S'drypoint' +p101537 +sg25275 +S'unknown date\n' +p101538 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fb/a000fb59.jpg' +p101539 +sg25267 +g27 +sa(dp101540 +g25273 +S'etching' +p101541 +sg25267 +g27 +sg25275 +S'1924' +p101542 +sg25268 +S'Model Kneeling (Le Modele a genoux ou nu a genoux)' +p101543 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101544 +sa(dp101545 +g25273 +S'etching' +p101546 +sg25267 +g27 +sg25275 +S'1924' +p101547 +sg25268 +S'The Great Oak at Chaville (Le gros chene a Chaville)' +p101548 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101549 +sa(dp101550 +g25273 +S'etching' +p101551 +sg25267 +g27 +sg25275 +S'1923' +p101552 +sg25268 +S'Fernande with Arms Crossed, Large Plate (Fernande les mains croisees (grande planche)' +p101553 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101554 +sa(dp101555 +g25273 +S'etching' +p101556 +sg25267 +g27 +sg25275 +S'1927' +p101557 +sg25268 +S'Sunbather (La Cure de soleil)' +p101558 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101559 +sa(dp101560 +g25273 +S'drypoint' +p101561 +sg25267 +g27 +sg25275 +S'1927' +p101562 +sg25268 +S'Woman with Slipper (La Femme a la mule)' +p101563 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101564 +sa(dp101565 +g25273 +S'etching' +p101566 +sg25267 +g27 +sg25275 +S'1930' +p101567 +sg25268 +S"The Church of Megeve (L'Eglise de Megeve)" +p101568 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101569 +sa(dp101570 +g25273 +S'etching' +p101571 +sg25267 +g27 +sg25275 +S'1934' +p101572 +sg25268 +S'Plage de la Bouillabaisse' +p101573 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101574 +sa(dp101575 +g25273 +S'etching' +p101576 +sg25267 +g27 +sg25275 +S'1927' +p101577 +sg25268 +S'Suzanne on the Beach (Suzanne sur la plage)' +p101578 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101579 +sa(dp101580 +g25273 +S'etching (and drypoint?)' +p101581 +sg25267 +g27 +sg25275 +S'1930' +p101582 +sg25268 +S'Grock and his Partner (Grock et son partner)' +p101583 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101584 +sa(dp101585 +g25273 +S'etching' +p101586 +sg25267 +g27 +sg25275 +S'1929' +p101587 +sg25268 +S'Boulevard Saint-Denis' +p101588 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101589 +sa(dp101590 +g25268 +S'Limehouse' +p101591 +sg25270 +S'Clifford Isaac Addams' +p101592 +sg25273 +S'drypoint' +p101593 +sg25275 +S'unknown date\n' +p101594 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fb/a000fb58.jpg' +p101595 +sg25267 +g27 +sa(dp101596 +g25273 +S'etching' +p101597 +sg25267 +g27 +sg25275 +S'1929' +p101598 +sg25268 +S'Hotel Borgne' +p101599 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101600 +sa(dp101601 +g25273 +S'etching (zinc)' +p101602 +sg25267 +g27 +sg25275 +S'1929' +p101603 +sg25268 +S'Young Woman, Boulevard Sebastopol (Fille, Boulevard Sebastopol)' +p101604 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101605 +sa(dp101606 +g25273 +S'etching' +p101607 +sg25267 +g27 +sg25275 +S'1929' +p101608 +sg25268 +S'Maryse' +p101609 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101610 +sa(dp101611 +g25273 +S'etching and roulette work' +p101612 +sg25267 +g27 +sg25275 +S'c. 1927/1929' +p101613 +sg25268 +S'The Terrace of the Cafe, Bouvelard Sebastopol(Boulevard Sebastopol: la terrasse du ca' +p101614 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101615 +sa(dp101616 +g25273 +S'etching' +p101617 +sg25267 +g27 +sg25275 +S'c. 1927/1929' +p101618 +sg25268 +S"Berthe at the Hospital, The Letter (Berthe a l'hopital: la lettre)" +p101619 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101620 +sa(dp101621 +g25273 +S'etching' +p101622 +sg25267 +g27 +sg25275 +S'c. 1927/1929' +p101623 +sg25268 +S"Sebasto's Bar (Le Bar du Sebasto)" +p101624 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101625 +sa(dp101626 +g25273 +S'etching and roulette work' +p101627 +sg25267 +g27 +sg25275 +S'c. 1927/1929' +p101628 +sg25268 +S'Prostitutes on the Sidewalk, Boulevard Sebastopol (Filles publiques sur le trottoir,' +p101629 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101630 +sa(dp101631 +g25273 +S'etching' +p101632 +sg25267 +g27 +sg25275 +S'1930' +p101633 +sg25268 +S'Before the Release, No.2 (Avant la detente. II)' +p101634 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101635 +sa(dp101636 +g25273 +S'etching' +p101637 +sg25267 +g27 +sg25275 +S'1930' +p101638 +sg25268 +S'Start of 100 Meter Race (Le Depart des 100 metres)' +p101639 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101640 +sa(dp101641 +g25273 +S'pen and black ink with gray wash' +p101642 +sg25267 +g27 +sg25275 +S'unknown date\n' +p101643 +sg25268 +S'Taking a Count of Nine' +p101644 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101645 +sa(dp101646 +g25268 +S'Westminster' +p101647 +sg25270 +S'Clifford Isaac Addams' +p101648 +sg25273 +S'etching' +p101649 +sg25275 +S'unknown date\n' +p101650 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fb/a000fb57.jpg' +p101651 +sg25267 +g27 +sa(dp101652 +g25273 +S'pen and black ink with gray wash' +p101653 +sg25267 +g27 +sg25275 +S'unknown date\n' +p101654 +sg25268 +S'Nurmi Running the 1500 Meter' +p101655 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101656 +sa(dp101657 +g25273 +S'pen and black ink with gray and black wash' +p101658 +sg25267 +g27 +sg25275 +S'unknown date\n' +p101659 +sg25268 +S'Bather Fixing Her Sandal' +p101660 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101661 +sa(dp101662 +g25273 +S'etching' +p101663 +sg25267 +g27 +sg25275 +S'1922' +p101664 +sg25268 +S'Spectators (Les Spectateurs)' +p101665 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101666 +sa(dp101667 +g25273 +S'etching' +p101668 +sg25267 +g27 +sg25275 +S'1923' +p101669 +sg25268 +S'Fernande with Arms Crossed, Second Plate (Fernande les mains croisees (planche moyenn' +p101670 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101671 +sa(dp101672 +g25273 +S'etching' +p101673 +sg25267 +g27 +sg25275 +S'1923' +p101674 +sg25268 +S'Fernande with Arms Crossed, Second Plate (Fernande les mains croisees (planche moyenn' +p101675 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101676 +sa(dp101677 +g25273 +S'etching with drypoint' +p101678 +sg25267 +g27 +sg25275 +S'1921' +p101679 +sg25268 +S'Jules Romains' +p101680 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101681 +sa(dp101682 +g25273 +S'soft-ground etching retouched with drypoint' +p101683 +sg25267 +g27 +sg25275 +S'1921' +p101684 +sg25268 +S'Jules Romains' +p101685 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101686 +sa(dp101687 +g25273 +S'drypoint' +p101688 +sg25267 +g27 +sg25275 +S'1921' +p101689 +sg25268 +S'Les Demoiselles de la Marne' +p101690 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101691 +sa(dp101692 +g25273 +S'drypoint' +p101693 +sg25267 +g27 +sg25275 +S'1921' +p101694 +sg25268 +S'Les Demoiselles de la Marne' +p101695 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101696 +sa(dp101697 +g25273 +S'drypoint' +p101698 +sg25267 +g27 +sg25275 +S'1921' +p101699 +sg25268 +S'Les Demoiselles de la Marne' +p101700 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101701 +sa(dp101702 +g25268 +S"St. Martin's Lane" +p101703 +sg25270 +S'Clifford Isaac Addams' +p101704 +sg25273 +S'etching' +p101705 +sg25275 +S'unknown date\n' +p101706 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fb/a000fb53.jpg' +p101707 +sg25267 +g27 +sa(dp101708 +g25273 +S'etching//one of two extra plates (loose) included with the book 1948.3.48' +p101709 +sg25267 +g27 +sg25275 +S'1926' +p101710 +sg25268 +S'Illustration for "Les vits imaginaires"' +p101711 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101712 +sa(dp101713 +g25273 +S'etching//one of two extra plates (loose) included with the book 1948.3.48' +p101714 +sg25267 +g27 +sg25275 +S'1926' +p101715 +sg25268 +S'Illustration for "Les vits imaginaires"' +p101716 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101717 +sa(dp101718 +g25273 +S'(author)' +p101719 +sg25267 +g27 +sg25275 +S'\n' +p101720 +sg25268 +S'Les vits imaginaires' +p101721 +sg25270 +S'Artist Information (' +p101722 +sa(dp101723 +g25273 +S'etching' +p101724 +sg25267 +g27 +sg25275 +S'1923' +p101725 +sg25268 +S"The Church at Villiers (L'Eglise de Villiers)" +p101726 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101727 +sa(dp101728 +g25273 +S'etching' +p101729 +sg25267 +g27 +sg25275 +S'1923' +p101730 +sg25268 +S'Reclining Nude (Nu entendu)' +p101731 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101732 +sa(dp101733 +g25273 +S'etching and drypoint' +p101734 +sg25267 +g27 +sg25275 +S'1924' +p101735 +sg25268 +S'Female Nude with Journal (Femme nue au journal)' +p101736 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101737 +sa(dp101738 +g25273 +S'etching on green-gray paper' +p101739 +sg25267 +g27 +sg25275 +S'1924' +p101740 +sg25268 +S"The Apse of Notre Dame (L'Abside de Notre-Dame)" +p101741 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101742 +sa(dp101743 +g25273 +S'etching' +p101744 +sg25267 +g27 +sg25275 +S'1924' +p101745 +sg25268 +S"The Apse of Notre Dame (L'Abside de Notre-Dame)" +p101746 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101747 +sa(dp101748 +g25273 +S'etching and drypoint' +p101749 +sg25267 +g27 +sg25275 +S'1924' +p101750 +sg25268 +S'The Pont Marie (Le Pont Marie)' +p101751 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101752 +sa(dp101753 +g25273 +S'drypoint' +p101754 +sg25267 +g27 +sg25275 +S'1924' +p101755 +sg25268 +S'The Pont des Arts (Le Pont des Arts)' +p101756 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101757 +sa(dp101758 +g25268 +S'View of the River Rhine' +p101759 +sg25270 +S'Artist Information (' +p101760 +sg25273 +S'(artist after)' +p101761 +sg25275 +S'\n' +p101762 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d2/a000d261.jpg' +p101763 +sg25267 +g27 +sa(dp101764 +g25273 +S'drypoint' +p101765 +sg25267 +g27 +sg25275 +S'1924' +p101766 +sg25268 +S'Les Tas de sable' +p101767 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101768 +sa(dp101769 +g25273 +S'etching' +p101770 +sg25267 +g27 +sg25275 +S'1924' +p101771 +sg25268 +S"Entrance to the Orangerie, Versailles (Large Plate) (Versailles, l'Entree de l'Orange" +p101772 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101773 +sa(dp101774 +g25273 +S'etching' +p101775 +sg25267 +g27 +sg25275 +S'1924' +p101776 +sg25268 +S"Entrance to the Orangerie, Versailles (Large Plate) (Versailles, l'Entree de l'Orange" +p101777 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101778 +sa(dp101779 +g25273 +S'etching' +p101780 +sg25267 +g27 +sg25275 +S'1924' +p101781 +sg25268 +S'Forest at Chaville (Bois de Chaville)' +p101782 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101783 +sa(dp101784 +g25273 +S'etching' +p101785 +sg25267 +g27 +sg25275 +S'1924' +p101786 +sg25268 +S"Crayfish Pond, Chaville (Chaville l'etang des ecrevisses)" +p101787 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101788 +sa(dp101789 +g25273 +S'etching' +p101790 +sg25267 +g27 +sg25275 +S'1924' +p101791 +sg25268 +S"Crayfish Pond, Chaville (Chaville l'etang des ecrevisses)" +p101792 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101793 +sa(dp101794 +g25273 +S'etching' +p101795 +sg25267 +g27 +sg25275 +S'1924' +p101796 +sg25268 +S'Model Kneeling (Le Modele a genoux ou nu a genoux)' +p101797 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101798 +sa(dp101799 +g25273 +S'etching' +p101800 +sg25267 +g27 +sg25275 +S'1924' +p101801 +sg25268 +S'Model Kneeling (Le Modele a genoux ou nu a genoux)' +p101802 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101803 +sa(dp101804 +g25273 +S'etching' +p101805 +sg25267 +g27 +sg25275 +S'1924' +p101806 +sg25268 +S'The Great Oak at Chaville (Le gros chene a Chaville)' +p101807 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101808 +sa(dp101809 +g25273 +S'etching' +p101810 +sg25267 +g27 +sg25275 +S'1924' +p101811 +sg25268 +S'The Great Oak at Chaville (Le gros chene a Chaville)' +p101812 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101813 +sa(dp101814 +g25268 +S'Venice - Bridge with Procession' +p101815 +sg25270 +S'Clifford Isaac Addams' +p101816 +sg25273 +S'etching' +p101817 +sg25275 +S'unknown date\n' +p101818 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000f2/a000f2e3.jpg' +p101819 +sg25267 +g27 +sa(dp101820 +g25273 +S'etching' +p101821 +sg25267 +g27 +sg25275 +S'1924' +p101822 +sg25268 +S'Le Chene de Doisu a Chaville' +p101823 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101824 +sa(dp101825 +g25273 +S'etching' +p101826 +sg25267 +g27 +sg25275 +S'1923' +p101827 +sg25268 +S'Fernande with Arms Crossed, Large Plate (Fernande les mains croisees (grande planche)' +p101828 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101829 +sa(dp101830 +g25273 +S'etching' +p101831 +sg25267 +g27 +sg25275 +S'1923' +p101832 +sg25268 +S'Fernande with Arms Crossed, Large Plate (Fernande les mains croisees (grande planche)' +p101833 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101834 +sa(dp101835 +g25273 +S'etching' +p101836 +sg25267 +g27 +sg25275 +S'1923' +p101837 +sg25268 +S'Fernande with Arms Crossed, Large Plate (Fernande les mains croisees (grande planche)' +p101838 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101839 +sa(dp101840 +g25273 +S'etching' +p101841 +sg25267 +g27 +sg25275 +S'1924' +p101842 +sg25268 +S"Nude with Umbrella (Nu a l'ombrelle)" +p101843 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101844 +sa(dp101845 +g25273 +S'etching' +p101846 +sg25267 +g27 +sg25275 +S'1924' +p101847 +sg25268 +S"Nude with Umbrella (Nu a l'ombrelle)" +p101848 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101849 +sa(dp101850 +g25273 +S'etching' +p101851 +sg25267 +g27 +sg25275 +S'1924' +p101852 +sg25268 +S"Bernini's Statue (La Statue du Bernin)" +p101853 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101854 +sa(dp101855 +g25273 +S'etching' +p101856 +sg25267 +g27 +sg25275 +S'1924' +p101857 +sg25268 +S"Bernini's Statue (La Statue du Bernin)" +p101858 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101859 +sa(dp101860 +g25273 +S'etching' +p101861 +sg25267 +g27 +sg25275 +S'1924' +p101862 +sg25268 +S'The Grand Trianon, Versailles (Versailles, le Grand Trianon vu du canal)' +p101863 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101864 +sa(dp101865 +g25273 +S'etching' +p101866 +sg25267 +g27 +sg25275 +S'1924' +p101867 +sg25268 +S'Poplars, Versailles (Versailles, les grands peupliers)' +p101868 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101869 +sa(dp101870 +g25268 +S'The Creation of Eve' +p101871 +sg25270 +S'Heinrich Aldegrever' +p101872 +sg25273 +S'etching' +p101873 +sg25275 +S'1540' +p101874 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a697.jpg' +p101875 +sg25267 +g27 +sa(dp101876 +g25273 +S'etching (and drypoint?)' +p101877 +sg25267 +g27 +sg25275 +S'1924' +p101878 +sg25268 +S'Children in the Forest at Chaville (Bois de Chaville, les gosses)' +p101879 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101880 +sa(dp101881 +g25273 +S'etching' +p101882 +sg25267 +g27 +sg25275 +S'1924' +p101883 +sg25268 +S'Fair at Chaville (La Foire a Chaville)' +p101884 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p101885 +sa(dp101886 +g25273 +S'etching' +p101887 +sg25267 +g27 +sg25275 +S'1924' +p101888 +sg25268 +S"Entrance to the Orangerie, Versailles (Small Plate) (Versailles, l'Entree de l'Orange" +p101889 +sg25270 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+sg25267 +g27 +sg25275 +S'1924' +p102300 +sg25268 +S'Statue in the Trees, Versailles (Versailles, la statue dans les arbres)' +p102301 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p102302 +sa(dp102303 +g25273 +S'etching' +p102304 +sg25267 +g27 +sg25275 +S'1927' +p102305 +sg25268 +S'Suzanne with Straw Hat (Suzanne au chapeau de paille)' +p102306 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p102307 +sa(dp102308 +g25273 +S'etching' +p102309 +sg25267 +g27 +sg25275 +S'1937' +p102310 +sg25268 +S'Small Farm, Saint-Tropez (Petite ferme a Saint-Tropez)' +p102311 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p102312 +sa(dp102313 +g25273 +S'etching' +p102314 +sg25267 +g27 +sg25275 +S'1925' +p102315 +sg25268 +S"Saint-Tropez, la ferme a l'aire (petite planche)" +p102316 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p102317 +sa(dp102318 +g25268 +S'Susanna Surprised by the Two Elders' +p102319 +sg25270 +S'Heinrich Aldegrever' +p102320 +sg25273 +S'etching' +p102321 +sg25275 +S'1555' +p102322 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a68c.jpg' +p102323 +sg25267 +g27 +sa(dp102324 +g25273 +S'etching on blue paper' +p102325 +sg25267 +g27 +sg25275 +S'1920' +p102326 +sg25268 +S'Petite baigneuse' +p102327 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p102328 +sa(dp102329 +g25273 +S'etching' +p102330 +sg25267 +g27 +sg25275 +S'1924' +p102331 +sg25268 +S'Gardens of Saint-Cloud (Le parc de Saint-Cloud ou les jardins de Saint-Cloud)' +p102332 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p102333 +sa(dp102334 +g25273 +S'etching' +p102335 +sg25267 +g27 +sg25275 +S'1935' +p102336 +sg25268 +S'Ground Game (Le gibier a poil)' +p102337 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p102338 +sa(dp102339 +g25273 +S'etching' +p102340 +sg25267 +g27 +sg25275 +S'1935' +p102341 +sg25268 +S'Fish (Les crustaces et les poissons)' +p102342 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p102343 +sa(dp102344 +g25273 +S'etching' +p102345 +sg25267 +g27 +sg25275 +S'1935' +p102346 +sg25268 +S'Poultry (La volaille)' +p102347 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p102348 +sa(dp102349 +g25273 +S'etching' +p102350 +sg25267 +g27 +sg25275 +S'1935' +p102351 +sg25268 +S'Vegetables and Mushrooms (Les legumes et les champignons)' +p102352 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p102353 +sa(dp102354 +g25273 +S'etching' +p102355 +sg25267 +g27 +sg25275 +S'1935' +p102356 +sg25268 +S'Pork (Le porc)' +p102357 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p102358 +sa(dp102359 +g25273 +S'etching' +p102360 +sg25267 +g27 +sg25275 +S'1935' +p102361 +sg25268 +S'Calf (Le veau)' +p102362 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p102363 +sa(dp102364 +g25273 +S'lithograph' +p102365 +sg25267 +g27 +sg25275 +S'unknown date\n' +p102366 +sg25268 +S'Woman on a Staircase' +p102367 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p102368 +sa(dp102369 +g25273 +S'etching' +p102370 +sg25267 +g27 +sg25275 +S'1934' +p102371 +sg25268 +S'Cover-Up (La Chemise)' +p102372 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p102373 +sa(dp102374 +g25268 +S'The Two Elders Before the Judge' +p102375 +sg25270 +S'Heinrich Aldegrever' +p102376 +sg25273 +S'etching' +p102377 +sg25275 +S'1555' +p102378 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a68b.jpg' +p102379 +sg25267 +g27 +sa(dp102380 +g25273 +S'portfolio with title page and fifteen etchings' +p102381 +sg25267 +g27 +sg25275 +S'published 1934' +p102382 +sg25268 +S'Plage' +p102383 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p102384 +sa(dp102385 +g25273 +S'etching' +p102386 +sg25267 +g27 +sg25275 +S'1934' +p102387 +sg25268 +S'Bathing (La Baignade)' +p102388 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p102389 +sa(dp102390 +g25273 +S'etching' +p102391 +sg25267 +g27 +sg25275 +S'1934' +p102392 +sg25268 +S'Flirt' +p102393 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p102394 +sa(dp102395 +g25273 +S'etching' +p102396 +sg25267 +g27 +sg25275 +S'1934' +p102397 +sg25268 +S'Swimmers (Pleine eau)' +p102398 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p102399 +sa(dp102400 +g25273 +S'etching' +p102401 +sg25267 +g27 +sg25275 +S'1934' +p102402 +sg25268 +S'Nudism (Nudisme)' +p102403 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p102404 +sa(dp102405 +g25273 +S'etching' +p102406 +sg25267 +g27 +sg25275 +S'1934' +p102407 +sg25268 +S'Morning (Matin)' +p102408 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p102409 +sa(dp102410 +g25273 +S'etching' +p102411 +sg25267 +g27 +sg25275 +S'1934' +p102412 +sg25268 +S"Athlete (L'Athlete)" +p102413 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p102414 +sa(dp102415 +g25273 +S'etching' +p102416 +sg25267 +g27 +sg25275 +S'1934' +p102417 +sg25268 +S'Parasol (Ombrelle)' +p102418 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p102419 +sa(dp102420 +g25273 +S'etching' +p102421 +sg25267 +g27 +sg25275 +S'1934' +p102422 +sg25268 +S'Leisure (Jeux)' +p102423 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p102424 +sa(dp102425 +g25273 +S'etching' +p102426 +sg25267 +g27 +sg25275 +S'1934' +p102427 +sg25268 +S'Young Women (Jeunes filles)' +p102428 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p102429 +sa(dp102430 +g25268 +S'The Two Elders Convicted by the Testimony of Daniel' +p102431 +sg25270 +S'Heinrich Aldegrever' +p102432 +sg25273 +S'etching' +p102433 +sg25275 +S'1555' +p102434 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a689.jpg' +p102435 +sg25267 +g27 +sa(dp102436 +g25273 +S'etching' +p102437 +sg25267 +g27 +sg25275 +S'1934' +p102438 +sg25268 +S'Siesta (La Sieste)' +p102439 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p102440 +sa(dp102441 +g25273 +S'etching' +p102442 +sg25267 +g27 +sg25275 +S'1934' +p102443 +sg25268 +S'Reading (Lecture)' +p102444 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p102445 +sa(dp102446 +g25273 +S'etching' +p102447 +sg25267 +g27 +sg25275 +S'1934' +p102448 +sg25268 +S'Waterskiing (Planking)' +p102449 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p102450 +sa(dp102451 +g25273 +S'etching' +p102452 +sg25267 +g27 +sg25275 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(Quai Conti)' +p102530 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p102531 +sa(dp102532 +g25273 +S'etching' +p102533 +sg25267 +g27 +sg25275 +S'1935' +p102534 +sg25268 +S'Louvre Quay (Quai du Louvre)' +p102535 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p102536 +sa(dp102537 +g25273 +S'etching' +p102538 +sg25267 +g27 +sg25275 +S'1935' +p102539 +sg25268 +S'Pont Mirabeau' +p102540 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p102541 +sa(dp102542 +g25268 +S'Traveler among Thieves' +p102543 +sg25270 +S'Heinrich Aldegrever' +p102544 +sg25273 +S'etching' +p102545 +sg25275 +S'1554' +p102546 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a6a1.jpg' +p102547 +sg25267 +g27 +sa(dp102548 +g25273 +S'etching' +p102549 +sg25267 +g27 +sg25275 +S'1935' +p102550 +sg25268 +S'Bridge at Grenelle (Pont de Grenelle)' +p102551 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p102552 +sa(dp102553 +g25273 +S'etching' +p102554 +sg25267 +g27 +sg25275 +S'1935' +p102555 +sg25268 +S'Bas-Meudon' +p102556 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Here, musical angels serenade her coronation. Dressed in pale olive green, one angel plays a lute while another, garbed in iridescent robes, strums a mandore. Such pastel colors infuse the poetic paintings of Agnolo Gaddi, who also preferred intricate, delicate patterns. The surface of the painted gesso plaster was textured by designs impressed with punching tools. The crowns of the Madonna and Christ are so deeply indented as to appear three-dimensional.\n In a large altarpiece by Gaddi, \n ' +p102604 +sa(dp102605 +g25268 +S'The Good Samaritan Ministering to the Traveler' +p102606 +sg25270 +S'Heinrich Aldegrever' +p102607 +sg25273 +S'etching' +p102608 +sg25275 +S'1554' +p102609 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a6a0.jpg' +p102610 +sg25267 +g27 +sa(dp102611 +g25273 +S'etching' +p102612 +sg25267 +g27 +sg25275 +S'1929/1932' +p102613 +sg25268 +S"L'allee du Jardin de Colette" +p102614 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p102615 +sa(dp102616 +g25273 +S'etching' +p102617 +sg25267 +g27 +sg25275 +S'1929/1932' +p102618 +sg25268 +S'La Balustrade de la Treille Muscate' +p102619 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p102620 +sa(dp102621 +g25273 +S'etching' +p102622 +sg25267 +g27 +sg25275 +S'1929/1932' +p102623 +sg25268 +S'Le Port, St.-Tropez' +p102624 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p102625 +sa(dp102626 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and drypoint' +p103711 +sg25275 +S'unknown date\n' +p103712 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b66.jpg' +p103713 +sg25267 +g27 +sa(dp103714 +g25268 +S'Canal Seen by Morning Light (Le canal: Effet du matin)' +p103715 +sg25270 +S'Alphonse Legros' +p103716 +sg25273 +S'photogravure copy of original etching' +p103717 +sg25275 +S'unknown date\n' +p103718 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00098/a00098f2.jpg' +p103719 +sg25267 +g27 +sa(dp103720 +g25268 +S'Salmon Fisher (Le pecheur du saumon)' +p103721 +sg25270 +S'Alphonse Legros' +p103722 +sg25273 +S'etching' +p103723 +sg25275 +S'unknown date\n' +p103724 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b80.jpg' +p103725 +sg25267 +g27 +sa(dp103726 +g25268 +S'Luna' +p103727 +sg25270 +S'Heinrich Aldegrever' +p103728 +sg25273 +g27 +sg25275 +S'1533' +p103729 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a6dc.jpg' +p103730 +sg25267 +g27 +sa(dp103731 +g25268 +S'Sunset (Coucher du soleil)' +p103732 +sg25270 +S'Alphonse Legros' +p103733 +sg25273 +S'etching and drypoint' +p103734 +sg25275 +S'unknown date\n' +p103735 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00098/a00098f8.jpg' +p103736 +sg25267 +g27 +sa(dp103737 +g25268 +S'Two Beggars (Les deux mendiants)' +p103738 +sg25270 +S'Alphonse Legros' +p103739 +sg25273 +S'etching' +p103740 +sg25275 +S'unknown date\n' +p103741 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a0009922.jpg' +p103742 +sg25267 +g27 +sa(dp103743 +g25268 +S'Banks of the Yanne (Les bords de la Yanne)' +p103744 +sg25270 +S'Alphonse Legros' +p103745 +sg25273 +S'drypoint and etching?' +p103746 +sg25275 +S'unknown date\n' +p103747 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b93.jpg' +p103748 +sg25267 +g27 +sa(dp103749 +g25268 +S'Sunrise, Woods of Clamard (Lever du soleil, bois de Clamard)' +p103750 +sg25270 +S'Alphonse Legros' +p103751 +sg25273 +S'drypoint' +p103752 +sg25275 +S'unknown date\n' +p103753 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bef.jpg' +p103754 +sg25267 +g27 +sa(dp103755 +g25268 +S"Wheelwright's Home (La maison du charron)" +p103756 +sg25270 +S'Alphonse Legros' +p103757 +sg25273 +S'etching and drypoint' +p103758 +sg25275 +S'unknown date\n' +p103759 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c04.jpg' +p103760 +sg25267 +g27 +sa(dp103761 +g25268 +S'Landscape (Paysage)' +p103762 +sg25270 +S'Alphonse Legros' +p103763 +sg25273 +S'etching' +p103764 +sg25275 +S'unknown date\n' +p103765 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c13.jpg' +p103766 +sg25267 +g27 +sa(dp103767 +g25268 +S'Near the Mill (Pres du moulin)' +p103768 +sg25270 +S'Alphonse Legros' +p103769 +sg25273 +S'etching and drypoint (photo process?)' +p103770 +sg25275 +S'unknown date\n' +p103771 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c12.jpg' +p103772 +sg25267 +g27 +sa(dp103773 +g25268 +S'Prospect (Le point de vue)' +p103774 +sg25270 +S'Alphonse Legros' +p103775 +sg25273 +S'etching and drypoint' +p103776 +sg25275 +S'unknown date\n' +p103777 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c20.jpg' +p103778 +sg25267 +g27 +sa(dp103779 +g25268 +S'Prospect (Le point de vue)' +p103780 +sg25270 +S'Alphonse Legros' +p103781 +sg25273 +S'etching' +p103782 +sg25275 +S'unknown date\n' +p103783 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c1f.jpg' +p103784 +sg25267 +g27 +sa(dp103785 +g25268 +S'The House of the Well (La maison du puits)' +p103786 +sg25270 +S'Alphonse Legros' +p103787 +sg25273 +S'etching and drypoint' +p103788 +sg25275 +S'unknown date\n' +p103789 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c40.jpg' +p103790 +sg25267 +g27 +sa(dp103791 +g25268 +S'Hercules as a Child' +p103792 +sg25270 +S'Heinrich Aldegrever' +p103793 +sg25273 +g27 +sg25275 +S'1550' +p103794 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a6c1.jpg' +p103795 +sg25267 +g27 +sa(dp103796 +g25268 +S'Lord A. Tennyson, 3rd plate' +p103797 +sg25270 +S'Alphonse Legros' +p103798 +sg25273 +S'etching and drypoint' +p103799 +sg25275 +S'unknown date\n' +p103800 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c3e.jpg' +p103801 +sg25267 +g27 +sa(dp103802 +g25268 +S'Cottage with a Cart (Chaumiere a la charette)' +p103803 +sg25270 +S'Alphonse Legros' +p103804 +sg25273 +S'etching' +p103805 +sg25275 +S'unknown date\n' +p103806 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c67.jpg' +p103807 +sg25267 +g27 +sa(dp103808 +g25268 +S'Man and Wife Seated by the Road with a Basket(Homme et femme assis au bord de la rou te aven un panier)' +p103809 +sg25270 +S'Alphonse Legros' +p103810 +sg25273 +S'etching' +p103811 +sg25275 +S'unknown date\n' +p103812 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c66.jpg' +p103813 +sg25267 +g27 +sa(dp103814 +g25268 +S'German Forest, Downley' +p103815 +sg25270 +S'Alphonse Legros' +p103816 +sg25273 +S'etching' +p103817 +sg25275 +S'unknown date\n' +p103818 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009dfe.jpg' +p103819 +sg25267 +g27 +sa(dp103820 +g25268 +S'Man with a Punt, Figure to the Right (Pecheurs des truites)' +p103821 +sg25270 +S'Alphonse Legros' +p103822 +sg25273 +S'etching and drypoint? on light green paper' +p103823 +sg25275 +S'unknown date\n' +p103824 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d74.jpg' +p103825 +sg25267 +g27 +sa(dp103826 +g25268 +S'Head of an Old Man' +p103827 +sg25270 +S'Alphonse Legros' +p103828 +sg25273 +S'lithograph retouched with crayon' +p103829 +sg25275 +S'unknown date\n' +p103830 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d77.jpg' +p103831 +sg25267 +g27 +sa(dp103832 +g25268 +S'Man and Woman under a Tree' +p103833 +sg25270 +S'William Strang' +p103834 +sg25273 +S'drypoint and etching' +p103835 +sg25275 +S'unknown date\n' +p103836 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007a30.jpg' +p103837 +sg25267 +g27 +sa(dp103838 +g25268 +S'Young Peasant (Jeune paysanne)' +p103839 +sg25270 +S'Alphonse Legros' +p103840 +sg25273 +S'lithograph in red' +p103841 +sg25275 +S'1904' +p103842 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d56.jpg' +p103843 +sg25267 +g27 +sa(dp103844 +g25268 +S'His Eminence Cardinal Manning, 1st plate' +p103845 +sg25270 +S'Alphonse Legros' +p103846 +sg25273 +S'etching and drypoint' +p103847 +sg25275 +S'unknown date\n' +p103848 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009f9e.jpg' +p103849 +sg25267 +g27 +sa(dp103850 +g25268 +S"Reading of the Office of the Day (La lecture de l'office)" +p103851 +sg25270 +S'Alphonse Legros' +p103852 +sg25273 +S'drypoint' +p103853 +sg25275 +S'1868' +p103854 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b3b.jpg' +p103855 +sg25267 +g27 +sa(dp103856 +g25268 +S'Hercules Slaying the Lion of Nemea' +p103857 +sg25270 +S'Heinrich Aldegrever' +p103858 +sg25273 +g27 +sg25275 +S'1550' +p103859 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a6c2.jpg' +p103860 +sg25267 +g27 +sa(dp103861 +g25268 +S"The Prodigal Son, 1st plate (L'enfant prodigue)" +p103862 +sg25270 +S'Alphonse Legros' +p103863 +sg25273 +S'etching and drypoint?' +p103864 +sg25275 +S'unknown date\n' +p103865 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b35.jpg' +p103866 +sg25267 +g27 +sa(dp103867 +g25268 +S'Death of the Vagabond (La mort du vagabond)' +p103868 +sg25270 +S'Alphonse Legros' +p103869 +sg25273 +S'etching, aquatint and drypoint' +p103870 +sg25275 +S'unknown date\n' +p103871 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009f9a.jpg' +p103872 +sg25267 +g27 +sa(dp103873 +g25268 +S"Head of an English Laborer (Tete d'ouvrier anglais (Le berger))" +p103874 +sg25270 +S'Alphonse Legros' +p103875 +sg25273 +S'etching and drypoint' +p103876 +sg25275 +S'unknown date\n' +p103877 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00098/a00098f1.jpg' +p103878 +sg25267 +g27 +sa(dp103879 +g25268 +S'Leon Gambetta, 2nd plate' +p103880 +sg25270 +S'Alphonse Legros' +p103881 +sg25273 +S'etching' +p103882 +sg25275 +S'unknown date\n' +p103883 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b67.jpg' +p103884 +sg25267 +g27 +sa(dp103885 +g25268 +S'Poet (Le poete)' +p103886 +sg25270 +S'Alphonse Legros' +p103887 +sg25273 +S'etching and aquatint' +p103888 +sg25275 +S'unknown date\n' +p103889 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b87.jpg' +p103890 +sg25267 +g27 +sa(dp103891 +g25268 +S"Egg-sellers, 2nd plate (Les marchandes d'oeufs)" +p103892 +sg25270 +S'Alphonse Legros' +p103893 +sg25273 +S'etching and drypoint' +p103894 +sg25275 +S'unknown date\n' +p103895 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a000991c.jpg' +p103896 +sg25267 +g27 +sa(dp103897 +g25268 +S'Philospher (Le philosophe)' +p103898 +sg25270 +S'Alphonse Legros' +p103899 +sg25273 +S'etching? and drypoint' +p103900 +sg25275 +S'unknown date\n' +p103901 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a000991e.jpg' +p103902 +sg25267 +g27 +sa(dp103903 +g25268 +S'Pigeon Tower (La tour aux pigeons)' +p103904 +sg25270 +S'Alphonse Legros' +p103905 +sg25273 +S'etching and drypoint' +p103906 +sg25275 +S'unknown date\n' +p103907 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b9b.jpg' +p103908 +sg25267 +g27 +sa(dp103909 +g25268 +S'Fording a River (Le gue)' +p103910 +sg25270 +S'Alphonse Legros' +p103911 +sg25273 +S'etching' +p103912 +sg25275 +S'unknown date\n' +p103913 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009be9.jpg' +p103914 +sg25267 +g27 +sa(dp103915 +g25268 +S"Banks of the Oise (Bord de l'Oise)" +p103916 +sg25270 +S'Alphonse Legros' +p103917 +sg25273 +S'etching? and drypoint' +p103918 +sg25275 +S'unknown date\n' +p103919 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b97.jpg' +p103920 +sg25267 +g27 +sa(dp103921 +g25268 +S'Hercules Killing Cacus' +p103922 +sg25270 +S'Heinrich Aldegrever' +p103923 +sg25273 +g27 +sg25275 +S'1550' +p103924 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a6c3.jpg' +p103925 +sg25267 +g27 +sa(dp103926 +g25268 +S'Cardinal Manning, 2nd plate' +p103927 +sg25270 +S'Alphonse Legros' +p103928 +sg25273 +S'lithograph' +p103929 +sg25275 +S'unknown date\n' +p103930 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c37.jpg' +p103931 +sg25267 +g27 +sa(dp103932 +g25268 +S'Tolstoy' +p103933 +sg25270 +S'Alphonse Legros' +p103934 +sg25273 +S'drypoint and etching?' +p103935 +sg25275 +S'unknown date\n' +p103936 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c3a.jpg' +p103937 +sg25267 +g27 +sa(dp103938 +g25268 +S'H.W. Longfellow, 2nd plate' +p103939 +sg25270 +S'Alphonse Legros' +p103940 +sg25273 +S'transfer lithograph?' +p103941 +sg25275 +S'unknown date\n' +p103942 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c78.jpg' +p103943 +sg25267 +g27 +sa(dp103944 +g25268 +S'Valley of Dunes (La vallee des dunes)' +p103945 +sg25270 +S'Alphonse Legros' +p103946 +sg25273 +S'etching and drypoint' +p103947 +sg25275 +S'unknown date\n' +p103948 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d32.jpg' +p103949 +sg25267 +g27 +sa(dp103950 +g25268 +S'Mushroom Gatherers (Les ramasseurs de champignons)' +p103951 +sg25270 +S'Alphonse Legros' +p103952 +sg25273 +S'drypoint and etching?' +p103953 +sg25275 +S'unknown date\n' +p103954 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d34.jpg' +p103955 +sg25267 +g27 +sa(dp103956 +g25268 +S"Trees at Water's Edge (Les arbres au bord de l'eau)" +p103957 +sg25270 +S'Alphonse Legros' +p103958 +sg25273 +S'drypoint and etching?' +p103959 +sg25275 +S'unknown date\n' +p103960 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d41.jpg' +p103961 +sg25267 +g27 +sa(dp103962 +g25268 +S"Shepherd's Hut on a Hillside (Bergerie sur le coteau)" +p103963 +sg25270 +S'Alphonse Legros' +p103964 +sg25273 +S'etching and drypoint' +p103965 +sg25275 +S'unknown date\n' +p103966 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d47.jpg' +p103967 +sg25267 +g27 +sa(dp103968 +g25268 +S'Catharine' +p103969 +sg25270 +S'Robert Henri' +p103970 +sg25273 +S'oil on canvas' +p103971 +sg25275 +S'1913' +p103972 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000ee.jpg' +p103973 +sg25267 +g27 +sa(dp103974 +g25268 +S'Daniel Boardman' +p103975 +sg25270 +S'Ralph Earl' +p103976 +sg25273 +S'oil on canvas' +p103977 +sg25275 +S'1789' +p103978 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a0000098.jpg' +p103979 +sg25267 +g27 +sa(dp103980 +g25268 +S'Large Sacrifice to Priapus' +p103981 +sg25270 +S"Jacopo de' Barbari" +p103982 +sg25273 +S'engraving' +p103983 +sg25275 +S'c. 1499/1501' +p103984 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c7a3.jpg' +p103985 +sg25267 +g27 +sa(dp103986 +g25268 +S'Hercules Fighting with the Hydra of Lernea' +p103987 +sg25270 +S'Heinrich Aldegrever' +p103988 +sg25273 +g27 +sg25275 +S'1550' +p103989 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a6c4.jpg' +p103990 +sg25267 +g27 +sa(dp103991 +g25268 +S'The Conversion of Saint Paul' +p103992 +sg25270 +S'Lucas van Leyden' +p103993 +sg25273 +S'engraving' +p103994 +sg25275 +S'1509' +p103995 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f4a.jpg' +p103996 +sg25267 +g27 +sa(dp103997 +g25268 +S'Interior of a Church' +p103998 +sg25270 +S'Peeter Neeffs the Elder' +p103999 +sg25273 +S'oil on copper' +p104000 +sg25275 +S'c. 1625/1630' +p104001 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f8e.jpg' +p104002 +sg25267 +g27 +sa(dp104003 +g25268 +S'Altar with the Virgin and Child and Saints Christopher, Barbara, George and Catherine' +p104004 +sg25270 +S'Albrecht Altdorfer' +p104005 +sg25273 +S'woodcut' +p104006 +sg25275 +S'c. 1520' +p104007 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b07f.jpg' +p104008 +sg25267 +g27 +sa(dp104009 +g25268 +S'Christ as the Man of Sorrows' +p104010 +sg25270 +S'Netherlandish 16th Century' +p104011 +sg25273 +S'Rosenwald Collection' +p104012 +sg25275 +S'\nhand-colored engraving' +p104013 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cd/a000cd07.jpg' +p104014 +sg25267 +g27 +sa(dp104015 +g25268 +S'Saint John' +p104016 +sg25270 +S'French 15th Century' +p104017 +sg25273 +S'overall: 17.8 x 12.5 cm (7 x 4 15/16 in.)' +p104018 +sg25275 +S'\ntempera and gold leaf on vellum' +p104019 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00025/a0002537.jpg' +p104020 +sg25267 +g27 +sa(dp104021 +g25268 +S'Saint Luke' +p104022 +sg25270 +S'French 15th Century' +p104023 +sg25273 +S'overall: 17.8 x 12.6 cm (7 x 4 15/16 in.)' +p104024 +sg25275 +S'\ntempera and gold leaf on vellum' +p104025 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00025/a0002538.jpg' +p104026 +sg25267 +g27 +sa(dp104027 +g25268 +S'Saint Mark' +p104028 +sg25270 +S'French 15th Century' +p104029 +sg25273 +S'overall: 17.9 x 12.8 cm (7 1/16 x 5 1/16 in.)' +p104030 +sg25275 +S'\ntempera and gold leaf on vellum' +p104031 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00025/a0002539.jpg' +p104032 +sg25267 +g27 +sa(dp104033 +g25268 +S'Saint Matthew' +p104034 +sg25270 +S'French 15th Century' +p104035 +sg25273 +S'overall: 17.8 x 12.7 cm (7 x 5 in.)' +p104036 +sg25275 +S'\ntempera and gold leaf on vellum' +p104037 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00025/a000253a.jpg' +p104038 +sg25267 +g27 +sa(dp104039 +g25268 +S'Hercules and Cerberus' +p104040 +sg25270 +S'Heinrich Aldegrever' +p104041 +sg25273 +g27 +sg25275 +S'1550' +p104042 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a6c5.jpg' +p104043 +sg25267 +g27 +sa(dp104044 +g25268 +S'Saint Christopher' +p104045 +sg25270 +S'Master of the Dutuit Mount of Olives' +p104046 +sg25273 +S'hand-colored engraving on vellum' +p104047 +sg25275 +S'c. 1460' +p104048 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a3/a000a3d2.jpg' +p104049 +sg25267 +g27 +sa(dp104050 +g25268 +S'Carrack, Heading to the Right' +p104051 +sg25270 +S'Italian 15th Century' +p104052 +sg25273 +S'sheet: 23 x 15.4 cm (9 1/16 x 6 1/16 in.)' +p104053 +sg25275 +S'\nengraving' +p104054 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c72f.jpg' +p104055 +sg25267 +g27 +sa(dp104056 +g25273 +S'overall: 15 x 22.4 cm (5 7/8 x 8 13/16 in.)' +p104057 +sg25267 +g27 +sg25275 +S'\nengraved copper plate' +p104058 +sg25268 +S'Various Occupations [recto]' +p104059 +sg25270 +S'Italian 15th Century' +p104060 +sa(dp104061 +g25273 +S'overall: 15 x 22.4 cm (5 7/8 x 8 13/16 in.)' +p104062 +sg25267 +g27 +sg25275 +S'\nengraved copper plate' +p104063 +sg25268 +S'Allegory on Copulation [verso]' +p104064 +sg25270 +S'Italian 15th Century' +p104065 +sa(dp104066 +g25268 +S'Saint Lawrence' +p104067 +sg25270 +S'Master of the Murano Gradual' +p104068 +sg25273 +S'miniature on vellum' +p104069 +sg25275 +S'1440/1450' +p104070 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00058/a000588c.jpg' +p104071 +sg25267 +g27 +sa(dp104072 +g25273 +S'overall: 18.4 x 12.7 cm (7 1/4 x 5 in.)' +p104073 +sg25267 +g27 +sg25275 +S'\nminiature on vellum' +p104074 +sg25268 +S'The Crucifixion' +p104075 +sg25270 +S'German 12th Century' +p104076 +sa(dp104077 +g25268 +S'Emperor Maximilian I' +p104078 +sg25270 +S'Artist Information (' +p104079 +sg25273 +S'Flemish, 1485 - 1544' +p104080 +sg25275 +S'(artist)' +p104081 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00062/a0006202.jpg' +p104082 +sg25267 +g27 +sa(dp104083 +g25268 +S'The Lovers Surprised by Death' +p104084 +sg25270 +S'Artist Information (' +p104085 +sg25273 +S'Flemish, 1485 - 1544' +p104086 +sg25275 +S'(artist)' +p104087 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00010/a000106a.jpg' +p104088 +sg25267 +g27 +sa(dp104089 +g25268 +S'Virgin and Child in the Clouds' +p104090 +sg25270 +S'Hans Baldung Grien' +p104091 +sg25273 +S'woodcut' +p104092 +sg25275 +S'unknown date\n' +p104093 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a7d6.jpg' +p104094 +sg25267 +g27 +sa(dp104095 +g25268 +S'The Risen Christ' +p104096 +sg25270 +S"Jacopo de' Barbari" +p104097 +sg25273 +S'engraving' +p104098 +sg25275 +S'c. 1503/1504' +p104099 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c79e.jpg' +p104100 +sg25267 +g27 +sa(dp104101 +g25268 +S'Hercules and Anthaeus' +p104102 +sg25270 +S'Heinrich Aldegrever' +p104103 +sg25273 +g27 +sg25275 +S'1550' +p104104 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a6c8.jpg' +p104105 +sg25267 +g27 +sa(dp104106 +g25268 +S'Nude Woman Holding a Mirror (Allegory of Vanitas)' +p104107 +sg25270 +S"Jacopo de' Barbari" +p104108 +sg25273 +S'engraving' +p104109 +sg25275 +S'c. 1503/1504' +p104110 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00061/a00061f2.jpg' +p104111 +sg25267 +g27 +sa(dp104112 +g25268 +S'Bookplate of Hieronymus Baumgartner' 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+S'lithograph' +p104137 +sg25267 +g27 +sg25275 +S'1946' +p104138 +sg25268 +S'Swan Song' +p104139 +sg25270 +S'Alfred Bendiner' +p104140 +sa(dp104141 +g25273 +S'lithograph' +p104142 +sg25267 +g27 +sg25275 +S'1947' +p104143 +sg25268 +S'Maiden' +p104144 +sg25270 +S'Alfred Bendiner' +p104145 +sa(dp104146 +g25273 +S'lithograph' +p104147 +sg25267 +g27 +sg25275 +S'1947' +p104148 +sg25268 +S'Hero' +p104149 +sg25270 +S'Alfred Bendiner' +p104150 +sa(dp104151 +g25273 +S'lithograph' +p104152 +sg25267 +g27 +sg25275 +S'1946' +p104153 +sg25268 +S'Mardi Gras' +p104154 +sg25270 +S'Alfred Bendiner' +p104155 +sa(dp104156 +g25273 +S'lithograph' +p104157 +sg25267 +g27 +sg25275 +S'1947' +p104158 +sg25268 +S'Aida' +p104159 +sg25270 +S'Alfred Bendiner' +p104160 +sa(dp104161 +g25268 +S'Hercules Fighting the Rivergod Achelus' +p104162 +sg25270 +S'Heinrich Aldegrever' +p104163 +sg25273 +g27 +sg25275 +S'1550' +p104164 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a6c6.jpg' +p104165 +sg25267 +g27 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Provost' +p105898 +sa(dp105899 +g25268 +S'The Lamentation of the Virgin' +p105900 +sg25270 +S'Artist Information (' +p105901 +sg25273 +S'(artist after)' +p105902 +sg25275 +S'\n' +p105903 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c858.jpg' +p105904 +sg25267 +g27 +sa(dp105905 +g25273 +S'wood engraving' +p105906 +sg25267 +g27 +sg25275 +S'1948' +p105907 +sg25268 +S'The Shepherdess' +p105908 +sg25270 +S'Imre Reiner' +p105909 +sa(dp105910 +g25268 +S'Auguste Rodin' +p105911 +sg25270 +S'Auguste Renoir' +p105912 +sg25273 +S'lithograph' +p105913 +sg25275 +S'c. 1910' +p105914 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009ff9.jpg' +p105915 +sg25267 +g27 +sa(dp105916 +g25268 +S'Louis Valtat' +p105917 +sg25270 +S'Auguste Renoir' +p105918 +sg25273 +S'lithograph' +p105919 +sg25275 +S'1904' +p105920 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009ca7.jpg' +p105921 +sg25267 +g27 +sa(dp105922 +g25268 +S'Ambroise Vollard' +p105923 +sg25270 +S'Auguste Renoir' +p105924 +sg25273 +S'lithograph' +p105925 +sg25275 +S'1904' +p105926 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009caa.jpg' +p105927 +sg25267 +g27 +sa(dp105928 +g25268 +S'The Standard Bearer' +p105929 +sg25270 +S'Prince Rupert of the Pfalz' +p105930 +sg25273 +S'mezzotint' +p105931 +sg25275 +S'1658' +p105932 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004b/a0004bb2.jpg' +p105933 +sg25267 +g27 +sa(dp105934 +g25273 +S'color woodcut' +p105935 +sg25267 +g27 +sg25275 +S'1947' +p105936 +sg25268 +S'Christmas Card' +p105937 +sg25270 +S'Louis Schanker' +p105938 +sa(dp105939 +g25273 +S'color woodcut' +p105940 +sg25267 +g27 +sg25275 +S'1947' +p105941 +sg25268 +S'Static and Revolving' +p105942 +sg25270 +S'Louis Schanker' +p105943 +sa(dp105944 +g25273 +S'lithograph in black' +p105945 +sg25267 +g27 +sg25275 +S'1947' +p105946 +sg25268 +S'Eyes for the Night' +p105947 +sg25270 +S'Benton Murdoch Spruance' +p105948 +sa(dp105949 +g25268 +S'Large Wedding Dancers' +p105950 +sg25270 +S'Heinrich Aldegrever' +p105951 +sg25273 +S'engraving' +p105952 +sg25275 +S'1538' +p105953 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a6bb.jpg' +p105954 +sg25267 +g27 +sa(dp105955 +g25273 +S'wood engraving' +p105956 +sg25267 +g27 +sg25275 +S'unknown date\n' +p105957 +sg25268 +S'Under Cliff' +p105958 +sg25270 +S'Lynd Kendall Ward' +p105959 +sa(dp105960 +g25268 +S'Sleeping Woman' +p105961 +sg25270 +S'James McNeill Whistler' +p105962 +sg25273 +S'chalk and charcoal on cream wove paper mounted on paperboard' +p105963 +sg25275 +S'c. 1863' +p105964 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00009/a00009f9.jpg' +p105965 +sg25267 +g27 +sa(dp105966 +g25268 +S'United States Military Academy, Song of the Graduates' +p105967 +sg25270 +S'James McNeill Whistler' +p105968 +sg25273 +S'lithograph' +p105969 +sg25275 +S'1852' +p105970 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ab/a000ab13.jpg' +p105971 +sg25267 +g27 +sa(dp105972 +g25273 +S'etching' +p105973 +sg25267 +g27 +sg25275 +S'1947' +p105974 +sg25268 +S'Portrait of a Woman' +p105975 +sg25270 +S'Paul Wieghardt' +p105976 +sa(dp105977 +g25273 +S'etching and aquatint' +p105978 +sg25267 +g27 +sg25275 +S'unknown date\n' +p105979 +sg25268 +S'Moon Shadows' +p105980 +sg25270 +S'Ronau William Woiceske' +p105981 +sa(dp105982 +g25273 +S'etched copper plate' +p105983 +sg25267 +g27 +sg25275 +S'1948' +p105984 +sg25268 +S'Self-Portrait' +p105985 +sg25270 +S'Bartolomeo Pinelli' +p105986 +sa(dp105987 +g25268 +S'The Return of the Prodigal Son' +p105988 +sg25270 +S'Bartolom\xc3\xa9 Esteban Murillo' +p105989 +sg25273 +S'oil on canvas' +p105990 +sg25275 +S'1667/1670' +p105991 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a00004ad.jpg' +p105992 +sg25267 +S"Murillo's great talent for dramatic painting is apparent in this monumental depiction\nof the familiar parable of the prodigal son, an allegory of repentance and divine\nforgiveness. With players and props effectively placed to underscore the drama,\nit is reminiscent of a well-staged theater piece.\n The artist selected the essential elements of the story's climax: the penitent son\nwelcomed home by his forgiving father; the rich garments and ring that signify\nthe errant son's restoration to his former position in the family; and the fatted\ncalf being led to the slaughter for the celebratory banquet. The larger-than-life,\ncentral, pyramidal grouping of father and son dominates the picture, while the richest\ncolor is reserved for the servant bearing the new garments. Murillo may have chosen\nto emphasize that aspect of the parable -- symbolic of charity -- because of the nature\nof the commission. \n Murillo's model was the life around him; part of the appeal of this canvas lies\nin its human touches -- the realism of the prodigal's dirty feet, the puppy jumping\nup to greet his master, and perhaps most of all, the ingenuous smile of the little\nurchin leading the calf.\n " +p105993 +sa(dp105994 +g25268 +S'The David Children' +p105995 +sg25270 +S'Thomas Sully' +p105996 +sg25273 +S'oil on canvas' +p105997 +sg25275 +S'1826' +p105998 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a0000269.jpg' +p105999 +sg25267 +g27 +sa(dp106000 +g25273 +S'(artist)' +p106001 +sg25267 +g27 +sg25275 +S'\n' +p106002 +sg25268 +S'Georgica (Les Georgiques), volume I' +p106003 +sg25270 +S'Artist Information (' +p106004 +sa(dp106005 +g25268 +S'A Couple of Lovers Seated' +p106006 +sg25270 +S'Heinrich Aldegrever' +p106007 +sg25273 +g27 +sg25275 +S'1529' +p106008 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a6be.jpg' +p106009 +sg25267 +g27 +sa(dp106010 +g25273 +S'etching//one of 2 etchings on folded sheet' +p106011 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106012 +sg25268 +S'Bather (Le Baigneur)' +p106013 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106014 +sa(dp106015 +g25273 +S'etching//one of 2 etchings on folded sheet' +p106016 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106017 +sg25268 +S'Grape Harvest, la Colline Sainte-Anne, Saint-Tropez (Vendanges a Saint-Tropez sur la' +p106018 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106019 +sa(dp106020 +g25273 +S'etching//one of 2 etchings on folded sheet' +p106021 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106022 +sg25268 +S'Ceres with Sickle (Ceres a la faucille)' +p106023 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106024 +sa(dp106025 +g25273 +S'etching//one of 2 etchings on folded sheet' +p106026 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106027 +sg25268 +S'Ceres with Basket (Ceres au panier)' +p106028 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106029 +sa(dp106030 +g25273 +S'etching' +p106031 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106032 +sg25268 +S'Ceres' +p106033 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106034 +sa(dp106035 +g25273 +S'etching' +p106036 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106037 +sg25268 +S'Wheat near Rennemoulin (Bles pres de Rennemoulin)' +p106038 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106039 +sa(dp106040 +g25273 +S'etching' +p106041 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106042 +sg25268 +S'Orchard at Chavenay (Verges a Chavenay)' +p106043 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106044 +sa(dp106045 +g25273 +S'etching' +p106046 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106047 +sg25268 +S'Edge of the Woods, Verrieres (A la lisiere des bois de Verrieres)' +p106048 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106049 +sa(dp106050 +g25273 +S'etching' +p106051 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106052 +sg25268 +S'Springtime Gardening in the Ile-de-France (Jardinage de printemps en Ile-de-France)' +p106053 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106054 +sa(dp106055 +g25268 +S'The Night' +p106056 +sg25270 +S'Heinrich Aldegrever' +p106057 +sg25273 +S'engraving' +p106058 +sg25275 +S'1553' +p106059 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a6bc.jpg' +p106060 +sg25267 +g27 +sa(dp106061 +g25273 +S'etching' +p106062 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106063 +sg25268 +S'Bell of Chavenay (Le Clocher de Chavenay)' +p106064 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106065 +sa(dp106066 +g25273 +S'etching' +p106067 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106068 +sg25268 +S'Plow and Field near Villepreux (Champs pres de Villepreux, la brabant (Charrue))' +p106069 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106070 +sa(dp106071 +g25273 +S'etching' +p106072 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106073 +sg25268 +S'Bell of Saint-Cyr at Dourdan (Clocher de Saint-Cyr sous Dourdan)' +p106074 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106075 +sa(dp106076 +g25273 +S'etching' +p106077 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106078 +sg25268 +S"Oat Field near Villepreux (Le Champ d'avoine pres de Villepreux)" +p106079 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106080 +sa(dp106081 +g25273 +S'etching' +p106082 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106083 +sg25268 +S'Wheat Field (Le Champ de ble)' +p106084 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106085 +sa(dp106086 +g25273 +S'etching' +p106087 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106088 +sg25268 +S'Rye Field (Le Champ de seigle)' +p106089 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106090 +sa(dp106091 +g25273 +S'etching' +p106092 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106093 +sg25268 +S'Beginning of the Harvest (Le Debut de la moisson)' +p106094 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106095 +sa(dp106096 +g25273 +S'etching' +p106097 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106098 +sg25268 +S'Harvest-Time near Villepreux (La Moisson presde Villepreux)' +p106099 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106100 +sa(dp106101 +g25273 +S'etching' +p106102 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106103 +sg25268 +S'Les Noyettes' +p106104 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106105 +sa(dp106106 +g25273 +S'etching' +p106107 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106108 +sg25268 +S"Wheat Sheaves at the Foot of a Large Tree (Les Gerbes au pied d'un gros arbre)" +p106109 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106110 +sa(dp106111 +g25268 +S'Martin Luther' +p106112 +sg25270 +S'Heinrich Aldegrever' +p106113 +sg25273 +S'engraving' +p106114 +sg25275 +S'unknown date\n' +p106115 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a6b4.jpg' +p106116 +sg25267 +g27 +sa(dp106117 +g25273 +S'etching' +p106118 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106119 +sg25268 +S'Haystacks near Saint-Cyr at Dourdan (Meules pres de Saint-Cyr sous Dourdan)' +p106120 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106121 +sa(dp106122 +g25273 +S'etching' +p106123 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106124 +sg25268 +S'Hills near Rochefort-en-Yveline (Collines pres de Rochefort-en-Yveline)' +p106125 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106126 +sa(dp106127 +g25273 +S'etching' +p106128 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106129 +sg25268 +S"Haystacks at the Entrance to a Village (Les Meules a l'entree du village)" +p106130 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106131 +sa(dp106132 +g25273 +S'etching' +p106133 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106134 +sg25268 +S'Spreading Dung (La Fumure)' +p106135 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106136 +sa(dp106137 +g25273 +S'etching' +p106138 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106139 +sg25268 +S'Plowing in Provence (Les Labours en Provence)' +p106140 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106141 +sa(dp106142 +g25273 +S'etching' +p106143 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106144 +sg25268 +S'Village in the Chevreuse Valley (Village dans la vallee de Chevreuse)' +p106145 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106146 +sa(dp106147 +g25273 +S'etching//one of 2 etchings on folded sheet' +p106148 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106149 +sg25268 +S"Felling Alder Trees (L'Abattage des aulnes)" +p106150 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106151 +sa(dp106152 +g25273 +S'etching//one of 2 etchings on folded sheet' +p106153 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106154 +sg25268 +S'Plow near Tigeaux, Morin Valley (Brabant pres de Tigeaux dans la vallee du Morin)' +p106155 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106156 +sa(dp106157 +g25273 +S'etching' +p106158 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106159 +sg25268 +S"Haystack, Tigeaux Farm (La Meule pres d'une ferme de Tigeaux)" +p106160 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106161 +sa(dp106162 +g25273 +S'etching//one of 2 etchings on folded sheet' +p106163 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106164 +sg25268 +S'Pressing Grapes (Le Foulage du raisin)' +p106165 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106166 +sa(dp106167 +g25268 +S'Albert van der Helle' +p106168 +sg25270 +S'Heinrich Aldegrever' +p106169 +sg25273 +g27 +sg25275 +S'1538' +p106170 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a6b2.jpg' +p106171 +sg25267 +g27 +sa(dp106172 +g25273 +S'etching//one of 2 etchings on folded sheet' +p106173 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106174 +sg25268 +S'Small Bacchante (Petite Bacchante)' +p106175 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106176 +sa(dp106177 +g25273 +S'etching//one of 2 etchings on folded sheet' +p106178 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106179 +sg25268 +S'Small Bacchante (Petite Bacchante)' +p106180 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106181 +sa(dp106182 +g25273 +S'etching//one of 2 etchings on folded sheet' +p106183 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106184 +sg25268 +S'Bacchante (La Bacchante)' +p106185 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106186 +sa(dp106187 +g25273 +S'etching' +p106188 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106189 +sg25268 +S'Cep de vigne au "Maquis"' +p106190 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106191 +sa(dp106192 +g25273 +S'etching' +p106193 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106194 +sg25268 +S'Plowing a Vineyard at Cogolin (Les Labours de vigne a Cogolin)' +p106195 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106196 +sa(dp106197 +g25273 +S'etching' +p106198 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106199 +sg25268 +S'Apple Tree in the Vineyard (Le Pommier dans les vignes)' +p106200 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106201 +sa(dp106202 +g25273 +S'etching' +p106203 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106204 +sg25268 +S'La Colline Sainte-Anne' +p106205 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106206 +sa(dp106207 +g25273 +S'etching' +p106208 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106209 +sg25268 +S'Road near Mole (Route pres de la Mole)' +p106210 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106211 +sa(dp106212 +g25273 +S'etching' +p106213 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106214 +sg25268 +S'Farmhouse and Parasol Pine (Le Mas au pin parasol)' +p106215 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106216 +sa(dp106217 +g25273 +S'etching' +p106218 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106219 +sg25268 +S'Pergola of an Old Farm near Grimaud (La Pergola de la ferme ancienne pres de Grimaud)' +p106220 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106221 +sa(dp106222 +g25268 +S'Madonna and Child on a Curved Throne' +p106223 +sg25270 +S'Byzantine 13th Century' +p106224 +sg25273 +S'overall: 84 x 53.5 cm (33 1/16 x 21 1/16 in.)\r\npainted surface: 82.4 x 50.1 cm (32 7/16 x 19 3/4 in.)\r\nframed: 90.8 x 58.3 x 7.6 cm (35 3/4 x 22 15/16 x 3 in.)' +p106225 +sg25275 +S'\ntempera on panel' +p106226 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00009/a00009b7.jpg' +p106227 +sg25267 +g27 +sa(dp106228 +g25268 +S'Self-Portrait' +p106229 +sg25270 +S'Heinrich Aldegrever' +p106230 +sg25273 +g27 +sg25275 +S'1530' +p106231 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a6b7.jpg' +p106232 +sg25267 +g27 +sa(dp106233 +g25273 +S'etching' +p106234 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106235 +sg25268 +S'Les Ceps de vigne au "Maquis"' +p106236 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106237 +sa(dp106238 +g25273 +S'etching' +p106239 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106240 +sg25268 +S'Winepress in the Open Air (Le Pressoir en plein air)' +p106241 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106242 +sa(dp106243 +g25273 +S'etching' +p106244 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106245 +sg25268 +S'Large Cask (Le Grand tonneau a la "Trempe" pres du puits du "Maquis")' +p106246 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106247 +sa(dp106248 +g25273 +S'etching' +p106249 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106250 +sg25268 +S"Grape-Gatherers' Repast (Le Repas des vendangeurs)" +p106251 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106252 +sa(dp106253 +g25273 +S'etching' +p106254 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106255 +sg25268 +S'Harvesting Grapes at Mole (Les Vendanges pres de la Mole)' +p106256 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106257 +sa(dp106258 +g25273 +S'etching' +p106259 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106260 +sg25268 +S'Distilling Grapes (Les Cornues de raisin)' +p106261 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106262 +sa(dp106263 +g25273 +S'etching' +p106264 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106265 +sg25268 +S'Grape Harvest at Cogolin (Vendange a Cogolin)' +p106266 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106267 +sa(dp106268 +g25273 +S'etching' +p106269 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106270 +sg25268 +S'Treading the Grape (Les Fouleurs de raisin chez Pierre)' +p106271 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106272 +sa(dp106273 +g25273 +S'etching' +p106274 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106275 +sg25268 +S'Working the Winepress (Le Pressoir a main)' +p106276 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106277 +sa(dp106278 +g25273 +S'etching' +p106279 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106280 +sg25268 +S'Les Ceps de vigne non grefees' +p106281 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106282 +sa(dp106283 +g25268 +S'Ornament' +p106284 +sg25270 +S'Heinrich Aldegrever' +p106285 +sg25273 +g27 +sg25275 +S'unknown date\n' +p106286 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a6c0.jpg' +p106287 +sg25267 +g27 +sa(dp106288 +g25273 +S'etching' +p106289 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106290 +sg25268 +S'Winepress in the Cellar (Le Pressoir dans le cellier)' +p106291 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106292 +sa(dp106293 +g25273 +S'etching' +p106294 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106295 +sg25268 +S"Autumn Plowing near the Mole Road, Dom Fores t (Labours d'automne pres de la route de" +p106296 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106297 +sa(dp106298 +g25273 +S'etching' +p106299 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106300 +sg25268 +S'Burning Vine Branches (Feux de sarments)' +p106301 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106302 +sa(dp106303 +g25273 +S'etching' +p106304 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106305 +sg25268 +S'Cutting Down Trees (La Taille des arbres)' +p106306 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106307 +sa(dp106308 +g25273 +S'etching' +p106309 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106310 +sg25268 +S'Plowing and Burning Vines (Labours pres des vignes et des feux de sarments)' +p106311 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106312 +sa(dp106313 +g25273 +S'etching//one of 2 etchings on folded sheet' +p106314 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106315 +sg25268 +S'Retort, Basket, Cask and Demijohn (La Cornue, le panier, le fut et la dame-jeanne)' +p106316 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106317 +sa(dp106318 +g25273 +S'etching//one of 2 etchings on folded sheet' +p106319 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106320 +sg25268 +S'Casks and Winepress in the Cellar (Futs dans le cellier au pressoir)' +p106321 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106322 +sa(dp106323 +g25273 +S'(author)' +p106324 +sg25267 +g27 +sg25275 +S'\n' +p106325 +sg25268 +S'Georgica (Les Georgiques), volume II' +p106326 +sg25270 +S'Artist Information (' +p106327 +sa(dp106328 +g25273 +S'etching//one of 2 etchings on folded sheet' +p106329 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106330 +sg25268 +S'Woman with Sickle (Moissonneuse a la faucille)' +p106331 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106332 +sa(dp106333 +g25268 +S'Naked Infant Holding a Double Scroll of Leafy Ornament' +p106334 +sg25270 +S'Heinrich Aldegrever' +p106335 +sg25273 +g27 +sg25275 +S'unknown date\n' +p106336 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a6bf.jpg' +p106337 +sg25267 +g27 +sa(dp106338 +g25273 +S'etching//one of 2 etchings on folded sheet' +p106339 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106340 +sg25268 +S'Reclining Nude (Nu etendu au bord du golfe)' +p106341 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106342 +sa(dp106343 +g25273 +S'etching//one of 2 etchings on folded sheet' +p106344 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106345 +sg25268 +S'Oxen (Les Boeufs)' +p106346 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106347 +sa(dp106348 +g25273 +S'etching//one of 2 etchings on folded sheet' +p106349 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106350 +sg25268 +S'Bacchante Sleeping (Sieste de la vendangeuse)' +p106351 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106352 +sa(dp106353 +g25273 +S'etching//one of 2 etchings on folded sheet' +p106354 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106355 +sg25268 +S'Bacchante Resting (Le Repos de la Bacchante)' +p106356 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106357 +sa(dp106358 +g25273 +S'etching' +p106359 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106360 +sg25268 +S'Pomone' +p106361 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106362 +sa(dp106363 +g25273 +S'etching' +p106364 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106365 +sg25268 +S"Oxen Byre (Le Boeuf a l'etable)" +p106366 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106367 +sa(dp106368 +g25273 +S'etching' +p106369 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106370 +sg25268 +S'Small Farm in Provence with Cork-Oak and Olive Trees (Petite ferme Provencale avec le' +p106371 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106372 +sa(dp106373 +g25273 +S'etching' +p106374 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106375 +sg25268 +S'Cattle in the Mole Valley (Vaches dans la vallee de la Mole)' +p106376 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106377 +sa(dp106378 +g25273 +S'etching' +p106379 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106380 +sg25268 +S'Herd in the Mole Valley (Troupeau dans la vallee de la Mole)' +p106381 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106382 +sa(dp106383 +g25273 +S'etching' +p106384 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106385 +sg25268 +S'Provencal Farm near the Sea (Ferme Provencale pres de la mer)' +p106386 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106387 +sa(dp106388 +g25268 +S'Alphabet' +p106389 +sg25270 +S'Heinrich Aldegrever' +p106390 +sg25273 +S'engraving' +p106391 +sg25275 +S'c. 1525/1555' +p106392 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a6bd.jpg' +p106393 +sg25267 +g27 +sa(dp106394 +g25273 +S'etching' +p106395 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106396 +sg25268 +S'Cart (La Charrette des vendanges)' +p106397 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106398 +sa(dp106399 +g25273 +S'etching' +p106400 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106401 +sg25268 +S'Pasture and Vineyard (Paturage et vignoble)' +p106402 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106403 +sa(dp106404 +g25273 +S'etching' +p106405 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106406 +sg25268 +S'Ancient Well with Balancing-Pole (Vieux puits avec perche et contrepoids)' +p106407 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106408 +sa(dp106409 +g25273 +S'etching' +p106410 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106411 +sg25268 +S'Provencal Pasture (Paturage Provencal)' +p106412 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106413 +sa(dp106414 +g25273 +S'etching' +p106415 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106416 +sg25268 +S'Provencal Cart (La Charrette Provencale)' +p106417 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106418 +sa(dp106419 +g25273 +S'etching' +p106420 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106421 +sg25268 +S'Sheep on the Cogolin Plains (Plaine de Cogolin, les moutons)' +p106422 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106423 +sa(dp106424 +g25273 +S'etching' +p106425 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106426 +sg25268 +S'Large 18th Century Farm with Mountain View (Grande ferme, XVIIIe siecle, avec des con' +p106427 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106428 +sa(dp106429 +g25273 +S'etching' +p106430 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106431 +sg25268 +S'Ancient Chestnut Tree (Vieux chataigniers, chartreuse de la verne)' +p106432 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106433 +sa(dp106434 +g25273 +S'etching' +p106435 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106436 +sg25268 +S'Goats (Les Chevres)' +p106437 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106438 +sa(dp106439 +g25273 +S'etching' +p106440 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106441 +sg25268 +S'Cork-Oak Trees (Les Chenes-lieges)' +p106442 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106443 +sa(dp106444 +g25268 +S'Dagger Sheath with Nude Woman' +p106445 +sg25270 +S'Heinrich Aldegrever' +p106446 +sg25273 +g27 +sg25275 +S'unknown date\n' +p106447 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a6b6.jpg' +p106448 +sg25267 +g27 +sa(dp106449 +g25273 +S'etching' +p106450 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106451 +sg25268 +S'Ancient Well (Un Puits ancien)' +p106452 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106453 +sa(dp106454 +g25273 +S'etching' +p106455 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106456 +sg25268 +S'Foraging Swine (Porcs en liberte)' +p106457 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106458 +sa(dp106459 +g25273 +S'etching' +p106460 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106461 +sg25268 +S'Interior of a Barn with Furnace and Winepress(Ferme ancienne avec les fours et le pre' +p106462 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106463 +sa(dp106464 +g25273 +S'etching' +p106465 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106466 +sg25268 +S'Ancient Olive Trees (Les Vieux oliviers)' +p106467 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106468 +sa(dp106469 +g25273 +S'etching' +p106470 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106471 +sg25268 +S'Fruit Trees (Arbres fruitiers)' +p106472 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106473 +sa(dp106474 +g25273 +S'etching' +p106475 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106476 +sg25268 +S'Burning the Prunings (Le Ramassage des sarments)' +p106477 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106478 +sa(dp106479 +g25273 +S'etching' +p106480 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106481 +sg25268 +S'Laying Bare the Roots of the Vine (Dechaussage de la vigne)' +p106482 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106483 +sa(dp106484 +g25273 +S'etching//one of 2 etchings on folded sheet' +p106485 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106486 +sg25268 +S'Vineyards and Olive Trees (Vignes et Oliviers)' +p106487 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106488 +sa(dp106489 +g25273 +S'etching//one of 2 etchings on folded sheet' +p106490 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106491 +sg25268 +S'Small Provencal Well (Petit puits Provencal)' +p106492 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106493 +sa(dp106494 +g25273 +S'etching' +p106495 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106496 +sg25268 +S"Watering-Trough in Provence (L'Abreuvoir Provencal)" +p106497 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106498 +sa(dp106499 +g25268 +S'Dagger Sheath with Gentleman Holding a Parrot' +p106500 +sg25270 +S'Heinrich Aldegrever' +p106501 +sg25273 +g27 +sg25275 +S'unknown date\n' +p106502 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a6b5.jpg' +p106503 +sg25267 +g27 +sa(dp106504 +g25273 +S'etching//one of 2 etchings on folded sheet' +p106505 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106506 +sg25268 +S'Beehives at Chaville (Ruches a Chaville, le long du jardin)' +p106507 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106508 +sa(dp106509 +g25273 +S'etching//one of 2 etchings on folded sheet' +p106510 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106511 +sg25268 +S'Young Harvester (Le Jeune vendangeuse)' +p106512 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106513 +sa(dp106514 +g25273 +S'etching//one of 2 etchings on folded sheet' +p106515 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106516 +sg25268 +S'Reclining Woman (Repos de la moissonneuse)' +p106517 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106518 +sa(dp106519 +g25273 +S'etching//one of 2 etchings on folded sheet' +p106520 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106521 +sg25268 +S'Shepherdess (La Bergere Provencale)' +p106522 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106523 +sa(dp106524 +g25273 +S'etching' +p106525 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106526 +sg25268 +S"Bees (Etude d'abeilles sur des feuilles de lierre a l'automne)" +p106527 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106528 +sa(dp106529 +g25273 +S'etching' +p106530 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106531 +sg25268 +S"Raising Bees at Chaville (Elevage d'abeilles a Chaville)" +p106532 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106533 +sa(dp106534 +g25273 +S'etching' +p106535 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106536 +sg25268 +S'Linden Tree (Le Tilleul)' +p106537 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106538 +sa(dp106539 +g25273 +S'etching' +p106540 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106541 +sg25268 +S'Fruit Trees in Blossom (Arbres fruitiers en fleurs)' +p106542 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106543 +sa(dp106544 +g25273 +S'etching' +p106545 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106546 +sg25268 +S'Beehives in Tree Trunks Covered with Stones (Ruches dans des troncs de chene avec pie' +p106547 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106548 +sa(dp106549 +g25273 +S'etching' +p106550 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106551 +sg25268 +S'Wine Grower (Le Vigneron)' +p106552 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106553 +sa(dp106554 +g25268 +S'Dagger Sheath with the Whore of Babylon' +p106555 +sg25270 +S'Heinrich Aldegrever' +p106556 +sg25273 +g27 +sg25275 +S'unknown date\n' +p106557 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a6eb.jpg' +p106558 +sg25267 +g27 +sa(dp106559 +g25273 +S'etching' +p106560 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106561 +sg25268 +S'Unkempt Garden (Fleurs et jardin en friche)' +p106562 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106563 +sa(dp106564 +g25273 +S'etching' +p106565 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106566 +sg25268 +S'Au Fond du golfe' +p106567 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106568 +sa(dp106569 +g25273 +S'etching' +p106570 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106571 +sg25268 +S'Group of Beehives (Groupe de ruches)' +p106572 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106573 +sa(dp106574 +g25273 +S'etching' +p106575 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106576 +sg25268 +S'Garden (Jardin fleuri)' +p106577 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106578 +sa(dp106579 +g25273 +S'etching' +p106580 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106581 +sg25268 +S'Flowers (Fleurs)' +p106582 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106583 +sa(dp106584 +g25273 +S'etching' +p106585 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106586 +sg25268 +S"Beehives (Village d'abeilles)" +p106587 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106588 +sa(dp106589 +g25273 +S'etching' +p106590 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106591 +sg25268 +S'Olive Trees (Vieux oliviers pres du Plan de la Tour' +p106592 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106593 +sa(dp106594 +g25273 +S'etching' +p106595 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106596 +sg25268 +S'Beehives in the Woods of Chaville (Village de ruches, bois de Chaville, le Doisu)' +p106597 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106598 +sa(dp106599 +g25273 +S'etching' +p106600 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106601 +sg25268 +S'Large Oak Trees (Les Grands chenes)' +p106602 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106603 +sa(dp106604 +g25273 +S'etching' +p106605 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106606 +sg25268 +S"Swarming Bees (Troncs d'arbre abritant les essaims d'abeilles)" +p106607 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106608 +sa(dp106609 +g25268 +S'Three Cupids and a Bear' +p106610 +sg25270 +S'Heinrich Aldegrever' +p106611 +sg25273 +g27 +sg25275 +S'1529' +p106612 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a6f1.jpg' +p106613 +sg25267 +g27 +sa(dp106614 +g25273 +S'etching' +p106615 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106616 +sg25268 +S"Banks of l'Argens, Provence (Bords de l'Argens en Provence)" +p106617 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106618 +sa(dp106619 +g25273 +S'etching' +p106620 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106621 +sg25268 +S"Banks of l'Argens (Bords de l'Argens)" +p106622 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106623 +sa(dp106624 +g25273 +S'etching' +p106625 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106626 +sg25268 +S'Forked Oak Tree (Le Chene fourchu)' +p106627 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106628 +sa(dp106629 +g25273 +S'etching' +p106630 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106631 +sg25268 +S'Descent to the Sea (La Descente vers la mer)' +p106632 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106633 +sa(dp106634 +g25273 +S'etching' +p106635 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106636 +sg25268 +S'Oak Trees in the Dom Forest (Chenes de la foret du Dom)' +p106637 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106638 +sa(dp106639 +g25273 +S'etching' +p106640 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106641 +sg25268 +S'Haute-Provence' +p106642 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106643 +sa(dp106644 +g25273 +S'etching' +p106645 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106646 +sg25268 +S'Vineyards and Olive Trees near the Sea (Vignes et oliviers pres de la mer)' +p106647 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106648 +sa(dp106649 +g25273 +S'etching//one of 2 etchings on folded sheet' +p106650 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106651 +sg25268 +S'Provence in Winter (La Provence en hiver)' +p106652 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106653 +sa(dp106654 +g25273 +S'etching//one of 2 etchings on folded sheet' +p106655 +sg25267 +g27 +sg25275 +S'probably 1927/1946' +p106656 +sg25268 +S'Parasol Pine (Le Pin parasol)' +p106657 +sg25270 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p106658 +sa(dp106659 +g25268 +S'Don Pedro Alvarez de Toledo' +p106660 +sg25270 +S'Artist Information (' +p106661 +sg25273 +S'Italian, 16th century' +p106662 +sg25275 +S'(sculptor)' +p106663 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c5/a000c5a2.jpg' +p106664 +sg25267 +g27 +sa(dp106665 +g25268 +S'Three Cupids and a Bear' +p106666 +sg25270 +S'Heinrich Aldegrever' +p106667 +sg25273 +g27 +sg25275 +S'1529' +p106668 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a6f0.jpg' +p106669 +sg25267 +g27 +sa(dp106670 +g25268 +S'Nonchaloir (Repose)' +p106671 +sg25270 +S'John Singer Sargent' +p106672 +sg25273 +S'oil on canvas' +p106673 +sg25275 +S'1911' +p106674 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a0000201.jpg' +p106675 +sg25267 +S"Sargent's inordinate technical facility, coupled with his ability to portray\r\nelegant sitters in sumptuous surroundings, made him extremely popular with wealthy patrons on both sides of the Atlantic. Despite his success as one of the most sought–after portraitists of the late Victorian era, Sargent eventually became exasperated by the whim and vanities of prominent sitters. By 1909 he had abandoned conventional portraiture in order to "experiment with more imaginary fields."\n The \n " +p106676 +sa(dp106677 +g25268 +S'Alice Butt' +p106678 +sg25270 +S'James McNeill Whistler' +p106679 +sg25273 +S'oil on canvas' +p106680 +sg25275 +S'c. 1895' +p106681 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d4c.jpg' +p106682 +sg25267 +g27 +sa(dp106683 +g25268 +S'Allegory' +p106684 +sg25270 +S'Venetian 16th Century' +p106685 +sg25273 +S'overall: 43 x 39.2 cm (16 15/16 x 15 7/16 in.)\r\nframed: 63.5 x 59.1 x 6.4 cm (25 x 23 1/4 x 2 1/2 in.)' +p106686 +sg25275 +S'\noil on panel' +p106687 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000df6.jpg' +p106688 +sg25267 +g27 +sa(dp106689 +g25268 +S'Head of a Young Girl' +p106690 +sg25270 +S'Auguste Renoir' +p106691 +sg25273 +S'oil on canvas' +p106692 +sg25275 +S'c. 1890' +p106693 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00054/a0005405.jpg' +p106694 +sg25267 +g27 +sa(dp106695 +g25268 +S'Captain Patrick Miller' +p106696 +sg25270 +S'Sir Henry Raeburn' +p106697 +sg25273 +S'oil on canvas' +p106698 +sg25275 +S'1788/1789, altered later (date unknown)' +p106699 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a0000575.jpg' +p106700 +sg25267 +g27 +sa(dp106701 +g25268 +S'The Windmill' +p106702 +sg25270 +S'Jean-Charles Cazin' +p106703 +sg25273 +S'oil on wood' +p106704 +sg25275 +S'probably after 1884' +p106705 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000e0/a000e010.jpg' +p106706 +sg25267 +g27 +sa(dp106707 +g25268 +S'River View' +p106708 +sg25270 +S'Jean-Baptiste-Camille Corot' +p106709 +sg25273 +S'oil on wood' +p106710 +sg25275 +S'1868/1872' +p106711 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cd/a000cdc6.jpg' +p106712 +sg25267 +g27 +sa(dp106713 +g25268 +S'Washerwomen at the Oise River near Valmondois' +p106714 +sg25270 +S'Charles-Fran\xc3\xa7ois Daubigny' +p106715 +sg25273 +S'oil on wood' +p106716 +sg25275 +S'1865' +p106717 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000dcb.jpg' +p106718 +sg25267 +g27 +sa(dp106719 +g25268 +S'Forest Scene' +p106720 +sg25270 +S'Narcisse Diaz de la Pe\xc3\xb1a' +p106721 +sg25273 +S'oil on wood' +p106722 +sg25275 +S'1874' +p106723 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00058/a00058e4.jpg' +p106724 +sg25267 +g27 +sa(dp106725 +g25268 +S'The Old Oak' +p106726 +sg25270 +S'Jules Dupr\xc3\xa9' +p106727 +sg25273 +S'oil on canvas' +p106728 +sg25275 +S'c. 1870' +p106729 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00050/a000508b.jpg' +p106730 +sg25267 +g27 +sa(dp106731 +g25268 +S'Sprig of Ornamental Foliage with Two Masks and Two Dolphins' +p106732 +sg25270 +S'Heinrich Aldegrever' +p106733 +sg25273 +g27 +sg25275 +S'1530' +p106734 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a6ed.jpg' +p106735 +sg25267 +g27 +sa(dp106736 +g25268 +S'Rialto Bridge, Venice' +p106737 +sg25270 +S'Artist Information (' +p106738 +sg25273 +S'Italian, 1712 - 1793' +p106739 +sg25275 +S'(related artist)' +p106740 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cd/a000cdc5.jpg' +p106741 +sg25267 +g27 +sa(dp106742 +g25268 +S'Landscape' +p106743 +sg25270 +S'Henri-Joseph Harpignies' +p106744 +sg25273 +S'oil on canvas' +p106745 +sg25275 +S'1898' +p106746 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c61a.jpg' +p106747 +sg25267 +g27 +sa(dp106748 +g25268 +S'Harbor at Sunset' +p106749 +sg25270 +S'Artist Information (' +p106750 +sg25273 +S'French, 1604/1605 - 1682' +p106751 +sg25275 +S'(related artist)' +p106752 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005f/a0005f1f.jpg' +p106753 +sg25267 +g27 +sa(dp106754 +g25268 +S'The Bather' +p106755 +sg25270 +S'Jean-Fran\xc3\xa7ois Millet' +p106756 +sg25273 +S'oil on wood' +p106757 +sg25275 +S'1846/1848' +p106758 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d97.jpg' +p106759 +sg25267 +g27 +sa(dp106760 +g25268 +S'Landscape with Boatman' +p106761 +sg25270 +S'Th\xc3\xa9odore Rousseau' +p106762 +sg25273 +S'oil on wood' +p106763 +sg25275 +S'c. 1860' +p106764 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000db7.jpg' +p106765 +sg25267 +g27 +sa(dp106766 +g25268 +S'Saint Jerome in His Study' +p106767 +sg25270 +S'Albrecht D\xc3\xbcrer' +p106768 +sg25273 +S'engraving on laid paper' +p106769 +sg25275 +S'1514' +p106770 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f25.jpg' +p106771 +sg25267 +g27 +sa(dp106772 +g25268 +S'The Little Courier' +p106773 +sg25270 +S'Albrecht D\xc3\xbcrer' +p106774 +sg25273 +S'engraving' +p106775 +sg25275 +S'c. 1496' +p106776 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a9/a000a990.jpg' +p106777 +sg25267 +g27 +sa(dp106778 +g25268 +S'Coat of Arms with a Lion and a Cock' +p106779 +sg25270 +S'Albrecht D\xc3\xbcrer' +p106780 +sg25273 +S'engraving' +p106781 +sg25275 +S'1502/1503' +p106782 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a9/a000a977.jpg' +p106783 +sg25267 +g27 +sa(dp106784 +g25268 +S'Saint George on Horseback' +p106785 +sg25270 +S'Albrecht D\xc3\xbcrer' +p106786 +sg25273 +S'engraving' +p106787 +sg25275 +S'1508' +p106788 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a9/a000a93d.jpg' +p106789 +sg25267 +g27 +sa(dp106790 +g25268 +S'Ornament' +p106791 +sg25270 +S'Heinrich Aldegrever' +p106792 +sg25273 +g27 +sg25275 +S'1532' +p106793 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a6f2.jpg' +p106794 +sg25267 +g27 +sa(dp106795 +g25268 +S'Saint Eustace' +p106796 +sg25270 +S'Albrecht D\xc3\xbcrer' +p106797 +sg25273 +S'engraving' +p106798 +sg25275 +S'c. 1500/1501' +p106799 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b1/a000b100.jpg' +p106800 +sg25267 +g27 +sa(dp106801 +g25268 +S'Melencolia I' +p106802 +sg25270 +S'Albrecht D\xc3\xbcrer' +p106803 +sg25273 +S'engraving' +p106804 +sg25275 +S'1514' +p106805 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00065/a0006520.jpg' +p106806 +sg25267 +g27 +sa(dp106807 +g25268 +S'Adam and Eve' +p106808 +sg25270 +S'Albrecht D\xc3\xbcrer' +p106809 +sg25273 +S'engraving on laid paper' +p106810 +sg25275 +S'1504' +p106811 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00016/a0001638.jpg' +p106812 +sg25267 +g27 +sa(dp106813 +g25268 +S'The Nativity' +p106814 +sg25270 +S'Albrecht D\xc3\xbcrer' +p106815 +sg25273 +S'engraving' +p106816 +sg25275 +S'1504' +p106817 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a9/a000a927.jpg' +p106818 +sg25267 +g27 +sa(dp106819 +g25268 +S'The Virgin and Child with the Monkey' +p106820 +sg25270 +S'Albrecht D\xc3\xbcrer' +p106821 +sg25273 +S'engraving' +p106822 +sg25275 +S'c. 1498' +p106823 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c3/a000c3fe.jpg' +p106824 +sg25267 +g27 +sa(dp106825 +g25268 +S'Nemesis (The Great Fortune)' +p106826 +sg25270 +S'Albrecht D\xc3\xbcrer' +p106827 +sg25273 +S'engraving' +p106828 +sg25275 +S'c. 1501/1502' +p106829 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b1/a000b101.jpg' +p106830 +sg25267 +g27 +sa(dp106831 +g25268 +S'Harbor Scene with Rising Sun (Le soleil levant)' +p106832 +sg25270 +S'Claude Lorrain' +p106833 +sg25273 +S'etching' +p106834 +sg25275 +S'1634' +p106835 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00089/a00089a9.jpg' +p106836 +sg25267 +g27 +sa(dp106837 +g25268 +S'The Herd Returning in Stormy Weather (Le troupeau en marche par un temps orageux)' +p106838 +sg25270 +S'Claude Lorrain' +p106839 +sg25273 +S'etching' +p106840 +sg25275 +S'c. 1650/1651' +p106841 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00089/a0008912.jpg' +p106842 +sg25267 +g27 +sa(dp106843 +g25268 +S'The Rest on the Flight into Egypt' +p106844 +sg25270 +S'Claude Lorrain' +p106845 +sg25273 +S'pen and brown ink with gray and blue wash and graphite, heightened with white gouache on blue laid paper' +p106846 +sg25275 +S'1682' +p106847 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005f/a0005f9a.jpg' +p106848 +sg25267 +g27 +sa(dp106849 +g25268 +S"Tourelle de la Rue de la Tix\xc3\xa9randerie, Paris (House with a Turret, Weavers' Street, Paris)" +p106850 +sg25270 +S'Charles Meryon' +p106851 +sg25273 +S'etching on green paper' +p106852 +sg25275 +S'1852' +p106853 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d0e.jpg' +p106854 +sg25267 +g27 +sa(dp106855 +g25268 +S'Scroll Ornament with Seated Child' +p106856 +sg25270 +S'Heinrich Aldegrever' +p106857 +sg25273 +g27 +sg25275 +S'1532' +p106858 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a6ef.jpg' +p106859 +sg25267 +g27 +sa(dp106860 +g25268 +S'La Pompe Notre-Dame, Paris (The Notre-Dame Pump)' +p106861 +sg25270 +S'Charles Meryon' +p106862 +sg25273 +S'etching with drypoint on green paper' +p106863 +sg25275 +S'1852' +p106864 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d18.jpg' +p106865 +sg25267 +g27 +sa(dp106866 +g25268 +S'Le stryge (The Vampire)' +p106867 +sg25270 +S'Charles Meryon' +p106868 +sg25273 +S'etching on green paper' +p106869 +sg25275 +S'1853' +p106870 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00060/a000601e.jpg' +p106871 +sg25267 +g27 +sa(dp106872 +g25268 +S'Saint-Etienne-du-Mont, Paris (Church of St. Stephen of the Mount, Paris)' +p106873 +sg25270 +S'Charles Meryon' +p106874 +sg25273 +S'etching on green paper' +p106875 +sg25275 +S'1852' +p106876 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d10.jpg' +p106877 +sg25267 +g27 +sa(dp106878 +g25268 +S'La morgue, Paris (The Mortuary)' +p106879 +sg25270 +S'Charles Meryon' +p106880 +sg25273 +S'etching' +p106881 +sg25275 +S'1854' +p106882 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d1b.jpg' +p106883 +sg25267 +g27 +sa(dp106884 +g25268 +S'Le Pont Neuf, Paris' +p106885 +sg25270 +S'Charles Meryon' +p106886 +sg25273 +S'etching on blue paper' +p106887 +sg25275 +S'1853' +p106888 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d14.jpg' +p106889 +sg25267 +g27 +sa(dp106890 +g25268 +S'Ancienne habitation \xc3\xa0 Bourges, dite "La Maison du Musicien" (An Old House at Bourges, Sometimes Called the "Musician\'s House")' +p106891 +sg25270 +S'Charles Meryon' +p106892 +sg25273 +S'etching with drypoint on green paper' +p106893 +sg25275 +S'1860' +p106894 +sg25314 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Strand' +p110211 +sg25270 +S'Alfred Stieglitz' +p110212 +sa(dp110213 +g25273 +S'gelatin silver print' +p110214 +sg25267 +g27 +sg25275 +S'1923' +p110215 +sg25268 +S'Rebecca Salsbury Strand' +p110216 +sg25270 +S'Alfred Stieglitz' +p110217 +sa(dp110218 +g25268 +S'The Angel of the Annunciation' +p110219 +sg25270 +S'Simone Martini' +p110220 +sg25273 +S'tempera on panel' +p110221 +sg25275 +S'c. 1333' +p110222 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a0000863.jpg' +p110223 +sg25267 +S"This small panel was originally half of a two-part panel made for \r\n private devotion. Rich with textured gold and marked by Gabriel's graceful \r\n silhouette, it is typical of Simone’s refined style.\n Note the angel's ornate robe. In the decades following Marco Polo's \r\n return from China, thousands of caravans traveled the silk route carrying \r\n luxurious textiles west. As woven patterns of brocade and damask replaced \r\n embroidered and appliqued decoration, Italian cities grew wealthy from \r\n textile production and trade. Simone Martini devised new ways to re-create \r\n the look of these fabrics, and since much of the original paint of this \r\n panel has been lost, it is possible to see his technique. The entire panel, \r\n except for the hands and face, was gilded over an underlayer of red. Next \r\n Simone painted the angel’s robe in delicate pinks, shadowed with darker \r\n tones to define folds and the body. After tracing the outlines of the \r\n brocade, he scraped away the paint in the pattern area to reveal the \r\n gilding below, and finally textured the gold with tiny punches. This \r\n technique may have been inspired by Islamic “sgraffito” (scratched) \r\n ceramics, which were imported into Italy.\n " +p110224 +sa(dp110225 +g25268 +S'The Entombment' +p110226 +sg25270 +S'Albrecht Altdorfer' +p110227 +sg25273 +S'woodcut' +p110228 +sg25275 +S'c. 1513' +p110229 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a72b.jpg' +p110230 +sg25267 +g27 +sa(dp110231 +g25273 +S'gelatin silver print' +p110232 +sg25267 +g27 +sg25275 +S'1922' +p110233 +sg25268 +S'Rebecca Salsbury Strand' +p110234 +sg25270 +S'Alfred Stieglitz' +p110235 +sa(dp110236 +g25273 +S'gelatin silver print' +p110237 +sg25267 +g27 +sg25275 +S'1922' +p110238 +sg25268 +S'Rebecca Salsbury Strand' +p110239 +sg25270 +S'Alfred Stieglitz' +p110240 +sa(dp110241 +g25273 +S'gelatin silver print' +p110242 +sg25267 +g27 +sg25275 +S'1922' +p110243 +sg25268 +S'Rebecca Salsbury Strand' +p110244 +sg25270 +S'Alfred Stieglitz' +p110245 +sa(dp110246 +g25273 +S'gelatin silver print mounted on paperboard' +p110247 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Carles' +p110391 +sg25270 +S'Alfred Stieglitz' +p110392 +sa(dp110393 +g25268 +S'Christ Appearing to Saint Magdalene' +p110394 +sg25270 +S'Albrecht Altdorfer' +p110395 +sg25273 +S'woodcut' +p110396 +sg25275 +S'c. 1513' +p110397 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a729.jpg' +p110398 +sg25267 +g27 +sa(dp110399 +g25273 +S'palladium print' +p110400 +sg25267 +g27 +sg25275 +S'1923' +p110401 +sg25268 +S'Arthur B. Carles' +p110402 +sg25270 +S'Alfred Stieglitz' +p110403 +sa(dp110404 +g25273 +S'gelatin silver print' +p110405 +sg25267 +g27 +sg25275 +S'1923' +p110406 +sg25268 +S'Arthur B. Carles' +p110407 +sg25270 +S'Alfred Stieglitz' +p110408 +sa(dp110409 +g25273 +S'gelatin silver print' +p110410 +sg25267 +g27 +sg25275 +S'1920' +p110411 +sg25268 +S'Donald Davidson' +p110412 +sg25270 +S'Alfred Stieglitz' +p110413 +sa(dp110414 +g25273 +S'palladium print' +p110415 +sg25267 +g27 +sg25275 +S'probably 1922' +p110416 +sg25268 +S'Donald Davidson' +p110417 +sg25270 +S'Alfred Stieglitz' +p110418 +sa(dp110419 +g25273 +S'palladium print' +p110420 +sg25267 +g27 +sg25275 +S'1923' +p110421 +sg25268 +S'Charles Demuth' +p110422 +sg25270 +S'Alfred Stieglitz' +p110423 +sa(dp110424 +g25273 +S'palladium print' +p110425 +sg25267 +g27 +sg25275 +S'1923' +p110426 +sg25268 +S'Charles Demuth' +p110427 +sg25270 +S'Alfred Stieglitz' +p110428 +sa(dp110429 +g25273 +S'palladium print' +p110430 +sg25267 +g27 +sg25275 +S'1923' +p110431 +sg25268 +S'Marcel Duchamp' +p110432 +sg25270 +S'Alfred Stieglitz' +p110433 +sa(dp110434 +g25268 +S'Marcel Duchamp' +p110435 +sg25270 +S'Alfred Stieglitz' +p110436 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+S'http://www.nga.gov:80/thumb-l/a00007/a00007d0.jpg' +p110793 +sg25267 +S'Saint Jerome is often depicted on small devotional panels like this one. Because he had translated the Bible into Latin, the saint was a favorite of Renaissance humanists and was often shown reading in a study. Other depictions showed him in the wilderness, living as a hermit and beating his breast in penance. Here the two types are combined.\n In fact, the elderly saint and his lion companion, shifted to the lower right, occupy only a small area of the painting. The landscape commands center stage, filled with a distant view and abundant life, all washed with a radiant light. Many of the plants and animals have various symbolic meanings—the rabbits, for example, could serve as reminders of lust or Christian meekness. Rather than intending that we "read" them as symbols, perhaps Bellini means us to see them simply as part of a vast and rich nature.\n Perhaps, paradoxically, it was because Venice was so intensely urban—it was a largely artificial environment constructed on pilings and scant marshy ground—that its artists developed into such evocative landscape painters. Their approach, in contrast to contemporaries elsewhere, was more intuitive than scientific: they responded to, rather than recorded, nature.\n ' +p110794 +sa(dp110795 +g25268 +S'The Annunciation' +p110796 +sg25270 +S'Albrecht Altdorfer' +p110797 +sg25273 +S'woodcut' +p110798 +sg25275 +S'1513' +p110799 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a705.jpg' +p110800 +sg25267 +g27 +sa(dp110801 +g25273 +S'gelatin silver print' +p110802 +sg25267 +g27 +sg25275 +S'1925' +p110803 +sg25268 +S'Jean Toomer' +p110804 +sg25270 +S'Alfred Stieglitz' +p110805 +sa(dp110806 +g25273 +S'gelatin silver print' +p110807 +sg25267 +g27 +sg25275 +S'1925' +p110808 +sg25268 +S'Jean Toomer' +p110809 +sg25270 +S'Alfred Stieglitz' +p110810 +sa(dp110811 +g25273 +S'gelatin silver print' +p110812 +sg25267 +g27 +sg25275 +S'1925' +p110813 +sg25268 +S'Jean Toomer' +p110814 +sg25270 +S'Alfred Stieglitz' +p110815 +sa(dp110816 +g25273 +S'gelatin silver print' +p110817 +sg25267 +g27 +sg25275 +S'1925' +p110818 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silver photograph' +p110847 +sg25267 +g27 +sg25275 +S'1926' +p110848 +sg25268 +S'Ethel Tyrrell' +p110849 +sg25270 +S'Alfred Stieglitz' +p110850 +sa(dp110851 +g25268 +S'The Holy Kinship' +p110852 +sg25270 +S'Albrecht Altdorfer' +p110853 +sg25273 +S'woodcut' +p110854 +sg25275 +S'in or after 1520' +p110855 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a778.jpg' +p110856 +sg25267 +g27 +sa(dp110857 +g25273 +S'gelatin silver print mounted on paperboard' +p110858 +sg25267 +g27 +sg25275 +S'1926' +p110859 +sg25268 +S'Eva Herrmann' +p110860 +sg25270 +S'Alfred Stieglitz' +p110861 +sa(dp110862 +g25273 +S'gelatin silver print' +p110863 +sg25267 +g27 +sg25275 +S'1922/1924' +p110864 +sg25268 +S'House on the Hill, Lake George' +p110865 +sg25270 +S'Alfred Stieglitz' +p110866 +sa(dp110867 +g25273 +S'gelatin silver print' +p110868 +sg25267 +g27 +sg25275 +S'1925' +p110869 +sg25268 +S'Lake George' +p110870 +sg25270 +S'Alfred Stieglitz' +p110871 +sa(dp110872 +g25273 +S'gelatin silver print mounted on paperboard' +p110873 +sg25267 +g27 +sg25275 +S'1925' +p110874 +sg25268 +S'Sue Davidson' +p110875 +sg25270 +S'Alfred Stieglitz' +p110876 +sa(dp110877 +g25273 +S'gelatin silver print' +p110878 +sg25267 +g27 +sg25275 +S'1925' +p110879 +sg25268 +S'Alfred Kreymborg' +p110880 +sg25270 +S'Alfred Stieglitz' +p110881 +sa(dp110882 +g25273 +S'gelatin silver print' +p110883 +sg25267 +g27 +sg25275 +S'1925' +p110884 +sg25268 +S'Dorothy Kreymborg' +p110885 +sg25270 +S'Alfred Stieglitz' +p110886 +sa(dp110887 +g25273 +S'gelatin silver print' +p110888 +sg25267 +g27 +sg25275 +S'1926' +p110889 +sg25268 +S'Eva Herrmann' +p110890 +sg25270 +S'Alfred Stieglitz' +p110891 +sa(dp110892 +g25273 +S'gelatin silver print mounted on paperboard' +p110893 +sg25267 +g27 +sg25275 +S'probably 1926' +p110894 +sg25268 +S'Lake George' +p110895 +sg25270 +S'Alfred Stieglitz' +p110896 +sa(dp110897 +g25273 +S'gelatin silver print' +p110898 +sg25267 +g27 +sg25275 +S'1926' +p110899 +sg25268 +S'Lake George' +p110900 +sg25270 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silver print' +p111199 +sg25267 +g27 +sg25275 +S'1932' +p111200 +sg25268 +S'Dualities' +p111201 +sg25270 +S'Alfred Stieglitz' +p111202 +sa(dp111203 +g25273 +S'gelatin silver photograph' +p111204 +sg25267 +g27 +sg25275 +S'1930' +p111205 +sg25268 +S'Dorothy Norman' +p111206 +sg25270 +S'Alfred Stieglitz' +p111207 +sa(dp111208 +g25273 +S'gelatin silver print' +p111209 +sg25267 +g27 +sg25275 +S'probably 1931' +p111210 +sg25268 +S'Dorothy Norman' +p111211 +sg25270 +S'Alfred Stieglitz' +p111212 +sa(dp111213 +g25273 +S'gelatin silver print' +p111214 +sg25267 +g27 +sg25275 +S'1932' +p111215 +sg25268 +S'Cary Ross' +p111216 +sg25270 +S'Alfred Stieglitz' +p111217 +sa(dp111218 +g25273 +S'gelatin silver print' +p111219 +sg25267 +g27 +sg25275 +S'1932' +p111220 +sg25268 +S'House and Poplars, Lake George' +p111221 +sg25270 +S'Alfred Stieglitz' +p111222 +sa(dp111223 +g25273 +S'gelatin silver print mounted on paperboard' +p111224 +sg25267 +g27 +sg25275 +S'1932' +p111225 +sg25268 +S'Lake George from the 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Carnevale, which draws on older artists like Fra Filippo Lippi, also shows evidence of newer trends, especially in his treatment of\r\ndistant space. Follow the lines of the architecture: the regular rhythm of arcades and arches recedes into the background. The grid formed by the\r\ncourtyard measures the distance for our eye.\n These converging perspective lines lead to a door beyond which we glimpse a lush garden. This is not a random choice of landscape. The artist has used perspective not simply to create a convincing depiction of space, but to lead us to see the theological implications of his scene. In reference to her virginity, Mary was often called the \n ' +p111359 +sa(dp111360 +g25268 +S'The Standard Bearer' +p111361 +sg25270 +S'Albrecht Altdorfer' +p111362 +sg25273 +S'woodcut' +p111363 +sg25275 +S'c. 1516/1518' +p111364 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a77b.jpg' +p111365 +sg25267 +g27 +sa(dp111366 +g25273 +S'gelatin silver print' +p111367 +sg25267 +g27 +sg25275 +S'1932' +p111368 +sg25268 +S'Poplars--Lake George' +p111369 +sg25270 +S'Alfred Stieglitz' +p111370 +sa(dp111371 +g25273 +S'gelatin silver print' +p111372 +sg25267 +g27 +sg25275 +S'1935' +p111373 +sg25268 +S'Poplars--Lake George' +p111374 +sg25270 +S'Alfred Stieglitz' +p111375 +sa(dp111376 +g25273 +S'gelatin silver print' +p111377 +sg25267 +g27 +sg25275 +S'1933' +p111378 +sg25268 +S'Poplars--Lake George' +p111379 +sg25270 +S'Alfred Stieglitz' +p111380 +sa(dp111381 +g25273 +S'gelatin silver print' +p111382 +sg25267 +g27 +sg25275 +S'1934' +p111383 +sg25268 +S'The Two Poplars, Lake George' +p111384 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print mounted on paperboard' +p111911 +sg25267 +g27 +sg25275 +S'1923' +p111912 +sg25268 +S'Songs of the Sky A2' +p111913 +sg25270 +S'Alfred Stieglitz' +p111914 +sa(dp111915 +g25273 +S'gelatin silver print mounted on paperboard' +p111916 +sg25267 +g27 +sg25275 +S'1923' +p111917 +sg25268 +S'Songs of the Sky A3' +p111918 +sg25270 +S'Alfred Stieglitz' +p111919 +sa(dp111920 +g25273 +S'gelatin silver print mounted on paperboard' +p111921 +sg25267 +g27 +sg25275 +S'1923' +p111922 +sg25268 +S'Songs of the Sky A4' +p111923 +sg25270 +S'Alfred Stieglitz' +p111924 +sa(dp111925 +g25268 +S'Portrait of a Young Man in Red' +p111926 +sg25270 +S'Giovanni Bellini' +p111927 +sg25273 +S'oil and tempera on panel' +p111928 +sg25275 +S'c. 1480' +p111929 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005c7.jpg' +p111930 +sg25267 +S"Beginning in the mid-1300s, an official portrait of each new doge, the \n elected head of the Venetian republic, was hung in the room where the \n city's governing council met. Paintings commissioned by Venice's religious \n confraternities sometimes also included likenesses of the society's leading \n members. Single portraits of private individuals, however, were virtually \n unknown until the 1470s. Venetians credited their new popularity to \n Bellini. His portraits spawned such demand for likenesses of family members \n that his contemporaries reported it common to see the faces of four \n generations in a single household.\n The individualized features of this young man are carefully defined but \n do not reveal much about his personality. In fact, all of Bellini's \n portraits of young men share a reserved dignity but deny a more penetrating look into the sitter's character.\n Venetian men of both the patrician and the citizen classes wore a long, \n simple black robe, a small black hat, and a stole over the shoulder or \n sometimes, as here, over the head. Red gowns worn by senators were also \n prescribed for certain ceremonial occasions.\n " +p111931 +sa(dp111932 +g25268 +S'Giovanni II Bentivoglio' +p111933 +sg25270 +S"Ercole de' Roberti" +p111934 +sg25273 +S'tempera on panel' +p111935 +sg25275 +S'c. 1474/1477' +p111936 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005eb.jpg' +p111937 +sg25267 +g27 +sa(dp111938 +g25268 +S'Saint Jerome Reading' +p111939 +sg25270 +S'Albrecht Altdorfer' +p111940 +sg25273 +S'engraving' +p111941 +sg25275 +S'c. 1515/1520' +p111942 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a768.jpg' +p111943 +sg25267 +g27 +sa(dp111944 +g25273 +S'gelatin silver print mounted on paperboard' +p111945 +sg25267 +g27 +sg25275 +S'1923' +p111946 +sg25268 +S'Songs of the Sky A5' +p111947 +sg25270 +S'Alfred Stieglitz' +p111948 +sa(dp111949 +g25273 +S'gelatin silver print mounted on paperboard' +p111950 +sg25267 +g27 +sg25275 +S'1923' +p111951 +sg25268 +S'Songs of the Sky A6' +p111952 +sg25270 +S'Alfred Stieglitz' +p111953 +sa(dp111954 +g25273 +S'gelatin silver print mounted on paperboard' +p111955 +sg25267 +g27 +sg25275 +S'1923' +p111956 +sg25268 +S'Songs of the Sky A7' +p111957 +sg25270 +S'Alfred Stieglitz' +p111958 +sa(dp111959 +g25273 +S'gelatin silver print mounted on paperboard' +p111960 +sg25267 +g27 +sg25275 +S'1923' +p111961 +sg25268 +S'Songs of the Sky A8' +p111962 +sg25270 +S'Alfred Stieglitz' +p111963 +sa(dp111964 +g25273 +S'gelatin silver print mounted on paperboard' +p111965 +sg25267 +g27 +sg25275 +S'1923' +p111966 +sg25268 +S'Songs of the Sky A9' +p111967 +sg25270 +S'Alfred Stieglitz' +p111968 +sa(dp111969 +g25273 +S'gelatin silver print mounted on paperboard' +p111970 +sg25267 +g27 +sg25275 +S'1923' +p111971 +sg25268 +S'Songs of the Sky B1' +p111972 +sg25270 +S'Alfred Stieglitz' +p111973 +sa(dp111974 +g25273 +S'gelatin silver print mounted on paperboard' +p111975 +sg25267 +g27 +sg25275 +S'1923' +p111976 +sg25268 +S'Songs of the Sky B2' +p111977 +sg25270 +S'Alfred Stieglitz' +p111978 +sa(dp111979 +g25273 +S'gelatin silver print mounted on paperboard' +p111980 +sg25267 +g27 +sg25275 +S'1923' +p111981 +sg25268 +S'Songs of the Sky B3' +p111982 +sg25270 +S'Alfred Stieglitz' +p111983 +sa(dp111984 +g25273 +S'gelatin silver print mounted on paperboard' +p111985 +sg25267 +g27 +sg25275 +S'1923' +p111986 +sg25268 +S'Songs of the Sky B4' +p111987 +sg25270 +S'Alfred Stieglitz' +p111988 +sa(dp111989 +g25273 +S'gelatin silver print mounted on paperboard' +p111990 +sg25267 +g27 +sg25275 +S'1923' +p111991 +sg25268 +S'Songs of the Sky B5' +p111992 +sg25270 +S'Alfred Stieglitz' +p111993 +sa(dp111994 +g25268 +S'The Beautiful Virgin of Regensburg on an Altar' +p111995 +sg25270 +S'Albrecht Altdorfer' +p111996 +sg25273 +S'engraving' +p111997 +sg25275 +S'c. 1519/1520' +p111998 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a76a.jpg' +p111999 +sg25267 +g27 +sa(dp112000 +g25273 +S'gelatin silver print mounted on paperboard' +p112001 +sg25267 +g27 +sg25275 +S'1923' +p112002 +sg25268 +S'Songs of the Sky B6' +p112003 +sg25270 +S'Alfred Stieglitz' +p112004 +sa(dp112005 +g25273 +S'gelatin silver print mounted on paperboard' +p112006 +sg25267 +g27 +sg25275 +S'1923' +p112007 +sg25268 +S'Songs of the Sky B7' +p112008 +sg25270 +S'Alfred Stieglitz' +p112009 +sa(dp112010 +g25273 +S'gelatin silver print mounted on paperboard' +p112011 +sg25267 +g27 +sg25275 +S'1929' +p112012 +sg25268 +S'Equivalent, Set B, No. 1' +p112013 +sg25270 +S'Alfred Stieglitz' +p112014 +sa(dp112015 +g25273 +S'gelatin silver print mounted on paperboard' +p112016 +sg25267 +g27 +sg25275 +S'1929' +p112017 +sg25268 +S'Equivalent, Set B, No. 2' +p112018 +sg25270 +S'Alfred Stieglitz' +p112019 +sa(dp112020 +g25273 +S'gelatin silver print mounted on paperboard' +p112021 +sg25267 +g27 +sg25275 +S'1923' +p112022 +sg25268 +S'Portrait--K. N. R., No. 1' +p112023 +sg25270 +S'Alfred Stieglitz' +p112024 +sa(dp112025 +g25273 +S'gelatin silver print mounted on paperboard' +p112026 +sg25267 +g27 +sg25275 +S'1923' +p112027 +sg25268 +S'Portrait--K. N. R., No. 2' +p112028 +sg25270 +S'Alfred Stieglitz' +p112029 +sa(dp112030 +g25273 +S'gelatin silver print mounted on paperboard' +p112031 +sg25267 +g27 +sg25275 +S'1923' +p112032 +sg25268 +S'Portrait--K. N. R., No. 3' +p112033 +sg25270 +S'Alfred Stieglitz' +p112034 +sa(dp112035 +g25273 +S'gelatin silver print mounted on paperboard' +p112036 +sg25267 +g27 +sg25275 +S'1923' +p112037 +sg25268 +S'Portrait--K. N. R., No. 4' +p112038 +sg25270 +S'Alfred Stieglitz' +p112039 +sa(dp112040 +g25273 +S'gelatin silver print mounted on paperboard' +p112041 +sg25267 +g27 +sg25275 +S'1923' +p112042 +sg25268 +S'Portrait--K.N.R., No. 5' +p112043 +sg25270 +S'Alfred Stieglitz' +p112044 +sa(dp112045 +g25273 +S'gelatin silver print mounted on paperboard' +p112046 +sg25267 +g27 +sg25275 +S'1923' +p112047 +sg25268 +S'Portrait--K. N. R., No. 6' +p112048 +sg25270 +S'Alfred Stieglitz' +p112049 +sa(dp112050 +g25268 +S'Christ Expelling the Money Changers' +p112051 +sg25270 +S'Albrecht Altdorfer' +p112052 +sg25273 +S'engraving' +p112053 +sg25275 +S'c. 1519' +p112054 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a76b.jpg' +p112055 +sg25267 +g27 +sa(dp112056 +g25273 +S'gelatin silver print mounted on paperboard' +p112057 +sg25267 +g27 +sg25275 +S'1923' +p112058 +sg25268 +S'Songs of the Sky D1' +p112059 +sg25270 +S'Alfred Stieglitz' +p112060 +sa(dp112061 +g25273 +S'gelatin silver print mounted on paperboard' +p112062 +sg25267 +g27 +sg25275 +S'probably 1923' +p112063 +sg25268 +S'Songs of the Sky D2' +p112064 +sg25270 +S'Alfred Stieglitz' +p112065 +sa(dp112066 +g25273 +S'gelatin silver print mounted on paperboard' +p112067 +sg25267 +g27 +sg25275 +S'1923' +p112068 +sg25268 +S'Songs of the Sky D3' +p112069 +sg25270 +S'Alfred Stieglitz' +p112070 +sa(dp112071 +g25273 +S'gelatin silver print mounted on paperboard' +p112072 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Moreover,\nthe profile format, which isolates the sitter from the observer, was particularly\nappropriate to Giovanni's position as a strong-willed lord.\n Ercole de' Roberti absorbed Francesco del Cossa's and Cosimo Tura's eccentric style;\nyet he was also aware of the meticulous realism of contemporary Flemish art, as\nis indicated by the lustrous pearls and gems so prominently displayed on Ginevra's\nsleeve. But the single most salient element in Ercole's style is his superior draftsmanship.\nAn energetic yet nervous line describes the flowing contours of Ginevra's head,\nthe swirling concentric rhythms of her hair, and the stiff, parallel folds of her\nkerchief.\n " +p112507 +sa(dp112508 +g25268 +S'Judith with the Head of Holofernes' +p112509 +sg25270 +S'Albrecht Altdorfer' +p112510 +sg25273 +S'engraving' +p112511 +sg25275 +S'c. 1520/1530' +p112512 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a78d.jpg' +p112513 +sg25267 +g27 +sa(dp112514 +g25273 +S'gelatin silver print mounted on paperboard' +p112515 +sg25267 +g27 +sg25275 +S'1923' +p112516 +sg25268 +S'Songs of the Sky' +p112517 +sg25270 +S'Alfred Stieglitz' +p112518 +sa(dp112519 +g25273 +S'gelatin silver print mounted on paperboard' +p112520 +sg25267 +g27 +sg25275 +S'1923/1931' +p112521 +sg25268 +S'Songs of the Sky' +p112522 +sg25270 +S'Alfred Stieglitz' +p112523 +sa(dp112524 +g25273 +S'gelatin silver print mounted on paperboard' 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+S'1933' +p114190 +sg25268 +S'Water Tower and Radio City, New York' +p114191 +sg25270 +S'Alfred Stieglitz' +p114192 +sa(dp114193 +g25273 +S'gelatin silver print' +p114194 +sg25267 +g27 +sg25275 +S'April-June 1932' +p114195 +sg25268 +S'From My Window at An American Place, Southwest' +p114196 +sg25270 +S'Alfred Stieglitz' +p114197 +sa(dp114198 +g25273 +S'gelatin silver print' +p114199 +sg25267 +g27 +sg25275 +S'April-June 1932' +p114200 +sg25268 +S'From My Window at An American Place, Southwest' +p114201 +sg25270 +S'Alfred Stieglitz' +p114202 +sa(dp114203 +g25268 +S'The Annunciation and Expulsion from Paradise' +p114204 +sg25270 +S'Giovanni di Paolo' +p114205 +sg25273 +S'tempera on panel' +p114206 +sg25275 +S'c. 1435' +p114207 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a0000813.jpg' +p114208 +sg25267 +S"Giovanni di Paolo's \n Disregarding naturalistic detail in favor of flat, decorative pattern, Giovanni\nwas nevertheless aware of current Renaissance experiments in linear perspective,\nas exemplified by the receding floor tiles in both the central loggia and Joseph's\ncubicle. The artist's decision, however, not to follow realistic spatial and scale\nrelationships completely, and his use of willowy, elegantly dressed figures, place\nhim firmly within the medieval pictorial tradition, now reappearing as the International\nStyle.\n " +p114209 +sa(dp114210 +g25268 +S'Arion and Nereide' +p114211 +sg25270 +S'Albrecht Altdorfer' +p114212 +sg25273 +S'engraving' +p114213 +sg25275 +S'c. 1520/1525' +p114214 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a790.jpg' +p114215 +sg25267 +g27 +sa(dp114216 +g25273 +S'gelatin silver print' +p114217 +sg25267 +g27 +sg25275 +S'1931' +p114218 +sg25268 +S'From My Window at the Shelton, North' +p114219 +sg25270 +S'Alfred Stieglitz' +p114220 +sa(dp114221 +g25273 +S'gelatin silver print' +p114222 +sg25267 +g27 +sg25275 +S'1931' +p114223 +sg25268 +S'From My Window at the Shelton, North' +p114224 +sg25270 +S'Alfred Stieglitz' +p114225 +sa(dp114226 +g25273 +S'gelatin silver print' +p114227 +sg25267 +g27 +sg25275 +S'1935' +p114228 +sg25268 +S'New York from the Shelton' +p114229 +sg25270 +S'Alfred Stieglitz' +p114230 +sa(dp114231 +g25273 +S'gelatin silver print' +p114232 +sg25267 +g27 +sg25275 +S'1935' +p114233 +sg25268 +S'New York from the Shelton' +p114234 +sg25270 +S'Alfred Stieglitz' +p114235 +sa(dp114236 +g25273 +S'gelatin silver print' +p114237 +sg25267 +g27 +sg25275 +S'1935' +p114238 +sg25268 +S'New York from the Shelton' +p114239 +sg25270 +S'Alfred Stieglitz' +p114240 +sa(dp114241 +g25273 +S'gelatin silver print' +p114242 +sg25267 +g27 +sg25275 +S'1935' +p114243 +sg25268 +S'New York from the Shelton' +p114244 +sg25270 +S'Alfred Stieglitz' +p114245 +sa(dp114246 +g25273 +S'gelatin silver print' +p114247 +sg25267 +g27 +sg25275 +S'1935' +p114248 +sg25268 +S'New York from the Shelton' +p114249 +sg25270 +S'Alfred Stieglitz' +p114250 +sa(dp114251 +g25273 +S'gelatin silver print' +p114252 +sg25267 +g27 +sg25275 +S'1935' +p114253 +sg25268 +S'New York from the Shelton' +p114254 +sg25270 +S'Alfred Stieglitz' +p114255 +sa(dp114256 +g25273 +S'gelatin silver print' +p114257 +sg25267 +g27 +sg25275 +S'1935' +p114258 +sg25268 +S'New York from the Shelton' +p114259 +sg25270 +S'Alfred Stieglitz' +p114260 +sa(dp114261 +g25273 +S'gelatin silver print' +p114262 +sg25267 +g27 +sg25275 +S'1935' +p114263 +sg25268 +S'New York from the Shelton' +p114264 +sg25270 +S'Alfred Stieglitz' +p114265 +sa(dp114266 +g25273 +S'etching' +p114267 +sg25267 +g27 +sg25275 +S'1936' +p114268 +sg25268 +S'Up Above the World' +p114269 +sg25270 +S'James E. Allen' +p114270 +sa(dp114271 +g25273 +S'gelatin silver print' +p114272 +sg25267 +g27 +sg25275 +S'1935' +p114273 +sg25268 +S'New York from the Shelton' +p114274 +sg25270 +S'Alfred Stieglitz' +p114275 +sa(dp114276 +g25273 +S'gelatin silver print' +p114277 +sg25267 +g27 +sg25275 +S'1935' +p114278 +sg25268 +S'New York from the Shelton' +p114279 +sg25270 +S'Alfred Stieglitz' +p114280 +sa(dp114281 +g25273 +S'gelatin silver print' +p114282 +sg25267 +g27 +sg25275 +S'1935' +p114283 +sg25268 +S'New York from the Shelton' +p114284 +sg25270 +S'Alfred Stieglitz' +p114285 +sa(dp114286 +g25273 +S'gelatin silver print' +p114287 +sg25267 +g27 +sg25275 +S'1936/1937' +p114288 +sg25268 +S'New York from 405 E 54th Street' +p114289 +sg25270 +S'Alfred Stieglitz' +p114290 +sa(dp114291 +g25273 +S'gelatin silver print' +p114292 +sg25267 +g27 +sg25275 +S'1936/1937' +p114293 +sg25268 +S'New York from 405 E 54th Street' +p114294 +sg25270 +S'Alfred Stieglitz' +p114295 +sa(dp114296 +g25273 +S'gelatin silver print' +p114297 +sg25267 +g27 +sg25275 +S'1937' +p114298 +sg25268 +S'New York from 405 E 54th Street' +p114299 +sg25270 +S'Alfred Stieglitz' +p114300 +sa(dp114301 +g25273 +S'gelatin silver print' +p114302 +sg25267 +g27 +sg25275 +S'1937' +p114303 +sg25268 +S'New York from 405 E 54th Street' +p114304 +sg25270 +S'Alfred Stieglitz' +p114305 +sa(dp114306 +g25273 +S'gelatin silver print' +p114307 +sg25267 +g27 +sg25275 +S'1937' +p114308 +sg25268 +S'New York from 405 E 54th Street' +p114309 +sg25270 +S'Alfred Stieglitz' +p114310 +sa(dp114311 +g25273 +S'gelatin silver print' +p114312 +sg25267 +g27 +sg25275 +S'1926/1927' +p114313 +sg25268 +S'From the Shelton, New York, Looking East' +p114314 +sg25270 +S'Alfred Stieglitz' +p114315 +sa(dp114316 +g25273 +S'platinum print' +p114317 +sg25267 +g27 +sg25275 +S'1894' +p114318 +sg25268 +S'The Jungfrau Group' +p114319 +sg25270 +S'Alfred Stieglitz' +p114320 +sa(dp114321 +g25273 +S'lithograph' +p114322 +sg25267 +g27 +sg25275 +S'1935' +p114323 +sg25268 +S'Mother and Child' +p114324 +sg25270 +S'Emilio Amero' +p114325 +sa(dp114326 +g25273 +S'palladium print' +p114327 +sg25267 +g27 +sg25275 +S'1922' +p114328 +sg25268 +S'Rebecca Salsbury Strand' +p114329 +sg25270 +S'Alfred Stieglitz' +p114330 +sa(dp114331 +g25273 +S'(artist after)' +p114332 +sg25267 +g27 +sg25275 +S'\n' +p114333 +sg25268 +S'Camera Work: Vol.1: Numbers 1-4' +p114334 +sg25270 +S'Artist Information (' +p114335 +sa(dp114336 +g25273 +S'(artist after)' +p114337 +sg25267 +g27 +sg25275 +S'\n' +p114338 +sg25268 +S'Camera Work: Vol.2: Numbers 5-8' +p114339 +sg25270 +S'Artist Information (' +p114340 +sa(dp114341 +g25273 +S'(artist after)' +p114342 +sg25267 +g27 +sg25275 +S'\n' +p114343 +sg25268 +S'Camera Work: Vol.3: Numbers 9-12' +p114344 +sg25270 +S'Artist Information (' +p114345 +sa(dp114346 +g25273 +S'(artist after)' +p114347 +sg25267 +g27 +sg25275 +S'\n' +p114348 +sg25268 +S'Camera Work: Vol.4: Numbers 13-16 and Special Supplement' +p114349 +sg25270 +S'Artist Information (' +p114350 +sa(dp114351 +g25273 +S'(artist after)' +p114352 +sg25267 +g27 +sg25275 +S'\n' +p114353 +sg25268 +S'Camera Work: Vol.5: Numbers 17-20' +p114354 +sg25270 +S'Artist Information (' +p114355 +sa(dp114356 +g25273 +S'(artist after)' +p114357 +sg25267 +g27 +sg25275 +S'\n' +p114358 +sg25268 +S'Camera Work: Vol.6: Numbers 21-24' +p114359 +sg25270 +S'Artist Information (' +p114360 +sa(dp114361 +g25273 +S'(artist after)' +p114362 +sg25267 +g27 +sg25275 +S'\n' +p114363 +sg25268 +S'Camera Work: Vol.7: Numbers 25-28' +p114364 +sg25270 +S'Artist Information (' +p114365 +sa(dp114366 +g25273 +S'(artist after)' +p114367 +sg25267 +g27 +sg25275 +S'\n' +p114368 +sg25268 +S'Camera Work: Vol.8: Numbers 29-32' +p114369 +sg25270 +S'Artist Information (' +p114370 +sa(dp114371 +g25273 +S'(artist after)' +p114372 +sg25267 +g27 +sg25275 +S'\n' +p114373 +sg25268 +S'Camera Work: Vol.9: Numbers 33, 34/35, 36' +p114374 +sg25270 +S'Artist Information (' +p114375 +sa(dp114376 +g25268 +S'Gaspar de Coligny' +p114377 +sg25270 +S'Jost Amman' +p114378 +sg25273 +g27 +sg25275 +S'1573' +p114379 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ef/a000ef8b.jpg' +p114380 +sg25267 +g27 +sa(dp114381 +g25273 +S'(artist after)' +p114382 +sg25267 +g27 +sg25275 +S'\n' +p114383 +sg25268 +S'Camera Work: Vol.10: Numbers 37-40 and Special Supplement' +p114384 +sg25270 +S'Artist Information (' +p114385 +sa(dp114386 +g25273 +S'(artist after)' +p114387 +sg25267 +g27 +sg25275 +S'\n' +p114388 +sg25268 +S'Camera Work: Vol.11: Numbers 41, 42/43, 44, and Special Supplement' +p114389 +sg25270 +S'Artist Information (' +p114390 +sa(dp114391 +g25273 +S'(artist after)' +p114392 +sg25267 +g27 +sg25275 +S'\n' +p114393 +sg25268 +S'Camera Work: Vol.12: Numbers 45-48' +p114394 +sg25270 +S'Artist Information (' +p114395 +sa(dp114396 +g25273 +S'(artist after)' +p114397 +sg25267 +g27 +sg25275 +S'\n' +p114398 +sg25268 +S'Camera Work: Vol.13: Numbers 49/50' +p114399 +sg25270 +S'Artist Information (' +p114400 +sa(dp114401 +g25273 +S'(artist after)' +p114402 +sg25267 +g27 +sg25275 +S'\n' +p114403 +sg25268 +S'Camera Work: Number 47: "What is 291?"' +p114404 +sg25270 +S'Artist Information (' +p114405 +sa(dp114406 +g25273 +S'gelatin silver print' +p114407 +sg25267 +g27 +sg25275 +S'1935' +p114408 +sg25268 +S'Dunoyer de Segonzac' +p114409 +sg25270 +S'Edward Steichen' +p114410 +sa(dp114411 +g25273 +S'gelatin silver print' +p114412 +sg25267 +g27 +sg25275 +S'early 1940s' +p114413 +sg25268 +S'Untitled--City View' +p114414 +sg25270 +S'Brett Weston' +p114415 +sa(dp114416 +g25273 +S'gelatin silver print' +p114417 +sg25267 +g27 +sg25275 +S'1930s' +p114418 +sg25268 +S'Tree Stump' +p114419 +sg25270 +S'Brett Weston' +p114420 +sa(dp114421 +g25273 +S'gelatin silver print' +p114422 +sg25267 +g27 +sg25275 +S'1930s' +p114423 +sg25268 +S'Pine' +p114424 +sg25270 +S'Brett Weston' +p114425 +sa(dp114426 +g25273 +S'gelatin silver print' +p114427 +sg25267 +g27 +sg25275 +S'1936' +p114428 +sg25268 +S'Landscape' +p114429 +sg25270 +S'Brett Weston' +p114430 +sa(dp114431 +g25268 +S'The Holy Trinity' +p114432 +sg25270 +S'Jost Amman' +p114433 +sg25273 +g27 +sg25275 +S'unknown date\n' +p114434 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ef/a000ef8c.jpg' +p114435 +sg25267 +g27 +sa(dp114436 +g25273 +S'gelatin silver print' +p114437 +sg25267 +g27 +sg25275 +S'probably 1940s' +p114438 +sg25268 +S'Tug "Ida W"--Wilamette River North' +p114439 +sg25270 +S'Minor White' +p114440 +sa(dp114441 +g25268 +S'Solomon Worshipping False Gods' +p114442 +sg25270 +S'Master MZ' +p114443 +sg25273 +S'engraving' +p114444 +sg25275 +S'1501' +p114445 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f5b.jpg' +p114446 +sg25267 +g27 +sa(dp114447 +g25273 +S'1 vol: text with etched head-pieces and initials' +p114448 +sg25267 +g27 +sg25275 +S'published 1784' +p114449 +sg25268 +S'Le Antichit\xc3\xa0 Romane (text for volumes I-IV)' +p114450 +sg25270 +S'Giovanni Battista Piranesi' +p114451 +sa(dp114452 +g25273 +S'1 vol: etchings' +p114453 +sg25267 +g27 +sg25275 +S'possibly 1756/1784' +p114454 +sg25268 +S'Le Antichit\xc3\xa0 Romane (volume I)' +p114455 +sg25270 +S'Giovanni Battista Piranesi' +p114456 +sa(dp114457 +g25273 +S'1 vol: etchings' +p114458 +sg25267 +g27 +sg25275 +S'possibly 1756/1784' +p114459 +sg25268 +S'Le Antichit\xc3\xa0 Romane (volume II)' +p114460 +sg25270 +S'Giovanni Battista Piranesi' +p114461 +sa(dp114462 +g25273 +S'1 vol: etchings' +p114463 +sg25267 +g27 +sg25275 +S'possibly 1756/1784' +p114464 +sg25268 +S'Le Antichit\xc3\xa0 Romane (volume III)' +p114465 +sg25270 +S'Giovanni Battista Piranesi' +p114466 +sa(dp114467 +g25273 +S'1 vol: etchings' +p114468 +sg25267 +g27 +sg25275 +S'possibly 1756/1784' +p114469 +sg25268 +S'Le Antichit\xc3\xa0 Romane (volume IV)' +p114470 +sg25270 +S'Giovanni Battista Piranesi' +p114471 +sa(dp114472 +g25273 +S'2 works bound in 1 vol: text with etched head- and tail- pieces and initial' +p114473 +sg25267 +g27 +sg25275 +S'published 1785' +p114474 +sg25268 +S'Monumenti degli Scipione; Raccolta de\'Tempi Antichi (Suppl.to "Le Antichit\xc3\xa0 Romane")' +p114475 +sg25270 +S'Francesco Piranesi' +p114476 +sa(dp114477 +g25273 +S'1 vol: etchings' +p114478 +sg25267 +g27 +sg25275 +S'published 1785' +p114479 +sg25268 +S'Monumenti degli Scipione (Supplement to "Le Antichit\xc3\xa0 Romane")' +p114480 +sg25270 +S'Francesco Piranesi' +p114481 +sa(dp114482 +g25273 +S'1 vol: etchings' +p114483 +sg25267 +g27 +sg25275 +S'published 1780' +p114484 +sg25268 +S'Raccolta de\'Tempi Antichi (Supplement to "Le Antichit\xc3\xa0 Romane")' +p114485 +sg25270 +S'Francesco Piranesi' +p114486 +sa(dp114487 +g25273 +S'drypoint' +p114488 +sg25267 +g27 +sg25275 +S'1940' +p114489 +sg25268 +S'Going to Town' +p114490 +sg25270 +S'Niels Yde Andersen' +p114491 +sa(dp114492 +g25273 +S'1 vol: text with etched title page, tail-pieces, and initials' +p114493 +sg25267 +g27 +sg25275 +S'published 1761' +p114494 +sg25268 +S"Della Magnificenza ed Archittetura de'Romani" +p114495 +sg25270 +S'Giovanni Battista Piranesi' +p114496 +sa(dp114497 +g25273 +S'3 works bound in 1 vol: text with etched head- and tail-pieces' +p114498 +sg25267 +g27 +sg25275 +S'published 1765' +p114499 +sg25268 +S"Osservazione; E Parere su l'Architettura ...; Diverse Maniere d'adornare i Cammini" +p114500 +sg25270 +S'Giovanni Battista Piranesi' +p114501 +sa(dp114502 +g25273 +S'3 works bound in 1 vol: etchings' +p114503 +sg25267 +g27 +sg25275 +S'published 1761' +p114504 +sg25268 +S"Della Magnificenza ed Archittetura; Osservazioni; E Parere su l'Architettura" +p114505 +sg25270 +S'Giovanni Battista Piranesi' +p114506 +sa(dp114507 +g25273 +S'1 vol: ill: etchings' +p114508 +sg25267 +g27 +sg25275 +S'published 1769' +p114509 +sg25268 +S'Diverse Maniere di adornare i Cammini' +p114510 +sg25270 +S'Giovanni Battista Piranesi' +p114511 +sa(dp114512 +g25268 +S'Prima Parte; Grotteschi; Carceri; Alcuna Vedute ...; Trofei di Ottaviano Augusto' +p114513 +sg25270 +S'Artist Information (' +p114514 +sg25273 +S'(artist)' +p114515 +sg25275 +S'\n' +p114516 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000df/a000dfb6.jpg' +p114517 +sg25267 +g27 +sa(dp114518 +g25273 +S'3 works bound in 1 vol: text with etched head- and tail-pieces' +p114519 +sg25267 +g27 +sg25275 +S'published 1762' +p114520 +sg25268 +S"Lapides Capitolini; Le Rovine dell Castello dell'Acqua Giula; Antichit\xc3\xa0 di Cora" +p114521 +sg25270 +S'Giovanni Battista Piranesi' +p114522 +sa(dp114523 +g25273 +S'3 works bound in 1 vol: etchings' +p114524 +sg25267 +g27 +sg25275 +S'published 1762' +p114525 +sg25268 +S"Lapides Capitolini; Le Rovine dell Castello dell'Acqua Giula; Antichit\xc3\xa0 di Cora" +p114526 +sg25270 +S'Giovanni Battista Piranesi' +p114527 +sa(dp114528 +g25273 +S'(artist)' +p114529 +sg25267 +g27 +sg25275 +S'\n' +p114530 +sg25268 +S"Il Campo Marzio ...; Descrizione ... dell'Emissario; Antichit\xc3\xa0 d'Albano; Di due Spelonche; Il Teatro d'Ercolano" +p114531 +sg25270 +S'Artist Information (' +p114532 +sa(dp114533 +g25273 +S'(artist)' +p114534 +sg25267 +g27 +sg25275 +S'\n' +p114535 +sg25268 +S"Il Campo Marzio dell'Antica Roma" +p114536 +sg25270 +S'Artist Information (' +p114537 +sa(dp114538 +g25273 +S'3 works bound in 1 vol: etchings' +p114539 +sg25267 +g27 +sg25275 +S'published 1764' +p114540 +sg25268 +S"Antichit\xc3\xa0 d'Albano ...; Descrizione ... del'Emmissario...; Di due Spelonche" +p114541 +sg25270 +S'Giovanni Battista Piranesi' +p114542 +sa(dp114543 +g25273 +S'etching' +p114544 +sg25267 +g27 +sg25275 +S'unknown date\n' +p114545 +sg25268 +S"Durer's House, Nuremberg" +p114546 +sg25270 +S'Stanley Anderson' +p114547 +sa(dp114548 +g25273 +S'1 vol: etchings' +p114549 +sg25267 +g27 +sg25275 +S'published 1785' +p114550 +sg25268 +S"Il Teatro d'Ercolano" +p114551 +sg25270 +S'Francesco Piranesi' +p114552 +sa(dp114553 +g25273 +S'(artist)' +p114554 +sg25267 +g27 +sg25275 +S'\n' +p114555 +sg25268 +S'Vasi, candelabri, cippi ... (volume I)' +p114556 +sg25270 +S'Artist Information (' +p114557 +sa(dp114558 +g25273 +S'(artist)' +p114559 +sg25267 +g27 +sg25275 +S'\n' +p114560 +sg25268 +S'Vasi, candelabri, cippi ... (volume II)' +p114561 +sg25270 +S'Artist Information (' +p114562 +sa(dp114563 +g25273 +S'(artist)' +p114564 +sg25267 +g27 +sg25275 +S'\n' +p114565 +sg25268 +S'Trofeo ... Colonna di Trajano; Colonna Antonino Pio e Faustina; Colonna Antonina' +p114566 +sg25270 +S'Artist Information (' +p114567 +sa(dp114568 +g25273 +S'(artist)' +p114569 +sg25267 +g27 +sg25275 +S'\n' +p114570 +sg25268 +S'Differentes vues de quelques Restes ...' +p114571 +sg25270 +S'Artist Information (' +p114572 +sa(dp114573 +g25273 +S'2 works bound in 1 vol: etchings' +p114574 +sg25267 +g27 +sg25275 +S'published 1800/1807' +p114575 +sg25268 +S'Le Vedute di Roma; Pianta di Roma e del Campo Marzo (volume I)' +p114576 +sg25270 +S'Giovanni Battista Piranesi' +p114577 +sa(dp114578 +g25273 +S'(artist)' +p114579 +sg25267 +g27 +sg25275 +S'\n' +p114580 +sg25268 +S'Le Vedute di Roma (volume II)' +p114581 +sg25270 +S'Artist Information (' +p114582 +sa(dp114583 +g25273 +S'(artist after)' +p114584 +sg25267 +g27 +sg25275 +S'\n' +p114585 +sg25268 +S'Statue Antichi' +p114586 +sg25270 +S'Artist Information (' +p114587 +sa(dp114588 +g25273 +S'(artist)' +p114589 +sg25267 +g27 +sg25275 +S'\n' +p114590 +sg25268 +S'Raccolta di Alcuni Disegni del ... Guercino' +p114591 +sg25270 +S'Artist Information (' +p114592 +sa(dp114593 +g25273 +S'Italian, c. 1758 - 1810' +p114594 +sg25267 +g27 +sg25275 +S'(publisher)' +p114595 +sg25268 +S'La Scuola Italiana' +p114596 +sg25270 +S'Artist Information (' +p114597 +sa(dp114598 +g25273 +S'etching' +p114599 +sg25267 +g27 +sg25275 +S'unknown date\n' +p114600 +sg25268 +S'Fallen Star' +p114601 +sg25270 +S'Stanley Anderson' +p114602 +sa(dp114603 +g25273 +S'(artist after)' +p114604 +sg25267 +g27 +sg25275 +S'\n' +p114605 +sg25268 +S'Antiquites de la Grande-Grece (volume I)' +p114606 +sg25270 +S'Artist Information (' +p114607 +sa(dp114608 +g25273 +S'(artist after)' +p114609 +sg25267 +g27 +sg25275 +S'\n' +p114610 +sg25268 +S'Antiquites de la Grande-Grece (volume II)' +p114611 +sg25270 +S'Artist Information (' +p114612 +sa(dp114613 +g25268 +S'Antiquites de la Grande-Grece (volume I)' +p114614 +sg25270 +S'Artist Information (' +p114615 +sg25273 +S'(artist after)' +p114616 +sg25275 +S'\n' +p114617 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00065/a000659f.jpg' +p114618 +sg25267 +g27 +sa(dp114619 +g25268 +S'Nocturne: Salute' +p114620 +sg25270 +S'James McNeill Whistler' +p114621 +sg25273 +S'etching' +p114622 +sg25275 +S'1879/1880' +p114623 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b5/a000b50f.jpg' +p114624 +sg25267 +g27 +sa(dp114625 +g25268 +S'Intemperance' +p114626 +sg25270 +S'Heinrich Aldegrever' +p114627 +sg25273 +S'engraving' +p114628 +sg25275 +S'1528' +p114629 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a6fc.jpg' +p114630 +sg25267 +g27 +sa(dp114631 +g25268 +S'Joachim Patinir' +p114632 +sg25270 +S'Artist Information (' +p114633 +sg25273 +S'Netherlandish, 1533 - 1578' +p114634 +sg25275 +S'(artist)' +p114635 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cd/a000cd01.jpg' +p114636 +sg25267 +g27 +sa(dp114637 +g25268 +S'Gothic Letter "D"' +p114638 +sg25270 +S'German 15th Century' +p114639 +sg25273 +S'Lehrs, Vol. 4, p.306, no. 147' +p114640 +sg25275 +S'\nengraving' +p114641 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00057/a0005780.jpg' +p114642 +sg25267 +g27 +sa(dp114643 +g25268 +S'Saint Sebastian' +p114644 +sg25270 +S"Jacopo de' Barbari" +p114645 +sg25273 +S'engraving' +p114646 +sg25275 +S'c. 1509' +p114647 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c7a1.jpg' +p114648 +sg25267 +g27 +sa(dp114649 +g25268 +S'Eug\xc3\xa8ne Rouher' +p114650 +sg25270 +S'Honor\xc3\xa9 Daumier' +p114651 +sg25273 +S'lithograph' +p114652 +sg25275 +S'1850' +p114653 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a0009442.jpg' +p114654 +sg25267 +g27 +sa(dp114655 +g25268 +S"R.P.L. 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Marie Joseph Deville' +p114697 +sg25270 +S'Honor\xc3\xa9 Daumier' +p114698 +sg25273 +S'lithograph' +p114699 +sg25275 +S'1849' +p114700 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a000943c.jpg' +p114701 +sg25267 +g27 +sa(dp114702 +g25268 +S'F\xc3\xa9lix Saint-Priest' +p114703 +sg25270 +S'Honor\xc3\xa9 Daumier' +p114704 +sg25273 +S'lithograph' +p114705 +sg25275 +S'1849' +p114706 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a000943b.jpg' +p114707 +sg25267 +g27 +sa(dp114708 +g25268 +S'J.-B. Gustave de Laboulie' +p114709 +sg25270 +S'Honor\xc3\xa9 Daumier' +p114710 +sg25273 +S'lithograph' +p114711 +sg25275 +S'1849' +p114712 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a0009439.jpg' +p114713 +sg25267 +g27 +sa(dp114714 +g25268 +S'Marie Denis Larabit' +p114715 +sg25270 +S'Honor\xc3\xa9 Daumier' +p114716 +sg25273 +S'lithograph' +p114717 +sg25275 +S'1849' +p114718 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a0009432.jpg' +p114719 +sg25267 +g27 +sa(dp114720 +g25268 +S'Ch. Ferdinand Gambon' +p114721 +sg25270 +S'Honor\xc3\xa9 Daumier' +p114722 +sg25273 +S'lithograph' +p114723 +sg25275 +S'1849' +p114724 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a0009437.jpg' +p114725 +sg25267 +g27 +sa(dp114726 +g25273 +S'etching' +p114727 +sg25267 +g27 +sg25275 +S'unknown date\n' +p114728 +sg25268 +S'Reading Room' +p114729 +sg25270 +S'Stanley Anderson' +p114730 +sa(dp114731 +g25268 +S'Emmanuel Arago' +p114732 +sg25270 +S'Honor\xc3\xa9 Daumier' +p114733 +sg25273 +S'lithograph' +p114734 +sg25275 +S'1848' +p114735 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a000943a.jpg' +p114736 +sg25267 +g27 +sa(dp114737 +g25268 +S'Comte de Montalembert' +p114738 +sg25270 +S'Honor\xc3\xa9 Daumier' +p114739 +sg25273 +S'lithograph' +p114740 +sg25275 +S'1849' +p114741 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a0009436.jpg' +p114742 +sg25267 +g27 +sa(dp114743 +g25268 +S'Alex. Ch. Henri de Tocqueville' +p114744 +sg25270 +S'Honor\xc3\xa9 Daumier' +p114745 +sg25273 +S'lithograph' +p114746 +sg25275 +S'1849' +p114747 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a0009435.jpg' +p114748 +sg25267 +g27 +sa(dp114749 +g25268 +S'Charles Dupin' +p114750 +sg25270 +S'Honor\xc3\xa9 Daumier' +p114751 +sg25273 +S'lithograph' +p114752 +sg25275 +S'1849' +p114753 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a0009434.jpg' +p114754 +sg25267 +g27 +sa(dp114755 +g25268 +S'Arm. Jacques Lherbette' +p114756 +sg25270 +S'Honor\xc3\xa9 Daumier' +p114757 +sg25273 +S'lithograph' +p114758 +sg25275 +S'1849' +p114759 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a0009438.jpg' +p114760 +sg25267 +g27 +sa(dp114761 +g25268 +S'Un Lutteur malheureux' +p114762 +sg25270 +S'Honor\xc3\xa9 Daumier' +p114763 +sg25273 +S'lithograph' +p114764 +sg25275 +S'1851' +p114765 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a000947e.jpg' +p114766 +sg25267 +g27 +sa(dp114767 +g25268 +S"Un Jeune homme qui est l'espoir... de la famille Badinguet" +p114768 +sg25270 +S'Honor\xc3\xa9 Daumier' +p114769 +sg25273 +S'lithograph' +p114770 +sg25275 +S'1846' +p114771 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00093/a000938e.jpg' +p114772 +sg25267 +g27 +sa(dp114773 +g25268 +S'Deux bons voisins' +p114774 +sg25270 +S'Honor\xc3\xa9 Daumier' +p114775 +sg25273 +S'lithograph' +p114776 +sg25275 +S'1847' +p114777 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00093/a00093e6.jpg' +p114778 +sg25267 +g27 +sa(dp114779 +g25268 +S'Parisien transportant dans un autre quartier...' +p114780 +sg25270 +S'Honor\xc3\xa9 Daumier' +p114781 +sg25273 +S'lithograph' +p114782 +sg25275 +S'1847' +p114783 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00093/a00093d3.jpg' +p114784 +sg25267 +g27 +sa(dp114785 +g25273 +S'etching' +p114786 +sg25267 +g27 +sg25275 +S'probably 1940' +p114787 +sg25268 +S'Cider Mill' +p114788 +sg25270 +S'Kerr Eby' +p114789 +sa(dp114790 +g25268 +S'Giovanni Emo' +p114791 +sg25270 +S'Giovanni Bellini' +p114792 +sg25273 +S', c. 1475/1480' +p114793 +sg25275 +S'\n' +p114794 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a000075d.jpg' +p114795 +sg25267 +g27 +sa(dp114796 +g25268 +S'Christ before Pilate' +p114797 +sg25270 +S'Giovanni Antonio da Brescia' +p114798 +sg25273 +S'engraving' +p114799 +sg25275 +S'c. 1500/1505' +p114800 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c829.jpg' +p114801 +sg25267 +g27 +sa(dp114802 +g25268 +S'Chicken Vendor' +p114803 +sg25270 +S'George Overbury (Pop) Hart' +p114804 +sg25273 +S'etching and drypoint' +p114805 +sg25275 +S'unknown date\n' +p114806 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00104/a00104d1.jpg' +p114807 +sg25267 +g27 +sa(dp114808 +g25268 +S'Going to the Sacrifice' +p114809 +sg25270 +S'George Overbury (Pop) Hart' +p114810 +sg25273 +S'color etching' +p114811 +sg25275 +S'unknown date\n' +p114812 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00104/a00104d0.jpg' +p114813 +sg25267 +g27 +sa(dp114814 +g25268 +S'Coytesville on the Hudson' +p114815 +sg25270 +S'George Overbury (Pop) Hart' +p114816 +sg25273 +S'color etching' +p114817 +sg25275 +S'unknown date\n' +p114818 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000ab0.jpg' +p114819 +sg25267 +g27 +sa(dp114820 +g25268 +S'Picnic Party' +p114821 +sg25270 +S'George Overbury (Pop) Hart' +p114822 +sg25273 +S'color etching' +p114823 +sg25275 +S'unknown date\n' +p114824 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00104/a00104da.jpg' +p114825 +sg25267 +g27 +sa(dp114826 +g25268 +S'The Brook' +p114827 +sg25270 +S'George Overbury (Pop) Hart' +p114828 +sg25273 +S'color etching (and monotype?)' +p114829 +sg25275 +S'unknown date\n' +p114830 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00104/a00104d9.jpg' +p114831 +sg25267 +g27 +sa(dp114832 +g25268 +S'Native Baptism, Trinidad' +p114833 +sg25270 +S'George Overbury (Pop) Hart' +p114834 +sg25273 +S'etching in green' +p114835 +sg25275 +S'unknown date\n' +p114836 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00104/a00104ce.jpg' +p114837 +sg25267 +g27 +sa(dp114838 +g25268 +S'Camp Fire' +p114839 +sg25270 +S'George Overbury (Pop) Hart' +p114840 +sg25273 +S'etching in green' +p114841 +sg25275 +S'unknown date\n' +p114842 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000f5/a000f56b.jpg' +p114843 +sg25267 +g27 +sa(dp114844 +g25268 +S'Dias de Fiesta (No.2)' +p114845 +sg25270 +S'George Overbury (Pop) Hart' +p114846 +sg25273 +S'etching and aquatint' +p114847 +sg25275 +S'unknown date\n' +p114848 +sg25314 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Higgins' +p114872 +sa(dp114873 +g25268 +S'American Landscape' +p114874 +sg25270 +S'Edward Hopper' +p114875 +sg25273 +S'etching in black on wove paper' +p114876 +sg25275 +S'1920' +p114877 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005b/a0005b38.jpg' +p114878 +sg25267 +g27 +sa(dp114879 +g25268 +S'East Side Interior' +p114880 +sg25270 +S'Edward Hopper' +p114881 +sg25273 +S'etching' +p114882 +sg25275 +S'1922' +p114883 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000ac7.jpg' +p114884 +sg25267 +g27 +sa(dp114885 +g25268 +S'The Cat Boat' +p114886 +sg25270 +S'Edward Hopper' +p114887 +sg25273 +S'etching' +p114888 +sg25275 +S'1922' +p114889 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005b/a0005b39.jpg' +p114890 +sg25267 +g27 +sa(dp114891 +g25268 +S"Landscape with View of a Farmer's Cottage" +p114892 +sg25270 +S'Hans Sebald Lautensack' +p114893 +sg25273 +S'etching' +p114894 +sg25275 +S'1551' +p114895 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ac/a000acc8.jpg' +p114896 +sg25267 +g27 +sa(dp114897 +g25268 +S'Saint Catherine' +p114898 +sg25270 +S'Master MZ' +p114899 +sg25273 +S'engraving' +p114900 +sg25275 +S'c. 1500' +p114901 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a3/a000a3b1.jpg' +p114902 +sg25267 +g27 +sa(dp114903 +g25268 +S'The Mass of Saint Gregory' +p114904 +sg25270 +S'Israhel van Meckenem' +p114905 +sg25273 +S'engraving' +p114906 +sg25275 +S'c. 1480/1485' +p114907 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a3/a000a3f4.jpg' +p114908 +sg25267 +g27 +sa(dp114909 +g25268 +S'La morgue, Paris (The Mortuary)' +p114910 +sg25270 +S'Charles Meryon' +p114911 +sg25273 +S'etching and engraving on laid paper' +p114912 +sg25275 +S'1854' +p114913 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f61.jpg' +p114914 +sg25267 +g27 +sa(dp114915 +g25268 +S'La galerie Notre-Dame, Paris (The Gallery of Notre Dame, Paris)' +p114916 +sg25270 +S'Charles Meryon' +p114917 +sg25273 +S'etching on green paper' +p114918 +sg25275 +S'1853' +p114919 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d15.jpg' +p114920 +sg25267 +g27 +sa(dp114921 +g25268 +S'Le Petit Pont, Paris' +p114922 +sg25270 +S'Charles Meryon' +p114923 +sg25273 +S'etching and drypoint on gray-green paper' +p114924 +sg25275 +S'1850' +p114925 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d0c.jpg' +p114926 +sg25267 +g27 +sa(dp114927 +g25268 +S'Page from Livius Historiabum Libri' +p114928 +sg25270 +S'Zoan Andrea' +p114929 +sg25273 +S', 1520' +p114930 +sg25275 +S'\n' +p114931 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c708.jpg' +p114932 +sg25267 +g27 +sa(dp114933 +g25268 +S'Sleeping Puppy' +p114934 +sg25270 +S'Rembrandt van Rijn' +p114935 +sg25273 +S'etching and drypoint' +p114936 +sg25275 +S'c. 1640' +p114937 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d3/a000d320.jpg' +p114938 +sg25267 +g27 +sa(dp114939 +g25273 +S'overall: 20.2 x 15.3 cm (7 15/16 x 6 in.)' +p114940 +sg25267 +g27 +sg25275 +S'\nminiature on vellum' +p114941 +sg25268 +S'The Crucifixion' 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with His Right Arm Extended' +p115152 +sg25270 +S'Jacques Callot' +p115153 +sg25273 +S'etching' +p115154 +sg25275 +S'c. 1617' +p115155 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00084/a000847c.jpg' +p115156 +sg25267 +g27 +sa(dp115157 +g25268 +S'Two Women in Profile' +p115158 +sg25270 +S'Jacques Callot' +p115159 +sg25273 +S'etching' +p115160 +sg25275 +S'c. 1617' +p115161 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a0008341.jpg' +p115162 +sg25267 +g27 +sa(dp115163 +g25268 +S'Lady in a Large Coat' +p115164 +sg25270 +S'Jacques Callot' +p115165 +sg25273 +S'etching' +p115166 +sg25275 +S'c. 1622' +p115167 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00086/a0008619.jpg' +p115168 +sg25267 +g27 +sa(dp115169 +g25268 +S'Lady in a Large Coat' +p115170 +sg25270 +S'Jacques Callot' +p115171 +sg25273 +S'etching' +p115172 +sg25275 +S'c. 1617' +p115173 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00084/a0008497.jpg' +p115174 +sg25267 +g27 +sa(dp115175 +g25268 +S'Gentleman in Large Mantle, Front View' 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Novella, Florence' +p115673 +sg25270 +S'Jacques Callot' +p115674 +sg25273 +S'etching' +p115675 +sg25275 +S'c. 1622' +p115676 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00085/a00085f4.jpg' +p115677 +sg25267 +g27 +sa(dp115678 +g25268 +S'Piazza Presso alla Porta al Prato' +p115679 +sg25270 +S'Jacques Callot' +p115680 +sg25273 +S'etching' +p115681 +sg25275 +S'c. 1622' +p115682 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00085/a00085f1.jpg' +p115683 +sg25267 +g27 +sa(dp115684 +g25268 +S'Piazza Santa Croce, Florence' +p115685 +sg25270 +S'Jacques Callot' +p115686 +sg25273 +S'etching' +p115687 +sg25275 +S'c. 1622' +p115688 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00085/a00085f2.jpg' +p115689 +sg25267 +g27 +sa(dp115690 +g25268 +S'The Catafalque of the Emperor Mathias' +p115691 +sg25270 +S'Jacques Callot' +p115692 +sg25273 +S'etching and engraving' +p115693 +sg25275 +S'1619' +p115694 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008a/a0008abb.jpg' +p115695 +sg25267 +g27 +sa(dp115696 +g25268 +S'The Annunciation' +p115697 +sg25270 +S'German 15th Century' +p115698 +sg25273 +S'image: 27.1 x 19.3 cm (10 11/16 x 7 5/8 in.)\r\nsheet: 31.5 x 22.7 cm (12 3/8 x 8 15/16 in.)\r\noverall: 59.7 x 44.5 cm (23 1/2 x 17 1/2 in.)' +p115699 +sg25275 +S'\nwoodcut, hand-colored in red lake, green, yellow, tan, olive, and pink' +p115700 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00056/a000561c.jpg' +p115701 +sg25267 +g27 +sa(dp115702 +g25268 +S'The Catafalque of the Emperor Mathias' +p115703 +sg25270 +S'Jacques Callot' +p115704 +sg25273 +S'etching and engraving' +p115705 +sg25275 +S'1619' +p115706 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008a/a0008abc.jpg' +p115707 +sg25267 +g27 +sa(dp115708 +g25268 +S'The Nativity' +p115709 +sg25270 +S'French 15th Century' +p115710 +sg25273 +S'Schreiber, no. 63, State a' +p115711 +sg25275 +S'\nwoodcut, hand-colored in red, brown, slate blue, ochre, and blue' +p115712 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00082/a00082f4.jpg' +p115713 +sg25267 +g27 +sa(dp115714 +g25268 +S'The Cavalry Combat with Swords' +p115715 +sg25270 +S'Jacques Callot' +p115716 +sg25273 +S'etching' +p115717 +sg25275 +S'c. 1632/1634' +p115718 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00088/a00088aa.jpg' +p115719 +sg25267 +g27 +sa(dp115720 +g25268 +S'The Cavalry Combat with Pistols' +p115721 +sg25270 +S'Jacques Callot' +p115722 +sg25273 +S'etching' +p115723 +sg25275 +S'c. 1632/1634' +p115724 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00088/a00088ab.jpg' +p115725 +sg25267 +g27 +sa(dp115726 +g25268 +S'Two Society Women' +p115727 +sg25270 +S'Jacques Callot' +p115728 +sg25273 +S'etching' +p115729 +sg25275 +S'c. 1623' +p115730 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00085/a00085b7.jpg' +p115731 +sg25267 +g27 +sa(dp115732 +g25268 +S'Two Zanni' +p115733 +sg25270 +S'Jacques Callot' +p115734 +sg25273 +S'etching' +p115735 +sg25275 +S'c. 1616' +p115736 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00084/a0008405.jpg' +p115737 +sg25267 +g27 +sa(dp115738 +g25268 +S'The Winder and the Spinner' +p115739 +sg25270 +S'Jacques Callot' +p115740 +sg25273 +S'etching' +p115741 +sg25275 +S'c. 1623' +p115742 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00085/a00085b8.jpg' +p115743 +sg25267 +g27 +sa(dp115744 +g25268 +S'The Young Jesus' +p115745 +sg25270 +S'Jacques Callot' +p115746 +sg25273 +S'etching' +p115747 +sg25275 +S'unknown date\n' +p115748 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00085/a000851c.jpg' +p115749 +sg25267 +g27 +sa(dp115750 +g25268 +S'The Young Jesus' +p115751 +sg25270 +S'Jacques Callot' +p115752 +sg25273 +S'etching' +p115753 +sg25275 +S'unknown date\n' +p115754 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00085/a000851d.jpg' +p115755 +sg25267 +g27 +sa(dp115756 +g25268 +S'Title Page for "The Fantasies"' +p115757 +sg25270 +S'Jacques Callot' +p115758 +sg25273 +S'etching' +p115759 +sg25275 +S'probably 1634' +p115760 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00087/a00087fd.jpg' +p115761 +sg25267 +g27 +sa(dp115762 +g25268 +S'The Adoration of the Magi' +p115763 +sg25270 +S'German 15th Century' +p115764 +sg25273 +S'Schreiber, no. 103' +p115765 +sg25275 +S'\nwoodcut' +p115766 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c69c.jpg' +p115767 +sg25267 +g27 +sa(dp115768 +g25268 +S'Lady with Dress Gathered Up, and Two Gentlemen' +p115769 +sg25270 +S'Jacques Callot' +p115770 +sg25273 +S'etching' +p115771 +sg25275 +S'probably 1634' +p115772 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00087/a00087fe.jpg' +p115773 +sg25267 +g27 +sa(dp115774 +g25268 +S'Lady with Plumed Hat, and Two Gentlemen' +p115775 +sg25270 +S'Jacques Callot' +p115776 +sg25273 +S'etching' +p115777 +sg25275 +S'probably 1634' +p115778 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00088/a0008803.jpg' +p115779 +sg25267 +g27 +sa(dp115780 +g25268 +S'Lady with String Instrument, and Two Gentlemen' +p115781 +sg25270 +S'Jacques Callot' +p115782 +sg25273 +S'etching' +p115783 +sg25275 +S'probably 1634' +p115784 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00088/a0008804.jpg' +p115785 +sg25267 +g27 +sa(dp115786 +g25268 +S'Lady with Outstretched Arm, and Two Gentlemen' +p115787 +sg25270 +S'Jacques Callot' +p115788 +sg25273 +S'etching' +p115789 +sg25275 +S'probably 1634' +p115790 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00087/a00087fb.jpg' +p115791 +sg25267 +g27 +sa(dp115792 +g25268 +S'Three Gentlemen' +p115793 +sg25270 +S'Jacques Callot' +p115794 +sg25273 +S'etching' +p115795 +sg25275 +S'probably 1634' +p115796 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00087/a00087fc.jpg' +p115797 +sg25267 +g27 +sa(dp115798 +g25268 +S'Lady with Large Plumes, and Two Gentlemen' +p115799 +sg25270 +S'Jacques Callot' +p115800 +sg25273 +S'etching' +p115801 +sg25275 +S'probably 1634' +p115802 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00088/a0008801.jpg' +p115803 +sg25267 +g27 +sa(dp115804 +g25268 +S'Lady Seen from Behind, and Two Gentlemen' +p115805 +sg25270 +S'Jacques Callot' +p115806 +sg25273 +S'etching' +p115807 +sg25275 +S'probably 1634' +p115808 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00088/a0008802.jpg' +p115809 +sg25267 +g27 +sa(dp115810 +g25268 +S'Lady with Outstretched Arm, Seen from Behind, and Two Gentlemen' +p115811 +sg25270 +S'Jacques Callot' +p115812 +sg25273 +S'etching' +p115813 +sg25275 +S'probably 1634' +p115814 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00087/a00087ff.jpg' +p115815 +sg25267 +g27 +sa(dp115816 +g25268 +S'Lady with Arms Folded, and Two Gentlemen' +p115817 +sg25270 +S'Jacques Callot' +p115818 +sg25273 +S'etching' +p115819 +sg25275 +S'probably 1634' +p115820 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00088/a0008800.jpg' +p115821 +sg25267 +g27 +sa(dp115822 +g25268 +S'Lady with Wine Bottle, and Two Gentlemen' +p115823 +sg25270 +S'Jacques Callot' +p115824 +sg25273 +S'etching' +p115825 +sg25275 +S'probably 1634' +p115826 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00088/a0008807.jpg' +p115827 +sg25267 +g27 +sa(dp115828 +g25268 +S'The Adoration of the Magi' +p115829 +sg25270 +S'German 15th Century' +p115830 +sg25273 +S'Schreiber, no. 108, State d' +p115831 +sg25275 +S'\nwoodcut, hand-colored in orange, green, and rose' +p115832 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a501.jpg' +p115833 +sg25267 +g27 +sa(dp115834 +g25268 +S'Lady in Long Cloak, and Two Gentlemen' +p115835 +sg25270 +S'Jacques Callot' +p115836 +sg25273 +S'etching' +p115837 +sg25275 +S'probably 1634' +p115838 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00088/a0008808.jpg' +p115839 +sg25267 +g27 +sa(dp115840 +g25268 +S'Lady with Plumes, and Two Gentlemen' +p115841 +sg25270 +S'Jacques Callot' +p115842 +sg25273 +S'etching' +p115843 +sg25275 +S'probably 1634' +p115844 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00088/a0008805.jpg' +p115845 +sg25267 +g27 +sa(dp115846 +g25268 +S'Three Women, One Holding a Child' +p115847 +sg25270 +S'Jacques Callot' +p115848 +sg25273 +S'etching' +p115849 +sg25275 +S'probably 1634' +p115850 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00088/a0008806.jpg' +p115851 +sg25267 +g27 +sa(dp115852 +g25268 +S'La belle jardiniere' +p115853 +sg25270 +S'Jacques Callot' +p115854 +sg25273 +S'etching' +p115855 +sg25275 +S'1619' +p115856 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00085/a000852f.jpg' +p115857 +sg25267 +g27 +sa(dp115858 +g25268 +S'Frontispiece for "Varie Figure"' +p115859 +sg25270 +S'Jacques Callot' +p115860 +sg25273 +S'etching' +p115861 +sg25275 +S'c. 1621' +p115862 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00085/a0008584.jpg' +p115863 +sg25267 +g27 +sa(dp115864 +g25268 +S'Peasant Woman with Basket, in Profile, Facing Left' +p115865 +sg25270 +S'Jacques Callot' +p115866 +sg25273 +S'etching' +p115867 +sg25275 +S'1617 and 1621' +p115868 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a00083ac.jpg' +p115869 +sg25267 +g27 +sa(dp115870 +g25268 +S'Officer, Front View' +p115871 +sg25270 +S'Jacques Callot' +p115872 +sg25273 +S'etching' +p115873 +sg25275 +S'1617 and 1621' +p115874 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00084/a000843a.jpg' +p115875 +sg25267 +g27 +sa(dp115876 +g25268 +S'Peasant Woman, in Profile, Facing Left' +p115877 +sg25270 +S'Jacques Callot' +p115878 +sg25273 +S'etching' +p115879 +sg25275 +S'1617 and 1621' +p115880 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a0008396.jpg' +p115881 +sg25267 +g27 +sa(dp115882 +g25268 +S'Man in Cloak, Seen from Behind' +p115883 +sg25270 +S'Jacques Callot' +p115884 +sg25273 +S'etching' +p115885 +sg25275 +S'1617 and 1621' +p115886 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00084/a0008477.jpg' +p115887 +sg25267 +g27 +sa(dp115888 +g25268 +S'Peasant Woman with Basket, in Profile, Facing Right' +p115889 +sg25270 +S'Jacques Callot' +p115890 +sg25273 +S'etching' +p115891 +sg25275 +S'1617 and 1621' +p115892 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a000836a.jpg' +p115893 +sg25267 +g27 +sa(dp115894 +g25268 +S'The Transfiguration' +p115895 +sg25270 +S'German 15th Century' +p115896 +sg25273 +S'Schreiber, no. 140' +p115897 +sg25275 +S'\nwoodcut in warm black ink, hand-colored in red lake, blue, yellow, rose, orange, and silver' +p115898 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a5e4.jpg' +p115899 +sg25267 +g27 +sa(dp115900 +g25268 +S'Officer, with Arm Extended, Front View' +p115901 +sg25270 +S'Jacques Callot' +p115902 +sg25273 +S'etching' +p115903 +sg25275 +S'1617 and 1621' +p115904 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00084/a0008444.jpg' +p115905 +sg25267 +g27 +sa(dp115906 +g25268 +S'Two Turks' +p115907 +sg25270 +S'Jacques Callot' +p115908 +sg25273 +S'etching' +p115909 +sg25275 +S'1617 and 1621' +p115910 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00084/a0008409.jpg' +p115911 +sg25267 +g27 +sa(dp115912 +g25268 +S'Peasant Woman, in Profile, Facing Right, with Arm Extended' +p115913 +sg25270 +S'Jacques Callot' +p115914 +sg25273 +S'etching' +p115915 +sg25275 +S'1617 and 1621' +p115916 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a00083a1.jpg' +p115917 +sg25267 +g27 +sa(dp115918 +g25268 +S'Peasant Woman with Basket, Seen from Behind' +p115919 +sg25270 +S'Jacques Callot' +p115920 +sg25273 +S'etching' +p115921 +sg25275 +S'1617 and 1621' +p115922 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a0008375.jpg' +p115923 +sg25267 +g27 +sa(dp115924 +g25268 +S'Peasant Woman with Basket on Head, Front View' +p115925 +sg25270 +S'Jacques Callot' +p115926 +sg25273 +S'etching' +p115927 +sg25275 +S'1617 and 1621' +p115928 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a00083b7.jpg' +p115929 +sg25267 +g27 +sa(dp115930 +g25268 +S'Officer with Large Plume, Front View' +p115931 +sg25270 +S'Jacques Callot' +p115932 +sg25273 +S'etching' +p115933 +sg25275 +S'1617 and 1621' +p115934 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00084/a000846a.jpg' +p115935 +sg25267 +g27 +sa(dp115936 +g25268 +S'Officer with Plume, Seen from Behind' +p115937 +sg25270 +S'Jacques Callot' +p115938 +sg25273 +S'etching' +p115939 +sg25275 +S'1617 and 1621' +p115940 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00084/a0008413.jpg' +p115941 +sg25267 +g27 +sa(dp115942 +g25268 +S'Peasant Couple at Rest' +p115943 +sg25270 +S'Jacques Callot' +p115944 +sg25273 +S'etching' +p115945 +sg25275 +S'c. 1621' +p115946 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00085/a0008583.jpg' +p115947 +sg25267 +g27 +sa(dp115948 +g25268 +S'Peasant Couple with Cow' +p115949 +sg25270 +S'Jacques Callot' +p115950 +sg25273 +S'etching' +p115951 +sg25275 +S'c. 1621' +p115952 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00085/a0008582.jpg' +p115953 +sg25267 +g27 +sa(dp115954 +g25268 +S'Two Turks Dressed in Turbans with a Plume' +p115955 +sg25270 +S'Jacques Callot' +p115956 +sg25273 +S'etching' +p115957 +sg25275 +S'unknown date\n' +p115958 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a00083f5.jpg' +p115959 +sg25267 +g27 +sa(dp115960 +g25268 +S'Christ and the Woman of Samaria' +p115961 +sg25270 +S'German 15th Century' +p115962 +sg25273 +S'Schreiber, no. 141, State b' +p115963 +sg25275 +S'\nwoodcut, hand-colored in red lake, green, tan, blue, and yellow' +p115964 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a594.jpg' +p115965 +sg25267 +g27 +sa(dp115966 +g25268 +S'Officer with Feathers in Cap, Seen from Behind' +p115967 +sg25270 +S'Jacques Callot' +p115968 +sg25273 +S'etching' +p115969 +sg25275 +S'1617 and 1621' +p115970 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00084/a000841d.jpg' +p115971 +sg25267 +g27 +sa(dp115972 +g25268 +S'Frontispiece for "Gloriosissimae"' +p115973 +sg25270 +S'Jacques Callot' +p115974 +sg25273 +S'etching' +p115975 +sg25275 +S'unknown date\n' +p115976 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00085/a00085c3.jpg' +p115977 +sg25267 +g27 +sa(dp115978 +g25268 +S'Frontispiece for the Miracles and Graces of Our Lady of "Bon-Secours-les-Nancy"' +p115979 +sg25270 +S'Jacques Callot' +p115980 +sg25273 +S'etching' +p115981 +sg25275 +S'unknown date\n' +p115982 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00086/a00086f0.jpg' +p115983 +sg25267 +g27 +sa(dp115984 +g25268 +S'Giovanni Domenico Peri' +p115985 +sg25270 +S'Jacques Callot' +p115986 +sg25273 +S'etching' +p115987 +sg25275 +S'1619' +p115988 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00085/a000852c.jpg' +p115989 +sg25267 +g27 +sa(dp115990 +g25268 +S'Frontispiece for "Varie Figure Gobbi"' +p115991 +sg25270 +S'Jacques Callot' +p115992 +sg25273 +S'etching and engraving//one of four prints on uncut sheet of Lorrainese paper (1949.5.253.a-d)' +p115993 +sg25275 +S'c. 1622' +p115994 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00085/a000859a.jpg' +p115995 +sg25267 +g27 +sa(dp115996 +g25268 +S'The Lute Player' +p115997 +sg25270 +S'Jacques Callot' +p115998 +sg25273 +S'etching and engraving//one of four prints on uncut sheet of Lorrainese paper (1949.5.253.a-d)' +p115999 +sg25275 +S'c. 1622' +p116000 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00085/a000859b.jpg' +p116001 +sg25267 +g27 +sa(dp116002 +g25268 +S'The Drinker, Front View' +p116003 +sg25270 +S'Jacques Callot' +p116004 +sg25273 +S'etching and engraving//one of four prints on uncut sheet of Lorrainese paper (1949.5.253.a-d)' +p116005 +sg25275 +S'c. 1622' +p116006 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00085/a000859c.jpg' +p116007 +sg25267 +g27 +sa(dp116008 +g25268 +S'The Flageolet Player' +p116009 +sg25270 +S'Jacques Callot' +p116010 +sg25273 +S'etching and engraving//one of four prints on uncut sheet of Lorrainese paper (1949.5.253.a-d)' +p116011 +sg25275 +S'c. 1622' +p116012 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00085/a000859d.jpg' +p116013 +sg25267 +g27 +sa(dp116014 +g25268 +S'Duellist with Two Sabers' +p116015 +sg25270 +S'Jacques Callot' +p116016 +sg25273 +S'etching and engraving//one of three prints on uncut sheet of Lorrainese paper (1949.5.254.a-c)' +p116017 +sg25275 +S'c. 1622' +p116018 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00085/a0008592.jpg' +p116019 +sg25267 +g27 +sa(dp116020 +g25268 +S'Duellist with Sword and Dagger' +p116021 +sg25270 +S'Jacques Callot' +p116022 +sg25273 +S'etching and engraving//one of three prints on uncut sheet of Lorrainese paper (1949.5.254.a-c)' +p116023 +sg25275 +S'c. 1622' +p116024 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00085/a0008593.jpg' +p116025 +sg25267 +g27 +sa(dp116026 +g25268 +S'The Virgin Annunciate' +p116027 +sg25270 +S'Masolino da Panicale' +p116028 +sg25273 +S'tempera (?) on panel' +p116029 +sg25275 +S'c. 1430' +p116030 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a000085e.jpg' +p116031 +sg25267 +g27 +sa(dp116032 +g25268 +S'Christ and the Woman of Samaria' +p116033 +sg25270 +S'German 15th Century' +p116034 +sg25273 +S'Schreiber, Vol. *, no. 141, State c' +p116035 +sg25275 +S'\nwoodcut, hand-colored in red lake, yellow, green, blue, brown, and gray' +p116036 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a4fd.jpg' +p116037 +sg25267 +g27 +sa(dp116038 +g25268 +S'Cripple with Crutch and Wooden Leg' +p116039 +sg25270 +S'Jacques Callot' +p116040 +sg25273 +S'etching and engraving//one of three prints on uncut sheet of Lorrainese paper (1949.5.254.a-c)' +p116041 +sg25275 +S'c. 1622' +p116042 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00085/a0008594.jpg' +p116043 +sg25267 +g27 +sa(dp116044 +g25268 +S'The Masked Comedian Playing a Guitar' +p116045 +sg25270 +S'Jacques Callot' +p116046 +sg25273 +S'etching and engraving' +p116047 +sg25275 +S'c. 1622' +p116048 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00085/a00085a1.jpg' +p116049 +sg25267 +g27 +sa(dp116050 +g25268 +S'The Guitar Player' +p116051 +sg25270 +S'Jacques Callot' +p116052 +sg25273 +S'etching and engraving' +p116053 +sg25275 +S'c. 1622' +p116054 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00085/a00085b3.jpg' +p116055 +sg25267 +g27 +sa(dp116056 +g25268 +S'The Hurdy-Gurdy Player' +p116057 +sg25270 +S'Jacques Callot' +p116058 +sg25273 +S'etching and engraving//one of three prints on uncut sheet of Lorrainese paper (1949.5.257.a-c)' +p116059 +sg25275 +S'c. 1622' +p116060 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00085/a000859e.jpg' +p116061 +sg25267 +g27 +sa(dp116062 +g25268 +S'The Bagpipe Player' +p116063 +sg25270 +S'Jacques Callot' +p116064 +sg25273 +S'etching and engraving//one of three prints on uncut sheet of Lorrainese paper (1949.5.257.a-c)' +p116065 +sg25275 +S'c. 1622' +p116066 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00085/a000859f.jpg' +p116067 +sg25267 +g27 +sa(dp116068 +g25268 +S'Man with Big Belly' +p116069 +sg25270 +S'Jacques Callot' +p116070 +sg25273 +S'etching and engraving//one of three prints on uncut sheet of Lorrainese paper (1949.5.257.a-c)' +p116071 +sg25275 +S'c. 1622' +p116072 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00085/a00085a0.jpg' +p116073 +sg25267 +g27 +sa(dp116074 +g25268 +S'The Hooded Cripple' +p116075 +sg25270 +S'Jacques Callot' +p116076 +sg25273 +S'etching and engraving' +p116077 +sg25275 +S'c. 1622' +p116078 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00085/a0008595.jpg' +p116079 +sg25267 +g27 +sa(dp116080 +g25268 +S'The Hunchback with a Cane' +p116081 +sg25270 +S'Jacques Callot' +p116082 +sg25273 +S'etching and engraving//one of four prints on uncut sheet of Lorrainese paper (1949.5.259.a-d)' +p116083 +sg25275 +S'c. 1622' +p116084 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00085/a0008596.jpg' +p116085 +sg25267 +g27 +sa(dp116086 +g25268 +S'The Drinker, Back View' +p116087 +sg25270 +S'Jacques Callot' +p116088 +sg25273 +S'etching and engraving//one of four prints on uncut sheet of Lorrainese paper (1949.5.259.a-d)' +p116089 +sg25275 +S'c. 1622' +p116090 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00085/a0008597.jpg' +p116091 +sg25267 +g27 +sa(dp116092 +g25268 +S'The Hunchback with the Feathered Cap' +p116093 +sg25270 +S'Jacques Callot' +p116094 +sg25273 +S'etching and engraving//one of four prints on uncut sheet of Lorrainese paper (1949.5.259.a-d)' +p116095 +sg25275 +S'c. 1622' +p116096 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00085/a0008598.jpg' +p116097 +sg25267 +g27 +sa(dp116098 +g25268 +S'The Stoning of Christ' +p116099 +sg25270 +S'German 15th Century' +p116100 +sg25273 +S'Schreiber, no. 143, State a' +p116101 +sg25275 +S'\nwoodcut, hand-colored in red, green, yellow, blue-gray, and gold' +p116102 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a582.jpg' +p116103 +sg25267 +g27 +sa(dp116104 +g25268 +S'The Potbellied Man with the Tall Hat' +p116105 +sg25270 +S'Jacques Callot' +p116106 +sg25273 +S'etching and engraving//one of four prints on uncut sheet of Lorrainese paper (1949.5.259.a-d)' +p116107 +sg25275 +S'c. 1622' +p116108 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00085/a0008599.jpg' +p116109 +sg25267 +g27 +sa(dp116110 +g25268 +S'Man Scraping a Grill' +p116111 +sg25270 +S'Jacques Callot' +p116112 +sg25273 +S'etching and engraving//one of four prints on uncut sheet of Lorrainese paper (1949.5.260.a-d)' +p116113 +sg25275 +S'c. 1622' +p116114 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00085/a00085a2.jpg' +p116115 +sg25267 +g27 +sa(dp116116 +g25268 +S'The Violin Player' +p116117 +sg25270 +S'Jacques Callot' +p116118 +sg25273 +S'etching and engraving//one of four prints on uncut sheet of Lorrainese paper (1949.5.260.a-d)' +p116119 +sg25275 +S'c. 1622' +p116120 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00085/a00085a3.jpg' +p116121 +sg25267 +g27 +sa(dp116122 +g25268 +S'Man Preparing to Draw his Sword' +p116123 +sg25270 +S'Jacques Callot' +p116124 +sg25273 +S'etching and engraving//one of four prints on uncut sheet of Lorrainese paper (1949.5.260.a-d)' +p116125 +sg25275 +S'c. 1622' +p116126 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00085/a00085a4.jpg' +p116127 +sg25267 +g27 +sa(dp116128 +g25268 +S'Masked Man with Twisted Feet' +p116129 +sg25270 +S'Jacques Callot' +p116130 +sg25273 +S'etching and engraving//one of four prints on uncut sheet of Lorrainese paper (1949.5.260.a-d)' +p116131 +sg25275 +S'c. 1622' +p116132 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00085/a00085a5.jpg' +p116133 +sg25267 +g27 +sa(dp116134 +g25268 +S'The Steamboat, Venice' +p116135 +sg25270 +S'James McNeill Whistler' +p116136 +sg25273 +S'etching' +p116137 +sg25275 +S'1879/1880' +p116138 +sg25314 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+S'James McNeill Whistler' +p116184 +sg25273 +S'etching' +p116185 +sg25275 +S'c. 1884/1886' +p116186 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000aa/a000aa0f.jpg' +p116187 +sg25267 +g27 +sa(dp116188 +g25268 +S'Savoy Scaffolding' +p116189 +sg25270 +S'James McNeill Whistler' +p116190 +sg25273 +S'etching' +p116191 +sg25275 +S'c. 1887' +p116192 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000aa/a000aa2f.jpg' +p116193 +sg25267 +g27 +sa(dp116194 +g25268 +S'Furniture-Shop' +p116195 +sg25270 +S'James McNeill Whistler' +p116196 +sg25273 +S'etching and drypoint' +p116197 +sg25275 +S'c. 1887' +p116198 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000aa/a000aa2c.jpg' +p116199 +sg25267 +g27 +sa(dp116200 +g25268 +S'Shaving and Shampooing' +p116201 +sg25270 +S'James McNeill Whistler' +p116202 +sg25273 +S'etching' +p116203 +sg25275 +S'c. 1886/1888' +p116204 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000aa/a000aa2e.jpg' +p116205 +sg25267 +g27 +sa(dp116206 +g25268 +S"King's Road, Chelsea" +p116207 +sg25270 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into Jerusalem" +p116231 +sg25270 +S'German 15th Century' +p116232 +sg25273 +S'image: 27.6 x 21 cm (10 7/8 x 8 1/4 in.)\r\nsheet: 29.6 x 23 cm (11 5/8 x 9 1/16 in.)' +p116233 +sg25275 +S'\nwoodcut, hand-colored in rose, yellow, brown, green, and gray' +p116234 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a00055c2.jpg' +p116235 +sg25267 +g27 +sa(dp116236 +g25268 +S'The Condemnation to Death' +p116237 +sg25270 +S'Jacques Callot' +p116238 +sg25273 +S'etching and engraving' +p116239 +sg25275 +S'c. 1618' +p116240 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00085/a000850f.jpg' +p116241 +sg25267 +g27 +sa(dp116242 +g25268 +S'The Crowning with Thorns' +p116243 +sg25270 +S'Jacques Callot' +p116244 +sg25273 +S'etching and engraving' +p116245 +sg25275 +S'c. 1618' +p116246 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00085/a0008505.jpg' +p116247 +sg25267 +g27 +sa(dp116248 +g25268 +S'The Ecce Homo' +p116249 +sg25270 +S'Jacques Callot' +p116250 +sg25273 +S'etching and engraving' +p116251 +sg25275 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+g25268 +S'Coins [plate 10]' +p117023 +sg25270 +S'Jacques Callot' +p117024 +sg25273 +S'etching' +p117025 +sg25275 +S'unknown date\n' +p117026 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008a/a0008ae5.jpg' +p117027 +sg25267 +g27 +sa(dp117028 +g25268 +S'Mysteries of the Passion' +p117029 +sg25270 +S'Jacques Callot' +p117030 +sg25273 +S'etching' +p117031 +sg25275 +S'c. 1631' +p117032 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00087/a000873a.jpg' +p117033 +sg25267 +g27 +sa(dp117034 +g25268 +S'Mysteries of the Passion' +p117035 +sg25270 +S'Jacques Callot' +p117036 +sg25273 +S'etching' +p117037 +sg25275 +S'c. 1631' +p117038 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00087/a0008738.jpg' +p117039 +sg25267 +g27 +sa(dp117040 +g25268 +S'Mysteries of the Passion' +p117041 +sg25270 +S'Jacques Callot' +p117042 +sg25273 +S'etching' +p117043 +sg25275 +S'c. 1631' +p117044 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00087/a0008739.jpg' +p117045 +sg25267 +g27 +sa(dp117046 +g25268 +S'Mysteries of the Passion' +p117047 +sg25270 +S'Jacques Callot' +p117048 +sg25273 +S'etching' +p117049 +sg25275 +S'c. 1631' +p117050 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00087/a000873d.jpg' +p117051 +sg25267 +g27 +sa(dp117052 +g25268 +S'Soldier with Feathered Hat' +p117053 +sg25270 +S'Jacques Callot' +p117054 +sg25273 +S'etching' +p117055 +sg25275 +S'c. 1620/1623' +p117056 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00086/a0008694.jpg' +p117057 +sg25267 +g27 +sa(dp117058 +g25268 +S'Noble Man with Felt Hat, Bowing' +p117059 +sg25270 +S'Jacques Callot' +p117060 +sg25273 +S'etching' +p117061 +sg25275 +S'c. 1620/1623' +p117062 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00086/a0008695.jpg' +p117063 +sg25267 +g27 +sa(dp117064 +g25268 +S'Noble Man with Mantle Trimmed in Fur, Holding his Hands Behind his Back' +p117065 +sg25270 +S'Jacques Callot' +p117066 +sg25273 +S'etching' +p117067 +sg25275 +S'c. 1620/1623' +p117068 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00086/a0008699.jpg' +p117069 +sg25267 +g27 +sa(dp117070 +g25268 +S'Christ Carrying the Cross' +p117071 +sg25270 +S'German 15th Century' +p117072 +sg25273 +S'Schreiber, no. 355, State a (=352)' +p117073 +sg25275 +S'\nwoodcut in brown, hand-colored in blue, orange, red, yellow, rose, and gold' +p117074 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a5e7.jpg' +p117075 +sg25267 +g27 +sa(dp117076 +g25268 +S'Noble Woman with Fan' +p117077 +sg25270 +S'Jacques Callot' +p117078 +sg25273 +S'etching' +p117079 +sg25275 +S'c. 1620/1623' +p117080 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00086/a000869a.jpg' +p117081 +sg25267 +g27 +sa(dp117082 +g25268 +S'Noble Man with Folded Hands' +p117083 +sg25270 +S'Jacques Callot' +p117084 +sg25273 +S'etching' +p117085 +sg25275 +S'c. 1620/1623' +p117086 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00086/a000869c.jpg' +p117087 +sg25267 +g27 +sa(dp117088 +g25268 +S'Noble Man with Fur Plastron' +p117089 +sg25270 +S'Jacques Callot' +p117090 +sg25273 +S'etching' +p117091 +sg25275 +S'c. 1620/1623' 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+S'etching' +p117115 +sg25275 +S'c. 1620/1623' +p117116 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00086/a000869d.jpg' +p117117 +sg25267 +g27 +sa(dp117118 +g25268 +S'Noble Man Srapped in a Mantle Trimmed with Fur' +p117119 +sg25270 +S'Jacques Callot' +p117120 +sg25273 +S'etching' +p117121 +sg25275 +S'c. 1620/1623' +p117122 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00086/a000869b.jpg' +p117123 +sg25267 +g27 +sa(dp117124 +g25268 +S'Noble Woman with a Small Hat' +p117125 +sg25270 +S'Jacques Callot' +p117126 +sg25273 +S'etching' +p117127 +sg25275 +S'c. 1620/1623' +p117128 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00086/a0008696.jpg' +p117129 +sg25267 +g27 +sa(dp117130 +g25268 +S'Frontispiece for Callot\'s "The Penitents"' +p117131 +sg25270 +S'Abraham Bosse' +p117132 +sg25273 +S'etching and engraving' +p117133 +sg25275 +S'unknown date\n' +p117134 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00087/a00087ea.jpg' +p117135 +sg25267 +g27 +sa(dp117136 +g25268 +S'Christ on the Cross' +p117137 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+S'http://www.nga.gov:80/thumb-l/a00086/a00086b8.jpg' +p117231 +sg25267 +g27 +sa(dp117232 +g25268 +S'Saint John Preaching in the Desert' +p117233 +sg25270 +S'Jacques Callot' +p117234 +sg25273 +S'etching' +p117235 +sg25275 +S'unknown date\n' +p117236 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00088/a000881e.jpg' +p117237 +sg25267 +g27 +sa(dp117238 +g25268 +S'Saint Amond' +p117239 +sg25270 +S'Jacques Callot' +p117240 +sg25273 +S'etching' +p117241 +sg25275 +S'1621' +p117242 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008a/a0008ad8.jpg' +p117243 +sg25267 +g27 +sa(dp117244 +g25273 +S'etching' +p117245 +sg25267 +g27 +sg25275 +S'unknown date\n' +p117246 +sg25268 +S'The Punishments' +p117247 +sg25270 +S'Jacques Callot' +p117248 +sa(dp117249 +g25268 +S'The Temptation of Saint Anthony [first version]' +p117250 +sg25270 +S'Jacques Callot' +p117251 +sg25273 +S'etching' +p117252 +sg25275 +S'c. 1617' +p117253 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00061/a0006168.jpg' +p117254 +sg25267 +g27 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+S'unknown date\n' +p117301 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00087/a000871d.jpg' +p117302 +sg25267 +g27 +sa(dp117303 +g25268 +S'Dawn' +p117304 +sg25270 +S'Jacques Callot' +p117305 +sg25273 +S'etching' +p117306 +sg25275 +S'unknown date\n' +p117307 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00087/a0008724.jpg' +p117308 +sg25267 +g27 +sa(dp117309 +g25268 +S'Eagle and Young' +p117310 +sg25270 +S'Jacques Callot' +p117311 +sg25273 +S'etching' +p117312 +sg25275 +S'unknown date\n' +p117313 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00087/a0008725.jpg' +p117314 +sg25267 +g27 +sa(dp117315 +g25268 +S'Bird of Paradise' +p117316 +sg25270 +S'Jacques Callot' +p117317 +sg25273 +S'etching' +p117318 +sg25275 +S'unknown date\n' +p117319 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00087/a0008722.jpg' +p117320 +sg25267 +g27 +sa(dp117321 +g25268 +S'Bunch of Grapes' +p117322 +sg25270 +S'Jacques Callot' +p117323 +sg25273 +S'etching' +p117324 +sg25275 +S'unknown date\n' +p117325 +sg25314 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+S'http://www.nga.gov:80/thumb-l/a00096/a0009609.jpg' +p117722 +sg25267 +g27 +sa(dp117723 +g25268 +S'Iphis' +p117724 +sg25270 +S'Artist Information (' +p117725 +sg25273 +S'(artist after)' +p117726 +sg25275 +S'\n' +p117727 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a000960a.jpg' +p117728 +sg25267 +g27 +sa(dp117729 +g25268 +S'Christ on the Cross' +p117730 +sg25270 +S'German 15th Century' +p117731 +sg25273 +S'Schreiber, Vol. *, no. 433, State m' +p117732 +sg25275 +S'\nwoodcut, hand-colored in blue, green, lavender, yellow, brown, red, and orange' +p117733 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a52c.jpg' +p117734 +sg25267 +g27 +sa(dp117735 +g25268 +S'Ah! Jeune homme \xc3\xa0 ton bienfaiteur' +p117736 +sg25270 +S'Artist Information (' +p117737 +sg25273 +S'(artist after)' +p117738 +sg25275 +S'\n' +p117739 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008fcd.jpg' +p117740 +sg25267 +g27 +sa(dp117741 +g25268 +S"Julie s'\xc3\xa9vanouit dans un fauteuil" +p117742 +sg25270 +S'Artist Information (' +p117743 +sg25273 +S'(artist after)' +p117744 +sg25275 +S'\n' +p117745 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008ff2.jpg' +p117746 +sg25267 +g27 +sa(dp117747 +g25268 +S"Elle s'\xc3\xa9lance apr\xc3\xa8s lui" +p117748 +sg25270 +S'Artist Information (' +p117749 +sg25273 +S'(artist after)' +p117750 +sg25275 +S'\n' +p117751 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008fe3.jpg' +p117752 +sg25267 +g27 +sa(dp117753 +g25268 +S'Il appliqua sur cette main un baiser que je sentis sur mon coeur' +p117754 +sg25270 +S'Artist Information (' +p117755 +sg25273 +S'(artist after)' +p117756 +sg25275 +S'\n' +p117757 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008fe0.jpg' +p117758 +sg25267 +g27 +sa(dp117759 +g25268 +S'Sans rien comprendre \xc3\xa0 ce mystere' +p117760 +sg25270 +S'Artist Information (' +p117761 +sg25273 +S'(artist after)' +p117762 +sg25275 +S'\n' +p117763 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008fcf.jpg' +p117764 +sg25267 +g27 +sa(dp117765 +g25268 +S'Frontispiece: Dictionnaire de musique' +p117766 +sg25270 +S'Jean-Michel Moreau the Younger' +p117767 +sg25273 +S', 1779' +p117768 +sg25275 +S'\n' +p117769 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a0009605.jpg' +p117770 +sg25267 +g27 +sa(dp117771 +g25268 +S'Pygmalion' +p117772 +sg25270 +S'Artist Information (' +p117773 +sg25273 +S'(artist after)' +p117774 +sg25275 +S'\n' +p117775 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a0009606.jpg' +p117776 +sg25267 +g27 +sa(dp117777 +g25268 +S"J'ai tort, mon cher Val\xc3\xa8re, et t'en demande excuse" +p117778 +sg25270 +S'Artist Information (' +p117779 +sg25273 +S'(artist after)' +p117780 +sg25275 +S'\n' +p117781 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a0009603.jpg' +p117782 +sg25267 +g27 +sa(dp117783 +g25268 +S'Saint-Preux sort de chez des femmes du monde' +p117784 +sg25270 +S'Artist Information (' +p117785 +sg25273 +S'(artist after)' +p117786 +sg25275 +S'\n' +p117787 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008fe4.jpg' +p117788 +sg25267 +g27 +sa(dp117789 +g25268 +S"L'inoculation de l'amour" +p117790 +sg25270 +S'Artist Information (' +p117791 +sg25273 +S'(artist after)' +p117792 +sg25275 +S'\n' +p117793 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008fdb.jpg' +p117794 +sg25267 +g27 +sa(dp117795 +g25268 +S'Christ on the Cross' +p117796 +sg25270 +S'French 15th Century' +p117797 +sg25273 +S'Schreiber, Vol. IX, no. 437, State a' +p117798 +sg25275 +S'\nwoodcut, hand-colored in red, light blue, and gray' +p117799 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00082/a00082fb.jpg' +p117800 +sg25267 +g27 +sa(dp117801 +g25268 +S'La Provocation' +p117802 +sg25270 +S'Artist Information (' +p117803 +sg25273 +S'(artist after)' +p117804 +sg25275 +S'\n' +p117805 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008fd1.jpg' +p117806 +sg25267 +g27 +sa(dp117807 +g25268 +S'Le Soufflet' +p117808 +sg25270 +S'Artist Information (' +p117809 +sg25273 +S'(artist after)' +p117810 +sg25275 +S'\n' +p117811 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008fd5.jpg' +p117812 +sg25267 +g27 +sa(dp117813 +g25268 +S'Mort de Julie' +p117814 +sg25270 +S'Artist Information (' +p117815 +sg25273 +S'(artist after)' +p117816 +sg25275 +S'\n' +p117817 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008fed.jpg' +p117818 +sg25267 +g27 +sa(dp117819 +g25268 +S'Saint Roch and Saint Sebastian' +p117820 +sg25270 +S'Hans Leonard Sch\xc3\xa4ufelein' +p117821 +sg25273 +S'woodcut' +p117822 +sg25275 +S'1510' +p117823 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ad/a000ad7b.jpg' +p117824 +sg25267 +g27 +sa(dp117825 +g25268 +S'James Nares' +p117826 +sg25270 +S'William Ward' +p117827 +sg25273 +S'stipple engraving' +p117828 +sg25275 +S'unknown date\n' +p117829 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00078/a000782c.jpg' +p117830 +sg25267 +g27 +sa(dp117831 +g25268 +S'Whistler' +p117832 +sg25270 +S'Sir Leslie Ward' +p117833 +sg25273 +S'watercolor and graphite on blue paper' +p117834 +sg25275 +S'unknown date\n' +p117835 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006cd3.jpg' +p117836 +sg25267 +g27 +sa(dp117837 +g25268 +S'En Plein Soleil' +p117838 +sg25270 +S'James McNeill Whistler' +p117839 +sg25273 +S'etching' +p117840 +sg25275 +S'1858' +p117841 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a9/a000a9be.jpg' +p117842 +sg25267 +g27 +sa(dp117843 +g25268 +S'Gretchen at Heidelberg' +p117844 +sg25270 +S'James McNeill Whistler' +p117845 +sg25273 +S'etching' +p117846 +sg25275 +S'1858' +p117847 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a9/a000a9d5.jpg' +p117848 +sg25267 +g27 +sa(dp117849 +g25268 +S'August Delatre' +p117850 +sg25270 +S'James McNeill Whistler' +p117851 +sg25273 +S'etching' +p117852 +sg25275 +S'1858' +p117853 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a9/a000a9c6.jpg' +p117854 +sg25267 +g27 +sa(dp117855 +g25268 +S'The Wine-Glass' +p117856 +sg25270 +S'James McNeill Whistler' +p117857 +sg25273 +S'etching in dark brown on oatmeal laid paper' +p117858 +sg25275 +S'1858' +p117859 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a9/a000a9c7.jpg' +p117860 +sg25267 +g27 +sa(dp117861 +g25268 +S'Christ on the Cross' +p117862 +sg25270 +S'German 15th Century' +p117863 +sg25273 +S'Schreiber, Vol. *, no. 438, State c (=438a)' +p117864 +sg25275 +S'\nwoodcut, hand-colored in orange, yellow, olive, blue, and gold' +p117865 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a588.jpg' +p117866 +sg25267 +g27 +sa(dp117867 +g25268 +S'Annie Seated' +p117868 +sg25270 +S'James McNeill Whistler' +p117869 +sg25273 +S'etching' +p117870 +sg25275 +S'1858' +p117871 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a9/a000a9c9.jpg' +p117872 +sg25267 +g27 +sa(dp117873 +g25268 +S'Seymour Standing under a Tree' +p117874 +sg25270 +S'James McNeill Whistler' +p117875 +sg25273 +S'etching and drypoint' +p117876 +sg25275 +S'1859' +p117877 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a9/a000a994.jpg' +p117878 +sg25267 +g27 +sa(dp117879 +g25268 +S'Greenwich Park' +p117880 +sg25270 +S'James McNeill Whistler' +p117881 +sg25273 +S'etching in black on "japon mince"' +p117882 +sg25275 +S'1859' +p117883 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a9/a000a99a.jpg' +p117884 +sg25267 +g27 +sa(dp117885 +g25268 +S'Billingsgate' +p117886 +sg25270 +S'James McNeill Whistler' +p117887 +sg25273 +S'etching' +p117888 +sg25275 +S'1859' +p117889 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a9/a000a9a5.jpg' +p117890 +sg25267 +g27 +sa(dp117891 +g25268 +S'Self-Portrait' +p117892 +sg25270 +S'James McNeill Whistler' +p117893 +sg25273 +S'drypoint' +p117894 +sg25275 +S'1859' +p117895 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000b/a0000bc0.jpg' +p117896 +sg25267 +g27 +sa(dp117897 +g25268 +S'Fumette, Standing' +p117898 +sg25270 +S'James McNeill Whistler' +p117899 +sg25273 +S'drypoint' +p117900 +sg25275 +S'1859' +p117901 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000aa/a000aac6.jpg' +p117902 +sg25267 +g27 +sa(dp117903 +g25268 +S"Fumette's Bent Head" +p117904 +sg25270 +S'James McNeill Whistler' +p117905 +sg25273 +S'etching' +p117906 +sg25275 +S'1859' +p117907 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a9/a000a9a6.jpg' +p117908 +sg25267 +g27 +sa(dp117909 +g25268 +S'Axenfeld' +p117910 +sg25270 +S'James McNeill Whistler' +p117911 +sg25273 +S'drypoint in black with soft overall plate tone on cream laid paper' +p117912 +sg25275 +S'1859' +p117913 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a9/a000a9b6.jpg' +p117914 +sg25267 +g27 +sa(dp117915 +g25268 +S'Millbank' +p117916 +sg25270 +S'James McNeill Whistler' +p117917 +sg25273 +S'etching' +p117918 +sg25275 +S'1861' +p117919 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a9/a000a9ab.jpg' +p117920 +sg25267 +g27 +sa(dp117921 +g25268 +S'Early Morning, Battersea' +p117922 +sg25270 +S'James McNeill Whistler' +p117923 +sg25273 +S'etching' +p117924 +sg25275 +S'1861' +p117925 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a9/a000a9b1.jpg' +p117926 +sg25267 +g27 +sa(dp117927 +g25268 +S'Christ on the Cross' +p117928 +sg25270 +S'German 15th Century' +p117929 +sg25273 +S'Schreiber, Vol. *, no. 445, State a' +p117930 +sg25275 +S'\nwoodcut, hand-colored in blue, orange, yellow, green, rose, gray, and silver' +p117931 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a52f.jpg' +p117932 +sg25267 +g27 +sa(dp117933 +g25268 +S'Jo' +p117934 +sg25270 +S'James McNeill Whistler' +p117935 +sg25273 +S'drypoint' +p117936 +sg25275 +S'1861' +p117937 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005d/a0005da1.jpg' +p117938 +sg25267 +g27 +sa(dp117939 +g25268 +S'The Storm' +p117940 +sg25270 +S'James McNeill Whistler' +p117941 +sg25273 +S'drypoint' +p117942 +sg25275 +S'1861' +p117943 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ab/a000ab5f.jpg' +p117944 +sg25267 +g27 +sa(dp117945 +g25268 +S'F. R. Leyland' +p117946 +sg25270 +S'James McNeill Whistler' +p117947 +sg25273 +S'etching and drypoint on "japon mince"' +p117948 +sg25275 +S'c. 1870/1873' +p117949 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000b/a0000bc1.jpg' +p117950 +sg25267 +g27 +sa(dp117951 +g25268 +S'The Silk Dress' +p117952 +sg25270 +S'James McNeill Whistler' +p117953 +sg25273 +S'drypoint' +p117954 +sg25275 +S'c. 1873' +p117955 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a9/a000a9d8.jpg' +p117956 +sg25267 +g27 +sa(dp117957 +g25268 +S'Tillie: A Model' +p117958 +sg25270 +S'James McNeill Whistler' +p117959 +sg25273 +S'drypoint' +p117960 +sg25275 +S'1873' +p117961 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000aa/a000aa46.jpg' +p117962 +sg25267 +g27 +sa(dp117963 +g25268 +S'A Child on a Couch, No.2' +p117964 +sg25270 +S'James McNeill Whistler' +p117965 +sg25273 +S'drypoint' +p117966 +sg25275 +S'c. 1873/1875' +p117967 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ab/a000ab2c.jpg' +p117968 +sg25267 +g27 +sa(dp117969 +g25268 +S'Agnes' +p117970 +sg25270 +S'James McNeill Whistler' +p117971 +sg25273 +S'drypoint' +p117972 +sg25275 +S'c. 1873/1875' +p117973 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ab/a000ab30.jpg' +p117974 +sg25267 +g27 +sa(dp117975 +g25268 +S'The Scotch Widow' +p117976 +sg25270 +S'James McNeill Whistler' +p117977 +sg25273 +S'drypoint' +p117978 +sg25275 +S'1875' +p117979 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ab/a000ab2a.jpg' +p117980 +sg25267 +g27 +sa(dp117981 +g25268 +S'Speke Hall, No.2' +p117982 +sg25270 +S'James McNeill Whistler' +p117983 +sg25273 +S'etching and drypoint' +p117984 +sg25275 +S'1875' +p117985 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ab/a000ab33.jpg' +p117986 +sg25267 +g27 +sa(dp117987 +g25268 +S'The Troubled Thames' +p117988 +sg25270 +S'James McNeill Whistler' +p117989 +sg25273 +S'etching' +p117990 +sg25275 +S'c. 1875' +p117991 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ab/a000ab3d.jpg' +p117992 +sg25267 +g27 +sa(dp117993 +g25268 +S'Madonna and Child' +p117994 +sg25270 +S'Antonello da Messina' +p117995 +sg25273 +S'oil and tempera on panel transferred from panel' +p117996 +sg25275 +S'c. 1475' +p117997 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000f5/a000f5a0.jpg' +p117998 +sg25267 +S"Antonello da Messina probably painted this work during his \n eighteen-month visit to Venice, at which time, it was once thought, he \n introduced Venetian artists to oil paints. It is now known that they were \n using oils well before Antonello's arrival. For many years Italian \n merchants returning from business in the Low Countries had brought home \n Netherlandish oil paintings. An eager market for these highly detailed and \n naturalistic works already existed -- probably this prospect led Antonello \n north to Venice in the first place -- and Venetian painters themselves were \n experimenting with the new medium. Nevertheless, Antonello does seem to \n have exerted a strong influence: Venetian painting simply looked different \n after his stay than it had before. Probably his contribution was to teach \n techniques for using oils. Before his arrival Venetian painters had \n sometimes applied oils in alternating layers with tempera or brushed them \n on with the same short parallel strokes they used for opaque colors. These \n practices effectively blocked the full ability of oil paint to capture and \n reflect light, which is achieved only when translucent pigments are built \n up in thin, blended layers.\n " +p117999 +sa(dp118000 +g25268 +S'Tobias and the Angel' +p118001 +sg25270 +S'Filippino Lippi' +p118002 +sg25273 +S'oil and tempera (?) on panel' +p118003 +sg25275 +S'c. 1475/1480' +p118004 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a0000776.jpg' +p118005 +sg25267 +S'This painting is based on the Book of Tobit which tells the story of Tobit of Nenevah. Tobit is described as a man of good faith who suffers from blindness and poverty. He sent his son, Tobias, to a distant city to collect money he had deposited there, and hired a companion to accompany the youth. The companion was actually the archangel Raphael in disguise. Their journey was successful: not only was the money recovered, but medicine made from a monstrous fish Tobias encounters along the way cures Tobit\'s blindness.\r\n \n In Hebrew, Raphael\'s name means "God has healed." In this painting, Raphael holds a golden mortar used for compounding medicinal ingredients. Although the archangel is usually shown with a mortar or medicine box, his identity here is established by the presence of Tobias holding a fish. Raphael is named only in the Book of Tobit.\r\n \n The story of Tobit may have been particularly popular in fifteenth-century Florence because of its appeal to merchant families, whose sons were often sent to trade in far-away cities. Paintings of Tobias and his angelic guardian were likely commissioned as dedications to ensure a safe journey, or offer thanks for a safe return. The painting\'s suggestion of reward for fair dealing may have been equally welcome.\r\n \n ' +p118006 +sa(dp118007 +g25268 +S'Christ on the Cross' +p118008 +sg25270 +S'German 15th Century' +p118009 +sg25273 +S'Schreiber, no. 452, State a' +p118010 +sg25275 +S'\nhand-colored woodcut' +p118011 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a52e.jpg' +p118012 +sg25267 +g27 +sa(dp118013 +g25268 +S'The Tiny Pool' +p118014 +sg25270 +S'James McNeill Whistler' +p118015 +sg25273 +S'etching' +p118016 +sg25275 +S'c. 1879' +p118017 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a9/a000a9fa.jpg' +p118018 +sg25267 +g27 +sa(dp118019 +g25268 +S'Old Battersea Bridge' +p118020 +sg25270 +S'James McNeill Whistler' +p118021 +sg25273 +S'etching' +p118022 +sg25275 +S'1879' +p118023 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ab/a000ab6b.jpg' +p118024 +sg25267 +g27 +sa(dp118025 +g25268 +S'The Traghetto, No.I' +p118026 +sg25270 +S'James McNeill Whistler' +p118027 +sg25273 +S'etching' +p118028 +sg25275 +S'1879/1880' +p118029 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ab/a000ab47.jpg' +p118030 +sg25267 +g27 +sa(dp118031 +g25268 +S'Self-Portrait' +p118032 +sg25270 +S'Judith Leyster' +p118033 +sg25273 +S'oil on canvas' +p118034 +sg25275 +S'c. 1630' +p118035 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e6e.jpg' +p118036 +sg25267 +S'Judith Leyster\xe2\x80\x99s \n Leyster was accepted into the professional artists\xe2\x80\x99 guild of Saint Luke\xe2\x80\x99s Guild of Haarlem as an independent master in 1633, a rarity for a female artist at the time. As such, Leyster was entitled to establish her own workshop and take paying students. Early chroniclers of Haarlem praised her proficiency and talent. She was celebrated as "the true leading star" in art, a clever allusion to her family name, which means "lodestar." Leyster incorporated a star in her professional signature, the monogram JL*. Following her marriage in 1636 to fellow Haarlem artist Jan Miense Molenaer, Leyster stopped producing art in her own name but probably continued to paint in collaboration with her husband.\n ' +p118037 +sa(dp118038 +g25268 +S'Enthroned Madonna and Child' +p118039 +sg25270 +S'Byzantine 13th Century' +p118040 +sg25273 +S'overall: 130.7 x 77.1 cm (51 7/16 x 30 3/8 in.)\r\npainted surface: 124.8 x 70.8 cm (49 1/8 x 27 7/8 in.)\r\nframed: 130.5 x 77 x 6 cm (51 3/8 x 30 5/16 x 2 3/8 in.)' +p118041 +sg25275 +S'\ntempera on panel' +p118042 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a06.jpg' +p118043 +sg25267 +S'During the thirteenth century, the art of the Catholic West and Orthodox East\nintermingled, resulting in a Byzantine style in Italy. This icon or "holy image,"\nprobably painted by a Greek artist working in Italy, is a perfect example of this\nfusion. Known also as the "Kahn Madonna" from the name of the previous owner, the\nlarge panel represents a full-length figure of Mary enthroned as Queen of Heaven.\nShe holds the infant Christ who, true to medieval convention, is a miniature adult.\nIn the flanking medallions, archangels hold orbs and scepters, emphasizing Mary\'s\nimperial role. In this, the "Hodegetria" type of Madonna, she directs the viewer\'s\nattention to Christ, thus pointing the way to salvation.\n There are distinct similarities in style and subject matter between this painting\nand the Byzantine icons painted in the East for the Greek Orthodox Church. The graceful\nmovement of the figures, the gold striations on the drapery which simulate shimmering\nlight, and the flowing, rhythmic lines identify the artist as a Greek painter. But\nan Italian influence is notable in the tooled decoration of the halos, the perspective\nof the wooden throne with its high back, the delicate gradations of light and shade,\nand the distinctly Tuscan scheme of the rectangular panel with a full-length depiction\nof the enthroned Virgin.\n ' +p118044 +sa(dp118045 +g25268 +S'Young Woman in White' +p118046 +sg25270 +S'Robert Henri' +p118047 +sg25273 +S'oil on canvas' +p118048 +sg25275 +S'1904' +p118049 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000ef.jpg' +p118050 +sg25267 +g27 +sa(dp118051 +g25268 +S'Head of an Old Man' +p118052 +sg25270 +S'Alphonse Legros' +p118053 +sg25273 +S', unknown date' +p118054 +sg25275 +S'\n' +p118055 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a00073f1.jpg' +p118056 +sg25267 +g27 +sa(dp118057 +g25268 +S'Madonna on the Half Moon' +p118058 +sg25270 +S'Sebald Beham' +p118059 +sg25273 +S'engraving' +p118060 +sg25275 +S'1520' +p118061 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a817.jpg' +p118062 +sg25267 +g27 +sa(dp118063 +g25268 +S'Head of a Man with Upturned Eyes' +p118064 +sg25270 +S'Alphonse Legros' +p118065 +sg25273 +S'oil on canvas' +p118066 +sg25275 +S'unknown date\n' +p118067 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005e/a0005e4c.jpg' +p118068 +sg25267 +g27 +sa(dp118069 +g25268 +S"Study of a Man's Head with a Full Beard" +p118070 +sg25270 +S'Alphonse Legros' +p118071 +sg25273 +S'pen and brown ink with red chalk and graphite' +p118072 +sg25275 +S'unknown date\n' +p118073 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a00073e4.jpg' +p118074 +sg25267 +g27 +sa(dp118075 +g25268 +S'Christ on the Cross' +p118076 +sg25270 +S'German 15th Century' +p118077 +sg25273 +S'Schreiber, no. 455, State a' +p118078 +sg25275 +S'\nwoodcut, hand-colored in blue, red, yellow, green, gold, orange' +p118079 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a531.jpg' +p118080 +sg25267 +g27 +sa(dp118081 +g25268 +S'Head of a Man, Full Face' +p118082 +sg25270 +S'Alphonse Legros' +p118083 +sg25273 +S'graphite and black chalk with brown wash, heightened with white, on laid paper' +p118084 +sg25275 +S'unknown date\n' +p118085 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a00073f0.jpg' +p118086 +sg25267 +g27 +sa(dp118087 +g25268 +S'Clap of Thunder [recto]' +p118088 +sg25270 +S'Alphonse Legros' +p118089 +sg25273 +S'pen and brown ink with brown wash over graphite on paperboard' +p118090 +sg25275 +S'unknown date\n' +p118091 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00072/a00072fc.jpg' +p118092 +sg25267 +g27 +sa(dp118093 +g25268 +S'Crowd of People Seen between Two Columns [verso]' +p118094 +sg25270 +S'Alphonse Legros' +p118095 +sg25273 +S'pen and brown ink with brown wash over black chalk on paperboard' +p118096 +sg25275 +S'unknown date\n' +p118097 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00072/a00072fd.jpg' +p118098 +sg25267 +g27 +sa(dp118099 +g25268 +S'Head of a Man (Possible Portrait of Professor E.D. Adams)' +p118100 +sg25270 +S'Alphonse Legros' +p118101 +sg25273 +S'black and red chalk with yellow-green crayon, heightened with white, over graphite on orange-pink prepared paper' +p118102 +sg25275 +S'unknown date\n' +p118103 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a00073da.jpg' +p118104 +sg25267 +g27 +sa(dp118105 +g25268 +S'Mab and Cupid (Mab et Cupidon)' +p118106 +sg25270 +S'Alphonse Legros' +p118107 +sg25273 +S'etching' +p118108 +sg25275 +S'unknown date\n' +p118109 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00098/a00098e3.jpg' +p118110 +sg25267 +g27 +sa(dp118111 +g25268 +S'Broken Cart (La charette brisee)' +p118112 +sg25270 +S'Alphonse Legros' +p118113 +sg25273 +S'etching' +p118114 +sg25275 +S'unknown date\n' +p118115 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a0009902.jpg' +p118116 +sg25267 +g27 +sa(dp118117 +g25268 +S'Auguste Rodin' +p118118 +sg25270 +S'Alphonse Legros' +p118119 +sg25273 +S'etching in brown ink' +p118120 +sg25275 +S'unknown date\n' +p118121 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b8c.jpg' +p118122 +sg25267 +g27 +sa(dp118123 +g25268 +S'Old man, Old Tree (Vieil homme, vieil arbre)' +p118124 +sg25270 +S'Alphonse Legros' +p118125 +sg25273 +S'etching and drypoint' +p118126 +sg25275 +S'unknown date\n' +p118127 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bd2.jpg' +p118128 +sg25267 +g27 +sa(dp118129 +g25268 +S'Unfurled Waves, Flood of September 1901 (Les lames deferlent,maree de Septembre 1901)' +p118130 +sg25270 +S'Auguste Lep\xc3\xa8re' +p118131 +sg25273 +S'color woodcut' +p118132 +sg25275 +S'1901' +p118133 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009cf6.jpg' +p118134 +sg25267 +g27 +sa(dp118135 +g25268 +S'Herd of Sheep near the Hague' +p118136 +sg25270 +S'Willem Buytewech' +p118137 +sg25273 +g27 +sg25275 +S'1621' +p118138 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d0ca.jpg' +p118139 +sg25267 +g27 +sa(dp118140 +g25268 +S'Christ on the Cross' +p118141 +sg25270 +S'German 15th Century' +p118142 +sg25273 +S'Schreiber, no. 456, State a' +p118143 +sg25275 +S'\nwoodcut, hand-colored in blue, red, vermillion, olive, green, yellow, and rose' +p118144 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a51f.jpg' +p118145 +sg25267 +g27 +sa(dp118146 +g25268 +S'Two Plank Hedges' +p118147 +sg25270 +S'Willem Buytewech' +p118148 +sg25273 +g27 +sg25275 +S'1621' +p118149 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d0c8.jpg' +p118150 +sg25267 +g27 +sa(dp118151 +g25268 +S'Christ before Caiaphas' +p118152 +sg25270 +S'Lucas Cranach the Elder' +p118153 +sg25273 +S'woodcut' +p118154 +sg25275 +S'in or before 1509' +p118155 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b0a7.jpg' +p118156 +sg25267 +g27 +sa(dp118157 +g25268 +S'The Resurrection' +p118158 +sg25270 +S'Lucas Cranach the Elder' +p118159 +sg25273 +S'woodcut' +p118160 +sg25275 +S'in or before 1509' +p118161 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b0bc.jpg' +p118162 +sg25267 +g27 +sa(dp118163 +g25268 +S'The Entombment' +p118164 +sg25270 +S'Lucas Cranach the Elder' +p118165 +sg25273 +S'woodcut' +p118166 +sg25275 +S'in or before 1509' +p118167 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b0bd.jpg' +p118168 +sg25267 +g27 +sa(dp118169 +g25268 +S'The Gate in the Rocks' +p118170 +sg25270 +S'Hans Sebald Lautensack' +p118171 +sg25273 +S'etching' +p118172 +sg25275 +S'1554' +p118173 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ac/a000acc1.jpg' +p118174 +sg25267 +g27 +sa(dp118175 +g25268 +S'Christ Bearing the Cross' +p118176 +sg25270 +S'Lucas Cranach the Elder' +p118177 +sg25273 +S'woodcut' +p118178 +sg25275 +S'in or before 1509' +p118179 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b0bf.jpg' +p118180 +sg25267 +g27 +sa(dp118181 +g25268 +S'Ecce Homo' +p118182 +sg25270 +S'Lucas Cranach the Elder' +p118183 +sg25273 +S'woodcut' +p118184 +sg25275 +S'in or before 1509' +p118185 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ac/a000ac1d.jpg' +p118186 +sg25267 +g27 +sa(dp118187 +g25268 +S'Christ Crowned with Thorns' +p118188 +sg25270 +S'Lucas Cranach the Elder' +p118189 +sg25273 +S'woodcut' +p118190 +sg25275 +S'in or before 1509' +p118191 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b0c1.jpg' +p118192 +sg25267 +g27 +sa(dp118193 +g25273 +g27 +sg25267 +g27 +sg25275 +S'(related artist)' +p118194 +sg25268 +S'Male Head' +p118195 +sg25270 +S'Artist Information (' +p118196 +sa(dp118197 +g25268 +S'Landscape, Evening' +p118198 +sg25270 +S'Alphonse Legros' +p118199 +sg25273 +S'pen and brown ink with brown wash on laid paper' +p118200 +sg25275 +S'unknown date\n' +p118201 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a0007300.jpg' +p118202 +sg25267 +g27 +sa(dp118203 +g25268 +S'Christ on the Cross' +p118204 +sg25270 +S'German 15th Century' +p118205 +sg25273 +S'Schreiber, no. 456, State a' +p118206 +sg25275 +S'\nwoodcut, hand-colored in blue-green, vermilion, lavender, brown, olive, and yellow' +p118207 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a51e.jpg' +p118208 +sg25267 +g27 +sa(dp118209 +g25268 +S'Florestan Mionnet' +p118210 +sg25270 +S'Alphonse Legros' +p118211 +sg25273 +S'drypoint' +p118212 +sg25275 +S'unknown date\n' +p118213 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00098/a00098ff.jpg' +p118214 +sg25267 +g27 +sa(dp118215 +g25268 +S'Old man seated (Vieillard assis)' +p118216 +sg25270 +S'Alphonse Legros' +p118217 +sg25273 +S'etching' +p118218 +sg25275 +S'unknown date\n' +p118219 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b18.jpg' +p118220 +sg25267 +g27 +sa(dp118221 +g25268 +S'Frederic Regamey' +p118222 +sg25270 +S'Alphonse Legros' +p118223 +sg25273 +S'drypoint' +p118224 +sg25275 +S'unknown date\n' +p118225 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a0009908.jpg' +p118226 +sg25267 +g27 +sa(dp118227 +g25268 +S'Procession in the Sepulchre of Saint Medard(Procession dans les caveaux de St.Medard)' +p118228 +sg25270 +S'Alphonse Legros' +p118229 +sg25273 +S'etching' +p118230 +sg25275 +S'1859' +p118231 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b1f.jpg' +p118232 +sg25267 +g27 +sa(dp118233 +g25268 +S'View over Flat Country' +p118234 +sg25270 +S'Alphonse Legros' +p118235 +sg25273 +S'pen and brown ink with brown wash over graphite on laid paper' +p118236 +sg25275 +S'1906' +p118237 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a0007301.jpg' +p118238 +sg25267 +g27 +sa(dp118239 +g25268 +S'Beggar with Crutches' +p118240 +sg25270 +S'Alphonse Legros' +p118241 +sg25273 +S'pen and brown ink with brown wash over traces of graphite' +p118242 +sg25275 +S'unknown date\n' +p118243 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a00073f2.jpg' +p118244 +sg25267 +g27 +sa(dp118245 +g25273 +S'etching and drypoint' +p118246 +sg25267 +g27 +sg25275 +S'unknown date\n' +p118247 +sg25268 +S'Procession in a Spanish Church (Procession dans une eglise espagnole)' +p118248 +sg25270 +S'Alphonse Legros' +p118249 +sa(dp118250 +g25273 +S'lithograph' +p118251 +sg25267 +g27 +sg25275 +S'1929' +p118252 +sg25268 +S'Brother and Sister (Geschwister)' +p118253 +sg25270 +S'Erich Heckel' +p118254 +sa(dp118255 +g25268 +S'Two Mercenaries and a Woman' +p118256 +sg25270 +S'Urs Graf I' +p118257 +sg25273 +S'woodcut' +p118258 +sg25275 +S'1524' +p118259 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ef/a000ef9d.jpg' +p118260 +sg25267 +g27 +sa(dp118261 +g25268 +S'Josias Simler' +p118262 +sg25270 +S'Jost Amman' +p118263 +sg25273 +S'engraving' +p118264 +sg25275 +S'unknown date\n' +p118265 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ef/a000ef9a.jpg' +p118266 +sg25267 +g27 +sa(dp118267 +g25268 +S'The Crucifixion with Saint Mary Magdalene' +p118268 +sg25270 +S'Michael Wolgemut' +p118269 +sg25273 +S', c. 1490' +p118270 +sg25275 +S'\n' +p118271 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a637.jpg' +p118272 +sg25267 +g27 +sa(dp118273 +g25268 +S'The Lamentation' +p118274 +sg25270 +S'Artist Information (' +p118275 +sg25273 +g27 +sg25275 +S'(artist)' +p118276 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a3/a000a3ca.jpg' +p118277 +sg25267 +g27 +sa(dp118278 +g25268 +S'Saint Maurice' +p118279 +sg25270 +S'German 15th Century' +p118280 +sg25273 +S'Passavant, no. 167, State unique' +p118281 +sg25275 +S'\nengraving, hand-colored' +p118282 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a3/a000a3cc.jpg' +p118283 +sg25267 +g27 +sa(dp118284 +g25268 +S'Apollo Dancing with the Nine Muses' +p118285 +sg25270 +S'German 16th Century' +p118286 +sg25273 +S'Bartsch, no. 2' +p118287 +sg25275 +S'\nengraving' +p118288 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a79f.jpg' +p118289 +sg25267 +g27 +sa(dp118290 +g25273 +S'overall: 22.1 x 15.8 cm (8 11/16 x 6 1/4 in.)' +p118291 +sg25267 +g27 +sg25275 +S'\nminiature on vellum' +p118292 +sg25268 +S'Birth and Naming of John the Baptist' +p118293 +sg25270 +S'Italian 13th Century' +p118294 +sa(dp118295 +g25268 +S'Praying Prophet' +p118296 +sg25270 +S'Lorenzo Monaco' +p118297 +sg25273 +S'miniature on vellum' +p118298 +sg25275 +S'1410/1413' +p118299 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b5/a000b571.jpg' +p118300 +sg25267 +g27 +sa(dp118301 +g25268 +S'Tree with Crown and Two Birds' +p118302 +sg25270 +S'Italian 16th Century' +p118303 +sg25273 +S"Hind 'Engravings', undescribed" +p118304 +sg25275 +S'\nwoodcut' +p118305 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c879.jpg' +p118306 +sg25267 +g27 +sa(dp118307 +g25268 +S'Two Putti with Shield Inscribed Pier Santi' +p118308 +sg25270 +S'Italian 16th Century' +p118309 +sg25273 +S"Hind 'Engravings', undescribed" +p118310 +sg25275 +S'\nwoodcut' +p118311 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9e8.jpg' +p118312 +sg25267 +g27 +sa(dp118313 +g25273 +S'etching in black on wove paper' +p118314 +sg25267 +g27 +sg25275 +S'1949' +p118315 +sg25268 +S'French Lace' +p118316 +sg25270 +S'John Taylor Arms' +p118317 +sa(dp118318 +g25273 +S'etching in black on laid paper' +p118319 +sg25267 +g27 +sg25275 +S'1948' +p118320 +sg25268 +S'The Old Order' +p118321 +sg25270 +S'John Taylor Arms' +p118322 +sa(dp118323 +g25268 +S'Saint John the Baptist' +p118324 +sg25270 +S'Hans Baldung Grien' +p118325 +sg25273 +S'woodcut' +p118326 +sg25275 +S'1517' +p118327 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a7ea.jpg' +p118328 +sg25267 +g27 +sa(dp118329 +g25268 +S'The Lamentation' +p118330 +sg25270 +S'German 15th Century' +p118331 +sg25273 +S'Schreiber, no. 506, State m' +p118332 +sg25275 +S'\nwoodcut, hand-colored in brown lake, gray, rose, yellow, green, and olive' +p118333 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a643.jpg' +p118334 +sg25267 +g27 +sa(dp118335 +g25268 +S'View of Venice [upper left block]' +p118336 +sg25270 +S"Jacopo de' Barbari" +p118337 +sg25273 +S'woodcut on two sheets pasted together' +p118338 +sg25275 +S'1500' +p118339 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00057/a00057cd.jpg' +p118340 +sg25267 +g27 +sa(dp118341 +g25268 +S'View of Venice [upper center block]' +p118342 +sg25270 +S"Jacopo de' Barbari" +p118343 +sg25273 +S'woodcut on two sheets pasted together' +p118344 +sg25275 +S'1500' +p118345 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00059/a0005902.jpg' +p118346 +sg25267 +g27 +sa(dp118347 +g25268 +S'View of Venice [upper right block]' +p118348 +sg25270 +S"Jacopo de' Barbari" +p118349 +sg25273 +S'woodcut on two sheets pasted together' +p118350 +sg25275 +S'1500' +p118351 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00059/a000590e.jpg' +p118352 +sg25267 +g27 +sa(dp118353 +g25268 +S'View of Venice [lower left block]' +p118354 +sg25270 +S"Jacopo de' Barbari" +p118355 +sg25273 +S'woodcut on two sheets pasted together' +p118356 +sg25275 +S'1500' +p118357 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00059/a000590f.jpg' +p118358 +sg25267 +g27 +sa(dp118359 +g25268 +S'View of Venice [lower center block]' +p118360 +sg25270 +S"Jacopo de' Barbari" +p118361 +sg25273 +S'woodcut' +p118362 +sg25275 +S'1500' +p118363 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00059/a0005910.jpg' +p118364 +sg25267 +g27 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Huysmans' +p118671 +sg25270 +S'Jean-Louis Forain' +p118672 +sg25273 +S'etching' +p118673 +sg25275 +S'1909' +p118674 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a00099ee.jpg' +p118675 +sg25267 +g27 +sa(dp118676 +g25273 +S'lithograph' +p118677 +sg25267 +g27 +sg25275 +S'unknown date\n' +p118678 +sg25268 +S'New England Snow' +p118679 +sg25270 +S'Eugene M. Frandzen' +p118680 +sa(dp118681 +g25273 +S'linoleum cut' +p118682 +sg25267 +g27 +sg25275 +S'1921' +p118683 +sg25268 +S'Still Life (Composition A)' +p118684 +sg25270 +S'Albert Gleizes' +p118685 +sa(dp118686 +g25268 +S'Landscape with a Seated Couple' +p118687 +sg25270 +S'Hendrick Goltzius' +p118688 +sg25273 +S', probably 1592/1595' +p118689 +sg25275 +S'\n' +p118690 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ce42.jpg' +p118691 +sg25267 +g27 +sa(dp118692 +g25268 +S'Young Man Standing in Fluttering Dress' +p118693 +sg25270 +S'Hendrick Goltzius' +p118694 +sg25273 +S', probably c. 1588' +p118695 +sg25275 +S'\n' +p118696 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ce45.jpg' +p118697 +sg25267 +g27 +sa(dp118698 +g25268 +S'Arcadian Landscape' +p118699 +sg25270 +S'Hendrick Goltzius' +p118700 +sg25273 +S', unknown date' +p118701 +sg25275 +S'\n' +p118702 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cf/a000cfd3.jpg' +p118703 +sg25267 +g27 +sa(dp118704 +g25268 +S'Seascape with Two Sailing Vessels' +p118705 +sg25270 +S'Hendrick Goltzius' +p118706 +sg25273 +S', unknown date' +p118707 +sg25275 +S'\n' +p118708 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ce3e.jpg' +p118709 +sg25267 +g27 +sa(dp118710 +g25268 +S'Landscape with Six Single Trees and Three Small Farm-Houses' +p118711 +sg25270 +S'Augustin Hirschvogel' +p118712 +sg25273 +S'etching' +p118713 +sg25275 +S'unknown date\n' +p118714 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ac/a000ac2e.jpg' +p118715 +sg25267 +g27 +sa(dp118716 +g25268 +S'Landscape with a Lake and Sailing-Vessels' +p118717 +sg25270 +S'Augustin Hirschvogel' +p118718 +sg25273 +S'etching' +p118719 +sg25275 +S'1545' +p118720 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ab/a000abc5.jpg' +p118721 +sg25267 +g27 +sa(dp118722 +g25268 +S'The Entombment' +p118723 +sg25270 +S'German 15th Century' +p118724 +sg25273 +S'Schreiber, no. 538' +p118725 +sg25275 +S'\nwoodcut, hand-colored in red lake, green, yellow, tan, and orange' +p118726 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a5e3.jpg' +p118727 +sg25267 +g27 +sa(dp118728 +g25268 +S'River Landscape with the Temptation of Christ' +p118729 +sg25270 +S'Augustin Hirschvogel' +p118730 +sg25273 +S'etching [counterproof]' +p118731 +sg25275 +S'1545' +p118732 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ab/a000abc8.jpg' +p118733 +sg25267 +g27 +sa(dp118734 +g25268 +S'River Landscape with Saint Christopher' +p118735 +sg25270 +S'Augustin Hirschvogel' +p118736 +sg25273 +S'etching' +p118737 +sg25275 +S'unknown date\n' +p118738 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ac/a000ac2f.jpg' +p118739 +sg25267 +g27 +sa(dp118740 +g25268 +S'Landscape with Lake and Town' +p118741 +sg25270 +S'Augustin Hirschvogel' +p118742 +sg25273 +S'etching' +p118743 +sg25275 +S'1545' +p118744 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ac/a000ac30.jpg' +p118745 +sg25267 +g27 +sa(dp118746 +g25268 +S'Landscape with Three Burning Cities: Sodom, Gomorrah and Tyrus' +p118747 +sg25270 +S'Augustin Hirschvogel' +p118748 +sg25273 +S'etching' +p118749 +sg25275 +S'unknown date\n' +p118750 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ac/a000ac31.jpg' +p118751 +sg25267 +g27 +sa(dp118752 +g25268 +S'Landscape with a Town at Left' +p118753 +sg25270 +S'Augustin Hirschvogel' +p118754 +sg25273 +S'etching' +p118755 +sg25275 +S'1549' +p118756 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ab/a000abca.jpg' +p118757 +sg25267 +g27 +sa(dp118758 +g25268 +S'Landscape with the Conversion of Saint Paul' +p118759 +sg25270 +S'Augustin Hirschvogel' +p118760 +sg25273 +S'etching' +p118761 +sg25275 +S'1545' +p118762 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ab/a000abbd.jpg' +p118763 +sg25267 +g27 +sa(dp118764 +g25268 +S'Landscape with Castle at Right, Surrounded by Rocks' +p118765 +sg25270 +S'Augustin Hirschvogel' +p118766 +sg25273 +S'etching' +p118767 +sg25275 +S'1546' +p118768 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ac/a000ac2d.jpg' +p118769 +sg25267 +g27 +sa(dp118770 +g25268 +S'Self-Portrait' +p118771 +sg25270 +S'Augustin Hirschvogel' +p118772 +sg25273 +S'etching' +p118773 +sg25275 +S'1548' +p118774 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00065/a000655c.jpg' +p118775 +sg25267 +g27 +sa(dp118776 +g25268 +S'Stags in the Forest' +p118777 +sg25270 +S'Augustin Hirschvogel' +p118778 +sg25273 +S'etching' +p118779 +sg25275 +S'1545' +p118780 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b2/a000b247.jpg' +p118781 +sg25267 +g27 +sa(dp118782 +g25268 +S'Bear Hunt' +p118783 +sg25270 +S'Augustin Hirschvogel' +p118784 +sg25273 +S'etching' +p118785 +sg25275 +S'1545' +p118786 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b2/a000b248.jpg' +p118787 +sg25267 +g27 +sa(dp118788 +g25268 +S'Christ Carrying the Cross' +p118789 +sg25270 +S'German 15th Century' +p118790 +sg25273 +S'Schreiber, no. 361' +p118791 +sg25275 +S'\nwoodcut, hand-colored in red lake, green, yellow, tan, and orange' +p118792 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a5e2.jpg' +p118793 +sg25267 +g27 +sa(dp118794 +g25268 +S'Gabriel Cortois de Pressigny' +p118795 +sg25270 +S'Jean-Auguste-Dominique Ingres' +p118796 +sg25273 +S'etching' +p118797 +sg25275 +S'1816' +p118798 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004fc2.jpg' +p118799 +sg25267 +g27 +sa(dp118800 +g25268 +S'Park' +p118801 +sg25270 +S'Paul Klee' +p118802 +sg25273 +S'color lithographic facsimile' +p118803 +sg25275 +S'1920' +p118804 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ef/a000ef96.jpg' +p118805 +sg25267 +g27 +sa(dp118806 +g25273 +S'drypoint' +p118807 +sg25267 +g27 +sg25275 +S'unknown date\n' +p118808 +sg25268 +S'Processional - Taos' +p118809 +sg25270 +S'Gene Kloss' +p118810 +sa(dp118811 +g25268 +S'Venus' +p118812 +sg25270 +S'Johann Ladenspelder' +p118813 +sg25273 +S'engraving' +p118814 +sg25275 +S'unknown date\n' +p118815 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ac/a000aca4.jpg' +p118816 +sg25267 +g27 +sa(dp118817 +g25268 +S'Landscape with a Fortress and Big Stairway' +p118818 +sg25270 +S'Hans Sebald Lautensack' +p118819 +sg25273 +S'etching' +p118820 +sg25275 +S'1554' +p118821 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ac/a000acc7.jpg' +p118822 +sg25267 +g27 +sa(dp118823 +g25268 +S'Landscape with a Willow' +p118824 +sg25270 +S'Hans Sebald Lautensack' +p118825 +sg25273 +S'etching' +p118826 +sg25275 +S'1553' +p118827 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ac/a000acc5.jpg' +p118828 +sg25267 +g27 +sa(dp118829 +g25268 +S'Landscape with a Castle in the Center' +p118830 +sg25270 +S'Hans Sebald Lautensack' +p118831 +sg25273 +S'etching' +p118832 +sg25275 +S'1553' +p118833 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ac/a000acca.jpg' +p118834 +sg25267 +g27 +sa(dp118835 +g25268 +S'View on a River with a Castle on an Island' +p118836 +sg25270 +S'Hans Sebald Lautensack' +p118837 +sg25273 +S'etching' +p118838 +sg25275 +S'1553' +p118839 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ac/a000accb.jpg' +p118840 +sg25267 +g27 +sa(dp118841 +g25268 +S'The Good Samaritan' +p118842 +sg25270 +S'Hans Sebald Lautensack' +p118843 +sg25273 +S'etching' +p118844 +sg25275 +S'unknown date\n' +p118845 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b2/a000b243.jpg' +p118846 +sg25267 +g27 +sa(dp118847 +g25268 +S'Mountainous Landscape with a Village' +p118848 +sg25270 +S'Hans Sebald Lautensack' +p118849 +sg25273 +S'etching' +p118850 +sg25275 +S'1553' +p118851 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ac/a000acc9.jpg' +p118852 +sg25267 +g27 +sa(dp118853 +g25268 +S'The Flagellation' +p118854 +sg25270 +S'German 15th Century' +p118855 +sg25273 +S'Schreiber, no. 307' +p118856 +sg25275 +S'\nwoodcut, hand-colored in red lake, green, yellow, tan, and orange' +p118857 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a5e1.jpg' +p118858 +sg25267 +g27 +sa(dp118859 +g25268 +S'Landscape with a Castle' +p118860 +sg25270 +S'Hans Sebald Lautensack' +p118861 +sg25273 +S'etching' +p118862 +sg25275 +S'1553' +p118863 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ac/a000acc4.jpg' +p118864 +sg25267 +g27 +sa(dp118865 +g25268 +S'Leonard von Eckh' +p118866 +sg25270 +S'Hans Sebald Lautensack' +p118867 +sg25273 +S'etching and engraving' +p118868 +sg25275 +S'1553' +p118869 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b2/a000b240.jpg' +p118870 +sg25267 +g27 +sa(dp118871 +g25268 +S'Felicitas von Eckh (-Freyberg)' +p118872 +sg25270 +S'Hans Sebald Lautensack' +p118873 +sg25273 +S'etching and engraving' +p118874 +sg25275 +S'1553' +p118875 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b2/a000b241.jpg' +p118876 +sg25267 +g27 +sa(dp118877 +g25268 +S'Lady von Eckh (born Piencsenau)' +p118878 +sg25270 +S'Hans Sebald Lautensack' +p118879 +sg25273 +S'etching and engraving' +p118880 +sg25275 +S'1553' +p118881 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b2/a000b23e.jpg' +p118882 +sg25267 +g27 +sa(dp118883 +g25268 +S'Mars and Venus (Mercury and Venus?)' +p118884 +sg25270 +S'Master H.L.' +p118885 +sg25273 +S'engraving' +p118886 +sg25275 +S'unknown date\n' +p118887 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ac/a000acba.jpg' +p118888 +sg25267 +g27 +sa(dp118889 +g25268 +S'The Man with the Torch and a Woman Followed by a Fool' +p118890 +sg25270 +S'Lucas van Leyden' +p118891 +sg25273 +S'engraving' +p118892 +sg25275 +S'c. 1508' +p118893 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ce86.jpg' +p118894 +sg25267 +g27 +sa(dp118895 +g25268 +S"Solomon's Idolatry" +p118896 +sg25270 +S'Lucas van Leyden' +p118897 +sg25273 +S'woodcut' +p118898 +sg25275 +S'c. 1512' +p118899 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d013.jpg' +p118900 +sg25267 +g27 +sa(dp118901 +g25268 +S'Saint Matthew' +p118902 +sg25270 +S'Lucas van Leyden' +p118903 +sg25273 +S'engraving' +p118904 +sg25275 +S'1518' +p118905 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ce6f.jpg' +p118906 +sg25267 +g27 +sa(dp118907 +g25268 +S'Saint Matthew' +p118908 +sg25270 +S'Lucas van Leyden' +p118909 +sg25273 +S'engraving' +p118910 +sg25275 +S'c. 1510' +p118911 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ce68.jpg' +p118912 +sg25267 +g27 +sa(dp118913 +g25268 +S'Saint Christopher Carrying the Infant Christ' +p118914 +sg25270 +S'Lucas van Leyden' +p118915 +sg25273 +S'engraving' +p118916 +sg25275 +S'c. 1521' +p118917 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ce70.jpg' +p118918 +sg25267 +g27 +sa(dp118919 +g25268 +S'Christ before Herod' +p118920 +sg25270 +S'German 15th Century' +p118921 +sg25273 +S'Schreiber, no. 273' +p118922 +sg25275 +S'\nwoodcut, hand-colored in red lake, green, yellow, tan, and orange' +p118923 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a5e0.jpg' +p118924 +sg25267 +g27 +sa(dp118925 +g25268 +S'Saint Simon' +p118926 +sg25270 +S'Lucas van Leyden' +p118927 +sg25273 +S'engraving' +p118928 +sg25275 +S'c. 1510' +p118929 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ce67.jpg' +p118930 +sg25267 +g27 +sa(dp118931 +g25268 +S'Abigail and David' +p118932 +sg25270 +S'Lucas van Leyden' +p118933 +sg25273 +S'engraving' +p118934 +sg25275 +S'in or before 1508' +p118935 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cf/a000cffd.jpg' +p118936 +sg25267 +g27 +sa(dp118937 +g25268 +S'The Raising of Lazarus' +p118938 +sg25270 +S'Lucas van Leyden' +p118939 +sg25273 +S'engraving' +p118940 +sg25275 +S'in or before 1508' +p118941 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cf/a000cffc.jpg' +p118942 +sg25267 +g27 +sa(dp118943 +g25268 +S'Herod and Herodias' +p118944 +sg25270 +S'Lucas van Leyden' +p118945 +sg25273 +S'woodcut' +p118946 +sg25275 +S'c. 1512' +p118947 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d011.jpg' +p118948 +sg25267 +g27 +sa(dp118949 +g25268 +S'The Crucified Man' +p118950 +sg25270 +S'Melchior Lorch' +p118951 +sg25273 +S'engraving' +p118952 +sg25275 +S'1550' +p118953 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000dc/a000dc47.jpg' +p118954 +sg25267 +g27 +sa(dp118955 +g25268 +S'Switch Engines, Erie Yards, Jersey City, Stone No.3' +p118956 +sg25270 +S'Reginald Marsh' +p118957 +sg25273 +S'lithograph' +p118958 +sg25275 +S'1947' +p118959 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000b/a0000b28.jpg' +p118960 +sg25267 +g27 +sa(dp118961 +g25268 +S"Satyr's Family" +p118962 +sg25270 +S'Master of 1515' +p118963 +sg25273 +S'engraving' +p118964 +sg25275 +S'c. 1510/1515' +p118965 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c748.jpg' +p118966 +sg25267 +g27 +sa(dp118967 +g25268 +S'Solomon Worshipping False Gods' +p118968 +sg25270 +S'Master MZ' +p118969 +sg25273 +S'engraving' +p118970 +sg25275 +S'unknown date\n' +p118971 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a3/a000a3b9.jpg' +p118972 +sg25267 +g27 +sa(dp118973 +g25273 +S'monotype on wove paper' +p118974 +sg25267 +g27 +sg25275 +S'1949' +p118975 +sg25268 +S'The Circus' +p118976 +sg25270 +S'Adja Yunkers' +p118977 +sa(dp118978 +g25268 +S'Studies of the Head of Saskia and Others' +p118979 +sg25270 +S'Rembrandt van Rijn' +p118980 +sg25273 +S'etching' +p118981 +sg25275 +S'1636' +p118982 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005b/a0005b09.jpg' +p118983 +sg25267 +g27 +sa(dp118984 +g25268 +S'Caiaphas Tearing his Clothes' +p118985 +sg25270 +S'German 15th Century' +p118986 +sg25273 +S'Schreiber, no. 244, State a' +p118987 +sg25275 +S'\nwoodcut, hand-colored in red lake, dark green, yellow, gray-blue, and gold' +p118988 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a583.jpg' +p118989 +sg25267 +g27 +sa(dp118990 +g25268 +S'Christ Appearing to the Apostles' +p118991 +sg25270 +S'Rembrandt van Rijn' +p118992 +sg25273 +S'etching' +p118993 +sg25275 +S'1656' +p118994 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00056/a0005660.jpg' +p118995 +sg25267 +g27 +sa(dp118996 +g25268 +S'Small Gray Landscape: a House and Trees beside a Pool' +p118997 +sg25270 +S'Rembrandt van Rijn' +p118998 +sg25273 +S'etching' +p118999 +sg25275 +S'c. 1640' +p119000 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d3/a000d344.jpg' +p119001 +sg25267 +g27 +sa(dp119002 +g25268 +S'The Second Oriental Head' +p119003 +sg25270 +S'Artist Information (' +p119004 +sg25273 +S'Dutch, 1606 - 1669' +p119005 +sg25275 +S'(artist)' +p119006 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d439.jpg' +p119007 +sg25267 +g27 +sa(dp119008 +g25268 +S'Bust of an Old Bearded Man, Looking Down, Three Quarters Right' +p119009 +sg25270 +S'Rembrandt van Rijn' +p119010 +sg25273 +S'etching' +p119011 +sg25275 +S'1631' +p119012 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d3/a000d353.jpg' +p119013 +sg25267 +g27 +sa(dp119014 +g25273 +S'(artist after)' +p119015 +sg25267 +g27 +sg25275 +S'\n' +p119016 +sg25268 +S'Recueil de Griffonis' +p119017 +sg25270 +S'Artist Information (' +p119018 +sa(dp119019 +g25273 +S'(artist after)' +p119020 +sg25267 +g27 +sg25275 +S'\n' +p119021 +sg25268 +S'Frontispiece to "Recueil de Griffonis"' +p119022 +sg25270 +S'Artist Information (' +p119023 +sa(dp119024 +g25273 +S'(artist after)' +p119025 +sg25267 +g27 +sg25275 +S'\n' +p119026 +sg25268 +S'Arco di Druso (Arch of Drusus)' +p119027 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figures IV' +p120719 +sg25270 +S'Master AD' +p120720 +sg25273 +S'engraving' +p120721 +sg25275 +S'c. 1600' +p120722 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a0008382.jpg' +p120723 +sg25267 +g27 +sa(dp120724 +g25268 +S'Les divers pourtraicts et figures V' +p120725 +sg25270 +S'Master AD' +p120726 +sg25273 +S'engraving' +p120727 +sg25275 +S'c. 1600' +p120728 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a0008356.jpg' +p120729 +sg25267 +g27 +sa(dp120730 +g25268 +S'Les divers pourtraicts et figures VI' +p120731 +sg25270 +S'Master AD' +p120732 +sg25273 +S'engraving' +p120733 +sg25275 +S'c. 1600' +p120734 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a000834c.jpg' +p120735 +sg25267 +g27 +sa(dp120736 +g25268 +S'Christ as the Man of Sorrows' +p120737 +sg25270 +S'Netherlandish 15th Century' +p120738 +sg25273 +S'Schreiber, Vol. *, no. 909, State alpha' +p120739 +sg25275 +S'\nwoodcut, hand-colored in dark brown, tan and rose' +p120740 +sg25314 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magnam misericordiam tuam' +p120787 +sg25270 +S'Georges Rouault' +p120788 +sa(dp120789 +g25273 +S'portfolio with 2 blank pages, title page, index page, explanatory page, explanatory page w/text, text and 58 mixed etchings' +p120790 +sg25267 +g27 +sg25275 +S'published 1948' +p120791 +sg25268 +S'Miserere' +p120792 +sg25270 +S'Georges Rouault' +p120793 +sa(dp120794 +g25273 +S'aquatint and drypoint over heliogravure' +p120795 +sg25267 +g27 +sg25275 +S'1922' +p120796 +sg25268 +S'Jesus honni ...' +p120797 +sg25270 +S'Georges Rouault' +p120798 +sa(dp120799 +g25268 +S'The Man of Sorrows and His Mother' +p120800 +sg25270 +S'Netherlandish 15th Century' +p120801 +sg25273 +S'plate: 9.6 x 6.8 cm (3 3/4 x 2 11/16 in.)\r\nsheet: 13.6 x 9.7 cm (5 3/8 x 3 13/16 in.)' +p120802 +sg25275 +S'\nwoodcut, hand-colored in rose, blue, lilac, vermilion, mustard yellow, white, brown, and silver' +p120803 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cce9.jpg' +p120804 +sg25267 +g27 +sa(dp120805 +g25273 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avocat, en phrases creuses, clame sa totale inconscience ...' +p120894 +sg25270 +S'Georges Rouault' +p120895 +sa(dp120896 +g25273 +S'aquatint and drypoint over heliogravure' +p120897 +sg25267 +g27 +sg25275 +S'1922' +p120898 +sg25268 +S'sous un Jesus en crois oublie la' +p120899 +sg25270 +S'Georges Rouault' +p120900 +sa(dp120901 +g25273 +S'aquatint and drypoint over heliogravure' +p120902 +sg25267 +g27 +sg25275 +S'1923' +p120903 +sg25268 +S"Il a ete maltraite et opprime et il n'a pas ouvert la bouche" +p120904 +sg25270 +S'Georges Rouault' +p120905 +sa(dp120906 +g25273 +S'aquatint, roulette, and drypoint over heliogravure' +p120907 +sg25267 +g27 +sg25275 +S'1926' +p120908 +sg25268 +S"En tant d'ordres divers, le beau metier d'ensemencer une terre hostile" +p120909 +sg25270 +S'Georges Rouault' +p120910 +sa(dp120911 +g25268 +S'The Man of Sorrows with a Franciscan' +p120912 +sg25270 +S'French 15th Century' +p120913 +sg25273 +S'Schreiber, Vol. *, no. 916, State b' +p120914 +sg25275 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+sg25270 +S'Allart van Everdingen' +p121374 +sg25273 +S'etching' +p121375 +sg25275 +S'probably c. 1645/1656' +p121376 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1b4.jpg' +p121377 +sg25267 +g27 +sa(dp121378 +g25268 +S'Cottage with Two Ladders' +p121379 +sg25270 +S'Allart van Everdingen' +p121380 +sg25273 +S'etching with engraving' +p121381 +sg25275 +S'probably c. 1645/1656' +p121382 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1bd.jpg' +p121383 +sg25267 +g27 +sa(dp121384 +g25268 +S'Firs in the Defile' +p121385 +sg25270 +S'Allart van Everdingen' +p121386 +sg25273 +S'etching with drypoint' +p121387 +sg25275 +S'probably c. 1645/1656' +p121388 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d192.jpg' +p121389 +sg25267 +g27 +sa(dp121390 +g25268 +S'Shepherd with Lamb' +p121391 +sg25270 +S'Allart van Everdingen' +p121392 +sg25273 +S'etching with engraving' +p121393 +sg25275 +S'probably c. 1645/1656' +p121394 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1b0.jpg' +p121395 +sg25267 +g27 +sa(dp121396 +g25268 +S'Two Horsemen on a Rocky Path' +p121397 +sg25270 +S'Allart van Everdingen' +p121398 +sg25273 +S'etching with drypoint' +p121399 +sg25275 +S'probably c. 1645/1656' +p121400 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1a6.jpg' +p121401 +sg25267 +g27 +sa(dp121402 +g25268 +S'The Piet\xc3\xa0' +p121403 +sg25270 +S'German 15th Century' +p121404 +sg25273 +S'Schreiber, no. 978, State a' +p121405 +sg25275 +S'\nwoodcut in brown, hand-colored in yellow ochre, green, rose, and gold' +p121406 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a548.jpg' +p121407 +sg25267 +g27 +sa(dp121408 +g25268 +S'Man on a Small Wooden Bridge' +p121409 +sg25270 +S'Allart van Everdingen' +p121410 +sg25273 +S'etching' +p121411 +sg25275 +S'probably c. 1645/1656' +p121412 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d11b.jpg' +p121413 +sg25267 +g27 +sa(dp121414 +g25268 +S'River at the Foot of a High Rock' +p121415 +sg25270 +S'Allart van Everdingen' +p121416 +sg25273 +S'etching' +p121417 +sg25275 +S'probably c. 1645/1656' +p121418 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d16a.jpg' +p121419 +sg25267 +g27 +sa(dp121420 +g25268 +S'Pointed Boulder at the Bank of a River' +p121421 +sg25270 +S'Allart van Everdingen' +p121422 +sg25273 +S'etching with engraving' +p121423 +sg25275 +S'probably c. 1645/1656' +p121424 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d18e.jpg' +p121425 +sg25267 +g27 +sa(dp121426 +g25268 +S'Hut with the Remains of a Hedge' +p121427 +sg25270 +S'Allart van Everdingen' +p121428 +sg25273 +S'etching' +p121429 +sg25275 +S'probably c. 1645/1656' +p121430 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d140.jpg' +p121431 +sg25267 +g27 +sa(dp121432 +g25268 +S'Berkenrode Castle' +p121433 +sg25270 +S'Pieter Jansz Saenredam' +p121434 +sg25273 +S'engraving' +p121435 +sg25275 +S'probably c. 1628' +p121436 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d3/a000d3af.jpg' +p121437 +sg25267 +g27 +sa(dp121438 +g25268 +S'Ruins of Assemburg Castle' +p121439 +sg25270 +S'Pieter Jansz Saenredam' +p121440 +sg25273 +S'engraving' +p121441 +sg25275 +S'probably c. 1628' +p121442 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d3/a000d3b0.jpg' +p121443 +sg25267 +g27 +sa(dp121444 +g25268 +S'Ice Sleighs' +p121445 +sg25270 +S'Peeter Bout' +p121446 +sg25273 +S'etching' +p121447 +sg25275 +S'unknown date\n' +p121448 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4eb.jpg' +p121449 +sg25267 +g27 +sa(dp121450 +g25268 +S'The Lime-Burner' +p121451 +sg25270 +S'James McNeill Whistler' +p121452 +sg25273 +S'etching' +p121453 +sg25275 +S'1859' +p121454 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000aa/a000aacb.jpg' +p121455 +sg25267 +g27 +sa(dp121456 +g25268 +S'Seaward Skerries' +p121457 +sg25270 +S'Anders Zorn' +p121458 +sg25273 +S'etching' +p121459 +sg25275 +S'1913' +p121460 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed3c.jpg' +p121461 +sg25267 +g27 +sa(dp121462 +g25268 +S'Wet' +p121463 +sg25270 +S'Anders Zorn' +p121464 +sg25273 +S'etching' +p121465 +sg25275 +S'1911' +p121466 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed24.jpg' +p121467 +sg25267 +g27 +sa(dp121468 +g25268 +S'Piet\xc3\xa0 with Saint John' +p121469 +sg25270 +S'German 15th Century' +p121470 +sg25273 +S'Schreiber, Vol. *, no. 981, State o' +p121471 +sg25275 +S'\nwoodcut, hand-colored in blue, red, green, ochre, orange, and gold; with additions in pen and ink' +p121472 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a54b.jpg' +p121473 +sg25267 +g27 +sa(dp121474 +g25268 +S'Procession Leaving a Church (La sortie de la procession)' +p121475 +sg25270 +S'Alphonse Legros' +p121476 +sg25273 +S'etching' +p121477 +sg25275 +S'unknown date\n' +p121478 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b3f.jpg' +p121479 +sg25267 +g27 +sa(dp121480 +g25268 +S"Siesta of a Laborer (Sieste d'un ouvrier)" +p121481 +sg25270 +S'Alphonse Legros' +p121482 +sg25273 +S'drypoint' +p121483 +sg25275 +S'unknown date\n' +p121484 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b79.jpg' +p121485 +sg25267 +g27 +sa(dp121486 +g25268 +S'Salmon Fisher (Le pecheur de saumon)' +p121487 +sg25270 +S'Alphonse Legros' +p121488 +sg25273 +S'etching' +p121489 +sg25275 +S'unknown date\n' +p121490 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b82.jpg' +p121491 +sg25267 +g27 +sa(dp121492 +g25268 +S"Peasant Woman Seated near a Hedge (Paysanne assise pres d'une haie)" +p121493 +sg25270 +S'Alphonse Legros' +p121494 +sg25273 +S'etching and drypoint' +p121495 +sg25275 +S'unknown date\n' +p121496 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a0009914.jpg' +p121497 +sg25267 +g27 +sa(dp121498 +g25268 +S"Choir in a Spanish Church (Le choeur d'une eglise espagnole)" +p121499 +sg25270 +S'Alphonse Legros' +p121500 +sg25273 +S'etching' +p121501 +sg25275 +S'1860' +p121502 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b1e.jpg' +p121503 +sg25267 +g27 +sa(dp121504 +g25268 +S'Shed (Le hangar)' +p121505 +sg25270 +S'Alphonse Legros' +p121506 +sg25273 +S'etching? and drypoint' +p121507 +sg25275 +S'unknown date\n' +p121508 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bdf.jpg' +p121509 +sg25267 +g27 +sa(dp121510 +g25268 +S'Sir E.J. Poynter, P.R.A.' +p121511 +sg25270 +S'Alphonse Legros' +p121512 +sg25273 +S'etching and drypoint?' +p121513 +sg25275 +S'unknown date\n' +p121514 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b27.jpg' +p121515 +sg25267 +g27 +sa(dp121516 +g25268 +S'The Refectory (Le refectoire)' +p121517 +sg25270 +S'Alphonse Legros' +p121518 +sg25273 +S'etching' +p121519 +sg25275 +S'unknown date\n' +p121520 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b21.jpg' +p121521 +sg25267 +g27 +sa(dp121522 +g25268 +S'Bathers (Les baigneuses)' +p121523 +sg25270 +S'Alphonse Legros' +p121524 +sg25273 +S'drypoint' +p121525 +sg25275 +S'unknown date\n' +p121526 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b38.jpg' +p121527 +sg25267 +g27 +sa(dp121528 +g25268 +S'English Beggars (Les mendiants anglais)' +p121529 +sg25270 +S'Alphonse Legros' +p121530 +sg25273 +S'etching and drypoint' +p121531 +sg25275 +S'1875' +p121532 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b4d.jpg' +p121533 +sg25267 +g27 +sa(dp121534 +g25268 +S'Piet\xc3\xa0 with Saint John' +p121535 +sg25270 +S'German 15th Century' +p121536 +sg25273 +S'Schreiber, no. 982' +p121537 +sg25275 +S'\nwoodcut in brown, hand-colored in red, green, tan, yellow, and black' +p121538 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a54a.jpg' +p121539 +sg25267 +g27 +sa(dp121540 +g25268 +S'Farm with Large Tree (La ferme au grand arbre)' +p121541 +sg25270 +S'Alphonse Legros' +p121542 +sg25273 +S'etching, drypoint and aquatint?' +p121543 +sg25275 +S'unknown date\n' +p121544 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b5b.jpg' +p121545 +sg25267 +g27 +sa(dp121546 +g25268 +S'Old Woman Seated (La vieille femme assise)' +p121547 +sg25270 +S'Alphonse Legros' +p121548 +sg25273 +S'etching and drypoint?' +p121549 +sg25275 +S'unknown date\n' +p121550 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00098/a00098fb.jpg' +p121551 +sg25267 +g27 +sa(dp121552 +g25268 +S'Broken Cart (La charrette brisee)' +p121553 +sg25270 +S'Alphonse Legros' +p121554 +sg25273 +S'etching' +p121555 +sg25275 +S'unknown date\n' +p121556 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b4b.jpg' +p121557 +sg25267 +g27 +sa(dp121558 +g25268 +S'Milkmaid of Boulogne, 1st plate (Laitiere a Boulogne)' +p121559 +sg25270 +S'Alphonse Legros' +p121560 +sg25273 +S'etching' +p121561 +sg25275 +S'unknown date\n' +p121562 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b76.jpg' +p121563 +sg25267 +g27 +sa(dp121564 +g25268 +S'Milkmaid of Boulogne, 1st plate (Laitiere a Boulogne)' +p121565 +sg25270 +S'Alphonse Legros' +p121566 +sg25273 +S'etching' +p121567 +sg25275 +S'unknown date\n' +p121568 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b78.jpg' +p121569 +sg25267 +g27 +sa(dp121570 +g25268 +S'Farm on a Hillside in Sunlight (La ferme du coteau; Effet de soleil sur le coteau)' +p121571 +sg25270 +S'Alphonse Legros' +p121572 +sg25273 +S'etching' +p121573 +sg25275 +S'unknown date\n' +p121574 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00098/a00098ec.jpg' +p121575 +sg25267 +g27 +sa(dp121576 +g25268 +S'Farm on a Hillside in Sunlight (La ferme du coteau; Effet de soleil sur le coteau)' +p121577 +sg25270 +S'Alphonse Legros' +p121578 +sg25273 +S'etching' +p121579 +sg25275 +S'unknown date\n' +p121580 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00098/a00098e6.jpg' +p121581 +sg25267 +g27 +sa(dp121582 +g25268 +S'Day-dream (Le reveur)' +p121583 +sg25270 +S'Alphonse Legros' +p121584 +sg25273 +S'drypoint and photo reproductive process?' +p121585 +sg25275 +S'unknown date\n' +p121586 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00098/a00098eb.jpg' +p121587 +sg25267 +g27 +sa(dp121588 +g25268 +S'Woman Reading: Lesson under the Trees (La liseuse: La lecture sous les arbres)' +p121589 +sg25270 +S'Alphonse Legros' +p121590 +sg25273 +S'etching and drypoint?' +p121591 +sg25275 +S'unknown date\n' +p121592 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b83.jpg' +p121593 +sg25267 +g27 +sa(dp121594 +g25268 +S'Traveler Resting (Repos du voyageur)' +p121595 +sg25270 +S'Alphonse Legros' +p121596 +sg25273 +S'etching and drypoint' +p121597 +sg25275 +S'unknown date\n' +p121598 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00098/a00098e7.jpg' +p121599 +sg25267 +g27 +sa(dp121600 +g25268 +S'Christ Sitting on His Tomb with One Angel' +p121601 +sg25270 +S'German 15th Century' +p121602 +sg25273 +S'Schreiber, no. 988' +p121603 +sg25275 +S'\nwoodcut, hand-colored in carmine red and green' +p121604 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a585.jpg' +p121605 +sg25267 +g27 +sa(dp121606 +g25268 +S'Banks of the Liane (Les bords de la Liane)' +p121607 +sg25270 +S'Alphonse Legros' +p121608 +sg25273 +S'etching' +p121609 +sg25275 +S'unknown date\n' +p121610 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00098/a00098ef.jpg' +p121611 +sg25267 +g27 +sa(dp121612 +g25268 +S'Job, 2nd plate' +p121613 +sg25270 +S'Alphonse Legros' +p121614 +sg25273 +S'drypoint and etching? on light green paper' +p121615 +sg25275 +S'unknown date\n' +p121616 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a000991d.jpg' +p121617 +sg25267 +g27 +sa(dp121618 +g25268 +S'Edge of a Brook (Bord de ruisseau)' +p121619 +sg25270 +S'Alphonse Legros' +p121620 +sg25273 +S'drypoint in brown' +p121621 +sg25275 +S'unknown date\n' +p121622 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a0009923.jpg' +p121623 +sg25267 +g27 +sa(dp121624 +g25268 +S'Edge of a Brook (Bord de ruisseau)' +p121625 +sg25270 +S'Alphonse Legros' +p121626 +sg25273 +S'drypoint' +p121627 +sg25275 +S'unknown date\n' +p121628 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a0009925.jpg' +p121629 +sg25267 +g27 +sa(dp121630 +g25268 +S'Thatched Cottage (Chaumiere)' +p121631 +sg25270 +S'Alphonse Legros' +p121632 +sg25273 +S'etching and drypoint' +p121633 +sg25275 +S'unknown date\n' +p121634 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b92.jpg' +p121635 +sg25267 +g27 +sa(dp121636 +g25268 +S"Birch Trees: Water's Edge Seen in Morning Light (Les Bouleaux: Bord de l'eau, effet du matin)" +p121637 +sg25270 +S'Alphonse Legros' +p121638 +sg25273 +S'etching and drypoint?' +p121639 +sg25275 +S'unknown date\n' +p121640 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009ba4.jpg' +p121641 +sg25267 +g27 +sa(dp121642 +g25268 +S'Castle in Spain (Chateau en Espagne)' +p121643 +sg25270 +S'Alphonse Legros' +p121644 +sg25273 +S'drypoint and etching' +p121645 +sg25275 +S'unknown date\n' +p121646 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bd4.jpg' +p121647 +sg25267 +g27 +sa(dp121648 +g25268 +S'Abandoned Village (Le village abondonne)' +p121649 +sg25270 +S'Alphonse Legros' +p121650 +sg25273 +S'etching and drypoint?' +p121651 +sg25275 +S'unknown date\n' +p121652 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009be2.jpg' +p121653 +sg25267 +g27 +sa(dp121654 +g25268 +S'Along the River (Sur la riviere)' +p121655 +sg25270 +S'Alphonse Legros' +p121656 +sg25273 +S'drypoint' +p121657 +sg25275 +S'unknown date\n' +p121658 +sg25314 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+S'Fagot-makers (Les faiseurs de fagots)' +p121679 +sg25270 +S'Alphonse Legros' +p121680 +sg25273 +S'etching and drypoint' +p121681 +sg25275 +S'unknown date\n' +p121682 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b73.jpg' +p121683 +sg25267 +g27 +sa(dp121684 +g25268 +S"Landscape with Storm (Paysage d'orage)" +p121685 +sg25270 +S'Alphonse Legros' +p121686 +sg25273 +S'etching and drypoint' +p121687 +sg25275 +S'unknown date\n' +p121688 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c47.jpg' +p121689 +sg25267 +g27 +sa(dp121690 +g25268 +S'Returning with the Hay (Rentrant le foin)' +p121691 +sg25270 +S'Alphonse Legros' +p121692 +sg25273 +S'etching and drypoint' +p121693 +sg25275 +S'unknown date\n' +p121694 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c4b.jpg' +p121695 +sg25267 +g27 +sa(dp121696 +g25268 +S'Return from the Fields (Le retour des champs)' +p121697 +sg25270 +S'Alphonse Legros' +p121698 +sg25273 +S'etching' +p121699 +sg25275 +S'unknown date\n' +p121700 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Covens' +p123262 +sa(dp123263 +g25273 +S'engraving' +p123264 +sg25267 +g27 +sg25275 +S'unknown date\n' +p123265 +sg25268 +S'John Calvin' +p123266 +sg25270 +S'Unknown 19th Century' +p123267 +sa(dp123268 +g25273 +S'engraving' +p123269 +sg25267 +g27 +sg25275 +S'unknown date\n' +p123270 +sg25268 +S'William Camden, Herald, Antiquary and Historian' +p123271 +sg25270 +S'Nicolas de Larmessin IV' +p123272 +sa(dp123273 +g25273 +S'engraving' +p123274 +sg25267 +g27 +sg25275 +S'published 1650' +p123275 +sg25268 +S'William Camden, Herald, Antiquary and Historian' +p123276 +sg25270 +S'Unknown 19th Century' +p123277 +sa(dp123278 +g25273 +S'engraving' +p123279 +sg25267 +g27 +sg25275 +S'unknown date\n' +p123280 +sg25268 +S'Vincentius Carafa, Jesuit' +p123281 +sg25270 +S'Unknown 19th Century' +p123282 +sa(dp123283 +g25273 +S'engraving' +p123284 +sg25267 +g27 +sg25275 +S'1675' +p123285 +sg25268 +S'Peter de Carcavy' +p123286 +sg25270 +S'Gerard Edelinck' +p123287 +sa(dp123288 +g25273 +S'mezzotint' +p123289 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date\n' +p123397 +sg25268 +S'Charles, Archduke of Austria' +p123398 +sg25270 +S'Pieter de Jode I' +p123399 +sa(dp123400 +g25273 +S'engraving' +p123401 +sg25267 +g27 +sg25275 +S'unknown date\n' +p123402 +sg25268 +S'Charles I' +p123403 +sg25270 +S'Unknown 19th Century' +p123404 +sa(dp123405 +g25273 +S', unknown date' +p123406 +sg25267 +g27 +sg25275 +S'\n' +p123407 +sg25268 +S'Charles I, Prince of Great Britain and Ireland, Duc of Cornwall and Yorck' +p123408 +sg25270 +S'Simon van de Passe' +p123409 +sa(dp123410 +g25273 +S'engraving' +p123411 +sg25267 +g27 +sg25275 +S'published 1616' +p123412 +sg25268 +S'Charles Prince of Wales (Charles I)' +p123413 +sg25270 +S'Francis Delaram' +p123414 +sa(dp123415 +g25273 +S'engraving' +p123416 +sg25267 +g27 +sg25275 +S'1626' +p123417 +sg25268 +S'Charles I' +p123418 +sg25270 +S'Hendrik Hondius I' +p123419 +sa(dp123420 +g25268 +S'Saint Alto, Saint Bridget and the Founders of the Mariamunster' +p123421 +sg25270 +S'German 15th Century' +p123422 +sg25273 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VI' +p123525 +sg25270 +S'Artist Information (' +p123526 +sa(dp123527 +g25273 +S'engraving' +p123528 +sg25267 +g27 +sg25275 +S'1615' +p123529 +sg25268 +S'Christian II' +p123530 +sg25270 +S'Lucas Kilian' +p123531 +sa(dp123532 +g25268 +S'Saint Anne, The Madonna and Child, and a Franciscan Monk' +p123533 +sg25270 +S'German 15th Century' +p123534 +sg25273 +S'Schreiber, Vol. *, no. 1197, State a' +p123535 +sg25275 +S'\nwoodcut, hand-colored red lake, green, rose, yellow, and gray' +p123536 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a550.jpg' +p123537 +sg25267 +g27 +sa(dp123538 +g25273 +S', published 1598' +p123539 +sg25267 +g27 +sg25275 +S'\n' +p123540 +sg25268 +S'Christian IV, King of Denmark' +p123541 +sg25270 +S'Crispijn van de Passe I' +p123542 +sa(dp123543 +g25273 +S'(artist after)' +p123544 +sg25267 +g27 +sg25275 +S'\n' +p123545 +sg25268 +S'Christian IV of Denmark' +p123546 +sg25270 +S'Artist Information (' +p123547 +sa(dp123548 +g25273 +S'engraving' +p123549 +sg25267 +g27 +sg25275 +S'unknown date\n' +p123550 +sg25268 +S'Christian IV of Denmark' +p123551 +sg25270 +S'Jodocus Hondius I' +p123552 +sa(dp123553 +g25273 +S'engraving' +p123554 +sg25267 +g27 +sg25275 +S'1625' +p123555 +sg25268 +S'Christian IV of Denmark' +p123556 +sg25270 +S'Lucas Kilian' +p123557 +sa(dp123558 +g25273 +S', unknown date' +p123559 +sg25267 +g27 +sg25275 +S'\n' +p123560 +sg25268 +S'Christian IV, King of Denmark' +p123561 +sg25270 +S'Crispijn van de Passe I' +p123562 +sa(dp123563 +g25273 +S'engraving' +p123564 +sg25267 +g27 +sg25275 +S'unknown date\n' +p123565 +sg25268 +S'Christian IV, King of Denmark' +p123566 +sg25270 +S'Gottlieb Muller' +p123567 +sa(dp123568 +g25273 +S'(artist after)' +p123569 +sg25267 +g27 +sg25275 +S'\n' +p123570 +sg25268 +S'Prince Christian, Son of Christian IV' +p123571 +sg25270 +S'Artist Information (' +p123572 +sa(dp123573 +g25273 +S'engraving' +p123574 +sg25267 +g27 +sg25275 +S'unknown date\n' +p123575 +sg25268 +S'Christian, Markgraf of Brandenburg' 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date\n' +p123652 +sg25268 +S'Sir Edward Coke, Knight, Lord Chief Justice' +p123653 +sg25270 +S'J. Cooper' +p123654 +sa(dp123655 +g25273 +S'(artist after)' +p123656 +sg25267 +g27 +sg25275 +S'\n' +p123657 +sg25268 +S'Lady Mary Coke, Wife of Edward, Viscount Coke' +p123658 +sg25270 +S'Artist Information (' +p123659 +sa(dp123660 +g25273 +S'(artist)' +p123661 +sg25267 +g27 +sg25275 +S'\n' +p123662 +sg25268 +S"John Colet, Dean of Saint Paul's" +p123663 +sg25270 +S'Artist Information (' +p123664 +sa(dp123665 +g25273 +S'engraving' +p123666 +sg25267 +g27 +sg25275 +S'unknown date\n' +p123667 +sg25268 +S'Louise de Coligny, Fourth Wife of William I of Orange' +p123668 +sg25270 +S'Crispyn van den Queboorn' +p123669 +sa(dp123670 +g25273 +S'engraving' +p123671 +sg25267 +g27 +sg25275 +S'unknown date\n' +p123672 +sg25268 +S'Petrus Collins' +p123673 +sg25270 +S'Cornelis Galle I' +p123674 +sa(dp123675 +g25273 +S'engraving' +p123676 +sg25267 +g27 +sg25275 +S'unknown date\n' +p123677 +sg25268 +S'Petrus Collins' +p123678 +sg25270 +S'Cornelis Galle I' +p123679 +sa(dp123680 +g25273 +S'engraving' +p123681 +sg25267 +g27 +sg25275 +S'unknown date\n' +p123682 +sg25268 +S'Christopher Columbus' +p123683 +sg25270 +S'Unknown 19th Century' +p123684 +sa(dp123685 +g25273 +S'(artist after)' +p123686 +sg25267 +g27 +sg25275 +S'\n' +p123687 +sg25268 +S'Captain Thomas Coram' +p123688 +sg25270 +S'Artist Information (' +p123689 +sa(dp123690 +g25273 +S'(artist after)' +p123691 +sg25267 +g27 +sg25275 +S'\n' +p123692 +sg25268 +S'Francisco Cornaro' +p123693 +sg25270 +S'Artist Information (' +p123694 +sa(dp123695 +g25273 +S'engraving' +p123696 +sg25267 +g27 +sg25275 +S'unknown date\n' +p123697 +sg25268 +S'R. P. Francis Coster' +p123698 +sg25270 +S'Lucas Emil Vorsterman' +p123699 +sa(dp123700 +g25268 +S'Saint Augustine' +p123701 +sg25270 +S'German 15th Century' +p123702 +sg25273 +S'Schreiber, no. 1242, State a' +p123703 +sg25275 +S'\nwoodcut, hand-colored in black, brown, ochre, green, tan, brick red, and mauve' +p123704 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a63b.jpg' +p123705 +sg25267 +g27 +sa(dp123706 +g25273 +S'engraving' +p123707 +sg25267 +g27 +sg25275 +S'unknown date\n' +p123708 +sg25268 +S'Abraham Cowley' +p123709 +sg25270 +S'John Hall' +p123710 +sa(dp123711 +g25273 +S'engraving' +p123712 +sg25267 +g27 +sg25275 +S'1599' +p123713 +sg25268 +S'Thomas Cranmer, Archbishop of Canterbury' +p123714 +sg25270 +S'Hendrik Hondius I' +p123715 +sa(dp123716 +g25273 +S'(artist)' +p123717 +sg25267 +g27 +sg25275 +S'\n' +p123718 +sg25268 +S'Thomas Cranmer' +p123719 +sg25270 +S'Artist Information (' +p123720 +sa(dp123721 +g25273 +S'British, 1618 - 1680' +p123722 +sg25267 +g27 +sg25275 +S'(artist after)' +p123723 +sg25268 +S'Oliver Cromwell, Lord Protector' +p123724 +sg25270 +S'Artist Information (' +p123725 +sa(dp123726 +g25273 +S'engraving' +p123727 +sg25267 +g27 +sg25275 +S'unknown date\n' +p123728 +sg25268 +S'Oliver Cromwell' +p123729 +sg25270 +S'George Bickham, d. A.' +p123730 +sa(dp123731 +g25273 +S'(artist)' +p123732 +sg25267 +g27 +sg25275 +S'\n' +p123733 +sg25268 +S'George Clifford, Third Earl of Cumberland' +p123734 +sg25270 +S'Artist Information (' +p123735 +sa(dp123736 +g25273 +S'(artist after)' +p123737 +sg25267 +g27 +sg25275 +S'\n' +p123738 +sg25268 +S'Cornelius van Dalen' +p123739 +sg25270 +S'Artist Information (' +p123740 +sa(dp123741 +g25273 +S'engraving' +p123742 +sg25267 +g27 +sg25275 +S'unknown date\n' +p123743 +sg25268 +S'Abraham Darssie' +p123744 +sg25270 +S'Francis Delaram' +p123745 +sa(dp123746 +g25273 +S'engraving' +p123747 +sg25267 +g27 +sg25275 +S'unknown date\n' +p123748 +sg25268 +S'Abraham Darssie' +p123749 +sg25270 +S'Francis Delaram' +p123750 +sa(dp123751 +g25273 +S'engraving' +p123752 +sg25267 +g27 +sg25275 +S'unknown date\n' +p123753 +sg25268 +S'Anne Dautri' +p123754 +sg25270 +S'Unknown 19th Century' +p123755 +sa(dp123756 +g25268 +S'Saint Barbara' +p123757 +sg25270 +S'German 15th Century' +p123758 +sg25273 +S'image: 18.4 x 12 cm (7 1/4 x 4 3/4 in.)\r\nsheet: 20.9 x 15 cm (8 1/4 x 5 7/8 in.)\r\noverall (external frame dimensions): 39.4 x 31.8 cm (15 1/2 x 12 1/2 in.)' +p123759 +sg25275 +S'\nwoodcut, hand-colored in red lake, yellow, green, and rose' +p123760 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00056/a000562d.jpg' +p123761 +sg25267 +g27 +sa(dp123762 +g25273 +S'engraving' +p123763 +sg25267 +g27 +sg25275 +S'1609' +p123764 +sg25268 +S'Samuel David' +p123765 +sg25270 +S'Thomas Cockson' +p123766 +sa(dp123767 +g25273 +S', 1562' +p123768 +sg25267 +g27 +sg25275 +S'\n' +p123769 +sg25268 +S'John Day, Printer' +p123770 +sg25270 +S'John Bettes' +p123771 +sa(dp123772 +g25273 +S'engraving' +p123773 +sg25267 +g27 +sg25275 +S'1589' +p123774 +sg25268 +S"D'Ayrail" +p123775 +sg25270 +S'Thomas de Leu' +p123776 +sa(dp123777 +g25268 +S'Nicolaus Petri van Deventer' +p123778 +sg25270 +S'Hendrick Goltzius' +p123779 +sg25273 +S', 1595' +p123780 +sg25275 +S'\n' +p123781 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ce34.jpg' +p123782 +sg25267 +g27 +sa(dp123783 +g25273 +S'(artist)' +p123784 +sg25267 +g27 +sg25275 +S'\n' +p123785 +sg25268 +S'Edward Dering, Puritan Divine' +p123786 +sg25270 +S'Artist Information (' +p123787 +sa(dp123788 +g25273 +S'(artist after)' +p123789 +sg25267 +g27 +sg25275 +S'\n' +p123790 +sg25268 +S'Sir Kenelm Digby, Author and Diplomatist' +p123791 +sg25270 +S'Artist Information (' +p123792 +sa(dp123793 +g25273 +S'engraving' +p123794 +sg25267 +g27 +sg25275 +S'unknown date\n' +p123795 +sg25268 +S'Sir Thomas Docwra' +p123796 +sg25270 +S'William Rogers' +p123797 +sa(dp123798 +g25273 +S'engraving' +p123799 +sg25267 +g27 +sg25275 +S'published 1602' +p123800 +sg25268 +S'Sir Thomas Docwra, Knight of Malta' +p123801 +sg25270 +S'William Rogers' +p123802 +sa(dp123803 +g25273 +S'woodcut' +p123804 +sg25267 +g27 +sg25275 +S'unknown date\n' +p123805 +sg25268 +S'Rembret Dodoens' +p123806 +sg25270 +S'Unknown 19th Century' +p123807 +sa(dp123808 +g25273 +S'(artist after)' +p123809 +sg25267 +g27 +sg25275 +S'\n' +p123810 +sg25268 +S'Marc Antonio de Dominis' +p123811 +sg25270 +S'Artist Information (' +p123812 +sa(dp123813 +g25268 +S'Martyrdom of Saint Barbara' +p123814 +sg25270 +S'German 15th Century' +p123815 +sg25273 +S'Schreiber, no. 1260, State b' +p123816 +sg25275 +S'\nwoodcut in brown, hand-colored in red lake, green, blue, yellow, gold, and orange' +p123817 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a609.jpg' +p123818 +sg25267 +g27 +sa(dp123819 +g25273 +S'Dutch, 1567 - 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+sg25275 +S'unknown date\n' +p125462 +sg25268 +S'Henry VII of England' +p125463 +sg25270 +S'Renold Elstrack' +p125464 +sa(dp125465 +g25273 +S'engraving' +p125466 +sg25267 +g27 +sg25275 +S'published 1638' +p125467 +sg25268 +S'Henry VII of England' +p125468 +sg25270 +S'Renold Elstrack' +p125469 +sa(dp125470 +g25273 +S'engraving' +p125471 +sg25267 +g27 +sg25275 +S'unknown date\n' +p125472 +sg25268 +S'Henry VII of England' +p125473 +sg25270 +S'Michel Lasne' +p125474 +sa(dp125475 +g25273 +S'engraving' +p125476 +sg25267 +g27 +sg25275 +S'unknown date\n' +p125477 +sg25268 +S'King Henry VII' +p125478 +sg25270 +S'John Payne' +p125479 +sa(dp125480 +g25273 +S'engraving' +p125481 +sg25267 +g27 +sg25275 +S'unknown date\n' +p125482 +sg25268 +S'Henrici VIII Angliae, Franciae et Hiberniam Rex (King Henry VIII)' +p125483 +sg25270 +S'Francis Delaram' +p125484 +sa(dp125485 +g25273 +S'engraving' +p125486 +sg25267 +g27 +sg25275 +S'unknown date\n' +p125487 +sg25268 +S'Henrici VIII Angliae, Franciae et 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+sa(dp125511 +g25273 +S'(artist after)' +p125512 +sg25267 +g27 +sg25275 +S'\n' +p125513 +sg25268 +S'Henry VIII' +p125514 +sg25270 +S'Artist Information (' +p125515 +sa(dp125516 +g25273 +S'engraving' +p125517 +sg25267 +g27 +sg25275 +S'1548' +p125518 +sg25268 +S'Henry VIII' +p125519 +sg25270 +S'Cornelius Matsys' +p125520 +sa(dp125521 +g25273 +S'(artist)' +p125522 +sg25267 +g27 +sg25275 +S'\n' +p125523 +sg25268 +S'Henry VIII' +p125524 +sg25270 +S'Artist Information (' +p125525 +sa(dp125526 +g25273 +S'engraving' +p125527 +sg25267 +g27 +sg25275 +S'unknown date\n' +p125528 +sg25268 +S'Henry, Duke of Savoy, Nemours and Geneva' +p125529 +sg25270 +S'Thomas de Leu' +p125530 +sa(dp125531 +g25273 +S', published 1604' +p125532 +sg25267 +g27 +sg25275 +S'\n' +p125533 +sg25268 +S'Henry Frederick, Prince of Wales' +p125534 +sg25270 +S'Crispijn van de Passe I' +p125535 +sa(dp125536 +g25273 +S', published 1604' +p125537 +sg25267 +g27 +sg25275 +S'\n' +p125538 +sg25268 +S'Henry Frederick, Prince of Wales' 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yellow, rose, orange, and blue' +p125723 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005b/a0005b37.jpg' +p125724 +sg25267 +g27 +sa(dp125725 +g25273 +S', unknown date' +p125726 +sg25267 +g27 +sg25275 +S'\n' +p125727 +sg25268 +S'Isabella, Third Wife of Philip II of Spain' +p125728 +sg25270 +S'Hieronymus Cock' +p125729 +sa(dp125730 +g25273 +S'engraving' +p125731 +sg25267 +g27 +sg25275 +S'unknown date\n' +p125732 +sg25268 +S'Isabella, Wife of Philip IV of Spain' +p125733 +sg25270 +S'Unknown 19th Century' +p125734 +sa(dp125735 +g25273 +S', unknown date' +p125736 +sg25267 +g27 +sg25275 +S'\n' +p125737 +sg25268 +S'Isabella Clara Eugenia, Infanta' +p125738 +sg25270 +S'Crispijn van de Passe I' +p125739 +sa(dp125740 +g25273 +S'engraving' +p125741 +sg25267 +g27 +sg25275 +S'unknown date\n' +p125742 +sg25268 +S'Isabella Clara Eugenie' +p125743 +sg25270 +S'Unknown 19th Century' +p125744 +sa(dp125745 +g25273 +S', unknown date' +p125746 +sg25267 +g27 +sg25275 +S'\n' +p125747 +sg25268 +S'Isabella Clara Eugenia, Infanta' +p125748 +sg25270 +S'Crispijn van de Passe I' +p125749 +sa(dp125750 +g25273 +S'Dutch, 1571 - 1635' +p125751 +sg25267 +g27 +sg25275 +S'(artist after)' +p125752 +sg25268 +S'Isabella Clara Eugenie of Austria, Spain and Countess of Flanders' +p125753 +sg25270 +S'Artist Information (' +p125754 +sa(dp125755 +g25273 +S'engraving' +p125756 +sg25267 +g27 +sg25275 +S'unknown date\n' +p125757 +sg25268 +S'Isabella Clara Eugenie of Spain, Archduchess of Austria' +p125758 +sg25270 +S'Antonie Wierix' +p125759 +sa(dp125760 +g25273 +S'engraving' +p125761 +sg25267 +g27 +sg25275 +S'unknown date\n' +p125762 +sg25268 +S'Isabella Clara Eugenie, Wife of Albert VII' +p125763 +sg25270 +S'Pieter de Jode I' +p125764 +sa(dp125765 +g25273 +S'(artist after)' +p125766 +sg25267 +g27 +sg25275 +S'\n' +p125767 +sg25268 +S'Isabella Clara Eugenie as a Nun' +p125768 +sg25270 +S'Artist Information (' +p125769 +sa(dp125770 +g25273 +S'(artist after)' +p125771 +sg25267 +g27 +sg25275 +S'\n' +p125772 +sg25268 +S'Isabella Clara Eugenia, Infanta of Spain' +p125773 +sg25270 +S'Artist Information (' +p125774 +sa(dp125775 +g25268 +S'Saint Margaret' +p125776 +sg25270 +S'German 15th Century' +p125777 +sg25273 +S'Schreiber, Vol. IX, no. 1615, State a' +p125778 +sg25275 +S'\nwoodcut, hand-colored in red, blue, yellow, vermilion, and gold' +p125779 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a581.jpg' +p125780 +sg25267 +g27 +sa(dp125781 +g25273 +S'(artist after)' +p125782 +sg25267 +g27 +sg25275 +S'\n' +p125783 +sg25268 +S'Isabella Clara Eugenia as a Nun' +p125784 +sg25270 +S'Artist Information (' +p125785 +sa(dp125786 +g25273 +S'(artist after)' +p125787 +sg25267 +g27 +sg25275 +S'\n' +p125788 +sg25268 +S'Sir Thomas Isham' +p125789 +sg25270 +S'Artist Information (' +p125790 +sa(dp125791 +g25273 +S', published 1604' +p125792 +sg25267 +g27 +sg25275 +S'\n' +p125793 +sg25268 +S'James I, King of England' +p125794 +sg25270 +S'Crispijn van de Passe I' +p125795 +sa(dp125796 +g25273 +S', published 1604' +p125797 +sg25267 +g27 +sg25275 +S'\n' +p125798 +sg25268 +S'James I, King of England' +p125799 +sg25270 +S'Crispijn van de Passe I' +p125800 +sa(dp125801 +g25273 +S', published 1604' +p125802 +sg25267 +g27 +sg25275 +S'\n' +p125803 +sg25268 +S'James I, King of England' +p125804 +sg25270 +S'Crispijn van de Passe I' +p125805 +sa(dp125806 +g25273 +S'engraving' +p125807 +sg25267 +g27 +sg25275 +S'unknown date\n' +p125808 +sg25268 +S'King James I' +p125809 +sg25270 +S'Unknown 19th Century' +p125810 +sa(dp125811 +g25273 +S', 1622' +p125812 +sg25267 +g27 +sg25275 +S'\n' +p125813 +sg25268 +S'James I, King of England' +p125814 +sg25270 +S'Crispijn van de Passe I' +p125815 +sa(dp125816 +g25273 +S', unknown date' +p125817 +sg25267 +g27 +sg25275 +S'\n' +p125818 +sg25268 +S'James I of England' +p125819 +sg25270 +S'Simon van de Passe' +p125820 +sa(dp125821 +g25273 +S'engraving [facsimile]' +p125822 +sg25267 +g27 +sg25275 +S'1603' +p125823 +sg25268 +S'King James I' +p125824 +sg25270 +S'George 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Heinsius' +p126096 +sa(dp126097 +g25273 +S'(artist)' +p126098 +sg25267 +g27 +sg25275 +S'\n' +p126099 +sg25268 +S'Hugh Latimer, Bishop of Worcester, Protestant Martyr' +p126100 +sg25270 +S'Artist Information (' +p126101 +sa(dp126102 +g25273 +S', unknown date' +p126103 +sg25267 +g27 +sg25275 +S'\n' +p126104 +sg25268 +S'William Laud, Archbishop of Canterbury' +p126105 +sg25270 +S'Claes Jansz Visscher' +p126106 +sa(dp126107 +g25273 +S'engraving' +p126108 +sg25267 +g27 +sg25275 +S'1577' +p126109 +sg25268 +S'Andreas Laurent, Doctor of Henry IV of France' +p126110 +sg25270 +S'Unknown 19th Century' +p126111 +sa(dp126112 +g25268 +S'Saint Poppo' +p126113 +sg25270 +S'Netherlandish 15th Century' +p126114 +sg25273 +S'sheet (trimmed to image): 10.3 x 6.8 cm (4 1/16 x 2 11/16 in.)' +p126115 +sg25275 +S'\nwoodcut, hand-colored in green, red and yellow; printed on vellum and retouched' +p126116 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cc/a000ccea.jpg' +p126117 +sg25267 +g27 +sa(dp126118 +g25273 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Century' +p126220 +sa(dp126221 +g25273 +S', 1587' +p126222 +sg25267 +g27 +sg25275 +S'\n' +p126223 +sg25268 +S'Justus Lipsius' +p126224 +sg25270 +S'Crispijn van de Passe I' +p126225 +sa(dp126226 +g25268 +S'Saint Sebaldus and Saint Lawrence' +p126227 +sg25270 +S'German 15th Century' +p126228 +sg25273 +S'Schreiber, no. 1675' +p126229 +sg25275 +S'\nwoodcut, hand-colored in blue, red, yellow, green, and orange' +p126230 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a639.jpg' +p126231 +sg25267 +g27 +sa(dp126232 +g25273 +S'engraving' +p126233 +sg25267 +g27 +sg25275 +S'1591' +p126234 +sg25268 +S'Justus Lipsius' +p126235 +sg25270 +S'Bartolomeus Willemsz Dolendo' +p126236 +sa(dp126237 +g25273 +S'engraving' +p126238 +sg25267 +g27 +sg25275 +S'unknown date\n' +p126239 +sg25268 +S'Justus Lipsius' +p126240 +sg25270 +S'Jacques de Fornazeris' +p126241 +sa(dp126242 +g25273 +S'(artist after)' +p126243 +sg25267 +g27 +sg25275 +S'\n' +p126244 +sg25268 +S'Henry Cornelius Longkius' +p126245 +sg25270 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+g25273 +S'(artist after)' +p126370 +sg25267 +g27 +sg25275 +S'\n' +p126371 +sg25268 +S'Her Royal Highness Princess Louisa Anne' +p126372 +sg25270 +S'Artist Information (' +p126373 +sa(dp126374 +g25273 +S', unknown date' +p126375 +sg25267 +g27 +sg25275 +S'\n' +p126376 +sg25268 +S'Louise Juliana of Nassau, Electress Palatine' +p126377 +sg25270 +S'Crispijn van de Passe I' +p126378 +sa(dp126379 +g25273 +S'engraving' +p126380 +sg25267 +g27 +sg25275 +S'unknown date\n' +p126381 +sg25268 +S'Louise Juliana, Wife of Frederick IV' +p126382 +sg25270 +S'Unknown 19th Century' +p126383 +sa(dp126384 +g25273 +S'engraving' +p126385 +sg25267 +g27 +sg25275 +S'unknown date\n' +p126386 +sg25268 +S'Louise Juliana, Wife of Frederick IV' +p126387 +sg25270 +S'Unknown 19th Century' +p126388 +sa(dp126389 +g25273 +S'engraving' +p126390 +sg25267 +g27 +sg25275 +S'unknown date\n' +p126391 +sg25268 +S'Saint Ignatius de Loyola, Founder of the Jesuits' +p126392 +sg25270 +S'Unknown 19th Century' +p126393 +sa(dp126394 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+g27 +sg25275 +S'unknown date\n' +p126775 +sg25268 +S'Maximilian I, Duke of Bavaria' +p126776 +sg25270 +S'Jan Sadeler I' +p126777 +sa(dp126778 +g25273 +S'engraving' +p126779 +sg25267 +g27 +sg25275 +S'1594' +p126780 +sg25268 +S'Maximilian II, Roman Emperor' +p126781 +sg25270 +S'Unknown 19th Century' +p126782 +sa(dp126783 +g25273 +S'engraving' +p126784 +sg25267 +g27 +sg25275 +S'unknown date\n' +p126785 +sg25268 +S'Maximilian II, Roman Emperor' +p126786 +sg25270 +S'Frans Huys' +p126787 +sa(dp126788 +g25268 +S'Purgatory' +p126789 +sg25270 +S'German 15th Century' +p126790 +sg25273 +S'Schreiber, no. 1834, State (?)' +p126791 +sg25275 +S'\nwoodcut, hand-colored in orange, red lake, green, yellow, and gold' +p126792 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a59a.jpg' +p126793 +sg25267 +g27 +sa(dp126794 +g25273 +S'(artist after)' +p126795 +sg25267 +g27 +sg25275 +S'\n' +p126796 +sg25268 +S'Maximilian II' +p126797 +sg25270 +S'Artist Information (' +p126798 +sa(dp126799 +g25268 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27 cm (15 3/8 x 10 5/8 in.)\r\noverall (exterior frame dimensions): 59.7 x 44.5 cm (23 1/2 x 17 1/2 in.)' +p126848 +sg25275 +S'\nwoodcut, hand-colored in rose, green, yellow and gray; printed by friction in brown ink' +p126849 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00050/a0005034.jpg' +p126850 +sg25267 +g27 +sa(dp126851 +g25273 +S'engraving' +p126852 +sg25267 +g27 +sg25275 +S'unknown date\n' +p126853 +sg25268 +S'Marie de Medici, Wife of Henry IV of France' +p126854 +sg25270 +S'Unknown 19th Century' +p126855 +sa(dp126856 +g25273 +S'engraving' +p126857 +sg25267 +g27 +sg25275 +S'unknown date\n' +p126858 +sg25268 +S'Marie de Medici, Wife of Henry IV of France' +p126859 +sg25270 +S'Unknown 19th Century' +p126860 +sa(dp126861 +g25273 +S', 1601' +p126862 +sg25267 +g27 +sg25275 +S'\n' +p126863 +sg25268 +S'Marie de Medicis, Queen of France' +p126864 +sg25270 +S'Crispijn van de Passe I' +p126865 +sa(dp126866 +g25273 +S'engraving' +p126867 +sg25267 +g27 +sg25275 +S'unknown date\n' +p126868 +sg25268 +S'Marie de Medici, Wife of Henry IV of France' +p126869 +sg25270 +S'Unknown 19th Century' +p126870 +sa(dp126871 +g25273 +S'engraving' +p126872 +sg25267 +g27 +sg25275 +S'1625' +p126873 +sg25268 +S'Marie de Medici (?)' +p126874 +sg25270 +S'Unknown 19th Century' +p126875 +sa(dp126876 +g25273 +S'engraving' +p126877 +sg25267 +g27 +sg25275 +S'unknown date\n' +p126878 +sg25268 +S'Marie de Medici, Wife of Henry IV of France' +p126879 +sg25270 +S'Thomas de Leu' +p126880 +sa(dp126881 +g25273 +S'engraving' +p126882 +sg25267 +g27 +sg25275 +S'unknown date\n' +p126883 +sg25268 +S'Marie de Medici, Wife of Henry IV of France' +p126884 +sg25270 +S'Thomas Cockson' +p126885 +sa(dp126886 +g25273 +S'engraving' +p126887 +sg25267 +g27 +sg25275 +S'unknown date\n' +p126888 +sg25268 +S'Maria de Medici' +p126889 +sg25270 +S'Johan Wierix' +p126890 +sa(dp126891 +g25268 +S'Marie de Medici' +p126892 +sg25270 +S'French 17th Century' +p126893 +sg25273 +S'Rosenwald Collection' +p126894 +sg25275 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+sg25270 +S'Karel van Sichem' +p126915 +sg25273 +S'engraving' +p126916 +sg25275 +S'published 1626' +p126917 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d3/a000d3b7.jpg' +p126918 +sg25267 +g27 +sa(dp126919 +g25273 +S'(artist after)' +p126920 +sg25267 +g27 +sg25275 +S'\n' +p126921 +sg25268 +S'Admiral Jan Cornelius Meppel of Holland' +p126922 +sg25270 +S'Artist Information (' +p126923 +sa(dp126924 +g25273 +S'engraving, colored' +p126925 +sg25267 +g27 +sg25275 +S'1574' +p126926 +sg25268 +S'Gerard Mercator' +p126927 +sg25270 +S'Franz Hogenberg' +p126928 +sa(dp126929 +g25273 +S'engraving' +p126930 +sg25267 +g27 +sg25275 +S'unknown date\n' +p126931 +sg25268 +S'Joannes van Meurs, Dutch Classical Scholar' +p126932 +sg25270 +S'Unknown 19th Century' +p126933 +sa(dp126934 +g25273 +S', 1631' +p126935 +sg25267 +g27 +sg25275 +S'\n' +p126936 +sg25268 +S'Johannes Meursius, Historian' +p126937 +sg25270 +S'Simon van de Passe' +p126938 +sa(dp126939 +g25273 +S', 1631' +p126940 +sg25267 +g27 +sg25275 +S'\n' +p126941 +sg25268 +S'Johannes Meursius, Historian' +p126942 +sg25270 +S'Simon van de Passe' +p126943 +sa(dp126944 +g25273 +S'engraving' +p126945 +sg25267 +g27 +sg25275 +S'unknown date\n' +p126946 +sg25268 +S'Petrus Molineus' +p126947 +sg25270 +S'Thomas de Leu' +p126948 +sa(dp126949 +g25273 +S'engraving' +p126950 +sg25267 +g27 +sg25275 +S'unknown date\n' +p126951 +sg25268 +S'Portrait of a Man in an Oval with Cupids Decoration' +p126952 +sg25270 +S'Unknown 19th Century' +p126953 +sa(dp126954 +g25273 +S'(artist after)' +p126955 +sg25267 +g27 +sg25275 +S'\n' +p126956 +sg25268 +S'Ann, Wife of James Scott, Duke of Monmouth and Buccleuch' +p126957 +sg25270 +S'Artist Information (' +p126958 +sa(dp126959 +g25268 +S'Calendar with the Nativity and Adoration' +p126960 +sg25270 +S'German 15th Century' +p126961 +sg25273 +S'Schreiber, no. 1906, State m' +p126962 +sg25275 +S'\nwoodcut' +p126963 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a63f.jpg' +p126964 +sg25267 +g27 +sa(dp126965 +g25273 +S'(artist after)' +p126966 +sg25267 +g27 +sg25275 +S'\n' +p126967 +sg25268 +S'James, Duke of Monmouth and Buccleuch' +p126968 +sg25270 +S'Artist Information (' +p126969 +sa(dp126970 +g25273 +S'(artist)' +p126971 +sg25267 +g27 +sg25275 +S'\n' +p126972 +sg25268 +S'James Montagu, Bishop of Winchester' +p126973 +sg25270 +S'Artist Information (' +p126974 +sa(dp126975 +g25273 +S'engraving' +p126976 +sg25267 +g27 +sg25275 +S'unknown date\n' +p126977 +sg25268 +S'James Graham, First Marquess of Montrose' +p126978 +sg25270 +S'Adriaen Matham' +p126979 +sa(dp126980 +g25273 +S'engraving' +p126981 +sg25267 +g27 +sg25275 +S'unknown date\n' +p126982 +sg25268 +S'James Graham, First Marquess of Montrose' +p126983 +sg25270 +S'Paulus Pontius' +p126984 +sa(dp126985 +g25273 +S'(artist after)' +p126986 +sg25267 +g27 +sg25275 +S'\n' +p126987 +sg25268 +S'Sir John Moore' +p126988 +sg25270 +S'Artist Information (' +p126989 +sa(dp126990 +g25273 +S', unknown date' +p126991 +sg25267 +g27 +sg25275 +S'\n' +p126992 +sg25268 +S'Alexander Morus' +p126993 +sg25270 +S'Crispijn van de Passe II' +p126994 +sa(dp126995 +g25273 +S'Dutch, c. 1565 - 1637' +p126996 +sg25267 +g27 +sg25275 +S'(artist after)' +p126997 +sg25268 +S'Alexander More' +p126998 +sg25270 +S'Artist Information (' +p126999 +sa(dp127000 +g25273 +S'(artist)' +p127001 +sg25267 +g27 +sg25275 +S'\n' +p127002 +sg25268 +S"John More, Rector of Saint Andrew's, Norwich" +p127003 +sg25270 +S'Artist Information (' +p127004 +sa(dp127005 +g25273 +S'(artist)' +p127006 +sg25267 +g27 +sg25275 +S'\n' +p127007 +sg25268 +S'Sir Thomas More' +p127008 +sg25270 +S'Artist Information (' +p127009 +sa(dp127010 +g25268 +S"Initial A and a New Year's Wish" +p127011 +sg25270 +S'German 15th Century' +p127012 +sg25273 +S'Schreiber, no. 1908, State a' +p127013 +sg25275 +S'\nwoodcut, hand-colored in olive green, rose, orange, green, brown, and yellow-green' +p127014 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a63d.jpg' +p127015 +sg25267 +g27 +sa(dp127016 +g25273 +S'engraving' +p127017 +sg25267 +g27 +sg25275 +S'unknown date\n' +p127018 +sg25268 +S'Sir Thomas More, Lord Chancellor' +p127019 +sg25270 +S'Renold Elstrack' +p127020 +sa(dp127021 +g25273 +S'engraving' +p127022 +sg25267 +g27 +sg25275 +S'1621' +p127023 +sg25268 +S'Sir Thomas More, Lord Chacellor' +p127024 +sg25270 +S'Jean Waldor' +p127025 +sa(dp127026 +g25273 +S'engraving' +p127027 +sg25267 +g27 +sg25275 +S'unknown date\n' +p127028 +sg25268 +S'Balthasar Moretus of Antwerp' +p127029 +sg25270 +S'Cornelis Galle I' +p127030 +sa(dp127031 +g25273 +S'engraving' +p127032 +sg25267 +g27 +sg25275 +S'1611' +p127033 +sg25268 +S'Philippe de Mornay (Du Plessis-Mornay)' +p127034 +sg25270 +S'L\xc3\xa9onard Gaultier' +p127035 +sa(dp127036 +g25273 +S'engraving' +p127037 +sg25267 +g27 +sg25275 +S'unknown date\n' +p127038 +sg25268 +S'Henry, Duc de Moutpensier' +p127039 +sg25270 +S'Thomas de Leu' +p127040 +sa(dp127041 +g25273 +S'engraving' +p127042 +sg25267 +g27 +sg25275 +S'1611' +p127043 +sg25268 +S'Vincent Muschinger' +p127044 +sg25270 +S'Aegidius Sadeler II' +p127045 +sa(dp127046 +g25273 +S'engraving' +p127047 +sg25267 +g27 +sg25275 +S'unknown date\n' +p127048 +sg25268 +S'Napier of Merchiston, Inventor of Logarithms' +p127049 +sg25270 +S'Unknown 19th Century' +p127050 +sa(dp127051 +g25273 +S'Rosenwald Collection' +p127052 +sg25267 +g27 +sg25275 +S'\netching [reprint ?]' +p127053 +sg25268 +S'Rev. Jac. Nasmith' +p127054 +sg25270 +S'W. Tyson' +p127055 +sa(dp127056 +g25273 +S'stipple engraving' +p127057 +sg25267 +g27 +sg25275 +S'unknown date\n' +p127058 +sg25268 +S'Sir Robert Naunton, Secretary of State for James I' +p127059 +sg25270 +S'Robert Cooper' +p127060 +sa(dp127061 +g25273 +S', unknown date' +p127062 +sg25267 +g27 +sg25275 +S'\n' +p127063 +sg25268 +S'Carolus van Utenhoven' +p127064 +sg25270 +S'Crispijn van de Passe I' +p127065 +sa(dp127066 +g25268 +S'Miracle at Seefeld' +p127067 +sg25270 +S'German 15th Century' +p127068 +sg25273 +S'Schreiber, no. 1943' +p127069 +sg25275 +S'\nwoodcut, hand-colored in red, blue, yellow, purple, brown, gray, and lavender' +p127070 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a5c5.jpg' +p127071 +sg25267 +g27 +sa(dp127072 +g25268 +S'Jan Nicquet' +p127073 +sg25270 +S'Hendrick Goltzius' +p127074 +sg25273 +S', 1595' +p127075 +sg25275 +S'\n' +p127076 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ce2d.jpg' +p127077 +sg25267 +g27 +sa(dp127078 +g25273 +S'engraving' +p127079 +sg25267 +g27 +sg25275 +S'unknown date\n' +p127080 +sg25268 +S'Sir John Norris' +p127081 +sg25270 +S'Unknown 19th Century' +p127082 +sa(dp127083 +g25273 +S'engraving' +p127084 +sg25267 +g27 +sg25275 +S'published 1796' +p127085 +sg25268 +S'Henry Howard, Earl of Northampton' +p127086 +sg25270 +S'R. Clamp' +p127087 +sa(dp127088 +g25273 +S'engraving' +p127089 +sg25267 +g27 +sg25275 +S'published 1796' +p127090 +sg25268 +S'Henry Howard, Earl of Northampton' +p127091 +sg25270 +S'R. Clamp' +p127092 +sa(dp127093 +g25273 +S'stipple engraving' +p127094 +sg25267 +g27 +sg25275 +S'unknown date\n' +p127095 +sg25268 +S'Henry Howard, Earl of Northampton' +p127096 +sg25270 +S'Unknown 19th Century' +p127097 +sa(dp127098 +g25273 +S'engraving' +p127099 +sg25267 +g27 +sg25275 +S'published 1602' +p127100 +sg25268 +S'Charles Howard, First Earl of Nottingham' +p127101 +sg25270 +S'William Rogers' +p127102 +sa(dp127103 +g25273 +S'(artist)' +p127104 +sg25267 +g27 +sg25275 +S'\n' +p127105 +sg25268 +S"Alexander Nowell, Dean of Saint Paul's" +p127106 +sg25270 +S'Artist Information (' +p127107 +sa(dp127108 +g25273 +S'engraving' +p127109 +sg25267 +g27 +sg25275 +S'1615' +p127110 +sg25268 +S"Matthias de L'Obel" +p127111 +sg25270 +S'Francis Delaram' +p127112 +sa(dp127113 +g25273 +S'engraving' +p127114 +sg25267 +g27 +sg25275 +S'unknown date\n' +p127115 +sg25268 +S'Portrait of a Man' +p127116 +sg25270 +S'Unknown 19th Century' +p127117 +sa(dp127118 +g25273 +S'engraving' +p127119 +sg25267 +g27 +sg25275 +S'1617' +p127120 +sg25268 +S'Johan van Oldenbarneveldt' +p127121 +sg25270 +S'Willem Jacobsz Delff' +p127122 +sa(dp127123 +g25268 +S'Allegory of the Eagle and Emperor Maximilian I' +p127124 +sg25270 +S'German 15th Century' +p127125 +sg25273 +S'Schreiber, Vol. IX, no. 1944, State s' +p127126 +sg25275 +S'\nwoodcut' +p127127 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a3/a000a3de.jpg' +p127128 +sg25267 +g27 +sa(dp127129 +g25273 +S', unknown date' +p127130 +sg25267 +g27 +sg25275 +S'\n' +p127131 +sg25268 +S'Johan van Oldenbarnevelt' +p127132 +sg25270 +S'Crispijn van de Passe I' +p127133 +sa(dp127134 +g25273 +S'engraving' +p127135 +sg25267 +g27 +sg25275 +S'1618' +p127136 +sg25268 +S'Johan van Oldenbarneveldt' +p127137 +sg25270 +S'Willem Swanenburgh' +p127138 +sa(dp127139 +g25273 +S'engraving' +p127140 +sg25267 +g27 +sg25275 +S'unknown date\n' +p127141 +sg25268 +S'Execution of Johan van Oldenbarneveldt' +p127142 +sg25270 +S'Unknown 19th Century' +p127143 +sa(dp127144 +g25273 +S'engraving' +p127145 +sg25267 +g27 +sg25275 +S'unknown date\n' +p127146 +sg25268 +S'Reinier van Oldenbarneveldt' +p127147 +sg25270 +S'Unknown 19th Century' +p127148 +sa(dp127149 +g25273 +S'engraving' +p127150 +sg25267 +g27 +sg25275 +S'unknown date\n' +p127151 +sg25268 +S'Reinier van Oldenbarneveldt' +p127152 +sg25270 +S'Unknown 19th Century' +p127153 +sa(dp127154 +g25273 +S'(artist after)' +p127155 +sg25267 +g27 +sg25275 +S'\n' +p127156 +sg25268 +S'Gaspar de Guzman, Count of Olivares and Duke of San Lucas' +p127157 +sg25270 +S'Artist Information (' +p127158 +sa(dp127159 +g25273 +S'engraving' +p127160 +sg25267 +g27 +sg25275 +S'unknown date\n' +p127161 +sg25268 +S'James Butler, First Duke of Ormonde' +p127162 +sg25270 +S'David Loggan' +p127163 +sa(dp127164 +g25273 +S'engraving' +p127165 +sg25267 +g27 +sg25275 +S'unknown date\n' +p127166 +sg25268 +S'Abraham Ortelius (Wortels)' +p127167 +sg25270 +S'Philip Galle' +p127168 +sa(dp127169 +g25273 +S'engraving' +p127170 +sg25267 +g27 +sg25275 +S'unknown date\n' +p127171 +sg25268 +S'Abraham Ortelius (Wortels)' +p127172 +sg25270 +S'Philip Galle' +p127173 +sa(dp127174 +g25273 +S'engraving' +p127175 +sg25267 +g27 +sg25275 +S'in or after 1598' +p127176 +sg25268 +S'Title Page to Abraham Ortelius, Theatrum Orbis Tenarum' +p127177 +sg25270 +S'Unknown 19th Century' +p127178 +sa(dp127179 +g25268 +S'Map of the World' +p127180 +sg25270 +S'German 15th Century' +p127181 +sg25273 +S'image: 41.3 x 29.2 cm (16 1/4 x 11 1/2 in.)\r\nsheet: 38.4 x 28.8 cm (15 1/8 x 11 5/16 in.)\r\noverall (external frame dimensions): 59.7 x 44.5 cm (23 1/2 x 17 1/2 in.)' +p127182 +sg25275 +S'\nwoodcut' +p127183 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00056/a000561d.jpg' +p127184 +sg25267 +g27 +sa(dp127185 +g25273 +S'engraving' +p127186 +sg25267 +g27 +sg25275 +S'unknown date\n' +p127187 +sg25268 +S'Otto Henry, Count of Schwarzenberg' +p127188 +sg25270 +S'Jan Sadeler I' +p127189 +sa(dp127190 +g25273 +S'facsimile' +p127191 +sg25267 +g27 +sg25275 +S'unknown date\n' +p127192 +sg25268 +S'Sir Thomas Overbury' +p127193 +sg25270 +S'Unknown 19th Century' +p127194 +sa(dp127195 +g25273 +S', unknown date' +p127196 +sg25267 +g27 +sg25275 +S'\n' +p127197 +sg25268 +S'Count Axel Gustafsson Oxenstiern, Chancellor of Sweden' +p127198 +sg25270 +S'Balthasar Moncornet' +p127199 +sa(dp127200 +g25273 +S'engraving' +p127201 +sg25267 +g27 +sg25275 +S'1602' +p127202 +sg25268 +S'Francis Paget, Jesuit Priest' +p127203 +sg25270 +S'Unknown 19th Century' +p127204 +sa(dp127205 +g25273 +S'engraving' +p127206 +sg25267 +g27 +sg25275 +S'1629' +p127207 +sg25268 +S'Bernard Paluden' +p127208 +sg25270 +S'Unknown 19th Century' +p127209 +sa(dp127210 +g25273 +S'engraving' +p127211 +sg25267 +g27 +sg25275 +S'1582' +p127212 +sg25268 +S'Ambrosius Parens' +p127213 +sg25270 +S'Unknown 19th Century' +p127214 +sa(dp127215 +g25273 +S'engraving' +p127216 +sg25267 +g27 +sg25275 +S'unknown date\n' +p127217 +sg25268 +S'Ambrosius Parens' +p127218 +sg25270 +S'Unknown 19th Century' +p127219 +sa(dp127220 +g25273 +S'(artist)' +p127221 +sg25267 +g27 +sg25275 +S'\n' +p127222 +sg25268 +S'Matthew Parker, Archbishop of Canterbury' +p127223 +sg25270 +S'Artist Information (' +p127224 +sa(dp127225 +g25273 +S'engraving' +p127226 +sg25267 +g27 +sg25275 +S'unknown date\n' +p127227 +sg25268 +S'Matthew Parker, Archbishop of Canterbury' +p127228 +sg25270 +S'Unknown 19th Century' +p127229 +sa(dp127230 +g25273 +S'engraving' +p127231 +sg25267 +g27 +sg25275 +S'published 1669' +p127232 +sg25268 +S'Robert Parsons, Jesuit Missionary' +p127233 +sg25270 +S'Jacobus Neeffs' +p127234 +sa(dp127235 +g25268 +S'A Warning Against Playing Dice' +p127236 +sg25270 +S'French 15th Century' +p127237 +sg25273 +S'Schreiber, Vol. *, no. 1972, State m' +p127238 +sg25275 +S'\nwoodcut [fragment]' +p127239 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00082/a00082eb.jpg' +p127240 +sg25267 +g27 +sa(dp127241 +g25273 +S'engraving' +p127242 +sg25267 +g27 +sg25275 +S'unknown date\n' +p127243 +sg25268 +S'Robert Parsons, Jesuit Missionary' +p127244 +sg25270 +S'Jean Waldor' +p127245 +sa(dp127246 +g25273 +S'engraving' +p127247 +sg25267 +g27 +sg25275 +S'unknown date\n' +p127248 +sg25268 +S'P. Robertus Personius, Priest' +p127249 +sg25270 +S'Jean Waldor' +p127250 +sa(dp127251 +g25273 +S'engraving' +p127252 +sg25267 +g27 +sg25275 +S'unknown date\n' +p127253 +sg25268 +S'Stephen Paschasius' +p127254 +sg25270 +S'Jaspar Isacsz' +p127255 +sa(dp127256 +g25273 +S'engraving' +p127257 +sg25267 +g27 +sg25275 +S'unknown date\n' +p127258 +sg25268 +S'Magdalen de Pass' +p127259 +sg25270 +S'Unknown 19th Century' +p127260 +sa(dp127261 +g25268 +S'Gabrielle Carola Patina' +p127262 +sg25270 +S'Susanne Maria von Sandrart' +p127263 +sg25273 +S'engraving' +p127264 +sg25275 +S'c. 1682' +p127265 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b2/a000b289.jpg' +p127266 +sg25267 +g27 +sa(dp127267 +g25273 +S'engraving' +p127268 +sg25267 +g27 +sg25275 +S'unknown date\n' +p127269 +sg25268 +S'George Paulus' +p127270 +sg25270 +S'Bartholomaus Kilian' +p127271 +sa(dp127272 +g25273 +S'(artist after)' +p127273 +sg25267 +g27 +sg25275 +S'\n' +p127274 +sg25268 +S'Mary Sidney, Countess of Pembroke' +p127275 +sg25270 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in green, rose, light blue, red, and yellow' +p127409 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a5be.jpg' +p127410 +sg25267 +g27 +sa(dp127411 +g25273 +S'engraving' +p127412 +sg25267 +g27 +sg25275 +S'unknown date\n' +p127413 +sg25268 +S'Philip III, King of Spain' +p127414 +sg25270 +S'Unknown 19th Century' +p127415 +sa(dp127416 +g25273 +S'engraving' +p127417 +sg25267 +g27 +sg25275 +S'unknown date\n' +p127418 +sg25268 +S'Philip III, King of Spain' +p127419 +sg25270 +S'Lucas Kilian' +p127420 +sa(dp127421 +g25273 +S'engraving' +p127422 +sg25267 +g27 +sg25275 +S'unknown date\n' +p127423 +sg25268 +S'Philip III, King of Spain' +p127424 +sg25270 +S'Lucas Kilian' +p127425 +sa(dp127426 +g25273 +S'engraving' +p127427 +sg25267 +g27 +sg25275 +S'unknown date\n' +p127428 +sg25268 +S'Philip III, King of Spain' +p127429 +sg25270 +S'Hendrik Hondius I' +p127430 +sa(dp127431 +g25273 +S'engraving' +p127432 +sg25267 +g27 +sg25275 +S'1601' +p127433 +sg25268 +S'Philip III, King of Spain' +p127434 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with Town in Background' +p127462 +sg25270 +S'German 15th Century' +p127463 +sg25273 +S'Schreiber Manuel, no. 4101' +p127464 +sg25275 +S'\nwoodcut' +p127465 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a5a6.jpg' +p127466 +sg25267 +g27 +sa(dp127467 +g25273 +S'engraving' +p127468 +sg25267 +g27 +sg25275 +S'unknown date\n' +p127469 +sg25268 +S'Philip William, Prince of Nassau' +p127470 +sg25270 +S'Unknown 19th Century' +p127471 +sa(dp127472 +g25273 +S'engraving' +p127473 +sg25267 +g27 +sg25275 +S'unknown date\n' +p127474 +sg25268 +S'Philip William, Prince of Nassau' +p127475 +sg25270 +S'Unknown 19th Century' +p127476 +sa(dp127477 +g25273 +S'engraving' +p127478 +sg25267 +g27 +sg25275 +S'unknown date\n' +p127479 +sg25268 +S'Philip William, Prince of Orange' +p127480 +sg25270 +S'Unknown 19th Century' +p127481 +sa(dp127482 +g25273 +S'engraving' +p127483 +sg25267 +g27 +sg25275 +S'unknown date\n' +p127484 +sg25268 +S'Philip William, Prince of Orange' +p127485 +sg25270 +S'Johan Wierix' 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Clamp' +p127542 +sa(dp127543 +g25273 +S'(artist)' +p127544 +sg25267 +g27 +sg25275 +S'\n' +p127545 +sg25268 +S'John Rainolds, President of Corpus College Osford, and Dean of Lincoln' +p127546 +sg25270 +S'Artist Information (' +p127547 +sa(dp127548 +g25273 +S'facsimile' +p127549 +sg25267 +g27 +sg25275 +S'unknown date\n' +p127550 +sg25268 +S'Portraits of Sir Walter Raleigh, Lord Bacon, Algernon Sidney, and Sir Matthew Hale' +p127551 +sg25270 +S'Thomas Woolnoth' +p127552 +sa(dp127553 +g25273 +S'engraving' +p127554 +sg25267 +g27 +sg25275 +S'1636' +p127555 +sg25268 +S'Sir James Ramsay' +p127556 +sg25270 +S'Sebastian Furck' +p127557 +sa(dp127558 +g25273 +S'engraving' +p127559 +sg25267 +g27 +sg25275 +S'unknown date\n' +p127560 +sg25268 +S'Francois Ravaillac' +p127561 +sg25270 +S'Unknown 19th Century' +p127562 +sa(dp127563 +g25268 +S'The Crucifixion with Saint Mary Magdalene' +p127564 +sg25270 +S'Michael Wolgemut' +p127565 +sg25273 +S', c. 1490' +p127566 +sg25275 +S'\n' +p127567 +sg25314 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4740' +p127622 +sg25275 +S'\nhand-colored woodcut on vellum' +p127623 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a65e.jpg' +p127624 +sg25267 +g27 +sa(dp127625 +g25273 +S'engraving' +p127626 +sg25267 +g27 +sg25275 +S'published 1618' +p127627 +sg25268 +S'Richard II of England' +p127628 +sg25270 +S'Renold Elstrack' +p127629 +sa(dp127630 +g25273 +S'engraving' +p127631 +sg25267 +g27 +sg25275 +S'published 1618' +p127632 +sg25268 +S'Richard III of England' +p127633 +sg25270 +S'Renold Elstrack' +p127634 +sa(dp127635 +g25273 +S'engraving' +p127636 +sg25267 +g27 +sg25275 +S'published 1618' +p127637 +sg25268 +S'Richard III of England' +p127638 +sg25270 +S'Renold Elstrack' +p127639 +sa(dp127640 +g25273 +S'engraving' +p127641 +sg25267 +g27 +sg25275 +S'1634' +p127642 +sg25268 +S'Philps van dorp Ridder, Dutch Admiral' +p127643 +sg25270 +S'Unknown 19th Century' +p127644 +sa(dp127645 +g25273 +S'(artist)' +p127646 +sg25267 +g27 +sg25275 +S'\n' +p127647 +sg25268 +S'Nicholas Ridley, Bishop of 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Information (' +p128166 +sa(dp128167 +g25273 +S'facsimile' +p128168 +sg25267 +g27 +sg25275 +S'unknown date\n' +p128169 +sg25268 +S'Lady Frances Howard, Countess of Somerset' +p128170 +sg25270 +S'Unknown 19th Century' +p128171 +sa(dp128172 +g25273 +S', unknown date' +p128173 +sg25267 +g27 +sg25275 +S'\n' +p128174 +sg25268 +S'Robert Carr, Earl of Somerset' +p128175 +sg25270 +S'Simon van de Passe' +p128176 +sa(dp128177 +g25273 +S'engraving' +p128178 +sg25267 +g27 +sg25275 +S'published 1618' +p128179 +sg25268 +S'The Portraitures of Robert, Earl of Somerset and Lady Frances Howard' +p128180 +sg25270 +S'Renold Elstrack' +p128181 +sa(dp128182 +g25268 +S'The Massacre of the Innocents' +p128183 +sg25270 +S'German 15th Century' +p128184 +sg25273 +S'Schreiber, Vol. IX, no. 2212, State z' +p128185 +sg25275 +S'\nmetalcut, hand-colored in yellow, red-brown lake, and green' +p128186 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a4e6.jpg' +p128187 +sg25267 +g27 +sa(dp128188 +g25273 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Spina' +p128211 +sg25270 +S'Unknown 19th Century' +p128212 +sa(dp128213 +g25268 +S'Ambrosius Spinola' +p128214 +sg25270 +S'Christoffel van Sichem I' +p128215 +sg25273 +S'engraving' +p128216 +sg25275 +S'unknown date\n' +p128217 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d3/a000d3be.jpg' +p128218 +sg25267 +g27 +sa(dp128219 +g25273 +S'(artist after)' +p128220 +sg25267 +g27 +sg25275 +S'\n' +p128221 +sg25268 +S'Ambroise Spinola, Spanish General in the Low Countries' +p128222 +sg25270 +S'Artist Information (' +p128223 +sa(dp128224 +g25273 +S'engraving' +p128225 +sg25267 +g27 +sg25275 +S'unknown date\n' +p128226 +sg25268 +S'Bartholomew and Christina Spranger' +p128227 +sg25270 +S'Aegidius Sadeler II' +p128228 +sa(dp128229 +g25273 +S'engraving' +p128230 +sg25267 +g27 +sg25275 +S'unknown date\n' +p128231 +sg25268 +S'Robert Stafford of Bradfield, Berks' +p128232 +sg25270 +S'David Loggan' +p128233 +sa(dp128234 +g25273 +S'(artist after)' +p128235 +sg25267 +g27 +sg25275 +S'\n' +p128236 +sg25268 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of Strafford' +p128288 +sg25270 +S'Claes Jansz Visscher' +p128289 +sa(dp128290 +g25273 +S'engraving' +p128291 +sg25267 +g27 +sg25275 +S'unknown date\n' +p128292 +sg25268 +S'Thomas Wentworth, Earl of Strafford' +p128293 +sg25270 +S'Unknown 19th Century' +p128294 +sa(dp128295 +g25268 +S'The Betrayal' +p128296 +sg25270 +S'German 15th Century' +p128297 +sg25273 +S'Schreiber, Vol. IX, no. 2255, State e' +p128298 +sg25275 +S'\nmetalcut, hand-colored in yellow, red-brown lake, and green' +p128299 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a4e8.jpg' +p128300 +sg25267 +g27 +sa(dp128301 +g25273 +S'engraving' +p128302 +sg25267 +g27 +sg25275 +S'1641' +p128303 +sg25268 +S'Thomas Wentworth, Earl of Strafford' +p128304 +sg25270 +S'Unknown 19th Century' +p128305 +sa(dp128306 +g25273 +S'engraving' +p128307 +sg25267 +g27 +sg25275 +S'1603' +p128308 +sg25268 +S'Joannes Sturmius' +p128309 +sg25270 +S'Hendrik Hondius I' +p128310 +sa(dp128311 +g25273 +S'facsimile' +p128312 +sg25267 +g27 +sg25275 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Sandrart' +p128488 +sa(dp128489 +g25273 +S'engraving' +p128490 +sg25267 +g27 +sg25275 +S'unknown date\n' +p128491 +sg25268 +S'Marguerite de Valois, Wife of Henry of Navarre' +p128492 +sg25270 +S'Thomas de Leu' +p128493 +sa(dp128494 +g25273 +S'engraving' +p128495 +sg25267 +g27 +sg25275 +S'1589' +p128496 +sg25268 +S'Marguerite de Valois, Wife of Henry of Navarre' +p128497 +sg25270 +S'Unknown 19th Century' +p128498 +sa(dp128499 +g25273 +S'German, 1590 - active 1613/1614' +p128500 +sg25267 +g27 +sg25275 +S'(artist after)' +p128501 +sg25268 +S'Barbara van Beck' +p128502 +sg25270 +S'Artist Information (' +p128503 +sa(dp128504 +g25273 +S'German, 1590 - active 1613/1614' +p128505 +sg25267 +g27 +sg25275 +S'(artist after)' +p128506 +sg25268 +S'Barbara van Beck, A Bearded Lady' +p128507 +sg25270 +S'Artist Information (' +p128508 +sa(dp128509 +g25273 +S'(artist)' +p128510 +sg25267 +g27 +sg25275 +S'\n' +p128511 +sg25268 +S'Richard Vaughan, Bishop of London' +p128512 +sg25270 +S'Artist Information (' +p128513 +sa(dp128514 +g25273 +S'engraving' +p128515 +sg25267 +g27 +sg25275 +S'unknown date\n' +p128516 +sg25268 +S'Francis le Mothe le Vayer' +p128517 +sg25270 +S'Louis Coquin' +p128518 +sa(dp128519 +g25268 +S'The Resurrection' +p128520 +sg25270 +S'German 15th Century' +p128521 +sg25273 +S'Schreiber, Vol. IX, no. 2377, State f' +p128522 +sg25275 +S'\nmetalcut, hand-colored in yellow, red-brown lake, and green' +p128523 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a4ec.jpg' +p128524 +sg25267 +g27 +sa(dp128525 +g25273 +S'engraving' +p128526 +sg25267 +g27 +sg25275 +S'unknown date\n' +p128527 +sg25268 +S'Octavio van Veen' +p128528 +sg25270 +S'Joannes Meyssens' +p128529 +sa(dp128530 +g25273 +S'engraving' +p128531 +sg25267 +g27 +sg25275 +S'unknown date\n' +p128532 +sg25268 +S'Theodore Veit, Preacher' +p128533 +sg25270 +S'Unknown 19th Century' +p128534 +sa(dp128535 +g25273 +S'engraving' +p128536 +sg25267 +g27 +sg25275 +S'unknown date\n' +p128537 +sg25268 +S'Horace Vere, Baron Vere of Tilbury' +p128538 +sg25270 +S'Unknown 19th Century' +p128539 +sa(dp128540 +g25273 +S'engraving' +p128541 +sg25267 +g27 +sg25275 +S'1648' +p128542 +sg25268 +S'M. Francois Veron, Doctor of Theology, Lecturer, Professor, under Louis XIV' +p128543 +sg25270 +S'Unknown 19th Century' +p128544 +sa(dp128545 +g25273 +S'engraving' +p128546 +sg25267 +g27 +sg25275 +S'unknown date\n' +p128547 +sg25268 +S'Paolo Caliari' +p128548 +sg25270 +S'Agostino Carracci' +p128549 +sa(dp128550 +g25273 +S', 1598' +p128551 +sg25267 +g27 +sg25275 +S'\n' +p128552 +sg25268 +S'Amerigo Vespucci' +p128553 +sg25270 +S'Crispijn van de Passe I' +p128554 +sa(dp128555 +g25273 +S', unknown date' +p128556 +sg25267 +g27 +sg25275 +S'\n' +p128557 +sg25268 +S'Victor Amedeo I, Duke of Savoy' +p128558 +sg25270 +S'Pierre-Jean Mariette' +p128559 +sa(dp128560 +g25273 +S'engraving' +p128561 +sg25267 +g27 +sg25275 +S'unknown date\n' +p128562 +sg25268 +S'John Volckamer' +p128563 +sg25270 +S'Bartholomaus Kilian' +p128564 +sa(dp128565 +g25273 +S'engraving' +p128566 +sg25267 +g27 +sg25275 +S'unknown date\n' +p128567 +sg25268 +S'Everardus Vorstius Medicinae' +p128568 +sg25270 +S'Unknown 19th Century' +p128569 +sa(dp128570 +g25273 +S'(artist after)' +p128571 +sg25267 +g27 +sg25275 +S'\n' +p128572 +sg25268 +S'Martin de Vos' +p128573 +sg25270 +S'Artist Information (' +p128574 +sa(dp128575 +g25268 +S'Christ Appearing to Saint Thomas' +p128576 +sg25270 +S'Artist Information (' +p128577 +sg25273 +S'German, active c. 1470' +p128578 +sg25275 +S'(related artist)' +p128579 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a4e1.jpg' +p128580 +sg25267 +g27 +sa(dp128581 +g25273 +S'(artist after)' +p128582 +sg25267 +g27 +sg25275 +S'\n' +p128583 +sg25268 +S'Martin de Vos' +p128584 +sg25270 +S'Artist Information (' +p128585 +sa(dp128586 +g25273 +S'engraving' +p128587 +sg25267 +g27 +sg25275 +S'unknown date\n' +p128588 +sg25268 +S'Albrecht Wenzel Euscbius von Wallenstein' +p128589 +sg25270 +S'Wolfgang Philipp Kilian' +p128590 +sa(dp128591 +g25273 +S'engraving' +p128592 +sg25267 +g27 +sg25275 +S'unknown date\n' +p128593 +sg25268 +S'Sir William Waller, Parliamentary General' +p128594 +sg25270 +S'Unknown 19th Century' +p128595 +sa(dp128596 +g25273 +S'(artist)' +p128597 +sg25267 +g27 +sg25275 +S'\n' +p128598 +sg25268 +S'Sir Francis Walsingham' +p128599 +sg25270 +S'Artist Information (' +p128600 +sa(dp128601 +g25273 +S'(artist)' +p128602 +sg25267 +g27 +sg25275 +S'\n' +p128603 +sg25268 +S'Sir Francis Walsingham' +p128604 +sg25270 +S'Artist Information (' +p128605 +sa(dp128606 +g25273 +S'(artist)' +p128607 +sg25267 +g27 +sg25275 +S'\n' +p128608 +sg25268 +S'Ambrose Dudley, Earl of Warwick' +p128609 +sg25270 +S'Artist Information (' +p128610 +sa(dp128611 +g25273 +S'(artist)' +p128612 +sg25267 +g27 +sg25275 +S'\n' +p128613 +sg25268 +S'Ambrose Dudley, Earl of Warwick' +p128614 +sg25270 +S'Artist Information (' +p128615 +sa(dp128616 +g25273 +S'Flemish, 1599 - 1641' +p128617 +sg25267 +g27 +sg25275 +S'(artist after)' +p128618 +sg25268 +S'Elizabeth, Countess Warwick' +p128619 +sg25270 +S'Artist Information (' +p128620 +sa(dp128621 +g25273 +S'(artist after)' +p128622 +sg25267 +g27 +sg25275 +S'\n' +p128623 +sg25268 +S'Mary Boyle, Countess of Warwick' +p128624 +sg25270 +S'Artist Information (' +p128625 +sa(dp128626 +g25273 +S'engraving' +p128627 +sg25267 +g27 +sg25275 +S'1632' +p128628 +sg25268 +S'William von Welsberg, Archbishop of Brussels' +p128629 +sg25270 +S'Lucas Kilian' +p128630 +sa(dp128631 +g25268 +S'The Crucifixion' +p128632 +sg25270 +S'Artist Information (' +p128633 +sg25273 +S'German, active c. 1470' +p128634 +sg25275 +S'(related artist)' +p128635 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a4d4.jpg' +p128636 +sg25267 +g27 +sa(dp128637 +g25273 +S'Rosenwald Collection' +p128638 +sg25267 +g27 +sg25275 +S'\nengraving' +p128639 +sg25268 +S'Johannes Angelius Werdenhagen' +p128640 +sg25270 +S'Andr. Cramerus Iun. Magdeb.' +p128641 +sa(dp128642 +g25273 +S'(artist)' +p128643 +sg25267 +g27 +sg25275 +S'\n' +p128644 +sg25268 +S"William Whitaker, D.D., Master of Saint John's College, Cambridge" +p128645 +sg25270 +S'Artist Information (' +p128646 +sa(dp128647 +g25273 +S'engraving' +p128648 +sg25267 +g27 +sg25275 +S'unknown date\n' +p128649 +sg25268 +S'William Whitaker, D.D.' +p128650 +sg25270 +S'John Payne' +p128651 +sa(dp128652 +g25273 +S'engraving' +p128653 +sg25267 +g27 +sg25275 +S'published 1650' +p128654 +sg25268 +S'William Whitaker, D.D.' +p128655 +sg25270 +S'Klemens Ammon' +p128656 +sa(dp128657 +g25273 +S'engraving' +p128658 +sg25267 +g27 +sg25275 +S'published 1624' +p128659 +sg25268 +S'Francis White, D.D., Bishop of Ely' +p128660 +sg25270 +S'Thomas Cockson' +p128661 +sa(dp128662 +g25273 +S'engraving' +p128663 +sg25267 +g27 +sg25275 +S'unknown date\n' +p128664 +sg25268 +S'Francis White, Bishop of Ely' +p128665 +sg25270 +S'Thomas Cockson' +p128666 +sa(dp128667 +g25273 +S'colored engraving' +p128668 +sg25267 +g27 +sg25275 +S'unknown date\n' +p128669 +sg25268 +S'Richard White of Basingstoke, Hampshire' +p128670 +sg25270 +S'H. Mortier' +p128671 +sa(dp128672 +g25273 +S'(artist)' +p128673 +sg25267 +g27 +sg25275 +S'\n' +p128674 +sg25268 +S'David Whitehead, D.D., Chaplain to Anne Boleyn' +p128675 +sg25270 +S'Artist Information (' +p128676 +sa(dp128677 +g25273 +S'(artist)' +p128678 +sg25267 +g27 +sg25275 +S'\n' +p128679 +sg25268 +S'John Whitgift, D.D., Archbishop of Canterbury' +p128680 +sg25270 +S'Artist Information (' +p128681 +sa(dp128682 +g25273 +S'engraving' +p128683 +sg25267 +g27 +sg25275 +S'unknown date\n' +p128684 +sg25268 +S'Sir Richard Whittington, Lord Mayor of London' +p128685 +sg25270 +S'Renold Elstrack' +p128686 +sa(dp128687 +g25268 +S'The Descent from the Cross' +p128688 +sg25270 +S'Artist Information (' +p128689 +sg25273 +S'German, active c. 1470' +p128690 +sg25275 +S'(related artist)' +p128691 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a4d5.jpg' +p128692 +sg25267 +g27 +sa(dp128693 +g25273 +S'facsimile' +p128694 +sg25267 +g27 +sg25275 +S'unknown date\n' +p128695 +sg25268 +S'Richard Whittington' +p128696 +sg25270 +S'Renold Elstrack' +p128697 +sa(dp128698 +g25273 +S'engraving' +p128699 +sg25267 +g27 +sg25275 +S'unknown date\n' +p128700 +sg25268 +S'Willem Lodewyk, Count of Nassau' +p128701 +sg25270 +S'Unknown 19th Century' +p128702 +sa(dp128703 +g25273 +S'engraving' +p128704 +sg25267 +g27 +sg25275 +S'unknown date\n' +p128705 +sg25268 +S'William I of England' +p128706 +sg25270 +S'Renold Elstrack' +p128707 +sa(dp128708 +g25273 +S'engraving' +p128709 +sg25267 +g27 +sg25275 +S'unknown date\n' +p128710 +sg25268 +S'William I in Helmet' +p128711 +sg25270 +S'Renold Elstrack' +p128712 +sa(dp128713 +g25273 +S'engraving' +p128714 +sg25267 +g27 +sg25275 +S'unknown date\n' +p128715 +sg25268 +S'William II' +p128716 +sg25270 +S'Renold Elstrack' +p128717 +sa(dp128718 +g25273 +S'engraving' +p128719 +sg25267 +g27 +sg25275 +S'unknown date\n' +p128720 +sg25268 +S'William I, Prince of Orange' +p128721 +sg25270 +S'Unknown 19th Century' +p128722 +sa(dp128723 +g25273 +S'engraving' +p128724 +sg25267 +g27 +sg25275 +S'unknown date\n' +p128725 +sg25268 +S'William I, Prince of Orange' +p128726 +sg25270 +S'Unknown 19th Century' +p128727 +sa(dp128728 +g25268 +S'William of Nassau, Prince of Orange' +p128729 +sg25270 +S'Artist Information (' +p128730 +sg25273 +S'(artist after)' +p128731 +sg25275 +S'\n' +p128732 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d3/a000d3b8.jpg' +p128733 +sg25267 +g27 +sa(dp128734 +g25268 +S'William of Nassau, Prince of Orange' +p128735 +sg25270 +S'Christoffel van Sichem I' +p128736 +sg25273 +S'engraving' +p128737 +sg25275 +S'unknown date\n' +p128738 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d3/a000d3ba.jpg' +p128739 +sg25267 +g27 +sa(dp128740 +g25268 +S'William, Prince of Nassau-Orange' +p128741 +sg25270 +S'Hendrick Goltzius' +p128742 +sg25273 +S', 1581' +p128743 +sg25275 +S'\n' +p128744 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cf/a000cfbb.jpg' +p128745 +sg25267 +g27 +sa(dp128746 +g25268 +S'The Lamentation' +p128747 +sg25270 +S'Artist Information (' +p128748 +sg25273 +S'German, active c. 1470' +p128749 +sg25275 +S'(related artist)' +p128750 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a4d6.jpg' +p128751 +sg25267 +g27 +sa(dp128752 +g25268 +S'William, Prince of Nassau-Orange' +p128753 +sg25270 +S'Hendrick Goltzius' +p128754 +sg25273 +S', 1581' +p128755 +sg25275 +S'\n' +p128756 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cf/a000cfbc.jpg' +p128757 +sg25267 +g27 +sa(dp128758 +g25273 +S'engraving' +p128759 +sg25267 +g27 +sg25275 +S'unknown date\n' +p128760 +sg25268 +S'William I, Prince of Orange' +p128761 +sg25270 +S'Unknown 19th Century' +p128762 +sa(dp128763 +g25273 +S'engraving' +p128764 +sg25267 +g27 +sg25275 +S'unknown date\n' +p128765 +sg25268 +S'William I, Prince of Orange' +p128766 +sg25270 +S'Johannes Sarragon' +p128767 +sa(dp128768 +g25273 +S'engraving' +p128769 +sg25267 +g27 +sg25275 +S'unknown date\n' +p128770 +sg25268 +S'William I, Prince of Orange' +p128771 +sg25270 +S'Crispyn van den Queboorn' 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Information (' +p129652 +sg25273 +S'German, active c. 1470' +p129653 +sg25275 +S'(related artist)' +p129654 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a4d2.jpg' +p129655 +sg25267 +g27 +sa(dp129656 +g25268 +S'Crepuscule poetique (Poetical Twilight)' +p129657 +sg25270 +S'Charles \xc3\x89mile Jacque' +p129658 +sg25273 +S'lithograph' +p129659 +sg25275 +S'unknown date\n' +p129660 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009a/a0009afa.jpg' +p129661 +sg25267 +g27 +sa(dp129662 +g25268 +S'Holland Canal, near Rotterdam (Canal de Hollande, pres de Rotterdam (Hiver))' +p129663 +sg25270 +S'Johan Barthold Jongkind' +p129664 +sg25273 +S'etching' +p129665 +sg25275 +S'1875' +p129666 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d6/a000d6a1.jpg' +p129667 +sg25267 +g27 +sa(dp129668 +g25273 +S'etching and engraving' +p129669 +sg25267 +g27 +sg25275 +S'1925' +p129670 +sg25268 +S"Print Connoisseurs (Les amateurs d'estampes)" +p129671 +sg25270 +S'Jean-\xc3\x89mile Laboureur' +p129672 +sa(dp129673 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on Montval laid paper [printed in 1939 by Roger Lacouri?re]' +p129821 +sg25275 +S'1933' +p129822 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee3a.jpg' +p129823 +sg25267 +g27 +sa(dp129824 +g25268 +S'Young Sculptor Finishing a Plaster (Jeune sculpteur finissant un pl\xc3\xa2tre)' +p129825 +sg25270 +S'Pablo Picasso' +p129826 +sg25273 +S'etching in black on Montval laid paper [printed in 1939 by Roger Lacouri?re]' +p129827 +sg25275 +S'1933' +p129828 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee3d.jpg' +p129829 +sg25267 +g27 +sa(dp129830 +g25268 +S'Old Sculptor at Work (Vieux sculpteur au travail I)' +p129831 +sg25270 +S'Pablo Picasso' +p129832 +sg25273 +S'etching in black on Montval laid paper [printed in 1939 by Roger Lacouri?re]' +p129833 +sg25275 +S'1933' +p129834 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee40.jpg' +p129835 +sg25267 +g27 +sa(dp129836 +g25268 +S'The Visitation' +p129837 +sg25270 +S'Artist Information (' +p129838 +sg25273 +S'German, active c. 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+sg25273 +S'etching in black on Montval laid paper [printed in 1939 by Roger Lacouri?re]' +p129881 +sg25275 +S'1933' +p129882 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee47.jpg' +p129883 +sg25267 +g27 +sa(dp129884 +g25268 +S"Sculptor, Model, and Boy with a Sculpture Representing the Abduction of Europa (Sculpteur, gar\xc3\xa7on et mod\xc3\xa8le avec un groupe sculpt\xc3\xa9 repr\xc3\xa9sentant le rapt d'Europe)" +p129885 +sg25270 +S'Pablo Picasso' +p129886 +sg25273 +S'etching in black on Montval laid paper [printed in 1939 by Roger Lacouri?re]' +p129887 +sg25275 +S'1933' +p129888 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee53.jpg' +p129889 +sg25267 +g27 +sa(dp129890 +g25268 +S'Sculptor and Model with a Sculpture Representing a Bull Attacking Horses (Sculpteur et son mod\xc3\xa8le avec un groupe sculpt\xc3\xa9 repr\xc3\xa9sentant un taureau attaquant des chevaux)' +p129891 +sg25270 +S'Pablo Picasso' +p129892 +sg25273 +S'etching in black on Montval laid paper [printed in 1939 by Roger Lacouri?re]' +p129893 +sg25275 +S'1933' +p129894 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee49.jpg' +p129895 +sg25267 +g27 +sa(dp129896 +g25268 +S'Sculptor and Model with a Sculpture Representing a Centaur Kissing a Woman (Sculpteur et son mod\xc3\xa8le avec un groupe sculpt\xc3\xa9 repr\xc3\xa9sentant un centaure embrassant une femme)' +p129897 +sg25270 +S'Pablo Picasso' +p129898 +sg25273 +S'etching in black on Montval laid paper [printed in 1939 by Roger Lacouri?re]' +p129899 +sg25275 +S'1933' +p129900 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee4a.jpg' +p129901 +sg25267 +g27 +sa(dp129902 +g25268 +S'The Crucifixion' +p129903 +sg25270 +S'Artist Information (' +p129904 +sg25273 +S'German, active c. 1460/1480' +p129905 +sg25275 +S'(related artist)' +p129906 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a4f7.jpg' +p129907 +sg25267 +g27 +sa(dp129908 +g25268 +S'Sculptor at Rest and Surrealist Sculpture (Lerepos du sculpteur et la sculpture surr ealiste)' +p129909 +sg25270 +S'Pablo Picasso' +p129910 +sg25273 +S'etching in black on Montval laid paper [printed in 1939 by Roger Lacouri?re]' +p129911 +sg25275 +S'1933' +p129912 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee4c.jpg' +p129913 +sg25267 +g27 +sa(dp129914 +g25268 +S'Sculptor at Work with Marie-Th\xc3\xa9r\xc3\xa8se Posing (Sculpteur travaillant sur le motif avec Marie-Th\xc3\xa9r\xc3\xa8se posant)' +p129915 +sg25270 +S'Pablo Picasso' +p129916 +sg25273 +S'etching in black on Montval laid paper [printed in 1939 by Roger Lacouri?re]' +p129917 +sg25275 +S'1933' +p129918 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee4b.jpg' +p129919 +sg25267 +g27 +sa(dp129920 +g25268 +S'Model and Large Sculpted Head (Modele et grande tete sculptee)' +p129921 +sg25270 +S'Pablo Picasso' +p129922 +sg25273 +S'etching in black on Montval laid paper [printed in 1939 by Roger Lacouri?re]' +p129923 +sg25275 +S'1933' +p129924 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee4d.jpg' +p129925 +sg25267 +g27 +sa(dp129926 +g25268 +S'Sculptor at Rest I (Le repos du sculpteur I)' +p129927 +sg25270 +S'Pablo Picasso' +p129928 +sg25273 +S'etching in black on Montval laid paper [printed in 1939 by Roger Lacouri?re]' +p129929 +sg25275 +S'1933' +p129930 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee4e.jpg' +p129931 +sg25267 +g27 +sa(dp129932 +g25268 +S'Sculptor at Rest II (Le repos du sculpteur II)' +p129933 +sg25270 +S'Pablo Picasso' +p129934 +sg25273 +S'etching in black on Montval laid paper [printed in 1939 by Roger Lacouri?re]' +p129935 +sg25275 +S'1933' +p129936 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee4f.jpg' +p129937 +sg25267 +g27 +sa(dp129938 +g25268 +S'Sculptor at Rest III (Le repos du sculpteur III)' +p129939 +sg25270 +S'Pablo Picasso' +p129940 +sg25273 +S'etching in black on Montval laid paper [printed in 1939 by Roger Lacouri?re]' +p129941 +sg25275 +S'1933' +p129942 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee50.jpg' +p129943 +sg25267 +g27 +sa(dp129944 +g25268 +S'Sculptor at Rest IV (Le repos du sculpteur IV)' +p129945 +sg25270 +S'Pablo Picasso' +p129946 +sg25273 +S'etching in black on Montval laid paper [printed in 1939 by Roger Lacouri?re]' +p129947 +sg25275 +S'1933' +p129948 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee51.jpg' +p129949 +sg25267 +g27 +sa(dp129950 +g25268 +S'Model Contemplating a Sculpted Group (Modele contemplant un groupe sculpte)' +p129951 +sg25270 +S'Pablo Picasso' +p129952 +sg25273 +S'etching in black on Montval laid paper [printed in 1939 by Roger Lacouri?re]' +p129953 +sg25275 +S'1933' +p129954 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee45.jpg' +p129955 +sg25267 +g27 +sa(dp129956 +g25268 +S"Three Nudes and a Basin of Anemones (Trois femmes nues et une coupe d'an\xc3\xa9mones)" +p129957 +sg25270 +S'Pablo Picasso' +p129958 +sg25273 +S'etching in black on Montval laid paper [printed in 1939 by Roger Lacouri?re]' +p129959 +sg25275 +S'1933' +p129960 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee62.jpg' +p129961 +sg25267 +g27 +sa(dp129962 +g25268 +S'Pensive Sculptor, Model with Black Hair, and a Bowl with Three Anemones (Sculpteur songeant, mod\xc3\xa8le aux cheveux noirs, et bol avec trois an\xc3\xa9mones)' +p129963 +sg25270 +S'Pablo Picasso' +p129964 +sg25273 +S'etching in black on Montval laid paper [printed in 1939 by Roger Lacouri?re]' +p129965 +sg25275 +S'1933' +p129966 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee61.jpg' +p129967 +sg25267 +g27 +sa(dp129968 +g25268 +S'The Resurrection' +p129969 +sg25270 +S'Artist Information (' +p129970 +sg25273 +S'German, active c. 1460/1480' +p129971 +sg25275 +S'(related artist)' +p129972 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a4f8.jpg' +p129973 +sg25267 +g27 +sa(dp129974 +g25268 +S'Sculptor and Model Looking at a Mirror Leaning against a Sculpted Self-Portrait (Sculpteur et mod\xc3\xa8le se regardant dans un miroir cal\xc3\xa9 sur un autoportrait sculpt\xc3\xa9)' +p129975 +sg25270 +S'Pablo Picasso' +p129976 +sg25273 +S'etching in black on Montval laid paper [printed in 1939 by Roger Lacouri?re]' +p129977 +sg25275 +S'1933' +p129978 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee60.jpg' +p129979 +sg25267 +g27 +sa(dp129980 +g25268 +S'Marie-Th\xc3\xa9r\xc3\xa8se, the Sculptor at Work, and a Sculpture Representing a Greek Athlete (Marie-Th\xc3\xa9r\xc3\xa8se, sculpteur au travail et sculpture repr\xc3\xa9sentant un athl\xc3\xa8te grec' +p129981 +sg25270 +S'Pablo Picasso' +p129982 +sg25273 +S'etching in black on Montval laid paper [printed in 1939 by Roger Lacouri?re]' +p129983 +sg25275 +S'1933' +p129984 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee5a.jpg' +p129985 +sg25267 +g27 +sa(dp129986 +g25268 +S"The Maid in the Sculpture Studio (La Bonne dans l'atelier de sculpture)" +p129987 +sg25270 +S'Pablo Picasso' +p129988 +sg25273 +S'etching [printed in 1939 by Roger Lacouriere]' +p129989 +sg25275 +S'1933' +p129990 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee5d.jpg' +p129991 +sg25267 +g27 +sa(dp129992 +g25268 +S"An Unattractive Woman Before the Sculpture of an Athletic Marie-Th\xc3\xa9r\xc3\xa8se Leaning on a Self-Portrait of the Sculptor (Femme laide devant la sculpture d'une Marie-Th\xc3\xa9r\xc3\xa8se athl\xc3\xa9tique sur un autoportrait du sculpteur)" +p129993 +sg25270 +S'Pablo Picasso' +p129994 +sg25273 +S'etching [printed in 1939 by Roger Lacouriere]' +p129995 +sg25275 +S'1933' +p129996 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee5e.jpg' +p129997 +sg25267 +g27 +sa(dp129998 +g25268 +S'Marie-Th\xc3\xa9r\xc3\xa8se Looking at Her Sculpted Body (Marie-Th\xc3\xa9r\xc3\xa8se regardant son corps sculpt\xc3\xa9)' +p129999 +sg25270 +S'Pablo Picasso' +p130000 +sg25273 +S'etching [printed in 1939 by Roger Lacouriere]' +p130001 +sg25275 +S'1933' +p130002 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee56.jpg' +p130003 +sg25267 +g27 +sa(dp130004 +g25268 +S'Marie-Th\xc3\xa9r\xc3\xa8se Considering a Surrealist Sculpture of Her Effigy (Marie-Th\xc3\xa9r\xc3\xa8se consid\xc3\xa9rant son effigie surr\xc3\xa9aliste sculpt\xc3\xa9e)' +p130005 +sg25270 +S'Pablo Picasso' +p130006 +sg25273 +S'etching [printed in 1939 by Roger Lacouriere]' +p130007 +sg25275 +S'1933' +p130008 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee55.jpg' +p130009 +sg25267 +g27 +sa(dp130010 +g25268 +S"Anxious and Introspective Woman in the Sculptor's Studio (Femme songeuse et inqui\xc3\xa8te dans l'atelier de sculpteur)" +p130011 +sg25270 +S'Pablo Picasso' +p130012 +sg25273 +S'etching [printed in 1939 by Roger Lacouriere]' +p130013 +sg25275 +S'1933' +p130014 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee54.jpg' +p130015 +sg25267 +g27 +sa(dp130016 +g25268 +S'Sculptures Representing Marie-Th\xc3\xa9r\xc3\xa8se and the Head of the Sculptor, with a Vase of Three Flowers (Sculptures repr\xc3\xa9sentant Marie-Th\xc3\xa9r\xc3\xa8se et la t\xc3\xaate du sculpteur, avec le vase aux trois fleurs)' +p130017 +sg25270 +S'Pablo Picasso' +p130018 +sg25273 +S'etching and aquatint [printed in 1939 by Roger Lacouriere]' +p130019 +sg25275 +S'1933' +p130020 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee57.jpg' +p130021 +sg25267 +g27 +sa(dp130022 +g25268 +S'Sculptor, Reclining Model, and Self-Portrait in the Form of a Sculpted Hercules (Sculpteur, mod\xc3\xa8le couch\xc3\xa9 et autoportrait en Hercule sculpt\xc3\xa9)' +p130023 +sg25270 +S'Pablo Picasso' +p130024 +sg25273 +S'etching in black on Montval laid paper [printed in 1939 by Roger Lacouri?re]' +p130025 +sg25275 +S'1933' +p130026 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee36.jpg' +p130027 +sg25267 +g27 +sa(dp130028 +g25268 +S'Model and Sculptor with a Sculpted Bust of the Model (Mod\xc3\xa8le et sculpteur avec sa sculpture)' +p130029 +sg25270 +S'Pablo Picasso' +p130030 +sg25273 +S'etching in black on Montval laid paper [printed in 1939 by Roger Lacouri?re]' +p130031 +sg25275 +S'1933' +p130032 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee37.jpg' +p130033 +sg25267 +g27 +sa(dp130034 +g25268 +S'Christ Appearing to Thomas' +p130035 +sg25270 +S'Artist Information (' +p130036 +sg25273 +S'German, active c. 1460/1480' +p130037 +sg25275 +S'(related artist)' +p130038 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a4f9.jpg' +p130039 +sg25267 +g27 +sa(dp130040 +g25268 +S"Sculptor with his Model, a Sculpture of Her Head, and a Bowl of Anemones (Sculpteur avec son mod\xc3\xa8le, sa sculpture et un bol d'an\xc3\xa9mones)" +p130041 +sg25270 +S'Pablo Picasso' +p130042 +sg25273 +S'etching in black on Montval laid paper [printed in 1939 by Roger Lacouri?re]' +p130043 +sg25275 +S'1933' +p130044 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee3e.jpg' +p130045 +sg25267 +g27 +sa(dp130046 +g25268 +S'Sculptor, Model, and Sculpture (Sculpteur, mod\xc3\xa8le et sculpture: femme assise)' +p130047 +sg25270 +S'Pablo Picasso' +p130048 +sg25273 +S'drypoint with scraping and burnishing in black on Montval laid paper [printed in 1939 by Roger Lacouri?re]' +p130049 +sg25275 +S'1933' +p130050 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee2d.jpg' +p130051 +sg25267 +g27 +sa(dp130052 +g25268 +S'Three Actors with a Bust of Marie-Th\xc3\xa9r\xc3\xa8se (Trois com\xc3\xa9diens avec buste de Marie-Th\xc3\xa9r\xc3\xa8se)' +p130053 +sg25270 +S'Pablo Picasso' +p130054 +sg25273 +S'drypoint in black on Montval laid paper [printed in 1939 by Roger Lacouri?re]' +p130055 +sg25275 +S'1933' +p130056 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee35.jpg' +p130057 +sg25267 +g27 +sa(dp130058 +g25268 +S'Female Bathers (Femmes au bain)' +p130059 +sg25270 +S'Pablo Picasso' +p130060 +sg25273 +S'etching [printed in 1939 by Roger Lacouriere]' +p130061 +sg25275 +S'1934' +p130062 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee7b.jpg' +p130063 +sg25267 +g27 +sa(dp130064 +g25268 +S'Two Women at the Bath (Deux femmes au bain)' +p130065 +sg25270 +S'Pablo Picasso' +p130066 +sg25273 +S'etching [printed in 1939 by Roger Lacouriere]' +p130067 +sg25275 +S'1934' +p130068 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee78.jpg' +p130069 +sg25267 +g27 +sa(dp130070 +g25268 +S'At the Bath. Woman in a Hat with Flowers and Woman Draped in a Towel (Au bain)' +p130071 +sg25270 +S'Pablo Picasso' +p130072 +sg25273 +S'etching [printed in 1939 by Roger Lacouriere]' +p130073 +sg25275 +S'1934' +p130074 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee7a.jpg' +p130075 +sg25267 +g27 +sa(dp130076 +g25268 +S'Homage to Carpeaux (Hommage \xc3\xa0 Carpeaux)' +p130077 +sg25270 +S'Pablo Picasso' +p130078 +sg25273 +S'etching [printed in 1939 by Roger Lacouriere]' +p130079 +sg25275 +S'1934' +p130080 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee7e.jpg' +p130081 +sg25267 +g27 +sa(dp130082 +g25268 +S'Four Nudes and Sculpted Head (Quatres femmes nues et tete sculptee)' +p130083 +sg25270 +S'Pablo Picasso' +p130084 +sg25273 +S'etching and burin [printed in 1939 by Roger Lacouriere]' +p130085 +sg25275 +S'1934' +p130086 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee81.jpg' +p130087 +sg25267 +g27 +sa(dp130088 +g25268 +S'The Bath (Au Bain)' +p130089 +sg25270 +S'Pablo Picasso' +p130090 +sg25273 +S'etching in black on Montval laid paper [printed in 1939 by Roger Lacouri?re]' +p130091 +sg25275 +S'1930' +p130092 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee31.jpg' +p130093 +sg25267 +g27 +sa(dp130094 +g25268 +S'The Surprised Bathers (Les baigneuses surprises)' +p130095 +sg25270 +S'Pablo Picasso' +p130096 +sg25273 +S'aquatint and drypoint [printed in 1939 by Roger Lacouriere]' +p130097 +sg25275 +S'1933' +p130098 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee6f.jpg' +p130099 +sg25267 +g27 +sa(dp130100 +g25268 +S'The Entry into Jerusalem' +p130101 +sg25270 +S'German 15th Century' +p130102 +sg25273 +S'Schreiber, no. 2224' +p130103 +sg25275 +S'\nmetalcut, hand-colored in red lake, yellow, and green' +p130104 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a4ce.jpg' +p130105 +sg25267 +g27 +sa(dp130106 +g25268 +S'Seated Woman Holding Head in Hand (Femme nueassise, la tete appuyee sur la main)' +p130107 +sg25270 +S'Pablo Picasso' +p130108 +sg25273 +S'etching and burin [printed in 1939 by Roger Lacouriere]' +p130109 +sg25275 +S'1934' +p130110 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee85.jpg' +p130111 +sg25267 +g27 +sa(dp130112 +g25268 +S'Two Catalonian Drinkers (Deux buveurs catalans)' +p130113 +sg25270 +S'Pablo Picasso' +p130114 +sg25273 +S'etching [printed in 1939 by Roger Lacouriere]' +p130115 +sg25275 +S'1934' +p130116 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee88.jpg' +p130117 +sg25267 +g27 +sa(dp130118 +g25268 +S'Masked Persons and Female Bird (Personnages masqu\xc3\xa9s et femme oiseau)' +p130119 +sg25270 +S'Pablo Picasso' +p130120 +sg25273 +S'etching [printed in 1939 by Roger Lacouriere]' +p130121 +sg25275 +S'1934' +p130122 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee8d.jpg' +p130123 +sg25267 +g27 +sa(dp130124 +g25268 +S'Corrida. Wounded Torero (Corrida. Torero bless\xc3\xa9)' +p130125 +sg25270 +S'Pablo Picasso' +p130126 +sg25273 +S'etching [printed in 1939 by Roger Lacouriere]' +p130127 +sg25275 +S'1933' +p130128 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee68.jpg' +p130129 +sg25267 +g27 +sa(dp130130 +g25268 +S'Two Sculptors before a Statue (Deux sculpteurs devant une statue)' +p130131 +sg25270 +S'Pablo Picasso' +p130132 +sg25273 +S'etching in black on Montval laid paper [printed in 1939 by Roger Lacouri?re]' +p130133 +sg25275 +S'1931' +p130134 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee30.jpg' +p130135 +sg25267 +g27 +sa(dp130136 +g25268 +S'The Circus Family with a Monkey (La famille de saltimbanques au macaque)' +p130137 +sg25270 +S'Pablo Picasso' +p130138 +sg25273 +S'drypoint (zinc) in black on "v?lin ancien" wove paper' +p130139 +sg25275 +S'1905' +p130140 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee21.jpg' +p130141 +sg25267 +g27 +sa(dp130142 +g25268 +S'Nude with Her Knee Raised (Femme nue \xc3\xa0 la jambe pli\xc3\xa9e)' +p130143 +sg25270 +S'Pablo Picasso' +p130144 +sg25273 +S'etching in black on Montval laid paper [printed in 1939 by Roger Lacouri?re]' +p130145 +sg25275 +S'1931' +p130146 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee2c.jpg' +p130147 +sg25267 +g27 +sa(dp130148 +g25268 +S'Nude Seated before a Curtain (Femme nue assise devant un rideau)' +p130149 +sg25270 +S'Pablo Picasso' +p130150 +sg25273 +S'etching in black on Montval laid paper [printed in 1939 by Roger Lacouri?re]' +p130151 +sg25275 +S'1931' +p130152 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee34.jpg' +p130153 +sg25267 +g27 +sa(dp130154 +g25268 +S'Nude Placing Flowers in Her Hair (Femme nue se couronnant de fleurs)' +p130155 +sg25270 +S'Pablo Picasso' +p130156 +sg25273 +S'etching in black on Montval laid paper [printed in 1939 by Roger Lacouri?re]' +p130157 +sg25275 +S'1930' +p130158 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee32.jpg' +p130159 +sg25267 +g27 +sa(dp130160 +g25268 +S'Nude with a Coronet of Flowers (Femme nue couronne de fleurs)' +p130161 +sg25270 +S'Pablo Picasso' +p130162 +sg25273 +S'etching in black on Montval laid paper [printed in 1939 by Roger Lacouriere]' +p130163 +sg25275 +S'1930' +p130164 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee33.jpg' +p130165 +sg25267 +g27 +sa(dp130166 +g25268 +S'Aeneas and Achates on the Libyan Coast' +p130167 +sg25270 +S'Dosso Dossi' +p130168 +sg25273 +S'oil on canvas' +p130169 +sg25275 +S'c. 1520' +p130170 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a0000800.jpg' +p130171 +sg25267 +S"The obscure iconography of Dosso's canvas has caused much speculation. In the\npast it has been titled simply \n Two other surviving scenes from the \n " +p130172 +sa(dp130173 +g25268 +S'The Last Supper' +p130174 +sg25270 +S'German 15th Century' +p130175 +sg25273 +S'Schreiber, Vol. IX, no. 2234, State m' +p130176 +sg25275 +S'\nmetalcut, hand-colored in red lake, yellow, and green' +p130177 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a4cf.jpg' +p130178 +sg25267 +g27 +sa(dp130179 +g25268 +S'Nude before a Statue (Femme nue devant une statue)' +p130180 +sg25270 +S'Pablo Picasso' +p130181 +sg25273 +S'etching in black on Montval laid paper [printed in 1939 by Roger Lacouri?re]' +p130182 +sg25275 +S'1931' +p130183 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee2f.jpg' +p130184 +sg25267 +g27 +sa(dp130185 +g25268 +S'Two Nudes at Rest (Femmes se reposant)' +p130186 +sg25270 +S'Pablo Picasso' +p130187 +sg25273 +S'drypoint in black on Montval laid paper [printed in 1939 by Roger Lacouri?re]' +p130188 +sg25275 +S'1931' +p130189 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee2a.jpg' +p130190 +sg25267 +g27 +sa(dp130191 +g25268 +S'Figure (Bather in a Cabin)' +p130192 +sg25270 +S'Pablo Picasso' +p130193 +sg25273 +S'crayon lithograph (stone) in black on smooth wove paper' +p130194 +sg25275 +S'1929' +p130195 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed93.jpg' +p130196 +sg25267 +g27 +sa(dp130197 +g25268 +S"Sheet of Studies. Profiles of Marie-Th\xc3\xa9r\xc3\xa8se and Head of Rembrandt in a Beret (Feuille d'\xc3\xa9tudes. Profils de Marie-Th\xc3\xa9r\xc3\xa8se et t\xc3\xaate de Rembrandt au b\xc3\xa9ret)" +p130198 +sg25270 +S'Pablo Picasso' +p130199 +sg25273 +S'etching [printed in 1939 by Roger Lacouriere]' +p130200 +sg25275 +S'1934' +p130201 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee72.jpg' +p130202 +sg25267 +g27 +sa(dp130203 +g25268 +S'Rembrandt in a "turban," in "furs," and in the "elephant\'s eye" (Rembrandt au "turban," aux "fourrures," et \xc3\xa0 l\'oeil d\'\xc3\xa9l\xc3\xa9phant")' +p130204 +sg25270 +S'Pablo Picasso' +p130205 +sg25273 +S'etching [printed in 1939 by Roger Lacouriere]' +p130206 +sg25275 +S'1934' +p130207 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee79.jpg' +p130208 +sg25267 +g27 +sa(dp130209 +g25268 +S'Rembrandt and Two Women (Rembrandt et deux femmes)' +p130210 +sg25270 +S'Pablo Picasso' +p130211 +sg25273 +S'etching [printed in 1939 by Roger Lacouriere]' +p130212 +sg25275 +S'1934' +p130213 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee74.jpg' +p130214 +sg25267 +g27 +sa(dp130215 +g25268 +S'Rembrandt Takes a Young Veiled Woman by the Hand (Rembrandt tenant par la main un jeune femme au voile)' +p130216 +sg25270 +S'Pablo Picasso' +p130217 +sg25273 +S'etching [printed in 1939 by Roger Lacouriere]' +p130218 +sg25275 +S'1934' +p130219 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee75.jpg' +p130220 +sg25267 +g27 +sa(dp130221 +g25268 +S"Sheet of Studies. Seated Woman and Heads of Women (Feuille d'\xc3\xa9tudes. Femme assise et t\xc3\xaates des femmes)" +p130222 +sg25270 +S'Pablo Picasso' +p130223 +sg25273 +S'etching [printed in 1939 by Roger Lacouriere]' +p130224 +sg25275 +S'1934' +p130225 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee73.jpg' +p130226 +sg25267 +g27 +sa(dp130227 +g25268 +S'Man Uncovering a Woman (Homme d\xc3\xa9voilant une femme)' +p130228 +sg25270 +S'Pablo Picasso' +p130229 +sg25273 +S'drypoint in black on Montval laid paper [printed in 1939 by Roger Lacouri?re]' +p130230 +sg25275 +S'1931' +p130231 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee2b.jpg' +p130232 +sg25267 +g27 +sa(dp130233 +g25268 +S'Flautist and Three Nudes (Fl\xc3\xbbtiste et trois femmes nues)' +p130234 +sg25270 +S'Pablo Picasso' +p130235 +sg25273 +S'drypoint with scraping in black on Montval laid paper [printed in 1939 by Roger Lacouri?re]' +p130236 +sg25275 +S'1932' +p130237 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee29.jpg' +p130238 +sg25267 +g27 +sa(dp130239 +g25268 +S'The Flagellation' +p130240 +sg25270 +S'German 15th Century' +p130241 +sg25273 +S'Schreiber, Vol. IX, no. 2282, State m' +p130242 +sg25275 +S'\nmetalcut, hand-colored in red lake, yellow, and green' +p130243 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a4d0.jpg' +p130244 +sg25267 +g27 +sa(dp130245 +g25268 +S'Blinded Minotaur Led by a Girl I (Minotaure aveugle guide par une fillette I)' +p130246 +sg25270 +S'Pablo Picasso' +p130247 +sg25273 +S'etching and burin [printed in 1939 by Roger Lacouriere]' +p130248 +sg25275 +S'1934' +p130249 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee7f.jpg' +p130250 +sg25267 +g27 +sa(dp130251 +g25268 +S'Blinded Minotaur Led by a Girl II (Minotaur aveugle guide par une fillette II)' +p130252 +sg25270 +S'Pablo Picasso' +p130253 +sg25273 +S'etching [printed in 1939 by Roger Lacouriere]' +p130254 +sg25275 +S'1934' +p130255 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee84.jpg' +p130256 +sg25267 +g27 +sa(dp130257 +g25268 +S'Blinded Minotaur Led by a Girl III (Minotaur aveugle guide par une fillette III)' +p130258 +sg25270 +S'Pablo Picasso' +p130259 +sg25273 +S'etching [printed in 1939 by Roger Lacouriere]' +p130260 +sg25275 +S'1934' +p130261 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee80.jpg' +p130262 +sg25267 +g27 +sa(dp130263 +g25268 +S'Blind Minotaur Led by Marie-Th\xc3\xa9r\xc3\xa8se with a Dove in a Starry Night (Minotaure aveugle guid\xc3\xa9 par Marie-Th\xc3\xa9r\xc3\xa8se au pigeon dans une nuit \xc3\xa9toil\xc3\xa9e)' +p130264 +sg25270 +S'Pablo Picasso' +p130265 +sg25273 +S'dark-manner aquatint in black with scraping, burnishing, drypoint, and engraving on wove paper [after steelfacing]' +p130266 +sg25275 +S'1934' +p130267 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee89.jpg' +p130268 +sg25267 +g27 +sa(dp130269 +g25268 +S'Minotaur with Chalice in Hand and Young Woman (Minotaure, une coupe a la main, et jeune femme)' +p130270 +sg25270 +S'Pablo Picasso' +p130271 +sg25273 +S'etching [printed in 1939 by Roger Lacouriere]' +p130272 +sg25275 +S'1933' +p130273 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee6e.jpg' +p130274 +sg25267 +g27 +sa(dp130275 +g25268 +S'Self-Portrait in Three Forms: Crowned Painter, Bust Sculpture, and Amorous Minotaur (Autoportrait sous trois formes: peintre couronn\xc3\xa9, sculpteur en buste, et minotaure amoureux)' +p130276 +sg25270 +S'Pablo Picasso' +p130277 +sg25273 +S'etching [printed in 1939 by Roger Lacouriere]' +p130278 +sg25275 +S'1933' +p130279 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee66.jpg' +p130280 +sg25267 +g27 +sa(dp130281 +g25268 +S'Bacchanal Scene with Minotaur (Scene bachique au minotaure)' +p130282 +sg25270 +S'Pablo Picasso' +p130283 +sg25273 +S'etching [printed in 1939 by Roger Lacouriere]' +p130284 +sg25275 +S'1933' +p130285 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee65.jpg' +p130286 +sg25267 +g27 +sa(dp130287 +g25268 +S'Marie-Th\xc3\xa9r\xc3\xa8se, as a Vestal Virgin, Watching the Sleeping Minotaur (Marie-Th\xc3\xa9r\xc3\xa8se, en vestale, veillant le mintaoure endormi)' +p130288 +sg25270 +S'Pablo Picasso' +p130289 +sg25273 +S'etching [printed in 1939 by Roger Lacouriere]' +p130290 +sg25275 +S'1933' +p130291 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee67.jpg' +p130292 +sg25267 +g27 +sa(dp130293 +g25268 +S"Minotaur Loving a Female Centaur (Minotaure amoureux d'une femme-centaure)" +p130294 +sg25270 +S'Pablo Picasso' +p130295 +sg25273 +S'etching [printed in 1939 by Roger Lacouriere]' +p130296 +sg25275 +S'1933' +p130297 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee70.jpg' +p130298 +sg25267 +g27 +sa(dp130299 +g25268 +S'Wounded Minotaur VI (Minotaure blesse VI)' +p130300 +sg25270 +S'Pablo Picasso' +p130301 +sg25273 +S'etching [printed in 1939 by Roger Lacouriere]' +p130302 +sg25275 +S'1933' +p130303 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee6b.jpg' +p130304 +sg25267 +g27 +sa(dp130305 +g25268 +S'Ornamental Alphabet' +p130306 +sg25270 +S'German 15th Century' +p130307 +sg25273 +S'Schreiber, no. 2001' +p130308 +sg25275 +S'\nwoodcut' +p130309 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a3/a000a3df.jpg' +p130310 +sg25267 +g27 +sa(dp130311 +g25268 +S"In the Arena. Young Man Kills the Minotaur (Dans l'ar\xc3\xa8ne. Jeune homme achevant le minotaure)" +p130312 +sg25270 +S'Pablo Picasso' +p130313 +sg25273 +S'etching [printed in 1939 by Roger Lacouriere]' +p130314 +sg25275 +S'1933' +p130315 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee6c.jpg' +p130316 +sg25267 +g27 +sa(dp130317 +g25268 +S'Dying Minotaur and Compassionate Young Woman (Minotaure mourant et jeune femme pitoyable)' +p130318 +sg25270 +S'Pablo Picasso' +p130319 +sg25273 +S'etching [printed in 1939 by Roger Lacouriere]' +p130320 +sg25275 +S'1933' +p130321 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee6d.jpg' +p130322 +sg25267 +g27 +sa(dp130323 +g25268 +S'Minotaur and Young Woman Entertwined and Dreaming Under a Window (Minotaure et jeune femme enlac\xc3\xa9s r\xc3\xaavant sous une fen\xc3\xaatre)' +p130324 +sg25270 +S'Pablo Picasso' +p130325 +sg25273 +S'etching [printed in 1939 by Roger Lacouriere]' +p130326 +sg25275 +S'1933' +p130327 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee6a.jpg' +p130328 +sg25267 +g27 +sa(dp130329 +g25268 +S'Marie-Th\xc3\xa9r\xc3\xa8se Dreams of Metamorphosis: She and the Sculptor Drink with a Young Greek Actor Playing the Role of the Minotaur (Marie-Th\xc3\xa9r\xc3\xa8se r\xc3\xaavant de m\xc3\xa9tamorposes: elle-m\xc3\xaame et le sculpteur buvant avec un jeune acteur grec jouant le r\xc3\xb4le du minotaure)' +p130330 +sg25270 +S'Pablo Picasso' +p130331 +sg25273 +S'etching [printed in 1939 by Roger Lacouriere]' +p130332 +sg25275 +S'1933' +p130333 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee64.jpg' +p130334 +sg25267 +g27 +sa(dp130335 +g25268 +S'Minotaur Caressing a Sleeping Woman (Minotaure caressant une dormeuse)' +p130336 +sg25270 +S'Pablo Picasso' +p130337 +sg25273 +S'etching [printed in 1939 by Roger Lacouriere]' +p130338 +sg25275 +S'1933' +p130339 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee63.jpg' +p130340 +sg25267 +g27 +sa(dp130341 +g25268 +S'Boy and Sleeping Girl in Candlelight (Gar\xc3\xa7on et dormeuse \xc3\xa0 la chandelle)' +p130342 +sg25270 +S'Pablo Picasso' +p130343 +sg25273 +S'etching and aquatint [printed in 1939 by Roger Lacouriere]' +p130344 +sg25275 +S'1934' +p130345 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee86.jpg' +p130346 +sg25267 +g27 +sa(dp130347 +g25268 +S'Marie-Th\xc3\xa9r\xc3\xa8se as an Idol and Three Bearded Greeks (Marie-Th\xc3\xa9r\xc3\xa8se en idole et trois grecs barbus)' +p130348 +sg25270 +S'Pablo Picasso' +p130349 +sg25273 +S'etching, burin, and aquatint [printed in 1939 by Roger Lacouriere]' +p130350 +sg25275 +S'1934' +p130351 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee71.jpg' +p130352 +sg25267 +g27 +sa(dp130353 +g25268 +S'Faun Unveiling a Woman (Faune d\xc3\xa9voilant une femme)' +p130354 +sg25270 +S'Pablo Picasso' +p130355 +sg25273 +S'etching and aquatint [printed in 1939 by Roger Lacouriere]' +p130356 +sg25275 +S'1936' +p130357 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee8e.jpg' +p130358 +sg25267 +g27 +sa(dp130359 +g25268 +S'Flautist and Young Girl with Tambourine (Flutiste et jeune fille au tambourin)' +p130360 +sg25270 +S'Pablo Picasso' +p130361 +sg25273 +S'etching [printed in 1939 by Roger Lacouriere]' +p130362 +sg25275 +S'1934' +p130363 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee76.jpg' +p130364 +sg25267 +g27 +sa(dp130365 +g25268 +S'Young Bacchus with a Tambourine, with a Bacchante (Jeune Bacchus au tambourin, avec un Bacchante)' +p130366 +sg25270 +S'Pablo Picasso' +p130367 +sg25273 +S'etching [printed in 1939 by Roger Lacouriere]' +p130368 +sg25275 +S'1934' +p130369 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee77.jpg' +p130370 +sg25267 +g27 +sa(dp130371 +g25268 +S'The Last Supper' +p130372 +sg25270 +S'Artist Information (' +p130373 +sg25273 +S'German, active c. 1460/1480' +p130374 +sg25275 +S'(related artist)' +p130375 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a4f1.jpg' +p130376 +sg25267 +g27 +sa(dp130377 +g25268 +S'Circus. Repetition (Le cirque. R\xc3\xa9p\xc3\xa9tition)' +p130378 +sg25270 +S'Pablo Picasso' +p130379 +sg25273 +S'etching [printed in 1939 by Roger Lacouriere]' +p130380 +sg25275 +S'1933' +p130381 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee7d.jpg' +p130382 +sg25267 +g27 +sa(dp130383 +g25268 +S'Bull, Horse, and Reclining Woman II (Femme torero II)' +p130384 +sg25270 +S'Pablo Picasso' +p130385 +sg25273 +S'etching [printed in 1939 by Roger Lacouriere]' +p130386 +sg25275 +S'1934' +p130387 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee82.jpg' +p130388 +sg25267 +g27 +sa(dp130389 +g25268 +S'Bull, Horse, and Reclining Woman III (Femme torero III)' +p130390 +sg25270 +S'Pablo Picasso' +p130391 +sg25273 +S'etching [printed in 1939 by Roger Lacouriere]' +p130392 +sg25275 +S'1934' +p130393 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee83.jpg' +p130394 +sg25267 +g27 +sa(dp130395 +g25268 +S'Winged Bull Watched by Four Children (Taureau ail\xc3\xa9 contempl\xc3\xa9 par quatre enfants)' +p130396 +sg25270 +S'Pablo Picasso' +p130397 +sg25273 +S'etching [printed in 1939 by Roger Lacouriere]' +p130398 +sg25275 +S'1934' +p130399 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee87.jpg' +p130400 +sg25267 +g27 +sa(dp130401 +g25268 +S'The Rape (Le viol)' +p130402 +sg25270 +S'Pablo Picasso' +p130403 +sg25273 +S'etching in black on Montval laid paper [printed in 1939 by Roger Lacouri?re]' +p130404 +sg25275 +S'1931' +p130405 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee2e.jpg' +p130406 +sg25267 +g27 +sa(dp130407 +g25268 +S"The Embrace I (L'\xc3\x89treinte I)" +p130408 +sg25270 +S'Pablo Picasso' +p130409 +sg25273 +S'etching in black on Montval laid paper [printed in 1939 by Roger Lacouri?re]' +p130410 +sg25275 +S'1933' +p130411 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee5f.jpg' +p130412 +sg25267 +g27 +sa(dp130413 +g25268 +S"The Embrace III (L'\xc3\x89treinte III)" +p130414 +sg25270 +S'Pablo Picasso' +p130415 +sg25273 +S'drypoint [printed in 1939 by Roger Lacouriere]' +p130416 +sg25275 +S'1933' +p130417 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee5c.jpg' +p130418 +sg25267 +g27 +sa(dp130419 +g25268 +S"Couple Making Love (Couple faisant l'amour)" +p130420 +sg25270 +S'Pablo Picasso' +p130421 +sg25273 +S'etching [printed in 1939 by Roger Lacouriere]' +p130422 +sg25275 +S'1933' +p130423 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee69.jpg' +p130424 +sg25267 +g27 +sa(dp130425 +g25268 +S'Coupling I (Accouplement I)' +p130426 +sg25270 +S'Pablo Picasso' +p130427 +sg25273 +S'etching, drypoint, and aquatint [printed in 1939 by Roger Lacouriere]' +p130428 +sg25275 +S'1933' +p130429 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee59.jpg' +p130430 +sg25267 +g27 +sa(dp130431 +g25268 +S'Rape under the Window (Le viol sous la fenetre)' +p130432 +sg25270 +S'Pablo Picasso' +p130433 +sg25273 +S'aquatint, etching, and drypoint [printed in 1939 by Roger Lacouriere]' +p130434 +sg25275 +S'1933' +p130435 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee58.jpg' +p130436 +sg25267 +g27 +sa(dp130437 +g25268 +S'Christ Crowned with Thorns' +p130438 +sg25270 +S'Artist Information (' +p130439 +sg25273 +S'German, active c. 1460/1480' +p130440 +sg25275 +S'(related artist)' +p130441 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a4f2.jpg' +p130442 +sg25267 +g27 +sa(dp130443 +g25268 +S'B\xc3\xa9atrice' +p130444 +sg25270 +S'Artist Information (' +p130445 +sg25273 +S'French, 1867 - 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+sg25275 +S'1898' +p130743 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a0/a000a04a.jpg' +p130744 +sg25267 +g27 +sa(dp130745 +g25268 +S'Saint Jerome in His Study' +p130746 +sg25270 +S'Artist Information (' +p130747 +sg25273 +S'German, active c. 1460/1480' +p130748 +sg25275 +S'(artist)' +p130749 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a50f.jpg' +p130750 +sg25267 +g27 +sa(dp130751 +g25268 +S'The Green Hat (Le chapeau vert)' +p130752 +sg25270 +S'F\xc3\xa9lix Vallotton' +p130753 +sg25273 +S'color lithograph' +p130754 +sg25275 +S'1896' +p130755 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ef/a000ef6f.jpg' +p130756 +sg25267 +g27 +sa(dp130757 +g25268 +S'Le Gagnant (The Winner)' +p130758 +sg25270 +S'Artist Information (' +p130759 +sg25273 +S'(artist)' +p130760 +sg25275 +S'\n' +p130761 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ef/a000ef61.jpg' +p130762 +sg25267 +g27 +sa(dp130763 +g25268 +S'Hussard Striking a Cosack' +p130764 +sg25270 +S'Carle Vernet' +p130765 +sg25273 +S'lithograph' +p130766 +sg25275 +S'unknown date\n' +p130767 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a0/a000a05b.jpg' +p130768 +sg25267 +g27 +sa(dp130769 +g25268 +S'Hussard Striking a Mameluck' +p130770 +sg25270 +S'Carle Vernet' +p130771 +sg25273 +S'lithograph' +p130772 +sg25275 +S'unknown date\n' +p130773 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a0/a000a05c.jpg' +p130774 +sg25267 +g27 +sa(dp130775 +g25268 +S'La piece en action' +p130776 +sg25270 +S'Horace Vernet' +p130777 +sg25273 +S'lithograph' +p130778 +sg25275 +S'1817' +p130779 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009e/a0009e9c.jpg' +p130780 +sg25267 +g27 +sa(dp130781 +g25268 +S'La piece en batterie' +p130782 +sg25270 +S'Horace Vernet' +p130783 +sg25273 +S'lithograph' +p130784 +sg25275 +S'1817' +p130785 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009e/a0009e9d.jpg' +p130786 +sg25267 +g27 +sa(dp130787 +g25268 +S'Bust of Carle Vernet' +p130788 +sg25270 +S'Horace Vernet' +p130789 +sg25273 +S'lithograph' +p130790 +sg25275 +S'1817' +p130791 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009e/a0009e9e.jpg' +p130792 +sg25267 +g27 +sa(dp130793 +g25268 +S'Carle Vernet, Full-Length' +p130794 +sg25270 +S'Horace Vernet' +p130795 +sg25273 +S'lithograph' +p130796 +sg25275 +S'1818' +p130797 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009e/a0009e9a.jpg' +p130798 +sg25267 +g27 +sa(dp130799 +g25273 +S'etching in black on wove paper' +p130800 +sg25267 +g27 +sg25275 +S'1920' +p130801 +sg25268 +S'Baudelaire' +p130802 +sg25270 +S'Jacques Villon' +p130803 +sa(dp130804 +g25273 +S'etching' +p130805 +sg25267 +g27 +sg25275 +S'1934' +p130806 +sg25268 +S'The Plain between Cannes and Mougins (La plaine entre Cannes et Mougins)' +p130807 +sg25270 +S'Jacques Villon' +p130808 +sa(dp130809 +g25268 +S'Saint Jerome' +p130810 +sg25270 +S'Artist Information (' +p130811 +sg25273 +S'German, active c. 1460/1480' +p130812 +sg25275 +S'(related artist)' +p130813 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00056/a000561f.jpg' +p130814 +sg25267 +g27 +sa(dp130815 +g25268 +S'Across Country (A travers champs)' +p130816 +sg25270 +S'Artist Information (' +p130817 +sg25273 +S'(artist)' +p130818 +sg25275 +S'\n' +p130819 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00053/a00053c1.jpg' +p130820 +sg25267 +g27 +sa(dp130821 +g25268 +S"The Hearth (L'atre)" +p130822 +sg25270 +S'Artist Information (' +p130823 +sg25273 +S'French, 1867 - 1939' +p130824 +sg25275 +S'(artist)' +p130825 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009f24.jpg' +p130826 +sg25267 +g27 +sa(dp130827 +g25268 +S"The Avenue (L'avenue)" +p130828 +sg25270 +S'Artist Information (' +p130829 +sg25273 +S'(artist)' +p130830 +sg25275 +S'\n' +p130831 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000fae.jpg' +p130832 +sg25267 +g27 +sa(dp130833 +g25268 +S'Two Sisters-in-Law (Les deux belles-soeurs)' +p130834 +sg25270 +S'Artist Information (' +p130835 +sg25273 +S'(artist)' +p130836 +sg25275 +S'\n' +p130837 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00053/a00053c2.jpg' +p130838 +sg25267 +g27 +sa(dp130839 +g25268 +S'The Cook (La cuisiniere)' +p130840 +sg25270 +S'Artist Information (' +p130841 +sg25273 +S'(artist)' +p130842 +sg25275 +S'\n' +p130843 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009f26.jpg' +p130844 +sg25267 +g27 +sa(dp130845 +g25268 +S'Interior with Hanging Lamp (Interieur a la suspension)' +p130846 +sg25270 +S'Artist Information (' +p130847 +sg25273 +S'French, 1867 - 1939' +p130848 +sg25275 +S'(artist)' +p130849 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009f23.jpg' +p130850 +sg25267 +g27 +sa(dp130851 +g25268 +S'Interior with Pink Wallpaper I (Interieur aux tentures roses I)' +p130852 +sg25270 +S'Artist Information (' +p130853 +sg25273 +S'(artist)' +p130854 +sg25275 +S'\n' +p130855 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009f21.jpg' +p130856 +sg25267 +g27 +sa(dp130857 +g25268 +S'Interior with Pink Wallpaper II (Interieur aux tentures roses II)' +p130858 +sg25270 +S'Artist Information (' +p130859 +sg25273 +S'(artist)' +p130860 +sg25275 +S'\n' +p130861 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009f20.jpg' +p130862 +sg25267 +g27 +sa(dp130863 +g25268 +S'Interior with Pink Wallpaper III (Interieur aux tentures roses III)' +p130864 +sg25270 +S'Artist Information (' +p130865 +sg25273 +S'French, 1867 - 1939' +p130866 +sg25275 +S'(artist)' +p130867 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009f1f.jpg' +p130868 +sg25267 +g27 +sa(dp130869 +g25268 +S"The Birth of Annette (La naissance d'Annette)" +p130870 +sg25270 +S'Edouard Vuillard' +p130871 +sg25273 +S'color lithograph' +p130872 +sg25275 +S'1898' +p130873 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a0/a000a068.jpg' +p130874 +sg25267 +g27 +sa(dp130875 +g25268 +S'Saint Matthias and Saint Jude with Articles from the Credo' +p130876 +sg25270 +S'Master d' +p130877 +sg25273 +S', 1450/1460' +p130878 +sg25275 +S'\n' +p130879 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cc/a000ccef.jpg' +p130880 +sg25267 +g27 +sa(dp130881 +g25273 +S'etching' +p130882 +sg25267 +g27 +sg25275 +S'1935' +p130883 +sg25268 +S'Chevreuse' +p130884 +sg25270 +S'Jacques Villon' +p130885 +sa(dp130886 +g25273 +S'etching' +p130887 +sg25267 +g27 +sg25275 +S'1944' +p130888 +sg25268 +S'Flowers (Fleurs)' +p130889 +sg25270 +S'Jacques Villon' +p130890 +sa(dp130891 +g25273 +S'etching' +p130892 +sg25267 +g27 +sg25275 +S'1930' +p130893 +sg25268 +S'Globes' +p130894 +sg25270 +S'Jacques Villon' +p130895 +sa(dp130896 +g25273 +S'etching' +p130897 +sg25267 +g27 +sg25275 +S'1943' +p130898 +sg25268 +S'Interior (Int\xc3\xa9rieur)' +p130899 +sg25270 +S'Jacques Villon' +p130900 +sa(dp130901 +g25273 +S'drypoint' +p130902 +sg25267 +g27 +sg25275 +S'1931' +p130903 +sg25268 +S'Portrait of J.P. (J. Patrelle)' +p130904 +sg25270 +S'Jacques Villon' +p130905 +sa(dp130906 +g25273 +S'engraving' +p130907 +sg25267 +g27 +sg25275 +S'1935' +p130908 +sg25268 +S'My Old Luxembourg (Mon vieux Luxembourg)' +p130909 +sg25270 +S'Jacques Villon' +p130910 +sa(dp130911 +g25273 +S'drypoint' +p130912 +sg25267 +g27 +sg25275 +S'1933' +p130913 +sg25268 +S'Nude Fixing Her Hair (Nu se coiffant)' +p130914 +sg25270 +S'Jacques Villon' +p130915 +sa(dp130916 +g25273 +S'etching' +p130917 +sg25267 +g27 +sg25275 +S'1933' +p130918 +sg25268 +S'The Poet (Le po\xc3\xa8te)' +p130919 +sg25270 +S'Jacques Villon' +p130920 +sa(dp130921 +g25273 +S'etching' +p130922 +sg25267 +g27 +sg25275 +S'1934' +p130923 +sg25268 +S'The Village of Mougins (Le Village de Mougins)' +p130924 +sg25270 +S'Jacques Villon' +p130925 +sa(dp130926 +g25273 +S'etching' +p130927 +sg25267 +g27 +sg25275 +S'1935' +p130928 +sg25268 +S'The Great Draftsman Seated (Le grand dessinateur assis)' +p130929 +sg25270 +S'Jacques Villon' +p130930 +sa(dp130931 +g25268 +S'Saint Barbara' +p130932 +sg25270 +S'Artist Information (' +p130933 +sg25273 +S'German, active c. 1470/1480' +p130934 +sg25275 +S'(related artist)' +p130935 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a51d.jpg' +p130936 +sg25267 +g27 +sa(dp130937 +g25268 +S'Game of Checkers (La partie de dames)' +p130938 +sg25270 +S'Artist Information (' +p130939 +sg25273 +S'(artist)' +p130940 +sg25275 +S'\n' +p130941 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000fad.jpg' +p130942 +sg25267 +g27 +sa(dp130943 +g25268 +S'Cover for the Album "Paysages et int\xc3\xa9rieurs"' +p130944 +sg25270 +S'Artist Information (' +p130945 +sg25273 +S'(artist)' +p130946 +sg25275 +S'\n' +p130947 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a0/a000a067.jpg' +p130948 +sg25267 +g27 +sa(dp130949 +g25268 +S'The Bakery (La patiserie)' +p130950 +sg25270 +S'Artist Information (' +p130951 +sg25273 +S'(artist)' +p130952 +sg25275 +S'\n' +p130953 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009f25.jpg' +p130954 +sg25267 +g27 +sa(dp130955 +g25268 +S'La Vie muette' +p130956 +sg25270 +S'Edouard Vuillard' +p130957 +sg25273 +S'lithograph' +p130958 +sg25275 +S'1894' +p130959 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009f19.jpg' +p130960 +sg25267 +g27 +sa(dp130961 +g25268 +S'Four Scenes from the First Book of Samuel' +p130962 +sg25270 +S'Italian 11th Century' +p130963 +sg25273 +S'overall: 41.4 x 27.3 cm (16 5/16 x 10 3/4 in.)' +p130964 +sg25275 +S'\nminiature on vellum' +p130965 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00034/a0003421.jpg' +p130966 +sg25267 +g27 +sa(dp130967 +g25268 +S'Saint John Dictating to the Venerable Bede' +p130968 +sg25270 +S'Austrian 12th Century' +p130969 +sg25273 +S'overall: 35.2 x 23.5 cm (13 7/8 x 9 1/4 in.)' +p130970 +sg25275 +S'\npen with brown and red ink with color washes on vellum' +p130971 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00030/a0003030.jpg' +p130972 +sg25267 +g27 +sa(dp130973 +g25268 +S'Christ on the Cross' +p130974 +sg25270 +S'Netherlandish 15th Century' +p130975 +sg25273 +S'Overall: 82.9 x 52.8 cm (32 5/8 x 20 13/16 in.)\r\noverall (external frame dimensions): 92.1 x 64.1 cm (36 1/4 x 25 1/4 in.)' +p130976 +sg25275 +S'\nwoodcut, hand-colored in dark red, blue-green, olive, yellow-brown and blue; printed in brown ink on two sheets of paper' +p130977 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00057/a0005708.jpg' +p130978 +sg25267 +g27 +sa(dp130979 +g25268 +S'Woman Reading (Liseuse)' +p130980 +sg25270 +S'Edgar Degas' +p130981 +sg25273 +S'monotype (black ink)' +p130982 +sg25275 +S'c. 1885' +p130983 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f15.jpg' +p130984 +sg25267 +g27 +sa(dp130985 +g25268 +S'Minotauromachy (La minotauromachie)' +p130986 +sg25270 +S'Pablo Picasso' +p130987 +sg25273 +S'etching' +p130988 +sg25275 +S'1935' +p130989 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00022/a00022ec.jpg' +p130990 +sg25267 +g27 +sa(dp130991 +g25273 +S'lithograph' +p130992 +sg25267 +g27 +sg25275 +S'1947' +p130993 +sg25268 +S'Head of a Girl (Tete de jeune femme)' +p130994 +sg25270 +S'Pablo Picasso' +p130995 +sa(dp130996 +g25268 +S'Saint Roche' +p130997 +sg25270 +S'Artist Information (' +p130998 +sg25273 +S'German, active c. 1470/1480' +p130999 +sg25275 +S'(related artist)' +p131000 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a510.jpg' +p131001 +sg25267 +g27 +sa(dp131002 +g25268 +S'Death by Water' +p131003 +sg25270 +S'Stanley William Hayter' +p131004 +sg25273 +S'engraving with gouging' +p131005 +sg25275 +S'1948' +p131006 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00061/a000613f.jpg' +p131007 +sg25267 +g27 +sa(dp131008 +g25273 +S'color monotype' +p131009 +sg25267 +g27 +sg25275 +S'1949' +p131010 +sg25268 +S'Head of a Woman (Mrs. Esther Halpern)' +p131011 +sg25270 +S'Bernard Reder' +p131012 +sa(dp131013 +g25268 +S'The Flagellation' +p131014 +sg25270 +S'Artist Information (' +p131015 +sg25273 +S'Bohemian, active c. 1400' +p131016 +sg25275 +S'(related artist)' +p131017 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0001e/a0001e27.jpg' +p131018 +sg25267 +g27 +sa(dp131019 +g25268 +S'Coronation of the Virgin with the Trinity and Saints' +p131020 +sg25270 +S'Olivetan Master' +p131021 +sg25273 +S'miniature on vellum' +p131022 +sg25275 +S'c. 1440' +p131023 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00058/a000588b.jpg' +p131024 +sg25267 +g27 +sa(dp131025 +g25273 +S'Bohemian, active c. 1400' +p131026 +sg25267 +g27 +sg25275 +S'(related artist)' +p131027 +sg25268 +S'David in Prayer' +p131028 +sg25270 +S'Artist Information (' +p131029 +sa(dp131030 +g25268 +S'Isaac Blessing Jacob' +p131031 +sg25270 +S'Artist Information (' +p131032 +sg25273 +S'Bohemian, active c. 1400' +p131033 +sg25275 +S'(related artist)' +p131034 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0001f/a0001fbd.jpg' +p131035 +sg25267 +g27 +sa(dp131036 +g25273 +S'overall: 22.9 x 14.4 cm (9 x 5 11/16 in.)' +p131037 +sg25267 +g27 +sg25275 +S'\nminiature on vellum' +p131038 +sg25268 +S'The Judge Judah (?)' +p131039 +sg25270 +S'German 13th Century' +p131040 +sa(dp131041 +g25268 +S'Nuremberg' +p131042 +sg25270 +S'German 16th Century' +p131043 +sg25273 +S'Rosenwald Collection' +p131044 +sg25275 +S'\nengraving' +p131045 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b06f.jpg' +p131046 +sg25267 +g27 +sa(dp131047 +g25268 +S'Adam and Eve' +p131048 +sg25270 +S'Hans Baldung Grien' +p131049 +sg25273 +S'chiaroscuro woodcut' +p131050 +sg25275 +S'1511' +p131051 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b02a.jpg' +p131052 +sg25267 +g27 +sa(dp131053 +g25273 +S'color lithograph' +p131054 +sg25267 +g27 +sg25275 +S'1946' +p131055 +sg25268 +S'The Yellow Table' +p131056 +sg25270 +S'Maxil Ballinger' +p131057 +sa(dp131058 +g25268 +S'Playing Card' +p131059 +sg25270 +S'German 15th Century' +p131060 +sg25273 +S'Rosenwald Collection' +p131061 +sg25275 +S'\nwoodcut' +p131062 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00057/a0005784.jpg' +p131063 +sg25267 +g27 +sa(dp131064 +g25268 +S'Souvenir a Bretagne' +p131065 +sg25270 +S'Emile Bernard' +p131066 +sg25273 +S'woodcut' +p131067 +sg25275 +S'unknown date\n' +p131068 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00090/a000903c.jpg' +p131069 +sg25267 +g27 +sa(dp131070 +g25273 +S'lithograph' +p131071 +sg25267 +g27 +sg25275 +S'unknown date\n' +p131072 +sg25268 +S'"I will lift up mine eyes unto the hills"' +p131073 +sg25270 +S'Julius Thiengen Bloch' +p131074 +sa(dp131075 +g25273 +S'lithograph' +p131076 +sg25267 +g27 +sg25275 +S'unknown date\n' +p131077 +sg25268 +S'Negro' +p131078 +sg25270 +S'Julius Thiengen Bloch' +p131079 +sa(dp131080 +g25273 +S'lithograph' +p131081 +sg25267 +g27 +sg25275 +S'unknown date\n' +p131082 +sg25268 +S'Night' +p131083 +sg25270 +S'Julius Thiengen Bloch' +p131084 +sa(dp131085 +g25273 +S'lithograph' +p131086 +sg25267 +g27 +sg25275 +S'unknown date\n' +p131087 +sg25268 +S'The Refugee' +p131088 +sg25270 +S'Julius Thiengen Bloch' +p131089 +sa(dp131090 +g25273 +S'pelograph (lithograph?)' +p131091 +sg25267 +g27 +sg25275 +S'unknown date\n' +p131092 +sg25268 +S'The Prisoner' +p131093 +sg25270 +S'Bertalan Bodnar' +p131094 +sa(dp131095 +g25273 +S'lithograph' +p131096 +sg25267 +g27 +sg25275 +S'1926' +p131097 +sg25268 +S'Still Life IV' +p131098 +sg25270 +S'Georges Braque' +p131099 +sa(dp131100 +g25268 +S'Twelve Children Dancing' +p131101 +sg25270 +S'Domenico Campagnola' +p131102 +sg25273 +S'engraving' +p131103 +sg25275 +S'1517' +p131104 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c882.jpg' +p131105 +sg25267 +g27 +sa(dp131106 +g25273 +S'color lithograph' +p131107 +sg25267 +g27 +sg25275 +S'unknown date\n' +p131108 +sg25268 +S'The Printer Ravel' +p131109 +sg25270 +S'Pierre-Eugene Clairin' +p131110 +sa(dp131111 +g25268 +S'Horses in the Meadow (Chevaux dans la prairie)' +p131112 +sg25270 +S'Edgar Degas' +p131113 +sg25273 +S'soft-ground etching' +p131114 +sg25275 +S'c. 1891/1892' +p131115 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00098/a0009807.jpg' +p131116 +sg25267 +g27 +sa(dp131117 +g25273 +S'Rosenwald Collection' +p131118 +sg25267 +g27 +sg25275 +S'\nhand-colored woodcut' +p131119 +sg25268 +S'Playing Card' +p131120 +sg25270 +S'German 15th Century' +p131121 +sa(dp131122 +g25273 +S'color monotype (plastic plate)' +p131123 +sg25267 +g27 +sg25275 +S'1947' +p131124 +sg25268 +S'Phantoms' +p131125 +sg25270 +S'Stella Drabkin' +p131126 +sa(dp131127 +g25273 +S'color monotype (plastic plate)' +p131128 +sg25267 +g27 +sg25275 +S'1947' +p131129 +sg25268 +S'Street at Night' +p131130 +sg25270 +S'Stella Drabkin' +p131131 +sa(dp131132 +g25268 +S'Landscape with the Cannon' +p131133 +sg25270 +S'Albrecht D\xc3\xbcrer' +p131134 +sg25273 +S'etching (iron)' +p131135 +sg25275 +S'1518' +p131136 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b1/a000b104.jpg' +p131137 +sg25267 +g27 +sa(dp131138 +g25268 +S'Artus Wolfart' +p131139 +sg25270 +S'Artist Information (' +p131140 +sg25273 +S'(artist after)' +p131141 +sg25275 +S'\n' +p131142 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d0f3.jpg' +p131143 +sg25267 +g27 +sa(dp131144 +g25268 +S'Constantijn Huygens' +p131145 +sg25270 +S'Artist Information (' +p131146 +sg25273 +S'(artist after)' +p131147 +sg25275 +S'\n' +p131148 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d106.jpg' +p131149 +sg25267 +g27 +sa(dp131150 +g25268 +S'Karel de Mallery' +p131151 +sg25270 +S'Artist Information (' +p131152 +sg25273 +S'(artist after)' +p131153 +sg25275 +S'\n' +p131154 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d10e.jpg' +p131155 +sg25267 +g27 +sa(dp131156 +g25268 +S'Orazio Gentileschi' +p131157 +sg25270 +S'Artist Information (' +p131158 +sg25273 +S'(artist after)' +p131159 +sg25275 +S'\n' +p131160 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d109.jpg' +p131161 +sg25267 +g27 +sa(dp131162 +g25268 +S'Jan van Mildert' +p131163 +sg25270 +S'Artist Information (' +p131164 +sg25273 +S'(artist after)' +p131165 +sg25275 +S'\n' +p131166 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d10f.jpg' +p131167 +sg25267 +g27 +sa(dp131168 +g25268 +S'Sir Kenelm Digby' +p131169 +sg25270 +S'Artist Information (' +p131170 +sg25273 +S'(artist after)' +p131171 +sg25275 +S'\n' +p131172 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d108.jpg' +p131173 +sg25267 +g27 +sa(dp131174 +g25268 +S'Pieter de Jode the Elder' +p131175 +sg25270 +S'Artist Information (' +p131176 +sg25273 +S'(artist after)' +p131177 +sg25275 +S'\n' +p131178 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d10b.jpg' +p131179 +sg25267 +g27 +sa(dp131180 +g25268 +S'The Baptism of Christ; Pharoah Passing through the Red Sea; Joshua and Caleb' +p131181 +sg25270 +S'Netherlandish 15th Century' +p131182 +sg25273 +S'Schreiber Manuel, Vol. IV, p., no. 27, State ed. VIII' +p131183 +sg25275 +S'\nwoodcut (block book page)' +p131184 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cc/a000ccfc.jpg' +p131185 +sg25267 +g27 +sa(dp131186 +g25273 +S'lithograph [trial proof]' +p131187 +sg25267 +g27 +sg25275 +S'1949' +p131188 +sg25268 +S"Fyodor's Second Marriage (Book I: The History of a Family, facing p.10)" +p131189 +sg25270 +S'Fritz Eichenberg' +p131190 +sa(dp131191 +g25273 +S'lithograph' +p131192 +sg25267 +g27 +sg25275 +S'1949' +p131193 +sg25268 +S"Fyodor's Second Marriage (Book I: The History of a Family, facing p.10)" +p131194 +sg25270 +S'Fritz Eichenberg' +p131195 +sa(dp131196 +g25273 +S'lithograph' +p131197 +sg25267 +g27 +sg25275 +S'1949' +p131198 +sg25268 +S'Alyosha the Boy (Book I: The History of a Family, facing p.14)' +p131199 +sg25270 +S'Fritz Eichenberg' +p131200 +sa(dp131201 +g25273 +S'lithograph' +p131202 +sg25267 +g27 +sg25275 +S'1949' +p131203 +sg25268 +S'The Old Buffoon (Book II: An Unfortunate Gathering, facing p.30)' +p131204 +sg25270 +S'Fritz Eichenberg' +p131205 +sa(dp131206 +g25273 +S'lithograph' +p131207 +sg25267 +g27 +sg25275 +S'1949' +p131208 +sg25268 +S'Women of Great Faith (Book II: An Unfortunate Gathering, facing p.38)' +p131209 +sg25270 +S'Fritz Eichenberg' +p131210 +sa(dp131211 +g25273 +S'lithograph' +p131212 +sg25267 +g27 +sg25275 +S'1949' +p131213 +sg25268 +S'The Blessing of Father Zosima (Book II: An Unfortunate Gathering, p.58)' +p131214 +sg25270 +S'Fritz Eichenberg' +p131215 +sa(dp131216 +g25273 +S'lithograph' +p131217 +sg25267 +g27 +sg25275 +S'1949' +p131218 +sg25268 +S'Grigory and the Child (Book III: The Sensualists, p.74)' +p131219 +sg25270 +S'Fritz Eichenberg' +p131220 +sa(dp131221 +g25273 +S'lithograph' +p131222 +sg25267 +g27 +sg25275 +S'1949' +p131223 +sg25268 +S'The Finding of Lizaveta (Book III: The Sensualists, facing p.78)' +p131224 +sg25270 +S'Fritz Eichenberg' +p131225 +sa(dp131226 +g25273 +S'lithograph' +p131227 +sg25267 +g27 +sg25275 +S'1949' +p131228 +sg25268 +S'The Ardent Heart (Book III: The Sensualists, facing p.86)' +p131229 +sg25270 +S'Fritz Eichenberg' +p131230 +sa(dp131231 +g25273 +S'lithograph' +p131232 +sg25267 +g27 +sg25275 +S'1949' +p131233 +sg25268 +S'The Madness of Dmitri (Book III: The Sensualists, facing p.106)' +p131234 +sg25270 +S'Fritz Eichenberg' +p131235 +sa(dp131236 +g25268 +S'Apocalypse of John, Leaf 10' +p131237 +sg25270 +S'German 15th Century' +p131238 +sg25273 +S'Schreiber Manuel, Vol. IV, p., no. 208, State ed. V' +p131239 +sg25275 +S'\nwoodcut' +p131240 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a65c.jpg' +p131241 +sg25267 +g27 +sa(dp131242 +g25273 +S'lithograph' +p131243 +sg25267 +g27 +sg25275 +S'1949' +p131244 +sg25268 +S"Katerina Kisses Grushenka's Hand (Book III: The Sensualists, facing p.110)" +p131245 +sg25270 +S'Fritz Eichenberg' +p131246 +sa(dp131247 +g25273 +S'lithograph' +p131248 +sg25267 +g27 +sg25275 +S'1949' +p131249 +sg25268 +S'Father Ferapont (Book IV: Lacerations, facing p.126)' +p131250 +sg25270 +S'Fritz Eichenberg' +p131251 +sa(dp131252 +g25273 +S'lithograph' +p131253 +sg25267 +g27 +sg25275 +S'1949' +p131254 +sg25268 +S'The Boy Who Threw the Stone (Book IV: Lacerations, facing p.134)' +p131255 +sg25270 +S'Fritz Eichenberg' +p131256 +sa(dp131257 +g25273 +S'lithograph' +p131258 +sg25267 +g27 +sg25275 +S'1949' +p131259 +sg25268 +S'"And in the Open Air" (Book IV: Lacerations, facing p.158)' +p131260 +sg25270 +S'Fritz Eichenberg' +p131261 +sa(dp131262 +g25273 +S'lithograph' +p131263 +sg25267 +g27 +sg25275 +S'1949' +p131264 +sg25268 +S'"That\'s Rebellion" (Book V: Pro and Contra, facing p.182)' +p131265 +sg25270 +S'Fritz Eichenberg' +p131266 +sa(dp131267 +g25273 +S'lithograph' +p131268 +sg25267 +g27 +sg25275 +S'1949' +p131269 +sg25268 +S'The Grand Inquisitor (Book V: Pro and Contra, facing p.190)' +p131270 +sg25270 +S'Fritz Eichenberg' +p131271 +sa(dp131272 +g25273 +S'lithograph' +p131273 +sg25267 +g27 +sg25275 +S'1949' +p131274 +sg25268 +S'The Crazy Old Man (Book V: Pro and Contra, facing p.206)' +p131275 +sg25270 +S'Fritz Eichenberg' +p131276 +sa(dp131277 +g25273 +S'lithograph' +p131278 +sg25267 +g27 +sg25275 +S'1949' +p131279 +sg25268 +S'The Scream of the Epileptic (Book VI: The Russian Monk, facing p.214)' +p131280 +sg25270 +S'Fritz Eichenberg' +p131281 +sa(dp131282 +g25273 +S'lithograph' +p131283 +sg25267 +g27 +sg25275 +S'1949' +p131284 +sg25268 +S'Alyosha among the Tombs (Book VII: Alyosha, facing p.252)' +p131285 +sg25270 +S'Fritz Eichenberg' +p131286 +sa(dp131287 +g25273 +S'lithograph' +p131288 +sg25267 +g27 +sg25275 +S'1949' +p131289 +sg25268 +S'"Satan, Go Hence!" (Book VII: Alyosha, facing p.256)' +p131290 +sg25270 +S'Fritz Eichenberg' +p131291 +sa(dp131292 +g25268 +S'Apocalypse of John, Leaf 42' +p131293 +sg25270 +S'German 15th Century' +p131294 +sg25273 +S'Schreiber Manuel, Vol. IV, p., no. 210, State ed. V' +p131295 +sg25275 +S'\nwoodcut' +p131296 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a59f.jpg' +p131297 +sg25267 +g27 +sa(dp131298 +g25273 +S'lithograph' +p131299 +sg25267 +g27 +sg25275 +S'1949' +p131300 +sg25268 +S'"Drink to the Gates of Paradise" (Book VII: Alyosha, facing p.272)' +p131301 +sg25270 +S'Fritz Eichenberg' +p131302 +sa(dp131303 +g25273 +S'lithograph' +p131304 +sg25267 +g27 +sg25275 +S'1949' +p131305 +sg25268 +S'Cana of Galilee (Book VII: Alyosha, facing p.276)' +p131306 +sg25270 +S'Fritz Eichenberg' +p131307 +sa(dp131308 +g25273 +S'lithograph' +p131309 +sg25267 +g27 +sg25275 +S'1949' +p131310 +sg25268 +S'The Mystery of Earth (Book VIII: Mitya, facing p.284)' +p131311 +sg25270 +S'Fritz Eichenberg' +p131312 +sa(dp131313 +g25273 +S'lithograph' +p131314 +sg25267 +g27 +sg25275 +S'1949' +p131315 +sg25268 +S'Old Samsonov (Book VIII: Mitya, facing p.288)' +p131316 +sg25270 +S'Fritz Eichenberg' +p131317 +sa(dp131318 +g25273 +S'lithograph' +p131319 +sg25267 +g27 +sg25275 +S'1949' +p131320 +sg25268 +S'An Occurrence in the Dark (Book VIII: Mitya, facing p.304)' +p131321 +sg25270 +S'Fritz Eichenberg' +p131322 +sa(dp131323 +g25273 +S'lithograph' +p131324 +sg25267 +g27 +sg25275 +S'1949' +p131325 +sg25268 +S'Fyodor Pavlovich Examines His Bruises (Book VIII: Mitya, facing p.308)' +p131326 +sg25270 +S'Fritz Eichenberg' +p131327 +sa(dp131328 +g25273 +S'lithograph' +p131329 +sg25267 +g27 +sg25275 +S'1949' +p131330 +sg25268 +S'Dmitri on the Road (Book VIII: Mitya, facing p.316)' +p131331 +sg25270 +S'Fritz Eichenberg' +p131332 +sa(dp131333 +g25273 +S'lithograph' +p131334 +sg25267 +g27 +sg25275 +S'1949' +p131335 +sg25268 +S'The First, the Rightful Lover (Book VIII: Mitya, facing p.320)' +p131336 +sg25270 +S'Fritz Eichenberg' +p131337 +sa(dp131338 +g25273 +S'lithograph' +p131339 +sg25267 +g27 +sg25275 +S'1949' +p131340 +sg25268 +S'The Orgy (Book VIII: Mitya, facing p.336)' +p131341 +sg25270 +S'Fritz Eichenberg' +p131342 +sa(dp131343 +g25273 +S'lithograph' +p131344 +sg25267 +g27 +sg25275 +S'1949' +p131345 +sg25268 +S'"I am Drunk with You" (Book VIII: Mitya, facing p.340)' +p131346 +sg25270 +S'Fritz Eichenberg' +p131347 +sa(dp131348 +g25268 +S'The Last Agony of the Dying Man' +p131349 +sg25270 +S'German 15th Century' +p131350 +sg25273 +S'Schreiber Manuel, Vol. IV, p., no. 309, State ed. VII' +p131351 +sg25275 +S'\nhand-colored woodcut' +p131352 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a5a0.jpg' +p131353 +sg25267 +g27 +sa(dp131354 +g25273 +S'lithograph' +p131355 +sg25267 +g27 +sg25275 +S'1949' +p131356 +sg25268 +S'"You are Charged with the Murder of Your Father (Book IX: Preliminary Investigation, facing p.348)' +p131357 +sg25270 +S'Fritz Eichenberg' +p131358 +sa(dp131359 +g25273 +S'lithograph' +p131360 +sg25267 +g27 +sg25275 +S'1949' +p131361 +sg25268 +S'Quite Dead, with His Head Broken (Book IX: Preliminary Investigation, facing p.352)' +p131362 +sg25270 +S'Fritz Eichenberg' +p131363 +sa(dp131364 +g25273 +S'lithograph' +p131365 +sg25267 +g27 +sg25275 +S'1949' +p131366 +sg25268 +S'The First Ordeal (Book IX: Preliminary Investigation, facing p.356)' +p131367 +sg25270 +S'Fritz Eichenberg' +p131368 +sa(dp131369 +g25273 +S'lithograph' +p131370 +sg25267 +g27 +sg25275 +S'1949' +p131371 +sg25268 +S'Mitya is Disgraced (Book IX: Preliminary Investigation, facing p.374)' +p131372 +sg25270 +S'Fritz Eichenberg' +p131373 +sa(dp131374 +g25273 +S'lithograph' +p131375 +sg25267 +g27 +sg25275 +S'1949' +p131376 +sg25268 +S'The Peasant Called It a "Babe" (Book IX: Preliminary Investigation, facing p.394)' +p131377 +sg25270 +S'Fritz Eichenberg' +p131378 +sa(dp131379 +g25273 +S'lithograph' +p131380 +sg25267 +g27 +sg25275 +S'1949' +p131381 +sg25268 +S"Ilusha's Father (Book X: The Boys, facing p.416)" +p131382 +sg25270 +S'Fritz Eichenberg' +p131383 +sa(dp131384 +g25273 +S'lithograph' +p131385 +sg25267 +g27 +sg25275 +S'1949' +p131386 +sg25268 +S'Ilusha Sick (Book X: The Boys, facing p.420)' +p131387 +sg25270 +S'Fritz Eichenberg' +p131388 +sa(dp131389 +g25273 +S'lithograph' +p131390 +sg25267 +g27 +sg25275 +S'1949' +p131391 +sg25268 +S'The Little Bronze Cannon (Book X: The Boys, facing p.428)' +p131392 +sg25270 +S'Fritz Eichenberg' +p131393 +sa(dp131394 +g25273 +S'lithograph' +p131395 +sg25267 +g27 +sg25275 +S'1949' +p131396 +sg25268 +S'The Doctor (Book X: The Boys, facing p.432)' +p131397 +sg25270 +S'Fritz Eichenberg' +p131398 +sa(dp131399 +g25273 +S'lithograph' +p131400 +sg25267 +g27 +sg25275 +S'1949' +p131401 +sg25268 +S'Krasotkin and His Son (Book XI: Brother Ivan Fyodorovich, facing p.436)' +p131402 +sg25270 +S'Fritz Eichenberg' +p131403 +sa(dp131404 +g25268 +S'Massacre of the Firstborn and Egyptian Darkness' +p131405 +sg25270 +S'Spanish 15th Century' +p131406 +sg25273 +S'Schreiber, undescribed' +p131407 +sg25275 +S'\nhand-colored woodcut' +p131408 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed52.jpg' +p131409 +sg25267 +g27 +sa(dp131410 +g25273 +S'lithograph' +p131411 +sg25267 +g27 +sg25275 +S'1949' +p131412 +sg25268 +S'The Imp (Book XI: Brother Ivan Fyodorovich, facing p.452)' +p131413 +sg25270 +S'Fritz Eichenberg' +p131414 +sa(dp131415 +g25273 +S'lithograph' +p131416 +sg25267 +g27 +sg25275 +S'1949' +p131417 +sg25268 +S'"Brother, Turn to Me!" (Book XI: Brother Ivan Fyodorovich, facing p.468)' +p131418 +sg25270 +S'Fritz Eichenberg' +p131419 +sa(dp131420 +g25273 +S'lithograph' +p131421 +sg25267 +g27 +sg25275 +S'1949' +p131422 +sg25268 +S'Last Interview with Smerdyakov (Book XI: Ivan Fyodorovich, facing p.484)' +p131423 +sg25270 +S'Fritz Eichenberg' +p131424 +sa(dp131425 +g25273 +S'lithograph' +p131426 +sg25267 +g27 +sg25275 +S'1949' +p131427 +sg25268 +S'Ivan and the Devil (Book XI: Ivan Fyodorovich, facing p.492)' +p131428 +sg25270 +S'Fritz Eichenberg' +p131429 +sa(dp131430 +g25273 +S'lithograph' +p131431 +sg25267 +g27 +sg25275 +S'1949' +p131432 +sg25268 +S'Trial for Murder (Book XII: A Judicial Error, facing p.512)' +p131433 +sg25270 +S'Fritz Eichenberg' +p131434 +sa(dp131435 +g25273 +S'lithograph' +p131436 +sg25267 +g27 +sg25275 +S'1949' +p131437 +sg25268 +S'He Sat Rigid in His Place (Book XII: A Judicial Error, facing p.528)' +p131438 +sg25270 +S'Fritz Eichenberg' +p131439 +sa(dp131440 +g25273 +S'lithograph' +p131441 +sg25267 +g27 +sg25275 +S'1949' +p131442 +sg25268 +S'Speech for the Defence (Book XII: A Judicial Error, facing p.564)' +p131443 +sg25270 +S'Fritz Eichenberg' +p131444 +sa(dp131445 +g25273 +S'lithograph' +p131446 +sg25267 +g27 +sg25275 +S'1949' +p131447 +sg25268 +S'"Gentlemen of the Jury" (Book XII: A Judicial Error, facing p.582)' +p131448 +sg25270 +S'Fritz Eichenberg' +p131449 +sa(dp131450 +g25273 +S'lithograph' +p131451 +sg25267 +g27 +sg25275 +S'1949' +p131452 +sg25268 +S'"Hurrah for Karamazov!" (Epilogue, facing p.602)' +p131453 +sg25270 +S'Fritz Eichenberg' +p131454 +sa(dp131455 +g25273 +S'lithograph' +p131456 +sg25267 +g27 +sg25275 +S'1949' +p131457 +sg25268 +S'Dostoevsky [illustration for Book V, chap. V: The Grand Inquis]' +p131458 +sg25270 +S'Fritz Eichenberg' +p131459 +sa(dp131460 +g25268 +S'Page from "Canticum Canticorum": 2nd Edition' +p131461 +sg25270 +S'Netherlandish 15th Century' +p131462 +sg25273 +S'Schreiber Manuel, Vol. IV, p., no. 157, State ed. 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+sg25273 +S'lithograph in dark green' +p131552 +sg25275 +S'1921' +p131553 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000edc2.jpg' +p131554 +sg25267 +g27 +sa(dp131555 +g25268 +S'The Corral' +p131556 +sg25270 +S'George Overbury (Pop) Hart' +p131557 +sg25273 +S'lithograph hand-colored with watercolor and India ink' +p131558 +sg25275 +S'1928' +p131559 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000ab1.jpg' +p131560 +sg25267 +g27 +sa(dp131561 +g25268 +S'Hut in Trinidad' +p131562 +sg25270 +S'George Overbury (Pop) Hart' +p131563 +sg25273 +S'watercolor over graphite' +p131564 +sg25275 +S'unknown date\n' +p131565 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000e9/a000e9c6.jpg' +p131566 +sg25267 +g27 +sa(dp131567 +g25273 +S'pen and black ink with yellow crayon' +p131568 +sg25267 +g27 +sg25275 +S'1948' +p131569 +sg25268 +S'Work Sheet' +p131570 +sg25270 +S'Stanley William Hayter' +p131571 +sa(dp131572 +g25268 +S'Creation of Eve' +p131573 +sg25270 +S'Augustin Hirschvogel' +p131574 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+g25273 +S'etching and aquatint' +p133109 +sg25267 +g27 +sg25275 +S'1918' +p133110 +sg25268 +S'The Animal Lover (Der Tierfreund)' +p133111 +sg25270 +S'Emil Nolde' +p133112 +sa(dp133113 +g25273 +S'etching and aquatint' +p133114 +sg25267 +g27 +sg25275 +S'1922' +p133115 +sg25268 +S'Vikings (Wikinger)' +p133116 +sg25270 +S'Emil Nolde' +p133117 +sa(dp133118 +g25273 +S'etching' +p133119 +sg25267 +g27 +sg25275 +S'1922' +p133120 +sg25268 +S'Young Girl (Junges Madchen)' +p133121 +sg25270 +S'Emil Nolde' +p133122 +sa(dp133123 +g25273 +S'etching and aquatint' +p133124 +sg25267 +g27 +sg25275 +S'1911' +p133125 +sg25268 +S'People in a Village Inn (Leute im Dorfkrug)' +p133126 +sg25270 +S'Emil Nolde' +p133127 +sa(dp133128 +g25273 +S'etching and aquatint' +p133129 +sg25267 +g27 +sg25275 +S'1918' +p133130 +sg25268 +S'Siberian Squire (Sibirsche Gutshernn)' +p133131 +sg25270 +S'Emil Nolde' +p133132 +sa(dp133133 +g25273 +S'color lithograph' +p133134 +sg25267 +g27 +sg25275 +S'1907' +p133135 +sg25268 +S'Tingeltangel Singer (Tingeltangel-Sangerin)' +p133136 +sg25270 +S'Emil Nolde' +p133137 +sa(dp133138 +g25273 +S'black crayon and watercolor' +p133139 +sg25267 +g27 +sg25275 +S'1920' +p133140 +sg25268 +S'Bathers' +p133141 +sg25270 +S'Max Pechstein' +p133142 +sa(dp133143 +g25268 +S'Saint Catherine of Siena, or Saint Clare of Assis' +p133144 +sg25270 +S'Italian 15th Century' +p133145 +sg25273 +S'sheet: 13.2 x 13.2 cm (5 3/16 x 5 3/16 in.)' +p133146 +sg25275 +S'\nwoodcut hand-colored in gray, yellow, and red lake' +p133147 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ff/a000ffa1.jpg' +p133148 +sg25267 +g27 +sa(dp133149 +g25273 +S'lithograph on oatmeal paper' +p133150 +sg25267 +g27 +sg25275 +S'1909' +p133151 +sg25268 +S'Cart Horses' +p133152 +sg25270 +S'Max Pechstein' +p133153 +sa(dp133154 +g25273 +S'woodcut on wove paper' +p133155 +sg25267 +g27 +sg25275 +S'1918' +p133156 +sg25268 +S'The Convalescent' +p133157 +sg25270 +S'Max Pechstein' +p133158 +sa(dp133159 +g25273 +S'woodcut on gray-brown wove paper' +p133160 +sg25267 +g27 +sg25275 +S'1918' +p133161 +sg25268 +S'Exotic Pair' +p133162 +sg25270 +S'Max Pechstein' +p133163 +sa(dp133164 +g25273 +S'drypoint and platetone on wove paper' +p133165 +sg25267 +g27 +sg25275 +S'1921' +p133166 +sg25268 +S'Dr. Paul Fechter' +p133167 +sg25270 +S'Max Pechstein' +p133168 +sa(dp133169 +g25273 +S'drypoint and roulette on japan paper' +p133170 +sg25267 +g27 +sg25275 +S'1917' +p133171 +sg25268 +S'The Fur Neck Piece' +p133172 +sg25270 +S'Max Pechstein' +p133173 +sa(dp133174 +g25273 +S'brush and black ink' +p133175 +sg25267 +g27 +sg25275 +S'1911' +p133176 +sg25268 +S'Man with a Pipe' +p133177 +sg25270 +S'Max Pechstein' +p133178 +sa(dp133179 +g25273 +S'woodcut on wove paper' +p133180 +sg25267 +g27 +sg25275 +S'1922' +p133181 +sg25268 +S'The Mirror' +p133182 +sg25270 +S'Max Pechstein' +p133183 +sa(dp133184 +g25273 +S'graphite' +p133185 +sg25267 +g27 +sg25275 +S'1920' +p133186 +sg25268 +S'Nude Figure' +p133187 +sg25270 +S'Max Pechstein' +p133188 +sa(dp133189 +g25273 +S'brush and black ink' +p133190 +sg25267 +g27 +sg25275 +S'1918' +p133191 +sg25268 +S'Portrait of a Woman' +p133192 +sg25270 +S'Max Pechstein' +p133193 +sa(dp133194 +g25273 +S'woodcut on wove paper' +p133195 +sg25267 +g27 +sg25275 +S'1921' +p133196 +sg25268 +S'Fisherman' +p133197 +sg25270 +S'Max Pechstein' +p133198 +sa(dp133199 +g25268 +S'Saint Bernardino of Siena' +p133200 +sg25270 +S'Italian 15th Century' +p133201 +sg25273 +S'Schreiber, Vol. IX, no. 1279, State m' +p133202 +sg25275 +S'\nwoodcut' +p133203 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c70f.jpg' +p133204 +sg25267 +g27 +sa(dp133205 +g25273 +S'woodcut on gray wove paper' +p133206 +sg25267 +g27 +sg25275 +S'1918' +p133207 +sg25268 +S'Dr. Edwin Finlay-Freundlich' +p133208 +sg25270 +S'Max Pechstein' +p133209 +sa(dp133210 +g25273 +S'woodcut on wove paper' +p133211 +sg25267 +g27 +sg25275 +S'1922' +p133212 +sg25268 +S'Self-Portrait in Studio' +p133213 +sg25270 +S'Max Pechstein' +p133214 +sa(dp133215 +g25273 +S'woodcut on wove paper' +p133216 +sg25267 +g27 +sg25275 +S'1917' +p133217 +sg25268 +S'Wounded Soldier' +p133218 +sg25270 +S'Max Pechstein' +p133219 +sa(dp133220 +g25273 +S'woodcut on wove paper' +p133221 +sg25267 +g27 +sg25275 +S'1922' +p133222 +sg25268 +S'Two Fishermen' +p133223 +sg25270 +S'Max Pechstein' +p133224 +sa(dp133225 +g25273 +S'lithograph in black on brown wove paper' +p133226 +sg25267 +g27 +sg25275 +S'1909' +p133227 +sg25268 +S'Two Women on a Sofa' +p133228 +sg25270 +S'Max Pechstein' +p133229 +sa(dp133230 +g25273 +S'brush and black ink' +p133231 +sg25267 +g27 +sg25275 +S'1917' +p133232 +sg25268 +S'Woman Seated' +p133233 +sg25270 +S'Max Pechstein' +p133234 +sa(dp133235 +g25273 +S'woodcut' +p133236 +sg25267 +g27 +sg25275 +S'1919' +p133237 +sg25268 +S'Large Prophetess (Grosse Prophetin)' +p133238 +sg25270 +S'Karl Schmidt-Rottluff' +p133239 +sa(dp133240 +g25268 +S'Untitled' +p133241 +sg25270 +S'Ferdinand Schmutzer' +p133242 +sg25273 +S'etching and drypoint' +p133243 +sg25275 +S'unknown date\n' +p133244 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d7/a000d77b.jpg' +p133245 +sg25267 +g27 +sa(dp133246 +g25273 +S'soft ground' +p133247 +sg25267 +g27 +sg25275 +S'1922' +p133248 +sg25268 +S'Kathe Kollwitz' +p133249 +sg25270 +S'Hedwig Weiss' +p133250 +sa(dp133251 +g25273 +S'Rosenwald Collection' +p133252 +sg25267 +g27 +sg25275 +S'\nportfolio with 11 prints by Hoelscher, Struck, Steinhardt, Fingesten, Scholz, Heuser, Orlik, Meid, Harta, and Kroll' +p133253 +sg25268 +S'Kopfe 1922' +p133254 +sg25270 +S'Various Artists' +p133255 +sa(dp133256 +g25268 +S'Madonna and Child Enthroned' +p133257 +sg25270 +S'Gentile da Fabriano' +p133258 +sg25273 +S'tempera on panel' +p133259 +sg25275 +S'c. 1420' +p133260 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005cc.jpg' +p133261 +sg25267 +S"Gentile da Fabriano's patrons were princes, the church, and various city\r\ngovernments as well as the customary merchant clients. His art has a cosmopolitan\r\nflavor, in which brilliant color, textural richness, and ornamental pattern are\r\ncombined.\n In the \n Gentile's art is typical of the International Style, a manner of painting which\r\nbecame popular at courts throughout Europe in the late fourteenth and early fifteenth\r\ncenturies. Characterized by a refined decorative elegance, a concern for continuous\r\nrhythms, and the lavish use of gold and bright colors, this aristocratic manner\r\nfused the stylized art of the Middle Ages with the emerging naturalistic interests\r\nof the Renaissance.\n " +p133262 +sa(dp133263 +g25268 +S'Madonna and Child' +p133264 +sg25270 +S'German 16th Century' +p133265 +sg25273 +S'Rosenwald Collection' +p133266 +sg25275 +S'\nengraving' +p133267 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a79b.jpg' +p133268 +sg25267 +g27 +sa(dp133269 +g25273 +S'etching' +p133270 +sg25267 +g27 +sg25275 +S'1922' +p133271 +sg25268 +S'Hermann Keyserling?' +p133272 +sg25270 +S'Richard Hoelscher' +p133273 +sa(dp133274 +g25273 +S'drypoint' +p133275 +sg25267 +g27 +sg25275 +S'1922' +p133276 +sg25268 +S'W. Nemat' +p133277 +sg25270 +S'Hermann Struck' +p133278 +sa(dp133279 +g25273 +S'drypoint' +p133280 +sg25267 +g27 +sg25275 +S'1922' +p133281 +sg25268 +S'Sven Hedin' +p133282 +sg25270 +S'Jakob Steinhardt' +p133283 +sa(dp133284 +g25273 +S'mezzotint' +p133285 +sg25267 +g27 +sg25275 +S'1922' +p133286 +sg25268 +S'Franz Schreker' +p133287 +sg25270 +S'Michel Fingesten' +p133288 +sa(dp133289 +g25273 +S'drypoint' +p133290 +sg25267 +g27 +sg25275 +S'1922' +p133291 +sg25268 +S'Hans Pfitzner' +p133292 +sg25270 +S'Richard Scholz' +p133293 +sa(dp133294 +g25273 +S'drypoint' +p133295 +sg25267 +g27 +sg25275 +S'1922' +p133296 +sg25268 +S'Thomas Mann' +p133297 +sg25270 +S'Heinrich Heuser' +p133298 +sa(dp133299 +g25273 +S'drypoint and rocker' +p133300 +sg25267 +g27 +sg25275 +S'1917' +p133301 +sg25268 +S'Max Slevogt' +p133302 +sg25270 +S'Emil Orlik' +p133303 +sa(dp133304 +g25273 +S'drypoint' +p133305 +sg25267 +g27 +sg25275 +S'1921' +p133306 +sg25268 +S'Max Liebermann' +p133307 +sg25270 +S'Hans Meid' +p133308 +sa(dp133309 +g25273 +S'drypoint and roulette' +p133310 +sg25267 +g27 +sg25275 +S'1922' +p133311 +sg25268 +S'Head of a Man' +p133312 +sg25270 +S'Felix Albrecht Harta' +p133313 +sa(dp133314 +g25273 +S'drypoint' +p133315 +sg25267 +g27 +sg25275 +S'1922' +p133316 +sg25268 +S'August Bier' +p133317 +sg25270 +S'Julius Kroll' +p133318 +sa(dp133319 +g25268 +S'Joseph and the Christ Child' +p133320 +sg25270 +S'German 15th Century' +p133321 +sg25273 +S'Lehrs, undescribed' +p133322 +sg25275 +S'\nengraving, hand-colored in red and green' +p133323 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a3/a000a3c8.jpg' +p133324 +sg25267 +g27 +sa(dp133325 +g25273 +S'etching' +p133326 +sg25267 +g27 +sg25275 +S'1922' +p133327 +sg25268 +S'Landschaft mit Ziegen' +p133328 +sg25270 +S'Felix Meseck' +p133329 +sa(dp133330 +g25273 +S'Rosenwald Collection' +p133331 +sg25267 +g27 +sg25275 +S'\nportfolio with 12 prints by Meseck, Beckmann, Campendonk, Kleinschmidt, Seewald, Unold, Hecht, Grossman, Rossing, Trumm, and Hofer' +p133332 +sg25268 +S'Inhalt der zweiten Ganymed-Mappe' +p133333 +sg25270 +S'Various Artists' +p133334 +sa(dp133335 +g25273 +S'woodcut' +p133336 +sg25267 +g27 +sg25275 +S'1922' +p133337 +sg25268 +S'Tanzende (Dancing)' +p133338 +sg25270 +S'Max Beckmann' +p133339 +sa(dp133340 +g25273 +S'woodcut' +p133341 +sg25267 +g27 +sg25275 +S'1922' +p133342 +sg25268 +S'Die Bettler nach Bruegel' +p133343 +sg25270 +S'Heinrich Campendonk' +p133344 +sa(dp133345 +g25273 +S'etching' +p133346 +sg25267 +g27 +sg25275 +S'1922' +p133347 +sg25268 +S'Bei der Karten schlagern' +p133348 +sg25270 +S'Paul Kleinschmidt' +p133349 +sa(dp133350 +g25273 +S'woodcut' +p133351 +sg25267 +g27 +sg25275 +S'1922' +p133352 +sg25268 +S'Aus dem Camposanto' +p133353 +sg25270 +S'Richard Seewald' +p133354 +sa(dp133355 +g25273 +S'woodcut' +p133356 +sg25267 +g27 +sg25275 +S'1922' +p133357 +sg25268 +S'In Memoriam Rene Beeh' +p133358 +sg25270 +S'Max Unold' +p133359 +sa(dp133360 +g25273 +S'woodcut' +p133361 +sg25267 +g27 +sg25275 +S'1922' +p133362 +sg25268 +S'Aus dem Leben des Heiligen Franz nach Taddeo Goddi' +p133363 +sg25270 +S'Franz Hecht' +p133364 +sa(dp133365 +g25273 +S'woodcut' +p133366 +sg25267 +g27 +sg25275 +S'1922' +p133367 +sg25268 +S'Der Eingebildete' +p133368 +sg25270 +S'Karl R\xc3\xb6ssing' +p133369 +sa(dp133370 +g25268 +S'Saint Brigitta?' +p133371 +sg25270 +S'German 15th Century' +p133372 +sg25273 +S'Lehrs, undescribed' +p133373 +sg25275 +S'\nengraving, hand-colored' +p133374 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a3/a000a3c4.jpg' +p133375 +sg25267 +g27 +sa(dp133376 +g25273 +S'woodcut' +p133377 +sg25267 +g27 +sg25275 +S'1922' +p133378 +sg25268 +S'Die Stadt' +p133379 +sg25270 +S'Franz Hecht' +p133380 +sa(dp133381 +g25273 +S'woodcut' +p133382 +sg25267 +g27 +sg25275 +S'1922' +p133383 +sg25268 +S'Coriolan und seine Mutter' +p133384 +sg25270 +S'Peter Trumm' +p133385 +sa(dp133386 +g25273 +S'lithograph' +p133387 +sg25267 +g27 +sg25275 +S'1922' +p133388 +sg25268 +S'Novize II' +p133389 +sg25270 +S'Karl Hofer' +p133390 +sa(dp133391 +g25273 +S'lithograph' +p133392 +sg25267 +g27 +sg25275 +S'1922' +p133393 +sg25268 +S'The Curse' +p133394 +sg25270 +S'Ernst Barlach' +p133395 +sa(dp133396 +g25273 +S'lithograph' +p133397 +sg25267 +g27 +sg25275 +S'1922' +p133398 +sg25268 +S'The Jolly Peg-Leg' +p133399 +sg25270 +S'Ernst Barlach' +p133400 +sa(dp133401 +g25273 +S'lithograph' +p133402 +sg25267 +g27 +sg25275 +S'1922' +p133403 +sg25268 +S'Stony Path' +p133404 +sg25270 +S'Ernst Barlach' +p133405 +sa(dp133406 +g25273 +S'lithograph' +p133407 +sg25267 +g27 +sg25275 +S'1922' +p133408 +sg25268 +S'Rebellion (The Prophet Elijah)' +p133409 +sg25270 +S'Ernst Barlach' +p133410 +sa(dp133411 +g25273 +S'lithograph' +p133412 +sg25267 +g27 +sg25275 +S'1922' +p133413 +sg25268 +S'The Executioner' +p133414 +sg25270 +S'Ernst Barlach' +p133415 +sa(dp133416 +g25273 +S'lithograph' +p133417 +sg25267 +g27 +sg25275 +S'1922' +p133418 +sg25268 +S'Three Gray Women' +p133419 +sg25270 +S'Ernst Barlach' +p133420 +sa(dp133421 +g25273 +S'wood engraving on green paper [trial proof]' +p133422 +sg25267 +g27 +sg25275 +S'1948' +p133423 +sg25268 +S'Untitled' +p133424 +sg25270 +S'Imre Reiner' +p133425 +sa(dp133426 +g25268 +S'Christ as the Man of Sorrows' +p133427 +sg25270 +S'Artist Information (' +p133428 +sg25273 +S'German, active c. 1450 - active 1467' +p133429 +sg25275 +S'(related artist)' +p133430 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a3/a000a3c2.jpg' +p133431 +sg25267 +g27 +sa(dp133432 +g25273 +S'wood engraving on green paper [trial proof]' +p133433 +sg25267 +g27 +sg25275 +S'published 1944' +p133434 +sg25268 +S'Illustration to V. Hofmannsthal, "Andreas"' +p133435 +sg25270 +S'Imre Reiner' +p133436 +sa(dp133437 +g25273 +S'wood engraving [trial proof]' +p133438 +sg25267 +g27 +sg25275 +S'c. 1944' +p133439 +sg25268 +S'Illustration to V. Hofmannsthal, "Andreas"' +p133440 +sg25270 +S'Imre Reiner' +p133441 +sa(dp133442 +g25273 +S'wood engraving [trial proof]' +p133443 +sg25267 +g27 +sg25275 +S'c. 1944' +p133444 +sg25268 +S'Illustration to V. Hofmannsthal, "Andreas"' +p133445 +sg25270 +S'Imre Reiner' +p133446 +sa(dp133447 +g25273 +S'wood engraving [trial proof]' +p133448 +sg25267 +g27 +sg25275 +S'c. 1944' +p133449 +sg25268 +S'Illustration to V. Hofmannsthal, "Andreas"' +p133450 +sg25270 +S'Imre Reiner' +p133451 +sa(dp133452 +g25273 +S'wood engraving [trial proof]' +p133453 +sg25267 +g27 +sg25275 +S'c. 1944' +p133454 +sg25268 +S'Illustration to V. Hofmannsthal, "Andreas"' +p133455 +sg25270 +S'Imre Reiner' +p133456 +sa(dp133457 +g25273 +S'wood engraving [trial proof]' +p133458 +sg25267 +g27 +sg25275 +S'c. 1944' +p133459 +sg25268 +S'Illustration to V. Hofmannsthal, "Andreas"' +p133460 +sg25270 +S'Imre Reiner' +p133461 +sa(dp133462 +g25273 +S'wood engraving [trial proof]' +p133463 +sg25267 +g27 +sg25275 +S'1947' +p133464 +sg25268 +S'Illustration to "Bandello"' +p133465 +sg25270 +S'Imre Reiner' +p133466 +sa(dp133467 +g25273 +S'wood engraving on grey paper [trial proof]' +p133468 +sg25267 +g27 +sg25275 +S'1947' +p133469 +sg25268 +S'Illustration to "Bandello"' +p133470 +sg25270 +S'Imre Reiner' +p133471 +sa(dp133472 +g25273 +S'wood engraving [trial proof]' +p133473 +sg25267 +g27 +sg25275 +S'1949' +p133474 +sg25268 +S'Illustration to Hesiod' +p133475 +sg25270 +S'Imre Reiner' +p133476 +sa(dp133477 +g25273 +S'wood engraving [trial proof]' +p133478 +sg25267 +g27 +sg25275 +S'1949' +p133479 +sg25268 +S'Artemis' +p133480 +sg25270 +S'Imre Reiner' +p133481 +sa(dp133482 +g25268 +S'Madonna and Child' +p133483 +sg25270 +S'Artist Information (' +p133484 +sg25273 +g27 +sg25275 +S'(artist)' +p133485 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a3/a000a3c7.jpg' +p133486 +sg25267 +g27 +sa(dp133487 +g25273 +S'wood engraving [trial proof]' +p133488 +sg25267 +g27 +sg25275 +S'published 1943' +p133489 +sg25268 +S'Illustration to Goethe\'s "Novelle"' +p133490 +sg25270 +S'Imre Reiner' +p133491 +sa(dp133492 +g25273 +S'wood engraving in blue [trial proof]' +p133493 +sg25267 +g27 +sg25275 +S'1941' +p133494 +sg25268 +S'Illustration to Novalis, "Hymmen an die NachtRosenhammer"' +p133495 +sg25270 +S'Imre Reiner' +p133496 +sa(dp133497 +g25273 +S'wood engraving [trial proof]' +p133498 +sg25267 +g27 +sg25275 +S'published 1942' +p133499 +sg25268 +S'Illustration to Novalis, "Hymmen an die NachtRosenhammer"' +p133500 +sg25270 +S'Imre Reiner' +p133501 +sa(dp133502 +g25273 +S'wood engraving [trial proof]' +p133503 +sg25267 +g27 +sg25275 +S'published 1942' +p133504 +sg25268 +S'Illustration to Novalis, "Hymmen an die NachtRosenhammer"' +p133505 +sg25270 +S'Imre Reiner' +p133506 +sa(dp133507 +g25273 +S'wood engraving [trial proof]' +p133508 +sg25267 +g27 +sg25275 +S'unknown date\n' +p133509 +sg25268 +S'Illustration to Balzac, "La Bourse"' +p133510 +sg25270 +S'Imre Reiner' +p133511 +sa(dp133512 +g25273 +S'wood engraving in brown [trial proof]' +p133513 +sg25267 +g27 +sg25275 +S'unknown date\n' +p133514 +sg25268 +S'Illustration to Balzac, "La Bourse"' +p133515 +sg25270 +S'Imre Reiner' +p133516 +sa(dp133517 +g25273 +S'wood engraving [trial proof]' +p133518 +sg25267 +g27 +sg25275 +S'1942' +p133519 +sg25268 +S'Illustration to Balzac, "La Bourse"' +p133520 +sg25270 +S'Imre Reiner' +p133521 +sa(dp133522 +g25273 +S'wood engraving in brown [trial proof]' +p133523 +sg25267 +g27 +sg25275 +S'1941' +p133524 +sg25268 +S'Illustration to Balzac, "La Bourse"' +p133525 +sg25270 +S'Imre Reiner' +p133526 +sa(dp133527 +g25273 +S'wood engraving in brown [trial proof]' +p133528 +sg25267 +g27 +sg25275 +S'1941' +p133529 +sg25268 +S'Frontispiece for Balzac, "La Bourse"' +p133530 +sg25270 +S'Imre Reiner' +p133531 +sa(dp133532 +g25273 +S'wood engraving [trial proof]' +p133533 +sg25267 +g27 +sg25275 +S'published 1941' +p133534 +sg25268 +S'Illustration to Cervantes, "Don Quixote"' +p133535 +sg25270 +S'Imre Reiner' +p133536 +sa(dp133537 +g25268 +S'Madonna and Child' +p133538 +sg25270 +S'Master with the Flower Borders' +p133539 +sg25273 +S', unknown date' +p133540 +sg25275 +S'\n' +p133541 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a3/a000a3c3.jpg' +p133542 +sg25267 +g27 +sa(dp133543 +g25273 +S'wood engraving [trial proof]' +p133544 +sg25267 +g27 +sg25275 +S'1940' +p133545 +sg25268 +S'Illustration to Cervantes, "Don Quixote"' +p133546 +sg25270 +S'Imre Reiner' +p133547 +sa(dp133548 +g25273 +S'wood engraving [trial proof]' +p133549 +sg25267 +g27 +sg25275 +S'1940' +p133550 +sg25268 +S'Illustration to Cervantes, "Don Quixote"' +p133551 +sg25270 +S'Imre Reiner' +p133552 +sa(dp133553 +g25273 +S'wood engraving in green [trial proof]' +p133554 +sg25267 +g27 +sg25275 +S'1940' +p133555 +sg25268 +S'Illustration to Cervantes, "Don Quixote"' +p133556 +sg25270 +S'Imre Reiner' +p133557 +sa(dp133558 +g25273 +S'wood engraving [trial proof]' +p133559 +sg25267 +g27 +sg25275 +S'in or before 1941' +p133560 +sg25268 +S'Illustration to Cervantes, "Don Quixote"' +p133561 +sg25270 +S'Imre Reiner' +p133562 +sa(dp133563 +g25273 +S'wood engraving [trial proof]' +p133564 +sg25267 +g27 +sg25275 +S'1941' +p133565 +sg25268 +S'Illustration to Cervantes, "Don Quixote"' +p133566 +sg25270 +S'Imre Reiner' +p133567 +sa(dp133568 +g25273 +S'wood engraving [trial proof]' +p133569 +sg25267 +g27 +sg25275 +S'in or before 1941' +p133570 +sg25268 +S'Illustration to Cervantes, "Don Quixote"' +p133571 +sg25270 +S'Imre Reiner' +p133572 +sa(dp133573 +g25273 +S'wood engraving [trial proof]' +p133574 +sg25267 +g27 +sg25275 +S'in or before 1941' +p133575 +sg25268 +S'Illustration to Cervantes, "Don Quixote"' +p133576 +sg25270 +S'Imre Reiner' +p133577 +sa(dp133578 +g25273 +S'wood engraving [trial proof]' +p133579 +sg25267 +g27 +sg25275 +S'in or before 1941' +p133580 +sg25268 +S'Illustration to Cervantes, "Don Quixote"' +p133581 +sg25270 +S'Imre Reiner' +p133582 +sa(dp133583 +g25273 +S'wood engraving [trial proof]' +p133584 +sg25267 +g27 +sg25275 +S'1941' +p133585 +sg25268 +S'Illustration to Voltaire, "La Princesse de Babilone"' +p133586 +sg25270 +S'Imre Reiner' +p133587 +sa(dp133588 +g25273 +S'wood engraving [trial proof]' +p133589 +sg25267 +g27 +sg25275 +S'1941' +p133590 +sg25268 +S'Illustration to Voltaire, "La Princesse de Babilone"' +p133591 +sg25270 +S'Imre Reiner' +p133592 +sa(dp133593 +g25268 +S'The Madonna and Child with a Pear' +p133594 +sg25270 +S'German 15th Century' +p133595 +sg25273 +S'Lehrs, Vol. 4, p.243, no. 43, State unique' +p133596 +sg25275 +S'\nengraving, hand-colored in red, orange, green, yellow, blue, and tan' +p133597 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a3/a000a3cb.jpg' +p133598 +sg25267 +g27 +sa(dp133599 +g25273 +S'wood engraving [trial proof]' +p133600 +sg25267 +g27 +sg25275 +S'1941' +p133601 +sg25268 +S'Illustration to Voltaire, "La Princesse de Babilone"' +p133602 +sg25270 +S'Imre Reiner' +p133603 +sa(dp133604 +g25273 +S'wood engraving [trial proof]' +p133605 +sg25267 +g27 +sg25275 +S'in or before 1942' +p133606 +sg25268 +S'Illustration to Voltaire, "La Princesse de Babilone"' +p133607 +sg25270 +S'Imre Reiner' +p133608 +sa(dp133609 +g25273 +S'color woodcut and wood engraving [trial proof]' +p133610 +sg25267 +g27 +sg25275 +S'in or before 1942' +p133611 +sg25268 +S'Illustration to Voltaire, "La Princesse de Babilone"' +p133612 +sg25270 +S'Imre Reiner' +p133613 +sa(dp133614 +g25273 +S'wood engraving [trial proof]' +p133615 +sg25267 +g27 +sg25275 +S'1941' +p133616 +sg25268 +S'Illustration to Voltaire, "La Princesse de Babilone"' +p133617 +sg25270 +S'Imre Reiner' +p133618 +sa(dp133619 +g25273 +S'wood engraving [trial proof]' +p133620 +sg25267 +g27 +sg25275 +S'1948' +p133621 +sg25268 +S'Illustration to Voltaire, "Candide"' +p133622 +sg25270 +S'Imre Reiner' +p133623 +sa(dp133624 +g25273 +S'wood engraving [trial proof]' +p133625 +sg25267 +g27 +sg25275 +S'1948' +p133626 +sg25268 +S'Illustration to Voltaire, "Candide"' +p133627 +sg25270 +S'Imre Reiner' +p133628 +sa(dp133629 +g25273 +S'wood engraving [trial proof]' +p133630 +sg25267 +g27 +sg25275 +S'1948' +p133631 +sg25268 +S'Illustration to Voltaire, "Candide"' +p133632 +sg25270 +S'Imre Reiner' +p133633 +sa(dp133634 +g25273 +S'wood engraving [trial proof]' +p133635 +sg25267 +g27 +sg25275 +S'1948' +p133636 +sg25268 +S'Illustration to Voltaire, "Candide"' +p133637 +sg25270 +S'Imre Reiner' +p133638 +sa(dp133639 +g25273 +S'wood engraving [trial proof]' +p133640 +sg25267 +g27 +sg25275 +S'1948' +p133641 +sg25268 +S'Illustration to Voltaire, "Candide"' +p133642 +sg25270 +S'Imre Reiner' +p133643 +sa(dp133644 +g25273 +S'wood engraving [trial proof]' +p133645 +sg25267 +g27 +sg25275 +S'1948' +p133646 +sg25268 +S'Illustration to Voltaire, "Candide"' +p133647 +sg25270 +S'Imre Reiner' +p133648 +sa(dp133649 +g25268 +S'Christ as the Man of Sorrows' +p133650 +sg25270 +S'Netherlandish 15th Century' +p133651 +sg25273 +S'Lehrs, Vol. 4, p.233, no. 27' +p133652 +sg25275 +S'\nengraving, hand-colored in red, tan, violet, green and flesh; pasted into an initial "O" on an illuminated vellum sheet, torn from a book' +p133653 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cc/a000ccf3.jpg' +p133654 +sg25267 +g27 +sa(dp133655 +g25273 +S'wood engraving [trial proof]' +p133656 +sg25267 +g27 +sg25275 +S'1948' +p133657 +sg25268 +S'Illustration to Voltaire, "Candide"' +p133658 +sg25270 +S'Imre Reiner' +p133659 +sa(dp133660 +g25273 +S'wood engraving [trial proof]' +p133661 +sg25267 +g27 +sg25275 +S'1948' +p133662 +sg25268 +S'Illustration to Voltaire, "Candide"' +p133663 +sg25270 +S'Imre Reiner' +p133664 +sa(dp133665 +g25273 +S'wood engraving [trial proof]' +p133666 +sg25267 +g27 +sg25275 +S'1948' +p133667 +sg25268 +S'Illustration to Voltaire, "Candide"' +p133668 +sg25270 +S'Imre Reiner' +p133669 +sa(dp133670 +g25273 +S'wood engraving [trial proof]' +p133671 +sg25267 +g27 +sg25275 +S'published 1950' +p133672 +sg25268 +S'Illustration to Voltaire, "Candide"' +p133673 +sg25270 +S'Imre Reiner' +p133674 +sa(dp133675 +g25273 +S'wood engraving [trial proof]' +p133676 +sg25267 +g27 +sg25275 +S'1948' +p133677 +sg25268 +S'Illustration to Voltaire, "Candide"' +p133678 +sg25270 +S'Imre Reiner' +p133679 +sa(dp133680 +g25273 +S'color wood engraving [trial proof]' +p133681 +sg25267 +g27 +sg25275 +S'unknown date\n' +p133682 +sg25268 +S'Titlepage: Illustration to Dickens' +p133683 +sg25270 +S'Imre Reiner' +p133684 +sa(dp133685 +g25273 +S'wood engraving in brown [trial proof]' +p133686 +sg25267 +g27 +sg25275 +S'1935' +p133687 +sg25268 +S'Werkstatt - Stilleben' +p133688 +sg25270 +S'Imre Reiner' +p133689 +sa(dp133690 +g25273 +S'wood engraving in brown [trial proof]' +p133691 +sg25267 +g27 +sg25275 +S'unknown date\n' +p133692 +sg25268 +S'Illustration to Aristophanes, "Die Frosche"' +p133693 +sg25270 +S'Imre Reiner' +p133694 +sa(dp133695 +g25273 +S'wood engraving [trial proof]' +p133696 +sg25267 +g27 +sg25275 +S'1940' +p133697 +sg25268 +S'David (Der Beschutzer)' +p133698 +sg25270 +S'Imre Reiner' +p133699 +sa(dp133700 +g25268 +S'Madonna and Child' +p133701 +sg25270 +S'German 15th Century' +p133702 +sg25273 +S'Lehrs, Vol. 4, p.237, no. 34' +p133703 +sg25275 +S'\nengraving, hand-colored in green and red' +p133704 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a3/a000a3c6.jpg' +p133705 +sg25267 +g27 +sa(dp133706 +g25273 +S'wood engraving [trial proof]' +p133707 +sg25267 +g27 +sg25275 +S'1940' +p133708 +sg25268 +S'Vom Theater' +p133709 +sg25270 +S'Imre Reiner' +p133710 +sa(dp133711 +g25273 +S'wood engraving in blue' +p133712 +sg25267 +g27 +sg25275 +S'unknown date\n' +p133713 +sg25268 +S'Illustration to Novalis, "Heinrich von Ofterdingen"' +p133714 +sg25270 +S'Imre Reiner' +p133715 +sa(dp133716 +g25273 +S'wood engraving' +p133717 +sg25267 +g27 +sg25275 +S'unknown date\n' +p133718 +sg25268 +S'Untitled' +p133719 +sg25270 +S'Imre Reiner' +p133720 +sa(dp133721 +g25273 +S'wood engraving [trial proof]' +p133722 +sg25267 +g27 +sg25275 +S'published 1948' +p133723 +sg25268 +S'Illustration to Heine, "Florentinische Naechte"' +p133724 +sg25270 +S'Imre Reiner' +p133725 +sa(dp133726 +g25273 +S'wood engraving' +p133727 +sg25267 +g27 +sg25275 +S'unknown date\n' +p133728 +sg25268 +S'Untitled' +p133729 +sg25270 +S'Imre Reiner' +p133730 +sa(dp133731 +g25273 +S'wood engraving' +p133732 +sg25267 +g27 +sg25275 +S'unknown date\n' +p133733 +sg25268 +S'Untitled' +p133734 +sg25270 +S'Imre Reiner' +p133735 +sa(dp133736 +g25273 +S'wood engraving' +p133737 +sg25267 +g27 +sg25275 +S'unknown date\n' +p133738 +sg25268 +S'Untitled' +p133739 +sg25270 +S'Imre Reiner' +p133740 +sa(dp133741 +g25273 +S'wood engraving [trial proof]' +p133742 +sg25267 +g27 +sg25275 +S'unknown date\n' +p133743 +sg25268 +S'Primavera' +p133744 +sg25270 +S'Imre Reiner' +p133745 +sa(dp133746 +g25273 +S'wood engraving [trial proof]' +p133747 +sg25267 +g27 +sg25275 +S'unknown date\n' +p133748 +sg25268 +S'Illustration to Aristophanes, "Die Frosche"' +p133749 +sg25270 +S'Imre Reiner' +p133750 +sa(dp133751 +g25273 +S'wood engraving [trial proof]' +p133752 +sg25267 +g27 +sg25275 +S'unknown date\n' +p133753 +sg25268 +S'Die Verwandelte Wunderblume' +p133754 +sg25270 +S'Imre Reiner' +p133755 +sa(dp133756 +g25268 +S'Christ as the Man of Sorrows' +p133757 +sg25270 +S'Artist Information (' +p133758 +sg25273 +S'German, c. 1445 - 1503' +p133759 +sg25275 +S'(artist after)' +p133760 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a411.jpg' +p133761 +sg25267 +g27 +sa(dp133762 +g25273 +S'color engraving with hand coloring in white [working proof]' +p133763 +sg25267 +g27 +sg25275 +S'unknown date\n' +p133764 +sg25268 +S'Die Tanzerin mit dem Affen' +p133765 +sg25270 +S'Imre Reiner' +p133766 +sa(dp133767 +g25273 +S'wood engraving in brown [trial proof]' +p133768 +sg25267 +g27 +sg25275 +S'unknown date\n' +p133769 +sg25268 +S'Untitled' +p133770 +sg25270 +S'Imre Reiner' +p133771 +sa(dp133772 +g25273 +S'wood engraving' +p133773 +sg25267 +g27 +sg25275 +S'1934' +p133774 +sg25268 +S'Prilke Papageienpark (?)' +p133775 +sg25270 +S'Imre Reiner' +p133776 +sa(dp133777 +g25273 +S'wood engraving [trial proof]' +p133778 +sg25267 +g27 +sg25275 +S'1936/1938' +p133779 +sg25268 +S'Begegnung nach Jahren' +p133780 +sg25270 +S'Imre Reiner' +p133781 +sa(dp133782 +g25273 +S'wood engraving in brown' +p133783 +sg25267 +g27 +sg25275 +S'1938' +p133784 +sg25268 +S'Untitled' +p133785 +sg25270 +S'Imre Reiner' +p133786 +sa(dp133787 +g25273 +S'wood engraving in green [trial proof]' +p133788 +sg25267 +g27 +sg25275 +S'1938' +p133789 +sg25268 +S'Das Konzert' +p133790 +sg25270 +S'Imre Reiner' +p133791 +sa(dp133792 +g25273 +S'wood engraving' +p133793 +sg25267 +g27 +sg25275 +S'1939' +p133794 +sg25268 +S'Illustration to V. Hofmannsthal, "Andreas"' +p133795 +sg25270 +S'Imre Reiner' +p133796 +sa(dp133797 +g25273 +S'wood engraving [trial proof]' +p133798 +sg25267 +g27 +sg25275 +S'1936/1939' +p133799 +sg25268 +S'Der Drehorgelmann' +p133800 +sg25270 +S'Imre Reiner' +p133801 +sa(dp133802 +g25273 +S'wood engraving [trial proof]' +p133803 +sg25267 +g27 +sg25275 +S'1939' +p133804 +sg25268 +S'Illustration to V. Hofmannsthal, "Andreas"' +p133805 +sg25270 +S'Imre Reiner' +p133806 +sa(dp133807 +g25273 +S'wood engraving in brown' +p133808 +sg25267 +g27 +sg25275 +S'1939/1940' +p133809 +sg25268 +S'Das Madchen mit der Taube und der Eule' +p133810 +sg25270 +S'Imre Reiner' +p133811 +sa(dp133812 +g25268 +S'Madonna and Child' +p133813 +sg25270 +S'Giotto' +p133814 +sg25273 +S'tempera on panel' +p133815 +sg25275 +S'probably 1320/1330' +p133816 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00009/a00009b9.jpg' +p133817 +sg25267 +S"Giotto's explorations and innovations in art during the early fourteenth century\ndeveloped, a full century later, into the Italian Renaissance. Besides making panel\npaintings, he executed many fresco cycles, the most famous at the Arena Chapel,\nPadua, and he also worked as an architect and sculptor.\n Transformed by Giotto, the stylized figures in paintings such as the \n Painted during the latter part of Giotto's career, the \n " +p133818 +sa(dp133819 +g25268 +S'A Monk with an Angel' +p133820 +sg25270 +S'German 15th Century' +p133821 +sg25273 +S'Schreiber, no. 1752' +p133822 +sg25275 +S'\nwoodcut, hand-colored in red, olive-gray, light green, olive, blue, yellow, and pink' +p133823 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a5b7.jpg' +p133824 +sg25267 +g27 +sa(dp133825 +g25273 +S'wood engraving' +p133826 +sg25267 +g27 +sg25275 +S'1940' +p133827 +sg25268 +S'Die Hollanderin' +p133828 +sg25270 +S'Imre Reiner' +p133829 +sa(dp133830 +g25273 +S'wood engraving [trial proof]' +p133831 +sg25267 +g27 +sg25275 +S'1940' +p133832 +sg25268 +S'David' +p133833 +sg25270 +S'Imre Reiner' +p133834 +sa(dp133835 +g25273 +S'wood engraving [working proof]' +p133836 +sg25267 +g27 +sg25275 +S'1940' +p133837 +sg25268 +S'Der Junge mit der Lilie' +p133838 +sg25270 +S'Imre Reiner' +p133839 +sa(dp133840 +g25273 +S'wood engraving' +p133841 +sg25267 +g27 +sg25275 +S'1940' +p133842 +sg25268 +S'Der Brandhauptmann' +p133843 +sg25270 +S'Imre Reiner' +p133844 +sa(dp133845 +g25273 +S'wood engraving [trial proof]' +p133846 +sg25267 +g27 +sg25275 +S'1940/1943' +p133847 +sg25268 +S'Leontine Pikarsky' +p133848 +sg25270 +S'Imre Reiner' +p133849 +sa(dp133850 +g25273 +S'wood engraving in green [trial proof]' +p133851 +sg25267 +g27 +sg25275 +S'1940/1943' +p133852 +sg25268 +S'Illustration to Aristophanes, "Die Frosche"' +p133853 +sg25270 +S'Imre Reiner' +p133854 +sa(dp133855 +g25273 +S'wood engraving' +p133856 +sg25267 +g27 +sg25275 +S'1947/1948' +p133857 +sg25268 +S'Das Vogelpaar' +p133858 +sg25270 +S'Imre Reiner' +p133859 +sa(dp133860 +g25273 +S'wood engraving' +p133861 +sg25267 +g27 +sg25275 +S'1947' +p133862 +sg25268 +S'Untitled' +p133863 +sg25270 +S'Imre Reiner' +p133864 +sa(dp133865 +g25273 +S'wood engraving' +p133866 +sg25267 +g27 +sg25275 +S'published 1948' +p133867 +sg25268 +S'Illustration to Heine, "Florentinische Naechte"' +p133868 +sg25270 +S'Imre Reiner' +p133869 +sa(dp133870 +g25273 +S'wood engraving [trial proof]' +p133871 +sg25267 +g27 +sg25275 +S'1947' +p133872 +sg25268 +S'Illustration to Heine, "Florentinische Naechte"' +p133873 +sg25270 +S'Imre Reiner' +p133874 +sa(dp133875 +g25268 +S'Saint Veronica with the Sudarium' +p133876 +sg25270 +S'Netherlandish 15th Century' +p133877 +sg25273 +S'Schreiber, Vol. *, no. 1724, State c' +p133878 +sg25275 +S'\nwoodcut, hand-colored in yellow, blue, red, green and gold' +p133879 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cced.jpg' +p133880 +sg25267 +g27 +sa(dp133881 +g25273 +S'wood engraving [trial proof]' +p133882 +sg25267 +g27 +sg25275 +S'1947' +p133883 +sg25268 +S'Bandello' +p133884 +sg25270 +S'Imre Reiner' +p133885 +sa(dp133886 +g25273 +S'wood engraving in brown [trial proof]' +p133887 +sg25267 +g27 +sg25275 +S'1946' +p133888 +sg25268 +S'Illustration to Wilde, "A Florentine Tragedy"' +p133889 +sg25270 +S'Imre Reiner' +p133890 +sa(dp133891 +g25273 +S'wood engraving [working proof]' +p133892 +sg25267 +g27 +sg25275 +S'1946' +p133893 +sg25268 +S'Der Hingst St. Manr (?)' +p133894 +sg25270 +S'Imre Reiner' +p133895 +sa(dp133896 +g25273 +S'wood engraving in green [trial proof]' +p133897 +sg25267 +g27 +sg25275 +S'1943' +p133898 +sg25268 +S'Der Zirkus' +p133899 +sg25270 +S'Imre Reiner' +p133900 +sa(dp133901 +g25273 +S'wood engraving [trial proof]' +p133902 +sg25267 +g27 +sg25275 +S'1941' +p133903 +sg25268 +S"Promersi d'an Marinaio (?)" +p133904 +sg25270 +S'Imre Reiner' +p133905 +sa(dp133906 +g25273 +S'wood engraving [trial proof]' +p133907 +sg25267 +g27 +sg25275 +S'1941' +p133908 +sg25268 +S'Das Paar' +p133909 +sg25270 +S'Imre Reiner' +p133910 +sa(dp133911 +g25273 +S'color wood engraving' +p133912 +sg25267 +g27 +sg25275 +S'1949' +p133913 +sg25268 +S'Der Herbstblatter [left half]' +p133914 +sg25270 +S'Imre Reiner' +p133915 +sa(dp133916 +g25273 +S'color wood engraving' +p133917 +sg25267 +g27 +sg25275 +S'1949' +p133918 +sg25268 +S'Der Herbstblatter [right half]' +p133919 +sg25270 +S'Imre Reiner' +p133920 +sa(dp133921 +g25273 +S'woodcut' +p133922 +sg25267 +g27 +sg25275 +S'published 1950' +p133923 +sg25268 +S'Cover' +p133924 +sg25270 +S'Adja Yunkers' +p133925 +sa(dp133926 +g25273 +S'(artist)' +p133927 +sg25267 +g27 +sg25275 +S'\n' +p133928 +sg25268 +S'Prints in the Desert' +p133929 +sg25270 +S'Artist Information (' +p133930 +sa(dp133931 +g25268 +S'Saint Valentine, Saint Stephen and Saint Maximilian' +p133932 +sg25270 +S'Hans Burgkmair I' +p133933 +sg25273 +S'color woodcut' +p133934 +sg25275 +S'1498' +p133935 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ae/a000ae88.jpg' +p133936 +sg25267 +g27 +sa(dp133937 +g25273 +S'woodcut on wove paper' +p133938 +sg25267 +g27 +sg25275 +S'published 1950' +p133939 +sg25268 +S'Title Page' +p133940 +sg25270 +S'Adja Yunkers' +p133941 +sa(dp133942 +g25273 +S'woodcut on wove paper' +p133943 +sg25267 +g27 +sg25275 +S'published 1950' +p133944 +sg25268 +S'End Medallion' +p133945 +sg25270 +S'Adja Yunkers' +p133946 +sa(dp133947 +g25273 +S'lithograph in black and brown on wove paper' +p133948 +sg25267 +g27 +sg25275 +S'published 1950' +p133949 +sg25268 +S'Koshare' +p133950 +sg25270 +S"Frederick O'Hara" +p133951 +sa(dp133952 +g25273 +S'color woodcut on japan paper' +p133953 +sg25267 +g27 +sg25275 +S'published 1950' +p133954 +sg25268 +S'Succubae' +p133955 +sg25270 +S'Adja Yunkers' +p133956 +sa(dp133957 +g25273 +S'color woodcut on black paper' +p133958 +sg25267 +g27 +sg25275 +S'unknown date\n' +p133959 +sg25268 +S'Whorlworm' +p133960 +sg25270 +S'Robert Walters' +p133961 +sa(dp133962 +g25273 +S'Rosenwald Collection' +p133963 +sg25267 +g27 +sg25275 +S'\nwatercolor' +p133964 +sg25268 +S"Child's Work" +p133965 +sg25270 +S'American 20th Century' +p133966 +sa(dp133967 +g25273 +S'monospray' +p133968 +sg25267 +g27 +sg25275 +S'published 1950' +p133969 +sg25268 +S'De Chaco' +p133970 +sg25270 +S'Jack Garver' +p133971 +sa(dp133972 +g25273 +S'Rosenwald Collection' +p133973 +sg25267 +g27 +sg25275 +S'\nlinoleum cut' +p133974 +sg25268 +S"Child's Vignette" +p133975 +sg25270 +S'American 20th Century' +p133976 +sa(dp133977 +g25273 +S'woodcut' +p133978 +sg25267 +g27 +sg25275 +S'published 1950' +p133979 +sg25268 +S'This Sand by Elmer Gorman' +p133980 +sg25270 +S"Frederick O'Hara" +p133981 +sa(dp133982 +g25268 +S'The Skater (Portrait of William Grant)' +p133983 +sg25270 +S'Gilbert Stuart' +p133984 +sg25273 +S'oil on canvas' +p133985 +sg25275 +S'1782' +p133986 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a0000247.jpg' +p133987 +sg25267 +S' In 1775, Gilbert Stuart set sail for London where Benjamin West welcomed the\ndestitute young man into his home. \n The unorthodox motif of skating -- indeed, any presentation of vigorous movement at\nall -- had absolutely no precedent in Britain\'s "Grand Manner" tradition of life-size\nsociety portraiture. The painter recalled that when William Grant, from Congalton\nnear Edinburgh, arrived to have his picture painted, the Scottish sitter remarked\nthat, "on account of the excessive coldness of the weather . . . the day was better\nsuited for skating than sitting for one\'s portrait." Thus artist and sitter went\noff to skate on the Serpentine River in Hyde Park. When he returned to West\'s studio\nwith Grant, Stuart conceived the idea of portraying his subject on ice skates in\na winter landscape, with the twin towers of Westminster Abbey far in the distance.\n In this innovative design, Grant glides effortlessly forward with arms crossed over\nhis chest in typical eighteenth-century skating form. Except for his folded arms,\nthe figure\'s stance derives from an ancient Roman statue, the \n ' +p133988 +sa(dp133989 +g25268 +S'A Monstrance Held by Two Angels' +p133990 +sg25270 +S'German 15th Century' +p133991 +sg25273 +S'Schreiber, no. 1940' +p133992 +sg25275 +S'\nwoodcut, hand-colored in green, brown, rose, and olive' +p133993 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a595.jpg' +p133994 +sg25267 +g27 +sa(dp133995 +g25273 +S'oil on canvas' +p133996 +sg25267 +g27 +sg25275 +S'1950' +p133997 +sg25268 +S'Fred M. Vinson' +p133998 +sg25270 +S'Thomas E. Stephens' +p133999 +sa(dp134000 +g25268 +S'Landscape with a Boy Fishing' +p134001 +sg25270 +S'Domenico Campagnola' +p134002 +sg25273 +S'pen and brown ink on laid paper' +p134003 +sg25275 +S'c. 1520' +p134004 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00059/a000596a.jpg' +p134005 +sg25267 +g27 +sa(dp134006 +g25268 +S'The Death of the Virgin' +p134007 +sg25270 +S'Netherlandish 14th Century' +p134008 +sg25273 +S'overall: 29.1 x 40 cm (11 7/16 x 15 3/4 in.)' +p134009 +sg25275 +S'\nsilverpoint on blue-green prepared paper' +p134010 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00037/a00037c8.jpg' +p134011 +sg25267 +g27 +sa(dp134012 +g25268 +S'Saint George and the Dragon' +p134013 +sg25270 +S'Hugo van der Goes' +p134014 +sg25273 +S', unknown date' +p134015 +sg25275 +S'\n' +p134016 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00070/a000700e.jpg' +p134017 +sg25267 +g27 +sa(dp134018 +g25268 +S'Landscape with a Castle' +p134019 +sg25270 +S'German 16th Century' +p134020 +sg25273 +S'overall: 15.5 x 22.1 cm (6 1/8 x 8 11/16 in.)' +p134021 +sg25275 +S'\npen and black ink with white heightening on blue prepared paper' +p134022 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00025/a0002542.jpg' +p134023 +sg25267 +g27 +sa(dp134024 +g25268 +S'Landscape with Men Fishing' +p134025 +sg25270 +S'German 16th Century' +p134026 +sg25273 +S'overall (approximate): 14.6 x 22.6 cm (5 3/4 x 8 7/8 in.)' +p134027 +sg25275 +S'\npen and black ink with white heightening on blue prepared paper' +p134028 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00079/a000794a.jpg' +p134029 +sg25267 +g27 +sa(dp134030 +g25268 +S'The Annunciation to Joachim' +p134031 +sg25270 +S'Wolf Huber' +p134032 +sg25273 +S'pen and brown ink on laid paper' +p134033 +sg25275 +S'1514' +p134034 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00025/a0002557.jpg' +p134035 +sg25267 +g27 +sa(dp134036 +g25268 +S'The Rapids of the Danube near Grein' +p134037 +sg25270 +S'Wolf Huber' +p134038 +sg25273 +S'pen with black and gray ink' +p134039 +sg25275 +S'1531' +p134040 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00079/a000795e.jpg' +p134041 +sg25267 +g27 +sa(dp134042 +g25268 +S'The Baptism of Christ' +p134043 +sg25270 +S'Jacopo Palma il Giovane' +p134044 +sg25273 +S'pen and brown ink with brown wash (heightened with white?) on brown washed laid paper' +p134045 +sg25275 +S'unknown date\n' +p134046 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00075/a0007505.jpg' +p134047 +sg25267 +g27 +sa(dp134048 +g25268 +S'Sketch for a Baptism of Christ' +p134049 +sg25270 +S'Jacopo Palma il Giovane' +p134050 +sg25273 +S'pen and brown ink with brown wash (heightened with white?) on brown washed laid paper' +p134051 +sg25275 +S'unknown date\n' +p134052 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00075/a0007507.jpg' +p134053 +sg25267 +g27 +sa(dp134054 +g25268 +S'Allegory of the Eucharist' +p134055 +sg25270 +S'German 15th Century' +p134056 +sg25273 +S'Schreiber, Vol. IX, no. 1843, State u' +p134057 +sg25275 +S'\nwoodcut in lt. brown, hand-colored in blue, green,orange, and gold' +p134058 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a598.jpg' +p134059 +sg25267 +g27 +sa(dp134060 +g25268 +S'Sketch for a Baptism of Christ' +p134061 +sg25270 +S'Jacopo Palma il Giovane' +p134062 +sg25273 +S'pen and brown ink with brown wash (heightened with white?) on brown washed laid paper' +p134063 +sg25275 +S'unknown date\n' +p134064 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00075/a000750a.jpg' +p134065 +sg25267 +g27 +sa(dp134066 +g25268 +S'Apollo and Daphne' +p134067 +sg25270 +S'Artist Information (' +p134068 +sg25273 +S'(designer)' +p134069 +sg25275 +S'\n' +p134070 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00067/a0006741.jpg' +p134071 +sg25267 +g27 +sa(dp134072 +g25268 +S'Madame Dietz-Monnin' +p134073 +sg25270 +S'Edgar Degas' +p134074 +sg25273 +S'pastel on paper' +p134075 +sg25275 +S'1879' +p134076 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00067/a0006742.jpg' +p134077 +sg25267 +g27 +sa(dp134078 +g25268 +S'Marie Leszczynska of Poland, Queen of France' +p134079 +sg25270 +S'Artist Information (' +p134080 +sg25273 +S'(artist after)' +p134081 +sg25275 +S'\n' +p134082 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a00096b0.jpg' +p134083 +sg25267 +g27 +sa(dp134084 +g25268 +S'Mary, Queen of Scots' +p134085 +sg25270 +S'Artist Information (' +p134086 +sg25273 +S'(artist after)' +p134087 +sg25275 +S'\n' +p134088 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cbc7.jpg' +p134089 +sg25267 +g27 +sa(dp134090 +g25268 +S'Phillip II of Spain' +p134091 +sg25270 +S'Hieronymus Wierix' +p134092 +sg25273 +S'engraving' +p134093 +sg25275 +S'possibly 1585' +p134094 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d019.jpg' +p134095 +sg25267 +g27 +sa(dp134096 +g25268 +S'Peter the Great of Russia' +p134097 +sg25270 +S'Artist Information (' +p134098 +sg25273 +S'(artist after)' +p134099 +sg25275 +S'\n' +p134100 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009a/a0009ac4.jpg' +p134101 +sg25267 +g27 +sa(dp134102 +g25268 +S'John the Fearless, Duke of Burgundy' +p134103 +sg25270 +S'Artist Information (' +p134104 +sg25273 +S'(artist after)' +p134105 +sg25275 +S'\n' +p134106 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d57c.jpg' +p134107 +sg25267 +g27 +sa(dp134108 +g25268 +S'Maria Anna of Spain' +p134109 +sg25270 +S'Artist Information (' +p134110 +sg25273 +S'(artist after)' +p134111 +sg25275 +S'\n' +p134112 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d526.jpg' +p134113 +sg25267 +g27 +sa(dp134114 +g25268 +S'Maria of Burgundy, Empress and Wife of Maximilian I' +p134115 +sg25270 +S'Artist Information (' +p134116 +sg25273 +S'(artist after)' +p134117 +sg25275 +S'\n' +p134118 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d57a.jpg' +p134119 +sg25267 +g27 +sa(dp134120 +g25268 +S'Purgatory' +p134121 +sg25270 +S'German 15th Century' +p134122 +sg25273 +S'Schreiber, no. 1834, State h' +p134123 +sg25275 +S'\nwoodcut' +p134124 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a59c.jpg' +p134125 +sg25267 +g27 +sa(dp134126 +g25268 +S'Marie Therese of Spain, Dauphine of France' +p134127 +sg25270 +S'Artist Information (' +p134128 +sg25273 +S'(artist after)' +p134129 +sg25275 +S'\n' +p134130 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a00097eb.jpg' +p134131 +sg25267 +g27 +sa(dp134132 +g25268 +S'Mary I Stuart' +p134133 +sg25270 +S'Artist Information (' +p134134 +sg25273 +S'(artist after)' +p134135 +sg25275 +S'\n' +p134136 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d6/a000d628.jpg' +p134137 +sg25267 +g27 +sa(dp134138 +g25268 +S'King George II' +p134139 +sg25270 +S'Pieter Stevens van Gunst' +p134140 +sg25273 +S'engraving' +p134141 +sg25275 +S'unknown date\n' +p134142 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d6/a000d686.jpg' +p134143 +sg25267 +g27 +sa(dp134144 +g25268 +S'Oliver Cromwell' +p134145 +sg25270 +S'Artist Information (' +p134146 +sg25273 +S'(artist after)' +p134147 +sg25275 +S'\n' +p134148 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cbc9.jpg' +p134149 +sg25267 +g27 +sa(dp134150 +g25273 +S'(artist after)' +p134151 +sg25267 +g27 +sg25275 +S'\n' +p134152 +sg25268 +S'Henry VII and the Family of Henry VIII in Whitehall Palace' +p134153 +sg25270 +S'Artist Information (' +p134154 +sa(dp134155 +g25268 +S'Lady Jane Grey' +p134156 +sg25270 +S'George Vertue' +p134157 +sg25273 +S'engraving' +p134158 +sg25275 +S'1748' +p134159 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0007d/a0007db5.jpg' +p134160 +sg25267 +g27 +sa(dp134161 +g25273 +S'engraving' +p134162 +sg25267 +g27 +sg25275 +S'unknown date\n' +p134163 +sg25268 +S'Charles I of England and the Duke of Hamilton' +p134164 +sg25270 +S'Sir Robert Strange' +p134165 +sa(dp134166 +g25268 +S'Augustus Stellingwerf, First Lord Admiral of Friesland' +p134167 +sg25270 +S'Artist Information (' +p134168 +sg25273 +S'(artist after)' +p134169 +sg25275 +S'\n' +p134170 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d5f1.jpg' +p134171 +sg25267 +g27 +sa(dp134172 +g25268 +S'The Bathers' +p134173 +sg25270 +S'Paul Gauguin' +p134174 +sg25273 +S'oil on canvas' +p134175 +sg25275 +S'1897' +p134176 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a0000639.jpg' +p134177 +sg25267 +S"Like \n Gauguin had always been preoccupied with the role of color, calling it a "profound and mysterious language, a language of the dream." He described its effects as akin to music and its relationships to musical harmonies. The gentle tones here—the soft mat of pinks that carpets the foreground, the swirls of lavender water—seem to be scented with the sweet perfumes of paradise. This is one of the most sumptuous of all Gauguin's paintings. \n " +p134178 +sa(dp134179 +g25268 +S'Oarsmen at Chatou' +p134180 +sg25270 +S'Auguste Renoir' +p134181 +sg25273 +S'oil on canvas' +p134182 +sg25275 +S'1879' +p134183 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a000071f.jpg' +p134184 +sg25267 +S'Located on the Seine approximately nine\r\nmiles west of Paris, Chatou was a site popular\r\nwith Parisian day-trippers. Its accessibility\r\nto the capital and its proximity to the\r\nwater made it ideal for a variety of leisure\r\nactivities, including swimming, promenading,\r\nand, of course, boating. Among its\r\nnotable attractions was the Maison Fournaise,\r\none of the many suburban taverns\r\nand restaurants that had sprung up in the\r\nnineteenth century to cater to the needs\r\nof the growing throng of weekend visitors.\r\nA favorite meeting place of boating parties,\r\nthe Maison Fournaise held a particular\r\nappeal for Renoir, who became a friend of\r\nthe Fournaise family in 1875. In the years\r\nthat followed, he would paint a number of\r\nworks in and around that locale; nine of\r\nhis figure paintings and seven of his landscapes\r\nhave been associated with Chatou,\r\nincluding what is perhaps the artist\xe2\x80\x99s most\r\nfamous painting, \n Oarsmen at Chatou\n "The chic thing to do on Sundays,"\r\nRenoir later reminisced, "was to bring\r\npretty girls rowing there. . . . It was there\r\nthat I found models who were willing, if\r\nfor an instant, to lend me their youth and grace."\n With its celebration of leisure culture,\r\nits lush, vibrant color, and its flickering\r\nbrushwork, \n (Text by Kimberly Jones, \n Notes\n \n \n \n ' +p134185 +sa(dp134186 +g25268 +S'The Cross' +p134187 +sg25270 +S'German 15th Century' +p134188 +sg25273 +S'Schreiber, no. 1825, State a' +p134189 +sg25275 +S'\nwoodcut, hand-colored in red, pink, and yellow' +p134190 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a597.jpg' +p134191 +sg25267 +g27 +sa(dp134192 +g25268 +S'Mending the Harness' +p134193 +sg25270 +S'Albert Pinkham Ryder' +p134194 +sg25273 +S'oil on canvas' +p134195 +sg25275 +S'mid to late 1870s' +p134196 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a00001fd.jpg' +p134197 +sg25267 +g27 +sa(dp134198 +g25268 +S'Miss Julia Marlowe' +p134199 +sg25270 +S'Irving R. Wiles' +p134200 +sg25273 +S'oil on canvas' +p134201 +sg25275 +S'1901' +p134202 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002a2.jpg' +p134203 +sg25267 +g27 +sa(dp134204 +g25268 +S'A Graduate of Merton College, Oxford' +p134205 +sg25270 +S'George Knapton' +p134206 +sg25273 +S', c. 1754/1755' +p134207 +sg25275 +S'\n' +p134208 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a000052f.jpg' +p134209 +sg25267 +S"Merton at Oxford University is among the oldest colleges in the \r\n English-speaking world. In 1264-1274, the chancellor of England,\r\n Walter de \r\n Merton, endowed it as a secular institution patterned after higher \r\n education in religious orders. This painting's background depicts\r\n Merton \r\n College, including its chapel tower, as seen from Christ Church\r\n Meadow; \r\n these thirteenth- to fifteenth-century buildings still stand.\r\n Details that \r\n show changes to the architecture date the picture to around\r\n 1754/1755.\n The unidentified youth wears the black gown of an undergraduate,\r\n a robe \r\n without a hood. He holds a black mortarboard and wears a simple\r\n white \r\n cravat. (Today, Oxford’s male students wear white bow ties.)\r\n Underneath \r\n this plain gown, though, he sports a satin coat and a waistcoat\r\n with \r\n ostentatious embroidery.\n The absence of sleeves on his academic robe marks this\r\n aristocrat as a \r\n “commoner,” meaning a student who paid tuition. A gown with short\r\n sleeves \r\n indicates a “scholar,” or someone who required a financial\r\n grant.\n The painter George Knapton, son of a prosperous London\r\n bookseller, spent \r\n seven years studying in Italy. A major artist in pastel chalks,\r\n Knapton \r\n capped his career as curator of the British royal picture \r\n collection.\n " +p134210 +sa(dp134211 +g25268 +S'Right and Left' +p134212 +sg25270 +S'Winslow Homer' +p134213 +sg25273 +S'oil on canvas' +p134214 +sg25275 +S'1909' +p134215 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a0000103.jpg' +p134216 +sg25267 +S"Right and Left\n We witness the scene from the ducks' elevated vantage point, a precarious perspective that encourages empathy with the threatened creatures. By underscoring the fleeting nature of these birds' existence, Homer reminds viewers of the fragility of their own.\n " +p134217 +sa(dp134218 +g25268 +S'Black-Footed Ferret' +p134219 +sg25270 +S'John Woodhouse Audubon' +p134220 +sg25273 +S'oil on canvas' +p134221 +sg25275 +S'1840/1846' +p134222 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a0000006.jpg' +p134223 +sg25267 +g27 +sa(dp134224 +g25268 +S'A Young Bull' +p134225 +sg25270 +S'John Woodhouse Audubon' +p134226 +sg25273 +S', c. 1849' +p134227 +sg25275 +S'\n' +p134228 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a0000007.jpg' +p134229 +sg25267 +g27 +sa(dp134230 +g25268 +S'Farmyard Fowls' +p134231 +sg25270 +S'John James Audubon' +p134232 +sg25273 +S'oil on canvas' +p134233 +sg25275 +S'c. 1827' +p134234 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a0000005.jpg' +p134235 +sg25267 +g27 +sa(dp134236 +g25268 +S'Long-Tailed Weasel' +p134237 +sg25270 +S'Artist Information (' +p134238 +sg25273 +S'American, 1785 - 1851' +p134239 +sg25275 +S'(related artist)' +p134240 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a0000004.jpg' +p134241 +sg25267 +g27 +sa(dp134242 +g25268 +S'Sharp-Tailed Finch' +p134243 +sg25270 +S'Artist Information (' +p134244 +sg25273 +S'(artist after)' +p134245 +sg25275 +S'\n' +p134246 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a000052c.jpg' +p134247 +sg25267 +g27 +sa(dp134248 +g25268 +S'Black-Backed Three-Toed Woodpecker' +p134249 +sg25270 +S'Artist Information (' +p134250 +sg25273 +S'(artist after)' +p134251 +sg25275 +S'\n' +p134252 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a000052a.jpg' +p134253 +sg25267 +g27 +sa(dp134254 +g25268 +S'The Adoration of the Magi' +p134255 +sg25270 +S'German 15th Century' +p134256 +sg25273 +S'Schreiber, no. 2210, State d' +p134257 +sg25275 +S'\nmetalcut, hand-colored in red, yellow, and green' +p134258 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a475.jpg' +p134259 +sg25267 +g27 +sa(dp134260 +g25268 +S'Orchard Oriole' +p134261 +sg25270 +S'Artist Information (' +p134262 +sg25273 +S'(artist after)' +p134263 +sg25275 +S'\n' +p134264 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a000052b.jpg' +p134265 +sg25267 +g27 +sa(dp134266 +g25268 +S'Yellow Warbler' +p134267 +sg25270 +S'Artist Information (' +p134268 +sg25273 +S'(artist after)' +p134269 +sg25275 +S'\n' +p134270 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a0000529.jpg' +p134271 +sg25267 +g27 +sa(dp134272 +g25268 +S'Long-Tailed Red Fox' +p134273 +sg25270 +S'John Woodhouse Audubon' +p134274 +sg25273 +S'oil on canvas' +p134275 +sg25275 +S'1848/1854' +p134276 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a0000008.jpg' +p134277 +sg25267 +g27 +sa(dp134278 +g25268 +S'Arctic Hare' +p134279 +sg25270 +S'John James Audubon' +p134280 +sg25273 +S'pen and black ink and graphite with watercolor and oil paint on paper' +p134281 +sg25275 +S'c. 1841' +p134282 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a00008a4.jpg' +p134283 +sg25267 +g27 +sa(dp134284 +g25273 +S'(artist after)' +p134285 +sg25267 +g27 +sg25275 +S'\n' +p134286 +sg25268 +S'Common American Wild Cat' +p134287 +sg25270 +S'Artist Information (' +p134288 +sa(dp134289 +g25273 +S'(artist after)' +p134290 +sg25267 +g27 +sg25275 +S'\n' +p134291 +sg25268 +S'Black Rat' +p134292 +sg25270 +S'Artist Information (' +p134293 +sa(dp134294 +g25273 +S'(artist after)' +p134295 +sg25267 +g27 +sg25275 +S'\n' +p134296 +sg25268 +S'The Jaguar' +p134297 +sg25270 +S'Artist Information (' +p134298 +sa(dp134299 +g25273 +S'lithograph in black' +p134300 +sg25267 +g27 +sg25275 +S'unknown date\n' +p134301 +sg25268 +S'Jack Rabbits' +p134302 +sg25270 +S'John Woodhouse Audubon' +p134303 +sa(dp134304 +g25273 +S'(artist after)' +p134305 +sg25267 +g27 +sg25275 +S'\n' +p134306 +sg25268 +S'The Cougar' +p134307 +sg25270 +S'Artist Information (' +p134308 +sa(dp134309 +g25273 +S'(artist after)' +p134310 +sg25267 +g27 +sg25275 +S'\n' +p134311 +sg25268 +S'Collies Squirrel' +p134312 +sg25270 +S'Artist Information (' +p134313 +sa(dp134314 +g25268 +S'The Nativity' +p134315 +sg25270 +S'Artist Information (' +p134316 +sg25273 +S'German, active c. 1460/1480' +p134317 +sg25275 +S'(related artist)' +p134318 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a474.jpg' +p134319 +sg25267 +g27 +sa(dp134320 +g25273 +S'(artist after)' +p134321 +sg25267 +g27 +sg25275 +S'\n' +p134322 +sg25268 +S'Caribou or American Rein-Deer' +p134323 +sg25270 +S'Artist Information (' +p134324 +sa(dp134325 +g25273 +S'(artist after)' +p134326 +sg25267 +g27 +sg25275 +S'\n' +p134327 +sg25268 +S'Cinnamon Bear' +p134328 +sg25270 +S'Artist Information (' +p134329 +sa(dp134330 +g25273 +S'(artist after)' +p134331 +sg25267 +g27 +sg25275 +S'\n' +p134332 +sg25268 +S'Grizzly Bear' +p134333 +sg25270 +S'Artist Information (' +p134334 +sa(dp134335 +g25273 +S'(artist after)' +p134336 +sg25267 +g27 +sg25275 +S'\n' +p134337 +sg25268 +S'Hare-Indian Dog' +p134338 +sg25270 +S'Artist Information (' +p134339 +sa(dp134340 +g25273 +S'(artist after)' +p134341 +sg25267 +g27 +sg25275 +S'\n' +p134342 +sg25268 +S'Common or Virginian Deer' +p134343 +sg25270 +S'Artist Information (' +p134344 +sa(dp134345 +g25273 +S'(artist after)' +p134346 +sg25267 +g27 +sg25275 +S'\n' +p134347 +sg25268 +S'The Camas Rat' +p134348 +sg25270 +S'Artist Information (' +p134349 +sa(dp134350 +g25273 +S'(artist after)' +p134351 +sg25267 +g27 +sg25275 +S'\n' +p134352 +sg25268 +S"Townsend's Shrew Mole" +p134353 +sg25270 +S'Artist Information (' +p134354 +sa(dp134355 +g25273 +S'(artist after)' +p134356 +sg25267 +g27 +sg25275 +S'\n' +p134357 +sg25268 +S'Tawny Weasel' +p134358 +sg25270 +S'Artist Information (' +p134359 +sa(dp134360 +g25273 +S'lithograph' +p134361 +sg25267 +g27 +sg25275 +S'unknown date\n' +p134362 +sg25268 +S'Puffin' +p134363 +sg25270 +S'John James Audubon' +p134364 +sa(dp134365 +g25273 +S'lithograph in black' +p134366 +sg25267 +g27 +sg25275 +S'unknown date\n' +p134367 +sg25268 +S'Seaside Finch' +p134368 +sg25270 +S'John James Audubon' +p134369 +sa(dp134370 +g25268 +S'The Flagellation' +p134371 +sg25270 +S'German 15th Century' +p134372 +sg25273 +S'Schreiber, no. 2285' +p134373 +sg25275 +S'\nmetalcut, hand-colored in red and yellow' +p134374 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a473.jpg' +p134375 +sg25267 +g27 +sa(dp134376 +g25273 +S'lithograph in black' +p134377 +sg25267 +g27 +sg25275 +S'unknown date\n' +p134378 +sg25268 +S'Towhe Bunting' +p134379 +sg25270 +S'John James Audubon' +p134380 +sa(dp134381 +g25273 +S'lithograph in black' +p134382 +sg25267 +g27 +sg25275 +S'unknown date\n' +p134383 +sg25268 +S'Sandwich Tern' +p134384 +sg25270 +S'John James Audubon' +p134385 +sa(dp134386 +g25273 +S', c. 1410' +p134387 +sg25267 +g27 +sg25275 +S'\n' +p134388 +sg25268 +S'Death of the Virgin' +p134389 +sg25270 +S'Joshua Master' +p134390 +sa(dp134391 +g25268 +S'Doubting Thomas' +p134392 +sg25270 +S'German 15th Century' +p134393 +sg25273 +S'Overall: 6.8 x 5.5 cm (2 11/16 x 2 3/16 in.)\r\noverall (external frame dimensions): 39.4 x 31.8 cm (15 1/2 x 12 1/2 in.)' +p134394 +sg25275 +S'\nhand-colored woodcut' +p134395 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00056/a0005627.jpg' +p134396 +sg25267 +g27 +sa(dp134397 +g25273 +S'miniature on vellum' +p134398 +sg25267 +g27 +sg25275 +S'1250/1275' +p134399 +sg25268 +S'The Three Holy Women at the Tomb' +p134400 +sg25270 +S'First Master of the Cortona Antiphonaries' +p134401 +sa(dp134402 +g25273 +S'overall: 19.7 x 12.2 cm (7 3/4 x 4 13/16 in.)' +p134403 +sg25267 +g27 +sg25275 +S'\nminiature on vellum' +p134404 +sg25268 +S'The Nativity with Saint Bridget of Sweden' +p134405 +sg25270 +S'Italian 14th Century' +p134406 +sa(dp134407 +g25268 +S'The Conversion of Saint Paul' +p134408 +sg25270 +S'Hans Baldung Grien' +p134409 +sg25273 +S'woodcut' +p134410 +sg25275 +S'1508' +p134411 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a7e6.jpg' +p134412 +sg25267 +g27 +sa(dp134413 +g25268 +S'High-Class' +p134414 +sg25270 +S'Ernst Barlach' +p134415 +sg25273 +S'pen and ink over graphite' +p134416 +sg25275 +S'1906' +p134417 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00079/a000793a.jpg' +p134418 +sg25267 +g27 +sa(dp134419 +g25273 +S'lithograph' +p134420 +sg25267 +g27 +sg25275 +S'1948' +p134421 +sg25268 +S'"...And So..."' +p134422 +sg25270 +S'Alfred Bendiner' +p134423 +sa(dp134424 +g25268 +S'Two Galleys behind an Armed Three-Master with Phaethon and Jupiter in the Sky' +p134425 +sg25270 +S'Artist Information (' +p134426 +sg25273 +S'(artist after)' +p134427 +sg25275 +S'\n' +p134428 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ceec.jpg' +p134429 +sg25267 +g27 +sa(dp134430 +g25268 +S'Portrait of a Gentleman' +p134431 +sg25270 +S'Bartolomeo Veneto' +p134432 +sg25273 +S'oil on panel transferred to canvas' +p134433 +sg25275 +S'c. 1520' +p134434 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a00007f5.jpg' +p134435 +sg25267 +g27 +sa(dp134436 +g25268 +S'Saint Barbara' +p134437 +sg25270 +S'Artist Information (' +p134438 +sg25273 +S'German, active c. 1460/1480' +p134439 +sg25275 +S'(related artist)' +p134440 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a4ed.jpg' +p134441 +sg25267 +g27 +sa(dp134442 +g25268 +S'Armed Four-Master Sailing towards a Port' +p134443 +sg25270 +S'Artist Information (' +p134444 +sg25273 +S'(artist after)' +p134445 +sg25275 +S'\n' +p134446 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ce/a000cee1.jpg' +p134447 +sg25267 +g27 +sa(dp134448 +g25268 +S'Armed Three-Master Anchored near a City' +p134449 +sg25270 +S'Artist Information (' +p134450 +sg25273 +S'(artist after)' +p134451 +sg25275 +S'\n' +p134452 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ce/a000cee7.jpg' +p134453 +sg25267 +g27 +sa(dp134454 +g25268 +S'Four-Master (Left) and Two Three-Masters Anchored near a Fortified Island with a Lighthouse' +p134455 +sg25270 +S'Artist Information (' +p134456 +sg25273 +S'(artist after)' +p134457 +sg25275 +S'\n' +p134458 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ce/a000cee9.jpg' +p134459 +sg25267 +g27 +sa(dp134460 +g25268 +S'Conrad Celtis' +p134461 +sg25270 +S'Hans Burgkmair I' +p134462 +sg25273 +S'woodcut' +p134463 +sg25275 +S'1507' +p134464 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a8d5.jpg' +p134465 +sg25267 +g27 +sa(dp134466 +g25268 +S'The Imperial Eagle' +p134467 +sg25270 +S'Hans Burgkmair I' +p134468 +sg25273 +S'woodcut' +p134469 +sg25275 +S'1507' +p134470 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b09c.jpg' +p134471 +sg25267 +g27 +sa(dp134472 +g25273 +S'etching' +p134473 +sg25267 +g27 +sg25275 +S'1949' +p134474 +sg25268 +S'Winter in Ile-de-France' +p134475 +sg25270 +S'Michel Ciry' +p134476 +sa(dp134477 +g25273 +S'engraving and etching' +p134478 +sg25267 +g27 +sg25275 +S'unknown date\n' +p134479 +sg25268 +S'Moulin dans la lande Bretonne' +p134480 +sg25270 +S'Gury' +p134481 +sa(dp134482 +g25268 +S'Self-Portrait (Selbstbildnis)' +p134483 +sg25270 +S'Lovis Corinth' +p134484 +sg25273 +S'lithograph' +p134485 +sg25275 +S'1920' +p134486 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c5/a000c50f.jpg' +p134487 +sg25267 +g27 +sa(dp134488 +g25268 +S'Two Figures' +p134489 +sg25270 +S'Lovis Corinth' +p134490 +sg25273 +S'graphite on laid paper' +p134491 +sg25275 +S'unknown date\n' +p134492 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00079/a000792f.jpg' +p134493 +sg25267 +g27 +sa(dp134494 +g25268 +S'Joseph Schwarz' +p134495 +sg25270 +S'Lovis Corinth' +p134496 +sg25273 +S'lithograph' +p134497 +sg25275 +S'1916' +p134498 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b6/a000b663.jpg' +p134499 +sg25267 +g27 +sa(dp134500 +g25268 +S'Saint Catherine' +p134501 +sg25270 +S'Artist Information (' +p134502 +sg25273 +S'German, active c. 1475' +p134503 +sg25275 +S'(related artist)' +p134504 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a51b.jpg' +p134505 +sg25267 +g27 +sa(dp134506 +g25268 +S'Horse and Rider (Reiter)' +p134507 +sg25270 +S'Lovis Corinth' +p134508 +sg25273 +S'drypoint' +p134509 +sg25275 +S'1925' +p134510 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b6/a000b6ab.jpg' +p134511 +sg25267 +g27 +sa(dp134512 +g25268 +S'Fortitude' +p134513 +sg25270 +S'Marco Dente' +p134514 +sg25273 +S'engraving' +p134515 +sg25275 +S'unknown date\n' +p134516 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cbad.jpg' +p134517 +sg25267 +g27 +sa(dp134518 +g25268 +S'The Teacher, the Clergyman, and Providence' +p134519 +sg25270 +S'Albrecht D\xc3\xbcrer' +p134520 +sg25273 +S'woodcut' +p134521 +sg25275 +S'probably 1526' +p134522 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b1/a000b16d.jpg' +p134523 +sg25267 +g27 +sa(dp134524 +g25268 +S'Time and a Fox Turning the Wheel of Fortune with People of all Ranks to the Right' +p134525 +sg25270 +S'Albrecht D\xc3\xbcrer' +p134526 +sg25273 +S'woodcut' +p134527 +sg25275 +S'probably 1526' +p134528 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b2/a000b236.jpg' +p134529 +sg25267 +g27 +sa(dp134530 +g25273 +S'wood engraving' +p134531 +sg25267 +g27 +sg25275 +S'1949' +p134532 +sg25268 +S'Saint Christopher' +p134533 +sg25270 +S'Fritz Eichenberg' +p134534 +sa(dp134535 +g25268 +S'Feste de Diane, Troublee par des Satyres (Feast of Diana Disrupted by Satyrs)' +p134536 +sg25270 +S'Claude Gillot' +p134537 +sg25273 +S'etching and engraving' +p134538 +sg25275 +S'unknown date\n' +p134539 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f81.jpg' +p134540 +sg25267 +g27 +sa(dp134541 +g25268 +S'Feste de Bacchus, celebree par des Satyres et des Bacchantes (Feast of Bacchus Celeb rated by Satyrs and Bacchanales)' +p134542 +sg25270 +S'Claude Gillot' +p134543 +sg25273 +S'etching and engraving' +p134544 +sg25275 +S'unknown date\n' +p134545 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f83.jpg' +p134546 +sg25267 +g27 +sa(dp134547 +g25268 +S'Feste du Dieu Pan, celebree par des Sylvains et des Nymphes (Feast of the God Pan Celebrated by Sylvans and Nymphs)' +p134548 +sg25270 +S'Claude Gillot' +p134549 +sg25273 +S'etching and engraving' +p134550 +sg25275 +S'unknown date\n' +p134551 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f82.jpg' +p134552 +sg25267 +g27 +sa(dp134553 +g25268 +S'La Naissance (Birth)' +p134554 +sg25270 +S'Claude Gillot' +p134555 +sg25273 +S'etching and engraving' +p134556 +sg25275 +S'unknown date\n' +p134557 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f88.jpg' +p134558 +sg25267 +g27 +sa(dp134559 +g25268 +S"L'Education (Education)" +p134560 +sg25270 +S'Claude Gillot' +p134561 +sg25273 +S'etching and engraving' +p134562 +sg25275 +S'unknown date\n' +p134563 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f87.jpg' +p134564 +sg25267 +g27 +sa(dp134565 +g25268 +S'Christ Nailed to the Cross' +p134566 +sg25270 +S'Artist Information (' +p134567 +sg25273 +S'German, active fourth quarter 15th century' +p134568 +sg25275 +S'(artist)' +p134569 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a519.jpg' +p134570 +sg25267 +g27 +sa(dp134571 +g25268 +S'Le Mariage (Marriage)' +p134572 +sg25270 +S'Claude Gillot' +p134573 +sg25273 +S'etching and engraving' +p134574 +sg25275 +S'unknown date\n' +p134575 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f89.jpg' +p134576 +sg25267 +g27 +sa(dp134577 +g25268 +S'Les Obseques (The Funeral Rites)' +p134578 +sg25270 +S'Claude Gillot' +p134579 +sg25273 +S'etching and engraving' +p134580 +sg25275 +S'unknown date\n' +p134581 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f8a.jpg' +p134582 +sg25267 +g27 +sa(dp134583 +g25268 +S'God the Father with His Right Hand Raised in Blessing' +p134584 +sg25270 +S'Girolamo dai Libri' +p134585 +sg25273 +S'leadpoint(?), pen and brown ink and wash, heightened with white on cream-colored prepared(?) paper laid down on wood panel' +p134586 +sg25275 +S'unknown date\n' +p134587 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00033/a00033de.jpg' +p134588 +sg25267 +g27 +sa(dp134589 +g25268 +S'Orphan Man, Standing' +p134590 +sg25270 +S'Vincent van Gogh' +p134591 +sg25273 +S'lithograph' +p134592 +sg25275 +S'1882' +p134593 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4d8.jpg' +p134594 +sg25267 +g27 +sa(dp134595 +g25268 +S'Potato Eaters' +p134596 +sg25270 +S'Vincent van Gogh' +p134597 +sg25273 +S'lithograph in dark brown' +p134598 +sg25275 +S'1885' +p134599 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004c/a0004c0d.jpg' +p134600 +sg25267 +g27 +sa(dp134601 +g25268 +S'Baco (Bacchus)' +p134602 +sg25270 +S'Artist Information (' +p134603 +sg25273 +S'(artist after)' +p134604 +sg25275 +S'\n' +p134605 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000edb1.jpg' +p134606 +sg25267 +g27 +sa(dp134607 +g25268 +S'Baltasar Carlos' +p134608 +sg25270 +S'Artist Information (' +p134609 +sg25273 +S'(artist after)' +p134610 +sg25275 +S'\n' +p134611 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000edaa.jpg' +p134612 +sg25267 +g27 +sa(dp134613 +g25268 +S'The Blind Singer' +p134614 +sg25270 +S'Francisco de Goya' +p134615 +sg25273 +S'etching, aquatint and/or lavis, drypoint and burin' +p134616 +sg25275 +S'1824/1828' +p134617 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(Fierce Monster!)' +p134626 +sg25270 +S'Francisco de Goya' +p134627 +sg25273 +S'etching, drypoint and burin [trial proof printed posthumously Calcografia in or after 1870]' +p134628 +sg25275 +S'1810/1820' +p134629 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed5e.jpg' +p134630 +sg25267 +g27 +sa(dp134631 +g25268 +S'Emperor Octavian and the Sibyl' +p134632 +sg25270 +S'Artist Information (' +p134633 +sg25273 +S'German, active c. 1460/1480' +p134634 +sg25275 +S'(related artist)' +p134635 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a476.jpg' +p134636 +sg25267 +g27 +sa(dp134637 +g25268 +S'Gaspar de Guzman, Conde Duque de Olivares' +p134638 +sg25270 +S'Artist Information (' +p134639 +sg25273 +S'(artist after)' +p134640 +sg25275 +S'\n' +p134641 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000edad.jpg' +p134642 +sg25267 +g27 +sa(dp134643 +g25268 +S'Felipe IV' +p134644 +sg25270 +S'Artist Information (' +p134645 +sg25273 +S'(artist after)' +p134646 +sg25275 +S'\n' +p134647 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000edac.jpg' +p134648 +sg25267 +g27 +sa(dp134649 +g25268 +S'La seguridad de un reo no exige tormento (The Custody of a Criminal Does Not Call for Torture' +p134650 +sg25270 +S'Francisco de Goya' +p134651 +sg25273 +S'etching and burin [trial proof printed posthumously before 1859]' +p134652 +sg25275 +S'c. 1810' +p134653 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed54.jpg' +p134654 +sg25267 +g27 +sa(dp134655 +g25268 +S'Si es delinquente qe. muera presto (If He is Guilty, Let Him Die Quickly)' +p134656 +sg25270 +S'Francisco de Goya' +p134657 +sg25273 +S'etching [trial proof printed posthumously before 1859]' +p134658 +sg25275 +S'c. 1810' +p134659 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed55.jpg' +p134660 +sg25267 +g27 +sa(dp134661 +g25268 +S'Disparate femenino (Feminine Folly)' +p134662 +sg25270 +S'Francisco de Goya' +p134663 +sg25273 +S'etching, aquatint and (drypoint?) (trial proof printed posthumously circa 1854-1863]' +p134664 +sg25275 +S'in or after 1816' +p134665 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00058/a0005805.jpg' +p134666 +sg25267 +g27 +sa(dp134667 +g25268 +S'Disparate de miedo (Folly of Fear)' +p134668 +sg25270 +S'Francisco de Goya' +p134669 +sg25273 +S'etching, aquatint and (drypoint?) [trial proof printed posthumously circa 1854-1863]' +p134670 +sg25275 +S'in or after 1816' +p134671 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed9c.jpg' +p134672 +sg25267 +g27 +sa(dp134673 +g25268 +S'Disparate ridiculo (Ridiculous Folly)' +p134674 +sg25270 +S'Francisco de Goya' +p134675 +sg25273 +S'etching, aquatint and drypoint [trial proof printed posthumously circa 1854-1863]' +p134676 +sg25275 +S'in or after 1816' +p134677 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed9d.jpg' +p134678 +sg25267 +g27 +sa(dp134679 +g25268 +S'Bobalicon (Simpleton)' +p134680 +sg25270 +S'Francisco de Goya' +p134681 +sg25273 +S'etching, burnished aquatint, burin and (drypoint?) [trial proof printed posthumously circa 1854-1863]' +p134682 +sg25275 +S'in or after 1816' +p134683 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed9b.jpg' +p134684 +sg25267 +g27 +sa(dp134685 +g25268 +S'Disparate volante (Flying Folly)' +p134686 +sg25270 +S'Francisco de Goya' +p134687 +sg25273 +S'etching and aquatint [trial proof printed posthumoously circa 1854-1863]' +p134688 +sg25275 +S'in or after 1816' +p134689 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed9a.jpg' +p134690 +sg25267 +g27 +sa(dp134691 +g25268 +S'Disparate furioso (Furious Folly)' +p134692 +sg25270 +S'Francisco de Goya' +p134693 +sg25273 +S'etching and burnished aquatint [trial proof printed posthumously circa 1854-1863]' +p134694 +sg25275 +S'in or after 1816' +p134695 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed99.jpg' +p134696 +sg25267 +g27 +sa(dp134697 +g25268 +S'Saint Christopher' +p134698 +sg25270 +S'Artist Information (' +p134699 +sg25273 +S'German, active c. 1460/1480' +p134700 +sg25275 +S'(related artist)' +p134701 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a4ef.jpg' +p134702 +sg25267 +g27 +sa(dp134703 +g25268 +S'Disparate desordenado (Disorderly Folly)' +p134704 +sg25270 +S'Francisco de Goya' +p134705 +sg25273 +S'etching, aquatint and drypoint [trial proof printed posthumously circa 1854-1863]' +p134706 +sg25275 +S'in or after 1816' +p134707 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed97.jpg' +p134708 +sg25267 +g27 +sa(dp134709 +g25268 +S'Los ensacados (The Men in Sacks)' +p134710 +sg25270 +S'Francisco de Goya' +p134711 +sg25273 +S'etching and burnished aquatint [trial proof printed posthumously circa 1854-1863]' +p134712 +sg25275 +S'in or after 1816' +p134713 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed9f.jpg' +p134714 +sg25267 +g27 +sa(dp134715 +g25268 +S'Disparate general (General Folly)' +p134716 +sg25270 +S'Francisco de Goya' +p134717 +sg25273 +S'etching and burnished aquatint [trial proof printed posthumously circa 1854-1863]' +p134718 +sg25275 +S'in or after 1816' +p134719 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed95.jpg' +p134720 +sg25267 +g27 +sa(dp134721 +g25268 +S'El caballo raptor (The Horse-Abductor)' +p134722 +sg25270 +S'Francisco de Goya' +p134723 +sg25273 +S'etching, burnished aquatint and drypoint [trial proof printed posthumously circa 1854-1863]' +p134724 +sg25275 +S'in or after 1816' +p134725 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed94.jpg' +p134726 +sg25267 +g27 +sa(dp134727 +g25268 +S'Disparate pobre (Poor Folly)' +p134728 +sg25270 +S'Francisco de Goya' +p134729 +sg25273 +S'etching, burnished aquatint, drypoint and burin [trial proof printed posthumously circa 1854-1863]' +p134730 +sg25275 +S'in or after 1816' +p134731 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00058/a0005806.jpg' +p134732 +sg25267 +g27 +sa(dp134733 +g25268 +S'Disparate allegre (Merry Folly)' +p134734 +sg25270 +S'Francisco de Goya' +p134735 +sg25273 +S'etching, burnished aquatint and drypoint [trial proof printed posthumously circa 1854-1863]' +p134736 +sg25275 +S'in or after 1816' +p134737 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000eda0.jpg' +p134738 +sg25267 +g27 +sa(dp134739 +g25268 +S'Modo de volar (A Way of Flying)' +p134740 +sg25270 +S'Francisco de Goya' +p134741 +sg25273 +S'etching, aquatint and (drypoint?) [trial proof printed posthumously circa 1854-1863]' +p134742 +sg25275 +S'in or after 1816' +p134743 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000eda1.jpg' +p134744 +sg25267 +g27 +sa(dp134745 +g25268 +S'Disparate de Carnabal (Carnival Folly)' +p134746 +sg25270 +S'Francisco de Goya' +p134747 +sg25273 +S'etching and aquatint [trial proof printed posthumosuly circa 1854-1863]' +p134748 +sg25275 +S'in or after 1816' +p134749 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000eda3.jpg' +p134750 +sg25267 +g27 +sa(dp134751 +g25268 +S'Disparate claro (Clear Folly)' +p134752 +sg25270 +S'Francisco de Goya' +p134753 +sg25273 +S'etching, burnished aquatint and lavis [trial proof printed posthumously circa 1854-1863]' +p134754 +sg25275 +S'in or after 1816' +p134755 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000eda4.jpg' +p134756 +sg25267 +g27 +sa(dp134757 +g25268 +S'Sanan cuchilladas mas no malas palabras (Wounds Heal Quicker than Hasty Words)' +p134758 +sg25270 +S'Francisco de Goya' +p134759 +sg25273 +S'etching and burnished aquatint [trial proof printed posthumously circa 1854-1863]' +p134760 +sg25275 +S'in or after 1816' +p134761 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000eda5.jpg' +p134762 +sg25267 +g27 +sa(dp134763 +g25268 +S'Saint Christopher' +p134764 +sg25270 +S'Artist Information (' +p134765 +sg25273 +S'German, active c. 1460/1480' +p134766 +sg25275 +S'(related artist)' +p134767 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a517.jpg' +p134768 +sg25267 +g27 +sa(dp134769 +g25268 +S'La lealtad (Loyalty)' +p134770 +sg25270 +S'Francisco de Goya' +p134771 +sg25273 +S'etching and burnished aquatint [trial proof printed posthumously circa 1854-1863]' +p134772 +sg25275 +S'in or after 1816' +p134773 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000eda6.jpg' +p134774 +sg25267 +g27 +sa(dp134775 +g25268 +S'Dios los cria y ellos se juntan (God Creates Them and They Join Up Together)' +p134776 +sg25270 +S'Francisco de Goya' +p134777 +sg25273 +S'etching, burnished aquatint and burin [trial proof printed posthumously circa 1854-1863]' +p134778 +sg25275 +S'in or after 1816' +p134779 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000eda7.jpg' +p134780 +sg25267 +g27 +sa(dp134781 +g25268 +S'Barbarroxa' +p134782 +sg25270 +S'Artist Information (' +p134783 +sg25273 +S'(artist after)' +p134784 +sg25275 +S'\n' +p134785 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed6a.jpg' +p134786 +sg25267 +g27 +sa(dp134787 +g25268 +S'Esto es lo verdadero (This Is the Truth)' +p134788 +sg25270 +S'Francisco de Goya' +p134789 +sg25273 +S'etching, aquatint, drypoint, burin and burnisher in umber on laid paper [trial proof printed posthumously by Lefort and/or in the Calcografia c.1870)' +p134790 +sg25275 +S'1810/1820' +p134791 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed5f.jpg' +p134792 +sg25267 +g27 +sa(dp134793 +g25268 +S'Untitled' +p134794 +sg25270 +S'Rudolf Grossman' +p134795 +sg25273 +S'etching' +p134796 +sg25275 +S'unknown 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Hasler' +p134823 +sa(dp134824 +g25268 +S'Saint Dorothy' +p134825 +sg25270 +S'Artist Information (' +p134826 +sg25273 +S'German, active c. 1460/1480' +p134827 +sg25275 +S'(related artist)' +p134828 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a518.jpg' +p134829 +sg25267 +g27 +sa(dp134830 +g25273 +S'color lithograph' +p134831 +sg25267 +g27 +sg25275 +S'unknown date\n' +p134832 +sg25268 +S'Untitled' +p134833 +sg25270 +S'Bernhard Hasler' +p134834 +sa(dp134835 +g25273 +S'color lithograph' +p134836 +sg25267 +g27 +sg25275 +S'unknown date\n' +p134837 +sg25268 +S'Untitled' +p134838 +sg25270 +S'Bernhard Hasler' +p134839 +sa(dp134840 +g25273 +S'color lithograph' +p134841 +sg25267 +g27 +sg25275 +S'unknown date\n' +p134842 +sg25268 +S'Untitled' +p134843 +sg25270 +S'Bernhard Hasler' +p134844 +sa(dp134845 +g25273 +S'color lithograph' +p134846 +sg25267 +g27 +sg25275 +S'unknown date\n' +p134847 +sg25268 +S'Untitled' +p134848 +sg25270 +S'Bernhard Hasler' +p134849 +sa(dp134850 +g25273 +S'color 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+sa(dp134880 +g25268 +S'Saint Dorothy' +p134881 +sg25270 +S'Artist Information (' +p134882 +sg25273 +S'German, active c. 1460/1480' +p134883 +sg25275 +S'(related artist)' +p134884 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a4ee.jpg' +p134885 +sg25267 +g27 +sa(dp134886 +g25273 +S'color lithograph' +p134887 +sg25267 +g27 +sg25275 +S'unknown date\n' +p134888 +sg25268 +S'Untitled' +p134889 +sg25270 +S'Bernhard Hasler' +p134890 +sa(dp134891 +g25273 +S'color lithograph' +p134892 +sg25267 +g27 +sg25275 +S'unknown date\n' +p134893 +sg25268 +S'Untitled' +p134894 +sg25270 +S'Bernhard Hasler' +p134895 +sa(dp134896 +g25273 +S'color lithograph' +p134897 +sg25267 +g27 +sg25275 +S'unknown date\n' +p134898 +sg25268 +S'Untitled' +p134899 +sg25270 +S'Bernhard Hasler' +p134900 +sa(dp134901 +g25273 +S'color lithograph' +p134902 +sg25267 +g27 +sg25275 +S'unknown date\n' +p134903 +sg25268 +S'Untitled' +p134904 +sg25270 +S'Bernhard Hasler' +p134905 +sa(dp134906 +g25273 +S'color lithograph' +p134907 +sg25267 +g27 +sg25275 +S'unknown date\n' +p134908 +sg25268 +S'Untitled' +p134909 +sg25270 +S'Bernhard Hasler' +p134910 +sa(dp134911 +g25273 +S'color lithograph' +p134912 +sg25267 +g27 +sg25275 +S'unknown date\n' +p134913 +sg25268 +S'Untitled' +p134914 +sg25270 +S'Bernhard Hasler' +p134915 +sa(dp134916 +g25273 +S'color lithograph' +p134917 +sg25267 +g27 +sg25275 +S'unknown date\n' +p134918 +sg25268 +S'Untitled' +p134919 +sg25270 +S'Bernhard Hasler' +p134920 +sa(dp134921 +g25273 +S'color lithograph' +p134922 +sg25267 +g27 +sg25275 +S'unknown date\n' +p134923 +sg25268 +S'Untitled' +p134924 +sg25270 +S'Bernhard Hasler' +p134925 +sa(dp134926 +g25273 +S'color lithograph' +p134927 +sg25267 +g27 +sg25275 +S'unknown date\n' +p134928 +sg25268 +S'Untitled' +p134929 +sg25270 +S'Bernhard Hasler' +p134930 +sa(dp134931 +g25273 +S'color lithograph' +p134932 +sg25267 +g27 +sg25275 +S'unknown date\n' +p134933 +sg25268 +S'Untitled' +p134934 +sg25270 +S'Bernhard Hasler' +p134935 +sa(dp134936 +g25268 +S'Saint Erasmus' +p134937 +sg25270 +S'German 15th Century' +p134938 +sg25273 +S'Schreiber, Vol. IX, no. 2620, State i' +p134939 +sg25275 +S'\nmetalcut, hand-colored in green, yellow, and red' +p134940 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a51a.jpg' +p134941 +sg25267 +g27 +sa(dp134942 +g25273 +S'color woodcut' +p134943 +sg25267 +g27 +sg25275 +S'1949' +p134944 +sg25268 +S'Shy Veery' +p134945 +sg25270 +S'James Dexter Havens' +p134946 +sa(dp134947 +g25268 +S'Angels Wrestling' +p134948 +sg25270 +S'Stanley William Hayter' +p134949 +sg25273 +S'engraving and soft-ground etching (copper)' +p134950 +sg25275 +S'1950' +p134951 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00082/a000826d.jpg' +p134952 +sg25267 +g27 +sa(dp134953 +g25268 +S'Tropic of Cancer' +p134954 +sg25270 +S'Stanley William Hayter' +p134955 +sg25273 +S'engraving and soft-ground etching (copper) with areas of deep intaglio (printing as white relief) where ink has been wiped clean' +p134956 +sg25275 +S'1949' +p134957 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00060/a0006076.jpg' +p134958 +sg25267 +g27 +sa(dp134959 +g25268 +S'Emperor Charles V' +p134960 +sg25270 +S'Augustin Hirschvogel' +p134961 +sg25273 +S'etching' +p134962 +sg25275 +S'1546' +p134963 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ac/a000ac25.jpg' +p134964 +sg25267 +g27 +sa(dp134965 +g25268 +S'Spring: The Shooting Range' +p134966 +sg25270 +S'Wenceslaus Hollar' +p134967 +sg25273 +S'etching' +p134968 +sg25275 +S'c. 1628/1629' +p134969 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000db/a000db1f.jpg' +p134970 +sg25267 +g27 +sa(dp134971 +g25268 +S'Autumn: The Wine Market' +p134972 +sg25270 +S'Wenceslaus Hollar' +p134973 +sg25273 +S'etching' +p134974 +sg25275 +S'c. 1628/1629' +p134975 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000db/a000db21.jpg' +p134976 +sg25267 +g27 +sa(dp134977 +g25268 +S'Winter: The Parade Ground' +p134978 +sg25270 +S'Wenceslaus Hollar' +p134979 +sg25273 +S'etching' +p134980 +sg25275 +S'c. 1628/1629' +p134981 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000db/a000db22.jpg' +p134982 +sg25267 +g27 +sa(dp134983 +g25268 +S'Under Manhattan Bridge' +p134984 +sg25270 +S'Earl Horter' +p134985 +sg25273 +S'etching' +p134986 +sg25275 +S'unknown date\n' +p134987 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00105/a0010576.jpg' +p134988 +sg25267 +g27 +sa(dp134989 +g25273 +S'woodcut' +p134990 +sg25267 +g27 +sg25275 +S'in or after 1938' +p134991 +sg25268 +S'Women Harvesting (Jeunes filles ramassant dessarments de vigne: Deuxieme planche)' +p134992 +sg25270 +S'Aristide Maillol' +p134993 +sa(dp134994 +g25268 +S'Saint George' +p134995 +sg25270 +S'Artist Information (' +p134996 +sg25273 +S'German, active c. 1460/1480' +p134997 +sg25275 +S'(related artist)' +p134998 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a4f0.jpg' +p134999 +sg25267 +g27 +sa(dp135000 +g25273 +S'lithograph' +p135001 +sg25267 +g27 +sg25275 +S'1926' +p135002 +sg25268 +S'Alfred Cortot' +p135003 +sg25270 +S'Henri Matisse' +p135004 +sa(dp135005 +g25273 +S'wood engraving on Basingwerk parchment' +p135006 +sg25267 +g27 +sg25275 +S'1949' +p135007 +sg25268 +S'Bird of Prey' +p135008 +sg25270 +S'Roderick Fletcher Mead' +p135009 +sa(dp135010 +g25268 +S'The Death of the Virgin' +p135011 +sg25270 +S'Artist Information (' +p135012 +sg25273 +S'(artist after)' +p135013 +sg25275 +S'\n' +p135014 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a441.jpg' +p135015 +sg25267 +g27 +sa(dp135016 +g25268 +S'The Falconer and Noble Lady' +p135017 +sg25270 +S'Israhel van Meckenem' +p135018 +sg25273 +S'engraving' +p135019 +sg25275 +S'c. 1495/1503' +p135020 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a41f.jpg' +p135021 +sg25267 +g27 +sa(dp135022 +g25268 +S'The Lute Player and the Singer' +p135023 +sg25270 +S'Israhel van Meckenem' +p135024 +sg25273 +S'engraving' +p135025 +sg25275 +S'c. 1495/1503' +p135026 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a421.jpg' +p135027 +sg25267 +g27 +sa(dp135028 +g25268 +S'Ragotin lie par les parents du fou' +p135029 +sg25270 +S'Jean-Baptiste Oudry' +p135030 +sg25273 +S'black chalk heightened with white chalk on blue laid paper' +p135031 +sg25275 +S'1727' +p135032 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00071/a00071bb.jpg' +p135033 +sg25267 +g27 +sa(dp135034 +g25268 +S"On trouve le corps mort de l'hote que l'on avait cache" +p135035 +sg25270 +S'Jean-Baptiste Oudry' +p135036 +sg25273 +S'black chalk heightened with white chalk on blue laid paper' +p135037 +sg25275 +S'1727' +p135038 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00060/a00060cb.jpg' +p135039 +sg25267 +g27 +sa(dp135040 +g25268 +S'Ragotin enivr\xc3\xa9 par La Rancune' +p135041 +sg25270 +S'Jean-Baptiste Oudry' +p135042 +sg25273 +S'black and white chalk heightened with white and with touches of brush and black ink on blue laid paper' +p135043 +sg25275 +S'1726/1727' +p135044 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00037/a00037cb.jpg' +p135045 +sg25267 +g27 +sa(dp135046 +g25268 +S"L'Arrivee de l'Operateur dans l'hotellerie" +p135047 +sg25270 +S'Jean-Baptiste Oudry' +p135048 +sg25273 +S'black chalk heightened with white chalk on blue laid paper' +p135049 +sg25275 +S'1727' +p135050 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00072/a0007295.jpg' +p135051 +sg25267 +g27 +sa(dp135052 +g25268 +S'Ragotin dans le coffre' +p135053 +sg25270 +S'Jean-Baptiste Oudry' +p135054 +sg25273 +S'black chalk heightened with white chalk on blue laid paper' +p135055 +sg25275 +S'1737' +p135056 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00071/a00071f3.jpg' +p135057 +sg25267 +g27 +sa(dp135058 +g25268 +S'Portrait of a Venetian Gentleman' +p135059 +sg25270 +S'Artist Information (' +p135060 +sg25273 +S'(artist)' +p135061 +sg25275 +S'\n' +p135062 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005cd.jpg' +p135063 +sg25267 +S'The expression of calculating, almost cruel, appraisal—amplified by his closed fist—gives this man an aggressive air, but we do not know his identity. The inscription on the parapet does not help. These letters, \n Like other paintings associated with Giorgione, this one presents difficulties of attribution. Both Titian and \n ' +p135064 +sa(dp135065 +g25268 +S'Saint Gregory' +p135066 +sg25270 +S'Artist Information (' +p135067 +sg25273 +S'German, active c. 1460/1480' +p135068 +sg25275 +S'(related artist)' +p135069 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a515.jpg' +p135070 +sg25267 +g27 +sa(dp135071 +g25268 +S'La Rancune en brancard, abattu dans le bourbier' +p135072 +sg25270 +S'Jean-Baptiste Oudry' +p135073 +sg25273 +S'black chalk heightened with white chalk on blue laid paper' +p135074 +sg25275 +S'1726' +p135075 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00072/a000722b.jpg' +p135076 +sg25267 +g27 +sa(dp135077 +g25268 +S'Peasants Carrying Sticks (Paysannes portant des fagots)' +p135078 +sg25270 +S'Camille Pissarro' +p135079 +sg25273 +S'lithograph (zinc) [trail proof?]' +p135080 +sg25275 +S'1896' +p135081 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009dba.jpg' +p135082 +sg25267 +g27 +sa(dp135083 +g25268 +S'Peasants Carrying Sticks (Paysannes portant des fagots)' +p135084 +sg25270 +S'Camille Pissarro' +p135085 +sg25273 +S'lithograph (zinc) on pink Chine colle paper' +p135086 +sg25275 +S'1896' +p135087 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009db8.jpg' +p135088 +sg25267 +g27 +sa(dp135089 +g25273 +S'color monotype' +p135090 +sg25267 +g27 +sg25275 +S'1949' +p135091 +sg25268 +S'Still Life with Cat and Goldfishes' +p135092 +sg25270 +S'Bernard Reder' +p135093 +sa(dp135094 +g25268 +S'Der Tod als Freund' +p135095 +sg25270 +S'Alfred Rethel' +p135096 +sg25273 +S'wood engraving' +p135097 +sg25275 +S'1851' +p135098 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b3c3.jpg' +p135099 +sg25267 +g27 +sa(dp135100 +g25268 +S'Der Tod als Erwurger' +p135101 +sg25270 +S'Alfred Rethel' +p135102 +sg25273 +S'wood engraving' +p135103 +sg25275 +S'1851' +p135104 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b3c4.jpg' +p135105 +sg25267 +g27 +sa(dp135106 +g25273 +S'wood engraving [restrike printed in 1949 by Max Kahn]' +p135107 +sg25267 +g27 +sg25275 +S'unknown date\n' +p135108 +sg25268 +S'Saint John the Baptist' +p135109 +sg25270 +S'Georges Rouault' +p135110 +sa(dp135111 +g25268 +S'Hercules and Antaeus' +p135112 +sg25270 +S'Gabriel Salmon' +p135113 +sg25273 +S'woodcut' +p135114 +sg25275 +S'unknown date\n' +p135115 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a0008370.jpg' +p135116 +sg25267 +g27 +sa(dp135117 +g25268 +S'Hercules and the Nemean Lion' +p135118 +sg25270 +S'Gabriel Salmon' +p135119 +sg25273 +S'woodcut' +p135120 +sg25275 +S'unknown date\n' +p135121 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a000837b.jpg' +p135122 +sg25267 +g27 +sa(dp135123 +g25268 +S'The Death of Hercules' +p135124 +sg25270 +S'Gabriel Salmon' +p135125 +sg25273 +S'woodcut' +p135126 +sg25275 +S'unknown date\n' +p135127 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a0008386.jpg' +p135128 +sg25267 +g27 +sa(dp135129 +g25268 +S'Saint Jost' +p135130 +sg25270 +S'Artist Information (' +p135131 +sg25273 +S'German, active c. 1460/1480' +p135132 +sg25275 +S'(related artist)' +p135133 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a514.jpg' +p135134 +sg25267 +g27 +sa(dp135135 +g25268 +S'Hercules Carrying Off the Cattle of Geryon' +p135136 +sg25270 +S'Gabriel Salmon' +p135137 +sg25273 +S'woodcut' +p135138 +sg25275 +S'unknown date\n' +p135139 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a0008391.jpg' +p135140 +sg25267 +g27 +sa(dp135141 +g25273 +S'color woodcut' +p135142 +sg25267 +g27 +sg25275 +S'1949' +p135143 +sg25268 +S'Christmas Card' +p135144 +sg25270 +S'Louis Schanker' +p135145 +sa(dp135146 +g25273 +S'woodcut' +p135147 +sg25267 +g27 +sg25275 +S'1914' +p135148 +sg25268 +S'Melancholy (Melancholie)' +p135149 +sg25270 +S'Karl Schmidt-Rottluff' +p135150 +sa(dp135151 +g25268 +S'The Griffin' +p135152 +sg25270 +S'Martin Schongauer' +p135153 +sg25273 +S'engraving' +p135154 +sg25275 +S'c. 1480/1490' +p135155 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000fa3.jpg' +p135156 +sg25267 +g27 +sa(dp135157 +g25273 +S'etching' +p135158 +sg25267 +g27 +sg25275 +S'1672' +p135159 +sg25268 +S'Veue du Chasteau de Blois' +p135160 +sg25270 +S'Isra\xc3\xabl Silvestre' +p135161 +sa(dp135162 +g25273 +S'French, 1621 - 1691' +p135163 +sg25267 +g27 +sg25275 +S'(artist)' +p135164 +sg25268 +S'Works by Israel Silvestre and Various Artists' +p135165 +sg25270 +S'Artist Information (' +p135166 +sa(dp135167 +g25273 +S'etching' +p135168 +sg25267 +g27 +sg25275 +S'1676' +p135169 +sg25268 +S'Veue du Chasteau de Chambor, du coste du parc' +p135170 +sg25270 +S'Isra\xc3\xabl Silvestre' +p135171 +sa(dp135172 +g25273 +S'etching' +p135173 +sg25267 +g27 +sg25275 +S'1678' +p135174 +sg25268 +S"Veue du Chasteau de Chambor, du coste de l'entree" +p135175 +sg25270 +S'Isra\xc3\xabl Silvestre' +p135176 +sa(dp135177 +g25273 +S'etching' +p135178 +sg25267 +g27 +sg25275 +S'1670' +p135179 +sg25268 +S'Veue et perspectiue du Colege des 4 nations' +p135180 +sg25270 +S'Isra\xc3\xabl Silvestre' +p135181 +sa(dp135182 +g25273 +S'etching' +p135183 +sg25267 +g27 +sg25275 +S'1667' +p135184 +sg25268 +S'Veue de la cour du cheual blanc de fontaine Belleau' +p135185 +sg25270 +S'Isra\xc3\xabl Silvestre' +p135186 +sa(dp135187 +g25268 +S'Saint Margaret' +p135188 +sg25270 +S'Artist Information (' +p135189 +sg25273 +S'German, active c. 1440/1470' +p135190 +sg25275 +S'(related artist)' +p135191 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a512.jpg' +p135192 +sg25267 +g27 +sa(dp135193 +g25273 +S'etching' +p135194 +sg25267 +g27 +sg25275 +S'1679' +p135195 +sg25268 +S'Veue du Chasteau de Fontainebleau, du coste du Jardin' +p135196 +sg25270 +S'Isra\xc3\xabl Silvestre' +p135197 +sa(dp135198 +g25273 +S'etching' +p135199 +sg25267 +g27 +sg25275 +S'1678' +p135200 +sg25268 +S'Veue du Chasteau de Fontainebleau, du coste du grand canal' +p135201 +sg25270 +S'Isra\xc3\xabl Silvestre' +p135202 +sa(dp135203 +g25273 +S'engraving' +p135204 +sg25267 +g27 +sg25275 +S'1666' +p135205 +sg25268 +S"Veue de l'Estang de Fontainebleau" +p135206 +sg25270 +S'Isra\xc3\xabl Silvestre' +p135207 +sa(dp135208 +g25273 +S'engraving' +p135209 +sg25267 +g27 +sg25275 +S'unknown date\n' +p135210 +sg25268 +S'Veue du chasteau de Fontainebleau, du coste des Jardins' +p135211 +sg25270 +S'Isra\xc3\xabl Silvestre' +p135212 +sa(dp135213 +g25273 +S'engraving' +p135214 +sg25267 +g27 +sg25275 +S'unknown date\n' +p135215 +sg25268 +S'Veue du chasteau de Fontainebleau, du coste du Jardin' +p135216 +sg25270 +S'Isra\xc3\xabl Silvestre' +p135217 +sa(dp135218 +g25273 +S'engraving' +p135219 +sg25267 +g27 +sg25275 +S'1667' +p135220 +sg25268 +S'Plan du Chasteau de St. Germain en Laye' +p135221 +sg25270 +S'Isra\xc3\xabl Silvestre' +p135222 +sa(dp135223 +g25273 +S'engraving' +p135224 +sg25267 +g27 +sg25275 +S'1666' +p135225 +sg25268 +S'Veue du Chasteau neuf de St. Germain en Laye,du coste de la riviere' +p135226 +sg25270 +S'Isra\xc3\xabl Silvestre' +p135227 +sa(dp135228 +g25273 +S'engraving' +p135229 +sg25267 +g27 +sg25275 +S'unknown date\n' +p135230 +sg25268 +S'Veue du Chasteau de Jametz' +p135231 +sg25270 +S'Isra\xc3\xabl Silvestre' +p135232 +sa(dp135233 +g25273 +S'engraving' +p135234 +sg25267 +g27 +sg25275 +S'1673' +p135235 +sg25268 +S'Veue du Chasteau de Marimont' +p135236 +sg25270 +S'Isra\xc3\xabl Silvestre' +p135237 +sa(dp135238 +g25273 +S'engraving' +p135239 +sg25267 +g27 +sg25275 +S'1670' +p135240 +sg25268 +S'Profil de la ville et forteresse du Marsal' +p135241 +sg25270 +S'Isra\xc3\xabl Silvestre' +p135242 +sa(dp135243 +g25268 +S'Saint Sebastian' +p135244 +sg25270 +S'German 15th Century' +p135245 +sg25273 +S'Schreiber, no. 2727, State a' +p135246 +sg25275 +S'\nmetalcut, hand-colored in green, rose, and yellow' +p135247 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a516.jpg' +p135248 +sg25267 +g27 +sa(dp135249 +g25273 +S'engraving' +p135250 +sg25267 +g27 +sg25275 +S'1667' +p135251 +sg25268 +S'Profil de la ville de Metz en Lorraine veue du coste de la porte Mazel' +p135252 +sg25270 +S'Isra\xc3\xabl Silvestre' +p135253 +sa(dp135254 +g25273 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("Ich will alles um mich her ausrotten, was mich einschrankt, das ich nicht Herr bin." (I.Akt, 1.Szene))' +p136214 +sg25270 +S'George Grosz' +p136215 +sa(dp136216 +g25273 +S'transfer lithograph' +p136217 +sg25267 +g27 +sg25275 +S'1920/1921' +p136218 +sg25268 +S'"Under my rule it shall be brought to pass, that potatoes and small-beer shall be con sidered a holiday treat; and woe to him who meets my eye with the audacious front of health. Haggard want, and crouching fear, are my insignia; and in this livery I will clothe ye."("In meinem Gebiet soll\'s soweit kommen, das Kartoffeln und Dunnbier ein Traktament fur Festtage werden, und wehe dem, der mir mit vollen feurigen Backen unter die Augen tritt! Blasse der Armut und sklavische Furcht sind meine Leibf arbe; in diese Livrei will ich euch kleiden." (II.Akt, 2.Szene))' +p136219 +sg25270 +S'George Grosz' +p136220 +sa(dp136221 +g25273 +S'transfer lithograph' +p136222 +sg25267 +g27 +sg25275 +S'1922' +p136223 +sg25268 +S'"Poor hare! Thou playest but a sorry part in this world\'s drama, but your worshipful lords must needs have hares!"("Es ist doch eine jammerliche Rolle, der Hase sein zu mussen auf dieser Welt - Aber der gnadige Herr braucht Hasen." (I.Akt, 1.Szene))' +p136224 +sg25270 +S'George Grosz' +p136225 +sa(dp136226 +g25273 +S'transfer lithograph' +p136227 +sg25267 +g27 +sg25275 +S'1922' +p136228 +sg25268 +S'"I have done my part ... the plunder is your affair." ("Ich habe das Meine getan ... Das Plundern ist eure Sache!" (II.Akt, 3.Szene))' +p136229 +sg25270 +S'George Grosz' +p136230 +sa(dp136231 +g25273 +S'transfer lithograph' +p136232 +sg25267 +g27 +sg25275 +S'1921' +p136233 +sg25268 +S'"Even lions and tigers nourish their young. Ravens feast their brood on carrion." ("Lowen und Leoparden futtern ihre Jungen, Raben tischen ihren Kleinen auf ..." (I.Akt, 2.Szene))' +p136234 +sg25270 +S'George Grosz' +p136235 +sa(dp136236 +g25273 +S'transfer lithograph' +p136237 +sg25267 +g27 +sg25275 +S'1922' +p136238 +sg25268 +S'"The blessing of heaven is visibly upon me." ("Gottes sichtbarer Segen ist bei mir." (II.Akt, 3.Szene))' +p136239 +sg25270 +S'George Grosz' +p136240 +sa(dp136241 +g25273 +S'transfer lithograph' +p136242 +sg25267 +g27 +sg25275 +S'1921/1922' +p136243 +sg25268 +S'"They thunder forth from their clouds about gentleness and forbearance, while they sacrifice human victims to the God of love." ("Da donnern sie Sanftmut und Duldung aus ihren Wolken und bringen dem Gott der Liebe Menschenopfer." (II.Akt, 3.Szene))' +p136244 +sg25270 +S'George Grosz' +p136245 +sa(dp136246 +g25273 +S'transfer lithograph' +p136247 +sg25267 +g27 +sg25275 +S'1921' +p136248 +sg25268 +S'"Let those swim who can - the heavy may sink." ("Schwimme, wer schwimmen kann, und wer zu plump ist, geh\' unter!" (I.Akt, 1.Szene))' +p136249 +sg25270 +S'George Grosz' +p136250 +sa(dp136251 +g25273 +S'transfer lithograph' +p136252 +sg25267 +g27 +sg25275 +S'1921/1922' +p136253 +sg25268 +S'"Right is with the strongest." ("Das Recht wohnet beim Uberwaltiger." (I.Akt, 1.Szene))' +p136254 +sg25270 +S'George Grosz' +p136255 +sa(dp136256 +g25273 +S'transfer lithograph on blue-green portfolio cover; title page for series kept within cover' +p136257 +sg25267 +g27 +sg25275 +S'1922' +p136258 +sg25268 +S'"I will root up from my path whatever obstructs my progress toward becoming the master." ("Ich will alles um mich her ausrotten, was mich einschrankt, das ich nicht Herr bin." (I.Akt, 1.Szene))' +p136259 +sg25270 +S'George Grosz' +p136260 +sa(dp136261 +g25268 +S'The Entombment of Christ' +p136262 +sg25270 +S'Fra Angelico' +p136263 +sg25273 +S', c. 1450' +p136264 +sg25275 +S'\n' +p136265 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00025/a00025e7.jpg' +p136266 +sg25267 +g27 +sa(dp136267 +g25268 +S'The Sudarium' +p136268 +sg25270 +S'German 15th Century' +p136269 +sg25273 +S'Schreiber, no. 2811, State z' +p136270 +sg25275 +S'\npaste print' +p136271 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a470.jpg' +p136272 +sg25267 +g27 +sa(dp136273 +g25273 +S'lithograph (see discussion in Duckers 1979, p.185, MI,6)' +p136274 +sg25267 +g27 +sg25275 +S'1915/1916' +p136275 +sg25268 +S'Suburb (Vorstadt)' +p136276 +sg25270 +S'George Grosz' +p136277 +sa(dp136278 +g25273 +S'lithograph' +p136279 +sg25267 +g27 +sg25275 +S'1919' +p136280 +sg25268 +S"The Neighbor's Daughter or Spring Fever (Nachbars Lenchen oder Fruhlings Erwachen)" +p136281 +sg25270 +S'George Grosz' +p136282 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+sg25270 +S'Christian Rohlfs' +p136794 +sa(dp136795 +g25268 +S'Christ as the Man of Sorrows' +p136796 +sg25270 +S'Netherlandish 15th Century' +p136797 +sg25273 +S'Schreiber, Vol. IX, no. 875, State m' +p136798 +sg25275 +S'\nhand-colored woodcut' +p136799 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cceb.jpg' +p136800 +sg25267 +g27 +sa(dp136801 +g25268 +S'Return of the Prodigal Son' +p136802 +sg25270 +S'Christian Rohlfs' +p136803 +sg25273 +S'woodcut' +p136804 +sg25275 +S'1916' +p136805 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c4/a000c4b9.jpg' +p136806 +sg25267 +g27 +sa(dp136807 +g25268 +S'Deliberation (Beratung)' +p136808 +sg25270 +S'Christian Rohlfs' +p136809 +sg25273 +S'woodcut in green with black crayon' +p136810 +sg25275 +S'1913' +p136811 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b7/a000b75c.jpg' +p136812 +sg25267 +g27 +sa(dp136813 +g25268 +S'Deliberation (Beratung)' +p136814 +sg25270 +S'Christian Rohlfs' +p136815 +sg25273 +S'woodcut in blue' +p136816 +sg25275 +S'1913' +p136817 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b7/a000b75b.jpg' +p136818 +sg25267 +g27 +sa(dp136819 +g25268 +S'Frontispiece: The Dregs of Society (Les bas-fonds de la societe)' +p136820 +sg25270 +S'F\xc3\xa9licien Rops' +p136821 +sg25273 +S'etching' +p136822 +sg25275 +S'1864' +p136823 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d8/a000d818.jpg' +p136824 +sg25267 +g27 +sa(dp136825 +g25268 +S'The Falconer (La fauconniere)' +p136826 +sg25270 +S'F\xc3\xa9licien Rops' +p136827 +sg25273 +S'etching' +p136828 +sg25275 +S'unknown date\n' +p136829 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d8/a000d80d.jpg' +p136830 +sg25267 +g27 +sa(dp136831 +g25268 +S'The Sparrow of Lesbie (Le moineau de Lesbie)' +p136832 +sg25270 +S'F\xc3\xa9licien Rops' +p136833 +sg25273 +S'etching' +p136834 +sg25275 +S'unknown date\n' +p136835 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d8/a000d80e.jpg' +p136836 +sg25267 +g27 +sa(dp136837 +g25268 +S'Oude-Kate' +p136838 +sg25270 +S'F\xc3\xa9licien Rops' +p136839 +sg25273 +S'etching' +p136840 +sg25275 +S'unknown date\n' +p136841 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d8/a000d803.jpg' +p136842 +sg25267 +g27 +sa(dp136843 +g25268 +S'Le Rydeack' +p136844 +sg25270 +S'F\xc3\xa9licien Rops' +p136845 +sg25273 +S'etching' +p136846 +sg25275 +S'unknown date\n' +p136847 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d8/a000d806.jpg' +p136848 +sg25267 +g27 +sa(dp136849 +g25268 +S"Satan Sowing Tare (Satan semant l'ivraie)" +p136850 +sg25270 +S'F\xc3\xa9licien Rops' +p136851 +sg25273 +S'aquatint and etching' +p136852 +sg25275 +S'unknown date\n' +p136853 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00060/a000601a.jpg' +p136854 +sg25267 +g27 +sa(dp136855 +g25268 +S'Madonna and Child with Saint Peter and Saint John the Evangelist [left panel]' +p136856 +sg25270 +S'Nardo di Cione' +p136857 +sg25273 +S'tempera on panel' +p136858 +sg25275 +S'probably c. 1360' +p136859 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000b/a0000b37.jpg' +p136860 +sg25267 +S'Nardo, who with brothers \n Nardo’s Virgin, despite her soft expression, appears removed\r\n from human\r\n concerns. Bright, artificial colors separate her from the real\r\n world, and\r\n the stiff saints on either side underscore her hierarchical\r\n importance.\r\n Around the middle of the fourteenth century, Florentine artists\r\n like Nardo\r\n and his brothers abandoned the human concerns and naturalism of\r\n Giotto. For\r\n several decades the older, traditional styles again predominated.\r\n Art\r\n historians continue to debate why this occurred. Perhaps Giotto’s\r\n work was\r\n only appreciated, as Petrarch believed, by a small, educated\r\n elite.\n Perhaps intensified religious sentiment following the plague of\r\n 1348—when up to half the population of Italian cities died \r\n within a few weeks—prompted this conservatism. Or perhaps the\r\n deaths of so many artists and patrons changed the nature of \r\n commissions and workshop practice.\n ' +p136861 +sa(dp136862 +g25268 +S'Madonna and Child' +p136863 +sg25270 +S'German 16th Century' +p136864 +sg25273 +S'Rosenwald Collection' +p136865 +sg25275 +S'\nwoodcut' +p136866 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a79c.jpg' +p136867 +sg25267 +g27 +sa(dp136868 +g25273 +S'woodcut' +p136869 +sg25267 +g27 +sg25275 +S'1921' +p136870 +sg25268 +S'Woman in the Woods (Frau im Wald)' +p136871 +sg25270 +S'Karl Schmidt-Rottluff' +p136872 +sa(dp136873 +g25273 +S'woodcut' +p136874 +sg25267 +g27 +sg25275 +S'1919' +p136875 +sg25268 +S'Russian Landscape (Russische Landschaft)' +p136876 +sg25270 +S'Karl Schmidt-Rottluff' +p136877 +sa(dp136878 +g25273 +S'woodcut' +p136879 +sg25267 +g27 +sg25275 +S'1913' +p136880 +sg25268 +S'Woman with Unbound Hair (Frau mit aufgelostemHaar)' +p136881 +sg25270 +S'Karl Schmidt-Rottluff' +p136882 +sa(dp136883 +g25273 +S'woodcut' +p136884 +sg25267 +g27 +sg25275 +S'1920' +p136885 +sg25268 +S'Lovers (Liebespaar)' +p136886 +sg25270 +S'Karl Schmidt-Rottluff' +p136887 +sa(dp136888 +g25273 +S'woodcut' +p136889 +sg25267 +g27 +sg25275 +S'1914' +p136890 +sg25268 +S'Three at a Table (Drei am Tisch)' +p136891 +sg25270 +S'Karl Schmidt-Rottluff' +p136892 +sa(dp136893 +g25273 +S'woodcut' +p136894 +sg25267 +g27 +sg25275 +S'1921' +p136895 +sg25268 +S'Hay Harvest (Heurnte)' +p136896 +sg25270 +S'Karl Schmidt-Rottluff' +p136897 +sa(dp136898 +g25268 +S'Evening (Le soir)' +p136899 +sg25270 +S'Paul Signac' +p136900 +sg25273 +S'5-color lithograph' +p136901 +sg25275 +S'1898' +p136902 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bb6.jpg' +p136903 +sg25267 +g27 +sa(dp136904 +g25268 +S'In the Park' +p136905 +sg25270 +S'Henri Edmond Cross' +p136906 +sg25273 +S'color lithograph' +p136907 +sg25275 +S'unknown date\n' +p136908 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00091/a00091c0.jpg' +p136909 +sg25267 +g27 +sa(dp136910 +g25273 +S'lithograph' +p136911 +sg25267 +g27 +sg25275 +S'unknown date\n' +p136912 +sg25268 +S'Girl Seated' +p136913 +sg25270 +S'Ren\xc3\xa9e Sintenis' +p136914 +sa(dp136915 +g25273 +S'lithograph' +p136916 +sg25267 +g27 +sg25275 +S'unknown date\n' +p136917 +sg25268 +S'Profile of a Woman' +p136918 +sg25270 +S'Ren\xc3\xa9e Sintenis' +p136919 +sa(dp136920 +g25268 +S'The Man of Sorrows' +p136921 +sg25270 +S'Artist Information (' +p136922 +sg25273 +g27 +sg25275 +S'(artist)' +p136923 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cc/a000ccee.jpg' +p136924 +sg25267 +g27 +sa(dp136925 +g25268 +S'Self-Portrait' +p136926 +sg25270 +S'Max Slevogt' +p136927 +sg25273 +S'drypoint on Japan paper' +p136928 +sg25275 +S'unknown date\n' +p136929 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b3e5.jpg' +p136930 +sg25267 +g27 +sa(dp136931 +g25273 +S'lithograph' +p136932 +sg25267 +g27 +sg25275 +S'unknown date\n' +p136933 +sg25268 +S'Leopold Prunystar?' +p136934 +sg25270 +S'Eugene Spiro' +p136935 +sa(dp136936 +g25273 +S'lithograph' +p136937 +sg25267 +g27 +sg25275 +S'unknown date\n' +p136938 +sg25268 +S'Arthur Schnabel' +p136939 +sg25270 +S'Eugene Spiro' +p136940 +sa(dp136941 +g25273 +S'drypoint and roulette' +p136942 +sg25267 +g27 +sg25275 +S'c. 1914' +p136943 +sg25268 +S'Coffee House' +p136944 +sg25270 +S'Jakob Steinhardt' +p136945 +sa(dp136946 +g25273 +S'drypoint' +p136947 +sg25267 +g27 +sg25275 +S'c. 1913' +p136948 +sg25268 +S'Fuchs' +p136949 +sg25270 +S'Jakob Steinhardt' +p136950 +sa(dp136951 +g25273 +S'drypoint' +p136952 +sg25267 +g27 +sg25275 +S'1913' +p136953 +sg25268 +S'Head of an Old Jew' +p136954 +sg25270 +S'Jakob Steinhardt' +p136955 +sa(dp136956 +g25273 +S'drypoint' +p136957 +sg25267 +g27 +sg25275 +S'1913' +p136958 +sg25268 +S'Praying Jews' +p136959 +sg25270 +S'Jakob Steinhardt' +p136960 +sa(dp136961 +g25273 +S'drypoint and roulette' +p136962 +sg25267 +g27 +sg25275 +S'1914' +p136963 +sg25268 +S'Mortality' +p136964 +sg25270 +S'Jakob Steinhardt' +p136965 +sa(dp136966 +g25273 +S'drypoint' +p136967 +sg25267 +g27 +sg25275 +S'1913' +p136968 +sg25268 +S'Fugitive' +p136969 +sg25270 +S'Jakob Steinhardt' +p136970 +sa(dp136971 +g25273 +S'drypoint' +p136972 +sg25267 +g27 +sg25275 +S'1923' +p136973 +sg25268 +S'Hermann Struck' +p136974 +sg25270 +S'Jakob Steinhardt' +p136975 +sa(dp136976 +g25268 +S'The Lamentation' +p136977 +sg25270 +S'German 15th Century' +p136978 +sg25273 +S'Schreiber, no. 515' +p136979 +sg25275 +S'\nwoodcut, hand-colored in green, red, pink, yellow, and gold' +p136980 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a535.jpg' +p136981 +sg25267 +g27 +sa(dp136982 +g25273 +S'drypoint' +p136983 +sg25267 +g27 +sg25275 +S'1920' +p136984 +sg25268 +S'Lovis Corinth' +p136985 +sg25270 +S'Hermann Struck' +p136986 +sa(dp136987 +g25273 +S'etching' +p136988 +sg25267 +g27 +sg25275 +S'unknown date\n' +p136989 +sg25268 +S'Oskar Fried' +p136990 +sg25270 +S'Hermann Struck' +p136991 +sa(dp136992 +g25268 +S'Calm Excursion' +p136993 +sg25270 +S'Hans Thoma' +p136994 +sg25273 +S'etching' +p136995 +sg25275 +S'1919' +p136996 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b3d1.jpg' +p136997 +sg25267 +g27 +sa(dp136998 +g25273 +S'color lithograph' +p136999 +sg25267 +g27 +sg25275 +S'unknown date\n' +p137000 +sg25268 +S'Christ and the Woman of Samaria' +p137001 +sg25270 +S'Hans Thoma' +p137002 +sa(dp137003 +g25273 +S'lithograph' +p137004 +sg25267 +g27 +sg25275 +S'1900' +p137005 +sg25268 +S'Landscape' +p137006 +sg25270 +S'Hans Thoma' +p137007 +sa(dp137008 +g25268 +S'Self-Portrait II' +p137009 +sg25270 +S'Hans Thoma' +p137010 +sg25273 +S'etching' +p137011 +sg25275 +S'1898' +p137012 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b3d0.jpg' +p137013 +sg25267 +g27 +sa(dp137014 +g25268 +S'Self-Portrait VI with Flower' +p137015 +sg25270 +S'Hans Thoma' +p137016 +sg25273 +S'etching' +p137017 +sg25275 +S'1909' +p137018 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b3cf.jpg' +p137019 +sg25267 +g27 +sa(dp137020 +g25273 +S'color lithograph' +p137021 +sg25267 +g27 +sg25275 +S'1909' +p137022 +sg25268 +S'Sorrento' +p137023 +sg25270 +S'Hans Thoma' +p137024 +sa(dp137025 +g25268 +S'Anna Held and Baldy (Anna Held et Baldy)' +p137026 +sg25270 +S'Henri de Toulouse-Lautrec' +p137027 +sg25273 +S'lithograph in black on velin paper' +p137028 +sg25275 +S'1896' +p137029 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a0/a000a048.jpg' +p137030 +sg25267 +g27 +sa(dp137031 +g25268 +S'Bust of Mlle. Marcelle Lender (Mlle. Marcelle Lender, en buste)' +p137032 +sg25270 +S'Henri de Toulouse-Lautrec' +p137033 +sg25273 +S'color lithograph' +p137034 +sg25275 +S'1895' +p137035 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00067/a0006744.jpg' +p137036 +sg25267 +g27 +sa(dp137037 +g25268 +S'Madonna and Child in a Glory Standing on a Crescent Moon' +p137038 +sg25270 +S'German 15th Century' +p137039 +sg25273 +S'Schreiber, no. 1095' +p137040 +sg25275 +S'\nwoodcut in dark brown, hand-colored in rose, green, yellow, blue, brown, gold, and orange' +p137041 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a522.jpg' +p137042 +sg25267 +g27 +sa(dp137043 +g25268 +S'Last Ballad (Ultime ballade)' +p137044 +sg25270 +S'Henri de Toulouse-Lautrec' +p137045 +sg25273 +S'lithograph in black on China paper' +p137046 +sg25275 +S'1893' +p137047 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009e/a0009e38.jpg' +p137048 +sg25267 +g27 +sa(dp137049 +g25268 +S'Your Mouth (Ta bouche)' +p137050 +sg25270 +S'Henri de Toulouse-Lautrec' +p137051 +sg25273 +S'lithograph in olive green on China paper' +p137052 +sg25275 +S'1893' +p137053 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009e/a0009e3e.jpg' +p137054 +sg25267 +g27 +sa(dp137055 +g25268 +S'Zimmerman et sa machine (Zimmerman and His Machine)' +p137056 +sg25270 +S'Henri de Toulouse-Lautrec' +p137057 +sg25273 +S'lithograph in gray on velin paper' +p137058 +sg25275 +S'1895' +p137059 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009e/a0009ea9.jpg' +p137060 +sg25267 +g27 +sa(dp137061 +g25273 +S', 1921' +p137062 +sg25267 +g27 +sg25275 +S'\n' +p137063 +sg25268 +S'Einstein' +p137064 +sg25270 +S'Julius C. Turner' +p137065 +sa(dp137066 +g25268 +S'Spira' +p137067 +sg25270 +S'Heinrich Wolff' +p137068 +sg25273 +S'mezzotint' +p137069 +sg25275 +S'unknown date\n' +p137070 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b3ea.jpg' +p137071 +sg25267 +g27 +sa(dp137072 +g25268 +S'Madame Simon, II' +p137073 +sg25270 +S'Anders Zorn' +p137074 +sg25273 +S'etching' +p137075 +sg25275 +S'1891' +p137076 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed27.jpg' +p137077 +sg25267 +g27 +sa(dp137078 +g25268 +S'Edouard Manet, Bust-Length Portrait (Manet en buste)' +p137079 +sg25270 +S'Edgar Degas' +p137080 +sg25273 +S'etching, drypoint, and aquatint in red-brown on wove paper' +p137081 +sg25275 +S'c. 1861' +p137082 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a00097ff.jpg' +p137083 +sg25267 +g27 +sa(dp137084 +g25268 +S'The Deposition' +p137085 +sg25270 +S'Jean Duvet' +p137086 +sg25273 +S'engraving' +p137087 +sg25275 +S'c. 1550' +p137088 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a00083fc.jpg' +p137089 +sg25267 +g27 +sa(dp137090 +g25268 +S'Henry II as the Victorious Saint Michael' +p137091 +sg25270 +S'Jean Duvet' +p137092 +sg25273 +S'engraving' +p137093 +sg25275 +S'probably 1548' +p137094 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00084/a00084d9.jpg' +p137095 +sg25267 +g27 +sa(dp137096 +g25268 +S'Divine Infant with the Globe in a Circle with Four Angels' +p137097 +sg25270 +S'Netherlandish 15th Century' +p137098 +sg25273 +S'Schreiber, undescribed' +p137099 +sg25275 +S'\nwoodcut' +p137100 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cc/a000ccec.jpg' +p137101 +sg25267 +g27 +sa(dp137102 +g25268 +S'La Majeste Royale' +p137103 +sg25270 +S'Jean Duvet' +p137104 +sg25273 +S'engraving' +p137105 +sg25275 +S'probably 1548' +p137106 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00084/a00084d7.jpg' +p137107 +sg25267 +g27 +sa(dp137108 +g25268 +S'The Martyrdom of Saint John the Evangelist' +p137109 +sg25270 +S'Jean Duvet' +p137110 +sg25273 +S'engraving' +p137111 +sg25275 +S'1546/1556' +p137112 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00084/a0008406.jpg' +p137113 +sg25267 +g27 +sa(dp137114 +g25268 +S'Moses Surrounded by the Patriarchs' +p137115 +sg25270 +S'Jean Duvet' +p137116 +sg25273 +S'engraving' +p137117 +sg25275 +S'c. 1555' +p137118 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a00083f2.jpg' +p137119 +sg25267 +g27 +sa(dp137120 +g25268 +S'Adam van Noort' +p137121 +sg25270 +S'Sir Anthony van Dyck' +p137122 +sg25273 +S'etching and engraving' +p137123 +sg25275 +S'probably 1626/1641' +p137124 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d0e3.jpg' +p137125 +sg25267 +g27 +sa(dp137126 +g25268 +S'Jan Bruegel the Elder' +p137127 +sg25270 +S'Sir Anthony van Dyck' +p137128 +sg25273 +S'etching and engraving' +p137129 +sg25275 +S'probably 1626/1641' +p137130 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d0ea.jpg' +p137131 +sg25267 +g27 +sa(dp137132 +g25268 +S'Philippe le Roy, Lord of Ravels' +p137133 +sg25270 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+S'http://www.nga.gov:80/thumb-l/a0009f/a0009f65.jpg' +p137155 +sg25267 +g27 +sa(dp137156 +g25268 +S'Allegorical Theme: Combat of Animals' +p137157 +sg25270 +S'Master of the Beheading of St. John the Baptist' +p137158 +sg25273 +S'engraving' +p137159 +sg25275 +S'c. 1515/1520' +p137160 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c831.jpg' +p137161 +sg25267 +g27 +sa(dp137162 +g25268 +S'Christ on the Cross between the Two Thieves' +p137163 +sg25270 +S'German 15th Century' +p137164 +sg25273 +S'Schreiber, Vol. IX, no. 965, State b' +p137165 +sg25275 +S'\nwoodcut, hand-colored in blue, pink, ochre, green,and gold' +p137166 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a543.jpg' +p137167 +sg25267 +g27 +sa(dp137168 +g25268 +S'The Madonna and Child on the Crescent Supported by Four Angels' +p137169 +sg25270 +S'Israhel van Meckenem' +p137170 +sg25273 +S'engraving' +p137171 +sg25275 +S'c. 1490/1500' +p137172 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a450.jpg' +p137173 +sg25267 +g27 +sa(dp137174 +g25268 +S'Christ' +p137175 +sg25270 +S'Odilon Redon' +p137176 +sg25273 +S'lithograph' +p137177 +sg25275 +S'1887' +p137178 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009fd3.jpg' +p137179 +sg25267 +g27 +sa(dp137180 +g25268 +S'Elle tire de sa poitrine une eponge toute noire, la couvre de baisers (She draws from her bosom a sponge, perfectly black, and covers it with kisses)' +p137181 +sg25270 +S'Odilon Redon' +p137182 +sg25273 +S'lithograph' +p137183 +sg25275 +S'1896' +p137184 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c9a.jpg' +p137185 +sg25267 +g27 +sa(dp137186 +g25268 +S'Hantise (Obsession)' +p137187 +sg25270 +S'Odilon Redon' +p137188 +sg25273 +S'lithograph' +p137189 +sg25275 +S'1894' +p137190 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c93.jpg' +p137191 +sg25267 +g27 +sa(dp137192 +g25268 +S'Le Liseur (The reader)' +p137193 +sg25270 +S'Odilon Redon' +p137194 +sg25273 +S'lithograph' +p137195 +sg25275 +S'1892' +p137196 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009fcc.jpg' +p137197 +sg25267 +g27 +sa(dp137198 +g25268 +S"Quand s'eveillait la Vie au Fon de la matiere obscure (When life was awakening in the depths of obscure matter" +p137199 +sg25270 +S'Odilon Redon' +p137200 +sg25273 +S'lithograph' +p137201 +sg25275 +S'1883' +p137202 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c7e.jpg' +p137203 +sg25267 +g27 +sa(dp137204 +g25268 +S'Il y eut peut-etre une vision premiere essayee dans la fleur (There was perhaps a first vision attempted in the flower' +p137205 +sg25270 +S'Odilon Redon' +p137206 +sg25273 +S'lithograph' +p137207 +sg25275 +S'1883' +p137208 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c7b.jpg' +p137209 +sg25267 +g27 +sa(dp137210 +g25268 +S'Le Polype difforme flottait sur les rivages, sorte de cyclope souriant et hideux (Thedeformed polyp floated on the shores, a sort of smiling and hideous Cyclops' +p137211 +sg25270 +S'Odilon Redon' +p137212 +sg25273 +S'lithograph' +p137213 +sg25275 +S'1883' +p137214 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c7c.jpg' +p137215 +sg25267 +g27 +sa(dp137216 +g25268 +S'La sirene sortit des flots vetue de dards (The Siren clothed in barbs, emerged from the waves' +p137217 +sg25270 +S'Odilon Redon' +p137218 +sg25273 +S'lithograph' +p137219 +sg25275 +S'1883' +p137220 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c82.jpg' +p137221 +sg25267 +g27 +sa(dp137222 +g25268 +S'Christ on the Cross' +p137223 +sg25270 +S'German 15th Century' +p137224 +sg25273 +S'Schreiber, no. 466' +p137225 +sg25275 +S'\nwoodcut, hand-colored in yellow ocher, green, and red-orange' +p137226 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a532.jpg' +p137227 +sg25267 +g27 +sa(dp137228 +g25268 +S'Le Satyre au cynique sourire (The Satyr with the cynical smile)' +p137229 +sg25270 +S'Odilon Redon' +p137230 +sg25273 +S'lithograph' +p137231 +sg25275 +S'1883' +p137232 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c7d.jpg' +p137233 +sg25267 +g27 +sa(dp137234 +g25268 +S'Il y eut des luttes et des vaines victoires (There were struggles and vain victories)' +p137235 +sg25270 +S'Odilon Redon' +p137236 +sg25273 +S'lithograph' +p137237 +sg25275 +S'1883' +p137238 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c80.jpg' +p137239 +sg25267 +g27 +sa(dp137240 +g25268 +S"L'Aile impuissante n'eleva point la bete en ces noirs espaces (The impotent wing did not lift the animal into that black space" +p137241 +sg25270 +S'Odilon Redon' +p137242 +sg25273 +S'lithograph' +p137243 +sg25275 +S'1883' +p137244 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c81.jpg' +p137245 +sg25267 +g27 +sa(dp137246 +g25268 +S"Et l'homme parut, interrogeant le sol d'ou il sort et qui l'attire, il se fraya la voie vers (And Man appeared; questioning theearth from which he emerged and which attracts hi m, he made his way toward somber brightness)" +p137247 +sg25270 +S'Odilon Redon' +p137248 +sg25273 +S'lithograph' +p137249 +sg25275 +S'1883' +p137250 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c7f.jpg' +p137251 +sg25267 +g27 +sa(dp137252 +g25268 +S"Passage d'une Ame (Passage of a Spirit)" +p137253 +sg25270 +S'Odilon Redon' +p137254 +sg25273 +S'etching' +p137255 +sg25275 +S'1891' +p137256 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a00099b8.jpg' +p137257 +sg25267 +g27 +sa(dp137258 +g25268 +S"C'etait un voile, un empriente (It was a veil, an imprint)" +p137259 +sg25270 +S'Odilon Redon' +p137260 +sg25273 +S'lithograph' +p137261 +sg25275 +S'1891' +p137262 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c8c.jpg' +p137263 +sg25267 +g27 +sa(dp137264 +g25268 +S"Et la-bas l'idole astrale, l'Apotheose (And beyond, the star idol, the apotheosis)" +p137265 +sg25270 +S'Odilon Redon' +p137266 +sg25273 +S'lithograph' +p137267 +sg25275 +S'1891' +p137268 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c8e.jpg' +p137269 +sg25267 +g27 +sa(dp137270 +g25268 +S"Lueur precaire, une tete a l'infini suspendue(Precarious glimmering, a head suspended" +p137271 +sg25270 +S'Odilon Redon' +p137272 +sg25273 +S'lithograph' +p137273 +sg25275 +S'1891' +p137274 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c90.jpg' +p137275 +sg25267 +g27 +sa(dp137276 +g25268 +S"Sous l'aile d'ombre, l'etre noir appliquait une active morsure (Beneath the wing of shadow the black creature was biting energetically)" +p137277 +sg25270 +S'Odilon Redon' +p137278 +sg25273 +S'lithograph' +p137279 +sg25275 +S'1891' +p137280 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c8d.jpg' +p137281 +sg25267 +g27 +sa(dp137282 +g25268 +S'P\xc3\xa9lerin du monde sublunaire (Pilgrim of the sublunary world)' +p137283 +sg25270 +S'Odilon Redon' +p137284 +sg25273 +S'lithograph' +p137285 +sg25275 +S'1891' +p137286 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c8f.jpg' +p137287 +sg25267 +g27 +sa(dp137288 +g25268 +S'Allegory of the Eucharist' +p137289 +sg25270 +S'German 15th Century' +p137290 +sg25273 +S'Schreiber, Vol. IX, no. 1843, State a' +p137291 +sg25275 +S'\nwoodcut, hand-colored in orange, green, tan, pink,lt. blue, and red' +p137292 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a596.jpg' +p137293 +sg25267 +g27 +sa(dp137294 +g25268 +S'Le Jour (Day)' +p137295 +sg25270 +S'Odilon Redon' +p137296 +sg25273 +S'lithograph' +p137297 +sg25275 +S'1891' +p137298 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f093.jpg' +p137299 +sg25267 +g27 +sa(dp137300 +g25268 +S'Yeux Clos (Closed Eyes)' +p137301 +sg25270 +S'Odilon Redon' +p137302 +sg25273 +S'lithograph' +p137303 +sg25275 +S'1890' +p137304 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009fd0.jpg' +p137305 +sg25267 +g27 +sa(dp137306 +g25268 +S"Bust of a Man Wearing a High Cap, Three-Quarters Right (The Artist's Father?)" +p137307 +sg25270 +S'Rembrandt van Rijn' +p137308 +sg25273 +S'etching' +p137309 +sg25275 +S'1630' +p137310 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d3/a000d383.jpg' +p137311 +sg25267 +g27 +sa(dp137312 +g25268 +S'The Flight into Egypt: Small' +p137313 +sg25270 +S'Rembrandt van Rijn' +p137314 +sg25273 +S'etching' +p137315 +sg25275 +S'1633' +p137316 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d2/a000d2e2.jpg' +p137317 +sg25267 +g27 +sa(dp137318 +g25268 +S'The Flight into Egypt: Altered from Seghers' +p137319 +sg25270 +S'Rembrandt van Rijn' +p137320 +sg25273 +S'etching, burin and drypoint' +p137321 +sg25275 +S'c. 1653' +p137322 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d545.jpg' +p137323 +sg25267 +g27 +sa(dp137324 +g25268 +S'The Fourth Oriental Head' +p137325 +sg25270 +S'Artist Information (' +p137326 +sg25273 +S'(artist)' +p137327 +sg25275 +S'\n' +p137328 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0001e/a0001e45.jpg' +p137329 +sg25267 +g27 +sa(dp137330 +g25268 +S'The Large Lion Hunt' +p137331 +sg25270 +S'Rembrandt van Rijn' +p137332 +sg25273 +S'etching' +p137333 +sg25275 +S'1641' +p137334 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d548.jpg' +p137335 +sg25267 +g27 +sa(dp137336 +g25268 +S'Self-Portrait in a Heavy Fur Cap' +p137337 +sg25270 +S'Rembrandt van Rijn' +p137338 +sg25273 +S'etching' +p137339 +sg25275 +S'1631' +p137340 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d2/a000d2c5.jpg' +p137341 +sg25267 +g27 +sa(dp137342 +g25268 +S'Sick Woman with a Large White Headdress (Saskia)' +p137343 +sg25270 +S'Rembrandt van Rijn' +p137344 +sg25273 +S'etching, with touches of drypoint' +p137345 +sg25275 +S'c. 1641/1642' +p137346 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00053/a00053b6.jpg' +p137347 +sg25267 +g27 +sa(dp137348 +g25268 +S'The Skater' +p137349 +sg25270 +S'Rembrandt van Rijn' +p137350 +sg25273 +S'etching and drypoint' +p137351 +sg25275 +S'c. 1639' +p137352 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d3/a000d31e.jpg' +p137353 +sg25267 +g27 +sa(dp137354 +g25268 +S'Saint George' +p137355 +sg25270 +S'German 15th Century' +p137356 +sg25273 +S'Schreiber, undescribed' +p137357 +sg25275 +S'\nhand-colored woodcut' +p137358 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a5aa.jpg' +p137359 +sg25267 +g27 +sa(dp137360 +g25268 +S'The Sleeping Herdsman' +p137361 +sg25270 +S'Rembrandt van Rijn' +p137362 +sg25273 +S'etching and burin' +p137363 +sg25275 +S'c. 1644' +p137364 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d3/a000d33b.jpg' +p137365 +sg25267 +g27 +sa(dp137366 +g25273 +S'(author)' +p137367 +sg25267 +g27 +sg25275 +S'\n' +p137368 +sg25268 +S'Alte Marchen' +p137369 +sg25270 +S'Artist Information (' +p137370 +sa(dp137371 +g25273 +S'lithograph' +p137372 +sg25267 +g27 +sg25275 +S'published 1920' +p137373 +sg25268 +S'Alte Marchen' +p137374 +sg25270 +S'Max Slevogt' +p137375 +sa(dp137376 +g25273 +S'engraving' +p137377 +sg25267 +g27 +sg25275 +S'1603' +p137378 +sg25268 +S'Title Page for R. Knolles Generall Historie of the Turkes' +p137379 +sg25270 +S'George Keller' +p137380 +sa(dp137381 +g25273 +S', unknown date' +p137382 +sg25267 +g27 +sg25275 +S'\n' +p137383 +sg25268 +S'Sir Philip Sidney' +p137384 +sg25270 +S'Crispijn van de Passe II' +p137385 +sa(dp137386 +g25273 +S', unknown date' +p137387 +sg25267 +g27 +sg25275 +S'\n' +p137388 +sg25268 +S'Elizabeth, Queen of England' +p137389 +sg25270 +S'Crispijn van de Passe I' +p137390 +sa(dp137391 +g25273 +S', 1592' +p137392 +sg25267 +g27 +sg25275 +S'\n' +p137393 +sg25268 +S'Elizabeth, Queen of England' +p137394 +sg25270 +S'Crispijn van de Passe I' +p137395 +sa(dp137396 +g25273 +S', unknown date' +p137397 +sg25267 +g27 +sg25275 +S'\n' +p137398 +sg25268 +S'Elizabeth, Queen of England' +p137399 +sg25270 +S'Crispijn van de Passe I' +p137400 +sa(dp137401 +g25273 +S', unknown date' +p137402 +sg25267 +g27 +sg25275 +S'\n' +p137403 +sg25268 +S'Elizabeth, Queen of England' +p137404 +sg25270 +S'Crispijn van de Passe I' +p137405 +sa(dp137406 +g25273 +S', 1600' +p137407 +sg25267 +g27 +sg25275 +S'\n' +p137408 +sg25268 +S'Maurice of Nassau, Prince of Orange' +p137409 +sg25270 +S'Crispijn van de Passe I' +p137410 +sa(dp137411 +g25268 +S'Saint Christopher' +p137412 +sg25270 +S'Artist Information (' +p137413 +sg25273 +g27 +sg25275 +S'(artist)' +p137414 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a793.jpg' +p137415 +sg25267 +g27 +sa(dp137416 +g25273 +S', 1600' +p137417 +sg25267 +g27 +sg25275 +S'\n' +p137418 +sg25268 +S'Maurice of Nassau, Prince of Orange' +p137419 +sg25270 +S'Crispijn van de Passe I' +p137420 +sa(dp137421 +g25273 +S', 1604' +p137422 +sg25267 +g27 +sg25275 +S'\n' +p137423 +sg25268 +S'Albert of Austria, Governor of the Southern Netherlands' +p137424 +sg25270 +S'Crispijn van de Passe I' +p137425 +sa(dp137426 +g25273 +S', 1613' +p137427 +sg25267 +g27 +sg25275 +S'\n' +p137428 +sg25268 +S'James I, King of England' +p137429 +sg25270 +S'Crispijn van de Passe I' +p137430 +sa(dp137431 +g25273 +S', unknown date' +p137432 +sg25267 +g27 +sg25275 +S'\n' +p137433 +sg25268 +S'James I, King of England' +p137434 +sg25270 +S'Crispijn van de Passe I' +p137435 +sa(dp137436 +g25273 +S'Dutch, c. 1565 - 1637' +p137437 +sg25267 +g27 +sg25275 +S'(related artist)' +p137438 +sg25268 +S'Charles I, Prince of Wales' +p137439 +sg25270 +S'Artist Information (' +p137440 +sa(dp137441 +g25273 +S', unknown date' +p137442 +sg25267 +g27 +sg25275 +S'\n' +p137443 +sg25268 +S'Elizabeth, Princess, Wife of the Elector Palatine Frederick V, King of Bohemia' +p137444 +sg25270 +S'Crispijn van de Passe I' +p137445 +sa(dp137446 +g25273 +S', unknown date' +p137447 +sg25267 +g27 +sg25275 +S'\n' +p137448 +sg25268 +S'Elizabeth, Princess, Wife of the Elector Palatine Frederick V, King of Bohemia' +p137449 +sg25270 +S'Crispijn van de Passe I' +p137450 +sa(dp137451 +g25273 +S', unknown date' +p137452 +sg25267 +g27 +sg25275 +S'\n' +p137453 +sg25268 +S'Frederick V, Elector Palatine, Later King of Bohemia' +p137454 +sg25270 +S'Crispijn van de Passe I' +p137455 +sa(dp137456 +g25273 +S', unknown date' +p137457 +sg25267 +g27 +sg25275 +S'\n' +p137458 +sg25268 +S'Frederick V, Elector Palatine, Later King of Bohemia' +p137459 +sg25270 +S'Crispijn van de Passe I' +p137460 +sa(dp137461 +g25273 +S', 1624' +p137462 +sg25267 +g27 +sg25275 +S'\n' +p137463 +sg25268 +S'Thomas Scott' +p137464 +sg25270 +S'Crispijn van de Passe I' +p137465 +sa(dp137466 +g25268 +S'Madonna and Child with Saint Peter and Saint John the Evangelist [middle panel]' +p137467 +sg25270 +S'Nardo di Cione' +p137468 +sg25273 +S'tempera on panel' +p137469 +sg25275 +S'probably c. 1360' +p137470 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000f5/a000f5b2.jpg' +p137471 +sg25267 +g27 +sa(dp137472 +g25268 +S'Saint Christopher' +p137473 +sg25270 +S'Artist Information (' +p137474 +sg25273 +g27 +sg25275 +S'(artist)' +p137475 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a794.jpg' +p137476 +sg25267 +g27 +sa(dp137477 +g25273 +S', 1624' +p137478 +sg25267 +g27 +sg25275 +S'\n' +p137479 +sg25268 +S'Thomas Scott' +p137480 +sg25270 +S'Crispijn van de Passe I' +p137481 +sa(dp137482 +g25273 +S', 1624' +p137483 +sg25267 +g27 +sg25275 +S'\n' +p137484 +sg25268 +S'Thomas Scott' +p137485 +sg25270 +S'Crispijn van de Passe I' +p137486 +sa(dp137487 +g25273 +S', 1624' +p137488 +sg25267 +g27 +sg25275 +S'\n' +p137489 +sg25268 +S'Vox Dei, by Thomas Scott' +p137490 +sg25270 +S'Crispijn van de Passe I' +p137491 +sa(dp137492 +g25273 +S', 1624' +p137493 +sg25267 +g27 +sg25275 +S'\n' +p137494 +sg25268 +S'Vox Dei, by Thomas Scott' +p137495 +sg25270 +S'Crispijn van de Passe I' +p137496 +sa(dp137497 +g25273 +S', 1624' +p137498 +sg25267 +g27 +sg25275 +S'\n' +p137499 +sg25268 +S'Vox Regis, by Thomas Scott' +p137500 +sg25270 +S'Crispijn van de Passe I' +p137501 +sa(dp137502 +g25273 +S', 1624' +p137503 +sg25267 +g27 +sg25275 +S'\n' +p137504 +sg25268 +S'Title Page for Vox Populi Eoricum, by Thomas Scott' +p137505 +sg25270 +S'Crispijn van de Passe I' +p137506 +sa(dp137507 +g25273 +S', 1624' +p137508 +sg25267 +g27 +sg25275 +S'\n' +p137509 +sg25268 +S'Title Page for Vox Populi Eoricum, by Thomas Scott' +p137510 +sg25270 +S'Crispijn van de Passe I' +p137511 +sa(dp137512 +g25273 +S', 1624' +p137513 +sg25267 +g27 +sg25275 +S'\n' +p137514 +sg25268 +S'The Spanish Parliament from Vox Populi Eoricum, by Thomas Scott' +p137515 +sg25270 +S'Crispijn van de Passe I' +p137516 +sa(dp137517 +g25273 +S', 1624' +p137518 +sg25267 +g27 +sg25275 +S'\n' +p137519 +sg25268 +S'True Portraiture of the Jesuits and Priests from Vox Populi, by Thomas Scott' +p137520 +sg25270 +S'Crispijn van de Passe I' +p137521 +sa(dp137522 +g25273 +S'letter press [first published, 1578]' +p137523 +sg25267 +g27 +sg25275 +S'published 1675' +p137524 +sg25268 +S'Title Page to De Origine Moribus by Joanne Leslaeo' +p137525 +sg25270 +S'Unknown 19th Century' +p137526 +sa(dp137527 +g25268 +S'The Lamentation' +p137528 +sg25270 +S'German 15th Century' +p137529 +sg25273 +S'Schreiber, Vol. IX, no. 506, State x' +p137530 +sg25275 +S'\nwoodcut, hand-colored in red, green, and yellow' +p137531 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a52d.jpg' +p137532 +sg25267 +g27 +sa(dp137533 +g25273 +S'etching' +p137534 +sg25267 +g27 +sg25275 +S'published 1675' +p137535 +sg25268 +S'Fergus I of Scotland With Geneology' +p137536 +sg25270 +S'Unknown 19th Century' +p137537 +sa(dp137538 +g25273 +S'etching' +p137539 +sg25267 +g27 +sg25275 +S'published 1675' +p137540 +sg25268 +S'Donald I of Scotland with Geneology' +p137541 +sg25270 +S'Unknown 19th Century' +p137542 +sa(dp137543 +g25273 +S'etching' +p137544 +sg25267 +g27 +sg25275 +S'published 1675' +p137545 +sg25268 +S'Fergus II of Scotland with Geneology' +p137546 +sg25270 +S'Unknown 19th Century' +p137547 +sa(dp137548 +g25273 +S'etching' +p137549 +sg25267 +g27 +sg25275 +S'published 1675' +p137550 +sg25268 +S'Achaius of Scotland, with Geneology' +p137551 +sg25270 +S'Unknown 19th Century' +p137552 +sa(dp137553 +g25273 +S'etching' +p137554 +sg25267 +g27 +sg25275 +S'published 1675' +p137555 +sg25268 +S'Malcolm III with Geneology' +p137556 +sg25270 +S'Unknown 19th Century' +p137557 +sa(dp137558 +g25273 +S'engraving' +p137559 +sg25267 +g27 +sg25275 +S'published 1675' +p137560 +sg25268 +S'Robert de Bruce VIII, King of Scotland' +p137561 +sg25270 +S'Unknown 19th Century' +p137562 +sa(dp137563 +g25273 +S'etching' +p137564 +sg25267 +g27 +sg25275 +S'published 1675' +p137565 +sg25268 +S'James II of Scotland with Geneology of the Stuarts' +p137566 +sg25270 +S'Unknown 19th Century' +p137567 +sa(dp137568 +g25273 +S'etching' +p137569 +sg25267 +g27 +sg25275 +S'published 1675' +p137570 +sg25268 +S'James V of Scotland with Geneology' +p137571 +sg25270 +S'Unknown 19th Century' +p137572 +sa(dp137573 +g25273 +S'etching' +p137574 +sg25267 +g27 +sg25275 +S'published 1675' +p137575 +sg25268 +S'Family Tree of the Stuarts Stemming From Banquho' +p137576 +sg25270 +S'Unknown 19th Century' +p137577 +sa(dp137578 +g25273 +S'etching' +p137579 +sg25267 +g27 +sg25275 +S'published 1675' +p137580 +sg25268 +S'Mary Queen of Scots with James VI of Scotlandand I of England' +p137581 +sg25270 +S'Unknown 19th Century' +p137582 +sa(dp137583 +g25268 +S'Saint Barbara' +p137584 +sg25270 +S'German 15th Century' +p137585 +sg25273 +S'Schreiber, Vol. IX, no. 1252, State m' +p137586 +sg25275 +S'\nwoodcut, hand-colored in brown, lavender, and blue' +p137587 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a552.jpg' +p137588 +sg25267 +g27 +sa(dp137589 +g25273 +S'etching and engraving' +p137590 +sg25267 +g27 +sg25275 +S'published 1675' +p137591 +sg25268 +S'Coat of Arms -- Mary, Queen of Scots' +p137592 +sg25270 +S'Unknown 19th Century' +p137593 +sa(dp137594 +g25273 +S'engraving [first published, 1602]' +p137595 +sg25267 +g27 +sg25275 +S'published 1603' +p137596 +sg25268 +S'Stuart Coat of Arms from Vera Descriptio by John Jonston' +p137597 +sg25270 +S'Unknown 19th Century' +p137598 +sa(dp137599 +g25273 +S'facsimile' +p137600 +sg25267 +g27 +sg25275 +S'unknown date\n' +p137601 +sg25268 +S'Later Copy of the Arms of Scotland' +p137602 +sg25270 +S'Unknown 19th Century' +p137603 +sa(dp137604 +g25273 +S'engraving [first published, 1602]' +p137605 +sg25267 +g27 +sg25275 +S'published 1603' +p137606 +sg25268 +S'Robert II, King of Scotland' +p137607 +sg25270 +S'Unknown 19th Century' +p137608 +sa(dp137609 +g25273 +S'engraving [first published, 1602]' +p137610 +sg25267 +g27 +sg25275 +S'published 1603' +p137611 +sg25268 +S'Robert III, King of Scotland' +p137612 +sg25270 +S'Unknown 19th Century' +p137613 +sa(dp137614 +g25273 +S'engraving [first published, 1602]' +p137615 +sg25267 +g27 +sg25275 +S'published 1603' +p137616 +sg25268 +S'James I, King of Scotland' +p137617 +sg25270 +S'Unknown 19th Century' +p137618 +sa(dp137619 +g25273 +S'engraving [first published, 1602]' +p137620 +sg25267 +g27 +sg25275 +S'published 1603' +p137621 +sg25268 +S'James II, King of Scotland' +p137622 +sg25270 +S'Unknown 19th Century' +p137623 +sa(dp137624 +g25273 +S'engraving [first published, 1602]' +p137625 +sg25267 +g27 +sg25275 +S'published 1603' +p137626 +sg25268 +S'James III, King of Scotland' +p137627 +sg25270 +S'Unknown 19th Century' +p137628 +sa(dp137629 +g25273 +S'engraving [first published, 1602]' +p137630 +sg25267 +g27 +sg25275 +S'published 1603' +p137631 +sg25268 +S'James IV, King of Scotland' +p137632 +sg25270 +S'Unknown 19th Century' +p137633 +sa(dp137634 +g25273 +S'engraving [first published, 1602]' +p137635 +sg25267 +g27 +sg25275 +S'published 1603' +p137636 +sg25268 +S'James V, King of Scotland' +p137637 +sg25270 +S'Unknown 19th Century' +p137638 +sa(dp137639 +g25268 +S'Saint Michael' +p137640 +sg25270 +S'German 15th Century' +p137641 +sg25273 +S'Schreiber, Vol. IX, no. 1627, State m' +p137642 +sg25275 +S'\nwoodcut, hand-colored in olive green, rose, yellow, tan, gray, and blue' +p137643 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a5b1.jpg' +p137644 +sg25267 +g27 +sa(dp137645 +g25273 +S'engraving [first published, 1602]' +p137646 +sg25267 +g27 +sg25275 +S'published 1602' +p137647 +sg25268 +S'Mary, Queen of Scots' +p137648 +sg25270 +S'Unknown 19th Century' +p137649 +sa(dp137650 +g25273 +S'engraving [first published, 1602]' +p137651 +sg25267 +g27 +sg25275 +S'published 1603' +p137652 +sg25268 +S'James VI, King of Scotland' +p137653 +sg25270 +S'Unknown 19th Century' +p137654 +sa(dp137655 +g25273 +S'engraving [first published, 1602)' +p137656 +sg25267 +g27 +sg25275 +S'published 1602' +p137657 +sg25268 +S'Anne of Denmark, Queen of James VI of Scotland' +p137658 +sg25270 +S'Unknown 19th Century' +p137659 +sa(dp137660 +g25273 +S'engraving' +p137661 +sg25267 +g27 +sg25275 +S'unknown date\n' +p137662 +sg25268 +S'James I of England and James VI of Scotland' +p137663 +sg25270 +S'Unknown 19th Century' +p137664 +sa(dp137665 +g25273 +S'engraving' +p137666 +sg25267 +g27 +sg25275 +S'unknown date\n' +p137667 +sg25268 +S'Anne of Denmark' +p137668 +sg25270 +S'Unknown 19th Century' +p137669 +sa(dp137670 +g25273 +S'engraving' +p137671 +sg25267 +g27 +sg25275 +S'unknown date\n' +p137672 +sg25268 +S'Anne of Denmark' +p137673 +sg25270 +S'Unknown 19th Century' +p137674 +sa(dp137675 +g25273 +S'engraving' +p137676 +sg25267 +g27 +sg25275 +S'unknown date\n' +p137677 +sg25268 +S'James I and Prince Henry Frederick' +p137678 +sg25270 +S'Unknown 19th Century' +p137679 +sa(dp137680 +g25273 +S'engraving' +p137681 +sg25267 +g27 +sg25275 +S'published 1613' +p137682 +sg25268 +S'Charles I, at 13 Years of Age' +p137683 +sg25270 +S'Unknown 19th Century' +p137684 +sa(dp137685 +g25273 +S'engraving' +p137686 +sg25267 +g27 +sg25275 +S'unknown date\n' +p137687 +sg25268 +S'James I and Anne of Denmark' +p137688 +sg25270 +S'Johan Wierix' +p137689 +sa(dp137690 +g25273 +S'engraving' +p137691 +sg25267 +g27 +sg25275 +S'unknown date\n' +p137692 +sg25268 +S'James I' +p137693 +sg25270 +S'Johan Wierix' +p137694 +sa(dp137695 +g25268 +S'Christ on the Cross' +p137696 +sg25270 +S'Artist Information (' +p137697 +sg25273 +S'Flemish, active c. 1480/1500' +p137698 +sg25275 +S'(artist)' +p137699 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c737.jpg' +p137700 +sg25267 +g27 +sa(dp137701 +g25273 +S'engraving' +p137702 +sg25267 +g27 +sg25275 +S'unknown date\n' +p137703 +sg25268 +S'Anne of Denmark' +p137704 +sg25270 +S'Johan Wierix' +p137705 +sa(dp137706 +g25273 +S'Flemish, c. 1553 - 1619' +p137707 +sg25267 +g27 +sg25275 +S'(artist after)' +p137708 +sg25268 +S'James I and Anne of Denmark' +p137709 +sg25270 +S'Artist Information (' +p137710 +sa(dp137711 +g25273 +S'Flemish, c. 1553 - 1619' +p137712 +sg25267 +g27 +sg25275 +S'(artist after)' +p137713 +sg25268 +S'James I' +p137714 +sg25270 +S'Artist Information (' +p137715 +sa(dp137716 +g25273 +S', unknown date' +p137717 +sg25267 +g27 +sg25275 +S'\n' +p137718 +sg25268 +S'Anne of Denmark' +p137719 +sg25270 +S'Cornelis Boel' +p137720 +sa(dp137721 +g25273 +S'engraving' +p137722 +sg25267 +g27 +sg25275 +S'unknown date\n' +p137723 +sg25268 +S'Charles I with the 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+S'engraving' +p137773 +sg25267 +g27 +sg25275 +S'unknown date\n' +p137774 +sg25268 +S'Sir Julius Caesar, Master of the Roules' +p137775 +sg25270 +S'Renold Elstrack' +p137776 +sa(dp137777 +g25273 +S'engraving' +p137778 +sg25267 +g27 +sg25275 +S'unknown date\n' +p137779 +sg25268 +S'Christian IV of Denmark' +p137780 +sg25270 +S'Renold Elstrack' +p137781 +sa(dp137782 +g25273 +S'engraving' +p137783 +sg25267 +g27 +sg25275 +S'unknown date\n' +p137784 +sg25268 +S'Henry Stuart, Lord Darnley' +p137785 +sg25270 +S'Renold Elstrack' +p137786 +sa(dp137787 +g25273 +S'engraving' +p137788 +sg25267 +g27 +sg25275 +S'unknown date\n' +p137789 +sg25268 +S'Henry Stuart, Lord Darnley' +p137790 +sg25270 +S'Renold Elstrack' +p137791 +sa(dp137792 +g25273 +S'engraving' +p137793 +sg25267 +g27 +sg25275 +S'unknown date\n' +p137794 +sg25268 +S'Marc Antonis De Dominis' +p137795 +sg25270 +S'Renold Elstrack' +p137796 +sa(dp137797 +g25273 +S'engraving' +p137798 +sg25267 +g27 +sg25275 +S'unknown date\n' +p137799 +sg25268 +S'Marc Antonis De Dominis' +p137800 +sg25270 +S'Renold Elstrack' +p137801 +sa(dp137802 +g25273 +S'engraving' +p137803 +sg25267 +g27 +sg25275 +S'unknown date\n' +p137804 +sg25268 +S'Marc Antonis De Dominis' +p137805 +sg25270 +S'Renold Elstrack' +p137806 +sa(dp137807 +g25268 +S"Christ Washing the Apostles' Feet" +p137808 +sg25270 +S'German 15th Century' +p137809 +sg25273 +S'Schreiber, Vol. IX, no. 164, State c' +p137810 +sg25275 +S'\nwoodcut, hand-colored in tan, green, rose, and yellow' +p137811 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a503.jpg' +p137812 +sg25267 +g27 +sa(dp137813 +g25273 +S'engraving' +p137814 +sg25267 +g27 +sg25275 +S'unknown date\n' +p137815 +sg25268 +S'Frederick Christian of Denmark' +p137816 +sg25270 +S'Renold Elstrack' +p137817 +sa(dp137818 +g25273 +S'engraving' +p137819 +sg25267 +g27 +sg25275 +S'unknown date\n' +p137820 +sg25268 +S'Frederick Christian of Denmark' +p137821 +sg25270 +S'Renold Elstrack' +p137822 +sa(dp137823 +g25273 +S'engraving' 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+sg25275 +S'unknown date\n' +p137850 +sg25268 +S'Sir Thomas Overbury' +p137851 +sg25270 +S'Renold Elstrack' +p137852 +sa(dp137853 +g25273 +S'engraving' +p137854 +sg25267 +g27 +sg25275 +S'unknown date\n' +p137855 +sg25268 +S'Edmond Shaffield, First Earl of Malgrave' +p137856 +sg25270 +S'Renold Elstrack' +p137857 +sa(dp137858 +g25273 +S'engraving' +p137859 +sg25267 +g27 +sg25275 +S'unknown date\n' +p137860 +sg25268 +S'Jon van Olden-Bernevelt' +p137861 +sg25270 +S'Renold Elstrack' +p137862 +sa(dp137863 +g25268 +S'The Virgin in a Robe Embroidered with Ears of Corn' +p137864 +sg25270 +S'German 15th Century' +p137865 +sg25273 +S'sheet: 8.5 x 6.6 cm (3 3/8 x 2 5/8 in.)' +p137866 +sg25275 +S'\nwoodcut, hand-colored in blue, green, orange, yellow, rose, and gold' +p137867 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a546.jpg' +p137868 +sg25267 +g27 +sa(dp137869 +g25273 +S'engraving' +p137870 +sg25267 +g27 +sg25275 +S'unknown date\n' +p137871 +sg25268 +S'William Perkins, D.D.' +p137872 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+g25273 +S'engraving' +p137900 +sg25267 +g27 +sg25275 +S'unknown date\n' +p137901 +sg25268 +S'Thomas Howard, First Earl of Suffolk' +p137902 +sg25270 +S'Renold Elstrack' +p137903 +sa(dp137904 +g25273 +S'engraving' +p137905 +sg25267 +g27 +sg25275 +S'unknown date\n' +p137906 +sg25268 +S'Thomas Sutton, Founder of the Charterhouse' +p137907 +sg25270 +S'Renold Elstrack' +p137908 +sa(dp137909 +g25273 +S'engraving' +p137910 +sg25267 +g27 +sg25275 +S'unknown date\n' +p137911 +sg25268 +S'Sir Richard Whittington' +p137912 +sg25270 +S'Renold Elstrack' +p137913 +sa(dp137914 +g25273 +S'engraving' +p137915 +sg25267 +g27 +sg25275 +S'unknown date\n' +p137916 +sg25268 +S'Sir Richard Whittington' +p137917 +sg25270 +S'Renold Elstrack' +p137918 +sa(dp137919 +g25268 +S'The Virgin in a Robe Embroidered with Ears of Corn' +p137920 +sg25270 +S'German 15th Century' +p137921 +sg25273 +S'sheet: 8.8 x 6.6 cm (3 7/16 x 2 5/8 in.)' +p137922 +sg25275 +S'\nwoodcut, hand-colored in gray, rose, yellow, red, blue, 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James I, an Opera' +p137963 +sg25270 +S'Renold Elstrack' +p137964 +sa(dp137965 +g25273 +S'engraving' +p137966 +sg25267 +g27 +sg25275 +S'published 1621' +p137967 +sg25268 +S'Title Page. English Catechisme by John Mayer' +p137968 +sg25270 +S'Renold Elstrack' +p137969 +sa(dp137970 +g25273 +S'engraving' +p137971 +sg25267 +g27 +sg25275 +S'published 1652' +p137972 +sg25268 +S'Title Page to Sir Walter Raleigh, History of the World' +p137973 +sg25270 +S'Renold Elstrack' +p137974 +sa(dp137975 +g25268 +S'The Visitation' +p137976 +sg25270 +S'German 15th Century' +p137977 +sg25273 +S'Schreiber, Vol. IX, no. 56, State m' +p137978 +sg25275 +S'\nwoodcut in dark brown, hand-colored in red, yellow, green, lt. blue, pink, blue, gold, orange' +p137979 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a504.jpg' +p137980 +sg25267 +g27 +sa(dp137981 +g25273 +S'engraving' +p137982 +sg25267 +g27 +sg25275 +S'unknown date\n' +p137983 +sg25268 +S'Title Page. Jean de Serres, Generall Historieof France' +p137984 +sg25270 +S'Renold Elstrack' +p137985 +sa(dp137986 +g25273 +S'engraving' +p137987 +sg25267 +g27 +sg25275 +S'unknown date\n' +p137988 +sg25268 +S'Domini Robert Episcopi Salisbury (Robert Abbot, Bishop of Salisbury)' +p137989 +sg25270 +S'Francis Delaram' +p137990 +sa(dp137991 +g25273 +S'engraving' +p137992 +sg25267 +g27 +sg25275 +S'unknown date\n' +p137993 +sg25268 +S'Catherine Mannes' +p137994 +sg25270 +S'Francis Delaram' +p137995 +sa(dp137996 +g25273 +S'engraving' +p137997 +sg25267 +g27 +sg25275 +S'published 1622' +p137998 +sg25268 +S'Willmus Burton de Falde (William Burton de Falde)' +p137999 +sg25270 +S'Francis Delaram' +p138000 +sa(dp138001 +g25273 +S'engraving' +p138002 +sg25267 +g27 +sg25275 +S'published 1616' +p138003 +sg25268 +S'Charles I, as Prince of Wales' +p138004 +sg25270 +S'Francis Delaram' +p138005 +sa(dp138006 +g25273 +S'engraving' +p138007 +sg25267 +g27 +sg25275 +S'published 1616' +p138008 +sg25268 +S'Charles I, as Prince of Wales' +p138009 +sg25270 +S'Francis Delaram' +p138010 +sa(dp138011 +g25273 +S'engraving' +p138012 +sg25267 +g27 +sg25275 +S'published 1630' +p138013 +sg25268 +S'Queen Elizabeth' +p138014 +sg25270 +S'Francis Delaram' +p138015 +sa(dp138016 +g25273 +S'engraving' +p138017 +sg25267 +g27 +sg25275 +S'published 1630' +p138018 +sg25268 +S'Queen Elizabeth' +p138019 +sg25270 +S'Francis Delaram' +p138020 +sa(dp138021 +g25273 +S'engraving' +p138022 +sg25267 +g27 +sg25275 +S'unknown date\n' +p138023 +sg25268 +S'Elizabeth, Queen of Bohemia' +p138024 +sg25270 +S'Francis Delaram' +p138025 +sa(dp138026 +g25273 +S'engraving' +p138027 +sg25267 +g27 +sg25275 +S'unknown date\n' +p138028 +sg25268 +S'Frederick V, King of Bohemia' +p138029 +sg25270 +S'Francis Delaram' +p138030 +sa(dp138031 +g25268 +S'Madonna and Child with Saint Peter and Saint John the Evangelist [right panel]' +p138032 +sg25270 +S'Nardo di Cione' +p138033 +sg25273 +S'tempera on panel' +p138034 +sg25275 +S'probably c. 1360' +p138035 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000f5/a000f5b3.jpg' +p138036 +sg25267 +g27 +sa(dp138037 +g25268 +S'Saint Augustine' +p138038 +sg25270 +S'German 15th Century' +p138039 +sg25273 +S'Schreiber, Vol. IX, no. 1246, State m' +p138040 +sg25275 +S'\nwoodcut, hand-colored in red lake, black, blue, green, yellow, gold, and orange' +p138041 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a619.jpg' +p138042 +sg25267 +g27 +sa(dp138043 +g25273 +S'engraving' +p138044 +sg25267 +g27 +sg25275 +S'unknown date\n' +p138045 +sg25268 +S'Frederick V, King of Bohemia' +p138046 +sg25270 +S'Francis Delaram' +p138047 +sa(dp138048 +g25273 +S'engraving' +p138049 +sg25267 +g27 +sg25275 +S'unknown date\n' +p138050 +sg25268 +S'Prince Frederick Henry' +p138051 +sg25270 +S'Francis Delaram' +p138052 +sa(dp138053 +g25273 +S'engraving' +p138054 +sg25267 +g27 +sg25275 +S'unknown date\n' +p138055 +sg25268 +S'Sir Thomas Grisham' +p138056 +sg25270 +S'Francis Delaram' +p138057 +sa(dp138058 +g25273 +S'engraving' +p138059 +sg25267 +g27 +sg25275 +S'unknown date\n' +p138060 +sg25268 +S'Thomae Gresham, Equi. 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+S', unknown date' +p138293 +sg25267 +g27 +sg25275 +S'\n' +p138294 +sg25268 +S'Sir Francis Bacon' +p138295 +sg25270 +S'Simon van de Passe' +p138296 +sa(dp138297 +g25273 +S', unknown date' +p138298 +sg25267 +g27 +sg25275 +S'\n' +p138299 +sg25268 +S'Thomas, First Baron Coventry' +p138300 +sg25270 +S'Simon van de Passe' +p138301 +sa(dp138302 +g25273 +S', unknown date' +p138303 +sg25267 +g27 +sg25275 +S'\n' +p138304 +sg25268 +S'Sir Francis Bacon' +p138305 +sg25270 +S'Simon van de Passe' +p138306 +sa(dp138307 +g25273 +S', unknown date' +p138308 +sg25267 +g27 +sg25275 +S'\n' +p138309 +sg25268 +S'Sir Francis Bacon' +p138310 +sg25270 +S'Crispijn van de Passe II' +p138311 +sa(dp138312 +g25273 +S', unknown date' +p138313 +sg25267 +g27 +sg25275 +S'\n' +p138314 +sg25268 +S'Sir Francis Bacon' +p138315 +sg25270 +S'Crispijn van de Passe II' +p138316 +sa(dp138317 +g25268 +S'Man Walking Towards a Grave' +p138318 +sg25270 +S'German 15th Century' +p138319 +sg25273 +S'Schreiber, undescribed' +p138320 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+sa(dp138394 +g25273 +S', unknown date' +p138395 +sg25267 +g27 +sg25275 +S'\n' +p138396 +sg25268 +S'Christian, Duke of Brunswick' +p138397 +sg25270 +S'Simon van de Passe' +p138398 +sa(dp138399 +g25273 +S', unknown date' +p138400 +sg25267 +g27 +sg25275 +S'\n' +p138401 +sg25268 +S'Christian, Duke of Brunswick' +p138402 +sg25270 +S'Simon van de Passe' +p138403 +sa(dp138404 +g25273 +S', unknown date' +p138405 +sg25267 +g27 +sg25275 +S'\n' +p138406 +sg25268 +S'George Villiers, First Duke of Buckingham' +p138407 +sg25270 +S'Simon van de Passe' +p138408 +sa(dp138409 +g25273 +S', unknown date' +p138410 +sg25267 +g27 +sg25275 +S'\n' +p138411 +sg25268 +S'George Villiers, First Duke of Buckingham' +p138412 +sg25270 +S'Simon van de Passe' +p138413 +sa(dp138414 +g25273 +S', unknown date' +p138415 +sg25267 +g27 +sg25275 +S'\n' +p138416 +sg25268 +S'James Hay, First Earl of Carlisle' +p138417 +sg25270 +S'Simon van de Passe' +p138418 +sa(dp138419 +g25273 +S', published 1616' +p138420 +sg25267 +g27 +sg25275 +S'\n' +p138421 +sg25268 +S'Charles I, King of England as Duke of York' +p138422 +sg25270 +S'Simon van de Passe' +p138423 +sa(dp138424 +g25273 +S', published 1619' +p138425 +sg25267 +g27 +sg25275 +S'\n' +p138426 +sg25268 +S'Charles I, King of England, as Prince of Wales' +p138427 +sg25270 +S'Simon van de Passe' +p138428 +sa(dp138429 +g25268 +S'Monogram JHS in a Flaming Circle' +p138430 +sg25270 +S'German 15th Century' +p138431 +sg25273 +S'Schreiber, Vol. IX, no. 1819, State p' +p138432 +sg25275 +S'\nwoodcut, hand-colored in red, green, yellow, and lavender-pink' +p138433 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a59b.jpg' +p138434 +sg25267 +g27 +sa(dp138435 +g25273 +S', unknown date' +p138436 +sg25267 +g27 +sg25275 +S'\n' +p138437 +sg25268 +S'Charles I, King of England, as Duke of York' +p138438 +sg25270 +S'Simon van de Passe' +p138439 +sa(dp138440 +g25273 +S', unknown date' +p138441 +sg25267 +g27 +sg25275 +S'\n' +p138442 +sg25268 +S'Sir Edward Coke' +p138443 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Arthur Hildersam' +p139173 +sg25270 +S'John Payne' +p139174 +sa(dp139175 +g25273 +S'engraving' +p139176 +sg25267 +g27 +sg25275 +S'unknown date\n' +p139177 +sg25268 +S'Arthur Lake, Bishop of Bath and Wells' +p139178 +sg25270 +S'John Payne' +p139179 +sa(dp139180 +g25273 +S'engraving' +p139181 +sg25267 +g27 +sg25275 +S'unknown date\n' +p139182 +sg25268 +S'Nicholas Leate, London Merchant' +p139183 +sg25270 +S'John Payne' +p139184 +sa(dp139185 +g25273 +S'engraving' +p139186 +sg25267 +g27 +sg25275 +S'unknown date\n' +p139187 +sg25268 +S'James Ley, First Earl of Marlborough' +p139188 +sg25270 +S'John Payne' +p139189 +sa(dp139190 +g25273 +S'(artist)' +p139191 +sg25267 +g27 +sg25275 +S'\n' +p139192 +sg25268 +S'James Ley, First Earl of Marlborough' +p139193 +sg25270 +S'Artist Information (' +p139194 +sa(dp139195 +g25273 +S'(artist after)' +p139196 +sg25267 +g27 +sg25275 +S'\n' +p139197 +sg25268 +S'Algernon Percy, Earl of Northampton' +p139198 +sg25270 +S'Artist Information (' +p139199 +sa(dp139200 +g25273 +S'engraving' +p139201 +sg25267 +g27 +sg25275 +S'unknown date\n' +p139202 +sg25268 +S'Henry de Vere, Eighteenth Earl of Oxford' +p139203 +sg25270 +S'John Payne' +p139204 +sa(dp139205 +g25273 +S'(artist after)' +p139206 +sg25267 +g27 +sg25275 +S'\n' +p139207 +sg25268 +S'Sir Benjamin Rudyerd, Court of Wardes and Liveryes' +p139208 +sg25270 +S'Artist Information (' +p139209 +sa(dp139210 +g25273 +S'(artist after)' +p139211 +sg25267 +g27 +sg25275 +S'\n' +p139212 +sg25268 +S'Sir Benjamin Rudyerd' +p139213 +sg25270 +S'Artist Information (' +p139214 +sa(dp139215 +g25273 +S'(artist after)' +p139216 +sg25267 +g27 +sg25275 +S'\n' +p139217 +sg25268 +S'Sir Benjamin Rudyerd' +p139218 +sg25270 +S'Artist Information (' +p139219 +sa(dp139220 +g25268 +S'The High Priest before Pilate [verso]' +p139221 +sg25270 +S'German 16th Century' +p139222 +sg25273 +S'overall: 20.1 x 15.5 cm (7 15/16 x 6 1/8 in.)' +p139223 +sg25275 +S'\npen and brush and black ink with gray wash heightened with white on gray prepared paper' +p139224 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00079/a0007957.jpg' +p139225 +sg25267 +g27 +sa(dp139226 +g25273 +S'engraving' +p139227 +sg25267 +g27 +sg25275 +S'unknown date\n' +p139228 +sg25268 +S'Rev. Richard Sibbes' +p139229 +sg25270 +S'John Payne' +p139230 +sa(dp139231 +g25273 +S'engraving' +p139232 +sg25267 +g27 +sg25275 +S'unknown date\n' +p139233 +sg25268 +S'Sir William Wadd' +p139234 +sg25270 +S'John Payne' +p139235 +sa(dp139236 +g25273 +S'engraving' +p139237 +sg25267 +g27 +sg25275 +S'unknown date\n' +p139238 +sg25268 +S"William Whitaker, Master of Saint John's College, Cambridge" +p139239 +sg25270 +S'John Payne' +p139240 +sa(dp139241 +g25273 +S'engraving' +p139242 +sg25267 +g27 +sg25275 +S'published 1635' +p139243 +sg25268 +S'George Wither, Poet' +p139244 +sg25270 +S'John Payne' +p139245 +sa(dp139246 +g25273 +S'engraving' +p139247 +sg25267 +g27 +sg25275 +S'published 1635' +p139248 +sg25268 +S'George Wither, Poet' +p139249 +sg25270 +S'John Payne' +p139250 +sa(dp139251 +g25273 +S'engraving' +p139252 +sg25267 +g27 +sg25275 +S'1627' +p139253 +sg25268 +S'Portrait of a Man' +p139254 +sg25270 +S'John Payne' +p139255 +sa(dp139256 +g25273 +S'engraving' +p139257 +sg25267 +g27 +sg25275 +S'unknown date\n' +p139258 +sg25268 +S"Title Page to John Boys' Works" +p139259 +sg25270 +S'John Payne' +p139260 +sa(dp139261 +g25273 +S'engraving' +p139262 +sg25267 +g27 +sg25275 +S'unknown date\n' +p139263 +sg25268 +S'William Cecill, First Baron Burghley' +p139264 +sg25270 +S'John Chantry' +p139265 +sa(dp139266 +g25273 +S'engraving' +p139267 +sg25267 +g27 +sg25275 +S'unknown date\n' +p139268 +sg25268 +S'Edward, the Black Prince at the Age of 49' +p139269 +sg25270 +S'Thomas Cecil' +p139270 +sa(dp139271 +g25273 +S'engraving' +p139272 +sg25267 +g27 +sg25275 +S'published 1630' +p139273 +sg25268 +S'Edward VI' +p139274 +sg25270 +S'Thomas Cecil' +p139275 +sa(dp139276 +g25273 +S'etching' +p139277 +sg25267 +g27 +sg25275 +S'1940' +p139278 +sg25268 +S'Up and On' +p139279 +sg25270 +S'Richard Evett Bishop' +p139280 +sa(dp139281 +g25273 +S'engraving' +p139282 +sg25267 +g27 +sg25275 +S'unknown date\n' +p139283 +sg25268 +S'Gustavus Adolphus' +p139284 +sg25270 +S'Thomas Cecil' +p139285 +sa(dp139286 +g25273 +S'engraving' +p139287 +sg25267 +g27 +sg25275 +S'unknown date\n' +p139288 +sg25268 +S'Gustavus Adolphus' +p139289 +sg25270 +S'Thomas Cecil' +p139290 +sa(dp139291 +g25273 +S'engraving' +p139292 +sg25267 +g27 +sg25275 +S'1630' +p139293 +sg25268 +S'Henry VIII' +p139294 +sg25270 +S'Thomas Cecil' +p139295 +sa(dp139296 +g25273 +S'engraving' +p139297 +sg25267 +g27 +sg25275 +S'unknown date\n' +p139298 +sg25268 +S'John Talbot, First Earl of Shrewsbury' +p139299 +sg25270 +S'Thomas Cecil' +p139300 +sa(dp139301 +g25273 +S'engraving' +p139302 +sg25267 +g27 +sg25275 +S'unknown date\n' +p139303 +sg25268 +S'John Talbot, First Earl of Shrewsbury' +p139304 +sg25270 +S'Thomas Cecil' +p139305 +sa(dp139306 +g25273 +S'engraving' +p139307 +sg25267 +g27 +sg25275 +S'1629' +p139308 +sg25268 +S'Title Page for Sylva Sylvarum, Francis Bacon' +p139309 +sg25270 +S'Thomas Cecil' +p139310 +sa(dp139311 +g25273 +S'engraving' +p139312 +sg25267 +g27 +sg25275 +S'1630' +p139313 +sg25268 +S'Title Page for Holy Oyle for the Lampes of the Sanctuarie, John Clarke' +p139314 +sg25270 +S'Thomas Cecil' +p139315 +sa(dp139316 +g25273 +S'engraving' +p139317 +sg25267 +g27 +sg25275 +S'unknown date\n' +p139318 +sg25268 +S"Title Page to Sir William Cornwally's Essays" +p139319 +sg25270 +S'Thomas Cecil' +p139320 +sa(dp139321 +g25273 +S'engraving' +p139322 +sg25267 +g27 +sg25275 +S'unknown date\n' +p139323 +sg25268 +S"Title Page to Sir William Cornwally's Essays" +p139324 +sg25270 +S'Thomas Cecil' +p139325 +sa(dp139326 +g25273 +S'engraving' +p139327 +sg25267 +g27 +sg25275 +S'1631' +p139328 +sg25268 +S'Title Page to John Weever, Ancient Funeral Monuments' +p139329 +sg25270 +S'Thomas Cecil' +p139330 +sa(dp139331 +g25273 +S'pen and brown ink and watercolor on paperboard' +p139332 +sg25267 +g27 +sg25275 +S'1929' +p139333 +sg25268 +S'Aloft' +p139334 +sg25270 +S'Arthur Briscoe' +p139335 +sa(dp139336 +g25273 +S'engraving' +p139337 +sg25267 +g27 +sg25275 +S'unknown date\n' +p139338 +sg25268 +S'Title Page to An Apologie, or Declaration of the Power and Providence of God' +p139339 +sg25270 +S'Thomas Cecil' +p139340 +sa(dp139341 +g25273 +S'engraving' +p139342 +sg25267 +g27 +sg25275 +S'unknown date\n' +p139343 +sg25268 +S"Title Page to Ovid's Metamorphosis, translated by G. Sandy" +p139344 +sg25270 +S'Thomas Cecil' +p139345 +sa(dp139346 +g25273 +S'engraving' +p139347 +sg25267 +g27 +sg25275 +S'unknown date\n' +p139348 +sg25268 +S'Achmet I, Sultan of Turkey' +p139349 +sg25270 +S'Robert Vaughan' +p139350 +sa(dp139351 +g25273 +S'(artist after)' +p139352 +sg25267 +g27 +sg25275 +S'\n' +p139353 +sg25268 +S'Lancelot Andrewes, Bishop of Winchester' +p139354 +sg25270 +S'Artist Information (' +p139355 +sa(dp139356 +g25273 +S'engraving' +p139357 +sg25267 +g27 +sg25275 +S'unknown date\n' +p139358 +sg25268 +S'John Carter' +p139359 +sg25270 +S'Robert Vaughan' +p139360 +sa(dp139361 +g25273 +S'engraving' +p139362 +sg25267 +g27 +sg25275 +S'unknown date\n' +p139363 +sg25268 +S'Sir George Croke' +p139364 +sg25270 +S'Robert Vaughan' +p139365 +sa(dp139366 +g25273 +S'engraving' +p139367 +sg25267 +g27 +sg25275 +S'unknown date\n' +p139368 +sg25268 +S'George Clifford, Third Earl of Cumberland' +p139369 +sg25270 +S'Robert Vaughan' +p139370 +sa(dp139371 +g25273 +S'engraving' 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+S'Sir Walter Raleigh' +p139455 +sg25270 +S'Artist Information (' +p139456 +sa(dp139457 +g25273 +S'(artist after)' +p139458 +sg25267 +g27 +sg25275 +S'\n' +p139459 +sg25268 +S'Sir Walter Raleigh' +p139460 +sg25270 +S'Artist Information (' +p139461 +sa(dp139462 +g25273 +S'(artist after)' +p139463 +sg25267 +g27 +sg25275 +S'\n' +p139464 +sg25268 +S'Sir Walter Raleigh' +p139465 +sg25270 +S'Artist Information (' +p139466 +sa(dp139467 +g25273 +S'(artist after)' +p139468 +sg25267 +g27 +sg25275 +S'\n' +p139469 +sg25268 +S'Sir Walter Raleigh' +p139470 +sg25270 +S'Artist Information (' +p139471 +sa(dp139472 +g25273 +S'engraving' +p139473 +sg25267 +g27 +sg25275 +S'1622' +p139474 +sg25268 +S'Sir Philip Sidney' +p139475 +sg25270 +S'Robert Vaughan' +p139476 +sa(dp139477 +g25273 +S'(artist after)' +p139478 +sg25267 +g27 +sg25275 +S'\n' +p139479 +sg25268 +S'James Ussher, Archbishop of Armagh' +p139480 +sg25270 +S'Artist Information (' +p139481 +sa(dp139482 +g25273 +S'engraving' +p139483 +sg25267 +g27 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Rosenwald' +p139500 +sg25270 +S'James McBey' +p139501 +sa(dp139502 +g25273 +S'engraving' +p139503 +sg25267 +g27 +sg25275 +S'published 1630' +p139504 +sg25268 +S'Title Plate to John Hayward, Life and Reigne of King Edward the Sixth' +p139505 +sg25270 +S'Robert Vaughan' +p139506 +sa(dp139507 +g25273 +S'engraving' +p139508 +sg25267 +g27 +sg25275 +S'published 1630' +p139509 +sg25268 +S'Title Plate to John Hayward, Life and Reigne of King Edward the Sixth' +p139510 +sg25270 +S'Robert Vaughan' +p139511 +sa(dp139512 +g25273 +S'engraving' +p139513 +sg25267 +g27 +sg25275 +S'published 1630' +p139514 +sg25268 +S'Title Plate to John Hayward, Life and Reigne of King Edward the Sixth' +p139515 +sg25270 +S'Robert Vaughan' +p139516 +sa(dp139517 +g25273 +S'engraving' +p139518 +sg25267 +g27 +sg25275 +S'published 1654' +p139519 +sg25268 +S'The Lady of Rochford' +p139520 +sg25270 +S'Robert Vaughan' +p139521 +sa(dp139522 +g25273 +S'engraving' +p139523 +sg25267 +g27 +sg25275 +S'unknown date\n' +p139524 +sg25268 +S'Augustus II, Elector of Saxony' +p139525 +sg25270 +S'Johan Barra' +p139526 +sa(dp139527 +g25273 +S'(artist after)' +p139528 +sg25267 +g27 +sg25275 +S'\n' +p139529 +sg25268 +S'Lodovick Stuart, Duke of Richmond and Lennox' +p139530 +sg25270 +S'Artist Information (' +p139531 +sa(dp139532 +g25273 +S'engraving' +p139533 +sg25267 +g27 +sg25275 +S'unknown date\n' +p139534 +sg25268 +S'Roberto Francesco Romolo Bellarmino, Cardinal' +p139535 +sg25270 +S'Unknown 19th Century' +p139536 +sa(dp139537 +g25273 +S'engraving' +p139538 +sg25267 +g27 +sg25275 +S'unknown date\n' +p139539 +sg25268 +S'Bonaventura, Comte de Buquoy' +p139540 +sg25270 +S'Unknown 19th Century' +p139541 +sa(dp139542 +g25273 +S'engraving' +p139543 +sg25267 +g27 +sg25275 +S'unknown date\n' +p139544 +sg25268 +S'Charles, Count of Bucquoy' +p139545 +sg25270 +S'Unknown 19th Century' +p139546 +sa(dp139547 +g25273 +S'engraving' +p139548 +sg25267 +g27 +sg25275 +S'published 1617' +p139549 +sg25268 +S'William Camden' +p139550 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1/2 x 15 1/2 in.)' +p139727 +sg25275 +S'\nwoodcut, hand-colored in yellow, green, brown, red lake, and olive brown' +p139728 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00056/a0005625.jpg' +p139729 +sg25267 +g27 +sa(dp139730 +g25273 +S'engraving' +p139731 +sg25267 +g27 +sg25275 +S'in or after 1624' +p139732 +sg25268 +S'Samuel Purchas' +p139733 +sg25270 +S'Unknown 19th Century' +p139734 +sa(dp139735 +g25273 +S'engraving' +p139736 +sg25267 +g27 +sg25275 +S'unknown date\n' +p139737 +sg25268 +S'Horace Vere, Lord Vere of Tilbury' +p139738 +sg25270 +S'Unknown 19th Century' +p139739 +sa(dp139740 +g25273 +S'engraving' +p139741 +sg25267 +g27 +sg25275 +S'published 1614' +p139742 +sg25268 +S'Edmund Geninges, Catholic Priest' +p139743 +sg25270 +S'Martin Baes' +p139744 +sa(dp139745 +g25273 +S'Dutch, c. 1565 - 1637' +p139746 +sg25267 +g27 +sg25275 +S'(artist after)' +p139747 +sg25268 +S'Gunpowder Plot' +p139748 +sg25270 +S'Artist Information (' +p139749 +sa(dp139750 +g25273 +S'engraving' +p139751 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Brathwait, A Survey of History' +p140084 +sg25270 +S'William Marshall' +p140085 +sa(dp140086 +g25273 +S'engraving' +p140087 +sg25267 +g27 +sg25275 +S'unknown date\n' +p140088 +sg25268 +S'Title page to Richard Brathwait, English Gentleman and English Gentlewoman' +p140089 +sg25270 +S'William Marshall' +p140090 +sa(dp140091 +g25273 +S'engraving' +p140092 +sg25267 +g27 +sg25275 +S'unknown date\n' +p140093 +sg25268 +S'Title page to Thomas Fuller, Holy State' +p140094 +sg25270 +S'William Marshall' +p140095 +sa(dp140096 +g25273 +S'engraving' +p140097 +sg25267 +g27 +sg25275 +S'1638' +p140098 +sg25268 +S'Title page to J.L. Guez, Sieur du Balzack, New Epistles' +p140099 +sg25270 +S'William Marshall' +p140100 +sa(dp140101 +g25273 +S'engraving' +p140102 +sg25267 +g27 +sg25275 +S'1638' +p140103 +sg25268 +S'Sir Thomas More, Epigrammata' +p140104 +sg25270 +S'William Marshall' +p140105 +sa(dp140106 +g25273 +S'engraving' +p140107 +sg25267 +g27 +sg25275 +S'1646' +p140108 +sg25268 +S'Title Page to Francis Quarles, Shepherds Oracles' +p140109 +sg25270 +S'William Marshall' +p140110 +sa(dp140111 +g25273 +S'engraving' +p140112 +sg25267 +g27 +sg25275 +S'published 1649' +p140113 +sg25268 +S'Bust of Earl of Monmouth' +p140114 +sg25270 +S'William Marshall' +p140115 +sa(dp140116 +g25268 +S'The Adoration of the Magi Set in a Border' +p140117 +sg25270 +S'German 15th Century' +p140118 +sg25273 +S'Schreiber, Vol. *, no. 112, State a' +p140119 +sg25275 +S'\nwoodcut, hand-colored in red, lt. green, brown, and yellow' +p140120 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a4fc.jpg' +p140121 +sg25267 +g27 +sa(dp140122 +g25273 +S'engraving' +p140123 +sg25267 +g27 +sg25275 +S'published 1649' +p140124 +sg25268 +S'Title Page to J.F. Lenault, The Use of the Passions' +p140125 +sg25270 +S'William Marshall' +p140126 +sa(dp140127 +g25273 +S'engraving' +p140128 +sg25267 +g27 +sg25275 +S'1633' +p140129 +sg25268 +S'Title Page to Sir Thomas Smith, The Commonwealth of England' +p140130 +sg25270 +S'William Marshall' +p140131 +sa(dp140132 +g25273 +S'engraving' +p140133 +sg25267 +g27 +sg25275 +S'1632' +p140134 +sg25268 +S'Title Page to Henophon, Cyrupaedia, translated by P. Holland' +p140135 +sg25270 +S'William Marshall' +p140136 +sa(dp140137 +g25273 +S'(artist after)' +p140138 +sg25267 +g27 +sg25275 +S'\n' +p140139 +sg25268 +S'Thomas Howard, Earl of Arundel' +p140140 +sg25270 +S'Artist Information (' +p140141 +sa(dp140142 +g25273 +S'engraving' +p140143 +sg25267 +g27 +sg25275 +S'unknown date\n' +p140144 +sg25268 +S'Charles I' +p140145 +sg25270 +S'Lucas Emil Vorsterman' +p140146 +sa(dp140147 +g25273 +S'(artist after)' +p140148 +sg25267 +g27 +sg25275 +S'\n' +p140149 +sg25268 +S'Desiderius Erasmus' +p140150 +sg25270 +S'Artist Information (' +p140151 +sa(dp140152 +g25273 +S'(artist after)' +p140153 +sg25267 +g27 +sg25275 +S'\n' +p140154 +sg25268 +S'Desiderius Erasmus' +p140155 +sg25270 +S'Artist Information (' +p140156 +sa(dp140157 +g25273 +S'(artist after)' +p140158 +sg25267 +g27 +sg25275 +S'\n' +p140159 +sg25268 +S'Desiderius Erasmus' +p140160 +sg25270 +S'Artist Information (' +p140161 +sa(dp140162 +g25273 +S'(artist)' +p140163 +sg25267 +g27 +sg25275 +S'\n' 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ed. VIIa' +p140288 +sg25275 +S'\nhand-colored woodcut' +p140289 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a660.jpg' +p140290 +sg25267 +g27 +sa(dp140291 +g25273 +S'engraving' +p140292 +sg25267 +g27 +sg25275 +S'unknown date\n' +p140293 +sg25268 +S'Francis Bacon' +p140294 +sg25270 +S'Unknown 19th Century' +p140295 +sa(dp140296 +g25273 +S'engraving' +p140297 +sg25267 +g27 +sg25275 +S'published 1627' +p140298 +sg25268 +S'George Carleton, Bishop of Cheschester' +p140299 +sg25270 +S'Frederik van Hulsen' +p140300 +sa(dp140301 +g25273 +S'engraving' +p140302 +sg25267 +g27 +sg25275 +S'unknown date\n' +p140303 +sg25268 +S'George Carleton, Bishop of Cheschester' +p140304 +sg25270 +S'Frederik van Hulsen' +p140305 +sa(dp140306 +g25273 +S'engraving' +p140307 +sg25267 +g27 +sg25275 +S'unknown date\n' +p140308 +sg25268 +S'George Carleton, Bishop of Cheschester' +p140309 +sg25270 +S'Frederik van Hulsen' +p140310 +sa(dp140311 +g25273 +S'engraving' +p140312 +sg25267 +g27 +sg25275 +S'published 1627' 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Her pliant flesh seems to melt at the touch of the cupid who strains to bestow on her the crown of love. While she pulls about her a wine–colored velvet wrap lined in fur, soft, opulent, and evoking the sense of touch, Venus reveals her body as much as she conceals it. The beautiful woman gazing at her reflection is a favorite theme of Renaissance love poetry in which the writer envies the fortunate mirror that enjoys his lady's splendid image.\n " +p141412 +sa(dp141413 +g25268 +S'Madonna with Skull' +p141414 +sg25270 +S'Barthel Beham' +p141415 +sg25273 +S'engraving' +p141416 +sg25275 +S'unknown date\n' +p141417 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a7b1.jpg' +p141418 +sg25267 +g27 +sa(dp141419 +g25273 +S'engraving' +p141420 +sg25267 +g27 +sg25275 +S'published 1657' +p141421 +sg25268 +S'Francis Rous' +p141422 +sg25270 +S'William Faithorne' +p141423 +sa(dp141424 +g25273 +S'engraving' +p141425 +sg25267 +g27 +sg25275 +S'published 1658' +p141426 +sg25268 +S'Sir William Sanderson' +p141427 +sg25270 +S'William Faithorne' +p141428 +sa(dp141429 +g25273 +S'engraving' +p141430 +sg25267 +g27 +sg25275 +S'published 1658' +p141431 +sg25268 +S'Sir William Sanderson' +p141432 +sg25270 +S'William Faithorne' +p141433 +sa(dp141434 +g25273 +S'engraving' 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Madre (Fourth Station: Jesus Meets His Most Holy Mother)' +p143876 +sg25270 +S'Giovanni Domenico Tiepolo' +p143877 +sa(dp143878 +g25273 +S'etching' +p143879 +sg25267 +g27 +sg25275 +S'published 1749' +p143880 +sg25268 +S'Stazione V: Viene Aiutato dal Cireneo a portar la Croce (Fifth Station: Jesus is Helped by Simon of Cyrene to Carry the Cross)' +p143881 +sg25270 +S'Giovanni Domenico Tiepolo' +p143882 +sa(dp143883 +g25273 +S'etching' +p143884 +sg25267 +g27 +sg25275 +S'published 1749' +p143885 +sg25268 +S"Stazione VI: Gesu asciugato da Sta. 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Bulwer' +p144155 +sg25273 +S'watercolor over graphite' +p144156 +sg25275 +S'1830' +p144157 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c6d.jpg' +p144158 +sg25267 +g27 +sa(dp144159 +g25268 +S'High Street, Bristol' +p144160 +sg25270 +S'James Johnson' +p144161 +sg25273 +S'watercolor and graphite on wove paper' +p144162 +sg25275 +S'1821' +p144163 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006cb1.jpg' +p144164 +sg25267 +g27 +sa(dp144165 +g25268 +S'A Mountainous Landscape' +p144166 +sg25270 +S'British 19th Century' +p144167 +sg25273 +S'image: 22.5 x 32 cm (8 7/8 x 12 5/8 in.)\r\nsheet: 23.5 x 33.8 cm (9 1/4 x 13 5/16 in.)' +p144168 +sg25275 +S'\npen and black ink with gray wash over graphite on wove paper' +p144169 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c59.jpg' +p144170 +sg25267 +g27 +sa(dp144171 +g25268 +S'Sailboat on a Beach' +p144172 +sg25270 +S'British 19th Century' +p144173 +sg25273 +S'overall: 13.5 x 21.7 cm (5 5/16 x 8 9/16 in.)' +p144174 +sg25275 +S'\nbrown wash and graphite' +p144175 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006b/a0006be0.jpg' +p144176 +sg25267 +g27 +sa(dp144177 +g25268 +S'Carrigogunniel' +p144178 +sg25270 +S'James Bulwer' +p144179 +sg25273 +S'watercolor and graphite' +p144180 +sg25275 +S'1830' +p144181 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c6a.jpg' +p144182 +sg25267 +g27 +sa(dp144183 +g25268 +S'Landscape with Buildings and Winding Stream' +p144184 +sg25270 +S'James Bulwer' +p144185 +sg25273 +S'watercolor over graphite' +p144186 +sg25275 +S'unknown date\n' +p144187 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c71.jpg' +p144188 +sg25267 +g27 +sa(dp144189 +g25268 +S'Landscape with Cattle' +p144190 +sg25270 +S'James Bulwer' +p144191 +sg25273 +S'watercolor over graphite' +p144192 +sg25275 +S'1830' +p144193 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c6f.jpg' +p144194 +sg25267 +g27 +sa(dp144195 +g25268 +S'Landscape with Church Steeple' +p144196 +sg25270 +S'James Bulwer' +p144197 +sg25273 +S'watercolor and graphite' +p144198 +sg25275 +S'1828' +p144199 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c6b.jpg' +p144200 +sg25267 +g27 +sa(dp144201 +g25268 +S'A King on a Throne, before him Four Men' +p144202 +sg25270 +S'Leonhard Beck' +p144203 +sg25273 +S'woodcut' +p144204 +sg25275 +S'1514/1516' +p144205 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b09f.jpg' +p144206 +sg25267 +g27 +sa(dp144207 +g25268 +S'Landscape by the Shore with Road in Foreground' +p144208 +sg25270 +S'James Bulwer' +p144209 +sg25273 +S'watercolor and graphite' +p144210 +sg25275 +S'unknown date\n' +p144211 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00069/a0006970.jpg' +p144212 +sg25267 +g27 +sa(dp144213 +g25268 +S'Landscape with Trees and Water' +p144214 +sg25270 +S'James Bulwer' +p144215 +sg25273 +S'watercolor and graphite' +p144216 +sg25275 +S'unknown date\n' +p144217 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c6e.jpg' +p144218 +sg25267 +g27 +sa(dp144219 +g25268 +S'Portland Castle' +p144220 +sg25270 +S'James Bulwer' +p144221 +sg25273 +S'watercolor and graphite' +p144222 +sg25275 +S'unknown date\n' +p144223 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c70.jpg' +p144224 +sg25267 +g27 +sa(dp144225 +g25268 +S'River Scene with Distant Castle' +p144226 +sg25270 +S'James Bulwer' +p144227 +sg25273 +S'watercolor and graphite' +p144228 +sg25275 +S'unknown date\n' +p144229 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c6c.jpg' +p144230 +sg25267 +g27 +sa(dp144231 +g25268 +S'Shore Scene with Sailboats' +p144232 +sg25270 +S'James Bulwer' +p144233 +sg25273 +S'watercolor and graphite' +p144234 +sg25275 +S'unknown date\n' +p144235 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c75.jpg' +p144236 +sg25267 +g27 +sa(dp144237 +g25268 +S'Clifton Suspension Bridge near Bristol' +p144238 +sg25270 +S'James Bulwer' +p144239 +sg25273 +S', unknown date' +p144240 +sg25275 +S'\n' +p144241 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c73.jpg' +p144242 +sg25267 +g27 +sa(dp144243 +g25268 +S'Hunworth Church' +p144244 +sg25270 +S'James Bulwer' +p144245 +sg25273 +S', unknown date' +p144246 +sg25275 +S'\n' +p144247 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00069/a000696f.jpg' +p144248 +sg25267 +g27 +sa(dp144249 +g25268 +S'Seascape with Lighthouse' +p144250 +sg25270 +S'James Bulwer' +p144251 +sg25273 +S', unknown date' +p144252 +sg25275 +S'\n' +p144253 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006b/a0006bef.jpg' +p144254 +sg25267 +g27 +sa(dp144255 +g25268 +S'Two Sketches of Trees' +p144256 +sg25270 +S'James Bulwer' +p144257 +sg25273 +S', unknown date' +p144258 +sg25275 +S'\n' +p144259 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006b/a0006bf0.jpg' +p144260 +sg25267 +g27 +sa(dp144261 +g25268 +S'Castle Rheban on the River Barrow, Athy' +p144262 +sg25270 +S'James Bulwer' +p144263 +sg25273 +S', unknown date' +p144264 +sg25275 +S'\n' +p144265 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c74.jpg' +p144266 +sg25267 +g27 +sa(dp144267 +g25268 +S'Christ Disputing with the Doctors' +p144268 +sg25270 +S'Master HFE' +p144269 +sg25273 +S'engraving' +p144270 +sg25275 +S'unknown date\n' +p144271 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c840.jpg' +p144272 +sg25267 +g27 +sa(dp144273 +g25268 +S'On the Bure, near Aylsham, Norfolk' +p144274 +sg25270 +S'James Bulwer' +p144275 +sg25273 +S', unknown date' +p144276 +sg25275 +S'\n' +p144277 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c76.jpg' +p144278 +sg25267 +g27 +sa(dp144279 +g25268 +S"Shane's Castle, Tenants' Dinner" +p144280 +sg25270 +S'James Bulwer' +p144281 +sg25273 +S', unknown date' +p144282 +sg25275 +S'\n' +p144283 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c72.jpg' +p144284 +sg25267 +g27 +sa(dp144285 +g25268 +S'Fauldon, South Greenhoe, Norfolk' +p144286 +sg25270 +S'Hendrik Frans de Cort' +p144287 +sg25273 +S'graphite and brown wash on laid paper' +p144288 +sg25275 +S'probably 1794' +p144289 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00072/a00072f3.jpg' +p144290 +sg25267 +g27 +sa(dp144291 +g25268 +S'Ruined Church' +p144292 +sg25270 +S'Hendrik Frans de Cort' +p144293 +sg25273 +S'graphite with gray and brown wash on laid paper' +p144294 +sg25275 +S'probably 1794' +p144295 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006d0a.jpg' +p144296 +sg25267 +g27 +sa(dp144297 +g25268 +S'Boy Milking Cow' +p144298 +sg25270 +S'John Sell Cotman' +p144299 +sg25273 +S', unknown date' +p144300 +sg25275 +S'\n' +p144301 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c85.jpg' +p144302 +sg25267 +g27 +sa(dp144303 +g25268 +S'Cottage with Pigs in the Foreground' +p144304 +sg25270 +S'John Sell Cotman' +p144305 +sg25273 +S', unknown date' +p144306 +sg25275 +S'\n' +p144307 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c81.jpg' +p144308 +sg25267 +g27 +sa(dp144309 +g25268 +S'Gorge with Tree Stumps' +p144310 +sg25270 +S'John Sell Cotman' +p144311 +sg25273 +S'graphite with brown and gray wash and white heightening on gray wove paper' +p144312 +sg25275 +S'unknown date\n' +p144313 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006b/a0006bff.jpg' +p144314 +sg25267 +g27 +sa(dp144315 +g25268 +S'Landscape Sketch with Bridge and Castle' +p144316 +sg25270 +S'John Sell Cotman' +p144317 +sg25273 +S'graphite on wove paper' +p144318 +sg25275 +S'unknown date\n' +p144319 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c00.jpg' +p144320 +sg25267 +g27 +sa(dp144321 +g25268 +S'River with Bridge and Distant Castle' +p144322 +sg25270 +S'John Sell Cotman' +p144323 +sg25273 +S', c. 1802/1804' +p144324 +sg25275 +S'\n' +p144325 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c03.jpg' +p144326 +sg25267 +g27 +sa(dp144327 +g25273 +S'drypoint' +p144328 +sg25267 +g27 +sg25275 +S'1920' +p144329 +sg25268 +S'Reinhard Piper' +p144330 +sg25270 +S'Max Beckmann' +p144331 +sa(dp144332 +g25268 +S'Ruined Tomb Inscribed "A.M.G."' +p144333 +sg25270 +S'John Sell Cotman' +p144334 +sg25273 +S'graphite on tan paper' +p144335 +sg25275 +S'unknown date\n' +p144336 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c84.jpg' +p144337 +sg25267 +g27 +sa(dp144338 +g25268 +S'Sketch of Buildings with Cart and Horses in Foreground' +p144339 +sg25270 +S'John Sell Cotman' +p144340 +sg25273 +S', unknown date' +p144341 +sg25275 +S'\n' +p144342 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c04.jpg' +p144343 +sg25267 +g27 +sa(dp144344 +g25268 +S'Sketch of Ruined Church Interior with Chair' +p144345 +sg25270 +S'John Sell Cotman' +p144346 +sg25273 +S'graphite heightened with white on gray paper' +p144347 +sg25275 +S'unknown date\n' +p144348 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c82.jpg' +p144349 +sg25267 +g27 +sa(dp144350 +g25268 +S'Waterfall with Rocks' +p144351 +sg25270 +S'John Sell Cotman' +p144352 +sg25273 +S', unknown date' +p144353 +sg25275 +S'\n' +p144354 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c86.jpg' +p144355 +sg25267 +g27 +sa(dp144356 +g25268 +S'Eye Mill in Suffolk' +p144357 +sg25270 +S'John Sell Cotman' +p144358 +sg25273 +S', unknown date' +p144359 +sg25275 +S'\n' +p144360 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c80.jpg' +p144361 +sg25267 +g27 +sa(dp144362 +g25268 +S'Landscape with Hills and Water' +p144363 +sg25270 +S'John Sell Cotman' +p144364 +sg25273 +S', unknown date' +p144365 +sg25275 +S'\n' +p144366 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c83.jpg' +p144367 +sg25267 +g27 +sa(dp144368 +g25268 +S'Landscape with Trees' +p144369 +sg25270 +S'John Sell Cotman' +p144370 +sg25273 +S', unknown date' +p144371 +sg25275 +S'\n' +p144372 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c7f.jpg' +p144373 +sg25267 +g27 +sa(dp144374 +g25268 +S'A Dry Dock' +p144375 +sg25270 +S'Artist Information (' +p144376 +sg25273 +S'British, 1782 - 1842' +p144377 +sg25275 +S'(related artist)' +p144378 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c05.jpg' +p144379 +sg25267 +g27 +sa(dp144380 +g25268 +S'Landscape with Church' +p144381 +sg25270 +S'Artist Information (' +p144382 +sg25273 +S'British, 1782 - 1842' +p144383 +sg25275 +S'(related artist)' +p144384 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c06.jpg' +p144385 +sg25267 +g27 +sa(dp144386 +g25268 +S'Mountain Scene with Rocks' +p144387 +sg25270 +S'Artist Information (' +p144388 +sg25273 +S'British, 1782 - 1842' +p144389 +sg25275 +S'(related artist)' +p144390 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c07.jpg' +p144391 +sg25267 +g27 +sa(dp144392 +g25273 +S'drypoint' +p144393 +sg25267 +g27 +sg25275 +S'1920' +p144394 +sg25268 +S'Mr. Muller, I and the Barmaid (Herr M\xc3\xbcller, ich und die Bufettmamsell)' +p144395 +sg25270 +S'Max Beckmann' +p144396 +sa(dp144397 +g25268 +S'Street with Buildings' +p144398 +sg25270 +S'Robert Dixon' +p144399 +sg25273 +S', unknown date' +p144400 +sg25275 +S'\n' +p144401 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c94.jpg' +p144402 +sg25267 +g27 +sa(dp144403 +g25268 +S'Bridge Near Waters-Meet, Lynton, North Devon' +p144404 +sg25270 +S'British 19th Century' +p144405 +sg25273 +S'overall: 28 x 36.5 cm (11 x 14 3/8 in.)' +p144406 +sg25275 +S'\nwatercolor over graphite on cardboard' +p144407 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c58.jpg' +p144408 +sg25267 +g27 +sa(dp144409 +g25268 +S'Castle on a Hill' +p144410 +sg25270 +S'British 19th Century' +p144411 +sg25273 +S'overall: 16.7 x 25 cm (6 9/16 x 9 13/16 in.)' +p144412 +sg25275 +S'\nwatercolor over graphite on gray-green wove paper' +p144413 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c5c.jpg' +p144414 +sg25267 +g27 +sa(dp144415 +g25268 +S'Landscape' +p144416 +sg25270 +S'British 19th Century' +p144417 +sg25273 +S'overall: 13 x 21.8 cm (5 1/8 x 8 9/16 in.)' +p144418 +sg25275 +S'\ngraphite on wove paper' +p144419 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006b/a0006be1.jpg' +p144420 +sg25267 +g27 +sa(dp144421 +g25268 +S'Ragland' +p144422 +sg25270 +S'British 19th Century' +p144423 +sg25273 +S'overall: 26 x 35.6 cm (10 1/4 x 14 in.)' +p144424 +sg25275 +S'\ngraphite on wove paper' +p144425 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c57.jpg' +p144426 +sg25267 +g27 +sa(dp144427 +g25268 +S'Shore Scene with Boats in Choppy Water' +p144428 +sg25270 +S'British 19th Century' +p144429 +sg25273 +S'overall: 18.4 x 27 cm (7 1/4 x 10 5/8 in.)' +p144430 +sg25275 +S'\nwatercolor and graphite on wove paper' +p144431 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c5b.jpg' +p144432 +sg25267 +g27 +sa(dp144433 +g25268 +S'Tower Overlooking Water' +p144434 +sg25270 +S'British 19th Century' +p144435 +sg25273 +S'overall (approximate): 9.5 x 17.4 cm (3 3/4 x 6 7/8 in.)' +p144436 +sg25275 +S'\ngraphite with brown wash' +p144437 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006b/a0006be2.jpg' +p144438 +sg25267 +g27 +sa(dp144439 +g25268 +S'The Mill' +p144440 +sg25270 +S'Artist Information (' +p144441 +sg25273 +S'Dutch, 1606 - 1669' +p144442 +sg25275 +S'(artist after)' +p144443 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006b/a0006be7.jpg' +p144444 +sg25267 +g27 +sa(dp144445 +g25268 +S'The Bristol Riots: The Burning in the Street' +p144446 +sg25270 +S'John Skinner Prout' +p144447 +sg25273 +S'watercolor' +p144448 +sg25275 +S'unknown date\n' +p144449 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006cc3.jpg' +p144450 +sg25267 +g27 +sa(dp144451 +g25273 +S'graphite with brown wash' +p144452 +sg25267 +g27 +sg25275 +S'unknown date\n' +p144453 +sg25268 +S'Landscape with Ruins' +p144454 +sg25270 +S'John Varley' +p144455 +sa(dp144456 +g25268 +S'Venus and Cupid' +p144457 +sg25270 +S'Artist Information (' +p144458 +sg25273 +S'(artist after)' +p144459 +sg25275 +S'\n' +p144460 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9f0.jpg' +p144461 +sg25267 +g27 +sa(dp144462 +g25268 +S'The Smiling Man' +p144463 +sg25270 +S'Artist Information (' +p144464 +sg25273 +g27 +sg25275 +S'(sculptor)' +p144465 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00054/a000540e.jpg' +p144466 +sg25267 +g27 +sa(dp144467 +g25268 +S'Man in a Tall Hat' +p144468 +sg25270 +S'Artist Information (' +p144469 +sg25273 +g27 +sg25275 +S'(sculptor)' +p144470 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00054/a000540f.jpg' +p144471 +sg25267 +g27 +sa(dp144472 +g25268 +S'Ratapoil' +p144473 +sg25270 +S'Honor\xc3\xa9 Daumier' +p144474 +sg25273 +S'bronze' +p144475 +sg25275 +S'model 1851, cast c. 1891' +p144476 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002a/a0002aed.jpg' +p144477 +sg25267 +S"Viewed from any direction, the swaying, strutting Ratapoil is Daumier's brilliant stab at the political ambitions of Louis-Napoleon, who would proclaim himself emperor of France in 1852. Daumier strongly supported the nascent French democracy and used his art—both his drawn caricatures of Ratapoil that appeared in the satiric journal \n Daumier used a rough-modeled realism to detail the character of Ratapoil. With hat crumpled and smashed down over a bony skull, eye glaring, nose broken, mustache and beard pointed to a Satanic extreme, and outmoded frockcoat and trousers streaming over an emaciated torso, Ratapoil seems a mix of self-confident dandy and has-been thug. Sweeping diagonals invigorate the figure: Ratapoil's neck and jaw turn hard to one side, shoulders, chest, and right leg propel him forward as he arches his back in a dramatic curve, grasping his club behind him.\n Though less than 18 inches tall, \n " +p144478 +sa(dp144479 +g25268 +S'Hippolyte-Abraham Dubois' +p144480 +sg25270 +S'Honor\xc3\xa9 Daumier' +p144481 +sg25273 +S'bronze' +p144482 +sg25275 +S'model c. 1832/1835, cast 1929/1950' +p144483 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0001f/a0001fae.jpg' +p144484 +sg25267 +g27 +sa(dp144485 +g25268 +S"Antoine-Maurice-Apollinaire, Comte D'Argout" +p144486 +sg25270 +S'Honor\xc3\xa9 Daumier' +p144487 +sg25273 +S'bronze' +p144488 +sg25275 +S'model c. 1832/1835, cast 1929/1950' +p144489 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0001f/a0001faf.jpg' +p144490 +sg25267 +g27 +sa(dp144491 +g25268 +S'Marthe-Camille Bachasson, Comte de Montalivet' +p144492 +sg25270 +S'Honor\xc3\xa9 Daumier' +p144493 +sg25273 +S'bronze' +p144494 +sg25275 +S'model c. 1832/1835, cast 1929/1950' +p144495 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0001f/a0001fb0.jpg' +p144496 +sg25267 +g27 +sa(dp144497 +g25268 +S'Laurent Cunin, called Cunin-Gridaine' +p144498 +sg25270 +S'Honor\xc3\xa9 Daumier' +p144499 +sg25273 +S'bronze' +p144500 +sg25275 +S'model c. 1832/1835, cast 1929/1950' +p144501 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0001f/a0001fb1.jpg' +p144502 +sg25267 +g27 +sa(dp144503 +g25268 +S'Jacques-Antoine-Adrien, Baron Delort' +p144504 +sg25270 +S'Honor\xc3\xa9 Daumier' +p144505 +sg25273 +S'bronze' +p144506 +sg25275 +S'model c. 1832/1835, cast 1929/1950' +p144507 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0001f/a0001fb2.jpg' +p144508 +sg25267 +g27 +sa(dp144509 +g25268 +S'Charles-Guillaume Etienne' +p144510 +sg25270 +S'Honor\xc3\xa9 Daumier' +p144511 +sg25273 +S'bronze' +p144512 +sg25275 +S'model c. 1832/1835, cast 1929/1950' +p144513 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0001f/a0001fb3.jpg' +p144514 +sg25267 +g27 +sa(dp144515 +g25268 +S'Auguste Gady' +p144516 +sg25270 +S'Honor\xc3\xa9 Daumier' +p144517 +sg25273 +S'bronze' +p144518 +sg25275 +S'model c. 1832/1835, cast 1929/1950' +p144519 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0001f/a0001fad.jpg' +p144520 +sg25267 +g27 +sa(dp144521 +g25273 +S'lithograph' +p144522 +sg25267 +g27 +sg25275 +S'1938' +p144523 +sg25268 +S'Mary' +p144524 +sg25270 +S'Will Barnet' +p144525 +sa(dp144526 +g25268 +S'Fran\xc3\xa7ois-Pierre-Guillaume Guizot' +p144527 +sg25270 +S'Honor\xc3\xa9 Daumier' +p144528 +sg25273 +S'bronze' +p144529 +sg25275 +S'model c. 1832/1835, cast 1929/1950' +p144530 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0001f/a0001fb8.jpg' +p144531 +sg25267 +g27 +sa(dp144532 +g25268 +S'Jean-Marie Harl\xc3\xa9, P\xc3\xa8re' +p144533 +sg25270 +S'Honor\xc3\xa9 Daumier' +p144534 +sg25273 +S'bronze' +p144535 +sg25275 +S'model c. 1832/1835, cast 1929/1950' +p144536 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0001f/a0001fb9.jpg' +p144537 +sg25267 +g27 +sa(dp144538 +g25268 +S'Jacques Lef\xc3\xa8bvre' +p144539 +sg25270 +S'Honor\xc3\xa9 Daumier' +p144540 +sg25273 +S'bronze' +p144541 +sg25275 +S'model c. 1832/1835, cast 1929/1950' +p144542 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0001f/a0001fba.jpg' +p144543 +sg25267 +g27 +sa(dp144544 +g25268 +S'Alexandre-Simon Pataille' +p144545 +sg25270 +S'Honor\xc3\xa9 Daumier' +p144546 +sg25273 +S'bronze' +p144547 +sg25275 +S'model c. 1832/1835, cast 1929/1950' +p144548 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0001f/a0001fbc.jpg' +p144549 +sg25267 +g27 +sa(dp144550 +g25268 +S'Charles-L\xc3\xa9once-Victor, Duc de Broglie' +p144551 +sg25270 +S'Honor\xc3\xa9 Daumier' +p144552 +sg25273 +S'bronze' +p144553 +sg25275 +S'model c. 1832/1835, cast 1929/1950' +p144554 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0001f/a0001fbb.jpg' +p144555 +sg25267 +g27 +sa(dp144556 +g25268 +S'The Rape of Proserpine' +p144557 +sg25270 +S'Joseph Mallord William Turner' +p144558 +sg25273 +S'oil on canvas' +p144559 +sg25275 +S'1839' +p144560 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f89.jpg' +p144561 +sg25267 +S'In classical mythology, Pluto, the god of the underworld, abducted the \r\n maiden Proserpine to make her his wife and the queen of Hades. Turner, in \r\n this entry from the 1839 Royal Academy exhibition, depicted the moment when \r\n Pluto’s fiery chariot erupts earthward, burning the meadow and terrifying \r\n Proserpine’s attendants. The setting, equally dramatic, is a fantasy based \r\n upon the hills, gorges, waterfalls, and ruins at Tivoli, an ancient village \r\n near Rome.\n ' +p144562 +sa(dp144563 +g25268 +S'Angler (Le pecheur a la ligne)' +p144564 +sg25270 +S'Alphonse Legros' +p144565 +sg25273 +S'etching and drypoint?' +p144566 +sg25275 +S'unknown date\n' +p144567 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b6d.jpg' +p144568 +sg25267 +g27 +sa(dp144569 +g25268 +S'Death and the Woodcutter, 2nd plate (Le mort et le bucheron)' +p144570 +sg25270 +S'Alphonse Legros' +p144571 +sg25273 +S'etching in bistre' +p144572 +sg25275 +S'unknown date\n' +p144573 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b32.jpg' +p144574 +sg25267 +g27 +sa(dp144575 +g25268 +S"Monks at Church (Les moines a l'eglise)" +p144576 +sg25270 +S'Alphonse Legros' +p144577 +sg25273 +S'etching and drypoint' +p144578 +sg25275 +S'unknown date\n' +p144579 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c2f.jpg' +p144580 +sg25267 +g27 +sa(dp144581 +g25268 +S'Landscape (Paysage)' +p144582 +sg25270 +S'Alphonse Legros' +p144583 +sg25273 +S'etching and drypoint' +p144584 +sg25275 +S'unknown date\n' +p144585 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c55.jpg' +p144586 +sg25267 +g27 +sa(dp144587 +g25273 +S'etching' +p144588 +sg25267 +g27 +sg25275 +S'1941' +p144589 +sg25268 +S'Peter and Mary' +p144590 +sg25270 +S'Will Barnet' +p144591 +sa(dp144592 +g25268 +S'Landscape (Paysage)' +p144593 +sg25270 +S'Alphonse Legros' +p144594 +sg25273 +S'etching, drypoint and aquatint' +p144595 +sg25275 +S'unknown date\n' +p144596 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c5c.jpg' +p144597 +sg25267 +g27 +sa(dp144598 +g25268 +S'Beggar (Un mendiant)' +p144599 +sg25270 +S'Alphonse Legros' +p144600 +sg25273 +S'drypoint' +p144601 +sg25275 +S'unknown date\n' +p144602 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a0009918.jpg' +p144603 +sg25267 +g27 +sa(dp144604 +g25268 +S'Peddler (Le colporteur)' +p144605 +sg25270 +S'Alphonse Legros' +p144606 +sg25273 +S'drypoint and etching?' +p144607 +sg25275 +S'unknown date\n' +p144608 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bc4.jpg' +p144609 +sg25267 +g27 +sa(dp144610 +g25268 +S'Tower (La tour)' +p144611 +sg25270 +S'Alphonse Legros' +p144612 +sg25273 +S'drypoint' +p144613 +sg25275 +S'unknown date\n' +p144614 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b9a.jpg' +p144615 +sg25267 +g27 +sa(dp144616 +g25268 +S'Edge of a Wood (Lisiere de bois)' +p144617 +sg25270 +S'Alphonse Legros' +p144618 +sg25273 +S'etching and drypoint' +p144619 +sg25275 +S'unknown date\n' +p144620 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b95.jpg' +p144621 +sg25267 +g27 +sa(dp144622 +g25268 +S'Small Hill (Le coteau)' +p144623 +sg25270 +S'Alphonse Legros' +p144624 +sg25273 +S'etching? and drypoint' +p144625 +sg25275 +S'unknown date\n' +p144626 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009ba2.jpg' +p144627 +sg25267 +g27 +sa(dp144628 +g25268 +S'Across Country (A travers champ)' +p144629 +sg25270 +S'Alphonse Legros' +p144630 +sg25273 +S'drypoint' +p144631 +sg25275 +S'unknown date\n' +p144632 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bca.jpg' +p144633 +sg25267 +g27 +sa(dp144634 +g25268 +S'Edge of a Forest in Bourgogne (Un coin de foret en Bourgogne)' +p144635 +sg25270 +S'Alphonse Legros' +p144636 +sg25273 +S'etching and drypoint' +p144637 +sg25275 +S'unknown date\n' +p144638 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bce.jpg' +p144639 +sg25267 +g27 +sa(dp144640 +g25268 +S'Roman Ruin (Ruine romaine)' +p144641 +sg25270 +S'Alphonse Legros' +p144642 +sg25273 +S'etching and drypoint' +p144643 +sg25275 +S'unknown date\n' +p144644 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bcf.jpg' +p144645 +sg25267 +g27 +sa(dp144646 +g25268 +S'Little Wandering Jew (Le petit juif errant)' +p144647 +sg25270 +S'Alphonse Legros' +p144648 +sg25273 +S'etching and drypoint' +p144649 +sg25275 +S'unknown date\n' +p144650 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bc9.jpg' +p144651 +sg25267 +g27 +sa(dp144652 +g25268 +S"Woods in Winter Sun, 2nd plate (Soleil d'hiver dans les bois)" +p144653 +sg25270 +S'Alphonse Legros' +p144654 +sg25273 +S'drypoint and etching?' +p144655 +sg25275 +S'unknown date\n' +p144656 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c05.jpg' +p144657 +sg25267 +g27 +sa(dp144658 +g25268 +S'Farm on a Hill (La ferme sur la colline)' +p144659 +sg25270 +S'Alphonse Legros' +p144660 +sg25273 +S'etching and drypoint' +p144661 +sg25275 +S'unknown date\n' +p144662 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c19.jpg' +p144663 +sg25267 +g27 +sa(dp144664 +g25268 +S'Old Chateau (Un vieux chateau)' +p144665 +sg25270 +S'Alphonse Legros' +p144666 +sg25273 +S'etching' +p144667 +sg25275 +S'unknown date\n' +p144668 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c21.jpg' +p144669 +sg25267 +g27 +sa(dp144670 +g25268 +S'Self-Portrait, 4th plate' +p144671 +sg25270 +S'Alphonse Legros' +p144672 +sg25273 +S'etching and drypoint' +p144673 +sg25275 +S'unknown date\n' +p144674 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c2e.jpg' +p144675 +sg25267 +g27 +sa(dp144676 +g25268 +S'Bend in the River (Un coin de riviere)' +p144677 +sg25270 +S'Alphonse Legros' +p144678 +sg25273 +S'etching retouched with sepia ink and wash' +p144679 +sg25275 +S'unknown date\n' +p144680 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c5f.jpg' +p144681 +sg25267 +g27 +sa(dp144682 +g25268 +S'Bridge at the Mill (Le pont du moulin)' +p144683 +sg25270 +S'Alphonse Legros' +p144684 +sg25273 +S'etching and drypoint' +p144685 +sg25275 +S'unknown date\n' +p144686 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c73.jpg' +p144687 +sg25267 +g27 +sa(dp144688 +g25268 +S'Bridge at the Mill (Le pont du moulin)' +p144689 +sg25270 +S'Alphonse Legros' +p144690 +sg25273 +S'etching' +p144691 +sg25275 +S'unknown date\n' +p144692 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c6b.jpg' +p144693 +sg25267 +g27 +sa(dp144694 +g25268 +S'Landscape with Boat, 2nd plate (Paysage au bateau)' +p144695 +sg25270 +S'Alphonse Legros' +p144696 +sg25273 +S'etching' +p144697 +sg25275 +S'unknown date\n' +p144698 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c79.jpg' +p144699 +sg25267 +g27 +sa(dp144700 +g25268 +S"Farm at the Monastery (La ferme de l'abbaye)" +p144701 +sg25270 +S'Alphonse Legros' +p144702 +sg25273 +S'etching on buff paper' +p144703 +sg25275 +S'unknown date\n' +p144704 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009de2.jpg' +p144705 +sg25267 +g27 +sa(dp144706 +g25268 +S"Remembrance of Italy (Souvenir d'Italie)" +p144707 +sg25270 +S'Alphonse Legros' +p144708 +sg25273 +S'etching' +p144709 +sg25275 +S'unknown date\n' +p144710 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009e/a0009e11.jpg' +p144711 +sg25267 +g27 +sa(dp144712 +g25268 +S'Victory Reclining Amid Trophies' +p144713 +sg25270 +S"Jacopo de' Barbari" +p144714 +sg25273 +S'engraving' +p144715 +sg25275 +S'c. 1500/1503' +p144716 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c7a0.jpg' +p144717 +sg25267 +g27 +sa(dp144718 +g25268 +S'Morning along the River (La matin sur la riviere)' +p144719 +sg25270 +S'Alphonse Legros' +p144720 +sg25273 +S'etching and drypoint' +p144721 +sg25275 +S'unknown date\n' +p144722 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d39.jpg' +p144723 +sg25267 +g27 +sa(dp144724 +g25268 +S'Thomas Okey, Esq.' +p144725 +sg25270 +S'Alphonse Legros' +p144726 +sg25273 +S'lithograph in sanguine' +p144727 +sg25275 +S'1903' +p144728 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d5a.jpg' +p144729 +sg25267 +g27 +sa(dp144730 +g25273 +S'drypoint' +p144731 +sg25267 +g27 +sg25275 +S'unknown date\n' +p144732 +sg25268 +S'Fisherman with a Drum (Le peche au tambour)' +p144733 +sg25270 +S'Alphonse Legros' +p144734 +sa(dp144735 +g25268 +S'Victor Hugo, 1st plate' +p144736 +sg25270 +S'Alphonse Legros' +p144737 +sg25273 +S'etching' +p144738 +sg25275 +S'unknown date\n' +p144739 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00098/a00098fe.jpg' +p144740 +sg25267 +g27 +sa(dp144741 +g25268 +S'Victor Hugo, 1st plate' +p144742 +sg25270 +S'Alphonse Legros' +p144743 +sg25273 +S'etching and drypoint' +p144744 +sg25275 +S'unknown date\n' +p144745 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a0009900.jpg' +p144746 +sg25267 +g27 +sa(dp144747 +g25268 +S'Edwin Edwards' +p144748 +sg25270 +S'Alphonse Legros' +p144749 +sg25273 +S'drypoint' +p144750 +sg25275 +S'unknown date\n' +p144751 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a0009901.jpg' +p144752 +sg25267 +g27 +sa(dp144753 +g25268 +S'Auguste Delatre' +p144754 +sg25270 +S'Alphonse Legros' +p144755 +sg25273 +S'etching and drypoint' +p144756 +sg25275 +S'unknown date\n' +p144757 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b16.jpg' +p144758 +sg25267 +g27 +sa(dp144759 +g25268 +S"Study of a Man's Head (Etude de tete d'homme)" +p144760 +sg25270 +S'Alphonse Legros' +p144761 +sg25273 +S'etching' +p144762 +sg25275 +S'unknown date\n' +p144763 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b1b.jpg' +p144764 +sg25267 +g27 +sa(dp144765 +g25268 +S'Old Spaniard (Vieil Espagnol)' +p144766 +sg25270 +S'Alphonse Legros' +p144767 +sg25273 +S'etching' +p144768 +sg25275 +S'unknown date\n' +p144769 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b17.jpg' +p144770 +sg25267 +g27 +sa(dp144771 +g25268 +S'Horse-driven Mill (Le manege)' +p144772 +sg25270 +S'Alphonse Legros' +p144773 +sg25273 +S'etching' +p144774 +sg25275 +S'unknown date\n' +p144775 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b44.jpg' +p144776 +sg25267 +g27 +sa(dp144777 +g25268 +S"Satyr's Family" +p144778 +sg25270 +S"Jacopo de' Barbari" +p144779 +sg25273 +S'engraving' +p144780 +sg25275 +S'c. 1503/1504' +p144781 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c798.jpg' +p144782 +sg25267 +g27 +sa(dp144783 +g25268 +S'In the Forest of Fontainebleau (Dans le foret de Fontainebleau)' +p144784 +sg25270 +S'Alphonse Legros' +p144785 +sg25273 +S'etching? and drypoint' +p144786 +sg25275 +S'unknown date\n' +p144787 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bc6.jpg' +p144788 +sg25267 +g27 +sa(dp144789 +g25268 +S'Wheelwright (Un charron)' +p144790 +sg25270 +S'Alphonse Legros' +p144791 +sg25273 +S'drypoint' +p144792 +sg25275 +S'unknown date\n' +p144793 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00098/a00098da.jpg' +p144794 +sg25267 +g27 +sa(dp144795 +g25268 +S'Farm on a Hill (La ferme sur la colline)' +p144796 +sg25270 +S'Alphonse Legros' +p144797 +sg25273 +S'etching' +p144798 +sg25275 +S'unknown date\n' +p144799 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c1c.jpg' +p144800 +sg25267 +g27 +sa(dp144801 +g25268 +S'Along the Thames (Sur la Tamise)' +p144802 +sg25270 +S'Alphonse Legros' +p144803 +sg25273 +S'etching? and drypoint' +p144804 +sg25275 +S'unknown date\n' +p144805 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c24.jpg' +p144806 +sg25267 +g27 +sa(dp144807 +g25268 +S'Lord A. Tennyson, 2nd plate' +p144808 +sg25270 +S'Alphonse Legros' +p144809 +sg25273 +S'etching and aquatint' +p144810 +sg25275 +S'unknown date\n' +p144811 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c3c.jpg' +p144812 +sg25267 +g27 +sa(dp144813 +g25268 +S'Fisherman with a Hoop-net (La peche a la truble)' +p144814 +sg25270 +S'Alphonse Legros' +p144815 +sg25273 +S'etching, aquatint and drypoint?' +p144816 +sg25275 +S'unknown date\n' +p144817 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009f9d.jpg' +p144818 +sg25267 +g27 +sa(dp144819 +g25268 +S"Water's Edge by Morning Light (Au bord de l'eau (Effet du matin))" +p144820 +sg25270 +S'Alphonse Legros' +p144821 +sg25273 +S'etching, aquatint and drypoint?' +p144822 +sg25275 +S'unknown date\n' +p144823 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009fa7.jpg' +p144824 +sg25267 +g27 +sa(dp144825 +g25268 +S'Ellen Peabody Endicott (Mrs. William Crowninshield Endicott)' +p144826 +sg25270 +S'John Singer Sargent' +p144827 +sg25273 +S'oil on canvas' +p144828 +sg25275 +S'1901' +p144829 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a0000202.jpg' +p144830 +sg25267 +g27 +sa(dp144831 +g25268 +S'Gypsy Girl with Mandolin' +p144832 +sg25270 +S'Jean-Baptiste-Camille Corot' +p144833 +sg25273 +S'oil on canvas' +p144834 +sg25275 +S'c. 1870' +p144835 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000da4.jpg' +p144836 +sg25267 +g27 +sa(dp144837 +g25268 +S'Alexander Hamilton' +p144838 +sg25270 +S'John Trumbull' +p144839 +sg25273 +S'oil on canvas' +p144840 +sg25275 +S'c. 1792' +p144841 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a000027c.jpg' +p144842 +sg25267 +g27 +sa(dp144843 +g25268 +S'Apollo and Diana' +p144844 +sg25270 +S"Jacopo de' Barbari" +p144845 +sg25273 +S'engraving' +p144846 +sg25275 +S'c. 1503/1504' +p144847 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c79b.jpg' +p144848 +sg25267 +g27 +sa(dp144849 +g25268 +S'The Adoration of the Magi' +p144850 +sg25270 +S'Artist Information (' +p144851 +sg25273 +S'(painter)' +p144852 +sg25275 +S'\n' +p144853 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005c1.jpg' +p144854 +sg25267 +S"This brilliantly colored, richly decorated circular panel presents a splendid\r\nvision of the arrival of the Magi, accompanied by a courtly entourage. A 1492 inventory of Lorenzo de' Medici's estate possibly identifies this picture as the most valuable in the collection of the powerful Florentine family, and attributes it to Fra Angelico. The \n Fra Angelico was a Dominican known for his great monastic devotion; his saintly deportment is mirrored in the quiet piety of his paintings. The representation of the Virgin Mary here characterizes his style in the pure, simple form of her head and the gentle refinement of her features. Fra Filippo's earthy style appeals to the viewer in the portrayal of massive forms and well–articulated figures. In the \n While several elements of the painting can be seen as symbolic—for example, the peacock was considered a symbol of immortality—the \n " +p144855 +sa(dp144856 +g25268 +S'The Feast of Herod and the Beheading of Saint John the Baptist' +p144857 +sg25270 +S'Benozzo Gozzoli' +p144858 +sg25273 +S'tempera (?) on panel' +p144859 +sg25275 +S'1461-1462' +p144860 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a0000764.jpg' +p144861 +sg25267 +S'A contract for an altarpiece, executed between the artist and\r\n the \r\n Confraternity of the Purification of the Virgin, gives explicit \r\n instructions. The artist "is obligated to apply himself to this\r\n painting so \r\n that the said picture will excel, or at least favorably compare\r\n with, every \r\n good picture made thus far by [him]." The appearance of the central\r\n section \r\n is carefully prescribed: the Virgin is to be flanked by John the\r\n Baptist \r\n and five other named saints "with all the usual attributes."\r\n Gozzoli must \r\n also "with his own hand...paint at the bottom, that is in the\n This is one of those \n ' +p144862 +sa(dp144863 +g25268 +S'The Virgin Adoring the Child' +p144864 +sg25270 +S'Sandro Botticelli' +p144865 +sg25273 +S'tempera on panel' +p144866 +sg25275 +S'1480/1490' +p144867 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a000086a.jpg' +p144868 +sg25267 +g27 +sa(dp144869 +g25268 +S'Portrait of a Man' +p144870 +sg25270 +S'Andrea Mantegna' +p144871 +sg25273 +S'tempera on hardboard transferred from canvas transferred from panel' +p144872 +sg25275 +S'c. 1470' +p144873 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a00007aa.jpg' +p144874 +sg25267 +g27 +sa(dp144875 +g25268 +S'The Annunciation with Saint Francis and Saint Louis of Toulouse [far left panel]' +p144876 +sg25270 +S'Cosm\xc3\xa8 Tura' +p144877 +sg25273 +S'tempera and distemper on panel' +p144878 +sg25275 +S'c. 1470/1480' +p144879 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00068/a000680d.jpg' +p144880 +sg25267 +g27 +sa(dp144881 +g25268 +S'The Annunciation with Saint Francis and Saint Louis of Toulouse [middle left panel]' +p144882 +sg25270 +S'Cosm\xc3\xa8 Tura' +p144883 +sg25273 +S'tempera and distemper on panel' +p144884 +sg25275 +S'c. 1470/1480' +p144885 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a00007ad.jpg' +p144886 +sg25267 +g27 +sa(dp144887 +g25268 +S'The Annunciation with Saint Francis and Saint Louis of Toulouse [middle right panel]' +p144888 +sg25270 +S'Cosm\xc3\xa8 Tura' +p144889 +sg25273 +S'tempera and distemper on panel' +p144890 +sg25275 +S'c. 1470/1480' +p144891 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a00007ae.jpg' +p144892 +sg25267 +g27 +sa(dp144893 +g25268 +S'The Annunciation with Saint Francis and Saint Louis of Toulouse [far right panel]' +p144894 +sg25270 +S'Cosm\xc3\xa8 Tura' +p144895 +sg25273 +S'tempera and distemper on panel' +p144896 +sg25275 +S'c. 1470/1480' +p144897 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a00007af.jpg' +p144898 +sg25267 +g27 +sa(dp144899 +g25268 +S'An Episode from the Life of Publius Cornelius Scipio' +p144900 +sg25270 +S'Giovanni Bellini' +p144901 +sg25273 +S'oil on canvas' +p144902 +sg25275 +S'after 1506' +p144903 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005c9.jpg' +p144904 +sg25267 +g27 +sa(dp144905 +g25268 +S'Two Philosophers' +p144906 +sg25270 +S"Jacopo de' Barbari" +p144907 +sg25273 +S'engraving' +p144908 +sg25275 +S'c. 1509' +p144909 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c79a.jpg' +p144910 +sg25267 +g27 +sa(dp144911 +g25268 +S'The Holy Family' +p144912 +sg25270 +S'Titian' +p144913 +sg25273 +S'oil on panel transferred to hardboard' +p144914 +sg25275 +S'probably c. 1500' +p144915 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a0000811.jpg' +p144916 +sg25267 +S"Knowledge of Giorgione's life and career is in inverse proportion to his importance. He remains one of the least documented and most influential of all Renaissance painters. A single signed painting exists. Beyond that, scholars must attempt to identify his works on the basis of style and on sixteenth-century household inventories, which provide only brief indications of subject matter. Many of Giorgione's paintings were made for private patrons, so that records, which typically document large civic and religious commissions, are not available. Difficulty also arises in distinguishing the early work of Giorgione from that of near contemporaries like \n This painting must be one of those early works. The figures, especially the aged, bearded Joseph, closely resemble those of Bellini. Joseph sits on an unfinished wall, while mother and child are seated on a humble rock that emphasizes Christ's humility and humanity. The symbolism of the unfinished wall also refers to the incomplete and imperfect era before Christ's birth. The\r\nprecision of detail, particularly of the plants and rocks in the foreground, suggests the influence of paintings from northern Europe, which could be seen in Venice in large numbers and were also known through prints.\n " +p144917 +sa(dp144918 +g25268 +S'Portrait of a Young Woman as a Wise Virgin' +p144919 +sg25270 +S'Sebastiano del Piombo' +p144920 +sg25273 +S'oil on hardboard transferred from panel' +p144921 +sg25275 +S'c. 1510' +p144922 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a0000805.jpg' +p144923 +sg25267 +S'\r\n\tThe story of the wise and foolish virgins is told in the biblical book of Matthew. Preparing for marriage, five wise virgins carefully provided oil for their lamps and awaited the bridegroom. Five foolish virgins, on the other hand, missed the bridegroom when they left their homes in search of more oil. The parable was often interpreted in terms of the Last Judgment and the need to be constantly prepared for the Second Coming. \r\n\n \r\n\tOtherwise unusual for early sixteenth-century Italy, this subject would have had obvious significance for brides, and this painting is possibly an idealized portrait intended as a wedding gift. A faint inscription on the painting has often been interpreted as a reference to Vittoria Colonna, a poet best known for her friendship with Michelangelo. Perhaps the painting was done to commemorate her wedding in 1509. Several seventeenth-century editions of her works used engravings based on this painting as a frontispiece. \r\n\n \r\n\tVittoria, however, lived in Rome, and Sebastiano worked in Venice until 1511. Furthermore, paintings like this one were more popular in Venice than in Rome. Venetian works depicting beautiful young women with locks of hair tumbling to creamy shoulders and revealing necklines may have been idealized portraits or fanciful creations painted for a gentleman’s private enjoyment. The models for these \n ' +p144924 +sa(dp144925 +g25268 +S'Piet\xc3\xa0' +p144926 +sg25270 +S'Moretto da Brescia' +p144927 +sg25273 +S'oil on panel' +p144928 +sg25275 +S'1520s' +p144929 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a0000816.jpg' +p144930 +sg25267 +S"The \n The Virgin, Saint John the Evangelist, and Mary Magdalene have assembled at Christ's\ntomb and hold up his gray, lifeless body against the marble sarcophagus. Behind\nthem is the dark mouth of the rock cut tomb, and beyond it opens a verdant river\nlandscape. Moretto has frozen the mourners in their awkward poses, their strain\nfueling the anguished pitch of the image. By contrast, the disposition of Christ's\nbody is almost balletic. It stands out pale against the deep colors of the mourners'\nrobes. Moretto's palette is rich but acerbic, darkening to iron-gray in the shadows.\n Although Moretto had absorbed the styles of the Venetians, especially their brilliant\nexperiments with color and light, this intensely emotional \n " +p144931 +sa(dp144932 +g25268 +S'Ranuccio Farnese' +p144933 +sg25270 +S'Titian' +p144934 +sg25273 +S'oil on canvas' +p144935 +sg25275 +S'1542' +p144936 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a0000898.jpg' +p144937 +sg25267 +S"Ranuccio Farnese was twelve years old when Titian painted his portrait. The boy had been sent to Venice by his grandfather, Pope Paul III, to become prior of an important property belonging to the Knights of Malta. As a member of the powerful and aristocratic Farnese family, Ranuccio went on to an illustrious ecclesiastical career. He was made Archbishop of Naples at the age of fourteen, and he later served as Bishop of Bologna, Archbishop of Milan and Ravenna, and Cardinal Sant'Angelo, dying when he was only thirty–five years old.\n Adult responsibility came to Ranuccio when still a child, as Titian so brilliantly conveyed through the cloak of office, too large and heavy, sliding off the youth's small shoulders. The boy in the role of the man is what gives this characterization such poignancy.\n Portraits by Titian were in great demand, distinguished as they were for their remarkable insight into character and their brilliant technique. Nowhere is the painter's genius more in evidence than in this image. Limiting his palette to black, white, and rose, Titian enlivened the surface with light: the dull gleam rippling over the sleeves of the velvet cloak; the fitful pattern flickering across the slashed doublet; and the changing reflections on the satin Maltese Cross.\n " +p144938 +sa(dp144939 +g25268 +S'Venus Blindfolding Cupid' +p144940 +sg25270 +S'Artist Information (' +p144941 +sg25273 +S'Italian, c. 1490 - 1576' +p144942 +sg25275 +S'(related artist)' +p144943 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a0000899.jpg' +p144944 +sg25267 +g27 +sa(dp144945 +g25268 +S'Mary, Queen of Heaven' +p144946 +sg25270 +S'Master of the Saint Lucy Legend' +p144947 +sg25273 +S'oil on panel' +p144948 +sg25275 +S'c. 1485/1500' +p144949 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005b8.jpg' +p144950 +sg25267 +S"This unusually large panel painting depicts three facets of Marian iconography: the Virgin's corporeal assumption, the Immaculate Conception—the crescent moon and the radiance behind her identify Mary as the Woman of the Apocalyse, mentioned in Revelation 12:I—and the Coronation of the Virgin. The painting is of great interest to musicologists in that it depicts Renaissance instruments with great accuracy and also reflects contemporary performance practices in the arrangement of the music–making angels. At the top, a full orchestra plays before the three figures of the Trinity. The ensemble around the Virgin is a mixed consort composed of "loud" instruments (trumpets and shawms) and "soft" instruments (vielle, lute, and harp). Two of the singing angels hold books bearing legible lyrics and notations. This music, which is the source of the painting's title, has been identified as derived from a setting of the Marian antiphon, \n Historians refer to the artist as the Master of the Saint Lucy Legend because his principal work, an alterpiece dated 1480, depicts episodes from the life of that saint. His style is characterized in both paintings by oval faces that are restrained in expression, the use of extraordinarily intense color, and a tendency to over–emphasize elaborate textures.\n " +p144951 +sa(dp144952 +g25268 +S'Episodes from the Life of a Bishop Saint' +p144953 +sg25270 +S'Artist Information (' +p144954 +sg25273 +S'(painter)' +p144955 +sg25275 +S'\n' +p144956 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a0000593.jpg' +p144957 +sg25267 +g27 +sa(dp144958 +g25268 +S'The Baptism of Clovis' +p144959 +sg25270 +S'Master of Saint Giles' +p144960 +sg25273 +S'oil on panel' +p144961 +sg25275 +S'c. 1500' +p144962 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a0000594.jpg' +p144963 +sg25267 +S'Clovis (d. 511) was the founder of the Merovingian dynasty and the first Christian king of France. The setting for his baptism can be recognized as Sainte-Chapelle, the royal chapel on the Ile-de-la-Cité in Paris. Among the witnesses is his wife, Clothilde, who was largely responsible for his conversion. In the companion work, \n The companion work with the scene at Notre-Dame was painted, at least in part, by workshop assistants. Whether the master artist himself was a French painter trained in the north or a northerner who emigrated to France, his style has the detail and precision of Netherlandish painting. His assistants, on the other hand, display the simplified and more solid forms of French art. Compare, for example, the limestone blocks, which are textured and carefully differentiated in the baptism scene but which have a smoother, more uniform look in the other painting. The assistants tended to outline features and to contrast colors and shapes more abruptly.\n ' +p144964 +sa(dp144965 +g25268 +S'Madonna and Child [obverse]' +p144966 +sg25270 +S'Albrecht D\xc3\xbcrer' +p144967 +sg25273 +S'oil on panel' +p144968 +sg25275 +S'c. 1496/1499' +p144969 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a000057c.jpg' +p144970 +sg25267 +S"Dürer was born in Nuremberg and received a typical medieval training from his goldsmith father and from the Nuremberg painter Michael Wolgemut. Yet he was one of the major transmitters of the ideas of the Italian Renaissance to artists in the North. This was the result of direct experience acquired on two trips to Italy, as well as of his own diligent study of ideal figural proportions and perspective.\n Dürer traveled to Venice in 1494/1495 and 1505/1507. While there, he became well acquainted with Giovanni Bellini, whose influence is evident in the \n On the other hand, Mary's placement in the corner of a room with a window open on a distant view indicates Dürer's familiarity with Netherlandish devotional images. The minute treatment of the Alpine landscape and the careful delineation of all textures and surfaces equally remind one of Dürer's persistent fascination with the North's tradition of visual exactitude.\n The \n " +p144971 +sa(dp144972 +g25268 +S'Lot and His Daughters [reverse]' +p144973 +sg25270 +S'Albrecht D\xc3\xbcrer' +p144974 +sg25273 +S'oil on panel' +p144975 +sg25275 +S'c. 1496/1499' +p144976 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a0000546.jpg' +p144977 +sg25267 +S"This scene is painted on the reverse side of Dürer's \n This scene was important for the moral lesson it taught. Like the story of Noah\nand the flood, that of Lot and the desolation of Sodom and Gomorrah was an allegory\ndemonstrating the power of God to save the righteous.\n Since the combination of the story of Lot with the depiction of the Virgin and Child\nis extremely unusual, the exact relation of the two images remains unclear. However,\nthey could be understood as two examples of the value of a just life and of the\npervasive grace of God, especially if the \n " +p144978 +sa(dp144979 +g25268 +S'Custodi Nos Dormientes (The Guardian Angel)' +p144980 +sg25270 +S"Jacopo de' Barbari" +p144981 +sg25273 +S'engraving' +p144982 +sg25275 +S'c. 1509' +p144983 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c7a2.jpg' +p144984 +sg25267 +g27 +sa(dp144985 +g25268 +S'Portrait of a Clergyman (Johann Dorsch?)' +p144986 +sg25270 +S'Albrecht D\xc3\xbcrer' +p144987 +sg25273 +S'oil on parchment on fabric' +p144988 +sg25275 +S'1516' +p144989 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002b/a0002b2e.jpg' +p144990 +sg25267 +S"Although the sitter's identity is not verified, he is possibly Johann Dorsch,\na cleric in Nuremberg. The clergyman's ardor, spiritual zeal, and intense determination\nare communicated through the turn of the head, the fixed, staring eyes, and the\ntight, compressed lips.\n With great respect for reality, Dürer has recorded every detail of the man's appearance\nregardless of how small or unimportant it may be: the wrinkles and lines of the\nface, the individual strands of fine hair, the coarse skin texture, and even the\nreflection of window panes in the irises of the eyes. This incisive clarity and\naccuracy derive in large part from Dürer's experience in the graphic arts.\n The portrait is of further interest for having been painted on parchment rather\nthan on wood, which was still the most common support. Experimenting with techniques\nand materials, Dürer also used silk and linen at times. The animal skin gives the\npaint surface a fine, smooth quality and lends amazing richness to the oil colors.\n " +p144991 +sa(dp144992 +g25268 +S'The Martyrdom of Saint Catherine' +p144993 +sg25270 +S'Artist Information (' +p144994 +sg25273 +S'Netherlandish, c. 1509 - 1548' +p144995 +sg25275 +S'(painter)' +p144996 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a000059a.jpg' +p144997 +sg25267 +S'As Europeans came to understand the world\r\n through printed maps and geographies, landscape emerged as a popular\r\n subject. The Italian artist and biographer \n This painting may be the work of Matthys Cock, whose brother \n ' +p144998 +sa(dp144999 +g25268 +S'The Temptation of Saint Anthony' +p145000 +sg25270 +S'Artist Information (' +p145001 +sg25273 +S'Flemish, c. 1525/1530 - 1569' +p145002 +sg25275 +S'(related artist)' +p145003 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005ae.jpg' +p145004 +sg25267 +S"Legends of Anthony Abbot relate how the pious early Christian, forsaking\nsociety, journeyed into the wilderness to seek God. Anthony appears twice in this\npainting; in his foreground retreat, he resists the Devil's manifold temptations.\nAfter failing to yield to the evil lures, he is shown again being physically tortured\nwhile carried aloft by demons. Yet, the saint was saved by the purity of his soul.\n The religious subject is presented in a revolutionary fashion; generations of earlier\nartists had tended to treat landscape as an unobtrusive backdrop of secondary importance,\nwhereas now the landscape dominates the subject to such an extent that the temptation\nof Saint Anthony seems only incidental. This change of emphasis marks an important\nadvance toward the development of pure landscape painting, in which Pieter Bruegel\nthe Elder was an instrumental figure. Already, that delight in the natural world\nis apparent here in the shadowy depths of leafy forests, contrasting with open vistas\nof waterways, villages, and towns bathed in pearly light.\n Perhaps the juxtaposition of a peaceful landscape with the temptations and attacks\nof demons was a subtle statement by this Bruegel follower on the political and moral\nbrutalities of his time. Possibly Saint Anthony is meant allegorically to represent\nEveryman caught up in a world gone mad.\n " +p145005 +sa(dp145006 +g25268 +S'Peasant Interior' +p145007 +sg25270 +S'Louis Le Nain' +p145008 +sg25273 +S'oil on canvas' +p145009 +sg25275 +S'c. 1645' +p145010 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d75.jpg' +p145011 +sg25267 +g27 +sa(dp145012 +g25268 +S'Nymphs Feeding the Child Jupiter' +p145013 +sg25270 +S'Artist Information (' +p145014 +sg25273 +S'French, 1594 - 1665' +p145015 +sg25275 +S'(related artist)' +p145016 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d8a.jpg' +p145017 +sg25267 +S"According to Roman mythology, the infant Jupiter was concealed from his \n murderous father on the island of Crete. The princess Amalthea uses a \n goat's horn, or cornucopia, to give him milk to drink, while her sister \n Melissa holds a honeycomb for him to eat. Thus nurtured in secret, Jupiter \n grew to manhood and overthrew his father to become king of the Olympian \n deities. In the otherwise muted color scheme, the princess holding Jupiter \n wears pure yellow and blue, attracting attention to the main character. \n Poussin's coherent compositions and lucid color contrasts were in accord \n with a belief that painting, like mathematics, was governed by absolute \n logic. To obtain these calculated effects, Poussin often constructed a \n theatrical shadow box which, filled with movable wax manikins, served as a \n model for his final picture.\n " +p145018 +sa(dp145019 +g25268 +S'Picnic after the Hunt' +p145020 +sg25270 +S'Nicolas Lancret' +p145021 +sg25273 +S'oil on canvas' +p145022 +sg25275 +S'probably c. 1735/1740' +p145023 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d7f.jpg' +p145024 +sg25267 +g27 +sa(dp145025 +g25268 +S'Pope Pius VII in the Sistine Chapel' +p145026 +sg25270 +S'Jean-Auguste-Dominique Ingres' +p145027 +sg25273 +S'oil on canvas' +p145028 +sg25275 +S'1814' +p145029 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d96.jpg' +p145030 +sg25267 +S"Ingres painted this scene while he was living in Italy. The painting's \r\n extreme visual accuracy, which reproduces \r\n Michelangelo's \n The circumstances of the work's commission are somewhat surprising, since \r\n Ingres painted it for a prominent French official in Rome who might have \r\n been expected to avoid such a potentially controversial subject. He was \r\n Charles Marcotte, a good friend of Ingres' and one of his most important \r\n patrons, whose \n Ingres, unlike David in whose studio he studied, remained blind to \r\n politics, devoting himself instead to the perfection of his art.\n " +p145031 +sa(dp145032 +g25268 +S"Marcotte d'Argenteuil" +p145033 +sg25270 +S'Jean-Auguste-Dominique Ingres' +p145034 +sg25273 +S'oil on canvas' +p145035 +sg25275 +S'1810' +p145036 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d95.jpg' +p145037 +sg25267 +g27 +sa(dp145038 +g25268 +S'Miss Mathilde Townsend' +p145039 +sg25270 +S'John Singer Sargent' +p145040 +sg25273 +S'oil on canvas' +p145041 +sg25275 +S'1907' +p145042 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a0000203.jpg' +p145043 +sg25267 +g27 +sa(dp145044 +g25268 +S'Fantastic Landscape with Figures' +p145045 +sg25270 +S'Emilian 16th Century' +p145046 +sg25273 +S'overall: 63.5 x 83.9 cm (25 x 33 1/16 in.)\r\nframed: 84.9 x 104.8 x 6 cm (33 7/16 x 41 1/4 x 2 3/8 in.)' +p145047 +sg25275 +S'\noil on canvas' +p145048 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a000080e.jpg' +p145049 +sg25267 +g27 +sa(dp145050 +g25268 +S'Holy Family' +p145051 +sg25270 +S"Jacopo de' Barbari" +p145052 +sg25273 +S'engraving' +p145053 +sg25275 +S'c. 1508/1509' +p145054 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c799.jpg' +p145055 +sg25267 +g27 +sa(dp145056 +g25268 +S'The Singing Party' +p145057 +sg25270 +S'Philip Mercier' +p145058 +sg25273 +S', c. 1732/1760' +p145059 +sg25275 +S'\n' +p145060 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a000073e.jpg' +p145061 +sg25267 +g27 +sa(dp145062 +g25268 +S'Christ Risen from the Tomb' +p145063 +sg25270 +S'Bergognone' +p145064 +sg25273 +S'oil on panel' +p145065 +sg25275 +S'c. 1490' +p145066 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a00007c2.jpg' +p145067 +sg25267 +g27 +sa(dp145068 +g25268 +S'Joseph of Egypt' +p145069 +sg25270 +S'Master of the Griselda Legend' +p145070 +sg25273 +S'oil on panel transferred to canvas' +p145071 +sg25275 +S'c. 1490/1495' +p145072 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a000077b.jpg' +p145073 +sg25267 +g27 +sa(dp145074 +g25268 +S'The Healing of Palladia by Saint Cosmas and Saint Damian' +p145075 +sg25270 +S'Fra Angelico' +p145076 +sg25273 +S'tempera (and oil?) on panel' +p145077 +sg25275 +S'c. 1438/1440' +p145078 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a00007cb.jpg' +p145079 +sg25267 +g27 +sa(dp145080 +g25268 +S'The Gathering of Manna' +p145081 +sg25270 +S'Bacchiacca' +p145082 +sg25273 +S'oil on panel' +p145083 +sg25275 +S'1540/1555' +p145084 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a0000807.jpg' +p145085 +sg25267 +S"Various explanations are given for Francesco d'Ubertino Verdi's nickname, Bacchiacca. It is tempting to see a connection with \n This is not appropriation by an artist unwilling or unable to devise something new, however. Bacchiacca was a court painter to Cosimo de' Medici in Florence, where patrons would have delighted in puzzling out his sources. Admirers of the then current mannerist style, which depended on complexity and artifice over naturalistic representation, they would also have appreciated his pictures' \n Among all these creatures only the quail relate to the biblical story. A day after the birds arrived to alleviate the Israelites' hunger, God provided manna from the sky. Here Moses—in bright pink, light emanating from his head—commands his people to gather the almost invisible bread. Perhaps this painting was part of a campaign to depict Cosimo as a new Moses, one who would provide the Florentines with prosperity—an abundance suggested even in the fullness of Bacchiacca's composition.\n " +p145086 +sa(dp145087 +g25268 +S'The Crucifixion' +p145088 +sg25270 +S'Francesco del Cossa' +p145089 +sg25273 +S'tempera on panel' +p145090 +sg25275 +S'c. 1473/1474' +p145091 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a0000762.jpg' +p145092 +sg25267 +g27 +sa(dp145093 +g25268 +S'Madonna and Child Enthroned with Donor' +p145094 +sg25270 +S'Carlo Crivelli' +p145095 +sg25273 +S'tempera on panel' +p145096 +sg25275 +S'1470' +p145097 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a00007ab.jpg' +p145098 +sg25267 +S'"Remember me, O Mother of God. O Queen of Heaven, rejoice." These words, taken\r\nfrom an Easter psalm sung in the Virgin\'s honor, appear on the golden arch at the\r\ntop of Carlo Crivelli\'s \n Crivelli\'s painting originally constituted the central section of a polyptych in\r\nthe parish church at Porto San Giorgio, near Fermi. The crisp, sculptural forms\r\nreflect Crivelli\'s probable training in the humanist center of Padua. Yet the manner\r\nin which Crivelli\'s figures are modeled in light and shade also expresses a broader\r\nRenaissance concern with direct observation of nature.\n Crivelli\'s very personal, almost metallic style must in large part be explained\r\nby the events of his life. He was born in Venice where the Gothic tradition lingered\r\nwell into the fifteenth century. After spending some time in Padua, he settled\r\nin the Marches on the Adriatic, and there remained relatively unaffected by new\r\ntrends.\n ' +p145099 +sa(dp145100 +g25268 +S'The Veil of Veronica' +p145101 +sg25270 +S'Domenico Fetti' +p145102 +sg25273 +S'oil on panel' +p145103 +sg25275 +S'c. 1618/1622' +p145104 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a0000607.jpg' +p145105 +sg25267 +S"Domenico Fetti was in Rome in 1606 when the Veil of Veronica, one of the oldest and most\nvenerated relics in Christendom, was installed in the crossing of St. Peter's Basilica. According to\nmedieval legend, the veil belonged to a woman who took pity on Christ as he toiled with his\nburden of the cross to Golgotha. She gave Christ her kerchief to wipe his brow, and when he\nreturned the cloth, his image miraculously had been impressed upon it. This kerchief was\nbelieved to have been preserved as the relic called the "true image" or, in Latin,\n\n Fetti's depiction of the relic is compellingly realistic. Isolated against a dark background and\ndraped over a bar, the fabric's texture, folds, and fringed border are rendered with painstaking\ncare. Hovering on its surface is Christ's visage -- the flesh solidly modeled and tangible. Fetti's\namazingly true image of the "true image" is, in a sense, a metaphor of the task of the\npainter. This is not merely a brilliant and self-conscious exhibition of the painter's skill, however,\nbut a sensitive and deeply felt portrayal of Christ at the moment of his most intense physical\nand spiritual suffering.\n " +p145106 +sa(dp145107 +g25268 +S'Judith Holding the Head of Holofernes' +p145108 +sg25270 +S"Jacopo de' Barbari" +p145109 +sg25273 +S'engraving' +p145110 +sg25275 +S'c. 1501/1503' +p145111 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c79f.jpg' +p145112 +sg25267 +g27 +sa(dp145113 +g25268 +S'Saint Benedict Orders Saint Maurus to the Rescue of Saint Placidus' +p145114 +sg25270 +S'Fra Filippo Lippi' +p145115 +sg25273 +S'tempera on panel' +p145116 +sg25275 +S'c. 1445/1450' +p145117 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a0000777.jpg' +p145118 +sg25267 +g27 +sa(dp145119 +g25268 +S'Madonna and Child Enthroned' +p145120 +sg25270 +S"Margaritone d'Arezzo" +p145121 +sg25273 +S'tempera on panel' +p145122 +sg25275 +S'c. 1270' +p145123 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000b/a0000b12.jpg' +p145124 +sg25267 +g27 +sa(dp145125 +g25268 +S'The Mourning Madonna' +p145126 +sg25270 +S'Master of the Franciscan Crucifixes' +p145127 +sg25273 +S'tempera on panel' +p145128 +sg25275 +S'c. 1272' +p145129 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002a/a0002aff.jpg' +p145130 +sg25267 +g27 +sa(dp145131 +g25268 +S'Saint John the Evangelist' +p145132 +sg25270 +S'Master of the Franciscan Crucifixes' +p145133 +sg25273 +S'tempera on panel' +p145134 +sg25275 +S'c. 1272' +p145135 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000b/a0000b13.jpg' +p145136 +sg25267 +g27 +sa(dp145137 +g25268 +S'Saint James Minor' +p145138 +sg25270 +S'Master of Saint Francis' +p145139 +sg25273 +S'tempera on panel' +p145140 +sg25275 +S'probably c. 1270/1280' +p145141 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a81.jpg' +p145142 +sg25267 +S"Originally forming part of the back of an altarpiece, this panel\r\n when joined with a \n The artist apparently modeled the arcade and the Roman-style\r\n dress after \r\n an early Christian sarcophagus unearthed in 1262. This marble\r\n coffin was \r\n reused for the burial of the Blessed Egido, a companion of Saint\r\n Francis, \r\n in the crypt of the church of San Francesco al Prato in Perugia.\r\n Probably the \r\n two panels here were originally in the same church, placed on the\r\n altar \r\n directly above Egido's coffin.\n Note how faces and folds of cloth are defined with white\r\n highlights applied over the background colors. Later works in the\r\n Gallery's collection—\n " +p145143 +sa(dp145144 +g25268 +S'Saint John the Evangelist' +p145145 +sg25270 +S'Master of Saint Francis' +p145146 +sg25273 +S'tempera on panel' +p145147 +sg25275 +S'probably c. 1270/1280' +p145148 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a82.jpg' +p145149 +sg25267 +g27 +sa(dp145150 +g25268 +S'Madonna and Child with Saint Anthony Abbot and Saint Sigismund' +p145151 +sg25270 +S"Neroccio de' Landi" +p145152 +sg25273 +S'tempera on panel' +p145153 +sg25275 +S'c. 1490/1495' +p145154 +sg25314 +S'http://www.nga.gov:80/thumb-l/a01751/a0175190.jpg' +p145155 +sg25267 +g27 +sa(dp145156 +g25268 +S'Madonna and Child with Angels' +p145157 +sg25270 +S'Artist Information (' +p145158 +sg25273 +S'(artist)' +p145159 +sg25275 +S'\n' +p145160 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000b/a0000b38.jpg' +p145161 +sg25267 +S'In the early Middle Ages, Mary normally was represented enthroned as the \r\n Queen of Heaven. At the beginning of the 1300s, though, partly due to the \r\n humanistic teachings of Saint Francis of Assisi, a new subject emerged—the Madonna of Humility—which shows Mary seated upon the ground or, as in \r\n this case, a cushion. This Madonna of Humility adds the theme of the baby \r\n Jesus reaching for his mother’s breast to nurse. God the Father appears \r\n overhead, and the dove of the Holy Spirit flies down upon rays of light. \r\n Thus, the entire Trinity is present along with the Virgin.\n Andrea Orcagna was the eldest of three artist brothers who often \r\n collaborated. Jacopo di Cione, the youngest brother, may have assisted \r\n Orcagna in the execution of this work. A small triptych or three-part \r\n altarpiece by their middle brother, \n ' +p145162 +sa(dp145163 +g25268 +S'Saint Apollonia' +p145164 +sg25270 +S'Piero della Francesca' +p145165 +sg25273 +S', c. 1455/1460' +p145166 +sg25275 +S'\n' +p145167 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a000087f.jpg' +p145168 +sg25267 +g27 +sa(dp145169 +g25268 +S'Caliope (Calliope)' +p145170 +sg25270 +S'Master of the E-Series Tarocchi' +p145171 +sg25273 +S'engraving' +p145172 +sg25275 +S'c. 1465' +p145173 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6d1.jpg' +p145174 +sg25267 +g27 +sa(dp145175 +g25268 +S'Saint Anthony Distributing His Wealth to the Poor' +p145176 +sg25270 +S'Artist Information (' +p145177 +sg25273 +S'(painter)' +p145178 +sg25275 +S'\n' +p145179 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a0000861.jpg' +p145180 +sg25267 +S'Along with \n Although he lived in the third century, the saint is depicted in contemporary guise. The arms of a prominent Sienese family appear over a doorway, and some of the architecture may reflect specific buildings in the city and surrounding area. Here are beggars with patches on their clothing, a blind man being led by his small dog, and on the balcony, the iron spikes that supported awnings against the summer sun. Like the dramatic sermons of street preachers and the performance of religious plays, in which townspeople acted the parts of saints, these details helped viewers visualize sacred events with immediacy and vividness.\n The artist combined tradition—note the typically Sienese brilliance of his pinks and greens—with a new interest in landscape and experiments in perspective. Through windows and doorways overlapping layers make depth legible.\n ' +p145181 +sa(dp145182 +g25268 +S'Saint Anthony Leaving His Monastery' +p145183 +sg25270 +S'Artist Information (' +p145184 +sg25273 +S'(painter)' +p145185 +sg25275 +S'\n' +p145186 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a0000823.jpg' +p145187 +sg25267 +g27 +sa(dp145188 +g25268 +S'Saint Matthew' +p145189 +sg25270 +S'Artist Information (' +p145190 +sg25273 +S'Italian, c. 1284 - 1344' +p145191 +sg25275 +S'(related artist)' +p145192 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00025/a0002520.jpg' +p145193 +sg25267 +g27 +sa(dp145194 +g25268 +S'Saint Simon' +p145195 +sg25270 +S'Artist Information (' +p145196 +sg25273 +S'Italian, c. 1284 - 1344' +p145197 +sg25275 +S'(related artist)' +p145198 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00025/a0002521.jpg' +p145199 +sg25267 +g27 +sa(dp145200 +g25268 +S'Saint James Major' +p145201 +sg25270 +S'Artist Information (' +p145202 +sg25273 +S'Italian, c. 1284 - 1344' +p145203 +sg25275 +S'(related artist)' +p145204 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00025/a0002522.jpg' +p145205 +sg25267 +g27 +sa(dp145206 +g25268 +S'Saint Thaddeus' +p145207 +sg25270 +S'Artist Information (' +p145208 +sg25273 +S'Italian, c. 1284 - 1344' +p145209 +sg25275 +S'(related artist)' +p145210 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00025/a0002523.jpg' +p145211 +sg25267 +g27 +sa(dp145212 +g25268 +S'Christ at the Sea of Galilee' +p145213 +sg25270 +S'Jacopo Tintoretto' +p145214 +sg25273 +S'oil on canvas' +p145215 +sg25275 +S'c. 1575/1580' +p145216 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a0000864.jpg' +p145217 +sg25267 +S"The Venetian master Tintoretto marshaled the unstable forces of nature to heighten\nthe drama of this scene from John's Gospel; the wind that fills the sail and bends\nthe mast also agitates the sea and sky, and the rocky waves meet the low clouds\nthat blow onto the land. Christ's outstretched arm draws Peter like a magnet, the\ncharge between them creating a dynamic link between the center of the picture and\nthe left foreground. Tintoretto has broken all forms into multiple planes, splintering\nthe light, and frosting the edges with a brush loaded with dry, lead-white oil paint.\nThis use of a thick, white impasto to accent the highlights and as a ghostly shorthand,\nas in the grassy shore at Christ's feet, is a hallmark of Tintoretto's bravura\nstyle.\n Too wild and improvisatory to find a real following among his compatriots in Venice,\nTintoretto's bold expressions instead fired the imagination of one kindred temperament:\nEl Greco, who studied there before moving to Spain. So close in style and spirit\nwas El Greco's art that, earlier in this century, some experts believed that he,\nand not Tintoretto, had painted the \n " +p145218 +sa(dp145219 +g25268 +S'Cardinal Pietro Bembo' +p145220 +sg25270 +S'Titian' +p145221 +sg25273 +S'oil on canvas' +p145222 +sg25275 +S'c. 1540' +p145223 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005e0.jpg' +p145224 +sg25267 +S"The son of a Venetian statesman, Pietro Bembo (1470–1547) is recognized as one of the most celebrated diplomats, poets, and humanist scholars of the sixteenth century. In 1513, after taking Holy Orders, he became secretary to Pope Leo X in Rome. Bembo was appointed librarian of St. Mark's Cathedral in 1530, and he became official historian for the city of Venice. Titian probably painted this official portrait to commemorate Bembo's elevation to cardinal in March 1539.\n In this, his second portrait of Pietro Bembo, Titian portrayed his lifelong friend as an intelligent, dynamic individual. Bembo's dark eyes are bright and alert; his short gray beard is softly modeled. His angular features are somewhat idealized and give him the appearance of a man younger than his seventy years. Wearing the scarlet cape and \n " +p145225 +sa(dp145226 +g25268 +S'Madonna and Child in a Garden' +p145227 +sg25270 +S'Cosm\xc3\xa8 Tura' +p145228 +sg25273 +S'tempera and oil on panel' +p145229 +sg25275 +S'c. 1460/1470' +p145230 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a00007c8.jpg' +p145231 +sg25267 +S'This work shows the Madonna and Child seated in a garden that represents Eden.\r\nThe orange trees bloom with pure white flowers that symbolize Mary\'s virginity.\r\nAn Annunciation scene appears in the raised and gilded foliate scrolls at the top\r\nof the painting.\n Since antiquity, sleep was regarded as "the brother of death," and during the Renaissance,\r\nrepresentations of the sleeping Christ Child were considered prefigurations of the\r\ndeath that he would suffer for mankind. In Cosmè Tura\'s painting, death is also\r\nforeshadowed by the stone sarcophagus on which Mary is seated.\n Cosmè Tura is considered the first great painter in Renaissance Ferrara, a city\r\nin northern Italy. He spent most of his professional life in the service of the\r\nnoble d\'Este family, the dukes of Ferrara. Because Ferrara lacked strong artistic\r\ntraditions, Cosmè was free to develop a very personal style. He may have been\r\ninspired by the works of Tuscan and Paduan artists, as well as by the Flemish, some\r\nof whose paintings figured in Ferrarese collections in the fifteenth century. In\r\nthis early work, Cosmè showed an eccentric tendency to exaggerate human anatomy\r\nfor expressive ends, as seen in the treatment of the Virgin\'s elongated hands. Purposeful\r\ndistortions increase in his later works, which reverberate with spiritual and emotional\r\nfervor.\n ' +p145232 +sa(dp145233 +g25268 +S'Iupiter (Jupiter)' +p145234 +sg25270 +S'Master of the S-Series Tarocchi' +p145235 +sg25273 +S'engraving' +p145236 +sg25275 +S'probably c. 1470' +p145237 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c704.jpg' +p145238 +sg25267 +g27 +sa(dp145239 +g25268 +S'Tarquin and Lucretia' +p145240 +sg25270 +S'Giuseppe Maria Crespi' +p145241 +sg25273 +S'oil on canvas' +p145242 +sg25275 +S'c. 1695/1700' +p145243 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a0000604.jpg' +p145244 +sg25267 +S"An historical tale told by Livy, Ovid, and even Shakespeare is the rape of Lucretia. Sextus\nTarquinius, son of the Etruscan King of Rome, forced the Roman matron to submit to his\nadvances by threatening to kill her and, then, to make it seem that she had been caught in\nadultery. Afterward, Lucretia told her family of this outrage and took her own life. Her\nfamily avenged her honor by overthrowing the tyrannical king, an act which led to the\nestablishment of the Roman republic. Lucretia, as an exemplar of feminine virtue and Roman\nstoicism, was a favorite subject for baroque painters who reveled in depicting the extreme\npassion and violence of the story.\n If Crespi's subject is classical, his style is decidedly not. He shows Sextus Tarquinius as he\nrushes in and forces himself on Lucretia, in his haste entangling himself in the rustling silk\ncurtains of Lucretia's bed. The rough-looking villain has dropped his dagger and now\nremonstrates with Lucretia to cease her futile protest. Crespi's brush moved with great speed, and\nhe made dramatic use of light, contrasting the luminous face of virtuous Lucretia with the\nsinister, shadowed profile of her attacker. Even the carved horse of Lucretia's bed comes alive,\nstirred by the violent episode.\n " +p145245 +sa(dp145246 +g25268 +S'The Rule of Bacchus [left panel]' +p145247 +sg25270 +S'Artist Information (' +p145248 +sg25273 +S'German, 1480 or before - 1538' +p145249 +sg25275 +S'(related artist)' +p145250 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00068/a0006800.jpg' +p145251 +sg25267 +g27 +sa(dp145252 +g25268 +S'The Fall of Man [middle panel]' +p145253 +sg25270 +S'Artist Information (' +p145254 +sg25273 +S'German, 1480 or before - 1538' +p145255 +sg25275 +S'(related artist)' +p145256 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00067/a00067fe.jpg' +p145257 +sg25267 +g27 +sa(dp145258 +g25268 +S'The Rule of Mars [right panel]' +p145259 +sg25270 +S'Artist Information (' +p145260 +sg25273 +S'German, 1480 or before - 1538' +p145261 +sg25275 +S'(related artist)' +p145262 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00067/a00067ff.jpg' +p145263 +sg25267 +g27 +sa(dp145264 +g25268 +S'The Expectant Madonna with Saint Joseph' +p145265 +sg25270 +S'French 15th Century' +p145266 +sg25273 +S'image: 70.5 x 35 cm (27 3/4 x 13 3/4 in.)\r\nwith integral frame: 83 x 47 x 2.5 cm (32 11/16 x 18 1/2 x 1 in.)' +p145267 +sg25275 +S'\ntempera on European walnut' +p145268 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d74.jpg' +p145269 +sg25267 +g27 +sa(dp145270 +g25268 +S'Death and the Miser' +p145271 +sg25270 +S'Hieronymus Bosch' +p145272 +sg25273 +S'oil on panel' +p145273 +sg25275 +S'c. 1485/1490' +p145274 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a0000597.jpg' +p145275 +sg25267 +S"In this panel Bosch shows us the last moments in the life of a miser, just\r\nbefore his eternal fate is decided. A little monster peeping out from under the\r\nbed–curtains tempts the miser with a bag of gold, while an angel kneeling at the right encourages him to acknowledge the crucifix in the window. Death, holding an arrow, enters at the left.\n Oppositions of good and evil occur throughout the painting. A lantern containing the fire of Hell, carried by the demon atop the bed canopy, balances the cross which emits a single ray of divine light. The figure in the middle ground, perhaps representing the miser earlier in his life, is shown as hypocritical; with one hand he puts coins into the strongbox where they are collected by a rat–faced demon, and with the other he fingers a rosary, attempting to serve God and Mammon at the same time. A demon emerging from underneath the chest holds up a paper sealed with red wax — perhaps\r\na letter of indulgence or a document that refers to the miser's mercenary activities.\n This type of deathbed scene derives from an early printed book, the \n " +p145276 +sa(dp145277 +g25268 +S'Countess Ebba Sparre' +p145278 +sg25270 +S'S\xc3\xa9bastien Bourdon' +p145279 +sg25273 +S'oil on canvas' +p145280 +sg25275 +S'1652/1653' +p145281 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d59.jpg' +p145282 +sg25267 +S"While at Stockholm, Bourdon painted Ebba Sparre (1626-1662), a \n lady-in-waiting to and intimate companion of Sweden's Queen Christina. The \n animated portrayal of the countess and the bold lighting derive from \n portraits by the Flemish master \n " +p145283 +sa(dp145284 +g25268 +S'Omer Talon' +p145285 +sg25270 +S'Philippe de Champaigne' +p145286 +sg25273 +S'oil on canvas' +p145287 +sg25275 +S'1649' +p145288 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d5b.jpg' +p145289 +sg25267 +S"Champaigne, the only artist represented in this tour who never visited Italy, was born and trained in Brussels. Arriving in Paris in 1621, he adapted the French decorative style but retained his Flemish realism and interest in minute details. A founder of the academy in France, by the 1640s Champaigne converted to Jansenism, a particularly severe branch of Catholicism, and his subsequent works reveal an ascetic tendency toward grays and browns.\n Omer Talon (1595–1652), a liberal attorney general of the French parliament, fought against the tyranny of Louis XIV's ministers. The somber tonality of judicial robes in blood red and ash black typifies Champaigne's later work. The artist's Flemish heritage explains the candid face with its stern gaze and the attention to detailed textures, but French influence accounts for the formal composition, such as the open robe creating a diagonal line that rises toward the head.\n " +p145290 +sa(dp145291 +g25268 +S'Still Life with Game' +p145292 +sg25270 +S'Jean Sim\xc3\xa9on Chardin' +p145293 +sg25273 +S'oil on canvas' +p145294 +sg25275 +S'probably 1750s' +p145295 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d5f.jpg' +p145296 +sg25267 +S'When Chardin returned to still-life painting late in his life, he \r\n employed a freer style than the more refined technique he had used for \r\n figures. His contemporaries painted dead game with trompe-l\'oeil \r\n (literally, "fool the eye") realism and great virtuosity, but Chardin chose \r\n instead to evoke the limp plumpness of these animals with softness and a \r\n certain ambiguity. An array of tones spreads like light diffusing across \r\n this canvas. Vivid highlights of turquoise and coral in the feathers \r\n punctuate the warm neutrals and are echoed with ever diminishing strength \r\n from left to right. The feathers are painted with smooth scalloping arcs, \r\n while the fur of the rabbits is made with thicker paint puckered on the \r\n surface. Approach the painting, as the critic Diderot suggested visitors to \r\n the Salon exhibitions do, and the forms of the game disappear into a mosaic \r\n of pure paint. "Move away," Diderot continued, "and everything creates \r\n itself and reappears."\n ' +p145297 +sa(dp145298 +g25268 +S'The Attentive Nurse' +p145299 +sg25270 +S'Jean Sim\xc3\xa9on Chardin' +p145300 +sg25273 +S'oil on canvas' +p145301 +sg25275 +S'1747' +p145302 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d60.jpg' +p145303 +sg25267 +S'Through the simple action depicted here, Chardin reveals dignity and \r\n beauty in everyday life. The woman\'s expression as she concentrates on her \r\n task suggests that her thoughts are elsewhere, perhaps with the invalid \r\n whose meal she is preparing (Chardin lost his first wife and young daughter \r\n to illness). Each object receives careful treatment from the artist\'s \r\n brush. The table setting is a harmony of white tones: jug, tablecloth, egg, \r\n and plate, each subtly different. Every pot, each piece of crockery is \r\n palpably present. As Diderot wrote of Chardin, "it is not white, red, or \r\n black pigment that you mix on your palette, it is the very substance of \r\n objects."\n Chardin\'s modest subjects—like this and that of the \n ' +p145304 +sa(dp145305 +g25268 +S'Chronico (Genius of Time)' +p145306 +sg25270 +S'Master of the E-Series Tarocchi' +p145307 +sg25273 +S'engraving' +p145308 +sg25275 +S'c. 1465' +p145309 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6ed.jpg' +p145310 +sg25267 +g27 +sa(dp145311 +g25268 +S'The Kitchen Maid' +p145312 +sg25270 +S'Jean Sim\xc3\xa9on Chardin' +p145313 +sg25273 +S'oil on canvas' +p145314 +sg25275 +S'1738' +p145315 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d61.jpg' +p145316 +sg25267 +g27 +sa(dp145317 +g25268 +S'Queen Henrietta Maria with Sir Jeffrey Hudson' +p145318 +sg25270 +S'Sir Anthony van Dyck' +p145319 +sg25273 +S'oil on canvas' +p145320 +sg25275 +S'1633' +p145321 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e20.jpg' +p145322 +sg25267 +S"In 1632 Anthony van Dyck was invited to England to work at the court of Charles I. There he painted many impressive portraits, including this depiction of Queen Henrietta Maria at age 24. The French–born queen exerted a strong influence on court fashion and protocol, introducing to England the fashions of the Continent; she is shown here dressed for the hunt in a satin riding costume with a delicate lace collar instead of the stiff Elizabethan ruff.\n The queen's love of amusement is symbolized by the presence of the dwarf and monkey, both royal favorites. Jeffrey Hudson, a dwarf, had been presented to the Queen as a gift when he was eight years old and remained a faithful advisor until her death.\n The portrait superbly demonstrates Van Dyck's working methods and the reasons for his phenomenal success. Henrietta probably posed only briefly for a sketch, so the painting itself had to be executed from a model or mannequin attired in the queen's costume. The artist shows a tall woman with an oval face, pointed chin, and long nose. According to sketches done from life, however, the queen was actually a petite person with a round head and small features. She thus has been greatly idealized in the portrait. The fluted column emphasizes her already exaggerated height, and the crown and cloth of gold signify her royalty.\n " +p145323 +sa(dp145324 +g25268 +S'Saint Jerome Penitent [left panel]' +p145325 +sg25270 +S'Jan Gossaert' +p145326 +sg25273 +S'oil on panel' +p145327 +sg25275 +S'c. 1509/1512' +p145328 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005e/a0005e15.jpg' +p145329 +sg25267 +S"These two panels are painted with the\r\n subtly varied grays known by the French term “grisaille,” a palette that\r\n mimicked the appearance of stone sculpture and was used most often, as here,\r\n on the exteriors of altarpiece shutters.\n Seen in the desert where he lived for a time as a hermit, Jerome holds\r\n the stone he used to beat his chest in penance for the visions of pleasure\r\n that interrupted his meditations. He looks to a crucifix growing out of a\r\n gnarled and lifeless tree. The imagery suggests both death and salvation,\r\n and it would also recall for contemporary viewers medieval legends\r\n connecting the wood of the cross to the Tree of Life and the Tree of\r\n Knowledge. Jerome is accompanied by the lion who, according to legend,\r\n became his faithful companion after the saint removed a thorn from its paw.\r\n In the distance unfolds the story of his false accusation of the lion—that it had devoured a caravan donkey—and their subsequent joyful reunion\r\n at the upper right.\n Gossaert was apparently the first Netherlandish artist to travel in\r\n Italy, but it is unclear whether he painted Saint Jerome before or after his\r\n trip. Jerome's robust physique and beardlessness, uncommon in medieval\r\n representations, could have been inspired by ancient or Italian Renaissance\r\n works, but the darkly threatening landscape and the lion's unnaturally flat\r\n face seem more at home in northern art.\n " +p145330 +sa(dp145331 +g25268 +S'Saint Jerome Penitent [right panel]' +p145332 +sg25270 +S'Jan Gossaert' +p145333 +sg25273 +S'oil on panel' +p145334 +sg25275 +S'c. 1509/1512' +p145335 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005ac.jpg' +p145336 +sg25267 +g27 +sa(dp145337 +g25268 +S'The Adoration of the Magi' +p145338 +sg25270 +S'North Netherlandish 15th Century' +p145339 +sg25273 +S'overall: 183 x 164.5 cm (72 1/16 x 64 3/4 in.)\r\nframed: 215.9 x 203.2 x 12 cm (85 x 80 x 4 3/4 in.)' +p145340 +sg25275 +S'\noil on canvas transferred from panel' +p145341 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a00004a7.jpg' +p145342 +sg25267 +g27 +sa(dp145343 +g25268 +S'The Marriage at Cana' +p145344 +sg25270 +S'Master of the Catholic Kings' +p145345 +sg25273 +S'oil on panel' +p145346 +sg25275 +S'c. 1495/1497' +p145347 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a00004aa.jpg' +p145348 +sg25267 +S"Christ is shown here at the scene of his first miracle—the transformation of water into wine. He stands at the banquet table of a wedding, his right hand raised in a gesture of benediction, while a servant, pointing to the clay jars on the floor as if to explain what has just taken place, offers the bridal pair a goblet of the transformed liquid.\n That the artist has absorbed the traditions of 15th–century Flemish painting is evident in his mastery of the oil technique and his meticulous rendering of texture and minute detail. Combined with these elements are purely Spanish ones, such as the solemn faces with downturned mouths and the recognizably Spanish costumes.\n The unidentified artist's name is derived from his principal work, \n " +p145349 +sa(dp145350 +g25268 +S'Christ among the Doctors' +p145351 +sg25270 +S'Master of the Catholic Kings' +p145352 +sg25273 +S'oil on panel' +p145353 +sg25275 +S'c. 1495/1497' +p145354 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a00004ab.jpg' +p145355 +sg25267 +S'Ferdinand and Isabel became known as the "Catholic Kings" because of \r\n their religious zeal, offering the Jews and Moors the choice of converting \r\n to Catholicism or being expelled from Spain. Two paintings in the National \r\n Gallery, which depict coats of arms of Ferdinand and Isabel, must have been \r\n commissioned by or for the monarchs. Along with six pictures now in other \r\n museums, they formed parts of an altarpiece probably painted for a church \r\n or convent in Valladolid in north central Spain. The high quality of the \r\n altarpiece and its probable royal patronage have given the painter the name \r\n Master of the Catholic Kings.\n The last incident of Jesus\' childhood recorded in the Bible derives from \r\n Luke (2:41-52). Leaving Jerusalem after celebrating the Passover feast, \r\n Joseph and Mary discovered that Jesus was not in the caravan. Returning and \r\n searching for three days, they found the boy in scholarly dispute in the \r\n temple. \n Deep space is skillfully indicated by contrasting the large scale of the \r\n foreground figures with the distant view of a town glimpsed through the \r\n door behind Joseph and Mary. The stained-glass windows bear the heraldry of \r\n Ferdinard and Isabel as well as of Maximilian I of the Holy Roman Empire. \r\n The Spanish monarchs\' daughter and son were married to the son and daughter \r\n respectively of the Holy Roman Emperor in 1496 and 1497. Thus the \r\n altarpiece may have commemorated these dynastic weddings.\n ' +p145356 +sa(dp145357 +g25268 +S'Landscape with Merchants' +p145358 +sg25270 +S'Claude Lorrain' +p145359 +sg25273 +S'oil on canvas' +p145360 +sg25275 +S'c. 1629' +p145361 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002c/a0002c15.jpg' +p145362 +sg25267 +g27 +sa(dp145363 +g25268 +S'A Miracle of Saint Benedict' +p145364 +sg25270 +S'French 15th Century' +p145365 +sg25273 +S'painted surface: 91.5 x 78 cm (36 x 30 11/16 in.)\r\noriginal panel: 94 x 79.4 cm (37 x 31 1/4 in.)\r\nframed: 109.5 x 95.7 x 7.6 cm (43 1/8 x 37 11/16 x 3 in.)' +p145366 +sg25275 +S'\noil on oak' +p145367 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005a/a0005aaf.jpg' +p145368 +sg25267 +g27 +sa(dp145369 +g25268 +S'Saint Veronica [obverse]' +p145370 +sg25270 +S'Hans Memling' +p145371 +sg25273 +S'oil on panel' +p145372 +sg25275 +S'c. 1470/1475' +p145373 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005bb.jpg' +p145374 +sg25267 +S"This two-sided panel was once the right wing of a diptych. On the front we see Veronica, among the most venerated saints of the Middle Ages and Renaissance. Several legends about her were conflated and she was identified with different people, including the compassionate woman who gave Jesus a cloth as he struggled on the way to Calvary; when he wiped his brow with the cloth, it was miraculously imprinted with his face. By the 12th century, a cloth believed to be Veronica's veil had entered the Vatican. Indulgences (reducing time in purgatory and even remitting sin) were granted for reciting prayers either before the relic or before images of it. Veronica was also invoked against the danger of sudden death before confession. On the \n Memling worked primarily for the middle class and the resident Italian community in Bruges. He apparently studied with \n " +p145375 +sa(dp145376 +g25268 +S'Council of High Priests' +p145377 +sg25270 +S'German 15th Century' +p145378 +sg25273 +S'Schreiber Manuel, no. 3448' +p145379 +sg25275 +S'\nhand-colored woodcut' +p145380 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a602.jpg' +p145381 +sg25267 +g27 +sa(dp145382 +g25268 +S'Chalice of Saint John the Evangelist [reverse]' +p145383 +sg25270 +S'Hans Memling' +p145384 +sg25273 +S'oil on panel' +p145385 +sg25275 +S'c. 1470/1475' +p145386 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a000059f.jpg' +p145387 +sg25267 +g27 +sa(dp145388 +g25268 +S'Christ among the Doctors [obverse]' +p145389 +sg25270 +S'Bernard van Orley' +p145390 +sg25273 +S'oil on panel' +p145391 +sg25275 +S'c. 1513' +p145392 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005bd.jpg' +p145393 +sg25267 +g27 +sa(dp145394 +g25268 +S'Putto with Arms of Jacques Co\xc3\xabne [reverse]' +p145395 +sg25270 +S'Bernard van Orley' +p145396 +sg25273 +S'oil on panel' +p145397 +sg25275 +S'c. 1513' +p145398 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00059/a0005974.jpg' +p145399 +sg25267 +g27 +sa(dp145400 +g25268 +S'The Marriage of the Virgin' +p145401 +sg25270 +S'Bernard van Orley' +p145402 +sg25273 +S'oil on panel' +p145403 +sg25275 +S'c. 1513' +p145404 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005be.jpg' +p145405 +sg25267 +S'The panels, \n The marriage of the Virgin and Joseph is a story not found in the Bible but popular in late medieval religious literature. In \n Though van Orley assimilated Renaissance style, it is not clear whether he actually traveled to Italy. Italian style moved north in a number of ways. The elaborate Renaissance porticoes here may have been influenced, for example, by the drawings of other northern artists. Or they may reflect the ceremonial structures erected for the triumphal entry of Holy Roman Emperor Charles V into Bruges. A few years after these panels were painted, van Orley himself received a series of influential designs by \n ' +p145406 +sa(dp145407 +g25268 +S'The Holy Family on the Steps' +p145408 +sg25270 +S'Artist Information (' +p145409 +sg25273 +S'French, 1594 - 1665' +p145410 +sg25275 +S'(related artist)' +p145411 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d4d.jpg' +p145412 +sg25267 +g27 +sa(dp145413 +g25268 +S'The Ponte Salario' +p145414 +sg25270 +S'Hubert Robert' +p145415 +sg25273 +S'oil on canvas' +p145416 +sg25275 +S'c. 1775' +p145417 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d8c.jpg' +p145418 +sg25267 +S'Hubert Robert, known as "Robert of the Ruins," spent eleven years as a student\nin Rome from 1754 until 1765. During his sojourn he studied at the French Academy,\nbut dedicated most of his energy to sketching the Eternal City and the Roman \n In \n Robert has combined the grandeur of ancient Rome with the anecdotal. For example,\nthe young man on the right bank admires the washerwoman opposite, while the old\nwoman on the pier entices her cat to return. Robert, by linking present and past\nunder the warm light of the Italian sun, reminds us that bridges are emblems of\nthe passage of time, thus evoking a nostalgia for the glory of ancient Rome.\n ' +p145419 +sa(dp145420 +g25268 +S'Saint Jerome' +p145421 +sg25270 +S'Francesco Benaglio' +p145422 +sg25273 +S'tempera on panel' +p145423 +sg25275 +S'c. 1470/1475' +p145424 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a0000760.jpg' +p145425 +sg25267 +g27 +sa(dp145426 +g25268 +S'Christ Carrying the Cross' +p145427 +sg25270 +S'Benvenuto di Giovanni' +p145428 +sg25273 +S'tempera on panel' +p145429 +sg25275 +S'probably 1491' +p145430 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a0000784.jpg' +p145431 +sg25267 +g27 +sa(dp145432 +g25268 +S'The Crucifixion' +p145433 +sg25270 +S'Benvenuto di Giovanni' +p145434 +sg25273 +S'tempera on panel' +p145435 +sg25275 +S'probably 1491' +p145436 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a0000785.jpg' +p145437 +sg25267 +g27 +sa(dp145438 +g25268 +S'Christ in Limbo' +p145439 +sg25270 +S'Benvenuto di Giovanni' +p145440 +sg25273 +S'tempera on panel' +p145441 +sg25275 +S'probably 1491' +p145442 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a0000771.jpg' +p145443 +sg25267 +g27 +sa(dp145444 +g25268 +S'Mocking of Christ' +p145445 +sg25270 +S'German 15th Century' +p145446 +sg25273 +S'Schreiber Manuel, no. 3448' +p145447 +sg25275 +S'\nhand-colored woodcut' +p145448 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a601.jpg' +p145449 +sg25267 +g27 +sa(dp145450 +g25268 +S'The Resurrection' +p145451 +sg25270 +S'Benvenuto di Giovanni' +p145452 +sg25273 +S'tempera on panel' +p145453 +sg25275 +S'probably 1491' +p145454 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a0000786.jpg' +p145455 +sg25267 +g27 +sa(dp145456 +g25268 +S"Giuliano de' Medici" +p145457 +sg25270 +S'Sandro Botticelli' +p145458 +sg25273 +S'tempera on panel' +p145459 +sg25275 +S'c. 1478/1480' +p145460 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005c8.jpg' +p145461 +sg25267 +S"Giuliano Medici, the younger brother of Lorenzo, was nursing a bad knee on Easter Day 1478 and had to be helped to the cathedral—by the very men who were plotting to kill him and his brother during mass. The assassins, members and supporters of the Pazzi family, banking rivals of the Medici, awaited their signal. As worshipers bowed their heads at the elevation of the host, Giuliano was brutally stabbed. Lorenzo escaped to the sacristy, remaining there while the Pazzi partisans attempted to seize the government. They soon failed, however, and Lorenzo resumed control.\n The murder of Giuliano shocked Florence, and a number of portraits were ordered for public display to serve both as memorials and as warnings to other plotters. Botticelli's painting may have been the prototype for others, and lent symbolic gravity to Guiliano\xe2\x80\x99s passing, showing him as an icon, almost a saint. The open window and mourning dove were familiar symbols of death, alluding to the flight of the soul and the deceased's passage to the afterlife. Some scholars, noting the lowered eyelids, suggest this portrait was painted posthumously from a death mask.\n " +p145462 +sa(dp145463 +g25268 +S'River Landscape' +p145464 +sg25270 +S'Annibale Carracci' +p145465 +sg25273 +S'oil on canvas' +p145466 +sg25275 +S'c. 1590' +p145467 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a0000600.jpg' +p145468 +sg25267 +S"It might be said that with paintings like this one, Annibale Carracci invented the landscape as\na subject for Italian baroque painting. Nature here is appreciated first and foremost for herself\nand not as the backdrop for a story. A mellow sunlight dapples the land and picks out the ripples\ndisturbing the surface of the river. The gold in the treetops suggests a day in early autumn.\nBrightly clad in red and white, a boatman poles his craft through the shallow water.\n In the company of his brother Agostino and his cousin Lodovico Carracci, Annibale made\nexcursions into the country in order to sketch the landscape. From these quick studies made on\nthe spot he worked up his paintings in the studio. The resulting composition is an artful\nbalancing of forms. As the river wends its way through the countryside towards the foreground,\nthe spits of land that chart its course are made to recede and project in an alternating rhythm of\ntriangles. Trees, like signposts, mark the progress of recession into the distance. At the same time\nthe bold strokes of dark trees in the foreground form a dramatic pattern on the surface to snap the\nspectator's attention back from the hazy blue of the distant horizon.\n " +p145469 +sa(dp145470 +g25268 +S'The Dream of Saint Catherine of Alexandria' +p145471 +sg25270 +S'Lodovico Carracci' +p145472 +sg25273 +S'oil on canvas' +p145473 +sg25275 +S'c. 1593' +p145474 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a0000601.jpg' +p145475 +sg25267 +S"We recognize this sleeping figure as Saint Catherine by the fragment of spiked wheel in the\nlower left corner, which was the instrument of an attempted martyrdom. Here Lodovico Carracci\nrepresented her legendary dream in which Mary and the infant Christ, accompanied by\nangels, appeared to her. Plighting his troth, Christ placed a ring on Catherine's finger, and\nthrough this mystic marriage she became his bride. To cast the event as a dream, rather than\nhaving Saint Catherine receive the ring while awake, is Lodovico's innovation.\n Two angels at the left look on with protective tenderness, while others barely emerge amid\nthe vaporous bronze radiance at the right -- spirit becoming matter. The figures, solid and robust,\nbask in an indeterminate setting. A languorous warmth pervades the scene and slows the\ncomposition. At the same time, the quirky folds and pleats cascading down Catherine's garments\nimpart a vertiginous sensation -- the dizziness of sleep.\n Lodovico was the eldest of the three Carracci, the family of Bolognese artists who\ninaugurated the age of the baroque. His depictions of saints in states of visionary ecstasy were\nhighly prized in an age when the purpose of religious art was to arouse intensely pious emotions\nin the spectator.\n " +p145476 +sa(dp145477 +g25268 +S'Madonna and Child with Saint John the Baptist and Saint Peter' +p145478 +sg25270 +S'Cimabue' +p145479 +sg25273 +S', probably c. 1290' +p145480 +sg25275 +S'\n' +p145481 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000c/a0000cc0.jpg' +p145482 +sg25267 +g27 +sa(dp145483 +g25268 +S'Madonna and Child with Saints and Angels' +p145484 +sg25270 +S'Bernardo Daddi' +p145485 +sg25273 +S'tempera on panel' +p145486 +sg25275 +S'1330s' +p145487 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a80.jpg' +p145488 +sg25267 +g27 +sa(dp145489 +g25268 +S'Lucrezia Tornabuoni' +p145490 +sg25270 +S'Domenico Ghirlandaio' +p145491 +sg25273 +S', c. 1475' +p145492 +sg25275 +S'\n' +p145493 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a000086c.jpg' +p145494 +sg25267 +g27 +sa(dp145495 +g25268 +S'Saint Anthony of Padua' +p145496 +sg25270 +S'Vincenzo Foppa' +p145497 +sg25273 +S'oil (?) on panel' +p145498 +sg25275 +S'c. 1495/1500' +p145499 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a00007c3.jpg' +p145500 +sg25267 +g27 +sa(dp145501 +g25268 +S'Bishop Altobello Averoldo' +p145502 +sg25270 +S'Francesco Francia' +p145503 +sg25273 +S'oil on panel' +p145504 +sg25275 +S'c. 1505' +p145505 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a0000801.jpg' +p145506 +sg25267 +g27 +sa(dp145507 +g25268 +S'Forteza (Fortitude)' +p145508 +sg25270 +S'Master of the E-Series Tarocchi' +p145509 +sg25273 +S'engraving' +p145510 +sg25275 +S'c. 1465' +p145511 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6e9.jpg' +p145512 +sg25267 +g27 +sa(dp145513 +g25268 +S'Madonna and Child with a Pomegranate' +p145514 +sg25270 +S'Lorenzo di Credi' +p145515 +sg25273 +S'oil on panel' +p145516 +sg25275 +S'1475/1480' +p145517 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a0000780.jpg' +p145518 +sg25267 +S'The workshop of a Renaissance artist was both studio and school, where \r\n apprentices were trained to paint in the style of the master. Since large \r\n commissions required the efforts of many painters, backgrounds, still-life \r\n details, and secondary figures were often painted by assistants. A master \r\n might also give lesser commissions entirely over to his assistants, simply \r\n approving the work as meeting his standard. It is often difficult to \r\n distinguish the work of the master from that of talented assistants whose \r\n individual styles were not yet fully developed.\n This small devotional panel is painted in the style of \n ' +p145519 +sa(dp145520 +g25268 +S'Portrait of a Young Lady' +p145521 +sg25270 +S'Artist Information (' +p145522 +sg25273 +S'Italian, 1452 - 1519' +p145523 +sg25275 +S'(related artist)' +p145524 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002b/a0002b12.jpg' +p145525 +sg25267 +g27 +sa(dp145526 +g25268 +S'The Infant Savior' +p145527 +sg25270 +S'Andrea Mantegna' +p145528 +sg25273 +S'tempera on canvas' +p145529 +sg25275 +S'c. 1460' +p145530 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a00007c5.jpg' +p145531 +sg25267 +g27 +sa(dp145532 +g25268 +S'Scenes from the Life of Saint John the Baptist' +p145533 +sg25270 +S'Master of the Life of Saint John the Baptist' +p145534 +sg25273 +S'tempera on panel' +p145535 +sg25275 +S'probably 1330/1340' +p145536 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000b/a0000be7.jpg' +p145537 +sg25267 +S'This panel, the Gallery’s \n Here we see a sequence of three separate events from the\r\n Baptist’s infancy.\r\n First, two women admire the new infant, while a child peers in from\r\n the\r\n doorway. Next, John’s father, Zacharias, writes “his name is John”\r\n on a\r\n scroll. While writing he regains the power of speech, which had\r\n been taken\r\n from him because he was skeptical of God’s announcement that his\r\n elderly\r\n wife would conceive. One witness looks right, leading our eye to\r\n the third scene, where the infant John struggles while being \r\n circumcised.\n The panel’s strong narrative sense and broad, simple figures\r\n reflect\r\n Giotto’s influence. But its strongly contrasting colors and rich\r\n detail—the patterned background, the heavy curtains, and\r\n architectural decoration—express the younger artist’s own \r\n preferences.\n ' +p145538 +sa(dp145539 +g25268 +S'Elijah Taken Up in a Chariot of Fire' +p145540 +sg25270 +S'Giuseppe Angeli' +p145541 +sg25273 +S'oil on canvas' +p145542 +sg25275 +S'c. 1740/1755' +p145543 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005f8.jpg' +p145544 +sg25267 +g27 +sa(dp145545 +g25268 +S'Portrait of a Man' +p145546 +sg25270 +S'Tyrolean 15th Century' +p145547 +sg25273 +S'overall: 56.5 x 40 cm (22 1/4 x 15 3/4 in.)' +p145548 +sg25275 +S'\noil on panel' +p145549 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a0000542.jpg' +p145550 +sg25267 +g27 +sa(dp145551 +g25268 +S'Putti with a Wine Press' +p145552 +sg25270 +S'Artist Information (' +p145553 +sg25273 +S'Italian, 1483 - 1520' +p145554 +sg25275 +S'(related artist)' +p145555 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a0000887.jpg' +p145556 +sg25267 +g27 +sa(dp145557 +g25268 +S'The Death of Saint Anthony' +p145558 +sg25270 +S'Artist Information (' +p145559 +sg25273 +S'(painter)' +p145560 +sg25275 +S'\n' +p145561 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a0000862.jpg' +p145562 +sg25267 +g27 +sa(dp145563 +g25268 +S'Portrait of a Knight' +p145564 +sg25270 +S'Giovanni Girolamo Savoldo' +p145565 +sg25273 +S'oil on canvas' +p145566 +sg25275 +S'c. 1525' +p145567 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a0000824.jpg' +p145568 +sg25267 +g27 +sa(dp145569 +g25268 +S'Iliaco (Genius of the Sun)' +p145570 +sg25270 +S'Master of the E-Series Tarocchi' +p145571 +sg25273 +S'engraving' +p145572 +sg25275 +S'c. 1465' +p145573 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6ee.jpg' +p145574 +sg25267 +g27 +sa(dp145575 +g25268 +S'The Crucifixion' +p145576 +sg25270 +S'Luca Signorelli' +p145577 +sg25273 +S'tempera and oil (?) on panel' +p145578 +sg25275 +S'c. 1504/1505' +p145579 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a000078a.jpg' +p145580 +sg25267 +g27 +sa(dp145581 +g25268 +S'Saint George and the Dragon' +p145582 +sg25270 +S'Sodoma' +p145583 +sg25273 +S'oil on panel' +p145584 +sg25275 +S'probably 1518' +p145585 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a0000827.jpg' +p145586 +sg25267 +g27 +sa(dp145587 +g25268 +S'Young Lady in a Tricorn Hat' +p145588 +sg25270 +S'Giovanni Battista Tiepolo' +p145589 +sg25273 +S'oil on canvas' +p145590 +sg25275 +S'c. 1755/1760' +p145591 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00009/a0000911.jpg' +p145592 +sg25267 +g27 +sa(dp145593 +g25268 +S'Apollo Pursuing Daphne' +p145594 +sg25270 +S'Giovanni Battista Tiepolo' +p145595 +sg25273 +S'oil on canvas' +p145596 +sg25275 +S'c. 1755/1760' +p145597 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a0000628.jpg' +p145598 +sg25267 +S"Throughout his career Tiepolo painted small pictures of mythological themes, which proved extremely popular. The subjects of these works came from the best–known episodes from ancient literature, but his conception of the stories was varied and original. His depiction of Apollo and Daphne comes directly from Ovid's \n The \n " +p145599 +sa(dp145600 +g25268 +S"A Procurator of Saint Mark's" +p145601 +sg25270 +S'Jacopo Tintoretto' +p145602 +sg25273 +S'oil on canvas' +p145603 +sg25275 +S'1575/1585' +p145604 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a000088a.jpg' +p145605 +sg25267 +S"Beginning in the 1550s, Tintoretto and his studio received numerous\n commissions for portraits of Venetian civic leaders. This work, painted\n entirely by Tintoretto between 1575 and 1585, is one of the finest\n surviving examples of a new and fashionable portrait type.\n The sitter is dressed in a crimson velvet robe lined with ermine. A\n richly patterned stole is draped over his right shoulder. Together, these\n garments identify him as a procurator, a Venetian civic official similar to\n a chancellor or senator. Seated in a three-quarter pose, the man turns his\n head as if to address the viewer. His position of authority is conveyed by\n his serious expression and his firm grip on the arm of the chair. The\n painting's large format and the voluminous bulk of the costume reinforce\n the unidentified sitter's high official status.\n With its saturated colors and assured brushwork, this portrait stands\n out as a superb example of Tintoretto's later painting style. While the\n garment is very thinly painted with red glazes, broad strokes of white\n create highlights on the edges of the fabric folds.\n " +p145606 +sa(dp145607 +g25268 +S'Alessandro Alberti with a Page' +p145608 +sg25270 +S'Artist Information (' +p145609 +sg25273 +S'Italian, c. 1490 - 1576' +p145610 +sg25275 +S'(related artist)' +p145611 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a000082d.jpg' +p145612 +sg25267 +g27 +sa(dp145613 +g25268 +S'The Flagellation of Christ' +p145614 +sg25270 +S'Bacchiacca' +p145615 +sg25273 +S'oil on panel' +p145616 +sg25275 +S'c. 1512/1515' +p145617 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a0000808.jpg' +p145618 +sg25267 +g27 +sa(dp145619 +g25268 +S'Rebecca at the Well' +p145620 +sg25270 +S'Veronese' +p145621 +sg25273 +S'oil on canvas' +p145622 +sg25275 +S'1580/1585' +p145623 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a0000831.jpg' +p145624 +sg25267 +S"As suggested by his name of Veronese, Paolo Caliari was born in the\n northern Italian town of Verona. Following his training and early success\n there, the artist moved to Venice in 1553, where he, like Tintoretto and\n Bassano, was influenced by Titian's bold coloristic and compositional\n approaches.\n The story of Rebecca at the well comes from the Book of Genesis. The\n aged Abraham, wanting a wife for his son Isaac, sent his servant Eliezer to\n his homeland of Mesopotamia to find a suitable woman. Tired after his long\n journey, Eliezer stopped at a well and prayed for guidance. When Rebecca\n offered water to Eliezer and his camels, the old steward recognized her as\n the appointed bride and presented her with the betrothal jewels offered by\n the kneeling servant.\n Originally part of a decorative cycle of ten biblical scenes, this large\n canvas displays an interest in nature that is often noted in Veronese's\n later works. The deeply receding landscape at right balances the large,\n elegantly posed figures in the left foreground. Gleaming copper pots and\n luxurious orange, rose, and yellow fabrics provide a sharp contrast with\n the darkness of the lush vegetation and the evening sky. The fanciful\n camels add an exotic touch to Veronese's poetic interpretation of the\n story.\n " +p145625 +sa(dp145626 +g25268 +S'The Death of Saint Clare' +p145627 +sg25270 +S'Master of Heiligenkreuz' +p145628 +sg25273 +S'oil on panel' +p145629 +sg25275 +S'c. 1400/1410' +p145630 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005b5.jpg' +p145631 +sg25267 +S"Saint Clare, a wealthy woman from the central Italian town of Assisi, gave\nup all her possessions to pursue the goals of poverty and service preached by Saint\nFrancis. She founded an order of nuns known as the Poor Clares, which was recognized\nby the Pope in 1253. This painting depicts the vision of the death of Saint Clare\nas experienced by one of her followers, Sister Benvenuta of Diambra.\n In the vision of Saint Benvenuta, the Virgin Mary and a procession of virgin martyrs\nappeared to Saint Clare on her deathbed. Here Mary, dressed in a rich brocade robe,\nsupports Saint Clare's head, while the other elegantly robed and crowned saints\nfollow behind, identified by the tiny attributes they hold.\n The work of the Master of Heiligenkreuz, who was probably active in Lower Austria,\nillustrates the cosmopolitan aspect of the International Style, which flourished\naround 1400. While his exaggerated figures with their bulbous foreheads and clinging\ndrapery are characteristically Austrian, the anonymous painter must also have been\naware of the most advanced art produced at the courts of Paris and Prague. Thus\nthe surface of the panel is worked in a variety of different techniques to fashion\na particularly splendid object.\n " +p145632 +sa(dp145633 +g25268 +S'The Crucifixion' +p145634 +sg25270 +S'Artist Information (' +p145635 +sg25273 +S'German, 1516 - 1573' +p145636 +sg25275 +S'(related artist)' +p145637 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a0000544.jpg' +p145638 +sg25267 +g27 +sa(dp145639 +g25268 +S'Madonna and Child with Saint Jerome, Saint Bernardino, and Angels' +p145640 +sg25270 +S'Sano di Pietro' +p145641 +sg25273 +S'tempera on panel' +p145642 +sg25275 +S'c. 1460/1470' +p145643 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a000065e.jpg' +p145644 +sg25267 +S"In the mid-1400s, Sano di Pietro's workshop was the \r\nbusiest in Siena. He and his assistants produced—we might almost say mass produced—scores of devotional panels \r\nlike this one, often for religious fraternities. His half-length Madonnas are iconlike, objects for contemplation. Mother and child are surrounded by saints and angels, wreathed by their halos. The bright colors and the rich gold, textured with punched decoration, have a jewellike quality that appealed to the Sienese taste for ornament and luxury. Sano's images met conventional religious expectations as well. This Madonna's wide oval face and narrow almond eyes have the look of a Virgin painted a hundred years earlier.\n The saints are Jerome (left) and Bernardino (right). Sano would have seen the latter preaching in the Campo, Siena's central public square. In frescoes, Sano recorded the throngs and festival atmosphere that attended Bernardino's dawn sermons. Here he gives the saint the sunken cheeks \r\nof a man who has lost all his teeth to ascetic self-denial.\n When first documented as an independent master, Sano was already in his thirties. He seems to have studied in \n " +p145645 +sa(dp145646 +g25268 +S'Melpomene' +p145647 +sg25270 +S'Master of the S-Series Tarocchi' +p145648 +sg25273 +S'engraving' +p145649 +sg25275 +S'probably c. 1470' +p145650 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c703.jpg' +p145651 +sg25267 +g27 +sa(dp145652 +g25268 +S'Christ in Limbo' +p145653 +sg25270 +S'Artist Information (' +p145654 +sg25273 +S'German, 1516 - 1573' +p145655 +sg25275 +S'(related artist)' +p145656 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a0000580.jpg' +p145657 +sg25267 +g27 +sa(dp145658 +g25268 +S'Piet\xc3\xa0 (The Dead Christ Mourned by Nicodemus and Two Angels)' +p145659 +sg25270 +S'Filippino Lippi' +p145660 +sg25273 +S'oil (and possibly tempera) on panel' +p145661 +sg25275 +S'c. 1500' +p145662 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a0000778.jpg' +p145663 +sg25267 +g27 +sa(dp145664 +g25268 +S'The Coronation of the Virgin' +p145665 +sg25270 +S'Paolo Veneziano' +p145666 +sg25273 +S'tempera on panel' +p145667 +sg25275 +S'1324' +p145668 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a0a.jpg' +p145669 +sg25267 +g27 +sa(dp145670 +g25268 +S'Saint Jerome with Saint Paula and Saint Eustochium' +p145671 +sg25270 +S'Artist Information (' +p145672 +sg25273 +S'(painter)' +p145673 +sg25275 +S'\n' +p145674 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a00004b4.jpg' +p145675 +sg25267 +S"In seventeenth-century Spain, the religious orders were unrivaled\n in their patronage of the arts. Among the most important\n were the Hieronymites, whose white and brown habits are worn\n by these three saints: Paula, her daughter Eustochium, and\n Sophronius Eusebius Hieronymous, called Jerome in English.\n Under Jerome's spiritual direction, the two women founded a\n hospice and convent in the Holy Land that were regarded as\n the initial establishments of the Hieronymite Order. Paula and\n Jerome hold books, alluding to Jerome's role as the translator\n of the Bible into Latin. Paula, a well-educated woman from an\n illustrious Roman family, assisted Jerome with translations from\n Greek. Although Jerome is traditionally shown in a cardinal's\n garb, this is ahistorical. He died around 420, but the office of\n cardinal was not created until the end of the eleventh century,\n and the red robe and hat were not adopted until the mid-1200s.\n This work relies on a formula Zurbarán used for a series\n of pictures he painted in the late 1630s for the Hieronymite\n monastery of Guadalupe. There is extensive reworking in the\n contours of the figures -- probably an indication that while\n Zurbarán established the composition, the actual painting was\n carried out by assistants. Paula's robe, for example, appears\n doughy and lacks volume as it falls to the floor. Her stony expression\n and awkward thumb also suggest the hand of an assistant.\n " +p145676 +sa(dp145677 +g25273 +S'overall: 75.6 x 62 x 31.8 cm (29 3/4 x 24 7/16 x 12 1/2 in.)' +p145678 +sg25267 +g27 +sg25275 +S'\nmarble' +p145679 +sg25268 +S'Eagle' +p145680 +sg25270 +S'Italian 16th Century' +p145681 +sa(dp145682 +g25273 +S'(sculptor)' +p145683 +sg25267 +g27 +sg25275 +S'\n' +p145684 +sg25268 +S'The Adoration of the Magi' +p145685 +sg25270 +S'Artist Information (' +p145686 +sa(dp145687 +g25268 +S'The Flight into Egypt' +p145688 +sg25270 +S'Artist Information (' +p145689 +sg25273 +S'(sculptor)' +p145690 +sg25275 +S'\n' +p145691 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002d73.jpg' +p145692 +sg25267 +g27 +sa(dp145693 +g25268 +S'A Nereid' +p145694 +sg25270 +S'Giuseppe Mazzuoli' +p145695 +sg25273 +S', c. 1705/1715' +p145696 +sg25275 +S'\n' +p145697 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002c/a0002c39.jpg' +p145698 +sg25267 +S"A man who has seen a nymph "becomes possessed by nymphs" according to ancient Greek lore. Nymphs were embodiments of the spirit of nature, so there are many kinds—nymphs of rivers and woodlands, streams and mountains. Nereids are nymphs of the sea (specifically the fifty daughters of the old sea god Nereus), and usually are benevolent and playful, taking care with the fate of sailors. Although mortal, they live supernaturally long lives. Among the best-known nereids are Thetis, mother of Achilles, and Amphitrite, wife of Poseidon, but no specific attributes identify this one.\n This nereid's head is thrown back with abandon, her lithe body in counterpoint with a sea monster that helps support the weight of the marble. Voluminous twists of fabric cross diagonally over her, contributing dynamic energy to her pose. The marble here is deeply cut, creating dark pockets of shadow that enliven the surface. She is attributed to Giuseppe Mazzuoli, who as a young man worked with \n " +p145699 +sa(dp145700 +g25268 +S'Cupid' +p145701 +sg25270 +S'Edme Bouchardon' +p145702 +sg25273 +S'marble' +p145703 +sg25275 +S'1744' +p145704 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002c/a0002c00.jpg' +p145705 +sg25267 +g27 +sa(dp145706 +g25273 +S', c. 1775/1820' +p145707 +sg25267 +g27 +sg25275 +S'\n' +p145708 +sg25268 +S'Apollino of the Villa Medici' +p145709 +sg25270 +S'Francesco Righetti' +p145710 +sa(dp145711 +g25268 +S'Justicia (Justice)' +p145712 +sg25270 +S'Master of the E-Series Tarocchi' +p145713 +sg25273 +S'engraving' +p145714 +sg25275 +S'c. 1465' +p145715 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6e8.jpg' +p145716 +sg25267 +g27 +sa(dp145717 +g25273 +S'Italian, 1486 - 1570' +p145718 +sg25267 +g27 +sg25275 +S'(artist after)' +p145719 +sg25268 +S'Bacchus and a Faun' +p145720 +sg25270 +S'Artist Information (' +p145721 +sa(dp145722 +g25273 +S'overall: 173.5 x 58.6 x 55.6 cm (68 5/16 x 23 1/16 x 21 7/8 in.)' +p145723 +sg25267 +g27 +sg25275 +S'\nmarble' +p145724 +sg25268 +S'Bacchante' +p145725 +sg25270 +S'French 19th Century' +p145726 +sa(dp145727 +g25273 +S'overall: 161.2 x 44.4 x 49 cm (63 7/16 x 17 1/2 x 19 5/16 in.)' +p145728 +sg25267 +g27 +sg25275 +S'\nmarble' +p145729 +sg25268 +S'Bacchante' +p145730 +sg25270 +S'French 19th Century' +p145731 +sa(dp145732 +g25268 +S'Poetry and Music' +p145733 +sg25270 +S'Clodion' +p145734 +sg25273 +S'marble' +p145735 +sg25275 +S'c. 1774/1778' +p145736 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002c/a0002c04.jpg' +p145737 +sg25267 +S"This work, along with \n It was Clodion who arranged for the expensive Carrara marble used for \r\n all of Terray's statues, urging his source not to divulge the name of his \r\n unpopular client. Clodion had lived in Italy for nine years after winning \r\n the Prix de Rome. A vision of antiquity he acquired while in Italy — a \r\n wooded Arcadia where young satyrs and nymphs cavort — continued to be his \r\n greatest inspiration. After his return to Paris, these subjects delighted \r\n the aristocratic and wealthy bourgeois clients who flooded him with \r\n commissions to decorate their homes.\n Clodion prepared a terracotta model for \n " +p145738 +sa(dp145739 +g25268 +S'A Vestal' +p145740 +sg25270 +S'Clodion' +p145741 +sg25273 +S'marble' +p145742 +sg25275 +S'1770' +p145743 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002c/a0002c05.jpg' +p145744 +sg25267 +g27 +sa(dp145745 +g25268 +S'Ciborium for the Sacrament' +p145746 +sg25270 +S'Desiderio da Settignano' +p145747 +sg25273 +S'marble' +p145748 +sg25275 +S'c. 1455' +p145749 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00063/a0006335.jpg' +p145750 +sg25267 +g27 +sa(dp145751 +g25268 +S'Venus of the Doves' +p145752 +sg25270 +S'Etienne-Maurice Falconet' +p145753 +sg25273 +S'marble' +p145754 +sg25275 +S'unknown date\n' +p145755 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002c/a0002c31.jpg' +p145756 +sg25267 +g27 +sa(dp145757 +g25268 +S'Saint Barbara' +p145758 +sg25270 +S'Artist Information (' +p145759 +sg25273 +g27 +sg25275 +S'(sculptor)' +p145760 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004a/a0004a11.jpg' +p145761 +sg25267 +g27 +sa(dp145762 +g25268 +S'Giuseppe Balsamo, Comte di Cagliostro' +p145763 +sg25270 +S'Jean-Antoine Houdon' +p145764 +sg25273 +S'marble' +p145765 +sg25275 +S'1786' +p145766 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002c/a0002c0f.jpg' +p145767 +sg25267 +S'One of his contemporaries noted that Houdon, the most successful \r\n portrait sculptor of his day, "pushed truth to the bitter end." This bust \r\n captures the fleshy and disheveled scoundrel Cagliostro, who bilked the \r\n courts of Europe as an alchemist and mesmerizer. He was implicated in the \r\n notorious Affair of the Diamond Necklace, which galvanized public opinion \r\n against the French royal family when it appeared that Marie-Antoinette had \r\n purchased an extravagant necklace at a time of strained public finances. In \r\n fact, an ambitious dupe had made the purchase in hopes of currying the \r\n queen\'s favor. Cagliostro was suspected of acting as a go-between, and \r\n though no charges were proven, he was expelled from France in 1786, the \r\n same year this bust is dated. He died in a prison in Rome about fifteen \r\n years later, condemned by the pope as a heretic.\n Cagliostro\'s spirited portrait contrasts with Houdon\'s cool and \r\n impersonal \n ' +p145768 +sa(dp145769 +g25268 +S'Emperor Charles V' +p145770 +sg25270 +S'Artist Information (' +p145771 +sg25273 +S'Italian, c. 1509 - 1590' +p145772 +sg25275 +S'(artist after)' +p145773 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00049/a00049f3.jpg' +p145774 +sg25267 +g27 +sa(dp145775 +g25268 +S'Octava Spera (Eighth Sphere)' +p145776 +sg25270 +S'Master of the S-Series Tarocchi' +p145777 +sg25273 +S'engraving' +p145778 +sg25275 +S'probably c. 1470' +p145779 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c706.jpg' +p145780 +sg25267 +g27 +sa(dp145781 +g25268 +S'Galatea' +p145782 +sg25270 +S'Robert Le Lorrain' +p145783 +sg25273 +S'marble' +p145784 +sg25275 +S'1701' +p145785 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00029/a00029c1.jpg' +p145786 +sg25267 +g27 +sa(dp145787 +g25268 +S'A Garden Allegory: The Dew and Zephyr Cultivating Flowers' +p145788 +sg25270 +S'Artist Information (' +p145789 +sg25273 +S'(sculptor)' +p145790 +sg25275 +S'\n' +p145791 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002c/a0002c17.jpg' +p145792 +sg25267 +S"The small watering pitcher held by the female figure identifies her as a \n personification of the dew; the butterfly-winged boy is Zephyr, the gentle \n west wind. The sculpture may have been designed for the gardens of the \n royal pavilion of Louis XIV's chateau at Marly, but was apparently never \n installed there. In 1762 it was at Louis XV's Chateau de la Muette. An \n inventory described the work as having been begun by Massou, continued by \n Flamen, and completed by Rebillé. The problems of attribution are \n still being studied, complicated by the fact that Flamen's and Massou's sons \n were also sculptors and that there were two contemporary artists named \n Rebillé, neither very well known.\n The sculptures made for Marly were noted for a new freedom in style. The \n figure of Dew shares their easy movement and intimacy, but her elongated \n proportions, light drapery, and supple grace suggest that she may have been \n the work of the next generation of sculptors.\n " +p145793 +sa(dp145794 +g25268 +S'Calliope' +p145795 +sg25270 +S'Augustin Pajou' +p145796 +sg25273 +S'marble' +p145797 +sg25275 +S'c. 1763' +p145798 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002c/a0002c18.jpg' +p145799 +sg25267 +S"A Latin inscription identifies this figure as Calliope, muse of epic \r\n poetry.\n Although Pajou was known to have carved several muses as garden \r\n decorations, this work is unsigned and its attribution still being studied. \r\n The sculptor shows a natural affinity for the calm restraint of \r\n neoclassicism, which grew in popularity in the later decades of the \r\n eighteenth century. Compare the quiet silhouette and dignified stance of \r\n Calliope with the complex twisting motion of \n Pajou, who came from a family of minor sculptors, was among the busiest \r\n artists of his generation. He was a favorite of Madame du Barry, Louis \r\n XVI's mistress, and received a number of royal and public commissions, but \r\n he is perhaps best known for his portrait busts. These brought him many \r\n private patrons, and, unlike many other artists, he was able to accommodate \r\n a new clientele after the revolution.\n " +p145800 +sa(dp145801 +g25268 +S'Painting and Sculpture' +p145802 +sg25270 +S'Jean-Pierre-Antoine Tassaert' +p145803 +sg25273 +S'marble' +p145804 +sg25275 +S'1774/1778' +p145805 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002c/a0002c22.jpg' +p145806 +sg25267 +S"With \n Terray is representative of the private patrons who transformed the \r\n monumental public works of the preceding century into the more intimate \r\n works admired by eighteenth-century collectors. He was among the most \r\n unpopular of all Louis XV's ministers, accused of excessive luxury. When he \r\n was swiftly dismissed by the new king after Louis XV's death in 1774, a \r\n Parisian mob burned him in effigy. Public opinion notwithstanding, he seems \r\n to have tried to make much-needed economies in public spending, reform \r\n taxes, and reduce bloated state pensions.\n " +p145807 +sa(dp145808 +g25268 +S'Portrait of a Lady' +p145809 +sg25270 +S'Francesco Salviati' +p145810 +sg25273 +S'oil on panel' +p145811 +sg25275 +S'c. 1555' +p145812 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f84.jpg' +p145813 +sg25267 +g27 +sa(dp145814 +g25268 +S'Christ before Annas' +p145815 +sg25270 +S'Israhel van Meckenem' +p145816 +sg25273 +S'engraving' +p145817 +sg25275 +S'c. 1480' +p145818 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a3/a000a3e8.jpg' +p145819 +sg25267 +g27 +sa(dp145820 +g25268 +S'The Flagellation' +p145821 +sg25270 +S'Israhel van Meckenem' +p145822 +sg25273 +S'engraving' +p145823 +sg25275 +S'c. 1480' +p145824 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a3/a000a3f1.jpg' +p145825 +sg25267 +g27 +sa(dp145826 +g25268 +S'Christ before Pilate' +p145827 +sg25270 +S'Israhel van Meckenem' +p145828 +sg25273 +S'engraving' +p145829 +sg25275 +S'c. 1480' +p145830 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a3/a000a3e7.jpg' +p145831 +sg25267 +g27 +sa(dp145832 +g25268 +S'Prudencia (Prudence)' +p145833 +sg25270 +S'Master of the E-Series Tarocchi' +p145834 +sg25273 +S'engraving' +p145835 +sg25275 +S'c. 1465' +p145836 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6ea.jpg' +p145837 +sg25267 +g27 +sa(dp145838 +g25268 +S'Ecce Homo' +p145839 +sg25270 +S'Israhel van Meckenem' +p145840 +sg25273 +S'engraving' +p145841 +sg25275 +S'c. 1480' +p145842 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a3/a000a3ec.jpg' +p145843 +sg25267 +g27 +sa(dp145844 +g25268 +S'The Crucifixion' +p145845 +sg25270 +S'Israhel van Meckenem' +p145846 +sg25273 +S'engraving' +p145847 +sg25275 +S'c. 1480' +p145848 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a3/a000a3ea.jpg' +p145849 +sg25267 +g27 +sa(dp145850 +g25268 +S'Saint John on Patmos' +p145851 +sg25270 +S'Master BM' +p145852 +sg25273 +S'engraving' +p145853 +sg25275 +S'c. 1480/1490' +p145854 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a3/a000a3cf.jpg' +p145855 +sg25267 +g27 +sa(dp145856 +g25268 +S'Arms of Rohrbach and Holzhausen' +p145857 +sg25270 +S'Master bg' +p145858 +sg25273 +S'engraving' +p145859 +sg25275 +S'c. 1480/1490' +p145860 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a3/a000a3d7.jpg' +p145861 +sg25267 +g27 +sa(dp145862 +g25268 +S'Emperors Charles V and Ferdinand I' +p145863 +sg25270 +S'Christoph Bockstorfer' +p145864 +sg25273 +S'etching (iron)' +p145865 +sg25275 +S'unknown date\n' +p145866 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b094.jpg' +p145867 +sg25267 +g27 +sa(dp145868 +g25268 +S'Christ Blessing the Virgin' +p145869 +sg25270 +S'Master E.S.' +p145870 +sg25273 +S'engraving' +p145871 +sg25275 +S'c. 1450' +p145872 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a3/a000a3ac.jpg' +p145873 +sg25267 +g27 +sa(dp145874 +g25268 +S'The Battle of Fornovo' +p145875 +sg25270 +S'Master of the Battle of Fornovo' +p145876 +sg25273 +S'engraving printed on two sheets joined at center' +p145877 +sg25275 +S'1495/1506' +p145878 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004c/a0004c15.jpg' +p145879 +sg25267 +g27 +sa(dp145880 +g25268 +S'Fishing Scene' +p145881 +sg25270 +S'Artist Information (' +p145882 +sg25273 +S'(artist after)' +p145883 +sg25275 +S'\n' +p145884 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00084/a000848f.jpg' +p145885 +sg25267 +g27 +sa(dp145886 +g25268 +S'Christ as the Man of Sorrows' +p145887 +sg25270 +S'French 15th Century' +p145888 +sg25273 +S'sheet: 22.5 x 14.5 cm (8 7/8 x 5 11/16 in.)\r\noverall (cofferet): 10 x 16 x 23.5 cm (3 15/16 x 6 5/16 x 9 1/4 in.)' +p145889 +sg25275 +S'\nwoodcut, hand-colored in vermilion, dark green, light blue and brown; glued into the top lid of a travelling strong box' +p145890 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00057/a000571f.jpg' +p145891 +sg25267 +g27 +sa(dp145892 +g25268 +S'Saturno (Saturn)' +p145893 +sg25270 +S'Master of the S-Series Tarocchi' +p145894 +sg25273 +S'engraving' +p145895 +sg25275 +S'probably c. 1470' +p145896 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c705.jpg' +p145897 +sg25267 +g27 +sa(dp145898 +g25268 +S'Bookplate of the Abbey of Ottobeuren' +p145899 +sg25270 +S'German 15th Century' +p145900 +sg25273 +S'Schreiber, Vol. IX, no. 2036, State m' +p145901 +sg25275 +S'\nwoodcut, hand-colored in vermilion and red' +p145902 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a5c4.jpg' +p145903 +sg25267 +g27 +sa(dp145904 +g25273 +S', unknown date' +p145905 +sg25267 +g27 +sg25275 +S'\n' +p145906 +sg25268 +S'Architectural Design [left page]' +p145907 +sg25270 +S'Jacques Androuet du Cerceau' +p145908 +sa(dp145909 +g25273 +S', unknown date' +p145910 +sg25267 +g27 +sg25275 +S'\n' +p145911 +sg25268 +S'Architectural Design [right page]' +p145912 +sg25270 +S'Jacques Androuet du Cerceau' +p145913 +sa(dp145914 +g25273 +S', unknown date' +p145915 +sg25267 +g27 +sg25275 +S'\n' +p145916 +sg25268 +S'Architectural Design [left page]' +p145917 +sg25270 +S'Jacques Androuet du Cerceau' +p145918 +sa(dp145919 +g25273 +S', unknown date' +p145920 +sg25267 +g27 +sg25275 +S'\n' +p145921 +sg25268 +S'Architectural Design [right page]' +p145922 +sg25270 +S'Jacques Androuet du Cerceau' +p145923 +sa(dp145924 +g25273 +S', unknown date' +p145925 +sg25267 +g27 +sg25275 +S'\n' +p145926 +sg25268 +S'Architectural Design [left page]' +p145927 +sg25270 +S'Jacques Androuet du Cerceau' +p145928 +sa(dp145929 +g25273 +S', unknown date' +p145930 +sg25267 +g27 +sg25275 +S'\n' +p145931 +sg25268 +S'Architectural Design [right page]' +p145932 +sg25270 +S'Jacques Androuet du Cerceau' +p145933 +sa(dp145934 +g25273 +S', unknown date' +p145935 +sg25267 +g27 +sg25275 +S'\n' +p145936 +sg25268 +S'Architectural Design [left page]' +p145937 +sg25270 +S'Jacques Androuet du Cerceau' +p145938 +sa(dp145939 +g25273 +S', unknown date' +p145940 +sg25267 +g27 +sg25275 +S'\n' +p145941 +sg25268 +S'Architectural Design [right page]' +p145942 +sg25270 +S'Jacques Androuet du Cerceau' +p145943 +sa(dp145944 +g25273 +S', unknown date' +p145945 +sg25267 +g27 +sg25275 +S'\n' +p145946 +sg25268 +S'Architectural Design [left page]' +p145947 +sg25270 +S'Jacques Androuet du Cerceau' +p145948 +sa(dp145949 +g25268 +S'Temperancia (Temperance)' +p145950 +sg25270 +S'Master of the E-Series Tarocchi' +p145951 +sg25273 +S'engraving' +p145952 +sg25275 +S'c. 1465' +p145953 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6eb.jpg' +p145954 +sg25267 +g27 +sa(dp145955 +g25273 +S', unknown date' +p145956 +sg25267 +g27 +sg25275 +S'\n' +p145957 +sg25268 +S'Architectural Design [right page]' +p145958 +sg25270 +S'Jacques Androuet du Cerceau' +p145959 +sa(dp145960 +g25273 +S', unknown date' +p145961 +sg25267 +g27 +sg25275 +S'\n' +p145962 +sg25268 +S'Architectural Design [left page]' +p145963 +sg25270 +S'Jacques Androuet du Cerceau' +p145964 +sa(dp145965 +g25273 +S', unknown date' +p145966 +sg25267 +g27 +sg25275 +S'\n' +p145967 +sg25268 +S'Architectural Design [right page]' +p145968 +sg25270 +S'Jacques Androuet du Cerceau' +p145969 +sa(dp145970 +g25273 +S', unknown date' +p145971 +sg25267 +g27 +sg25275 +S'\n' +p145972 +sg25268 +S'Architectural Design [left page]' +p145973 +sg25270 +S'Jacques Androuet du Cerceau' +p145974 +sa(dp145975 +g25273 +S', unknown date' +p145976 +sg25267 +g27 +sg25275 +S'\n' +p145977 +sg25268 +S'Architectural Design [right page]' +p145978 +sg25270 +S'Jacques Androuet du Cerceau' +p145979 +sa(dp145980 +g25273 +S', unknown date' +p145981 +sg25267 +g27 +sg25275 +S'\n' +p145982 +sg25268 +S'Architectural Design [left page]' +p145983 +sg25270 +S'Jacques Androuet du Cerceau' +p145984 +sa(dp145985 +g25273 +S', unknown date' +p145986 +sg25267 +g27 +sg25275 +S'\n' +p145987 +sg25268 +S'Architectural Design [right page]' +p145988 +sg25270 +S'Jacques Androuet du Cerceau' +p145989 +sa(dp145990 +g25273 +S', unknown date' +p145991 +sg25267 +g27 +sg25275 +S'\n' +p145992 +sg25268 +S'Architectural Design [left page]' +p145993 +sg25270 +S'Jacques Androuet du Cerceau' +p145994 +sa(dp145995 +g25273 +S', unknown date' +p145996 +sg25267 +g27 +sg25275 +S'\n' +p145997 +sg25268 +S'Architectural Design [right page]' +p145998 +sg25270 +S'Jacques Androuet du Cerceau' +p145999 +sa(dp146000 +g25273 +S', unknown date' +p146001 +sg25267 +g27 +sg25275 +S'\n' +p146002 +sg25268 +S'Architectural Design [left page]' +p146003 +sg25270 +S'Jacques Androuet du Cerceau' +p146004 +sa(dp146005 +g25273 +S'graphite squared with graphite' +p146006 +sg25267 +g27 +sg25275 +S'1924' +p146007 +sg25268 +S'Man with a Crucifix' +p146008 +sg25270 +S'Robert Sargent Austin' +p146009 +sa(dp146010 +g25273 +S', unknown date' +p146011 +sg25267 +g27 +sg25275 +S'\n' +p146012 +sg25268 +S'Architectural Design [right page]' +p146013 +sg25270 +S'Jacques Androuet du Cerceau' +p146014 +sa(dp146015 +g25268 +S'Deer in the Forest' +p146016 +sg25270 +S'Italian 16th Century' +p146017 +sg25273 +S"Hind 'Engravings', undescribed" +p146018 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+S'Artist Information (' +p148882 +sa(dp148883 +g25273 +S'(artist after)' +p148884 +sg25267 +g27 +sg25275 +S'\n' +p148885 +sg25268 +S'Saint Matthew' +p148886 +sg25270 +S'Artist Information (' +p148887 +sa(dp148888 +g25273 +S'(artist after)' +p148889 +sg25267 +g27 +sg25275 +S'\n' +p148890 +sg25268 +S'Saint Philip' +p148891 +sg25270 +S'Artist Information (' +p148892 +sa(dp148893 +g25273 +S'engraving' +p148894 +sg25267 +g27 +sg25275 +S'1926' +p148895 +sg25268 +S'The Puppet Master' +p148896 +sg25270 +S'Robert Sargent Austin' +p148897 +sa(dp148898 +g25273 +S'(artist after)' +p148899 +sg25267 +g27 +sg25275 +S'\n' +p148900 +sg25268 +S'Young Man Standing' +p148901 +sg25270 +S'Artist Information (' +p148902 +sa(dp148903 +g25273 +S'(artist after)' +p148904 +sg25267 +g27 +sg25275 +S'\n' +p148905 +sg25268 +S'Saint Andrew' +p148906 +sg25270 +S'Artist Information (' +p148907 +sa(dp148908 +g25273 +S'(artist after)' +p148909 +sg25267 +g27 +sg25275 +S'\n' +p148910 +sg25268 +S'Saint Andrew' +p148911 +sg25270 +S'Artist Information (' +p148912 +sa(dp148913 +g25273 +S'(artist after)' +p148914 +sg25267 +g27 +sg25275 +S'\n' +p148915 +sg25268 +S'Saint James' +p148916 +sg25270 +S'Artist Information (' +p148917 +sa(dp148918 +g25273 +S'(artist after)' +p148919 +sg25267 +g27 +sg25275 +S'\n' +p148920 +sg25268 +S'Young Man Half Nude' +p148921 +sg25270 +S'Artist Information (' +p148922 +sa(dp148923 +g25273 +S'(artist after)' +p148924 +sg25267 +g27 +sg25275 +S'\n' +p148925 +sg25268 +S'Saint James' +p148926 +sg25270 +S'Artist Information (' +p148927 +sa(dp148928 +g25273 +S'(artist after)' +p148929 +sg25267 +g27 +sg25275 +S'\n' +p148930 +sg25268 +S'A Genie Aloft' +p148931 +sg25270 +S'Artist Information (' +p148932 +sa(dp148933 +g25273 +S'(artist after)' +p148934 +sg25267 +g27 +sg25275 +S'\n' +p148935 +sg25268 +S'Study of an Old Man' +p148936 +sg25270 +S'Artist Information (' +p148937 +sa(dp148938 +g25273 +S'(artist after)' +p148939 +sg25267 +g27 +sg25275 +S'\n' +p148940 +sg25268 +S'Saint John the Baptist Seated' +p148941 +sg25270 +S'Artist Information (' +p148942 +sa(dp148943 +g25273 +S'(artist after)' +p148944 +sg25267 +g27 +sg25275 +S'\n' +p148945 +sg25268 +S'Madonna Seated Holding the Christ Child' +p148946 +sg25270 +S'Artist Information (' +p148947 +sa(dp148948 +g25273 +S'graphite on wove paper' +p148949 +sg25267 +g27 +sg25275 +S'c. 1926' +p148950 +sg25268 +S'Plane Tree Cottage' +p148951 +sg25270 +S'Robert Sargent Austin' +p148952 +sa(dp148953 +g25273 +S'(artist after)' +p148954 +sg25267 +g27 +sg25275 +S'\n' +p148955 +sg25268 +S'Madonna Seated on the Clouds Holding the Christ Child' +p148956 +sg25270 +S'Artist Information (' +p148957 +sa(dp148958 +g25273 +S'(artist after)' +p148959 +sg25267 +g27 +sg25275 +S'\n' +p148960 +sg25268 +S'An Old Man Standing' +p148961 +sg25270 +S'Artist Information (' +p148962 +sa(dp148963 +g25273 +S'(artist after)' +p148964 +sg25267 +g27 +sg25275 +S'\n' +p148965 +sg25268 +S'Saint Sebastian' +p148966 +sg25270 +S'Artist Information (' +p148967 +sa(dp148968 +g25273 +S'(artist after)' +p148969 +sg25267 +g27 +sg25275 +S'\n' +p148970 +sg25268 +S'An Old Shepherd' +p148971 +sg25270 +S'Artist Information (' +p148972 +sa(dp148973 +g25273 +S'(artist after)' +p148974 +sg25267 +g27 +sg25275 +S'\n' +p148975 +sg25268 +S'Madonna and Child, Saint Stephen, Another Saint, and a Young Man' +p148976 +sg25270 +S'Artist Information (' +p148977 +sa(dp148978 +g25273 +S'(artist after)' +p148979 +sg25267 +g27 +sg25275 +S'\n' +p148980 +sg25268 +S'The Birth of the Virgin' +p148981 +sg25270 +S'Artist Information (' +p148982 +sa(dp148983 +g25273 +S'(artist after)' +p148984 +sg25267 +g27 +sg25275 +S'\n' +p148985 +sg25268 +S'A Woman Standing' +p148986 +sg25270 +S'Artist Information (' +p148987 +sa(dp148988 +g25273 +S'(artist after)' +p148989 +sg25267 +g27 +sg25275 +S'\n' +p148990 +sg25268 +S'Saint Andrew Seated on His Cross' +p148991 +sg25270 +S'Artist Information (' +p148992 +sa(dp148993 +g25273 +S'(artist after)' +p148994 +sg25267 +g27 +sg25275 +S'\n' +p148995 +sg25268 +S'A Woman at the Foot of a Tree Holding a Child' +p148996 +sg25270 +S'Artist Information (' +p148997 +sa(dp148998 +g25273 +S'(artist after)' +p148999 +sg25267 +g27 +sg25275 +S'\n' +p149000 +sg25268 +S'A Woman Seated in a Room' +p149001 +sg25270 +S'Artist Information (' +p149002 +sa(dp149003 +g25273 +S'graphite on gray-green laid paper' +p149004 +sg25267 +g27 +sg25275 +S'c. 1929' +p149005 +sg25268 +S'Portrait of a Lady' +p149006 +sg25270 +S'Robert Sargent Austin' +p149007 +sa(dp149008 +g25273 +S'(artist after)' +p149009 +sg25267 +g27 +sg25275 +S'\n' +p149010 +sg25268 +S'Madonna and Child Enthroned, Saint Jerome and Saint Francis' +p149011 +sg25270 +S'Artist Information (' +p149012 +sa(dp149013 +g25273 +S'(artist after)' +p149014 +sg25267 +g27 +sg25275 +S'\n' +p149015 +sg25268 +S'Saint John in the Wilderness' +p149016 +sg25270 +S'Artist Information (' +p149017 +sa(dp149018 +g25273 +S'(artist after)' +p149019 +sg25267 +g27 +sg25275 +S'\n' +p149020 +sg25268 +S'The Entombment' +p149021 +sg25270 +S'Artist Information (' +p149022 +sa(dp149023 +g25273 +S'(artist after)' +p149024 +sg25267 +g27 +sg25275 +S'\n' +p149025 +sg25268 +S'Six Apostles' +p149026 +sg25270 +S'Artist Information (' +p149027 +sa(dp149028 +g25273 +S'(artist after)' +p149029 +sg25267 +g27 +sg25275 +S'\n' +p149030 +sg25268 +S'Dispute of Apollo and Marsyas' +p149031 +sg25270 +S'Artist Information (' +p149032 +sa(dp149033 +g25273 +S'(artist after)' +p149034 +sg25267 +g27 +sg25275 +S'\n' +p149035 +sg25268 +S'Madonna Seated and Child, Saint John and Saint Joseph' +p149036 +sg25270 +S'Artist Information (' +p149037 +sa(dp149038 +g25273 +S'(artist after)' +p149039 +sg25267 +g27 +sg25275 +S'\n' +p149040 +sg25268 +S'Aneas and Anchises' +p149041 +sg25270 +S'Artist Information (' +p149042 +sa(dp149043 +g25273 +S'(artist after)' +p149044 +sg25267 +g27 +sg25275 +S'\n' +p149045 +sg25268 +S'Young Woman Seen in Profile' +p149046 +sg25270 +S'Artist Information (' +p149047 +sa(dp149048 +g25273 +S'(artist after)' +p149049 +sg25267 +g27 +sg25275 +S'\n' +p149050 +sg25268 +S'Young Woman Standing' +p149051 +sg25270 +S'Artist Information (' +p149052 +sa(dp149053 +g25273 +S'(artist after)' +p149054 +sg25267 +g27 +sg25275 +S'\n' +p149055 +sg25268 +S'Madonna and Child with Saints' +p149056 +sg25270 +S'Artist Information (' +p149057 +sa(dp149058 +g25273 +S'graphite on wove paper' +p149059 +sg25267 +g27 +sg25275 +S'1922' +p149060 +sg25268 +S'Early Spring, Gloucestershire' +p149061 +sg25270 +S'Robert Sargent Austin' +p149062 +sa(dp149063 +g25273 +S'(artist after)' +p149064 +sg25267 +g27 +sg25275 +S'\n' +p149065 +sg25268 +S'The Adoration of the Shepherds' +p149066 +sg25270 +S'Artist Information (' +p149067 +sa(dp149068 +g25273 +S'(artist after)' +p149069 +sg25267 +g27 +sg25275 +S'\n' +p149070 +sg25268 +S'Interior of a Temple' +p149071 +sg25270 +S'Artist Information (' +p149072 +sa(dp149073 +g25273 +S'etching' +p149074 +sg25267 +g27 +sg25275 +S'unknown date\n' +p149075 +sg25268 +S'Seven Heads' +p149076 +sg25270 +S'conte Antonio Maria Zanetti I' +p149077 +sa(dp149078 +g25273 +S'etching and engraving' +p149079 +sg25267 +g27 +sg25275 +S'unknown date\n' +p149080 +sg25268 +S'Antonio Maria Zanetti' +p149081 +sg25270 +S'Giovanni Antonio Faldoni' +p149082 +sa(dp149083 +g25273 +S'engraving' +p149084 +sg25267 +g27 +sg25275 +S'unknown date\n' +p149085 +sg25268 +S'Figure with a Jar on Her Head' +p149086 +sg25270 +S'Giovanni Antonio Faldoni' +p149087 +sa(dp149088 +g25273 +S'(artist after)' +p149089 +sg25267 +g27 +sg25275 +S'\n' +p149090 +sg25268 +S'Three Figures in Cartouches' +p149091 +sg25270 +S'Artist Information (' +p149092 +sa(dp149093 +g25273 +S'(artist after)' +p149094 +sg25267 +g27 +sg25275 +S'\n' +p149095 +sg25268 +S'Six Figures Holding Scrolls' +p149096 +sg25270 +S'Artist Information (' +p149097 +sa(dp149098 +g25273 +S'engraving' +p149099 +sg25267 +g27 +sg25275 +S'1726' +p149100 +sg25268 +S'Mythological Scene' +p149101 +sg25270 +S'Giovanni Antonio Faldoni' +p149102 +sa(dp149103 +g25273 +S'engraving' +p149104 +sg25267 +g27 +sg25275 +S'1724' +p149105 +sg25268 +S'Woman Holding Vase on Her Head' +p149106 +sg25270 +S'Giovanni Antonio Faldoni' +p149107 +sa(dp149108 +g25273 +S'engraving' +p149109 +sg25267 +g27 +sg25275 +S'1724' +p149110 +sg25268 +S'Madonna and Child with Two Saints' +p149111 +sg25270 +S'Giovanni Antonio Faldoni' +p149112 +sa(dp149113 +g25273 +S'graphite on laid paper' +p149114 +sg25267 +g27 +sg25275 +S'c. 1921' +p149115 +sg25268 +S'The Trace Horse' +p149116 +sg25270 +S'Robert Sargent Austin' +p149117 +sa(dp149118 +g25273 +S'engraving' +p149119 +sg25267 +g27 +sg25275 +S'1724' +p149120 +sg25268 +S'Two Shepherds' +p149121 +sg25270 +S'Giovanni Antonio Faldoni' +p149122 +sa(dp149123 +g25273 +S'engraving' +p149124 +sg25267 +g27 +sg25275 +S'1724' +p149125 +sg25268 +S'Israelites Receiving Manna' +p149126 +sg25270 +S'Giovanni Antonio Faldoni' +p149127 +sa(dp149128 +g25268 +S'Folding the Linen (Le pliage du linge)' +p149129 +sg25270 +S'Edouard Vuillard' +p149130 +sg25273 +S'lithograph' +p149131 +sg25275 +S'1893' +p149132 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009f18.jpg' +p149133 +sg25267 +g27 +sa(dp149134 +g25273 +S'color lithograph' +p149135 +sg25267 +g27 +sg25275 +S'published 1901' +p149136 +sg25268 +S"The Garden Outside the Studio (Le jardin devant l'atelier)" +p149137 +sg25270 +S'Edouard Vuillard' +p149138 +sa(dp149139 +g25273 +S'drypoint on japan paper' +p149140 +sg25267 +g27 +sg25275 +S'unknown date\n' +p149141 +sg25268 +S'Horse Trader' +p149142 +sg25270 +S'Cadwallader Washburn' +p149143 +sa(dp149144 +g25273 +S'drypoint' +p149145 +sg25267 +g27 +sg25275 +S'unknown date\n' +p149146 +sg25268 +S'Road to Cuernavaca, Mexico' +p149147 +sg25270 +S'Cadwallader Washburn' +p149148 +sa(dp149149 +g25273 +S'woodcut' +p149150 +sg25267 +g27 +sg25275 +S'c. 1951' +p149151 +sg25268 +S'Softly, Softly' +p149152 +sg25270 +S'Franklin Chenault Watkins' +p149153 +sa(dp149154 +g25273 +S'woodcut' +p149155 +sg25267 +g27 +sg25275 +S'1923' +p149156 +sg25268 +S'Edda, der Weltbrandt' +p149157 +sg25270 +S'Joseph Weisz' +p149158 +sa(dp149159 +g25268 +S'Saint Matthew' +p149160 +sg25270 +S'Stefano Della Bella' +p149161 +sg25273 +S', unknown date' +p149162 +sg25275 +S'\n' +p149163 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00074/a0007475.jpg' +p149164 +sg25267 +g27 +sa(dp149165 +g25268 +S'The Martyrdom of Saint Philip' +p149166 +sg25270 +S'Stefano Della Bella' +p149167 +sg25273 +S', unknown date' +p149168 +sg25275 +S'\n' +p149169 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00074/a0007472.jpg' +p149170 +sg25267 +g27 +sa(dp149171 +g25273 +S'pen and black ink with watercolor over graphite' +p149172 +sg25267 +g27 +sg25275 +S'c. 1926' +p149173 +sg25268 +S'Before Mass' +p149174 +sg25270 +S'Robert Sargent Austin' +p149175 +sa(dp149176 +g25268 +S'The Cavalry Combat' +p149177 +sg25270 +S'Stefano Della Bella' +p149178 +sg25273 +S', unknown date' +p149179 +sg25275 +S'\n' +p149180 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00074/a0007474.jpg' +p149181 +sg25267 +g27 +sa(dp149182 +g25268 +S'The Martyrdom of Saint Andrew' +p149183 +sg25270 +S'Stefano Della Bella' +p149184 +sg25273 +S', unknown date' +p149185 +sg25275 +S'\n' +p149186 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00074/a0007473.jpg' +p149187 +sg25267 +g27 +sa(dp149188 +g25268 +S'Saint James the Great' +p149189 +sg25270 +S'Stefano Della Bella' +p149190 +sg25273 +S', unknown date' +p149191 +sg25275 +S'\n' +p149192 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00074/a0007476.jpg' +p149193 +sg25267 +g27 +sa(dp149194 +g25273 +S'transfer lithograph' +p149195 +sg25267 +g27 +sg25275 +S'1920' +p149196 +sg25268 +S'Young Prostitute' +p149197 +sg25270 +S'Edvard Munch' +p149198 +sa(dp149199 +g25268 +S'Portrait of a Lady' +p149200 +sg25270 +S'Edouard Manet' +p149201 +sg25273 +S'oil on wood' +p149202 +sg25275 +S'c. 1879' +p149203 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004c/a0004c12.jpg' +p149204 +sg25267 +g27 +sa(dp149205 +g25268 +S'The Sisters' +p149206 +sg25270 +S'Berthe Morisot' +p149207 +sg25273 +S'oil on canvas' +p149208 +sg25275 +S'1869' +p149209 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a0000688.jpg' +p149210 +sg25267 +S'The identity of the women portrayed here\r\nhas been the source of much scholarly\r\ndebate. Correspondence among members\r\nof the Morisot family indicates that during\r\nthe autumn of 1869 Morisot undertook a\r\ndouble portrait of two sisters, the Delaroches,\r\nwho sat for her three times. Some\r\nscholars have thus posited that this work is\r\nthe result of those sittings.\n Executed shortly after Edma\xe2\x80\x99s marriage\r\nand the sisters\xe2\x80\x99 subsequent separation,\r\nthe painting depicts an intimate, if posed,\r\nmoment. The correspondence between\r\nBerthe and Edma reveals that each sister\r\nviewed the other as her foil; the letters also\r\ninclude many references to their closeness\r\nprior to Edma\xe2\x80\x99s marriage and their wish\r\nto be reunited. \n An intricately rendered fan held by the\r\nfigure on the right calls attention to the fan\r\non the wall behind the two women. Given to Morisot by her good friend the artist\r\nEdgar Degas, the framed fan indicates that\r\nthe painting was executed in the intimacy\r\nof the Morisot home. Degas painted several\r\nfans during his career; they reflect the increasing\r\npopularity in France of Japanese\r\nfans and woodblock prints as well as a growing\r\ntaste for all things Spanish. The fan he\r\ngave to Morisot (\n In this portrait, Morisot depicted both\r\nsitters in day dresses suitable for receiving\r\nfamiliar company.\n (Text by Daniella Berman, \n Notes\n \n \n \n ' +p149211 +sa(dp149212 +g25268 +S'Mrs. Charles S. Carstairs' +p149213 +sg25270 +S'Sir William Orpen' +p149214 +sg25273 +S'oil on canvas' +p149215 +sg25275 +S'1914' +p149216 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000be/a000be69.jpg' +p149217 +sg25267 +g27 +sa(dp149218 +g25268 +S'Captain Samuel Sharpe Pocklington with His Wife, Pleasance, and possibly His Sister, Frances' +p149219 +sg25270 +S'George Stubbs' +p149220 +sg25273 +S'oil on canvas' +p149221 +sg25275 +S'1769' +p149222 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a000057b.jpg' +p149223 +sg25267 +S"Captain Pocklington, who wears the uniform of the Scots Guard, retired from the\nthird regiment in 1769, the same year that Stubbs painted this group portrait. Seated\non the bench is the captain's wife, Pleasance, who is probably wearing bridal clothes.\nThe woman standing behind Pleasance is presumably Pocklington's sister, Frances.\n Stubbs' fame is based on his precise and naturalistic depictions of animals, primarily\nhorses, even in paintings such as this that are ostensibly about human matters.\nStubbs lived in a world fascinated with scientific inquiry; he himself actually\nperformed dissections of animals to fully understand their anatomy.\n Stubbs' interest in the structure and complexity of living things led him to adopt\na working style in which he first painted the individual figures and then completed\nthe background and secondary details. The subjects are arranged in a friezelike\npattern against the darker, more muted shades of the massive tree and fanciful landscape.\nStubbs was not invited to exhibit at the Royal Academy because he had been labeled\nas a horse painter, and his popularity sank even lower during the romantic era.\nNow in an age that looks back on pioneers such as Stubbs with fascination and respect,\nhis stature as an artist has greatly increased.\n " +p149224 +sa(dp149225 +g25268 +S"The Prodigal Son, 6th plate (L'enfant prodigue)" +p149226 +sg25270 +S'Alphonse Legros' +p149227 +sg25273 +S'etching and drypoint' +p149228 +sg25275 +S'unknown date\n' +p149229 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009faa.jpg' +p149230 +sg25267 +g27 +sa(dp149231 +g25268 +S'Finding the Sheep (Le mouton retrouve)' +p149232 +sg25270 +S'Alphonse Legros' +p149233 +sg25273 +S'etching' +p149234 +sg25275 +S'unknown date\n' +p149235 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009fa0.jpg' +p149236 +sg25267 +g27 +sa(dp149237 +g25273 +S'engraving' +p149238 +sg25267 +g27 +sg25275 +S'1928' +p149239 +sg25268 +S'Woman Tethering a Goat' +p149240 +sg25270 +S'Robert Sargent Austin' +p149241 +sa(dp149242 +g25268 +S'Monks Chopping Wood (Les moines bucherons)' +p149243 +sg25270 +S'Alphonse Legros' +p149244 +sg25273 +S'etching' +p149245 +sg25275 +S'unknown date\n' +p149246 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b41.jpg' +p149247 +sg25267 +g27 +sa(dp149248 +g25268 +S"Head of a Man (Tete d'homme)" +p149249 +sg25270 +S'Alphonse Legros' +p149250 +sg25273 +S'drypoint' +p149251 +sg25275 +S'1877' +p149252 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b63.jpg' +p149253 +sg25267 +g27 +sa(dp149254 +g25273 +S'drypoint' +p149255 +sg25267 +g27 +sg25275 +S'unknown date\n' +p149256 +sg25268 +S"Tree Pruner (L'elagueur)" +p149257 +sg25270 +S'Alphonse Legros' +p149258 +sa(dp149259 +g25268 +S'Woman Seated against a Wall, Child with His Head in Her Lap (Femme assise, muraille au fond, enfant la tete dans son giron' +p149260 +sg25270 +S'Alphonse Legros' +p149261 +sg25273 +S'etching and drypoint' +p149262 +sg25275 +S'unknown date\n' +p149263 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c61.jpg' +p149264 +sg25267 +g27 +sa(dp149265 +g25268 +S'Val Prinsep, R.A.' +p149266 +sg25270 +S'Alphonse Legros' +p149267 +sg25273 +S'etching and drypoint' +p149268 +sg25275 +S'unknown date\n' +p149269 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b7d.jpg' +p149270 +sg25267 +g27 +sa(dp149271 +g25268 +S'View of a Farm (La ferme de Beauchamp)' +p149272 +sg25270 +S'Alphonse Legros' +p149273 +sg25273 +S'etching' +p149274 +sg25275 +S'unknown date\n' +p149275 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009fae.jpg' +p149276 +sg25267 +g27 +sa(dp149277 +g25268 +S'Sleeping Shepherd (Le repos du berger)' +p149278 +sg25270 +S'Alphonse Legros' +p149279 +sg25273 +S'etching' +p149280 +sg25275 +S'unknown date\n' +p149281 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009fb0.jpg' +p149282 +sg25267 +g27 +sa(dp149283 +g25268 +S"Fire in the Hamlet (L'incendie du hameau)" +p149284 +sg25270 +S'Alphonse Legros' +p149285 +sg25273 +S'etching and drypoint' +p149286 +sg25275 +S'unknown date\n' +p149287 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009fab.jpg' +p149288 +sg25267 +g27 +sa(dp149289 +g25268 +S'Frederic Regamey' +p149290 +sg25270 +S'Alphonse Legros' +p149291 +sg25273 +S'lithograph' +p149292 +sg25275 +S'unknown date\n' +p149293 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a000990b.jpg' +p149294 +sg25267 +g27 +sa(dp149295 +g25268 +S'Head of a Model (Tete de modele)' +p149296 +sg25270 +S'Alphonse Legros' +p149297 +sg25273 +S'drypoint' +p149298 +sg25275 +S'unknown date\n' +p149299 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b15.jpg' +p149300 +sg25267 +g27 +sa(dp149301 +g25268 +S'Saint Jerome in the Wilderness' +p149302 +sg25270 +S'Artist Information (' +p149303 +sg25273 +S'Italian, c. 1450 - 1523' +p149304 +sg25275 +S'(related artist)' +p149305 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00037/a00037cd.jpg' +p149306 +sg25267 +g27 +sa(dp149307 +g25273 +S'etching' +p149308 +sg25267 +g27 +sg25275 +S'1936' +p149309 +sg25268 +S'In Santa Serva II' +p149310 +sg25270 +S'Robert Sargent Austin' +p149311 +sa(dp149312 +g25268 +S'Breton Peasant (Paysan breton)' +p149313 +sg25270 +S'Alphonse Legros' +p149314 +sg25273 +S'drypoint' +p149315 +sg25275 +S'unknown date\n' +p149316 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b26.jpg' +p149317 +sg25267 +g27 +sa(dp149318 +g25268 +S'Little Marie (La petite Marie)' +p149319 +sg25270 +S'Alphonse Legros' +p149320 +sg25273 +S'drypoint' +p149321 +sg25275 +S'unknown date\n' +p149322 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a0009906.jpg' +p149323 +sg25267 +g27 +sa(dp149324 +g25268 +S'M. Champfleury' +p149325 +sg25270 +S'Alphonse Legros' +p149326 +sg25273 +S'lithograph' +p149327 +sg25275 +S'1875' +p149328 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a0009907.jpg' +p149329 +sg25267 +g27 +sa(dp149330 +g25268 +S"Head of a Man (Tete d'homme)" +p149331 +sg25270 +S'Alphonse Legros' +p149332 +sg25273 +S'drypoint in brown ink' +p149333 +sg25275 +S'unknown date\n' +p149334 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b25.jpg' +p149335 +sg25267 +g27 +sa(dp149336 +g25268 +S'Jules Dalou, 1st plate' +p149337 +sg25270 +S'Alphonse Legros' +p149338 +sg25273 +S'etching and drypoint' +p149339 +sg25275 +S'unknown date\n' +p149340 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a0009904.jpg' +p149341 +sg25267 +g27 +sa(dp149342 +g25268 +S"Communion in the Church of Saint Medard (La communion dans l'eglise St.-Medard)" +p149343 +sg25270 +S'Alphonse Legros' +p149344 +sg25273 +S'etching with aquatint?' +p149345 +sg25275 +S'unknown date\n' +p149346 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b1d.jpg' +p149347 +sg25267 +g27 +sa(dp149348 +g25268 +S'The Refectory (Le refectoire)' +p149349 +sg25270 +S'Alphonse Legros' +p149350 +sg25273 +S'etching' +p149351 +sg25275 +S'unknown date\n' +p149352 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b23.jpg' +p149353 +sg25267 +g27 +sa(dp149354 +g25268 +S'The Death of Saint Francis (La mort de St. Francois)' +p149355 +sg25270 +S'Alphonse Legros' +p149356 +sg25273 +S'etching and drypoint' +p149357 +sg25275 +S'unknown date\n' +p149358 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b34.jpg' +p149359 +sg25267 +g27 +sa(dp149360 +g25268 +S'Choristers, 1st plate (Le lutrin)' +p149361 +sg25270 +S'Alphonse Legros' +p149362 +sg25273 +S'drypoint' +p149363 +sg25275 +S'unknown date\n' +p149364 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b3e.jpg' +p149365 +sg25267 +g27 +sa(dp149366 +g25268 +S'Choristers, 2nd plate (Le lutrin)' +p149367 +sg25270 +S'Alphonse Legros' +p149368 +sg25273 +S'etching' +p149369 +sg25275 +S'unknown date\n' +p149370 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b3a.jpg' +p149371 +sg25267 +g27 +sa(dp149372 +g25273 +S'engraving' +p149373 +sg25267 +g27 +sg25275 +S'1928' +p149374 +sg25268 +S'Zoutelande' +p149375 +sg25270 +S'Robert Sargent Austin' +p149376 +sa(dp149377 +g25268 +S'Baptism (Le bapteme)' +p149378 +sg25270 +S'Alphonse Legros' +p149379 +sg25273 +S'etching' +p149380 +sg25275 +S'unknown date\n' +p149381 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b36.jpg' +p149382 +sg25267 +g27 +sa(dp149383 +g25268 +S'Job, 1st plate' +p149384 +sg25270 +S'Alphonse Legros' +p149385 +sg25273 +S'etching and drypoint' +p149386 +sg25275 +S'unknown date\n' +p149387 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b39.jpg' +p149388 +sg25267 +g27 +sa(dp149389 +g25268 +S'Peasant Washing Her Feet (Paysanne se lavant les pieds)' +p149390 +sg25270 +S'Alphonse Legros' +p149391 +sg25273 +S'etching and drypoint' +p149392 +sg25275 +S'1860' +p149393 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b3d.jpg' +p149394 +sg25267 +g27 +sa(dp149395 +g25268 +S'Woodcutter (Le bucheron)' +p149396 +sg25270 +S'Alphonse Legros' +p149397 +sg25273 +S'etching' +p149398 +sg25275 +S'unknown date\n' +p149399 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b47.jpg' +p149400 +sg25267 +g27 +sa(dp149401 +g25268 +S'Peasant Women of Boulogne (Paysannes des environs de Boulogne)' +p149402 +sg25270 +S'Alphonse Legros' +p149403 +sg25273 +S'etching and drypoint?' +p149404 +sg25275 +S'unknown date\n' +p149405 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a0009903.jpg' +p149406 +sg25267 +g27 +sa(dp149407 +g25268 +S'The Plow (La charrue)' +p149408 +sg25270 +S'Alphonse Legros' +p149409 +sg25273 +S'etching' +p149410 +sg25275 +S'unknown date\n' +p149411 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b46.jpg' +p149412 +sg25267 +g27 +sa(dp149413 +g25268 +S"Traveler taking Shelter (Le voyageur a l'abri)" +p149414 +sg25270 +S'Alphonse Legros' +p149415 +sg25273 +S'etching and drypoint' +p149416 +sg25275 +S'unknown date\n' +p149417 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b4a.jpg' +p149418 +sg25267 +g27 +sa(dp149419 +g25268 +S"Traveler taking Shelter (Le voyageur a l'abri)" +p149420 +sg25270 +S'Alphonse Legros' +p149421 +sg25273 +S'etching, (drypoint?) and aquatint' +p149422 +sg25275 +S'unknown date\n' +p149423 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b49.jpg' +p149424 +sg25267 +g27 +sa(dp149425 +g25268 +S'Fisherman with a Hoop-net (La peche a la truble)' +p149426 +sg25270 +S'Alphonse Legros' +p149427 +sg25273 +S'etching and aquatint on buff paper' +p149428 +sg25275 +S'unknown date\n' +p149429 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b58.jpg' +p149430 +sg25267 +g27 +sa(dp149431 +g25268 +S'Blind Beggar (Le mendiant aveugle)' +p149432 +sg25270 +S'Alphonse Legros' +p149433 +sg25273 +S'drypoint' +p149434 +sg25275 +S'unknown date\n' +p149435 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00098/a00098fd.jpg' +p149436 +sg25267 +g27 +sa(dp149437 +g25273 +S'engraving' +p149438 +sg25267 +g27 +sg25275 +S'1927/1929' +p149439 +sg25268 +S'Woman Praying' +p149440 +sg25270 +S'Robert Sargent Austin' +p149441 +sa(dp149442 +g25268 +S'Peasant Woman of Boulogne (Paysanne des environs de Boulogne dite La femme au panier)' +p149443 +sg25270 +S'Alphonse Legros' +p149444 +sg25273 +S'etching and aquatint' +p149445 +sg25275 +S'unknown date\n' +p149446 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b54.jpg' +p149447 +sg25267 +g27 +sa(dp149448 +g25268 +S'Peasant Woman of Boulogne (Paysanne des environs de Boulogne dite La femme au panier)' +p149449 +sg25270 +S'Alphonse Legros' +p149450 +sg25273 +S'etching' +p149451 +sg25275 +S'unknown date\n' +p149452 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b50.jpg' +p149453 +sg25267 +g27 +sa(dp149454 +g25268 +S'Brick-works (La Briqueterie)' +p149455 +sg25270 +S'Alphonse Legros' +p149456 +sg25273 +S'drypoint' +p149457 +sg25275 +S'unknown date\n' +p149458 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b55.jpg' +p149459 +sg25267 +g27 +sa(dp149460 +g25268 +S'Landscape with Roller (Le paysage au rouleau)' +p149461 +sg25270 +S'Alphonse Legros' +p149462 +sg25273 +S'etching and drypoint' +p149463 +sg25275 +S'unknown date\n' +p149464 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b5d.jpg' +p149465 +sg25267 +g27 +sa(dp149466 +g25268 +S'Landscape with Boat, 1st plate (Le paysage au bateau)' +p149467 +sg25270 +S'Alphonse Legros' +p149468 +sg25273 +S'etching and drypoint?' +p149469 +sg25275 +S'unknown date\n' +p149470 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b53.jpg' +p149471 +sg25267 +g27 +sa(dp149472 +g25268 +S'Landscape with Boat, 1st plate (Le paysage au bateau)' +p149473 +sg25270 +S'Alphonse Legros' +p149474 +sg25273 +S'etching and drypoint' +p149475 +sg25275 +S'unknown date\n' +p149476 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b52.jpg' +p149477 +sg25267 +g27 +sa(dp149478 +g25268 +S'Landscape with Boat, 1st plate (Le paysage au bateau)' +p149479 +sg25270 +S'Alphonse Legros' +p149480 +sg25273 +S'etching and drypoint' +p149481 +sg25275 +S'unknown date\n' +p149482 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b51.jpg' +p149483 +sg25267 +g27 +sa(dp149484 +g25268 +S'Landscape with Pond (Le paysage a la mare)' +p149485 +sg25270 +S'Alphonse Legros' +p149486 +sg25273 +S'etching and drypoint?' +p149487 +sg25275 +S'unknown date\n' +p149488 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b5a.jpg' +p149489 +sg25267 +g27 +sa(dp149490 +g25268 +S'Landscape with Haystacks (Le paysage aux meules)' +p149491 +sg25270 +S'Alphonse Legros' +p149492 +sg25273 +S'etching and drypoint' +p149493 +sg25275 +S'unknown date\n' +p149494 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b56.jpg' +p149495 +sg25267 +g27 +sa(dp149496 +g25268 +S'Pollard Willows (Les saules tetards)' +p149497 +sg25270 +S'Alphonse Legros' +p149498 +sg25273 +S'etching and drypoint?' +p149499 +sg25275 +S'unknown date\n' +p149500 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b59.jpg' +p149501 +sg25267 +g27 +sa(dp149502 +g25273 +S'etching' +p149503 +sg25267 +g27 +sg25275 +S'1923' +p149504 +sg25268 +S'"Wherefore Plough?"' +p149505 +sg25270 +S'Robert Sargent Austin' +p149506 +sa(dp149507 +g25268 +S'The Hearth (Le foyer)' +p149508 +sg25270 +S'Alphonse Legros' +p149509 +sg25273 +S'etching' +p149510 +sg25275 +S'unknown date\n' +p149511 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b29.jpg' +p149512 +sg25267 +g27 +sa(dp149513 +g25268 +S'Account Book (Le livre de comptes)' +p149514 +sg25270 +S'Alphonse Legros' +p149515 +sg25273 +S'etching' +p149516 +sg25275 +S'unknown date\n' +p149517 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00098/a00098fc.jpg' +p149518 +sg25267 +g27 +sa(dp149519 +g25268 +S'Contre-bass Player (Le joueur de contre-basse)' +p149520 +sg25270 +S'Alphonse Legros' +p149521 +sg25273 +S'etching' +p149522 +sg25275 +S'unknown date\n' +p149523 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b2b.jpg' +p149524 +sg25267 +g27 +sa(dp149525 +g25268 +S'Viol Player (Le joueur de viole)' +p149526 +sg25270 +S'Alphonse Legros' +p149527 +sg25273 +S'etching? and drypoint' +p149528 +sg25275 +S'unknown date\n' +p149529 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b2a.jpg' +p149530 +sg25267 +g27 +sa(dp149531 +g25268 +S'Death and the Woodcutter, 2nd plate (La Mort de le bucheron)' +p149532 +sg25270 +S'Alphonse Legros' +p149533 +sg25273 +S'etching? and drypoint' +p149534 +sg25275 +S'unknown date\n' +p149535 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b2e.jpg' +p149536 +sg25267 +g27 +sa(dp149537 +g25268 +S"The Fire, 2nd plate (L'incendie)" +p149538 +sg25270 +S'Alphonse Legros' +p149539 +sg25273 +S'etching' +p149540 +sg25275 +S'unknown date\n' +p149541 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b2c.jpg' +p149542 +sg25267 +g27 +sa(dp149543 +g25268 +S'Ex-Libris Edwin Edwards' +p149544 +sg25270 +S'Alphonse Legros' +p149545 +sg25273 +S'etching' +p149546 +sg25275 +S'unknown date\n' +p149547 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00098/a00098f6.jpg' +p149548 +sg25267 +g27 +sa(dp149549 +g25268 +S'Archers (Les archers)' +p149550 +sg25270 +S'Alphonse Legros' +p149551 +sg25273 +S'etching' +p149552 +sg25275 +S'1862' +p149553 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b64.jpg' +p149554 +sg25267 +g27 +sa(dp149555 +g25268 +S'"Since Then" ("Depuis ce temps-la")' +p149556 +sg25270 +S'Alphonse Legros' +p149557 +sg25273 +S'drypoint on light green paper' +p149558 +sg25275 +S'unknown date\n' +p149559 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00098/a00098f9.jpg' +p149560 +sg25267 +g27 +sa(dp149561 +g25268 +S'Death and the Woodcutter, 3rd plate (La mort et le bucheron)' +p149562 +sg25270 +S'Alphonse Legros' +p149563 +sg25273 +S'etching' +p149564 +sg25275 +S'unknown date\n' +p149565 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b74.jpg' +p149566 +sg25267 +g27 +sa(dp149567 +g25273 +S'drypoint' +p149568 +sg25267 +g27 +sg25275 +S'1921' +p149569 +sg25268 +S'The Trace Horse' +p149570 +sg25270 +S'Robert Sargent Austin' +p149571 +sa(dp149572 +g25268 +S'Fagot-makers (Les faiseurs de fagots)' +p149573 +sg25270 +S'Alphonse Legros' +p149574 +sg25273 +S'etching' +p149575 +sg25275 +S'unknown date\n' +p149576 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b72.jpg' +p149577 +sg25267 +g27 +sa(dp149578 +g25268 +S'Fagot-makers (Les faiseurs de fagots)' +p149579 +sg25270 +S'Alphonse Legros' +p149580 +sg25273 +S'etching and aquatint?' +p149581 +sg25275 +S'unknown date\n' +p149582 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b71.jpg' +p149583 +sg25267 +g27 +sa(dp149584 +g25268 +S'Head of a Philosopher (Tete de philosophe)' +p149585 +sg25270 +S'Alphonse Legros' +p149586 +sg25273 +S'etching' +p149587 +sg25275 +S'unknown date\n' +p149588 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b6f.jpg' +p149589 +sg25267 +g27 +sa(dp149590 +g25268 +S'Auguste Poulet-Malassis, 2nd plate' +p149591 +sg25270 +S'Alphonse Legros' +p149592 +sg25273 +S'etching' +p149593 +sg25275 +S'unknown date\n' +p149594 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00098/a00098ee.jpg' +p149595 +sg25267 +g27 +sa(dp149596 +g25268 +S"Head of a Man (Tete d'homme)" +p149597 +sg25270 +S'Alphonse Legros' +p149598 +sg25273 +S'etching' +p149599 +sg25275 +S'unknown date\n' +p149600 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b6e.jpg' +p149601 +sg25267 +g27 +sa(dp149602 +g25268 +S"Head of a Man (Tete d'homme)" +p149603 +sg25270 +S'Alphonse Legros' +p149604 +sg25273 +S'etching and aquatint?' +p149605 +sg25275 +S'unknown date\n' +p149606 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b77.jpg' +p149607 +sg25267 +g27 +sa(dp149608 +g25268 +S'Village of Wimille, near Boulogne (Village de Wimille, pres Boulogne)' +p149609 +sg25270 +S'Alphonse Legros' +p149610 +sg25273 +S'etching' +p149611 +sg25275 +S'unknown date\n' +p149612 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00098/a00098e4.jpg' +p149613 +sg25267 +g27 +sa(dp149614 +g25268 +S'Charity (La charite)' +p149615 +sg25270 +S'Alphonse Legros' +p149616 +sg25273 +S'etching' +p149617 +sg25275 +S'unknown date\n' +p149618 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b8a.jpg' +p149619 +sg25267 +g27 +sa(dp149620 +g25268 +S'Beggar (Le mendiant)' +p149621 +sg25270 +S'Alphonse Legros' +p149622 +sg25273 +S'etching' +p149623 +sg25275 +S'1881' +p149624 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b8d.jpg' +p149625 +sg25267 +g27 +sa(dp149626 +g25268 +S'Sir Seymour Haden' +p149627 +sg25270 +S'Alphonse Legros' +p149628 +sg25273 +S'mezzotint' +p149629 +sg25275 +S'unknown date\n' +p149630 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b8b.jpg' +p149631 +sg25267 +g27 +sa(dp149632 +g25273 +S'etching' +p149633 +sg25267 +g27 +sg25275 +S'1925' +p149634 +sg25268 +S'The Stone Breaker' +p149635 +sg25270 +S'Robert Sargent Austin' +p149636 +sa(dp149637 +g25268 +S'Vase with Grotesques (Le vase aux masques)' +p149638 +sg25270 +S'Alphonse Legros' +p149639 +sg25273 +S'etching' +p149640 +sg25275 +S'unknown date\n' +p149641 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a000990f.jpg' +p149642 +sg25267 +g27 +sa(dp149643 +g25268 +S'Digger (Le piocheur)' +p149644 +sg25270 +S'Alphonse Legros' +p149645 +sg25273 +S'etching' +p149646 +sg25275 +S'unknown date\n' +p149647 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a0009915.jpg' +p149648 +sg25267 +g27 +sa(dp149649 +g25268 +S"Burning Grass (Le bruleur d'herbes)" +p149650 +sg25270 +S'Alphonse Legros' +p149651 +sg25273 +S'etching and drypoint' +p149652 +sg25275 +S'unknown date\n' +p149653 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a0009913.jpg' +p149654 +sg25267 +g27 +sa(dp149655 +g25268 +S'Small Satyr Mask (Petit masque de satyre)' +p149656 +sg25270 +S'Alphonse Legros' +p149657 +sg25273 +S'etching' +p149658 +sg25275 +S'unknown date\n' +p149659 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a000990c.jpg' +p149660 +sg25267 +g27 +sa(dp149661 +g25268 +S'Frontispiece (The Beggar Woman of Veze)' +p149662 +sg25270 +S'Alphonse Legros' +p149663 +sg25273 +S'etching' +p149664 +sg25275 +S'unknown date\n' +p149665 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a00099cb.jpg' +p149666 +sg25267 +g27 +sa(dp149667 +g25268 +S'Vagabond Moving along a Lane (Un vagabond passant dans une ruelle)' +p149668 +sg25270 +S'Alphonse Legros' +p149669 +sg25273 +S'etching' +p149670 +sg25275 +S'unknown date\n' +p149671 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bbc.jpg' +p149672 +sg25267 +g27 +sa(dp149673 +g25268 +S"Head of a Man (Tete d'homme)" +p149674 +sg25270 +S'Alphonse Legros' +p149675 +sg25273 +S'lithograph' +p149676 +sg25275 +S'unknown date\n' +p149677 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d7a.jpg' +p149678 +sg25267 +g27 +sa(dp149679 +g25268 +S'Banks of the Marne (Bord de la Marne)' +p149680 +sg25270 +S'Alphonse Legros' +p149681 +sg25273 +S'drypoint and (etching?) on light green paper' +p149682 +sg25275 +S'unknown date\n' +p149683 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a0009910.jpg' +p149684 +sg25267 +g27 +sa(dp149685 +g25268 +S"Interior of a Church (Interieur d'eglise)" +p149686 +sg25270 +S'Alphonse Legros' +p149687 +sg25273 +S'etching' +p149688 +sg25275 +S'unknown date\n' +p149689 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a0009919.jpg' +p149690 +sg25267 +g27 +sa(dp149691 +g25268 +S"Egg-sellers, 1st plate (Les marchandes d'oeufs)" +p149692 +sg25270 +S'Alphonse Legros' +p149693 +sg25273 +S'drypoint' +p149694 +sg25275 +S'unknown date\n' +p149695 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a0009916.jpg' +p149696 +sg25267 +g27 +sa(dp149697 +g25273 +S'etching' +p149698 +sg25267 +g27 +sg25275 +S'1926' +p149699 +sg25268 +S'Sottocastello' +p149700 +sg25270 +S'Robert Sargent Austin' +p149701 +sa(dp149702 +g25268 +S"The Gate (L'entree du champ)" +p149703 +sg25270 +S'Alphonse Legros' +p149704 +sg25273 +S'etching? and drypoint' +p149705 +sg25275 +S'unknown date\n' +p149706 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a000992a.jpg' +p149707 +sg25267 +g27 +sa(dp149708 +g25268 +S'Squaring Logs (Homme que fend des buches)' +p149709 +sg25270 +S'Alphonse Legros' +p149710 +sg25273 +S'etching and drypoint in brown ink' +p149711 +sg25275 +S'unknown date\n' +p149712 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bc8.jpg' +p149713 +sg25267 +g27 +sa(dp149714 +g25268 +S'View of a Farm (La ferme des Bordes)' +p149715 +sg25270 +S'Alphonse Legros' +p149716 +sg25273 +S'etching? and drypoint' +p149717 +sg25275 +S'unknown date\n' +p149718 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b99.jpg' +p149719 +sg25267 +g27 +sa(dp149720 +g25268 +S'Poor Man (Pauvre homme)' +p149721 +sg25270 +S'Alphonse Legros' +p149722 +sg25273 +S'drypoint and (etching?)' +p149723 +sg25275 +S'unknown date\n' +p149724 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009ba0.jpg' +p149725 +sg25267 +g27 +sa(dp149726 +g25268 +S'Guardhouse (La maison du garde)' +p149727 +sg25270 +S'Alphonse Legros' +p149728 +sg25273 +S'drypoint and (etching?)' +p149729 +sg25275 +S'unknown date\n' +p149730 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009ba7.jpg' +p149731 +sg25267 +g27 +sa(dp149732 +g25268 +S'View of a Farm, 2nd plate (La ferme du Bienheureux)' +p149733 +sg25270 +S'Alphonse Legros' +p149734 +sg25273 +S'drypoint and (etching?)' +p149735 +sg25275 +S'unknown date\n' +p149736 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009beb.jpg' +p149737 +sg25267 +g27 +sa(dp149738 +g25268 +S'Sleeping Beggar (Mendiant endormi)' +p149739 +sg25270 +S'Alphonse Legros' +p149740 +sg25273 +S'etching and drypoint' +p149741 +sg25275 +S'unknown date\n' +p149742 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bfa.jpg' +p149743 +sg25267 +g27 +sa(dp149744 +g25268 +S'Bohemien Encampment (Campement de bohemiens)' +p149745 +sg25270 +S'Alphonse Legros' +p149746 +sg25273 +S'etching' +p149747 +sg25275 +S'unknown date\n' +p149748 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c17.jpg' +p149749 +sg25267 +g27 +sa(dp149750 +g25268 +S"Victim of a Fire (Victime d'un incendie)" +p149751 +sg25270 +S'Alphonse Legros' +p149752 +sg25273 +S'drypoint' +p149753 +sg25275 +S'unknown date\n' +p149754 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00098/a00098d8.jpg' +p149755 +sg25267 +g27 +sa(dp149756 +g25268 +S'Old Inn (Une ancienne auberge)' +p149757 +sg25270 +S'Alphonse Legros' +p149758 +sg25273 +S'etching and drypoint' +p149759 +sg25275 +S'unknown date\n' +p149760 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c51.jpg' +p149761 +sg25267 +g27 +sa(dp149762 +g25273 +S'engraving' +p149763 +sg25267 +g27 +sg25275 +S'1928' +p149764 +sg25268 +S'Scythes' +p149765 +sg25270 +S'Robert Sargent Austin' +p149766 +sa(dp149767 +g25268 +S"Fire, 3rd plate (L'incendie)" +p149768 +sg25270 +S'Alphonse Legros' +p149769 +sg25273 +S'etching' +p149770 +sg25275 +S'unknown date\n' +p149771 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009dde.jpg' +p149772 +sg25267 +g27 +sa(dp149773 +g25268 +S'Woodcutters, 3rd plate (Les bucherons)' +p149774 +sg25270 +S'Alphonse Legros' +p149775 +sg25273 +S'etching in dark brown ink' +p149776 +sg25275 +S'unknown date\n' +p149777 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c5a.jpg' +p149778 +sg25267 +g27 +sa(dp149779 +g25268 +S'In the Forest (Lisiere de foret)' +p149780 +sg25270 +S'Alphonse Legros' +p149781 +sg25273 +S'etching' +p149782 +sg25275 +S'unknown date\n' +p149783 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009de1.jpg' +p149784 +sg25267 +g27 +sa(dp149785 +g25268 +S'Death and the Philosopher (La mort et le philosophe)' +p149786 +sg25270 +S'Alphonse Legros' +p149787 +sg25273 +S'etching' +p149788 +sg25275 +S'unknown date\n' +p149789 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009dd8.jpg' +p149790 +sg25267 +g27 +sa(dp149791 +g25268 +S'The Cooper (Le tonnelier)' +p149792 +sg25270 +S'Alphonse Legros' +p149793 +sg25273 +S'etching' +p149794 +sg25275 +S'unknown date\n' +p149795 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009de7.jpg' +p149796 +sg25267 +g27 +sa(dp149797 +g25268 +S"Chailli Seen in a Storm (Chailli: Effet d'orage)" +p149798 +sg25270 +S'Alphonse Legros' +p149799 +sg25273 +S'etching' +p149800 +sg25275 +S'unknown date\n' +p149801 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009df6.jpg' +p149802 +sg25267 +g27 +sa(dp149803 +g25268 +S'Man Watering a Horse (Homme abreuvant un cheval)' +p149804 +sg25270 +S'Alphonse Legros' +p149805 +sg25273 +S'etching' +p149806 +sg25275 +S'unknown date\n' +p149807 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009e/a0009e07.jpg' +p149808 +sg25267 +g27 +sa(dp149809 +g25268 +S"Sunrise (Lever du soleil: L'automne)" +p149810 +sg25270 +S'Alphonse Legros' +p149811 +sg25273 +S'etching in green ink' +p149812 +sg25275 +S'unknown date\n' +p149813 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009e/a0009e05.jpg' +p149814 +sg25267 +g27 +sa(dp149815 +g25268 +S'Top of the Hill (Le haut de la colline)' +p149816 +sg25270 +S'Alphonse Legros' +p149817 +sg25273 +S'drypoint and (etching?)' +p149818 +sg25275 +S'unknown date\n' +p149819 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009e/a0009e1a.jpg' +p149820 +sg25267 +g27 +sa(dp149821 +g25268 +S'Siesta in the Country (Sieste dans la campagne)' +p149822 +sg25270 +S'Alphonse Legros' +p149823 +sg25273 +S'drypoint and (etching?)' +p149824 +sg25275 +S'unknown date\n' +p149825 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009e/a0009e18.jpg' +p149826 +sg25267 +g27 +sa(dp149827 +g25273 +S'etching' +p149828 +sg25267 +g27 +sg25275 +S'1922' +p149829 +sg25268 +S'A Roman Madonna' +p149830 +sg25270 +S'Robert Sargent Austin' +p149831 +sa(dp149832 +g25268 +S"Little Burner of Grass (Le petit bruleur d'herbe)" +p149833 +sg25270 +S'Alphonse Legros' +p149834 +sg25273 +S'etching and drypoint' +p149835 +sg25275 +S'unknown date\n' +p149836 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d2f.jpg' +p149837 +sg25267 +g27 +sa(dp149838 +g25268 +S'Wash-house, called "The Washerwomen" (Le lavoir, dite "Les Laveuses")' +p149839 +sg25270 +S'Alphonse Legros' +p149840 +sg25273 +S'etching' +p149841 +sg25275 +S'unknown date\n' +p149842 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d4a.jpg' +p149843 +sg25267 +g27 +sa(dp149844 +g25273 +S'etching with drypoint' +p149845 +sg25267 +g27 +sg25275 +S'unknown date\n' +p149846 +sg25268 +S'Woodcutters, 2nd plate (Les bucherons)' +p149847 +sg25270 +S'Alphonse Legros' +p149848 +sa(dp149849 +g25268 +S'Large Spaniard (Le grand Espagnol)' +p149850 +sg25270 +S'Alphonse Legros' +p149851 +sg25273 +S'etching' +p149852 +sg25275 +S'unknown date\n' +p149853 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b1a.jpg' +p149854 +sg25267 +g27 +sa(dp149855 +g25268 +S'Portrait of a Man' +p149856 +sg25270 +S'Henryk Glicenstein' +p149857 +sg25273 +S'drypoint' +p149858 +sg25275 +S'unknown date\n' +p149859 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000de/a000dedd.jpg' +p149860 +sg25267 +g27 +sa(dp149861 +g25268 +S'Faraduro, Portugal' +p149862 +sg25270 +S'Leonid' +p149863 +sg25273 +S'oil on canvas' +p149864 +sg25275 +S'1952' +p149865 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a0000149.jpg' +p149866 +sg25267 +g27 +sa(dp149867 +g25273 +S'painted terracotta' +p149868 +sg25267 +g27 +sg25275 +S'second half 15th century' +p149869 +sg25268 +S'An Old Man' +p149870 +sg25270 +S'Florentine 15th Century' +p149871 +sa(dp149872 +g25268 +S'Beacon Rock, Newport Harbor' +p149873 +sg25270 +S'John Frederick Kensett' +p149874 +sg25273 +S'oil on canvas' +p149875 +sg25275 +S'1857' +p149876 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a0000133.jpg' +p149877 +sg25267 +g27 +sa(dp149878 +g25273 +S'etching' +p149879 +sg25267 +g27 +sg25275 +S'1925' +p149880 +sg25268 +S'Ponte Pietra, Verona' +p149881 +sg25270 +S'Robert Sargent Austin' +p149882 +sa(dp149883 +g25268 +S'The Holy Trinity' +p149884 +sg25270 +S'Artist Information (' +p149885 +sg25273 +g27 +sg25275 +S'(sculptor)' +p149886 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005b/a0005bd6.jpg' +p149887 +sg25267 +g27 +sa(dp149888 +g25268 +S'Saint George and the Dragon' +p149889 +sg25270 +S'Artist Information (' +p149890 +sg25273 +g27 +sg25275 +S'(artist)' +p149891 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002b/a0002b27.jpg' +p149892 +sg25267 +S"English sculptors in the fourteenth and fifteenth centuries made extensive use of alabaster, a\nstone readily available in the British Isles, which they enlivened with polychromy. Much\nreligious sculpture was destroyed in England and elsewhere in iconoclastic attacks that\naccompanied the Protestant Reformation. This statuary group, fully carved both in front and\nback, is therefore a great rarity. Its survival no doubt owes much to the fact that it was preserved,\nfrom an unknown early date until after 1880, at the Dominican convent of San Juan at Quejana\nin the province of Alava, Spain.\n The sculptor has designed a saint who seems to tower over his elegantly curving horse as he\nplunges a lance (now mostly destroyed) into the resisting dragon. These figures are united in a\nwonderfully compact composition, with a graceful silhouette that survives in spite of important\nlosses like the head of the rescued princess, who holds the dragon by a leash made from her belt.\nNoteworthy is the sculptor's decision to carve the figures with large, smooth surfaces, leaving the\ntextures of chain mail, horse hair on the mane, and scales on the dragon to be applied in\npaint.\n " +p149893 +sa(dp149894 +g25268 +S'Samuel Henry Kress' +p149895 +sg25270 +S'Leopold Seyffert' +p149896 +sg25273 +S'oil on canvas' +p149897 +sg25275 +S'1953' +p149898 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a000020e.jpg' +p149899 +sg25267 +S'Originally a Pennsylvania schoolteacher, \n Leopold Gould Seyffert depicted Samuel Kress and his brother \n \n ' +p149900 +sa(dp149901 +g25268 +S'Madonna and Child' +p149902 +sg25270 +S'Lucas Cranach the Elder' +p149903 +sg25273 +S'oil on panel' +p149904 +sg25275 +S'probably c. 1535 or after' +p149905 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005b0.jpg' +p149906 +sg25267 +S"Cranach, court painter to the dukes of Saxony, employed a highly sophisticated, stylized manner, evident here in the rich coloring and decorative folds of Mary's elaborate garments. On his knee Jesus balances an apple, symbolizing the Forbidden Fruit and implying that Christ will redeem humanity. He eats a grape from the bunch offered by his mother. These grapes and the glass on the parapet refer to the eucharistic wine of the Last Supper.\n " +p149907 +sa(dp149908 +g25268 +S'Head of a Young Man' +p149909 +sg25270 +S'Sir Anthony van Dyck' +p149910 +sg25273 +S'oil on paper on panel' +p149911 +sg25275 +S'c. 1617/1618' +p149912 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00037/a00037b5.jpg' +p149913 +sg25267 +g27 +sa(dp149914 +g25268 +S'A Member of the de Hondecoeter Family [obverse]' +p149915 +sg25270 +S'Antwerp 16th Century' +p149916 +sg25273 +S'oil on panel' +p149917 +sg25275 +S'1543' +p149918 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a000059b.jpg' +p149919 +sg25267 +g27 +sa(dp149920 +g25268 +S'Crested Coat of Arms [reverse]' +p149921 +sg25270 +S'Antwerp 16th Century' +p149922 +sg25273 +S'oil on panel' +p149923 +sg25275 +S'1543' +p149924 +sg25314 +S'http://www.nga.gov:80/thumb-l/a01751/a017518f.jpg' +p149925 +sg25267 +g27 +sa(dp149926 +g25268 +S'Wife of a Member of the de Hondecoeter Family' +p149927 +sg25270 +S'Antwerp 16th Century' +p149928 +sg25273 +S'oil on panel' +p149929 +sg25275 +S'1543' +p149930 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a000059d.jpg' +p149931 +sg25267 +g27 +sa(dp149932 +g25268 +S'Portrait of a Man' +p149933 +sg25270 +S'Bartholomaeus Bruyn, the Elder' +p149934 +sg25273 +S', c. 1530/1540' +p149935 +sg25275 +S'\n' +p149936 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a0000537.jpg' +p149937 +sg25267 +g27 +sa(dp149938 +g25268 +S'Pfalzgraf Friedrich III' +p149939 +sg25270 +S'Peter Gertner' +p149940 +sg25273 +S'pen and brown ink over black chalk, with face and hands developed in oil (?) on vellum (?) laid on canvas' +p149941 +sg25275 +S'1539' +p149942 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00079/a0007996.jpg' +p149943 +sg25267 +g27 +sa(dp149944 +g25273 +S'etching' +p149945 +sg25267 +g27 +sg25275 +S'1922' +p149946 +sg25268 +S'The Plough' +p149947 +sg25270 +S'Robert Sargent Austin' +p149948 +sa(dp149949 +g25268 +S'Maria Markgr\xc3\xa4fin zu Brandenburg' +p149950 +sg25270 +S'Peter Gertner' +p149951 +sg25273 +S'pen and brown ink over black chalk, with face and hands developed in oil (?) on vellum (?) laid on canvas' +p149952 +sg25275 +S'1539' +p149953 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00079/a0007997.jpg' +p149954 +sg25267 +g27 +sa(dp149955 +g25268 +S'The Visit to the Spinner' +p149956 +sg25270 +S'Israhel van Meckenem' +p149957 +sg25273 +S'engraving' +p149958 +sg25275 +S'c. 1495/1503' +p149959 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004c/a0004c1a.jpg' +p149960 +sg25267 +g27 +sa(dp149961 +g25268 +S'Madonna and Child Standing with a Crescent' +p149962 +sg25270 +S'Albrecht Altdorfer' +p149963 +sg25273 +S'engraving' +p149964 +sg25275 +S'c. 1515/1518' +p149965 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a758.jpg' +p149966 +sg25267 +g27 +sa(dp149967 +g25268 +S'The Virgin and Child with the Pear' +p149968 +sg25270 +S'Albrecht D\xc3\xbcrer' +p149969 +sg25273 +S'engraving' +p149970 +sg25275 +S'1511' +p149971 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a9/a000a939.jpg' +p149972 +sg25267 +g27 +sa(dp149973 +g25273 +S'oil on canvas' +p149974 +sg25267 +g27 +sg25275 +S'1801' +p149975 +sg25268 +S'Lucia Leonard' +p149976 +sg25270 +S'Luther Allen' +p149977 +sa(dp149978 +g25268 +S'Steamer "St. Lawrence"' +p149979 +sg25270 +S'James Bard' +p149980 +sg25273 +S'oil on canvas' +p149981 +sg25275 +S'1850' +p149982 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a000000f.jpg' +p149983 +sg25267 +g27 +sa(dp149984 +g25268 +S'Clement Bonnell' +p149985 +sg25270 +S'William Bonnell' +p149986 +sg25273 +S'oil on wood' +p149987 +sg25275 +S'c. 1825' +p149988 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a0000029.jpg' +p149989 +sg25267 +g27 +sa(dp149990 +g25268 +S'Vermont Lawyer' +p149991 +sg25270 +S'Horace Bundy' +p149992 +sg25273 +S'oil on canvas' +p149993 +sg25275 +S'1841' +p149994 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a0000030.jpg' +p149995 +sg25267 +g27 +sa(dp149996 +g25268 +S'Charles H. Sisson' +p149997 +sg25270 +S'Joseph Goodhue Chandler' +p149998 +sg25273 +S'oil on canvas' +p149999 +sg25275 +S'1850' +p150000 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a0000047.jpg' +p150001 +sg25267 +g27 +sa(dp150002 +g25268 +S'Mrs. Phebe Houston' +p150003 +sg25270 +S'Elias V. Coe' +p150004 +sg25273 +S'oil on canvas' +p150005 +sg25275 +S'1837' +p150006 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a0000050.jpg' +p150007 +sg25267 +g27 +sa(dp150008 +g25273 +S'etching' +p150009 +sg25267 +g27 +sg25275 +S'1925' +p150010 +sg25268 +S'Charles Murray' +p150011 +sg25270 +S'Robert Sargent Austin' +p150012 +sa(dp150013 +g25268 +S'Salute to General Washington in New York Harbor' +p150014 +sg25270 +S'L.M. Cooke' +p150015 +sg25273 +S'oil on canvas' +p150016 +sg25275 +S'1901' +p150017 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a0000058.jpg' +p150018 +sg25267 +g27 +sa(dp150019 +g25268 +S'Family Portrait' +p150020 +sg25270 +S'Ralph Eleaser Whiteside Earl' +p150021 +sg25273 +S'oil on canvas' +p150022 +sg25275 +S'1804' +p150023 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a0000099.jpg' +p150024 +sg25267 +g27 +sa(dp150025 +g25273 +S'overall: 30.4 x 25 cm (11 15/16 x 9 13/16 in.)\r\nframed: 34.3 x 28.5 x 3.1 cm (13 1/2 x 11 1/4 x 1 1/4 in.)' +p150026 +sg25267 +g27 +sg25275 +S'\noil on wood' +p150027 +sg25268 +S'Profile Portrait of a Young Man' +p150028 +sg25270 +S'American 19th Century' +p150029 +sa(dp150030 +g25273 +S'overall: 30.4 x 25 cm (11 15/16 x 9 13/16 in.)\r\nframed: 34.3 x 28.9 x 3.8 cm (13 1/2 x 11 3/8 x 1 1/2 in.)' +p150031 +sg25267 +g27 +sg25275 +S'\noil on wood' +p150032 +sg25268 +S'Profile Portrait of a Young Lady' +p150033 +sg25270 +S'American 19th Century' +p150034 +sa(dp150035 +g25268 +S'Mr. Kline' +p150036 +sg25270 +S'Jacob Eichholtz' +p150037 +sg25273 +S'oil on wood' +p150038 +sg25275 +S'c. 1808' +p150039 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000a3.jpg' +p150040 +sg25267 +g27 +sa(dp150041 +g25268 +S'Jacob (?) Leman' +p150042 +sg25270 +S'Jacob Eichholtz' +p150043 +sg25273 +S'oil on wood' +p150044 +sg25275 +S'c. 1808' +p150045 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000a4.jpg' +p150046 +sg25267 +g27 +sa(dp150047 +g25268 +S'Joseph Leman' +p150048 +sg25270 +S'Jacob Eichholtz' +p150049 +sg25273 +S'oil on wood' +p150050 +sg25275 +S'c. 1808' +p150051 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000a5.jpg' +p150052 +sg25267 +g27 +sa(dp150053 +g25268 +S'Miss Leman' +p150054 +sg25270 +S'Jacob Eichholtz' +p150055 +sg25273 +S'oil on wood' +p150056 +sg25275 +S'c. 1808' +p150057 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000a6.jpg' +p150058 +sg25267 +g27 +sa(dp150059 +g25273 +S'etching' +p150060 +sg25267 +g27 +sg25275 +S'1924' +p150061 +sg25268 +S'Mendicanti' +p150062 +sg25270 +S'Robert Sargent Austin' +p150063 +sa(dp150064 +g25268 +S'Berks County Almshouse, 1878' +p150065 +sg25270 +S'Charles C. Hofmann' +p150066 +sg25273 +S'oil on zinc' +p150067 +sg25275 +S'1878' +p150068 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000ff.jpg' +p150069 +sg25267 +g27 +sa(dp150070 +g25268 +S'The Mounted Acrobats' +p150071 +sg25270 +S'American 19th Century' +p150072 +sg25273 +S'overall: 40.3 x 47.6 cm (15 7/8 x 18 3/4 in.)\r\nframed: 54.1 x 62 x 6 cm (21 5/16 x 24 7/16 x 2 3/8 in.)' +p150073 +sg25275 +S'\noil on wood' +p150074 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a0000430.jpg' +p150075 +sg25267 +g27 +sa(dp150076 +g25268 +S'Asa Benjamin' +p150077 +sg25270 +S'William Jennys' +p150078 +sg25273 +S'oil on canvas' +p150079 +sg25275 +S'1795' +p150080 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a0000119.jpg' +p150081 +sg25267 +g27 +sa(dp150082 +g25268 +S'Mrs. Asa Benjamin' +p150083 +sg25270 +S'William Jennys' +p150084 +sg25273 +S'oil on canvas' +p150085 +sg25275 +S'1795' +p150086 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a000011a.jpg' +p150087 +sg25267 +g27 +sa(dp150088 +g25268 +S'Everard Benjamin' +p150089 +sg25270 +S'William Jennys' +p150090 +sg25273 +S'oil on canvas' +p150091 +sg25275 +S'1795' +p150092 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a000011b.jpg' +p150093 +sg25267 +g27 +sa(dp150094 +g25268 +S'Portrait of a Black Man' +p150095 +sg25270 +S'American 19th Century' +p150096 +sg25273 +S'overall: 49.5 x 34.3 cm (19 1/2 x 13 1/2 in.)\r\nframed: 56 x 40.9 x 3.8 cm (22 1/16 x 16 1/8 x 1 1/2 in.)' +p150097 +sg25275 +S'\noil on wood' +p150098 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a0000450.jpg' +p150099 +sg25267 +g27 +sa(dp150100 +g25268 +S'Landscape with Churches' +p150101 +sg25270 +S'Charles C.E. Lermond' +p150102 +sg25273 +S'oil on wood (trapezoidal sleigh back)' +p150103 +sg25275 +S'c. 1890/1930' +p150104 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a000014a.jpg' +p150105 +sg25267 +g27 +sa(dp150106 +g25268 +S'Girl in a Pink Dress' +p150107 +sg25270 +S'The Beardsley Limner' +p150108 +sg25273 +S'oil on canvas' +p150109 +sg25275 +S'c. 1790' +p150110 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a0000016.jpg' +p150111 +sg25267 +g27 +sa(dp150112 +g25268 +S'Berks County Almshouse, 1895' +p150113 +sg25270 +S'Louis Mader' +p150114 +sg25273 +S'oil on metal' +p150115 +sg25275 +S'1895' +p150116 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a0000154.jpg' +p150117 +sg25267 +g27 +sa(dp150118 +g25268 +S'Flax Scutching Bee' +p150119 +sg25270 +S'Linton Park' +p150120 +sg25273 +S'oil on bed ticking' +p150121 +sg25275 +S'1885' +p150122 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a00001a0.jpg' +p150123 +sg25267 +g27 +sa(dp150124 +g25273 +S'drypoint' +p150125 +sg25267 +g27 +sg25275 +S'1921' +p150126 +sg25268 +S'The Horse of Ostend' +p150127 +sg25270 +S'Robert Sargent Austin' +p150128 +sa(dp150129 +g25268 +S'The Burial' +p150130 +sg25270 +S'Linton Park' +p150131 +sg25273 +S'oil on canvas' +p150132 +sg25275 +S'c. 1890' +p150133 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a00001a1.jpg' +p150134 +sg25267 +g27 +sa(dp150135 +g25268 +S'Mr. Day' +p150136 +sg25270 +S'Ammi Phillips' +p150137 +sg25273 +S'oil on canvas' +p150138 +sg25275 +S'c. 1835' +p150139 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a00001b9.jpg' +p150140 +sg25267 +g27 +sa(dp150141 +g25268 +S'Mrs. Day' +p150142 +sg25270 +S'Ammi Phillips' +p150143 +sg25273 +S'oil on canvas' +p150144 +sg25275 +S'c. 1835' +p150145 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a00001ba.jpg' +p150146 +sg25267 +g27 +sa(dp150147 +g25268 +S'Henry Teller' +p150148 +sg25270 +S'Ammi Phillips' +p150149 +sg25273 +S'oil on canvas' +p150150 +sg25275 +S'c. 1835' +p150151 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a00001bb.jpg' +p150152 +sg25267 +g27 +sa(dp150153 +g25268 +S'Jane Storm Teller' +p150154 +sg25270 +S'Ammi Phillips' +p150155 +sg25273 +S'oil on canvas' +p150156 +sg25275 +S'c. 1835' +p150157 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a00001b8.jpg' +p150158 +sg25267 +g27 +sa(dp150159 +g25268 +S'Anna Maria Cumpston' +p150160 +sg25270 +S'Charles Peale Polk' +p150161 +sg25273 +S'oil on canvas' +p150162 +sg25275 +S'c. 1790' +p150163 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a00001c3.jpg' +p150164 +sg25267 +g27 +sa(dp150165 +g25268 +S'Master Cleeves' +p150166 +sg25270 +S'William Matthew Prior' +p150167 +sg25273 +S'aqueous medium on cardboard' +p150168 +sg25275 +S'1850' +p150169 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a00001d0.jpg' +p150170 +sg25267 +g27 +sa(dp150171 +g25268 +S'Bowl of Fruit' +p150172 +sg25270 +S'William Stearns' +p150173 +sg25273 +S'watercolor on velveteen (theorem painting)' +p150174 +sg25275 +S'c. 1830/1840' +p150175 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a0000224.jpg' +p150176 +sg25267 +g27 +sa(dp150177 +g25268 +S'Elizabeth Denison' +p150178 +sg25270 +S'Artist Information (' +p150179 +sg25273 +S'(painter)' +p150180 +sg25275 +S'\n' +p150181 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a0000077.jpg' +p150182 +sg25267 +g27 +sa(dp150183 +g25268 +S'Engagement between the "Monitor" and the "Merrimac"' +p150184 +sg25270 +S'J.G. Tanner' +p150185 +sg25273 +S'oil on canvas' +p150186 +sg25275 +S'1891 or after' +p150187 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a000026f.jpg' +p150188 +sg25267 +g27 +sa(dp150189 +g25273 +S'engraving' +p150190 +sg25267 +g27 +sg25275 +S'1927' +p150191 +sg25268 +S'The Fisherman' +p150192 +sg25270 +S'Robert Sargent Austin' +p150193 +sa(dp150194 +g25268 +S'Woman in Red Arrowback Chair' +p150195 +sg25270 +S'American 19th Century' +p150196 +sg25273 +S'overall: 80 x 70.5 cm (31 1/2 x 27 3/4 in.)\r\nframed: 91.1 x 81.9 x 2.9 cm (35 7/8 x 32 1/4 x 1 1/8 in.)' +p150197 +sg25275 +S'\noil on canvas' +p150198 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a0000431.jpg' +p150199 +sg25267 +g27 +sa(dp150200 +g25273 +S'American, 1823 - 1900' +p150201 +sg25267 +g27 +sg25275 +S'(artist after)' +p150202 +sg25268 +S'Henry L. Wells' +p150203 +sg25270 +S'Artist Information (' +p150204 +sa(dp150205 +g25273 +S'oil on panel with carved wood relief' +p150206 +sg25267 +g27 +sg25275 +S'1863' +p150207 +sg25268 +S'The Two Brothers' +p150208 +sg25270 +S'W. Wheldon' +p150209 +sa(dp150210 +g25268 +S'Abraham Clark and His Children' +p150211 +sg25270 +S'J. H.' +p150212 +sg25273 +S'oil on wood' +p150213 +sg25275 +S'1822' +p150214 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000f6.jpg' +p150215 +sg25267 +g27 +sa(dp150216 +g25268 +S'Portrait of J. L.' +p150217 +sg25270 +S'Benjamin Greenleaf' +p150218 +sg25273 +S'reverse painting on glass' +p150219 +sg25275 +S'c. 1810/1818' +p150220 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000d0.jpg' +p150221 +sg25267 +g27 +sa(dp150222 +g25268 +S'Husband' +p150223 +sg25270 +S'Prior-Hamblin School' +p150224 +sg25273 +S'oil on cardboard' +p150225 +sg25275 +S'c. 1845' +p150226 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a00001d7.jpg' +p150227 +sg25267 +g27 +sa(dp150228 +g25268 +S'Daughter' +p150229 +sg25270 +S'Prior-Hamblin School' +p150230 +sg25273 +S'oil on cardboard' +p150231 +sg25275 +S'c. 1845' +p150232 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a00001d6.jpg' +p150233 +sg25267 +g27 +sa(dp150234 +g25268 +S'Sophia Burpee Conant' +p150235 +sg25270 +S'The Conant Limner' +p150236 +sg25273 +S'oil on canvas' +p150237 +sg25275 +S'c. 1813' +p150238 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a0000057.jpg' +p150239 +sg25267 +g27 +sa(dp150240 +g25268 +S'Catharine Hendrickson' +p150241 +sg25270 +S'Daniel Hendrickson' +p150242 +sg25273 +S', c. 1770' +p150243 +sg25275 +S'\n' +p150244 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000ed.jpg' +p150245 +sg25267 +g27 +sa(dp150246 +g25273 +S'overall: 38.4 x 29.2 cm (15 1/8 x 11 1/2 in.)\r\nframed: 41.4 x 35.2 cm (16 5/16 x 13 7/8 in.)' +p150247 +sg25267 +g27 +sg25275 +S'\nwatercolor, pen, and ink on silk' +p150248 +sg25268 +S'Maria' +p150249 +sg25270 +S'American 18th Century' +p150250 +sa(dp150251 +g25273 +S'etching' +p150252 +sg25267 +g27 +sg25275 +S'1922' +p150253 +sg25268 +S'Early Spring, Gloucestershire' +p150254 +sg25270 +S'Robert Sargent Austin' +p150255 +sa(dp150256 +g25268 +S'Sophia Mead' +p150257 +sg25270 +S'American 19th Century' +p150258 +sg25273 +S'overall: 76.5 x 63.8 cm (30 1/8 x 25 1/8 in.)\r\nframed: 92.7 x 80 x 5 cm (36 1/2 x 31 1/2 x 1 15/16 in.)' +p150259 +sg25275 +S'\noil on canvas' +p150260 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a0000432.jpg' +p150261 +sg25267 +g27 +sa(dp150262 +g25268 +S'Possibly Harlan Page' +p150263 +sg25270 +S'American 19th Century' +p150264 +sg25273 +S'overall: 59.1 x 48.9 cm (23 1/4 x 19 1/4 in.)\r\nframed: 72.7 x 63.5 x 6.9 cm (28 5/8 x 25 x 2 11/16 in.)' +p150265 +sg25275 +S'\noil on wood' +p150266 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a0000433.jpg' +p150267 +sg25267 +g27 +sa(dp150268 +g25268 +S'The Sargent Family' +p150269 +sg25270 +S'American 19th Century' +p150270 +sg25273 +S'overall: 97.2 x 127.8 cm (38 1/4 x 50 5/16 in.)\r\nframed: 111.1 x 142.2 x 7.3 cm (43 3/4 x 56 x 2 7/8 in.)' +p150271 +sg25275 +S'\noil on canvas' +p150272 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a0000451.jpg' +p150273 +sg25267 +g27 +sa(dp150274 +g25268 +S'Possibly William Sheldon' +p150275 +sg25270 +S'Asahel Powers' +p150276 +sg25273 +S'oil on wood' +p150277 +sg25275 +S'c. 1831' +p150278 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a00001c8.jpg' +p150279 +sg25267 +g27 +sa(dp150280 +g25268 +S'Possibly Mrs. William Sheldon' +p150281 +sg25270 +S'Asahel Powers' +p150282 +sg25273 +S'oil on wood' +p150283 +sg25275 +S'c. 1831' +p150284 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a00001c9.jpg' +p150285 +sg25267 +g27 +sa(dp150286 +g25268 +S'Joseph Slade' +p150287 +sg25270 +S'Ammi Phillips' +p150288 +sg25273 +S'oil on canvas' +p150289 +sg25275 +S'1816' +p150290 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a00001b6.jpg' +p150291 +sg25267 +g27 +sa(dp150292 +g25268 +S'Alsa Slade' +p150293 +sg25270 +S'Ammi Phillips' +p150294 +sg25273 +S'oil on canvas' +p150295 +sg25275 +S'1816' +p150296 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a00001b7.jpg' +p150297 +sg25267 +g27 +sa(dp150298 +g25268 +S'Hannah Fisher Stedman' +p150299 +sg25270 +S'Asahel Powers' +p150300 +sg25273 +S'oil on wood' +p150301 +sg25275 +S'1833' +p150302 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a00001ca.jpg' +p150303 +sg25267 +g27 +sa(dp150304 +g25268 +S'John Stone' +p150305 +sg25270 +S'Thomas Skynner' +p150306 +sg25273 +S'oil on canvas' +p150307 +sg25275 +S'c. 1845' +p150308 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a0000214.jpg' +p150309 +sg25267 +g27 +sa(dp150310 +g25268 +S'Eliza Welch Stone' +p150311 +sg25270 +S'Thomas Skynner' +p150312 +sg25273 +S'oil on canvas' +p150313 +sg25275 +S'c. 1845' +p150314 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a0000215.jpg' +p150315 +sg25267 +g27 +sa(dp150316 +g25273 +S'engraving' +p150317 +sg25267 +g27 +sg25275 +S'1929' +p150318 +sg25268 +S'Deer' +p150319 +sg25270 +S'Robert Sargent Austin' +p150320 +sa(dp150321 +g25268 +S'Charles Adams Wheeler' +p150322 +sg25270 +S'The Beardsley Limner' +p150323 +sg25273 +S'oil on canvas' +p150324 +sg25275 +S'c. 1790' +p150325 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a0000015.jpg' +p150326 +sg25267 +g27 +sa(dp150327 +g25268 +S'Baby in Blue' +p150328 +sg25270 +S'William Matthew Prior' +p150329 +sg25273 +S'oil on paper on panel' +p150330 +sg25275 +S'c. 1845' +p150331 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a00001d1.jpg' +p150332 +sg25267 +g27 +sa(dp150333 +g25268 +S'The Strawberry Girl' +p150334 +sg25270 +S'Ammi Phillips' +p150335 +sg25273 +S'oil on canvas' +p150336 +sg25275 +S'c. 1830' +p150337 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a00001bc.jpg' +p150338 +sg25267 +g27 +sa(dp150339 +g25268 +S'Boy in Blue' +p150340 +sg25270 +S'American 19th Century' +p150341 +sg25273 +S'overall: 111.4 x 70.5 cm (43 7/8 x 27 3/4 in.)\r\nframed: 122.2 x 81.8 x 5.1 cm (48 1/8 x 32 3/16 x 2 in.)' +p150342 +sg25275 +S'\noil on canvas' +p150343 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00050/a0005089.jpg' +p150344 +sg25267 +g27 +sa(dp150345 +g25268 +S'Brother and Sister' +p150346 +sg25270 +S'American 19th Century' +p150347 +sg25273 +S'overall: 127.2 x 101.6 cm (50 1/16 x 40 in.)\r\nframed: 140.3 x 114.9 x 6.3 cm (55 1/4 x 45 1/4 x 2 1/2 in.)' +p150348 +sg25275 +S'\noil on canvas' +p150349 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003fb.jpg' +p150350 +sg25267 +g27 +sa(dp150351 +g25273 +S'overall: 75.8 x 64.2 cm (29 13/16 x 25 1/4 in.)\r\nframed: 88.9 x 75.5 x 7.6 cm (35 x 29 3/4 x 3 in.)' +p150352 +sg25267 +g27 +sg25275 +S'\noil on canvas' +p150353 +sg25268 +S'Little Miss Wyckoff' +p150354 +sg25270 +S'American 19th Century' +p150355 +sa(dp150356 +g25268 +S'Feeding the Bird' +p150357 +sg25270 +S'American 19th Century' +p150358 +sg25273 +S'overall: 56 x 43.2 cm (22 1/16 x 17 in.)\r\nframed: 63.2 x 51.1 x 4.1 cm (24 7/8 x 20 1/8 x 1 5/8 in.)' +p150359 +sg25275 +S'\noil on canvas' +p150360 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a000040b.jpg' +p150361 +sg25267 +g27 +sa(dp150362 +g25268 +S'Little Girl with Flower Basket' +p150363 +sg25270 +S'American 19th Century' +p150364 +sg25273 +S'overall: 35.6 x 26 cm (14 x 10 1/4 in.)\r\nframed: 39.3 x 30.4 x 2.5 cm (15 1/2 x 11 15/16 x 1 in.)' +p150365 +sg25275 +S'\noil on wood' +p150366 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a000042c.jpg' +p150367 +sg25267 +g27 +sa(dp150368 +g25273 +S'overall: 51.7 x 42.9 cm (20 3/8 x 16 7/8 in.)\r\nframed: 73.6 x 64.1 x 9.5 cm (29 x 25 1/4 x 3 3/4 in.)' +p150369 +sg25267 +g27 +sg25275 +S'\noil on wood' +p150370 +sg25268 +S'Little Girl with Doll' +p150371 +sg25270 +S'American 19th Century' +p150372 +sa(dp150373 +g25268 +S'Little Girl with Slate' +p150374 +sg25270 +S'Prior-Hamblin School' +p150375 +sg25273 +S'oil on canvas' +p150376 +sg25275 +S'c. 1845' +p150377 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a00001cf.jpg' +p150378 +sg25267 +g27 +sa(dp150379 +g25273 +S'engraving' +p150380 +sg25267 +g27 +sg25275 +S'1928' +p150381 +sg25268 +S'Daisies' +p150382 +sg25270 +S'Robert Sargent Austin' +p150383 +sa(dp150384 +g25268 +S'Boy with Toy Horse and Wagon' +p150385 +sg25270 +S'William Matthew Prior' +p150386 +sg25273 +S'oil on canvas' +p150387 +sg25275 +S'c. 1845' +p150388 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a00001d2.jpg' +p150389 +sg25267 +g27 +sa(dp150390 +g25268 +S'Blue Eyes' +p150391 +sg25270 +S'American 19th Century' +p150392 +sg25273 +S'overall (oval): 45.7 x 32.4 cm (18 x 12 3/4 in.)' +p150393 +sg25275 +S'\noil on wood' +p150394 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a0000420.jpg' +p150395 +sg25267 +g27 +sa(dp150396 +g25273 +S'overall: 18.2 x 12.1 cm (7 3/16 x 4 3/4 in.)\r\nframed: 30.4 x 23.5 x 2.5 cm (11 15/16 x 9 1/4 x 1 in.)' +p150397 +sg25267 +g27 +sg25275 +S'\noil on tin on fabric' +p150398 +sg25268 +S'On Exhibition' +p150399 +sg25270 +S'American 19th Century' +p150400 +sa(dp150401 +g25268 +S'Little Girl with Pet Rabbit' +p150402 +sg25270 +S'Sturtevant J. Hamblin' +p150403 +sg25273 +S'oil on paper on panel' +p150404 +sg25275 +S'c. 1845' +p150405 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000d5.jpg' +p150406 +sg25267 +g27 +sa(dp150407 +g25268 +S'Girl with Toy Rooster' +p150408 +sg25270 +S'American 19th Century' +p150409 +sg25273 +S'overall: 76.5 x 63.8 cm (30 1/8 x 25 1/8 in.)\r\nframed: 86.3 x 73 x 4.7 cm (34 x 28 3/4 x 1 7/8 in.)' +p150410 +sg25275 +S'\noil on canvas' +p150411 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a0000421.jpg' +p150412 +sg25267 +g27 +sa(dp150413 +g25273 +S'overall: 26.2 x 21 cm (10 5/16 x 8 1/4 in.)\r\nframed: 34.9 x 29.8 x 4.1 cm (13 3/4 x 11 3/4 x 1 5/8 in.)' +p150414 +sg25267 +g27 +sg25275 +S'\noil on canvas' +p150415 +sg25268 +S'Little Girl in Blue Dress' +p150416 +sg25270 +S'American 19th Century' +p150417 +sa(dp150418 +g25273 +S'overall: 88.9 x 71.1 cm (35 x 28 in.)\r\nframed: 99.7 x 81.9 x 4.4 cm (39 1/4 x 32 1/4 x 1 3/4 in.)' +p150419 +sg25267 +g27 +sg25275 +S'\noil on canvas' +p150420 +sg25268 +S'Lady Wearing Pearls' +p150421 +sg25270 +S'American 19th Century' +p150422 +sa(dp150423 +g25273 +S'overall: 22.9 x 17.7 cm (9 x 6 15/16 in.)\r\nframed: 28.5 x 22.8 x 3.1 cm (11 1/4 x 9 x 1 1/4 in.)' +p150424 +sg25267 +g27 +sg25275 +S'\noil on wood' +p150425 +sg25268 +S'The Blue Shawl' +p150426 +sg25270 +S'American 19th Century' +p150427 +sa(dp150428 +g25268 +S'At the Writing Table' +p150429 +sg25270 +S'American 18th Century' +p150430 +sg25273 +S'overall: 101.5 x 134.5 cm (39 15/16 x 52 15/16 in.)' +p150431 +sg25275 +S'\naqueous medium on canvas' +p150432 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005c/a0005cea.jpg' +p150433 +sg25267 +g27 +sa(dp150434 +g25268 +S'Old Man in Red Slat Back Chair' +p150435 +sg25270 +S'American 19th Century' +p150436 +sg25273 +S'overall: 80 x 70.5 cm (31 1/2 x 27 3/4 in.)\r\nframed: 90.1 x 80.6 x 3.8 cm (35 1/2 x 31 3/4 x 1 1/2 in.)' +p150437 +sg25275 +S'\noil on canvas' +p150438 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a0000434.jpg' +p150439 +sg25267 +g27 +sa(dp150440 +g25273 +S'etching' +p150441 +sg25267 +g27 +sg25275 +S'1925' +p150442 +sg25268 +S'The Cowherd' +p150443 +sg25270 +S'Robert Sargent Austin' +p150444 +sa(dp150445 +g25273 +S'overall: 76.2 x 63 cm (30 x 24 13/16 in.)\r\nframed: 99 x 84.4 x 9.5 cm (39 x 33 1/4 x 3 3/4 in.)' +p150446 +sg25267 +g27 +sg25275 +S'\noil on canvas' +p150447 +sg25268 +S'Chief Jumper of the Seminoles' +p150448 +sg25270 +S'American 19th Century' +p150449 +sa(dp150450 +g25268 +S'The Colonel' +p150451 +sg25270 +S'American 19th Century' +p150452 +sg25273 +S'overall (oval): 53.1 x 40 cm (20 7/8 x 15 3/4 in.)' +p150453 +sg25275 +S'\noil on wood' +p150454 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a000040c.jpg' +p150455 +sg25267 +g27 +sa(dp150456 +g25273 +S'overall: 92 x 73.5 cm (36 1/4 x 28 15/16 in.)\r\nframed: 104.4 x 86.3 x 5.7 cm (41 1/8 x 34 x 2 1/4 in.)' +p150457 +sg25267 +g27 +sg25275 +S'\noil on canvas' +p150458 +sg25268 +S'The Letter' +p150459 +sg25270 +S'American 19th Century' +p150460 +sa(dp150461 +g25268 +S'Samuel Griffin' +p150462 +sg25270 +S'William Dunlap' +p150463 +sg25273 +S', c. 1809' +p150464 +sg25275 +S'\n' +p150465 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a0000082.jpg' +p150466 +sg25267 +g27 +sa(dp150467 +g25268 +S'Textile Merchant' +p150468 +sg25270 +S'American 19th Century' +p150469 +sg25273 +S'overall: 86.3 x 66 cm (34 x 26 in.)\r\nframed: 105.4 x 85.7 x 5 cm (41 1/2 x 33 3/4 x 1 15/16 in.)' +p150470 +sg25275 +S'\noil on canvas' +p150471 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a000045e.jpg' +p150472 +sg25267 +g27 +sa(dp150473 +g25268 +S'Profile Portrait of a Man' +p150474 +sg25270 +S'American 19th Century' +p150475 +sg25273 +S'overall: 22.7 x 17.4 cm (8 15/16 x 6 7/8 in.)\r\nframed: 26.5 x 22.5 x 2.5 cm (10 7/16 x 8 7/8 x 1 in.)' +p150476 +sg25275 +S'\noil on wood' +p150477 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a0000452.jpg' +p150478 +sg25267 +g27 +sa(dp150479 +g25268 +S'Profile Portrait of a Lady' +p150480 +sg25270 +S'American 19th Century' +p150481 +sg25273 +S'overall: 22.9 x 17.5 cm (9 x 6 7/8 in.)\r\nframed: 26.5 x 22.3 x 3.3 cm (10 7/16 x 8 3/4 x 1 5/16 in.)' +p150482 +sg25275 +S'\noil on wood' +p150483 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a0000453.jpg' +p150484 +sg25267 +g27 +sa(dp150485 +g25273 +S'overall: 46.7 x 36 cm (18 3/8 x 14 3/16 in.)\r\nframed: 59 x 48.4 x 2.8 cm (23 1/4 x 19 1/16 x 1 1/8 in.)' +p150486 +sg25267 +g27 +sg25275 +S'\noil on wood' +p150487 +sg25268 +S'Anonymous Man' +p150488 +sg25270 +S'American 19th Century' +p150489 +sa(dp150490 +g25273 +S'overall: 46.8 x 36.1 cm (18 7/16 x 14 3/16 in.)\r\nframed: 59 x 48.4 x 3 cm (23 1/4 x 19 1/16 x 1 3/16 in.)' +p150491 +sg25267 +g27 +sg25275 +S'\noil on wood' +p150492 +sg25268 +S'Anonymous Woman' +p150493 +sg25270 +S'American 19th Century' +p150494 +sa(dp150495 +g25268 +S"Attack on Bunker's Hill, with the Burning of Charles Town" +p150496 +sg25270 +S'American 18th Century' +p150497 +sg25273 +S'overall: 53.3 x 70.8 cm (21 x 27 7/8 in.)\r\nframed: 60.3 x 77.4 x 3.8 cm (23 3/4 x 30 1/2 x 1 1/2 in.)' +p150498 +sg25275 +S'\noil on canvas' +p150499 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003fc.jpg' +p150500 +sg25267 +g27 +sa(dp150501 +g25273 +S'etching and drypoint' +p150502 +sg25267 +g27 +sg25275 +S'1929' +p150503 +sg25268 +S'Child in Bed' +p150504 +sg25270 +S'Robert Sargent Austin' +p150505 +sa(dp150506 +g25268 +S'New England Farm in Winter' +p150507 +sg25270 +S'American 19th Century' +p150508 +sg25273 +S'overall: 59.7 x 97.8 cm (23 1/2 x 38 1/2 in.)\r\nframed: 78.1 x 115.6 x 6.6 cm (30 3/4 x 45 1/2 x 2 5/8 in.)' +p150509 +sg25275 +S'\noil on canvas' +p150510 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a0000435.jpg' +p150511 +sg25267 +g27 +sa(dp150512 +g25268 +S'Lexington Battle Monument' +p150513 +sg25270 +S'American 19th Century' +p150514 +sg25273 +S'overall: 70.4 x 78.1 cm (27 11/16 x 30 3/4 in.)\r\nframed: 82.2 x 90.5 x 5.1 cm (32 3/8 x 35 5/8 x 2 in.)' +p150515 +sg25275 +S'\noil on canvas' +p150516 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a000043e.jpg' +p150517 +sg25267 +g27 +sa(dp150518 +g25268 +S'A View of Mount Vernon' +p150519 +sg25270 +S'American 18th Century' +p150520 +sg25273 +S'image: 58.4 x 89.2 cm (23 x 35 1/8 in.)\r\nunframed (entire fireboard): 95.3 x 109.5 cm (37 1/2 x 43 1/8 in.)' +p150521 +sg25275 +S'\noil on canvas' +p150522 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a0000454.jpg' +p150523 +sg25267 +g27 +sa(dp150524 +g25268 +S"Imaginary Regatta of America's Cup Winners" +p150525 +sg25270 +S'American 19th Century' +p150526 +sg25273 +S'overall: 67.8 x 119 cm (26 11/16 x 46 7/8 in.)\r\nframed: 80.6 x 131.4 x 5 cm (31 3/4 x 51 3/4 x 1 15/16 in.)' +p150527 +sg25275 +S'\noil on canvas' +p150528 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a0000423.jpg' +p150529 +sg25267 +g27 +sa(dp150530 +g25268 +S'Christ and the Woman of Samaria' +p150531 +sg25270 +S'American 18th Century' +p150532 +sg25273 +S'overall: 51.5 x 66.4 cm (20 1/4 x 26 1/8 in.)\r\nframed: 60.9 x 75.5 x 3.8 cm (24 x 29 3/4 x 1 1/2 in.)' +p150533 +sg25275 +S'\noil on canvas' +p150534 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6a6.jpg' +p150535 +sg25267 +g27 +sa(dp150536 +g25268 +S'Young Man on a Terrace' +p150537 +sg25270 +S'American 18th Century' +p150538 +sg25273 +S'overall: 51.5 x 66 cm (20 1/4 x 26 in.)\r\nframed: 57.8 x 73 x 4.4 cm (22 3/4 x 28 3/4 x 1 3/4 in.)' +p150539 +sg25275 +S'\noil on canvas' +p150540 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a0000455.jpg' +p150541 +sg25267 +g27 +sa(dp150542 +g25268 +S'Mahantango Valley Farm' +p150543 +sg25270 +S'American 19th Century' +p150544 +sg25273 +S'overall: 71.1 x 92.2 cm (28 x 36 5/16 in.)\r\nframed: 85.1 x 106 x 5.3 cm (33 1/2 x 41 3/4 x 2 1/16 in.)' +p150545 +sg25275 +S'\noil on window shade' +p150546 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a0000436.jpg' +p150547 +sg25267 +g27 +sa(dp150548 +g25268 +S'Farmhouse in Mahantango Valley' +p150549 +sg25270 +S'American 19th Century' +p150550 +sg25273 +S'overall: 75 x 72.1 cm (29 1/2 x 28 3/8 in.)\r\nframed: 90.1 x 89.2 x 5.5 cm (35 1/2 x 35 1/8 x 2 3/16 in.)' +p150551 +sg25275 +S'\noil on canvas' +p150552 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a0000570.jpg' +p150553 +sg25267 +g27 +sa(dp150554 +g25268 +S'The Trotter' +p150555 +sg25270 +S'Charles S. Humphreys' +p150556 +sg25273 +S'oil on canvas' +p150557 +sg25275 +S'c. 1860' +p150558 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a000010b.jpg' +p150559 +sg25267 +g27 +sa(dp150560 +g25273 +S'oil on canvas' +p150561 +sg25267 +g27 +sg25275 +S'second half 19th century' +p150562 +sg25268 +S'Retriever' +p150563 +sg25270 +S'O. G.' +p150564 +sa(dp150565 +g25273 +S'etching and drypoint' +p150566 +sg25267 +g27 +sg25275 +S'1929' +p150567 +sg25268 +S'Child in Bed' +p150568 +sg25270 +S'Robert Sargent Austin' +p150569 +sa(dp150570 +g25273 +S'overall: 75.6 x 100.7 cm (29 3/4 x 39 5/8 in.)\r\nframed: 89.2 x 114.3 x 4.7 cm (35 1/8 x 45 x 1 7/8 in.)' +p150571 +sg25267 +g27 +sg25275 +S'\noil on canvas' +p150572 +sg25268 +S'Coon Hunt' +p150573 +sg25270 +S'American 19th Century' +p150574 +sa(dp150575 +g25268 +S'The Start of the Hunt' +p150576 +sg25270 +S'American 19th Century' +p150577 +sg25273 +S'overall: 88.1 x 139.1 cm (34 11/16 x 54 3/4 in.)\r\nframed: 113.7 x 164.8 x 3.8 cm (44 3/4 x 64 7/8 x 1 1/2 in.)' +p150578 +sg25275 +S'\noil on canvas' +p150579 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a0000425.jpg' +p150580 +sg25267 +g27 +sa(dp150581 +g25268 +S'The End of the Hunt' +p150582 +sg25270 +S'American 19th Century' +p150583 +sg25273 +S'overall: 87.6 x 136.8 cm (34 1/2 x 53 7/8 in.)\r\nframed: 114 x 162.2 x 3.9 cm (44 7/8 x 63 7/8 x 1 9/16 in.)' +p150584 +sg25275 +S'\noil on canvas' +p150585 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a000040d.jpg' +p150586 +sg25267 +g27 +sa(dp150587 +g25268 +S'Under Full Sail' +p150588 +sg25270 +S'American 19th Century' +p150589 +sg25273 +S'image: 65.7 x 52.7 cm (25 7/8 x 20 3/4 in.)\r\nframed: 83.8 x 75 cm (33 x 29 1/2 in.)' +p150590 +sg25275 +S'\noil and casein (?) on plaster and lath' +p150591 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a000044f.jpg' +p150592 +sg25267 +g27 +sa(dp150593 +g25268 +S'Flowers and Fruit' +p150594 +sg25270 +S'American 19th Century' +p150595 +sg25273 +S'overall (picture surface): 75.5 x 56 cm (29 3/4 x 22 1/16 in.)\r\noverall (size if unfolded edge flattened): 76 x 57.4 cm (29 15/16 x 22 5/8 in.)\r\nframed: 87 x 67.9 x 4.1 cm (34 1/4 x 26 3/4 x 1 5/8 in.)' +p150596 +sg25275 +S'\noil on canvas' +p150597 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a0000409.jpg' +p150598 +sg25267 +g27 +sa(dp150599 +g25268 +S'Pink Roses' +p150600 +sg25270 +S'American 19th Century' +p150601 +sg25273 +S'overall: 40.7 x 36.5 cm (16 x 14 3/8 in.)\r\nframed: 53.6 x 49.8 x 3.9 cm (21 1/8 x 19 5/8 x 1 9/16 in.)' +p150602 +sg25275 +S'\noil on canvas' +p150603 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a000043d.jpg' +p150604 +sg25267 +g27 +sa(dp150605 +g25268 +S'Basket of Fruit' +p150606 +sg25270 +S'American 19th Century' +p150607 +sg25273 +S'overall: 40.6 x 48.4 cm (16 x 19 1/16 in.)\r\nframed: 49.5 x 57.6 x 2.8 cm (19 1/2 x 22 11/16 x 1 1/8 in.)' +p150608 +sg25275 +S'\nwatercolor on velveteen (theorem painting)' +p150609 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a000056f.jpg' +p150610 +sg25267 +g27 +sa(dp150611 +g25268 +S'Fruit on a Tray' +p150612 +sg25270 +S'American 19th Century' +p150613 +sg25273 +S'overall: 42.6 x 54 cm (16 3/4 x 21 1/4 in.)\r\nframed: 49.5 x 60.6 x 2.8 cm (19 1/2 x 23 7/8 x 1 1/8 in.)' +p150614 +sg25275 +S'\nwatercolor on velveteen (theorem painting)' +p150615 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a000040a.jpg' +p150616 +sg25267 +g27 +sa(dp150617 +g25273 +S'overall: 45.1 x 65.4 cm (17 3/4 x 25 3/4 in.)\r\nframed: 52.4 x 72.7 x 3.4 cm (20 5/8 x 28 5/8 x 1 5/16 in.)' +p150618 +sg25267 +g27 +sg25275 +S'\nwatercolor on velveteen (theorem painting)' +p150619 +sg25268 +S'Peaches - Still Life' +p150620 +sg25270 +S'American 19th Century' +p150621 +sa(dp150622 +g25268 +S'William Henry Vining' +p150623 +sg25270 +S'George M. Miller' +p150624 +sg25273 +S'painted wax on glass' +p150625 +sg25275 +S'c. 1810' +p150626 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a0000169.jpg' +p150627 +sg25267 +g27 +sa(dp150628 +g25273 +S'etching' +p150629 +sg25267 +g27 +sg25275 +S'1923' +p150630 +sg25268 +S'The Blind Beggar of Tivoli' +p150631 +sg25270 +S'Robert Sargent Austin' +p150632 +sa(dp150633 +g25268 +S'Deer and Squirrels' +p150634 +sg25270 +S'American 18th Century' +p150635 +sg25273 +S'overall: 19.7 x 30.2 cm (7 3/4 x 11 7/8 in.)' +p150636 +sg25275 +S'\nembroidery: dyed wool on linen' +p150637 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d43.jpg' +p150638 +sg25267 +g27 +sa(dp150639 +g25273 +S'pen and black ink with watercolor' +p150640 +sg25267 +g27 +sg25275 +S'1851' +p150641 +sg25268 +S'Penmanship of Three Equestriennes' +p150642 +sg25270 +S'F.H. Foot' +p150643 +sa(dp150644 +g25273 +S'watercolor' +p150645 +sg25267 +g27 +sg25275 +S'unknown date\n' +p150646 +sg25268 +S'Madonna and Child Visiting the Family of John the Baptist' +p150647 +sg25270 +S'John Landis' +p150648 +sa(dp150649 +g25273 +S'pen, brown ink, and watercolor on paper' +p150650 +sg25267 +g27 +sg25275 +S'c. 1780/1785' +p150651 +sg25268 +S'Pair of Birds' +p150652 +sg25270 +S'Heinrich Otto' +p150653 +sa(dp150654 +g25273 +S'watercolor' +p150655 +sg25267 +g27 +sg25275 +S'1811' +p150656 +sg25268 +S'Memorial to Giles Petibone [sic]' +p150657 +sg25270 +S'Susan Pettibone' +p150658 +sa(dp150659 +g25268 +S'Mother and Child' +p150660 +sg25270 +S'Eunice Pinney' +p150661 +sg25273 +S'pen and black ink and watercolor' +p150662 +sg25275 +S'c. 1815' +p150663 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e4c6.jpg' +p150664 +sg25267 +g27 +sa(dp150665 +g25273 +S'pen and brown ink and watercolor with five applied pieces of paper' +p150666 +sg25267 +g27 +sg25275 +S'unknown date\n' +p150667 +sg25268 +S'Horse, Man and Bird' +p150668 +sg25270 +S'J.W. Sawin' +p150669 +sa(dp150670 +g25273 +S'sight size: 49.7 x 60 cm (19 9/16 x 23 5/8 in.)\r\nframed: 57.4 x 67.3 cm (22 5/8 x 26 1/2 in.)' +p150671 +sg25267 +g27 +sg25275 +S'\npen and ink with watercolor' +p150672 +sg25268 +S'Adieu, Poor Luckless Maiden' +p150673 +sg25270 +S'American 19th Century' +p150674 +sa(dp150675 +g25273 +S'watercolor and graphite' +p150676 +sg25267 +g27 +sg25275 +S'1807' +p150677 +sg25268 +S'Captain William Thackera' +p150678 +sg25270 +S'John Archibald Woodside I' +p150679 +sa(dp150680 +g25273 +S'watercolor and graphite' +p150681 +sg25267 +g27 +sg25275 +S'1807' +p150682 +sg25268 +S'Mrs. Thackera' +p150683 +sg25270 +S'John Archibald Woodside I' +p150684 +sa(dp150685 +g25273 +S'engraving' +p150686 +sg25267 +g27 +sg25275 +S'1929' +p150687 +sg25268 +S'The Belfry' +p150688 +sg25270 +S'Robert Sargent Austin' +p150689 +sa(dp150690 +g25273 +S'watercolor and graphite' +p150691 +sg25267 +g27 +sg25275 +S'1807' +p150692 +sg25268 +S'Master Thackera' +p150693 +sg25270 +S'John Archibald Woodside I' +p150694 +sa(dp150695 +g25273 +S'watercolor and graphite' +p150696 +sg25267 +g27 +sg25275 +S'1807' +p150697 +sg25268 +S'Portrait of a Young Lady with Black Hair' +p150698 +sg25270 +S'John Archibald Woodside I' +p150699 +sa(dp150700 +g25273 +S'watercolor and graphite' +p150701 +sg25267 +g27 +sg25275 +S'1807' +p150702 +sg25268 +S'Portrait of a Young Man with Sideburns' +p150703 +sg25270 +S'John Archibald Woodside I' +p150704 +sa(dp150705 +g25273 +S'watercolor and graphite' +p150706 +sg25267 +g27 +sg25275 +S'1807' +p150707 +sg25268 +S'Portrait of a Young Lady with Brown Hair and Necklace' +p150708 +sg25270 +S'John Archibald Woodside I' +p150709 +sa(dp150710 +g25273 +S'watercolor and graphite' +p150711 +sg25267 +g27 +sg25275 +S'1807' +p150712 +sg25268 +S'Portrait of a Woman in a Lace Cap with a Pink Ribbon' +p150713 +sg25270 +S'John Archibald Woodside I' +p150714 +sa(dp150715 +g25273 +S'watercolor and graphite' +p150716 +sg25267 +g27 +sg25275 +S'1807' +p150717 +sg25268 +S'Portrait of a Woman in a Lace Cap with a Blue Ribbon' +p150718 +sg25270 +S'John Archibald Woodside I' +p150719 +sa(dp150720 +g25273 +S'sight size: 43.3 x 58.5 cm (17 1/16 x 23 1/16 in.)\r\nframed: 59 x 74.3 x 2.8 cm (23 1/4 x 29 1/4 x 1 1/8 in.)' +p150721 +sg25267 +g27 +sg25275 +S'\nwatercolor' +p150722 +sg25268 +S'Moses Rescued from the Bulrushes' +p150723 +sg25270 +S'American 19th Century' +p150724 +sa(dp150725 +g25268 +S'Woman Holding a Rose' +p150726 +sg25270 +S'American 19th Century' +p150727 +sg25273 +S'sight size: 29.2 x 23.1 cm (11 1/2 x 9 1/8 in.)\r\nframed: 33.8 x 25.7 x 1.2 cm (13 5/16 x 10 1/8 x 1/2 in.)' +p150728 +sg25275 +S'\nwatercolor and cut paper border' +p150729 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00063/a00063aa.jpg' +p150730 +sg25267 +g27 +sa(dp150731 +g25273 +S'sight size: 26.7 x 19 cm (10 1/2 x 7 1/2 in.)\r\nframed: 36.2 x 28.5 cm (14 1/4 x 11 1/4 in.)' +p150732 +sg25267 +g27 +sg25275 +S'\npen and ink with watercolor' +p150733 +sg25268 +S'Mr. Gill of Cabbage Hill, Lancaster Co., Pennsylvania' +p150734 +sg25270 +S'American 19th Century' +p150735 +sa(dp150736 +g25273 +S'Overall: 25.1 x 19.8 cm (9 7/8 x 7 13/16 in.)\r\nframed: 27.9 x 22.8 x 1.5 cm (11 x 9 x 9/16 in.)' +p150737 +sg25267 +g27 +sg25275 +S'\npen and brown ink and watercolor' +p150738 +sg25268 +S'Birth Certificate of Catherine Hartman' +p150739 +sg25270 +S'American 19th Century' +p150740 +sa(dp150741 +g25273 +S'engraving' +p150742 +sg25267 +g27 +sg25275 +S'1926' +p150743 +sg25268 +S'Before Mass' +p150744 +sg25270 +S'Robert Sargent Austin' +p150745 +sa(dp150746 +g25273 +S'sight size: 24 x 18.8 cm (9 7/16 x 7 3/8 in.)\r\nframed: 27.9 x 22.8 x 2.2 cm (11 x 9 x 7/8 in.)' +p150747 +sg25267 +g27 +sg25275 +S'\npen and brown ink with watercolor' +p150748 +sg25268 +S'Birth Certificate of Christopher M. Hartman' +p150749 +sg25270 +S'American 19th Century' +p150750 +sa(dp150751 +g25273 +S'sight size: 15.7 x 8.4 cm (6 3/16 x 3 5/16 in.)\r\nframed: 19.2 x 12.3 cm (7 9/16 x 4 13/16 in.)' +p150752 +sg25267 +g27 +sg25275 +S'\nwatercolor over graphite' +p150753 +sg25268 +S'J.W. Lester' +p150754 +sg25270 +S'American 19th Century' +p150755 +sa(dp150756 +g25273 +S'sight size: 17 x 8.8 cm (6 11/16 x 3 7/16 in.)\r\nframed: 21.2 x 13 cm (8 3/8 x 5 1/8 in.)' +p150757 +sg25267 +g27 +sg25275 +S'\nwatercolor over graphite' +p150758 +sg25268 +S'Elonor Lester' +p150759 +sg25270 +S'American 19th Century' +p150760 +sa(dp150761 +g25273 +S'sight size: 32.3 x 24 cm (12 11/16 x 9 7/16 in.)\r\nframed: 40 x 31.7 cm (15 3/4 x 12 1/2 in.)' +p150762 +sg25267 +g27 +sg25275 +S'\nwatercolor with crayon and graphite' +p150763 +sg25268 +S'Samuel C. Stevens' +p150764 +sg25270 +S'American 19th Century' +p150765 +sa(dp150766 +g25273 +S'sight size: 32 x 54.2 cm (12 5/8 x 21 5/16 in.)\r\nframed: 40 x 61.6 cm (15 3/4 x 24 1/4 in.)' +p150767 +sg25267 +g27 +sg25275 +S'\nsilhouette and watercolor' +p150768 +sg25268 +S'The Ladies Converse' +p150769 +sg25270 +S'American 19th Century' +p150770 +sa(dp150771 +g25273 +S'sight size: 43.2 x 56.6 cm (17 x 22 5/16 in.)\r\nframed: 52.4 x 65.7 x 28.2 cm (20 5/8 x 25 7/8 x 11 1/8 in.)' +p150772 +sg25267 +g27 +sg25275 +S'\nwatercolor and pinprick' +p150773 +sg25268 +S'Family Group by the Seaside' +p150774 +sg25270 +S'American 19th Century' +p150775 +sa(dp150776 +g25273 +S', c. 1830' +p150777 +sg25267 +g27 +sg25275 +S'\n' +p150778 +sg25268 +S'Man with Gray-Striped Vest' +p150779 +sg25270 +S'Samuel Addison Shute' +p150780 +sa(dp150781 +g25273 +S', c. 1830' +p150782 +sg25267 +g27 +sg25275 +S'\n' +p150783 +sg25268 +S'Lady in Pink with Tortoise-Shell Combs' +p150784 +sg25270 +S'Samuel Addison Shute' +p150785 +sa(dp150786 +g25268 +S'Bear in Tree' +p150787 +sg25270 +S'American 19th Century' +p150788 +sg25273 +S'Overall (approximate): 22.3 x 37 cm (8 3/4 x 14 9/16 in.)\r\nsupport: 22.7 x 37.2 cm (8 15/16 x 14 5/8 in.)\r\nframed: 27.3 x 41.9 cm (10 3/4 x 16 1/2 in.)' +p150789 +sg25275 +S'\nstencil and watercolor' +p150790 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a000089f.jpg' +p150791 +sg25267 +g27 +sa(dp150792 +g25273 +S'sight size: 42 x 55.5 cm (16 9/16 x 21 7/8 in.)\r\nframed: 53.9 x 67.3 x 4.4 cm (21 1/4 x 26 1/2 x 1 3/4 in.)' +p150793 +sg25267 +g27 +sg25275 +S'\nwatercolor' +p150794 +sg25268 +S'Clipper Ship in a Heavy Sea' +p150795 +sg25270 +S'American 19th Century' +p150796 +sa(dp150797 +g25273 +S'pen and black ink with brush and gray ink and graphite' +p150798 +sg25267 +g27 +sg25275 +S'c. 1924' +p150799 +sg25268 +S'The Angel of Saint Matthew, Orvieto' +p150800 +sg25270 +S'Robert Sargent Austin' +p150801 +sa(dp150802 +g25273 +S'overall: 44.4 x 60 cm (17 1/2 x 23 5/8 in.)' +p150803 +sg25267 +g27 +sg25275 +S'\nwatercolor on paper mounted on wood' +p150804 +sg25268 +S'In Memoriam - Column at Left' +p150805 +sg25270 +S'American 19th Century' +p150806 +sa(dp150807 +g25273 +S'sight size: 40 x 52.5 cm (15 3/4 x 20 11/16 in.)\r\nframed: 49.3 x 62 x 3 cm (19 7/16 x 24 7/16 x 1 3/16 in.)' +p150808 +sg25267 +g27 +sg25275 +S'\nwatercolor' +p150809 +sg25268 +S'Platter with Cut Watermelon and Fruit' +p150810 +sg25270 +S'American 19th Century' +p150811 +sa(dp150812 +g25268 +S'Dancing Children' +p150813 +sg25270 +S'Jane Palmer' +p150814 +sg25273 +S'watercolor on wove paper' +p150815 +sg25275 +S'1782' +p150816 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e479.jpg' +p150817 +sg25267 +g27 +sa(dp150818 +g25268 +S'Mother and Daughter' +p150819 +sg25270 +S'Eunice Pinney' +p150820 +sg25273 +S'pen and brown ink and watercolor over graphite on laid paper' +p150821 +sg25275 +S'unknown date\n' +p150822 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e4c7.jpg' +p150823 +sg25267 +g27 +sa(dp150824 +g25268 +S'Mother and Three Children Making a Floral Wreath' +p150825 +sg25270 +S'American 19th Century' +p150826 +sg25273 +S'sheet: 30.5 ? 35.6 cm (12 ? 14 in.)' +p150827 +sg25275 +S'\nwatercolor' +p150828 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e485.jpg' +p150829 +sg25267 +g27 +sa(dp150830 +g25268 +S'Woman and Boy with Provisions' +p150831 +sg25270 +S'American 19th Century' +p150832 +sg25273 +S'sight size: 23.8 x 16.8 cm (9 3/8 x 6 5/8 in.)' +p150833 +sg25275 +S'\nwatercolor' +p150834 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e487.jpg' +p150835 +sg25267 +g27 +sa(dp150836 +g25273 +S'overall: 37.7 x 30 cm (14 13/16 x 11 13/16 in.)' +p150837 +sg25267 +g27 +sg25275 +S'\npastel' +p150838 +sg25268 +S'Baby with Locket' +p150839 +sg25270 +S'American 19th Century' +p150840 +sa(dp150841 +g25268 +S'Baby in Pink Dress with Roses' +p150842 +sg25270 +S'American 19th Century' +p150843 +sg25273 +S'sight size: 44 x 34 cm (17 5/16 x 13 3/8 in.)\r\nframed: 51.6 x 46.5 x 2.8 cm (20 5/16 x 18 5/16 x 1 1/8 in.)' +p150844 +sg25275 +S'\nwatercolor' +p150845 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00063/a00063a8.jpg' +p150846 +sg25267 +g27 +sa(dp150847 +g25273 +S'Overall: 13 x 10.9 cm (5 1/8 x 4 5/16 in.)\r\nsupport: 13.9 x 11.7 cm (5 1/2 x 4 5/8 in.)' +p150848 +sg25267 +g27 +sg25275 +S'\nwatercolor' +p150849 +sg25268 +S'Lady in Black Dress' +p150850 +sg25270 +S'American 19th Century' +p150851 +sa(dp150852 +g25268 +S'Woman with Plumed Hat' +p150853 +sg25270 +S'American 19th Century' +p150854 +sg25273 +S'sheet: 29 ? 19.3 cm (11 7/16 ? 7 5/8 in.)' +p150855 +sg25275 +S'\nwatercolor' +p150856 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e486.jpg' +p150857 +sg25267 +g27 +sa(dp150858 +g25273 +S'etching' +p150859 +sg25267 +g27 +sg25275 +S'1922' +p150860 +sg25268 +S'Autumn' +p150861 +sg25270 +S'Robert Sargent Austin' +p150862 +sa(dp150863 +g25273 +S'sight size: 39.5 x 54 cm (15 9/16 x 21 1/4 in.)\r\nframed: 49.3 x 61.6 x 4.7 cm (19 7/16 x 24 1/4 x 1 7/8 in.)' +p150864 +sg25267 +g27 +sg25275 +S'\npastel on sandpaper' +p150865 +sg25268 +S'The Wharf at Mystic' +p150866 +sg25270 +S'American 19th Century' +p150867 +sa(dp150868 +g25268 +S'The "Beautiful Virgin" of Ratisbon in a Landscape' +p150869 +sg25270 +S'Albrecht Altdorfer' +p150870 +sg25273 +S'engraving' +p150871 +sg25275 +S'c. 1519/1520' +p150872 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a76e.jpg' +p150873 +sg25267 +g27 +sa(dp150874 +g25268 +S'Mississippi Bear' +p150875 +sg25270 +S'Antoine-Louis Barye' +p150876 +sg25273 +S'lithograph' +p150877 +sg25275 +S'1836' +p150878 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00090/a0009033.jpg' +p150879 +sg25267 +g27 +sa(dp150880 +g25268 +S'Anne 1921' +p150881 +sg25270 +S'George Bellows' +p150882 +sg25273 +S'lithograph' +p150883 +sg25275 +S'1923' +p150884 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fc/a000fc4c.jpg' +p150885 +sg25267 +g27 +sa(dp150886 +g25273 +S'lithograph' +p150887 +sg25267 +g27 +sg25275 +S'1951' +p150888 +sg25268 +S'Voice of the Turtle' +p150889 +sg25270 +S'Alfred Bendiner' +p150890 +sa(dp150891 +g25273 +S'lithograph' +p150892 +sg25267 +g27 +sg25275 +S'1950' +p150893 +sg25268 +S'Paris 2,000 Years Later' +p150894 +sg25270 +S'Alfred Bendiner' +p150895 +sa(dp150896 +g25273 +S'lithograph' +p150897 +sg25267 +g27 +sg25275 +S'1950' +p150898 +sg25268 +S'Cafe de la Jeunesse Perdue' +p150899 +sg25270 +S'Alfred Bendiner' +p150900 +sa(dp150901 +g25268 +S'Woman Having Supper' +p150902 +sg25270 +S'Georges Bottini' +p150903 +sg25273 +S'etching' +p150904 +sg25275 +S'1903' +p150905 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00091/a000911c.jpg' +p150906 +sg25267 +g27 +sa(dp150907 +g25268 +S'The Sagot Address' +p150908 +sg25270 +S'Georges Bottini' +p150909 +sg25273 +S'colored lithograph' +p150910 +sg25275 +S'1898' +p150911 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005d/a0005da5.jpg' +p150912 +sg25267 +g27 +sa(dp150913 +g25273 +S'engraving' +p150914 +sg25267 +g27 +sg25275 +S'1928' +p150915 +sg25268 +S'Alice Lush' +p150916 +sg25270 +S'Robert Sargent Austin' +p150917 +sa(dp150918 +g25268 +S'Willows and White Poplars (Saules et peupliers blancs)' +p150919 +sg25270 +S'Jean-Baptiste-Camille Corot' +p150920 +sg25273 +S'lithograph' +p150921 +sg25275 +S'1871' +p150922 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009f30.jpg' +p150923 +sg25267 +g27 +sa(dp150924 +g25268 +S'The Rest on the Flight into Egypt' +p150925 +sg25270 +S'Lucas Cranach the Elder' +p150926 +sg25273 +S'woodcut' +p150927 +sg25275 +S'c. 1520' +p150928 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b0ab.jpg' +p150929 +sg25267 +g27 +sa(dp150930 +g25268 +S'A droite ou a gauche?' +p150931 +sg25270 +S'Honor\xc3\xa9 Daumier' +p150932 +sg25273 +S'lithograph' +p150933 +sg25275 +S'1866' +p150934 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a00094ec.jpg' +p150935 +sg25267 +g27 +sa(dp150936 +g25268 +S'G\xc3\xa9n\xc3\xa9ral P. Mendez Vigo' +p150937 +sg25270 +S'Honor\xc3\xa9 Daumier' +p150938 +sg25273 +S'lithograph' +p150939 +sg25275 +S'probably 1836' +p150940 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00092/a000920d.jpg' +p150941 +sg25267 +g27 +sa(dp150942 +g25268 +S"Mariage de l'\xc3\x89poque et du Constitutionnel" +p150943 +sg25270 +S'Honor\xc3\xa9 Daumier' +p150944 +sg25273 +S'lithograph' +p150945 +sg25275 +S'1846' +p150946 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00093/a000938d.jpg' +p150947 +sg25267 +g27 +sa(dp150948 +g25268 +S"Vous n'avez pas besoin de me rappeler ses titres..." +p150949 +sg25270 +S'Honor\xc3\xa9 Daumier' +p150950 +sg25273 +S'lithograph' +p150951 +sg25275 +S'1871' +p150952 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00095/a0009555.jpg' +p150953 +sg25267 +g27 +sa(dp150954 +g25268 +S'Charm\xc3\xa9 de se voir expos\xc3\xa9...' +p150955 +sg25270 +S'Honor\xc3\xa9 Daumier' +p150956 +sg25273 +S'lithograph' +p150957 +sg25275 +S'1841' +p150958 +sg25314 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+S'http://www.nga.gov:80/thumb-l/a00057/a00057f8.jpg' +p151090 +sg25267 +g27 +sa(dp151091 +g25268 +S"Il d\xc3\xa9fend l'orphelin et la veuve, a moins..." +p151092 +sg25270 +S'Honor\xc3\xa9 Daumier' +p151093 +sg25273 +S'lithograph' +p151094 +sg25275 +S'1846' +p151095 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00093/a0009343.jpg' +p151096 +sg25267 +g27 +sa(dp151097 +g25268 +S"Au Caf\xc3\xa9 d'Aguesseau" +p151098 +sg25270 +S'Honor\xc3\xa9 Daumier' +p151099 +sg25273 +S'lithograph' +p151100 +sg25275 +S'1846' +p151101 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00093/a0009340.jpg' +p151102 +sg25267 +g27 +sa(dp151103 +g25273 +S'woodcut' +p151104 +sg25267 +g27 +sg25275 +S'unknown date\n' +p151105 +sg25268 +S'The Fountain of Youth [one of 4 sheets]' +p151106 +sg25270 +S'Sebald Beham' +p151107 +sa(dp151108 +g25268 +S'Quel dommage que cette charmante... femme...' +p151109 +sg25270 +S'Honor\xc3\xa9 Daumier' +p151110 +sg25273 +S'lithograph' +p151111 +sg25275 +S'1846' +p151112 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00093/a0009341.jpg' +p151113 +sg25267 +g27 +sa(dp151114 +g25268 +S'Mr. le Juge de paix a rendu sa d\xc3\xa9cision...' +p151115 +sg25270 +S'Honor\xc3\xa9 Daumier' +p151116 +sg25273 +S'lithograph' +p151117 +sg25275 +S'1846' +p151118 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00093/a000934e.jpg' +p151119 +sg25267 +g27 +sa(dp151120 +g25268 +S'Un Plaideur peu satisfait' +p151121 +sg25270 +S'Honor\xc3\xa9 Daumier' +p151122 +sg25273 +S'lithograph' +p151123 +sg25275 +S'1846' +p151124 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00093/a0009347.jpg' +p151125 +sg25267 +g27 +sa(dp151126 +g25268 +S'Un D\xc3\xa9fenseur... causant... dans son cabinet habituel' +p151127 +sg25270 +S'Honor\xc3\xa9 Daumier' +p151128 +sg25273 +S'lithograph' +p151129 +sg25275 +S'1846' +p151130 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00093/a0009348.jpg' +p151131 +sg25267 +g27 +sa(dp151132 +g25268 +S"Ainsi donc, quoique j'vous avoue..." +p151133 +sg25270 +S'Honor\xc3\xa9 Daumier' +p151134 +sg25273 +S'lithograph' +p151135 +sg25275 +S'1846' +p151136 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00093/a0009346.jpg' +p151137 +sg25267 +g27 +sa(dp151138 +g25268 +S'Plaidez... \xc3\xa7a sera un bon tour a jouer...' +p151139 +sg25270 +S'Honor\xc3\xa9 Daumier' +p151140 +sg25273 +S'lithograph' +p151141 +sg25275 +S'1846' +p151142 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00093/a000934f.jpg' +p151143 +sg25267 +g27 +sa(dp151144 +g25268 +S'Laissez dire un peu de mal de vous...' +p151145 +sg25270 +S'Honor\xc3\xa9 Daumier' +p151146 +sg25273 +S'lithograph' +p151147 +sg25275 +S'1847' +p151148 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00093/a0009349.jpg' +p151149 +sg25267 +g27 +sa(dp151150 +g25268 +S'Une P\xc3\xa9roraison a la D\xc3\xa9mosth\xc3\xa8ne' +p151151 +sg25270 +S'Honor\xc3\xa9 Daumier' +p151152 +sg25273 +S'lithograph' +p151153 +sg25275 +S'1847' +p151154 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00093/a0009358.jpg' +p151155 +sg25267 +g27 +sa(dp151156 +g25268 +S'Encore perdu en Cour Royale... et il se lamente...' +p151157 +sg25270 +S'Honor\xc3\xa9 Daumier' +p151158 +sg25273 +S'lithograph' +p151159 +sg25275 +S'1848' +p151160 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00093/a0009356.jpg' +p151161 +sg25267 +g27 +sa(dp151162 +g25268 +S"Vous avez perdu votre proc\xc3\xa8s c'est vrai..." +p151163 +sg25270 +S'Honor\xc3\xa9 Daumier' +p151164 +sg25273 +S'lithograph' +p151165 +sg25275 +S'1848' +p151166 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00057/a00057f9.jpg' +p151167 +sg25267 +g27 +sa(dp151168 +g25268 +S'Saint John the Baptist' +p151169 +sg25270 +S'Jacopo del Sellaio' +p151170 +sg25273 +S'oil on panel' +p151171 +sg25275 +S'c. 1480' +p151172 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002b/a0002b03.jpg' +p151173 +sg25267 +S"Small devotional images such as this were produced in large numbers by \r\n craftsmen and lesser-known artists for the homes of Florence's middle \r\n class. These artists often filled in at leading workshops when extra \r\n assistants were needed for important commissions. We know, for example, \r\n that Jacopo worked with Filippo Lippi, Ghirlandaio, and Botticelli.\n This painting reflects the concerns of Florentine merchants and their \r\n pride in the city. John the Baptist was the patron saint of Florence, and \r\n we see him here before the city skyline. Clear in the distant landscape are \r\n the Palazzo Vecchio, center of the city administration; Brunelleschi's huge \r\n cathedral dome; and the campanile designed by \n " +p151174 +sa(dp151175 +g25268 +S'Saint Sebald' +p151176 +sg25270 +S'Sebald Beham' +p151177 +sg25273 +S'engraving' +p151178 +sg25275 +S'1521' +p151179 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a800.jpg' +p151180 +sg25267 +g27 +sa(dp151181 +g25268 +S'Grand escalier du Palais de justice. Vue de face' +p151182 +sg25270 +S'Honor\xc3\xa9 Daumier' +p151183 +sg25273 +S'lithograph' +p151184 +sg25275 +S'1848' +p151185 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00093/a0009354.jpg' +p151186 +sg25267 +g27 +sa(dp151187 +g25268 +S'Il parait... que mon gaillard est un grand sc\xc3\xa9l\xc3\xa9rat...' +p151188 +sg25270 +S'Honor\xc3\xa9 Daumier' +p151189 +sg25273 +S'lithograph' +p151190 +sg25275 +S'1848' +p151191 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00093/a0009350.jpg' +p151192 +sg25267 +g27 +sa(dp151193 +g25268 +S'Il parait... que mon gaillard est un grand sc\xc3\xa9l\xc3\xa9rat...' +p151194 +sg25270 +S'Honor\xc3\xa9 Daumier' +p151195 +sg25273 +S'lithograph' +p151196 +sg25275 +S'1848' +p151197 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00093/a0009352.jpg' +p151198 +sg25267 +g27 +sa(dp151199 +g25268 +S'Vous \xc3\xaates jolie...' +p151200 +sg25270 +S'Honor\xc3\xa9 Daumier' +p151201 +sg25273 +S'lithograph' +p151202 +sg25275 +S'1848' +p151203 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00093/a0009355.jpg' +p151204 +sg25267 +g27 +sa(dp151205 +g25268 +S"Oh! quant a la vue, vous ne trouverez pas mieux qu'ici!" +p151206 +sg25270 +S'Honor\xc3\xa9 Daumier' +p151207 +sg25273 +S'lithograph' +p151208 +sg25275 +S'1847' +p151209 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00093/a00093df.jpg' +p151210 +sg25267 +g27 +sa(dp151211 +g25268 +S'Nourri dans le s\xc3\xa9raii...' +p151212 +sg25270 +S'Honor\xc3\xa9 Daumier' +p151213 +sg25273 +S'lithograph' +p151214 +sg25275 +S'1841' +p151215 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00092/a000928c.jpg' +p151216 +sg25267 +g27 +sa(dp151217 +g25268 +S'Sortez!... (Bajazet)' +p151218 +sg25270 +S'Honor\xc3\xa9 Daumier' +p151219 +sg25273 +S'lithograph' +p151220 +sg25275 +S'1841' +p151221 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00092/a000929d.jpg' +p151222 +sg25267 +g27 +sa(dp151223 +g25268 +S'Va faire... admirer ta fureur...' +p151224 +sg25270 +S'Honor\xc3\xa9 Daumier' +p151225 +sg25273 +S'lithograph' +p151226 +sg25275 +S'1841' +p151227 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00092/a000928b.jpg' +p151228 +sg25267 +g27 +sa(dp151229 +g25268 +S'Soyez donc poli... i...' +p151230 +sg25270 +S'Honor\xc3\xa9 Daumier' +p151231 +sg25273 +S'lithograph' +p151232 +sg25275 +S'1839' +p151233 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00092/a0009258.jpg' +p151234 +sg25267 +g27 +sa(dp151235 +g25268 +S"Je n'm\xc3\xa9tonne pas si les femmes ont... du go\xc3\xbbt..." +p151236 +sg25270 +S'Honor\xc3\xa9 Daumier' +p151237 +sg25273 +S'lithograph' +p151238 +sg25275 +S'1848' +p151239 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a0009400.jpg' +p151240 +sg25267 +g27 +sa(dp151241 +g25268 +S'Dance of the Gods of Love' +p151242 +sg25270 +S'Sebald Beham' +p151243 +sg25273 +S'etching' +p151244 +sg25275 +S'unknown date\n' +p151245 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a8e5.jpg' +p151246 +sg25267 +g27 +sa(dp151247 +g25268 +S'Alphonse Hirsch' +p151248 +sg25270 +S'Edgar Degas' +p151249 +sg25273 +S'drypoint and aquatint' +p151250 +sg25275 +S'1875' +p151251 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00098/a0009802.jpg' +p151252 +sg25267 +g27 +sa(dp151253 +g25268 +S'At the Cafe des Ambassadeurs (Aux Ambassadeurs)' +p151254 +sg25270 +S'Edgar Degas' +p151255 +sg25273 +S'etching, aquatint, and drypoint' +p151256 +sg25275 +S'c. 1877' +p151257 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00095/a0009594.jpg' +p151258 +sg25267 +g27 +sa(dp151259 +g25268 +S'Hercules Conquering Cacus ("Ercules")' +p151260 +sg25270 +S'Albrecht D\xc3\xbcrer' +p151261 +sg25273 +S'woodcut' +p151262 +sg25275 +S'c. 1496' +p151263 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b2/a000b23a.jpg' +p151264 +sg25267 +g27 +sa(dp151265 +g25268 +S'The Turkish Family' +p151266 +sg25270 +S'Albrecht D\xc3\xbcrer' +p151267 +sg25273 +S'engraving' +p151268 +sg25275 +S'c. 1495/1496' +p151269 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a9/a000a982.jpg' +p151270 +sg25267 +g27 +sa(dp151271 +g25273 +S'color lithograph' +p151272 +sg25267 +g27 +sg25275 +S'unknown date\n' +p151273 +sg25268 +S'Two Sisters' +p151274 +sg25270 +S'Valdemar Hansen Elenbaas' +p151275 +sa(dp151276 +g25273 +S'woodcut on Kochi japanese paper' +p151277 +sg25267 +g27 +sg25275 +S'1952' +p151278 +sg25268 +S'Day and Night' +p151279 +sg25270 +S'Antonio Frasconi' +p151280 +sa(dp151281 +g25268 +S'A Maori Woman in a Forest; Manao Tupapau (She is Haunted by a Spirit)' +p151282 +sg25270 +S'Paul Gauguin' +p151283 +sg25273 +S'woodcut in black [trial proof]' +p151284 +sg25275 +S'1894/1895' +p151285 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009a/a0009a85.jpg' +p151286 +sg25267 +g27 +sa(dp151287 +g25273 +S'color lithograph' +p151288 +sg25267 +g27 +sg25275 +S'1951' +p151289 +sg25268 +S'Fiesta' +p151290 +sg25270 +S'Emilio Amero' +p151291 +sa(dp151292 +g25268 +S'The Piper' +p151293 +sg25270 +S'Th\xc3\xa9odore Gericault' +p151294 +sg25273 +S'lithograph' +p151295 +sg25275 +S'1821' +p151296 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009a/a0009ab2.jpg' +p151297 +sg25267 +g27 +sa(dp151298 +g25268 +S'Ni asi la distingue (Even Thus He Cannot Make Her Out)' +p151299 +sg25270 +S'Francisco de Goya' +p151300 +sg25273 +S'etching, aquatint and drypoint [working proof]' +p151301 +sg25275 +S'in or before 1799' +p151302 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00058/a0005807.jpg' +p151303 +sg25267 +g27 +sa(dp151304 +g25268 +S'Trajan' +p151305 +sg25270 +S'Sebald Beham' +p151306 +sg25273 +S'engraving' +p151307 +sg25275 +S'1546' +p151308 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a845.jpg' +p151309 +sg25267 +g27 +sa(dp151310 +g25268 +S'Ya van desplumados (There They Go Plucked)' +p151311 +sg25270 +S'Francisco de Goya' +p151312 +sg25273 +S'etching, burnished aquatint and drypoint [working proof, before letters]' +p151313 +sg25275 +S'1797/1798' +p151314 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed5d.jpg' +p151315 +sg25267 +g27 +sa(dp151316 +g25268 +S'Al Conde Palatino (To the Count Palatine)' +p151317 +sg25270 +S'Francisco de Goya' +p151318 +sg25273 +S'etching, aquatint, drypoint and burin [working proof]' +p151319 +sg25275 +S'in or before 1799' +p151320 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed61.jpg' +p151321 +sg25267 +g27 +sa(dp151322 +g25268 +S'La filiacion (The Filiation)' +p151323 +sg25270 +S'Francisco de Goya' +p151324 +sg25273 +S'etching and aquatint [working proof]' +p151325 +sg25275 +S'in or before 1799' +p151326 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed62.jpg' +p151327 +sg25267 +g27 +sa(dp151328 +g25268 +S'View of Antwerp' +p151329 +sg25270 +S'Wenceslaus Hollar' +p151330 +sg25273 +S'pen and brown ink on laid paper' +p151331 +sg25275 +S'unknown date\n' +p151332 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006a/a0006a5b.jpg' +p151333 +sg25267 +g27 +sa(dp151334 +g25268 +S'The Adoration of the Magi' +p151335 +sg25270 +S'Wolf Huber' +p151336 +sg25273 +S'woodcut' +p151337 +sg25275 +S'unknown date\n' +p151338 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ac/a000aca2.jpg' +p151339 +sg25267 +g27 +sa(dp151340 +g25268 +S'The Circumcision' +p151341 +sg25270 +S'Wolf Huber' +p151342 +sg25273 +S'woodcut' +p151343 +sg25275 +S'unknown date\n' +p151344 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ac/a000aca0.jpg' +p151345 +sg25267 +g27 +sa(dp151346 +g25268 +S'The Presentation in the Temple' +p151347 +sg25270 +S'Wolf Huber' +p151348 +sg25273 +S'woodcut' +p151349 +sg25275 +S'unknown date\n' +p151350 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ac/a000aca1.jpg' +p151351 +sg25267 +g27 +sa(dp151352 +g25268 +S'Still Life' +p151353 +sg25270 +S'Roger de La Fresnaye' +p151354 +sg25273 +S'graphite and pen and white ink on brown paper' +p151355 +sg25275 +S'probably 1920' +p151356 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00070/a0007026.jpg' +p151357 +sg25267 +g27 +sa(dp151358 +g25268 +S'Self-Portrait' +p151359 +sg25270 +S'Jean-\xc3\x89tienne Liotard' +p151360 +sg25273 +S'roulette and engraving over mezzotint' +p151361 +sg25275 +S'1778/1780' +p151362 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ef/a000efd1.jpg' +p151363 +sg25267 +g27 +sa(dp151364 +g25273 +S'American, 1922 - 1998' +p151365 +sg25267 +g27 +sg25275 +S'(printer)' +p151366 +sg25268 +S'Milkweed' +p151367 +sg25270 +S'Artist Information (' +p151368 +sa(dp151369 +g25268 +S'Domitia Calvilla' +p151370 +sg25270 +S'Sebald Beham' +p151371 +sg25273 +S'engraving' +p151372 +sg25275 +S'1546' +p151373 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a844.jpg' +p151374 +sg25267 +g27 +sa(dp151375 +g25268 +S'The Fall of Man' +p151376 +sg25270 +S'Lucas van Leyden' +p151377 +sg25273 +S'engraving' +p151378 +sg25275 +S'in or before 1508' +p151379 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ce48.jpg' +p151380 +sg25267 +g27 +sa(dp151381 +g25273 +S'color lithograph' +p151382 +sg25267 +g27 +sg25275 +S'unknown date\n' +p151383 +sg25268 +S'Masked Pheasant (Faisan masque)' +p151384 +sg25270 +S'Jean Lur\xc3\xa7at' +p151385 +sa(dp151386 +g25268 +S'At the Caf\xc3\xa9 (Au caf\xc3\xa9)' +p151387 +sg25270 +S'Edouard Manet' +p151388 +sg25273 +S'transfer lithograph' +p151389 +sg25275 +S'1869' +p151390 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00010/a000106f.jpg' +p151391 +sg25267 +g27 +sa(dp151392 +g25268 +S'Berthe Morisot' +p151393 +sg25270 +S'Edouard Manet' +p151394 +sg25273 +S'lithograph' +p151395 +sg25275 +S'1872' +p151396 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00058/a000587f.jpg' +p151397 +sg25267 +g27 +sa(dp151398 +g25268 +S'Stag Hunt' +p151399 +sg25270 +S'Master H.W.G.' +p151400 +sg25273 +S'woodcut' +p151401 +sg25275 +S'unknown date\n' +p151402 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ac/a000acb0.jpg' 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(10.6 cm)\r\nwidth: 7.3 cm, 13/16 in. (2 7/8 in., 2.1 cm)' +p152496 +sg25267 +g27 +sg25275 +S'\nwoodcut block' +p152497 +sg25268 +S'Presentation in the Temple' +p152498 +sg25270 +S'French 16th Century' +p152499 +sa(dp152500 +g25273 +S'engraved copper plate' +p152501 +sg25267 +g27 +sg25275 +S'unknown date\n' +p152502 +sg25268 +S'The Obelisk under the Liberty Tree, Boston [recto]' +p152503 +sg25270 +S'Paul Revere' +p152504 +sa(dp152505 +g25273 +S'engraved copper plate' +p152506 +sg25267 +g27 +sg25275 +S'unknown date\n' +p152507 +sg25268 +S'Masonic Certificate [verso]' +p152508 +sg25270 +S'Paul Revere' +p152509 +sa(dp152510 +g25268 +S'The Virgin Crowned by Two Angels' +p152511 +sg25270 +S'German 15th Century' +p152512 +sg25273 +S'Schreiber, no. 2869' +p152513 +sg25275 +S'\nwhite line woodcut' +p152514 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a5c1.jpg' +p152515 +sg25267 +g27 +sa(dp152516 +g25268 +S'Mars' +p152517 +sg25270 +S'Sebald Beham' +p152518 +sg25273 +S'engraving' +p152519 +sg25275 +S'unknown date\n' +p152520 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a84e.jpg' +p152521 +sg25267 +g27 +sa(dp152522 +g25268 +S'The Virgin Crowned by Two Angels' +p152523 +sg25270 +S'German 15th Century' +p152524 +sg25273 +S'Schreiber, no. 2869' +p152525 +sg25275 +S'\nwhite line woodcut' +p152526 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a5c0.jpg' +p152527 +sg25267 +g27 +sa(dp152528 +g25268 +S'Three Breton Women with Infants' +p152529 +sg25270 +S'Armand S\xc3\xa9guin' +p152530 +sg25273 +S'color woodcut' +p152531 +sg25275 +S'1894' +p152532 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bba.jpg' +p152533 +sg25267 +g27 +sa(dp152534 +g25273 +S'copper plate worked in drypoint' +p152535 +sg25267 +g27 +sg25275 +S'unknown date\n' +p152536 +sg25268 +S'Drydock' +p152537 +sg25270 +S'Morris Atkinson Blackburn' +p152538 +sa(dp152539 +g25268 +S'Michel Larcher' +p152540 +sg25270 +S'Abraham Bosse' +p152541 +sg25273 +S'engraving' +p152542 +sg25275 +S'1647' +p152543 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00085/a0008523.jpg' +p152544 +sg25267 +g27 +sa(dp152545 +g25273 +S'drypoint' +p152546 +sg25267 +g27 +sg25275 +S'unknown date\n' +p152547 +sg25268 +S'The Crenellated Hill' +p152548 +sg25270 +S'Louise Boyer' +p152549 +sa(dp152550 +g25273 +S'aquatint and etching' +p152551 +sg25267 +g27 +sg25275 +S'1951' +p152552 +sg25268 +S'Village in the Sun' +p152553 +sg25270 +S'Charles Merrick Capps' +p152554 +sa(dp152555 +g25273 +S'lithograph' +p152556 +sg25267 +g27 +sg25275 +S'1949/1950' +p152557 +sg25268 +S'Bengalese Sisters' +p152558 +sg25270 +S'Federico Castell\xc3\xb3n' +p152559 +sa(dp152560 +g25273 +S'lithograph' +p152561 +sg25267 +g27 +sg25275 +S'unknown date\n' +p152562 +sg25268 +S'Waiting Women' +p152563 +sg25270 +S'Federico Castell\xc3\xb3n' +p152564 +sa(dp152565 +g25273 +S'screenprint' +p152566 +sg25267 +g27 +sg25275 +S'unknown date\n' +p152567 +sg25268 +S'Long Wharf' +p152568 +sg25270 +S'John Russell Clift' +p152569 +sa(dp152570 +g25273 +S'soft-ground etching' +p152571 +sg25267 +g27 +sg25275 +S'1950' +p152572 +sg25268 +S'A Moorland Village, Evening' +p152573 +sg25270 +S'Leslie Cope' +p152574 +sa(dp152575 +g25268 +S'Sol' +p152576 +sg25270 +S'Sebald Beham' +p152577 +sg25273 +S'engraving' +p152578 +sg25275 +S'unknown date\n' +p152579 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a84d.jpg' +p152580 +sg25267 +g27 +sa(dp152581 +g25273 +S'wood engraving' +p152582 +sg25267 +g27 +sg25275 +S'1952' +p152583 +sg25268 +S'Mill on the Aspetuck' +p152584 +sg25270 +S'John H. De Pol' +p152585 +sa(dp152586 +g25273 +S'lithograph' +p152587 +sg25267 +g27 +sg25275 +S'1951' +p152588 +sg25268 +S'Off the Coast' +p152589 +sg25270 +S'Lyonel Feininger' +p152590 +sa(dp152591 +g25273 +S'lithograph' +p152592 +sg25267 +g27 +sg25275 +S'unknown date\n' +p152593 +sg25268 +S'Wood Owl' +p152594 +sg25270 +S'Hans Fischer' +p152595 +sa(dp152596 +g25273 +S'drypoint' +p152597 +sg25267 +g27 +sg25275 +S'unknown date\n' +p152598 +sg25268 +S'Derelict' +p152599 +sg25270 +S'Isac Friedlander' +p152600 +sa(dp152601 +g25268 +S'The Bathers' +p152602 +sg25270 +S'Emil Ganso' +p152603 +sg25273 +S'wood engraving' +p152604 +sg25275 +S'1951' +p152605 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00103/a00103e3.jpg' +p152606 +sg25267 +g27 +sa(dp152607 +g25268 +S'Stephanus Paschinus' +p152608 +sg25270 +S'L\xc3\xa9onard Gaultier' +p152609 +sg25273 +S'engraving' +p152610 +sg25275 +S'1617' +p152611 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00084/a000845e.jpg' +p152612 +sg25267 +g27 +sa(dp152613 +g25268 +S'Henry de Bourbon, Prince de Conde' +p152614 +sg25270 +S'L\xc3\xa9onard Gaultier' +p152615 +sg25273 +S'engraving' +p152616 +sg25275 +S'1613' +p152617 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00084/a000846b.jpg' +p152618 +sg25267 +g27 +sa(dp152619 +g25268 +S'David Chabodius' +p152620 +sg25270 +S'L\xc3\xa9onard Gaultier' +p152621 +sg25273 +S'engraving' +p152622 +sg25275 +S'unknown date\n' +p152623 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00084/a0008452.jpg' +p152624 +sg25267 +g27 +sa(dp152625 +g25273 +S'drypoint' +p152626 +sg25267 +g27 +sg25275 +S'1952' +p152627 +sg25268 +S'The Tempest' +p152628 +sg25270 +S'Trude Hanscom' +p152629 +sa(dp152630 +g25273 +S'drypoint' +p152631 +sg25267 +g27 +sg25275 +S'1951' +p152632 +sg25268 +S'Wells-on-Sea' +p152633 +sg25270 +S'Martin Hardie' +p152634 +sa(dp152635 +g25268 +S'Venus' +p152636 +sg25270 +S'Sebald Beham' +p152637 +sg25273 +S'engraving' +p152638 +sg25275 +S'unknown date\n' +p152639 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a84c.jpg' +p152640 +sg25267 +g27 +sa(dp152641 +g25273 +S'lithograph' +p152642 +sg25267 +g27 +sg25275 +S'1951' +p152643 +sg25268 +S'Nocturne' +p152644 +sg25270 +S'Victoria Hutson Huntley' +p152645 +sa(dp152646 +g25273 +S'woodcut' +p152647 +sg25267 +g27 +sg25275 +S'1951' +p152648 +sg25268 +S'Queer House' +p152649 +sg25270 +S'Norman Kent' +p152650 +sa(dp152651 +g25268 +S'Cichla, Aenea' +p152652 +sg25270 +S'Charles Alexandre Lesueur' +p152653 +sg25273 +S'lithograph' +p152654 +sg25275 +S'1822' +p152655 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00098/a00098c7.jpg' +p152656 +sg25267 +g27 +sa(dp152657 +g25273 +S'color woodcut' +p152658 +sg25267 +g27 +sg25275 +S'1950' +p152659 +sg25268 +S'Don Quixote' +p152660 +sg25270 +S'Hans Alexander Mueller' +p152661 +sa(dp152662 +g25273 +S'etching and drypoint on wove paper' +p152663 +sg25267 +g27 +sg25275 +S'1950' +p152664 +sg25268 +S'Donner Summit' +p152665 +sg25270 +S'Roi Partridge' +p152666 +sa(dp152667 +g25273 +S'color lithograph' +p152668 +sg25267 +g27 +sg25275 +S'1951' +p152669 +sg25268 +S'November Oak' +p152670 +sg25270 +S'Otis Philbrick' +p152671 +sa(dp152672 +g25268 +S'Corrida. Wounded Female Torero III (Corrida. Femme Torero bless\xc3\xa9e III)' +p152673 +sg25270 +S'Pablo Picasso' +p152674 +sg25273 +S'etching and aquatint' +p152675 +sg25275 +S'1933' +p152676 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee7c.jpg' +p152677 +sg25267 +g27 +sa(dp152678 +g25268 +S'Head of a Girl' +p152679 +sg25270 +S'Pablo Picasso' +p152680 +sg25273 +S'etching [restrike from top part of cancelled plate]' +p152681 +sg25275 +S'published 1945' +p152682 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee9e.jpg' +p152683 +sg25267 +g27 +sa(dp152684 +g25273 +S'etching' +p152685 +sg25267 +g27 +sg25275 +S'1951' +p152686 +sg25268 +S'Spoleto - Italy' +p152687 +sg25270 +S'Ernest David Roth' +p152688 +sa(dp152689 +g25273 +S'aquatint' +p152690 +sg25267 +g27 +sg25275 +S'published 1930' +p152691 +sg25268 +S'Le clown jaune' +p152692 +sg25270 +S'Georges Rouault' +p152693 +sa(dp152694 +g25268 +S'Mercury' +p152695 +sg25270 +S'Sebald Beham' +p152696 +sg25273 +S'engraving' +p152697 +sg25275 +S'unknown date\n' +p152698 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a84a.jpg' +p152699 +sg25267 +g27 +sa(dp152700 +g25273 +S'engraving' +p152701 +sg25267 +g27 +sg25275 +S'1950' +p152702 +sg25268 +S'Peaceful Afternoon' +p152703 +sg25270 +S'Carl Max Schultheiss' +p152704 +sa(dp152705 +g25273 +S'wood engraving' +p152706 +sg25267 +g27 +sg25275 +S'1952' +p152707 +sg25268 +S'Warm Afternoon' +p152708 +sg25270 +S'Nora Spicer Unwin' +p152709 +sa(dp152710 +g25273 +S'color lithograph' +p152711 +sg25267 +g27 +sg25275 +S'1949' +p152712 +sg25268 +S'The Colosseum' +p152713 +sg25270 +S'Emil Weddige' +p152714 +sa(dp152715 +g25268 +S'Le General Comte Sebastiani' +p152716 +sg25270 +S'Horace Vernet' +p152717 +sg25273 +S'lithograph' +p152718 +sg25275 +S'unknown date\n' +p152719 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009e/a0009ea8.jpg' +p152720 +sg25267 +g27 +sa(dp152721 +g25268 +S'Ames solitaires' +p152722 +sg25270 +S'Edouard Vuillard' +p152723 +sg25273 +S'lithograph' +p152724 +sg25275 +S'1893' +p152725 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a0/a000a061.jpg' +p152726 +sg25267 +g27 +sa(dp152727 +g25268 +S"Lisez la revue blanche; Un nuit d'Avril Ceos, L'image" +p152728 +sg25270 +S'Edouard Vuillard' +p152729 +sg25273 +S'lithograph' +p152730 +sg25275 +S'1894' +p152731 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a0/a000a062.jpg' +p152732 +sg25267 +g27 +sa(dp152733 +g25273 +S'mezzotint' +p152734 +sg25267 +g27 +sg25275 +S'1949' +p152735 +sg25268 +S'Grain Thrashers' +p152736 +sg25270 +S'Reynold Henry Weidenaar' +p152737 +sa(dp152738 +g25273 +S'mezzotint' +p152739 +sg25267 +g27 +sg25275 +S'unknown date\n' +p152740 +sg25268 +S'Demolition in the Plaza del Toro' +p152741 +sg25270 +S'Reynold Henry Weidenaar' +p152742 +sa(dp152743 +g25268 +S'The Biglin Brothers Racing' +p152744 +sg25270 +S'Thomas Eakins' +p152745 +sg25273 +S'oil on canvas' +p152746 +sg25275 +S'1872' +p152747 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a000008e.jpg' +p152748 +sg25267 +S"In the decade following the Civil War, rowing became one of\r\nAmerica’s most popular spectator sports. When its champions,\r\nthe Biglin brothers of New York, visited Philadelphia in the\r\nearly 1870s, Thomas Eakins made numerous paintings and\r\ndrawings of them and other racers.\r\nHere, the bank of the Schuylkill River divides the composition\r\nin two. The boatmen and the entering prow of a competing\r\ncraft fill the lower half with their immediate, large-scale\r\npresence. The upper and distant half contains a four-man rowing\r\ncrew, crowds on the shore, and spectators following in flagdecked\r\nsteamboats.\n Himself an amateur oarsman and a friend of the Biglins,\r\nEakins portrays John with his blade still feathered, almost at\r\nthe end of his return motion. Barney, a split-second ahead in\r\nhis stroke, watches for his younger brother’s oar to bite the\r\nwater. Both ends of the Biglins’ pair-oared boat project beyond\r\nthe picture’s edges, generating a sense of urgency, as does the\r\nother prow jutting suddenly into view.\n The precision of Eakins’ style reflects his upbringing as the\r\nson of a teacher of penmanship. He studied under academic\r\nartists in Paris and traveled in Europe from 1866 to 1870. To further\r\nhis understanding of anatomy, Eakins participated in dissections\r\nat Philadelphia's Jefferson Medical College in 1872-1874.\n " +p152749 +sa(dp152750 +g25268 +S"The Man of Affairs (L'homme d'affaires)" +p152751 +sg25270 +S'Artist Information (' +p152752 +sg25273 +S'French, 1808 - 1879' +p152753 +sg25275 +S'(related artist)' +p152754 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00054/a0005410.jpg' +p152755 +sg25267 +g27 +sa(dp152756 +g25268 +S'Luna' +p152757 +sg25270 +S'Sebald Beham' +p152758 +sg25273 +S'engraving' +p152759 +sg25275 +S'unknown date\n' +p152760 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a849.jpg' +p152761 +sg25267 +g27 +sa(dp152762 +g25268 +S'The Dandy (Le dandy)' +p152763 +sg25270 +S'Artist Information (' +p152764 +sg25273 +S'French, 1808 - 1879' +p152765 +sg25275 +S'(related artist)' +p152766 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00054/a0005411.jpg' +p152767 +sg25267 +g27 +sa(dp152768 +g25268 +S'Violet' +p152769 +sg25270 +S'George Fuller' +p152770 +sg25273 +S'oil on canvas' +p152771 +sg25275 +S'1882' +p152772 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000c5.jpg' +p152773 +sg25267 +g27 +sa(dp152774 +g25268 +S'Agnes Gordon Cochran Higginson (Mrs. Stephen Higginson)' +p152775 +sg25270 +S'George Fuller' +p152776 +sg25273 +S'oil on canvas' +p152777 +sg25275 +S'1876' +p152778 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000c6.jpg' +p152779 +sg25267 +g27 +sa(dp152780 +g25268 +S'Marina Piccola, Capri' +p152781 +sg25270 +S'William Stanley Haseltine' +p152782 +sg25273 +S'oil on paper on canvas' +p152783 +sg25275 +S'c. 1858' +p152784 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000e2.jpg' +p152785 +sg25267 +g27 +sa(dp152786 +g25268 +S'Andrew W. Mellon' +p152787 +sg25270 +S'Gari Melchers' +p152788 +sg25273 +S'oil on canvas' +p152789 +sg25275 +S'1930' +p152790 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a0000165.jpg' +p152791 +sg25267 +g27 +sa(dp152792 +g25268 +S'Banks of the Marne (Bord de la Marne)' +p152793 +sg25270 +S'Alphonse Legros' +p152794 +sg25273 +S'drypoint and (etching?)' +p152795 +sg25275 +S'unknown date\n' +p152796 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a0009911.jpg' +p152797 +sg25267 +g27 +sa(dp152798 +g25268 +S'Banks of the Marne (Bord de la Marne)' +p152799 +sg25270 +S'Alphonse Legros' +p152800 +sg25273 +S'drypoint and (etching?) on light green paper' +p152801 +sg25275 +S'unknown date\n' +p152802 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a000990e.jpg' +p152803 +sg25267 +g27 +sa(dp152804 +g25268 +S'Head of an Old Man (Etude de tete)' +p152805 +sg25270 +S'Alphonse Legros' +p152806 +sg25273 +S'etching' +p152807 +sg25275 +S'unknown date\n' +p152808 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a000991a.jpg' +p152809 +sg25267 +g27 +sa(dp152810 +g25268 +S"Egg-sellers, 1st plate (Les marchandes d'oeufs)" +p152811 +sg25270 +S'Alphonse Legros' +p152812 +sg25273 +S'etching and drypoint' +p152813 +sg25275 +S'unknown date\n' +p152814 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a0009917.jpg' +p152815 +sg25267 +g27 +sa(dp152816 +g25268 +S'Storm (Un orage)' +p152817 +sg25270 +S'Alphonse Legros' +p152818 +sg25273 +S'drypoint and (etching?) on light green paper' +p152819 +sg25275 +S'unknown date\n' +p152820 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bc0.jpg' +p152821 +sg25267 +g27 +sa(dp152822 +g25268 +S'Allegory of Christianity' +p152823 +sg25270 +S'Sebald Beham' +p152824 +sg25273 +S'engraving' +p152825 +sg25275 +S'unknown date\n' +p152826 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a852.jpg' +p152827 +sg25267 +g27 +sa(dp152828 +g25268 +S'Storm (Un orage)' +p152829 +sg25270 +S'Alphonse Legros' +p152830 +sg25273 +S'drypoint and (etching?) on light green paper' +p152831 +sg25275 +S'unknown date\n' +p152832 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bc2.jpg' +p152833 +sg25267 +g27 +sa(dp152834 +g25268 +S'Willows (Les saules)' +p152835 +sg25270 +S'Alphonse Legros' +p152836 +sg25273 +S'drypoint' +p152837 +sg25275 +S'unknown date\n' +p152838 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bc3.jpg' +p152839 +sg25267 +g27 +sa(dp152840 +g25268 +S'Hill with Bushes (La butte aux brousailles)' +p152841 +sg25270 +S'Alphonse Legros' +p152842 +sg25273 +S'etching and drypoint' +p152843 +sg25275 +S'unknown date\n' +p152844 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a0009928.jpg' +p152845 +sg25267 +g27 +sa(dp152846 +g25268 +S'Chickweed Merchant (Marchand de mouron)' +p152847 +sg25270 +S'Alphonse Legros' +p152848 +sg25273 +S'etching? and drypoint' +p152849 +sg25275 +S'unknown date\n' +p152850 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a0009921.jpg' +p152851 +sg25267 +g27 +sa(dp152852 +g25268 +S'Banks of the Saint-Pre (Rive du Saint-Pre)' +p152853 +sg25270 +S'Alphonse Legros' +p152854 +sg25273 +S'etching' +p152855 +sg25275 +S'unknown date\n' +p152856 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a0009926.jpg' +p152857 +sg25267 +g27 +sa(dp152858 +g25268 +S'Banks of the Saint-Pre (Rive du Saint-Pre)' +p152859 +sg25270 +S'Alphonse Legros' +p152860 +sg25273 +S'etching?' +p152861 +sg25275 +S'unknown date\n' +p152862 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a0009927.jpg' +p152863 +sg25267 +g27 +sa(dp152864 +g25268 +S'Edge of a Wood (Lisiere de bois)' +p152865 +sg25270 +S'Alphonse Legros' +p152866 +sg25273 +S'etching and drypoint?' +p152867 +sg25275 +S'unknown date\n' +p152868 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b96.jpg' +p152869 +sg25267 +g27 +sa(dp152870 +g25268 +S'Banks of the Venelle (Bord de la Venelle)' +p152871 +sg25270 +S'Alphonse Legros' +p152872 +sg25273 +S'etching? and drypoint' +p152873 +sg25275 +S'unknown date\n' +p152874 +sg25314 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drypoint' +p152897 +sg25275 +S'unknown date\n' +p152898 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bae.jpg' +p152899 +sg25267 +g27 +sa(dp152900 +g25268 +S'Small Hill (Le coteau)' +p152901 +sg25270 +S'Alphonse Legros' +p152902 +sg25273 +S'etching' +p152903 +sg25275 +S'unknown date\n' +p152904 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bab.jpg' +p152905 +sg25267 +g27 +sa(dp152906 +g25268 +S'Path through the Woods (Sentier sous bois)' +p152907 +sg25270 +S'Alphonse Legros' +p152908 +sg25273 +S'drypoint and (etching?)' +p152909 +sg25275 +S'unknown date\n' +p152910 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009ba8.jpg' +p152911 +sg25267 +g27 +sa(dp152912 +g25268 +S'Antique Dealer B...' +p152913 +sg25270 +S'Alphonse Legros' +p152914 +sg25273 +S'etching and drypoint' +p152915 +sg25275 +S'unknown date\n' +p152916 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bd7.jpg' +p152917 +sg25267 +g27 +sa(dp152918 +g25268 +S'English Peasant (Paysan anglais)' +p152919 +sg25270 +S'Alphonse Legros' +p152920 +sg25273 +S'etching and drypoint?' +p152921 +sg25275 +S'unknown date\n' +p152922 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bcc.jpg' +p152923 +sg25267 +g27 +sa(dp152924 +g25268 +S'Remembrance of My Village (Souvenir de mon village)' +p152925 +sg25270 +S'Alphonse Legros' +p152926 +sg25273 +S'etching? and drypoint' +p152927 +sg25275 +S'unknown date\n' +p152928 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bcd.jpg' +p152929 +sg25267 +g27 +sa(dp152930 +g25268 +S"Corner of a Path (Au coin d'un chemin)" +p152931 +sg25270 +S'Alphonse Legros' +p152932 +sg25273 +S'drypoint' +p152933 +sg25275 +S'unknown date\n' +p152934 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009be1.jpg' +p152935 +sg25267 +g27 +sa(dp152936 +g25268 +S'Meditation (La meditation)' +p152937 +sg25270 +S'Alphonse Legros' +p152938 +sg25273 +S'etching? and drypoint' +p152939 +sg25275 +S'unknown date\n' +p152940 +sg25314 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+sg25275 +S'unknown date\n' +p152964 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009be3.jpg' +p152965 +sg25267 +g27 +sa(dp152966 +g25268 +S'The Old Race-grounds at Montrouge (Les vielles carriers de Montrouge)' +p152967 +sg25270 +S'Alphonse Legros' +p152968 +sg25273 +S'etching? and drypoint' +p152969 +sg25275 +S'unknown date\n' +p152970 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009be4.jpg' +p152971 +sg25267 +g27 +sa(dp152972 +g25268 +S'In the Forest of Conteville (Dans la foret de Conteville)' +p152973 +sg25270 +S'Alphonse Legros' +p152974 +sg25273 +S'etching' +p152975 +sg25275 +S'unknown date\n' +p152976 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bd8.jpg' +p152977 +sg25267 +g27 +sa(dp152978 +g25268 +S'Old Village (Ville vieille)' +p152979 +sg25270 +S'Alphonse Legros' +p152980 +sg25273 +S'etching and drypoint' +p152981 +sg25275 +S'unknown date\n' +p152982 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bf5.jpg' +p152983 +sg25267 +g27 +sa(dp152984 +g25268 +S'View of a Farm, 2nd plate (La ferme de Bienheureux)' +p152985 +sg25270 +S'Alphonse Legros' +p152986 +sg25273 +S'etching' +p152987 +sg25275 +S'unknown date\n' +p152988 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bec.jpg' +p152989 +sg25267 +g27 +sa(dp152990 +g25268 +S"Woods in Winter Sun, 1st plate (Soleil d'hiver dans les bois)" +p152991 +sg25270 +S'Alphonse Legros' +p152992 +sg25273 +S'drypoint and (etching?)' +p152993 +sg25275 +S'unknown date\n' +p152994 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009be8.jpg' +p152995 +sg25267 +g27 +sa(dp152996 +g25268 +S"Landscape: Road to Horville (Paysage: Chemin d'Horville)" +p152997 +sg25270 +S'Alphonse Legros' +p152998 +sg25273 +S'etching and drypoint' +p152999 +sg25275 +S'unknown date\n' +p153000 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c00.jpg' +p153001 +sg25267 +g27 +sa(dp153002 +g25268 +S"Landscape: Road to Horville (Paysage: Chemin d'Horville)" +p153003 +sg25270 +S'Alphonse Legros' +p153004 +sg25273 +S'etching' +p153005 +sg25275 +S'unknown date\n' +p153006 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c02.jpg' +p153007 +sg25267 +g27 +sa(dp153008 +g25268 +S'Desperate Man (Le desespere)' +p153009 +sg25270 +S'Alphonse Legros' +p153010 +sg25273 +S'etching and drypoint retouched with brown and grey? ink' +p153011 +sg25275 +S'unknown date\n' +p153012 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bfc.jpg' +p153013 +sg25267 +g27 +sa(dp153014 +g25268 +S'Landscape (Un paysage)' +p153015 +sg25270 +S'Alphonse Legros' +p153016 +sg25273 +S'etching and drypoint' +p153017 +sg25275 +S'unknown date\n' +p153018 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c06.jpg' +p153019 +sg25267 +g27 +sa(dp153020 +g25268 +S'Charitas' +p153021 +sg25270 +S'Sebald Beham' +p153022 +sg25273 +S'engraving' +p153023 +sg25275 +S'unknown date\n' +p153024 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a881.jpg' +p153025 +sg25267 +g27 +sa(dp153026 +g25268 +S"The Prodigal Son, 3rd plate (L'enfant prodigue)" +p153027 +sg25270 +S'Alphonse Legros' +p153028 +sg25273 +S'etching and drypoint' +p153029 +sg25275 +S'unknown date\n' +p153030 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bfd.jpg' +p153031 +sg25267 +g27 +sa(dp153032 +g25268 +S"The Prodigal Son, 3rd plate (L'enfant prodigue)" +p153033 +sg25270 +S'Alphonse Legros' +p153034 +sg25273 +S'etching and drypoint' +p153035 +sg25275 +S'unknown date\n' +p153036 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bff.jpg' +p153037 +sg25267 +g27 +sa(dp153038 +g25268 +S'Plate made for an Exhibition at the Dunthorne Home (Planche faite pour une exposition chez Dunthorne)' +p153039 +sg25270 +S'Alphonse Legros' +p153040 +sg25273 +S'etching and drypoint' +p153041 +sg25275 +S'unknown date\n' +p153042 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c01.jpg' +p153043 +sg25267 +g27 +sa(dp153044 +g25268 +S'Rustic Scene (Scene rustique)' +p153045 +sg25270 +S'Alphonse Legros' +p153046 +sg25273 +S'etching and drypoint' 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of the Adour (Bord de l'Adour)" +p153093 +sg25270 +S'Alphonse Legros' +p153094 +sg25273 +S'etching' +p153095 +sg25275 +S'unknown date\n' +p153096 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c23.jpg' +p153097 +sg25267 +g27 +sa(dp153098 +g25268 +S'Blacksmith (Le forgeron)' +p153099 +sg25270 +S'Alphonse Legros' +p153100 +sg25273 +S'drypoint and etching' +p153101 +sg25275 +S'unknown date\n' +p153102 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c1b.jpg' +p153103 +sg25267 +g27 +sa(dp153104 +g25268 +S'In the Pyrenees (Dans les Pyrenees)' +p153105 +sg25270 +S'Alphonse Legros' +p153106 +sg25273 +S'etching and drypoint' +p153107 +sg25275 +S'unknown date\n' +p153108 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c25.jpg' +p153109 +sg25267 +g27 +sa(dp153110 +g25268 +S'Riverbank (Bord de la riviere)' +p153111 +sg25270 +S'Alphonse Legros' +p153112 +sg25273 +S'drypoint and (etching?)' +p153113 +sg25275 +S'unknown date\n' +p153114 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c1d.jpg' +p153115 +sg25267 +g27 +sa(dp153116 +g25268 +S'Village (Un village)' +p153117 +sg25270 +S'Alphonse Legros' +p153118 +sg25273 +S'etching and drypoint' +p153119 +sg25275 +S'unknown date\n' +p153120 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c18.jpg' +p153121 +sg25267 +g27 +sa(dp153122 +g25268 +S"The Prodigal Son, 4th plate (L'enfant prodigue)" +p153123 +sg25270 +S'Alphonse Legros' +p153124 +sg25273 +S'etching and drypoint printed in bistre' +p153125 +sg25275 +S'unknown date\n' +p153126 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c34.jpg' +p153127 +sg25267 +g27 +sa(dp153128 +g25268 +S'Near the Woods (Pres du bois)' +p153129 +sg25270 +S'Alphonse Legros' +p153130 +sg25273 +S'drypoint and (etching?)' +p153131 +sg25275 +S'unknown date\n' +p153132 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c29.jpg' +p153133 +sg25267 +g27 +sa(dp153134 +g25268 +S'Saint Maurice in Bourgogne (Saint Maurice en Bourgogne)' +p153135 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fagottiers)' +p153159 +sg25270 +S'Alphonse Legros' +p153160 +sg25273 +S'etching and drypoint' +p153161 +sg25275 +S'unknown date\n' +p153162 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c45.jpg' +p153163 +sg25267 +g27 +sa(dp153164 +g25268 +S'Portrait of a Lady' +p153165 +sg25270 +S'Artist Information (' +p153166 +sg25273 +S'French, 1707 - 1771' +p153167 +sg25275 +S'(related artist)' +p153168 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005a/a0005aa1.jpg' +p153169 +sg25267 +g27 +sa(dp153170 +g25268 +S'Urn with Grotesque Masks' +p153171 +sg25270 +S'Florentine 16th Century' +p153172 +sg25273 +S'porphyry' +p153173 +sg25275 +S'16th century' +p153174 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002d79.jpg' +p153175 +sg25267 +g27 +sa(dp153176 +g25268 +S'The Death of Virginia' +p153177 +sg25270 +S'Italian 16th Century' +p153178 +sg25273 +S'sheet: 24.2 x 30.1 cm (9 1/2 x 11 7/8 in.)' +p153179 +sg25275 +S'\nengraving' +p153180 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ff/a000ff9c.jpg' +p153181 +sg25267 +g27 +sa(dp153182 +g25268 +S'Daniel Webster' +p153183 +sg25270 +S'James Reid Lambdin' +p153184 +sg25273 +S', c. 1850' +p153185 +sg25275 +S'\n' +p153186 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a0000145.jpg' +p153187 +sg25267 +g27 +sa(dp153188 +g25268 +S'Lincoln and His Son, Tad' +p153189 +sg25270 +S'Franklin C. Courter' +p153190 +sg25273 +S'oil on hardboard' +p153191 +sg25275 +S'c. 1929' +p153192 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a000006b.jpg' +p153193 +sg25267 +g27 +sa(dp153194 +g25273 +S'overall: 101.7 x 77.3 cm (40 1/16 x 30 7/16 in.)\r\nframed: 120.7 x 95.3 x 7.3 cm (47 1/2 x 37 1/2 x 2 7/8 in.)' +p153195 +sg25267 +g27 +sg25275 +S'\noil on canvas' +p153196 +sg25268 +S'Portrait of a Man' +p153197 +sg25270 +S'Unknown 18th Century' +p153198 +sa(dp153199 +g25268 +S'Portrait of a Quaker' +p153200 +sg25270 +S'Adolph-Ulrich Wertm\xc3\xbcller' +p153201 +sg25273 +S', 1795' +p153202 +sg25275 +S'\n' +p153203 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000e0/a000e01a.jpg' +p153204 +sg25267 +g27 +sa(dp153205 +g25268 +S'Henry Eichholtz Leman' +p153206 +sg25270 +S'Jacob Eichholtz' +p153207 +sg25273 +S'oil on canvas' +p153208 +sg25275 +S'c. 1835' +p153209 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000a7.jpg' +p153210 +sg25267 +g27 +sa(dp153211 +g25273 +S'overall: 76.1 x 63.3 cm (29 15/16 x 24 15/16 in.)\r\nframed: 84.8 x 72.1 x 4.8 cm (33 3/8 x 28 3/8 x 1 7/8 in.)' +p153212 +sg25267 +g27 +sg25275 +S'\noil on canvas' +p153213 +sg25268 +S'Portrait of a Man' +p153214 +sg25270 +S'American 19th Century' +p153215 +sa(dp153216 +g25268 +S'Misfortune' +p153217 +sg25270 +S'Sebald Beham' +p153218 +sg25273 +S'engraving' +p153219 +sg25275 +S'unknown date\n' +p153220 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a88d.jpg' +p153221 +sg25267 +g27 +sa(dp153222 +g25273 +S'overall (oval): 37.4 x 30 cm (14 3/4 x 11 13/16 in.)\r\nframed: 49.2 x 42.1 x 4.8 cm (19 3/8 x 16 9/16 x 1 7/8 in.)' +p153223 +sg25267 +g27 +sg25275 +S'\noil on canvas' +p153224 +sg25268 +S'Portrait of a Gentleman' +p153225 +sg25270 +S'British 18th Century' +p153226 +sa(dp153227 +g25268 +S'Captain Robert Calder' +p153228 +sg25270 +S'Lemuel Francis Abbott' +p153229 +sg25273 +S'oil on canvas' +p153230 +sg25275 +S'c. 1787/1790' +p153231 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a000054d.jpg' +p153232 +sg25267 +g27 +sa(dp153233 +g25268 +S'William Constable' +p153234 +sg25270 +S'Artist Information (' +p153235 +sg25273 +S'American, 1755 - 1828' +p153236 +sg25275 +S'(artist after)' +p153237 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a0000248.jpg' +p153238 +sg25267 +g27 +sa(dp153239 +g25268 +S'Sir John Dick' +p153240 +sg25270 +S'Gilbert Stuart' +p153241 +sg25273 +S'oil on canvas' +p153242 +sg25275 +S'1783' +p153243 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a0000249.jpg' +p153244 +sg25267 +g27 +sa(dp153245 +g25273 +S', c. 1790/1800' +p153246 +sg25267 +g27 +sg25275 +S'\n' +p153247 +sg25268 +S'James Massy-Dawson (?)' +p153248 +sg25270 +S'Henry Singleton' +p153249 +sa(dp153250 +g25268 +S'The Miner' +p153251 +sg25270 +S'George Benjamin Luks' +p153252 +sg25273 +S'oil on canvas' +p153253 +sg25275 +S'1925' +p153254 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a0000152.jpg' +p153255 +sg25267 +g27 +sa(dp153256 +g25268 +S'Queen Victoria' +p153257 +sg25270 +S'Artist Information (' +p153258 +sg25273 +S'German, 1805 - 1873' +p153259 +sg25275 +S'(related artist)' +p153260 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6a7.jpg' +p153261 +sg25267 +g27 +sa(dp153262 +g25268 +S'Moonlight' +p153263 +sg25270 +S'Julian Alden Weir' +p153264 +sg25273 +S'oil on canvas' +p153265 +sg25275 +S'c. 1905' +p153266 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a000028f.jpg' +p153267 +sg25267 +g27 +sa(dp153268 +g25268 +S"The Artist's Garden" +p153269 +sg25270 +S'Ralph Albert Blakelock' +p153270 +sg25273 +S'oil on canvas' +p153271 +sg25275 +S'c. 1879/1889' +p153272 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a0000027.jpg' +p153273 +sg25267 +g27 +sa(dp153274 +g25268 +S'Snow in New York' +p153275 +sg25270 +S'Robert Henri' +p153276 +sg25273 +S'oil on canvas' +p153277 +sg25275 +S'1902' +p153278 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000f0.jpg' +p153279 +sg25267 +S"Robert Henri urged his students in Philadelphia\r\nand New York to reject idealism and to focus\r\ninstead on reality, whether it be banal or harsh.\r\n“Draw your material from the life around you,\r\nfrom all of it. There is beauty in everything if it\r\nlooks beautiful to your eyes. You can find it anywhere,\r\neverywhere.”\n Henri's \n " +p153280 +sa(dp153281 +g25268 +S'Triumphal Procession' +p153282 +sg25270 +S'Sebald Beham' +p153283 +sg25273 +S'engraving' +p153284 +sg25275 +S'unknown date\n' +p153285 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a89f.jpg' +p153286 +sg25267 +g27 +sa(dp153287 +g25268 +S'The Laundresses' +p153288 +sg25270 +S'Th\xc3\xa9ophile Alexandre Steinlen' +p153289 +sg25273 +S'oil on canvas' +p153290 +sg25275 +S'1899' +p153291 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f85.jpg' +p153292 +sg25267 +g27 +sa(dp153293 +g25268 +S'Possibly Franciska Krasinska, Duchess of Courland' +p153294 +sg25270 +S'Angelica Kauffmann' +p153295 +sg25273 +S'oil on canvas' +p153296 +sg25275 +S'c. 1790' +p153297 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005a/a0005ab5.jpg' +p153298 +sg25267 +g27 +sa(dp153299 +g25268 +S'Italian Girl' +p153300 +sg25270 +S'Jean-Baptiste-Camille Corot' +p153301 +sg25273 +S'oil on canvas' +p153302 +sg25275 +S'c. 1872' +p153303 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d9f.jpg' +p153304 +sg25267 +g27 +sa(dp153305 +g25268 +S'John Adams' +p153306 +sg25270 +S'Gilbert Stuart' +p153307 +sg25273 +S'oil on canvas' +p153308 +sg25275 +S'c. 1800/1815' +p153309 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a000024a.jpg' +p153310 +sg25267 +S'John Adams was vice president during both of George Washington\'s terms \n and served as chief executive himself from 1797 to 1801. This likeness was \n begun in Philadelphia during his presidency, and shows Adams at sixty-five \n years of age; however, like its companion portrait, \n \n Although the second president was a patient sitter, the impish painter \n later delighted in telling a friend, "Isn\'t it like? Do you know what he is \n about to do? He is about to sneeze!" (Both the artist and the sitter \n habitually used snuff.)\n In this sketch from life, soft brushstrokes merely suggest rustling \n movement and indistinct contours in the hair and lace. The portrait subtly \n expresses the inquisitive, analytic aspects of Adams\' character; seated low \n in the composition, he confronts the viewer directly.\n The pose of this first study of Adams inspired Stuart\'s replica in the \n \n ' +p153311 +sa(dp153312 +g25268 +S'Abigail Smith Adams (Mrs. John Adams)' +p153313 +sg25270 +S'Gilbert Stuart' +p153314 +sg25273 +S'oil on canvas' +p153315 +sg25275 +S'1800/1815' +p153316 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a000024b.jpg' +p153317 +sg25267 +S'Mrs. John Adams felt that "if we mean to have heroes, statesmen and \n philosophers, we should have learned women." Stuart\'s portrait, begun when \n the first lady was fifty-six, captures the patrician beauty of her \n straight nose and arched brows. The forthright painting also leaves little \n doubt about the force of character, intellect, and principles of this \n daughter of a Massachusetts minister.\n This likeness was Stuart\'s only completed picture of Abigail Smith \n Adams. It and its companion piece of her husband, \n \n ' +p153318 +sa(dp153319 +g25268 +S'The Vintagers' +p153320 +sg25270 +S'Auguste Renoir' +p153321 +sg25273 +S'oil on canvas' +p153322 +sg25275 +S'1879' +p153323 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a0000705.jpg' +p153324 +sg25267 +g27 +sa(dp153325 +g25268 +S'Claude Renoir ("Coco")' +p153326 +sg25270 +S'Auguste Renoir' +p153327 +sg25273 +S'bronze' +p153328 +sg25275 +S'c. 1908' +p153329 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00043/a00043f7.jpg' +p153330 +sg25267 +g27 +sa(dp153331 +g25268 +S'Miss Jean Christie' +p153332 +sg25270 +S'Artist Information (' +p153333 +sg25273 +S'Scottish, 1756 - 1823' +p153334 +sg25275 +S'(related artist)' +p153335 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a000053a.jpg' +p153336 +sg25267 +g27 +sa(dp153337 +g25268 +S'George Washington' +p153338 +sg25270 +S'Gilbert Stuart' +p153339 +sg25273 +S'oil on canvas' +p153340 +sg25275 +S'c. 1803/1805' +p153341 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a000024c.jpg' +p153342 +sg25267 +g27 +sa(dp153343 +g25268 +S'Ann Barry' +p153344 +sg25270 +S'Gilbert Stuart' +p153345 +sg25273 +S'oil on canvas' +p153346 +sg25275 +S'1803/1805' +p153347 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a000024d.jpg' +p153348 +sg25267 +g27 +sa(dp153349 +g25268 +S'Triumphal Procession of the Noble Glorious Women' +p153350 +sg25270 +S'Sebald Beham' +p153351 +sg25273 +S'engraving' +p153352 +sg25275 +S'1549' +p153353 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a8a0.jpg' +p153354 +sg25267 +g27 +sa(dp153355 +g25268 +S'Mary Barry' +p153356 +sg25270 +S'Gilbert Stuart' +p153357 +sg25273 +S'oil on canvas' +p153358 +sg25275 +S'1803/1805' +p153359 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a000024e.jpg' +p153360 +sg25267 +g27 +sa(dp153361 +g25268 +S'The Bullfight' +p153362 +sg25270 +S'Eugenio Lucas Villamil' +p153363 +sg25273 +S'oil on canvas' +p153364 +sg25275 +S'c. 1890/1900' +p153365 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a00004a9.jpg' +p153366 +sg25267 +S'This picture was inspired by Goya’s many paintings, drawings,\r\n and prints \r\n of bullrings. Goya often troweled on thick paint textures with the\r\n flexible \r\n blade of his palette knife, just as this later follower did.\n Goya’s own works accurately convey the danger to professional\r\n athletes. \r\n Lucas’ humorous design, however, places two folk contests inside a\r\n formal \r\n arena. During \n ' +p153367 +sa(dp153368 +g25268 +S'Bacchanal with a Wine Vat' +p153369 +sg25270 +S'Andrea Mantegna' +p153370 +sg25273 +S'engraving' +p153371 +sg25275 +S'c. 1475' +p153372 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c7c8.jpg' +p153373 +sg25267 +g27 +sa(dp153374 +g25268 +S'Henry Monnier' +p153375 +sg25270 +S'Paul Gavarni' +p153376 +sg25273 +S'lithograph' +p153377 +sg25275 +S'1843' +p153378 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009a/a0009aa6.jpg' +p153379 +sg25267 +g27 +sa(dp153380 +g25273 +S', unknown date' +p153381 +sg25267 +g27 +sg25275 +S'\n' +p153382 +sg25268 +S'Run' +p153383 +sg25270 +S'Margot Holt Bostick' +p153384 +sa(dp153385 +g25273 +S'etching and engraving' +p153386 +sg25267 +g27 +sg25275 +S'1952' +p153387 +sg25268 +S'North Shore' +p153388 +sg25270 +S'Morris Atkinson Blackburn' +p153389 +sa(dp153390 +g25273 +S'silkscreen' +p153391 +sg25267 +g27 +sg25275 +S'1952' +p153392 +sg25268 +S'Alleyway' +p153393 +sg25270 +S'Morris Atkinson Blackburn' +p153394 +sa(dp153395 +g25273 +S'etching and engraving' +p153396 +sg25267 +g27 +sg25275 +S'1950' +p153397 +sg25268 +S'Construction' +p153398 +sg25270 +S'Morris Atkinson Blackburn' +p153399 +sa(dp153400 +g25268 +S'The Coiffure' +p153401 +sg25270 +S'Mary Cassatt' +p153402 +sg25273 +S'graphite with traces of green watercolor and brown wash mounted on wove paper' +p153403 +sg25275 +S'c. 1891' +p153404 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a00008ba.jpg' +p153405 +sg25267 +g27 +sa(dp153406 +g25268 +S'The Fitting [recto]' +p153407 +sg25270 +S'Mary Cassatt' +p153408 +sg25273 +S'graphite over black chalk on wove paper' +p153409 +sg25275 +S'1890/1891' +p153410 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a00008bb.jpg' +p153411 +sg25267 +g27 +sa(dp153412 +g25268 +S'Melancholia' +p153413 +sg25270 +S'Sebald Beham' +p153414 +sg25273 +S'engraving' +p153415 +sg25275 +S'1539' +p153416 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a890.jpg' +p153417 +sg25267 +g27 +sa(dp153418 +g25273 +S'pale soft-ground transfer adhered to traced lines' +p153419 +sg25267 +g27 +sg25275 +S'1890/1891' +p153420 +sg25268 +S'The Fitting [verso]' +p153421 +sg25270 +S'Mary Cassatt' +p153422 +sa(dp153423 +g25268 +S'View of Venice' +p153424 +sg25270 +S'Mary Cassatt' +p153425 +sg25273 +S'drypoint' +p153426 +sg25275 +S'1887' +p153427 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fa31.jpg' +p153428 +sg25267 +g27 +sa(dp153429 +g25268 +S'Susan on a Balcony Holding a Dog [recto]' +p153430 +sg25270 +S'Mary Cassatt' +p153431 +sg25273 +S'graphite' +p153432 +sg25275 +S'c. 1883' +p153433 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e491.jpg' +p153434 +sg25267 +g27 +sa(dp153435 +g25273 +S'transferred soft-ground medium' +p153436 +sg25267 +g27 +sg25275 +S'c. 1883' +p153437 +sg25268 +S'Susan on a Balcony Holding a Dog [verso]' +p153438 +sg25270 +S'Mary Cassatt' +p153439 +sa(dp153440 +g25268 +S'The Picture Book (No. 1)' +p153441 +sg25270 +S'Mary Cassatt' +p153442 +sg25273 +S'graphite' +p153443 +sg25275 +S'c. 1901' +p153444 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e493.jpg' +p153445 +sg25267 +g27 +sa(dp153446 +g25268 +S'The Picture Book (No. 1)' +p153447 +sg25270 +S'Mary Cassatt' +p153448 +sg25273 +S'drypoint' +p153449 +sg25275 +S'c. 1901' +p153450 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fa96.jpg' +p153451 +sg25267 +g27 +sa(dp153452 +g25268 +S'Peasant Mother and Child' +p153453 +sg25270 +S'Mary Cassatt' +p153454 +sg25273 +S'drypoint' +p153455 +sg25275 +S'c. 1894' +p153456 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fa95.jpg' +p153457 +sg25267 +g27 +sa(dp153458 +g25268 +S"Souvenir of Italy (Souvenir d'Italie)" +p153459 +sg25270 +S'Jean-Baptiste-Camille Corot' +p153460 +sg25273 +S'etching' +p153461 +sg25275 +S'1866' +p153462 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00091/a00091ad.jpg' +p153463 +sg25267 +g27 +sa(dp153464 +g25268 +S'Dire... que nous avons un fils qui est... avocat...' +p153465 +sg25270 +S'Honor\xc3\xa9 Daumier' +p153466 +sg25273 +S'lithograph' +p153467 +sg25275 +S'1846' +p153468 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00093/a0009393.jpg' +p153469 +sg25267 +g27 +sa(dp153470 +g25268 +S"Allant gouter ce qu'on est convenu d'appeler..." +p153471 +sg25270 +S'Honor\xc3\xa9 Daumier' +p153472 +sg25273 +S'lithograph' +p153473 +sg25275 +S'1855' +p153474 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a00094c4.jpg' +p153475 +sg25267 +g27 +sa(dp153476 +g25268 +S'The Impossibility' +p153477 +sg25270 +S'Sebald Beham' +p153478 +sg25273 +S'engraving' +p153479 +sg25275 +S'1549' +p153480 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a88f.jpg' +p153481 +sg25267 +g27 +sa(dp153482 +g25268 +S'Madeleine-Bastille' +p153483 +sg25270 +S'Honor\xc3\xa9 Daumier' +p153484 +sg25273 +S'lithograph' +p153485 +sg25275 +S'1862' +p153486 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a00094da.jpg' +p153487 +sg25267 +g27 +sa(dp153488 +g25268 +S'A travers les ateliers' +p153489 +sg25270 +S'Honor\xc3\xa9 Daumier' +p153490 +sg25273 +S'lithograph' +p153491 +sg25275 +S'1862' +p153492 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a00094dd.jpg' +p153493 +sg25267 +g27 +sa(dp153494 +g25268 +S'Le Nouveau Paris' +p153495 +sg25270 +S'Honor\xc3\xa9 Daumier' +p153496 +sg25273 +S'lithograph' +p153497 +sg25275 +S'1862' +p153498 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a00094d8.jpg' +p153499 +sg25267 +g27 +sa(dp153500 +g25268 +S'Paysagistes au travail' +p153501 +sg25270 +S'Honor\xc3\xa9 Daumier' +p153502 +sg25273 +S'lithograph' +p153503 +sg25275 +S'1862' +p153504 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00057/a00057c8.jpg' +p153505 +sg25267 +g27 +sa(dp153506 +g25268 +S"En v'la un, il pourrait bien \xc3\xaatre malheureux..." +p153507 +sg25270 +S'Honor\xc3\xa9 Daumier' +p153508 +sg25273 +S'lithograph' +p153509 +sg25275 +S'1862' +p153510 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a00094d9.jpg' +p153511 +sg25267 +g27 +sa(dp153512 +g25268 +S'En Chemin de fer... un voisin agr\xc3\xa9able' +p153513 +sg25270 +S'Honor\xc3\xa9 Daumier' +p153514 +sg25273 +S'lithograph' +p153515 +sg25275 +S'1862' +p153516 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005e/a0005e0a.jpg' +p153517 +sg25267 +g27 +sa(dp153518 +g25268 +S"Nadar \xc3\xa9levant la Photographie \xc3\xa0 la hauteur de l'Art" +p153519 +sg25270 +S'Honor\xc3\xa9 Daumier' +p153520 +sg25273 +S'lithograph' +p153521 +sg25275 +S'1862' +p153522 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00057/a00057fa.jpg' +p153523 +sg25267 +g27 +sa(dp153524 +g25268 +S'A la Varenne Saint-Maur' +p153525 +sg25270 +S'Honor\xc3\xa9 Daumier' +p153526 +sg25273 +S'lithograph' +p153527 +sg25275 +S'1862' +p153528 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a00094d7.jpg' +p153529 +sg25267 +g27 +sa(dp153530 +g25268 +S'The Forge of Vulcan' +p153531 +sg25270 +S'Artist Information (' +p153532 +sg25273 +S'(artist after)' +p153533 +sg25275 +S'\n' +p153534 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008d/a0008dbe.jpg' +p153535 +sg25267 +g27 +sa(dp153536 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+p154682 +sg25273 +S', 1615' +p154683 +sg25275 +S'\n' +p154684 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008a/a0008a4d.jpg' +p154685 +sg25267 +g27 +sa(dp154686 +g25273 +S'lithograph' +p154687 +sg25267 +g27 +sg25275 +S'1952' +p154688 +sg25268 +S'Santayana' +p154689 +sg25270 +S'George Biddle' +p154690 +sa(dp154691 +g25273 +S'lithograph' +p154692 +sg25267 +g27 +sg25275 +S'1952' +p154693 +sg25268 +S'Ten Elephants' +p154694 +sg25270 +S'George Biddle' +p154695 +sa(dp154696 +g25268 +S'Johann Gottfried von Herder' +p154697 +sg25270 +S'Johann Friedrich Bierlein' +p154698 +sg25273 +S'graphite on vellum' +p154699 +sg25275 +S'1786' +p154700 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006e30.jpg' +p154701 +sg25267 +g27 +sa(dp154702 +g25268 +S'Frau Gottfried von Herder' +p154703 +sg25270 +S'Johann Friedrich Bierlein' +p154704 +sg25273 +S'graphite on vellum' +p154705 +sg25275 +S'probably 1786' +p154706 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006e60.jpg' +p154707 +sg25267 +g27 +sa(dp154708 +g25273 +S'etching' +p154709 +sg25267 +g27 +sg25275 +S'unknown date\n' +p154710 +sg25268 +S'The Great Stag Hunt' +p154711 +sg25270 +S'Hans Bol' +p154712 +sa(dp154713 +g25268 +S'The Brook in the Woods' +p154714 +sg25270 +S'Rodolphe Bresdin' +p154715 +sg25273 +S'etching' +p154716 +sg25275 +S'1880' +p154717 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00091/a0009150.jpg' +p154718 +sg25267 +g27 +sa(dp154719 +g25268 +S'Head of a Woman' +p154720 +sg25270 +S'Sebald Beham' +p154721 +sg25273 +S'engraving' +p154722 +sg25275 +S'1542' +p154723 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a870.jpg' +p154724 +sg25267 +g27 +sa(dp154725 +g25268 +S'Landscape with Shepherds Driving Away a Wolf' +p154726 +sg25270 +S'Domenico Campagnola' +p154727 +sg25273 +S'pen and brown ink with touches of pale green wash on laid paper' +p154728 +sg25275 +S'c. 1540' +p154729 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00031/a00031a0.jpg' +p154730 +sg25267 +g27 +sa(dp154731 +g25273 +S'lithograph in red-brown and black on wove paper (proof)' +p154732 +sg25267 +g27 +sg25275 +S'1951' +p154733 +sg25268 +S'Gioco del diabolo' +p154734 +sg25270 +S'Massimo Campigli' +p154735 +sa(dp154736 +g25268 +S'Saint George (St. Georg)' +p154737 +sg25270 +S'Lovis Corinth' +p154738 +sg25273 +S'drypoint' +p154739 +sg25275 +S'1916' +p154740 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b6/a000b668.jpg' +p154741 +sg25267 +g27 +sa(dp154742 +g25268 +S'The Temptation of Saint Anthony' +p154743 +sg25270 +S'Jan Wellens de Cock' +p154744 +sg25273 +S'woodcut' +p154745 +sg25275 +S'1522' +p154746 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cf/a000cf1a.jpg' +p154747 +sg25267 +g27 +sa(dp154748 +g25268 +S'The Reformers Luther and Hus Giving Communion to the Princes of the House of Saxony' +p154749 +sg25270 +S'Lucas Cranach the Elder' +p154750 +sg25273 +S'woodcut' +p154751 +sg25275 +S'unknown date\n' +p154752 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b0f4.jpg' +p154753 +sg25267 +g27 +sa(dp154754 +g25268 +S'Venus and Cupid' +p154755 +sg25270 +S'Lucas Cranach the Elder' +p154756 +sg25273 +S'woodcut' +p154757 +sg25275 +S'dated 1506 (probably executed c. 1509)' +p154758 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b0f6.jpg' +p154759 +sg25267 +g27 +sa(dp154760 +g25273 +S'color engraving' +p154761 +sg25267 +g27 +sg25275 +S'unknown date\n' +p154762 +sg25268 +S'Buried City' +p154763 +sg25270 +S'Ruth Cyril' +p154764 +sa(dp154765 +g25268 +S'Un Monsieur au dessous de ses affaires' +p154766 +sg25270 +S'Honor\xc3\xa9 Daumier' +p154767 +sg25273 +S'lithograph' +p154768 +sg25275 +S'1841' +p154769 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00093/a00093a9.jpg' +p154770 +sg25267 +g27 +sa(dp154771 +g25268 +S'Le Jour ou il faut se montrer galant' +p154772 +sg25270 +S'Honor\xc3\xa9 Daumier' +p154773 +sg25273 +S'lithograph' +p154774 +sg25275 +S'1845' +p154775 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00092/a00092e4.jpg' +p154776 +sg25267 +g27 +sa(dp154777 +g25268 +S'Le Nouveau tapissier de la couronne...' +p154778 +sg25270 +S'Honor\xc3\xa9 Daumier' +p154779 +sg25273 +S'lithograph' +p154780 +sg25275 +S'1850' +p154781 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a000946d.jpg' +p154782 +sg25267 +g27 +sa(dp154783 +g25268 +S'Three Medals with Portraits' +p154784 +sg25270 +S'Sebald Beham' +p154785 +sg25273 +S'engraving' +p154786 +sg25275 +S'unknown date\n' +p154787 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a877.jpg' +p154788 +sg25267 +g27 +sa(dp154789 +g25268 +S'Expliquez-moi donc, monsieur Badoulard...' +p154790 +sg25270 +S'Honor\xc3\xa9 Daumier' +p154791 +sg25273 +S'lithograph' +p154792 +sg25275 +S'1851' +p154793 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a0009478.jpg' +p154794 +sg25267 +g27 +sa(dp154795 +g25268 +S'The Northern Celestial Hemisphere' +p154796 +sg25270 +S'Albrecht D\xc3\xbcrer' +p154797 +sg25273 +S'woodcut' +p154798 +sg25275 +S'1515' +p154799 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b066.jpg' +p154800 +sg25267 +g27 +sa(dp154801 +g25268 +S'The Southern Celestial Hemisphere' +p154802 +sg25270 +S'Albrecht D\xc3\xbcrer' +p154803 +sg25273 +S'woodcut' +p154804 +sg25275 +S'1515' +p154805 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ae/a000aeb5.jpg' +p154806 +sg25267 +g27 +sa(dp154807 +g25273 +S'(artist after)' +p154808 +sg25267 +g27 +sg25275 +S'\n' +p154809 +sg25268 +S'La Fee Electricite I' +p154810 +sg25270 +S'Artist Information (' +p154811 +sa(dp154812 +g25273 +S'(artist after)' +p154813 +sg25267 +g27 +sg25275 +S'\n' +p154814 +sg25268 +S'La Fee Electricite' +p154815 +sg25270 +S'Artist Information (' +p154816 +sa(dp154817 +g25273 +S'(artist after)' +p154818 +sg25267 +g27 +sg25275 +S'\n' +p154819 +sg25268 +S'La Fee Electricite II' +p154820 +sg25270 +S'Artist Information (' +p154821 +sa(dp154822 +g25273 +S'(artist after)' +p154823 +sg25267 +g27 +sg25275 +S'\n' +p154824 +sg25268 +S'La Fee Electricite III' +p154825 +sg25270 +S'Artist Information (' +p154826 +sa(dp154827 +g25273 +S'(artist after)' +p154828 +sg25267 +g27 +sg25275 +S'\n' +p154829 +sg25268 +S'La Fee Electricite IV' +p154830 +sg25270 +S'Artist Information (' +p154831 +sa(dp154832 +g25273 +S'(artist after)' +p154833 +sg25267 +g27 +sg25275 +S'\n' +p154834 +sg25268 +S'La Fee Electricite V' +p154835 +sg25270 +S'Artist Information (' +p154836 +sa(dp154837 +g25273 +S'(artist after)' +p154838 +sg25267 +g27 +sg25275 +S'\n' +p154839 +sg25268 +S'La Fee Electricite VI' +p154840 +sg25270 +S'Artist Information (' +p154841 +sa(dp154842 +g25268 +S'Ornament with Two Tritons Blowing Horns' +p154843 +sg25270 +S'Sebald Beham' +p154844 +sg25273 +S'engraving' +p154845 +sg25275 +S'1544' +p154846 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a87b.jpg' +p154847 +sg25267 +g27 +sa(dp154848 +g25273 +S'(artist after)' +p154849 +sg25267 +g27 +sg25275 +S'\n' +p154850 +sg25268 +S'La Fee Electricite VII' +p154851 +sg25270 +S'Artist Information (' +p154852 +sa(dp154853 +g25273 +S'(artist after)' +p154854 +sg25267 +g27 +sg25275 +S'\n' +p154855 +sg25268 +S'La Fee Electricite VIII' +p154856 +sg25270 +S'Artist Information (' +p154857 +sa(dp154858 +g25273 +S'(artist after)' +p154859 +sg25267 +g27 +sg25275 +S'\n' +p154860 +sg25268 +S'La Fee Electricite IX' +p154861 +sg25270 +S'Artist Information (' +p154862 +sa(dp154863 +g25273 +S'(artist after)' +p154864 +sg25267 +g27 +sg25275 +S'\n' +p154865 +sg25268 +S'La Fee Electricite X' +p154866 +sg25270 +S'Artist Information (' +p154867 +sa(dp154868 +g25268 +S'The Marriage of Adam and Eve' +p154869 +sg25270 +S'Jean Duvet' +p154870 +sg25273 +S'engraving' +p154871 +sg25275 +S'probably 1540/1555' +p154872 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f29.jpg' +p154873 +sg25267 +g27 +sa(dp154874 +g25268 +S'Saint John Sees the Four Horsemen' +p154875 +sg25270 +S'Jean Duvet' +p154876 +sg25273 +S'engraving' +p154877 +sg25275 +S'1546/1556' +p154878 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00084/a00084ca.jpg' +p154879 +sg25267 +g27 +sa(dp154880 +g25268 +S'The Woman Clothed with the Sun' +p154881 +sg25270 +S'Jean Duvet' +p154882 +sg25273 +S'engraving' +p154883 +sg25275 +S'1546/1556' +p154884 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00061/a000612f.jpg' +p154885 +sg25267 +g27 +sa(dp154886 +g25268 +S'Shipwreck of the Meduse' +p154887 +sg25270 +S'Artist Information (' +p154888 +sg25273 +S'(artist)' +p154889 +sg25275 +S'\n' +p154890 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00098/a00098a1.jpg' +p154891 +sg25267 +g27 +sa(dp154892 +g25268 +S'The Last Supper' +p154893 +sg25270 +S'William Blake' +p154894 +sg25273 +S'tempera on canvas' +p154895 +sg25275 +S'1799' +p154896 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a00004e9.jpg' +p154897 +sg25267 +g27 +sa(dp154898 +g25268 +S'The Stroller (Le bourgeois qui fl\xc3\xa2ne)' +p154899 +sg25270 +S'Artist Information (' +p154900 +sg25273 +S'French, 1808 - 1879' +p154901 +sg25275 +S'(related artist)' +p154902 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00054/a0005412.jpg' +p154903 +sg25267 +g27 +sa(dp154904 +g25268 +S'The Adoration of the Shepherds' +p154905 +sg25270 +S'Giorgione' +p154906 +sg25273 +S'oil on panel' +p154907 +sg25275 +S'1505/1510' +p154908 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005d9.jpg' +p154909 +sg25267 +S'Giorgione has always been considered one of the greatest artists of the Renaissance, and one whose influence on following generations of painters was considerable. For all his fame, very little is known about his short life (he may have died during a plague epidemic in 1510 at age 32 or 33), and only a few paintings can be definitively attributed to him. He initially studied with Giovanni Bellini, seems to have been influenced by Leonardo, and could claim Titian and Sebastiano del Piombo as his pupils.\n The \n ' +p154910 +sa(dp154911 +g25268 +S'Three Medals with Coats of Arms' +p154912 +sg25270 +S'Sebald Beham' +p154913 +sg25273 +S'engraving' +p154914 +sg25275 +S'unknown date\n' +p154915 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a876.jpg' +p154916 +sg25267 +g27 +sa(dp154917 +g25268 +S"The Lover (L'amoureux)" +p154918 +sg25270 +S'Artist Information (' +p154919 +sg25273 +S'French, 1808 - 1879' +p154920 +sg25275 +S'(related artist)' +p154921 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00054/a0005413.jpg' +p154922 +sg25267 +g27 +sa(dp154923 +g25268 +S'Mr. Forbes' +p154924 +sg25270 +S'George Romney' +p154925 +sg25273 +S'oil on canvas' +p154926 +sg25275 +S'c. 1780/1790' +p154927 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a0000535.jpg' +p154928 +sg25267 +g27 +sa(dp154929 +g25268 +S'The House of the Well (La maison du puits)' +p154930 +sg25270 +S'Alphonse Legros' +p154931 +sg25273 +S'etching and drypoint' +p154932 +sg25275 +S'unknown date\n' +p154933 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c41.jpg' +p154934 +sg25267 +g27 +sa(dp154935 +g25268 +S'Near Nordkerque (Pres de Nordkerque)' +p154936 +sg25270 +S'Alphonse Legros' +p154937 +sg25273 +S'etching? and drypoint' +p154938 +sg25275 +S'unknown date\n' +p154939 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c46.jpg' +p154940 +sg25267 +g27 +sa(dp154941 +g25268 +S'Farmer Reclining (Le fermier au repos)' +p154942 +sg25270 +S'Alphonse Legros' +p154943 +sg25273 +S'etching retouched with pen' +p154944 +sg25275 +S'unknown date\n' +p154945 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c3d.jpg' +p154946 +sg25267 +g27 +sa(dp154947 +g25268 +S'W.H. Longfellow, 1st plate' +p154948 +sg25270 +S'Alphonse Legros' +p154949 +sg25273 +S'etching and drypoint' +p154950 +sg25275 +S'unknown date\n' +p154951 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c38.jpg' +p154952 +sg25267 +g27 +sa(dp154953 +g25268 +S'Hovel on a Hillside (Masure sur la colline)' +p154954 +sg25270 +S'Alphonse Legros' +p154955 +sg25273 +S'etching and drypoint?' +p154956 +sg25275 +S'unknown date\n' +p154957 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c42.jpg' +p154958 +sg25267 +g27 +sa(dp154959 +g25268 +S'Hovel on a Hillside (Masure sur la colline)' +p154960 +sg25270 +S'Alphonse Legros' +p154961 +sg25273 +S'etching and drypoint?' +p154962 +sg25275 +S'unknown date\n' +p154963 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c43.jpg' +p154964 +sg25267 +g27 +sa(dp154965 +g25268 +S'Landscape (Paysage)' +p154966 +sg25270 +S'Alphonse Legros' +p154967 +sg25273 +S'etching' +p154968 +sg25275 +S'unknown date\n' +p154969 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c52.jpg' +p154970 +sg25267 +g27 +sa(dp154971 +g25268 +S'Landscape (Paysage)' +p154972 +sg25270 +S'Alphonse Legros' +p154973 +sg25273 +S'etching and drypoint' +p154974 +sg25275 +S'unknown date\n' +p154975 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c53.jpg' +p154976 +sg25267 +g27 +sa(dp154977 +g25268 +S'Ornament with Eagle and Two Genii' +p154978 +sg25270 +S'Sebald Beham' +p154979 +sg25273 +S'engraving' +p154980 +sg25275 +S'1544' +p154981 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a87a.jpg' +p154982 +sg25267 +g27 +sa(dp154983 +g25268 +S'Seated Beggar (Mendiant assis)' +p154984 +sg25270 +S'Alphonse Legros' +p154985 +sg25273 +S'etching and drypoint' +p154986 +sg25275 +S'unknown date\n' +p154987 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c4c.jpg' +p154988 +sg25267 +g27 +sa(dp154989 +g25268 +S'Study of an Old Man (Etude de vieillard)' +p154990 +sg25270 +S'Alphonse Legros' +p154991 +sg25273 +S'etching' +p154992 +sg25275 +S'unknown date\n' +p154993 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c48.jpg' +p154994 +sg25267 +g27 +sa(dp154995 +g25268 +S'Landscape (Paysage)' +p154996 +sg25270 +S'Alphonse Legros' +p154997 +sg25273 +S'etching and drypoint' +p154998 +sg25275 +S'unknown date\n' +p154999 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c49.jpg' +p155000 +sg25267 +g27 +sa(dp155001 +g25268 +S'Farm (Une ferme)' +p155002 +sg25270 +S'Alphonse Legros' +p155003 +sg25273 +S'etching and drypoint' +p155004 +sg25275 +S'unknown date\n' +p155005 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c4f.jpg' +p155006 +sg25267 +g27 +sa(dp155007 +g25268 +S'Old Inn (Une ancienne auberge)' +p155008 +sg25270 +S'Alphonse Legros' +p155009 +sg25273 +S'etching' +p155010 +sg25275 +S'unknown date\n' +p155011 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c4e.jpg' +p155012 +sg25267 +g27 +sa(dp155013 +g25268 +S'Farm in Winter (Une ferme en hiver)' +p155014 +sg25270 +S'Alphonse Legros' +p155015 +sg25273 +S'etching and drypoint' +p155016 +sg25275 +S'unknown date\n' +p155017 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c63.jpg' +p155018 +sg25267 +g27 +sa(dp155019 +g25268 +S'Harvesters (Les moissoneurs)' +p155020 +sg25270 +S'Alphonse Legros' +p155021 +sg25273 +S'etching' +p155022 +sg25275 +S'unknown date\n' +p155023 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c62.jpg' +p155024 +sg25267 +g27 +sa(dp155025 +g25268 +S'Bend in the River (Un coin de riviere)' +p155026 +sg25270 +S'Alphonse Legros' +p155027 +sg25273 +S'etching' +p155028 +sg25275 +S'unknown date\n' +p155029 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c60.jpg' +p155030 +sg25267 +g27 +sa(dp155031 +g25268 +S'Woman at the Foot of the Cross (Femme au calvaire)' +p155032 +sg25270 +S'Alphonse Legros' +p155033 +sg25273 +S'etching' +p155034 +sg25275 +S'unknown date\n' +p155035 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009df0.jpg' +p155036 +sg25267 +g27 +sa(dp155037 +g25268 +S'C.J. Knowles, 2nd plate' +p155038 +sg25270 +S'Alphonse Legros' +p155039 +sg25273 +S'etching in dark brown ink' +p155040 +sg25275 +S'unknown date\n' +p155041 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c5b.jpg' +p155042 +sg25267 +g27 +sa(dp155043 +g25268 +S'Ornament with Female Demon' +p155044 +sg25270 +S'Sebald Beham' +p155045 +sg25273 +S'engraving' +p155046 +sg25275 +S'1544' +p155047 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a87d.jpg' +p155048 +sg25267 +g27 +sa(dp155049 +g25268 +S'Woman Seated against a Wall, Child with His Head in Her Lap (Femme assis, muraille au fond, enfant la tete dans son giron)' +p155050 +sg25270 +S'Alphonse Legros' +p155051 +sg25273 +S'etching and drypoint' +p155052 +sg25275 +S'unknown date\n' +p155053 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c68.jpg' +p155054 +sg25267 +g27 +sa(dp155055 +g25268 +S'Bridge at the Mill (Le pont du moulin)' +p155056 +sg25270 +S'Alphonse Legros' +p155057 +sg25273 +S'etching and drypoint?' +p155058 +sg25275 +S'unknown date\n' +p155059 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c6a.jpg' +p155060 +sg25267 +g27 +sa(dp155061 +g25268 +S'Landscape (Paysage)' +p155062 +sg25270 +S'Alphonse Legros' +p155063 +sg25273 +S'etching' +p155064 +sg25275 +S'unknown date\n' +p155065 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c75.jpg' +p155066 +sg25267 +g27 +sa(dp155067 +g25268 +S"View of a Farm Seen in a Storm (La ferme de Brieux (Effet d'orage))" +p155068 +sg25270 +S'Alphonse Legros' +p155069 +sg25273 +S'drypoint and (etching?)' +p155070 +sg25275 +S'unknown date\n' +p155071 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c74.jpg' +p155072 +sg25267 +g27 +sa(dp155073 +g25268 +S'Study of a Nude Figure (Etude de figure nue)' +p155074 +sg25270 +S'Alphonse Legros' +p155075 +sg25273 +S'etching' +p155076 +sg25275 +S'unknown date\n' +p155077 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c6c.jpg' +p155078 +sg25267 +g27 +sa(dp155079 +g25268 +S'Landscape: Near Chailleux (Paysage: Pres Chailleux)' +p155080 +sg25270 +S'Alphonse Legros' +p155081 +sg25273 +S'etching and drypoint?' +p155082 +sg25275 +S'unknown date\n' +p155083 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c6f.jpg' +p155084 +sg25267 +g27 +sa(dp155085 +g25268 +S'Landscape: Near Chailleux (Paysage: Pres Chailleux)' +p155086 +sg25270 +S'Alphonse Legros' +p155087 +sg25273 +S'etching' +p155088 +sg25275 +S'unknown date\n' +p155089 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c6e.jpg' +p155090 +sg25267 +g27 +sa(dp155091 +g25268 +S'Landscape (Paysage)' +p155092 +sg25270 +S'Alphonse Legros' +p155093 +sg25273 +S'etching and drypoint' +p155094 +sg25275 +S'unknown date\n' +p155095 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c71.jpg' +p155096 +sg25267 +g27 +sa(dp155097 +g25268 +S'View of a Chateau (Chateau des Revenants)' +p155098 +sg25270 +S'Alphonse Legros' +p155099 +sg25273 +S'etching' +p155100 +sg25275 +S'unknown date\n' +p155101 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009ddf.jpg' +p155102 +sg25267 +g27 +sa(dp155103 +g25268 +S"Farm at the Monastery (La ferme de l'abbaye)" +p155104 +sg25270 +S'Alphonse Legros' +p155105 +sg25273 +S'etching and drypoint?' +p155106 +sg25275 +S'unknown date\n' +p155107 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009ddd.jpg' +p155108 +sg25267 +g27 +sa(dp155109 +g25268 +S'Three Medals with Coats of Arms' +p155110 +sg25270 +S'Sebald Beham' +p155111 +sg25273 +S'engraving' +p155112 +sg25275 +S'unknown date\n' +p155113 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a875.jpg' +p155114 +sg25267 +g27 +sa(dp155115 +g25268 +S"Farm at the Monastery (La ferme de l'abbaye)" +p155116 +sg25270 +S'Alphonse Legros' +p155117 +sg25273 +S'etching and drypoint' +p155118 +sg25275 +S'unknown date\n' +p155119 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009ddc.jpg' +p155120 +sg25267 +g27 +sa(dp155121 +g25268 +S'Landscape (Paysage)' +p155122 +sg25270 +S'Alphonse Legros' +p155123 +sg25273 +S'etching' +p155124 +sg25275 +S'unknown date\n' +p155125 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009de5.jpg' +p155126 +sg25267 +g27 +sa(dp155127 +g25268 +S'Sir Charles Holroyd' +p155128 +sg25270 +S'Alphonse Legros' +p155129 +sg25273 +S'etching' +p155130 +sg25275 +S'unknown date\n' +p155131 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009de4.jpg' +p155132 +sg25267 +g27 +sa(dp155133 +g25268 +S'Ruins of a Chateau (Les ruines du chateau)' +p155134 +sg25270 +S'Alphonse Legros' +p155135 +sg25273 +S'etching' +p155136 +sg25275 +S'unknown date\n' +p155137 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009dea.jpg' +p155138 +sg25267 +g27 +sa(dp155139 +g25268 +S'Valley of Veronne (La vallee de Veronne)' +p155140 +sg25270 +S'Alphonse Legros' +p155141 +sg25273 +S'etching' +p155142 +sg25275 +S'unknown date\n' +p155143 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009ded.jpg' +p155144 +sg25267 +g27 +sa(dp155145 +g25268 +S'Hut in the Marsh (Cabane dans les marais)' +p155146 +sg25270 +S'Alphonse Legros' +p155147 +sg25273 +S'etching' +p155148 +sg25275 +S'unknown date\n' +p155149 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009dee.jpg' +p155150 +sg25267 +g27 +sa(dp155151 +g25268 +S'Landscape (Paysage)' +p155152 +sg25270 +S'Alphonse Legros' +p155153 +sg25273 +S'etching' +p155154 +sg25275 +S'unknown date\n' +p155155 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009def.jpg' +p155156 +sg25267 +g27 +sa(dp155157 +g25268 +S"Ruins of an Ancient Aqueduct (Ruine d'un ancien aqueduc)" +p155158 +sg25270 +S'Alphonse Legros' +p155159 +sg25273 +S'etching' +p155160 +sg25275 +S'unknown date\n' +p155161 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009de9.jpg' +p155162 +sg25267 +g27 +sa(dp155163 +g25268 +S'Sleeper (Un dormeur)' +p155164 +sg25270 +S'Alphonse Legros' +p155165 +sg25273 +S'etching' +p155166 +sg25275 +S'unknown date\n' +p155167 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009df3.jpg' +p155168 +sg25267 +g27 +sa(dp155169 +g25268 +S"The Adoration of the Shepherds (L'adoration des bergers)" +p155170 +sg25270 +S'Alphonse Legros' +p155171 +sg25273 +S'etching retouched with pen' +p155172 +sg25275 +S'unknown date\n' +p155173 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009e/a0009e01.jpg' +p155174 +sg25267 +g27 +sa(dp155175 +g25268 +S'G.F. Watts, R.A., 2nd plate' +p155176 +sg25270 +S'Alphonse Legros' +p155177 +sg25273 +S'transfer lithograph?' +p155178 +sg25275 +S'unknown date\n' +p155179 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009dfc.jpg' +p155180 +sg25267 +g27 +sa(dp155181 +g25268 +S'Mlle. Simpson' +p155182 +sg25270 +S'Alphonse Legros' +p155183 +sg25273 +S'transfer lithograph?' +p155184 +sg25275 +S'unknown date\n' +p155185 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009dfb.jpg' +p155186 +sg25267 +g27 +sa(dp155187 +g25268 +S'View of a Chateau (Chateau de Poillet)' +p155188 +sg25270 +S'Alphonse Legros' +p155189 +sg25273 +S'etching with drypoint?' +p155190 +sg25275 +S'unknown date\n' +p155191 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009df8.jpg' +p155192 +sg25267 +g27 +sa(dp155193 +g25268 +S'Beggars of Brussels (Les mendiants de Bruges)' +p155194 +sg25270 +S'Alphonse Legros' +p155195 +sg25273 +S'etching' +p155196 +sg25275 +S'unknown date\n' +p155197 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009e/a0009e00.jpg' +p155198 +sg25267 +g27 +sa(dp155199 +g25268 +S"Village of Saint-Pierre during a Storm (Village de Saint-Pierre; Effet d'orage)" +p155200 +sg25270 +S'Alphonse Legros' +p155201 +sg25273 +S'etching' +p155202 +sg25275 +S'unknown date\n' +p155203 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009dfd.jpg' +p155204 +sg25267 +g27 +sa(dp155205 +g25268 +S'Mme. Kemp, 4th plate' +p155206 +sg25270 +S'Alphonse Legros' +p155207 +sg25273 +S'etching' +p155208 +sg25275 +S'unknown date\n' +p155209 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009dfa.jpg' +p155210 +sg25267 +g27 +sa(dp155211 +g25268 +S'Return of the Peasants (Le retour des paysans)' +p155212 +sg25270 +S'Alphonse Legros' +p155213 +sg25273 +S'transfer lithograph?' +p155214 +sg25275 +S'unknown date\n' +p155215 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009e/a0009e09.jpg' +p155216 +sg25267 +g27 +sa(dp155217 +g25268 +S'Return from the Woods (Le retour du bois)' +p155218 +sg25270 +S'Alphonse Legros' +p155219 +sg25273 +S'etching' +p155220 +sg25275 +S'unknown date\n' +p155221 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009e/a0009e08.jpg' +p155222 +sg25267 +g27 +sa(dp155223 +g25268 +S'At the Foot of the Cross (Au pied de la croix)' +p155224 +sg25270 +S'Alphonse Legros' +p155225 +sg25273 +S'lithograph in green' +p155226 +sg25275 +S'unknown date\n' +p155227 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009e/a0009e0f.jpg' +p155228 +sg25267 +g27 +sa(dp155229 +g25268 +S'The Manger (La creche)' +p155230 +sg25270 +S'Alphonse Legros' +p155231 +sg25273 +S'etching in green touched with green wash' +p155232 +sg25275 +S'unknown date\n' +p155233 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009e/a0009e04.jpg' +p155234 +sg25267 +g27 +sa(dp155235 +g25268 +S'Mask Held by Two Genii' +p155236 +sg25270 +S'Sebald Beham' +p155237 +sg25273 +S'engraving' +p155238 +sg25275 +S'1544' +p155239 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a892.jpg' +p155240 +sg25267 +g27 +sa(dp155241 +g25268 +S'The Manger (La creche)' +p155242 +sg25270 +S'Alphonse Legros' +p155243 +sg25273 +S'etching' +p155244 +sg25275 +S'unknown date\n' +p155245 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009e/a0009e10.jpg' +p155246 +sg25267 +g27 +sa(dp155247 +g25268 +S'Along the Top of the Hill (Sur le haut de la colline)' +p155248 +sg25270 +S'Alphonse Legros' +p155249 +sg25273 +S'etching retouched with crayon and ink' +p155250 +sg25275 +S'unknown date\n' +p155251 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009e/a0009e0d.jpg' +p155252 +sg25267 +g27 +sa(dp155253 +g25268 +S'Landscape with a Boy in a Tree (Paysage avec un garcon grimpe sur un arbre, dite "Le denicheur d\'oiseaux")' +p155254 +sg25270 +S'Alphonse Legros' +p155255 +sg25273 +S'etching and drypoint on light green paper' +p155256 +sg25275 +S'unknown date\n' +p155257 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009e/a0009e0a.jpg' +p155258 +sg25267 +g27 +sa(dp155259 +g25268 +S'Allegory of the Peasant and Fortune (Le paysan et la fortune: Sujet allegorique' +p155260 +sg25270 +S'Alphonse Legros' +p155261 +sg25273 +S'etching' +p155262 +sg25275 +S'unknown date\n' +p155263 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009e/a0009e1f.jpg' +p155264 +sg25267 +g27 +sa(dp155265 +g25268 +S'Allegory of the Peasant and Fortune (Le paysan et la fortune: Sujet allegorique' +p155266 +sg25270 +S'Alphonse Legros' +p155267 +sg25273 +S'etching and drypoint' +p155268 +sg25275 +S'unknown date\n' +p155269 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009e/a0009e1d.jpg' +p155270 +sg25267 +g27 +sa(dp155271 +g25268 +S'Top of the Hill (Le haut de la colline)' +p155272 +sg25270 +S'Alphonse Legros' +p155273 +sg25273 +S'drypoint and (etching?)' +p155274 +sg25275 +S'unknown date\n' +p155275 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009e/a0009e1b.jpg' +p155276 +sg25267 +g27 +sa(dp155277 +g25268 +S'Top of the Hill (Le haut de la colline)' +p155278 +sg25270 +S'Alphonse Legros' +p155279 +sg25273 +S'drypoint and (etching?)' +p155280 +sg25275 +S'unknown date\n' +p155281 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009e/a0009e1c.jpg' +p155282 +sg25267 +g27 +sa(dp155283 +g25268 +S'Small Fountain, Child Playing on the Grotesques (Petite fontaine, enfant qui joue surdes masques)' +p155284 +sg25270 +S'Alphonse Legros' +p155285 +sg25273 +S'etching' +p155286 +sg25275 +S'unknown date\n' +p155287 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009e/a0009e15.jpg' +p155288 +sg25267 +g27 +sa(dp155289 +g25268 +S'J.B. Poquelin de Moliere' +p155290 +sg25270 +S'Artist Information (' +p155291 +sg25273 +S'(artist after)' +p155292 +sg25275 +S'\n' +p155293 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f1f.jpg' +p155294 +sg25267 +g27 +sa(dp155295 +g25268 +S'F.M. Arouet de Voltaire' +p155296 +sg25270 +S'Artist Information (' +p155297 +sg25273 +S'(artist after)' +p155298 +sg25275 +S'\n' +p155299 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f1e.jpg' +p155300 +sg25267 +g27 +sa(dp155301 +g25268 +S'Genius with Alphabet' +p155302 +sg25270 +S'Sebald Beham' +p155303 +sg25273 +S'engraving' +p155304 +sg25275 +S'1542' +p155305 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a897.jpg' +p155306 +sg25267 +g27 +sa(dp155307 +g25268 +S'Bonaparte Premier Consul de la Republique Francaise' +p155308 +sg25270 +S'Charles Francois Gabriel Levachez' +p155309 +sg25273 +S'color aquatint and etching' +p155310 +sg25275 +S'unknown date\n' +p155311 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f04.jpg' +p155312 +sg25267 +g27 +sa(dp155313 +g25273 +S'(artist after)' +p155314 +sg25267 +g27 +sg25275 +S'\n' +p155315 +sg25268 +S'Bonaparte Reviewing the Consular Guard (La Revue du Quintidi)' +p155316 +sg25270 +S'Artist Information (' +p155317 +sa(dp155318 +g25268 +S'The Gift of the Fishermen' +p155319 +sg25270 +S'Artist Information (' +p155320 +sg25273 +S'French, 1695 - 1736' +p155321 +sg25275 +S'(artist after)' +p155322 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005a/a0005aa2.jpg' +p155323 +sg25267 +g27 +sa(dp155324 +g25273 +S'Italian, 1675 - 1757' +p155325 +sg25267 +g27 +sg25275 +S'(artist after)' +p155326 +sg25268 +S'Countess Orzelska' +p155327 +sg25270 +S'Artist Information (' +p155328 +sa(dp155329 +g25268 +S'A Game of Cards' +p155330 +sg25270 +S'Louis Durameau' +p155331 +sg25273 +S'pen and brown ink with brown wash and white heightening over graphite on laid paper' +p155332 +sg25275 +S'1767' +p155333 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f89.jpg' +p155334 +sg25267 +g27 +sa(dp155335 +g25268 +S'Ornament with a Mask' +p155336 +sg25270 +S'Sebald Beham' +p155337 +sg25273 +S'engraving' +p155338 +sg25275 +S'1543' +p155339 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a89a.jpg' +p155340 +sg25267 +g27 +sa(dp155341 +g25268 +S'Ornament with a Mask' +p155342 +sg25270 +S'Sebald Beham' +p155343 +sg25273 +S'engraving' +p155344 +sg25275 +S'1543' +p155345 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a899.jpg' +p155346 +sg25267 +g27 +sa(dp155347 +g25268 +S'Ornament with Three Satyrs' +p155348 +sg25270 +S'Sebald Beham' +p155349 +sg25273 +S'engraving' +p155350 +sg25275 +S'unknown date\n' +p155351 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a893.jpg' +p155352 +sg25267 +g27 +sa(dp155353 +g25268 +S'Madonna and Child' +p155354 +sg25270 +S'Fra Filippo Lippi' +p155355 +sg25273 +S'tempera on panel' +p155356 +sg25275 +S'c. 1440' +p155357 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005c6.jpg' +p155358 +sg25267 +S"Orphaned at a young age, Filippo Lippi was raised in the\r\n Carmelite \r\n convent of Santa Maria in Florence, where he would undoubtedly have\r\n seen \r\n Masaccio and Masolino at work on the frescoes in the Brancacci\r\n chapel. He \r\n took vows himself, but proved to be wholly unsuited to religious\r\n life. His \r\n name surfaces often in court documents. Tried for embezzlement\r\n (even \r\n tortured on the rack), he lived openly with a Carmelite nun,\r\n Lucretia Buti, \r\n who was his model and with whom he had a son—painter \r\n \n Filippo's Virgin is wistful and slightly melancholy, while the\r\n infant's \r\n heavy, almost muscular form recalls Masaccio's emphatically \r\n three-dimensional figures. Masaccio had used strongly directional\r\n light to \r\n reveal the form of his figures. Filippo's Virgin and child, on the\r\n other \r\n hand, are bathed in an overall glow that prevents the modeling of\r\n the \r\n figures from overpowering the graceful and well-defined line of his\r\n composition. As Filippo grew older his reliance on line increased\r\n and \r\n Masaccio's influence lessened.\n " +p155359 +sa(dp155360 +g25268 +S'Ornament with a Vase between Two Genii' +p155361 +sg25270 +S'Sebald Beham' +p155362 +sg25273 +S'engraving' +p155363 +sg25275 +S'unknown date\n' +p155364 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a895.jpg' +p155365 +sg25267 +g27 +sa(dp155366 +g25268 +S'Ornament with a Vase between Two Genii' +p155367 +sg25270 +S'Sebald Beham' +p155368 +sg25273 +S'engraving' +p155369 +sg25275 +S'unknown date\n' +p155370 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a894.jpg' +p155371 +sg25267 +g27 +sa(dp155372 +g25273 +S'(artist after)' +p155373 +sg25267 +g27 +sg25275 +S'\n' +p155374 +sg25268 +S'Alexander Hamilton' +p155375 +sg25270 +S'Artist Information (' +p155376 +sa(dp155377 +g25273 +S'marble' +p155378 +sg25267 +g27 +sg25275 +S'1954' +p155379 +sg25268 +S'Andrew W. Mellon' +p155380 +sg25270 +S'Walker Hancock' +p155381 +sa(dp155382 +g25268 +S'The Entombment' +p155383 +sg25270 +S'Andrea Mantegna' +p155384 +sg25273 +S'engraving' +p155385 +sg25275 +S'1465/1470' +p155386 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005e/a0005efb.jpg' +p155387 +sg25267 +g27 +sa(dp155388 +g25268 +S'Ornament Panel: Nereid and Two Children Playing Musical Instruments' +p155389 +sg25270 +S'Artist Information (' +p155390 +sg25273 +S'(artist)' +p155391 +sg25275 +S'\n' +p155392 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c7c0.jpg' +p155393 +sg25267 +g27 +sa(dp155394 +g25268 +S'Ornament Panel: Griffins and Two Cupids Crossing Halberds' +p155395 +sg25270 +S'Artist Information (' +p155396 +sg25273 +S'(artist)' +p155397 +sg25275 +S'\n' +p155398 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c7bd.jpg' +p155399 +sg25267 +g27 +sa(dp155400 +g25268 +S'Ornament Panel: Nereid Ridden by Two Children' +p155401 +sg25270 +S'Artist Information (' +p155402 +sg25273 +S'(artist)' +p155403 +sg25275 +S'\n' +p155404 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c7bf.jpg' +p155405 +sg25267 +g27 +sa(dp155406 +g25268 +S'Ornament Panel: Three Children Blowing Horns' +p155407 +sg25270 +S'Artist Information (' +p155408 +sg25273 +S'(artist)' +p155409 +sg25275 +S'\n' +p155410 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c7b9.jpg' +p155411 +sg25267 +g27 +sa(dp155412 +g25268 +S'Thomas Sully' +p155413 +sg25270 +S'Rembrandt Peale' +p155414 +sg25273 +S'oil on canvas board' +p155415 +sg25275 +S'1859' +p155416 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a00001a9.jpg' +p155417 +sg25267 +g27 +sa(dp155418 +g25268 +S'Ornament with Male Half Figure Between Two Genii' +p155419 +sg25270 +S'Sebald Beham' +p155420 +sg25273 +S'engraving' +p155421 +sg25275 +S'unknown date\n' +p155422 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a896.jpg' +p155423 +sg25267 +g27 +sa(dp155424 +g25268 +S'On the Terrace' +p155425 +sg25270 +S'Jean-Baptiste Joseph Pater' +p155426 +sg25273 +S'oil on canvas' +p155427 +sg25275 +S'c. 1730/1735' +p155428 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d80.jpg' +p155429 +sg25267 +g27 +sa(dp155430 +g25268 +S'Shepherd Dancing to the Sound of a Flute' +p155431 +sg25270 +S'Artist Information (' +p155432 +sg25273 +S'(artist after)' +p155433 +sg25275 +S'\n' +p155434 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e49.jpg' +p155435 +sg25267 +g27 +sa(dp155436 +g25268 +S'Gilles' +p155437 +sg25270 +S'Artist Information (' +p155438 +sg25273 +S'(artist after)' +p155439 +sg25275 +S'\n' +p155440 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e47.jpg' +p155441 +sg25267 +g27 +sa(dp155442 +g25268 +S'Seated Woman Playing a Guitar' +p155443 +sg25270 +S'Artist Information (' +p155444 +sg25273 +S'(artist after)' +p155445 +sg25275 +S'\n' +p155446 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e48.jpg' +p155447 +sg25267 +g27 +sa(dp155448 +g25268 +S'Shepherd and Shepherdess (?)' +p155449 +sg25270 +S'Artist Information (' +p155450 +sg25273 +S'(artist after)' +p155451 +sg25275 +S'\n' +p155452 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f2b.jpg' +p155453 +sg25267 +g27 +sa(dp155454 +g25268 +S'LeMay' +p155455 +sg25270 +S'Artist Information (' +p155456 +sg25273 +S'(artist after)' +p155457 +sg25275 +S'\n' +p155458 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a0009649.jpg' +p155459 +sg25267 +g27 +sa(dp155460 +g25268 +S'General Francois Severin Desgraviers Marceau' +p155461 +sg25270 +S'Antoine-Fran\xc3\xa7ois Sergent' +p155462 +sg25273 +S'color aquatint' +p155463 +sg25275 +S'unknown date\n' +p155464 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a000974a.jpg' +p155465 +sg25267 +g27 +sa(dp155466 +g25268 +S'Joachim Murat (Joachim-Napoleon, Roi de Naples et de Sicile, Grand-Admiral de France)' +p155467 +sg25270 +S'Artist Information (' +p155468 +sg25273 +S'(artist after)' +p155469 +sg25275 +S'\n' +p155470 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a0009665.jpg' +p155471 +sg25267 +g27 +sa(dp155472 +g25268 +S'Ornament with Two Grotesque Dolphins' +p155473 +sg25270 +S'Sebald Beham' +p155474 +sg25273 +S'engraving' +p155475 +sg25275 +S'unknown date\n' +p155476 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a89c.jpg' +p155477 +sg25267 +g27 +sa(dp155478 +g25268 +S'Marie-Antoinette' +p155479 +sg25270 +S'Artist Information (' +p155480 +sg25273 +S'(artist after)' +p155481 +sg25275 +S'\n' +p155482 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00077/a00077cd.jpg' +p155483 +sg25267 +g27 +sa(dp155484 +g25268 +S"Charles Henri, Comte d'Estaing" +p155485 +sg25270 +S'P. Frieselhem' +p155486 +sg25273 +S'color aquatint' +p155487 +sg25275 +S'unknown date\n' +p155488 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b349.jpg' +p155489 +sg25267 +g27 +sa(dp155490 +g25268 +S'The Empress Josephine' +p155491 +sg25270 +S'Henry Buquet' +p155492 +sg25273 +S'hand-colored stipple engraving' +p155493 +sg25275 +S'unknown date\n' +p155494 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f33.jpg' +p155495 +sg25267 +g27 +sa(dp155496 +g25268 +S'Princess Auguste Amelie of Bavaria' +p155497 +sg25270 +S'Michele Bisi' +p155498 +sg25273 +S'color -' +p155499 +sg25275 +S'unknown date\n' +p155500 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc63.jpg' +p155501 +sg25267 +g27 +sa(dp155502 +g25268 +S'Helvetius' +p155503 +sg25270 +S'Artist Information (' +p155504 +sg25273 +S'(artist after)' +p155505 +sg25275 +S'\n' +p155506 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f17.jpg' +p155507 +sg25267 +g27 +sa(dp155508 +g25268 +S'Napoleon as General of the Italian Army' +p155509 +sg25270 +S'Artist Information (' +p155510 +sg25273 +S'(artist after)' +p155511 +sg25275 +S'\n' +p155512 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a0009647.jpg' +p155513 +sg25267 +g27 +sa(dp155514 +g25268 +S'Jean Jacques Rousseau' +p155515 +sg25270 +S'Artist Information (' +p155516 +sg25273 +S'(artist after)' +p155517 +sg25275 +S'\n' +p155518 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f1b.jpg' +p155519 +sg25267 +g27 +sa(dp155520 +g25268 +S'Charlotte Corday' +p155521 +sg25270 +S'Artist Information (' +p155522 +sg25273 +S'(artist after)' +p155523 +sg25275 +S'\n' +p155524 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f18.jpg' +p155525 +sg25267 +g27 +sa(dp155526 +g25273 +S'(artist after)' +p155527 +sg25267 +g27 +sg25275 +S'\n' +p155528 +sg25268 +S'Napoleon' +p155529 +sg25270 +S'Artist Information (' +p155530 +sa(dp155531 +g25268 +S'Benjamin Franklin' +p155532 +sg25270 +S'Artist Information (' +p155533 +sg25273 +S'(artist)' +p155534 +sg25275 +S'\n' +p155535 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008fa2.jpg' +p155536 +sg25267 +g27 +sa(dp155537 +g25268 +S'Ornament with Two Genii Riding on Two Chimeras' +p155538 +sg25270 +S'Sebald Beham' +p155539 +sg25273 +S'engraving' +p155540 +sg25275 +S'1544' +p155541 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a89d.jpg' +p155542 +sg25267 +g27 +sa(dp155543 +g25268 +S'Henry IV' +p155544 +sg25270 +S'Artist Information (' +p155545 +sg25273 +S'(artist after)' +p155546 +sg25275 +S'\n' +p155547 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008fa4.jpg' +p155548 +sg25267 +g27 +sa(dp155549 +g25273 +S'(artist after)' +p155550 +sg25267 +g27 +sg25275 +S'\n' +p155551 +sg25268 +S'Arthur Wellesley, The Duke of Wellington' +p155552 +sg25270 +S'Artist Information (' +p155553 +sa(dp155554 +g25268 +S'Louis Seize' +p155555 +sg25270 +S'Philibert-Louis Debucourt' +p155556 +sg25273 +S'color aquatint, mezzotint, and etching' +p155557 +sg25275 +S'1789' +p155558 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a00096c3.jpg' +p155559 +sg25267 +g27 +sa(dp155560 +g25273 +S'(artist after)' +p155561 +sg25267 +g27 +sg25275 +S'\n' +p155562 +sg25268 +S'Lt. Colonel Tarleton' +p155563 +sg25270 +S'Artist Information (' +p155564 +sa(dp155565 +g25273 +S'monotype' +p155566 +sg25267 +g27 +sg25275 +S'unknown date\n' +p155567 +sg25268 +S'The Great Bird (Der grosse Vogel)' +p155568 +sg25270 +S'Hans Achenbach' +p155569 +sa(dp155570 +g25268 +S'Dankspende des deutschen Volkes 1951 / Deutsche Graphik 1952' +p155571 +sg25270 +S'Various Artists' +p155572 +sg25273 +S'Gift of the German People' +p155573 +sg25275 +S'\nportflio with sixty-four prints by various artists, originally divided into three parts but presently removed; see individual entries for locations' +p155574 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b7/a000b789.jpg' +p155575 +sg25267 +g27 +sa(dp155576 +g25273 +S'color woodcut' +p155577 +sg25267 +g27 +sg25275 +S'unknown date\n' +p155578 +sg25268 +S'The Shared Loaf (Geteiltes Brot)' +p155579 +sg25270 +S'Rudolf Werner Ackermann' +p155580 +sa(dp155581 +g25273 +S'color woodcut' +p155582 +sg25267 +g27 +sg25275 +S'unknown date\n' +p155583 +sg25268 +S'The Gift (Die Gabe)' +p155584 +sg25270 +S'Rudolf Werner Ackermann' +p155585 +sa(dp155586 +g25273 +S'woodcut in two colors' +p155587 +sg25267 +g27 +sg25275 +S'unknown date\n' +p155588 +sg25268 +S'Firs (Tannen)' +p155589 +sg25270 +S'Magda Felicitas Auer' +p155590 +sa(dp155591 +g25273 +S'color lithograph' +p155592 +sg25267 +g27 +sg25275 +S'unknown date\n' +p155593 +sg25268 +S'On Sylt Dunes (Dunen auf Sylt)' +p155594 +sg25270 +S'Gerta Kleist' +p155595 +sa(dp155596 +g25268 +S'Triumphal Procession of Children' +p155597 +sg25270 +S'Sebald Beham' +p155598 +sg25273 +S'engraving' +p155599 +sg25275 +S'unknown date\n' +p155600 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a89e.jpg' +p155601 +sg25267 +g27 +sa(dp155602 +g25273 +S'monotype' +p155603 +sg25267 +g27 +sg25275 +S'unknown date\n' +p155604 +sg25268 +S'Peace (Freiden)' +p155605 +sg25270 +S'Gerth Biese' +p155606 +sa(dp155607 +g25273 +S'monotype' +p155608 +sg25267 +g27 +sg25275 +S'unknown date\n' +p155609 +sg25268 +S'Help (Hilfe)' +p155610 +sg25270 +S'Gerth Biese' +p155611 +sa(dp155612 +g25273 +S'color woodcut' +p155613 +sg25267 +g27 +sg25275 +S'unknown date\n' +p155614 +sg25268 +S'Bouquet of Flowers (Blumenstrauss)' +p155615 +sg25270 +S'Gertraud Boelter-Evers' +p155616 +sa(dp155617 +g25273 +S'color woodcut' +p155618 +sg25267 +g27 +sg25275 +S'unknown date\n' +p155619 +sg25268 +S'Girl with Olive Branch (Madchen mit Oelzweig)' +p155620 +sg25270 +S'Gertraud Boelter-Evers' +p155621 +sa(dp155622 +g25273 +S'color woodcut' +p155623 +sg25267 +g27 +sg25275 +S'unknown date\n' +p155624 +sg25268 +S'Saint Martin' +p155625 +sg25270 +S'Gunther Bundschuh' +p155626 +sa(dp155627 +g25273 +S'color woodcut' +p155628 +sg25267 +g27 +sg25275 +S'unknown date\n' +p155629 +sg25268 +S'Charity' +p155630 +sg25270 +S'Gunther Bundschuh' +p155631 +sa(dp155632 +g25273 +S'color lithograph' +p155633 +sg25267 +g27 +sg25275 +S'unknown date\n' +p155634 +sg25268 +S'Composition (Komposition)' +p155635 +sg25270 +S'Gottfried Diehl' +p155636 +sa(dp155637 +g25273 +S'lithograph' +p155638 +sg25267 +g27 +sg25275 +S'1952' +p155639 +sg25268 +S'Two Children (Zwei Kinder)' +p155640 +sg25270 +S'Otto Dix' +p155641 +sa(dp155642 +g25273 +S'color etching' +p155643 +sg25267 +g27 +sg25275 +S'unknown date\n' +p155644 +sg25268 +S'Free World (Freie Welt)' +p155645 +sg25270 +S'Otto Eglau' +p155646 +sa(dp155647 +g25273 +S'color etching' +p155648 +sg25267 +g27 +sg25275 +S'unknown date\n' +p155649 +sg25268 +S'Festive Symbols (Festliche Zeichen)' +p155650 +sg25270 +S'Otto Eglau' +p155651 +sa(dp155652 +g25268 +S'Double Cup with Two Genii Riding on Dolphins' +p155653 +sg25270 +S'Sebald Beham' +p155654 +sg25273 +S'engraving' +p155655 +sg25275 +S'1526' +p155656 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a8ae.jpg' +p155657 +sg25267 +g27 +sa(dp155658 +g25273 +S'lithograph' +p155659 +sg25267 +g27 +sg25275 +S'unknown date\n' +p155660 +sg25268 +S'Child (Kind)' +p155661 +sg25270 +S'Gerda Engelke' +p155662 +sa(dp155663 +g25273 +S'7-color 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Standchen)' +p155717 +sg25270 +S'Hubert Klessen' +p155718 +sa(dp155719 +g25273 +S'color woodcut' +p155720 +sg25267 +g27 +sg25275 +S'unknown date\n' +p155721 +sg25268 +S'Vegetation I' +p155722 +sg25270 +S'Carl-Heinz Kliemann' +p155723 +sa(dp155724 +g25273 +S'color woodcut' +p155725 +sg25267 +g27 +sg25275 +S'unknown date\n' +p155726 +sg25268 +S'Vegetation III' +p155727 +sg25270 +S'Carl-Heinz Kliemann' +p155728 +sa(dp155729 +g25273 +S'woodcut' +p155730 +sg25267 +g27 +sg25275 +S'unknown date\n' +p155731 +sg25268 +S'Cherry Blossoms (Kirschblute)' +p155732 +sg25270 +S'Erich Kohout' +p155733 +sa(dp155734 +g25273 +S'woodcut' +p155735 +sg25267 +g27 +sg25275 +S'unknown date\n' +p155736 +sg25268 +S'The Good Samaritan (Samariter)' +p155737 +sg25270 +S'Wolfgang Kreutter' +p155738 +sa(dp155739 +g25273 +S'woodcut' +p155740 +sg25267 +g27 +sg25275 +S'unknown date\n' +p155741 +sg25268 +S'The Dove of Peace (Taube)' +p155742 +sg25270 +S'Wolfgang Kreutter' +p155743 +sa(dp155744 +g25273 +S'color etching' +p155745 +sg25267 +g27 +sg25275 +S'unknown date\n' +p155746 +sg25268 +S'Thank You from Berlin (Dank aus Berlin)' +p155747 +sg25270 +S'Rudolf K\xc3\xbcgler' +p155748 +sa(dp155749 +g25273 +S'color etching' +p155750 +sg25267 +g27 +sg25275 +S'unknown date\n' +p155751 +sg25268 +S'Blooming and Growing (Bluhend und Wachsend)' +p155752 +sg25270 +S'Rudolf K\xc3\xbcgler' +p155753 +sa(dp155754 +g25273 +S'color etching and aquatint' +p155755 +sg25267 +g27 +sg25275 +S'unknown date\n' +p155756 +sg25268 +S'A Section of Berlin (Berliner Stadtbild)' +p155757 +sg25270 +S'Dietmar Lemcke' +p155758 +sa(dp155759 +g25273 +S'woodcut' +p155760 +sg25267 +g27 +sg25275 +S'unknown date\n' +p155761 +sg25268 +S'Ploughman and Flocks of Birds (Pfluger und Vogelschwarm)' +p155762 +sg25270 +S'Gerhard Marcks' +p155763 +sa(dp155764 +g25268 +S'Double Goblet with Round Medallions' +p155765 +sg25270 +S'Sebald Beham' +p155766 +sg25273 +S'engraving' +p155767 +sg25275 +S'1530' +p155768 +sg25314 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Wilhelm Nay' +p155794 +sa(dp155795 +g25273 +S'woodcut' +p155796 +sg25267 +g27 +sg25275 +S'unknown date\n' +p155797 +sg25268 +S'The Joys of Youth (Jugendfreude)' +p155798 +sg25270 +S'Franz Neundinger' +p155799 +sa(dp155800 +g25273 +g27 +sg25267 +g27 +sg25275 +S'unknown date\n' +p155801 +sg25268 +S'Pears (Birnen)' +p155802 +sg25270 +S'Heinz Nickel' +p155803 +sa(dp155804 +g25273 +S'color woodcut' +p155805 +sg25267 +g27 +sg25275 +S'unknown date\n' +p155806 +sg25268 +S'Dr. Lisa Oehler' +p155807 +sg25270 +S'Walter Nikusch' +p155808 +sa(dp155809 +g25273 +S'etching' +p155810 +sg25267 +g27 +sg25275 +S'1918' +p155811 +sg25268 +S'Neighbors (Nachbarn)' +p155812 +sg25270 +S'Emil Nolde' +p155813 +sa(dp155814 +g25273 +S'4-color lithograph' +p155815 +sg25267 +g27 +sg25275 +S'unknown date\n' +p155816 +sg25268 +S'Peace (Frieden)' +p155817 +sg25270 +S'Ernst Oberhoff' +p155818 +sa(dp155819 +g25268 +S'Double Goblet with Oval Decorations' +p155820 +sg25270 +S'Sebald Beham' +p155821 +sg25273 +S'engraving' 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+p155873 +sg25270 +S'Grete Schmedes' +p155874 +sa(dp155875 +g25268 +S'Saint John the Baptist' +p155876 +sg25270 +S'Lippo Memmi' +p155877 +sg25273 +S'tempera on panel' +p155878 +sg25275 +S'probably c. 1325' +p155879 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a0000859.jpg' +p155880 +sg25267 +g27 +sa(dp155881 +g25273 +S'woodcut' +p155882 +sg25267 +g27 +sg25275 +S'unknown date\n' +p155883 +sg25268 +S'Thanks (Dank)' +p155884 +sg25270 +S'Johanna Schutz-Wolff' +p155885 +sa(dp155886 +g25273 +S'woodcut' +p155887 +sg25267 +g27 +sg25275 +S'unknown date\n' +p155888 +sg25268 +S'Help in Time of Need (Hilfe in Not)' +p155889 +sg25270 +S'Hermann Sprauer' +p155890 +sa(dp155891 +g25273 +S'color woodcut' +p155892 +sg25267 +g27 +sg25275 +S'unknown date\n' +p155893 +sg25268 +S'Joy (Freude)' +p155894 +sg25270 +S'Margarethe von Stockhausen' +p155895 +sa(dp155896 +g25273 +S'lithograph' +p155897 +sg25267 +g27 +sg25275 +S'unknown date\n' +p155898 +sg25268 +S'Saint Martin' +p155899 +sg25270 +S'Willi Titze' +p155900 +sa(dp155901 +g25273 +S'woodcut' +p155902 +sg25267 +g27 +sg25275 +S'unknown date\n' +p155903 +sg25268 +S"The Children's Thanks (Kinderdank)" +p155904 +sg25270 +S'Max Unold' +p155905 +sa(dp155906 +g25273 +S'lithograph' +p155907 +sg25267 +g27 +sg25275 +S'1953' +p155908 +sg25268 +S'Thanks Offering (Dankespende)' +p155909 +sg25270 +S'Rudolf Weissauer' +p155910 +sa(dp155911 +g25273 +S'color woodcut?' +p155912 +sg25267 +g27 +sg25275 +S'1952' +p155913 +sg25268 +S'Reunion of Cupid and Psyche (Wiederkehr von Amor und Psyche)' +p155914 +sg25270 +S'Conrad Westpfahl' +p155915 +sa(dp155916 +g25273 +S'color woodcut' +p155917 +sg25267 +g27 +sg25275 +S'1952' +p155918 +sg25268 +S'In the Net of Hephaistos (Im Netz des Hephaistos)' +p155919 +sg25270 +S'Conrad Westpfahl' +p155920 +sa(dp155921 +g25273 +S'intaglio' +p155922 +sg25267 +g27 +sg25275 +S'1952' +p155923 +sg25268 +S'Kites Soaring above the Ruins (Drachensteigen)' +p155924 +sg25270 +S'Paul Wunderlich' +p155925 +sa(dp155926 +g25268 +S'Self-Portrait, Frowning' +p155927 +sg25270 +S'Rembrandt van Rijn' +p155928 +sg25273 +S'etching' +p155929 +sg25275 +S'1630' +p155930 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d2/a000d2c4.jpg' +p155931 +sg25267 +g27 +sa(dp155932 +g25268 +S'Double Goblet, at Foot Two Genii' +p155933 +sg25270 +S'Sebald Beham' +p155934 +sg25273 +S'engraving' +p155935 +sg25275 +S'1531' +p155936 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a8a6.jpg' +p155937 +sg25267 +g27 +sa(dp155938 +g25268 +S'Self-Portrait (?) with Plumed Cap and Lowered Sabre' +p155939 +sg25270 +S'Rembrandt van Rijn' +p155940 +sg25273 +S'etching' +p155941 +sg25275 +S'1634' +p155942 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d2/a000d2cc.jpg' +p155943 +sg25267 +g27 +sa(dp155944 +g25268 +S'The Adoration of the Shepherds: with the Lamp' +p155945 +sg25270 +S'Rembrandt van Rijn' +p155946 +sg25273 +S'etching (and burin where biting failed in state i)' +p155947 +sg25275 +S'c. 1654' +p155948 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d2/a000d2de.jpg' +p155949 +sg25267 +g27 +sa(dp155950 +g25268 +S'Christ Disputing with the Doctors: a Sketch' +p155951 +sg25270 +S'Rembrandt van Rijn' +p155952 +sg25273 +S'etching and drypoint' +p155953 +sg25275 +S'1652' +p155954 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00069/a0006926.jpg' +p155955 +sg25267 +g27 +sa(dp155956 +g25268 +S'Christ Preaching (La petite Tombe)' +p155957 +sg25270 +S'Rembrandt van Rijn' +p155958 +sg25273 +S'etching, engraving, and drypoint' +p155959 +sg25275 +S'c. 1652' +p155960 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0001e/a0001e36.jpg' +p155961 +sg25267 +g27 +sa(dp155962 +g25268 +S'Christ and the Woman of Samaria Among Ruins' +p155963 +sg25270 +S'Rembrandt van Rijn' +p155964 +sg25273 +S'etching' +p155965 +sg25275 +S'1634' +p155966 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d2/a000d2ee.jpg' +p155967 +sg25267 +g27 +sa(dp155968 +g25268 +S'Christ at Emmaus: the Larger Plate' +p155969 +sg25270 +S'Rembrandt van Rijn' +p155970 +sg25273 +S'etching, burin, and drypoint' +p155971 +sg25275 +S'1654' +p155972 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00068/a000680b.jpg' +p155973 +sg25267 +g27 +sa(dp155974 +g25268 +S'Medea, or the Marriage of Jason and Creusa' +p155975 +sg25270 +S'Rembrandt van Rijn' +p155976 +sg25273 +S'etching, with touches of drypoint, on japan paper' +p155977 +sg25275 +S'1648' +p155978 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d543.jpg' +p155979 +sg25267 +g27 +sa(dp155980 +g25268 +S'Nude Seated on a Bench with a Pillow (Woman Bathing Her Feet at a Brook)' +p155981 +sg25270 +S'Rembrandt van Rijn' +p155982 +sg25273 +S'etching and engraving on vellum' +p155983 +sg25275 +S'1658' +p155984 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d3/a000d337.jpg' +p155985 +sg25267 +g27 +sa(dp155986 +g25268 +S'The Three Trees' +p155987 +sg25270 +S'Rembrandt van Rijn' +p155988 +sg25273 +S'etching, with drypoint and burin, on white paper' +p155989 +sg25275 +S'1643' +p155990 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005a/a0005ac0.jpg' +p155991 +sg25267 +g27 +sa(dp155992 +g25268 +S'Landscape with a Milkman' +p155993 +sg25270 +S'Rembrandt van Rijn' +p155994 +sg25273 +S'etching and drypoint' +p155995 +sg25275 +S'c. 1650' +p155996 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d3/a000d33f.jpg' +p155997 +sg25267 +g27 +sa(dp155998 +g25268 +S'Ornament with Two Women Blindfolded' +p155999 +sg25270 +S'Sebald Beham' +p156000 +sg25273 +S'engraving' +p156001 +sg25275 +S'1527' +p156002 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a8a1.jpg' +p156003 +sg25267 +g27 +sa(dp156004 +g25268 +S'Landscape with Trees, Farm Buildings and a Tower' +p156005 +sg25270 +S'Rembrandt van Rijn' +p156006 +sg25273 +S'etching and drypoint' +p156007 +sg25275 +S'c. 1651' +p156008 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d54c.jpg' +p156009 +sg25267 +g27 +sa(dp156010 +g25268 +S'The Windmill' +p156011 +sg25270 +S'Rembrandt van Rijn' +p156012 +sg25273 +S'etching' +p156013 +sg25275 +S'1641' +p156014 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f76.jpg' +p156015 +sg25267 +g27 +sa(dp156016 +g25268 +S"Landscape with a View toward Haarlem (The Goldweigher's Field)" +p156017 +sg25270 +S'Rembrandt van Rijn' +p156018 +sg25273 +S'etching and drypoint' +p156019 +sg25275 +S'1651' +p156020 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d555.jpg' +p156021 +sg25267 +g27 +sa(dp156022 +g25268 +S'Young Man in a Velvet Cap (Ferdinand Bol?)' +p156023 +sg25270 +S'Rembrandt van Rijn' +p156024 +sg25273 +S'etching' +p156025 +sg25275 +S'1637' +p156026 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d3/a000d357.jpg' +p156027 +sg25267 +g27 +sa(dp156028 +g25268 +S'Faust' +p156029 +sg25270 +S'Rembrandt van Rijn' +p156030 +sg25273 +S'etching, drypoint and burin on a heavy white paper' +p156031 +sg25275 +S'c. 1652' +p156032 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00050/a0005038.jpg' +p156033 +sg25267 +g27 +sa(dp156034 +g25268 +S'Jan Lutma' +p156035 +sg25270 +S'Rembrandt van Rijn' +p156036 +sg25273 +S'etching, drypoint and burin' +p156037 +sg25275 +S'1656' +p156038 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d3/a000d36a.jpg' +p156039 +sg25267 +g27 +sa(dp156040 +g25268 +S'Jan Asselyn' +p156041 +sg25270 +S'Rembrandt van Rijn' +p156042 +sg25273 +S'etching, drypoint and burin' +p156043 +sg25275 +S'c. 1647' +p156044 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d3/a000d372.jpg' +p156045 +sg25267 +g27 +sa(dp156046 +g25268 +S"The Artist's Mother Seated at a Table, Looking Right" +p156047 +sg25270 +S'Rembrandt van Rijn' +p156048 +sg25273 +S'etching' +p156049 +sg25275 +S'c. 1631' +p156050 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d3/a000d386.jpg' +p156051 +sg25267 +g27 +sa(dp156052 +g25268 +S"The Marquis d'Ossun" +p156053 +sg25270 +S'Jules C\xc3\xa9sar Denis Van Loo, called C\xc3\xa9sar Van Loo' +p156054 +sg25273 +S', c. 1780' +p156055 +sg25275 +S'\n' +p156056 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005a/a0005aad.jpg' +p156057 +sg25267 +g27 +sa(dp156058 +g25268 +S'Lessing J. Rosenwald' +p156059 +sg25270 +S'Gardner Cox' +p156060 +sg25273 +S'oil on canvas' +p156061 +sg25275 +S'1955' +p156062 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a000006c.jpg' +p156063 +sg25267 +S"Lessing Julius Rosenwald (1891-1979) followed his father in directing \n the mail-order firm of Sears, Roebuck & Company. In 1939, the younger Rosenwald retired from \n business to devote himself to public service and to his love of prints and \n drawings from the Middle Ages to the present. In 1941, only months after \n the National Gallery opened, Rosenwald began donating selections from his \n collection of works on paper. He also freely lent graphic art from his \n home outside Philadelphia for public exhibition or scholarly inspection in \n Washington. By the time of Rosenwald's death, his gifts to the Gallery \n totaled some 22,000 drawings and prints. He donated his rare illustrated \n books and manuscripts to the Library of Congress.\n Gardner Cox achieved fame for the sound draftsmanship and understanding \n of anatomy that underlie Rosenwald's informal likeness.\n " +p156064 +sa(dp156065 +g25268 +S'Capital and Base of a Column' +p156066 +sg25270 +S'Sebald Beham' +p156067 +sg25273 +S'engraving' +p156068 +sg25275 +S'1543' +p156069 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a8a8.jpg' +p156070 +sg25267 +g27 +sa(dp156071 +g25268 +S"Ville-d'Avray" +p156072 +sg25270 +S'Jean-Baptiste-Camille Corot' +p156073 +sg25273 +S'oil on canvas' +p156074 +sg25275 +S'c. 1865' +p156075 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000daf.jpg' +p156076 +sg25267 +g27 +sa(dp156077 +g25268 +S'Fowl' +p156078 +sg25270 +S'Nigerian 18th Century' +p156079 +sg25273 +S'brass with cast iron supports' +p156080 +sg25275 +S'mid 18th century' +p156081 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002d8b.jpg' +p156082 +sg25267 +g27 +sa(dp156083 +g25268 +S'The Barnyard' +p156084 +sg25270 +S'Amzi Emmons Zeliff' +p156085 +sg25273 +S'oil on canvas' +p156086 +sg25275 +S'late 19th century' +p156087 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a000012e.jpg' +p156088 +sg25267 +g27 +sa(dp156089 +g25268 +S'The Herbert Children' +p156090 +sg25270 +S'Lambert Sachs' +p156091 +sg25273 +S'oil on canvas' +p156092 +sg25275 +S'1857' +p156093 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a00001fe.jpg' +p156094 +sg25267 +g27 +sa(dp156095 +g25268 +S'Mounting of the Guard' +p156096 +sg25270 +S'Redpath' +p156097 +sg25273 +S'oil on canvas' +p156098 +sg25275 +S'mid 19th century' +p156099 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a00001f2.jpg' +p156100 +sg25267 +g27 +sa(dp156101 +g25268 +S'Allegory of Freedom' +p156102 +sg25270 +S'American 19th Century' +p156103 +sg25273 +S'overall: 94.2 x 109.3 cm (37 1/16 x 43 1/16 in.)\r\nframed: 107.3 x 122.5 x 5.7 cm (42 1/4 x 48 1/4 x 2 1/4 in.)' +p156104 +sg25275 +S'\noil on canvas' +p156105 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003fd.jpg' +p156106 +sg25267 +g27 +sa(dp156107 +g25268 +S'Probably Annis Cook Holding an Apple' +p156108 +sg25270 +S'American 19th Century' +p156109 +sg25273 +S'overall: 81.9 x 59.5 cm (32 1/4 x 23 7/16 in.)\r\nframed: 97.8 x 75.9 x 8.8 cm (38 1/2 x 29 7/8 x 3 7/16 in.)' +p156110 +sg25275 +S'\noil on wood' +p156111 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003fe.jpg' +p156112 +sg25267 +g27 +sa(dp156113 +g25268 +S'Probably Sarah Cook Arnold Knitting' +p156114 +sg25270 +S'American 19th Century' +p156115 +sg25273 +S'overall: 89.6 x 58 cm (35 1/4 x 22 13/16 in.)\r\nframed: 105.7 x 74 x 9.5 cm (41 5/8 x 29 1/8 x 3 3/4 in.)' +p156116 +sg25275 +S'\noil on wood' +p156117 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a0000426.jpg' +p156118 +sg25267 +g27 +sa(dp156119 +g25268 +S'Memorial to Nicholas M. S. Catlin' +p156120 +sg25270 +S'American 19th Century' +p156121 +sg25273 +S'overall: 98.4 x 73.2 cm (38 3/4 x 28 13/16 in.)\r\nframed: 112.4 x 87.6 x 5 cm (44 1/4 x 34 1/2 x 1 15/16 in.)' +p156122 +sg25275 +S'\noil on canvas' +p156123 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a000043a.jpg' +p156124 +sg25267 +g27 +sa(dp156125 +g25268 +S'Henry L. Wells' +p156126 +sg25270 +S'Susan C. Waters' +p156127 +sg25273 +S'oil on canvas' +p156128 +sg25275 +S'1845' +p156129 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a000028b.jpg' +p156130 +sg25267 +g27 +sa(dp156131 +g25268 +S'Capital and Base of a Column' +p156132 +sg25270 +S'Sebald Beham' +p156133 +sg25273 +S'engraving' +p156134 +sg25275 +S'1545' +p156135 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a8aa.jpg' +p156136 +sg25267 +g27 +sa(dp156137 +g25268 +S'Eaton Family Memorial' +p156138 +sg25270 +S'Samuel Jordan' +p156139 +sg25273 +S'oil on canvas' +p156140 +sg25275 +S'1831' +p156141 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a0000126.jpg' +p156142 +sg25267 +g27 +sa(dp156143 +g25268 +S'Emancipation Proclamation' +p156144 +sg25270 +S'A.A. Lamb' +p156145 +sg25273 +S'oil on canvas' +p156146 +sg25275 +S'1864 or after' +p156147 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a0000144.jpg' +p156148 +sg25267 +g27 +sa(dp156149 +g25268 +S'Eliza Wells' +p156150 +sg25270 +S'Abram Ross Stanley' +p156151 +sg25273 +S'oil on canvas' +p156152 +sg25275 +S'1840' +p156153 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a0000222.jpg' +p156154 +sg25267 +g27 +sa(dp156155 +g25268 +S'New England Village' +p156156 +sg25270 +S'American 19th Century' +p156157 +sg25273 +S'overall: 31.5 x 65 cm (12 3/8 x 25 9/16 in.)\r\nframed: 37.5 x 70.6 cm (14 3/4 x 27 13/16 in.)' +p156158 +sg25275 +S'\noil on wood' +p156159 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a0000438.jpg' +p156160 +sg25267 +g27 +sa(dp156161 +g25268 +S'Liberty' +p156162 +sg25270 +S'American 19th Century' +p156163 +sg25273 +S'overall: 75.9 x 50.9 cm (29 7/8 x 20 1/16 in.)\r\nframed: 90.1 x 64.1 x 6 cm (35 1/2 x 25 1/4 x 2 3/8 in.)' +p156164 +sg25275 +S'\noil on canvas' +p156165 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a0000439.jpg' +p156166 +sg25267 +g27 +sa(dp156167 +g25268 +S'Portrait of an Old Man' +p156168 +sg25270 +S'J.C. Robinson' +p156169 +sg25273 +S'oil on canvas' +p156170 +sg25275 +S'1848' +p156171 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a00001f6.jpg' +p156172 +sg25267 +g27 +sa(dp156173 +g25268 +S'Portrait of an Old Lady' +p156174 +sg25270 +S'J.C. Robinson' +p156175 +sg25273 +S'oil on canvas' +p156176 +sg25275 +S'1848' +p156177 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a00001f7.jpg' +p156178 +sg25267 +g27 +sa(dp156179 +g25268 +S"View of Benjamin Reber's Farm" +p156180 +sg25270 +S'Charles C. Hofmann' +p156181 +sg25273 +S'oil on canvas' +p156182 +sg25275 +S'1872' +p156183 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a0000100.jpg' +p156184 +sg25267 +g27 +sa(dp156185 +g25273 +S'overall: 25.3 x 20 cm (9 15/16 x 7 7/8 in.)\r\nframed: 31.1 x 26.3 x 3.1 cm (12 1/4 x 10 3/8 x 1 1/4 in.)' +p156186 +sg25267 +g27 +sg25275 +S'\noil on wood on pressed wood' +p156187 +sg25268 +S'Wellington Van Reid' +p156188 +sg25270 +S'American 19th Century' +p156189 +sa(dp156190 +g25273 +S'overall: 25.3 x 20.2 cm (9 15/16 x 7 15/16 in.)\r\nframed: 31.7 x 26.6 x 3.4 cm (12 1/2 x 10 1/2 x 1 5/16 in.)' +p156191 +sg25267 +g27 +sg25275 +S'\noil on wood on pressed wood' +p156192 +sg25268 +S'Jane L. Van Reid' +p156193 +sg25270 +S'American 19th Century' +p156194 +sa(dp156195 +g25268 +S'Coat of Arms of H.S. Beham' +p156196 +sg25270 +S'Sebald Beham' +p156197 +sg25273 +S'engraving' +p156198 +sg25275 +S'1544' +p156199 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a8ad.jpg' +p156200 +sg25267 +g27 +sa(dp156201 +g25268 +S'Man with Vial' +p156202 +sg25270 +S'Erastus Salisbury Field' +p156203 +sg25273 +S'oil on canvas' +p156204 +sg25275 +S'c. 1827' +p156205 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000b4.jpg' +p156206 +sg25267 +g27 +sa(dp156207 +g25268 +S'Wife of Man with Vial' +p156208 +sg25270 +S'Erastus Salisbury Field' +p156209 +sg25273 +S'oil on canvas' +p156210 +sg25275 +S'c. 1827' +p156211 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000b5.jpg' +p156212 +sg25267 +g27 +sa(dp156213 +g25273 +S'overall: 18.7 x 15.7 cm (7 3/8 x 6 3/16 in.)\r\nframed: 25.7 x 22.8 x 3.1 cm (10 1/8 x 9 x 1 1/4 in.)' +p156214 +sg25267 +g27 +sg25275 +S'\noil on wood' +p156215 +sg25268 +S'Dr. Alvah Cook' +p156216 +sg25270 +S'American 19th Century' +p156217 +sa(dp156218 +g25268 +S'General Washington on a White Charger' +p156219 +sg25270 +S'American 19th Century' +p156220 +sg25273 +S'overall: 96.5 x 74.9 cm (38 x 29 1/2 in.)\r\nframed: 109.5 x 87 x 3.8 cm (43 1/8 x 34 1/4 x 1 1/2 in.)' +p156221 +sg25275 +S'\noil on wood' +p156222 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a0000456.jpg' +p156223 +sg25267 +g27 +sa(dp156224 +g25268 +S'The Hobby Horse' +p156225 +sg25270 +S'Robert Peckham' +p156226 +sg25273 +S'oil on canvas' +p156227 +sg25275 +S'c. 1840' +p156228 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a000040e.jpg' +p156229 +sg25267 +g27 +sa(dp156230 +g25273 +S'overall: 64.2 x 57.1 cm (25 1/4 x 22 1/2 in.)\r\nframed: 70.5 x 63.5 x 3.1 cm (27 3/4 x 25 x 1 1/4 in.)' +p156231 +sg25267 +g27 +sg25275 +S'\noil on canvas' +p156232 +sg25268 +S'Young Man Wearing White Vest' +p156233 +sg25270 +S'American 19th Century' +p156234 +sa(dp156235 +g25268 +S'Peasant in a Round Hat (Paysan avec chapeau rond)' +p156236 +sg25270 +S'Alphonse Legros' +p156237 +sg25273 +S'etching and (drypoint?) on buff paper' +p156238 +sg25275 +S'unknown date\n' +p156239 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009e/a0009e14.jpg' +p156240 +sg25267 +g27 +sa(dp156241 +g25268 +S'The Triumph of Death: After the Battle (Le triomphe de la mort: Apres le combat)' +p156242 +sg25270 +S'Alphonse Legros' +p156243 +sg25273 +S'etching' +p156244 +sg25275 +S'unknown date\n' +p156245 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c77.jpg' +p156246 +sg25267 +g27 +sa(dp156247 +g25268 +S"The Tree of Salvation (L'arbre de salut)" +p156248 +sg25270 +S'Alphonse Legros' +p156249 +sg25273 +S'drypoint and (etching?) on cream paper' +p156250 +sg25275 +S'unknown date\n' +p156251 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d3c.jpg' +p156252 +sg25267 +g27 +sa(dp156253 +g25268 +S"Siesta of a Harvester (Sieste d'un faucheur)" +p156254 +sg25270 +S'Alphonse Legros' +p156255 +sg25273 +S'drypoint' +p156256 +sg25275 +S'unknown date\n' +p156257 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d3a.jpg' +p156258 +sg25267 +g27 +sa(dp156259 +g25268 +S'Coat of Arms with a Lion' +p156260 +sg25270 +S'Sebald Beham' +p156261 +sg25273 +S'engraving' +p156262 +sg25275 +S'1544' +p156263 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a8ac.jpg' +p156264 +sg25267 +g27 +sa(dp156265 +g25268 +S"Remembrance of a Valley in Bourgogne (Souvenir d'une vallee en Bourgogne)" +p156266 +sg25270 +S'Alphonse Legros' +p156267 +sg25273 +S'etching and drypoint' +p156268 +sg25275 +S'unknown date\n' +p156269 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d38.jpg' +p156270 +sg25267 +g27 +sa(dp156271 +g25268 +S"Little Burner of Grass (Le petit bruleur d'herbe)" +p156272 +sg25270 +S'Alphonse Legros' +p156273 +sg25273 +S'etching and drypoint on very light green paper' +p156274 +sg25275 +S'unknown date\n' +p156275 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d31.jpg' +p156276 +sg25267 +g27 +sa(dp156277 +g25268 +S'Peat-bogs (Les Tourbieres)' +p156278 +sg25270 +S'Alphonse Legros' +p156279 +sg25273 +S'drypoint and etching' +p156280 +sg25275 +S'unknown date\n' +p156281 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d37.jpg' +p156282 +sg25267 +g27 +sa(dp156283 +g25268 +S'Plain near a Lake (La plaine pres du lac)' +p156284 +sg25270 +S'Alphonse Legros' +p156285 +sg25273 +S'etching and drypoint' +p156286 +sg25275 +S'unknown date\n' +p156287 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d36.jpg' +p156288 +sg25267 +g27 +sa(dp156289 +g25268 +S'Farm along the River seen by Evening Light (La ferme sur la riviere: Effet du soir)' +p156290 +sg25270 +S'Alphonse Legros' +p156291 +sg25273 +S'etching' +p156292 +sg25275 +S'unknown date\n' +p156293 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d49.jpg' +p156294 +sg25267 +g27 +sa(dp156295 +g25268 +S'Valley in Bourgogne (Une vallee en Bourgogne)' +p156296 +sg25270 +S'Alphonse Legros' +p156297 +sg25273 +S'etching and drypoint?' +p156298 +sg25275 +S'unknown date\n' +p156299 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d46.jpg' +p156300 +sg25267 +g27 +sa(dp156301 +g25268 +S'Valley in Bourgogne (Une vallee en Bourgogne)' +p156302 +sg25270 +S'Alphonse Legros' +p156303 +sg25273 +S'etching and drypoint?' +p156304 +sg25275 +S'unknown date\n' +p156305 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d48.jpg' +p156306 +sg25267 +g27 +sa(dp156307 +g25268 +S"Edge of the Water (Au bord de l'eau)" +p156308 +sg25270 +S'Alphonse Legros' +p156309 +sg25273 +S'etching' +p156310 +sg25275 +S'unknown date\n' +p156311 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d42.jpg' +p156312 +sg25267 +g27 +sa(dp156313 +g25268 +S'Near the Woods, Veronne (Pres du bois, Veronne)' +p156314 +sg25270 +S'Alphonse Legros' +p156315 +sg25273 +S'etching' +p156316 +sg25275 +S'unknown date\n' +p156317 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d40.jpg' +p156318 +sg25267 +g27 +sa(dp156319 +g25268 +S"Hurricane (L'ouragan)" +p156320 +sg25270 +S'Alphonse Legros' +p156321 +sg25273 +S'etching' +p156322 +sg25275 +S'unknown date\n' +p156323 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d3e.jpg' +p156324 +sg25267 +g27 +sa(dp156325 +g25268 +S'Coat of Arms with a Cock' +p156326 +sg25270 +S'Sebald Beham' +p156327 +sg25273 +S'engraving' +p156328 +sg25275 +S'1543' +p156329 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a8cf.jpg' +p156330 +sg25267 +g27 +sa(dp156331 +g25268 +S'Small Boat in Peril (Barque en peril)' +p156332 +sg25270 +S'Alphonse Legros' +p156333 +sg25273 +S'drypoint' +p156334 +sg25275 +S'unknown date\n' +p156335 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d44.jpg' +p156336 +sg25267 +g27 +sa(dp156337 +g25268 +S'Little Shelter (Le petit hangar)' +p156338 +sg25270 +S'Alphonse Legros' +p156339 +sg25273 +S'etching and drypoint' +p156340 +sg25275 +S'unknown date\n' +p156341 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d4c.jpg' +p156342 +sg25267 +g27 +sa(dp156343 +g25268 +S"Banks of the Somme near Amiens (Bord de la Somme pres d'Amiens)" +p156344 +sg25270 +S'Alphonse Legros' +p156345 +sg25273 +S'etching' +p156346 +sg25275 +S'unknown date\n' +p156347 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d55.jpg' +p156348 +sg25267 +g27 +sa(dp156349 +g25268 +S'Footbridge (La passerelle)' +p156350 +sg25270 +S'Alphonse Legros' +p156351 +sg25273 +S'etching' +p156352 +sg25275 +S'unknown date\n' +p156353 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d50.jpg' +p156354 +sg25267 +g27 +sa(dp156355 +g25268 +S'Rest along the Banks of the River (Repos au bord de la riviere)' +p156356 +sg25270 +S'Alphonse Legros' +p156357 +sg25273 +S'etching and drypoint?' +p156358 +sg25275 +S'unknown date\n' +p156359 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d51.jpg' +p156360 +sg25267 +g27 +sa(dp156361 +g25268 +S'Hamlet near the Lake (Le hameau pres du lac)' +p156362 +sg25270 +S'Alphonse Legros' +p156363 +sg25273 +S'etching and drypoint' +p156364 +sg25275 +S'unknown date\n' +p156365 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d4f.jpg' +p156366 +sg25267 +g27 +sa(dp156367 +g25268 +S"Man Foraging (L'homme au fourrage)" +p156368 +sg25270 +S'Alphonse Legros' +p156369 +sg25273 +S'etching and drypoint' +p156370 +sg25275 +S'unknown date\n' +p156371 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d53.jpg' +p156372 +sg25267 +g27 +sa(dp156373 +g25268 +S'Young Peasant Seated in a Church (Jeune paysanne assise dans une eglise)' +p156374 +sg25270 +S'Alphonse Legros' +p156375 +sg25273 +S'etching and drypoint?' +p156376 +sg25275 +S'unknown date\n' +p156377 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d4d.jpg' +p156378 +sg25267 +g27 +sa(dp156379 +g25268 +S'Gust of Wind (Un coup de vent)' +p156380 +sg25270 +S'Alphonse Legros' +p156381 +sg25273 +S'drypoint' +p156382 +sg25275 +S'unknown date\n' +p156383 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d5b.jpg' +p156384 +sg25267 +g27 +sa(dp156385 +g25268 +S'Head of a Young Girl (Tete de jeune fille)' +p156386 +sg25270 +S'Alphonse Legros' +p156387 +sg25273 +S'lithograph in sanguine' +p156388 +sg25275 +S'unknown date\n' +p156389 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d59.jpg' +p156390 +sg25267 +g27 +sa(dp156391 +g25268 +S'Coat of Arms with an Eagle' +p156392 +sg25270 +S'Sebald Beham' +p156393 +sg25273 +S'engraving' +p156394 +sg25275 +S'1543' +p156395 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a8d0.jpg' +p156396 +sg25267 +g27 +sa(dp156397 +g25268 +S'The Triumph of Death: Death Prepares a Dwelling for the Homeless (Le triomphe de la Mort: Lamort a prepare une demeure a des abandonnees)' +p156398 +sg25270 +S'Alphonse Legros' +p156399 +sg25273 +S'drypoint on light green paper' +p156400 +sg25275 +S'unknown date\n' +p156401 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d54.jpg' +p156402 +sg25267 +g27 +sa(dp156403 +g25268 +S'Spring (Le printemps)' +p156404 +sg25270 +S'Alphonse Legros' +p156405 +sg25273 +S'etching and drypoint' +p156406 +sg25275 +S'unknown date\n' +p156407 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d65.jpg' +p156408 +sg25267 +g27 +sa(dp156409 +g25268 +S"Summer (L'ete)" +p156410 +sg25270 +S'Alphonse Legros' +p156411 +sg25273 +S'etching and drypoint? in dark brown ink' +p156412 +sg25275 +S'unknown date\n' +p156413 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d66.jpg' +p156414 +sg25267 +g27 +sa(dp156415 +g25268 +S"Man Climbing a Wall (L'escalade)" +p156416 +sg25270 +S'Alphonse Legros' +p156417 +sg25273 +S'etching and drypoint?' +p156418 +sg25275 +S'unknown date\n' +p156419 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d62.jpg' +p156420 +sg25267 +g27 +sa(dp156421 +g25268 +S'Self-Portrait, Medallion, No.1, 9th plate' +p156422 +sg25270 +S'Alphonse Legros' +p156423 +sg25273 +S'lithograph' +p156424 +sg25275 +S'1905' +p156425 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d61.jpg' +p156426 +sg25267 +g27 +sa(dp156427 +g25268 +S'Self-Portrait, Medallion, No.2, 11th plate' +p156428 +sg25270 +S'Alphonse Legros' +p156429 +sg25273 +S'color lithograph' +p156430 +sg25275 +S'unknown date\n' +p156431 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d67.jpg' +p156432 +sg25267 +g27 +sa(dp156433 +g25268 +S'E.R. Hughes' +p156434 +sg25270 +S'Alphonse Legros' +p156435 +sg25273 +S'lithograph' +p156436 +sg25275 +S'unknown date\n' +p156437 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d5e.jpg' +p156438 +sg25267 +g27 +sa(dp156439 +g25268 +S'Little Pond (La petite mare)' +p156440 +sg25270 +S'Alphonse Legros' +p156441 +sg25273 +S'etching and drypoint?' +p156442 +sg25275 +S'unknown date\n' +p156443 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d68.jpg' +p156444 +sg25267 +g27 +sa(dp156445 +g25268 +S'Self-Portrait, 12th plate' +p156446 +sg25270 +S'Alphonse Legros' +p156447 +sg25273 +S'etching? and drypoint retouched with crayon' +p156448 +sg25275 +S'unknown date\n' +p156449 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00098/a00098d6.jpg' +p156450 +sg25267 +g27 +sa(dp156451 +g25268 +S'At the Home of the Woodcutters (Chez les bucherons)' +p156452 +sg25270 +S'Alphonse Legros' +p156453 +sg25273 +S'etching and drypoint' +p156454 +sg25275 +S'unknown date\n' +p156455 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d5d.jpg' +p156456 +sg25267 +g27 +sa(dp156457 +g25268 +S'Christ Crowned with Thorns Speaking with His Mother' +p156458 +sg25270 +S'Sebald Beham' +p156459 +sg25273 +S'engraving' +p156460 +sg25275 +S'1519' +p156461 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a809.jpg' +p156462 +sg25267 +g27 +sa(dp156463 +g25268 +S'Remembrance of the Lake at Trastimene (Souvenir du lac de Trastimene)' +p156464 +sg25270 +S'Alphonse Legros' +p156465 +sg25273 +S'etching and drypoint' +p156466 +sg25275 +S'unknown date\n' +p156467 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d70.jpg' +p156468 +sg25267 +g27 +sa(dp156469 +g25268 +S"Burning the Grasses (Le bruleur d'herbes)" +p156470 +sg25270 +S'Alphonse Legros' +p156471 +sg25273 +S'etching and drypoint?' +p156472 +sg25275 +S'unknown date\n' +p156473 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d76.jpg' +p156474 +sg25267 +g27 +sa(dp156475 +g25268 +S"Study of a Spaniard (Etude d'Espagnol)" +p156476 +sg25270 +S'Alphonse Legros' +p156477 +sg25273 +S'etching' +p156478 +sg25275 +S'unknown date\n' +p156479 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d6e.jpg' +p156480 +sg25267 +g27 +sa(dp156481 +g25268 +S'Desperate Young Girl (La jeune desesperee)' +p156482 +sg25270 +S'Alphonse Legros' +p156483 +sg25273 +S'etching and drypoint' +p156484 +sg25275 +S'unknown date\n' +p156485 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d6d.jpg' +p156486 +sg25267 +g27 +sa(dp156487 +g25268 +S'Alphonse Legros Sketching' +p156488 +sg25270 +S'William Strang' +p156489 +sg25273 +S'etching' +p156490 +sg25275 +S'unknown date\n' +p156491 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007a32.jpg' +p156492 +sg25267 +g27 +sa(dp156493 +g25268 +S"Head of a Man (Tete d'homme)" +p156494 +sg25270 +S'Alphonse Legros' +p156495 +sg25273 +S'etching' +p156496 +sg25275 +S'unknown date\n' +p156497 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b69.jpg' +p156498 +sg25267 +g27 +sa(dp156499 +g25268 +S'Landscape with Peat-bog; In the Marsh (Paysage des tourbieres; Dans les marais)' +p156500 +sg25270 +S'Alphonse Legros' +p156501 +sg25273 +S'etching? and drypoint' +p156502 +sg25275 +S'unknown date\n' +p156503 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00098/a00098e2.jpg' +p156504 +sg25267 +g27 +sa(dp156505 +g25268 +S'Farmer and His Donkey (Le fermier et son ane)' +p156506 +sg25270 +S'Alphonse Legros' +p156507 +sg25273 +S'etching and drypoint' +p156508 +sg25275 +S'unknown date\n' +p156509 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009ba3.jpg' +p156510 +sg25267 +g27 +sa(dp156511 +g25268 +S'Small Lake (Le petit lac)' +p156512 +sg25270 +S'Alphonse Legros' +p156513 +sg25273 +S'etching and drypoint?' +p156514 +sg25275 +S'unknown date\n' +p156515 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00098/a00098d7.jpg' +p156516 +sg25267 +g27 +sa(dp156517 +g25268 +S'Farm on a Hill (La ferme sur la colline)' +p156518 +sg25270 +S'Alphonse Legros' +p156519 +sg25273 +S'etching' +p156520 +sg25275 +S'unknown date\n' +p156521 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c1a.jpg' +p156522 +sg25267 +g27 +sa(dp156523 +g25268 +S'Portrait of a Lady' +p156524 +sg25270 +S'Titian' +p156525 +sg25273 +S'oil on canvas' +p156526 +sg25275 +S'c. 1555' +p156527 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005dd.jpg' +p156528 +sg25267 +g27 +sa(dp156529 +g25268 +S'Christ Crowned with Thorns Speaking with His Mother' +p156530 +sg25270 +S'Sebald Beham' +p156531 +sg25273 +S'engraving' +p156532 +sg25275 +S'1519' +p156533 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a80a.jpg' +p156534 +sg25267 +g27 +sa(dp156535 +g25268 +S"Chailli Seen in a Storm (Chailli: Effet d'orage)" +p156536 +sg25270 +S'Alphonse Legros' +p156537 +sg25273 +S'etching and drypoint on light green paper' +p156538 +sg25275 +S'unknown date\n' +p156539 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009df5.jpg' +p156540 +sg25267 +g27 +sa(dp156541 +g25268 +S'Address of R. Gueraut (Adresse de M.R. Gueraut)' +p156542 +sg25270 +S'Alphonse Legros' +p156543 +sg25273 +S'etching in brown' +p156544 +sg25275 +S'unknown date\n' +p156545 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00098/a00098dd.jpg' +p156546 +sg25267 +g27 +sa(dp156547 +g25268 +S'The Tinker (Le retameur)' +p156548 +sg25270 +S'Artist Information (' +p156549 +sg25273 +S'(artist after)' +p156550 +sg25275 +S'\n' +p156551 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a000998f.jpg' +p156552 +sg25267 +g27 +sa(dp156553 +g25268 +S'The Tinker (Le retameur)' +p156554 +sg25270 +S'Artist Information (' +p156555 +sg25273 +S'(artist after)' +p156556 +sg25275 +S'\n' +p156557 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a0009994.jpg' +p156558 +sg25267 +g27 +sa(dp156559 +g25268 +S'Sleeping Scholar (Le savant endormi)' +p156560 +sg25270 +S'Alphonse Legros' +p156561 +sg25273 +S'drypoint' +p156562 +sg25275 +S'unknown date\n' +p156563 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00098/a00098f4.jpg' +p156564 +sg25267 +g27 +sa(dp156565 +g25268 +S'Choirmaster (Le maitre de chapelle)' +p156566 +sg25270 +S'Alphonse Legros' +p156567 +sg25273 +S'etching' +p156568 +sg25275 +S'unknown date\n' +p156569 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c2b.jpg' +p156570 +sg25267 +g27 +sa(dp156571 +g25268 +S'Alphonse Legros' +p156572 +sg25270 +S'Charles Haslewood Shannon' +p156573 +sg25273 +S', unknown date' +p156574 +sg25275 +S'\n' +p156575 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007a28.jpg' +p156576 +sg25267 +g27 +sa(dp156577 +g25273 +g27 +sg25267 +g27 +sg25275 +S'18th century' +p156578 +sg25268 +S'Mantel Clock with Brass Ornaments' +p156579 +sg25270 +S'Eardley Norton' +p156580 +sa(dp156581 +g25268 +S'Blue and White Jar with Cover' +p156582 +sg25270 +S'Chinese Qing Dynasty' +p156583 +sg25273 +S'overall (height x greatest diameter): 46.4 x 26.7 cm (18 1/4 x 10 1/2 in.)' +p156584 +sg25275 +S'\n' +p156585 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c61d.jpg' +p156586 +sg25267 +g27 +sa(dp156587 +g25268 +S'Blue and White Jar with Cover' +p156588 +sg25270 +S'Chinese Qing Dynasty' +p156589 +sg25273 +S'overall (height x greatest diameter): 45.7 x 26 cm (18 x 10 1/4 in.)' +p156590 +sg25275 +S'\n' +p156591 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c61b.jpg' +p156592 +sg25267 +g27 +sa(dp156593 +g25268 +S'Ornament with One Male and Two Female Figures' +p156594 +sg25270 +S'Sebald Beham' +p156595 +sg25273 +S'engraving' +p156596 +sg25275 +S'unknown date\n' +p156597 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a8a2.jpg' +p156598 +sg25267 +g27 +sa(dp156599 +g25273 +S'(artist after)' +p156600 +sg25267 +g27 +sg25275 +S'\n' +p156601 +sg25268 +S'A View of Salisbury Cathedral' +p156602 +sg25270 +S'Artist Information (' +p156603 +sa(dp156604 +g25268 +S'Interior of a Hut (Interieur de case)' +p156605 +sg25270 +S'Paul Gauguin' +p156606 +sg25273 +S'woodcut in black' +p156607 +sg25275 +S'in or after 1895' +p156608 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a0009980.jpg' +p156609 +sg25267 +g27 +sa(dp156610 +g25268 +S'Old Woman Plucking a Fowl' +p156611 +sg25270 +S'Artist Information (' +p156612 +sg25273 +S'Dutch, 1606 - 1669' +p156613 +sg25275 +S'(related artist)' +p156614 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00069/a0006951.jpg' +p156615 +sg25267 +g27 +sa(dp156616 +g25268 +S'Alexander the Great' +p156617 +sg25270 +S'Artist Information (' +p156618 +sg25273 +S'(related artist)' +p156619 +sg25275 +S'\n' +p156620 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005e5.jpg' +p156621 +sg25267 +S"\n Dressed in fanciful armor, Alexander here exemplifies the powerful leader capable of controlling several regions and cultures in a vast expanding empire. A relief of Alexander, reportedly done in metal, and a pendant relief of his adversary Darius were presented to King Matthias Corvinus of Hungary in 1480 as a diplomatic gift from Lorenzo de' Medici. The reliefs, flattering gifts from one great humanist patron to another, sought to equate Alexander's campaigns with those of Corvinus, who was engaged in driving back an invading Ottoman army. Lorenzo was aware that successful resistance to the Ottoman invasions would protect the rest of Europe, including Florence, from the ever-present Ottoman threat. During the few decades of Corvinus' reign, the Hungarian court rivaled those of Italy in its artistic patronage.\n \n \n Designing Alexander's armor in an ancient style, Verrocchio also embellished it to his own fancy. Certainly the winged head screaming in fury was indicative of the commander's military ferocity, while the elaborate dragon helmet with ribbon was fitting for his status as a king. Any allegorical meaning is hard to derive, because Verrocchio and his contemporaries often designed such rich and fantastic armor for Florentines to wear in jousts.\n \n " +p156622 +sa(dp156623 +g25268 +S'The Adoration of the Skulls' +p156624 +sg25270 +S'Michel-Fran\xc3\xa7ois Dandr\xc3\xa9-Bardon' +p156625 +sg25273 +S'oil on canvas' +p156626 +sg25275 +S'c. 1733/1734' +p156627 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000dca.jpg' +p156628 +sg25267 +g27 +sa(dp156629 +g25268 +S'Portrait of an Almoner of Antwerp' +p156630 +sg25270 +S'Antwerp 16th Century' +p156631 +sg25273 +S'overall: 84.8 x 63.2 cm (33 3/8 x 24 7/8 in.)\r\nframed: 128.9 x 108.9 cm (50 3/4 x 42 7/8 in.)' +p156632 +sg25275 +S'\noil on panel' +p156633 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00043/a00043e8.jpg' +p156634 +sg25267 +g27 +sa(dp156635 +g25268 +S'The Last Supper' +p156636 +sg25270 +S'Giulio Benso' +p156637 +sg25273 +S'pen and brown ink with brown wash' +p156638 +sg25275 +S'unknown date\n' +p156639 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00074/a0007493.jpg' +p156640 +sg25267 +g27 +sa(dp156641 +g25268 +S'Girl with a Basket of Fish' +p156642 +sg25270 +S'Auguste Renoir' +p156643 +sg25273 +S'oil on canvas' +p156644 +sg25275 +S'c. 1889' +p156645 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a0000706.jpg' +p156646 +sg25267 +g27 +sa(dp156647 +g25268 +S'Girl with a Basket of Oranges' +p156648 +sg25270 +S'Auguste Renoir' +p156649 +sg25273 +S'oil on canvas' +p156650 +sg25275 +S'c. 1889' +p156651 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a0000707.jpg' +p156652 +sg25267 +g27 +sa(dp156653 +g25273 +S'(artist after)' +p156654 +sg25267 +g27 +sg25275 +S'\n' +p156655 +sg25268 +S'Henry Laurens' +p156656 +sg25270 +S'Artist Information (' +p156657 +sa(dp156658 +g25268 +S'Ecclesia Antichristi' +p156659 +sg25270 +S'Sebald Beham' +p156660 +sg25273 +S'woodcut' +p156661 +sg25275 +S'unknown date\n' +p156662 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a8ec.jpg' +p156663 +sg25267 +g27 +sa(dp156664 +g25273 +S'(artist)' +p156665 +sg25267 +g27 +sg25275 +S'\n' +p156666 +sg25268 +S'Architecture, Painting, and Sculpture' +p156667 +sg25270 +S'Artist Information (' +p156668 +sa(dp156669 +g25273 +S'(artist after)' +p156670 +sg25267 +g27 +sg25275 +S'\n' +p156671 +sg25268 +S'The Works of Captain William Baillie, After Paintings ... by the Greatest Masters' +p156672 +sg25270 +S'Artist Information (' +p156673 +sa(dp156674 +g25273 +S'(artist after)' +p156675 +sg25267 +g27 +sg25275 +S'\n' +p156676 +sg25268 +S'Eighty-Two Prints ... from the Original Drawings of Guercino (volume I)' +p156677 +sg25270 +S'Artist Information (' +p156678 +sa(dp156679 +g25273 +S'(artist after)' +p156680 +sg25267 +g27 +sg25275 +S'\n' +p156681 +sg25268 +S'Seventy-Three Prints ... from the Original Pictures and Drawings ... (volume II)' +p156682 +sg25270 +S'Artist Information (' +p156683 +sa(dp156684 +g25273 +S'(artist after)' +p156685 +sg25267 +g27 +sg25275 +S'\n' +p156686 +sg25268 +S'A Set of Etchings ... from the Sketches of ... John Baptist Cipriani' +p156687 +sg25270 +S'Artist Information (' +p156688 +sa(dp156689 +g25273 +S'(artist after)' +p156690 +sg25267 +g27 +sg25275 +S'\n' +p156691 +sg25268 +S"Suite d'Estampes" +p156692 +sg25270 +S'Artist Information (' +p156693 +sa(dp156694 +g25273 +S'British, 1752 - 1817' +p156695 +sg25267 +g27 +sg25275 +S'(publisher)' +p156696 +sg25268 +S'Collection of Prints from ... The Dramatic Works of Shakespeare (volume I)' +p156697 +sg25270 +S'Artist Information (' +p156698 +sa(dp156699 +g25273 +S'British, 1719 - 1804' +p156700 +sg25267 +g27 +sg25275 +S'(publisher)' +p156701 +sg25268 +S'Collection of Prints from ... The Dramatic Works of Shakespeare (volume II)' +p156702 +sg25270 +S'Artist Information (' +p156703 +sa(dp156704 +g25273 +S'British, 1719 - 1804' +p156705 +sg25267 +g27 +sg25275 +S'(publisher)' +p156706 +sg25268 +S'A Collection of Prints Engraved after the Most Capital Paintings in England (vol.I)' +p156707 +sg25270 +S'Artist Information (' +p156708 +sa(dp156709 +g25273 +S'British, 1719 - 1804' +p156710 +sg25267 +g27 +sg25275 +S'(publisher)' +p156711 +sg25268 +S'A Collection of Prints Engraved after the Most Capital Paintings in England (vol.II)' +p156712 +sg25270 +S'Artist Information (' +p156713 +sa(dp156714 +g25268 +S'Saturn' +p156715 +sg25270 +S'Sebald Beham' +p156716 +sg25273 +S'engraving' +p156717 +sg25275 +S'unknown date\n' +p156718 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a8cb.jpg' +p156719 +sg25267 +g27 +sa(dp156720 +g25268 +S'Psyches et Amoris ...; Galeriae Farnesianae ...; Barberinae avlae fornix' +p156721 +sg25270 +S'Various Artists' +p156722 +sg25273 +S'Gift of William Robertson Coe' +p156723 +sg25275 +S'\n3 works bound in 1 vol: ill: 71 (including frontispiece), including 12 engravings by N. Dorigny after Raphael ("Psyches et Amoris" of 1693); engravings by P. Aquila after Annibale Carracci ("Galeriae Farnesianae"); and engravings by various artistsafter P. da Cortona ("Barberinae avalae fornix" of 1691)' +p156724 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004c/a0004c96.jpg' +p156725 +sg25267 +g27 +sa(dp156726 +g25273 +S'Gift of William Robertson Coe' +p156727 +sg25267 +g27 +sg25275 +S'\n1 vol: ill: 50 engravings' +p156728 +sg25268 +S"Recueil d'estampes d'apres les ... tableaux de la Galerie Royale de Dresde (volume 1)" +p156729 +sg25270 +S'Various Artists' +p156730 +sa(dp156731 +g25273 +S'Gift of William Robertson Coe' +p156732 +sg25267 +g27 +sg25275 +S'\n1 vol: ill: 50 engravings' +p156733 +sg25268 +S"Recueil d'estampes d'apres les ... tableaux de la Galerie Royale de Dresde (volume 2)" +p156734 +sg25270 +S'Various Artists' +p156735 +sa(dp156736 +g25273 +S'(artist after)' +p156737 +sg25267 +g27 +sg25275 +S'\n' +p156738 +sg25268 +S'A Collection of Prints' +p156739 +sg25270 +S'Artist Information (' +p156740 +sa(dp156741 +g25273 +S'Gift of William Robertson Coe' +p156742 +sg25267 +g27 +sg25275 +S'\n1 vol: ill: engravings by H. Frezza, G. Allet, G. Valet, S. Picart, F. Spierre, Baronius, C. Blomaert, B. Fariat, and Blondeau' +p156743 +sg25268 +S'Missale Romanum' +p156744 +sg25270 +S'Various Artists' +p156745 +sa(dp156746 +g25273 +S'French (?), 1784 - 1863' +p156747 +sg25267 +g27 +sg25275 +S'(author)' +p156748 +sg25268 +S'Iconographie du Genre Camellia ... (volume I)' +p156749 +sg25270 +S'Artist Information (' +p156750 +sa(dp156751 +g25273 +S'French (?), 1784 - 1863' +p156752 +sg25267 +g27 +sg25275 +S'(author)' +p156753 +sg25268 +S'Iconographie du Genre Camellia ... (volume II)' +p156754 +sg25270 +S'Artist Information (' +p156755 +sa(dp156756 +g25273 +S'French (?), 1784 - 1863' +p156757 +sg25267 +g27 +sg25275 +S'(author)' +p156758 +sg25268 +S'Iconographie du Genre Camellia ... (volume III)' +p156759 +sg25270 +S'Artist Information (' +p156760 +sa(dp156761 +g25273 +S'English, c. 1705 - 1758' +p156762 +sg25267 +g27 +sg25275 +S'(artist)' +p156763 +sg25268 +S'Album of Prints after Italian Old Master Drawings' +p156764 +sg25270 +S'Artist Information (' +p156765 +sa(dp156766 +g25273 +S'Gift of William Robertson Coe' +p156767 +sg25267 +g27 +sg25275 +S'\n1 vol: ill: 25 engravings by various artists after drawings by J.-B. and J.-M. Nattier after paintings by Van Dyck and Rubens plus title page and foreward' +p156768 +sg25268 +S'La galerie du palais du Luxembourg, peintre par Rubens ...' +p156769 +sg25270 +S'Various Artists' +p156770 +sa(dp156771 +g25268 +S'Jupiter' +p156772 +sg25270 +S'Sebald Beham' +p156773 +sg25273 +S'engraving' +p156774 +sg25275 +S'unknown date\n' +p156775 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a8ce.jpg' +p156776 +sg25267 +g27 +sa(dp156777 +g25273 +S'(artist after)' +p156778 +sg25267 +g27 +sg25275 +S'\n' +p156779 +sg25268 +S'Pierre Paul Rubens' +p156780 +sg25270 +S'Artist Information (' +p156781 +sa(dp156782 +g25273 +S'(artist after)' +p156783 +sg25267 +g27 +sg25275 +S'\n' +p156784 +sg25268 +S'Francois de Medici Grand Duc de Toscone' +p156785 +sg25270 +S'Artist Information (' +p156786 +sa(dp156787 +g25273 +S'(artist after)' +p156788 +sg25267 +g27 +sg25275 +S'\n' +p156789 +sg25268 +S"Jeanne d'Autriche Grand Duchesse de Toscane" +p156790 +sg25270 +S'Artist Information (' +p156791 +sa(dp156792 +g25273 +S'(artist after)' +p156793 +sg25267 +g27 +sg25275 +S'\n' +p156794 +sg25268 +S'Marie de Medicis sous la forme de Minerve Deesse des Arts' +p156795 +sg25270 +S'Artist Information (' +p156796 +sa(dp156797 +g25273 +S'(artist after)' +p156798 +sg25267 +g27 +sg25275 +S'\n' +p156799 +sg25268 +S'La destinee de la Reine' +p156800 +sg25270 +S'Artist Information (' +p156801 +sa(dp156802 +g25273 +S'(artist after)' +p156803 +sg25267 +g27 +sg25275 +S'\n' +p156804 +sg25268 +S'La Naissance de la Reine' +p156805 +sg25270 +S'Artist Information (' +p156806 +sa(dp156807 +g25273 +S'(artist after)' +p156808 +sg25267 +g27 +sg25275 +S'\n' +p156809 +sg25268 +S"L'Education de la Reine" +p156810 +sg25270 +S'Artist Information (' +p156811 +sa(dp156812 +g25273 +S'(artist after)' +p156813 +sg25267 +g27 +sg25275 +S'\n' +p156814 +sg25268 +S'Henri IV delibere sur son futur mariage' +p156815 +sg25270 +S'Artist Information (' +p156816 +sa(dp156817 +g25273 +S'(artist after)' +p156818 +sg25267 +g27 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+sg25275 +S'1522' +p157145 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a8eb.jpg' +p157146 +sg25267 +g27 +sa(dp157147 +g25268 +S'The Fountain' +p157148 +sg25270 +S'French 18th Century' +p157149 +sg25273 +S'overall: 33.6 x 45.5 cm (13 1/4 x 17 15/16 in.)' +p157150 +sg25275 +S'\nbrown wash over black chalk' +p157151 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f90.jpg' +p157152 +sg25267 +g27 +sa(dp157153 +g25268 +S"Lady's Head" +p157154 +sg25270 +S'Artist Information (' +p157155 +sg25273 +S'French, 1724 - 1780' +p157156 +sg25275 +S'(related artist)' +p157157 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006e66.jpg' +p157158 +sg25267 +g27 +sa(dp157159 +g25268 +S'Marine' +p157160 +sg25270 +S'Artist Information (' +p157161 +sg25273 +S'Dutch, 1633 - 1707' +p157162 +sg25275 +S'(related artist)' +p157163 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00072/a0007299.jpg' +p157164 +sg25267 +g27 +sa(dp157165 +g25268 +S'Marine' +p157166 +sg25270 +S'Artist Information (' +p157167 +sg25273 +S'Dutch, 1633 - 1707' +p157168 +sg25275 +S'(related artist)' +p157169 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00071/a00071ae.jpg' +p157170 +sg25267 +g27 +sa(dp157171 +g25268 +S'Marine' +p157172 +sg25270 +S'Willem van de Velde the Younger' +p157173 +sg25273 +S', unknown date' +p157174 +sg25275 +S'\n' +p157175 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006d67.jpg' +p157176 +sg25267 +g27 +sa(dp157177 +g25268 +S'Male Nude Study' +p157178 +sg25270 +S"Pierre Paul Prud'hon" +p157179 +sg25273 +S'charcoal heightened with white chalk on blue paper' +p157180 +sg25275 +S'unknown date\n' +p157181 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a0007307.jpg' +p157182 +sg25267 +g27 +sa(dp157183 +g25268 +S'Male Nude Study' +p157184 +sg25270 +S'Anton Raphael Mengs' +p157185 +sg25273 +S'graphite and black chalk on blue laid paper' +p157186 +sg25275 +S'1778' +p157187 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b9/a000b9a5.jpg' +p157188 +sg25267 +g27 +sa(dp157189 +g25268 +S'Male Nude Study' +p157190 +sg25270 +S'Anton Raphael Mengs' +p157191 +sg25273 +S'black chalk on paper washed gray' +p157192 +sg25275 +S'unknown date\n' +p157193 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c7d3.jpg' +p157194 +sg25267 +g27 +sa(dp157195 +g25273 +S'pen and black ink on pink paper' +p157196 +sg25267 +g27 +sg25275 +S'1937' +p157197 +sg25268 +S'Horseman' +p157198 +sg25270 +S'Salvador Dal\xc3\xad' +p157199 +sa(dp157200 +g25268 +S'Costume Study for "Jeux"' +p157201 +sg25270 +S'Lev Samoilovich Bakst' +p157202 +sg25273 +S'watercolor, graphite and black chalk on laid paper' +p157203 +sg25275 +S'1913' +p157204 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006a/a0006ac1.jpg' +p157205 +sg25267 +g27 +sa(dp157206 +g25268 +S'Portrait of an Elderly Man Facing Left' +p157207 +sg25270 +S'Sebald Beham' +p157208 +sg25273 +S'woodcut' +p157209 +sg25275 +S'unknown date\n' +p157210 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a8e7.jpg' +p157211 +sg25267 +g27 +sa(dp157212 +g25268 +S'Saint Roch Carried to Heaven by Angels' +p157213 +sg25270 +S'Giovanni Battista Tiepolo' +p157214 +sg25273 +S'oil on canvas' +p157215 +sg25275 +S'c. 1735/1745' +p157216 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a0000629.jpg' +p157217 +sg25267 +g27 +sa(dp157218 +g25268 +S'The Grand Canal Looking Toward the Salute and the Dogana' +p157219 +sg25270 +S'Francesco Tironi' +p157220 +sg25273 +S'pen and brown ink with gray wash on laid paper' +p157221 +sg25275 +S'1770s' +p157222 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00028/a0002869.jpg' +p157223 +sg25267 +g27 +sa(dp157224 +g25268 +S'Capriccio of Classical Ruins on a Shore' +p157225 +sg25270 +S'Giacomo Guardi' +p157226 +sg25273 +S'pen and black and brown ink with gray and brown wash on laid paper' +p157227 +sg25275 +S'unknown date\n' +p157228 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00072/a00072a2.jpg' +p157229 +sg25267 +g27 +sa(dp157230 +g25268 +S'Capriccio of Classical Ruins with a Fortress' +p157231 +sg25270 +S'Giacomo Guardi' +p157232 +sg25273 +S'pen and brown ink with gray wash on laid paper' +p157233 +sg25275 +S'unknown date\n' +p157234 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00072/a00072d8.jpg' +p157235 +sg25267 +g27 +sa(dp157236 +g25268 +S'The Island of San Clemente' +p157237 +sg25270 +S'Artist Information (' +p157238 +sg25273 +S'(artist)' +p157239 +sg25275 +S'\n' +p157240 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006ef4.jpg' +p157241 +sg25267 +g27 +sa(dp157242 +g25268 +S'The Island of Madonna della Grazia' +p157243 +sg25270 +S'Artist Information (' +p157244 +sg25273 +S'(artist)' +p157245 +sg25275 +S'\n' +p157246 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f24.jpg' +p157247 +sg25267 +g27 +sa(dp157248 +g25268 +S'Head of a Child' +p157249 +sg25270 +S'British 18th Century' +p157250 +sg25273 +S'overall: 30.5 x 25.5 cm (12 x 10 1/16 in.)' +p157251 +sg25275 +S'\nblack and red chalks heightened with white chalk on brown paper' +p157252 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f8c.jpg' +p157253 +sg25267 +g27 +sa(dp157254 +g25268 +S'Drawing for a Ceiling Fresco' +p157255 +sg25270 +S'Artist Information (' +p157256 +sg25273 +S'Italian, 1696 - 1770' +p157257 +sg25275 +S'(related artist)' +p157258 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00072/a000725e.jpg' +p157259 +sg25267 +g27 +sa(dp157260 +g25268 +S'The Flight into Egypt with the Holy Family and Two Angels in a Skiff' +p157261 +sg25270 +S'Giustino Menescardi' +p157262 +sg25273 +S'pen and brown ink with brown wash, heightened with white, over black chalk on laid paper' +p157263 +sg25275 +S'unknown date\n' +p157264 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00074/a000742d.jpg' +p157265 +sg25267 +g27 +sa(dp157266 +g25268 +S'Drover with Calves in a Country Cart' +p157267 +sg25270 +S'Thomas Gainsborough' +p157268 +sg25273 +S'graphite with gray wash on laid paper' +p157269 +sg25275 +S'c. 1755' +p157270 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00033/a00033d2.jpg' +p157271 +sg25267 +g27 +sa(dp157272 +g25268 +S'Saint Erasmus as Bishop' +p157273 +sg25270 +S'Sebald Beham' +p157274 +sg25273 +S'woodcut' +p157275 +sg25275 +S'unknown date\n' +p157276 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a8ea.jpg' +p157277 +sg25267 +g27 +sa(dp157278 +g25268 +S'Portrait of a Woman' +p157279 +sg25270 +S'Richard Cosway' +p157280 +sg25273 +S'watercolor over graphite on wove paper' +p157281 +sg25275 +S'1790s' +p157282 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006fb9.jpg' +p157283 +sg25267 +g27 +sa(dp157284 +g25268 +S'Two Studies of a Violinist Tuning His Instrument' +p157285 +sg25270 +S'Antoine Watteau' +p157286 +sg25273 +S'black and red chalk heightened with white chalk on light brown laid paper, with later framing line in brown ink' +p157287 +sg25275 +S'1717/1718' +p157288 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00028/a00028e3.jpg' +p157289 +sg25267 +g27 +sa(dp157290 +g25268 +S'Parade (A Theatrical Procession in Paris)' +p157291 +sg25270 +S'Augustin de Saint-Aubin' +p157292 +sg25273 +S', unknown date' +p157293 +sg25275 +S'\n' +p157294 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00070/a000700f.jpg' +p157295 +sg25267 +g27 +sa(dp157296 +g25273 +S'brush and black ink' +p157297 +sg25267 +g27 +sg25275 +S'unknown date\n' +p157298 +sg25268 +S'French Soldier and Child' +p157299 +sg25270 +S'Christian B\xc3\xa9rard' +p157300 +sa(dp157301 +g25268 +S'The Railway' +p157302 +sg25270 +S'Edouard Manet' +p157303 +sg25273 +S'oil on canvas' +p157304 +sg25275 +S'1873' +p157305 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a0000681.jpg' +p157306 +sg25267 +S'The Railway \n The focus of the composition is a pair\r\nof figures: a little girl believed to be the\r\ndaughter of Manet\xe2\x80\x99s neighbor, the artist\r\nAlphonse Hirsch, and a woman immediately\r\nrecognizable as Victorine Meurent,\r\nManet\xe2\x80\x99s favorite model in the 1860s who\r\nappeared in the artist\xe2\x80\x99s most notorious\r\nworks, the \n As Burty\xe2\x80\x99s account suggests, \n In 1874, just as the impressionists\r\nwere preparing to mount their first group\r\nexhibition, Manet submitted four works\r\nfor exhibition at the Paris Salon. Two\r\nwere rejected outright—the first time in\r\nseven years that any of his works had been\r\nrefused—but two others were accepted:\r\na watercolor and this painting, which he\r\nexhibited under the ambiguous title \n (Text by Kimberly Jones, \n Notes\n \n \n \n ' +p157307 +sa(dp157308 +g25268 +S'Victor Guye' +p157309 +sg25270 +S'Francisco de Goya' +p157310 +sg25273 +S'oil on canvas' +p157311 +sg25275 +S'1810' +p157312 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a000049f.jpg' +p157313 +sg25267 +S'The nephew of one of the most important French generals in\r\n Spain, the young \r\n Victor Guye wears the uniform of the Order of Pages to Joseph\r\n Bonaparte, \r\n Napoleon’s brother who had been appointed king of Spain. At six or\r\n seven \r\n years of age, Victor was probably too young to act as a court page.\r\n Even \r\n so, he might have been permitted to wear the prestigious uniform\r\n through \r\n his uncle’s influence. Goya re-created the uniform’s gold braid\r\n with \r\n scintillating flecks and daubs of \n This picture matches a companion portrait of the boy’s uncle,\r\n \n ' +p157314 +sa(dp157315 +g25273 +S'overall: 34.6 x 11.5 cm (13 5/8 x 4 1/2 in.)\r\nframed: 42.6 x 19.1 cm (16 3/4 x 7 1/2 in.)' +p157316 +sg25267 +g27 +sg25275 +S'\nencaustic on wood' +p157317 +sg25268 +S'Portrait of a Woman' +p157318 +sg25270 +S'Egyptian 2nd Century' +p157319 +sa(dp157320 +g25268 +S'Portrait of a Young Boy' +p157321 +sg25270 +S'Catherine Lusurier' +p157322 +sg25273 +S'red and black chalk on heavy brown laid paper' +p157323 +sg25275 +S'unknown date\n' +p157324 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006e19.jpg' +p157325 +sg25267 +g27 +sa(dp157326 +g25268 +S'A Young Man' +p157327 +sg25270 +S'Italian 17th Century' +p157328 +sg25273 +S'overall: 19.6 x 12 cm (7 11/16 x 4 3/4 in.)' +p157329 +sg25275 +S'\npen and brown ink with brown wash over red chalk on blue laid paper' +p157330 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00074/a000746a.jpg' +p157331 +sg25267 +g27 +sa(dp157332 +g25268 +S'Father and Son' +p157333 +sg25270 +S'Jonathan Budington' +p157334 +sg25273 +S'oil on canvas' +p157335 +sg25275 +S'1800' +p157336 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a000002f.jpg' +p157337 +sg25267 +g27 +sa(dp157338 +g25268 +S'The Holy Family Under a Tree' +p157339 +sg25270 +S'Sebald Beham' +p157340 +sg25273 +S'woodcut' +p157341 +sg25275 +S'1521' +p157342 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a8e6.jpg' +p157343 +sg25267 +g27 +sa(dp157344 +g25268 +S'The Connecticut Valley' +p157345 +sg25270 +S'Thomas Chambers' +p157346 +sg25273 +S'oil on canvas' +p157347 +sg25275 +S'mid 19th century' +p157348 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a0000368.jpg' +p157349 +sg25267 +g27 +sa(dp157350 +g25268 +S'Ark of the Covenant' +p157351 +sg25270 +S'Erastus Salisbury Field' +p157352 +sg25273 +S'oil on canvas' +p157353 +sg25275 +S'c. 1865/1880' +p157354 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a0000467.jpg' +p157355 +sg25267 +g27 +sa(dp157356 +g25268 +S'Ship "Arkansas" Leaving Havana' +p157357 +sg25270 +S'A. Hashagen' +p157358 +sg25273 +S'oil on canvas' +p157359 +sg25275 +S'1847' +p157360 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000e4.jpg' +p157361 +sg25267 +g27 +sa(dp157362 +g25268 +S'Catherine Brower' +p157363 +sg25270 +S'MacKay' +p157364 +sg25273 +S'oil on canvas' +p157365 +sg25275 +S'1791' +p157366 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a0000153.jpg' +p157367 +sg25267 +g27 +sa(dp157368 +g25268 +S'Mount Vernon' +p157369 +sg25270 +S'George Ropes' +p157370 +sg25273 +S'oil on canvas' +p157371 +sg25275 +S'1806' +p157372 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a00001f9.jpg' +p157373 +sg25267 +g27 +sa(dp157374 +g25273 +S'overall: 107 x 81.3 cm (42 1/8 x 32 in.)\r\nframed: 119.1 x 93.3 x 6.3 cm (46 7/8 x 36 3/4 x 2 1/2 in.)' +p157375 +sg25267 +g27 +sg25275 +S'\noil on canvas' +p157376 +sg25268 +S'Boy and Girl' +p157377 +sg25270 +S'American 19th Century' +p157378 +sa(dp157379 +g25268 +S'Brothers' +p157380 +sg25270 +S'Susan C. Waters' +p157381 +sg25273 +S'oil on canvas' +p157382 +sg25275 +S'c. 1845' +p157383 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a000028c.jpg' +p157384 +sg25267 +g27 +sa(dp157385 +g25268 +S'Miss Daggett of New Haven, Connecticut (possibly Amelia Martha)' +p157386 +sg25270 +S'American 18th Century' +p157387 +sg25273 +S'overall: 91.8 x 72.4 cm (36 1/8 x 28 1/2 in.)\r\nframed: 98.4 x 78.7 x 5 cm (38 3/4 x 31 x 1 15/16 in.)' +p157388 +sg25275 +S'\noil on canvas' +p157389 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a000040f.jpg' +p157390 +sg25267 +g27 +sa(dp157391 +g25268 +S'Landscape with Buildings' +p157392 +sg25270 +S'American 18th Century' +p157393 +sg25273 +S'overall: 68.9 x 116.2 cm (27 1/8 x 45 3/4 in.)\r\nframed: 82.8 x 131.1 x 4.4 cm (32 5/8 x 51 5/8 x 1 3/4 in.)' +p157394 +sg25275 +S'\noil on wood' +p157395 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a000045f.jpg' +p157396 +sg25267 +g27 +sa(dp157397 +g25268 +S'Lady Undressing for a Bath' +p157398 +sg25270 +S'Gerardus Duyckinck' +p157399 +sg25273 +S', c. 1730/1740' +p157400 +sg25275 +S'\n' +p157401 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a000008c.jpg' +p157402 +sg25267 +g27 +sa(dp157403 +g25268 +S'The Last Supper' +p157404 +sg25270 +S'Sebald Beham' +p157405 +sg25273 +S'woodcut' +p157406 +sg25275 +S'1522' +p157407 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a8c0.jpg' +p157408 +sg25267 +g27 +sa(dp157409 +g25268 +S'Washington, the Mason' +p157410 +sg25270 +S'American 19th Century' +p157411 +sg25273 +S'overall: 38.4 x 30.5 cm (15 1/8 x 12 in.)\r\nframed: 46.3 x 38.1 x 3.4 cm (18 1/4 x 15 x 1 5/16 in.)' +p157412 +sg25275 +S'\noil on canvas' +p157413 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a0000457.jpg' +p157414 +sg25267 +g27 +sa(dp157415 +g25268 +S'"We Go for the Union"' +p157416 +sg25270 +S'American 19th Century' +p157417 +sg25273 +S'overall: 46.2 x 61.5 cm (18 3/16 x 24 3/16 in.)\r\nframed: 57.1 x 72.4 x 5.3 cm (22 1/2 x 28 1/2 x 2 1/16 in.)' +p157418 +sg25275 +S'\noil on canvas' +p157419 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a0000458.jpg' +p157420 +sg25267 +g27 +sa(dp157421 +g25268 +S'Miss Van Alen' +p157422 +sg25270 +S'Artist Information (' +p157423 +sg25273 +S'(painter)' +p157424 +sg25275 +S'\n' +p157425 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000c8.jpg' +p157426 +sg25267 +g27 +sa(dp157427 +g25268 +S"Memory Copy of Holbein's Erasmus" +p157428 +sg25270 +S'Alphonse Legros' +p157429 +sg25273 +S'oil on wood' +p157430 +sg25275 +S'unknown date\n' +p157431 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6b2.jpg' +p157432 +sg25267 +g27 +sa(dp157433 +g25268 +S'Alphonse Legros' +p157434 +sg25270 +S'Aim\xc3\xa9-Jules Dalou' +p157435 +sg25273 +S'bronze' +p157436 +sg25275 +S'model c. 1876, cast possibly 1879/1920' +p157437 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00054/a000541d.jpg' +p157438 +sg25267 +g27 +sa(dp157439 +g25268 +S'Head of an Old Man' +p157440 +sg25270 +S'Alphonse Legros' +p157441 +sg25273 +S'metalpoint on pink bristol board' +p157442 +sg25275 +S'1897' +p157443 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a00073e7.jpg' +p157444 +sg25267 +g27 +sa(dp157445 +g25273 +S'pen and brown ink with brown wash' +p157446 +sg25267 +g27 +sg25275 +S'unknown date\n' +p157447 +sg25268 +S'The Big Trees' +p157448 +sg25270 +S'Alphonse Legros' +p157449 +sa(dp157450 +g25268 +S'Head of a Child' +p157451 +sg25270 +S'Alphonse Legros' +p157452 +sg25273 +S'metalpoint on gray bristol board' +p157453 +sg25275 +S'unknown date\n' +p157454 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a00073ee.jpg' +p157455 +sg25267 +g27 +sa(dp157456 +g25268 +S"Corner of a Wood (Coin d'un bois)" +p157457 +sg25270 +S'Alphonse Legros' +p157458 +sg25273 +S'etching' +p157459 +sg25275 +S'unknown date\n' +p157460 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b86.jpg' +p157461 +sg25267 +g27 +sa(dp157462 +g25268 +S'Bank of a River' +p157463 +sg25270 +S'Alphonse Legros' +p157464 +sg25273 +S'pen and brown ink with brown wash on cardboard' +p157465 +sg25275 +S'unknown date\n' +p157466 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a00073ec.jpg' +p157467 +sg25267 +g27 +sa(dp157468 +g25268 +S'Christ on the Mount of Olives' +p157469 +sg25270 +S'Sebald Beham' +p157470 +sg25273 +S'woodcut' +p157471 +sg25275 +S'unknown date\n' +p157472 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a8bf.jpg' +p157473 +sg25267 +g27 +sa(dp157474 +g25268 +S'English Beggars' +p157475 +sg25270 +S'Alphonse Legros' +p157476 +sg25273 +S'pen and brown ink with brown wash' +p157477 +sg25275 +S'unknown date\n' +p157478 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006d15.jpg' +p157479 +sg25267 +g27 +sa(dp157480 +g25268 +S"Birch Trees along the Water (Les bouleaux: Bord de l'eau)" +p157481 +sg25270 +S'Alphonse Legros' +p157482 +sg25273 +S'drypoint and (etching?)' +p157483 +sg25275 +S'unknown date\n' +p157484 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bea.jpg' +p157485 +sg25267 +g27 +sa(dp157486 +g25273 +S'pen and brown ink with brown wash' +p157487 +sg25267 +g27 +sg25275 +S'unknown date\n' +p157488 +sg25268 +S'Landscape' +p157489 +sg25270 +S'Alphonse Legros' +p157490 +sa(dp157491 +g25268 +S'Landscape - Four Trees beyond a River' +p157492 +sg25270 +S'Alphonse Legros' +p157493 +sg25273 +S'pen and brown ink with brown wash on wove paper' +p157494 +sg25275 +S'unknown date\n' +p157495 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a00073e5.jpg' +p157496 +sg25267 +g27 +sa(dp157497 +g25268 +S'Mountains Seen beyond a Lake' +p157498 +sg25270 +S'Alphonse Legros' +p157499 +sg25273 +S'gouache' +p157500 +sg25275 +S'unknown date\n' +p157501 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a0007302.jpg' +p157502 +sg25267 +g27 +sa(dp157503 +g25268 +S'Landscape: Sunrise (Paysage: Lever du soleil)' +p157504 +sg25270 +S'Alphonse Legros' +p157505 +sg25273 +S'etching and drypoint' +p157506 +sg25275 +S'unknown date\n' +p157507 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c5d.jpg' +p157508 +sg25267 +g27 +sa(dp157509 +g25268 +S'Traveler Reclining on the Grass (Le voyageur etendu sur le gazon)' +p157510 +sg25270 +S'Alphonse Legros' +p157511 +sg25273 +S'etching and drypoint in brown' +p157512 +sg25275 +S'unknown date\n' +p157513 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b8f.jpg' +p157514 +sg25267 +g27 +sa(dp157515 +g25268 +S'Landscape with Birch Trees (Le paysage aux bouleaux)' +p157516 +sg25270 +S'Alphonse Legros' +p157517 +sg25273 +S'lithograph' +p157518 +sg25275 +S'unknown date\n' +p157519 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009fa3.jpg' +p157520 +sg25267 +g27 +sa(dp157521 +g25268 +S'Large Trees Seen against the Sun (Les grandes arbres: Effet du soir)' +p157522 +sg25270 +S'Alphonse Legros' +p157523 +sg25273 +S'etching, aquatint, and drypoint' +p157524 +sg25275 +S'unknown date\n' +p157525 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009fac.jpg' +p157526 +sg25267 +g27 +sa(dp157527 +g25268 +S'In the Woods (Dans les bois)' +p157528 +sg25270 +S'Alphonse Legros' +p157529 +sg25273 +S'drypoint' +p157530 +sg25275 +S'unknown date\n' +p157531 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bdc.jpg' +p157532 +sg25267 +g27 +sa(dp157533 +g25268 +S'Christ Taken Captive' +p157534 +sg25270 +S'Sebald Beham' +p157535 +sg25273 +S'woodcut' +p157536 +sg25275 +S'1535' +p157537 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a8c3.jpg' +p157538 +sg25267 +g27 +sa(dp157539 +g25268 +S'Tornado (Le typhon)' +p157540 +sg25270 +S'Alphonse Legros' +p157541 +sg25273 +S'drypoint' +p157542 +sg25275 +S'unknown date\n' +p157543 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009fb3.jpg' +p157544 +sg25267 +g27 +sa(dp157545 +g25268 +S'My Farm (Ma ferme)' +p157546 +sg25270 +S'Alphonse Legros' +p157547 +sg25273 +S'etching' +p157548 +sg25275 +S'unknown date\n' +p157549 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bbf.jpg' +p157550 +sg25267 +g27 +sa(dp157551 +g25268 +S'Countryside of Burgundy [recto]' +p157552 +sg25270 +S'Alphonse Legros' +p157553 +sg25273 +S'pen and brown ink with brown wash over graphite on paperboard' +p157554 +sg25275 +S'unknown date\n' +p157555 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a00073ed.jpg' +p157556 +sg25267 +g27 +sa(dp157557 +g25273 +S'graphite on paperboard' +p157558 +sg25267 +g27 +sg25275 +S'unknown date\n' +p157559 +sg25268 +S'The Woodcutters [verso]' +p157560 +sg25270 +S'Alphonse Legros' +p157561 +sa(dp157562 +g25268 +S'Return of the Peasants' +p157563 +sg25270 +S'Alphonse Legros' +p157564 +sg25273 +S'graphite' +p157565 +sg25275 +S'unknown date\n' +p157566 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a00073e6.jpg' +p157567 +sg25267 +g27 +sa(dp157568 +g25268 +S'Thomas Carlyle' +p157569 +sg25270 +S'Alphonse Legros' +p157570 +sg25273 +S'etching and aquatint' +p157571 +sg25275 +S'unknown date\n' +p157572 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009f9f.jpg' +p157573 +sg25267 +g27 +sa(dp157574 +g25268 +S"Harvesters Surprised by the Storm (Moissoneuses surprises par l'orage)" +p157575 +sg25270 +S'Alphonse Legros' +p157576 +sg25273 +S'etching retouched with crayon' +p157577 +sg25275 +S'unknown date\n' +p157578 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009fa9.jpg' +p157579 +sg25267 +g27 +sa(dp157580 +g25268 +S'Head of a Child' +p157581 +sg25270 +S'Alphonse Legros' +p157582 +sg25273 +S'graphite on laid paper washed green' +p157583 +sg25275 +S'1893' +p157584 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006dfc.jpg' +p157585 +sg25267 +g27 +sa(dp157586 +g25268 +S'Portrait of an Old Man' +p157587 +sg25270 +S'Alphonse Legros' +p157588 +sg25273 +S'graphite' +p157589 +sg25275 +S'unknown date\n' +p157590 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006ce0.jpg' +p157591 +sg25267 +g27 +sa(dp157592 +g25273 +S'etched zinc plate [cancelled]' +p157593 +sg25267 +g27 +sg25275 +S'unknown date\n' +p157594 +sg25268 +S'A Fountain: Grotesque, Children and Basin [upper half]' +p157595 +sg25270 +S'Alphonse Legros' +p157596 +sa(dp157597 +g25268 +S'Christ before Caiaphas' +p157598 +sg25270 +S'Sebald Beham' +p157599 +sg25273 +S'woodcut' +p157600 +sg25275 +S'1535' +p157601 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a8c4.jpg' +p157602 +sg25267 +g27 +sa(dp157603 +g25273 +S'etched zinc plate [cancelled]' +p157604 +sg25267 +g27 +sg25275 +S'unknown date\n' +p157605 +sg25268 +S'A Fountain: Grotesque, Children and Basin [lower half]' +p157606 +sg25270 +S'Alphonse Legros' +p157607 +sa(dp157608 +g25268 +S'Charles Carroll of Carrollton' +p157609 +sg25270 +S'Chester Harding' +p157610 +sg25273 +S'oil on canvas' +p157611 +sg25275 +S'c. 1828' +p157612 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000dd.jpg' +p157613 +sg25267 +g27 +sa(dp157614 +g25273 +S'marble' +p157615 +sg25267 +g27 +sg25275 +S'1778' +p157616 +sg25268 +S'Diana' +p157617 +sg25270 +S'Jean-Antoine Houdon' +p157618 +sa(dp157619 +g25268 +S'Louis Husson' +p157620 +sg25270 +S'Thomas Eakins' +p157621 +sg25273 +S'oil on canvas' +p157622 +sg25275 +S'1899' +p157623 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a000008f.jpg' +p157624 +sg25267 +g27 +sa(dp157625 +g25268 +S'Annie C. Lochrey Husson (Mrs. Louis Husson)' +p157626 +sg25270 +S'Thomas Eakins' +p157627 +sg25273 +S'oil on canvas' +p157628 +sg25275 +S'c. 1905' +p157629 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a0000090.jpg' +p157630 +sg25267 +g27 +sa(dp157631 +g25268 +S'George Dodd' +p157632 +sg25270 +S'John Neagle' +p157633 +sg25273 +S'oil on canvas' +p157634 +sg25275 +S'1852' +p157635 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a0000173.jpg' +p157636 +sg25267 +g27 +sa(dp157637 +g25268 +S'Julia Dodd (Mrs. George Dodd)' +p157638 +sg25270 +S'John Neagle' +p157639 +sg25273 +S'oil on canvas' +p157640 +sg25275 +S'1852' +p157641 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a0000174.jpg' +p157642 +sg25267 +g27 +sa(dp157643 +g25273 +S'pastel on paper on cardboard' +p157644 +sg25267 +g27 +sg25275 +S'c. 1875' +p157645 +sg25268 +S'Nude' +p157646 +sg25270 +S'Albert Besnard' +p157647 +sa(dp157648 +g25268 +S'The Sisters' +p157649 +sg25270 +S'Gari Melchers' +p157650 +sg25273 +S'oil on canvas' +p157651 +sg25275 +S'c. 1895' +p157652 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a0000166.jpg' +p157653 +sg25267 +g27 +sa(dp157654 +g25268 +S'Hugo Reisinger' +p157655 +sg25270 +S'Anders Zorn' +p157656 +sg25273 +S'oil on canvas' +p157657 +sg25275 +S'1907' +p157658 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a000075b.jpg' +p157659 +sg25267 +g27 +sa(dp157660 +g25268 +S'Ecce Homo' +p157661 +sg25270 +S'Sebald Beham' +p157662 +sg25273 +S'woodcut' +p157663 +sg25275 +S'1522' +p157664 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a8c5.jpg' +p157665 +sg25267 +g27 +sa(dp157666 +g25268 +S'My Gems' +p157667 +sg25270 +S'William Michael Harnett' +p157668 +sg25273 +S'oil on wood' +p157669 +sg25275 +S'1888' +p157670 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000de.jpg' +p157671 +sg25267 +S"In this somber still life of a cluttered Victorian interior, well-worn yet once-precious\nobjects have been rendered so meticulously that the artist's brushstrokes are barely\ndiscernible. Harnett's exquisitely subtle tonal modulations and his ability to differentiate\ntextures make this painting a tour-de-force of artistic illusionism. Such \n Historically, such a \n " +p157672 +sa(dp157673 +g25268 +S'La Grotte de la Loue' +p157674 +sg25270 +S'Gustave Courbet' +p157675 +sg25273 +S'oil on canvas' +p157676 +sg25275 +S'1864' +p157677 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000db8.jpg' +p157678 +sg25267 +S'Courbet painted events and scenery primarily from his native Ornans, a village\nin the remote Franche-Comté region. A proponent of realism, he challenged traditional\nideas about art by depicting simple peasants and rustic scenery with dignity and\non the grandscale usually reserved for history paintings.\n La Grotte de la Loue\n ' +p157679 +sa(dp157680 +g25268 +S'Singerie: The Concert' +p157681 +sg25270 +S'Christophe Huet' +p157682 +sg25273 +S'oil on canvas' +p157683 +sg25275 +S'c. 1739' +p157684 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a000558d.jpg' +p157685 +sg25267 +g27 +sa(dp157686 +g25268 +S'Singerie: The Dance' +p157687 +sg25270 +S'Christophe Huet' +p157688 +sg25273 +S'oil on canvas' +p157689 +sg25275 +S'c. 1739' +p157690 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a0005588.jpg' +p157691 +sg25267 +g27 +sa(dp157692 +g25268 +S'Singerie: The Fishermen' +p157693 +sg25270 +S'Christophe Huet' +p157694 +sg25273 +S'oil on canvas' +p157695 +sg25275 +S'c. 1739' +p157696 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a0005587.jpg' +p157697 +sg25267 +g27 +sa(dp157698 +g25268 +S'Singerie: The Picnic' +p157699 +sg25270 +S'Christophe Huet' +p157700 +sg25273 +S'oil on canvas' +p157701 +sg25275 +S'c. 1739' +p157702 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a0005586.jpg' +p157703 +sg25267 +g27 +sa(dp157704 +g25268 +S'Singerie: The Painter' +p157705 +sg25270 +S'Christophe Huet' +p157706 +sg25273 +S'oil on canvas' +p157707 +sg25275 +S'c. 1739' +p157708 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a0005585.jpg' +p157709 +sg25267 +g27 +sa(dp157710 +g25268 +S'Singerie: The Sculptor' +p157711 +sg25270 +S'Christophe Huet' +p157712 +sg25273 +S'oil on canvas' +p157713 +sg25275 +S'c. 1739' +p157714 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a0005584.jpg' +p157715 +sg25267 +g27 +sa(dp157716 +g25273 +S'carved oak' +p157717 +sg25267 +g27 +sg25275 +S'c. 1739' +p157718 +sg25268 +S'Wall Panelling (boiseries)' +p157719 +sg25270 +S'Nicolas Pineau' +p157720 +sa(dp157721 +g25273 +S'oak' +p157722 +sg25267 +g27 +sg25275 +S'19th century' +p157723 +sg25268 +S'Floorboarding (parquet de Versailles)' +p157724 +sg25270 +S'Unknown 19th Century' +p157725 +sa(dp157726 +g25268 +S'Christ Bearing the Cross' +p157727 +sg25270 +S'Sebald Beham' +p157728 +sg25273 +S'woodcut' +p157729 +sg25275 +S'1521' +p157730 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a8c1.jpg' +p157731 +sg25267 +g27 +sa(dp157732 +g25273 +S'oak' +p157733 +sg25267 +g27 +sg25275 +S'19th century' +p157734 +sg25268 +S'Floorboarding (parquet de Versailles)' +p157735 +sg25270 +S'Unknown 19th Century' +p157736 +sa(dp157737 +g25273 +S'Gift of George D. Widener and Eleanor Widener Dixon' +p157738 +sg25267 +g27 +sg25275 +S'\ncarved rouge royal marble with interior fitments of cast iron' +p157739 +sg25268 +S'Mantelpiece (chemin\xc3\xa9e)' +p157740 +sg25270 +S'Unknown 18th Century' +p157741 +sa(dp157742 +g25268 +S'Andiron (feu or chenet)' +p157743 +sg25270 +S'Jacques Caffi\xc3\xa9ri' +p157744 +sg25273 +S', probably 1750/1755' +p157745 +sg25275 +S'\n' +p157746 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a00055b7.jpg' +p157747 +sg25267 +S'\n The subjects of these gilt-bronze andirons create visual puns on the English synonym firedogs and its French equivalent, chenets. Presumably made for a hunting lodge, these firedogs depict hounds fighting a boar and a wolf who both have already killed one dog. The lively sculpture groups appear to be the work of \n \n Fantasy marks the marble chimneypiece (cheminée), carved about 1750. Its motifs of seashells are so extravagantly scalloped that they dissolve into curves purely for the sake of curves.\n \n \n The relief sculpture of the cast-iron fireback is cleverly chosen from classical mythology. In the cavern of Hades, Pluto carries his two-pronged poker for brimstone. Entertaining him, the musician Orpheus plays bagpipes in an attempt to reclaim his wife Eurydice from the realm of the dead. Behind blazing logs, this scene would take place, appropriately, in hellfire.\n \n \n Atop the mantel is a charming marble statuette, The Punishment of Cupid, a highly popular design by \n ' +p157748 +sa(dp157749 +g25268 +S'Andiron (feu or chenet)' +p157750 +sg25270 +S'Jacques Caffi\xc3\xa9ri' +p157751 +sg25273 +S', probably 1750/1755' +p157752 +sg25275 +S'\n' +p157753 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a00055b8.jpg' +p157754 +sg25267 +g27 +sa(dp157755 +g25273 +S'height: 57.8 cm (22 3/4 in.)' +p157756 +sg25267 +g27 +sg25275 +S'\ngilded bronze' +p157757 +sg25268 +S'Wall-Light (bras de lumi\xc3\xa8re)' +p157758 +sg25270 +S'French 18th Century' +p157759 +sa(dp157760 +g25268 +S'Wall-Light (bras de lumi\xc3\xa8re)' +p157761 +sg25270 +S'French 18th Century' +p157762 +sg25273 +S'height: 57.5 cm (22 5/8 in.)' +p157763 +sg25275 +S'\ngilded bronze' +p157764 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a000558a.jpg' +p157765 +sg25267 +g27 +sa(dp157766 +g25273 +S'height: 65.1 cm (25 5/8 in.)' +p157767 +sg25267 +g27 +sg25275 +S'\ngilded bronze' +p157768 +sg25268 +S'Wall-Light (bras de lumi\xc3\xa8re)' +p157769 +sg25270 +S'French 19th Century' +p157770 +sa(dp157771 +g25273 +S'height: 65.1 cm (25 5/8 in.)' +p157772 +sg25267 +g27 +sg25275 +S'\ngilded bronze' +p157773 +sg25268 +S'Wall-Light (bras de lumi\xc3\xa8re)' +p157774 +sg25270 +S'French 19th Century' +p157775 +sa(dp157776 +g25268 +S'Wall-Light (bras de lumi\xc3\xa8re)' +p157777 +sg25270 +S'Artist Information (' +p157778 +sg25273 +g27 +sg25275 +S'(artist)' +p157779 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a0005589.jpg' +p157780 +sg25267 +g27 +sa(dp157781 +g25273 +g27 +sg25267 +g27 +sg25275 +S'(artist)' +p157782 +sg25268 +S'Wall-Light (bras de lumi\xc3\xa8re)' +p157783 +sg25270 +S'Artist Information (' +p157784 +sa(dp157785 +g25268 +S'Portrait of a Youth' +p157786 +sg25270 +S'Artist Information (' +p157787 +sg25273 +S'(painter)' +p157788 +sg25275 +S'\n' +p157789 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a000077a.jpg' +p157790 +sg25267 +S'The Mazziere brothers ran a significant workshop in Florence in the late fifteenth and early sixteenth centuries, but were known only through mentions in archives. It was not until 1988 that scholars were able to link them with actual paintings and drawings, which up to that time had been assigned to an unidentified artist called the "Master of Santo Spirito." The workshop seems to have eagerly adopted innovations—for example, this sitter, like \n The unidentified youth wears a tight-fitting red doublet of the type that came into fashion at the end of the fifteenth century. The slits in the arms of this doublet not only show off the fine quality of the young man\'s chemise, but they were also probably needed for full range of motion.\n Much of Florence\'s wealth was based on textiles, and an appreciation for fine silk and woolen cloth was regarded as something of a Florentine birthright. Seven guilds oversaw the production of everything from wool berets, like the one worn by the youth in the painting, to shoe soles. It has been estimated that a weaver of brocaded velvets, the most luxurious fabric available, earned more in a year than the architect Brunelleschi, who designed the dome for Florence\'s cathedral. The color red, used for some official garments in Florence, was produced by a range of dyes. The most expensive red cloth, \n ' +p157791 +sa(dp157792 +g25268 +S'Christ on the Cross' +p157793 +sg25270 +S'Sebald Beham' +p157794 +sg25273 +S'woodcut' +p157795 +sg25275 +S'1521' +p157796 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a8bd.jpg' +p157797 +sg25267 +g27 +sa(dp157798 +g25273 +g27 +sg25267 +g27 +sg25275 +S'(artist)' +p157799 +sg25268 +S'Wall-Light (bras de lumi\xc3\xa8re)' +p157800 +sg25270 +S'Artist Information (' +p157801 +sa(dp157802 +g25273 +g27 +sg25267 +g27 +sg25275 +S'(artist)' +p157803 +sg25268 +S'Wall-Light (bras de lumi\xc3\xa8re)' +p157804 +sg25270 +S'Artist Information (' +p157805 +sa(dp157806 +g25273 +S'Gift of George D. Widener and Eleanor Widener Dixon' +p157807 +sg25267 +g27 +sg25275 +S'\nsteel, rock crystal, cut and molded glass' +p157808 +sg25268 +S'Chandelier (lustre)' +p157809 +sg25270 +S'French 18th Century' +p157810 +sa(dp157811 +g25273 +S'overall (overall height x diameter): 149.8 x 88.9 cm (59 x 35 in.)\r\noverall (height of cage): 119.1 cm (46 7/8 in.)' +p157812 +sg25267 +g27 +sg25275 +S'\nsteel, rock crystal, cut and molded glass' +p157813 +sg25268 +S'Chandelier (lustre)' +p157814 +sg25270 +S'French 18th Century' +p157815 +sa(dp157816 +g25268 +S'Agostino Barbarigo' +p157817 +sg25270 +S'Artist Information (' +p157818 +sg25273 +S'Italian, 1528 - 1588' +p157819 +sg25275 +S'(related artist)' +p157820 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f8b.jpg' +p157821 +sg25267 +g27 +sa(dp157822 +g25268 +S'Colonel Augustus James Pleasonton' +p157823 +sg25270 +S'John Neagle' +p157824 +sg25273 +S'oil on canvas' +p157825 +sg25275 +S'1846' +p157826 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a0000175.jpg' +p157827 +sg25267 +g27 +sa(dp157828 +g25268 +S'Robert Liston' +p157829 +sg25270 +S'Gilbert Stuart' +p157830 +sg25273 +S'oil on canvas' +p157831 +sg25275 +S'1800' +p157832 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a000024f.jpg' +p157833 +sg25267 +g27 +sa(dp157834 +g25268 +S'Captain Isaac Foster' +p157835 +sg25270 +S'Joseph Badger' +p157836 +sg25273 +S'oil on bed ticking' +p157837 +sg25275 +S'1755' +p157838 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a000000a.jpg' +p157839 +sg25267 +g27 +sa(dp157840 +g25268 +S'Eleanor Wyer Foster (Mrs. Isaac Foster)' +p157841 +sg25270 +S'Joseph Badger' +p157842 +sg25273 +S'oil on bed ticking' +p157843 +sg25275 +S'1755' +p157844 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a000000b.jpg' +p157845 +sg25267 +g27 +sa(dp157846 +g25268 +S'Isaac Foster, Jr.' +p157847 +sg25270 +S'Joseph Badger' +p157848 +sg25273 +S'oil on canvas' +p157849 +sg25275 +S'1755' +p157850 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a000000c.jpg' +p157851 +sg25267 +g27 +sa(dp157852 +g25268 +S'The Entombment' +p157853 +sg25270 +S'Sebald Beham' +p157854 +sg25273 +S'woodcut' +p157855 +sg25275 +S'1521' +p157856 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a8be.jpg' +p157857 +sg25267 +g27 +sa(dp157858 +g25268 +S'Dr. William Foster' +p157859 +sg25270 +S'Joseph Badger' +p157860 +sg25273 +S'oil on canvas' +p157861 +sg25275 +S'1755' +p157862 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a000000d.jpg' +p157863 +sg25267 +g27 +sa(dp157864 +g25268 +S'Melons and Grapes' +p157865 +sg25270 +S'Chipman' +p157866 +sg25273 +S'oil on canvas' +p157867 +sg25275 +S'mid 19th century' +p157868 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a000004d.jpg' +p157869 +sg25267 +g27 +sa(dp157870 +g25268 +S'Henry W. Houston' +p157871 +sg25270 +S'Elias V. Coe' +p157872 +sg25273 +S'oil on canvas' +p157873 +sg25275 +S'1837' +p157874 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a0000051.jpg' +p157875 +sg25267 +g27 +sa(dp157876 +g25268 +S'Aurora' +p157877 +sg25270 +S'American 19th Century' +p157878 +sg25273 +S'overall: 61 x 81.9 cm (24 x 32 1/4 in.)\r\nframed: 69.5 x 89.8 x 3.1 cm (27 3/8 x 35 3/8 x 1 1/4 in.)' +p157879 +sg25275 +S'\noil on wood' +p157880 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a0000408.jpg' +p157881 +sg25267 +g27 +sa(dp157882 +g25268 +S'The Dog' +p157883 +sg25270 +S'American 20th Century' +p157884 +sg25273 +S'overall: 89.5 x 105 cm (35 1/4 x 41 5/16 in.)\r\nframed: 105.4 x 116.5 x 4.1 cm (41 1/2 x 45 7/8 x 1 5/8 in.)' +p157885 +sg25275 +S'\noil on canvas' +p157886 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a0000410.jpg' +p157887 +sg25267 +g27 +sa(dp157888 +g25268 +S'Mr. Willson' +p157889 +sg25270 +S'Artist Information (' +p157890 +sg25273 +S'(painter)' +p157891 +sg25275 +S'\n' +p157892 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a000020c.jpg' +p157893 +sg25267 +g27 +sa(dp157894 +g25268 +S'The Nymph of the Spring' +p157895 +sg25270 +S'Lucas Cranach the Elder' +p157896 +sg25273 +S'oil on panel' +p157897 +sg25275 +S'after 1537' +p157898 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005b1.jpg' +p157899 +sg25267 +S"A note of ambiguity or unease often gives a piquant quality to German adaptations\nof the Renaissance ideal. Cranach's painting of a classical nymph represents an\nItalian theme but gives it a moralizing twist common to late Gothic courtly and\namorous subjects.\n The nymph reclines beside a spring, perhaps a reference to a legendary ancient Roman\nfountain with which a Latin verse was associated. The text was translated by Alexander\nPope in 1725:\n\n The inscription on this painting -- \n " +p157900 +sa(dp157901 +g25268 +S'The Battle of Padua' +p157902 +sg25270 +S'Hans Burgkmair I' +p157903 +sg25273 +S'woodcut on vellum' +p157904 +sg25275 +S'unknown date\n' +p157905 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b031.jpg' +p157906 +sg25267 +g27 +sa(dp157907 +g25268 +S'Christ and the Woman of Samaria' +p157908 +sg25270 +S'German 15th Century' +p157909 +sg25273 +S'Schreiber, no. 2215' +p157910 +sg25275 +S'\nmetalcut, hand-colored in gray and rose' +p157911 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a477.jpg' +p157912 +sg25267 +g27 +sa(dp157913 +g25268 +S'The Crucifixion' +p157914 +sg25270 +S'Artist Information (' +p157915 +sg25273 +S'Netherlandish, active c. 1480' +p157916 +sg25275 +S'(related artist)' +p157917 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0001e/a0001e13.jpg' +p157918 +sg25267 +g27 +sa(dp157919 +g25268 +S'The Good Shepherd' +p157920 +sg25270 +S'Sebald Beham' +p157921 +sg25273 +S'woodcut' +p157922 +sg25275 +S'probably 1527' +p157923 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a8c7.jpg' +p157924 +sg25267 +g27 +sa(dp157925 +g25268 +S'Lady with a Fan' +p157926 +sg25270 +S'Sir Anthony van Dyck' +p157927 +sg25273 +S'oil on canvas' +p157928 +sg25275 +S'c. 1628' +p157929 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e41.jpg' +p157930 +sg25267 +S'Lady with a Fan\n ' +p157931 +sa(dp157932 +g25268 +S'Decius Mus Addressing the Legions' +p157933 +sg25270 +S'Sir Peter Paul Rubens' +p157934 +sg25273 +S'oil on hardboard, transferred from wood and canvas' +p157935 +sg25275 +S'probably 1616' +p157936 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e39.jpg' +p157937 +sg25267 +S"About 340 B.C., the cities of southern Italy revolted against the authority of Rome. At their camp near Naples, the Roman leaders were visited by a divine\r\napparition who declared that the army of one side and the commander of the other must be sacrificed to the Underworld. The prophecy meant that the side that lost its general would be victorious. Here Decius Mus, standing on a dais, tells his troops that, for the sake of Roman victory, he would allow himself to be killed.\n Symbolizing Jupiter, the Roman king of the gods, a mighty eagle clutches lightning bolts in its talons and hovers behind Decius Mus. Rubens derived the soldiers' armor, helmets, shields, and military standards from ancient Roman sculpture. The whole composition, in fact, with its large figures silhouetted in the foreground, recalls the appearance of bas-reliefs carved on Roman victory monuments.\n The subject is the first in a series of eight tapestry designs on the theme of Decius Mus, which Rubens completed for a Genoese patron. The panel is a small model, that was enlarged by workshop assistants into the full-size picture, called a cartoon, that was sent to weavers in Brussels.\n " +p157938 +sa(dp157939 +g25268 +S'Vincenzo Cappello' +p157940 +sg25270 +S'Titian' +p157941 +sg25273 +S'oil on canvas' +p157942 +sg25275 +S'probably c. 1540' +p157943 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005ef.jpg' +p157944 +sg25267 +g27 +sa(dp157945 +g25268 +S'Christ Cleansing the Temple' +p157946 +sg25270 +S'El Greco' +p157947 +sg25273 +S', probably before 1570' +p157948 +sg25275 +S'\n' +p157949 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a0000547.jpg' +p157950 +sg25267 +S"In this tempestuous scene, El Greco depicted an angry Christ driving the moneychangers\nfrom the Temple. An uncommon theme, it became increasingly popular in the latter\nhalf of the sixteenth century, promoted by the Council of Trent as a symbol of the\nCatholic church's attempt to purify itself after the Protestant Reformation. Here\nEl Greco portrayed partially draped women and bare-chested men writhing and twisting\nto escape the blows of Christ's scourge, emphasizing the agitation of the participants\nand exaggerating their irreverence. The setting is one of classical grandeur, more\nreminiscent of an Italian Renaissance palace than of the sacred precincts of the\nTemple in Jerusalem.\n This panel was painted in Venice before El Greco made his way to Spain. The illusionistic\nspace and voluptuous figures in this early work are vastly different from the flattened\nspace and stylized forms of Byzantine art, which continued to dominate painting\nin El Greco's native Crete. El Greco's arrival in Venice, in about 1567, coincided\nwith a high point in that city's artistic achievement. That the Cretan artist had\nabsorbed the influence of the Venetian masters and taught himself a new way of painting\nis evident in the movement and drama, solidly modeled figures, and boldly brushed\ncolors of this panel. The influence of the Venetians is equally evident in the elaborate\narchitectural setting with its complicated perspective.\n " +p157951 +sa(dp157952 +g25268 +S'Charity' +p157953 +sg25270 +S'Andrea del Sarto' +p157954 +sg25273 +S'oil on panel' +p157955 +sg25275 +S'before 1530' +p157956 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a0000820.jpg' +p157957 +sg25267 +S'The theological virtue of Charity is traditionally represented by a woman with\nseveral small children, one of whom she is shown nursing. Here, those figures appear\nhard and solid amidst a smoky, undefined setting. Sharp colors, like the pink and\nturquoise of the garments or the burnt orange and purple stripes of the tablecloth,\nheighten this contrast of tangible form and indeterminate space. It is, above all,\nin the ideal grace of slowly revolving poses that the real expressive force of the\npicture is conveyed.\n That the subject is subservient to the style in this painting is underlined by the\nfact that the panel was first planned as a \n Andrea d\'Agnolo was called "del Sarto" from his father\'s trade as a tailor. He had\na successful and productive career in Florence and was particularly celebrated for\nthe beauty and originality of his color. Sarto worked briefly at the court of Francis\nI at Fontainebleau in 1518. This \n ' +p157958 +sa(dp157959 +g25268 +S'Saint John the Evangelist on Patmos' +p157960 +sg25270 +S'Titian' +p157961 +sg25273 +S'oil on canvas' +p157962 +sg25275 +S'c. 1547' +p157963 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a000088b.jpg' +p157964 +sg25267 +S"In 1544, Titian was commissioned to paint \n Secluded on the Greek island of Patmos, Saint John the Evangelist experienced his apocalyptic vision of the second coming of Christ. This painting depicts the moment when he was inspired by God to write the Book of Revelation. Seen from a low vantage point and dramatically silhouetted against the sky, the heroic figure of John is radically foreshortened. With bent knees and upthrust arms, he looks up to witness God, accompanied by angels, bursting through the clouds above his head.\r\nThe brilliant hues of yellow, blue, and red draw the eye upward through the physical boundaries of the ceiling and into the heavenly realm. The emotional impact of the subject is further intensified by Titian's broad, expressive brushstrokes.\n " +p157965 +sa(dp157966 +g25273 +S'overall (height x length): 35.4 x 41.9 cm (13 15/16 x 16 1/2 in.)' +p157967 +sg25267 +g27 +sg25275 +S'\nbronze' +p157968 +sg25268 +S'Lion' +p157969 +sg25270 +S'Roman 18th/19th Century' +p157970 +sa(dp157971 +g25268 +S'The Capitoline Wolf Suckling Romulus and Remus' +p157972 +sg25270 +S'Artist Information (' +p157973 +sg25273 +g27 +sg25275 +S'(sculptor)' +p157974 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002da7.jpg' +p157975 +sg25267 +g27 +sa(dp157976 +g25273 +S'Italian, 15th century' +p157977 +sg25267 +g27 +sg25275 +S'(sculptor)' +p157978 +sg25268 +S'Fortuna' +p157979 +sg25270 +S'Artist Information (' +p157980 +sa(dp157981 +g25268 +S'Armand-Jean du Plessis, 1585-1642, Cardinal de Richelieu 1622' +p157982 +sg25270 +S'Jean Warin' +p157983 +sg25273 +S'bronze' +p157984 +sg25275 +S'1630' +p157985 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a000642a.jpg' +p157986 +sg25267 +g27 +sa(dp157987 +g25268 +S'The Market Woman' +p157988 +sg25270 +S'Sebald Beham' +p157989 +sg25273 +S'engraving' +p157990 +sg25275 +S'unknown date\n' +p157991 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a86b.jpg' +p157992 +sg25267 +g27 +sa(dp157993 +g25268 +S'Fortune Chained to a Chariot Carrying Fame and France [reverse]' +p157994 +sg25270 +S'Jean Warin' +p157995 +sg25273 +S'bronze' +p157996 +sg25275 +S'1630' +p157997 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006429.jpg' +p157998 +sg25267 +g27 +sa(dp157999 +g25268 +S'The Entombment' +p158000 +sg25270 +S'Andrea Briosco, called Riccio' +p158001 +sg25273 +S'bronze' +p158002 +sg25275 +S'unknown date\n' +p158003 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002d7c.jpg' +p158004 +sg25267 +S"In the north Italian city of Padua, a major center of Renaissance bronze production, Riccio\nstood out as the most brilliant master. The Entombment of Christ is a recurring subject in his\nreliefs. This is his largest single relief and his masterpiece on the theme.\n Riccio modeled his crowd of mourners in such high relief that many emerge almost as\nseparate statuettes. To an astonishing degree, space penetrates the crowd and the landscape,\nflowing behind the freestanding trees. People of all ages join in the funeral procession, their faces\nand costumes rendered with strength and precision. Their expressions range from stoic sorrow to\nwild outbursts, with streaming hair, gesticulating arms, and mouths open in howls. These frantic\nattitudes had precedents in the art of antiquity and in the works of Donatello and his pupil\nBellano that Riccio could see in Padua. The scene also recalls the funeral of the mythological\nhero Meleager, depicted on many Roman sarcophagi and recommended to artists by the theorist\nAlberti as a convincing portrayal of a dead man weighing down his bearers.\n The man just in front of Christ's feet carries an urn inscribed AERDNA,\n"Andrea" spelled backwards. The presence of this barely disguised signature has led\nto speculation that the artist intended this relief to mark his own tomb.\n " +p158005 +sa(dp158006 +g25268 +S'Saint Jerome' +p158007 +sg25270 +S'Francesco di Giorgio Martini' +p158008 +sg25273 +S'bronze' +p158009 +sg25275 +S'c. 1477' +p158010 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002d7a.jpg' +p158011 +sg25267 +g27 +sa(dp158012 +g25273 +S'Italian, c. 1429 - 1464' +p158013 +sg25267 +g27 +sg25275 +S'(related artist)' +p158014 +sg25268 +S'Saint John the Baptist' +p158015 +sg25270 +S'Artist Information (' +p158016 +sa(dp158017 +g25268 +S'The Spinario' +p158018 +sg25270 +S'Artist Information (' +p158019 +sg25273 +S'Italian, active 1496 - 1525/1538' +p158020 +sg25275 +S'(related artist)' +p158021 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002d87.jpg' +p158022 +sg25267 +g27 +sa(dp158023 +g25268 +S'A Dancing Faun' +p158024 +sg25270 +S'Giovanni Francesco Rustici' +p158025 +sg25273 +S'bronze' +p158026 +sg25275 +S'model c. 1515, cast possibly mid-16th century' +p158027 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005f/a0005faa.jpg' +p158028 +sg25267 +g27 +sa(dp158029 +g25273 +S'bronze' +p158030 +sg25267 +g27 +sg25275 +S'15th century' +p158031 +sg25268 +S'Saint George and the Dragon' +p158032 +sg25270 +S'North Italian 15th Century' +p158033 +sa(dp158034 +g25268 +S'Saint Sebastian' +p158035 +sg25270 +S'Severo da Ravenna' +p158036 +sg25273 +S'bronze' +p158037 +sg25275 +S'c. 1500/1509' +p158038 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002b/a0002b0b.jpg' +p158039 +sg25267 +g27 +sa(dp158040 +g25273 +S'Italian, 1470 - 1532' +p158041 +sg25267 +g27 +sg25275 +S'(related artist)' +p158042 +sg25268 +S'Judith with the Head of Holofernes' +p158043 +sg25270 +S'Artist Information (' +p158044 +sa(dp158045 +g25268 +S'Arion Seated on a Shell' +p158046 +sg25270 +S'Severo da Ravenna' +p158047 +sg25273 +S', first quarter 16th century' +p158048 +sg25275 +S'\n' +p158049 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00065/a0006513.jpg' +p158050 +sg25267 +g27 +sa(dp158051 +g25268 +S'Medal of King Ferdinand of Hungary and Bohemia' +p158052 +sg25270 +S'Sebald Beham' +p158053 +sg25273 +S'engraving' +p158054 +sg25275 +S'unknown date\n' +p158055 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a878.jpg' +p158056 +sg25267 +g27 +sa(dp158057 +g25273 +S'bronze' +p158058 +sg25267 +g27 +sg25275 +S'unknown date\n' +p158059 +sg25268 +S'Pomona' +p158060 +sg25270 +S'Andrea Briosco, called Riccio' +p158061 +sa(dp158062 +g25273 +S'overall: 21.6 x 13.1 x 12.6 cm (8 1/2 x 5 3/16 x 4 15/16 in.)' +p158063 +sg25267 +g27 +sg25275 +S'\nbronze' +p158064 +sg25268 +S'A Seated Nymph' +p158065 +sg25270 +S'North Italian 16th Century' +p158066 +sa(dp158067 +g25273 +S'height: 16 3/16 in. (41.15 cm)' +p158068 +sg25267 +g27 +sg25275 +S'\nbronze' +p158069 +sg25268 +S'Saint Sebastian' +p158070 +sg25270 +S'Paduan 16th Century' +p158071 +sa(dp158072 +g25273 +S'overall: 13.4 x 5.1 x 4.5 cm (5 1/4 x 2 x 1 3/4 in.)' +p158073 +sg25267 +g27 +sg25275 +S'\nbronze' +p158074 +sg25268 +S'Fortuna' +p158075 +sg25270 +S'Venetian 16th Century' +p158076 +sa(dp158077 +g25268 +S'Woman Cutting Her Nails' +p158078 +sg25270 +S'Artist Information (' +p158079 +sg25273 +S'French, 1540 - 1611' +p158080 +sg25275 +S'(related artist)' +p158081 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002da2.jpg' +p158082 +sg25267 +g27 +sa(dp158083 +g25273 +S', second quarter 16th century' +p158084 +sg25267 +g27 +sg25275 +S'\n' +p158085 +sg25268 +S'Male Nude with Raised Left Arm' +p158086 +sg25270 +S'Florentine 16th Century' +p158087 +sa(dp158088 +g25268 +S'Bacchus' +p158089 +sg25270 +S'Artist Information (' +p158090 +sg25273 +S'Italian, 1475 - 1564' +p158091 +sg25275 +S'(artist after)' +p158092 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002da8.jpg' +p158093 +sg25267 +g27 +sa(dp158094 +g25273 +S'overall: 10.3 x 3.2 x 6.1 cm (4 1/16 x 1 1/4 x 2 3/8 in.)' +p158095 +sg25267 +g27 +sg25275 +S'\ngilt bronze' +p158096 +sg25268 +S'Kneeling Supplicant' +p158097 +sg25270 +S'Spanish 16th Century' +p158098 +sa(dp158099 +g25273 +S'overall: 9.8 x 3.2 x 4 cm (3 7/8 x 1 1/4 x 1 9/16 in.)' +p158100 +sg25267 +g27 +sg25275 +S'\ngilt bronze' +p158101 +sg25268 +S'Kneeling Supplicant' +p158102 +sg25270 +S'Spanish 16th Century' +p158103 +sa(dp158104 +g25273 +S'overall: 20.8 x 10.5 x 7.2 cm (8 3/16 x 4 1/8 x 2 13/16 in.)' +p158105 +sg25267 +g27 +sg25275 +S'\nbronze' +p158106 +sg25268 +S'Charity' +p158107 +sg25270 +S'Venetian 16th Century' +p158108 +sa(dp158109 +g25268 +S'Adam Seated' +p158110 +sg25270 +S'Sebald Beham' +p158111 +sg25273 +S'engraving' +p158112 +sg25275 +S'1519' +p158113 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a812.jpg' +p158114 +sg25267 +g27 +sa(dp158115 +g25273 +S'bronze' +p158116 +sg25267 +g27 +sg25275 +S'19th century' +p158117 +sg25268 +S'The Virgin of the Annunciation' +p158118 +sg25270 +S'French 19th Century' +p158119 +sa(dp158120 +g25273 +S'overall: 230 x 113 x 102 cm (90 9/16 x 44 1/2 x 40 3/16 in.)' +p158121 +sg25267 +g27 +sg25275 +S'\nbronze//Black lacquer over red-brown bronze, parcel gilt' +p158122 +sg25268 +S'Venus' +p158123 +sg25270 +S'South German 16th Century' +p158124 +sa(dp158125 +g25273 +S'Italian, 1470 - 1532' +p158126 +sg25267 +g27 +sg25275 +S'(artist after)' +p158127 +sg25268 +S'Bound Satyr' +p158128 +sg25270 +S'Artist Information (' +p158129 +sa(dp158130 +g25273 +S'bronze' +p158131 +sg25267 +g27 +sg25275 +S'unknown date\n' +p158132 +sg25268 +S'Bound Satyr' +p158133 +sg25270 +S'Andrea Briosco, called Riccio' +p158134 +sa(dp158135 +g25273 +S'overall: 6.3 x 3.7 x 5.5 cm (2 1/2 x 1 7/16 x 2 3/16 in.)' +p158136 +sg25267 +g27 +sg25275 +S'\nbronze' +p158137 +sg25268 +S'Seated Boy Holding a Jar (an Inkwell ?)' +p158138 +sg25270 +S'North Italian 16th Century' +p158139 +sa(dp158140 +g25268 +S'Inkwell in the Form of a Child Carrying a Shell' +p158141 +sg25270 +S'Artist Information (' +p158142 +sg25273 +S'Italian, active 1496 - 1525/1538' +p158143 +sg25275 +S'(related artist)' +p158144 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00063/a00063d1.jpg' +p158145 +sg25267 +g27 +sa(dp158146 +g25273 +g27 +sg25267 +g27 +sg25275 +S'(artist)' +p158147 +sg25268 +S'Cupid with Raised Arms' +p158148 +sg25270 +S'Artist Information (' +p158149 +sa(dp158150 +g25273 +S'overall: 9.6 x 4.6 x 2.5 cm (3 3/4 x 1 13/16 x 1 in.)' +p158151 +sg25267 +g27 +sg25275 +S'\nbronze' +p158152 +sg25268 +S'Cupid' +p158153 +sg25270 +S'Italian 15th Century' +p158154 +sa(dp158155 +g25273 +S'bronze' +p158156 +sg25267 +g27 +sg25275 +S'mid 15th century' +p158157 +sg25268 +S'Winged Boy with Hands Raised' +p158158 +sg25270 +S'Florentine 15th Century' +p158159 +sa(dp158160 +g25273 +S'bronze' +p158161 +sg25267 +g27 +sg25275 +S'mid 15th century' +p158162 +sg25268 +S'Wreathed Boy with Hands Raised' +p158163 +sg25270 +S'Florentine 15th Century' +p158164 +sa(dp158165 +g25268 +S'Achilles and Hector' +p158166 +sg25270 +S'Sebald Beham' +p158167 +sg25273 +S'engraving' +p158168 +sg25275 +S'unknown date\n' +p158169 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a7f4.jpg' +p158170 +sg25267 +g27 +sa(dp158171 +g25273 +S'bronze' +p158172 +sg25267 +g27 +sg25275 +S'first half 16th century' +p158173 +sg25268 +S'A Child with a Crow' +p158174 +sg25270 +S'German 16th Century' +p158175 +sa(dp158176 +g25273 +S'overall: 6.4 x 4.1 x 4 cm (2 1/2 x 1 5/8 x 1 9/16 in.)' +p158177 +sg25267 +g27 +sg25275 +S'\nbronze' +p158178 +sg25268 +S'Three Cupids' +p158179 +sg25270 +S'Flemish 16th Century' +p158180 +sa(dp158181 +g25273 +S'German, c. 1485 - 1546' +p158182 +sg25267 +g27 +sg25275 +S'(related artist)' +p158183 +sg25268 +S'A Child on a Dolphin' +p158184 +sg25270 +S'Artist Information (' +p158185 +sa(dp158186 +g25273 +S'overall: 10.8 x 3.4 x 2.6 cm (4 1/4 x 1 5/16 x 1 in.)' +p158187 +sg25267 +g27 +sg25275 +S'\nbronze' +p158188 +sg25268 +S'A Child with a Puppy' +p158189 +sg25270 +S'Italian 16th Century' +p158190 +sa(dp158191 +g25273 +S'bronze//Medium brown patina' +p158192 +sg25267 +g27 +sg25275 +S'first quarter 16th century' +p158193 +sg25268 +S'A Child Standing' +p158194 +sg25270 +S'Severo da Ravenna' +p158195 +sa(dp158196 +g25273 +S', first quarter 16th century' +p158197 +sg25267 +g27 +sg25275 +S'\n' +p158198 +sg25268 +S'Standing Boy' +p158199 +sg25270 +S'Severo da Ravenna' +p158200 +sa(dp158201 +g25273 +S'bronze//Heavy black lacquer rubbed locally over medium brown bronze' +p158202 +sg25267 +g27 +sg25275 +S'first quarter 16th century' +p158203 +sg25268 +S'A Child Standing' +p158204 +sg25270 +S'Severo da Ravenna' +p158205 +sa(dp158206 +g25273 +S'overall: 4.5 x 3.2 x 3.4 cm (1 3/4 x 1 1/4 x 1 5/16 in.)' +p158207 +sg25267 +g27 +sg25275 +S'\nbronze//Medium brown bronze originally fully gilded (gilding much rubbed)' +p158208 +sg25268 +S'A Triton' +p158209 +sg25270 +S'Italian 16th Century' +p158210 +sa(dp158211 +g25273 +S'overall: 6.2 x 3.4 x 1.9 cm (2 7/16 x 1 5/16 x 3/4 in.)' +p158212 +sg25267 +g27 +sg25275 +S'\nbronze//Dark brown patina' +p158213 +sg25268 +S'Standing Child with Raised Left Arm' +p158214 +sg25270 +S'Italian 16th Century' +p158215 +sa(dp158216 +g25273 +g27 +sg25267 +g27 +sg25275 +S'(sculptor)' +p158217 +sg25268 +S'Child Clasping a Bird' +p158218 +sg25270 +S'Artist Information (' +p158219 +sa(dp158220 +g25268 +S'Adam Standing' +p158221 +sg25270 +S'Sebald Beham' +p158222 +sg25273 +S'engraving' +p158223 +sg25275 +S'1524' +p158224 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a813.jpg' +p158225 +sg25267 +g27 +sa(dp158226 +g25273 +S'Italian, active 1608/1665' +p158227 +sg25267 +g27 +sg25275 +S'(related artist)' +p158228 +sg25268 +S'Cupid on a Dolphin' +p158229 +sg25270 +S'Artist Information (' +p158230 +sa(dp158231 +g25268 +S'Winged Child Carrying a Torch' +p158232 +sg25270 +S'Roman 1st Century B.C./1st Century A.D.' +p158233 +sg25273 +S'overall: 10.6 x 3.4 x 3.5 cm (4 3/16 x 1 5/16 x 1 3/8 in.)\r\naccessory size (height): 2.4 cm (15/16 in.)' +p158234 +sg25275 +S'\nbronze//Black lacquer (rubbed on torso) over red-brown bronze, copper base filled with lead' +p158235 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a000559f.jpg' +p158236 +sg25267 +g27 +sa(dp158237 +g25268 +S'Striding Cupid' +p158238 +sg25270 +S'Artist Information (' +p158239 +sg25273 +g27 +sg25275 +S'(sculptor)' +p158240 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002d94.jpg' +p158241 +sg25267 +g27 +sa(dp158242 +g25273 +S'bronze//Medium brown patina' +p158243 +sg25267 +g27 +sg25275 +S'c. 1500/1509' +p158244 +sg25268 +S'The Christ Child' +p158245 +sg25270 +S'Severo da Ravenna' +p158246 +sa(dp158247 +g25268 +S'Head of a Moor' +p158248 +sg25270 +S'Venetian 16th Century' +p158249 +sg25273 +S'overall: 5.7 x 3.7 x 4.6 cm (2 1/4 x 1 7/16 x 1 13/16 in.)' +p158250 +sg25275 +S'\ncast iron' +p158251 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6c3.jpg' +p158252 +sg25267 +g27 +sa(dp158253 +g25273 +S'bronze' +p158254 +sg25267 +g27 +sg25275 +S'unknown date\n' +p158255 +sg25268 +S'Bust of a Youth (Saint John?)' +p158256 +sg25270 +S'Andrea Briosco, called Riccio' +p158257 +sa(dp158258 +g25273 +S'bronze' +p158259 +sg25267 +g27 +sg25275 +S'unknown date\n' +p158260 +sg25268 +S'The Bust of a Man (Vulcan?)' +p158261 +sg25270 +S'Andrea Briosco, called Riccio' +p158262 +sa(dp158263 +g25273 +S'bronze' +p158264 +sg25267 +g27 +sg25275 +S'unknown date\n' +p158265 +sg25268 +S'Head of a Faun' +p158266 +sg25270 +S'Andrea Briosco, called Riccio' +p158267 +sa(dp158268 +g25273 +S'overall: 7.8 x 5.9 x 10.2 cm (3 1/16 x 2 5/16 x 4 in.)' +p158269 +sg25267 +g27 +sg25275 +S'\nbronze' +p158270 +sg25268 +S"Lamp in the Form of a Satyr's Head" +p158271 +sg25270 +S'Paduan 16th Century' +p158272 +sa(dp158273 +g25273 +S'overall (diameter): 20.8 cm (8 3/16 in.)' +p158274 +sg25267 +g27 +sg25275 +S'\nrepouss? copper with extensive traces of gilding' +p158275 +sg25268 +S"A Child's Head" +p158276 +sg25270 +S'Italian 17th Century' +p158277 +sa(dp158278 +g25268 +S'Eve Standing' +p158279 +sg25270 +S'Sebald Beham' +p158280 +sg25273 +S'engraving' +p158281 +sg25275 +S'1523' +p158282 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a814.jpg' +p158283 +sg25267 +g27 +sa(dp158284 +g25268 +S'Saint Simeon of Polirone and the Miracle of the Stag' +p158285 +sg25270 +S'Bartolomeo Spani' +p158286 +sg25273 +S'bronze//Medium brown patina' +p158287 +sg25275 +S'probably c. 1516' +p158288 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00066/a0006625.jpg' +p158289 +sg25267 +g27 +sa(dp158290 +g25268 +S'Writing Casket' +p158291 +sg25270 +S'Paduan 16th Century' +p158292 +sg25273 +S'overall: 7.8 x 20.3 x 12 cm (3 1/16 x 8 x 4 3/4 in.)' +p158293 +sg25275 +S'\nbronze' +p158294 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d9/a000d934.jpg' +p158295 +sg25267 +g27 +sa(dp158296 +g25268 +S'A Sand-Box' +p158297 +sg25270 +S'Paduan 16th Century' +p158298 +sg25273 +S'overall: 8 x 10.6 x 9.4 cm (3 1/8 x 4 3/16 x 3 11/16 in.)' +p158299 +sg25275 +S'\nbronze//Black lacquer over medium brown bronze' +p158300 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6c8.jpg' +p158301 +sg25267 +g27 +sa(dp158302 +g25273 +S'Italian, 1470 - 1532' +p158303 +sg25267 +g27 +sg25275 +S'(related artist)' +p158304 +sg25268 +S'A Sand-Box (Triangular)' +p158305 +sg25270 +S'Artist Information (' +p158306 +sa(dp158307 +g25273 +S'overall: 4.7 x 17.2 x 7.5 cm (1 7/8 x 6 3/4 x 2 15/16 in.)' +p158308 +sg25267 +g27 +sg25275 +S'\nbronze//Black lacquer over medium brown bronze' +p158309 +sg25268 +S'A Box' +p158310 +sg25270 +S'Paduan 16th Century' +p158311 +sa(dp158312 +g25273 +S'overall: 12.45 x 21.5 x 2.56 cm (4 7/8 x 8 7/16 x 1 in.)\r\noverall (central panel, to inside edge of border filletq): 6.8 x 15.9 cm (2 11/16 x 6 1/4 in.)' +p158313 +sg25267 +g27 +sg25275 +S'\nbronze//Very dark brown lacquer over red-brown bronze' +p158314 +sg25268 +S'Lid of a Box' +p158315 +sg25270 +S'Paduan 16th Century' +p158316 +sa(dp158317 +g25273 +S'bronze' +p158318 +sg25267 +g27 +sg25275 +S'c. 1500' +p158319 +sg25268 +S'A Three Wick Lamp with Bacchic Scenes' +p158320 +sg25270 +S'Andrea Briosco, called Riccio' +p158321 +sa(dp158322 +g25273 +S'overall: 9.2 x 11.8 x 7.3 cm (3 5/8 x 4 5/8 x 2 7/8 in.)' +p158323 +sg25267 +g27 +sg25275 +S'\nbronze//Black lacquer over medium brown bronze' +p158324 +sg25268 +S'A Lamp' +p158325 +sg25270 +S'Paduan 16th Century' +p158326 +sa(dp158327 +g25273 +S'bronze' +p158328 +sg25267 +g27 +sg25275 +S'1525/1550' +p158329 +sg25268 +S"Lamp in the Form of an Ass' Head" +p158330 +sg25270 +S'Paduan 16th Century' +p158331 +sa(dp158332 +g25273 +S'overall: 3.3 x 14.9 x 5.5 cm (1 1/4 x 5 7/8 x 2 1/8 in.)' +p158333 +sg25267 +g27 +sg25275 +S'\nbronze//Medium brown bronze' +p158334 +sg25268 +S'A Lamp' +p158335 +sg25270 +S'Paduan 16th Century' +p158336 +sa(dp158337 +g25268 +S'Expulsion from Paradise' +p158338 +sg25270 +S'Sebald Beham' +p158339 +sg25273 +S'engraving' +p158340 +sg25275 +S'1543' +p158341 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a819.jpg' +p158342 +sg25267 +g27 +sa(dp158343 +g25268 +S'Altar-Candlestick with Shield of Arms of the Garzoni of Venice' +p158344 +sg25270 +S'Venetian 16th Century' +p158345 +sg25273 +S'overall: 57.2 x 24.1 x 20.5 cm (22 1/2 x 9 1/2 x 8 1/16 in.)' +p158346 +sg25275 +S'\nbronze//Dark brown bronze' +p158347 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0010d/a0010da8.jpg' +p158348 +sg25267 +g27 +sa(dp158349 +g25268 +S'Altar-Candlestick with Shield of Arms of the Garzoni of Venice' +p158350 +sg25270 +S'Venetian 16th Century' +p158351 +sg25273 +S'overall: 57.2 x 24.1 x 20.5 cm (22 1/2 x 9 1/2 x 8 1/16 in.)' +p158352 +sg25275 +S'\nbronze//Dark brown bronze' +p158353 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0010d/a0010da9.jpg' +p158354 +sg25267 +g27 +sa(dp158355 +g25268 +S'The Capitoline Wolf Suckling Romulus and Remus' +p158356 +sg25270 +S'Florentine 15th Century' +p158357 +sg25273 +S'bronze//Black lacquer over medium brown bronze' +p158358 +sg25275 +S'15th century' +p158359 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00063/a00063d2.jpg' +p158360 +sg25267 +g27 +sa(dp158361 +g25268 +S'Pacing Female Panther' +p158362 +sg25270 +S'Artist Information (' +p158363 +sg25273 +g27 +sg25275 +S'(sculptor)' +p158364 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00063/a00063d3.jpg' +p158365 +sg25267 +g27 +sa(dp158366 +g25268 +S'A Sea Monster' +p158367 +sg25270 +S'Artist Information (' +p158368 +sg25273 +S'Italian, active 1496 - 1525/1538' +p158369 +sg25275 +S'(related artist)' +p158370 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a00055a2.jpg' +p158371 +sg25267 +g27 +sa(dp158372 +g25268 +S'A Sea Monster' +p158373 +sg25270 +S'Artist Information (' +p158374 +sg25273 +S'Italian, active 1496 - 1525/1538' +p158375 +sg25275 +S'(related artist)' +p158376 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00066/a00066fd.jpg' +p158377 +sg25267 +g27 +sa(dp158378 +g25273 +S'bronze with copper inlay, lined in lead//Black lacquer (much rubbed) over yellowish bronze' +p158379 +sg25267 +g27 +sg25275 +S'16th/19th century' +p158380 +sg25268 +S'Object with Sphinx Head (Furniture Mount?)' +p158381 +sg25270 +S'Italian 16th/19th Century' +p158382 +sa(dp158383 +g25273 +S'bronze' +p158384 +sg25267 +g27 +sg25275 +S'unknown date\n' +p158385 +sg25268 +S'A Goat' +p158386 +sg25270 +S'Andrea Briosco, called Riccio' +p158387 +sa(dp158388 +g25268 +S'A Dog Scratching' +p158389 +sg25270 +S'Georg Schweigger' +p158390 +sg25273 +S', 1630s' +p158391 +sg25275 +S'\n' +p158392 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002da5.jpg' +p158393 +sg25267 +g27 +sa(dp158394 +g25273 +S'overall: 9.1 x 5.7 x 7.2 cm (3 9/16 x 2 1/4 x 2 13/16 in.)' +p158395 +sg25267 +g27 +sg25275 +S'\nbronze//Black lacquer over medium brown bronze' +p158396 +sg25268 +S'A Dog' +p158397 +sg25270 +S'Paduan 16th Century' +p158398 +sa(dp158399 +g25268 +S'Lot and His Daughters' +p158400 +sg25270 +S'Sebald Beham' +p158401 +sg25273 +S'engraving' +p158402 +sg25275 +S'unknown date\n' +p158403 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a81a.jpg' +p158404 +sg25267 +g27 +sa(dp158405 +g25273 +S'overall (height x length): 4.4 x 6 cm (1 3/4 x 2 3/8 in.)' +p158406 +sg25267 +g27 +sg25275 +S'\nbronze//Rich brown bronze' +p158407 +sg25268 +S"A Ram's Head" +p158408 +sg25270 +S'Paduan 16th Century' +p158409 +sa(dp158410 +g25273 +S'overall: 6.6 x 2.4 x 2.6 cm (2 5/8 x 15/16 x 1 in.)' +p158411 +sg25267 +g27 +sg25275 +S'\nbronze//Medium brown bronze' +p158412 +sg25268 +S'A Bear' +p158413 +sg25270 +S'German 16th Century' +p158414 +sa(dp158415 +g25273 +S'overall: 7.8 x 4.5 x 4.7 cm (3 1/16 x 1 3/4 x 1 7/8 in.)' +p158416 +sg25267 +g27 +sg25275 +S'\nbronze//Very dark patina' +p158417 +sg25268 +S'Small Vase in the Form of a Monkey' +p158418 +sg25270 +S'Paduan 16th Century' +p158419 +sa(dp158420 +g25273 +S'overall: 8.8 x 3.3 x 6.1 cm (3 7/16 x 1 5/16 x 2 3/8 in.)' +p158421 +sg25267 +g27 +sg25275 +S'\nbronze//Medium brown patina' +p158422 +sg25268 +S'A Cock' +p158423 +sg25270 +S'Italian 16th Century' +p158424 +sa(dp158425 +g25273 +S'overall: 7.3 x 6.3 x 9.5 cm (2 7/8 x 2 1/2 x 3 3/4 in.)' +p158426 +sg25267 +g27 +sg25275 +S'\nbronze with gilding//Dark patina, eyes gilded' +p158427 +sg25268 +S'A Crow' +p158428 +sg25270 +S'Italian 16th Century' +p158429 +sa(dp158430 +g25268 +S'A Bird' +p158431 +sg25270 +S'Florentine 16th Century' +p158432 +sg25273 +S', late 16th century' +p158433 +sg25275 +S'\n' +p158434 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002da6.jpg' +p158435 +sg25267 +g27 +sa(dp158436 +g25268 +S'Box in the Form of a Crab' +p158437 +sg25270 +S'Paduan 16th Century' +p158438 +sg25273 +S'overall: 4.8 x 17.1 x 9.3 cm (1 7/8 x 6 3/4 x 3 11/16 in.)' +p158439 +sg25275 +S'\nbronze' +p158440 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a00055a0.jpg' +p158441 +sg25267 +g27 +sa(dp158442 +g25268 +S'A Crab on a Toad' +p158443 +sg25270 +S'Paduan 16th Century' +p158444 +sg25273 +S'bronze' +p158445 +sg25275 +S'early 16th century' +p158446 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a0005591.jpg' +p158447 +sg25267 +g27 +sa(dp158448 +g25268 +S'A Toad with a Toad' +p158449 +sg25270 +S'Paduan 16th Century' +p158450 +sg25273 +S'overall: 6 x 13.1 x 8.6 cm (2 3/8 x 5 3/16 x 3 3/8 in.)' +p158451 +sg25275 +S'\nbronze//Medium brown patina' +p158452 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002d8c.jpg' +p158453 +sg25267 +g27 +sa(dp158454 +g25268 +S'Inkwell in the Form of a Frog beside a Tree Stump' +p158455 +sg25270 +S'Paduan 16th Century' +p158456 +sg25273 +S'bronze' +p158457 +sg25275 +S'16th century' +p158458 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00066/a00066fe.jpg' +p158459 +sg25267 +g27 +sa(dp158460 +g25268 +S'Judith and Her Servant Standing' +p158461 +sg25270 +S'Sebald Beham' +p158462 +sg25273 +S'engraving' +p158463 +sg25275 +S'unknown date\n' +p158464 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a81c.jpg' +p158465 +sg25267 +g27 +sa(dp158466 +g25273 +S'overall: 6.1 x 7.9 x 8 cm (2 3/8 x 3 1/8 x 3 1/8 in.)' +p158467 +sg25267 +g27 +sg25275 +S'\nbronze//Dark brown patina' +p158468 +sg25268 +S'A Toad' +p158469 +sg25270 +S'Paduan 16th Century' +p158470 +sa(dp158471 +g25273 +S'overall: 6.8 x 12.8 x 10.8 cm (2 11/16 x 5 1/16 x 4 1/4 in.)' +p158472 +sg25267 +g27 +sg25275 +S'\nbronze' +p158473 +sg25268 +S'A Large Toad' +p158474 +sg25270 +S'Paduan 16th Century' +p158475 +sa(dp158476 +g25268 +S'A Frog' +p158477 +sg25270 +S'Paduan 16th Century' +p158478 +sg25273 +S'overall: 7 x 14.6 x 7.7 cm (2 3/4 x 5 3/4 x 3 1/16 in.)' +p158479 +sg25275 +S'\nbronze//Medium brown patina' +p158480 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00043/a00043f5.jpg' +p158481 +sg25267 +g27 +sa(dp158482 +g25273 +S'overall: 2.3 x 6.5 x 5.9 cm (7/8 x 2 9/16 x 2 5/16 in.)' +p158483 +sg25267 +g27 +sg25275 +S'\nbronze' +p158484 +sg25268 +S'A Toad' +p158485 +sg25270 +S'Paduan 16th Century' +p158486 +sa(dp158487 +g25273 +S'overall: 4.5 x 10.5 x 9 cm (1 3/4 x 4 1/8 x 3 9/16 in.)' +p158488 +sg25267 +g27 +sg25275 +S'\nbronze//Dark brown patina' +p158489 +sg25268 +S'A Frog' +p158490 +sg25270 +S'Paduan 16th Century' +p158491 +sa(dp158492 +g25273 +g27 +sg25267 +g27 +sg25275 +S'(sculptor)' +p158493 +sg25268 +S'A Bowl' +p158494 +sg25270 +S'Artist Information (' +p158495 +sa(dp158496 +g25268 +S'A Bowl' +p158497 +sg25270 +S'Veneto-Islamic 16th Century' +p158498 +sg25273 +S'overall: 5.2 x 14.2 cm (2 1/16 x 5 9/16 in.)' +p158499 +sg25275 +S'\nbronze//Medium brown patina' +p158500 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a00055ea.jpg' +p158501 +sg25267 +g27 +sa(dp158502 +g25273 +S'bronze//Medium brown bronze' +p158503 +sg25267 +g27 +sg25275 +S'16th century' +p158504 +sg25268 +S'A Mortar' +p158505 +sg25270 +S'Venetian 16th Century' +p158506 +sa(dp158507 +g25273 +S'overall: 12.8 x 15.9 cm (5 1/16 x 6 1/4 in.)' +p158508 +sg25267 +g27 +sg25275 +S'\nbronze//Medium brown bronze' +p158509 +sg25268 +S'A Mortar' +p158510 +sg25270 +S'Italian 16th Century' +p158511 +sa(dp158512 +g25273 +S'overall: 13.3 x 17.7 cm (5 1/4 x 6 15/16 in.)' +p158513 +sg25267 +g27 +sg25275 +S'\nbronze//Dark brown bronze' +p158514 +sg25268 +S'A Mortar' +p158515 +sg25270 +S'Italian 16th Century' +p158516 +sa(dp158517 +g25268 +S'Judith Walking to the Left, and Her Servant' +p158518 +sg25270 +S'Sebald Beham' +p158519 +sg25273 +S'engraving' +p158520 +sg25275 +S'unknown date\n' +p158521 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a81e.jpg' +p158522 +sg25267 +g27 +sa(dp158523 +g25268 +S'Mortar with Rope-shaped Handle' +p158524 +sg25270 +S'Italian 16th Century' +p158525 +sg25273 +S'overall: 15.3 x 17 cm (6 x 6 11/16 in.)' +p158526 +sg25275 +S'\nbronze//Medium brown patina' +p158527 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d8/a000d8e5.jpg' +p158528 +sg25267 +g27 +sa(dp158529 +g25273 +S'overall: 10.2 x 13.2 cm (4 x 5 3/16 in.)' +p158530 +sg25267 +g27 +sg25275 +S'\nbronze//Dark brown bronze' +p158531 +sg25268 +S'A Mortar' +p158532 +sg25270 +S'Italian 16th Century' +p158533 +sa(dp158534 +g25273 +S'overall: 9.5 x 11.8 cm (3 3/4 x 4 5/8 in.)' +p158535 +sg25267 +g27 +sg25275 +S'\nbronze//Dark brown bronze' +p158536 +sg25268 +S'A Mortar' +p158537 +sg25270 +S'Italian 16th Century' +p158538 +sa(dp158539 +g25273 +S'bronze//Medium brown bronze' +p158540 +sg25267 +g27 +sg25275 +S'16th century' +p158541 +sg25268 +S'Mortar with Shields of Badoer Arms' +p158542 +sg25270 +S'Venetian 16th Century' +p158543 +sa(dp158544 +g25273 +S'overall: 8.7 x 10 cm (3 7/16 x 3 15/16 in.)' +p158545 +sg25267 +g27 +sg25275 +S'\nbronze//Dark brown bronze' +p158546 +sg25268 +S'A Mortar' +p158547 +sg25270 +S'Italian 16th Century' +p158548 +sa(dp158549 +g25273 +S'overall: 3.9 x 6.5 cm (1 9/16 x 2 9/16 in.)' +p158550 +sg25267 +g27 +sg25275 +S'\nbronze//Medium brown patina' +p158551 +sg25268 +S'A Mortar' +p158552 +sg25270 +S'Italian 16th Century' +p158553 +sa(dp158554 +g25273 +S'overall: 3.8 x 6.1 cm (1 1/2 x 2 3/8 in.)' +p158555 +sg25267 +g27 +sg25275 +S'\nbronze//Light bronze' +p158556 +sg25268 +S'A Mortar' +p158557 +sg25270 +S'Italian 16th Century' +p158558 +sa(dp158559 +g25273 +S'overall: 4.5 x 6.8 cm (1 3/4 x 2 11/16 in.)' +p158560 +sg25267 +g27 +sg25275 +S'\nbronze//Dark brown patina' +p158561 +sg25268 +S'A Mortar' +p158562 +sg25270 +S'Italian 16th Century' +p158563 +sa(dp158564 +g25273 +S'overall: 8.1 x 11.6 cm (3 3/16 x 4 9/16 in.)' +p158565 +sg25267 +g27 +sg25275 +S'\nbronze//Dark brown patina' +p158566 +sg25268 +S'A Mortar' +p158567 +sg25270 +S'Italian 16th Century' +p158568 +sa(dp158569 +g25273 +S'overall: 8.7 x 10.2 cm (3 7/16 x 4 in.) gross weight: 29 gr' +p158570 +sg25267 +g27 +sg25275 +S'\nbronze//Yellow-brown bronze with medium brown patina' +p158571 +sg25268 +S'A Mortar' +p158572 +sg25270 +S'Italian 16th Century' +p158573 +sa(dp158574 +g25268 +S'Judith Sitting in a Window' +p158575 +sg25270 +S'Sebald Beham' +p158576 +sg25273 +S'engraving' +p158577 +sg25275 +S'1547' +p158578 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a815.jpg' +p158579 +sg25267 +g27 +sa(dp158580 +g25268 +S'Table Bell with Portrait of Lodovico Maria Sforza, 1451-1508, called Il Moro, 7th Duke of Milan 1494-1508' +p158581 +sg25270 +S'Zuanne I (Zanin) Alberghetti' +p158582 +sg25273 +S'bronze//Medium brown patina' +p158583 +sg25275 +S'possibly c. 1494/1499' +p158584 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002d9b.jpg' +p158585 +sg25267 +g27 +sa(dp158586 +g25273 +S'overall: 14.9 x 10.5 cm (5 7/8 x 4 1/8 in.)' +p158587 +sg25267 +g27 +sg25275 +S'\nbronze//Medium brown patina' +p158588 +sg25268 +S'Table Bell' +p158589 +sg25270 +S'Italian 16th Century' +p158590 +sa(dp158591 +g25273 +S'bronze//Medium brown patina' +p158592 +sg25267 +g27 +sg25275 +S'16th century' +p158593 +sg25268 +S'Table Bell' +p158594 +sg25270 +S'Venetian 16th Century' +p158595 +sa(dp158596 +g25273 +S'overall: 12.8 x 10.5 cm (5 1/16 x 4 1/8 in.)' +p158597 +sg25267 +g27 +sg25275 +S'\nbronze//Dark brown patina' +p158598 +sg25268 +S'Table Bell' +p158599 +sg25270 +S'Italian 16th Century' +p158600 +sa(dp158601 +g25273 +S'overall: 14.2 x 9.6 cm (5 9/16 x 3 3/4 in.)' +p158602 +sg25267 +g27 +sg25275 +S'\nbronze//Dark brown patina' +p158603 +sg25268 +S'Table Bell' +p158604 +sg25270 +S'North Italian 16th Century' +p158605 +sa(dp158606 +g25273 +S'bronze//Medium brown patina' +p158607 +sg25267 +g27 +sg25275 +S'16th century' +p158608 +sg25268 +S'Table Bell' +p158609 +sg25270 +S'Venetian 16th Century' +p158610 +sa(dp158611 +g25273 +g27 +sg25267 +g27 +sg25275 +S'(sculptor)' +p158612 +sg25268 +S'Table Bell' +p158613 +sg25270 +S'Artist Information (' +p158614 +sa(dp158615 +g25273 +S'overall: 11.7 x 7.3 cm (4 5/8 x 2 7/8 in.)' +p158616 +sg25267 +g27 +sg25275 +S'\nbronze//Very dark brown patina' +p158617 +sg25268 +S'Table Bell (Orpheus)' +p158618 +sg25270 +S'North Italian 16th Century' +p158619 +sa(dp158620 +g25268 +S'Table Bell' +p158621 +sg25270 +S'Flemish 16th Century' +p158622 +sg25273 +S'overall: 15.9 x 10.3 cm (6 1/4 x 4 1/16 in.)' +p158623 +sg25275 +S'\nbronze//Medium brown patina' +p158624 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005e/a0005edf.jpg' +p158625 +sg25267 +g27 +sa(dp158626 +g25268 +S'Door Knocker' +p158627 +sg25270 +S'Artist Information (' +p158628 +sg25273 +g27 +sg25275 +S'(sculptor)' +p158629 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d8/a000d8e6.jpg' +p158630 +sg25267 +g27 +sa(dp158631 +g25268 +S"Joseph and Potiphar's Wife" +p158632 +sg25270 +S'Sebald Beham' +p158633 +sg25273 +S'engraving' +p158634 +sg25275 +S'1544' +p158635 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a816.jpg' +p158636 +sg25267 +g27 +sa(dp158637 +g25268 +S'Door Knocker' +p158638 +sg25270 +S'Italian 16th Century' +p158639 +sg25273 +S'overall: 15.9 x 11.2 x 3 cm (6 1/4 x 4 7/16 x 1 3/16 in.)' +p158640 +sg25275 +S'\nbronze//Medium brown patina' +p158641 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00063/a00063ca.jpg' +p158642 +sg25267 +g27 +sa(dp158643 +g25273 +S'overall: 18.5 x 12.4 x 2.7 cm (7 5/16 x 4 7/8 x 1 1/16 in.)' +p158644 +sg25267 +g27 +sg25275 +S'\nbronze//Medium brown patina' +p158645 +sg25268 +S'Door Knocker' +p158646 +sg25270 +S'Italian 16th Century' +p158647 +sa(dp158648 +g25273 +S'overall: 18.4 x 12.4 x 2.7 cm (7 1/4 x 4 7/8 x 1 1/16 in.)' +p158649 +sg25267 +g27 +sg25275 +S'\nbronze//Medium brown patina' +p158650 +sg25268 +S'Door Knocker' +p158651 +sg25270 +S'Italian 16th Century' +p158652 +sa(dp158653 +g25273 +S'overall: 13 x 27.3 cm (5 1/8 x 10 3/4 in.)' +p158654 +sg25267 +g27 +sg25275 +S'\ngilt bronze//gilding rubbed above eyes and on upper part of shell' +p158655 +sg25268 +S'Appliqu\xc3\xa9 in the Form of Paired Dolphins on a Scallop Shell' +p158656 +sg25270 +S'Italian 16th Century' +p158657 +sa(dp158658 +g25273 +S'overall: 13 x 27.3 cm (5 1/8 x 10 3/4 in.)' +p158659 +sg25267 +g27 +sg25275 +S'\ngilt bronze//gilding rubbed above eyes and on upper part of shell' +p158660 +sg25268 +S'Appliqu\xc3\xa9 in the Form of Paired Dolphins on a Scallop Shell' +p158661 +sg25270 +S'Italian 16th Century' +p158662 +sa(dp158663 +g25268 +S'Self-Portrait' +p158664 +sg25270 +S'Leone Battista Alberti' +p158665 +sg25273 +S'bronze' +p158666 +sg25275 +S'c. 1435' +p158667 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000da/a000dab5.jpg' +p158668 +sg25267 +S"Leone Battista Alberti, among the most broadly talented men of the Renaissance, is\ncelebrated for his treatises on painting, sculpture, and architecture. He was also accomplished in\nthe fields of law, philosophy, mathematics, and science. Besides experimenting with painting and\nsculpture, he designed great churches in the north Italian cities of Rimini and Mantua, whose\nrulers he advised on the arts. He also served as architectural advisor to Pope Nicholas V.\n This bronze is probably cast from a wax model, in a shape and design inspired by an ancient\nRoman carved gem. The folds around the neck suggest classical drapery. The closely cropped\ncap of hair can be associated both with Roman and mid-fifteenth-century styles. Its fluffy tufts\nrecall the mane of Alberti's namesake, the lion \n The clean, continuous lines, proudly lifted head, and distant gaze give Alberti's features a\nnoble, idealized character. Under his chin is his personal emblem, a winged eye. Alberti wrote of\nthe eye as the most powerful, swift, and worthy of human parts, reminding us to be ever vigilant\nin the pursuit of what is good. The image is also meant to represent the all-seeing eye of\nGod.\n " +p158669 +sa(dp158670 +g25273 +S'bronze//Dark brown laquer (abraded locally)' +p158671 +sg25267 +g27 +sg25275 +S'15th century' +p158672 +sg25268 +S'Bust of Aristotle' +p158673 +sg25270 +S'Florentine 15th Century' +p158674 +sa(dp158675 +g25273 +g27 +sg25267 +g27 +sg25275 +S'(artist after)' +p158676 +sg25268 +S'A Satyr and a Bacchante' +p158677 +sg25270 +S'Artist Information (' +p158678 +sa(dp158679 +g25273 +S'overall (oval): 10.7 x 8.1 cm (4 1/4 x 3 3/16 in.) gross weight: 135 gr' +p158680 +sg25267 +g27 +sg25275 +S'\nbronze//Dark brown patina over light bronze' +p158681 +sg25268 +S"A Satyr (Making the Cuckold's Sign)" +p158682 +sg25270 +S'Mantuan 15th Century' +p158683 +sa(dp158684 +g25273 +S'overall (oval): 11 x 8.5 cm (4 5/16 x 3 5/16 in.) gross weight: 232 gr' +p158685 +sg25267 +g27 +sg25275 +S'\nbronze//Dark brown patina over light bronze' +p158686 +sg25268 +S'A Bacchante' +p158687 +sg25270 +S'Mantuan 15th Century' +p158688 +sa(dp158689 +g25268 +S'Job Conversing with His Friends' +p158690 +sg25270 +S'Sebald Beham' +p158691 +sg25273 +S'engraving' +p158692 +sg25275 +S'1547' +p158693 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a81b.jpg' +p158694 +sg25267 +g27 +sa(dp158695 +g25273 +S'gilt bronze//Gilding much abraded' +p158696 +sg25267 +g27 +sg25275 +S'second quarter 15th century' +p158697 +sg25268 +S'The Virgin and Child with Two Angels' +p158698 +sg25270 +S'Florentine 15th Century' +p158699 +sa(dp158700 +g25268 +S'Madonna and Child within an Arch' +p158701 +sg25270 +S'Artist Information (' +p158702 +sg25273 +S'Italian, c. 1386 - 1466' +p158703 +sg25275 +S'(related artist)' +p158704 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002dac.jpg' +p158705 +sg25267 +S"This work reflects the relief style of the great Florentine sculptor Donatello, whose approach\nto statuary is glimpsed in the terra-cotta \n The figures appear in a close-up view on a balcony or parapet. The child stands on the ledge\nin a lively pose that combines a forward shift of his weight with a twist backward to cling to his\nmother. With delicate modulations of his wax model, the sculptor varied the textures of crumpled\ncloth, fine fringe, and feathery hair, set against powerful architecture. The gestures of the\nMadonna's and Child's hands, paralleling each other with choreographic grace, recall those of\nDonatello's statues at the Basilica of Saint Anthony in Padua. Here the figures seem to reach out\nin greeting toward acclaiming worshippers. One scholar has named the composition "The\nMadonna of Welcome."\n " +p158706 +sa(dp158707 +g25268 +S'Madonna and Child with Four Angels' +p158708 +sg25270 +S'Artist Information (' +p158709 +sg25273 +S'Italian, c. 1386 - 1466' +p158710 +sg25275 +S'(artist after)' +p158711 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00102/a001020d.jpg' +p158712 +sg25267 +g27 +sa(dp158713 +g25273 +S'bronze//Medium brown patina' +p158714 +sg25267 +g27 +sg25275 +S'c. 1500' +p158715 +sg25268 +S'Christ Attended in the Tomb by Four Angels' +p158716 +sg25270 +S'Veneto region 16th Century' +p158717 +sa(dp158718 +g25268 +S'Saint Jerome' +p158719 +sg25270 +S'Donatello' +p158720 +sg25273 +S'bronze//Dark brown patina' +p158721 +sg25275 +S'mid 15th century' +p158722 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00062/a00062fb.jpg' +p158723 +sg25267 +g27 +sa(dp158724 +g25273 +S'bronze//Dark brown patina' +p158725 +sg25267 +g27 +sg25275 +S'1472/1474' +p158726 +sg25268 +S'The Triumph of Cupid' +p158727 +sg25270 +S'Francesco di Giorgio Martini' +p158728 +sa(dp158729 +g25273 +S'overall: 4.5 x 8.1 cm (1 3/4 x 3 3/16 in.) gross weight: 46 gr' +p158730 +sg25267 +g27 +sg25275 +S'\nbronze//Dark brown patina' +p158731 +sg25268 +S'Five Cupids at Play' +p158732 +sg25270 +S'North Italian 16th Century' +p158733 +sa(dp158734 +g25268 +S'Ornamental Plaque' +p158735 +sg25270 +S'Donatello' +p158736 +sg25273 +S'gilt bronze' +p158737 +sg25275 +S'unknown date\n' +p158738 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00063/a00063cb.jpg' +p158739 +sg25267 +g27 +sa(dp158740 +g25273 +S'bronze//Black patina revealing light bronze surface in rubbed areas' +p158741 +sg25267 +g27 +sg25275 +S'unknown date\n' +p158742 +sg25268 +S'The Virgin and Child' +p158743 +sg25270 +S'Antonio Rossellino' +p158744 +sa(dp158745 +g25268 +S'The Dead Christ with Two Angels' +p158746 +sg25270 +S'Bartolomeo Bellano' +p158747 +sg25273 +S'gilt bronze' +p158748 +sg25275 +S'unknown date\n' +p158749 +sg25314 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+S'John' +p159879 +sg25270 +S'Sebald Beham' +p159880 +sg25273 +S'engraving' +p159881 +sg25275 +S'unknown date\n' +p159882 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a831.jpg' +p159883 +sg25267 +g27 +sa(dp159884 +g25273 +S'overall (diameter): 4.4 cm (1 3/4 in.) gross weight: 26 gr' +p159885 +sg25267 +g27 +sg25275 +S'\nbronze//Medium brown patina' +p159886 +sg25268 +S'The Head of Medusa' +p159887 +sg25270 +S'North Italian 16th Century' +p159888 +sa(dp159889 +g25273 +S'overall: 3 x 5.7 cm (1 3/16 x 2 1/4 in.) gross weight: 44 gr' +p159890 +sg25267 +g27 +sg25275 +S'\nsilvered bronze' +p159891 +sg25268 +S'The Head of Medusa' +p159892 +sg25270 +S'Paduan 16th Century' +p159893 +sa(dp159894 +g25273 +S', late 15th - early 16th century' +p159895 +sg25267 +g27 +sg25275 +S'\n' +p159896 +sg25268 +S'The Death of Lucretia' +p159897 +sg25270 +S'Moderno' +p159898 +sa(dp159899 +g25273 +S'bronze//Dark brown patina' +p159900 +sg25267 +g27 +sg25275 +S'late 15th - early 16th century' +p159901 +sg25268 +S'Lucretia Stabbing Herself' +p159902 +sg25270 +S'Moderno' +p159903 +sa(dp159904 +g25273 +S'Italian, 1467 - 1528' +p159905 +sg25267 +g27 +sg25275 +S'(related artist)' +p159906 +sg25268 +S'Battle Scene' +p159907 +sg25270 +S'Artist Information (' +p159908 +sa(dp159909 +g25273 +S'bronze//Light brown patina' +p159910 +sg25267 +g27 +sg25275 +S'late 15th - early 16th century' +p159911 +sg25268 +S'A Lion-Hunt' +p159912 +sg25270 +S'Moderno' +p159913 +sa(dp159914 +g25273 +S'bronze//Dark brown patina' +p159915 +sg25267 +g27 +sg25275 +S'unknown date\n' +p159916 +sg25268 +S'A Nude Man' +p159917 +sg25270 +S'Moderno' +p159918 +sa(dp159919 +g25273 +S'bronze//Dark brown patina' +p159920 +sg25267 +g27 +sg25275 +S'unknown date\n' +p159921 +sg25268 +S'Ornamental Frieze' +p159922 +sg25270 +S'Moderno' +p159923 +sa(dp159924 +g25273 +S'overall (oval): 6 x 5.2 cm (2 3/8 x 2 in.)' +p159925 +sg25267 +g27 +sg25275 +S'\nbronze//Dark brown patina' +p159926 +sg25268 +S'A Sacrifice to Cupid' +p159927 +sg25270 +S'Paduan 16th Century' +p159928 +sa(dp159929 +g25268 +S'An Allegorical Scene' +p159930 +sg25270 +S'Andrea Briosco, called Riccio' +p159931 +sg25273 +S'bronze' +p159932 +sg25275 +S'unknown date\n' +p159933 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00065/a00065e3.jpg' +p159934 +sg25267 +g27 +sa(dp159935 +g25268 +S'Philip' +p159936 +sg25270 +S'Sebald Beham' +p159937 +sg25273 +S'engraving' +p159938 +sg25275 +S'1545' +p159939 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a832.jpg' +p159940 +sg25267 +g27 +sa(dp159941 +g25273 +S'Italian, 1470 - 1532' +p159942 +sg25267 +g27 +sg25275 +S'(related artist)' +p159943 +sg25268 +S'An Allegorical Scene' +p159944 +sg25270 +S'Artist Information (' +p159945 +sa(dp159946 +g25273 +S'bronze' +p159947 +sg25267 +g27 +sg25275 +S'unknown date\n' +p159948 +sg25268 +S'An Allegorical Scene (Fame & Eros)' +p159949 +sg25270 +S'Andrea Briosco, called Riccio' +p159950 +sa(dp159951 +g25273 +S'bronze' +p159952 +sg25267 +g27 +sg25275 +S'unknown date\n' +p159953 +sg25268 +S'An Allegorical Scene' +p159954 +sg25270 +S'Andrea Briosco, called Riccio' +p159955 +sa(dp159956 +g25273 +S'bronze' +p159957 +sg25267 +g27 +sg25275 +S'unknown date\n' +p159958 +sg25268 +S'An Allegorical Scene (Fame Crowning Eros)' +p159959 +sg25270 +S'Andrea Briosco, called Riccio' +p159960 +sa(dp159961 +g25273 +S'bronze' +p159962 +sg25267 +g27 +sg25275 +S'unknown date\n' +p159963 +sg25268 +S'An Allegorical Scene' +p159964 +sg25270 +S'Andrea Briosco, called Riccio' +p159965 +sa(dp159966 +g25273 +S'bronze//Medium brown patina' +p159967 +sg25267 +g27 +sg25275 +S'unknown date\n' +p159968 +sg25268 +S'An Allegorical Scene' +p159969 +sg25270 +S'Master I.S.A.' +p159970 +sa(dp159971 +g25273 +S'bronze//Medium red-brown patina' +p159972 +sg25267 +g27 +sg25275 +S'unknown date\n' +p159973 +sg25268 +S'Allegorical Scene [obverse]' +p159974 +sg25270 +S'Master I.S.A.' +p159975 +sa(dp159976 +g25273 +S'bronze//Medium red-brown patina' +p159977 +sg25267 +g27 +sg25275 +S'unknown date\n' +p159978 +sg25268 +S'Allegorical Scene [reverse]' +p159979 +sg25270 +S'Master I.S.A.' +p159980 +sa(dp159981 +g25273 +S'silvered bronze' +p159982 +sg25267 +g27 +sg25275 +S'unknown date\n' +p159983 +sg25268 +S'Apollo and Vulcan' +p159984 +sg25270 +S'Master I.S.A.' +p159985 +sa(dp159986 +g25273 +S'bronze//Medium brown patina' +p159987 +sg25267 +g27 +sg25275 +S'c. 1500' +p159988 +sg25268 +S'The Resurrection' +p159989 +sg25270 +S'Master I.F.P.' +p159990 +sa(dp159991 +g25268 +S'Bartholomew' +p159992 +sg25270 +S'Sebald Beham' +p159993 +sg25273 +S'engraving' +p159994 +sg25275 +S'unknown date\n' +p159995 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a833.jpg' +p159996 +sg25267 +g27 +sa(dp159997 +g25273 +S'overall: 8.8 x 7.6 cm (3 1/2 x 3 in.) gross weight: 202 gr' +p159998 +sg25267 +g27 +sg25275 +S'\nbronze//Dark brown patina' +p159999 +sg25268 +S'The Holy Family' +p160000 +sg25270 +S'Paduan 15th Century' +p160001 +sa(dp160002 +g25273 +S'overall: 7.6 x 6.6 cm (3 x 2 5/8 in.) gross weight: 58 gr' +p160003 +sg25267 +g27 +sg25275 +S'\nlead' +p160004 +sg25268 +S'The Virgin and Child' +p160005 +sg25270 +S'Paduan 15th Century' +p160006 +sa(dp160007 +g25273 +S'overall (with finial): 12.2 x 8.6 cm (4 13/16 x 3 3/8 in.)\r\noverall (height without finial): 9.7 cm (3 13/16 in.)\r\ngross weight: 266 gr (0.586 lb.)' +p160008 +sg25267 +g27 +sg25275 +S'\nbronze//Medium brown patina' +p160009 +sg25268 +S'Madonna and Child between Two Candelabra' +p160010 +sg25270 +S'Paduan 15th Century' +p160011 +sa(dp160012 +g25268 +S'Madonna and Child before a Niche' +p160013 +sg25270 +S'Paduan 15th Century' +p160014 +sg25273 +S'overall (arched top): 9.6 x 7.6 cm (3 3/4 x 3 in.) gross weight: 217 gr' +p160015 +sg25275 +S'\nbronze//Medium brown patina' +p160016 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a000641e.jpg' +p160017 +sg25267 +g27 +sa(dp160018 +g25273 +S'overall (oval): 10.2 x 8.9 cm (4 x 3 1/2 in.)\r\noverall (approximate size of central insert): 6.6 x 5.1 cm (2 5/8 x 2 in.)' +p160019 +sg25267 +g27 +sg25275 +S'\nbronze//Yellow-brown patina' +p160020 +sg25268 +S'The Virgin and Child with Six Angels' +p160021 +sg25270 +S'Paduan 15th Century' +p160022 +sa(dp160023 +g25273 +S'overall (irregular oval): 8.7 x 4.9 cm (3 7/16 x 1 15/16 in.) gross weight: 114 gr' +p160024 +sg25267 +g27 +sg25275 +S'\nbronze//Dark brown patina' +p160025 +sg25268 +S'The Virgin and Child' +p160026 +sg25270 +S'Paduan 15th Century' +p160027 +sa(dp160028 +g25273 +S'overall: 5.2 x 3.8 cm (2 1/16 x 1 1/2 in.) gross weight: 36 gr' +p160029 +sg25267 +g27 +sg25275 +S'\nbronze//Dark brown patina' +p160030 +sg25268 +S'The Virgin and Child' +p160031 +sg25270 +S'Paduan 15th Century' +p160032 +sa(dp160033 +g25273 +S'overall: 8.3 x 5.7 cm (3 1/4 x 2 1/4 in.) gross weight: 84 gr' +p160034 +sg25267 +g27 +sg25275 +S'\nbronze//Light brown patina' +p160035 +sg25268 +S'The Virgin and Child' +p160036 +sg25270 +S'Paduan 15th Century' +p160037 +sa(dp160038 +g25273 +S'overall: 8 x 5.6 cm (3 1/8 x 2 3/16 in.) gross weight: 98 gr' +p160039 +sg25267 +g27 +sg25275 +S'\nbronze//Very dark patina' +p160040 +sg25268 +S'The Dead Christ between the Virgin and Saint John' +p160041 +sg25270 +S'Paduan 15th Century' +p160042 +sa(dp160043 +g25273 +S'bronze//Dark brown patina' +p160044 +sg25267 +g27 +sg25275 +S'c. 1475' +p160045 +sg25268 +S'The Virgin & Child with Angels' +p160046 +sg25270 +S'Ferrarese 15th Century' +p160047 +sa(dp160048 +g25268 +S'Thomas' +p160049 +sg25270 +S'Sebald Beham' +p160050 +sg25273 +S'engraving' +p160051 +sg25275 +S'unknown date\n' +p160052 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a834.jpg' +p160053 +sg25267 +g27 +sa(dp160054 +g25273 +S'bronze//Dark brown patina' +p160055 +sg25267 +g27 +sg25275 +S'late 15th - early 16th century' +p160056 +sg25268 +S'The Entombment' +p160057 +sg25270 +S'Moderno' +p160058 +sa(dp160059 +g25273 +S'overall: 4.3 x 3.9 cm (1 11/16 x 1 9/16 in.) gross weight: 22 gr' +p160060 +sg25267 +g27 +sg25275 +S'\nbronze//Medium brown patina' +p160061 +sg25268 +S'The Entombment' +p160062 +sg25270 +S'Lombard 16th Century' +p160063 +sa(dp160064 +g25273 +g27 +sg25267 +g27 +sg25275 +S'(sculptor)' +p160065 +sg25268 +S'The Flagellation' +p160066 +sg25270 +S'Artist Information (' +p160067 +sa(dp160068 +g25268 +S'Christ Taken Down from the Cross' +p160069 +sg25270 +S'Artist Information (' +p160070 +sg25273 +g27 +sg25275 +S'(sculptor)' +p160071 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000f5/a000f59d.jpg' +p160072 +sg25267 +g27 +sa(dp160073 +g25273 +S'Italian, 1467 - 1528' +p160074 +sg25267 +g27 +sg25275 +S'(related artist)' +p160075 +sg25268 +S'Dead Christ Supported by the Virgin and Saint John' +p160076 +sg25270 +S'Artist Information (' +p160077 +sa(dp160078 +g25273 +S'overall (trapezoidal): 7.9 x 11.2 cm (3 1/8 x 4 7/16 in.) gross weight: 134 gr' +p160079 +sg25267 +g27 +sg25275 +S'\nbronze//Dark brown patina' +p160080 +sg25268 +S'Lamentation Over the Dead Christ' +p160081 +sg25270 +S'Paduan 15th Century' +p160082 +sa(dp160083 +g25273 +S'overall: 8.8 x 6.8 cm (3 7/16 x 2 11/16 in.) gross weight: 87 gr' +p160084 +sg25267 +g27 +sg25275 +S'\nbronze//Medium brown patina' +p160085 +sg25268 +S'Saint Jerome' +p160086 +sg25270 +S'Paduan 15th Century' +p160087 +sa(dp160088 +g25273 +g27 +sg25267 +g27 +sg25275 +S'(sculptor)' +p160089 +sg25268 +S'Saint Jerome' +p160090 +sg25270 +S'Artist Information (' +p160091 +sa(dp160092 +g25273 +S'overall: 5.8 x 5.9 cm (2 1/4 x 2 5/16 in.) gross weight: 86 gr' +p160093 +sg25267 +g27 +sg25275 +S'\nbronze//Dark brown patina' +p160094 +sg25268 +S'Funeral of a Bishop' +p160095 +sg25270 +S'Paduan 15th Century' +p160096 +sa(dp160097 +g25273 +g27 +sg25267 +g27 +sg25275 +S'(sculptor)' +p160098 +sg25268 +S'An Assembly of Gods' +p160099 +sg25270 +S'Artist Information (' +p160100 +sa(dp160101 +g25268 +S'Matthew' +p160102 +sg25270 +S'Sebald Beham' +p160103 +sg25273 +S'engraving' +p160104 +sg25275 +S'1546' +p160105 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a835.jpg' +p160106 +sg25267 +g27 +sa(dp160107 +g25273 +S'overall (irregular oblong): 7 x 4.4 cm (2 3/4 x 1 3/4 in.) gross weight: 82 gr' +p160108 +sg25267 +g27 +sg25275 +S'\nbronze//Medium brown patina' +p160109 +sg25268 +S'Venus and Cupid [obverse]' +p160110 +sg25270 +S'Paduan 15th Century' +p160111 +sa(dp160112 +g25273 +S'overall (irregular oblong): 7 x 4.4 cm (2 3/4 x 1 3/4 in.) gross weight: 82 gr' +p160113 +sg25267 +g27 +sg25275 +S'\nbronze//Medium brown patina' +p160114 +sg25268 +S'Mercury and Minerva [reverse]' +p160115 +sg25270 +S'Paduan 15th Century' +p160116 +sa(dp160117 +g25273 +S'overall (irregular): 4.3 x 5 cm (1 11/16 x 1 15/16 in.) gross weight: 28 gr' +p160118 +sg25267 +g27 +sg25275 +S'\nbronze//Dark brown patina' +p160119 +sg25268 +S'A Horseman' +p160120 +sg25270 +S'Paduan 15th Century' +p160121 +sa(dp160122 +g25273 +S'overall: 4.3 x 3.1 cm (1 11/16 x 1 1/4 in.) gross weight: 35 gr' +p160123 +sg25267 +g27 +sg25275 +S'\nbronze//Dark brown patina' +p160124 +sg25268 +S'Cupid Playing on a Lyre' +p160125 +sg25270 +S'Paduan 16th Century' +p160126 +sa(dp160127 +g25273 +S'overall (circular w/ projection): 6.9 x 3.7 cm (2 3/4 x 1 7/16 in.) gross weight: 32 gr' +p160128 +sg25267 +g27 +sg25275 +S'\nbronze//Dark brown patina' +p160129 +sg25268 +S'Apollo' +p160130 +sg25270 +S'Paduan 16th Century' +p160131 +sa(dp160132 +g25273 +S'overall: 6.3 x 8.1 cm (2 1/2 x 3 3/16 in.) gross weight: 119 gr' +p160133 +sg25267 +g27 +sg25275 +S'\nbronze//Dark laquer (much rubbed) over light brown bronze' +p160134 +sg25268 +S'Cupid and Stags' +p160135 +sg25270 +S'Paduan 16th Century' +p160136 +sa(dp160137 +g25273 +S'overall: 10.2 x 6.4 cm (4 x 2 1/2 in.) gross weight: 193 gr' +p160138 +sg25267 +g27 +sg25275 +S'\nbronze//Medium brown patina' +p160139 +sg25268 +S'Decorative Plaquette' +p160140 +sg25270 +S'Paduan 16th Century' +p160141 +sa(dp160142 +g25273 +S'overall (oval): 4.6 x 3.3 cm (1 13/16 x 1 5/16 in.) gross weight: 28 gr' +p160143 +sg25267 +g27 +sg25275 +S'\nbronze//Very dark patina' +p160144 +sg25268 +S'Bust of a Girl' +p160145 +sg25270 +S'Paduan 16th Century' +p160146 +sa(dp160147 +g25273 +S'overall (trapezoidal): 4.1 x 10.1 cm (1 5/8 x 4 in.) gross weight: 94 gr' +p160148 +sg25267 +g27 +sg25275 +S'\nbronze//Dark red-brown patina' +p160149 +sg25268 +S'The Triumph of Silenus' +p160150 +sg25270 +S'Paduan 16th Century' +p160151 +sa(dp160152 +g25273 +S'overall (trapezoidal): 4.5 x 10.5 cm (1 3/4 x 4 1/8 in.) gross weight: 96 gr' +p160153 +sg25267 +g27 +sg25275 +S'\nbronze//Dark brown patina' +p160154 +sg25268 +S'An Allegorical Scene' +p160155 +sg25270 +S'Paduan 16th Century' +p160156 +sa(dp160157 +g25268 +S'Jacobus the Elder' +p160158 +sg25270 +S'Sebald Beham' +p160159 +sg25273 +S'engraving' +p160160 +sg25275 +S'unknown date\n' +p160161 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a836.jpg' +p160162 +sg25267 +g27 +sa(dp160163 +g25268 +S'Combat of Ichthyocentaurs' +p160164 +sg25270 +S'Artist Information (' +p160165 +sg25273 +S'Italian, active 1482 - 1522/1523' +p160166 +sg25275 +S'(related artist)' +p160167 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00063/a00063f9.jpg' +p160168 +sg25267 +g27 +sa(dp160169 +g25273 +S'bronze//Dark brown patina' +p160170 +sg25267 +g27 +sg25275 +S'early 16th century' +p160171 +sg25268 +S'Pomona' +p160172 +sg25270 +S'Master of the Roman Charity' +p160173 +sa(dp160174 +g25273 +S'bronze//Dark brown patina' +p160175 +sg25267 +g27 +sg25275 +S'early 16th century' +p160176 +sg25268 +S'Mercury' +p160177 +sg25270 +S'Master of the Roman Charity' +p160178 +sa(dp160179 +g25273 +S'overall (diameter): 8.1 cm (3 3/16 in.) gross weight: 138 gr' +p160180 +sg25267 +g27 +sg25275 +S'\nbronze//Dark brown patina' +p160181 +sg25268 +S'Cimon and Pero' +p160182 +sg25270 +S'Paduan 16th Century' +p160183 +sa(dp160184 +g25273 +S'overall (diameter): 6.8 cm (2 11/16 in.) gross weight: 62 gr' +p160185 +sg25267 +g27 +sg25275 +S'\nbronze//Very light brown patina' +p160186 +sg25268 +S'Vulcan Forging the Arms of Aeneas' +p160187 +sg25270 +S'Paduan 16th Century' +p160188 +sa(dp160189 +g25273 +S'overall (oval): 5.3 cm (2 1/16 in.) gross weight: 43 gr' +p160190 +sg25267 +g27 +sg25275 +S'\nbronze//Medium brown patina' +p160191 +sg25268 +S'The Birth of Venus' +p160192 +sg25270 +S'Paduan 16th Century' +p160193 +sa(dp160194 +g25268 +S'Venus and Cupid' +p160195 +sg25270 +S'Paduan 16th Century' +p160196 +sg25273 +S'overall (oval w/ silhouetted top): 4.2 x 3.3 cm (1 5/8 x 1 5/16 in.) gross weight: 22 gr' +p160197 +sg25275 +S'\ngilt bronze' +p160198 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006424.jpg' +p160199 +sg25267 +g27 +sa(dp160200 +g25273 +g27 +sg25267 +g27 +sg25275 +S'(sculptor)' +p160201 +sg25268 +S'The Virgin and Child' +p160202 +sg25270 +S'Artist Information (' +p160203 +sa(dp160204 +g25273 +S'gilt bronze//Excluding flesh areas of figures' +p160205 +sg25267 +g27 +sg25275 +S'second half 15th century' +p160206 +sg25268 +S'Madonna and Child with Two Angels' +p160207 +sg25270 +S'Florentine 15th Century' +p160208 +sa(dp160209 +g25273 +S'overall (silhouetted): 6 x 2.7 cm (2 3/8 x 1 1/16 in.) gross weight: 25 gr' +p160210 +sg25267 +g27 +sg25275 +S'\nbronze, some gilding//Medium brown patina; wings, hair and halo gilded' +p160211 +sg25268 +S'A Child Angel' +p160212 +sg25270 +S'Venetian 15th Century' +p160213 +sa(dp160214 +g25268 +S'Judas Thaddaeus' +p160215 +sg25270 +S'Sebald Beham' +p160216 +sg25273 +S'engraving' +p160217 +sg25275 +S'unknown date\n' +p160218 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a837.jpg' +p160219 +sg25267 +g27 +sa(dp160220 +g25273 +S'overall (silhouetted on three sides): 6.6 x 4.8 cm (2 9/16 x 1 7/8 in.) gross weight: 55 gr' +p160221 +sg25267 +g27 +sg25275 +S'\nbronze//Medium brown patina' +p160222 +sg25268 +S'Piet\xc3\xa0' +p160223 +sg25270 +S'Venetian 15th Century' +p160224 +sa(dp160225 +g25273 +S'overall (with upper element): 16.7 x 10.6 cm (6 9/16 x 4 3/16 in.) gross weight: 664 gr' +p160226 +sg25267 +g27 +sg25275 +S'\nbronze//Very dark patina' +p160227 +sg25268 +S'The Resurrection' +p160228 +sg25270 +S'Venetian 16th Century' +p160229 +sa(dp160230 +g25273 +S'overall: 9.5 x 6.4 cm (3 3/4 x 2 1/2 in.) gross weight: 126 gr' +p160231 +sg25267 +g27 +sg25275 +S'\ngilt bronze//Gilding extensively rubbed' +p160232 +sg25268 +S'Christ Appearing to the Apostles' +p160233 +sg25270 +S'Venetian 15th Century' +p160234 +sa(dp160235 +g25273 +S'overall: 12.9 x 8.1 cm (5 1/16 x 3 3/16 in.) gross weight: 211 gr' +p160236 +sg25267 +g27 +sg25275 +S'\nbronze//Medium brown patina' +p160237 +sg25268 +S'The Virgin and Child with Four Saints' +p160238 +sg25270 +S'Venetian 15th Century' +p160239 +sa(dp160240 +g25273 +S'overall: 12.2 x 7.8 cm (4 13/16 x 3 1/16 in.) gross weight: 127 gr' +p160241 +sg25267 +g27 +sg25275 +S'\nbronze//Dark brown patina' +p160242 +sg25268 +S'The Virgin and Child with Four Saints' +p160243 +sg25270 +S'Venetian 15th Century' +p160244 +sa(dp160245 +g25273 +S'overall: 12.8 x 6.1 cm (5 1/16 x 2 3/8 in.) gross weight: 132 gr' +p160246 +sg25267 +g27 +sg25275 +S'\nbronze//Medium brown patina' +p160247 +sg25268 +S'The Virgin and Child' +p160248 +sg25270 +S'North Italian 15th Century' +p160249 +sa(dp160250 +g25273 +S'overall (silhouetted contour, height): 12.5 cm (4 15/16 in.) gross weight: 105 gr' +p160251 +sg25267 +g27 +sg25275 +S'\nbronze//Light brown patina' +p160252 +sg25268 +S'Saint George and the Dragon' +p160253 +sg25270 +S'North Italian 15th Century' +p160254 +sa(dp160255 +g25273 +S'overall (greatest width): 9.2 cm (3 5/8 in.) gross weight: 168 gr' +p160256 +sg25267 +g27 +sg25275 +S'\nbronze//Dark brown patina' +p160257 +sg25268 +S'The Holy Family' +p160258 +sg25270 +S'Flemish 16th Century' +p160259 +sa(dp160260 +g25273 +g27 +sg25267 +g27 +sg25275 +S'(sculptor)' +p160261 +sg25268 +S'Saint Sebastian' +p160262 +sg25270 +S'Artist Information (' +p160263 +sa(dp160264 +g25273 +S'overall (without added ring, silhouetted contour): 7.4 x 3.4 cm (2 15/16 x 1 3/8 in.)\r\noverall (height with added ring): 8 cm (3 1/8 in.)\r\ngross weight: 55.000 gr' +p160265 +sg25267 +g27 +sg25275 +S'\ngilt bronze' +p160266 +sg25268 +S'Saint Sebastian' +p160267 +sg25270 +S'North Italian 15th Century' +p160268 +sa(dp160269 +g25268 +S'Simon' +p160270 +sg25270 +S'Sebald Beham' +p160271 +sg25273 +S'engraving' +p160272 +sg25275 +S'unknown date\n' +p160273 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a838.jpg' +p160274 +sg25267 +g27 +sa(dp160275 +g25273 +S'overall (silhouetted contour): 5 x 3.6 cm (1 15/16 x 1 7/16 in.) gross weight: 25 gr' +p160276 +sg25267 +g27 +sg25275 +S'\ngilt bronze' +p160277 +sg25268 +S'Judith' +p160278 +sg25270 +S'North Italian 15th Century' +p160279 +sa(dp160280 +g25273 +S'Overall (without suspension loop): 9.3 x 6.8 cm (3 11/16 x 2 11/16 in.)\r\noverall (height with suspension loop): 10 cm (3 15/16 in.) gross weight: 222 gr' +p160281 +sg25267 +g27 +sg25275 +S'\nbronze//Medium brown patina' +p160282 +sg25268 +S'Bust of Christ' +p160283 +sg25270 +S'North Italian 15th Century' +p160284 +sa(dp160285 +g25273 +S'overall (arched): 11.3 x 7.3 cm (4 7/16 x 2 7/8 in.) gross weight: 177 gr' +p160286 +sg25267 +g27 +sg25275 +S'\ngilt bronze//(much rubbed on exposed surfaces)' +p160287 +sg25268 +S'Dead Christ' +p160288 +sg25270 +S'North Italian 15th Century' +p160289 +sa(dp160290 +g25273 +S'overall (diameter): 5.9 cm (2 5/16 in.) gross weight: 49 gr' +p160291 +sg25267 +g27 +sg25275 +S'\nbronze//Medium brown patina' +p160292 +sg25268 +S'Saint John the Baptist' +p160293 +sg25270 +S'North Italian 16th Century' +p160294 +sa(dp160295 +g25273 +S'Overall: 6.5 x 5 cm (2 9/16 x 1 15/16 in.)\r\noverall (inner dimensions of oval field): 4.8 x 3.6 cm (1 7/8 x 1 7/16 in.) gross weight: 150 gr' +p160296 +sg25267 +g27 +sg25275 +S'\nbronze//Medium brown patina' +p160297 +sg25268 +S'Saint Jerome' +p160298 +sg25270 +S'North Italian 16th Century' +p160299 +sa(dp160300 +g25273 +S'gilt bronze' +p160301 +sg25267 +g27 +sg25275 +S'c. 1506' +p160302 +sg25268 +S'Saint Catherine' +p160303 +sg25270 +S'Francesco Marti' +p160304 +sa(dp160305 +g25273 +S'gilt bronze' +p160306 +sg25267 +g27 +sg25275 +S'c. 1506' +p160307 +sg25268 +S'Saint John the Evangelist' +p160308 +sg25270 +S'Francesco Marti' +p160309 +sa(dp160310 +g25268 +S'Male Saint' +p160311 +sg25270 +S'Francesco Marti' +p160312 +sg25273 +S'gilt bronze' +p160313 +sg25275 +S'c. 1500' +p160314 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00063/a00063d5.jpg' +p160315 +sg25267 +g27 +sa(dp160316 +g25273 +S'gilt bronze' +p160317 +sg25267 +g27 +sg25275 +S'c. 1506' +p160318 +sg25268 +S'Saint Mary Magdalene' +p160319 +sg25270 +S'Francesco Marti' +p160320 +sa(dp160321 +g25273 +g27 +sg25267 +g27 +sg25275 +S'(artist)' +p160322 +sg25268 +S"The Three Sons with their Father's Corpse" +p160323 +sg25270 +S'Artist Information (' +p160324 +sa(dp160325 +g25268 +S'Matthias' +p160326 +sg25270 +S'Sebald Beham' +p160327 +sg25273 +S'engraving' +p160328 +sg25275 +S'unknown date\n' +p160329 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a839.jpg' +p160330 +sg25267 +g27 +sa(dp160331 +g25273 +g27 +sg25267 +g27 +sg25275 +S'(artist)' +p160332 +sg25268 +S'A Triumph' +p160333 +sg25270 +S'Artist Information (' +p160334 +sa(dp160335 +g25273 +S'overall (diameter): 5.5 cm (2 3/16 in.) gross weight: 61 gr' +p160336 +sg25267 +g27 +sg25275 +S'\nbronze//Medium brown patina' +p160337 +sg25268 +S'Allegorical Figure' +p160338 +sg25270 +S'North Italian 16th Century' +p160339 +sa(dp160340 +g25273 +g27 +sg25267 +g27 +sg25275 +S'(sculptor)' +p160341 +sg25268 +S'Vulcan Forging the Arrows of Cupid' +p160342 +sg25270 +S'Artist Information (' +p160343 +sa(dp160344 +g25273 +S'overall (diameter with rim): 6.2 cm (2 7/16 in.) gross weight: 65 gr' +p160345 +sg25267 +g27 +sg25275 +S'\nbronze//Medium brown patina' +p160346 +sg25268 +S'Allegory of Fortune: Man Holding Fortune by her Forelock' +p160347 +sg25270 +S'North Italian 16th Century' +p160348 +sa(dp160349 +g25273 +S'overall (diameter): 5.6 cm (2 3/16 in.) gross weight: 36 gr' +p160350 +sg25267 +g27 +sg25275 +S'\nbronze//Light brown patina' +p160351 +sg25268 +S'Constantia' +p160352 +sg25270 +S'North Italian 16th Century' +p160353 +sa(dp160354 +g25273 +S'overall: 4.8 x 3.1 cm (1 7/8 x 1 1/4 in.) gross weight: 18 gr' +p160355 +sg25267 +g27 +sg25275 +S'\nbronze//Medium brown patina' +p160356 +sg25268 +S'Mercury and Judith' +p160357 +sg25270 +S'North Italian 16th Century' +p160358 +sa(dp160359 +g25273 +S'overall: 5.4 x 3.8 cm (2 1/8 x 1 1/2 in.) gross weight: 40 gr' +p160360 +sg25267 +g27 +sg25275 +S'\nbronze//Light brown patina' +p160361 +sg25268 +S'A Sacrifice' +p160362 +sg25270 +S'North Italian 16th Century' +p160363 +sa(dp160364 +g25273 +S'overall (oval): 6.7 x 4.2 cm (2 5/8 x 1 5/8 in.) gross weight: 61 gr' +p160365 +sg25267 +g27 +sg25275 +S'\nbronze//Greyish patina' +p160366 +sg25268 +S'An Amazon' +p160367 +sg25270 +S'North Italian 16th Century' +p160368 +sa(dp160369 +g25273 +S'overall: 4.9 x 7.4 cm (1 15/16 x 2 15/16 in.) gross weight: 73 gr' +p160370 +sg25267 +g27 +sg25275 +S'\nbronze//Light brown patina' +p160371 +sg25268 +S'A Triumph' +p160372 +sg25270 +S'Mantuan 16th Century' +p160373 +sa(dp160374 +g25273 +S'overall (slightly concave): 4.2 x 7.1 cm (1 5/8 x 2 13/16 in.) gross weight: 53 gr' +p160375 +sg25267 +g27 +sg25275 +S'\nbronze//Medium brown patina' +p160376 +sg25268 +S'A Family Scene (Adam & Eve)' +p160377 +sg25270 +S'North Italian 16th Century' +p160378 +sa(dp160379 +g25268 +S'Matthew' +p160380 +sg25270 +S'Sebald Beham' +p160381 +sg25273 +S'engraving' +p160382 +sg25275 +S'1541' +p160383 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a7f2.jpg' +p160384 +sg25267 +g27 +sa(dp160385 +g25273 +S'overall: 5.4 x 6.1 cm (2 1/8 x 2 3/8 in.) gross weight: 61 gr' +p160386 +sg25267 +g27 +sg25275 +S'\nbronze//Medium brown patina' +p160387 +sg25268 +S'A Combat of Horsemen' +p160388 +sg25270 +S'North Italian 16th Century' +p160389 +sa(dp160390 +g25273 +S'bronze//Dark laquer (much rubbed) over light brown bronze' +p160391 +sg25267 +g27 +sg25275 +S'late 15th - early 16th century' +p160392 +sg25268 +S'The Continence of Scipio' +p160393 +sg25270 +S'Moderno' +p160394 +sa(dp160395 +g25273 +S'overall (diameter): 4.7 cm (1 7/8 in.) gross weight: 88 gr' +p160396 +sg25267 +g27 +sg25275 +S'\nbronze//Dark brown patina' +p160397 +sg25268 +S'A Female Bust' +p160398 +sg25270 +S'North Italian 16th Century' +p160399 +sa(dp160400 +g25273 +S'overall (diameter): 4.6 cm (1 13/16 in.) gross weight: 28 gr' +p160401 +sg25267 +g27 +sg25275 +S'\nbronze//Medium brown patina' +p160402 +sg25268 +S'A Woman' +p160403 +sg25270 +S'Italian 16th Century' +p160404 +sa(dp160405 +g25273 +S'overall (from finial to base): 15.3 x 8.5 cm (6 x 3 3/8 in.) gross weight: 228 gr' +p160406 +sg25267 +g27 +sg25275 +S'\nbronze, partially gilded' +p160407 +sg25268 +S'The Flagellation' +p160408 +sg25270 +S'North Italian 16th Century' +p160409 +sa(dp160410 +g25273 +S'overall (diameter): 21.5 cm (8 7/16 in.) gross weight: 2865 gr' +p160411 +sg25267 +g27 +sg25275 +S'\nbronze//Dark red-brown patina (black lacquer somewhat rubbed)' +p160412 +sg25268 +S'The Triumph of Neptune' +p160413 +sg25270 +S'Venetian 16th Century' +p160414 +sa(dp160415 +g25273 +S'overall: 11.9 x 10.1 cm (4 11/16 x 4 in.) gross weight: 318 gr' +p160416 +sg25267 +g27 +sg25275 +S'\nbronze//Dark brown patina (rubbed on exposed surfaces; some lead stopping at back)' +p160417 +sg25268 +S'The Entombment' +p160418 +sg25270 +S'Emilian 16th Century' +p160419 +sa(dp160420 +g25273 +S'overall (diameter): 6.1 cm (2 3/8 in.) gross weight: 26 gr' +p160421 +sg25267 +g27 +sg25275 +S'\nbronze//Medium brown patina' +p160422 +sg25268 +S'Diana and Actaeon' +p160423 +sg25270 +S'North Italian 16th Century' +p160424 +sa(dp160425 +g25273 +S'overall (diameter): 4.8 cm (1 7/8 in.) gross weight: 66 gr' +p160426 +sg25267 +g27 +sg25275 +S'\nbronze//Very dark patina' +p160427 +sg25268 +S'Mucius Scaevola' +p160428 +sg25270 +S'North Italian 16th Century' +p160429 +sa(dp160430 +g25268 +S'Hagar(?) and the Angel' +p160431 +sg25270 +S'German 16th Century' +p160432 +sg25273 +S'overall (diameter): 5.1 cm (2 in.) gross weight: 18 gr' +p160433 +sg25275 +S'\nbronze//Medium brown patina' +p160434 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006423.jpg' +p160435 +sg25267 +g27 +sa(dp160436 +g25268 +S'Mark' +p160437 +sg25270 +S'Sebald Beham' +p160438 +sg25273 +S'engraving' +p160439 +sg25275 +S'unknown date\n' +p160440 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a7f1.jpg' +p160441 +sg25267 +g27 +sa(dp160442 +g25268 +S'The Rape of Lucretia (?)' +p160443 +sg25270 +S'Italian 16th Century' +p160444 +sg25273 +S'bronze//Yellow-brown patina' +p160445 +sg25275 +S'16th century' +p160446 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006422.jpg' +p160447 +sg25267 +g27 +sa(dp160448 +g25273 +S'overall: 3.2 x 6.2 cm (1 1/4 x 2 7/16 in.) gross weight: 36 gr' +p160449 +sg25267 +g27 +sg25275 +S'\nbronze//Medium brown patina' +p160450 +sg25268 +S'Cincinnatus at the Plough' +p160451 +sg25270 +S'Flemish 16th Century' +p160452 +sa(dp160453 +g25273 +S', unknown date' +p160454 +sg25267 +g27 +sg25275 +S'\n' +p160455 +sg25268 +S'An Allegory of Faith: Lions Devouring a Nude Youth [obverse]' +p160456 +sg25270 +S'Master IO.F.F.' +p160457 +sa(dp160458 +g25273 +S', unknown date' +p160459 +sg25267 +g27 +sg25275 +S'\n' +p160460 +sg25268 +S'Frieze of Tritons and Nereids [reverse]' +p160461 +sg25270 +S'Master IO.F.F.' +p160462 +sa(dp160463 +g25273 +S'overall (diameter): 6.4 cm (2 1/2 in.) gross weight: 57 gr' +p160464 +sg25267 +g27 +sg25275 +S'\ngilt bronze//(gilding slightly rubbed)' +p160465 +sg25268 +S'A Frieze of Tritons and Nereids' +p160466 +sg25270 +S'North Italian 16th Century' +p160467 +sa(dp160468 +g25273 +S', unknown date' +p160469 +sg25267 +g27 +sg25275 +S'\n' +p160470 +sg25268 +S'A Frieze of Centaurs and Tritons' +p160471 +sg25270 +S'Master IO.F.F.' +p160472 +sa(dp160473 +g25273 +S'bronze//Medium brown patina' +p160474 +sg25267 +g27 +sg25275 +S'c. 1500' +p160475 +sg25268 +S'Allegory of Music' +p160476 +sg25270 +S'Venetian 16th Century' +p160477 +sa(dp160478 +g25273 +S'overall (trapezoidal): 4.8 x 9.7 cm (1 7/8 x 3 13/16 in.) gross weight: 58 gr' +p160479 +sg25267 +g27 +sg25275 +S'\nbronze//Medium brown patina' +p160480 +sg25268 +S'Sea-Monsters Fighting' +p160481 +sg25270 +S'North Italian 16th Century' +p160482 +sa(dp160483 +g25273 +S'overall (trapezoidal): 3.8 x 9.5 cm (1 1/2 x 3 3/4 in.) gross weight: 67 gr' +p160484 +sg25267 +g27 +sg25275 +S'\nbronze//Medium brown patina' +p160485 +sg25268 +S'Sea-Monsters Fighting' +p160486 +sg25270 +S'North Italian 16th Century' +p160487 +sa(dp160488 +g25273 +S'overall (oval): 5.7 x 4.3 cm (2 1/4 x 1 11/16 in.) gross weight: 58 gr' +p160489 +sg25267 +g27 +sg25275 +S'\nbronze//Medium brown patina' +p160490 +sg25268 +S'The Toilette of Venus' +p160491 +sg25270 +S'North Italian 16th Century' +p160492 +sa(dp160493 +g25268 +S'Luke' +p160494 +sg25270 +S'Sebald Beham' +p160495 +sg25273 +S'engraving' +p160496 +sg25275 +S'unknown date\n' +p160497 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a7f0.jpg' +p160498 +sg25267 +g27 +sa(dp160499 +g25273 +S'overall (circular, cut below): 4.6 x 5.3 cm (1 13/16 x 2 1/16 in.) gross weight: 34 gr' +p160500 +sg25267 +g27 +sg25275 +S'\nbronze//Medium brown patina' +p160501 +sg25268 +S'Saint George and the Dragon' +p160502 +sg25270 +S'North Italian 16th Century' +p160503 +sa(dp160504 +g25268 +S'A Victorious Hero' +p160505 +sg25270 +S'North Italian 16th Century' +p160506 +sg25273 +S'overall (diameter): 5 cm (1 15/16 in.)\r\ndiameter (plaquette only): 3.3 cm (1 5/16 in.)\r\ngross weight: 89 gr (0.196 lb.)' +p160507 +sg25275 +S'\ngilt bronze' +p160508 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006421.jpg' +p160509 +sg25267 +g27 +sa(dp160510 +g25273 +S'overall (silhouetted contour): 10.5 x 6.3 cm (4 1/8 x 2 7/16 in.) gross weight: 115 gr' +p160511 +sg25267 +g27 +sg25275 +S'\ngilt bronze' +p160512 +sg25268 +S'The Virgin and Child' +p160513 +sg25270 +S'North Italian 15th Century' +p160514 +sa(dp160515 +g25273 +S'overall: 6.6 x 10.7 cm (2 5/8 x 4 3/16 in.) gross weight: 138 gr' +p160516 +sg25267 +g27 +sg25275 +S'\nbronze//Medium brown patina' +p160517 +sg25268 +S'The Last Supper' +p160518 +sg25270 +S'North Italian 16th Century' +p160519 +sa(dp160520 +g25273 +S'bronze//Dark brown patina' +p160521 +sg25267 +g27 +sg25275 +S'1507' +p160522 +sg25268 +S'A Dancing Faun' +p160523 +sg25270 +S'Master A.L.' +p160524 +sa(dp160525 +g25273 +S'overall: 7.4 x 5.3 cm (2 15/16 x 2 1/16 in.) gross weight: 107 gr' +p160526 +sg25267 +g27 +sg25275 +S'\ngilt bronze//(gilding rubbed)' +p160527 +sg25268 +S'The Baptism in the Jordan' +p160528 +sg25270 +S'Venetian 16th Century' +p160529 +sa(dp160530 +g25273 +S'overall (oval): 4.1 x 3.4 cm (1 5/8 x 1 5/16 in.) gross weight: 14 gr' +p160531 +sg25267 +g27 +sg25275 +S'\nbronze//Dark lacquer (much rubbed) over light brown bronze' +p160532 +sg25268 +S'Pan and Syrinx' +p160533 +sg25270 +S'Italian 16th Century' +p160534 +sa(dp160535 +g25273 +S'overall (diameter): 4.6 cm (1 13/16 in.) gross weight: 24 gr' +p160536 +sg25267 +g27 +sg25275 +S'\nbronze//Very dark patina' +p160537 +sg25268 +S'The Death of Laoco\xc3\xb6n' +p160538 +sg25270 +S'Italian 16th Century' +p160539 +sa(dp160540 +g25273 +S'overall (diameter): 5.2 cm (2 1/16 in.) gross weight: 39 gr' +p160541 +sg25267 +g27 +sg25275 +S'\nbronze//Very dark patina' +p160542 +sg25268 +S'The Rape of Proserpine' +p160543 +sg25270 +S'Italian 16th Century' +p160544 +sa(dp160545 +g25273 +S'overall: 4.3 x 9.9 cm (1 11/16 x 3 7/8 in.) gross weight: 78 gr' +p160546 +sg25267 +g27 +sg25275 +S'\nbronze//Medium brown patina' +p160547 +sg25268 +S'Five Putti Making Wine' +p160548 +sg25270 +S'Italian 16th Century' +p160549 +sa(dp160550 +g25268 +S'John' +p160551 +sg25270 +S'Sebald Beham' +p160552 +sg25273 +S'engraving' +p160553 +sg25275 +S'unknown date\n' +p160554 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a7ef.jpg' +p160555 +sg25267 +g27 +sa(dp160556 +g25273 +S'overall: 2.4 x 8.4 cm (15/16 x 3 5/16 in.) gross weight: 27 gr' +p160557 +sg25267 +g27 +sg25275 +S'\nbronze//Dark brown patina' +p160558 +sg25268 +S'Five Putti at Play' +p160559 +sg25270 +S'Italian 16th Century' +p160560 +sa(dp160561 +g25273 +S'overall (oval): 6 x 8 cm (2 3/8 x 3 1/8 in.) gross weight: 58 gr' +p160562 +sg25267 +g27 +sg25275 +S'\nbronze//Yellowish patina' +p160563 +sg25268 +S'The Triumph of Amphitrite' +p160564 +sg25270 +S'Italian 16th Century' +p160565 +sa(dp160566 +g25273 +S'overall (diameter): 6.3 cm (2 1/2 in.) gross weight: 21 gr' +p160567 +sg25267 +g27 +sg25275 +S'\nbronze//Dark brown patina' +p160568 +sg25268 +S'Minerva and Vulcan' +p160569 +sg25270 +S'Italian 16th Century' +p160570 +sa(dp160571 +g25273 +S'overall: 6.3 x 7.8 cm (2 1/2 x 3 1/16 in.) gross weight: 98 gr' +p160572 +sg25267 +g27 +sg25275 +S'\nbronze//Dark brown patina' +p160573 +sg25268 +S'Victory between Fame and Peace' +p160574 +sg25270 +S'Italian 16th Century' +p160575 +sa(dp160576 +g25273 +S'overall (diameter): 3.6 cm (1 7/16 in.) gross weight: 6 gr' +p160577 +sg25267 +g27 +sg25275 +S'\ncopper (?) repousse' +p160578 +sg25268 +S'Silenus' +p160579 +sg25270 +S'Italian 16th Century' +p160580 +sa(dp160581 +g25273 +g27 +sg25267 +g27 +sg25275 +S'(sculptor)' +p160582 +sg25268 +S'Beheading of Saint Paul' +p160583 +sg25270 +S'Artist Information (' +p160584 +sa(dp160585 +g25268 +S'Allegorical Plaquette [obverse]' +p160586 +sg25270 +S'Italian 16th Century' +p160587 +sg25273 +S'overall (irregular): 8.5 x 5.8 cm (3 3/8 x 2 5/16 in.)' +p160588 +sg25275 +S'\nbronze//Medium brown patina' +p160589 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006420.jpg' +p160590 +sg25267 +g27 +sa(dp160591 +g25268 +S'Allegorical Plaquette [reverse]' +p160592 +sg25270 +S'Italian 16th Century' +p160593 +sg25273 +S'overall (irregular): 8.5 x 5.8 cm (3 3/8 x 2 5/16 in.)' +p160594 +sg25275 +S'\nbronze//Medium brown patina' +p160595 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a000641f.jpg' +p160596 +sg25267 +g27 +sa(dp160597 +g25273 +S'bronze//Light brown patina' +p160598 +sg25267 +g27 +sg25275 +S'second half 15th century' +p160599 +sg25268 +S'Jupiter [obverse]' +p160600 +sg25270 +S'Master IO.F.F.' +p160601 +sa(dp160602 +g25273 +S'bronze//Light brown patina' +p160603 +sg25267 +g27 +sg25275 +S'second half 15th century' +p160604 +sg25268 +S'An Assembly of Gods [reverse]' +p160605 +sg25270 +S'Master IO.F.F.' +p160606 +sa(dp160607 +g25268 +S'Saint Jerome Standing' +p160608 +sg25270 +S'Sebald Beham' +p160609 +sg25273 +S'engraving' +p160610 +sg25275 +S'1520' +p160611 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a7f8.jpg' +p160612 +sg25267 +g27 +sa(dp160613 +g25273 +S'bronze//Medium brown patina' +p160614 +sg25267 +g27 +sg25275 +S'second half 15th century' +p160615 +sg25268 +S'Phaedra and Hippolytus' +p160616 +sg25270 +S'Master IO.F.F.' +p160617 +sa(dp160618 +g25273 +S'bronze//Medium brown patina (slightly rubbed)' +p160619 +sg25267 +g27 +sg25275 +S'second half 15th century' +p160620 +sg25268 +S'Ariadne at Naxos' +p160621 +sg25270 +S'Master IO.F.F.' +p160622 +sa(dp160623 +g25273 +S'bronze//Medium brown patina' +p160624 +sg25267 +g27 +sg25275 +S'second half 15th century' +p160625 +sg25268 +S'Two Hunters' +p160626 +sg25270 +S'Master IO.F.F.' +p160627 +sa(dp160628 +g25273 +S'bronze//Light brown patina' +p160629 +sg25267 +g27 +sg25275 +S'second half 15th century' +p160630 +sg25268 +S'Hercules (?) with Bacchic Figures' +p160631 +sg25270 +S'Master IO.F.F.' +p160632 +sa(dp160633 +g25273 +S'bronze//Medium brown patina' +p160634 +sg25267 +g27 +sg25275 +S'second half 15th century' +p160635 +sg25268 +S'The Judgment of Paris' +p160636 +sg25270 +S'Master IO.F.F.' +p160637 +sa(dp160638 +g25268 +S'Judgment of Paris' +p160639 +sg25270 +S'Master IO.F.F.' +p160640 +sg25273 +S'gilt bronze' +p160641 +sg25275 +S'second half 15th century' +p160642 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005e/a0005ec7.jpg' +p160643 +sg25267 +g27 +sa(dp160644 +g25273 +S'bronze//Dark brown patina (rubbed on exposed surfaces)' +p160645 +sg25267 +g27 +sg25275 +S'second half 15th century' +p160646 +sg25268 +S'The Sacrifice of Iphigenia' +p160647 +sg25270 +S'Master IO.F.F.' +p160648 +sa(dp160649 +g25273 +S'bronze//Light brown patina' +p160650 +sg25267 +g27 +sg25275 +S'second half 15th century' +p160651 +sg25268 +S'Allegorical Scene-Sacrifice to Diana' +p160652 +sg25270 +S'Master IO.F.F.' +p160653 +sa(dp160654 +g25273 +S'bronze//Light brown patina' +p160655 +sg25267 +g27 +sg25275 +S'second half 15th century' +p160656 +sg25268 +S'Horatius Cocles Defending the Bridge' +p160657 +sg25270 +S'Master IO.F.F.' +p160658 +sa(dp160659 +g25273 +S'bronze//Medium brown patina' +p160660 +sg25267 +g27 +sg25275 +S'second half 15th century' +p160661 +sg25268 +S'Mucius Scaevola' +p160662 +sg25270 +S'Master IO.F.F.' +p160663 +sa(dp160664 +g25268 +S'Saint Jerome in a Landscape' +p160665 +sg25270 +S'Sebald Beham' +p160666 +sg25273 +S'etching' +p160667 +sg25275 +S'1520' +p160668 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a7fe.jpg' +p160669 +sg25267 +g27 +sa(dp160670 +g25268 +S'The Death of Marcus Curtius' +p160671 +sg25270 +S'Master IO.F.F.' +p160672 +sg25273 +S'bronze//Dark brown patina (rubbed locally)' +p160673 +sg25275 +S'second half 15th century' +p160674 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005d/a0005d6a.jpg' +p160675 +sg25267 +g27 +sa(dp160676 +g25273 +S'bronze//Medium brown patina' +p160677 +sg25267 +g27 +sg25275 +S'second half 15th century' +p160678 +sg25268 +S'Allegory of Union (?)' +p160679 +sg25270 +S'Master IO.F.F.' +p160680 +sa(dp160681 +g25273 +S'bronze//Medium brown patina' +p160682 +sg25267 +g27 +sg25275 +S'unknown date\n' +p160683 +sg25268 +S'The Adoration of the Shepherds' +p160684 +sg25270 +S'Valerio Belli' +p160685 +sa(dp160686 +g25273 +S'bronze//Dark brown patina' +p160687 +sg25267 +g27 +sg25275 +S'1537 or after' +p160688 +sg25268 +S'The Adoration of the Magi' +p160689 +sg25270 +S'Valerio Belli' +p160690 +sa(dp160691 +g25273 +S'bronze//Very dark patina' +p160692 +sg25267 +g27 +sg25275 +S'1537 or after' +p160693 +sg25268 +S'The Baptism in the Jordan' +p160694 +sg25270 +S'Valerio Belli' +p160695 +sa(dp160696 +g25273 +S', unknown date' +p160697 +sg25267 +g27 +sg25275 +S'\n' +p160698 +sg25268 +S'The Adoration of the Magi' +p160699 +sg25270 +S'Valerio Belli' +p160700 +sa(dp160701 +g25273 +S'bronze//Dark brown patina (slightly rubbed)' +p160702 +sg25267 +g27 +sg25275 +S'1537 or after' +p160703 +sg25268 +S'Jesus Among the Doctors' +p160704 +sg25270 +S'Valerio Belli' +p160705 +sa(dp160706 +g25268 +S'The Betrayal of Christ' +p160707 +sg25270 +S'Valerio Belli' +p160708 +sg25273 +S'bronze//Very dark patina' +p160709 +sg25275 +S'1525 or after' +p160710 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00063/a00063fb.jpg' +p160711 +sg25267 +g27 +sa(dp160712 +g25273 +S'bronze//Dark brown patina (slightly rubbed)' +p160713 +sg25267 +g27 +sg25275 +S'unknown date\n' +p160714 +sg25268 +S'Christ Brought Before Pontius Pilate' +p160715 +sg25270 +S'Valerio Belli' +p160716 +sa(dp160717 +g25273 +S'bronze//Dark brown patina' +p160718 +sg25267 +g27 +sg25275 +S'unknown date\n' +p160719 +sg25268 +S'Christ Carrying the Cross' +p160720 +sg25270 +S'Valerio Belli' +p160721 +sa(dp160722 +g25268 +S'Saint Jerome at the Arch' +p160723 +sg25270 +S'Sebald Beham' +p160724 +sg25273 +S'engraving' +p160725 +sg25275 +S'1520' +p160726 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a7fd.jpg' +p160727 +sg25267 +g27 +sa(dp160728 +g25268 +S'Christ Carrying the Cross' +p160729 +sg25270 +S'Valerio Belli' +p160730 +sg25273 +S'bronze//Dark brown patina' +p160731 +sg25275 +S'1525 or after' +p160732 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00063/a00063fc.jpg' +p160733 +sg25267 +g27 +sa(dp160734 +g25273 +S'bronze//Dark brown patina' +p160735 +sg25267 +g27 +sg25275 +S'unknown date\n' +p160736 +sg25268 +S'The Entombment' +p160737 +sg25270 +S'Valerio Belli' +p160738 +sa(dp160739 +g25273 +S'bronze//Dark brown patina' +p160740 +sg25267 +g27 +sg25275 +S'1525 or after' +p160741 +sg25268 +S'The Entombment' +p160742 +sg25270 +S'Valerio Belli' +p160743 +sa(dp160744 +g25273 +S'bronze//Yellowish patina' +p160745 +sg25267 +g27 +sg25275 +S'unknown date\n' +p160746 +sg25268 +S'The Entombment' +p160747 +sg25270 +S'Valerio Belli' +p160748 +sa(dp160749 +g25273 +S'bronze//Medium brown patina (rubbed on figures)' +p160750 +sg25267 +g27 +sg25275 +S'unknown date\n' +p160751 +sg25268 +S'Noli Me Tangere' +p160752 +sg25270 +S'Valerio Belli' +p160753 +sa(dp160754 +g25273 +S'bronze//Dark brown patina' +p160755 +sg25267 +g27 +sg25275 +S'unknown date\n' +p160756 +sg25268 +S'The Incredulity of Saint Thomas' +p160757 +sg25270 +S'Valerio Belli' +p160758 +sa(dp160759 +g25268 +S'Christ Appearing to the Apostles' +p160760 +sg25270 +S'Italian 16th Century' +p160761 +sg25273 +S'overall (arched top): 10.6 x 6.5 cm (4 3/16 x 2 9/16 in.) gross weight: 119 gr' +p160762 +sg25275 +S'\nbronze//Dark brown patina' +p160763 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00063/a00063fa.jpg' +p160764 +sg25267 +g27 +sa(dp160765 +g25268 +S'Christ Appearing to the Apostles' +p160766 +sg25270 +S'Valerio Belli' +p160767 +sg25273 +S'bronze//Medium brown patina' +p160768 +sg25275 +S'unknown date\n' +p160769 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002c/a0002c28.jpg' +p160770 +sg25267 +g27 +sa(dp160771 +g25273 +S'bronze//Medium brown patina' +p160772 +sg25267 +g27 +sg25275 +S'unknown date\n' +p160773 +sg25268 +S'Apollo' +p160774 +sg25270 +S'Valerio Belli' +p160775 +sa(dp160776 +g25273 +S', unknown date' +p160777 +sg25267 +g27 +sg25275 +S'\n' +p160778 +sg25268 +S'Venus (?)' +p160779 +sg25270 +S'Valerio Belli' +p160780 +sa(dp160781 +g25268 +S'Saint Jerome with the Angel' +p160782 +sg25270 +S'Sebald Beham' +p160783 +sg25273 +S'engraving (etching?)' +p160784 +sg25275 +S'1521' +p160785 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a7fc.jpg' +p160786 +sg25267 +g27 +sa(dp160787 +g25273 +S'bronze//Light brown patina' +p160788 +sg25267 +g27 +sg25275 +S'unknown date\n' +p160789 +sg25268 +S'Neptune, Amphitrite and Cupid' +p160790 +sg25270 +S'Valerio Belli' +p160791 +sa(dp160792 +g25273 +S'bronze//Dark brown patina' +p160793 +sg25267 +g27 +sg25275 +S'unknown date\n' +p160794 +sg25268 +S'Hercules between Minerva and Venus' +p160795 +sg25270 +S'Valerio Belli' +p160796 +sa(dp160797 +g25273 +S'bronze//Medium brown patina' +p160798 +sg25267 +g27 +sg25275 +S'unknown date\n' +p160799 +sg25268 +S'The Triumph of Amphitrite' +p160800 +sg25270 +S'Valerio Belli' +p160801 +sa(dp160802 +g25273 +S'bronze//Medium brown patina' +p160803 +sg25267 +g27 +sg25275 +S'mid 16th century' +p160804 +sg25268 +S'Perseus Mounted on Pegasus' +p160805 +sg25270 +S'Florentine 16th Century' +p160806 +sa(dp160807 +g25273 +S', mid 16th century' +p160808 +sg25267 +g27 +sg25275 +S'\n' +p160809 +sg25268 +S'Hercules and Antaeus' +p160810 +sg25270 +S'Florentine 16th Century' +p160811 +sa(dp160812 +g25273 +S'lead' +p160813 +sg25267 +g27 +sg25275 +S'unknown date\n' +p160814 +sg25268 +S'Peace and Prosperity' +p160815 +sg25270 +S'Valerio Belli' +p160816 +sa(dp160817 +g25273 +S'bronze//Medium brown patina' +p160818 +sg25267 +g27 +sg25275 +S'unknown date\n' +p160819 +sg25268 +S'Peace' +p160820 +sg25270 +S'Valerio Belli' +p160821 +sa(dp160822 +g25273 +S'lead' +p160823 +sg25267 +g27 +sg25275 +S'unknown date\n' +p160824 +sg25268 +S'Cupid Crowning Two Lovers' +p160825 +sg25270 +S'Valerio Belli' +p160826 +sa(dp160827 +g25273 +S'bronze//Light brown patina' +p160828 +sg25267 +g27 +sg25275 +S'unknown date\n' +p160829 +sg25268 +S'A Lion Hunt' +p160830 +sg25270 +S'Valerio Belli' +p160831 +sa(dp160832 +g25273 +S'bronze//Dark brown patina' +p160833 +sg25267 +g27 +sg25275 +S'unknown date\n' +p160834 +sg25268 +S'A Seated Man' +p160835 +sg25270 +S'Valerio Belli' +p160836 +sa(dp160837 +g25268 +S'Saint Anthony the Hermit' +p160838 +sg25270 +S'Sebald Beham' +p160839 +sg25273 +S'engraving' +p160840 +sg25275 +S'1521' +p160841 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a7f9.jpg' +p160842 +sg25267 +g27 +sa(dp160843 +g25273 +S'bronze//Light brown patina' +p160844 +sg25267 +g27 +sg25275 +S'unknown date\n' +p160845 +sg25268 +S'The Adoration of the Magi' +p160846 +sg25270 +S'Giovanni Bernardi' +p160847 +sa(dp160848 +g25268 +S'The Adoration of the Magi' +p160849 +sg25270 +S'Giovanni Bernardi' +p160850 +sg25273 +S'glass' +p160851 +sg25275 +S'unknown date\n' +p160852 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00063/a00063d6.jpg' +p160853 +sg25267 +g27 +sa(dp160854 +g25273 +S'lead' +p160855 +sg25267 +g27 +sg25275 +S'unknown date\n' +p160856 +sg25268 +S'The Justice of Brutus' +p160857 +sg25270 +S'Giovanni Bernardi' +p160858 +sa(dp160859 +g25273 +S'lead' +p160860 +sg25267 +g27 +sg25275 +S'unknown date\n' +p160861 +sg25268 +S'Venus and Cupid with Other Gods' +p160862 +sg25270 +S'Giovanni Bernardi' +p160863 +sa(dp160864 +g25268 +S'The Fall of Phaeton' +p160865 +sg25270 +S'Giovanni Bernardi' +p160866 +sg25273 +S'bronze//Medium brown patina' +p160867 +sg25275 +S'1533 or after' +p160868 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002c/a0002c2b.jpg' +p160869 +sg25267 +g27 +sa(dp160870 +g25268 +S'The Rape of Ganymede' +p160871 +sg25270 +S'Giovanni Bernardi' +p160872 +sg25273 +S'bronze//Dark brown patina (rubbed on exposed surfaces)' +p160873 +sg25275 +S'1532 or after' +p160874 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00063/a00063fd.jpg' +p160875 +sg25267 +g27 +sa(dp160876 +g25273 +S'overall (oval): 7.5 x 6.5 cm (2 15/16 x 2 9/16 in.) gross weight: 84 gr' +p160877 +sg25267 +g27 +sg25275 +S'\nbronze//Light brown patina' +p160878 +sg25268 +S'Cupid on a Flying Swan' +p160879 +sg25270 +S'Italian 16th Century' +p160880 +sa(dp160881 +g25273 +S'bronze//Light brown patina' +p160882 +sg25267 +g27 +sg25275 +S'unknown date\n' +p160883 +sg25268 +S'Cupid on a Swan' +p160884 +sg25270 +S'Giovanni Bernardi' +p160885 +sa(dp160886 +g25273 +S'bronze//Light brown patina' +p160887 +sg25267 +g27 +sg25275 +S'1535 or before' +p160888 +sg25268 +S'The Rape of the Sabines' +p160889 +sg25270 +S'Giovanni Bernardi' +p160890 +sa(dp160891 +g25273 +S'lead' +p160892 +sg25267 +g27 +sg25275 +S'unknown date\n' +p160893 +sg25268 +S'The Continence of Scipio' +p160894 +sg25270 +S'Giovanni Bernardi' +p160895 +sa(dp160896 +g25268 +S'Saint Sebald' +p160897 +sg25270 +S'Sebald Beham' +p160898 +sg25273 +S'engraving' +p160899 +sg25275 +S'1521' +p160900 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a7ff.jpg' +p160901 +sg25267 +g27 +sa(dp160902 +g25273 +S'lead//Very dark brown patina' +p160903 +sg25267 +g27 +sg25275 +S'unknown date\n' +p160904 +sg25268 +S'A Panther Hunt' +p160905 +sg25270 +S'Giovanni Bernardi' +p160906 +sa(dp160907 +g25273 +S'bronze//Light brown patina' +p160908 +sg25267 +g27 +sg25275 +S'mid 16th century' +p160909 +sg25268 +S'Apollo and Marsyas' +p160910 +sg25270 +S'Florentine 16th Century' +p160911 +sa(dp160912 +g25273 +S'bronze//Medium brown patina' +p160913 +sg25267 +g27 +sg25275 +S'unknown date\n' +p160914 +sg25268 +S'Allegorical Male Figure' +p160915 +sg25270 +S'Giovanni Bernardi' +p160916 +sa(dp160917 +g25273 +S'bronze//Light brown patina' +p160918 +sg25267 +g27 +sg25275 +S'unknown date\n' +p160919 +sg25268 +S'Neptune' +p160920 +sg25270 +S'Giovanni Bernardi' +p160921 +sa(dp160922 +g25273 +S'bronze//Medium brown patina (thin casting); Blunt cast' +p160923 +sg25267 +g27 +sg25275 +S'c. 1544' +p160924 +sg25268 +S'A Boar Hunt [obverse]' +p160925 +sg25270 +S'Giovanni Bernardi' +p160926 +sa(dp160927 +g25273 +S'overall (oval): 9.6 x 11.4 cm (3 3/4 x 4 1/2 in.) gross weight: 108 gr' +p160928 +sg25267 +g27 +sg25275 +S'\noil on bronze' +p160929 +sg25268 +S'Portrait of a Young Man in Oil [reverse]' +p160930 +sg25270 +S'Netherlandish 17th Century' +p160931 +sa(dp160932 +g25273 +S'bronze//Dark brown patina' +p160933 +sg25267 +g27 +sg25275 +S'c. 1541' +p160934 +sg25268 +S'Andrea Doria Guided by Neptune' +p160935 +sg25270 +S'Leone Leoni' +p160936 +sa(dp160937 +g25273 +S'overall (curved edges at top and bottom): 1098.5 x 589 cm (432 1/2 x 231 7/8 in.) gross weight: 218 gr' +p160938 +sg25267 +g27 +sg25275 +S'\nbronze//Medium brown patina' +p160939 +sg25268 +S'Hercules' +p160940 +sg25270 +S'Italian 16th Century' +p160941 +sa(dp160942 +g25273 +S'bronze//Dark brown patina' +p160943 +sg25267 +g27 +sg25275 +S'16th century' +p160944 +sg25268 +S'Narcissus' +p160945 +sg25270 +S'Florentine 16th Century' +p160946 +sa(dp160947 +g25273 +S'bronze//Dark brown patina' +p160948 +sg25267 +g27 +sg25275 +S'16th century' +p160949 +sg25268 +S'The Incredulity of Saint Thomas' +p160950 +sg25270 +S'Florentine 16th Century' +p160951 +sa(dp160952 +g25268 +S'Combat of Greeks and Trojans' +p160953 +sg25270 +S'Sebald Beham' +p160954 +sg25273 +S'engraving' +p160955 +sg25275 +S'unknown date\n' +p160956 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a7f5.jpg' +p160957 +sg25267 +g27 +sa(dp160958 +g25273 +S'bronze//Dark brown patina' +p160959 +sg25267 +g27 +sg25275 +S'16th century' +p160960 +sg25268 +S'The Baptism in the Jordan' +p160961 +sg25270 +S'Florentine 16th Century' +p160962 +sa(dp160963 +g25273 +S'gilt bronze' +p160964 +sg25267 +g27 +sg25275 +S'16th century' +p160965 +sg25268 +S'One of Two Ornamental Friezes' +p160966 +sg25270 +S'Florentine 16th Century' +p160967 +sa(dp160968 +g25273 +S'gilt bronze' +p160969 +sg25267 +g27 +sg25275 +S'16th century' +p160970 +sg25268 +S'One of Two Ornamental Friezes' +p160971 +sg25270 +S'Florentine 16th Century' +p160972 +sa(dp160973 +g25273 +S'overall: 10.6 x 7.3 cm (4 3/16 x 2 7/8 in.) gross weight: 173 gr' +p160974 +sg25267 +g27 +sg25275 +S'\nbronze//Yellowish patina' +p160975 +sg25268 +S'Lamentation Over the Dead Christ' +p160976 +sg25270 +S'Emilian 16th Century' +p160977 +sa(dp160978 +g25273 +S'overall (semi-circular): 3.8 x 7.4 cm (1 1/2 x 2 15/16 in.) gross weight: 40 gr' +p160979 +sg25267 +g27 +sg25275 +S'\nbronze//Dark brown patina' +p160980 +sg25268 +S'The Holy Women at the Tomb' +p160981 +sg25270 +S'Italian 16th Century' +p160982 +sa(dp160983 +g25273 +S'overall (diameter): 3.8 cm (1 1/2 in.) gross weight: 27 gr' +p160984 +sg25267 +g27 +sg25275 +S'\nbronze//Dark brown patina' +p160985 +sg25268 +S'Saint Matthew' +p160986 +sg25270 +S'Italian 16th Century' +p160987 +sa(dp160988 +g25273 +S'overall (diameter): 5.2 cm (2 1/16 in.) gross weight: 30 gr' +p160989 +sg25267 +g27 +sg25275 +S'\nlead' +p160990 +sg25268 +S'The Head of Christ' +p160991 +sg25270 +S'Italian 16th Century' +p160992 +sa(dp160993 +g25273 +g27 +sg25267 +g27 +sg25275 +S'(sculptor)' +p160994 +sg25268 +S'Lot and His Daughters' +p160995 +sg25270 +S'Artist Information (' +p160996 +sa(dp160997 +g25273 +S'overall: 3.6 x 3.4 cm (1 7/16 x 1 3/8 in.) gross weight: 13 gr' +p160998 +sg25267 +g27 +sg25275 +S'\nbronze//Light brown patina' +p160999 +sg25268 +S'Two Cupids with Flutes' +p161000 +sg25270 +S'Italian 16th Century' +p161001 +sa(dp161002 +g25273 +S'overall (pear-shaped): 7.3 x 4.7 cm (2 7/8 x 1 7/8 in.) gross weight: 43 gr' +p161003 +sg25267 +g27 +sg25275 +S'\nbronze//Medium brown patina' +p161004 +sg25268 +S'Saint Jerome' +p161005 +sg25270 +S'Italian 16th Century' +p161006 +sa(dp161007 +g25268 +S'The Rape of Helena' +p161008 +sg25270 +S'Sebald Beham' +p161009 +sg25273 +S'engraving' +p161010 +sg25275 +S'unknown date\n' +p161011 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a7fb.jpg' +p161012 +sg25267 +g27 +sa(dp161013 +g25273 +S'overall (diameter): 5 cm (1 15/16 in.) gross weight: 25 gr' +p161014 +sg25267 +g27 +sg25275 +S'\nbronze//Medium brown patina' +p161015 +sg25268 +S'The Judgment of Paris' +p161016 +sg25270 +S'Italian 16th Century' +p161017 +sa(dp161018 +g25273 +S'overall (diameter): 6.7 cm (2 5/8 in.) gross weight: 70 gr' +p161019 +sg25267 +g27 +sg25275 +S'\nbronze//Medium brown patina' +p161020 +sg25268 +S'Mars and Frieze of Trophies' +p161021 +sg25270 +S'North Italian 16th Century' +p161022 +sa(dp161023 +g25273 +S'overall: 9.6 x 8.1 cm (3 3/4 x 3 3/16 in.) gross weight: 97 gr' +p161024 +sg25267 +g27 +sg25275 +S'\nbronze//Dark brown patina' +p161025 +sg25268 +S'Spring and Summer' +p161026 +sg25270 +S'German 17th Century' +p161027 +sa(dp161028 +g25273 +S'overall: 9.6 x 8.7 cm (3 3/4 x 3 7/16 in.) gross weight: 159 gr' +p161029 +sg25267 +g27 +sg25275 +S'\nbronze//Dark brown patina' +p161030 +sg25268 +S'Autumn and Winter' +p161031 +sg25270 +S'German 17th Century' +p161032 +sa(dp161033 +g25273 +S'overall (oval): 4.7 x 4.1 cm (1 7/8 x 1 5/8 in.)' +p161034 +sg25267 +g27 +sg25275 +S'\nbronze//Light brown patina' +p161035 +sg25268 +S'The Virgin and Child' +p161036 +sg25270 +S'Italian 16th Century' +p161037 +sa(dp161038 +g25273 +S'overall (diameter): 6.3 cm (2 1/2 in.) gross weight: 73 gr' +p161039 +sg25267 +g27 +sg25275 +S'\nbronze//Light brown patina' +p161040 +sg25268 +S'Venus in Armour' +p161041 +sg25270 +S'Italian 16th Century' +p161042 +sa(dp161043 +g25273 +S'overall (oval): 4 x 3.4 cm (1 9/16 x 1 5/16 in.) gross weight: 19 gr' +p161044 +sg25267 +g27 +sg25275 +S'\nbronze//Greyish patina' +p161045 +sg25268 +S'The Lamentation' +p161046 +sg25270 +S'Emilian 16th Century' +p161047 +sa(dp161048 +g25273 +S'overall (arched top): 13.8 x 10.5 cm (5 7/16 x 4 1/8 in.) gross weight: 110 gr' +p161049 +sg25267 +g27 +sg25275 +S'\nmedium brown bronze or copper repousse' +p161050 +sg25268 +S'The Adoration of the Shepherds' +p161051 +sg25270 +S'Italian 16th Century' +p161052 +sa(dp161053 +g25273 +S'overall (diameter): 5.5 cm (2 3/16 in.) gross weight: 27 gr' +p161054 +sg25267 +g27 +sg25275 +S'\ngilt bronze repousse' +p161055 +sg25268 +S'Cupid Playing on the Lute' +p161056 +sg25270 +S'German 16th Century' +p161057 +sa(dp161058 +g25273 +S'Italian, 1494 - 1553' +p161059 +sg25267 +g27 +sg25275 +S'(artist after)' +p161060 +sg25268 +S'Bull-Baiting' +p161061 +sg25270 +S'Artist Information (' +p161062 +sa(dp161063 +g25268 +S'Regulus' +p161064 +sg25270 +S'Sebald Beham' +p161065 +sg25273 +S'etching' +p161066 +sg25275 +S'unknown date\n' +p161067 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a7f3.jpg' +p161068 +sg25267 +g27 +sa(dp161069 +g25268 +S'Hercules and the Nemean Lion' +p161070 +sg25270 +S'Italian 18th Century' +p161071 +sg25273 +S'overall (oval): 4.3 x 4.8 cm (1 11/16 x 1 7/8 in.) gross weight: 22 gr' +p161072 +sg25275 +S'\nbronze//Medium brown patina' +p161073 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a000641d.jpg' +p161074 +sg25267 +g27 +sa(dp161075 +g25268 +S'A Warrior Fighting a Centaur' +p161076 +sg25270 +S'Italian 18th Century' +p161077 +sg25273 +S'overall (oblong): 4.6 x 5.3 cm (1 13/16 x 2 1/16 in.) gross weight: 40 gr' +p161078 +sg25275 +S'\nbronze//Medium brown patina' +p161079 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a000641c.jpg' +p161080 +sg25267 +g27 +sa(dp161081 +g25273 +S'overall (diameter): 3.7 cm (1 7/16 in.)' +p161082 +sg25267 +g27 +sg25275 +S'\nbronze//Medium brown patina' +p161083 +sg25268 +S'Herod and Herodias' +p161084 +sg25270 +S'French 15th Century' +p161085 +sa(dp161086 +g25273 +S'overall (diameter): 5.4 cm (2 1/8 in.)' +p161087 +sg25267 +g27 +sg25275 +S'\nbronze//Medium brown patina' +p161088 +sg25268 +S'Virgil Suspended in a Basket' +p161089 +sg25270 +S'French 16th Century' +p161090 +sa(dp161091 +g25273 +S'overall (arched top): 6.6 x 5.2 cm (2 5/8 x 2 1/16 in.) gross weight: 79 gr' +p161092 +sg25267 +g27 +sg25275 +S'\nbronze//Light brown patina' +p161093 +sg25268 +S'The Nativity' +p161094 +sg25270 +S'French 16th Century' +p161095 +sa(dp161096 +g25273 +S'gilt bronze' +p161097 +sg25267 +g27 +sg25275 +S'16th century' +p161098 +sg25268 +S'A Decorative Plaque' +p161099 +sg25270 +S'French 16th Century' +p161100 +sa(dp161101 +g25273 +S'Overall (without frame): 939 x 761 cm (369 11/16 x 299 5/8 in.)\r\naccessory size: 17.8 x 11.4 cm (7 x 4 1/2 in.) gross weight: 506 gr' +p161102 +sg25267 +g27 +sg25275 +S'\nbronze//Medium brown patina' +p161103 +sg25268 +S'The Dead Christ between the Virgin and Saint John' +p161104 +sg25270 +S'Venetian 16th Century' +p161105 +sa(dp161106 +g25273 +S'overall (diameter): 5.8 cm (2 5/16 in.) gross weight: 152 gr' +p161107 +sg25267 +g27 +sg25275 +S'\nbronze//Light brown patina' +p161108 +sg25268 +S'Saint Matthew' +p161109 +sg25270 +S'Flemish 16th Century' +p161110 +sa(dp161111 +g25273 +S'bronze//Light brown patina' +p161112 +sg25267 +g27 +sg25275 +S'15th century' +p161113 +sg25268 +S'The Virgin and Child on a Crescent Moon' +p161114 +sg25270 +S'Anonymous Netherlandish' +p161115 +sa(dp161116 +g25273 +S'bronze//Dark brown patina' +p161117 +sg25267 +g27 +sg25275 +S'15th century' +p161118 +sg25268 +S'The Judgment of Paris' +p161119 +sg25270 +S'Anonymous Netherlandish' +p161120 +sa(dp161121 +g25268 +S'Simon and His Daughter (Cimon and Pero)' +p161122 +sg25270 +S'Sebald Beham' +p161123 +sg25273 +S'etching' +p161124 +sg25275 +S'unknown date\n' +p161125 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a843.jpg' +p161126 +sg25267 +g27 +sa(dp161127 +g25268 +S'The Angel Gabriel' +p161128 +sg25270 +S'Anonymous Netherlandish' +p161129 +sg25273 +S'gilt bronze' +p161130 +sg25275 +S'late 15th - early 16th century' +p161131 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002dc8.jpg' +p161132 +sg25267 +g27 +sa(dp161133 +g25273 +g27 +sg25267 +g27 +sg25275 +S'(sculptor)' +p161134 +sg25268 +S'The Triumph of Religion' +p161135 +sg25270 +S'Artist Information (' +p161136 +sa(dp161137 +g25273 +g27 +sg25267 +g27 +sg25275 +S'(sculptor)' +p161138 +sg25268 +S'The Triumph of Wisdom' +p161139 +sg25270 +S'Artist Information (' +p161140 +sa(dp161141 +g25273 +S'overall: 6.5 x 12.4 cm (2 9/16 x 4 7/8 in.) gross weight: 162 gr' +p161142 +sg25267 +g27 +sg25275 +S'\nbronze//Dark brown patina' +p161143 +sg25268 +S'The Triumph of Poverty' +p161144 +sg25270 +S'Flemish 16th Century' +p161145 +sa(dp161146 +g25273 +g27 +sg25267 +g27 +sg25275 +S'(sculptor)' +p161147 +sg25268 +S'The Triumph of Justice' +p161148 +sg25270 +S'Artist Information (' +p161149 +sa(dp161150 +g25268 +S'Orpheus and Eurydice' +p161151 +sg25270 +S'Peter Vischer the Younger' +p161152 +sg25273 +S'bronze//Black lacquer (slightly rubbed on raised areas) over medium brown bronze' +p161153 +sg25275 +S'c. 1515' +p161154 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002dc7.jpg' +p161155 +sg25267 +g27 +sa(dp161156 +g25273 +S'bronze//Dark brown patina' +p161157 +sg25267 +g27 +sg25275 +S'1540 or before' +p161158 +sg25268 +S'Fortitude' +p161159 +sg25270 +S'Peter Fl\xc3\xb6tner' +p161160 +sa(dp161161 +g25273 +S'bronze//Dark brown patina' +p161162 +sg25267 +g27 +sg25275 +S'1545 or before' +p161163 +sg25268 +S'Thalia' +p161164 +sg25270 +S'Peter Fl\xc3\xb6tner' +p161165 +sa(dp161166 +g25273 +S'bronze//Light brown patina' +p161167 +sg25267 +g27 +sg25275 +S'1543 or before' +p161168 +sg25268 +S'A Victorious Warrior' +p161169 +sg25270 +S'Peter Fl\xc3\xb6tner' +p161170 +sa(dp161171 +g25273 +S'gilt bronze' +p161172 +sg25267 +g27 +sg25275 +S'unknown date\n' +p161173 +sg25268 +S'Allegorical Scene' +p161174 +sg25270 +S'Peter Fl\xc3\xb6tner' +p161175 +sa(dp161176 +g25268 +S'Simon and His Daughter (Cimon and Pero)' +p161177 +sg25270 +S'Sebald Beham' +p161178 +sg25273 +S'engraving' +p161179 +sg25275 +S'1544' +p161180 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a842.jpg' +p161181 +sg25267 +g27 +sa(dp161182 +g25273 +S'overall: 6.8 x 5.9 cm (2 11/16 x 2 5/16 in.) gross weight: 77 gr' +p161183 +sg25267 +g27 +sg25275 +S'\nbronze//Dark brown patina' +p161184 +sg25268 +S'An Allegorical Scene' +p161185 +sg25270 +S'German 16th Century' +p161186 +sa(dp161187 +g25268 +S'Christ and Nicodemus' +p161188 +sg25270 +S'Master P.G.' +p161189 +sg25273 +S'bronze//Medium red-brown patina' +p161190 +sg25275 +S'c. 1550' +p161191 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a000641b.jpg' +p161192 +sg25267 +g27 +sa(dp161193 +g25268 +S'A Nymph on a Dolphin' +p161194 +sg25270 +S'Francesco Marti' +p161195 +sg25273 +S'bronze//Light brownpatina' +p161196 +sg25275 +S'unknown date\n' +p161197 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a000641a.jpg' +p161198 +sg25267 +g27 +sa(dp161199 +g25273 +S'overall (diameter): 3.8 cm (1 1/2 in.) gross weight: 24 gr' +p161200 +sg25267 +g27 +sg25275 +S'\ngilt bronze' +p161201 +sg25268 +S'The Judgment of Paris' +p161202 +sg25270 +S'German 16th Century' +p161203 +sa(dp161204 +g25273 +S'overall: 12.9 x 6.9 cm (5 1/16 x 2 11/16 in.) gross weight: 194 gr' +p161205 +sg25267 +g27 +sg25275 +S'\nbronze//Yellowish patina' +p161206 +sg25268 +S'Venus and Cupid' +p161207 +sg25270 +S'German 16th Century' +p161208 +sa(dp161209 +g25273 +S'overall (diameter): 8 cm (3 1/8 in.) gross weight: 192 gr' +p161210 +sg25267 +g27 +sg25275 +S'\nbronze//Very dark patina' +p161211 +sg25268 +S'An Allegorical Scene' +p161212 +sg25270 +S'German 16th Century' +p161213 +sa(dp161214 +g25273 +S'overall (silhouetted contour): 4 x 4.3 cm (1 9/16 x 1 11/16 in.) gross weight: 18 gr' +p161215 +sg25267 +g27 +sg25275 +S'\ngilt bronze' +p161216 +sg25268 +S'Lamentation Over the Dead Christ' +p161217 +sg25270 +S'German 16th Century' +p161218 +sa(dp161219 +g25273 +S'overall: 13.4 x 10.3 cm (5 1/4 x 4 1/16 in.) gross weight: 397 gr' +p161220 +sg25267 +g27 +sg25275 +S'\nbronze//Dark brown patina' +p161221 +sg25268 +S'The Virgin & Child with Four Angels' +p161222 +sg25270 +S'German 16th Century' +p161223 +sa(dp161224 +g25273 +S'gilt bronze' +p161225 +sg25267 +g27 +sg25275 +S'1535/1574' +p161226 +sg25268 +S'The Fall of Man [obverse]' +p161227 +sg25270 +S'Hans Reinhart the Elder' +p161228 +sa(dp161229 +g25273 +S'gilt bronze' +p161230 +sg25267 +g27 +sg25275 +S'1535/1574' +p161231 +sg25268 +S'The Crucifixion [reverse]' +p161232 +sg25270 +S'Hans Reinhart the Elder' +p161233 +sa(dp161234 +g25268 +S'Cleopatra Standing' +p161235 +sg25270 +S'Sebald Beham' +p161236 +sg25273 +S'engraving' +p161237 +sg25275 +S'1529' +p161238 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a83e.jpg' +p161239 +sg25267 +g27 +sa(dp161240 +g25273 +S'overall (silhouetted contour): 8.4 x 7.6 cm (3 5/16 x 3 in.) gross weight: 120 gr' +p161241 +sg25267 +g27 +sg25275 +S'\nbronze//Medium brown patina' +p161242 +sg25268 +S'The Virgin and Child' +p161243 +sg25270 +S'German 15th Century' +p161244 +sa(dp161245 +g25273 +S'overall (silhouetted contour): 14 x 10.2 cm (5 1/2 x 4 in.) gross weight: 104 gr' +p161246 +sg25267 +g27 +sg25275 +S'\ngilt bronze//(much rubbed)' +p161247 +sg25268 +S'Christ Crowned with Thorns' +p161248 +sg25270 +S'German 16th Century' +p161249 +sa(dp161250 +g25268 +S'The Redeemer' +p161251 +sg25270 +S'Roman 15th Century' +p161252 +sg25273 +S'overall (silhouetted contour): 21.5 x 9.3 cm (8 7/16 x 3 5/8 in.)' +p161253 +sg25275 +S'\ngilt bronze' +p161254 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00063/a00063d8.jpg' +p161255 +sg25267 +g27 +sa(dp161256 +g25273 +S'German, c. 1485 - 1546' +p161257 +sg25267 +g27 +sg25275 +S'(related artist)' +p161258 +sg25268 +S'Mars' +p161259 +sg25270 +S'Artist Information (' +p161260 +sa(dp161261 +g25273 +S'German, c. 1485 - 1546' +p161262 +sg25267 +g27 +sg25275 +S'(related artist)' +p161263 +sg25268 +S'Minerva' +p161264 +sg25270 +S'Artist Information (' +p161265 +sa(dp161266 +g25273 +S'overall (silhouetted contour): 3.6 x 3.7 cm (1 7/16 x 1 7/16 in.)' +p161267 +sg25267 +g27 +sg25275 +S'\nbronze//Medium brown patina' +p161268 +sg25268 +S'Temperance' +p161269 +sg25270 +S'German 16th Century' +p161270 +sa(dp161271 +g25273 +S'overall (silhouetted contour): 989.5 x 555.5 cm (389 9/16 x 218 11/16 in.) gross weight: 99 gr' +p161272 +sg25267 +g27 +sg25275 +S'\ngilt bronze' +p161273 +sg25268 +S'Fortuna' +p161274 +sg25270 +S'German 16th Century' +p161275 +sa(dp161276 +g25268 +S'Leda and the Swan' +p161277 +sg25270 +S'Paul H\xc3\xbcbner' +p161278 +sg25273 +S'bronze//Light red-brown patina' +p161279 +sg25275 +S'early 17th century' +p161280 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006419.jpg' +p161281 +sg25267 +g27 +sa(dp161282 +g25273 +S'bronze//Medium brown patina (rubbed locally)' +p161283 +sg25267 +g27 +sg25275 +S'early 17th century' +p161284 +sg25268 +S'Venus and Cupid' +p161285 +sg25270 +S'Paul H\xc3\xbcbner' +p161286 +sa(dp161287 +g25273 +S'overall: 6.7 x 3.4 cm (2 5/8 x 1 5/16 in.) gross weight: 35 gr' +p161288 +sg25267 +g27 +sg25275 +S'\nbronze//Brown patina with traces of gilding' +p161289 +sg25268 +S'Two Male Saints' +p161290 +sg25270 +S'Russian 16th Century' +p161291 +sa(dp161292 +g25268 +S'Cleopatra Seated' +p161293 +sg25270 +S'Sebald Beham' +p161294 +sg25273 +S'engraving' +p161295 +sg25275 +S'unknown date\n' +p161296 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a83d.jpg' +p161297 +sg25267 +g27 +sa(dp161298 +g25273 +S'lead' +p161299 +sg25267 +g27 +sg25275 +S'mid 17th century' +p161300 +sg25268 +S'Judgment of Paris' +p161301 +sg25270 +S'Flemish 17th Century' +p161302 +sa(dp161303 +g25273 +S'overall: 12.7 x 19.6 cm (5 x 7 11/16 in.) gross weight: 354 gr' +p161304 +sg25267 +g27 +sg25275 +S'\nbronze//Red-brown patina' +p161305 +sg25268 +S'Mourning Over the Body of Jesus' +p161306 +sg25270 +S'Italian 16th Century' +p161307 +sa(dp161308 +g25273 +S'overall (oval): 5.3 x 4.1 cm (2 1/16 x 1 5/8 in.)' +p161309 +sg25267 +g27 +sg25275 +S'\nbronze//Dark brown patina' +p161310 +sg25268 +S'Head of a Girl' +p161311 +sg25270 +S'Italian 16th Century' +p161312 +sa(dp161313 +g25273 +S'bronze' +p161314 +sg25267 +g27 +sg25275 +S'c. 1570' +p161315 +sg25268 +S'Francesco da Sangallo' +p161316 +sg25270 +S'Francesco da Sangallo' +p161317 +sa(dp161318 +g25268 +S'John VIII Palaeologus, 1392-1448, Emperor of Constantinople 1425 [obverse]' +p161319 +sg25270 +S'Pisanello' +p161320 +sg25273 +S'lead//Trial cast, possibly' +p161321 +sg25275 +S'1438' +p161322 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002dc5.jpg' +p161323 +sg25267 +g27 +sa(dp161324 +g25268 +S'John VIII Riding in a Rocky Landscape' +p161325 +sg25270 +S'Pisanello' +p161326 +sg25273 +S'lead//Trial cast, possibly' +p161327 +sg25275 +S'1438' +p161328 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002dc6.jpg' +p161329 +sg25267 +g27 +sa(dp161330 +g25273 +S'lead' +p161331 +sg25267 +g27 +sg25275 +S'c. 1439' +p161332 +sg25268 +S'Gianfrancesco I Gonzaga, 1395-1444, 1st Marquess of Mantua 1433 [obverse]' +p161333 +sg25270 +S'Pisanello' +p161334 +sa(dp161335 +g25273 +S'lead' +p161336 +sg25267 +g27 +sg25275 +S'c. 1439' +p161337 +sg25268 +S'Gianfrancesco Riding in a Rocky Landscape, with a Companion' +p161338 +sg25270 +S'Pisanello' +p161339 +sa(dp161340 +g25273 +S'bronze' +p161341 +sg25267 +g27 +sg25275 +S'c. 1441' +p161342 +sg25268 +S'Filippo Maria Visconti, 1392-1447, Duke of Milan 1412 [obverse]' +p161343 +sg25270 +S'Pisanello' +p161344 +sa(dp161345 +g25273 +S'bronze' +p161346 +sg25267 +g27 +sg25275 +S'c. 1441' +p161347 +sg25268 +S'Filippo Maria Visconti Riding in a Mountainous Landscape [reverse]' +p161348 +sg25270 +S'Pisanello' +p161349 +sa(dp161350 +g25268 +S'Lucretia Standing' +p161351 +sg25270 +S'Sebald Beham' +p161352 +sg25273 +S'engraving' +p161353 +sg25275 +S'unknown date\n' +p161354 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a840.jpg' +p161355 +sg25267 +g27 +sa(dp161356 +g25268 +S'Niccol\xc3\xb2 Piccinino, 1386-1444, Condottiere [obverse]' +p161357 +sg25270 +S'Pisanello' +p161358 +sg25273 +S'bronze' +p161359 +sg25275 +S'c. 1441' +p161360 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00058/a0005818.jpg' +p161361 +sg25267 +g27 +sa(dp161362 +g25268 +S'The She-Griffin of Perugia Suckling Two Infants [reverse]' +p161363 +sg25270 +S'Pisanello' +p161364 +sg25273 +S'bronze' +p161365 +sg25275 +S'c. 1441' +p161366 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00058/a0005817.jpg' +p161367 +sg25267 +g27 +sa(dp161368 +g25273 +S'bronze' +p161369 +sg25267 +g27 +sg25275 +S'c. 1441' +p161370 +sg25268 +S'Francesco I Sforza, 1401-1466, 4th Duke of Milan 1450 [obverse]' +p161371 +sg25270 +S'Pisanello' +p161372 +sa(dp161373 +g25273 +S'bronze' +p161374 +sg25267 +g27 +sg25275 +S'c. 1441' +p161375 +sg25268 +S'Charger, Books, and Sword [reverse]' +p161376 +sg25270 +S'Pisanello' +p161377 +sa(dp161378 +g25268 +S"Leonello d'Este, 1407-1450, Marquess of Ferrara 1441 [obverse]" +p161379 +sg25270 +S'Pisanello' +p161380 +sg25273 +S'bronze' +p161381 +sg25275 +S'c. 1440/1444' +p161382 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00063/a00063ee.jpg' +p161383 +sg25267 +g27 +sa(dp161384 +g25273 +S'bronze' +p161385 +sg25267 +g27 +sg25275 +S'c. 1440/1444' +p161386 +sg25268 +S'Head with Three Infantile Faces [reverse]' +p161387 +sg25270 +S'Pisanello' +p161388 +sa(dp161389 +g25273 +S'bronze' +p161390 +sg25267 +g27 +sg25275 +S'c. 1443' +p161391 +sg25268 +S"Leonello d'Este, 1407-1450, Marquess of Ferrara 1441 [obverse]" +p161392 +sg25270 +S'Pisanello' +p161393 +sa(dp161394 +g25273 +S'bronze' +p161395 +sg25267 +g27 +sg25275 +S'c. 1443' +p161396 +sg25268 +S'Two Nude Men Carrying Baskets with Olive Branches [reverse]' +p161397 +sg25270 +S'Pisanello' +p161398 +sa(dp161399 +g25273 +S'bronze' +p161400 +sg25267 +g27 +sg25275 +S'c. 1441/1444' +p161401 +sg25268 +S"Leonello d'Este, 1407-1450, Marquess of Ferrara 1441 [obverse]" +p161402 +sg25270 +S'Pisanello' +p161403 +sa(dp161404 +g25273 +S'bronze' +p161405 +sg25267 +g27 +sg25275 +S'c. 1441/1444' +p161406 +sg25268 +S'Blindfolded Lynx Seated on a Cushion [reverse]' +p161407 +sg25270 +S'Pisanello' +p161408 +sa(dp161409 +g25268 +S'Dido' +p161410 +sg25270 +S'Sebald Beham' +p161411 +sg25273 +S'engraving' +p161412 +sg25275 +S'1520' +p161413 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a83a.jpg' +p161414 +sg25267 +g27 +sa(dp161415 +g25273 +S'bronze' +p161416 +sg25267 +g27 +sg25275 +S'c. 1441/1450' +p161417 +sg25268 +S"Leonello d'Este, 1407-1450, Marquess of Ferrara 1441 [obverse]" +p161418 +sg25270 +S'Pisanello' +p161419 +sa(dp161420 +g25273 +S'bronze' +p161421 +sg25267 +g27 +sg25275 +S'c. 1441/1450' +p161422 +sg25268 +S'Nude Youth Lying before a Rock [reverse]' +p161423 +sg25270 +S'Pisanello' +p161424 +sa(dp161425 +g25268 +S"Leonello d'Este, 1407-1450, Marquess of Ferrara 1441 [obverse]" +p161426 +sg25270 +S'Pisanello' +p161427 +sg25273 +S'bronze' +p161428 +sg25275 +S'1444' +p161429 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005ea.jpg' +p161430 +sg25267 +S"Pisanello, who was a painter as well as a medalist, is generally credited with having invented\nthe Renaissance medal form, as well as having brought it to its highest potential. He made\nseveral medals of the Marquess of Ferrara, this one being for the occasion of Leonello's marriage\nto Maria of Aragon in 1444. The composition of the \n The inscription across the field and around the bottom of the obverse, LEONELLVS\nMARCHIO ESTENSIS D(ominus) FERRARIE REGII ET MUTINE, identifies Leonello as\nMarquess of Este and Lord of Ferrara, Reggio, and Modena. The truncated inscription around the\ntop, GE R AR, is an abbreviation of GENER REGIS ARAGONUM, identifying him (through\nhis marriage) as the son-in-law of King Alfonso V of Aragon, ruler of Naples; Leonello's\nmarriage to Maria brought him a bride who increased his prestige by associating him with the\npowerful Neapolitan court.\n " +p161431 +sa(dp161432 +g25268 +S'Lion Being Taught by Cupid to Sing [reverse]' +p161433 +sg25270 +S'Pisanello' +p161434 +sg25273 +S'bronze' +p161435 +sg25275 +S'1444' +p161436 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005e9.jpg' +p161437 +sg25267 +g27 +sa(dp161438 +g25273 +S'lead' +p161439 +sg25267 +g27 +sg25275 +S'1444' +p161440 +sg25268 +S"Leonello d'Este, 1407-1450, Marquess of Ferrara 1441 [obverse]" +p161441 +sg25270 +S'Pisanello' +p161442 +sa(dp161443 +g25273 +S'lead' +p161444 +sg25267 +g27 +sg25275 +S'1444' +p161445 +sg25268 +S'Lion Being Taught by Cupid to Sing [reverse]' +p161446 +sg25270 +S'Pisanello' +p161447 +sa(dp161448 +g25268 +S'Sigismondo Pandolfo Malatesta, 1417-1468, Lord of Rimini and Fano [obverse]' +p161449 +sg25270 +S'Pisanello' +p161450 +sg25273 +S'bronze' +p161451 +sg25275 +S'c. 1445' +p161452 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002dca.jpg' +p161453 +sg25267 +g27 +sa(dp161454 +g25268 +S'Sigismondo Armed and Holding a Sword [reverse]' +p161455 +sg25270 +S'Pisanello' +p161456 +sg25273 +S'bronze' +p161457 +sg25275 +S'c. 1445' +p161458 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002dcb.jpg' +p161459 +sg25267 +g27 +sa(dp161460 +g25268 +S'Sigismondo Pandolfo Malatesta, 1417-1468, Lord of Rimini 1432 [obverse]' +p161461 +sg25270 +S'Pisanello' +p161462 +sg25273 +S'lead' +p161463 +sg25275 +S'1445' +p161464 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00069/a000694b.jpg' +p161465 +sg25267 +g27 +sa(dp161466 +g25268 +S'Sigismondo on a Charger before a Fortress [reverse]' +p161467 +sg25270 +S'Pisanello' +p161468 +sg25273 +S'lead' +p161469 +sg25275 +S'1445' +p161470 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00069/a000694c.jpg' +p161471 +sg25267 +g27 +sa(dp161472 +g25268 +S'The Judgment of Trajan' +p161473 +sg25270 +S'Sebald Beham' +p161474 +sg25273 +S'engraving' +p161475 +sg25275 +S'1537' +p161476 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a83b.jpg' +p161477 +sg25267 +g27 +sa(dp161478 +g25273 +S'lead' +p161479 +sg25267 +g27 +sg25275 +S'1445' +p161480 +sg25268 +S'Sigismondo Pandolfo Malatesta, 1417-1468, Lord of Rimini 1432 [obverse]' +p161481 +sg25270 +S'Pisanello' +p161482 +sa(dp161483 +g25273 +S'lead' +p161484 +sg25267 +g27 +sg25275 +S'1445' +p161485 +sg25268 +S'Sigismondo on a Charger before a Fortress [reverse]' +p161486 +sg25270 +S'Pisanello' +p161487 +sa(dp161488 +g25268 +S'Domenico Novello Malatesta, 1418-1465, Lord of Cesena and Cervia 1429 [obverse]' +p161489 +sg25270 +S'Pisanello' +p161490 +sg25273 +S'bronze' +p161491 +sg25275 +S'c. 1445' +p161492 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00066/a00066cd.jpg' +p161493 +sg25267 +g27 +sa(dp161494 +g25268 +S'Malatesta in Armor, Kneeling Before a Crucifix [reverse]' +p161495 +sg25270 +S'Pisanello' +p161496 +sg25273 +S'bronze' +p161497 +sg25275 +S'c. 1445' +p161498 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00066/a00066ce.jpg' +p161499 +sg25267 +g27 +sa(dp161500 +g25273 +S'bronze' +p161501 +sg25267 +g27 +sg25275 +S'c. 1447/1448' +p161502 +sg25268 +S'Lodovico III Gonzaga, 1414-1478, 2nd Marquess of Mantua 1444 (obverse)' +p161503 +sg25270 +S'Pisanello' +p161504 +sa(dp161505 +g25273 +S'bronze' +p161506 +sg25267 +g27 +sg25275 +S'c. 1447/1448' +p161507 +sg25268 +S'The Marquess in Armor, Riding [reverse]' +p161508 +sg25270 +S'Pisanello' +p161509 +sa(dp161510 +g25268 +S'Cecilia Gonzaga, 1426-1451, daughter of Gianfrancesco I [obverse]' +p161511 +sg25270 +S'Pisanello' +p161512 +sg25273 +S'lead' +p161513 +sg25275 +S'1447' +p161514 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a000642b.jpg' +p161515 +sg25267 +g27 +sa(dp161516 +g25268 +S'Innocence and Unicorn in a Moonlit Landscape [reverse]' +p161517 +sg25270 +S'Pisanello' +p161518 +sg25273 +S'lead' +p161519 +sg25275 +S'1447' +p161520 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a000642c.jpg' +p161521 +sg25267 +g27 +sa(dp161522 +g25268 +S"Vittorino de' Rambaldoni da Feltre, 1379-1446, Humanist [obverse]" +p161523 +sg25270 +S'Pisanello' +p161524 +sg25273 +S'bronze' +p161525 +sg25275 +S'c. 1446' +p161526 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ff/a000ff80.jpg' +p161527 +sg25267 +g27 +sa(dp161528 +g25268 +S'Pelican in Her Piety [reverse]' +p161529 +sg25270 +S'Pisanello' +p161530 +sg25273 +S'bronze' +p161531 +sg25275 +S'c. 1446' +p161532 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ff/a000ff7f.jpg' +p161533 +sg25267 +g27 +sa(dp161534 +g25268 +S"Trajan's Justice" +p161535 +sg25270 +S'Sebald Beham' +p161536 +sg25273 +S'engraving' +p161537 +sg25275 +S'1537' +p161538 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a83c.jpg' +p161539 +sg25267 +g27 +sa(dp161540 +g25268 +S'Alfonso V of Aragon, 1394-1458, King of Naples and Sicily 1443 [obverse]' +p161541 +sg25270 +S'Pisanello' +p161542 +sg25273 +S'lead' +p161543 +sg25275 +S'1449' +p161544 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a000642e.jpg' +p161545 +sg25267 +g27 +sa(dp161546 +g25268 +S'Eagle and Lesser Birds of Prey in a Rocky Landscape [reverse]' +p161547 +sg25270 +S'Pisanello' +p161548 +sg25273 +S'lead' +p161549 +sg25275 +S'1449' +p161550 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a000642d.jpg' +p161551 +sg25267 +g27 +sa(dp161552 +g25273 +S'bronze' +p161553 +sg25267 +g27 +sg25275 +S'probably 1449' +p161554 +sg25268 +S'Alfonso V of Aragon, 1394-1458, King of Naples and Sicily 1443' +p161555 +sg25270 +S'Pisanello' +p161556 +sa(dp161557 +g25268 +S'Alfonso V of Aragon, 1394-1458, King of Naples and Sicily 1443 [obverse]' +p161558 +sg25270 +S'Pisanello' +p161559 +sg25273 +S'bronze//Late cast' +p161560 +sg25275 +S'c. 1449' +p161561 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002dcc.jpg' +p161562 +sg25267 +g27 +sa(dp161563 +g25268 +S'Angel in a Car Drawn by Horses' +p161564 +sg25270 +S'Pisanello' +p161565 +sg25273 +S'bronze//Late cast' +p161566 +sg25275 +S'c. 1449' +p161567 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002dcd.jpg' +p161568 +sg25267 +g27 +sa(dp161569 +g25268 +S"Don I\xc3\xb1igo d'Avalos, d. 1484, Grand Chamberlain of Naples 1449 [obverse]" +p161570 +sg25270 +S'Pisanello' +p161571 +sg25273 +S'bronze' +p161572 +sg25275 +S'c. 1448/1449' +p161573 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a0005560.jpg' +p161574 +sg25267 +g27 +sa(dp161575 +g25268 +S'Sphere Representing Earth, Sea, and Sky [reverse]' +p161576 +sg25270 +S'Pisanello' +p161577 +sg25273 +S'bronze' +p161578 +sg25275 +S'c. 1448/1449' +p161579 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a000642f.jpg' +p161580 +sg25267 +g27 +sa(dp161581 +g25273 +S'bronze' +p161582 +sg25267 +g27 +sg25275 +S'c. 1450' +p161583 +sg25268 +S'Alfonso V of Aragon, 1394-1458, King of Naples and Sicily 1442 [obverse]' +p161584 +sg25270 +S'Paolo da Ragusa' +p161585 +sa(dp161586 +g25273 +S'bronze' +p161587 +sg25267 +g27 +sg25275 +S'c. 1450' +p161588 +sg25268 +S'Female Figure with Purse and Scepter [reverse]' +p161589 +sg25270 +S'Paolo da Ragusa' +p161590 +sa(dp161591 +g25273 +S'lead' +p161592 +sg25267 +g27 +sg25275 +S'1463' +p161593 +sg25268 +S"Rene d'Anjou, 1409-1480, King of Naples 1435-1442, and Jeanne de Laval, died 1498 [obverse]" +p161594 +sg25270 +S'Francesco Laurana' +p161595 +sa(dp161596 +g25268 +S'Moses and Aaron' +p161597 +sg25270 +S'Sebald Beham' +p161598 +sg25273 +S'engraving' +p161599 +sg25275 +S'1526' +p161600 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a81f.jpg' +p161601 +sg25267 +g27 +sa(dp161602 +g25273 +S'lead' +p161603 +sg25267 +g27 +sg25275 +S'1463' +p161604 +sg25268 +S'Peace Holding an Olive Branch and Helmet [reverse]' +p161605 +sg25270 +S'Francesco Laurana' +p161606 +sa(dp161607 +g25273 +S'lead' +p161608 +sg25267 +g27 +sg25275 +S'1463' +p161609 +sg25268 +S"Rene d'Anjou, 1409-1480, King of Naples 1435-1442, and Jeanne de Laval, died 1498 [obverse]" +p161610 +sg25270 +S'Francesco Laurana' +p161611 +sa(dp161612 +g25273 +S'lead' +p161613 +sg25267 +g27 +sg25275 +S'1463' +p161614 +sg25268 +S'Peace Holding an Olive Branch and Helmet [reverse]' +p161615 +sg25270 +S'Francesco Laurana' +p161616 +sa(dp161617 +g25273 +S'bronze//Late cast' +p161618 +sg25267 +g27 +sg25275 +S'1464' +p161619 +sg25268 +S"Jean d'Anjou, 1426-1470, Duke of Calabria and Lorraine [obverse]" +p161620 +sg25270 +S'Francesco Laurana' +p161621 +sa(dp161622 +g25273 +S'bronze//Late cast' +p161623 +sg25267 +g27 +sg25275 +S'1464' +p161624 +sg25268 +S'Temple Surmounted by Figure of Saint Michael [reverse]' +p161625 +sg25270 +S'Francesco Laurana' +p161626 +sa(dp161627 +g25273 +S'lead//Decayed' +p161628 +sg25267 +g27 +sg25275 +S'c. 1460/1466' +p161629 +sg25268 +S'Louis XI, 1423-1483, King of France 1461 [obverse]' +p161630 +sg25270 +S'Francesco Laurana' +p161631 +sa(dp161632 +g25273 +S'lead//Decayed' +p161633 +sg25267 +g27 +sg25275 +S'c. 1460/1466' +p161634 +sg25268 +S'Concordia Holding a Lily Scepter and an Olive Branch' +p161635 +sg25270 +S'Francesco Laurana' +p161636 +sa(dp161637 +g25273 +S', c. 1441' +p161638 +sg25267 +g27 +sg25275 +S'\n' +p161639 +sg25268 +S"Borso d'Este, 1413-1471, Marquess of Este [obverse]" +p161640 +sg25270 +S'Amadio Amedei, called Amadio da Milano' +p161641 +sa(dp161642 +g25273 +S', c. 1441' +p161643 +sg25267 +g27 +sg25275 +S'\n' +p161644 +sg25268 +S'Marigold and Door Knocker [reverse]' +p161645 +sg25270 +S'Amadio Amedei, called Amadio da Milano' +p161646 +sa(dp161647 +g25268 +S"Niccolo III d'Este, 1383-1441, Marquess of Ferrara 1393 [obverse]" +p161648 +sg25270 +S'Amadio Amedei, called Amadio da Milano' +p161649 +sg25273 +S', probably 1437/1441' +p161650 +sg25275 +S'\n' +p161651 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006430.jpg' +p161652 +sg25267 +g27 +sa(dp161653 +g25268 +S'Death and the Courtesan' +p161654 +sg25270 +S'Artist Information (' +p161655 +sg25273 +S'German, 1500 - 1550' +p161656 +sg25275 +S'(artist after)' +p161657 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ae/a000ae79.jpg' +p161658 +sg25267 +g27 +sa(dp161659 +g25273 +S', probably 1437/1441' +p161660 +sg25267 +g27 +sg25275 +S'\n' +p161661 +sg25268 +S'The Este Shield [reverse]' +p161662 +sg25270 +S'Amadio Amedei, called Amadio da Milano' +p161663 +sa(dp161664 +g25273 +S'bronze' +p161665 +sg25267 +g27 +sg25275 +S'c. 1445/1450' +p161666 +sg25268 +S'Antonio Pisano, called Pisanello, the Painter and Medallist' +p161667 +sg25270 +S'Nicholaus' +p161668 +sa(dp161669 +g25273 +S'bronze//After-cast' +p161670 +sg25267 +g27 +sg25275 +S'c. 1444/1462' +p161671 +sg25268 +S'Saint Bernardino of Siena, 1380-1444, Canonized 1450 [obverse]' +p161672 +sg25270 +S'Antonio Marescotti' +p161673 +sa(dp161674 +g25273 +S'bronze//After-cast' +p161675 +sg25267 +g27 +sg25275 +S'c. 1444/1462' +p161676 +sg25268 +S'The Trigram IHS in a Flaming Halo [reverse]' +p161677 +sg25270 +S'Antonio Marescotti' +p161678 +sa(dp161679 +g25268 +S'Antonio Pisano, called Pisanello, the Painter and Medallist [obverse]' +p161680 +sg25270 +S'Antonio Marescotti' +p161681 +sg25273 +S'bronze' +p161682 +sg25275 +S'c. 1440/1443' +p161683 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0003a/a0003a03.jpg' +p161684 +sg25267 +g27 +sa(dp161685 +g25268 +S'Initials of the Seven Virtues [reverse]' +p161686 +sg25270 +S'Antonio Marescotti' +p161687 +sg25273 +S'bronze' +p161688 +sg25275 +S'c. 1440/1443' +p161689 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000e0/a000e00b.jpg' +p161690 +sg25267 +g27 +sa(dp161691 +g25273 +S'bronze' +p161692 +sg25267 +g27 +sg25275 +S'c. 1444/1462' +p161693 +sg25268 +S'Guilio Cesare Varano, c. 1430-1502, Lord of Camerino' +p161694 +sg25270 +S'Antonio Marescotti' +p161695 +sa(dp161696 +g25273 +S'lead//Twice pierced' +p161697 +sg25267 +g27 +sg25275 +S'c. 1464' +p161698 +sg25268 +S'Ginevra Sforza, 1442-1507, Wife of GIovanni II Bentivoglio 1464' +p161699 +sg25270 +S'Antonio Marescotti' +p161700 +sa(dp161701 +g25273 +S'lead' +p161702 +sg25267 +g27 +sg25275 +S'1460' +p161703 +sg25268 +S"Borso d'Este, 1413-1471, Marquess of Ferrara 1450, Duke of Modena and Reggio 1452 [obverse]" +p161704 +sg25270 +S'Jacopo Lixignolo' +p161705 +sa(dp161706 +g25273 +S'lead' +p161707 +sg25267 +g27 +sg25275 +S'1460' +p161708 +sg25268 +S'Unicorn Dipping Its Horn into a Stream [reverse]' +p161709 +sg25270 +S'Jacopo Lixignolo' +p161710 +sa(dp161711 +g25273 +S'etching' +p161712 +sg25267 +g27 +sg25275 +S'unknown date\n' +p161713 +sg25268 +S'Katrina' +p161714 +sg25270 +S'William Auerbach-Levy' +p161715 +sa(dp161716 +g25273 +S'lead' +p161717 +sg25267 +g27 +sg25275 +S'1460' +p161718 +sg25268 +S"Borso d'Este, 1413-1471, Marquess of Ferrara 1450, Duke of Modena and Reggio 1452 [obverse]" +p161719 +sg25270 +S'Petrecino' +p161720 +sa(dp161721 +g25273 +S'lead' +p161722 +sg25267 +g27 +sg25275 +S'1460' +p161723 +sg25268 +S'Hexogonal Font in a Landscape [reverse]' +p161724 +sg25270 +S'Petrecino' +p161725 +sa(dp161726 +g25268 +S"Ercole I d'Este, 1431-1505, Duke of Ferrara, Modena, and Reggio 1471" +p161727 +sg25270 +S"Baldassare d'Este" +p161728 +sg25273 +S'brass//With loop' +p161729 +sg25275 +S'1472' +p161730 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00063/a00063fe.jpg' +p161731 +sg25267 +g27 +sa(dp161732 +g25273 +S', 1472' +p161733 +sg25267 +g27 +sg25275 +S'\n' +p161734 +sg25268 +S"Ercole I d'Este, 1431-1505, Duke of Ferrara, Modena, and Reggio 1471 [obverse]" +p161735 +sg25270 +S'Lodovico Coradino' +p161736 +sa(dp161737 +g25273 +S', 1472' +p161738 +sg25267 +g27 +sg25275 +S'\n' +p161739 +sg25268 +S'Hercules and Three Columns in the Sea [reverse]' +p161740 +sg25270 +S'Lodovico Coradino' +p161741 +sa(dp161742 +g25273 +S'overall (height measured at center): 8.38 x 6.67 cm (3 5/16 x 2 5/8 in.)\r\ngross weight: 280.43 gr (0.618 lb.)' +p161743 +sg25267 +g27 +sg25275 +S'\nlead' +p161744 +sg25268 +S"Arcarino Foresto d'Este, Legendary Ancestor of the Estensi" +p161745 +sg25270 +S'Ferrarese 15th Century' +p161746 +sa(dp161747 +g25273 +S'overall (diameter): 3.04 cm (1 3/16 in.)\r\ngross weight: 11.91 gr (0.026 lb.)\r\naxis: 12:00' +p161748 +sg25267 +g27 +sg25275 +S'\nbronze' +p161749 +sg25268 +S"Borso d'Este, 1413-1471, Marquess of Ferrara 150, Duke of Modena and Reggio 1452 [obverse]" +p161750 +sg25270 +S'Ferrarese 15th Century' +p161751 +sa(dp161752 +g25273 +S'overall (diameter): 3.04 cm (1 3/16 in.)\r\ngross weight: 11.91 gr (0.026 lb.)\r\naxis: 12:00' +p161753 +sg25267 +g27 +sg25275 +S'\nbronze' +p161754 +sg25268 +S'Shield of Este on Floriated Ground [reverse]' +p161755 +sg25270 +S'Ferrarese 15th Century' +p161756 +sa(dp161757 +g25273 +S'overall (diameter): 6.65 cm (2 5/8 in.)\r\ngross weight: 85.78 gr (0.189 lb.)\r\naxis: 12:00' +p161758 +sg25267 +g27 +sg25275 +S'\nbronze' +p161759 +sg25268 +S"Alfonso I d'Este, 1476-1534 [obverse]" +p161760 +sg25270 +S'Ferrarese 15th Century' +p161761 +sa(dp161762 +g25273 +S'overall (diameter): 6.65 cm (2 5/8 in.)\r\ngross weight: 85.78 gr (0.189 lb.)\r\naxis: 12:00' +p161763 +sg25267 +g27 +sg25275 +S'\nbronze' +p161764 +sg25268 +S'Alfonso as Infant Hercules [reverse]' +p161765 +sg25270 +S'Ferrarese 15th Century' +p161766 +sa(dp161767 +g25268 +S'Convoi Fun\xc3\xa8bre au Boulevard de Clichy (Funeral Procession on the Boulevard de Clichy)' +p161768 +sg25270 +S'F\xc3\xa9lix-Hilaire Buhot' +p161769 +sg25273 +S'heliogravure, etching, aquatint, and drypoint with burnishing in blue-green and brown-black on toned wove paper' +p161770 +sg25275 +S'1887' +p161771 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00091/a000916f.jpg' +p161772 +sg25267 +g27 +sa(dp161773 +g25273 +S'overall (diameter): 9.24 cm (3 5/8 in.)\r\ngross weight: 219.81 gr (0.485 lb.)\r\naxis: 12:00' +p161774 +sg25267 +g27 +sg25275 +S'\nbronze//Weak cast' +p161775 +sg25268 +S"Ercole I d'Este, 1431-1505, Duke of Ferrara, Modena, and Reggio 1471 [obverse]" +p161776 +sg25270 +S'Ferrarese 15th Century' +p161777 +sa(dp161778 +g25273 +S'overall (diameter): 9.24 cm (3 5/8 in.)\r\ngross weight: 219.81 gr (0.485 lb.)\r\naxis: 12:00' +p161779 +sg25267 +g27 +sg25275 +S'\nbronze//Weak cast' +p161780 +sg25268 +S'Putti Receiving Shower of Este Diamond Rings [reverse]' +p161781 +sg25270 +S'Ferrarese 15th Century' +p161782 +sa(dp161783 +g25273 +S'overall (diameter): 6.85 cm (2 11/16 in.)\r\ngross weight: 70.51 gr (0.155 lb.)' +p161784 +sg25267 +g27 +sg25275 +S'\ngilt bronze' +p161785 +sg25268 +S"Ercole I d'Este, 1431-1505, Duke of Ferrara, Modena, and Reggio 1471" +p161786 +sg25270 +S'Ferrarese 15th Century' +p161787 +sa(dp161788 +g25273 +S'overall: 6.98 x 4.79 cm (2 3/4 x 1 7/8 in.)\r\ngross weight: 111.86 gr (0.247 lb.)' +p161789 +sg25267 +g27 +sg25275 +S'\nbronze' +p161790 +sg25268 +S'Portrait of a Man' +p161791 +sg25270 +S'Ferrarese 15th Century' +p161792 +sa(dp161793 +g25273 +S'overall: 4.42 x 3.36 cm (1 3/4 x 1 5/16 in.)\r\ngross weight: 31.15 gr (0.069 lb.)' +p161794 +sg25267 +g27 +sg25275 +S'\nbronze' +p161795 +sg25268 +S'Portrait of a Man' +p161796 +sg25270 +S'Ferrarese 15th Century' +p161797 +sa(dp161798 +g25273 +S'overall (diameter): 5.07 cm (2 in.)\r\ngross weight: 78.54 gr (0.173 lb.)' +p161799 +sg25267 +g27 +sg25275 +S'\nbronze' +p161800 +sg25268 +S'Portrait of a Man' +p161801 +sg25270 +S'Ferrarese 15th Century' +p161802 +sa(dp161803 +g25273 +S'overall: 4.31 x 3.68 cm (1 11/16 x 1 7/16 in.)\r\ngross weight: 30.33 gr (0.067 lb.)' +p161804 +sg25267 +g27 +sg25275 +S'\nbronze' +p161805 +sg25268 +S'Portrait of a Boy' +p161806 +sg25270 +S'Ferrarese 15th Century' +p161807 +sa(dp161808 +g25273 +S'overall (diameter): 6.51 cm (2 9/16 in.)\r\ngross weight: 100.67 gr (0.222 lb.)' +p161809 +sg25267 +g27 +sg25275 +S'\nbronze' +p161810 +sg25268 +S'Portrait of a Man' +p161811 +sg25270 +S'Ferrarese 15th Century' +p161812 +sa(dp161813 +g25273 +S'overall: 5.55 x 3.77 cm (2 3/16 x 1 1/2 in.)\r\ngross weight: 77.1 gr (0.17 lb.)' +p161814 +sg25267 +g27 +sg25275 +S'\nbronze//Late cast' +p161815 +sg25268 +S'Portrait of a Man' +p161816 +sg25270 +S'Ferrarese 15th Century' +p161817 +sa(dp161818 +g25273 +S'overall: 5.98 x 3.71 cm (2 3/8 x 1 7/16 in.)\r\ngross weight: 112.52 gr (0.248 lb.)' +p161819 +sg25267 +g27 +sg25275 +S'\nbronze' +p161820 +sg25268 +S'Portrait of a Man' +p161821 +sg25270 +S'Ferrarese 15th Century' +p161822 +sa(dp161823 +g25268 +S'La Maison Maudite (The House of the Damned)' +p161824 +sg25270 +S'F\xc3\xa9lix-Hilaire Buhot' +p161825 +sg25273 +S'etching' +p161826 +sg25275 +S'c. 1883/1885' +p161827 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00091/a0009158.jpg' +p161828 +sg25267 +g27 +sa(dp161829 +g25273 +S'overall (diameter): 7.45 cm (2 15/16 in.)\r\ngross weight: 61.34 gr (0.135 lb.)\r\naxis:12:00' +p161830 +sg25267 +g27 +sg25275 +S'\nbronze' +p161831 +sg25268 +S'Portrait of a Man [obverse]' +p161832 +sg25270 +S'Ferrarese 15th Century' +p161833 +sa(dp161834 +g25273 +S'overall (diameter): 7.45 cm (2 15/16 in.)\r\ngross weight: 61.34 gr (0.135 lb.)\r\naxis:12:00' +p161835 +sg25267 +g27 +sg25275 +S'\nbronze' +p161836 +sg25268 +S'Object Resembling Double Axe-head [reverse]' +p161837 +sg25270 +S'Ferrarese 15th Century' +p161838 +sa(dp161839 +g25273 +S'overall (octagonal): 6.42 x 4.58 cm (2 1/2 x 1 13/16 in.)\r\ngross weight: 63.75 gr (0.141 lb.)' +p161840 +sg25267 +g27 +sg25275 +S'\nbronze' +p161841 +sg25268 +S'Portrait of a Woman' +p161842 +sg25270 +S'Ferrarese 15th Century' +p161843 +sa(dp161844 +g25273 +S'overall (irregular): 5.1 x 3.8 cm (2 x 1 1/2 in.) gross weight: 35 gr' +p161845 +sg25267 +g27 +sg25275 +S'\nbronze' +p161846 +sg25268 +S'Portrait of a Woman' +p161847 +sg25270 +S'Ferrarese 15th Century' +p161848 +sa(dp161849 +g25273 +S'overall: 4.79 x 3.71 cm (1 7/8 x 1 7/16 in.)\r\ngross weight: 63.3 gr (0.14 lb.)' +p161850 +sg25267 +g27 +sg25275 +S'\nbronze' +p161851 +sg25268 +S'Portrait of a Woman' +p161852 +sg25270 +S'Ferrarese 15th Century' +p161853 +sa(dp161854 +g25268 +S'Guarino da Verona, 1374-1460, Humanist [obverse]' +p161855 +sg25270 +S"Matteo de' Pasti" +p161856 +sg25273 +S'bronze' +p161857 +sg25275 +S'c. 1446' +p161858 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006431.jpg' +p161859 +sg25267 +g27 +sa(dp161860 +g25268 +S'Fountain Surmounted by a Nude Male Figure [reverse]' +p161861 +sg25270 +S"Matteo de' Pasti" +p161862 +sg25273 +S'bronze' +p161863 +sg25275 +S'c. 1446' +p161864 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00066/a000661a.jpg' +p161865 +sg25267 +g27 +sa(dp161866 +g25268 +S'Leone Battista Alberti, 1404-1472, Architect and Writer on Art and Science [obverse]' +p161867 +sg25270 +S"Matteo de' Pasti" +p161868 +sg25273 +S'bronze' +p161869 +sg25275 +S'1446/1450' +p161870 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006432.jpg' +p161871 +sg25267 +g27 +sa(dp161872 +g25268 +S'Winged Human Eye [reverse]' +p161873 +sg25270 +S"Matteo de' Pasti" +p161874 +sg25273 +S'bronze' +p161875 +sg25275 +S'1446/1450' +p161876 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00066/a000664b.jpg' +p161877 +sg25267 +g27 +sa(dp161878 +g25268 +S'Jesus Christ [obverse]' +p161879 +sg25270 +S"Matteo de' Pasti" +p161880 +sg25273 +S'bronze' +p161881 +sg25275 +S'1446/1450' +p161882 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006462.jpg' +p161883 +sg25267 +g27 +sa(dp161884 +g25268 +S'La Place Pigalle en 1878 (Place Pigalle in 1878)' +p161885 +sg25270 +S'F\xc3\xa9lix-Hilaire Buhot' +p161886 +sg25273 +S'etching, aquatint, drypoint, and roulette in black on toned paper' +p161887 +sg25275 +S'1878' +p161888 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00091/a0009162.jpg' +p161889 +sg25267 +g27 +sa(dp161890 +g25268 +S'Christ in the Tomb [reverse]' +p161891 +sg25270 +S"Matteo de' Pasti" +p161892 +sg25273 +S'bronze' +p161893 +sg25275 +S'1446/1450' +p161894 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006463.jpg' +p161895 +sg25267 +g27 +sa(dp161896 +g25273 +S'bronze' +p161897 +sg25267 +g27 +sg25275 +S'1446' +p161898 +sg25268 +S'Sigismondo Pandolfo Malatesta, 1417-1468, Lord of Rimini and Fano [obverse]' +p161899 +sg25270 +S"Matteo de' Pasti" +p161900 +sa(dp161901 +g25273 +S'bronze' +p161902 +sg25267 +g27 +sg25275 +S'1446' +p161903 +sg25268 +S'Shield, Helmet, Elephant-crest, and Mantling [reverse]' +p161904 +sg25270 +S"Matteo de' Pasti" +p161905 +sa(dp161906 +g25268 +S'Isotta degli Atti, 1432/1433-1474, Mistress 1446, then Wife after 1453, of Sigismondo Malatesta [obverse]' +p161907 +sg25270 +S"Matteo de' Pasti" +p161908 +sg25273 +S'bronze' +p161909 +sg25275 +S'1446' +p161910 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005e/a0005e7e.jpg' +p161911 +sg25267 +g27 +sa(dp161912 +g25268 +S'The Malatesta Elephant in a Meadow [reverse]' +p161913 +sg25270 +S"Matteo de' Pasti" +p161914 +sg25273 +S'bronze' +p161915 +sg25275 +S'1446' +p161916 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00063/a00063ff.jpg' +p161917 +sg25267 +g27 +sa(dp161918 +g25268 +S'Sigismondo Pandolfo Malatesta, 1417-1468, Lord of Rimini and Fano [obverse]' +p161919 +sg25270 +S"Matteo de' Pasti" +p161920 +sg25273 +S'bronze' +p161921 +sg25275 +S'1446' +p161922 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006401.jpg' +p161923 +sg25267 +g27 +sa(dp161924 +g25268 +S'The Castle of Rimini [reverse]' +p161925 +sg25270 +S"Matteo de' Pasti" +p161926 +sg25273 +S'bronze' +p161927 +sg25275 +S'1446' +p161928 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006400.jpg' +p161929 +sg25267 +g27 +sa(dp161930 +g25273 +S'bronze//Rough cast' +p161931 +sg25267 +g27 +sg25275 +S'1446' +p161932 +sg25268 +S'Sigismondo Pandolfo Malatesta, 1417-1468, Lord of Rimini and Fano [obverse]' +p161933 +sg25270 +S"Matteo de' Pasti" +p161934 +sa(dp161935 +g25273 +S'bronze//Rough cast' +p161936 +sg25267 +g27 +sg25275 +S'1446' +p161937 +sg25268 +S'Fortitude Holding a Broken Column [reverse]' +p161938 +sg25270 +S"Matteo de' Pasti" +p161939 +sa(dp161940 +g25273 +S'bronze' +p161941 +sg25267 +g27 +sg25275 +S'1446' +p161942 +sg25268 +S'Sigismondo Pandolfo Malatesta, 1417-1468, Lord of Rimini and Fano [obverse]' +p161943 +sg25270 +S"Matteo de' Pasti" +p161944 +sa(dp161945 +g25268 +S'La Place des Martyrs et La Taverne du Bagne (The Place des Martyrs and the Jailhouse Tavern)' +p161946 +sg25270 +S'F\xc3\xa9lix-Hilaire Buhot' +p161947 +sg25273 +S'etching, aquatint, lift-ground aquatint, and drypoint in blue-black on brown laid paper' +p161948 +sg25275 +S'1885' +p161949 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00057/a0005740.jpg' +p161950 +sg25267 +g27 +sa(dp161951 +g25273 +S'bronze' +p161952 +sg25267 +g27 +sg25275 +S'1446' +p161953 +sg25268 +S'The Castle of Rimini [reverse]' +p161954 +sg25270 +S"Matteo de' Pasti" +p161955 +sa(dp161956 +g25273 +S'bronze' +p161957 +sg25267 +g27 +sg25275 +S'1446' +p161958 +sg25268 +S'Isotta degli Atti, 1432/1433-1474, Mistress 1446, then Wife after 1453, of Sigismondo Malatesta [obverse]' +p161959 +sg25270 +S"Matteo de' Pasti" +p161960 +sa(dp161961 +g25273 +S'bronze' +p161962 +sg25267 +g27 +sg25275 +S'1446' +p161963 +sg25268 +S'The Malatesta Elephant in a Meadow [reverse]' +p161964 +sg25270 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+S'Mea' +p162246 +sa(dp162247 +g25268 +S'Les Voisins de Campagne (Country Neighbors)' +p162248 +sg25270 +S'F\xc3\xa9lix-Hilaire Buhot' +p162249 +sg25273 +S'etching, aquatint, and drypoint in black on cream laid paper' +p162250 +sg25275 +S'1879/1880' +p162251 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00098/a000980b.jpg' +p162252 +sg25267 +g27 +sa(dp162253 +g25273 +S'bronze' +p162254 +sg25267 +g27 +sg25275 +S'c. 1510' +p162255 +sg25268 +S'Galley in Full Sail [reverse]' +p162256 +sg25270 +S'Mea' +p162257 +sa(dp162258 +g25273 +S'overall (diameter): 5.57 cm (2 3/16 in.)\r\ngross weight: 72.21 gr (0.159 lb.)\r\naxis: 6:00' +p162259 +sg25267 +g27 +sg25275 +S'\nbronze' +p162260 +sg25268 +S'Ortensia Piccolomini [obverse]' +p162261 +sg25270 +S'Mantuan 16th Century' +p162262 +sa(dp162263 +g25273 +S'overall (diameter): 5.57 cm (2 3/16 in.)\r\ngross weight: 72.21 gr (0.159 lb.)\r\naxis: 6:00' +p162264 +sg25267 +g27 +sg25275 +S'\nbronze' +p162265 +sg25268 +S'The Judgment of Paris [reverse]' +p162266 +sg25270 +S'Mantuan 16th Century' +p162267 +sa(dp162268 +g25273 +S'overall (diameter): 3.47 cm (1 3/8 in.)\r\ngross weight: 15.19 gr (0.033 lb.)\r\naxis: 11:00' +p162269 +sg25267 +g27 +sg25275 +S'\nbronze' +p162270 +sg25268 +S'Federigo II Gonzaga, 1500-1540, 5th Marquess of Mantua 1519 and 1st Duke of Mantua 1530 [obverse]' +p162271 +sg25270 +S'Mantuan 16th Century' +p162272 +sa(dp162273 +g25273 +S'overall (diameter): 3.47 cm (1 3/8 in.)\r\ngross weight: 15.19 gr (0.033 lb.)\r\naxis: 11:00' +p162274 +sg25267 +g27 +sg25275 +S'\nbronze' +p162275 +sg25268 +S'Saint Catherine [reverse]' +p162276 +sg25270 +S'Mantuan 16th Century' +p162277 +sa(dp162278 +g25268 +S'Corrado Gonzaga, 1268-1360, Captain of Mantua' +p162279 +sg25270 +S'Mantuan 16th Century' +p162280 +sg25273 +S'overall (diameter): 8.12 cm (3 3/16 in.)\r\ngross weight: 184.23 gr (0.406 lb.)' +p162281 +sg25275 +S'\nbronze' +p162282 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006435.jpg' +p162283 +sg25267 +g27 +sa(dp162284 +g25273 +S'bronze' +p162285 +sg25267 +g27 +sg25275 +S'1456' +p162286 +sg25268 +S'Francesco I Sforza, 1401-1466, 4th Duke of Milan 1450 [obverse]' +p162287 +sg25270 +S'Gianfrancesco Enzola' +p162288 +sa(dp162289 +g25273 +S'bronze' +p162290 +sg25267 +g27 +sg25275 +S'1456' +p162291 +sg25268 +S'Greyhound [reverse]' +p162292 +sg25270 +S'Gianfrancesco Enzola' +p162293 +sa(dp162294 +g25273 +S'bronze' +p162295 +sg25267 +g27 +sg25275 +S'1459' +p162296 +sg25268 +S'Francesco I Sforza, 1401-1466, 4th Duke of Milan 1450 [obverse]' +p162297 +sg25270 +S'Gianfrancesco Enzola' +p162298 +sa(dp162299 +g25273 +S'bronze' +p162300 +sg25267 +g27 +sg25275 +S'1459' +p162301 +sg25268 +S'Galeazzo Maria Sforza, 1444-1476, 5th Duke of Milan 1466 [reverse]' +p162302 +sg25270 +S'Gianfrancesco Enzola' +p162303 +sa(dp162304 +g25268 +S'Ex-Libris pour "L\'Ensorcel\xc3\xa9e" (Bookplate for "L\'Ensorcel\xc3\xa9e")' +p162305 +sg25270 +S'F\xc3\xa9lix-Hilaire Buhot' +p162306 +sg25273 +S'etching, drypoint, and aquatint in black-brown on cream laid paper' +p162307 +sg25275 +S'c. 1883/1885' +p162308 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a00097e3.jpg' +p162309 +sg25267 +g27 +sa(dp162310 +g25273 +S'bronze//Rough cast' +p162311 +sg25267 +g27 +sg25275 +S'1461' +p162312 +sg25268 +S'Taddeo di Guidacci Manfredi I, Count of Faenza and Lord of Imola 1449 [obverse]' +p162313 +sg25270 +S'Gianfrancesco Enzola' +p162314 +sa(dp162315 +g25273 +S'bronze//Rough cast' +p162316 +sg25267 +g27 +sg25275 +S'1461' +p162317 +sg25268 +S'Female Figure and Putto [reverse]' +p162318 +sg25270 +S'Gianfrancesco Enzola' +p162319 +sa(dp162320 +g25273 +S'lead//After-cast' +p162321 +sg25267 +g27 +sg25275 +S'1475' +p162322 +sg25268 +S'Costanzo Sforza, 1447-1483, Lord of Pesaro 1473 [obverse]' +p162323 +sg25270 +S'Gianfrancesco Enzola' +p162324 +sa(dp162325 +g25273 +S'lead//After-cast' +p162326 +sg25267 +g27 +sg25275 +S'1475' +p162327 +sg25268 +S'Costanzo Riding in the Country [reverse]' +p162328 +sg25270 +S'Gianfrancesco Enzola' +p162329 +sa(dp162330 +g25273 +S'bronze' +p162331 +sg25267 +g27 +sg25275 +S'1475' +p162332 +sg25268 +S'Costanzo Sforza, 1447-1483, Lord of Pesaro 1473 [obverse]' +p162333 +sg25270 +S'Gianfrancesco Enzola' +p162334 +sa(dp162335 +g25273 +S'bronze' +p162336 +sg25267 +g27 +sg25275 +S'1475' +p162337 +sg25268 +S'Alessandro Sforza, 1409-1468, Lord of Pesaro 1445 [reverse]' +p162338 +sg25270 +S'Gianfrancesco Enzola' +p162339 +sa(dp162340 +g25268 +S'Costanzo Sforza, 1447-1483, Lord of Pesaro 1473 [obverse]' +p162341 +sg25270 +S'Gianfrancesco Enzola' +p162342 +sg25273 +S'bronze//Old cast, untrimmed' +p162343 +sg25275 +S'1475' +p162344 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00063/a00063ef.jpg' +p162345 +sg25267 +g27 +sa(dp162346 +g25268 +S'The Castle of Pesaro [reverse]' +p162347 +sg25270 +S'Gianfrancesco Enzola' +p162348 +sg25273 +S'bronze//Old cast, untrimmed' +p162349 +sg25275 +S'1475' +p162350 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00063/a00063f0.jpg' +p162351 +sg25267 +g27 +sa(dp162352 +g25273 +S'bronze' +p162353 +sg25267 +g27 +sg25275 +S'probably 1456/1466' +p162354 +sg25268 +S'Francesco I Sforza, 1401-1466, 4th Duke of Milan 1450' +p162355 +sg25270 +S'Gianfrancesco Enzola' +p162356 +sa(dp162357 +g25273 +S'bronze//Struck' +p162358 +sg25267 +g27 +sg25275 +S'probably 1456/1466' +p162359 +sg25268 +S'Costanzo Sforza, 1447-1483, Lord of Pesaro 1473 [obverse]' +p162360 +sg25270 +S'Gianfrancesco Enzola' +p162361 +sa(dp162362 +g25268 +S'Les Petites Chaumi\xc3\xa8res (Thatched Cottages--Small Plate)' +p162363 +sg25270 +S'F\xc3\xa9lix-Hilaire Buhot' +p162364 +sg25273 +S'etching' +p162365 +sg25275 +S'1878' +p162366 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00098/a000980f.jpg' +p162367 +sg25267 +g27 +sa(dp162368 +g25273 +S'bronze//Struck' +p162369 +sg25267 +g27 +sg25275 +S'probably 1456/1466' +p162370 +sg25268 +S'The Castle of Pesaro [reverse]' +p162371 +sg25270 +S'Gianfrancesco Enzola' +p162372 +sa(dp162373 +g25268 +S'Federigo da Montefeltro, 1422-1482, Count of Urbino 1444, and Duke 1474 [obverse]' +p162374 +sg25270 +S'Clemente da Urbino' +p162375 +sg25273 +S'bronze' +p162376 +sg25275 +S'1468' +p162377 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002da0.jpg' +p162378 +sg25267 +g27 +sa(dp162379 +g25268 +S'Eagle with Spread Wings Supporting Devices [reverse]' +p162380 +sg25270 +S'Clemente da Urbino' +p162381 +sg25273 +S'bronze' +p162382 +sg25275 +S'1468' +p162383 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002da1.jpg' +p162384 +sg25267 +g27 +sa(dp162385 +g25273 +S'bronze//Four times pierced' +p162386 +sg25267 +g27 +sg25275 +S'probably 1485/1490' +p162387 +sg25268 +S'Borghese Borghesi, 1414-1490, Jurisconsult of Siena [obverse]' +p162388 +sg25270 +S'Francesco di Giorgio Martini' +p162389 +sa(dp162390 +g25273 +S'bronze//Four times pierced' +p162391 +sg25267 +g27 +sg25275 +S'probably 1485/1490' +p162392 +sg25268 +S'Minerva Holding a Spear and Shield [reverse]' +p162393 +sg25270 +S'Francesco di Giorgio Martini' +p162394 +sa(dp162395 +g25268 +S'Mehmed II, 1430-1481, Sultan of the Turks 1451 [obverse]' +p162396 +sg25270 +S'Costanzo da Ferrara' +p162397 +sg25273 +S'bronze' +p162398 +sg25275 +S'c. 1481' +p162399 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00056/a0005683.jpg' +p162400 +sg25267 +g27 +sa(dp162401 +g25268 +S'The Sultan Riding [reverse]' +p162402 +sg25270 +S'Costanzo da Ferrara' +p162403 +sg25273 +S'bronze' +p162404 +sg25275 +S'c. 1481' +p162405 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00056/a0005684.jpg' +p162406 +sg25267 +g27 +sa(dp162407 +g25273 +S'overall (diameter): 5.26 cm (2 1/16 in.)\r\ngross weight: 26.51 gr (0.058 lb.)\r\naxis: 12:00' +p162408 +sg25267 +g27 +sg25275 +S'\nbronze//Broken at edge' +p162409 +sg25268 +S"Andrea Matteo III d'Acquaviva, 1457-1528, Duke of Atri and Teramo 1481 [obverse]" +p162410 +sg25270 +S'Neapolitan 15th Century' +p162411 +sa(dp162412 +g25273 +S'overall (diameter): 5.26 cm (2 1/16 in.)\r\ngross weight: 26.51 gr (0.058 lb.)\r\naxis: 12:00' +p162413 +sg25267 +g27 +sg25275 +S'\nbronze//Broken at edge' +p162414 +sg25268 +S'Crowned Shield of Arms [reverse]' +p162415 +sg25270 +S'Neapolitan 15th Century' +p162416 +sa(dp162417 +g25273 +S'bronze' +p162418 +sg25267 +g27 +sg25275 +S'1494 or before' +p162419 +sg25268 +S'Ferdinand of Aragon, died 1496, Prince of Capua and King of Naples 1495 [obverse]' +p162420 +sg25270 +S'Adriano Fiorentino' +p162421 +sa(dp162422 +g25268 +S'Les Noctambules (The Night Prowlers)' +p162423 +sg25270 +S'F\xc3\xa9lix-Hilaire Buhot' +p162424 +sg25273 +S'etching and aquatint with scraping and burnishing in black on light blue laid paper' +p162425 +sg25275 +S'1876/1877' +p162426 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a00097c5.jpg' +p162427 +sg25267 +g27 +sa(dp162428 +g25273 +S'bronze' +p162429 +sg25267 +g27 +sg25275 +S'1494 or before' +p162430 +sg25268 +S'Felicitas Seated, Holding Ears of Corn and Waving Cornucopiae [reverse]' +p162431 +sg25270 +S'Adriano Fiorentino' +p162432 +sa(dp162433 +g25273 +S'bronze' +p162434 +sg25267 +g27 +sg25275 +S'1495/1496' +p162435 +sg25268 +S'Ferdinand II of Aragon, died 1496, Prince of Capua and King of Naples 1495 [obverse]' +p162436 +sg25270 +S'Adriano Fiorentino' +p162437 +sa(dp162438 +g25273 +S'bronze' +p162439 +sg25267 +g27 +sg25275 +S'1495/1496' +p162440 +sg25268 +S'Janiform Head [reverse]' +p162441 +sg25270 +S'Adriano Fiorentino' +p162442 +sa(dp162443 +g25268 +S'Giovanni Gioviano Pontano, 1426-1503, Poet [obverse]' +p162444 +sg25270 +S'Adriano Fiorentino' +p162445 +sg25273 +S'bronze' +p162446 +sg25275 +S'1488 or after' +p162447 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00067/a00067eb.jpg' +p162448 +sg25267 +g27 +sa(dp162449 +g25268 +S'Urania Walking to Right, Holding a Globe and Lyre [reverse]' +p162450 +sg25270 +S'Adriano Fiorentino' +p162451 +sg25273 +S'bronze' +p162452 +sg25275 +S'1488 or after' +p162453 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00067/a00067ea.jpg' +p162454 +sg25267 +g27 +sa(dp162455 +g25268 +S'Elisabetta Gonzaga, died 1526, Duchess of Urbino, Wife of Guidobaldo I 1489 [obverse]' +p162456 +sg25270 +S'Adriano Fiorentino' +p162457 +sg25273 +S'bronze' +p162458 +sg25275 +S'probably after 1502' +p162459 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006459.jpg' +p162460 +sg25267 +g27 +sa(dp162461 +g25268 +S'Female Figure Holding a Bridle [reverse]' +p162462 +sg25270 +S'Adriano Fiorentino' +p162463 +sg25273 +S'bronze' +p162464 +sg25275 +S'probably after 1502' +p162465 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006457.jpg' +p162466 +sg25267 +g27 +sa(dp162467 +g25273 +S'bronze' +p162468 +sg25267 +g27 +sg25275 +S'probably 1488/1499' +p162469 +sg25268 +S'Portrait of a Boy' +p162470 +sg25270 +S'Adriano Fiorentino' +p162471 +sa(dp162472 +g25273 +S'bronze' +p162473 +sg25267 +g27 +sg25275 +S'c. 1524' +p162474 +sg25268 +S'Andrea Caraffa, died 1526, Count of Santa Severina and Viceroy of Naples [obverse]' +p162475 +sg25270 +S'Girolamo Santacroce' +p162476 +sa(dp162477 +g25273 +S'bronze' +p162478 +sg25267 +g27 +sg25275 +S'c. 1524' +p162479 +sg25268 +S'Prudence Holding a Double-Faced Head [reverse]' +p162480 +sg25270 +S'Girolamo Santacroce' +p162481 +sa(dp162482 +g25268 +S'Un D\xc3\xa9barquement en Angleterre (Landing in England)' +p162483 +sg25270 +S'F\xc3\xa9lix-Hilaire Buhot' +p162484 +sg25273 +S'etching, drypoint, aquatint (dust ground and spirit ground), roulette, and burnishing in black on oatmeal paper' +p162485 +sg25275 +S'1879' +p162486 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00091/a000915d.jpg' +p162487 +sg25267 +g27 +sa(dp162488 +g25273 +S'overall (diameter): 6.33 cm (2 1/2 in.)\r\ngross weight: 64.72 gr (0.143 lb.)\r\naxis: 12:00' +p162489 +sg25267 +g27 +sg25275 +S'\nbronze' +p162490 +sg25268 +S'Andrea Caraffa, died 1526, Count of Santa Severina and Viceroy of Naples [obverse]' +p162491 +sg25270 +S'Neapolitan 16th Century' +p162492 +sa(dp162493 +g25273 +S'overall (diameter): 6.33 cm (2 1/2 in.)\r\ngross weight: 64.72 gr (0.143 lb.)\r\naxis: 12:00' +p162494 +sg25267 +g27 +sg25275 +S'\nbronze' +p162495 +sg25268 +S'Shield of Caraffa Arms [reverse]' +p162496 +sg25270 +S'Neapolitan 16th Century' +p162497 +sa(dp162498 +g25273 +S'overall (diameter): 6.7 cm (2 5/8 in.)\r\ngross weight: 133.92 gr (0.295 lb.)\r\naxis: 6:00' +p162499 +sg25267 +g27 +sg25275 +S'\nbronze' +p162500 +sg25268 +S'Andrea Caraffa, died 1526, Count of Santa Severina and Viceroy of Naples [obverse]' +p162501 +sg25270 +S'Neapolitan 16th Century' +p162502 +sa(dp162503 +g25273 +S'overall (diameter): 6.7 cm (2 5/8 in.)\r\ngross weight: 133.92 gr (0.295 lb.)\r\naxis: 6:00' +p162504 +sg25267 +g27 +sg25275 +S'\nbronze' +p162505 +sg25268 +S'Shield of Caraffa Arms [reverse]' +p162506 +sg25270 +S'Neapolitan 16th Century' +p162507 +sa(dp162508 +g25273 +S'bronze' +p162509 +sg25267 +g27 +sg25275 +S'c. 1462' +p162510 +sg25268 +S'Bartolommeo Pendaglia, died 1462, Merchant of Ferrara [obverse]' +p162511 +sg25270 +S'Sperandio' +p162512 +sa(dp162513 +g25273 +S'bronze' +p162514 +sg25267 +g27 +sg25275 +S'c. 1462' +p162515 +sg25268 +S'Figure Seated on a Cuirass, Holding a Globe and Spear [reverse]' +p162516 +sg25270 +S'Sperandio' +p162517 +sa(dp162518 +g25273 +S'bronze' +p162519 +sg25267 +g27 +sg25275 +S'c. 1463' +p162520 +sg25268 +S"Antonio Sarzanella de' Manfredi, Este Diplomat [obverse]" +p162521 +sg25270 +S'Sperandio' +p162522 +sa(dp162523 +g25273 +S'bronze' +p162524 +sg25267 +g27 +sg25275 +S'c. 1463' +p162525 +sg25268 +S'Prudence Seated on Two Hounds Holding Manfredi Shield [reverse]' +p162526 +sg25270 +S'Sperandio' +p162527 +sa(dp162528 +g25273 +S'bronze' +p162529 +sg25267 +g27 +sg25275 +S'c. 1462/1463' +p162530 +sg25268 +S'Lodovico Carbone, 1430-1485, Poet [obverse]' +p162531 +sg25270 +S'Sperandio' +p162532 +sa(dp162533 +g25273 +S'bronze' +p162534 +sg25267 +g27 +sg25275 +S'c. 1462/1463' +p162535 +sg25268 +S'Carbone Receiving a Wreath from Calliope [reverse]' +p162536 +sg25270 +S'Sperandio' +p162537 +sa(dp162538 +g25268 +S'Le Petit Enterrement (The Burial - Small Plate)' +p162539 +sg25270 +S'F\xc3\xa9lix-Hilaire Buhot' +p162540 +sg25273 +S'etching' +p162541 +sg25275 +S'1878' +p162542 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00098/a0009811.jpg' +p162543 +sg25267 +g27 +sa(dp162544 +g25268 +S'Francesco I Sforza, 1401-1466, 4th Duke of Milan 1450 [obverse]' +p162545 +sg25270 +S'Sperandio' +p162546 +sg25273 +S'bronze' +p162547 +sg25275 +S'c. 1466' +p162548 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006455.jpg' +p162549 +sg25267 +g27 +sa(dp162550 +g25268 +S'Renaissance Building with Four Cupolas [reverse]' +p162551 +sg25270 +S'Sperandio' +p162552 +sg25273 +S'bronze' +p162553 +sg25275 +S'c. 1466' +p162554 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a000645a.jpg' +p162555 +sg25267 +g27 +sa(dp162556 +g25268 +S"Ercole I d'Este, 1431-1505, Duke of Ferrara, and Eleonora of Aragon, 1450-1493, His Wife 1473 [obverse]" +p162557 +sg25270 +S'Sperandio' +p162558 +sg25273 +S'lead' +p162559 +sg25275 +S'probably 1473' +p162560 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cd/a000cdd4.jpg' +p162561 +sg25267 +g27 +sa(dp162562 +g25273 +S'lead' +p162563 +sg25267 +g27 +sg25275 +S'probably 1463/1477' +p162564 +sg25268 +S"Sigismondo d'Este, 1433-1507, Son of Niccolo III d'Este [obverse]" +p162565 +sg25270 +S'Sperandio' +p162566 +sa(dp162567 +g25273 +S'lead' +p162568 +sg25267 +g27 +sg25275 +S'probably 1463/1477' +p162569 +sg25268 +S'Cupid Holding a Palm-branch and Balance [reverse]' +p162570 +sg25270 +S'Sperandio' +p162571 +sa(dp162572 +g25273 +S'bronze' +p162573 +sg25267 +g27 +sg25275 +S'probably 1463/1477' +p162574 +sg25268 +S"Sigismondo d'Este, 1433-1507, Son of Niccolo III d'Este" +p162575 +sg25270 +S'Sperandio' +p162576 +sa(dp162577 +g25273 +S'bronze' +p162578 +sg25267 +g27 +sg25275 +S'c. 1472' +p162579 +sg25268 +S'Pietro Bono Avogario, 1425-1506, Physician and Astrologer [obverse]' +p162580 +sg25270 +S'Sperandio' +p162581 +sa(dp162582 +g25273 +S'bronze' +p162583 +sg25267 +g27 +sg25275 +S'c. 1472' +p162584 +sg25268 +S'Aesculapius, Standing on a Dragon, and Urania on a Globe [reverse]' +p162585 +sg25270 +S'Sperandio' +p162586 +sa(dp162587 +g25273 +S'bronze' +p162588 +sg25267 +g27 +sg25275 +S'1471/1477' +p162589 +sg25268 +S'Agostino Bonfranceschi, c. 1437-1479, Lawyer and Diplomat for the Este Family' +p162590 +sg25270 +S'Sperandio' +p162591 +sa(dp162592 +g25273 +S'lead//Late cast' +p162593 +sg25267 +g27 +sg25275 +S'1473' +p162594 +sg25268 +S'Pellegrino Prisciani, c. 1435-1518, Man of Letters and Agent of the Estensi [obverse]' +p162595 +sg25270 +S'Sperandio' +p162596 +sa(dp162597 +g25268 +S'La Ronde de Nuit (Night Patrol)' +p162598 +sg25270 +S'F\xc3\xa9lix-Hilaire Buhot' +p162599 +sg25273 +S'etching, aquatint, and drypoint in black on moderately thick beige laid paper' +p162600 +sg25275 +S'1878' +p162601 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00091/a000915b.jpg' +p162602 +sg25267 +g27 +sa(dp162603 +g25273 +S'lead//Late cast' +p162604 +sg25267 +g27 +sg25275 +S'1473' +p162605 +sg25268 +S'Man Standing on an Eagle [reverse]' +p162606 +sg25270 +S'Sperandio' +p162607 +sa(dp162608 +g25273 +S'bronze' +p162609 +sg25267 +g27 +sg25275 +S'probably 1463/1477' +p162610 +sg25268 +S'Parupus, an Unknown Poet [obverse]' +p162611 +sg25270 +S'Sperandio' +p162612 +sa(dp162613 +g25273 +S'bronze' +p162614 +sg25267 +g27 +sg25275 +S'probably 1463/1477' +p162615 +sg25268 +S'Unicorn-Pegasus [reverse]' +p162616 +sg25270 +S'Sperandio' +p162617 +sa(dp162618 +g25273 +S'lead' +p162619 +sg25267 +g27 +sg25275 +S'1477' +p162620 +sg25268 +S'Carlo Manfredi, 1439-1484, Lord of Faenza 1468-1477' +p162621 +sg25270 +S'Sperandio' +p162622 +sa(dp162623 +g25273 +S'bronze' +p162624 +sg25267 +g27 +sg25275 +S'c. 1478' +p162625 +sg25268 +S'Alessandro Tartagni, 1421-1477, Lawyer [obverse]' +p162626 +sg25270 +S'Sperandio' +p162627 +sa(dp162628 +g25273 +S'bronze' +p162629 +sg25267 +g27 +sg25275 +S'c. 1478' +p162630 +sg25268 +S'Mercury Seated on a Dragon [reverse]' +p162631 +sg25270 +S'Sperandio' +p162632 +sa(dp162633 +g25273 +S'lead' +p162634 +sg25267 +g27 +sg25275 +S'1479' +p162635 +sg25268 +S'Andrea Barbazza, died 1480, Legal Adviser [obverse]' +p162636 +sg25270 +S'Sperandio' +p162637 +sa(dp162638 +g25273 +S'lead' +p162639 +sg25267 +g27 +sg25275 +S'1479' +p162640 +sg25268 +S'Fame Holding a Closed and an Open Book [reverse]' +p162641 +sg25270 +S'Sperandio' +p162642 +sa(dp162643 +g25273 +S'lead' +p162644 +sg25267 +g27 +sg25275 +S'c. 1480' +p162645 +sg25268 +S'Niccol\xc3\xb2 da Correggio, 1450-1508, Count of Brescello 1480 [obverse]' +p162646 +sg25270 +S'Sperandio' +p162647 +sa(dp162648 +g25273 +S'lead' +p162649 +sg25267 +g27 +sg25275 +S'c. 1480' +p162650 +sg25268 +S'Niccolo da Correggio and a Friar [reverse]' +p162651 +sg25270 +S'Sperandio' +p162652 +sa(dp162653 +g25268 +S'Liseuse \xc3\xa0 la Lampe (Woman Reading by Lamplight)' +p162654 +sg25270 +S'F\xc3\xa9lix-Hilaire Buhot' +p162655 +sg25273 +S'etching with scraping and burnishing in black on thin tissue paper' +p162656 +sg25275 +S'1879' +p162657 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a00097e2.jpg' +p162658 +sg25267 +g27 +sa(dp162659 +g25273 +S'gilt bronze' +p162660 +sg25267 +g27 +sg25275 +S'c. 1482' +p162661 +sg25268 +S'Niccol\xc3\xb2 Sanuti, c. 1407-1482, Noble of Bologna [obverse]' +p162662 +sg25270 +S'Sperandio' +p162663 +sa(dp162664 +g25273 +S'gilt bronze' +p162665 +sg25267 +g27 +sg25275 +S'c. 1482' +p162666 +sg25268 +S'Pelican in Her Piety and Inscription [reverse]' +p162667 +sg25270 +S'Sperandio' +p162668 +sa(dp162669 +g25273 +S'bronze//With loop' +p162670 +sg25267 +g27 +sg25275 +S'probably c. 1478/1482' +p162671 +sg25268 +S'Giovanni II Bentivoglio, 1443-1508, Lord of Bologna 1463-1506 [obverse]' +p162672 +sg25270 +S'Sperandio' +p162673 +sa(dp162674 +g25273 +S'bronze//With loop' +p162675 +sg25267 +g27 +sg25275 +S'probably c. 1478/1482' +p162676 +sg25268 +S'Giovanni II Bentivoglio and Squire [reverse]' +p162677 +sg25270 +S'Sperandio' +p162678 +sa(dp162679 +g25273 +S'bronze//Late cast' +p162680 +sg25267 +g27 +sg25275 +S'c. 1485/1486' +p162681 +sg25268 +S'Guido Pepoli, 1449-1505, Noble of Bologna [obverse]' +p162682 +sg25270 +S'Sperandio' +p162683 +sa(dp162684 +g25273 +S'bronze//Late cast' +p162685 +sg25267 +g27 +sg25275 +S'c. 1485/1486' +p162686 +sg25268 +S'King Evilmerdoch Playing Chess [reverse]' +p162687 +sg25270 +S'Sperandio' +p162688 +sa(dp162689 +g25273 +S'bronze//Rough cast, not contemporary' +p162690 +sg25267 +g27 +sg25275 +S'c. 1490/1495' +p162691 +sg25268 +S'Camilla Sforza of Aragon, Wife of Costanza Sforza 1475' +p162692 +sg25270 +S'Sperandio' +p162693 +sa(dp162694 +g25273 +S'bronze//Rough cast, not contemporary' +p162695 +sg25267 +g27 +sg25275 +S'c. 1490/1495' +p162696 +sg25268 +S'Female Figure and Serpent [reverse]' +p162697 +sg25270 +S'Sperandio' +p162698 +sa(dp162699 +g25268 +S'Francesco II Gonzaga, 1466-1519, 4th Marquess of Mantua 1484 [obverse]' +p162700 +sg25270 +S'Sperandio' +p162701 +sg25273 +S'bronze' +p162702 +sg25275 +S'c. 1495' +p162703 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002dd5.jpg' +p162704 +sg25267 +g27 +sa(dp162705 +g25268 +S'Francesco II Gonzaga and Soldiers [reverse]' +p162706 +sg25270 +S'Sperandio' +p162707 +sg25273 +S'bronze' +p162708 +sg25275 +S'c. 1495' +p162709 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002dd6.jpg' +p162710 +sg25267 +g27 +sa(dp162711 +g25268 +S'Un Grain \xc3\xa0 Trouville (Squall at Trouville)' +p162712 +sg25270 +S'F\xc3\xa9lix-Hilaire Buhot' +p162713 +sg25273 +S'etching' +p162714 +sg25275 +S'1874/1875' +p162715 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00091/a0009159.jpg' +p162716 +sg25267 +g27 +sa(dp162717 +g25273 +S'bronze//Late cast' +p162718 +sg25267 +g27 +sg25275 +S'c. 1495' +p162719 +sg25268 +S'Agostino Barbarigo, c. 1420-1501, Doge of Venice 1486-1501 [obverse]' +p162720 +sg25270 +S'Sperandio' +p162721 +sa(dp162722 +g25273 +S'bronze//Late cast' +p162723 +sg25267 +g27 +sg25275 +S'c. 1495' +p162724 +sg25268 +S'Doge Barbarigo Kneeling before the Winged Lion of Venice [reverse]' +p162725 +sg25270 +S'Sperandio' +p162726 +sa(dp162727 +g25273 +S'bronze//Late cast' +p162728 +sg25267 +g27 +sg25275 +S'c. 1495/1496' +p162729 +sg25268 +S'Lodovico Brognolo, of the Observant Friars, Patrician of Mantua [obverse]' +p162730 +sg25270 +S'Sperandio' +p162731 +sa(dp162732 +g25273 +S'bronze//Late cast' +p162733 +sg25267 +g27 +sg25275 +S'c. 1495/1496' +p162734 +sg25268 +S'Two Forearms Joined in Prayer [reverse]' +p162735 +sg25270 +S'Sperandio' +p162736 +sa(dp162737 +g25273 +S'bronze//Late cast' +p162738 +sg25267 +g27 +sg25275 +S'probably 1496/1504' +p162739 +sg25268 +S'Antonio Vinciguerra, 1468-1502, Poet, Secretary to the Republic of Venice [obverse]' +p162740 +sg25270 +S'Sperandio' +p162741 +sa(dp162742 +g25273 +S'bronze//Late cast' +p162743 +sg25267 +g27 +sg25275 +S'probably 1496/1504' +p162744 +sg25268 +S'Apollo on a Car Drawn by Swans [reverse]' +p162745 +sg25270 +S'Sperandio' +p162746 +sa(dp162747 +g25273 +S'bronze' +p162748 +sg25267 +g27 +sg25275 +S'c. 1452/1464' +p162749 +sg25268 +S'Pasquale Malipiero, 1385-1462, Doge of Venice 1457 [obverse]' +p162750 +sg25270 +S'Pietro da Fano' +p162751 +sa(dp162752 +g25273 +S'bronze' +p162753 +sg25267 +g27 +sg25275 +S'c. 1452/1464' +p162754 +sg25268 +S'Giovanna Dandolo, Wife of Pasquale Malipiero [reverse]' +p162755 +sg25270 +S'Pietro da Fano' +p162756 +sa(dp162757 +g25273 +S'bronze' +p162758 +sg25267 +g27 +sg25275 +S'probably c. 1457' +p162759 +sg25268 +S'Francesco Foscari, c. 1374-1457, Doge of Venice 1423 [obverse]' +p162760 +sg25270 +S'Antonio Gambello' +p162761 +sa(dp162762 +g25273 +S'bronze' +p162763 +sg25267 +g27 +sg25275 +S'probably c. 1457' +p162764 +sg25268 +S'Venetia and Two Furies [reverse]' +p162765 +sg25270 +S'Antonio Gambello' +p162766 +sa(dp162767 +g25268 +S'Les Bergeries, Soleil Couchant (Pastoral Scene, Setting Sun)' +p162768 +sg25270 +S'F\xc3\xa9lix-Hilaire Buhot' +p162769 +sg25273 +S'etching' +p162770 +sg25275 +S'unknown date\n' +p162771 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00098/a000980a.jpg' +p162772 +sg25267 +g27 +sa(dp162773 +g25268 +S'Cristoforo Moro, 1462-1471, Doge of Venice [obverse]' +p162774 +sg25270 +S'Antonello della Moneta' +p162775 +sg25273 +S'bronze//Late cast' +p162776 +sg25275 +S'c. 1454/1484' +p162777 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6c1.jpg' +p162778 +sg25267 +g27 +sa(dp162779 +g25268 +S'Venetia and Two Furies [reverse]' +p162780 +sg25270 +S'Antonello della Moneta' +p162781 +sg25273 +S'bronze//Late cast' +p162782 +sg25275 +S'c. 1454/1484' +p162783 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6c2.jpg' +p162784 +sg25267 +g27 +sa(dp162785 +g25273 +S'lead' +p162786 +sg25267 +g27 +sg25275 +S'1454 or after' +p162787 +sg25268 +S'Bartolommeo Colleone of Bergamo, 1400-1475, Condottiere [obverse]' +p162788 +sg25270 +S'Marco Guidizani' +p162789 +sa(dp162790 +g25273 +S'lead' +p162791 +sg25267 +g27 +sg25275 +S'1454 or after' +p162792 +sg25268 +S'Laureate Figure Holding a Plummet Line [reverse]' +p162793 +sg25270 +S'Marco Guidizani' +p162794 +sa(dp162795 +g25273 +S'bronze' +p162796 +sg25267 +g27 +sg25275 +S'1457' +p162797 +sg25268 +S'Filippo Maserano, Venetian Poet [obverse]' +p162798 +sg25270 +S'Giovanni Bold\xc3\xb9' +p162799 +sa(dp162800 +g25273 +S'bronze' +p162801 +sg25267 +g27 +sg25275 +S'1457' +p162802 +sg25268 +S'Arion Riding on a Dolphin [reverse]' +p162803 +sg25270 +S'Giovanni Bold\xc3\xb9' +p162804 +sa(dp162805 +g25273 +S'bronze' +p162806 +sg25267 +g27 +sg25275 +S'1457' +p162807 +sg25268 +S'Nicolaus Schlifer, German Musician [obverse]' +p162808 +sg25270 +S'Giovanni Bold\xc3\xb9' +p162809 +sa(dp162810 +g25273 +S'bronze' +p162811 +sg25267 +g27 +sg25275 +S'1457' +p162812 +sg25268 +S'Apollo with Lyre and Long Scroll [reverse]' +p162813 +sg25270 +S'Giovanni Bold\xc3\xb9' +p162814 +sa(dp162815 +g25268 +S'Self-Portrait [obverse]' +p162816 +sg25270 +S'Giovanni Bold\xc3\xb9' +p162817 +sg25273 +S'bronze' +p162818 +sg25275 +S'1458' +p162819 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00063/a00063f1.jpg' +p162820 +sg25267 +g27 +sa(dp162821 +g25268 +S'Bold\xc3\xb9 between Faith and Penitence [reverse]' +p162822 +sg25270 +S'Giovanni Bold\xc3\xb9' +p162823 +sg25273 +S'bronze' +p162824 +sg25275 +S'1458' +p162825 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00063/a00063f2.jpg' +p162826 +sg25267 +g27 +sa(dp162827 +g25268 +S'Un Vieux Chantier \xc3\xa0 Rochester (The Old Dock-yard at Rochester)' +p162828 +sg25270 +S'F\xc3\xa9lix-Hilaire Buhot' +p162829 +sg25273 +S'etching and aquatint' +p162830 +sg25275 +S'unknown date\n' +p162831 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00091/a0009166.jpg' +p162832 +sg25267 +g27 +sa(dp162833 +g25268 +S'Self-Portrait [obverse]' +p162834 +sg25270 +S'Giovanni Bold\xc3\xb9' +p162835 +sg25273 +S'bronze' +p162836 +sg25275 +S'1458' +p162837 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005f/a0005f00.jpg' +p162838 +sg25267 +g27 +sa(dp162839 +g25268 +S'Bold\xc3\xb9 with the Genius of Death [reverse]' +p162840 +sg25270 +S'Giovanni Bold\xc3\xb9' +p162841 +sg25273 +S'bronze' +p162842 +sg25275 +S'1458' +p162843 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005f/a0005f01.jpg' +p162844 +sg25267 +g27 +sa(dp162845 +g25273 +S'Italian, active c. 1454 - before 1477' +p162846 +sg25267 +g27 +sg25275 +S'(artist after)' +p162847 +sg25268 +S'The Emperor Caracalla [obverse]' +p162848 +sg25270 +S'Artist Information (' +p162849 +sa(dp162850 +g25273 +S'Italian, active c. 1454 - before 1477' +p162851 +sg25267 +g27 +sg25275 +S'(artist after)' +p162852 +sg25268 +S'Bold\xc3\xb9 with the Genius of Death [reverse]' +p162853 +sg25270 +S'Artist Information (' +p162854 +sa(dp162855 +g25268 +S'Mehmed II, 1430-1481, Sultan of the Turks 1451 [obverse]' +p162856 +sg25270 +S'Gentile Bellini' +p162857 +sg25273 +S'bronze//Later casting' +p162858 +sg25275 +S'c. 1480' +p162859 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002c/a0002c29.jpg' +p162860 +sg25267 +g27 +sa(dp162861 +g25268 +S'Three Crowns: Constantinople, Iconium, and Trebizond [reverse]' +p162862 +sg25270 +S'Gentile Bellini' +p162863 +sg25273 +S'bronze' +p162864 +sg25275 +S'c. 1480' +p162865 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002c/a0002c2a.jpg' +p162866 +sg25267 +g27 +sa(dp162867 +g25273 +S', probably 1482' +p162868 +sg25267 +g27 +sg25275 +S'\n' +p162869 +sg25268 +S'Sixtus IV (Francesco della Rovere, 1414-1481), Pope 1471 [obverse]' +p162870 +sg25270 +S'Vettor Gambello, called Camelio' +p162871 +sa(dp162872 +g25273 +S', probably 1482' +p162873 +sg25267 +g27 +sg25275 +S'\n' +p162874 +sg25268 +S'The Pope in Audience [reverse]' +p162875 +sg25270 +S'Vettor Gambello, called Camelio' +p162876 +sa(dp162877 +g25273 +S', c. 1470/1480' +p162878 +sg25267 +g27 +sg25275 +S'\n' +p162879 +sg25268 +S'Giovanni Bellini, c. 1430-1516, Venetian Painter [obverse]' +p162880 +sg25270 +S'Vettor Gambello, called Camelio' +p162881 +sa(dp162882 +g25273 +S', c. 1470/1480' +p162883 +sg25267 +g27 +sg25275 +S'\n' +p162884 +sg25268 +S'An Owl [reverse]' +p162885 +sg25270 +S'Vettor Gambello, called Camelio' +p162886 +sa(dp162887 +g25268 +S'Le Port aux Mouettes (Port with Seagulls)' +p162888 +sg25270 +S'F\xc3\xa9lix-Hilaire Buhot' +p162889 +sg25273 +S'etching, drypoint, aquatint, and sandpaper ground in black on beige laid paper' +p162890 +sg25275 +S'1886' +p162891 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00057/a0005742.jpg' +p162892 +sg25267 +g27 +sa(dp162893 +g25273 +S', c. 1500' +p162894 +sg25267 +g27 +sg25275 +S'\n' +p162895 +sg25268 +S'Gentile Bellini, 1429-1507, Venetian Painter [obverse]' +p162896 +sg25270 +S'Vettor Gambello, called Camelio' +p162897 +sa(dp162898 +g25273 +S'bronze//Late cast' +p162899 +sg25267 +g27 +sg25275 +S'c. 1500' +p162900 +sg25268 +S'Incised Inscription [reverse]' +p162901 +sg25270 +S'Vettor Gambello, called Camelio' +p162902 +sa(dp162903 +g25273 +S', 1508' +p162904 +sg25267 +g27 +sg25275 +S'\n' +p162905 +sg25268 +S'Self-Portrait [obverse]' +p162906 +sg25270 +S'Vettor Gambello, called Camelio' +p162907 +sa(dp162908 +g25273 +S', 1508' +p162909 +sg25267 +g27 +sg25275 +S'\n' +p162910 +sg25268 +S'Sacrificial Scene [reverse]' +p162911 +sg25270 +S'Vettor Gambello, called Camelio' +p162912 +sa(dp162913 +g25273 +S', 1470/1530' +p162914 +sg25267 +g27 +sg25275 +S'\n' +p162915 +sg25268 +S'Classical Subject: Male Figure Carrying a Stag [obverse]' +p162916 +sg25270 +S'Vettor Gambello, called Camelio' +p162917 +sa(dp162918 +g25273 +S', 1470/1530' +p162919 +sg25267 +g27 +sg25275 +S'\n' +p162920 +sg25268 +S'Classical Subject: Flaming Tripod on Altar [reverse]' +p162921 +sg25270 +S'Vettor Gambello, called Camelio' +p162922 +sa(dp162923 +g25268 +S'"Augustus" (Self-Portrait) [obverse]' +p162924 +sg25270 +S'Vettor Gambello, called Camelio' +p162925 +sg25273 +S', probably c. 1510/1530' +p162926 +sg25275 +S'\n' +p162927 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00069/a0006945.jpg' +p162928 +sg25267 +g27 +sa(dp162929 +g25268 +S'Male Figure and Winged Caduceus [reverse]' +p162930 +sg25270 +S'Vettor Gambello, called Camelio' +p162931 +sg25273 +S', probably c. 1510/1530' +p162932 +sg25275 +S'\n' +p162933 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00069/a0006943.jpg' +p162934 +sg25267 +g27 +sa(dp162935 +g25273 +S'Italian, 1455/1460 - 1537' +p162936 +sg25267 +g27 +sg25275 +S'(related artist)' +p162937 +sg25268 +S'Marco Barbarigo, c. 1413-1486, Doge of Venice 1485 [obverse]' +p162938 +sg25270 +S'Artist Information (' +p162939 +sa(dp162940 +g25273 +S'Italian, 1455/1460 - 1537' +p162941 +sg25267 +g27 +sg25275 +S'(related artist)' +p162942 +sg25268 +S'Inscription in a Wreath of Ivy [reverse]' +p162943 +sg25270 +S'Artist Information (' +p162944 +sa(dp162945 +g25268 +S"L'Orage (The Storm)" +p162946 +sg25270 +S'F\xc3\xa9lix-Hilaire Buhot' +p162947 +sg25273 +S'drypoint and roulette with isolated areas of etching and possibly salt lift in black on Japanese paper' +p162948 +sg25275 +S'1879' +p162949 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00091/a000916b.jpg' +p162950 +sg25267 +g27 +sa(dp162951 +g25273 +S'Italian, 1455/1460 - 1537' +p162952 +sg25267 +g27 +sg25275 +S'(related artist)' +p162953 +sg25268 +S'Leonardo Loredano, 1436-1521, Doge of Venice 1501 [obverse]' +p162954 +sg25270 +S'Artist Information (' +p162955 +sa(dp162956 +g25273 +S'Italian, 1455/1460 - 1537' +p162957 +sg25267 +g27 +sg25275 +S'(related artist)' +p162958 +sg25268 +S'Equity Holding Scales and Scepter [reverse]' +p162959 +sg25270 +S'Artist Information (' +p162960 +sa(dp162961 +g25273 +S'Italian, 1455/1460 - 1537' +p162962 +sg25267 +g27 +sg25275 +S'(related artist)' +p162963 +sg25268 +S'Andrea Gritti, 1455-1538, Doge of Venice 1523 [obverse]' +p162964 +sg25270 +S'Artist Information (' +p162965 +sa(dp162966 +g25273 +S'Italian, 1455/1460 - 1537' +p162967 +sg25267 +g27 +sg25275 +S'(related artist)' +p162968 +sg25268 +S'Venetia Holding Scales and Cornucopiae [reverse]' +p162969 +sg25270 +S'Artist Information (' +p162970 +sa(dp162971 +g25273 +S'Italian, 1455/1460 - 1537' +p162972 +sg25267 +g27 +sg25275 +S'(related artist)' +p162973 +sg25268 +S"Giuliano II de' Medici, 1479-1516, Duc de Nemours 1515 [obverse]" +p162974 +sg25270 +S'Artist Information (' +p162975 +sa(dp162976 +g25273 +S'Italian, 1455/1460 - 1537' +p162977 +sg25267 +g27 +sg25275 +S'(related artist)' +p162978 +sg25268 +S'Virtue and Fortune [reverse]' +p162979 +sg25270 +S'Artist Information (' +p162980 +sa(dp162981 +g25273 +S'Italian, 1455/1460 - 1537' +p162982 +sg25267 +g27 +sg25275 +S'(related artist)' +p162983 +sg25268 +S'Agostino Barbarigo, 1420-1501, Doge of Venice 1486 [obverse]' +p162984 +sg25270 +S'Artist Information (' +p162985 +sa(dp162986 +g25273 +S'Italian, 1455/1460 - 1537' +p162987 +sg25267 +g27 +sg25275 +S'(related artist)' +p162988 +sg25268 +S'Venetia on Throne [reverse]' +p162989 +sg25270 +S'Artist Information (' +p162990 +sa(dp162991 +g25273 +S'bronze' +p162992 +sg25267 +g27 +sg25275 +S'1512/1516' +p162993 +sg25268 +S"Andrea Gritti, Procurator of St. Mark's, later Doge of Venice [obverse]" +p162994 +sg25270 +S'Giovanni Falier' +p162995 +sa(dp162996 +g25273 +S'bronze' +p162997 +sg25267 +g27 +sg25275 +S'1512/1516' +p162998 +sg25268 +S'Gritti Before the Breached City Wall [reverse]' +p162999 +sg25270 +S'Giovanni Falier' +p163000 +sa(dp163001 +g25268 +S'La Falaise: Baie de Saint-Malo (The Cliff: Saint-Malo Bay)' +p163002 +sg25270 +S'F\xc3\xa9lix-Hilaire Buhot' +p163003 +sg25273 +S'heliogravure, etching, drypoint, roulette, and spit bite on laid paper' +p163004 +sg25275 +S'1886/1890' +p163005 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00091/a0009176.jpg' +p163006 +sg25267 +g27 +sa(dp163007 +g25273 +S', late 15th or early 16th century' +p163008 +sg25267 +g27 +sg25275 +S'\n' +p163009 +sg25268 +S'Niccolo Tempesta (?) of Treviso [obverse]' +p163010 +sg25270 +S'Fra Antonio da Brescia' +p163011 +sa(dp163012 +g25273 +S', late 15th - early 16th century' +p163013 +sg25267 +g27 +sg25275 +S'\n' +p163014 +sg25268 +S'Winged Dragon with a Balance [reverse]' +p163015 +sg25270 +S'Fra Antonio da Brescia' +p163016 +sa(dp163017 +g25273 +S'bronze' +p163018 +sg25267 +g27 +sg25275 +S'1523' +p163019 +sg25268 +S'Francesco Malipiero, Venetian patrician, Brother of Vincenzo [obverse]' +p163020 +sg25270 +S'Maffeo Olivieri' +p163021 +sa(dp163022 +g25273 +S'bronze' +p163023 +sg25267 +g27 +sg25275 +S'1523' +p163024 +sg25268 +S'Pelican in Her Piety [reverse]' +p163025 +sg25270 +S'Maffeo Olivieri' +p163026 +sa(dp163027 +g25273 +S'bronze' +p163028 +sg25267 +g27 +sg25275 +S'1523' +p163029 +sg25268 +S'Vincenzo Malipiero, Venetian Patrician, Brother of Francesco [obverse]' +p163030 +sg25270 +S'Maffeo Olivieri' +p163031 +sa(dp163032 +g25273 +S'bronze' +p163033 +sg25267 +g27 +sg25275 +S'1523' +p163034 +sg25268 +S'Crowned Eagle on a Mound Amid Waters [reverse]' +p163035 +sg25270 +S'Maffeo Olivieri' +p163036 +sa(dp163037 +g25273 +S'bronze' +p163038 +sg25267 +g27 +sg25275 +S'c. 1519' +p163039 +sg25268 +S'Augusto da Udine (Publio Augusto Graziani), Poet and Astrologer [obverse]' +p163040 +sg25270 +S'Maffeo Olivieri' +p163041 +sa(dp163042 +g25273 +S'bronze' +p163043 +sg25267 +g27 +sg25275 +S'c. 1519' +p163044 +sg25268 +S'Urania [reverse]' +p163045 +sg25270 +S'Maffeo Olivieri' +p163046 +sa(dp163047 +g25273 +S'bronze' +p163048 +sg25267 +g27 +sg25275 +S'1520s' +p163049 +sg25268 +S'Altobello Averoldo of Brescia, died 1531, Bishop of Pola, Apostolic Legate [obverse]' +p163050 +sg25270 +S'Maffeo Olivieri' +p163051 +sa(dp163052 +g25273 +S'bronze' +p163053 +sg25267 +g27 +sg25275 +S'1520s' +p163054 +sg25268 +S'Truth Unveiled by Two Men [reverse]' +p163055 +sg25270 +S'Maffeo Olivieri' +p163056 +sa(dp163057 +g25268 +S"La Chapelle Saint-Michel \xc3\xa0 l'Estre (The Chapel Saint-Michel at l'Estre)" +p163058 +sg25270 +S'F\xc3\xa9lix-Hilaire Buhot' +p163059 +sg25273 +S'etching, drypoint and roulette on light blue-green laid paper' +p163060 +sg25275 +S'1881' +p163061 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00091/a000916a.jpg' +p163062 +sg25267 +g27 +sa(dp163063 +g25273 +S'bronze' +p163064 +sg25267 +g27 +sg25275 +S'1520/1530' +p163065 +sg25268 +S'Sebastiano Montagnacco, died 1540, Venetian patrician [obverse]' +p163066 +sg25270 +S'Maffeo Olivieri' +p163067 +sa(dp163068 +g25273 +S'bronze' +p163069 +sg25267 +g27 +sg25275 +S'1520/1530' +p163070 +sg25268 +S'Fortress with a Tall Tree [reverse]' +p163071 +sg25270 +S'Maffeo Olivieri' +p163072 +sa(dp163073 +g25273 +S'overall: 9 x 7.32 cm (3 9/16 x 2 7/8 in.)\r\ngross weight: 266.57 gr (0.588 lb.)' +p163074 +sg25267 +g27 +sg25275 +S'\nbronze' +p163075 +sg25268 +S'Beato Lorenzo Giustinian, 1380-1456' +p163076 +sg25270 +S'Venetian 15th Century' +p163077 +sa(dp163078 +g25273 +S'overall (diameter): 3.25 cm (1 1/4 in.)\r\ngross weight: 25.11 gr (0.055 lb.)\r\naxis: 12:00' +p163079 +sg25267 +g27 +sg25275 +S'\nbronze' +p163080 +sg25268 +S'Antonio Grimani, Doge of Venice 1521-1523 [obverse]' +p163081 +sg25270 +S'Venetian 16th Century' +p163082 +sa(dp163083 +g25273 +S'overall (diameter): 3.25 cm (1 1/4 in.)\r\ngross weight: 25.11 gr (0.055 lb.)\r\naxis: 12:00' +p163084 +sg25267 +g27 +sg25275 +S'\nbronze' +p163085 +sg25268 +S'Justice and Peace [reverse]' +p163086 +sg25270 +S'Venetian 16th Century' +p163087 +sa(dp163088 +g25273 +S'overall (diameter): 4.27 cm (1 11/16 in.)\r\ngross weight: 35.15 gr (0.077 lb.)\r\naxis: 12:00' +p163089 +sg25267 +g27 +sg25275 +S'\nbronze' +p163090 +sg25268 +S'Giovanni Fasiol [obverse]' +p163091 +sg25270 +S'Venetian 16th Century' +p163092 +sa(dp163093 +g25273 +S'overall (diameter): 4.27 cm (1 11/16 in.)\r\ngross weight: 35.15 gr (0.077 lb.)\r\naxis: 12:00' +p163094 +sg25267 +g27 +sg25275 +S'\nbronze' +p163095 +sg25268 +S'Figure Holding Victory and Branch [reverse]' +p163096 +sg25270 +S'Venetian 16th Century' +p163097 +sa(dp163098 +g25273 +S'overall (diameter): 5.21 cm (2 1/16 in.)\r\ngross weight: 62.82 gr (0.138 lb.)' +p163099 +sg25267 +g27 +sg25275 +S'\nbronze' +p163100 +sg25268 +S'Simone Michiel, died 1525, Protonotary, afterwards Canon of Verona 1498, Treviso 1510' +p163101 +sg25270 +S'Venetian 16th Century' +p163102 +sa(dp163103 +g25273 +S'overall (diameter): 3.96 cm (1 9/16 in.)\r\ngross weight: 33.72 gr (0.074 lb.)\r\naxis: 8:00' +p163104 +sg25267 +g27 +sg25275 +S'\nbronze//Struck' +p163105 +sg25268 +S'Tommaso Mocenigo [obverse]' +p163106 +sg25270 +S'Venetian 16th Century' +p163107 +sa(dp163108 +g25273 +S'overall (diameter): 3.96 cm (1 9/16 in.)\r\ngross weight: 33.72 gr (0.074 lb.)\r\naxis: 8:00' +p163109 +sg25267 +g27 +sg25275 +S'\nbronze//Struck' +p163110 +sg25268 +S'Toilet of Venus (?) [reverse]' +p163111 +sg25270 +S'Venetian 16th Century' +p163112 +sa(dp163113 +g25273 +S'overall (diameter): 4.42 cm (1 3/4 in.)\r\ngross weight: 30.35 gr (0.067 lb.)\r\naxis: 6:00' +p163114 +sg25267 +g27 +sg25275 +S'\nbronze' +p163115 +sg25268 +S'Fra Giovanni Cornaro, Benedictine Monk, Abbot of Pragiia 1507-1514 [obverse]' +p163116 +sg25270 +S'Venetian 16th Century' +p163117 +sa(dp163118 +g25273 +S'overall (diameter): 4.42 cm (1 3/4 in.)\r\ngross weight: 30.35 gr (0.067 lb.)\r\naxis: 6:00' +p163119 +sg25267 +g27 +sg25275 +S'\nbronze' +p163120 +sg25268 +S'Shepherd with a Flock [reverse]' +p163121 +sg25270 +S'Venetian 16th Century' +p163122 +sa(dp163123 +g25273 +S'overall (diameter): 4.54 cm (1 13/16 in.)\r\ngross weight: 32.03 gr (0.071 lb.)' +p163124 +sg25267 +g27 +sg25275 +S'\nbronze' +p163125 +sg25268 +S'Paolo Diedo' +p163126 +sg25270 +S'Venetian 16th Century' +p163127 +sa(dp163128 +g25273 +S'overall (diameter): 5.81 cm (2 5/16 in.)\r\ngross weight: 78.87 gr (0.174 lb.)' +p163129 +sg25267 +g27 +sg25275 +S'\ngilt bronze' +p163130 +sg25268 +S'Giovanni Mannelli' +p163131 +sg25270 +S'Venetian 16th Century' +p163132 +sa(dp163133 +g25273 +S'overall (diameter): 3.74 cm (1 1/2 in.)\r\ngross weight: 39.25 gr (0.087 lb.)\r\naxis: 6:00' +p163134 +sg25267 +g27 +sg25275 +S'\nbronze' +p163135 +sg25268 +S'Alvise da Noale, active 1509-1533, Jurist [obverse]' +p163136 +sg25270 +S'Venetian 16th Century' +p163137 +sa(dp163138 +g25273 +S'overall (diameter): 3.74 cm (1 1/2 in.)\r\ngross weight: 39.25 gr (0.087 lb.)\r\naxis: 6:00' +p163139 +sg25267 +g27 +sg25275 +S'\nbronze' +p163140 +sg25268 +S'Inscription [reverse]' +p163141 +sg25270 +S'Venetian 16th Century' +p163142 +sa(dp163143 +g25273 +S'bronze' +p163144 +sg25267 +g27 +sg25275 +S'probably 1460/1466' +p163145 +sg25268 +S'Antonio Roselli of Arezzo, 1380-1466, Jurist [obverse]' +p163146 +sg25270 +S'Bartolomeo Bellano' +p163147 +sa(dp163148 +g25273 +S'bronze' +p163149 +sg25267 +g27 +sg25275 +S'probably 1460/1466' +p163150 +sg25268 +S'Roselli Seated on a Bracket [reverse]' +p163151 +sg25270 +S'Bartolomeo Bellano' +p163152 +sa(dp163153 +g25273 +S'overall (diameter): 6.48 cm (2 9/16 in.)\r\ngross weight: 117.97 gr (0.26 lb.)\r\naxis: 11:00' +p163154 +sg25267 +g27 +sg25275 +S'\nbronze' +p163155 +sg25268 +S'Girolamo di Benedetto Pesaro, Captain of Padua 1515 [obverse]' +p163156 +sg25270 +S'Paduan 16th Century' +p163157 +sa(dp163158 +g25273 +S'overall (diameter): 6.48 cm (2 9/16 in.)\r\ngross weight: 117.97 gr (0.26 lb.)\r\naxis: 11:00' +p163159 +sg25267 +g27 +sg25275 +S'\nbronze' +p163160 +sg25268 +S'Inscription in a Wreath [reverse]' +p163161 +sg25270 +S'Paduan 16th Century' +p163162 +sa(dp163163 +g25268 +S"L'Hiver \xc3\xa0 Paris (Winter in Paris)" +p163164 +sg25270 +S'F\xc3\xa9lix-Hilaire Buhot' +p163165 +sg25273 +S'etching, aqautint, spit-bite etching, soft-ground etching, drypoint, and scraping on light green laid paper' +p163166 +sg25275 +S'1879' +p163167 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00091/a0009160.jpg' +p163168 +sg25267 +g27 +sa(dp163169 +g25273 +S'overall (diameter): 3.2 cm (1 1/4 in.)\r\ngross weight: 16.15 gr (0.036 lb.)\r\naxis: 12:00' +p163170 +sg25267 +g27 +sg25275 +S'\nbronze' +p163171 +sg25268 +S'Girolamo di Benedetto Pesaro, Captian of Padua 1515 [obverse]' +p163172 +sg25270 +S'Paduan 16th Century' +p163173 +sa(dp163174 +g25273 +S'overall (diameter): 3.2 cm (1 1/4 in.)\r\ngross weight: 16.15 gr (0.036 lb.)\r\naxis: 12:00' +p163175 +sg25267 +g27 +sg25275 +S'\nbronze' +p163176 +sg25268 +S'Inscription in a Wreath [reverse]' +p163177 +sg25270 +S'Paduan 16th Century' +p163178 +sa(dp163179 +g25273 +S'bronze' +p163180 +sg25267 +g27 +sg25275 +S'1519' +p163181 +sg25268 +S'Stefano di Andrea Magno, c. 1500-1572 [obverse]' +p163182 +sg25270 +S'Giovanni Maria Pomedelli' +p163183 +sa(dp163184 +g25273 +S'bronze' +p163185 +sg25267 +g27 +sg25275 +S'1519' +p163186 +sg25268 +S'Neptune Spearing a Lobster [reverse]' +p163187 +sg25270 +S'Giovanni Maria Pomedelli' +p163188 +sa(dp163189 +g25273 +S'bronze' +p163190 +sg25267 +g27 +sg25275 +S'1527' +p163191 +sg25268 +S'Giovanni Emo, Podesta of Verona 1527 [obverse]' +p163192 +sg25270 +S'Giovanni Maria Pomedelli' +p163193 +sa(dp163194 +g25273 +S'bronze' +p163195 +sg25267 +g27 +sg25275 +S'1527' +p163196 +sg25268 +S'Pallas and Mars [reverse]' +p163197 +sg25270 +S'Giovanni Maria Pomedelli' +p163198 +sa(dp163199 +g25273 +S'bronze' +p163200 +sg25267 +g27 +sg25275 +S'c. 1527' +p163201 +sg25268 +S'Tommaso Moro, Captain of Verona 1527 [obverse]' +p163202 +sg25270 +S'Giovanni Maria Pomedelli' +p163203 +sa(dp163204 +g25273 +S'bronze' +p163205 +sg25267 +g27 +sg25275 +S'c. 1527' +p163206 +sg25268 +S'Phoenix on a Pyre Gazing at the Sun [reverse]' +p163207 +sg25270 +S'Giovanni Maria Pomedelli' +p163208 +sa(dp163209 +g25268 +S'Charles V, 1500-1558, King of Spain 1516, Holy Roman Emperor 1519-1556 [obverse]' +p163210 +sg25270 +S'Giovanni Maria Pomedelli' +p163211 +sg25273 +S'bronze//Double struck' +p163212 +sg25275 +S'unknown date\n' +p163213 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6bd.jpg' +p163214 +sg25267 +g27 +sa(dp163215 +g25268 +S'Genius Writing on a Shield [reverse]' +p163216 +sg25270 +S'Giovanni Maria Pomedelli' +p163217 +sg25273 +S'bronze//Double struck' +p163218 +sg25275 +S'unknown date\n' +p163219 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6be.jpg' +p163220 +sg25267 +g27 +sa(dp163221 +g25268 +S'Westminster Bridge' +p163222 +sg25270 +S'F\xc3\xa9lix-Hilaire Buhot' +p163223 +sg25273 +S'etching, drypoint, roulette, aquatint, and spit-bite etching onlaid paper' +p163224 +sg25275 +S'1884' +p163225 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00091/a0009170.jpg' +p163226 +sg25267 +g27 +sa(dp163227 +g25273 +S'bronze//Later casting' +p163228 +sg25267 +g27 +sg25275 +S'probably 1515/1518' +p163229 +sg25268 +S'Fran\xc3\xa7ois I, 1494-1547, King of France 1515 [obverse]' +p163230 +sg25270 +S'Giovanni Maria Pomedelli' +p163231 +sa(dp163232 +g25273 +S'bronze' +p163233 +sg25267 +g27 +sg25275 +S'probably 1515/1518' +p163234 +sg25268 +S'Salamander in Flames [reverse]' +p163235 +sg25270 +S'Giovanni Maria Pomedelli' +p163236 +sa(dp163237 +g25273 +S'bronze' +p163238 +sg25267 +g27 +sg25275 +S'unknown date\n' +p163239 +sg25268 +S'Portrait of a Lady [obverse]' +p163240 +sg25270 +S'Giovanni Maria Pomedelli' +p163241 +sa(dp163242 +g25273 +S'bronze' +p163243 +sg25267 +g27 +sg25275 +S'unknown date\n' +p163244 +sg25268 +S'Man Holding Fruit, and Cupid [reverse]' +p163245 +sg25270 +S'Giovanni Maria Pomedelli' +p163246 +sa(dp163247 +g25273 +S'bronze' +p163248 +sg25267 +g27 +sg25275 +S'probably 1523/1530' +p163249 +sg25268 +S'Federigo II Gonzaga, 1500-1540, 5th Marquess of Mantua 1519 and 1st Duke of Mantua 1530 [obverse]' +p163250 +sg25270 +S'Giovanni Maria Pomedelli' +p163251 +sa(dp163252 +g25273 +S'bronze' +p163253 +sg25267 +g27 +sg25275 +S'probably 1523/1530' +p163254 +sg25268 +S'Altar of Fides [reverse]' +p163255 +sg25270 +S'Giovanni Maria Pomedelli' +p163256 +sa(dp163257 +g25273 +S'bronze' +p163258 +sg25267 +g27 +sg25275 +S'unknown date\n' +p163259 +sg25268 +S'Isabella Michiel Sesso, Wife of Giambattista Sesso [obverse]' +p163260 +sg25270 +S'Giovanni Maria Pomedelli' +p163261 +sa(dp163262 +g25273 +S'bronze' +p163263 +sg25267 +g27 +sg25275 +S'unknown date\n' +p163264 +sg25268 +S'Occasion Holding a Bridle [reverse]' +p163265 +sg25270 +S'Giovanni Maria Pomedelli' +p163266 +sa(dp163267 +g25273 +S'bronze//Not contemporary cast' +p163268 +sg25267 +g27 +sg25275 +S'1515 or after' +p163269 +sg25268 +S'Fran\xc3\xa7ois I, 1494-1547, King of France 1515 [obverse]' +p163270 +sg25270 +S'Giovanni Maria Pomedelli' +p163271 +sa(dp163272 +g25273 +S'bronze//Not contemporary cast' +p163273 +sg25267 +g27 +sg25275 +S'1515 or after' +p163274 +sg25268 +S'Diomede Seated on a Cippus [reverse]' +p163275 +sg25270 +S'Giovanni Maria Pomedelli' +p163276 +sa(dp163277 +g25268 +S'Les Esprits des Villes Mortes (Spirits from the Cities of the Dead)' +p163278 +sg25270 +S'F\xc3\xa9lix-Hilaire Buhot' +p163279 +sg25273 +S'etching, roulette, drypoint, lift ground, aquatint, scraping and burnishing on laid paper' +p163280 +sg25275 +S'1885' +p163281 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005d/a0005dba.jpg' +p163282 +sg25267 +g27 +sa(dp163283 +g25273 +S', 1494' +p163284 +sg25267 +g27 +sg25275 +S'\n' +p163285 +sg25268 +S'Giovanni II Bentivoglio, 1443-1509, Lord of Bologna 1462-1506 [obverse]' +p163286 +sg25270 +S'Francesco Francia' +p163287 +sa(dp163288 +g25273 +S', 1494' +p163289 +sg25267 +g27 +sg25275 +S'\n' +p163290 +sg25268 +S'Inscription [reverse]' +p163291 +sg25270 +S'Francesco Francia' +p163292 +sa(dp163293 +g25273 +S', unknown date' +p163294 +sg25267 +g27 +sg25275 +S'\n' +p163295 +sg25268 +S'Giovanni II Bentivoglio, 1443-1509, Lord of Bologna 1462-1506 [obverse]' +p163296 +sg25270 +S'Francesco Francia' +p163297 +sa(dp163298 +g25273 +S', unknown date' +p163299 +sg25267 +g27 +sg25275 +S'\n' +p163300 +sg25268 +S'Shield of Bentivoglio [reverse]' +p163301 +sg25270 +S'Francesco Francia' +p163302 +sa(dp163303 +g25273 +S'Italian, c. 1447 - 1517' +p163304 +sg25267 +g27 +sg25275 +S'(artist after)' +p163305 +sg25268 +S'Francesco degli Alidosi, c. 1455-1511, Cardinal of Pavia 1505, Legate of Bologna and Romagna 1508 [obverse]' +p163306 +sg25270 +S'Artist Information (' +p163307 +sa(dp163308 +g25273 +S'Italian, c. 1447 - 1517' +p163309 +sg25267 +g27 +sg25275 +S'(artist after)' +p163310 +sg25268 +S'Jupiter in a Car Drawn by Eagles [reverse]' +p163311 +sg25270 +S'Artist Information (' +p163312 +sa(dp163313 +g25273 +S'Italian, c. 1447 - 1517' +p163314 +sg25267 +g27 +sg25275 +S'(related artist)' +p163315 +sg25268 +S"Bernardo de' Rossi, died 1527, Bishop of Treviso 1499, Governor of Bologna 1519-1523 [obverse]" +p163316 +sg25270 +S'Artist Information (' +p163317 +sa(dp163318 +g25273 +S'Italian, c. 1447 - 1517' +p163319 +sg25267 +g27 +sg25275 +S'(related artist)' +p163320 +sg25268 +S'Figure in a Car Drawn by a Dragon and an Eagle [reverse]' +p163321 +sg25270 +S'Artist Information (' +p163322 +sa(dp163323 +g25273 +S'overall (rectangular): 15.89 x 12.12 cm (6 1/4 x 4 3/4 in.)\r\ngross weight: 386.54 gr (0.852 lb.)' +p163324 +sg25267 +g27 +sg25275 +S'\nbronze' +p163325 +sg25268 +S'Giangaleazzo Visconti, 1351-1402, 1st Duke of Milan 1378' +p163326 +sg25270 +S'Milanese 15th Century' +p163327 +sa(dp163328 +g25273 +S'overall (oval): 2.61 x 2.18 cm (1 x 7/8 in.)\r\ngross weight: 12.9 gr (0.028 lb.)' +p163329 +sg25267 +g27 +sg25275 +S'\nbronze' +p163330 +sg25268 +S'Lodovico Maria Sforza, called il Moro, 1452-1508, 7th Duke of Milan 1494-1500' +p163331 +sg25270 +S'Milanese 15th Century' +p163332 +sa(dp163333 +g25273 +S'etching' +p163334 +sg25267 +g27 +sg25275 +S'1930' +p163335 +sg25268 +S'Henry Rushbury' +p163336 +sg25270 +S'Gerald Leslie Brockhurst' +p163337 +sa(dp163338 +g25273 +S'bronze//Late cast' +p163339 +sg25267 +g27 +sg25275 +S'c. 1488' +p163340 +sg25268 +S'Francesco I Sforza, 1401-1466, 4th Duke of Milan 1450 [obverse]' +p163341 +sg25270 +S'Caradosso Foppa' +p163342 +sa(dp163343 +g25273 +S'bronze//Late cast' +p163344 +sg25267 +g27 +sg25275 +S'c. 1488' +p163345 +sg25268 +S'Francesco Approaching a City [reverse]' +p163346 +sg25270 +S'Caradosso Foppa' +p163347 +sa(dp163348 +g25273 +S'bronze' +p163349 +sg25267 +g27 +sg25275 +S'c. 1488' +p163350 +sg25268 +S'Lodovico Maria Sforza, called il Moro, 1452-1508, 7th Duke of Milan 1494-1500 [obverse]' +p163351 +sg25270 +S'Caradosso Foppa' +p163352 +sa(dp163353 +g25273 +S'bronze' +p163354 +sg25267 +g27 +sg25275 +S'c. 1488' +p163355 +sg25268 +S'The Doge of Genoa [reverse]' +p163356 +sg25270 +S'Caradosso Foppa' +p163357 +sa(dp163358 +g25273 +S'bronze' +p163359 +sg25267 +g27 +sg25275 +S'c. 1499' +p163360 +sg25268 +S'Gian Giacomo Trivulzio, 1441-1518, Marshal of France 1499 [obverse]' +p163361 +sg25270 +S'Caradosso Foppa' +p163362 +sa(dp163363 +g25273 +S'bronze' +p163364 +sg25267 +g27 +sg25275 +S'c. 1499' +p163365 +sg25268 +S'Inscription [reverse]' +p163366 +sg25270 +S'Caradosso Foppa' +p163367 +sa(dp163368 +g25268 +S'Donato Bramante, c. 1444-1514, Architect [obverse]' +p163369 +sg25270 +S'Caradosso Foppa' +p163370 +sg25273 +S'bronze' +p163371 +sg25275 +S'unknown date\n' +p163372 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00030/a000303b.jpg' +p163373 +sg25267 +g27 +sa(dp163374 +g25268 +S'Architecture Holding a Compass and Square [reverse]' +p163375 +sg25270 +S'Caradosso Foppa' +p163376 +sg25273 +S'bronze' +p163377 +sg25275 +S'unknown date\n' +p163378 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006460.jpg' +p163379 +sg25267 +g27 +sa(dp163380 +g25268 +S'Julius II (Giuliano della Rovere, 1443-1513), Pope 1503 [obverse]' +p163381 +sg25270 +S'Caradosso Foppa' +p163382 +sg25273 +S'bronze' +p163383 +sg25275 +S'1506' +p163384 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006404.jpg' +p163385 +sg25267 +g27 +sa(dp163386 +g25268 +S"View of Saint Peter's [reverse]" +p163387 +sg25270 +S'Caradosso Foppa' +p163388 +sg25273 +S'bronze' +p163389 +sg25275 +S'1506' +p163390 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006405.jpg' +p163391 +sg25267 +g27 +sa(dp163392 +g25273 +S'etching' +p163393 +sg25267 +g27 +sg25275 +S'1931' +p163394 +sg25268 +S'James McBey' +p163395 +sg25270 +S'Gerald Leslie Brockhurst' +p163396 +sa(dp163397 +g25273 +S'bronze' +p163398 +sg25267 +g27 +sg25275 +S'c. 1506' +p163399 +sg25268 +S'Julius II (Giuliano della Rovere, 1443-1513), Pope 1503 [obverse]' +p163400 +sg25270 +S'Caradosso Foppa' +p163401 +sa(dp163402 +g25273 +S'bronze' +p163403 +sg25267 +g27 +sg25275 +S'c. 1506' +p163404 +sg25268 +S"View of Saint Peter's [reverse]" +p163405 +sg25270 +S'Caradosso Foppa' +p163406 +sa(dp163407 +g25273 +S'bronze' +p163408 +sg25267 +g27 +sg25275 +S'1485/1495' +p163409 +sg25268 +S'Niccolo Orsini, 1442-1510, Count of Pitigliano and Nola, Captain of the Army of the Roman Church and of the Florentine Republic [obverse]' +p163410 +sg25270 +S'Caradosso Foppa' +p163411 +sa(dp163412 +g25273 +S'bronze' +p163413 +sg25267 +g27 +sg25275 +S'1485/1495' +p163414 +sg25268 +S'Orsini Riding [reverse]' +p163415 +sg25270 +S'Caradosso Foppa' +p163416 +sa(dp163417 +g25273 +S'overall (diameter): 4.31 cm (1 11/16 in.)\r\ngross weight: 28.46 gr (0.063 lb.)' +p163418 +sg25267 +g27 +sg25275 +S'\nbronze' +p163419 +sg25268 +S'Simone Taverna' +p163420 +sg25270 +S'Milanese 16th Century' +p163421 +sa(dp163422 +g25273 +S'overall (diameter): 5.99 cm (2 3/8 in.)\r\ngross weight: 62.93 gr (0.139 lb.)\r\naxis: 12:00' +p163423 +sg25267 +g27 +sg25275 +S'\nbronze' +p163424 +sg25268 +S'Scaramuccia di Gianfermo Trivulzio, died 1527, Bishop of Como 1508, Cardinal 1517 [obverse]' +p163425 +sg25270 +S'Milanese 16th Century' +p163426 +sa(dp163427 +g25273 +S'overall (diameter): 5.99 cm (2 3/8 in.)\r\ngross weight: 62.93 gr (0.139 lb.)\r\naxis: 12:00' +p163428 +sg25267 +g27 +sg25275 +S'\nbronze' +p163429 +sg25268 +S'Prudence Holding a Mirror and Compasses [reverse]' +p163430 +sg25270 +S'Milanese 16th Century' +p163431 +sa(dp163432 +g25273 +S'overall (diameter): 4.37 cm (1 3/4 in.)\r\ngross weight: 21.76 gr (0.048 lb.)\r\naxis: 6:00' +p163433 +sg25267 +g27 +sg25275 +S'\nbronze' +p163434 +sg25268 +S'Gian Giacomo Trivulzio as a Laureate Warrior [obverse]' +p163435 +sg25270 +S'Milanese 16th Century' +p163436 +sa(dp163437 +g25273 +S'overall (diameter): 4.37 cm (1 3/4 in.)\r\ngross weight: 21.76 gr (0.048 lb.)\r\naxis: 6:00' +p163438 +sg25267 +g27 +sg25275 +S'\nbronze' +p163439 +sg25268 +S'Gian Giacomo Trivulzio, 1441-1518, Marshall of France 1499 [reverse]' +p163440 +sg25270 +S'Milanese 16th Century' +p163441 +sa(dp163442 +g25273 +S'overall (diameter): 4.8 cm (1 7/8 in.)\r\ngross weight: 34.22 gr (0.075 lb.)' +p163443 +sg25267 +g27 +sg25275 +S'\nbronze//Late cast' +p163444 +sg25268 +S'Filippo of Savoy, 1490-1533, Count of Genevois 1514' +p163445 +sg25270 +S'Savoy 16th Century' +p163446 +sa(dp163447 +g25273 +S'red chalk' +p163448 +sg25267 +g27 +sg25275 +S'1934' +p163449 +sg25268 +S'Almira' +p163450 +sg25270 +S'Gerald Leslie Brockhurst' +p163451 +sa(dp163452 +g25273 +S'bronze' +p163453 +sg25267 +g27 +sg25275 +S'unknown date\n' +p163454 +sg25268 +S'Battista II di Campofregoso, Doge of Genoa 1478-1483 [obverse]' +p163455 +sg25270 +S"Battista d'Elia da Genova" +p163456 +sa(dp163457 +g25273 +S'bronze' +p163458 +sg25267 +g27 +sg25275 +S'unknown date\n' +p163459 +sg25268 +S'Crocodile and Trochilus [reverse]' +p163460 +sg25270 +S"Battista d'Elia da Genova" +p163461 +sa(dp163462 +g25268 +S'Nero, 37-68, Roman Emperor 54 [obverse]' +p163463 +sg25270 +S'Antonio Averlino, called Filarete' +p163464 +sg25273 +S', fourth quarter 15th century' +p163465 +sg25275 +S'\n' +p163466 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00067/a00067e4.jpg' +p163467 +sg25267 +g27 +sa(dp163468 +g25268 +S'Nero, Laureate, Seated Under Palm Tree [reverse]' +p163469 +sg25270 +S'Antonio Averlino, called Filarete' +p163470 +sg25273 +S', fourth quarter 15th century' +p163471 +sg25275 +S'\n' +p163472 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00067/a00067e6.jpg' +p163473 +sg25267 +g27 +sa(dp163474 +g25273 +S', fourth quarter 15th century' +p163475 +sg25267 +g27 +sg25275 +S'\n' +p163476 +sg25268 +S'Hadrian [obverse]' +p163477 +sg25270 +S'Antonio Averlino, called Filarete' +p163478 +sa(dp163479 +g25273 +S', fourth quarter 15th century' +p163480 +sg25267 +g27 +sg25275 +S'\n' +p163481 +sg25268 +S'Hadrian Riding and Carrying a Standard [reverse]' +p163482 +sg25270 +S'Antonio Averlino, called Filarete' +p163483 +sa(dp163484 +g25273 +S', fourth quarter 15th century' +p163485 +sg25267 +g27 +sg25275 +S'\n' +p163486 +sg25268 +S'Faustina the Elder, d. 141, Wife of Emperor Antoninus Pius [obverse]' +p163487 +sg25270 +S'Antonio Averlino, called Filarete' +p163488 +sa(dp163489 +g25273 +S', fourth quarter 15th century' +p163490 +sg25267 +g27 +sg25275 +S'\n' +p163491 +sg25268 +S'Antonius Pius and Faustina Joining Hands [reverse]' +p163492 +sg25270 +S'Antonio Averlino, called Filarete' +p163493 +sa(dp163494 +g25273 +S', fourth quarter 15th century' +p163495 +sg25267 +g27 +sg25275 +S'\n' +p163496 +sg25268 +S'Marcus Croto [obverse]' +p163497 +sg25270 +S'Antonio Averlino, called Filarete' +p163498 +sa(dp163499 +g25273 +S', fourth quarter 15th century' +p163500 +sg25267 +g27 +sg25275 +S'\n' +p163501 +sg25268 +S'Marcus Croto Riding [reverse]' +p163502 +sg25270 +S'Antonio Averlino, called Filarete' +p163503 +sa(dp163504 +g25273 +S'etching' +p163505 +sg25267 +g27 +sg25275 +S'1932' +p163506 +sg25268 +S'Adolescence' +p163507 +sg25270 +S'Gerald Leslie Brockhurst' +p163508 +sa(dp163509 +g25273 +S', fourth quarter 15th century' +p163510 +sg25267 +g27 +sg25275 +S'\n' +p163511 +sg25268 +S'Marcus Croto (obliterated) [obverse]' +p163512 +sg25270 +S'Antonio Averlino, called Filarete' +p163513 +sa(dp163514 +g25273 +S', fourth quarter 15th century' +p163515 +sg25267 +g27 +sg25275 +S'\n' +p163516 +sg25268 +S'Man Riding [reverse]' +p163517 +sg25270 +S'Antonio Averlino, called Filarete' +p163518 +sa(dp163519 +g25273 +S'overall (diameter): 3.47 cm (1 3/8 in.)\r\ngross weight: 31.25 gr (0.069 lb.)\r\naxis: 7:00' +p163520 +sg25267 +g27 +sg25275 +S'\nbronze' +p163521 +sg25268 +S'Pier Barbo, Cardinal of San Marco, afterwards Paul II 1455 [obverse]' +p163522 +sg25270 +S'Roman 15th Century' +p163523 +sa(dp163524 +g25273 +S'overall (diameter): 3.47 cm (1 3/8 in.)\r\ngross weight: 31.25 gr (0.069 lb.)\r\naxis: 7:00' +p163525 +sg25267 +g27 +sg25275 +S'\nbronze' +p163526 +sg25268 +S'Barbo Shield [reverse]' +p163527 +sg25270 +S'Roman 15th Century' +p163528 +sa(dp163529 +g25273 +S'bronze' +p163530 +sg25267 +g27 +sg25275 +S'1467' +p163531 +sg25268 +S'Niccol\xc3\xb2 Palmieri, 1401-1467, Bishop of Orte 1455-1467 [obverse]' +p163532 +sg25270 +S'Andrea Guacialoti' +p163533 +sa(dp163534 +g25273 +S'bronze' +p163535 +sg25267 +g27 +sg25275 +S'1467' +p163536 +sg25268 +S'Male Figure Holding an Hourglass [reverse]' +p163537 +sg25270 +S'Andrea Guacialoti' +p163538 +sa(dp163539 +g25273 +S'bronze' +p163540 +sg25267 +g27 +sg25275 +S'unknown date\n' +p163541 +sg25268 +S'Callistus III (Alfonso de Borja, 1378-1458), Pope 1455 [obverse]' +p163542 +sg25270 +S'Andrea Guacialoti' +p163543 +sa(dp163544 +g25273 +S'bronze' +p163545 +sg25267 +g27 +sg25275 +S'unknown date\n' +p163546 +sg25268 +S'Borgia Arms with Tiara [reverse]' +p163547 +sg25270 +S'Andrea Guacialoti' +p163548 +sa(dp163549 +g25273 +S'bronze' +p163550 +sg25267 +g27 +sg25275 +S'1481' +p163551 +sg25268 +S'Sixtus IV (Francesco della Rovere, 1414-1484), Pope 1471 [obverse]' +p163552 +sg25270 +S'Andrea Guacialoti' +p163553 +sa(dp163554 +g25273 +S'bronze' +p163555 +sg25267 +g27 +sg25275 +S'1481' +p163556 +sg25268 +S'Constancy with Turkish Captives [reverse]' +p163557 +sg25270 +S'Andrea Guacialoti' +p163558 +sa(dp163559 +g25268 +S'Madonna and Child with the Infant Saint John' +p163560 +sg25270 +S'Fernando Y\xc3\xa1\xc3\xb1ez de la Almedina' +p163561 +sg25273 +S', c. 1505' +p163562 +sg25275 +S'\n' +p163563 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a00004b2.jpg' +p163564 +sg25267 +g27 +sa(dp163565 +g25273 +S'etching' +p163566 +sg25267 +g27 +sg25275 +S'1922' +p163567 +sg25268 +S'Genevieve' +p163568 +sg25270 +S'Gerald Leslie Brockhurst' +p163569 +sa(dp163570 +g25273 +S'bronze' +p163571 +sg25267 +g27 +sg25275 +S'1458' +p163572 +sg25268 +S'Alfonso V of Aragon, 1396-1458, King of Naples and Sicily 1443 [obverse]' +p163573 +sg25270 +S'Cristoforo di Geremia' +p163574 +sa(dp163575 +g25273 +S'bronze' +p163576 +sg25267 +g27 +sg25275 +S'1458' +p163577 +sg25268 +S'Alfonso Crowned by Mars and Bellona [reverse]' +p163578 +sg25270 +S'Cristoforo di Geremia' +p163579 +sa(dp163580 +g25268 +S'Constantine the Great [obverse]' +p163581 +sg25270 +S'Cristoforo di Geremia' +p163582 +sg25273 +S'bronze' +p163583 +sg25275 +S'c. 1468' +p163584 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c5/a000c588.jpg' +p163585 +sg25267 +g27 +sa(dp163586 +g25268 +S'Constantine and the Church [reverse]' +p163587 +sg25270 +S'Cristoforo di Geremia' +p163588 +sg25273 +S'bronze' +p163589 +sg25275 +S'c. 1468' +p163590 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c5/a000c589.jpg' +p163591 +sg25267 +g27 +sa(dp163592 +g25268 +S'Lodovico Scarampi (Mezzarota), died 1465, Patriarch of Aquileia 1444 [obverse]' +p163593 +sg25270 +S'Cristoforo di Geremia' +p163594 +sg25273 +S'bronze' +p163595 +sg25275 +S'unknown date\n' +p163596 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00067/a00067ed.jpg' +p163597 +sg25267 +g27 +sa(dp163598 +g25268 +S'Triumphal Procession [reverse]' +p163599 +sg25270 +S'Cristoforo di Geremia' +p163600 +sg25273 +S'bronze' +p163601 +sg25275 +S'unknown date\n' +p163602 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00067/a00067ec.jpg' +p163603 +sg25267 +g27 +sa(dp163604 +g25273 +S'bronze' +p163605 +sg25267 +g27 +sg25275 +S'1461' +p163606 +sg25268 +S"Guillaume d'Estouteville, c. 1412-1483, Cardinal 1439, Archbishop of Rouen 1453, Bishop of Ostia 1461" +p163607 +sg25270 +S'Cristoforo di Geremia' +p163608 +sa(dp163609 +g25273 +S'bronze' +p163610 +sg25267 +g27 +sg25275 +S'1461' +p163611 +sg25268 +S'Shield of Arms of Estouteville [reverse]' +p163612 +sg25270 +S'Cristoforo di Geremia' +p163613 +sa(dp163614 +g25273 +S'bronze' +p163615 +sg25267 +g27 +sg25275 +S'unknown date\n' +p163616 +sg25268 +S'Paolo Dotti of Padua (?), General of Militia in Vicenza 1289 [obverse]' +p163617 +sg25270 +S'Cristoforo di Geremia' +p163618 +sa(dp163619 +g25273 +S'bronze' +p163620 +sg25267 +g27 +sg25275 +S'unknown date\n' +p163621 +sg25268 +S'Constancy Resting on Staff and Column [reverse]' +p163622 +sg25270 +S'Cristoforo di Geremia' +p163623 +sa(dp163624 +g25273 +S'etching' +p163625 +sg25267 +g27 +sg25275 +S'1923' +p163626 +sg25268 +S'Maureen (or "Patricia)' +p163627 +sg25270 +S'Gerald Leslie Brockhurst' +p163628 +sa(dp163629 +g25273 +S'overall (diameter): 7.86 cm (3 1/8 in.)\r\ngross weight: 110.75 gr (0.244 lb.)\r\naxis: 12:00' +p163630 +sg25267 +g27 +sg25275 +S'\nbronze' +p163631 +sg25268 +S'Paul II (Pietro Barbo, 1464-1471), Pope 1464, in Public Consistory [obverse]' +p163632 +sg25270 +S'Roman 15th Century' +p163633 +sa(dp163634 +g25273 +S'overall (diameter): 7.86 cm (3 1/8 in.)\r\ngross weight: 110.75 gr (0.244 lb.)\r\naxis: 12:00' +p163635 +sg25267 +g27 +sg25275 +S'\nbronze' +p163636 +sg25268 +S'Christ in Glory, and the Resurrection [reverse]' +p163637 +sg25270 +S'Roman 15th Century' +p163638 +sa(dp163639 +g25273 +S'overall (diameter): 3.39 cm (1 5/16 in.)\r\ngross weight: 22.98 gr (0.051 lb.)\r\naxis: 6:00' +p163640 +sg25267 +g27 +sg25275 +S'\nbronze' +p163641 +sg25268 +S'Paul II (Pietro Barbo, 1417-1471), Pope 1464 [obverse]' +p163642 +sg25270 +S'Roman 15th Century' +p163643 +sa(dp163644 +g25273 +S'overall (diameter): 3.39 cm (1 5/16 in.)\r\ngross weight: 22.98 gr (0.051 lb.)\r\naxis: 6:00' +p163645 +sg25267 +g27 +sg25275 +S'\nbronze' +p163646 +sg25268 +S'Palazzo Venezia [reverse]' +p163647 +sg25270 +S'Roman 15th Century' +p163648 +sa(dp163649 +g25273 +S'bronze//Late cast' +p163650 +sg25267 +g27 +sg25275 +S'unknown date\n' +p163651 +sg25268 +S'Bartolommeo Partenio, active 1480-1485, Humanist [obverse]' +p163652 +sg25270 +S'Lysippus Junior' +p163653 +sa(dp163654 +g25273 +S'bronze//Late cast' +p163655 +sg25267 +g27 +sg25275 +S'unknown date\n' +p163656 +sg25268 +S'Lily and Inscription [reverse]' +p163657 +sg25270 +S'Lysippus Junior' +p163658 +sa(dp163659 +g25273 +S'bronze' +p163660 +sg25267 +g27 +sg25275 +S'unknown date\n' +p163661 +sg25268 +S'Giovanni Francesco de Rangoni [obverse]' +p163662 +sg25270 +S'Lysippus Junior' +p163663 +sa(dp163664 +g25273 +S'bronze' +p163665 +sg25267 +g27 +sg25275 +S'unknown date\n' +p163666 +sg25268 +S'Armed Figure Standing on a Prostrate Wolf [reverse]' +p163667 +sg25270 +S'Lysippus Junior' +p163668 +sa(dp163669 +g25273 +S'bronze' +p163670 +sg25267 +g27 +sg25275 +S'unknown date\n' +p163671 +sg25268 +S'Sixtus IV (Francesco della Rovere, 1414-1484), Pope 1471 [obverse]' +p163672 +sg25270 +S'Lysippus Junior' +p163673 +sa(dp163674 +g25273 +S'bronze' +p163675 +sg25267 +g27 +sg25275 +S'unknown date\n' +p163676 +sg25268 +S'Sixtus IV Being Crowned [reverse]' +p163677 +sg25270 +S'Lysippus Junior' +p163678 +sa(dp163679 +g25273 +S'etching' +p163680 +sg25267 +g27 +sg25275 +S'1922' +p163681 +sg25268 +S'By the Window' +p163682 +sg25270 +S'Gerald Leslie Brockhurst' +p163683 +sa(dp163684 +g25273 +S'bronze' +p163685 +sg25267 +g27 +sg25275 +S'unknown date\n' +p163686 +sg25268 +S'Giovanni Alvise Toscani, c. 1450-1478, Milanese Jurisconsult, Conisitorial Advocate, and Auditor General under Pope Sixtus IV [obverse]' +p163687 +sg25270 +S'Lysippus Junior' +p163688 +sa(dp163689 +g25273 +S'bronze' +p163690 +sg25267 +g27 +sg25275 +S'unknown date\n' +p163691 +sg25268 +S'Neptune in a Sea-Car [reverse]' +p163692 +sg25270 +S'Lysippus Junior' +p163693 +sa(dp163694 +g25273 +S'bronze' +p163695 +sg25267 +g27 +sg25275 +S'unknown date\n' +p163696 +sg25268 +S'Giovanni Alvise Toscani, c. 1450-1478, Milanese Jurisconsult, Consistorial Advocate, and Auditor General under Pope Sixtus IV [obverse]' +p163697 +sg25270 +S'Lysippus Junior' +p163698 +sa(dp163699 +g25273 +S'bronze' +p163700 +sg25267 +g27 +sg25275 +S'unknown date\n' +p163701 +sg25268 +S'Inscription in a Wreath [reverse]' +p163702 +sg25270 +S'Lysippus Junior' +p163703 +sa(dp163704 +g25273 +S', unknown date' +p163705 +sg25267 +g27 +sg25275 +S'\n' +p163706 +sg25268 +S'Giovanni Candida, before 1450-c. 1499, Medallist' +p163707 +sg25270 +S'Giovanni Candida' +p163708 +sa(dp163709 +g25273 +S'bronze' +p163710 +sg25267 +g27 +sg25275 +S'1474' +p163711 +sg25268 +S'Charles the Bold, 1433-1477, Duke of Burgundy 1467 [obverse]' +p163712 +sg25270 +S'Giovanni Candida' +p163713 +sa(dp163714 +g25273 +S'bronze' +p163715 +sg25267 +g27 +sg25275 +S'1474' +p163716 +sg25268 +S'Ram between Two Briquets [reverse]' +p163717 +sg25270 +S'Giovanni Candida' +p163718 +sa(dp163719 +g25273 +S', 1472/1480' +p163720 +sg25267 +g27 +sg25275 +S'\n' +p163721 +sg25268 +S'Antoine, 1421-1504, Grand Bastard of Burgundy [obverse]' +p163722 +sg25270 +S'Giovanni Candida' +p163723 +sa(dp163724 +g25273 +S', 1472/1480' +p163725 +sg25267 +g27 +sg25275 +S'\n' +p163726 +sg25268 +S'Barbican [reverse]' +p163727 +sg25270 +S'Giovanni Candida' +p163728 +sa(dp163729 +g25268 +S'Maximilian I, 1459-1519, Archduke of Austria, afterwards Emperor 1493 [obverse]' +p163730 +sg25270 +S'Giovanni Candida' +p163731 +sg25273 +S', 1477' +p163732 +sg25275 +S'\n' +p163733 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006406.jpg' +p163734 +sg25267 +g27 +sa(dp163735 +g25273 +S'etching' +p163736 +sg25267 +g27 +sg25275 +S'1927' +p163737 +sg25268 +S'The Two Melisandes' +p163738 +sg25270 +S'Gerald Leslie Brockhurst' +p163739 +sa(dp163740 +g25268 +S'Maria of Burgundy, died 1482, Wife of Maximilian of Austria 1477 [reverse]' +p163741 +sg25270 +S'Giovanni Candida' +p163742 +sg25273 +S', 1477' +p163743 +sg25275 +S'\n' +p163744 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006407.jpg' +p163745 +sg25267 +g27 +sa(dp163746 +g25273 +S'bronze//After-cast' +p163747 +sg25267 +g27 +sg25275 +S'c. 1479' +p163748 +sg25268 +S'Jean Carondelet, President of the Parliament of Burgundy 1479 [obverse]' +p163749 +sg25270 +S'Giovanni Candida' +p163750 +sa(dp163751 +g25273 +S'bronze//After-cast' +p163752 +sg25267 +g27 +sg25275 +S'c. 1479' +p163753 +sg25268 +S'Marguerite de Chassey, Wife of Jean Carondelet [reverse]' +p163754 +sg25270 +S'Giovanni Candida' +p163755 +sa(dp163756 +g25273 +S', unknown date' +p163757 +sg25267 +g27 +sg25275 +S'\n' +p163758 +sg25268 +S'Raimondo Lavagnoli, Commissary of Saxony in the 11th or 12th Century [obverse]' +p163759 +sg25270 +S'Giovanni Candida' +p163760 +sa(dp163761 +g25273 +S', unknown date' +p163762 +sg25267 +g27 +sg25275 +S'\n' +p163763 +sg25268 +S'Arms of Lavagnoli [reverse]' +p163764 +sg25270 +S'Giovanni Candida' +p163765 +sa(dp163766 +g25273 +S', 1488/1493' +p163767 +sg25267 +g27 +sg25275 +S'\n' +p163768 +sg25268 +S'Robert Briconnet, President of the Court of Inquiry [obverse]' +p163769 +sg25270 +S'Giovanni Candida' +p163770 +sa(dp163771 +g25273 +S', 1488/1493' +p163772 +sg25267 +g27 +sg25275 +S'\n' +p163773 +sg25268 +S'Inscription [reverse]' +p163774 +sg25270 +S'Giovanni Candida' +p163775 +sa(dp163776 +g25273 +S', c. 1503' +p163777 +sg25267 +g27 +sg25275 +S'\n' +p163778 +sg25268 +S'Nicolas Maugras, Bishop of Uzes 1483-1503 [obverse]' +p163779 +sg25270 +S'Giovanni Candida' +p163780 +sa(dp163781 +g25273 +S', c. 1503' +p163782 +sg25267 +g27 +sg25275 +S'\n' +p163783 +sg25268 +S'Arms of Maugras over a Crozier [reverse]' +p163784 +sg25270 +S'Giovanni Candida' +p163785 +sa(dp163786 +g25273 +S', c. 1494/1499' +p163787 +sg25267 +g27 +sg25275 +S'\n' +p163788 +sg25268 +S'Giuliano della Rovere, 1443-1513, afterwards Pope Julius II, 1503 [obverse]' +p163789 +sg25270 +S'Giovanni Candida' +p163790 +sa(dp163791 +g25273 +S'etching' +p163792 +sg25267 +g27 +sg25275 +S'1929' +p163793 +sg25268 +S'Malvina' +p163794 +sg25270 +S'Gerald Leslie Brockhurst' +p163795 +sa(dp163796 +g25273 +S', c. 1494/1499' +p163797 +sg25267 +g27 +sg25275 +S'\n' +p163798 +sg25268 +S'Clemente della Rovere, Bishop of Mende 1483-1504, Brother of Giuliano [reverse]' +p163799 +sg25270 +S'Giovanni Candida' +p163800 +sa(dp163801 +g25273 +S'Italian, before 1450 - c. 1499' +p163802 +sg25267 +g27 +sg25275 +S'(related artist)' +p163803 +sg25268 +S'Thomas Bohier, died 1524, G\xc3\xa9n\xc3\xa9ral de Finances of Normandy 1496 [obverse]' +p163804 +sg25270 +S'Artist Information (' +p163805 +sa(dp163806 +g25273 +S'Italian, before 1450 - c. 1499' +p163807 +sg25267 +g27 +sg25275 +S'(related artist)' +p163808 +sg25268 +S'Arms of Thomas Bohier [reverse]' +p163809 +sg25270 +S'Artist Information (' +p163810 +sa(dp163811 +g25273 +S'Italian, before 1450 - c. 1499' +p163812 +sg25267 +g27 +sg25275 +S'(related artist)' +p163813 +sg25268 +S'Fran\xc3\xa7ois, Duke of Valois, 1494-1547, afterwards Fran\xc3\xa7ois I, King of France 1515 [obverse]' +p163814 +sg25270 +S'Artist Information (' +p163815 +sa(dp163816 +g25273 +S'Italian, before 1450 - c. 1499' +p163817 +sg25267 +g27 +sg25275 +S'(related artist)' +p163818 +sg25268 +S'Salamander in Flames [reverse]' +p163819 +sg25270 +S'Artist Information (' +p163820 +sa(dp163821 +g25273 +S'overall (diameter): 3.63 cm (1 7/16 in.)\r\ngross weight: 12.49 gr (0.028 lb.)\r\naxis: 6:00' +p163822 +sg25267 +g27 +sg25275 +S'\nbronze' +p163823 +sg25268 +S'Don Rodrigo de Bivar Y Mendoza, died 1523 [obverse]' +p163824 +sg25270 +S'Roman 15th Century' +p163825 +sa(dp163826 +g25273 +S'overall (diameter): 3.63 cm (1 7/16 in.)\r\ngross weight: 12.49 gr (0.028 lb.)\r\naxis: 6:00' +p163827 +sg25267 +g27 +sg25275 +S'\nbronze' +p163828 +sg25268 +S'Mars and Venus [reverse]' +p163829 +sg25270 +S'Roman 15th Century' +p163830 +sa(dp163831 +g25273 +S'overall (diameter): 3.72 cm (1 7/16 in.)\r\ngross weight: 19.98 gr (0.044 lb.)\r\naxis: 5:00' +p163832 +sg25267 +g27 +sg25275 +S'\nbronze' +p163833 +sg25268 +S'Marcello Capodiferro [obverse]' +p163834 +sg25270 +S'Roman 15th Century' +p163835 +sa(dp163836 +g25273 +S'overall (diameter): 3.72 cm (1 7/16 in.)\r\ngross weight: 19.98 gr (0.044 lb.)\r\naxis: 5:00' +p163837 +sg25267 +g27 +sg25275 +S'\nbronze' +p163838 +sg25268 +S'Ox [reverse]' +p163839 +sg25270 +S'Roman 15th Century' +p163840 +sa(dp163841 +g25273 +S'overall (diameter): 4.31 cm (1 11/16 in.)\r\ngross weight: 26.17 gr (0.058 lb.)\r\naxis: 6:00' +p163842 +sg25267 +g27 +sg25275 +S'\nbronze' +p163843 +sg25268 +S'Bernardino Carvajal, died 1522, Cardinal of Santa Croce 1493, deposed 1511, restored 1513 [obverse]' +p163844 +sg25270 +S'Roman 15th Century' +p163845 +sa(dp163846 +g25273 +S'etching' +p163847 +sg25267 +g27 +sg25275 +S'1926' +p163848 +sg25268 +S'La Tresse' +p163849 +sg25270 +S'Gerald Leslie Brockhurst' +p163850 +sa(dp163851 +g25273 +S'overall (diameter): 4.31 cm (1 11/16 in.)\r\ngross weight: 26.17 gr (0.058 lb.)\r\naxis: 6:00' +p163852 +sg25267 +g27 +sg25275 +S'\nbronze' +p163853 +sg25268 +S'Philosophy with a Manuscript and Sceptre [reverse]' +p163854 +sg25270 +S'Roman 15th Century' +p163855 +sa(dp163856 +g25273 +S'overall (diameter): 5.38 cm (2 1/8 in.)\r\ngross weight: 52.88 gr (0.117 lb.)\r\naxis: 12:00' +p163857 +sg25267 +g27 +sg25275 +S'\nbronze' +p163858 +sg25268 +S'Domenico Grimani, 1463-1523, Cardinal 1493 [obverse]' +p163859 +sg25270 +S'Roman 15th Century' +p163860 +sa(dp163861 +g25273 +S'overall (diameter): 5.38 cm (2 1/8 in.)\r\ngross weight: 52.88 gr (0.117 lb.)\r\naxis: 12:00' +p163862 +sg25267 +g27 +sg25275 +S'\nbronze' +p163863 +sg25268 +S'Theology and Philosophy [reverse]' +p163864 +sg25270 +S'Roman 15th Century' +p163865 +sa(dp163866 +g25273 +S'bronze' +p163867 +sg25267 +g27 +sg25275 +S'probably 1450/1503' +p163868 +sg25268 +S'Guillaume de Poitiers, died 1503, Marquis de Cotrone [obverse]' +p163869 +sg25270 +S'Giovanni Candida' +p163870 +sa(dp163871 +g25273 +S'bronze' +p163872 +sg25267 +g27 +sg25275 +S'probably 1450/1503' +p163873 +sg25268 +S'Mercury with a Female Figure [reverse]' +p163874 +sg25270 +S'Giovanni Candida' +p163875 +sa(dp163876 +g25273 +S'overall (diameter): 3.11 cm (1 1/4 in.)\r\ngross weight: 11.88 gr (0.026 lb.)\r\naxis: 8:00' +p163877 +sg25267 +g27 +sg25275 +S'\nbronze//Struck' +p163878 +sg25268 +S'Julius II (Giuliano della Rovere, 1443-1513), Pope 1503 [obverse]' +p163879 +sg25270 +S'Roman 16th Century' +p163880 +sa(dp163881 +g25273 +S'overall (diameter): 3.11 cm (1 1/4 in.)\r\ngross weight: 11.88 gr (0.026 lb.)\r\naxis: 8:00' +p163882 +sg25267 +g27 +sg25275 +S'\nbronze//Struck' +p163883 +sg25268 +S'Shield with the Arms of Della Rovere [reverse]' +p163884 +sg25270 +S'Roman 16th Century' +p163885 +sa(dp163886 +g25273 +S'overall (diameter): 7.86 cm (3 1/8 in.)\r\ngross weight: 245.59 gr (0.541 lb.)\r\naxis: 12:00' +p163887 +sg25267 +g27 +sg25275 +S'\nbronze' +p163888 +sg25268 +S"Leo X (Giovanni de' Medici, 1475-1521), Pope 1513 [obverse]" +p163889 +sg25270 +S'Roman 16th Century' +p163890 +sa(dp163891 +g25273 +S'overall (diameter): 7.86 cm (3 1/8 in.)\r\ngross weight: 245.59 gr (0.541 lb.)\r\naxis: 12:00' +p163892 +sg25267 +g27 +sg25275 +S'\nbronze' +p163893 +sg25268 +S'Shield with the Medici Arms, Surmounted by the Papal Tiara and Crossed Keys [reverse]' +p163894 +sg25270 +S'Roman 16th Century' +p163895 +sa(dp163896 +g25273 +S'overall (diameter): 8.77 cm (3 7/16 in.)\r\ngross weight: 315.54 gr (0.696 lb.)\r\naxis: 6:00' +p163897 +sg25267 +g27 +sg25275 +S'\nbronze' +p163898 +sg25268 +S"Giuliano II de' Medici, 1478-1516, Duc de Nemours [obverse]" +p163899 +sg25270 +S'Roman 16th Century' +p163900 +sa(dp163901 +g25273 +S'etching' +p163902 +sg25267 +g27 +sg25275 +S'1925' +p163903 +sg25268 +S'The Dancer' +p163904 +sg25270 +S'Gerald Leslie Brockhurst' +p163905 +sa(dp163906 +g25273 +S'overall (diameter): 8.77 cm (3 7/16 in.)\r\ngross weight: 315.54 gr (0.696 lb.)\r\naxis: 6:00' +p163907 +sg25267 +g27 +sg25275 +S'\nbronze' +p163908 +sg25268 +S'Florence Leaning on the Medici Shield [reverse]' +p163909 +sg25270 +S'Roman 16th Century' +p163910 +sa(dp163911 +g25273 +S'overall (diameter): 3.41 cm (1 5/16 in.)\r\ngross weight: 19.49 gr (0.043 lb.)\r\naxis: 5:00' +p163912 +sg25267 +g27 +sg25275 +S'\nbronze' +p163913 +sg25268 +S"Giuliano II de' Medici, 1478-1516, Duc de Nemours [obverse]" +p163914 +sg25270 +S'Roman 16th Century' +p163915 +sa(dp163916 +g25273 +S'overall (diameter): 3.41 cm (1 5/16 in.)\r\ngross weight: 19.49 gr (0.043 lb.)\r\naxis: 5:00' +p163917 +sg25267 +g27 +sg25275 +S'\ngilt bronze' +p163918 +sg25268 +S'Rome Holding a Figure of Victory' +p163919 +sg25270 +S'Roman 16th Century' +p163920 +sa(dp163921 +g25273 +S'overall (diameter): 4.55 cm (1 13/16 in.)\r\ngross weight: 48.53 gr (0.107 lb.)\r\naxis: 12:00' +p163922 +sg25267 +g27 +sg25275 +S'\nbronze' +p163923 +sg25268 +S'Girolamo Arsago, Bishop of Nice, 1511-1542 [obverse]' +p163924 +sg25270 +S'Roman 16th Century' +p163925 +sa(dp163926 +g25273 +S'overall (diameter): 4.55 cm (1 13/16 in.)\r\ngross weight: 48.53 gr (0.107 lb.)\r\naxis: 12:00' +p163927 +sg25267 +g27 +sg25275 +S'\nbronze' +p163928 +sg25268 +S'Inscription [reverse]' +p163929 +sg25270 +S'Roman 16th Century' +p163930 +sa(dp163931 +g25273 +S'overall (diameter, including remnants of suspension loop at 12:00 ): 9.22 cm (3 5/8 in.)\r\ngross weight: 188.16 gr (0.415 lb.)\r\naxis: 1:00' +p163932 +sg25267 +g27 +sg25275 +S'\nbronze' +p163933 +sg25268 +S'Jesus Christ [obverse]' +p163934 +sg25270 +S'Roman 16th Century' +p163935 +sa(dp163936 +g25273 +S'overall (diameter, including remnants of suspension loop at 12:00 ): 9.22 cm (3 5/8 in.)\r\ngross weight: 188.16 gr (0.415 lb.)\r\naxis: 1:00' +p163937 +sg25267 +g27 +sg25275 +S'\nbronze' +p163938 +sg25268 +S'Inscription in a Wreath [reverse]' +p163939 +sg25270 +S'Roman 16th Century' +p163940 +sa(dp163941 +g25273 +S'overall (diameter): 8.98 cm (3 9/16 in.)\r\ngross weight: 332.44 gr (0.733 lb.)\r\naxis: 12:00' +p163942 +sg25267 +g27 +sg25275 +S'\nbronze' +p163943 +sg25268 +S'Saint Paul [obverse]' +p163944 +sg25270 +S'Roman 16th Century' +p163945 +sa(dp163946 +g25273 +S'overall (diameter): 8.98 cm (3 9/16 in.)\r\ngross weight: 332.44 gr (0.733 lb.)\r\naxis: 12:00' +p163947 +sg25267 +g27 +sg25275 +S'\nbronze' +p163948 +sg25268 +S'Inscription in a Wreath [reverse]' +p163949 +sg25270 +S'Roman 16th Century' +p163950 +sa(dp163951 +g25268 +S"Cosimo de' Medici, 1389-1464, Pater Patriae [obverse]" +p163952 +sg25270 +S'Florentine 15th Century' +p163953 +sg25273 +S'bronze//Later cast' +p163954 +sg25275 +S'probably 1465/1469' +p163955 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005f/a0005f33.jpg' +p163956 +sg25267 +g27 +sa(dp163957 +g25273 +S'etching' +p163958 +sg25267 +g27 +sg25275 +S'1930' +p163959 +sg25268 +S'Henry Bell, Esquire' +p163960 +sg25270 +S'Gerald Leslie Brockhurst' +p163961 +sa(dp163962 +g25268 +S'Florence Holding an Orb and Triple Olive Branch [reverse]' +p163963 +sg25270 +S'Florentine 15th Century' +p163964 +sg25273 +S'bronze//Later cast' +p163965 +sg25275 +S'probably 1465/1469' +p163966 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005f/a0005f34.jpg' +p163967 +sg25267 +g27 +sa(dp163968 +g25268 +S"Cosimo de' Medici, 1389-1464, Pater Patriae [obverse]" +p163969 +sg25270 +S'Florentine 15th Century' +p163970 +sg25273 +S'bronze' +p163971 +sg25275 +S'c. 1465/1469' +p163972 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002daf.jpg' +p163973 +sg25267 +g27 +sa(dp163974 +g25268 +S'Florence Holding an Orb and Triple Olive Branch [reverse]' +p163975 +sg25270 +S'Florentine 15th Century' +p163976 +sg25273 +S'bronze' +p163977 +sg25275 +S'c. 1465/1469' +p163978 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002db0.jpg' +p163979 +sg25267 +g27 +sa(dp163980 +g25273 +S'bronze' +p163981 +sg25267 +g27 +sg25275 +S'c. 1464/1470' +p163982 +sg25268 +S"Cosimo de' Medici, 1389-1464, Pater Patriae [obverse]" +p163983 +sg25270 +S'Florentine 15th Century' +p163984 +sa(dp163985 +g25273 +S'bronze' +p163986 +sg25267 +g27 +sg25275 +S'c. 1464/1470' +p163987 +sg25268 +S'Florence Holding an Orb and Triple Olive Branch [reverse]' +p163988 +sg25270 +S'Florentine 15th Century' +p163989 +sa(dp163990 +g25268 +S'Mehmed II, 1430-1481, Sultan of the Turks 1451 [obverse]' +p163991 +sg25270 +S'Bertoldo di Giovanni' +p163992 +sg25273 +S'bronze' +p163993 +sg25275 +S'c. 1480' +p163994 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002c/a0002c2d.jpg' +p163995 +sg25267 +g27 +sa(dp163996 +g25268 +S'Triumphal Car with Greece, Trebizond, and Asia [reverse]' +p163997 +sg25270 +S'Bertoldo di Giovanni' +p163998 +sg25273 +S'bronze' +p163999 +sg25275 +S'c. 1480' +p164000 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002c/a0002c2e.jpg' +p164001 +sg25267 +g27 +sa(dp164002 +g25268 +S'Frederick III, 1415-1493, Holy Roman Emperor 1452 [obverse]' +p164003 +sg25270 +S'Bertoldo di Giovanni' +p164004 +sg25273 +S'bronze' +p164005 +sg25275 +S'1468/1469' +p164006 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00067/a00067e8.jpg' +p164007 +sg25267 +g27 +sa(dp164008 +g25268 +S"Emperor, Pope, and Cardinals on Ponte Sant' Angelo [reverse]" +p164009 +sg25270 +S'Bertoldo di Giovanni' +p164010 +sg25273 +S'bronze' +p164011 +sg25275 +S'1468/1469' +p164012 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00067/a00067e9.jpg' +p164013 +sg25267 +g27 +sa(dp164014 +g25273 +S'bronze' +p164015 +sg25267 +g27 +sg25275 +S'c. 1480' +p164016 +sg25268 +S'Antonio Gratiadei, died 1491, Imperial Envoy [obverse]' +p164017 +sg25270 +S'Bertoldo di Giovanni' +p164018 +sa(dp164019 +g25273 +S'graphite, red crayon, and white chalk' +p164020 +sg25267 +g27 +sg25275 +S'unknown date\n' +p164021 +sg25268 +S'Study of Head' +p164022 +sg25270 +S'Gerald Leslie Brockhurst' +p164023 +sa(dp164024 +g25273 +S'bronze' +p164025 +sg25267 +g27 +sg25275 +S'c. 1480' +p164026 +sg25268 +S'Triumphal Car with Mercury and the Muses [reverse]' +p164027 +sg25270 +S'Bertoldo di Giovanni' +p164028 +sa(dp164029 +g25273 +S'bronze' +p164030 +sg25267 +g27 +sg25275 +S'unknown date\n' +p164031 +sg25268 +S"Filippo de' Medici, Archbishop of Pisa, 1462-1474 [obverse]" +p164032 +sg25270 +S'Bertoldo di Giovanni' +p164033 +sa(dp164034 +g25273 +S'bronze' +p164035 +sg25267 +g27 +sg25275 +S'unknown date\n' +p164036 +sg25268 +S'The Last Judgment [reverse]' +p164037 +sg25270 +S'Bertoldo di Giovanni' +p164038 +sa(dp164039 +g25268 +S"Lorenzo de' Medici, il Magnifico, 1449-1492 (The Pazzi Conspiracy Medal) [obverse]" +p164040 +sg25270 +S'Bertoldo di Giovanni' +p164041 +sg25273 +S'bronze' +p164042 +sg25275 +S'1478' +p164043 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00030/a0003033.jpg' +p164044 +sg25267 +g27 +sa(dp164045 +g25268 +S"The Murder of Giuliano I de' Medici (The Pazzi Conspiracy Medal) [reverse]" +p164046 +sg25270 +S'Bertoldo di Giovanni' +p164047 +sg25273 +S'bronze' +p164048 +sg25275 +S'1478' +p164049 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00030/a0003034.jpg' +p164050 +sg25267 +g27 +sa(dp164051 +g25273 +S'bronze' +p164052 +sg25267 +g27 +sg25275 +S'unknown date\n' +p164053 +sg25268 +S"Lorenzo de' Medici, il Magnifico, 1449-1492 [obverse]" +p164054 +sg25270 +S'Bertoldo di Giovanni' +p164055 +sa(dp164056 +g25273 +S'bronze' +p164057 +sg25267 +g27 +sg25275 +S'unknown date\n' +p164058 +sg25268 +S'Figure in Antique Armor [reverse]' +p164059 +sg25270 +S'Bertoldo di Giovanni' +p164060 +sa(dp164061 +g25273 +S'gilt bronze//After-cast' +p164062 +sg25267 +g27 +sg25275 +S'1475' +p164063 +sg25268 +S'Francesco Diedo [obverse]' +p164064 +sg25270 +S'Bertoldo di Giovanni' +p164065 +sa(dp164066 +g25273 +S'gilt bronze//After-cast' +p164067 +sg25267 +g27 +sg25275 +S'1475' +p164068 +sg25268 +S'Hercules Pursuing Nessus and Deianara [reverse]' +p164069 +sg25270 +S'Bertoldo di Giovanni' +p164070 +sa(dp164071 +g25268 +S'Matthias Corvinus, King of Hungary 1458-1490 [obverse]' +p164072 +sg25270 +S'Florentine 15th Century' +p164073 +sg25273 +S'bronze' +p164074 +sg25275 +S'late 15th century' +p164075 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006408.jpg' +p164076 +sg25267 +g27 +sa(dp164077 +g25273 +S'etching' +p164078 +sg25267 +g27 +sg25275 +S'1924' +p164079 +sg25268 +S'Girl with a Basket' +p164080 +sg25270 +S'Gerald Leslie Brockhurst' +p164081 +sa(dp164082 +g25268 +S'Battle between the Hungarians and the Turks [reverse]' +p164083 +sg25270 +S'Florentine 15th Century' +p164084 +sg25273 +S'bronze' +p164085 +sg25275 +S'late 15th century' +p164086 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006409.jpg' +p164087 +sg25267 +g27 +sa(dp164088 +g25268 +S"Alfonso I d'Este, 1476-1534, 3rd Duke of Ferrara, Modena and Reggio 1505 [obverse]" +p164089 +sg25270 +S'Niccol\xc3\xb2 Fiorentino' +p164090 +sg25273 +S'bronze' +p164091 +sg25275 +S'1492' +p164092 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002dbc.jpg' +p164093 +sg25267 +g27 +sa(dp164094 +g25268 +S'Alfonso(?) in a Triumphal Car [reverse]' +p164095 +sg25270 +S'Niccol\xc3\xb2 Fiorentino' +p164096 +sg25273 +S'bronze' +p164097 +sg25275 +S'1492' +p164098 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002dbd.jpg' +p164099 +sg25267 +g27 +sa(dp164100 +g25268 +S"Lorenzo de' Medici, il Magnifico, 1449-1492" +p164101 +sg25270 +S'Niccol\xc3\xb2 Fiorentino' +p164102 +sg25273 +S'bronze//Late cast, hollow' +p164103 +sg25275 +S'unknown date\n' +p164104 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c5/a000c585.jpg' +p164105 +sg25267 +g27 +sa(dp164106 +g25273 +S', c. 1480/1486' +p164107 +sg25267 +g27 +sg25275 +S'\n' +p164108 +sg25268 +S'Innocent VIII (Giovanni Battista Cib\xc3\xb2, 1432-1492), Pope 1484 [obverse]' +p164109 +sg25270 +S'Niccol\xc3\xb2 Fiorentino' +p164110 +sa(dp164111 +g25273 +S', c. 1480/1486' +p164112 +sg25267 +g27 +sg25275 +S'\n' +p164113 +sg25268 +S'Justice, Peace, and Abundance [reverse]' +p164114 +sg25270 +S'Niccol\xc3\xb2 Fiorentino' +p164115 +sa(dp164116 +g25273 +S'bronze' +p164117 +sg25267 +g27 +sg25275 +S'c. 1480/1486' +p164118 +sg25268 +S'Guglielmo Batonatti [obverse]' +p164119 +sg25270 +S'Niccol\xc3\xb2 Fiorentino' +p164120 +sa(dp164121 +g25273 +S'bronze' +p164122 +sg25267 +g27 +sg25275 +S'c. 1480/1486' +p164123 +sg25268 +S'Unicorn and Tau-Cross [reverse]' +p164124 +sg25270 +S'Niccol\xc3\xb2 Fiorentino' +p164125 +sa(dp164126 +g25273 +S'bronze' +p164127 +sg25267 +g27 +sg25275 +S'1485' +p164128 +sg25268 +S'Bernardino Gamberia, 1455-1507, Private Chamberlain of Innocent VIII [obverse]' +p164129 +sg25270 +S'Niccol\xc3\xb2 Fiorentino' +p164130 +sa(dp164131 +g25273 +S'bronze' +p164132 +sg25267 +g27 +sg25275 +S'1485' +p164133 +sg25268 +S'God the Father in the Clouds [reverse]' +p164134 +sg25270 +S'Niccol\xc3\xb2 Fiorentino' +p164135 +sa(dp164136 +g25273 +S'etching' +p164137 +sg25267 +g27 +sg25275 +S'1927' +p164138 +sg25268 +S'The Black Silk Dress' +p164139 +sg25270 +S'Gerald Leslie Brockhurst' +p164140 +sa(dp164141 +g25273 +S'bronze' +p164142 +sg25267 +g27 +sg25275 +S'probably 1485' +p164143 +sg25268 +S'Rinaldo Orsini, d. 1510, Archibishop of Florence 1474 [obverse]' +p164144 +sg25270 +S'Niccol\xc3\xb2 Fiorentino' +p164145 +sa(dp164146 +g25273 +S'bronze' +p164147 +sg25267 +g27 +sg25275 +S'probably 1485' +p164148 +sg25268 +S'Fortune Holding a Rudder and Cornucopiae [reverse]' +p164149 +sg25270 +S'Niccol\xc3\xb2 Fiorentino' +p164150 +sa(dp164151 +g25273 +S'bronze//Three times pierced' +p164152 +sg25267 +g27 +sg25275 +S'1494/1495' +p164153 +sg25268 +S'Charles VIII, 1470-1498, King of France 1483' +p164154 +sg25270 +S'Niccol\xc3\xb2 Fiorentino' +p164155 +sa(dp164156 +g25273 +S'bronze' +p164157 +sg25267 +g27 +sg25275 +S'1494/1495' +p164158 +sg25268 +S"Jean du Mas de l'Isle, died 1495, Councillor of Charles VIII [obverse]" +p164159 +sg25270 +S'Niccol\xc3\xb2 Fiorentino' +p164160 +sa(dp164161 +g25273 +S'bronze' +p164162 +sg25267 +g27 +sg25275 +S'1494/1495' +p164163 +sg25268 +S'Jean du Mas on a Horse Wearing Chanfron and Bardings [reverse]' +p164164 +sg25270 +S'Niccol\xc3\xb2 Fiorentino' +p164165 +sa(dp164166 +g25273 +S'Italian, 1430 - 1514' +p164167 +sg25267 +g27 +sg25275 +S'(related artist)' +p164168 +sg25268 +S'Lionora Altoviti' +p164169 +sg25270 +S'Artist Information (' +p164170 +sa(dp164171 +g25273 +S'Italian, 1430 - 1514' +p164172 +sg25267 +g27 +sg25275 +S'(related artist)' +p164173 +sg25268 +S'Fra Alberto Belli, died 1482 [obverse]' +p164174 +sg25270 +S'Artist Information (' +p164175 +sa(dp164176 +g25273 +S'Italian, 1430 - 1514' +p164177 +sg25267 +g27 +sg25275 +S'(related artist)' +p164178 +sg25268 +S'Faith Holding a Chalice with a Wafer and a Cross [reverse]' +p164179 +sg25270 +S'Artist Information (' +p164180 +sa(dp164181 +g25273 +S'Italian, 1430 - 1514' +p164182 +sg25267 +g27 +sg25275 +S'(related artist)' +p164183 +sg25268 +S'Antonio di Dante Castiglione' +p164184 +sg25270 +S'Artist Information (' +p164185 +sa(dp164186 +g25273 +S'Italian, 1430 - 1514' +p164187 +sg25267 +g27 +sg25275 +S'(related artist)' +p164188 +sg25268 +S"Ercole I d'Este, 1431-1505, Duke of Ferrara, Modena, and Reggio 1471 [obverse]" +p164189 +sg25270 +S'Artist Information (' +p164190 +sa(dp164191 +g25273 +S'graphite' +p164192 +sg25267 +g27 +sg25275 +S'1920' +p164193 +sg25268 +S'Head of a Coster Girl' +p164194 +sg25270 +S'Gerald Leslie Brockhurst' +p164195 +sa(dp164196 +g25273 +S'Italian, 1430 - 1514' +p164197 +sg25267 +g27 +sg25275 +S'(related artist)' +p164198 +sg25268 +S'Minerva Resting on a Spear and Shield [reverse]' +p164199 +sg25270 +S'Artist Information (' +p164200 +sa(dp164201 +g25268 +S'Marsilio Ficino, 1433-1499, Florentine Humanist [obverse]' +p164202 +sg25270 +S'Artist Information (' +p164203 +sg25273 +S'Italian, 1430 - 1514' +p164204 +sg25275 +S'(related artist)' +p164205 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a000640a.jpg' +p164206 +sg25267 +g27 +sa(dp164207 +g25268 +S'Inscription [reverse]' +p164208 +sg25270 +S'Artist Information (' +p164209 +sg25273 +S'Italian, 1430 - 1514' +p164210 +sg25275 +S'(related artist)' +p164211 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a000640b.jpg' +p164212 +sg25267 +g27 +sa(dp164213 +g25273 +S'Italian, 1430 - 1514' +p164214 +sg25267 +g27 +sg25275 +S'(related artist)' +p164215 +sg25268 +S'Pietro Machiavelli, 1460/1461-1519 [obverse]' +p164216 +sg25270 +S'Artist Information (' +p164217 +sa(dp164218 +g25273 +S'Italian, 1430 - 1514' +p164219 +sg25267 +g27 +sg25275 +S'(related artist)' +p164220 +sg25268 +S'Eagle and Machiavelli Shield [reverse]' +p164221 +sg25270 +S'Artist Information (' +p164222 +sa(dp164223 +g25273 +S'Italian, 1430 - 1514' +p164224 +sg25267 +g27 +sg25275 +S'(related artist)' +p164225 +sg25268 +S'Roberto di Ruggiero Macinghi [obverse]' +p164226 +sg25270 +S'Artist Information (' +p164227 +sa(dp164228 +g25273 +S'Italian, 1430 - 1514' +p164229 +sg25267 +g27 +sg25275 +S'(related artist)' +p164230 +sg25268 +S'Figure Holding a Shield and Peacock [reverse]' +p164231 +sg25270 +S'Artist Information (' +p164232 +sa(dp164233 +g25273 +S'Italian, 1430 - 1514' +p164234 +sg25267 +g27 +sg25275 +S'(related artist)' +p164235 +sg25268 +S"Lorenzo de' Medici, il Magnifico, 1449-1492" +p164236 +sg25270 +S'Artist Information (' +p164237 +sa(dp164238 +g25268 +S"Maria de' Mucini [obverse]" +p164239 +sg25270 +S'Niccol\xc3\xb2 Fiorentino' +p164240 +sg25273 +S', c. 1475' +p164241 +sg25275 +S'\n' +p164242 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006437.jpg' +p164243 +sg25267 +g27 +sa(dp164244 +g25268 +S'Eagle on an Armillary Sphere [reverse]' +p164245 +sg25270 +S'Niccol\xc3\xb2 Fiorentino' +p164246 +sg25273 +S', c. 1475' +p164247 +sg25275 +S'\n' +p164248 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006436.jpg' +p164249 +sg25267 +g27 +sa(dp164250 +g25273 +S'graphite' +p164251 +sg25267 +g27 +sg25275 +S'unknown date\n' +p164252 +sg25268 +S'Yvonne' +p164253 +sg25270 +S'Gerald Leslie Brockhurst' +p164254 +sa(dp164255 +g25273 +S'Italian, 1430 - 1514' +p164256 +sg25267 +g27 +sg25275 +S'(related artist)' +p164257 +sg25268 +S'Ruberto di Bernardo Nasi, born 1479, Prior of Liberty 1513 [obverse]' +p164258 +sg25270 +S'Artist Information (' +p164259 +sa(dp164260 +g25273 +S'Italian, 1430 - 1514' +p164261 +sg25267 +g27 +sg25275 +S'(related artist)' +p164262 +sg25268 +S'Virginity Tying Love to a Tree [reverse]' +p164263 +sg25270 +S'Artist Information (' +p164264 +sa(dp164265 +g25273 +S'Italian, 1430 - 1514' +p164266 +sg25267 +g27 +sg25275 +S'(related artist)' +p164267 +sg25268 +S'Giovanni Paolo Orsini, 1450/1455-1502, Count of Atripaldi 1486 [obverse]' +p164268 +sg25270 +S'Artist Information (' +p164269 +sa(dp164270 +g25273 +S'Italian, 1430 - 1514' +p164271 +sg25267 +g27 +sg25275 +S'(related artist)' +p164272 +sg25268 +S'Giovanni Paolo Orsini on Horseback [reverse]' +p164273 +sg25270 +S'Artist Information (' +p164274 +sa(dp164275 +g25273 +S'Italian, 1430 - 1514' +p164276 +sg25267 +g27 +sg25275 +S'(related artist)' +p164277 +sg25268 +S'Giuliano Particini [obverse]' +p164278 +sg25270 +S'Artist Information (' +p164279 +sa(dp164280 +g25273 +S'Italian, 1430 - 1514' +p164281 +sg25267 +g27 +sg25275 +S'(related artist)' +p164282 +sg25268 +S'Hope Gazing at the Sun [reverse]' +p164283 +sg25270 +S'Artist Information (' +p164284 +sa(dp164285 +g25273 +S'Italian, 1430 - 1514' +p164286 +sg25267 +g27 +sg25275 +S'(related artist)' +p164287 +sg25268 +S'Costanza Bentivoglio, Wife of Antonio Pico della Mirandola 1473, Countess of Concordia 1483 [obverse]' +p164288 +sg25270 +S'Artist Information (' +p164289 +sa(dp164290 +g25273 +S'Italian, 1430 - 1514' +p164291 +sg25267 +g27 +sg25275 +S'(related artist)' +p164292 +sg25268 +S'Constancy Leaning on Tall Staff [reverse]' +p164293 +sg25270 +S'Artist Information (' +p164294 +sa(dp164295 +g25268 +S'Giovanni Pico della Mirandola, 1463-1494, Philosopher and Poet [obverse]' +p164296 +sg25270 +S'Artist Information (' +p164297 +sg25273 +S'Italian, 1430 - 1514' +p164298 +sg25275 +S'(related artist)' +p164299 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002dbe.jpg' +p164300 +sg25267 +g27 +sa(dp164301 +g25268 +S'The Three Graces [reverse]' +p164302 +sg25270 +S'Artist Information (' +p164303 +sg25273 +S'Italian, 1430 - 1514' +p164304 +sg25275 +S'(related artist)' +p164305 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002dbf.jpg' +p164306 +sg25267 +g27 +sa(dp164307 +g25273 +S'etching' +p164308 +sg25267 +g27 +sg25275 +S'1931' +p164309 +sg25268 +S'Young Womanhood' +p164310 +sg25270 +S'Gerald Leslie Brockhurst' +p164311 +sa(dp164312 +g25273 +S'Italian, 1430 - 1514' +p164313 +sg25267 +g27 +sg25275 +S'(related artist)' +p164314 +sg25268 +S'Antonio Pizzamani, 1462-1512, Venetian Scholar and Apostolic Pronotary, Bishop of Feltre 1504 [obverse]' +p164315 +sg25270 +S'Artist Information (' +p164316 +sa(dp164317 +g25273 +S'Italian, 1430 - 1514' +p164318 +sg25267 +g27 +sg25275 +S'(related artist)' +p164319 +sg25268 +S'Felicity, Virtue, and Fame [reverse]' +p164320 +sg25270 +S'Artist Information (' +p164321 +sa(dp164322 +g25268 +S'Angelo Poliziano, 1454-1494, Humanist [obverse]' +p164323 +sg25270 +S'Artist Information (' +p164324 +sg25273 +S'Italian, 1430 - 1514' +p164325 +sg25275 +S'(related artist)' +p164326 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a000640d.jpg' +p164327 +sg25267 +g27 +sa(dp164328 +g25268 +S'Maria Poliziana [reverse]' +p164329 +sg25270 +S'Artist Information (' +p164330 +sg25273 +S'Italian, 1430 - 1514' +p164331 +sg25275 +S'(related artist)' +p164332 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a000640c.jpg' +p164333 +sg25267 +g27 +sa(dp164334 +g25273 +S'Italian, 1430 - 1514' +p164335 +sg25267 +g27 +sg25275 +S'(related artist)' +p164336 +sg25268 +S'Maria Poliziana [obverse]' +p164337 +sg25270 +S'Artist Information (' +p164338 +sa(dp164339 +g25273 +S'Italian, 1430 - 1514' +p164340 +sg25267 +g27 +sg25275 +S'(related artist)' +p164341 +sg25268 +S'Constancy Resting on a Bundle of Arrows [reverse]' +p164342 +sg25270 +S'Artist Information (' +p164343 +sa(dp164344 +g25273 +S'Italian, 1430 - 1514' +p164345 +sg25267 +g27 +sg25275 +S'(related artist)' +p164346 +sg25268 +S'Costanza Rucellai, probably Daughter of Girolamo Rucellai and Wife of Francesco Dini 1471 [obverse]' +p164347 +sg25270 +S'Artist Information (' +p164348 +sa(dp164349 +g25273 +S'Italian, 1430 - 1514' +p164350 +sg25267 +g27 +sg25275 +S'(related artist)' +p164351 +sg25268 +S'Virginity Tying Love to a Tree [reverse]' +p164352 +sg25270 +S'Artist Information (' +p164353 +sa(dp164354 +g25268 +S'Girolamo Savonarola, 1452-1498, Dominican Preacher [obverse]' +p164355 +sg25270 +S'Artist Information (' +p164356 +sg25273 +S'Italian, 1430 - 1514' +p164357 +sg25275 +S'(related artist)' +p164358 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002dc0.jpg' +p164359 +sg25267 +g27 +sa(dp164360 +g25268 +S'Italy Threatened by the Hand of God [reverse]' +p164361 +sg25270 +S'Artist Information (' +p164362 +sg25273 +S'Italian, 1430 - 1514' +p164363 +sg25275 +S'(related artist)' +p164364 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002dc1.jpg' +p164365 +sg25267 +g27 +sa(dp164366 +g25273 +S'etching' +p164367 +sg25267 +g27 +sg25275 +S'1923' +p164368 +sg25268 +S'Le Casaquin de Laine' +p164369 +sg25270 +S'Gerald Leslie Brockhurst' +p164370 +sa(dp164371 +g25273 +S'Italian, 1430 - 1514' +p164372 +sg25267 +g27 +sg25275 +S'(related artist)' +p164373 +sg25268 +S'Caterina Sforza-Riario, 1463-1509, Countess of Forli and Imola [obverse]' +p164374 +sg25270 +S'Artist Information (' +p164375 +sa(dp164376 +g25273 +S'Italian, 1430 - 1514' +p164377 +sg25267 +g27 +sg25275 +S'(related artist)' +p164378 +sg25268 +S'Victory in a Car Drawn by Pegasi [reverse]' +p164379 +sg25270 +S'Artist Information (' +p164380 +sa(dp164381 +g25273 +S'Italian, 1430 - 1514' +p164382 +sg25267 +g27 +sg25275 +S'(related artist)' +p164383 +sg25268 +S'Ottaviano Sforza Riario, b. 1479, Count of Forli and Imola [obverse]' +p164384 +sg25270 +S'Artist Information (' +p164385 +sa(dp164386 +g25273 +S'Italian, 1430 - 1514' +p164387 +sg25267 +g27 +sg25275 +S'(related artist)' +p164388 +sg25268 +S'Ottaviano Riding with Drawn Sword [reverse]' +p164389 +sg25270 +S'Artist Information (' +p164390 +sa(dp164391 +g25273 +S'Italian, 1430 - 1514' +p164392 +sg25267 +g27 +sg25275 +S'(related artist)' +p164393 +sg25268 +S'Giovanni di Andrea da Stia [obverse]' +p164394 +sg25270 +S'Artist Information (' +p164395 +sa(dp164396 +g25273 +S'Italian, 1430 - 1514' +p164397 +sg25267 +g27 +sg25275 +S'(related artist)' +p164398 +sg25268 +S'Hope Gazing at the Sun [reverse]' +p164399 +sg25270 +S'Artist Information (' +p164400 +sa(dp164401 +g25268 +S'Filippo Strozzi, 1428-1491, Florentine Merchant-Prince [obverse]' +p164402 +sg25270 +S'Artist Information (' +p164403 +sg25273 +S'Italian, 1430 - 1514' +p164404 +sg25275 +S'(related artist)' +p164405 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006453.jpg' +p164406 +sg25267 +g27 +sa(dp164407 +g25268 +S'Eagle and Strozzi Shield in a Meadow [reverse]' +p164408 +sg25270 +S'Artist Information (' +p164409 +sg25273 +S'Italian, 1430 - 1514' +p164410 +sg25275 +S'(related artist)' +p164411 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006456.jpg' +p164412 +sg25267 +g27 +sa(dp164413 +g25273 +S'Italian, 1430 - 1514' +p164414 +sg25267 +g27 +sg25275 +S'(related artist)' +p164415 +sg25268 +S'Achille Tiberti of Cesena, died 1501' +p164416 +sg25270 +S'Artist Information (' +p164417 +sa(dp164418 +g25268 +S'Giovanna Albizzi, Wife of Lorenzo Tornabuoni [obverse]' +p164419 +sg25270 +S'Niccol\xc3\xb2 Fiorentino' +p164420 +sg25273 +S', c. 1486' +p164421 +sg25275 +S'\n' +p164422 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006439.jpg' +p164423 +sg25267 +g27 +sa(dp164424 +g25273 +S'etching' +p164425 +sg25267 +g27 +sg25275 +S'1929' +p164426 +sg25268 +S'Viba' +p164427 +sg25270 +S'Gerald Leslie Brockhurst' +p164428 +sa(dp164429 +g25268 +S'The Three Graces [reverse]' +p164430 +sg25270 +S'Niccol\xc3\xb2 Fiorentino' +p164431 +sg25273 +S', c. 1486' +p164432 +sg25275 +S'\n' +p164433 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006438.jpg' +p164434 +sg25267 +g27 +sa(dp164435 +g25273 +S'Italian, 1430 - 1514' +p164436 +sg25267 +g27 +sg25275 +S'(related artist)' +p164437 +sg25268 +S'Giovanni di Francesco Tornabuoni, 1428-1497, Florentine Banker and Statesman [obverse]' +p164438 +sg25270 +S'Artist Information (' +p164439 +sa(dp164440 +g25273 +S'Italian, 1430 - 1514' +p164441 +sg25267 +g27 +sg25275 +S'(related artist)' +p164442 +sg25268 +S'Hope Praying [reverse]' +p164443 +sg25270 +S'Artist Information (' +p164444 +sa(dp164445 +g25273 +S'Italian, 1430 - 1514' +p164446 +sg25267 +g27 +sg25275 +S'(related artist)' +p164447 +sg25268 +S'Alessandro di Gino Vecchietti, 1472-1532 [obverse]' +p164448 +sg25270 +S'Artist Information (' +p164449 +sa(dp164450 +g25273 +S'Italian, 1430 - 1514' +p164451 +sg25267 +g27 +sg25275 +S'(related artist)' +p164452 +sg25268 +S'Fortune with Sail, on a Dolphin [reverse]' +p164453 +sg25270 +S'Artist Information (' +p164454 +sa(dp164455 +g25273 +S'Italian, 1430 - 1514' +p164456 +sg25267 +g27 +sg25275 +S'(related artist)' +p164457 +sg25268 +S'Portrait of a Man' +p164458 +sg25270 +S'Artist Information (' +p164459 +sa(dp164460 +g25273 +S'Italian, 1430 - 1514' +p164461 +sg25267 +g27 +sg25275 +S'(related artist)' +p164462 +sg25268 +S"Ippolito d'Este, 1479-1520, Cardinal 1493" +p164463 +sg25270 +S'Artist Information (' +p164464 +sa(dp164465 +g25273 +S'Italian, 1430 - 1514' +p164466 +sg25267 +g27 +sg25275 +S'(related artist)' +p164467 +sg25268 +S'Francesco Lancilotti, born 1472, Painter' +p164468 +sg25270 +S'Artist Information (' +p164469 +sa(dp164470 +g25273 +S'Italian, 1430 - 1514' +p164471 +sg25267 +g27 +sg25275 +S'(related artist)' +p164472 +sg25268 +S'Gianozzo di Bernardo Salviati, born 1462 [obverse]' +p164473 +sg25270 +S'Artist Information (' +p164474 +sa(dp164475 +g25273 +S'Italian, 1430 - 1514' +p164476 +sg25267 +g27 +sg25275 +S'(related artist)' +p164477 +sg25268 +S'Fortune with Sail, on a Dolphin [reverse]' +p164478 +sg25270 +S'Artist Information (' +p164479 +sa(dp164480 +g25273 +S'etching' +p164481 +sg25267 +g27 +sg25275 +S'1930' +p164482 +sg25268 +S'Anais II' +p164483 +sg25270 +S'Gerald Leslie Brockhurst' +p164484 +sa(dp164485 +g25273 +S'Italian, 1430 - 1514' +p164486 +sg25267 +g27 +sg25275 +S'(related artist)' +p164487 +sg25268 +S'Michelangelo di Guglielmino Tanaglia, 1437-1512 [obverse]' +p164488 +sg25270 +S'Artist Information (' +p164489 +sa(dp164490 +g25273 +S'Italian, 1430 - 1514' +p164491 +sg25267 +g27 +sg25275 +S'(related artist)' +p164492 +sg25268 +S"Youth Wearing an Animal's Skin [reverse]" +p164493 +sg25270 +S'Artist Information (' +p164494 +sa(dp164495 +g25273 +S'Italian, 1430 - 1514' +p164496 +sg25267 +g27 +sg25275 +S'(related artist)' +p164497 +sg25268 +S'Lorenzo di Giovanni Tornabuoni, 1466-1497 [obverse]' +p164498 +sg25270 +S'Artist Information (' +p164499 +sa(dp164500 +g25273 +S'Italian, 1430 - 1514' +p164501 +sg25267 +g27 +sg25275 +S'(related artist)' +p164502 +sg25268 +S'Mercury Carrying a Caduceus [reverse]' +p164503 +sg25270 +S'Artist Information (' +p164504 +sa(dp164505 +g25268 +S'Lodovica Tornabuoni, Daughter of Giovanni Tornabuoni [obverse]' +p164506 +sg25270 +S'Niccol\xc3\xb2 Fiorentino' +p164507 +sg25273 +S', c. 1485/1486' +p164508 +sg25275 +S'\n' +p164509 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006447.jpg' +p164510 +sg25267 +g27 +sa(dp164511 +g25268 +S'Unicorn Before a Tree [reverse]' +p164512 +sg25270 +S'Niccol\xc3\xb2 Fiorentino' +p164513 +sg25273 +S', c. 1485/1486' +p164514 +sg25275 +S'\n' +p164515 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006446.jpg' +p164516 +sg25267 +g27 +sa(dp164517 +g25273 +S'bronze' +p164518 +sg25267 +g27 +sg25275 +S'c. 1500' +p164519 +sg25268 +S'Aristotle' +p164520 +sg25270 +S'Florentine 15th Century' +p164521 +sa(dp164522 +g25273 +S'bronze//Molded frame' +p164523 +sg25267 +g27 +sg25275 +S'late 15th century' +p164524 +sg25268 +S'Dante Alighieri, Florentine Poet, 1265-1321 [obverse]' +p164525 +sg25270 +S'Florentine 15th Century' +p164526 +sa(dp164527 +g25273 +S'bronze//Molded frame' +p164528 +sg25267 +g27 +sg25275 +S'late 15th century' +p164529 +sg25268 +S'Dante before the Mountain of Purgatory [reverse]' +p164530 +sg25270 +S'Florentine 15th Century' +p164531 +sa(dp164532 +g25273 +S'bronze//Late cast' +p164533 +sg25267 +g27 +sg25275 +S'c. 1500' +p164534 +sg25268 +S'Giovanni Boccaccio, 1313-1375, Florentine Writer [obverse]' +p164535 +sg25270 +S'Florentine 15th Century' +p164536 +sa(dp164537 +g25273 +S'etching' +p164538 +sg25267 +g27 +sg25275 +S'1929' +p164539 +sg25268 +S'Una' +p164540 +sg25270 +S'Gerald Leslie Brockhurst' +p164541 +sa(dp164542 +g25273 +S'bronze//Late cast' +p164543 +sg25267 +g27 +sg25275 +S'c. 1500' +p164544 +sg25268 +S'Wisdom Gazing at a Serpent [reverse]' +p164545 +sg25270 +S'Florentine 15th Century' +p164546 +sa(dp164547 +g25273 +S'bronze//Late cast' +p164548 +sg25267 +g27 +sg25275 +S'c. 1500' +p164549 +sg25268 +S'Francesco Petrarca of Arezzo, 1304-1374, Poet [obverse]' +p164550 +sg25270 +S'Florentine 15th Century' +p164551 +sa(dp164552 +g25273 +S'bronze//Late cast' +p164553 +sg25267 +g27 +sg25275 +S'c. 1500' +p164554 +sg25268 +S'Poetry Walking in a Wood [reverse]' +p164555 +sg25270 +S'Florentine 15th Century' +p164556 +sa(dp164557 +g25273 +S'lead' +p164558 +sg25267 +g27 +sg25275 +S'late 15th century' +p164559 +sg25268 +S'Gianfrancesco Pallavicino' +p164560 +sg25270 +S'Florentine 15th Century' +p164561 +sa(dp164562 +g25273 +S'overall (including triangular pediment): 13.3 x 8.1 cm (5 1/4 x 3 3/16 in.)' +p164563 +sg25267 +g27 +sg25275 +S'\nlead' +p164564 +sg25268 +S'Laura de Noves, 1307/1308-1348, Friend of Petrarch' +p164565 +sg25270 +S'Italian 16th Century' +p164566 +sa(dp164567 +g25273 +S'overall (diameter): 3.21 cm (1 1/4 in.)\r\ngross weight: 23.05 gr (0.051 lb.)\r\naxis: 12:00' +p164568 +sg25267 +g27 +sg25275 +S'\nbronze' +p164569 +sg25268 +S'Portrait of a Boy, Perhaps a Member of the Carrara Family [obverse]' +p164570 +sg25270 +S'Italian 16th Century' +p164571 +sa(dp164572 +g25273 +S'overall (diameter): 3.21 cm (1 1/4 in.)\r\ngross weight: 23.05 gr (0.051 lb.)\r\naxis: 12:00' +p164573 +sg25267 +g27 +sg25275 +S'\nbronze' +p164574 +sg25268 +S'The Heraldic Carro [reverse]' +p164575 +sg25270 +S'Italian 16th Century' +p164576 +sa(dp164577 +g25273 +S'overall (diameter): 3.69 cm (1 7/16 in.)\r\ngross weight: 21.94 gr (0.048 lb.)\r\naxis: 5:00' +p164578 +sg25267 +g27 +sg25275 +S'\nbronze' +p164579 +sg25268 +S'Baldassare Castiglione, 1478-1529, Author of "The Courtier" [obverse]' +p164580 +sg25270 +S'Italian 16th Century' +p164581 +sa(dp164582 +g25273 +S'overall (diameter): 3.69 cm (1 7/16 in.)\r\ngross weight: 21.94 gr (0.048 lb.)\r\naxis: 5:00' +p164583 +sg25267 +g27 +sg25275 +S'\nbronze' +p164584 +sg25268 +S'Aurora Stepping from a Car [reverse]' +p164585 +sg25270 +S'Italian 16th Century' +p164586 +sa(dp164587 +g25273 +S'overall (diameter): 7.1 cm (2 13/16 in.)\r\ngross weight: 84.86 gr (0.187 lb.)\r\naxis: 1:00' +p164588 +sg25267 +g27 +sg25275 +S'\nbronze' +p164589 +sg25268 +S'Louis XII, 1462-1515, King of France 1498 [obverse]' +p164590 +sg25270 +S'Italian 16th Century' +p164591 +sa(dp164592 +g25273 +S'watercolor' +p164593 +sg25267 +g27 +sg25275 +S'1928' +p164594 +sg25268 +S"On the Fo'castle" +p164595 +sg25270 +S'Arthur Briscoe' +p164596 +sa(dp164597 +g25273 +S'overall (diameter): 7.1 cm (2 13/16 in.)\r\ngross weight: 84.86 gr (0.187 lb.)\r\naxis: 1:00' +p164598 +sg25267 +g27 +sg25275 +S'\nbronze' +p164599 +sg25268 +S'Mars Pursuing other Figures [reverse]' +p164600 +sg25270 +S'Italian 16th Century' +p164601 +sa(dp164602 +g25273 +g27 +sg25267 +g27 +sg25275 +S'(medalist)' +p164603 +sg25268 +S'Louis XII, 1462-1515, King of France 1498 [obverse]' +p164604 +sg25270 +S'Artist Information (' +p164605 +sa(dp164606 +g25273 +g27 +sg25267 +g27 +sg25275 +S'(medalist)' +p164607 +sg25268 +S'Inscription [reverse]' +p164608 +sg25270 +S'Artist Information (' +p164609 +sa(dp164610 +g25273 +S'overall (diameter): 5.17 cm (2 1/16 in.)\r\ngross weight: 64.4 gr (0.142 lb.)\r\naxis: 10:00' +p164611 +sg25267 +g27 +sg25275 +S'\nbronze' +p164612 +sg25268 +S'Fran\xc3\xa7ois I, 1494-1547, King of France 1515 [obverse]' +p164613 +sg25270 +S'Italian 16th Century' +p164614 +sa(dp164615 +g25273 +S'overall (diameter): 5.17 cm (2 1/16 in.)\r\ngross weight: 64.4 gr (0.142 lb.)\r\naxis: 10:00' +p164616 +sg25267 +g27 +sg25275 +S'\nbronze' +p164617 +sg25268 +S'Trophy of Arms [reverse]' +p164618 +sg25270 +S'Italian 16th Century' +p164619 +sa(dp164620 +g25273 +S'overall (diameter): 4.59 cm (1 13/16 in.)\r\ngross weight: 50.67 gr (0.112 lb.)\r\naxis: 11:00' +p164621 +sg25267 +g27 +sg25275 +S'\nbronze' +p164622 +sg25268 +S'Bernardino Francesconi of Siena [obverse]' +p164623 +sg25270 +S'Italian 16th Century' +p164624 +sa(dp164625 +g25273 +S'overall (diameter): 4.59 cm (1 13/16 in.)\r\ngross weight: 50.67 gr (0.112 lb.)\r\naxis: 11:00' +p164626 +sg25267 +g27 +sg25275 +S'\nbronze' +p164627 +sg25268 +S'Arms of Francesconi [reverse]' +p164628 +sg25270 +S'Italian 16th Century' +p164629 +sa(dp164630 +g25268 +S'Mattia Ugoni, Bishop of Famagusta 1504 [obverse]' +p164631 +sg25270 +S'Italian 16th Century' +p164632 +sg25273 +S'overall (diameter): 5.84 cm (2 5/16 in.)\r\ngross weight: 109.23 gr (0.241 lb.)\r\naxis: 12:00' +p164633 +sg25275 +S'\nbronze' +p164634 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a000640e.jpg' +p164635 +sg25267 +g27 +sa(dp164636 +g25268 +S'Ludovico Ugoni [reverse]' +p164637 +sg25270 +S'Italian 16th Century' +p164638 +sg25273 +S'overall (diameter): 5.84 cm (2 5/16 in.)\r\ngross weight: 109.23 gr (0.241 lb.)\r\naxis: 12:00' +p164639 +sg25275 +S'\nbronze' +p164640 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a000640f.jpg' +p164641 +sg25267 +g27 +sa(dp164642 +g25273 +S'overall (diameter): 4.46 cm (1 3/4 in.)\r\ngross weight: 43.02 gr (0.095 lb.)' +p164643 +sg25267 +g27 +sg25275 +S'\nbronze' +p164644 +sg25268 +S'Portrait of a Man' +p164645 +sg25270 +S'Italian 16th Century' +p164646 +sa(dp164647 +g25273 +S'watercolor and pen and ink, pinpricked around perimeter' +p164648 +sg25267 +g27 +sg25275 +S'unknown date\n' +p164649 +sg25268 +S'In the N.E. Trades' +p164650 +sg25270 +S'Arthur Briscoe' +p164651 +sa(dp164652 +g25273 +S'overall (diameter): 2.84 cm (1 1/8 in.)\r\ngross weight: 9.61 gr (0.021 lb.)' +p164653 +sg25267 +g27 +sg25275 +S'\n\r\n\r\n\r\nbronze' +p164654 +sg25268 +S'Castruccio Castracane degli Antelminelli of Lucca, 1281-1328' +p164655 +sg25270 +S'Italian 16th Century' +p164656 +sa(dp164657 +g25273 +S'bronze' +p164658 +sg25267 +g27 +sg25275 +S'c. 1570' +p164659 +sg25268 +S"Giovanni de' Medici delle Bande Nere, 1498-1526, Celebrated Condottiere and Father of Cosimo I [obverse]" +p164660 +sg25270 +S'Francesco da Sangallo' +p164661 +sa(dp164662 +g25273 +S'bronze' +p164663 +sg25267 +g27 +sg25275 +S'c. 1570' +p164664 +sg25268 +S'Winged Thunderbolt [reverse]' +p164665 +sg25270 +S'Francesco da Sangallo' +p164666 +sa(dp164667 +g25273 +S', probably 1537' +p164668 +sg25267 +g27 +sg25275 +S'\n' +p164669 +sg25268 +S"Cosimo I de' Medici, 1519-1574, 2nd Duke of Florence 1537, later Grand Duke of Tuscany 1569 [obverse]" +p164670 +sg25270 +S"Domenico di Polo de' Vetri" +p164671 +sa(dp164672 +g25273 +S', probably 1537' +p164673 +sg25267 +g27 +sg25275 +S'\n' +p164674 +sg25268 +S'Capricorn and Stars [reverse]' +p164675 +sg25270 +S"Domenico di Polo de' Vetri" +p164676 +sa(dp164677 +g25268 +S"Alessandro de' Medici, 1510-1537, 1st Duke of Florence 1532 [obverse]" +p164678 +sg25270 +S"Domenico di Polo de' Vetri" +p164679 +sg25273 +S', unknown date' +p164680 +sg25275 +S'\n' +p164681 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006449.jpg' +p164682 +sg25267 +g27 +sa(dp164683 +g25268 +S"Cosimo I de' Medici, 1519-1574, 2nd Duke of Florence 1537, later Grand Duke of Tuscany 1569 [reverse]" +p164684 +sg25270 +S"Domenico di Polo de' Vetri" +p164685 +sg25273 +S', unknown date' +p164686 +sg25275 +S'\n' +p164687 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006448.jpg' +p164688 +sg25267 +g27 +sa(dp164689 +g25273 +S'bronze' +p164690 +sg25267 +g27 +sg25275 +S'1534' +p164691 +sg25268 +S"Alessandro de' Medici, 1510-1537, 1st Duke of Florence 1532 [obverse]" +p164692 +sg25270 +S'Francesco dal Prato' +p164693 +sa(dp164694 +g25273 +S'bronze' +p164695 +sg25267 +g27 +sg25275 +S'1534' +p164696 +sg25268 +S'Peace Setting Fire to a Pile of Arms [reverse]' +p164697 +sg25270 +S'Francesco dal Prato' +p164698 +sa(dp164699 +g25273 +S'lead//Four times pierced' +p164700 +sg25267 +g27 +sg25275 +S'unknown date\n' +p164701 +sg25268 +S"Alfonso II d'Avalos, 1502-1546, Marquess of Vasto" +p164702 +sg25270 +S'Cesare da Bagno' +p164703 +sa(dp164704 +g25273 +S'watercolor and charcoal' +p164705 +sg25267 +g27 +sg25275 +S'1915' +p164706 +sg25268 +S'Gravesend' +p164707 +sg25270 +S'Arthur Briscoe' +p164708 +sa(dp164709 +g25273 +S'bronze' +p164710 +sg25267 +g27 +sg25275 +S'probably 1540/1586' +p164711 +sg25268 +S'Beatrice of Siena [obverse]' +p164712 +sg25270 +S"Pastorino de' Pastorini, called Pastorino da Siena" +p164713 +sa(dp164714 +g25273 +S'bronze' +p164715 +sg25267 +g27 +sg25275 +S'probably 1540/1586' +p164716 +sg25268 +S'Wheat-sheaf [reverse]' +p164717 +sg25270 +S"Pastorino de' Pastorini, called Pastorino da Siena" +p164718 +sa(dp164719 +g25273 +S'bronze//Late cast; finely chased' +p164720 +sg25267 +g27 +sg25275 +S'probably 1554/1559' +p164721 +sg25268 +S'Costanza Buti' +p164722 +sg25270 +S"Pastorino de' Pastorini, called Pastorino da Siena" +p164723 +sa(dp164724 +g25273 +S'bronze' +p164725 +sg25267 +g27 +sg25275 +S'1561' +p164726 +sg25268 +S'Camillo Castiglione, 1517-1598, Son of Baldassarre' +p164727 +sg25270 +S"Pastorino de' Pastorini, called Pastorino da Siena" +p164728 +sa(dp164729 +g25273 +S'bronze//Later cast' +p164730 +sg25267 +g27 +sg25275 +S'probably 1540/1554' +p164731 +sg25268 +S'Cornelia Siciliana [obverse]' +p164732 +sg25270 +S"Pastorino de' Pastorini, called Pastorino da Siena" +p164733 +sa(dp164734 +g25273 +S'bronze//Later cast' +p164735 +sg25267 +g27 +sg25275 +S'probably 1540/1554' +p164736 +sg25268 +S'Truth Unveiling Herself [reverse]' +p164737 +sg25270 +S"Pastorino de' Pastorini, called Pastorino da Siena" +p164738 +sa(dp164739 +g25273 +S'bronze' +p164740 +sg25267 +g27 +sg25275 +S'1534' +p164741 +sg25268 +S"Ercole II d'Este, 1508-1559, 4th Duke of Ferrara 1534" +p164742 +sg25270 +S"Pastorino de' Pastorini, called Pastorino da Siena" +p164743 +sa(dp164744 +g25273 +S'bronze' +p164745 +sg25267 +g27 +sg25275 +S'1554' +p164746 +sg25268 +S"Francesco d'Este, 1516-1578, Son of Alfonso I, Marquess of Massa" +p164747 +sg25270 +S"Pastorino de' Pastorini, called Pastorino da Siena" +p164748 +sa(dp164749 +g25273 +S'gilt bronze' +p164750 +sg25267 +g27 +sg25275 +S'1558' +p164751 +sg25268 +S"Lucrezia de' Medici, 1545-1561, Daughter of Cosimo I, First Wife of Alfonso II d'Este 1558" +p164752 +sg25270 +S"Pastorino de' Pastorini, called Pastorino da Siena" +p164753 +sa(dp164754 +g25268 +S'Eleonora of Austria, 1534-1594, Duchess of Mantua, Wife of Guglielmo I Gonzaga 1561' +p164755 +sg25270 +S"Pastorino de' Pastorini, called Pastorino da Siena" +p164756 +sg25273 +S'bronze' +p164757 +sg25275 +S'1561' +p164758 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a000644a.jpg' +p164759 +sg25267 +g27 +sa(dp164760 +g25273 +S'pen and brown ink and watercolor' +p164761 +sg25267 +g27 +sg25275 +S'1926' +p164762 +sg25268 +S'Man Overboard' +p164763 +sg25270 +S'Arthur Briscoe' +p164764 +sa(dp164765 +g25273 +S'bronze' +p164766 +sg25267 +g27 +sg25275 +S'1550' +p164767 +sg25268 +S'Isabella Trotti Negrisoli' +p164768 +sg25270 +S"Pastorino de' Pastorini, called Pastorino da Siena" +p164769 +sa(dp164770 +g25268 +S"Isabella Manfro de' Pepoli" +p164771 +sg25270 +S"Pastorino de' Pastorini, called Pastorino da Siena" +p164772 +sg25273 +S'bronze//Cast hollow' +p164773 +sg25275 +S'1571' +p164774 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006410.jpg' +p164775 +sg25267 +g27 +sa(dp164776 +g25268 +S'Lodovica Felicina Rossi' +p164777 +sg25270 +S"Pastorino de' Pastorini, called Pastorino da Siena" +p164778 +sg25273 +S'bronze//Cast hollow' +p164779 +sg25275 +S'1557' +p164780 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006411.jpg' +p164781 +sg25267 +g27 +sa(dp164782 +g25268 +S'Girolama Sacrata of Ferrara' +p164783 +sg25270 +S"Pastorino de' Pastorini, called Pastorino da Siena" +p164784 +sg25273 +S'bronze//Cast hollow' +p164785 +sg25275 +S'1555' +p164786 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006412.jpg' +p164787 +sg25267 +g27 +sa(dp164788 +g25273 +S'bronze' +p164789 +sg25267 +g27 +sg25275 +S'1560' +p164790 +sg25268 +S'Girolama Sacrata of Ferrara' +p164791 +sg25270 +S"Pastorino de' Pastorini, called Pastorino da Siena" +p164792 +sa(dp164793 +g25268 +S'Girolama Farnese, Daughter of Galeazzo Farnese, Wife of Alfonso San Vitale, Widowed 1560' +p164794 +sg25270 +S"Pastorino de' Pastorini, called Pastorino da Siena" +p164795 +sg25273 +S'bronze//Cast hollow' +p164796 +sg25275 +S'1556' +p164797 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006413.jpg' +p164798 +sg25267 +g27 +sa(dp164799 +g25273 +S'bronze//Late cast' +p164800 +sg25267 +g27 +sg25275 +S'1556/1586' +p164801 +sg25268 +S'Ginevra Trotti' +p164802 +sg25270 +S"Pastorino de' Pastorini, called Pastorino da Siena" +p164803 +sa(dp164804 +g25273 +S'bronze//Cast solid; Not an early cast' +p164805 +sg25267 +g27 +sg25275 +S'1555' +p164806 +sg25268 +S'Nicolosa, Daughter of Francesco Bacci of Arezzo, Wife of Giorgio Vasari the Painter 1548' +p164807 +sg25270 +S"Pastorino de' Pastorini, called Pastorino da Siena" +p164808 +sa(dp164809 +g25273 +S'bronze' +p164810 +sg25267 +g27 +sg25275 +S'1564' +p164811 +sg25268 +S'Francesco Visdomini of Ferrara, 1509-1573, Humanist and Hebraist [obverse]' +p164812 +sg25270 +S"Pastorino de' Pastorini, called Pastorino da Siena" +p164813 +sa(dp164814 +g25273 +S'bronze' +p164815 +sg25267 +g27 +sg25275 +S'1564' +p164816 +sg25268 +S'Hand Issuing from a Cloud, Holding a Flaming Sword [reverse]' +p164817 +sg25270 +S"Pastorino de' Pastorini, called Pastorino da Siena" +p164818 +sa(dp164819 +g25273 +S'watercolor' +p164820 +sg25267 +g27 +sg25275 +S'unknown date\n' +p164821 +sg25268 +S'Making the Channel' +p164822 +sg25270 +S'Arthur Briscoe' +p164823 +sa(dp164824 +g25273 +S'gilt bronze//Cast hollow; Cut out' +p164825 +sg25267 +g27 +sg25275 +S'1557' +p164826 +sg25268 +S'Portrait of a Man' +p164827 +sg25270 +S"Pastorino de' Pastorini, called Pastorino da Siena" +p164828 +sa(dp164829 +g25273 +S'gilt bronze' +p164830 +sg25267 +g27 +sg25275 +S'unknown date\n' +p164831 +sg25268 +S'Portrait of a Lady' +p164832 +sg25270 +S"Pastorino de' Pastorini, called Pastorino da Siena" +p164833 +sa(dp164834 +g25273 +S'silver//Electrotype' +p164835 +sg25267 +g27 +sg25275 +S'1557' +p164836 +sg25268 +S'Philip II, 1527-1598, King of Spain 1556 [obverse]' +p164837 +sg25270 +S'Gianpaolo Poggini' +p164838 +sa(dp164839 +g25273 +S'silver//Electrotype' +p164840 +sg25267 +g27 +sg25275 +S'1557' +p164841 +sg25268 +S'Hercules Bearing the Globe [reverse]' +p164842 +sg25270 +S'Gianpaolo Poggini' +p164843 +sa(dp164844 +g25273 +S'bronze//Cast hollow' +p164845 +sg25267 +g27 +sg25275 +S'1552/1590' +p164846 +sg25268 +S'Lodovico Ariosto, 1474-1533, Poet' +p164847 +sg25270 +S'Domenico Poggini' +p164848 +sa(dp164849 +g25268 +S"Alfonso II d'Este, 1533-1597, 5th Duke of Ferrara 1559 [obverse]" +p164850 +sg25270 +S'Domenico Poggini' +p164851 +sg25273 +S'bronze//Late cast' +p164852 +sg25275 +S'1552/1590' +p164853 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002dce.jpg' +p164854 +sg25267 +g27 +sa(dp164855 +g25268 +S"Lucrezia de' Medici, 1545-1561, Daughter of Cosimo I, First Wife of Alfonso II d'Este 1558 [reverse]" +p164856 +sg25270 +S'Domenico Poggini' +p164857 +sg25273 +S'bronze//Late cast' +p164858 +sg25275 +S'1552/1590' +p164859 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002dcf.jpg' +p164860 +sg25267 +g27 +sa(dp164861 +g25273 +S'bronze//Struck' +p164862 +sg25267 +g27 +sg25275 +S'1561' +p164863 +sg25268 +S"Cosimo I de' Medici, 1519-1574, 2nd Duke of Florence 1537, later Grand Duke of Tuscany [obverse]" +p164864 +sg25270 +S'Domenico Poggini' +p164865 +sa(dp164866 +g25273 +S'bronze//Struck' +p164867 +sg25267 +g27 +sg25275 +S'1561' +p164868 +sg25268 +S'The Uffizi and the Palazzo Vecchio [reverse]' +p164869 +sg25270 +S'Domenico Poggini' +p164870 +sa(dp164871 +g25273 +S'bronze' +p164872 +sg25267 +g27 +sg25275 +S'c. 1540' +p164873 +sg25268 +S"Eleonora de Toledo, died 1532, First Wife of Cosimo I de' Medici 1539 [obverse]" +p164874 +sg25270 +S'Domenico Poggini' +p164875 +sa(dp164876 +g25273 +S'etching' +p164877 +sg25267 +g27 +sg25275 +S'1928' +p164878 +sg25268 +S'In the Tropics' +p164879 +sg25270 +S'Arthur Briscoe' +p164880 +sa(dp164881 +g25273 +S'bronze' +p164882 +sg25267 +g27 +sg25275 +S'c. 1540' +p164883 +sg25268 +S'Pea-hen with Six Young [reverse]' +p164884 +sg25270 +S'Domenico Poggini' +p164885 +sa(dp164886 +g25273 +S'bronze' +p164887 +sg25267 +g27 +sg25275 +S'1570' +p164888 +sg25268 +S'Giulio Nobili, 1537-1612, Florentine Senator [obverse]' +p164889 +sg25270 +S'Domenico Poggini' +p164890 +sa(dp164891 +g25273 +S'bronze' +p164892 +sg25267 +g27 +sg25275 +S'1570' +p164893 +sg25268 +S'Figure Holding Scales and Swan [reverse]' +p164894 +sg25270 +S'Domenico Poggini' +p164895 +sa(dp164896 +g25273 +S'bronze' +p164897 +sg25267 +g27 +sg25275 +S'1590' +p164898 +sg25268 +S'Camilla Peretti, died 1591, Sister of Pope Sixtus V [obverse]' +p164899 +sg25270 +S'Domenico Poggini' +p164900 +sa(dp164901 +g25273 +S'bronze' +p164902 +sg25267 +g27 +sg25275 +S'1590' +p164903 +sg25268 +S'Santa Lucia at Grottamare [reverse]' +p164904 +sg25270 +S'Domenico Poggini' +p164905 +sa(dp164906 +g25273 +S'bronze' +p164907 +sg25267 +g27 +sg25275 +S'1585/1590' +p164908 +sg25268 +S"Niccolo Todini of Ancona, Captain of Castel Sant'Angelo, 1585-1591 [obverse]" +p164909 +sg25270 +S'Domenico Poggini' +p164910 +sa(dp164911 +g25273 +S'bronze' +p164912 +sg25267 +g27 +sg25275 +S'1585/1590' +p164913 +sg25268 +S"Castel Sant'Angelo [reverse]" +p164914 +sg25270 +S'Domenico Poggini' +p164915 +sa(dp164916 +g25273 +S'bronze//Late cast' +p164917 +sg25267 +g27 +sg25275 +S'c. 1561' +p164918 +sg25268 +S'Benedetto Varchi, 1502-1565, Florentine Historian and Man of Letters [obverse]' +p164919 +sg25270 +S'Domenico Poggini' +p164920 +sa(dp164921 +g25273 +S'bronze//Late cast' +p164922 +sg25267 +g27 +sg25275 +S'c. 1561' +p164923 +sg25268 +S'Man Lying at the Foot of a Laurel Tree [reverse]' +p164924 +sg25270 +S'Domenico Poggini' +p164925 +sa(dp164926 +g25273 +S'bronze//Late cast' +p164927 +sg25267 +g27 +sg25275 +S'1556' +p164928 +sg25268 +S'Camilla Albizzi [obverse]' +p164929 +sg25270 +S'Medalist R.C.' +p164930 +sa(dp164931 +g25273 +S'etching' +p164932 +sg25267 +g27 +sg25275 +S'1931' +p164933 +sg25268 +S'Flooded Decks' +p164934 +sg25270 +S'Arthur Briscoe' +p164935 +sa(dp164936 +g25273 +S'bronze//Late cast' +p164937 +sg25267 +g27 +sg25275 +S'1556' +p164938 +sg25268 +S'Apollo Pursuing Daphne [reverse]' +p164939 +sg25270 +S'Medalist R.C.' +p164940 +sa(dp164941 +g25273 +S'bronze' +p164942 +sg25267 +g27 +sg25275 +S'c. 1570' +p164943 +sg25268 +S'Antonio Calmone, Secretary to Philip II [obverse]' +p164944 +sg25270 +S'Pier Paolo Galeotti' +p164945 +sa(dp164946 +g25273 +S'bronze' +p164947 +sg25267 +g27 +sg25275 +S'c. 1570' +p164948 +sg25268 +S'Flowering Shrub Growing through Thorns [reverse]' +p164949 +sg25270 +S'Pier Paolo Galeotti' +p164950 +sa(dp164951 +g25273 +S'bronze' +p164952 +sg25267 +g27 +sg25275 +S'c. 1552/1584' +p164953 +sg25268 +S'Bianca Pansana Carcania [obverse]' +p164954 +sg25270 +S'Pier Paolo Galeotti' +p164955 +sa(dp164956 +g25273 +S'bronze' +p164957 +sg25267 +g27 +sg25275 +S'c. 1552/1584' +p164958 +sg25268 +S'Island with High Wall and Rock [reverse]' +p164959 +sg25270 +S'Pier Paolo Galeotti' +p164960 +sa(dp164961 +g25273 +S'bronze' +p164962 +sg25267 +g27 +sg25275 +S'1562' +p164963 +sg25268 +S'Girolamo Figino, 16th Century Milanese Painter [obverse]' +p164964 +sg25270 +S'Pier Paolo Galeotti' +p164965 +sa(dp164966 +g25273 +S'bronze' +p164967 +sg25267 +g27 +sg25275 +S'1562' +p164968 +sg25268 +S'Minerva Armed [reverse]' +p164969 +sg25270 +S'Pier Paolo Galeotti' +p164970 +sa(dp164971 +g25273 +S'bronze' +p164972 +sg25267 +g27 +sg25275 +S'1552 or after' +p164973 +sg25268 +S'Franco Lercari [obverse]' +p164974 +sg25270 +S'Pier Paolo Galeotti' +p164975 +sa(dp164976 +g25273 +S'bronze' +p164977 +sg25267 +g27 +sg25275 +S'1552 or after' +p164978 +sg25268 +S'Figure Carrying a Cornucopiae [reverse]' +p164979 +sg25270 +S'Pier Paolo Galeotti' +p164980 +sa(dp164981 +g25273 +S'bronze' +p164982 +sg25267 +g27 +sg25275 +S'probably 1551' +p164983 +sg25268 +S'Cristoforo Madruzzo, 1512-1587, Cardinal, Prince Bishop of Trent 1539, of Brixen 1542 [obverse]' +p164984 +sg25270 +S'Pier Paolo Galeotti' +p164985 +sa(dp164986 +g25273 +S'etching' +p164987 +sg25267 +g27 +sg25275 +S'1931' +p164988 +sg25268 +S'Heavy Canvas' +p164989 +sg25270 +S'Arthur Briscoe' +p164990 +sa(dp164991 +g25273 +S'bronze' +p164992 +sg25267 +g27 +sg25275 +S'probably 1551' +p164993 +sg25268 +S'Figure beside a River [reverse]' +p164994 +sg25270 +S'Pier Paolo Galeotti' +p164995 +sa(dp164996 +g25273 +S'bronze' +p164997 +sg25267 +g27 +sg25275 +S'1552 or after' +p164998 +sg25268 +S'Cristoforo Madruzzo, 1512-1587, Cardinal, Prince Bishop of Trent 1539, of Brixen 1542 [obverse]' +p164999 +sg25270 +S'Pier Paolo Galeotti' +p165000 +sa(dp165001 +g25273 +S'bronze' +p165002 +sg25267 +g27 +sg25275 +S'1552 or after' +p165003 +sg25268 +S'Neptune on a Dolphin before a Harbor [reverse]' +p165004 +sg25270 +S'Pier Paolo Galeotti' +p165005 +sa(dp165006 +g25273 +S'bronze' +p165007 +sg25267 +g27 +sg25275 +S'1552 or after' +p165008 +sg25268 +S'Tommaso Marini of Genoa, Duke of Teranuova [obverse]' +p165009 +sg25270 +S'Pier Paolo Galeotti' +p165010 +sa(dp165011 +g25273 +S'bronze' +p165012 +sg25267 +g27 +sg25275 +S'1552 or after' +p165013 +sg25268 +S'Sun Shining on Sea [reverse]' +p165014 +sg25270 +S'Pier Paolo Galeotti' +p165015 +sa(dp165016 +g25273 +S'bronze' +p165017 +sg25267 +g27 +sg25275 +S'1552 or after' +p165018 +sg25268 +S"Jacopo de' Medici, 1497-1555, Marquess of Marignan, and General of Charles V" +p165019 +sg25270 +S'Pier Paolo Galeotti' +p165020 +sa(dp165021 +g25273 +S'bronze' +p165022 +sg25267 +g27 +sg25275 +S'1552 or after' +p165023 +sg25268 +S'Cassandra Marinoni, died 1575, Wife of Deifobo II Melilupi [obverse]' +p165024 +sg25270 +S'Pier Paolo Galeotti' +p165025 +sa(dp165026 +g25273 +S'bronze' +p165027 +sg25267 +g27 +sg25275 +S'1552 or after' +p165028 +sg25268 +S'Circular Temple with a City in the Background [reverse]' +p165029 +sg25270 +S'Pier Paolo Galeotti' +p165030 +sa(dp165031 +g25273 +S'bronze' +p165032 +sg25267 +g27 +sg25275 +S'1552 or after' +p165033 +sg25268 +S'Giampaolo Melilupi, Son of Deifobo II and Cassandra [obverse]' +p165034 +sg25270 +S'Pier Paolo Galeotti' +p165035 +sa(dp165036 +g25273 +S'bronze' +p165037 +sg25267 +g27 +sg25275 +S'1552 or after' +p165038 +sg25268 +S'Child Addressing Deifobo II [reverse]' +p165039 +sg25270 +S'Pier Paolo Galeotti' +p165040 +sa(dp165041 +g25273 +S'etching' +p165042 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+p165066 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a000644b.jpg' +p165067 +sg25267 +g27 +sa(dp165068 +g25273 +S'bronze' +p165069 +sg25267 +g27 +sg25275 +S'c. 1554' +p165070 +sg25268 +S'Francesco Taverna, 1488-1560, Count of Landriano, Milanese Jurisconsult [obverse]' +p165071 +sg25270 +S'Pier Paolo Galeotti' +p165072 +sa(dp165073 +g25273 +S'bronze' +p165074 +sg25267 +g27 +sg25275 +S'c. 1554' +p165075 +sg25268 +S'Hound Looking at a Constellation of the Goat [reverse]' +p165076 +sg25270 +S'Pier Paolo Galeotti' +p165077 +sa(dp165078 +g25273 +S'bronze' +p165079 +sg25267 +g27 +sg25275 +S'probably 1573' +p165080 +sg25268 +S'Pietro Vettori the Younger, 1499-1585, Florentine Scholar [obverse]' +p165081 +sg25270 +S'Gaspare Romanelli' +p165082 +sa(dp165083 +g25273 +S'bronze' +p165084 +sg25267 +g27 +sg25275 +S'probably 1573' +p165085 +sg25268 +S'Olive Branch [reverse]' +p165086 +sg25270 +S'Gaspare Romanelli' +p165087 +sa(dp165088 +g25273 +S'bronze//Struck' +p165089 +sg25267 +g27 +sg25275 +S'1574' +p165090 +sg25268 +S'Pietro Vettori the Younger, 1499-1585, Florentine Scholar [obverse]' +p165091 +sg25270 +S'Gaspare Romanelli' +p165092 +sa(dp165093 +g25273 +S'bronze//Struck' +p165094 +sg25267 +g27 +sg25275 +S'1574' +p165095 +sg25268 +S'Minerva Holding an Olive Branch and a Spear [reverse]' +p165096 +sg25270 +S'Gaspare Romanelli' +p165097 +sa(dp165098 +g25273 +S'etching' +p165099 +sg25267 +g27 +sg25275 +S'1930' +p165100 +sg25268 +S'The Binnacle' +p165101 +sg25270 +S'Arthur Briscoe' +p165102 +sa(dp165103 +g25268 +S'Vincenzo Gonzaga, 1562-1612, 4th Duke of Mantua 1587 [obverse]' +p165104 +sg25270 +S'Gaspare Mola' +p165105 +sg25273 +S'bronze' +p165106 +sg25275 +S'unknown date\n' +p165107 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00066/a00066cf.jpg' +p165108 +sg25267 +g27 +sa(dp165109 +g25268 +S'Saint George and the Dragon [reverse]' +p165110 +sg25270 +S'Gaspare Mola' +p165111 +sg25273 +S'bronze' +p165112 +sg25275 +S'unknown date\n' +p165113 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00066/a00066d0.jpg' +p165114 +sg25267 +g27 +sa(dp165115 +g25273 +S'bronze' +p165116 +sg25267 +g27 +sg25275 +S'1530' +p165117 +sg25268 +S'Coronation Medal of Charles V, 1500-1558, King of Spain 1516, Holy Roman Emperor 1519-1556' +p165118 +sg25270 +S'Giovanni Bernardi' +p165119 +sa(dp165120 +g25273 +S'bronze//Restrike, from cracked dies' +p165121 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165122 +sg25268 +S"Clement VII (Giulio de' Medici, 1478-1534), Pope 1523 [obverse]" +p165123 +sg25270 +S'Giovanni Bernardi' +p165124 +sa(dp165125 +g25273 +S'bronze//Restrike from cracked dies' +p165126 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165127 +sg25268 +S'Joseph Revealing Himself to His Brethren [reverse]' +p165128 +sg25270 +S'Giovanni Bernardi' +p165129 +sa(dp165130 +g25273 +S'bronze//Struck' +p165131 +sg25267 +g27 +sg25275 +S'c. 1545/1550' +p165132 +sg25268 +S'Paul III (Alessandro Farnese, 1468-1549), Pope 1534 [obverse]' +p165133 +sg25270 +S'Alessandro Cesati, called Il Grechetto' +p165134 +sa(dp165135 +g25273 +S'bronze//Struck' +p165136 +sg25267 +g27 +sg25275 +S'c. 1545/1550' +p165137 +sg25268 +S'Ganymede Watering the Farnese Lilies [reverse]' +p165138 +sg25270 +S'Alessandro Cesati, called Il Grechetto' +p165139 +sa(dp165140 +g25273 +S'bronze//Struck; originally gilded' +p165141 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165142 +sg25268 +S'Emanuele Filiberto, 1528-1580, 10th Duke of Savoy 1553 [obverse]' +p165143 +sg25270 +S'Alessandro Cesati, called Il Grechetto' +p165144 +sa(dp165145 +g25273 +S'bronze//Struck; originally gilded' +p165146 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165147 +sg25268 +S'Marguerite de France, died 1574, Wife of Emanuele Filiberto 1559 [reverse]' +p165148 +sg25270 +S'Alessandro Cesati, called Il Grechetto' +p165149 +sa(dp165150 +g25273 +S'bronze' +p165151 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165152 +sg25268 +S'Dido, Queen of Carthage [obverse]' +p165153 +sg25270 +S'Alessandro Cesati, called Il Grechetto' +p165154 +sa(dp165155 +g25273 +S'etching' +p165156 +sg25267 +g27 +sg25275 +S'1929' +p165157 +sg25268 +S'Hove To' +p165158 +sg25270 +S'Arthur Briscoe' +p165159 +sa(dp165160 +g25273 +S'bronze' +p165161 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165162 +sg25268 +S'Carthage with Galleys in Harbor [reverse]' +p165163 +sg25270 +S'Alessandro Cesati, called Il Grechetto' +p165164 +sa(dp165165 +g25273 +S'bronze' +p165166 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165167 +sg25268 +S'Priam, King of Troy [obverse]' +p165168 +sg25270 +S'Alessandro Cesati, called Il Grechetto' +p165169 +sa(dp165170 +g25273 +S'bronze' +p165171 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165172 +sg25268 +S'Troy with Galleys in Harbor [reverse]' +p165173 +sg25270 +S'Alessandro Cesati, called Il Grechetto' +p165174 +sa(dp165175 +g25273 +S'bronze' +p165176 +sg25267 +g27 +sg25275 +S'c. 1555' +p165177 +sg25268 +S'Marcellus II (Marcello Corvino, 1501-1555), Pope 1555 [obverse]' +p165178 +sg25270 +S"Giovanni Antonio de' Rossi" +p165179 +sa(dp165180 +g25273 +S'bronze' +p165181 +sg25267 +g27 +sg25275 +S'c. 1555' +p165182 +sg25268 +S'The Church Reading the Gospels [reverse]' +p165183 +sg25270 +S"Giovanni Antonio de' Rossi" +p165184 +sa(dp165185 +g25273 +S'gilt bronze' +p165186 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165187 +sg25268 +S'Vincenzo Bovio of Bologna [obverse]' +p165188 +sg25270 +S"Giovanni Antonio de' Rossi" +p165189 +sa(dp165190 +g25273 +S'gilt bronze' +p165191 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165192 +sg25268 +S'Religion and an Ox [reverse]' +p165193 +sg25270 +S"Giovanni Antonio de' Rossi" +p165194 +sa(dp165195 +g25273 +S'bronze' +p165196 +sg25267 +g27 +sg25275 +S'1561' +p165197 +sg25268 +S"Pius IV (Giovanni Angelo de' Medici, 1499-1565), Pope 1559 [obverse]" +p165198 +sg25270 +S'Giovan Federico Bonzagni' +p165199 +sa(dp165200 +g25273 +S'bronze//Struck' +p165201 +sg25267 +g27 +sg25275 +S'1561' +p165202 +sg25268 +S'The Porta Pia [reverse]' +p165203 +sg25270 +S'Giovan Federico Bonzagni' +p165204 +sa(dp165205 +g25273 +S'silver//Struck' +p165206 +sg25267 +g27 +sg25275 +S'1572' +p165207 +sg25268 +S'Pius V (Michele Ghislieri, 1504-1572), Pope 1566 [obverse]' +p165208 +sg25270 +S'Giovan Federico Bonzagni' +p165209 +sa(dp165210 +g25273 +S'etching' +p165211 +sg25267 +g27 +sg25275 +S'1929' +p165212 +sg25268 +S'At the Tiller' +p165213 +sg25270 +S'Arthur Briscoe' +p165214 +sa(dp165215 +g25273 +S'silver//Struck' +p165216 +sg25267 +g27 +sg25275 +S'1572' +p165217 +sg25268 +S'Battle of Lepanto [reverse]' +p165218 +sg25270 +S'Giovan Federico Bonzagni' +p165219 +sa(dp165220 +g25273 +S'bronze//Cast hollow (reverse is incuse of the obverse)' +p165221 +sg25267 +g27 +sg25275 +S'1547/1575' +p165222 +sg25268 +S"Ippolito II d'Este, 1509-1572, Son of Alfonso I d'Este, Cardinal 1538" +p165223 +sg25270 +S'Giovan Federico Bonzagni' +p165224 +sa(dp165225 +g25273 +S'bronze//Struck' +p165226 +sg25267 +g27 +sg25275 +S'1545/1547' +p165227 +sg25268 +S'Pier Luigi Farnese, 1503-1547, 1st Duke of Parma and Piacenza 1545 [obverse]' +p165228 +sg25270 +S'Giovan Federico Bonzagni' +p165229 +sa(dp165230 +g25273 +S'bronze//Struck' +p165231 +sg25267 +g27 +sg25275 +S'1545/1547' +p165232 +sg25268 +S'Citadel of Parma [reverse]' +p165233 +sg25270 +S'Giovan Federico Bonzagni' +p165234 +sa(dp165235 +g25273 +S'bronze' +p165236 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165237 +sg25268 +S'Jean Parisot de la Vallette, 1494-1568, Grand Master of Malta 1557-1568 [obverse]' +p165238 +sg25270 +S'Federico Cocciola' +p165239 +sa(dp165240 +g25273 +S'bronze' +p165241 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165242 +sg25268 +S'David and Goliath [reverse]' +p165243 +sg25270 +S'Federico Cocciola' +p165244 +sa(dp165245 +g25273 +S'bronze' +p165246 +sg25267 +g27 +sg25275 +S'1579' +p165247 +sg25268 +S'Prospero Publicola Santacroce, 1514-1589, Cardinal, 1565 [obverse]' +p165248 +sg25270 +S'Federico Cocciola' +p165249 +sa(dp165250 +g25273 +S'bronze' +p165251 +sg25267 +g27 +sg25275 +S'1579' +p165252 +sg25268 +S'Villa at Gericomio [reverse]' +p165253 +sg25270 +S'Federico Cocciola' +p165254 +sa(dp165255 +g25273 +S'bronze//Struck' +p165256 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165257 +sg25268 +S'Sixtus V (Felice Peretti, 1521-1590), Pope 1585 [obverse]' +p165258 +sg25270 +S'Lorenzo Fragni' +p165259 +sa(dp165260 +g25273 +S'bronze//Struck' +p165261 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165262 +sg25268 +S'Securitas near an Altar [reverse]' +p165263 +sg25270 +S'Lorenzo Fragni' +p165264 +sa(dp165265 +g25268 +S'The Finding of Moses' +p165266 +sg25270 +S'Veronese' +p165267 +sg25273 +S'oil on canvas' +p165268 +sg25275 +S'probably 1570/1575' +p165269 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a0000830.jpg' +p165270 +sg25267 +g27 +sa(dp165271 +g25273 +S'etching' +p165272 +sg25267 +g27 +sg25275 +S'1931' +p165273 +sg25268 +S'Manning the Pumps' +p165274 +sg25270 +S'Arthur Briscoe' +p165275 +sa(dp165276 +g25273 +S'Italian, 1647 - 1689' +p165277 +sg25267 +g27 +sg25275 +S'(artist after)' +p165278 +sg25268 +S"Leo X (Giovanni de' Medici, 1475-1521), Pope 1513 [obverse]" +p165279 +sg25270 +S'Artist Information (' +p165280 +sa(dp165281 +g25273 +S'Italian, 1647 - 1689' +p165282 +sg25267 +g27 +sg25275 +S'(artist after)' +p165283 +sg25268 +S'Liberality [reverse]' +p165284 +sg25270 +S'Artist Information (' +p165285 +sa(dp165286 +g25273 +S'overall (diameter): 6.7 cm (2 5/8 in.)\r\ngross weight: 99.03 gr (0.218 lb.)' +p165287 +sg25267 +g27 +sg25275 +S'\nbronze' +p165288 +sg25268 +S"Clement VII (Giulio de' Medici, 1478-1534), Pope 1523" +p165289 +sg25270 +S'Italian 16th Century' +p165290 +sa(dp165291 +g25273 +S'overall (diameter): 6.22 cm (2 7/16 in.)\r\ngross weight: 64.64 gr (0.143 lb.)\r\naxis: 6:00' +p165292 +sg25267 +g27 +sg25275 +S'\nbronze' +p165293 +sg25268 +S'Paul III (Alessandro Farnese, 1468-1549), Pope 1534 [obverse]' +p165294 +sg25270 +S'Italian 16th Century' +p165295 +sa(dp165296 +g25273 +S'overall (diameter): 6.22 cm (2 7/16 in.)\r\ngross weight: 64.64 gr (0.143 lb.)\r\naxis: 6:00' +p165297 +sg25267 +g27 +sg25275 +S'\nbronze' +p165298 +sg25268 +S'Griffin and Serpent Fighting [reverse]' +p165299 +sg25270 +S'Italian 16th Century' +p165300 +sa(dp165301 +g25273 +S'overall (maximum dimensions): 8.4 x 7.8 cm (3 5/16 x 3 1/16 in.)\r\ngross weight: 106.43 gr (0.235 lb.)' +p165302 +sg25267 +g27 +sg25275 +S'\nbronze//Cast hollow, without background' +p165303 +sg25268 +S'Paul III (Alessandro Farnese, 1468-1549), Pope 1534' +p165304 +sg25270 +S'Italian 16th Century' +p165305 +sa(dp165306 +g25273 +S'overall (diameter): 8.08 cm (3 3/16 in.)\r\ngross weight: 90.6 gr (0.2 lb.)' +p165307 +sg25267 +g27 +sg25275 +S'\nlead' +p165308 +sg25268 +S'Julius III (Giammaria Ciocchi del Monte, 1487-1555), Pope 1550' +p165309 +sg25270 +S'Italian 16th Century' +p165310 +sa(dp165311 +g25273 +S'overall (diameter): 6.73 cm (2 5/8 in.)\r\ngross weight: 39.83 gr (0.088 lb.)' +p165312 +sg25267 +g27 +sg25275 +S'\nbronze' +p165313 +sg25268 +S"Pius IV (Giovanni Angelo de' Medici, 1499-1565), Pope 1559" +p165314 +sg25270 +S'Italian 16th Century' +p165315 +sa(dp165316 +g25268 +S'Andrea Briosco, called Riccio, 1470-1532, Paduan Sculptor [obverse]' +p165317 +sg25270 +S'Artist Information (' +p165318 +sg25273 +S'Italian, 1470 - 1532' +p165319 +sg25275 +S'(related artist)' +p165320 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cd/a000cdba.jpg' +p165321 +sg25267 +g27 +sa(dp165322 +g25268 +S'Broken Laurel Tree with Leafy Branch [reverse]' +p165323 +sg25270 +S'Artist Information (' +p165324 +sg25273 +S'Italian, 1470 - 1532' +p165325 +sg25275 +S'(related artist)' +p165326 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cd/a000cdbb.jpg' +p165327 +sg25267 +g27 +sa(dp165328 +g25273 +S'etching' +p165329 +sg25267 +g27 +sg25275 +S'1927' +p165330 +sg25268 +S"The Fore T'Gallant Sail" +p165331 +sg25270 +S'Arthur Briscoe' +p165332 +sa(dp165333 +g25273 +S'bronze//Struck' +p165334 +sg25267 +g27 +sg25275 +S'probably 1532' +p165335 +sg25268 +S'Pietro Bembo, 1470-1547, Cardinal 1538 [obverse]' +p165336 +sg25270 +S'Valerio Belli' +p165337 +sa(dp165338 +g25273 +S'bronze//Struck' +p165339 +sg25267 +g27 +sg25275 +S'probably 1532' +p165340 +sg25268 +S'Bembo beside a Stream [reverse]' +p165341 +sg25270 +S'Valerio Belli' +p165342 +sa(dp165343 +g25273 +S'bronze' +p165344 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165345 +sg25268 +S'Helen of Troy [obverse]' +p165346 +sg25270 +S'Valerio Belli' +p165347 +sa(dp165348 +g25273 +S'bronze' +p165349 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165350 +sg25268 +S'Concord Holding Cornucopiae [reverse]' +p165351 +sg25270 +S'Valerio Belli' +p165352 +sa(dp165353 +g25273 +S'bronze//Cast' +p165354 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165355 +sg25268 +S"Alfonso II d'Avalos, 1502-1546, Marquess of Vasto [obverse]" +p165356 +sg25270 +S'Giovanni da Cavino' +p165357 +sa(dp165358 +g25273 +S'bronze//Cast' +p165359 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165360 +sg25268 +S'Man with Arms and Africa Mourning [reverse]' +p165361 +sg25270 +S'Giovanni da Cavino' +p165362 +sa(dp165363 +g25273 +S'bronze' +p165364 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165365 +sg25268 +S'Alessandro Bassiano and the Medallist [obverse]' +p165366 +sg25270 +S'Giovanni da Cavino' +p165367 +sa(dp165368 +g25273 +S'bronze//Struck' +p165369 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165370 +sg25268 +S'Genius Sacrificing [reverse]' +p165371 +sg25270 +S'Giovanni da Cavino' +p165372 +sa(dp165373 +g25273 +S'bronze//Struck' +p165374 +sg25267 +g27 +sg25275 +S'1520 or after' +p165375 +sg25268 +S'Giampietro Mantova Benavides, died 1520, Paduan Physician [obverse]' +p165376 +sg25270 +S'Giovanni da Cavino' +p165377 +sa(dp165378 +g25273 +S'bronze//Struck' +p165379 +sg25267 +g27 +sg25275 +S'1520 or after' +p165380 +sg25268 +S'Temple with Goddess [reverse]' +p165381 +sg25270 +S'Giovanni da Cavino' +p165382 +sa(dp165383 +g25273 +S'etching' +p165384 +sg25267 +g27 +sg25275 +S'1930' +p165385 +sg25268 +S'Abandoned' +p165386 +sg25270 +S'Arthur Briscoe' +p165387 +sa(dp165388 +g25273 +S'bronze//Struck' +p165389 +sg25267 +g27 +sg25275 +S'1540' +p165390 +sg25268 +S'Girolamo Cornaro, c. 1486-1551, Venetian Patrician [obverse]' +p165391 +sg25270 +S'Giovanni da Cavino' +p165392 +sa(dp165393 +g25273 +S'bronze//Struck' +p165394 +sg25267 +g27 +sg25275 +S'1540' +p165395 +sg25268 +S'Cornaro Distributing Alms [reverse]' +p165396 +sg25270 +S'Giovanni da Cavino' +p165397 +sa(dp165398 +g25273 +S'bronze//Struck' +p165399 +sg25267 +g27 +sg25275 +S'1539' +p165400 +sg25268 +S'Giovanni Antonio Vincenzo Dolce, 1482-1555, Paduan Jurist, Canon of Padua 1516 [obverse]' +p165401 +sg25270 +S'Giovanni da Cavino' +p165402 +sa(dp165403 +g25273 +S'bronze//Struck' +p165404 +sg25267 +g27 +sg25275 +S'1539' +p165405 +sg25268 +S'Genius Holding a Dolphin and Sacrificing [reverse]' +p165406 +sg25270 +S'Giovanni da Cavino' +p165407 +sa(dp165408 +g25273 +S'bronze//Struck' +p165409 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165410 +sg25268 +S'Giovanni Mels, died 1559, Jurist [obverse]' +p165411 +sg25270 +S'Giovanni da Cavino' +p165412 +sa(dp165413 +g25273 +S'bronze//Struck' +p165414 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165415 +sg25268 +S'Mels as Genius, Sacrificing [reverse]' +p165416 +sg25270 +S'Giovanni da Cavino' +p165417 +sa(dp165418 +g25273 +S'bronze//Struck' +p165419 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165420 +sg25268 +S'Balduino del Monte, died 1556, Brother of Pope Julius III, Count of Monte Sansovino 1550 [obverse]' +p165421 +sg25270 +S'Giovanni da Cavino' +p165422 +sa(dp165423 +g25273 +S'bronze//Struck' +p165424 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165425 +sg25268 +S'Combat between Two Horsemen [reverse]' +p165426 +sg25270 +S'Giovanni da Cavino' +p165427 +sa(dp165428 +g25273 +S'bronze//Struck' +p165429 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165430 +sg25268 +S'Girolamo Panico, died 1558, and Pompeo Ludovisi, died 1565 [obverse]' +p165431 +sg25270 +S'Giovanni da Cavino' +p165432 +sa(dp165433 +g25273 +S'bronze//Struck' +p165434 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165435 +sg25268 +S'Genius Holding a Dolphin and Sacrificing [reverse]' +p165436 +sg25270 +S'Giovanni da Cavino' +p165437 +sa(dp165438 +g25273 +S'etching' +p165439 +sg25267 +g27 +sg25275 +S'1930' +p165440 +sg25268 +S'Sculling' +p165441 +sg25270 +S'Arthur Briscoe' +p165442 +sa(dp165443 +g25273 +S'bronze//Struck' +p165444 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165445 +sg25268 +S'Francesco Querini, died 1563, Venetian Patrician, Poet and Soldier [obverse]' +p165446 +sg25270 +S'Giovanni da Cavino' +p165447 +sa(dp165448 +g25273 +S'bronze' +p165449 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165450 +sg25268 +S'Wolf and Twins [reverse]' +p165451 +sg25270 +S'Giovanni da Cavino' +p165452 +sa(dp165453 +g25273 +S'bronze' +p165454 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165455 +sg25268 +S'Luca Salvioni, died 1536, Paduan Jurist [obverse]' +p165456 +sg25270 +S'Giovanni da Cavino' +p165457 +sa(dp165458 +g25273 +S'bronze//Struck' +p165459 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165460 +sg25268 +S'Ceres with Book and Cornucopiae [reverse]' +p165461 +sg25270 +S'Giovanni da Cavino' +p165462 +sa(dp165463 +g25273 +S'bronze//Struck' +p165464 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165465 +sg25268 +S'Cosimo Scapti [obverse]' +p165466 +sg25270 +S'Giovanni da Cavino' +p165467 +sa(dp165468 +g25273 +S'bronze//Struck' +p165469 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165470 +sg25268 +S'Salus and Serpent [reverse]' +p165471 +sg25270 +S'Giovanni da Cavino' +p165472 +sa(dp165473 +g25273 +S'bronze//Stuck' +p165474 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165475 +sg25268 +S'Homer [obverse]' +p165476 +sg25270 +S'Giovanni da Cavino' +p165477 +sa(dp165478 +g25273 +S'bronze//Struck' +p165479 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165480 +sg25268 +S'Armed Man with Other Figures [reverse]' +p165481 +sg25270 +S'Giovanni da Cavino' +p165482 +sa(dp165483 +g25273 +S'bronze//Struck' +p165484 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165485 +sg25268 +S'Head of Arethusa [obverse]' +p165486 +sg25270 +S'Giovanni da Cavino' +p165487 +sa(dp165488 +g25273 +S'bronze//Struck' +p165489 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165490 +sg25268 +S'Chariot on a Pedestal [reverse]' +p165491 +sg25270 +S'Giovanni da Cavino' +p165492 +sa(dp165493 +g25273 +S'etching' +p165494 +sg25267 +g27 +sg25275 +S'1930' +p165495 +sg25268 +S'In the Trades' +p165496 +sg25270 +S'Arthur Briscoe' +p165497 +sa(dp165498 +g25273 +S'bronze//Struck' +p165499 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165500 +sg25268 +S'Agrippina Senior, 14 B.C.-A.D. 33, Daughter of Marcus Agrippa, Wife of Germanicus [obverse]' +p165501 +sg25270 +S'Giovanni da Cavino' +p165502 +sa(dp165503 +g25273 +S'bronze//Struck' +p165504 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165505 +sg25268 +S'Funeral Car [reverse]' +p165506 +sg25270 +S'Giovanni da Cavino' +p165507 +sa(dp165508 +g25273 +S'bronze//Struck' +p165509 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165510 +sg25268 +S'Antonia, 36 B.C.-A.D. c. 38, Daughter of Mark Antony and Octavia [obverse]' +p165511 +sg25270 +S'Giovanni da Cavino' +p165512 +sa(dp165513 +g25273 +S'bronze//Struck' +p165514 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165515 +sg25268 +S'Claudius Caesar [reverse]' +p165516 +sg25270 +S'Giovanni da Cavino' +p165517 +sa(dp165518 +g25273 +S'bronze//Struck' +p165519 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165520 +sg25268 +S'Nero, A.D. 37-68, Roman Emperor A.D. 54 [obverse]' +p165521 +sg25270 +S'Giovanni da Cavino' +p165522 +sa(dp165523 +g25273 +S'bronze//Struck' +p165524 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165525 +sg25268 +S'Ceres and Annona [reverse]' +p165526 +sg25270 +S'Giovanni da Cavino' +p165527 +sa(dp165528 +g25273 +S'bronze//Struck' +p165529 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165530 +sg25268 +S'Sabina, died A.D. 136 or 137, Wife of Hadrian [obverse]' +p165531 +sg25270 +S'Giovanni da Cavino' +p165532 +sa(dp165533 +g25273 +S'bronze//Struck' +p165534 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165535 +sg25268 +S'Ceres Holding Ears of Corn and a Torch [reverse]' +p165536 +sg25270 +S'Giovanni da Cavino' +p165537 +sa(dp165538 +g25273 +S'bronze//Cast' +p165539 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165540 +sg25268 +S'Antinous, died A.D. 130, Favorite of the Emperor Hadrian [obverse]' +p165541 +sg25270 +S'Giovanni da Cavino' +p165542 +sa(dp165543 +g25273 +S'bronze//Cast' +p165544 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165545 +sg25268 +S'Mercury Taming Pegasus [reverse]' +p165546 +sg25270 +S'Giovanni da Cavino' +p165547 +sa(dp165548 +g25273 +S'etching' +p165549 +sg25267 +g27 +sg25275 +S'1930' +p165550 +sg25268 +S'Stowing the Mainsail' +p165551 +sg25270 +S'Arthur Briscoe' +p165552 +sa(dp165553 +g25273 +S'bronze//Struck' +p165554 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165555 +sg25268 +S'Antoninus Pius, Emperor A.D. 138-161 [obverse]' +p165556 +sg25270 +S'Giovanni da Cavino' +p165557 +sa(dp165558 +g25273 +S'bronze//Struck' +p165559 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165560 +sg25268 +S'Roma, the Emperor, and Victory [reverse]' +p165561 +sg25270 +S'Giovanni da Cavino' +p165562 +sa(dp165563 +g25273 +S'bronze//Struck' +p165564 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165565 +sg25268 +S'Faustina Junior, died A.D. 176, Wife of Marcus Aurelius [obverse]' +p165566 +sg25270 +S'Giovanni da Cavino' +p165567 +sa(dp165568 +g25273 +S'bronze//Struck' +p165569 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165570 +sg25268 +S'Empress and Five Women Sacrificing [reverse]' +p165571 +sg25270 +S'Giovanni da Cavino' +p165572 +sa(dp165573 +g25273 +S'brass and copper//Struck' +p165574 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165575 +sg25268 +S'Lucius Verus, Emperor, reigned A.D. 161-169 [obverse]' +p165576 +sg25270 +S'Giovanni da Cavino' +p165577 +sa(dp165578 +g25273 +S'brass and copper//Struck' +p165579 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165580 +sg25268 +S'Roma, the Emperor, and Victory [reverse]' +p165581 +sg25270 +S'Giovanni da Cavino' +p165582 +sa(dp165583 +g25273 +S'bronze//Struck' +p165584 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165585 +sg25268 +S'Commodus, Emperor, reigned A.D. 177-192 [obverse]' +p165586 +sg25270 +S'Giovanni da Cavino' +p165587 +sa(dp165588 +g25273 +S'bronze//Struck' +p165589 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165590 +sg25268 +S'Salus Feeding a Serpent [reverse]' +p165591 +sg25270 +S'Giovanni da Cavino' +p165592 +sa(dp165593 +g25273 +S'bronze//Struck' +p165594 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165595 +sg25268 +S'Septimius Severus, Emperor, reigned A.D. 193-211 [obverse]' +p165596 +sg25270 +S'Giovanni da Cavino' +p165597 +sa(dp165598 +g25273 +S'bronze//Struck' +p165599 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165600 +sg25268 +S'Mars Resting on a Spear and Shield [reverse]' +p165601 +sg25270 +S'Giovanni da Cavino' +p165602 +sa(dp165603 +g25273 +S'etching' +p165604 +sg25267 +g27 +sg25275 +S'1926' +p165605 +sg25268 +S'La Tresse' +p165606 +sg25270 +S'Gerald Leslie Brockhurst' +p165607 +sa(dp165608 +g25273 +S'bronze' +p165609 +sg25267 +g27 +sg25275 +S'c. 1525/1550' +p165610 +sg25268 +S'Hercules [obverse]' +p165611 +sg25270 +S'Master HB' +p165612 +sa(dp165613 +g25273 +S'bronze' +p165614 +sg25267 +g27 +sg25275 +S'c. 1525/1550' +p165615 +sg25268 +S'A Messenger Brings Hercules the Shirt of Nessus [reverse]' +p165616 +sg25270 +S'Master HB' +p165617 +sa(dp165618 +g25273 +S'bronze//Later cast' +p165619 +sg25267 +g27 +sg25275 +S'1532' +p165620 +sg25268 +S'Sigismund Augustus, 1520-1572, Grand Duke of Lithuania 1522, King of Poland 1530 [obverse]' +p165621 +sg25270 +S'Giovanni Maria Mosca' +p165622 +sa(dp165623 +g25273 +S'bronze//Later cast' +p165624 +sg25267 +g27 +sg25275 +S'1532' +p165625 +sg25268 +S'Lion [reverse]' +p165626 +sg25270 +S'Giovanni Maria Mosca' +p165627 +sa(dp165628 +g25273 +S'bronze' +p165629 +sg25267 +g27 +sg25275 +S'1534' +p165630 +sg25268 +S'Andrea Gritti, 1455-1538, Doge of Venice 1523 [obverse]' +p165631 +sg25270 +S'Andrea Spinelli' +p165632 +sa(dp165633 +g25273 +S'bronze' +p165634 +sg25267 +g27 +sg25275 +S'1534' +p165635 +sg25268 +S'Church of San Francesco della Vigna [reverse]' +p165636 +sg25270 +S'Andrea Spinelli' +p165637 +sa(dp165638 +g25273 +S'bronze//Struck' +p165639 +sg25267 +g27 +sg25275 +S'1536' +p165640 +sg25268 +S'Antonio Mula, Venetian Patrician, Duke of Candia 1536, Member of Council of Ten 1538 [obverse]' +p165641 +sg25270 +S'Andrea Spinelli' +p165642 +sa(dp165643 +g25273 +S'bronze' +p165644 +sg25267 +g27 +sg25275 +S'1536' +p165645 +sg25268 +S'Mula and Another Man Joining Hands [reverse]' +p165646 +sg25270 +S'Andrea Spinelli' +p165647 +sa(dp165648 +g25273 +S'gilt bronze//Struck' +p165649 +sg25267 +g27 +sg25275 +S'1540' +p165650 +sg25268 +S'Girolamo Zane, Venetian Senator [obverse]' +p165651 +sg25270 +S'Andrea Spinelli' +p165652 +sa(dp165653 +g25273 +S'gilt bronze//Struck' +p165654 +sg25267 +g27 +sg25275 +S'1540' +p165655 +sg25268 +S'Saint Jerome in a Landscape [reverse]' +p165656 +sg25270 +S'Andrea Spinelli' +p165657 +sa(dp165658 +g25273 +S'etching' +p165659 +sg25267 +g27 +sg25275 +S'1930' +p165660 +sg25268 +S'Noon' +p165661 +sg25270 +S'Arthur Briscoe' +p165662 +sa(dp165663 +g25273 +S'bronze//Struck' +p165664 +sg25267 +g27 +sg25275 +S'1539' +p165665 +sg25268 +S'Pietro Lando, c. 1462-1545, Doge of Venice 1539, with Venetian Senators, Kneeling Before Christ [obverse]' +p165666 +sg25270 +S'Andrea Spinelli' +p165667 +sa(dp165668 +g25273 +S'bronze//Struck' +p165669 +sg25267 +g27 +sg25275 +S'1539' +p165670 +sg25268 +S'Venice Crowned Holding Cornucopiae and Scales, Galley and Arms [reverse]' +p165671 +sg25270 +S'Andrea Spinelli' +p165672 +sa(dp165673 +g25273 +S'bronze' +p165674 +sg25267 +g27 +sg25275 +S'1555' +p165675 +sg25268 +S'Pietro Lauro, born 1508, Modenese Poet and Scholar [obverse]' +p165676 +sg25270 +S'Master I.A.V.F.' +p165677 +sa(dp165678 +g25273 +S'bronze' +p165679 +sg25267 +g27 +sg25275 +S'1555' +p165680 +sg25268 +S'Inscription in a Laurel Wreath [reverse]' +p165681 +sg25270 +S'Master I.A.V.F.' +p165682 +sa(dp165683 +g25273 +S'Italian, c. 1509 - 1573' +p165684 +sg25267 +g27 +sg25275 +S'(artist after)' +p165685 +sg25268 +S"Giovanni de' Medici delle Bande Nere, 1498-1526, Condottiere [obverse]" +p165686 +sg25270 +S'Artist Information (' +p165687 +sa(dp165688 +g25273 +S'Italian, c. 1509 - 1573' +p165689 +sg25267 +g27 +sg25275 +S'(artist after)' +p165690 +sg25268 +S'Thunderbolt Issuing from a Cloud [reverse]' +p165691 +sg25270 +S'Artist Information (' +p165692 +sa(dp165693 +g25273 +S'bronze' +p165694 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165695 +sg25268 +S'Elisabetta Querini, died 1559, Daughter of Francesco Querini of Venice, Wife of Lorenzo Masolo, Widowed 1556 [obverse]' +p165696 +sg25270 +S'Danese Cattaneo' +p165697 +sa(dp165698 +g25273 +S'bronze' +p165699 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165700 +sg25268 +S'The Three Graces [reverse]' +p165701 +sg25270 +S'Danese Cattaneo' +p165702 +sa(dp165703 +g25273 +S'bronze' +p165704 +sg25267 +g27 +sg25275 +S'probably 1551/1552' +p165705 +sg25268 +S'Gaspare Borgia, died 1556, Bishop of Segorbe 1530' +p165706 +sg25270 +S'Alessandro Vittoria' +p165707 +sa(dp165708 +g25268 +S'Caterina Sandella of Venice, Wife of Pietro Aretino 1548' +p165709 +sg25270 +S'Alessandro Vittoria' +p165710 +sg25273 +S'bronze' +p165711 +sg25275 +S'c. 1548' +p165712 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006414.jpg' +p165713 +sg25267 +g27 +sa(dp165714 +g25273 +S'etching' +p165715 +sg25267 +g27 +sg25275 +S'1929' +p165716 +sg25268 +S'Brightlingsea Hard' +p165717 +sg25270 +S'Arthur Briscoe' +p165718 +sa(dp165719 +g25268 +S'Pietro Bembo, 1470-1547, Cardinal 1538, Venetian Philologist, Poet and Belletrist [obverse]' +p165720 +sg25270 +S'Artist Information (' +p165721 +sg25273 +S'Italian, 1500 - 1571' +p165722 +sg25275 +S'(sculptor)' +p165723 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002db2.jpg' +p165724 +sg25267 +g27 +sa(dp165725 +g25268 +S'Pegasus on the Fountain Hippocrene [reverse]' +p165726 +sg25270 +S'Artist Information (' +p165727 +sg25273 +S'Italian, 1500 - 1571' +p165728 +sg25275 +S'(sculptor)' +p165729 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002db3.jpg' +p165730 +sg25267 +g27 +sa(dp165731 +g25273 +S'overall (diameter): 5.1 cm (2 in.)\r\ngross weight: 42.2 gr (0.093 lb.)\r\naxis: 12:00' +p165732 +sg25267 +g27 +sg25275 +S'\nbronze' +p165733 +sg25268 +S'Pietro Piantanida [obverse]' +p165734 +sg25270 +S'Milanese 16th Century' +p165735 +sa(dp165736 +g25273 +S'overall (diameter): 5.1 cm (2 in.)\r\ngross weight: 42.2 gr (0.093 lb.)\r\naxis: 12:00' +p165737 +sg25267 +g27 +sg25275 +S'\nbronze' +p165738 +sg25268 +S'Faith Pointing to Heaven [reverse]' +p165739 +sg25270 +S'Milanese 16th Century' +p165740 +sa(dp165741 +g25273 +S'overall (diameter): 5.2 cm (2 1/16 in.)\r\ngross weight: 36.51 gr (0.08 lb.)\r\naxis: 6:00' +p165742 +sg25267 +g27 +sg25275 +S'\nbronze' +p165743 +sg25268 +S'Jean de Lorraine, 1498-1550, Cardinal 1518 [obverse]' +p165744 +sg25270 +S'Milanese 16th Century' +p165745 +sa(dp165746 +g25273 +S'overall (diameter): 5.2 cm (2 1/16 in.)\r\ngross weight: 36.51 gr (0.08 lb.)\r\naxis: 6:00' +p165747 +sg25267 +g27 +sg25275 +S'\nbronze' +p165748 +sg25268 +S'Prudence with a Dragon at her Feet [reverse]' +p165749 +sg25270 +S'Milanese 16th Century' +p165750 +sa(dp165751 +g25273 +S'overall (diameter): 4.9 cm (1 15/16 in.)\r\ngross weight: 49.3 gr (0.109 lb.)\r\naxis: 6:00' +p165752 +sg25267 +g27 +sg25275 +S'\nbronze' +p165753 +sg25268 +S'Gianfrancesco Martinioni, Milanese Physician [obverse]' +p165754 +sg25270 +S'Milanese 16th Century' +p165755 +sa(dp165756 +g25273 +S'overall (diameter): 4.9 cm (1 15/16 in.)\r\ngross weight: 49.3 gr (0.109 lb.)\r\naxis: 6:00' +p165757 +sg25267 +g27 +sg25275 +S'\nbronze' +p165758 +sg25268 +S'Hippocrates(?) [reverse]' +p165759 +sg25270 +S'Milanese 16th Century' +p165760 +sa(dp165761 +g25273 +S'bronze//Late cast' +p165762 +sg25267 +g27 +sg25275 +S'1547 or after' +p165763 +sg25268 +S'Charles V, 1500-1558, King of Spain 1516, Holy Roman Emperor 1519-1556 [obverse]' +p165764 +sg25270 +S'Leone Leoni' +p165765 +sa(dp165766 +g25273 +S'bronze//Late cast' +p165767 +sg25267 +g27 +sg25275 +S'1547 or after' +p165768 +sg25268 +S'Jupiter Thundering against the Giants [reverse]' +p165769 +sg25270 +S'Leone Leoni' +p165770 +sa(dp165771 +g25273 +S'etching' +p165772 +sg25267 +g27 +sg25275 +S'1926' +p165773 +sg25268 +S'All Hands' +p165774 +sg25270 +S'Arthur Briscoe' +p165775 +sa(dp165776 +g25273 +S', unknown date' +p165777 +sg25267 +g27 +sg25275 +S'\n' +p165778 +sg25268 +S'Pietro Aretino, 1492-1556, Satirist [obverse]' +p165779 +sg25270 +S'Leone Leoni' +p165780 +sa(dp165781 +g25273 +S', unknown date' +p165782 +sg25267 +g27 +sg25275 +S'\n' +p165783 +sg25268 +S'Truth Crowned by Victory [reverse]' +p165784 +sg25270 +S'Leone Leoni' +p165785 +sa(dp165786 +g25273 +S'bronze' +p165787 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165788 +sg25268 +S'Baccio Bandinelli, 1493-1560, Florentine Sculptor [obverse]' +p165789 +sg25270 +S'Leone Leoni' +p165790 +sa(dp165791 +g25273 +S'bronze' +p165792 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165793 +sg25268 +S'Inscription in a Laurel Wreath [reverse]' +p165794 +sg25270 +S'Leone Leoni' +p165795 +sa(dp165796 +g25268 +S'Michelangelo Buonarroti, 1475-1564, Florentine Artist [obverse]' +p165797 +sg25270 +S'Leone Leoni' +p165798 +sg25273 +S'bronze//Later casting' +p165799 +sg25275 +S'c. 1561' +p165800 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002db6.jpg' +p165801 +sg25267 +g27 +sa(dp165802 +g25268 +S'Blind Man with a Staff and Water-flask, Led by a Dog [reverse]' +p165803 +sg25270 +S'Leone Leoni' +p165804 +sg25273 +S'bronze//Later casting' +p165805 +sg25275 +S'c. 1561' +p165806 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002db7.jpg' +p165807 +sg25267 +g27 +sa(dp165808 +g25268 +S'Andrea Doria, 1466-1560, Genoese Admiral [obverse]' +p165809 +sg25270 +S'Leone Leoni' +p165810 +sg25273 +S'bronze' +p165811 +sg25275 +S'1541' +p165812 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00030/a0003049.jpg' +p165813 +sg25267 +g27 +sa(dp165814 +g25268 +S'Self-Portrait [reverse]' +p165815 +sg25270 +S'Leone Leoni' +p165816 +sg25273 +S'bronze' +p165817 +sg25275 +S'1541' +p165818 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a000644d.jpg' +p165819 +sg25267 +g27 +sa(dp165820 +g25268 +S'Andrea Doria, 1466-1560, Genoese Admiral [obverse]' +p165821 +sg25270 +S'Leone Leoni' +p165822 +sg25273 +S'bronze' +p165823 +sg25275 +S'1541' +p165824 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002db8.jpg' +p165825 +sg25267 +g27 +sa(dp165826 +g25268 +S'Galley and Small Boat [reverse]' +p165827 +sg25270 +S'Leone Leoni' +p165828 +sg25273 +S'bronze' +p165829 +sg25275 +S'1541' +p165830 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002db9.jpg' +p165831 +sg25267 +g27 +sa(dp165832 +g25273 +S'etching' +p165833 +sg25267 +g27 +sg25275 +S'1929' +p165834 +sg25268 +S'Aloft' +p165835 +sg25270 +S'Arthur Briscoe' +p165836 +sa(dp165837 +g25273 +S'lead//Cast hollow' +p165838 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165839 +sg25268 +S'Ippolita de Ferdinando Gonzaga, 1535-1563' +p165840 +sg25270 +S'Leone Leoni' +p165841 +sa(dp165842 +g25273 +S'bronze//Late cast' +p165843 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165844 +sg25268 +S'Ippolita di Ferdinando Gonzaga, 1535-1563 [obverse]' +p165845 +sg25270 +S'Leone Leoni' +p165846 +sa(dp165847 +g25273 +S'bronze//Late cast' +p165848 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165849 +sg25268 +S'Ippolita Looking at a Crown of Stars [reverse]' +p165850 +sg25270 +S'Leone Leoni' +p165851 +sa(dp165852 +g25273 +S'bronze//Struck' +p165853 +sg25267 +g27 +sg25275 +S'1538' +p165854 +sg25268 +S'Paul III (Alessandro Farnese, 1468-1549), Pope 1534 [obverse]' +p165855 +sg25270 +S'Leone Leoni' +p165856 +sa(dp165857 +g25273 +S'bronze//Struck' +p165858 +sg25267 +g27 +sg25275 +S'1538' +p165859 +sg25268 +S'Roma with Wolf and Twins above the Tiber River [reverse]' +p165860 +sg25270 +S'Leone Leoni' +p165861 +sa(dp165862 +g25268 +S'Giannello della Torre of Cremona, 1500-1585, Engineer in the Service of Charles V (obverse)' +p165863 +sg25270 +S'Leone Leoni' +p165864 +sg25273 +S'bronze' +p165865 +sg25275 +S'unknown date\n' +p165866 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a000645e.jpg' +p165867 +sg25267 +g27 +sa(dp165868 +g25268 +S'Fountain of the Sciences [reverse]' +p165869 +sg25270 +S'Leone Leoni' +p165870 +sg25273 +S'bronze' +p165871 +sg25275 +S'unknown date\n' +p165872 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a000645f.jpg' +p165873 +sg25267 +g27 +sa(dp165874 +g25273 +S'lead//Cast hollow; not contemporary' +p165875 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165876 +sg25268 +S'Philippina Welser, 1527-1580, Wife of Archduke Ferdinand of Austria 1557' +p165877 +sg25270 +S'Leone Leoni' +p165878 +sa(dp165879 +g25268 +S'Philip II, 1527-1598, King of Spain 1556' +p165880 +sg25270 +S'Jacopo Nizzola da Trezzo' +p165881 +sg25273 +S'lead//Later cast' +p165882 +sg25275 +S'1555' +p165883 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a000644e.jpg' +p165884 +sg25267 +g27 +sa(dp165885 +g25273 +S'bronze' +p165886 +sg25267 +g27 +sg25275 +S'1552' +p165887 +sg25268 +S'Ippolita Gonzaga, 1535-1563, Daughter of Ferdinando [obverse]' +p165888 +sg25270 +S'Jacopo Nizzola da Trezzo' +p165889 +sa(dp165890 +g25273 +S'etching' +p165891 +sg25267 +g27 +sg25275 +S'1928' +p165892 +sg25268 +S'The Bowsprit' +p165893 +sg25270 +S'Arthur Briscoe' +p165894 +sa(dp165895 +g25273 +S'bronze' +p165896 +sg25267 +g27 +sg25275 +S'1552' +p165897 +sg25268 +S'Aurora Riding through the Heavens [reverse]' +p165898 +sg25270 +S'Jacopo Nizzola da Trezzo' +p165899 +sa(dp165900 +g25273 +S'lead//After-cast' +p165901 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165902 +sg25268 +S'Isabella Capua, Princess of Malfretto, Wife 1529 of Ferrante Gonzaga, died 1559 [obverse]' +p165903 +sg25270 +S'Jacopo Nizzola da Trezzo' +p165904 +sa(dp165905 +g25273 +S'lead//After-cast' +p165906 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165907 +sg25268 +S'Isabella at a Burning Altar [reverse]' +p165908 +sg25270 +S'Jacopo Nizzola da Trezzo' +p165909 +sa(dp165910 +g25273 +S'bronze' +p165911 +sg25267 +g27 +sg25275 +S'1578' +p165912 +sg25268 +S'Juan de Herrera, c. 1530-1597, Architect of the Escorial [obverse]' +p165913 +sg25270 +S'Jacopo Nizzola da Trezzo' +p165914 +sa(dp165915 +g25273 +S'bronze' +p165916 +sg25267 +g27 +sg25275 +S'1578' +p165917 +sg25268 +S'Architecture Holding Compasses and Square [reverse]' +p165918 +sg25270 +S'Jacopo Nizzola da Trezzo' +p165919 +sa(dp165920 +g25273 +S'bronze' +p165921 +sg25267 +g27 +sg25275 +S'1577' +p165922 +sg25268 +S'Ascanio Padula [obverse]' +p165923 +sg25270 +S'Jacopo Nizzola da Trezzo' +p165924 +sa(dp165925 +g25273 +S'bronze' +p165926 +sg25267 +g27 +sg25275 +S'1577' +p165927 +sg25268 +S'Apollo Holding a Bow and Lyre [reverse]' +p165928 +sg25270 +S'Jacopo Nizzola da Trezzo' +p165929 +sa(dp165930 +g25273 +S'bronze' +p165931 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165932 +sg25268 +S"Fernando Francesco II d'Avalos, c. 1530-1571, Marquess of Pescara [obverse]" +p165933 +sg25270 +S'Annibale Fontana' +p165934 +sa(dp165935 +g25273 +S'bronze' +p165936 +sg25267 +g27 +sg25275 +S'unknown date\n' +p165937 +sg25268 +S'Fernando as Hercules Plucking the Apples of the Hesperides [reverse]' +p165938 +sg25270 +S'Annibale Fontana' +p165939 +sa(dp165940 +g25273 +S'bronze' +p165941 +sg25267 +g27 +sg25275 +S'c. 1560' +p165942 +sg25268 +S'Giovanni Paolo Lomazzo, 1538-1600, Milanese Painter and Theorist [obverse]' +p165943 +sg25270 +S'Annibale Fontana' +p165944 +sa(dp165945 +g25273 +S'etching' +p165946 +sg25267 +g27 +sg25275 +S'1930' +p165947 +sg25268 +S'Burning Off' +p165948 +sg25270 +S'Arthur Briscoe' +p165949 +sa(dp165950 +g25273 +S'bronze' +p165951 +sg25267 +g27 +sg25275 +S'c. 1560' +p165952 +sg25268 +S'Lomazzo Presented to Mercury by Fortune [reverse]' +p165953 +sg25270 +S'Annibale Fontana' +p165954 +sa(dp165955 +g25273 +S', mid 16th century' +p165956 +sg25267 +g27 +sg25275 +S'\n' +p165957 +sg25268 +S'Giambattista Castaldi, died 1562, Count Piadena, General of Charles V [obverse]' +p165958 +sg25270 +S'Annibale Fontana' +p165959 +sa(dp165960 +g25273 +S', mid 16th century' +p165961 +sg25267 +g27 +sg25275 +S'\n' +p165962 +sg25268 +S'Castaldi in Armor with Other Figures [reverse]' +p165963 +sg25270 +S'Annibale Fontana' +p165964 +sa(dp165965 +g25273 +S', c. 1550' +p165966 +sg25267 +g27 +sg25275 +S'\n' +p165967 +sg25268 +S'Gonsalvo de Cordoba, 1443-1515, called the Great Captain [obverse]' +p165968 +sg25270 +S'Annibale Fontana' +p165969 +sa(dp165970 +g25273 +S', c. 1550' +p165971 +sg25267 +g27 +sg25275 +S'\n' +p165972 +sg25268 +S'Battle under City Walls [reverse]' +p165973 +sg25270 +S'Annibale Fontana' +p165974 +sa(dp165975 +g25273 +S'lead' +p165976 +sg25267 +g27 +sg25275 +S'1554' +p165977 +sg25268 +S"Ercole II d'Este, 1508-1559, 4th Duke of Ferrara 1534 [obverse]" +p165978 +sg25270 +S'Pompeo Leoni' +p165979 +sa(dp165980 +g25273 +S'lead' +p165981 +sg25267 +g27 +sg25275 +S'1554' +p165982 +sg25268 +S'Patience [reverse]' +p165983 +sg25270 +S'Pompeo Leoni' +p165984 +sa(dp165985 +g25268 +S'Camilla Ruggieri' +p165986 +sg25270 +S'Alfonso Ruspagiari' +p165987 +sg25273 +S'lead' +p165988 +sg25275 +S'late 16th century' +p165989 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00059/a00059cc.jpg' +p165990 +sg25267 +g27 +sa(dp165991 +g25273 +S'bronze' +p165992 +sg25267 +g27 +sg25275 +S'late 16th century' +p165993 +sg25268 +S'Camilla Ruggieri' +p165994 +sg25270 +S'Alfonso Ruspagiari' +p165995 +sa(dp165996 +g25268 +S'Self-Portrait' +p165997 +sg25270 +S'Alfonso Ruspagiari' +p165998 +sg25273 +S'lead' +p165999 +sg25275 +S'late 16th century' +p166000 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00054/a000543f.jpg' +p166001 +sg25267 +S'\r\n Portrait medals were inspired by the ancient world, in particular the Roman coins that many humanists avidly collected. In his medal Alfonso Ruspagiari refers to himself four times: with a self-portrait; with his name around the edge; with his initials under the bust; and with the Latin word \n ' +p166002 +sa(dp166003 +g25273 +S'etching' +p166004 +sg25267 +g27 +sg25275 +S'1929' +p166005 +sg25268 +S'"We\'re Bound for Rio Grande"' +p166006 +sg25270 +S'Arthur Briscoe' +p166007 +sa(dp166008 +g25268 +S'Portrait of a Lady' +p166009 +sg25270 +S'Alfonso Ruspagiari' +p166010 +sg25273 +S'lead//Cast hollow' +p166011 +sg25275 +S'late 16th century' +p166012 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00059/a00059ce.jpg' +p166013 +sg25267 +g27 +sa(dp166014 +g25268 +S'Portrait of a Lady' +p166015 +sg25270 +S'Alfonso Ruspagiari' +p166016 +sg25273 +S'lead//Cast hollow' +p166017 +sg25275 +S'late 16th century' +p166018 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00059/a000598b.jpg' +p166019 +sg25267 +g27 +sa(dp166020 +g25273 +S'lead' +p166021 +sg25267 +g27 +sg25275 +S'1560' +p166022 +sg25268 +S'Costanza Bocchi, died 1566, Wife of Gianfrancesco Malvezzi' +p166023 +sg25270 +S'Gian Antonio Signoretti' +p166024 +sa(dp166025 +g25268 +S'Gabriele Lippi of Reggio Emilia' +p166026 +sg25270 +S'Gian Antonio Signoretti' +p166027 +sg25273 +S'lead//Cast hollow' +p166028 +sg25275 +S'late 16th century' +p166029 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00059/a00059c8.jpg' +p166030 +sg25267 +g27 +sa(dp166031 +g25268 +S'Giulia Pratonieri of Reggio Emilia' +p166032 +sg25270 +S'Gian Antonio Signoretti' +p166033 +sg25273 +S'lead' +p166034 +sg25275 +S'late 16th century' +p166035 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00059/a00059cb.jpg' +p166036 +sg25267 +g27 +sa(dp166037 +g25273 +S'bronze//Cast hollow' +p166038 +sg25267 +g27 +sg25275 +S'late 16th century' +p166039 +sg25268 +S'Leonora, Wife of Giovanni Battista Cambi, called Bombarda, the Medallist' +p166040 +sg25270 +S'Giovanni Battista Cambio, called Bombarda' +p166041 +sa(dp166042 +g25273 +S'lead//Cast hollow' +p166043 +sg25267 +g27 +sg25275 +S'late 16th century' +p166044 +sg25268 +S'Isabella Mariani, Wife of Gianfrancesco Carcass' +p166045 +sg25270 +S'Giovanni Battista Cambio, called Bombarda' +p166046 +sa(dp166047 +g25273 +S'lead//Cast hollow' +p166048 +sg25267 +g27 +sg25275 +S'late 16th century' +p166049 +sg25268 +S"Anna Maurella Oldofredi d'Iseo" +p166050 +sg25270 +S'Giovanni Battista Cambio, called Bombarda' +p166051 +sa(dp166052 +g25273 +S'bronze' +p166053 +sg25267 +g27 +sg25275 +S'late 16th century' +p166054 +sg25268 +S"Anna Maurella Oldofredi d'Iseo [obverse]" +p166055 +sg25270 +S'Giovanni Battista Cambio, called Bombarda' +p166056 +sa(dp166057 +g25273 +S'bronze' +p166058 +sg25267 +g27 +sg25275 +S'late 16th century' +p166059 +sg25268 +S'The Judgment of Paris [reverse]' +p166060 +sg25270 +S'Giovanni Battista Cambio, called Bombarda' +p166061 +sa(dp166062 +g25273 +S'etching' +p166063 +sg25267 +g27 +sg25275 +S'1929' +p166064 +sg25268 +S'The Futtock Shrouds' +p166065 +sg25270 +S'Arthur Briscoe' +p166066 +sa(dp166067 +g25273 +S'lead' +p166068 +sg25267 +g27 +sg25275 +S'late 16th century' +p166069 +sg25268 +S"Anna Maurella Oldofredi d'Iseo" +p166070 +sg25270 +S'Giovanni Battista Cambio, called Bombarda' +p166071 +sa(dp166072 +g25268 +S'Violante Brasavola, Wife of Giambattista Pigna' +p166073 +sg25270 +S'Giovanni Battista Cambio, called Bombarda' +p166074 +sg25273 +S'lead' +p166075 +sg25275 +S'late 16th century' +p166076 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00059/a00059c9.jpg' +p166077 +sg25267 +g27 +sa(dp166078 +g25273 +S'lead' +p166079 +sg25267 +g27 +sg25275 +S'late 16th century' +p166080 +sg25268 +S'Portrait of a Lady, perhaps of the Family of Gabriele Fiamma' +p166081 +sg25270 +S'Giovanni Battista Cambio, called Bombarda' +p166082 +sa(dp166083 +g25273 +S'overall (diameter): 6.57 cm (2 9/16 in.)\r\ngross weight: 52.37 gr (0.115 lb.)' +p166084 +sg25267 +g27 +sg25275 +S'\nlead' +p166085 +sg25268 +S'Portrait of a Lady' +p166086 +sg25270 +S'Emilian 16th Century' +p166087 +sa(dp166088 +g25268 +S'Portrait of a Lady' +p166089 +sg25270 +S'Emilian 16th Century' +p166090 +sg25273 +S'overall (diameter): 5.54 cm (2 3/16 in.)\r\ngross weight: 19.5 gr (0.043 lb.)' +p166091 +sg25275 +S'\nlead//Cast hollow' +p166092 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00059/a00059cd.jpg' +p166093 +sg25267 +g27 +sa(dp166094 +g25273 +S'overall (diameter): 7.63 cm (3 in.)\r\ngross weight: 100.73 gr (0.222 lb.)' +p166095 +sg25267 +g27 +sg25275 +S'\nbronze' +p166096 +sg25268 +S'Portrait of a Lady' +p166097 +sg25270 +S'Emilian 16th Century' +p166098 +sa(dp166099 +g25273 +S'silver' +p166100 +sg25267 +g27 +sg25275 +S'1575' +p166101 +sg25268 +S'Maximilian II, 1527-1576, Holy Roman Emperor 1564 [obverse]' +p166102 +sg25270 +S'Antonio Abondio' +p166103 +sa(dp166104 +g25273 +S'silver' +p166105 +sg25267 +g27 +sg25275 +S'1575' +p166106 +sg25268 +S'Maria, 1528-1603, Empress 1548 [reverse]' +p166107 +sg25270 +S'Antonio Abondio' +p166108 +sa(dp166109 +g25273 +S'silver' +p166110 +sg25267 +g27 +sg25275 +S'unknown date\n' +p166111 +sg25268 +S'Rudolph II, 1552-1612, Holy Roman Emperor 1576 [obverse]' +p166112 +sg25270 +S'Antonio Abondio' +p166113 +sa(dp166114 +g25273 +S'silver' +p166115 +sg25267 +g27 +sg25275 +S'unknown date\n' +p166116 +sg25268 +S'Eagle and Radiant Wreath [reverse]' +p166117 +sg25270 +S'Antonio Abondio' +p166118 +sa(dp166119 +g25273 +S'etching' +p166120 +sg25267 +g27 +sg25275 +S'1925' +p166121 +sg25268 +S'The Capstan' +p166122 +sg25270 +S'Arthur Briscoe' +p166123 +sa(dp166124 +g25273 +S'bronze' +p166125 +sg25267 +g27 +sg25275 +S'c. 1571' +p166126 +sg25268 +S'Baron Johann von Khevenh\xc3\xbcller, 1537/1538-1606 [obverse]' +p166127 +sg25270 +S'Antonio Abondio' +p166128 +sa(dp166129 +g25273 +S'bronze' +p166130 +sg25267 +g27 +sg25275 +S'c. 1571' +p166131 +sg25268 +S'Minerva, Hercules, and Vice [reverse]' +p166132 +sg25270 +S'Antonio Abondio' +p166133 +sa(dp166134 +g25268 +S'Caterina Riva' +p166135 +sg25270 +S'Antonio Abondio' +p166136 +sg25273 +S'lead' +p166137 +sg25275 +S'c. 1560' +p166138 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00059/a00059ca.jpg' +p166139 +sg25267 +g27 +sa(dp166140 +g25273 +S'bronze' +p166141 +sg25267 +g27 +sg25275 +S'1561' +p166142 +sg25268 +S'Jacopo Antonio Sorra [obverse]' +p166143 +sg25270 +S'Antonio Abondio' +p166144 +sa(dp166145 +g25273 +S'bronze' +p166146 +sg25267 +g27 +sg25275 +S'1561' +p166147 +sg25268 +S'Sorra Shooting at a Mark [reverse]' +p166148 +sg25270 +S'Antonio Abondio' +p166149 +sa(dp166150 +g25273 +S'bronze' +p166151 +sg25267 +g27 +sg25275 +S'1572' +p166152 +sg25268 +S'Sebastian Z\xc3\xa4h, 1527-1598, Merchant and Financier [obverse]' +p166153 +sg25270 +S'Antonio Abondio' +p166154 +sa(dp166155 +g25273 +S'bronze' +p166156 +sg25267 +g27 +sg25275 +S'1572' +p166157 +sg25268 +S'Susanna Schlecht Z\xc3\xa4h, born 1541, Wife of Sebastian Z\xc3\xa4h 1560 [reverse]' +p166158 +sg25270 +S'Antonio Abondio' +p166159 +sa(dp166160 +g25273 +S'bronze' +p166161 +sg25267 +g27 +sg25275 +S'1530/1531' +p166162 +sg25268 +S'Altobello Averoldo, c. 1468-1531, Bishop of Pola, Thrice Governor of Bologna [obverse]' +p166163 +sg25270 +S'Antonio Vicentino' +p166164 +sa(dp166165 +g25273 +S'bronze' +p166166 +sg25267 +g27 +sg25275 +S'1530/1531' +p166167 +sg25268 +S'A Prince Receiving a Man with a Bridle [reverse]' +p166168 +sg25270 +S'Antonio Vicentino' +p166169 +sa(dp166170 +g25273 +S'lead' +p166171 +sg25267 +g27 +sg25275 +S'unknown date\n' +p166172 +sg25268 +S'Guido Rangoni, 1485-1539, Lord of Spilimberto [obverse]' +p166173 +sg25270 +S'Antonio Vicentino' +p166174 +sa(dp166175 +g25273 +S'etching' +p166176 +sg25267 +g27 +sg25275 +S'1927' +p166177 +sg25268 +S'Low Tide, Brixham' +p166178 +sg25270 +S'Arthur Briscoe' +p166179 +sa(dp166180 +g25273 +S'lead' +p166181 +sg25267 +g27 +sg25275 +S'unknown date\n' +p166182 +sg25268 +S'Angel Adorning a Female Figure Riding on a Bull [reverse]' +p166183 +sg25270 +S'Antonio Vicentino' +p166184 +sa(dp166185 +g25273 +S'bronze' +p166186 +sg25267 +g27 +sg25275 +S'unknown date\n' +p166187 +sg25268 +S'Argentina Pallavicini, died 1550, Wife of Guido Rangoni, Poetess and Botanist' +p166188 +sg25270 +S'Antonio Vicentino' +p166189 +sa(dp166190 +g25273 +S'bronze' +p166191 +sg25267 +g27 +sg25275 +S'1554' +p166192 +sg25268 +S'Guilia Orsini, 1537-1598, Wife of Baldossare Rangoni c. 1554 [obverse]' +p166193 +sg25270 +S'Master IAC. URB.' +p166194 +sa(dp166195 +g25273 +S'bronze' +p166196 +sg25267 +g27 +sg25275 +S'1554' +p166197 +sg25268 +S'Vase in a Landscape [reverse]' +p166198 +sg25270 +S'Master IAC. URB.' +p166199 +sa(dp166200 +g25273 +S'lead' +p166201 +sg25267 +g27 +sg25275 +S'unknown date\n' +p166202 +sg25268 +S'Benedetto Lomellini of Genoa, 1517-1579, Cardinal 1565 [obverse]' +p166203 +sg25270 +S'Medalist T.R.' +p166204 +sa(dp166205 +g25273 +S'lead' +p166206 +sg25267 +g27 +sg25275 +S'unknown date\n' +p166207 +sg25268 +S'Gentleness Standing on a Serpent [reverse]' +p166208 +sg25270 +S'Medalist T.R.' +p166209 +sa(dp166210 +g25273 +S'bronze' +p166211 +sg25267 +g27 +sg25275 +S'unknown date\n' +p166212 +sg25268 +S'Giovanni Pico della Mirandola, 1463-1494, Philosopher and Poet' +p166213 +sg25270 +S'Medalist T.R.' +p166214 +sa(dp166215 +g25268 +S'Dionisio Ratta of Bologna, died 1597 [obverse]' +p166216 +sg25270 +S'Felice Antonio Casone' +p166217 +sg25273 +S'bronze' +p166218 +sg25275 +S'1592' +p166219 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00066/a00066cb.jpg' +p166220 +sg25267 +g27 +sa(dp166221 +g25268 +S'Inscription [reverse]' +p166222 +sg25270 +S'Felice Antonio Casone' +p166223 +sg25273 +S'bronze' +p166224 +sg25275 +S'1592' +p166225 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00066/a00066cc.jpg' +p166226 +sg25267 +g27 +sa(dp166227 +g25268 +S'Lavinia Fontana, 1552-1614, Bolognese Painter [obverse]' +p166228 +sg25270 +S'Felice Antonio Casone' +p166229 +sg25273 +S'bronze' +p166230 +sg25275 +S'1611' +p166231 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00066/a00066c9.jpg' +p166232 +sg25267 +g27 +sa(dp166233 +g25273 +S'etching' +p166234 +sg25267 +g27 +sg25275 +S'1928' +p166235 +sg25268 +S'The Main Rigging' +p166236 +sg25270 +S'Arthur Briscoe' +p166237 +sa(dp166238 +g25268 +S'Lavinia Fontana Painting [reverse]' +p166239 +sg25270 +S'Felice Antonio Casone' +p166240 +sg25273 +S'bronze' +p166241 +sg25275 +S'1611' +p166242 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00066/a00066ca.jpg' +p166243 +sg25267 +g27 +sa(dp166244 +g25273 +S'bronze' +p166245 +sg25267 +g27 +sg25275 +S'unknown date\n' +p166246 +sg25268 +S'Aulus Caecina Alienus, General of Vitelius A.D. 68 [obverse]' +p166247 +sg25270 +S'Camillo Mariani' +p166248 +sa(dp166249 +g25273 +S'bronze' +p166250 +sg25267 +g27 +sg25275 +S'unknown date\n' +p166251 +sg25268 +S'Inscription [reverse]' +p166252 +sg25270 +S'Camillo Mariani' +p166253 +sa(dp166254 +g25273 +S'lead//Cast hollow' +p166255 +sg25267 +g27 +sg25275 +S'c. 1590/1600' +p166256 +sg25268 +S'Paula Carlina' +p166257 +sg25270 +S'Monogrammist A.G.' +p166258 +sa(dp166259 +g25273 +S'bronze' +p166260 +sg25267 +g27 +sg25275 +S'mid 17th century' +p166261 +sg25268 +S'Teodoro Trivulzio, 1597-1657, Prince of the Holy Roman Empire, Count of Mesocco and Valle Misolcina 1622' +p166262 +sg25270 +S'Master M.A.S.' +p166263 +sa(dp166264 +g25273 +S'bronze//Cast hollow' +p166265 +sg25267 +g27 +sg25275 +S'1640s' +p166266 +sg25268 +S'Francesco Morosini, 1618-1694, Venetian Admiral, Doge of Venice 1688' +p166267 +sg25270 +S'Johann Jakob Kornmann, called Cormano' +p166268 +sa(dp166269 +g25273 +S'bronze' +p166270 +sg25267 +g27 +sg25275 +S'1636' +p166271 +sg25268 +S'Francesco Maria Brancaccio, 1592--1675, Cardinal 1633' +p166272 +sg25270 +S'Johann Jakob Kornmann, called Cormano' +p166273 +sa(dp166274 +g25273 +S'bronze' +p166275 +sg25267 +g27 +sg25275 +S'1740' +p166276 +sg25268 +S"Johanna of Austria, 1547-1578, First Wife of Francisco I de' Medici 1565" +p166277 +sg25270 +S'Antonio Francesco Selvi' +p166278 +sa(dp166279 +g25273 +S'overall (oval): 4.24 cm (1 11/16 in.)\r\ngross weight: 44.54 gr (0.098 lb.)\r\naxis: 6:00' +p166280 +sg25267 +g27 +sg25275 +S'\nbronze' +p166281 +sg25268 +S"Maria of Aragon, after 1503-1568, Wife of Alfonso II d'Avalos [obverse]" +p166282 +sg25270 +S'Italian 16th Century' +p166283 +sa(dp166284 +g25273 +S'overall (oval): 4.24 cm (1 11/16 in.)\r\ngross weight: 44.54 gr (0.098 lb.)\r\naxis: 6:00' +p166285 +sg25267 +g27 +sg25275 +S'\nbronze' +p166286 +sg25268 +S'Assembly of the Gods [reverse]' +p166287 +sg25270 +S'Italian 16th Century' +p166288 +sa(dp166289 +g25273 +S'etching' +p166290 +sg25267 +g27 +sg25275 +S'1929' +p166291 +sg25268 +S'Refitting' +p166292 +sg25270 +S'Arthur Briscoe' +p166293 +sa(dp166294 +g25273 +S'overall (diameter): 4.92 cm (1 15/16 in.)\r\ngross weight: 23.58 gr (0.052 lb.)' +p166295 +sg25267 +g27 +sg25275 +S'\nbronze//Late chasing' +p166296 +sg25268 +S"Vittoria Colonna, c. 1490-1547, Wife of Francesco d'Avalos 1507" +p166297 +sg25270 +S'Italian 16th Century' +p166298 +sa(dp166299 +g25273 +S'overall (diameter): 6.67 cm (2 5/8 in.)\r\ngross weight: 118.47 gr (0.261 lb.)\r\naxis: 6:00' +p166300 +sg25267 +g27 +sg25275 +S'\nlead with bronze rim' +p166301 +sg25268 +S"Lucia dall'Oro, 1521-1567, Bolognese Poet, Wife of Gurone Bertano [obverse]" +p166302 +sg25270 +S'Italian 16th Century' +p166303 +sa(dp166304 +g25273 +S'overall (diameter): 6.67 cm (2 5/8 in.)\r\ngross weight: 118.47 gr (0.261 lb.)\r\naxis: 6:00' +p166305 +sg25267 +g27 +sg25275 +S'\nlead with bronze rim' +p166306 +sg25268 +S'The Three Graces [reverse]' +p166307 +sg25270 +S'Italian 16th Century' +p166308 +sa(dp166309 +g25273 +S', 1555' +p166310 +sg25267 +g27 +sg25275 +S'\n' +p166311 +sg25268 +S'Barbara Borromeo, died 1572, Wife of Camillo Gonzaga 1555 [obverse]' +p166312 +sg25270 +S'Pier Paolo Galeotti' +p166313 +sa(dp166314 +g25273 +S', 1555' +p166315 +sg25267 +g27 +sg25275 +S'\n' +p166316 +sg25268 +S'The Summits of Pindus, on Each a Flaming Vase [reverse]' +p166317 +sg25270 +S'Pier Paolo Galeotti' +p166318 +sa(dp166319 +g25273 +S', 1556' +p166320 +sg25267 +g27 +sg25275 +S'\n' +p166321 +sg25268 +S'Alessandro Caimo, Jurist of Milan [obverse]' +p166322 +sg25270 +S'Pier Paolo Galeotti' +p166323 +sa(dp166324 +g25273 +S', 1556' +p166325 +sg25267 +g27 +sg25275 +S'\n' +p166326 +sg25268 +S'Fortune Holding a Sail, and Helmeted Woman [reverse]' +p166327 +sg25270 +S'Pier Paolo Galeotti' +p166328 +sa(dp166329 +g25273 +S', c. 1550' +p166330 +sg25267 +g27 +sg25275 +S'\n' +p166331 +sg25268 +S'Girolamo Cardano, 1501-1576, Physician and Philosopher of Pavia [obverse]' +p166332 +sg25270 +S'Leone Leoni' +p166333 +sa(dp166334 +g25273 +S', c. 1550' +p166335 +sg25267 +g27 +sg25275 +S'\n' +p166336 +sg25268 +S'Vision of People Approaching a Vine [reverse]' +p166337 +sg25270 +S'Leone Leoni' +p166338 +sa(dp166339 +g25273 +S', probably 1558' +p166340 +sg25267 +g27 +sg25275 +S'\n' +p166341 +sg25268 +S'Alessandro Farnese, 1545-1592, 3rd Duke of Parma and Piacenza 1586' +p166342 +sg25270 +S'Gianpaolo Poggini' +p166343 +sa(dp166344 +g25273 +S'etching' +p166345 +sg25267 +g27 +sg25275 +S'1929' +p166346 +sg25268 +S'Brixham Trawlers' +p166347 +sg25270 +S'Arthur Briscoe' +p166348 +sa(dp166349 +g25273 +S'overall (diameter): 4.74 cm (1 7/8 in.)\r\ngross weight: 35.14 gr (0.077 lb.)\r\naxis: 12:00' +p166350 +sg25267 +g27 +sg25275 +S'\nbronze//Late cast' +p166351 +sg25268 +S'Faustina Romana (?) [obverse]' +p166352 +sg25270 +S'Italian 16th Century' +p166353 +sa(dp166354 +g25273 +S'overall (diameter): 4.74 cm (1 7/8 in.)\r\ngross weight: 35.14 gr (0.077 lb.)\r\naxis: 12:00' +p166355 +sg25267 +g27 +sg25275 +S'\nbronze//Late cast' +p166356 +sg25268 +S'Leda and the Swan [reverse]' +p166357 +sg25270 +S'Italian 16th Century' +p166358 +sa(dp166359 +g25273 +S'overall (diameter): 8.63 cm (3 3/8 in.)\r\ngross weight: 186.93 gr (0.412 lb.)' +p166360 +sg25267 +g27 +sg25275 +S'\nbronze' +p166361 +sg25268 +S'Matthias Corvinus, 1443-1490. King of Hungary 1458' +p166362 +sg25270 +S'Italian 16th Century' +p166363 +sa(dp166364 +g25268 +S"Lorenzino de' Medici, 1514-1547, Son of Pierfrancesco II [obverse]" +p166365 +sg25270 +S'Giovanni da Cavino' +p166366 +sg25273 +S'bronze//Struck' +p166367 +sg25275 +S'unknown date\n' +p166368 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a000644f.jpg' +p166369 +sg25267 +g27 +sa(dp166370 +g25268 +S'Cap of Liberty between Daggers [reverse]' +p166371 +sg25270 +S'Giovanni da Cavino' +p166372 +sg25273 +S'bronze//Struck' +p166373 +sg25275 +S'unknown date\n' +p166374 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006450.jpg' +p166375 +sg25267 +g27 +sa(dp166376 +g25273 +S'overall (diameter): 5.95 cm (2 5/16 in.)\r\ngross weight: 92.63 gr (0.204 lb.)\r\naxis: 11:00' +p166377 +sg25267 +g27 +sg25275 +S'\nbronze' +p166378 +sg25268 +S'Cornelio Musso, 1511-1574, Franciscan Monk and Bishop of Bitonto 1547 [obverse]' +p166379 +sg25270 +S'Italian 16th Century' +p166380 +sa(dp166381 +g25268 +S'Unicorn in a Landscape [reverse]' +p166382 +sg25270 +S'Italian 16th Century' +p166383 +sg25273 +S'overall (diameter): 5.95 cm (2 5/16 in.)\r\ngross weight: 92.63 gr (0.204 lb.)\r\naxis: 11:00' +p166384 +sg25275 +S'\nbronze' +p166385 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006415.jpg' +p166386 +sg25267 +g27 +sa(dp166387 +g25268 +S'Giovanni de Nores, 1489-1544, Count of Tripoli' +p166388 +sg25270 +S'Venetian 16th Century' +p166389 +sg25273 +S'overall (diameter): 9.52 cm (3 3/4 in.)\r\ngross weight: 227.78 gr (0.228 kg)' +p166390 +sg25275 +S'\nbronze' +p166391 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000e0/a000e02d.jpg' +p166392 +sg25267 +g27 +sa(dp166393 +g25273 +S'overall (oval): 3.65 ? 2.74 cm (1 7/16 ? 1 1/16 in.)\r\ngross weight: 19.26 gr (0.042 lb.)\r\naxis: 12:00' +p166394 +sg25267 +g27 +sg25275 +S'\nbronze' +p166395 +sg25268 +S'Enrico Orsini, died 1604 [obverse]' +p166396 +sg25270 +S'Italian 16th Century' +p166397 +sa(dp166398 +g25273 +S'overall (oval): 3.65 ? 2.74 cm (1 7/16 ? 1 1/16 in.)\r\ngross weight: 19.26 gr (0.042 lb.)\r\naxis: 12:00' +p166399 +sg25267 +g27 +sg25275 +S'\nbronze' +p166400 +sg25268 +S'Bees around a Hive [reverse]' +p166401 +sg25270 +S'Italian 16th Century' +p166402 +sa(dp166403 +g25273 +S'etching' +p166404 +sg25267 +g27 +sg25275 +S'1928' +p166405 +sg25268 +S'Caulking' +p166406 +sg25270 +S'Arthur Briscoe' +p166407 +sa(dp166408 +g25273 +S'overall (diameter): 5.23 cm (2 1/16 in.)\r\ngross weight: 38.24 gr (0.084 lb.)' +p166409 +sg25267 +g27 +sg25275 +S'\nbronze' +p166410 +sg25268 +S'Giulia Orsini' +p166411 +sg25270 +S'Italian 16th Century' +p166412 +sa(dp166413 +g25273 +S'overall (diameter): 9.73 cm (3 13/16 in.)\r\ngross weight: 320.65 gr (0.707 lb.)\r\naxis: 12:00' +p166414 +sg25267 +g27 +sg25275 +S'\nbronze//Much tooled' +p166415 +sg25268 +S'Girolamo Priuli, 1486-1567, Doge of Venice 1559 [obverse]' +p166416 +sg25270 +S'Italian 16th Century' +p166417 +sa(dp166418 +g25273 +S'overall (diameter): 9.73 cm (3 13/16 in.)\r\ngross weight: 320.65 gr (0.707 lb.)\r\naxis: 12:00' +p166419 +sg25267 +g27 +sg25275 +S'\nbronze' +p166420 +sg25268 +S"Alvise Diedo, 1539-1603, Scholar and Poet, Primicerius of Saint Mark's 1563 [reverse]" +p166421 +sg25270 +S'Italian 16th Century' +p166422 +sa(dp166423 +g25273 +S'overall (rectangular, maximum height and width): 6.11 ? 5.75 cm (2 3/8 ? 2 1/4 in.)\r\naxis: 9:00' +p166424 +sg25267 +g27 +sg25275 +S'\nbronze' +p166425 +sg25268 +S'Beatrice Roverella, c. 1510-1575, Wife of Paolo Manfroni and Ercole Rangone [obverse]' +p166426 +sg25270 +S'Italian 16th Century' +p166427 +sa(dp166428 +g25273 +S'overall (rectangular, maximum height and width): 6.11 ? 5.75 cm (2 3/8 ? 2 1/4 in.)\r\naxis: 9:00' +p166429 +sg25267 +g27 +sg25275 +S'\nbronze' +p166430 +sg25268 +S'Three-Masted Ship, without Sails, in a Stormy Sea [reverse]' +p166431 +sg25270 +S'Italian 16th Century' +p166432 +sa(dp166433 +g25273 +S'bronze' +p166434 +sg25267 +g27 +sg25275 +S'probably 1558' +p166435 +sg25268 +S'Tommaso Rangone, 1493-1577, Physician of Ravenna [obverse]' +p166436 +sg25270 +S'Alessandro Vittoria' +p166437 +sa(dp166438 +g25273 +S'bronze' +p166439 +sg25267 +g27 +sg25275 +S'probably 1558' +p166440 +sg25268 +S"Female Figure Placing a Wreath on an Ox's Horns [reverse]" +p166441 +sg25270 +S'Alessandro Vittoria' +p166442 +sa(dp166443 +g25273 +S'bronze' +p166444 +sg25267 +g27 +sg25275 +S'1556/1558' +p166445 +sg25268 +S'Tommaso Rangone, 1493-1577, Physician of Ravenna [obverse]' +p166446 +sg25270 +S'Alessandro Vittoria' +p166447 +sa(dp166448 +g25273 +S'bronze' +p166449 +sg25267 +g27 +sg25275 +S'1556/1558' +p166450 +sg25268 +S'Apollo Placing a Wreath on a Lion [reverse]' +p166451 +sg25270 +S'Alessandro Vittoria' +p166452 +sa(dp166453 +g25268 +S'Tommaso Rangone, 1493-1577, Physician of Ravenna [obverse]' +p166454 +sg25270 +S'Matteo Pagano, called Matteo della Fede' +p166455 +sg25273 +S', 1562' +p166456 +sg25275 +S'\n' +p166457 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00066/a00066d2.jpg' +p166458 +sg25267 +g27 +sa(dp166459 +g25273 +S'etching' +p166460 +sg25267 +g27 +sg25275 +S'1927' +p166461 +sg25268 +S'Casting Her Off' +p166462 +sg25270 +S'Arthur Briscoe' +p166463 +sa(dp166464 +g25268 +S'Jupiter as an Eagle Bringing the Infant Hercules to Juno [reverse]' +p166465 +sg25270 +S'Matteo Pagano, called Matteo della Fede' +p166466 +sg25273 +S'bronze' +p166467 +sg25275 +S'1562' +p166468 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00066/a00066d3.jpg' +p166469 +sg25267 +g27 +sa(dp166470 +g25273 +S'overall (diameter): 5.18 cm (2 1/16 in.)\r\ngross weight: 45.56 gr (0.1 lb.)\r\naxis: 11:00' +p166471 +sg25267 +g27 +sg25275 +S'\nbronze//Late cast' +p166472 +sg25268 +S'Marguerite of France, 1523-1574, Duchess of Savoy [obverse]' +p166473 +sg25270 +S'Italian 16th Century' +p166474 +sa(dp166475 +g25273 +S'overall (diameter): 5.18 cm (2 1/16 in.)\r\ngross weight: 45.56 gr (0.1 lb.)\r\naxis: 11:00' +p166476 +sg25267 +g27 +sg25275 +S'\nbronze//Late cast' +p166477 +sg25268 +S'Marguerite of France, 1523-1574, Duchess of Savoy [reverse]' +p166478 +sg25270 +S'Italian 16th Century' +p166479 +sa(dp166480 +g25273 +S'overall (diameter): 6.35 cm (2 1/2 in.)\r\ngross weight: 110.33 gr (0.243 lb.)\r\naxis: 12:00' +p166481 +sg25267 +g27 +sg25275 +S'\nbronze' +p166482 +sg25268 +S'Marcantonio Trevisan, c. 1475-1554, Doge of Venice 1553 [obverse]' +p166483 +sg25270 +S'Italian 16th Century' +p166484 +sa(dp166485 +g25273 +S'overall (diameter): 6.35 cm (2 1/2 in.)\r\ngross weight: 110.33 gr (0.243 lb.)\r\naxis: 12:00' +p166486 +sg25267 +g27 +sg25275 +S'\nbronze' +p166487 +sg25268 +S'Inscription in a Wreath [reverse]' +p166488 +sg25270 +S'Italian 16th Century' +p166489 +sa(dp166490 +g25273 +S', c. 1548' +p166491 +sg25267 +g27 +sg25275 +S'\n' +p166492 +sg25268 +S'Gianfrancesco Trivulzio, 1504-1573, Marquess of Vigevano 1518 and Count of Mesocco 1518-1549 [obverse]' +p166493 +sg25270 +S'Pier Paolo Galeotti' +p166494 +sa(dp166495 +g25273 +S', c. 1548' +p166496 +sg25267 +g27 +sg25275 +S'\n' +p166497 +sg25268 +S'Fortune on a Dolphin [reverse]' +p166498 +sg25270 +S'Pier Paolo Galeotti' +p166499 +sa(dp166500 +g25273 +S'overall (diameter): 4.7 cm (1 7/8 in.)\r\ngross weight: 36 gr (0.079 lb.)\r\naxis: 6:00' +p166501 +sg25267 +g27 +sg25275 +S'\nbronze' +p166502 +sg25268 +S'Laura Gonzaga Trivulzio [obverse]' +p166503 +sg25270 +S'Italian 16th Century' +p166504 +sa(dp166505 +g25273 +S'overall (diameter): 4.7 cm (1 7/8 in.)\r\ngross weight: 36 gr (0.079 lb.)\r\naxis: 6:00' +p166506 +sg25267 +g27 +sg25275 +S'\nbronze' +p166507 +sg25268 +S'River-god Mincio [reverse]' +p166508 +sg25270 +S'Italian 16th Century' +p166509 +sa(dp166510 +g25268 +S'Andrea Della Valle, 1463-1534, Patron and Collector, Cardinal 1517 [obverse]' +p166511 +sg25270 +S'Italian 16th Century' +p166512 +sg25273 +S'overall (diameter): 3.95 cm (1 9/16 in.)\r\ngross weight: 27.92 gr (0.062 lb.)\r\naxis: 6:00' +p166513 +sg25275 +S'\nbronze' +p166514 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005b/a0005bc8.jpg' +p166515 +sg25267 +g27 +sa(dp166516 +g25273 +S'etching' +p166517 +sg25267 +g27 +sg25275 +S'1926' +p166518 +sg25268 +S'The Trawler' +p166519 +sg25270 +S'Arthur Briscoe' +p166520 +sa(dp166521 +g25268 +S'Faith Pointing to Heaven [reverse]' +p166522 +sg25270 +S'Italian 16th Century' +p166523 +sg25273 +S'overall (diameter): 3.95 cm (1 9/16 in.)\r\ngross weight: 27.92 gr (0.062 lb.)\r\naxis: 6:00' +p166524 +sg25275 +S'\nbronze' +p166525 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005b/a0005bc9.jpg' +p166526 +sg25267 +g27 +sa(dp166527 +g25273 +S'overall (diameter): 6.1 cm (2 3/8 in.)\r\ngross weight: 88.44 gr\r\naxis: 6:00' +p166528 +sg25267 +g27 +sg25275 +S'\nbronze' +p166529 +sg25268 +S'Pierio Valeriano Bolzanio, 1477-1558, Philologist and Tutor' +p166530 +sg25270 +S'Italian 16th Century' +p166531 +sa(dp166532 +g25273 +S'overall (diameter): 6.1 cm (2 3/8 in.)\r\ngross weight: 88.44 gr (0.195 lb.)\r\naxis: 6:00' +p166533 +sg25267 +g27 +sg25275 +S'\nbronze' +p166534 +sg25268 +S'Mercury and a Broken Obelisk [reverse]' +p166535 +sg25270 +S'Italian 16th Century' +p166536 +sa(dp166537 +g25273 +S', probably 1555' +p166538 +sg25267 +g27 +sg25275 +S'\n' +p166539 +sg25268 +S'Nicola Vicentino, 1511-c. 1576, Composer and Musical Theorist [obverse]' +p166540 +sg25270 +S'Alessandro Vittoria' +p166541 +sa(dp166542 +g25273 +S', probably 1555' +p166543 +sg25267 +g27 +sg25275 +S'\n' +p166544 +sg25268 +S'Organ and Cymbalum [reverse]' +p166545 +sg25270 +S'Alessandro Vittoria' +p166546 +sa(dp166547 +g25273 +S'overall (diameter): 4.12 cm (1 5/8 in.)\r\ngross weight: 21.34 gr (0.047 lb.)\r\naxis: 11:00' +p166548 +sg25267 +g27 +sg25275 +S'\nbronze' +p166549 +sg25268 +S'Calidonia Visconti Cavanago, Wife of Lucio Cavanago [obverse]' +p166550 +sg25270 +S'Italian 16th Century' +p166551 +sa(dp166552 +g25273 +S'overall (diameter): 4.12 cm (1 5/8 in.)\r\ngross weight: 21.34 gr (0.047 lb.)\r\naxis: 11:00' +p166553 +sg25267 +g27 +sg25275 +S'\nbronze' +p166554 +sg25268 +S'Eagle Looking at the Sun [reverse]' +p166555 +sg25270 +S'Italian 16th Century' +p166556 +sa(dp166557 +g25273 +S'overall (diameter): 6.98 cm (2 3/4 in.)\r\ngross weight: 76.73 gr (0.169 lb.)\r\naxis: 1:00' +p166558 +sg25267 +g27 +sg25275 +S'\nbronze' +p166559 +sg25268 +S'Carlo Visconti, 1523-1565, Cardinal 1565 [obverse]' +p166560 +sg25270 +S'Italian 16th Century' +p166561 +sa(dp166562 +g25273 +S'overall (diameter): 6.98 cm (2 3/4 in.)\r\ngross weight: 76.73 gr (0.169 lb.)\r\naxis: 1:00' +p166563 +sg25267 +g27 +sg25275 +S'\nbronze' +p166564 +sg25268 +S'Stalk of Branching Coral [reverse]' +p166565 +sg25270 +S'Italian 16th Century' +p166566 +sa(dp166567 +g25273 +S'overall (diameter): 6.78 cm (2 11/16 in.)\r\ngross weight: 59.74 gr (0.132 lb.)' +p166568 +sg25267 +g27 +sg25275 +S'\nbronze//Three times pierced' +p166569 +sg25268 +S'Portrait of a Lady' +p166570 +sg25270 +S'North Italian 16th Century' +p166571 +sa(dp166572 +g25273 +S'etching' +p166573 +sg25267 +g27 +sg25275 +S'1928' +p166574 +sg25268 +S'In Dry Dock' +p166575 +sg25270 +S'Arthur Briscoe' +p166576 +sa(dp166577 +g25273 +S'overall (diameter): 8.09 cm (3 3/16 in.)\r\ngross weight: 110.55 gr (0.244 lb.)' +p166578 +sg25267 +g27 +sg25275 +S'\nbronze' +p166579 +sg25268 +S'Portrait of a Lady' +p166580 +sg25270 +S'North Italian 16th Century' +p166581 +sa(dp166582 +g25273 +S'overall (diameter): 5.74 cm (2 1/4 in.)\r\ngross weight: 75.99 gr (0.168 lb.)' +p166583 +sg25267 +g27 +sg25275 +S'\nbronze' +p166584 +sg25268 +S'Portrait of a Lady' +p166585 +sg25270 +S'Italian 16th Century' +p166586 +sa(dp166587 +g25273 +S'overall (diameter): 6.34 cm (2 1/2 in.)\r\ngross weight: 117.01 gr (0.258 lb.)' +p166588 +sg25267 +g27 +sg25275 +S'\nbronze//Cast hollow' +p166589 +sg25268 +S'Portrait of a Lady' +p166590 +sg25270 +S'Italian 16th Century' +p166591 +sa(dp166592 +g25273 +S'overall (irregular): 9.35 ? 6.24 cm (3 11/16 ? 2 7/16 in.)\r\ngross weight: 115.32 gr (0.115 kg)' +p166593 +sg25267 +g27 +sg25275 +S'\nbronze//Cast hollow, without background' +p166594 +sg25268 +S'A Turk' +p166595 +sg25270 +S'Italian 16th Century' +p166596 +sa(dp166597 +g25273 +S'bronze' +p166598 +sg25267 +g27 +sg25275 +S'probably 1500/1599' +p166599 +sg25268 +S'Antinous [obverse]' +p166600 +sg25270 +S'Italian 16th Century' +p166601 +sa(dp166602 +g25273 +S'bronze' +p166603 +sg25267 +g27 +sg25275 +S'probably 1500/1599' +p166604 +sg25268 +S'Antinous on a Griffin [reverse]' +p166605 +sg25270 +S'Italian 16th Century' +p166606 +sa(dp166607 +g25273 +S'bronze' +p166608 +sg25267 +g27 +sg25275 +S'1541' +p166609 +sg25268 +S'Eternity [obverse]' +p166610 +sg25270 +S'Andrea Spinelli' +p166611 +sa(dp166612 +g25273 +S'bronze' +p166613 +sg25267 +g27 +sg25275 +S'1541' +p166614 +sg25268 +S'Fame [reverse]' +p166615 +sg25270 +S'Andrea Spinelli' +p166616 +sa(dp166617 +g25273 +S'bronze' +p166618 +sg25267 +g27 +sg25275 +S'probably 1423' +p166619 +sg25268 +S'Enrico Ambanelli' +p166620 +sg25270 +S'Italian 16th Century' +p166621 +sa(dp166622 +g25273 +S'bronze' +p166623 +sg25267 +g27 +sg25275 +S'16th century' +p166624 +sg25268 +S'Caterina Capalla [obverse]' +p166625 +sg25270 +S'Italian 16th Century' +p166626 +sa(dp166627 +g25273 +S'etching' +p166628 +sg25267 +g27 +sg25275 +S'1927' +p166629 +sg25268 +S'Mooring Her' +p166630 +sg25270 +S'Arthur Briscoe' +p166631 +sa(dp166632 +g25273 +S'bronze' +p166633 +sg25267 +g27 +sg25275 +S'16th century' +p166634 +sg25268 +S'Stalk of Branching Coral [reverse]' +p166635 +sg25270 +S'Italian 16th Century' +p166636 +sa(dp166637 +g25273 +S'bronze' +p166638 +sg25267 +g27 +sg25275 +S'16th century' +p166639 +sg25268 +S'Filippo Cassoli, died 1391, Jurist, Diplomat, and Teacher [obverse]' +p166640 +sg25270 +S'Italian 16th Century' +p166641 +sa(dp166642 +g25273 +S'bronze' +p166643 +sg25267 +g27 +sg25275 +S'16th century' +p166644 +sg25268 +S'Man Walking on Town Walls [reverse]' +p166645 +sg25270 +S'Italian 16th Century' +p166646 +sa(dp166647 +g25273 +S'bronze' +p166648 +sg25267 +g27 +sg25275 +S'16th century' +p166649 +sg25268 +S'Elvira, Daughter of Consalvo de C\xc3\xb3rdoba [obverse]' +p166650 +sg25270 +S'Italian 16th Century' +p166651 +sa(dp166652 +g25273 +S'bronze' +p166653 +sg25267 +g27 +sg25275 +S'16th century' +p166654 +sg25268 +S'Time Carrying a Scythe [reverse]' +p166655 +sg25270 +S'Italian 16th Century' +p166656 +sa(dp166657 +g25273 +S'bronze' +p166658 +sg25267 +g27 +sg25275 +S'16th century' +p166659 +sg25268 +S'Euclid [obverse]' +p166660 +sg25270 +S'Italian 16th Century' +p166661 +sa(dp166662 +g25273 +S'bronze' +p166663 +sg25267 +g27 +sg25275 +S'16th century' +p166664 +sg25268 +S'Inscription [reverse]' +p166665 +sg25270 +S'Italian 16th Century' +p166666 +sa(dp166667 +g25273 +S'Italian, 1430 - 1514' +p166668 +sg25267 +g27 +sg25275 +S'(related artist)' +p166669 +sg25268 +S'Nicol\xc3\xb2 Gander' +p166670 +sg25270 +S'Artist Information (' +p166671 +sa(dp166672 +g25273 +S'overall (diameter): 9.55 cm (3 3/4 in.)\r\ngross weight: 304.73 gr (0.672 lb.)\r\naxis: 12:00' +p166673 +sg25267 +g27 +sg25275 +S'\nbronze' +p166674 +sg25268 +S'Constantine the Great, Roman Emperor 307-337 [obverse]' +p166675 +sg25270 +S'Parisian 15th Century' +p166676 +sa(dp166677 +g25273 +S'overall (diameter): 9.55 cm (3 3/4 in.)\r\ngross weight: 304.73 gr (0.672 lb.)\r\naxis: 12:00' +p166678 +sg25267 +g27 +sg25275 +S'\nbronze' +p166679 +sg25268 +S'The Church and Paganism Beside the Fountain of Life [reverse]' +p166680 +sg25270 +S'Parisian 15th Century' +p166681 +sa(dp166682 +g25273 +S'etching' +p166683 +sg25267 +g27 +sg25275 +S'1929' +p166684 +sg25268 +S'The Main Brace' +p166685 +sg25270 +S'Arthur Briscoe' +p166686 +sa(dp166687 +g25273 +S'overall (diameter): 9.76 cm (3 13/16 in.)\r\ngross weight: 228.73 gr (0.504 lb.)\r\naxis: 11:00' +p166688 +sg25267 +g27 +sg25275 +S'\nbronze' +p166689 +sg25268 +S'Heraclius I, c. 575-641, Roman Emperor 610 [obverse]' +p166690 +sg25270 +S'Parisian 15th Century' +p166691 +sa(dp166692 +g25273 +S'overall (diameter): 9.76 cm (3 13/16 in.)\r\ngross weight: 228.73 gr (0.504 lb.)\r\naxis: 11:00' +p166693 +sg25267 +g27 +sg25275 +S'\nbronze' +p166694 +sg25268 +S'Heraclius I in a Car Drawn by Three Horses [reverse]' +p166695 +sg25270 +S'Parisian 15th Century' +p166696 +sa(dp166697 +g25273 +S'(artist)' +p166698 +sg25267 +g27 +sg25275 +S'\n' +p166699 +sg25268 +S'Charles VIII, 1470-1498, King of France 1483 [obverse]' +p166700 +sg25270 +S'Artist Information (' +p166701 +sa(dp166702 +g25273 +S'(artist)' +p166703 +sg25267 +g27 +sg25275 +S'\n' +p166704 +sg25268 +S'Anne of Brittany, 1477-1514, Wife of Charles VIII 1491 [reverse]' +p166705 +sg25270 +S'Artist Information (' +p166706 +sa(dp166707 +g25273 +S'(artist)' +p166708 +sg25267 +g27 +sg25275 +S'\n' +p166709 +sg25268 +S'Louis XII, 1462-1515, King of France 1498 [obverse]' +p166710 +sg25270 +S'Artist Information (' +p166711 +sa(dp166712 +g25273 +S'(artist)' +p166713 +sg25267 +g27 +sg25275 +S'\n' +p166714 +sg25268 +S'Anne of Brittany, 1477-1514, Wife of Louis XII 1498 [reverse]' +p166715 +sg25270 +S'Artist Information (' +p166716 +sa(dp166717 +g25273 +S'bronze' +p166718 +sg25267 +g27 +sg25275 +S'1502' +p166719 +sg25268 +S'Filiberto II le Beau (the Fair), 1480-1504, 8th Duke of Savoy 1497, and Margaret of Austria, 1480-1530, His Wife [obverse]' +p166720 +sg25270 +S'Jean Marende' +p166721 +sa(dp166722 +g25273 +S'bronze' +p166723 +sg25267 +g27 +sg25275 +S'1502' +p166724 +sg25268 +S'Arms of Filiberto Impaling Those of Margaret [reverse]' +p166725 +sg25270 +S'Jean Marende' +p166726 +sa(dp166727 +g25273 +S'overall (diameter): 6.02 cm (2 3/8 in.)\r\ngross weight: 52.06 gr (0.115 lb.)' +p166728 +sg25267 +g27 +sg25275 +S'\nbronze' +p166729 +sg25268 +S'Louis XII, 1462-1515, King of France 1498' +p166730 +sg25270 +S'French 16th Century' +p166731 +sa(dp166732 +g25273 +S'bronze//Later cast' +p166733 +sg25267 +g27 +sg25275 +S'1518' +p166734 +sg25268 +S'Jean de Talaru, died 1550, Canon of Fourvi\xc3\xa8re 1517' +p166735 +sg25270 +S'Medalist of 1518' +p166736 +sa(dp166737 +g25273 +S'etching' +p166738 +sg25267 +g27 +sg25275 +S'1925' +p166739 +sg25268 +S'Clewlines and Buntlines' +p166740 +sg25270 +S'Arthur Briscoe' +p166741 +sa(dp166742 +g25273 +S'bronze' +p166743 +sg25267 +g27 +sg25275 +S'1518' +p166744 +sg25268 +S'Jacques de Vitry-La Li\xc3\xa8re, died 1515, Canon, Dean, and Chancellor [obverse]' +p166745 +sg25270 +S'Medalist of 1518' +p166746 +sa(dp166747 +g25273 +S'bronze' +p166748 +sg25267 +g27 +sg25275 +S'1518' +p166749 +sg25268 +S'Putto Holding Arms of Vitry [reverse]' +p166750 +sg25270 +S'Medalist of 1518' +p166751 +sa(dp166752 +g25268 +S'Antonio Gonzalo de Toledo, c. 1480/1483-1524, Physician at Lyon [obverse]' +p166753 +sg25270 +S'Medalist of 1518' +p166754 +sg25273 +S'bronze' +p166755 +sg25275 +S'1518' +p166756 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006416.jpg' +p166757 +sg25267 +g27 +sa(dp166758 +g25268 +S'Woman Sitting on a Saddle [reverse]' +p166759 +sg25270 +S'Medalist of 1518' +p166760 +sg25273 +S'bronze' +p166761 +sg25275 +S'1518' +p166762 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006417.jpg' +p166763 +sg25267 +g27 +sa(dp166764 +g25273 +S'bronze' +p166765 +sg25267 +g27 +sg25275 +S'1517' +p166766 +sg25268 +S'Bartolomeo Panciatichi, 1468-1533, Merchant [obverse]' +p166767 +sg25270 +S'Jacques Gauvain' +p166768 +sa(dp166769 +g25273 +S'bronze' +p166770 +sg25267 +g27 +sg25275 +S'1517' +p166771 +sg25268 +S'Arms of Panciatichi [reverse]' +p166772 +sg25270 +S'Jacques Gauvain' +p166773 +sa(dp166774 +g25273 +g27 +sg25267 +g27 +sg25275 +S'(sculptor)' +p166775 +sg25268 +S'Tommaso Guadagni, 1454-1533, Banker, Florentine Consul at Lyon 1505, Municipal Counselor 1506-1527, Counselor to Fran\xc3\xa7ois I 1523 [obverse]' +p166776 +sg25270 +S'Artist Information (' +p166777 +sa(dp166778 +g25273 +g27 +sg25267 +g27 +sg25275 +S'(sculptor)' +p166779 +sg25268 +S'Arms of Gaudagni [reverse]' +p166780 +sg25270 +S'Artist Information (' +p166781 +sa(dp166782 +g25273 +S', probably 1538/1544' +p166783 +sg25267 +g27 +sg25275 +S'\n' +p166784 +sg25268 +S'Fran\xc3\xa7ois I, 1494-1547, King of France 1515' +p166785 +sg25270 +S'Matteo del Nassaro' +p166786 +sa(dp166787 +g25273 +S'silver' +p166788 +sg25267 +g27 +sg25275 +S'1537' +p166789 +sg25268 +S'Fran\xc3\xa7ois I, 1494-1547, King of France 1515 [obverse]' +p166790 +sg25270 +S'Ludwig Neufahrer' +p166791 +sa(dp166792 +g25273 +S'etching' +p166793 +sg25267 +g27 +sg25275 +S'1929' +p166794 +sg25268 +S'Make Fast' +p166795 +sg25270 +S'Arthur Briscoe' +p166796 +sa(dp166797 +g25273 +S'silver' +p166798 +sg25267 +g27 +sg25275 +S'1537' +p166799 +sg25268 +S'Salamander in Flames [reverse]' +p166800 +sg25270 +S'Ludwig Neufahrer' +p166801 +sa(dp166802 +g25273 +S'overall (diameter): 3.97 cm (1 9/16 in.)\r\ngross weight: 33.16 gr (0.073 lb.)\r\naxis: 5:00' +p166803 +sg25267 +g27 +sg25275 +S'\nbronze//Struck' +p166804 +sg25268 +S'Fran\xc3\xa7ois I, 1494-1547, King of France 1515 [obverse]' +p166805 +sg25270 +S'Italian 16th Century' +p166806 +sa(dp166807 +g25273 +S'overall (diameter): 3.97 cm (1 9/16 in.)\r\ngross weight: 33.16 gr (0.073 lb.)\r\naxis: 5:00' +p166808 +sg25267 +g27 +sg25275 +S'\nbronze//Struck' +p166809 +sg25268 +S'Unicorn Before a High Rock [reverse]' +p166810 +sg25270 +S'Italian 16th Century' +p166811 +sa(dp166812 +g25273 +S'overall (diameter): 5.32 cm (2 1/8 in.)\r\ngross weight: 63.09 gr (0.139 lb.)' +p166813 +sg25267 +g27 +sg25275 +S'\nbronze' +p166814 +sg25268 +S'Fran\xc3\xa7ois,1517-1536, Dauphin of France, Duke of Brittany 1532' +p166815 +sg25270 +S'French 16th Century' +p166816 +sa(dp166817 +g25273 +S'overall (diameter): 4.23 cm (1 11/16 in.)\r\ngross weight: 28.42 gr (0.063 lb.)\r\naxis: 12:00' +p166818 +sg25267 +g27 +sg25275 +S'\ngilt bronze' +p166819 +sg25268 +S'Antoine, 1489-1544, Duke of Lorraine and Bar 1508 [obverse]' +p166820 +sg25270 +S'French 16th Century' +p166821 +sa(dp166822 +g25273 +S'overall (diameter): 4.23 cm (1 11/16 in.)\r\ngross weight: 28.42 gr (0.063 lb.)\r\naxis: 12:00' +p166823 +sg25267 +g27 +sg25275 +S'\ngilt bronze' +p166824 +sg25268 +S'Ren\xc3\xa9e de Bourbon, died 1539, Wife of Antoine, Duke of Lorraine and Bar, 1515 [reverse]' +p166825 +sg25270 +S'French 16th Century' +p166826 +sa(dp166827 +g25273 +S'bronze' +p166828 +sg25267 +g27 +sg25275 +S'unknown date\n' +p166829 +sg25268 +S'Portrait of a Man [obverse]' +p166830 +sg25270 +S'Regnault Danet' +p166831 +sa(dp166832 +g25273 +S'bronze' +p166833 +sg25267 +g27 +sg25275 +S'unknown date\n' +p166834 +sg25268 +S'Portrait of a Woman [reverse]' +p166835 +sg25270 +S'Regnault Danet' +p166836 +sa(dp166837 +g25273 +S'silver//Struck' +p166838 +sg25267 +g27 +sg25275 +S'1552' +p166839 +sg25268 +S'Henri II, 1519-1559, King of France 1547 [obverse]' +p166840 +sg25270 +S'Etienne Delaune' +p166841 +sa(dp166842 +g25273 +S'silver//Struck' +p166843 +sg25267 +g27 +sg25275 +S'1552' +p166844 +sg25268 +S'Victory [reverse]' +p166845 +sg25270 +S'Etienne Delaune' +p166846 +sa(dp166847 +g25273 +S'etching' +p166848 +sg25267 +g27 +sg25275 +S'1926' +p166849 +sg25268 +S'The Heaving Line' +p166850 +sg25270 +S'Arthur Briscoe' +p166851 +sa(dp166852 +g25273 +S'bronze//Late cast' +p166853 +sg25267 +g27 +sg25275 +S'unknown date\n' +p166854 +sg25268 +S'Henri II, 1519-1559, King of France 1547 [obverse]' +p166855 +sg25270 +S'Etienne Delaune' +p166856 +sa(dp166857 +g25273 +S'bronze//Late cast' +p166858 +sg25267 +g27 +sg25275 +S'unknown date\n' +p166859 +sg25268 +S'Fame, Abundance, Victory [reverse]' +p166860 +sg25270 +S'Etienne Delaune' +p166861 +sa(dp166862 +g25273 +S'lead' +p166863 +sg25267 +g27 +sg25275 +S'unknown date\n' +p166864 +sg25268 +S'Mary Stuart, Queen of Scots, 1542-1587' +p166865 +sg25270 +S'Jacopo Primavera' +p166866 +sa(dp166867 +g25273 +S'bronze' +p166868 +sg25267 +g27 +sg25275 +S'1566' +p166869 +sg25268 +S'Simon Costi\xc3\xa8re of Lyon, 1469-after 1572, Goldsmith and Jeweler' +p166870 +sg25270 +S'Pierre II Woeiriot de Bouzey' +p166871 +sa(dp166872 +g25273 +S'overall (diameter): 4.91 cm (1 15/16 in.)\r\ngross weight: 37.78 gr (0.083 lb.)\r\naxis: 1:00' +p166873 +sg25267 +g27 +sg25275 +S'\nbronze//Late cast' +p166874 +sg25268 +S'Henri II, 1519-1559, King of France 1547 [obverse]' +p166875 +sg25270 +S'French 16th Century' +p166876 +sa(dp166877 +g25273 +S'overall (diameter): 4.91 cm (1 15/16 in.)\r\ngross weight: 37.78 gr (0.083 lb.)\r\naxis: 1:00' +p166878 +sg25267 +g27 +sg25275 +S'\nbronze//Late cast' +p166879 +sg25268 +S'Perseus Rescuing Andromeda [reverse]' +p166880 +sg25270 +S'French 16th Century' +p166881 +sa(dp166882 +g25273 +S'overall (diameter): 3.84 cm (1 1/2 in.)\r\ngross weight: 19.87 gr (0.044 lb.)' +p166883 +sg25267 +g27 +sg25275 +S'\nbronze' +p166884 +sg25268 +S'Fran\xc3\xa7ois I, Henri II, and Fran\xc3\xa7ois II, Kings of France 1515-1547, 1547-1599, and 1599-1560' +p166885 +sg25270 +S'French 16th Century' +p166886 +sa(dp166887 +g25273 +S'overall (diameter): 9.28 cm (3 5/8 in.)\r\ngross weight: 107.99 gr (0.238 lb.)' +p166888 +sg25267 +g27 +sg25275 +S'\nlead//Cast hollow' +p166889 +sg25268 +S"Catherine de' Medici, 1519-1559, Wife of Henri II of France 1533" +p166890 +sg25270 +S'French 16th Century' +p166891 +sa(dp166892 +g25273 +g27 +sg25267 +g27 +sg25275 +S'(sculptor)' +p166893 +sg25268 +S'Isabelle de Valois, 1545-1568, Third Wife of Philip II of Spain' +p166894 +sg25270 +S'Artist Information (' +p166895 +sa(dp166896 +g25273 +S'overall (diameter): 9.22 cm (3 5/8 in.)\r\ngross weight: 116.66 gr (0.257 lb.)' +p166897 +sg25267 +g27 +sg25275 +S'\nlead//Cast hollow' +p166898 +sg25268 +S'Charles IX, 1550-1574, King of France 1560' +p166899 +sg25270 +S'French 16th Century' +p166900 +sa(dp166901 +g25273 +S'etching' +p166902 +sg25267 +g27 +sg25275 +S'1926' +p166903 +sg25268 +S'Man Overboard' +p166904 +sg25270 +S'Arthur Briscoe' +p166905 +sa(dp166906 +g25273 +S'overall (diameter): 4.87 cm (1 15/16 in.)\r\ngross weight: 38.83 gr (0.086 lb.)\r\naxis: 12:00' +p166907 +sg25267 +g27 +sg25275 +S'\nsilver//Modern strike' +p166908 +sg25268 +S'Charles III de Lorraine, 1543-1608, Duke de Guise [obverse]' +p166909 +sg25270 +S'French 16th Century' +p166910 +sa(dp166911 +g25273 +S'overall (diameter): 4.87 cm (1 15/16 in.)\r\ngross weight: 38.83 gr (0.086 lb.)\r\naxis: 12:00' +p166912 +sg25267 +g27 +sg25275 +S'\nsilver//Modern strike' +p166913 +sg25268 +S'A Man Ploughing [reverse]' +p166914 +sg25270 +S'French 16th Century' +p166915 +sa(dp166916 +g25273 +S'overall (diameter): 5.31 cm (2 1/16 in.)\r\ngross weight: 49.05 gr (0.108 lb.)\r\naxis: 12:00' +p166917 +sg25267 +g27 +sg25275 +S'\nbronze//Late cast' +p166918 +sg25268 +S'Diane de Poitiers, 1499-1566, Wife of Louis de Breze, Duchess of Valentinois 1548 [obverse]' +p166919 +sg25270 +S'French 16th Century' +p166920 +sa(dp166921 +g25273 +S'overall (diameter): 5.31 cm (2 1/16 in.)\r\ngross weight: 49.05 gr (0.108 lb.)\r\naxis: 12:00' +p166922 +sg25267 +g27 +sg25275 +S'\nbronze//Late cast' +p166923 +sg25268 +S'Trampling on Cupid [reverse]' +p166924 +sg25270 +S'French 16th Century' +p166925 +sa(dp166926 +g25273 +S'overall (diameter): 3.54 cm (1 3/8 in.)\r\ngross weight: 15.61 gr (0.034 lb.)\r\naxis: 12:00' +p166927 +sg25267 +g27 +sg25275 +S'\nbronze' +p166928 +sg25268 +S"Michel de l'H\xc3\xb4pital, 1505/1506-1573, Chancellor of France 1560-1568 [obverse]" +p166929 +sg25270 +S'French 16th Century' +p166930 +sa(dp166931 +g25273 +S'overall (diameter): 3.54 cm (1 3/8 in.)\r\ngross weight: 15.61 gr (0.034 lb.)\r\naxis: 12:00' +p166932 +sg25267 +g27 +sg25275 +S'\nbronze' +p166933 +sg25268 +S'Lightning Striking a Tower in the Sea [reverse]' +p166934 +sg25270 +S'French 16th Century' +p166935 +sa(dp166936 +g25273 +S'overall (diameter): 5.45 cm (2 1/8 in.)\r\ngross weight: 81.75 gr (0.18 lb.)\r\naxis: 6:00' +p166937 +sg25267 +g27 +sg25275 +S'\nbronze' +p166938 +sg25268 +S'Anne de Montmorency, 1493-1567, Constable of France 1538 [obverse]' +p166939 +sg25270 +S'French 16th Century' +p166940 +sa(dp166941 +g25273 +S'overall (diameter): 5.45 cm (2 1/8 in.)\r\ngross weight: 81.75 gr (0.18 lb.)\r\naxis: 6:00' +p166942 +sg25267 +g27 +sg25275 +S'\nbronze' +p166943 +sg25268 +S'Prudence, Courage and Fortune [reverse]' +p166944 +sg25270 +S'French 16th Century' +p166945 +sa(dp166946 +g25273 +S'overall (height with suspension loop): 7.43 cm (2 15/16 in.)\r\noverall (diameter without loop): 6.74 cm (2 5/8 in.)\r\ngross weight: 57.98 gr (0.128 lb.)' +p166947 +sg25267 +g27 +sg25275 +S'\nbronze//With loop' +p166948 +sg25268 +S'Jean Viret, died 1583, Scholar and Mathematician' +p166949 +sg25270 +S'French 16th Century' +p166950 +sa(dp166951 +g25273 +S'silver//Struck' +p166952 +sg25267 +g27 +sg25275 +S'1610' +p166953 +sg25268 +S'Louis XIII, 1601-1643, King of France 1610 [obverse]' +p166954 +sg25270 +S'Nicolas Briot' +p166955 +sa(dp166956 +g25268 +S'Saint Jerome Reading' +p166957 +sg25270 +S'Alvise Vivarini' +p166958 +sg25273 +S'tempera on panel' +p166959 +sg25275 +S'c. 1476' +p166960 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a00007d8.jpg' +p166961 +sg25267 +g27 +sa(dp166962 +g25273 +S'etching' +p166963 +sg25267 +g27 +sg25275 +S'1928' +p166964 +sg25268 +S'Securing the Boat' +p166965 +sg25270 +S'Arthur Briscoe' +p166966 +sa(dp166967 +g25273 +S'silver//Struck' +p166968 +sg25267 +g27 +sg25275 +S'1610' +p166969 +sg25268 +S'Hand Holding Sacred Ampulla over Rheims [reverse]' +p166970 +sg25270 +S'Nicolas Briot' +p166971 +sa(dp166972 +g25268 +S"Henri IV, 1553-1610, King of France 1589, and Marie de' Medici, 1573-1642, His Wife 1600 [obverse]" +p166973 +sg25270 +S'Guillaume Dupr\xc3\xa9' +p166974 +sg25273 +S'gilt bronze//With loop' +p166975 +sg25275 +S'1603' +p166976 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002dad.jpg' +p166977 +sg25267 +S"In contrast to the more personal significance of Pisanello's \n On the reverse, the distinctive profiles of the two rulers are recognizable in the two standing\nfigures holding hands. These represent Henri as Mars, the god of war, and Marie as Pallas, the\ngoddess of wisdom and the arts. Beneath their clasped hands stands the young child, their son\nLouis. The inscription around the top, PROPAGO IMPERI, "the offspring of the\nempire," reflects the dynastic aspirations of Henri and Marie, based on their hopes for\nyoung Louis' future.\n " +p166978 +sa(dp166979 +g25268 +S'Louis XIII as Dauphin between Henri IV as Mars and Marie as Pallas Athena [reverse]' +p166980 +sg25270 +S'Guillaume Dupr\xc3\xa9' +p166981 +sg25273 +S'gilt bronze//With loop' +p166982 +sg25275 +S'1603' +p166983 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002dae.jpg' +p166984 +sg25267 +g27 +sa(dp166985 +g25273 +S'bronze' +p166986 +sg25267 +g27 +sg25275 +S'1607' +p166987 +sg25268 +S'Jean-Louis de Nogaret de la Valette, 1554-1642, Duke of Epernon, Colonel General of Infantry [obverse]' +p166988 +sg25270 +S'Guillaume Dupr\xc3\xa9' +p166989 +sa(dp166990 +g25273 +S'bronze' +p166991 +sg25267 +g27 +sg25275 +S'1607' +p166992 +sg25268 +S'Lion and Fury with Torches [reverse]' +p166993 +sg25270 +S'Guillaume Dupr\xc3\xa9' +p166994 +sa(dp166995 +g25273 +S'French, c. 1574 - 1642' +p166996 +sg25267 +g27 +sg25275 +S'(related artist)' +p166997 +sg25268 +S'Henri IV, 1553-1610, King of France 1589' +p166998 +sg25270 +S'Artist Information (' +p166999 +sa(dp167000 +g25273 +S'bronze//With loop' +p167001 +sg25267 +g27 +sg25275 +S'1610' +p167002 +sg25268 +S'Louis XIII, 1601-1643, King of France 1610 [obverse]' +p167003 +sg25270 +S'Guillaume Dupr\xc3\xa9' +p167004 +sa(dp167005 +g25273 +S'bronze//With loop' +p167006 +sg25267 +g27 +sg25275 +S'1610' +p167007 +sg25268 +S'Young Louis and Minerva [reverse]' +p167008 +sg25270 +S'Guillaume Dupr\xc3\xa9' +p167009 +sa(dp167010 +g25273 +S'bronze' +p167011 +sg25267 +g27 +sg25275 +S'1611' +p167012 +sg25268 +S'Henri II de Bourbon, 1588-1646, 3rd Prince of Cond\xc3\xa9, first Prince of the Blood [obverse]' +p167013 +sg25270 +S'Guillaume Dupr\xc3\xa9' +p167014 +sa(dp167015 +g25273 +S'bronze' +p167016 +sg25267 +g27 +sg25275 +S'1611' +p167017 +sg25268 +S'Charlotte-Marie de Montmorency, 1594-1650, Wife of Henri de Bourbon 1609 [reverse]' +p167018 +sg25270 +S'Guillaume Dupr\xc3\xa9' +p167019 +sa(dp167020 +g25273 +S'watercolor on heavy paper' +p167021 +sg25267 +g27 +sg25275 +S'1928' +p167022 +sg25268 +S'Smothered' +p167023 +sg25270 +S'Arthur Briscoe' +p167024 +sa(dp167025 +g25273 +S'(artist after)' +p167026 +sg25267 +g27 +sg25275 +S'\n' +p167027 +sg25268 +S'Francesco IV Gonzaga, 1586-1612, 5th Duke of Mantua 1612' +p167028 +sg25270 +S'Artist Information (' +p167029 +sa(dp167030 +g25273 +S'bronze//Cast hollow' +p167031 +sg25267 +g27 +sg25275 +S'1613' +p167032 +sg25268 +S"Maria Magdalena, Grand Duchess of Tuscany, Wife of Cosimo II de' Medici 1589" +p167033 +sg25270 +S'Guillaume Dupr\xc3\xa9' +p167034 +sa(dp167035 +g25273 +S'bronze' +p167036 +sg25267 +g27 +sg25275 +S'1613' +p167037 +sg25268 +S'Nicolas Brulart de Sillery, 1544-1624, Chancellor of France 1607 [obverse]' +p167038 +sg25270 +S'Guillaume Dupr\xc3\xa9' +p167039 +sa(dp167040 +g25273 +S'bronze' +p167041 +sg25267 +g27 +sg25275 +S'1613' +p167042 +sg25268 +S"Apollo Driving the Sun's Car [reverse]" +p167043 +sg25270 +S'Guillaume Dupr\xc3\xa9' +p167044 +sa(dp167045 +g25273 +S'bronze//Thick hollow cast' +p167046 +sg25267 +g27 +sg25275 +S'1618' +p167047 +sg25268 +S'Pierre Jeannin, c. 1540-1622, Lawyer, Superintendent of Finances 1610' +p167048 +sg25270 +S'Guillaume Dupr\xc3\xa9' +p167049 +sa(dp167050 +g25273 +S'bronze' +p167051 +sg25267 +g27 +sg25275 +S'1623' +p167052 +sg25268 +S'Louis XIII, 1601-1643, King of France 1610 [obverse]' +p167053 +sg25270 +S'Guillaume Dupr\xc3\xa9' +p167054 +sa(dp167055 +g25273 +S'bronze' +p167056 +sg25267 +g27 +sg25275 +S'1620' +p167057 +sg25268 +S'Anne of Austria, 1601-1666, Wife of King Louis XIII of France 1615 [reverse]' +p167058 +sg25270 +S'Guillaume Dupr\xc3\xa9' +p167059 +sa(dp167060 +g25273 +S'bronze' +p167061 +sg25267 +g27 +sg25275 +S'1623' +p167062 +sg25268 +S'Louis XIII, 1601-1643, King of France 1610 [obverse]' +p167063 +sg25270 +S'Guillaume Dupr\xc3\xa9' +p167064 +sa(dp167065 +g25273 +S'bronze' +p167066 +sg25267 +g27 +sg25275 +S'1623' +p167067 +sg25268 +S'Justice with Sword and Scales [reverse]' +p167068 +sg25270 +S'Guillaume Dupr\xc3\xa9' +p167069 +sa(dp167070 +g25273 +S'bronze' +p167071 +sg25267 +g27 +sg25275 +S'1624' +p167072 +sg25268 +S"Marie de' Medici, 1573-1642, Wife of King Henri IV of France 1600 [obverse]" +p167073 +sg25270 +S'Guillaume Dupr\xc3\xa9' +p167074 +sa(dp167075 +g25268 +S'The Adoration of the Magi (Virgin in the Grotto)' +p167076 +sg25270 +S'Artist Information (' +p167077 +sg25273 +S'Italian, c. 1431 - 1506' +p167078 +sg25275 +S'(related artist)' +p167079 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00057/a000572a.jpg' +p167080 +sg25267 +g27 +sa(dp167081 +g25273 +S'bronze' +p167082 +sg25267 +g27 +sg25275 +S'1624' +p167083 +sg25268 +S'The Queen as Mother of the Gods [reverse]' +p167084 +sg25270 +S'Guillaume Dupr\xc3\xa9' +p167085 +sa(dp167086 +g25268 +S"Marie de' Medici, 1573-1642, Wife of King Henri IV of France 1600" +p167087 +sg25270 +S'Guillaume Dupr\xc3\xa9' +p167088 +sg25273 +S'bronze//Cast hollow, with loop' +p167089 +sg25275 +S'1624' +p167090 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006454.jpg' +p167091 +sg25267 +g27 +sa(dp167092 +g25273 +S'bronze' +p167093 +sg25267 +g27 +sg25275 +S'1629' +p167094 +sg25268 +S'Antoine Co\xc3\xabffier, called Antoine Ruz\xc3\xa9, 1581-1632, Baron Longjumeau 1621 and Marquess of Effiat 1624 [obverse]' +p167095 +sg25270 +S'Jean Warin' +p167096 +sa(dp167097 +g25273 +S'bronze' +p167098 +sg25267 +g27 +sg25275 +S'1629' +p167099 +sg25268 +S'Hercules Helping Atlas to Bear the Globe [reverse]' +p167100 +sg25270 +S'Jean Warin' +p167101 +sa(dp167102 +g25273 +S'bronze' +p167103 +sg25267 +g27 +sg25275 +S'1634' +p167104 +sg25268 +S'Jean de Caylar de Saint-Bonnet, 1585-1636, Marquis de Toiras, Marshall of France 1630 [obverse]' +p167105 +sg25270 +S'Guillaume Dupr\xc3\xa9' +p167106 +sa(dp167107 +g25273 +S'bronze' +p167108 +sg25267 +g27 +sg25275 +S'1634' +p167109 +sg25268 +S'Radiant Sun over a Landscape [reverse]' +p167110 +sg25270 +S'Guillaume Dupr\xc3\xa9' +p167111 +sa(dp167112 +g25273 +S'bronze//Cast hollow, with loop' +p167113 +sg25267 +g27 +sg25275 +S'1635' +p167114 +sg25268 +S'Christine de France, 1606-1663, Duchess of Savoy, Wife of Victor Amadeus I 1619, Regent 1637-1648' +p167115 +sg25270 +S'Guillaume Dupr\xc3\xa9' +p167116 +sa(dp167117 +g25273 +S'bronze' +p167118 +sg25267 +g27 +sg25275 +S'1624' +p167119 +sg25268 +S'Jacques Boyceau de la Barauderie, c. 1562-1633/1638, Intendant des Jardins under Louis XIII [obverse]' +p167120 +sg25270 +S'Abraham Dupr\xc3\xa9' +p167121 +sa(dp167122 +g25273 +S'bronze' +p167123 +sg25267 +g27 +sg25275 +S'1624' +p167124 +sg25268 +S'Landscape with Caterpillars and Butterflies [reverse]' +p167125 +sg25270 +S'Abraham Dupr\xc3\xa9' +p167126 +sa(dp167127 +g25273 +S'bronze' +p167128 +sg25267 +g27 +sg25275 +S'1601' +p167129 +sg25268 +S'Pomponne de Belli\xc3\xa8vre, 1529-1607, Chancellor of France 1599-1605 [obverse]' +p167130 +sg25270 +S'Nicolas-Gabriel Jacquet' +p167131 +sa(dp167132 +g25273 +S'bronze' +p167133 +sg25267 +g27 +sg25275 +S'1601' +p167134 +sg25268 +S'Justice and Piety at an Altar [reverse]' +p167135 +sg25270 +S'Nicolas-Gabriel Jacquet' +p167136 +sa(dp167137 +g25273 +S'bronze' +p167138 +sg25267 +g27 +sg25275 +S'1603' +p167139 +sg25268 +S'Nicolas de Lange, 1525-1606, Jurisconsult, Antiquarian, and Numismatist [obverse]' +p167140 +sg25270 +S'Philippe Lalyame' +p167141 +sa(dp167142 +g25273 +S'bronze' +p167143 +sg25267 +g27 +sg25275 +S'1603' +p167144 +sg25268 +S'Apollo and Coins of Augustus [reverse]' +p167145 +sg25270 +S'Philippe Lalyame' +p167146 +sa(dp167147 +g25273 +S'bronze//With loop' +p167148 +sg25267 +g27 +sg25275 +S'1642' +p167149 +sg25268 +S'Anne of Austria, 1601-1666, Wife of King Louis XIII of France 1615 [obverse]' +p167150 +sg25270 +S'Jean Darmand, called Lorfelin' +p167151 +sa(dp167152 +g25273 +S'bronze//With loop' +p167153 +sg25267 +g27 +sg25275 +S'1642' +p167154 +sg25268 +S'Stars and Clouds Encircling a Crown [reverse]' +p167155 +sg25270 +S'Jean Darmand, called Lorfelin' +p167156 +sa(dp167157 +g25273 +S'bronze//Modern strike' +p167158 +sg25267 +g27 +sg25275 +S'1631' +p167159 +sg25268 +S'Armand-Jean du Plessis, 1585-1642, Cardinal de Richelieu 1622 [obverse]' +p167160 +sg25270 +S'Jean Warin' +p167161 +sa(dp167162 +g25273 +S'bronze//Modern strike' +p167163 +sg25267 +g27 +sg25275 +S'1631' +p167164 +sg25268 +S'The Globe and the Planets [reverse]' +p167165 +sg25270 +S'Jean Warin' +p167166 +sa(dp167167 +g25273 +S'overall (diameter): 5.27 cm (2 1/16 in.)\r\ngross weight: 38.9 gr (0.086 lb.)\r\naxis: 12:00' +p167168 +sg25267 +g27 +sg25275 +S'\nbronze' +p167169 +sg25268 +S'Nicolas de Bailleul, 1587-1652, Mayor of Paris 1622-1628 [obverse]' +p167170 +sg25270 +S'French 17th Century' +p167171 +sa(dp167172 +g25273 +S'overall (diameter): 5.27 cm (2 1/16 in.)\r\ngross weight: 38.9 gr (0.086 lb.)\r\naxis: 12:00' +p167173 +sg25267 +g27 +sg25275 +S'\nbronze' +p167174 +sg25268 +S'Nymph of the Seine [reverse]' +p167175 +sg25270 +S'French 17th Century' +p167176 +sa(dp167177 +g25273 +S'overall (diameter): 5.18 cm (2 1/16 in.)\r\ngross weight: 29.32 gr (0.065 lb.)\r\naxis: 6:00' +p167178 +sg25267 +g27 +sg25275 +S'\nsilver' +p167179 +sg25268 +S'No\xc3\xabl Brulart de Sillery, 1577-1640, Knight of Malta 1632 [obverse]' +p167180 +sg25270 +S'French 17th Century' +p167181 +sa(dp167182 +g25268 +S'Christ as Salvator Mundi' +p167183 +sg25270 +S'German 15th Century' +p167184 +sg25273 +S'Schreiber, no. 835' +p167185 +sg25275 +S'\nwoodcut' +p167186 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a53f.jpg' +p167187 +sg25267 +g27 +sa(dp167188 +g25273 +S'overall (diameter): 5.18 cm (2 1/16 in.)\r\ngross weight: 29.32 gr (0.065 lb.)\r\naxis: 6:00' +p167189 +sg25267 +g27 +sg25275 +S'\nsilver' +p167190 +sg25268 +S'Achievement of Brulart [reverse]' +p167191 +sg25270 +S'French 17th Century' +p167192 +sa(dp167193 +g25273 +S'overall (diameter): 4.53 cm (1 13/16 in.)\r\ngross weight: 14.14 gr (0.031 lb.)' +p167194 +sg25267 +g27 +sg25275 +S'\nbronze' +p167195 +sg25268 +S'Joachim de Ch\xc3\xa2teauvieux, 1545-1615, Count of Conflans' +p167196 +sg25270 +S'French 17th Century' +p167197 +sa(dp167198 +g25273 +S'overall (diameter): 4.81 cm (1 7/8 in.)\r\ngross weight: 33.58 gr (0.074 lb.)\r\naxis: 12:00' +p167199 +sg25267 +g27 +sg25275 +S'\nbronze' +p167200 +sg25268 +S'Antoine de Lom\xc3\xa9nie, 1560-1638, Counselor and Secretary of State 1606 [obverse]' +p167201 +sg25270 +S'French 17th Century' +p167202 +sa(dp167203 +g25273 +S'overall (diameter): 4.81 cm (1 7/8 in.)\r\ngross weight: 33.58 gr (0.074 lb.)\r\naxis: 12:00' +p167204 +sg25267 +g27 +sg25275 +S'\nbronze' +p167205 +sg25268 +S'The Sun Driving Along the Zodiac [reverse]' +p167206 +sg25270 +S'French 17th Century' +p167207 +sa(dp167208 +g25273 +S'overall (diameter): 7.56 cm (3 in.)\r\ngross weight: 95.55 gr (0.211 lb.)\r\naxis: 7:00' +p167209 +sg25267 +g27 +sg25275 +S'\nbronze' +p167210 +sg25268 +S'Jean de Saulx, 1555-1629, Viscount of Tavanes and Lugny, and Marquess of Mirabet [obverse]' +p167211 +sg25270 +S'French 17th Century' +p167212 +sa(dp167213 +g25273 +S'overall (diameter): 7.56 cm (3 in.)\r\ngross weight: 95.55 gr (0.211 lb.)\r\naxis: 7:00' +p167214 +sg25267 +g27 +sg25275 +S'\nbronze' +p167215 +sg25268 +S'Rampant Lion on a Chain [reverse]' +p167216 +sg25270 +S'French 17th Century' +p167217 +sa(dp167218 +g25273 +S'bronze//With ring' +p167219 +sg25267 +g27 +sg25275 +S'1768' +p167220 +sg25268 +S'Albertine de Nivenheim' +p167221 +sg25270 +S'Giovanni Battista Nini' +p167222 +sa(dp167223 +g25273 +S'lead' +p167224 +sg25267 +g27 +sg25275 +S'1521' +p167225 +sg25268 +S'Charles V, 1500-1558, King of Spain 1516, Holy Roman Emperor 1519-1556 [obverse]' +p167226 +sg25270 +S'Albrecht D\xc3\xbcrer' +p167227 +sa(dp167228 +g25273 +S'lead' +p167229 +sg25267 +g27 +sg25275 +S'1521' +p167230 +sg25268 +S'Coats of Arms around Double-headed Eagle [reverse]' +p167231 +sg25270 +S'Albrecht D\xc3\xbcrer' +p167232 +sa(dp167233 +g25268 +S'Kunz von der Rosen, died 1519, Confidential Counselor of Maximilian I of Austria' +p167234 +sg25270 +S'Hans Schwarz' +p167235 +sg25273 +S'bronze' +p167236 +sg25275 +S'unknown date\n' +p167237 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6b8.jpg' +p167238 +sg25267 +g27 +sa(dp167239 +g25268 +S'Persian Sibyl' +p167240 +sg25270 +S'Artist Information (' +p167241 +sg25273 +S'Italian, died 1487' +p167242 +sg25275 +S'(artist after)' +p167243 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c731.jpg' +p167244 +sg25267 +g27 +sa(dp167245 +g25273 +S'bronze' +p167246 +sg25267 +g27 +sg25275 +S'1519' +p167247 +sg25268 +S"Melchior Pfinzing, 1481-1535, Provost of Saint Sebald's in Nuremberg [obverse]" +p167248 +sg25270 +S'Hans Schwarz' +p167249 +sa(dp167250 +g25273 +S'bronze' +p167251 +sg25267 +g27 +sg25275 +S'1519' +p167252 +sg25268 +S'Inscription in a Wreath [reverse]' +p167253 +sg25270 +S'Hans Schwarz' +p167254 +sa(dp167255 +g25273 +S'bronze//Three times pierced' +p167256 +sg25267 +g27 +sg25275 +S'unknown date\n' +p167257 +sg25268 +S'Self-Portrait' +p167258 +sg25270 +S'Alexander von Bruchsal' +p167259 +sa(dp167260 +g25268 +S'Ambrosius Jung, 1471-1548, City Physician of Augsburg [obverse]' +p167261 +sg25270 +S'Christoph Weiditz the Elder' +p167262 +sg25273 +S'bronze' +p167263 +sg25275 +S'1528' +p167264 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00059/a000597c.jpg' +p167265 +sg25267 +g27 +sa(dp167266 +g25268 +S'Coat of Arms [reverse]' +p167267 +sg25270 +S'Christoph Weiditz the Elder' +p167268 +sg25273 +S'bronze' +p167269 +sg25275 +S'1528' +p167270 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00059/a000597a.jpg' +p167271 +sg25267 +g27 +sa(dp167272 +g25268 +S'Francisco de los Cobos, c. 1475/1480-1547, Privy Counselor and Chancellor, Art Patron [obverse]' +p167273 +sg25270 +S'Christoph Weiditz the Elder' +p167274 +sg25273 +S'lead' +p167275 +sg25275 +S'1531' +p167276 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6ba.jpg' +p167277 +sg25267 +g27 +sa(dp167278 +g25268 +S'Man Riding Towards a Cliff Carrying A Scroll [reverse]' +p167279 +sg25270 +S'Christoph Weiditz the Elder' +p167280 +sg25273 +S'lead' +p167281 +sg25275 +S'1531' +p167282 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6bb.jpg' +p167283 +sg25267 +g27 +sa(dp167284 +g25273 +S'lead' +p167285 +sg25267 +g27 +sg25275 +S'1527' +p167286 +sg25268 +S'Sebastian Liegsalz (Ligsalz), 1483-1534, Munich Patrician' +p167287 +sg25270 +S'Friedrich Hagenauer' +p167288 +sa(dp167289 +g25273 +S'lead' +p167290 +sg25267 +g27 +sg25275 +S'1527' +p167291 +sg25268 +S'Ursula Saemftl, 1499-1551, Second Wife of Sebastian Liegsalz 1522' +p167292 +sg25270 +S'Friedrich Hagenauer' +p167293 +sa(dp167294 +g25273 +S'bronze' +p167295 +sg25267 +g27 +sg25275 +S'1529' +p167296 +sg25268 +S'Giovanni Alessandro Balbiani, Count of Chiavenna, Captain in the Army of Georg van Frundsberg' +p167297 +sg25270 +S'Friedrich Hagenauer' +p167298 +sa(dp167299 +g25268 +S'Delphian Sibyl' +p167300 +sg25270 +S'Artist Information (' +p167301 +sg25273 +S'Italian, died 1487' +p167302 +sg25275 +S'(artist after)' +p167303 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c732.jpg' +p167304 +sg25267 +g27 +sa(dp167305 +g25273 +S'bronze//Cast hollow' +p167306 +sg25267 +g27 +sg25275 +S'unknown date\n' +p167307 +sg25268 +S'Portrait of a Young Man' +p167308 +sg25270 +S'Friedrich Hagenauer' +p167309 +sa(dp167310 +g25273 +S'bronze' +p167311 +sg25267 +g27 +sg25275 +S'1540' +p167312 +sg25268 +S'Johannes Mulicum, Infirmarian of the Cistercian Monestary at Kamp near Neuss [obverse]' +p167313 +sg25270 +S'Friedrich Hagenauer' +p167314 +sa(dp167315 +g25273 +S'bronze' +p167316 +sg25267 +g27 +sg25275 +S'probably 1540' +p167317 +sg25268 +S'Inscription [reverse]' +p167318 +sg25270 +S'Friedrich Hagenauer' +p167319 +sa(dp167320 +g25273 +S'bronze' +p167321 +sg25267 +g27 +sg25275 +S'1543' +p167322 +sg25268 +S'Philipp Melanchthon, 1497-1560, Reformer [obverse]' +p167323 +sg25270 +S'Friedrich Hagenauer' +p167324 +sa(dp167325 +g25273 +S'bronze' +p167326 +sg25267 +g27 +sg25275 +S'1543' +p167327 +sg25268 +S'Inscription [reverse]' +p167328 +sg25270 +S'Friedrich Hagenauer' +p167329 +sa(dp167330 +g25273 +S'bronze' +p167331 +sg25267 +g27 +sg25275 +S'probably 1543' +p167332 +sg25268 +S'Philipp Melanchthon, 1497-1560, Reformer [obverse]' +p167333 +sg25270 +S'Friedrich Hagenauer' +p167334 +sa(dp167335 +g25273 +S'bronze' +p167336 +sg25267 +g27 +sg25275 +S'probably 1543' +p167337 +sg25268 +S'Inscription [reverse]' +p167338 +sg25270 +S'Friedrich Hagenauer' +p167339 +sa(dp167340 +g25273 +S'lead' +p167341 +sg25267 +g27 +sg25275 +S'1543' +p167342 +sg25268 +S'Caspar von Mulheim, 1506-1570/1571, Counselor of Cologne [obverse]' +p167343 +sg25270 +S'Friedrich Hagenauer' +p167344 +sa(dp167345 +g25273 +S'lead' +p167346 +sg25267 +g27 +sg25275 +S'1543' +p167347 +sg25268 +S'Shield with House-mark [reverse]' +p167348 +sg25270 +S'Friedrich Hagenauer' +p167349 +sa(dp167350 +g25273 +S'bronze' +p167351 +sg25267 +g27 +sg25275 +S'1544' +p167352 +sg25268 +S'Hans Hauschel, born 1520 [obverse]' +p167353 +sg25270 +S'Friedrich Hagenauer' +p167354 +sa(dp167355 +g25268 +S'Cumaean Sibyl' +p167356 +sg25270 +S'Artist Information (' +p167357 +sg25273 +S'Italian, died 1487' +p167358 +sg25275 +S'(artist after)' +p167359 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c733.jpg' +p167360 +sg25267 +g27 +sa(dp167361 +g25273 +S'bronze' +p167362 +sg25267 +g27 +sg25275 +S'1544' +p167363 +sg25268 +S'Inscription [reverse]' +p167364 +sg25270 +S'Friedrich Hagenauer' +p167365 +sa(dp167366 +g25273 +S'bronze' +p167367 +sg25267 +g27 +sg25275 +S'1528' +p167368 +sg25268 +S'Philipp von Pfalz-Neuburg, Count Palatine, 1503-1548 [obverse]' +p167369 +sg25270 +S'Matthes Gebel' +p167370 +sa(dp167371 +g25273 +S'bronze' +p167372 +sg25267 +g27 +sg25275 +S'1528' +p167373 +sg25268 +S'Shield with Casques and Crests [reverse]' +p167374 +sg25270 +S'Matthes Gebel' +p167375 +sa(dp167376 +g25273 +S'lead' +p167377 +sg25267 +g27 +sg25275 +S'unknown date\n' +p167378 +sg25268 +S'Marx Rechlinger, died 1532, Patrician of Nuremberg' +p167379 +sg25270 +S'Matthes Gebel' +p167380 +sa(dp167381 +g25268 +S'Charles V, 1500-1558, King of Spain 1516, Holy Roman Emperor 1519-1556 [obverse]' +p167382 +sg25270 +S'Matthes Gebel' +p167383 +sg25273 +S'base silver' +p167384 +sg25275 +S'1530' +p167385 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6b4.jpg' +p167386 +sg25267 +g27 +sa(dp167387 +g25268 +S'Inscription in a Wreath [reverse]' +p167388 +sg25270 +S'Matthes Gebel' +p167389 +sg25273 +S'base silver' +p167390 +sg25275 +S'1530' +p167391 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6b3.jpg' +p167392 +sg25267 +g27 +sa(dp167393 +g25273 +S'lead' +p167394 +sg25267 +g27 +sg25275 +S'1535' +p167395 +sg25268 +S'Ludwig X, 1495-1545, Duke of Bavaria 1514 [obverse]' +p167396 +sg25270 +S'Matthes Gebel' +p167397 +sa(dp167398 +g25273 +S'lead' +p167399 +sg25267 +g27 +sg25275 +S'1535' +p167400 +sg25268 +S'Shield with Casques and Crests [reverse]' +p167401 +sg25270 +S'Matthes Gebel' +p167402 +sa(dp167403 +g25273 +S'silver//With ring' +p167404 +sg25267 +g27 +sg25275 +S'1541' +p167405 +sg25268 +S'Wilhelm L\xc3\xb6ffelholz von Kolberg, 1501-1554, Patrician of Nuremberg [obverse]' +p167406 +sg25270 +S'Matthes Gebel' +p167407 +sa(dp167408 +g25273 +S'silver//With ring' +p167409 +sg25267 +g27 +sg25275 +S'1541' +p167410 +sg25268 +S'Shield, Cuirass, Casque, and Crest [reverse]' +p167411 +sg25270 +S'Matthes Gebel' +p167412 +sa(dp167413 +g25268 +S'Hellespontine Sibyl' +p167414 +sg25270 +S'Artist Information (' +p167415 +sg25273 +S'Italian, died 1487' +p167416 +sg25275 +S'(artist after)' +p167417 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c734.jpg' +p167418 +sg25267 +g27 +sa(dp167419 +g25273 +S'bronze//After-cast' +p167420 +sg25267 +g27 +sg25275 +S'1540' +p167421 +sg25268 +S'Emilia of Saxony, 1516-1591, Margravine of Brandenburg-Ansbach [obverse]' +p167422 +sg25270 +S'Master of the Pistorius Medal' +p167423 +sa(dp167424 +g25273 +S'iron casting//Late cast?' +p167425 +sg25267 +g27 +sg25275 +S'1526' +p167426 +sg25268 +S'V\xc3\xa1clav Payer (Wenceslaus Beyer), 1488-1537, State Physician of Bohemia [obverse]' +p167427 +sg25270 +S'Master M.P.' +p167428 +sa(dp167429 +g25273 +S'iron casting//Late cast?' +p167430 +sg25267 +g27 +sg25275 +S'1526' +p167431 +sg25268 +S'Book, Skull, Bones, and Rider in Landscape [reverse]' +p167432 +sg25270 +S'Master M.P.' +p167433 +sa(dp167434 +g25273 +S'pewter//Struck?' +p167435 +sg25267 +g27 +sg25275 +S'1542' +p167436 +sg25268 +S'Charles V, 1500-1558, King of Spain 1516, Holy Roman Emperor 1519-1556 [obverse]' +p167437 +sg25270 +S'Ludwig Neufahrer' +p167438 +sa(dp167439 +g25273 +S'pewter//Struck?' +p167440 +sg25267 +g27 +sg25275 +S'1542' +p167441 +sg25268 +S'Double-headed Crowned Eagle on the Pillars of Hercules [reverse]' +p167442 +sg25270 +S'Ludwig Neufahrer' +p167443 +sa(dp167444 +g25273 +S'silver' +p167445 +sg25267 +g27 +sg25275 +S'1535' +p167446 +sg25268 +S'Johann Friedrich, 1503-1554, Elector of Saxony 1532 [obverse]' +p167447 +sg25270 +S'Hans Reinhart the Elder' +p167448 +sa(dp167449 +g25273 +S'silver' +p167450 +sg25267 +g27 +sg25275 +S'1535' +p167451 +sg25268 +S'Shield with Helms and Crests [reverse]' +p167452 +sg25270 +S'Hans Reinhart the Elder' +p167453 +sa(dp167454 +g25268 +S'Charles V, 1500-1558, King of Spain 1516, Holy Roman Emperor 1519-1556 [obverse]' +p167455 +sg25270 +S'Hans Reinhart the Elder' +p167456 +sg25273 +S'silver//With loop' +p167457 +sg25275 +S'1537' +p167458 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006458.jpg' +p167459 +sg25267 +g27 +sa(dp167460 +g25268 +S'Double-headed Eagle, Charged with Shield [reverse]' +p167461 +sg25270 +S'Hans Reinhart the Elder' +p167462 +sg25273 +S'silver//With loop' +p167463 +sg25275 +S'1537' +p167464 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a000645b.jpg' +p167465 +sg25267 +g27 +sa(dp167466 +g25273 +S'bronze' +p167467 +sg25267 +g27 +sg25275 +S'1547' +p167468 +sg25268 +S'Johann Fichard, 1512-1581, Syndic of Frankfurt am Main [obverse]' +p167469 +sg25270 +S'Hans Bolsterer' +p167470 +sa(dp167471 +g25268 +S'Phrygian Sibyl' +p167472 +sg25270 +S'Artist Information (' +p167473 +sg25273 +S'Italian, died 1487' +p167474 +sg25275 +S'(artist after)' +p167475 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c735.jpg' +p167476 +sg25267 +g27 +sa(dp167477 +g25273 +S'bronze' +p167478 +sg25267 +g27 +sg25275 +S'1547' +p167479 +sg25268 +S'Elisabeth Gr\xc3\xbcnenberger, born 1518, Wife of Johann Fichard 1539 (reverse)' +p167480 +sg25270 +S'Hans Bolsterer' +p167481 +sa(dp167482 +g25268 +S'Hieronymus Paumgartner, 1498-1565, Patrician of Nuremberg [obverse]' +p167483 +sg25270 +S'Joachim Deschler' +p167484 +sg25273 +S'bronze' +p167485 +sg25275 +S'1553' +p167486 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6b5.jpg' +p167487 +sg25267 +g27 +sa(dp167488 +g25268 +S'Arms of Paumgartner [reverse]' +p167489 +sg25270 +S'Joachim Deschler' +p167490 +sg25273 +S'bronze' +p167491 +sg25275 +S'1553' +p167492 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6b6.jpg' +p167493 +sg25267 +g27 +sa(dp167494 +g25273 +S'silver//With ring' +p167495 +sg25267 +g27 +sg25275 +S'1565' +p167496 +sg25268 +S'Margarethe Ganzhorn Balbus, Wife of Johann Balbus [obverse]' +p167497 +sg25270 +S'Joachim Deschler' +p167498 +sa(dp167499 +g25273 +S'silver//With ring' +p167500 +sg25267 +g27 +sg25275 +S'1565' +p167501 +sg25268 +S'Two Shields [reverse]' +p167502 +sg25270 +S'Joachim Deschler' +p167503 +sa(dp167504 +g25273 +S'bronze' +p167505 +sg25267 +g27 +sg25275 +S'unknown date\n' +p167506 +sg25268 +S'Anna Hofmann, died 1594, Second Wife of the Artist [obverse]' +p167507 +sg25270 +S'Jakob Hofmann' +p167508 +sa(dp167509 +g25273 +S'bronze' +p167510 +sg25267 +g27 +sg25275 +S'unknown date\n' +p167511 +sg25268 +S'Venus and Cupids [reverse]' +p167512 +sg25270 +S'Jakob Hofmann' +p167513 +sa(dp167514 +g25273 +S'lead//Cast hollow' +p167515 +sg25267 +g27 +sg25275 +S'1569' +p167516 +sg25268 +S'Jakob Muffel, 1509-1569, Patrician of Nuremberg' +p167517 +sg25270 +S'Valentin Maler' +p167518 +sa(dp167519 +g25273 +S'bronze' +p167520 +sg25267 +g27 +sg25275 +S'1584' +p167521 +sg25268 +S'Matthaus Schyrer, born 1550, Printer [obverse]' +p167522 +sg25270 +S'Valentin Maler' +p167523 +sa(dp167524 +g25273 +S'bronze' +p167525 +sg25267 +g27 +sg25275 +S'1584' +p167526 +sg25268 +S'Fortune with a Veil [reverse]' +p167527 +sg25270 +S'Valentin Maler' +p167528 +sa(dp167529 +g25268 +S'European Sibyl' +p167530 +sg25270 +S'Artist Information (' +p167531 +sg25273 +S'Italian, died 1487' +p167532 +sg25275 +S'(artist after)' +p167533 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c736.jpg' +p167534 +sg25267 +g27 +sa(dp167535 +g25268 +S'Jakob Fugger, 1459-1525, Banker and Financier' +p167536 +sg25270 +S'Valentin Maler' +p167537 +sg25273 +S'lead' +p167538 +sg25275 +S'unknown date\n' +p167539 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6bc.jpg' +p167540 +sg25267 +g27 +sa(dp167541 +g25273 +S'lead' +p167542 +sg25267 +g27 +sg25275 +S'1592' +p167543 +sg25268 +S'Hans Schel, 1518-1592, Patrician of Nuremberg [obverse]' +p167544 +sg25270 +S'Matth\xc3\xa4us Carl' +p167545 +sa(dp167546 +g25273 +S'lead' +p167547 +sg25267 +g27 +sg25275 +S'1592' +p167548 +sg25268 +S'Arms and Inscription [reverse]' +p167549 +sg25270 +S'Matth\xc3\xa4us Carl' +p167550 +sa(dp167551 +g25273 +S'silver' +p167552 +sg25267 +g27 +sg25275 +S'1591' +p167553 +sg25268 +S'Julius Geuder, 1530-1594, Patrician of Nuremberg' +p167554 +sg25270 +S'Johann Philipp von der P\xc3\xbctt' +p167555 +sa(dp167556 +g25273 +g27 +sg25267 +g27 +sg25275 +S'(artist)' +p167557 +sg25268 +S'Maximilian I, 1459-1519, Archduke of Austria, Holy Roman Emperor 1494 [obverse]' +p167558 +sg25270 +S'Artist Information (' +p167559 +sa(dp167560 +g25273 +g27 +sg25267 +g27 +sg25275 +S'(artist)' +p167561 +sg25268 +S'Maria of Burgundy, 1547-1482, First Wife of Maximilian I 1477 [reverse]' +p167562 +sg25270 +S'Artist Information (' +p167563 +sa(dp167564 +g25273 +g27 +sg25267 +g27 +sg25275 +S'(artist)' +p167565 +sg25268 +S'John Huss Centenary Medal [obverse]' +p167566 +sg25270 +S'Artist Information (' +p167567 +sa(dp167568 +g25273 +g27 +sg25267 +g27 +sg25275 +S'(artist)' +p167569 +sg25268 +S'John Huss Centenary Medal [reverse]' +p167570 +sg25270 +S'Artist Information (' +p167571 +sa(dp167572 +g25273 +S'overall (diameter): 4.29 cm (1 11/16 in.)\r\ngross weight: 25.96 gr (0.057 lb.)\r\naxis:3:00' +p167573 +sg25267 +g27 +sg25275 +S'\nsilver//Struck' +p167574 +sg25268 +S'Friedrich III the Wise, 1463-1525, Duke and Elector of Saxony 1486 [obverse]' +p167575 +sg25270 +S'German 16th Century' +p167576 +sa(dp167577 +g25273 +S'overall (diameter): 4.29 cm (1 11/16 in.)\r\ngross weight: 25.96 gr (0.057 lb.)\r\naxis:3:00' +p167578 +sg25267 +g27 +sg25275 +S'\nsilver//Struck' +p167579 +sg25268 +S'Cross within a Circle [reverse]' +p167580 +sg25270 +S'German 16th Century' +p167581 +sa(dp167582 +g25268 +S'Arabesque with Knight' +p167583 +sg25270 +S'Italian' +p167584 +sg25273 +S'Rosenwald Collection' +p167585 +sg25275 +S'\nniello print' +p167586 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c719.jpg' +p167587 +sg25267 +g27 +sa(dp167588 +g25273 +g27 +sg25267 +g27 +sg25275 +S'(artist)' +p167589 +sg25268 +S'Ferdinand I, 1503-1564, Archduke of Austria 1519, Emperor 1556 [obverse]' +p167590 +sg25270 +S'Artist Information (' +p167591 +sa(dp167592 +g25273 +g27 +sg25267 +g27 +sg25275 +S'(artist)' +p167593 +sg25268 +S'Anne of Hungary, died 1547, Wife of Ferdinand I of Austria 1521 [reverse]' +p167594 +sg25270 +S'Artist Information (' +p167595 +sa(dp167596 +g25273 +S'overall (diameter): 4.18 cm (1 5/8 in.)\r\ngross weight: 14.4 gr (0.032 lb.)\r\naxis: 12:00' +p167597 +sg25267 +g27 +sg25275 +S'\nsilver//Struck' +p167598 +sg25268 +S'Louis II, 1506-1526, King of Hungary and Bohemia 1516 [obverse]' +p167599 +sg25270 +S'German 16th Century' +p167600 +sa(dp167601 +g25273 +S'overall (diameter): 4.18 cm (1 5/8 in.)\r\ngross weight: 14.4 gr (0.032 lb.)\r\naxis: 12:00' +p167602 +sg25267 +g27 +sg25275 +S'\nsilver//Struck' +p167603 +sg25268 +S'Maria of Austria, 1505-1558, Wife of Louis II, King of Hungary and Bohemia, 1522 [reverse]' +p167604 +sg25270 +S'German 16th Century' +p167605 +sa(dp167606 +g25273 +g27 +sg25267 +g27 +sg25275 +S'(artist)' +p167607 +sg25268 +S'Ferdinand I, 1503-1564, Archduke of Austria 1519, Emperor 1556 [obverse]' +p167608 +sg25270 +S'Artist Information (' +p167609 +sa(dp167610 +g25273 +g27 +sg25267 +g27 +sg25275 +S'(artist)' +p167611 +sg25268 +S'Eagle Displayed, Charged with Shield [reverse]' +p167612 +sg25270 +S'Artist Information (' +p167613 +sa(dp167614 +g25273 +S'silver//Struck' +p167615 +sg25267 +g27 +sg25275 +S'c. 1500/1599' +p167616 +sg25268 +S'Luna [obverse]' +p167617 +sg25270 +S'Concz Welcz' +p167618 +sa(dp167619 +g25273 +S'silver//Struck' +p167620 +sg25267 +g27 +sg25275 +S'c. 1500/1599' +p167621 +sg25268 +S'Diana [reverse]' +p167622 +sg25270 +S'Concz Welcz' +p167623 +sa(dp167624 +g25273 +S'silver' +p167625 +sg25267 +g27 +sg25275 +S'unknown date\n' +p167626 +sg25268 +S'Willibald Pirkheimer, 1470-1530, and Albrecht D\xc3\xbcrer, 1471-1528' +p167627 +sg25270 +S'Georg Holdermann' +p167628 +sa(dp167629 +g25273 +S'silver' +p167630 +sg25267 +g27 +sg25275 +S'unknown date\n' +p167631 +sg25268 +S'Frederick III, 1415-1493, King of Germany 1440, Holy Roman Emperor 1452' +p167632 +sg25270 +S'Georg Schweigger' +p167633 +sa(dp167634 +g25268 +S'Presentation of Christ' +p167635 +sg25270 +S'Lorenzo Costa' +p167636 +sg25273 +S'engraving' +p167637 +sg25275 +S'c. 1502' +p167638 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6cd.jpg' +p167639 +sg25267 +g27 +sa(dp167640 +g25273 +S'bronze//Cast hollow' +p167641 +sg25267 +g27 +sg25275 +S'unknown date\n' +p167642 +sg25268 +S'Maximilian I, 1459-1519, Archduke of Austria, Holy Roman Emperor 1494' +p167643 +sg25270 +S'Georg Schweigger' +p167644 +sa(dp167645 +g25273 +S'lead' +p167646 +sg25267 +g27 +sg25275 +S'1642' +p167647 +sg25268 +S'Sigmund Gabriel Holtzschuher, 1575-1652, Citizen of Nuremberg' +p167648 +sg25270 +S'Johann Bartholom\xc3\xa4us Braun' +p167649 +sa(dp167650 +g25273 +S'bronze' +p167651 +sg25267 +g27 +sg25275 +S'1645' +p167652 +sg25268 +S'Cristoph F\xc3\xbcrer von Haimendorf, 1578-1653, Patrician of Nuremberg [obverse]' +p167653 +sg25270 +S'Johann Bartholom\xc3\xa4us Braun' +p167654 +sa(dp167655 +g25273 +S'bronze' +p167656 +sg25267 +g27 +sg25275 +S'1645' +p167657 +sg25268 +S'Shields of F\xc3\xbcrer von Haimendorf and His Two Wives [reverse]' +p167658 +sg25270 +S'Johann Bartholom\xc3\xa4us Braun' +p167659 +sa(dp167660 +g25273 +S'(medalist)' +p167661 +sg25267 +g27 +sg25275 +S'\n' +p167662 +sg25268 +S'Sebald Schreyer, 1446-1520, Humanist' +p167663 +sg25270 +S'Artist Information (' +p167664 +sa(dp167665 +g25268 +S'Adrian VI (Adrian Dedal, 1459-1523), Pope 1522' +p167666 +sg25270 +S'Netherlandish 16th Century' +p167667 +sg25273 +S'overall (diameter): 8.76 cm (3 7/16 in.)\r\ngross weight: 177.02 gr (0.39 lb.)' +p167668 +sg25275 +S'\nbronze' +p167669 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002dbb.jpg' +p167670 +sg25267 +g27 +sa(dp167671 +g25273 +S'bronze' +p167672 +sg25267 +g27 +sg25275 +S'1574' +p167673 +sg25268 +S'Fr\xc3\xa9d\xc3\xa9ric Perrenot, 1536-1602, Lord of Champagney, Governor of Antwerp 1571 [obverse]' +p167674 +sg25270 +S'Jacob Zagar' +p167675 +sa(dp167676 +g25273 +S'bronze' +p167677 +sg25267 +g27 +sg25275 +S'1574' +p167678 +sg25268 +S'Ship, and Putto Holding Scales [reverse]' +p167679 +sg25270 +S'Jacob Zagar' +p167680 +sa(dp167681 +g25273 +S'bronze//Cast hollow' +p167682 +sg25267 +g27 +sg25275 +S'c. 1560' +p167683 +sg25268 +S'Antoine Perrenot, 1517-1586, Bishop of Arras 1540, Cardinal Granvelle 1561' +p167684 +sg25270 +S'Jacques Jonghelinck' +p167685 +sa(dp167686 +g25273 +S'lead' +p167687 +sg25267 +g27 +sg25275 +S'1556' +p167688 +sg25268 +S'Viglius van Aytta of Zuichem, 1507-1577, Lawyer and Humanist' +p167689 +sg25270 +S'Jacques Jonghelinck' +p167690 +sa(dp167691 +g25268 +S'Two Peasants' +p167692 +sg25270 +S'Artist Information (' +p167693 +sg25273 +S'Italian, c. 1431 - 1506' +p167694 +sg25275 +S'(related artist)' +p167695 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6cb.jpg' +p167696 +sg25267 +g27 +sa(dp167697 +g25273 +S'bronze' +p167698 +sg25267 +g27 +sg25275 +S'1568' +p167699 +sg25268 +S'Viglius van Aytta of Zuichem, 1507-1577, Lawyer and Humanist [obverse]' +p167700 +sg25270 +S'Jacques Jonghelinck' +p167701 +sa(dp167702 +g25273 +S'bronze' +p167703 +sg25267 +g27 +sg25275 +S'1568' +p167704 +sg25268 +S'Candle, Hourglass, and Book on a Table [reverse]' +p167705 +sg25270 +S'Jacques Jonghelinck' +p167706 +sa(dp167707 +g25273 +S'lead' +p167708 +sg25267 +g27 +sg25275 +S'unknown date\n' +p167709 +sg25268 +S'Viglius van Aytta of Zuichem, 1507-1577, Lawyer and Humanist [obverse]' +p167710 +sg25270 +S'Jacques Jonghelinck' +p167711 +sa(dp167712 +g25273 +S'lead' +p167713 +sg25267 +g27 +sg25275 +S'unknown date\n' +p167714 +sg25268 +S'Table [reverse]' +p167715 +sg25270 +S'Jacques Jonghelinck' +p167716 +sa(dp167717 +g25273 +S'silver' +p167718 +sg25267 +g27 +sg25275 +S'unknown date\n' +p167719 +sg25268 +S'Antoine Perrenot, Cardinal Granvelle, 1517-1586, Bishop of Arras 1540, Cardinal 1561 [obverse]' +p167720 +sg25270 +S'Giovanni Vincenzo Melone' +p167721 +sa(dp167722 +g25273 +S'silver' +p167723 +sg25267 +g27 +sg25275 +S'unknown date\n' +p167724 +sg25268 +S'Ship at Sea [reverse]' +p167725 +sg25270 +S'Giovanni Vincenzo Melone' +p167726 +sa(dp167727 +g25273 +S'bronze' +p167728 +sg25267 +g27 +sg25275 +S'c. 1562' +p167729 +sg25268 +S'Sigismund II Augustus, 1520-1572, King of Poland 1548 [obverse]' +p167730 +sg25270 +S'Steven van Herwijck' +p167731 +sa(dp167732 +g25273 +S'bronze' +p167733 +sg25267 +g27 +sg25275 +S'c. 1562' +p167734 +sg25268 +S'Sigismund II Augustus on Horseback [reverse]' +p167735 +sg25270 +S'Steven van Herwijck' +p167736 +sa(dp167737 +g25273 +S'bronze' +p167738 +sg25267 +g27 +sg25275 +S'unknown date\n' +p167739 +sg25268 +S'Antonis Mor, c. 1517/1521-1576/1577, Painter' +p167740 +sg25270 +S'Steven van Herwijck' +p167741 +sa(dp167742 +g25273 +S'silver//With loop//Made from two separate pieces' +p167743 +sg25267 +g27 +sg25275 +S'1577' +p167744 +sg25268 +S'Willem I, 1533-1584, Prince of Orange and Nassau [obverse]' +p167745 +sg25270 +S'Conrad Bloc' +p167746 +sa(dp167747 +g25268 +S'"El Gran Capitanio"' +p167748 +sg25270 +S'Italian 16th Century' +p167749 +sg25273 +S'sheet: 25.6 x 21.6 cm (10 1/16 x 8 1/2 in.)' +p167750 +sg25275 +S'\nengraving' +p167751 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c793.jpg' +p167752 +sg25267 +g27 +sa(dp167753 +g25273 +S'silver//With loop//Made from two separate pieces' +p167754 +sg25267 +g27 +sg25275 +S'1577' +p167755 +sg25268 +S'Charlotte de Bourbon, 1548-1581, Third Wife of Willem I, Prince of Orange and Nassau [reverse]' +p167756 +sg25270 +S'Conrad Bloc' +p167757 +sa(dp167758 +g25273 +S'bronze' +p167759 +sg25267 +g27 +sg25275 +S'c. 1580' +p167760 +sg25268 +S'Fernando Alvarez de Toledo, 1507-1582, 3rd Duke of Alba [obverse]' +p167761 +sg25270 +S'Giuliano Giannini' +p167762 +sa(dp167763 +g25273 +S'bronze' +p167764 +sg25267 +g27 +sg25275 +S'c. 1580' +p167765 +sg25268 +S'Pallas in a Car Drawn by Two Owls [reverse]' +p167766 +sg25270 +S'Giuliano Giannini' +p167767 +sa(dp167768 +g25273 +S'bronze' +p167769 +sg25267 +g27 +sg25275 +S'1577 or after' +p167770 +sg25268 +S'Sir Richard Shelley, c. 1513-c. 1589, Prior of England in Malta and Turcopolier [obverse]' +p167771 +sg25270 +S'Bernardo Rantwyck' +p167772 +sa(dp167773 +g25273 +S'bronze' +p167774 +sg25267 +g27 +sg25275 +S'1577 or after' +p167775 +sg25268 +S'Griffin, Ducally Gorged, in a Landscape [reverse]' +p167776 +sg25270 +S'Bernardo Rantwyck' +p167777 +sa(dp167778 +g25273 +S'overall (diameter): 2.83 cm (1 1/8 in.)\r\ngross weight: 4.54 gr (0.01 lb.)\r\naxis: 10:00' +p167779 +sg25267 +g27 +sg25275 +S'\nsilver half-testoon//Struck' +p167780 +sg25268 +S'Filiberto II le Beau (the Fair), 1480-1504, 8th Duke of Savoy 1497 [obverse]' +p167781 +sg25270 +S'Turin 16th Century' +p167782 +sa(dp167783 +g25273 +S'overall (diameter): 2.83 cm (1 1/8 in.)\r\ngross weight: 4.54 gr (0.01 lb.)\r\naxis: 10:00' +p167784 +sg25267 +g27 +sg25275 +S'\nsilver half-testoon//Struck' +p167785 +sg25268 +S'Shield of Savoy [reverse]' +p167786 +sg25270 +S'Turin 16th Century' +p167787 +sa(dp167788 +g25273 +S'overall (diameter): 3.02 cm (1 3/16 in.)\r\ngross weight: 9.26 gr (0.02 lb.)\r\naxis: 9:00' +p167789 +sg25267 +g27 +sg25275 +S'\nsilver testoon//Struck' +p167790 +sg25268 +S'Carlo II, 1486-1553, 9th Duke of Savoy 1504 [obverse]' +p167791 +sg25270 +S'Turin 16th Century' +p167792 +sa(dp167793 +g25273 +S'overall (diameter): 3.02 cm (1 3/16 in.)\r\ngross weight: 9.26 gr (0.02 lb.)\r\naxis: 9:00' +p167794 +sg25267 +g27 +sg25275 +S'\nsilver testoon//Struck' +p167795 +sg25268 +S'Crowned Shield [reverse]' +p167796 +sg25270 +S'Turin 16th Century' +p167797 +sa(dp167798 +g25273 +S'overall (diameter): 2.49 cm (1 in.)\r\ngross weight: 3.47 gr (0.008 lb.)\r\naxis: 9:00' +p167799 +sg25267 +g27 +sg25275 +S'\ngold ducat//Struck' +p167800 +sg25268 +S'Lodovico II, 1438-1504, Marquess of Saluzzo 1475 [obverse]' +p167801 +sg25270 +S'Carmagnola 15th Century' +p167802 +sa(dp167803 +g25268 +S'Two Allegorical Figures (Roma and Liberty?)' +p167804 +sg25270 +S'Master IRs' +p167805 +sg25273 +S'engraving' +p167806 +sg25275 +S'unknown date\n' +p167807 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c749.jpg' +p167808 +sg25267 +g27 +sa(dp167809 +g25273 +S'overall (diameter): 2.49 cm (1 in.)\r\ngross weight: 3.47 gr (0.008 lb.)\r\naxis: 9:00' +p167810 +sg25267 +g27 +sg25275 +S'\ngold ducat//Struck' +p167811 +sg25268 +S'Crowned Shield, Eagle Crest [reverse]' +p167812 +sg25270 +S'Carmagnola 15th Century' +p167813 +sa(dp167814 +g25273 +S'overall (diameter): 2.56 cm (1 in.)\r\ngross weight: 7.08 gr (0.016 lb.)\r\naxis: 3:00' +p167815 +sg25267 +g27 +sg25275 +S'\nsilver testoon//Struck' +p167816 +sg25268 +S'Francesco II Gonzaga, 1466-1519, 4th Marquess of Mantua 1484 [obverse]' +p167817 +sg25270 +S'Mantuan 16th Century' +p167818 +sa(dp167819 +g25273 +S'overall (diameter): 2.56 cm (1 in.)\r\ngross weight: 7.08 gr (0.016 lb.)\r\naxis: 3:00' +p167820 +sg25267 +g27 +sg25275 +S'\nsilver testoon//Struck' +p167821 +sg25268 +S'Pyxis of the Blood of Christ [reverse]' +p167822 +sg25270 +S'Mantuan 16th Century' +p167823 +sa(dp167824 +g25273 +S'overall (diameter): 2.56 cm (1 in.)\r\ngross weight: 3.6 gr (0.008 lb.)\r\naxis: 12:00' +p167825 +sg25267 +g27 +sg25275 +S'\nsilver half-testoon//Struck' +p167826 +sg25268 +S'Francesco II Gonzaga, 1466-1519, 4th Marquess of Mantua 1484 [obverse]' +p167827 +sg25270 +S'Mantuan 16th Century' +p167828 +sa(dp167829 +g25273 +S'overall (diameter): 2.56 cm (1 in.)\r\ngross weight: 3.6 gr (0.008 lb.)\r\naxis: 12:00' +p167830 +sg25267 +g27 +sg25275 +S'\nsilver half-testoon//Struck' +p167831 +sg25268 +S'Pyxis of the Blood of Christ [reverse]' +p167832 +sg25270 +S'Mantuan 16th Century' +p167833 +sa(dp167834 +g25273 +S'overall (diameter): 3.04 cm (1 3/16 in.)\r\ngross weight: 6.06 gr (0.013 lb.)\r\naxis: 2:00' +p167835 +sg25267 +g27 +sg25275 +S'\nsilver testoon//Struck' +p167836 +sg25268 +S'Francesco III Gonzaga, 1533-1550, 2nd Duke of Mantua [obverse]' +p167837 +sg25270 +S'Mantuan 16th Century' +p167838 +sa(dp167839 +g25273 +S'overall (diameter): 3.04 cm (1 3/16 in.)\r\ngross weight: 6.06 gr (0.013 lb.)\r\naxis: 2:00' +p167840 +sg25267 +g27 +sg25275 +S'\nsilver testoon//Struck' +p167841 +sg25268 +S'Tobias Guided by the Angel [reverse]' +p167842 +sg25270 +S'Mantuan 16th Century' +p167843 +sa(dp167844 +g25273 +S'overall (diameter): 2.26 cm (7/8 in.)\r\ngross weight: 3.49 gr (0.008 lb.)\r\naxis: 5:00' +p167845 +sg25267 +g27 +sg25275 +S'\ngold ducat//Struck' +p167846 +sg25268 +S'Francesco I Sforza, 1401-1466, 4th Duke of Milan 1450 [obverse]' +p167847 +sg25270 +S'Milanese 16th Century' +p167848 +sa(dp167849 +g25273 +S'overall (diameter): 2.26 cm (7/8 in.)\r\ngross weight: 3.49 gr (0.008 lb.)\r\naxis: 5:00' +p167850 +sg25267 +g27 +sg25275 +S'\ngold ducat//Struck' +p167851 +sg25268 +S'Francesco in Armor on Horseback, Wielding Sword [reverse]' +p167852 +sg25270 +S'Milanese 16th Century' +p167853 +sa(dp167854 +g25273 +S'overall (diameter): 2.94 cm (1 3/16 in.)\r\ngross weight: 9.57 gr (0.021 lb.)\r\naxis: 1:00' +p167855 +sg25267 +g27 +sg25275 +S'\nsilver testoon//Struck' +p167856 +sg25268 +S'Galeazzo Maria Sforza, 1444-1476, 5th Duke of Milan 1466 [obverse]' +p167857 +sg25270 +S'Milanese 16th Century' +p167858 +sa(dp167859 +g25268 +S'Portrait of Petrarch' +p167860 +sg25270 +S'Italian 16th Century' +p167861 +sg25273 +S'sheet: 17.9 x 12.8 cm (7 1/16 x 5 1/16 in.)' +p167862 +sg25275 +S'\nengraving' +p167863 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c87c.jpg' +p167864 +sg25267 +g27 +sa(dp167865 +g25273 +S'overall (diameter): 2.94 cm (1 3/16 in.)\r\ngross weight: 9.57 gr (0.021 lb.)\r\naxis: 1:00' +p167866 +sg25267 +g27 +sg25275 +S'\nsilver testoon//Struck' +p167867 +sg25268 +S'Crowned Casque with Dragon Crest [reverse]' +p167868 +sg25270 +S'Milanese 16th Century' +p167869 +sa(dp167870 +g25273 +S'overall (diameter): 2.88 cm (1 1/8 in.)\r\ngross weight: 6.93 gr (0.015 lb.)\r\naxis: 1:00' +p167871 +sg25267 +g27 +sg25275 +S'\ngold double testoon//Struck' +p167872 +sg25268 +S'Giangaleazzo Maria Sforza, 1469-1494, 6th Duke of Milan 1476 [obverse]' +p167873 +sg25270 +S'Milanese 16th Century' +p167874 +sa(dp167875 +g25273 +S'overall (diameter): 2.88 cm (1 1/8 in.)\r\ngross weight: 6.93 gr (0.015 lb.)\r\naxis: 1:00' +p167876 +sg25267 +g27 +sg25275 +S'\ngold double testoon//Struck' +p167877 +sg25268 +S'Shield with Two Crests [reverse]' +p167878 +sg25270 +S'Milanese 16th Century' +p167879 +sa(dp167880 +g25273 +S'overall (diameter): 2.93 cm (1 1/8 in.)\r\ngross weight: 9.54 gr (0.021 lb.)\r\naxis: 8:00' +p167881 +sg25267 +g27 +sg25275 +S'\nsilver testoon//Struck' +p167882 +sg25268 +S'Giangaleazzo Maria Sforza, 1469-1494, 6th Duke of Milan 1476 [obverse]' +p167883 +sg25270 +S'Milanese 16th Century' +p167884 +sa(dp167885 +g25273 +S'overall (diameter): 2.93 cm (1 1/8 in.)\r\ngross weight: 9.54 gr (0.021 lb.)\r\naxis: 8:00' +p167886 +sg25267 +g27 +sg25275 +S'\nsilver testoon//Struck' +p167887 +sg25268 +S'Shield with Two Crests [reverse]' +p167888 +sg25270 +S'Milanese 16th Century' +p167889 +sa(dp167890 +g25273 +S'overall (diameter): 2.92 cm (1 1/8 in.)\r\ngross weight: 9.65 gr (0.021 lb.)\r\naxis: 11:00' +p167891 +sg25267 +g27 +sg25275 +S'\nsilver testoon//Struck' +p167892 +sg25268 +S'Giangaleazzo Maria Sforza, 1469-1494, 6th Duke of Milan 1476 [obverse]' +p167893 +sg25270 +S'Milanese 16th Century' +p167894 +sa(dp167895 +g25273 +S'overall (diameter): 2.92 cm (1 1/8 in.)\r\ngross weight: 9.65 gr (0.021 lb.)\r\naxis: 11:00' +p167896 +sg25267 +g27 +sg25275 +S'\nsilver testoon//Struck' +p167897 +sg25268 +S'Shield with Two Crests [reverse]' +p167898 +sg25270 +S'Milanese 16th Century' +p167899 +sa(dp167900 +g25273 +S'overall (diameter): 2.9 cm (1 1/8 in.)\r\ngross weight: 9.67 gr (0.021 lb.)\r\naxis: 6:00' +p167901 +sg25267 +g27 +sg25275 +S'\nsilver testoon //Struck' +p167902 +sg25268 +S'Giangaleazzo Maria Sforza, 1469-1494, 6th Duke of Milan 1476 [obverse]' +p167903 +sg25270 +S'Milanese 16th Century' +p167904 +sa(dp167905 +g25273 +S'overall (diameter): 2.9 cm (1 1/8 in.)\r\ngross weight: 9.67 gr (0.021 lb.)\r\naxis: 6:00' +p167906 +sg25267 +g27 +sg25275 +S'\nsilver testoon//Struck' +p167907 +sg25268 +S'Lodovico Maria Sforza, called il Moro, 1451-1508, Regent 1480-1494 [reverse]' +p167908 +sg25270 +S'Milanese 16th Century' +p167909 +sa(dp167910 +g25268 +S'Lodovico Maria Sforza, called il Moro, 1451-1508, 7th Duke of Milan 1494-1500 [obverse]' +p167911 +sg25270 +S'Milanese 15th Century' +p167912 +sg25273 +S'overall (diameter): 2.75 cm (1 1/16 in.)\r\ngross weight: 9.68 gr (0.021 lb.)\r\naxis: 10:00' +p167913 +sg25275 +S'\nsilver testoon//Struck' +p167914 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cd/a000cdd3.jpg' +p167915 +sg25267 +g27 +sa(dp167916 +g25268 +S'Saint Jerome in His Study' +p167917 +sg25270 +S'Giovanni Antonio da Brescia' +p167918 +sg25273 +S'engraving' +p167919 +sg25275 +S'c. 1510' +p167920 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c82d.jpg' +p167921 +sg25267 +g27 +sa(dp167922 +g25268 +S'Crowned Shield [reverse]' +p167923 +sg25270 +S'Milanese 15th Century' +p167924 +sg25273 +S'overall (diameter): 2.75 cm (1 1/16 in.)\r\ngross weight: 9.68 gr (0.021 lb.)\r\naxis: 10:00' +p167925 +sg25275 +S'\nsilver testoon//Struck' +p167926 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cd/a000cdd2.jpg' +p167927 +sg25267 +g27 +sa(dp167928 +g25273 +S'overall (diameter): 2.24 cm (7/8 in.)\r\ngross weight: 10.54 gr (0.023 lb.)\r\naxis: 9:00' +p167929 +sg25267 +g27 +sg25275 +S'\ncopper//Proof for a testoon' +p167930 +sg25268 +S'Lodovico Maria Sforza, called il Moro, 1451-1508, 7th Duke of Milan 1494-1500 [obverse]' +p167931 +sg25270 +S'Milanese 15th Century' +p167932 +sa(dp167933 +g25273 +S'overall (diameter): 2.24 cm (7/8 in.)\r\ngross weight: 10.54 gr (0.023 lb.)\r\naxis: 9:00' +p167934 +sg25267 +g27 +sg25275 +S'\ncopper//Proof for a testoon' +p167935 +sg25268 +S"Beatrice d'Este, 1475-1497, Wife of Lodovico Maria Sforza 1491 [reverse]" +p167936 +sg25270 +S'Milanese 15th Century' +p167937 +sa(dp167938 +g25273 +S'overall (diameter): 3 cm (1 3/16 in.)\r\ngross weight: 9.61 gr (0.021 lb.)\r\naxis: 8:00' +p167939 +sg25267 +g27 +sg25275 +S'\nsilver testoon//Struck' +p167940 +sg25268 +S'Louis XII, 1462-1515, King of France 1498, as Duke of Milan 1500-1513 [obverse]' +p167941 +sg25270 +S'Milanese 16th Century' +p167942 +sa(dp167943 +g25273 +S'overall (diameter): 3 cm (1 3/16 in.)\r\ngross weight: 9.61 gr (0.021 lb.)\r\naxis: 8:00' +p167944 +sg25267 +g27 +sg25275 +S'\nsilver testoon//Struck' +p167945 +sg25268 +S'Saint Ambrose on Horseback, Wielding a Scourge [reverse]' +p167946 +sg25270 +S'Milanese 16th Century' +p167947 +sa(dp167948 +g25273 +S'overall (diameter): 2.46 cm (15/16 in.)\r\ngross weight: 3.44 gr (0.008 lb.)\r\naxis: 7:00' +p167949 +sg25267 +g27 +sg25275 +S'\ngold ducat//Struck' +p167950 +sg25268 +S"Ercole I d'Este, 1431-1505, 2nd Duke of Ferrara, Modena, and Reggio 1471 [obverse]" +p167951 +sg25270 +S'Ferrarese 15th Century' +p167952 +sa(dp167953 +g25273 +S'overall (diameter): 2.46 cm (15/16 in.)\r\ngross weight: 3.44 gr (0.008 lb.)\r\naxis: 7:00' +p167954 +sg25267 +g27 +sg25275 +S'\ngold ducat//Struck' +p167955 +sg25268 +S'Christ Rising from the Tomb Holding a Banner [reverse]' +p167956 +sg25270 +S'Ferrarese 15th Century' +p167957 +sa(dp167958 +g25273 +S'overall (diameter): 2.87 cm (1 1/8 in.)\r\ngross weight: 15.85 gr (0.035 lb.)\r\naxis: 4:00' +p167959 +sg25267 +g27 +sg25275 +S'\ncopper//Proof for a testoon' +p167960 +sg25268 +S"Ercole I d'Este, 1431-1505, 2nd Duke of Ferrara, Modena, and Reggio 1471 [obverse]" +p167961 +sg25270 +S'Ferrarese 15th Century' +p167962 +sa(dp167963 +g25273 +S'overall (diameter): 2.87 cm (1 1/8 in.)\r\ngross weight: 15.85 gr (0.035 lb.)\r\naxis: 4:00' +p167964 +sg25267 +g27 +sg25275 +S'\ncopper//Proof for a testoon' +p167965 +sg25268 +S'Nude Man on Horseback [reverse]' +p167966 +sg25270 +S'Ferrarese 15th Century' +p167967 +sa(dp167968 +g25268 +S"Alfonso I d'Este, 1476-1534, 3rd Duke of Ferrara, Modena and Reggio 1505 [obverse]" +p167969 +sg25270 +S'Ferrarese 16th Century' +p167970 +sg25273 +S'overall (diameter): 2.94 cm (1 3/16 in.)\r\ngross weight: 8.23 gr (0.018 lb.)\r\naxis: 11:00' +p167971 +sg25275 +S'\ncast of a silver testoon' +p167972 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006452.jpg' +p167973 +sg25267 +g27 +sa(dp167974 +g25268 +S'Saint Jerome in Penitence, with Two Ships in a Harbor' +p167975 +sg25270 +S'Italian 15th Century' +p167976 +sg25273 +S'sheet: 20.1 x 28 cm (7 15/16 x 11 in.)' +p167977 +sg25275 +S'\nengraving [restrike, probably late 18th century impression]' +p167978 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c709.jpg' +p167979 +sg25267 +g27 +sa(dp167980 +g25273 +S'overall (diameter): 2.94 cm (1 3/16 in.)\r\ngross weight: 8.23 gr (0.018 lb.)\r\naxis: 11:00' +p167981 +sg25267 +g27 +sg25275 +S'\ncast of a silver testoon' +p167982 +sg25268 +S"Helmeted Nude Figure Seated, Holding a Lion's Head from which Issue Bees [reverse]" +p167983 +sg25270 +S'Ferrarese 16th Century' +p167984 +sa(dp167985 +g25273 +g27 +sg25267 +g27 +sg25275 +S'(sculptor)' +p167986 +sg25268 +S'Giovanni II Bentivoglio, 1443-1508, Lord of Bologna 1463-1506 [obverse]' +p167987 +sg25270 +S'Artist Information (' +p167988 +sa(dp167989 +g25273 +g27 +sg25267 +g27 +sg25275 +S'(sculptor)' +p167990 +sg25268 +S'Shield Surmounted by an Eagle [reverse]' +p167991 +sg25270 +S'Artist Information (' +p167992 +sa(dp167993 +g25273 +S'overall (diameter): 2.87 cm (1 1/8 in.)\r\ngross weight: 4.38 gr (0.01 lb.)\r\naxis: 5:00' +p167994 +sg25267 +g27 +sg25275 +S'\nsilver giulio//Struck' +p167995 +sg25268 +S'Julius II (Giuliano della Rovere, 1443-1513), Pope 1503 [obverse]' +p167996 +sg25270 +S'Bolognese 16th Century' +p167997 +sa(dp167998 +g25273 +S'overall (diameter): 2.87 cm (1 1/8 in.)\r\ngross weight: 4.38 gr (0.01 lb.)\r\naxis: 5:00' +p167999 +sg25267 +g27 +sg25275 +S'\nsilver giulio//Struck' +p168000 +sg25268 +S'Saint Petronius Enthroned above Arms of Cardinal Alidosi [reverse]' +p168001 +sg25270 +S'Bolognese 16th Century' +p168002 +sa(dp168003 +g25273 +S'overall (diameter): 2.75 cm (1 1/16 in.)\r\ngross weight: 3.76 gr (0.008 lb.)\r\naxis: 12:00' +p168004 +sg25267 +g27 +sg25275 +S'\nsilver bianco//Struck' +p168005 +sg25268 +S"Leo X (Giovanni de' Medici, 1475-1521), Pope 1513 [obverse]" +p168006 +sg25270 +S'Bolognese 16th Century' +p168007 +sa(dp168008 +g25273 +S'overall (diameter): 2.75 cm (1 1/16 in.)\r\ngross weight: 3.76 gr (0.008 lb.)\r\naxis: 12:00' +p168009 +sg25267 +g27 +sg25275 +S'\nsilver bianco//Struck' +p168010 +sg25268 +S'Rampant Lion Holding a Banner [reverse]' +p168011 +sg25270 +S'Bolognese 16th Century' +p168012 +sa(dp168013 +g25273 +S'overall (diameter): 1.94 cm (3/4 in.)\r\ngross weight: 1.67 gr (0.004 lb.)\r\naxis: 1:00' +p168014 +sg25267 +g27 +sg25275 +S'\ncopper denaro//Struck' +p168015 +sg25268 +S'Giovanni Sforza, 1466-1510, Lord of Pesaro [obverse]' +p168016 +sg25270 +S'Pesarese 15th Century' +p168017 +sa(dp168018 +g25273 +S'overall (diameter): 1.94 cm (3/4 in.)\r\ngross weight: 1.67 gr (0.004 lb.)\r\naxis: 1:00' +p168019 +sg25267 +g27 +sg25275 +S'\ncopper denaro//Struck' +p168020 +sg25268 +S'Inscription [reverse]' +p168021 +sg25270 +S'Pesarese 15th Century' +p168022 +sa(dp168023 +g25268 +S"Alessandro de' Medici, 1512-1537, 1st Duke of Florence 1523 [obverse]" +p168024 +sg25270 +S'Benvenuto Cellini' +p168025 +sg25273 +S'silver testoon//Struck' +p168026 +sg25275 +S'1500-1571' +p168027 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006451.jpg' +p168028 +sg25267 +g27 +sa(dp168029 +g25268 +S'Saint Jerome in Penitence' +p168030 +sg25270 +S'Italian 16th Century' +p168031 +sg25273 +S'sheet (trimmed to plate mark): 21.4 x 17 cm (8 7/16 x 6 11/16 in.)' +p168032 +sg25275 +S'\nengraving' +p168033 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c878.jpg' +p168034 +sg25267 +g27 +sa(dp168035 +g25273 +S'silver testoon//Struck' +p168036 +sg25267 +g27 +sg25275 +S'1500/1571' +p168037 +sg25268 +S'Saint Cosmas and Saint Damian' +p168038 +sg25270 +S'Benvenuto Cellini' +p168039 +sa(dp168040 +g25273 +S'overall (diameter): 2.55 cm (1 in.)\r\ngross weight: 3.59 gr (0.008 lb.)\r\naxis: 10:00' +p168041 +sg25267 +g27 +sg25275 +S'\nsilver grosso//Struck' +p168042 +sg25268 +S'Sixtus IV (Francesco della Rovere, 1414-1484), Pope 1471 [obverse]' +p168043 +sg25270 +S'Roman 15th Century' +p168044 +sa(dp168045 +g25273 +S'overall (diameter): 2.55 cm (1 in.)\r\ngross weight: 3.59 gr (0.008 lb.)\r\naxis: 10:00' +p168046 +sg25267 +g27 +sg25275 +S'\nsilver grosso//Struck' +p168047 +sg25268 +S'Della Rovere Shield, Crossed Keys, and Tiara [reverse]' +p168048 +sg25270 +S'Roman 15th Century' +p168049 +sa(dp168050 +g25273 +S'overall (diameter): 2.7 cm (1 1/16 in.)\r\ngross weight: 3.9 gr (0.009 lb.)\r\naxis: 9:00' +p168051 +sg25267 +g27 +sg25275 +S'\nsilver coronato' +p168052 +sg25268 +S'Ferdinand (Ferrante) I of Aragon, 1423-1494, King of Naples 1458 [obverse]' +p168053 +sg25270 +S'Neapolitan 15th Century' +p168054 +sa(dp168055 +g25273 +S'overall (diameter): 2.7 cm (1 1/16 in.)\r\ngross weight: 3.9 gr (0.009 lb.)\r\naxis: 9:00' +p168056 +sg25267 +g27 +sg25275 +S'\nsilver coronato//Struck' +p168057 +sg25268 +S'Saint Michael Spearing the Dragon [reverse]' +p168058 +sg25270 +S'Neapolitan 15th Century' +p168059 +sa(dp168060 +g25273 +S'overall (diameter): 3.05 cm (1 3/16 in.)\r\ngross weight: 9.5 gr (0.021 lb.)\r\naxis: 4:00' +p168061 +sg25267 +g27 +sg25275 +S'\nsilver testoon//Struck' +p168062 +sg25268 +S'Antoine, 1489-1544, Duke of Lorraine 1508 [obverse]' +p168063 +sg25270 +S'Nancy 16th Century' +p168064 +sa(dp168065 +g25273 +S'overall (diameter): 3.05 cm (1 3/16 in.)\r\ngross weight: 9.5 gr (0.021 lb.)\r\naxis: 4:00' +p168066 +sg25267 +g27 +sg25275 +S'\nsilver testoon//Struck' +p168067 +sg25268 +S'Crowned Shield [reverse]' +p168068 +sg25270 +S'Nancy 16th Century' +p168069 +sa(dp168070 +g25273 +S'overall (diameter): 2.96 cm (1 3/16 in.)\r\ngross weight: 7.02 gr (0.015 lb.)\r\naxis: 10:00' +p168071 +sg25267 +g27 +sg25275 +S'\ngold excelente//Struck' +p168072 +sg25268 +S'Ferdinand II, 1452-1516, King of Aragon 1479, and Isabella, 1451-1504, Queen of Castile and Le\xc3\xb3n 1474 [obverse]' +p168073 +sg25270 +S'Spanish 16th Century' +p168074 +sa(dp168075 +g25273 +S'overall (diameter): 2.96 cm (1 3/16 in.)\r\ngross weight: 7.02 gr (0.015 lb.)\r\naxis: 10:00' +p168076 +sg25267 +g27 +sg25275 +S'\ngold excelente' +p168077 +sg25268 +S'Eagle Displaying Crowned Shield of Aragon and Castile [reverse]' +p168078 +sg25270 +S'Spanish 16th Century' +p168079 +sa(dp168080 +g25273 +S'lead//Late cast' +p168081 +sg25267 +g27 +sg25275 +S'1519' +p168082 +sg25268 +S'Desiderius Erasmus of Rotterdam, 1467/1469-1536, Scholar, Theologian, and Satirist' +p168083 +sg25270 +S'Quentin Massys' +p168084 +sa(dp168085 +g25268 +S'The Last Judgment' +p168086 +sg25270 +S'Artist Information (' +p168087 +sg25273 +S'(artist after)' +p168088 +sg25275 +S'\n' +p168089 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c7cb.jpg' +p168090 +sg25267 +g27 +sa(dp168091 +g25273 +S'lead//Cast hollow' +p168092 +sg25267 +g27 +sg25275 +S'1568' +p168093 +sg25268 +S'Wenzel Jamnitzer, 1508-1585, Goldsmith' +p168094 +sg25270 +S'Valentin Maler' +p168095 +sa(dp168096 +g25273 +S'overall (diameter): 7.58 cm (3 in.)\r\ngross weight: 83.24 gr (0.184 lb.)' +p168097 +sg25267 +g27 +sg25275 +S'\n' +p168098 +sg25268 +S'A Senator' +p168099 +sg25270 +S'Italian 16th Century' +p168100 +sa(dp168101 +g25273 +S'bronze' +p168102 +sg25267 +g27 +sg25275 +S'unknown date\n' +p168103 +sg25268 +S"Ercole I d'Este, 1431-1505, Duke of Ferrara, Modena, and Reggio 1471 [obverse]" +p168104 +sg25270 +S"Baldassare d'Este" +p168105 +sa(dp168106 +g25273 +S'bronze' +p168107 +sg25267 +g27 +sg25275 +S'unknown date\n' +p168108 +sg25268 +S'Ercole on Horseback [reverse]' +p168109 +sg25270 +S"Baldassare d'Este" +p168110 +sa(dp168111 +g25273 +S'overall (diameter): 10.93 cm (4 5/16 in.)\r\ngross weight: 230.11 gr (0.507 lb.)' +p168112 +sg25267 +g27 +sg25275 +S'\nbronze' +p168113 +sg25268 +S"Borso d'Este, 1413-1471, Marquess of Ferrara 1450, Duke of Modena and Reggio 1452, and 1st Duke of Ferrara 1471 [obverse]" +p168114 +sg25270 +S'Ferrarese 15th Century' +p168115 +sa(dp168116 +g25273 +S'bronze' +p168117 +sg25267 +g27 +sg25275 +S'unknown date\n' +p168118 +sg25268 +S'Giovanni II Bentivoglio, 1443-1508, Lord of Bologna 1463-1506 [obverse]' +p168119 +sg25270 +S'Sperandio' +p168120 +sa(dp168121 +g25273 +S'bronze' +p168122 +sg25267 +g27 +sg25275 +S'unknown date\n' +p168123 +sg25268 +S'Cupids Holding the Arms of the Bentivogli [reverse]' +p168124 +sg25270 +S'Sperandio' +p168125 +sa(dp168126 +g25273 +S'lead' +p168127 +sg25267 +g27 +sg25275 +S'unknown date\n' +p168128 +sg25268 +S'Galeazzo Maria Sforza, 1444-1476, Count of Pavia [obverse]' +p168129 +sg25270 +S'Antonio Marescotti' +p168130 +sa(dp168131 +g25273 +S'lead' +p168132 +sg25267 +g27 +sg25275 +S'unknown date\n' +p168133 +sg25268 +S"Sunburst with Cherub's Head [reverse]" +p168134 +sg25270 +S'Antonio Marescotti' +p168135 +sa(dp168136 +g25273 +S', unknown date' +p168137 +sg25267 +g27 +sg25275 +S'\n' +p168138 +sg25268 +S'Nonnina Strozzi, Wife of Bernardo Barbigia [obverse]' +p168139 +sg25270 +S'Niccol\xc3\xb2 Fiorentino' +p168140 +sa(dp168141 +g25273 +S'etching' +p168142 +sg25267 +g27 +sg25275 +S'unknown date\n' +p168143 +sg25268 +S'Hombre Bueno' +p168144 +sg25270 +S'Adolfo Bellocq' +p168145 +sa(dp168146 +g25273 +S', unknown date' +p168147 +sg25267 +g27 +sg25275 +S'\n' +p168148 +sg25268 +S'Nonnina Praying [reverse]' +p168149 +sg25270 +S'Niccol\xc3\xb2 Fiorentino' +p168150 +sa(dp168151 +g25273 +S'bronze' +p168152 +sg25267 +g27 +sg25275 +S'1479' +p168153 +sg25268 +S'Virgilio Malvezzi, died 1481, Politician [obverse]' +p168154 +sg25270 +S'Sperandio' +p168155 +sa(dp168156 +g25273 +S'bronze' +p168157 +sg25267 +g27 +sg25275 +S'1479' +p168158 +sg25268 +S'Swordsman Seated on a Plinth [reverse]' +p168159 +sg25270 +S'Sperandio' +p168160 +sa(dp168161 +g25273 +S'bronze' +p168162 +sg25267 +g27 +sg25275 +S'c. 1467' +p168163 +sg25268 +S'Fra Cesario of Ferrara, died 1490, Servite Monk' +p168164 +sg25270 +S'Sperandio' +p168165 +sa(dp168166 +g25273 +S'bronze' +p168167 +sg25267 +g27 +sg25275 +S'c. 1467' +p168168 +sg25268 +S'Fra Cesario Seated on a Rock, Contemplating a Skull [reverse]' +p168169 +sg25270 +S'Sperandio' +p168170 +sa(dp168171 +g25273 +S'bronze' +p168172 +sg25267 +g27 +sg25275 +S'unknown date\n' +p168173 +sg25268 +S'Marco Mantova Benavides, 1489-1582, Lawyer and Collector [obverse]' +p168174 +sg25270 +S'Martino da Bergamo' +p168175 +sa(dp168176 +g25273 +S'bronze' +p168177 +sg25267 +g27 +sg25275 +S'unknown date\n' +p168178 +sg25268 +S'Reclining Bovine [reverse]' +p168179 +sg25270 +S'Martino da Bergamo' +p168180 +sa(dp168181 +g25273 +S'bronze//Cast hollow' +p168182 +sg25267 +g27 +sg25275 +S'late 15th or early 16th century' +p168183 +sg25268 +S'Giovanni Mocenigo, 1408-1485, Doge of Venice' +p168184 +sg25270 +S'Master G.T.' +p168185 +sa(dp168186 +g25273 +S'silver' +p168187 +sg25267 +g27 +sg25275 +S'1526' +p168188 +sg25268 +S'Henry VIII, 1491-1547, King of England 1509 [obverse]' +p168189 +sg25270 +S'Hans Daucher' +p168190 +sa(dp168191 +g25273 +S'silver' +p168192 +sg25267 +g27 +sg25275 +S'1526' +p168193 +sg25268 +S'Tudor Portcullis Crowned [reverse]' +p168194 +sg25270 +S'Hans Daucher' +p168195 +sa(dp168196 +g25273 +S'etching' +p168197 +sg25267 +g27 +sg25275 +S'unknown date\n' +p168198 +sg25268 +S'Vagabundo' +p168199 +sg25270 +S'Adolfo Bellocq' +p168200 +sa(dp168201 +g25273 +S'overall (diameter): 7.2 cm (2 13/16 in.)\r\ngross weight: 121.12 gr (0.267 lb.)\r\naxis: 12:00' +p168202 +sg25267 +g27 +sg25275 +S'\nsilver' +p168203 +sg25268 +S"William Shevez (Sheves), died 1497, Archbishop of Saint Andrew's, Scotland 1478 [obverse]" +p168204 +sg25270 +S'Netherlandish 15th Century' +p168205 +sa(dp168206 +g25273 +S'silver' +p168207 +sg25267 +g27 +sg25275 +S'1491' +p168208 +sg25268 +S'Coat of Arms and Inscription [reverse]' +p168209 +sg25270 +S'Anonymous Netherlandish' +p168210 +sa(dp168211 +g25273 +S'German, c. 1492 - after 1532' +p168212 +sg25267 +g27 +sg25275 +S'(related artist)' +p168213 +sg25268 +S'Henry VIII, 1491-1547, King of England 1509' +p168214 +sg25270 +S'Artist Information (' +p168215 +sa(dp168216 +g25273 +S'German, c. 1492 - after 1532' +p168217 +sg25267 +g27 +sg25275 +S'(related artist)' +p168218 +sg25268 +S'Henry VIII, 1491-1547, King of England 1509' +p168219 +sg25270 +S'Artist Information (' +p168220 +sa(dp168221 +g25273 +S'overall (diameter): 9.11 cm (3 9/16 in.)\r\ngross weight: 137.18 gr (0.302 lb.)\r\naxis: 12:00' +p168222 +sg25267 +g27 +sg25275 +S'\nbronzed lead' +p168223 +sg25268 +S'Fran\xc3\xa7ois I, 1494-1547, King of France 1515 [obverse]' +p168224 +sg25270 +S'French 16th Century' +p168225 +sa(dp168226 +g25273 +S'overall (diameter): 9.11 cm (3 9/16 in.)\r\ngross weight: 137.18 gr (0.302 lb.)\r\naxis: 12:00' +p168227 +sg25267 +g27 +sg25275 +S'\nbronzed lead' +p168228 +sg25268 +S'Fran\xc3\xa7ois I on Horseback [reverse]' +p168229 +sg25270 +S'French 16th Century' +p168230 +sa(dp168231 +g25273 +S'overall (diameter): 5.5 cm (2 3/16 in.)\r\ngross weight: 87.03 gr (0.192 lb.)\r\naxis: 6:00' +p168232 +sg25267 +g27 +sg25275 +S'\nbronze' +p168233 +sg25268 +S"Charles VIII (L'Affable), King of France, 1470-1498 [obverse]" +p168234 +sg25270 +S'Italian 16th Century' +p168235 +sa(dp168236 +g25273 +S'overall (diameter): 5.5 cm (2 3/16 in.)\r\ngross weight: 87.03 gr (0.192 lb.)\r\naxis: 6:00' +p168237 +sg25267 +g27 +sg25275 +S'\nbronze' +p168238 +sg25268 +S'King in Armor Attended by Victory [reverse]' +p168239 +sg25270 +S'Italian 16th Century' +p168240 +sa(dp168241 +g25273 +S'overall (diameter): 5.42 cm (2 1/8 in.)\r\ngross weight: 76.46 gr (0.169 lb.)\r\naxis: 12:00' +p168242 +sg25267 +g27 +sg25275 +S'\nbronze' +p168243 +sg25268 +S'Mary Stuart, 1542-1587, Queen of Scots [obverse]' +p168244 +sg25270 +S'British 17th Century' +p168245 +sa(dp168246 +g25273 +S'overall (diameter): 5.42 cm (2 1/8 in.)\r\ngross weight: 76.46 gr (0.169 lb.)\r\naxis: 12:00' +p168247 +sg25267 +g27 +sg25275 +S'\nbronze' +p168248 +sg25268 +S'Inscription [reverse]' +p168249 +sg25270 +S'British 17th Century' +p168250 +sa(dp168251 +g25273 +S'etching' +p168252 +sg25267 +g27 +sg25275 +S'1926' +p168253 +sg25268 +S'Errante' +p168254 +sg25270 +S'Adolfo Bellocq' +p168255 +sa(dp168256 +g25273 +S'overall (diameter): 5.91 cm (2 5/16 in.)\r\ngross weight: 88.43 gr (0.195 lb.)\r\naxis: 12:00' +p168257 +sg25267 +g27 +sg25275 +S'\nbronze' +p168258 +sg25268 +S'Sir Thomas More, 1480-1535, Lord Chancellor of England 1529 [obverse]' +p168259 +sg25270 +S'English 17th Century' +p168260 +sa(dp168261 +g25273 +S'overall (diameter): 5.91 cm (2 5/16 in.)\r\ngross weight: 88.43 gr (0.195 lb.)\r\naxis: 12:00' +p168262 +sg25267 +g27 +sg25275 +S'\nbronze' +p168263 +sg25268 +S'Felled Cypress Tree [reverse]' +p168264 +sg25270 +S'English 17th Century' +p168265 +sa(dp168266 +g25273 +S'bronze' +p168267 +sg25267 +g27 +sg25275 +S'unknown date\n' +p168268 +sg25268 +S'Bianca Riario [obverse]' +p168269 +sg25270 +S'Niccol\xc3\xb2 Fiorentino' +p168270 +sa(dp168271 +g25273 +S'bronze' +p168272 +sg25267 +g27 +sg25275 +S'unknown date\n' +p168273 +sg25268 +S'The Three Graces [reverse]' +p168274 +sg25270 +S'Niccol\xc3\xb2 Fiorentino' +p168275 +sa(dp168276 +g25273 +S'bronze' +p168277 +sg25267 +g27 +sg25275 +S'unknown date\n' +p168278 +sg25268 +S'Pius II (Aeneas Silvius Piccolomini, 1405-1464), Pope 1458 [obverse]' +p168279 +sg25270 +S'Andrea Guacialoti' +p168280 +sa(dp168281 +g25273 +S'bronze' +p168282 +sg25267 +g27 +sg25275 +S'unknown date\n' +p168283 +sg25268 +S'Pelican in Her Piety [reverse]' +p168284 +sg25270 +S'Andrea Guacialoti' +p168285 +sa(dp168286 +g25273 +S'bronze' +p168287 +sg25267 +g27 +sg25275 +S'unknown date\n' +p168288 +sg25268 +S'Giovanni II Bentivoglio, 1443-1508, Lord of Bologna 1463-1506 [obverse]' +p168289 +sg25270 +S'Sperandio' +p168290 +sa(dp168291 +g25273 +S'bronze' +p168292 +sg25267 +g27 +sg25275 +S'unknown date\n' +p168293 +sg25268 +S"Giovanni II Bentivoglio Mounted in Armor with Captain's Baton [reverse]" +p168294 +sg25270 +S'Sperandio' +p168295 +sa(dp168296 +g25273 +S'overall (diameter): 6.12 cm (2 7/16 in.)\r\ngross weight: 105.47 gr (0.233 lb.)\r\naxis: 12:00' +p168297 +sg25267 +g27 +sg25275 +S'\nbronze' +p168298 +sg25268 +S'Michael Ott von Aechterdingen, c. 1479-1532 [obverse]' +p168299 +sg25270 +S'Austrian 16th Century' +p168300 +sa(dp168301 +g25273 +S'overall (diameter): 6.12 cm (2 7/16 in.)\r\ngross weight: 105.47 gr (0.233 lb.)\r\naxis: 12:00' +p168302 +sg25267 +g27 +sg25275 +S'\nbronze' +p168303 +sg25268 +S'Coat of Arms [reverse]' +p168304 +sg25270 +S'Austrian 16th Century' +p168305 +sa(dp168306 +g25273 +S'woodcut' +p168307 +sg25267 +g27 +sg25275 +S'1927' +p168308 +sg25268 +S'Beethoven' +p168309 +sg25270 +S'Adolfo Bellocq' +p168310 +sa(dp168311 +g25273 +S'overall (diameter): 5.32 cm (2 1/8 in.)\r\ngross weight: 43.52 gr (0.096 lb.)\r\naxis: 12:00' +p168312 +sg25267 +g27 +sg25275 +S'\nbronze' +p168313 +sg25268 +S'Ferdinand I, 1503-1564, Archduke of Austria 1519, and Anne of Hungary, died 1547, His Wife 1521 [obverse]' +p168314 +sg25270 +S'Austrian 16th Century' +p168315 +sa(dp168316 +g25273 +S'overall (diameter): 5.32 cm (2 1/8 in.)\r\ngross weight: 43.52 gr (0.096 lb.)\r\naxis: 12:00' +p168317 +sg25267 +g27 +sg25275 +S'\nbronze' +p168318 +sg25268 +S'Monogram FA Circled by the Collar of the Golden Fleece [reverse]' +p168319 +sg25270 +S'Austrian 16th Century' +p168320 +sa(dp168321 +g25273 +S'overall (diameter): 5.44 cm (2 1/8 in.)\r\ngross weight: 31.7 gr (0.07 lb.)\r\naxis: 12:00' +p168322 +sg25267 +g27 +sg25275 +S'\nbronze' +p168323 +sg25268 +S'Philip II, 1527-1598, King of Spain 1556 [obverse]' +p168324 +sg25270 +S'Flemish 16th Century' +p168325 +sa(dp168326 +g25273 +S'overall (diameter): 5.44 cm (2 1/8 in.)\r\ngross weight: 31.7 gr (0.07 lb.)\r\naxis: 12:00' +p168327 +sg25267 +g27 +sg25275 +S'\nbronze' +p168328 +sg25268 +S'Constancy [reverse]' +p168329 +sg25270 +S'Flemish 16th Century' +p168330 +sa(dp168331 +g25273 +S'base silver' +p168332 +sg25267 +g27 +sg25275 +S'1529' +p168333 +sg25268 +S'Hieronymus Holzschuher, 1469-1529, Patrician of Nuremberg [obverse]' +p168334 +sg25270 +S'Matthes Gebel' +p168335 +sa(dp168336 +g25273 +S'base silver' +p168337 +sg25267 +g27 +sg25275 +S'1529' +p168338 +sg25268 +S'Shield of Arms, Crest and Mantling [reverse]' +p168339 +sg25270 +S'Matthes Gebel' +p168340 +sa(dp168341 +g25273 +S'base silver' +p168342 +sg25267 +g27 +sg25275 +S'c. 1532' +p168343 +sg25268 +S'Johann Frederich, 1503-1554, Elector of Saxony 1532 [obverse]' +p168344 +sg25270 +S'Matthes Gebel' +p168345 +sa(dp168346 +g25273 +S'base silver' +p168347 +sg25267 +g27 +sg25275 +S'c. 1532' +p168348 +sg25268 +S'Blazon of Arms [reverse]' +p168349 +sg25270 +S'Matthes Gebel' +p168350 +sa(dp168351 +g25273 +S'lead//Cast hollow' +p168352 +sg25267 +g27 +sg25275 +S'unknown date\n' +p168353 +sg25268 +S'Caspar Hedio, 1494-1552, Preacher and Minister' +p168354 +sg25270 +S'Friedrich Hagenauer' +p168355 +sa(dp168356 +g25268 +S'Raymund Fugger, 1489-1535, Scholar and Patron of the Arts [obverse]' +p168357 +sg25270 +S'Matthes Gebel' +p168358 +sg25273 +S'base silver' +p168359 +sg25275 +S'unknown date\n' +p168360 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6bf.jpg' +p168361 +sg25267 +g27 +sa(dp168362 +g25273 +S'lithograph' +p168363 +sg25267 +g27 +sg25275 +S'unknown date\n' +p168364 +sg25268 +S'Viejo Lobo' +p168365 +sg25270 +S'Adolfo Bellocq' +p168366 +sa(dp168367 +g25268 +S'Allegory of Liberality [reverse]' +p168368 +sg25270 +S'Matthes Gebel' +p168369 +sg25273 +S'base silver' +p168370 +sg25275 +S'unknown date\n' +p168371 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6c0.jpg' +p168372 +sg25267 +g27 +sa(dp168373 +g25273 +S'lead' +p168374 +sg25267 +g27 +sg25275 +S'unknown date\n' +p168375 +sg25268 +S'Lorenz Truchsess von Pommersfelden, 1473-1543, Dean of the Cathedral of Mainz [obverse]' +p168376 +sg25270 +S'Matthes Gebel' +p168377 +sa(dp168378 +g25273 +S'lead' +p168379 +sg25267 +g27 +sg25275 +S'unknown date\n' +p168380 +sg25268 +S'Hourglass on an Inscribed Tablet [reverse]' +p168381 +sg25270 +S'Matthes Gebel' +p168382 +sa(dp168383 +g25268 +S'Lorenz Staiber, 1485/1486-1539, Patrician of Nuremberg, Writer, and Orator [obverse]' +p168384 +sg25270 +S'Matthes Gebel' +p168385 +sg25273 +S'lead' +p168386 +sg25275 +S'1535' +p168387 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00064/a0006418.jpg' +p168388 +sg25267 +g27 +sa(dp168389 +g25273 +S'lead' +p168390 +sg25267 +g27 +sg25275 +S'1535' +p168391 +sg25268 +S'Magdalena Rummel, Wife of Lorenz Staiber 1509 [reverse]' +p168392 +sg25270 +S'Matthes Gebel' +p168393 +sa(dp168394 +g25273 +S'lead' +p168395 +sg25267 +g27 +sg25275 +S'1529' +p168396 +sg25268 +S'Georg Hermann, 1491-1552, German Philospher [obverse]' +p168397 +sg25270 +S'Matthes Gebel' +p168398 +sa(dp168399 +g25273 +S'lead' +p168400 +sg25267 +g27 +sg25275 +S'1529' +p168401 +sg25268 +S'Shields and Helm [reverse]' +p168402 +sg25270 +S'Matthes Gebel' +p168403 +sa(dp168404 +g25273 +S'lead' +p168405 +sg25267 +g27 +sg25275 +S'unknown date\n' +p168406 +sg25268 +S'Jakob von Strasbourg, Linguist' +p168407 +sg25270 +S'Friedrich Hagenauer' +p168408 +sa(dp168409 +g25273 +S'lead' +p168410 +sg25267 +g27 +sg25275 +S'unknown date\n' +p168411 +sg25268 +S'Ludwig Senfl (Sennfel), c. 1486-1542/1543, German Musician and Composer [obverse]' +p168412 +sg25270 +S'Friedrich Hagenauer' +p168413 +sa(dp168414 +g25273 +S'lead' +p168415 +sg25267 +g27 +sg25275 +S'unknown date\n' +p168416 +sg25268 +S'Inscription [reverse]' +p168417 +sg25270 +S'Friedrich Hagenauer' +p168418 +sa(dp168419 +g25273 +S'woodcut' +p168420 +sg25267 +g27 +sg25275 +S'1927' +p168421 +sg25268 +S'Atorrantes' +p168422 +sg25270 +S'Adolfo Bellocq' +p168423 +sa(dp168424 +g25273 +S'overall (diameter): 7.35 cm (2 7/8 in.)\r\ngross weight: 97.93 gr (0.216 lb.)' +p168425 +sg25267 +g27 +sg25275 +S'\nlead' +p168426 +sg25268 +S'Anne of Austria, 1601-1666, Wife of King Louis XIII of France 1615' +p168427 +sg25270 +S'French 17th Century' +p168428 +sa(dp168429 +g25273 +S'lead//Cast hollow' +p168430 +sg25267 +g27 +sg25275 +S'1520' +p168431 +sg25268 +S'Laux Kreler, c. 1486-1552, Goldsmith' +p168432 +sg25270 +S'Hans Kels the Younger' +p168433 +sa(dp168434 +g25273 +S'lead//Old after-cast' +p168435 +sg25267 +g27 +sg25275 +S'1529' +p168436 +sg25268 +S'Margaret von Firmian, 1509-1536, Wife of Caspar von Frundsberg' +p168437 +sg25270 +S'Friedrich Hagenauer' +p168438 +sa(dp168439 +g25273 +S'overall (diameter): 3.94 cm (1 9/16 in.)\r\ngross weight: 28.78 gr (0.063 lb.)\r\naxis: 11:00' +p168440 +sg25267 +g27 +sg25275 +S'\nlead' +p168441 +sg25268 +S'Melchior von Osse, 1506-1557, Chancellor of Saxony [obverse]' +p168442 +sg25270 +S'German 16th Century' +p168443 +sa(dp168444 +g25273 +S'overall (diameter): 3.94 cm (1 9/16 in.)\r\ngross weight: 28.78 gr (0.063 lb.)\r\naxis: 11:00' +p168445 +sg25267 +g27 +sg25275 +S'\nlead' +p168446 +sg25268 +S'Arms and Inscription [reverse]' +p168447 +sg25270 +S'German 16th Century' +p168448 +sa(dp168449 +g25268 +S'Christoph Kress von Kressenstein,1484-1535, Patrician and Diplomat [obverse]' +p168450 +sg25270 +S'Matthes Gebel' +p168451 +sg25273 +S'lead' +p168452 +sg25275 +S'1526' +p168453 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ff/a000ff7b.jpg' +p168454 +sg25267 +g27 +sa(dp168455 +g25268 +S'Coat of Arms [reverse]' +p168456 +sg25270 +S'Matthes Gebel' +p168457 +sg25273 +S'lead' +p168458 +sg25275 +S'1526' +p168459 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ff/a000ff7c.jpg' 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Society' +p168829 +sg25270 +S'Artist Information (' +p168830 +sg25273 +S'American, 1836 - 1910' +p168831 +sg25275 +S'(artist after)' +p168832 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00111/a001113a.jpg' +p168833 +sg25267 +g27 +sa(dp168834 +g25268 +S'Thanksgiving Day - Ways and Means [upper left]' +p168835 +sg25270 +S'Artist Information (' +p168836 +sg25273 +S'American, 1836 - 1910' +p168837 +sg25275 +S'(artist after)' +p168838 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00111/a001113c.jpg' +p168839 +sg25267 +g27 +sa(dp168840 +g25273 +S'American, 1836 - 1910' +p168841 +sg25267 +g27 +sg25275 +S'(artist after)' +p168842 +sg25268 +S'Thanksgiving Day - The Dinner [upper right]' +p168843 +sg25270 +S'Artist Information (' +p168844 +sa(dp168845 +g25273 +S'American, 1836 - 1910' +p168846 +sg25267 +g27 +sg25275 +S'(artist after)' +p168847 +sg25268 +S'Thanksgiving Day - Arrival at the Old Home [lower left]' +p168848 +sg25270 +S'Artist Information (' +p168849 +sa(dp168850 +g25273 +S'American, 1836 - 1910' +p168851 +sg25267 +g27 +sg25275 +S'(artist after)' +p168852 +sg25268 +S'Thanksgiving Day - The Dance [lower right]' +p168853 +sg25270 +S'Artist Information (' +p168854 +sa(dp168855 +g25268 +S'The War for the Union, 1862 - A Bayonet Charge' +p168856 +sg25270 +S'Artist Information (' +p168857 +sg25273 +S'American, 1836 - 1910' +p168858 +sg25275 +S'(artist after)' +p168859 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00111/a0011138.jpg' +p168860 +sg25267 +g27 +sa(dp168861 +g25268 +S'The Great Russian Ball at the Academy of Music, November 5, 1863' +p168862 +sg25270 +S'Artist Information (' +p168863 +sg25273 +S'American, 1836 - 1910' +p168864 +sg25275 +S'(artist after)' +p168865 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00111/a001113e.jpg' +p168866 +sg25267 +g27 +sa(dp168867 +g25268 +S'The Letter for Home (Campaign Sketches)' +p168868 +sg25270 +S'Winslow Homer' +p168869 +sg25273 +S'lithograph' +p168870 +sg25275 +S'unknown date\n' +p168871 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fa/a000facf.jpg' +p168872 +sg25267 +g27 +sa(dp168873 +g25268 +S'Our Jolly Cook (Campaign Sketches)' +p168874 +sg25270 +S'Winslow Homer' +p168875 +sg25273 +S'lithograph' +p168876 +sg25275 +S'unknown date\n' +p168877 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fa/a000face.jpg' +p168878 +sg25267 +g27 +sa(dp168879 +g25273 +S'watercolor and graphite' +p168880 +sg25267 +g27 +sg25275 +S'unknown date\n' +p168881 +sg25268 +S'Coast Of Sweden' +p168882 +sg25270 +S'Sir Muirhead Bone' +p168883 +sa(dp168884 +g25268 +S'The Meeting of Abraham and Melchizedek' +p168885 +sg25270 +S'Sir Peter Paul Rubens' +p168886 +sg25273 +S'oil on panel' +p168887 +sg25275 +S'c. 1626' +p168888 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e3a.jpg' +p168889 +sg25267 +S"Rubens served Albert and Isabella, the Spanish governors of the Netherlands, as both court artist and diplomat. Isabella commissioned Rubens to design twenty tapestries for the Convent of the Poor Clares in Madrid, where she had lived and\r\nstudied as a girl. Woven in Brussels, the series—which is still in the convent (now a museum)—celebrated the Eucharist, the Christian sacrament that reenacts Jesus' transformation of bread and wine into his body and blood at the Last Supper.\n This painting is a \n Rubens presents the narrative as though it appears on a tapestry itself. Cherubs carry the heavy, fringed fabric before an imposing architectural setting. On the right, two attendants seem to climb from a wine cellar. Are they real men standing in front of the tapestry, or images woven inside it? Such confounding illusion delighted baroque audiences.\n " +p168890 +sa(dp168891 +g25268 +S'Mount Auburn Cemetery' +p168892 +sg25270 +S'Thomas Chambers' +p168893 +sg25273 +S'oil on canvas' +p168894 +sg25275 +S'mid 19th century' +p168895 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a0000130.jpg' +p168896 +sg25267 +g27 +sa(dp168897 +g25268 +S'The Ass at School' +p168898 +sg25270 +S'Artist Information (' +p168899 +sg25273 +S'(artist after)' +p168900 +sg25275 +S'\n' +p168901 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00053/a00053cb.jpg' +p168902 +sg25267 +g27 +sa(dp168903 +g25268 +S'La Ferme aux peupliers de Hollande' +p168904 +sg25270 +S'Auguste Lep\xc3\xa8re' +p168905 +sg25273 +S'etching' +p168906 +sg25275 +S'1914' +p168907 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009ce9.jpg' +p168908 +sg25267 +g27 +sa(dp168909 +g25268 +S"The Square of Saint Mark's, Venice" +p168910 +sg25270 +S'Artist Information (' +p168911 +sg25273 +S'Italian, 1712 - 1793' +p168912 +sg25275 +S'(related artist)' +p168913 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c653.jpg' +p168914 +sg25267 +g27 +sa(dp168915 +g25268 +S'The Confidant (Le confidant)' +p168916 +sg25270 +S'Artist Information (' +p168917 +sg25273 +S'French, 1808 - 1879' +p168918 +sg25275 +S'(related artist)' +p168919 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00054/a0005414.jpg' +p168920 +sg25267 +g27 +sa(dp168921 +g25268 +S'The Representative (Le repr\xc3\xa9sentant noue sa cravate)' +p168922 +sg25270 +S'Artist Information (' +p168923 +sg25273 +S'French, 1808 - 1879' +p168924 +sg25275 +S'(related artist)' +p168925 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00054/a0005415.jpg' +p168926 +sg25267 +g27 +sa(dp168927 +g25273 +S'color woodcut' +p168928 +sg25267 +g27 +sg25275 +S'1954' +p168929 +sg25268 +S'And One of Them Struck the Slave' +p168930 +sg25270 +S'Karl H. Blast' +p168931 +sa(dp168932 +g25273 +S'brush and black ink with brown, gray and black wash' +p168933 +sg25267 +g27 +sg25275 +S'1954' +p168934 +sg25268 +S'Seated Woman; Legs; Girls' +p168935 +sg25270 +S'Cock van Gent' +p168936 +sa(dp168937 +g25273 +S'brush and black ink with gray wash on laid paper' +p168938 +sg25267 +g27 +sg25275 +S'1952' +p168939 +sg25268 +S'Mayan Indian Group' +p168940 +sg25270 +S'Cock van Gent' +p168941 +sa(dp168942 +g25273 +S'watercolor and charcoal' +p168943 +sg25267 +g27 +sg25275 +S'unknown date\n' +p168944 +sg25268 +S'Plymouth, Massachusetts' +p168945 +sg25270 +S'Sir Muirhead Bone' +p168946 +sa(dp168947 +g25268 +S'Ath. L. Charles Coquerel' +p168948 +sg25270 +S'Honor\xc3\xa9 Daumier' +p168949 +sg25273 +S'lithograph' +p168950 +sg25275 +S'1849' +p168951 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a0009444.jpg' +p168952 +sg25267 +g27 +sa(dp168953 +g25268 +S'Ath. L. Charles Coquerel' +p168954 +sg25270 +S'Honor\xc3\xa9 Daumier' +p168955 +sg25273 +S'lithograph' +p168956 +sg25275 +S'1849' +p168957 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a0009445.jpg' +p168958 +sg25267 +g27 +sa(dp168959 +g25273 +S'color woodcut' +p168960 +sg25267 +g27 +sg25275 +S'1954' +p168961 +sg25268 +S'Red Hollyhocks' +p168962 +sg25270 +S'Werner Drewes' +p168963 +sa(dp168964 +g25273 +S'lithograph' +p168965 +sg25267 +g27 +sg25275 +S'unknown date\n' +p168966 +sg25268 +S'Connie No. 2' +p168967 +sg25270 +S'Eugene Feldman' +p168968 +sa(dp168969 +g25273 +S'color etching' +p168970 +sg25267 +g27 +sg25275 +S'1954' +p168971 +sg25268 +S'Image' +p168972 +sg25270 +S'Elaine Rubeck' +p168973 +sa(dp168974 +g25268 +S'Frontispiece: Allegorical Composition (Composition allegorique)' +p168975 +sg25270 +S'Gabriel de Saint-Aubin' +p168976 +sg25273 +S', 1767' +p168977 +sg25275 +S'\n' +p168978 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f64.jpg' +p168979 +sg25267 +g27 +sa(dp168980 +g25268 +S"Heroic Act of a Father Who Sacrifices for His Son (Trait heroique d'un pere qui se sacrifie pour son fils)" +p168981 +sg25270 +S'Gabriel de Saint-Aubin' +p168982 +sg25273 +S', 1767' +p168983 +sg25275 +S'\n' +p168984 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f63.jpg' +p168985 +sg25267 +g27 +sa(dp168986 +g25268 +S'Envoy to M. de Saint-Denis by M. de Belle-Isle, Prisoner [left]' +p168987 +sg25270 +S'Gabriel de Saint-Aubin' +p168988 +sg25273 +S', 1767' +p168989 +sg25275 +S'\n' +p168990 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f5d.jpg' +p168991 +sg25267 +g27 +sa(dp168992 +g25268 +S'Flight of M. de Belle-Isle, Prisoner with theAttakapas [right]' +p168993 +sg25270 +S'Gabriel de Saint-Aubin' +p168994 +sg25273 +S', 1767' +p168995 +sg25275 +S'\n' +p168996 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f5e.jpg' +p168997 +sg25267 +g27 +sa(dp168998 +g25268 +S'A Blacksmith (Un forgeron)' +p168999 +sg25270 +S'Eug\xc3\xa8ne Delacroix' +p169000 +sg25273 +S'aquatint and drypoint' +p169001 +sg25275 +S'1833' +p169002 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00095/a000959a.jpg' +p169003 +sg25267 +g27 +sa(dp169004 +g25273 +S'pastel on gray-brown paper' +p169005 +sg25267 +g27 +sg25275 +S'unknown date\n' +p169006 +sg25268 +S'Storm Clearing Perugia' +p169007 +sg25270 +S'Sir Muirhead Bone' +p169008 +sa(dp169009 +g25273 +S'woodcut' +p169010 +sg25267 +g27 +sg25275 +S'1952' +p169011 +sg25268 +S'Self-Portrait, LB AET 29' +p169012 +sg25270 +S'Leonard Baskin' +p169013 +sa(dp169014 +g25273 +S'woodcut' +p169015 +sg25267 +g27 +sg25275 +S'1951' +p169016 +sg25268 +S'Rhinoceros' +p169017 +sg25270 +S'Leonard Baskin' +p169018 +sa(dp169019 +g25273 +S'woodcut' +p169020 +sg25267 +g27 +sg25275 +S'1952' +p169021 +sg25268 +S'Mantegna at Eremitani' +p169022 +sg25270 +S'Leonard Baskin' +p169023 +sa(dp169024 +g25273 +S'engraved woodblock' +p169025 +sg25267 +g27 +sg25275 +S'c. 1823' +p169026 +sg25268 +S"Aesop's Fables: 1" +p169027 +sg25270 +S'Thomas Bewick' +p169028 +sa(dp169029 +g25273 +S'engraved woodblock' +p169030 +sg25267 +g27 +sg25275 +S'c. 1823' +p169031 +sg25268 +S"Aesop's Fables: 2" +p169032 +sg25270 +S'Thomas Bewick' +p169033 +sa(dp169034 +g25273 +S'engraved woodblock' +p169035 +sg25267 +g27 +sg25275 +S'c. 1823' +p169036 +sg25268 +S"Aesop's Fables: 3" +p169037 +sg25270 +S'Thomas Bewick' +p169038 +sa(dp169039 +g25273 +S'engraved woodblock' +p169040 +sg25267 +g27 +sg25275 +S'c. 1823' +p169041 +sg25268 +S"Aesop's Fables: 4" +p169042 +sg25270 +S'Thomas Bewick' +p169043 +sa(dp169044 +g25268 +S'The Comedy of Death' +p169045 +sg25270 +S'Rodolphe Bresdin' +p169046 +sg25273 +S'lithograph on India paper' +p169047 +sg25275 +S'1854' +p169048 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005f/a0005f91.jpg' +p169049 +sg25267 +g27 +sa(dp169050 +g25273 +S'etching' +p169051 +sg25267 +g27 +sg25275 +S'unknown date\n' +p169052 +sg25268 +S'Auguste Renoir' +p169053 +sg25270 +S'Pierre Bonnard' +p169054 +sa(dp169055 +g25268 +S'Benedictio' +p169056 +sg25270 +S'Mary Corita Kent' +p169057 +sg25273 +S', second half of 20th century' +p169058 +sg25275 +S'\n' +p169059 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000af2.jpg' +p169060 +sg25267 +g27 +sa(dp169061 +g25273 +S'graphite' +p169062 +sg25267 +g27 +sg25275 +S'1929' +p169063 +sg25268 +S'Istanbul from Pera' +p169064 +sg25270 +S'Sir Muirhead Bone' +p169065 +sa(dp169066 +g25273 +S', 1952' +p169067 +sg25267 +g27 +sg25275 +S'\n' +p169068 +sg25268 +S'The Lord Is With Thee' +p169069 +sg25270 +S'Mary Corita Kent' +p169070 +sa(dp169071 +g25268 +S'Un quiproquo - Vous vous trompez... allez... au diable...' +p169072 +sg25270 +S'Honor\xc3\xa9 Daumier' +p169073 +sg25273 +S'lithograph' +p169074 +sg25275 +S'1838' +p169075 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00092/a0009240.jpg' +p169076 +sg25267 +g27 +sa(dp169077 +g25268 +S'Lagrange' +p169078 +sg25270 +S'Honor\xc3\xa9 Daumier' +p169079 +sg25273 +S'lithograph' +p169080 +sg25275 +S'1849' +p169081 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a000942e.jpg' +p169082 +sg25267 +g27 +sa(dp169083 +g25268 +S'Auguste Avond' +p169084 +sg25270 +S'Honor\xc3\xa9 Daumier' +p169085 +sg25273 +S'lithograph' +p169086 +sg25275 +S'1849' +p169087 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a000944d.jpg' +p169088 +sg25267 +g27 +sa(dp169089 +g25268 +S'Alex. 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+g25273 +S'etching on blue laid paper' +p169811 +sg25267 +g27 +sg25275 +S'1935' +p169812 +sg25268 +S"From Knoedler's Window MCMXXXV" +p169813 +sg25270 +S'John Taylor Arms' +p169814 +sa(dp169815 +g25268 +S'Allegorie des mariages faits par la ville de Paris a la naissance du Duc de Bourgogne' +p169816 +sg25270 +S'Gabriel de Saint-Aubin' +p169817 +sg25273 +S', 1751' +p169818 +sg25275 +S'\n' +p169819 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008b/a0008be0.jpg' +p169820 +sg25267 +g27 +sa(dp169821 +g25268 +S'The Two Lovers (Les deux amants)' +p169822 +sg25270 +S'Gabriel de Saint-Aubin' +p169823 +sg25273 +S', 1750' +p169824 +sg25275 +S'\n' +p169825 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008b/a0008bdf.jpg' +p169826 +sg25267 +g27 +sa(dp169827 +g25268 +S"On ne s'avise jamais de tout" +p169828 +sg25270 +S'Gabriel de Saint-Aubin' +p169829 +sg25273 +S', 1761' +p169830 +sg25275 +S'\n' +p169831 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f62.jpg' +p169832 +sg25267 +g27 +sa(dp169833 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+p170091 +sa(dp170092 +g25273 +S'etching and aquatint' +p170093 +sg25267 +g27 +sg25275 +S'probably 1946' +p170094 +sg25268 +S'Les grands toits sous la neige' +p170095 +sg25270 +S'Michel Ciry' +p170096 +sa(dp170097 +g25273 +S'woodcut block' +p170098 +sg25267 +g27 +sg25275 +S'unknown date\n' +p170099 +sg25268 +S'Cul-de-Lampe: Dedication Page for J.B. Oudry\'s Edition of La Fontaine\'s "Fables"' +p170100 +sg25270 +S'Jean Michel Papillon I' +p170101 +sa(dp170102 +g25273 +S'woodcut block' +p170103 +sg25267 +g27 +sg25275 +S'unknown date\n' +p170104 +sg25268 +S'Cul-de-Lampe: Fable XV for J.B. Oudry\'s Edition of La Fontaine\'s "Fables"' +p170105 +sg25270 +S'Jean Michel Papillon I' +p170106 +sa(dp170107 +g25273 +S'woodcut block' +p170108 +sg25267 +g27 +sg25275 +S'unknown date\n' +p170109 +sg25268 +S'Cul-de-Lampe: Fable XI for J.B. Oudry\'s Edition of La Fontaine\'s "Fables"' +p170110 +sg25270 +S'Jean Michel Papillon I' +p170111 +sa(dp170112 +g25273 +S'etching in brown on blue laid paper' +p170113 +sg25267 +g27 +sg25275 +S'1923' +p170114 +sg25268 +S'Leon' +p170115 +sg25270 +S'John Taylor Arms' +p170116 +sa(dp170117 +g25273 +S'woodcut block' +p170118 +sg25267 +g27 +sg25275 +S'unknown date\n' +p170119 +sg25268 +S'Cul-de-Lampe: Fable XXI for J.B. Oudry\'s Edition of La Fontaine\'s "Fables"' +p170120 +sg25270 +S'Jean Michel Papillon I' +p170121 +sa(dp170122 +g25268 +S'Edouard Vuillard' +p170123 +sg25270 +S'Odilon Redon' +p170124 +sg25273 +S'lithograph' +p170125 +sg25275 +S'1900' +p170126 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a00099ae.jpg' +p170127 +sg25267 +g27 +sa(dp170128 +g25268 +S'Pierre Bonnard' +p170129 +sg25270 +S'Odilon Redon' +p170130 +sg25273 +S'lithograph' +p170131 +sg25275 +S'1900' +p170132 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a00099b4.jpg' +p170133 +sg25267 +g27 +sa(dp170134 +g25268 +S'Paul Serusier' +p170135 +sg25270 +S'Odilon Redon' +p170136 +sg25273 +S'lithograph' +p170137 +sg25275 +S'1903' +p170138 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a00099af.jpg' +p170139 +sg25267 +g27 +sa(dp170140 +g25268 +S'Maurice Denis' +p170141 +sg25270 +S'Odilon Redon' +p170142 +sg25273 +S'lithograph' +p170143 +sg25275 +S'1903' +p170144 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a00099b0.jpg' +p170145 +sg25267 +g27 +sa(dp170146 +g25268 +S"Tete d'Enfant (Head of a Child)" +p170147 +sg25270 +S'Odilon Redon' +p170148 +sg25273 +S'lithograph' +p170149 +sg25275 +S'1899' +p170150 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a00099b6.jpg' +p170151 +sg25267 +g27 +sa(dp170152 +g25273 +S'woodcut block' +p170153 +sg25267 +g27 +sg25275 +S'unknown date\n' +p170154 +sg25268 +S'Green Atelier [recto]' +p170155 +sg25270 +S'Adja Yunkers' +p170156 +sa(dp170157 +g25273 +S'woodcut block' +p170158 +sg25267 +g27 +sg25275 +S'unknown date\n' +p170159 +sg25268 +S'Green Atelier [verso]' +p170160 +sg25270 +S'Adja Yunkers' +p170161 +sa(dp170162 +g25273 +S'woodcut block' +p170163 +sg25267 +g27 +sg25275 +S'unknown date\n' +p170164 +sg25268 +S'Portrait of a Weeping Woman [recto]' +p170165 +sg25270 +S'Adja Yunkers' +p170166 +sa(dp170167 +g25273 +S'woodcut block' +p170168 +sg25267 +g27 +sg25275 +S'unknown date\n' +p170169 +sg25268 +S'Portrait of a Weeping Woman [verso]' +p170170 +sg25270 +S'Adja Yunkers' +p170171 +sa(dp170172 +g25268 +S'The Grand Canal' +p170173 +sg25270 +S'John Taylor Arms' +p170174 +sg25273 +S'graphite on coated machine-made paper' +p170175 +sg25275 +S'1930' +p170176 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a00008a3.jpg' +p170177 +sg25267 +g27 +sa(dp170178 +g25268 +S'A Lord from the Period of Francis I (Un Seigneur de temps de Fran\xc3\xa7ois Ier)' +p170179 +sg25270 +S'Eug\xc3\xa8ne Delacroix' +p170180 +sg25273 +S'etching' +p170181 +sg25275 +S'1833' +p170182 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00095/a0009597.jpg' +p170183 +sg25267 +g27 +sa(dp170184 +g25268 +S"Jewish Woman of Algiers (Juive d'Alger)" +p170185 +sg25270 +S'Eug\xc3\xa8ne Delacroix' +p170186 +sg25273 +S'etching' +p170187 +sg25275 +S'1833' +p170188 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00095/a0009599.jpg' +p170189 +sg25267 +g27 +sa(dp170190 +g25268 +S'Geese in Flight' +p170191 +sg25270 +S'Leila T. Bauman' +p170192 +sg25273 +S'oil on canvas' +p170193 +sg25275 +S'1850 or later' +p170194 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a0000012.jpg' +p170195 +sg25267 +g27 +sa(dp170196 +g25268 +S'U.S. Mail Boat' +p170197 +sg25270 +S'Leila T. Bauman' +p170198 +sg25273 +S'oil on canvas' +p170199 +sg25275 +S'1855 or later' +p170200 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a0000011.jpg' +p170201 +sg25267 +g27 +sa(dp170202 +g25268 +S'Little Girl in Lavender' +p170203 +sg25270 +S'John Bradley' +p170204 +sg25273 +S'oil on canvas' +p170205 +sg25275 +S'c. 1840' +p170206 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a000002a.jpg' +p170207 +sg25267 +g27 +sa(dp170208 +g25268 +S'Bareback Riders' +p170209 +sg25270 +S'W.H. Brown' +p170210 +sg25273 +S'oil on cardboard on wood' +p170211 +sg25275 +S'1886' +p170212 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a000002e.jpg' +p170213 +sg25267 +g27 +sa(dp170214 +g25268 +S'Red Jacket' +p170215 +sg25270 +S'A. Haddock' +p170216 +sg25273 +S'oil on paper on cardboard' +p170217 +sg25275 +S'after 1828' +p170218 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000d4.jpg' +p170219 +sg25267 +g27 +sa(dp170220 +g25268 +S'Skating Scene' +p170221 +sg25270 +S'John Toole' +p170222 +sg25273 +S'oil on canvas' +p170223 +sg25275 +S'c. 1835' +p170224 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a0000279.jpg' +p170225 +sg25267 +g27 +sa(dp170226 +g25268 +S'Burning of Old South Church, Bath, Maine' +p170227 +sg25270 +S'John Hilling' +p170228 +sg25273 +S'oil on canvas' +p170229 +sg25275 +S'c. 1854' +p170230 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000fd.jpg' +p170231 +sg25267 +g27 +sa(dp170232 +g25268 +S'Cat and Kittens' +p170233 +sg25270 +S'American 19th Century' +p170234 +sg25273 +S'overall: 30 x 34.9 cm (11 13/16 x 13 3/4 in.)\r\nframed: 38.4 x 43.2 x 2.5 cm (15 1/8 x 17 x 1 in.)' +p170235 +sg25275 +S'\noil on millboard' +p170236 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a0000400.jpg' +p170237 +sg25267 +g27 +sa(dp170238 +g25268 +S'Venetian Mirror' +p170239 +sg25270 +S'John Taylor Arms' +p170240 +sg25273 +S'etching in brown on blue laid paper' +p170241 +sg25275 +S'1935' +p170242 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00009/a0000930.jpg' +p170243 +sg25267 +g27 +sa(dp170244 +g25268 +S'The Cheney Family' +p170245 +sg25270 +S'American 18th Century' +p170246 +sg25273 +S'overall: 49 x 65 cm (19 5/16 x 25 9/16 in.)\r\nframed: 64.5 x 80 x 7.3 cm (25 3/8 x 31 1/2 x 2 7/8 in.)' +p170247 +sg25275 +S'\noil on canvas' +p170248 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a0000411.jpg' +p170249 +sg25267 +g27 +sa(dp170250 +g25268 +S'Family Burying Ground' +p170251 +sg25270 +S'American 19th Century' +p170252 +sg25273 +S'overall: 50 x 61 cm (19 11/16 x 24 in.)\r\nframed: 64.1 x 74.9 x 3.4 cm (25 1/4 x 29 1/2 x 1 5/16 in.)' +p170253 +sg25275 +S'\noil on canvas' +p170254 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003ff.jpg' +p170255 +sg25267 +g27 +sa(dp170256 +g25268 +S'Martha' +p170257 +sg25270 +S'American 19th Century' +p170258 +sg25273 +S'overall: 91.5 x 92.3 cm (36 x 36 5/16 in.)\r\nframed: 105.7 x 106.3 x 6.6 cm (41 5/8 x 41 7/8 x 2 5/8 in.)' +p170259 +sg25275 +S'\noil on canvas' +p170260 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a000043b.jpg' +p170261 +sg25267 +g27 +sa(dp170262 +g25268 +S'Aphia Salisbury Rich and Baby Edward' +p170263 +sg25270 +S'Milton W. Hopkins' +p170264 +sg25273 +S'oil on wood' +p170265 +sg25275 +S'c. 1833' +p170266 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a0000107.jpg' +p170267 +sg25267 +g27 +sa(dp170268 +g25268 +S'Twenty-two Houses and a Church' +p170269 +sg25270 +S'American 19th Century' +p170270 +sg25273 +S'overall: 61.2 x 76.5 cm (24 1/8 x 30 1/8 in.)\r\nframed: 79 x 94.9 x 9.8 cm (31 1/8 x 37 3/8 x 3 7/8 in.)' +p170271 +sg25275 +S'\nwater-based medium on canvas' +p170272 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a0000442.jpg' +p170273 +sg25267 +g27 +sa(dp170274 +g25268 +S'Village by the River' +p170275 +sg25270 +S'American 19th Century' +p170276 +sg25273 +S'overall: 51 x 85.1 cm (20 1/16 x 33 1/2 in.)\r\nframed: 64.7 x 99 x 5 cm (25 1/2 x 39 x 1 15/16 in.)' +p170277 +sg25275 +S'\noil on canvas' +p170278 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c654.jpg' +p170279 +sg25267 +g27 +sa(dp170280 +g25268 +S'Ch\xc3\xa2teau Noir' +p170281 +sg25270 +S'Paul C\xc3\xa9zanne' +p170282 +sg25273 +S'oil on canvas' +p170283 +sg25275 +S'1900/1904' +p170284 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a00006a9.jpg' +p170285 +sg25267 +S"Cézanne's paintings after about 1895 are more somber, more mysterious than those of earlier years. His colors deepen, and his brushwork assumes greater expression. Spaces become more enclosed. Compare this landscape with \n That painting is open, while a web of branches screens this one. This place is crabbed and remote—much more difficult and forbidding. Compare the skies, too. This blue is no longer airy, but leaden, darkened with touches of purple and green. Even the pale buildings have been replaced by a deeper ocher. Late in his life Cézanne was attracted not only to the fundamental order of nature, but also its chaos and restlessness. The moody loneliness of this place seems matched to his own. He painted Château Noir several times. It was the subject of local legends and had earlier been called Château Diable, "Castle of the Devil." With its Gothic windows and incomplete walls, it has the look of a ruin.\n Cézanne still painted in the open air, directly in front of his subject, as impressionist Camille Pissarro had encouraged him to do. But this is far from a quick recording of fleeting visual effects. It is a long and intense meditation, an attempt to "realize"—to use Cézanne's word—his complete sensation of this place, which involves his temperament, his vision, and his mind equally.\n " +p170286 +sa(dp170287 +g25268 +S'Vase of Flowers' +p170288 +sg25270 +S'Paul C\xc3\xa9zanne' +p170289 +sg25273 +S'oil on canvas' +p170290 +sg25275 +S'1900/1903' +p170291 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a00006aa.jpg' +p170292 +sg25267 +g27 +sa(dp170293 +g25273 +S'etching' +p170294 +sg25267 +g27 +sg25275 +S'unknown date\n' +p170295 +sg25268 +S'Scene in a Dutch City with Pile Driver in Foreground' +p170296 +sg25270 +S'George Hendrik Breitner' +p170297 +sa(dp170298 +g25273 +S'etching' +p170299 +sg25267 +g27 +sg25275 +S'unknown date\n' +p170300 +sg25268 +S'Galloping Hussars in Front View' +p170301 +sg25270 +S'George Hendrik Breitner' +p170302 +sa(dp170303 +g25268 +S'Lace in Stone, Rouen Cathedral' +p170304 +sg25270 +S'John Taylor Arms' +p170305 +sg25273 +S'etching on laid paper' +p170306 +sg25275 +S'1927' +p170307 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00009/a0000931.jpg' +p170308 +sg25267 +g27 +sa(dp170309 +g25273 +S'etching' +p170310 +sg25267 +g27 +sg25275 +S'unknown date\n' +p170311 +sg25268 +S'Hussars Riding Single File' +p170312 +sg25270 +S'George Hendrik Breitner' +p170313 +sa(dp170314 +g25273 +S'etching' +p170315 +sg25267 +g27 +sg25275 +S'unknown date\n' +p170316 +sg25268 +S'Scene with Horses Standing in Stream' +p170317 +sg25270 +S'George Hendrik Breitner' +p170318 +sa(dp170319 +g25268 +S'Morning Haze' +p170320 +sg25270 +S'Claude Monet' +p170321 +sg25273 +S'oil on canvas' +p170322 +sg25275 +S'1888' +p170323 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00037/a00037c4.jpg' +p170324 +sg25267 +g27 +sa(dp170325 +g25273 +S'1 vol: ill: 74 prints' +p170326 +sg25267 +g27 +sg25275 +S'unknown date\n' +p170327 +sg25268 +S'Album of Prints' +p170328 +sg25270 +S'John Sartain' +p170329 +sa(dp170330 +g25273 +S'American, 1837 - 1900' +p170331 +sg25267 +g27 +sg25275 +S'(author)' +p170332 +sg25268 +S'American Etchings' +p170333 +sg25270 +S'Artist Information (' +p170334 +sa(dp170335 +g25273 +S'American, 1837 - 1900' +p170336 +sg25267 +g27 +sg25275 +S'(author)' +p170337 +sg25268 +S'Foreign Etchings' +p170338 +sg25270 +S'Artist Information (' +p170339 +sa(dp170340 +g25268 +S'Easby Abbey, near Richmond' +p170341 +sg25270 +S'George Cuitt the Younger' +p170342 +sg25273 +S'oil on canvas' +p170343 +sg25275 +S'c. 1821/1854' +p170344 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0003a/a0003a07.jpg' +p170345 +sg25267 +g27 +sa(dp170346 +g25268 +S'The Gardener Vallier' +p170347 +sg25270 +S'Paul C\xc3\xa9zanne' +p170348 +sg25273 +S'oil on canvas' +p170349 +sg25275 +S'1906' +p170350 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a00006ab.jpg' +p170351 +sg25267 +S"This portrait of Cézanne's longtime gardener is one of the paintings he was working on in the days just before his death. It occupied him for quite some time. A look at the canvas from an angle reveals heavy ridges of paint, especially along the contours where one shape meets another. Around Vallier's head extends a thick, dark penumbra—evidence of extensive reworking. Similar evidence\r\nof his struggles to attain just the right contour can be seen on many of his late works. Pigments on \n Dark colors contribute to a sense of airlessness, even gloom. Little characterization comes from the face—more than expression it is the gardener's pose that conveys his simple, solid nature. Cézanne apparently attached great importance to this painting, one of several of Vallier begun several years earlier. He told visitors who saw it still unfinished in his studio, "If I succeed with this fellow, it will mean that the theory was correct." As late as 1906, the year he died, associates said Cézanne was still planning to "write out\r\nhis ideas on painting." But he did not. We have only letters and comments recalled by others. Out of context, many seem contradictory, and others are colored by the ideas of those reporting them.\n " +p170352 +sa(dp170353 +g25268 +S'The Tragic Actor (Rouvi\xc3\xa8re as Hamlet)' +p170354 +sg25270 +S'Velázquez' +p170355 +sg25273 +S'oil on canvas' +p170356 +sg25275 +S'1866' +p170357 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a0000682.jpg' +p170358 +sg25267 +S"Philibert Rouvière stands before us as he did before Parisian theatergoers as Shakespeare's melancholy prince of Denmark, isolated on stage during one of the play's great soliloquies. The actor, who had been trained as a painter, modeled his portrayal of Hamlet on engravings of scenes from the play\r\nby \n There was a long French tradition of painting actors in their most famous roles, but Manet's Rouvière may also owe something to a work by \n " +p170359 +sa(dp170360 +g25268 +S'Gold and Brown: Self-Portrait' +p170361 +sg25270 +S'James McNeill Whistler' +p170362 +sg25273 +S'oil on canvas' +p170363 +sg25275 +S'c. 1896-1898' +p170364 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d53.jpg' +p170365 +sg25267 +g27 +sa(dp170366 +g25273 +S'etching in black on cream wove paper' +p170367 +sg25267 +g27 +sg25275 +S'1923' +p170368 +sg25268 +S'Le penseur de Notre Dame' +p170369 +sg25270 +S'John Taylor Arms' +p170370 +sa(dp170371 +g25268 +S'George W. Vanderbilt' +p170372 +sg25270 +S'James McNeill Whistler' +p170373 +sg25273 +S'oil on canvas' +p170374 +sg25275 +S'1897/1903' +p170375 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a000029f.jpg' +p170376 +sg25267 +g27 +sa(dp170377 +g25268 +S'Epes Sargent' +p170378 +sg25270 +S'John Singleton Copley' +p170379 +sg25273 +S'oil on canvas' +p170380 +sg25275 +S'c. 1760' +p170381 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a000005d.jpg' +p170382 +sg25267 +S"John Singleton Copley, America's most important colonial painter, was born in\r\nBoston of Irish parents. In 1748 Copley's widowed mother married Peter Pelham, a\r\npainter and engraver. Copley's stepfather probably gave him some art lessons but\r\ndied when Copley was only thirteen. In later years the painter claimed he was self–taught.\n Copley, who was extremely observant, presumably learned about art largely by watching other English–trained painters who were working in the New World and by studying engravings imported from Europe. Much more important was his innate ability to record details objectively and to suggest character. Gilbert Stuart would later say of the uncompromising realism in Copley's \n About seventy years old when he posed for Copley, Sargent had dropped out of Harvard College to enter business in his native Gloucester. After the death of his first wife, this prosperous merchant and shipowner married a rich widow from Salem. Copley's portrayal shows him nonchalantly leaning on a marble pedestal as a symbol of prestige; since carved stone monuments were rather rare in the colonies, this imaginary device must be borrowed from European prints of potentates.\n Such penetrating likenesses made Copley the best–paid artist in colonial America. By shipping some of his canvases to London for criticism, Copley soon became known in England.\n " +p170383 +sa(dp170384 +g25273 +S'(designer)' +p170385 +sg25267 +g27 +sg25275 +S'\n' +p170386 +sg25268 +S'America' +p170387 +sg25270 +S'Artist Information (' +p170388 +sa(dp170389 +g25268 +S'The Ragan Sisters' +p170390 +sg25270 +S'Jacob Eichholtz' +p170391 +sg25273 +S'oil on canvas' +p170392 +sg25275 +S'1818' +p170393 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000a8.jpg' +p170394 +sg25267 +g27 +sa(dp170395 +g25268 +S'Mercury' +p170396 +sg25270 +S'Italian 16th Century' +p170397 +sg25273 +S'overall: 156 x 64 x 40.7 cm (61 7/16 x 25 3/16 x 16 in.)\r\ngross weight: 186.428 kg (411 lb.)' +p170398 +sg25275 +S'\nbronze' +p170399 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00049/a00049f4.jpg' +p170400 +sg25267 +g27 +sa(dp170401 +g25268 +S'The Battle of La Hogue' +p170402 +sg25270 +S'Benjamin West' +p170403 +sg25273 +S'oil on canvas' +p170404 +sg25275 +S'c. 1778' +p170405 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d48.jpg' +p170406 +sg25267 +S"Seventeen years after Benjamin West settled in England, a London newspaper's\nreview of the 1780 Royal Academy exhibition stated that \n Standing in a boat at the left, for instance, Vice Admiral George Rooke embodies\nheroic command with his upright posture and raised sword. Yet, in order to survey\nthe maneuvers, he undoubtedly gave orders from a distance. Beached in the center\ndistance is the French flagship, the \n " +p170407 +sa(dp170408 +g25268 +S'Portrait of a Man' +p170409 +sg25270 +S'Lucas Cranach the Elder' +p170410 +sg25273 +S'oil on panel' +p170411 +sg25275 +S'1522' +p170412 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a00004c0.jpg' +p170413 +sg25267 +g27 +sa(dp170414 +g25268 +S'Portrait of a Woman' +p170415 +sg25270 +S'Lucas Cranach the Elder' +p170416 +sg25273 +S'oil on panel' +p170417 +sg25275 +S'1522' +p170418 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a00004c1.jpg' +p170419 +sg25267 +S"Cranach painted this woman and her husband (\n This couple's identity remains unknown. The lack of distracting details \r\n such as jewelry or elaborate embroidery and the featureless green \r\n backgrounds focus attention on their faces, which are naturalistic \r\n likenesses.\n What is striking though not unusual about their portrayal is the way the \r\n man's portrait is dominant. He is much larger, and his shoulders extend \r\n beyond the frame of the painting, while hers is a smaller, less imposing \r\n figure. Her pale face seems drawn in comparison to his ruddy complexion. \r\n The opposing turn of their heads indicates that he occupied the place of \r\n honor on the left side. It is likely that the portraits were intended to \r\n flank a window: notice how the shadows are cast in opposite directions and \r\n how the reflections of window panes can be seen in their eyes. (In \r\n \n " +p170420 +sa(dp170421 +g25268 +S'Madonna and Child with Saints in the Enclosed Garden' +p170422 +sg25270 +S'Artist Information (' +p170423 +sg25273 +S'Netherlandish, c. 1375 - 1444' +p170424 +sg25275 +S'(related artist)' +p170425 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005af.jpg' +p170426 +sg25267 +S'This large panel painting by a follower of Robert Campin combines the new\ninterest in nature of the fifteenth-century Netherlandish artists with a long tradition\nof symbolic religious painting. There is a thoroughly believable quality about\nthe heavy folds of drapery, the delicate leaves of the flowers, and the shallow\nspace within the garden walls. Yet this world is invested with mystical overtones\nthrough the figures\' quiet poses and the minutely observed details which are painted\nin glowing oil colors and displayed in a steady light.\n John the Baptist holds a lamb, recalling his recognition of Christ as the "Lamb\nof God." Seated on the left is Catherine of Alexandria with her sword and wheel,\nthe instruments of her martyrdom. Saint Barbara offers Jesus an apple or a quince,\nan age-old symbol of love. Her special attribute is the impregnable tower, a symbol\nof her chastity. Half-hidden by Saint Anthony\'s robe, a pig beside him symbolizes\ngluttony, recalling his triumph over temptation.\n The walled garden refers to a passage from the Song of Solomon where a bridegroom\nspeaks of his beloved as "a garden enclosed ... a fountain sealed." To early Christian\nand medieval theologians, Mary became associated with this bride, and the enclosed\ngarden symbolized her virginity and also the lost Eden which is regained through\nChrist\'s birth. Even the doorway recalls Christ\'s saying, "I am the door. No man\ncometh unto the Father but by me."\n ' +p170427 +sa(dp170428 +g25268 +S'The Holy Family with Saint Anne and the Infant John the Baptist' +p170429 +sg25270 +S'El Greco' +p170430 +sg25273 +S', c. 1595/1600' +p170431 +sg25275 +S'\n' +p170432 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a000058c.jpg' +p170433 +sg25267 +S"A visitor to El Greco's studio wrote of seeing small versions of the painter's most famous works. They provided models for clients who wished to have\r\ncopies made—such as the smaller \n This scene, in which the Virgin's mother, Saint Anne, and the infant John the Baptist join Mary and Joseph in admiring the sleeping Jesus, is not described in the Bible. It is one of El Greco's many inventions intended to further the aims of the Counter-Reformation. The complex symbolism of the Holy Family suggests Christ's eventual death and resurrection, hinted at by the infant's deep sleep and by the way he lies in his mother's lap. This pose, known in Italian as the pietà (pity), is most often used to show the Virgin holding her son's body after\r\nhis crucifixion.\n " +p170434 +sa(dp170435 +g25273 +S'graphite on wove paper' +p170436 +sg25267 +g27 +sg25275 +S'1936' +p170437 +sg25268 +S'Finchingfield, England' +p170438 +sg25270 +S'John Taylor Arms' +p170439 +sa(dp170440 +g25268 +S'The Ascension' +p170441 +sg25270 +S'Johann Koerbecke' +p170442 +sg25273 +S'tempera on panel' +p170443 +sg25275 +S'1456/1457' +p170444 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005c3.jpg' +p170445 +sg25267 +S"Looking up in amazement as Christ ascends into heaven are the twelve apostles.\nKneeling with them is the Virgin, the only one to have a halo. Although few of the\nmen can be identified, John the Evangelist is recognizable. He is the blond, beardless\nyouth dressed in green who solicitously puts his arm around Mary. Surrounding the\nrisen Christ are a group of Old Testament personages who either predicted or foreshadowed\nevents of his life on earth.\n The gold background, bright colors, and compact space reveal the lingering influence\nof the International Gothic. However, a new spirit of visual observation also can\nbe detected. The sharp, angular folds of the drapery evoke the perception of real\nhuman forms beneath the material. Further, the faces of the apostles reveal a broad\nvariety of human emotions.\n This panel was once part of the high altar in the Cistercian abbey church of Marienfeld\nat Münster. At its center was a richly gilded sculpture of the Virgin and Child.\nFolding wings extended from this core with pictures on the fronts and backs. When\nthe shutters were open, eight scenes -- including the National Gallery's painting\n-- revealed the story of Mary's life. In the closed positions, eight other subjects\nrecounted Christ's Passion.\n " +p170446 +sa(dp170447 +g25268 +S'The Annunciation' +p170448 +sg25270 +S'Veronese' +p170449 +sg25273 +S'oil on canvas' +p170450 +sg25275 +S'c. 1580' +p170451 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a000088c.jpg' +p170452 +sg25267 +g27 +sa(dp170453 +g25273 +S'etching' +p170454 +sg25267 +g27 +sg25275 +S'1958' +p170455 +sg25268 +S'Frieze' +p170456 +sg25270 +S'Harold Altman' +p170457 +sa(dp170458 +g25273 +S'color lithograph' +p170459 +sg25267 +g27 +sg25275 +S'1958' +p170460 +sg25268 +S'Fruit' +p170461 +sg25270 +S'Garo Zareh Antreasian' +p170462 +sa(dp170463 +g25273 +S'wood engraving' +p170464 +sg25267 +g27 +sg25275 +S'1957' +p170465 +sg25268 +S'Death of the Laureate' +p170466 +sg25270 +S'Leonard Baskin' +p170467 +sa(dp170468 +g25273 +S'woodcut with collagraph on wove paper' +p170469 +sg25267 +g27 +sg25275 +S'1959' +p170470 +sg25268 +S'Woman of the Quarry' +p170471 +sg25270 +S'Fred Becker' +p170472 +sa(dp170473 +g25273 +S'woodcut' +p170474 +sg25267 +g27 +sg25275 +S'1956' +p170475 +sg25268 +S'After an Iran Sculpture' +p170476 +sg25270 +S'John Bernhardt' +p170477 +sa(dp170478 +g25273 +S'etching' +p170479 +sg25267 +g27 +sg25275 +S'1958' +p170480 +sg25268 +S'Moraine' +p170481 +sg25270 +S'Robert Broner' +p170482 +sa(dp170483 +g25273 +S'color paper-relief cut' +p170484 +sg25267 +g27 +sg25275 +S'1957' +p170485 +sg25268 +S'Blue Vein' +p170486 +sg25270 +S'Edmond Casarella' +p170487 +sa(dp170488 +g25268 +S'Three Months' +p170489 +sg25270 +S'Franz Brun' +p170490 +sg25273 +S'engraving' +p170491 +sg25275 +S'1584' +p170492 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000af/a000af4c.jpg' +p170493 +sg25267 +g27 +sa(dp170494 +g25273 +S'drypoint' +p170495 +sg25267 +g27 +sg25275 +S'1958' +p170496 +sg25268 +S'Rocks and Sea' +p170497 +sg25270 +S'Lee R. Chesney' +p170498 +sa(dp170499 +g25273 +S'etching in black on wove paper' +p170500 +sg25267 +g27 +sg25275 +S'1958' +p170501 +sg25268 +S'Landscape' +p170502 +sg25270 +S'John Ery Coleman' +p170503 +sa(dp170504 +g25273 +S'etching in black on wove paper' +p170505 +sg25267 +g27 +sg25275 +S'1957' +p170506 +sg25268 +S'Mach 5' +p170507 +sg25270 +S'Warrington Colescott' +p170508 +sa(dp170509 +g25273 +S'color woodcut on Japan paper' +p170510 +sg25267 +g27 +sg25275 +S'1958' +p170511 +sg25268 +S'Collision' +p170512 +sg25270 +S'Robert Freemont Conover' +p170513 +sa(dp170514 +g25273 +S'color lithograph on Rives paper' +p170515 +sg25267 +g27 +sg25275 +S'1957' +p170516 +sg25268 +S'Blue, Gray and Black' +p170517 +sg25270 +S'Ralston Crawford' +p170518 +sa(dp170519 +g25273 +S'woodcut' +p170520 +sg25267 +g27 +sg25275 +S'1956' +p170521 +sg25268 +S'Horseman II' +p170522 +sg25270 +S'Arthur Coleman Danto' +p170523 +sa(dp170524 +g25273 +S'color plaster-relief on wove paper' +p170525 +sg25267 +g27 +sg25275 +S'1957' +p170526 +sg25268 +S'Prismatic Presences' +p170527 +sg25270 +S'Worden Day' +p170528 +sa(dp170529 +g25273 +S'lithograph on BFK RIVES paper' +p170530 +sg25267 +g27 +sg25275 +S'1958' +p170531 +sg25268 +S'Hill and Mountain' +p170532 +sg25270 +S'Adolf Arthur Dehn' +p170533 +sa(dp170534 +g25273 +S'relief engraving in black on Lucite' +p170535 +sg25267 +g27 +sg25275 +S'1957' +p170536 +sg25268 +S'The Insects Go Up' +p170537 +sg25270 +S'Arthur Deshaies' +p170538 +sa(dp170539 +g25273 +S'color etching' +p170540 +sg25267 +g27 +sg25275 +S'1956' +p170541 +sg25268 +S'Escarpment' +p170542 +sg25270 +S'Leonard Edmondson' +p170543 +sa(dp170544 +g25268 +S'Saint Jerome' +p170545 +sg25270 +S'Netherlandish 16th Century' +p170546 +sg25273 +S'Rosenwald Collection' +p170547 +sg25275 +S'\nengraving' +p170548 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cd/a000cd03.jpg' +p170549 +sg25267 +g27 +sa(dp170550 +g25273 +S'cardboard cut' +p170551 +sg25267 +g27 +sg25275 +S'1956' +p170552 +sg25268 +S'Flower Image' +p170553 +sg25270 +S'James Forsberg' +p170554 +sa(dp170555 +g25268 +S'The Frozen Sound' +p170556 +sg25270 +S'Antonio Frasconi' +p170557 +sg25273 +S'color woodcut' +p170558 +sg25275 +S'1958' +p170559 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000aa1.jpg' +p170560 +sg25267 +g27 +sa(dp170561 +g25273 +S'color woodcut' +p170562 +sg25267 +g27 +sg25275 +S'1958' +p170563 +sg25268 +S'Summer Bird' +p170564 +sg25270 +S'Antonio Frasconi' +p170565 +sa(dp170566 +g25273 +S'etching' +p170567 +sg25267 +g27 +sg25275 +S'1956' +p170568 +sg25268 +S'Sacrifice of Iphigenia, No.1' +p170569 +sg25270 +S'Peter Grippe' +p170570 +sa(dp170571 +g25273 +S'etching' +p170572 +sg25267 +g27 +sg25275 +S'1958' +p170573 +sg25268 +S'Homage to Francisco de Orellana' +p170574 +sg25270 +S'John Livingston Ihle' +p170575 +sa(dp170576 +g25273 +S'lithograph' +p170577 +sg25267 +g27 +sg25275 +S'1958' +p170578 +sg25268 +S'Izbas' +p170579 +sg25270 +S'Shelia Eaton Isham' +p170580 +sa(dp170581 +g25273 +S'color lithograph on wove paper' +p170582 +sg25267 +g27 +sg25275 +S'1958' +p170583 +sg25268 +S'Dark Angel' +p170584 +sg25270 +S'Max Kahn' +p170585 +sa(dp170586 +g25273 +S'intaglio' +p170587 +sg25267 +g27 +sg25275 +S'1958' +p170588 +sg25268 +S'Quarry' +p170589 +sg25270 +S'Jerome Kaplan' +p170590 +sa(dp170591 +g25273 +S'etching, sugarlift aquatint and engraving on chine coll?' +p170592 +sg25267 +g27 +sg25275 +S'1957' +p170593 +sg25268 +S'Lion' +p170594 +sg25270 +S'Misch Kohn' +p170595 +sa(dp170596 +g25268 +S'Road Map of Central Europe' +p170597 +sg25270 +S'Erhard Etzlaub' +p170598 +sg25273 +S'woodcut' +p170599 +sg25275 +S'c. 1492' +p170600 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00056/a000562c.jpg' +p170601 +sg25267 +g27 +sa(dp170602 +g25273 +S'etching, sugarlift aquatint and engraving' +p170603 +sg25267 +g27 +sg25275 +S'1957' +p170604 +sg25268 +S'Three Kings' +p170605 +sg25270 +S'Misch Kohn' +p170606 +sa(dp170607 +g25273 +S'aquatint' +p170608 +sg25267 +g27 +sg25275 +S'1957' +p170609 +sg25268 +S'Crucifixion' +p170610 +sg25270 +S'Chaim Koppelman' +p170611 +sa(dp170612 +g25273 +S'woodcut' +p170613 +sg25267 +g27 +sg25275 +S'1957' +p170614 +sg25268 +S'The Violinist' +p170615 +sg25270 +S'Eugene Larkin' +p170616 +sa(dp170617 +g25273 +S'etching, engraving, aquatint, soft-ground, electric stipple with scraping and burnishing in yellow ochre and black' +p170618 +sg25267 +g27 +sg25275 +S'1956' +p170619 +sg25268 +S'The Vision' +p170620 +sg25270 +S'Mauricio Lasansky' +p170621 +sa(dp170622 +g25273 +S'etching and aquatint in black on wove paper' +p170623 +sg25267 +g27 +sg25275 +S'1957' +p170624 +sg25268 +S'Under the "El"' +p170625 +sg25270 +S'Gerson August Leiber' +p170626 +sa(dp170627 +g25273 +S'lithograph' +p170628 +sg25267 +g27 +sg25275 +S'1958' +p170629 +sg25268 +S'Relic of Old Rome' +p170630 +sg25270 +S'Louis Lozowick' +p170631 +sa(dp170632 +g25273 +S'color lithograph' +p170633 +sg25267 +g27 +sg25275 +S'1956' +p170634 +sg25268 +S'Paris' +p170635 +sg25270 +S'Loren MacIver' +p170636 +sa(dp170637 +g25273 +S'color cellocut on wove paper' +p170638 +sg25267 +g27 +sg25275 +S'1958' +p170639 +sg25268 +S'From Another Galaxy' +p170640 +sg25270 +S'Boris Margo' +p170641 +sa(dp170642 +g25273 +S'intaglio' +p170643 +sg25267 +g27 +sg25275 +S'1957' +p170644 +sg25268 +S'Surgeon' +p170645 +sg25270 +S'Dean Jackson Meeker' +p170646 +sa(dp170647 +g25273 +S'color lithograph on wove paper' +p170648 +sg25267 +g27 +sg25275 +S'1958' +p170649 +sg25268 +S'Composition 25' +p170650 +sg25270 +S'George Joji Miyasaki' +p170651 +sa(dp170652 +g25268 +S'The Dissolute Household' +p170653 +sg25270 +S'Pieter Balten' +p170654 +sg25273 +S'engraving' +p170655 +sg25275 +S'unknown date\n' +p170656 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ced6.jpg' +p170657 +sg25267 +g27 +sa(dp170658 +g25273 +S'engraving in black on wove paper' +p170659 +sg25267 +g27 +sg25275 +S'1956' +p170660 +sg25268 +S'David in the Wilderness' +p170661 +sg25270 +S'Norma Gloria Morgan' +p170662 +sa(dp170663 +g25273 +S'color woodcut' +p170664 +sg25267 +g27 +sg25275 +S'1958' +p170665 +sg25268 +S'The Little "500"' +p170666 +sg25270 +S'Seong Moy' +p170667 +sa(dp170668 +g25273 +S'color intgalio' +p170669 +sg25267 +g27 +sg25275 +S'1957' +p170670 +sg25268 +S'Hundred Guilder Print' +p170671 +sg25270 +S'Malcolm Haynie Myers' +p170672 +sa(dp170673 +g25273 +S'color etching and aquatint' +p170674 +sg25267 +g27 +sg25275 +S'1958' +p170675 +sg25268 +S'Lotus Eaters' +p170676 +sg25270 +S'Barbara Neustadt' +p170677 +sa(dp170678 +g25273 +S'color lithograph' +p170679 +sg25267 +g27 +sg25275 +S'1956' +p170680 +sg25268 +S'Boardwalk' +p170681 +sg25270 +S'Jack Perlmutter' +p170682 +sa(dp170683 +g25273 +S'etching and engraving' +p170684 +sg25267 +g27 +sg25275 +S'1958' +p170685 +sg25268 +S'Cathedral' +p170686 +sg25270 +S'Gabor Peterdi' +p170687 +sa(dp170688 +g25273 +S'color etching and engraving on wove paper' +p170689 +sg25267 +g27 +sg25275 +S'1958' +p170690 +sg25268 +S'Glowing Tree' +p170691 +sg25270 +S'Gabor Peterdi' +p170692 +sa(dp170693 +g25273 +S'color lithograph' +p170694 +sg25267 +g27 +sg25275 +S'1958' +p170695 +sg25268 +S'Concertino' +p170696 +sg25270 +S'Reginald Murray Pollack' +p170697 +sa(dp170698 +g25273 +S'color collage intaglio on wove paper' +p170699 +sg25267 +g27 +sg25275 +S'1958' +p170700 +sg25268 +S'Wounded Mountain' +p170701 +sg25270 +S'Michael Ponce de Leon' +p170702 +sa(dp170703 +g25273 +S'etching-engraving and soft-ground (zinc) on dark blue' +p170704 +sg25267 +g27 +sg25275 +S'1958' +p170705 +sg25268 +S'Tower of Babel' +p170706 +sg25270 +S'Rudy Pozzatti' +p170707 +sa(dp170708 +g25268 +S'Ornament - Large Goblet' +p170709 +sg25270 +S'German 16th Century' +p170710 +sg25273 +S'Rosenwald Collection' +p170711 +sg25275 +S'\npunch engraving?' +p170712 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b070.jpg' +p170713 +sg25267 +g27 +sa(dp170714 +g25273 +S'etching and engraving' +p170715 +sg25267 +g27 +sg25275 +S'1958' +p170716 +sg25268 +S'Shrew' +p170717 +sg25270 +S'Aubrey Schwartz' +p170718 +sa(dp170719 +g25273 +S'hand-colored screenprint' +p170720 +sg25267 +g27 +sg25275 +S'1958' +p170721 +sg25268 +S'Lute and Molecules, No.2' +p170722 +sg25270 +S'Ben Shahn' +p170723 +sa(dp170724 +g25268 +S'Wheat Field' +p170725 +sg25270 +S'Ben Shahn' +p170726 +sg25273 +S'screenprint with hand-coloring' +p170727 +sg25275 +S'1958' +p170728 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000b/a0000b8b.jpg' +p170729 +sg25267 +g27 +sa(dp170730 +g25273 +S'etching and drypoint in black on wove paper' +p170731 +sg25267 +g27 +sg25275 +S'1958' +p170732 +sg25268 +S'Summer' +p170733 +sg25270 +S'Moishe Smith' +p170734 +sa(dp170735 +g25273 +S'etching, soft-ground, and drypoint on wove paper' +p170736 +sg25267 +g27 +sg25275 +S'1958' +p170737 +sg25268 +S'Winter' +p170738 +sg25270 +S'Moishe Smith' +p170739 +sa(dp170740 +g25273 +S'color woodcut' +p170741 +sg25267 +g27 +sg25275 +S'1958' +p170742 +sg25268 +S'Sounding II' +p170743 +sg25270 +S'Jack Sonenberg' +p170744 +sa(dp170745 +g25273 +S'color lithograph' +p170746 +sg25267 +g27 +sg25275 +S'1957' +p170747 +sg25268 +S'Lithograph July 1957' +p170748 +sg25270 +S'Andrew Stasik' +p170749 +sa(dp170750 +g25273 +S'color woodcut' +p170751 +sg25267 +g27 +sg25275 +S'1958' +p170752 +sg25268 +S'Gethsemane' +p170753 +sg25270 +S'Carol Summers' +p170754 +sa(dp170755 +g25273 +S'color woodcut' +p170756 +sg25267 +g27 +sg25275 +S'1958' +p170757 +sg25268 +S'Rainbow' +p170758 +sg25270 +S'Carol Summers' +p170759 +sa(dp170760 +g25273 +S'drypoint' +p170761 +sg25267 +g27 +sg25275 +S'1958' +p170762 +sg25268 +S'Growth' +p170763 +sg25270 +S'Peter Takal' +p170764 +sa(dp170765 +g25268 +S'Saint Michael' +p170766 +sg25270 +S'Artist Information (' +p170767 +sg25273 +S'German, active c. 1450 - active 1467' +p170768 +sg25275 +S'(artist after)' +p170769 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a3/a000a3c1.jpg' +p170770 +sg25267 +g27 +sa(dp170771 +g25273 +S'color lithograph' +p170772 +sg25267 +g27 +sg25275 +S'1957' +p170773 +sg25268 +S'Wolf, Blind in One Eye' +p170774 +sg25270 +S'Romas Viesulas' +p170775 +sa(dp170776 +g25273 +S'color screenprint' +p170777 +sg25267 +g27 +sg25275 +S'1958' +p170778 +sg25268 +S'Arrival' +p170779 +sg25270 +S'Sylvia Wald' +p170780 +sa(dp170781 +g25273 +S'lithograph' +p170782 +sg25267 +g27 +sg25275 +S'1958' +p170783 +sg25268 +S'Eve Tempted [left half]' +p170784 +sg25270 +S'June Wayne' +p170785 +sa(dp170786 +g25268 +S'Adam Waiting [right half]' +p170787 +sg25270 +S'June Wayne' +p170788 +sg25273 +S'lithograph' +p170789 +sg25275 +S'1958' +p170790 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000b/a0000be5.jpg' +p170791 +sg25267 +g27 +sa(dp170792 +g25273 +S'color woodcut' +p170793 +sg25267 +g27 +sg25275 +S'1958' +p170794 +sg25268 +S'Fighting Cock' +p170795 +sg25270 +S'Walter Williams' +p170796 +sa(dp170797 +g25268 +S'The Westwood Children' +p170798 +sg25270 +S'Joshua Johnson' +p170799 +sg25273 +S'oil on canvas' +p170800 +sg25275 +S'c. 1807' +p170801 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a0000120.jpg' +p170802 +sg25267 +S"At the center of this image is John, the oldest son of the prominent Westwood family from Baltimore, extending his arm behind and across two younger children. The smaller boys stand close together, hands clasped. All three are dressed in high-waisted trouser suits, fashionable for male children at the time, and hold a branch or flowers as if they've just returned from the outdoors. The family pet featured in the bottom right holds a bird in its mouth, clearly having found it outside as well.\n Joshua Johnson's sympathetic pose of the three boys makes their brotherly relationship the subject of this portrait. A free black artist who worked in Baltimore, Maryland, during the late eighteenth and early nineteenth centuries, Johnson is known for his skillful use of design and balanced composition, as seen in \n The son of a white father and a black mother, Johnson was born into slavery around 1763 and freed in 1782. Having received minimal training in art, perhaps from one of the artists in the extended Peale family, he practiced as a portrait painter, advertising his service in Baltimore's city directories from 1796 to 1824. Roughly eighty portraits are now attributed to him.\n " +p170803 +sa(dp170804 +g25268 +S'Mary and Francis Wilcox' +p170805 +sg25270 +S'Joseph Whiting Stock' +p170806 +sg25273 +S'oil on canvas' +p170807 +sg25275 +S'1845' +p170808 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a000022a.jpg' +p170809 +sg25267 +g27 +sa(dp170810 +g25268 +S'Baby in Blue Cradle' +p170811 +sg25270 +S'American 19th Century' +p170812 +sg25273 +S'overall: 69 x 58 cm (27 3/16 x 22 13/16 in.)\r\nframed: 82.5 x 71.7 x 5 cm (32 1/2 x 28 1/4 x 1 15/16 in.)' +p170813 +sg25275 +S'\noil on canvas' +p170814 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003f9.jpg' +p170815 +sg25267 +g27 +sa(dp170816 +g25268 +S'Jonathan Bentham' +p170817 +sg25270 +S'American 18th Century' +p170818 +sg25273 +S'overall: 116.5 x 88.9 cm (45 7/8 x 35 in.)\r\nframed: 129.5 x 102.9 x 5 cm (51 x 40 1/2 x 1 15/16 in.)' +p170819 +sg25275 +S'\noil on canvas' +p170820 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a0000412.jpg' +p170821 +sg25267 +g27 +sa(dp170822 +g25268 +S'Boy in Blue Coat' +p170823 +sg25270 +S'American 18th Century' +p170824 +sg25273 +S'overall: 121.5 x 83.5 cm (47 13/16 x 32 7/8 in.)\r\nframed: 135.6 x 98.1 x 3.4 cm (53 3/8 x 38 5/8 x 1 5/16 in.)' +p170825 +sg25275 +S'\noil on canvas' +p170826 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a0000413.jpg' +p170827 +sg25267 +g27 +sa(dp170828 +g25268 +S'At the Dram Well' +p170829 +sg25270 +S'French 17th Century' +p170830 +sg25273 +S'overall: 11.5 x 18.1 cm (4 1/2 x 7 1/8 in.)' +p170831 +sg25275 +S'\npen and brown ink with brown wash' +p170832 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00071/a000712b.jpg' +p170833 +sg25267 +g27 +sa(dp170834 +g25268 +S'Child with Rocking Horse' +p170835 +sg25270 +S'American 19th Century' +p170836 +sg25273 +S'overall: 103.2 x 68.6 cm (40 5/8 x 27 in.)\r\nframed: 125.1 x 90.8 x 7.3 cm (49 1/4 x 35 3/4 x 2 7/8 in.)' +p170837 +sg25275 +S'\noil on canvas' +p170838 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00003/a00003fa.jpg' +p170839 +sg25267 +g27 +sa(dp170840 +g25268 +S'Civil War Battle' +p170841 +sg25270 +S'American 19th Century' +p170842 +sg25273 +S'overall: 91.7 x 112.4 cm (36 1/8 x 44 1/4 in.)\r\nframed: 109.5 x 130.5 x 4.7 cm (43 1/8 x 51 3/8 x 1 7/8 in.)' +p170843 +sg25275 +S'\noil on canvas' +p170844 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a0000414.jpg' +p170845 +sg25267 +g27 +sa(dp170846 +g25268 +S'Five Children of the Budd Family' +p170847 +sg25270 +S'American 19th Century' +p170848 +sg25273 +S'overall: 121 x 106.4 cm (47 5/8 x 41 7/8 in.)' +p170849 +sg25275 +S'\noil on canvas' +p170850 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a0000415.jpg' +p170851 +sg25267 +g27 +sa(dp170852 +g25268 +S'Lady in White' +p170853 +sg25270 +S'Ammi Phillips' +p170854 +sg25273 +S'oil on canvas' +p170855 +sg25275 +S'c. 1820' +p170856 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a00001bd.jpg' +p170857 +sg25267 +g27 +sa(dp170858 +g25268 +S'Leaving the Manor House' +p170859 +sg25270 +S'American 19th Century' +p170860 +sg25273 +S'overall: 68.6 x 86.5 cm (27 x 34 1/16 in.)\r\nframed: 79.4 x 97.2 x 7 cm (31 1/4 x 38 1/4 x 2 3/4 in.)' +p170861 +sg25275 +S'\noil on canvas' +p170862 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a000043f.jpg' +p170863 +sg25267 +g27 +sa(dp170864 +g25273 +S'overall: 52.1 x 36.3 cm (20 1/2 x 14 5/16 in.)' +p170865 +sg25267 +g27 +sg25275 +S'\noil on wood' +p170866 +sg25268 +S'Little Girl and the Cat' +p170867 +sg25270 +S'American 20th Century' +p170868 +sa(dp170869 +g25268 +S'Lady in a White Mob Cap' +p170870 +sg25270 +S'Benjamin Greenleaf' +p170871 +sg25273 +S'oil on canvas' +p170872 +sg25275 +S'c. 1805' +p170873 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000d1.jpg' +p170874 +sg25267 +g27 +sa(dp170875 +g25268 +S'The Donkey Cart' +p170876 +sg25270 +S'George Bellows' +p170877 +sg25273 +S'black crayon on wove paper' +p170878 +sg25275 +S'1922' +p170879 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000e5/a000e560.jpg' +p170880 +sg25267 +g27 +sa(dp170881 +g25268 +S'Jean 1923' +p170882 +sg25270 +S'George Bellows' +p170883 +sg25273 +S'lithograph on Asian paper' +p170884 +sg25275 +S'1923' +p170885 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a21.jpg' +p170886 +sg25267 +g27 +sa(dp170887 +g25273 +S'lithograph in yellow, red, violet and gray' +p170888 +sg25267 +g27 +sg25275 +S'1899' +p170889 +sg25268 +S'The Square at Night' +p170890 +sg25270 +S'Pierre Bonnard' +p170891 +sa(dp170892 +g25268 +S'Young Man Drinking Water (Rebecca and Eliezer?)' +p170893 +sg25270 +S'Artist Information (' +p170894 +sg25273 +S'Italian, 1504 - 1570' +p170895 +sg25275 +S'(artist after)' +p170896 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a0008367.jpg' +p170897 +sg25267 +g27 +sa(dp170898 +g25268 +S'Under the Horse-Chestnut Tree' +p170899 +sg25270 +S'Mary Cassatt' +p170900 +sg25273 +S'drypoint and aquatint in color' +p170901 +sg25275 +S'c. 1895' +p170902 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00111/a001111c.jpg' +p170903 +sg25267 +g27 +sa(dp170904 +g25273 +S'drypoint, soft-ground etching, and aquatint in color' +p170905 +sg25267 +g27 +sg25275 +S'c. 1891' +p170906 +sg25268 +S'The Letter' +p170907 +sg25270 +S'Mary Cassatt' +p170908 +sa(dp170909 +g25268 +S'The Banjo Lesson' +p170910 +sg25270 +S'Mary Cassatt' +p170911 +sg25273 +S'color drypoint and aquatint with monotype inking' +p170912 +sg25275 +S'c. 1893' +p170913 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a55.jpg' +p170914 +sg25267 +g27 +sa(dp170915 +g25268 +S'The Bathers (Small Plate)' +p170916 +sg25270 +S'Paul C\xc3\xa9zanne' +p170917 +sg25273 +S'colored lithograph' +p170918 +sg25275 +S'1897' +p170919 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00091/a000917c.jpg' +p170920 +sg25267 +g27 +sa(dp170921 +g25268 +S'Against Green' +p170922 +sg25270 +S'Arthur B. Davies' +p170923 +sg25273 +S'color aquatint on blue laid paper' +p170924 +sg25275 +S'unknown date\n' +p170925 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a6c.jpg' +p170926 +sg25267 +g27 +sa(dp170927 +g25268 +S'Release at the Gates' +p170928 +sg25270 +S'Arthur B. Davies' +p170929 +sg25273 +S'color lithograph' +p170930 +sg25275 +S'1923' +p170931 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a6d.jpg' +p170932 +sg25267 +g27 +sa(dp170933 +g25268 +S'Jockey' +p170934 +sg25270 +S'Edgar Degas' +p170935 +sg25273 +S'washed pastel, brown wash, and transferred pastel' +p170936 +sg25275 +S'c. 1898' +p170937 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004b/a0004b3d.jpg' +p170938 +sg25267 +g27 +sa(dp170939 +g25268 +S'Bathers in Brittany (Baigneuses Bretonnes)' +p170940 +sg25270 +S'Paul Gauguin' +p170941 +sg25273 +S'lithograph (zinc) in black on imitation japan paper' +p170942 +sg25275 +S'1889' +p170943 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009a/a0009a73.jpg' +p170944 +sg25267 +g27 +sa(dp170945 +g25268 +S'Disparate femenino (Feminine Folly)' +p170946 +sg25270 +S'Francisco de Goya' +p170947 +sg25273 +S'etching, aquatint and (drypoint?)' +p170948 +sg25275 +S'in or after 1816' +p170949 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed9e.jpg' +p170950 +sg25267 +g27 +sa(dp170951 +g25268 +S'Bringing the Goats to Market Sacrifice (Trinidad)' +p170952 +sg25270 +S'George Overbury (Pop) Hart' +p170953 +sg25273 +S'color etching' +p170954 +sg25275 +S'unknown date\n' +p170955 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00104/a00104d2.jpg' +p170956 +sg25267 +g27 +sa(dp170957 +g25268 +S'Caricature of J.M. Whistler' +p170958 +sg25270 +S'Aubrey Beardsley' +p170959 +sg25273 +S'pen and black ink on wove paper' +p170960 +sg25275 +S'unknown date\n' +p170961 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00068/a000683e.jpg' +p170962 +sg25267 +g27 +sa(dp170963 +g25273 +S'lithograph on India paper' +p170964 +sg25267 +g27 +sg25275 +S'1927' +p170965 +sg25268 +S'Dancer Reflected in the Mirror (Danseuse refl\xc3\xa9t\xc3\xa9e dans la glace)' +p170966 +sg25270 +S'Henri Matisse' +p170967 +sa(dp170968 +g25273 +S'lithograph' +p170969 +sg25267 +g27 +sg25275 +S'1913' +p170970 +sg25268 +S'Face with Fringe (Visage \xc3\xa0 la frange)' +p170971 +sg25270 +S'Henri Matisse' +p170972 +sa(dp170973 +g25268 +S'At the Concert (Au concert)' +p170974 +sg25270 +S'Henri de Toulouse-Lautrec' +p170975 +sg25273 +S'4-color lithograph [poster]' +p170976 +sg25275 +S'1896' +p170977 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009e/a0009e82.jpg' +p170978 +sg25267 +g27 +sa(dp170979 +g25268 +S'Family in a Surrey' +p170980 +sg25270 +S'George Bellows' +p170981 +sg25273 +S'black chalk on wove paper' +p170982 +sg25275 +S'unknown date\n' +p170983 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000e5/a000e561.jpg' +p170984 +sg25267 +g27 +sa(dp170985 +g25273 +S'Gift of Ethel G. Tolman' +p170986 +sg25267 +g27 +sg25275 +S'\nlithograph on folded paper fan' +p170987 +sg25268 +S'The Presidents Fan' +p170988 +sg25270 +S'American 19th Century' +p170989 +sa(dp170990 +g25268 +S'The Annunciation' +p170991 +sg25270 +S'Artist Information (' +p170992 +sg25273 +S'(artist after)' +p170993 +sg25275 +S'\n' +p170994 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a43c.jpg' +p170995 +sg25267 +g27 +sa(dp170996 +g25268 +S'Still Life with Apples and Peaches' +p170997 +sg25270 +S'Paul C\xc3\xa9zanne' +p170998 +sg25273 +S'oil on canvas' +p170999 +sg25275 +S'c. 1905' +p171000 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00049/a0004952.jpg' +p171001 +sg25267 +S'Cézanne explored an astonishing range of\r\nsubjects, the rare painter among his peers\r\nto devote extensive time to landscape,\r\nportraiture, figural scenes, and still life.\r\nThe latter remained central to his artistic\r\npractice from the beginning to the end.\r\nThis late still life consists of simple props\r\nhe kept in his studio and used in many\r\nof his compositions. The patterned drapery\r\nand the pitcher with floral decoration\r\nappear, together with fruit and a white\r\ncloth, in slightly different arrangements\r\non tabletops in five other paintings made\r\nin the late 1890s. This particular drapery\r\nwas a favorite motif of the artist. He\r\nfirst included it in works he made in Paris\r\n(see \n Of all the possible painting genres, the\r\nstill life was traditionally scorned by critics\r\nand theorists as being the least noble, for\r\nit was considered to be a mere replication\r\nof inanimate objects that demanded little\r\nof the artist\xe2\x80\x99s imagination. Yet the still life\r\nallows the artist an enormous element of\r\ncontrol—in the choice of objects and in\r\ntheir arrangement into seemingly endless\r\nvariations, which must have been the\r\nessence of its appeal for Cézanne. In still\r\nlife after still life he explored the correspondences\r\namong objects, searching for\r\nharmony and balance in form and color.\r\nThe modest household wares that Cézanne\r\npreferred to depict evoke the rustic still\r\nlifes of Jean Siméon Chardin, whom he\r\ngreatly admired, but Cézanne\xe2\x80\x99s orchestrated\r\nplay on pictorial structure, rhythm,\r\nline, and shape elevates them out of the\r\nrealm of the humble. Nothing seems\r\nrandom in this imposing canvas, with its\r\ndramatic sweep of drapery that tumbles\r\nonto the table and envelops the pitcher.\r\nTriangular folds in the fabric echo the\r\npyramid of peaches stacked on the white\r\ndish, while the three bright accents of\r\npitcher, flower holder, and napkin—set\r\noff against an otherwise muted color\r\nscheme—form another inverted triangle.\r\nUndulating lines of the faience resonate\r\nwith waves of the table skirt; the swelling\r\nvolume of pitcher strikes a chord with the\r\nplump fruit; and little touches of light\r\nblue pigment mark and unite curtain,\r\nnapkin, and vase.\n The peaches and apples are glowing\r\nglobes of orange, yellow, and red, seemingly\r\nfreshly picked. Cézanne felt especially drawn to fruits, confiding to a friend\r\nthat "they love having their portraits\r\ndone. . . . They exhale their message with\r\ntheir scent. They reach you with all their\r\nsmells and tell you about the fields they\xe2\x80\x99ve\r\nleft, the rain that made them grow, the\r\ndawns they watched. When I\xe2\x80\x99m outlining\r\nthe skin of a lovely peach with soft touches\r\nof paint, or a sad old apple, I catch a\r\nglimpse in the reflections they exchange\r\nof . . . the same love of the sun, the same\r\nrecollection of the dew, a freshness."\n Cézanne\xe2\x80\x99s still lifes rank among his\r\nfinest achievements, something his contemporaries\r\nbegan to acknowledge in the\r\nlast decade of his life. The still lifes in\r\nparticular exhibit some of the artist\xe2\x80\x99s most\r\ninfluential innovations involving pictorial\r\nspace. Here the top of the table is tilted\r\nprecariously, and the lines that create its\r\nright side fail to converge toward a single\r\nvanishing point. Cézanne was among the\r\nfirst painters to offer disparate views of\r\nthe same object, as he did here with the\r\npitcher: its mouth opens wide as if viewed\r\nfrom above even while its body suggests\r\nthat it is seen at eye level. The subsequent\r\ngeneration of cubist painters drew inspiration\r\nfrom these liberties with perspective\r\nand forged an even more radical break\r\nwith pictorial tradition.\n (Text by Margaret Doyle, \n Notes\n \n \n \n ' +p171002 +sa(dp171003 +g25268 +S'The Triumph of the Church' +p171004 +sg25270 +S'German 13th Century' +p171005 +sg25273 +S'overall: 20.9 x 20.2 cm (8 1/4 x 7 15/16 in.)' +p171006 +sg25275 +S'\ntempera and gold leaf on vellum' +p171007 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00033/a00033d5.jpg' +p171008 +sg25267 +g27 +sa(dp171009 +g25268 +S'Christ and the Virgin Enthroned with Forty Saints' +p171010 +sg25270 +S'Master of the Dominican Effigies' +p171011 +sg25273 +S'miniature on vellum' +p171012 +sg25275 +S'c. 1340' +p171013 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00058/a0005816.jpg' +p171014 +sg25267 +g27 +sa(dp171015 +g25268 +S'Two Friars on a Hillside [recto]' +p171016 +sg25270 +S'Fra Bartolommeo' +p171017 +sg25273 +S'pen and brown ink on laid paper' +p171018 +sg25275 +S'unknown date\n' +p171019 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00030/a0003032.jpg' +p171020 +sg25267 +g27 +sa(dp171021 +g25268 +S'Withered Spring' +p171022 +sg25270 +S'Aubrey Beardsley' +p171023 +sg25273 +S'pen and black ink heightened with white over graphite' +p171024 +sg25275 +S'unknown date\n' +p171025 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005b/a0005b0a.jpg' +p171026 +sg25267 +g27 +sa(dp171027 +g25268 +S'Bare Tree [verso]' +p171028 +sg25270 +S'Fra Bartolommeo' +p171029 +sg25273 +S'pen and brown ink on laid paper' +p171030 +sg25275 +S'unknown date\n' +p171031 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00075/a000750d.jpg' +p171032 +sg25267 +g27 +sa(dp171033 +g25268 +S'Portrait of a Man' +p171034 +sg25270 +S'Leonhard Beck' +p171035 +sg25273 +S'black chalk on laid paper' +p171036 +sg25275 +S'c. 1515' +p171037 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00079/a000795a.jpg' +p171038 +sg25267 +g27 +sa(dp171039 +g25268 +S'Saint Sebald Carrying the Model of His Church in Nuremberg' +p171040 +sg25270 +S'Sebald Beham' +p171041 +sg25273 +S'pen and brown ink with touches of red chalk on laid paper' +p171042 +sg25275 +S'c. 1521' +p171043 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00031/a0003193.jpg' +p171044 +sg25267 +g27 +sa(dp171045 +g25268 +S'The Martyrdom of Saint Catherine' +p171046 +sg25270 +S'Albrecht D\xc3\xbcrer' +p171047 +sg25273 +S'woodcut' +p171048 +sg25275 +S'c. 1497/1499' +p171049 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b2/a000b239.jpg' +p171050 +sg25267 +g27 +sa(dp171051 +g25273 +S'hand-colored etching' +p171052 +sg25267 +g27 +sg25275 +S'1888' +p171053 +sg25268 +S"The Port of Ostend (Vue du port d'Ostende)" +p171054 +sg25270 +S'James Ensor' +p171055 +sa(dp171056 +g25268 +S'Disparate de Carnabal (Carnival Folly)' +p171057 +sg25270 +S'Francisco de Goya' +p171058 +sg25273 +S'etching and aquatint' +p171059 +sg25275 +S'in or after 1816' +p171060 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000eda2.jpg' +p171061 +sg25267 +g27 +sa(dp171062 +g25268 +S'Los ensacados (The Men in Sacks)' +p171063 +sg25270 +S'Francisco de Goya' +p171064 +sg25273 +S'etching and burnished aquatint' +p171065 +sg25275 +S'in or after 1816' +p171066 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed96.jpg' +p171067 +sg25267 +g27 +sa(dp171068 +g25268 +S"Landscape with View of a Farmer's Cottage and a Town near a River" +p171069 +sg25270 +S'Hans Sebald Lautensack' +p171070 +sg25273 +S'etching//conjoining landscapes on 2 sheets of paper' +p171071 +sg25275 +S'1551' +p171072 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ac/a000acbd.jpg' +p171073 +sg25267 +g27 +sa(dp171074 +g25268 +S'Jan Cornelisz Sylvius, the Preacher' +p171075 +sg25270 +S'Rembrandt van Rijn' +p171076 +sg25273 +S'pen and brown ink on laid paper' +p171077 +sg25275 +S'1644/1645' +p171078 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00026/a00026e6.jpg' +p171079 +sg25267 +g27 +sa(dp171080 +g25268 +S'The Resurrection' +p171081 +sg25270 +S'Martin Schongauer' +p171082 +sg25273 +S'engraving' +p171083 +sg25275 +S'c. 1480' +p171084 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005d/a0005d54.jpg' +p171085 +sg25267 +g27 +sa(dp171086 +g25268 +S'The Annunciation' +p171087 +sg25270 +S'Jan van Eyck' +p171088 +sg25273 +S'oil on canvas transferred from panel' +p171089 +sg25275 +S'c. 1434/1436' +p171090 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00020/a0002021.jpg' +p171091 +sg25267 +S'The Annunciation described by Saint Luke is interpreted in terms of actuality\r\nin this painting, which was probably once the left wing of a triptych. The forms—even that of the archangel—seem to have weight and volume. Light and shadow play over them in a natural way, and with amazing skill, Jan van Eyck has distinguished between the textures of materials ranging from hard, polished stone to the soft, fragile petals of flowers.\n Yet religious symbolism speaks from every detail, expounding the significance of the Annunciation, and the relationship of the Old Testament to the New. The structure of the church can be interpreted symbolically; the dark upper story, with its single, stained–glass window of Jehovah, may refer to the former era of the Old Testament, while the lower part of the building, already illuminated by the "Light of the World" and dominated by transparent, triple windows symbolizing the Trinity, may refer to the Era of Grace of the New Testament. The idea of passing from old to new is further manifested in the transition from the Romanesque round–arched windows of\r\nthe upper story to the early Gothic pointed arches of the lower zone, and also in the depictions on the floor tiles: David beheading Goliath and Samson destroying the Philistine temple are both Old Testament events in the salvation of the Jewish people which prefigure the salvation of humankind through the coming of Christ.\n ' +p171092 +sa(dp171093 +g25268 +S'The Agony in the Garden' +p171094 +sg25270 +S'Benvenuto di Giovanni' +p171095 +sg25273 +S'tempera on panel' +p171096 +sg25275 +S'probably 1491' +p171097 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a0000770.jpg' +p171098 +sg25267 +g27 +sa(dp171099 +g25268 +S'Tannh\xc3\xa4user' +p171100 +sg25270 +S'Aubrey Beardsley' +p171101 +sg25273 +S'pen and black ink with gray wash heightened with white' +p171102 +sg25275 +S'unknown date\n' +p171103 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00031/a0003192.jpg' +p171104 +sg25267 +g27 +sa(dp171105 +g25268 +S'The Adoration of the Magi' +p171106 +sg25270 +S'Giovanni Battista Tiepolo' +p171107 +sg25273 +S'etching' +p171108 +sg25275 +S'c. 1740' +p171109 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00020/a0002030.jpg' +p171110 +sg25267 +g27 +sa(dp171111 +g25268 +S'The Lamentation' +p171112 +sg25270 +S'German 15th Century' +p171113 +sg25273 +S'sheet: 12.7 x 12.8 cm (5 x 5 1/16 in.)\r\noverall (slipcase and box): 15.6 x 39.5 cm (6 1/8 x 15 9/16 in.)' +p171114 +sg25275 +S'\ntraveling altar with a woodcut printed on parchment in black and hand-colored in blue, green, brown, tan, orange, and red; set between two panels of printed text to form a triptych; housed in a slipcase with an embroidered crucifixion scene on thefront and backed in leather; in turn housed in a velvet, silk, and linen box, strengthened with layers of parchment from an account book, with ornamental tassels at each corner' +p171115 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f2c.jpg' +p171116 +sg25267 +g27 +sa(dp171117 +g25268 +S'The Adoration of the Magi' +p171118 +sg25270 +S'Master I.A.M. of Zwolle' +p171119 +sg25273 +S'engraving' +p171120 +sg25275 +S'c. 1480/1485' +p171121 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cc/a000ccf4.jpg' +p171122 +sg25267 +g27 +sa(dp171123 +g25273 +S'engraving' +p171124 +sg25267 +g27 +sg25275 +S'unknown date\n' +p171125 +sg25268 +S'Andrew W. Mellon' +p171126 +sg25270 +S'Frederick Thomas Reynolds' +p171127 +sa(dp171128 +g25268 +S'Still Life with Melon and Peaches' +p171129 +sg25270 +S'Edouard Manet' +p171130 +sg25273 +S'oil on canvas' +p171131 +sg25275 +S'c. 1866' +p171132 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a0000683.jpg' +p171133 +sg25267 +S"Manet is known overwhelmingly for his paintings of people, but he called still life "the touchstone of painting," and it accounts for about twenty percent of his work. Most of his still lifes, like this one, were painted in the 1860s. At the time, still life enjoyed great popularity among the bourgeois citizens of the Second Empire. Dining rooms were filled with depictions of lush bouquets and lavish repasts that suggested their owners' comfortable lives. Bourgeois tastes tended toward the finely detailed and highly finished work of more conventional artists, however. A satirist looked at Manet's painting when it was exhibited in 1867 and remarked, "I do not know much about melons, but this one seems past its prime."\n What contemporary viewers did not like in Manet's painting is precisely what attracts us today: its bold style. Sudden transitions of color—not a gradual modulation of tone—give shape to the objects. Each brushstroke stands independently. They rivet attention on the canvas surface, on the painting itself. The simple tabletop assemblage does not point, either, to any meaning outside itself. Manet's arrangement stands on its own terms, without allegorical allusions—common in earlier still lifes—to abundance or the transitory nature of life. Although his work harkens back to Dutch banquet pictures from the seventeenth century, it has a distinctly modern feel.\n " +p171134 +sa(dp171135 +g25268 +S'Country House in a Park' +p171136 +sg25270 +S'Jacob van Ruisdael' +p171137 +sg25273 +S'oil on canvas' +p171138 +sg25275 +S'c. 1675' +p171139 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000ea4.jpg' +p171140 +sg25267 +g27 +sa(dp171141 +g25273 +S'bronze' +p171142 +sg25267 +g27 +sg25275 +S'1917' +p171143 +sg25268 +S'An American Soldier' +p171144 +sg25270 +S'Sir Jacob Epstein' +p171145 +sa(dp171146 +g25268 +S'George Washington' +p171147 +sg25270 +S'Edward Savage' +p171148 +sg25273 +S'oil on canvas' +p171149 +sg25275 +S'c. 1796' +p171150 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a000020a.jpg' +p171151 +sg25267 +g27 +sa(dp171152 +g25268 +S'Colonel William Fitch and His Sisters Sarah and Ann Fitch' +p171153 +sg25270 +S'John Singleton Copley' +p171154 +sg25273 +S'oil on canvas' +p171155 +sg25275 +S'1800/1801' +p171156 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d4e.jpg' +p171157 +sg25267 +S'The red-coated William Fitch (1756-1795), an American-born officer in \r\n the British army, prepares to depart on a magnificent steed. Since Colonel \r\n Fitch had been killed in action at Jamaica six years before this gigantic \r\n group portrait was exhibited at the Royal Academy in 1801, Copley must have \r\n painted his late friend’s image from memory or from other likenesses. \r\n Fitch’s two sisters, dressed in mourning, reach poignantly toward their \r\n lost brother. The antique urn is a funerary emblem, and the fiery sunset is \r\n a reminder of time’s passage.\n ' +p171158 +sa(dp171159 +g25268 +S'Madonna and Child with Queen Sancia, Saints and Angels' +p171160 +sg25270 +S'Tino di Camaino' +p171161 +sg25273 +S'marble' +p171162 +sg25275 +S'c. 1335' +p171163 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002d81.jpg' +p171164 +sg25267 +S'Tino di Camaino, a sculptor born in Siena who died in Naples, could coax \r\n remarkably soft effects from marble. The figures in this relief, gentle and \r\n supple, with flowing garments, respond tenderly to each other. The saints \r\n standing on either side of the Madonna and Child are probably the early \r\n thirteenth-century Francis of Assisi and his follower Clare, who founded an \r\n order of Franciscan nuns. Saint Clare and the Virgin Mary both reach out to \r\n touch a nun who kneels before them.\n The woman wearing a veil, but carrying a crown around her arm, has been \r\n identified as Queen Sancia of Naples. Out of devotion to the religious \r\n orders of Saints Francis and Clare, she reportedly often exchanged her \r\n regal garments for the habit of a nun, and thus she appears here—with her \r\n earthly crown removed in deference to the celestial crown worn by the \r\n Madonna. In 1343, after the death of her husband, Robert the Wise of \r\n Naples, Sancia joined the Order of Saint Clare.\n ' +p171165 +sa(dp171166 +g25273 +S'etching' +p171167 +sg25267 +g27 +sg25275 +S'unknown date\n' +p171168 +sg25268 +S'Flock of Ducks Landing' +p171169 +sg25270 +S'Frank Weston Benson' +p171170 +sa(dp171171 +g25268 +S'Madonna of Humility' +p171172 +sg25270 +S'Jacopo della Quercia' +p171173 +sg25273 +S'marble, traces of gilding' +p171174 +sg25275 +S'c. 1400' +p171175 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002c/a0002c43.jpg' +p171176 +sg25267 +S'Jacopo della Quercia was born in Siena, where he was probably\r\ntrained by his father, Piero di Angelo. He was active in\r\nLucca, Ferrara, Siena, and Bologna, where he carved works\r\nin both marble and wood. As the most important sculptor\r\nof Siena, Della Quercia strongly influenced the younger\r\nFlorentine master \n The devotional theme of the Madonna of Humility\r\noriginated in Sienese painting during the fourteenth century.\r\nThe Virgin is seated humbly on the ground, in a pose\r\nthat emphasizes her humanity and her submission to divine\r\nwill. With her left knee bent beneath her and her right knee\r\nslightly raised, she holds the Christ child on her lap. Jesus\r\nclutches his mother’s dress as he turns his head toward the\r\nviewer, as if distracted from nursing. Both mother and child\r\nare draped with heavy fabrics that fall in soft, rhythmic folds\r\nover their substantial bodies. Traces of gilding and polychromy\r\ncan be seen on the hair of the figures and along\r\nthe inner folds and hems of the garments. The robust figures\r\nand compact composition endow this work with a\r\nmonumental quality that belies its small size.\n ' +p171177 +sa(dp171178 +g25268 +S'Madonna and Sleeping Child' +p171179 +sg25270 +S'Artist Information (' +p171180 +sg25273 +g27 +sg25275 +S'(sculptor)' +p171181 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00063/a00063d0.jpg' +p171182 +sg25267 +g27 +sa(dp171183 +g25268 +S'Charity' +p171184 +sg25270 +S'Giovanni di Balduccio' +p171185 +sg25273 +S'marble' +p171186 +sg25275 +S'c. 1330' +p171187 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002c/a0002c34.jpg' +p171188 +sg25267 +S'Giovanni di Balduccio’s \n The quatrefoil or four-lobed shape of the lozenge from which Charity and \r\n the children seem to emerge is typical of ornamental forms that also appear \r\n in Gothic manuscript illumination, stained glass, and architecture. The \r\n marble relief comes from a set of at least sixteen, whose surviving \r\n elements represent Christ’s twelve apostles and the virtues of Truth, \r\n Obedience, Poverty, and Charity. Most are still set into the outside walls \r\n of the church of Orsanmichele in Florence.\n ' +p171189 +sa(dp171190 +g25268 +S'Justice' +p171191 +sg25270 +S'Bonino da Campione' +p171192 +sg25273 +S'marble' +p171193 +sg25275 +S'c. 1357' +p171194 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00063/a00063cf.jpg' +p171195 +sg25267 +g27 +sa(dp171196 +g25268 +S'Prudence' +p171197 +sg25270 +S'Bonino da Campione' +p171198 +sg25273 +S'marble' +p171199 +sg25275 +S'c. 1357' +p171200 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00063/a00063ce.jpg' +p171201 +sg25267 +g27 +sa(dp171202 +g25268 +S'Louis of France, The Grand Dauphin' +p171203 +sg25270 +S'Antoine Coysevox' +p171204 +sg25273 +S'marble' +p171205 +sg25275 +S'c. 1698/1699' +p171206 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002c/a0002c2f.jpg' +p171207 +sg25267 +g27 +sa(dp171208 +g25268 +S'Louis, Duc de Bourgogne' +p171209 +sg25270 +S'French 18th Century' +p171210 +sg25273 +S'overall (w/out base): 74.8 x 75.7 x 43.5 cm (29 7/16 x 29 13/16 x 17 1/8 in.)' +p171211 +sg25275 +S'\nmarble' +p171212 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002c/a0002c32.jpg' +p171213 +sg25267 +g27 +sa(dp171214 +g25273 +S'(artist after)' +p171215 +sg25267 +g27 +sg25275 +S'\n' +p171216 +sg25268 +S'Madonna and Child' +p171217 +sg25270 +S'Artist Information (' +p171218 +sa(dp171219 +g25273 +S'overall: 61.6 x 22.9 x 18.1 cm (24 1/4 x 9 x 7 1/8 in.)' +p171220 +sg25267 +g27 +sg25275 +S'\nmarble' +p171221 +sg25268 +S'Angel of the Annunciation' +p171222 +sg25270 +S'Venetian 14th Century' +p171223 +sa(dp171224 +g25273 +S'overall: 61.3 x 21.3 x 15.3 cm (24 1/8 x 8 3/8 x 6 in.)' +p171225 +sg25267 +g27 +sg25275 +S'\nmarble' +p171226 +sg25268 +S'Virgin of the Annunciation' +p171227 +sg25270 +S'Venetian 14th Century' +p171228 +sa(dp171229 +g25268 +S'Approaching Storm' +p171230 +sg25270 +S'Thomas Hart Benton' +p171231 +sg25273 +S'lithograph' +p171232 +sg25275 +S'1938' +p171233 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a2e.jpg' +p171234 +sg25267 +g27 +sa(dp171235 +g25273 +S'overall: 61.8 x 21.8 x 8.9 cm (24 5/16 x 8 9/16 x 3 1/2 in.)' +p171236 +sg25267 +g27 +sg25275 +S'\nmarble' +p171237 +sg25268 +S'Saint Peter' +p171238 +sg25270 +S'Venetian 14th Century' +p171239 +sa(dp171240 +g25273 +S'overall: 60.2 x 21.5 x 8.9 cm (23 11/16 x 8 7/16 x 3 1/2 in.)' +p171241 +sg25267 +g27 +sg25275 +S'\nmarble' +p171242 +sg25268 +S'Saint Paul' +p171243 +sg25270 +S'Venetian 14th Century' +p171244 +sa(dp171245 +g25268 +S'Angel with Symphonia' +p171246 +sg25270 +S'Pisan 14th Century' +p171247 +sg25273 +S'marble' +p171248 +sg25275 +S'c. 1360' +p171249 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002c/a0002c41.jpg' +p171250 +sg25267 +S'Angel with Symphonia\n Such figures, carved in the round, might have stood on top of the pinnacles of a complex Gothic monument whose central image would have represented Christ, the Virgin, or both. Since both angels look to their right, they must have been placed on the same side of the main subject. The notable differences in their faces, movements, and drapery styles suggest more than one hand was involved in their creation.\n ' +p171251 +sa(dp171252 +g25268 +S'Angel with Tambourine' +p171253 +sg25270 +S'Pisan 14th Century' +p171254 +sg25273 +S'marble' +p171255 +sg25275 +S'c. 1360' +p171256 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002c/a0002c42.jpg' +p171257 +sg25267 +g27 +sa(dp171258 +g25268 +S'Madonna and Child' +p171259 +sg25270 +S'Benedetto da Maiano' +p171260 +sg25273 +S'marble' +p171261 +sg25275 +S'c. 1475' +p171262 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002d6f.jpg' +p171263 +sg25267 +g27 +sa(dp171264 +g25268 +S'Portrait of a Man' +p171265 +sg25270 +S'Venetian 15th Century' +p171266 +sg25273 +S'overall: 26.6 x 19.3 cm (10 1/2 x 7 5/8 in.)\r\nframed: 43.2 x 35.9 cm (17 x 14 1/8 in.)' +p171267 +sg25275 +S'\noil on panel' +p171268 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d3/a000d3df.jpg' +p171269 +sg25267 +g27 +sa(dp171270 +g25268 +S'Diana and Endymion' +p171271 +sg25270 +S'Jean-Honor\xc3\xa9 Fragonard' +p171272 +sg25273 +S'oil on canvas' +p171273 +sg25275 +S'c. 1753/1756' +p171274 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d71.jpg' +p171275 +sg25267 +S'In this scene Diana, virgin goddess of the hunt, steals forth through the moonlight to kiss the sleeping shepherd Endymion, whom the gods granted eternal sleep to preserve his beauty and youth. \n ' +p171276 +sa(dp171277 +g25268 +S'The Love Letter' +p171278 +sg25270 +S'Fran\xc3\xa7ois Boucher' +p171279 +sg25273 +S'oil on canvas' +p171280 +sg25275 +S'1750' +p171281 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d50.jpg' +p171282 +sg25267 +S"The Love Letter\n The scene is a pastoral idyll. The young "shepherdesses" wear fine silks,\r\n and a contemporary audience would understand an erotic promise in the\r\n display of pink toes. Idealized visions of country life were common on the\r\n stage and in real-life masquerades. Denis Diderot, disdainful of the\r\n frivolity of Boucher's scenes, complained, "Shall I never be rid of these\r\n damned pastorals?" Yet the encyclopedist, who was an influential critic,\r\n also appreciated the brilliance of Boucher's painting, which captures the\r\n luminous colors of shells, butterflies, and polished stones—objects the\r\n artist collected so he could copy their fragile iridescence.\n " +p171283 +sa(dp171284 +g25268 +S'Saint Sebastian Succored by the Holy Women' +p171285 +sg25270 +S'Jean-Baptiste-Camille Corot' +p171286 +sg25273 +S'oil on canvas' +p171287 +sg25275 +S'1874' +p171288 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000df/a000dfc6.jpg' +p171289 +sg25267 +g27 +sa(dp171290 +g25268 +S'Madonna and Child with the Infant Saint John' +p171291 +sg25270 +S'Artist Information (' +p171292 +sg25273 +S'Italian, 1489/1494 - 1534' +p171293 +sg25275 +S'(artist after)' +p171294 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a00008c9.jpg' +p171295 +sg25267 +g27 +sa(dp171296 +g25268 +S'Cow Drinking' +p171297 +sg25270 +S'Nicolaes Pietersz Berchem' +p171298 +sg25273 +S'etching' +p171299 +sg25275 +S'1680' +p171300 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4b8.jpg' +p171301 +sg25267 +g27 +sa(dp171302 +g25273 +S'British, 1726 - 1770' +p171303 +sg25267 +g27 +sg25275 +S'(related artist)' +p171304 +sg25268 +S'Portrait of a Lady' +p171305 +sg25270 +S'Artist Information (' +p171306 +sa(dp171307 +g25273 +S'British, 1726 - 1770' +p171308 +sg25267 +g27 +sg25275 +S'(related artist)' +p171309 +sg25268 +S'Portrait of a Lady' +p171310 +sg25270 +S'Artist Information (' +p171311 +sa(dp171312 +g25268 +S'The Hermit' +p171313 +sg25270 +S'Gerrit Dou' +p171314 +sg25273 +S'oil on panel' +p171315 +sg25275 +S'1670' +p171316 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e57.jpg' +p171317 +sg25267 +g27 +sa(dp171318 +g25268 +S'Jeanne B\xc3\xa9cu, Comtesse du Barry' +p171319 +sg25270 +S'Fran\xc3\xa7ois-Hubert Drouais' +p171320 +sg25273 +S'oil on canvas' +p171321 +sg25275 +S'c. 1770/1774' +p171322 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005a/a0005aae.jpg' +p171323 +sg25267 +g27 +sa(dp171324 +g25268 +S'The Music Lesson' +p171325 +sg25270 +S'Artist Information (' +p171326 +sg25273 +S'Dutch, 1617 - 1681' +p171327 +sg25275 +S'(related artist)' +p171328 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e4b.jpg' +p171329 +sg25267 +g27 +sa(dp171330 +g25273 +S'Flemish, 1599 - 1641' +p171331 +sg25267 +g27 +sg25275 +S'(artist after)' +p171332 +sg25268 +S'Saint Peter' +p171333 +sg25270 +S'Artist Information (' +p171334 +sa(dp171335 +g25268 +S'The Happy Family' +p171336 +sg25270 +S'Jean-Honor\xc3\xa9 Fragonard' +p171337 +sg25273 +S'oil on canvas' +p171338 +sg25275 +S'c. 1775' +p171339 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d66.jpg' +p171340 +sg25267 +g27 +sa(dp171341 +g25268 +S'Young Woman and Man' +p171342 +sg25270 +S'French 18th Century' +p171343 +sg25273 +S'overall: 11.8 x 9.9 cm (4 5/8 x 3 7/8 in.)\r\nframed: 25.4 x 22.9 x 1.9 cm (10 x 9 x 3/4 in.)' +p171344 +sg25275 +S'\noil on wood' +p171345 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00062/a000628d.jpg' +p171346 +sg25267 +g27 +sa(dp171347 +g25268 +S'F\xc3\xaate Champ\xc3\xaatre' +p171348 +sg25270 +S'Artist Information (' +p171349 +sg25273 +S'French, 1695 - 1736' +p171350 +sg25275 +S'(artist after)' +p171351 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005a/a0005aa3.jpg' +p171352 +sg25267 +g27 +sa(dp171353 +g25268 +S'Divertissement' +p171354 +sg25270 +S'French 18th Century' +p171355 +sg25273 +S'overall: 32.2 x 25.3 cm (12 11/16 x 9 15/16 in.)\r\nframed: 52.7 x 43.2 x 5.7 cm (20 3/4 x 17 x 2 1/4 in.)' +p171356 +sg25275 +S'\noil on canvas' +p171357 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00062/a000628c.jpg' +p171358 +sg25267 +g27 +sa(dp171359 +g25273 +S'lithograph' +p171360 +sg25267 +g27 +sg25275 +S'1942' +p171361 +sg25268 +S'Rachmaninoff' +p171362 +sg25270 +S'Alfred Bendiner' +p171363 +sa(dp171364 +g25273 +S'oil on canvas' +p171365 +sg25267 +g27 +sg25275 +S'early 20th century' +p171366 +sg25268 +S'Egyptian Temple' +p171367 +sg25270 +S'Georgia Timken Fry' +p171368 +sa(dp171369 +g25268 +S'Flock of Sheep' +p171370 +sg25270 +S'Georgia Timken Fry' +p171371 +sg25273 +S'oil on canvas' +p171372 +sg25275 +S'early 20th century' +p171373 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d3/a000d3e0.jpg' +p171374 +sg25267 +g27 +sa(dp171375 +g25273 +S'oil on canvas' +p171376 +sg25267 +g27 +sg25275 +S'early 20th century' +p171377 +sg25268 +S'Shepherd and Sheep' +p171378 +sg25270 +S'Georgia Timken Fry' +p171379 +sa(dp171380 +g25268 +S'Girl with Birds' +p171381 +sg25270 +S'Artist Information (' +p171382 +sg25273 +S'French, 1725 - 1805' +p171383 +sg25275 +S'(related artist)' +p171384 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005a/a0005ab1.jpg' +p171385 +sg25267 +g27 +sa(dp171386 +g25273 +S'French, 1725 - 1805' +p171387 +sg25267 +g27 +sg25275 +S'(artist after)' +p171388 +sg25268 +S'Girl with Folded Arms' +p171389 +sg25270 +S'Artist Information (' +p171390 +sa(dp171391 +g25268 +S'Group of Four Boys' +p171392 +sg25270 +S'Artist Information (' +p171393 +sg25273 +S'Flemish, 1599 - 1641' +p171394 +sg25275 +S'(artist after)' +p171395 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d3/a000d3e1.jpg' +p171396 +sg25267 +g27 +sa(dp171397 +g25268 +S'Reclining Nude' +p171398 +sg25270 +S'Jean-Jacques Henner' +p171399 +sg25273 +S'oil on canvas' +p171400 +sg25275 +S'unknown date\n' +p171401 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000dd5.jpg' +p171402 +sg25267 +g27 +sa(dp171403 +g25273 +S', c. 1845/1860' +p171404 +sg25267 +g27 +sg25275 +S'\n' +p171405 +sg25268 +S"Horses' Heads" +p171406 +sg25270 +S'John Frederick Herring the Younger' +p171407 +sa(dp171408 +g25268 +S'Head of a Woman' +p171409 +sg25270 +S'Umbrian 16th Century' +p171410 +sg25273 +S'overall: 39.5 x 28.5 cm (15 9/16 x 11 1/4 in.)' +p171411 +sg25275 +S'\noil on panel' +p171412 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d3/a000d3e2.jpg' +p171413 +sg25267 +g27 +sa(dp171414 +g25268 +S'The Adoration of the Christ Child' +p171415 +sg25270 +S'Artist Information (' +p171416 +sg25273 +S'Italian, 1373 - 1452' +p171417 +sg25275 +S'(related artist)' +p171418 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d3/a000d3e3.jpg' +p171419 +sg25267 +g27 +sa(dp171420 +g25273 +S'lithograph' +p171421 +sg25267 +g27 +sg25275 +S'1940' +p171422 +sg25268 +S'The Artful Dodger' +p171423 +sg25270 +S'Alfred Bendiner' +p171424 +sa(dp171425 +g25268 +S'Barbara Villiers, Duchess of Cleveland' +p171426 +sg25270 +S'Artist Information (' +p171427 +sg25273 +S'British, 1618 - 1680' +p171428 +sg25275 +S'(related artist)' +p171429 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d43.jpg' +p171430 +sg25267 +g27 +sa(dp171431 +g25268 +S'Gian Federico Madruzzo' +p171432 +sg25270 +S'Giovanni Battista Moroni' +p171433 +sg25273 +S'oil on canvas' +p171434 +sg25275 +S'c. 1560' +p171435 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a0000819.jpg' +p171436 +sg25267 +S"Moroni studied painting with Moretto in Brescia before\n he settled in nearby Bergamo, where he remained for\n most of his career. He also seems to have spent some\n time in Trent. The subject of this portrait is usually\n identified as Gian Federico Madruzzo, a nephew of\n the prince-bishop of Trent. The full-length portrait format\n was relatively new in Italy and perhaps had been\n inspired by examples from the north. Its imposing formality\n is especially suited for public portraits, and here\n the subject wears a diplomat's robes. However, the presence\n of a small dog, traditionally a symbol of loyalty,\n suggests this painting may have been intended for a\n domestic setting.\n Moroni's realistic depictions have ensured his\n reputation as one of the finest portraitists of the sixteenth\n century. His religious works, however, have usually\n been viewed as bland reiterations of themes he learned\n from Moretto. In recent years, scholars have begun\n to reconsider them in relation to the Council of\n Trent (1545-1563), which was convened to address the\n Protestant challenge. Reformers in the Roman Catholic\n church stressed the role of mental images as a focus\n for meditation and urged painters to produce religious\n art that was clear and direct, the sort of explicit image\n seen, for example, in Moroni's painting \n " +p171437 +sa(dp171438 +g25268 +S'Portrait of a Young Woman' +p171439 +sg25270 +S'Artist Information (' +p171440 +sg25273 +S'French, 1685 - 1766' +p171441 +sg25275 +S'(artist after)' +p171442 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004a/a0004a1a.jpg' +p171443 +sg25267 +g27 +sa(dp171444 +g25268 +S'Antwerp Cathedral' +p171445 +sg25270 +S'Peeter Neeffs the Elder' +p171446 +sg25273 +S'oil on copper' +p171447 +sg25275 +S'c. 1650/1655' +p171448 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e35.jpg' +p171449 +sg25267 +g27 +sa(dp171450 +g25268 +S'Four-Panel Screen' +p171451 +sg25270 +S'Portuguese 15th Century' +p171452 +sg25273 +S'overall size: 222 x 286.6 cm (87 3/8 x 112 13/16 in.)\r\noverall (Saint Dionysius, painted surface): 151.5 x 54.5 cm (59 5/8 x 21 7/16 in.)\r\noverall (Saint Dionysius, painted surface and frame): 221 x 71.1 cm (87 x 28 in.)\r\noverall (Saint Sebastian, painted surface): 151.3 x 54.7 cm (59 9/16 x 21 9/16 in.)\r\noverall (Saint Sebastian, painted surface and frame): 222 x 71.3 cm (87 3/8 x 28 1/16 in.)\r\noverall (Saint Barbara, painted surface): 150 x 54.7 cm (59 1/16 x 21 9/16 in.)\r\noverall (Saint Barbara, painted surface and frame): 222 x 71.3 cm (87 3/8 x 28 1/16 in.)\r\noverall (Saint Lawrence, painted surface): 151.5 x 54.5 cm (59 5/8 x 21 7/16 in.)\r\noverall (Saint Lawrence, painted surface and frame): 221 x 71.1 cm (87 x 28 in.)' +p171453 +sg25275 +S'\noil on panel' +p171454 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a00004bb.jpg' +p171455 +sg25267 +g27 +sa(dp171456 +g25268 +S'Major-General Sir Archibald Campbell' +p171457 +sg25270 +S'George Romney' +p171458 +sg25273 +S'oil on canvas' +p171459 +sg25275 +S'1790-1792' +p171460 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a0000536.jpg' +p171461 +sg25267 +g27 +sa(dp171462 +g25268 +S'Saint Peter' +p171463 +sg25270 +S'Artist Information (' +p171464 +sg25273 +S'Flemish, 1577 - 1640' +p171465 +sg25275 +S'(related artist)' +p171466 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e3b.jpg' +p171467 +sg25267 +g27 +sa(dp171468 +g25268 +S'Peter Paul Rubens' +p171469 +sg25270 +S'Artist Information (' +p171470 +sg25273 +S'Flemish, 1577 - 1640' +p171471 +sg25275 +S'(related artist)' +p171472 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002b/a0002b02.jpg' +p171473 +sg25267 +g27 +sa(dp171474 +g25268 +S'The Crucifixion' +p171475 +sg25270 +S'Russian 19th Century' +p171476 +sg25273 +S'overall: 47 x 35.9 x 2.2 cm (18 1/2 x 14 1/8 x 7/8 in.)' +p171477 +sg25275 +S'\noil on wood with inset brass cross' +p171478 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000df/a000dfc4.jpg' +p171479 +sg25267 +g27 +sa(dp171480 +g25273 +S'overall: 26.5 x 22 cm (10 7/16 x 8 11/16 in.)' +p171481 +sg25267 +g27 +sg25275 +S'\noil on wood with silver overlay' +p171482 +sg25268 +S'Christ Blessing' +p171483 +sg25270 +S'Russian 19th Century' +p171484 +sa(dp171485 +g25273 +S'lithograph' +p171486 +sg25267 +g27 +sg25275 +S'1937' +p171487 +sg25268 +S'Doing the Flat Foot Floogie' +p171488 +sg25270 +S'Alfred Bendiner' +p171489 +sa(dp171490 +g25268 +S'Bacchus and Ariadne' +p171491 +sg25270 +S'Giovanni Battista Tiepolo' +p171492 +sg25273 +S'oil on canvas' +p171493 +sg25275 +S'c. 1743/1745' +p171494 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00009/a000090f.jpg' +p171495 +sg25267 +g27 +sa(dp171496 +g25268 +S'Lamentation' +p171497 +sg25270 +S'Marco Tintoretto' +p171498 +sg25273 +S'oil on canvas' +p171499 +sg25275 +S'unknown date\n' +p171500 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00063/a000630f.jpg' +p171501 +sg25267 +g27 +sa(dp171502 +g25268 +S'Girolamo and Cardinal Marco Corner Investing Marco, Abbot of Carrara, with His Benefice' +p171503 +sg25270 +S'Artist Information (' +p171504 +sg25273 +S'(painter)' +p171505 +sg25275 +S'\n' +p171506 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a000082e.jpg' +p171507 +sg25267 +g27 +sa(dp171508 +g25268 +S'Imaginary Self-Portrait of Titian' +p171509 +sg25270 +S'Pietro della Vecchia' +p171510 +sg25273 +S'oil on canvas' +p171511 +sg25275 +S'probably 1650s' +p171512 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a0000653.jpg' +p171513 +sg25267 +g27 +sa(dp171514 +g25268 +S'The Evening of the Deluge' +p171515 +sg25270 +S'Joseph Mallord William Turner' +p171516 +sg25273 +S'oil on canvas' +p171517 +sg25275 +S'c. 1843' +p171518 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a0000741.jpg' +p171519 +sg25267 +S'While Noah and his wife sleep in their tent, the biblical Flood begins. \r\n In a spiraling vortex of rain and moonlight, birds and beasts head toward \r\n the distant Ark. This is a preliminary version of a canvas shown in the \r\n 1843 Royal Academy. Now in London’s Tate Gallery, the final work uses \r\n stronger color contrasts but is equally evocative and sketchy.\n ' +p171520 +sa(dp171521 +g25268 +S'Marie-Antoinette' +p171522 +sg25270 +S'Artist Information (' +p171523 +sg25273 +S'French, 1755 - 1842' +p171524 +sg25275 +S'(artist after)' +p171525 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00054/a00054cc.jpg' +p171526 +sg25267 +g27 +sa(dp171527 +g25268 +S'The Holy Family with Saint Elizabeth and Saint John the Baptist' +p171528 +sg25270 +S'Sir David Wilkie' +p171529 +sg25273 +S'oil on canvas on wood' +p171530 +sg25275 +S'1841' +p171531 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a000053e.jpg' +p171532 +sg25267 +g27 +sa(dp171533 +g25273 +S'oil on canvas board' +p171534 +sg25267 +g27 +sg25275 +S'early 20th century' +p171535 +sg25268 +S'Landscape' +p171536 +sg25270 +S'Georgia Timken Fry' +p171537 +sa(dp171538 +g25273 +S'oil on canvas board' +p171539 +sg25267 +g27 +sg25275 +S'early 20th century' +p171540 +sg25268 +S'Potters in a Landscape' +p171541 +sg25270 +S'Georgia Timken Fry' +p171542 +sa(dp171543 +g25273 +S'oil on wood' +p171544 +sg25267 +g27 +sg25275 +S'early 20th century' +p171545 +sg25268 +S'Seascape [obverse]' +p171546 +sg25270 +S'Georgia Timken Fry' +p171547 +sa(dp171548 +g25268 +S'Madame Besnard' +p171549 +sg25270 +S'Albert Besnard' +p171550 +sg25273 +S'etching' +p171551 +sg25275 +S'1884' +p171552 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00090/a0009049.jpg' +p171553 +sg25267 +g27 +sa(dp171554 +g25273 +S'oil on wood' +p171555 +sg25267 +g27 +sg25275 +S'early 20th century' +p171556 +sg25268 +S'Landscape with Palm [reverse]' +p171557 +sg25270 +S'Georgia Timken Fry' +p171558 +sa(dp171559 +g25273 +S'oil on canvas' +p171560 +sg25267 +g27 +sg25275 +S'early 20th century' +p171561 +sg25268 +S'Sheep by Stream and Field' +p171562 +sg25270 +S'Georgia Timken Fry' +p171563 +sa(dp171564 +g25273 +S'(artist after)' +p171565 +sg25267 +g27 +sg25275 +S'\n' +p171566 +sg25268 +S'George III of England' +p171567 +sg25270 +S'Artist Information (' +p171568 +sa(dp171569 +g25268 +S'Les Voeux acceptees' +p171570 +sg25270 +S'Artist Information (' +p171571 +sg25273 +S'(artist after)' +p171572 +sg25275 +S'\n' +p171573 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e8f.jpg' +p171574 +sg25267 +g27 +sa(dp171575 +g25268 +S'Pastoral' +p171576 +sg25270 +S'Hans Thoma' +p171577 +sg25273 +S'etching' +p171578 +sg25275 +S'1919' +p171579 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b3ce.jpg' +p171580 +sg25267 +g27 +sa(dp171581 +g25268 +S'Farnese Hercules' +p171582 +sg25270 +S'Florentine 16th Century' +p171583 +sg25273 +S'bronze' +p171584 +sg25275 +S'c. 1550/1599' +p171585 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00052/a0005233.jpg' +p171586 +sg25267 +g27 +sa(dp171587 +g25273 +S'watercolor' +p171588 +sg25267 +g27 +sg25275 +S'1876' +p171589 +sg25268 +S'The Tern Schooner "Minnie G. Loud"' +p171590 +sg25270 +S'Louis Roux' +p171591 +sa(dp171592 +g25268 +S'Henrietta Marchant Liston (Mrs. Robert Liston)' +p171593 +sg25270 +S'Gilbert Stuart' +p171594 +sg25273 +S'oil on canvas' +p171595 +sg25275 +S'1800' +p171596 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a0000250.jpg' +p171597 +sg25267 +g27 +sa(dp171598 +g25268 +S'The Italian Comedians (copy)' +p171599 +sg25270 +S'Artist Information (' +p171600 +sg25273 +S'French, 1684 - 1721' +p171601 +sg25275 +S'(artist after)' +p171602 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00062/a00062d9.jpg' +p171603 +sg25267 +g27 +sa(dp171604 +g25273 +S'(author)' +p171605 +sg25267 +g27 +sg25275 +S'\n' +p171606 +sg25268 +S'Jacques Villon: Catalogue de son oeuvre grave' +p171607 +sg25270 +S'Artist Information (' +p171608 +sa(dp171609 +g25268 +S'La Femme (frontispiece)' +p171610 +sg25270 +S'Albert Besnard' +p171611 +sg25273 +S'etching' +p171612 +sg25275 +S'c. 1886' +p171613 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00090/a000904d.jpg' +p171614 +sg25267 +g27 +sa(dp171615 +g25273 +S'etching on laid paper' +p171616 +sg25267 +g27 +sg25275 +S'published 1950' +p171617 +sg25268 +S'Small Vase of Flowers (Petit vase de fleurs)' +p171618 +sg25270 +S'Jacques Villon' +p171619 +sa(dp171620 +g25268 +S'A Bishop Saint (Burchard of W\xc3\xbcrzburg?)' +p171621 +sg25270 +S'Tilman Riemenschneider' +p171622 +sg25273 +S'linden wood with traces of polychromy' +p171623 +sg25275 +S'c. 1515/1520' +p171624 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002d8e.jpg' +p171625 +sg25267 +S"Burchard, the English-born first bishop of Würzburg, Germany, died in 754. In this\nimaginary portrait, he raises his right hand in blessing. His left hand once held a curving crozier.\nThe figure's facial type occurs repeatedly in the wood and stone sculptures of this famous\nGerman master: prominent nose and cheekbones, strong chin, long, sunken cheeks, and finely\noutlined, downturned mouth and eyes, suggesting a mood of slightly sorrowful contemplation. In\nthis careworn, sensitive face, Riemenschneider explored the psychology of a man on whom\nspiritual authority seems to weigh heavily.\n Hollowed out to make it light, the bust may once have been carried in religious processions.\nIt has experienced some alterations since it was carved; the square, diamond-shaped cut on the\nchest was certainly made well after the sculpture was finished, possibly in order to fill the recess\nwith relics.\n Tiny traces of original coloring, removed long ago, may be noticed, for instance on the cope\n(mantle), where bits of blue and yellow remain. Although this particular bust was polychromed,\nRiemenschneider was a pioneer in the use of bare, unpainted wood for the sculpture on his major\naltarpieces. The black rings around the pupils, however, so important to the dreamy expression of\nthe eyes, are typical of Riemenschneider's figures.\n " +p171626 +sa(dp171627 +g25268 +S'The Adoration of the Child' +p171628 +sg25270 +S'Andrea della Robbia' +p171629 +sg25273 +S'glazed terracotta' +p171630 +sg25275 +S'after 1477' +p171631 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002d92.jpg' +p171632 +sg25267 +g27 +sa(dp171633 +g25268 +S'The Nativity' +p171634 +sg25270 +S'Luca della Robbia' +p171635 +sg25273 +S'glazed terracotta' +p171636 +sg25275 +S'c. 1460' +p171637 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002d7f.jpg' +p171638 +sg25267 +g27 +sa(dp171639 +g25273 +S'marble' +p171640 +sg25267 +g27 +sg25275 +S'probably c. 1875/1900' +p171641 +sg25268 +S'Louis XIV' +p171642 +sg25270 +S'Giovanni Verona' +p171643 +sa(dp171644 +g25268 +S'Apollo and Marsyas' +p171645 +sg25270 +S'Artist Information (' +p171646 +sg25273 +S'Italian, 1475 - 1564' +p171647 +sg25275 +S'(related artist)' +p171648 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00063/a00063d7.jpg' +p171649 +sg25267 +g27 +sa(dp171650 +g25268 +S'Madonna and Child' +p171651 +sg25270 +S'Jacopo Sansovino' +p171652 +sg25273 +S'papier mache and stucco, painted and gilded' +p171653 +sg25275 +S'c. 1550' +p171654 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002d80.jpg' +p171655 +sg25267 +g27 +sa(dp171656 +g25268 +S'Master John Heathcote' +p171657 +sg25270 +S'Thomas Gainsborough' +p171658 +sg25273 +S'oil on canvas' +p171659 +sg25275 +S'c. 1771/1772' +p171660 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a0000550.jpg' +p171661 +sg25267 +S'Gainsborough, who never left England, devised an idiosyncratic style of \r\n rapidly improvised brushstrokes of multicolored paint, evident in his \r\n \n ' +p171662 +sa(dp171663 +g25268 +S'John Musters' +p171664 +sg25270 +S'Sir Joshua Reynolds' +p171665 +sg25273 +S'oil on canvas' +p171666 +sg25275 +S'1777-c. 1780' +p171667 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00043/a00043fb.jpg' +p171668 +sg25267 +S'Reynolds, the first president of the Royal Academy, had spent three \r\n years in Italy, acquiring a vast knowledge of classical and Renaissance \r\n art. His portrayal of the High Sheriff of Nottingham, \n ' +p171669 +sa(dp171670 +g25268 +S'The Dogana and Santa Maria della Salute, Venice' +p171671 +sg25270 +S'Joseph Mallord William Turner' +p171672 +sg25273 +S'oil on canvas' +p171673 +sg25275 +S'1843' +p171674 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a0000732.jpg' +p171675 +sg25267 +S'Displayed at the Royal Academy in 1843, Turner’s late view of Venice \r\n shows the Customs House, or Dogana, from an angle opposite to that seen in \r\n his 1834 picture. Behind the Dogana, the domes of the Church \r\n of Santa Maria della Salute rise against the vibrantly luminous sky. \r\n Although his early works had made Turner wealthy and famous, this later \r\n style—in which light evaporates the solid forms—was far too avant-garde \r\n for his contemporaries to comprehend. In retrospect, however, it is such \r\n late works that had the most impact upon subsequent landscapists. (The \r\n parapet at the bottom right is formally inscribed with Turner’s full \r\n initials, \n ' +p171676 +sa(dp171677 +g25268 +S'The Sick Mother (La m\xc3\xa8re malade)' +p171678 +sg25270 +S'Albert Besnard' +p171679 +sg25273 +S'etching' +p171680 +sg25275 +S'1889' +p171681 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00090/a000905b.jpg' +p171682 +sg25267 +g27 +sa(dp171683 +g25268 +S'Madame Henriot' +p171684 +sg25270 +S'Auguste Renoir' +p171685 +sg25273 +S'oil on canvas' +p171686 +sg25275 +S'c. 1876' +p171687 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f79.jpg' +p171688 +sg25267 +S'Born Marie Henriette Alphonsine Grossin\r\nin 1857, Henriette was the daughter\r\nof Aline Grossin, an unmarried milliner\r\nresiding in Paris. In 1872, the fifteenyear-\r\nold Henriette enrolled in the Paris\r\nConservatoire. The following year, she\r\ntoured the provinces but returned home\r\nto Paris in 1874, where she began to pursue\r\nher stage career in earnest, appearing\r\nin minor roles at the Théâtre de l\xe2\x80\x99Ambigu-Comique. Adopting the stage name Henriette\r\nHenriot, the aspiring actress worked\r\nas an artist\xe2\x80\x99s model to pay the rent before\r\nachieving modest fame as a vaudeville star.\r\nShe retired from the stage following the\r\ndeath in 1900 of her daughter Jane—a\r\npromising young actress who was the victim\r\nof a fire at the Comedie-Française—and\r\neventually sank into obscurity.\n Henriette was Renoir\xe2\x80\x99s favorite model\r\nin the 1870s, appearing in at least eleven\r\nof the paintings he produced between\r\nthe years 1874 and 1876, including the\r\nsumptuous full-length portrait \n Renoir\xe2\x80\x99s artistry is equally evident in\r\nthe work\xe2\x80\x99s composition. Renoir depicted\r\nHenriette in a half-length format with her\r\nhands folded demurely in her lap. While\r\nthe face is carefully rendered, the remainder of the picture has the rough, unfinished\r\nquality of a sketch, which serves to\r\nfocus attention upon her visage. The paint\r\nis, for the most part, thinly applied, a technique\r\nparticularly well suited to depicting\r\nthe diaphanous fabric of her dress, which\r\nseems almost to merge with the background.\r\nIn the delicacy of the paint handling\r\nand its soft-hued palette, \n This is the only portrait of herself by\r\nRenoir that Henriette ever owned.\n (Text by Kimberly Jones, \n Notes\n \n \n ' +p171689 +sa(dp171690 +g25268 +S'Elizabeth Fulford Welshman' +p171691 +sg25270 +S'John Greenwood' +p171692 +sg25273 +S'oil on canvas' +p171693 +sg25275 +S'1749' +p171694 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000d2.jpg' +p171695 +sg25267 +g27 +sa(dp171696 +g25268 +S'Lieutenant-General Sir Thomas Picton' +p171697 +sg25270 +S'Sir William Beechey' +p171698 +sg25273 +S'oil on canvas' +p171699 +sg25275 +S'1815/1817' +p171700 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a00004eb.jpg' +p171701 +sg25267 +g27 +sa(dp171702 +g25268 +S'Mrs. Thomas Horne' +p171703 +sg25270 +S'Francis Cotes' +p171704 +sg25273 +S'oil on canvas' +p171705 +sg25275 +S'c. 1768/1770' +p171706 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000f5/a000f5ac.jpg' +p171707 +sg25267 +g27 +sa(dp171708 +g25273 +S'oil on canvas' +p171709 +sg25267 +g27 +sg25275 +S'c. 1785/1788' +p171710 +sg25268 +S'William Yelverton Davenport' +p171711 +sg25270 +S'Thomas Gainsborough' +p171712 +sa(dp171713 +g25273 +S'oil on panel' +p171714 +sg25267 +g27 +sg25275 +S'1638' +p171715 +sg25268 +S'Portrait of a Lady with a Ruff' +p171716 +sg25270 +S'Michiel van Miereveld' +p171717 +sa(dp171718 +g25268 +S'The Return from the Hunt' +p171719 +sg25270 +S'Artist Information (' +p171720 +sg25273 +S'Flemish, 16th century' +p171721 +sg25275 +S'(designer)' +p171722 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00063/a00063a5.jpg' +p171723 +sg25267 +g27 +sa(dp171724 +g25268 +S'Vase of Flowers' +p171725 +sg25270 +S'Jan Davidsz de Heem' +p171726 +sg25273 +S'oil on canvas' +p171727 +sg25275 +S'c. 1660' +p171728 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e62.jpg' +p171729 +sg25267 +S"The still life was developed as a separate category of painting in the seventeenth century. Dutch artists worked in a variety of still–life traditions that ranged from banquet pieces to paintings focused solely on fruit, shells, books, or flowers. De Heem was one of the most gifted and versatile of these artists, and one of the most influential. His consummate technique allowed him to portray a great variety of textures in a convincing manner. In this flower painting we can delight in his realistic depiction of tulip petals, long bent reeds of wheat, minute animals including butterflies, ants, snails, caterpillars, and finally, reflections on the transparent\r\nglass vase.\n De Heem also had great compositional sensitivity. Over twenty types of flowers, vegetables, and grains have been brought together here in a way that permits their colors and shapes to balance in an harmonious arrangement. Despite De Heem's realistic depiction, this floral arrangement never actually could have existed. The flowers represented grow at different seasons of the year. In many of his paintings De Heem chose to include specific animals and flowers because of their symbolic meanings; the butterfly, for example, is often a symbol for the Resurrection.\n " +p171730 +sa(dp171731 +g25268 +S'The Copley Family' +p171732 +sg25270 +S'John Singleton Copley' +p171733 +sg25273 +S'oil on canvas' +p171734 +sg25275 +S'1776/1777' +p171735 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a000087b.jpg' +p171736 +sg25267 +S'In June 1774, when he was already thirty-five years old, Copley decided that\nhe must go to Europe. Although he intended to stay abroad just long enough to acquire\nartistic sophistication, the American Revolution changed his plans. Studying in\nRome and stopping in many continental cities, Copley arrived in London in October\n1775. There he was joined by his wife, children, and father-in-law, Richard Clarke,\none of the Tory merchants whose investments had been dumped overboard at the Boston\nTea Party.\n In I777 at the Royal Academy, Copley exhibited \n ' +p171737 +sa(dp171738 +g25268 +S'John Smith Warner (?)' +p171739 +sg25270 +S'American 19th Century' +p171740 +sg25273 +S'overall: 76.5 x 63.3 cm (30 1/8 x 24 15/16 in.)\r\nframed: 97.8 x 85.1 x 8.3 cm (38 1/2 x 33 1/2 x 3 1/4 in.)' +p171741 +sg25275 +S'\noil on canvas' +p171742 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a000019f.jpg' +p171743 +sg25267 +g27 +sa(dp171744 +g25268 +S'The Adoration of the Shepherds' +p171745 +sg25270 +S'Artist Information (' +p171746 +sg25273 +S'Italian, 1540 - 1587' +p171747 +sg25275 +S'(artist after)' +p171748 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002a/a0002af2.jpg' +p171749 +sg25267 +g27 +sa(dp171750 +g25268 +S"Woman Reading in the Atelier (La lecture dans l'atelier)" +p171751 +sg25270 +S'Albert Besnard' +p171752 +sg25273 +S'etching' +p171753 +sg25275 +S'1887' +p171754 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a000976c.jpg' +p171755 +sg25267 +g27 +sa(dp171756 +g25268 +S'Saint Sebastian' +p171757 +sg25270 +S'Amico Aspertini' +p171758 +sg25273 +S'oil on panel' +p171759 +sg25275 +S'c. 1505' +p171760 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a00007f4.jpg' +p171761 +sg25267 +g27 +sa(dp171762 +g25268 +S'The Crucifixion' +p171763 +sg25270 +S'Bernardo Daddi' +p171764 +sg25273 +S', c. 1335' +p171765 +sg25275 +S'\n' +p171766 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00025/a000251b.jpg' +p171767 +sg25267 +g27 +sa(dp171768 +g25268 +S'Madonna and Child Enthroned with Saint Peter and Saint Paul' +p171769 +sg25270 +S'Domenico di Bartolo' +p171770 +sg25273 +S'tempera (?) on panel' +p171771 +sg25275 +S'c. 1430' +p171772 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a000074f.jpg' +p171773 +sg25267 +S"In the early 1400s, the Sienese artist most influenced by the new Florentine style of painting was Domenico di Bartolo. He was, in fact, the only Sienese painter of his day to receive commissions from Florentine clients.\n This small panel is one of the first in Siena to reflect the innovations of the Florentine painter \n Domenico's use of light, perspective, and classical motifs suggest that he painted this after seeing the work of Masaccio and others in Florence. He is unlikely to have studied there, however; other elements of his work are typically Sienese, for example, the bright pastel pinks for the niche. Domenico's experiments were not taken up by his contemporaries, but they did influence artists in the next generation.\n " +p171774 +sa(dp171775 +g25268 +S'The Presentation of the Virgin' +p171776 +sg25270 +S'Paolo di Giovanni Fei' +p171777 +sg25273 +S'tempera on wood transferred to hardboard' +p171778 +sg25275 +S'c. 1400' +p171779 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004a/a0004ae1.jpg' +p171780 +sg25267 +S"Anne and Joachim were elderly and almost without hope of having \r\n children; when an angel announced that Anne would conceive, she promised \r\n the child to God's service. Here, the young Virgin, aged four or five, \r\n takes leave of her family to enter the temple. Devotion to the Virgin was \r\n especially strong in Siena, where she was patron saint. This panel was \r\n probably part of a large altarpiece commissioned for the city's cathedral, \r\n where it would have been seen near Duccio’s own altarpiece dedicated to the \r\n Virgin in Majesty, the \n Paolo, following in the tradition of Duccio and Simone Martini, used a \r\n brilliant palette—note the mosaiclike impression of his strong colors, \r\n which range from cool blues to salmony pinks and glassy greens. At the same \r\n time, Paolo has infused his scene with an appealing naturalness—legacy \r\n from another Sienese master, Pietro Lorenzetti. Paolo concentrates not on \r\n the awe-inspiring majesty of the Virgin, but on the human aspects of her \r\n story. The young Virgin pauses on the dais. Her expression as she turns \r\n a final time toward her parents is tender and rueful—the genuine \r\n response of a child.\n " +p171781 +sa(dp171782 +g25268 +S'The Infant Bacchus' +p171783 +sg25270 +S'Giovanni Bellini' +p171784 +sg25273 +S'oil on panel transferred to panel' +p171785 +sg25275 +S'probably 1505/1510' +p171786 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a00007fd.jpg' +p171787 +sg25267 +S'\r\n\tBacchus is typically portrayed as a young man wreathed with vines, his body slouched with the intoxicating effect of drink. This young child, who wears an ivy wreath and holds a wine pitcher, must also represent the god of wine. As a god of agriculture, Bacchus was sometimes depicted as aging along with the seasons, in much the same way that the new year comes in as a baby and goes out as an old man. In winter, when crops were just starting to grow, Bacchus took the guise of a young boy—as pretty, Roman poets said, as a curly-haired girl.\r\n\n \r\n\tBellini used this same figure in the \n ' +p171788 +sa(dp171789 +g25268 +S'Alexander the Great Threatened by His Father' +p171790 +sg25270 +S'Donato Creti' +p171791 +sg25273 +S'oil on canvas' +p171792 +sg25275 +S'probably 1700/1705' +p171793 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a0000605.jpg' +p171794 +sg25267 +g27 +sa(dp171795 +g25268 +S'Eleonora di Toledo' +p171796 +sg25270 +S'Agnolo Bronzino' +p171797 +sg25273 +S'oil on panel' +p171798 +sg25275 +S'c. 1560' +p171799 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a00008af.jpg' +p171800 +sg25267 +g27 +sa(dp171801 +g25268 +S'Madonna and Child' +p171802 +sg25270 +S'Vittore Carpaccio' +p171803 +sg25273 +S'oil on panel' +p171804 +sg25275 +S'c. 1505/1510' +p171805 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004b/a0004b33.jpg' +p171806 +sg25267 +g27 +sa(dp171807 +g25268 +S'Venus Adorned by the Graces' +p171808 +sg25270 +S'Annibale Carracci' +p171809 +sg25273 +S'oil on panel transferred to canvas' +p171810 +sg25275 +S'1590/1595' +p171811 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a0000602.jpg' +p171812 +sg25267 +g27 +sa(dp171813 +g25268 +S'Portrait of a Male Donor' +p171814 +sg25270 +S'Petrus Christus' +p171815 +sg25273 +S'oil on panel' +p171816 +sg25275 +S'c. 1455' +p171817 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00058/a0005825.jpg' +p171818 +sg25267 +g27 +sa(dp171819 +g25268 +S'Bathing at Talloires (La baignade \xc3\xa0 Talloires)' +p171820 +sg25270 +S'Albert Besnard' +p171821 +sg25273 +S'etching and aquatint' +p171822 +sg25275 +S'1888' +p171823 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00090/a0009053.jpg' +p171824 +sg25267 +g27 +sa(dp171825 +g25268 +S'Portrait of a Female Donor' +p171826 +sg25270 +S'Petrus Christus' +p171827 +sg25273 +S'oil on panel' +p171828 +sg25275 +S'c. 1455' +p171829 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a00004a0.jpg' +p171830 +sg25267 +S"Petrus Christus was the leading artist in Bruges after the death of \n The woman's costume is that of a wealthy matron from the Low Countries, \n but the coat of arms depicted is that of the Vivaldi, a prominent Genoese \n family with extensive banking and commercial interests in the north. Stuck \n to the wall with dabs of red sealing wax is a woodcut. It depicts Saint \n Elizabeth of Thuringia, so in all likelihood the woman's name was also \n Elizabeth or some variant of it. Undoubtedly, she and her husband, known to \n be a member of the Lomellini family by the coat of arms on his portrait, \n were part of the large Italian business community in Bruges. These \n families, because they carried small panels like this one home with them, \n played an important role in spreading the oil technique and the precise \n style of northern paintings to Italy. As \n " +p171831 +sa(dp171832 +g25268 +S'Saint Helena' +p171833 +sg25270 +S'Bellini' +p171834 +sg25273 +S'oil on panel' +p171835 +sg25275 +S'c. 1495' +p171836 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a0000854.jpg' +p171837 +sg25267 +S"Mother of the emperor Constantine, Saint Helena journeyed to the Holy Land, where she found the True Cross, the cross of the crucifixion, which she holds here. Scenes of saints in landscape settings like this were something of a specialty of the artist.\n Cima had moved to Venice by the mid-1480s but always remained in close contact with his hometown of Conegliano on the mainland. The town's castello and other landmarks appear in the background of this small devotional panel. Almost all of Cima's paintings include idyllic landscapes that recall the mountainous region of his home.\n Cima formed his artistic style early in life and never deviated from it. Even though his clear colors and meticulous detail became a bit old-fashioned, his work remained popular with Venetian patrons, especially the more conservative ones. In the 1490s, when \n " +p171838 +sa(dp171839 +g25268 +S'A Lady in Her Bath' +p171840 +sg25270 +S'Fran\xc3\xa7ois Clouet' +p171841 +sg25273 +S'oil on oak' +p171842 +sg25275 +S'c. 1571' +p171843 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d63.jpg' +p171844 +sg25267 +S"François Clouet, the son of a Netherlandish artist, became court painter to the French kings\nFrancis I, Henry II and Charles IX. In this Renaissance portrait Clouet has depicted a female\nnude, whose identity is unknown, at her bath. The bather is seated in her tub, which is lined with\na white cloth and hung on both sides with regal crimson curtains to ward off the cold. Her left\nhand draws back the bath sheet revealing the artist's name inscribed below, while her right hand\nrests on a covered board that displays a sumptuously rendered still life. Slightly behind the bather\na young boy reaches for some grapes as a smiling wet nurse suckles a baby. In the background, a\nmaid is seen holding a metal pitcher of bath water as more water is heated in the fireplace. The\nallusion is to a happy, healthy home.\n The masklike symmetry of the bather's face makes exact identification difficult; scholars\nhave suggested that her aristocratic features indicate that she is one of several royal mistresses,\nmost notable among them Diane de Poitiers, the mistress of Henry II. It is possible that the\nnude, a Venus type, represents ideal beauty rather than a specific individual. The contrast of the\nsmoothly rendered nude figure to the intricate surface details of the fruit, draperies, and jewelry,\npresents a union of Flemish and Italian motifs that characterized French courtly art of the\nsixteenth century.\n " +p171845 +sa(dp171846 +g25268 +S'Madame David' +p171847 +sg25270 +S'Jacques-Louis David' +p171848 +sg25273 +S'oil on canvas' +p171849 +sg25275 +S'1813' +p171850 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000da5.jpg' +p171851 +sg25267 +S'When David married Marguerite-Charlotte Pécoul, the young daughter of a \r\n prosperous builder with connections at Louis XVI\'s court, he was literally \r\n twice her age. Their marriage was at times stormy; they separated, \r\n divorced, and remarried. David spoke of her as a "woman whose virtues and \r\n character had assured the happiness of his life." Political disagreements, \r\n particularly his attachment to the ruthless Robespierre, may have \r\n exacerbated their personal differences. However, after Robespierre was \r\n executed and David himself imprisoned—and threatened with the guillotine—his wife rallied to him with great courage. Her tireless appeals secured \r\n his release, and they remained together until her death.\n David\'s frank but sympathetic portrait catches not only the homeliness \r\n of his wife\'s features, but her intelligence and directness as well. Unlike \r\n many of David\'s works, this portrait was painted entirely by his own hand. \r\n Its technique is freer than the austere style he applied to less intimate \r\n subjects. The satiny texture of her dress, unadorned by jewelry as Madame \r\n David surrendered hers in support of the revolution, is created with heavy \r\n brushes of thick pigment, the plume with lighter strokes of thinner color. \r\n These exuberant surfaces contrast with the restrained precision of the \r\n accessories in Napoleon\'s portrait.\n ' +p171852 +sa(dp171853 +g25268 +S'The Emperor Napoleon in His Study at the Tuileries' +p171854 +sg25270 +S'Jacques-Louis David' +p171855 +sg25273 +S'oil on canvas' +p171856 +sg25275 +S'1812' +p171857 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000daa.jpg' +p171858 +sg25267 +S"Careful examination of the details embedded in this portrait reveals the key\r\nto David's success as a painter during the time of Louis XVI, Robespierre, and Napoleon: the artist's ability to transform his subjects into politically powerful icons.\n Napoleon is placed in the center of a vertical canvas dressed in his uniform as a colonel of the Foot Grenadiers of the Imperial Guard. His pose—the slightly hunched shoulders and hand inserted into his vest—contrasts to the formality of his costume. In addition, his cuffs are unbuttoned, his leggings wrinkled, and his hair disheveled. David, in a letter to the patron of this portrait, Alexander Douglas, the tenth Duke of Hamilton, explained that his appearance was designed to show that Napoleon had spent the night in his study composing the Napoleonic Code, an impression enforced by details, such as the flickering candles that are almost extinguished, the quill pen and papers scattered on the desk, and the clock on the wall which points to 4:13 a.m.\n David strategically placed the sword on the chair to allude to Napoleon's military success, while the prominent display of the word "Code" in his papers, suggests his administrative achievements. Other decorative details—the heraldic bees and the fleurs–de–lys—are symbols of French absolutism, and imply Napoleon's power as ruler.\n " +p171859 +sa(dp171860 +g25268 +S"Blindman's Buff" +p171861 +sg25270 +S'Jean-Honor\xc3\xa9 Fragonard' +p171862 +sg25273 +S'oil on canvas' +p171863 +sg25275 +S'c. 1775/1780' +p171864 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d6b.jpg' +p171865 +sg25267 +g27 +sa(dp171866 +g25268 +S'The Swing' +p171867 +sg25270 +S'Jean-Honor\xc3\xa9 Fragonard' +p171868 +sg25273 +S'oil on canvas' +p171869 +sg25275 +S'c. 1775/1780' +p171870 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d6c.jpg' +p171871 +sg25267 +S"With children's games glimpsed from above in an immense expanse of earth \r\n and sky, Fragonard presents a vision of nature, imposing yet tamed by \r\n civilization. These are not forests, but gardens resembling the magical \r\n Villa d'Este, where Fragonard sketched in Italy. Light creates volume in \r\n the towering clouds and breaks through in patches on the ground to \r\n illuminate the small figures as if they were on a distant stage.\n The Swing\n " +p171872 +sa(dp171873 +g25268 +S'Portrait of a Young Man' +p171874 +sg25270 +S'French 18th Century' +p171875 +sg25273 +S'overall: 65.3 x 54.4 cm (25 11/16 x 21 7/16 in.)\r\nframed: 97.2 x 86.4 x 10.2 cm (38 1/4 x 34 x 4 in.)' +p171876 +sg25275 +S'\noil on canvas' +p171877 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d6d.jpg' +p171878 +sg25267 +g27 +sa(dp171879 +g25268 +S'The Small Crucifixion' +p171880 +sg25270 +S'Matthias Gr\xc3\xbcnewald' +p171881 +sg25273 +S'oil on panel' +p171882 +sg25275 +S'c. 1511/1520' +p171883 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a00004c8.jpg' +p171884 +sg25267 +S"Matthias Grünewald's \n In order to communicate this mystical belief, Grünewald resorted to a mixture of ghastly realism and coloristic expressiveness. Silhouetted against a greenish–blue sky and illuminated by an undefined light source, Christ's emaciated frame sags limply on the cross. His twisted feet and hands, crown of thorns, agonized expression, and ragged loincloth convey the terrible physical and emotional suffering he has endured. This abject mood is intensified by the anguished expressions and demonstrative gestures of John the Evangelist, the Virgin Mary, and the kneeling Mary Magdalene.\n Grünewald's dissonant, eerie colors were also rooted in biblical fact. The murky sky, for instance, corresponds to Saint Luke's description of "a darkness over all the earth" at the time of the crucifixion. Grünewald, who himself witnessed a full eclipse in 1502, has re–created here the dark and rich tonalities associated with such natural phenomena.\n Today, only twenty paintings by Grünewald are extant, and \n " +p171885 +sa(dp171886 +g25268 +S'Cardinal Francesco Cennini' +p171887 +sg25270 +S'Guercino' +p171888 +sg25273 +S', 1625' +p171889 +sg25275 +S'\n' +p171890 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a0000610.jpg' +p171891 +sg25267 +g27 +sa(dp171892 +g25268 +S'Portrait of a Young Man' +p171893 +sg25270 +S'Hans Holbein the Younger' +p171894 +sg25273 +S', c. 1520/1530' +p171895 +sg25275 +S'\n' +p171896 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005b3.jpg' +p171897 +sg25267 +g27 +sa(dp171898 +g25268 +S'The Annunciation' +p171899 +sg25270 +S'Juan de Flandes' +p171900 +sg25273 +S'oil on panel' +p171901 +sg25275 +S'c. 1508/1519' +p171902 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a00004a8.jpg' +p171903 +sg25267 +g27 +sa(dp171904 +g25268 +S'The Nativity' +p171905 +sg25270 +S'Juan de Flandes' +p171906 +sg25273 +S'oil on panel' +p171907 +sg25275 +S'c. 1508/1519' +p171908 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005a7.jpg' +p171909 +sg25267 +S"Juan de Flandes ("Jan of Flanders") came from the north—and possibly trained in Ghent—but his entire reputation is based on work painted in Spain, where he served as court artist to Queen Isabella. \n The backgrounds in paintings by Juan de Flandes are often enlivened with charming narrative vignettes, characteristic of works from the Netherlandish city of Ghent. Here, a young shepherd is struck with awe and wonder as an angel\r\nappears in a brilliant globe of light to announce the birth of Christ, while his older companion continues to doze. In the manger an ox and ass eat from a straw-filled trough, an allusion to a passage in the Book of Isaiah in which Isaiah prophesized even livestock would recognize the infant Jesus as their master. An owl perched on the crumbling stable—the deteriorated state representing a transition to a new world order—may refer to the darkness dispelled by Christ's birth.\n " +p171910 +sa(dp171911 +g25268 +S'The Adoration of the Magi' +p171912 +sg25270 +S'Juan de Flandes' +p171913 +sg25273 +S'oil on panel' +p171914 +sg25275 +S'c. 1508/1519' +p171915 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005a8.jpg' +p171916 +sg25267 +S"Although the original reference to the wise men, or magi, in the Gospel of Matthew\nis minimal, churchmen eventually elevated them to the status of kings, gave them\nnames -- Balthasar, Caspar, and Melchior -- and invested their gifts of gold, frankincense,\nand myrrh with specific meanings. The royal status and foreign origins of the three\ntravelers inspired medieval and Renaissance artists, who gave free reign to their\nimaginations in treating the colorful subject.\n Juan de Flandes (John of Flanders) took the opportunity to paint a fanciful scene\nreplete with opulent costumes, gleaming gold and jewels, and varied racial types.\nAll wear exotic headgear and carry ornate vessels containing their gifts. Visible\nin the distance, on horseback, are several smaller figures, members of the kings'\nretinue.\n Although there are numerous references to this presumably northern painter in the\nrecords of his Spanish patrons, nothing is known of his early years. His reputation\nas an artist derives entirely from the works he produced in Spain, where he served\nas court painter to Queen Isabella until her death in 1504. Later, he painted this\npanel and its three companion pieces, also in the National Gallery; together, they\nonce formed part of a large altarpiece in the Church of San Lázaro in Palencia.\n " +p171917 +sa(dp171918 +g25268 +S'The Baptism of Christ' +p171919 +sg25270 +S'Juan de Flandes' +p171920 +sg25273 +S'oil on panel' +p171921 +sg25275 +S'c. 1508/1519' +p171922 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005a9.jpg' +p171923 +sg25267 +S'The Gospels relate that when Jesus was baptized in the river Jordan, he saw the heavens open and the Holy Spirit descend toward him like a dove. God the Father then spoke, "This is my beloved Son, in whom I am well pleased." Both appear within the round mandorlas that Juan de Flandes painted in many of the surviving panels of his original altarpiece.\n ' +p171924 +sa(dp171925 +g25268 +S'Portrait of a Young Man and His Tutor' +p171926 +sg25270 +S'Nicolas de Largillierre' +p171927 +sg25273 +S'oil on canvas' +p171928 +sg25275 +S'1685' +p171929 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d85.jpg' +p171930 +sg25267 +S"The formality and clear outlines of Largillière's \n " +p171931 +sa(dp171932 +g25268 +S'The Card Players' +p171933 +sg25270 +S'Artist Information (' +p171934 +sg25273 +S'Netherlandish, 1489/1494 - 1533' +p171935 +sg25275 +S'(artist after)' +p171936 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005c4.jpg' +p171937 +sg25267 +g27 +sa(dp171938 +g25268 +S'The Presentation in the Temple' +p171939 +sg25270 +S'Master of the Prado "Adoration of the Magi"' +p171940 +sg25273 +S'oil on panel' +p171941 +sg25275 +S'c. 1470/1480' +p171942 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a0000595.jpg' +p171943 +sg25267 +g27 +sa(dp171944 +g25268 +S'The Crucifixion' +p171945 +sg25270 +S'Master of Saint Veronica' +p171946 +sg25273 +S'tempera on panel' +p171947 +sg25275 +S'c. 1400/1410' +p171948 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005b6.jpg' +p171949 +sg25267 +S"The anonymous master who painted this work was the leading painter in Cologne\nshortly after 1400. His name derives from his finest work, \n The painting was probably used as a focus for prayers and meditation by a Carthusian\nmonk, since a member of that monastic order is shown kneeling at the right of the\ncross. The painting's small size would make it suitable for such use, probably in\nthe monk's cell.\n Cologne was the largest and most densely populated city in Germany at the end of\nthe Middle Ages. It supported a wealthy middle class and many religious institutions,\nincluding the Charterhouse of Saint Barbara, for which this \n " +p171950 +sa(dp171951 +g25268 +S'Joseph Bonnier de la Mosson' +p171952 +sg25270 +S'Jean-Marc Nattier' +p171953 +sg25273 +S'oil on canvas' +p171954 +sg25275 +S'1745' +p171955 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d79.jpg' +p171956 +sg25267 +S'Bonnier was the perfect eighteenth-century \n ' +p171957 +sa(dp171958 +g25268 +S'Woman in a Cape (La femme \xc3\xa0 la p\xc3\xa8lerine)' +p171959 +sg25270 +S'Albert Besnard' +p171960 +sg25273 +S'etching' +p171961 +sg25275 +S'1889' +p171962 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a0009774.jpg' +p171963 +sg25267 +g27 +sa(dp171964 +g25268 +S'The Nativity' +p171965 +sg25270 +S'Perino del Vaga' +p171966 +sg25273 +S'oil on panel transferred to canvas' +p171967 +sg25275 +S'1534' +p171968 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a000081b.jpg' +p171969 +sg25267 +S"Although called a nativity, this painting lacks the manger, ox, and ass traditionally\nfound in scenes of Christ's birth. It would be better interpreted as a mystical\nadoration of saints. John the Baptist, Catherine of Alexandria, and the Virgin are\nin the foreground. From left to right standing behind them are Sebastian, pierced\nwith arrows; the pilgrim James Major; Joseph, the husband of Mary; and the pilgrim\nRoch. Soaring through the heavens is God the Father accompanied by a phalanx of\nputti.\n Commissioned by a member of the Baciadonne family of Genoa, this large altarpiece\nis the most important religious painting by Perino del Vaga to survive. Perino had\nbeen a pupil of Raphael in Rome, and his indebtedness to his master is evident here\nin the idealization of the figures and the grace of the postures. Like others of\nhis generation, however, Perino departed from Raphael's serene harmonies to instill\nin his works a greater degree of tension and artifice. In this altarpiece the studied\ngestures hang in the air as if to function in the place of speech. Poses seem choreographed\nand, in several instances, tipped off balance. Rich colors glow phosphorescently\nwith a stained-glass intensity out of the oddly dark morning.\n " +p171970 +sa(dp171971 +g25268 +S'The Assumption of the Virgin' +p171972 +sg25270 +S'Artist Information (' +p171973 +sg25273 +S'Flemish, 1577 - 1640' +p171974 +sg25275 +S'(related artist)' +p171975 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e3c.jpg' +p171976 +sg25267 +S"As recounted in the New Testament's Apocrypha, Jesus' mother was physically raised (assumed) to heaven after her death. A choir of angels lifts Mary's body upward in a dramatic spiraling motion toward a burst of divine light. The twelve apostles gather around her tomb. Some raise their hands in awe; others reach down to touch her discarded shroud. The three holy women are probably Mary Magdalene and the Virgin Mary's two sisters. The kneeling woman holds a flower, referring to the blossoms that miraculously filled the empty coffin.\n In 1611, the cathedral at Antwerp announced a competition for an Assumption altar. On February 16, 1618, Rubens submitted two models. He finished the huge altarpiece on September 30, 1626. Thus, fifteen years elapsed between the beginning and conclusion of this project. The cathedral needed the time to complete a majestic marble frame.\n This oil sketch is probably a replica of Rubens' original \n " +p171977 +sa(dp171978 +g25268 +S"Cathedral of Saint John at 's-Hertogenbosch" +p171979 +sg25270 +S'Pieter Jansz Saenredam' +p171980 +sg25273 +S'oil on panel' +p171981 +sg25275 +S'1646' +p171982 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e91.jpg' +p171983 +sg25267 +S"Saenredam's paintings are almost always church interiors in which the luminous and balanced treatment of the architecture has the elegance of an abstract design. In this painting Saenredam not only gives an apparently accurate portrayal of the details of the Cathedral of Saint John, but also creates a unified feeling of spaciousness and light. The town of 's–Hertogenbosch, near the Dutch–Flemish border, became part of the United Provinces, a group of northern Dutch states that were Protestant and seceded from the Catholic south in 1629, only three years before Saenredam visited it. Thus the cathedral, unlike other Dutch churches, still retained the decorations associated with Catholic ceremony, notably the elaborate black and white baroque altar with its statues of the Virgin and Child and Saint John, and the altar\xe2\x80\x99s memorial tablets to the Catholic Habsburg rulers Philip II and Albert of Austria.\n Saenredam subtly changed the proportions of columns and arches to enhance our sense of a soaring architecture. Abraham Bloemaert\xe2\x80\x99s \n " +p171984 +sa(dp171985 +g25268 +S'Church of Santa Maria della Febbre, Rome' +p171986 +sg25270 +S'Pieter Jansz Saenredam' +p171987 +sg25273 +S'oil on panel' +p171988 +sg25275 +S'1629' +p171989 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000ea5.jpg' +p171990 +sg25267 +S'As the foremost innovator in the accurate depiction of\r\n buildings, \r\n Saenredam has earned the title of “first portraitist of\r\n architecture.” The \r\n son of an engraver, he developed draftsmanship so precise that it\r\n is \r\n difficult to believe he never visited Italy to see the site of\r\n Saint \r\n Peter’s, the subject of this convincing view. In the 1530s, the\r\n Flemish \r\n artist \n The ancient, circular chapel of Santa Maria della Febbre stands\r\n beside \r\n the famous Vatican obelisk that, in 1586, was moved in front of\r\n Saint \r\n Peter’s basilica. Behind ramshackle Old Saint Peter’s rise the\r\n piers of \r\n Michelangelo’s dome for New Saint Peter’s. Saenredam portrayed the\r\n whole construction site as though it were an abandoned, overgrown\r\n ruin.\n An artificial color scheme marks the earliest period of Dutch\r\n landscape \r\n painting, developed in the sixteenth century. To create a feeling\r\n of depth, \r\n Saenredam overlapped layers of contrasting tone: a dark foreground, \r\n through the buildings’ pinkish yellow, to a distant valley in \r\n bright blues \r\n and greens.\n ' +p171991 +sa(dp171992 +g25268 +S'Elijah Fed by the Raven' +p171993 +sg25270 +S'Giovanni Girolamo Savoldo' +p171994 +sg25273 +S'oil on panel transferred to canvas' +p171995 +sg25275 +S'c. 1510' +p171996 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a0000825.jpg' +p171997 +sg25267 +S'Elijah, sturdy and peasantlike, looks with reflective\n intensity at a black bird perched above his head, grasping\n a large hunk of bread in its beak. The word of the\n Lord had come to him (I Kings 17:3-4): "Go away from\n here, go eastward, and hide yourself....I have ordered\n the ravens to bring you food." It was an absolute act of\n faith and love to obey the command, trusting only in\n God\'s provision for his survival.\n From the earliest days of Christian monasticism,\n Elijah was regarded as the prototype of all those who\n "dwelt in the desert," either alone as hermits or in communities\n with other holy men. In the living tradition of\n monasticism, the authority and spiritual wisdom of one\n abbot is passed down to the next. This transfer of power\n began when Elijah first handed his cloak to his successor\n Elisha, an episode depicted in the background of this\n painting. In a small cloud, Elijah is taken heavenward in\n a fiery chariot as proof of God\'s call.\n This painting, along with a companion work showing\n the two hermit saints Anthony and Paul, was possibly\n commissioned for a Carmelite church in Savoldo\'s\n hometown of Brescia. Elijah held special significance for\n the Carmelites, who, as their name suggests, traced their\n origin to Elijah in the Jordan valley. The faith and moral\n austerity of these men could have appealed to many\n other patrons as well.\n ' +p171998 +sa(dp171999 +g25268 +S'The Rest on the Flight into Egypt' +p172000 +sg25270 +S'Maerten van Heemskerck' +p172001 +sg25273 +S'oil on panel' +p172002 +sg25275 +S'c. 1530' +p172003 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a0000592.jpg' +p172004 +sg25267 +S'Heemskerck spent several years in Italy,\r\n where he supported himself at times with the particularly northern specialty\r\n of landscape painting. But this picture was produced before his first trip\r\n there. It shows the influence of his teacher, Jan van Scorel, who had\r\n already brought back to the Netherlands an Italian feeling for large,\r\n sculptural figures and a landscape repertoire that included fanciful ruins\r\n and idyllic motifs copied from ancient art. This panel was long thought to\r\n be the work of Van Scorel; if Heemskerck painted it while in Van Scorel’s\r\n studio, it may have been sold as such.\n The story of the Holy Family’s flight into Egypt to avoid Herod’s legions\r\n became a popular vehicle for landscape painting. Here, the exotic locale is\r\n reminiscent of sacred groves in ancient Italy.\n Against this ambiguous panorama, the large image of the Virgin and Child\r\n takes on the quality of an icon. The crystal globe on which Jesus rests\r\n suggests his dominion over the world, the butterfly his resurrection.\r\n Because they are painted in rich colors and with distinct clarity, they seem\r\n quite near to us. Features in the distance, by contrast, are obscured by a\r\n progressive shift to blue that mimics the intervening haze of the\r\n atmosphere.\n ' +p172005 +sa(dp172006 +g25268 +S'Cardinal Bandinello Sauli, His Secretary, and Two Geographers' +p172007 +sg25270 +S'Sebastiano del Piombo' +p172008 +sg25273 +S'oil on panel' +p172009 +sg25275 +S'1516' +p172010 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005f5.jpg' +p172011 +sg25267 +S'One of the earliest Italian group portraits, this painting depicts Cardinal Bandinello\nSauli and three companions gathered around a table covered with a Turkish carpet.\nSet within a narrow space closed off by a rich green wall hanging, the figures appear\nto have been discussing the geography manuscript lying open before them.\n Bandinello Sauli of Genoa was elevated to the rank of cardinal by Pope Julius II\nin 1511. In 1516, when this painting was completed, Sauli was at the height of his\nprestige and influence in Rome. His fortunes quickly changed, for he was imprisoned\nin 1517 for plotting against Pope Leo X.\n The artist, Sebastiano Luciani, is better known as Sebastiano del Piombo from his\nappointment in 1531 to the office of Keeper of the Papal Seal, or \n ' +p172012 +sa(dp172013 +g25268 +S'Portrait of a Humanist' +p172014 +sg25270 +S'Sebastiano del Piombo' +p172015 +sg25273 +S'oil on panel transferred to hardboard' +p172016 +sg25275 +S'c. 1520' +p172017 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a0000826.jpg' +p172018 +sg25267 +S"Unlike the sitters in many similar portraits who are\n shown in front of an open window, this man wearing\n the simple black robes of a scholar is posed in an\n enclosed, quiet place appropriate for study and concentration.\n His three-quarter pose was newly introduced\n around 1520. Restricted colors in the clothing and face\n leave the small arrangement on the left as the brightest\n area of the composition. Our attention is drawn to the\n tools of his scholarly pursuit: books, writing implements,\n and a globe. (Maps were first applied to spheres\n in the early sixteenth century.) It has been suggested that\n the sitter might be Marcantonio Flaminio, a noted\n scholar and poet who was a friend of the artist.\n Sebastiano must have painted this in Rome,\n although its style retains traces of his Venetian training.\n This is particularly evident in the richness of its pigment -- \n even the somber tones have luxurious texture -- \n and in the slight melancholy that distinguishes the man's\n face. (Admittedly, such melancholy would have been\n expected of a gentleman poet.) The use of light, however,\n shows the new influence of artists in Rome: rather\n than infusing the scene, light sculpts the figure with\n strong three-dimensional form. Sebastiano had always\n modeled his figures more emphatically than most other\n Venetian painters, and his natural inclination was reinforced\n by contact in Rome with \n " +p172019 +sa(dp172020 +g25268 +S'The Marriage of the Virgin' +p172021 +sg25270 +S'Luca Signorelli' +p172022 +sg25273 +S'tempera on panel' +p172023 +sg25275 +S'c. 1490/1491' +p172024 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002b/a0002bfd.jpg' +p172025 +sg25267 +g27 +sa(dp172026 +g25268 +S'Lamentation' +p172027 +sg25270 +S'Andrea Solario' +p172028 +sg25273 +S'oil on panel' +p172029 +sg25275 +S'c. 1505-1507' +p172030 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a00007d6.jpg' +p172031 +sg25267 +g27 +sa(dp172032 +g25268 +S'Intimacy (Intimt\xc3\xa9)' +p172033 +sg25270 +S'Albert Besnard' +p172034 +sg25273 +S'etching' +p172035 +sg25275 +S'1889' +p172036 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005e/a0005e91.jpg' +p172037 +sg25267 +g27 +sa(dp172038 +g25268 +S'Bishop Alvise Grimani' +p172039 +sg25270 +S'Bernardo Strozzi' +p172040 +sg25273 +S'oil on canvas' +p172041 +sg25275 +S'1633 or after' +p172042 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a0000655.jpg' +p172043 +sg25267 +g27 +sa(dp172044 +g25268 +S'Queen Zenobia Addressing Her Soldiers' +p172045 +sg25270 +S'Giovanni Battista Tiepolo' +p172046 +sg25273 +S'oil on canvas' +p172047 +sg25275 +S'1725/1730' +p172048 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00033/a00033f6.jpg' +p172049 +sg25267 +g27 +sa(dp172050 +g25268 +S'The Conversion of Saint Paul' +p172051 +sg25270 +S'Jacopo Tintoretto' +p172052 +sg25273 +S'oil on canvas' +p172053 +sg25275 +S'c. 1545' +p172054 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a000082a.jpg' +p172055 +sg25267 +g27 +sa(dp172056 +g25268 +S'Doge Alvise Mocenigo and Family before the Madonna and Child' +p172057 +sg25270 +S'Jacopo Tintoretto' +p172058 +sg25273 +S'oil on canvas' +p172059 +sg25275 +S'probably 1573' +p172060 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a0000865.jpg' +p172061 +sg25267 +g27 +sa(dp172062 +g25268 +S'Doge Andrea Gritti' +p172063 +sg25270 +S'Titian' +p172064 +sg25273 +S'oil on canvas' +p172065 +sg25275 +S'1546/1548' +p172066 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a000082f.jpg' +p172067 +sg25267 +S"The patrician Andrea Gritti (1455–1538) was elected doge, or duke, of\r\n Venice in 1523, after having served the city as a military commander and\r\n diplomat. Renowned for his forceful personality and his promotion of the\r\n arts, Gritti remained an active civic leader until his death in 1538.\r\n Titian painted Gritti twice during his reign. He completed this posthumous\r\n portrait, which might have been commissioned as a memorial by the doge's\r\n family, around 1546–1548.\n Dressed in the brocade robes and conical hat of his office, Gritti makes\r\n a grand impression. Glancing sternly to the viewer's left, he gathers up\r\n his cloak with his right hand and appears to stride forward, as if in a\r\n ceremonial procession. Titian further enhanced the monumental presence of\r\n the sitter by extending his image fully to the edges of the canvas.\n With its free, expressive brushwork, this portrait well exemplifies\r\n Titian's mature painting style. Because the canvas has never been flattened\r\n by the process of lining, the varying surface textures, such as the\r\n transparent red of the robe and the heavy impasto of the white fur and gold\r\n buttons, reveal the ways Titian applied his paints.\n " +p172068 +sa(dp172069 +g25268 +S'The Assumption of the Virgin' +p172070 +sg25270 +S'Juan de Vald\xc3\xa9s Leal' +p172071 +sg25273 +S'oil on canvas' +p172072 +sg25275 +S'c. 1658/1660' +p172073 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a000058b.jpg' +p172074 +sg25267 +S"The mystery of Mary's physical ascent into heaven was a favorite theme during\nthe Counter-Reformation, when the Catholic church was reaffirming its devotion to\nthe Virgin. In its sensuous beauty and dramatic appeal, Juan de Valdés Leal's depiction\ncharacterizes the baroque style at its most operatic.\n Amidst spiraling forms, swirling draperies, and extravagant gestures, the figure\nof Mary, arms outstretched, is borne aloft on the wings of a robust group of angels,\nwhile a choir of less corporeal angels makes music in the background. The excitement\nof the supernatural event is sustained by the varied poses and dramatic gestures\nof the animated figures gathered around the tomb below. Saint Paul, closest to us,\nshields his eyes against the radiant light.\n Utilizing a popular device of baroque painting, Valdés Leal placed the monumental\nfigures of two of the apostles in the foreground to lead the eye into the composition\nand to establish a sense of scale. In this instance, their position also serves\nto create the impression that, like the viewer, they have just come upon the scene\nfrom a point outside the picture space.\n Renowned for his vivacious brushwork, Valdés Leal was also a superb colorist, whose\npale but vibrant palette anticipated the decorative tones of the rococo style of\nthe eighteenth century.\n " +p172075 +sa(dp172076 +g25268 +S'Saint Jerome in the Wilderness' +p172077 +sg25270 +S'Veronese' +p172078 +sg25273 +S'oil on canvas' +p172079 +sg25275 +S'c. 1580' +p172080 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a000088d.jpg' +p172081 +sg25267 +g27 +sa(dp172082 +g25268 +S'Saint Lucy and a Donor' +p172083 +sg25270 +S'Veronese' +p172084 +sg25273 +S'oil on canvas' +p172085 +sg25275 +S'probably c. 1580' +p172086 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a00008c7.jpg' +p172087 +sg25267 +g27 +sa(dp172088 +g25268 +S'Madonna and Child' +p172089 +sg25270 +S'Domenico Ghirlandaio' +p172090 +sg25273 +S'tempera on panel transferred to hardboard' +p172091 +sg25275 +S'c. 1470/1475' +p172092 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a0000773.jpg' +p172093 +sg25267 +S"In a city filled with artists, the busiest workshop in the later 1400s \r\n was that of Domenico Ghirlandaio. His popularity rested on the conventional \r\n piety of his images, his direct and forthright style, and his high \r\n standards of craftsmanship. These qualities probably appealed to the \r\n average Florentine, who was less attracted by the humanist erudition and \r\n advanced tastes that enthralled the city's elite. Works like this devout image contrast with the sensuality and luxury denounced by Savonarola.\n The gold background is unusual—a little old-fashioned for a painting \r\n done in the 1470s. It is not clear whether the present gilt surface (not \r\n original) replaced original gilding or was applied over a now-obliterated \r\n landscape, such as seen elsewhere in this room. If the painting was gilded \r\n from the outset, this would have been specified in the contract between \r\n artist and patron. Until the mid-fifteenth century, the intrinsic value of \r\n materials—gold and costly pigments such as ultramarine, which is made from \r\n the semiprecious stone lapis lazuli—accounted for much of a painting's worth. By the time this \r\n work was made, however, the emphasis had shifted. Patrons had come to value instead the skill of the painter, as we do today.\n " +p172094 +sa(dp172095 +g25268 +S'Ceres (Summer)' +p172096 +sg25270 +S'Antoine Watteau' +p172097 +sg25273 +S'oil on canvas' +p172098 +sg25275 +S'c. 1717/1718' +p172099 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d93.jpg' +p172100 +sg25267 +S"Ceres, Roman goddess of the harvest, is surrounded by signs of the summer\r\n zodiac: Gemini, Cancer, and Leo. This is one of four paintings of the\r\n seasons in mythological garb that Watteau painted for the home of Pierre\r\n Crozat. None of the others survive.\n Watteau lived briefly in the Crozat household, studying the wealthy\r\n banker's impressive art collection, particularly works by \n Watteau was probably introduced to Crozat by \n " +p172101 +sa(dp172102 +g25268 +S'Eve' +p172103 +sg25270 +S'Albert Besnard' +p172104 +sg25273 +S'etching' +p172105 +sg25275 +S'1886' +p172106 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a000977a.jpg' +p172107 +sg25267 +g27 +sa(dp172108 +g25268 +S'Madonna and Child' +p172109 +sg25270 +S'Artist Information (' +p172110 +sg25273 +S'(painter)' +p172111 +sg25275 +S'\n' +p172112 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a0000866.jpg' +p172113 +sg25267 +g27 +sa(dp172114 +g25268 +S'Saint Jerome and the Angel' +p172115 +sg25270 +S'Simon Vouet' +p172116 +sg25273 +S'oil on canvas' +p172117 +sg25275 +S'c. 1622/1625' +p172118 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d90.jpg' +p172119 +sg25267 +g27 +sa(dp172120 +g25268 +S'The Porta Portello, Padua' +p172121 +sg25270 +S'Canaletto' +p172122 +sg25273 +S'oil on canvas' +p172123 +sg25275 +S'c. 1741/1742' +p172124 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00009/a000090e.jpg' +p172125 +sg25267 +g27 +sa(dp172126 +g25268 +S'Portrait of an Ecclesiastic' +p172127 +sg25270 +S'French 15th Century' +p172128 +sg25273 +S'overall: 28.8 x 22.2 cm (11 5/16 x 8 3/4 in.)\r\nframed: 35.6 x 27.9 x 3.2 cm (14 x 11 x 1 1/4 in.)' +p172129 +sg25275 +S'\ntempera and oil on oak' +p172130 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d6e.jpg' +p172131 +sg25267 +g27 +sa(dp172132 +g25268 +S"Prince Hercule-Fran\xc3\xa7ois, Duc d'Alen\xc3\xa7on" +p172133 +sg25270 +S'French 16th Century' +p172134 +sg25273 +S'overall: 188.6 x 102.2 cm (74 1/4 x 40 1/4 in.)\r\nframed: 214.6 x 128.3 x 7.9 cm (84 1/2 x 50 1/2 x 3 1/8 in.)' +p172135 +sg25275 +S'\noil on canvas' +p172136 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d72.jpg' +p172137 +sg25267 +g27 +sa(dp172138 +g25268 +S'The Magdalen' +p172139 +sg25270 +S'Bernardino Luini' +p172140 +sg25273 +S'oil on panel' +p172141 +sg25275 +S'c. 1525' +p172142 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005d7.jpg' +p172143 +sg25267 +g27 +sa(dp172144 +g25268 +S'Allegorical Portrait of Dante' +p172145 +sg25270 +S'Florentine 16th Century' +p172146 +sg25273 +S'oil on panel' +p172147 +sg25275 +S'late 16th century' +p172148 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a00008b0.jpg' +p172149 +sg25267 +g27 +sa(dp172150 +g25268 +S'Memorial to Admiral Sir Clowdisley Shovell' +p172151 +sg25270 +S'Artist Information (' +p172152 +sg25273 +S'(artist)' +p172153 +sg25275 +S'\n' +p172154 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a0000620.jpg' +p172155 +sg25267 +S'Shortly before 1722, Owen McSwiny, a bankrupt Irishman who had settled in Italy\nto escape his creditors, commissioned twenty-four large canvases from prominent\nVenetian and Bolognese painters as a commercial venture. By profession a theater\nimpresario, he concocted this series of allegorical monuments commemorating recently\ndeceased British monarchs and aristocrats, hoping that their wealthy heirs might\npurchase the works. McSwiny\'s "Tombs," as they came to be called, proved to be unintelligible;\nno one, not even the artists who painted them, ever had a clear notion of what the\npictures represented.\n This ornate and fanciful memorial, for example, alludes only vaguely to the subject\'s\nnaval career. The admiral himself does not appear, nor does the shield in the right\nforeground bear his exact coat-of-arms. Only the fountain hints at the maritime\ntheme with its ancient ships\' prows and rudders, statues of tritons riding dolphins,\nand a bas-relief of Neptune, god of the sea.\n The Shovell canvas is a collaboration by Marco Ricci, who contributed the picturesque\nlandscape and theatrical architecture, and his uncle Sebastiano Ricci, who painted\nthe figures and statuary. The two Riccis\' use of fluffy textures and decorative\ncolors marks the emerging rococo style.\n ' +p172156 +sa(dp172157 +g25268 +S'Portrait of a Man' +p172158 +sg25270 +S'Rosso Fiorentino' +p172159 +sg25273 +S'oil on panel' +p172160 +sg25275 +S'early 1520s' +p172161 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a000081f.jpg' +p172162 +sg25267 +S'This portrait is less precisely detailed, less “objective,” than others\r\n in this room, partly as the result of Rosso’s technique. To a greater\r\n extent than most of his contemporaries in Florence, Rosso left his\r\n brushstrokes visible. This man holds none of the attributes that normally\r\n help define a sitter’s persona; his character is established by his\r\n strongly projecting elbow. Light rakes across it and seems to push his\r\n gesture to the front of the picture plane. The image crowds the panel. Such\r\n concentration and stylization complement the man’s expression, which is at\r\n once haughty and slightly sad and may reflect an ideal of male\r\n deportment.\n Rosso—he was called “the red” for his red hair—probably painted this not\r\n long before the artist left to work in Fontainebleau. In Italy, Rosso’s\r\n personal, introverted style did not exert much influence, but in France it\r\n was an important starting point for mannerism in the North.\n ' +p172163 +sa(dp172164 +g25268 +S'Marchesa Brigida Spinola Doria' +p172165 +sg25270 +S'Sir Peter Paul Rubens' +p172166 +sg25273 +S'oil on canvas' +p172167 +sg25275 +S'1606' +p172168 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e3d.jpg' +p172169 +sg25267 +S"On at least four occasions during his long stay in Italy (1600–1609), Rubens worked in Genoa, a prosperous seaport. He painted this proud Genoese aristocrat in 1606, the year following her marriage. It is one of a number of female portraits Rubens made in Genoa, a city renowned as a \n The marchesa's stately pose is far from static; it is activated by light, by the diagonal flow of a red curtain, and by Rubens' bravura brushwork. The marchesa's silvery satin dress is built up of layers of translucent glazes and highlighted with thick, freely painted strokes. Rubens combined this bold, painterly style—which he learned from his study of Venetian artists like Veronese, Tintoretto, and Titian—with the tradition for detailed, carefully\r\nobserved surfaces from his native Flanders. Compare, for example, the expressive painting technique in the dress and curtain with the precise handling of\r\nthe architecture.\n " +p172170 +sa(dp172171 +g25268 +S'Pony (Le poney)' +p172172 +sg25270 +S'Albert Besnard' +p172173 +sg25273 +S'etching' +p172174 +sg25275 +S'1892' +p172175 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a000977d.jpg' +p172176 +sg25267 +g27 +sa(dp172177 +g25268 +S'The Muses Urania and Calliope' +p172178 +sg25270 +S'Simon Vouet' +p172179 +sg25273 +S', c. 1634' +p172180 +sg25275 +S'\n' +p172181 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d91.jpg' +p172182 +sg25267 +S"Precocious and widely traveled, Vouet already had worked in London, \n Constantinople, and Venice before reaching Rome in 1614. Louis XIII \n summoned him back to Paris in 1627 to become chief court artist. Training \n many French painters, Vouet exercised his power by brashly setting up a \n rival institution to the royal academy of art.\n Resting beside a temple to Apollo, the god of creativity, two muses \n personify aspects of human knowledge. Urania, the muse of astronomy, wears \n a diadem of stars and leans against a celestial globe. The patroness of \n epic poetry and history, Calliope is crowned with gold and holds a volume \n of Homer's \n Simon Vouet's earlier Roman manner differs greatly from the restrained \n taste he adopted in France. His \n " +p172183 +sa(dp172184 +g25268 +S'Saint Anne with the Christ Child, the Virgin, and Saint John the Baptist' +p172185 +sg25270 +S'Hans Baldung Grien' +p172186 +sg25273 +S'oil on hardboard transferred from panel' +p172187 +sg25275 +S'c. 1511' +p172188 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005ad.jpg' +p172189 +sg25267 +S'Among the outstanding German artists of the period around 1500 was Hans Baldung\nGrien, a printmaker and painter. He produced book illustrations, devotional woodcuts,\nstained-glass window designs, portraits, and morality paintings as well as religious\npanels such as this one.\n John the Baptist is here depicted to the left of Jesus. He simultaneously gestures\nto the lamb at his feet and to the infant, visually alluding to his own description\nof Christ as "the Lamb of God." The Virgin\'s mother, Saint Anne, although dressed\nin a sixteenth-century wimple, wears her traditional robe of red, a symbol of divine\nlove. Garbed in green, symbolic of rebirth and eternal life, Mary offers Jesus\nan apple. This fruit, associated with the fall of Adam and Eve, here signifies Mary\nas the new Eve and Christ as the second Adam.\n Baldung Grien\'s figures are symbolically, rather than realistically, depicted. Mary,\nfor instance, is represented as a very young girl. And, although John and Jesus\nhistorically were about the same age, the Baptist is portrayed as an adult to emphasize\nhis prophetic message. The painting was discovered in a small village church in\nAlsace, an area where the artist spent most of his life.\n ' +p172190 +sa(dp172191 +g25268 +S'Nymphenburg Palace, Munich' +p172192 +sg25270 +S'Artist Information (' +p172193 +sg25273 +S'Italian, 1722 - 1780' +p172194 +sg25275 +S'(painter)' +p172195 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005fa.jpg' +p172196 +sg25267 +g27 +sa(dp172197 +g25268 +S'View of Munich' +p172198 +sg25270 +S'Artist Information (' +p172199 +sg25273 +S'Italian, 1722 - 1780' +p172200 +sg25275 +S'(painter)' +p172201 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005fb.jpg' +p172202 +sg25267 +g27 +sa(dp172203 +g25268 +S'The Finding of Moses' +p172204 +sg25270 +S'S\xc3\xa9bastien Bourdon' +p172205 +sg25273 +S'oil on canvas' +p172206 +sg25275 +S'c. 1655/1660' +p172207 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d5a.jpg' +p172208 +sg25267 +S"Sébastien Bourdon was one of the twelve founding members of the Royal Academy\nof Painting and his \n The book of Exodus (2:5) recounts how a Hebrew woman saved her infant son from\nPharoah's\nmassacre of Hebrew children by placing him in a basket on the Nile. Pharoah's daughter,\nwhile bathing on the banks of the river, found the child, adopted him, and named\nhim Moses. In Bourdon's composition, Pharoah's daughter, dressed in yellow, occupies\nthe central vertical axis of the painting, supported on her left by her ladies\nin waiting. The figures form a frieze, like antique sculptures, across the foreground\nplane. They are dressed according to the seventeenth-century concept of ancient\ncostume and placed in a fanciful setting with Egyptian palm trees.\n The careful division of the composition into three parallel planes of space recalls\nthe principles of symmetry and order propounded by the Academy. The dignified gestures\n-- especially that of the princess -- and expressions of the figures tell the story\nin a way considered appropriate to the event, but the work is also enlivened by\nvivid color and clarifying light. Bourdon based his composition on earlier works\nof the same subject by Poussin.\n " +p172209 +sa(dp172210 +g25268 +S'Portrait of a Donor' +p172211 +sg25270 +S'Artist Information (' +p172212 +sg25273 +S'Netherlandish, c. 1415/1420 - 1475' +p172213 +sg25275 +S'(related artist)' +p172214 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a000062b.jpg' +p172215 +sg25267 +g27 +sa(dp172216 +g25268 +S'Christ Instructing Peter and John to Prepare for the Passover' +p172217 +sg25270 +S'Vincenzo Civerchio' +p172218 +sg25273 +S'tempera on panel' +p172219 +sg25275 +S'1504' +p172220 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a00007fe.jpg' +p172221 +sg25267 +g27 +sa(dp172222 +g25268 +S'Salvator Mundi' +p172223 +sg25270 +S'Correggio' +p172224 +sg25273 +S'oil on panel' +p172225 +sg25275 +S'c. 1515' +p172226 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a00007d5.jpg' +p172227 +sg25267 +g27 +sa(dp172228 +g25268 +S'The Crucifixion with the Converted Centurion' +p172229 +sg25270 +S'Lucas Cranach the Elder' +p172230 +sg25273 +S'oil on panel' +p172231 +sg25275 +S'1536' +p172232 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a00004c2.jpg' +p172233 +sg25267 +S'In \n The theme of \n From 1505 until his death, Cranach was the court painter to three successive electors\nof Saxony. He became close friends with Luther -- who lived in the Saxon town of\nWittenberg -- and is considered the foremost artist of the Reformation.\n ' +p172234 +sa(dp172235 +g25268 +S'The Presentation and Marriage of the Virgin, and the Annunciation' +p172236 +sg25270 +S'Benedetto Diana' +p172237 +sg25273 +S'oil on panel' +p172238 +sg25275 +S'1520/1525' +p172239 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002a/a0002aee.jpg' +p172240 +sg25267 +S"Never completed, this painting was probably intended to be cut into \n three separate sections following the lines of the architecture and then \n used in the predella of an altarpiece. Located closer to the viewer's eye \n than an altarpiece's central panel, predellas were usually decorated with a \n series of small narrative scenes recounting events from the life of Christ, \n the Virgin, or the saints.\n At the left, Mary appears to be about four years old. She enters the \n temple to undertake a life of service in fulfillment of a vow made by her \n aging parents. The broken column alludes to a legend that earthquakes \n rocked the temple when Christ was born. In more general terms the column \n symbolizes how Christ's birth will usher in a new era of Grace to replace \n the Old Testament Law. In the center, Mary is wed to Joseph. He was \n identified as God's choice to be her husband when the rod he held -- and which is still in his hands -- sprouted with new life. At the right, the Archangel Gabriel announces to Mary that she will bear the son of God.\n " +p172241 +sa(dp172242 +g25268 +S'Flirtation' +p172243 +sg25270 +S'Albert Besnard' +p172244 +sg25273 +S'etching' +p172245 +sg25275 +S'c. 1886' +p172246 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00090/a000904c.jpg' +p172247 +sg25267 +g27 +sa(dp172248 +g25268 +S'The Assumption of the Virgin' +p172249 +sg25270 +S'Paolo di Giovanni Fei' +p172250 +sg25273 +S'tempera on panel' +p172251 +sg25275 +S'probably c. 1385' +p172252 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000b/a0000bc8.jpg' +p172253 +sg25267 +g27 +sa(dp172254 +g25268 +S'Saint Bernardino of Siena' +p172255 +sg25270 +S'Vincenzo Foppa' +p172256 +sg25273 +S'oil (?) on panel' +p172257 +sg25275 +S'c. 1495/1500' +p172258 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a00007c4.jpg' +p172259 +sg25267 +g27 +sa(dp172260 +g25268 +S'Saint Cecilia and an Angel' +p172261 +sg25270 +S'Artist Information (' +p172262 +sg25273 +S'(painter)' +p172263 +sg25275 +S'\n' +p172264 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a0000608.jpg' +p172265 +sg25267 +g27 +sa(dp172266 +g25268 +S'Don Antonio Noriega' +p172267 +sg25270 +S'Francisco de Goya' +p172268 +sg25273 +S'oil on canvas' +p172269 +sg25275 +S'1801' +p172270 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a0000491.jpg' +p172271 +sg25267 +S'The blue and white ribbon of the Order of Carlos III appears\r\n prominently \r\n on the jacket of Antonio Noriega Bermúdez. His knighthood,\r\n a list of other \r\n offices, and the date 1801 are inscribed in Spanish on both the\r\n tablecloth \r\n and the paper in the sitter’s hand. Don Antonio was knighted on 23\r\n July \r\n 1801, and Goya’s portrait may commemorate that event.\n As is customary in portrayals of government officials, Goya\r\n depicted \r\n Spain’s high treasurer at work. In a gesture of nonchalance, Don\r\n Antonio \r\n rests his hand inside his unbuttoned vest, implying his authority\r\n and \r\n control over the country’s finances. In truth, his administration\r\n was \r\n disastrously inefficient, nearly doubling the national debt. While\r\n fleeing \r\n from the Napoleonic invaders in 1808, Don Antonio was assassinated\r\n by \r\n Spaniards who, mistakenly, thought he had collaborated with the\r\n French \r\n army.\n ' +p172272 +sa(dp172273 +g25268 +S'Still Life with Sweets and Pottery' +p172274 +sg25270 +S'Juan van der Hamen y Le\xc3\xb3n' +p172275 +sg25273 +S'oil on canvas' +p172276 +sg25275 +S'1627' +p172277 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00038/a000385a.jpg' +p172278 +sg25267 +S'Canvases like this one earned Van der Hamen his reputation as the greatest Spanish\nstill-life painter of the seventeenth century, when that form was revived as a worthy\nsubject in and of itself rather than as an adjunct to a symbolic or narrative work.\nConcerned simply with the harmonious arrangement of objects and the accurate representation\nof texture and light, Van der Hamen established the ringlike stoneware bottle as\nthe center of the composition around which other circles and spheres play. Marzipan\nboxes foreshortened into ovals, spherical jars of honey and preserved cherries,\na circular tray of round, sugared donuts, serpentine cakes, and plump, glazed figs --\ndelicacies found on the refined tables of the aristocracy in Spain -- contrast with\nthe geometric severity of the setting. The artist arranged the objects on stepped\nstone ledges, thus varying their distances from the light source. Braided straw,\nwood, terra cotta, and crystal are masterfully described. These carefully rendered\ntextures reach a pinnacle in the water-filled glass finger bowl that casts a shadow\nand, at the same time, reflects the light. The calculated distribution of a single\ncolor, red in various tones, weaves the forms into a harmonious whole whose simplicity,\nat first glance, belies its careful structure.\n ' +p172279 +sa(dp172280 +g25268 +S'Claude Dupouch' +p172281 +sg25270 +S'Maurice-Quentin de La Tour' +p172282 +sg25273 +S'pastel on blue laid paper' +p172283 +sg25275 +S'c. 1739' +p172284 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005f/a0005f96.jpg' +p172285 +sg25267 +g27 +sa(dp172286 +g25268 +S'Madonna and Child Enthroned with Angels' +p172287 +sg25270 +S'Artist Information (' +p172288 +sg25273 +S'Italian, c. 1255 - 1318' +p172289 +sg25275 +S'(related artist)' +p172290 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0003a/a0003a0c.jpg' +p172291 +sg25267 +g27 +sa(dp172292 +g25268 +S'The Baptism of Christ' +p172293 +sg25270 +S'Master of the Saint Bartholomew Altar' +p172294 +sg25273 +S'oil on panel' +p172295 +sg25275 +S'c. 1485/1500' +p172296 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a000057f.jpg' +p172297 +sg25267 +S'Saints played a very important role in the popular piety of the late Middle Ages.\nThey were considered to be not only patrons and protectors against all manner of\nills, but also mediators between the individual worshiper and God.\n In this unusual scene, fourteen saints participate as witnesses at the Baptism of\nChrist. All the saints are vividly characterized by costume and attributes. They\ninclude the giant Christopher carrying the Christ Child on his shoulders, Catherine\nof Alexandria with sword and wheel of her martyrdom, Augustine holding his heart\npierced by the arrow of divine love, Mary Magdalene with her ointment jar, and the\nchivalrous George kneeling on his dragon. The gold background, the luminescent cloud\non which the saints float, and the unrealistic island setting for the Baptism itself\nall impart a visionary quality to the scene.\n The Master of the Saint Bartholomew Altar, named after his monumental altarpiece\nnow in Munich, was active in Cologne. Early in his career he seems to have worked\nas a manuscript illuminator, and this tradition is evident in his fluid paint handling\nand sparkling treatment of decorative details.\n ' +p172298 +sa(dp172299 +g25268 +S'Portrait of a Young Man' +p172300 +sg25270 +S'Artist Information (' +p172301 +sg25273 +S'Netherlandish, 1519 - 1576' +p172302 +sg25275 +S'(related artist)' +p172303 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a0000499.jpg' +p172304 +sg25267 +g27 +sa(dp172305 +g25268 +S'The Judgment of Paris' +p172306 +sg25270 +S'Giovanni Sons' +p172307 +sg25273 +S'oil on canvas' +p172308 +sg25275 +S'late 16th century' +p172309 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a0000828.jpg' +p172310 +sg25267 +g27 +sa(dp172311 +g25268 +S'A Martyr' +p172312 +sg25270 +S'Albert Besnard' +p172313 +sg25273 +S'etching' +p172314 +sg25275 +S'1883' +p172315 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00090/a000904b.jpg' +p172316 +sg25267 +g27 +sa(dp172317 +g25268 +S'The Flight into Egypt' +p172318 +sg25270 +S'Artist Information (' +p172319 +sg25273 +S'Netherlandish, c. 1485 - 1524' +p172320 +sg25275 +S'(related artist)' +p172321 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005a1.jpg' +p172322 +sg25267 +g27 +sa(dp172323 +g25268 +S'Madonna and Child Appearing to Saint Philip Neri' +p172324 +sg25270 +S'Giovanni Battista Piazzetta' +p172325 +sg25273 +S'oil on canvas' +p172326 +sg25275 +S'probably 1725 or after' +p172327 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a000061c.jpg' +p172328 +sg25267 +g27 +sa(dp172329 +g25268 +S'Monsignor della Casa' +p172330 +sg25270 +S'Pontormo' +p172331 +sg25273 +S'oil on panel' +p172332 +sg25275 +S'probably 1541/1544' +p172333 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a000081d.jpg' +p172334 +sg25267 +S"Giovanni della Casa, who is in all likelihood the subject of this portrait, belonged\nto a wealthy Tuscan family and rose to prominence in the service of the church.\nAs poet, humanist, and political theorist, he circulated at the highest levels of\nItalian intellectual life. Della Casa also wrote a book on manners, and in this\nportrait of the early 1540s displays the sober self-possession espoused in that\nwork. When Pontormo painted this image, della Casa was in his early thirties and\nacting in Florence as Apostolic Commissioner of taxes. Pontormo shows the monsignor\nin a dim interior, and although the architectural details are few, they suggest\nthat the building is Santa Maria del Fiore, the cathedral of Florence.\n Pontormo's mannerist style was a brilliantly expressive synthesis of fantasy and\nacute observation of nature. Here the balance is tilted in favor of visible reality,\nbut a reality intensified by plausible exaggerations. For example, the monsignor's\nsmall head is made to look even smaller by the huge conical bulk of his caped torso\nlooming so close to the picture plane and brushing the sides of the frame.\n " +p172335 +sa(dp172336 +g25268 +S'David Johnston' +p172337 +sg25270 +S"Pierre Paul Prud'hon" +p172338 +sg25273 +S'oil on canvas' +p172339 +sg25275 +S'1808' +p172340 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d9a.jpg' +p172341 +sg25267 +S"David Johnston, who was painted at the age of nineteen, became a \r\n progressive industrialist in the ceramics business and served as mayor of \r\n Bordeaux. This portrait was produced while Prud'hon was at the height of \r\n his fame, in the same year that Napoleon awarded him the Legion of Honor. \r\n Unlike most other painters in France, Prud'hon did not fall under the \r\n influence of David's austere style. His work, by contrast, has the shadowy \r\n softness of Italian Renaissance painters \r\n \n Prud'hon, his life marred by personal tragedy, was passionately admired \r\n by romantic artists of the following generation who saw in his work an \r\n alternative to the \n " +p172342 +sa(dp172343 +g25268 +S'Landscape' +p172344 +sg25270 +S'Jacob van Ruisdael' +p172345 +sg25273 +S'oil on canvas' +p172346 +sg25275 +S'c. 1670' +p172347 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e90.jpg' +p172348 +sg25267 +g27 +sa(dp172349 +g25268 +S'The Adoration of the Shepherds' +p172350 +sg25270 +S'Giovanni Girolamo Savoldo' +p172351 +sg25273 +S'oil on panel' +p172352 +sg25275 +S'1530s' +p172353 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00009/a00009ba.jpg' +p172354 +sg25267 +g27 +sa(dp172355 +g25268 +S'Madonna and Child with Saints and Angels' +p172356 +sg25270 +S'Luca Signorelli' +p172357 +sg25273 +S'oil on panel transferred to hardboard' +p172358 +sg25275 +S'mid or late 1510s' +p172359 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002b/a0002b2c.jpg' +p172360 +sg25267 +g27 +sa(dp172361 +g25268 +S'Saint Mary Cleophas and Her Family' +p172362 +sg25270 +S'Bernhard Strigel' +p172363 +sg25273 +S'oil on panel' +p172364 +sg25275 +S'c. 1520/1528' +p172365 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005bf.jpg' +p172366 +sg25267 +g27 +sa(dp172367 +g25268 +S'Saint Mary Salome and Her Family' +p172368 +sg25270 +S'Bernhard Strigel' +p172369 +sg25273 +S'oil on panel' +p172370 +sg25275 +S'c. 1520/1528' +p172371 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005c0.jpg' +p172372 +sg25267 +S'Saint Mary Salome and Her Family\n Strigel, who worked in Memmingen, a small city in the southern German province of\nBavaria, makes Mary Salome the center of a comfortable domestic scene. Her father\nSalomas, wearing characteristic Jewish headgear, hovers behind her, while her husband\nZebedee sits beside her. Their two small sons James and John are identifiable by\nthe names inscribed on their halos. They will grow up to be disciples of Christ,\nand indeed Saint John is already busy writing a book in Hebrew like characters, foretelling\nhis future activity as one of the four authors of the Gospels.\n ' +p172373 +sa(dp172374 +g25268 +S'Summer' +p172375 +sg25270 +S'Jacopo Tintoretto' +p172376 +sg25273 +S'oil on canvas' +p172377 +sg25275 +S'c. 1555' +p172378 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a000082b.jpg' +p172379 +sg25267 +g27 +sa(dp172380 +g25268 +S'The Silk Gown (La robe de soie)' +p172381 +sg25270 +S'Albert Besnard' +p172382 +sg25273 +S'etching' +p172383 +sg25275 +S'1887' +p172384 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00090/a0009058.jpg' +p172385 +sg25267 +g27 +sa(dp172386 +g25268 +S'The Larder' +p172387 +sg25270 +S'Antonio Maria Vassallo' +p172388 +sg25273 +S'oil on canvas' +p172389 +sg25275 +S'probably c. 1650/1660' +p172390 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a0000652.jpg' +p172391 +sg25267 +S'This painting, a compendium of motifs Vassallo used in\r\n other pictures, can be seen, and was perhaps considered by\r\n the artist himself, as a summing up of his achievements as\r\n a still-life artist. Each object has the same uncompromising\r\n conviction of reality. They are massed in one enormous display,\r\n but Vassallo turned an acute eye on each individually.\n Visual description may not, however, be Vassallo’s only\r\n motive. Scholars have been tempted to find a symbolic meaning,\r\n pointing to abundance or perhaps to God’s provision\r\n for men’s needs, both physical and spiritual. In contemporary\r\n Dutch still lifes, viewers were reminded of the transience\r\n of wealth and life itself by such clues as vessels that were\r\n tipped over, insects, or overripe fruit. We do not find these\r\n signals here, however.\n Another suggestion sees this as an allegory of the Four\r\n Elements: air, water, fire, and earth are each represented. The\r\n bounty of food includes fruits of the earth and sea as well\r\n as birds trapped from the sky. And in the background is the\r\n flare of a cooking fire. In collectors’ cabinets, such allegorical\r\n themes often provided the organizational principle for\r\n the display of wonders like fossils and minerals. Existence\r\n of these collections, in fact, helped create a demand for\r\n still-life painting.\n ' +p172392 +sa(dp172393 +g25268 +S'Three Figures Dressed for a Masquerade' +p172394 +sg25270 +S'Louis-Joseph Le Lorrain' +p172395 +sg25273 +S'oil on canvas' +p172396 +sg25275 +S'c. 1740s' +p172397 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d76.jpg' +p172398 +sg25267 +S'The costumes and setting here suggest a masquerade, perhaps in Venice.\r\n Like the elegant and enigmatic trio depicted, however, the painting remains\r\n mysterious. It has been attributed to many different artists, most recently\r\n Le Lorrain, a little-known artist who spent nine years in Italy and was\r\n recognized primarily as a "painter of ruins." Le Lorrain also designed\r\n interiors, furniture (including a neoclassical suite in a \n ' +p172399 +sa(dp172400 +g25268 +S'Rush Harrison Kress' +p172401 +sg25270 +S'Leopold Seyffert' +p172402 +sg25273 +S'oil on canvas' +p172403 +sg25275 +S'1953' +p172404 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a000020f.jpg' +p172405 +sg25267 +S'After illness incapacitated his older brother \n Leopold Gould Seyffert depicted both Kress brothers seated in Italian Renaissance-style armchairs, symbolizing their artistic interests.\n ' +p172406 +sa(dp172407 +g25268 +S'The Man of Sorrows' +p172408 +sg25270 +S'Milanese 16th Century' +p172409 +sg25273 +S'overall: 29.5 x 25.4 cm (11 5/8 x 10 in.)' +p172410 +sg25275 +S'\nmarble' +p172411 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00034/a0003416.jpg' +p172412 +sg25267 +g27 +sa(dp172413 +g25268 +S'Madonna and Child with Two Angels' +p172414 +sg25270 +S'Verona 14th Century' +p172415 +sg25273 +S'overall: 89.5 x 46.4 x 38.8 cm (35 1/4 x 18 1/4 x 15 1/4 in.)' +p172416 +sg25275 +S'\nmarble' +p172417 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004a/a0004a06.jpg' +p172418 +sg25267 +g27 +sa(dp172419 +g25273 +S'terracotta' +p172420 +sg25267 +g27 +sg25275 +S'mid 19th century' +p172421 +sg25268 +S'Madonna with the Sleeping Child' +p172422 +sg25270 +S'Florentine 19th Century' +p172423 +sa(dp172424 +g25268 +S'The Archangel Gabriel' +p172425 +sg25270 +S'Pisan 14th Century' +p172426 +sg25273 +S'overall: 159.4 x 47.3 x 36 cm (62 3/4 x 18 5/8 x 14 3/16 in.)' +p172427 +sg25275 +S'\nwood, polychromed and gilded' +p172428 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002b/a0002b00.jpg' +p172429 +sg25267 +S"Among the National Gallery's earliest life-size sculptures (and few medieval works in wood)\nis this figure and a companion work, \n These wooden figures are copied from a pair of fourteenth-century marble statues in the\nchurch of Santa Caterina in Pisa, Italy. Carbon-14 tests on samples of the wood have indicated\nthat each piece was carved from a tree cut down at least six hundred years ago.\n Such Annunciation pairs would perhaps have flanked the entrance to the high-altar area of a\nchurch or the altar itself. While they might also have been set into tabernacles, the carving\ncompletely in the round suggests a position in which viewers could move around them. Their\nsurfaces were once completely polychromed, and traces of the colors remain -- red, blue, green,\nand a red-and-gilt pattern on the borders of the mantles.\n " +p172430 +sa(dp172431 +g25268 +S'The Virgin Annunciate' +p172432 +sg25270 +S'Pisan 14th Century' +p172433 +sg25273 +S'overall: 162.3 x 53.8 x 39.9 cm (63 7/8 x 21 3/16 x 15 11/16 in.)' +p172434 +sg25275 +S'\nwood, polychromed and gilded' +p172435 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002b/a0002b01.jpg' +p172436 +sg25267 +S"Among the National Gallery's earliest life-size sculptures (and few medieval works in wood)\nis this figure and a companion work, \n These wooden figures are copied from a pair of fourteenth-century marble statues in the\nchurch of Santa Caterina in Pisa, Italy. Carbon-14 tests on samples of the wood have indicated\nthat each piece was carved from a tree cut down at least six hundred years ago.\n Such Annunciation pairs would perhaps have flanked the entrance to the high-altar area of a\nchurch or the altar itself. While they might also have been set into tabernacles, the carving\ncompletely in the round suggests a position in which viewers could move around them. Their\nsurfaces were once completely polychromed, and traces of the colors remain -- red, blue, green,\nand a red-and-gilt pattern on the borders of the mantles.\n " +p172437 +sa(dp172438 +g25268 +S'Virgin and Child' +p172439 +sg25270 +S'French 14th Century' +p172440 +sg25273 +S'overall: 100.8 x 31.2 x 17.8 cm (39 11/16 x 12 5/16 x 7 in.)' +p172441 +sg25275 +S'\nmarble' +p172442 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002c/a0002c0d.jpg' +p172443 +sg25267 +g27 +sa(dp172444 +g25268 +S'Andiron with Figure of Mars' +p172445 +sg25270 +S'Artist Information (' +p172446 +sg25273 +S'Italian, 1557/1559 - 1606' +p172447 +sg25275 +S'(related artist)' +p172448 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00065/a00065de.jpg' +p172449 +sg25267 +g27 +sa(dp172450 +g25268 +S'Kneeling Angel' +p172451 +sg25270 +S'Giovanni Antonio Amadeo' +p172452 +sg25273 +S'marble' +p172453 +sg25275 +S'1470/1480' +p172454 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002d6a.jpg' +p172455 +sg25267 +g27 +sa(dp172456 +g25268 +S'In the Embers (Dans les cendres)' +p172457 +sg25270 +S'Albert Besnard' +p172458 +sg25273 +S'etching' +p172459 +sg25275 +S'1887' +p172460 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005d/a0005d71.jpg' +p172461 +sg25267 +g27 +sa(dp172462 +g25268 +S'Andiron with Figure of Venus' +p172463 +sg25270 +S'Artist Information (' +p172464 +sg25273 +S'Italian, 1549 - 1625 or before' +p172465 +sg25275 +S'(related artist)' +p172466 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00065/a00065df.jpg' +p172467 +sg25267 +g27 +sa(dp172468 +g25268 +S'Monsignor Francesco Barberini' +p172469 +sg25270 +S'Gian Lorenzo Bernini' +p172470 +sg25273 +S'marble' +p172471 +sg25275 +S'c. 1623' +p172472 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002a/a0002ae7.jpg' +p172473 +sg25267 +S"The sternly reserved expression of this portrait bust may come as a surprise in a work of the\ngreat baroque sculptor and architect Bernini. The restrained treatment must owe something to the\nfact that the sculptor was working not from a living subject but from the painted portrait of a man\nwho had died in 1600, when Bernini was two years old. Around 1623 Bernini's good friend\nMaffeo Barberini, the newly elected Pope Urban VIII, commissioned busts of his family,\nincluding this beloved uncle.\n With the needs of his patron in mind, Bernini created a noble and dignified paternal presence\nin the ancient Roman tradition of ancestral portraiture. He chose a bust form that includes most\nof the chest, and curved the truncation to echo the arch of the spreading shoulders,\nproducing an effect both of harmony and imposing physical bulk. Shadows play over Francesco's\naged face, especially in the sunken temples, and beneath the bushy eyebrows. The sagging flesh\nof the cheeks appears soft and pliant. The sculptor's drill has pierced dark wells between the tufts\nof the silky beard. The mantle falls in broad folds that contrast with the crinkly pleats of the\nsurplice below. These varied forms and textures show how successfully Bernini strove to\ncompensate for marble's lack of color.\n " +p172474 +sa(dp172475 +g25268 +S'Madonna and Child' +p172476 +sg25270 +S'Artist Information (' +p172477 +sg25273 +S'Italian, c. 1385 - 1455' +p172478 +sg25275 +S'(related artist)' +p172479 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00063/a00063cd.jpg' +p172480 +sg25267 +g27 +sa(dp172481 +g25268 +S'Chiaro da Verrazzano' +p172482 +sg25270 +S'Italian 17th Century' +p172483 +sg25273 +S'overall (with base): 91.4 x 68.9 x 37.8 cm (36 x 27 1/8 x 14 7/8 in.)' +p172484 +sg25275 +S'\nmarble' +p172485 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00034/a0003410.jpg' +p172486 +sg25267 +g27 +sa(dp172487 +g25268 +S'Giovanni da Verrazzano' +p172488 +sg25270 +S'Italian 17th Century' +p172489 +sg25273 +S'overall (with base): 88.6 x 68.9 x 33.6 cm (34 7/8 x 27 1/8 x 13 1/4 in.)' +p172490 +sg25275 +S'\nmarble' +p172491 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00034/a0003411.jpg' +p172492 +sg25267 +g27 +sa(dp172493 +g25268 +S'A Gentleman of the Zorzi Family' +p172494 +sg25270 +S'Alessandro Vittoria' +p172495 +sg25273 +S'terracotta' +p172496 +sg25275 +S'1570/1580' +p172497 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002d99.jpg' +p172498 +sg25267 +g27 +sa(dp172499 +g25268 +S'A Lady of the Zorzi Family' +p172500 +sg25270 +S'Alessandro Vittoria' +p172501 +sg25273 +S'terracotta' +p172502 +sg25275 +S'1570/1580' +p172503 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002d83.jpg' +p172504 +sg25267 +g27 +sa(dp172505 +g25268 +S'Saint Jerome' +p172506 +sg25270 +S'Italian 15th Century' +p172507 +sg25273 +S'Samuel H. Kress Collection' +p172508 +sg25275 +S'\nniello plate' +p172509 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cd/a000cdd5.jpg' +p172510 +sg25267 +g27 +sa(dp172511 +g25273 +S'Samuel H. Kress Collection' +p172512 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172513 +sg25268 +S'The Resurrection' +p172514 +sg25270 +S'Italian 15th Century' +p172515 +sa(dp172516 +g25273 +S'Samuel H. Kress Collection' +p172517 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172518 +sg25268 +S'The Man of Sorrows' +p172519 +sg25270 +S'Italian 15th Century' +p172520 +sa(dp172521 +g25268 +S'Small Donkey at Berck (Un petit ane \xc3\xa0 Berck)' +p172522 +sg25270 +S'Albert Besnard' +p172523 +sg25273 +S'etching and drypoint' +p172524 +sg25275 +S'1897' +p172525 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00090/a0009063.jpg' +p172526 +sg25267 +g27 +sa(dp172527 +g25273 +S'Samuel H. Kress Collection' +p172528 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172529 +sg25268 +S'Saint Bernardino' +p172530 +sg25270 +S'Italian 15th Century' +p172531 +sa(dp172532 +g25273 +S'Samuel H. Kress Collection' +p172533 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172534 +sg25268 +S'The Virgin and Child' +p172535 +sg25270 +S'Italian 15th Century' +p172536 +sa(dp172537 +g25273 +S'Samuel H. Kress Collection' +p172538 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172539 +sg25268 +S'Saint Francis' +p172540 +sg25270 +S'Italian 15th Century' +p172541 +sa(dp172542 +g25273 +S'Samuel H. Kress Collection' +p172543 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172544 +sg25268 +S'Saint Roch' +p172545 +sg25270 +S'Italian 15th Century' +p172546 +sa(dp172547 +g25273 +S'Samuel H. Kress Collection' +p172548 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172549 +sg25268 +S'Half Figure of a Saint Holding a Chalice and Book' +p172550 +sg25270 +S'Italian 15th Century' +p172551 +sa(dp172552 +g25268 +S'Saint Ambrose' +p172553 +sg25270 +S'Italian 15th Century' +p172554 +sg25273 +S'Samuel H. Kress Collection' +p172555 +sg25275 +S'\nniello plate' +p172556 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cd/a000cdb8.jpg' +p172557 +sg25267 +g27 +sa(dp172558 +g25273 +S'Samuel H. Kress Collection' +p172559 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172560 +sg25268 +S'Saint John the Baptist' +p172561 +sg25270 +S'Italian 15th Century' +p172562 +sa(dp172563 +g25273 +S'Samuel H. Kress Collection' +p172564 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172565 +sg25268 +S'Saint Sebastian' +p172566 +sg25270 +S'Italian 15th Century' +p172567 +sa(dp172568 +g25273 +S'Samuel H. Kress Collection' +p172569 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172570 +sg25268 +S'Saint Dorothy (?)' +p172571 +sg25270 +S'Italian 15th Century' +p172572 +sa(dp172573 +g25273 +S'Samuel H. Kress Collection' +p172574 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172575 +sg25268 +S'Saint Roch and Saint Sebastian' +p172576 +sg25270 +S'Italian 15th Century' +p172577 +sa(dp172578 +g25268 +S'La Flore de le Gros' +p172579 +sg25270 +S'Albert Besnard' +p172580 +sg25273 +S'etching' +p172581 +sg25275 +S'1899' +p172582 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00090/a0009061.jpg' +p172583 +sg25267 +g27 +sa(dp172584 +g25273 +S'Samuel H. Kress Collection' +p172585 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172586 +sg25268 +S'Saint Elizabeth of Hungary (?)' +p172587 +sg25270 +S'Italian 15th Century' +p172588 +sa(dp172589 +g25273 +S'Samuel H. Kress Collection' +p172590 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172591 +sg25268 +S'Martyrdom of Saint Stephen (?)' +p172592 +sg25270 +S'Italian 15th Century' +p172593 +sa(dp172594 +g25273 +S'Samuel H. Kress Collection' +p172595 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172596 +sg25268 +S'Heraldic Eagle' +p172597 +sg25270 +S'Italian 15th Century' +p172598 +sa(dp172599 +g25273 +S'Samuel H. Kress Collection' +p172600 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172601 +sg25268 +S'Saint Augustine' +p172602 +sg25270 +S'Italian 15th Century' +p172603 +sa(dp172604 +g25273 +S'Samuel H. Kress Collection' +p172605 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172606 +sg25268 +S'Saint Gregory' +p172607 +sg25270 +S'Italian 15th Century' +p172608 +sa(dp172609 +g25273 +S'Samuel H. Kress Collection' +p172610 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172611 +sg25268 +S'Saint Bernardino' +p172612 +sg25270 +S'Italian 15th Century' +p172613 +sa(dp172614 +g25273 +S'Samuel H. Kress Collection' +p172615 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172616 +sg25268 +S'Saint Jerome' +p172617 +sg25270 +S'Italian 15th Century' +p172618 +sa(dp172619 +g25273 +S'Samuel H. Kress Collection' +p172620 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172621 +sg25268 +S'Martyrdom of a Saint' +p172622 +sg25270 +S'Italian 15th Century' +p172623 +sa(dp172624 +g25273 +S'Samuel H. Kress Collection' +p172625 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172626 +sg25268 +S'Saint Lawrence' +p172627 +sg25270 +S'Italian 15th Century' +p172628 +sa(dp172629 +g25273 +S'Samuel H. Kress Collection' +p172630 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172631 +sg25268 +S'The Crucifixion' +p172632 +sg25270 +S'Italian 15th Century' +p172633 +sa(dp172634 +g25268 +S'Confidences' +p172635 +sg25270 +S'Albert Besnard' +p172636 +sg25273 +S'etching' +p172637 +sg25275 +S'1900' +p172638 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00090/a000905a.jpg' +p172639 +sg25267 +g27 +sa(dp172640 +g25273 +S'Samuel H. Kress Collection' +p172641 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172642 +sg25268 +S'Agnus Dei' +p172643 +sg25270 +S'Italian 15th Century' +p172644 +sa(dp172645 +g25273 +S'Samuel H. Kress Collection' +p172646 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172647 +sg25268 +S'The Man of Sorrows' +p172648 +sg25270 +S'Italian 15th Century' +p172649 +sa(dp172650 +g25268 +S'Virgin and Child with Two Martyrs and Donor' +p172651 +sg25270 +S'Italian 15th Century' +p172652 +sg25273 +S'Samuel H. Kress Collection' +p172653 +sg25275 +S'\nniello plate' +p172654 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cd/a000cdb9.jpg' +p172655 +sg25267 +g27 +sa(dp172656 +g25273 +S'Samuel H. Kress Collection' +p172657 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172658 +sg25268 +S'Saint with Sword and Palm' +p172659 +sg25270 +S'Italian 15th Century' +p172660 +sa(dp172661 +g25273 +S'Samuel H. Kress Collection' +p172662 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172663 +sg25268 +S'Half Figure of a Monk' +p172664 +sg25270 +S'Italian 15th Century' +p172665 +sa(dp172666 +g25273 +S'Samuel H. Kress Collection' +p172667 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172668 +sg25268 +S'Virgin and Child between Two Religious' +p172669 +sg25270 +S'Italian 15th Century' +p172670 +sa(dp172671 +g25273 +S'Samuel H. Kress Collection' +p172672 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172673 +sg25268 +S'Half Figure of a Monk with Cross and Book' +p172674 +sg25270 +S'Italian 15th Century' +p172675 +sa(dp172676 +g25273 +S'Samuel H. Kress Collection' +p172677 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172678 +sg25268 +S'The Man of Sorrows' +p172679 +sg25270 +S'Italian 15th Century' +p172680 +sa(dp172681 +g25273 +S'Samuel H. Kress Collection' +p172682 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172683 +sg25268 +S'The Nativity' +p172684 +sg25270 +S'Italian 15th Century' +p172685 +sa(dp172686 +g25273 +S'Samuel H. Kress Collection' +p172687 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172688 +sg25268 +S'Shield with Three Roses and Bunch of Two Lilies' +p172689 +sg25270 +S'Italian 15th Century' +p172690 +sa(dp172691 +g25268 +S'Morphine Addicts (Morphinomanes)' +p172692 +sg25270 +S'Albert Besnard' +p172693 +sg25273 +S'etching' +p172694 +sg25275 +S'1887' +p172695 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005d/a0005db8.jpg' +p172696 +sg25267 +g27 +sa(dp172697 +g25273 +S'Samuel H. Kress Collection' +p172698 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172699 +sg25268 +S'The Nativity' +p172700 +sg25270 +S'Italian 15th Century' +p172701 +sa(dp172702 +g25273 +S'Samuel H. Kress Collection' +p172703 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172704 +sg25268 +S'Saint Sebastian' +p172705 +sg25270 +S'Italian 16th Century' +p172706 +sa(dp172707 +g25273 +S'Samuel H. Kress Collection' +p172708 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172709 +sg25268 +S'Virgin and Child' +p172710 +sg25270 +S'Italian 16th Century' +p172711 +sa(dp172712 +g25273 +S'Samuel H. Kress Collection' +p172713 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172714 +sg25268 +S'Saint Barbara' +p172715 +sg25270 +S'Italian 16th Century' +p172716 +sa(dp172717 +g25273 +S'Samuel H. Kress Collection' +p172718 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172719 +sg25268 +S'Saint Roch' +p172720 +sg25270 +S'Italian 16th Century' +p172721 +sa(dp172722 +g25273 +S'Samuel H. Kress Collection' +p172723 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172724 +sg25268 +S'Baptism of Christ' +p172725 +sg25270 +S'Italian 16th Century' +p172726 +sa(dp172727 +g25273 +S'Samuel H. Kress Collection' +p172728 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172729 +sg25268 +S'Saint Peter' +p172730 +sg25270 +S'Italian 16th Century' +p172731 +sa(dp172732 +g25273 +S'Samuel H. Kress Collection' +p172733 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172734 +sg25268 +S'Saint Andrew' +p172735 +sg25270 +S'Italian 15th Century' +p172736 +sa(dp172737 +g25273 +S'Samuel H. Kress Collection' +p172738 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172739 +sg25268 +S'Bust of a Bearded Man with Ornate Breastplate Facing Left' +p172740 +sg25270 +S'Italian 16th Century' +p172741 +sa(dp172742 +g25268 +S'Dead Christ Supported by Two Angels' +p172743 +sg25270 +S'Venetian 16th Century' +p172744 +sg25273 +S'niello plate' +p172745 +sg25275 +S'c. 1589' +p172746 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00069/a000690f.jpg' +p172747 +sg25267 +g27 +sa(dp172748 +g25268 +S'La Biarrote' +p172749 +sg25270 +S'Albert Besnard' +p172750 +sg25273 +S'etching' +p172751 +sg25275 +S'1901' +p172752 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00090/a0009082.jpg' +p172753 +sg25267 +g27 +sa(dp172754 +g25273 +S'Samuel H. Kress Collection' +p172755 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172756 +sg25268 +S'Christ in Limbo' +p172757 +sg25270 +S'German 16th Century' +p172758 +sa(dp172759 +g25273 +S'Samuel H. Kress Collection' +p172760 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172761 +sg25268 +S'Marriage at Cana' +p172762 +sg25270 +S'Italian 15th Century' +p172763 +sa(dp172764 +g25273 +S'Samuel H. Kress Collection' +p172765 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172766 +sg25268 +S'The Nativity' +p172767 +sg25270 +S'Italian 15th Century' +p172768 +sa(dp172769 +g25273 +S'Samuel H. Kress Collection' +p172770 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172771 +sg25268 +S'The Nativity' +p172772 +sg25270 +S'Italian 15th Century' +p172773 +sa(dp172774 +g25273 +S'Samuel H. Kress Collection' +p172775 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172776 +sg25268 +S'Annunciation' +p172777 +sg25270 +S'Italian 15th Century' +p172778 +sa(dp172779 +g25273 +S'Samuel H. Kress Collection' +p172780 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172781 +sg25268 +S'Presentation in the Temple' +p172782 +sg25270 +S'Italian 15th Century' +p172783 +sa(dp172784 +g25273 +S'Samuel H. Kress Collection' +p172785 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172786 +sg25268 +S'Flagellation' +p172787 +sg25270 +S'Italian 15th Century' +p172788 +sa(dp172789 +g25273 +S'Samuel H. Kress Collection' +p172790 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172791 +sg25268 +S'Crowning with Thorns' +p172792 +sg25270 +S'Italian 15th Century' +p172793 +sa(dp172794 +g25273 +S'Samuel H. Kress Collection' +p172795 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172796 +sg25268 +S'Deposition' +p172797 +sg25270 +S'Italian 15th Century' +p172798 +sa(dp172799 +g25273 +S'Samuel H. Kress Collection' +p172800 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172801 +sg25268 +S'The Agony in the Garden' +p172802 +sg25270 +S'Italian 15th Century' +p172803 +sa(dp172804 +g25268 +S'The Feathered Turban (Le turban \xc3\xa0 aigrette)' +p172805 +sg25270 +S'Albert Besnard' +p172806 +sg25273 +S'etching, drypoint, and aquatint in black on laid paper' +p172807 +sg25275 +S'1901' +p172808 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00090/a0009081.jpg' +p172809 +sg25267 +g27 +sa(dp172810 +g25273 +S'Samuel H. Kress Collection' +p172811 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172812 +sg25268 +S'Heraldic Eagle in a Flowered Field' +p172813 +sg25270 +S'Italian 15th Century' +p172814 +sa(dp172815 +g25268 +S'Christ Disputing with the Doctors' +p172816 +sg25270 +S'Italian 15th Century' +p172817 +sg25273 +S'Samuel H. Kress Collection' +p172818 +sg25275 +S'\nniello plate' +p172819 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00058/a00058f9.jpg' +p172820 +sg25267 +g27 +sa(dp172821 +g25273 +S'Samuel H. Kress Collection' +p172822 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172823 +sg25268 +S'The Adoration of the Magi' +p172824 +sg25270 +S'Italian 15th Century' +p172825 +sa(dp172826 +g25273 +S'Samuel H. Kress Collection' +p172827 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172828 +sg25268 +S'Baptism of Christ' +p172829 +sg25270 +S'Italian 15th Century' +p172830 +sa(dp172831 +g25273 +S'Samuel H. Kress Collection' +p172832 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172833 +sg25268 +S'The Flight into Egypt' +p172834 +sg25270 +S'Italian 15th Century' +p172835 +sa(dp172836 +g25273 +S'Samuel H. Kress Collection' +p172837 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172838 +sg25268 +S'Christ Bearing the Cross' +p172839 +sg25270 +S'Italian 15th Century' +p172840 +sa(dp172841 +g25273 +S'Samuel H. Kress Collection' +p172842 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172843 +sg25268 +S'Deposition' +p172844 +sg25270 +S'Italian 15th Century' +p172845 +sa(dp172846 +g25273 +S'Samuel H. Kress Collection' +p172847 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172848 +sg25268 +S'The Nativity' +p172849 +sg25270 +S'Italian 15th Century' +p172850 +sa(dp172851 +g25273 +S'Samuel H. Kress Collection' +p172852 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172853 +sg25268 +S'The Man of Sorrows' +p172854 +sg25270 +S'Italian 15th Century' +p172855 +sa(dp172856 +g25273 +S'Samuel H. Kress Collection' +p172857 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172858 +sg25268 +S'Standing Haloed Figure with Double Cross; At Right, Three Bishop Saints' +p172859 +sg25270 +S'Italian 15th Century' +p172860 +sa(dp172861 +g25268 +S'The Dancer of Tanjore (La bayad\xc3\xa8re of Tanjore)' +p172862 +sg25270 +S'Albert Besnard' +p172863 +sg25273 +S'etching' +p172864 +sg25275 +S'1914' +p172865 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00090/a0009086.jpg' +p172866 +sg25267 +g27 +sa(dp172867 +g25273 +S'Samuel H. Kress Collection' +p172868 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172869 +sg25268 +S'Giangaleazzo Visconti, First Duke of Milan [left half?]' +p172870 +sg25270 +S'Italian 15th Century' +p172871 +sa(dp172872 +g25273 +S'Samuel H. Kress Collection' +p172873 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172874 +sg25268 +S'Coat of Arms [right half?]' +p172875 +sg25270 +S'Italian 15th Century' +p172876 +sa(dp172877 +g25273 +S'Samuel H. Kress Collection' +p172878 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172879 +sg25268 +S'Catherina, Wife of Giangaleazzo Visconti; Coat of Arms' +p172880 +sg25270 +S'Italian 15th Century' +p172881 +sa(dp172882 +g25273 +S'Samuel H. Kress Collection' +p172883 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172884 +sg25268 +S'Bust of Young Woman Turned Left; Seated Woman Turned Left, Holding a Flowering Branch' +p172885 +sg25270 +S'Italian 15th Century' +p172886 +sa(dp172887 +g25273 +S'Samuel H. Kress Collection' +p172888 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172889 +sg25268 +S'Angel Gabriel; Virgin Annunciate; Virgin and Child in Half-Figure among the Clouds' +p172890 +sg25270 +S'Italian 15th Century' +p172891 +sa(dp172892 +g25273 +S'Samuel H. Kress Collection' +p172893 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172894 +sg25268 +S'Pax, Christ on Cross' +p172895 +sg25270 +S'Italian 15th Century' +p172896 +sa(dp172897 +g25268 +S'Pax, Virgin and Child Enthroned with Saints' +p172898 +sg25270 +S'Italian 15th Century' +p172899 +sg25273 +S'Samuel H. Kress Collection' +p172900 +sg25275 +S'\nniello plate' +p172901 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c664.jpg' +p172902 +sg25267 +g27 +sa(dp172903 +g25273 +S'niello plate' +p172904 +sg25267 +g27 +sg25275 +S'c. 1460' +p172905 +sg25268 +S'Pax: Crucifixion with Two Thieves' +p172906 +sg25270 +S'Maso Finiguerra' +p172907 +sa(dp172908 +g25273 +S'niello plate' +p172909 +sg25267 +g27 +sg25275 +S'unknown date\n' +p172910 +sg25268 +S'Saint Anthony' +p172911 +sg25270 +S'German 19th Century' +p172912 +sa(dp172913 +g25273 +S'Samuel H. Kress Collection' +p172914 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172915 +sg25268 +S'The Crucifixion' +p172916 +sg25270 +S'German 19th Century' +p172917 +sa(dp172918 +g25273 +S'watercolor' +p172919 +sg25267 +g27 +sg25275 +S'1930' +p172920 +sg25268 +S'Roydon' +p172921 +sg25270 +S'James McBey' +p172922 +sa(dp172923 +g25273 +S'Samuel H. Kress Collection' +p172924 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172925 +sg25268 +S'Coronation of the Virgin; Adoration of the Magi' +p172926 +sg25270 +S'Italian 15th Century' +p172927 +sa(dp172928 +g25273 +S'Samuel H. Kress Collection' +p172929 +sg25267 +g27 +sg25275 +S'\nniello plate' +p172930 +sg25268 +S'Virgin and Child; The Man of Sorrows' +p172931 +sg25270 +S'Italian 15th Century' +p172932 +sa(dp172933 +g25273 +S'overall (metal plate): 21.3 x 11.2 cm (8 3/8 x 4 7/16 in.)\r\noverall (wood backing): 22.6 x 12.4 cm (8 7/8 x 4 7/8 in.)' +p172934 +sg25267 +g27 +sg25275 +S'\nchamplev? enamel on copper, with traces of gilding, mounted on wooden backing' +p172935 +sg25268 +S'Book Cover with Christ in Majesty' +p172936 +sg25270 +S'French 13th Century' +p172937 +sa(dp172938 +g25273 +S'enamel painted on copper' +p172939 +sg25267 +g27 +sg25275 +S'mid 16th century' +p172940 +sg25268 +S'Plaque with Ganymede' +p172941 +sg25270 +S'Pierre Reymond' +p172942 +sa(dp172943 +g25273 +S'enamel painted on copper' +p172944 +sg25267 +g27 +sg25275 +S'mid 16th century' +p172945 +sg25268 +S'Plaque with Ixion' +p172946 +sg25270 +S'Pierre Reymond' +p172947 +sa(dp172948 +g25268 +S'Cabinet' +p172949 +sg25270 +S'Boas Ulrich' +p172950 +sg25273 +S', c. 1595/1600 and later' +p172951 +sg25275 +S'\n' +p172952 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00063/a00063c9.jpg' +p172953 +sg25267 +g27 +sa(dp172954 +g25273 +S'overall (disk diameter): 3.9 cm (1 9/16 in.)\r\noverall (velvet strip): 5.1 x 41.6 cm (2 x 16 3/8 in.)\r\noverall (enamel diamater): 1.1 cm (7/16 in.)' +p172955 +sg25267 +g27 +sg25275 +S'\nrepouss? silver, gilded, and translucent enamel, attached to a strip of velvet' +p172956 +sg25268 +S'Costume Ornament with Profile Portrait' +p172957 +sg25270 +S'North Italian 14th Century' +p172958 +sa(dp172959 +g25273 +S'overall (disk diameter): 3.9 cm (1 9/16 in.)\r\noverall (velvet strip): 5.1 x 41.6 cm (2 x 16 3/8 in.)\r\noverall (enamel diameter): 1.1 cm (7/16 in.)' +p172960 +sg25267 +g27 +sg25275 +S'\nrepouss? silver, gilded, and translucent enamel, attached to a strip of velvet' +p172961 +sg25268 +S'Costume Ornament with Profile Portrait' +p172962 +sg25270 +S'North Italian 14th Century' +p172963 +sa(dp172964 +g25273 +S'overall (disk diameter): 3.8 cm (1 1/2 in.)\r\noverall (velvet strip): 5.1 x 41.6 cm (2 x 16 3/8 in.)\r\noverall (enamel): 1.3 x 1.3 cm (1/2 x 1/2 in.)' +p172965 +sg25267 +g27 +sg25275 +S'\nrepouss? silver, gilded, and translucent enamel, attached to a strip of velvet' +p172966 +sg25268 +S'Costume Ornament with Profile Portrait' +p172967 +sg25270 +S'North Italian 14th Century' +p172968 +sa(dp172969 +g25273 +S'overall (disk diameter): 3.8 cm (1 1/2 in.)\r\noverall (velvet strip): 5.1 x 41.6 cm (2 x 16 3/8 in.)\r\noverall (enamel): 1.3 x 1.3 cm (1/2 x 1/2 in.)' +p172970 +sg25267 +g27 +sg25275 +S'\nrepouss? silver, gilded, and translucent enamel, attached to a strip of velvet' +p172971 +sg25268 +S'Costume Ornament with Profile Portrait' +p172972 +sg25270 +S'North Italian 14th Century' +p172973 +sa(dp172974 +g25268 +S'La Muse Accoud\xc3\xa9e' +p172975 +sg25270 +S'Albert Besnard' +p172976 +sg25273 +S'etching' +p172977 +sg25275 +S'1884' +p172978 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00090/a0009048.jpg' +p172979 +sg25267 +g27 +sa(dp172980 +g25273 +S'overall (disk diameter): 4.1 cm (1 5/8 in.)\r\noverall (velvet strip): 5.1 x 41.6 cm (2 x 16 3/8 in.)\r\noverall (enamel): 1.4 x 1.4 cm (9/16 x 9/16 in.)' +p172981 +sg25267 +g27 +sg25275 +S'\nrepouss? silver, gilded, and translucent enamel, attached to a strip of velvet' +p172982 +sg25268 +S'Costume Ornament with Profile Portrait' +p172983 +sg25270 +S'North Italian 14th Century' +p172984 +sa(dp172985 +g25273 +S'overall (disk diameter): 3.9 cm (1 9/16 in.)\r\noverall (velvet strip): 5.1 x 41.6 cm (2 x 16 3/8 in.)\r\noverall (enamel diameter): 1.1 cm (7/16 in.)' +p172986 +sg25267 +g27 +sg25275 +S'\nrepouss? silver, gilded, and translucent enamel, attached to a strip of velvet' +p172987 +sg25268 +S'Costume Ornament with Profile Portrait' +p172988 +sg25270 +S'North Italian 14th Century' +p172989 +sa(dp172990 +g25273 +S'overall (disk diameter): 3.9 cm (1 9/16 in.)\r\noverall (velvet strip): 5.1 x 41.6 cm (2 x 16 3/8 in.)\r\noverall (enamel): 1.3 x 1.3 cm (1/2 x 1/2 in.)' +p172991 +sg25267 +g27 +sg25275 +S'\nrepouss? silver, gilded, and translucent enamel, attached to a strip of velvet' +p172992 +sg25268 +S'Costume Ornament with Profile Portrait' +p172993 +sg25270 +S'North Italian 14th Century' +p172994 +sa(dp172995 +g25273 +S'overall (disk diameter): 3.9 cm (1 9/16 in.)\r\noverall (velvet strip): 5.1 x 41.6 cm (2 x 16 3/8 in.)\r\noverall (enamel): 1.3 x 1.3 cm (1/2 x 1/2 in.)' +p172996 +sg25267 +g27 +sg25275 +S'\nrepouss? silver, gilded, and translucent enamel, attached to a strip of velvet' +p172997 +sg25268 +S'Costume Ornament with Profile Portrait' +p172998 +sg25270 +S'North Italian 14th Century' +p172999 +sa(dp173000 +g25273 +S'overall (disk diameter): 4 cm (1 9/16 in.)\r\noverall (velvet strip): 5.1 x 41.6 cm (2 x 16 3/8 in.)\r\noverall (enamel): 1.3 x 1.3 cm (1/2 x 1/2 in.)' +p173001 +sg25267 +g27 +sg25275 +S'\nrepouss? silver, gilded, and translucent enamel, attached to a strip of velvet' +p173002 +sg25268 +S'Costume Ornament with Profile Portrait' +p173003 +sg25270 +S'North Italian 14th Century' +p173004 +sa(dp173005 +g25273 +g27 +sg25267 +g27 +sg25275 +S'(artist)' +p173006 +sg25268 +S'Silver and Enamel Chest' +p173007 +sg25270 +S'Artist Information (' +p173008 +sa(dp173009 +g25268 +S'Pax with a Miniature of the Nativity' +p173010 +sg25270 +S'Artist Information (' +p173011 +sg25273 +S'Italian, 15th century' +p173012 +sg25275 +S'(artist)' +p173013 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a0000510.jpg' +p173014 +sg25267 +g27 +sa(dp173015 +g25268 +S'Lucy Tappan Bowen (Mrs. Henry C. Bowen)' +p173016 +sg25270 +S'Francis Bicknell Carpenter' +p173017 +sg25273 +S'oil on canvas' +p173018 +sg25275 +S'1859' +p173019 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a0000038.jpg' +p173020 +sg25267 +g27 +sa(dp173021 +g25273 +S'(artist after)' +p173022 +sg25267 +g27 +sg25275 +S'\n' +p173023 +sg25268 +S'The Copley Family' +p173024 +sg25270 +S'Artist Information (' +p173025 +sa(dp173026 +g25268 +S'Wildflowers' +p173027 +sg25270 +S'Odilon Redon' +p173028 +sg25273 +S'pastel on brown paper' +p173029 +sg25275 +S'c. 1905' +p173030 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00021/a0002187.jpg' +p173031 +sg25267 +g27 +sa(dp173032 +g25268 +S'Kneeling Angel' +p173033 +sg25270 +S'Artist Information (' +p173034 +sg25273 +S'Italian, c. 1447 - 1522' +p173035 +sg25275 +S'(related artist)' +p173036 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002d6b.jpg' +p173037 +sg25267 +g27 +sa(dp173038 +g25268 +S'Cardinal Mercier' +p173039 +sg25270 +S'Albert Besnard' +p173040 +sg25273 +S'etching' +p173041 +sg25275 +S'1916' +p173042 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00090/a0009088.jpg' +p173043 +sg25267 +g27 +sa(dp173044 +g25268 +S'Symbols of Bacchus as God of Wine and the Theater' +p173045 +sg25270 +S'Roman 3rd Century' +p173046 +sg25273 +S'overall: 178.4 x 254.7 cm (70 1/4 x 100 1/4 in.)' +p173047 +sg25275 +S'\nmosaic, marble, and glass' +p173048 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005f/a0005f98.jpg' +p173049 +sg25267 +g27 +sa(dp173050 +g25268 +S'Pansies' +p173051 +sg25270 +S'Odilon Redon' +p173052 +sg25273 +S'pastel on brown paper' +p173053 +sg25275 +S'c. 1905' +p173054 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00021/a0002188.jpg' +p173055 +sg25267 +g27 +sa(dp173056 +g25268 +S'Harriet Lancashire White and Her Children' +p173057 +sg25270 +S'Lydia Field Emmet' +p173058 +sg25273 +S'oil on canvas' +p173059 +sg25275 +S'1922' +p173060 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000ab.jpg' +p173061 +sg25267 +g27 +sa(dp173062 +g25268 +S'Young Girl Reading' +p173063 +sg25270 +S'Jean-Honor\xc3\xa9 Fragonard' +p173064 +sg25273 +S'oil on canvas' +p173065 +sg25275 +S'c. 1770' +p173066 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d6a.jpg' +p173067 +sg25267 +S"Perhaps more than the work of his two teachers, Boucher and Chardin, Jean-Honoré Fragonard's bravura handling of brushwork and color embodies 18th-century painting aesthetics. In \n As in Chardin's \n " +p173068 +sa(dp173069 +g25268 +S'The Small Shopkeeper (Le petit propri\xc3\xa9taire)' +p173070 +sg25270 +S'Artist Information (' +p173071 +sg25273 +S'French, 1808 - 1879' +p173072 +sg25275 +S'(related artist)' +p173073 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00054/a0005416.jpg' +p173074 +sg25267 +g27 +sa(dp173075 +g25268 +S'The Visitor (Le visiteur)' +p173076 +sg25270 +S'Artist Information (' +p173077 +sg25273 +S'French, 1808 - 1879' +p173078 +sg25275 +S'(related artist)' +p173079 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00054/a0005417.jpg' +p173080 +sg25267 +g27 +sa(dp173081 +g25268 +S'Christ in Majesty [recto]' +p173082 +sg25270 +S'French 12th Century' +p173083 +sg25273 +S'overall: 17.7 x 12.3 cm (6 15/16 x 4 13/16 in.)' +p173084 +sg25275 +S'\nminiature on vellum' +p173085 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f59.jpg' +p173086 +sg25267 +g27 +sa(dp173087 +g25268 +S'The Crucifixion [verso]' +p173088 +sg25270 +S'French 12th Century' +p173089 +sg25273 +S'overall: 17.7 x 12.3 cm (6 15/16 x 4 13/16 in.)' +p173090 +sg25275 +S'\nminiature on vellum' +p173091 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f2b.jpg' +p173092 +sg25267 +g27 +sa(dp173093 +g25273 +S'overall: 19.4 x 13.3 cm (7 5/8 x 5 1/4 in.)' +p173094 +sg25267 +g27 +sg25275 +S'\nminiature on vellum' +p173095 +sg25268 +S'Pentecost' +p173096 +sg25270 +S'German 13th Century' +p173097 +sa(dp173098 +g25268 +S'The Marriage; the Kiss of the Bride (initial P); the Bride Abandoned (initial D)' +p173099 +sg25270 +S'Niccol\xc3\xb2 di Giacomo da Bologna' +p173100 +sg25273 +S', 1350s' +p173101 +sg25275 +S'\n' +p173102 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00026/a0002609.jpg' +p173103 +sg25267 +g27 +sa(dp173104 +g25268 +S'Self-Portrait' +p173105 +sg25270 +S'Albert Besnard' +p173106 +sg25273 +S'etching and drypoint' +p173107 +sg25275 +S'1919' +p173108 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00097/a0009791.jpg' +p173109 +sg25267 +g27 +sa(dp173110 +g25268 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Sunset' +p173816 +sg25270 +S'George Inness' +p173817 +sg25273 +S'oil on canvas' +p173818 +sg25275 +S'c. 1874' +p173819 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a0000112.jpg' +p173820 +sg25267 +g27 +sa(dp173821 +g25268 +S'Oysters' +p173822 +sg25270 +S'Edouard Manet' +p173823 +sg25273 +S'oil on canvas' +p173824 +sg25275 +S'1862' +p173825 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002b/a0002b2f.jpg' +p173826 +sg25267 +S'Painted in 1862, \n Despite its early date, \n This painting is almost stark in its\r\nsimplicity. At left are six oysters that have\r\nbeen opened and arranged haphazardly on\r\na plate. On the right are a cup, two halves\r\nof a lemon, and a single opened oyster: the upward-turned shell cradles the fleshy\r\nmollusk inside while the other shell, turned\r\ndownward, displays the rough exterior.\r\nLying at an oblique angle near the table\xe2\x80\x99s\r\nedge, a three-pronged fork placed at the\r\ncenter of the picture serves to visually link\r\nboth sides of the composition. Manet\xe2\x80\x99s\r\npalette is equally restrained. The painting\r\nis dominated by subdued colors: the brown\r\nof the wooden table; the cool, dark gray of\r\nthe background; and the various shades of\r\nwhite, beige, and taupe with which Manet\r\ndepicted the oysters and the pottery. To this\r\nhe added touches of more vibrant hues: the\r\ncobalt blue of the plate decoration, delicate\r\nstrokes of pink to suggest the nacreous interior\r\nof the oyster shells, and, of course, the\r\nvivid yellow of the lemon.\n While the subject matter and subdued\r\npalette recall seventeenth-century\r\nDutch antecedents, the influence of the\r\neighteenth-century French artist Jean\r\nSiméon Chardin is also evident. Beginning\r\nin the 1840s, there had been a revival\r\nof interest in Chardin\xe2\x80\x99s oeuvre, especially\r\nin still-life paintings that typically feature\r\nhumble kitchen trappings, spare compositions,\r\nand vibrant paint surfaces. In \n (Text by Kimberly Jones, \n Notes\n \n ' +p173827 +sa(dp173828 +g25268 +S'Street in Venice' +p173829 +sg25270 +S'John Singer Sargent' +p173830 +sg25273 +S'oil on wood' +p173831 +sg25275 +S'1882' +p173832 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a0000205.jpg' +p173833 +sg25267 +S"Although best known for his fashionable formal portraits,\r\n John Singer Sargent was equally adept at landscapes and\r\n scenes of daily life. His early fame and astonishing facility\r\n with a brush prompted the American expatriate novelist\r\n Henry James, his close friend, to comment on “the slightly\r\n 'uncanny' spectacle of a talent which on the very threshold\r\n of its career has nothing more to learn.”\n Another of Sargent’s friends was the French impressionist\r\n \n The emptiness of the silent street implies that Sargent\r\n depicted \n " +p173834 +sa(dp173835 +g25268 +S'The Beautiful Virgin of Regensburg' +p173836 +sg25270 +S'Albrecht Altdorfer' +p173837 +sg25273 +S'woodcut printed from six blocks in red, green, blue, light orange, brown, and black' +p173838 +sg25275 +S'c. 1519/1520' +p173839 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000ef2.jpg' +p173840 +sg25267 +g27 +sa(dp173841 +g25273 +S'etching and drypoint' +p173842 +sg25267 +g27 +sg25275 +S'unknown date\n' +p173843 +sg25268 +S'Street by Night' +p173844 +sg25270 +S'Edmund Blampied' +p173845 +sa(dp173846 +g25268 +S'The Nativity' +p173847 +sg25270 +S'Artist Information (' +p173848 +sg25273 +S'(artist after)' +p173849 +sg25275 +S'\n' +p173850 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a43d.jpg' +p173851 +sg25267 +g27 +sa(dp173852 +g25268 +S'Miss Grace Woodhouse' +p173853 +sg25270 +S'John Singer Sargent' +p173854 +sg25273 +S'oil on canvas' +p173855 +sg25275 +S'1890' +p173856 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a0000206.jpg' +p173857 +sg25267 +g27 +sa(dp173858 +g25273 +S'plaster' +p173859 +sg25267 +g27 +sg25275 +S'probably 1938' +p173860 +sg25268 +S'Death Mask of Ernst Barlach (?)' +p173861 +sg25270 +S'Bernhard A. B\xc3\xb6hmer' +p173862 +sa(dp173863 +g25273 +S'etching in black on cream wove paper' +p173864 +sg25267 +g27 +sg25275 +S'1897' +p173865 +sg25268 +S'The Storm (Sturm)' +p173866 +sg25270 +S'K\xc3\xa4the Kollwitz' +p173867 +sa(dp173868 +g25268 +S'The Lute Player' +p173869 +sg25270 +S'Orazio Gentileschi' +p173870 +sg25273 +S'oil on canvas' +p173871 +sg25275 +S'c. 1612/1620' +p173872 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a0000609.jpg' +p173873 +sg25267 +S"Orazio Gentileschi was one of the earliest and most gifted painters to be inspired by the genre scenes of Caravaggio in Rome. Here, he must have had in mind Caravaggio's famous picture on the same theme. Orazio's young woman listens intently to a note as it resonates in the pear–shaped body of the instrument. She may be tuning her lute in anticipation of the concert\r\npromised by the assortment of recorders, a cornetto and violin, and the song books lying open on the table before her.\n The graceful musician and her lute are seen, unexpectedly, from the back, turned three–quarters away from the spectator. Orazio's meticulous attention to detail is such that every surface is described with a precision of focus that gives pleasure to the eye. Dutch painters, famous for their amazingly illusionistic renderings of fabrics, improved their craft by studying\r\nOrazio's works. His gift for conveying the textures of fine cloth is shown off here in the sharp gold of the dress, the dull gleam of the scarlet velvet on the stool, and the matte softness of the dark–green cloth covering the table.\n " +p173874 +sa(dp173875 +g25268 +S'Joris Vezeleer' +p173876 +sg25270 +S'Joos van Cleve' +p173877 +sg25273 +S'oil on panel' +p173878 +sg25275 +S'probably 1518' +p173879 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a0000492.jpg' +p173880 +sg25267 +S'Joris Vezeleer headed a small Antwerp\r\n company that sold wool, other commodities, and luxury items. He provided\r\n tapestries and gems to such clients as French king Francis I and Mary of\r\n Hungary, the Holy Roman Emperor’s capable regent in the Netherlands. Diamond\r\n cutting, in particular, became an important industry of the Low Countries as\r\n new techniques enabled stone cutters to enhance the light reflected from\r\n gems by faceting them. Jews recently expelled from Portugal settled in\r\n Antwerp in the early 1500s and made it an important center of the diamond\r\n trade, as it continues to be today.\n Vezeleer’s gesture of pulling on a fine leather glove marks him as a\r\n gentleman of means. In her portrait, his wife holds a pink, a flower\r\n associated with fidelity and seen often in wedding portraits. (The\r\n Vezeleers’ grandson was the famous Dutch poet and statesman Constantijn\r\n Huygens [d. 1687]; their great-grandson discovered the rings of Saturn.) In\r\n Joos van Cleve, Vezeleer, who was known as a collector of paintings,\r\n obtained the services of one of the finest artists working in Antwerp in the\r\n early 1500s. His skill with portraiture later led Van Cleve to\r\n Fontainebleau, where he painted Francis I and was exposed to the soft\r\n \n ' +p173881 +sa(dp173882 +g25268 +S'Margaretha Boghe, Wife of Joris Vezeleer' +p173883 +sg25270 +S'Joos van Cleve' +p173884 +sg25273 +S'oil on panel' +p173885 +sg25275 +S'probably 1518' +p173886 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a00004a2.jpg' +p173887 +sg25267 +g27 +sa(dp173888 +g25268 +S'A Lady Writing' +p173889 +sg25270 +S'Johannes Vermeer' +p173890 +sg25273 +S'oil on canvas' +p173891 +sg25275 +S'c. 1665' +p173892 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0001e/a0001e20.jpg' +p173893 +sg25267 +S'\r\n\tAbove all, Vermeer was a painter of light. In his study of optics he undoubtedly used a \n \r\n\tVermeer analyzed the resulting images carefully because they duplicate the selective focus of the human eye. Only objects at a certain distance from the camera or the eye are in sharp focus. This is exactly the optical effect Vermeer has generated here. Precise white highlights glisten from the writing box, pearl earrings, satin hair ribbons, and the chair’s brass tacks—all of which lie equally in the middle distance. The near tablecloth is purposely blurred, and the painting on the far wall is hazy. This is just as they would look to someone concentrating specifically on the woman. Because she directly faces the viewer with an open gaze, the painting may be a portrait.\r\n\n \r\n\tMost of the thirty-five or so paintings that now are thought to be Vermeer’s creations share the same setting, his parents’ home, which he inherited.\r\n\n ' +p173894 +sa(dp173895 +g25273 +S'(artist after)' +p173896 +sg25267 +g27 +sg25275 +S'\n' +p173897 +sg25268 +S'Dr. John Brinton' +p173898 +sg25270 +S'Artist Information (' +p173899 +sa(dp173900 +g25273 +S'oil on canvas' +p173901 +sg25267 +g27 +sg25275 +S'unknown date\n' +p173902 +sg25268 +S'Hampstead Heath' +p173903 +sg25270 +S'Alphonse Legros' +p173904 +sa(dp173905 +g25273 +S'lithograph' +p173906 +sg25267 +g27 +sg25275 +S'unknown date\n' +p173907 +sg25268 +S"L'Apertif" +p173908 +sg25270 +S'Edmund Blampied' +p173909 +sa(dp173910 +g25268 +S'Portrait of a Woman' +p173911 +sg25270 +S'Alphonse Legros' +p173912 +sg25273 +S'oil on canvas' +p173913 +sg25275 +S'1875' +p173914 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005e/a0005ea0.jpg' +p173915 +sg25267 +g27 +sa(dp173916 +g25268 +S'Nude Model Seated' +p173917 +sg25270 +S'Alphonse Legros' +p173918 +sg25273 +S'metalpoint on bristol board' +p173919 +sg25275 +S'unknown date\n' +p173920 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a00073ea.jpg' +p173921 +sg25267 +g27 +sa(dp173922 +g25268 +S'Old Man' +p173923 +sg25270 +S'Alphonse Legros' +p173924 +sg25273 +S'metalpoint on bristol board' +p173925 +sg25275 +S'unknown date\n' +p173926 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a00073eb.jpg' +p173927 +sg25267 +g27 +sa(dp173928 +g25268 +S'Study of Cupid (Head of a Girl)' +p173929 +sg25270 +S'Alphonse Legros' +p173930 +sg25273 +S'metalpoint on prepared paper' +p173931 +sg25275 +S'1904' +p173932 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a00073e8.jpg' +p173933 +sg25267 +g27 +sa(dp173934 +g25268 +S'E.D. Adams, 3rd plate' +p173935 +sg25270 +S'Alphonse Legros' +p173936 +sg25273 +S'etching?' +p173937 +sg25275 +S'unknown date\n' +p173938 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c69.jpg' +p173939 +sg25267 +g27 +sa(dp173940 +g25268 +S'Beggar with Hat in Hand (Mendiant avec son chapeau a la main)' +p173941 +sg25270 +S'Alphonse Legros' +p173942 +sg25273 +S'etching and drypoint' +p173943 +sg25275 +S'unknown date\n' +p173944 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c27.jpg' +p173945 +sg25267 +g27 +sa(dp173946 +g25268 +S"Corner of a Wood (Coin d'un bois)" +p173947 +sg25270 +S'Alphonse Legros' +p173948 +sg25273 +S'etching' +p173949 +sg25275 +S'unknown date\n' +p173950 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b85.jpg' +p173951 +sg25267 +g27 +sa(dp173952 +g25268 +S'Night Crier (Le crieur de nuit)' +p173953 +sg25270 +S'Alphonse Legros' +p173954 +sg25273 +S'chine colle lithograph' +p173955 +sg25275 +S'unknown date\n' +p173956 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009fa2.jpg' +p173957 +sg25267 +g27 +sa(dp173958 +g25273 +S'etching' +p173959 +sg25267 +g27 +sg25275 +S'unknown date\n' +p173960 +sg25268 +S'Grand Canal (Le grand canal)' +p173961 +sg25270 +S'Alphonse Legros' +p173962 +sa(dp173963 +g25273 +S'etching, aquatint and drypoint' +p173964 +sg25267 +g27 +sg25275 +S'unknown date\n' +p173965 +sg25268 +S'Large Trees Seen against the Sun (Les grands arbres: Effet du soir)' +p173966 +sg25270 +S'Alphonse Legros' +p173967 +sa(dp173968 +g25268 +S'The Woman with the Pear' +p173969 +sg25270 +S'Ferdinand Bol' +p173970 +sg25273 +S'etching' +p173971 +sg25275 +S'1651' +p173972 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d0b7.jpg' +p173973 +sg25267 +g27 +sa(dp173974 +g25268 +S'Hamlet near the Lake (Le hameau pres du lac)' +p173975 +sg25270 +S'Alphonse Legros' +p173976 +sg25273 +S'etching and drypoint' +p173977 +sg25275 +S'unknown date\n' +p173978 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d4e.jpg' +p173979 +sg25267 +g27 +sa(dp173980 +g25268 +S'Head of an Old Man (Etude de tete)' +p173981 +sg25270 +S'Alphonse Legros' +p173982 +sg25273 +S'drypoint' +p173983 +sg25275 +S'unknown date\n' +p173984 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a0009920.jpg' +p173985 +sg25267 +g27 +sa(dp173986 +g25268 +S"Fishermen's Wives (Femmes de pecheurs)" +p173987 +sg25270 +S'Alphonse Legros' +p173988 +sg25273 +S'etching and (drypoint?)' +p173989 +sg25275 +S'unknown date\n' +p173990 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009fa1.jpg' +p173991 +sg25267 +g27 +sa(dp173992 +g25273 +S'drypoint and etching' +p173993 +sg25267 +g27 +sg25275 +S'unknown date\n' +p173994 +sg25268 +S'Grand Canal (Le grand canal)' +p173995 +sg25270 +S'Alphonse Legros' +p173996 +sa(dp173997 +g25268 +S'Solitude (Solitude (Paysage))' +p173998 +sg25270 +S'Alphonse Legros' +p173999 +sg25273 +S'drypoint' +p174000 +sg25275 +S'unknown date\n' +p174001 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009fb2.jpg' +p174002 +sg25267 +g27 +sa(dp174003 +g25268 +S'Meadow in Sunshine (Le pre ensoleille)' +p174004 +sg25270 +S'Alphonse Legros' +p174005 +sg25273 +S'drypoint and etching' +p174006 +sg25275 +S'unknown date\n' +p174007 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bdd.jpg' +p174008 +sg25267 +g27 +sa(dp174009 +g25268 +S"Monk Playing the Organ in Church (Moine jouant de l'orgue a l'eglise)" +p174010 +sg25270 +S'Alphonse Legros' +p174011 +sg25273 +S'etching' +p174012 +sg25275 +S'unknown date\n' +p174013 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c57.jpg' +p174014 +sg25267 +g27 +sa(dp174015 +g25268 +S'Landscape (Paysage)' +p174016 +sg25270 +S'Alphonse Legros' +p174017 +sg25273 +S'lithograph' +p174018 +sg25275 +S'unknown date\n' +p174019 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009e/a0009e06.jpg' +p174020 +sg25267 +g27 +sa(dp174021 +g25268 +S"Little Burner of Grass (Le petit bruleur d'herbe)" +p174022 +sg25270 +S'Alphonse Legros' +p174023 +sg25273 +S'etching and drypoint' +p174024 +sg25275 +S'unknown date\n' +p174025 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d30.jpg' +p174026 +sg25267 +g27 +sa(dp174027 +g25268 +S'Little Shelter (Le petit hangar)' +p174028 +sg25270 +S'Alphonse Legros' +p174029 +sg25273 +S'etching and drypoint' +p174030 +sg25275 +S'unknown date\n' +p174031 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d4b.jpg' +p174032 +sg25267 +g27 +sa(dp174033 +g25268 +S'Portrait of an Officer' +p174034 +sg25270 +S'Ferdinand Bol' +p174035 +sg25273 +S'etching' +p174036 +sg25275 +S'1645' +p174037 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d0b8.jpg' +p174038 +sg25267 +g27 +sa(dp174039 +g25268 +S'Return of the Fagot-gatherer, 2nd plate (Le retour du fagotier)' +p174040 +sg25270 +S'Alphonse Legros' +p174041 +sg25273 +S'lithograph' +p174042 +sg25275 +S'unknown date\n' +p174043 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009e/a0009e0b.jpg' +p174044 +sg25267 +g27 +sa(dp174045 +g25268 +S'Sunset (Le soir (Coucher de soleil))' +p174046 +sg25270 +S'Alphonse Legros' +p174047 +sg25273 +S'drypoint and etching?' +p174048 +sg25275 +S'unknown date\n' +p174049 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00098/a00098e1.jpg' +p174050 +sg25267 +g27 +sa(dp174051 +g25268 +S'The Cooper (Le tonnelier)' +p174052 +sg25270 +S'Alphonse Legros' +p174053 +sg25273 +S'etching' +p174054 +sg25275 +S'unknown date\n' +p174055 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009de8.jpg' +p174056 +sg25267 +g27 +sa(dp174057 +g25268 +S'Pigeon Tower (La tour aux pigeons)' +p174058 +sg25270 +S'Alphonse Legros' +p174059 +sg25273 +S'etching and drypoint' +p174060 +sg25275 +S'unknown date\n' +p174061 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b9d.jpg' +p174062 +sg25267 +g27 +sa(dp174063 +g25268 +S'Pigeon Tower (La tour aux pigeons)' +p174064 +sg25270 +S'Alphonse Legros' +p174065 +sg25273 +S'etching and drypoint' +p174066 +sg25275 +S'unknown date\n' +p174067 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b9c.jpg' +p174068 +sg25267 +g27 +sa(dp174069 +g25268 +S"The Prodigal Son, 2nd plate (L'enfant prodigue)" +p174070 +sg25270 +S'Alphonse Legros' +p174071 +sg25273 +S'etching and drypoint' +p174072 +sg25275 +S'unknown date\n' +p174073 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a0009924.jpg' +p174074 +sg25267 +g27 +sa(dp174075 +g25273 +S'graphite on wove paper' +p174076 +sg25267 +g27 +sg25275 +S'1962' +p174077 +sg25268 +S'Picnic on the Beach' +p174078 +sg25270 +S'Stefano Cusumano' +p174079 +sa(dp174080 +g25268 +S'Christ on the Cross' +p174081 +sg25270 +S'German 15th Century' +p174082 +sg25273 +S'Schreiber, no. 381, State a' +p174083 +sg25275 +S'\nwoodcut' +p174084 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a658.jpg' +p174085 +sg25267 +g27 +sa(dp174086 +g25268 +S'The Duke of Wellington' +p174087 +sg25270 +S'Artist Information (' +p174088 +sg25273 +S'Spanish, 1746 - 1828' +p174089 +sg25275 +S'(related artist)' +p174090 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a000054b.jpg' +p174091 +sg25267 +g27 +sa(dp174092 +g25268 +S'Young Lady Wearing a Mantilla and Basquina' +p174093 +sg25270 +S'Francisco de Goya' +p174094 +sg25273 +S'oil on canvas' +p174095 +sg25275 +S'c. 1800/1805' +p174096 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a0000493.jpg' +p174097 +sg25267 +S'The \n ' +p174098 +sa(dp174099 +g25268 +S'Rembrandt van Rijn' +p174100 +sg25270 +S'Ferdinand Bol' +p174101 +sg25273 +S'chalk, pen and ink, brush and wash on sheet trimmed with gold paper' +p174102 +sg25275 +S'c. 1640' +p174103 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006e68.jpg' +p174104 +sg25267 +g27 +sa(dp174105 +g25268 +S'The Assumption of the Virgin' +p174106 +sg25270 +S'Nicolas Poussin' +p174107 +sg25273 +S'oil on canvas' +p174108 +sg25275 +S'c. 1630/1632' +p174109 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0003a/a0003a01.jpg' +p174110 +sg25267 +S"Poussin, among the most important of all European painters, worked in \n France and traveled through Venice before reaching Rome in 1624. Shortly \n thereafter, he began seeking rigorously composed interpretations of \n philosophical themes. Except for a royal summons to return to Paris in \n 1640-1642, Poussin remained in Rome. By staying in Italy, France's two \n leading seventeenth-century artists, Poussin and Claude Lorrain, who \n sometimes sketched together in the country, did not join the royal art \n academy in Paris.\n The scene celebrates the Christian belief that after Mary's death her \n body was raised from her tomb into heaven. Executed about two years after \n Poussin's arrival in Rome, this canvas is among his first known paintings. \n In contrast to the severity of the artist's later classical works, a joyful \n exuberance emanates from the billowing clouds, swirling draperies, and \n flying cherubs. This dynamic movement, off-center composition, and rich \n color come directly from Poussin's knowledge of Venetian Renaissance \n painting and of Titian in particular.\n " +p174111 +sa(dp174112 +g25268 +S'Watson and the Shark' +p174113 +sg25270 +S'John Singleton Copley' +p174114 +sg25273 +S'oil on canvas' +p174115 +sg25275 +S'1778' +p174116 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a000087c.jpg' +p174117 +sg25267 +S"Watson and the Shark\n The rescuers' anxious expressions and actions reveal both concern for their thrashing companion and a growing awareness of their own peril. Time stands still as the viewer is forced to ponder Watson's fate. Miraculously, he was saved from almost certain death and went on to become a successful British merchant and politician.\n Although Copley underscored the scene's tension and immediacy, the seemingly\r\nspontaneous poses actually were based on art historical precedents. The harpooner's pose, for example, recalls Raphael's altarpiece of the Archangel Michael using a spear to drive Satan out of heaven. The oil painting's enormous acclaim ensured Copley's appointment to the prestigious Royal Academy, and he earned a fortune selling engravings of its design.\n " +p174118 +sa(dp174119 +g25268 +S'Winter Scene' +p174120 +sg25270 +S'Jacob Cats' +p174121 +sg25273 +S'pen and brown ink with gray wash and watercolor on laid paper' +p174122 +sg25275 +S'1790' +p174123 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00022/a00022d4.jpg' +p174124 +sg25267 +g27 +sa(dp174125 +g25268 +S'Agrippina and Germanicus' +p174126 +sg25270 +S'Sir Peter Paul Rubens' +p174127 +sg25273 +S'oil on panel' +p174128 +sg25275 +S'c. 1614' +p174129 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e45.jpg' +p174130 +sg25267 +S"Roman historians directed glowing praise to Agrippina and her husband Germanicus (died A.D. 19). Tacitus described her as "the glory of her country," while Suetonius claimed he "possessed all the highest qualities of body and mind." Germanicus, adopted son of the emperor Tiberius, was a brilliant general. Agrippina, granddaughter of Augustus, Rome's first emperor, was renowned for devotion and bravery.\n For Rubens, the couple's moral virtue was reflected in their physical beauty. Agrippina has a strong face, with glowing skin and golden hair. Notice how subtly Rubens distinguished her ivory complexion from the slightly ruddier face of her husband.\n The unusual double-bust format, like the paint's luminous translucent quality, is explained by Rubens' inspiration: ancient cameos. The artist was a great collector of antiquities, including engraved gems. He planned to illustrate a publication of these small-scale sculptures, but the project was never completed. Germanicus' profile here—with aquiline nose, arched brows, and rounded chin—is similar to a design Rubens made possibly after one of his own cameos.\n " +p174131 +sa(dp174132 +g25268 +S'Autumn - On the Hudson River' +p174133 +sg25270 +S'Jasper Francis Cropsey' +p174134 +sg25273 +S'oil on canvas' +p174135 +sg25275 +S'1860' +p174136 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a000006f.jpg' +p174137 +sg25267 +S'This monumental view of the Hudson River Valley was painted from memory in the\nartist\'s London studio. Cropsey adopted a high vantage point, looking southeast\ntoward the distant Hudson River and the flank of Storm King Mountain. A small stream\nleads from the foreground, where three hunters and their dogs gaze into the sunlight.\nAll along the meandering tributary there are signs of man\'s peaceful coexistence\nwith nature: a small log cabin, grazing sheep, children playing on a bridge, and\ncows standing placidly in the water. Here, man neither conquers nor is subservient\nto nature; both coexist harmoniously. In fact, the landscape is depicted as a ready\narena for further agricultural expansion. While autumnal scenes traditionally are\nassociated with the transience of life, Cropsey\'s painting is more a celebration\nof American nationalism. As a critic wrote in 1860, the picture represents "not\nthe solemn wasting away of the year, but its joyful crowning festival."\n The painting created a sensation among many British viewers who had never seen such\na colorful panorama of fall foliage. Indeed, because the autumn in Britain customarily\nis far less colorful than in the United States, the artist decided to display specimens\nof North American leaves alongside his painting to persuade skeptical visitors that\nhis rendition was botanically accurate.\n ' +p174138 +sa(dp174139 +g25268 +S'Fanciful Landscape' +p174140 +sg25270 +S'Thomas Doughty' +p174141 +sg25273 +S'oil on canvas' +p174142 +sg25275 +S'1834' +p174143 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a000007f.jpg' +p174144 +sg25267 +g27 +sa(dp174145 +g25268 +S'Simon Hayem' +p174146 +sg25270 +S'Jules Bastien-Lepage' +p174147 +sg25273 +S'oil on canvas' +p174148 +sg25275 +S'1875' +p174149 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002b/a0002b17.jpg' +p174150 +sg25267 +g27 +sa(dp174151 +g25268 +S'Caroline Mortier de Tr\xc3\xa9vise' +p174152 +sg25270 +S'Louis-L\xc3\xa9opold Boilly' +p174153 +sg25273 +S'oil on canvas' +p174154 +sg25275 +S'c. 1810/1812' +p174155 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000dab.jpg' +p174156 +sg25267 +g27 +sa(dp174157 +g25268 +S'Malvina Mortier de Tr\xc3\xa9vise' +p174158 +sg25270 +S'Louis-L\xc3\xa9opold Boilly' +p174159 +sg25273 +S'oil on canvas' +p174160 +sg25275 +S'c. 1810/1812' +p174161 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000dac.jpg' +p174162 +sg25267 +g27 +sa(dp174163 +g25268 +S'The Beach at Villerville' +p174164 +sg25270 +S'Eug\xc3\xa8ne Boudin' +p174165 +sg25273 +S'oil on canvas' +p174166 +sg25275 +S'1864' +p174167 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a00006dd.jpg' +p174168 +sg25267 +g27 +sa(dp174169 +g25268 +S'The Astrologer' +p174170 +sg25270 +S'Ferdinand Bol' +p174171 +sg25273 +S'etching' +p174172 +sg25275 +S'unknown date\n' +p174173 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d0b9.jpg' +p174174 +sg25267 +g27 +sa(dp174175 +g25268 +S'On the Beach, Trouville' +p174176 +sg25270 +S'Eug\xc3\xa8ne Boudin' +p174177 +sg25273 +S'oil on wood' +p174178 +sg25275 +S'1887' +p174179 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a00006de.jpg' +p174180 +sg25267 +g27 +sa(dp174181 +g25268 +S'On the Beach' +p174182 +sg25270 +S'Eug\xc3\xa8ne Boudin' +p174183 +sg25273 +S'oil on wood' +p174184 +sg25275 +S'1894' +p174185 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a00006df.jpg' +p174186 +sg25267 +g27 +sa(dp174187 +g25268 +S'Portrait of an Elderly Lady' +p174188 +sg25270 +S'Mary Cassatt' +p174189 +sg25273 +S'oil on canvas' +p174190 +sg25275 +S'c. 1887' +p174191 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a00006c2.jpg' +p174192 +sg25267 +S'Mary Cassatt had great respect for the art of Manet and Degas. \n \n Although the identity of the sitter in \n ' +p174193 +sa(dp174194 +g25268 +S'Italian Peasant Boy' +p174195 +sg25270 +S'Jean-Baptiste-Camille Corot' +p174196 +sg25273 +S'oil on paper on canvas' +p174197 +sg25275 +S'1825/1827' +p174198 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000dc6.jpg' +p174199 +sg25267 +g27 +sa(dp174200 +g25268 +S'Portrait of a Young Girl' +p174201 +sg25270 +S'Jean-Baptiste-Camille Corot' +p174202 +sg25273 +S'oil on canvas' +p174203 +sg25275 +S'1850 or 1859' +p174204 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000db1.jpg' +p174205 +sg25267 +g27 +sa(dp174206 +g25268 +S'Beach in Normandy' +p174207 +sg25270 +S'Gustave Courbet' +p174208 +sg25273 +S'oil on canvas' +p174209 +sg25275 +S'c. 1872/1875' +p174210 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000dc8.jpg' +p174211 +sg25267 +S'During 1869 Courbet had worked along the beaches in Normandy, painting sketches that he later used to produce a number of finished paintings in the studio: "Did I ever earn my bread and butter," he wrote a friend, "I painted twenty seascapes...." Years later,while in exile in Switzerland, he painted more beach scenes, perhaps returning to the same sketches or recalling the landscape from memory.\n Recent scholarship suggests that this painting is probably one of the later group. The light and air lack the kind of vivid freshness of Courbet\'s work done while he was still under his immediate impression of a place. The rocky cliff seems generalized rather than defined by its strong highlights.\n Still, its bulk attracts our attention; our eyes are drawn by the sheer tactile mass of the pigments there. In many places Courbet painted not with a brush, but with a palette knife. His rough technique, like the unsentimentalized peasant subjects he pioneered, scandalized the art establishment -- and helped galvanize the bold style being adopted by younger painters like Manet. Fiercely proud of his rural roots and his country-bred vigor, Courbet retained a forthright and physical connection to the world. He painted the concrete, he said, and he gave what he saw actual physical dimension on his canvas.\n ' +p174212 +sa(dp174213 +g25268 +S'Chester Dale' +p174214 +sg25270 +S'Salvador Dal\xc3\xad' +p174215 +sg25273 +S'oil on canvas' +p174216 +sg25275 +S'1958' +p174217 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000dc9.jpg' +p174218 +sg25267 +g27 +sa(dp174219 +g25268 +S'The Beggars' +p174220 +sg25270 +S'Honor\xc3\xa9 Daumier' +p174221 +sg25273 +S'oil on canvas' +p174222 +sg25275 +S'c. 1843' +p174223 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000dcc.jpg' +p174224 +sg25267 +g27 +sa(dp174225 +g25268 +S'French Theater' +p174226 +sg25270 +S'Honor\xc3\xa9 Daumier' +p174227 +sg25273 +S'oil on wood' +p174228 +sg25275 +S'c. 1856' +p174229 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000da1.jpg' +p174230 +sg25267 +g27 +sa(dp174231 +g25268 +S'Wandering Saltimbanques' +p174232 +sg25270 +S'Honor\xc3\xa9 Daumier' +p174233 +sg25273 +S'oil on wood' +p174234 +sg25275 +S'1847/1850' +p174235 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000da3.jpg' +p174236 +sg25267 +S"Best known for political cartoons and humorous caricatures satirizing contemporary\nlife, Daumier's paintings reveal a more serious examination of the human condition.\nThe itinerant street musicians and acrobats in \n Daumier may have felt a personal affinity with the entertainers. The little boy\ncarrying a chair could be a recollection of Daumier's childhood, when his family,\ndestitute and living in Paris, endured numerous displacements to progressively\nworse lodgings. Further, it has been suggested that the older clown clad in traditional\ncostume and leading his family in this painting may be associated with the artist's\nfather, a failed poet and playwright committed to the insane asylum at Charenton\nin 1851, where he died.\n Daumier was self-taught as a painter, and his style has many characteristics of\nthe graphic media in which he trained. The blunt silhouettes of the figures and\nthe simplified space they occupy are stylistic elements that originated in his lithographs.\nThe unspecific, indefinite appearance thus produced endows them with more universal\nmeaning. Personal associations aside, the saltimbanques here are artists struggling\nto make their way in a world that, as Daumier depicts it, is a bleak, anonymous\nplace.\n " +p174237 +sa(dp174238 +g25268 +S'Lucas Cranach' +p174239 +sg25270 +S'Johann Martin Bernigeroth' +p174240 +sg25273 +S'engraving' +p174241 +sg25275 +S'1761' +p174242 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b301.jpg' +p174243 +sg25267 +g27 +sa(dp174244 +g25268 +S'Portrait of a Young Horsewoman' +p174245 +sg25270 +S'Charles David' +p174246 +sg25273 +S'oil on canvas' +p174247 +sg25275 +S'1839' +p174248 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f11.jpg' +p174249 +sg25267 +g27 +sa(dp174250 +g25268 +S'Ballet Scene' +p174251 +sg25270 +S'Edgar Degas' +p174252 +sg25273 +S'pastel on greenish transparent tracing paper' +p174253 +sg25275 +S'c. 1907' +p174254 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d44.jpg' +p174255 +sg25267 +g27 +sa(dp174256 +g25268 +S'Girl in Red' +p174257 +sg25270 +S'Edgar Degas' +p174258 +sg25273 +S'oil on canvas' +p174259 +sg25275 +S'c. 1866' +p174260 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a00006bb.jpg' +p174261 +sg25267 +g27 +sa(dp174262 +g25268 +S'Mademoiselle Malo' +p174263 +sg25270 +S'Edgar Degas' +p174264 +sg25273 +S'oil on canvas' +p174265 +sg25275 +S'c. 1877' +p174266 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a00006bc.jpg' +p174267 +sg25267 +g27 +sa(dp174268 +g25273 +S'(artist after)' +p174269 +sg25267 +g27 +sg25275 +S'\n' +p174270 +sg25268 +S'Michelangelo in His Studio' +p174271 +sg25270 +S'Artist Information (' +p174272 +sa(dp174273 +g25268 +S'Head of a Woman' +p174274 +sg25270 +S'Andr\xc3\xa9 Derain' +p174275 +sg25273 +S'oil on canvas' +p174276 +sg25275 +S'1926' +p174277 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000ea7.jpg' +p174278 +sg25267 +g27 +sa(dp174279 +g25268 +S'Portrait of a Girl' +p174280 +sg25270 +S'Andr\xc3\xa9 Derain' +p174281 +sg25273 +S'oil on canvas' +p174282 +sg25275 +S'1923/1924' +p174283 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000eae.jpg' +p174284 +sg25267 +g27 +sa(dp174285 +g25268 +S'The Basket' +p174286 +sg25270 +S'Raoul Dufy' +p174287 +sg25273 +S'oil on canvas' +p174288 +sg25275 +S'1926' +p174289 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000eab.jpg' +p174290 +sg25267 +g27 +sa(dp174291 +g25268 +S'Duchess de Fitz-James' +p174292 +sg25270 +S'Henri Fantin-Latour' +p174293 +sg25273 +S'oil on canvas' +p174294 +sg25275 +S'1867' +p174295 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a000065a.jpg' +p174296 +sg25267 +g27 +sa(dp174297 +g25268 +S'Mademoiselle de Fitz-James' +p174298 +sg25270 +S'Henri Fantin-Latour' +p174299 +sg25273 +S'oil on canvas' +p174300 +sg25275 +S'1867' +p174301 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a000065b.jpg' +p174302 +sg25267 +g27 +sa(dp174303 +g25268 +S'The End' +p174304 +sg25270 +S'Albert Besnard' +p174305 +sg25273 +S'etching' +p174306 +sg25275 +S'1883' +p174307 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00090/a000904a.jpg' +p174308 +sg25267 +g27 +sa(dp174309 +g25268 +S'Self-Portrait' +p174310 +sg25270 +S'Henri Fantin-Latour' +p174311 +sg25273 +S'oil on canvas' +p174312 +sg25275 +S'1858' +p174313 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a00006d1.jpg' +p174314 +sg25267 +g27 +sa(dp174315 +g25268 +S'The Charleston' +p174316 +sg25270 +S'Jean-Louis Forain' +p174317 +sg25273 +S'oil on canvas' +p174318 +sg25275 +S'1926' +p174319 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a0000646.jpg' +p174320 +sg25267 +g27 +sa(dp174321 +g25268 +S'Madame Alexandre Kohler' +p174322 +sg25270 +S'Paul Gauguin' +p174323 +sg25273 +S'oil on linen' +p174324 +sg25275 +S'1887/1888' +p174325 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a000063d.jpg' +p174326 +sg25267 +g27 +sa(dp174327 +g25273 +S'overall: 61.2 x 50.2 cm (24 1/8 x 19 3/4 in.)\r\nframed: 79.4 x 69.2 x 7.6 cm (31 1/4 x 27 1/4 x 3 in.)' +p174328 +sg25267 +g27 +sg25275 +S'\noil on canvas' +p174329 +sg25268 +S'A Young Girl Posing in Back View' +p174330 +sg25270 +S'French 19th Century' +p174331 +sa(dp174332 +g25268 +S'Nude Warrior with a Spear' +p174333 +sg25270 +S'Th\xc3\xa9odore Gericault' +p174334 +sg25273 +S'oil on canvas' +p174335 +sg25275 +S'c. 1816' +p174336 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d84.jpg' +p174337 +sg25267 +S"At the age of nineteen, Théodore Gericault entered the Parisian studio of Pierre-Narcisse\nGuérin, a successful follower of Jacques-Louis David. In Guérin's studio the young\nGericault would have refined his skills by drawing from antique statues and casts\nin the Louvre and then after the live model as a preliminary to full-scale works.\n The \n " +p174338 +sa(dp174339 +g25268 +S'Girl in White' +p174340 +sg25270 +S'Vincent van Gogh' +p174341 +sg25273 +S'oil on canvas' +p174342 +sg25275 +S'1890' +p174343 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a000064c.jpg' +p174344 +sg25267 +S'On May 21, 1890, Van Gogh arrived in Auvers, a small town outside Paris. His brother Theo, concerned about his health, had suggested he put himself under the care of Paul Gachet, a homeopathic physician and avid art patron. From his arrival in Auvers to his death on July 29, Van Gogh made about seventy paintings—more than one per day—and many drawings.\n In mid-June he wrote Gauguin: "I am trying to do some studies of wheat . . . . nothing but ears of wheat with green-blue stalks, long leaves like ribbons of green shot with pink, ears that are just turning yellow, edged with the pale pink of the dusty bloom—a pink bindweed at the bottom twisted round a stem. Over that, against a vivid yet tranquil background, I should like to paint some portraits." In fact, two paintings show this same young woman: "a peasant woman, big yellow hat with a knot of sky-blue ribbons . . . "\n ' +p174345 +sa(dp174346 +g25268 +S"Roulin's Baby" +p174347 +sg25270 +S'Vincent van Gogh' +p174348 +sg25273 +S'oil on canvas' +p174349 +sg25275 +S'1888' +p174350 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a000064d.jpg' +p174351 +sg25267 +g27 +sa(dp174352 +g25268 +S'Alsatian Girl' +p174353 +sg25270 +S'Jean-Jacques Henner' +p174354 +sg25273 +S'oil on wood' +p174355 +sg25275 +S'1873' +p174356 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a0000693.jpg' +p174357 +sg25267 +g27 +sa(dp174358 +g25268 +S'Madame Uhring' +p174359 +sg25270 +S'Jean-Jacques Henner' +p174360 +sg25273 +S'oil on wood' +p174361 +sg25275 +S'1890' +p174362 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a000065d.jpg' +p174363 +sg25267 +g27 +sa(dp174364 +g25268 +S'Ulysses' +p174365 +sg25270 +S'Jean-Auguste-Dominique Ingres' +p174366 +sg25273 +S'oil on canvas on wood' +p174367 +sg25275 +S'1827' +p174368 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000e0/a000e012.jpg' +p174369 +sg25267 +g27 +sa(dp174370 +g25273 +S'pen and blue ink with blue wash' +p174371 +sg25267 +g27 +sg25275 +S'unknown date\n' +p174372 +sg25268 +S'Excavating for Central Hall, Westminster' +p174373 +sg25270 +S'Sir Muirhead Bone' +p174374 +sa(dp174375 +g25268 +S'Girl with a Dove' +p174376 +sg25270 +S'Marie Laurencin' +p174377 +sg25273 +S'oil on linen' +p174378 +sg25275 +S'1928' +p174379 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000ed8.jpg' +p174380 +sg25267 +g27 +sa(dp174381 +g25268 +S'Maud Dale' +p174382 +sg25270 +S'Fernand L\xc3\xa9ger' +p174383 +sg25273 +S'oil on canvas' +p174384 +sg25275 +S'1935' +p174385 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000ed9.jpg' +p174386 +sg25267 +g27 +sa(dp174387 +g25273 +S'oil on canvas' +p174388 +sg25267 +g27 +sg25275 +S'1928' +p174389 +sg25268 +S'Chester Dale' +p174390 +sg25270 +S'Jean Lur\xc3\xa7at' +p174391 +sa(dp174392 +g25273 +S'oil on canvas' +p174393 +sg25267 +g27 +sg25275 +S'1928' +p174394 +sg25268 +S'Maud Dale' +p174395 +sg25270 +S'Jean Lur\xc3\xa7at' +p174396 +sa(dp174397 +g25268 +S'Lorette with Turban, Yellow Jacket' +p174398 +sg25270 +S'Henri Matisse' +p174399 +sg25273 +S'oil on wood' +p174400 +sg25275 +S'1917' +p174401 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000eb5.jpg' +p174402 +sg25267 +g27 +sa(dp174403 +g25268 +S'Odalisque, Half-Length--The Tattoo' +p174404 +sg25270 +S'Henri Matisse' +p174405 +sg25273 +S'oil on canvas' +p174406 +sg25275 +S'1923' +p174407 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e09.jpg' +p174408 +sg25267 +g27 +sa(dp174409 +g25268 +S'Pot of Geraniums' +p174410 +sg25270 +S'Henri Matisse' +p174411 +sg25273 +S'oil on linen' +p174412 +sg25275 +S'1912' +p174413 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000dfd.jpg' +p174414 +sg25267 +g27 +sa(dp174415 +g25268 +S'Leconte de Lisle' +p174416 +sg25270 +S'Jean-Fran\xc3\xa7ois Millet' +p174417 +sg25273 +S'oil on canvas' +p174418 +sg25275 +S'c. 1840/1841' +p174419 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d98.jpg' +p174420 +sg25267 +g27 +sa(dp174421 +g25268 +S'Portrait of a Man' +p174422 +sg25270 +S'Jean-Fran\xc3\xa7ois Millet' +p174423 +sg25273 +S'oil on canvas' +p174424 +sg25275 +S'c. 1845' +p174425 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004fd9.jpg' +p174426 +sg25267 +g27 +sa(dp174427 +g25268 +S'Caf\xc3\xa9 Singer' +p174428 +sg25270 +S'Amedeo Modigliani' +p174429 +sg25273 +S'oil on canvas' +p174430 +sg25275 +S'1917' +p174431 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e02.jpg' +p174432 +sg25267 +g27 +sa(dp174433 +g25273 +S'pen and ink with wash' +p174434 +sg25267 +g27 +sg25275 +S'unknown date\n' +p174435 +sg25268 +S'Evening' +p174436 +sg25270 +S'Sir Muirhead Bone' +p174437 +sa(dp174438 +g25268 +S'Girl in a Green Blouse' +p174439 +sg25270 +S'Amedeo Modigliani' +p174440 +sg25273 +S'oil on canvas' +p174441 +sg25275 +S'1917' +p174442 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e0e.jpg' +p174443 +sg25267 +g27 +sa(dp174444 +g25268 +S'Nude on a Blue Cushion' +p174445 +sg25270 +S'Amedeo Modigliani' +p174446 +sg25273 +S'oil on linen' +p174447 +sg25275 +S'1917' +p174448 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e0f.jpg' +p174449 +sg25267 +g27 +sa(dp174450 +g25268 +S'Chaim Soutine' +p174451 +sg25270 +S'Amedeo Modigliani' +p174452 +sg25273 +S'oil on canvas' +p174453 +sg25275 +S'1917' +p174454 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000de1.jpg' +p174455 +sg25267 +S'Born in 1884 to an aristocratic family in Livorno, Italy, Amedeo Modigliani settled in the Montmartre neighborhood of Paris in 1906 and began making paintings influenced by both the mood of Picasso\'s Blue period and the pictorial structure of late C\xc3\xa9zanne. In 1909 he met Constantin Brancusi and began to focus on sculpture; the thin features and references to African art in the series of \n As both painter and sculptor Modigliani concentrated on portraiture. Though he abandoned sculpture in late 1913 or early 1914 to return to painting, the long necks and attenuated features of his sculptures continue in his later painted portraits. Modigliani is also renowned for a series of languorous nudes, some of which he exhibited in 1918 at the Galerie Berthe Weill in Paris; the exhibition was closed by the police on the grounds of obscenity. Modigliani died of tubercular meningitis, aggravated by drugs and alcohol, in a Paris hospital in 1920.\n The 11th child of a Russian Jewish tailor, Chaim Soutine (1894–1943) was rescued from poverty and abuse by a rabbi who recognized his talent and sent him to art school\xe2\x80\x94first in Minsk, then in Vilna. Soutine arrived in Paris at the age of 17 in 1911\xe2\x80\x931912 and met Modigliani in Montparnasse in about 1914. They developed a close friendship, and Modigliani painted Soutine\'s portrait several times. Soutine\'s unruly, spontaneous manner of painting was alien to his Italian friend, who, to describe his own state of drunkenness, once quipped, "Everything dances around me as in a landscape by Soutine." The elegant Modigliani felt protective of the uncouth Soutine, 10 years his junior. In 1916 Modigliani introduced his friend to his dealer, Leopold Zborowski, and urged him to handle Soutine\'s work, which he began to do. Shortly before Modigliani died, he told Zborowski, "Don\'t worry, I\'m leaving you Soutine."\n While many of Modigliani\'s portraits are either stylized and impersonal—with eyes often left blank\xe2\x80\x94or almost caricatural, this painting seems to be both particular and sympathetic. Soutine sits with tumbling hair and ill-matched clothes, his hands placed awkwardly in his lap, his nose spreading across his face as he stares out of the frame. The half-closed eyes, one slightly higher than the other, might suggest Soutine\'s despair and hopelessness, attitudes with which Modigliani could identify as a poor artist in Paris. Modigliani\'s treatment of Soutine may also reflect the special place that Soutine had won in the older artist\'s affections.\n ' +p174456 +sa(dp174457 +g25268 +S'The Houses of Parliament, Sunset' +p174458 +sg25270 +S'John Singer Sargent' +p174459 +sg25273 +S'oil on canvas' +p174460 +sg25275 +S'1903' +p174461 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a0000676.jpg' +p174462 +sg25267 +S"Monet and his family lived in England briefly, seeking refuge there during the Franco-Prussian war (1870–1871), and returned in the late 1880s, staying with his artist friends \n Between 1899 and 1901, Monet made three trips to London specifically to paint. He went in winter, when the city was clouded with fog and the smoke of coal fires. "Without fog," Monet said, "London would not be a beautiful city. It is the fog that gives it its magnificent breadth." From his rooms on the sixth floor of the Savoy Hotel, Monet's view up and down the Thames provided him subject matter for several series pictures. He could see Waterloo Bridge, Charing Cross Bridge, and the Houses of Parliament. In all he completed more than one hundred Thames paintings. Most, like this one, render the city's famous landmarks as darkened silhouettes cloaked in the misty sky. He worked at prescribed times of day to capture this backlit effect, often complaining about the rapidity with which conditions changed.\n In 1904, Monet exhibited thirty-seven London pictures, including this one and \n " +p174463 +sa(dp174464 +g25268 +S'Rouen Cathedral, West Fa\xc3\xa7ade' +p174465 +sg25270 +S'Claude Monet' +p174466 +sg25273 +S'oil on canvas' +p174467 +sg25275 +S'1894' +p174468 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000ea0.jpg' +p174469 +sg25267 +S"Toward the middle of the 1880s, a number of artists became disaffected with impressionism. Monet began to explore painting in a series, or creating groups of works of almost identical subjects. The series paintings were a break from impressionism in two critical respects: the works, based on campaigns in front of the motif, were usually extensively reworked in the studio and lacked the spontaneity integral to impressionism; and, the motif itself was secondary to effects of light and weather.\n The new qualities of Monet's series paintings were given concentrated expression in the \n In late January or early February 1892, Monet rented rooms across from Rouen cathedral. He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides. The next winter he returned to paint the cathedral again, making in all more than 30 views of it. But it was less the carved Gothic façade that was Monet's subject than the atmosphere—the \n " +p174470 +sa(dp174471 +g25268 +S"The Artist's Daughter with a Parakeet" +p174472 +sg25270 +S'Berthe Morisot' +p174473 +sg25273 +S'oil on canvas' +p174474 +sg25275 +S'1890' +p174475 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a000068a.jpg' +p174476 +sg25267 +g27 +sa(dp174477 +g25273 +S'oil on canvas' +p174478 +sg25267 +g27 +sg25275 +S'1928' +p174479 +sg25268 +S'Matador in White' +p174480 +sg25270 +S'Roland Oudot' +p174481 +sa(dp174482 +g25268 +S'Le Gourmet' +p174483 +sg25270 +S'Pablo Picasso' +p174484 +sg25273 +S'oil on canvas' +p174485 +sg25275 +S'1901' +p174486 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0003a/a0003a00.jpg' +p174487 +sg25267 +g27 +sa(dp174488 +g25268 +S'Pedro Ma\xc3\xb1ach' +p174489 +sg25270 +S'Pablo Picasso' +p174490 +sg25273 +S'oil on canvas' +p174491 +sg25275 +S'1901' +p174492 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000dec.jpg' +p174493 +sg25267 +g27 +sa(dp174494 +g25268 +S'The Bather' +p174495 +sg25270 +S'Camille Pissarro' +p174496 +sg25273 +S'oil on canvas' +p174497 +sg25275 +S'1895' +p174498 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a0000691.jpg' +p174499 +sg25267 +g27 +sa(dp174500 +g25273 +S'graphite' +p174501 +sg25267 +g27 +sg25275 +S'1902' +p174502 +sg25268 +S'Demolition of Wyck Street' +p174503 +sg25270 +S'Sir Muirhead Bone' +p174504 +sa(dp174505 +g25268 +S'The Flower Vendor' +p174506 +sg25270 +S'Jean Fran\xc3\xa7ois Raffa\xc3\xablli' +p174507 +sg25273 +S'oil on canvas' +p174508 +sg25275 +S'unknown date\n' +p174509 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a000071d.jpg' +p174510 +sg25267 +g27 +sa(dp174511 +g25268 +S'Pandora' +p174512 +sg25270 +S'Odilon Redon' +p174513 +sg25273 +S'oil on canvas' +p174514 +sg25275 +S'1910/1912' +p174515 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a00006f2.jpg' +p174516 +sg25267 +g27 +sa(dp174517 +g25268 +S'Saint Sebastian' +p174518 +sg25270 +S'Odilon Redon' +p174519 +sg25273 +S'oil on canvas' +p174520 +sg25275 +S'1910/1912' +p174521 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a00006f3.jpg' +p174522 +sg25267 +g27 +sa(dp174523 +g25268 +S'Girl with a Hoop' +p174524 +sg25270 +S'Auguste Renoir' +p174525 +sg25273 +S'oil on canvas' +p174526 +sg25275 +S'1885' +p174527 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a0000722.jpg' +p174528 +sg25267 +S'In the 1880s, Renoir, like many of the impressionists, had become \n dissatisfied with the style\'s reliance on observation and visual effects \n and sought an art of more permanent qualities. "I had wrung impressionism \n dry," he later wrote, "and I finally came to the conclusion that I knew \n neither how to paint [nor] draw."\n On a trip to Italy in 1881, Renoir found new inspiration in the works of Renaissance artists, particularly Raphael, and developed a \n manner of painting he called "aigre," or "sour." The word conveys a sense of \n the hardness and tightness of his new style, exemplified by \n ' +p174529 +sa(dp174530 +g25268 +S'Marie Murer' +p174531 +sg25270 +S'Auguste Renoir' +p174532 +sg25273 +S'oil on canvas' +p174533 +sg25275 +S'1877' +p174534 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a000070b.jpg' +p174535 +sg25267 +g27 +sa(dp174536 +g25268 +S'Suzanne Valadon' +p174537 +sg25270 +S'Auguste Renoir' +p174538 +sg25273 +S'oil on canvas' +p174539 +sg25275 +S'c. 1885' +p174540 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a000070c.jpg' +p174541 +sg25267 +g27 +sa(dp174542 +g25273 +S'oil on cardboard on Masonite' +p174543 +sg25267 +g27 +sg25275 +S'unknown date\n' +p174544 +sg25268 +S'Portrait of a Man' +p174545 +sg25270 +S'Augustin Th\xc3\xa9odule Ribot' +p174546 +sa(dp174547 +g25268 +S'Chester Dale' +p174548 +sg25270 +S'Diego Rivera' +p174549 +sg25273 +S'oil on canvas' +p174550 +sg25275 +S'1945' +p174551 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000ee4.jpg' +p174552 +sg25267 +g27 +sa(dp174553 +g25268 +S'Boy on the Rocks' +p174554 +sg25270 +S'Henri Rousseau' +p174555 +sg25273 +S'oil on linen' +p174556 +sg25275 +S'1895/1897' +p174557 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a0000728.jpg' +p174558 +sg25267 +g27 +sa(dp174559 +g25268 +S'Madame G' +p174560 +sg25270 +S'Artist Information (' +p174561 +sg25273 +g27 +sg25275 +S'(painter)' +p174562 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a0000440.jpg' +p174563 +sg25267 +g27 +sa(dp174564 +g25273 +S'graphite' +p174565 +sg25267 +g27 +sg25275 +S'1910' +p174566 +sg25268 +S'Demolition of the Old Egyptian Hall' +p174567 +sg25270 +S'Sir Muirhead Bone' +p174568 +sa(dp174569 +g25268 +S'Young Woman in White Holding a Bouquet' +p174570 +sg25270 +S'Alfred Stevens' +p174571 +sg25273 +S'oil on wood' +p174572 +sg25275 +S'c. 1865/1875' +p174573 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a0000716.jpg' +p174574 +sg25267 +g27 +sa(dp174575 +g25268 +S'Jane Avril' +p174576 +sg25270 +S'Henri de Toulouse-Lautrec' +p174577 +sg25273 +S'oil on cardboard mounted on wood' +p174578 +sg25275 +S'1892' +p174579 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d3b.jpg' +p174580 +sg25267 +g27 +sa(dp174581 +g25268 +S'A Corner of the Moulin de la Galette' +p174582 +sg25270 +S'Henri de Toulouse-Lautrec' +p174583 +sg25273 +S'oil on cardboard' +p174584 +sg25275 +S'1892' +p174585 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a000074b.jpg' +p174586 +sg25267 +S"The seamy underside of the Parisian demimonde, populated by the singers, dancers, and patrons of Montmartre nightclubs was Toulouse–Lautrec's principal subject. Scion of one of France's great aristocratic families, Lautrec suffered physical maladies and stunted growth due to genetic factors. He was encouraged to draw during his long convalescences and permitted professional training in an academic studio, which he deserted to embrace modernism. Lautrec particularly admired Degas and emulated his unusual perspectives and gritty social realism. He mastered the new medium of color lithography and produced an impressive body of posters and printed illustrations that share the incisive linear quality of the design of this painting.\n Isolated by his painful physical deformity, Lautrec became an alcoholic and a denizen of dance halls and nightclubs in Montmartre, a poor working–class neighborhood untouched by Baron Haussmann's renovations of Paris. Insight gained from his handicap and his emotional remoteness from his subjects gave his depictions special force, bitterness, and sympathy, while the artifice of his preferred settings and subjects could alter reality amusingly or grotesquely in his work. Lautrec was an observer, a voyeur rather than a participant, and alienation is endemic even in the crowded \n " +p174587 +sa(dp174588 +g25268 +S'La Goulue and Her Sister' +p174589 +sg25270 +S'Henri de Toulouse-Lautrec' +p174590 +sg25273 +S"oil ? l'essence on gelatin silver print mounted on board" +p174591 +sg25275 +S'c. 1892' +p174592 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006d6e.jpg' +p174593 +sg25267 +g27 +sa(dp174594 +g25268 +S'Rue des Moulins, 1894' +p174595 +sg25270 +S'Henri de Toulouse-Lautrec' +p174596 +sg25273 +S'oil on cardboard on wood' +p174597 +sg25275 +S'1894' +p174598 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a0000745.jpg' +p174599 +sg25267 +g27 +sa(dp174600 +g25268 +S'Th\xc3\xa9odore Duret' +p174601 +sg25270 +S'Edouard Vuillard' +p174602 +sg25273 +S'oil on cardboard on wood' +p174603 +sg25275 +S'1912' +p174604 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a0000751.jpg' +p174605 +sg25267 +S"As a businessman and politician, collector and critic, Duret married an \n active public life with an interest in the arts. As a young man, he had \n been an intimate of the avant-garde circle of Manet and Degas. \n In the background of Vuillard's portrait we see a literal reflection of \n that youth -- glimpsed in a mirror is another portrait of Duret, painted many \n decades before by the American \n Vuillard's dramatically tilted view into Duret's study recalls the \n unexpected angles of Degas' work, though for Vuillard, born a generation \n later, the influence of other artists, especially \n " +p174606 +sa(dp174607 +g25268 +S'Little Girl in White' +p174608 +sg25270 +S'Artist Information (' +p174609 +sg25273 +g27 +sg25275 +S'(painter)' +p174610 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a00002a0.jpg' +p174611 +sg25267 +g27 +sa(dp174612 +g25268 +S'Woman in an Armchair' +p174613 +sg25270 +S'Andr\xc3\xa9 Derain' +p174614 +sg25273 +S'oil on canvas' +p174615 +sg25275 +S'1920/1925' +p174616 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002b/a0002b1d.jpg' +p174617 +sg25267 +g27 +sa(dp174618 +g25268 +S'Woman in a Chemise' +p174619 +sg25270 +S'Andr\xc3\xa9 Derain' +p174620 +sg25273 +S'oil on canvas' +p174621 +sg25275 +S'c. 1928' +p174622 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000ea8.jpg' +p174623 +sg25267 +g27 +sa(dp174624 +g25273 +S'oil on canvas' +p174625 +sg25267 +g27 +sg25275 +S'1928' +p174626 +sg25268 +S'Vendor of Ices' +p174627 +sg25270 +S'Marcel Gromaire' +p174628 +sa(dp174629 +g25273 +S'pen and black ink with wash on darkened paper' +p174630 +sg25267 +g27 +sg25275 +S'unknown date\n' +p174631 +sg25268 +S'Rye from Camber' +p174632 +sg25270 +S'Sir Muirhead Bone' +p174633 +sa(dp174634 +g25268 +S'Nude' +p174635 +sg25270 +S'Roger de La Fresnaye' +p174636 +sg25273 +S'oil on cardboard' +p174637 +sg25275 +S'1910' +p174638 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000ed6.jpg' +p174639 +sg25267 +g27 +sa(dp174640 +g25268 +S'Monsieur Deleu' +p174641 +sg25270 +S'Amedeo Modigliani' +p174642 +sg25273 +S'oil on canvas' +p174643 +sg25275 +S'1916' +p174644 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e10.jpg' +p174645 +sg25267 +g27 +sa(dp174646 +g25268 +S'Nude on a Divan' +p174647 +sg25270 +S'Amedeo Modigliani' +p174648 +sg25273 +S'oil on canvas' +p174649 +sg25275 +S'1918' +p174650 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e13.jpg' +p174651 +sg25267 +g27 +sa(dp174652 +g25268 +S'Marigolds and Tangerines' +p174653 +sg25270 +S'F\xc3\xa9lix Vallotton' +p174654 +sg25273 +S'oil on canvas' +p174655 +sg25275 +S'1924' +p174656 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000ee9.jpg' +p174657 +sg25267 +g27 +sa(dp174658 +g25273 +S'British, 1734 - 1797' +p174659 +sg25267 +g27 +sg25275 +S'(artist after)' +p174660 +sg25268 +S'The Widow of an Indian Chief' +p174661 +sg25270 +S'Artist Information (' +p174662 +sa(dp174663 +g25268 +S'Edouard Blau' +p174664 +sg25270 +S'Fr\xc3\xa9d\xc3\xa9ric Bazille' +p174665 +sg25273 +S'oil on canvas' +p174666 +sg25275 +S'1866' +p174667 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a00006ef.jpg' +p174668 +sg25267 +g27 +sa(dp174669 +g25268 +S'Blue Morning' +p174670 +sg25270 +S'George Bellows' +p174671 +sg25273 +S'oil on canvas' +p174672 +sg25275 +S'1909' +p174673 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a000001a.jpg' +p174674 +sg25267 +g27 +sa(dp174675 +g25268 +S'The Lone Tenement' +p174676 +sg25270 +S'George Bellows' +p174677 +sg25273 +S'oil on canvas' +p174678 +sg25275 +S'1909' +p174679 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a000001b.jpg' +p174680 +sg25267 +S"The Lone Tenement\n The whole composition directs attention to\r\nthe bridge's architectural mass. Pointed up toward\r\nthe black roadway from below, a system of vertical\r\nelements marches left to right. A factory smokestack,\r\ntwo lifeless tree trunks, the masts of a\r\nmoored ship, the slender tenement itself, and\r\nsmoke from a ship on the East River all lead across\r\nthe canvas to the bridge's heavy pier. The powerful\r\ndesign and the superb handling of earthy\r\numbers, ochers, and siennas make it difficult to\r\nbelieve that George Bellows had moved to New\r\nYork and begun painting only five years before.\n " +p174681 +sa(dp174682 +g25268 +S'Nude with Red Hair' +p174683 +sg25270 +S'George Bellows' +p174684 +sg25273 +S'oil on canvas' +p174685 +sg25275 +S'1920' +p174686 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a000001c.jpg' +p174687 +sg25267 +g27 +sa(dp174688 +g25273 +S'pen and black ink with wash' +p174689 +sg25267 +g27 +sg25275 +S'unknown date\n' +p174690 +sg25268 +S'Shiplake on Thames' +p174691 +sg25270 +S'Sir Muirhead Bone' +p174692 +sa(dp174693 +g25268 +S'The Letter' +p174694 +sg25270 +S'Pierre Bonnard' +p174695 +sg25273 +S'oil on canvas' +p174696 +sg25275 +S'c. 1906' +p174697 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a00006d5.jpg' +p174698 +sg25267 +g27 +sa(dp174699 +g25268 +S'Return of the Terre-Neuvier' +p174700 +sg25270 +S'Eug\xc3\xa8ne Boudin' +p174701 +sg25273 +S'oil on canvas' +p174702 +sg25275 +S'1875' +p174703 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a00006e0.jpg' +p174704 +sg25267 +g27 +sa(dp174705 +g25268 +S'Nude Woman with Basket of Fruit' +p174706 +sg25270 +S'Georges Braque' +p174707 +sg25273 +S'oil on canvas' +p174708 +sg25275 +S'1926' +p174709 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000dbe.jpg' +p174710 +sg25267 +g27 +sa(dp174711 +g25268 +S'Nude Woman with Fruit' +p174712 +sg25270 +S'Georges Braque' +p174713 +sg25273 +S'oil on canvas' +p174714 +sg25275 +S'1925' +p174715 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002b/a0002b18.jpg' +p174716 +sg25267 +g27 +sa(dp174717 +g25268 +S'Peonies' +p174718 +sg25270 +S'Georges Braque' +p174719 +sg25273 +S'oil on wood' +p174720 +sg25275 +S'1926' +p174721 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000dbf.jpg' +p174722 +sg25267 +g27 +sa(dp174723 +g25268 +S'Still Life: Le Jour' +p174724 +sg25270 +S'Georges Braque' +p174725 +sg25273 +S'oil on canvas' +p174726 +sg25275 +S'1929' +p174727 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000dc0.jpg' +p174728 +sg25267 +g27 +sa(dp174729 +g25268 +S'Still Life: The Table' +p174730 +sg25270 +S'Georges Braque' +p174731 +sg25273 +S'oil on canvas' +p174732 +sg25275 +S'1928' +p174733 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000dc1.jpg' +p174734 +sg25267 +g27 +sa(dp174735 +g25268 +S'Still Life with Fish' +p174736 +sg25270 +S'Emil Carlsen' +p174737 +sg25273 +S'oil on canvas' +p174738 +sg25275 +S'1882' +p174739 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a0000037.jpg' +p174740 +sg25267 +g27 +sa(dp174741 +g25268 +S'The Boating Party' +p174742 +sg25270 +S'Mary Cassatt' +p174743 +sg25273 +S'oil on canvas' +p174744 +sg25275 +S'1893/1894' +p174745 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a00006c3.jpg' +p174746 +sg25267 +S"This bold composition reveals the influence of the flat, patterned surfaces, simplified color, and unusual angles of Japanese prints, which enjoyed a huge vogue in Paris in the late 1800s. The dark figure of the man compresses the picture onto the flat plane of the canvas, and the horizon is pushed to the top, collapsing a sense of distance. Our higher vantage point gives us an oblique view into the boat. Its form is divided into decorative shapes by the intersection of its horizontal supports.\n After 1893, Cassatt began to spend many summers on the Mediterranean coast at Antibes. Under its intense sun, she began to experiment with harder, more decorative color. Here, citron and blue carve strong arcs that divide the picture into assertive, almost abstract, shapes. This picture, with its bold geometry and decorative patterning of the surface, positions Cassatt with such post–impressionist painters as \n This painting, one of her most ambitious, was the centerpiece of Cassatt's first solo exhibition in the United States in 1895. Her contacts with wealthy friends in the United States did much to bring avant–garde French painting into this country.\n " +p174747 +sa(dp174748 +g25273 +S'charcoal' +p174749 +sg25267 +g27 +sg25275 +S'unknown date\n' +p174750 +sg25268 +S'Stirlingshire Village, Winter' +p174751 +sg25270 +S'Sir Muirhead Bone' +p174752 +sa(dp174753 +g25268 +S'Miss Mary Ellison' +p174754 +sg25270 +S'Mary Cassatt' +p174755 +sg25273 +S'oil on canvas' +p174756 +sg25275 +S'c. 1880' +p174757 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a00006c4.jpg' +p174758 +sg25267 +S"This painting is the second of two portraits by Mary Cassatt thought to be of Mary Ellison. \n Cassatt painted the first in 1877, shortly after she met Miss Ellison through their mutual friend, \n Louise Waldron Elder (later Mrs. H. O. Havemeyer, a well-known American art collector and a patron \n of Cassatt). Cassatt does not flatter but, rather, concentrates on Miss Ellison's contemplative mood.\n In this painting, Cassatt demonstrates her affinities with the \n \n " +p174759 +sa(dp174760 +g25268 +S'The Loge' +p174761 +sg25270 +S'Mary Cassatt' +p174762 +sg25273 +S'oil on canvas' +p174763 +sg25275 +S'1882' +p174764 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a00006cd.jpg' +p174765 +sg25267 +S'A number of artists, including Degas, Renoir, and Cassatt, depicted \n women at the theater. While Degas took many of his subjects from the stage \n and orchestra pit, Cassatt and Renoir focused on the audience. Reflected \n behind these two young women are rings of theater seats and a massive \n chandelier; clearly, they are sitting in luxurious boxes with mirrored \n walls. Like Cassatt herself, they belong to wealthy, proper families. Their \n careful posture is reserved, almost stiff with decorum. It would have \n distinguished them, despite their bare shoulders, from some other women in \n the audience who were coquettes brought to the opera by their lovers.\n Not all the display at the theater occurred on stage, and the young \n women are equally on view, sitting forward to be seen. But the social code \n prohibits proper, unmarried young women from looking at others. The woman \n holding the fan is probably Mary Ellison, a friend of the artist visiting \n from Philadelphia. Even from behind this screen her gaze is cast modestly \n down. The other woman, perhaps the daughter of poet Stephane Mallarmé, is \n more forthright than her companion. The two seem to be mirror reflections \n of each other; while the young Philadelphian hides shyly, her friend is \n poised with self-confidence to receive the attention of other theater \n patrons.\n ' +p174766 +sa(dp174767 +g25268 +S'Girl Arranging Her Hair' +p174768 +sg25270 +S'Mary Cassatt' +p174769 +sg25273 +S'oil on canvas' +p174770 +sg25275 +S'1886' +p174771 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a00006c5.jpg' +p174772 +sg25267 +S"It was \n She chose a subject that Degas himself had often depicted: an ordinary, working–class girl at her toilette. The beauty of the picture comes from the rigor of the composition and its harmonized contrast of pinks and blues—in the sitter's nightdress, in the background, and even in her skin. While the moment is casual, even private, the girl's pose and the arrangement of furniture behind her are artfully contrived. Note, for example, how the chair back, the dry sink, and the mirror–frame rise in steps parallel to the motion of her arms, echoing and enhancing their upward sweep.\n " +p174773 +sa(dp174774 +g25268 +S'Mother and Child' +p174775 +sg25270 +S'Mary Cassatt' +p174776 +sg25273 +S'oil on canvas' +p174777 +sg25275 +S'c. 1905' +p174778 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a00006c6.jpg' +p174779 +sg25267 +S'Mother and Child\n The models for \n When Cassatt painted \n ' +p174780 +sa(dp174781 +g25268 +S'Woman with a Red Zinnia' +p174782 +sg25270 +S'Mary Cassatt' +p174783 +sg25273 +S'oil on canvas' +p174784 +sg25275 +S'1891' +p174785 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a00006c7.jpg' +p174786 +sg25267 +S'The model in \n Woman with a Red Zinnia,\n ' +p174787 +sa(dp174788 +g25268 +S"The Artist's Son, Paul" +p174789 +sg25270 +S'Paul C\xc3\xa9zanne' +p174790 +sg25273 +S'oil on canvas' +p174791 +sg25275 +S'1885/1890' +p174792 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a00006a4.jpg' +p174793 +sg25267 +g27 +sa(dp174794 +g25268 +S'Louis Guillaume' +p174795 +sg25270 +S'Paul C\xc3\xa9zanne' +p174796 +sg25273 +S'oil on canvas' +p174797 +sg25275 +S'c. 1882' +p174798 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000be/a000be52.jpg' +p174799 +sg25267 +g27 +sa(dp174800 +g25268 +S'House of P\xc3\xa8re Lacroix' +p174801 +sg25270 +S'Camille Pissarro' +p174802 +sg25273 +S'oil on canvas' +p174803 +sg25275 +S'1873' +p174804 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a00006a6.jpg' +p174805 +sg25267 +S"To brighten Cézanne's dark palette knife, his friend \n The elaborate signature and date are unusual in Cézanne's work. Perhaps he intended it for a patron or a public exhibition—at the urging of Pissarro, three of his works were included in the first impressionist show. In 1873 Cézanne moved to the village of Auvers, near Paris, where he painted this landscape. It was near Pissarro's home, and the two of them often painted side by side during 1873 and 1874. Auvers was also home to Dr. Gachet, a collector who would later care for the despairing Van Gogh. Cézanne may have hoped Gachet would purchase his work, which was ignored by the public. In the 1880s Cézanne returned to Provence in the south of France, and after inheriting his father's large estate in 1886, largely abandoned efforts to promote his work. He did not gain commercial success until he was in his 50s.\n " +p174806 +sa(dp174807 +g25268 +S'Landscape near Paris' +p174808 +sg25270 +S'Paul C\xc3\xa9zanne' +p174809 +sg25273 +S'oil on canvas' +p174810 +sg25275 +S'c. 1876' +p174811 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a00006a7.jpg' +p174812 +sg25267 +g27 +sa(dp174813 +g25268 +S'The Peppermint Bottle' +p174814 +sg25270 +S'Paul C\xc3\xa9zanne' +p174815 +sg25273 +S'oil on canvas' +p174816 +sg25275 +S'1893/1895' +p174817 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a000071a.jpg' +p174818 +sg25267 +g27 +sa(dp174819 +g25273 +S'graphite' +p174820 +sg25267 +g27 +sg25275 +S'1916' +p174821 +sg25268 +S'View of Bath' +p174822 +sg25270 +S'Sir Muirhead Bone' +p174823 +sa(dp174824 +g25268 +S'Flowers in a Rococo Vase' +p174825 +sg25270 +S'Paul C\xc3\xa9zanne' +p174826 +sg25273 +S'oil on canvas' +p174827 +sg25275 +S'c. 1876' +p174828 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a00006a8.jpg' +p174829 +sg25267 +g27 +sa(dp174830 +g25268 +S'Chrysanthemums' +p174831 +sg25270 +S'Artist Information (' +p174832 +sg25273 +g27 +sg25275 +S'(painter)' +p174833 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a000004c.jpg' +p174834 +sg25267 +g27 +sa(dp174835 +g25268 +S'Conversation among the Ruins' +p174836 +sg25270 +S'Giorgio De Chirico' +p174837 +sg25273 +S'oil on canvas' +p174838 +sg25275 +S'1927' +p174839 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e0c.jpg' +p174840 +sg25267 +g27 +sa(dp174841 +g25268 +S'Agostina' +p174842 +sg25270 +S'Jean-Baptiste-Camille Corot' +p174843 +sg25273 +S'oil on canvas' +p174844 +sg25275 +S'1866' +p174845 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d9e.jpg' +p174846 +sg25267 +g27 +sa(dp174847 +g25268 +S'Forest of Fontainebleau' +p174848 +sg25270 +S'Jean-Baptiste-Camille Corot' +p174849 +sg25273 +S'oil on canvas' +p174850 +sg25275 +S'1834' +p174851 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000dc5.jpg' +p174852 +sg25267 +S'The impressionist style developed as a method to render more accurately the\r\nappearance of the natural world, and was principally a technique for landscape painting.\r\nCorot, whose career began in the late 1820s when the academic tradition of landscape\r\npainting was being revived, was one of the most prolific and influential exponents\r\nof the genre. \n In accord with academic training, \n ' +p174853 +sa(dp174854 +g25268 +S'Rocks in the Forest of Fontainebleau' +p174855 +sg25270 +S'Jean-Baptiste-Camille Corot' +p174856 +sg25273 +S'oil on canvas' +p174857 +sg25275 +S'1860/1865' +p174858 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000db0.jpg' +p174859 +sg25267 +g27 +sa(dp174860 +g25268 +S'A View near Volterra' +p174861 +sg25270 +S'Jean-Baptiste-Camille Corot' +p174862 +sg25273 +S'oil on canvas' +p174863 +sg25275 +S'1838' +p174864 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002b/a0002b1a.jpg' +p174865 +sg25267 +g27 +sa(dp174866 +g25268 +S'Portrait of a Young Girl' +p174867 +sg25270 +S'Gustave Courbet' +p174868 +sg25273 +S'oil on canvas' +p174869 +sg25275 +S'1857' +p174870 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002b/a0002b1b.jpg' +p174871 +sg25267 +g27 +sa(dp174872 +g25273 +S'oil on canvas' +p174873 +sg25267 +g27 +sg25275 +S'1866' +p174874 +sg25268 +S'The Promenade' +p174875 +sg25270 +S'Gustave Courbet' +p174876 +sa(dp174877 +g25268 +S'A Young Woman Reading' +p174878 +sg25270 +S'Gustave Courbet' +p174879 +sg25273 +S'oil on canvas' +p174880 +sg25275 +S'c. 1866/1868' +p174881 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000db9.jpg' +p174882 +sg25267 +g27 +sa(dp174883 +g25273 +S'graphite with wash' +p174884 +sg25267 +g27 +sg25275 +S'unknown date\n' +p174885 +sg25268 +S'The Thames' +p174886 +sg25270 +S'Sir Muirhead Bone' +p174887 +sa(dp174888 +g25268 +S'The Sacrament of the Last Supper' +p174889 +sg25270 +S'Salvador Dal\xc3\xad' +p174890 +sg25273 +S'oil on canvas' +p174891 +sg25275 +S'1955' +p174892 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000df9.jpg' +p174893 +sg25267 +g27 +sa(dp174894 +g25268 +S'The Farm' +p174895 +sg25270 +S'Charles-Fran\xc3\xa7ois Daubigny' +p174896 +sg25273 +S'oil on canvas' +p174897 +sg25275 +S'1855' +p174898 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000db6.jpg' +p174899 +sg25267 +g27 +sa(dp174900 +g25268 +S'Hippolyte Lavoignat' +p174901 +sg25270 +S'Artist Information (' +p174902 +sg25273 +S'French, 1808 - 1879' +p174903 +sg25275 +S'(related artist)' +p174904 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000df/a000dfc3.jpg' +p174905 +sg25267 +g27 +sa(dp174906 +g25268 +S'Portrait of a Young Woman in White' +p174907 +sg25270 +S'Artist Information (' +p174908 +sg25273 +S'French, 1748 - 1825' +p174909 +sg25275 +S'(related artist)' +p174910 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000da6.jpg' +p174911 +sg25267 +g27 +sa(dp174912 +g25268 +S'Sweet Tremulous Leaves' +p174913 +sg25270 +S'Arthur B. Davies' +p174914 +sg25273 +S'oil on canvas' +p174915 +sg25275 +S'1922/1923' +p174916 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a0000074.jpg' +p174917 +sg25267 +g27 +sa(dp174918 +g25268 +S'Flecks of Foam' +p174919 +sg25270 +S'Henry Golden Dearth' +p174920 +sg25273 +S'oil on wood' +p174921 +sg25275 +S'c. 1911/1912' +p174922 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a0000076.jpg' +p174923 +sg25267 +g27 +sa(dp174924 +g25268 +S'Madame Camus' +p174925 +sg25270 +S'Edgar Degas' +p174926 +sg25273 +S'oil on canvas' +p174927 +sg25275 +S'1869/1870' +p174928 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e96.jpg' +p174929 +sg25267 +g27 +sa(dp174930 +g25268 +S'Four Dancers' +p174931 +sg25270 +S'Edgar Degas' +p174932 +sg25273 +S'oil on canvas' +p174933 +sg25275 +S'c. 1899' +p174934 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a00006b8.jpg' +p174935 +sg25267 +S'Degas studied his preferred subject, ballet performers, in hundreds of works. \n Two of the figures repeat poses of a model who appears in a unique set of three photographic negatives. Shot between about 1895 and 1898, the original plates solarized into colors that resemble, in reverse, the oranges and greens in \n ' +p174936 +sa(dp174937 +g25268 +S'Achille De Gas in the Uniform of a Cadet' +p174938 +sg25270 +S'Edgar Degas' +p174939 +sg25273 +S'oil on canvas' +p174940 +sg25275 +S'1856/1857' +p174941 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a000071c.jpg' +p174942 +sg25267 +g27 +sa(dp174943 +g25268 +S'Madame Ren\xc3\xa9 de Gas' +p174944 +sg25270 +S'Edgar Degas' +p174945 +sg25273 +S'oil on canvas' +p174946 +sg25275 +S'1872/1873' +p174947 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a00006b9.jpg' +p174948 +sg25267 +S'The impressionist style was incompatible with Degas\' meticulous paint handling\nand premeditated method of composing, and he preferred "independent" or "realist"\nto "impressionist" as the name of the movement. Degas did help establish and direct\nthe impressionist organization, however, and participated in seven of the eight\nexhibitions. He selected insistently modern themes -- ballet dancers, laundresses,\nprostitutes, cafés and café-concerts, and racetracks -- and depicted them in\nnumerous\nvariations. One other recurring genre was portraiture. Degas selected family and\nfriends as models rather than paint commissioned portraits, and his portraits are\noften unconventional characterizations. This portrait of Estelle Musson Balfour\nde Gas, the artist\'s first cousin and sister-in-law, was painted during Degas\' 1872-1873\nvisit to New Orleans.\n The 1871 discovery of the deterioration of his own vision sensitized the artist\nto Estelle\'s near-blindness when he visited the next year. Posture, gesture, accessories,\nand activities were often used by Degas to characterize the models in his portraits.\nSuch incidental details were deliberately omitted here, a similarly informative\ndecision. The soft focus of the painting, subdued and nearly monochromatic color\nharmonies, and Estelle\'s unfocused gaze parallel her limited visual capacity and\nindicate the artist\'s respect for Estelle and compassionate understanding of her\nsituation.\n ' +p174949 +sa(dp174950 +g25273 +S'pen and brown ink with brown wash' +p174951 +sg25267 +g27 +sg25275 +S'probably 1906' +p174952 +sg25268 +S'Horse Guards, London' +p174953 +sg25270 +S'Sir Muirhead Bone' +p174954 +sa(dp174955 +g25268 +S'Edmondo and Th\xc3\xa9r\xc3\xa8se Morbilli' +p174956 +sg25270 +S'Edgar Degas' +p174957 +sg25273 +S'oil on canvas' +p174958 +sg25275 +S'c. 1865' +p174959 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a00006ba.jpg' +p174960 +sg25267 +S"Degas' family was relatively affluent, so he did not have to rely \r\n entirely on sales of his work for financial support. He was thus free to \r\n experiment and choose his own subjects; almost all of his portraits depict \r\n relatives or friends. He was also able to delay finishing paintings, \r\n reworking them until they met his exacting standards. Many times Degas \r\n retrieved works he had already delivered so that he could perfect them. \r\n Some he never completed.\n This unfinished portrait of Degas' sister and her Neapolitan husband is \r\n one such example. (The painting was in his studio at the time of his \r\n death.) Notice how Thérèse's dress and shawl are undefined masses of color. There, Degas has scraped and rubbed the paint off the canvas. The dark lines indicate changes he intended but never made. The faces, by contrast, are carefully finished, detailed and expressive. Degas hoped to capture his sitters, he said, in "familiar and typical attitudes."\n " +p174961 +sa(dp174962 +g25273 +S'French, 1798 - 1863' +p174963 +sg25267 +g27 +sg25275 +S'(related artist)' +p174964 +sg25268 +S'Algerian Child' +p174965 +sg25270 +S'Artist Information (' +p174966 +sa(dp174967 +g25268 +S'Christopher Columbus and His Son at La R\xc3\xa1bida' +p174968 +sg25270 +S'Eug\xc3\xa8ne Delacroix' +p174969 +sg25273 +S'oil on canvas' +p174970 +sg25275 +S'1838' +p174971 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000dcd.jpg' +p174972 +sg25267 +S"The hero, the individual of talent and passion who follows a difficult, solitary path to greatness, was central to romanticism. Here is Columbus at the final moment of frustration before his ultimate triumph. Almost penniless, he and his son have sought shelter in the monastery of La Rábida,\n where, according to legendary accounts, word of the fateful meeting with Queen Isabella would soon arrive.\n Calm rectangular forms dominate: the juncture of walls and ceiling, the parade of dark canvases down the hall, the large map that Columbus contemplates. The figure groups have solid geometrical form. Even the colors are quiet: the monks' habits, the soft light and brown shadows -- only the\n plume of Columbus' hat, which points to him as protagonist, interrupts this muted range. Neither the tone nor composition matches our image of Delacroix as the champion of color and exuberant form. More typical of his work, for\n example, are the bright color accents and dynamic zigzagging energy of \n " +p174973 +sa(dp174974 +g25268 +S'Flowers in a Vase' +p174975 +sg25270 +S'Andr\xc3\xa9 Derain' +p174976 +sg25273 +S'oil on canvas' +p174977 +sg25275 +S'1932' +p174978 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e97.jpg' +p174979 +sg25267 +g27 +sa(dp174980 +g25268 +S'Harlequin' +p174981 +sg25270 +S'Andr\xc3\xa9 Derain' +p174982 +sg25273 +S'oil on canvas' +p174983 +sg25275 +S'1919' +p174984 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000ead.jpg' +p174985 +sg25267 +g27 +sa(dp174986 +g25268 +S'The Old Bridge' +p174987 +sg25270 +S'Andr\xc3\xa9 Derain' +p174988 +sg25273 +S'oil on canvas' +p174989 +sg25275 +S'1910' +p174990 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e98.jpg' +p174991 +sg25267 +g27 +sa(dp174992 +g25268 +S'Still Life' +p174993 +sg25270 +S'Andr\xc3\xa9 Derain' +p174994 +sg25273 +S'oil on canvas' +p174995 +sg25275 +S'1913' +p174996 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002b/a0002b1c.jpg' +p174997 +sg25267 +g27 +sa(dp174998 +g25268 +S'Maud Dale' +p174999 +sg25270 +S'Jean-Gabriel Domergue' +p175000 +sg25273 +S'oil on canvas' +p175001 +sg25275 +S'1923' +p175002 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00060/a00060a4.jpg' +p175003 +sg25267 +g27 +sa(dp175004 +g25273 +S'oil on canvas' +p175005 +sg25267 +g27 +sg25275 +S'1914' +p175006 +sg25268 +S'A Picador' +p175007 +sg25270 +S'Jean-Gabriel Domergue' +p175008 +sa(dp175009 +g25268 +S'Anna de Peyster (?)' +p175010 +sg25270 +S'Frans van Doornik' +p175011 +sg25273 +S'oil on canvas' +p175012 +sg25275 +S'1731' +p175013 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e28.jpg' +p175014 +sg25267 +g27 +sa(dp175015 +g25273 +S'charcoal and graphite with watercolor heightened with white' +p175016 +sg25267 +g27 +sg25275 +S'1918' +p175017 +sg25268 +S'H.M.S. Princess Royal at Scapa Flow' +p175018 +sg25270 +S'Sir Muirhead Bone' +p175019 +sa(dp175020 +g25268 +S'Isaac de Peyster (?)' +p175021 +sg25270 +S'Frans van Doornik' +p175022 +sg25273 +S'oil on canvas' +p175023 +sg25275 +S'1731' +p175024 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e29.jpg' +p175025 +sg25267 +g27 +sa(dp175026 +g25268 +S'Caf\xc3\xa9 du D\xc3\xb4me' +p175027 +sg25270 +S'Guy P\xc3\xa8ne du Bois' +p175028 +sg25273 +S'oil on wood' +p175029 +sg25275 +S'1925/1926' +p175030 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a000018c.jpg' +p175031 +sg25267 +g27 +sa(dp175032 +g25268 +S'Hallway, Italian Restaurant' +p175033 +sg25270 +S'Guy P\xc3\xa8ne du Bois' +p175034 +sg25273 +S'oil on canvas' +p175035 +sg25275 +S'1922' +p175036 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a000018d.jpg' +p175037 +sg25267 +g27 +sa(dp175038 +g25268 +S'The Politicians' +p175039 +sg25270 +S'Guy P\xc3\xa8ne du Bois' +p175040 +sg25273 +S'oil on fabric-covered millboard' +p175041 +sg25275 +S'c. 1912' +p175042 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a000018e.jpg' +p175043 +sg25267 +g27 +sa(dp175044 +g25268 +S'La Rue de la Sant\xc3\xa9' +p175045 +sg25270 +S'Guy P\xc3\xa8ne du Bois' +p175046 +sg25273 +S'oil on canvas' +p175047 +sg25275 +S'1928' +p175048 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a000018f.jpg' +p175049 +sg25267 +g27 +sa(dp175050 +g25268 +S'Judgment of Paris' +p175051 +sg25270 +S'Charles Georges Dufresne' +p175052 +sg25273 +S'oil on canvas' +p175053 +sg25275 +S'1925' +p175054 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000dd0.jpg' +p175055 +sg25267 +g27 +sa(dp175056 +g25268 +S'Still Life' +p175057 +sg25270 +S'Charles Georges Dufresne' +p175058 +sg25273 +S'oil on canvas' +p175059 +sg25275 +S'1927/1928' +p175060 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000eaa.jpg' +p175061 +sg25267 +g27 +sa(dp175062 +g25268 +S'Reclining Nude' +p175063 +sg25270 +S'Raoul Dufy' +p175064 +sg25273 +S'oil on canvas' +p175065 +sg25275 +S'1930' +p175066 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000ece.jpg' +p175067 +sg25267 +g27 +sa(dp175068 +g25268 +S'Saint-Jeannet' +p175069 +sg25270 +S'Raoul Dufy' +p175070 +sg25273 +S'oil on canvas' +p175071 +sg25275 +S'1910' +p175072 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000ecf.jpg' +p175073 +sg25267 +g27 +sa(dp175074 +g25273 +S'oil on canvas' +p175075 +sg25267 +g27 +sg25275 +S'c. 1730' +p175076 +sg25268 +S'Portrait of a Girl' +p175077 +sg25270 +S'British 18th Century' +p175078 +sa(dp175079 +g25273 +S'watercolor and pen and black ink' +p175080 +sg25267 +g27 +sg25275 +S'unknown date\n' +p175081 +sg25268 +S'Golf at Canter, Sussex' +p175082 +sg25270 +S'Sir Muirhead Bone' +p175083 +sa(dp175084 +g25268 +S'Portrait of Sonia' +p175085 +sg25270 +S'Henri Fantin-Latour' +p175086 +sg25273 +S'oil on canvas' +p175087 +sg25275 +S'1890' +p175088 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a0000658.jpg' +p175089 +sg25267 +S"Not all the painting produced in France in the 1890s traced its lineage \n to impressionism or had Cassatt's bold color and composition. This \n portrait, for example, with its meticulous technique and careful attention \n to texture and detail, seems almost anachronistic. The artist was an \n intimate of the impressionists and avant-garde -- perhaps his most famous \n work is a group portrait that includes Manet, Renoir, Monet, and Zola -- but \n Fantin exhibited at the Salon and never abandoned his allegiance to the old \n masters. Still, this portrait of Fantin's niece projects a different sort \n of modernism. He approaches his subjects as a camera lens, sharpened to \n such intense focus that it illuminates a preternatural reality beyond \n appearance.\n " +p175090 +sa(dp175091 +g25268 +S'Still Life' +p175092 +sg25270 +S'Henri Fantin-Latour' +p175093 +sg25273 +S'oil on canvas' +p175094 +sg25275 +S'1866' +p175095 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a0000659.jpg' +p175096 +sg25267 +g27 +sa(dp175097 +g25268 +S'The Basket of Flowers' +p175098 +sg25270 +S'Frederick Carl Frieseke' +p175099 +sg25273 +S'oil on canvas' +p175100 +sg25275 +S'c. 1913/1917' +p175101 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000c3.jpg' +p175102 +sg25267 +g27 +sa(dp175103 +g25268 +S'Brittany Landscape' +p175104 +sg25270 +S'Paul Gauguin' +p175105 +sg25273 +S'oil on canvas' +p175106 +sg25275 +S'1888' +p175107 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a000063a.jpg' +p175108 +sg25267 +g27 +sa(dp175109 +g25268 +S'Fatata te Miti (By the Sea)' +p175110 +sg25270 +S'Paul Gauguin' +p175111 +sg25273 +S'oil on canvas' +p175112 +sg25275 +S'1892' +p175113 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a000063b.jpg' +p175114 +sg25267 +S'Like \n Their similarities invite us to compare the two works, and in other respects we find they are quite different. Where \n ' +p175115 +sa(dp175116 +g25268 +S'Self-Portrait' +p175117 +sg25270 +S'Paul Gauguin' +p175118 +sg25273 +S'oil on wood' +p175119 +sg25275 +S'1889' +p175120 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a000063c.jpg' +p175121 +sg25267 +S"Self–portraiture constituted a significant element of Gauguin's production, particularly in 1888 and 1889. Gauguin's interest was prompted in part by Vincent van Gogh's 1888 portrait series including \n This \n " +p175122 +sa(dp175123 +g25268 +S'La Mousm\xc3\xa9' +p175124 +sg25270 +S'Vincent van Gogh' +p175125 +sg25273 +S'oil on canvas' +p175126 +sg25275 +S'1888' +p175127 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a000064a.jpg' +p175128 +sg25267 +S"The intention and determination that inform Van Gogh's art can be obscured by the sensational legends that have arisen about his life. The artist's correspondence, particularly from his brief mature period of 1888 to 1890, contradicts popular lore and attests to the deliberateness, sensitivity, and integrity of his work.\n On July 29, 1888, Van Gogh wrote his younger brother Theo, an art dealer in a Parisian gallery, that "if you know what a 'mousmé' is (you will know when you have read Loti's \n Van Gogh wrote that \n " +p175129 +sa(dp175130 +g25268 +S'The Olive Orchard' +p175131 +sg25270 +S'Vincent van Gogh' +p175132 +sg25273 +S'oil on canvas' +p175133 +sg25275 +S'1889' +p175134 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a000064b.jpg' +p175135 +sg25267 +S'During the last six or seven months of 1889, Van Gogh did at least fifteen paintings of olive trees—a subject he found both demanding and compelling. He wrote to his brother Theo that he was "struggling to catch [the olive trees]. They are old silver, sometimes with more blue in them, sometimes greenish, bronzed, fading white above a soil which is yellow, pink, violet tinted orange...very difficult." He found that the "rustle of the olive grove has something very secret in it, and immensely old. It is too beautiful for us to dare to paint it or to be able to imagine it."\n In the olive trees—in the expressive power of their ancient and gnarled forms—Van Gogh found a manifestation of the spiritual force he believed resided in all of nature. His brushstrokes make the soil and even the sky seem alive with the same rustling motion as the leaves, stirred to a shimmer by the Mediterranean wind. These strong individual dashes do not seem painted so much as drawn onto the canvas with a heavily loaded brush. The energy in their continuous rhythm communicates to us, in an almost physical way, the living force that Van Gogh found within the trees themselves, the very spiritual force that he believed had shaped them.\n ' +p175136 +sa(dp175137 +g25268 +S'Portrait of Vincent van Gogh' +p175138 +sg25270 +S'Artist Information (' +p175139 +sg25273 +S'Dutch, 1853 - 1890' +p175140 +sg25275 +S'(related artist)' +p175141 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00060/a00060a5.jpg' +p175142 +sg25267 +g27 +sa(dp175143 +g25268 +S'Dr. Vignardonne' +p175144 +sg25270 +S'Antoine-Jean Gros' +p175145 +sg25273 +S'oil on canvas' +p175146 +sg25275 +S'1827' +p175147 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e9d.jpg' +p175148 +sg25267 +g27 +sa(dp175149 +g25273 +S'graphite' +p175150 +sg25267 +g27 +sg25275 +S'unknown date\n' +p175151 +sg25268 +S'The Gorbals, Glasgow' +p175152 +sg25270 +S'Sir Muirhead Bone' +p175153 +sa(dp175154 +g25268 +S'The Bridge of Louis Philippe' +p175155 +sg25270 +S'Jean-Baptiste-Armand Guillaumin' +p175156 +sg25273 +S'oil on canvas' +p175157 +sg25275 +S'1875' +p175158 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a000065c.jpg' +p175159 +sg25267 +g27 +sa(dp175160 +g25268 +S'Nude Seated' +p175161 +sg25270 +S'Childe Hassam' +p175162 +sg25273 +S'oil on canvas' +p175163 +sg25275 +S'1912' +p175164 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000e6.jpg' +p175165 +sg25267 +g27 +sa(dp175166 +g25268 +S'The Early Scholar' +p175167 +sg25270 +S'Eastman Johnson' +p175168 +sg25273 +S'oil on academy board on canvas' +p175169 +sg25275 +S'c. 1865' +p175170 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a000011e.jpg' +p175171 +sg25267 +g27 +sa(dp175172 +g25268 +S'In the Park' +p175173 +sg25270 +S'Marie Laurencin' +p175174 +sg25273 +S'oil on canvas' +p175175 +sg25275 +S'1924' +p175176 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000ed7.jpg' +p175177 +sg25267 +g27 +sa(dp175178 +g25268 +S'Woman with a Mirror' +p175179 +sg25270 +S'Fernand L\xc3\xa9ger' +p175180 +sg25273 +S'oil on canvas' +p175181 +sg25275 +S'1929' +p175182 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f37.jpg' +p175183 +sg25267 +g27 +sa(dp175184 +g25268 +S'The Big Cloud' +p175185 +sg25270 +S'Jean Lur\xc3\xa7at' +p175186 +sg25273 +S'oil on canvas' +p175187 +sg25275 +S'1929' +p175188 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000eda.jpg' +p175189 +sg25267 +g27 +sa(dp175190 +g25268 +S'Madame Michel-L\xc3\xa9vy' +p175191 +sg25270 +S'Edouard Manet' +p175192 +sg25273 +S'pastel on canvas' +p175193 +sg25275 +S'1882' +p175194 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a0000666.jpg' +p175195 +sg25267 +g27 +sa(dp175196 +g25268 +S'The Old Musician' +p175197 +sg25270 +S'Edouard Manet' +p175198 +sg25273 +S'oil on canvas' +p175199 +sg25275 +S'1862' +p175200 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a0000667.jpg' +p175201 +sg25267 +S"In a review of the 1846 Salon, poet and critic Charles Baudelaire urged artists to depict "the heroism of modern life." Manet embodied Baudelaire's ideal painter of contemporary Paris. Emperor Napoleon III ordered the renovation of Paris under the direction of Baron Haussmann, and early in the 1860s the slum where Manet located his studio was being razed to accommodate the planned broad, tree–lined boulevards that still characterize the city. In this painting, Manet represented a strolling musician flanked by a gypsy girl and infant, an acrobat, an urchin, a drunkard, and a ragpicker—individuals the artist might have observed near his studio. The seemingly casual gathering is composed of the urban poor, possibly dispossessed by Haussmann\xe2\x80\x99s projects. Neither anecdotal nor sentimental, Manet\xe2\x80\x99s portrayal carries the careful neutrality of an unbiased onlooker, and this distinctly modern ambiguity and detachment are characteristic of all Manet's work.\n By placing pigments side by side rather than blending tones, Manet could preserve the immediacy and directness of preliminary oil studies in his finished works. Effects produced by this technique were sharper and crisper than those obtained using academic methods. When they first encountered Manet's work early in the 1860s, Monet and Renoir admired his manner of painting and emulated it as they forged the style known as impressionism.\n " +p175202 +sa(dp175203 +g25268 +S'The Musician' +p175204 +sg25270 +S'Louis Casimir Ladislas Marcoussis' +p175205 +sg25273 +S'oil on canvas' +p175206 +sg25275 +S'1914' +p175207 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000eb2.jpg' +p175208 +sg25267 +g27 +sa(dp175209 +g25268 +S'The Pont Neuf' +p175210 +sg25270 +S'Albert Marquet' +p175211 +sg25273 +S'oil on canvas' +p175212 +sg25275 +S'1906' +p175213 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000eb3.jpg' +p175214 +sg25267 +g27 +sa(dp175215 +g25273 +S'charcoal with white chalk and graphite on brown paper' +p175216 +sg25267 +g27 +sg25275 +S'unknown date\n' +p175217 +sg25268 +S'Glasgow' +p175218 +sg25270 +S'Sir Muirhead Bone' +p175219 +sa(dp175220 +g25268 +S'La Coiffure' +p175221 +sg25270 +S'Henri Matisse' +p175222 +sg25273 +S'oil on canvas' +p175223 +sg25275 +S'1901' +p175224 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000eb4.jpg' +p175225 +sg25267 +g27 +sa(dp175226 +g25268 +S'Les Gorges du Loup' +p175227 +sg25270 +S'Henri Matisse' +p175228 +sg25273 +S'oil on canvas' +p175229 +sg25275 +S'1920/1925' +p175230 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000dfc.jpg' +p175231 +sg25267 +g27 +sa(dp175232 +g25268 +S'Odalisque Seated with Arms Raised, Green Striped Chair' +p175233 +sg25270 +S'Henri Matisse' +p175234 +sg25273 +S'oil on canvas' +p175235 +sg25275 +S'1923' +p175236 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e06.jpg' +p175237 +sg25267 +g27 +sa(dp175238 +g25268 +S'The Plumed Hat' +p175239 +sg25270 +S'Henri Matisse' +p175240 +sg25273 +S'oil on canvas' +p175241 +sg25275 +S'1919' +p175242 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e07.jpg' +p175243 +sg25267 +g27 +sa(dp175244 +g25268 +S'Still Life with Apples on a Pink Tablecloth' +p175245 +sg25270 +S'Henri Matisse' +p175246 +sg25273 +S'oil on canvas' +p175247 +sg25275 +S'1924' +p175248 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e08.jpg' +p175249 +sg25267 +g27 +sa(dp175250 +g25273 +S'pastel on paper' +p175251 +sg25267 +g27 +sg25275 +S'c. 1925' +p175252 +sg25268 +S'Woman with Exotic Plant' +p175253 +sg25270 +S'Henri Matisse' +p175254 +sa(dp175255 +g25268 +S'Adrienne (Woman with Bangs)' +p175256 +sg25270 +S'Amedeo Modigliani' +p175257 +sg25273 +S'oil on linen' +p175258 +sg25275 +S'1917' +p175259 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e0d.jpg' +p175260 +sg25267 +g27 +sa(dp175261 +g25268 +S'Madame Am\xc3\xa9d\xc3\xa9e (Woman with Cigarette)' +p175262 +sg25270 +S'Amedeo Modigliani' +p175263 +sg25273 +S'oil on canvas' +p175264 +sg25275 +S'1918' +p175265 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000ddd.jpg' +p175266 +sg25267 +g27 +sa(dp175267 +g25268 +S'L\xc3\xa9on Bakst' +p175268 +sg25270 +S'Amedeo Modigliani' +p175269 +sg25273 +S'oil on canvas' +p175270 +sg25275 +S'1917' +p175271 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000dde.jpg' +p175272 +sg25267 +g27 +sa(dp175273 +g25268 +S'Gypsy Woman with Baby' +p175274 +sg25270 +S'Amedeo Modigliani' +p175275 +sg25273 +S'oil on canvas' +p175276 +sg25275 +S'1919' +p175277 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000ddf.jpg' +p175278 +sg25267 +g27 +sa(dp175279 +g25273 +S'graphite' +p175280 +sg25267 +g27 +sg25275 +S'unknown date\n' +p175281 +sg25268 +S'Govan' +p175282 +sg25270 +S'Sir Muirhead Bone' +p175283 +sa(dp175284 +g25268 +S'Madame Kisling' +p175285 +sg25270 +S'Amedeo Modigliani' +p175286 +sg25273 +S'oil on canvas' +p175287 +sg25275 +S'c. 1917' +p175288 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000de0.jpg' +p175289 +sg25267 +g27 +sa(dp175290 +g25268 +S'Woman with Red Hair' +p175291 +sg25270 +S'Amedeo Modigliani' +p175292 +sg25273 +S'oil on canvas' +p175293 +sg25275 +S'1917' +p175294 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e12.jpg' +p175295 +sg25267 +g27 +sa(dp175296 +g25268 +S'Banks of the Seine, V\xc3\xa9theuil' +p175297 +sg25270 +S'Claude Monet' +p175298 +sg25273 +S'oil on canvas' +p175299 +sg25275 +S'1880' +p175300 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a000066b.jpg' +p175301 +sg25267 +S"During the early years of impressionism, one of Monet's primary intentions was to capture fleeting effects of light and atmosphere. Working quickly, out of doors, he sought to transcribe with directness and spontaneity his sensory experience of the landscape before him. But by about 1880, when this picture was painted, Monet was beginning to show more interest in the painted surface itself. This interest would lead him to explore the same subject repeatedly in his series paintings, seeking to unify individual canvases and harmonize each series as a whole.\n Here, brushstrokes vary in response to the different textures they portray—contrast, for example, the quick horizontal skips in the river's gently rippled surface with the rounder, swirling forms of the sky. But it is the foreground, where thick grasses and flowers are painted with crowded, exuberant strokes, that draws our attention. These heavy layers of paint were probably not completed on the spot, but instead carefully reworked in the studio. The strokes assume an importance in their own right, becoming decorative as\r\nwell as descriptive. Monet, however, never strays far from the natural forms that were his inspiration.\n " +p175302 +sa(dp175303 +g25268 +S'Woman Seated under the Willows' +p175304 +sg25270 +S'Claude Monet' +p175305 +sg25273 +S'oil on canvas' +p175306 +sg25275 +S'1880' +p175307 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a000066c.jpg' +p175308 +sg25267 +g27 +sa(dp175309 +g25268 +S'Rouen Cathedral, West Fa\xc3\xa7ade, Sunlight' +p175310 +sg25270 +S'Claude Monet' +p175311 +sg25273 +S'oil on canvas' +p175312 +sg25275 +S'1894' +p175313 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a0000674.jpg' +p175314 +sg25267 +S"In late January or early February 1892, Monet rented rooms across from Rouen cathedral. He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides. The next winter\r\nhe returned to paint the cathedral again, making in all more than thirty views of it. But it was not so much the deeply carved Gothic façade that was Monet's subject as it was the atmosphere—the \n " +p175315 +sa(dp175316 +g25268 +S'The Seine at Giverny' +p175317 +sg25270 +S'Claude Monet' +p175318 +sg25273 +S'oil on canvas' +p175319 +sg25275 +S'1897' +p175320 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a0000686.jpg' +p175321 +sg25267 +S'From the early 1860s until 1889, not a single year passed that Monet did not paint the Seine. Its flower-strewn banks and watery reflections appear in six of his paintings in the National Gallery of Art. In 1896, though, he began a more systematic study of the river near his home at Giverny, where he moved\r\nin 1883. Lured by the lifting haze and quickly changing light of early morning, he often rose before sunrise—at 3:30 a.m.—to be at his easel by dawn. He worked from a flat-bottomed boat tied up near the bank. But, as with his other series paintings, Monet only began the pictures outdoors, elaborating them over a period of months in his studio, taking special pains to adjust their light. These paintings, more precisely than his other series pictures, show the progression of time and the subtle changes in light as hours, even minutes, pass.\n This painting is related to the early morning series, but is even less defined. The paint here, although it is often thickly applied on the canvas, gives the impression of transparency, like thin veils of mist. This \n ' +p175322 +sa(dp175323 +g25268 +S'Jerusalem Artichoke Flowers' +p175324 +sg25270 +S'Claude Monet' +p175325 +sg25273 +S'oil on canvas' +p175326 +sg25275 +S'1880' +p175327 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a000066d.jpg' +p175328 +sg25267 +g27 +sa(dp175329 +g25268 +S'Palazzo da Mula, Venice' +p175330 +sg25270 +S'Claude Monet' +p175331 +sg25273 +S'oil on canvas' +p175332 +sg25275 +S'1908' +p175333 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a0000663.jpg' +p175334 +sg25267 +g27 +sa(dp175335 +g25268 +S'Waterloo Bridge, Gray Day' +p175336 +sg25270 +S'J. M. W. Turner' +p175337 +sg25273 +S'oil on canvas' +p175338 +sg25275 +S'1903' +p175339 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a0000675.jpg' +p175340 +sg25267 +S"With their smokestacks, barge traffic, and busy bridges, Monet's London paintings were emphatically urban—the only urban subjects he painted after the 1870s. After returning to France following the Franco-Prussian War, he moved from Paris, preferring to live nearer the countryside. His interest in London and its light-filtering fog may have been spurred by admiration for the English artist \n Like Whistler, most artists used a subdued palette and a limited range of colors to reproduce the grayness of the city. Monet's London paintings are quite different. Even in these subjects dulled by fog and coal dust, he perceived color in every form. Drifting mists are painted with delicate shades of lilac and pink, and the sky is tinged with pale olive. The shaded arches of the bridge are darkened with blues, not black, and its traffic is highlighted with brilliant flecks of scarlet.\n " +p175341 +sa(dp175342 +g25268 +S'Madame Cahen' +p175343 +sg25270 +S'Adolphe Monticelli' +p175344 +sg25273 +S'oil on canvas' +p175345 +sg25275 +S'1869' +p175346 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cd/a000cdce.jpg' +p175347 +sg25267 +g27 +sa(dp175348 +g25273 +S'pen and black ink with wash over graphite' +p175349 +sg25267 +g27 +sg25275 +S'unknown date\n' +p175350 +sg25268 +S'Harwich' +p175351 +sg25270 +S'Sir Muirhead Bone' +p175352 +sa(dp175353 +g25268 +S'In the Dining Room' +p175354 +sg25270 +S'Berthe Morisot' +p175355 +sg25273 +S'oil on canvas' +p175356 +sg25275 +S'1886' +p175357 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a0000689.jpg' +p175358 +sg25267 +g27 +sa(dp175359 +g25268 +S'The Mother and Sister of the Artist' +p175360 +sg25270 +S'Berthe Morisot' +p175361 +sg25273 +S'oil on canvas' +p175362 +sg25275 +S'1869/1870' +p175363 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004a/a0004a02.jpg' +p175364 +sg25267 +S"In an 1876 review, a sarcastic critic referred to participants in the second\r\nImpressionist exhibition as "five or six lunatics—among them a woman—a group of unfortunate creatures." Berthe Morisot is the woman to whom he alluded. Morisot, an original member of the group, showed in seven of its eight exhibitions and contributed financially to sustain the impressionist movement. \n The painting, a family portrait and an intimate domestic genre scene, was begun when Morisot's sister Edma Pontillon stayed with her family in the winter of 1869–1870 to await the birth of her first child, a pregnancy discreetly disguised by Edma's loose white morning robe. Anxious about sending the painting to the Salon, Morisot solicited Manet's advice, and on the last day for submissions he visited the Morisot home. Morisot's correspondence reveals that, rather than offer verbal suggestions, Manet extensively repainted the figure of the artist's mother. Manet's suave shorthand, seen in the mother's features and black dress, differs obviously from the nervous refinement of Morisot's touch in her sister's features, the floral upholstery, and the reflections in the mirror over Edma's head.\n " +p175365 +sa(dp175366 +g25273 +S'oil on canvas' +p175367 +sg25267 +g27 +sg25275 +S'1929' +p175368 +sg25268 +S'The Market' +p175369 +sg25270 +S'Roland Oudot' +p175370 +sa(dp175371 +g25268 +S'Elizabeth Oakes Prince Smith (Mrs. Seba Smith)' +p175372 +sg25270 +S'John Wesley Paradise' +p175373 +sg25273 +S'oil on canvas' +p175374 +sg25275 +S'c. 1845' +p175375 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d3f.jpg' +p175376 +sg25267 +g27 +sa(dp175377 +g25268 +S'Classical Head' +p175378 +sg25270 +S'Pablo Picasso' +p175379 +sg25273 +S'oil on canvas' +p175380 +sg25275 +S'1922' +p175381 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000de3.jpg' +p175382 +sg25267 +g27 +sa(dp175383 +g25268 +S'Family of Saltimbanques' +p175384 +sg25270 +S'Pablo Picasso' +p175385 +sg25273 +S'oil on canvas' +p175386 +sg25275 +S'1905' +p175387 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000eb9.jpg' +p175388 +sg25267 +S"From late 1904 to the beginning of 1906, Picasso's work centered on a single theme: the \n Circus performers were regarded as social outsiders, poor but independent. As such, they provided a telling symbol for the alienation of avant-garde artists such as Picasso. Indeed, it has been suggested that the \n Picasso reworked the \n " +p175389 +sa(dp175390 +g25268 +S'Juggler with Still Life' +p175391 +sg25270 +S'Pablo Picasso' +p175392 +sg25273 +S'gouache on cardboard' +p175393 +sg25275 +S'1905' +p175394 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000de5.jpg' +p175395 +sg25267 +g27 +sa(dp175396 +g25268 +S'The Lovers' +p175397 +sg25270 +S'Pablo Picasso' +p175398 +sg25273 +S'oil on linen' +p175399 +sg25275 +S'1923' +p175400 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000de6.jpg' +p175401 +sg25267 +g27 +sa(dp175402 +g25268 +S'Dora Maar' +p175403 +sg25270 +S'Pablo Picasso' +p175404 +sg25273 +S'oil on linen' +p175405 +sg25275 +S'1941' +p175406 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000de7.jpg' +p175407 +sg25267 +g27 +sa(dp175408 +g25268 +S'Madame Picasso' +p175409 +sg25270 +S'Pablo Picasso' +p175410 +sg25273 +S'oil on linen' +p175411 +sg25275 +S'1923' +p175412 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000de8.jpg' +p175413 +sg25267 +g27 +sa(dp175414 +g25273 +S'pen and black ink with gray wash on gray paper' +p175415 +sg25267 +g27 +sg25275 +S'1908' +p175416 +sg25268 +S'Leeds' +p175417 +sg25270 +S'Sir Muirhead Bone' +p175418 +sa(dp175419 +g25268 +S'Still Life' +p175420 +sg25270 +S'Pablo Picasso' +p175421 +sg25273 +S'oil on canvas' +p175422 +sg25275 +S'1918' +p175423 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000de9.jpg' +p175424 +sg25267 +g27 +sa(dp175425 +g25268 +S'The Tragedy' +p175426 +sg25270 +S'Pablo Picasso' +p175427 +sg25273 +S'oil on wood' +p175428 +sg25275 +S'1903' +p175429 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00022/a00022bd.jpg' +p175430 +sg25267 +g27 +sa(dp175431 +g25268 +S'Two Youths' +p175432 +sg25270 +S'Pablo Picasso' +p175433 +sg25273 +S'oil on canvas' +p175434 +sg25275 +S'1906' +p175435 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000dea.jpg' +p175436 +sg25267 +g27 +sa(dp175437 +g25268 +S'Boulevard des Italiens, Morning, Sunlight' +p175438 +sg25270 +S'Camille Pissarro' +p175439 +sg25273 +S'oil on canvas' +p175440 +sg25275 +S'1897' +p175441 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a0000690.jpg' +p175442 +sg25267 +g27 +sa(dp175443 +g25268 +S'Peasant Woman' +p175444 +sg25270 +S'Camille Pissarro' +p175445 +sg25273 +S'oil on canvas' +p175446 +sg25275 +S'1880' +p175447 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a0000695.jpg' +p175448 +sg25267 +g27 +sa(dp175449 +g25268 +S'The Prodigal Son' +p175450 +sg25270 +S'Pierre Puvis de Chavannes' +p175451 +sg25273 +S'oil on linen' +p175452 +sg25275 +S'probably c. 1879' +p175453 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a00006d4.jpg' +p175454 +sg25267 +g27 +sa(dp175455 +g25268 +S'Spring Woods' +p175456 +sg25270 +S'Henry Ward Ranger' +p175457 +sg25273 +S'oil on canvas' +p175458 +sg25275 +S'c. 1910' +p175459 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a00001e4.jpg' +p175460 +sg25267 +g27 +sa(dp175461 +g25268 +S'Evocation of Roussel' +p175462 +sg25270 +S'Odilon Redon' +p175463 +sg25273 +S'oil on canvas' +p175464 +sg25275 +S'c. 1912' +p175465 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a00006f1.jpg' +p175466 +sg25267 +g27 +sa(dp175467 +g25268 +S'Bather Arranging Her Hair' +p175468 +sg25270 +S'Auguste Renoir' +p175469 +sg25273 +S'oil on canvas' +p175470 +sg25275 +S'1893' +p175471 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a0000720.jpg' +p175472 +sg25267 +g27 +sa(dp175473 +g25273 +S'graphite' +p175474 +sg25267 +g27 +sg25275 +S'unknown date\n' +p175475 +sg25268 +S'New Inn, London' +p175476 +sg25270 +S'Sir Muirhead Bone' +p175477 +sa(dp175478 +g25268 +S'Diana' +p175479 +sg25270 +S'Auguste Renoir' +p175480 +sg25273 +S'oil on canvas' +p175481 +sg25275 +S'1867' +p175482 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a0000709.jpg' +p175483 +sg25267 +S"Renoir wrote that he had produced this painting as a study of a nude, the sort of exercise that was a mainstay of the academic tradition of painting from a posed model in the studio. Notice, for example, that the woman's foot rests on an elevated perch, and that a prop relieves the strain of her raised arms. Such devices were necessary for a model to maintain her pose. This model, though, is Lise Tréhot, the artist's mistress, and in the end, as Renoir admitted, "the picture was considered pretty improper." He said he added the bow, the dead animal, and the deerskin to transform Lise into Diana, the ancient goddess of the hunt, whose voluptuous nudity would be more acceptable to a Salon jury than that of a real woman. However, the painting was rejected by the Salon in 1867, its portrayal perhaps too close to that of a real, flesh–and–blood woman than to a classical mythological heroine.\n The picture's style shows the influence of realist painter \n " +p175484 +sa(dp175485 +g25268 +S'A Girl with a Watering Can' +p175486 +sg25270 +S'Auguste Renoir' +p175487 +sg25273 +S'oil on canvas' +p175488 +sg25275 +S'1876' +p175489 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a000070a.jpg' +p175490 +sg25267 +S'In 1876, Renoir began to paint anecdotal depictions of women and children, subjects in which he excelled. \n Specific identifications have been proposed for the girl, but none is convincing. More likely, Renoir depicted a neighborhood child whose pretty features pleased him. A girl with similar curly blond hair, sparkling blue eyes, plump pink cheeks, and smiling red lips appears, dressed the same way in other paintings by Renoir, suggesting she was a favorite figure in the artist\xe2\x80\x99s repertory. \n ' +p175491 +sa(dp175492 +g25268 +S'Odalisque' +p175493 +sg25270 +S'Auguste Renoir' +p175494 +sg25273 +S'oil on canvas' +p175495 +sg25275 +S'1870' +p175496 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0003a/a0003a15.jpg' +p175497 +sg25267 +g27 +sa(dp175498 +g25268 +S'Caroline R\xc3\xa9my ("S\xc3\xa9verine")' +p175499 +sg25270 +S'Auguste Renoir' +p175500 +sg25273 +S'pastel on paper' +p175501 +sg25275 +S'c. 1885' +p175502 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005b/a0005b42.jpg' +p175503 +sg25267 +g27 +sa(dp175504 +g25268 +S'Mademoiselle Sicot' +p175505 +sg25270 +S'Auguste Renoir' +p175506 +sg25273 +S'oil on canvas' +p175507 +sg25275 +S'1865' +p175508 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a0000721.jpg' +p175509 +sg25267 +g27 +sa(dp175510 +g25273 +S'gouache on paper' +p175511 +sg25267 +g27 +sg25275 +S'1906' +p175512 +sg25268 +S'Caf\xc3\xa9 Scene' +p175513 +sg25270 +S'Georges Rouault' +p175514 +sa(dp175515 +g25273 +S'gouache on paper' +p175516 +sg25267 +g27 +sg25275 +S'1906' +p175517 +sg25268 +S'Nude with Upraised Arms' +p175518 +sg25270 +S'Georges Rouault' +p175519 +sa(dp175520 +g25268 +S'Jacques-Louis David' +p175521 +sg25270 +S'Artist Information (' +p175522 +sg25273 +S'French, 1784 - 1869' +p175523 +sg25275 +S'(related artist)' +p175524 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d9b.jpg' +p175525 +sg25267 +g27 +sa(dp175526 +g25268 +S'The Equatorial Jungle' +p175527 +sg25270 +S'Henri Rousseau' +p175528 +sg25273 +S'oil on canvas' +p175529 +sg25275 +S'1909' +p175530 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a000070f.jpg' +p175531 +sg25267 +g27 +sa(dp175532 +g25268 +S'The Banks of the Oise' +p175533 +sg25270 +S'Alfred Sisley' +p175534 +sg25273 +S'oil on canvas' +p175535 +sg25275 +S'1877/1878' +p175536 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a000072a.jpg' +p175537 +sg25267 +g27 +sa(dp175538 +g25273 +S'graphite with wash' +p175539 +sg25267 +g27 +sg25275 +S'1920' +p175540 +sg25268 +S'Market Day, Canterbury' +p175541 +sg25270 +S'Sir Muirhead Bone' +p175542 +sa(dp175543 +g25268 +S'The Road in the Woods' +p175544 +sg25270 +S'Alfred Sisley' +p175545 +sg25273 +S'oil on canvas' +p175546 +sg25275 +S'1879' +p175547 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a000072b.jpg' +p175548 +sg25267 +g27 +sa(dp175549 +g25268 +S'Portrait of a Boy' +p175550 +sg25270 +S'Chaim Soutine' +p175551 +sg25273 +S'oil on canvas' +p175552 +sg25275 +S'1928' +p175553 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000ee7.jpg' +p175554 +sg25267 +g27 +sa(dp175555 +g25268 +S'Maxime Dethomas' +p175556 +sg25270 +S'Henri de Toulouse-Lautrec' +p175557 +sg25273 +S'oil on cardboard' +p175558 +sg25275 +S'1896' +p175559 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a0000748.jpg' +p175560 +sg25267 +g27 +sa(dp175561 +g25268 +S'Alfred la Guigne' +p175562 +sg25270 +S'Henri de Toulouse-Lautrec' +p175563 +sg25273 +S'oil on cardboard' +p175564 +sg25275 +S'1894' +p175565 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a0000749.jpg' +p175566 +sg25267 +g27 +sa(dp175567 +g25268 +S'Quadrille at the Moulin Rouge' +p175568 +sg25270 +S'Henri de Toulouse-Lautrec' +p175569 +sg25273 +S'oil on cardboard' +p175570 +sg25275 +S'1892' +p175571 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a000074a.jpg' +p175572 +sg25267 +g27 +sa(dp175573 +g25268 +S'The Church of Saint-S\xc3\xa9verin' +p175574 +sg25270 +S'Maurice Utrillo' +p175575 +sg25273 +S'oil on canvas' +p175576 +sg25275 +S'c. 1913' +p175577 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000ebf.jpg' +p175578 +sg25267 +g27 +sa(dp175579 +g25268 +S'Marizy-Sainte-Genevi\xc3\xa8ve' +p175580 +sg25270 +S'Maurice Utrillo' +p175581 +sg25273 +S'oil on canvas' +p175582 +sg25275 +S'c. 1910' +p175583 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000ec0.jpg' +p175584 +sg25267 +g27 +sa(dp175585 +g25268 +S'Carri\xc3\xa8res-Saint-Denis' +p175586 +sg25270 +S'Maurice de Vlaminck' +p175587 +sg25273 +S'oil on linen' +p175588 +sg25275 +S'1918/1920' +p175589 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002b/a0002bfe.jpg' +p175590 +sg25267 +g27 +sa(dp175591 +g25273 +S'graphite' +p175592 +sg25267 +g27 +sg25275 +S'unknown date\n' +p175593 +sg25268 +S'Monastic Remains at St. John Ely' +p175594 +sg25270 +S'Sir Muirhead Bone' +p175595 +sa(dp175596 +g25268 +S'The Old Port of Marseille' +p175597 +sg25270 +S'Maurice de Vlaminck' +p175598 +sg25273 +S'oil on canvas' +p175599 +sg25275 +S'1913' +p175600 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000edb.jpg' +p175601 +sg25267 +g27 +sa(dp175602 +g25268 +S'The River' +p175603 +sg25270 +S'Maurice de Vlaminck' +p175604 +sg25273 +S'oil on canvas' +p175605 +sg25275 +S'c. 1910' +p175606 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000edc.jpg' +p175607 +sg25267 +g27 +sa(dp175608 +g25268 +S'Still Life with Lemons' +p175609 +sg25270 +S'Maurice de Vlaminck' +p175610 +sg25273 +S'oil on canvas' +p175611 +sg25275 +S'1913/1914' +p175612 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000edd.jpg' +p175613 +sg25267 +g27 +sa(dp175614 +g25268 +S'Vase of Flowers' +p175615 +sg25270 +S'Maurice de Vlaminck' +p175616 +sg25273 +S'oil on canvas' +p175617 +sg25275 +S'1910 or before' +p175618 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000ede.jpg' +p175619 +sg25267 +g27 +sa(dp175620 +g25268 +S'Repast in a Garden' +p175621 +sg25270 +S'Edouard Vuillard' +p175622 +sg25273 +S'oil on cardboard' +p175623 +sg25275 +S'1898' +p175624 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a000072c.jpg' +p175625 +sg25267 +g27 +sa(dp175626 +g25268 +S'The Visit' +p175627 +sg25270 +S'Edouard Vuillard' +p175628 +sg25273 +S'mixed media on canvas' +p175629 +sg25275 +S'1931' +p175630 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a000072d.jpg' +p175631 +sg25267 +g27 +sa(dp175632 +g25273 +S'oil on canvas' +p175633 +sg25267 +g27 +sg25275 +S'1911/1913' +p175634 +sg25268 +S'Achieta' +p175635 +sg25270 +S'Ignacio Zuloaga' +p175636 +sa(dp175637 +g25273 +S'oil on canvas' +p175638 +sg25267 +g27 +sg25275 +S'1912' +p175639 +sg25268 +S'Mrs. Philip Lydig' +p175640 +sg25270 +S'Ignacio Zuloaga' +p175641 +sa(dp175642 +g25273 +S'oil on canvas' +p175643 +sg25267 +g27 +sg25275 +S'1911/1913' +p175644 +sg25268 +S'Merceditas' +p175645 +sg25270 +S'Ignacio Zuloaga' +p175646 +sa(dp175647 +g25268 +S'Woman in Andalusian Dress' +p175648 +sg25270 +S'Ignacio Zuloaga' +p175649 +sg25273 +S'oil on canvas' +p175650 +sg25275 +S'1911/1913' +p175651 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000df7.jpg' +p175652 +sg25267 +g27 +sa(dp175653 +g25268 +S'Sep\xc3\xbalveda' +p175654 +sg25270 +S'Ignacio Zuloaga' +p175655 +sg25273 +S'oil on canvas' +p175656 +sg25275 +S'1909' +p175657 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000df8.jpg' +p175658 +sg25267 +g27 +sa(dp175659 +g25273 +S'bronze' +p175660 +sg25267 +g27 +sg25275 +S'1931' +p175661 +sg25268 +S'Maud Dale' +p175662 +sg25270 +S'Charles Despiau' +p175663 +sa(dp175664 +g25268 +S'Death Mask of Amedeo Modigliani' +p175665 +sg25270 +S'Artist Information (' +p175666 +sg25273 +S'(artist)' +p175667 +sg25275 +S'\n' +p175668 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00043/a00043f2.jpg' +p175669 +sg25267 +g27 +sa(dp175670 +g25268 +S'P\xc3\xa8re Paillard' +p175671 +sg25270 +S'Paul Gauguin' +p175672 +sg25273 +S'painted miro wood' +p175673 +sg25275 +S'1902' +p175674 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00029/a000295a.jpg' +p175675 +sg25267 +S"Gauguin purposefully displayed his \n Gauguin shows the bishop for what he considered him to be: a nude, horned devil. Though outwardly pious, \n Gauguin retained the cylindrical form of the miro wood log (native to the Marquesas Islands where he moved in his final years) in the finished figure, a reflection of his concept of beauty as a harmony between subject and material. For the most part, the sculpture's golden brown surface retains the primitive, rhythmic patterns of the artist's chisels and gouges; only the figure's cheeks, forehead, and jutting chin are filed smooth. Gold paint, used to accent the bishop's eyes, the women, and the inscription, has largely disappeared over time.\n " +p175676 +sa(dp175677 +g25268 +S'Pair of Wooden Shoes (Sabots) [right]' +p175678 +sg25270 +S'Paul Gauguin' +p175679 +sg25273 +S'polychromed oak, leather, and iron nails' +p175680 +sg25275 +S'1889/1890' +p175681 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0003a/a0003a17.jpg' +p175682 +sg25267 +g27 +sa(dp175683 +g25268 +S'Voltaire' +p175684 +sg25270 +S'Jean-Antoine Houdon' +p175685 +sg25273 +S'marble' +p175686 +sg25275 +S'1778' +p175687 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002c/a0002c10.jpg' +p175688 +sg25267 +S"Voltaire (François-Marie Arouet, 1694-1778) returned from exile in Switzerland to Paris in\nFebruary 1778. A clamorous welcome awaited the eighty-four-year-old genius, admired by his\ncontemporaries as a playwright, historian, poet, novelist, political and social commentator, and\neloquent champion of human rights against oppression and intolerance. This portrait is one result\nof the encounter, on that last visit to Paris, between a brilliant intellectual and an artist of exalted\nstature. Voltaire sat for Houdon several times before the exertion and excitement of his journey\ntook their toll; he died on 30 May 1778.\n In a few sittings, Houdon grasped the expression that captivated contemporaries. The weary\nface, with its sagging neck and toothless mouth, nevertheless radiates intense mental and spiritual\nvitality. Penetrating observation, mocking humor, and sorrow show in the lined eyes, lifted\nbrows, and compressed smile. Voltaire's face epitomizes the quality so often implied in\neighteenth-century portraiture -- quick, biting wit.\n Voltaire proved Houdon's most popular subject, both for his own sake and for the artist's\nsatisfying characterization. Houdon produced famous seated statues of the writer (today at the\nComédie Française, Paris, and the Hermitage, St. Petersburg), and from his studio\ncame dozens of busts.\n " +p175689 +sa(dp175690 +g25268 +S'Head of a Woman' +p175691 +sg25270 +S'Amedeo Modigliani' +p175692 +sg25273 +S'limestone' +p175693 +sg25275 +S'1910/1911' +p175694 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004a/a0004a13.jpg' +p175695 +sg25267 +g27 +sa(dp175696 +g25268 +S'Claude Renoir ("Coco")' +p175697 +sg25270 +S'Auguste Renoir' +p175698 +sg25273 +S'bronze' +p175699 +sg25275 +S'1908' +p175700 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00034/a0003418.jpg' +p175701 +sg25267 +g27 +sa(dp175702 +g25268 +S'Mother and Baby' +p175703 +sg25270 +S'Honor\xc3\xa9 Daumier' +p175704 +sg25273 +S'crayon and pen and black ink with gray and brown wash on laid paper' +p175705 +sg25275 +S'unknown date\n' +p175706 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0003a/a0003a1d.jpg' +p175707 +sg25267 +g27 +sa(dp175708 +g25268 +S'Prosecutor' +p175709 +sg25270 +S'Honor\xc3\xa9 Daumier' +p175710 +sg25273 +S'pen and ink with watercolor on laid paper' +p175711 +sg25275 +S'unknown date\n' +p175712 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006fd6.jpg' +p175713 +sg25267 +g27 +sa(dp175714 +g25273 +S'chalk and pen and ink with watercolor over graphite' +p175715 +sg25267 +g27 +sg25275 +S'1923' +p175716 +sg25268 +S'The Aquatania Entering Southampton' +p175717 +sg25270 +S'Sir Muirhead Bone' +p175718 +sa(dp175719 +g25268 +S'Two Lawyers' +p175720 +sg25270 +S'Honor\xc3\xa9 Daumier' +p175721 +sg25273 +S'charcoal and gray wash on laid paper' +p175722 +sg25275 +S'unknown date\n' +p175723 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00072/a000726a.jpg' +p175724 +sg25267 +g27 +sa(dp175725 +g25273 +S'watercolor' +p175726 +sg25267 +g27 +sg25275 +S'1926' +p175727 +sg25268 +S'View of F\xc3\xa8s' +p175728 +sg25270 +S'Raoul Dufy' +p175729 +sa(dp175730 +g25268 +S'Jean Louis Gampert' +p175731 +sg25270 +S'Roger de La Fresnaye' +p175732 +sg25273 +S'black crayon, graphite and watercolor' +p175733 +sg25275 +S'c. 1920' +p175734 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006ff6.jpg' +p175735 +sg25267 +g27 +sa(dp175736 +g25268 +S'The Bath' +p175737 +sg25270 +S'Mary Cassatt' +p175738 +sg25273 +S'drypoint and aquatint on laid paper' +p175739 +sg25275 +S'1890-1891' +p175740 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a56.jpg' +p175741 +sg25267 +S'In April 1890, an exhibition of Japanese \n The Bath\n ' +p175742 +sa(dp175743 +g25268 +S'The Lamp' +p175744 +sg25270 +S'Mary Cassatt' +p175745 +sg25273 +S'color drypoint and aquatint on cream laid paper' +p175746 +sg25275 +S'1890-1891' +p175747 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005f/a0005f35.jpg' +p175748 +sg25267 +g27 +sa(dp175749 +g25268 +S'In the Omnibus' +p175750 +sg25270 +S'Mary Cassatt' +p175751 +sg25273 +S'drypoint and aquatint on laid paper' +p175752 +sg25275 +S'1890-1891' +p175753 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a57.jpg' +p175754 +sg25267 +S"Mary Cassatt often depicts mothers and children, as in \n The exterior setting of \n Cassatt has also marked the social status of the women by their clothing, in particular, \n their hats. The woman on the left wears an elaborately decorated and sculpted hat that clearly \n separates her from the woman on the right, who wears a simple cap. The woman holding the baby \n is presumably the nanny; while her attention is focused on the baby, the baby's mother turns \n her gaze through an unseen window to events happening outside the bus. Women who could afford \n to do so hired nannies to assist in raising their children. In turn, they enjoyed greater \n freedom to pursue other interests, a fact which is perhaps illustrated by the mother's diverted gaze.\n " +p175755 +sa(dp175756 +g25268 +S'The Letter' +p175757 +sg25270 +S'Mary Cassatt' +p175758 +sg25273 +S'drypoint and aquatint on laid paper' +p175759 +sg25275 +S'1890-1891' +p175760 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004b/a0004b75.jpg' +p175761 +sg25267 +S"In \n Correspondence often consumed a large part of a woman's day; she not only wrote to friends \n and acquaintances, but she was also responsible for answering invitations, responding to \n inquiries, and dealing with the daily domestic cares of the household. For Cassatt, who was \n an American expatriate living in Paris, the importance of letter-writing to keep in touch \n with family and friends must have held a special significance. The dropleaf desk in this \n composition still belongs to the artist's family; at one time, Cassatt herself may have used \n it to write letters.\n Several aspects of \n " +p175762 +sa(dp175763 +g25268 +S'The Fitting' +p175764 +sg25270 +S'Mary Cassatt' +p175765 +sg25273 +S'drypoint and aquatint on laid paper' +p175766 +sg25275 +S'1890-1891' +p175767 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a58.jpg' +p175768 +sg25267 +S'In \n The Fitting\n ' +p175769 +sa(dp175770 +g25268 +S'Woman Bathing' +p175771 +sg25270 +S'Mary Cassatt' +p175772 +sg25273 +S'drypoint and aquatint on laid paper' +p175773 +sg25275 +S'1890-1891' +p175774 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004b/a0004b76.jpg' +p175775 +sg25267 +S'In the late 1880s, Mary Cassatt began to explore the theme of women at their toilette. \n \n Although Cassatt depicted few nudes during her long career, \n ' +p175776 +sa(dp175777 +g25268 +S"Mother's Kiss" +p175778 +sg25270 +S'Mary Cassatt' +p175779 +sg25273 +S'drypoint and aquatint on laid paper' +p175780 +sg25275 +S'1890-1891' +p175781 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a59.jpg' +p175782 +sg25267 +S"The theme of mothers and children pervades much of Mary Cassatt's work. Although she \n herself never married, she often spent time with friends and family members and their \n children and represented them in drawings, prints, and paintings.\n Mother's Kiss\n " +p175783 +sa(dp175784 +g25273 +S'graphite' +p175785 +sg25267 +g27 +sg25275 +S'unknown date\n' +p175786 +sg25268 +S'Cumberland Market' +p175787 +sg25270 +S'Sir Muirhead Bone' +p175788 +sa(dp175789 +g25268 +S'Maternal Caress' +p175790 +sg25270 +S'Mary Cassatt' +p175791 +sg25273 +S'color drypoint and aquatint on cream laid paper' +p175792 +sg25275 +S'1890-1891' +p175793 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a5a.jpg' +p175794 +sg25267 +S'After seeing the exhibition of Japanese \n ' +p175795 +sa(dp175796 +g25268 +S'Afternoon Tea Party' +p175797 +sg25270 +S'Mary Cassatt' +p175798 +sg25273 +S'drypoint, aquatint, and gold paint on wove paper' +p175799 +sg25275 +S'1890-1891' +p175800 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a5b.jpg' +p175801 +sg25267 +S'Afternoon Tea Party\n The women in \n ' +p175802 +sa(dp175803 +g25268 +S'The Coiffure' +p175804 +sg25270 +S'Mary Cassatt' +p175805 +sg25273 +S'drypoint and aquatint on laid paper' +p175806 +sg25275 +S'1890-1891' +p175807 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004b/a0004b77.jpg' +p175808 +sg25267 +S'In \n The Coiffure\n Cassatt used the theme of \n ' +p175809 +sa(dp175810 +g25268 +S'The Up-Tide on the Avenue' +p175811 +sg25270 +S'Childe Hassam' +p175812 +sg25273 +S'black and gray wash with white heightening' +p175813 +sg25275 +S'probably 1890' +p175814 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000f1/a000f10f.jpg' +p175815 +sg25267 +g27 +sa(dp175816 +g25273 +S'color woodcut' +p175817 +sg25267 +g27 +sg25275 +S'1955' +p175818 +sg25268 +S'Terraces and Houses' +p175819 +sg25270 +S'Ross Abrams' +p175820 +sa(dp175821 +g25273 +S'etching and lift-ground aquatint' +p175822 +sg25267 +g27 +sg25275 +S'1955' +p175823 +sg25268 +S'The Birds' +p175824 +sg25270 +S"Helene d' Andlau" +p175825 +sa(dp175826 +g25273 +S'etching and (soft-ground etching?), printed over atone plate' +p175827 +sg25267 +g27 +sg25275 +S'1955' +p175828 +sg25268 +S'Flowers' +p175829 +sg25270 +S"Helene d' Andlau" +p175830 +sa(dp175831 +g25268 +S'Leopold I and Eleanor of Austria' +p175832 +sg25270 +S'Austrian 17th Century' +p175833 +sg25273 +S'Rosenwald Collection' +p175834 +sg25275 +S'\nengraving' +p175835 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d7/a000d782.jpg' +p175836 +sg25267 +g27 +sa(dp175837 +g25268 +S'The Crucifixion' +p175838 +sg25270 +S'French 15th Century' +p175839 +sg25273 +S'Schreiber, Vol. IX, no. 470, State d' +p175840 +sg25275 +S'\nwoodcut, hand-colored in pink, brown, and yellow' +p175841 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00082/a00082f9.jpg' +p175842 +sg25267 +g27 +sa(dp175843 +g25268 +S'The Trinity' +p175844 +sg25270 +S'French 15th Century' +p175845 +sg25273 +S'Schreiber, Vol. IX, no. 741, State m' +p175846 +sg25275 +S'\nwoodcut, hand-colored in vermilion, lilac, and ochre' +p175847 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00082/a00082fc.jpg' +p175848 +sg25267 +g27 +sa(dp175849 +g25273 +S'charcoal over pen and ink and graphite' +p175850 +sg25267 +g27 +sg25275 +S'unknown date\n' +p175851 +sg25268 +S'Concrete Demolishing - Picadilly Circus' +p175852 +sg25270 +S'Sir Muirhead Bone' +p175853 +sa(dp175854 +g25268 +S'Saint Dominic' +p175855 +sg25270 +S'Italian 15th Century' +p175856 +sg25273 +S'image: 27.3 x 10.8 cm (10 3/4 x 4 1/4 in.)\r\nsheet: 29.1 x 14 cm (11 7/16 x 5 1/2 in.)\r\noverall (external frame dimensions): 59.7 x 44.5 cm (23 1/2 x 17 1/2 in.)' +p175857 +sg25275 +S'\nwoodcut, hand-colored in brown, vermilion, orange, blue, olive, and ochre' +p175858 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00020/a000202a.jpg' +p175859 +sg25267 +g27 +sa(dp175860 +g25273 +S'color lithograph' +p175861 +sg25267 +g27 +sg25275 +S'1954' +p175862 +sg25268 +S'Festival Andino' +p175863 +sg25270 +S'Nemesio Antunez' +p175864 +sa(dp175865 +g25273 +S'color lithograph' +p175866 +sg25267 +g27 +sg25275 +S'unknown date\n' +p175867 +sg25268 +S'Composition' +p175868 +sg25270 +S'Jean Arp' +p175869 +sa(dp175870 +g25273 +S'mezzotint' +p175871 +sg25267 +g27 +sg25275 +S'1957' +p175872 +sg25268 +S'Nature Morte a la Fourchette' +p175873 +sg25270 +S'Mario Avati' +p175874 +sa(dp175875 +g25273 +S'portfolio with etchings, aquatints, and mezzotints plus 1 charcoal drawing' +p175876 +sg25267 +g27 +sg25275 +S'published 1950' +p175877 +sg25268 +S'Philippe de Rothschild\'s "A l\'Aube d\'une Guerre"' +p175878 +sg25270 +S'Mario Avati' +p175879 +sa(dp175880 +g25273 +S'woodcut' +p175881 +sg25267 +g27 +sg25275 +S'1956' +p175882 +sg25268 +S'Children and Still Life' +p175883 +sg25270 +S'Leonard Baskin' +p175884 +sa(dp175885 +g25273 +S'(artist after)' +p175886 +sg25267 +g27 +sg25275 +S'\n' +p175887 +sg25268 +S'Wilfred Owen' +p175888 +sg25270 +S'Artist Information (' +p175889 +sa(dp175890 +g25268 +S'The Market Woman [right]' +p175891 +sg25270 +S'Sebald Beham' +p175892 +sg25273 +S'engraving' +p175893 +sg25275 +S'unknown date\n' +p175894 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a85e.jpg' +p175895 +sg25267 +g27 +sa(dp175896 +g25268 +S'Peasant at Market [left]' +p175897 +sg25270 +S'Sebald Beham' +p175898 +sg25273 +S'engraving' +p175899 +sg25275 +S'unknown date\n' +p175900 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a85d.jpg' +p175901 +sg25267 +g27 +sa(dp175902 +g25268 +S'January and February' +p175903 +sg25270 +S'Sebald Beham' +p175904 +sg25273 +S'engraving' +p175905 +sg25275 +S'1546' +p175906 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a887.jpg' +p175907 +sg25267 +g27 +sa(dp175908 +g25273 +S'graphite' +p175909 +sg25267 +g27 +sg25275 +S'unknown date\n' +p175910 +sg25268 +S'Gate of the Wall, Avila' +p175911 +sg25270 +S'Sir Muirhead Bone' +p175912 +sa(dp175913 +g25268 +S'March and April' +p175914 +sg25270 +S'Sebald Beham' +p175915 +sg25273 +S'engraving' +p175916 +sg25275 +S'1546/1547' +p175917 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a886.jpg' +p175918 +sg25267 +g27 +sa(dp175919 +g25268 +S'May and June' +p175920 +sg25270 +S'Sebald Beham' +p175921 +sg25273 +S'engraving' +p175922 +sg25275 +S'1546/1547' +p175923 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a885.jpg' +p175924 +sg25267 +g27 +sa(dp175925 +g25268 +S'July and August' +p175926 +sg25270 +S'Sebald Beham' +p175927 +sg25273 +S'engraving' +p175928 +sg25275 +S'1546' +p175929 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a884.jpg' +p175930 +sg25267 +g27 +sa(dp175931 +g25268 +S'September and October' +p175932 +sg25270 +S'Sebald Beham' +p175933 +sg25273 +S'engraving' +p175934 +sg25275 +S'1546/1547' +p175935 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a883.jpg' +p175936 +sg25267 +g27 +sa(dp175937 +g25268 +S'November and December' +p175938 +sg25270 +S'Sebald Beham' +p175939 +sg25273 +S'engraving' +p175940 +sg25275 +S'1546/1547' +p175941 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a882.jpg' +p175942 +sg25267 +g27 +sa(dp175943 +g25268 +S"The Year's End" +p175944 +sg25270 +S'Sebald Beham' +p175945 +sg25273 +S'engraving' +p175946 +sg25275 +S'1546' +p175947 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a864.jpg' +p175948 +sg25267 +g27 +sa(dp175949 +g25268 +S'The Peasant Banquet' +p175950 +sg25270 +S'Sebald Beham' +p175951 +sg25273 +S'engraving' +p175952 +sg25275 +S'1546/1547' +p175953 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000aa/a000aab7.jpg' +p175954 +sg25267 +g27 +sa(dp175955 +g25268 +S'The Peasant Fight' +p175956 +sg25270 +S'Sebald Beham' +p175957 +sg25273 +S'engraving' +p175958 +sg25275 +S'1547' +p175959 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000aa/a000aab5.jpg' +p175960 +sg25267 +g27 +sa(dp175961 +g25268 +S'Peasants behind the Hedge' +p175962 +sg25270 +S'Sebald Beham' +p175963 +sg25273 +S'engraving' +p175964 +sg25275 +S'1546/1547' +p175965 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a865.jpg' +p175966 +sg25267 +g27 +sa(dp175967 +g25268 +S'The Lady and the Fool' +p175968 +sg25270 +S'Sebald Beham' +p175969 +sg25273 +S'etching' +p175970 +sg25275 +S'1540' +p175971 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a88b.jpg' +p175972 +sg25267 +g27 +sa(dp175973 +g25273 +S'watercolor and graphite' +p175974 +sg25267 +g27 +sg25275 +S'unknown date\n' +p175975 +sg25268 +S'Guardarrama, Segovia' +p175976 +sg25270 +S'Sir Muirhead Bone' +p175977 +sa(dp175978 +g25268 +S'Hungry Dogs' +p175979 +sg25270 +S'George Bellows' +p175980 +sg25273 +S'lithograph' +p175981 +sg25275 +S'1916' +p175982 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a22.jpg' +p175983 +sg25267 +g27 +sa(dp175984 +g25273 +S'pen and black ink on wove paper' +p175985 +sg25267 +g27 +sg25275 +S'unknown date\n' +p175986 +sg25268 +S'Pecheurs (Fishermen)' +p175987 +sg25270 +S'Alfred Bendiner' +p175988 +sa(dp175989 +g25273 +S'lithograph on china paper' +p175990 +sg25267 +g27 +sg25275 +S'1946' +p175991 +sg25268 +S'From "Le crepuscule des nymphes" (frontispiece)' +p175992 +sg25270 +S'Pierre Bonnard' +p175993 +sa(dp175994 +g25273 +S'lithograph on china paper' +p175995 +sg25267 +g27 +sg25275 +S'1946' +p175996 +sg25268 +S'From "Le crepuscule des nymphes" (illustration, page 9)' +p175997 +sg25270 +S'Pierre Bonnard' +p175998 +sa(dp175999 +g25273 +S'lithograph on china paper' +p176000 +sg25267 +g27 +sg25275 +S'1946' +p176001 +sg25268 +S'From "Le crepuscule des nymphes" (illustration, page 13)' +p176002 +sg25270 +S'Pierre Bonnard' +p176003 +sa(dp176004 +g25273 +S'lithograph on china paper' +p176005 +sg25267 +g27 +sg25275 +S'1946' +p176006 +sg25268 +S'From "Le crepuscule des nymphes" (illustration, page 17)' +p176007 +sg25270 +S'Pierre Bonnard' +p176008 +sa(dp176009 +g25273 +S'lithograph on china paper' +p176010 +sg25267 +g27 +sg25275 +S'1946' +p176011 +sg25268 +S'From "Le crepuscule des nymphes" (illustration, page 22)' +p176012 +sg25270 +S'Pierre Bonnard' +p176013 +sa(dp176014 +g25273 +S'lithograph on china paper' +p176015 +sg25267 +g27 +sg25275 +S'1946' +p176016 +sg25268 +S'From "Le crepuscule des nymphes" (illustration, page 25)' +p176017 +sg25270 +S'Pierre Bonnard' +p176018 +sa(dp176019 +g25273 +S'lithograph on china paper' +p176020 +sg25267 +g27 +sg25275 +S'1946' +p176021 +sg25268 +S'From "Le crepuscule des nymphes" (illustration, page 28)' +p176022 +sg25270 +S'Pierre Bonnard' +p176023 +sa(dp176024 +g25273 +S'lithograph on china paper' +p176025 +sg25267 +g27 +sg25275 +S'1946' +p176026 +sg25268 +S'From "Le crepuscule des nymphes" (illustration, page 31)' +p176027 +sg25270 +S'Pierre Bonnard' +p176028 +sa(dp176029 +g25273 +S'graphite with gray wash' +p176030 +sg25267 +g27 +sg25275 +S'unknown date\n' +p176031 +sg25268 +S'Houses at Santiago' +p176032 +sg25270 +S'Sir Muirhead Bone' +p176033 +sa(dp176034 +g25273 +S'lithograph on china paper' +p176035 +sg25267 +g27 +sg25275 +S'1946' +p176036 +sg25268 +S'From "Le crepuscule des nymphes" (illustration, page 37)' +p176037 +sg25270 +S'Pierre Bonnard' +p176038 +sa(dp176039 +g25273 +S'lithograph on china paper' +p176040 +sg25267 +g27 +sg25275 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The angels wear eucharistic vestments of the subministers of the Mass,\nthough none wears the chasuble worn by the principal celebrant, suggesting that\nChrist himself is here both priest and sacrifice.\n " +p177325 +sa(dp177326 +g25268 +S'The Nativity' +p177327 +sg25270 +S'Domenico Gagini' +p177328 +sg25273 +S'marble' +p177329 +sg25275 +S'c. 1460' +p177330 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002c/a0002c33.jpg' +p177331 +sg25267 +g27 +sa(dp177332 +g25273 +S'graphite and pen and ink heightened with white' +p177333 +sg25267 +g27 +sg25275 +S'unknown date\n' +p177334 +sg25268 +S'Sunset - Cathedral And Walls, Gerona' +p177335 +sg25270 +S'Sir Muirhead Bone' +p177336 +sa(dp177337 +g25273 +S'woodcut in black, red, and blue' +p177338 +sg25267 +g27 +sg25275 +S'1958' +p177339 +sg25268 +S'"A Toute Epreuve" VIII' +p177340 +sg25270 +S'Joan Mir\xc3\xb3' +p177341 +sa(dp177342 +g25273 +S'5-color woodcut' +p177343 +sg25267 +g27 +sg25275 +S'1958' +p177344 +sg25268 +S'"A Toute Epreuve" IX' 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Duveneck' +p178405 +sg25273 +S'drypoint' +p178406 +sg25275 +S'1883' +p178407 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a8e.jpg' +p178408 +sg25267 +g27 +sa(dp178409 +g25268 +S"Whistler's House, Old Chelsea" +p178410 +sg25270 +S'Francis Seymour Haden' +p178411 +sg25273 +S'etching with drypoint' +p178412 +sg25275 +S'1863' +p178413 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0007d/a0007d0f.jpg' +p178414 +sg25267 +g27 +sa(dp178415 +g25273 +S'watercolor and graphite' +p178416 +sg25267 +g27 +sg25275 +S'unknown date\n' +p178417 +sg25268 +S'On a P. & O.; Bay of Biscay' +p178418 +sg25270 +S'Sir Muirhead Bone' +p178419 +sa(dp178420 +g25268 +S'Eight Bells' +p178421 +sg25270 +S'Winslow Homer' +p178422 +sg25273 +S'etching' +p178423 +sg25275 +S'1887' +p178424 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000ac2.jpg' +p178425 +sg25267 +g27 +sa(dp178426 +g25273 +S'(artist after)' +p178427 +sg25267 +g27 +sg25275 +S'\n' +p178428 +sg25268 +S'Fog Warning' +p178429 +sg25270 +S'Artist Information (' +p178430 +sa(dp178431 +g25268 +S'Mending Nets' +p178432 +sg25270 +S'Winslow Homer' +p178433 +sg25273 +S'etching' +p178434 +sg25275 +S'1888' +p178435 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000ac3.jpg' +p178436 +sg25267 +g27 +sa(dp178437 +g25268 +S'Saved' +p178438 +sg25270 +S'Winslow Homer' +p178439 +sg25273 +S'etching' +p178440 +sg25275 +S'1889' +p178441 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000ac1.jpg' +p178442 +sg25267 +g27 +sa(dp178443 +g25268 +S'Sunday after Christmas 1848' +p178444 +sg25270 +S'Winslow Homer' +p178445 +sg25273 +S'pen and brown ink' +p178446 +sg25275 +S'1868' +p178447 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0cb.jpg' +p178448 +sg25267 +g27 +sa(dp178449 +g25268 +S'Seated Female Nude' +p178450 +sg25270 +S'Auguste Rodin' +p178451 +sg25273 +S'graphite' +p178452 +sg25275 +S'unknown date\n' +p178453 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00074/a0007405.jpg' +p178454 +sg25267 +g27 +sa(dp178455 +g25268 +S'Dooryard, Buckets and Tree' +p178456 +sg25270 +S'Julian Alden Weir' +p178457 +sg25273 +S'etching' +p178458 +sg25275 +S'unknown date\n' +p178459 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000f2/a000f2d3.jpg' +p178460 +sg25267 +g27 +sa(dp178461 +g25268 +S'Mother and Child' +p178462 +sg25270 +S'Julian Alden Weir' +p178463 +sg25273 +S'etching' +p178464 +sg25275 +S'unknown date\n' +p178465 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000b/a0000bd5.jpg' +p178466 +sg25267 +g27 +sa(dp178467 +g25268 +S'Arcturus' +p178468 +sg25270 +S'Julian Alden Weir' +p178469 +sg25273 +S'engraving' +p178470 +sg25275 +S'1893' +p178471 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fb/a000fb21.jpg' +p178472 +sg25267 +g27 +sa(dp178473 +g25268 +S'Young Girl with Large Hat' +p178474 +sg25270 +S'Julian Alden Weir' +p178475 +sg25273 +S'drypoint on gray paper' +p178476 +sg25275 +S'1893' +p178477 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000f2/a000f2d5.jpg' +p178478 +sg25267 +g27 +sa(dp178479 +g25273 +S'watercolor with graphite' +p178480 +sg25267 +g27 +sg25275 +S'unknown date\n' +p178481 +sg25268 +S'Entering the Piraeus' +p178482 +sg25270 +S'Sir Muirhead Bone' +p178483 +sa(dp178484 +g25268 +S'The "Adam and Eve," Old Chelsea' +p178485 +sg25270 +S'James McNeill Whistler' +p178486 +sg25273 +S'etching and drypoint' +p178487 +sg25275 +S'1879' +p178488 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ab/a000ab6c.jpg' +p178489 +sg25267 +g27 +sa(dp178490 +g25268 +S'Bibi Valentin' +p178491 +sg25270 +S'James McNeill Whistler' +p178492 +sg25273 +S'etching and drypoint' +p178493 +sg25275 +S'1859' +p178494 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a9/a000a9a9.jpg' +p178495 +sg25267 +g27 +sa(dp178496 +g25268 +S'Reading (La Lecture)' +p178497 +sg25270 +S'Anders Zorn' +p178498 +sg25273 +S'etching on Dutch paper' +p178499 +sg25275 +S'1893' +p178500 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005d/a0005dbe.jpg' +p178501 +sg25267 +g27 +sa(dp178502 +g25268 +S'Ernest Renan' +p178503 +sg25270 +S'Anders Zorn' +p178504 +sg25273 +S'etching on Dutch paper' +p178505 +sg25275 +S'1892' +p178506 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed2a.jpg' +p178507 +sg25267 +g27 +sa(dp178508 +g25268 +S'Cardinal Manning, 2nd plate' +p178509 +sg25270 +S'Alphonse Legros' +p178510 +sg25273 +S'lithograph' +p178511 +sg25275 +S'unknown date\n' +p178512 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c35.jpg' +p178513 +sg25267 +g27 +sa(dp178514 +g25268 +S"The Hand of the Artist's Daughter" +p178515 +sg25270 +S'Alphonse Legros' +p178516 +sg25273 +S'black crayon' +p178517 +sg25275 +S'unknown date\n' +p178518 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00072/a00072c9.jpg' +p178519 +sg25267 +g27 +sa(dp178520 +g25268 +S'Female Nude Seated' +p178521 +sg25270 +S'Alphonse Legros' +p178522 +sg25273 +S'graphite' +p178523 +sg25275 +S'unknown date\n' +p178524 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a00073e9.jpg' +p178525 +sg25267 +g27 +sa(dp178526 +g25273 +S'(artist after)' +p178527 +sg25267 +g27 +sg25275 +S'\n' +p178528 +sg25268 +S'The Rest on the Flight into Egypt' +p178529 +sg25270 +S'Artist Information (' +p178530 +sa(dp178531 +g25268 +S'Profil de lumiere (Profile of light)' +p178532 +sg25270 +S'Odilon Redon' +p178533 +sg25273 +S'lithograph' +p178534 +sg25275 +S'1886' +p178535 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c84.jpg' +p178536 +sg25267 +g27 +sa(dp178537 +g25268 +S'The Jolly Good Fellow (Le bon vivant)' +p178538 +sg25270 +S'Artist Information (' +p178539 +sg25273 +S'French, 1808 - 1879' +p178540 +sg25275 +S'(related artist)' +p178541 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00054/a0005418.jpg' +p178542 +sg25267 +g27 +sa(dp178543 +g25273 +S'watercolor and graphite' +p178544 +sg25267 +g27 +sg25275 +S'unknown date\n' +p178545 +sg25268 +S'S.S. Naldera, Mediterranean' +p178546 +sg25270 +S'Sir Muirhead Bone' +p178547 +sa(dp178548 +g25268 +S'The Listener (Le bourgeois en attente)' +p178549 +sg25270 +S'Artist Information (' +p178550 +sg25273 +S'French, 1808 - 1879' +p178551 +sg25275 +S'(related artist)' +p178552 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00054/a0005419.jpg' +p178553 +sg25267 +g27 +sa(dp178554 +g25273 +S'iron' +p178555 +sg25267 +g27 +sg25275 +S'1936' +p178556 +sg25268 +S'Head of Orpheus' +p178557 +sg25270 +S'Carl Milles' +p178558 +sa(dp178559 +g25273 +S'iron' +p178560 +sg25267 +g27 +sg25275 +S'18th/20th century' +p178561 +sg25268 +S'The Nativity' +p178562 +sg25270 +S'Ethiopian 18th/20th Century' +p178563 +sa(dp178564 +g25268 +S'The Virgin and Child with a Rose' +p178565 +sg25270 +S'Jacques de Bellange' +p178566 +sg25273 +S', c. 1616/1617' +p178567 +sg25275 +S'\n' +p178568 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008a/a0008a4f.jpg' +p178569 +sg25267 +g27 +sa(dp178570 +g25268 +S'Fuga Deiparae in Aegyptum (The Flight into Egypt)' +p178571 +sg25270 +S'Artist Information (' +p178572 +sg25273 +S'(artist)' +p178573 +sg25275 +S'\n' +p178574 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00053/a00053ca.jpg' +p178575 +sg25267 +g27 +sa(dp178576 +g25268 +S'The Holy Family with Saint Anne and Saint Joachim' +p178577 +sg25270 +S'Hans Burgkmair I' +p178578 +sg25273 +S'woodcut' +p178579 +sg25275 +S'1512' +p178580 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a8e4.jpg' +p178581 +sg25267 +g27 +sa(dp178582 +g25273 +S'etching' +p178583 +sg25267 +g27 +sg25275 +S'1887' +p178584 +sg25268 +S'Large View of Mariakerke (Grande vue de Mariakerke)' +p178585 +sg25270 +S'James Ensor' +p178586 +sa(dp178587 +g25268 +S'The Flight into Egypt' +p178588 +sg25270 +S'Balthasar Moncornet' +p178589 +sg25273 +S'engraving' +p178590 +sg25275 +S'unknown date\n' +p178591 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008a/a0008a14.jpg' +p178592 +sg25267 +g27 +sa(dp178593 +g25268 +S'Christ and the Virgin Enthroned' +p178594 +sg25270 +S'Bohemian 15th Century' +p178595 +sg25273 +S'overall: 13.7 x 11.8 cm (5 3/8 x 4 5/8 in.)' +p178596 +sg25275 +S'\nminiature on vellum' +p178597 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00022/a00022b4.jpg' +p178598 +sg25267 +g27 +sa(dp178599 +g25268 +S'The Genealogical Tree of the Dominicans' +p178600 +sg25270 +S'Netherlandish 15th Century' +p178601 +sg25273 +S'Schreiber, Vol. IX, no. 1776, State d' +p178602 +sg25275 +S'\nwoodcut, hand-colored with tan ground and vermilion, rose, brown, gray-blue and a printed black' +p178603 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cc/a000ccfb.jpg' +p178604 +sg25267 +g27 +sa(dp178605 +g25273 +S'graphite' +p178606 +sg25267 +g27 +sg25275 +S'probably 1929' +p178607 +sg25268 +S'Street in Matcha Suburb, Constantinople' +p178608 +sg25270 +S'Sir Muirhead Bone' +p178609 +sa(dp178610 +g25273 +S'miniature on vellum' +p178611 +sg25267 +g27 +sg25275 +S'c. 1530' +p178612 +sg25268 +S'The Resurrection' +p178613 +sg25270 +S'Simon Bening' +p178614 +sa(dp178615 +g25268 +S'Ship in Full Sail with Two Flags' +p178616 +sg25270 +S'Artist Information (' +p178617 +sg25273 +S'Flemish, c. 1525/1530 - 1569' +p178618 +sg25275 +S'(related artist)' +p178619 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cf/a000cf17.jpg' +p178620 +sg25267 +g27 +sa(dp178621 +g25273 +S'Rosenwald Collection' +p178622 +sg25267 +g27 +sg25275 +S'\nwoodcut in gold metallic ink on hand-washed orange paper' +p178623 +sg25268 +S'Endpaper with Animals' +p178624 +sg25270 +S'German 18th Century' +p178625 +sa(dp178626 +g25273 +S'Rosenwald Collection' +p178627 +sg25267 +g27 +sg25275 +S'\nwoodcut in gold metallic ink on hand-washed pink paper' +p178628 +sg25268 +S'Endpaper with Animals' +p178629 +sg25270 +S'German 18th Century' +p178630 +sa(dp178631 +g25273 +S'Rosenwald Collection' +p178632 +sg25267 +g27 +sg25275 +S'\nwoodcut in gold metallic ink on hand-washed rose paper' +p178633 +sg25268 +S'Endpaper with Animals and Figures' +p178634 +sg25270 +S'German 18th Century' +p178635 +sa(dp178636 +g25273 +S'woodcut in gold metallic ink on hand-washed rose paper' +p178637 +sg25267 +g27 +sg25275 +S'c. 1780' +p178638 +sg25268 +S'Endpaper with Peasant Wedding' +p178639 +sg25270 +S'Paul Reimund' +p178640 +sa(dp178641 +g25273 +S'woodcut in gold metallic ink on hand-washed aqua paper' +p178642 +sg25267 +g27 +sg25275 +S'c. 1780' +p178643 +sg25268 +S'Endpaper with Scenes from the Life of a Knight' +p178644 +sg25270 +S'Paul Reimund' +p178645 +sa(dp178646 +g25273 +S'woodcut in gold metallic ink on hand-washed pale yellow paper' +p178647 +sg25267 +g27 +sg25275 +S'c. 1800' +p178648 +sg25268 +S'Endpaper with Scenes of the Trades' +p178649 +sg25270 +S'Paul Reimund' +p178650 +sa(dp178651 +g25273 +S'Rosenwald Collection' +p178652 +sg25267 +g27 +sg25275 +S'\nwoodcut in gold metallic ink on hand-washed purple paper' +p178653 +sg25268 +S'Endpaper with the Twelve Months' +p178654 +sg25270 +S'German 18th Century' +p178655 +sa(dp178656 +g25273 +S'Rosenwald Collection' +p178657 +sg25267 +g27 +sg25275 +S'\nwoodcut in gold metallic ink on hand-washed orange paper' +p178658 +sg25268 +S'Endpaper with Twelve Standing Figures' +p178659 +sg25270 +S'German 18th Century' +p178660 +sa(dp178661 +g25273 +S'graphite' +p178662 +sg25267 +g27 +sg25275 +S'unknown date\n' +p178663 +sg25268 +S'Seraglio Point, Constantinople' +p178664 +sg25270 +S'Sir Muirhead Bone' +p178665 +sa(dp178666 +g25273 +S'Rosenwald Collection' +p178667 +sg25267 +g27 +sg25275 +S'\nwoodcut in gold metallic ink on hand-washed blue-green paper' +p178668 +sg25268 +S'Endpaper with Twenty-One Standing Figures' +p178669 +sg25270 +S'German 18th Century' +p178670 +sa(dp178671 +g25268 +S'Saints Cyprian, Vitus, Stephan, and Cornelius' +p178672 +sg25270 +S'German 12th Century' +p178673 +sg25273 +S'overall: 10.9 x 14.2 cm (4 5/16 x 5 9/16 in.)' +p178674 +sg25275 +S'\nminiature on vellum' +p178675 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00079/a0007922.jpg' +p178676 +sg25267 +g27 +sa(dp178677 +g25268 +S'Initials V and D' +p178678 +sg25270 +S'German 12th Century' +p178679 +sg25273 +S'overall: 10.3 x 13.5 cm (4 1/16 x 5 5/16 in.)' +p178680 +sg25275 +S'\nminiature on vellum' +p178681 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00079/a0007920.jpg' +p178682 +sg25267 +g27 +sa(dp178683 +g25268 +S'Die Herpavck vnd andere Drvmmen zvernst vnd Schimpf wir lassen ervmmen' +p178684 +sg25270 +S'German 16th Century' +p178685 +sg25273 +S'Rosenwald Collection' +p178686 +sg25275 +S'\nengraving touched with yellow watercolor' +p178687 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a799.jpg' +p178688 +sg25267 +g27 +sa(dp178689 +g25268 +S'Gantz loblich Pfeiffen wir all drei avs der Mvsic: Schon Melodey' +p178690 +sg25270 +S'German 16th Century' +p178691 +sg25273 +S'Rosenwald Collection' +p178692 +sg25275 +S'\nengraving touched with yellow watercolor' +p178693 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a795.jpg' +p178694 +sg25267 +g27 +sa(dp178695 +g25268 +S'Die Instrvment gantz lvstig Kling vorab wen man darein tvt singen' +p178696 +sg25270 +S'German 16th Century' +p178697 +sg25273 +S'Rosenwald Collection' +p178698 +sg25275 +S'\nengraving' +p178699 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a796.jpg' +p178700 +sg25267 +g27 +sa(dp178701 +g25268 +S'Liblich singen wir avs der Mass den Tenor discant Alt und Bass' +p178702 +sg25270 +S'German 16th Century' +p178703 +sg25273 +S'Rosenwald Collection' +p178704 +sg25275 +S'\nengraving' +p178705 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a797.jpg' +p178706 +sg25267 +g27 +sa(dp178707 +g25268 +S'Nach der Mvsic: Geigen wir drei gantz Kvnstlice vnd artliche dabei' +p178708 +sg25270 +S'German 16th Century' +p178709 +sg25273 +S'Rosenwald Collection' +p178710 +sg25275 +S'\nengraving' +p178711 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a798.jpg' +p178712 +sg25267 +g27 +sa(dp178713 +g25268 +S'Ich schlag das Positif mit Schall die Zytternavchmacht frolich all' +p178714 +sg25270 +S'German 16th Century' +p178715 +sg25273 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in.)\r\nsheet: 29.2 x 14.3 cm (11 1/2 x 5 5/8 in.)\r\noverall (exterior frame dimensions): 59.7 x 44.5 cm (23 1/2 x 17 1/2 in.)' +p178739 +sg25275 +S'\nwoodcut, hand-colored in dark brown, orange, and yellow; with inscription in pen and ink' +p178740 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00010/a000106d.jpg' +p178741 +sg25267 +g27 +sa(dp178742 +g25268 +S'Saint Luke' +p178743 +sg25270 +S'Italian 12th Century' +p178744 +sg25273 +S'overall: 54 x 36.5 cm (21 1/4 x 14 3/8 in.)' +p178745 +sg25275 +S'\nminiature on vellum' +p178746 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00063/a00063b5.jpg' +p178747 +sg25267 +g27 +sa(dp178748 +g25268 +S'Saint Mark' +p178749 +sg25270 +S'Italian 12th Century' +p178750 +sg25273 +S'overall: 54 x 36.5 cm (21 1/4 x 14 3/8 in.)' +p178751 +sg25275 +S'\nminiature on vellum' +p178752 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00034/a0003422.jpg' +p178753 +sg25267 +g27 +sa(dp178754 +g25268 +S'The Flight into Egypt [recto]' +p178755 +sg25270 +S'Italian 15th 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The Kingdom of God shall be taken from you ..." 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+sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed75.jpg' +p181470 +sg25267 +g27 +sa(dp181471 +g25268 +S'Village Street' +p181472 +sg25270 +S'Artist Information (' +p181473 +sg25273 +S'(artist)' +p181474 +sg25275 +S'\n' +p181475 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cd/a000cd8b.jpg' +p181476 +sg25267 +g27 +sa(dp181477 +g25268 +S'Village Street' +p181478 +sg25270 +S'Artist Information (' +p181479 +sg25273 +S'(artist)' +p181480 +sg25275 +S'\n' +p181481 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cd/a000cd67.jpg' +p181482 +sg25267 +g27 +sa(dp181483 +g25268 +S'Village Street' +p181484 +sg25270 +S'Artist Information (' +p181485 +sg25273 +S'(artist)' +p181486 +sg25275 +S'\n' +p181487 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cd/a000cd70.jpg' +p181488 +sg25267 +g27 +sa(dp181489 +g25268 +S'Farm' +p181490 +sg25270 +S'Artist Information (' +p181491 +sg25273 +S'(artist)' +p181492 +sg25275 +S'\n' +p181493 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cd/a000cd73.jpg' +p181494 +sg25267 +g27 +sa(dp181495 +g25268 +S'Farms' +p181496 +sg25270 +S'Artist Information (' +p181497 +sg25273 +S'(artist)' +p181498 +sg25275 +S'\n' +p181499 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cd/a000cda1.jpg' +p181500 +sg25267 +g27 +sa(dp181501 +g25268 +S"The Swann's Inn with Farms" +p181502 +sg25270 +S'Artist Information (' +p181503 +sg25273 +S'(artist)' +p181504 +sg25275 +S'\n' +p181505 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cd/a000cd83.jpg' +p181506 +sg25267 +g27 +sa(dp181507 +g25268 +S'Village Street' +p181508 +sg25270 +S'Artist Information (' +p181509 +sg25273 +S'(artist)' +p181510 +sg25275 +S'\n' +p181511 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cd/a000cdab.jpg' +p181512 +sg25267 +g27 +sa(dp181513 +g25268 +S'Village Street with Hay Cart' +p181514 +sg25270 +S'Artist Information (' +p181515 +sg25273 +S'(artist)' +p181516 +sg25275 +S'\n' +p181517 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cd/a000cd9e.jpg' +p181518 +sg25267 +g27 +sa(dp181519 +g25268 +S'Farms' 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+sa(dp181541 +g25273 +S'etching retouched with engraving' +p181542 +sg25267 +g27 +sg25275 +S'published in or before 1633' +p181543 +sg25268 +S'Castle with a Moat' +p181544 +sg25270 +S'Carel Collaert' +p181545 +sa(dp181546 +g25273 +S'etching retouched with engraving' +p181547 +sg25267 +g27 +sg25275 +S'published in or before 1633' +p181548 +sg25268 +S'Village Square with Shrine' +p181549 +sg25270 +S'Carel Collaert' +p181550 +sa(dp181551 +g25273 +S'(artist)' +p181552 +sg25267 +g27 +sg25275 +S'\n' +p181553 +sg25268 +S'Farms' +p181554 +sg25270 +S'Artist Information (' +p181555 +sa(dp181556 +g25273 +S'(artist)' +p181557 +sg25267 +g27 +sg25275 +S'\n' +p181558 +sg25268 +S'Farms with Draw Well' +p181559 +sg25270 +S'Artist Information (' +p181560 +sa(dp181561 +g25273 +S'(artist)' +p181562 +sg25267 +g27 +sg25275 +S'\n' +p181563 +sg25268 +S'Shed with Cottage' +p181564 +sg25270 +S'Artist Information (' +p181565 +sa(dp181566 +g25273 +S'(artist)' +p181567 +sg25267 +g27 +sg25275 +S'\n' +p181568 +sg25268 +S'Village Road with Farm and Sheds' +p181569 +sg25270 +S'Artist Information (' +p181570 +sa(dp181571 +g25273 +S'(artist)' +p181572 +sg25267 +g27 +sg25275 +S'\n' +p181573 +sg25268 +S'Farm' +p181574 +sg25270 +S'Artist Information (' +p181575 +sa(dp181576 +g25273 +S'(artist)' +p181577 +sg25267 +g27 +sg25275 +S'\n' +p181578 +sg25268 +S'Fields and a Village Road with Post Mill' +p181579 +sg25270 +S'Artist Information (' +p181580 +sa(dp181581 +g25273 +S'(artist)' +p181582 +sg25267 +g27 +sg25275 +S'\n' +p181583 +sg25268 +S'Village Street' +p181584 +sg25270 +S'Artist Information (' +p181585 +sa(dp181586 +g25268 +S'Los Moros hacen otro capeo en plaza con su albornoz (The Moors Make a Different Play in the Ring Calling the Bull with Their Burnous)' +p181587 +sg25270 +S'Francisco de Goya' +p181588 +sg25273 +S'etching, burnished aquatint and drypoint [first edition impression]' +p181589 +sg25275 +S'in or before 1816' +p181590 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed77.jpg' 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Information (' +p181621 +sa(dp181622 +g25273 +S'(artist)' +p181623 +sg25267 +g27 +sg25275 +S'\n' +p181624 +sg25268 +S'Farms' +p181625 +sg25270 +S'Artist Information (' +p181626 +sa(dp181627 +g25273 +S'(artist)' +p181628 +sg25267 +g27 +sg25275 +S'\n' +p181629 +sg25268 +S'Country Village with Sheep and Sitting Shepherd' +p181630 +sg25270 +S'Artist Information (' +p181631 +sa(dp181632 +g25273 +S'(artist)' +p181633 +sg25267 +g27 +sg25275 +S'\n' +p181634 +sg25268 +S'Country Village with Church' +p181635 +sg25270 +S'Artist Information (' +p181636 +sa(dp181637 +g25273 +S'(artist)' +p181638 +sg25267 +g27 +sg25275 +S'\n' +p181639 +sg25268 +S'Village Road' +p181640 +sg25270 +S'Artist Information (' +p181641 +sa(dp181642 +g25268 +S'Origen de los arpones o banderillas (Origin of the Harpoons or Banderillas)' +p181643 +sg25270 +S'Francisco de Goya' +p181644 +sg25273 +S'etching, burnished aquatint and burin [first edition impression]' +p181645 +sg25275 +S'in or before 1816' +p181646 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed78.jpg' +p181647 +sg25267 +g27 +sa(dp181648 +g25273 +S'(artist)' +p181649 +sg25267 +g27 +sg25275 +S'\n' +p181650 +sg25268 +S'Farms' +p181651 +sg25270 +S'Artist Information (' +p181652 +sa(dp181653 +g25273 +S'(artist)' +p181654 +sg25267 +g27 +sg25275 +S'\n' +p181655 +sg25268 +S'Farms and Shed' +p181656 +sg25270 +S'Artist Information (' +p181657 +sa(dp181658 +g25273 +S'(artist)' +p181659 +sg25267 +g27 +sg25275 +S'\n' +p181660 +sg25268 +S'Farms' +p181661 +sg25270 +S'Artist Information (' +p181662 +sa(dp181663 +g25273 +S'(artist)' +p181664 +sg25267 +g27 +sg25275 +S'\n' +p181665 +sg25268 +S'Farms' +p181666 +sg25270 +S'Artist Information (' +p181667 +sa(dp181668 +g25273 +S'(artist)' +p181669 +sg25267 +g27 +sg25275 +S'\n' +p181670 +sg25268 +S'Farms' +p181671 +sg25270 +S'Artist Information (' +p181672 +sa(dp181673 +g25268 +S'Saint John the Baptist Preaching' +p181674 +sg25270 +S'Frans Crabbe van Espleghem' +p181675 +sg25273 +S'woodcut' +p181676 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[first edition impression]' +p181702 +sg25275 +S'in or before 1816' +p181703 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed79.jpg' +p181704 +sg25267 +g27 +sa(dp181705 +g25273 +S'color aquatint' +p181706 +sg25267 +g27 +sg25275 +S'1955' +p181707 +sg25268 +S'Undersea' +p181708 +sg25270 +S'Ruth Cyril' +p181709 +sa(dp181710 +g25268 +S'King Louis XIII of France and Anne of Austria' +p181711 +sg25270 +S'Cornelis van Dalen I' +p181712 +sg25273 +S'engraving' +p181713 +sg25275 +S'probably 1629' +p181714 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d6/a000d602.jpg' +p181715 +sg25267 +g27 +sa(dp181716 +g25268 +S"Autumn (L'Automne)" +p181717 +sg25270 +S'Charles-Fran\xc3\xa7ois Daubigny' +p181718 +sg25273 +S'etching' +p181719 +sg25275 +S'1848' +p181720 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00091/a00091d6.jpg' +p181721 +sg25267 +g27 +sa(dp181722 +g25268 +S'Little Birds (Les Petits oiseaux)' +p181723 +sg25270 +S'Charles-Fran\xc3\xa7ois Daubigny' +p181724 +sg25273 +S'etching' +p181725 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+S'Honor\xc3\xa9 Daumier' +p181748 +sg25273 +S'lithograph' +p181749 +sg25275 +S'1867' +p181750 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00095/a000950b.jpg' +p181751 +sg25267 +g27 +sa(dp181752 +g25268 +S'Chauds les gros! chauds!...' +p181753 +sg25270 +S'Honor\xc3\xa9 Daumier' +p181754 +sg25273 +S'lithograph' +p181755 +sg25275 +S'1868' +p181756 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00095/a000951e.jpg' +p181757 +sg25267 +g27 +sa(dp181758 +g25268 +S'Consultations non gratuites' +p181759 +sg25270 +S'Honor\xc3\xa9 Daumier' +p181760 +sg25273 +S'lithograph' +p181761 +sg25275 +S'1868' +p181762 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00095/a0009522.jpg' +p181763 +sg25267 +g27 +sa(dp181764 +g25268 +S'Un caballero espanol mata un toro despues de haber perdido el caballo (A Spanish Knight Kills the Bull after Having Lost His Horse)' +p181765 +sg25270 +S'Francisco de Goya' +p181766 +sg25273 +S'etching, burnished aquatint and burin [first edition impression]' +p181767 +sg25275 +S'in or before 1816' +p181768 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed7a.jpg' +p181769 +sg25267 +g27 +sa(dp181770 +g25268 +S'Dialogue des morts' +p181771 +sg25270 +S'Honor\xc3\xa9 Daumier' +p181772 +sg25273 +S'lithograph' +p181773 +sg25275 +S'1867' +p181774 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00095/a000950a.jpg' +p181775 +sg25267 +g27 +sa(dp181776 +g25268 +S'\xc3\x89lecteurs, dans mes bras!...' +p181777 +sg25270 +S'Honor\xc3\xa9 Daumier' +p181778 +sg25273 +S'lithograph' +p181779 +sg25275 +S'1869' +p181780 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00095/a000951b.jpg' +p181781 +sg25267 +g27 +sa(dp181782 +g25268 +S'Embrassons nous' +p181783 +sg25270 +S'Honor\xc3\xa9 Daumier' +p181784 +sg25273 +S'lithograph' +p181785 +sg25275 +S'1867' +p181786 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00095/a0009511.jpg' +p181787 +sg25267 +g27 +sa(dp181788 +g25268 +S'Empedocle recevant... les honneurs divins...' +p181789 +sg25270 +S'Honor\xc3\xa9 Daumier' +p181790 +sg25273 +S'lithograph' +p181791 +sg25275 +S'1866' +p181792 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a00094ea.jpg' +p181793 +sg25267 +g27 +sa(dp181794 +g25268 +S'Entre recors' +p181795 +sg25270 +S'Honor\xc3\xa9 Daumier' +p181796 +sg25273 +S'lithograph' +p181797 +sg25275 +S'1865' +p181798 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a00094e8.jpg' +p181799 +sg25267 +g27 +sa(dp181800 +g25268 +S'\xc3\x89trennes pour 1867' +p181801 +sg25270 +S'Honor\xc3\xa9 Daumier' +p181802 +sg25273 +S'lithograph' +p181803 +sg25275 +S'1866' +p181804 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00095/a0009502.jpg' +p181805 +sg25267 +g27 +sa(dp181806 +g25268 +S"Exp\xc3\xa9rience d'\xc3\xa9quilibre" +p181807 +sg25270 +S'Honor\xc3\xa9 Daumier' +p181808 +sg25273 +S'lithograph' +p181809 +sg25275 +S'1868' +p181810 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00095/a0009521.jpg' +p181811 +sg25267 +g27 +sa(dp181812 +g25268 +S'Gare le d\xc3\xa9raillement!' +p181813 +sg25270 +S'Honor\xc3\xa9 Daumier' +p181814 +sg25273 +S'lithograph' +p181815 +sg25275 +S'1866' +p181816 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00095/a0009505.jpg' +p181817 +sg25267 +g27 +sa(dp181818 +g25268 +S'Invention charivarique' +p181819 +sg25270 +S'Honor\xc3\xa9 Daumier' +p181820 +sg25273 +S'lithograph' +p181821 +sg25275 +S'1868' +p181822 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00095/a000951a.jpg' +p181823 +sg25267 +g27 +sa(dp181824 +g25268 +S"Jadis c'\xc3\xa9tait diff\xc3\xa9rent" +p181825 +sg25270 +S'Honor\xc3\xa9 Daumier' +p181826 +sg25273 +S'lithograph' +p181827 +sg25275 +S'1867' +p181828 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00095/a000950e.jpg' +p181829 +sg25267 +g27 +sa(dp181830 +g25268 +S'Carlos V. lanceando un toro en la plaza de Valladolid (Charles V Spearing a Bull in the Ring at Valladolid)' +p181831 +sg25270 +S'Francisco de Goya' +p181832 +sg25273 +S'etching, burnished aquatint, drypoint and burin [first edition impression]' +p181833 +sg25275 +S'in or before 1816' +p181834 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00057/a0005785.jpg' +p181835 +sg25267 +g27 +sa(dp181836 +g25268 +S"L'Ar\xc3\xa8ne parlementaire" +p181837 +sg25270 +S'Honor\xc3\xa9 Daumier' +p181838 +sg25273 +S'lithograph' +p181839 +sg25275 +S'1870' +p181840 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00095/a000952e.jpg' +p181841 +sg25267 +g27 +sa(dp181842 +g25268 +S'La Femme a barbe' +p181843 +sg25270 +S'Honor\xc3\xa9 Daumier' +p181844 +sg25273 +S'lithograph' +p181845 +sg25275 +S'1867' +p181846 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00095/a0009508.jpg' +p181847 +sg25267 +g27 +sa(dp181848 +g25268 +S'Le Festin de Baltazar-V\xc3\xa9ron' +p181849 +sg25270 +S'Honor\xc3\xa9 Daumier' +p181850 +sg25273 +S'lithograph' +p181851 +sg25275 +S'1850' +p181852 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a0009468.jpg' +p181853 +sg25267 +g27 +sa(dp181854 +g25268 +S"Le Mot d'ordre: R\xc3\xa9action... Pardon... Libert\xc3\xa9" +p181855 +sg25270 +S'Honor\xc3\xa9 Daumier' +p181856 +sg25273 +S'lithograph' +p181857 +sg25275 +S'1869' +p181858 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00095/a0009527.jpg' +p181859 +sg25267 +g27 +sa(dp181860 +g25268 +S"Le R\xc3\xaave de l'inventeur du fusil a aiguilles..." +p181861 +sg25270 +S'Honor\xc3\xa9 Daumier' +p181862 +sg25273 +S'lithograph' +p181863 +sg25275 +S'1866' +p181864 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a00094f6.jpg' +p181865 +sg25267 +g27 +sa(dp181866 +g25268 +S'Le Secret confi\xc3\xa9 au dieu faune' +p181867 +sg25270 +S'Honor\xc3\xa9 Daumier' +p181868 +sg25273 +S'lithograph' +p181869 +sg25275 +S'1850/1851' +p181870 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a0009471.jpg' +p181871 +sg25267 +g27 +sa(dp181872 +g25268 +S"Le Temps \xc3\xa9prouvant lui aussi le besoin de s'\xc3\xa9quiper a la mode" +p181873 +sg25270 +S'Honor\xc3\xa9 Daumier' +p181874 +sg25273 +S'lithograph' +p181875 +sg25275 +S'1867' +p181876 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00095/a0009503.jpg' +p181877 +sg25267 +g27 +sa(dp181878 +g25268 +S"Le vrai feu d'artifice est d'\xc3\xaatre lib\xc3\xa9ral" +p181879 +sg25270 +S'Honor\xc3\xa9 Daumier' +p181880 +sg25273 +S'lithograph' +p181881 +sg25275 +S'1869' +p181882 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00095/a000952a.jpg' +p181883 +sg25267 +g27 +sa(dp181884 +g25268 +S'Les Cadeaux de No\xc3\xabl de 1868' +p181885 +sg25270 +S'Honor\xc3\xa9 Daumier' +p181886 +sg25273 +S'lithograph' +p181887 +sg25275 +S'1868' +p181888 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00095/a000951c.jpg' +p181889 +sg25267 +g27 +sa(dp181890 +g25268 +S'Les Politiques de caf\xc3\xa9' +p181891 +sg25270 +S'Honor\xc3\xa9 Daumier' +p181892 +sg25273 +S'lithograph' +p181893 +sg25275 +S'1864' +p181894 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a00094e1.jpg' +p181895 +sg25267 +g27 +sa(dp181896 +g25268 +S'El Cid Campeador lanceando otro toro (The Cid Campeador Spearing Another Bull)' +p181897 +sg25270 +S'Francisco de Goya' +p181898 +sg25273 +S'etching, burnished aquatint and burin [first edition impression]' +p181899 +sg25275 +S'in or before 1816' +p181900 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed7b.jpg' +p181901 +sg25267 +g27 +sa(dp181902 +g25268 +S'Les Trains de plaisir' +p181903 +sg25270 +S'Honor\xc3\xa9 Daumier' +p181904 +sg25273 +S'lithograph' +p181905 +sg25275 +S'1864' +p181906 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a00094e4.jpg' +p181907 +sg25267 +g27 +sa(dp181908 +g25268 +S'Ne tirez pas!!!' +p181909 +sg25270 +S'Honor\xc3\xa9 Daumier' +p181910 +sg25273 +S'lithograph' +p181911 +sg25275 +S'1865' +p181912 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a00094ed.jpg' +p181913 +sg25267 +g27 +sa(dp181914 +g25268 +S"Non... vous n'\xc3\xaates pas de cette pi\xc3\xa8ce-la!" +p181915 +sg25270 +S'Honor\xc3\xa9 Daumier' +p181916 +sg25273 +S'lithograph' +p181917 +sg25275 +S'1867' +p181918 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00095/a0009507.jpg' +p181919 +sg25267 +g27 +sa(dp181920 +g25268 +S'Oedipe' +p181921 +sg25270 +S'Honor\xc3\xa9 Daumier' +p181922 +sg25273 +S'lithograph' +p181923 +sg25275 +S'1851' +p181924 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a0009484.jpg' +p181925 +sg25267 +g27 +sa(dp181926 +g25268 +S'On avait... joliment graiss\xc3\xa9 le m\xc3\xa2t' +p181927 +sg25270 +S'Honor\xc3\xa9 Daumier' +p181928 +sg25273 +S'lithograph' +p181929 +sg25275 +S'1869' +p181930 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00095/a0009529.jpg' +p181931 +sg25267 +g27 +sa(dp181932 +g25268 +S'Premier prix de croissance - La Prusse' +p181933 +sg25270 +S'Honor\xc3\xa9 Daumier' +p181934 +sg25273 +S'lithograph' +p181935 +sg25275 +S'1867' +p181936 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00095/a0009506.jpg' +p181937 +sg25267 +g27 +sa(dp181938 +g25268 +S'Prudhomme oblig\xc3\xa9 de prendre des le\xc3\xa7ons...' +p181939 +sg25270 +S'Honor\xc3\xa9 Daumier' +p181940 +sg25273 +S'lithograph' +p181941 +sg25275 +S'1867' +p181942 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00095/a0009509.jpg' +p181943 +sg25267 +g27 +sa(dp181944 +g25268 +S"R\xc3\xa9flection intime d'un \xc3\xa9picier" +p181945 +sg25270 +S'Honor\xc3\xa9 Daumier' +p181946 +sg25273 +S'lithograph' +p181947 +sg25275 +S'1867' +p181948 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00095/a000950f.jpg' +p181949 +sg25267 +g27 +sa(dp181950 +g25268 +S'Renouvel\xc3\xa9 des Japonais' +p181951 +sg25270 +S'Honor\xc3\xa9 Daumier' +p181952 +sg25273 +S'lithograph' +p181953 +sg25275 +S'1867' +p181954 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00095/a000950c.jpg' +p181955 +sg25267 +g27 +sa(dp181956 +g25268 +S"Si je n'allais pas \xc3\xaatre r\xc3\xa9\xc3\xa9lu!" +p181957 +sg25270 +S'Honor\xc3\xa9 Daumier' +p181958 +sg25273 +S'lithograph' +p181959 +sg25275 +S'1869' +p181960 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00095/a0009519.jpg' +p181961 +sg25267 +g27 +sa(dp181962 +g25268 +S'Desjarrete de la canalla con lanzas, medias-lunas, banderillas y otras armas (The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms)' +p181963 +sg25270 +S'Francisco de Goya' +p181964 +sg25273 +S'etching, burnished aquatint and drypoint [first edition impression]' +p181965 +sg25275 +S'in or before 1816' +p181966 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed7c.jpg' +p181967 +sg25267 +g27 +sa(dp181968 +g25268 +S"Un Banquet d'hippophages" +p181969 +sg25270 +S'Honor\xc3\xa9 Daumier' +p181970 +sg25273 +S'lithograph' +p181971 +sg25275 +S'1865' +p181972 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a00094e5.jpg' +p181973 +sg25267 +g27 +sa(dp181974 +g25268 +S"Un proc\xc3\xa9d\xc3\xa9 pour qu'il marche sans avancer" +p181975 +sg25270 +S'Honor\xc3\xa9 Daumier' +p181976 +sg25273 +S'lithograph' +p181977 +sg25275 +S'1868' +p181978 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00095/a000951d.jpg' +p181979 +sg25267 +g27 +sa(dp181980 +g25268 +S'Un Replatrage' +p181981 +sg25270 +S'Honor\xc3\xa9 Daumier' +p181982 +sg25273 +S'lithograph' +p181983 +sg25275 +S'1851' +p181984 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a000946a.jpg' +p181985 +sg25267 +g27 +sa(dp181986 +g25268 +S'Vous aurez beau faire, ma pauvre presse...' +p181987 +sg25270 +S'Honor\xc3\xa9 Daumier' +p181988 +sg25273 +S'lithograph' +p181989 +sg25275 +S'1866' +p181990 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a00094f5.jpg' +p181991 +sg25267 +g27 +sa(dp181992 +g25268 +S"Vue d'un atelier... avant l'exposition" +p181993 +sg25270 +S'Honor\xc3\xa9 Daumier' +p181994 +sg25273 +S'lithograph' +p181995 +sg25275 +S'1864' +p181996 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a00094e2.jpg' +p181997 +sg25267 +g27 +sa(dp181998 +g25273 +S'engraving on BFK Rives wove paper' +p181999 +sg25267 +g27 +sg25275 +S'c. 1961' +p182000 +sg25268 +S'Etudes pour le burin I (Thistle)' +p182001 +sg25270 +S'Marc Dautry' +p182002 +sa(dp182003 +g25273 +S'engraving' +p182004 +sg25267 +g27 +sg25275 +S'1961' +p182005 +sg25268 +S'Etudes pour le burin V (Dead Bird)' +p182006 +sg25270 +S'Marc Dautry' +p182007 +sa(dp182008 +g25268 +S'Apparition' +p182009 +sg25270 +S'Arthur B. Davies' +p182010 +sg25273 +S'softground etching and drypoint in black on wove paper' +p182011 +sg25275 +S'1914' +p182012 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000f4/a000f44a.jpg' +p182013 +sg25267 +g27 +sa(dp182014 +g25268 +S'Figures of Earth' +p182015 +sg25270 +S'Arthur B. Davies' +p182016 +sg25273 +S'lithograph in black over gray lithotint' +p182017 +sg25275 +S'1920' +p182018 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a6e.jpg' +p182019 +sg25267 +g27 +sa(dp182020 +g25273 +S'etching and aquatint' +p182021 +sg25267 +g27 +sg25275 +S'1960' +p182022 +sg25268 +S'Conformists' +p182023 +sg25270 +S'Ted Davies' +p182024 +sa(dp182025 +g25273 +S', 1490s' +p182026 +sg25267 +g27 +sg25275 +S'\n' +p182027 +sg25268 +S'Madonna and Child with Saints and Donors' +p182028 +sg25270 +S'Gasparo Cairano' +p182029 +sa(dp182030 +g25268 +S'Un caballero espanol en plaza quebrando rejoncillos sin auxilio de los chulos (A Spanish Mounted Knight in the Ring Breaking Short Spears without the Help of Assistants)' +p182031 +sg25270 +S'Francisco de Goya' +p182032 +sg25273 +S'etching, burnished aquatint, drypoint and burin [first edition impression]' +p182033 +sg25275 +S'in or before 1816' +p182034 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed7d.jpg' +p182035 +sg25267 +g27 +sa(dp182036 +g25273 +S'color woodcut' +p182037 +sg25267 +g27 +sg25275 +S'1960' +p182038 +sg25268 +S"Merritt's Foods" +p182039 +sg25270 +S'Ted Davies' +p182040 +sa(dp182041 +g25273 +S'woodcut in black (then gilded over a printed red base with gold leaf or bronze?)' +p182042 +sg25267 +g27 +sg25275 +S'1959' +p182043 +sg25268 +S'Stock Market' +p182044 +sg25270 +S'Ted Davies' +p182045 +sa(dp182046 +g25268 +S'The Slave Market [recto]' +p182047 +sg25270 +S'Alexandre-Gabriel Decamps' +p182048 +sg25273 +S'pen and black ink with charcoal, gray wash, and white chalk on gray paper' +p182049 +sg25275 +S'unknown date\n' +p182050 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006fe6.jpg' +p182051 +sg25267 +g27 +sa(dp182052 +g25273 +S'black chalk on gray paper' +p182053 +sg25267 +g27 +sg25275 +S'unknown date\n' +p182054 +sg25268 +S'Mounted Arab and Slaves [verso]' +p182055 +sg25270 +S'Alexandre-Gabriel Decamps' +p182056 +sa(dp182057 +g25268 +S'After the Bath (La sortie du bain (Petite planche))' +p182058 +sg25270 +S'Edgar Degas' +p182059 +sg25273 +S'lithograph' +p182060 +sg25275 +S'c. 1891' +p182061 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00067/a000673e.jpg' +p182062 +sg25267 +g27 +sa(dp182063 +g25273 +S'3-color lithograph on BFK RIVES paper' +p182064 +sg25267 +g27 +sg25275 +S'1963' +p182065 +sg25268 +S'Italian Night' +p182066 +sg25270 +S'Adolf Arthur Dehn' +p182067 +sa(dp182068 +g25268 +S'Africa' +p182069 +sg25270 +S'Etienne Delaune' +p182070 +sg25273 +S'engraving' +p182071 +sg25275 +S'1575' +p182072 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a0008319.jpg' +p182073 +sg25267 +g27 +sa(dp182074 +g25268 +S'America' +p182075 +sg25270 +S'Etienne Delaune' +p182076 +sg25273 +S'engraving' +p182077 +sg25275 +S'1575' +p182078 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a0008318.jpg' +p182079 +sg25267 +g27 +sa(dp182080 +g25268 +S'Asia' +p182081 +sg25270 +S'Etienne Delaune' +p182082 +sg25273 +S'engraving' +p182083 +sg25275 +S'1575' +p182084 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a000831a.jpg' +p182085 +sg25267 +g27 +sa(dp182086 +g25268 +S'Europe' +p182087 +sg25270 +S'Etienne Delaune' +p182088 +sg25273 +S'engraving' +p182089 +sg25275 +S'1575' +p182090 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a000831b.jpg' +p182091 +sg25267 +g27 +sa(dp182092 +g25268 +S'El diestrisimo estudiante de Falces, embozadoburla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in His Cape, Tricks the Bull with the Play of His Body)' +p182093 +sg25270 +S'Francisco de Goya' +p182094 +sg25273 +S'etching, aquatint, drypoint and burin [first edition impression]' +p182095 +sg25275 +S'in or before 1816' +p182096 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed7e.jpg' +p182097 +sg25267 +g27 +sa(dp182098 +g25268 +S'Latona Insulted' +p182099 +sg25270 +S'Etienne Delaune' +p182100 +sg25273 +S'engraving' +p182101 +sg25275 +S'unknown date\n' +p182102 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a0008317.jpg' +p182103 +sg25267 +g27 +sa(dp182104 +g25268 +S'Apollo Killing Python' +p182105 +sg25270 +S'Etienne Delaune' +p182106 +sg25273 +S'engraving' +p182107 +sg25275 +S'unknown date\n' +p182108 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a0008313.jpg' +p182109 +sg25267 +g27 +sa(dp182110 +g25268 +S'Diana and Orion' +p182111 +sg25270 +S'Etienne Delaune' +p182112 +sg25273 +S'engraving' +p182113 +sg25275 +S'unknown date\n' +p182114 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a0008316.jpg' +p182115 +sg25267 +g27 +sa(dp182116 +g25268 +S'Britomartis Jumps into the Sea' +p182117 +sg25270 +S'Etienne Delaune' +p182118 +sg25273 +S'engraving' +p182119 +sg25275 +S'unknown date\n' +p182120 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a0008315.jpg' +p182121 +sg25267 +g27 +sa(dp182122 +g25268 +S'Orion Killed by Apollo' +p182123 +sg25270 +S'Etienne Delaune' +p182124 +sg25273 +S'engraving' +p182125 +sg25275 +S'unknown date\n' +p182126 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a0008312.jpg' +p182127 +sg25267 +g27 +sa(dp182128 +g25268 +S'Diana Mourning the Death of Orion' +p182129 +sg25270 +S'Etienne Delaune' +p182130 +sg25273 +S'engraving' +p182131 +sg25275 +S'unknown date\n' +p182132 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a0008314.jpg' +p182133 +sg25267 +g27 +sa(dp182134 +g25268 +S'Venus Extracting a Thorn from Her Foot' +p182135 +sg25270 +S'Artist Information (' +p182136 +sg25273 +S'(artist after)' +p182137 +sg25275 +S'\n' +p182138 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cbae.jpg' +p182139 +sg25267 +g27 +sa(dp182140 +g25273 +S'lithograph (stone) on Arches paper' +p182141 +sg25267 +g27 +sg25275 +S'1962' +p182142 +sg25268 +S'Untitled [left half]' +p182143 +sg25270 +S'John Paul Jones' +p182144 +sa(dp182145 +g25273 +S'lithograph (stone) on Arches paper' +p182146 +sg25267 +g27 +sg25275 +S'1962' +p182147 +sg25268 +S'Untitled [right half]' +p182148 +sg25270 +S'John Paul Jones' +p182149 +sa(dp182150 +g25273 +S'etching' +p182151 +sg25267 +g27 +sg25275 +S'unknown date\n' +p182152 +sg25268 +S'The Games of Marbles' +p182153 +sg25270 +S'Henry-Wilfred Deville' +p182154 +sa(dp182155 +g25268 +S'El famoso Martincho poniendo banderillas al quiebro (The Famous Martincho Places the Banderillas Playing the Bull with the Movement of His Body)' +p182156 +sg25270 +S'Francisco de Goya' +p182157 +sg25273 +S'etching, burnished aquatint, drypoint and burin [first edition impression]' +p182158 +sg25275 +S'in or before 1816' +p182159 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed7f.jpg' +p182160 +sg25267 +g27 +sa(dp182161 +g25273 +S'color lithograph' +p182162 +sg25267 +g27 +sg25275 +S'1960' +p182163 +sg25268 +S'Still Life and Flowers' +p182164 +sg25270 +S'Marie Markovna Djagupova' +p182165 +sa(dp182166 +g25268 +S'Comte Lepic' +p182167 +sg25270 +S'Marcellin-Gilbert Desboutin' +p182168 +sg25273 +S'etching and drypoint' +p182169 +sg25275 +S'1876' +p182170 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00095/a00095c6.jpg' +p182171 +sg25267 +g27 +sa(dp182172 +g25273 +S'etching' +p182173 +sg25267 +g27 +sg25275 +S'unknown date\n' +p182174 +sg25268 +S'Old Tibetan Lama' +p182175 +sg25270 +S'G. Douglas' +p182176 +sa(dp182177 +g25273 +S'etching' +p182178 +sg25267 +g27 +sg25275 +S'unknown date\n' +p182179 +sg25268 +S'Sherpa Woman, Darjeeling' +p182180 +sg25270 +S'G. Douglas' +p182181 +sa(dp182182 +g25273 +S'etching' +p182183 +sg25267 +g27 +sg25275 +S'unknown date\n' +p182184 +sg25268 +S'Tenzing Norgay' +p182185 +sg25270 +S'G. Douglas' +p182186 +sa(dp182187 +g25273 +S'etching' +p182188 +sg25267 +g27 +sg25275 +S'unknown date\n' +p182189 +sg25268 +S'Tibetan Devil-Dancer' +p182190 +sg25270 +S'G. Douglas' +p182191 +sa(dp182192 +g25273 +S'etching' +p182193 +sg25267 +g27 +sg25275 +S'unknown date\n' +p182194 +sg25268 +S'Tibetan Gypsy' +p182195 +sg25270 +S'G. Douglas' +p182196 +sa(dp182197 +g25273 +S'etching' +p182198 +sg25267 +g27 +sg25275 +S'unknown date\n' +p182199 +sg25268 +S'Tibetan Mendicant Lama, Darjeeling' +p182200 +sg25270 +S'G. Douglas' +p182201 +sa(dp182202 +g25273 +S'etching' +p182203 +sg25267 +g27 +sg25275 +S'unknown date\n' +p182204 +sg25268 +S'Tibetan Mendicant Lama, Darjeeling' +p182205 +sg25270 +S'G. Douglas' +p182206 +sa(dp182207 +g25273 +S'etching' +p182208 +sg25267 +g27 +sg25275 +S'unknown date\n' +p182209 +sg25268 +S'Tibetan Vendor, Darjeeling' +p182210 +sg25270 +S'G. Douglas' +p182211 +sa(dp182212 +g25268 +S'El mismo vuelca un toro en la plaza de Madrid (The Same Man Throws a Bull in the Ring at Madrid)' +p182213 +sg25270 +S'Francisco de Goya' +p182214 +sg25273 +S'etching, burnished aquatint, drypoint and burin [first edition impression]' +p182215 +sg25275 +S'in or before 1816' +p182216 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed80.jpg' +p182217 +sg25267 +g27 +sa(dp182218 +g25273 +S'hand-colored? mixed intaglio on yellow paper' +p182219 +sg25267 +g27 +sg25275 +S'1948' +p182220 +sg25268 +S'Fruit Life' +p182221 +sg25270 +S'Stella Drabkin' +p182222 +sa(dp182223 +g25273 +S'monotype over etching?' +p182224 +sg25267 +g27 +sg25275 +S'1955' +p182225 +sg25268 +S'Lady with Necklace' +p182226 +sg25270 +S'Stella Drabkin' +p182227 +sa(dp182228 +g25268 +S'Portrait of a Man' +p182229 +sg25270 +S'Honore-Jean Dubois Duperray' +p182230 +sg25273 +S'lithograph' +p182231 +sg25275 +S'1816' +p182232 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00098/a0009857.jpg' +p182233 +sg25267 +g27 +sa(dp182234 +g25273 +S', c. 1531/1533' +p182235 +sg25267 +g27 +sg25275 +S'\n' +p182236 +sg25268 +S'Pitcher' +p182237 +sg25270 +S'Jacques Androuet du Cerceau' +p182238 +sa(dp182239 +g25273 +S', c. 1531/1533' +p182240 +sg25267 +g27 +sg25275 +S'\n' +p182241 +sg25268 +S'Album of Vases, Pitchers, Chalices, etc.' +p182242 +sg25270 +S'Jacques Androuet du Cerceau' +p182243 +sa(dp182244 +g25273 +S', c. 1531/1533' +p182245 +sg25267 +g27 +sg25275 +S'\n' +p182246 +sg25268 +S'Pitcher' +p182247 +sg25270 +S'Jacques Androuet du Cerceau' +p182248 +sa(dp182249 +g25273 +S', c. 1531/1533' +p182250 +sg25267 +g27 +sg25275 +S'\n' +p182251 +sg25268 +S'Pitcher' +p182252 +sg25270 +S'Jacques Androuet du Cerceau' +p182253 +sa(dp182254 +g25273 +S', c. 1531/1533' +p182255 +sg25267 +g27 +sg25275 +S'\n' +p182256 +sg25268 +S'Pitcher' +p182257 +sg25270 +S'Jacques Androuet du Cerceau' +p182258 +sa(dp182259 +g25273 +S', c. 1531/1533' +p182260 +sg25267 +g27 +sg25275 +S'\n' +p182261 +sg25268 +S'Pitcher' +p182262 +sg25270 +S'Jacques Androuet du Cerceau' +p182263 +sa(dp182264 +g25273 +S', c. 1531/1533' +p182265 +sg25267 +g27 +sg25275 +S'\n' +p182266 +sg25268 +S'Pitcher' +p182267 +sg25270 +S'Jacques Androuet du Cerceau' +p182268 +sa(dp182269 +g25268 +S'Palenque de los moros hecho con burros para defenderse del toro embolado (The Moors Use Donkeys as a Barrier to Defend Themselves against the Bull Whose Horns have been Tipped with Balls)' +p182270 +sg25270 +S'Francisco de Goya' +p182271 +sg25273 +S'etching, burnished aquatint, drypoint and burin [first edition impression]' +p182272 +sg25275 +S'in or before 1816' +p182273 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed81.jpg' +p182274 +sg25267 +g27 +sa(dp182275 +g25273 +S', c. 1531/1533' +p182276 +sg25267 +g27 +sg25275 +S'\n' +p182277 +sg25268 +S'Pitcher' +p182278 +sg25270 +S'Jacques Androuet du Cerceau' +p182279 +sa(dp182280 +g25273 +S', c. 1531/1533' +p182281 +sg25267 +g27 +sg25275 +S'\n' +p182282 +sg25268 +S'Pitcher' +p182283 +sg25270 +S'Jacques Androuet du Cerceau' +p182284 +sa(dp182285 +g25273 +S', c. 1531/1533' +p182286 +sg25267 +g27 +sg25275 +S'\n' +p182287 +sg25268 +S'Pitcher' +p182288 +sg25270 +S'Jacques Androuet du Cerceau' +p182289 +sa(dp182290 +g25273 +S', c. 1531/1533' +p182291 +sg25267 +g27 +sg25275 +S'\n' +p182292 +sg25268 +S'Pitcher' +p182293 +sg25270 +S'Jacques Androuet du Cerceau' +p182294 +sa(dp182295 +g25273 +S', c. 1531/1533' +p182296 +sg25267 +g27 +sg25275 +S'\n' +p182297 +sg25268 +S'Pitcher' +p182298 +sg25270 +S'Jacques Androuet du Cerceau' +p182299 +sa(dp182300 +g25273 +S', c. 1531/1533' +p182301 +sg25267 +g27 +sg25275 +S'\n' +p182302 +sg25268 +S'Pitcher' +p182303 +sg25270 +S'Jacques Androuet du Cerceau' +p182304 +sa(dp182305 +g25273 +S', c. 1531/1533' +p182306 +sg25267 +g27 +sg25275 +S'\n' +p182307 +sg25268 +S'Pitcher' +p182308 +sg25270 +S'Jacques Androuet du Cerceau' +p182309 +sa(dp182310 +g25273 +S', c. 1531/1533' +p182311 +sg25267 +g27 +sg25275 +S'\n' +p182312 +sg25268 +S'Pitcher' +p182313 +sg25270 +S'Jacques Androuet du Cerceau' +p182314 +sa(dp182315 +g25273 +S', c. 1531/1533' +p182316 +sg25267 +g27 +sg25275 +S'\n' +p182317 +sg25268 +S'Pitcher' +p182318 +sg25270 +S'Jacques Androuet du Cerceau' +p182319 +sa(dp182320 +g25273 +S', c. 1531/1533' +p182321 +sg25267 +g27 +sg25275 +S'\n' +p182322 +sg25268 +S'Pitcher' +p182323 +sg25270 +S'Jacques Androuet du Cerceau' +p182324 +sa(dp182325 +g25268 +S'Temeridad de martincho en la plaza de Zaragoza (The Daring of Martincho in the Ring a t Saragossa)' +p182326 +sg25270 +S'Francisco de Goya' +p182327 +sg25273 +S'etching, burnished aquatint and drypoint [first edition impression]' +p182328 +sg25275 +S'in or before 1816' +p182329 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed82.jpg' +p182330 +sg25267 +g27 +sa(dp182331 +g25273 +S', c. 1531/1533' +p182332 +sg25267 +g27 +sg25275 +S'\n' +p182333 +sg25268 +S'Pitcher' +p182334 +sg25270 +S'Jacques Androuet du 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Androuet du Cerceau' +p182365 +sa(dp182366 +g25273 +S', c. 1531/1533' +p182367 +sg25267 +g27 +sg25275 +S'\n' +p182368 +sg25268 +S'Pitcher' +p182369 +sg25270 +S'Jacques Androuet du Cerceau' +p182370 +sa(dp182371 +g25273 +S', c. 1531/1533' +p182372 +sg25267 +g27 +sg25275 +S'\n' +p182373 +sg25268 +S'Pitcher' +p182374 +sg25270 +S'Jacques Androuet du Cerceau' +p182375 +sa(dp182376 +g25273 +S', c. 1531/1533' +p182377 +sg25267 +g27 +sg25275 +S'\n' +p182378 +sg25268 +S'Pitcher' +p182379 +sg25270 +S'Jacques Androuet du Cerceau' +p182380 +sa(dp182381 +g25268 +S'Otra locura suya en la misma plaza (Another Madness of His in the Same Ring)' +p182382 +sg25270 +S'Francisco de Goya' +p182383 +sg25273 +S'etching, burnished aquatint, drypoint and burin [first edition impression]' +p182384 +sg25275 +S'in or before 1816' +p182385 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed83.jpg' +p182386 +sg25267 +g27 +sa(dp182387 +g25273 +S', c. 1531/1533' +p182388 +sg25267 +g27 +sg25275 +S'\n' +p182389 +sg25268 +S'Pitcher' +p182390 +sg25270 +S'Jacques Androuet du Cerceau' +p182391 +sa(dp182392 +g25273 +S', c. 1531/1533' +p182393 +sg25267 +g27 +sg25275 +S'\n' +p182394 +sg25268 +S'Pitcher' +p182395 +sg25270 +S'Jacques Androuet du Cerceau' +p182396 +sa(dp182397 +g25273 +S', c. 1531/1533' +p182398 +sg25267 +g27 +sg25275 +S'\n' +p182399 +sg25268 +S'Pitcher' +p182400 +sg25270 +S'Jacques Androuet du Cerceau' +p182401 +sa(dp182402 +g25273 +S', c. 1531/1533' +p182403 +sg25267 +g27 +sg25275 +S'\n' +p182404 +sg25268 +S'Pitcher' +p182405 +sg25270 +S'Jacques Androuet du Cerceau' +p182406 +sa(dp182407 +g25273 +S', c. 1531/1533' +p182408 +sg25267 +g27 +sg25275 +S'\n' +p182409 +sg25268 +S'Pitcher' +p182410 +sg25270 +S'Jacques Androuet du Cerceau' +p182411 +sa(dp182412 +g25273 +S', c. 1531/1533' +p182413 +sg25267 +g27 +sg25275 +S'\n' +p182414 +sg25268 +S'Pitcher' +p182415 +sg25270 +S'Jacques Androuet du Cerceau' +p182416 +sa(dp182417 +g25273 +S', c. 1531/1533' +p182418 +sg25267 +g27 +sg25275 +S'\n' +p182419 +sg25268 +S'Pitcher' +p182420 +sg25270 +S'Jacques Androuet du Cerceau' +p182421 +sa(dp182422 +g25273 +S', c. 1531/1533' +p182423 +sg25267 +g27 +sg25275 +S'\n' +p182424 +sg25268 +S'Pitcher' +p182425 +sg25270 +S'Jacques Androuet du Cerceau' +p182426 +sa(dp182427 +g25273 +S', c. 1531/1533' +p182428 +sg25267 +g27 +sg25275 +S'\n' +p182429 +sg25268 +S'Pitcher' +p182430 +sg25270 +S'Jacques Androuet du Cerceau' +p182431 +sa(dp182432 +g25273 +S', c. 1531/1533' +p182433 +sg25267 +g27 +sg25275 +S'\n' +p182434 +sg25268 +S'Pitcher' +p182435 +sg25270 +S'Jacques Androuet du Cerceau' +p182436 +sa(dp182437 +g25268 +S'Ligereza y atrevimiento de Juanito Apinani en la de Madrid (The Agility and Audacityof Juanito Apinani in the Ring at Madrid)' +p182438 +sg25270 +S'Francisco de Goya' +p182439 +sg25273 +S'etching and aquatint [first edition impression]' +p182440 +sg25275 +S'in or before 1816' +p182441 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed84.jpg' +p182442 +sg25267 +g27 +sa(dp182443 +g25273 +S', c. 1531/1533' +p182444 +sg25267 +g27 +sg25275 +S'\n' +p182445 +sg25268 +S'Pitcher' +p182446 +sg25270 +S'Jacques Androuet du Cerceau' +p182447 +sa(dp182448 +g25273 +S', c. 1531/1533' +p182449 +sg25267 +g27 +sg25275 +S'\n' +p182450 +sg25268 +S'Pitcher' +p182451 +sg25270 +S'Jacques Androuet du Cerceau' +p182452 +sa(dp182453 +g25273 +S', c. 1531/1533' +p182454 +sg25267 +g27 +sg25275 +S'\n' +p182455 +sg25268 +S'Pitcher' +p182456 +sg25270 +S'Jacques Androuet du Cerceau' +p182457 +sa(dp182458 +g25273 +S', c. 1531/1533' +p182459 +sg25267 +g27 +sg25275 +S'\n' +p182460 +sg25268 +S'Saltcellar' +p182461 +sg25270 +S'Jacques Androuet du Cerceau' +p182462 +sa(dp182463 +g25273 +S', c. 1531/1533' +p182464 +sg25267 +g27 +sg25275 +S'\n' +p182465 +sg25268 +S'Amphora' +p182466 +sg25270 +S'Jacques Androuet du Cerceau' +p182467 +sa(dp182468 +g25273 +S', c. 1531/1533' +p182469 +sg25267 +g27 +sg25275 +S'\n' +p182470 +sg25268 +S'Amphora' +p182471 +sg25270 +S'Jacques Androuet du Cerceau' +p182472 +sa(dp182473 +g25273 +S', c. 1531/1533' +p182474 +sg25267 +g27 +sg25275 +S'\n' +p182475 +sg25268 +S'Amphora' +p182476 +sg25270 +S'Jacques Androuet du Cerceau' +p182477 +sa(dp182478 +g25273 +S', c. 1531/1533' +p182479 +sg25267 +g27 +sg25275 +S'\n' +p182480 +sg25268 +S'Amphora' +p182481 +sg25270 +S'Jacques Androuet du Cerceau' +p182482 +sa(dp182483 +g25273 +S', c. 1531/1533' +p182484 +sg25267 +g27 +sg25275 +S'\n' +p182485 +sg25268 +S'Amphora' +p182486 +sg25270 +S'Jacques Androuet du Cerceau' +p182487 +sa(dp182488 +g25273 +S', c. 1531/1533' +p182489 +sg25267 +g27 +sg25275 +S'\n' +p182490 +sg25268 +S'Amphora' +p182491 +sg25270 +S'Jacques Androuet du Cerceau' +p182492 +sa(dp182493 +g25268 +S'Desgracias acaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Tor rejon (Dreadful events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejon)' +p182494 +sg25270 +S'Francisco de Goya' +p182495 +sg25273 +S'etching, burnished aquatint, lavis, drypoint and burin [first edition impression]' +p182496 +sg25275 +S'in or before 1816' +p182497 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed85.jpg' +p182498 +sg25267 +g27 +sa(dp182499 +g25273 +S', c. 1531/1533' +p182500 +sg25267 +g27 +sg25275 +S'\n' +p182501 +sg25268 +S'Amphora' +p182502 +sg25270 +S'Jacques Androuet du Cerceau' +p182503 +sa(dp182504 +g25273 +S', c. 1531/1533' +p182505 +sg25267 +g27 +sg25275 +S'\n' +p182506 +sg25268 +S'Amphora' +p182507 +sg25270 +S'Jacques Androuet du Cerceau' +p182508 +sa(dp182509 +g25273 +S', c. 1531/1533' +p182510 +sg25267 +g27 +sg25275 +S'\n' +p182511 +sg25268 +S'Amphora' +p182512 +sg25270 +S'Jacques Androuet du Cerceau' +p182513 +sa(dp182514 +g25273 +S', c. 1531/1533' +p182515 +sg25267 +g27 +sg25275 +S'\n' +p182516 +sg25268 +S'Amphora' +p182517 +sg25270 +S'Jacques Androuet du Cerceau' +p182518 +sa(dp182519 +g25273 +S', c. 1531/1533' +p182520 +sg25267 +g27 +sg25275 +S'\n' +p182521 +sg25268 +S'Amphora' +p182522 +sg25270 +S'Jacques Androuet 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+S'The Betrothal of Philip the Fair with Joan of Castile' +p182603 +sg25270 +S'Albrecht D\xc3\xbcrer' +p182604 +sg25273 +S'woodcut' +p182605 +sg25275 +S'1515' +p182606 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00066/a00066d9.jpg' +p182607 +sg25267 +g27 +sa(dp182608 +g25268 +S'Mariano Ceballos, alias el Indio, mata el toro desde su caballo (Mariano Ceballos, Alias the Indian, Kills the Bull from His Horse)' +p182609 +sg25270 +S'Francisco de Goya' +p182610 +sg25273 +S'etching and burnished aquatint [first edition impression]' +p182611 +sg25275 +S'in or before 1816' +p182612 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed87.jpg' +p182613 +sg25267 +g27 +sa(dp182614 +g25268 +S'Printed text for "The Betrothal of Philip the Fair with Joan of Castile"' +p182615 +sg25270 +S'Albrecht D\xc3\xbcrer' +p182616 +sg25273 +S'woodcut' +p182617 +sg25275 +S'1515' +p182618 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00066/a00066da.jpg' +p182619 +sg25267 +g27 +sa(dp182620 +g25268 +S'The Betrothal of 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black and pink' +p182644 +sg25267 +g27 +sg25275 +S'probably 1961' +p182645 +sg25268 +S'Frightened Witches' +p182646 +sg25270 +S'Caroline Wogan Durieux' +p182647 +sa(dp182648 +g25273 +S'lithograph in green and brown' +p182649 +sg25267 +g27 +sg25275 +S'possibly c. 1960' +p182650 +sg25268 +S'Insomnia' +p182651 +sg25270 +S'Caroline Wogan Durieux' +p182652 +sa(dp182653 +g25273 +S'electron print' +p182654 +sg25267 +g27 +sg25275 +S'possibly 1961' +p182655 +sg25268 +S"Lot's Wife" +p182656 +sg25270 +S'Caroline Wogan Durieux' +p182657 +sa(dp182658 +g25273 +S'etching, aquatint and drypoint' +p182659 +sg25267 +g27 +sg25275 +S'1946' +p182660 +sg25268 +S'Cow Shed' +p182661 +sg25270 +S'Kerr Eby' +p182662 +sa(dp182663 +g25273 +S'five-color etching and aquatint' +p182664 +sg25267 +g27 +sg25275 +S'1960' +p182665 +sg25268 +S'Tidal Patterns' +p182666 +sg25270 +S'Otto Eglau' +p182667 +sa(dp182668 +g25268 +S'El mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid (The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid)' +p182669 +sg25270 +S'Francisco de Goya' +p182670 +sg25273 +S'etching, burnished aquatint, drypoint and burin [first edition impression]' +p182671 +sg25275 +S'in or before 1816' +p182672 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed88.jpg' +p182673 +sg25267 +g27 +sa(dp182674 +g25273 +S'etching and aquatint' +p182675 +sg25267 +g27 +sg25275 +S'unknown date\n' +p182676 +sg25268 +S'Shadows' +p182677 +sg25270 +S'Van Elliott' +p182678 +sa(dp182679 +g25273 +S'etching and aquatint' +p182680 +sg25267 +g27 +sg25275 +S'unknown date\n' +p182681 +sg25268 +S'Sit In Sit Down' +p182682 +sg25270 +S'Van Elliott' +p182683 +sa(dp182684 +g25273 +S'etching and aquatint' +p182685 +sg25267 +g27 +sg25275 +S'unknown date\n' +p182686 +sg25268 +S'Spirituals' +p182687 +sg25270 +S'Van Elliott' +p182688 +sa(dp182689 +g25273 +S'(artist after)' +p182690 +sg25267 +g27 +sg25275 +S'\n' +p182691 +sg25268 +S"Recueil d'essais lithographique" +p182692 +sg25270 +S'Artist Information (' +p182693 +sa(dp182694 +g25273 +S'lithograph in four colors' +p182695 +sg25267 +g27 +sg25275 +S'unknown date\n' +p182696 +sg25268 +S'Man of Jomon Age' +p182697 +sg25270 +S'Shoe Enokido' +p182698 +sa(dp182699 +g25273 +S'drypoint' +p182700 +sg25267 +g27 +sg25275 +S'1888' +p182701 +sg25268 +S"The Acacia (L'acacia)" +p182702 +sg25270 +S'James Ensor' +p182703 +sa(dp182704 +g25273 +S'etching and (aquatint?)' +p182705 +sg25267 +g27 +sg25275 +S'1889' +p182706 +sg25268 +S'The Bridge in the Woods, Ostend (Le pont du bois a Ostende)' +p182707 +sg25270 +S'James Ensor' +p182708 +sa(dp182709 +g25273 +S'etching' +p182710 +sg25267 +g27 +sg25275 +S'1895' +p182711 +sg25268 +S'Christ and the Beggars (Le Christ aux mendiants)' +p182712 +sg25270 +S'James Ensor' +p182713 +sa(dp182714 +g25273 +S'etching' +p182715 +sg25267 +g27 +sg25275 +S'1888' +p182716 +sg25268 +S"Stand of Trees (Bouquet d'arbres)" +p182717 +sg25270 +S'James Ensor' +p182718 +sa(dp182719 +g25273 +S'1 vol: ill: frontispiece, 13 color lithographs and text by Ensor and others, including Ensor\'s "Discours en noble languaige le chevalerie"' +p182720 +sg25267 +g27 +sg25275 +S'published 1904' +p182721 +sg25268 +S'Les Ecus' +p182722 +sg25270 +S'James Ensor' +p182723 +sa(dp182724 +g25268 +S'Echan perros al toro (They Loose Dogs on the Bull)' +p182725 +sg25270 +S'Francisco de Goya' +p182726 +sg25273 +S'etching, burnished aquatint and drypoint [first edition impression]' +p182727 +sg25275 +S'in or before 1816' +p182728 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed89.jpg' +p182729 +sg25267 +g27 +sa(dp182730 +g25273 +S'lithograph on Nacre paper' +p182731 +sg25267 +g27 +sg25275 +S'1962' +p182732 +sg25268 +S'Untitled' +p182733 +sg25270 +S'John Paul Jones' +p182734 +sa(dp182735 +g25273 +S'etching' +p182736 +sg25267 +g27 +sg25275 +S'1889' +p182737 +sg25268 +S"The Exterminating Angel (L'ange exterminateur)" +p182738 +sg25270 +S'James Ensor' +p182739 +sa(dp182740 +g25273 +S'etching' +p182741 +sg25267 +g27 +sg25275 +S'1887' +p182742 +sg25268 +S'Edge of the Forest in Ostend (La lisiere du petit bois, Ostende)' +p182743 +sg25270 +S'James Ensor' +p182744 +sa(dp182745 +g25273 +S'etching with drypoint' +p182746 +sg25267 +g27 +sg25275 +S'1898' +p182747 +sg25268 +S"The Entry of Christ into Brussels (L'entree du Christ a Bruxelles)" +p182748 +sg25270 +S'James Ensor' +p182749 +sa(dp182750 +g25273 +S'etching' +p182751 +sg25267 +g27 +sg25275 +S'1888' +p182752 +sg25268 +S'A Gust of Wind at the Edge of the Forest (Coup de vent a la lisiere)' +p182753 +sg25270 +S'James Ensor' +p182754 +sa(dp182755 +g25273 +S'etching' +p182756 +sg25267 +g27 +sg25275 +S'1891' +p182757 +sg25268 +S'Feeding of the Five Thousand (La multiplication des poissons)' +p182758 +sg25270 +S'James Ensor' +p182759 +sa(dp182760 +g25273 +S'etching' +p182761 +sg25267 +g27 +sg25275 +S'1886' +p182762 +sg25268 +S'Orchard (Le Verger)' +p182763 +sg25270 +S'James Ensor' +p182764 +sa(dp182765 +g25273 +S'color lithograph' +p182766 +sg25267 +g27 +sg25275 +S'1958' +p182767 +sg25268 +S'Flowers in a Vase' +p182768 +sg25270 +S'Boris Nicolaevich Ermolaev' +p182769 +sa(dp182770 +g25273 +S'color lithograph' +p182771 +sg25267 +g27 +sg25275 +S'1956' +p182772 +sg25268 +S'Seaside' +p182773 +sg25270 +S'Boris Nicolaevich Ermolaev' +p182774 +sa(dp182775 +g25273 +S'color lithograph' +p182776 +sg25267 +g27 +sg25275 +S'1956' +p182777 +sg25268 +S'Stadium' +p182778 +sg25270 +S'Boris Nicolaevich Ermolaev' +p182779 +sa(dp182780 +g25268 +S'Caida de un picador de su caballo debajo del toro (A Picador is Unhorsed and Falls under the Bull)' +p182781 +sg25270 +S'Francisco de Goya' +p182782 +sg25273 +S'etching, burnished aquatint and drypoint [first edition impression]' +p182783 +sg25275 +S'in or before 1816' +p182784 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00057/a0005787.jpg' +p182785 +sg25267 +g27 +sa(dp182786 +g25273 +S'color lithograph' +p182787 +sg25267 +g27 +sg25275 +S'1958' +p182788 +sg25268 +S'Windows and Plants' +p182789 +sg25270 +S'Boris Nicolaevich Ermolaev' +p182790 +sa(dp182791 +g25273 +S'etching and aquatint in blue-gray and pale pink' +p182792 +sg25267 +g27 +sg25275 +S'1961' +p182793 +sg25268 +S'Homage to Rimbaud (Hommage a Rimbaud)' +p182794 +sg25270 +S'Max Ernst' +p182795 +sa(dp182796 +g25273 +S'etching in black and yellow-green' +p182797 +sg25267 +g27 +sg25275 +S'1955' +p182798 +sg25268 +S'Jacket cover for Antonin Artaud\'s "Galapagos-Les Iles du bout du monde", Paris, 1955' +p182799 +sg25270 +S'Max Ernst' +p182800 +sa(dp182801 +g25268 +S'Belvedere' +p182802 +sg25270 +S'M.C. Escher' +p182803 +sg25273 +S'lithograph' +p182804 +sg25275 +S'1958' +p182805 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004b/a0004b46.jpg' +p182806 +sg25267 +g27 +sa(dp182807 +g25273 +S'wood engraving on white calendered paper' +p182808 +sg25267 +g27 +sg25275 +S'1953' +p182809 +sg25268 +S'Concentric Rinds' +p182810 +sg25270 +S'M.C. Escher' +p182811 +sa(dp182812 +g25268 +S'El celebre Fernando del Toro, barilarguero, obligando a la fiera con su garrocha (The celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with His Pique)' +p182813 +sg25270 +S'Francisco de Goya' +p182814 +sg25273 +S'etching, burnished aquatint, drypoint and burin [first edition impression]' +p182815 +sg25275 +S'in or before 1816' +p182816 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed8a.jpg' +p182817 +sg25267 +g27 +sa(dp182818 +g25273 +S'lithograph' +p182819 +sg25267 +g27 +sg25275 +S'1951' +p182820 +sg25268 +S'Curl-up' +p182821 +sg25270 +S'M.C. Escher' +p182822 +sa(dp182823 +g25273 +S'mezzotint' +p182824 +sg25267 +g27 +sg25275 +S'1948' +p182825 +sg25268 +S'Plane Filling I' +p182826 +sg25270 +S'M.C. Escher' +p182827 +sa(dp182828 +g25273 +S'wood engraving and woodcut in brown-red, olive an d black, printed from three blocks' +p182829 +sg25267 +g27 +sg25275 +S'1955' +p182830 +sg25268 +S'Depth' +p182831 +sg25270 +S'M.C. Escher' +p182832 +sa(dp182833 +g25273 +S'mezzotint on beige Japan paper' +p182834 +sg25267 +g27 +sg25275 +S'1948' +p182835 +sg25268 +S'Drop' +p182836 +sg25270 +S'M.C. Escher' +p182837 +sa(dp182838 +g25268 +S'Double Planetoid' +p182839 +sg25270 +S'M.C. Escher' +p182840 +sg25273 +S'wood engraving in dark blue, black and brown, printed from three blocks' +p182841 +sg25275 +S'1949' +p182842 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004b/a0004b47.jpg' +p182843 +sg25267 +g27 +sa(dp182844 +g25273 +S'mezzotint and drypoint' +p182845 +sg25267 +g27 +sg25275 +S'1946' +p182846 +sg25268 +S'Eye' +p182847 +sg25270 +S'M.C. Escher' +p182848 +sa(dp182849 +g25268 +S'Hand with Reflecting Sphere' +p182850 +sg25270 +S'M.C. Escher' +p182851 +sg25273 +S'lithograph' +p182852 +sg25275 +S'1935' +p182853 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00015/a0001555.jpg' +p182854 +sg25267 +S"Escher and the interior of his studio in Rome are reflected in the mirrored sphere that he holds in his hand. Escher's preoccupation with mirrored reflections and visual illusion belongs to a tradition of northern European art established in the fifteenth century.\n " +p182855 +sa(dp182856 +g25268 +S'El esforzado Rendon picando un toro, de cuya suerte murio en plaza de Madrid (The Forceful Rendon Stabs a Bull with the Pique, from Which Pass He Died in the Ring at Madrid)' +p182857 +sg25270 +S'Francisco de Goya' +p182858 +sg25273 +S'etching, burnished aquatint, and burin [first edition impression]' +p182859 +sg25275 +S'in or before 1816' +p182860 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed8b.jpg' +p182861 +sg25267 +g27 +sa(dp182862 +g25268 +S'Up and Down' +p182863 +sg25270 +S'M.C. Escher' +p182864 +sg25273 +S'lithograph' +p182865 +sg25275 +S'1947' +p182866 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a0000108.jpg' +p182867 +sg25267 +g27 +sa(dp182868 +g25273 +S'mezzotint' +p182869 +sg25267 +g27 +sg25275 +S'1946' +p182870 +sg25268 +S'Mummified Frog' +p182871 +sg25270 +S'M.C. Escher' +p182872 +sa(dp182873 +g25268 +S'Contrast (Order and Chaos)' +p182874 +sg25270 +S'M.C. Escher' +p182875 +sg25273 +S'lithograph' +p182876 +sg25275 +S'1950' +p182877 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004b/a0004b9f.jpg' +p182878 +sg25267 +g27 +sa(dp182879 +g25268 +S'Print Gallery' +p182880 +sg25270 +S'M.C. Escher' +p182881 +sg25273 +S'lithograph' +p182882 +sg25275 +S'1956' +p182883 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a000012a.jpg' +p182884 +sg25267 +g27 +sa(dp182885 +g25268 +S'Puddle' +p182886 +sg25270 +S'M.C. Escher' +p182887 +sg25273 +S'woodcut in black, olive and brown, printed from three blocks' +p182888 +sg25275 +S'1952' +p182889 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00022/a0002237.jpg' +p182890 +sg25267 +g27 +sa(dp182891 +g25268 +S'Reptiles' +p182892 +sg25270 +S'M.C. Escher' +p182893 +sg25273 +S'lithograph' +p182894 +sg25275 +S'1943' +p182895 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00037/a00037b6.jpg' +p182896 +sg25267 +S'One of Escher\'s fascinations was the animation of an abstract concept. Here, the reptiles come to life as they crawl out of the artist\'s depiction of a drawing, only to return to it. Escher wrote of this print, "evidently one of the reptiles has tired of lying flat and rigid amongst his fellows, so he puts one plastic-looking leg over the edge [and] wrenches himself free...." The name "JOB" on the booklet at lower left does not indicate the biblical character but refers to a brand of Belgian cigarette papers. \n ' +p182897 +sa(dp182898 +g25268 +S'Pepe Illo haciendo el recorte al toro (Pepe Illo Making the Pass of the "Recorte")' +p182899 +sg25270 +S'Francisco de Goya' +p182900 +sg25273 +S'etching, burnished aquatint, drypoint and burin [first edition impression]' +p182901 +sg25275 +S'in or before 1816' +p182902 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed8c.jpg' +p182903 +sg25267 +g27 +sa(dp182904 +g25273 +S'wood engraving' +p182905 +sg25267 +g27 +sg25275 +S'1935' +p182906 +sg25268 +S"Inside Saint Peter's, Rome" +p182907 +sg25270 +S'M.C. Escher' +p182908 +sa(dp182909 +g25273 +S'woodcut in gold, black, and dark rust, printed from three blocks' +p182910 +sg25267 +g27 +sg25275 +S'1958' +p182911 +sg25268 +S'Sphere Surface with Fish' +p182912 +sg25270 +S'M.C. Escher' +p182913 +sa(dp182914 +g25268 +S'Three Intersecting Planes' +p182915 +sg25270 +S'M.C. Escher' +p182916 +sg25273 +S'woodcut in olive-gold and black, printed from two blocks' +p182917 +sg25275 +S'1954' +p182918 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004b/a0004b48.jpg' +p182919 +sg25267 +g27 +sa(dp182920 +g25273 +S'wood engraving' +p182921 +sg25267 +g27 +sg25275 +S'1945' +p182922 +sg25268 +S'Three Spheres I' +p182923 +sg25270 +S'M.C. Escher' +p182924 +sa(dp182925 +g25268 +S'Two Intersecting Planes' +p182926 +sg25270 +S'M.C. Escher' +p182927 +sg25273 +S'woodcut in green, red-brown and black, printed from three blocks' +p182928 +sg25275 +S'1952' +p182929 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00037/a00037b7.jpg' +p182930 +sg25267 +g27 +sa(dp182931 +g25268 +S'Pedro Romero matando a toro parado (Pedro Romero Killing the Halted Bull)' +p182932 +sg25270 +S'Francisco de Goya' +p182933 +sg25273 +S'etching, aquatint, drypoint and burin [first edition impression]' +p182934 +sg25275 +S'in or before 1816' +p182935 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed8d.jpg' +p182936 +sg25267 +g27 +sa(dp182937 +g25273 +S'wood engraving and woodcut in red, gray and black,printed from two (three?) blocks' +p182938 +sg25267 +g27 +sg25275 +S'1957' +p182939 +sg25268 +S'Whirlpools' +p182940 +sg25270 +S'M.C. Escher' +p182941 +sa(dp182942 +g25273 +S'woodcut on Japanese laid paper [proof]' +p182943 +sg25267 +g27 +sg25275 +S'1919' +p182944 +sg25268 +S'Troistedt (Lehnstedt)' +p182945 +sg25270 +S'Lyonel Feininger' +p182946 +sa(dp182947 +g25273 +S'engraving' +p182948 +sg25267 +g27 +sg25275 +S'1960' +p182949 +sg25268 +S'Title Page' +p182950 +sg25270 +S'Albert Flocon' +p182951 +sa(dp182952 +g25273 +S'portfolio with 32 engravings' +p182953 +sg25267 +g27 +sg25275 +S'published 1961' +p182954 +sg25268 +S'Topo-graphies' +p182955 +sg25270 +S'Albert Flocon' +p182956 +sa(dp182957 +g25273 +S'engraving' +p182958 +sg25267 +g27 +sg25275 +S'1960' +p182959 +sg25268 +S"Essai sur l'Espace de Graveur" +p182960 +sg25270 +S'Albert Flocon' +p182961 +sa(dp182962 +g25273 +S'engraving' +p182963 +sg25267 +g27 +sg25275 +S'1960' +p182964 +sg25268 +S'Balcony with Umbrellas' +p182965 +sg25270 +S'Albert Flocon' +p182966 +sa(dp182967 +g25273 +S'engraving' +p182968 +sg25267 +g27 +sg25275 +S'1961' +p182969 +sg25268 +S'"Cette Ligne" (Interior)' +p182970 +sg25270 +S'Albert Flocon' +p182971 +sa(dp182972 +g25273 +S'engraving' +p182973 +sg25267 +g27 +sg25275 +S'published 1961' +p182974 +sg25268 +S'Hand with Block' +p182975 +sg25270 +S'Albert Flocon' +p182976 +sa(dp182977 +g25273 +S'engraving' +p182978 +sg25267 +g27 +sg25275 +S'1952' +p182979 +sg25268 +S'Calligraphic Figure with Plant' +p182980 +sg25270 +S'Albert Flocon' +p182981 +sa(dp182982 +g25273 +S'engraving' +p182983 +sg25267 +g27 +sg25275 +S'published 1961' +p182984 +sg25268 +S'Construction and Perspective' +p182985 +sg25270 +S'Albert Flocon' +p182986 +sa(dp182987 +g25268 +S'Banderillas de fuego (Banderillas with Firecrackers)' +p182988 +sg25270 +S'Francisco de Goya' +p182989 +sg25273 +S'etching, burnished aquatint, lavis, drypoint and burin [first edition impression]' +p182990 +sg25275 +S'in or before 1816' +p182991 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed8e.jpg' +p182992 +sg25267 +g27 +sa(dp182993 +g25273 +S'engraving' +p182994 +sg25267 +g27 +sg25275 +S'1952' +p182995 +sg25268 +S'Figures and Perspective Construct' +p182996 +sg25270 +S'Albert Flocon' +p182997 +sa(dp182998 +g25273 +S'engraving' +p182999 +sg25267 +g27 +sg25275 +S'published 1961' +p183000 +sg25268 +S'Hands, Drawing, and Space' +p183001 +sg25270 +S'Albert Flocon' +p183002 +sa(dp183003 +g25273 +S'engraving' +p183004 +sg25267 +g27 +sg25275 +S'published 1961' +p183005 +sg25268 +S'Spiral and Folded Space Drawings' +p183006 +sg25270 +S'Albert Flocon' +p183007 +sa(dp183008 +g25273 +S'engraving' +p183009 +sg25267 +g27 +sg25275 +S'published 1961' +p183010 +sg25268 +S'Man in Motion' +p183011 +sg25270 +S'Albert Flocon' +p183012 +sa(dp183013 +g25273 +S'engraving' +p183014 +sg25267 +g27 +sg25275 +S'published 1961' +p183015 +sg25268 +S'Linear Trees [left half]' +p183016 +sg25270 +S'Albert Flocon' +p183017 +sa(dp183018 +g25273 +S'engraving' +p183019 +sg25267 +g27 +sg25275 +S'published 1961' +p183020 +sg25268 +S'Gnarled Trees [right half]' +p183021 +sg25270 +S'Albert Flocon' +p183022 +sa(dp183023 +g25273 +S'engraving' +p183024 +sg25267 +g27 +sg25275 +S'published 1961' +p183025 +sg25268 +S'Woodsman and Downed Tree' +p183026 +sg25270 +S'Albert Flocon' +p183027 +sa(dp183028 +g25273 +S'engraving' +p183029 +sg25267 +g27 +sg25275 +S'published 1961' +p183030 +sg25268 +S'Steps' +p183031 +sg25270 +S'Albert Flocon' +p183032 +sa(dp183033 +g25273 +S'engraving' +p183034 +sg25267 +g27 +sg25275 +S'published 1961' +p183035 +sg25268 +S'Landscape with Reclining Figure' +p183036 +sg25270 +S'Albert Flocon' +p183037 +sa(dp183038 +g25273 +S'engraving' +p183039 +sg25267 +g27 +sg25275 +S'published 1961' +p183040 +sg25268 +S'Curved vs. Rectilinear Space' +p183041 +sg25270 +S'Albert Flocon' +p183042 +sa(dp183043 +g25268 +S'Dos grupos de picadores arrollados de seguida por un solo toro (Two Teams of Picadors Thrown One after the Other by a Single Bull)' +p183044 +sg25270 +S'Francisco de Goya' +p183045 +sg25273 +S'etching, burnished aquatint, drypoint and burin [first edition impression]' +p183046 +sg25275 +S'in or before 1816' +p183047 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed8f.jpg' +p183048 +sg25267 +g27 +sa(dp183049 +g25273 +S'engraving' +p183050 +sg25267 +g27 +sg25275 +S'published 1961' +p183051 +sg25268 +S'Circular (Concentric) Space' +p183052 +sg25270 +S'Albert Flocon' +p183053 +sa(dp183054 +g25273 +S'engraving' +p183055 +sg25267 +g27 +sg25275 +S'published 1961' +p183056 +sg25268 +S'Classical Space Stage' +p183057 +sg25270 +S'Albert Flocon' +p183058 +sa(dp183059 +g25273 +S'engraving' +p183060 +sg25267 +g27 +sg25275 +S'1961' +p183061 +sg25268 +S'Ionic' +p183062 +sg25270 +S'Albert Flocon' +p183063 +sa(dp183064 +g25273 +S'engraving' +p183065 +sg25267 +g27 +sg25275 +S'1961' +p183066 +sg25268 +S'Head [left half]' +p183067 +sg25270 +S'Albert Flocon' +p183068 +sa(dp183069 +g25273 +S'engraving' +p183070 +sg25267 +g27 +sg25275 +S'1961' +p183071 +sg25268 +S'Head [right half]' +p183072 +sg25270 +S'Albert Flocon' +p183073 +sa(dp183074 +g25273 +S'engraving' +p183075 +sg25267 +g27 +sg25275 +S'published 1961' +p183076 +sg25268 +S'Head on Crumpled Paper' +p183077 +sg25270 +S'Albert Flocon' +p183078 +sa(dp183079 +g25273 +S'engraving' +p183080 +sg25267 +g27 +sg25275 +S'published 1961' +p183081 +sg25268 +S'Head' +p183082 +sg25270 +S'Albert Flocon' +p183083 +sa(dp183084 +g25273 +S'engraving' +p183085 +sg25267 +g27 +sg25275 +S'published 1961' +p183086 +sg25268 +S'Head, Webbing, and Figures' +p183087 +sg25270 +S'Albert Flocon' +p183088 +sa(dp183089 +g25273 +S'engraving' +p183090 +sg25267 +g27 +sg25275 +S'published 1961' +p183091 +sg25268 +S'Head and Wave Form' +p183092 +sg25270 +S'Albert Flocon' +p183093 +sa(dp183094 +g25273 +S'engraving' +p183095 +sg25267 +g27 +sg25275 +S'published 1961' +p183096 +sg25268 +S'Classical and Fantastic Landscape with Portrait of the Artist' +p183097 +sg25270 +S'Albert Flocon' +p183098 +sa(dp183099 +g25268 +S'Madonna and Child with Angels' +p183100 +sg25270 +S'Hans Memling' +p183101 +sg25273 +S'oil on panel' +p183102 +sg25275 +S'after 1479' +p183103 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005b9.jpg' +p183104 +sg25267 +S"In the tradition of his Flemish predecessors, Memling's painting contains\na wealth of religious meaning; it is filled with symbols which explain the importance\nof Christ's mission on earth. Jesus reaches out for an apple, emblem of Original\nSin; his attitude of acceptance foreshadows his future sacrifice on the cross. The\nangel who offers the fruit of redemption is in fact dressed in a dalmatic, the liturgical\nvestment worn by a deacon during the solemn High Mass. Around the arch is a carved\nvine of grapes referring to the wine of the eucharistic rite. On the crystal and\nporphyry columns stand David, as an ancestor of Christ, and Isaiah, one of the prophets\nwho foretold the Virgin Birth.\n Memling adhered closely to the northern tradition in art; the format and details\nof the enthroned Madonna theme recall Jan van Eyck. It is believed that Memling\nworked in the studio of Rogier van der Weyden at Brussels before settling in Bruges;\nhere, he adopted Rogier's angular figural types clothed in heavy, crisp drapery,\nbut transformed the older artist's dramatic intensity into a calm and graceful elegance.\nThe framing archway was a device used by a number of Flemish painters including\nRogier. While combining various influences, Hans Memling's own tender and pious\nsentiment made him the most popular artist of his day in Bruges.\n " +p183105 +sa(dp183106 +g25268 +S'La desgraciada muerte de Pepe Illo en la plaza de Madrid (The Unlucky Death of Pepe Illo in the Ring at Madrid)' +p183107 +sg25270 +S'Francisco de Goya' +p183108 +sg25273 +S'etching, burnished aquatint, drypoint and burin [first edition impression]' +p183109 +sg25275 +S'in or before 1816' +p183110 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed91.jpg' +p183111 +sg25267 +g27 +sa(dp183112 +g25273 +S'engraving' +p183113 +sg25267 +g27 +sg25275 +S'published 1961' +p183114 +sg25268 +S'Tall Figure [left half]' +p183115 +sg25270 +S'Albert Flocon' +p183116 +sa(dp183117 +g25273 +S'engraving' +p183118 +sg25267 +g27 +sg25275 +S'published 1961' +p183119 +sg25268 +S'Tall Figure [right half]' +p183120 +sg25270 +S'Albert Flocon' +p183121 +sa(dp183122 +g25273 +S'engraving' +p183123 +sg25267 +g27 +sg25275 +S'published 1961' +p183124 +sg25268 +S'Figures and Geometrical Forms [left half]' +p183125 +sg25270 +S'Albert Flocon' +p183126 +sa(dp183127 +g25273 +S'engraving' +p183128 +sg25267 +g27 +sg25275 +S'published 1961' +p183129 +sg25268 +S'Bulbs [right half]' +p183130 +sg25270 +S'Albert Flocon' +p183131 +sa(dp183132 +g25273 +S'engraving' +p183133 +sg25267 +g27 +sg25275 +S'published 1961' +p183134 +sg25268 +S'Figures as Architectural Elements' +p183135 +sg25270 +S'Albert Flocon' +p183136 +sa(dp183137 +g25273 +S'engraving' +p183138 +sg25267 +g27 +sg25275 +S'published 1961' +p183139 +sg25268 +S'Flying Patterns and Insect' +p183140 +sg25270 +S'Albert Flocon' +p183141 +sa(dp183142 +g25273 +S'engraving' +p183143 +sg25267 +g27 +sg25275 +S'published 1961' +p183144 +sg25268 +S'Four Forest Subjects' +p183145 +sg25270 +S'Albert Flocon' +p183146 +sa(dp183147 +g25273 +S'engraving' +p183148 +sg25267 +g27 +sg25275 +S'1961' +p183149 +sg25268 +S'Knots' +p183150 +sg25270 +S'Albert Flocon' +p183151 +sa(dp183152 +g25273 +S'engraving' +p183153 +sg25267 +g27 +sg25275 +S'1960' +p183154 +sg25268 +S'Fin' +p183155 +sg25270 +S'Albert Flocon' +p183156 +sa(dp183157 +g25273 +S'lithograph' +p183158 +sg25267 +g27 +sg25275 +S'unknown date\n' +p183159 +sg25268 +S'Airport' +p183160 +sg25270 +S'Richard A. Florsheim' +p183161 +sa(dp183162 +g25273 +S'engraving on thick paper' +p183163 +sg25267 +g27 +sg25275 +S'1825' +p183164 +sg25268 +S'Job and His Family' +p183165 +sg25270 +S'William Blake' +p183166 +sa(dp183167 +g25273 +S'lithograph' +p183168 +sg25267 +g27 +sg25275 +S'1959' +p183169 +sg25268 +S'Beach Grass' +p183170 +sg25270 +S'Arthur L. Flory' +p183171 +sa(dp183172 +g25268 +S'Blossoms' +p183173 +sg25270 +S'Arthur L. Flory' +p183174 +sg25273 +S'color lithograph' +p183175 +sg25275 +S'1962' +p183176 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a91.jpg' +p183177 +sg25267 +g27 +sa(dp183178 +g25273 +S'lithograph on Rives BFK' +p183179 +sg25267 +g27 +sg25275 +S'1962' +p183180 +sg25268 +S'Blossoms and Snow' +p183181 +sg25270 +S'Arthur L. Flory' +p183182 +sa(dp183183 +g25273 +S'lithograph' +p183184 +sg25267 +g27 +sg25275 +S'1959' +p183185 +sg25268 +S'Crabs' +p183186 +sg25270 +S'Arthur L. 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Gaultier' +p183922 +sg25273 +S'engraving' +p183923 +sg25275 +S'probably c. 1576/1580' +p183924 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00084/a0008426.jpg' +p183925 +sg25267 +g27 +sa(dp183926 +g25268 +S'The Man Healed of the Withered Hand' +p183927 +sg25270 +S'L\xc3\xa9onard Gaultier' +p183928 +sg25273 +S'engraving' +p183929 +sg25275 +S'probably c. 1576/1580' +p183930 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00084/a0008439.jpg' +p183931 +sg25267 +g27 +sa(dp183932 +g25268 +S'The Parable of the Marriage Feast' +p183933 +sg25270 +S'L\xc3\xa9onard Gaultier' +p183934 +sg25273 +S'engraving' +p183935 +sg25275 +S'probably c. 1576/1580' +p183936 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a00083e2.jpg' +p183937 +sg25267 +g27 +sa(dp183938 +g25268 +S'Christ in the Temple' +p183939 +sg25270 +S'L\xc3\xa9onard Gaultier' +p183940 +sg25273 +S'engraving' +p183941 +sg25275 +S'probably c. 1576/1580' +p183942 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a00083f4.jpg' +p183943 +sg25267 +g27 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Paris a l'occasion du mariage de Monseigneur le Dauphin" +p188094 +sg25270 +S'Various Artists' +p188095 +sa(dp188096 +g25273 +S'French, 1838 - 1927' +p188097 +sg25267 +g27 +sg25275 +S'(author)' +p188098 +sg25268 +S'Histoire des peintres impressionistes' +p188099 +sg25270 +S'Artist Information (' +p188100 +sa(dp188101 +g25273 +S'Rosenwald Collection' +p188102 +sg25267 +g27 +sg25275 +S'\n1 vol: ill: 20 etchings by various artists' +p188103 +sg25268 +S'The International Avant-Garde (volume I)' +p188104 +sg25270 +S'Various Artists' +p188105 +sa(dp188106 +g25273 +S'etching' +p188107 +sg25267 +g27 +sg25275 +S'published 1962' +p188108 +sg25268 +S'The International Avant-Garde, No.1' +p188109 +sg25270 +S'Enrico Baj' +p188110 +sa(dp188111 +g25273 +S'etching' +p188112 +sg25267 +g27 +sg25275 +S'published 1962' +p188113 +sg25268 +S'The International Avant-Garde, No.2' +p188114 +sg25270 +S'Gianni Bertini' +p188115 +sa(dp188116 +g25273 +S'woodcut block' +p188117 +sg25267 +g27 +sg25275 +S'unknown 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+sg25270 +S'Matta' +p188275 +sa(dp188276 +g25273 +S'etching' +p188277 +sg25267 +g27 +sg25275 +S'published 1962' +p188278 +sg25268 +S'The International Avant-Garde, No.11' +p188279 +sg25270 +S'Bruno Munari' +p188280 +sa(dp188281 +g25273 +S'woodcut [proof state]' +p188282 +sg25267 +g27 +sg25275 +S'unknown date\n' +p188283 +sg25268 +S'How to Make a Woodcut [left]' +p188284 +sg25270 +S'Hans Alexander Mueller' +p188285 +sa(dp188286 +g25273 +S'etching' +p188287 +sg25267 +g27 +sg25275 +S'published 1962' +p188288 +sg25268 +S'The International Avant-Garde, No.12' +p188289 +sg25270 +S'Mimi Parent' +p188290 +sa(dp188291 +g25273 +S'etching' +p188292 +sg25267 +g27 +sg25275 +S'published 1962' +p188293 +sg25268 +S'The International Avant-Garde, No.13' +p188294 +sg25270 +S'Mario Persico' +p188295 +sa(dp188296 +g25273 +S'etching' +p188297 +sg25267 +g27 +sg25275 +S'published 1962' +p188298 +sg25268 +S'The International Avant-Garde, No.14' +p188299 +sg25270 +S'Cesare Peverelli' +p188300 +sa(dp188301 +g25273 +S'etching' +p188302 +sg25267 +g27 +sg25275 +S'published 1962' +p188303 +sg25268 +S'The International Avant-Garde, No.15' +p188304 +sg25270 +S'Carl Fredrik Reutersward' +p188305 +sa(dp188306 +g25273 +S'etching' +p188307 +sg25267 +g27 +sg25275 +S'published 1962' +p188308 +sg25268 +S'The International Avant-Garde, No.16' +p188309 +sg25270 +S'Key Sato' +p188310 +sa(dp188311 +g25273 +S'etching' +p188312 +sg25267 +g27 +sg25275 +S'published 1962' +p188313 +sg25268 +S'The International Avant-Garde, No.17' +p188314 +sg25270 +S'Max Walter Svanberg' +p188315 +sa(dp188316 +g25273 +S'etching' +p188317 +sg25267 +g27 +sg25275 +S'published 1962' +p188318 +sg25268 +S'The International Avant-Garde, No.18' +p188319 +sg25270 +S'Toyen (pseudonym)' +p188320 +sa(dp188321 +g25273 +S'etching' +p188322 +sg25267 +g27 +sg25275 +S'published 1962' +p188323 +sg25268 +S'The International Avant-Garde, No.19' +p188324 +sg25270 +S'Jean-Pierre Vielfaure' +p188325 +sa(dp188326 +g25273 +S'etching' +p188327 +sg25267 +g27 +sg25275 +S'published 1962' +p188328 +sg25268 +S'The International Avant-Garde, No.20' +p188329 +sg25270 +S'Jacques Zimmermann' +p188330 +sa(dp188331 +g25273 +S'Rosenwald Collection' +p188332 +sg25267 +g27 +sg25275 +S'\n1 vol: ill: 20 etchings by various artists' +p188333 +sg25268 +S'The International Avant-Garde (volume III)' +p188334 +sg25270 +S'Various Artists' +p188335 +sa(dp188336 +g25273 +S'engraving on thick paper' +p188337 +sg25267 +g27 +sg25275 +S'1825' +p188338 +sg25268 +S'The Lord Answering Job out of the Whirlwind' +p188339 +sg25270 +S'William Blake' +p188340 +sa(dp188341 +g25273 +S'etching' +p188342 +sg25267 +g27 +sg25275 +S'published 1962' +p188343 +sg25268 +S'The International Avant-Garde, No.1' +p188344 +sg25270 +S'Nobuya Abe' +p188345 +sa(dp188346 +g25273 +S'etching' +p188347 +sg25267 +g27 +sg25275 +S'published 1962' +p188348 +sg25268 +S'The International Avant-Garde, No.2' +p188349 +sg25270 +S'Guido Biasi' +p188350 +sa(dp188351 +g25273 +S'etching' +p188352 +sg25267 +g27 +sg25275 +S'published 1962' +p188353 +sg25268 +S'The International Avant-Garde, No.3' +p188354 +sg25270 +S'Bona' +p188355 +sa(dp188356 +g25273 +S'etching' +p188357 +sg25267 +g27 +sg25275 +S'published 1962' +p188358 +sg25268 +S'The International Avant-Garde, No.4' +p188359 +sg25270 +S'Agustin Cardenas' +p188360 +sa(dp188361 +g25273 +S'etching' +p188362 +sg25267 +g27 +sg25275 +S'published 1962' +p188363 +sg25268 +S'The International Avant-Garde, No.5' +p188364 +sg25270 +S'Chinn Yuen-Yuei' +p188365 +sa(dp188366 +g25273 +S'etching' +p188367 +sg25267 +g27 +sg25275 +S'published 1962' +p188368 +sg25268 +S'The International Avant-Garde, No.6' +p188369 +sg25270 +S'Sergio Dangelo' +p188370 +sa(dp188371 +g25273 +S'etching' +p188372 +sg25267 +g27 +sg25275 +S'published 1962' +p188373 +sg25268 +S'The International Avant-Garde, No.7' +p188374 +sg25270 +S'Oyvind Fahlstrom' +p188375 +sa(dp188376 +g25273 +S'etching' +p188377 +sg25267 +g27 +sg25275 +S'published 1962' +p188378 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in black with additions in graphite on wove Rives BFK paper' +p188592 +sg25267 +g27 +sg25275 +S'published 1964' +p188593 +sg25268 +S'Untitled' +p188594 +sg25270 +S'Lette Eisenhauer' +p188595 +sa(dp188596 +g25273 +S'etching in black on wove Rives BFK paper' +p188597 +sg25267 +g27 +sg25275 +S'published 1964' +p188598 +sg25268 +S'Untitled' +p188599 +sg25270 +S'Stanley Fisher' +p188600 +sa(dp188601 +g25273 +S'etching' +p188602 +sg25267 +g27 +sg25275 +S'published 1964' +p188603 +sg25268 +S'Untitled' +p188604 +sg25270 +S'Sam Goodman' +p188605 +sa(dp188606 +g25273 +S'etching in black on wove Rives BFK paper' +p188607 +sg25267 +g27 +sg25275 +S'1962' +p188608 +sg25268 +S'Untitled' +p188609 +sg25270 +S'Red Grooms' +p188610 +sa(dp188611 +g25273 +S'woodcut [final state]' +p188612 +sg25267 +g27 +sg25275 +S'unknown date\n' +p188613 +sg25268 +S'How to Make a Woodcut [right]' +p188614 +sg25270 +S'Hans Alexander Mueller' +p188615 +sa(dp188616 +g25273 +S'photoengraving and etching in black on wove Rives 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watercolor on paperboard' +p189113 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0a3.jpg' +p189114 +sg25267 +g27 +sa(dp189115 +g25268 +S'Parading Knights in Oriental Costume' +p189116 +sg25270 +S'German 16th Century' +p189117 +sg25273 +S'image: 23.5 x 23.5 cm (9 1/4 x 9 1/4 in.)\r\nsheet: 33.8 x 26.3 cm (13 5/16 x 10 3/8 in.)' +p189118 +sg25275 +S'\npen and brown ink with watercolor on laid paper' +p189119 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00033/a00033d8.jpg' +p189120 +sg25267 +g27 +sa(dp189121 +g25268 +S'Court Amusements with Two Monkeys' +p189122 +sg25270 +S'German 16th Century' +p189123 +sg25273 +S'image: 23 x 23.3 cm (9 1/16 x 9 3/16 in.)\r\nsheet: 33.7 x 26.3 cm (13 1/4 x 10 3/8 in.)' +p189124 +sg25275 +S'\npen and brown ink with watercolor on laid paper' +p189125 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00033/a00033d9.jpg' +p189126 +sg25267 +g27 +sa(dp189127 +g25273 +S'(artist after)' +p189128 +sg25267 +g27 +sg25275 +S'\n' +p189129 +sg25268 +S'The Skeleton 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1/4 x 10 5/8 in.)' +p189147 +sg25275 +S'\npen and brown ink with watercolor on laid paper' +p189148 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00079/a0007988.jpg' +p189149 +sg25267 +g27 +sa(dp189150 +g25268 +S'Two Dancing Couples Led by Torch-bearing Knights' +p189151 +sg25270 +S'German 16th Century' +p189152 +sg25273 +S'image: 23.2 x 23.7 cm (9 1/8 x 9 5/16 in.)\r\nsheet: 33 x 26.1 cm (13 x 10 1/4 in.)' +p189153 +sg25275 +S'\npen and brown ink with watercolor on laid paper' +p189154 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00033/a00033db.jpg' +p189155 +sg25267 +g27 +sa(dp189156 +g25268 +S'Three Dancing Couples Led by Two Knights in Room with Column' +p189157 +sg25270 +S'German 16th Century' +p189158 +sg25273 +S'image: 23.3 cm (9 3/16 in.)\r\nsheet: 34 x 26.4 cm (13 3/8 x 10 3/8 in.)' +p189159 +sg25275 +S'\npen and brown ink with watercolor on laid paper' +p189160 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00079/a0007985.jpg' +p189161 +sg25267 +g27 +sa(dp189162 +g25268 +S'Three Couples in a Circle Dance' +p189163 +sg25270 +S'German 16th Century' +p189164 +sg25273 +S'image: 23.2 x 23.8 cm (9 1/8 x 9 3/8 in.)\r\nsheet: 33.7 x 26.4 cm (13 1/4 x 10 3/8 in.)' +p189165 +sg25275 +S'\npen and brown ink with watercolor on laid paper' +p189166 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00033/a00033dc.jpg' +p189167 +sg25267 +g27 +sa(dp189168 +g25268 +S'Seven Men in Red Gathered in a Circle' +p189169 +sg25270 +S'German 16th Century' +p189170 +sg25273 +S'image: 23 cm (9 1/16 in.)\r\nsheet: 34 x 26.3 cm (13 3/8 x 10 3/8 in.)' +p189171 +sg25275 +S'\npen and brown ink with watercolor on laid paper' +p189172 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00079/a0007984.jpg' +p189173 +sg25267 +g27 +sa(dp189174 +g25268 +S'Men in Red, White and Blue Dancing with Their Partners' +p189175 +sg25270 +S'German 16th Century' +p189176 +sg25273 +S'image: 23.4 cm (9 3/16 in.)\r\nsheet: 33 x 26.4 cm (13 x 10 3/8 in.)' +p189177 +sg25275 +S'\npen and brown ink with watercolor on laid paper' 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This one, with its somber color and avoidance \n of decoration, resembles the focused intensity of an icon. The austerity of \n this image, which markedly contrasts with the city's celebrated luxury, is \n a legacy of Byzantine art, a tradition that was reinforced when displaced \n Greek artists immigrated to Venice following the fall of Constantinople to \n the Ottoman Turks in 1453.\n The Virgin possesses the ethereal geometry of a Byzantine madonna. \n Compare her delicate, oval face and arched brows, long nose and small chin, \n with the more robust features of\n \n " +p192330 +sa(dp192331 +g25268 +S'Title Page' +p192332 +sg25270 +S'William Blake' +p192333 +sg25273 +S'engraving' +p192334 +sg25275 +S'1825' +p192335 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00076/a0007660.jpg' +p192336 +sg25267 +g27 +sa(dp192337 +g25273 +S'lithograph on Arches paper' +p192338 +sg25267 +g27 +sg25275 +S'1962' +p192339 +sg25268 +S'Hatchery' +p192340 +sg25270 +S'Jerome Kaplan' +p192341 +sa(dp192342 +g25273 +S'lithograph on Arches paper' +p192343 +sg25267 +g27 +sg25275 +S'1962' +p192344 +sg25268 +S'Apes' 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But other aspects of Girolamo's picture depart from his father's style—and from long-standing Sienese tradition. Compare, for example, its warm palette and dark colors with the brighter tones of other paintings here.\n Girolamo's pursuit of his father's trade was not unusual. Artists' sons were encouraged to enter their fathers' shops, as were the sons of all craftsmen. It eliminated the need to pay apprentice wages and, in many cities, saved on guild fees, as sons were assessed lower admission. Sons might be expected to display some \r\ntalent—but this was not necessarily a requirement. Long training produced skilled artisans perfectly capable of meeting clients' demands. Most Renaissance painters and sculptors were from tradesmen's families of one kind or another, if not artists, then related occupations like dyers or masons. 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+sg25267 +S"The short biblical account of the Flight into Egypt (Matt. 2:13–14) was elaborated upon by Early Christian and medieval theologians. In one of these apocryphal legends, the weary family paused during their journey after three days of travel. The Virgin longed for food, but the date–palm branches were too high for Joseph to pick any fruit. Thereupon Jesus commanded the tree to lower its branches. David deemphasized this miracle by giving Joseph a sturdy stick and by replacing the date palm with a Flemish chestnut tree, but a sixteenth–century audience would have remembered the apocryphal story. There are also indications of the special significance of\r\nthe family: the Madonna wears robes in her symbolic colors of red and blue; fine\r\nrays of golden light emanate from the mother's head and that of the child; and the bunch of grapes held by the Madonna is a well–known symbol of the Eucharist.\n David created a mood of calm equilibrium. The Madonna and Child are centrally placed, while receding diagonals and alternating bands of light and dark skillfully lead back into the landscape and harmoniously relate the figures to their surroundings. The predominance of the restful color blue throughout the composition unifies the work. All in all, \n " +p194603 +sa(dp194604 +g25268 +S'Canto V, Verse 43' +p194605 +sg25270 +S'Artist Information (' +p194606 +sg25273 +S'(artist after)' +p194607 +sg25275 +S'\n' +p194608 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00076/a0007685.jpg' +p194609 +sg25267 +g27 +sa(dp194610 +g25273 +S'American, active 1961/1963' +p194611 +sg25267 +g27 +sg25275 +S'(printer)' +p194612 +sg25268 +S'Skies of Venice V' +p194613 +sg25270 +S'Artist Information (' +p194614 +sa(dp194615 +g25273 +S'American, active 1961/1963' +p194616 +sg25267 +g27 +sg25275 +S'(printer)' +p194617 +sg25268 +S'Skies of Venice VI' +p194618 +sg25270 +S'Artist Information (' +p194619 +sa(dp194620 +g25273 +S'American, active 1961/1963' +p194621 +sg25267 +g27 +sg25275 +S'(printer)' +p194622 +sg25268 +S'Skies of Venice VII' +p194623 +sg25270 +S'Artist Information (' +p194624 +sa(dp194625 +g25273 +S'American, active 1961/1963' +p194626 +sg25267 +g27 +sg25275 +S'(printer)' +p194627 +sg25268 +S'Skies of Venice VIII' +p194628 +sg25270 +S'Artist Information (' +p194629 +sa(dp194630 +g25273 +S'American, active 1961/1963' +p194631 +sg25267 +g27 +sg25275 +S'(printer)' +p194632 +sg25268 +S'Skies of Venice IX' +p194633 +sg25270 +S'Artist Information (' +p194634 +sa(dp194635 +g25273 +S'lithograph on Arches paper' +p194636 +sg25267 +g27 +sg25275 +S'1962' +p194637 +sg25268 +S'Seated Figure' +p194638 +sg25270 +S'Joseph Zirker' +p194639 +sa(dp194640 +g25273 +S'lithograph on Arches paper' +p194641 +sg25267 +g27 +sg25275 +S'1962' +p194642 +sg25268 +S'Torso' +p194643 +sg25270 +S'Joseph Zirker' +p194644 +sa(dp194645 +g25273 +S'color lithograph on Arches paper' +p194646 +sg25267 +g27 +sg25275 +S'1962' +p194647 +sg25268 +S'Untitled' +p194648 +sg25270 +S'Joseph Zirker' +p194649 +sa(dp194650 +g25268 +S'The Mermaid and the Monkey' +p194651 +sg25270 +S'Paul Gauguin' +p194652 +sg25273 +S'color woodcut on japan paper' +p194653 +sg25275 +S'unknown date\n' +p194654 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009a/a0009a87.jpg' +p194655 +sg25267 +g27 +sa(dp194656 +g25268 +S'Hunters at the Edge of the Woods' +p194657 +sg25270 +S'Jacobus Theodorus Abels' +p194658 +sg25273 +S', 1833' +p194659 +sg25275 +S'\n' +p194660 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00072/a0007275.jpg' +p194661 +sg25267 +g27 +sa(dp194662 +g25268 +S'Canto VI, Verse 294' +p194663 +sg25270 +S'Artist Information (' +p194664 +sg25273 +S'(artist after)' +p194665 +sg25275 +S'\n' +p194666 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00076/a0007686.jpg' +p194667 +sg25267 +g27 +sa(dp194668 +g25273 +S'etching (engraving?)' +p194669 +sg25267 +g27 +sg25275 +S'1957' +p194670 +sg25268 +S'Dalles, sable et eau' +p194671 +sg25270 +S'Henri-Georges Adam' +p194672 +sa(dp194673 +g25273 +S'color lithograph' +p194674 +sg25267 +g27 +sg25275 +S'unknown date\n' +p194675 +sg25268 +S'Composition' +p194676 +sg25270 +S'Afro' +p194677 +sa(dp194678 +g25273 +S'color lithograph' +p194679 +sg25267 +g27 +sg25275 +S'1960' +p194680 +sg25268 +S'Ruins' +p194681 +sg25270 +S'Hiroshi Akana' +p194682 +sa(dp194683 +g25273 +S'pen and black ink' +p194684 +sg25267 +g27 +sg25275 +S'1960' +p194685 +sg25268 +S'Conversation' +p194686 +sg25270 +S'Harold Altman' +p194687 +sa(dp194688 +g25273 +S'lithograph' +p194689 +sg25267 +g27 +sg25275 +S'unknown date\n' +p194690 +sg25268 +S'Tori' +p194691 +sg25270 +S'Chieko Ando' +p194692 +sa(dp194693 +g25268 +S'Madonna and Child Accompanied by Saints' +p194694 +sg25270 +S'Artist Information (' +p194695 +sg25273 +S'(artist after)' +p194696 +sg25275 +S'\n' +p194697 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c89e.jpg' +p194698 +sg25267 +g27 +sa(dp194699 +g25268 +S'Lithographer' +p194700 +sg25270 +S'American 19th Century' +p194701 +sg25273 +S'Rosenwald Collection' +p194702 +sg25275 +S'\ncolor lithograph' +p194703 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00111/a001111d.jpg' +p194704 +sg25267 +g27 +sa(dp194705 +g25268 +S'Thirty Archers and Pages' +p194706 +sg25270 +S'Stefano Della Bella' +p194707 +sg25273 +S'etching' +p194708 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Bella' +p194731 +sg25273 +S'etching' +p194732 +sg25275 +S'1633' +p194733 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9b9.jpg' +p194734 +sg25267 +g27 +sa(dp194735 +g25268 +S'Polish Nobles, His Excellency the Ambassador, and His Carriage' +p194736 +sg25270 +S'Stefano Della Bella' +p194737 +sg25273 +S'etching' +p194738 +sg25275 +S'1633' +p194739 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9ba.jpg' +p194740 +sg25267 +g27 +sa(dp194741 +g25273 +S'portfolio with 36 engravings' +p194742 +sg25267 +g27 +sg25275 +S'1934' +p194743 +sg25268 +S'Engraved Suite from T. Petronius Arbiter\'s "Le Satyricon"' +p194744 +sg25270 +S'Andr\xc3\xa9 Derain' +p194745 +sa(dp194746 +g25273 +S'portfolio with 43 woodcuts on 22 sheets' +p194747 +sg25267 +g27 +sg25275 +S'published 1951' +p194748 +sg25268 +S'Woodcut Suite from T. 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+S'Anger (La colere)' +p194774 +sg25270 +S'James Ensor' +p194775 +sa(dp194776 +g25273 +S'etching' +p194777 +sg25267 +g27 +sg25275 +S'1904' +p194778 +sg25268 +S"Pride (L'orgueil)" +p194779 +sg25270 +S'James Ensor' +p194780 +sa(dp194781 +g25268 +S'Reverend Robert Hawker, D.D.' +p194782 +sg25270 +S'Artist Information (' +p194783 +sg25273 +S'(artist after)' +p194784 +sg25275 +S'\n' +p194785 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00077/a00077ca.jpg' +p194786 +sg25267 +g27 +sa(dp194787 +g25273 +S'etching' +p194788 +sg25267 +g27 +sg25275 +S'1904' +p194789 +sg25268 +S"Avarice (L'avarice)" +p194790 +sg25270 +S'James Ensor' +p194791 +sa(dp194792 +g25273 +S'etching' +p194793 +sg25267 +g27 +sg25275 +S'1904' +p194794 +sg25268 +S'Gluttony (La gourmandise)' +p194795 +sg25270 +S'James Ensor' +p194796 +sa(dp194797 +g25273 +S'etching' +p194798 +sg25267 +g27 +sg25275 +S'1904' +p194799 +sg25268 +S"Envy (L'envie)" +p194800 +sg25270 +S'James Ensor' +p194801 +sa(dp194802 +g25273 +S'etching' +p194803 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+sg25275 +S'published 1960' +p195513 +sg25268 +S'From "Le tir \xc3\xa0 l\'arc"' +p195514 +sg25270 +S'Georges Braque' +p195515 +sa(dp195516 +g25273 +S'color lithograph on japan nacre paper' +p195517 +sg25267 +g27 +sg25275 +S'published 1960' +p195518 +sg25268 +S'From "Le tir \xc3\xa0 l\'arc"' +p195519 +sg25270 +S'Georges Braque' +p195520 +sa(dp195521 +g25273 +S'lithograph in black on japan nacre paper' +p195522 +sg25267 +g27 +sg25275 +S'published 1960' +p195523 +sg25268 +S'From "Le tir \xc3\xa0 l\'arc"' +p195524 +sg25270 +S'Georges Braque' +p195525 +sa(dp195526 +g25273 +S'color lithograph on japan nacre paper' +p195527 +sg25267 +g27 +sg25275 +S'published 1960' +p195528 +sg25268 +S'From "Le tir \xc3\xa0 l\'arc"' +p195529 +sg25270 +S'Georges Braque' +p195530 +sa(dp195531 +g25273 +S'color lithograph on japan nacre paper' +p195532 +sg25267 +g27 +sg25275 +S'published 1960' +p195533 +sg25268 +S'From "Le tir \xc3\xa0 l\'arc"' +p195534 +sg25270 +S'Georges Braque' +p195535 +sa(dp195536 +g25273 +S'woodcut in white on brown japan paper (wrapper for suite)' +p195537 +sg25267 +g27 +sg25275 +S'published 1960' +p195538 +sg25268 +S'From "Le tir \xc3\xa0 l\'arc"' +p195539 +sg25270 +S'Georges Braque' +p195540 +sa(dp195541 +g25273 +S'suite of 5 woodcuts including wrapper on japan nacre paper; 1 of 2 suites apart from copy V of the book given by LJR to LC(other suite 1964.8.2879-87)' +p195542 +sg25267 +g27 +sg25275 +S'published 1960' +p195543 +sg25268 +S"Le tir \xc3\xa0 l'arc" +p195544 +sg25270 +S'Georges Braque' +p195545 +sa(dp195546 +g25273 +S'woodcut in burgundy on japan nacre paper' +p195547 +sg25267 +g27 +sg25275 +S'published 1960' +p195548 +sg25268 +S'From "Le tir a l\'arc"' +p195549 +sg25270 +S'Georges Braque' +p195550 +sa(dp195551 +g25273 +S'woodcut in black and white on japan nacre paper' +p195552 +sg25267 +g27 +sg25275 +S'published 1960' +p195553 +sg25268 +S'From "Le tir \xc3\xa0 l\'arc"' +p195554 +sg25270 +S'Georges Braque' +p195555 +sa(dp195556 +g25273 +S'woodcut in white and blue on japan nacre paper' +p195557 +sg25267 +g27 +sg25275 +S'published 1960' +p195558 +sg25268 +S'From "Le tir \xc3\xa0 l\'arc"' +p195559 +sg25270 +S'Georges Braque' +p195560 +sa(dp195561 +g25273 +S'wood engraving' +p195562 +sg25267 +g27 +sg25275 +S'1821' +p195563 +sg25268 +S"'Sabrina's silvery flood'" +p195564 +sg25270 +S'William Blake' +p195565 +sa(dp195566 +g25273 +S'woodcut in black on japan nacre paper' +p195567 +sg25267 +g27 +sg25275 +S'published 1960' +p195568 +sg25268 +S'From "Le tir \xc3\xa0 l\'arc"' +p195569 +sg25270 +S'Georges Braque' +p195570 +sa(dp195571 +g25273 +S'portfolio in 2 parts (Part I: Trees and Shrubs, Part II: Herbs and Other Small Plants) with 50 wood engravings on Japan paper' +p195572 +sg25267 +g27 +sg25275 +S'published 1962' +p195573 +sg25268 +S"Plants of Virgil's Georgics" +p195574 +sg25270 +S'Elfriede Martha Abbe' +p195575 +sa(dp195576 +g25273 +S'lithograph in olive-gray on japan paper' +p195577 +sg25267 +g27 +sg25275 +S'published 1959' +p195578 +sg25268 +S'Frontispiece from "La redemption par les betes"' +p195579 +sg25270 +S'Pierre Bonnard' +p195580 +sa(dp195581 +g25273 +S'suite of 39 lithographs in olive-gray on japan paper of which 17 (1964.8.2965-2981) were completed by the firm of Mourlot Freres' +p195582 +sg25267 +g27 +sg25275 +S'published 1959' +p195583 +sg25268 +S'La redemption par les betes' +p195584 +sg25270 +S'Pierre Bonnard' +p195585 +sa(dp195586 +g25273 +S'lithograph in olive-gray on japan paper' +p195587 +sg25267 +g27 +sg25275 +S'published 1959' +p195588 +sg25268 +S'From "La redemption par les betes"' +p195589 +sg25270 +S'Pierre Bonnard' +p195590 +sa(dp195591 +g25273 +S'lithograph in olive-gray on japan paper' +p195592 +sg25267 +g27 +sg25275 +S'published 1959' +p195593 +sg25268 +S'From "La redemption par les betes"' +p195594 +sg25270 +S'Pierre Bonnard' +p195595 +sa(dp195596 +g25273 +S'lithograph in olive-gray on japan paper' +p195597 +sg25267 +g27 +sg25275 +S'published 1959' +p195598 +sg25268 +S'From "La redemption par les betes"' +p195599 +sg25270 +S'Pierre Bonnard' +p195600 +sa(dp195601 +g25273 +S'lithograph in olive-gray on japan paper' +p195602 +sg25267 +g27 +sg25275 +S'published 1959' +p195603 +sg25268 +S'From "La redemption par les betes"' +p195604 +sg25270 +S'Pierre Bonnard' +p195605 +sa(dp195606 +g25273 +S'lithograph in olive-gray on japan paper' +p195607 +sg25267 +g27 +sg25275 +S'published 1959' +p195608 +sg25268 +S'From "La redemption par les betes"' +p195609 +sg25270 +S'Pierre Bonnard' +p195610 +sa(dp195611 +g25273 +S'lithograph in olive-gray on japan paper' +p195612 +sg25267 +g27 +sg25275 +S'published 1959' +p195613 +sg25268 +S'From "La redemption par les betes"' +p195614 +sg25270 +S'Pierre Bonnard' +p195615 +sa(dp195616 +g25273 +S'wood engraving' +p195617 +sg25267 +g27 +sg25275 +S'1821' +p195618 +sg25268 +S"Colinet's Journey" +p195619 +sg25270 +S'William Blake' +p195620 +sa(dp195621 +g25273 +S'lithograph in olive-gray on japan paper' +p195622 +sg25267 +g27 +sg25275 +S'published 1959' +p195623 +sg25268 +S'From "La redemption par les betes"' +p195624 +sg25270 +S'Pierre Bonnard' +p195625 +sa(dp195626 +g25273 +S'lithograph in olive-gray on japan paper' +p195627 +sg25267 +g27 +sg25275 +S'published 1959' +p195628 +sg25268 +S'From "La redemption par les betes"' +p195629 +sg25270 +S'Pierre Bonnard' +p195630 +sa(dp195631 +g25273 +S'lithograph in olive-gray on japan paper' +p195632 +sg25267 +g27 +sg25275 +S'published 1959' +p195633 +sg25268 +S'From "La redemption par les betes"' +p195634 +sg25270 +S'Pierre Bonnard' +p195635 +sa(dp195636 +g25273 +S'lithograph in olive-gray on japan paper' +p195637 +sg25267 +g27 +sg25275 +S'published 1959' +p195638 +sg25268 +S'From "La redemption par les betes"' +p195639 +sg25270 +S'Pierre Bonnard' +p195640 +sa(dp195641 +g25273 +S'lithograph in olive-gray on japan paper' +p195642 +sg25267 +g27 +sg25275 +S'published 1959' +p195643 +sg25268 +S'From "La redemption par les betes"' +p195644 +sg25270 +S'Pierre Bonnard' +p195645 +sa(dp195646 +g25273 +S'lithograph in olive-gray on japan paper' +p195647 +sg25267 +g27 +sg25275 +S'published 1959' +p195648 +sg25268 +S'From "La redemption par les betes"' +p195649 +sg25270 +S'Pierre Bonnard' +p195650 +sa(dp195651 +g25273 +S'lithograph in olive-gray on japan paper' +p195652 +sg25267 +g27 +sg25275 +S'published 1959' +p195653 +sg25268 +S'From "La redemption par les betes"' +p195654 +sg25270 +S'Pierre Bonnard' +p195655 +sa(dp195656 +g25273 +S'lithograph in olive gray on japan paper' +p195657 +sg25267 +g27 +sg25275 +S'published 1959' +p195658 +sg25268 +S'From "La redemption par les betes"' +p195659 +sg25270 +S'Pierre Bonnard' +p195660 +sa(dp195661 +g25273 +S'lithograph in olive-gray on japan paper' +p195662 +sg25267 +g27 +sg25275 +S'published 1959' +p195663 +sg25268 +S'From "La redemption par les betes"' +p195664 +sg25270 +S'Pierre Bonnard' +p195665 +sa(dp195666 +g25273 +S'lithograph in olive gray on japan paper' +p195667 +sg25267 +g27 +sg25275 +S'published 1959' +p195668 +sg25268 +S'From "La redemption par les betes"' +p195669 +sg25270 +S'Pierre Bonnard' +p195670 +sa(dp195671 +g25273 +S'wood engraving' +p195672 +sg25267 +g27 +sg25275 +S'1821' +p195673 +sg25268 +S"'A rolling stone is ever bare of moss'" +p195674 +sg25270 +S'William Blake' +p195675 +sa(dp195676 +g25273 +S'lithograph in olive-gray on japan paper' +p195677 +sg25267 +g27 +sg25275 +S'published 1959' +p195678 +sg25268 +S'From "La redemption par les betes"' +p195679 +sg25270 +S'Pierre Bonnard' +p195680 +sa(dp195681 +g25273 +S'lithograph in olive-gray on japan paper' +p195682 +sg25267 +g27 +sg25275 +S'published 1959' +p195683 +sg25268 +S'From "La redemption par les betes"' +p195684 +sg25270 +S'Pierre Bonnard' +p195685 +sa(dp195686 +g25273 +S'lithograph in olive-gray on japan paper' +p195687 +sg25267 +g27 +sg25275 +S'published 1959' +p195688 +sg25268 +S'From "La redemption par les betes"' +p195689 +sg25270 +S'Pierre Bonnard' +p195690 +sa(dp195691 +g25273 +S'lithograph in olive gray on japan paper' +p195692 +sg25267 +g27 +sg25275 +S'published 1959' +p195693 +sg25268 +S'From "La redemption par les betes"' +p195694 +sg25270 +S'Pierre Bonnard' +p195695 +sa(dp195696 +g25273 +S'lithograph in olive gray on japan paper' +p195697 +sg25267 +g27 +sg25275 +S'published 1959' +p195698 +sg25268 +S'From "La redemption par les betes"' +p195699 +sg25270 +S'Pierre Bonnard' +p195700 +sa(dp195701 +g25273 +S'lithograph in olive-gray on japan paper' +p195702 +sg25267 +g27 +sg25275 +S'published 1959' +p195703 +sg25268 +S'From "La redemption par les betes"' +p195704 +sg25270 +S'Pierre Bonnard' +p195705 +sa(dp195706 +g25273 +S'lithograph in olive-gray on japan paper' +p195707 +sg25267 +g27 +sg25275 +S'published 1959' +p195708 +sg25268 +S'From "La redemption par les betes"' +p195709 +sg25270 +S'Pierre Bonnard' +p195710 +sa(dp195711 +g25273 +S'lithograph in olive-gray on japan paper' +p195712 +sg25267 +g27 +sg25275 +S'published 1959' +p195713 +sg25268 +S'From "La redemption par les betes"' +p195714 +sg25270 +S'Pierre Bonnard' +p195715 +sa(dp195716 +g25273 +S'lithograph in olive-gray on japan paper' +p195717 +sg25267 +g27 +sg25275 +S'published 1959' +p195718 +sg25268 +S'From "La redemption par les betes"' +p195719 +sg25270 +S'Pierre Bonnard' +p195720 +sa(dp195721 +g25273 +S'lithograph in olive-gray on japan paper' +p195722 +sg25267 +g27 +sg25275 +S'published 1959' +p195723 +sg25268 +S'From "La redemption par les betes"' +p195724 +sg25270 +S'Pierre Bonnard' +p195725 +sa(dp195726 +g25273 +S'wood engraving' +p195727 +sg25267 +g27 +sg25275 +S'1821' +p195728 +sg25268 +S'Colinet Resting by Night' +p195729 +sg25270 +S'William Blake' +p195730 +sa(dp195731 +g25273 +S'lithograph in olive-gray on japan paper' +p195732 +sg25267 +g27 +sg25275 +S'published 1959' +p195733 +sg25268 +S'From "La redemption par les betes"' +p195734 +sg25270 +S'Pierre Bonnard' +p195735 +sa(dp195736 +g25273 +S'lithograph in olive-gray on japan paper' +p195737 +sg25267 +g27 +sg25275 +S'published 1959' +p195738 +sg25268 +S'From "La redemption par les betes"' +p195739 +sg25270 +S'Pierre Bonnard' +p195740 +sa(dp195741 +g25273 +S'lithograph in olive-gray on japan paper' +p195742 +sg25267 +g27 +sg25275 +S'published 1959' +p195743 +sg25268 +S'From "La redemption par les betes"' +p195744 +sg25270 +S'Pierre Bonnard' +p195745 +sa(dp195746 +g25273 +S'lithograph in olive-gray on japan paper' +p195747 +sg25267 +g27 +sg25275 +S'published 1959' +p195748 +sg25268 +S'From "La redemption par les betes"' +p195749 +sg25270 +S'Pierre Bonnard' +p195750 +sa(dp195751 +g25273 +S'lithograph in olive-gray on japan paper' +p195752 +sg25267 +g27 +sg25275 +S'published 1959' +p195753 +sg25268 +S'From "La redemption par les betes"' +p195754 +sg25270 +S'Pierre Bonnard' +p195755 +sa(dp195756 +g25273 +S'lithograph in olive-gray on japan paper' +p195757 +sg25267 +g27 +sg25275 +S'published 1959' +p195758 +sg25268 +S'From "La redemption par les betes"' +p195759 +sg25270 +S'Pierre Bonnard' +p195760 +sa(dp195761 +g25273 +S'lithograph in olive-gray on japan paper' +p195762 +sg25267 +g27 +sg25275 +S'published 1959' +p195763 +sg25268 +S'From "La redemption par les betes"' +p195764 +sg25270 +S'Pierre Bonnard' +p195765 +sa(dp195766 +g25273 +S'lithograph in olive-gray on japan paper' +p195767 +sg25267 +g27 +sg25275 +S'published 1959' +p195768 +sg25268 +S'From "La redemption par les betes"' +p195769 +sg25270 +S'Pierre Bonnard' +p195770 +sa(dp195771 +g25273 +S'lithograph in olive-gray on japan paper' +p195772 +sg25267 +g27 +sg25275 +S'published 1959' +p195773 +sg25268 +S'From "La redemption par les betes"' +p195774 +sg25270 +S'Pierre Bonnard' +p195775 +sa(dp195776 +g25273 +S'lithograph in olive-gray on japan paper' +p195777 +sg25267 +g27 +sg25275 +S'published 1959' +p195778 +sg25268 +S'From "La redemption par les betes"' +p195779 +sg25270 +S'Pierre Bonnard' +p195780 +sa(dp195781 +g25273 +S'wood engraving' +p195782 +sg25267 +g27 +sg25275 +S'1821' +p195783 +sg25268 +S'Colinet Mocked by Two Boys' +p195784 +sg25270 +S'William Blake' +p195785 +sa(dp195786 +g25273 +S'lithograph in olive-gray on japan paper' +p195787 +sg25267 +g27 +sg25275 +S'published 1959' +p195788 +sg25268 +S'From "La redemption par les betes"' +p195789 +sg25270 +S'Pierre Bonnard' +p195790 +sa(dp195791 +g25273 +S'lithograph in olive-gray on japan paper' +p195792 +sg25267 +g27 +sg25275 +S'published 1959' +p195793 +sg25268 +S'From "La redemption par les betes"' +p195794 +sg25270 +S'Pierre Bonnard' +p195795 +sa(dp195796 +g25268 +S'The Artist\'s Son Claude or "Coco"' +p195797 +sg25270 +S'Auguste Renoir' +p195798 +sg25273 +S'red and white chalk on laid paper' +p195799 +sg25275 +S'c. 1906' +p195800 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00067/a0006743.jpg' +p195801 +sg25267 +g27 +sa(dp195802 +g25273 +S'pen and black ink with brown and yellow wash on laid paper' +p195803 +sg25267 +g27 +sg25275 +S'1944' +p195804 +sg25268 +S'Spire of Gelmeroda' +p195805 +sg25270 +S'Lyonel Feininger' +p195806 +sa(dp195807 +g25273 +S'pen and black ink with pink and brown pastel on laid paper' +p195808 +sg25267 +g27 +sg25275 +S'1934' +p195809 +sg25268 +S'Three Women' +p195810 +sg25270 +S'Joan Mir\xc3\xb3' +p195811 +sa(dp195812 +g25268 +S'The Marquise de Pezay, and the Marquise de Roug\xc3\xa9 with Her Sons Alexis and Adrien' +p195813 +sg25270 +S'\xc3\x89lisabeth Louise Vig\xc3\xa9e Le Brun' +p195814 +sg25273 +S', 1787' +p195815 +sg25275 +S'\n' +p195816 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d7e.jpg' +p195817 +sg25267 +S"Madame Vigée Le Brun was part of the world she painted and, like her aristocratic patrons, was under threat of the guillotine after the revolution. She was forced to flee Paris in disguise in 1789. She had been first painter to Queen Marie–Antoinette and her personal confidant. The queen had intervened to ensure her election to the Royal Academy of Painting and Sculpture, an honor accorded few women.\n More than two–thirds of Vigée Le Brun's surviving paintings are portraits. Most, like this one, are of women and children who are idealized \r\n—flattered—into a kind of family resemblance. These unrelated young women, for example, could easily be mistaken for sisters. Their garments, airy silks and iridescent taffetas, are almost more individual than their faces, although both women were friends of the artist. The picture was hailed as a tribute to friendship and maternal love when it was shown at the Salon of 1787.\n " +p195818 +sa(dp195819 +g25268 +S'Luther as an Augustinian Friar' +p195820 +sg25270 +S'Lucas Cranach the Elder' +p195821 +sg25273 +S'engraving' +p195822 +sg25275 +S'1520' +p195823 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00067/a0006737.jpg' +p195824 +sg25267 +g27 +sa(dp195825 +g25268 +S"Eleanora O'Donnell Iselin (Mrs. Adrian Iselin)" +p195826 +sg25270 +S'John Singer Sargent' +p195827 +sg25273 +S'oil on canvas' +p195828 +sg25275 +S'1888' +p195829 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a0000207.jpg' +p195830 +sg25267 +S'Eleanora Iselin, a banker’s wife, was portrayed in New\r\n York City during one of Sargent’s many transatlantic\r\n trips. Arriving for her first sitting, the sixty-six-year-old\r\n matron was appalled when Sargent insisted that she pose\r\n in the street clothes she wore rather than in one of the\r\n sumptuous French gowns carried by her maid.\n Her severe black dress transforms Mrs. Iselin’s\r\n image into a pillar of austerity, glinting with black beads\r\n of jet gemstones. Such superb imitations of surface textures\r\n once prompted a critic to remark that Sargent’s\r\n brushwork could distinguish “paste from diamonds.”\r\n Seldom bothering to flatter his sitters, the painter did\r\n nothing to disguise Mrs. Iselin’s large ear or to conceal\r\n her contempt as she tapped impatiently on the table.\r\n Thirty years after painting \n Sargent’s phenomenal success as a portraitist was\r\n due in part to his prominent New England colonial\r\n ancestry, which made him the social equal to or better\r\n of many of his patrons. Rebelling against his popularity,\r\n he continually raised his prices to discourage potential\r\n clients, but the higher costs had the opposite effect of\r\n placing his portraits in even greater demand.\n ' +p195831 +sa(dp195832 +g25268 +S'Portrait of a Man' +p195833 +sg25270 +S'Artist Information (' +p195834 +sg25273 +S'(artist after)' +p195835 +sg25275 +S'\n' +p195836 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0007d/a0007d24.jpg' +p195837 +sg25267 +g27 +sa(dp195838 +g25268 +S'Patrick Tracy' +p195839 +sg25270 +S'John Trumbull' +p195840 +sg25273 +S'oil on canvas' +p195841 +sg25275 +S'1784/1786' +p195842 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000da/a000dacf.jpg' +p195843 +sg25267 +S'Patrick Tracy\n Trumbull\'s account book for 1784 resolves the dilemma: "Whole length of Mr. P. Tracy\n(father of Nat) leaning on an anchor -- head copied." Nat Tracy, the subject\'s son,\napparently commissioned the portrait while in London on business. Since Patrick\nwas still in America, Trumbull adapted his face from a likeness which Nat must have\nlent him, but did the rest in his new style.\n While working on this life-size portrait, Trumbull received an unprecedented honor\nfrom Benjamin West. West, who had intended to paint a vast series of scenes illustrating\nthe characters and events of the War of Independence, decided he was too busy and\npassed the idea along to his pupil. The resulting history paintings culminated in\nTrumbull\'s world-famous murals in the Capitol\'s Rotunda.\n ' +p195844 +sa(dp195845 +g25273 +S'wood engraving' +p195846 +sg25267 +g27 +sg25275 +S'1821' +p195847 +sg25268 +S'Menalcas Watching Women Dance' +p195848 +sg25270 +S'William Blake' +p195849 +sa(dp195850 +g25268 +S'A Knight of the Golden Fleece' +p195851 +sg25270 +S'French 15th Century' +p195852 +sg25273 +S'overall: 68 x 53.7 cm (26 3/4 x 21 1/8 in.)\r\nframed: 74.9 x 61.6 x 6 cm (29 1/2 x 24 1/4 x 2 3/8 in.)' +p195853 +sg25275 +S'\noil on European walnut' +p195854 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005a/a0005ab0.jpg' +p195855 +sg25267 +g27 +sa(dp195856 +g25273 +S'lithograph' +p195857 +sg25267 +g27 +sg25275 +S'unknown date\n' +p195858 +sg25268 +S'The Beam Trawler' +p195859 +sg25270 +S'Ella Fillmore Lillie' +p195860 +sa(dp195861 +g25273 +S'lithograph' +p195862 +sg25267 +g27 +sg25275 +S'unknown date\n' +p195863 +sg25268 +S'Coon in the Corn Patch' +p195864 +sg25270 +S'Ella Fillmore Lillie' +p195865 +sa(dp195866 +g25273 +S'lithograph' +p195867 +sg25267 +g27 +sg25275 +S'unknown date\n' +p195868 +sg25268 +S'Guanajuato, Mexico' +p195869 +sg25270 +S'Ella Fillmore Lillie' +p195870 +sa(dp195871 +g25273 +S'lithograph' +p195872 +sg25267 +g27 +sg25275 +S'unknown date\n' +p195873 +sg25268 +S'Marblehead' +p195874 +sg25270 +S'Ella Fillmore Lillie' +p195875 +sa(dp195876 +g25273 +S'lithograph' +p195877 +sg25267 +g27 +sg25275 +S'unknown date\n' +p195878 +sg25268 +S'Night (Eads Bridge, St. Louis, Missouri)' +p195879 +sg25270 +S'Ella Fillmore Lillie' +p195880 +sa(dp195881 +g25273 +S'lithograph' +p195882 +sg25267 +g27 +sg25275 +S'unknown date\n' +p195883 +sg25268 +S'Old Wood' +p195884 +sg25270 +S'Ella Fillmore Lillie' +p195885 +sa(dp195886 +g25273 +S'lithograph' +p195887 +sg25267 +g27 +sg25275 +S'unknown date\n' +p195888 +sg25268 +S'Siamese Oak, Sea Island' +p195889 +sg25270 +S'Ella Fillmore Lillie' +p195890 +sa(dp195891 +g25273 +S'lithograph' +p195892 +sg25267 +g27 +sg25275 +S'unknown date\n' +p195893 +sg25268 +S'Tabby Ruins, Retreat Plantation' +p195894 +sg25270 +S'Ella Fillmore Lillie' +p195895 +sa(dp195896 +g25273 +S'lithograph' +p195897 +sg25267 +g27 +sg25275 +S'unknown date\n' +p195898 +sg25268 +S'The Trespasser' +p195899 +sg25270 +S'Ella Fillmore Lillie' +p195900 +sa(dp195901 +g25273 +S'wood engraving' +p195902 +sg25267 +g27 +sg25275 +S'1821' +p195903 +sg25268 +S'Thenot and Colinet Lead their Flocks Together' +p195904 +sg25270 +S'William Blake' +p195905 +sa(dp195906 +g25273 +S'lithograph' +p195907 +sg25267 +g27 +sg25275 +S'unknown date\n' +p195908 +sg25268 +S'Vermont' +p195909 +sg25270 +S'Ella Fillmore Lillie' +p195910 +sa(dp195911 +g25268 +S'Artist Drawing a Man in Turkish Dress' +p195912 +sg25270 +S'Pierre-Nolasque Bergeret' +p195913 +sg25273 +S'etching' +p195914 +sg25275 +S'1819' +p195915 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00090/a0009042.jpg' +p195916 +sg25267 +g27 +sa(dp195917 +g25268 +S'Cardinal de Polignac' +p195918 +sg25270 +S'Artist Information (' +p195919 +sg25273 +S'(artist after)' +p195920 +sg25275 +S'\n' +p195921 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a00096b3.jpg' +p195922 +sg25267 +g27 +sa(dp195923 +g25268 +S'Saint Bartholomew' +p195924 +sg25270 +S'Albrecht D\xc3\xbcrer' +p195925 +sg25273 +S'engraving' +p195926 +sg25275 +S'1523' +p195927 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a9/a000a90b.jpg' +p195928 +sg25267 +g27 +sa(dp195929 +g25268 +S'Love Scene from Act III of "Lohengrin"' +p195930 +sg25270 +S'Henri Fantin-Latour' +p195931 +sg25273 +S'lithograph' +p195932 +sg25275 +S'1886' +p195933 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00095/a00095cf.jpg' +p195934 +sg25267 +g27 +sa(dp195935 +g25268 +S'Sieglinde and Siegmund from Act I of "The Valkyrie"' +p195936 +sg25270 +S'Henri Fantin-Latour' +p195937 +sg25273 +S'lithograph' +p195938 +sg25275 +S'unknown date\n' +p195939 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00095/a00095d0.jpg' +p195940 +sg25267 +g27 +sa(dp195941 +g25268 +S'Maria Cecilia Louisa Cosway' +p195942 +sg25270 +S'Artist Information (' +p195943 +sg25273 +S'(artist after)' +p195944 +sg25275 +S'\n' +p195945 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00078/a00078b8.jpg' +p195946 +sg25267 +g27 +sa(dp195947 +g25268 +S'Old Chelsea (Old Chelsea Church)' +p195948 +sg25270 +S'Francis Seymour Haden' +p195949 +sg25273 +S'etching and drypoint' +p195950 +sg25275 +S'1865' +p195951 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0007d/a0007ddf.jpg' +p195952 +sg25267 +g27 +sa(dp195953 +g25268 +S'Breaking Up of the Agamemnon' +p195954 +sg25270 +S'Francis Seymour Haden' +p195955 +sg25273 +S'etching (copper) in dark brown' +p195956 +sg25275 +S'1870' +p195957 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0007c/a0007c4d.jpg' +p195958 +sg25267 +g27 +sa(dp195959 +g25268 +S'Kensington Gardens (The Small Plate)' +p195960 +sg25270 +S'Francis Seymour Haden' +p195961 +sg25273 +S'etching with drypoint' +p195962 +sg25275 +S'1859' +p195963 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0007d/a0007d2f.jpg' +p195964 +sg25267 +g27 +sa(dp195965 +g25273 +S'wood engraving' +p195966 +sg25267 +g27 +sg25275 +S'1821' +p195967 +sg25268 +S'Thenot and Colinet Eat their Evening Meal' +p195968 +sg25270 +S'William Blake' +p195969 +sa(dp195970 +g25268 +S'The Large Shepherdess (La grande bergere)' +p195971 +sg25270 +S'Jean-Fran\xc3\xa7ois Millet' +p195972 +sg25273 +S'etching' +p195973 +sg25275 +S'1862' +p195974 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d94.jpg' +p195975 +sg25267 +g27 +sa(dp195976 +g25268 +S'Union Square, Rainy Day' +p195977 +sg25270 +S'Joseph Pennell' +p195978 +sg25273 +S'etching' +p195979 +sg25275 +S'1904' +p195980 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0010b/a0010b5b.jpg' +p195981 +sg25267 +g27 +sa(dp195982 +g25268 +S'The Persian' +p195983 +sg25270 +S'Artist Information (' +p195984 +sg25273 +S'(artist after)' +p195985 +sg25275 +S'\n' +p195986 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b331.jpg' +p195987 +sg25267 +g27 +sa(dp195988 +g25268 +S'Masouba' +p195989 +sg25270 +S'George Baer' +p195990 +sg25273 +S'oil on canvas' +p195991 +sg25275 +S'1927' +p195992 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a000000e.jpg' +p195993 +sg25267 +g27 +sa(dp195994 +g25273 +S'oil on canvas' +p195995 +sg25267 +g27 +sg25275 +S'unknown date\n' +p195996 +sg25268 +S'Head of a Woman' +p195997 +sg25270 +S'Th\xc3\xa9r\xc3\xa8se Debains' +p195998 +sa(dp195999 +g25273 +S'oil on paper on canvas' +p196000 +sg25267 +g27 +sg25275 +S'unknown date\n' +p196001 +sg25268 +S'Moroccan Landscape' +p196002 +sg25270 +S'Edouard-Jacques Dufeu' +p196003 +sa(dp196004 +g25268 +S'Marina delle Torri' +p196005 +sg25270 +S'Artist Information (' +p196006 +sg25273 +S'Italian, 1615 - 1673' +p196007 +sg25275 +S'(artist after)' +p196008 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00051/a000517a.jpg' +p196009 +sg25267 +g27 +sa(dp196010 +g25273 +S'oil on canvas' +p196011 +sg25267 +g27 +sg25275 +S'unknown date\n' +p196012 +sg25268 +S'Jean Pierre, du Pre Clos' +p196013 +sg25270 +S'Madeleine Luka' +p196014 +sa(dp196015 +g25273 +S'oil on canvas' +p196016 +sg25267 +g27 +sg25275 +S'unknown date\n' +p196017 +sg25268 +S'Still Life: Flowers' +p196018 +sg25270 +S'Henri de Saint-Jean' +p196019 +sa(dp196020 +g25268 +S'Study of a Model' +p196021 +sg25270 +S'Alfred Stevens' +p196022 +sg25273 +S'oil on wood' +p196023 +sg25275 +S'unknown date\n' +p196024 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005c/a0005cd1.jpg' +p196025 +sg25267 +g27 +sa(dp196026 +g25273 +S'wood engraving' +p196027 +sg25267 +g27 +sg25275 +S'1821' +p196028 +sg25268 +S'Boy Returning Joyfully with Plough and Oxen' +p196029 +sg25270 +S'William Blake' +p196030 +sa(dp196031 +g25273 +S'oil on canvas' +p196032 +sg25267 +g27 +sg25275 +S'unknown date\n' +p196033 +sg25268 +S'Portrait of an Old Woman' +p196034 +sg25270 +S'L. de Vuillemin' +p196035 +sa(dp196036 +g25273 +S'oil on canvas' +p196037 +sg25267 +g27 +sg25275 +S'1849' +p196038 +sg25268 +S'Portrait of a Young Woman' +p196039 +sg25270 +S'L. de Vuillemin' +p196040 +sa(dp196041 +g25268 +S'The Nun' +p196042 +sg25270 +S'Eug\xc3\xa8ne Zak' +p196043 +sg25273 +S'oil on canvas' +p196044 +sg25275 +S'unknown date\n' +p196045 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000eed.jpg' +p196046 +sg25267 +g27 +sa(dp196047 +g25273 +S'watercolor over graphite and black chalk on paperboard' +p196048 +sg25267 +g27 +sg25275 +S'unknown date\n' +p196049 +sg25268 +S'Young Girl Praying' +p196050 +sg25270 +S'Eug\xc3\xa8ne Zak' +p196051 +sa(dp196052 +g25268 +S'Elizabeth Throckmorton, Canoness of the Order of the Dames Augustines Anglaises' +p196053 +sg25270 +S'Nicolas de Largillierre' +p196054 +sg25273 +S'oil on canvas' +p196055 +sg25275 +S'1729' +p196056 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d86.jpg' +p196057 +sg25267 +S"During Largillière's long life portraiture evolved to satisfy new \r\n patrons from the wealthy bourgeoisie. Elizabeth Throckmorton was an English \r\n Catholic whose family left England rather than acknowledge its Protestant \r\n church. She entered an Augustinian house in Paris and served twice as \r\n Mother Superior before her death in 1760. Largillière's great facility \r\n with color shows in the complex pleats of her robe, the transparency of her \r\n dark veil, and the delicacy of her complexion. The fragile hues and soft \r\n atmosphere complement her calm beauty.\n " +p196058 +sa(dp196059 +g25268 +S"Carlo and Ubaldo Resisting the Enchantments of Armida's Nymphs" +p196060 +sg25270 +S'Artist Information (' +p196061 +sg25273 +S'(artist)' +p196062 +sg25275 +S'\n' +p196063 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a000060e.jpg' +p196064 +sg25267 +g27 +sa(dp196065 +g25268 +S'Erminia and the Shepherds' +p196066 +sg25270 +S'Artist Information (' +p196067 +sg25273 +S'(artist)' +p196068 +sg25275 +S'\n' +p196069 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a000060f.jpg' +p196070 +sg25267 +g27 +sa(dp196071 +g25268 +S'Winter Harmony' +p196072 +sg25270 +S'John Henry Twachtman' +p196073 +sg25273 +S'oil on canvas' +p196074 +sg25275 +S'c. 1890/1900' +p196075 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a0000280.jpg' +p196076 +sg25267 +S'A native of Cincinnati who had studied in Munich and Venice, John\r\n Twachtman moved his family to a farm near Greenwich, Connecticut, within\r\n commuting distance of his teaching job in Manhattan. In two purchases of\r\n March 1890 and December 1891, he acquired more than sixteen acres,\r\n including the rocky bed of Horseneck Brook that opens into a quiet pond\r\n surrounded by a grove of hemlock trees. Shortly after signing the mortgage,\r\n he wrote to a fellow artist, "I can see now how necessary it is to live\r\n always in the country—at all seasons of the year. We must have snow and lots\r\n of it. Never is nature more lovely than when it is snowing. . . . That\r\n feeling of quiet and all nature is hushed to silence."\n Winter Harmony\n ' +p196077 +sa(dp196078 +g25268 +S'Captain Samuel Chandler' +p196079 +sg25270 +S'Winthrop Chandler' +p196080 +sg25273 +S'oil on canvas' +p196081 +sg25275 +S'c. 1780' +p196082 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a0000049.jpg' +p196083 +sg25267 +S'Although most colonial artists traveled to find patrons, Winthrop Chandler centered\nhis career around his native Woodstock, Connecticut. At first, he called himself\na "painter," and several of his surviving works are decorative landscapes to adorn\nthe paneling over mantelpieces. By the later 1780s, though, Winthrop Chandler referred\nto his profession as that of "limner," implying that he now primarily made portraits.\n Captain Samuel Chandler\n The careful delineation of these objects gives them an importance almost equal to\nthe forthright portrayal of the captain\'s stern countenance. As with many essentially\nself-taught artists, Winthrop Chandler compensated for his lack of expertise in\nanatomy and perspective by creating superbly integrated designs. The repeated ranks\nof horsemen in the landscape, for instance, form patterns that effectively reiterate\nthe uniform\'s rows of buttons; and the rippling curves of cuffs, cravat, and tricorn\nhat play against the straight lines of sword, furniture legs, and window frame.\n ' +p196084 +sa(dp196085 +g25268 +S'Mrs. Samuel Chandler' +p196086 +sg25270 +S'Winthrop Chandler' +p196087 +sg25273 +S'oil on canvas' +p196088 +sg25275 +S'c. 1780' +p196089 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a000004a.jpg' +p196090 +sg25267 +g27 +sa(dp196091 +g25273 +S'wood engraving' +p196092 +sg25267 +g27 +sg25275 +S'1821' +p196093 +sg25268 +S'Return of the Shepherd' +p196094 +sg25270 +S'William Blake' +p196095 +sa(dp196096 +g25268 +S'"He Turned Their Waters into Blood"' +p196097 +sg25270 +S'Erastus Salisbury Field' +p196098 +sg25273 +S'oil on canvas' +p196099 +sg25275 +S'c. 1865/1880' +p196100 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000b6.jpg' +p196101 +sg25267 +g27 +sa(dp196102 +g25268 +S'The Cornell Farm' +p196103 +sg25270 +S'Edward Hicks' +p196104 +sg25273 +S'oil on canvas' +p196105 +sg25275 +S'1848' +p196106 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000f7.jpg' +p196107 +sg25267 +S'Edward Hicks, having apprenticed to a Pennsylvania coachmaker at thirteen, became\na minister in 1811. He was torn between his calling as a Quaker minister and his\nlove of painting, worrying that his art kept him from "the Lord\'s work."\n Hicks precisely identified this subject with a long inscription along the bottom\nof the canvas: "An Indian summer view of the Farm & Stock OF JAMES C. CORNELL of\nNorthampton Bucks county Pennsylvania. That took the Premium in the Agricultural\nsociety, October the 12, 1848 Painted by E. Hicks in the 69th year of his age."\nThough the punctuation and capitalization are inconsistent, the quality of the lettering\nproves that Edward Hicks was schooled in sign painting.\n Having no background in academic art, Hicks employed the direct approach of a primitive\nor folk painter. The horizontal band of livestock across the foreground, although\nchildlike in its simplicity, clearly presents each prize-winning animal as an individual\nportrait. Hicks\' delight in creating ornamental pattern is evident in the arrangement\nof fences, while the rich red and bright white of the house and barn symmetrically\nflank this central landscape. Although the stark silhouettes of figures and buildings\nseem naive, Hicks softly blended his paints over the orchard to give the impression\nof space existing well beyond what the eye can see.\n ' +p196108 +sa(dp196109 +g25273 +S'overall: 58 x 43 cm (22 13/16 x 16 15/16 in.)\r\nframed: 71.1 x 55.8 x 3.4 cm (28 x 21 15/16 x 1 5/16 in.)' +p196110 +sg25267 +g27 +sg25275 +S'\ntinsel painting on glass' +p196111 +sg25268 +S'Vase of Lilies' +p196112 +sg25270 +S'American 20th Century' +p196113 +sa(dp196114 +g25268 +S'Watermelon' +p196115 +sg25270 +S'American 19th Century' +p196116 +sg25273 +S'overall: 35.5 x 45.7 cm (14 x 18 in.)\r\nframed: 39 x 49.5 cm (15 3/8 x 19 1/2 in.)' +p196117 +sg25275 +S'\nreverse painting on glass' +p196118 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a0000460.jpg' +p196119 +sg25267 +g27 +sa(dp196120 +g25268 +S'Dr. Samuel Boude' +p196121 +sg25270 +S'Benjamin West' +p196122 +sg25273 +S'oil on canvas' +p196123 +sg25275 +S'1755/1756' +p196124 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a0000296.jpg' +p196125 +sg25267 +g27 +sa(dp196126 +g25268 +S'Mary Bethel Boude (Mrs. Samuel Boude)' +p196127 +sg25270 +S'Benjamin West' +p196128 +sg25273 +S'oil on canvas' +p196129 +sg25275 +S'1755/1756' +p196130 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a0000297.jpg' +p196131 +sg25267 +g27 +sa(dp196132 +g25273 +S'American, 1783 - 1872' +p196133 +sg25267 +g27 +sg25275 +S'(related artist)' +p196134 +sg25268 +S'"Sarah Jane Mellon"' +p196135 +sg25270 +S'Artist Information (' +p196136 +sa(dp196137 +g25273 +S'American, 1783 - 1872' +p196138 +sg25267 +g27 +sg25275 +S'(related artist)' +p196139 +sg25268 +S'"Thomas Mellon"' +p196140 +sg25270 +S'Artist Information (' +p196141 +sa(dp196142 +g25268 +S'Andrew W. Mellon' +p196143 +sg25270 +S'Artist Information (' +p196144 +sg25273 +S'American, 1783 - 1872' +p196145 +sg25275 +S'(related artist)' +p196146 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e4ca.jpg' +p196147 +sg25267 +g27 +sa(dp196148 +g25268 +S'Sarah Jane Mellon' +p196149 +sg25270 +S'Artist Information (' +p196150 +sg25273 +S'American, 1783 - 1872' +p196151 +sg25275 +S'(related artist)' +p196152 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e4ce.jpg' +p196153 +sg25267 +g27 +sa(dp196154 +g25268 +S'The Pastorals of Virgil' +p196155 +sg25270 +S'William Blake' +p196156 +sg25273 +S'wood engraving (4 proofs on uncut sheet)' +p196157 +sg25275 +S'1821' +p196158 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00076/a00076e1.jpg' +p196159 +sg25267 +g27 +sa(dp196160 +g25268 +S'Son of Thomas Mellon' +p196161 +sg25270 +S'Artist Information (' +p196162 +sg25273 +S'American, 1783 - 1872' +p196163 +sg25275 +S'(related artist)' +p196164 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e4cb.jpg' +p196165 +sg25267 +g27 +sa(dp196166 +g25268 +S'Thomas Mellon' +p196167 +sg25270 +S'Artist Information (' +p196168 +sg25273 +S'American, 1783 - 1872' +p196169 +sg25275 +S'(related artist)' +p196170 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e4cf.jpg' +p196171 +sg25267 +g27 +sa(dp196172 +g25273 +S'overall: 22.5 x 49.9 x 20 cm (8 7/8 x 19 5/8 x 7 7/8 in.)' +p196173 +sg25267 +g27 +sg25275 +S'\nmarble and gilt bronze' +p196174 +sg25268 +S'Marble and Gilt Bronze Pen and Ink Stand with Eagle Decoration' +p196175 +sg25270 +S'French 19th Century' +p196176 +sa(dp196177 +g25268 +S'The Pastorals of Virgil' +p196178 +sg25270 +S'William Blake' +p196179 +sg25273 +S'wood engraving (4 proofs on uncut sheet)' +p196180 +sg25275 +S'1821' +p196181 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00076/a00076e0.jpg' +p196182 +sg25267 +g27 +sa(dp196183 +g25268 +S'The Assumption of the Virgin' +p196184 +sg25270 +S'Michel Sittow' +p196185 +sg25273 +S'oil on panel' +p196186 +sg25275 +S'c. 1500' +p196187 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005a2.jpg' +p196188 +sg25267 +g27 +sa(dp196189 +g25268 +S'Rio de Janeiro Bay' +p196190 +sg25270 +S'Martin Johnson Heade' +p196191 +sg25273 +S'oil on canvas' +p196192 +sg25275 +S'1864' +p196193 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000e9.jpg' +p196194 +sg25267 +g27 +sa(dp196195 +g25273 +S'color etching and mixed techniques' +p196196 +sg25267 +g27 +sg25275 +S'1963' +p196197 +sg25268 +S'Wind' +p196198 +sg25270 +S'Mikhail Gordeevich Deregus' +p196199 +sa(dp196200 +g25273 +S'color linoleum cut' +p196201 +sg25267 +g27 +sg25275 +S'1960' +p196202 +sg25268 +S'A Silent Ukrainian Night' +p196203 +sg25270 +S'Ivan Mykhailovych Selivanov' +p196204 +sa(dp196205 +g25273 +S'wood engraving' +p196206 +sg25267 +g27 +sg25275 +S'1959' +p196207 +sg25268 +S'High Water' +p196208 +sg25270 +S'B. Masik' +p196209 +sa(dp196210 +g25273 +S'color linoleum cut' +p196211 +sg25267 +g27 +sg25275 +S'unknown date\n' +p196212 +sg25268 +S"Chekov's Spirit" +p196213 +sg25270 +S'A. Nimenko' +p196214 +sa(dp196215 +g25273 +S'Gift of the Ukrainian Art Academy' +p196216 +sg25267 +g27 +sg25275 +S'\ncolor etching and aquatint in dark green' +p196217 +sg25268 +S'Twilight Rain in Red Square' +p196218 +sg25270 +S'Russian 20th Century' +p196219 +sa(dp196220 +g25273 +S'color linoleum cut' +p196221 +sg25267 +g27 +sg25275 +S'1963' +p196222 +sg25268 +S'Kiev Festival' +p196223 +sg25270 +S'Ivan Vasilevich Batechko' +p196224 +sa(dp196225 +g25273 +S'color linoleum cut' +p196226 +sg25267 +g27 +sg25275 +S'1962' +p196227 +sg25268 +S'Cottage in the Winter Sun' +p196228 +sg25270 +S'Ivan Vasilevich Batechko' +p196229 +sa(dp196230 +g25273 +S'bronze' +p196231 +sg25267 +g27 +sg25275 +S'1918/1928' +p196232 +sg25268 +S'Venus' +p196233 +sg25270 +S'Aristide Maillol' +p196234 +sa(dp196235 +g25268 +S'Restrike from fragment of cancelled plate for"A Prophecy"' +p196236 +sg25270 +S'William Blake' +p196237 +sg25273 +S'relief etching//restrike' +p196238 +sg25275 +S'1793' +p196239 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00076/a0007650.jpg' +p196240 +sg25267 +g27 +sa(dp196241 +g25268 +S'Standing Woman' +p196242 +sg25270 +S'Wilhelm Lehmbruck' +p196243 +sg25273 +S'bronze' +p196244 +sg25275 +S'1910' +p196245 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a000555d.jpg' +p196246 +sg25267 +g27 +sa(dp196247 +g25268 +S'Eleazer Tyng' +p196248 +sg25270 +S'John Singleton Copley' +p196249 +sg25273 +S'oil on canvas' +p196250 +sg25275 +S'1772' +p196251 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a0000061.jpg' +p196252 +sg25267 +S'Copley excelled at portraying elderly men, as with this penetrating \r\n likeness of an eighty-two-year-old legislator and former frontier soldier \r\n from Tyngsborough, Massachusetts. Eleazer Tyng (1690-1782), sitting \r\n comfortably in a Windsor armchair, turns to greet the viewer. His \r\n appraising face and rugged hands are highlighted by a golden glow.\n ' +p196253 +sa(dp196254 +g25268 +S'The Wife of Hasdrubal and Her Children' +p196255 +sg25270 +S"Ercole de' Roberti" +p196256 +sg25273 +S'tempera on panel' +p196257 +sg25275 +S'c. 1490/1493' +p196258 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a00007c6.jpg' +p196259 +sg25267 +g27 +sa(dp196260 +g25268 +S'Portrait of a Man' +p196261 +sg25270 +S'Corneille de Lyon' +p196262 +sg25273 +S'oil on walnut' +p196263 +sg25275 +S'c. 1536/1540' +p196264 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d64.jpg' +p196265 +sg25267 +S'Corneille was born in the Netherlands and possibly received his training in Antwerp, but by the 1530s he was in Lyons, where he became the dominant court portraitist of the French Renaissance. He was made a French citizen by Henry II and converted to Catholicism in 1546, presumably to preserve favor with his royal patrons.\n In Lyons artists were free of many guild restrictions that controlled trade elsewhere. There were, for example, art sellers who acted independently of any master’s workshop—true commercial galleries. Corneille himself seems to have had a studio where the public could buy workshop copies of his royal portraits. He also accepted commissions from families engaged in the city’s busy printing and silk industries. Inventories show that even people of modest means owned paintings.\n This man wears the dress of an academic or a Franciscan monk, but his identity is otherwise unknown. The vivid blue-green of the plain background and its contrast with the careful detail in the face lend intensity and presence to his portrait despite its small size. The minute brushstrokes that pick out individual hairs in the man’s beard and the smooth finish of the surface are evidence of Corneille’s training in the north. The rare frame, which is contemporary with the painting, on the other hand, reflects Italian Renaissance architecture. It is the blending of such northern and southern elements that characterizes French art in the mid-1500s.\n ' +p196266 +sa(dp196267 +g25273 +S'lithograph in black' +p196268 +sg25267 +g27 +sg25275 +S'1832' +p196269 +sg25268 +S'Salt Water Marsh Hen' +p196270 +sg25270 +S'John James Audubon' +p196271 +sa(dp196272 +g25268 +S'Peaceful Valley' +p196273 +sg25270 +S'Alexander Helwig Wyant' +p196274 +sg25273 +S'oil on canvas' +p196275 +sg25275 +S'c. 1872' +p196276 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a000012c.jpg' +p196277 +sg25267 +g27 +sa(dp196278 +g25268 +S'Merry-Go-Round' +p196279 +sg25270 +S'Reginald Marsh' +p196280 +sg25273 +S'watercolor and black crayon on wove paper' +p196281 +sg25275 +S'1940' +p196282 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00009/a0000974.jpg' +p196283 +sg25267 +g27 +sa(dp196284 +g25268 +S'The Veil of Cupids' +p196285 +sg25270 +S'French 18th Century' +p196286 +sg25273 +S'Overall: 37.7 x 51 cm (14 13/16 x 20 1/16 in.)\r\nsupport: 39.5 x 55 cm (15 9/16 x 21 5/8 in.)' +p196287 +sg25275 +S'\nred-brown chalk' +p196288 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f61.jpg' +p196289 +sg25267 +g27 +sa(dp196290 +g25268 +S"Daniel in the Lions' Den" +p196291 +sg25270 +S'Sir Peter Paul Rubens' +p196292 +sg25273 +S'oil on canvas' +p196293 +sg25275 +S'c. 1614/1616' +p196294 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e46.jpg' +p196295 +sg25267 +S"The Old Testament Book of Daniel recounts how the biblical hero was condemned to spend the night in the lions' den for worshipping God rather than the Persian king Darius. Depicted here is the following morning when, after the stone sealing the entrance was rolled away, Daniel gives to God for having survived the night safely. For theologians, the image of Daniel being freed from the cave symbolized the resurrection of Christ from the sepulcher.\n Rubens masterfully combined realism and theatricality in order to produce a strong emotional impact. Several of the lions, for instance, stare directly at the viewer, creating a suggestion that the spectator shares the same space as the lions, and thus, like Daniel, experiences the same menace of the savage predators. This immediacy is heightened by the fact that the beasts are portrayed full size on the huge canvas and depicted with convincing realism. The lifelike movement of the lions and their superbly rendered fur results from Rubens' direct observation and sketches made in the royal menagerie in Brussels. Complementing this veracity is the dramatic lighting and the exaggerated emotionalism of Daniel's prayerful pose.\n " +p196296 +sa(dp196297 +g25268 +S'El Rio de Luz (The River of Light)' +p196298 +sg25270 +S'Frederic Edwin Church' +p196299 +sg25273 +S'oil on canvas' +p196300 +sg25275 +S'1877' +p196301 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a000004e.jpg' +p196302 +sg25267 +S'Like his teacher, Thomas Cole, Church conveyed a sense of awesome sublimity in his landscapes by celebrating the seemingly infinite wonders of the natural world. The artist devoted a great deal of time to scientific study, believing that a knowledge of optics, meteorology, botany, and ecology would greatly enhance his work. After reading the journalistic accounts of the German naturalist, Alexander von Humboldt, Church explored wilderness regions from the arctic to the equator.\n El Rio de Luz (The River of Light)\n ' +p196303 +sa(dp196304 +g25273 +S'(artist after)' +p196305 +sg25267 +g27 +sg25275 +S'\n' +p196306 +sg25268 +S'Liber de picturae genere' +p196307 +sg25270 +S'Artist Information (' +p196308 +sa(dp196309 +g25268 +S'Mr. Pease' +p196310 +sg25270 +S'Erastus Salisbury Field' +p196311 +sg25273 +S'oil on canvas' +p196312 +sg25275 +S'c. 1837' +p196313 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000b7.jpg' +p196314 +sg25267 +g27 +sa(dp196315 +g25268 +S'Mrs. Harlow A. Pease' +p196316 +sg25270 +S'Erastus Salisbury Field' +p196317 +sg25273 +S'oil on canvas' +p196318 +sg25275 +S'c. 1837' +p196319 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000b8.jpg' +p196320 +sg25267 +g27 +sa(dp196321 +g25268 +S"Ralph Wheelock's Farm" +p196322 +sg25270 +S'Francis Alexander' +p196323 +sg25273 +S'oil on canvas' +p196324 +sg25275 +S'c. 1822' +p196325 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a0000003.jpg' +p196326 +sg25267 +g27 +sa(dp196327 +g25268 +S'Connecticut Sea Captain' +p196328 +sg25270 +S'Isaac Sheffield' +p196329 +sg25273 +S'oil on wood' +p196330 +sg25275 +S'1833' +p196331 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a0000212.jpg' +p196332 +sg25267 +g27 +sa(dp196333 +g25268 +S"Connecticut Sea Captain's Wife" +p196334 +sg25270 +S'Isaac Sheffield' +p196335 +sg25273 +S'oil on wood' +p196336 +sg25275 +S'1833' +p196337 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a0000213.jpg' +p196338 +sg25267 +g27 +sa(dp196339 +g25268 +S'James Cuthbert (?)' +p196340 +sg25270 +S'Jeremiah Theus' +p196341 +sg25273 +S'oil on canvas' +p196342 +sg25275 +S'c. 1765' +p196343 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a0000272.jpg' +p196344 +sg25267 +g27 +sa(dp196345 +g25268 +S'Mary Cuthbert (Mrs. James Cuthbert) (?)' +p196346 +sg25270 +S'Jeremiah Theus' +p196347 +sg25273 +S'oil on canvas' +p196348 +sg25275 +S'c. 1765' +p196349 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a0000273.jpg' +p196350 +sg25267 +g27 +sa(dp196351 +g25268 +S'Dr. David Rogers' +p196352 +sg25270 +S'Ralph Earl' +p196353 +sg25273 +S'oil on canvas' +p196354 +sg25275 +S'1788' +p196355 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a000009a.jpg' +p196356 +sg25267 +g27 +sa(dp196357 +g25268 +S'Martha Tennent Rogers (Mrs. David Rogers) and Her Son, probably Samuel Henry Rogers' +p196358 +sg25270 +S'Ralph Earl' +p196359 +sg25273 +S'oil on canvas' +p196360 +sg25275 +S'1788' +p196361 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a000009b.jpg' +p196362 +sg25267 +g27 +sa(dp196363 +g25273 +S'oil on card mounted on paperboard' +p196364 +sg25267 +g27 +sg25275 +S'1861' +p196365 +sg25268 +S'Three Distinguished Warriors of the Sioux Tribe' +p196366 +sg25270 +S'George Catlin' +p196367 +sa(dp196368 +g25273 +S'(artist after)' +p196369 +sg25267 +g27 +sg25275 +S'\n' +p196370 +sg25268 +S'Christ in the Press' +p196371 +sg25270 +S'Artist Information (' +p196372 +sa(dp196373 +g25273 +S'oil on card mounted on paperboard' +p196374 +sg25267 +g27 +sg25275 +S'1861/1869' +p196375 +sg25268 +S'A Sioux Chief, His Daughter, and a Warrior' +p196376 +sg25270 +S'George Catlin' +p196377 +sa(dp196378 +g25273 +S'oil on card mounted on paperboard' +p196379 +sg25267 +g27 +sg25275 +S'1861/1869' +p196380 +sg25268 +S'The Sioux Chief with Several Indians' +p196381 +sg25270 +S'George Catlin' +p196382 +sa(dp196383 +g25268 +S'A Little Sioux Village' +p196384 +sg25270 +S'George Catlin' +p196385 +sg25273 +S'oil on card mounted on paperboard' +p196386 +sg25275 +S'1861/1869' +p196387 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000c/a0000c9f.jpg' +p196388 +sg25267 +g27 +sa(dp196389 +g25268 +S'Scalp Dance - Sioux' +p196390 +sg25270 +S'George Catlin' +p196391 +sg25273 +S'oil on card mounted on paperboard' +p196392 +sg25275 +S'1861' +p196393 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000c/a0000c1d.jpg' +p196394 +sg25267 +g27 +sa(dp196395 +g25268 +S'Dog Dance - Sioux' +p196396 +sg25270 +S'George Catlin' +p196397 +sg25273 +S'oil on card mounted on paperboard' +p196398 +sg25275 +S'1861' +p196399 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000c/a0000ca9.jpg' +p196400 +sg25267 +g27 +sa(dp196401 +g25268 +S'Ball-Play of the Women - Sioux' +p196402 +sg25270 +S'George Catlin' +p196403 +sg25273 +S'oil on card mounted on paperboard' +p196404 +sg25275 +S'1861/1869' +p196405 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000c/a0000c23.jpg' +p196406 +sg25267 +g27 +sa(dp196407 +g25268 +S'A Dog Feast - Sioux' +p196408 +sg25270 +S'George Catlin' +p196409 +sg25273 +S'oil on card mounted on paperboard' +p196410 +sg25275 +S'1861/1869' +p196411 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000c/a0000c26.jpg' +p196412 +sg25267 +g27 +sa(dp196413 +g25273 +S'oil on card mounted on paperboard' +p196414 +sg25267 +g27 +sg25275 +S'1861/1869' +p196415 +sg25268 +S'Facsimile of a Sioux Robe with Porcupine Quills' +p196416 +sg25270 +S'George Catlin' +p196417 +sa(dp196418 +g25268 +S'Buffalo Chase, Sioux Indians, Upper Missouri' +p196419 +sg25270 +S'George Catlin' +p196420 +sg25273 +S'oil on card mounted on paperboard' +p196421 +sg25275 +S'1861/1869' +p196422 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000b/a0000be8.jpg' +p196423 +sg25267 +g27 +sa(dp196424 +g25268 +S'After the Buffalo Chase - Sioux' +p196425 +sg25270 +S'George Catlin' +p196426 +sg25273 +S'oil on card mounted on paperboard' +p196427 +sg25275 +S'1861/1869' +p196428 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000c/a0000c37.jpg' +p196429 +sg25267 +g27 +sa(dp196430 +g25273 +S'(artist)' +p196431 +sg25267 +g27 +sg25275 +S'\n' +p196432 +sg25268 +S'The Passion' +p196433 +sg25270 +S'Artist Information (' +p196434 +sa(dp196435 +g25273 +S'oil on card mounted on paperboard' +p196436 +sg25267 +g27 +sg25275 +S'1861/1869' +p196437 +sg25268 +S'A Sioux Village' +p196438 +sg25270 +S'George Catlin' +p196439 +sa(dp196440 +g25268 +S"Halsey's Bluff - Sioux Indians on the March" +p196441 +sg25270 +S'George Catlin' +p196442 +sg25273 +S'oil on card mounted on paperboard' +p196443 +sg25275 +S'1861/1869' +p196444 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000c/a0000c46.jpg' +p196445 +sg25267 +g27 +sa(dp196446 +g25273 +S'oil on card mounted on paperboard' +p196447 +sg25267 +g27 +sg25275 +S'1861/1869' +p196448 +sg25268 +S'Sioux Village - Lac du Cygne' +p196449 +sg25270 +S'George Catlin' +p196450 +sa(dp196451 +g25268 +S'A Sioux War Party' +p196452 +sg25270 +S'George Catlin' +p196453 +sg25273 +S'oil on card mounted on paperboard' +p196454 +sg25275 +S'1861/1869' +p196455 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000c/a0000c4f.jpg' +p196456 +sg25267 +g27 +sa(dp196457 +g25268 +S'Bivouac of a Sioux War Party' +p196458 +sg25270 +S'George Catlin' +p196459 +sg25273 +S'oil on card mounted on paperboard' +p196460 +sg25275 +S'1861/1869' +p196461 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000c/a0000c56.jpg' +p196462 +sg25267 +g27 +sa(dp196463 +g25268 +S'Amusing Dance - Sioux' +p196464 +sg25270 +S'George Catlin' +p196465 +sg25273 +S'oil on card mounted on paperboard' +p196466 +sg25275 +S'1861/1869' +p196467 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000c/a0000c61.jpg' +p196468 +sg25267 +g27 +sa(dp196469 +g25273 +S'oil on card mounted on paperboard' +p196470 +sg25267 +g27 +sg25275 +S'1861/1869' +p196471 +sg25268 +S'Bivouac of a Sioux War Party at Sunrise' +p196472 +sg25270 +S'George Catlin' +p196473 +sa(dp196474 +g25268 +S'Crow Chief, His Wife, and a Warrior' +p196475 +sg25270 +S'George Catlin' +p196476 +sg25273 +S'oil on card mounted on paperboard' +p196477 +sg25275 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+sg25267 +g27 +sa(dp198338 +g25273 +S'oil on card mounted on paperboard' +p198339 +sg25267 +g27 +sg25275 +S'1861/1869' +p198340 +sg25268 +S'Chief and Members of the Konza Tribe' +p198341 +sg25270 +S'George Catlin' +p198342 +sa(dp198343 +g25273 +S'graphite' +p198344 +sg25267 +g27 +sg25275 +S'1912' +p198345 +sg25268 +S'View of Porta del Popolo, Rome' +p198346 +sg25270 +S'Sir Muirhead Bone' +p198347 +sa(dp198348 +g25268 +S'Indians and Horses in the Forest' +p198349 +sg25270 +S'George Catlin' +p198350 +sg25273 +S'oil on card mounted on paperboard' +p198351 +sg25275 +S'1854/1869' +p198352 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d23.jpg' +p198353 +sg25267 +g27 +sa(dp198354 +g25268 +S'Omaha Chief, His Wife, and a Warrior' +p198355 +sg25270 +S'George Catlin' +p198356 +sg25273 +S'oil on card mounted on paperboard' +p198357 +sg25275 +S'1861' +p198358 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000c/a0000c95.jpg' +p198359 +sg25267 +g27 +sa(dp198360 +g25268 +S'Black Hawk and the Prophet - Saukie' +p198361 +sg25270 +S'George Catlin' +p198362 +sg25273 +S'oil on card mounted on paperboard' +p198363 +sg25275 +S'1861/1869' +p198364 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00065/a00065f9.jpg' +p198365 +sg25267 +g27 +sa(dp198366 +g25268 +S'War Dance of the Apachees' +p198367 +sg25270 +S'George Catlin' +p198368 +sg25273 +S'oil on card mounted on paperboard' +p198369 +sg25275 +S'1855/1869' +p198370 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000c/a0000c96.jpg' +p198371 +sg25267 +g27 +sa(dp198372 +g25268 +S'The Expedition Leaving Fort Frontenac on Lake Ontario. November 18, 1678' +p198373 +sg25270 +S'George Catlin' +p198374 +sg25273 +S'oil on canvas' +p198375 +sg25275 +S'1847/1848' +p198376 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000c/a0000cf5.jpg' +p198377 +sg25267 +g27 +sa(dp198378 +g25268 +S'The Expedition Encamped below the Falls of Niagara. January 20, 1679' +p198379 +sg25270 +S'George Catlin' +p198380 +sg25273 +S'oil on canvas' +p198381 +sg25275 +S'1847/1848' +p198382 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000c/a0000cf6.jpg' +p198383 +sg25267 +g27 +sa(dp198384 +g25268 +S'Portage Around the Falls of Niagara at Table Rock' +p198385 +sg25270 +S'George Catlin' +p198386 +sg25273 +S'oil on canvas' +p198387 +sg25275 +S'1847/1848' +p198388 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000c/a0000cf7.jpg' +p198389 +sg25267 +g27 +sa(dp198390 +g25268 +S'La Salle Driving the First Bolt for the Griffin. January 26, 1679' +p198391 +sg25270 +S'George Catlin' +p198392 +sg25273 +S'oil on canvas' +p198393 +sg25275 +S'1847/1848' +p198394 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000c/a0000cf8.jpg' +p198395 +sg25267 +g27 +sa(dp198396 +g25268 +S'Returning to Fort Frontenac by Sled. February 1679' +p198397 +sg25270 +S'George Catlin' +p198398 +sg25273 +S'oil on canvas' +p198399 +sg25275 +S'1847/1848' +p198400 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d24.jpg' +p198401 +sg25267 +g27 +sa(dp198402 +g25268 +S'Launching of the Griffin. July 1679' +p198403 +sg25270 +S'George Catlin' +p198404 +sg25273 +S'oil on canvas' +p198405 +sg25275 +S'1847/1848' +p198406 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000c/a0000cf9.jpg' +p198407 +sg25267 +g27 +sa(dp198408 +g25273 +S'watercolor and graphite' +p198409 +sg25267 +g27 +sg25275 +S'unknown date\n' +p198410 +sg25268 +S'Gulf of Naples' +p198411 +sg25270 +S'Sir Muirhead Bone' +p198412 +sa(dp198413 +g25268 +S'First Sailing of the Griffin on Lake Erie. August 7, 1679' +p198414 +sg25270 +S'George Catlin' +p198415 +sg25273 +S'oil on canvas' +p198416 +sg25275 +S'1847/1848' +p198417 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d25.jpg' +p198418 +sg25267 +g27 +sa(dp198419 +g25268 +S'The Griffin Entering the Harbor at Mackinaw. August 27, 1679' +p198420 +sg25270 +S'George Catlin' +p198421 +sg25273 +S'oil on canvas' +p198422 +sg25275 +S'1847/1848' +p198423 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d26.jpg' +p198424 +sg25267 +g27 +sa(dp198425 +g25268 +S'La Salle and Party Arrive at the Village of the Illinois. January 1, 1680' +p198426 +sg25270 +S'George Catlin' +p198427 +sg25273 +S'oil on canvas' +p198428 +sg25275 +S'1847/1848' +p198429 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000c/a0000cfa.jpg' +p198430 +sg25267 +g27 +sa(dp198431 +g25268 +S"La Salle's Party Feasted in the Illinois Village. January 2, 1680" +p198432 +sg25270 +S'George Catlin' +p198433 +sg25273 +S'oil on canvas' +p198434 +sg25275 +S'1847/1848' +p198435 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000c/a0000cfb.jpg' +p198436 +sg25267 +S"Abandoning his career as a barrister, George Catlin moved to Philadelphia and\nset up shop as a portrait painter. A visiting delegation of Indians rekindled his\nlifelong interest in native Americans, and shortly thereafter, he began making plans\nto travel west.\n Inspired by the examples of Charles Willson Peale's art, work on natural history,\nand ethnographic museum, the explorer-artist set out with easel and paints strapped\nto his back on a mission to record the vanishing tribes. After exhibiting his work\nin several East Coast cities, Catlin set sail for Europe in 1839 with eight tons\nof Indian artifacts as well as his own pictures. His spirited lectures and his collections\ncaptivated audiences in London and Paris.\n In 1847, King Louis Philippe commissioned him to do a series of paintings illustrating\nthe voyages of La Salle, the seventeenth-century French explorer of the Great Lakes\nand Mississippi River. \n " +p198437 +sa(dp198438 +g25268 +S'De Tonty Suing for Peace in the Iroquois Village. January 2, 1680' +p198439 +sg25270 +S'George Catlin' +p198440 +sg25273 +S'oil on canvas' +p198441 +sg25275 +S'1847/1848' +p198442 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d27.jpg' +p198443 +sg25267 +g27 +sa(dp198444 +g25268 +S'Father Hennepin and Two Companions Made Prisoners by the Sioux. April 1680' +p198445 +sg25270 +S'George Catlin' +p198446 +sg25273 +S'oil on canvas' +p198447 +sg25275 +S'1847/1848' +p198448 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d28.jpg' +p198449 +sg25267 +g27 +sa(dp198450 +g25268 +S"Father Hennepin and Companions Passing Lover's Leap. April 1680" +p198451 +sg25270 +S'George Catlin' +p198452 +sg25273 +S'oil on canvas' +p198453 +sg25275 +S'1847/1848' +p198454 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d29.jpg' +p198455 +sg25267 +g27 +sa(dp198456 +g25268 +S'Father Hennepin and Companions at the Falls of St. Anthony. May 1, 1680' +p198457 +sg25270 +S'George Catlin' +p198458 +sg25273 +S'oil on canvas' +p198459 +sg25275 +S'1847/1848' +p198460 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d2a.jpg' +p198461 +sg25267 +g27 +sa(dp198462 +g25268 +S'Father Hennepin Leaving the Mississippi to Join La Salle. May 8, 1680' +p198463 +sg25270 +S'George Catlin' +p198464 +sg25273 +S'oil on canvas' +p198465 +sg25275 +S'1847/1848' +p198466 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d2b.jpg' +p198467 +sg25267 +g27 +sa(dp198468 +g25268 +S'La Salle Crossing Lake Michigan on the Ice. December 8, 1681' +p198469 +sg25270 +S'George Catlin' +p198470 +sg25273 +S'oil on canvas' +p198471 +sg25275 +S'1847/1848' +p198472 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000c/a0000cfc.jpg' +p198473 +sg25267 +g27 +sa(dp198474 +g25273 +S'watercolor and graphite' +p198475 +sg25267 +g27 +sg25275 +S'unknown date\n' +p198476 +sg25268 +S'Lido, Venice' +p198477 +sg25270 +S'Sir Muirhead Bone' +p198478 +sa(dp198479 +g25268 +S"La Salle's Party Entering the Mississippi in Canoes. February 6, 1682" +p198480 +sg25270 +S'George Catlin' +p198481 +sg25273 +S'oil on canvas' +p198482 +sg25275 +S'1847/1848' +p198483 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000c/a0000cfd.jpg' +p198484 +sg25267 +g27 +sa(dp198485 +g25268 +S'La Salle Taking Possession of the Land at the Mouth of the Arkansas. March 10, 1682' +p198486 +sg25270 +S'George Catlin' +p198487 +sg25273 +S'oil on canvas' +p198488 +sg25275 +S'1847/1848' +p198489 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000c/a0000cfe.jpg' +p198490 +sg25267 +g27 +sa(dp198491 +g25268 +S'Chief of the Taensa Indians Receiving La Salle. March 20, 1682' +p198492 +sg25270 +S'George Catlin' +p198493 +sg25273 +S'oil on canvas' +p198494 +sg25275 +S'1847/1848' +p198495 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000c/a0000cff.jpg' +p198496 +sg25267 +g27 +sa(dp198497 +g25268 +S'La Salle Erecting a Cross and Taking Possession of the Land. March 25, 1682' +p198498 +sg25270 +S'George Catlin' +p198499 +sg25273 +S'oil on canvas' +p198500 +sg25275 +S'1847/1848' +p198501 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d00.jpg' +p198502 +sg25267 +g27 +sa(dp198503 +g25268 +S'La Salle Claiming Louisiana for France. April 9, 1682' +p198504 +sg25270 +S'George Catlin' +p198505 +sg25273 +S'oil on canvas' +p198506 +sg25275 +S'1847/1848' +p198507 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d01.jpg' +p198508 +sg25267 +g27 +sa(dp198509 +g25268 +S'Wreck of the Aimable, on the Coast of Texas. 1685' +p198510 +sg25270 +S'George Catlin' +p198511 +sg25273 +S'oil on canvas' +p198512 +sg25275 +S'1847/1848' +p198513 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d2c.jpg' +p198514 +sg25267 +g27 +sa(dp198515 +g25268 +S'La Salle Meets a War Party of Cenis Indians on a Texas Prairie. April 25, 1686' +p198516 +sg25270 +S'George Catlin' +p198517 +sg25273 +S'oil on canvas' +p198518 +sg25275 +S'1847/1848' +p198519 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d02.jpg' +p198520 +sg25267 +g27 +sa(dp198521 +g25268 +S'Expedition Encamped on a Texas Prairie. April 1686' +p198522 +sg25270 +S'George Catlin' +p198523 +sg25273 +S'oil on canvas' +p198524 +sg25275 +S'1847/1848' +p198525 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d2d.jpg' +p198526 +sg25267 +g27 +sa(dp198527 +g25268 +S'La Salle Received in the Village of the Cenis Indians. May 6, 1686' +p198528 +sg25270 +S'George Catlin' +p198529 +sg25273 +S'oil on canvas' +p198530 +sg25275 +S'1847/1848' +p198531 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d03.jpg' +p198532 +sg25267 +g27 +sa(dp198533 +g25268 +S'La Salle Assassinated by Duhaut. May 19, 1686' +p198534 +sg25270 +S'George Catlin' +p198535 +sg25273 +S'oil on canvas' +p198536 +sg25275 +S'1847/1848' +p198537 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d04.jpg' +p198538 +sg25267 +g27 +sa(dp198539 +g25273 +S'charcoal and graphite' +p198540 +sg25267 +g27 +sg25275 +S'unknown date\n' +p198541 +sg25268 +S'The Riding School, Karlsruhe' +p198542 +sg25270 +S'Sir Muirhead Bone' +p198543 +sa(dp198544 +g25268 +S'Vapor Bath - Minatarree' +p198545 +sg25270 +S'George Catlin' +p198546 +sg25273 +S'oil on card mounted on paperboard' +p198547 +sg25275 +S'1861/1869' +p198548 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000c/a0000c99.jpg' +p198549 +sg25267 +g27 +sa(dp198550 +g25273 +S'oil on card mounted on paperboard' +p198551 +sg25267 +g27 +sg25275 +S'1861/1869' +p198552 +sg25268 +S'Two Sioux Chiefs, a Medicine Man, and a Woman with a Child' +p198553 +sg25270 +S'George Catlin' +p198554 +sa(dp198555 +g25268 +S'Facsimile of a Mandan Robe' +p198556 +sg25270 +S'George Catlin' +p198557 +sg25273 +S'oil on card mounted on paperboard' +p198558 +sg25275 +S'1861/1869' +p198559 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000c/a0000c9a.jpg' +p198560 +sg25267 +g27 +sa(dp198561 +g25268 +S'Buffalo Lancing in the Snow Drifts - Sioux' +p198562 +sg25270 +S'George Catlin' +p198563 +sg25273 +S'oil on canvas mounted on paperboard' +p198564 +sg25275 +S'1861/1869' +p198565 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000c/a0000c17.jpg' +p198566 +sg25267 +g27 +sa(dp198567 +g25268 +S'See-non-ty-a, an Iowa Medicine Man' +p198568 +sg25270 +S'George Catlin' +p198569 +sg25273 +S'oil on canvas' +p198570 +sg25275 +S'1844/1845' +p198571 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000c/a0000c18.jpg' +p198572 +sg25267 +g27 +sa(dp198573 +g25268 +S'The White Cloud, Head Chief of the Iowas' +p198574 +sg25270 +S'George Catlin' +p198575 +sg25273 +S'oil on canvas' +p198576 +sg25275 +S'1844/1845' +p198577 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000c/a0000c19.jpg' +p198578 +sg25267 +g27 +sa(dp198579 +g25268 +S'The Female Eagle - Shawano' +p198580 +sg25270 +S'George Catlin' +p198581 +sg25273 +S'oil on canvas' +p198582 +sg25275 +S'1830' +p198583 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000c/a0000c9b.jpg' +p198584 +sg25267 +g27 +sa(dp198585 +g25268 +S'Boy Chief - Ojibbeway' +p198586 +sg25270 +S'George Catlin' +p198587 +sg25273 +S'oil on canvas' +p198588 +sg25275 +S'1843' +p198589 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000c/a0000c9c.jpg' +p198590 +sg25267 +g27 +sa(dp198591 +g25268 +S'A Crow Village of Skin Tents on the Salmon River' +p198592 +sg25270 +S'George Catlin' +p198593 +sg25273 +S'oil on card mounted on paperboard' +p198594 +sg25275 +S'1855/1869' +p198595 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000c/a0000c9d.jpg' +p198596 +sg25267 +g27 +sa(dp198597 +g25268 +S'Spearing by Torchlight on the Amazon' +p198598 +sg25270 +S'George Catlin' +p198599 +sg25273 +S'oil on card mounted on paperboard' +p198600 +sg25275 +S'1854/1869' +p198601 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d05.jpg' +p198602 +sg25267 +g27 +sa(dp198603 +g25273 +S'charcoal and graphite' +p198604 +sg25267 +g27 +sg25275 +S'unknown date\n' +p198605 +sg25268 +S'Tingstade Church, Gotland' +p198606 +sg25270 +S'Sir Muirhead Bone' +p198607 +sa(dp198608 +g25273 +S'oil on canvas' +p198609 +sg25267 +g27 +sg25275 +S'1965' +p198610 +sg25268 +S'David E. Finley' +p198611 +sg25270 +S'Bernard Hailstone' +p198612 +sa(dp198613 +g25273 +S'oil on canvas' +p198614 +sg25267 +g27 +sg25275 +S'1965' +p198615 +sg25268 +S'John Walker' +p198616 +sg25270 +S'Bernard Hailstone' +p198617 +sa(dp198618 +g25268 +S'Saint George and the Dragon' +p198619 +sg25270 +S'Rogier van der Weyden' +p198620 +sg25273 +S'oil on panel' +p198621 +sg25275 +S'c. 1432/1435' +p198622 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005a5.jpg' +p198623 +sg25267 +S"The special mixture of reality, fantasy, and virtuosity that is particular\nto early Netherlandish painting is nowhere more apparent than in this exquisite\npanel. In an episode from the popular legend, Saint George in black Gothic armor\npins the dragon to the ground with his lance; at the left kneels the fashionably\nattired Princess Cleodolinda who was to have been sacrificed to the dragon. George\nwas a Roman soldier living in third-century Cappadocia, but the setting has here\nbeen transformed from ancient Asia Minor to the contemporary Belgian countryside.\n Passing through a series of overlapping hills, we come upon a walled city surrounded\nby water and dominated by a castle perched atop a fantastic mountain. This scene\nis almost certainly imaginary and yet is rendered with the greatest clarity and\nrealism. The attention to specific detail has led to the suggestion that the artist\nmade use of a magnifying glass.\n The artist's interest in the depiction of light -- reflecting on George's armor and\nthe dragon's scales -- and atmospheric effects shows the influence of Jan van Eyck.\nThe painting is also stylistically related to manuscript illumination that would\nsuggest this is an early work. The panel may originally have been part of a larger\nensemble, perhaps a diptych, and was most likely used for private devotion.\n " +p198624 +sa(dp198625 +g25268 +S'Saskia Lying in Bed' +p198626 +sg25270 +S'Rembrandt van Rijn' +p198627 +sg25273 +S'pen and ink, brush with brown wash on laid paper' +p198628 +sg25275 +S'c. 1638' +p198629 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00037/a00037e1.jpg' +p198630 +sg25267 +g27 +sa(dp198631 +g25268 +S'Zirchow VII' +p198632 +sg25270 +S'Lyonel Feininger' +p198633 +sg25273 +S'oil on canvas' +p198634 +sg25275 +S'1918' +p198635 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000ae.jpg' +p198636 +sg25267 +g27 +sa(dp198637 +g25273 +S'pen and black ink over graphite on beige paper' +p198638 +sg25267 +g27 +sg25275 +S'1933' +p198639 +sg25268 +S'Hands and Foot' +p198640 +sg25270 +S'Fernand L\xc3\xa9ger' +p198641 +sa(dp198642 +g25268 +S'Caricature of Adam and Eve and Two Female Portrait Sketches' +p198643 +sg25270 +S'George Bellows' +p198644 +sg25273 +S'graphite on wove paper' +p198645 +sg25275 +S'unknown date\n' +p198646 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000e5/a000e55f.jpg' +p198647 +sg25267 +g27 +sa(dp198648 +g25268 +S'Sketches of Heads, Including One of Chester Dale' +p198649 +sg25270 +S'George Bellows' +p198650 +sg25273 +S'graphite on wove paper' +p198651 +sg25275 +S'unknown date\n' +p198652 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000e5/a000e55e.jpg' +p198653 +sg25267 +g27 +sa(dp198654 +g25268 +S'Sketches of Three Female Heads [recto]' +p198655 +sg25270 +S'George Bellows' +p198656 +sg25273 +S'graphite on wove paper' +p198657 +sg25275 +S'unknown date\n' +p198658 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000e5/a000e55c.jpg' +p198659 +sg25267 +g27 +sa(dp198660 +g25268 +S'Elsie Speicher [verso]' +p198661 +sg25270 +S'George Bellows' +p198662 +sg25273 +S'graphite on wove paper' +p198663 +sg25275 +S'1920' +p198664 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000e5/a000e55d.jpg' +p198665 +sg25267 +g27 +sa(dp198666 +g25273 +S'watercolor and charcoal' +p198667 +sg25267 +g27 +sg25275 +S'unknown date\n' +p198668 +sg25268 +S'In the Gota Canal' +p198669 +sg25270 +S'Sir Muirhead Bone' +p198670 +sa(dp198671 +g25273 +S'graphite' +p198672 +sg25267 +g27 +sg25275 +S'unknown date\n' +p198673 +sg25268 +S'Maud Dale' +p198674 +sg25270 +S'Jean Lur\xc3\xa7at' +p198675 +sa(dp198676 +g25273 +S'drypoint' +p198677 +sg25267 +g27 +sg25275 +S'unknown date\n' +p198678 +sg25268 +S'Maud Dale' +p198679 +sg25270 +S'A. Drian' +p198680 +sa(dp198681 +g25268 +S'Bacchanalian Scene with Satyrs and a Maenad' +p198682 +sg25270 +S'Master of 1515' +p198683 +sg25273 +S'engraving' +p198684 +sg25275 +S'c. 1515' +p198685 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c74b.jpg' +p198686 +sg25267 +g27 +sa(dp198687 +g25268 +S'The Entrance to the Tautira River, Tahiti. Fisherman Spearing a Fish' +p198688 +sg25270 +S'John La Farge' +p198689 +sg25273 +S'oil on canvas' +p198690 +sg25275 +S'c. 1895' +p198691 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a0000142.jpg' +p198692 +sg25267 +g27 +sa(dp198693 +g25268 +S'The Hundred Guilder Print' +p198694 +sg25270 +S'Artist Information (' +p198695 +sg25273 +S'(artist after)' +p198696 +sg25275 +S'\n' +p198697 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00095/a00095d7.jpg' +p198698 +sg25267 +g27 +sa(dp198699 +g25268 +S'Landscape No. 162 from "Liber Veritatis"' +p198700 +sg25270 +S'Artist Information (' +p198701 +sg25273 +S'(artist after)' +p198702 +sg25275 +S'\n' +p198703 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00077/a00077d6.jpg' +p198704 +sg25267 +g27 +sa(dp198705 +g25273 +S'etching' +p198706 +sg25267 +g27 +sg25275 +S'1963' +p198707 +sg25268 +S'Vase of Flowers' +p198708 +sg25270 +S'Stuart Egnal' +p198709 +sa(dp198710 +g25273 +S'etching' +p198711 +sg25267 +g27 +sg25275 +S'1964' +p198712 +sg25268 +S'Geometric Designs with Facades' +p198713 +sg25270 +S'Stuart Egnal' +p198714 +sa(dp198715 +g25273 +S'etching' +p198716 +sg25267 +g27 +sg25275 +S'1965' +p198717 +sg25268 +S'City View with Houses and Trees' +p198718 +sg25270 +S'Stuart Egnal' +p198719 +sa(dp198720 +g25273 +S'etching' +p198721 +sg25267 +g27 +sg25275 +S'1965' +p198722 +sg25268 +S'Shelves with Bottles and Jars' +p198723 +sg25270 +S'Stuart Egnal' +p198724 +sa(dp198725 +g25273 +S'watercolor and graphite' +p198726 +sg25267 +g27 +sg25275 +S'unknown date\n' +p198727 +sg25268 +S'Cloister, San Culgat, near Barcelona' +p198728 +sg25270 +S'Sir Muirhead Bone' +p198729 +sa(dp198730 +g25273 +S'etching' +p198731 +sg25267 +g27 +sg25275 +S'1964' +p198732 +sg25268 +S'Circular Design with View of Country Store' +p198733 +sg25270 +S'Stuart Egnal' +p198734 +sa(dp198735 +g25273 +S'etching' +p198736 +sg25267 +g27 +sg25275 +S'1964' +p198737 +sg25268 +S'Geometric Abstraction' +p198738 +sg25270 +S'Stuart Egnal' +p198739 +sa(dp198740 +g25268 +S'Cupid Riding a Snail over Fungus Vegetation' +p198741 +sg25270 +S'Master H.L.' +p198742 +sg25273 +S'engraving' +p198743 +sg25275 +S'probably c. 1533' +p198744 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ac/a000acb8.jpg' +p198745 +sg25267 +g27 +sa(dp198746 +g25268 +S'Vegetable Market at Pontoise (Marche aux legumes a Pontoise)' +p198747 +sg25270 +S'Camille Pissarro' +p198748 +sg25273 +S'etching and aquatint (zinc)[posthumous impression ]' +p198749 +sg25275 +S'1891' +p198750 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00067/a000673d.jpg' +p198751 +sg25267 +g27 +sa(dp198752 +g25268 +S'Benjamin and Eleanor Ridgely Laming' +p198753 +sg25270 +S'Charles Willson Peale' +p198754 +sg25273 +S'oil on canvas' +p198755 +sg25275 +S'1788' +p198756 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a00001a3.jpg' +p198757 +sg25267 +S'Charles Willson Peale was a major figure in American science and art during the\nrevolutionary period. His faith in the educational value of art led him to establish\na painting academy in Philadelphia as early as 1795. When that venture failed, Peale\ncombined his scientific and artistic interests in a museum.\n In 1788, the Lamings had asked him to do this double portrait. Peale\'s diary records\nhis activity from 18 September, when he "sketched out the design" after dinner,\nto 5 October, when he added the final touches. Besides working on the picture, Peale\nstudied natural history at the family\'s estate outside Baltimore.\n Peale cleverly devised a leaning posture for the husband so that his bulk would\nnot overshadow his petite wife. Moreover, this unusual, reclining attitude binds\nthe couple closer together, telling of their love.\n The setting, "view of part of Baltimore Town," is appropriate for a wealthy Maryland\nmerchant. The spyglass indicates Laming\'s interest in shippage by sea, and the green\nparrot perched behind his leg may recall his birth in the West Indies. Mrs. Laming\'s\nfruit and flowers, although traditional emblems of innocence and fertility, could\nalso refer to her own gardening. The detailed attention paid to the bird, plants,\nscenery, and telescope attests to Peale\'s encyclopedic knowledge.\n ' +p198758 +sa(dp198759 +g25268 +S'The Vanderkemp Children' +p198760 +sg25270 +S'Thomas Sully' +p198761 +sg25273 +S'oil on canvas' +p198762 +sg25275 +S'1832' +p198763 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a000026a.jpg' +p198764 +sg25267 +g27 +sa(dp198765 +g25268 +S'Arabs Skirmishing in the Mountains' +p198766 +sg25270 +S'Eug\xc3\xa8ne Delacroix' +p198767 +sg25273 +S'oil on canvas' +p198768 +sg25275 +S'1863' +p198769 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000dce.jpg' +p198770 +sg25267 +S"Eugène Delacroix, France\xe2\x80\x99s leading romantic painter of the first half of the 19th century, advocated the opposite aesthetic of his contemporary, Jean–Auguste–Dominique Ingres. In contrast to Ingres' controlled images that are characterized by his interests in linear purity and a finished surface, Delacroix championed the primacy of color and quick execution as expressive of the artist's imagination.\n The Arabs Skirmishing in the Mountains\n The fluidity of Delacroix's brushstroke animates the composition, heightening the violence of the scene and the moment when the rider is thrown off his horse. The brilliant use of red, blue, and white forces the eye to stop at each grouping, accenting the rhythm of the battle itself. Delacroix has created a fictive battle, his work not only recalling an earlier personal experience but also stimulating the imagination of his viewers.\n " +p198771 +sa(dp198772 +g25268 +S'Lake George and the Village of Caldwell' +p198773 +sg25270 +S'Thomas Chambers' +p198774 +sg25273 +S'oil on canvas' +p198775 +sg25275 +S'mid 19th century' +p198776 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a0000143.jpg' +p198777 +sg25267 +g27 +sa(dp198778 +g25268 +S'Captain Alexander Graydon' +p198779 +sg25270 +S'Robert Feke' +p198780 +sg25273 +S'oil on canvas' +p198781 +sg25275 +S'c. 1746' +p198782 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000b2.jpg' +p198783 +sg25267 +g27 +sa(dp198784 +g25268 +S'First Landing of Christopher Columbus' +p198785 +sg25270 +S'Frederick Kemmelmeyer' +p198786 +sg25273 +S'oil on canvas' +p198787 +sg25275 +S'1800/1805' +p198788 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a0000132.jpg' +p198789 +sg25267 +g27 +sa(dp198790 +g25273 +S'graphite with gray wash' +p198791 +sg25267 +g27 +sg25275 +S'unknown date\n' +p198792 +sg25268 +S'Distant Stockholm' +p198793 +sg25270 +S'Sir Muirhead Bone' +p198794 +sa(dp198795 +g25268 +S'Blacksmith Shop' +p198796 +sg25270 +S'Francis A. Beckett' +p198797 +sg25273 +S'oil on canvas' +p198798 +sg25275 +S'c. 1880' +p198799 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a0000017.jpg' +p198800 +sg25267 +g27 +sa(dp198801 +g25268 +S'The Younger Generation' +p198802 +sg25270 +S'Sturtevant J. Hamblin' +p198803 +sg25273 +S'oil on canvas' +p198804 +sg25275 +S'c. 1850' +p198805 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000d6.jpg' +p198806 +sg25267 +g27 +sa(dp198807 +g25268 +S'Christ on the Road to Emmaus' +p198808 +sg25270 +S'American 18th Century' +p198809 +sg25273 +S'overall: 64.2 x 77.1 cm (25 1/4 x 30 3/8 in.)\r\nframed: 75.5 x 88.9 x 4.4 cm (29 3/4 x 35 x 1 3/4 in.)' +p198810 +sg25275 +S'\noil on canvas' +p198811 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a0000401.jpg' +p198812 +sg25267 +g27 +sa(dp198813 +g25268 +S'Fruit and Flowers' +p198814 +sg25270 +S'American 19th Century' +p198815 +sg25273 +S'overall: 67 x 105 cm (26 3/8 x 41 5/16 in.)\r\nframed: 81.3 x 118.7 x 4.1 cm (32 x 46 3/4 x 1 5/8 in.)' +p198816 +sg25275 +S'\noil on canvas' +p198817 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a0000416.jpg' +p198818 +sg25267 +g27 +sa(dp198819 +g25273 +S'pastel' +p198820 +sg25267 +g27 +sg25275 +S'1817' +p198821 +sg25268 +S'Miss Sarah Mershon' +p198822 +sg25270 +S'Micah Williams' +p198823 +sa(dp198824 +g25273 +S'pastel' +p198825 +sg25267 +g27 +sg25275 +S'1823' +p198826 +sg25268 +S'Daniel R. Schenck' +p198827 +sg25270 +S'Micah Williams' +p198828 +sa(dp198829 +g25273 +S'pen and ink and watercolor' +p198830 +sg25267 +g27 +sg25275 +S'1830' +p198831 +sg25268 +S'Miesse Family Record' +p198832 +sg25270 +S'Ludwig Crecelius' +p198833 +sa(dp198834 +g25273 +S'pen and black ink and watercolor over graphite' +p198835 +sg25267 +g27 +sg25275 +S'1832' +p198836 +sg25268 +S'Family of Four' +p198837 +sg25270 +S'J. Evans' +p198838 +sa(dp198839 +g25268 +S'The Temptation' +p198840 +sg25270 +S'John Landis' +p198841 +sg25273 +S', c. 1828' +p198842 +sg25275 +S'\n' +p198843 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00009/a000095b.jpg' +p198844 +sg25267 +g27 +sa(dp198845 +g25273 +S'watercolor and gold leaf' +p198846 +sg25267 +g27 +sg25275 +S'c. 1804' +p198847 +sg25268 +S'Jephthah Laments His Rash Vow' +p198848 +sg25270 +S'Emily Pelton' +p198849 +sa(dp198850 +g25273 +S'charcoal with blue and gray wash' +p198851 +sg25267 +g27 +sg25275 +S'unknown date\n' +p198852 +sg25268 +S'Approach to Stockholm' +p198853 +sg25270 +S'Sir Muirhead Bone' +p198854 +sa(dp198855 +g25268 +S'Lolotte and Werther' +p198856 +sg25270 +S'Eunice Pinney' +p198857 +sg25273 +S'watercolor; the picture on the wall is an original engraving entitled "Winter," pasted in a simulated frame' +p198858 +sg25275 +S'1810' +p198859 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00009/a0000980.jpg' +p198860 +sg25267 +g27 +sa(dp198861 +g25273 +S'sight size: 15.8 x 19.6 cm (6 1/4 x 7 11/16 in.)' +p198862 +sg25267 +g27 +sg25275 +S'\npen and ink with watercolor' +p198863 +sg25268 +S'Baptismal Wish for Catarina Titzlir' +p198864 +sg25270 +S'American 18th Century' +p198865 +sa(dp198866 +g25273 +S'overall: 40.3 x 50.4 cm (15 7/8 x 19 13/16 in.)' +p198867 +sg25267 +g27 +sg25275 +S'\nstencil and watercolor' +p198868 +sg25268 +S'Fruit in Fluted Bowl' +p198869 +sg25270 +S'American 19th Century' +p198870 +sa(dp198871 +g25273 +S'Overall: 51.3 x 40.8 cm (20 3/16 x 16 1/16 in.)\r\nframed: 57.1 x 46.3 cm (22 1/2 x 18 1/4 in.)' +p198872 +sg25267 +g27 +sg25275 +S'\nwatercolor over graphite with pinpricked contours on wove paper' +p198873 +sg25268 +S'"George Washington is my name"' +p198874 +sg25270 +S'American 19th Century' +p198875 +sa(dp198876 +g25268 +S'Reward of Merit for Anna Gerhard' +p198877 +sg25270 +S'John Conrad Gilbert' +p198878 +sg25273 +S'pen and iron gall ink with red, green, and yellow wash and pricking around the flower' +p198879 +sg25275 +S'1787' +p198880 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a00008e1.jpg' +p198881 +sg25267 +g27 +sa(dp198882 +g25268 +S'The Prodigal Son Taking Leave of His Father' +p198883 +sg25270 +S'Mary Ann Willson' +p198884 +sg25273 +S'pen and black ink and watercolor' +p198885 +sg25275 +S'c. 1815' +p198886 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00009/a00009fe.jpg' +p198887 +sg25267 +g27 +sa(dp198888 +g25268 +S'The Prodigal Son Wasted His Substance' +p198889 +sg25270 +S'Mary Ann Willson' +p198890 +sg25273 +S'pen and black ink and watercolor' +p198891 +sg25275 +S'c. 1815' +p198892 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00009/a00009ff.jpg' +p198893 +sg25267 +g27 +sa(dp198894 +g25268 +S'The Prodigal Son in Misery' +p198895 +sg25270 +S'Mary Ann Willson' +p198896 +sg25273 +S'pen and black ink and watercolor' +p198897 +sg25275 +S'c. 1815' +p198898 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a00.jpg' +p198899 +sg25267 +g27 +sa(dp198900 +g25268 +S'The Prodigal Son Reclaimed' +p198901 +sg25270 +S'Mary Ann Willson' +p198902 +sg25273 +S'pen and black ink and watercolor' +p198903 +sg25275 +S'c. 1815' +p198904 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a01.jpg' +p198905 +sg25267 +g27 +sa(dp198906 +g25273 +S'watercolor and graphite' +p198907 +sg25267 +g27 +sg25275 +S'unknown date\n' +p198908 +sg25268 +S'Fiord near Bergen, Norway' +p198909 +sg25270 +S'Sir Muirhead Bone' +p198910 +sa(dp198911 +g25273 +S'linoleum cut' +p198912 +sg25267 +g27 +sg25275 +S'unknown date\n' +p198913 +sg25268 +S'Crossing the Red Sea' +p198914 +sg25270 +S'Hilda Katz' +p198915 +sa(dp198916 +g25273 +S'color linoleum cut' +p198917 +sg25267 +g27 +sg25275 +S'unknown date\n' +p198918 +sg25268 +S'Sea Wings and Shells' +p198919 +sg25270 +S'Hilda Katz' +p198920 +sa(dp198921 +g25273 +S'linoleum cut' +p198922 +sg25267 +g27 +sg25275 +S'unknown date\n' +p198923 +sg25268 +S'The Expulsion' +p198924 +sg25270 +S'Hilda Katz' +p198925 +sa(dp198926 +g25268 +S'Mother and Mary' +p198927 +sg25270 +S'Edmund Charles Tarbell' +p198928 +sg25273 +S'oil on canvas' +p198929 +sg25275 +S'1922' +p198930 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a0000270.jpg' +p198931 +sg25267 +S'A feisty, aggressive man, Edmund Charles Tarbell had such control over a\r\n group of followers at the Boston Museum school that critics nicknamed them\r\n "the Tarbellite gang." Tarbell also commanded respect later in Washington,\r\n D.C., when he served as principal at the Corcoran Gallery\'s School of Art\r\n from 1918 to 1925. His insistence upon precise draftsmanship resulted from\r\n his teenaged apprenticeship to a lithographic company and his academic\r\n studies in Boston and Paris.\n Unlike the bravura sketchiness and vivid colors preferred by his friend\r\n Frank Benson, Tarbell emphasized solid, three-dimensional forms. To\r\n challenge himself by painting interior and exterior light in the same\r\n composition, Tarbell often depicted the tall French windows at his summer\r\n home in New Castle, New Hampshire. \n The Colonial Revival decor mixes furniture styles by using both antiques\r\n and reproductions. Criss-crossed over the polished floor, long brushstrokes\r\n imitate the luster of reflected sunlight and reveal the marks of hand\r\n buffing on the freshly waxed wood.\n ' +p198932 +sa(dp198933 +g25273 +S'graphite on laid paper' +p198934 +sg25267 +g27 +sg25275 +S'unknown date\n' +p198935 +sg25268 +S'Dr. Ben-Gurion' +p198936 +sg25270 +S'Arthur William Heintzelman' +p198937 +sa(dp198938 +g25273 +S'etching and drypoint' +p198939 +sg25267 +g27 +sg25275 +S'1962' +p198940 +sg25268 +S'Dr. Ben-Gurion' +p198941 +sg25270 +S'Arthur William Heintzelman' +p198942 +sa(dp198943 +g25273 +S'etching and drypoint' +p198944 +sg25267 +g27 +sg25275 +S'1930' +p198945 +sg25268 +S"The Horses of St. Mark's, Venice" +p198946 +sg25270 +S'Arthur William Heintzelman' +p198947 +sa(dp198948 +g25273 +S'etching' +p198949 +sg25267 +g27 +sg25275 +S'unknown date\n' +p198950 +sg25268 +S'In the Twilight' +p198951 +sg25270 +S'Arthur William Heintzelman' +p198952 +sa(dp198953 +g25273 +S'etching and drypoint' +p198954 +sg25267 +g27 +sg25275 +S'unknown date\n' +p198955 +sg25268 +S'Michelangelo before the Medici Tombs' +p198956 +sg25270 +S'Arthur William Heintzelman' +p198957 +sa(dp198958 +g25273 +S'etching and drypoint in green' +p198959 +sg25267 +g27 +sg25275 +S'unknown date\n' +p198960 +sg25268 +S'Dr. Charles Munch' +p198961 +sg25270 +S'Arthur William Heintzelman' +p198962 +sa(dp198963 +g25273 +S'watercolor and graphite' +p198964 +sg25267 +g27 +sg25275 +S'unknown date\n' +p198965 +sg25268 +S'Bath Houses near Saltsjobaden, Sweden' +p198966 +sg25270 +S'Sir Muirhead Bone' +p198967 +sa(dp198968 +g25273 +S'drypoint' +p198969 +sg25267 +g27 +sg25275 +S'unknown date\n' +p198970 +sg25268 +S'Dr. Albert Schweitzer' +p198971 +sg25270 +S'Arthur William Heintzelman' +p198972 +sa(dp198973 +g25268 +S'A Scene on the Ice' +p198974 +sg25270 +S'Hendrick Avercamp' +p198975 +sg25273 +S'oil on panel' +p198976 +sg25275 +S'c. 1625' +p198977 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e7c.jpg' +p198978 +sg25267 +S'All classes of Dutch society mingle while enjoying winter\r\n sports. From \r\n the lower left corner, a poor fisherman surveys the many skaters.\r\n At the \r\n center, well-dressed ladies ride in an elegant sleigh driven by a\r\n groom; \r\n the horse’s shoes are spiked for traction on the slippery surface.\r\n Two \r\n little boys in the right corner play a game of \n Avercamp, who combined the Dutch love of landscape with scenes\r\n of daily \r\n life called genre, was among the first European artists to\r\n specialize in \r\n depicting winter. The pearly gray tonality here becomes ever paler\r\n and the \r\n forms less distinct as they move into the distance, subtly\r\n conveying a \r\n sense of deep space on a frosty day.\n The setting may be the quiet village of Kampen northeast of\r\n Amsterdam. \r\n Very successful financially, Avercamp was called \n ' +p198979 +sa(dp198980 +g25268 +S'Portrait of a Merchant' +p198981 +sg25270 +S'Jan Gossaert' +p198982 +sg25273 +S'oil on panel' +p198983 +sg25275 +S'c. 1530' +p198984 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a000049a.jpg' +p198985 +sg25267 +S"Gossaert's portrait shows a merchant seated in a cramped yet cozy space,\r\nsurrounded by the tools of his trade. Scattered over the table are such useful items as a talc shaker used to dry ink, an ink pot, a pair of scales for testing the weight (and hence the quality) of coins, and a metal receptacle for sealing wax, quill pens, and paper. Attached to the wall are balls of twine and batches of papers labeled "miscellaneous letters" and "miscellaneous drafts." The monogram on the sitter's\r\nhat pin and index finger ring have led to his tentative identification as Jerome\r\nSandelin, who was a tax collector in Zeeland. This region, on the southern coast\r\nof present–day Holland, was also the home of Jan Gossaert for approximately the last ten years of his life.\n The artist's Netherlandish love of detail and texture combine with his admiration for the massiveness of Italian High Renaissance art to achieve here what might be termed a monumentality of the particular. At the same time, the sitter's furtive glance and prim mouth are enough to inform us of the insecurity and apprehension that haunted bankers in the 1530s, when the prevailing moral attitude was summed up by the Dutch humanist Erasmus, who asked, "When did avarice reign more largely and less punished?"\n " +p198986 +sa(dp198987 +g25273 +S'bronze' +p198988 +sg25267 +g27 +sg25275 +S'1910' +p198989 +sg25268 +S'Summer' +p198990 +sg25270 +S'Aristide Maillol' +p198991 +sa(dp198992 +g25268 +S"Ginevra de' Benci [obverse]" +p198993 +sg25270 +S'Leonardo da Vinci' +p198994 +sg25273 +S'oil on panel' +p198995 +sg25275 +S'c. 1474/1478' +p198996 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00006/a0000637.jpg' +p198997 +sg25267 +S"She was the daughter of a wealthy Florentine banker, and her portrait—the only painting by Leonardo da Vinci in the Americas—was probably commissioned about the time of her marriage at age 16. Leonardo himself was only about six years older. The portrait is among his earliest experiments with the new medium of oil paint; some wrinkling of the surface shows he was still learning to control it. Still, the careful observation of nature and subtle three–dimensionality of Ginevra's face point unmistakably to the new naturalism with which Leonardo would transform Renaissance painting. Ginevra is modeled with gradually deepening veils of smoky shadow—not by line, not by abrupt transitions of color or light.\n Other features of Ginevra's portrait reveal young Leonardo as an innovator. He placed her in an open setting at a time when women were still shown carefully sheltered within the walls of their family homes, with landscapes glimpsed only through open windows. The three–quarter pose, which shows her steady reserve, is among the first in Italian portraiture, for either sex.\n At some time in the past, probably because of damage, the panel was cut down by a few inches along the bottom, removing Ginevra's hands. A drawing by Leonardo survives that suggests their appearance—lightly cradled at her waist and holding a small sprig, perhaps a pink, a flower commonly used in Renaissance portraits to symbolize devotion or virtue. Ginevra's face is framed by the spiky, evergreen leaves of a juniper bush, the once–brighter green turned brown with age. Juniper refers to her chastity, the greatest virtue of a Renaissance woman, and puns her name. The Italian for juniper is \n The vast majority of female portraits were commissioned on one of two occasions: betrothal or marriage. Wedding portraits tend to be made in pairs, with the woman on the right side. Since Ginevra faces right, this portrait is more likely to have commemorated her engagement. Her lack of obvious finery, however, is somewhat surprising. Jewels, luxurious brocades, and elaborate dresses were part of dowry exchanges and displayed a family's wealth.\n " +p198998 +sa(dp198999 +g25268 +S'Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse]' +p199000 +sg25270 +S'Leonardo da Vinci' +p199001 +sg25273 +S'tempera on panel' +p199002 +sg25275 +S'c. 1474/1478' +p199003 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005ce.jpg' +p199004 +sg25267 +S"Ginevra de' Benci's portrait is \n " +p199005 +sa(dp199006 +g25268 +S'The Temptation of Christ' +p199007 +sg25270 +S'Juan de Flandes' +p199008 +sg25273 +S'oil on panel' +p199009 +sg25275 +S'c. 1500/1504' +p199010 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005aa.jpg' +p199011 +sg25267 +S"This small panel, along with \n Here the three temptations of Christ, described in the Gospels of \n Matthew and Luke, are illustrated with great narrative delight. In the \n foreground, the devil, horned and with demon's feet though clad in a monk's \n robe, tempts the hungry Christ to turn stones into bread. In the distance \n at left he offers the kingdoms of the world from a mountain top; and on the \n right, from the pinnacle of the temple in Jerusalem, the devil challenges \n Christ to hurl himself down without injury.\n The dramatic encounter is set in a landscape typical, not of the \n biblical wilderness described in the Gospels, but of a northern town. The \n soft air fades to blue in the distance, helping the eye to see the \n recession of space. The composition may have been based on models from \n manuscript illumination. While in Spain, Juan de Flandes's style became \n broader and less delicate; though he later painted larger works, he continued to delight in narrative detail.\n " +p199012 +sa(dp199013 +g25268 +S'A View of the Mountain Pass Called the Notch of the White Mountains (Crawford Notch)' +p199014 +sg25270 +S'Thomas Cole' +p199015 +sg25273 +S'oil on canvas' +p199016 +sg25275 +S'1839' +p199017 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a0000052.jpg' +p199018 +sg25267 +S"Crawford Notch gained notoriety in 1826 when a catastrophic avalanche took\nnine lives. Nathaniel Hawthorne wrote a short story commemorating the tragedy, which\nmay have piqued Cole's interest in the New Hampshire site. Rather than concentrating\non the human drama, the artist minimized figurative elements to underscore man's\ninsignificance and vulnerability in the face of nature's unleashed fury. Amid a\nseemingly idyllic autumnal setting, the barely discernible settlers, a lone rider,\nand the stagecoach passengers all seem oblivious to the impending cataclysm. Only\nthe brooding storm clouds gathering at the upper left offer a portentous hint of\nthe disaster to come.\n In addition to its oblique reference to a specific historical event, \n " +p199019 +sa(dp199020 +g25268 +S'Sketch for Ohio State Capitol Design' +p199021 +sg25270 +S'Thomas Cole' +p199022 +sg25273 +S'drawing on panel' +p199023 +sg25275 +S'c. 1838' +p199024 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d34.jpg' +p199025 +sg25267 +g27 +sa(dp199026 +g25268 +S'The Much Resounding Sea' +p199027 +sg25270 +S'Thomas Moran' +p199028 +sg25273 +S'oil on canvas' +p199029 +sg25275 +S'1884' +p199030 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00001/a000016b.jpg' +p199031 +sg25267 +g27 +sa(dp199032 +g25273 +S'watercolor and graphite' +p199033 +sg25267 +g27 +sg25275 +S'unknown date\n' +p199034 +sg25268 +S'Motala; Sweden' +p199035 +sg25270 +S'Sir Muirhead Bone' +p199036 +sa(dp199037 +g25268 +S'The Purple Jack Daw (Gracula Quiscula)' +p199038 +sg25270 +S'Mark Catesby' +p199039 +sg25273 +S'hand-colored etching on laid paper' +p199040 +sg25275 +S'published 1731-1743' +p199041 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00077/a00077ec.jpg' +p199042 +sg25267 +g27 +sa(dp199043 +g25268 +S'The Ground Dove (Columba passerina)' +p199044 +sg25270 +S'Mark Catesby' +p199045 +sg25273 +S'hand-colored etching' +p199046 +sg25275 +S'published 1731-1743' +p199047 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00077/a00077f6.jpg' +p199048 +sg25267 +g27 +sa(dp199049 +g25268 +S'The Pied-billed Dobchick (Colymbus podiceps)' +p199050 +sg25270 +S'Mark Catesby' +p199051 +sg25273 +S'hand-colored etching on laid paper' +p199052 +sg25275 +S'published 1731-1743' +p199053 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00078/a000781b.jpg' +p199054 +sg25267 +g27 +sa(dp199055 +g25268 +S'The Black Muray (Muraenae helenae varietas)' +p199056 +sg25270 +S'Mark Catesby' +p199057 +sg25273 +S'hand-colored etching on laid paper' +p199058 +sg25275 +S'published 1731-1743' +p199059 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00078/a0007835.jpg' +p199060 +sg25267 +g27 +sa(dp199061 +g25268 +S'The Sucking Fish (Echeneis Naucratis)' +p199062 +sg25270 +S'Mark Catesby' +p199063 +sg25273 +S'hand-colored etching' +p199064 +sg25275 +S'published 1731-1743' +p199065 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00078/a0007833.jpg' +p199066 +sg25267 +g27 +sa(dp199067 +g25268 +S'The Red Mottled Rock-crab (Cancer grapsus)' +p199068 +sg25270 +S'Mark Catesby' +p199069 +sg25273 +S'hand-colored etching on laid paper' +p199070 +sg25275 +S'published 1731-1743' +p199071 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00078/a0007865.jpg' +p199072 +sg25267 +g27 +sa(dp199073 +g25268 +S'The Logger-head Turtle (Testudo Cavanna)' +p199074 +sg25270 +S'Mark Catesby' +p199075 +sg25273 +S'hand-colored etching' +p199076 +sg25275 +S'published 1731-1743' +p199077 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00078/a0007869.jpg' +p199078 +sg25267 +g27 +sa(dp199079 +g25268 +S'The Coach-Whip Snake (Coluber flagellum)' +p199080 +sg25270 +S'Mark Catesby' +p199081 +sg25273 +S'hand-colored etching' +p199082 +sg25275 +S'published 1731-1743' +p199083 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00078/a0007871.jpg' +p199084 +sg25267 +g27 +sa(dp199085 +g25268 +S'The Corn Snake (Coluber fulvius?)' +p199086 +sg25270 +S'Mark Catesby' +p199087 +sg25273 +S'hand-colored etching' +p199088 +sg25275 +S'published 1731-1743' +p199089 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00078/a000786f.jpg' +p199090 +sg25267 +g27 +sa(dp199091 +g25268 +S'The Guana (Lacerta Iguana)' +p199092 +sg25270 +S'Mark Catesby' +p199093 +sg25273 +S'hand-colored etching on laid paper' +p199094 +sg25275 +S'published 1731-1743' +p199095 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00078/a000786b.jpg' +p199096 +sg25267 +g27 +sa(dp199097 +g25273 +S'charcoal and watercolor over graphite' +p199098 +sg25267 +g27 +sg25275 +S'1923' +p199099 +sg25268 +S'Night in Stockholm' +p199100 +sg25270 +S'Sir Muirhead Bone' +p199101 +sa(dp199102 +g25268 +S'The Lyon Lizard (Lacerta 6-lineata)' +p199103 +sg25270 +S'Mark Catesby' +p199104 +sg25273 +S'hand-colored etching on laid paper' +p199105 +sg25275 +S'published 1731-1743' +p199106 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00078/a0007876.jpg' +p199107 +sg25267 +g27 +sa(dp199108 +g25268 +S'The Grey Fox Squirrel (Sciurus cinereus)' +p199109 +sg25270 +S'Mark Catesby' +p199110 +sg25273 +S'hand-colored etching on laid paper' +p199111 +sg25275 +S'published 1731-1743' +p199112 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00078/a0007888.jpg' +p199113 +sg25267 +g27 +sa(dp199114 +g25273 +S'drypoint' +p199115 +sg25267 +g27 +sg25275 +S'1921' +p199116 +sg25268 +S'The Negro (Der Neger)' +p199117 +sg25270 +S'Max Beckmann' +p199118 +sa(dp199119 +g25273 +S'drypoint' +p199120 +sg25267 +g27 +sg25275 +S'1921' +p199121 +sg25268 +S'The Tight Rope Walkers (Die Seilt\xc3\xa4nzer)' +p199122 +sg25270 +S'Max Beckmann' +p199123 +sa(dp199124 +g25273 +S'drypoint' +p199125 +sg25267 +g27 +sg25275 +S'1921' +p199126 +sg25268 +S'Dressing Room (Garderobe)' +p199127 +sg25270 +S'Max Beckmann' +p199128 +sa(dp199129 +g25273 +S'drypoint' +p199130 +sg25267 +g27 +sg25275 +S'1921' +p199131 +sg25268 +S'Wrestlers (Die Ringer)' +p199132 +sg25270 +S'Max Beckmann' +p199133 +sa(dp199134 +g25273 +S'drypoint' +p199135 +sg25267 +g27 +sg25275 +S'1921' +p199136 +sg25268 +S'The Barker (Der Ausrufer)' +p199137 +sg25270 +S'Max Beckmann' +p199138 +sa(dp199139 +g25268 +S'Storm Brewing' +p199140 +sg25270 +S'Lyonel Feininger' +p199141 +sg25273 +S'oil on canvas' +p199142 +sg25275 +S'1939' +p199143 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a00000af.jpg' +p199144 +sg25267 +g27 +sa(dp199145 +g25268 +S'Nude' +p199146 +sg25270 +S'Auguste Renoir' +p199147 +sg25273 +S'oil on canvas' +p199148 +sg25275 +S'c. 1895' +p199149 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d2f.jpg' +p199150 +sg25267 +g27 +sa(dp199151 +g25268 +S'Tiger Surprising an Antelope' +p199152 +sg25270 +S'Antoine-Louis Barye' +p199153 +sg25273 +S'bronze' +p199154 +sg25275 +S'model c. 1831, cast after 1855' +p199155 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000ef6.jpg' +p199156 +sg25267 +S"Barye challenged tradition when he submitted his savage animal sculptures to the Paris Salon in the 1830s. At the time, the human figure was considered the noblest subject for high art, while animals—particularly violent animals—ranked at the bottom. Despite the lowly status of animals in the artistic hierarchy, Barye's predatory tiger received a Salon medal in 1831. Commissions for both tabletop and monumental animal works followed. In the end, the sculptor would become renowned as an \n Tiger Surprising an Antelope\n Although hunting subjects had been favored for ornamental sculpture in the eighteenth century (as in the Gallery's \n " +p199157 +sa(dp199158 +g25273 +S'watercolor' +p199159 +sg25267 +g27 +sg25275 +S'unknown date\n' +p199160 +sg25268 +S'The North Sea' +p199161 +sg25270 +S'Sir Muirhead Bone' +p199162 +sa(dp199163 +g25268 +S'Bird in Space' +p199164 +sg25270 +S'Constantin Brancusi' +p199165 +sg25273 +S'marble, stone, and wood' +p199166 +sg25275 +S'1925' +p199167 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d32.jpg' +p199168 +sg25267 +g27 +sa(dp199169 +g25273 +S'marble' +p199170 +sg25267 +g27 +sg25275 +S'1929' +p199171 +sg25268 +S'Agnes E. Meyer' +p199172 +sg25270 +S'Constantin Brancusi' +p199173 +sa(dp199174 +g25273 +S'plaster' +p199175 +sg25267 +g27 +sg25275 +S'1929' +p199176 +sg25268 +S'Agnes E. Meyer' +p199177 +sg25270 +S'Charles Despiau' +p199178 +sa(dp199179 +g25268 +S'Figure of a Woman "The Sphinx"' +p199180 +sg25270 +S'Auguste Rodin' +p199181 +sg25273 +S'marble' +p199182 +sg25275 +S'model early 1880s, carved 1909' +p199183 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00024/a0002445.jpg' +p199184 +sg25267 +g27 +sa(dp199185 +g25273 +S'watercolor over graphite' +p199186 +sg25267 +g27 +sg25275 +S'1912' +p199187 +sg25268 +S'Broadway, Singer Building' +p199188 +sg25270 +S'John Marin' +p199189 +sa(dp199190 +g25268 +S'Woolworth Building, No. 28' +p199191 +sg25270 +S'John Marin' +p199192 +sg25273 +S'watercolor over graphite' +p199193 +sg25275 +S'1912' +p199194 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00009/a0000960.jpg' +p199195 +sg25267 +g27 +sa(dp199196 +g25268 +S'Woolworth Building, No. 31' +p199197 +sg25270 +S'John Marin' +p199198 +sg25273 +S'watercolor over graphite' +p199199 +sg25275 +S'1912' +p199200 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00009/a0000961.jpg' +p199201 +sg25267 +g27 +sa(dp199202 +g25273 +S'watercolor' +p199203 +sg25267 +g27 +sg25275 +S'1912' +p199204 +sg25268 +S'Woolworth Building, No. 29' +p199205 +sg25270 +S'John Marin' +p199206 +sa(dp199207 +g25273 +S'watercolor over graphite' +p199208 +sg25267 +g27 +sg25275 +S'1913' +p199209 +sg25268 +S'Woolworth Building, No. 32 [recto]' +p199210 +sg25270 +S'John Marin' +p199211 +sa(dp199212 +g25273 +S'watercolor over graphite' +p199213 +sg25267 +g27 +sg25275 +S'1913' +p199214 +sg25268 +S'Woolworth Building [verso]' +p199215 +sg25270 +S'John Marin' +p199216 +sa(dp199217 +g25273 +S'pen and blue ink with blue wash' +p199218 +sg25267 +g27 +sg25275 +S'unknown date\n' +p199219 +sg25268 +S'Near Stockholm' +p199220 +sg25270 +S'Sir Muirhead Bone' +p199221 +sa(dp199222 +g25273 +S'marble' +p199223 +sg25267 +g27 +sg25275 +S'unknown date\n' +p199224 +sg25268 +S'Charles, Duc de Berry' +p199225 +sg25270 +S'Jacques Prou II' +p199226 +sa(dp199227 +g25273 +S'bronze' +p199228 +sg25267 +g27 +sg25275 +S'model c. 1890/1899, cast 1930' +p199229 +sg25268 +S'Bather with Raised Arms' +p199230 +sg25270 +S'Aristide Maillol' +p199231 +sa(dp199232 +g25273 +S'1 vol:ill: 15 lithographs' +p199233 +sg25267 +g27 +sg25275 +S'published 1823' +p199234 +sg25268 +S'Lithographic Sketchbook (Croquis lithographiques)' +p199235 +sg25270 +S'Th\xc3\xa9odore Gericault' +p199236 +sa(dp199237 +g25273 +S'lithograph' +p199238 +sg25267 +g27 +sg25275 +S'c. 1823' +p199239 +sg25268 +S'Wounded Lara (Lara blesse)' +p199240 +sg25270 +S'Th\xc3\xa9odore Gericault' +p199241 +sa(dp199242 +g25273 +S'lithograph' +p199243 +sg25267 +g27 +sg25275 +S'1822' +p199244 +sg25268 +S'Mare and Foal (Le jument et son poulain): frontispiece' +p199245 +sg25270 +S'Th\xc3\xa9odore Gericault' +p199246 +sa(dp199247 +g25273 +S'lithograph' +p199248 +sg25267 +g27 +sg25275 +S'1822' +p199249 +sg25268 +S'Mecklenburg Horse (Cheval de Mecklembourg)' +p199250 +sg25270 +S'Th\xc3\xa9odore Gericault' +p199251 +sa(dp199252 +g25273 +S'lithograph' +p199253 +sg25267 +g27 +sg25275 +S'1822' +p199254 +sg25268 +S"Auvergne Horse (Chevaux d'Auvergne)" +p199255 +sg25270 +S'Th\xc3\xa9odore Gericault' +p199256 +sa(dp199257 +g25273 +S'lithograph' +p199258 +sg25267 +g27 +sg25275 +S'1822' +p199259 +sg25268 +S'Caux Horse (Cheval Cauchois)' +p199260 +sg25270 +S'Th\xc3\xa9odore Gericault' +p199261 +sa(dp199262 +g25273 +S'lithograph' +p199263 +sg25267 +g27 +sg25275 +S'1822' +p199264 +sg25268 +S'Spanish Horse (Cheval Espagnol)' +p199265 +sg25270 +S'Th\xc3\xa9odore Gericault' +p199266 +sa(dp199267 +g25273 +S'lithograph' +p199268 +sg25267 +g27 +sg25275 +S'1822' +p199269 +sg25268 +S'Ardennes Horses (Chevaux des Ardennes)' +p199270 +sg25270 +S'Th\xc3\xa9odore Gericault' +p199271 +sa(dp199272 +g25273 +S'watercolor and graphite' +p199273 +sg25267 +g27 +sg25275 +S'unknown date\n' +p199274 +sg25268 +S'In the Gota Canal' +p199275 +sg25270 +S'Sir Muirhead Bone' +p199276 +sa(dp199277 +g25273 +S'lithograph' +p199278 +sg25267 +g27 +sg25275 +S'1822' +p199279 +sg25268 +S'Planes 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Although the identity of the sitter is unknown, her air of self–conscious dignity suggests that she is a member of the nobility. Her costume and severly plucked eyebrows and hairline are typical of those favored by highly placed ladies of the Burgundian court.\n The stylish costume does not distract attention from the sitter. The dress, with its dark bands of fur, almost merges with the background. The spreading headdress frames and focuses attention upon her face. Light falls with exquisite beauty along the creases of the sheer veiling over her head, and gentle shadows mark her fine bone structure. In contrast to the spareness of execution in most of the painting, the gold filigree of her belt buckle is rendered with meticulous precision. The scarlet belt serves as a foil to set off her delicately clasped hands.\n Rogier excelled as a portrait painter because he so vividly presented the character of the persons he portrayed. The downcast eyes, the firmly set lips, and the tense fingers reflect this woman's mental concentration. Rogier juxtaposed the strong sensation of the sitter's acute mental activity to his rigid control of the composition and the formality of her costume and pose, presenting the viewer with an image of passionate austerity.\n " +p199475 +sa(dp199476 +g25273 +S'etching' +p199477 +sg25267 +g27 +sg25275 +S'1901' +p199478 +sg25268 +S'Seven Small Figures' +p199479 +sg25270 +S'Sir Muirhead Bone' +p199480 +sa(dp199481 +g25273 +S'etching' +p199482 +sg25267 +g27 +sg25275 +S'1901' +p199483 +sg25268 +S'The Piazza' +p199484 +sg25270 +S'Sir Muirhead Bone' +p199485 +sa(dp199486 +g25273 +S'drypoint' +p199487 +sg25267 +g27 +sg25275 +S'1901' +p199488 +sg25268 +S'In Camera' +p199489 +sg25270 +S'Sir Muirhead Bone' +p199490 +sa(dp199491 +g25273 +S'drypoint' +p199492 +sg25267 +g27 +sg25275 +S'1927' +p199493 +sg25268 +S'Leonard Gow' +p199494 +sg25270 +S'Sir Muirhead Bone' +p199495 +sa(dp199496 +g25273 +S'etching' +p199497 +sg25267 +g27 +sg25275 +S'1901' +p199498 +sg25268 +S'Ireland and Russia' +p199499 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+S'http://www.nga.gov:80/thumb-l/a000cf/a000cf03.jpg' +p200425 +sg25267 +g27 +sa(dp200426 +g25268 +S'Magdalena Poenitens (The Penitent Magdalene)' +p200427 +sg25270 +S'Artist Information (' +p200428 +sg25273 +S'(artist)' +p200429 +sg25275 +S'\n' +p200430 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ceda.jpg' +p200431 +sg25267 +g27 +sa(dp200432 +g25268 +S'Milites Requiescentes (Soldiers at Rest)' +p200433 +sg25270 +S'Artist Information (' +p200434 +sg25273 +S'(artist)' +p200435 +sg25275 +S'\n' +p200436 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d064.jpg' +p200437 +sg25267 +g27 +sa(dp200438 +g25268 +S'Euntes in Emaus (The Pilgrims to Emmaus)' +p200439 +sg25270 +S'Artist Information (' +p200440 +sg25273 +S'(artist)' +p200441 +sg25275 +S'\n' +p200442 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d05e.jpg' +p200443 +sg25267 +g27 +sa(dp200444 +g25268 +S'Woman and Death' +p200445 +sg25270 +S'Franz Brun' +p200446 +sg25273 +S'engraving' +p200447 +sg25275 +S'unknown date\n' +p200448 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a8f7.jpg' +p200449 +sg25267 +g27 +sa(dp200450 +g25268 +S'Venus' +p200451 +sg25270 +S'Abraham de Bruyn' +p200452 +sg25273 +S'engraving' +p200453 +sg25275 +S'1569' +p200454 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cf/a000cf22.jpg' +p200455 +sg25267 +g27 +sa(dp200456 +g25268 +S'Samson and Delilah' +p200457 +sg25270 +S'Hans Burgkmair I' +p200458 +sg25273 +S'woodcut' +p200459 +sg25275 +S'unknown date\n' +p200460 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a8df.jpg' +p200461 +sg25267 +g27 +sa(dp200462 +g25268 +S'Saint Luke Painting the Portrait of the Virgin' +p200463 +sg25270 +S'Hans Burgkmair I' +p200464 +sg25273 +S'woodcut' +p200465 +sg25275 +S'1507' +p200466 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a8d4.jpg' +p200467 +sg25267 +g27 +sa(dp200468 +g25268 +S'The Old White King Sending His Messengers to Portugal' +p200469 +sg25270 +S'Leonhard Beck' +p200470 +sg25273 +S'woodcut' +p200471 +sg25275 +S'1514/1516' +p200472 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ae/a000ae0c.jpg' +p200473 +sg25267 +g27 +sa(dp200474 +g25268 +S'Three Men and a Boy in the Court of a Castle, to the Right Three Men on a Staircase' +p200475 +sg25270 +S'Leonhard Beck' +p200476 +sg25273 +S'woodcut' +p200477 +sg25275 +S'1514/1516' +p200478 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b09e.jpg' +p200479 +sg25267 +g27 +sa(dp200480 +g25268 +S'A Legation before a King, near Him Two Women Standing' +p200481 +sg25270 +S'Leonhard Beck' +p200482 +sg25273 +S'woodcut' +p200483 +sg25275 +S'1514/1516' +p200484 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b0a1.jpg' +p200485 +sg25267 +g27 +sa(dp200486 +g25268 +S'The Swiss Embassy against the Blue King' +p200487 +sg25270 +S'Hans Burgkmair I' +p200488 +sg25273 +S'woodcut' +p200489 +sg25275 +S'unknown date\n' +p200490 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000af/a000af57.jpg' +p200491 +sg25267 +g27 +sa(dp200492 +g25268 +S'Saint Remigius' +p200493 +sg25270 +S'Leonhard Beck' +p200494 +sg25273 +S'woodcut' +p200495 +sg25275 +S'1510' +p200496 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b0ac.jpg' +p200497 +sg25267 +g27 +sa(dp200498 +g25268 +S'Assembly of Four Kings, in the foreground Four Men' +p200499 +sg25270 +S'Leonhard Beck' +p200500 +sg25273 +S'woodcut' +p200501 +sg25275 +S'1514/1516' +p200502 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b09d.jpg' +p200503 +sg25267 +g27 +sa(dp200504 +g25268 +S'Sketch of a Woman in Half-Length' +p200505 +sg25270 +S'Jean-Louis Forain' +p200506 +sg25273 +S'lithograph' +p200507 +sg25275 +S'unknown date\n' +p200508 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009a/a0009a4e.jpg' +p200509 +sg25267 +g27 +sa(dp200510 +g25273 +S'etched copper plate [cancelled]' +p200511 +sg25267 +g27 +sg25275 +S'1929' +p200512 +sg25268 +S'The Station Agent' +p200513 +sg25270 +S'Dwight Case Sturges' +p200514 +sa(dp200515 +g25273 +S'(artist after)' +p200516 +sg25267 +g27 +sg25275 +S'\n' +p200517 +sg25268 +S"Un Realiste trouve toujours un plus realiste qui l'admire" +p200518 +sg25270 +S'Artist Information (' +p200519 +sa(dp200520 +g25273 +S'linecut block' +p200521 +sg25267 +g27 +sg25275 +S'unknown date\n' +p200522 +sg25268 +S'Man Reading' +p200523 +sg25270 +S'Rockwell Kent' +p200524 +sa(dp200525 +g25268 +S'Portrait of Diego de Guevara (?)' +p200526 +sg25270 +S'Michel Sittow' +p200527 +sg25273 +S'oil on panel' +p200528 +sg25275 +S'c. 1515/1518' +p200529 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a00004a6.jpg' +p200530 +sg25267 +S"Michel Sittow, a northern painter who was born in Estonia on the Baltic Sea but\napprenticed in Bruges, was an acclaimed portraitist at the Spanish court. After\nQueen Isabella's death in 1504, his peripatetic career took him to several northern\nEuropean centers, including Burgundy, where he probably painted this portrait.\n The sitter gazes with serious mien, not at the viewer, but at an unseen point beyond\nthe picture's frame. The ornate carpet covering the stone parapet on which his hand\nrests provided scholars with an important clue that led to the discovery of the\nobject of his concentration -- a painting of the Madonna and Child, of similar dimensions,\nin the Gemäldegalerie in Berlin. In that panel a larger portion of the parapet,\ncovered by the same carpet, appears as a support for the Christ Child. It seems\ncertain that the Berlin and Washington panels were originally hinged together to\nform a devotional diptych.\n Circumstantial evidence suggests that the National Gallery's portrait represents\nDiego de Guevara, a nobleman whose family came from Santander in northern Spain.\nFor forty years Don Diego was a valued member of the Habsburg court in Burgundy.\nSupporting this identity is the embroidered cross of the Spanish Order of Calatrava\non his golden doublet; after serving in numerous positions of trust in the households\nof Philip the Fair and Charles V, Don Diego was appointed to the wardenship of that\norder.\n " +p200531 +sa(dp200532 +g25273 +S'drypoint' +p200533 +sg25267 +g27 +sg25275 +S'unknown date\n' +p200534 +sg25268 +S'Harbour Scene' +p200535 +sg25270 +S'Franklin Townsend Morgan' +p200536 +sa(dp200537 +g25273 +S'lithograph' +p200538 +sg25267 +g27 +sg25275 +S'1935' +p200539 +sg25268 +S'Coal Town' +p200540 +sg25270 +S'Barbara Burrage' +p200541 +sa(dp200542 +g25273 +S'etching' +p200543 +sg25267 +g27 +sg25275 +S'1939' +p200544 +sg25268 +S'Two Boys on a Beach #2' +p200545 +sg25270 +S'Paul Cadmus' +p200546 +sa(dp200547 +g25273 +S'drypoint' +p200548 +sg25267 +g27 +sg25275 +S'unknown date\n' +p200549 +sg25268 +S'Whispering Steps - Baghdad' +p200550 +sg25270 +S'Charles William Cain' +p200551 +sa(dp200552 +g25273 +S'drypoint' +p200553 +sg25267 +g27 +sg25275 +S'unknown date\n' +p200554 +sg25268 +S'120 Degrees - Tigris' +p200555 +sg25270 +S'Charles William Cain' +p200556 +sa(dp200557 +g25273 +S'drypoint' +p200558 +sg25267 +g27 +sg25275 +S'unknown date\n' +p200559 +sg25268 +S'Daughters of Israel' +p200560 +sg25270 +S'Charles William Cain' +p200561 +sa(dp200562 +g25273 +S'drypoint' +p200563 +sg25267 +g27 +sg25275 +S'unknown date\n' +p200564 +sg25268 +S'Castle Elizabeth' +p200565 +sg25270 +S'Charles William Cain' +p200566 +sa(dp200567 +g25268 +S'Saint John on the Isle of Patmos' +p200568 +sg25270 +S'Jacques Callot' +p200569 +sg25273 +S'etching and engraving' +p200570 +sg25275 +S'1625' +p200571 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00086/a00086ab.jpg' +p200572 +sg25267 +g27 +sa(dp200573 +g25268 +S'The Holy Family' +p200574 +sg25270 +S'Agnolo Bronzino' +p200575 +sg25273 +S'oil on panel' +p200576 +sg25275 +S'c. 1527/1528' +p200577 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005d1.jpg' +p200578 +sg25267 +S'Once thought to be the work of Pontormo, most scholars now agree this is\r\n an early painting by Bronzino, who apprenticed in Pontormo’s workshop. The\r\n Virgin’s symmetrically oval face resembles Pontormo’s madonnas, but other\r\n elements point to Bronzino’s own emerging style, particularly his use of\r\n large areas of color and his isolation of the figures. Although they are\r\n linked through gesture and gaze, each seems to be framed within an\r\n individual space. The Holy Family almost forms a human still life: the\r\n figures are frozen on the surface, their masklike faces lacking humanity.\r\n Little emotion shows below the hard, smooth paint surface.\n From a distance, we first see a strong linear pattern emerging from the\r\n almost abstract interplay of bright figure shapes and the dark background.\r\n Yet up close, the work’s precision and particularity dominate. Such tension\r\n between abstract composition and intense realism in detail accounts for\r\n much of the “strangeness” detected in mannerist paintings.\n ' +p200579 +sa(dp200580 +g25268 +S'The Annunciation' +p200581 +sg25270 +S'Jacques Callot' +p200582 +sg25273 +S'etching' +p200583 +sg25275 +S'unknown date\n' +p200584 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00087/a0008732.jpg' +p200585 +sg25267 +g27 +sa(dp200586 +g25268 +S'The Fan' +p200587 +sg25270 +S'Jacques Callot' +p200588 +sg25273 +S'etching and engraving' +p200589 +sg25275 +S'1619' +p200590 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008a/a0008ac2.jpg' +p200591 +sg25267 +g27 +sa(dp200592 +g25268 +S'Frontispiece for "The Life of the Virgin"' +p200593 +sg25270 +S'Jacques Callot' +p200594 +sg25273 +S'etching' +p200595 +sg25275 +S'in or after 1630' +p200596 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00088/a000883b.jpg' +p200597 +sg25267 +g27 +sa(dp200598 +g25268 +S'The Birth of the Virgin' +p200599 +sg25270 +S'Jacques Callot' +p200600 +sg25273 +S'etching' +p200601 +sg25275 +S'in or after 1630' +p200602 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00088/a000883c.jpg' +p200603 +sg25267 +g27 +sa(dp200604 +g25268 +S'The Presentation of the Virgin' +p200605 +sg25270 +S'Jacques Callot' +p200606 +sg25273 +S'etching' +p200607 +sg25275 +S'in or after 1630' +p200608 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00088/a0008835.jpg' +p200609 +sg25267 +g27 +sa(dp200610 +g25268 +S'The Marriage of the Virgin' +p200611 +sg25270 +S'Jacques Callot' +p200612 +sg25273 +S'etching' +p200613 +sg25275 +S'in or after 1630' +p200614 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00088/a0008836.jpg' +p200615 +sg25267 +g27 +sa(dp200616 +g25268 +S'The Annunciation' +p200617 +sg25270 +S'Jacques Callot' +p200618 +sg25273 +S'etching' +p200619 +sg25275 +S'in or after 1630' +p200620 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00088/a0008841.jpg' +p200621 +sg25267 +g27 +sa(dp200622 +g25268 +S'The Visitation' +p200623 +sg25270 +S'Jacques Callot' +p200624 +sg25273 +S'etching' +p200625 +sg25275 +S'in or after 1630' +p200626 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00088/a0008842.jpg' +p200627 +sg25267 +g27 +sa(dp200628 +g25268 +S'The Nativity' +p200629 +sg25270 +S'Jacques Callot' +p200630 +sg25273 +S'etching' +p200631 +sg25275 +S'in or after 1630' +p200632 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00088/a0008843.jpg' +p200633 +sg25267 +g27 +sa(dp200634 +g25268 +S'The Adoration of the Magi' +p200635 +sg25270 +S'Jacques Callot' +p200636 +sg25273 +S'etching' +p200637 +sg25275 +S'in or after 1630' +p200638 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00088/a0008833.jpg' +p200639 +sg25267 +g27 +sa(dp200640 +g25268 +S'Saint Lucretia' +p200641 +sg25270 +S'Dosso Dossi' +p200642 +sg25273 +S'oil on panel' +p200643 +sg25275 +S'c. 1520' +p200644 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a00007f7.jpg' +p200645 +sg25267 +g27 +sa(dp200646 +g25268 +S'The Virgin Presents Jesus at the Temple' +p200647 +sg25270 +S'Jacques Callot' +p200648 +sg25273 +S'etching' +p200649 +sg25275 +S'in or after 1630' +p200650 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00088/a0008844.jpg' +p200651 +sg25267 +g27 +sa(dp200652 +g25268 +S'The Flight into Egypt' +p200653 +sg25270 +S'Jacques Callot' +p200654 +sg25273 +S'etching' +p200655 +sg25275 +S'in or after 1630' +p200656 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00088/a0008834.jpg' +p200657 +sg25267 +g27 +sa(dp200658 +g25268 +S'The Death of the Virgin' +p200659 +sg25270 +S'Jacques Callot' +p200660 +sg25273 +S'etching' +p200661 +sg25275 +S'in or after 1630' +p200662 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00088/a0008831.jpg' +p200663 +sg25267 +g27 +sa(dp200664 +g25268 +S'The Burial of the Virgin' +p200665 +sg25270 +S'Jacques Callot' +p200666 +sg25273 +S'etching' +p200667 +sg25275 +S'in or after 1630' +p200668 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00088/a0008832.jpg' +p200669 +sg25267 +g27 +sa(dp200670 +g25268 +S'The Assumption of the Virgin' +p200671 +sg25270 +S'Jacques Callot' +p200672 +sg25273 +S'etching' +p200673 +sg25275 +S'in or after 1630' +p200674 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00088/a000882f.jpg' +p200675 +sg25267 +g27 +sa(dp200676 +g25268 +S'Attributes of the Virgin' +p200677 +sg25270 +S'Jacques Callot' +p200678 +sg25273 +S'etching' +p200679 +sg25275 +S'in or after 1630' +p200680 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00088/a0008830.jpg' +p200681 +sg25267 +g27 +sa(dp200682 +g25268 +S'Title Page for "The Military Exercises"' +p200683 +sg25270 +S'Jacques Callot' +p200684 +sg25273 +S'etching' +p200685 +sg25275 +S'1634/1635' +p200686 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00087/a00087e7.jpg' +p200687 +sg25267 +g27 +sa(dp200688 +g25268 +S'Unarmed Drill' +p200689 +sg25270 +S'Jacques Callot' +p200690 +sg25273 +S'etching' +p200691 +sg25275 +S'1634/1635' +p200692 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00087/a000879f.jpg' +p200693 +sg25267 +g27 +sa(dp200694 +g25268 +S'Drill with Drums' +p200695 +sg25270 +S'Jacques Callot' +p200696 +sg25273 +S'etching' +p200697 +sg25275 +S'1634/1635' +p200698 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00087/a00087a0.jpg' +p200699 +sg25267 +g27 +sa(dp200700 +g25268 +S'Drill with Halberds' +p200701 +sg25270 +S'Jacques Callot' +p200702 +sg25273 +S'etching' +p200703 +sg25275 +S'1634/1635' +p200704 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00087/a000879b.jpg' +p200705 +sg25267 +g27 +sa(dp200706 +g25268 +S'Drill with the Musket' +p200707 +sg25270 +S'Jacques Callot' +p200708 +sg25273 +S'etching' +p200709 +sg25275 +S'1634/1635' +p200710 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00087/a00087b2.jpg' +p200711 +sg25267 +g27 +sa(dp200712 +g25268 +S'Drill with the Musket' +p200713 +sg25270 +S'Jacques Callot' +p200714 +sg25273 +S'etching' +p200715 +sg25275 +S'1634/1635' +p200716 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00087/a00087ab.jpg' +p200717 +sg25267 +g27 +sa(dp200718 +g25268 +S'Drill with Raised Pikes' +p200719 +sg25270 +S'Jacques Callot' +p200720 +sg25273 +S'etching' +p200721 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+g27 +sg25275 +S'1905' +p202055 +sg25268 +S'The Workshop' +p202056 +sg25270 +S'David Young Cameron' +p202057 +sa(dp202058 +g25273 +S'etching and drypoint' +p202059 +sg25267 +g27 +sg25275 +S'1905' +p202060 +sg25268 +S'The Workshop' +p202061 +sg25270 +S'David Young Cameron' +p202062 +sa(dp202063 +g25273 +S'etching and drypoint' +p202064 +sg25267 +g27 +sg25275 +S'1905' +p202065 +sg25268 +S'Sketch in La Roche' +p202066 +sg25270 +S'David Young Cameron' +p202067 +sa(dp202068 +g25273 +S'etching and drypoint' +p202069 +sg25267 +g27 +sg25275 +S'1905' +p202070 +sg25268 +S'Old Saumur' +p202071 +sg25270 +S'David Young Cameron' +p202072 +sa(dp202073 +g25273 +S'etching and drypoint' +p202074 +sg25267 +g27 +sg25275 +S'1905' +p202075 +sg25268 +S'Old Saumur' +p202076 +sg25270 +S'David Young Cameron' +p202077 +sa(dp202078 +g25273 +S'etching and drypoint' +p202079 +sg25267 +g27 +sg25275 +S'1905' +p202080 +sg25268 +S'The Sycamore' +p202081 +sg25270 +S'David Young Cameron' +p202082 +sa(dp202083 +g25268 +S'Byzantine Doorway with Duomo, Rimini' +p202084 +sg25270 +S'John Russell Pope' +p202085 +sg25273 +S'graphite' +p202086 +sg25275 +S'c. 1898' +p202087 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000f1/a000f1e4.jpg' +p202088 +sg25267 +g27 +sa(dp202089 +g25273 +S'etching and drypoint' +p202090 +sg25267 +g27 +sg25275 +S'1905' +p202091 +sg25268 +S'The Avenue' +p202092 +sg25270 +S'David Young Cameron' +p202093 +sa(dp202094 +g25273 +S'etching and drypoint' +p202095 +sg25267 +g27 +sg25275 +S'1905' +p202096 +sg25268 +S'The Tweed at Coldstream' +p202097 +sg25270 +S'David Young Cameron' +p202098 +sa(dp202099 +g25273 +S'etching and drypoint' +p202100 +sg25267 +g27 +sg25275 +S'1903' +p202101 +sg25268 +S'Montivilliers' +p202102 +sg25270 +S'David Young Cameron' +p202103 +sa(dp202104 +g25273 +S'etching and drypoint' +p202105 +sg25267 +g27 +sg25275 +S'1903' +p202106 +sg25268 +S'Montivilliers' +p202107 +sg25270 +S'David Young Cameron' +p202108 +sa(dp202109 +g25273 +S'etching and drypoint' +p202110 +sg25267 +g27 +sg25275 +S'1905' +p202111 +sg25268 +S"Robert Lee's Workshop" +p202112 +sg25270 +S'David Young Cameron' +p202113 +sa(dp202114 +g25273 +S'etching and drypoint' +p202115 +sg25267 +g27 +sg25275 +S'1905' +p202116 +sg25268 +S'Murthly on the Tay' +p202117 +sg25270 +S'David Young Cameron' +p202118 +sa(dp202119 +g25273 +S'etching and drypoint' +p202120 +sg25267 +g27 +sg25275 +S'1905' +p202121 +sg25268 +S'Moray Firth' +p202122 +sg25270 +S'David Young Cameron' +p202123 +sa(dp202124 +g25273 +S'etching and drypoint' +p202125 +sg25267 +g27 +sg25275 +S'1906' +p202126 +sg25268 +S'The Canongate Tolbooth' +p202127 +sg25270 +S'David Young Cameron' +p202128 +sa(dp202129 +g25273 +S'etching and drypoint' +p202130 +sg25267 +g27 +sg25275 +S'1906' +p202131 +sg25268 +S'St. Merri' +p202132 +sg25270 +S'David Young Cameron' +p202133 +sa(dp202134 +g25273 +S'etching and drypoint' +p202135 +sg25267 +g27 +sg25275 +S'1906' +p202136 +sg25268 +S'Pluscarden' +p202137 +sg25270 +S'David Young Cameron' +p202138 +sa(dp202139 +g25268 +S'Sta. Maria della Salute, Venice' +p202140 +sg25270 +S'John Russell Pope' +p202141 +sg25273 +S'graphite' +p202142 +sg25275 +S'c. 1898' +p202143 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000f1/a000f1e3.jpg' +p202144 +sg25267 +g27 +sa(dp202145 +g25273 +S'etching and drypoint' +p202146 +sg25267 +g27 +sg25275 +S'1906' +p202147 +sg25268 +S'Still Waters' +p202148 +sg25270 +S'David Young Cameron' +p202149 +sa(dp202150 +g25273 +S'etching and drypoint' +p202151 +sg25267 +g27 +sg25275 +S'1906' +p202152 +sg25268 +S'Berwick-on-Tweed' +p202153 +sg25270 +S'David Young Cameron' +p202154 +sa(dp202155 +g25273 +S'etching and drypoint' +p202156 +sg25267 +g27 +sg25275 +S'1906' +p202157 +sg25268 +S'Evening on the Garry' +p202158 +sg25270 +S'David Young Cameron' +p202159 +sa(dp202160 +g25273 +S'etching and drypoint' +p202161 +sg25267 +g27 +sg25275 +S'1907' +p202162 +sg25268 +S"Robin Hood's Bay" +p202163 +sg25270 +S'David Young Cameron' +p202164 +sa(dp202165 +g25273 +S'etching and drypoint' +p202166 +sg25267 +g27 +sg25275 +S'1907' +p202167 +sg25268 +S"Robin's Court" +p202168 +sg25270 +S'David Young Cameron' +p202169 +sa(dp202170 +g25273 +S'etching and drypoint' +p202171 +sg25267 +g27 +sg25275 +S'1907' +p202172 +sg25268 +S"Mar's Work, Stirling, No. 2" +p202173 +sg25270 +S'David Young Cameron' +p202174 +sa(dp202175 +g25273 +S'etching and drypoint' +p202176 +sg25267 +g27 +sg25275 +S'1907' +p202177 +sg25268 +S'Old La Roche' +p202178 +sg25270 +S'David Young Cameron' +p202179 +sa(dp202180 +g25273 +S'etching and drypoint' +p202181 +sg25267 +g27 +sg25275 +S'1907' +p202182 +sg25268 +S'A Valley of the Ardennes' +p202183 +sg25270 +S'David Young Cameron' +p202184 +sa(dp202185 +g25273 +S'drypoint' +p202186 +sg25267 +g27 +sg25275 +S'1930' +p202187 +sg25268 +S'House Front, Ypres' +p202188 +sg25270 +S'David Young Cameron' +p202189 +sa(dp202190 +g25273 +S'etching and drypoint' +p202191 +sg25267 +g27 +sg25275 +S'1907' +p202192 +sg25268 +S'On the Ourthe' +p202193 +sg25270 +S'David Young Cameron' +p202194 +sa(dp202195 +g25268 +S'Loggia del Consiglio, Padua' +p202196 +sg25270 +S'John Russell Pope' +p202197 +sg25273 +S'graphite' +p202198 +sg25275 +S'c. 1898' +p202199 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000f1/a000f1ea.jpg' +p202200 +sg25267 +g27 +sa(dp202201 +g25273 +S'etching and drypoint' +p202202 +sg25267 +g27 +sg25275 +S'1907' +p202203 +sg25268 +S'Afterglow (or Evening) on the Findhorn' +p202204 +sg25270 +S'David Young Cameron' +p202205 +sa(dp202206 +g25273 +S'etching' +p202207 +sg25267 +g27 +sg25275 +S'1904' +p202208 +sg25268 +S'Pont Neuf' +p202209 +sg25270 +S'David Young Cameron' +p202210 +sa(dp202211 +g25273 +S'etching and drypoint' +p202212 +sg25267 +g27 +sg25275 +S'1907' +p202213 +sg25268 +S'The Five Sisters, York Minster' +p202214 +sg25270 +S'David Young Cameron' +p202215 +sa(dp202216 +g25273 +S'etching and drypoint' +p202217 +sg25267 +g27 +sg25275 +S'1923' +p202218 +sg25268 +S'Ben Lomond' +p202219 +sg25270 +S'David Young Cameron' +p202220 +sa(dp202221 +g25273 +S'etching' +p202222 +sg25267 +g27 +sg25275 +S'1896' +p202223 +sg25268 +S'Lowland River: An Etching' +p202224 +sg25270 +S'David Young Cameron' +p202225 +sa(dp202226 +g25273 +S'etching' +p202227 +sg25267 +g27 +sg25275 +S'1896' +p202228 +sg25268 +S'Holyrood in 1745' +p202229 +sg25270 +S'David Young Cameron' +p202230 +sa(dp202231 +g25273 +S'etching' +p202232 +sg25267 +g27 +sg25275 +S'1896' +p202233 +sg25268 +S'Holyrood in 1745' +p202234 +sg25270 +S'David Young Cameron' +p202235 +sa(dp202236 +g25273 +S'etching and drypoint' +p202237 +sg25267 +g27 +sg25275 +S'1907' +p202238 +sg25268 +S'Old St. Etienne' +p202239 +sg25270 +S'David Young Cameron' +p202240 +sa(dp202241 +g25273 +S'etching and drypoint' +p202242 +sg25267 +g27 +sg25275 +S'1929' +p202243 +sg25268 +S'Castle Urquhart' +p202244 +sg25270 +S'David Young Cameron' +p202245 +sa(dp202246 +g25273 +S'etching and drypoint' +p202247 +sg25267 +g27 +sg25275 +S'1923' +p202248 +sg25268 +S'Thermae of Caracalla' +p202249 +sg25270 +S'David Young Cameron' +p202250 +sa(dp202251 +g25268 +S'Marchesa Balbi' +p202252 +sg25270 +S'Sir Anthony van Dyck' +p202253 +sg25273 +S'oil on canvas' +p202254 +sg25275 +S'c. 1623' +p202255 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e2b.jpg' +p202256 +sg25267 +S'Marchesa Balbi\n ' +p202257 +sa(dp202258 +g25268 +S'William Vans Murray' +p202259 +sg25270 +S'Mather Brown' +p202260 +sg25273 +S'oil on canvas' +p202261 +sg25275 +S'1787' +p202262 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00000/a000002c.jpg' +p202263 +sg25267 +S'Descended from the Mathers, a family of famous clergymen in colonial \r\n Massachusetts, Mather Brown moved permanently to England in 1781 at the age \r\n of twenty. Under the tutelage of \n Murray studied law in London from 1784 to 1787 before returning to his \r\n farm near Cambridge, Maryland, on the Chesapeake Bay\'s Eastern Shore. He \r\n later served in Congress and as minister to France. In addition to other \r\n prominent Americans abroad, such as Thomas Jefferson, Brown\'s clientele \r\n included members of the royal family.\n This patronage sparked sarcasm from an exasperated, anonymous English \r\n painter: "Mr. West paints for the Court and Mr. Copley for the City. Thus \r\n the artists of America are fostered in England, and to complete the wonder, \r\n a third American, Mr. Brown of the humblest pretences, is chosen portrait \r\n painter to the Duke of York. So much for the Thirteen Stripes—so much for \r\n the Duke of York\'s taste."\n ' +p202264 +sa(dp202265 +g25273 +S'etching and drypoint' +p202266 +sg25267 +g27 +sg25275 +S'1917' +p202267 +sg25268 +S'Old Museum, Beauvais' +p202268 +sg25270 +S'David Young Cameron' +p202269 +sa(dp202270 +g25273 +S'etching' +p202271 +sg25267 +g27 +sg25275 +S'1899' +p202272 +sg25268 +S'Bookplate of Roberta Elliot S. Paterson' +p202273 +sg25270 +S'David Young Cameron' +p202274 +sa(dp202275 +g25273 +S'etching' +p202276 +sg25267 +g27 +sg25275 +S'1895' +p202277 +sg25268 +S'Two Monks' +p202278 +sg25270 +S'David Young Cameron' +p202279 +sa(dp202280 +g25273 +S'drypoint' +p202281 +sg25267 +g27 +sg25275 +S'1917' +p202282 +sg25268 +S'Strathearn' +p202283 +sg25270 +S'David Young Cameron' +p202284 +sa(dp202285 +g25273 +S'etching' +p202286 +sg25267 +g27 +sg25275 +S'1917' +p202287 +sg25268 +S'Maut' +p202288 +sg25270 +S'David Young Cameron' +p202289 +sa(dp202290 +g25273 +S'etching and drypoint' +p202291 +sg25267 +g27 +sg25275 +S'1916' +p202292 +sg25268 +S'Royal Scottish Academy' +p202293 +sg25270 +S'David Young Cameron' +p202294 +sa(dp202295 +g25273 +S'etching and drypoint' +p202296 +sg25267 +g27 +sg25275 +S'1916' +p202297 +sg25268 +S'Royal Scottish Academy' +p202298 +sg25270 +S'David Young Cameron' +p202299 +sa(dp202300 +g25273 +S'drypoint and etching' +p202301 +sg25267 +g27 +sg25275 +S'1915/1929' +p202302 +sg25268 +S'Pap of Glencoe' +p202303 +sg25270 +S'David Young Cameron' +p202304 +sa(dp202305 +g25273 +S'etching and drypoint' +p202306 +sg25267 +g27 +sg25275 +S'1915/1917' +p202307 +sg25268 +S'The Frews' +p202308 +sg25270 +S'David Young Cameron' +p202309 +sa(dp202310 +g25273 +S'etching and drypoint' +p202311 +sg25267 +g27 +sg25275 +S'1915/1930' +p202312 +sg25268 +S"Souvenir d'Amsterdam" +p202313 +sg25270 +S'David Young Cameron' +p202314 +sa(dp202315 +g25268 +S'The Washington Family' +p202316 +sg25270 +S'Edward Savage' +p202317 +sg25273 +S'oil on canvas' +p202318 +sg25275 +S'1789-1796' +p202319 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a0000209.jpg' +p202320 +sg25267 +S"Edward Savage's \n Savage's catalogue states that Washington's uniform and the papers beneath his hand allude to his "Military Character" and "Presidentship" respectively. With a map before her, Martha Washington is "pointing with her fan to the grand avenue," now\r\nknown as Pennsylvania Avenue. A servant overdressed in livery and a supposed vista down the Potomac complete the imaginary scene.\n Savage's self–taught ability to distinguish between satins, gauzes, and laces is nothing short of astonishing. However, the anatomy alternates between wooden and rubbery, and the family strangely avoids eye contact. Despite Savage's lack of experience, his huge \n " +p202321 +sa(dp202322 +g25273 +S'drypoint' +p202323 +sg25267 +g27 +sg25275 +S'1915' +p202324 +sg25268 +S'Dunstaffnage' +p202325 +sg25270 +S'David Young Cameron' +p202326 +sa(dp202327 +g25273 +S'etching and drypoint' +p202328 +sg25267 +g27 +sg25275 +S'1915' +p202329 +sg25268 +S'Hills of Tulloch' +p202330 +sg25270 +S'David Young Cameron' +p202331 +sa(dp202332 +g25273 +S'drypoint and etching' +p202333 +sg25267 +g27 +sg25275 +S'1914' +p202334 +sg25268 +S'Inverlochy' +p202335 +sg25270 +S'David Young Cameron' +p202336 +sa(dp202337 +g25273 +S'drypoint' +p202338 +sg25267 +g27 +sg25275 +S'1914' +p202339 +sg25268 +S'The Cairngorms' +p202340 +sg25270 +S'David Young Cameron' +p202341 +sa(dp202342 +g25273 +S'etching and drypoint' +p202343 +sg25267 +g27 +sg25275 +S'1914' +p202344 +sg25268 +S'Kincardine' +p202345 +sg25270 +S'David Young Cameron' +p202346 +sa(dp202347 +g25273 +S'drypoint' +p202348 +sg25267 +g27 +sg25275 +S'1914' +p202349 +sg25268 +S'The Valley (or "Glencrutten")' +p202350 +sg25270 +S'David Young Cameron' +p202351 +sa(dp202352 +g25273 +S'drypoint' +p202353 +sg25267 +g27 +sg25275 +S'1914' +p202354 +sg25268 +S'Loch-an-Dorb' +p202355 +sg25270 +S'David Young Cameron' +p202356 +sa(dp202357 +g25273 +S'drypoint' +p202358 +sg25267 +g27 +sg25275 +S'1914' +p202359 +sg25268 +S'Shuna' +p202360 +sg25270 +S'David Young Cameron' +p202361 +sa(dp202362 +g25273 +S'etching and drypoint' +p202363 +sg25267 +g27 +sg25275 +S'1914' +p202364 +sg25268 +S'Carselands (or "The Carse")' +p202365 +sg25270 +S'David Young Cameron' +p202366 +sa(dp202367 +g25273 +S'etching and drypoint' +p202368 +sg25267 +g27 +sg25275 +S'1914' +p202369 +sg25268 +S'The Lochan' +p202370 +sg25270 +S'David Young Cameron' +p202371 +sa(dp202372 +g25268 +S'Joseph Coolidge' +p202373 +sg25270 +S'Gilbert Stuart' +p202374 +sg25273 +S'oil on wood' +p202375 +sg25275 +S'1820' +p202376 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a0000230.jpg' +p202377 +sg25267 +g27 +sa(dp202378 +g25273 +S'drypoint' +p202379 +sg25267 +g27 +sg25275 +S'1913' +p202380 +sg25268 +S'Appin Rocks' +p202381 +sg25270 +S'David Young Cameron' +p202382 +sa(dp202383 +g25273 +S'drypoint' +p202384 +sg25267 +g27 +sg25275 +S'1913' +p202385 +sg25268 +S'Appin Rocks' +p202386 +sg25270 +S'David Young Cameron' +p202387 +sa(dp202388 +g25273 +S'etching and drypoint' +p202389 +sg25267 +g27 +sg25275 +S'1913' +p202390 +sg25268 +S'Aquamanile' +p202391 +sg25270 +S'David Young Cameron' +p202392 +sa(dp202393 +g25273 +S'drypoint' +p202394 +sg25267 +g27 +sg25275 +S'1912' +p202395 +sg25268 +S'The Esk' +p202396 +sg25270 +S'David Young Cameron' +p202397 +sa(dp202398 +g25273 +S'drypoint' +p202399 +sg25267 +g27 +sg25275 +S'1912' +p202400 +sg25268 +S'Kerrera, No. II' +p202401 +sg25270 +S'David Young Cameron' +p202402 +sa(dp202403 +g25273 +S'drypoint' +p202404 +sg25267 +g27 +sg25275 +S'1912' +p202405 +sg25268 +S'Kerrera, No. I' +p202406 +sg25270 +S'David Young Cameron' +p202407 +sa(dp202408 +g25273 +S'etching and drypoint' +p202409 +sg25267 +g27 +sg25275 +S'1912' +p202410 +sg25268 +S'The Tay' +p202411 +sg25270 +S'David Young Cameron' +p202412 +sa(dp202413 +g25273 +S'etching and drypoint' +p202414 +sg25267 +g27 +sg25275 +S'1912' +p202415 +sg25268 +S'The Tay' +p202416 +sg25270 +S'David Young Cameron' +p202417 +sa(dp202418 +g25273 +S'drypoint and etching' +p202419 +sg25267 +g27 +sg25275 +S'1912' +p202420 +sg25268 +S'Arran Peaks' +p202421 +sg25270 +S'David Young Cameron' +p202422 +sa(dp202423 +g25273 +S'drypoint' +p202424 +sg25267 +g27 +sg25275 +S'1911' +p202425 +sg25268 +S'Nithsdale' +p202426 +sg25270 +S'David Young Cameron' +p202427 +sa(dp202428 +g25268 +S'Catherine Brass Yates (Mrs. Richard Yates)' +p202429 +sg25270 +S'Gilbert Stuart' +p202430 +sg25273 +S'oil on canvas' +p202431 +sg25275 +S'1793/1794' +p202432 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a0000231.jpg' +p202433 +sg25267 +S"Gilbert Stuart achieved fame as a portrait painter in both England and America. When he returned to America from England in 1793, he found himself in a homeland that was foreign to him. Politically, there was now a United States instead of thirteen separate colonies. Artistically, the fashionable style he had adopted for British and Irish sitters was highly inappropriate for Yankee merchants' forthright tastes.\n Complaining about the literalness required of him in America, Stuart quipped, "In England my efforts were compared with those of Van Dyck, Titian, and other great painters—here they are compared with the works of the Almighty!" The Almighty had given Catherine Yates a bony face and an appraising character, and that is exactly what Stuart had to portray. Not wishing to waste time posing for an artist, this wife of a New York importer industriously attends to her sewing.\n Yet Stuart's brilliant paint manipulation generates a verve few other artists on either side of the Atlantic could have matched. Every passage contains some technical tour de force, employing a variety of thick or thin, opaque or translucent oil paints for the fabrics, needle, thimble, wedding band, flesh, and fingernails. It is little wonder that \n " +p202434 +sa(dp202435 +g25273 +S'drypoint' +p202436 +sg25267 +g27 +sg25275 +S'1912/1930' +p202437 +sg25268 +S'A Queen of Chartres' +p202438 +sg25270 +S'David Young Cameron' +p202439 +sa(dp202440 +g25273 +S'drypoint' +p202441 +sg25267 +g27 +sg25275 +S'1910' +p202442 +sg25268 +S'Ralia' +p202443 +sg25270 +S'David Young Cameron' +p202444 +sa(dp202445 +g25273 +S'etching and drypoint' +p202446 +sg25267 +g27 +sg25275 +S'1910' +p202447 +sg25268 +S'Dunvalanree' +p202448 +sg25270 +S'David Young Cameron' +p202449 +sa(dp202450 +g25273 +S'drypoint' +p202451 +sg25267 +g27 +sg25275 +S'1912' +p202452 +sg25268 +S'Dinnet Moor' +p202453 +sg25270 +S'David Young Cameron' +p202454 +sa(dp202455 +g25273 +S'drypoint' +p202456 +sg25267 +g27 +sg25275 +S'1911' +p202457 +sg25268 +S'Drumadoon' +p202458 +sg25270 +S'David Young Cameron' +p202459 +sa(dp202460 +g25273 +S'etching and drypoint' +p202461 +sg25267 +g27 +sg25275 +S'1911' +p202462 +sg25268 +S'Lunan Bay' +p202463 +sg25270 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drypoint' +p202492 +sg25267 +g27 +sg25275 +S'1911' +p202493 +sg25268 +S'The Wingless Chimera' +p202494 +sg25270 +S'David Young Cameron' +p202495 +sa(dp202496 +g25273 +S'etching' +p202497 +sg25267 +g27 +sg25275 +S'unknown date\n' +p202498 +sg25268 +S'Mull (?)' +p202499 +sg25270 +S'David Young Cameron' +p202500 +sa(dp202501 +g25273 +S'etching and drypoint' +p202502 +sg25267 +g27 +sg25275 +S'1911' +p202503 +sg25268 +S'The Wingless Chimera' +p202504 +sg25270 +S'David Young Cameron' +p202505 +sa(dp202506 +g25273 +S'etching and drypoint' +p202507 +sg25267 +g27 +sg25275 +S'1910' +p202508 +sg25268 +S'The Chimera of Amiens' +p202509 +sg25270 +S'David Young Cameron' +p202510 +sa(dp202511 +g25273 +S'etching and drypoint' +p202512 +sg25267 +g27 +sg25275 +S'1910' +p202513 +sg25268 +S'The Chimera of Amiens' +p202514 +sg25270 +S'David Young Cameron' +p202515 +sa(dp202516 +g25273 +S'etching and drypoint' +p202517 +sg25267 +g27 +sg25275 +S'1910' +p202518 +sg25268 +S'Street in Cairo' +p202519 +sg25270 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+sg25267 +g27 +sa(dp202603 +g25273 +S'etching and drypoint' +p202604 +sg25267 +g27 +sg25275 +S'1914' +p202605 +sg25268 +S'Royal Arms of Scotland' +p202606 +sg25270 +S'David Young Cameron' +p202607 +sa(dp202608 +g25273 +S'etching' +p202609 +sg25267 +g27 +sg25275 +S'unknown date\n' +p202610 +sg25268 +S'Bookplate of Donald Grace (Cameron Swan)' +p202611 +sg25270 +S'David Young Cameron' +p202612 +sa(dp202613 +g25273 +S'etching' +p202614 +sg25267 +g27 +sg25275 +S'1896' +p202615 +sg25268 +S'Une Cour, Rue du Petit Salut, Rouen' +p202616 +sg25270 +S'David Young Cameron' +p202617 +sa(dp202618 +g25273 +S'etching and drypoint' +p202619 +sg25267 +g27 +sg25275 +S'1916' +p202620 +sg25268 +S'St. Aignan, Chartres' +p202621 +sg25270 +S'David Young Cameron' +p202622 +sa(dp202623 +g25273 +S'etching and drypoint' +p202624 +sg25267 +g27 +sg25275 +S'1930' +p202625 +sg25268 +S'Bookplate of Lessing and Edith Rosenwald' +p202626 +sg25270 +S'David Young Cameron' +p202627 +sa(dp202628 +g25273 +S'drypoint and etching' +p202629 +sg25267 +g27 +sg25275 +S'1929/1930' +p202630 +sg25268 +S'Mountain Tarn' +p202631 +sg25270 +S'David Young Cameron' +p202632 +sa(dp202633 +g25273 +S'drypoint' +p202634 +sg25267 +g27 +sg25275 +S'1929/1930' +p202635 +sg25268 +S'Loch Eil' +p202636 +sg25270 +S'David Young Cameron' +p202637 +sa(dp202638 +g25273 +S'etching and drypoint' +p202639 +sg25267 +g27 +sg25275 +S'1929' +p202640 +sg25268 +S'Killundine' +p202641 +sg25270 +S'David Young Cameron' +p202642 +sa(dp202643 +g25273 +S'etching and drypoint' +p202644 +sg25267 +g27 +sg25275 +S'1929' +p202645 +sg25268 +S'Lake of Menteith, No. II' +p202646 +sg25270 +S'David Young Cameron' +p202647 +sa(dp202648 +g25273 +S'etching and drypoint' +p202649 +sg25267 +g27 +sg25275 +S'1928' +p202650 +sg25268 +S'Santa Maria' +p202651 +sg25270 +S'David Young Cameron' +p202652 +sa(dp202653 +g25268 +S'Alexander Hamilton' +p202654 +sg25270 +S'John Trumbull' +p202655 +sg25273 +S'oil on canvas' +p202656 +sg25275 +S'c. 1806' +p202657 +sg25314 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+S'Sound of Kerrera' +p202687 +sg25270 +S'David Young Cameron' +p202688 +sa(dp202689 +g25273 +S'drypoint' +p202690 +sg25267 +g27 +sg25275 +S'1924' +p202691 +sg25268 +S'Loch Ard' +p202692 +sg25270 +S'David Young Cameron' +p202693 +sa(dp202694 +g25273 +S'etching' +p202695 +sg25267 +g27 +sg25275 +S'1925' +p202696 +sg25268 +S'Winchester Cathedral (Interior)' +p202697 +sg25270 +S'David Young Cameron' +p202698 +sa(dp202699 +g25273 +S'pen and black ink with gray wash' +p202700 +sg25267 +g27 +sg25275 +S'unknown date\n' +p202701 +sg25268 +S'Badenoch' +p202702 +sg25270 +S'David Young Cameron' +p202703 +sa(dp202704 +g25273 +S'pen and brown ink with brown wash' +p202705 +sg25267 +g27 +sg25275 +S'unknown date\n' +p202706 +sg25268 +S'A Lowland River' +p202707 +sg25270 +S'David Young Cameron' +p202708 +sa(dp202709 +g25268 +S'John Randolph' +p202710 +sg25270 +S'Gilbert Stuart' +p202711 +sg25273 +S'oil on canvas' +p202712 +sg25275 +S'1804/1805' +p202713 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00002/a0000234.jpg' +p202714 +sg25267 +g27 +sa(dp202715 +g25273 +S'watercolor and graphite' +p202716 +sg25267 +g27 +sg25275 +S'unknown date\n' +p202717 +sg25268 +S'Finnart' +p202718 +sg25270 +S'David Young Cameron' +p202719 +sa(dp202720 +g25273 +S'watercolor and graphite' +p202721 +sg25267 +g27 +sg25275 +S'unknown date\n' +p202722 +sg25268 +S'Falicon' +p202723 +sg25270 +S'David Young Cameron' +p202724 +sa(dp202725 +g25273 +S'watercolor and graphite' +p202726 +sg25267 +g27 +sg25275 +S'unknown date\n' +p202727 +sg25268 +S'Morning in Albyn' +p202728 +sg25270 +S'David Young Cameron' +p202729 +sa(dp202730 +g25273 +S'watercolor and graphite' +p202731 +sg25267 +g27 +sg25275 +S'unknown date\n' +p202732 +sg25268 +S'Glen Lyon - Evening Mist' +p202733 +sg25270 +S'David Young Cameron' +p202734 +sa(dp202735 +g25273 +S'watercolor and pen and brown ink' +p202736 +sg25267 +g27 +sg25275 +S'unknown date\n' +p202737 +sg25268 +S'Floods in Menteith' +p202738 +sg25270 +S'David Young Cameron' +p202739 +sa(dp202740 +g25273 +S'watercolor and graphite' +p202741 +sg25267 +g27 +sg25275 +S'unknown date\n' +p202742 +sg25268 +S'Ben Ledi' +p202743 +sg25270 +S'David Young Cameron' +p202744 +sa(dp202745 +g25273 +S'watercolor and graphite' +p202746 +sg25267 +g27 +sg25275 +S'1926' +p202747 +sg25268 +S'Hills of Ardgour' +p202748 +sg25270 +S'David Young Cameron' +p202749 +sa(dp202750 +g25273 +S'watercolor and graphite' +p202751 +sg25267 +g27 +sg25275 +S'unknown date\n' +p202752 +sg25268 +S'Vale of Forth' +p202753 +sg25270 +S'David Young Cameron' +p202754 +sa(dp202755 +g25273 +S'watercolor, graphite, and pen and black ink' +p202756 +sg25267 +g27 +sg25275 +S'unknown date\n' +p202757 +sg25268 +S'Loch Marie' +p202758 +sg25270 +S'David Young Cameron' +p202759 +sa(dp202760 +g25273 +S'watercolor and graphite on brown paper' +p202761 +sg25267 +g27 +sg25275 +S'unknown date\n' +p202762 +sg25268 +S'Bridge' +p202763 +sg25270 +S'David Young Cameron' +p202764 +sa(dp202765 +g25268 +S'Colonel Guy Johnson and Karonghyontye (Captain David Hill)' +p202766 +sg25270 +S'Benjamin West' +p202767 +sg25273 +S'oil on canvas' +p202768 +sg25275 +S'1776' +p202769 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d45.jpg' +p202770 +sg25267 +S"The British superintendent of northeastern America's six Indian nations, \r\n Guy Johnson commissioned this impressive portrait in 1776 while in London \r\n to secure that royal appointment. Sailing from Canada, Johnson must have \r\n been accompanied by his close friend Karonghyontye, a Mohawk chief who also \r\n went by the English name of David Hill. The alliance between British forces \r\n and several Indian tribes seriously threatened the rebel colonists' chances \r\n of victory during the Revolutionary War.\n For this likeness, Benjamin West devised a complex allegory. To signify \r\n Johnson's role as ambassador to the Indians, his red-coated uniform is \r\n equipped with moccasins, wampum belt, Indian blanket, and Mohawk cap. \r\n Karonghyontye points to a peace pipe, while Johnson grasps a musket. This \r\n suggests that harmony between Europeans and Indians will be maintained at \r\n all costs. The concept of cooperation extends to the background, where an \r\n Indian family gathers peacefully before a British military tent.\n West claimed that Pennsylvania Indians had taught him to mix paints \r\n from berries and clays when he was a child. A notably diplomatic man, he \r\n served George III as a court painter while urging the king to grant \r\n independence to the colonists!\n " +p202771 +sa(dp202772 +g25273 +S'watercolor and graphite' +p202773 +sg25267 +g27 +sg25275 +S'unknown date\n' +p202774 +sg25268 +S'Perthshire Heights' +p202775 +sg25270 +S'David Young Cameron' +p202776 +sa(dp202777 +g25273 +S'watercolor and graphite on tracing paper' +p202778 +sg25267 +g27 +sg25275 +S'1913' +p202779 +sg25268 +S'Loch Ness' +p202780 +sg25270 +S'David Young Cameron' +p202781 +sa(dp202782 +g25273 +S'watercolor and graphite on laid paper' +p202783 +sg25267 +g27 +sg25275 +S'unknown date\n' +p202784 +sg25268 +S'Hills of Ardgour' +p202785 +sg25270 +S'David Young Cameron' +p202786 +sa(dp202787 +g25273 +S'watercolor on laid paper' +p202788 +sg25267 +g27 +sg25275 +S'unknown date\n' +p202789 +sg25268 +S'Loch Syre' +p202790 +sg25270 +S'David Young Cameron' +p202791 +sa(dp202792 +g25273 +S'watercolor and graphite on laid paper' +p202793 +sg25267 +g27 +sg25275 +S'unknown date\n' +p202794 +sg25268 +S'Loch Ard' +p202795 +sg25270 +S'David Young Cameron' +p202796 +sa(dp202797 +g25273 +S'watercolor' +p202798 +sg25267 +g27 +sg25275 +S'probably 1918' +p202799 +sg25268 +S'Seas of Argyll' +p202800 +sg25270 +S'David Young Cameron' +p202801 +sa(dp202802 +g25273 +S'watercolor and black chalk' +p202803 +sg25267 +g27 +sg25275 +S'unknown date\n' +p202804 +sg25268 +S'Balquhidder' +p202805 +sg25270 +S'David Young Cameron' +p202806 +sa(dp202807 +g25273 +S'graphite on laid paper' +p202808 +sg25267 +g27 +sg25275 +S'unknown date\n' +p202809 +sg25268 +S'The Gargoyles, Stirling' +p202810 +sg25270 +S'David Young Cameron' +p202811 +sa(dp202812 +g25273 +S'watercolor and graphite' +p202813 +sg25267 +g27 +sg25275 +S'unknown date\n' +p202814 +sg25268 +S'Nithsdale' +p202815 +sg25270 +S'David Young Cameron' +p202816 +sa(dp202817 +g25273 +S'watercolor and black chalk on laid paper' +p202818 +sg25267 +g27 +sg25275 +S'unknown date\n' +p202819 +sg25268 +S'Castle Urquhart' +p202820 +sg25270 +S'David Young Cameron' +p202821 +sa(dp202822 +g25268 +S'Philip, Lord Wharton' +p202823 +sg25270 +S'Sir Anthony van Dyck' +p202824 +sg25273 +S'oil on canvas' +p202825 +sg25275 +S'1632' +p202826 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002a/a0002aef.jpg' +p202827 +sg25267 +S'Philip, Lord Wharton\n ' +p202828 +sa(dp202829 +g25268 +S'Portrait of a Gentleman' +p202830 +sg25270 +S'Joseph Wright' +p202831 +sg25273 +S'oil on canvas' +p202832 +sg25275 +S'c. 1770-1773' +p202833 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a0000561.jpg' +p202834 +sg25267 +S'This striking portrait is somewhat unorthodox by\r\n eighteenth-century \r\n British standards. Important men seldom were shown with their arms\r\n crossed \r\n over their chests, because that gesture denoted casual nonchalance.\r\n Here, \r\n the informal pose is linked to a setting of the most formal\r\n pretensions—a \r\n massive boulder and stormy sky—normally used to signify a\r\n military \r\n commander in the midst of battle. This extraordinary combination of\r\n relaxation amid grandeur may someday help identify the sitter.\n The painting\'s earliest record dates only to 1916, when it was\r\n sold from \r\n an aristocratic Derbyshire estate as the likeness of an ancestor\r\n "who was a famous admiral." This claim may be inaccurate as this \r\n man is not \r\n wearing a naval uniform. His elegant tailoring is that of a\r\n civilian, and \r\n he toys with a walking stick.\n The detailed attention to realistic texture, such as the felt\r\n tricorn \r\n hat, plush velvet lapels, and soft leather gloves, characterize the\r\n style \r\n and meticulous technique of Joseph Wright of Derby. \r\n Wright\'s \n ' +p202835 +sa(dp202836 +g25273 +S'watercolor and graphite' +p202837 +sg25267 +g27 +sg25275 +S'unknown date\n' +p202838 +sg25268 +S'Ben Grian' +p202839 +sg25270 +S'David Young Cameron' +p202840 +sa(dp202841 +g25273 +S'watercolor and graphite on laid paper' +p202842 +sg25267 +g27 +sg25275 +S'unknown date\n' +p202843 +sg25268 +S'Loch Chon' +p202844 +sg25270 +S'David Young Cameron' +p202845 +sa(dp202846 +g25273 +S'watercolor and graphite on laid paper' +p202847 +sg25267 +g27 +sg25275 +S'unknown date\n' +p202848 +sg25268 +S'Cassel' +p202849 +sg25270 +S'David Young Cameron' +p202850 +sa(dp202851 +g25273 +S'watercolor and graphite on laid paper' +p202852 +sg25267 +g27 +sg25275 +S'unknown date\n' +p202853 +sg25268 +S'The Road to Lens' +p202854 +sg25270 +S'David Young Cameron' +p202855 +sa(dp202856 +g25273 +S'watercolor and graphite on laid paper' +p202857 +sg25267 +g27 +sg25275 +S'unknown date\n' +p202858 +sg25268 +S'Near Cassel' +p202859 +sg25270 +S'David Young Cameron' +p202860 +sa(dp202861 +g25273 +S'watercolor and graphite on laid paper' +p202862 +sg25267 +g27 +sg25275 +S'unknown date\n' +p202863 +sg25268 +S'Berthonval Farm, Vimy' +p202864 +sg25270 +S'David Young Cameron' +p202865 +sa(dp202866 +g25273 +S'watercolor' +p202867 +sg25267 +g27 +sg25275 +S'unknown date\n' +p202868 +sg25268 +S'Under Kemmel Hill' +p202869 +sg25270 +S'David Young Cameron' +p202870 +sa(dp202871 +g25273 +S'watercolor on laid paper' +p202872 +sg25267 +g27 +sg25275 +S'unknown date\n' +p202873 +sg25268 +S'Bapaume' +p202874 +sg25270 +S'David Young Cameron' +p202875 +sa(dp202876 +g25273 +S'watercolor and graphite' +p202877 +sg25267 +g27 +sg25275 +S'unknown date\n' +p202878 +sg25268 +S'On the Vimy to Lens Road' +p202879 +sg25270 +S'David Young Cameron' +p202880 +sa(dp202881 +g25273 +S'watercolor and graphite on laid paper' +p202882 +sg25267 +g27 +sg25275 +S'unknown date\n' +p202883 +sg25268 +S"L'Ablaine, Saint-Nazaire" +p202884 +sg25270 +S'David Young Cameron' +p202885 +sa(dp202886 +g25268 +S'A Young Man in a Large Hat' +p202887 +sg25270 +S'Frans Hals' +p202888 +sg25273 +S'oil on panel' +p202889 +sg25275 +S'1626/1629' +p202890 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e5d.jpg' +p202891 +sg25267 +g27 +sa(dp202892 +g25273 +S'watercolor and graphite on laid paper' +p202893 +sg25267 +g27 +sg25275 +S'unknown date\n' +p202894 +sg25268 +S'Lorette Spur, Winter' +p202895 +sg25270 +S'David Young Cameron' +p202896 +sa(dp202897 +g25273 +S'watercolor and graphite on laid paper' +p202898 +sg25267 +g27 +sg25275 +S'unknown date\n' +p202899 +sg25268 +S'Lens' +p202900 +sg25270 +S'David Young Cameron' +p202901 +sa(dp202902 +g25273 +S'graphite on brown paper' +p202903 +sg25267 +g27 +sg25275 +S'unknown date\n' +p202904 +sg25268 +S'Venetian Palace' +p202905 +sg25270 +S'David Young Cameron' +p202906 +sa(dp202907 +g25273 +S'graphite' +p202908 +sg25267 +g27 +sg25275 +S'unknown date\n' +p202909 +sg25268 +S'On the Tay' +p202910 +sg25270 +S'David Young Cameron' +p202911 +sa(dp202912 +g25273 +S'pen and ink' +p202913 +sg25267 +g27 +sg25275 +S'1888' +p202914 +sg25268 +S'Glasgow Cathedral and Barony Church' +p202915 +sg25270 +S'David Young Cameron' +p202916 +sa(dp202917 +g25273 +S'pen and black ink' +p202918 +sg25267 +g27 +sg25275 +S'1896' +p202919 +sg25268 +S'Vanity' +p202920 +sg25270 +S'David Young Cameron' +p202921 +sa(dp202922 +g25273 +S'pen and black ink' +p202923 +sg25267 +g27 +sg25275 +S'unknown date\n' +p202924 +sg25268 +S'The Butterflies' +p202925 +sg25270 +S'David Young Cameron' +p202926 +sa(dp202927 +g25273 +S'pen and black ink' +p202928 +sg25267 +g27 +sg25275 +S'unknown date\n' +p202929 +sg25268 +S'Bothwell Castle' +p202930 +sg25270 +S'David Young Cameron' +p202931 +sa(dp202932 +g25273 +S'pen and ink with gray wash' +p202933 +sg25267 +g27 +sg25275 +S'unknown date\n' +p202934 +sg25268 +S'Broomielaw, Glasgow' +p202935 +sg25270 +S'David Young Cameron' +p202936 +sa(dp202937 +g25273 +S'pen and black ink' +p202938 +sg25267 +g27 +sg25275 +S'1889' +p202939 +sg25268 +S'Back Court, Trongate' +p202940 +sg25270 +S'David Young Cameron' +p202941 +sa(dp202942 +g25268 +S'Man in Oriental Costume' +p202943 +sg25270 +S'Artist Information (' +p202944 +sg25273 +S'(painter)' +p202945 +sg25275 +S'\n' +p202946 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000ea1.jpg' +p202947 +sg25267 +g27 +sa(dp202948 +g25273 +S'red chalk and graphite' +p202949 +sg25267 +g27 +sg25275 +S'unknown date\n' +p202950 +sg25268 +S'In Kensington Garden' +p202951 +sg25270 +S'David Young Cameron' +p202952 +sa(dp202953 +g25273 +S'charcoal' +p202954 +sg25267 +g27 +sg25275 +S'unknown date\n' +p202955 +sg25268 +S'Mountain Scene' +p202956 +sg25270 +S'David Young Cameron' +p202957 +sa(dp202958 +g25273 +S'black chalk on laid paper' +p202959 +sg25267 +g27 +sg25275 +S'unknown date\n' +p202960 +sg25268 +S'Tuscany Valley' +p202961 +sg25270 +S'David Young Cameron' +p202962 +sa(dp202963 +g25273 +S'watercolor and graphite' +p202964 +sg25267 +g27 +sg25275 +S'unknown date\n' +p202965 +sg25268 +S'Lorn' +p202966 +sg25270 +S'David Young Cameron' +p202967 +sa(dp202968 +g25273 +S'graphite on brown paper' +p202969 +sg25267 +g27 +sg25275 +S'unknown date\n' +p202970 +sg25268 +S'Cliffs' +p202971 +sg25270 +S'David Young Cameron' +p202972 +sa(dp202973 +g25273 +S'watercolor and graphite' +p202974 +sg25267 +g27 +sg25275 +S'unknown date\n' +p202975 +sg25268 +S'Schichallion' +p202976 +sg25270 +S'David Young Cameron' +p202977 +sa(dp202978 +g25273 +S'watercolor and black crayon' +p202979 +sg25267 +g27 +sg25275 +S'unknown date\n' +p202980 +sg25268 +S'Menteith' +p202981 +sg25270 +S'David Young Cameron' +p202982 +sa(dp202983 +g25273 +S'watercolor and graphite' +p202984 +sg25267 +g27 +sg25275 +S'unknown date\n' +p202985 +sg25268 +S'Kemmel' +p202986 +sg25270 +S'David Young Cameron' +p202987 +sa(dp202988 +g25273 +S'graphite, pen and black ink and watercolor' +p202989 +sg25267 +g27 +sg25275 +S'probably c. 1905' +p202990 +sg25268 +S"Robert Lee's Workshop" +p202991 +sg25270 +S'David Young Cameron' +p202992 +sa(dp202993 +g25273 +S'pen and black ink on gray paper' +p202994 +sg25267 +g27 +sg25275 +S'1906' +p202995 +sg25268 +S'Canongate, Tolbooth' +p202996 +sg25270 +S'David Young Cameron' +p202997 +sa(dp202998 +g25268 +S'Portrait of a Flemish Lady' +p202999 +sg25270 +S'Sir Anthony van Dyck' +p203000 +sg25273 +S'oil on canvas' +p203001 +sg25275 +S'probably 1618' +p203002 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e2c.jpg' +p203003 +sg25267 +S'Portrait of a Flemish Lady\n ' +p203004 +sa(dp203005 +g25273 +S'watercolor over graphite' +p203006 +sg25267 +g27 +sg25275 +S'probably 1925/1930' +p203007 +sg25268 +S'The Hills' +p203008 +sg25270 +S'David Young Cameron' +p203009 +sa(dp203010 +g25273 +S'watercolor and graphite' +p203011 +sg25267 +g27 +sg25275 +S'unknown date\n' +p203012 +sg25268 +S'Uplands in Menteith' +p203013 +sg25270 +S'David Young Cameron' +p203014 +sa(dp203015 +g25273 +S'watercolor and graphite' +p203016 +sg25267 +g27 +sg25275 +S'unknown date\n' +p203017 +sg25268 +S'Bens of Mull' +p203018 +sg25270 +S'David Young Cameron' +p203019 +sa(dp203020 +g25273 +S'watercolor and graphite' +p203021 +sg25267 +g27 +sg25275 +S'unknown date\n' +p203022 +sg25268 +S'Winter in Menteith' +p203023 +sg25270 +S'David Young Cameron' +p203024 +sa(dp203025 +g25273 +S'etching' +p203026 +sg25267 +g27 +sg25275 +S'1895' +p203027 +sg25268 +S'Title Page' +p203028 +sg25270 +S'David Young Cameron' +p203029 +sa(dp203030 +g25273 +S'etching' +p203031 +sg25267 +g27 +sg25275 +S'1895' +p203032 +sg25268 +S"Saint Mark's Venice, No. 1" +p203033 +sg25270 +S'David Young Cameron' +p203034 +sa(dp203035 +g25273 +S'etching' +p203036 +sg25267 +g27 +sg25275 +S'1895' +p203037 +sg25268 +S'Veronica' +p203038 +sg25270 +S'David Young Cameron' +p203039 +sa(dp203040 +g25273 +S'etching' +p203041 +sg25267 +g27 +sg25275 +S'1895' +p203042 +sg25268 +S'The Monastery' +p203043 +sg25270 +S'David Young Cameron' +p203044 +sa(dp203045 +g25273 +S'etching' +p203046 +sg25267 +g27 +sg25275 +S'1895' +p203047 +sg25268 +S'A Venetian Convent' +p203048 +sg25270 +S'David Young Cameron' +p203049 +sa(dp203050 +g25273 +S'etching' +p203051 +sg25267 +g27 +sg25275 +S'1895' +p203052 +sg25268 +S'Paolo Salviati' +p203053 +sg25270 +S'David Young Cameron' +p203054 +sa(dp203055 +g25268 +S'Cherubs Playing with a Swan' +p203056 +sg25270 +S'Jean-Baptiste Tuby I' +p203057 +sg25273 +S'lead, traces of gilding' +p203058 +sg25275 +S'1672-1673' +p203059 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00034/a000341b.jpg' +p203060 +sg25267 +S"The fountains in the Garden Courts on the Main Floor of the West Building were originally made for the vast garden laid out for King Louis XIV of France (1638–1715) at his château of Versailles. The one in the East Garden Court, by Pierre Legros I, consists of two cherubs sitting in a shell and together holding a lyre, an attribute of the sun god Apollo, whom Louis XIV took as a symbol. In the West Garden Court sculpture by Jean-Baptist Tuby I, the cherubs wrestle playfully with a swan, another emblem of Apollo. The quiver of arrows in each fountain is an attribute of Cupid, the infant god of love. \n These sculptures were created between 1672 and 1674 for a secluded grove on the grounds of Versailles called the Théâtre d'Eau, shaped as a theater with jets and streams of water as the performers. Four fountains, including the two now in Washington, stood in niches carved into a curving wall of greenery that formed a theater backdrop against a low hill. (The other two, Cherubs with a Griffin by Benoît Massou and Cherubs with a Crayfish by Jacques Houzeau, are lost; the only other sculpture known to survive from the Théâtre d'Eau is the bronze Cupid Drawing an Arrow by Gaspard Marsy, now in the gardens of the Grand Trianon at Versailles). Between these fountains, water cascaded down channels from the top of the hill to spill into pools on the "stage." Lead was the preferred medium for fountain figures because it resists corrosion, takes gilding easily, and can be cast relatively quickly. This was an advantage for a patron like Louis XIV, who wanted many fine sculptures produced in a short time. \n The king and his powerful artistic director, the painter and art theorist Charles Le Brun (1619–1690), intended all the sculptures at Versailles to resemble one another in style. For this reason it may be difficult to distinguish the work of one sculptor from another, except in rare cases where the sculptor managed to maintain an individual style. The names of the Versailles artists are known through old descriptions, prints, guidebooks, and archival documents. In the case of the National Gallery's two fountains, preliminary design drawings by Le Brun have survived. While the sculptures generally follow these, differences suggest the artists were allowed to exert some independence.\n After the death of Louis XIV the Théâtre d'Eau, expensive to maintain, fell into disrepair. The sculptures must have been removed by 1756, when the Théâtre was described as "completely destroyed," with nothing left but the surrounding pathways. The sculptures by Tuby and Legros passed through various private collections—in the twentieth century, reportedly including that of the Grand Duchess Anastasia (cousin of the more famous Anastasia, daughter of Nicholas II, the last czar of Russia), before their acquisition by the A. W. Mellon Educational and Charitable Trust in 1940. Placed in the Garden Courts, the fountains enliven the settings where Gallery visitors can rest and relax, providing the same enjoyment as they did for Louis XIV and his courtiers.\n The sculptor Pierre Legros I, father of another important sculptor also called Pierre, came from the French town of Chartres, renowned for its cathedral. Jean-Baptiste Tuby I, born in Rome but with a French father, was a leading sculptor on the team of artists at Versailles. He became close to the artistic director Le Brun, acquiring some of his paintings and marrying his niece. Tuby's son also became a sculptor.\n " +p203061 +sa(dp203062 +g25273 +S'etching' +p203063 +sg25267 +g27 +sg25275 +S'1894' +p203064 +sg25268 +S"Tintoret's House" +p203065 +sg25270 +S'David Young Cameron' +p203066 +sa(dp203067 +g25273 +S'etching' +p203068 +sg25267 +g27 +sg25275 +S'1894' +p203069 +sg25268 +S'A Venetian Fountain' +p203070 +sg25270 +S'David Young Cameron' +p203071 +sa(dp203072 +g25273 +S'etching' +p203073 +sg25267 +g27 +sg25275 +S'1896' +p203074 +sg25268 +S'Via ai Prati, Genoa' +p203075 +sg25270 +S'David Young Cameron' +p203076 +sa(dp203077 +g25273 +S'etching' +p203078 +sg25267 +g27 +sg25275 +S'1896' +p203079 +sg25268 +S'The Confessional' +p203080 +sg25270 +S'David Young Cameron' +p203081 +sa(dp203082 +g25273 +S'etching' +p203083 +sg25267 +g27 +sg25275 +S'1895' +p203084 +sg25268 +S'San Giorgio Maggiore' +p203085 +sg25270 +S'David Young Cameron' +p203086 +sa(dp203087 +g25273 +S'etching' +p203088 +sg25267 +g27 +sg25275 +S'1896' +p203089 +sg25268 +S'Two Bridges' +p203090 +sg25270 +S'David Young Cameron' +p203091 +sa(dp203092 +g25273 +S'etching' +p203093 +sg25267 +g27 +sg25275 +S'1896' +p203094 +sg25268 +S'The Butterfly' +p203095 +sg25270 +S'David Young Cameron' +p203096 +sa(dp203097 +g25273 +S'etching' +p203098 +sg25267 +g27 +sg25275 +S'1895' +p203099 +sg25268 +S'A Soldier of Italy' +p203100 +sg25270 +S'David Young Cameron' +p203101 +sa(dp203102 +g25273 +S'etching' +p203103 +sg25267 +g27 +sg25275 +S'1896' +p203104 +sg25268 +S'A Lady of Genoa' +p203105 +sg25270 +S'David Young Cameron' +p203106 +sa(dp203107 +g25273 +S'etching' +p203108 +sg25267 +g27 +sg25275 +S'1895' +p203109 +sg25268 +S'Two Monks' +p203110 +sg25270 +S'David Young Cameron' +p203111 +sa(dp203112 +g25268 +S'Cherubs Playing with a Lyre' +p203113 +sg25270 +S'Pierre Legros I' +p203114 +sg25273 +S'lead, traces of gilding' +p203115 +sg25275 +S'1672-1673' +p203116 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002c/a0002c12.jpg' +p203117 +sg25267 +S"The fountains in the Garden Courts on the Main Floor of the West Building were originally made for the vast garden laid out for King Louis XIV of France (1638–1715) at his château of Versailles. The one in the East Garden Court, by Pierre Legros I, consists of two cherubs sitting in a shell and together holding a lyre, an attribute of the sun god Apollo, whom Louis XIV took as a symbol. In the West Garden Court sculpture by Jean-Baptist Tuby I, the cherubs wrestle playfully with a swan, another emblem of Apollo. The quiver of arrows in each fountain is an attribute of Cupid, the infant god of love. \n These sculptures were created between 1672 and 1674 for a secluded grove on the grounds of Versailles called the Théâtre d'Eau, shaped as a theater with jets and streams of water as the performers. Four fountains, including the two now in Washington, stood in niches carved into a curving wall of greenery that formed a theater backdrop against a low hill. (The other two, Cherubs with a Griffin by Benoît Massou and Cherubs with a Crayfish by Jacques Houzeau, are lost; the only other sculpture known to survive from the Théâtre d'Eau is the bronze Cupid Drawing an Arrow by Gaspard Marsy, now in the gardens of the Grand Trianon at Versailles). Between these fountains, water cascaded down channels from the top of the hill to spill into pools on the "stage." Lead was the preferred medium for fountain figures because it resists corrosion, takes gilding easily, and can be cast relatively quickly. This was an advantage for a patron like Louis XIV, who wanted many fine sculptures produced in a short time. \n The king and his powerful artistic director, the painter and art theorist Charles Le Brun (1619–1690), intended all the sculptures at Versailles to resemble one another in style. For this reason it may be difficult to distinguish the work of one sculptor from another, except in rare cases where the sculptor managed to maintain an individual style. The names of the Versailles artists are known through old descriptions, prints, guidebooks, and archival documents. In the case of the National Gallery's two fountains, preliminary design drawings by Le Brun have survived. While the sculptures generally follow these, differences suggest the artists were allowed to exert some independence.\n After the death of Louis XIV the Théâtre d'Eau, expensive to maintain, fell into disrepair. The sculptures must have been removed by 1756, when the Théâtre was described as "completely destroyed," with nothing left but the surrounding pathways. The sculptures by Tuby and Legros passed through various private collections—in the twentieth century, reportedly including that of the Grand Duchess Anastasia (cousin of the more famous Anastasia, daughter of Nicholas II, the last czar of Russia), before their acquisition by the A. W. Mellon Educational and Charitable Trust in 1940. Placed in the Garden Courts, the fountains enliven the settings where Gallery visitors can rest and relax, providing the same enjoyment as they did for Louis XIV and his courtiers.\n The sculptor Pierre Legros I, father of another important sculptor also called Pierre, came from the French town of Chartres, renowned for its cathedral. Jean-Baptiste Tuby I, born in Rome but with a French father, was a leading sculptor on the team of artists at Versailles. He became close to the artistic director Le Brun, acquiring some of his paintings and marrying his niece. Tuby's son also became a sculptor.\n " +p203118 +sa(dp203119 +g25273 +S'etching' +p203120 +sg25267 +g27 +sg25275 +S'1896' +p203121 +sg25268 +S'Church Interior, Venice' +p203122 +sg25270 +S'David Young Cameron' +p203123 +sa(dp203124 +g25273 +S'etching' +p203125 +sg25267 +g27 +sg25275 +S'1896' +p203126 +sg25268 +S'Venice from the Lido' +p203127 +sg25270 +S'David Young Cameron' +p203128 +sa(dp203129 +g25273 +S'etching' +p203130 +sg25267 +g27 +sg25275 +S'1896' +p203131 +sg25268 +S'Sketch of Venice' +p203132 +sg25270 +S'David Young Cameron' +p203133 +sa(dp203134 +g25273 +S'etching' +p203135 +sg25267 +g27 +sg25275 +S'1896' +p203136 +sg25268 +S'Farm Gateway, Campagnetta' +p203137 +sg25270 +S'David Young Cameron' +p203138 +sa(dp203139 +g25273 +S'etching' +p203140 +sg25267 +g27 +sg25275 +S'1894' +p203141 +sg25268 +S'The Bridge of Sighs' +p203142 +sg25270 +S'David Young Cameron' +p203143 +sa(dp203144 +g25273 +S'etching' +p203145 +sg25267 +g27 +sg25275 +S'1895' +p203146 +sg25268 +S'Ponte Vecchio' +p203147 +sg25270 +S'David Young Cameron' +p203148 +sa(dp203149 +g25273 +S'etching' +p203150 +sg25267 +g27 +sg25275 +S'1895' +p203151 +sg25268 +S'The Palace Doorway' +p203152 +sg25270 +S'David Young Cameron' +p203153 +sa(dp203154 +g25273 +S'etching' +p203155 +sg25267 +g27 +sg25275 +S'1896' +p203156 +sg25268 +S'Porta del Molo, Genoa, No. 2' +p203157 +sg25270 +S'David Young Cameron' +p203158 +sa(dp203159 +g25273 +S'etching' +p203160 +sg25267 +g27 +sg25275 +S'1896' +p203161 +sg25268 +S'The Wine Farm' +p203162 +sg25270 +S'David Young Cameron' +p203163 +sa(dp203164 +g25273 +S'etching' +p203165 +sg25267 +g27 +sg25275 +S'1896' +p203166 +sg25268 +S'Pastoral' +p203167 +sg25270 +S'David Young Cameron' +p203168 +sa(dp203169 +g25268 +S'The Maas at Dordrecht' +p203170 +sg25270 +S'Aelbert Cuyp' +p203171 +sg25273 +S'oil on canvas' +p203172 +sg25275 +S'c. 1650' +p203173 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e4c.jpg' +p203174 +sg25267 +S"Cuyp's masterful depiction of Dordrecht differs extensively from Jan van Goyen's \n Cuyp was probably commissioned to represent an event that occurred during the summer of 1646. At that time an enormous fleet of ships carrying thirty thousand soldiers was anchored at Dordrecht; presumably for symbolic purposes rather than for specific military ones as peace was finally at hand. The Treaty of Münster, which ended all hostilities with Spain and created an independent Dutch nation, was signed only two years later.\n " +p203175 +sa(dp203176 +g25273 +S'etching' +p203177 +sg25267 +g27 +sg25275 +S'1896' +p203178 +sg25268 +S'Landscape with Trees' +p203179 +sg25270 +S'David Young Cameron' +p203180 +sa(dp203181 +g25273 +S'etching' +p203182 +sg25267 +g27 +sg25275 +S'1895' +p203183 +sg25268 +S'Portfolio Label-Design' +p203184 +sg25270 +S'David Young Cameron' +p203185 +sa(dp203186 +g25273 +S'etching' +p203187 +sg25267 +g27 +sg25275 +S'1892' +p203188 +sg25268 +S'The Dolphins' +p203189 +sg25270 +S'David Young Cameron' +p203190 +sa(dp203191 +g25273 +S'etching' +p203192 +sg25267 +g27 +sg25275 +S'1892' +p203193 +sg25268 +S'Zaandam Windmills' +p203194 +sg25270 +S'David Young Cameron' +p203195 +sa(dp203196 +g25273 +S'etching' +p203197 +sg25267 +g27 +sg25275 +S'1892' +p203198 +sg25268 +S'Oude Kerk, Amsterdam' +p203199 +sg25270 +S'David Young Cameron' +p203200 +sa(dp203201 +g25273 +S'etching' +p203202 +sg25267 +g27 +sg25275 +S'1892' +p203203 +sg25268 +S'Storm: Sundown' +p203204 +sg25270 +S'David Young Cameron' +p203205 +sa(dp203206 +g25273 +S'etching' +p203207 +sg25267 +g27 +sg25275 +S'1892' +p203208 +sg25268 +S'The Rokin' +p203209 +sg25270 +S'David Young Cameron' +p203210 +sa(dp203211 +g25273 +S'etching' +p203212 +sg25267 +g27 +sg25275 +S'1892' +p203213 +sg25268 +S'Van der Deevilij' +p203214 +sg25270 +S'David Young Cameron' +p203215 +sa(dp203216 +g25273 +S'etching' +p203217 +sg25267 +g27 +sg25275 +S'c. 1634' +p203218 +sg25268 +S'Self-Portrait Wearing a Soft Cap: Full Face, Head Only' +p203219 +sg25270 +S'Rembrandt van Rijn' +p203220 +sa(dp203221 +g25273 +S'etching' +p203222 +sg25267 +g27 +sg25275 +S'1892' +p203223 +sg25268 +S'The Arch' +p203224 +sg25270 +S'David Young Cameron' +p203225 +sa(dp203226 +g25268 +S'Monumental Urn' +p203227 +sg25270 +S'Clodion' +p203228 +sg25273 +S'marble' +p203229 +sg25275 +S'1782' +p203230 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a000558c.jpg' +p203231 +sg25267 +S"Clodion is best known today and was most celebrated in the eighteenth \r\n century for works of vivacity and charm. The relief panels decorating these \r\n urns, one of which is illustrated here, are typical of his engaging \r\n subjects: satyr families tussle and frolic in bucolic settings, playing \r\n music, and riding seesaws. The scenes on the urns include some of Clodion's \r\n most popular vignettes, which he copied many times in terracotta \r\n (including a plaque often on view in the downstairs sculpture galleries) \r\n and other media, and which are even found as gilded decorations on \r\n furniture. Clodion had an active workshop and was so busy that he failed \r\n even to complete the masterpiece for his admission to the French Academy. \r\n Probably the urns were carved not by Clodion himself, but by workshop \r\n assistants following terracotta models provided by the master, a common \r\n procedure in the eighteenth and nineteenth centuries.\n One of Clodion's most beautiful carvings, a Vestal Virgin made for the \r\n Russian empress Catherine the Great, can be seen in the ground-floor \r\n galleries. This solemn and heavily draped figure contrasts with the \r\n playfully sensuous figure style on these urns.\n " +p203232 +sa(dp203233 +g25273 +S'etching' +p203234 +sg25267 +g27 +sg25275 +S'1892' +p203235 +sg25268 +S"Van Og's Houtkoperij" +p203236 +sg25270 +S'David Young Cameron' +p203237 +sa(dp203238 +g25273 +S'etching' +p203239 +sg25267 +g27 +sg25275 +S'1892' +p203240 +sg25268 +S'Alkmaar' +p203241 +sg25270 +S'David Young Cameron' +p203242 +sa(dp203243 +g25273 +S'etching' +p203244 +sg25267 +g27 +sg25275 +S'1892' +p203245 +sg25268 +S'A Dutch Damsel' +p203246 +sg25270 +S'David Young Cameron' +p203247 +sa(dp203248 +g25273 +S'etching' +p203249 +sg25267 +g27 +sg25275 +S'1892' +p203250 +sg25268 +S'The Market Boat' +p203251 +sg25270 +S'David Young Cameron' +p203252 +sa(dp203253 +g25273 +S'etching' +p203254 +sg25267 +g27 +sg25275 +S'1892' +p203255 +sg25268 +S'A Canal: Amsterdam' +p203256 +sg25270 +S'David Young Cameron' +p203257 +sa(dp203258 +g25273 +S'etching' +p203259 +sg25267 +g27 +sg25275 +S'1892' +p203260 +sg25268 +S'Jan' +p203261 +sg25270 +S'David Young Cameron' +p203262 +sa(dp203263 +g25273 +S'etching' +p203264 +sg25267 +g27 +sg25275 +S'1892' +p203265 +sg25268 +S'A Dutch Farm' +p203266 +sg25270 +S'David Young Cameron' +p203267 +sa(dp203268 +g25273 +S'etching' +p203269 +sg25267 +g27 +sg25275 +S'1892' +p203270 +sg25268 +S'The Flower Market' +p203271 +sg25270 +S'David Young Cameron' +p203272 +sa(dp203273 +g25273 +S'etching' +p203274 +sg25267 +g27 +sg25275 +S'1892' +p203275 +sg25268 +S'The Windmill' +p203276 +sg25270 +S'David Young Cameron' +p203277 +sa(dp203278 +g25273 +S'etching' +p203279 +sg25267 +g27 +sg25275 +S'1892' +p203280 +sg25268 +S'Fisher Folk' +p203281 +sg25270 +S'David Young Cameron' +p203282 +sa(dp203283 +g25268 +S'Monumental Urn' +p203284 +sg25270 +S'Clodion' +p203285 +sg25273 +S'marble' +p203286 +sg25275 +S'1782' +p203287 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00055/a000558b.jpg' +p203288 +sg25267 +g27 +sa(dp203289 +g25273 +S'etching' +p203290 +sg25267 +g27 +sg25275 +S'1892' +p203291 +sg25268 +S'Dutch Interior' +p203292 +sg25270 +S'David Young Cameron' +p203293 +sa(dp203294 +g25273 +S'etching' +p203295 +sg25267 +g27 +sg25275 +S'1892' +p203296 +sg25268 +S'A Lady of Holland' +p203297 +sg25270 +S'David Young Cameron' +p203298 +sa(dp203299 +g25273 +S'etching' +p203300 +sg25267 +g27 +sg25275 +S'1892' +p203301 +sg25268 +S'Tabak en Sigaren' +p203302 +sg25270 +S'David Young Cameron' +p203303 +sa(dp203304 +g25273 +S'etching' +p203305 +sg25267 +g27 +sg25275 +S'1892' +p203306 +sg25268 +S'Waves' +p203307 +sg25270 +S'David Young Cameron' +p203308 +sa(dp203309 +g25273 +S'etching and drypoint' +p203310 +sg25267 +g27 +sg25275 +S'1907' +p203311 +sg25268 +S'The Gateway of Bruges' +p203312 +sg25270 +S'David Young Cameron' +p203313 +sa(dp203314 +g25273 +S'etching and drypoint' +p203315 +sg25267 +g27 +sg25275 +S'1907' +p203316 +sg25268 +S'336 La Roche' +p203317 +sg25270 +S'David Young Cameron' +p203318 +sa(dp203319 +g25273 +S'etching and drypoint' +p203320 +sg25267 +g27 +sg25275 +S'1907' +p203321 +sg25268 +S'La Maison Noire, Bruges' +p203322 +sg25270 +S'David Young Cameron' +p203323 +sa(dp203324 +g25273 +S'etching and drypoint' +p203325 +sg25267 +g27 +sg25275 +S'1907' +p203326 +sg25268 +S'The Meuse' +p203327 +sg25270 +S'David Young Cameron' +p203328 +sa(dp203329 +g25273 +S'etching and drypoint' +p203330 +sg25267 +g27 +sg25275 +S'1907' +p203331 +sg25268 +S'Damme' +p203332 +sg25270 +S'David Young Cameron' +p203333 +sa(dp203334 +g25273 +S'etching and drypoint' +p203335 +sg25267 +g27 +sg25275 +S'1907' +p203336 +sg25268 +S'The Belfry of Bruges' +p203337 +sg25270 +S'David Young Cameron' +p203338 +sa(dp203339 +g25268 +S'Virtus Combusta: An Allegory of Virtue' +p203340 +sg25270 +S'Artist Information (' +p203341 +sg25273 +S'Italian, c. 1431 - 1506' +p203342 +sg25275 +S'(related artist)' +p203343 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c7a9.jpg' +p203344 +sg25267 +g27 +sa(dp203345 +g25273 +S'etching and drypoint' +p203346 +sg25267 +g27 +sg25275 +S'1907' +p203347 +sg25268 +S'Old La Roche' +p203348 +sg25270 +S'David Young Cameron' +p203349 +sa(dp203350 +g25273 +S'etching and drypoint' +p203351 +sg25267 +g27 +sg25275 +S'1907' +p203352 +sg25268 +S'Notre Dame, Dinant' +p203353 +sg25270 +S'David Young Cameron' +p203354 +sa(dp203355 +g25273 +S'etching and drypoint' +p203356 +sg25267 +g27 +sg25275 +S'1907' +p203357 +sg25268 +S'Dinant' +p203358 +sg25270 +S'David Young Cameron' +p203359 +sa(dp203360 +g25273 +S'etching and drypoint' +p203361 +sg25267 +g27 +sg25275 +S'1907' +p203362 +sg25268 +S'A Valley of the Ardennes' +p203363 +sg25270 +S'David Young Cameron' +p203364 +sa(dp203365 +g25273 +S'etching and drypoint' +p203366 +sg25267 +g27 +sg25275 +S'1899' +p203367 +sg25268 +S'Custom House' +p203368 +sg25270 +S'David Young Cameron' +p203369 +sa(dp203370 +g25273 +S'etching and drypoint' +p203371 +sg25267 +g27 +sg25275 +S'1899' +p203372 +sg25268 +S'Waterloo Place' +p203373 +sg25270 +S'David Young Cameron' +p203374 +sa(dp203375 +g25273 +S'etching and drypoint' +p203376 +sg25267 +g27 +sg25275 +S'1899' +p203377 +sg25268 +S'The Tower' +p203378 +sg25270 +S'David Young Cameron' +p203379 +sa(dp203380 +g25273 +S'etching' +p203381 +sg25267 +g27 +sg25275 +S'1899' +p203382 +sg25268 +S'The Horse Guards' +p203383 +sg25270 +S'David Young Cameron' +p203384 +sa(dp203385 +g25273 +S'etching' +p203386 +sg25267 +g27 +sg25275 +S'1899' +p203387 +sg25268 +S'The Admiralty' +p203388 +sg25270 +S'David Young Cameron' +p203389 +sa(dp203390 +g25273 +S'etching' +p203391 +sg25267 +g27 +sg25275 +S'1899' +p203392 +sg25268 +S'Downing Street' +p203393 +sg25270 +S'David Young Cameron' +p203394 +sa(dp203395 +g25268 +S'Henry, Duke of Gloucester' +p203396 +sg25270 +S'Adriaen Hanneman' +p203397 +sg25273 +S'oil on canvas' +p203398 +sg25275 +S'c. 1653' +p203399 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0002a/a0002af7.jpg' +p203400 +sg25267 +g27 +sa(dp203401 +g25268 +S'Talia (Thalia)' +p203402 +sg25270 +S'Master of the E-Series Tarocchi' +p203403 +sg25273 +S'engraving with traces of gilding' +p203404 +sg25275 +S'c. 1465' +p203405 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6de.jpg' +p203406 +sg25267 +g27 +sa(dp203407 +g25273 +S'etching' +p203408 +sg25267 +g27 +sg25275 +S'1899' +p203409 +sg25268 +S'Waterloo Bridge, No. 2' +p203410 +sg25270 +S'David Young Cameron' +p203411 +sa(dp203412 +g25273 +S'etching' +p203413 +sg25267 +g27 +sg25275 +S'1899' +p203414 +sg25268 +S"Queen Anne's Gate" +p203415 +sg25270 +S'David Young Cameron' +p203416 +sa(dp203417 +g25273 +S'etching and drypoint' +p203418 +sg25267 +g27 +sg25275 +S'1899' +p203419 +sg25268 +S"Henry the Seventh's Chapel" +p203420 +sg25270 +S'David Young Cameron' +p203421 +sa(dp203422 +g25273 +S'etching and drypoint' +p203423 +sg25267 +g27 +sg25275 +S'1899' +p203424 +sg25268 +S"St. Paul's from the Thames" +p203425 +sg25270 +S'David Young Cameron' +p203426 +sa(dp203427 +g25273 +S'etching' +p203428 +sg25267 +g27 +sg25275 +S'1899' +p203429 +sg25268 +S'Newgate' +p203430 +sg25270 +S'David Young Cameron' +p203431 +sa(dp203432 +g25273 +S'etching' +p203433 +sg25267 +g27 +sg25275 +S'1899' +p203434 +sg25268 +S"St. George's, Hanover Square" +p203435 +sg25270 +S'David Young Cameron' +p203436 +sa(dp203437 +g25273 +S'etching' +p203438 +sg25267 +g27 +sg25275 +S'1889' +p203439 +sg25268 +S'The Source of the Clyde' +p203440 +sg25270 +S'David Young Cameron' +p203441 +sa(dp203442 +g25273 +S'etching' +p203443 +sg25267 +g27 +sg25275 +S'1889' +p203444 +sg25268 +S'Upper Clyde Valley' +p203445 +sg25270 +S'David Young Cameron' +p203446 +sa(dp203447 +g25273 +S'etching' +p203448 +sg25267 +g27 +sg25275 +S'1889' +p203449 +sg25268 +S'The Clyde at Symington' +p203450 +sg25270 +S'David Young Cameron' +p203451 +sa(dp203452 +g25273 +S'etching' +p203453 +sg25267 +g27 +sg25275 +S'1889' +p203454 +sg25268 +S'Tillietudlem' +p203455 +sg25270 +S'David Young Cameron' +p203456 +sa(dp203457 +g25268 +S'Apollo' +p203458 +sg25270 +S'Master of the E-Series Tarocchi' +p203459 +sg25273 +S'engraving with gilding' +p203460 +sg25275 +S'c. 1465' +p203461 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6e4.jpg' +p203462 +sg25267 +g27 +sa(dp203463 +g25273 +S'etching' +p203464 +sg25267 +g27 +sg25275 +S'1889' +p203465 +sg25268 +S'Bothwell' +p203466 +sg25270 +S'David Young Cameron' +p203467 +sa(dp203468 +g25273 +S'etching' +p203469 +sg25267 +g27 +sg25275 +S'1889' +p203470 +sg25268 +S'Albert, Railway, and Victoria Bridges' +p203471 +sg25270 +S'David Young Cameron' +p203472 +sa(dp203473 +g25273 +S'etching' +p203474 +sg25267 +g27 +sg25275 +S'1889' +p203475 +sg25268 +S'Glasgow Cathedral' +p203476 +sg25270 +S'David Young Cameron' +p203477 +sa(dp203478 +g25273 +S'etching' +p203479 +sg25267 +g27 +sg25275 +S'1889' +p203480 +sg25268 +S'Glasgow Harbor' +p203481 +sg25270 +S'David Young Cameron' +p203482 +sa(dp203483 +g25273 +S'etching' +p203484 +sg25267 +g27 +sg25275 +S'1889' +p203485 +sg25268 +S'Broomielaw and Railway Bridges' +p203486 +sg25270 +S'David Young Cameron' +p203487 +sa(dp203488 +g25273 +S'etching' +p203489 +sg25267 +g27 +sg25275 +S'1889' +p203490 +sg25268 +S'The Clyde at Govan' +p203491 +sg25270 +S'David Young Cameron' +p203492 +sa(dp203493 +g25273 +S'etching' +p203494 +sg25267 +g27 +sg25275 +S'1889' +p203495 +sg25268 +S'Dumbarton' +p203496 +sg25270 +S'David Young Cameron' +p203497 +sa(dp203498 +g25273 +S'etching' +p203499 +sg25267 +g27 +sg25275 +S'1889' +p203500 +sg25268 +S'Clyde at Cardross' +p203501 +sg25270 +S'David Young Cameron' +p203502 +sa(dp203503 +g25273 +S'etching' +p203504 +sg25267 +g27 +sg25275 +S'1889' +p203505 +sg25268 +S'Greenock, No. I' +p203506 +sg25270 +S'David Young Cameron' +p203507 +sa(dp203508 +g25273 +S'etching' +p203509 +sg25267 +g27 +sg25275 +S'1889' +p203510 +sg25268 +S'Arran' +p203511 +sg25270 +S'David Young Cameron' +p203512 +sa(dp203513 +g25268 +S'Apollo and Diana' +p203514 +sg25270 +S"Jacopo de' Barbari" +p203515 +sg25273 +S'engraving' +p203516 +sg25275 +S'c. 1503' +p203517 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c79c.jpg' +p203518 +sg25267 +g27 +sa(dp203519 +g25273 +S'etching' +p203520 +sg25267 +g27 +sg25275 +S'1889' +p203521 +sg25268 +S'Loch Ranza' +p203522 +sg25270 +S'David Young Cameron' +p203523 +sa(dp203524 +g25273 +S'etching' +p203525 +sg25267 +g27 +sg25275 +S'1889' +p203526 +sg25268 +S'Sound of Kilbrannan and Entrance to Loch Fyne' +p203527 +sg25270 +S'David Young Cameron' +p203528 +sa(dp203529 +g25273 +S'etching' +p203530 +sg25267 +g27 +sg25275 +S'1889' +p203531 +sg25268 +S'Ardrossan' +p203532 +sg25270 +S'David Young Cameron' +p203533 +sa(dp203534 +g25273 +S'etching' +p203535 +sg25267 +g27 +sg25275 +S'1889' +p203536 +sg25268 +S'Ayr' +p203537 +sg25270 +S'David Young Cameron' +p203538 +sa(dp203539 +g25273 +S'etching' +p203540 +sg25267 +g27 +sg25275 +S'1889' +p203541 +sg25268 +S'Culzean Castle' +p203542 +sg25270 +S'David Young Cameron' +p203543 +sa(dp203544 +g25273 +S'etching' +p203545 +sg25267 +g27 +sg25275 +S'1889' +p203546 +sg25268 +S'Ailsa' 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The inclusion of a\nhunting dog was quite common in portraits of aristocrats, and the gold chains are\na usual sign of honor. The suggestion of a military identification is enhanced\nby the gesture of his hand fisted at his waist, and the standing, three-quarter-length\npose was generally used by Mor in his paintings of aristocrats as opposed to the\nmore informal poses he used in his likenesses of middle-class subjects.\n The most likely precedent for this painting is the \n The deft handling of paint and the astute psychological presentation clearly demonstrate\nwhy Mor was such a sought-after portraitist during the sixteenth century, anticipating\nthe achievements of the great portraitist of the aristocracy in the following century,\nAnthony van Dyck.\n ' +p203982 +sa(dp203983 +g25268 +S'Two Children Wearing Helmets' +p203984 +sg25270 +S'Artist Information (' +p203985 +sg25273 +S'(artist)' +p203986 +sg25275 +S'\n' +p203987 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c7c2.jpg' +p203988 +sg25267 +g27 +sa(dp203989 +g25268 +S'Jesus Preaching in the Temple' +p203990 +sg25270 +S'Artist Information (' +p203991 +sg25273 +S'German, active c. 1523/1530' +p203992 +sg25275 +S'(artist after)' +p203993 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ac/a000acfb.jpg' +p203994 +sg25267 +g27 +sa(dp203995 +g25268 +S'The Triumph of Love' +p203996 +sg25270 +S'Georg Pencz' +p203997 +sg25273 +S'engraving' +p203998 +sg25275 +S'unknown date\n' +p203999 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ad/a000ad67.jpg' +p204000 +sg25267 +g27 +sa(dp204001 +g25268 +S'The Triumph of Chastity' +p204002 +sg25270 +S'Georg Pencz' +p204003 +sg25273 +S'engraving' +p204004 +sg25275 +S'unknown date\n' +p204005 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ad/a000ad6c.jpg' +p204006 +sg25267 +g27 +sa(dp204007 +g25268 +S'The Triumph of Fame' +p204008 +sg25270 +S'Georg Pencz' +p204009 +sg25273 +S'engraving' +p204010 +sg25275 +S'unknown date\n' +p204011 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ad/a000ad6b.jpg' +p204012 +sg25267 +g27 +sa(dp204013 +g25268 +S'The Triumph of Time' +p204014 +sg25270 +S'Georg Pencz' +p204015 +sg25273 +S'engraving' +p204016 +sg25275 +S'unknown date\n' +p204017 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ad/a000ad6a.jpg' +p204018 +sg25267 +g27 +sa(dp204019 +g25268 +S'The Triumph of Death' +p204020 +sg25270 +S'Georg Pencz' +p204021 +sg25273 +S'engraving' +p204022 +sg25275 +S'unknown date\n' +p204023 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ad/a000ad69.jpg' +p204024 +sg25267 +g27 +sa(dp204025 +g25268 +S'The Triumph of Eternity' +p204026 +sg25270 +S'Georg Pencz' +p204027 +sg25273 +S'engraving' +p204028 +sg25275 +S'unknown date\n' +p204029 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ad/a000ad68.jpg' +p204030 +sg25267 +g27 +sa(dp204031 +g25268 +S'Saint Jerome' +p204032 +sg25270 +S'Giulio Carpioni' +p204033 +sg25273 +S'etching' +p204034 +sg25275 +S'unknown date\n' +p204035 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c960.jpg' +p204036 +sg25267 +g27 +sa(dp204037 +g25268 +S'Sleep' +p204038 +sg25270 +S'Eug\xc3\xa8ne Carri\xc3\xa8re' +p204039 +sg25273 +S'lithograph' +p204040 +sg25275 +S'1897' +p204041 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005f/a0005f97.jpg' +p204042 +sg25267 +g27 +sa(dp204043 +g25268 +S'Paul Verlaine' +p204044 +sg25270 +S'Eug\xc3\xa8ne Carri\xc3\xa8re' +p204045 +sg25273 +S'lithograph' +p204046 +sg25275 +S'unknown date\n' +p204047 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009f12.jpg' +p204048 +sg25267 +g27 +sa(dp204049 +g25268 +S'Nereid Ridden by Two Children' +p204050 +sg25270 +S'Artist Information (' +p204051 +sg25273 +S'(artist)' +p204052 +sg25275 +S'\n' +p204053 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c7c1.jpg' +p204054 +sg25267 +g27 +sa(dp204055 +g25268 +S'The Bath' +p204056 +sg25270 +S'Mary Cassatt' +p204057 +sg25273 +S'drypoint and soft-ground etching in black, yellow, and blue' +p204058 +sg25275 +S'c. 1891' +p204059 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a39.jpg' +p204060 +sg25267 +g27 +sa(dp204061 +g25268 +S'The Bath' +p204062 +sg25270 +S'Mary Cassatt' +p204063 +sg25273 +S'drypoint and soft-ground etching' +p204064 +sg25275 +S'c. 1891' +p204065 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fa3d.jpg' +p204066 +sg25267 +g27 +sa(dp204067 +g25268 +S'The Bath' +p204068 +sg25270 +S'Mary Cassatt' +p204069 +sg25273 +S'drypoint and soft-ground etching' +p204070 +sg25275 +S'c. 1891' +p204071 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fa3e.jpg' +p204072 +sg25267 +g27 +sa(dp204073 +g25268 +S'The Bath' +p204074 +sg25270 +S'Mary Cassatt' +p204075 +sg25273 +S'drypoint and soft-ground etching in black and yellow' +p204076 +sg25275 +S'c. 1891' +p204077 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fa3c.jpg' +p204078 +sg25267 +g27 +sa(dp204079 +g25268 +S'The Bath' +p204080 +sg25270 +S'Mary Cassatt' +p204081 +sg25273 +S'drypoint and soft-ground etching in yellow, black, and sanguine' +p204082 +sg25275 +S'c. 1891' +p204083 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fa3b.jpg' +p204084 +sg25267 +g27 +sa(dp204085 +g25268 +S'The Bath' +p204086 +sg25270 +S'Mary Cassatt' +p204087 +sg25273 +S'drypoint and soft-ground etching in yellow, black, and sanguine' +p204088 +sg25275 +S'c. 1891' +p204089 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a3a.jpg' +p204090 +sg25267 +g27 +sa(dp204091 +g25268 +S'The Bath' +p204092 +sg25270 +S'Mary Cassatt' +p204093 +sg25273 +S'drypoint and soft-ground etching in yellow, blue, black, and sanguine' +p204094 +sg25275 +S'c. 1891' +p204095 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a3b.jpg' +p204096 +sg25267 +g27 +sa(dp204097 +g25268 +S'Afternoon Tea Party' +p204098 +sg25270 +S'Mary Cassatt' +p204099 +sg25273 +S'drypoint and aquatint in black, gray, and yellow (flesh tones) on wove paper' +p204100 +sg25275 +S'1890/1891' +p204101 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a3c.jpg' +p204102 +sg25267 +g27 +sa(dp204103 +g25268 +S'Afternoon Tea Party' +p204104 +sg25270 +S'Mary Cassatt' +p204105 +sg25273 +S'color drypoint and aquatint on laid paper' +p204106 +sg25275 +S'1890/1891' +p204107 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a3d.jpg' +p204108 +sg25267 +g27 +sa(dp204109 +g25268 +S'Afternoon Tea Party' +p204110 +sg25270 +S'Mary Cassatt' +p204111 +sg25273 +S'color drypoint and aquatint' +p204112 +sg25275 +S'1890/1891' +p204113 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fa4a.jpg' +p204114 +sg25267 +g27 +sa(dp204115 +g25268 +S'Virgin and Child Enthroned with Saint Anne' +p204116 +sg25270 +S'Master NA.DAT with the Mousetrap' +p204117 +sg25273 +S'engraving' +p204118 +sg25275 +S'c. 1512/1513' +p204119 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c752.jpg' +p204120 +sg25267 +g27 +sa(dp204121 +g25268 +S'The Coiffure' +p204122 +sg25270 +S'Mary Cassatt' +p204123 +sg25273 +S'drypoint and soft-ground etching in color' +p204124 +sg25275 +S'c. 1891' +p204125 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a3e.jpg' +p204126 +sg25267 +g27 +sa(dp204127 +g25268 +S'Peasant Mother and Child' +p204128 +sg25270 +S'Mary Cassatt' +p204129 +sg25273 +S'drypoint (with color applied by monotype?)' +p204130 +sg25275 +S'c. 1894' +p204131 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a41.jpg' +p204132 +sg25267 +g27 +sa(dp204133 +g25268 +S'Peasant Mother and Child' +p204134 +sg25270 +S'Mary Cassatt' +p204135 +sg25273 +S'drypoint and aquatint in color' +p204136 +sg25275 +S'c. 1894' +p204137 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a42.jpg' +p204138 +sg25267 +g27 +sa(dp204139 +g25268 +S'Peasant Mother and Child' +p204140 +sg25270 +S'Mary Cassatt' +p204141 +sg25273 +S'drypoint and aquatint in color' +p204142 +sg25275 +S'c. 1894' +p204143 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a43.jpg' +p204144 +sg25267 +g27 +sa(dp204145 +g25268 +S'Peasant Mother and Child' +p204146 +sg25270 +S'Mary Cassatt' +p204147 +sg25273 +S'color drypoint and aquatint' +p204148 +sg25275 +S'c. 1894' +p204149 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fa92.jpg' +p204150 +sg25267 +g27 +sa(dp204151 +g25268 +S'Peasant Mother and Child' +p204152 +sg25270 +S'Mary Cassatt' +p204153 +sg25273 +S'drypoint and aquatint in color' +p204154 +sg25275 +S'c. 1894' +p204155 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a44.jpg' +p204156 +sg25267 +g27 +sa(dp204157 +g25268 +S"Mother's Kiss" +p204158 +sg25270 +S'Mary Cassatt' +p204159 +sg25273 +S'drypoint' +p204160 +sg25275 +S'c. 1891' +p204161 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fa42.jpg' +p204162 +sg25267 +g27 +sa(dp204163 +g25268 +S'In the Omnibus' +p204164 +sg25270 +S'Mary Cassatt' +p204165 +sg25273 +S'soft-ground etching, drypoint, and aquatint in black' +p204166 +sg25275 +S'c. 1891' +p204167 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a45.jpg' +p204168 +sg25267 +g27 +sa(dp204169 +g25268 +S'In the Omnibus' +p204170 +sg25270 +S'Mary Cassatt' +p204171 +sg25273 +S'soft-ground etching, drypoint, and aquatint in blue, brown, tan, light orange, yellow-green, red, and black' +p204172 +sg25275 +S'c. 1891' +p204173 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a46.jpg' +p204174 +sg25267 +g27 +sa(dp204175 +g25268 +S'Gathering Fruit' +p204176 +sg25270 +S'Mary Cassatt' +p204177 +sg25273 +S'drypoint' +p204178 +sg25275 +S'c. 1893' +p204179 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fa4c.jpg' +p204180 +sg25267 +g27 +sa(dp204181 +g25268 +S"Satyr's Family" +p204182 +sg25270 +S'Benedetto Montagna' +p204183 +sg25273 +S'engraving' +p204184 +sg25275 +S'c. 1512/1520' +p204185 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c75c.jpg' +p204186 +sg25267 +g27 +sa(dp204187 +g25268 +S'Gathering Fruit' +p204188 +sg25270 +S'Mary Cassatt' +p204189 +sg25273 +S'drypoint' +p204190 +sg25275 +S'c. 1893' +p204191 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fa4d.jpg' +p204192 +sg25267 +g27 +sa(dp204193 +g25268 +S'Gathering Fruit' +p204194 +sg25270 +S'Mary Cassatt' +p204195 +sg25273 +S'color drypoint and aquatint on laid paper' +p204196 +sg25275 +S'c. 1893' +p204197 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a47.jpg' +p204198 +sg25267 +g27 +sa(dp204199 +g25268 +S'Gathering Fruit' +p204200 +sg25270 +S'Mary Cassatt' +p204201 +sg25273 +S'drypoint and aquatint in color' +p204202 +sg25275 +S'c. 1893' +p204203 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a48.jpg' +p204204 +sg25267 +S"In 1888 Mary Cassatt was commissioned to create a \n The act of plucking the fruit suggests women's opportunities in the modern world to harvest \n from the tree of knowledge. This was an important element in depicting the role of modern women, \n who, in the late nineteenth century, were able to enjoy for the first time many new opportunities \n for formal education. In sharing the fruit with the baby, the woman symbolically passes knowledge \n from one generation to another.\n " +p204205 +sa(dp204206 +g25268 +S'The Coiffure' +p204207 +sg25270 +S'Mary Cassatt' +p204208 +sg25273 +S'color drypoint and soft-ground etching on cream laid paper' +p204209 +sg25275 +S'c. 1891' +p204210 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a49.jpg' +p204211 +sg25267 +g27 +sa(dp204212 +g25268 +S"Mother's Kiss" +p204213 +sg25270 +S'Mary Cassatt' +p204214 +sg25273 +S'drypoint and soft-ground etching in color' +p204215 +sg25275 +S'c. 1891' +p204216 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a4a.jpg' +p204217 +sg25267 +g27 +sa(dp204218 +g25268 +S'The Bath' +p204219 +sg25270 +S'Mary Cassatt' +p204220 +sg25273 +S'color drypoint, aquatint and soft-ground etching on Japanese vellum' +p204221 +sg25275 +S'1890-1891' +p204222 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a4b.jpg' +p204223 +sg25267 +g27 +sa(dp204224 +g25268 +S'Maternal Caress' +p204225 +sg25270 +S'Mary Cassatt' +p204226 +sg25273 +S'color drypoint, aquatint, and soft-ground etching' +p204227 +sg25275 +S'c. 1891' +p204228 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fa44.jpg' +p204229 +sg25267 +g27 +sa(dp204230 +g25268 +S'The Lamp' +p204231 +sg25270 +S'Mary Cassatt' +p204232 +sg25273 +S'color drypoint, aquatint, and soft-ground etching' +p204233 +sg25275 +S'c. 1891' +p204234 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a4c.jpg' +p204235 +sg25267 +S"Mary Cassatt developed this composition without reference to her other works, intending it \n to be executed specifically in the print \n By the third \n Here Cassatt's treatment of a domestic scene showing a single figure is unusual in that \n emphasis is placed on the nape of the neck, a symbol of beauty in Oriental art. Other Japanesque \n elements are the lamp table and the ceramic ornaments, as well as the echoing curves of the \n lampshade, fan, and sofa.\n " +p204236 +sa(dp204237 +g25268 +S'The Letter' +p204238 +sg25270 +S'Mary Cassatt' +p204239 +sg25273 +S'drypoint, soft-ground etching, and aquatint in color' +p204240 +sg25275 +S'c. 1891' +p204241 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a4d.jpg' +p204242 +sg25267 +g27 +sa(dp204243 +g25268 +S'In the Omnibus' +p204244 +sg25270 +S'Mary Cassatt' +p204245 +sg25273 +S'soft-ground etching, drypoint, and aquatint in blue, brown, tan, light orange, green, yellow-green, red, and black' +p204246 +sg25275 +S'c. 1891' +p204247 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a4e.jpg' +p204248 +sg25267 +g27 +sa(dp204249 +g25268 +S'Battle of the Nudes' +p204250 +sg25270 +S'Antonio del Pollaiuolo' +p204251 +sg25273 +S'engraving' +p204252 +sg25275 +S'1470/1475' +p204253 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0001e/a0001e31.jpg' +p204254 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Blind Beggar' +p204330 +sg25270 +S'Artist Information (' +p204331 +sg25273 +S'(artist after)' +p204332 +sg25275 +S'\n' +p204333 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a0009643.jpg' +p204334 +sg25267 +g27 +sa(dp204335 +g25268 +S'Ecole du balayeur' +p204336 +sg25270 +S'Nicolas-Toussaint Charlet' +p204337 +sg25273 +S'lithograph' +p204338 +sg25275 +S'1822' +p204339 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00091/a0009185.jpg' +p204340 +sg25267 +g27 +sa(dp204341 +g25268 +S'Infanterie leg\xc3\xa8re fran\xc3\xa7aise, Voltigeur' +p204342 +sg25270 +S'Nicolas-Toussaint Charlet' +p204343 +sg25273 +S'lithograph' +p204344 +sg25275 +S'1822' +p204345 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00091/a0009182.jpg' +p204346 +sg25267 +g27 +sa(dp204347 +g25268 +S'Infanterie leg\xc3\xa8re fran\xc3\xa7aise, Carabinier' +p204348 +sg25270 +S'Nicolas-Toussaint Charlet' +p204349 +sg25273 +S'lithograph' +p204350 +sg25275 +S'1822' +p204351 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00091/a0009181.jpg' 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+p204616 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00091/a00091b5.jpg' +p204617 +sg25267 +g27 +sa(dp204618 +g25268 +S"Souvenir of Italy (Souvenir d'Italie)" +p204619 +sg25270 +S'Jean-Baptiste-Camille Corot' +p204620 +sg25273 +S'etching' +p204621 +sg25275 +S'1866' +p204622 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00091/a00091a6.jpg' +p204623 +sg25267 +g27 +sa(dp204624 +g25268 +S'Madonna Enthroned with Saints [left panel]' +p204625 +sg25270 +S'Artist Information (' +p204626 +sg25273 +S'(painter)' +p204627 +sg25275 +S'\n' +p204628 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00008/a000085f.jpg' +p204629 +sg25267 +g27 +sa(dp204630 +g25268 +S'Girl with the Red Hat' +p204631 +sg25270 +S'Johannes Vermeer' +p204632 +sg25273 +S'oil on panel' +p204633 +sg25275 +S'c. 1665/1666' +p204634 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0001e/a0001e1e.jpg' +p204635 +sg25267 +S'Girl with the Red Hat\n Vermeer also owned an art dealership. No documentation of his artistic training or apprenticeship exists, but in 1653 he became a master in the Saint Luke\xe2\x80\x99s Guild, a professional artists\xe2\x80\x99 trade organization. In the 1660s and 1670s he served four terms as head of the guild. In his lifetime, Vermeer\xe2\x80\x99s small oeuvre was well regarded by connoisseurs, but only in the late nineteenth century did his intimate genre scenes and quiet cityscapes become world renowned.\n ' +p204636 +sa(dp204637 +g25268 +S'The Man of Sorrows Mocked by a Soldier' +p204638 +sg25270 +S'Albrecht D\xc3\xbcrer' +p204639 +sg25273 +S'woodcut' +p204640 +sg25275 +S'probably 1511' +p204641 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00068/a0006821.jpg' +p204642 +sg25267 +g27 +sa(dp204643 +g25268 +S'Little Shepherd, 1st Plate (Le Petit Berger)' +p204644 +sg25270 +S'Jean-Baptiste-Camille Corot' +p204645 +sg25273 +S'cliche-verre' +p204646 +sg25275 +S'1855' +p204647 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00091/a00091b9.jpg' +p204648 +sg25267 +g27 +sa(dp204649 +g25268 +S"The Gardens of Horace (Les Jardins d'Horace)" +p204650 +sg25270 +S'Jean-Baptiste-Camille Corot' +p204651 +sg25273 +S'cliche-verre' +p204652 +sg25275 +S'1855' +p204653 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00091/a00091bd.jpg' +p204654 +sg25267 +g27 +sa(dp204655 +g25268 +S'The Bell Tower of St. Nicolas-Lez-Arras (Le Clocher de St. Nicolas-Lez-Arras)' +p204656 +sg25270 +S'Jean-Baptiste-Camille Corot' +p204657 +sg25273 +S'lithograph' +p204658 +sg25275 +S'1871' +p204659 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00091/a00091ab.jpg' +p204660 +sg25267 +g27 +sa(dp204661 +g25268 +S'The Lonely Tower (La Tour isolee)' +p204662 +sg25270 +S'Jean-Baptiste-Camille Corot' +p204663 +sg25273 +S'lithograph' +p204664 +sg25275 +S'1871' +p204665 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00091/a00091ac.jpg' +p204666 +sg25267 +g27 +sa(dp204667 +g25268 +S'The Meeting in the Woods (La Rencontre du bosquet)' +p204668 +sg25270 +S'Jean-Baptiste-Camille Corot' +p204669 +sg25273 +S'lithograph' +p204670 +sg25275 +S'1871' +p204671 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00091/a00091a7.jpg' +p204672 +sg25267 +g27 +sa(dp204673 +g25268 +S'The Rider in the Reeds (Le Cavalier dans les roseaux)' +p204674 +sg25270 +S'Jean-Baptiste-Camille Corot' +p204675 +sg25273 +S'lithograph' +p204676 +sg25275 +S'1871' +p204677 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00091/a00091aa.jpg' +p204678 +sg25267 +g27 +sa(dp204679 +g25268 +S'The Gust of Wind (Le Coup de vent)' +p204680 +sg25270 +S'Jean-Baptiste-Camille Corot' +p204681 +sg25273 +S'lithograph' +p204682 +sg25275 +S'1871' +p204683 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00091/a00091a8.jpg' +p204684 +sg25267 +g27 +sa(dp204685 +g25268 +S"The Philosophers' Retreat (Le Repos des Philosophes)" +p204686 +sg25270 +S'Jean-Baptiste-Camille Corot' +p204687 +sg25273 +S'lithograph' +p204688 +sg25275 +S'1871' +p204689 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00091/a00091b1.jpg' +p204690 +sg25267 +g27 +sa(dp204691 +g25268 +S'Sappho (Sapho)' +p204692 +sg25270 +S'Jean-Baptiste-Camille Corot' +p204693 +sg25273 +S'lithograph' +p204694 +sg25275 +S'1871' +p204695 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00091/a00091ae.jpg' +p204696 +sg25267 +g27 +sa(dp204697 +g25268 +S'Drowsing Cattle (Le Dormoir des vaches)' +p204698 +sg25270 +S'Jean-Baptiste-Camille Corot' +p204699 +sg25273 +S'lithograph' +p204700 +sg25275 +S'1871' +p204701 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00091/a00091b3.jpg' +p204702 +sg25267 +g27 +sa(dp204703 +g25268 +S'The Last Supper' +p204704 +sg25270 +S'Albrecht D\xc3\xbcrer' +p204705 +sg25273 +S'woodcut' +p204706 +sg25275 +S'1510' +p204707 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b0ca.jpg' +p204708 +sg25267 +g27 +sa(dp204709 +g25268 +S"Souvenir of Italy (Souvenir d'Italie)" +p204710 +sg25270 +S'Jean-Baptiste-Camille Corot' +p204711 +sg25273 +S'lithograph' +p204712 +sg25275 +S'1871' +p204713 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00091/a00091b2.jpg' +p204714 +sg25267 +g27 +sa(dp204715 +g25268 +S'The Mill of Cuincy, near Douai (Le Moulin de Cuincy, pres Douai)' +p204716 +sg25270 +S'Jean-Baptiste-Camille Corot' +p204717 +sg25273 +S'lithograph' +p204718 +sg25275 +S'1871' +p204719 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00091/a00091b7.jpg' +p204720 +sg25267 +g27 +sa(dp204721 +g25268 +S'Family at Terracina (Une famille a terracine)' +p204722 +sg25270 +S'Jean-Baptiste-Camille Corot' +p204723 +sg25273 +S'lithograph' +p204724 +sg25275 +S'1871' +p204725 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00091/a00091bb.jpg' +p204726 +sg25267 +g27 +sa(dp204727 +g25268 +S'Willows and White Poplars (Saules et peupliers blancs)' +p204728 +sg25270 +S'Jean-Baptiste-Camille Corot' +p204729 +sg25273 +S'lithograph' +p204730 +sg25275 +S'1871' +p204731 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009f2f.jpg' +p204732 +sg25267 +g27 +sa(dp204733 +g25268 +S'John Frederic the Magnanimous, in Electoral Robes [left]' +p204734 +sg25270 +S'Artist Information (' +p204735 +sg25273 +S'German, 1515 - 1586' +p204736 +sg25275 +S'(artist after)' +p204737 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a8f8.jpg' +p204738 +sg25267 +g27 +sa(dp204739 +g25268 +S'John Frederic the Magnanimous, in Electoral Robes [right]' +p204740 +sg25270 +S'Artist Information (' +p204741 +sg25273 +S'German, 1515 - 1586' +p204742 +sg25275 +S'(artist after)' +p204743 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a8f9.jpg' +p204744 +sg25267 +g27 +sa(dp204745 +g25268 +S'John Frederic the Magnanimous, in Electoral Robes' +p204746 +sg25270 +S'Artist Information (' +p204747 +sg25273 +S'German, 1515 - 1586' +p204748 +sg25275 +S'(artist after)' +p204749 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a8fd.jpg' +p204750 +sg25267 +g27 +sa(dp204751 +g25268 +S'John Frederic the Magnanimous, in Electoral Robes' +p204752 +sg25270 +S'Artist Information (' +p204753 +sg25273 +S'German, 1515 - 1586' +p204754 +sg25275 +S'(artist after)' +p204755 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a8fb.jpg' +p204756 +sg25267 +g27 +sa(dp204757 +g25268 +S'David and Abigail' +p204758 +sg25270 +S'Lucas Cranach the Elder' +p204759 +sg25273 +S'woodcut' +p204760 +sg25275 +S'1509' +p204761 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b0a2.jpg' +p204762 +sg25267 +g27 +sa(dp204763 +g25268 +S'The Betrayal of Christ' +p204764 +sg25270 +S'Albrecht D\xc3\xbcrer' +p204765 +sg25273 +S'woodcut' +p204766 +sg25275 +S'1510' +p204767 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b0c9.jpg' +p204768 +sg25267 +g27 +sa(dp204769 +g25268 +S'Marcus Curtius Plunging into the Chasm' +p204770 +sg25270 +S'Lucas Cranach the Elder' +p204771 +sg25273 +S'woodcut' +p204772 +sg25275 +S'unknown date\n' +p204773 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b0f2.jpg' +p204774 +sg25267 +g27 +sa(dp204775 +g25268 +S'The Martyrdom of Saint Barbara' +p204776 +sg25270 +S'Lucas Cranach the Elder' +p204777 +sg25273 +S'woodcut' +p204778 +sg25275 +S'unknown date\n' +p204779 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b0e5.jpg' +p204780 +sg25267 +g27 +sa(dp204781 +g25268 +S'John William, Duke of Saxe-Coburg' +p204782 +sg25270 +S'Lucas Cranach the Younger' +p204783 +sg25273 +S'woodcut' +p204784 +sg25275 +S'unknown date\n' +p204785 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b0f3.jpg' +p204786 +sg25267 +g27 +sa(dp204787 +g25268 +S'Saint Anne and the Virgin with the Child' +p204788 +sg25270 +S'Lucas Cranach the Elder' +p204789 +sg25273 +S'woodcut' +p204790 +sg25275 +S'unknown date\n' +p204791 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b0e3.jpg' +p204792 +sg25267 +g27 +sa(dp204793 +g25268 +S'The Second Tournament with the Tapestry of Samson and the Lion' +p204794 +sg25270 +S'Lucas Cranach the Elder' +p204795 +sg25273 +S'woodcut' +p204796 +sg25275 +S'1509' +p204797 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b0f0.jpg' +p204798 +sg25267 +g27 +sa(dp204799 +g25268 +S'The Third Tournament' +p204800 +sg25270 +S'Lucas Cranach the Elder' +p204801 +sg25273 +S'woodcut' +p204802 +sg25275 +S'1509' +p204803 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b0ef.jpg' +p204804 +sg25267 +g27 +sa(dp204805 +g25268 +S'Hunter on Horseback Hunting a Wild Boar' +p204806 +sg25270 +S'Lucas Cranach the Elder' +p204807 +sg25273 +S'woodcut' +p204808 +sg25275 +S'c. 1506' +p204809 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a8fe.jpg' +p204810 +sg25267 +g27 +sa(dp204811 +g25268 +S'The Ecstasy of Saint Mary Magdalene' +p204812 +sg25270 +S'Lucas Cranach the Elder' +p204813 +sg25273 +S'woodcut' +p204814 +sg25275 +S'1506' +p204815 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b0e4.jpg' +p204816 +sg25267 +g27 +sa(dp204817 +g25268 +S'The Last Supper' +p204818 +sg25270 +S'Albrecht D\xc3\xbcrer' +p204819 +sg25273 +S'woodcut' +p204820 +sg25275 +S'1523' +p204821 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b1/a000b11f.jpg' +p204822 +sg25267 +g27 +sa(dp204823 +g25268 +S'Saint Luke' +p204824 +sg25270 +S'Lucas Cranach the Younger' +p204825 +sg25273 +S'woodcut' +p204826 +sg25275 +S'unknown date\n' +p204827 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b0f9.jpg' +p204828 +sg25267 +g27 +sa(dp204829 +g25268 +S'The Penitence of Saint Jerome' +p204830 +sg25270 +S'Lucas Cranach the Elder' +p204831 +sg25273 +S'woodcut' +p204832 +sg25275 +S'1509' +p204833 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b0e9.jpg' +p204834 +sg25267 +g27 +sa(dp204835 +g25268 +S'Saint George Standing, with Two Angels' +p204836 +sg25270 +S'Lucas Cranach the Elder' +p204837 +sg25273 +S'woodcut' +p204838 +sg25275 +S'1506' +p204839 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b0ec.jpg' +p204840 +sg25267 +g27 +sa(dp204841 +g25268 +S'Saint George and the Dragon' +p204842 +sg25270 +S'Lucas Cranach the Elder' +p204843 +sg25273 +S'woodcut' +p204844 +sg25275 +S'unknown date\n' +p204845 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a9/a000a912.jpg' +p204846 +sg25267 +g27 +sa(dp204847 +g25268 +S'Saint Christopher' +p204848 +sg25270 +S'Lucas Cranach the Elder' +p204849 +sg25273 +S'chiaroscuro woodcut printed in brown-orange and black' +p204850 +sg25275 +S'1506' +p204851 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b0e7.jpg' +p204852 +sg25267 +g27 +sa(dp204853 +g25268 +S'Saint Bernard Adoring the Man of Sorrows' +p204854 +sg25270 +S'Lucas Cranach the Elder' +p204855 +sg25273 +S'woodcut' +p204856 +sg25275 +S'unknown date\n' +p204857 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a9/a000a91c.jpg' +p204858 +sg25267 +g27 +sa(dp204859 +g25268 +S'Saint Barbara' +p204860 +sg25270 +S'Lucas Cranach the Elder' +p204861 +sg25273 +S'woodcut' +p204862 +sg25275 +S'unknown date\n' +p204863 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a8fc.jpg' +p204864 +sg25267 +g27 +sa(dp204865 +g25268 +S'The Temptation of Saint Anthony' +p204866 +sg25270 +S'Lucas Cranach the Elder' +p204867 +sg25273 +S'woodcut' +p204868 +sg25275 +S'1506' +p204869 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b0ed.jpg' +p204870 +sg25267 +g27 +sa(dp204871 +g25268 +S'Saint Philip' +p204872 +sg25270 +S'Lucas Cranach the Elder' +p204873 +sg25273 +S'woodcut' +p204874 +sg25275 +S'unknown date\n' +p204875 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a8b3.jpg' +p204876 +sg25267 +g27 +sa(dp204877 +g25268 +S'Saint Matthew' +p204878 +sg25270 +S'Lucas Cranach the Elder' +p204879 +sg25273 +S'woodcut' +p204880 +sg25275 +S'unknown date\n' +p204881 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a9/a000a918.jpg' +p204882 +sg25267 +g27 +sa(dp204883 +g25268 +S'The Beast with Two Horns like a Lamb' +p204884 +sg25270 +S'Albrecht D\xc3\xbcrer' +p204885 +sg25273 +S'woodcut' +p204886 +sg25275 +S'probably c. 1496/1498' +p204887 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b1/a000b11c.jpg' +p204888 +sg25267 +g27 +sa(dp204889 +g25268 +S'Saint Simon' +p204890 +sg25270 +S'Lucas Cranach the Elder' +p204891 +sg25273 +S'woodcut' +p204892 +sg25275 +S'unknown date\n' +p204893 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a9/a000a91a.jpg' +p204894 +sg25267 +g27 +sa(dp204895 +g25268 +S'Saint Jude' +p204896 +sg25270 +S'Lucas Cranach the Elder' +p204897 +sg25273 +S'woodcut' +p204898 +sg25275 +S'unknown date\n' 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philosophe' +p206520 +sg25270 +S'Honor\xc3\xa9 Daumier' +p206521 +sg25273 +S'lithograph' +p206522 +sg25275 +S'1847' +p206523 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00093/a00093f8.jpg' +p206524 +sg25267 +g27 +sa(dp206525 +g25268 +S"Il y a trois mois, m'sieu l'vicomte posait... comme \xc3\xa7a..." +p206526 +sg25270 +S'Honor\xc3\xa9 Daumier' +p206527 +sg25273 +S'lithograph' +p206528 +sg25275 +S'1848' +p206529 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a0009407.jpg' +p206530 +sg25267 +g27 +sa(dp206531 +g25268 +S"Des charg\xc3\xa9s d'affaires" +p206532 +sg25270 +S'Honor\xc3\xa9 Daumier' +p206533 +sg25273 +S'lithograph' +p206534 +sg25275 +S'1848' +p206535 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a000940a.jpg' +p206536 +sg25267 +g27 +sa(dp206537 +g25268 +S'D\xc3\xa9sol\xc3\xa9, citoyenne... je ne re\xc3\xa7ois pas de chiens...' +p206538 +sg25270 +S'Honor\xc3\xa9 Daumier' +p206539 +sg25273 +S'lithograph' +p206540 +sg25275 +S'1848' +p206541 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a0009402.jpg' +p206542 +sg25267 +g27 +sa(dp206543 +g25268 +S'Confr\xc3\xa8re, m\xc3\xa9fiez-vous du petit baron...' +p206544 +sg25270 +S'Honor\xc3\xa9 Daumier' +p206545 +sg25273 +S'lithograph' +p206546 +sg25275 +S'1848' +p206547 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a0009408.jpg' +p206548 +sg25267 +g27 +sa(dp206549 +g25273 +S'etching' +p206550 +sg25267 +g27 +sg25275 +S'c. 1908' +p206551 +sg25268 +S'Charles McEvoy' +p206552 +sg25270 +S'Augustus John' +p206553 +sa(dp206554 +g25268 +S'Albrecht Altdorfer' +p206555 +sg25270 +S'Philipp Andreas Kilian' +p206556 +sg25273 +S'engraving' +p206557 +sg25275 +S'unknown date\n' +p206558 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b324.jpg' +p206559 +sg25267 +g27 +sa(dp206560 +g25268 +S'Large Spaniard (Le grand Espagnol)' +p206561 +sg25270 +S'Alphonse Legros' +p206562 +sg25273 +S'etching' +p206563 +sg25275 +S'unknown date\n' +p206564 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b19.jpg' +p206565 +sg25267 +g27 +sa(dp206566 +g25268 +S'Coll\xc3\xa8ge Henri IV, Paris, ou Lyc\xc3\xa9e Napol\xc3\xa9on (Henry IV College or Napoleon School, Paris)' +p206567 +sg25270 +S'Charles Meryon' +p206568 +sg25273 +S'etching' +p206569 +sg25275 +S'1864' +p206570 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d89.jpg' +p206571 +sg25267 +g27 +sa(dp206572 +g25268 +S"Les trois cochons couch\xc3\xa9s devant l'\xc3\xa9table (Three Swine Lying In Front of a Sty)" +p206573 +sg25270 +S'Artist Information (' +p206574 +sg25273 +S'(artist after)' +p206575 +sg25275 +S'\n' +p206576 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a000995d.jpg' +p206577 +sg25267 +g27 +sa(dp206578 +g25268 +S'A Dutch Courtyard' +p206579 +sg25270 +S'Pieter de Hooch' +p206580 +sg25273 +S'oil on canvas' +p206581 +sg25275 +S'1658/1660' +p206582 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e68.jpg' +p206583 +sg25267 +S"The serenity and self-confidence characteristic of Dutch art of the mid-seventeenth\ncentury are admirably expressed in this representation of a middle-class courtyard\nin Delft. The woman takes time from her round of chores to share a drink with two\nmen relaxing in the pale sunlight; the little girl brings coals for their pipes.\n De Hooch worked in Delft from 1652 to about 1660 when he moved to Amsterdam. In\nthe 1650s, together with other artists active in that small and relatively quiet\ncity, notably Carel Fabritius and Johannes Vermeer, he painted everyday scenes remarkable\nfor their clarity of perspective and harmony of light. De Hooch gave order to his\ncompositions by carefully determining how his architectural elements should be placed.\nThe position of doors, windows and their shutters, floor tiles, or bricks were all\ncarefully calculated and painted. As in this example, he often suggested a sequence\nof ordered spaces by showing distant views through windows or doors.\n Despite the realistic appearance of the scene, this courtyard view is a distillation\nof typical elements found in many of De Hooch's courtyard paintings. Thus, even though\nthe tower of the Nieuwe Kerk appears in the left background, it is unlikely that\nthis view ever existed or that the exact location of the courtyard could be found.\n " +p206584 +sa(dp206585 +g25268 +S'The Entombment' +p206586 +sg25270 +S'Martin Schongauer' +p206587 +sg25273 +S'engraving' +p206588 +sg25275 +S'c. 1480' +p206589 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a4a3.jpg' +p206590 +sg25267 +g27 +sa(dp206591 +g25273 +S'black cutout' +p206592 +sg25267 +g27 +sg25275 +S'unknown date\n' +p206593 +sg25268 +S'Porcelain Factory, Cleveland' +p206594 +sg25270 +S'Ugo Mochi' +p206595 +sa(dp206596 +g25268 +S'The Little Jewish Bride (Saskia as Saint Catherine)' +p206597 +sg25270 +S'Rembrandt van Rijn' +p206598 +sg25273 +S'etching, with touches of drypoint' +p206599 +sg25275 +S'1638' +p206600 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d3/a000d385.jpg' +p206601 +sg25267 +g27 +sa(dp206602 +g25273 +S'graphite and watercolor' +p206603 +sg25267 +g27 +sg25275 +S'1928' +p206604 +sg25268 +S'From the Appian Way' +p206605 +sg25270 +S'Sir Henry Rushbury' +p206606 +sa(dp206607 +g25268 +S'The Fore Chains' +p206608 +sg25270 +S'George Canning Wales' +p206609 +sg25273 +S'etching' +p206610 +sg25275 +S'1922' +p206611 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000f9/a000f94a.jpg' +p206612 +sg25267 +g27 +sa(dp206613 +g25268 +S"The Manager's Window, Gaiety Theatre" +p206614 +sg25270 +S'James McNeill Whistler' +p206615 +sg25273 +S'lithograph in black on cream Japanese paper' +p206616 +sg25275 +S'1896' +p206617 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ab/a000ab00.jpg' +p206618 +sg25267 +g27 +sa(dp206619 +g25268 +S'Prudencia' +p206620 +sg25270 +S'Sebald Beham' +p206621 +sg25273 +S'engraving' +p206622 +sg25275 +S'unknown date\n' +p206623 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a854.jpg' +p206624 +sg25267 +g27 +sa(dp206625 +g25268 +S'Charitas' +p206626 +sg25270 +S'Sebald Beham' +p206627 +sg25273 +S'engraving' +p206628 +sg25275 +S'unknown date\n' +p206629 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a855.jpg' +p206630 +sg25267 +g27 +sa(dp206631 +g25268 +S'Justicia' +p206632 +sg25270 +S'Sebald Beham' +p206633 +sg25273 +S'engraving' +p206634 +sg25275 +S'unknown date\n' +p206635 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a856.jpg' +p206636 +sg25267 +g27 +sa(dp206637 +g25268 +S'Spes' +p206638 +sg25270 +S'Sebald Beham' +p206639 +sg25273 +S'engraving' +p206640 +sg25275 +S'unknown date\n' +p206641 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a858.jpg' +p206642 +sg25267 +g27 +sa(dp206643 +g25268 +S'Fortitudo' +p206644 +sg25270 +S'Sebald Beham' +p206645 +sg25273 +S'engraving' +p206646 +sg25275 +S'unknown date\n' +p206647 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a859.jpg' +p206648 +sg25267 +g27 +sa(dp206649 +g25268 +S'Christ Appearing to Mary Magdalene' +p206650 +sg25270 +S'Martin Schongauer' +p206651 +sg25273 +S'engraving' +p206652 +sg25275 +S'c. 1480/1490' +p206653 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a47e.jpg' +p206654 +sg25267 +g27 +sa(dp206655 +g25268 +S'Temperancia' +p206656 +sg25270 +S'Sebald Beham' +p206657 +sg25273 +S'engraving' +p206658 +sg25275 +S'unknown date\n' +p206659 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a85a.jpg' +p206660 +sg25267 +g27 +sa(dp206661 +g25268 +S'Ornament with Tritons Blowing Horns' +p206662 +sg25270 +S'Sebald Beham' +p206663 +sg25273 +S'engraving' +p206664 +sg25275 +S'1544' +p206665 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a87c.jpg' +p206666 +sg25267 +g27 +sa(dp206667 +g25268 +S'Ornament with Armour and Two Genii' +p206668 +sg25270 +S'Sebald Beham' +p206669 +sg25273 +S'engraving' +p206670 +sg25275 +S'1544' +p206671 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a87e.jpg' +p206672 +sg25267 +g27 +sa(dp206673 +g25268 +S'Capital and Base of a Column' +p206674 +sg25270 +S'Sebald Beham' +p206675 +sg25273 +S'engraving' +p206676 +sg25275 +S'1543' +p206677 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a8a9.jpg' +p206678 +sg25267 +g27 +sa(dp206679 +g25268 +S'Capital and Base of a Column' +p206680 +sg25270 +S'Sebald Beham' +p206681 +sg25273 +S'engraving' +p206682 +sg25275 +S'1545' +p206683 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a8a7.jpg' +p206684 +sg25267 +g27 +sa(dp206685 +g25268 +S'Antony Thouret' +p206686 +sg25270 +S'Honor\xc3\xa9 Daumier' +p206687 +sg25273 +S'lithograph' +p206688 +sg25275 +S'1849' +p206689 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a0009429.jpg' +p206690 +sg25267 +g27 +sa(dp206691 +g25268 +S'Jean Charles Besnard' +p206692 +sg25270 +S'Honor\xc3\xa9 Daumier' +p206693 +sg25273 +S'lithograph' +p206694 +sg25275 +S'1849' +p206695 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a0009426.jpg' +p206696 +sg25267 +g27 +sa(dp206697 +g25268 +S'A. Fr\xc3\xa9d. Pierre comte de Falloux' +p206698 +sg25270 +S'Honor\xc3\xa9 Daumier' +p206699 +sg25273 +S'lithograph' +p206700 +sg25275 +S'1849' +p206701 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a000942f.jpg' +p206702 +sg25267 +g27 +sa(dp206703 +g25268 +S'Eus. Isidore Buvignier' +p206704 +sg25270 +S'Honor\xc3\xa9 Daumier' +p206705 +sg25273 +S'lithograph' +p206706 +sg25275 +S'1849' +p206707 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a0009425.jpg' +p206708 +sg25267 +g27 +sa(dp206709 +g25268 +S'F.J. Ducoux' +p206710 +sg25270 +S'Honor\xc3\xa9 Daumier' +p206711 +sg25273 +S'lithograph' +p206712 +sg25275 +S'1849' +p206713 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a000942a.jpg' +p206714 +sg25267 +g27 +sa(dp206715 +g25268 +S'Death of the Virgin' +p206716 +sg25270 +S'Martin Schongauer' +p206717 +sg25273 +S'engraving on laid paper' +p206718 +sg25275 +S'c. 1470/1475' +p206719 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a447.jpg' +p206720 +sg25267 +g27 +sa(dp206721 +g25268 +S'Jean-Louis Greppo' +p206722 +sg25270 +S'Honor\xc3\xa9 Daumier' +p206723 +sg25273 +S'lithograph' +p206724 +sg25275 +S'1849' +p206725 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a000942d.jpg' +p206726 +sg25267 +g27 +sa(dp206727 +g25268 +S'L.F. Raymond Wolowski' +p206728 +sg25270 +S'Honor\xc3\xa9 Daumier' +p206729 +sg25273 +S'lithograph' +p206730 +sg25275 +S'1849' +p206731 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a0009427.jpg' +p206732 +sg25267 +g27 +sa(dp206733 +g25268 +S'Adolphe Thiers' +p206734 +sg25270 +S'Honor\xc3\xa9 Daumier' +p206735 +sg25273 +S'lithograph' +p206736 +sg25275 +S'1848' +p206737 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00057/a00057d2.jpg' +p206738 +sg25267 +g27 +sa(dp206739 +g25268 +S'J. Antoine Taschereau' +p206740 +sg25270 +S'Honor\xc3\xa9 Daumier' +p206741 +sg25273 +S'lithograph' +p206742 +sg25275 +S'1848' +p206743 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a0009424.jpg' +p206744 +sg25267 +g27 +sa(dp206745 +g25268 +S'P.J. Proudhon' +p206746 +sg25270 +S'Honor\xc3\xa9 Daumier' +p206747 +sg25273 +S'lithograph' +p206748 +sg25275 +S'1849' +p206749 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a0009422.jpg' +p206750 +sg25267 +g27 +sa(dp206751 +g25268 +S'Jules Bastide' +p206752 +sg25270 +S'Honor\xc3\xa9 Daumier' +p206753 +sg25273 +S'lithograph' +p206754 +sg25275 +S'1849' +p206755 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a0009423.jpg' +p206756 +sg25267 +g27 +sa(dp206757 +g25268 +S'J. Alexandre Bixio' +p206758 +sg25270 +S'Honor\xc3\xa9 Daumier' +p206759 +sg25273 +S'lithograph' +p206760 +sg25275 +S'1849' +p206761 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a0009421.jpg' +p206762 +sg25267 +g27 +sa(dp206763 +g25268 +S'C.H. Odilon Barrot' +p206764 +sg25270 +S'Honor\xc3\xa9 Daumier' +p206765 +sg25273 +S'lithograph' +p206766 +sg25275 +S'1849' +p206767 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a0009428.jpg' +p206768 +sg25267 +g27 +sa(dp206769 +g25268 +S'Une Alliance' +p206770 +sg25270 +S'Honor\xc3\xa9 Daumier' +p206771 +sg25273 +S'lithograph' +p206772 +sg25275 +S'unknown date\n' +p206773 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a0009458.jpg' +p206774 +sg25267 +g27 +sa(dp206775 +g25268 +S"Vois-tu petit, t'as tort..." +p206776 +sg25270 +S'Honor\xc3\xa9 Daumier' +p206777 +sg25273 +S'lithograph' +p206778 +sg25275 +S'1849' +p206779 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a0009456.jpg' +p206780 +sg25267 +g27 +sa(dp206781 +g25268 +S'Saint John the Evangelist' +p206782 +sg25270 +S'Martin Schongauer' +p206783 +sg25273 +S'engraving' +p206784 +sg25275 +S'c. 1480' +p206785 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a4a9.jpg' +p206786 +sg25267 +g27 +sa(dp206787 +g25268 +S"Ils pr\xc3\xa9tendent qu'ils la soutiennent" +p206788 +sg25270 +S'Honor\xc3\xa9 Daumier' +p206789 +sg25273 +S'lithograph' +p206790 +sg25275 +S'1849' +p206791 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a000945a.jpg' +p206792 +sg25267 +g27 +sa(dp206793 +g25268 +S"Dites donc, pr\xc3\xa9sident, impossible d'attraper un li\xc3\xa8vre..." +p206794 +sg25270 +S'Honor\xc3\xa9 Daumier' +p206795 +sg25273 +S'lithograph' +p206796 +sg25275 +S'1849' +p206797 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a0009469.jpg' +p206798 +sg25267 +g27 +sa(dp206799 +g25268 +S'Clytemnestre pouss\xc3\xa9e par mimi V\xc3\xa9ron...' +p206800 +sg25270 +S'Honor\xc3\xa9 Daumier' +p206801 +sg25273 +S'lithograph' +p206802 +sg25275 +S'1850' +p206803 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a0009463.jpg' +p206804 +sg25267 +g27 +sa(dp206805 +g25268 +S'A.P.F. 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Louis Parisis' +p207081 +sg25270 +S'Honor\xc3\xa9 Daumier' +p207082 +sg25273 +S'lithograph' +p207083 +sg25275 +S'1849' +p207084 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a0009448.jpg' +p207085 +sg25267 +g27 +sa(dp207086 +g25268 +S"Le Constitutionnel contemplant l'horizon politique" +p207087 +sg25270 +S'Honor\xc3\xa9 Daumier' +p207088 +sg25273 +S'lithograph' +p207089 +sg25275 +S'1849' +p207090 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a0009453.jpg' +p207091 +sg25267 +g27 +sa(dp207092 +g25268 +S"L'Artiste - Voila qui est termin\xc3\xa9!..." +p207093 +sg25270 +S'Honor\xc3\xa9 Daumier' +p207094 +sg25273 +S'lithograph' +p207095 +sg25275 +S'1852' +p207096 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a0009492.jpg' +p207097 +sg25267 +g27 +sa(dp207098 +g25268 +S'Suffrage universel' +p207099 +sg25270 +S'Honor\xc3\xa9 Daumier' +p207100 +sg25273 +S'lithograph' +p207101 +sg25275 +S'probably 1850' +p207102 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a000945e.jpg' +p207103 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\xc3\xa9difice' +p207219 +sg25270 +S'Honor\xc3\xa9 Daumier' +p207220 +sg25273 +S'lithograph' +p207221 +sg25275 +S'1870' +p207222 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00095/a0009533.jpg' +p207223 +sg25267 +g27 +sa(dp207224 +g25268 +S'Monsieur sera tr\xc3\xa8s bien ici...' +p207225 +sg25270 +S'Honor\xc3\xa9 Daumier' +p207226 +sg25273 +S'lithograph' +p207227 +sg25275 +S'1870' +p207228 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00095/a0009534.jpg' +p207229 +sg25267 +g27 +sa(dp207230 +g25268 +S'Trop \xc3\xa9troit pour deux' +p207231 +sg25270 +S'Honor\xc3\xa9 Daumier' +p207232 +sg25273 +S'lithograph' +p207233 +sg25275 +S'1870' +p207234 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00095/a0009536.jpg' +p207235 +sg25267 +g27 +sa(dp207236 +g25268 +S'Two Men Amid Ruins' +p207237 +sg25270 +S'Honor\xc3\xa9 Daumier' +p207238 +sg25273 +S'lithograph' +p207239 +sg25275 +S'unknown date\n' +p207240 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00095/a000955b.jpg' +p207241 +sg25267 +g27 +sa(dp207242 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Demonstrations of emotion were encouraged only on rare occasions such as betrothal, when a suitor must prove his passion. This painting chronicles such a prearranged “transgression” among the wealthy classes of Amsterdam. A cavalier bursts into his beloved’s bedroom, much to the amusement of an older woman, perhaps her mother. A housekeeper, identified by keys dangling from her apron, playfully pretends to restrain him.\r\n\n \r\n\tThe sumptuous bedroom contains a number of objects serving as symbols that would be immediately understood in Metsu’s society. The dog is surely an emblem of fidelity, while the unlit candle implies virginity.\r\n\n \r\n\tTo maintain order in this complex pantomime, which is Metsu’s most elaborate composition, the figures are arranged along a diagonal axis. Metsu’s style was influenced by Gerard Ter Borch, whose \n ' +p207248 +sa(dp207249 +g25268 +S'Two Fauns Carrying a Child' +p207250 +sg25270 +S'Marcantonio Raimondi' +p207251 +sg25273 +S'engraving' +p207252 +sg25275 +S'unknown date\n' +p207253 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c780.jpg' +p207254 +sg25267 +g27 +sa(dp207255 +g25268 +S'La veuve' +p207256 +sg25270 +S'Honor\xc3\xa9 Daumier' +p207257 +sg25273 +S'lithograph' +p207258 +sg25275 +S'c. 1846' +p207259 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00095/a0009565.jpg' +p207260 +sg25267 +g27 +sa(dp207261 +g25268 +S'En Chemin de fer... un voisin agr\xc3\xa9able' +p207262 +sg25270 +S'Honor\xc3\xa9 Daumier' +p207263 +sg25273 +S'lithograph' +p207264 +sg25275 +S'1862' +p207265 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a00094de.jpg' +p207266 +sg25267 +g27 +sa(dp207267 +g25268 +S'Le Dimanche au Jardin des Plantes' +p207268 +sg25270 +S'Honor\xc3\xa9 Daumier' +p207269 +sg25273 +S'lithograph' +p207270 +sg25275 +S'1862' +p207271 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a00094dc.jpg' +p207272 +sg25267 +g27 +sa(dp207273 +g25268 +S'Il y a la guerre... les loyers vont... diminuer...' +p207274 +sg25270 +S'Honor\xc3\xa9 Daumier' +p207275 +sg25273 +S'lithograph' +p207276 +sg25275 +S'1859' +p207277 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a00094c8.jpg' +p207278 +sg25267 +g27 +sa(dp207279 +g25268 +S"Pourriez-vous me dire...? J'ai la grippe!..." +p207280 +sg25270 +S'Honor\xc3\xa9 Daumier' +p207281 +sg25273 +S'lithograph' +p207282 +sg25275 +S'1858' +p207283 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a00094c9.jpg' +p207284 +sg25267 +g27 +sa(dp207285 +g25268 +S"Qu'on dise encore que la chasse..." +p207286 +sg25270 +S'Honor\xc3\xa9 Daumier' +p207287 +sg25273 +S'lithograph' +p207288 +sg25275 +S'1864' +p207289 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00094/a00094e0.jpg' +p207290 +sg25267 +g27 +sa(dp207291 +g25268 +S'Figure of a Man' +p207292 +sg25270 +S'Honor\xc3\xa9 Daumier' +p207293 +sg25273 +S'black chalk with traces of gray wash on laid paper' +p207294 +sg25275 +S'unknown date\n' +p207295 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006d1f.jpg' +p207296 +sg25267 +g27 +sa(dp207297 +g25268 +S'Rest in the Country (Sancho Panza)' +p207298 +sg25270 +S'Honor\xc3\xa9 Daumier' +p207299 +sg25273 +S'crayon and brown, blue, and green watercolor on laid paper' +p207300 +sg25275 +S'unknown date\n' +p207301 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+sa(dp207799 +g25268 +S'Mary Cassatt at the Louvre: The Etruscan Gallery (Au Louvre: Mus\xc3\xa9e des antiques)' +p207800 +sg25270 +S'Edgar Degas' +p207801 +sg25273 +S'etching, aquatint, and electric crayon' +p207802 +sg25275 +S'c. 1879/1880' +p207803 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00095/a0009593.jpg' +p207804 +sg25267 +g27 +sa(dp207805 +g25268 +S'Nude Woman Standing, Drying Herself (Femme nue debout, a sa toilette)' +p207806 +sg25270 +S'Edgar Degas' +p207807 +sg25273 +S'lithograph' +p207808 +sg25275 +S'c. 1890' +p207809 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00063/a00063e9.jpg' +p207810 +sg25267 +g27 +sa(dp207811 +g25273 +S'color lithograph' +p207812 +sg25267 +g27 +sg25275 +S'1929' +p207813 +sg25268 +S'Gladiator' +p207814 +sg25270 +S'Giorgio De Chirico' +p207815 +sa(dp207816 +g25273 +S'American' +p207817 +sg25267 +g27 +sg25275 +S'(printer)' +p207818 +sg25268 +S'Lake Tarryall' +p207819 +sg25270 +S'Artist Information (' +p207820 +sa(dp207821 +g25273 +S'American, active 1930s' +p207822 +sg25267 +g27 +sg25275 +S'(printer)' +p207823 +sg25268 +S'Menemsha Village' +p207824 +sg25270 +S'Artist Information (' +p207825 +sa(dp207826 +g25273 +S'American' +p207827 +sg25267 +g27 +sg25275 +S'(printer)' +p207828 +sg25268 +S'Great God Pan' +p207829 +sg25270 +S'Artist Information (' +p207830 +sa(dp207831 +g25268 +S"Raphael's Dream" +p207832 +sg25270 +S'Artist Information (' +p207833 +sg25273 +S'(artist after)' +p207834 +sg25275 +S'\n' +p207835 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c865.jpg' +p207836 +sg25267 +g27 +sa(dp207837 +g25273 +S'lithograph in black on wove paper' +p207838 +sg25267 +g27 +sg25275 +S'1938' +p207839 +sg25268 +S'Stony Mill, Virginia' +p207840 +sg25270 +S'Carson Sutherlin Davenport' +p207841 +sa(dp207842 +g25268 +S'Women of Algiers' +p207843 +sg25270 +S'Eug\xc3\xa8ne Delacroix' +p207844 +sg25273 +S'graphite' +p207845 +sg25275 +S'1833' +p207846 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00024/a0002434.jpg' +p207847 +sg25267 +g27 +sa(dp207848 +g25268 +S'Portrait of a Child' +p207849 +sg25270 +S'Eug\xc3\xa8ne Delacroix' +p207850 +sg25273 +S'graphite' +p207851 +sg25275 +S'unknown date\n' +p207852 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00072/a0007203.jpg' +p207853 +sg25267 +g27 +sa(dp207854 +g25268 +S'Tiger' +p207855 +sg25270 +S'Eug\xc3\xa8ne Delacroix' +p207856 +sg25273 +S'watercolor' +p207857 +sg25275 +S'c. 1830' +p207858 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00031/a00031b4.jpg' +p207859 +sg25267 +g27 +sa(dp207860 +g25268 +S'Young Tiger Playing with its Mother (Jeune tigre jouant avec sa m\xc3\xa8re)' +p207861 +sg25270 +S'Eug\xc3\xa8ne Delacroix' +p207862 +sg25273 +S'lithograph' +p207863 +sg25275 +S'1831' +p207864 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00098/a0009887.jpg' +p207865 +sg25267 +g27 +sa(dp207866 +g25268 +S'Young Tiger Playing with its Mother (Jeune tigre jouant avec sa m\xc3\xa8re)' +p207867 +sg25270 +S'Eug\xc3\xa8ne Delacroix' +p207868 +sg25273 +S'lithograph' +p207869 +sg25275 +S'1831' +p207870 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00098/a0009886.jpg' +p207871 +sg25267 +g27 +sa(dp207872 +g25268 +S"Tiger Sleeping at the Entrance to its Lair (Tigre couch\xc3\xa9 \xc3\xa0 l'entr\xc3\xa9e de son antre)" +p207873 +sg25270 +S'Eug\xc3\xa8ne Delacroix' +p207874 +sg25273 +S'etching' +p207875 +sg25275 +S'c. 1828/1833' +p207876 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00098/a0009889.jpg' +p207877 +sg25267 +g27 +sa(dp207878 +g25268 +S"The Suitor's Visit" +p207879 +sg25270 +S'Gerard ter Borch the Younger' +p207880 +sg25273 +S'oil on canvas' +p207881 +sg25275 +S'c. 1658' +p207882 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e53.jpg' +p207883 +sg25267 +S"Dutch seventeenth–century artists drew their subject matter from all elements of society. The artist who best captured the refinement of the wealthy bourgeoisie in the second half of the century was Gerard ter Borch. In this example, an elegant gentleman bows gracefully as he enters the room. A young woman wearing a beautiful satin dress with an orange–red jacket stands to greet him while another woman sits at a table playing a theorbo, a musical instrument. Behind this group a man warms his hands at a fireplace. The costumes, instruments, imposing mantelpiece, and gilded wallpaper all attest to the high social status of the figures.\n Ter Borch's exquisite painting technique, which consisted of delicate touches with the brush and the use of thin glazes to suggest transparencies, allowed him to create realistic textural effects, whether of lace, satin, or the pile of a wool tablecloth. His main focus was the psychological interaction of the two protagonists, the suitor and the standing woman. These two figures are clearly communicating through their glances and gestures. Seen in the context of the musical instruments and dog, both of which have associations of love, their meeting has strong sexual overtones.\n " +p207884 +sa(dp207885 +g25268 +S'Poetry' +p207886 +sg25270 +S'Artist Information (' +p207887 +sg25273 +S'(artist after)' +p207888 +sg25275 +S'\n' +p207889 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c78b.jpg' +p207890 +sg25267 +g27 +sa(dp207891 +g25268 +S'Two Horsemen Fighting' +p207892 +sg25270 +S'Pieter van Laer' +p207893 +sg25273 +S'etching' +p207894 +sg25275 +S'unknown date\n' +p207895 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d2/a000d275.jpg' +p207896 +sg25267 +g27 +sa(dp207897 +g25268 +S'Horseman' +p207898 +sg25270 +S'Pieter van Laer' +p207899 +sg25273 +S'etching' +p207900 +sg25275 +S'unknown date\n' +p207901 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d2/a000d278.jpg' +p207902 +sg25267 +g27 +sa(dp207903 +g25268 +S'The Fall of Man' +p207904 +sg25270 +S'Etienne Delaune' +p207905 +sg25273 +S'engraving' +p207906 +sg25275 +S'unknown date\n' +p207907 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a0008332.jpg' +p207908 +sg25267 +g27 +sa(dp207909 +g25268 +S'Essau Selling his Birthright' +p207910 +sg25270 +S'Etienne Delaune' +p207911 +sg25273 +S'engraving' +p207912 +sg25275 +S'unknown date\n' +p207913 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a000832d.jpg' +p207914 +sg25267 +g27 +sa(dp207915 +g25268 +S'The Deluge' +p207916 +sg25270 +S'Etienne Delaune' +p207917 +sg25273 +S'engraving' +p207918 +sg25275 +S'unknown date\n' +p207919 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a0008330.jpg' +p207920 +sg25267 +g27 +sa(dp207921 +g25268 +S'Incest of Loth' +p207922 +sg25270 +S'Etienne Delaune' +p207923 +sg25273 +S'engraving' +p207924 +sg25275 +S'unknown date\n' +p207925 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a000832f.jpg' +p207926 +sg25267 +g27 +sa(dp207927 +g25268 +S'Sacrifice of Abraham' +p207928 +sg25270 +S'Etienne Delaune' +p207929 +sg25273 +S'engraving' +p207930 +sg25275 +S'unknown date\n' +p207931 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a000832e.jpg' +p207932 +sg25267 +g27 +sa(dp207933 +g25268 +S'Death of Abel' +p207934 +sg25270 +S'Etienne Delaune' +p207935 +sg25273 +S'engraving' +p207936 +sg25275 +S'unknown date\n' +p207937 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a0008331.jpg' +p207938 +sg25267 +g27 +sa(dp207939 +g25268 +S'Title Page' +p207940 +sg25270 +S'Etienne Delaune' +p207941 +sg25273 +S'engraving' +p207942 +sg25275 +S'unknown date\n' +p207943 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a000831f.jpg' +p207944 +sg25267 +g27 +sa(dp207945 +g25268 +S'Serpent Speaking to a Young Man' +p207946 +sg25270 +S'Marcantonio Raimondi' +p207947 +sg25273 +S'engraving' +p207948 +sg25275 +S'unknown date\n' +p207949 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c86a.jpg' +p207950 +sg25267 +g27 +sa(dp207951 +g25268 +S'Judith with the Head of Holofernes' +p207952 +sg25270 +S'Etienne Delaune' +p207953 +sg25273 +S'engraving' +p207954 +sg25275 +S'unknown date\n' +p207955 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a0008327.jpg' +p207956 +sg25267 +g27 +sa(dp207957 +g25268 +S'Mercury with the Head of Argus' +p207958 +sg25270 +S'Etienne Delaune' +p207959 +sg25273 +S'engraving' +p207960 +sg25275 +S'unknown date\n' +p207961 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a0008324.jpg' +p207962 +sg25267 +g27 +sa(dp207963 +g25268 +S'Minerva Standing' +p207964 +sg25270 +S'Etienne Delaune' +p207965 +sg25273 +S'engraving' +p207966 +sg25275 +S'unknown date\n' +p207967 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a0008329.jpg' +p207968 +sg25267 +g27 +sa(dp207969 +g25268 +S'Diana Standing' +p207970 +sg25270 +S'Etienne Delaune' +p207971 +sg25273 +S'engraving' +p207972 +sg25275 +S'unknown date\n' +p207973 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a0008322.jpg' +p207974 +sg25267 +g27 +sa(dp207975 +g25268 +S'Mars' +p207976 +sg25270 +S'Etienne Delaune' +p207977 +sg25273 +S'engraving' +p207978 +sg25275 +S'unknown date\n' +p207979 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a0008321.jpg' +p207980 +sg25267 +g27 +sa(dp207981 +g25268 +S'Hercules' +p207982 +sg25270 +S'Etienne Delaune' +p207983 +sg25273 +S'engraving' +p207984 +sg25275 +S'unknown date\n' +p207985 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a000832b.jpg' +p207986 +sg25267 +g27 +sa(dp207987 +g25268 +S'Title Page' +p207988 +sg25270 +S'Etienne Delaune' +p207989 +sg25273 +S'engraving' +p207990 +sg25275 +S'unknown date\n' +p207991 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a0008320.jpg' +p207992 +sg25267 +g27 +sa(dp207993 +g25268 +S'Head of Medusa' +p207994 +sg25270 +S'Etienne Delaune' +p207995 +sg25273 +S'engraving' +p207996 +sg25275 +S'unknown date\n' +p207997 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a0008326.jpg' +p207998 +sg25267 +g27 +sa(dp207999 +g25268 +S'Arabesque Designs' +p208000 +sg25270 +S'Etienne Delaune' +p208001 +sg25273 +S'engraving' +p208002 +sg25275 +S'unknown date\n' +p208003 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a000832c.jpg' +p208004 +sg25267 +g27 +sa(dp208005 +g25268 +S'Mars' +p208006 +sg25270 +S'Etienne Delaune' +p208007 +sg25273 +S'engraving' +p208008 +sg25275 +S'unknown date\n' +p208009 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a000832a.jpg' +p208010 +sg25267 +g27 +sa(dp208011 +g25268 +S'Two Women with the Zodiac' +p208012 +sg25270 +S'Artist Information (' +p208013 +sg25273 +S'(artist after)' +p208014 +sg25275 +S'\n' +p208015 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c869.jpg' +p208016 +sg25267 +g27 +sa(dp208017 +g25268 +S'Neptune' +p208018 +sg25270 +S'Etienne Delaune' +p208019 +sg25273 +S'engraving' +p208020 +sg25275 +S'unknown date\n' +p208021 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a0008323.jpg' +p208022 +sg25267 +g27 +sa(dp208023 +g25268 +S'Orlando in a Fury Tearing up Trees' +p208024 +sg25270 +S'Artist Information (' +p208025 +sg25273 +S'(artist after)' +p208026 +sg25275 +S'\n' +p208027 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00076/a0007682.jpg' +p208028 +sg25267 +g27 +sa(dp208029 +g25268 +S'Cherub' +p208030 +sg25270 +S'Etienne Delaune' +p208031 +sg25273 +S'engraving' +p208032 +sg25275 +S'unknown date\n' +p208033 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a0008328.jpg' +p208034 +sg25267 +g27 +sa(dp208035 +g25268 +S'Female Figure' +p208036 +sg25270 +S'Etienne Delaune' +p208037 +sg25273 +S'engraving' +p208038 +sg25275 +S'unknown date\n' +p208039 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a0008325.jpg' +p208040 +sg25267 +g27 +sa(dp208041 +g25268 +S'Griff' +p208042 +sg25270 +S'Francis Seymour Haden' +p208043 +sg25273 +S'graphite on wove paper' +p208044 +sg25275 +S'probably c. 1864' +p208045 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c16.jpg' +p208046 +sg25267 +g27 +sa(dp208047 +g25273 +S'1 vol: ill: 30 engravings' +p208048 +sg25267 +g27 +sg25275 +S'unknown date\n' +p208049 +sg25268 +S'Ornament Engravings' +p208050 +sg25270 +S'Etienne Delaune' +p208051 +sa(dp208052 +g25268 +S'Ernest Casimir, Count of Nassau-Dietz' +p208053 +sg25270 +S'Artist Information (' +p208054 +sg25273 +S'(artist after)' +p208055 +sg25275 +S'\n' +p208056 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4f0.jpg' +p208057 +sg25267 +g27 +sa(dp208058 +g25273 +S'French, 1867 - 1939' +p208059 +sg25267 +g27 +sg25275 +S'(artist)' +p208060 +sg25268 +S'Title Page to "L\'Amour"' +p208061 +sg25270 +S'Artist Information (' +p208062 +sa(dp208063 +g25273 +S'French, 1867 - 1939' +p208064 +sg25267 +g27 +sg25275 +S'(artist)' +p208065 +sg25268 +S'Nos ames, en des gestes lents' +p208066 +sg25270 +S'Artist Information (' +p208067 +sa(dp208068 +g25273 +S'(artist)' +p208069 +sg25267 +g27 +sg25275 +S'\n' +p208070 +sg25268 +S"Et c'est la caresse de ses mains" +p208071 +sg25270 +S'Artist Information (' +p208072 +sa(dp208073 +g25268 +S'The Three Doctors' +p208074 +sg25270 +S'Marcantonio Raimondi' +p208075 +sg25273 +S'engraving' +p208076 +sg25275 +S'unknown date\n' +p208077 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00050/a0005037.jpg' +p208078 +sg25267 +g27 +sa(dp208079 +g25273 +S'French, 1867 - 1939' +p208080 +sg25267 +g27 +sg25275 +S'(artist)' +p208081 +sg25268 +S'Elle \xc3\xa9tait plus belle que les r\xc3\xaaves' +p208082 +sg25270 +S'Artist Information (' +p208083 +sa(dp208084 +g25273 +S'(artist)' +p208085 +sg25267 +g27 +sg25275 +S'\n' +p208086 +sg25268 +S'Les attitudes sont faciles et chastes' +p208087 +sg25270 +S'Artist Information (' +p208088 +sa(dp208089 +g25273 +S'French, 1867 - 1939' +p208090 +sg25267 +g27 +sg25275 +S'(artist)' +p208091 +sg25268 +S'All\xc3\xa9gorie' +p208092 +sg25270 +S'Artist Information (' +p208093 +sa(dp208094 +g25273 +S'French, 1867 - 1939' +p208095 +sg25267 +g27 +sg25275 +S'(artist)' +p208096 +sg25268 +S'La vie devient pr\xc3\xa9cieuse, discr\xc3\xa8te' +p208097 +sg25270 +S'Artist Information (' +p208098 +sa(dp208099 +g25273 +S'French, 1867 - 1939' +p208100 +sg25267 +g27 +sg25275 +S'(artist)' +p208101 +sg25268 +S"Mais c'est le coeur qui bat trop vite" +p208102 +sg25270 +S'Artist Information (' +p208103 +sa(dp208104 +g25273 +S'French, 1867 - 1939' +p208105 +sg25267 +g27 +sg25275 +S'(artist)' +p208106 +sg25268 +S"Sur le canap\xc3\xa9 d'argent pale" +p208107 +sg25270 +S'Artist Information (' +p208108 +sa(dp208109 +g25273 +S'(artist)' +p208110 +sg25267 +g27 +sg25275 +S'\n' +p208111 +sg25268 +S'Le bouquet matinal, les larmes' +p208112 +sg25270 +S'Artist Information (' +p208113 +sa(dp208114 +g25273 +S'(artist)' +p208115 +sg25267 +g27 +sg25275 +S'\n' +p208116 +sg25268 +S"Les cr\xc3\xa9puscules ont une douceur d'ancienne peinture" +p208117 +sg25270 +S'Artist Information (' +p208118 +sa(dp208119 +g25273 +S'(artist)' +p208120 +sg25267 +g27 +sg25275 +S'\n' +p208121 +sg25268 +S"Le chevalier n'est pas mort \xc3\xa0 la croisade" +p208122 +sg25270 +S'Artist Information (' +p208123 +sa(dp208124 +g25273 +S'French, 1867 - 1939' +p208125 +sg25267 +g27 +sg25275 +S'(artist)' +p208126 +sg25268 +S'Ce fut un religieux myst\xc3\xa8re' 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Donkin' +p208220 +sg25270 +S'Francis Dodd' +p208221 +sa(dp208222 +g25273 +S'drypoint' +p208223 +sg25267 +g27 +sg25275 +S'1927' +p208224 +sg25268 +S'Porta della Carta' +p208225 +sg25270 +S'Francis Dodd' +p208226 +sa(dp208227 +g25273 +S'drypoint' +p208228 +sg25267 +g27 +sg25275 +S'1916' +p208229 +sg25268 +S'Strand with Sky' +p208230 +sg25270 +S'Francis Dodd' +p208231 +sa(dp208232 +g25273 +S'etching' +p208233 +sg25267 +g27 +sg25275 +S'unknown date\n' +p208234 +sg25268 +S'Chair' +p208235 +sg25270 +S'Nal Bal Dian' +p208236 +sa(dp208237 +g25273 +S'monotype' +p208238 +sg25267 +g27 +sg25275 +S'1943' +p208239 +sg25268 +S'Sarabande (Portrait of Adrian Segal?)' +p208240 +sg25270 +S'Stella Drabkin' +p208241 +sa(dp208242 +g25268 +S'Christ before Caiaphas' +p208243 +sg25270 +S'Lucas Cranach the Elder' +p208244 +sg25273 +S'woodcut' +p208245 +sg25275 +S'unknown date\n' +p208246 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b0a6.jpg' +p208247 +sg25267 +g27 +sa(dp208248 +g25268 +S'Samuel Johnson' 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after)' +p208273 +sg25267 +g27 +sg25275 +S'\n' +p208274 +sg25268 +S'Samuel Bernard' +p208275 +sg25270 +S'Artist Information (' +p208276 +sa(dp208277 +g25268 +S'Cardinal de Fleury' +p208278 +sg25270 +S'Artist Information (' +p208279 +sg25273 +S'(artist after)' +p208280 +sg25275 +S'\n' +p208281 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00096/a00096f0.jpg' +p208282 +sg25267 +g27 +sa(dp208283 +g25268 +S'Riding School' +p208284 +sg25270 +S'Jacob Duck' +p208285 +sg25273 +S'etching' +p208286 +sg25275 +S'unknown date\n' +p208287 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d0c3.jpg' +p208288 +sg25267 +g27 +sa(dp208289 +g25268 +S'River Landscape with Horseman' +p208290 +sg25270 +S'Jacob Duck' +p208291 +sg25273 +S'etching' +p208292 +sg25275 +S'unknown date\n' +p208293 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d0c2.jpg' +p208294 +sg25267 +g27 +sa(dp208295 +g25268 +S'View in England (Vue prise en Angleterre)' +p208296 +sg25270 +S'Jules Dupr\xc3\xa9' +p208297 +sg25273 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+sg25267 +g27 +sa(dp209194 +g25268 +S'The Glorification of the Virgin' +p209195 +sg25270 +S'Albrecht D\xc3\xbcrer' +p209196 +sg25273 +S'woodcut' +p209197 +sg25275 +S'c. 1504' +p209198 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b2/a000b22d.jpg' +p209199 +sg25267 +g27 +sa(dp209200 +g25268 +S'Calvary with the Three Crosses' +p209201 +sg25270 +S'Albrecht D\xc3\xbcrer' +p209202 +sg25273 +S'woodcut' +p209203 +sg25275 +S'c. 1504/1505' +p209204 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a9/a000a971.jpg' +p209205 +sg25267 +g27 +sa(dp209206 +g25268 +S'The Holy Family with Two Angels in a Vaulted Hall' +p209207 +sg25270 +S'Albrecht D\xc3\xbcrer' +p209208 +sg25273 +S'woodcut' +p209209 +sg25275 +S'c. 1504' +p209210 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a9/a000a974.jpg' +p209211 +sg25267 +g27 +sa(dp209212 +g25268 +S'Saint Anthony and Saint Paul in the Wilderness' +p209213 +sg25270 +S'Albrecht D\xc3\xbcrer' +p209214 +sg25273 +S'woodcut' +p209215 +sg25275 +S'c. 1504' +p209216 +sg25314 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on the Mount of Olives' +p209513 +sg25270 +S'Albrecht D\xc3\xbcrer' +p209514 +sg25273 +S'woodcut' +p209515 +sg25275 +S'probably c. 1509/1510' +p209516 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a9/a000a951.jpg' +p209517 +sg25267 +g27 +sa(dp209518 +g25268 +S'The Betrayal of Christ' +p209519 +sg25270 +S'Albrecht D\xc3\xbcrer' +p209520 +sg25273 +S'woodcut' +p209521 +sg25275 +S'probably c. 1509/1510' +p209522 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a9/a000a952.jpg' +p209523 +sg25267 +g27 +sa(dp209524 +g25268 +S'Christ before Annas' +p209525 +sg25270 +S'Albrecht D\xc3\xbcrer' +p209526 +sg25273 +S'woodcut' +p209527 +sg25275 +S'probably c. 1509/1510' +p209528 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a9/a000a953.jpg' +p209529 +sg25267 +g27 +sa(dp209530 +g25268 +S'Christ before Caiaphas' +p209531 +sg25270 +S'Albrecht D\xc3\xbcrer' +p209532 +sg25273 +S'woodcut' +p209533 +sg25275 +S'probably c. 1509/1510' +p209534 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a9/a000a954.jpg' 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the Shepherds' +p209908 +sg25270 +S'Albrecht Altdorfer' +p209909 +sg25273 +S'woodcut' +p209910 +sg25275 +S'in or after 1520' +p209911 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a77e.jpg' +p209912 +sg25267 +g27 +sa(dp209913 +g25268 +S'Riva degli Schiavoni (2)' +p209914 +sg25270 +S'Frank Duveneck' +p209915 +sg25273 +S'drypoint on chine applique paper' +p209916 +sg25275 +S'c. 1880' +p209917 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a8d.jpg' +p209918 +sg25267 +g27 +sa(dp209919 +g25268 +S'Village Festival' +p209920 +sg25270 +S'Cornelis Dusart' +p209921 +sg25273 +S'etching' +p209922 +sg25275 +S'1685' +p209923 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4fe.jpg' +p209924 +sg25267 +g27 +sa(dp209925 +g25268 +S'Violin Player Seated in a Tavern' +p209926 +sg25270 +S'Cornelis Dusart' +p209927 +sg25273 +S'etching and roulette' +p209928 +sg25275 +S'1685' +p209929 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4fb.jpg' +p209930 +sg25267 +g27 +sa(dp209931 +g25268 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+sg25267 +g27 +sa(dp210077 +g25268 +S'Debut from "Paradise and the Peri" (2nd plate)' +p210078 +sg25270 +S'Henri Fantin-Latour' +p210079 +sg25273 +S'lithograph' +p210080 +sg25275 +S'1894' +p210081 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009f44.jpg' +p210082 +sg25267 +g27 +sa(dp210083 +g25268 +S'Siegfried and the Rhine Maidens' +p210084 +sg25270 +S'Henri Fantin-Latour' +p210085 +sg25273 +S'black crayon on paperboard' +p210086 +sg25275 +S'unknown date\n' +p210087 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a0007324.jpg' +p210088 +sg25267 +g27 +sa(dp210089 +g25268 +S'Pastoral' +p210090 +sg25270 +S'Henri Fantin-Latour' +p210091 +sg25273 +S'lithograph' +p210092 +sg25275 +S'1896' +p210093 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009f42.jpg' +p210094 +sg25267 +g27 +sa(dp210095 +g25273 +S'lithograph' +p210096 +sg25267 +g27 +sg25275 +S'1893' +p210097 +sg25268 +S'Ballet from "The Trojans"' +p210098 +sg25270 +S'Henri Fantin-Latour' +p210099 +sa(dp210100 +g25268 +S'Saint 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Folies Bergere' +p210148 +sg25270 +S'Jean-Louis Forain' +p210149 +sg25273 +S'etching' +p210150 +sg25275 +S'unknown date\n' +p210151 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a00099dd.jpg' +p210152 +sg25267 +g27 +sa(dp210153 +g25268 +S"To Bullier's" +p210154 +sg25270 +S'Jean-Louis Forain' +p210155 +sg25273 +S'color etching' +p210156 +sg25275 +S'c. 1876' +p210157 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a00099da.jpg' +p210158 +sg25267 +g27 +sa(dp210159 +g25268 +S"To Bullier's" +p210160 +sg25270 +S'Jean-Louis Forain' +p210161 +sg25273 +S'etching' +p210162 +sg25275 +S'c. 1876' +p210163 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a00099d9.jpg' +p210164 +sg25267 +g27 +sa(dp210165 +g25268 +S'The Judgment of Paris' +p210166 +sg25270 +S'Albrecht Altdorfer' +p210167 +sg25273 +S'woodcut' +p210168 +sg25275 +S'1511' +p210169 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a6fe.jpg' +p210170 +sg25267 +g27 +sa(dp210171 +g25268 +S'The Folies Bergere (refused plate, second plate)' +p210172 +sg25270 +S'Jean-Louis Forain' +p210173 +sg25273 +S'etching' +p210174 +sg25275 +S'1880 and 1886' +p210175 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a0009977.jpg' +p210176 +sg25267 +g27 +sa(dp210177 +g25268 +S'Woman Walking with an Umbrella' +p210178 +sg25270 +S'Jean-Louis Forain' +p210179 +sg25273 +S'etching' +p210180 +sg25275 +S'unknown date\n' +p210181 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a000997b.jpg' +p210182 +sg25267 +g27 +sa(dp210183 +g25268 +S'The White Slave Trade' +p210184 +sg25270 +S'Jean-Louis Forain' +p210185 +sg25273 +S'etching' +p210186 +sg25275 +S'1886' +p210187 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a00099dc.jpg' +p210188 +sg25267 +g27 +sa(dp210189 +g25268 +S'The Corridors of the Palace of Justice' +p210190 +sg25270 +S'Jean-Louis Forain' +p210191 +sg25273 +S'etching' +p210192 +sg25275 +S'1908' +p210193 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a000997a.jpg' +p210194 +sg25267 +g27 +sa(dp210195 +g25268 +S'Evidence at 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Road' +p210430 +sg25270 +S'Meindert Hobbema' +p210431 +sg25273 +S'oil on canvas' +p210432 +sg25275 +S'1665' +p210433 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0003a/a0003a1e.jpg' +p210434 +sg25267 +S'Hobbema often painted rural scenes where a road meanders past houses and farms\nnestled among trees. One senses the soft winds of a summer day as clouds billow\nin the sky. Pools of sunlight accent buildings and fields as well as the leaves\nand branches of distant trees. Figures strolling along the road or resting beside\nit are integrated harmoniously into this peaceful and idyllic setting.\n Hobbema, who studied for a short while in Amsterdam with Jacob van Ruisdael, was\na prolific painter, particularly during the 1660s when this work was done. He frequently\npainted variants of his scenes by slightly changing the position of buildings,\ntrees, and figures. In this instance the elegant foreground couple may have been\npainted by a specialist in depicting such figures. Hobbema often collaborated with\nother artists in this manner when completing his works.\n The idyllic qualities of his scenes, combined with the realistic effects of light\nand atmosphere, appealed tremendously to English collectors. This painting, along\nwith another that Hobbema may have painted as its pendant, belonged to the collection\nof the Duke of Westminster in the nineteenth century.\n ' +p210435 +sa(dp210436 +g25268 +S'Annunciation to Joachim' +p210437 +sg25270 +S'Albrecht Altdorfer' +p210438 +sg25273 +S'woodcut' +p210439 +sg25275 +S'c. 1513' +p210440 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a738.jpg' +p210441 +sg25267 +g27 +sa(dp210442 +g25268 +S'The Madonna and the Children' +p210443 +sg25270 +S'Jean-Louis Forain' +p210444 +sg25273 +S'etching' +p210445 +sg25275 +S'1909' +p210446 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a00099f8.jpg' +p210447 +sg25267 +g27 +sa(dp210448 +g25268 +S'Landscape in the Environs of Versailles' +p210449 +sg25270 +S'Jean-Louis Forain' +p210450 +sg25273 +S'etching' +p210451 +sg25275 +S'1909' +p210452 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a00099ed.jpg' +p210453 +sg25267 +g27 +sa(dp210454 +g25268 +S'The Road to Rocquencourt' +p210455 +sg25270 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+S'http://www.nga.gov:80/thumb-l/a000a7/a000a73b.jpg' +p211575 +sg25267 +g27 +sa(dp211576 +g25268 +S'Promenade' +p211577 +sg25270 +S'Jean-Louis Forain' +p211578 +sg25273 +S'pen and brown-black ink on wove paper' +p211579 +sg25275 +S'unknown date\n' +p211580 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006e79.jpg' +p211581 +sg25267 +g27 +sa(dp211582 +g25268 +S'Woman Bathing' +p211583 +sg25270 +S'Jean-Louis Forain' +p211584 +sg25273 +S'pen and brown ink on wove paper' +p211585 +sg25275 +S'unknown date\n' +p211586 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006ea4.jpg' +p211587 +sg25267 +g27 +sa(dp211588 +g25268 +S'Woman and Child in the Park' +p211589 +sg25270 +S'Jean-Louis Forain' +p211590 +sg25273 +S'pen and brown-black ink on wove paper' +p211591 +sg25275 +S'unknown date\n' +p211592 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006e47.jpg' +p211593 +sg25267 +g27 +sa(dp211594 +g25268 +S'The Footman' +p211595 +sg25270 +S'Jean-Louis Forain' +p211596 +sg25273 +S'pen and brown-black ink on wove paper' +p211597 +sg25275 +S'unknown date\n' +p211598 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006ed0.jpg' +p211599 +sg25267 +g27 +sa(dp211600 +g25268 +S'Three Sketches: Dancer and Two Women' +p211601 +sg25270 +S'Jean-Louis Forain' +p211602 +sg25273 +S'pen and brown ink on wove paper' +p211603 +sg25275 +S'unknown date\n' +p211604 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f01.jpg' +p211605 +sg25267 +g27 +sa(dp211606 +g25268 +S'Three Sketches of Women and Children' +p211607 +sg25270 +S'Jean-Louis Forain' +p211608 +sg25273 +S'pen and brown ink on wove paper' +p211609 +sg25275 +S'unknown date\n' +p211610 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006e17.jpg' +p211611 +sg25267 +g27 +sa(dp211612 +g25268 +S'Dancer with a Mirror' +p211613 +sg25270 +S'Jean-Louis Forain' +p211614 +sg25273 +S'red chalk' +p211615 +sg25275 +S'unknown date\n' +p211616 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006fde.jpg' +p211617 +sg25267 +g27 +sa(dp211618 +g25268 +S'At the Piano (Studio Party)' +p211619 +sg25270 +S'Jean-Louis Forain' +p211620 +sg25273 +S'brush and black ink with black crayon on wove paper' +p211621 +sg25275 +S'unknown date\n' +p211622 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006ddf.jpg' +p211623 +sg25267 +g27 +sa(dp211624 +g25268 +S'Behind the Scenes' +p211625 +sg25270 +S'Jean-Louis Forain' +p211626 +sg25273 +S'watercolor' +p211627 +sg25275 +S'unknown date\n' +p211628 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f83.jpg' +p211629 +sg25267 +g27 +sa(dp211630 +g25268 +S'In the Reading Room' +p211631 +sg25270 +S'Jean-Louis Forain' +p211632 +sg25273 +S'brush and black ink with yellow, brown, and black crayon on paperboard' +p211633 +sg25275 +S'unknown date\n' +p211634 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006e3d.jpg' +p211635 +sg25267 +g27 +sa(dp211636 +g25268 +S'Christ before Pilate' +p211637 +sg25270 +S'Albrecht Altdorfer' +p211638 +sg25273 +S'woodcut' +p211639 +sg25275 +S'c. 1513' +p211640 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a73c.jpg' +p211641 +sg25267 +g27 +sa(dp211642 +g25268 +S'Two Figures' +p211643 +sg25270 +S'Jean-Louis Forain' +p211644 +sg25273 +S'black crayon on wove paper' +p211645 +sg25275 +S'unknown date\n' +p211646 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006fb1.jpg' +p211647 +sg25267 +g27 +sa(dp211648 +g25268 +S'Le chene et le roseau' +p211649 +sg25270 +S'Jean-Louis Forain' +p211650 +sg25273 +S'brush and brown ink with brown wash' +p211651 +sg25275 +S'unknown date\n' +p211652 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f54.jpg' +p211653 +sg25267 +g27 +sa(dp211654 +g25268 +S'In School' +p211655 +sg25270 +S'Jean-Louis Forain' +p211656 +sg25273 +S'brush and black ink on wove paper' +p211657 +sg25275 +S'unknown date\n' +p211658 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006ef5.jpg' +p211659 +sg25267 +g27 +sa(dp211660 +g25268 +S'After the Bath' +p211661 +sg25270 +S'Jean-Louis Forain' +p211662 +sg25273 +S'watercolor and black crayon on wove paper' +p211663 +sg25275 +S'unknown date\n' +p211664 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f25.jpg' +p211665 +sg25267 +g27 +sa(dp211666 +g25268 +S'Conversation at the Salon' +p211667 +sg25270 +S'Jean-Louis Forain' +p211668 +sg25273 +S'black chalk on wove paper' +p211669 +sg25275 +S'unknown date\n' +p211670 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006e0b.jpg' +p211671 +sg25267 +g27 +sa(dp211672 +g25268 +S'Nude' +p211673 +sg25270 +S'Jean-Louis Forain' +p211674 +sg25273 +S'red, black, and white chalk on blue laid paper' +p211675 +sg25275 +S'unknown date\n' +p211676 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006e9b.jpg' +p211677 +sg25267 +g27 +sa(dp211678 +g25268 +S'Gendarme and Two Lawyers' +p211679 +sg25270 +S'Jean-Louis Forain' +p211680 +sg25273 +S'brush and black ink with black crayon on wove paper' +p211681 +sg25275 +S'unknown date\n' +p211682 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006e6d.jpg' +p211683 +sg25267 +g27 +sa(dp211684 +g25268 +S'The Paddock' +p211685 +sg25270 +S'Jean-Louis Forain' +p211686 +sg25273 +S'pen and black ink' +p211687 +sg25275 +S'unknown date\n' +p211688 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006ec5.jpg' +p211689 +sg25267 +g27 +sa(dp211690 +g25268 +S'Court Scene' +p211691 +sg25270 +S'Jean-Louis Forain' +p211692 +sg25273 +S'black crayon on wove paper' +p211693 +sg25275 +S'unknown date\n' +p211694 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00071/a00071f7.jpg' +p211695 +sg25267 +g27 +sa(dp211696 +g25268 +S'Proposition' +p211697 +sg25270 +S'Jean-Louis Forain' +p211698 +sg25273 +S'brush and black ink on wove paper' +p211699 +sg25275 +S'unknown date\n' +p211700 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00070/a000706b.jpg' +p211701 +sg25267 +g27 +sa(dp211702 +g25268 +S'Christ Scourged' +p211703 +sg25270 +S'Albrecht Altdorfer' +p211704 +sg25273 +S'woodcut' +p211705 +sg25275 +S'c. 1513' +p211706 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a73d.jpg' +p211707 +sg25267 +g27 +sa(dp211708 +g25268 +S'Woman Leaving Court' +p211709 +sg25270 +S'Jean-Louis Forain' +p211710 +sg25273 +S'black crayon with gray and black wash on wove paper' +p211711 +sg25275 +S'unknown date\n' +p211712 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006d53.jpg' +p211713 +sg25267 +g27 +sa(dp211714 +g25268 +S'In the Studio' +p211715 +sg25270 +S'Jean-Louis Forain' +p211716 +sg25273 +S'graphite and pen and black ink on wove paper' +p211717 +sg25275 +S'unknown date\n' +p211718 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00072/a0007274.jpg' +p211719 +sg25267 +g27 +sa(dp211720 +g25268 +S'Waiting' +p211721 +sg25270 +S'Jean-Louis Forain' +p211722 +sg25273 +S'black crayon with gray wash on wove paper' +p211723 +sg25275 +S'unknown date\n' +p211724 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00071/a00071d1.jpg' +p211725 +sg25267 +g27 +sa(dp211726 +g25268 +S'Woman Weeping' +p211727 +sg25270 +S'Jean-Louis Forain' +p211728 +sg25273 +S'black crayon' +p211729 +sg25275 +S'unknown date\n' +p211730 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00072/a000720b.jpg' +p211731 +sg25267 +g27 +sa(dp211732 +g25268 +S'Ou donc met-il ses cigares?' +p211733 +sg25270 +S'Jean-Louis Forain' +p211734 +sg25273 +S'black crayon on wove paper' +p211735 +sg25275 +S'unknown date\n' +p211736 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00072/a00072e1.jpg' +p211737 +sg25267 +g27 +sa(dp211738 +g25268 +S'Before the Repast at Emmaus' +p211739 +sg25270 +S'Jean-Louis Forain' +p211740 +sg25273 +S'brush and gray ink with brown and gray wash on wove paper' +p211741 +sg25275 +S'c. 1910' +p211742 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00072/a0007240.jpg' +p211743 +sg25267 +g27 +sa(dp211744 +g25268 +S'Sheet of Sketches [recto and verso]' +p211745 +sg25270 +S'Jean-Louis Forain' +p211746 +sg25273 +S'red chalk on wove paper' +p211747 +sg25275 +S'unknown date\n' +p211748 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006db1.jpg' +p211749 +sg25267 +g27 +sa(dp211750 +g25268 +S"Gentleman's Toilette" +p211751 +sg25270 +S'Jean-Louis Forain' +p211752 +sg25273 +S'black crayon on wove paper' +p211753 +sg25275 +S'unknown date\n' +p211754 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006d80.jpg' +p211755 +sg25267 +g27 +sa(dp211756 +g25268 +S'The Connoisseur and the Artist' +p211757 +sg25270 +S'Jean-Louis Forain' +p211758 +sg25273 +S'watercolor on laid paper' +p211759 +sg25275 +S'unknown date\n' +p211760 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006cf7.jpg' +p211761 +sg25267 +g27 +sa(dp211762 +g25268 +S'Man and Woman Conversing' +p211763 +sg25270 +S'Jean-Louis Forain' +p211764 +sg25273 +S'brush with black and gray ink on wove paper' +p211765 +sg25275 +S'unknown date\n' +p211766 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00071/a000719a.jpg' +p211767 +sg25267 +g27 +sa(dp211768 +g25268 +S'Edward VI as a Child' +p211769 +sg25270 +S'Hans Holbein the Younger' +p211770 +sg25273 +S'oil on panel' +p211771 +sg25275 +S'probably 1538' +p211772 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00005/a00005b2.jpg' +p211773 +sg25267 +S"After the Reformation had brought social and political upheaval to Germany, creating\nan unfavorable climate for artists, Holbein moved to England in 1526. He first painted\nfor Sir Thomas More's circle of high servants of the crown and then became painter\nto the King himself, Henry VIII. As court painter Holbein produced portraits, festival\nsets and other decorations intended to exalt the King and the Tudor dynasty, and\nalso designs for jewelry and metalwork.\n In his portraits Holbein endowed his sitters with a powerful physical presence which\nwas increasingly held in check by the psychological reserve and elegance of surface\nappropriate to a court setting. This portrait of Henry VIII's only legitimate son\nand much desired male heir exemplifies these qualities. Edward was born on 12 October\n1537 to Henry's third wife, Jane Seymour, and this portrait appears to be the one\ngiven to the King on the New Year of 1539. The form of the portrait and the long\nLatin verse provided by the poet Richard Morison flatter the royal father and emphasize\nthe succession.\n Holbein depicted the baby prince as erect and self-possessed, one hand holding a\nscepter and the other open in a gesture of blessing. His frontal pose before a parapet\nis a type reserved for royalty or for images of holy figures.\n " +p211774 +sa(dp211775 +g25268 +S'Christ Crowned with Thorns' +p211776 +sg25270 +S'Albrecht Altdorfer' +p211777 +sg25273 +S'woodcut' +p211778 +sg25275 +S'c. 1513' +p211779 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a73e.jpg' +p211780 +sg25267 +g27 +sa(dp211781 +g25268 +S'Ballet Dancer' +p211782 +sg25270 +S'Jean-Louis Forain' +p211783 +sg25273 +S'charcoal and white chalk on blue laid paper' +p211784 +sg25275 +S'unknown date\n' +p211785 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006d24.jpg' +p211786 +sg25267 +g27 +sa(dp211787 +g25268 +S'After the Riot' +p211788 +sg25270 +S'Jean-Louis Forain' +p211789 +sg25273 +S'brush with black and gray ink and black crayon on laid paper' +p211790 +sg25275 +S'unknown date\n' +p211791 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00072/a00072ac.jpg' +p211792 +sg25267 +g27 +sa(dp211793 +g25268 +S'Interior' +p211794 +sg25270 +S'Jean-Louis Forain' +p211795 +sg25273 +S'black crayon with black and gray wash touched withwhite on wove paper' +p211796 +sg25275 +S'unknown date\n' +p211797 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00072/a000722f.jpg' +p211798 +sg25267 +g27 +sa(dp211799 +g25268 +S'Confidences a un vieil ami' +p211800 +sg25270 +S'Jean-Louis Forain' +p211801 +sg25273 +S'black crayon on wove paper' +p211802 +sg25275 +S'unknown date\n' +p211803 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00071/a00071be.jpg' +p211804 +sg25267 +g27 +sa(dp211805 +g25268 +S'Les Mamans' +p211806 +sg25270 +S'Jean-Louis Forain' +p211807 +sg25273 +S'black crayon with black wash on wove paper' +p211808 +sg25275 +S'unknown date\n' +p211809 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00070/a00070c8.jpg' +p211810 +sg25267 +g27 +sa(dp211811 +g25268 +S'La Dreyfusine' +p211812 +sg25270 +S'Jean-Louis Forain' +p211813 +sg25273 +S'black crayon and brush with brown and gray ink on wove paper' +p211814 +sg25275 +S'unknown date\n' +p211815 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00071/a0007164.jpg' +p211816 +sg25267 +g27 +sa(dp211817 +g25268 +S"La fin d'un marriage" +p211818 +sg25270 +S'Jean-Louis Forain' +p211819 +sg25273 +S'brush and black ink and black crayon on wove paper' +p211820 +sg25275 +S'unknown date\n' +p211821 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f67.jpg' +p211822 +sg25267 +g27 +sa(dp211823 +g25268 +S'Artist and His Model' +p211824 +sg25270 +S'Jean-Louis Forain' +p211825 +sg25273 +S'black crayon on wove paper' +p211826 +sg25275 +S'unknown date\n' +p211827 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006fef.jpg' +p211828 +sg25267 +g27 +sa(dp211829 +g25268 +S'Sheet of Sketches [recto and verso]' +p211830 +sg25270 +S'Jean-Louis Forain' +p211831 +sg25273 +S'black crayon on wove paper' +p211832 +sg25275 +S'unknown date\n' +p211833 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00070/a00070ae.jpg' +p211834 +sg25267 +g27 +sa(dp211835 +g25268 +S'La France Juive' +p211836 +sg25270 +S'Jean-Louis Forain' +p211837 +sg25273 +S'brush and black ink on wove paper' +p211838 +sg25275 +S'unknown date\n' +p211839 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f96.jpg' +p211840 +sg25267 +g27 +sa(dp211841 +g25268 +S'Christ Shown to the People' +p211842 +sg25270 +S'Albrecht Altdorfer' +p211843 +sg25273 +S'woodcut' +p211844 +sg25275 +S'c. 1513' +p211845 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a750.jpg' +p211846 +sg25267 +g27 +sa(dp211847 +g25268 +S'Conversation' +p211848 +sg25270 +S'Jean-Louis Forain' +p211849 +sg25273 +S'brush and black ink and black crayon on wove paper' +p211850 +sg25275 +S'unknown date\n' +p211851 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006fc1.jpg' +p211852 +sg25267 +g27 +sa(dp211853 +g25268 +S'The Adulteress' +p211854 +sg25270 +S'Jean-Louis Forain' +p211855 +sg25273 +S'pen and brown ink over graphite on green-brown paper' +p211856 +sg25275 +S'c. 1910' +p211857 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00070/a000704e.jpg' +p211858 +sg25267 +g27 +sa(dp211859 +g25268 +S'The Connoisseur and the Artist' +p211860 +sg25270 +S'Jean-Louis Forain' +p211861 +sg25273 +S'brush and black ink with watercolor over black crayon on wove paper' +p211862 +sg25275 +S'unknown date\n' +p211863 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00071/a0007136.jpg' +p211864 +sg25267 +g27 +sa(dp211865 +g25268 +S'Two Men in an Attic' +p211866 +sg25270 +S'Jean-Louis Forain' +p211867 +sg25273 +S'brush and black ink and black crayon on brown paper' +p211868 +sg25275 +S'unknown date\n' +p211869 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00070/a000701e.jpg' +p211870 +sg25267 +g27 +sa(dp211871 +g25268 +S'Waiter and Customer' +p211872 +sg25270 +S'Jean-Louis Forain' +p211873 +sg25273 +S'pen and black ink and black crayon on wove paper' +p211874 +sg25275 +S'unknown date\n' +p211875 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00070/a00070dd.jpg' +p211876 +sg25267 +g27 +sa(dp211877 +g25268 +S'Conversation in the Wings' +p211878 +sg25270 +S'Jean-Louis Forain' +p211879 +sg25273 +S'brown and black chalk heightened with white chalk on laid paper' +p211880 +sg25275 +S'unknown date\n' +p211881 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00070/a000707e.jpg' +p211882 +sg25267 +g27 +sa(dp211883 +g25268 +S'Recite de conquetes' +p211884 +sg25270 +S'Jean-Louis Forain' +p211885 +sg25273 +S'watercolor over graphite on wove paper' +p211886 +sg25275 +S'unknown date\n' +p211887 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a000732a.jpg' +p211888 +sg25267 +g27 +sa(dp211889 +g25268 +S'Figure' +p211890 +sg25270 +S'Jean-Louis Forain' +p211891 +sg25273 +S'black, red, and white chalk on blue laid paper' +p211892 +sg25275 +S'unknown date\n' +p211893 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00071/a000710c.jpg' +p211894 +sg25267 +g27 +sa(dp211895 +g25268 +S'Study of a Seated Girl' +p211896 +sg25270 +S'Jean-Louis Forain' +p211897 +sg25273 +S'black chalk and watercolor on wove paper' +p211898 +sg25275 +S'unknown date\n' +p211899 +sg25314 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L'ecole des Neutres" +p212082 +sg25270 +S'Jean-Louis Forain' +p212083 +sg25273 +S'brush and black ink and black crayon with watercolor on wove paper' +p212084 +sg25275 +S'c. 1914/1919' +p212085 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a0007334.jpg' +p212086 +sg25267 +g27 +sa(dp212087 +g25268 +S'Dead German Soldier' +p212088 +sg25270 +S'Jean-Louis Forain' +p212089 +sg25273 +S'brush and black ink and black crayon with watercolor on laid paper' +p212090 +sg25275 +S'c. 1914/1919' +p212091 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a0007332.jpg' +p212092 +sg25267 +g27 +sa(dp212093 +g25268 +S'Customs Inspection' +p212094 +sg25270 +S'Jean-Louis Forain' +p212095 +sg25273 +S'brush and brown ink and graphite on laid paper' +p212096 +sg25275 +S'unknown date\n' +p212097 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a0007337.jpg' +p212098 +sg25267 +g27 +sa(dp212099 +g25268 +S'Slavery in the North' +p212100 +sg25270 +S'Jean-Louis Forain' +p212101 +sg25273 +S'pen and brown ink with brown wash over red chalk on wove paper' +p212102 +sg25275 +S'c. 1914/1919' +p212103 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006ebb.jpg' +p212104 +sg25267 +g27 +sa(dp212105 +g25268 +S'Raising of the Cross' +p212106 +sg25270 +S'Albrecht Altdorfer' +p212107 +sg25273 +S'woodcut' +p212108 +sg25275 +S'c. 1513' +p212109 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a756.jpg' +p212110 +sg25267 +g27 +sa(dp212111 +g25268 +S'The Funeral of Berteaux' +p212112 +sg25270 +S'Jean-Louis Forain' +p212113 +sg25273 +S'brush and black ink and black crayon on wove paper' +p212114 +sg25275 +S'unknown date\n' +p212115 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a0007338.jpg' +p212116 +sg25267 +g27 +sa(dp212117 +g25268 +S'Nurse and Child' +p212118 +sg25270 +S'Jean-Louis Forain' +p212119 +sg25273 +S'brush and black ink on laid paper' +p212120 +sg25275 +S'unknown date\n' +p212121 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a0007336.jpg' +p212122 +sg25267 +g27 +sa(dp212123 +g25268 +S'Bolo pacha' +p212124 +sg25270 +S'Jean-Louis Forain' +p212125 +sg25273 +S'brush and black ink and black crayon corrected with white gouache on wove paper' +p212126 +sg25275 +S'c. 1914/1919' +p212127 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a000733d.jpg' +p212128 +sg25267 +g27 +sa(dp212129 +g25268 +S'The Chefs' +p212130 +sg25270 +S'Jean-Louis Forain' +p212131 +sg25273 +S'brush and black ink and black crayon on laid paper' +p212132 +sg25275 +S'c. 1914/1919' +p212133 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a000733c.jpg' +p212134 +sg25267 +g27 +sa(dp212135 +g25268 +S'Mother and Child Visited by Soldier in Hospital' +p212136 +sg25270 +S'Jean-Louis Forain' +p212137 +sg25273 +S'brush and black ink and black crayon on laid paper' +p212138 +sg25275 +S'c. 1914/1919' +p212139 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f78.jpg' +p212140 +sg25267 +g27 +sa(dp212141 +g25268 +S'The End - Verdun' +p212142 +sg25270 +S'Jean-Louis Forain' +p212143 +sg25273 +S'drypoint' +p212144 +sg25275 +S'c. 1916' +p212145 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009f53.jpg' +p212146 +sg25267 +g27 +sa(dp212147 +g25268 +S'The Accused' +p212148 +sg25270 +S'Jean-Louis Forain' +p212149 +sg25273 +S'charcoal heightened with white chalk on gray-brownpaper' +p212150 +sg25275 +S'unknown date\n' +p212151 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a000733e.jpg' +p212152 +sg25267 +g27 +sa(dp212153 +g25268 +S'Les Allemandes sont partis' +p212154 +sg25270 +S'Jean-Louis Forain' +p212155 +sg25273 +S'black crayon and watercolor on laid paper' +p212156 +sg25275 +S'c. 1914/1919' +p212157 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006eac.jpg' +p212158 +sg25267 +g27 +sa(dp212159 +g25268 +S'Hiding the "louis"' +p212160 +sg25270 +S'Jean-Louis Forain' +p212161 +sg25273 +S'brush and black ink and black crayon on laid paper' +p212162 +sg25275 +S'c. 1914/1919' +p212163 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a0007339.jpg' +p212164 +sg25267 +g27 +sa(dp212165 +g25268 +S'Sur la ligne de feu' +p212166 +sg25270 +S'Jean-Louis Forain' +p212167 +sg25273 +S'black crayon with brush and black ink on wove paper' +p212168 +sg25275 +S'c. 1914/1919' +p212169 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f08.jpg' +p212170 +sg25267 +g27 +sa(dp212171 +g25268 +S'Christ on the Cross' +p212172 +sg25270 +S'Albrecht Altdorfer' +p212173 +sg25273 +S'woodcut' +p212174 +sg25275 +S'c. 1513' +p212175 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a755.jpg' +p212176 +sg25267 +g27 +sa(dp212177 +g25268 +S'La Borne, Verdun' +p212178 +sg25270 +S'Jean-Louis Forain' +p212179 +sg25273 +S'black crayon and brush with black and gray ink over graphite on wove paper' +p212180 +sg25275 +S'c. 1916' +p212181 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006ed7.jpg' +p212182 +sg25267 +g27 +sa(dp212183 +g25268 +S'Poilu Acknowledging German Soldier' +p212184 +sg25270 +S'Jean-Louis Forain' +p212185 +sg25273 +S'black crayon on laid paper' +p212186 +sg25275 +S'probably 1918' +p212187 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a000733b.jpg' +p212188 +sg25267 +g27 +sa(dp212189 +g25268 +S'Le Baiser du Drapeau' +p212190 +sg25270 +S'Jean-Louis Forain' +p212191 +sg25273 +S'black crayon on laid paper' +p212192 +sg25275 +S'1918' +p212193 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a000733a.jpg' +p212194 +sg25267 +g27 +sa(dp212195 +g25268 +S'Refugees' +p212196 +sg25270 +S'Jean-Louis Forain' +p212197 +sg25273 +S'brush and black ink and blue crayon on wove paper' +p212198 +sg25275 +S'c. 1914/1919' +p212199 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00070/a0007000.jpg' +p212200 +sg25267 +g27 +sa(dp212201 +g25268 +S'Poilu and German Prisoners' +p212202 +sg25270 +S'Jean-Louis Forain' +p212203 +sg25273 +S'black crayon on laid paper' +p212204 +sg25275 +S'c. 1914/1919' +p212205 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a0007341.jpg' +p212206 +sg25267 +g27 +sa(dp212207 +g25268 +S'Discharged from Military Service' +p212208 +sg25270 +S'Jean-Louis Forain' +p212209 +sg25273 +S'brush and black ink and black crayon on laid paper' +p212210 +sg25275 +S'c. 1914/1919' +p212211 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006fa7.jpg' +p212212 +sg25267 +g27 +sa(dp212213 +g25268 +S'Reims 9bre 1918' +p212214 +sg25270 +S'Jean-Louis Forain' +p212215 +sg25273 +S'brush and brown ink with brown wash over black crayon on wove paper' +p212216 +sg25275 +S'probably 1918' +p212217 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f49.jpg' +p212218 +sg25267 +g27 +sa(dp212219 +g25268 +S'Sur le Rhin' +p212220 +sg25270 +S'Jean-Louis Forain' +p212221 +sg25273 +S'brush and black ink and black crayon on laid paper' +p212222 +sg25275 +S'c. 1914/1919' +p212223 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a0007340.jpg' +p212224 +sg25267 +g27 +sa(dp212225 +g25268 +S'Au front de Vincennes. Bolo pacha' +p212226 +sg25270 +S'Jean-Louis Forain' +p212227 +sg25273 +S'brush and black ink and black crayon on wove paper' +p212228 +sg25275 +S'c. 1914/1919' +p212229 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f1a.jpg' +p212230 +sg25267 +g27 +sa(dp212231 +g25268 +S'Soldiers Preparing a Meal' +p212232 +sg25270 +S'Jean-Louis Forain' +p212233 +sg25273 +S'brush and black ink and black crayon on laid paper' +p212234 +sg25275 +S'c. 1914/1919' +p212235 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a000733f.jpg' +p212236 +sg25267 +g27 +sa(dp212237 +g25268 +S'Christ Taken Down from the Cross' +p212238 +sg25270 +S'Albrecht Altdorfer' +p212239 +sg25273 +S'woodcut' +p212240 +sg25275 +S'c. 1513' +p212241 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a754.jpg' +p212242 +sg25267 +g27 +sa(dp212243 +g25268 +S'Refugees' +p212244 +sg25270 +S'Jean-Louis Forain' +p212245 +sg25273 +S'black crayon on wove paper' +p212246 +sg25275 +S'c. 1914/1919' +p212247 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006fd3.jpg' +p212248 +sg25267 +g27 +sa(dp212249 +g25268 +S'Le demobilise' +p212250 +sg25270 +S'Jean-Louis Forain' +p212251 +sg25273 +S'brush and black ink and black crayon on wove paper' +p212252 +sg25275 +S'c. 1914/1919' +p212253 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00070/a00070f0.jpg' +p212254 +sg25267 +g27 +sa(dp212255 +g25268 +S'Poilu and Nurse' +p212256 +sg25270 +S'Jean-Louis Forain' +p212257 +sg25273 +S'brush and brown ink on wove paper' +p212258 +sg25275 +S'c. 1914/1919' +p212259 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a0007342.jpg' +p212260 +sg25267 +g27 +sa(dp212261 +g25268 +S'The Taking of Fort Douaumont' +p212262 +sg25270 +S'Jean-Louis Forain' +p212263 +sg25273 +S'brush and black ink with black and color crayons on wove paper' +p212264 +sg25275 +S'probably 1916' +p212265 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a0007345.jpg' +p212266 +sg25267 +g27 +sa(dp212267 +g25268 +S'Two Soldiers Looking at a Placard' +p212268 +sg25270 +S'Jean-Louis Forain' +p212269 +sg25273 +S'black crayon on laid paper' +p212270 +sg25275 +S'probably 1918' +p212271 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a0007343.jpg' +p212272 +sg25267 +g27 +sa(dp212273 +g25268 +S'German Advance' +p212274 +sg25270 +S'Jean-Louis Forain' +p212275 +sg25273 +S'brush with brown and black ink and black crayon onwove paper' +p212276 +sg25275 +S'c. 1914/1919' +p212277 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a0007346.jpg' +p212278 +sg25267 +g27 +sa(dp212279 +g25268 +S'The National Holiday' +p212280 +sg25270 +S'Jean-Louis Forain' +p212281 +sg25273 +S'brush and gray-brown and black ink over black crayon on wove paper' +p212282 +sg25275 +S'1918' +p212283 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a0007347.jpg' +p212284 +sg25267 +g27 +sa(dp212285 +g25268 +S"Sur le Rhin. -maintenant c'est l'arriere." +p212286 +sg25270 +S'Jean-Louis Forain' +p212287 +sg25273 +S'black crayon and (graphite?) with black and gray wash on laid paper' +p212288 +sg25275 +S'probably 1918' +p212289 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a0007344.jpg' +p212290 +sg25267 +g27 +sa(dp212291 +g25268 +S'Two Men in Top Hats' +p212292 +sg25270 +S'Jean-Louis Forain' +p212293 +sg25273 +S'brush and black ink on wove paper' +p212294 +sg25275 +S'unknown date\n' +p212295 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00070/a00070bf.jpg' +p212296 +sg25267 +g27 +sa(dp212297 +g25268 +S'Kammerade. Porquoi cette froideur?' +p212298 +sg25270 +S'Jean-Louis Forain' +p212299 +sg25273 +S'black crayon on wove paper' +p212300 +sg25275 +S'c. 1914/1919' +p212301 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a0007349.jpg' +p212302 +sg25267 +g27 +sa(dp212303 +g25268 +S'The Lamentation beneath the Cross' +p212304 +sg25270 +S'Albrecht Altdorfer' +p212305 +sg25273 +S'woodcut' +p212306 +sg25275 +S'c. 1513' +p212307 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a724.jpg' +p212308 +sg25267 +g27 +sa(dp212309 +g25268 +S"Le pas de l'oie - dans le sang" +p212310 +sg25270 +S'Jean-Louis Forain' +p212311 +sg25273 +S'black crayon and brush and brown ink on wove paper' +p212312 +sg25275 +S'c. 1914/1919' +p212313 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a0007348.jpg' +p212314 +sg25267 +g27 +sa(dp212315 +g25268 +S"Contre les Apaches. l'ecole anglaise" +p212316 +sg25270 +S'Jean-Louis Forain' +p212317 +sg25273 +S'black crayon and brush and black ink corrected with white gouache' +p212318 +sg25275 +S'unknown date\n' +p212319 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a000734a.jpg' +p212320 +sg25267 +g27 +sa(dp212321 +g25268 +S"A Versailles. L'envoye des boches" +p212322 +sg25270 +S'Jean-Louis Forain' +p212323 +sg25273 +S'black crayon and brush and black ink over graphiteon wove paper' +p212324 +sg25275 +S'c. 1914/1919' +p212325 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a000734b.jpg' +p212326 +sg25267 +g27 +sa(dp212327 +g25268 +S'The Hats of the Allies [recto]' +p212328 +sg25270 +S'Jean-Louis Forain' +p212329 +sg25273 +S'black crayon and brush and brown ink on laid paper' +p212330 +sg25275 +S'c. 1914/1919' +p212331 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a000734c.jpg' +p212332 +sg25267 +g27 +sa(dp212333 +g25268 +S'Hiding the "louis" [verso]' +p212334 +sg25270 +S'Jean-Louis Forain' +p212335 +sg25273 +S'black crayon and brush and black ink on laid paper' +p212336 +sg25275 +S'c. 1914/1919' +p212337 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a000734d.jpg' +p212338 +sg25267 +g27 +sa(dp212339 +g25268 +S'Man Pointing to an Island' +p212340 +sg25270 +S'Jean-Louis Forain' +p212341 +sg25273 +S'brush with black and gray-brown ink on wove paper' +p212342 +sg25275 +S'unknown date\n' +p212343 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00070/a0007061.jpg' +p212344 +sg25267 +g27 +sa(dp212345 +g25268 +S'Ceux de la priemiere heure. "Sire! ou en somme-nous de la guerre fraiche et joyeuse!"' +p212346 +sg25270 +S'Jean-Louis Forain' +p212347 +sg25273 +S'black crayon on wove paper' +p212348 +sg25275 +S'c. 1914/1919' +p212349 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a000734e.jpg' +p212350 +sg25267 +g27 +sa(dp212351 +g25268 +S'Les notables' +p212352 +sg25270 +S'Jean-Louis Forain' +p212353 +sg25273 +S'black crayon corrected with white gouache on wove paper' +p212354 +sg25275 +S'c. 1914/1919' +p212355 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00071/a0007158.jpg' +p212356 +sg25267 +g27 +sa(dp212357 +g25268 +S"Sur le Front. -C'est sa theorie? -Non, c'est son breviaire." +p212358 +sg25270 +S'Jean-Louis Forain' +p212359 +sg25273 +S'black crayon and brush and black ink corrected with white gouache on wove paper' +p212360 +sg25275 +S'c. 1914/1919' +p212361 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a000734f.jpg' +p212362 +sg25267 +g27 +sa(dp212363 +g25268 +S'Au Piree. -Le depart des boches.' +p212364 +sg25270 +S'Jean-Louis Forain' +p212365 +sg25273 +S'black crayon and brush and black ink corrected with white gouache on wove paper' +p212366 +sg25275 +S'c. 1914/1919' +p212367 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a0007352.jpg' +p212368 +sg25267 +g27 +sa(dp212369 +g25268 +S'The Entombment' +p212370 +sg25270 +S'Albrecht Altdorfer' +p212371 +sg25273 +S'woodcut' +p212372 +sg25275 +S'c. 1513' +p212373 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a723.jpg' +p212374 +sg25267 +g27 +sa(dp212375 +g25268 +S'Quand le boche se retire...' +p212376 +sg25270 +S'Jean-Louis Forain' +p212377 +sg25273 +S'black crayon and brush and black ink on wove paper' +p212378 +sg25275 +S'probably 1917' +p212379 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a0007351.jpg' +p212380 +sg25267 +g27 +sa(dp212381 +g25268 +S'En 1871' +p212382 +sg25270 +S'Jean-Louis Forain' +p212383 +sg25273 +S'black crayon and brush and black ink on wove paper' +p212384 +sg25275 +S'c. 1914/1919' +p212385 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a0007350.jpg' +p212386 +sg25267 +g27 +sa(dp212387 +g25268 +S'Au fil de la marne' +p212388 +sg25270 +S'Jean-Louis Forain' +p212389 +sg25273 +S'red chalk, black crayon, and graphite on wove paper' +p212390 +sg25275 +S'1918' +p212391 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00072/a0007267.jpg' +p212392 +sg25267 +g27 +sa(dp212393 +g25268 +S'Au Front de Vincennes. Bolo pacha' +p212394 +sg25270 +S'Jean-Louis Forain' +p212395 +sg25273 +S'black crayon and brush and black ink on wove paper' +p212396 +sg25275 +S'c. 1914/1919' +p212397 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00072/a0007235.jpg' +p212398 +sg25267 +g27 +sa(dp212399 +g25268 +S'Two Soldiers' +p212400 +sg25270 +S'Jean-Louis Forain' +p212401 +sg25273 +S'black crayon and brush and brown ink on wove paper' +p212402 +sg25275 +S'c. 1914/1919' +p212403 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a0007357.jpg' +p212404 +sg25267 +g27 +sa(dp212405 +g25268 +S'The Hat of Marshall Foch' +p212406 +sg25270 +S'Jean-Louis Forain' +p212407 +sg25273 +S'brush and black-brown ink on wove paper' +p212408 +sg25275 +S'c. 1914/1919' +p212409 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00072/a00072d7.jpg' +p212410 +sg25267 +g27 +sa(dp212411 +g25268 +S'Two French Soldiers near a Notice Board' +p212412 +sg25270 +S'Jean-Louis Forain' +p212413 +sg25273 +S'brush and black ink with brown wash on wove paper' +p212414 +sg25275 +S'c. 1914/1919' +p212415 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a0007353.jpg' +p212416 +sg25267 +g27 +sa(dp212417 +g25268 +S'Nach Paris. -moi aussi, chai des enfants' +p212418 +sg25270 +S'Jean-Louis Forain' +p212419 +sg25273 +S'brush and black ink over black crayon on wove paper' +p212420 +sg25275 +S'c. 1914/1919' +p212421 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a0007356.jpg' +p212422 +sg25267 +g27 +sa(dp212423 +g25268 +S'En somme ca n\'est que du "materiel humain."' +p212424 +sg25270 +S'Jean-Louis Forain' +p212425 +sg25273 +S'brush and black ink and black crayon on wove paper' +p212426 +sg25275 +S'c. 1914/1919' +p212427 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a0007354.jpg' +p212428 +sg25267 +g27 +sa(dp212429 +g25268 +S'Noyon' +p212430 +sg25270 +S'Jean-Louis Forain' +p212431 +sg25273 +S'brush and black ink and black crayon on laid paper' +p212432 +sg25275 +S'c. 1914/1919' +p212433 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a0007355.jpg' +p212434 +sg25267 +g27 +sa(dp212435 +g25268 +S'Sir Brian Tuke' +p212436 +sg25270 +S'Hans Holbein the Younger' +p212437 +sg25273 +S'oil on panel' +p212438 +sg25275 +S'c. 1527/1528 or c. 1532/1534' +p212439 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a00004cb.jpg' +p212440 +sg25267 +S"The political strength of Henry VIII's regime lay in his ability to choose advisors who were both wise and learned. One of these men was Sir Brian Tuke. As Master of the Posts, he organized and established England's postal service. In 1528 Sir Brian was appointed treasurer and secretary of the royal household, a position he held until his death in 1545. He was also admired as an eloquent speaker and literary figure who authored a preface to an edition of Chaucer.\n The portrait, which shows Tuke at the age of 57, exemplifies the qualities most praised in Holbein's work: precise observation of detail and impartial, accurate portrayal of the face. Yet the image is also tinged with gentle sorrow. On the table beneath Tuke's left hand is a folded paper bearing a quotation from the Book of Job (10:20) which begins, "Are not my days few?" The gravity of the sentiment is echoed in Tuke's countenance; his faint smile is pained and his eyes, fixed but not focused, seem melancholy.\n " +p212441 +sa(dp212442 +g25268 +S'Christ Descending into Hell' +p212443 +sg25270 +S'Albrecht Altdorfer' +p212444 +sg25273 +S'woodcut' +p212445 +sg25275 +S'c. 1513' +p212446 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a722.jpg' +p212447 +sg25267 +g27 +sa(dp212448 +g25268 +S"Bredouilles. l'Equipage d'un Zeppelin" +p212449 +sg25270 +S'Jean-Louis Forain' +p212450 +sg25273 +S'brush and black ink and black crayon on wove paper' +p212451 +sg25275 +S'probably 1915' +p212452 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00071/a00071c6.jpg' +p212453 +sg25267 +g27 +sa(dp212454 +g25268 +S'Ceux de la priemiere heure. "Sire! ou en somme-nous de "la guerre fraiche et joyeuse"?..."' +p212455 +sg25270 +S'Jean-Louis Forain' +p212456 +sg25273 +S'black crayon on wove paper' +p212457 +sg25275 +S'c. 1914/1919' +p212458 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00072/a00072a1.jpg' +p212459 +sg25267 +g27 +sa(dp212460 +g25268 +S'At the Conference' +p212461 +sg25270 +S'Jean-Louis Forain' +p212462 +sg25273 +S'black crayon on laid paper' +p212463 +sg25275 +S'c. 1919' +p212464 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a0007358.jpg' +p212465 +sg25267 +g27 +sa(dp212466 +g25268 +S'Looking for the Enemy' +p212467 +sg25270 +S'Jean-Louis Forain' +p212468 +sg25273 +S'brush and black ink on wove paper' +p212469 +sg25275 +S'c. 1914/1919' +p212470 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00070/a00070ff.jpg' +p212471 +sg25267 +g27 +sa(dp212472 +g25268 +S'Fetters' +p212473 +sg25270 +S'Jean-Louis Forain' +p212474 +sg25273 +S'black, yellow, and brown crayon on wove paper' +p212475 +sg25275 +S'1919' +p212476 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a0007359.jpg' +p212477 +sg25267 +g27 +sa(dp212478 +g25268 +S'Discharged from Military Service' +p212479 +sg25270 +S'Jean-Louis Forain' +p212480 +sg25273 +S'brush and black-brown ink and black crayon on laid paper' +p212481 +sg25275 +S'c. 1914/1919' +p212482 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00071/a000712c.jpg' +p212483 +sg25267 +g27 +sa(dp212484 +g25268 +S'German Soldiers and French Child' +p212485 +sg25270 +S'Jean-Louis Forain' +p212486 +sg25273 +S'black crayon with watercolor on wove paper' +p212487 +sg25275 +S'c. 1914/1919' +p212488 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a000735a.jpg' +p212489 +sg25267 +g27 +sa(dp212490 +g25268 +S'Woman and Two Children with German Soldiers' +p212491 +sg25270 +S'Jean-Louis Forain' +p212492 +sg25273 +S'brush and black ink on laid paper' +p212493 +sg25275 +S'c. 1914/1919' +p212494 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00071/a000718d.jpg' +p212495 +sg25267 +g27 +sa(dp212496 +g25268 +S'-Am Rhien? -Ya.' +p212497 +sg25270 +S'Jean-Louis Forain' +p212498 +sg25273 +S'brush and black ink and black crayon on laid paper' +p212499 +sg25275 +S'c. 1918' +p212500 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a000735f.jpg' +p212501 +sg25267 +g27 +sa(dp212502 +g25268 +S'Fetters' +p212503 +sg25270 +S'Jean-Louis Forain' +p212504 +sg25273 +S'brush and black ink and black crayon on wove paper' +p212505 +sg25275 +S'probably 1919' +p212506 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a0007361.jpg' +p212507 +sg25267 +g27 +sa(dp212508 +g25268 +S'The Resurrection' +p212509 +sg25270 +S'Albrecht Altdorfer' +p212510 +sg25273 +S'woodcut' +p212511 +sg25275 +S'c. 1513' +p212512 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a721.jpg' +p212513 +sg25267 +g27 +sa(dp212514 +g25268 +S'The Return' +p212515 +sg25270 +S'Jean-Louis Forain' +p212516 +sg25273 +S'black crayon and brush and black ink on laid paper' +p212517 +sg25275 +S'c. 1914/1919' +p212518 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00071/a00071ff.jpg' +p212519 +sg25267 +g27 +sa(dp212520 +g25268 +S'Au front de Champagne - Les dernieres prieres' +p212521 +sg25270 +S'Jean-Louis Forain' +p212522 +sg25273 +S'black crayon and brush and black ink on wove paper' +p212523 +sg25275 +S'c. 1914/1919' +p212524 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a000735e.jpg' +p212525 +sg25267 +g27 +sa(dp212526 +g25268 +S'Choisissez vos chambres' +p212527 +sg25270 +S'Jean-Louis Forain' +p212528 +sg25273 +S'black crayon and brush with black and gray ink on wove paper' +p212529 +sg25275 +S'c. 1914/1919' +p212530 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a000735b.jpg' +p212531 +sg25267 +g27 +sa(dp212532 +g25268 +S'Le depart pour Versailles' +p212533 +sg25270 +S'Jean-Louis Forain' +p212534 +sg25273 +S'brush and brown ink over (graphite?) on laid paper' +p212535 +sg25275 +S'c. 1919' +p212536 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a0007360.jpg' +p212537 +sg25267 +g27 +sa(dp212538 +g25268 +S'Rassurez vous; je suis gauche.' +p212539 +sg25270 +S'Jean-Louis Forain' +p212540 +sg25273 +S'black crayon and brush and black ink on wove paper' +p212541 +sg25275 +S'c. 1914/1919' +p212542 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a000735d.jpg' +p212543 +sg25267 +g27 +sa(dp212544 +g25268 +S'L\'attaque d\'une "place forte" anglaise' +p212545 +sg25270 +S'Jean-Louis Forain' +p212546 +sg25273 +S'brush and black ink and black crayon on wove paper' +p212547 +sg25275 +S'probably 1917' +p212548 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a000735c.jpg' +p212549 +sg25267 +g27 +sa(dp212550 +g25268 +S'French Soldier Addressing Germania' +p212551 +sg25270 +S'Jean-Louis Forain' +p212552 +sg25273 +S'brush and brown ink and black crayon on laid paper' +p212553 +sg25275 +S'c. 1914/1919' +p212554 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f5a.jpg' +p212555 +sg25267 +g27 +sa(dp212556 +g25268 +S'German Advance' +p212557 +sg25270 +S'Jean-Louis Forain' +p212558 +sg25273 +S'brush and brown ink and blue and black crayon on wove paper' +p212559 +sg25275 +S'c. 1914/1919' +p212560 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00070/a0007041.jpg' +p212561 +sg25267 +g27 +sa(dp212562 +g25268 +S'During the Armistice' +p212563 +sg25270 +S'Jean-Louis Forain' +p212564 +sg25273 +S'black crayon and brush and black ink on laid paper' +p212565 +sg25275 +S'c. 1914/1919' +p212566 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00070/a0007071.jpg' +p212567 +sg25267 +g27 +sa(dp212568 +g25268 +S'-Qu\'est-ce vous voulez? -Les "louis" de 1871' +p212569 +sg25270 +S'Jean-Louis Forain' +p212570 +sg25273 +S'brush and black ink and black crayon on laid paper' +p212571 +sg25275 +S'c. 1914/1919' +p212572 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a0007362.jpg' +p212573 +sg25267 +g27 +sa(dp212574 +g25268 +S'Christ Appearing to the Magdalene' +p212575 +sg25270 +S'Albrecht Altdorfer' +p212576 +sg25273 +S'woodcut' +p212577 +sg25275 +S'c. 1513' +p212578 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a720.jpg' +p212579 +sg25267 +g27 +sa(dp212580 +g25268 +S'Poilu Acknowledging German Soldier' +p212581 +sg25270 +S'Jean-Louis Forain' +p212582 +sg25273 +S'black crayon on laid paper' +p212583 +sg25275 +S'probably 1918' +p212584 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f8a.jpg' +p212585 +sg25267 +g27 +sa(dp212586 +g25268 +S"L'heure des gothas" +p212587 +sg25270 +S'Jean-Louis Forain' +p212588 +sg25273 +S'black crayon and brush and black ink corrected with white gouache on wove paper' +p212589 +sg25275 +S'c. 1914/1919' +p212590 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00070/a00070d0.jpg' +p212591 +sg25267 +g27 +sa(dp212592 +g25268 +S'Grace!' +p212593 +sg25270 +S'Jean-Louis Forain' +p212594 +sg25273 +S'brush and brown ink and black crayon on laid paper' +p212595 +sg25275 +S'c. 1914/1919' +p212596 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a0007363.jpg' +p212597 +sg25267 +g27 +sa(dp212598 +g25268 +S'News in the Trenches' +p212599 +sg25270 +S'Jean-Louis Forain' +p212600 +sg25273 +S'black crayon and brush and black ink on wove paper' +p212601 +sg25275 +S'c. 1914/1919' +p212602 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00070/a000703a.jpg' +p212603 +sg25267 +g27 +sa(dp212604 +g25268 +S'Versailles juillet. La Germania signe...' +p212605 +sg25270 +S'Jean-Louis Forain' +p212606 +sg25273 +S'black crayon and brown wash on wove paper' +p212607 +sg25275 +S'probably 1919' +p212608 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00070/a0007099.jpg' +p212609 +sg25267 +g27 +sa(dp212610 +g25268 +S'Ceux de la premiere heure. "Sire! ou en somme-nous de "la guerre fraiche et joyeuse"? ..."' +p212611 +sg25270 +S'Jean-Louis Forain' +p212612 +sg25273 +S'black crayon on wove paper' +p212613 +sg25275 +S'c. 1914/1919' +p212614 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006fb5.jpg' +p212615 +sg25267 +g27 +sa(dp212616 +g25268 +S'A Versailles juillet 1919' +p212617 +sg25270 +S'Jean-Louis Forain' +p212618 +sg25273 +S'brush and black ink and black crayon on wove paper' +p212619 +sg25275 +S'probably 1919' +p212620 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00070/a00070c6.jpg' +p212621 +sg25267 +g27 +sa(dp212622 +g25268 +S'Prussian Soldier and Civilians' +p212623 +sg25270 +S'Jean-Louis Forain' +p212624 +sg25273 +S'black crayon and brush and black ink on laid paper' +p212625 +sg25275 +S'c. 1919' +p212626 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00070/a0007069.jpg' +p212627 +sg25267 +g27 +sa(dp212628 +g25268 +S'After Douai' +p212629 +sg25270 +S'Jean-Louis Forain' +p212630 +sg25273 +S'brush with brown and black ink and black crayon onlaid paper' +p212631 +sg25275 +S'probably 1918' +p212632 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00070/a0007011.jpg' +p212633 +sg25267 +g27 +sa(dp212634 +g25268 +S'Lost Illusions' +p212635 +sg25270 +S'Jean-Louis Forain' +p212636 +sg25273 +S'black crayon and brush and gray ink on wove paper' +p212637 +sg25275 +S'probably 1918' +p212638 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00070/a00070a3.jpg' +p212639 +sg25267 +g27 +sa(dp212640 +g25268 +S'The Ascension' +p212641 +sg25270 +S'Albrecht Altdorfer' +p212642 +sg25273 +S'woodcut' +p212643 +sg25275 +S'c. 1513' +p212644 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a71f.jpg' +p212645 +sg25267 +g27 +sa(dp212646 +g25268 +S'After Douai' +p212647 +sg25270 +S'Jean-Louis Forain' +p212648 +sg25273 +S'brush and black ink on laid paper' +p212649 +sg25275 +S'probably 1918' +p212650 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006fe3.jpg' +p212651 +sg25267 +g27 +sa(dp212652 +g25268 +S'The Departure for Versailles' +p212653 +sg25270 +S'Jean-Louis Forain' +p212654 +sg25273 +S'brush and brown ink and graphite on laid paper' +p212655 +sg25275 +S'c. 1919' +p212656 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006efc.jpg' +p212657 +sg25267 +g27 +sa(dp212658 +g25268 +S'Le retour du permissionnaire. -Tu Tombes a pie!' +p212659 +sg25270 +S'Jean-Louis Forain' +p212660 +sg25273 +S'black and orange crayon and brush and black ink onwove paper' +p212661 +sg25275 +S'c. 1914/1919' +p212662 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006fdc.jpg' +p212663 +sg25267 +g27 +sa(dp212664 +g25268 +S'Si ils avaient vaincu' +p212665 +sg25270 +S'Jean-Louis Forain' +p212666 +sg25273 +S'brush and black ink on laid paper' +p212667 +sg25275 +S'c. 1919' +p212668 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006faf.jpg' +p212669 +sg25267 +g27 +sa(dp212670 +g25268 +S'Along the Marne' +p212671 +sg25270 +S'Jean-Louis Forain' +p212672 +sg25273 +S'black crayon and graphite touched with red and yellow crayon on wove paper' +p212673 +sg25275 +S'probably 1918' +p212674 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00070/a0007008.jpg' +p212675 +sg25267 +g27 +sa(dp212676 +g25268 +S'Germania before the Judges' +p212677 +sg25270 +S'Jean-Louis Forain' +p212678 +sg25273 +S'black crayon and brush and black ink on laid paper' +p212679 +sg25275 +S'c. 1914/1919' +p212680 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006d59.jpg' +p212681 +sg25267 +g27 +sa(dp212682 +g25268 +S'The Empire Destroys, The Republic Pays' +p212683 +sg25270 +S'Jean-Louis Forain' +p212684 +sg25273 +S'black crayon and brush and black ink on laid paper' +p212685 +sg25275 +S'probably 1918' +p212686 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006d87.jpg' +p212687 +sg25267 +g27 +sa(dp212688 +g25268 +S'Toward Peace' +p212689 +sg25270 +S'Jean-Louis Forain' +p212690 +sg25273 +S'black crayon and brush with black and brown ink onwove paper' +p212691 +sg25275 +S'c. 1914/1919' +p212692 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f81.jpg' +p212693 +sg25267 +g27 +sa(dp212694 +g25268 +S"C'est la, que j'ai fini le cure" +p212695 +sg25270 +S'Jean-Louis Forain' +p212696 +sg25273 +S'pen and brown ink with brown wash over black crayon on wove paper' +p212697 +sg25275 +S'c. 1914/1919' +p212698 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f52.jpg' +p212699 +sg25267 +g27 +sa(dp212700 +g25268 +S'In the Trenches' +p212701 +sg25270 +S'Jean-Louis Forain' +p212702 +sg25273 +S'black crayon with gray wash on wove paper' +p212703 +sg25275 +S'c. 1914/1919' +p212704 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006ef3.jpg' +p212705 +sg25267 +g27 +sa(dp212706 +g25268 +S'The Death of the Virgin' +p212707 +sg25270 +S'Albrecht Altdorfer' +p212708 +sg25273 +S'woodcut' +p212709 +sg25275 +S'c. 1513' +p212710 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a71e.jpg' +p212711 +sg25267 +g27 +sa(dp212712 +g25268 +S'Poilu and Tommy Conversing' +p212713 +sg25270 +S'Jean-Louis Forain' +p212714 +sg25273 +S'brush and black ink with watercolor over (graphite?) on laid paper' +p212715 +sg25275 +S'c. 1914/1919' +p212716 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006d2b.jpg' +p212717 +sg25267 +g27 +sa(dp212718 +g25268 +S'Hospital Scene' +p212719 +sg25270 +S'Jean-Louis Forain' +p212720 +sg25273 +S'brush and black ink on wove paper' +p212721 +sg25275 +S'c. 1914/1919' +p212722 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f23.jpg' +p212723 +sg25267 +g27 +sa(dp212724 +g25268 +S'7me 1914' +p212725 +sg25270 +S'Jean-Louis Forain' +p212726 +sg25273 +S'brush and black ink and black crayon on wove paper' +p212727 +sg25275 +S'c. 1914/1919' +p212728 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006ec4.jpg' +p212729 +sg25267 +g27 +sa(dp212730 +g25268 +S'The Story Teller' +p212731 +sg25270 +S'Jean-Louis Forain' +p212732 +sg25273 +S'brush and black ink and black crayon corrected with white gouache on wove paper' +p212733 +sg25275 +S'unknown date\n' +p212734 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006de7.jpg' +p212735 +sg25267 +g27 +sa(dp212736 +g25268 +S'Two Soldiers in a Trench' +p212737 +sg25270 +S'Jean-Louis Forain' +p212738 +sg25273 +S'black crayon and brush and black ink on wove paper' +p212739 +sg25275 +S'c. 1914/1919' +p212740 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006e9a.jpg' +p212741 +sg25267 +g27 +sa(dp212742 +g25268 +S"-Un farman? -non, c'est un boche." +p212743 +sg25270 +S'Jean-Louis Forain' +p212744 +sg25273 +S'black crayon and brush and black ink on laid paper' +p212745 +sg25275 +S'c. 1914/1919' +p212746 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006ea1.jpg' +p212747 +sg25267 +g27 +sa(dp212748 +g25268 +S'Toward Justice' +p212749 +sg25270 +S'Jean-Louis Forain' +p212750 +sg25273 +S'black crayon on laid paper' +p212751 +sg25275 +S'c. 1914/1919' +p212752 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006e43.jpg' +p212753 +sg25267 +g27 +sa(dp212754 +g25268 +S'Lost Illusions' +p212755 +sg25270 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+g25268 +S'Masquerade' +p213102 +sg25270 +S'German 16th Century' +p213103 +sg25273 +S'image: 23.3 x 23.8 cm (9 3/16 x 9 3/8 in.)\r\nsheet: 33 x 26.4 cm (13 x 10 3/8 in.)' +p213104 +sg25275 +S'\npen and brown ink with watercolor on laid paper' +p213105 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00079/a0007977.jpg' +p213106 +sg25267 +g27 +sa(dp213107 +g25268 +S'Masquerade' +p213108 +sg25270 +S'German 16th Century' +p213109 +sg25273 +S'image: 23.3 x 23.7 cm (9 3/16 x 9 5/16 in.)\r\nsheet: 33.7 x 26.4 cm (13 1/4 x 10 3/8 in.)' +p213110 +sg25275 +S'\npen and brown ink with watercolor on laid paper' +p213111 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00079/a0007972.jpg' +p213112 +sg25267 +g27 +sa(dp213113 +g25268 +S'Masquerade' +p213114 +sg25270 +S'German 16th Century' +p213115 +sg25273 +S'image: 23.3 x 23.7 cm (9 3/16 x 9 5/16 in.)\r\nsheet: 34 x 26.4 cm (13 3/8 x 10 3/8 in.)' +p213116 +sg25275 +S'\npen and brown ink with watercolor on laid paper' +p213117 +sg25314 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watercolor on laid paper' +p213135 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00079/a0007978.jpg' +p213136 +sg25267 +g27 +sa(dp213137 +g25268 +S'Masquerade' +p213138 +sg25270 +S'German 16th Century' +p213139 +sg25273 +S'image: 23.3 cm (9 3/16 in.)\r\nsheet: 33.7 x 26.9 cm (13 1/4 x 10 9/16 in.)' +p213140 +sg25275 +S'\npen and brown ink with watercolor on laid paper' +p213141 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00079/a0007979.jpg' +p213142 +sg25267 +g27 +sa(dp213143 +g25268 +S'Saint John Summoned to Heaven' +p213144 +sg25270 +S'Jean Duvet' +p213145 +sg25273 +S'engraving' +p213146 +sg25275 +S'1546/1556' +p213147 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a00083cd.jpg' +p213148 +sg25267 +g27 +sa(dp213149 +g25268 +S'Masquerade' +p213150 +sg25270 +S'German 16th Century' +p213151 +sg25273 +S'image: 23.2 x 23.9 cm (9 1/8 x 9 7/16 in.)\r\nsheet: 34.1 x 26.4 cm (13 7/16 x 10 3/8 in.)' +p213152 +sg25275 +S'\npen and brown ink with watercolor on laid paper' +p213153 +sg25314 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on laid paper' +p213171 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00079/a000797d.jpg' +p213172 +sg25267 +g27 +sa(dp213173 +g25268 +S'Masquerade' +p213174 +sg25270 +S'German 16th Century' +p213175 +sg25273 +S'image: 23.5 cm (9 1/4 in.)\r\nsheet: 34.1 x 26.5 cm (13 7/16 x 10 7/16 in.)' +p213176 +sg25275 +S'\npen and brown ink with watercolor on laid paper' +p213177 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00079/a000797b.jpg' +p213178 +sg25267 +g27 +sa(dp213179 +g25268 +S'Masquerade' +p213180 +sg25270 +S'German 16th Century' +p213181 +sg25273 +S'image: 23.3 cm (9 3/16 in.)\r\nsheet: 34.1 x 26.2 cm (13 7/16 x 10 5/16 in.)' +p213182 +sg25275 +S'\npen and brown ink with watercolor on laid paper' +p213183 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00079/a000797c.jpg' +p213184 +sg25267 +g27 +sa(dp213185 +g25268 +S'Masquerade' +p213186 +sg25270 +S'German 16th Century' +p213187 +sg25273 +S'image: 23.2 cm (9 1/8 in.)\r\nsheet: 33.6 x 26.9 cm (13 1/4 x 10 9/16 in.)' +p213188 +sg25275 +S'\npen and brown ink with watercolor on laid paper' +p213189 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00079/a000797a.jpg' +p213190 +sg25267 +g27 +sa(dp213191 +g25268 +S'Masquerade' +p213192 +sg25270 +S'German 16th Century' +p213193 +sg25273 +S'image: 23.2 cm (9 1/8 in.)\r\nsheet: 32.8 x 26.4 cm (12 15/16 x 10 3/8 in.)' +p213194 +sg25275 +S'\npen and brown ink with watercolor on laid paper' +p213195 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00079/a0007981.jpg' +p213196 +sg25267 +g27 +sa(dp213197 +g25268 +S'Masquerade' +p213198 +sg25270 +S'German 16th Century' +p213199 +sg25273 +S'image: 23.3 cm (9 3/16 in.)\r\nsheet: 33.7 x 26.4 cm (13 1/4 x 10 3/8 in.)' +p213200 +sg25275 +S'\npen and brown ink with watercolor on laid paper' +p213201 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00079/a0007982.jpg' +p213202 +sg25267 +g27 +sa(dp213203 +g25273 +S'etching' +p213204 +sg25267 +g27 +sg25275 +S'1934' +p213205 +sg25268 +S'3 A.M.' +p213206 +sg25270 +S'Isac Friedlander' +p213207 +sa(dp213208 +g25268 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+sa(dp213235 +g25268 +S'Sister Rosalie (Soeur Rosalie)' +p213236 +sg25270 +S'Ferdinand Gaillard' +p213237 +sg25273 +S'engraving and (photo process?)' +p213238 +sg25275 +S'unknown date\n' +p213239 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00095/a00095db.jpg' +p213240 +sg25267 +g27 +sa(dp213241 +g25268 +S'Leo XIII' +p213242 +sg25270 +S'Ferdinand Gaillard' +p213243 +sg25273 +S'engraving and (photo process?)' +p213244 +sg25275 +S'unknown date\n' +p213245 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00095/a00095d8.jpg' +p213246 +sg25267 +g27 +sa(dp213247 +g25268 +S'Pius IX' +p213248 +sg25270 +S'Ferdinand Gaillard' +p213249 +sg25273 +S'engraving' +p213250 +sg25275 +S'1873' +p213251 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009f7d.jpg' +p213252 +sg25267 +g27 +sa(dp213253 +g25268 +S'Masquerade' +p213254 +sg25270 +S'German 16th Century' +p213255 +sg25273 +S'image: 23.3 x 23.7 cm (9 3/16 x 9 5/16 in.)\r\nsheet: 34.1 x 26.3 cm (13 7/16 x 10 3/8 in.)' +p213256 +sg25275 +S'\npen and brown ink with watercolor on laid paper' +p213257 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00079/a0007983.jpg' +p213258 +sg25267 +g27 +sa(dp213259 +g25273 +S'Rosenwald Collection' +p213260 +sg25267 +g27 +sg25275 +S'\nbound volume with 55 watercolors' +p213261 +sg25268 +S'Freydal: Combats on Foot (Jousts), volume III' +p213262 +sg25270 +S'German 16th Century' +p213263 +sa(dp213264 +g25273 +S'Rosenwald Collection' +p213265 +sg25267 +g27 +sg25275 +S'\nbound volume with 76 watercolors' +p213266 +sg25268 +S'Freydal: Combats on Horseback (Jousts), volume I' +p213267 +sg25270 +S'German 16th Century' +p213268 +sa(dp213269 +g25268 +S'A King and Diana Receiving Huntsmen' +p213270 +sg25270 +S'Jean Duvet' +p213271 +sg25273 +S'engraving' +p213272 +sg25275 +S'probably c. 1547/1555' +p213273 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00083/a00083ae.jpg' +p213274 +sg25267 +g27 +sa(dp213275 +g25273 +S'Rosenwald Collection' +p213276 +sg25267 +g27 +sg25275 +S'\nbound volume with 44 watercolors' +p213277 +sg25268 +S'Freydal: Combats on Horseback (Jousts), volume II' +p213278 +sg25270 +S'German 16th Century' +p213279 +sa(dp213280 +g25268 +S'The Poor Family (Une famille pauvre)' +p213281 +sg25270 +S'Paul Gavarni' +p213282 +sg25273 +S'lithograph' +p213283 +sg25275 +S'1843/1848' +p213284 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009a/a0009aad.jpg' +p213285 +sg25267 +g27 +sa(dp213286 +g25268 +S'The Model and the Figure (La sculpture monumentale)' +p213287 +sg25270 +S'Paul Gavarni' +p213288 +sg25273 +S'lithograph' +p213289 +sg25275 +S'1847/1856' +p213290 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009a/a0009aa7.jpg' +p213291 +sg25267 +g27 +sa(dp213292 +g25268 +S"After the Pardon (Il lui sera beaucoup pardonne parce qu'elle a beaucoup danse)" +p213293 +sg25270 +S'Paul Gavarni' +p213294 +sg25273 +S'lithograph' +p213295 +sg25275 +S'1847/1856' +p213296 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009a/a0009aa5.jpg' +p213297 +sg25267 +g27 +sa(dp213298 +g25268 +S'Discussion of Budget' +p213299 +sg25270 +S'Paul Gavarni' +p213300 +sg25273 +S'lithograph' +p213301 +sg25275 +S'unknown date\n' +p213302 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009a/a0009aa3.jpg' +p213303 +sg25267 +g27 +sa(dp213304 +g25268 +S'The Masked Ball' +p213305 +sg25270 +S'Paul Gavarni' +p213306 +sg25273 +S'lithograph' +p213307 +sg25275 +S'unknown date\n' +p213308 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009f7c.jpg' +p213309 +sg25267 +g27 +sa(dp213310 +g25268 +S'Alexander Gabriel Descamps' +p213311 +sg25270 +S'Paul Gavarni' +p213312 +sg25273 +S'lithograph' +p213313 +sg25275 +S'1853' +p213314 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009a/a0009aae.jpg' +p213315 +sg25267 +g27 +sa(dp213316 +g25268 +S'Reverie' +p213317 +sg25270 +S'Paul Gavarni' +p213318 +sg25273 +S'pen and gray and red ink, heightened with white, on darkened paper' +p213319 +sg25275 +S'unknown date\n' +p213320 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a0007368.jpg' +p213321 +sg25267 +g27 +sa(dp213322 +g25268 +S'Head of a Woman' +p213323 +sg25270 +S'Paul Gavarni' +p213324 +sg25273 +S'pen and brown ink on laid paper' +p213325 +sg25275 +S'unknown date\n' +p213326 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00071/a0007141.jpg' +p213327 +sg25267 +g27 +sa(dp213328 +g25268 +S'C\'etais "pour se donner des forces"' +p213329 +sg25270 +S'Paul Gavarni' +p213330 +sg25273 +S'pen and brown, blue and red ink, heightened with white, on brown prepared paper' +p213331 +sg25275 +S'c. 1884' +p213332 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a0007366.jpg' +p213333 +sg25267 +g27 +sa(dp213334 +g25268 +S'The Unicorn Purifies the Water with Its Horn' +p213335 +sg25270 +S'Jean Duvet' +p213336 +sg25273 +S'engraving' +p213337 +sg25275 +S'probably c. 1555/1561' +p213338 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00084/a00084d2.jpg' +p213339 +sg25267 +g27 +sa(dp213340 +g25268 +S'Sketch of a Man' +p213341 +sg25270 +S'Paul Gavarni' +p213342 +sg25273 +S'pen and brown and red ink on laid paper' +p213343 +sg25275 +S'unknown date\n' +p213344 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00071/a00071a6.jpg' +p213345 +sg25267 +g27 +sa(dp213346 +g25268 +S'Et pas le Sou pour Souper' +p213347 +sg25270 +S'Paul Gavarni' +p213348 +sg25273 +S'pen and red and brown ink with watercolor, heightened with white' +p213349 +sg25275 +S'unknown date\n' +p213350 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a0007367.jpg' +p213351 +sg25267 +g27 +sa(dp213352 +g25268 +S'English Beggar' +p213353 +sg25270 +S'Paul Gavarni' +p213354 +sg25273 +S'graphite and watercolor, heightened with white' +p213355 +sg25275 +S'unknown date\n' +p213356 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a0007369.jpg' +p213357 +sg25267 +g27 +sa(dp213358 +g25268 +S'Wayside Shrine in Brittany (Le calvaire Breton)' +p213359 +sg25270 +S'Paul Gauguin' +p213360 +sg25273 +S'woodcut on very thin japan paper' +p213361 +sg25275 +S'in or after 1895' +p213362 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00066/a000669a.jpg' +p213363 +sg25267 +g27 +sa(dp213364 +g25268 +S'Mahana Atua (The Food of the Gods)' +p213365 +sg25270 +S'Paul Gauguin' +p213366 +sg25273 +S'woodcut printed in black and gray by Pola Gauguin in 1921' +p213367 +sg25275 +S'1894/1895' +p213368 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009a/a0009a84.jpg' +p213369 +sg25267 +g27 +sa(dp213370 +g25268 +S'Tahitian Carrying Bananas (Le porteur de fei)' +p213371 +sg25270 +S'Paul Gauguin' +p213372 +sg25273 +S'woodcut' +p213373 +sg25275 +S'in or after 1895' +p213374 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00067/a000671a.jpg' +p213375 +sg25267 +g27 +sa(dp213376 +g25268 +S'Te Atua (The Gods) Small Plate [recto]' +p213377 +sg25270 +S'Paul Gauguin' +p213378 +sg25273 +S'woodcut in black on very thin japan paper, mounted face down' +p213379 +sg25275 +S'in or after 1895' +p213380 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00016/a000163c.jpg' +p213381 +sg25267 +g27 +sa(dp213382 +g25268 +S'Te Atua (The Gods) Small Plate [verso]' +p213383 +sg25270 +S'Paul Gauguin' +p213384 +sg25273 +S'woodcut in black on wove paper [unique proof]' +p213385 +sg25275 +S'in or after 1895' +p213386 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00016/a000163d.jpg' +p213387 +sg25267 +g27 +sa(dp213388 +g25268 +S'Te Atua (The Gods) Small Plate' +p213389 +sg25270 +S'Paul Gauguin' +p213390 +sg25273 +S'woodcut in black on thin japan paper (Guerin 61) laid down on woodcut in black on wove paper (Guerin 60)' +p213391 +sg25275 +S'in or after 1895' +p213392 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00067/a0006749.jpg' +p213393 +sg25267 +g27 +sa(dp213394 +g25268 +S'Human Sorrow (Miseres humaines)' +p213395 +sg25270 +S'Paul Gauguin' +p213396 +sg25273 +S'woodcut on japan paper, perimeter mounted' +p213397 +sg25275 +S'in or after 1895' +p213398 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00066/a00066bb.jpg' +p213399 +sg25267 +g27 +sa(dp213400 +g25268 +S'Tobias and the Angel (The Little Tobias)' +p213401 +sg25270 +S'Artist Information (' +p213402 +sg25273 +S'(artist after)' +p213403 +sg25275 +S'\n' +p213404 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d2/a000d24b.jpg' +p213405 +sg25267 +g27 +sa(dp213406 +g25268 +S'Title Page for "Le Sourire" (Titre du Sourire)' +p213407 +sg25270 +S'Paul Gauguin' +p213408 +sg25273 +S'woodcut on japan paper' +p213409 +sg25275 +S'in or after 1895' +p213410 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00066/a00066bc.jpg' +p213411 +sg25267 +g27 +sa(dp213412 +g25268 +S'Title Page for "Le Sourire" (Titre du Sourire)' +p213413 +sg25270 +S'Paul Gauguin' +p213414 +sg25273 +S'woodcut on japan paper' +p213415 +sg25275 +S'in or after 1895' +p213416 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00066/a00066df.jpg' +p213417 +sg25267 +g27 +sa(dp213418 +g25268 +S'Maruru (Thank You)' +p213419 +sg25270 +S'Paul Gauguin' +p213420 +sg25273 +S'woodcut in black on coated paper [modern impression issued by the Print and Drawing Club, Art Institute of Chicago]' +p213421 +sg25275 +S'1894/1895' +p213422 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009a/a0009a7b.jpg' +p213423 +sg25267 +g27 +sa(dp213424 +g25268 +S'Shepherd and Shepherdess Conversing in a Landscape (Berger et berg\xc3\xa8re conversant)' +p213425 +sg25270 +S'Claude Lorrain' +p213426 +sg25273 +S'etching' +p213427 +sg25275 +S'c. 1651' +p213428 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008a/a0008af4.jpg' +p213429 +sg25267 +g27 +sa(dp213430 +g25268 +S'The Cowherd (Le bouvier)' +p213431 +sg25270 +S'Claude Lorrain' +p213432 +sg25273 +S'etching' +p213433 +sg25275 +S'1636' +p213434 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00063/a0006391.jpg' +p213435 +sg25267 +g27 +sa(dp213436 +g25268 +S'The Flemish Farrier' +p213437 +sg25270 +S'Th\xc3\xa9odore Gericault' +p213438 +sg25273 +S'lithograph' +p213439 +sg25275 +S'1821' +p213440 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f95.jpg' +p213441 +sg25267 +g27 +sa(dp213442 +g25268 +S'A French Farrier' +p213443 +sg25270 +S'Th\xc3\xa9odore Gericault' +p213444 +sg25273 +S'lithograph' +p213445 +sg25275 +S'1821' +p213446 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009a/a0009ac2.jpg' +p213447 +sg25267 +g27 +sa(dp213448 +g25268 +S'Christ Making Saint Peter Head of the Church' +p213449 +sg25270 +S'Artist Information (' +p213450 +sg25273 +S'(artist after)' +p213451 +sg25275 +S'\n' +p213452 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005b/a0005b3f.jpg' +p213453 +sg25267 +g27 +sa(dp213454 +g25268 +S'Latona Giving Birth to Apollo and Diana on the Island of Delos' +p213455 +sg25270 +S'Artist Information (' +p213456 +sg25273 +S'(artist after)' +p213457 +sg25275 +S'\n' +p213458 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005b/a0005b40.jpg' +p213459 +sg25267 +g27 +sa(dp213460 +g25273 +S'woodcut' +p213461 +sg25267 +g27 +sg25275 +S'1936' +p213462 +sg25268 +S'Lost Anchor' +p213463 +sg25270 +S'Robert Gibbings' +p213464 +sa(dp213465 +g25268 +S'Tobias and the Angel (The Large Tobias)' +p213466 +sg25270 +S'Artist Information (' +p213467 +sg25273 +S'(artist after)' +p213468 +sg25275 +S'\n' +p213469 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f34.jpg' +p213470 +sg25267 +g27 +sa(dp213471 +g25273 +S'drypoint' +p213472 +sg25267 +g27 +sg25275 +S'c. 1918' +p213473 +sg25268 +S'Self-Portrait' +p213474 +sg25270 +S'Anne Goldthwaite' +p213475 +sa(dp213476 +g25268 +S'Calliope' +p213477 +sg25270 +S'Hendrick Goltzius' +p213478 +sg25273 +S', 1592' +p213479 +sg25275 +S'\n' +p213480 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ce22.jpg' +p213481 +sg25267 +g27 +sa(dp213482 +g25268 +S'Thalia' +p213483 +sg25270 +S'Hendrick Goltzius' +p213484 +sg25273 +S', probably 1592' +p213485 +sg25275 +S'\n' +p213486 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ce21.jpg' +p213487 +sg25267 +g27 +sa(dp213488 +g25268 +S'Melpomene' +p213489 +sg25270 +S'Hendrick Goltzius' +p213490 +sg25273 +S', probably 1592' +p213491 +sg25275 +S'\n' +p213492 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ce20.jpg' +p213493 +sg25267 +g27 +sa(dp213494 +g25268 +S'Clio' +p213495 +sg25270 +S'Hendrick Goltzius' +p213496 +sg25273 +S', probably 1592' +p213497 +sg25275 +S'\n' +p213498 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ce1f.jpg' +p213499 +sg25267 +g27 +sa(dp213500 +g25268 +S'Terpsichore' +p213501 +sg25270 +S'Hendrick Goltzius' +p213502 +sg25273 +S', probably 1592' +p213503 +sg25275 +S'\n' +p213504 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ce1e.jpg' +p213505 +sg25267 +g27 +sa(dp213506 +g25268 +S'Frederik de Vries' +p213507 +sg25270 +S'Hendrick Goltzius' +p213508 +sg25273 +S', 1597' +p213509 +sg25275 +S'\n' +p213510 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cf/a000cfc5.jpg' +p213511 +sg25267 +g27 +sa(dp213512 +g25268 +S'Cliff on the Seashore' +p213513 +sg25270 +S'Hendrick Goltzius' +p213514 +sg25273 +S', probably 1592/1595' +p213515 +sg25275 +S'\n' +p213516 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ce3f.jpg' +p213517 +sg25267 +g27 +sa(dp213518 +g25268 +S'Landscape with a Waterfall' +p213519 +sg25270 +S'Hendrick Goltzius' +p213520 +sg25273 +S', probably 1592/1595' +p213521 +sg25275 +S'\n' +p213522 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ce43.jpg' +p213523 +sg25267 +g27 +sa(dp213524 +g25268 +S'Landscape with a Farmhouse' +p213525 +sg25270 +S'Hendrick Goltzius' +p213526 +sg25273 +S', probably 1592/1595' +p213527 +sg25275 +S'\n' +p213528 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ce41.jpg' +p213529 +sg25267 +g27 +sa(dp213530 +g25268 +S'The Flight into Egypt' +p213531 +sg25270 +S'Artist Information (' +p213532 +sg25273 +S'(artist after)' +p213533 +sg25275 +S'\n' +p213534 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d6/a000d60c.jpg' +p213535 +sg25267 +g27 +sa(dp213536 +g25268 +S'Galatea' +p213537 +sg25270 +S'Hendrick Goltzius' +p213538 +sg25273 +S', 1588/1590' +p213539 +sg25275 +S'\n' +p213540 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0005d/a0005d10.jpg' +p213541 +sg25267 +g27 +sa(dp213542 +g25268 +S'Pluto' +p213543 +sg25270 +S'Hendrick Goltzius' +p213544 +sg25273 +S', 1588/1590' +p213545 +sg25275 +S'\n' +p213546 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cf/a000cfd6.jpg' +p213547 +sg25267 +g27 +sa(dp213548 +g25268 +S'Neptune' +p213549 +sg25270 +S'Hendrick Goltzius' +p213550 +sg25273 +S', 1588/1590' +p213551 +sg25275 +S'\n' +p213552 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cf/a000cfd7.jpg' +p213553 +sg25267 +g27 +sa(dp213554 +g25268 +S'Hercules Killing Cacus' +p213555 +sg25270 +S'Hendrick Goltzius' +p213556 +sg25273 +S', 1588' +p213557 +sg25275 +S'\n' +p213558 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d066.jpg' +p213559 +sg25267 +g27 +sa(dp213560 +g25268 +S'Helios' +p213561 +sg25270 +S'Hendrick Goltzius' +p213562 +sg25273 +S', 1588/1590' +p213563 +sg25275 +S'\n' +p213564 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cf/a000cfd4.jpg' +p213565 +sg25267 +g27 +sa(dp213566 +g25268 +S'Nox (Goddess of Night)' +p213567 +sg25270 +S'Hendrick Goltzius' +p213568 +sg25273 +S', 1588/1590' +p213569 +sg25275 +S'\n' +p213570 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004b/a0004ba7.jpg' +p213571 +sg25267 +g27 +sa(dp213572 +g25268 +S'Allegory with a Woman with Two Serpents and Two Pigeons' +p213573 +sg25270 +S'Hendrick Goltzius' +p213574 +sg25273 +S', c. 1586' +p213575 +sg25275 +S'\n' +p213576 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ce18.jpg' +p213577 +sg25267 +g27 +sa(dp213578 +g25268 +S'Sight' +p213579 +sg25270 +S'Artist Information (' +p213580 +sg25273 +S'(artist after)' +p213581 +sg25275 +S'\n' +p213582 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ceaf.jpg' +p213583 +sg25267 +g27 +sa(dp213584 +g25268 +S'Hearing' +p213585 +sg25270 +S'Artist Information (' +p213586 +sg25273 +S'(artist after)' +p213587 +sg25275 +S'\n' +p213588 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ceb0.jpg' +p213589 +sg25267 +g27 +sa(dp213590 +g25268 +S'Smell' +p213591 +sg25270 +S'Artist Information (' +p213592 +sg25273 +S'(artist after)' +p213593 +sg25275 +S'\n' +p213594 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ceb1.jpg' +p213595 +sg25267 +g27 +sa(dp213596 +g25268 +S'Beheading of Saint John the Baptist' +p213597 +sg25270 +S'Artist Information (' +p213598 +sg25273 +S'(artist after)' +p213599 +sg25275 +S'\n' +p213600 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d2/a000d253.jpg' +p213601 +sg25267 +g27 +sa(dp213602 +g25268 +S'Taste' +p213603 +sg25270 +S'Artist Information (' +p213604 +sg25273 +S'(artist after)' +p213605 +sg25275 +S'\n' +p213606 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ceb2.jpg' +p213607 +sg25267 +g27 +sa(dp213608 +g25268 +S'Touch' +p213609 +sg25270 +S'Artist Information (' +p213610 +sg25273 +S'(artist after)' +p213611 +sg25275 +S'\n' +p213612 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00050/a0005039.jpg' +p213613 +sg25267 +g27 +sa(dp213614 +g25268 +S'Frederick II' +p213615 +sg25270 +S'Hendrick Goltzius' +p213616 +sg25273 +S', 1590' +p213617 +sg25275 +S'\n' +p213618 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ce2f.jpg' +p213619 +sg25267 +g27 +sa(dp213620 +g25268 +S'Jan Nicquet' +p213621 +sg25270 +S'Hendrick Goltzius' +p213622 +sg25273 +S', 1595' +p213623 +sg25275 +S'\n' +p213624 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ce2c.jpg' +p213625 +sg25267 +g27 +sa(dp213626 +g25268 +S'Johannes Zurenus (Jan van Suren)' +p213627 +sg25270 +S'Artist Information (' +p213628 +sg25273 +S'(artist after)' +p213629 +sg25275 +S'\n' +p213630 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ce37.jpg' +p213631 +sg25267 +g27 +sa(dp213632 +g25268 +S'Nicolaus Petri van Deventer' +p213633 +sg25270 +S'Hendrick Goltzius' +p213634 +sg25273 +S', 1595' +p213635 +sg25275 +S'\n' +p213636 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ce35.jpg' +p213637 +sg25267 +g27 +sa(dp213638 +g25268 +S'Hieronymus Scholiers' +p213639 +sg25270 +S'Hendrick Goltzius' +p213640 +sg25273 +S', 1583' +p213641 +sg25275 +S'\n' +p213642 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ce36.jpg' +p213643 +sg25267 +g27 +sa(dp213644 +g25268 +S'Ascending Ornament' +p213645 +sg25270 +S'Lambert Hopfer' +p213646 +sg25273 +S'etching' +p213647 +sg25275 +S'unknown date\n' +p213648 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b2/a000b270.jpg' +p213649 +sg25267 +g27 +sa(dp213650 +g25268 +S'Ascending Ornament' +p213651 +sg25270 +S'Lambert Hopfer' +p213652 +sg25273 +S'etching' +p213653 +sg25275 +S'unknown date\n' +p213654 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b1/a000b1ab.jpg' +p213655 +sg25267 +g27 +sa(dp213656 +g25268 +S'Autumn' +p213657 +sg25270 +S'Artist Information (' +p213658 +sg25273 +S'(artist after)' +p213659 +sg25275 +S'\n' +p213660 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ce/a000cead.jpg' +p213661 +sg25267 +g27 +sa(dp213662 +g25268 +S'The Mocking of Ceres' +p213663 +sg25270 +S'Artist Information (' +p213664 +sg25273 +S'(artist after)' +p213665 +sg25275 +S'\n' +p213666 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d510.jpg' +p213667 +sg25267 +g27 +sa(dp213668 +g25268 +S'Winter' +p213669 +sg25270 +S'Artist Information (' +p213670 +sg25273 +S'(artist after)' +p213671 +sg25275 +S'\n' +p213672 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ceae.jpg' +p213673 +sg25267 +g27 +sa(dp213674 +g25268 +S'Self-Portrait at the Easel' +p213675 +sg25270 +S'Francis Seymour Haden' +p213676 +sg25273 +S'etching [cancellation proof]' +p213677 +sg25275 +S'1880/1886' +p213678 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0007c/a0007c30.jpg' +p213679 +sg25267 +g27 +sa(dp213680 +g25268 +S'Marcus Valerius Corvus' +p213681 +sg25270 +S'Hendrick Goltzius' +p213682 +sg25273 +S', probably 1586' +p213683 +sg25275 +S'\n' +p213684 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cf/a000cfc3.jpg' +p213685 +sg25267 +g27 +sa(dp213686 +g25268 +S'Mucius Scaevola' +p213687 +sg25270 +S'Hendrick Goltzius' +p213688 +sg25273 +S', probably 1586' +p213689 +sg25275 +S'\n' +p213690 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cf/a000cfc4.jpg' +p213691 +sg25267 +g27 +sa(dp213692 +g25268 +S'Spring' +p213693 +sg25270 +S'Artist Information (' +p213694 +sg25273 +S'(artist after)' +p213695 +sg25275 +S'\n' +p213696 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ceab.jpg' +p213697 +sg25267 +g27 +sa(dp213698 +g25268 +S'Summer' +p213699 +sg25270 +S'Artist Information (' +p213700 +sg25273 +S'(artist after)' +p213701 +sg25275 +S'\n' +p213702 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ceac.jpg' +p213703 +sg25267 +g27 +sa(dp213704 +g25268 +S'The Captain of the Infantry, Marching to the Left' +p213705 +sg25270 +S'Hendrick Goltzius' +p213706 +sg25273 +S', 1587' +p213707 +sg25275 +S'\n' +p213708 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cf/a000cfce.jpg' +p213709 +sg25267 +g27 +sa(dp213710 +g25268 +S"Countess Francoise D'Egmond" +p213711 +sg25270 +S'Hendrick Goltzius' +p213712 +sg25273 +S', 1580' +p213713 +sg25275 +S'\n' +p213714 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ce25.jpg' +p213715 +sg25267 +g27 +sa(dp213716 +g25268 +S'Presentation' +p213717 +sg25270 +S'German 15th Century' +p213718 +sg25273 +S'Schreiber Manuel, no. 3448' +p213719 +sg25275 +S'\nhand-colored woodcut' +p213720 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a5ea.jpg' +p213721 +sg25267 +g27 +sa(dp213722 +g25268 +S'Christoph Plantin' +p213723 +sg25270 +S'Hendrick Goltzius' +p213724 +sg25273 +S', probably c. 1583' +p213725 +sg25275 +S'\n' +p213726 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ce3a.jpg' +p213727 +sg25267 +g27 +sa(dp213728 +g25268 +S'Portrait of an Elderly Lady' +p213729 +sg25270 +S'Frans Hals' +p213730 +sg25273 +S'oil on canvas' +p213731 +sg25275 +S'1633' +p213732 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e59.jpg' +p213733 +sg25267 +S"The strength and vitality of the people who helped establish the new Dutch Republic\nare nowhere better captured than in paintings by Frans Hals. Hals was the preeminent\nportrait painter in Haarlem, the most important Dutch city in the early part of\nthe seventeenth century. This mercantile, intellectual, and artistic center attracted\nmany immigrants from Flanders, including Hals' parents.\n Although the name of this sitter is not known, Hals inscribed her age, sixty, and\nthe date of the painting, 1633, in the background on the left. The prayer book she\nholds in her right hand and her conservative black costume with its white ruff clearly indicate\nher pious nature, yet Hals tells us far more about her through her face and hands\nthan through her costume and book. With firm yet broad strokes of his brush he conveys\nher lively, robust personality. Her self-confidence is felt in the twinkle of her\neyes, in the firm grasp of her hand on the arm of the chair, and by the strong silhouette\nof her form against the gray background.\n " +p213734 +sa(dp213735 +g25268 +S'Jupiter and Mercury in the House of Philemon and Baucis' +p213736 +sg25270 +S'Artist Information (' +p213737 +sg25273 +S'(artist after)' +p213738 +sg25275 +S'\n' +p213739 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00068/a0006823.jpg' +p213740 +sg25267 +g27 +sa(dp213741 +g25268 +S'Pike Bearer Standing' +p213742 +sg25270 +S'Hendrick Goltzius' +p213743 +sg25273 +S', 1583' +p213744 +sg25275 +S'\n' +p213745 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cf/a000cfcf.jpg' +p213746 +sg25267 +g27 +sa(dp213747 +g25268 +S'The Adoration of the Magi' +p213748 +sg25270 +S'Hendrick Goltzius' +p213749 +sg25273 +S', c. 1586' +p213750 +sg25275 +S'\n' +p213751 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ce09.jpg' +p213752 +sg25267 +g27 +sa(dp213753 +g25268 +S'Piet\xc3\xa0 (The Sorrowing Virgin with the Dead Christ in Her Lap)' +p213754 +sg25270 +S'Hendrick Goltzius' +p213755 +sg25273 +S', 1596' +p213756 +sg25275 +S'\n' +p213757 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ce0a.jpg' +p213758 +sg25267 +g27 +sa(dp213759 +g25273 +S'drypoint on wove paper' +p213760 +sg25267 +g27 +sg25275 +S'1931' +p213761 +sg25268 +S'Head of Man with Beard' +p213762 +sg25270 +S'Elias M. Grossman' +p213763 +sa(dp213764 +g25273 +S'drypoint' +p213765 +sg25267 +g27 +sg25275 +S'1934' +p213766 +sg25268 +S'Man with Pipe' +p213767 +sg25270 +S'Elias M. Grossman' +p213768 +sa(dp213769 +g25273 +S'drypoint' +p213770 +sg25267 +g27 +sg25275 +S'unknown date\n' +p213771 +sg25268 +S'Justice S.G.' +p213772 +sg25270 +S'Elias M. Grossman' +p213773 +sa(dp213774 +g25273 +S'drypoint' +p213775 +sg25267 +g27 +sg25275 +S'unknown date\n' +p213776 +sg25268 +S'Professor Ferdinand Brunot' +p213777 +sg25270 +S'Elias M. Grossman' +p213778 +sa(dp213779 +g25273 +S'drypoint' +p213780 +sg25267 +g27 +sg25275 +S'unknown date\n' +p213781 +sg25268 +S'Russian Peasant' +p213782 +sg25270 +S'Elias M. Grossman' +p213783 +sa(dp213784 +g25273 +S'drypoint' +p213785 +sg25267 +g27 +sg25275 +S'unknown date\n' +p213786 +sg25268 +S'Man with Prayer Shawl' +p213787 +sg25270 +S'Elias M. Grossman' +p213788 +sa(dp213789 +g25273 +S'(artist after)' +p213790 +sg25267 +g27 +sg25275 +S'\n' +p213791 +sg25268 +S'Georgiana (Spencer), Duchess of Devonshire' +p213792 +sg25270 +S'Artist Information (' +p213793 +sa(dp213794 +g25268 +S'Landscape at Dawn: Aurora' +p213795 +sg25270 +S'Artist Information (' +p213796 +sg25273 +S'(artist after)' +p213797 +sg25275 +S'\n' +p213798 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d2/a000d24a.jpg' +p213799 +sg25267 +g27 +sa(dp213800 +g25273 +S'(artist after)' +p213801 +sg25267 +g27 +sg25275 +S'\n' +p213802 +sg25268 +S'William Innes' +p213803 +sg25270 +S'Artist Information (' +p213804 +sa(dp213805 +g25273 +S'(artist after)' +p213806 +sg25267 +g27 +sg25275 +S'\n' +p213807 +sg25268 +S'Henry Laurens' +p213808 +sg25270 +S'Artist Information (' +p213809 +sa(dp213810 +g25268 +S'The Wright Family (The Bradshaw Children)' +p213811 +sg25270 +S'Artist Information (' +p213812 +sg25273 +S'(artist after)' +p213813 +sg25275 +S'\n' +p213814 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00078/a00078af.jpg' +p213815 +sg25267 +g27 +sa(dp213816 +g25268 +S'George Washington' +p213817 +sg25270 +S'Artist Information (' +p213818 +sg25273 +S'(artist after)' +p213819 +sg25275 +S'\n' +p213820 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00078/a00078ad.jpg' +p213821 +sg25267 +g27 +sa(dp213822 +g25268 +S'Lone-End' +p213823 +sg25270 +S'F.L. 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(Which of Them Is the More Overcome?)' +p214068 +sg25270 +S'Francisco de Goya' +p214069 +sg25273 +S'etching, aquatint, and drypoint' +p214070 +sg25275 +S'published 1799' +p214071 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00057/a00057d4.jpg' +p214072 +sg25267 +g27 +sa(dp214073 +g25273 +S'etching, burnished aquatint, and burin' +p214074 +sg25267 +g27 +sg25275 +S'published 1799' +p214075 +sg25268 +S'Que pico de oro! (What a Golden Beak!)' +p214076 +sg25270 +S'Francisco de Goya' +p214077 +sa(dp214078 +g25268 +S'Nadie nos ha visto (No One Has Seen Us)' +p214079 +sg25270 +S'Francisco de Goya' +p214080 +sg25273 +S'etching, burnished aquatint, and burin' +p214081 +sg25275 +S'published 1799' +p214082 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00057/a00057d5.jpg' +p214083 +sg25267 +g27 +sa(dp214084 +g25273 +S'etching and burnished aquatint' +p214085 +sg25267 +g27 +sg25275 +S'published 1799' +p214086 +sg25268 +S'El si pronuncian y la mano alargan al primero que llega (They Say Yes and Give Their Hand to the First Comer)' +p214087 +sg25270 +S'Francisco de Goya' +p214088 +sa(dp214089 +g25273 +S'etching, aquatint, and burin' +p214090 +sg25267 +g27 +sg25275 +S'published 1799' +p214091 +sg25268 +S'Chiton (Hush)' +p214092 +sg25270 +S'Francisco de Goya' +p214093 +sa(dp214094 +g25273 +S'etching and aquatint' +p214095 +sg25267 +g27 +sg25275 +S'published 1799' +p214096 +sg25268 +S'El vergonzoso (The Shamefaced One)' +p214097 +sg25270 +S'Francisco de Goya' +p214098 +sa(dp214099 +g25273 +S'etching, burnished aquatint, drypoint, and burin' +p214100 +sg25267 +g27 +sg25275 +S'published 1799' +p214101 +sg25268 +S'Ya es hora (It Is Time)' +p214102 +sg25270 +S'Francisco de Goya' +p214103 +sa(dp214104 +g25268 +S'Que viene el coco (Here Comes the Bogey-Man)' +p214105 +sg25270 +S'Francisco de Goya' +p214106 +sg25273 +S'etching and burnished aquatint' +p214107 +sg25275 +S'published 1799' +p214108 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00057/a00057d6.jpg' +p214109 +sg25267 +g27 +sa(dp214110 +g25268 +S'Bullfight in a Divided Ring' +p214111 +sg25270 +S'Francisco de Goya' +p214112 +sg25273 +S'lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825]' +p214113 +sg25275 +S'1825' +p214114 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00057/a0005782.jpg' +p214115 +sg25267 +g27 +sa(dp214116 +g25273 +S'etching, burnished aquatint, and drypoint' +p214117 +sg25267 +g27 +sg25275 +S'published 1799' +p214118 +sg25268 +S'Esto si que es leer (That Certainly Is Being Able To Read)' +p214119 +sg25270 +S'Francisco de Goya' +p214120 +sa(dp214121 +g25273 +S'etching, burnished aquatint, and drypoint' +p214122 +sg25267 +g27 +sg25275 +S'published 1799' +p214123 +sg25268 +S'Hasta la muerte (Until Death)' +p214124 +sg25270 +S'Francisco de Goya' +p214125 +sa(dp214126 +g25273 +S'etching and burnished aquatint' +p214127 +sg25267 +g27 +sg25275 +S'published 1799' +p214128 +sg25268 +S"El de la rollona (Nanny's Boy)" +p214129 +sg25270 +S'Francisco de Goya' +p214130 +sa(dp214131 +g25273 +S'etching, burnished aquatint, and drypoint' +p214132 +sg25267 +g27 +sg25275 +S'published 1799' +p214133 +sg25268 +S'Porque esconderlos? (Why Hide Them?)' +p214134 +sg25270 +S'Francisco de Goya' +p214135 +sa(dp214136 +g25273 +S'etching and burnished aquatint' +p214137 +sg25267 +g27 +sg25275 +S'published 1799' +p214138 +sg25268 +S'Subir y bajar (To Rise and To Fall)' +p214139 +sg25270 +S'Francisco de Goya' +p214140 +sa(dp214141 +g25273 +S'etching, aquatint, and drypoint' +p214142 +sg25267 +g27 +sg25275 +S'published 1799' +p214143 +sg25268 +S'Tal para qual (Two of a Kind)' +p214144 +sg25270 +S'Francisco de Goya' +p214145 +sa(dp214146 +g25273 +S'etching, burnished aquatint, drypoint, burin' +p214147 +sg25267 +g27 +sg25275 +S'published 1799' +p214148 +sg25268 +S'Ruega por ella (She Prays for Her)' +p214149 +sg25270 +S'Francisco de Goya' +p214150 +sa(dp214151 +g25273 +S'etching and aquatint' +p214152 +sg25267 +g27 +sg25275 +S'published 1799' +p214153 +sg25268 +S'La filiacion (The Filiation)' +p214154 +sg25270 +S'Francisco de Goya' +p214155 +sa(dp214156 +g25273 +S'etching and burnished aquatint' +p214157 +sg25267 +g27 +sg25275 +S'published 1799' +p214158 +sg25268 +S'Nadie se conoce (Nobody Knows Himself)' +p214159 +sg25270 +S'Francisco de Goya' +p214160 +sa(dp214161 +g25268 +S'Por que fue sensible (Because She Was Susceptible)' +p214162 +sg25270 +S'Francisco de Goya' +p214163 +sg25273 +S'aquatint' +p214164 +sg25275 +S'published 1799' +p214165 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00058/a0005804.jpg' +p214166 +sg25267 +g27 +sa(dp214167 +g25268 +S'Sylvester (Douglas) Lord Glenbervie; Katherine Anne (North) Glenbervie; Frederic (North) Earl of Guilford; Frederic Sylvester Douglas' +p214168 +sg25270 +S'Jean-Auguste-Dominique Ingres' +p214169 +sg25273 +S'lithograph, four portraits printed on one sheet' +p214170 +sg25275 +S'1815' +p214171 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004fbc.jpg' +p214172 +sg25267 +g27 +sa(dp214173 +g25273 +S'etching, burnished aquatint, and drypoint' +p214174 +sg25267 +g27 +sg25275 +S'published 1799' +p214175 +sg25268 +S'Tragala perro (Swallow It, Dog)' +p214176 +sg25270 +S'Francisco de Goya' +p214177 +sa(dp214178 +g25273 +S'etching, aquatint, and drypoint' +p214179 +sg25267 +g27 +sg25275 +S'published 1799' +p214180 +sg25268 +S'Ni asi la distingue (Even Thus He Cannot Make Her Out)' +p214181 +sg25270 +S'Francisco de Goya' +p214182 +sa(dp214183 +g25273 +S'etching, aquatint, drypoint, and burin' +p214184 +sg25267 +g27 +sg25275 +S'published 1799' +p214185 +sg25268 +S'Al Conde Palatino (To the Count Palatine)' +p214186 +sg25270 +S'Francisco de Goya' +p214187 +sa(dp214188 +g25273 +S'etching, burnished aquatint, and burin' +p214189 +sg25267 +g27 +sg25275 +S'published 1799' +p214190 +sg25268 +S"Y aun no se van! (And Still They Don't Go!)" +p214191 +sg25270 +S'Francisco de Goya' +p214192 +sa(dp214193 +g25273 +S'etching and aquatint' +p214194 +sg25267 +g27 +sg25275 +S'published 1799' +p214195 +sg25268 +S'Que se la llevaron (They Carried Her Off)' +p214196 +sg25270 +S'Francisco de Goya' +p214197 +sa(dp214198 +g25273 +S'etching and burnished aquatint' +p214199 +sg25267 +g27 +sg25275 +S'published 1799' +p214200 +sg25268 +S'Las rinde el sueno (Sleep Overcomes Them)' +p214201 +sg25270 +S'Francisco de Goya' +p214202 +sa(dp214203 +g25273 +S'etching, aquatint, and burin' +p214204 +sg25267 +g27 +sg25275 +S'published 1799' +p214205 +sg25268 +S'Ensayos (Trials)' +p214206 +sg25270 +S'Francisco de Goya' +p214207 +sa(dp214208 +g25273 +S'etching and burnished aquatint' +p214209 +sg25267 +g27 +sg25275 +S'published 1799' +p214210 +sg25268 +S'Tantalo (Tantalus)' +p214211 +sg25270 +S'Francisco de Goya' +p214212 +sa(dp214213 +g25273 +S'etching and burnished aquatint' +p214214 +sg25267 +g27 +sg25275 +S'published 1799' +p214215 +sg25268 +S'Le descanona (She Fleeces Him)' +p214216 +sg25270 +S'Francisco de Goya' +p214217 +sa(dp214218 +g25268 +S'Volaverunt (They Have Flown)' +p214219 +sg25270 +S'Francisco de Goya' +p214220 +sg25273 +S'etching, aquatint, and drypoint' +p214221 +sg25275 +S'published 1799' +p214222 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00057/a00057d7.jpg' +p214223 +sg25267 +g27 +sa(dp214224 +g25268 +S'The Poet Virgil Suspended in a Basket' +p214225 +sg25270 +S'Lucas van Leyden' +p214226 +sg25273 +S'woodcut' +p214227 +sg25275 +S'c. 1512' +p214228 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f48.jpg' +p214229 +sg25267 +g27 +sa(dp214230 +g25268 +S'El amour y la muerte (Love and Death)' +p214231 +sg25270 +S'Francisco de Goya' +p214232 +sg25273 +S'etching, burnished aquatint, and burin' +p214233 +sg25275 +S'published 1799' +p214234 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00057/a00057d8.jpg' +p214235 +sg25267 +g27 +sa(dp214236 +g25273 +S'etching and burnished aquatint' +p214237 +sg25267 +g27 +sg25275 +S'published 1799' +p214238 +sg25268 +S'Mala noche (A Bad Night)' +p214239 +sg25270 +S'Francisco de Goya' +p214240 +sa(dp214241 +g25268 +S'Quien lo creyera! (Who Would Have Thought It!)' +p214242 +sg25270 +S'Francisco de Goya' +p214243 +sg25273 +S'etching, burnished aquatint, and burin' +p214244 +sg25275 +S'published 1799' +p214245 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00061/a000613a.jpg' +p214246 +sg25267 +g27 +sa(dp214247 +g25273 +S'etching, burnished aquatint, and burin' +p214248 +sg25267 +g27 +sg25275 +S'published 1799' +p214249 +sg25268 +S'Muchachos al avio (Lads Making Ready)' +p214250 +sg25270 +S'Francisco de Goya' +p214251 +sa(dp214252 +g25273 +S'etching, aquatint, and burin' +p214253 +sg25267 +g27 +sg25275 +S'published 1799' +p214254 +sg25268 +S'Si sabra mas el discipulo? (Might Not the Pupil Know More?)' +p214255 +sg25270 +S'Francisco de Goya' +p214256 +sa(dp214257 +g25273 +S'etching, aquatint, and drypoint' +p214258 +sg25267 +g27 +sg25275 +S'published 1799' +p214259 +sg25268 +S'Miren que grabes! (Look How Solemn They Are!)' +p214260 +sg25270 +S'Francisco de Goya' +p214261 +sa(dp214262 +g25268 +S'A caza de dientes (Out Hunting for Teeth)' +p214263 +sg25270 +S'Francisco de Goya' +p214264 +sg25273 +S'etching, burnished aquatint, and burin' +p214265 +sg25275 +S'published 1799' +p214266 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00057/a00057d9.jpg' +p214267 +sg25267 +g27 +sa(dp214268 +g25273 +S'etching, burnished aquatint, and drypoint' +p214269 +sg25267 +g27 +sg25275 +S'published 1799' +p214270 +sg25268 +S'Brabisimo! (Bravo!)' +p214271 +sg25270 +S'Francisco de Goya' +p214272 +sa(dp214273 +g25273 +S'etching, burnished aquatint, and engraving on laid paper' +p214274 +sg25267 +g27 +sg25275 +S'published 1799' +p214275 +sg25268 +S'Buen Viage (Bon Voyage)' +p214276 +sg25270 +S'Francisco de Goya' +p214277 +sa(dp214278 +g25273 +S'etching and burnished aquatint' +p214279 +sg25267 +g27 +sg25275 +S'published 1799' +p214280 +sg25268 +S'Estan calientes (They Are Hot)' +p214281 +sg25270 +S'Francisco de Goya' +p214282 +sa(dp214283 +g25268 +S'Title Plate' +p214284 +sg25270 +S'Canaletto' +p214285 +sg25273 +S'etching' +p214286 +sg25275 +S'c. 1735/1746' +p214287 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cb3f.jpg' +p214288 +sg25267 +g27 +sa(dp214289 +g25268 +S'Asta su abuelo (And So Was His Grandfather)' +p214290 +sg25270 +S'Francisco de Goya' +p214291 +sg25273 +S'aquatint' +p214292 +sg25275 +S'published 1799' +p214293 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00054/a0005488.jpg' +p214294 +sg25267 +g27 +sa(dp214295 +g25273 +S'etching, aquatint, and drypoint' +p214296 +sg25267 +g27 +sg25275 +S'published 1799' +p214297 +sg25268 +S'Donde va mama? (Where Is Mother Going?)' +p214298 +sg25270 +S'Francisco de Goya' +p214299 +sa(dp214300 +g25273 +S'etching, burnished aquatint, and drypoint' +p214301 +sg25267 +g27 +sg25275 +S'published 1799' +p214302 +sg25268 +S'Que sacrificio! (What a Sacrifice!)' +p214303 +sg25270 +S'Francisco de Goya' +p214304 +sa(dp214305 +g25273 +S'etching and aquatint' +p214306 +sg25267 +g27 +sg25275 +S'published 1799' +p214307 +sg25268 +S'De que mal morira? (Of What Ill Will He Die?)' +p214308 +sg25270 +S'Francisco de Goya' +p214309 +sa(dp214310 +g25273 +S'etching, aquatint, and drypoint' +p214311 +sg25267 +g27 +sg25275 +S'published 1799' +p214312 +sg25268 +S'Alla va eso (There It Goes)' +p214313 +sg25270 +S'Francisco de Goya' +p214314 +sa(dp214315 +g25273 +S'etching, burnished aquatint, and burin' +p214316 +sg25267 +g27 +sg25275 +S'published 1799' +p214317 +sg25268 +S'Bellos consejos (Pretty Teachings)' +p214318 +sg25270 +S'Francisco de Goya' +p214319 +sa(dp214320 +g25268 +S'Ni mas ni menos (Neither More nor Less)' +p214321 +sg25270 +S'Francisco de Goya' +p214322 +sg25273 +S'etching, burnished aquatint, drypoint, and burin' +p214323 +sg25275 +S'published 1799' +p214324 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00057/a00057da.jpg' +p214325 +sg25267 +g27 +sa(dp214326 +g25273 +S'etching, burnished aquatint, and drypoint' +p214327 +sg25267 +g27 +sg25275 +S'published 1799' +p214328 +sg25268 +S"Aguarda que te unten (Wait Till You've Been Annointed)" +p214329 +sg25270 +S'Francisco de Goya' +p214330 +sa(dp214331 +g25273 +S'etching, aquatint, and drypoint' +p214332 +sg25267 +g27 +sg25275 +S'published 1799' +p214333 +sg25268 +S"Dios la perdone: y era su madre (For Heaven's Sake: And It Was Her Mother)" +p214334 +sg25270 +S'Francisco de Goya' +p214335 +sa(dp214336 +g25273 +S'etching and burnished aquatint' +p214337 +sg25267 +g27 +sg25275 +S'published 1799' +p214338 +sg25268 +S'Tu que no puedes (Thou Who Canst Not)' +p214339 +sg25270 +S'Francisco de Goya' +p214340 +sa(dp214341 +g25268 +S'Portrait of a Member of the Haarlem Civic Guard' +p214342 +sg25270 +S'Frans Hals' +p214343 +sg25273 +S'oil on canvas' +p214344 +sg25275 +S'c. 1636/1638' +p214345 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e4e.jpg' +p214346 +sg25267 +S"The steel breastplate identifies this sitter as a soldier, but his broad-brimmed hat and lace collar and cuffs reveal that he is dressed to pose for an artist, not to engage in military maneuvers. Hals painted six gigantic group portraits of Dutch civic guards, but this is his only known portrait of an individual soldier.\n As the Netherlands fractured into north and south along political and religious lines in the late 1500s, the civic guards battled heroically to win the north's independence from Spain. By Hals' time, though, these numerous militias had become social fraternities. Named for a patron saint, each guard group was divided into three companies based on the colors of the Dutch flag: orange, white, and blue. His sash marks this soldier as a member of an orange company.\n With great bravura, the smiling man stands before a window overlooking a distant plain or sea. Only two of Hals' other portraits of single figures include such landscape vistas.\n " +p214347 +sa(dp214348 +g25268 +S'La Torre di Malghera' +p214349 +sg25270 +S'Canaletto' +p214350 +sg25273 +S'etching' +p214351 +sg25275 +S'c. 1735/1746' +p214352 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cbdb.jpg' +p214353 +sg25267 +g27 +sa(dp214354 +g25273 +S'etching, burnished aquatint, and drypoint' +p214355 +sg25267 +g27 +sg25275 +S'published 1799' +p214356 +sg25268 +S'Linda maestra! (Pretty Teacher!)' +p214357 +sg25270 +S'Francisco de Goya' +p214358 +sa(dp214359 +g25273 +S'etching, burnished aquatint, and burin' +p214360 +sg25267 +g27 +sg25275 +S'published 1799' +p214361 +sg25268 +S'Bien tirada esta (It is Nicely Stretched)' +p214362 +sg25270 +S'Francisco de Goya' +p214363 +sa(dp214364 +g25268 +S'El sueno de la razon produce monstruos (The Sleep of Reason Produces Monsters)' +p214365 +sg25270 +S'Francisco de Goya' +p214366 +sg25273 +S'etching and aquatint' +p214367 +sg25275 +S'published 1799' +p214368 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f35.jpg' +p214369 +sg25267 +g27 +sa(dp214370 +g25273 +S'etching, aquatint, drypoint, and burin' +p214371 +sg25267 +g27 +sg25275 +S'published 1799' +p214372 +sg25268 +S'Sopla (Blow)' +p214373 +sg25270 +S'Francisco de Goya' +p214374 +sa(dp214375 +g25273 +S'etching and burnished aquatint' +p214376 +sg25267 +g27 +sg25275 +S'published 1799' +p214377 +sg25268 +S'Ysele quema la casa (And His House is on Fire)' +p214378 +sg25270 +S'Francisco de Goya' +p214379 +sa(dp214380 +g25273 +S'etching, aquatint, drypoint, and burin' +p214381 +sg25267 +g27 +sg25275 +S'published 1799' +p214382 +sg25268 +S'Hilan delgado (They Spin Finely)' +p214383 +sg25270 +S'Francisco de Goya' +p214384 +sa(dp214385 +g25273 +S'etching, aquatint, and drypoint' +p214386 +sg25267 +g27 +sg25275 +S'published 1799' +p214387 +sg25268 +S'Devota profesion (Devout Profession)' +p214388 +sg25270 +S'Francisco de Goya' +p214389 +sa(dp214390 +g25273 +S'etching and burnished aquatint' +p214391 +sg25267 +g27 +sg25275 +S'published 1799' +p214392 +sg25268 +S'Todos caeran (All Will Fall)' +p214393 +sg25270 +S'Francisco de Goya' +p214394 +sa(dp214395 +g25273 +S'etching and burnished aquatint' +p214396 +sg25267 +g27 +sg25275 +S'published 1799' +p214397 +sg25268 +S'Mucho hay que chupar (There Is Plenty To Suck)' +p214398 +sg25270 +S'Francisco de Goya' +p214399 +sa(dp214400 +g25273 +S'etching, burnished aquatint, and burin' +p214401 +sg25267 +g27 +sg25275 +S'published 1799' +p214402 +sg25268 +S'Si amanece; nos vamos (When Day Breaks We Will Be Off)' +p214403 +sg25270 +S'Francisco de Goya' +p214404 +sa(dp214405 +g25268 +S'Mestre' +p214406 +sg25270 +S'Canaletto' +p214407 +sg25273 +S'etching' +p214408 +sg25275 +S'c. 1735/1746' +p214409 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f0a.jpg' +p214410 +sg25267 +g27 +sa(dp214411 +g25273 +S'etching, burnished aquatint, and drypoint' +p214412 +sg25267 +g27 +sg25275 +S'published 1799' +p214413 +sg25268 +S'Ya van desplumados (There They Go Plucked)' +p214414 +sg25270 +S'Francisco de Goya' +p214415 +sa(dp214416 +g25273 +S'etching and burnished aquatint' +p214417 +sg25267 +g27 +sg25275 +S'published 1799' +p214418 +sg25268 +S'Correccion (Correction)' +p214419 +sg25270 +S'Francisco de Goya' +p214420 +sa(dp214421 +g25268 +S'No te escaparas (You Will Not Escape)' +p214422 +sg25270 +S'Francisco de Goya' +p214423 +sg25273 +S'etching and burnished aquatint' +p214424 +sg25275 +S'published 1799' +p214425 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00057/a00057db.jpg' +p214426 +sg25267 +g27 +sa(dp214427 +g25273 +S'etching and burnished aquatint' +p214428 +sg25267 +g27 +sg25275 +S'published 1799' +p214429 +sg25268 +S'Qual la descanonan! (How They Pluck Her!)' +p214430 +sg25270 +S'Francisco de Goya' +p214431 +sa(dp214432 +g25273 +S'etching, burnished aquatint, and burin' +p214433 +sg25267 +g27 +sg25275 +S'published 1799' +p214434 +sg25268 +S'Obsequio a el maestro (A Gift for the Master)' +p214435 +sg25270 +S'Francisco de Goya' +p214436 +sa(dp214437 +g25273 +S'etching, burnished aquatint, and burin' +p214438 +sg25267 +g27 +sg25275 +S'published 1799' +p214439 +sg25268 +S'Mejor es holgar (It Is Better To Be Lazy)' +p214440 +sg25270 +S'Francisco de Goya' +p214441 +sa(dp214442 +g25273 +S'etching and burnished aquatint' +p214443 +sg25267 +g27 +sg25275 +S'published 1799' +p214444 +sg25268 +S'Pobrecitas! (Poor Little Girls!)' +p214445 +sg25270 +S'Francisco de Goya' +p214446 +sa(dp214447 +g25273 +S'etching and burnished aquatint' +p214448 +sg25267 +g27 +sg25275 +S'published 1799' +p214449 +sg25268 +S'Soplones (Tale-Bearers -- Blasts of Wind)' +p214450 +sg25270 +S'Francisco de Goya' +p214451 +sa(dp214452 +g25273 +S'etching and burnished aquatint' +p214453 +sg25267 +g27 +sg25275 +S'published 1799' +p214454 +sg25268 +S"No grites, tonta (Don't Scream, Stupid)" +p214455 +sg25270 +S'Francisco de Goya' +p214456 +sa(dp214457 +g25273 +S'etching, burnished aquatint, drypoint, and burin' +p214458 +sg25267 +g27 +sg25275 +S'published 1799' +p214459 +sg25268 +S'Aquellos polbos (Those Specks of Dust)' +p214460 +sg25270 +S'Francisco de Goya' +p214461 +sa(dp214462 +g25268 +S'Al Dolo' +p214463 +sg25270 +S'Canaletto' +p214464 +sg25273 +S'etching' +p214465 +sg25275 +S'c. 1735/1746' +p214466 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cbde.jpg' +p214467 +sg25267 +g27 +sa(dp214468 +g25268 +S'Duendecitos (Hobgoblins)' +p214469 +sg25270 +S'Francisco de Goya' +p214470 +sg25273 +S'etching and burnished aquatint' +p214471 +sg25275 +S'published 1799' +p214472 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00057/a00057dc.jpg' +p214473 +sg25267 +g27 +sa(dp214474 +g25273 +S'etching and burnished aquatint' +p214475 +sg25267 +g27 +sg25275 +S'published 1799' +p214476 +sg25268 +S"No hay quien nos desate? (Can't Anyone Untie Us?)" +p214477 +sg25270 +S'Francisco de Goya' +p214478 +sa(dp214479 +g25273 +S'etching and burnished aquatint' +p214480 +sg25267 +g27 +sg25275 +S'published 1799' +p214481 +sg25268 +S'Nohubo remedio (Nothing Could Be Done about It)' +p214482 +sg25270 +S'Francisco de Goya' +p214483 +sa(dp214484 +g25273 +S'etching, burnished aquatint, and burin' +p214485 +sg25267 +g27 +sg25275 +S'published 1799' +p214486 +sg25268 +S'Los chinchillas (The Chinchillas)' +p214487 +sg25270 +S'Francisco de Goya' +p214488 +sa(dp214489 +g25273 +S'etching and burnished aquatint' +p214490 +sg25267 +g27 +sg25275 +S'published 1799' +p214491 +sg25268 +S'Esta umd. ... pues, como digo ... Eh! Cuidado! Si no! ... (You Understand? ... Well, as I Say ... eh! Look Out! Otherwise ...)' +p214492 +sg25270 +S'Francisco de Goya' +p214493 +sa(dp214494 +g25273 +S'etching, aquatint, and drypoint' +p214495 +sg25267 +g27 +sg25275 +S'published 1799' +p214496 +sg25268 +S'Si quebro el cantaro (Yes He Broke the Pot)' +p214497 +sg25270 +S'Francisco de Goya' +p214498 +sa(dp214499 +g25273 +S'etching, burnished aquatint, and burin' +p214500 +sg25267 +g27 +sg25275 +S'published 1799' +p214501 +sg25268 +S'Se Repulen (They Spruce Themselves Up)' +p214502 +sg25270 +S'Francisco de Goya' +p214503 +sa(dp214504 +g25273 +S'etching, burnished aquatint, drypoint, and burin' +p214505 +sg25267 +g27 +sg25275 +S'published 1799' +p214506 +sg25268 +S'Unos a otros (What One Does to Another)' +p214507 +sg25270 +S'Francisco de Goya' +p214508 +sa(dp214509 +g25273 +S'etching and burnished aquatint' +p214510 +sg25267 +g27 +sg25275 +S'published 1799' +p214511 +sg25268 +S"Ya tienen asiento (They've Already Got a Seat)" +p214512 +sg25270 +S'Francisco de Goya' +p214513 +sa(dp214514 +g25273 +S'etching, burnished aquatint, and burin' +p214515 +sg25267 +g27 +sg25275 +S'published 1799' +p214516 +sg25268 +S'Lo que puede un sastre! (What a Tailor Can Do!)' +p214517 +sg25270 +S'Francisco de Goya' +p214518 +sa(dp214519 +g25268 +S'Ale Porte del Dolo' +p214520 +sg25270 +S'Canaletto' +p214521 +sg25273 +S'etching' +p214522 +sg25275 +S'c. 1735/1746' +p214523 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cbe3.jpg' +p214524 +sg25267 +g27 +sa(dp214525 +g25273 +S'etching, burnished aquatint, and burin' +p214526 +sg25267 +g27 +sg25275 +S'published 1799' +p214527 +sg25268 +S'Despacha, que dispiertan (Be Quick, They Are Waking Up)' +p214528 +sg25270 +S'Francisco de Goya' +p214529 +sa(dp214530 +g25273 +S'1 vol: ill: 80 etchings, lavis, drypoints, and burins' +p214531 +sg25267 +g27 +sg25275 +S'published 1863' +p214532 +sg25268 +S'Los desastres de la guerra (first edition)' +p214533 +sg25270 +S'Francisco de Goya' +p214534 +sa(dp214535 +g25273 +S'etching, burin, drypoint, and burnisher' +p214536 +sg25267 +g27 +sg25275 +S'published 1863' +p214537 +sg25268 +S'Tristes presentimientos de lo que ha acontecer (Sad Forebodings of What Is Going to Happen)' +p214538 +sg25270 +S'Francisco de Goya' +p214539 +sa(dp214540 +g25273 +S'etching, lavis, drypoint, burin, and burnisher' +p214541 +sg25267 +g27 +sg25275 +S'published 1863' +p214542 +sg25268 +S'Caridad (Charity)' +p214543 +sg25270 +S'Francisco de Goya' +p214544 +sa(dp214545 +g25273 +S'etching, burnished aquatint, lavis, burin, and burnisher' +p214546 +sg25267 +g27 +sg25275 +S'published 1863' +p214547 +sg25268 +S'Espiro sin remedio (There Was Nothing To Be Done and He Died)' +p214548 +sg25270 +S'Francisco de Goya' +p214549 +sa(dp214550 +g25273 +S'etching and burnisher' +p214551 +sg25267 +g27 +sg25275 +S'published 1863' +p214552 +sg25268 +S'Murio la verdad (Truth Has Died)' +p214553 +sg25270 +S'Francisco de Goya' +p214554 +sa(dp214555 +g25268 +S'Le Porte Del Dolo' +p214556 +sg25270 +S'Canaletto' +p214557 +sg25273 +S'etching' +p214558 +sg25275 +S'c. 1735/1746' +p214559 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cbe0.jpg' +p214560 +sg25267 +g27 +sa(dp214561 +g25273 +S'etching, lavis, drypoint, burin, and burnisher' +p214562 +sg25267 +g27 +sg25275 +S'published 1863' +p214563 +sg25268 +S'Con razon o sin ella (Rightly or Wrongly)' +p214564 +sg25270 +S'Francisco de Goya' +p214565 +sa(dp214566 +g25273 +S'etching, lavis, drypoint, burin, and burnisher' +p214567 +sg25267 +g27 +sg25275 +S'published 1863' +p214568 +sg25268 +S'Populacho (Rabble)' +p214569 +sg25270 +S'Francisco de Goya' +p214570 +sa(dp214571 +g25273 +S'etching, lavis, burin, and burnisher' +p214572 +sg25267 +g27 +sg25275 +S'published 1863' +p214573 +sg25268 +S'Clamores en vano (Appeals Are In Vain)' +p214574 +sg25270 +S'Francisco de Goya' +p214575 +sa(dp214576 +g25273 +S'etching and burnisher' +p214577 +sg25267 +g27 +sg25275 +S'published 1863' +p214578 +sg25268 +S'Si resucitara? (Will She Rise Again?)' +p214579 +sg25270 +S'Francisco de Goya' +p214580 +sa(dp214581 +g25273 +S'etching, lavis, drypoint, burin, and burnisher' +p214582 +sg25267 +g27 +sg25275 +S'published 1863' +p214583 +sg25268 +S'Lo mismo (The Same)' +p214584 +sg25270 +S'Francisco de Goya' +p214585 +sa(dp214586 +g25273 +S'etching, drypoint, burin, and burnisher' +p214587 +sg25267 +g27 +sg25275 +S'published 1863' +p214588 +sg25268 +S'Lo merecia (He Deserved It)' +p214589 +sg25270 +S'Francisco de Goya' +p214590 +sa(dp214591 +g25273 +S'etching, lavis, and burnisher' +p214592 +sg25267 +g27 +sg25275 +S'published 1863' +p214593 +sg25268 +S'Lo peor es pedir (The Worst Is To Beg)' +p214594 +sg25270 +S'Francisco de Goya' +p214595 +sa(dp214596 +g25273 +S'etching, burnished aquatint, lavis, drypoint, and burnisher' +p214597 +sg25267 +g27 +sg25275 +S'published 1863' +p214598 +sg25268 +S'Las mugeres dan valor (The Women Give Courage)' +p214599 +sg25270 +S'Francisco de Goya' +p214600 +sa(dp214601 +g25273 +S'etching, drypoint, burin, and burnisher' +p214602 +sg25267 +g27 +sg25275 +S'published 1863' +p214603 +sg25268 +S'Estragos de la guerra (Ravages of War)' +p214604 +sg25270 +S'Francisco de Goya' +p214605 +sa(dp214606 +g25273 +S'etching, lavis, and drypoint' +p214607 +sg25267 +g27 +sg25275 +S'published 1863' +p214608 +sg25268 +S'Al cementerio (To the Cemetery)' +p214609 +sg25270 +S'Francisco de Goya' +p214610 +sa(dp214611 +g25268 +S'Pra della Valle' +p214612 +sg25270 +S'Canaletto' +p214613 +sg25273 +S'etching' +p214614 +sg25275 +S'c. 1735/1746' +p214615 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cbf0.jpg' +p214616 +sg25267 +g27 +sa(dp214617 +g25268 +S'Y son fieras (And They Are Like Wild Beasts)' +p214618 +sg25270 +S'Francisco de Goya' +p214619 +sg25273 +S'etching, burnished aquatint, and drypoint' +p214620 +sg25275 +S'published 1863' +p214621 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00057/a00057dd.jpg' +p214622 +sg25267 +g27 +sa(dp214623 +g25273 +S'etching, burnished aquatint, and drypoint' +p214624 +sg25267 +g27 +sg25275 +S'published 1863' +p214625 +sg25268 +S"Fuerte cosa es! (That's Tough!)" +p214626 +sg25270 +S'Francisco de Goya' +p214627 +sa(dp214628 +g25273 +S'etching, burnished aquatint, burin, and burnisher' +p214629 +sg25267 +g27 +sg25275 +S'published 1863' +p214630 +sg25268 +S'Sanos y enfermos (The Healthy and the Sick)' +p214631 +sg25270 +S'Francisco de Goya' +p214632 +sa(dp214633 +g25273 +S'etching, lavis, and burin' +p214634 +sg25267 +g27 +sg25275 +S'published 1863' +p214635 +sg25268 +S'Bien te se esta (It Serves You Right)' +p214636 +sg25270 +S'Francisco de Goya' +p214637 +sa(dp214638 +g25268 +S'Por que? (Why?)' +p214639 +sg25270 +S'Francisco de Goya' +p214640 +sg25273 +S'etching, lavis, drypoint, burin, and burnisher' +p214641 +sg25275 +S'published 1863' +p214642 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00057/a00057de.jpg' +p214643 +sg25267 +g27 +sa(dp214644 +g25273 +S'etching, burnished aquatint, burin, and burnisher' +p214645 +sg25267 +g27 +sg25275 +S'published 1863' +p214646 +sg25268 +S"No hay que dar voces (It's No Use Crying Out)" +p214647 +sg25270 +S'Francisco de Goya' +p214648 +sa(dp214649 +g25268 +S'Que valor! (What Courage!)' +p214650 +sg25270 +S'Francisco de Goya' +p214651 +sg25273 +S'etching, aquatint, drypoint, burin, and burnisher' +p214652 +sg25275 +S'published 1863' +p214653 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00057/a00057df.jpg' +p214654 +sg25267 +g27 +sa(dp214655 +g25273 +S'etching, lavis, drypoint, burin, and burnisher' +p214656 +sg25267 +g27 +sg25275 +S'published 1863' +p214657 +sg25268 +S'Que hai que hacer mas? (What More Can Be Done?)' +p214658 +sg25270 +S'Francisco de Goya' +p214659 +sa(dp214660 +g25273 +S'etching, burnished aquatint, and lavis' +p214661 +sg25267 +g27 +sg25275 +S'published 1863' +p214662 +sg25268 +S'De que sirve una taza? (What Is the Use of a Cup?)' +p214663 +sg25270 +S'Francisco de Goya' +p214664 +sa(dp214665 +g25273 +S'etching and drypoint' +p214666 +sg25267 +g27 +sg25275 +S'published 1863' +p214667 +sg25268 +S'Siempre sucede (It Always Happens)' +p214668 +sg25270 +S'Francisco de Goya' +p214669 +sa(dp214670 +g25268 +S'S. Giustina in pra della Vale' +p214671 +sg25270 +S'Canaletto' +p214672 +sg25273 +S'etching' +p214673 +sg25275 +S'c. 1735/1746' +p214674 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cbe4.jpg' +p214675 +sg25267 +g27 +sa(dp214676 +g25273 +S'etching, drypoint, burin, and burnisher' +p214677 +sg25267 +g27 +sg25275 +S'published 1863' +p214678 +sg25268 +S'Por una navaja (On Account of a Knife)' +p214679 +sg25270 +S'Francisco de Goya' +p214680 +sa(dp214681 +g25273 +S'etching, burnished aquatint, burin, and burnisher' +p214682 +sg25267 +g27 +sg25275 +S'published 1863' +p214683 +sg25268 +S'No hay quien los socorra (There Is No One To Help Them)' +p214684 +sg25270 +S'Francisco de Goya' +p214685 +sa(dp214686 +g25273 +S'etching, burnished aquatint, drypoint, burin, and burnisher' +p214687 +sg25267 +g27 +sg25275 +S'published 1863' +p214688 +sg25268 +S"No Quieren (They Don't Like It)" +p214689 +sg25270 +S'Francisco de Goya' +p214690 +sa(dp214691 +g25268 +S"No se puede saber por que (One Can't Tell Why)" +p214692 +sg25270 +S'Francisco de Goya' +p214693 +sg25273 +S'etching, burnished lavis, drypoint, and burin' +p214694 +sg25275 +S'published 1863' +p214695 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00057/a00057e0.jpg' +p214696 +sg25267 +g27 +sa(dp214697 +g25273 +S'etching, lavis, drypoint, burin, and burnisher' +p214698 +sg25267 +g27 +sg25275 +S'published 1863' +p214699 +sg25268 +S'Si son de otro linage (Perhaps They Are of Another Breed)' +p214700 +sg25270 +S'Francisco de Goya' +p214701 +sa(dp214702 +g25273 +S'etching and burin' +p214703 +sg25267 +g27 +sg25275 +S'published 1863' +p214704 +sg25268 +S'Tampoco (Nor [Do These] Either)' +p214705 +sg25270 +S'Francisco de Goya' +p214706 +sa(dp214707 +g25273 +S'etching, burnished aquatint, drypoint, burin, and burnisher' +p214708 +sg25267 +g27 +sg25275 +S'published 1863' +p214709 +sg25268 +S'Tampoco (Not [in this Case] Either)' +p214710 +sg25270 +S'Francisco de Goya' +p214711 +sa(dp214712 +g25273 +S'etching, lavis, drypoint, burin, and burnisher' +p214713 +sg25267 +g27 +sg25275 +S'published 1863' +p214714 +sg25268 +S'Las camas de la muerte (The Beds of Death)' +p214715 +sg25270 +S'Francisco de Goya' +p214716 +sa(dp214717 +g25268 +S'Ni por esas (Neither Do These)' +p214718 +sg25270 +S'Francisco de Goya' +p214719 +sg25273 +S'etching, lavis, drypoint, and burin' +p214720 +sg25275 +S'published 1863' +p214721 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c69d.jpg' +p214722 +sg25267 +g27 +sa(dp214723 +g25273 +S'etching, lavis, and drypoint' +p214724 +sg25267 +g27 +sg25275 +S'published 1863' +p214725 +sg25268 +S'Esto es peor (This is Worse)' +p214726 +sg25270 +S'Francisco de Goya' +p214727 +sa(dp214728 +g25268 +S'View of a Town on a River Bank' +p214729 +sg25270 +S'Canaletto' +p214730 +sg25273 +S'etching' +p214731 +sg25275 +S'c. 1735/1746' +p214732 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cb3e.jpg' +p214733 +sg25267 +g27 +sa(dp214734 +g25273 +S'etching and burnished aquatint' +p214735 +sg25267 +g27 +sg25275 +S'published 1863' +p214736 +sg25268 +S'Muertos recogidos (Harvest of the Dead)' +p214737 +sg25270 +S'Francisco de Goya' +p214738 +sa(dp214739 +g25273 +S'etching, lavis, drypoint, and burin' +p214740 +sg25267 +g27 +sg25275 +S'published 1863' +p214741 +sg25268 +S'Para eso habeis nacido (This Is What You Were Born For)' +p214742 +sg25270 +S'Francisco de Goya' +p214743 +sa(dp214744 +g25273 +S'etching, burnished aquatint, burin, and burnisher' +p214745 +sg25267 +g27 +sg25275 +S'published 1863' +p214746 +sg25268 +S'Barbaros (Barbarians!)' +p214747 +sg25270 +S'Francisco de Goya' +p214748 +sa(dp214749 +g25273 +S'etching, aquatint, drypoint, burin, and burnisher' +p214750 +sg25267 +g27 +sg25275 +S'published 1863' +p214751 +sg25268 +S'Carretadas al cementerio (Cartloads to the Cemetery)' +p214752 +sg25270 +S'Francisco de Goya' +p214753 +sa(dp214754 +g25273 +S'etching, lavis, drypoint, burin, and burnisher' +p214755 +sg25267 +g27 +sg25275 +S'published 1863' +p214756 +sg25268 +S'Amarga presencia (Bitter To Be Present)' +p214757 +sg25270 +S'Francisco de Goya' +p214758 +sa(dp214759 +g25273 +S'etching, lavis, and drypoint' +p214760 +sg25267 +g27 +sg25275 +S'published 1863' +p214761 +sg25268 +S'Grande hazana! Con muertos! (An Heroic Feat! With Dead Men!' +p214762 +sg25270 +S'Francisco de Goya' +p214763 +sa(dp214764 +g25273 +S'etching, burnished aquatint, and/or lavis, burin, and burnisher' +p214765 +sg25267 +g27 +sg25275 +S'published 1863' +p214766 +sg25268 +S'Que alboroto es este? (What Is this Hubbub?)' +p214767 +sg25270 +S'Francisco de Goya' +p214768 +sa(dp214769 +g25273 +S'etching, burnished lavis, drypoint, and burin' +p214770 +sg25267 +g27 +sg25275 +S'published 1863' +p214771 +sg25268 +S"Duro es el paso! (It's a Hard Step!)" +p214772 +sg25270 +S'Francisco de Goya' +p214773 +sa(dp214774 +g25273 +S'etching, drypoint, and burin' +p214775 +sg25267 +g27 +sg25275 +S'published 1863' +p214776 +sg25268 +S'Algun partido saca (He Gets Something Out of It)' +p214777 +sg25270 +S'Francisco de Goya' +p214778 +sa(dp214779 +g25273 +S'etching, burnished aquatint or lavis, and burnisher' +p214780 +sg25267 +g27 +sg25275 +S'published 1863' +p214781 +sg25268 +S'Extrana devocion! (Strange Devotion!)' +p214782 +sg25270 +S'Francisco de Goya' +p214783 +sa(dp214784 +g25268 +S'The Portico with the Lantern' +p214785 +sg25270 +S'Canaletto' +p214786 +sg25273 +S'etching' +p214787 +sg25275 +S'c. 1735/1746' +p214788 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cb3d.jpg' +p214789 +sg25267 +g27 +sa(dp214790 +g25268 +S"Y no hai remedio (And There's No Help for It)" +p214791 +sg25270 +S'Francisco de Goya' +p214792 +sg25273 +S'etching, drypoint, burin, and burnisher' +p214793 +sg25275 +S'published 1863' +p214794 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00057/a00057e1.jpg' +p214795 +sg25267 +g27 +sa(dp214796 +g25273 +S'etching and burin' +p214797 +sg25267 +g27 +sg25275 +S'published 1863' +p214798 +sg25268 +S'Escapan entre las llamas (They Escape through the Flames)' +p214799 +sg25270 +S'Francisco de Goya' +p214800 +sa(dp214801 +g25273 +S'etching, burnished aquatint, drypoint, burin, and burnisher' +p214802 +sg25267 +g27 +sg25275 +S'published 1863' +p214803 +sg25268 +S'Esta no lo es menos (This Is Not Less So)' +p214804 +sg25270 +S'Francisco de Goya' +p214805 +sa(dp214806 +g25273 +S'etching, lavis, drypoint, burin, and burnisher' +p214807 +sg25267 +g27 +sg25275 +S'published 1863' +p214808 +sg25268 +S'Se aprovechan (They Make Use of Them)' +p214809 +sg25270 +S'Francisco de Goya' +p214810 +sa(dp214811 +g25273 +S'etching and burin' +p214812 +sg25267 +g27 +sg25275 +S'published 1863' +p214813 +sg25268 +S'Todo va revuelto (Everything Is Topsey-turvey)' +p214814 +sg25270 +S'Francisco de Goya' +p214815 +sa(dp214816 +g25273 +S'etching, lavis, and burin' +p214817 +sg25267 +g27 +sg25275 +S'published 1863' +p214818 +sg25268 +S'Que locura! (What Madness!)' +p214819 +sg25270 +S'Francisco de Goya' +p214820 +sa(dp214821 +g25268 +S'No se convienen (They Do Not Agree)' +p214822 +sg25270 +S'Francisco de Goya' +p214823 +sg25273 +S'etching, drypoint, burin, and burnisher' +p214824 +sg25275 +S'published 1863' +p214825 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00057/a00057e2.jpg' +p214826 +sg25267 +g27 +sa(dp214827 +g25273 +S'etching, burnished aquatint, and burnisher' +p214828 +sg25267 +g27 +sg25275 +S'published 1863' +p214829 +sg25268 +S'Tambien esto (This Too)' +p214830 +sg25270 +S'Francisco de Goya' +p214831 +sa(dp214832 +g25273 +S'etching, burnished aquatint, lavis, drypoint, and burin' +p214833 +sg25267 +g27 +sg25275 +S'published 1863' +p214834 +sg25268 +S'Nada (Nothing)' +p214835 +sg25270 +S'Francisco de Goya' +p214836 +sa(dp214837 +g25273 +S'etching, burnished lavis, drypoint, and burin' +p214838 +sg25267 +g27 +sg25275 +S'published 1863' +p214839 +sg25268 +S'Enterrar y callar (Bury Them and Keep Quiet)' +p214840 +sg25270 +S'Francisco de Goya' +p214841 +sa(dp214842 +g25268 +S'Imaginary View of Padua' +p214843 +sg25270 +S'Canaletto' +p214844 +sg25273 +S'etching' +p214845 +sg25275 +S'c. 1735/1746' +p214846 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ff/a000ffad.jpg' +p214847 +sg25267 +g27 +sa(dp214848 +g25268 +S'Yo lo vi (I Saw It)' +p214849 +sg25270 +S'Francisco de Goya' +p214850 +sg25273 +S'etching, drypoint, and burin' +p214851 +sg25275 +S'published 1863' +p214852 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00057/a00057e3.jpg' +p214853 +sg25267 +g27 +sa(dp214854 +g25273 +S'etching, drypoint, burin, and burnisher' +p214855 +sg25267 +g27 +sg25275 +S'published 1863' +p214856 +sg25268 +S'No Saben el camino (They Do Not Know the Way)' +p214857 +sg25270 +S'Francisco de Goya' +p214858 +sa(dp214859 +g25273 +S'etching, lavis, drypoint, burin, and burnisher' +p214860 +sg25267 +g27 +sg25275 +S'published 1863' +p214861 +sg25268 +S"Ya no hay tiempo (There Isn't Time Now)" +p214862 +sg25270 +S'Francisco de Goya' +p214863 +sa(dp214864 +g25268 +S'Y esto tambien (And This Too)' +p214865 +sg25270 +S'Francisco de Goya' +p214866 +sg25273 +S'etching, aquatint or lavis, drypoint, and burin' +p214867 +sg25275 +S'published 1863' +p214868 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00057/a00057e4.jpg' +p214869 +sg25267 +g27 +sa(dp214870 +g25273 +S'etching and burnisher' +p214871 +sg25267 +g27 +sg25275 +S'published 1863' +p214872 +sg25268 +S'Contra el bien general (Against the Commom Good)' +p214873 +sg25270 +S'Francisco de Goya' +p214874 +sa(dp214875 +g25273 +S'etching, lavis, burin, and burnisher' +p214876 +sg25267 +g27 +sg25275 +S'published 1863' +p214877 +sg25268 +S'Curarlos, y a otra (Get Them Well, and onto the Next)' +p214878 +sg25270 +S'Francisco de Goya' +p214879 +sa(dp214880 +g25273 +S'etching, burnished aquatint, lavis, drypoint, burin, and burnisher' +p214881 +sg25267 +g27 +sg25275 +S'published 1863' +p214882 +sg25268 +S'Esto es malo (This Is Bad)' +p214883 +sg25270 +S'Francisco de Goya' +p214884 +sa(dp214885 +g25273 +S'etching' +p214886 +sg25267 +g27 +sg25275 +S'published 1863' +p214887 +sg25268 +S'Las resultas (The Consequences)' +p214888 +sg25270 +S'Francisco de Goya' +p214889 +sa(dp214890 +g25273 +S'etching and burnished lavis' +p214891 +sg25267 +g27 +sg25275 +S'published 1863' +p214892 +sg25268 +S'Sera lo mismo (It Will Be the Same)' +p214893 +sg25270 +S'Francisco de Goya' +p214894 +sa(dp214895 +g25273 +S'etching, burnished lavis, drypoint, burin, and burnisher' +p214896 +sg25267 +g27 +sg25275 +S'published 1863' +p214897 +sg25268 +S'Asi sucedio (This Is How It Happened)' +p214898 +sg25270 +S'Francisco de Goya' +p214899 +sa(dp214900 +g25268 +S'Willem Coymans' +p214901 +sg25270 +S'Frans Hals' +p214902 +sg25273 +S'oil on canvas' +p214903 +sg25275 +S'1645' +p214904 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e5a.jpg' +p214905 +sg25267 +S"Willem Coymans (1623–1678) was a member of one of Holland's wealthiest merchant families. Their crest of oxen heads hangs on the wall; the Dutch name Coymans literally translates as "cow men." Below the shield, a Latin inscription states that Willem was 22 years old in 1645. Hals rarely dated his pictures. Since his few datings normally also provide the subjects' ages, the inscriptions must have been requested by the patrons to serve as genealogies.\n Hals was the first portraitist who consistently depicted his subjects seated sideways, with their arms hooked casually over the backs of their chairs. Coymans, an elegant dandy proud of his expensive clothes, wears an embroidered jacket and sports a pom–pom on his hat, which is pushed forward rakishly. Hals' dazzling brushwork is especially evident in the gold embroidery and the crisply pleated shirt–sleeve.\n " +p214906 +sa(dp214907 +g25268 +S'The House with the Inscription [left]' +p214908 +sg25270 +S'Canaletto' +p214909 +sg25273 +S'etching' +p214910 +sg25275 +S'1741' +p214911 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cbe9.jpg' +p214912 +sg25267 +g27 +sa(dp214913 +g25273 +S'etching, burin, and burnisher' +p214914 +sg25267 +g27 +sg25275 +S'published 1863' +p214915 +sg25268 +S'Gatesca pantomima (Feline Pantomime)' +p214916 +sg25270 +S'Francisco de Goya' +p214917 +sa(dp214918 +g25268 +S'Tanto y mas (Even Worse)' +p214919 +sg25270 +S'Francisco de Goya' +p214920 +sg25273 +S'etching, lavis, and burin' +p214921 +sg25275 +S'published 1863' +p214922 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00057/a00057e5.jpg' +p214923 +sg25267 +g27 +sa(dp214924 +g25273 +S'etching, burnished lavis, burin, and burnisher' +p214925 +sg25267 +g27 +sg25275 +S'published 1863' +p214926 +sg25268 +S'Cruel lastima! (Cruel Tale of Woe!)' +p214927 +sg25270 +S'Francisco de Goya' +p214928 +sa(dp214929 +g25273 +S'etching and burnisher' +p214930 +sg25267 +g27 +sg25275 +S'published 1863' +p214931 +sg25268 +S'Esto es lo peor! (That Is the Worst of It!)' +p214932 +sg25270 +S'Francisco de Goya' +p214933 +sa(dp214934 +g25273 +S'etching, lavis, drypoint, and burin' +p214935 +sg25267 +g27 +sg25275 +S'published 1863' +p214936 +sg25268 +S'Lo mismo en otras partes (The Same Elsewhere)' +p214937 +sg25270 +S'Francisco de Goya' +p214938 +sa(dp214939 +g25273 +S'etching, lavis, burin, and burnisher' +p214940 +sg25267 +g27 +sg25275 +S'published 1863' +p214941 +sg25268 +S"Caridad de una muger (A Woman's Charity)" +p214942 +sg25270 +S'Francisco de Goya' +p214943 +sa(dp214944 +g25273 +S'etching, aquatint or lavis, drypoint, and burin' +p214945 +sg25267 +g27 +sg25275 +S'published 1863' +p214946 +sg25268 +S"Farandula de charlatanes (Charlatan's Show)" +p214947 +sg25270 +S'Francisco de Goya' +p214948 +sa(dp214949 +g25273 +S'etching and burnisher' +p214950 +sg25267 +g27 +sg25275 +S'published 1863' +p214951 +sg25268 +S'Aun podran servir (They Can Still Be of Use)' +p214952 +sg25270 +S'Francisco de Goya' +p214953 +sa(dp214954 +g25273 +S'etching, burnished aquatint, and drypoint' +p214955 +sg25267 +g27 +sg25275 +S'published 1863' +p214956 +sg25268 +S'Madre infeliz! (Unhappy Mother!)' +p214957 +sg25270 +S'Francisco de Goya' +p214958 +sa(dp214959 +g25273 +S'etching, (drypoint?), burin, and burnisher' +p214960 +sg25267 +g27 +sg25275 +S'published 1863' +p214961 +sg25268 +S'El buitre carnivoro (The Carnivorous Vulture)' +p214962 +sg25270 +S'Francisco de Goya' +p214963 +sa(dp214964 +g25268 +S'The House with the Peristyle' +p214965 +sg25270 +S'Canaletto' +p214966 +sg25273 +S'etching' +p214967 +sg25275 +S'1741' +p214968 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cbea.jpg' +p214969 +sg25267 +g27 +sa(dp214970 +g25273 +S'etching, drypoint, and burin' +p214971 +sg25267 +g27 +sg25275 +S'published 1863' +p214972 +sg25268 +S'Tambien estos (These Too)' +p214973 +sg25270 +S'Francisco de Goya' +p214974 +sa(dp214975 +g25273 +S'etching and burnished aquatint' +p214976 +sg25267 +g27 +sg25275 +S'published 1863' +p214977 +sg25268 +S'Cracias a la almorta (Thanks to the Millet)' +p214978 +sg25270 +S'Francisco de Goya' +p214979 +sa(dp214980 +g25273 +S'etching, burnished aquatint or lavis, drypoint, and burnisher' +p214981 +sg25267 +g27 +sg25275 +S'published 1863' +p214982 +sg25268 +S'Que se rompe la cuerda (May the Card Break)' +p214983 +sg25270 +S'Francisco de Goya' +p214984 +sa(dp214985 +g25268 +S"No se puede mirar (One Can't Look)" +p214986 +sg25270 +S'Francisco de Goya' +p214987 +sg25273 +S'etching, burnished lavis, drypoint, and burin' +p214988 +sg25275 +S'published 1863' +p214989 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00057/a00057e6.jpg' +p214990 +sg25267 +g27 +sa(dp214991 +g25273 +S'etching, lavis, drypoint, and burin' +p214992 +sg25267 +g27 +sg25275 +S'published 1863' +p214993 +sg25268 +S'No llegan a tiempo (They Do Not Arrive in Time)' +p214994 +sg25270 +S'Francisco de Goya' +p214995 +sa(dp214996 +g25273 +S'etching, drypoint, burin, and burnisher' +p214997 +sg25267 +g27 +sg25275 +S'published 1863' +p214998 +sg25268 +S'Se defiende bien (He Defends Himself Well)' +p214999 +sg25270 +S'Francisco de Goya' +p215000 +sa(dp215001 +g25273 +S'1 vol: 18 etchings, aquatints, and drypoints plus title page' +p215002 +sg25267 +g27 +sg25275 +S'published 1864' +p215003 +sg25268 +S'Los proverbios (first edition)' +p215004 +sg25270 +S'Francisco de Goya' +p215005 +sa(dp215006 +g25273 +S'etching, aquatint, and (drypoint?)' +p215007 +sg25267 +g27 +sg25275 +S'published 1864' +p215008 +sg25268 +S'Disparate femenino (Feminine Folly)' +p215009 +sg25270 +S'Francisco de Goya' +p215010 +sa(dp215011 +g25273 +S'etching, burnished aquatint, and (drypoint?)' +p215012 +sg25267 +g27 +sg25275 +S'published 1864' +p215013 +sg25268 +S'Disparate de miedo (Folly of Fear)' +p215014 +sg25270 +S'Francisco de Goya' +p215015 +sa(dp215016 +g25273 +S'etching, aquatint, and drypoint' +p215017 +sg25267 +g27 +sg25275 +S'published 1864' +p215018 +sg25268 +S'Disparate ridiculo (Ridiculous Folly)' +p215019 +sg25270 +S'Francisco de Goya' +p215020 +sa(dp215021 +g25268 +S'Jezebel and Ahab' +p215022 +sg25270 +S'Lucas van Leyden' +p215023 +sg25273 +S'woodcut' +p215024 +sg25275 +S'1517/1518' +p215025 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d00c.jpg' +p215026 +sg25267 +g27 +sa(dp215027 +g25273 +S'etching, burnished aquatint, burin, and drypoint' +p215028 +sg25267 +g27 +sg25275 +S'published 1864' +p215029 +sg25268 +S'Bobalicon (Simpleton)' +p215030 +sg25270 +S'Francisco de Goya' +p215031 +sa(dp215032 +g25273 +S'etching and aquatint' +p215033 +sg25267 +g27 +sg25275 +S'published 1864' +p215034 +sg25268 +S'Disparate volante (Flying Folly)' +p215035 +sg25270 +S'Francisco de Goya' +p215036 +sa(dp215037 +g25273 +S'etching and burnished aquatint' +p215038 +sg25267 +g27 +sg25275 +S'published 1864' +p215039 +sg25268 +S'Disparate furioso (Furious Folly)' +p215040 +sg25270 +S'Francisco de Goya' +p215041 +sa(dp215042 +g25273 +S'etching, aquatint, and drypoint' +p215043 +sg25267 +g27 +sg25275 +S'published 1864' +p215044 +sg25268 +S'Disparate desordenado (Disorderly Folly)' +p215045 +sg25270 +S'Francisco de Goya' +p215046 +sa(dp215047 +g25273 +S'etching and burnished aquatint' +p215048 +sg25267 +g27 +sg25275 +S'published 1864' +p215049 +sg25268 +S'Los ensacados (The Men in Sacks)' +p215050 +sg25270 +S'Francisco de Goya' +p215051 +sa(dp215052 +g25273 +S'etching and burnished aquatint' +p215053 +sg25267 +g27 +sg25275 +S'published 1864' +p215054 +sg25268 +S'Disparate general (General Folly)' +p215055 +sg25270 +S'Francisco de Goya' +p215056 +sa(dp215057 +g25273 +S'etching, burnished aquatint, and dryoint' +p215058 +sg25267 +g27 +sg25275 +S'published 1864' +p215059 +sg25268 +S'El caballo raptor (The Horse-Abductor)' +p215060 +sg25270 +S'Francisco de Goya' +p215061 +sa(dp215062 +g25273 +S'etching, burnished aquatint, dryoint, and burin' +p215063 +sg25267 +g27 +sg25275 +S'published 1864' +p215064 +sg25268 +S'Disparate pobre (Poor Folly)' +p215065 +sg25270 +S'Francisco de Goya' +p215066 +sa(dp215067 +g25273 +S'etching, burnished aquatint, and drypoint' +p215068 +sg25267 +g27 +sg25275 +S'published 1864' +p215069 +sg25268 +S'Si Marina baylo, tome lo que hallo (If Marion Will Dance Then She Has To Take the Consequences)' +p215070 +sg25270 +S'Francisco de Goya' +p215071 +sa(dp215072 +g25268 +S'Modo de volar (A Way of Flying)' +p215073 +sg25270 +S'Francisco de Goya' +p215074 +sg25273 +S'etching, aquatint, and drypoint' +p215075 +sg25275 +S'published 1864' +p215076 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00057/a00057c7.jpg' +p215077 +sg25267 +g27 +sa(dp215078 +g25268 +S"View of a Town with a Bishop's Tomb" +p215079 +sg25270 +S'Canaletto' +p215080 +sg25273 +S'etching' +p215081 +sg25275 +S'c. 1735/1746' +p215082 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cbf1.jpg' +p215083 +sg25267 +g27 +sa(dp215084 +g25273 +S'etching and aquatint' +p215085 +sg25267 +g27 +sg25275 +S'published 1864' +p215086 +sg25268 +S'Disparate de carnabal (Carnival Folly)' +p215087 +sg25270 +S'Francisco de Goya' +p215088 +sa(dp215089 +g25273 +S'etching, burnished aquatint, and lavis' +p215090 +sg25267 +g27 +sg25275 +S'published 1864' +p215091 +sg25268 +S'Disparate claro (Clear Folly)' +p215092 +sg25270 +S'Francisco de Goya' +p215093 +sa(dp215094 +g25273 +S'etching and burnished aquatint' +p215095 +sg25267 +g27 +sg25275 +S'published 1864' +p215096 +sg25268 +S'Sanan cuchilladas mas no malas palabras (Wounds Heal Quicker Than Hasty Words)' +p215097 +sg25270 +S'Francisco de Goya' +p215098 +sa(dp215099 +g25273 +S'etching and burnished aquatint' +p215100 +sg25267 +g27 +sg25275 +S'published 1864' +p215101 +sg25268 +S'La lealtad (Loyalty)' +p215102 +sg25270 +S'Francisco de Goya' +p215103 +sa(dp215104 +g25273 +S'etching, burnished aquatint, and burin' +p215105 +sg25267 +g27 +sg25275 +S'published 1864' +p215106 +sg25268 +S'Dios los cria y ellos se juntan (God Creates Them and They Join Up Together)' +p215107 +sg25270 +S'Francisco de Goya' +p215108 +sa(dp215109 +g25268 +S'Nada (Nothing)' +p215110 +sg25270 +S'Francisco de Goya' +p215111 +sg25273 +S'etching, burnished aquatint and lavis [working proof]' +p215112 +sg25275 +S'1810/1820' +p215113 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed60.jpg' +p215114 +sg25267 +g27 +sa(dp215115 +g25268 +S'Si quebro el cantaro (Yes He Broke the Pot)' +p215116 +sg25270 +S'Francisco de Goya' +p215117 +sg25273 +S'etching, aquatint and drypoint [first edition impression]' +p215118 +sg25275 +S'in or before 1799' +p215119 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed66.jpg' +p215120 +sg25267 +g27 +sa(dp215121 +g25268 +S'Tal para qual (Two of a Kind)' +p215122 +sg25270 +S'Francisco de Goya' +p215123 +sg25273 +S'etching retouched with black chalk, rubbed or stumped [working proof]' +p215124 +sg25275 +S'in or before 1799' +p215125 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed5a.jpg' +p215126 +sg25267 +g27 +sa(dp215127 +g25268 +S'Margarita de Austria' +p215128 +sg25270 +S'Artist Information (' +p215129 +sg25273 +S'(artist after)' +p215130 +sg25275 +S'\n' +p215131 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed6e.jpg' +p215132 +sg25267 +g27 +sa(dp215133 +g25273 +S'etching' +p215134 +sg25267 +g27 +sg25275 +S'unknown date\n' +p215135 +sg25268 +S'Concarneau' +p215136 +sg25270 +S'Gordon Hope Grant' +p215137 +sa(dp215138 +g25268 +S'La libreria. V.' +p215139 +sg25270 +S'Canaletto' +p215140 +sg25273 +S'etching' +p215141 +sg25275 +S'in or before 1742' +p215142 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ca/a000cab2.jpg' +p215143 +sg25267 +g27 +sa(dp215144 +g25273 +S'drypoint' +p215145 +sg25267 +g27 +sg25275 +S'1941' +p215146 +sg25268 +S'Men of Gloucester' +p215147 +sg25270 +S'Gordon Hope Grant' +p215148 +sa(dp215149 +g25273 +S'drypoint' +p215150 +sg25267 +g27 +sg25275 +S'unknown date\n' +p215151 +sg25268 +S'Marketplace, Bruges' +p215152 +sg25270 +S'Joseph Gray' +p215153 +sa(dp215154 +g25273 +S'drypoint' +p215155 +sg25267 +g27 +sg25275 +S'unknown date\n' +p215156 +sg25268 +S'Sunset - Isle of Aaran' +p215157 +sg25270 +S'Joseph Gray' +p215158 +sa(dp215159 +g25268 +S'A New Bill' +p215160 +sg25270 +S'William Gropper' +p215161 +sg25273 +S'lithograph' +p215162 +sg25275 +S'1942' +p215163 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000aac.jpg' +p215164 +sg25267 +g27 +sa(dp215165 +g25273 +S'etching' +p215166 +sg25267 +g27 +sg25275 +S'unknown date\n' +p215167 +sg25268 +S'Hexham Priory' +p215168 +sg25270 +S'R. 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+S'graphite' +p215486 +sg25267 +g27 +sg25275 +S'unknown date\n' +p215487 +sg25268 +S'Martells Tower' +p215488 +sg25270 +S'Francis Seymour Haden' +p215489 +sa(dp215490 +g25273 +S'etching and drypoint (copper)' +p215491 +sg25267 +g27 +sg25275 +S'1865' +p215492 +sg25268 +S'Hands Etching - O Laborum' +p215493 +sg25270 +S'Francis Seymour Haden' +p215494 +sa(dp215495 +g25273 +S'portfolio w/ 31 prints total: 4 pages of preliminary text (including title page w/ 1 print); 11 pages of Introductory text written by Phillipe Burty w/ 6 prints intersperced; 23 pages of Catalogue text also written by Burty; and 25 prints (corresponding to Catalogue entries), each w/ an accompanying cover page' +p215496 +sg25267 +g27 +sg25275 +S'published 1866' +p215497 +sg25268 +S"Etudes a l'eau-forte" +p215498 +sg25270 +S'Francis Seymour Haden' +p215499 +sa(dp215500 +g25268 +S'Adriaen van Ostade' +p215501 +sg25270 +S'Frans Hals' +p215502 +sg25273 +S'oil on canvas' +p215503 +sg25275 +S'1646/1648' +p215504 +sg25314 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Gloves, for\r\n example, \r\n were an essential feature of seventeenth-century social decorum.\r\n Ostade has \r\n removed the glove from his right hand, the one used in greeting.\r\n His bare \r\n right palm, open to the viewer, reinforces his forthrightness.\n ' +p215506 +sa(dp215507 +g25268 +S'The Terrace' +p215508 +sg25270 +S'Canaletto' +p215509 +sg25273 +S'etching' +p215510 +sg25275 +S'c. 1735/1746' +p215511 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ca/a000caab.jpg' +p215512 +sg25267 +g27 +sa(dp215513 +g25273 +S'etching and drypoint' +p215514 +sg25267 +g27 +sg25275 +S'1859' +p215515 +sg25268 +S'Kidwelly Castle' +p215516 +sg25270 +S'Francis Seymour Haden' +p215517 +sa(dp215518 +g25273 +S'etching and drypoint' +p215519 +sg25267 +g27 +sg25275 +S'1860' +p215520 +sg25268 +S'Combe Bottom' +p215521 +sg25270 +S'Francis Seymour Haden' +p215522 +sa(dp215523 +g25273 +S'etching with drypoint' +p215524 +sg25267 +g27 +sg25275 +S'1860' +p215525 +sg25268 +S'The Holly Field' +p215526 +sg25270 +S'Francis Seymour Haden' +p215527 +sa(dp215528 +g25273 +S'etching with drypoint (copper)' +p215529 +sg25267 +g27 +sg25275 +S'1865' +p215530 +sg25268 +S'Little Calais Pier' +p215531 +sg25270 +S'Francis Seymour Haden' +p215532 +sa(dp215533 +g25273 +S'etching (with drypoint?) printed a la poupee in red-brown and black' +p215534 +sg25267 +g27 +sg25275 +S'1863' +p215535 +sg25268 +S'Amstelodamum' +p215536 +sg25270 +S'Francis Seymour Haden' +p215537 +sa(dp215538 +g25273 +S'etching with drypoint' +p215539 +sg25267 +g27 +sg25275 +S'1859' +p215540 +sg25268 +S'Out of Study Window' +p215541 +sg25270 +S'Francis Seymour Haden' +p215542 +sa(dp215543 +g25273 +S'etching with drypoint' +p215544 +sg25267 +g27 +sg25275 +S'1863' +p215545 +sg25268 +S'Battersea Reach' +p215546 +sg25270 +S'Francis Seymour Haden' +p215547 +sa(dp215548 +g25273 +S'etching' +p215549 +sg25267 +g27 +sg25275 +S'1859' +p215550 +sg25268 +S"Lord Harrington's House from Kensington Gardens [see REMARKS]" +p215551 +sg25270 +S'Francis Seymour Haden' +p215552 +sa(dp215553 +g25273 +S'etching and drypoint (copper)' +p215554 +sg25267 +g27 +sg25275 +S'1864' +p215555 +sg25268 +S'The Towing Path' +p215556 +sg25270 +S'Francis Seymour Haden' +p215557 +sa(dp215558 +g25273 +S'etching and drypoint' +p215559 +sg25267 +g27 +sg25275 +S'in or after 1865' +p215560 +sg25268 +S'Sunset on the Thames' +p215561 +sg25270 +S'Francis Seymour Haden' +p215562 +sa(dp215563 +g25268 +S'Le Procuratie niove e S. 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Rembrandt painted this self–portrait in 1659, after he had suffered financial bankruptcy that forced him to sell his home and other possessions to satisfy his creditors. Early descriptions of the painting therefore mentioned an aura of melancholy surrounding the artist, yet the removal of dark, discolored varnish in 1992 proved that interpreting paintings on the basis of an artist\xe2\x80\x99s chronological life story is dangerous: the cleaned portrait revealed a rich range of pinks and bright flesh tones, forcing a reassessment of Rembrandt\xe2\x80\x99s "mood." Instead of sadness, the deep–set eyes that bore into those of the viewer seem to express inner strength and dignity.\n The light that so effectively illuminates the head also accents Rembrandt\xe2\x80\x99s left shoulder and, to a lesser extent, his broadly executed clasped hands. Rembrandt\xe2\x80\x99s pose was inspired by Raphael\xe2\x80\x99s famous \n ' +p216742 +sa(dp216743 +g25268 +S'Mulier ex Ducatu Wirttembergensi' +p216744 +sg25270 +S'Wenceslaus Hollar' +p216745 +sg25273 +S'etching' +p216746 +sg25275 +S'1643' +p216747 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d8/a000d8c1.jpg' +p216748 +sg25267 +g27 +sa(dp216749 +g25268 +S'Cives Hollandica' +p216750 +sg25270 +S'Wenceslaus Hollar' +p216751 +sg25273 +S'etching' +p216752 +sg25275 +S'1643' +p216753 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d8/a000d8c2.jpg' +p216754 +sg25267 +g27 +sa(dp216755 +g25268 +S'Mercatoris Hollandici Vxor' +p216756 +sg25270 +S'Wenceslaus Hollar' +p216757 +sg25273 +S'etching' +p216758 +sg25275 +S'1644' +p216759 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d8/a000d8c3.jpg' +p216760 +sg25267 +g27 +sa(dp216761 +g25268 +S'Navigatoris Hollandici Vxor' +p216762 +sg25270 +S'Wenceslaus Hollar' +p216763 +sg25273 +S'etching' +p216764 +sg25275 +S'unknown date\n' +p216765 +sg25314 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and aquatint' +p218240 +sg25267 +g27 +sg25275 +S'1900' +p218241 +sg25268 +S'The Downtrodden (Zertretene)' +p218242 +sg25270 +S'K\xc3\xa4the Kollwitz' +p218243 +sa(dp218244 +g25273 +S'woodcut' +p218245 +sg25267 +g27 +sg25275 +S'1925' +p218246 +sg25268 +S'Unemployment (Erwerbslos)' +p218247 +sg25270 +S'K\xc3\xa4the Kollwitz' +p218248 +sa(dp218249 +g25268 +S"Job's Evil Dreams" +p218250 +sg25270 +S'William Blake' +p218251 +sg25273 +S'engraving on India paper' +p218252 +sg25275 +S'1825' +p218253 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00076/a00076ef.jpg' +p218254 +sg25267 +g27 +sa(dp218255 +g25273 +S'lithograph' +p218256 +sg25267 +g27 +sg25275 +S'1924' +p218257 +sg25268 +S'Bettelnde (Begging)' +p218258 +sg25270 +S'K\xc3\xa4the Kollwitz' +p218259 +sa(dp218260 +g25273 +S'woodcut, touched with white gouache, on japan paper [trial proof]' +p218261 +sg25267 +g27 +sg25275 +S'1922/1923' +p218262 +sg25268 +S'The People (Das Volk)' +p218263 +sg25270 +S'K\xc3\xa4the Kollwitz' +p218264 +sa(dp218265 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(' +p218954 +sg25273 +S'Italian, 1426 - 1464' +p218955 +sg25275 +S'(artist after)' +p218956 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c71c.jpg' +p218957 +sg25267 +g27 +sa(dp218958 +g25268 +S'Little Angler (Le petit pecheur a la ligne)' +p218959 +sg25270 +S'Alphonse Legros' +p218960 +sg25273 +S'drypoint' +p218961 +sg25275 +S'unknown date\n' +p218962 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bbd.jpg' +p218963 +sg25267 +g27 +sa(dp218964 +g25268 +S"Peasant Woman Seated near a Hedge (Paysanne assise pres d'une haie)" +p218965 +sg25270 +S'Alphonse Legros' +p218966 +sg25273 +S'etching and drypoint' +p218967 +sg25275 +S'unknown date\n' +p218968 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a0009912.jpg' +p218969 +sg25267 +g27 +sa(dp218970 +g25268 +S'Auguste Rodin' +p218971 +sg25270 +S'Alphonse Legros' +p218972 +sg25273 +S'etching in brown ink' +p218973 +sg25275 +S'unknown date\n' +p218974 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b89.jpg' +p218975 +sg25267 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aux bouleaux)' +p219043 +sg25270 +S'Alphonse Legros' +p219044 +sg25273 +S'lithograph' +p219045 +sg25275 +S'unknown date\n' +p219046 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009fa5.jpg' +p219047 +sg25267 +g27 +sa(dp219048 +g25268 +S'Angler (Le pecheur a la ligne)' +p219049 +sg25270 +S'Alphonse Legros' +p219050 +sg25273 +S'etching and drypoint?' +p219051 +sg25275 +S'unknown date\n' +p219052 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b6a.jpg' +p219053 +sg25267 +g27 +sa(dp219054 +g25268 +S'Head of Souliote (Tete de Souliote)' +p219055 +sg25270 +S'Alphonse Legros' +p219056 +sg25273 +S'etching and drypoint?' +p219057 +sg25275 +S'unknown date\n' +p219058 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b6c.jpg' +p219059 +sg25267 +g27 +sa(dp219060 +g25268 +S'Fagot-makers (Les faiseurs de fagots)' +p219061 +sg25270 +S'Alphonse Legros' +p219062 +sg25273 +S'etching' +p219063 +sg25275 +S'unknown date\n' +p219064 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b70.jpg' +p219065 +sg25267 +g27 +sa(dp219066 +g25268 +S'Leon Gambetta, 2nd plate' +p219067 +sg25270 +S'Alphonse Legros' +p219068 +sg25273 +S'etching' +p219069 +sg25275 +S'unknown date\n' +p219070 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b68.jpg' +p219071 +sg25267 +g27 +sa(dp219072 +g25268 +S"Head of a Man (Tete d'homme)" +p219073 +sg25270 +S'Alphonse Legros' +p219074 +sg25273 +S'drypoint' +p219075 +sg25275 +S'1877' +p219076 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b5e.jpg' +p219077 +sg25267 +g27 +sa(dp219078 +g25268 +S'Berenice, 2nd plate' +p219079 +sg25270 +S'Alphonse Legros' +p219080 +sg25273 +S'etching' +p219081 +sg25275 +S'unknown date\n' +p219082 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b5f.jpg' +p219083 +sg25267 +g27 +sa(dp219084 +g25268 +S'Foot Soldier Standing by a Tree' +p219085 +sg25270 +S'Sebald Beham' +p219086 +sg25273 +S'etching' +p219087 +sg25275 +S'1520' +p219088 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a860.jpg' +p219089 +sg25267 +g27 +sa(dp219090 +g25268 +S'Shadow (Ombre)' +p219091 +sg25270 +S'Alphonse Legros' +p219092 +sg25273 +S'etching' +p219093 +sg25275 +S'unknown date\n' +p219094 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b60.jpg' +p219095 +sg25267 +g27 +sa(dp219096 +g25268 +S"The Fire, 2nd plate (L'incendie)" +p219097 +sg25270 +S'Alphonse Legros' +p219098 +sg25273 +S'etching' +p219099 +sg25275 +S'unknown date\n' +p219100 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b2d.jpg' +p219101 +sg25267 +g27 +sa(dp219102 +g25268 +S'Death and the Woodcutter' +p219103 +sg25270 +S'Alphonse Legros' +p219104 +sg25273 +S'pen and brown ink over graphite on ground wood paper' +p219105 +sg25275 +S'unknown date\n' +p219106 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a00073b8.jpg' +p219107 +sg25267 +g27 +sa(dp219108 +g25268 +S"Field Hospital (L'ambulance)" +p219109 +sg25270 +S'Alphonse Legros' +p219110 +sg25273 +S'etching' +p219111 +sg25275 +S'unknown date\n' +p219112 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b31.jpg' +p219113 +sg25267 +g27 +sa(dp219114 +g25268 +S'Sunset (Le soir (Coucher de soleil))' +p219115 +sg25270 +S'Alphonse Legros' +p219116 +sg25273 +S'drypoint and etching?' +p219117 +sg25275 +S'unknown date\n' +p219118 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00098/a00098e0.jpg' +p219119 +sg25267 +g27 +sa(dp219120 +g25268 +S'Phrenology Course, 2nd plate (Le cours de phrenologie)' +p219121 +sg25270 +S'Alphonse Legros' +p219122 +sg25273 +S'etching' +p219123 +sg25275 +S'1906' +p219124 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b30.jpg' +p219125 +sg25267 +g27 +sa(dp219126 +g25268 +S'Old Woman Seated (La vieille femme assise)' +p219127 +sg25270 +S'Alphonse Legros' +p219128 +sg25273 +S'etching and drypoint' +p219129 +sg25275 +S'unknown date\n' +p219130 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00098/a00098fa.jpg' +p219131 +sg25267 +g27 +sa(dp219132 +g25268 +S'Peasant Woman of Boulogne (Paysanne des environs de Boulogne dite La femme au panier)' +p219133 +sg25270 +S'Alphonse Legros' +p219134 +sg25273 +S'etching' +p219135 +sg25275 +S'unknown date\n' +p219136 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b4f.jpg' +p219137 +sg25267 +g27 +sa(dp219138 +g25268 +S'Peasants (Paysannes)' +p219139 +sg25270 +S'Alphonse Legros' +p219140 +sg25273 +S'etching? and drypoint' +p219141 +sg25275 +S'unknown date\n' +p219142 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d75.jpg' +p219143 +sg25267 +g27 +sa(dp219144 +g25268 +S'Peasants (Paysannes)' +p219145 +sg25270 +S'Alphonse Legros' +p219146 +sg25273 +S'etching and drypoint' +p219147 +sg25275 +S'unknown date\n' +p219148 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d72.jpg' +p219149 +sg25267 +g27 +sa(dp219150 +g25268 +S'Lucretia' +p219151 +sg25270 +S'Rembrandt van Rijn' +p219152 +sg25273 +S'oil on canvas' +p219153 +sg25275 +S'1664' +p219154 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00007/a0000704.jpg' +p219155 +sg25267 +S"The tragic story of Lucretia, recounted by Livy (59 BC–17 AD), took place in Rome in the sixth century BC during the reign of the tyrannical ruler Tarquinius Superbus. Rembrandt, who specialized in history paintings, portrays Lucretia in utter anguish, right before her act of suicide. The tension surrounding that awful moment poignantly captures the moral dilemma of a woman forced to choose between life and honor.\n Lucretia's husband, Collatinus, had boasted to his fellow soldiers that her loyalty and virtue were greater than that of their wives. Taking him up on the challenge, the men immediately rode to Rome, where they found Lucretia and her handmaidens spinning wool. Lucretia's very virtue enflamed the desire of Sextus Tarquinius, son of the tyrant, and he secretly returned to her house a few days later. Lucretia received him as an honored guest, but he later betrayed that hospitality by entering her chamber and threatening to kill her if she did not yield to his advances. The next day Lucretia summoned her father and husband, disclosed what had happened, and told them that, even though they deemed her an innocent victim, she was determined to end her life in order to reclaim her honor. She then drew a knife from her robe, drove it into her heart, and died. Overwhelmed by grief and anger, Lucretia's father, her husband, and two friends swore to avenge her death. Lucretia's rape and suicide triggered a revolt that led to the overthrow of monarchical tyranny and the creation of the Roman Republic.\n " +p219156 +sa(dp219157 +g25268 +S'The Penance of Saint John Chrysostom' +p219158 +sg25270 +S'Sebald Beham' +p219159 +sg25273 +S'engraving' +p219160 +sg25275 +S'c. 1541/1545' +p219161 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a7f7.jpg' +p219162 +sg25267 +g27 +sa(dp219163 +g25268 +S"Traveler taking Shelter (Le voyageur a l'abri)" +p219164 +sg25270 +S'Alphonse Legros' +p219165 +sg25273 +S'etching and drypoint' +p219166 +sg25275 +S'unknown date\n' +p219167 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b4c.jpg' +p219168 +sg25267 +g27 +sa(dp219169 +g25268 +S'English Beggars (Les mendiants anglais)' +p219170 +sg25270 +S'Alphonse Legros' +p219171 +sg25273 +S'etching and drypoint' +p219172 +sg25275 +S'1875' +p219173 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b4e.jpg' +p219174 +sg25267 +g27 +sa(dp219175 +g25268 +S'Finding the Sheep (Le mouton retrouve)' +p219176 +sg25270 +S'Alphonse Legros' +p219177 +sg25273 +S'etching' +p219178 +sg25275 +S'unknown date\n' +p219179 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b43.jpg' +p219180 +sg25267 +g27 +sa(dp219181 +g25268 +S'Fisherman with a Hoop-net (La peche a la truble)' +p219182 +sg25270 +S'Alphonse Legros' +p219183 +sg25273 +S'etching and aquatint?' +p219184 +sg25275 +S'unknown date\n' +p219185 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b57.jpg' +p219186 +sg25267 +g27 +sa(dp219187 +g25268 +S'Horse-driven Mill (Le manege)' +p219188 +sg25270 +S'Alphonse Legros' +p219189 +sg25273 +S'etching' +p219190 +sg25275 +S'probably 1869' +p219191 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b45.jpg' +p219192 +sg25267 +g27 +sa(dp219193 +g25268 +S'Vagabonds of Montrouge (Les vagabonds de Montrouge)' +p219194 +sg25270 +S'Alphonse Legros' +p219195 +sg25273 +S'etching' +p219196 +sg25275 +S'unknown date\n' +p219197 +sg25314 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coteau)" +p219440 +sg25270 +S'Alphonse Legros' +p219441 +sg25273 +S'etching and drypoint' +p219442 +sg25275 +S'unknown date\n' +p219443 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d45.jpg' +p219444 +sg25267 +g27 +sa(dp219445 +g25268 +S'Return to the Farm (Le retour a la ferme)' +p219446 +sg25270 +S'Alphonse Legros' +p219447 +sg25273 +S'etching' +p219448 +sg25275 +S'unknown date\n' +p219449 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d3f.jpg' +p219450 +sg25267 +g27 +sa(dp219451 +g25268 +S'Valley in Bourgogne (Une vallee en Bourgogne)' +p219452 +sg25270 +S'Alphonse Legros' +p219453 +sg25273 +S'etching' +p219454 +sg25275 +S'unknown date\n' +p219455 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d43.jpg' +p219456 +sg25267 +g27 +sa(dp219457 +g25268 +S'Valley in Bourgogne (Une vallee en Bourgogne)' +p219458 +sg25270 +S'Alphonse Legros' +p219459 +sg25273 +S'drypoint and etching' +p219460 +sg25275 +S'unknown date\n' +p219461 +sg25314 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+sg25273 +S'etching on buff paper' +p219544 +sg25275 +S'unknown date\n' +p219545 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009dff.jpg' +p219546 +sg25267 +g27 +sa(dp219547 +g25268 +S'View of a Chateau (Chateau de Poillet)' +p219548 +sg25270 +S'Alphonse Legros' +p219549 +sg25273 +S'etching and drypoint?' +p219550 +sg25275 +S'unknown date\n' +p219551 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009df9.jpg' +p219552 +sg25267 +g27 +sa(dp219553 +g25268 +S"A Message Concerning the White King's Marriage" +p219554 +sg25270 +S'Hans Burgkmair I' +p219555 +sg25273 +S'woodcut' +p219556 +sg25275 +S'unknown date\n' +p219557 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b09a.jpg' +p219558 +sg25267 +g27 +sa(dp219559 +g25268 +S"The Adoration of the Shepherds (L'adoration des bergers)" +p219560 +sg25270 +S'Alphonse Legros' +p219561 +sg25273 +S'etching and drypoint' +p219562 +sg25275 +S'unknown date\n' +p219563 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009e/a0009e02.jpg' +p219564 +sg25267 +g27 +sa(dp219565 +g25268 +S'The Triumph of Death: Battle (Le triomphe de la mort: Le combat)' +p219566 +sg25270 +S'Alphonse Legros' +p219567 +sg25273 +S'etching' +p219568 +sg25275 +S'unknown date\n' +p219569 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009de6.jpg' +p219570 +sg25267 +g27 +sa(dp219571 +g25268 +S'Sleeper (Un dormeur)' +p219572 +sg25270 +S'Alphonse Legros' +p219573 +sg25273 +S'etching' +p219574 +sg25275 +S'unknown date\n' +p219575 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009df2.jpg' +p219576 +sg25267 +g27 +sa(dp219577 +g25268 +S'Little Beggar (Le petit mendiant)' +p219578 +sg25270 +S'Alphonse Legros' +p219579 +sg25273 +S'etching' +p219580 +sg25275 +S'unknown date\n' +p219581 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009df4.jpg' +p219582 +sg25267 +g27 +sa(dp219583 +g25268 +S'Woman at the Foot of the Cross (Femme au calvaire)' +p219584 +sg25270 +S'Alphonse Legros' +p219585 +sg25273 +S'etching and drypoint' +p219586 +sg25275 +S'unknown date\n' +p219587 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009df1.jpg' +p219588 +sg25267 +g27 +sa(dp219589 +g25268 +S'Ruins of a Chateau (Les ruins du chateau)' +p219590 +sg25270 +S'Alphonse Legros' +p219591 +sg25273 +S'etching' +p219592 +sg25275 +S'unknown date\n' +p219593 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009deb.jpg' +p219594 +sg25267 +g27 +sa(dp219595 +g25268 +S'Cottage on a Hillside (Chaumiere sur le coteau)' +p219596 +sg25270 +S'Alphonse Legros' +p219597 +sg25273 +S'etching' +p219598 +sg25275 +S'unknown date\n' +p219599 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009dd9.jpg' +p219600 +sg25267 +g27 +sa(dp219601 +g25268 +S'In the Forest (Lisiere de foret)' +p219602 +sg25270 +S'Alphonse Legros' +p219603 +sg25273 +S'etching' +p219604 +sg25275 +S'unknown date\n' +p219605 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009de0.jpg' +p219606 +sg25267 +g27 +sa(dp219607 +g25268 +S"Farm at the Monastery (La ferme de l'abbaye)" +p219608 +sg25270 +S'Alphonse Legros' +p219609 +sg25273 +S'etching and drypoint' +p219610 +sg25275 +S'unknown date\n' +p219611 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009ddb.jpg' +p219612 +sg25267 +g27 +sa(dp219613 +g25268 +S"Farm at the Monastery (La ferme de l'abbaye)" +p219614 +sg25270 +S'Alphonse Legros' +p219615 +sg25273 +S'etching' +p219616 +sg25275 +S'unknown date\n' +p219617 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009dda.jpg' +p219618 +sg25267 +g27 +sa(dp219619 +g25268 +S'Lucretia' +p219620 +sg25270 +S'Jacopo Francia' +p219621 +sg25273 +S'engraving' +p219622 +sg25275 +S'c. 1510' +p219623 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cbb1.jpg' +p219624 +sg25267 +g27 +sa(dp219625 +g25268 +S"Farm at the Monastery (La ferme de l'abbaye)" +p219626 +sg25270 +S'Alphonse Legros' +p219627 +sg25273 +S'etching' +p219628 +sg25275 +S'unknown date\n' +p219629 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009de3.jpg' +p219630 +sg25267 +g27 +sa(dp219631 +g25268 +S"View of a Farm Seen in a Storm (La ferme de Brieux (Effet d'orage))" +p219632 +sg25270 +S'Alphonse Legros' +p219633 +sg25273 +S'drypoint and etching?' +p219634 +sg25275 +S'unknown date\n' +p219635 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c72.jpg' +p219636 +sg25267 +g27 +sa(dp219637 +g25268 +S'Woodcutters, 3rd plate (Les bucherons)' +p219638 +sg25270 +S'Alphonse Legros' +p219639 +sg25273 +S'etching' +p219640 +sg25275 +S'unknown date\n' +p219641 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c58.jpg' +p219642 +sg25267 +g27 +sa(dp219643 +g25268 +S'Woodcutters, 3rd plate (Les bucherons)' +p219644 +sg25270 +S'Alphonse Legros' +p219645 +sg25273 +S'etching' +p219646 +sg25275 +S'unknown date\n' +p219647 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c59.jpg' +p219648 +sg25267 +g27 +sa(dp219649 +g25268 +S'Harvesters (Les moissoneurs)' +p219650 +sg25270 +S'Alphonse Legros' +p219651 +sg25273 +S'etching' +p219652 +sg25275 +S'unknown date\n' +p219653 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c65.jpg' +p219654 +sg25267 +g27 +sa(dp219655 +g25268 +S'Professor W. Cawthorne Unwin' +p219656 +sg25270 +S'Alphonse Legros' +p219657 +sg25273 +S'etching' +p219658 +sg25275 +S'unknown date\n' +p219659 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c64.jpg' +p219660 +sg25267 +g27 +sa(dp219661 +g25268 +S"Study for the Head of a Man (Etude de tete d'homme)" +p219662 +sg25270 +S'Alphonse Legros' +p219663 +sg25273 +S'drypoint and etching? on light green paper' +p219664 +sg25275 +S'unknown date\n' +p219665 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c5e.jpg' +p219666 +sg25267 +g27 +sa(dp219667 +g25268 +S'Study of an Old Man (Etude de vieillard)' +p219668 +sg25270 +S'Alphonse Legros' +p219669 +sg25273 +S'etching' +p219670 +sg25275 +S'unknown date\n' +p219671 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c4a.jpg' +p219672 +sg25267 +g27 +sa(dp219673 +g25268 +S"Study for Head of a Man (Etude de tete d'homme)" +p219674 +sg25270 +S'Alphonse Legros' +p219675 +sg25273 +S'etching and drypoint?' +p219676 +sg25275 +S'unknown date\n' +p219677 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c56.jpg' +p219678 +sg25267 +g27 +sa(dp219679 +g25268 +S'Cardinal Manning, 3rd plate' +p219680 +sg25270 +S'Alphonse Legros' +p219681 +sg25273 +S'drypoint' +p219682 +sg25275 +S'unknown date\n' +p219683 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c4d.jpg' +p219684 +sg25267 +g27 +sa(dp219685 +g25268 +S'Christ Carrying the Cross' +p219686 +sg25270 +S'Master AG' +p219687 +sg25273 +S'engraving' +p219688 +sg25275 +S'unknown date\n' +p219689 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a3/a000a3da.jpg' +p219690 +sg25267 +g27 +sa(dp219691 +g25268 +S'W.H. Longfellow, 1st plate' +p219692 +sg25270 +S'Alphonse Legros' +p219693 +sg25273 +S'drypoint' +p219694 +sg25275 +S'unknown date\n' +p219695 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c39.jpg' +p219696 +sg25267 +g27 +sa(dp219697 +g25268 +S'Choirmaster (Le maitre de chapelle)' +p219698 +sg25270 +S'Alphonse Legros' +p219699 +sg25273 +S'etching' +p219700 +sg25275 +S'unknown date\n' +p219701 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c2c.jpg' +p219702 +sg25267 +g27 +sa(dp219703 +g25268 +S'Self-Portrait, 4th plate' +p219704 +sg25270 +S'Alphonse Legros' +p219705 +sg25273 +S'etching and drypoint' +p219706 +sg25275 +S'unknown date\n' +p219707 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c2d.jpg' +p219708 +sg25267 +g27 +sa(dp219709 +g25268 +S'Alfred, Lord Tennyson' +p219710 +sg25270 +S'Alphonse Legros' +p219711 +sg25273 +S'lithograph' +p219712 +sg25275 +S'unknown date\n' +p219713 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c31.jpg' +p219714 +sg25267 +g27 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+sg25275 +S'unknown date\n' +p219737 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c26.jpg' +p219738 +sg25267 +g27 +sa(dp219739 +g25268 +S'Near the Mill (Pres du moulin)' +p219740 +sg25270 +S'Alphonse Legros' +p219741 +sg25273 +S'etching and drypoint' +p219742 +sg25275 +S'unknown date\n' +p219743 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c11.jpg' +p219744 +sg25267 +g27 +sa(dp219745 +g25268 +S'Landscape (Paysage)' +p219746 +sg25270 +S'Alphonse Legros' +p219747 +sg25273 +S'drypoint and etching' +p219748 +sg25275 +S'unknown date\n' +p219749 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c0b.jpg' +p219750 +sg25267 +g27 +sa(dp219751 +g25268 +S'The Nativity' +p219752 +sg25270 +S'Ludwig Krug' +p219753 +sg25273 +S'engraving' +p219754 +sg25275 +S'1516' +p219755 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ac/a000ac9a.jpg' +p219756 +sg25267 +g27 +sa(dp219757 +g25268 +S'Sleeping Beggar (Mendiant endormi)' +p219758 +sg25270 +S'Alphonse Legros' +p219759 +sg25273 +S'etching and drypoint' +p219760 +sg25275 +S'unknown date\n' +p219761 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bf8.jpg' +p219762 +sg25267 +g27 +sa(dp219763 +g25268 +S'Sleeping Beggar (Mendiant endormi)' +p219764 +sg25270 +S'Alphonse Legros' +p219765 +sg25273 +S'etching and drypoint' +p219766 +sg25275 +S'unknown date\n' +p219767 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c08.jpg' +p219768 +sg25267 +g27 +sa(dp219769 +g25268 +S'Sleeping Beggar (Mendiant endormi)' +p219770 +sg25270 +S'Alphonse Legros' +p219771 +sg25273 +S'etching and drypoint' +p219772 +sg25275 +S'unknown date\n' +p219773 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bf7.jpg' +p219774 +sg25267 +g27 +sa(dp219775 +g25268 +S'Sleeping Beggar (Mendiant endormi)' +p219776 +sg25270 +S'Alphonse Legros' +p219777 +sg25273 +S'etching and drypoint' +p219778 +sg25275 +S'unknown date\n' +p219779 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bf9.jpg' +p219780 +sg25267 +g27 +sa(dp219781 +g25268 +S'Desperate Man (Le desespere)' +p219782 +sg25270 +S'Alphonse Legros' +p219783 +sg25273 +S'drypoint and etching' +p219784 +sg25275 +S'unknown date\n' +p219785 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bfe.jpg' +p219786 +sg25267 +g27 +sa(dp219787 +g25268 +S"Poplars near Amiens (Pres d'Amiens, les tourbieres)" +p219788 +sg25270 +S'Alphonse Legros' +p219789 +sg25273 +S'drypoint and etching' +p219790 +sg25275 +S'unknown date\n' +p219791 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bf2.jpg' +p219792 +sg25267 +g27 +sa(dp219793 +g25268 +S'Old Village (Ville vieille)' +p219794 +sg25270 +S'Alphonse Legros' +p219795 +sg25273 +S'etching and drypoint?' +p219796 +sg25275 +S'unknown date\n' +p219797 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bf3.jpg' +p219798 +sg25267 +g27 +sa(dp219799 +g25268 +S'Old Village (Ville vieille)' +p219800 +sg25270 +S'Alphonse Legros' +p219801 +sg25273 +S'etching and drypoint' +p219802 +sg25275 +S'unknown date\n' +p219803 +sg25314 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and brown ink with yellow and brown wash over graphite on laid paper' +p220190 +sg25275 +S'1906' +p220191 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a00073dd.jpg' +p220192 +sg25267 +g27 +sa(dp220193 +g25268 +S'At the Foot of the Hill' +p220194 +sg25270 +S'Alphonse Legros' +p220195 +sg25273 +S'pen and brown ink with brown wash on laid paper' +p220196 +sg25275 +S'unknown date\n' +p220197 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f07.jpg' +p220198 +sg25267 +g27 +sa(dp220199 +g25268 +S'In the Marshes' +p220200 +sg25270 +S'Alphonse Legros' +p220201 +sg25273 +S'pen and brown ink with brown wash on laid paper' +p220202 +sg25275 +S'unknown date\n' +p220203 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00072/a00072ff.jpg' +p220204 +sg25267 +g27 +sa(dp220205 +g25268 +S'Head of a Man' +p220206 +sg25270 +S'Alphonse Legros' +p220207 +sg25273 +S'black chalk on laid paper' +p220208 +sg25275 +S'unknown date\n' +p220209 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00072/a00072fb.jpg' +p220210 +sg25267 +g27 +sa(dp220211 +g25268 +S'The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the st' +p220212 +sg25270 +S'William Blake' +p220213 +sg25273 +S'engraving' +p220214 +sg25275 +S'1827' +p220215 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00076/a00076fc.jpg' +p220216 +sg25267 +g27 +sa(dp220217 +g25268 +S'The Virgin Appearing to Saint John' +p220218 +sg25270 +S'Albrecht D\xc3\xbcrer' +p220219 +sg25273 +S'woodcut' +p220220 +sg25275 +S'1510/1511' +p220221 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b1/a000b141.jpg' +p220222 +sg25267 +g27 +sa(dp220223 +g25268 +S"The Circle of the Traitors; Dante's Foot Striking Bocca degli Abbate" +p220224 +sg25270 +S'William Blake' +p220225 +sg25273 +S'engraving' +p220226 +sg25275 +S'1827' +p220227 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00076/a00076f9.jpg' +p220228 +sg25267 +g27 +sa(dp220229 +g25268 +S'Monks in a Cathedral' +p220230 +sg25270 +S'Jean-Baptiste-Pierre Le Brun' +p220231 +sg25273 +S'pen and brown ink with brown wash and white heightening over graphite' +p220232 +sg25275 +S'unknown date\n' +p220233 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00071/a000713c.jpg' +p220234 +sg25267 +g27 +sa(dp220235 +g25268 +S'Betrayal' +p220236 +sg25270 +S'German 15th Century' +p220237 +sg25273 +S'Schreiber Manuel, no. 3448' +p220238 +sg25275 +S'\nhand-colored woodcut' +p220239 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a5f0.jpg' +p220240 +sg25267 +g27 +sa(dp220241 +g25268 +S'Kneeling, Small (Kniende, klein)' +p220242 +sg25270 +S'Wilhelm Lehmbruck' +p220243 +sg25273 +S'drypoint' +p220244 +sg25275 +S'1910' +p220245 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b7/a000b7cb.jpg' +p220246 +sg25267 +g27 +sa(dp220247 +g25268 +S'Four Women; Three Standing, One Sitting (VierFrauen; drei stehend, eine sitzend)' +p220248 +sg25270 +S'Wilhelm Lehmbruck' +p220249 +sg25273 +S'drypoint' +p220250 +sg25275 +S'1913' +p220251 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b7/a000b7cf.jpg' +p220252 +sg25267 +g27 +sa(dp220253 +g25268 +S"Woman's Dream (Der Traum des Weibes)" +p220254 +sg25270 +S'Wilhelm Lehmbruck' +p220255 +sg25273 +S'drypoint [proof]' +p220256 +sg25275 +S'1914' +p220257 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b7/a000b7d2.jpg' +p220258 +sg25267 +g27 +sa(dp220259 +g25268 +S'Three Kneeling Women (Drei Frauen knied)' +p220260 +sg25270 +S'Wilhelm Lehmbruck' +p220261 +sg25273 +S'drypoint' +p220262 +sg25275 +S'1913' +p220263 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b7/a000b7cc.jpg' +p220264 +sg25267 +g27 +sa(dp220265 +g25268 +S'Passion II (Leidenschaft II)' +p220266 +sg25270 +S'Wilhelm Lehmbruck' +p220267 +sg25273 +S'drypoint' +p220268 +sg25275 +S'1914' +p220269 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b7/a000b7ce.jpg' +p220270 +sg25267 +g27 +sa(dp220271 +g25268 +S'Large Resurrection (Grosse Auferstehung)' +p220272 +sg25270 +S'Wilhelm Lehmbruck' +p220273 +sg25273 +S'drypoint [proof]' +p220274 +sg25275 +S'1913' +p220275 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c4/a000c45d.jpg' +p220276 +sg25267 +g27 +sa(dp220277 +g25268 +S'In the Deluged Marsh - The Shepherd (Au marais inonde - Le berger)' +p220278 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220279 +sg25273 +S'etching' +p220280 +sg25275 +S'1911' +p220281 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009ce6.jpg' +p220282 +sg25267 +g27 +sa(dp220283 +g25268 +S'The Martyrdom of Saint John' +p220284 +sg25270 +S'Albrecht D\xc3\xbcrer' +p220285 +sg25273 +S'woodcut' +p220286 +sg25275 +S'probably c. 1496/1498' +p220287 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b1/a000b142.jpg' +p220288 +sg25267 +g27 +sa(dp220289 +g25268 +S'Rue de la Montagne-Sainte-Genevieve, Paris' +p220290 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220291 +sg25273 +S'etching, aquatint, and (drypoint?)' +p220292 +sg25275 +S'1906' +p220293 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009ccf.jpg' +p220294 +sg25267 +g27 +sa(dp220295 +g25268 +S'The House of the Woodcutter, Vendee (La maison du bucheron, Vendee)' +p220296 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220297 +sg25273 +S'etching' +p220298 +sg25275 +S'1915' +p220299 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009ce7.jpg' +p220300 +sg25267 +g27 +sa(dp220301 +g25268 +S'Le Christ au matin de rameaux' +p220302 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220303 +sg25273 +S'etching' +p220304 +sg25275 +S'1918' +p220305 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009ce4.jpg' +p220306 +sg25267 +g27 +sa(dp220307 +g25268 +S'Jewish Quarters in Amsterdam' +p220308 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220309 +sg25273 +S'wood engraving' +p220310 +sg25275 +S'unknown date\n' +p220311 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a0009944.jpg' +p220312 +sg25267 +g27 +sa(dp220313 +g25268 +S'Reims Cathedral (Cathedrale de Reims)' +p220314 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220315 +sg25273 +S'etching' +p220316 +sg25275 +S'1911' +p220317 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009fb5.jpg' +p220318 +sg25267 +g27 +sa(dp220319 +g25268 +S'Summer in Saint-Martin, the Past Nuptials (Ete de la Saint-Martin, la noce qui passe)' +p220320 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220321 +sg25273 +S'etching' +p220322 +sg25275 +S'1908' +p220323 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009cdd.jpg' +p220324 +sg25267 +g27 +sa(dp220325 +g25268 +S'Angers - The House of the King of Poland (Angers - La maison du roi de Pologne)' +p220326 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220327 +sg25273 +S'etching' +p220328 +sg25275 +S'1912' +p220329 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a0009946.jpg' +p220330 +sg25267 +g27 +sa(dp220331 +g25268 +S'Path from St.-Gilles, St.-Jean-de-Monts (La route de St.-Gilles, St.-Jean-de-Monts)' +p220332 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220333 +sg25273 +S'etching' +p220334 +sg25275 +S'1911' +p220335 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009ce8.jpg' +p220336 +sg25267 +g27 +sa(dp220337 +g25268 +S"Storm on the Dune, Vendee (L'orage sur la dune, Vendee)" +p220338 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220339 +sg25273 +S'etching' +p220340 +sg25275 +S'unknown date\n' +p220341 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009cd7.jpg' +p220342 +sg25267 +g27 +sa(dp220343 +g25268 +S"Storm on the Dune, Vendee (L'orage sur la dune, Vendee)" +p220344 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220345 +sg25273 +S'etching' +p220346 +sg25275 +S'unknown date\n' +p220347 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009cd4.jpg' +p220348 +sg25267 +g27 +sa(dp220349 +g25268 +S'The Vision of the Seven Candlesticks' +p220350 +sg25270 +S'Albrecht D\xc3\xbcrer' +p220351 +sg25273 +S'woodcut' +p220352 +sg25275 +S'probably c. 1496/1498' +p220353 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b1/a000b144.jpg' +p220354 +sg25267 +g27 +sa(dp220355 +g25268 +S'Spring Tide, Rocks of Zion (Grande maree, rochers de Sion, Vendee)' +p220356 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220357 +sg25273 +S'etching' +p220358 +sg25275 +S'1907' +p220359 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009cdb.jpg' +p220360 +sg25267 +g27 +sa(dp220361 +g25268 +S'The Poulterer, Vendee (Le Poulailler, Vendee)' +p220362 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220363 +sg25273 +S'etching' +p220364 +sg25275 +S'1908' +p220365 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a000993e.jpg' +p220366 +sg25267 +g27 +sa(dp220367 +g25268 +S'Shelter for the Poor, Vendee (Le nid de pauvres, Vendee)' +p220368 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220369 +sg25273 +S'etching' +p220370 +sg25275 +S'1909' +p220371 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009cde.jpg' +p220372 +sg25267 +g27 +sa(dp220373 +g25268 +S'Provins (Seine et Marne)' +p220374 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220375 +sg25273 +S'etching' +p220376 +sg25275 +S'1910' +p220377 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009ce3.jpg' +p220378 +sg25267 +g27 +sa(dp220379 +g25268 +S'Provins (Seine et Marne)' +p220380 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220381 +sg25273 +S'etching' +p220382 +sg25275 +S'1910' +p220383 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009ce2.jpg' +p220384 +sg25267 +g27 +sa(dp220385 +g25268 +S'Old Houses at Amiens (Vieilles maisons a Amiens)' +p220386 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220387 +sg25273 +S'etching on light green paper' +p220388 +sg25275 +S'1907' +p220389 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a0009942.jpg' +p220390 +sg25267 +g27 +sa(dp220391 +g25268 +S'The Falling Balloon, in Pre-Saint-Gervais (Lebaloon qui tombe, au Pre-Saint-Gervais)' +p220392 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220393 +sg25273 +S'etching' +p220394 +sg25275 +S'1910' +p220395 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a0009940.jpg' +p220396 +sg25267 +g27 +sa(dp220397 +g25268 +S'Route from La Houssoye, Crevecoeur-le-Grand (Route de La Houssoye, Crevecoeur)' +p220398 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220399 +sg25273 +S'etching' +p220400 +sg25275 +S'1913' +p220401 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009ce0.jpg' +p220402 +sg25267 +g27 +sa(dp220403 +g25268 +S"Wreckers, Saint-Jean-de-Monts (Pilleurs d'epaves, Saint-Jean-de-Monts)" +p220404 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220405 +sg25273 +S'etching' +p220406 +sg25275 +S'1915' +p220407 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009cdf.jpg' +p220408 +sg25267 +g27 +sa(dp220409 +g25268 +S'Pastime of Rest, Vendee (Le jeu du reposoir, Vendee)' +p220410 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220411 +sg25273 +S'etching' +p220412 +sg25275 +S'unknown date\n' +p220413 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009ce1.jpg' +p220414 +sg25267 +g27 +sa(dp220415 +g25268 +S'The Adoration of the Lamb' +p220416 +sg25270 +S'Albrecht D\xc3\xbcrer' +p220417 +sg25273 +S'woodcut' +p220418 +sg25275 +S'probably c. 1496/1498' +p220419 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b1/a000b118.jpg' +p220420 +sg25267 +g27 +sa(dp220421 +g25268 +S'Old Foot-bridge, Banks of the Small Morin (Vieille passerelle, bords du petit morin)' +p220422 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220423 +sg25273 +S'etching' +p220424 +sg25275 +S'1915' +p220425 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009ce5.jpg' +p220426 +sg25267 +g27 +sa(dp220427 +g25268 +S'Souvenir of St. Denis (Souvenir de Saint-Denis)' +p220428 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220429 +sg25273 +S'etching' +p220430 +sg25275 +S'unknown date\n' +p220431 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a000993f.jpg' +p220432 +sg25267 +g27 +sa(dp220433 +g25268 +S"Amiens Cathedral (Cathedrale d'Amiens - Jour d'inventaire)" +p220434 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220435 +sg25273 +S'etching' +p220436 +sg25275 +S'1907' +p220437 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009cdc.jpg' +p220438 +sg25267 +g27 +sa(dp220439 +g25268 +S'The Great Apple Market (Le grand marche aux pommes)' +p220440 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220441 +sg25273 +S'etching' +p220442 +sg25275 +S'1917' +p220443 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009fb8.jpg' +p220444 +sg25267 +g27 +sa(dp220445 +g25268 +S'Angers - Panoramic View (Angers - Vue panoramique)' +p220446 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220447 +sg25273 +S'etching' +p220448 +sg25275 +S'1912' +p220449 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009fbe.jpg' +p220450 +sg25267 +g27 +sa(dp220451 +g25268 +S'Clisson (Lower Loire)' +p220452 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220453 +sg25273 +S'etching' +p220454 +sg25275 +S'1909' +p220455 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009cd0.jpg' +p220456 +sg25267 +g27 +sa(dp220457 +g25268 +S'Banks of the Somme at Amiens (Bords de la Somme a Amiens)' +p220458 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220459 +sg25273 +S'etching and aquatint' +p220460 +sg25275 +S'1907' +p220461 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a0009943.jpg' +p220462 +sg25267 +g27 +sa(dp220463 +g25268 +S"Watering-place behind Notre-Dame (L'abreuvoirderriere Notre-Dame)" +p220464 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220465 +sg25273 +S'wood engraving' +p220466 +sg25275 +S'1897' +p220467 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a000993d.jpg' +p220468 +sg25267 +g27 +sa(dp220469 +g25268 +S'Unloading, Canal St. Martin (Les dechargeurs de platre, Canal Saint-Martin)' +p220470 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220471 +sg25273 +S'wood engraving' +p220472 +sg25275 +S'1890' +p220473 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a000993b.jpg' +p220474 +sg25267 +g27 +sa(dp220475 +g25268 +S"Les Fauteuils d'orchestre" +p220476 +sg25270 +S'Artist Information (' +p220477 +sg25273 +S'(artist after)' +p220478 +sg25275 +S'\n' +p220479 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009a/a0009a97.jpg' +p220480 +sg25267 +g27 +sa(dp220481 +g25268 +S'A Polish Nobleman' +p220482 +sg25270 +S'Rembrandt van Rijn' +p220483 +sg25273 +S'oil on panel' +p220484 +sg25275 +S'1637' +p220485 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f39.jpg' +p220486 +sg25267 +S"Rembrandt van Rijn began his career in his native city of Leiden, but moved\nto Amsterdam around 1631. He immediately established himself as the foremost artist\nin the city and was sought after as a portrait painter as well as for his depictions\nof biblical and mythological subjects.\n A Polish Nobleman\n These paintings allowed Rembrandt to expand the limits of portraiture because he\nwas not constrained by traditional conventions. He often used these fanciful portraits\nas a means of evoking aspects of human psychology. Through his dramatic accents\nof light and dark on the sitter's face, his bold brushwork, and dense application\nof paint, he created a powerful, almost sculptural presence; but by emphasizing\nthe sitter's furrowed brow and by shading his heavy, forlorn eyes, Rembrandt suggested\na deeply pensive personality.\n " +p220487 +sa(dp220488 +g25268 +S'The Seven Angels with the Trumpets' +p220489 +sg25270 +S'Albrecht D\xc3\xbcrer' +p220490 +sg25273 +S'woodcut' +p220491 +sg25275 +S'probably c. 1496/1498' +p220492 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b1/a000b149.jpg' +p220493 +sg25267 +g27 +sa(dp220494 +g25268 +S'Pont Neuf' +p220495 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220496 +sg25273 +S'etching' +p220497 +sg25275 +S'1901' +p220498 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009cda.jpg' +p220499 +sg25267 +g27 +sa(dp220500 +g25268 +S'Return of the Procession to Nante Cathedral (Rentree de la Procession a la Cathedral de Nantes)' +p220501 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220502 +sg25273 +S'etching with drypoint' +p220503 +sg25275 +S'1901' +p220504 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009cd9.jpg' +p220505 +sg25267 +g27 +sa(dp220506 +g25268 +S'Amsterdam Seen from Victoria Hotel (Amsterdamvue de Victoria Hotel)' +p220507 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220508 +sg25273 +S'etching with drypoint' +p220509 +sg25275 +S'1901' +p220510 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009cd5.jpg' +p220511 +sg25267 +g27 +sa(dp220512 +g25268 +S"American Quarries, near Paris (Carrieres d'Amerique, pres Paris)" +p220513 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220514 +sg25273 +S'etching' +p220515 +sg25275 +S'1898' +p220516 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009cd1.jpg' +p220517 +sg25267 +g27 +sa(dp220518 +g25268 +S'Bridge of Arts (Le pont des Arts)' +p220519 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220520 +sg25273 +S'etching' +p220521 +sg25275 +S'1890' +p220522 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009cd8.jpg' +p220523 +sg25267 +g27 +sa(dp220524 +g25268 +S'Gobelins Quarter (Le quartier des Gobelins)' +p220525 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220526 +sg25273 +S'etching with aquatint' +p220527 +sg25275 +S'1893' +p220528 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009cd2.jpg' +p220529 +sg25267 +g27 +sa(dp220530 +g25268 +S'Gobelins Quarter (Le quartier des Gobelins)' +p220531 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220532 +sg25273 +S'etching with aquatint' +p220533 +sg25275 +S'1893' +p220534 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009cd3.jpg' +p220535 +sg25267 +g27 +sa(dp220536 +g25268 +S'Dockman, Pier at La Gare (Le debardeur, quai de La Gare)' +p220537 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220538 +sg25273 +S'etching with aquatint and drypoint' +p220539 +sg25275 +S'1894' +p220540 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d82.jpg' +p220541 +sg25267 +g27 +sa(dp220542 +g25268 +S'Under the Bridge of Bercy (Sous le pont de Bercy)' +p220543 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220544 +sg25273 +S'etching and aquatint' +p220545 +sg25275 +S'1894' +p220546 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a000992c.jpg' +p220547 +sg25267 +g27 +sa(dp220548 +g25268 +S'Reclined Woman Sleeping (Femme couchee sommeillant)' +p220549 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220550 +sg25273 +S'etching with drypoint' +p220551 +sg25275 +S'1892' +p220552 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a000992e.jpg' +p220553 +sg25267 +g27 +sa(dp220554 +g25268 +S'Saint John Devouring the Book' +p220555 +sg25270 +S'Albrecht D\xc3\xbcrer' +p220556 +sg25273 +S'woodcut' +p220557 +sg25275 +S'probably c. 1496/1498' +p220558 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b1/a000b117.jpg' +p220559 +sg25267 +g27 +sa(dp220560 +g25268 +S'View of St.-Jean-de-Mont, Vendee (Vue de St.-Jean-de-Mont, Vendee)' +p220561 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220562 +sg25273 +S'etching and aquatint' +p220563 +sg25275 +S'1892' +p220564 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d7d.jpg' +p220565 +sg25267 +g27 +sa(dp220566 +g25268 +S'Departure for Greenwich (Depart pour Greenwich)' +p220567 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220568 +sg25273 +S'etching' +p220569 +sg25275 +S'1891' +p220570 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a000992f.jpg' +p220571 +sg25267 +g27 +sa(dp220572 +g25268 +S'Departure for Greenwich (Depart pour Greenwich)' +p220573 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220574 +sg25273 +S'etching retouched with graphite' +p220575 +sg25275 +S'1891' +p220576 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a0009930.jpg' +p220577 +sg25267 +g27 +sa(dp220578 +g25268 +S'Departure for Greenwich (Depart pour Greenwich)' +p220579 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220580 +sg25273 +S'etching and aquatint' +p220581 +sg25275 +S'1891' +p220582 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a0009931.jpg' +p220583 +sg25267 +g27 +sa(dp220584 +g25268 +S'Departure for Greenwich (Depart pour Greenwich)' +p220585 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220586 +sg25273 +S'etching, aquatint, and drypoint' +p220587 +sg25275 +S'1891' +p220588 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a0009932.jpg' +p220589 +sg25267 +g27 +sa(dp220590 +g25268 +S'Pier of Bercy (Embarcadere, quai de Bercy)' +p220591 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220592 +sg25273 +S'etching and drypoint in brown' +p220593 +sg25275 +S'1891' +p220594 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d81.jpg' +p220595 +sg25267 +g27 +sa(dp220596 +g25268 +S'The Wash-house (Le lavoir)' +p220597 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220598 +sg25273 +S'etching in brown on buff paper' +p220599 +sg25275 +S'1891' +p220600 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a000992d.jpg' +p220601 +sg25267 +g27 +sa(dp220602 +g25268 +S'The Wash-house (Le lavoir)' +p220603 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220604 +sg25273 +S'etching [touched proof]' +p220605 +sg25275 +S'1891' +p220606 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d80.jpg' +p220607 +sg25267 +g27 +sa(dp220608 +g25268 +S'Les toits de Saint-Severin' +p220609 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220610 +sg25273 +S'etching' +p220611 +sg25275 +S'1889' +p220612 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d7f.jpg' +p220613 +sg25267 +g27 +sa(dp220614 +g25268 +S'Images (Les images)' +p220615 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220616 +sg25273 +S'drypoint' +p220617 +sg25275 +S'1889' +p220618 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d7e.jpg' +p220619 +sg25267 +g27 +sa(dp220620 +g25268 +S'The Babylonian Whore' +p220621 +sg25270 +S'Albrecht D\xc3\xbcrer' +p220622 +sg25273 +S'woodcut' +p220623 +sg25275 +S'probably c. 1496/1498' +p220624 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b1/a000b119.jpg' +p220625 +sg25267 +g27 +sa(dp220626 +g25268 +S'Images (Les images)' +p220627 +sg25270 +S'Auguste Lep\xc3\xa8re' +p220628 +sg25273 +S'drypoint' +p220629 +sg25275 +S'1889' +p220630 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d83.jpg' +p220631 +sg25267 +g27 +sa(dp220632 +g25268 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1669' +p221127 +sg25275 +S'(related artist)' +p221128 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e82.jpg' +p221129 +sg25267 +S"Rembrandt's primary aspiration as an artist was to become a great history painter.\nIn the seventeenth century, history painting, which meant the depiction of biblical,\nmythological, and allegorical scenes, stood at the highest echelon of art. Theorists\nplaced it before other subjects like landscape, portraiture, or still life because\nthe role of the artist's imagination was so crucial to the successful interpretation\nof the story and its moral.\n Rembrandt drew his interpretations of his subjects from three basic sources: written\ntexts, earlier pictorial images of the scenes, and careful study of human emotions\nas he saw them in daily life. He then gave his scenes special meaning through a\nsuggestive use of light and dark accents, rich colors, and bold application of paint.\n Rembrandt was particularly fond of the story of Joseph. This scene, drawn from the\nBook of Genesis, chapter 39, depicts the moment when Potiphar's wife falsely accused\nJoseph of trying to violate her. While speaking to her husband, Potiphar's wife\nhere points to Joseph's red robe to support her accusation. In the biblical account, Joseph,\nwho stands quietly on the far side of the bed in Rembrandt's painting, was not present\nat the moment of the accusation. Rembrandt, however, included him to give added\npoignance to the scene.\n " +p221130 +sa(dp221131 +g25268 +S'Old Man with Beard, Fur Cap, and Velvet Cloak' +p221132 +sg25270 +S'Rembrandt van Rijn' +p221133 +sg25273 +S'etching' +p221134 +sg25275 +S'c. 1632' +p221135 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000d3/a000d34f.jpg' +p221136 +sg25267 +g27 +sa(dp221137 +g25268 +S'Two Cupids Seated on Clouds in Two Circles' +p221138 +sg25270 +S'Lucas van Leyden' +p221139 +sg25273 +S'engraving' +p221140 +sg25275 +S'1517' +p221141 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ce9b.jpg' +p221142 +sg25267 +g27 +sa(dp221143 +g25268 +S'Triton and Siren in Tendrils' +p221144 +sg25270 +S'Lucas van Leyden' +p221145 +sg25273 +S'engraving' +p221146 +sg25275 +S'c. 1510' +p221147 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ce8f.jpg' +p221148 +sg25267 +g27 +sa(dp221149 +g25268 +S'Two Naked Children Supporting a Blank Shield' +p221150 +sg25270 +S'Lucas van Leyden' +p221151 +sg25273 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Persane)' +p222380 +sg25270 +S'Henri Matisse' +p222381 +sa(dp222382 +g25273 +S'lithograph' +p222383 +sg25267 +g27 +sg25275 +S'1929' +p222384 +sg25268 +S'Nude in a Turban (Nu au turban)' +p222385 +sg25270 +S'Henri Matisse' +p222386 +sa(dp222387 +g25273 +S'graphite on wove paper' +p222388 +sg25267 +g27 +sg25275 +S'c. 1921' +p222389 +sg25268 +S'Odalisque' +p222390 +sg25270 +S'Henri Matisse' +p222391 +sa(dp222392 +g25273 +S'lithograph' +p222393 +sg25267 +g27 +sg25275 +S'1925' +p222394 +sg25268 +S'Seated Nude with Tulle Blouse (Nu assis \xc3\xa0 la chemise de tulle)' +p222395 +sg25270 +S'Henri Matisse' +p222396 +sa(dp222397 +g25273 +S'lithograph' +p222398 +sg25267 +g27 +sg25275 +S'1925' +p222399 +sg25268 +S'Bust of a Young Girl, Arms Crossed (Buste de jeune fille, les bras crois\xc3\xa9s)' +p222400 +sg25270 +S'Henri Matisse' +p222401 +sa(dp222402 +g25268 +S'The Needlewoman' +p222403 +sg25270 +S'Diego Vel\xc3\xa1zquez' +p222404 +sg25273 +S'oil on canvas' +p222405 +sg25275 +S'c. 1640/1650' 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For nearly forty years, he was primarily occupied with painting remarkably\ninnovative portraits of the monarch and the royal family. But in his spare hours,\nVelázquez turned to subjects that interested him personally; \n His observation of the optical effects of light on the forms he painted caused\nVelázquez\nto abandon the tenebrism -- or extreme contrast of lights and darks -- that characterized\nhis earlier works in favor of a softer style. Here, no area is obscured by darkness.\nThe artist used a gentle light and deep, but translucent, shadow to reveal each\nplane of the face, to sculpt the swelling bosom, and to suggest the repetitive motion\nof the hand.\n Because the painting remains unfinished, the steps in the artist's process are visible.\nHe began by priming the canvas with a gray-green base. Next, he indicated the main\nforms of the composition, sketching them in with darker paint, then brushing them\nin with broad areas of opaque color, and finally, building up the face -- the only\narea that appears to be finished -- with transparent layers of glaze, giving it the\neffect of flesh seen through softly diffused light.\n " +p222408 +sa(dp222409 +g25268 +S'Mill near the Grand Chartreuse' +p222410 +sg25270 +S'Joseph Mallord William Turner' +p222411 +sg25273 +S'etching' +p222412 +sg25275 +S'published 1816' +p222413 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007a7c.jpg' +p222414 +sg25267 +g27 +sa(dp222415 +g25273 +S'etching' +p222416 +sg25267 +g27 +sg25275 +S'1914' +p222417 +sg25268 +S"Head of a Child - Apollon (T\xc3\xaate d'enfant - Apollon)" +p222418 +sg25270 +S'Henri Matisse' +p222419 +sa(dp222420 +g25273 +S'lithograph' +p222421 +sg25267 +g27 +sg25275 +S'1923' +p222422 +sg25268 +S'Odalisque with Necklace (Odalisque au collier)' +p222423 +sg25270 +S'Henri Matisse' 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+sg25275 +S'1920' +p223227 +sg25268 +S'The Sniper, No.2' +p223228 +sg25270 +S'James McBey' +p223229 +sa(dp223230 +g25273 +S'etching' +p223231 +sg25267 +g27 +sg25275 +S'1920' +p223232 +sg25268 +S'The First Sight of Jerusalem - Nebi Samwil, No.2' +p223233 +sg25270 +S'James McBey' +p223234 +sa(dp223235 +g25273 +S'etching' +p223236 +sg25267 +g27 +sg25275 +S'1920' +p223237 +sg25268 +S'The Surrender of Jerusalem' +p223238 +sg25270 +S'James McBey' +p223239 +sa(dp223240 +g25273 +S'etching on blue paper' +p223241 +sg25267 +g27 +sg25275 +S'1920' +p223242 +sg25268 +S'The Moonlight Attack, Jelil' +p223243 +sg25270 +S'James McBey' +p223244 +sa(dp223245 +g25273 +S'etching and drypoint' +p223246 +sg25267 +g27 +sg25275 +S'1924' +p223247 +sg25268 +S'Mersea: Sunset' +p223248 +sg25270 +S'James McBey' +p223249 +sa(dp223250 +g25268 +S'The Adoration of the Kings [recto]' +p223251 +sg25270 +S'German 16th Century' +p223252 +sg25273 +S'overall: 20.3 x 15.7 cm (8 x 6 3/16 in.)' +p223253 +sg25275 +S'\npen and 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+sg25267 +g27 +sg25275 +S'1932' +p223365 +sg25268 +S'Palos - Departure of Columbus, 1492' +p223366 +sg25270 +S'James McBey' +p223367 +sa(dp223368 +g25273 +S'etching' +p223369 +sg25267 +g27 +sg25275 +S'1925' +p223370 +sg25268 +S'Mirage' +p223371 +sg25270 +S'James McBey' +p223372 +sa(dp223373 +g25273 +S'etching on blue paper' +p223374 +sg25267 +g27 +sg25275 +S'1925' +p223375 +sg25268 +S'Venetian Night' +p223376 +sg25270 +S'James McBey' +p223377 +sa(dp223378 +g25273 +S'drypoint' +p223379 +sg25267 +g27 +sg25275 +S'1924' +p223380 +sg25268 +S'The Critic (Portrait of Duncan MacDonald)' +p223381 +sg25270 +S'James McBey' +p223382 +sa(dp223383 +g25273 +S'etching' +p223384 +sg25267 +g27 +sg25275 +S'1925' +p223385 +sg25268 +S'Bosham' +p223386 +sg25270 +S'James McBey' +p223387 +sa(dp223388 +g25273 +S'etching on blue paper' +p223389 +sg25267 +g27 +sg25275 +S'1925' +p223390 +sg25268 +S'The Deserted Palace' +p223391 +sg25270 +S'James McBey' +p223392 +sa(dp223393 +g25273 +S'drypoint' +p223394 +sg25267 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+sg25275 +S'1925' +p223425 +sg25268 +S'The Bridge by Night' +p223426 +sg25270 +S'James McBey' +p223427 +sa(dp223428 +g25273 +S'etching' +p223429 +sg25267 +g27 +sg25275 +S'1925' +p223430 +sg25268 +S'Rio dei Greci' +p223431 +sg25270 +S'James McBey' +p223432 +sa(dp223433 +g25273 +S'etching' +p223434 +sg25267 +g27 +sg25275 +S'1925' +p223435 +sg25268 +S'The Doorway' +p223436 +sg25270 +S'James McBey' +p223437 +sa(dp223438 +g25273 +S'etching' +p223439 +sg25267 +g27 +sg25275 +S'1925' +p223440 +sg25268 +S'The White Palace' +p223441 +sg25270 +S'James McBey' +p223442 +sa(dp223443 +g25268 +S'Barcarole' +p223444 +sg25270 +S'James McBey' +p223445 +sg25273 +S'etching' +p223446 +sg25275 +S'1925' +p223447 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0001d/a0001dee.jpg' +p223448 +sg25267 +g27 +sa(dp223449 +g25268 +S'Palazzo dei Cammerlenghi' +p223450 +sg25270 +S'James McBey' +p223451 +sg25273 +S'etching' +p223452 +sg25275 +S'1925' +p223453 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0001d/a0001def.jpg' +p223454 +sg25267 +g27 +sa(dp223455 +g25273 +S'etching' +p223456 +sg25267 +g27 +sg25275 +S'1925' +p223457 +sg25268 +S'September Sunset' +p223458 +sg25270 +S'James McBey' +p223459 +sa(dp223460 +g25273 +S'etching' +p223461 +sg25267 +g27 +sg25275 +S'1925' +p223462 +sg25268 +S'La Giudecca' +p223463 +sg25270 +S'James McBey' +p223464 +sa(dp223465 +g25273 +S'etching' +p223466 +sg25267 +g27 +sg25275 +S'1925' +p223467 +sg25268 +S'A Regatta on the Grand Canal' +p223468 +sg25270 +S'James McBey' +p223469 +sa(dp223470 +g25273 +S'etching and drypoint' +p223471 +sg25267 +g27 +sg25275 +S'1925' +p223472 +sg25268 +S'Santa Maria della Fava' +p223473 +sg25270 +S'James McBey' +p223474 +sa(dp223475 +g25273 +S'etching' +p223476 +sg25267 +g27 +sg25275 +S'1925' +p223477 +sg25268 +S'Hastings' +p223478 +sg25270 +S'James McBey' +p223479 +sa(dp223480 +g25273 +S'etching' +p223481 +sg25267 +g27 +sg25275 +S'1925' +p223482 +sg25268 +S'The Riva at Dusk' +p223483 +sg25270 +S'James McBey' +p223484 +sa(dp223485 +g25273 +S'etching' +p223486 +sg25267 +g27 +sg25275 +S'1925' +p223487 +sg25268 +S'Molo' +p223488 +sg25270 +S'James McBey' +p223489 +sa(dp223490 +g25273 +S'etching' +p223491 +sg25267 +g27 +sg25275 +S'1924' +p223492 +sg25268 +S'Laguna Veneta' +p223493 +sg25270 +S'James McBey' +p223494 +sa(dp223495 +g25273 +S'etching' +p223496 +sg25267 +g27 +sg25275 +S'1925' +p223497 +sg25268 +S'Shipping in the Giudecca Canal' +p223498 +sg25270 +S'James McBey' +p223499 +sa(dp223500 +g25273 +S'etching' +p223501 +sg25267 +g27 +sg25275 +S'1930' +p223502 +sg25268 +S'Lessing J. Rosenwald' +p223503 +sg25270 +S'James McBey' +p223504 +sa(dp223505 +g25273 +S'pen and black ink and watercolor' +p223506 +sg25267 +g27 +sg25275 +S'1919' +p223507 +sg25268 +S'Kingsgate' +p223508 +sg25270 +S'James McBey' +p223509 +sa(dp223510 +g25273 +S'pen and brown ink and watercolor' +p223511 +sg25267 +g27 +sg25275 +S'1924' +p223512 +sg25268 +S'Kingsgate' +p223513 +sg25270 +S'James McBey' +p223514 +sa(dp223515 +g25268 +S'The Madonna of Humility' +p223516 +sg25270 +S'Masaccio' +p223517 +sg25273 +S'tempera (?) on panel' +p223518 +sg25275 +S'c. 1423/1424' +p223519 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e9f.jpg' +p223520 +sg25267 +g27 +sa(dp223521 +g25268 +S'Saint Ildefonso' +p223522 +sg25270 +S'El Greco' +p223523 +sg25273 +S', c. 1603/1614' +p223524 +sg25275 +S'\n' +p223525 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a00004a3.jpg' +p223526 +sg25267 +S" Ildefonso, whose name is more familiar in its Castilian form, Alfonso, was appointed\r\narchbishop of Toledo in 657 and later became that city's patron saint. He was especially\r\nfamed for his book defending the purity of the Virgin, which he was said to have\r\nwritten at her dictation.\n El Greco represented the saint in a richly decorated room, seated at a writing table\r\nfurnished with costly silver desk ornaments consistent with the style of the artist's\r\nown time. The contemporary setting notwithstanding, an otherworldly aura pervades\r\nthe room as the saint pauses in his writing and, as though awaiting the next word,\r\ngazes attentively at the source of his inspiration, a statuette of the Madonna.\r\nThe combination of strangely compacted space, the chalky highlights that play over\r\nthe saint's sleeves and the velvet tablecover, and, not least, Ildefonso's fervent\r\nexpression, remove the scene to a spiritual realm.\n El Greco's image of the Virgin resembles an actual wooden figure that Ildefonso\r\nis said to have kept in his oratory until it was given by him to the church of the\r\nHospital of Charity in the small Spanish town of Illescas, near Toledo. The statuette\r\nis preserved there today together with El Greco's larger version of \n " +p223527 +sa(dp223528 +g25273 +S'watercolor' +p223529 +sg25267 +g27 +sg25275 +S'1920' +p223530 +sg25268 +S'Ludham' +p223531 +sg25270 +S'James McBey' +p223532 +sa(dp223533 +g25273 +S'pen and black ink and watercolor on heavy laid paper' +p223534 +sg25267 +g27 +sg25275 +S'probably 1928' +p223535 +sg25268 +S'MacDonald' +p223536 +sg25270 +S'James McBey' +p223537 +sa(dp223538 +g25273 +S'brush and black ink, pen and black ink and watercolor on laid paper' +p223539 +sg25267 +g27 +sg25275 +S'1914' +p223540 +sg25268 +S'A Tinker Child, Macduff' +p223541 +sg25270 +S'James McBey' +p223542 +sa(dp223543 +g25273 +S'pen and black ink with green, blue and yellow washon laid paper' +p223544 +sg25267 +g27 +sg25275 +S'1910' +p223545 +sg25268 +S'Monnickendam' +p223546 +sg25270 +S'James McBey' +p223547 +sa(dp223548 +g25273 +S'watercolor on laid paper' +p223549 +sg25267 +g27 +sg25275 +S'1928' +p223550 +sg25268 +S'Lower Pool' +p223551 +sg25270 +S'James McBey' +p223552 +sa(dp223553 +g25273 +S'pen and brown ink and watercolor' +p223554 +sg25267 +g27 +sg25275 +S'1928' +p223555 +sg25268 +S'On the South Coast' +p223556 +sg25270 +S'James McBey' +p223557 +sa(dp223558 +g25273 +S'pen and brown ink and watercolor on laid paper' +p223559 +sg25267 +g27 +sg25275 +S'1924' +p223560 +sg25268 +S'Palaces, Venice' +p223561 +sg25270 +S'James McBey' +p223562 +sa(dp223563 +g25273 +S'watercolor' +p223564 +sg25267 +g27 +sg25275 +S'1928' +p223565 +sg25268 +S'Rainham' +p223566 +sg25270 +S'James McBey' +p223567 +sa(dp223568 +g25273 +S'pen and black ink with black wash on laid paper' +p223569 +sg25267 +g27 +sg25275 +S'1913' +p223570 +sg25268 +S'Tetovan' +p223571 +sg25270 +S'James McBey' +p223572 +sa(dp223573 +g25273 +S'watercolor with graphite' +p223574 +sg25267 +g27 +sg25275 +S'1929' +p223575 +sg25268 +S'Rowallon' +p223576 +sg25270 +S'James McBey' +p223577 +sa(dp223578 +g25273 +S'etching and drypoint' +p223579 +sg25267 +g27 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+sa(dp223663 +g25273 +S'pen and brown ink and watercolor' +p223664 +sg25267 +g27 +sg25275 +S'1924' +p223665 +sg25268 +S'At the Gate' +p223666 +sg25270 +S'James McBey' +p223667 +sa(dp223668 +g25273 +S'pen and black ink and watercolor on gray paper' +p223669 +sg25267 +g27 +sg25275 +S'1919' +p223670 +sg25268 +S'Banffshire' +p223671 +sg25270 +S'James McBey' +p223672 +sa(dp223673 +g25273 +S'pen and brown ink and watercolor' +p223674 +sg25267 +g27 +sg25275 +S'1927' +p223675 +sg25268 +S'Bridge at Avignon' +p223676 +sg25270 +S'James McBey' +p223677 +sa(dp223678 +g25273 +S'pen and brown ink and watercolor on heavy laid paper' +p223679 +sg25267 +g27 +sg25275 +S'1923' +p223680 +sg25268 +S'Belfry, Bruges' +p223681 +sg25270 +S'James McBey' +p223682 +sa(dp223683 +g25273 +S'pen and black ink and watercolor on laid paper' +p223684 +sg25267 +g27 +sg25275 +S'1930' +p223685 +sg25268 +S'Black Boy Inn, Nettlebed' +p223686 +sg25270 +S'James McBey' +p223687 +sa(dp223688 +g25273 +S'pen and black ink and watercolor' +p223689 +sg25267 +g27 +sg25275 +S'1921' +p223690 +sg25268 +S'Birkenhead Ironworks' +p223691 +sg25270 +S'James McBey' +p223692 +sa(dp223693 +g25273 +S'pen and black ink and watercolor' +p223694 +sg25267 +g27 +sg25275 +S'1927' +p223695 +sg25268 +S'Bishopston' +p223696 +sg25270 +S'James McBey' +p223697 +sa(dp223698 +g25273 +S'watercolor' +p223699 +sg25267 +g27 +sg25275 +S'1928' +p223700 +sg25268 +S'The Brechin Road' +p223701 +sg25270 +S'James McBey' +p223702 +sa(dp223703 +g25273 +S'pen and black ink and watercolor on laid paper' +p223704 +sg25267 +g27 +sg25275 +S'1928' +p223705 +sg25268 +S"Bugsby's Reach" +p223706 +sg25270 +S'James McBey' +p223707 +sa(dp223708 +g25273 +S'pen and brown ink and watercolor' +p223709 +sg25267 +g27 +sg25275 +S'1925' +p223710 +sg25268 +S'Calle della Madonna (?)' +p223711 +sg25270 +S'James McBey' +p223712 +sa(dp223713 +g25273 +S'watercolor' +p223714 +sg25267 +g27 +sg25275 +S'1925' +p223715 +sg25268 +S'Canal at Noon' +p223716 +sg25270 +S'James McBey' +p223717 +sa(dp223718 +g25273 +S'pen and brown ink' +p223719 +sg25267 +g27 +sg25275 +S'1917' +p223720 +sg25268 +S'Combles' +p223721 +sg25270 +S'James McBey' +p223722 +sa(dp223723 +g25273 +S'brush and brown ink and watercolor on laid paper' +p223724 +sg25267 +g27 +sg25275 +S'1916' +p223725 +sg25268 +S'Carpenter of Hesdin' +p223726 +sg25270 +S'James McBey' +p223727 +sa(dp223728 +g25273 +S'watercolor on laid paper' +p223729 +sg25267 +g27 +sg25275 +S'1928' +p223730 +sg25268 +S'Dave' +p223731 +sg25270 +S'James McBey' +p223732 +sa(dp223733 +g25273 +S'watercolor on heavy laid paper' +p223734 +sg25267 +g27 +sg25275 +S'1924' +p223735 +sg25268 +S'Dieppe' +p223736 +sg25270 +S'James McBey' +p223737 +sa(dp223738 +g25273 +S'pen and black ink with gray wash on laid paper' +p223739 +sg25267 +g27 +sg25275 +S'probably 1913' +p223740 +sg25268 +S'Fishmarket' +p223741 +sg25270 +S'James McBey' +p223742 +sa(dp223743 +g25273 +S'watercolor on laid paper' +p223744 +sg25267 +g27 +sg25275 +S'1928' +p223745 +sg25268 +S'Forfarshire' +p223746 +sg25270 +S'James McBey' +p223747 +sa(dp223748 +g25273 +S'pen and black ink and watercolor' +p223749 +sg25267 +g27 +sg25275 +S'1917' +p223750 +sg25268 +S'France at Her Furnaces' +p223751 +sg25270 +S'James McBey' +p223752 +sa(dp223753 +g25273 +S'watercolor on laid paper' +p223754 +sg25267 +g27 +sg25275 +S'1928' +p223755 +sg25268 +S'Gallions Reach' +p223756 +sg25270 +S'James McBey' +p223757 +sa(dp223758 +g25273 +S'pen and brown ink and watercolor on laid paper' +p223759 +sg25267 +g27 +sg25275 +S'1927' +p223760 +sg25268 +S'Glen Douglas' +p223761 +sg25270 +S'James McBey' +p223762 +sa(dp223763 +g25273 +S'watercolor' +p223764 +sg25267 +g27 +sg25275 +S'1928' +p223765 +sg25268 +S'Glen Lethnot' +p223766 +sg25270 +S'James McBey' +p223767 +sa(dp223768 +g25273 +S'pen and black ink on laid paper' +p223769 +sg25267 +g27 +sg25275 +S'1913' +p223770 +sg25268 +S'Grain Market, Tetouan' +p223771 +sg25270 +S'James McBey' +p223772 +sa(dp223773 +g25273 +S'watercolor' 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"B\xc3\xa9ranger ne fut v\xc3\xa9ritablement fort, car il n\'eut jamais la clef des champs" (Rebus: "Beranger was not really strong, for he never had the key of the fields")' +p224178 +sg25270 +S'Charles Meryon' +p224179 +sg25273 +S'etching' +p224180 +sg25275 +S'1864' +p224181 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d86.jpg' +p224182 +sg25267 +g27 +sa(dp224183 +g25268 +S'Study for "Le Petit Pont"' +p224184 +sg25270 +S'Charles Meryon' +p224185 +sg25273 +S'graphite on laid paper' +p224186 +sg25275 +S'probably c. 1850' +p224187 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00070/a000709e.jpg' +p224188 +sg25267 +g27 +sa(dp224189 +g25268 +S'Study for "Le Petit Pont"' +p224190 +sg25270 +S'Charles Meryon' +p224191 +sg25273 +S'graphite on laid paper' +p224192 +sg25275 +S'probably c. 1850' +p224193 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00071/a0007128.jpg' +p224194 +sg25267 +g27 +sa(dp224195 +g25268 +S'Study for "Le Petit Pont"' +p224196 +sg25270 +S'Charles Meryon' +p224197 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1856' +p224265 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00071/a0007180.jpg' +p224266 +sg25267 +g27 +sa(dp224267 +g25268 +S"Moliere's Tomb" +p224268 +sg25270 +S'Charles Meryon' +p224269 +sg25273 +S'graphite on laid paper' +p224270 +sg25275 +S'probably c. 1854' +p224271 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00072/a00072d2.jpg' +p224272 +sg25267 +g27 +sa(dp224273 +g25268 +S'Couverture du "Voyage \xc3\xa0 la nouvelle Z\xc3\xa9lande" (Cover for the Set of Etchings Entitled "A Voyage to New Zealand")' +p224274 +sg25270 +S'Charles Meryon' +p224275 +sg25273 +S'etching on brown paper' +p224276 +sg25275 +S'1866' +p224277 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d8e.jpg' +p224278 +sg25267 +g27 +sa(dp224279 +g25268 +S'Couverture du "Voyage \xc3\xa0 la nouvelle Z\xc3\xa9lande" (Cover for the Set of Etchings Entitled "A Voyage to New Zealand")' +p224280 +sg25270 +S'Charles Meryon' +p224281 +sg25273 +S'etching' +p224282 +sg25275 +S'1866' +p224283 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d8f.jpg' +p224284 +sg25267 +g27 +sa(dp224285 +g25268 +S'Plan du Combat de Sinope (Plan of the Battle of Sinope)' +p224286 +sg25270 +S'Charles Meryon' +p224287 +sg25273 +S'etching touched with watercolor' +p224288 +sg25275 +S'1853' +p224289 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d1c.jpg' +p224290 +sg25267 +g27 +sa(dp224291 +g25268 +S'Entr\xc3\xa9e du Couvent des Capucins fran\xc3\xa7ais \xc3\xa0 Athenes (Entrance to the French Capuchin Convent at Athens)' +p224292 +sg25270 +S'Charles Meryon' +p224293 +sg25273 +S'etching with drypoint' +p224294 +sg25275 +S'1854' +p224295 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a000996a.jpg' +p224296 +sg25267 +g27 +sa(dp224297 +g25268 +S'Chevet de St. Martin-sur-Renelle (The Apsis of the Church of St. Martin-sur-Renelle)' +p224298 +sg25270 +S'Artist Information (' +p224299 +sg25273 +S'(artist after)' +p224300 +sg25275 +S'\n' +p224301 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d25.jpg' +p224302 +sg25267 +g27 +sa(dp224303 +g25268 +S"Porte d'un ancien couvent, Rue Mirabeau, \xc3\xa0 Bourges (Doorway of an Ancient Convent, in the Rue Mirabeau, Bourges)" +p224304 +sg25270 +S'Charles Meryon' +p224305 +sg25273 +S'etching and drypoint on Japanese paper' +p224306 +sg25275 +S'1851' +p224307 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a0009961.jpg' +p224308 +sg25267 +g27 +sa(dp224309 +g25268 +S'Chateau de Chenonceau, 2e planche (The Chateau of Chenonceau, 2nd plate)' +p224310 +sg25270 +S'Artist Information (' +p224311 +sg25273 +S'(artist after)' +p224312 +sg25275 +S'\n' +p224313 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d26.jpg' +p224314 +sg25267 +g27 +sa(dp224315 +g25268 +S'Ancienne habitation \xc3\xa0 Bourges, dite "La Maison du Musicien" (An Old House at Bourges, Sometimes Called the "Musician\'s House")' +p224316 +sg25270 +S'Charles Meryon' +p224317 +sg25273 +S'etching touched with pencil on Japanese paper' +p224318 +sg25275 +S'1860' +p224319 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a0009970.jpg' +p224320 +sg25267 +g27 +sa(dp224321 +g25268 +S'La Rue des Toiles, \xc3\xa0 Bourges' +p224322 +sg25270 +S'Charles Meryon' +p224323 +sg25273 +S'etching with drypoint on green paper' +p224324 +sg25275 +S'1853' +p224325 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d21.jpg' +p224326 +sg25267 +g27 +sa(dp224327 +g25273 +S'color aquatint' +p224328 +sg25267 +g27 +sg25275 +S'unknown date\n' +p224329 +sg25268 +S'Sunday Morning' +p224330 +sg25270 +S'William Meyerowitz' +p224331 +sa(dp224332 +g25273 +S'color etching' +p224333 +sg25267 +g27 +sg25275 +S'unknown date\n' +p224334 +sg25268 +S'Turkey Pond' +p224335 +sg25270 +S'William Meyerowitz' +p224336 +sa(dp224337 +g25273 +S'drypoint' +p224338 +sg25267 +g27 +sg25275 +S'1924' +p224339 +sg25268 +S'Along the Delaware' +p224340 +sg25270 +S'Franklin Townsend Morgan' +p224341 +sa(dp224342 +g25273 +S'drypoint' +p224343 +sg25267 +g27 +sg25275 +S'unknown date\n' +p224344 +sg25268 +S'Harbour Scene' +p224345 +sg25270 +S'Franklin Townsend Morgan' +p224346 +sa(dp224347 +g25268 +S'Samson and Delilah' +p224348 +sg25270 +S'Hans Burgkmair I' +p224349 +sg25273 +S'woodcut' +p224350 +sg25275 +S'unknown date\n' +p224351 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a8dd.jpg' +p224352 +sg25267 +g27 +sa(dp224353 +g25268 +S'The Barc' +p224354 +sg25270 +S'Artist Information (' +p224355 +sg25273 +S'(artist after)' +p224356 +sg25275 +S'\n' +p224357 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c769.jpg' +p224358 +sg25267 +g27 +sa(dp224359 +g25268 +S'Hieronymus Alexander, Archbishop of Brindisi' +p224360 +sg25270 +S'Agostino dei Musi' +p224361 +sg25273 +S'engraving' +p224362 +sg25275 +S'1536' +p224363 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c846.jpg' +p224364 +sg25267 +g27 +sa(dp224365 +g25268 +S'Pope Paul III' +p224366 +sg25270 +S'Agostino dei Musi' +p224367 +sg25273 +S'engraving' +p224368 +sg25275 +S'1534' +p224369 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c76a.jpg' +p224370 +sg25267 +g27 +sa(dp224371 +g25273 +S'wood engraving' +p224372 +sg25267 +g27 +sg25275 +S'1939' +p224373 +sg25268 +S'Self-Portrait' +p224374 +sg25270 +S'Hans Alexander Mueller' +p224375 +sa(dp224376 +g25273 +S'linoleum cut' +p224377 +sg25267 +g27 +sg25275 +S'1939' +p224378 +sg25268 +S'Cover Proof' +p224379 +sg25270 +S'Hans Alexander Mueller' +p224380 +sa(dp224381 +g25273 +S'woodcut' +p224382 +sg25267 +g27 +sg25275 +S'probably 1939' +p224383 +sg25268 +S'Don Quixote' +p224384 +sg25270 +S'Hans Alexander Mueller' +p224385 +sa(dp224386 +g25268 +S'Lucas Cranach' +p224387 +sg25270 +S'Moritz Steinla' +p224388 +sg25273 +S'engraving' +p224389 +sg25275 +S'unknown date\n' +p224390 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b3e4.jpg' +p224391 +sg25267 +g27 +sa(dp224392 +g25268 +S'Couple at a Table (Paar am Tisch)' +p224393 +sg25270 +S'Otto M\xc3\xbcller' +p224394 +sg25273 +S'lithograph in black and gold' +p224395 +sg25275 +S'1922/1925' +p224396 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c4/a000c475.jpg' +p224397 +sg25267 +g27 +sa(dp224398 +g25268 +S'Cardinal Guido Bentivoglio' +p224399 +sg25270 +S'Jean Morin' +p224400 +sg25273 +S'engraving and etching' +p224401 +sg25275 +S'unknown date\n' +p224402 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008b/a0008bc2.jpg' +p224403 +sg25267 +g27 +sa(dp224404 +g25268 +S'Dom Jean Gregoire Tarrisse' +p224405 +sg25270 +S'Jean Morin' +p224406 +sg25273 +S'engraving' +p224407 +sg25275 +S'1648' +p224408 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000b5/a000b54b.jpg' +p224409 +sg25267 +g27 +sa(dp224410 +g25268 +S'Jerome Franck' +p224411 +sg25270 +S'Jean Morin' +p224412 +sg25273 +S'engraving' +p224413 +sg25275 +S'unknown date\n' +p224414 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008b/a0008bce.jpg' +p224415 +sg25267 +g27 +sa(dp224416 +g25268 +S'Nicolas Chrystin' +p224417 +sg25270 +S'Jean Morin' +p224418 +sg25273 +S'engraving' +p224419 +sg25275 +S'unknown date\n' +p224420 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008b/a0008bcb.jpg' +p224421 +sg25267 +g27 +sa(dp224422 +g25273 +S'engraving' +p224423 +sg25267 +g27 +sg25275 +S'1928' +p224424 +sg25268 +S'The Water Carriers' +p224425 +sg25270 +S'William Evan Charles Morgan' +p224426 +sa(dp224427 +g25273 +S'engraving' +p224428 +sg25267 +g27 +sg25275 +S'1927' +p224429 +sg25268 +S'Anticoli' +p224430 +sg25270 +S'William Evan Charles Morgan' +p224431 +sa(dp224432 +g25273 +S'engraving' +p224433 +sg25267 +g27 +sg25275 +S'unknown date\n' +p224434 +sg25268 +S'Perseus' +p224435 +sg25270 +S'William Evan Charles Morgan' +p224436 +sa(dp224437 +g25273 +S'engraving' +p224438 +sg25267 +g27 +sg25275 +S'1926' +p224439 +sg25268 +S'Orvieto Roofs' +p224440 +sg25270 +S'William Evan Charles Morgan' +p224441 +sa(dp224442 +g25273 +S'engraving' +p224443 +sg25267 +g27 +sg25275 +S'1926' +p224444 +sg25268 +S'Orvieto' +p224445 +sg25270 +S'William Evan Charles Morgan' +p224446 +sa(dp224447 +g25273 +S'engraving' +p224448 +sg25267 +g27 +sg25275 +S'1927' +p224449 +sg25268 +S'Antonio' +p224450 +sg25270 +S'William Evan Charles Morgan' +p224451 +sa(dp224452 +g25273 +S'engraving' +p224453 +sg25267 +g27 +sg25275 +S'1927' +p224454 +sg25268 +S'Saracinesco' +p224455 +sg25270 +S'William Evan Charles Morgan' +p224456 +sa(dp224457 +g25273 +S'engraving' +p224458 +sg25267 +g27 +sg25275 +S'1927' +p224459 +sg25268 +S'The Bells of Alba' +p224460 +sg25270 +S'William Evan Charles Morgan' +p224461 +sa(dp224462 +g25273 +S'engraving' +p224463 +sg25267 +g27 +sg25275 +S'1927' +p224464 +sg25268 +S'The Source' +p224465 +sg25270 +S'William Evan Charles Morgan' +p224466 +sa(dp224467 +g25268 +S'Birth of Adonis' +p224468 +sg25270 +S'Benedetto Montagna' +p224469 +sg25273 +S'engraving' +p224470 +sg25275 +S'c. 1515/1520' +p224471 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c759.jpg' +p224472 +sg25267 +g27 +sa(dp224473 +g25268 +S'Woman and Satyr with Two Cupids' +p224474 +sg25270 +S'Benedetto Montagna' +p224475 +sg25273 +S'engraving' +p224476 +sg25275 +S'c. 1506/1512' +p224477 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c75d.jpg' +p224478 +sg25267 +g27 +sa(dp224479 +g25268 +S'The Nativity' +p224480 +sg25270 +S'Benedetto Montagna' +p224481 +sg25273 +S'engraving' +p224482 +sg25275 +S'c. 1507' +p224483 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c758.jpg' +p224484 +sg25267 +g27 +sa(dp224485 +g25268 +S"Satyr's Family" +p224486 +sg25270 +S'Benedetto Montagna' +p224487 +sg25273 +S'engraving' +p224488 +sg25275 +S'c. 1512/1520' +p224489 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c75b.jpg' +p224490 +sg25267 +g27 +sa(dp224491 +g25268 +S'Man Seated by a Palm Tree' +p224492 +sg25270 +S'Benedetto Montagna' +p224493 +sg25273 +S'engraving' +p224494 +sg25275 +S'c. 1510/1515' +p224495 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c75e.jpg' +p224496 +sg25267 +g27 +sa(dp224497 +g25268 +S'The Virgin and Child' +p224498 +sg25270 +S'Benedetto Montagna' +p224499 +sg25273 +S'engraving' +p224500 +sg25275 +S'c. 1502' +p224501 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c755.jpg' +p224502 +sg25267 +g27 +sa(dp224503 +g25268 +S'The Virgin and Child' +p224504 +sg25270 +S'Benedetto Montagna' +p224505 +sg25273 +S'engraving' +p224506 +sg25275 +S'c. 1502' +p224507 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c754.jpg' +p224508 +sg25267 +g27 +sa(dp224509 +g25268 +S'The Agony in the Garden' +p224510 +sg25270 +S'Benedetto Montagna' +p224511 +sg25273 +S'engraving' +p224512 +sg25275 +S'c. 1506/1507' +p224513 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c756.jpg' +p224514 +sg25267 +g27 +sa(dp224515 +g25268 +S'Shepherd with a Platerspiel' +p224516 +sg25270 +S'Benedetto Montagna' +p224517 +sg25273 +S'engraving' +p224518 +sg25275 +S'c. 1500/1515' +p224519 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c75f.jpg' +p224520 +sg25267 +g27 +sa(dp224521 +g25268 +S'Flagellation of Christ, with the Pavement' +p224522 +sg25270 +S'Artist Information (' +p224523 +sg25273 +S'(artist)' +p224524 +sg25275 +S'\n' +p224525 +sg25314 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c7ab.jpg' +p224526 +sg25267 +g27 +sa(dp224527 +g25273 +S'lithograph' +p224528 +sg25267 +g27 +sg25275 +S'1940' +p224529 +sg25268 +S'Pro Denda Publica' +p224530 +sg25270 +S'Jos\xc3\xa9 Chavez Morado' +p224531 +sa(dp224532 +g25273 +S'bound volume with 14 drawings in mixed media' +p224533 +sg25267 +g27 +sg25275 +S'unknown date\n' +p224534 +sg25268 +S'Album of Caricatures' +p224535 +sg25270 +S'Henry Bonaventure Monnier' +p224536 +sa(dp224537 +g25268 +S'Artois' +p224538 +sg25270 +S'Henry Bonaventure Monnier' +p224539 +sg25273 +S'pen and red ink and watercolor over graphite' +p224540 +sg25275 +S'1869' +p224541 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a00073fa.jpg' +p224542 +sg25267 +g27 +sa(dp224543 +g25268 +S'La Journee du 10 aout 1792' +p224544 +sg25270 +S'Artist Information (' +p224545 +sg25273 +S'(artist after)' +p224546 +sg25275 +S'\n' +p224547 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008ead.jpg' +p224548 +sg25267 +g27 +sa(dp224549 +g25268 +S'La Fontaine de la Regeneration sur les debris de la Bastille, le 10 avril 1793' +p224550 +sg25270 +S'Artist Information (' +p224551 +sg25273 +S'(artist after)' +p224552 +sg25275 +S'\n' +p224553 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008eb1.jpg' +p224554 +sg25267 +g27 +sa(dp224555 +g25268 +S"L'Ouverture des Etats-Generaux a Versailles, le 5 mars 1789" +p224556 +sg25270 +S'Artist Information (' +p224557 +sg25273 +S'(artist after)' +p224558 +sg25275 +S'\n' +p224559 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008eae.jpg' +p224560 +sg25267 +g27 +sa(dp224561 +g25268 +S"La Pompe funebre en l'honneur des martyrs de la Journee du 10 dans le jardin national" +p224562 +sg25270 +S'Artist Information (' +p224563 +sg25273 +S'(artist after)' +p224564 +sg25275 +S'\n' +p224565 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008eb0.jpg' +p224566 +sg25267 +g27 +sa(dp224567 +g25268 +S'Journee du 16 octobre 1793, la morte de Marie-Antoinette' +p224568 +sg25270 +S'Artist Information (' +p224569 +sg25273 +S'(artist after)' +p224570 +sg25275 +S'\n' +p224571 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008eb3.jpg' +p224572 +sg25267 +g27 +sa(dp224573 +g25268 +S'Federation Generale de Francais au Champ de Mars le 14 juillet 1790' +p224574 +sg25270 +S'Artist Information (' +p224575 +sg25273 +S'(artist after)' +p224576 +sg25275 +S'\n' +p224577 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008eb2.jpg' +p224578 +sg25267 +g27 +sa(dp224579 +g25268 +S'The Sower' +p224580 +sg25270 +S'Jean-Fran\xc3\xa7ois Millet' +p224581 +sg25273 +S'chalk on blue laid paper' +p224582 +sg25275 +S'unknown date\n' +p224583 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00058/a0005880.jpg' +p224584 +sg25267 +g27 +sa(dp224585 +g25268 +S'The Newborn' +p224586 +sg25270 +S'Jean-Fran\xc3\xa7ois Millet' +p224587 +sg25273 +S'charcoal on blue laid paper' +p224588 +sg25275 +S'unknown date\n' +p224589 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00073/a00073f6.jpg' +p224590 +sg25267 +g27 +sa(dp224591 +g25268 +S'The Large Shepherdess (La grande bergere)' +p224592 +sg25270 +S'Jean-Fran\xc3\xa7ois Millet' +p224593 +sg25273 +S'etching' +p224594 +sg25275 +S'1862' +p224595 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d92.jpg' +p224596 +sg25267 +g27 +sa(dp224597 +g25268 +S'The Diggers (Les becheurs)' +p224598 +sg25270 +S'Jean-Fran\xc3\xa7ois Millet' +p224599 +sg25273 +S'etching' +p224600 +sg25275 +S'unknown date\n' +p224601 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d93.jpg' +p224602 +sg25267 +g27 +sa(dp224603 +g25268 +S'Man with Wheelbarrow (Le paysan rentrant du fumier)' +p224604 +sg25270 +S'Jean-Fran\xc3\xa7ois Millet' +p224605 +sg25273 +S'etching' +p224606 +sg25275 +S'1855' +p224607 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00099/a0009948.jpg' +p224608 +sg25267 +g27 +sa(dp224609 +g25268 +S'Departure for Work (Le depart pour le travail)' +p224610 +sg25270 +S'Jean-Fran\xc3\xa7ois Millet' +p224611 +sg25273 +S'etching' +p224612 +sg25275 +S'1863' +p224613 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009fe5.jpg' +p224614 +sg25267 +g27 +sa(dp224615 +g25268 +S'Earl Spencer' +p224616 +sg25270 +S'Artist Information (' +p224617 +sg25273 +S'(artist after)' +p224618 +sg25275 +S'\n' +p224619 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00079/a00079f1.jpg' +p224620 +sg25267 +g27 +sa(dp224621 +g25273 +S'Rosenwald Collection' +p224622 +sg25267 +g27 +sg25275 +S'\nportfolio with 140 etch. & engr. by various artists after Boucher, Gravelot, Le Prince, Moreau and Monnet for 1767/71 ed. "Les Metamorphoses d\'Ovide"' +p224623 +sg25268 +S'Prints from "Les Metamorphoses d\'Ovide"' +p224624 +sg25270 +S'Various Artists' +p224625 +sa(dp224626 +g25273 +S'color etching' +p224627 +sg25267 +g27 +sg25275 +S'1936' +p224628 +sg25268 +S'Yewtwig' +p224629 +sg25270 +S'Ludwig Mestler' +p224630 +sa(dp224631 +g25273 +S'color etching' +p224632 +sg25267 +g27 +sg25275 +S'1936' +p224633 +sg25268 +S'Schone Wienerin' +p224634 +sg25270 +S'Ludwig Mestler' +p224635 +sa(dp224636 +g25273 +S'color etching' +p224637 +sg25267 +g27 +sg25275 +S'1936' +p224638 +sg25268 +S'Pine Twig' +p224639 +sg25270 +S'Ludwig Mestler' +p224640 +sa(dp224641 +g25268 +S'The Marquesa de Pontejos' +p224642 +sg25270 +S'Francisco de Goya' +p224643 +sg25273 +S'oil on canvas' +p224644 +sg25275 +S'c. 1786' +p224645 +sg25314 +S'http://www.nga.gov:80/thumb-l/a00004/a000049b.jpg' +p224646 +sg25267 +S"Trees, grass, and shrubbery, simplified almost to abstraction, set off the fragile, wasp–waisted figure of María Ana de Pontejos y Sandoval, the Marquesa de Pontejos. Splendidly attired, she typifies those ladies of the Spanish aristocracy who affected the "shepherdess" style of Marie Antoinette, so popular in pre–revolutionary France.\n The 18th century's sentimental fondness for nature, influenced by the writings of Jean–Jacques Rousseau, is alluded to in the parklike setting, the roses arranged around the bodice of the gown and tucked into the folds of the voluminous overskirt, and in the carnation that the marquesa holds with self–conscious elegance. Framing her artfully arranged coiffure, the broad–brimmed picture hat again bespeaks high fashion, perhaps imported from England; such hats were often seen in contemporary portraits by Gainsborough and other British painters. While the painting's pale tones reflect the last stages of the rococo in Spanish art, the overall silvery gray–green tonality is equally reminiscent of the earlier Spanish master, Velázquez, whose paintings Goya had studied and copied.\n Goya probably painted this portrait on the occasion of the marquesa's first marriage, to Francisco de Monino y Redondo, brother of the all–powerful Count of Floridablanca, another of Goya's noble patrons.\n " +p224647 +sa(dp224648 +g25268 +S'Francois Guenault' +p224649 +sg25270 +S'Robert Nanteuil' +p224650 +sg25273 +S'engraving' +p224651 +sg25275 +S'1664' +p224652 +sg25314 +S'http://www.nga.gov:80/thumb-l/a0008b/a0008b53.jpg' +p224653 +sg25267 +g27 +sa(dp224654 +g25273 +S'etching' +p224655 +sg25267 +g27 +sg25275 +S'1936' +p224656 +sg25268 +S'Bookplate Ricka Deutsch' +p224657 +sg25270 +S'Ludwig Mestler' +p224658 +sa(dp224659 +g25273 +S'color etching' +p224660 +sg25267 +g27 +sg25275 +S'1934' +p224661 +sg25268 +S'Daisy' +p224662 +sg25270 +S'Ludwig 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salt print)' +p225376 +sg225236 +S'1871' +p225377 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00098/a0009849.jpg' +p225378 +sg225240 +g27 +sa(dp225379 +g225230 +S"Poet's Dwelling (La Demeure du poete)" +p225380 +sg225232 +S'Jean-Baptiste-Camille Corot' +p225381 +sg225234 +S'cliche-verre' +p225382 +sg225236 +S'1871' +p225383 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00098/a000984d.jpg' +p225384 +sg225240 +g27 +sa(dp225385 +g225230 +S'Souvenir of the Sole Valley (Souvenir de la Vallee de la Sole)' +p225386 +sg225232 +S'Jean-Baptiste-Camille Corot' +p225387 +sg225234 +S'cliche-verre' +p225388 +sg225236 +S'1871' +p225389 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00098/a0009847.jpg' +p225390 +sg225240 +g27 +sa(dp225391 +g225230 +S'The Paladins (Les Paladins)' +p225392 +sg225232 +S'Jean-Baptiste-Camille Corot' +p225393 +sg225234 +S'cliche-verre' +p225394 +sg225236 +S'1871' +p225395 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00098/a0009844.jpg' +p225396 +sg225240 +g27 +sa(dp225397 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Corot' +p225417 +sg225234 +S'cliche-verre' +p225418 +sg225236 +S'1874' +p225419 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00098/a000984b.jpg' +p225420 +sg225240 +g27 +sa(dp225421 +g225230 +S'Dreamer under Tall Trees (Le Reveur sous les grands arbres)' +p225422 +sg225232 +S'Jean-Baptiste-Camille Corot' +p225423 +sg225234 +S'cliche-verre' +p225424 +sg225236 +S'1874' +p225425 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00098/a000984f.jpg' +p225426 +sg225240 +g27 +sa(dp225427 +g225230 +S"Souvenir of Antibes (Souvenir d'Antibes)" +p225428 +sg225232 +S'Jean-Baptiste-Camille Corot' +p225429 +sg225234 +S'cliche-verre' +p225430 +sg225236 +S'1874' +p225431 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00098/a0009846.jpg' +p225432 +sg225240 +g27 +sa(dp225433 +g225230 +S'Horseman Halted in the Countryside (Cavalier arrete dans la campagna)' +p225434 +sg225232 +S'Jean-Baptiste-Camille Corot' +p225435 +sg225234 +S'cliche-verre' +p225436 +sg225236 +S'1874' +p225437 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00098/a000984a.jpg' +p225438 +sg225240 +g27 +sa(dp225439 +g225230 +S'Boatman (Le Batelier)' +p225440 +sg225232 +S'Jean-Baptiste-Camille Corot' +p225441 +sg225234 +S'cliche-verre' +p225442 +sg225236 +S'1874' +p225443 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00098/a000984c.jpg' +p225444 +sg225240 +g27 +sa(dp225445 +g225230 +S'Herding the Cows at Dusk (Vach\xc3\xa8re le soir)' +p225446 +sg225232 +S'Camille Pissarro' +p225447 +sg225234 +S'monotype' +p225448 +sg225236 +S'c. 1890' +p225449 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0001e/a0001e2e.jpg' +p225450 +sg225240 +g27 +sa(dp225451 +g225230 +S'Marion Feasting the British Officer on Sweet Potatoes' +p225452 +sg225232 +S'George Washington Mark' +p225453 +sg225234 +S'oil on canvas' +p225454 +sg225236 +S'1848' +p225455 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a0000162.jpg' +p225456 +sg225240 +g27 +sa(dp225457 +g225230 +S'Capture of the "Savannah" by the "U.S.S. Perry"' +p225458 +sg225232 +S'Fritz M\xc3\xbcller' +p225459 +sg225234 +S'oil on canvas' +p225460 +sg225236 +S'1861' +p225461 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a0000193.jpg' +p225462 +sg225240 +g27 +sa(dp225463 +g225230 +S'A City of Fantasy' +p225464 +sg225232 +S'American 19th Century' +p225465 +sg225234 +S'overall: 73 x 103.2 cm (28 3/4 x 40 5/8 in.)\r\nframed: 114.3 x 85.7 x 5 cm (45 x 33 3/4 x 1 15/16 in.)' +p225466 +sg225236 +S'\noil on canvas' +p225467 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00004/a0000462.jpg' +p225468 +sg225240 +g27 +sa(dp225469 +g225230 +S'Portrait of a Man' +p225470 +sg225232 +S'Thomas Skynner' +p225471 +sg225234 +S'oil on canvas' +p225472 +sg225236 +S'c. 1845' +p225473 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a0000216.jpg' +p225474 +sg225240 +g27 +sa(dp225475 +g225230 +S'Portrait of a Woman' +p225476 +sg225232 +S'Thomas Skynner' +p225477 +sg225234 +S'oil on canvas' +p225478 +sg225236 +S'c. 1845' +p225479 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a0000217.jpg' +p225480 +sg225240 +g27 +sa(dp225481 +g225230 +S'Still Life of Fruit' +p225482 +sg225232 +S'American 19th Century' +p225483 +sg225234 +S'overall: 30.5 x 40.5 cm (12 x 15 15/16 in.)\r\nframed: 40 x 50.1 cm (15 3/4 x 19 3/4 in.)' +p225484 +sg225236 +S'\noil on wood' +p225485 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00004/a0000459.jpg' +p225486 +sg225240 +g27 +sa(dp225487 +g225230 +S'Stylized Landscape' +p225488 +sg225232 +S'American 19th Century' +p225489 +sg225234 +S'overall: 70.5 x 105.4 cm (27 3/4 x 41 1/2 in.)\r\nframed: 88.6 x 124.4 x 3.8 cm (34 7/8 x 49 x 1 1/2 in.)' +p225490 +sg225236 +S'\noil on canvas' +p225491 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00004/a000044d.jpg' +p225492 +sg225240 +g27 +sa(dp225493 +g225230 +S'John and Abigail Montgomery' +p225494 +sg225232 +S'Joseph H. Davis' +p225495 +sg225234 +S'pen and black ink and watercolor' +p225496 +sg225236 +S'1836' +p225497 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a00008d1.jpg' +p225498 +sg225240 +g27 +sa(dp225499 +g225232 +S'Martin J. Meyer' +p225500 +sg225240 +g27 +sg225234 +S'pen and brown ink and watercolor' +p225501 +sg225230 +S'Vorschrift of Lea Landes' +p225502 +sg225236 +S'1835' +p225503 +sa(dp225504 +g225232 +S'Charles Edward M\xc3\xbcnch' +p225505 +sg225240 +g27 +sg225234 +S'pen and colored ink and watercolor' +p225506 +sg225230 +S'Birth and Baptismal Certificate of Margareta Munch' +p225507 +sg225236 +S'c. 1826' +p225508 +sa(dp225509 +g225230 +S'Birth and Baptismal Certificate of Anne Andres' +p225510 +sg225232 +S'John Spangenberg' +p225511 +sg225234 +S'pen and iron gall ink with watercolor on laid paper' +p225512 +sg225236 +S'c. 1783' +p225513 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a000089a.jpg' +p225514 +sg225240 +g27 +sa(dp225515 +g225232 +S'American 18th Century' +p225516 +sg225240 +g27 +sg225234 +S'Overall (approximate): 33.3 x 42.7 cm (13 1/8 x 16 13/16 in.)\r\nframed: 52 x 60.1 x 9.5 cm (20 1/2 x 23 11/16 x 3 3/4 in.)' +p225517 +sg225230 +S'Birth and Baptismal Certificate of Frederich Schaeffer' +p225518 +sg225236 +S'\npen and iron gall ink with red, yellow, and green wash on laid paper' +p225519 +sa(dp225520 +g225232 +S'American 18th Century' +p225521 +sg225240 +g27 +sg225234 +S'sight size: 16.2 x 10 cm (6 3/8 x 3 15/16 in.)' +p225522 +sg225230 +S'Fraktur of a Lady' +p225523 +sg225236 +S'\npen and ink with watercolor' +p225524 +sa(dp225525 +g225230 +S'Cutout of Animals' +p225526 +sg225232 +S'American 19th Century' +p225527 +sg225234 +S'overall: 47.7 x 60.4 cm (18 3/4 x 23 3/4 in.)' +p225528 +sg225236 +S'\ncut paper and watercolor' +p225529 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a00008a0.jpg' +p225530 +sg225240 +g27 +sa(dp225531 +g225232 +S'Yasuo Kuniyoshi' +p225532 +sg225240 +g27 +sg225234 +S'graphite' +p225533 +sg225230 +S'Bombed Out' +p225534 +sg225236 +S'1943' +p225535 +sa(dp225536 +g225232 +S'John Marin' +p225537 +sg225240 +g27 +sg225234 +S'black crayon and graphite' +p225538 +sg225230 +S'The Sea, No. 3' +p225539 +sg225236 +S'1940' +p225540 +sa(dp225541 +g225232 +S'Ruth Perkins Safford' +p225542 +sg225240 +g27 +sg225234 +S'watercolor' +p225543 +sg225230 +S'Rotunda, National Gallery of Art' +p225544 +sg225236 +S'1950' +p225545 +sa(dp225546 +g225232 +S'Ruth Perkins Safford' +p225547 +sg225240 +g27 +sg225234 +S'watercolor' +p225548 +sg225230 +S'West Court, National Gallery of Art' +p225549 +sg225236 +S'unknown date\n' +p225550 +sa(dp225551 +g225230 +S'Anne Fairchild Bowler (Mrs. Metcalf Bowler)' +p225552 +sg225232 +S'John Singleton Copley' +p225553 +sg225234 +S'oil on canvas' +p225554 +sg225236 +S'c. 1763' +p225555 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a0000062.jpg' +p225556 +sg225240 +S'The deep blue of the sitter’s silk dress befited the restrained tastes \r\n of colonial America; British women preferred brighter colors. Anne \r\n Fairchild (1730-1803) wed the owner of a country estate in Portsmouth, \r\n Rhode Island. The floral garland in Mrs. Bowler’s hands, besides being a \r\n standard symbol of beauty, may refer to her husband’s wealth; he possessed \r\n one of the very few greenhouses in the colonies.\n ' +p225557 +sa(dp225558 +g225232 +S'James Sharples' +p225559 +sg225240 +g27 +sg225234 +S', c. 1793/1799' +p225560 +sg225230 +S'Dr. John Bard' +p225561 +sg225236 +S'\n' +p225562 +sa(dp225563 +g225230 +S'Commodore Tingey' +p225564 +sg225232 +S'Charles-Balthazar-Julien-F\xc3\xa9vret de Saint-M\xc3\xa9min' +p225565 +sg225234 +S'engraving in black on wove paper' +p225566 +sg225236 +S'1806' +p225567 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f2/a000f28f.jpg' +p225568 +sg225240 +g27 +sa(dp225569 +g225230 +S'Head of a Woman Wearing a Striped Bonnet' +p225570 +sg225232 +S'Augustin de Saint-Aubin' +p225571 +sg225234 +S'engraving' +p225572 +sg225236 +S'unknown date\n' +p225573 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008b/a0008bf1.jpg' +p225574 +sg225240 +g27 +sa(dp225575 +g225230 +S'John Bard' +p225576 +sg225232 +S'Ellen Sharples' +p225577 +sg225234 +S', c. 1793/1801' +p225578 +sg225236 +S'\n' +p225579 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00070/a0007073.jpg' +p225580 +sg225240 +g27 +sa(dp225581 +g225230 +S'Mrs. John Bard' +p225582 +sg225232 +S'Ellen Sharples' +p225583 +sg225234 +S', unknown date' +p225584 +sg225236 +S'\n' +p225585 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00070/a00070a5.jpg' +p225586 +sg225240 +g27 +sa(dp225587 +g225230 +S'Dying Centaur' +p225588 +sg225232 +S'Artist Information (' +p225589 +sg225234 +g27 +sg225236 +S'(caster)' +p225590 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00017/a00017b4.jpg' +p225591 +sg225240 +g27 +sa(dp225592 +g225230 +S'Pumpkins' +p225593 +sg225232 +S'Walt Kuhn' +p225594 +sg225234 +S'oil on canvas' +p225595 +sg225236 +S'1941' +p225596 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a000013c.jpg' +p225597 +sg225240 +g27 +sa(dp225598 +g225230 +S'The Artist Drawing from the Model' +p225599 +sg225232 +S'Rembrandt van Rijn' +p225600 +sg225234 +S'etching, drypoint and burin' +p225601 +sg225236 +S'c. 1639' +p225602 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00054/a0005462.jpg' +p225603 +sg225240 +g27 +sa(dp225604 +g225230 +S'Woman Reading' +p225605 +sg225232 +S'Rembrandt van Rijn' +p225606 +sg225234 +S'etching' +p225607 +sg225236 +S'1634' +p225608 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00057/a00057fc.jpg' +p225609 +sg225240 +g27 +sa(dp225610 +g225230 +S"Landscape with a View Toward Haarlem (The Goldweigher's Field)" +p225611 +sg225232 +S'Rembrandt van Rijn' +p225612 +sg225234 +S'etching and drypoint (counter-proof)' +p225613 +sg225236 +S'1651' +p225614 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d554.jpg' +p225615 +sg225240 +g27 +sa(dp225616 +g225230 +S'The Holy Family with Saint Elizabeth and Saint John the Baptist' +p225617 +sg225232 +S'Elisabetta Sirani' +p225618 +sg225234 +S'etching' +p225619 +sg225236 +S'c. 1650/1660' +p225620 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ca/a000ca1a.jpg' +p225621 +sg225240 +g27 +sa(dp225622 +g225232 +S'Thomas Phillips' +p225623 +sg225240 +g27 +sg225234 +S', c. 1830' +p225624 +sg225230 +S'Portrait of a Lady' +p225625 +sg225236 +S'\n' +p225626 +sa(dp225627 +g225232 +S'Sir Thomas Lawrence' +p225628 +sg225240 +g27 +sg225234 +S'oil on canvas' +p225629 +sg225230 +S'Francis Charles Seymour-Conway, 3rd Marquess of Hertford' +p225630 +sg225236 +S'c. 1825' +p225631 +sa(dp225632 +g225230 +S'Landing at Sabbath Day Point' +p225633 +sg225232 +S'John Frederick Kensett' +p225634 +sg225234 +S'oil on canvas' +p225635 +sg225236 +S'c. 1853' +p225636 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a0000134.jpg' +p225637 +sg225240 +g27 +sa(dp225638 +g225230 +S'The Green Lizard of Jamaica (Lacerta bullaris)' +p225639 +sg225232 +S'Mark Catesby' +p225640 +sg225234 +S'hand-colored etching' +p225641 +sg225236 +S'published 1731-1743' +p225642 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00078/a0007878.jpg' +p225643 +sg225240 +g27 +sa(dp225644 +g225230 +S'Ancienne porte du Palais de Justice, Paris (Old Gate of the Palace of Justice, Paris)' +p225645 +sg225232 +S'Charles Meryon' +p225646 +sg225234 +S'etching' +p225647 +sg225236 +S'1854' +p225648 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00099/a0009963.jpg' +p225649 +sg225240 +g27 +sa(dp225650 +g225230 +S'Le Minist\xc3\xa8re de la Marine, Paris (The Admiralty, Paris)' +p225651 +sg225232 +S'Charles Meryon' +p225652 +sg225234 +S'etching' +p225653 +sg225236 +S'1865' +p225654 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0005d/a0005da0.jpg' +p225655 +sg225240 +g27 +sa(dp225656 +g225232 +S'John Marin' +p225657 +sg225240 +g27 +sg225234 +S'etching on japan paper' +p225658 +sg225230 +S"Near Quai d'Ivry" +p225659 +sg225236 +S'1906' +p225660 +sa(dp225661 +g225232 +S'Edmund Blampied' +p225662 +sg225240 +g27 +sg225234 +S'drypoint' +p225663 +sg225230 +S'Fetch It' +p225664 +sg225236 +S'1920' +p225665 +sa(dp225666 +g225232 +S'Edmund Blampied' +p225667 +sg225240 +g27 +sg225234 +S'etching and drypoint' +p225668 +sg225230 +S'Ostend Horse' +p225669 +sg225236 +S'1926' +p225670 +sa(dp225671 +g225232 +S'Edmund Blampied' +p225672 +sg225240 +g27 +sg225234 +S'etching and drypoint' +p225673 +sg225230 +S'Loading Vraic' +p225674 +sg225236 +S'1926' +p225675 +sa(dp225676 +g225232 +S'Edmund Blampied' +p225677 +sg225240 +g27 +sg225234 +S'drypoint' +p225678 +sg225230 +S'Night Time, Dieppe' +p225679 +sg225236 +S'1926' +p225680 +sa(dp225681 +g225232 +S'Edmund Blampied' +p225682 +sg225240 +g27 +sg225234 +S'drypoint' +p225683 +sg225230 +S'San Sebastian - Lunch Hour' +p225684 +sg225236 +S'1924' +p225685 +sa(dp225686 +g225230 +S'The Bather' +p225687 +sg225232 +S'Warren B. Davis' +p225688 +sg225234 +S'etching and drypoint' +p225689 +sg225236 +S'unknown date\n' +p225690 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00102/a0010226.jpg' +p225691 +sg225240 +g27 +sa(dp225692 +g225232 +S'Kerr Eby' +p225693 +sg225240 +g27 +sg225234 +S'etching and drypoint' +p225694 +sg225230 +S'Spring Freshets' +p225695 +sg225236 +S'c. 1929' +p225696 +sa(dp225697 +g225232 +S'Kerr Eby' +p225698 +sg225240 +g27 +sg225234 +S'etching' +p225699 +sg225230 +S'Polperro, No. 2' +p225700 +sg225236 +S'1923' +p225701 +sa(dp225702 +g225232 +S'Kerr Eby' +p225703 +sg225240 +g27 +sg225234 +S'etching and drypoint' +p225704 +sg225230 +S'No. 1 Wall Street' +p225705 +sg225236 +S'1930' +p225706 +sa(dp225707 +g225232 +S'Kerr Eby' +p225708 +sg225240 +g27 +sg225234 +S'etching and drypoint' +p225709 +sg225230 +S'In the Open' +p225710 +sg225236 +S'c. 1927' +p225711 +sa(dp225712 +g225232 +S'Kerr Eby' +p225713 +sg225240 +g27 +sg225234 +S'etching and drypoint' +p225714 +sg225230 +S'Sardine Fleet' +p225715 +sg225236 +S'1928' +p225716 +sa(dp225717 +g225232 +S'Kerr Eby' +p225718 +sg225240 +g27 +sg225234 +S'etching and drypoint' +p225719 +sg225230 +S'Polo, Plate B' +p225720 +sg225236 +S'1927' +p225721 +sa(dp225722 +g225232 +S'Kerr Eby' +p225723 +sg225240 +g27 +sg225234 +S'etching and drypoint' +p225724 +sg225230 +S'Portage' +p225725 +sg225236 +S'1930' +p225726 +sa(dp225727 +g225232 +S'Kerr Eby' +p225728 +sg225240 +g27 +sg225234 +S'etching' +p225729 +sg225230 +S'White Water' +p225730 +sg225236 +S'c. 1929' +p225731 +sa(dp225732 +g225232 +S'Kerr Eby' +p225733 +sg225240 +g27 +sg225234 +S'etching and drypoint in dark brown on cream laid paper' +p225734 +sg225230 +S'Boston Stump' +p225735 +sg225236 +S'1925' +p225736 +sa(dp225737 +g225230 +S'The "Home Sweet Home" Cottage, No. 3, Easthampton' +p225738 +sg225232 +S'Childe Hassam' +p225739 +sg225234 +S'etching' +p225740 +sg225236 +S'1928' +p225741 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00104/a00104df.jpg' +p225742 +sg225240 +g27 +sa(dp225743 +g225230 +S'A Long Island Windmill' +p225744 +sg225232 +S'Childe Hassam' +p225745 +sg225234 +S'etching on wove paper' +p225746 +sg225236 +S'1929' +p225747 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00104/a00104e3.jpg' +p225748 +sg225240 +g27 +sa(dp225749 +g225230 +S'The Old Mulford House' +p225750 +sg225232 +S'Childe Hassam' +p225751 +sg225234 +S'etching (with drypoint?)' +p225752 +sg225236 +S'1926' +p225753 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000ab8.jpg' +p225754 +sg225240 +g27 +sa(dp225755 +g225230 +S'The Church Tower, Portsmouth' +p225756 +sg225232 +S'Childe Hassam' +p225757 +sg225234 +S'etching' +p225758 +sg225236 +S'1921' +p225759 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f5/a000f5bb.jpg' +p225760 +sg225240 +g27 +sa(dp225761 +g225230 +S'The "Home Sweet Home" Cottage, Easthampton' +p225762 +sg225232 +S'Childe Hassam' +p225763 +sg225234 +S'etching' +p225764 +sg225236 +S'1921' +p225765 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00104/a00104dd.jpg' +p225766 +sg225240 +g27 +sa(dp225767 +g225232 +S'Marguerite ? Liseuse' +p225768 +sg225240 +g27 +sg225234 +S'etching' +p225769 +sg225230 +S'Entente cordiale' +p225770 +sg225236 +S'unknown date\n' +p225771 +sa(dp225772 +g225232 +S'Robert Sargent Austin' +p225773 +sg225240 +g27 +sg225234 +S'etching' +p225774 +sg225230 +S'Palm Sunday' +p225775 +sg225236 +S'1925' +p225776 +sa(dp225777 +g225230 +S'Shipping Along the Molo in Venice' +p225778 +sg225232 +S'William Stanley Haseltine' +p225779 +sg225234 +S'watercolor and gouache over graphite on brown paper' +p225780 +sg225236 +S'unknown date\n' +p225781 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a00008f4.jpg' +p225782 +sg225240 +g27 +sa(dp225783 +g225230 +S'Mount Tacoma' +p225784 +sg225232 +S'William Stanley Haseltine' +p225785 +sg225234 +S'watercolor and gouache over graphite on blue paper' +p225786 +sg225236 +S'1899' +p225787 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000eb/a000eb9e.jpg' +p225788 +sg225240 +g27 +sa(dp225789 +g225230 +S'A Venetian Lagoon' +p225790 +sg225232 +S'William Stanley Haseltine' +p225791 +sg225234 +S'watercolor on green paper' +p225792 +sg225236 +S'c. 1875' +p225793 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000df/a000dfb8.jpg' +p225794 +sg225240 +g27 +sa(dp225795 +g225230 +S'An Architectural Fantasy' +p225796 +sg225232 +S'Jan van der Heyden' +p225797 +sg225234 +S'oil on oak panel' +p225798 +sg225236 +S'c. 1670' +p225799 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0002a/a0002af8.jpg' +p225800 +sg225240 +S'The Dutch Republic differed in both its political structure and religious orientation\nfrom the Catholic monarchies that ruled most other seventeenth-century European\nnations. Dutch culture was, however, open to many influences; one of the most pervasive\nof these was the introduction of classical ideals, specifically in architecture.\n A number of Dutch architects designed and built large homes, palaces, and town halls\nin classical styles similar to that of the chateau in this painting. Although this\nparticular château and the formal gardens surrounding it are fanciful creations\nof the artist, the image of refined elegance and wealth that the scene conveys reflects\nthe social aspirations of the Dutch landed gentry at that time.\n Van der Heyden was an inventor as well as an artist. In 1669 he devised a plan for\nlighting the city streets of Amsterdam. He later developed a vacuum pump that permitted\nthe use of hoses for firefighting. As a painter he specialized in depicting views\nof cities and country estates. He worked in such a precise style that it seems he\ndelineated every brick and course of mortar on his buildings. Surprisingly, despite\nsuch a devotion to detail, most of his views are imaginary creations.\n ' +p225801 +sa(dp225802 +g225230 +S"Interior of Saint Peter's, Rome" +p225803 +sg225232 +S'Giovanni Paolo Panini' +p225804 +sg225234 +S'oil on canvas' +p225805 +sg225236 +S'c. 1754' +p225806 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a000061a.jpg' +p225807 +sg225240 +g27 +sa(dp225808 +g225230 +S'Judith with the Head of Holofernes' +p225809 +sg225232 +S'Artist Information (' +p225810 +sg225234 +S'(artist after)' +p225811 +sg225236 +S'\n' +p225812 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c7b2.jpg' +p225813 +sg225240 +g27 +sa(dp225814 +g225230 +S"L'ancien Louvre d'apr\xc3\xa8s une peinture de Zeeman, 1651 (The Old Louvre, from a Painting by Zeeman, l651)" +p225815 +sg225232 +S'Charles Meryon' +p225816 +sg225234 +S'etching with penciled sky and border' +p225817 +sg225236 +S'1866' +p225818 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d8b.jpg' +p225819 +sg225240 +g27 +sa(dp225820 +g225230 +S'The Death of Tancred [left]' +p225821 +sg225232 +S'Gabriel de Saint-Aubin' +p225822 +sg225234 +S', 1760' +p225823 +sg225236 +S'\n' +p225824 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f5f.jpg' +p225825 +sg225240 +g27 +sa(dp225826 +g225230 +S'The Challenge [right]' +p225827 +sg225232 +S'Gabriel de Saint-Aubin' +p225828 +sg225234 +S', 1760' +p225829 +sg225236 +S'\n' +p225830 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f60.jpg' +p225831 +sg225240 +g27 +sa(dp225832 +g225230 +S'Christ Carrying the Cross' +p225833 +sg225232 +S'Martin Schongauer' +p225834 +sg225234 +S'engraving on laid paper' +p225835 +sg225236 +S'unknown date\n' +p225836 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a443.jpg' +p225837 +sg225240 +g27 +sa(dp225838 +g225230 +S'The Agony in the Garden' +p225839 +sg225232 +S'Ludwig of Ulm' +p225840 +sg225234 +S'hand-colored woodcut (blockbook page)' +p225841 +sg225236 +S'unknown date\n' +p225842 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00055/a00055fc.jpg' +p225843 +sg225240 +g27 +sa(dp225844 +g225230 +S'The Flagellation' +p225845 +sg225232 +S'Ludwig of Ulm' +p225846 +sg225234 +S'hand-colored woodcut (blockbook page)' +p225847 +sg225236 +S'unknown date\n' +p225848 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00055/a00055fd.jpg' +p225849 +sg225240 +g27 +sa(dp225850 +g225230 +S'The Carrying of the Cross' +p225851 +sg225232 +S'Ludwig of Ulm' +p225852 +sg225234 +S'hand-colored woodcut (blockbook page)' +p225853 +sg225236 +S'unknown date\n' +p225854 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00055/a00055fe.jpg' +p225855 +sg225240 +g27 +sa(dp225856 +g225230 +S'Christ Stripped of His Garment' +p225857 +sg225232 +S'Ludwig of Ulm' +p225858 +sg225234 +S'hand-colored woodcut (blockbook page)' +p225859 +sg225236 +S'unknown date\n' +p225860 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00055/a00055ff.jpg' +p225861 +sg225240 +g27 +sa(dp225862 +g225230 +S'The Crucifixion' +p225863 +sg225232 +S'Ludwig of Ulm' +p225864 +sg225234 +S'hand-colored woodcut (blockbook page)' +p225865 +sg225236 +S'unknown date\n' +p225866 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00056/a0005601.jpg' +p225867 +sg225240 +g27 +sa(dp225868 +g225230 +S'The Descent from the Cross' +p225869 +sg225232 +S'Ludwig of Ulm' +p225870 +sg225234 +S'hand-colored woodcut (blockbook page)' +p225871 +sg225236 +S'unknown date\n' +p225872 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00056/a0005600.jpg' +p225873 +sg225240 +g27 +sa(dp225874 +g225230 +S'The Entombment' +p225875 +sg225232 +S'Ludwig of Ulm' +p225876 +sg225234 +S'hand-colored woodcut (blockbook page)' +p225877 +sg225236 +S'unknown date\n' +p225878 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00056/a0005605.jpg' +p225879 +sg225240 +g27 +sa(dp225880 +g225230 +S'Christ in Limbo' +p225881 +sg225232 +S'Ludwig of Ulm' +p225882 +sg225234 +S'hand-colored woodcut (blockbook page)' +p225883 +sg225236 +S'unknown date\n' +p225884 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00056/a0005604.jpg' +p225885 +sg225240 +g27 +sa(dp225886 +g225230 +S'The Resurrection' +p225887 +sg225232 +S'Ludwig of Ulm' +p225888 +sg225234 +S'hand-colored woodcut (blockbook page)' +p225889 +sg225236 +S'unknown date\n' +p225890 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00056/a0005602.jpg' +p225891 +sg225240 +g27 +sa(dp225892 +g225230 +S'Noli me tangere' +p225893 +sg225232 +S'Ludwig of Ulm' +p225894 +sg225234 +S'hand-colored woodcut (blockbook page)' +p225895 +sg225236 +S'unknown date\n' +p225896 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00056/a0005607.jpg' +p225897 +sg225240 +g27 +sa(dp225898 +g225230 +S'The Last Judgment' +p225899 +sg225232 +S'Ludwig of Ulm' +p225900 +sg225234 +S'hand-colored woodcut (blockbook page)' +p225901 +sg225236 +S'unknown date\n' +p225902 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00056/a0005606.jpg' +p225903 +sg225240 +g27 +sa(dp225904 +g225230 +S'Christ on the Cross Between the Virgin and Saint John' +p225905 +sg225232 +S'Lucas Cranach the Elder' +p225906 +sg225234 +S'hand-colored woodcut on vellum' +p225907 +sg225236 +S'c. 1502' +p225908 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b0bb.jpg' +p225909 +sg225240 +g27 +sa(dp225910 +g225230 +S'The Holy Family' +p225911 +sg225232 +S'Lucas van Leyden' +p225912 +sg225234 +S'engraving' +p225913 +sg225236 +S'c. 1508' +p225914 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ce6b.jpg' +p225915 +sg225240 +g27 +sa(dp225916 +g225230 +S'Emperor Maximilian I in the Guise of Saint George' +p225917 +sg225232 +S'Daniel Hopfer' +p225918 +sg225234 +S'etching (iron) with open biting, plate bitten twice' +p225919 +sg225236 +S'c. 1509/1510' +p225920 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ac/a000ac73.jpg' +p225921 +sg225240 +g27 +sa(dp225922 +g225230 +S'Portrait of the Artist with His Younger Brother, Augustin Saint-Aubin' +p225923 +sg225232 +S'Artist Information (' +p225924 +sg225234 +S'French, 1724 - 1780' +p225925 +sg225236 +S'(related artist)' +p225926 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00070/a00070a0.jpg' +p225927 +sg225240 +g27 +sa(dp225928 +g225230 +S'The Holy Trinity in the Tree of Life Adored by Franciscans' +p225929 +sg225232 +S'Jacques Callot' +p225930 +sg225234 +S'black chalk on laid paper with later framing line in brown ink' +p225931 +sg225236 +S'c. 1625' +p225932 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0005f/a0005f9d.jpg' +p225933 +sg225240 +g27 +sa(dp225934 +g225230 +S'The Holy Trinity in the Tree of Life, Adored by Franciscans' +p225935 +sg225232 +S'Jacques Callot' +p225936 +sg225234 +S'etching' +p225937 +sg225236 +S'in or after 1621' +p225938 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00061/a00061f6.jpg' +p225939 +sg225240 +g27 +sa(dp225940 +g225230 +S'Battle of the Foot Soldiers with Lances' +p225941 +sg225232 +S'Hans Burgkmair I' +p225942 +sg225234 +S'woodcut' +p225943 +sg225236 +S'unknown date\n' +p225944 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ae/a000ae04.jpg' +p225945 +sg225240 +g27 +sa(dp225946 +g225230 +S'Tournament on the Occasion of the Festivity of the Marriage' +p225947 +sg225232 +S'Leonhard Beck' +p225948 +sg225234 +S'woodcut' +p225949 +sg225236 +S'1514/1516' +p225950 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000af/a000af5b.jpg' +p225951 +sg225240 +g27 +sa(dp225952 +g225230 +S'Alexander and the High Priest of Jerusalem' +p225953 +sg225232 +S'Master IRs' +p225954 +sg225234 +S'engraving' +p225955 +sg225236 +S'unknown date\n' +p225956 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c83c.jpg' +p225957 +sg225240 +g27 +sa(dp225958 +g225230 +S'The Vision of Saint Bernard' +p225959 +sg225232 +S'Dirk Jacobsz Vellert' +p225960 +sg225234 +S'engraving' +p225961 +sg225236 +S'1524' +p225962 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ce/a000cebd.jpg' +p225963 +sg225240 +g27 +sa(dp225964 +g225230 +S'Venus Lamenting Adonis' +p225965 +sg225232 +S'Sir Peter Paul Rubens' +p225966 +sg225234 +S'pen and brown ink' +p225967 +sg225236 +S'c. 1608-1612' +p225968 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c4/a000c407.jpg' +p225969 +sg225240 +g27 +sa(dp225970 +g225232 +S'Artist Information (' +p225971 +sg225240 +g27 +sg225234 +S'(artist after)' +p225972 +sg225230 +S'The Right Honorable William Pitt, M.P., Prime Minister' +p225973 +sg225236 +S'\n' +p225974 +sa(dp225975 +g225232 +S'Gy Szabo Bela' +p225976 +sg225240 +g27 +sg225234 +S'hand printed wood engraving on Japanese paper' +p225977 +sg225230 +S'Avril (April)' +p225978 +sg225236 +S'1951' +p225979 +sa(dp225980 +g225232 +S'Gy Szabo Bela' +p225981 +sg225240 +g27 +sg225234 +S'hand printed wood engraving on Japanese paper' +p225982 +sg225230 +S'Juin (June)' +p225983 +sg225236 +S'1963' +p225984 +sa(dp225985 +g225232 +S'Gy Szabo Bela' +p225986 +sg225240 +g27 +sg225234 +S'hand printed wood engraving on Japanese paper' +p225987 +sg225230 +S'Decembre (December)' +p225988 +sg225236 +S'1962' +p225989 +sa(dp225990 +g225232 +S'Gy Szabo Bela' +p225991 +sg225240 +g27 +sg225234 +S'hand printed wood engraving on Japanese paper' +p225992 +sg225230 +S'Papillons (Butterflies)' +p225993 +sg225236 +S'1960' +p225994 +sa(dp225995 +g225232 +S'Gy Szabo Bela' +p225996 +sg225240 +g27 +sg225234 +S'hand printed wood engraving on Japanese paper' +p225997 +sg225230 +S"Bord du lac (Lake's Edge)" +p225998 +sg225236 +S'1966' +p225999 +sa(dp226000 +g225232 +S'Gy Szabo Bela' +p226001 +sg225240 +g27 +sg225234 +S'hand printed wood engraving on Japanese paper' +p226002 +sg225230 +S"Dante: L'enfer, Chant XXI, Ongles sales (Dante's Inferno, Canto XXI, Nasty Claws)" +p226003 +sg225236 +S'1963' +p226004 +sa(dp226005 +g225232 +S'Gustave Pimienta' +p226006 +sg225240 +g27 +sg225234 +S'bronze' +p226007 +sg225230 +S'Eagle' +p226008 +sg225236 +S'model 1962, cast 1966' +p226009 +sa(dp226010 +g225232 +S'Gustave Pimienta' +p226011 +sg225240 +g27 +sg225234 +S'bronze' +p226012 +sg225230 +S'Orpheus' +p226013 +sg225236 +S'model 1937-1938, cast 1966' +p226014 +sa(dp226015 +g225232 +S'Benton Murdoch Spruance' 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+S'http://www.nga.gov:80/thumb-l/a000c9/a000c905.jpg' +p226511 +sg225240 +g27 +sa(dp226512 +g225230 +S'Perseus and Andromeda; Cephalus and Procris; Hippomene and Atalantus' +p226513 +sg225232 +S'Stefano Della Bella' +p226514 +sg225234 +S'three etchings on one sheet' +p226515 +sg225236 +S'1644' +p226516 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c912.jpg' +p226517 +sg225240 +g27 +sa(dp226518 +g225230 +S'Mythological Playing Cards' +p226519 +sg225232 +S'Stefano Della Bella' +p226520 +sg225234 +S'12 etchings on one sheet' +p226521 +sg225236 +S'1644' +p226522 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9cb.jpg' +p226523 +sg225240 +g27 +sa(dp226524 +g225230 +S'Mythological Playing Cards' +p226525 +sg225232 +S'Stefano Della Bella' +p226526 +sg225234 +S'12 etchings on one sheet' +p226527 +sg225236 +S'1644' +p226528 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9c8.jpg' +p226529 +sg225240 +g27 +sa(dp226530 +g225230 +S'Mythological Playing Cards' +p226531 +sg225232 +S'Stefano Della Bella' +p226532 +sg225234 +S'12 etchings on one sheet' +p226533 +sg225236 +S'1644' +p226534 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9ca.jpg' +p226535 +sg225240 +g27 +sa(dp226536 +g225230 +S'Mythological Playing Cards' +p226537 +sg225232 +S'Stefano Della Bella' +p226538 +sg225234 +S'12 etchings on one sheet' +p226539 +sg225236 +S'1644' +p226540 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9c9.jpg' +p226541 +sg225240 +g27 +sa(dp226542 +g225232 +S'Karl Schrag' +p226543 +sg225240 +g27 +sg225234 +S'etching and engraving in black on Arches paper' +p226544 +sg225230 +S'Noonsun and Sails' +p226545 +sg225236 +S'1965/1966' +p226546 +sa(dp226547 +g225232 +S'Karl Schrag' +p226548 +sg225240 +g27 +sg225234 +S'portfolio with eighteen etchings, aquatints, and drypoints, plus 1 original metal plate (1968.24.91), title page, table of contents, and colophon' +p226549 +sg225230 +S'By the Sea' +p226550 +sg225236 +S'1965/1966' +p226551 +sa(dp226552 +g225232 +S'Karl Schrag' +p226553 +sg225240 +g27 +sg225234 +S'etching, aquatint and stencil in blue, brownish-red and red on Arches paper' +p226554 +sg225230 +S'Red Sky and Sea' +p226555 +sg225236 +S'1965/1966' +p226556 +sa(dp226557 +g225232 +S'Karl Schrag' +p226558 +sg225240 +g27 +sg225234 +S'etching and engraving in black on Arches paper' +p226559 +sg225230 +S'Sandbar and Clouds' +p226560 +sg225236 +S'1965/1966' +p226561 +sa(dp226562 +g225232 +S'Karl Schrag' +p226563 +sg225240 +g27 +sg225234 +S'etching, engraving and aquatint in black on Arches paper' +p226564 +sg225230 +S'Seawind' +p226565 +sg225236 +S'1965/1966' +p226566 +sa(dp226567 +g225232 +S'Karl Schrag' +p226568 +sg225240 +g27 +sg225234 +S'etching and aquatint in orange on Arches paper' +p226569 +sg225230 +S'Sound of Waves' +p226570 +sg225236 +S'1965/1966' +p226571 +sa(dp226572 +g225232 +S'Karl Schrag' +p226573 +sg225240 +g27 +sg225234 +S'etching, engraving and aquatint in black on Arches paper' +p226574 +sg225230 +S'Beach and Rising Moon' +p226575 +sg225236 +S'1965/1966' +p226576 +sa(dp226577 +g225232 +S'Karl Schrag' +p226578 +sg225240 +g27 +sg225234 +S'etching and aquatint in black on Arches paper' +p226579 +sg225230 +S'Dreams by the Sea' +p226580 +sg225236 +S'1965/1966' +p226581 +sa(dp226582 +g225232 +S'Karl Schrag' +p226583 +sg225240 +g27 +sg225234 +S'etching, engraving and aquatint in black on Arches paper' +p226584 +sg225230 +S'Dark Wave and Island' +p226585 +sg225236 +S'1965/1966' +p226586 +sa(dp226587 +g225232 +S'Karl Schrag' +p226588 +sg225240 +g27 +sg225234 +S'etching in black on Arches paper' +p226589 +sg225230 +S'Rainstorm' +p226590 +sg225236 +S'1965/1966' +p226591 +sa(dp226592 +g225232 +S'Karl Schrag' +p226593 +sg225240 +g27 +sg225234 +S'etching and aquatint in black on Arches paper' +p226594 +sg225230 +S'Big Rock and Surf' +p226595 +sg225236 +S'1965/1966' +p226596 +sa(dp226597 +g225232 +S'Karl Schrag' +p226598 +sg225240 +g27 +sg225234 +S'etching and aquatint in black on Arches paper' +p226599 +sg225230 +S'White Cloud behind Trees' +p226600 +sg225236 +S'1965/1966' +p226601 +sa(dp226602 +g225232 +S'Karl Schrag' +p226603 +sg225240 +g27 +sg225234 +S'etching, engraving and aquatint in blue-green and black on Arches paper' +p226604 +sg225230 +S'Nightshore' +p226605 +sg225236 +S'1965/1966' +p226606 +sa(dp226607 +g225232 +S'Karl Schrag' +p226608 +sg225240 +g27 +sg225234 +S'etching and aquatint in black on Arches paper' +p226609 +sg225230 +S'Moon and Appletree' +p226610 +sg225236 +S'1965/1966' +p226611 +sa(dp226612 +g225232 +S'Karl Schrag' +p226613 +sg225240 +g27 +sg225234 +S'etching in black on Arches paper' +p226614 +sg225230 +S'Sand and Gray Sea' +p226615 +sg225236 +S'1965/1966' +p226616 +sa(dp226617 +g225232 +S'Karl Schrag' +p226618 +sg225240 +g27 +sg225234 +S'etching in black on Arches paper' +p226619 +sg225230 +S'Sunny Woods' +p226620 +sg225236 +S'1965/1966' +p226621 +sa(dp226622 +g225232 +S'Karl Schrag' +p226623 +sg225240 +g27 +sg225234 +S'engraving in black on Arches paper' +p226624 +sg225230 +S'Wateringcan' +p226625 +sg225236 +S'1965/1966' +p226626 +sa(dp226627 +g225232 +S'Karl Schrag' +p226628 +sg225240 +g27 +sg225234 +S'etching and aquatint in black on Arches paper' +p226629 +sg225230 +S'Quiet Cove' +p226630 +sg225236 +S'1965/1966' +p226631 +sa(dp226632 +g225232 +S'Karl Schrag' +p226633 +sg225240 +g27 +sg225234 +S'etching in black on Arches paper' +p226634 +sg225230 +S'The Artist' +p226635 +sg225236 +S'1965/1966' +p226636 +sa(dp226637 +g225232 +S'Benton Murdoch Spruance' +p226638 +sg225240 +g27 +sg225234 +S'lithograph in blue-black' +p226639 +sg225230 +S'Tobias and the Angel' +p226640 +sg225236 +S'1967' +p226641 +sa(dp226642 +g225232 +S'Samuel Calman Maitin' +p226643 +sg225240 +g27 +sg225234 +S'lithograph in blue' +p226644 +sg225230 +S'After a Time, Another Comment Concerning the Garden' +p226645 +sg225236 +S'1967' +p226646 +sa(dp226647 +g225232 +S'Benton Murdoch Spruance' +p226648 +sg225240 +g27 +sg225234 +S'6-color lithograph in three greens, tan, light brown, and yellow-ochre' +p226649 +sg225230 +S'Master of the Pequod' +p226650 +sg225236 +S'1967' +p226651 +sa(dp226652 +g225232 +S'Benton Murdoch Spruance' +p226653 +sg225240 +g27 +sg225234 +S'lithograph in green [separation proof]' +p226654 +sg225230 +S'Master of the Pequod' +p226655 +sg225236 +S'1967' +p226656 +sa(dp226657 +g225232 +S'Benton Murdoch Spruance' +p226658 +sg225240 +g27 +sg225234 +S'lithograph in green-gray [separation proof]' +p226659 +sg225230 +S'Master of the Pequod' +p226660 +sg225236 +S'1967' +p226661 +sa(dp226662 +g225232 +S'Benton Murdoch Spruance' +p226663 +sg225240 +g27 +sg225234 +S'lithograph in brown and green [trial proof]' +p226664 +sg225230 +S'Master of the Pequod' +p226665 +sg225236 +S'1967' +p226666 +sa(dp226667 +g225232 +S'Benton Murdoch Spruance' +p226668 +sg225240 +g27 +sg225234 +S'lithograph in three greens [trial proof]' +p226669 +sg225230 +S'Master of the Pequod' +p226670 +sg225236 +S'1967' +p226671 +sa(dp226672 +g225232 +S'Benton Murdoch Spruance' +p226673 +sg225240 +g27 +sg225234 +S'lithograph in two greens and brown [trial proof]' +p226674 +sg225230 +S'Master of the Pequod' +p226675 +sg225236 +S'1967' +p226676 +sa(dp226677 +g225232 +S'Benton Murdoch Spruance' +p226678 +sg225240 +g27 +sg225234 +S'lithograph in two greens, brown, and blue [trial proof]' +p226679 +sg225230 +S'Master of the Pequod' +p226680 +sg225236 +S'1967' +p226681 +sa(dp226682 +g225232 +S'Benton Murdoch Spruance' +p226683 +sg225240 +g27 +sg225234 +S'lithograph in two greens, blue and tan [trial proof]' +p226684 +sg225230 +S'Master of the Pequod' +p226685 +sg225236 +S'1967' +p226686 +sa(dp226687 +g225232 +S'Benton Murdoch Spruance' +p226688 +sg225240 +g27 +sg225234 +S'6-color lithograph [proof]' +p226689 +sg225230 +S'Master of the Pequod' +p226690 +sg225236 +S'1967' +p226691 +sa(dp226692 +g225232 +S'Benton Murdoch Spruance' +p226693 +sg225240 +g27 +sg225234 +S'6-color lithograph (stone)' +p226694 +sg225230 +S'Call Me Ishmael' +p226695 +sg225236 +S'1966' +p226696 +sa(dp226697 +g225232 +S'Benton Murdoch Spruance' +p226698 +sg225240 +g27 +sg225234 +S'portfolio with thirty lithographs [trial proofs]' +p226699 +sg225230 +S'Moby Dick: The Passion of Ahab' +p226700 +sg225236 +S'unknown date\n' +p226701 +sa(dp226702 +g225232 +S'Benton Murdoch Spruance' +p226703 +sg225240 +g27 +sg225234 +S'4-color lithograph (stone)' +p226704 +sg225230 +S'The Blue Whale' +p226705 +sg225236 +S'1966' +p226706 +sa(dp226707 +g225232 +S'Benton Murdoch Spruance' +p226708 +sg225240 +g27 +sg225234 +S'4-color lithograph (stone)' +p226709 +sg225230 +S'The First Encounter' +p226710 +sg225236 +S'1966' +p226711 +sa(dp226712 +g225232 +S'Benton Murdoch Spruance' +p226713 +sg225240 +g27 +sg225234 +S'lithograph in gray and blue-green' +p226714 +sg225230 +S'The Whiteness of the Whale' +p226715 +sg225236 +S'1966' +p226716 +sa(dp226717 +g225232 +S'Benton Murdoch Spruance' +p226718 +sg225240 +g27 +sg225234 +S'5-color lithograph (stone)' +p226719 +sg225230 +S'Strike through the Mask' +p226720 +sg225236 +S'1966' +p226721 +sa(dp226722 +g225232 +S'Benton Murdoch Spruance' +p226723 +sg225240 +g27 +sg225234 +S'lithograph in gray and blue-green' +p226724 +sg225230 +S'The Whiteness of the Whale' +p226725 +sg225236 +S'1965/1966' +p226726 +sa(dp226727 +g225232 +S'Benton Murdoch Spruance' +p226728 +sg225240 +g27 +sg225234 +S'7-color lithograph (stone)' +p226729 +sg225230 +S'The Albatross' +p226730 +sg225236 +S'1966' +p226731 +sa(dp226732 +g225232 +S'Benton Murdoch Spruance' +p226733 +sg225240 +g27 +sg225234 +S'4-color lithograph (stone)' +p226734 +sg225230 +S'The Town-Ho' +p226735 +sg225236 +S'1966' +p226736 +sa(dp226737 +g225232 +S'Benton Murdoch Spruance' +p226738 +sg225240 +g27 +sg225234 +S'9-color lithograph (stone)' +p226739 +sg225230 +S'The Jeroboam' +p226740 +sg225236 +S'1966' +p226741 +sa(dp226742 +g225232 +S'Benton Murdoch Spruance' +p226743 +sg225240 +g27 +sg225234 +S'lithograph (stone) in brown, green, and dark gray' +p226744 +sg225230 +S'The Jungfrau' +p226745 +sg225236 +S'1965' +p226746 +sa(dp226747 +g225232 +S'Benton Murdoch Spruance' +p226748 +sg225240 +g27 +sg225234 +S'lithograph in yellow, green, and dark gray' +p226749 +sg225230 +S'The Rosebud' +p226750 +sg225236 +S'1965/1966' +p226751 +sa(dp226752 +g225232 +S'Benton Murdoch Spruance' +p226753 +sg225240 +g27 +sg225234 +S'4-color lithograph (stone)' +p226754 +sg225230 +S'The Samuel Enderby' +p226755 +sg225236 +S'1966' +p226756 +sa(dp226757 +g225232 +S'Benton Murdoch Spruance' +p226758 +sg225240 +g27 +sg225234 +S'6-color lithograph (stone)' +p226759 +sg225230 +S'The Bachelor' +p226760 +sg225236 +S'1966' +p226761 +sa(dp226762 +g225232 +S'Benton Murdoch Spruance' +p226763 +sg225240 +g27 +sg225234 +S'5-color lithograph (stone)' +p226764 +sg225230 +S'The Rachel' +p226765 +sg225236 +S'1966' +p226766 +sa(dp226767 +g225232 +S'Benton Murdoch Spruance' +p226768 +sg225240 +g27 +sg225234 +S'lithograph (stone) in light brown, blue-green, and black' +p226769 +sg225230 +S'The Delight' +p226770 +sg225236 +S'1966' +p226771 +sa(dp226772 +g225232 +S'Benton Murdoch Spruance' +p226773 +sg225240 +g27 +sg225234 +S'lithograph in gray, gray-green, and orange' +p226774 +sg225230 +S'First Version of Call Me Ishmael' +p226775 +sg225236 +S'1965/1966' +p226776 +sa(dp226777 +g225232 +S'Benton Murdoch Spruance' +p226778 +sg225240 +g27 +sg225234 +S'lithograph (stone) in two greens and red' +p226779 +sg225230 +S'The Harpooner' +p226780 +sg225236 +S'1966' +p226781 +sa(dp226782 +g225232 +S'Benton Murdoch Spruance' +p226783 +sg225240 +g27 +sg225234 +S'lithograph (stone) in green and black' +p226784 +sg225230 +S'The Harpooner' +p226785 +sg225236 +S'1966' +p226786 +sa(dp226787 +g225232 +S'Benton Murdoch Spruance' +p226788 +sg225240 +g27 +sg225234 +S'5-color lithograph (stone)' +p226789 +sg225230 +S'The Sphinx and Ahab' +p226790 +sg225236 +S'1966' +p226791 +sa(dp226792 +g225232 +S'Benton Murdoch Spruance' +p226793 +sg225240 +g27 +sg225234 +S'6-color lithograph (stone)' +p226794 +sg225230 +S'The Spirit Spout' +p226795 +sg225236 +S'1966' +p226796 +sa(dp226797 +g225232 +S'Benton Murdoch Spruance' +p226798 +sg225240 +g27 +sg225234 +S'lithograph in green-blue, gray-green, and black' +p226799 +sg225230 +S'The Burning Harpoon' +p226800 +sg225236 +S'1966' +p226801 +sa(dp226802 +g225232 +S'Benton Murdoch Spruance' +p226803 +sg225240 +g27 +sg225234 +S'5-color lithograph' +p226804 +sg225230 +S"Ahab Aloft - The First Day's Chase" +p226805 +sg225236 +S'1966' +p226806 +sa(dp226807 +g225232 +S'Benton Murdoch Spruance' +p226808 +sg225240 +g27 +sg225234 +S'5-color lithograph' +p226809 +sg225230 +S"Ahab Aloft - The First Day's Chase" +p226810 +sg225236 +S'1967' +p226811 +sa(dp226812 +g225232 +S'Benton Murdoch Spruance' +p226813 +sg225240 +g27 +sg225234 +S'7-color lithograph (stone)' +p226814 +sg225230 +S"The Prophecy - Fedallah's Death" +p226815 +sg225236 +S'1966' +p226816 +sa(dp226817 +g225232 +S'Benton Murdoch Spruance' +p226818 +sg225240 +g27 +sg225234 +S'4-color lithograph (stone)' +p226819 +sg225230 +S'Ahab with Starbuck' +p226820 +sg225236 +S'1966' +p226821 +sa(dp226822 +g225232 +S'Benton Murdoch Spruance' +p226823 +sg225240 +g27 +sg225234 +S'5-color lithograph (stone)' +p226824 +sg225230 +S'The Death of the Pequod' +p226825 +sg225236 +S'1966' +p226826 +sa(dp226827 +g225232 +S'Benton Murdoch Spruance' +p226828 +sg225240 +g27 +sg225234 +S'6-color lithograph (stone)' +p226829 +sg225230 +S"The Last Thrust - Ahab's Death" +p226830 +sg225236 +S'1966' +p226831 +sa(dp226832 +g225232 +S'Benton Murdoch Spruance' +p226833 +sg225240 +g27 +sg225234 +S'6-color lithograph (stone)' +p226834 +sg225230 +S'The Vortex' +p226835 +sg225236 +S'1966' +p226836 +sa(dp226837 +g225232 +S'Benton Murdoch Spruance' +p226838 +sg225240 +g27 +sg225234 +S'4-color lithograph (stone)' +p226839 +sg225230 +S'The Skyhawk' +p226840 +sg225236 +S'1966' +p226841 +sa(dp226842 +g225232 +S'Benton Murdoch Spruance' +p226843 +sg225240 +g27 +sg225234 +S'5-color lithograph (stone)' +p226844 +sg225230 +S'Ishmael, The Epilogue' +p226845 +sg225236 +S'1966' +p226846 +sa(dp226847 +g225230 +S'Wisconsin' +p226848 +sg225232 +S'Walt Kuhn' +p226849 +sg225234 +S'oil on canvas' +p226850 +sg225236 +S'1936' +p226851 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a000013b.jpg' +p226852 +sg225240 +g27 +sa(dp226853 +g225230 +S'Plains Indian' +p226854 +sg225232 +S'J.W. Bradshaw' +p226855 +sg225234 +S'oil on canvas' +p226856 +sg225236 +S'fourth quarter 19th century' +p226857 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a000002b.jpg' +p226858 +sg225240 +g27 +sa(dp226859 +g225230 +S'Felucca off Gibraltar' +p226860 +sg225232 +S'Thomas Chambers' +p226861 +sg225234 +S'oil on canvas' +p226862 +sg225236 +S'mid 19th century' +p226863 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a00001ac.jpg' +p226864 +sg225240 +g27 +sa(dp226865 +g225230 +S'View of Aberdeen, Washington' +p226866 +sg225232 +S'American 20th Century' +p226867 +sg225234 +S'overall: 70.7 x 106.4 cm (27 13/16 x 41 7/8 in.)\r\nframed: 84.4 x 120 x 6.3 cm (33 1/4 x 47 1/4 x 2 1/2 in.)' +p226868 +sg225236 +S'\noil on canvas' +p226869 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00004/a0000461.jpg' +p226870 +sg225240 +g27 +sa(dp226871 +g225232 +S'Christian Strenge' +p226872 +sg225240 +g27 +sg225234 +S'brown, red, yellow, and blue ink on laid paper' +p226873 +sg225230 +S'Fraktur Vorschrift' +p226874 +sg225236 +S'1794' +p226875 +sa(dp226876 +g225232 +S'Christian Tester' +p226877 +sg225240 +g27 +sg225234 +S'pen and brown ink and watercolor' +p226878 +sg225230 +S'Nicht so Traurig' +p226879 +sg225236 +S'1773' +p226880 +sa(dp226881 +g225232 +S'American 18th Century' +p226882 +sg225240 +g27 +sg225234 +S'overall: 67.3 x 55 cm (26 1/2 x 21 5/8 in.)\r\nframed: 81.3 x 68.6 cm (32 x 27 in.)' +p226883 +sg225230 +S'Needlework Picture' +p226884 +sg225236 +S'\nembroidery: undyed cotton, dyed wool and silk, spun silver thread, and glass beads on unbleached linen canvas' +p226885 +sa(dp226886 +g225230 +S'The Judgment of Paris' +p226887 +sg225232 +S'Claude Lorrain' +p226888 +sg225234 +S'oil on canvas' +p226889 +sg225236 +S'1645/1646' +p226890 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d62.jpg' +p226891 +sg225240 +S'Like his compatriot Nicolas Poussin, Claude Lorrain forged his career in Rome.\nClaude\'s vision of the Roman countryside is grounded in a careful observation of\nnature, but he transformed the landscape into a timeless, idealized world through\nhis masterful rendering of sunlight and strict structuring of space.\n The Judgment of Paris is one of the best known Greek myths. The goddess Strife\nthrew a golden apple marked "to the fairest" amidst the gods and Jupiter selected\nParis, a Trojan shepherd, to award it. Each goddess tried to influence Paris with\na special gift. Minerva, depicted here with a spear at her side, offered him victory\nin war. Juno, attended by her regal peacock, offered to make him ruler of the world,\nwhile Venus, accompanied by Cupid, proposed the most beautiful woman in the world.\nParis chose Venus who then led him to Helen of Sparta, which precipitated the Trojan\nWar.\n Although the subject is suitable to history painting, the figures are relegated\nto the left-hand corner of the composition, making it clear that Claude\'s real interest\nwas the landscape. The viewer\'s eye slowly moves from the tree in the extreme right\nforeground to the massive green trees in the middle ground. A winding river leads\nthrough the background until the mountains disappear in an atmospheric haze. Like\nPoussin, Claude has ordered nature -- here through parallel interlocked planes of\nspace.\n ' +p226892 +sa(dp226893 +g225230 +S'Portrait of a Man in a Wide-Brimmed Hat' +p226894 +sg225232 +S'Artist Information (' +p226895 +sg225234 +S'Flemish, 1600 - 1671' +p226896 +sg225236 +S'(painter)' +p226897 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e32.jpg' +p226898 +sg225240 +g27 +sa(dp226899 +g225230 +S'The Lamentation' +p226900 +sg225232 +S'Albrecht D\xc3\xbcrer' +p226901 +sg225234 +S'woodcut' +p226902 +sg225236 +S'c. 1500' +p226903 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b2/a000b218.jpg' +p226904 +sg225240 +g27 +sa(dp226905 +g225230 +S'The Virgin Nursing the Christ Child with Four Angels' +p226906 +sg225232 +S'Albrecht D\xc3\xbcrer' +p226907 +sg225234 +S'woodcut' +p226908 +sg225236 +S'c. 1500' +p226909 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b2/a000b219.jpg' +p226910 +sg225240 +g27 +sa(dp226911 +g225230 +S'Saint Matthias' +p226912 +sg225232 +S'Albrecht D\xc3\xbcrer' +p226913 +sg225234 +S'woodcut' +p226914 +sg225236 +S'c. 1500' +p226915 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b2/a000b21a.jpg' +p226916 +sg225240 +g27 +sa(dp226917 +g225230 +S'Saint Erasmus' +p226918 +sg225232 +S'Albrecht D\xc3\xbcrer' +p226919 +sg225234 +S'woodcut' +p226920 +sg225236 +S'c. 1500' +p226921 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b2/a000b21b.jpg' +p226922 +sg225240 +g27 +sa(dp226923 +g225230 +S'Saint Leonard' +p226924 +sg225232 +S'Albrecht D\xc3\xbcrer' +p226925 +sg225234 +S'woodcut' +p226926 +sg225236 +S'c. 1500' +p226927 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b2/a000b21c.jpg' +p226928 +sg225240 +g27 +sa(dp226929 +g225230 +S'Saint Roch' +p226930 +sg225232 +S'Albrecht D\xc3\xbcrer' +p226931 +sg225234 +S'woodcut' +p226932 +sg225236 +S'c. 1500' +p226933 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b2/a000b21d.jpg' +p226934 +sg225240 +g27 +sa(dp226935 +g225230 +S'Saint Wolfgang' +p226936 +sg225232 +S'Albrecht D\xc3\xbcrer' +p226937 +sg225234 +S'woodcut' +p226938 +sg225236 +S'c. 1500' +p226939 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b2/a000b21e.jpg' +p226940 +sg225240 +g27 +sa(dp226941 +g225230 +S'Saint Apollonia' +p226942 +sg225232 +S'Albrecht D\xc3\xbcrer' +p226943 +sg225234 +S'woodcut' +p226944 +sg225236 +S'c. 1500' +p226945 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b2/a000b21f.jpg' +p226946 +sg225240 +g27 +sa(dp226947 +g225230 +S'Saint Odilia' +p226948 +sg225232 +S'Albrecht D\xc3\xbcrer' +p226949 +sg225234 +S'woodcut' +p226950 +sg225236 +S'c. 1500' +p226951 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b2/a000b220.jpg' +p226952 +sg225240 +g27 +sa(dp226953 +g225230 +S'The Great View of Prague' +p226954 +sg225232 +S'Wenceslaus Hollar' +p226955 +sg225234 +S'etching' +p226956 +sg225236 +S'1649' +p226957 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00057/a00057ce.jpg' +p226958 +sg225240 +g27 +sa(dp226959 +g225232 +S'Artist Information (' +p226960 +sg225240 +g27 +sg225234 +S'(artist after)' +p226961 +sg225230 +S'Explication du dessein du Louvre' +p226962 +sg225236 +S'\n' +p226963 +sa(dp226964 +g225230 +S'Sitting Figure' +p226965 +sg225232 +S'Maurice Sterne' +p226966 +sg225234 +S'marble' +p226967 +sg225236 +S'1932' +p226968 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00016/a00016b2.jpg' +p226969 +sg225240 +S"Inspired by a block of Greek marble pulled from the Tiber River near his Italian summer home, American Maurice Sterne allowed the marble's size and shape to determine the pose and gestures of \n Sterne sought, in both painting and sculpture, to combine the lessons of tradition with the contemporary artistic environment that surrounded him. With his choice of subject and material, and by refining and reducing the image to its most concentrated, expressive form, Sterne refers to archaic Greek sculpture. But rather than polish the stone to imitate skin or use a drill to fashion locks of hair (as tradition may have dictated), Sterne preferred the texture of the natural marble. He used few finishing tools and, with the exception of the roughly finished base, achieved a consistent texture for the figure.\n Sterne began his career as a draftsman and painter. From the beginning, critics recognized his deft use of line to describe the weight and volume of objects in his two-dimensional work. "[Sterne's] pictures convey something of the mass and weight which sculpture conveys," wrote one scholar. In Greece in 1908, he studied archaic Greek statues and was inspired to carve his first sculpture in stone. Several years later, he traveled to Bali to paint and sketch; it is thought he based \n " +p226970 +sa(dp226971 +g225230 +S'Memories' +p226972 +sg225232 +S'Frederick Carl Frieseke' +p226973 +sg225234 +S'oil on canvas' +p226974 +sg225236 +S'1915' +p226975 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d82.jpg' +p226976 +sg225240 +g27 +sa(dp226977 +g225230 +S'Imperator (Emperor)' +p226978 +sg225232 +S'Master of the E-Series Tarocchi' +p226979 +sg225234 +S'engraving with gilding' +p226980 +sg225236 +S'c. 1465' +p226981 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6d3.jpg' +p226982 +sg225240 +g27 +sa(dp226983 +g225230 +S'Caliope (Calliope)' +p226984 +sg225232 +S'Master of the E-Series Tarocchi' +p226985 +sg225234 +S'engraving with gilding' +p226986 +sg225236 +S'c. 1465' +p226987 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6d0.jpg' +p226988 +sg225240 +g27 +sa(dp226989 +g225230 +S'Urania' +p226990 +sg225232 +S'Master of the E-Series Tarocchi' +p226991 +sg225234 +S'engraving with gilding' +p226992 +sg225236 +S'c. 1465' +p226993 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6cf.jpg' +p226994 +sg225240 +g27 +sa(dp226995 +g225230 +S'Terpsicore (Terpsichore)' +p226996 +sg225232 +S'Master of the E-Series Tarocchi' +p226997 +sg225234 +S'engraving with gilding' +p226998 +sg225236 +S'c. 1465' +p226999 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6ce.jpg' +p227000 +sg225240 +g27 +sa(dp227001 +g225230 +S'Erato' +p227002 +sg225232 +S'Master of the E-Series Tarocchi' +p227003 +sg225234 +S'engraving with traces of gilding' +p227004 +sg225236 +S'c. 1465' +p227005 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6db.jpg' +p227006 +sg225240 +g27 +sa(dp227007 +g225230 +S'Polimnia (Polyhymnia)' +p227008 +sg225232 +S'Master of the E-Series Tarocchi' +p227009 +sg225234 +S'engraving with gilding' +p227010 +sg225236 +S'c. 1465' +p227011 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6dd.jpg' +p227012 +sg225240 +g27 +sa(dp227013 +g225230 +S'Talia (Thalia)' +p227014 +sg225232 +S'Master of the E-Series Tarocchi' +p227015 +sg225234 +S'engraving with traces of gilding' +p227016 +sg225236 +S'c. 1465' +p227017 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6df.jpg' +p227018 +sg225240 +g27 +sa(dp227019 +g225230 +S'Melpomene' +p227020 +sg225232 +S'Master of the E-Series Tarocchi' +p227021 +sg225234 +S'engraving with traces of gilding' +p227022 +sg225236 +S'c. 1465' +p227023 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6e1.jpg' +p227024 +sg225240 +g27 +sa(dp227025 +g225230 +S'Euterpe' +p227026 +sg225232 +S'Master of the E-Series Tarocchi' +p227027 +sg225234 +S'engraving with gilding' +p227028 +sg225236 +S'c. 1465' +p227029 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6e2.jpg' +p227030 +sg225240 +g27 +sa(dp227031 +g225230 +S'Clio' +p227032 +sg225232 +S'Master of the E-Series Tarocchi' +p227033 +sg225234 +S'engraving with traces of gilding' +p227034 +sg225236 +S'c. 1465' +p227035 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6e3.jpg' +p227036 +sg225240 +g27 +sa(dp227037 +g225230 +S'Cosmico (Genius of the World)' +p227038 +sg225232 +S'Master of the E-Series Tarocchi' +p227039 +sg225234 +S'engraving with traces of gilding' +p227040 +sg225236 +S'c. 1465' +p227041 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6ec.jpg' +p227042 +sg225240 +g27 +sa(dp227043 +g225230 +S'Charita (Charity)' +p227044 +sg225232 +S'Master of the E-Series Tarocchi' +p227045 +sg225234 +S'engraving with traces of gilding' +p227046 +sg225236 +S'c. 1465' +p227047 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6e7.jpg' +p227048 +sg225240 +g27 +sa(dp227049 +g225230 +S'Speranza (Hope)' +p227050 +sg225232 +S'Master of the E-Series Tarocchi' +p227051 +sg225234 +S'engraving with traces of gilding' +p227052 +sg225236 +S'c. 1465' +p227053 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6f5.jpg' +p227054 +sg225240 +g27 +sa(dp227055 +g225230 +S'Fede (Faith)' +p227056 +sg225232 +S'Master of the E-Series Tarocchi' +p227057 +sg225234 +S'engraving with gilding' +p227058 +sg225236 +S'c. 1465' +p227059 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6f6.jpg' +p227060 +sg225240 +g27 +sa(dp227061 +g225230 +S'Luna (Moon)' +p227062 +sg225232 +S'Master of the E-Series Tarocchi' +p227063 +sg225234 +S'engraving with gilding' +p227064 +sg225236 +S'c. 1465' +p227065 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6f7.jpg' +p227066 +sg225240 +g27 +sa(dp227067 +g225230 +S'Mercurio (Mercury)' +p227068 +sg225232 +S'Master of the E-Series Tarocchi' +p227069 +sg225234 +S'engraving with gilding' +p227070 +sg225236 +S'c. 1465' +p227071 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6f9.jpg' +p227072 +sg225240 +g27 +sa(dp227073 +g225230 +S'Sol (Sun)' +p227074 +sg225232 +S'Master of the E-Series Tarocchi' +p227075 +sg225234 +S'engraving with gilding' +p227076 +sg225236 +S'c. 1465' +p227077 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6fa.jpg' +p227078 +sg225240 +g27 +sa(dp227079 +g225230 +S'Marte (Mars)' +p227080 +sg225232 +S'Master of the E-Series Tarocchi' +p227081 +sg225234 +S'engraving with gilding' +p227082 +sg225236 +S'c. 1465' +p227083 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6fb.jpg' +p227084 +sg225240 +g27 +sa(dp227085 +g225230 +S'Iupiter (Jupiter)' +p227086 +sg225232 +S'Master of the E-Series Tarocchi' +p227087 +sg225234 +S'engraving with gilding' +p227088 +sg225236 +S'c. 1465' +p227089 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6fc.jpg' +p227090 +sg225240 +g27 +sa(dp227091 +g225230 +S'Saturno (Saturn)' +p227092 +sg225232 +S'Master of the E-Series Tarocchi' +p227093 +sg225234 +S'engraving with traces of gilding' +p227094 +sg225236 +S'c. 1465' +p227095 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6fd.jpg' +p227096 +sg225240 +g27 +sa(dp227097 +g225230 +S'Octava Spera (Eighth Sphere)' +p227098 +sg225232 +S'Master of the E-Series Tarocchi' +p227099 +sg225234 +S'engraving with gilding' +p227100 +sg225236 +S'c. 1465' +p227101 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6fe.jpg' +p227102 +sg225240 +g27 +sa(dp227103 +g225230 +S'Primo Mobile (Prime Mover)' +p227104 +sg225232 +S'Master of the E-Series Tarocchi' +p227105 +sg225234 +S'engraving with traces of gilding' +p227106 +sg225236 +S'c. 1465' +p227107 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6ff.jpg' +p227108 +sg225240 +g27 +sa(dp227109 +g225230 +S'Prima Causa (First Cause)' +p227110 +sg225232 +S'Master of the E-Series Tarocchi' +p227111 +sg225234 +S'engraving with light gilding' +p227112 +sg225236 +S'c. 1465' +p227113 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c700.jpg' +p227114 +sg225240 +g27 +sa(dp227115 +g225230 +S'Lion' +p227116 +sg225232 +S'Sir Peter Paul Rubens' +p227117 +sg225234 +S'black chalk, heightened with white, yellow chalk in the background' +p227118 +sg225236 +S'c. 1612-1613' +p227119 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0001e/a0001e3e.jpg' +p227120 +sg225240 +g27 +sa(dp227121 +g225232 +S'Kathleen Spagnolo' +p227122 +sg225230 +S"Saddler's Work Bench" +p227123 +sg225240 +g27 +sa(dp227124 +g225232 +S'Artist Information (' +p227125 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Torso of Aphrodite' +p227126 +sg225236 +S'(sculptor)' +p227127 +sa(dp227128 +g225230 +S'Mlle Charlotte Berthier' +p227129 +sg225232 +S'Auguste Renoir' +p227130 +sg225234 +S'oil on canvas' +p227131 +sg225236 +S'1883' +p227132 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00007/a000070d.jpg' +p227133 +sg225240 +g27 +sa(dp227134 +g225232 +S'Charles Despiau' +p227135 +sg225240 +g27 +sg225234 +S'terracotta' +p227136 +sg225230 +S'Mlle Dominique Jean\xc3\xa8s' +p227137 +sg225236 +S'1925' +p227138 +sa(dp227139 +g225230 +S'Storm-Tossed Frigate' +p227140 +sg225232 +S'Thomas Chambers' +p227141 +sg225234 +S'oil on canvas' +p227142 +sg225236 +S'mid 19th century' +p227143 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a00001ad.jpg' +p227144 +sg225240 +g27 +sa(dp227145 +g225230 +S'Composite Harbor Scene with Castle' +p227146 +sg225232 +S'Jurgan Frederick Huge' +p227147 +sg225234 +S'oil on canvas' +p227148 +sg225236 +S'c. 1875' +p227149 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a0000109.jpg' +p227150 +sg225240 +g27 +sa(dp227151 +g225230 +S'Archery Contest' +p227152 +sg225232 +S'Chinese Qing Dynasty' +p227153 +sg225234 +S'overall: 77.8 x 110.8 cm (30 5/8 x 43 5/8 in.)\r\nframed: 94 x 128.6 x 5.1 cm (37 x 50 5/8 x 2 in.)' +p227154 +sg225236 +S'\noil on cotton' +p227155 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004e41.jpg' +p227156 +sg225240 +g27 +sa(dp227157 +g225230 +S'Procession by a Lake' +p227158 +sg225232 +S'Chinese Qing Dynasty' +p227159 +sg225234 +S'overall: 76.2 x 111.8 cm (30 x 44 in.)\r\nframed: 92.7 x 128.3 x 5.1 cm (36 1/2 x 50 1/2 x 2 in.)' +p227160 +sg225236 +S'\noil on fabric' +p227161 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00021/a0002100.jpg' +p227162 +sg225240 +g27 +sa(dp227163 +g225232 +S'Enrico Baj' +p227164 +sg225240 +g27 +sg225234 +S'collage on tapestry' +p227165 +sg225230 +S'Furniture Style' +p227166 +sg225236 +S'1961' +p227167 +sa(dp227168 +g225232 +S'Enrico Baj' +p227169 +sg225240 +g27 +sg225234 +S'collage on tapestry' +p227170 +sg225230 +S'When I Was Young' +p227171 +sg225236 +S'1951' +p227172 +sa(dp227173 +g225230 +S'Landscape' +p227174 +sg225232 +S'Artist Information (' +p227175 +sg225234 +S'Dutch, 1853 - 1890' +p227176 +sg225236 +S'(related artist)' +p227177 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00055/a000554f.jpg' +p227178 +sg225240 +g27 +sa(dp227179 +g225230 +S'Jacques Callot' +p227180 +sg225232 +S'Abraham Bosse' +p227181 +sg225234 +S'etching' +p227182 +sg225236 +S'in or after 1635' +p227183 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008a/a0008a6a.jpg' +p227184 +sg225240 +g27 +sa(dp227185 +g225230 +S'Noble Woman with a Small Hat' +p227186 +sg225232 +S'Artist Information (' +p227187 +sg225234 +S'French, 1592 - 1635' +p227188 +sg225236 +S'(artist after)' +p227189 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00089/a0008959.jpg' +p227190 +sg225240 +g27 +sa(dp227191 +g225230 +S'Noble Man with Felt Hat, Bowing' +p227192 +sg225232 +S'Artist Information (' +p227193 +sg225234 +S'French, 1592 - 1635' +p227194 +sg225236 +S'(artist after)' +p227195 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00089/a000895a.jpg' +p227196 +sg225240 +g27 +sa(dp227197 +g225230 +S'Six Men and Women Beggars' +p227198 +sg225232 +S'Artist Information (' +p227199 +sg225234 +S'(artist after)' +p227200 +sg225236 +S'\n' +p227201 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000db/a000db11.jpg' +p227202 +sg225240 +g27 +sa(dp227203 +g225230 +S'Eight Beggars' +p227204 +sg225232 +S'Artist Information (' +p227205 +sg225234 +S'(artist after)' +p227206 +sg225236 +S'\n' +p227207 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000db/a000db12.jpg' +p227208 +sg225240 +g27 +sa(dp227209 +g225230 +S'Men and Women Beggars' +p227210 +sg225232 +S'Artist Information (' +p227211 +sg225234 +S'(artist after)' +p227212 +sg225236 +S'\n' +p227213 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000db/a000db13.jpg' +p227214 +sg225240 +g27 +sa(dp227215 +g225230 +S"Catherine Kuttinger, Callot's Wife" +p227216 +sg225232 +S'Israel Henriet' +p227217 +sg225234 +S'etching' +p227218 +sg225236 +S'unknown date\n' +p227219 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00088/a00088fb.jpg' +p227220 +sg225240 +g27 +sa(dp227221 +g225230 +S'Title Page for "Various Landscapes"' +p227222 +sg225232 +S'Artist Information (' +p227223 +sg225234 +S'French, 1592 - 1635' +p227224 +sg225236 +S'(artist after)' +p227225 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00089/a0008974.jpg' +p227226 +sg225240 +g27 +sa(dp227227 +g225230 +S'River Bank' +p227228 +sg225232 +S'Artist Information (' +p227229 +sg225234 +S'French, 1592 - 1635' +p227230 +sg225236 +S'(artist after)' +p227231 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00089/a0008971.jpg' +p227232 +sg225240 +g27 +sa(dp227233 +g225230 +S'Subtitle for "Various Landscapes"' +p227234 +sg225232 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Paul, Seated' +p229338 +sg225232 +S'Jacques Callot' +p229339 +sg225234 +S'engraving' +p229340 +sg225236 +S'unknown date\n' +p229341 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008a/a0008ab9.jpg' +p229342 +sg225240 +g27 +sa(dp229343 +g225230 +S'The Assumption with the Cherubin' +p229344 +sg225232 +S'Jacques Callot' +p229345 +sg225234 +S'etching' +p229346 +sg225236 +S'unknown date\n' +p229347 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00083/a00083d5.jpg' +p229348 +sg225240 +g27 +sa(dp229349 +g225230 +S'The Small Carrying of the Cross' +p229350 +sg225232 +S'Jacques Callot' +p229351 +sg225234 +S'etching' +p229352 +sg225236 +S'unknown date\n' +p229353 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00083/a00083e9.jpg' +p229354 +sg225240 +g27 +sa(dp229355 +g225230 +S'Piazza Publicca, Siena' +p229356 +sg225232 +S'Jacques Callot' +p229357 +sg225234 +S'etching' +p229358 +sg225236 +S'unknown date\n' +p229359 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00083/a00083c2.jpg' +p229360 +sg225240 +g27 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Figure"' +p229386 +sg225232 +S'Jacques Callot' +p229387 +sg225234 +S'etching' +p229388 +sg225236 +S'c. 1621' +p229389 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00085/a0008585.jpg' +p229390 +sg225240 +g27 +sa(dp229391 +g225230 +S'Peasant Couple at Rest' +p229392 +sg225232 +S'Jacques Callot' +p229393 +sg225234 +S'etching' +p229394 +sg225236 +S'c. 1621' +p229395 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00085/a0008587.jpg' +p229396 +sg225240 +g27 +sa(dp229397 +g225230 +S'Peasant Couple with Cow' +p229398 +sg225232 +S'Jacques Callot' +p229399 +sg225234 +S'etching' +p229400 +sg225236 +S'c. 1621' +p229401 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00085/a0008586.jpg' +p229402 +sg225240 +g27 +sa(dp229403 +g225230 +S'Peasant Woman with Basket, Seen from Behind' +p229404 +sg225232 +S'Jacques Callot' +p229405 +sg225234 +S'etching' +p229406 +sg225236 +S'1617 and 1621' +p229407 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00083/a000834a.jpg' +p229408 +sg225240 +g27 +sa(dp229409 +g225230 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+p230411 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00086/a000863e.jpg' +p230412 +sg225240 +g27 +sa(dp230413 +g225230 +S'The Crucifixion' +p230414 +sg225232 +S'Jacques Callot' +p230415 +sg225234 +S'etching' +p230416 +sg225236 +S'c. 1624/1625' +p230417 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00086/a000863f.jpg' +p230418 +sg225240 +g27 +sa(dp230419 +g225230 +S'Noble Woman in Profile with her Hands in a Muff' +p230420 +sg225232 +S'Jacques Callot' +p230421 +sg225234 +S'etching' +p230422 +sg225236 +S'c. 1620/1623' +p230423 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00086/a000868f.jpg' +p230424 +sg225240 +g27 +sa(dp230425 +g225230 +S'Noble Woman with Fan' +p230426 +sg225232 +S'Jacques Callot' +p230427 +sg225234 +S'etching' +p230428 +sg225236 +S'c. 1620/1623' +p230429 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00086/a00086a3.jpg' +p230430 +sg225240 +g27 +sa(dp230431 +g225230 +S'Noble Man Wrapped in a Mantle Trimmed with Fur' +p230432 +sg225232 +S'Jacques Callot' +p230433 +sg225234 +S'etching' +p230434 +sg225236 +S'c. 1620/1623' +p230435 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00086/a00086a0.jpg' +p230436 +sg225240 +g27 +sa(dp230437 +g225230 +S'Noble Man with Folded Hands' +p230438 +sg225232 +S'Jacques Callot' +p230439 +sg225234 +S'etching' +p230440 +sg225236 +S'c. 1620/1623' +p230441 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00086/a000869f.jpg' +p230442 +sg225240 +g27 +sa(dp230443 +g225230 +S'Noble Woman Wearing a Veil and a Dress Trimmed in Fur' +p230444 +sg225232 +S'Jacques Callot' +p230445 +sg225234 +S'etching' +p230446 +sg225236 +S'c. 1620/1623' +p230447 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00086/a000868e.jpg' +p230448 +sg225240 +g27 +sa(dp230449 +g225230 +S'Noble Man with Fur Plastron' +p230450 +sg225232 +S'Jacques Callot' +p230451 +sg225234 +S'etching' +p230452 +sg225236 +S'c. 1620/1623' +p230453 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00086/a000868d.jpg' +p230454 +sg225240 +g27 +sa(dp230455 +g225230 +S'Noble Man with Mantle Trimmed in Fur, Holding his Hands Behind his Back' +p230456 +sg225232 +S'Jacques Callot' +p230457 +sg225234 +S'etching' +p230458 +sg225236 +S'c. 1620/1623' +p230459 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00086/a00086a1.jpg' +p230460 +sg225240 +g27 +sa(dp230461 +g225230 +S'Noble Woman with Large Collar' +p230462 +sg225232 +S'Jacques Callot' +p230463 +sg225234 +S'etching' +p230464 +sg225236 +S'c. 1620/1623' +p230465 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00086/a00086a2.jpg' +p230466 +sg225240 +g27 +sa(dp230467 +g225230 +S'The Triumph of the Virgin' +p230468 +sg225232 +S'Jacques Callot' +p230469 +sg225234 +S'etching and engraving' +p230470 +sg225236 +S'1625' +p230471 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008d/a0008dac.jpg' +p230472 +sg225240 +g27 +sa(dp230473 +g225230 +S'Saint John on the Isle of Patmos' +p230474 +sg225232 +S'Jacques Callot' +p230475 +sg225234 +S'etching and engraving' +p230476 +sg225236 +S'1625' +p230477 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00086/a00086a9.jpg' +p230478 +sg225240 +g27 +sa(dp230479 +g225230 +S'Pandora' +p230480 +sg225232 +S'Jacques Callot' +p230481 +sg225234 +S'etching' +p230482 +sg225236 +S'1625' +p230483 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00086/a00086ad.jpg' +p230484 +sg225240 +g27 +sa(dp230485 +g225232 +S'Jacques Callot' +p230486 +sg225240 +g27 +sg225234 +S'etching and engraving' +p230487 +sg225230 +S'The Large Thesis' +p230488 +sg225236 +S'1625' +p230489 +sa(dp230490 +g225230 +S'The Cult of God' +p230491 +sg225232 +S'Jacques Callot' +p230492 +sg225234 +S'etching' +p230493 +sg225236 +S'probably 1627' +p230494 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00086/a000868a.jpg' +p230495 +sg225240 +g27 +sa(dp230496 +g225230 +S'The Cult of the Demon' +p230497 +sg225232 +S'Jacques Callot' +p230498 +sg225234 +S'etching' +p230499 +sg225236 +S'probably 1627' +p230500 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00086/a000868b.jpg' +p230501 +sg225240 +g27 +sa(dp230502 +g225230 +S'The Cult of Men' +p230503 +sg225232 +S'Jacques Callot' +p230504 +sg225234 +S'etching' +p230505 +sg225236 +S'probably 1627' +p230506 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00086/a00086a4.jpg' +p230507 +sg225240 +g27 +sa(dp230508 +g225230 +S'The Martyrdom of Saint Lawrence' +p230509 +sg225232 +S'Jacques Callot' +p230510 +sg225234 +S'etching' +p230511 +sg225236 +S'unknown date\n' +p230512 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00086/a00086a8.jpg' +p230513 +sg225240 +g27 +sa(dp230514 +g225230 +S'The Apostle Peter' +p230515 +sg225232 +S'Jacques Callot' +p230516 +sg225234 +S'etching' +p230517 +sg225236 +S'unknown date\n' +p230518 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00086/a00086c2.jpg' +p230519 +sg225240 +g27 +sa(dp230520 +g225230 +S'The Card Players' +p230521 +sg225232 +S'Jacques Callot' +p230522 +sg225234 +S'etching and engraving' +p230523 +sg225236 +S'c. 1628' +p230524 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00053/a00053bc.jpg' +p230525 +sg225240 +g27 +sa(dp230526 +g225230 +S'Coat of Arms of Nicolas Francis of Lorraine' +p230527 +sg225232 +S'Jacques Callot' +p230528 +sg225234 +S'etching' +p230529 +sg225236 +S'unknown date\n' +p230530 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00086/a00086aa.jpg' +p230531 +sg225240 +g27 +sa(dp230532 +g225230 +S'Frontispiece for "The Light of the Cloister"' +p230533 +sg225232 +S'Jacques Callot' +p230534 +sg225234 +S'etching' +p230535 +sg225236 +S'1628' +p230536 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00086/a00086a6.jpg' +p230537 +sg225240 +g27 +sa(dp230538 +g225230 +S'The Vigilant Eye' +p230539 +sg225232 +S'Jacques Callot' +p230540 +sg225234 +S'etching' +p230541 +sg225236 +S'1628' +p230542 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00086/a000867a.jpg' +p230543 +sg225240 +g27 +sa(dp230544 +g225230 +S'Candle Stick' +p230545 +sg225232 +S'Jacques Callot' +p230546 +sg225234 +S'etching' +p230547 +sg225236 +S'1628' +p230548 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00086/a000867b.jpg' +p230549 +sg225240 +g27 +sa(dp230550 +g225230 +S'Shepherds Defending their Herds' +p230551 +sg225232 +S'Jacques Callot' +p230552 +sg225234 +S'etching' +p230553 +sg225236 +S'1628' +p230554 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00086/a0008684.jpg' +p230555 +sg225240 +g27 +sa(dp230556 +g225230 +S'The Crow and her Young' +p230557 +sg225232 +S'Jacques Callot' +p230558 +sg225234 +S'etching' +p230559 +sg225236 +S'1628' +p230560 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00086/a0008685.jpg' +p230561 +sg225240 +g27 +sa(dp230562 +g225230 +S'The Tulips and the Sun' +p230563 +sg225232 +S'Jacques Callot' +p230564 +sg225234 +S'etching' +p230565 +sg225236 +S'1628' +p230566 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00086/a0008680.jpg' +p230567 +sg225240 +g27 +sa(dp230568 +g225230 +S'Burning Phoenix' +p230569 +sg225232 +S'Jacques Callot' +p230570 +sg225234 +S'etching' +p230571 +sg225236 +S'1628' +p230572 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00086/a0008681.jpg' +p230573 +sg225240 +g27 +sa(dp230574 +g225230 +S'Crow and Snail' +p230575 +sg225232 +S'Jacques Callot' +p230576 +sg225234 +S'etching' +p230577 +sg225236 +S'1628' +p230578 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00086/a000867e.jpg' +p230579 +sg225240 +g27 +sa(dp230580 +g225230 +S'Serpent' +p230581 +sg225232 +S'Jacques Callot' +p230582 +sg225234 +S'etching' +p230583 +sg225236 +S'1628' +p230584 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00086/a000867f.jpg' +p230585 +sg225240 +g27 +sa(dp230586 +g225230 +S'Cat Watching Caged Bird' +p230587 +sg225232 +S'Jacques Callot' +p230588 +sg225234 +S'etching' +p230589 +sg225236 +S'1628' +p230590 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00086/a00086d5.jpg' +p230591 +sg225240 +g27 +sa(dp230592 +g225230 +S'Two Knights' +p230593 +sg225232 +S'Jacques Callot' +p230594 +sg225234 +S'etching' +p230595 +sg225236 +S'1628' +p230596 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00086/a00086d6.jpg' +p230597 +sg225240 +g27 +sa(dp230598 +g225230 +S'Stag in the Water' +p230599 +sg225232 +S'Jacques Callot' +p230600 +sg225234 +S'etching' +p230601 +sg225236 +S'1628' +p230602 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00086/a00086c5.jpg' +p230603 +sg225240 +g27 +sa(dp230604 +g225230 +S'Bird Perched on a Thistle' +p230605 +sg225232 +S'Jacques Callot' +p230606 +sg225234 +S'etching' +p230607 +sg225236 +S'1628' +p230608 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00086/a00086c6.jpg' +p230609 +sg225240 +g27 +sa(dp230610 +g225230 +S'Nightingale in a Bush' +p230611 +sg225232 +S'Jacques Callot' +p230612 +sg225234 +S'etching' +p230613 +sg225236 +S'1628' +p230614 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00086/a00086c7.jpg' +p230615 +sg225240 +g27 +sa(dp230616 +g225230 +S'Eagle Losing an Old Feather' +p230617 +sg225232 +S'Jacques Callot' +p230618 +sg225234 +S'etching' +p230619 +sg225236 +S'1628' +p230620 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00086/a00086c8.jpg' +p230621 +sg225240 +g27 +sa(dp230622 +g225230 +S'Crane Flying' +p230623 +sg225232 +S'Jacques Callot' +p230624 +sg225234 +S'etching' +p230625 +sg225236 +S'1628' +p230626 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00086/a00086df.jpg' +p230627 +sg225240 +g27 +sa(dp230628 +g225230 +S'Siren between Two Ships' +p230629 +sg225232 +S'Jacques Callot' +p230630 +sg225234 +S'etching' +p230631 +sg225236 +S'1628' +p230632 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00086/a00086e0.jpg' +p230633 +sg225240 +g27 +sa(dp230634 +g225230 +S'Crayfish Looking at the Sun' +p230635 +sg225232 +S'Jacques Callot' +p230636 +sg225234 +S'etching' +p230637 +sg225236 +S'1628' +p230638 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00086/a00086dd.jpg' +p230639 +sg225240 +g27 +sa(dp230640 +g225230 +S'Sun Rising' +p230641 +sg225232 +S'Jacques Callot' +p230642 +sg225234 +S'etching' +p230643 +sg225236 +S'1628' +p230644 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00086/a00086de.jpg' +p230645 +sg225240 +g27 +sa(dp230646 +g225230 +S'The Tomb' +p230647 +sg225232 +S'Jacques Callot' +p230648 +sg225234 +S'etching' +p230649 +sg225236 +S'1628' +p230650 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00086/a00086cf.jpg' +p230651 +sg225240 +g27 +sa(dp230652 +g225230 +S'Nun Embracing the Holy Cross' +p230653 +sg225232 +S'Jacques Callot' +p230654 +sg225234 +S'etching' +p230655 +sg225236 +S'1628' +p230656 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00086/a00086d0.jpg' +p230657 +sg225240 +g27 +sa(dp230658 +g225230 +S'Narcissus Looking in the Water' +p230659 +sg225232 +S'Jacques Callot' +p230660 +sg225234 +S'etching' +p230661 +sg225236 +S'1628' +p230662 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00086/a00086e5.jpg' +p230663 +sg225240 +g27 +sa(dp230664 +g225230 +S"Willows by the Water's Edge" +p230665 +sg225232 +S'Jacques Callot' +p230666 +sg225234 +S'etching' +p230667 +sg225236 +S'1628' +p230668 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00086/a00086e6.jpg' +p230669 +sg225240 +g27 +sa(dp230670 +g225230 +S'Two Hearts' +p230671 +sg225232 +S'Jacques Callot' +p230672 +sg225234 +S'etching' +p230673 +sg225236 +S'1628' +p230674 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a000872e.jpg' +p230675 +sg225240 +g27 +sa(dp230676 +g225230 +S'Peasant Whipping his Donkey' +p230677 +sg225232 +S'Jacques Callot' +p230678 +sg225234 +S'etching' +p230679 +sg225236 +S'1628' +p230680 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a000872f.jpg' +p230681 +sg225240 +g27 +sa(dp230682 +g225230 +S'Gardener Pruning a Tree' +p230683 +sg225232 +S'Jacques Callot' +p230684 +sg225234 +S'etching' +p230685 +sg225236 +S'1628' +p230686 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008733.jpg' +p230687 +sg225240 +g27 +sa(dp230688 +g225230 +S'The Reeds and the Wind' +p230689 +sg225232 +S'Jacques Callot' +p230690 +sg225234 +S'etching' +p230691 +sg225236 +S'1628' +p230692 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008734.jpg' +p230693 +sg225240 +g27 +sa(dp230694 +g225230 +S'Title Page for "The Life of the Virgin in Emblems"' +p230695 +sg225232 +S'Jacques Callot' +p230696 +sg225234 +S'etching' +p230697 +sg225236 +S'unknown date\n' +p230698 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008735.jpg' +p230699 +sg225240 +g27 +sa(dp230700 +g225230 +S'Salamander Surrounded by Flames' +p230701 +sg225232 +S'Jacques Callot' +p230702 +sg225234 +S'etching' +p230703 +sg225236 +S'unknown date\n' +p230704 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a000872a.jpg' +p230705 +sg225240 +g27 +sa(dp230706 +g225230 +S'Ship Navigating Near Rocks' +p230707 +sg225232 +S'Jacques Callot' +p230708 +sg225234 +S'etching' +p230709 +sg225236 +S'unknown date\n' +p230710 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a000872b.jpg' +p230711 +sg225240 +g27 +sa(dp230712 +g225230 +S'Dawn' +p230713 +sg225232 +S'Jacques Callot' +p230714 +sg225234 +S'etching' +p230715 +sg225236 +S'unknown date\n' +p230716 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008726.jpg' +p230717 +sg225240 +g27 +sa(dp230718 +g225230 +S'Eagle and Young' +p230719 +sg225232 +S'Jacques Callot' +p230720 +sg225234 +S'etching' +p230721 +sg225236 +S'unknown date\n' +p230722 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008727.jpg' +p230723 +sg225240 +g27 +sa(dp230724 +g225230 +S'Bird of Paradise' +p230725 +sg225232 +S'Jacques Callot' +p230726 +sg225234 +S'etching' +p230727 +sg225236 +S'unknown date\n' +p230728 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008720.jpg' +p230729 +sg225240 +g27 +sa(dp230730 +g225230 +S'Bunch of Grapes' +p230731 +sg225232 +S'Jacques Callot' +p230732 +sg225234 +S'etching' +p230733 +sg225236 +S'unknown date\n' +p230734 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008721.jpg' +p230735 +sg225240 +g27 +sa(dp230736 +g225230 +S'The Vulture' +p230737 +sg225232 +S'Jacques Callot' +p230738 +sg225234 +S'etching' +p230739 +sg225236 +S'unknown date\n' +p230740 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008728.jpg' +p230741 +sg225240 +g27 +sa(dp230742 +g225230 +S'Two Palm Trees' +p230743 +sg225232 +S'Jacques Callot' +p230744 +sg225234 +S'etching' +p230745 +sg225236 +S'unknown date\n' 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Apollinaire; St. Julian and Basilissa; St. Paul Hermit' +p231073 +sg225232 +S'Artist Information (' +p231074 +sg225234 +S'French, 1592 - 1635' +p231075 +sg225236 +S'(related artist)' +p231076 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a000874a.jpg' +p231077 +sg225240 +g27 +sa(dp231078 +g225230 +S'St. Theodosius; St. Tatiana; St. Hilary; St. Felix' +p231079 +sg225232 +S'Jacques Callot' +p231080 +sg225234 +S'etching' +p231081 +sg225236 +S'unknown date\n' +p231082 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008743.jpg' +p231083 +sg225240 +g27 +sa(dp231084 +g225230 +S'St. Maurus; St. John Calybite; St. Marcellus; St. Honoratus' +p231085 +sg225232 +S'Jacques Callot' +p231086 +sg225234 +S'etching' +p231087 +sg225236 +S'unknown date\n' +p231088 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008744.jpg' +p231089 +sg225240 +g27 +sa(dp231090 +g225230 +S'St. Anthony; St. Prisca; St. Germanicus; Sts. Fabian and Sebastian' +p231091 +sg225232 +S'Jacques Callot' +p231092 +sg225234 +S'etching' +p231093 +sg225236 +S'unknown date\n' +p231094 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008747.jpg' +p231095 +sg225240 +g27 +sa(dp231096 +g225230 +S'St. Agnes; The Marriage of the Virgin; St. Ildefonsus; St. Timothy' +p231097 +sg225232 +S'Jacques Callot' +p231098 +sg225234 +S'etching' +p231099 +sg225236 +S'unknown date\n' +p231100 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008746.jpg' +p231101 +sg225240 +g27 +sa(dp231102 +g225230 +S'The Conversion of Saul; St. Paul; St. John Chrysostom; St. Cyril of Alexandria' +p231103 +sg225232 +S'Jacques Callot' +p231104 +sg225234 +S'etching' +p231105 +sg225236 +S'unknown date\n' +p231106 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008740.jpg' +p231107 +sg225240 +g27 +sa(dp231108 +g225230 +S'St. Sulpicius; St. Aldegondes; St. Sabina; The Calling of St. Mark' +p231109 +sg225232 +S'Jacques Callot' +p231110 +sg225234 +S'etching' +p231111 +sg225236 +S'unknown date\n' +p231112 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008745.jpg' +p231113 +sg225240 +g27 +sa(dp231114 +g225230 +S'St. Ignatius; Purification of the Virgin; St. Blaise; St. Isidore' +p231115 +sg225232 +S'Jacques Callot' +p231116 +sg225234 +S'etching' +p231117 +sg225236 +S'unknown date\n' +p231118 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008748.jpg' +p231119 +sg225240 +g27 +sa(dp231120 +g225230 +S'St. Agatha; St. Dorothy; St. Romuald of Ravenna; St. Paul, Bishop of Verdun' +p231121 +sg225232 +S'Jacques Callot' +p231122 +sg225234 +S'etching' +p231123 +sg225236 +S'unknown date\n' +p231124 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008749.jpg' +p231125 +sg225240 +g27 +sa(dp231126 +g225230 +S'St. Apollonia; St. Guillaume; St. Scholastica; St. Saturnin' +p231127 +sg225232 +S'Jacques Callot' +p231128 +sg225234 +S'etching' +p231129 +sg225236 +S'unknown date\n' +p231130 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008705.jpg' +p231131 +sg225240 +g27 +sa(dp231132 +g225230 +S'St. Eulalia; St. Fusca and Maura; St. Valentine; St. Anthony' +p231133 +sg225232 +S'Jacques Callot' +p231134 +sg225234 +S'etching' +p231135 +sg225236 +S'unknown date\n' +p231136 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008702.jpg' +p231137 +sg225240 +g27 +sa(dp231138 +g225230 +S'Sts. Faustinus and Jovita; St. Juliana; St. Onesimus; St. Policronius' +p231139 +sg225232 +S'Jacques Callot' +p231140 +sg225234 +S'etching' +p231141 +sg225236 +S'unknown date\n' +p231142 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00086/a00086fd.jpg' +p231143 +sg225240 +g27 +sa(dp231144 +g225230 +S'St. Simeon; St. Gabinius; St. Eucharius; St. Silvanus' +p231145 +sg225232 +S'Jacques Callot' +p231146 +sg225234 +S'etching' +p231147 +sg225236 +S'unknown date\n' +p231148 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00086/a00086ff.jpg' +p231149 +sg225240 +g27 +sa(dp231150 +g225230 +S'St. Felix; St. Joseph of Arimathea; St. Polycarpe; St. Matthias, Apostle' +p231151 +sg225232 +S'Jacques Callot' +p231152 +sg225234 +S'etching' +p231153 +sg225236 +S'unknown date\n' +p231154 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008703.jpg' +p231155 +sg225240 +g27 +sa(dp231156 +g225230 +S'St. Nicephorus; St. Nestor; St. Julian; Translation of St. Augustin' +p231157 +sg225232 +S'Jacques Callot' +p231158 +sg225234 +S'etching' +p231159 +sg225236 +S'unknown date\n' +p231160 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008706.jpg' +p231161 +sg225240 +g27 +sa(dp231162 +g225230 +S'The Guardian Angel; St. Simplici; St. Cunegundes; St. Luci' +p231163 +sg225232 +S'Jacques Callot' +p231164 +sg225234 +S'etching' +p231165 +sg225236 +S'unknown date\n' +p231166 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008704.jpg' +p231167 +sg225240 +g27 +sa(dp231168 +g225230 +S'St. Phocas; St. Theophilus; St. Conon; Sts. Perpetua and Felicitas' +p231169 +sg225232 +S'Jacques Callot' +p231170 +sg225234 +S'etching' +p231171 +sg225236 +S'unknown date\n' +p231172 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00086/a00086fe.jpg' +p231173 +sg225240 +g27 +sa(dp231174 +g225230 +S'St. Thomas Aquin; St. Adrian and Companions; St. Frances; St. Macari' +p231175 +sg225232 +S'Jacques Callot' +p231176 +sg225234 +S'etching' +p231177 +sg225236 +S'unknown date\n' +p231178 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008707.jpg' +p231179 +sg225240 +g27 +sa(dp231180 +g225230 +S'St. Meliton; St. Firminus; St. Gregory the Great; St. Euphrasia' +p231181 +sg225232 +S'Jacques Callot' +p231182 +sg225234 +S'etching' +p231183 +sg225236 +S'unknown date\n' +p231184 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008701.jpg' +p231185 +sg225240 +g27 +sa(dp231186 +g225230 +S'St. Matilda; St. Longinus; St. Cyriacus; St. Heribert' +p231187 +sg225232 +S'Jacques Callot' +p231188 +sg225234 +S'etching' +p231189 +sg225236 +S'unknown date\n' +p231190 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008700.jpg' +p231191 +sg225240 +g27 +sa(dp231192 +g225230 +S'St. Patrick; St. Gertrude; St. Gabriel, Archangel; St. Edward' +p231193 +sg225232 +S'Jacques Callot' +p231194 +sg225234 +S'etching' +p231195 +sg225236 +S'unknown date\n' +p231196 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00086/a00086fc.jpg' +p231197 +sg225240 +g27 +sa(dp231198 +g225230 +S'St. Joseph; St. Joachim; St. Benedict, Abbot; St. Catharine of Sweden' +p231199 +sg225232 +S'Jacques Callot' +p231200 +sg225234 +S'etching' +p231201 +sg225236 +S'unknown date\n' +p231202 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a000876e.jpg' +p231203 +sg225240 +g27 +sa(dp231204 +g225230 +S'St. Fidelis; St. Agapetus; St. Dula; St. Latro Dimas' +p231205 +sg225232 +S'Jacques Callot' +p231206 +sg225234 +S'etching' +p231207 +sg225236 +S'unknown date\n' +p231208 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008769.jpg' +p231209 +sg225240 +g27 +sa(dp231210 +g225230 +S'The Annunciation; St. Castulus; St. Rupert; St. Gontran' +p231211 +sg225232 +S'Jacques Callot' +p231212 +sg225234 +S'etching' +p231213 +sg225236 +S'unknown date\n' +p231214 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008773.jpg' +p231215 +sg225240 +g27 +sa(dp231216 +g225230 +S'Sts. Jonas & Barachisius; St. John Climacus, Abbot; St. Benjamin; Sts. Quirinus & Bal' +p231217 +sg225232 +S'Jacques Callot' +p231218 +sg225234 +S'etching' +p231219 +sg225236 +S'unknown date\n' +p231220 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a000876a.jpg' +p231221 +sg225240 +g27 +sa(dp231222 +g225230 +S'St. Hugo; St. Francis of Paula; St. Mary of Egypt; St. Richard' +p231223 +sg225232 +S'Jacques Callot' +p231224 +sg225234 +S'etching' +p231225 +sg225236 +S'unknown date\n' +p231226 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008774.jpg' +p231227 +sg225240 +g27 +sa(dp231228 +g225230 +S'St. Ambrose; St. Vincent Ferrer; St. Celestin; St. Lazarus' +p231229 +sg225232 +S'Jacques Callot' +p231230 +sg225234 +S'etching' +p231231 +sg225236 +S'unknown date\n' +p231232 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a000876f.jpg' +p231233 +sg225240 +g27 +sa(dp231234 +g225230 +S'St. Perpetuus; St. Mary of Cleophas; St. Ezechiel; St. Leo the Great' +p231235 +sg225232 +S'Jacques Callot' +p231236 +sg225234 +S'etching' +p231237 +sg225236 +S'unknown date\n' +p231238 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008770.jpg' +p231239 +sg225240 +g27 +sa(dp231240 +g225230 +S'St. Victor; St. Justinus; Sts. Tiburtius and Valerianus; Sts. Basilissa and Anastasia' +p231241 +sg225232 +S'Jacques Callot' +p231242 +sg225234 +S'etching' +p231243 +sg225236 +S'unknown date\n' +p231244 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a000876d.jpg' +p231245 +sg225240 +g27 +sa(dp231246 +g225230 +S'St. Maria Doloru; St. Stephen, Abbot; St. Apoloni; St. Timon' +p231247 +sg225232 +S'Jacques Callot' +p231248 +sg225234 +S'etching' +p231249 +sg225236 +S'unknown date\n' +p231250 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008771.jpg' +p231251 +sg225240 +g27 +sa(dp231252 +g225230 +S'St. Theodorus; St. Agnes of Monte Pulciano; St. Anselme, Archbishop of Canterbury; St' +p231253 +sg225232 +S'Jacques Callot' +p231254 +sg225234 +S'etching' +p231255 +sg225236 +S'unknown date\n' +p231256 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a000876b.jpg' +p231257 +sg225240 +g27 +sa(dp231258 +g225230 +S'St. George; St. Sabas; St. Mark, Evangelist; St. Marcellin' +p231259 +sg225232 +S'Jacques Callot' +p231260 +sg225234 +S'etching' +p231261 +sg225236 +S'unknown date\n' +p231262 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a000876c.jpg' +p231263 +sg225240 +g27 +sa(dp231264 +g225230 +S'St. Anastasius; St. Theodora; Sts. Vitalis and Valeria; St. Peter Martyr' +p231265 +sg225232 +S'Jacques Callot' +p231266 +sg225234 +S'etching' +p231267 +sg225236 +S'unknown date\n' +p231268 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008772.jpg' +p231269 +sg225240 +g27 +sa(dp231270 +g225230 +S'St. Catharine of Siena; St. Marian; St. Eutropius; St. Sophia' +p231271 +sg225232 +S'Jacques Callot' +p231272 +sg225234 +S'etching' +p231273 +sg225236 +S'unknown date\n' +p231274 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008776.jpg' +p231275 +sg225240 +g27 +sa(dp231276 +g225230 +S'St. Philip and James the Less, Apostles; St. Anthanasius; The Invention of the Cross;' +p231277 +sg225232 +S'Jacques Callot' +p231278 +sg225234 +S'etching' +p231279 +sg225236 +S'unknown date\n' +p231280 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008775.jpg' +p231281 +sg225240 +g27 +sa(dp231282 +g225230 +S'Conversion of St. Augustine; St. Hilary; St. John in front of the Latin Portal; St. J' +p231283 +sg225232 +S'Jacques Callot' +p231284 +sg225234 +S'etching' +p231285 +sg225236 +S'unknown date\n' +p231286 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a000877d.jpg' +p231287 +sg225240 +g27 +sa(dp231288 +g225230 +S'St. Stanislaus; The Apparition of St. Michael; The Translation of St. Nicholas; St. G' +p231289 +sg225232 +S'Jacques Callot' +p231290 +sg225234 +S'etching' +p231291 +sg225236 +S'unknown date\n' +p231292 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a000877c.jpg' +p231293 +sg225240 +g27 +sa(dp231294 +g225230 +S'St. Job, Prophet; St. Gangulphus; St. Epiphanius; St. Mary of Martyrs' +p231295 +sg225232 +S'Jacques Callot' +p231296 +sg225234 +S'etching' +p231297 +sg225236 +S'unknown date\n' +p231298 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a000877b.jpg' +p231299 +sg225240 +g27 +sa(dp231300 +g225230 +S'St. Servatius; St. Boniface; St. Pachomius; St. Corona' +p231301 +sg225232 +S'Jacques Callot' +p231302 +sg225234 +S'etching' +p231303 +sg225236 +S'unknown date\n' +p231304 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a000877a.jpg' +p231305 +sg225240 +g27 +sa(dp231306 +g225230 +S'St. Dympna; St. Peregrinus; St. Restituta; St. Dioscorus' +p231307 +sg225232 +S'Jacques Callot' +p231308 +sg225234 +S'etching' +p231309 +sg225236 +S'unknown date\n' +p231310 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008780.jpg' +p231311 +sg225240 +g27 +sa(dp231312 +g225230 +S'St. Potentiana; St. Dunstan; St. Yvo; St. Bernardinus of Siena' +p231313 +sg225232 +S'Jacques Callot' +p231314 +sg225234 +S'etching' +p231315 +sg225236 +S'unknown date\n' +p231316 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008779.jpg' +p231317 +sg225240 +g27 +sa(dp231318 +g225230 +S'Sts. Nicostratus and Anthiocus; St. Julia; St. Desiderius; Sts. Susanna, Palladia, an' +p231319 +sg225232 +S'Jacques Callot' +p231320 +sg225234 +S'etching' +p231321 +sg225236 +S'unknown date\n' +p231322 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008778.jpg' +p231323 +sg225240 +g27 +sa(dp231324 +g225230 +S'St. Urban; The Translation of St. Mary of James; St. Quadrat; St. Julius' +p231325 +sg225232 +S'Jacques Callot' +p231326 +sg225234 +S'etching' +p231327 +sg225236 +S'unknown date\n' +p231328 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008777.jpg' +p231329 +sg225240 +g27 +sa(dp231330 +g225230 +S'St. Germanus of Paris; St. Maximinus; St. Emmelia; St. Petronilla' +p231331 +sg225232 +S'Jacques Callot' +p231332 +sg225234 +S'etching' +p231333 +sg225236 +S'unknown date\n' +p231334 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a000877f.jpg' +p231335 +sg225240 +g27 +sa(dp231336 +g225230 +S'Sts. Pamphilius and Porphyrius; St. Blandina and Companions; St. Erasmus; St. Optatus' +p231337 +sg225232 +S'Jacques Callot' +p231338 +sg225234 +S'etching' +p231339 +sg225236 +S'unknown date\n' +p231340 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a000877e.jpg' +p231341 +sg225240 +g27 +sa(dp231342 +g225230 +S'St. Maria Gaudioru; St. Cladius; St. Norbert; St. Robert' +p231343 +sg225232 +S'Jacques Callot' +p231344 +sg225234 +S'etching' +p231345 +sg225236 +S'unknown date\n' +p231346 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008782.jpg' +p231347 +sg225240 +g27 +sa(dp231348 +g225230 +S'St. Medard; St. Calliopa; Sts. Primus and Felician; St. Margaret of Scotland' +p231349 +sg225232 +S'Jacques Callot' +p231350 +sg225234 +S'etching' +p231351 +sg225236 +S'unknown date\n' +p231352 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008783.jpg' +p231353 +sg225240 +g27 +sa(dp231354 +g225230 +S'St. Barnabas, Apostle; St. Honofrius; St. Anthony of Padua; St. Basil the Great' +p231355 +sg225232 +S'Jacques Callot' +p231356 +sg225234 +S'etching' +p231357 +sg225236 +S'unknown date\n' +p231358 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008784.jpg' +p231359 +sg225240 +g27 +sa(dp231360 +g225230 +S'Sts. Vitus, Modestus, & Crescentia; Sts. Julitta & Quiricus; St. Avitus, Abbot; St. E' +p231361 +sg225232 +S'Jacques Callot' +p231362 +sg225234 +S'etching' +p231363 +sg225236 +S'unknown date\n' +p231364 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008785.jpg' +p231365 +sg225240 +g27 +sa(dp231366 +g225230 +S'Sts. Gervase & Protase; St. Silverius; St. Eusebius of Samosata; St. Paulinus of Nola' +p231367 +sg225232 +S'Jacques Callot' +p231368 +sg225234 +S'etching' +p231369 +sg225236 +S'unknown date\n' +p231370 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008789.jpg' +p231371 +sg225240 +g27 +sa(dp231372 +g225230 +S'St. Zenon and Companions; St. John the Baptist; St. Gallicanus; St. Pelagius' +p231373 +sg225232 +S'Jacques Callot' +p231374 +sg225234 +S'etching' +p231375 +sg225236 +S'unknown date\n' +p231376 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a000878b.jpg' +p231377 +sg225240 +g27 +sa(dp231378 +g225230 +S'St. Ladislas; Sts. Potamiana and Marcella; Sts. Peter and Paul, Apostles; St. Martial' +p231379 +sg225232 +S'Jacques Callot' +p231380 +sg225234 +S'etching' +p231381 +sg225236 +S'unknown date\n' +p231382 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008786.jpg' +p231383 +sg225240 +g27 +sa(dp231384 +g225230 +S"St. Simeon Salus; The Visitation; Deposition of the Virgin's Clothes; St. Hiacintus" +p231385 +sg225232 +S'Jacques Callot' +p231386 +sg225234 +S'etching' +p231387 +sg225236 +S'unknown date\n' +p231388 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a000878a.jpg' +p231389 +sg225240 +g27 +sa(dp231390 +g225230 +S'St. Elizabeth of Portugal; St. Zoe; St. Isaiah, Prophet; St. Edelburge' +p231391 +sg225232 +S'Jacques Callot' +p231392 +sg225234 +S'etching' +p231393 +sg225236 +S'unknown date\n' +p231394 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008787.jpg' +p231395 +sg225240 +g27 +sa(dp231396 +g225230 +S'St. Procopius; Sts. Aquila and Prisca; St. Anatolia; Sts. Rufina and Secunda' +p231397 +sg225232 +S'Jacques Callot' +p231398 +sg225234 +S'etching' +p231399 +sg225236 +S'unknown date\n' +p231400 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a000878c.jpg' +p231401 +sg225240 +g27 +sa(dp231402 +g225230 +S'St. Abundius; St. Galbertus; St. Marciana; St. Anacletus' +p231403 +sg225232 +S'Jacques Callot' +p231404 +sg225234 +S'etching' +p231405 +sg225236 +S'unknown date\n' +p231406 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008788.jpg' +p231407 +sg225240 +g27 +sa(dp231408 +g225230 +S'St. Bonaventura; St. Justus; St. Henry, Emperor; St. Antiochus' +p231409 +sg225232 +S'Jacques Callot' +p231410 +sg225234 +S'etching' +p231411 +sg225236 +S'unknown date\n' +p231412 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008781.jpg' +p231413 +sg225240 +g27 +sa(dp231414 +g225230 +S'St. Mary of Mont Carmel; St. Raineldis; St. Alexis; St. Arnold of Metz' +p231415 +sg225232 +S'Jacques Callot' +p231416 +sg225234 +S'etching' +p231417 +sg225236 +S'unknown date\n' +p231418 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008798.jpg' +p231419 +sg225240 +g27 +sa(dp231420 +g225230 +S'St. Frederick; St. Arsenius, Hermit; St. Elias, Prophet; St. Joseph the Just' +p231421 +sg225232 +S'Jacques Callot' +p231422 +sg225234 +S'etching' +p231423 +sg225236 +S'unknown date\n' +p231424 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008796.jpg' +p231425 +sg225240 +g27 +sa(dp231426 +g225230 +S'St. Margaret of Antioch; St. Praxedes; St. Mary Magdalene; St. Bridget of Sweden' +p231427 +sg225232 +S'Jacques Callot' +p231428 +sg225234 +S'etching' +p231429 +sg225236 +S'unknown date\n' +p231430 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008795.jpg' +p231431 +sg225240 +g27 +sa(dp231432 +g225230 +S'St. Christina; St. James, Apostle, and St. Christopher; St. Anne; Seven Sleepers of E' +p231433 +sg225232 +S'Jacques Callot' +p231434 +sg225234 +S'etching' +p231435 +sg225236 +S'unknown date\n' +p231436 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008794.jpg' +p231437 +sg225240 +g27 +sa(dp231438 +g225230 +S'St. Pantaleon; Sts. Nazarius and Celsus; St. Martha; St. Beatrice' +p231439 +sg225232 +S'Jacques Callot' +p231440 +sg225234 +S'etching' +p231441 +sg225236 +S'unknown date\n' +p231442 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008793.jpg' +p231443 +sg225240 +g27 +sa(dp231444 +g225230 +S'Sts. Donatilla, Maxima & Secunda; St. Fabius;St. John Colombini; St. Ignatius Loyola' +p231445 +sg225232 +S'Jacques Callot' +p231446 +sg225234 +S'etching' +p231447 +sg225236 +S'unknown date\n' +p231448 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a000878f.jpg' +p231449 +sg225240 +g27 +sa(dp231450 +g225230 +S'St. Peter, Apostle; St. Mary of Angels; Discovery of the Body of St. Stephen; St. Dom' +p231451 +sg225232 +S'Jacques Callot' +p231452 +sg225234 +S'etching' +p231453 +sg225236 +S'unknown date\n' +p231454 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008792.jpg' +p231455 +sg225240 +g27 +sa(dp231456 +g225230 +S'St. Mary of Snow; St. Memmius, Bishop; The Transfiguration; Sts. Justus and Pastor' +p231457 +sg225232 +S'Jacques Callot' +p231458 +sg225234 +S'etching' +p231459 +sg225236 +S'unknown date\n' +p231460 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a000878e.jpg' +p231461 +sg225240 +g27 +sa(dp231462 +g225230 +S'St. Albert of Sicliy, Carmelite; St. Marinus;St. Demetrius and Companions; St. Lauren' +p231463 +sg225232 +S'Jacques Callot' +p231464 +sg225234 +S'etching' +p231465 +sg225236 +S'unknown date\n' +p231466 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008791.jpg' +p231467 +sg225240 +g27 +sa(dp231468 +g225230 +S'St. Alexander Carbonarius; St. Clare; St. Digna and Companions; St. Concordia' +p231469 +sg225232 +S'Jacques Callot' +p231470 +sg225234 +S'etching' +p231471 +sg225236 +S'unknown date\n' +p231472 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008797.jpg' +p231473 +sg225240 +g27 +sa(dp231474 +g225230 +S'St. Hippolytus; St. Radegund, Queen; St. Cassian; St. Athanasia' +p231475 +sg225232 +S'Jacques Callot' +p231476 +sg225234 +S'etching' +p231477 +sg225236 +S'unknown date\n' +p231478 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a0008790.jpg' +p231479 +sg225240 +g27 +sa(dp231480 +g225230 +S'The Assumption; St. Roch; Salvator Mundi; St. Clare of Monte Falco' +p231481 +sg225232 +S'Jacques Callot' +p231482 +sg225234 +S'etching' +p231483 +sg225236 +S'unknown date\n' +p231484 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00087/a000878d.jpg' +p231485 +sg225240 +g27 +sa(dp231486 +g225230 +S'St. Helen; St. Donatus; St. Ludovicus, Bishop; St. Bernard' +p231487 +sg225232 +S'Jacques Callot' +p231488 +sg225234 +S'etching' +p231489 +sg225236 +S'unknown date\n' +p231490 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00088/a0008857.jpg' +p231491 +sg225240 +g27 +sa(dp231492 +g225230 +S'St. Philibert, Abbot; St. Privatus; St. Symphorian; St. Philip' +p231493 +sg225232 +S'Jacques Callot' +p231494 +sg225234 +S'etching' +p231495 +sg225236 +S'unknown date\n' +p231496 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00088/a0008856.jpg' +p231497 +sg225240 +g27 +sa(dp231498 +g225230 +S'St. Aurea; St. Bartholomew; St. Louis; St. Genesius' +p231499 +sg225232 +S'Jacques Callot' +p231500 +sg225234 +S'etching' +p231501 +sg225236 +S'unknown date\n' +p231502 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00088/a0008855.jpg' +p231503 +sg225240 +g27 +sa(dp231504 +g225230 +S'St. Patricia; Sts. Secundus and Alexander; St. Cesarius; St. Augustin' +p231505 +sg225232 +S'Jacques Callot' +p231506 +sg225234 +S'etching' +p231507 +sg225236 +S'unknown date\n' +p231508 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00088/a0008851.jpg' +p231509 +sg225240 +g27 +sa(dp231510 +g225230 +S'St. Mederic, Abbot; Beheading of John the Baptist; St. Fiacre; Festival of the Virgin' +p231511 +sg225232 +S'Jacques Callot' +p231512 +sg225234 +S'etching' +p231513 +sg225236 +S'unknown date\n' +p231514 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00088/a0008853.jpg' +p231515 +sg225240 +g27 +sa(dp231516 +g225230 +S'St. Giles; St. Lupus; St. Anne; St. Nonnosus' +p231517 +sg225232 +S'Jacques Callot' +p231518 +sg225234 +S'etching' +p231519 +sg225236 +S'unknown date\n' +p231520 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00088/a0008854.jpg' +p231521 +sg225240 +g27 +sa(dp231522 +g225230 +S'St. Mansuetus; Sts. Serapia and Erasma; Moses; St. Bertin, Abbot' +p231523 +sg225232 +S'Jacques Callot' +p231524 +sg225234 +S'etching' +p231525 +sg225236 +S'unknown date\n' +p231526 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00088/a000884d.jpg' +p231527 +sg225240 +g27 +sa(dp231528 +g225230 +S'St. Eleutherius, Abbot; St. Regina; St. John; The Nativity of the Virgin' +p231529 +sg225232 +S'Jacques Callot' +p231530 +sg225234 +S'etching' +p231531 +sg225236 +S'unknown date\n' +p231532 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00088/a0008852.jpg' +p231533 +sg225240 +g27 +sa(dp231534 +g225230 +S'Sts. Gorgonius & Dorothy; St. Nicholas of Tolentino; St. Polianus & Nemesian; St. Pul' +p231535 +sg225232 +S'Jacques Callot' +p231536 +sg225234 +S'etching' +p231537 +sg225236 +S'unknown date\n' +p231538 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00088/a0008850.jpg' +p231539 +sg225240 +g27 +sa(dp231540 +g225230 +S'St. Paphnutius; Sts. Macedonius and Theodulus; St. Amatus; St. Cornelias' +p231541 +sg225232 +S'Jacques Callot' +p231542 +sg225234 +S'etching' +p231543 +sg225236 +S'unknown date\n' +p231544 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00088/a000884f.jpg' +p231545 +sg225240 +g27 +sa(dp231546 +g225230 +S'Exaltation of the Holy Cross; St. Aper; St. Euphemia; St. Lambert' +p231547 +sg225232 +S'Jacques Callot' +p231548 +sg225234 +S'etching' +p231549 +sg225236 +S'unknown date\n' +p231550 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00088/a0008858.jpg' +p231551 +sg225240 +g27 +sa(dp231552 +g225230 +S'St. Ferreolus; St. Januarius; St. Eustachius & his Children; Sts. Fausta & Evelasius' +p231553 +sg225232 +S'Jacques Callot' +p231554 +sg225234 +S'etching' +p231555 +sg225236 +S'unknown date\n' +p231556 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00088/a000884e.jpg' +p231557 +sg225240 +g27 +sa(dp231558 +g225230 +S'St. Canida; St. Matthew; St. Ipigenia; St. Maurice and Companions' +p231559 +sg225232 +S'Jacques Callot' +p231560 +sg225234 +S'etching' +p231561 +sg225236 +S'unknown date\n' +p231562 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00088/a0008864.jpg' +p231563 +sg225240 +g27 +sa(dp231564 +g225230 +S'St. Thecla; St. Linus; Sts. Andochius and Thyrsus; St. Cleophas' +p231565 +sg225232 +S'Jacques Callot' +p231566 +sg225234 +S'etching' +p231567 +sg225236 +S'unknown date\n' +p231568 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00088/a000885a.jpg' +p231569 +sg225240 +g27 +sa(dp231570 +g225230 +S'St. Calistratus; Sts. Cyprian and Justina; Sts. Comus and Damian; St. Elzear, Count' +p231571 +sg225232 +S'Jacques Callot' +p231572 +sg225234 +S'etching' +p231573 +sg225236 +S'unknown date\n' +p231574 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00088/a0008861.jpg' +p231575 +sg225240 +g27 +sa(dp231576 +g225230 +S'St. Wenceslas; St. Michael, Archangel; The Guardian Angel; St. Jerome' +p231577 +sg225232 +S'Jacques Callot' +p231578 +sg225234 +S'etching' +p231579 +sg225236 +S'unknown date\n' +p231580 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00088/a0008860.jpg' +p231581 +sg225240 +g27 +sa(dp231582 +g225230 +S'St. Remigius; St. Leodegarius; St. Gerard, Abbot; St. Francis of Assisi' +p231583 +sg225232 +S'Jacques Callot' +p231584 +sg225234 +S'etching' +p231585 +sg225236 +S'unknown date\n' +p231586 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00088/a000885b.jpg' +p231587 +sg225240 +g27 +sa(dp231588 +g225230 +S'St. Theresa; St. Placidus and Flavia; St. Bruno; St. Faith' +p231589 +sg225232 +S'Jacques Callot' +p231590 +sg225234 +S'etching' +p231591 +sg225236 +S'unknown date\n' +p231592 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00088/a000885d.jpg' +p231593 +sg225240 +g27 +sa(dp231594 +g225230 +S'St. Mary of Victory; St. Simeon, Prophet; St. Pelagia; Sts. Reparata and Benedicta' +p231595 +sg225232 +S'Jacques Callot' +p231596 +sg225234 +S'etching' +p231597 +sg225236 +S'unknown date\n' +p231598 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00088/a000885c.jpg' +p231599 +sg225240 +g27 +sa(dp231600 +g225230 +S'St. Dionysius, Rusticus & Eleutherius; St. Abraham; St. Gereon & Companions; Sts. Pro' +p231601 +sg225232 +S'Jacques Callot' +p231602 +sg225234 +S'etching' +p231603 +sg225236 +S'unknown date\n' +p231604 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00088/a000885e.jpg' +p231605 +sg225240 +g27 +sa(dp231606 +g225230 +S'St. Maximilian; St. Carpus; St. Daniel and Angelus; St. Fortunatus' +p231607 +sg225232 +S'Jacques Callot' +p231608 +sg225234 +S'etching' +p231609 +sg225236 +S'unknown date\n' +p231610 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00088/a000885f.jpg' +p231611 +sg225240 +g27 +sa(dp231612 +g225230 +S'St. Calixtus; St. Hedwiges; Sts. Martinian and Saturian; St. Florentinus' +p231613 +sg225232 +S'Jacques Callot' +p231614 +sg225234 +S'etching' +p231615 +sg225236 +S'unknown date\n' +p231616 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00088/a0008859.jpg' +p231617 +sg225240 +g27 +sa(dp231618 +g225230 +S'St. Luke; St. Lucian; St. Irene; St. Hilarion' +p231619 +sg225232 +S'Jacques Callot' +p231620 +sg225234 +S'etching' +p231621 +sg225236 +S'unknown date\n' +p231622 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00088/a0008862.jpg' +p231623 +sg225240 +g27 +sa(dp231624 +g225230 +S'St. Ursula and Companions; St. Mary Salome; St. Severinus; St. Maglorius' +p231625 +sg225232 +S'Jacques Callot' +p231626 +sg225234 +S'etching' +p231627 +sg225236 +S'unknown date\n' +p231628 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00088/a0008863.jpg' +p231629 +sg225240 +g27 +sa(dp231630 +g225230 +S'Sts. Chrysanthus & Daria; Sts. Crispin & Crispinian; St. Evaristus; St. Frumentius' +p231631 +sg225232 +S'Jacques Callot' +p231632 +sg225234 +S'etching' +p231633 +sg225236 +S'unknown date\n' +p231634 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00088/a0008866.jpg' +p231635 +sg225240 +g27 +sa(dp231636 +g225230 +S'Sts. Simon and Jude, Apostles; St. Narcissus; St. Marcellus; St. Quintin' +p231637 +sg225232 +S'Jacques Callot' +p231638 +sg225234 +S'etching' +p231639 +sg225236 +S'unknown date\n' +p231640 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00088/a0008865.jpg' +p231641 +sg225240 +g27 +sa(dp231642 +g225230 +S'St. Benignus; Festival of All Saints; Commemoration of the Dead; St. Hubert' +p231643 +sg225232 +S'Jacques Callot' +p231644 +sg225234 +S'etching' +p231645 +sg225236 +S'unknown date\n' +p231646 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00088/a0008867.jpg' +p231647 +sg225240 +g27 +sa(dp231648 +g225230 +S'St. Emeric; St. Charles Borromeo; St. Vitalis & Agricola; Sts. Zachary & Elizabeth' +p231649 +sg225232 +S'Jacques Callot' +p231650 +sg225234 +S'etching' +p231651 +sg225236 +S'unknown date\n' +p231652 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00088/a000886d.jpg' +p231653 +sg225240 +g27 +sa(dp231654 +g225230 +S'Sts. Philoteus and Theotimus; St. Leonard; St. Florentinus; St. Godfrey' +p231655 +sg225232 +S'Jacques Callot' +p231656 +sg225234 +S'etching' +p231657 +sg225236 +S'unknown date\n' +p231658 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00088/a000886b.jpg' +p231659 +sg225240 +g27 +sa(dp231660 +g225230 +S'St. Castorius; St. Carpophorus & The Four Crowned Martyrs; Commemoration of the Image' +p231661 +sg225232 +S'Jacques Callot' +p231662 +sg225234 +S'etching' +p231663 +sg225236 +S'unknown date\n' +p231664 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00088/a000886c.jpg' +p231665 +sg225240 +g27 +sa(dp231666 +g225230 +S'St. Martin; St. Tryphon and Companions; St. Renatus; St. Didacus' +p231667 +sg225232 +S'Jacques Callot' +p231668 +sg225234 +S'etching' +p231669 +sg225236 +S'unknown date\n' +p231670 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00088/a000886a.jpg' +p231671 +sg225240 +g27 +sa(dp231672 +g225230 +S'St. Brice; St. Serapion; St. Eugenius; St. Edmund' +p231673 +sg225232 +S'Jacques Callot' +p231674 +sg225234 +S'etching' +p231675 +sg225236 +S'unknown date\n' +p231676 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00088/a000886e.jpg' +p231677 +sg225240 +g27 +sa(dp231678 +g225230 +S'St. Gregory; Sts. Romanus & Barulla; Dedication of the Basilicas of SS. Peter & Paul;' +p231679 +sg225232 +S'Jacques Callot' +p231680 +sg225234 +S'etching' +p231681 +sg225236 +S'unknown date\n' +p231682 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00088/a0008868.jpg' +p231683 +sg225240 +g27 +sa(dp231684 +g225230 +S'Edmund, King of England, Martyr; Presentation of the Virgin; St. Columban; St. Cecil' +p231685 +sg225232 +S'Jacques Callot' +p231686 +sg225234 +S'etching' +p231687 +sg225236 +S'unknown date\n' +p231688 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00088/a000886f.jpg' +p231689 +sg225240 +g27 +sa(dp231690 +g225230 +S'St. Clement; St. Lucretia; St. Chrysogonus; St. Catharine' +p231691 +sg225232 +S'Jacques Callot' +p231692 +sg225234 +S'etching' +p231693 +sg225236 +S'unknown date\n' +p231694 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00088/a0008869.jpg' +p231695 +sg225240 +g27 +sa(dp231696 +g225230 +S'St. Mercury; St. Peter of Alexandria; St. Conrad; Sts. 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1635' +p232677 +sg225236 +S'(artist after)' +p232678 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008a/a0008aba.jpg' +p232679 +sg225240 +g27 +sa(dp232680 +g225230 +S'Coat of Arms' +p232681 +sg225232 +S'Artist Information (' +p232682 +sg225234 +S'French, 1592 - 1635' +p232683 +sg225236 +S'(artist after)' +p232684 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008a/a0008af1.jpg' +p232685 +sg225240 +g27 +sa(dp232686 +g225230 +S'Saint Paul, Seated' +p232687 +sg225232 +S'Artist Information (' +p232688 +sg225234 +S'French, 1592 - 1635' +p232689 +sg225236 +S'(artist after)' +p232690 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00083/a00083fb.jpg' +p232691 +sg225240 +g27 +sa(dp232692 +g225230 +S'The Float of Mount Parnassus' +p232693 +sg225232 +S'Artist Information (' +p232694 +sg225234 +S'French, 1592 - 1635' +p232695 +sg225236 +S'(artist after)' +p232696 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00084/a000842d.jpg' +p232697 +sg225240 +g27 +sa(dp232698 +g225230 +S'The Float of the Sun' +p232699 +sg225232 +S'Artist Information (' +p232700 +sg225234 +S'French, 1592 - 1635' +p232701 +sg225236 +S'(artist after)' +p232702 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00084/a0008440.jpg' +p232703 +sg225240 +g27 +sa(dp232704 +g225230 +S'Saint John on the Isle of Patmos' +p232705 +sg225232 +S'Artist Information (' +p232706 +sg225234 +S'(artist after)' +p232707 +sg225236 +S'\n' +p232708 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00086/a00086ac.jpg' +p232709 +sg225240 +g27 +sa(dp232710 +g225230 +S'Lucifer and Demons Fleeing Saint Michael' +p232711 +sg225232 +S'Alfonso Parigi II' +p232712 +sg225234 +S'etching' +p232713 +sg225236 +S'unknown date\n' +p232714 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9a4.jpg' +p232715 +sg225240 +g27 +sa(dp232716 +g225230 +S'Jereo Before the King of the Huns for the Liberation of Saint Ursula' +p232717 +sg225232 +S'Alfonso Parigi II' +p232718 +sg225234 +S'etching' +p232719 +sg225236 +S'unknown date\n' +p232720 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9a5.jpg' +p232721 +sg225240 +g27 +sa(dp232722 +g225230 +S'The Striking of the King of the Huns and the Collapse of the Rule of Mart' +p232723 +sg225232 +S'Alfonso Parigi II' +p232724 +sg225234 +S'etching' +p232725 +sg225236 +S'unknown date\n' +p232726 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9a6.jpg' +p232727 +sg225240 +g27 +sa(dp232728 +g225230 +S'The Triumph of Saint Ursula in Heaven and the Roman Conquerors' +p232729 +sg225232 +S'Alfonso Parigi II' +p232730 +sg225234 +S'etching' +p232731 +sg225236 +S'unknown date\n' +p232732 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9a7.jpg' +p232733 +sg225240 +g27 +sa(dp232734 +g225230 +S'Jacques Callot' +p232735 +sg225232 +S'Artist Information (' +p232736 +sg225234 +S'(artist after)' +p232737 +sg225236 +S'\n' +p232738 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008a/a0008a1f.jpg' +p232739 +sg225240 +g27 +sa(dp232740 +g225230 +S'The Crucifixion with the Virgin and Saint John' +p232741 +sg225232 +S'Artist Information (' +p232742 +sg225234 +S'German, 1471 - 1528' +p232743 +sg225236 +S'(artist after)' +p232744 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ac/a000ac5c.jpg' +p232745 +sg225240 +g27 +sa(dp232746 +g225230 +S'The Small Carrying of the Cross' +p232747 +sg225232 +S'Artist Information (' +p232748 +sg225234 +S'(artist after)' +p232749 +sg225236 +S'\n' +p232750 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00083/a00083f1.jpg' +p232751 +sg225240 +g27 +sa(dp232752 +g225230 +S'The City from Greenwich Village' +p232753 +sg225232 +S'John Sloan' +p232754 +sg225234 +S'oil on canvas' +p232755 +sg225236 +S'1922' +p232756 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a0000218.jpg' +p232757 +sg225240 +S'The City from Greenwich Village\n The artist\'s ambiguous reference to "moonshine" on the billboard in the left foreground\nboth documents the city\'s commercialization and lends a poetic aura to the scene.\nThis urban imagery may be seen as a precursor to American art of the 1960s, when\nPop artists appropriated advertising motifs and Photo-realists immortalized the\narchitectural richness of New York.\n ' +p232758 +sa(dp232759 +g225230 +S'Black Light' +p232760 +sg225232 +S'Lawrence Calcagno' +p232761 +sg225234 +S'acrylic on canvas' +p232762 +sg225236 +S'1969' +p232763 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a0000034.jpg' +p232764 +sg225240 +g27 +sa(dp232765 +g225230 +S'San Andreas III' +p232766 +sg225232 +S'Lawrence Calcagno' +p232767 +sg225234 +S'oil on canvas' +p232768 +sg225236 +S'1963' +p232769 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a0000035.jpg' +p232770 +sg225240 +g27 +sa(dp232771 +g225232 +S'John Sloan' +p232772 +sg225240 +g27 +sg225234 +S'etching' +p232773 +sg225230 +S'Man Monkey' +p232774 +sg225236 +S'1905' +p232775 +sa(dp232776 +g225232 +S'Jean Delpech' +p232777 +sg225240 +g27 +sg225234 +S'woodcut in gray-green' +p232778 +sg225230 +S'Sous-Marin Minerve, Disparu le 27 Janvier 1968' +p232779 +sg225236 +S'unknown date\n' +p232780 +sa(dp232781 +g225232 +S'Charles Lapicque' +p232782 +sg225240 +g27 +sg225234 +S'screenprint' +p232783 +sg225230 +S'Marine nationale' +p232784 +sg225236 +S'unknown date\n' +p232785 +sa(dp232786 +g225230 +S'The Artist\'s Father, Reading "L\'\xc3\x89v\xc3\xa9nement"' +p232787 +sg225232 +S'Paul C\xc3\xa9zanne' +p232788 +sg225234 +S'oil on canvas' +p232789 +sg225236 +S'1866' +p232790 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0003a/a0003a06.jpg' +p232791 +sg225240 +S'Imposing in size and presentation, this\r\nportrait of Cézanne\xe2\x80\x99s father is arguably\r\nthe key work from the artist\xe2\x80\x99s early period.\r\nCézanne executed it partly with a palette\r\nknife, employing the vigorous handling\r\nand darkened palette that typifies his painting\r\nfrom the 1860s. His subject, Louis-\r\nAuguste Cézanne, was one of the wealthiest\r\nmen in Aix-en-Provence, a businessman\r\nwho founded a successful bank in 1848.\r\nHe provided his only son with an excellent\r\neducation, envisioned him as a lawyer and\r\nbanker, and pressured him into entering law\r\nschool in Aix in 1859. Cézanne, struggling\r\nto assert his own ambitions, spent a little\r\nover a year unhappily enrolled in classes\r\nbefore dropping out to become a painter.\r\nHe convinced his father to let him go to\r\nParis, where he studied the old masters and\r\nwas drawn to the work of controversial artists\r\nsuch as Gustave Courbet and Edouard Manet. By the time he painted this portrait,\r\nCézanne had already made something of a\r\nmark for himself as a radical artist.\n Rather than present the public side\r\nof a successful banker posed formally in\r\nprofessional attire, Cézanne conceived a\r\nmore personal image of his father: Louis-\r\nAuguste sits in a flowered armchair in\r\nthe privacy of his home, wearing casual\r\nclothing (including wooden shoes) and\r\nreading a newspaper.\n The newspaper that Louis-Auguste\r\nholds, \n While Louis-Auguste did not wholeheartedly\r\napprove of Cézanne\xe2\x80\x99s decision\r\nto become a painter, he seems to have\r\ncome to some kind of acceptance of it.\r\nIn 1860 he had allowed the young painter\r\nto decorate the salon of the manor house\r\nat Jas de Bouffan, the recently purchased\r\nfamily estate in the countryside outside Aix.\r\nIn that room, Cézanne executed paintings\r\ndirectly on the wall, later hanging among\r\nthem his first portrait of his father, painted\r\nin about 1865 (National Gallery, London).\n (Text by Margaret Doyle, \n Notes\n \n \n ' +p232792 +sa(dp232793 +g225230 +S'Rush Hour, New York' +p232794 +sg225232 +S'Max Weber' +p232795 +sg225234 +S'oil on canvas' +p232796 +sg225236 +S'1915' +p232797 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a000028d.jpg' +p232798 +sg225240 +g27 +sa(dp232799 +g225230 +S'Saint Matthew' +p232800 +sg225232 +S'Alessandro Algardi' +p232801 +sg225234 +S'terracotta' +p232802 +sg225236 +S'c. 1640' +p232803 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002d69.jpg' +p232804 +sg225240 +S"Algardi, Bernini's greatest rival for leadership in sculpture in seventeenth-century Rome,\ncame to the Eternal City from Bologna, capital of the province of Emilia. His Bolognese origin is\nsignificant not only because he shared it with the Carracci family, leaders in the reform of\npainting in Emilia and Rome beginning around 1600, but also because Emilia is a province\nwhere sculptural stone is scarce. While Algardi nevertheless became a skilled marble carver, the\nmodeler's technique of his earliest training, with clay and stucco, always came more naturally to\nhim. This bust exemplifies his fluid command of modeling.\n The bust may have originated as one of several studies of saintly types to be used as models\nfor sculpture when the occasion arose. Algardi gave his bearded saint a youthful face, with\nharmonious, classically proportioned features. Classical too are the calm expression, the blank\npupils, the drapery, and the clearly rounded head bound by a fillet. Algardi's love for gently\nflowing curves shows in the undulating locks of hair that seem to echo the curving outlines of the\nsaint's wide eyes.\n " +p232805 +sa(dp232806 +g225232 +S'Andrew Wyeth' +p232807 +sg225240 +g27 +sg225234 +S'watercolor over graphite on paperboard' +p232808 +sg225230 +S"Lobsterman's Ledge" +p232809 +sg225236 +S'1939' +p232810 +sa(dp232811 +g225230 +S'Man with a Penknife' +p232812 +sg225232 +S'Salomon Koninck' +p232813 +sg225234 +S'etching' +p232814 +sg225236 +S'unknown date\n' +p232815 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d2/a000d249.jpg' +p232816 +sg225240 +g27 +sa(dp232817 +g225230 +S'The Lamentation' +p232818 +sg225232 +S'Artist Information (' +p232819 +sg225234 +S'Spanish, 1591 - 1652' +p232820 +sg225236 +S'(related artist)' +p232821 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed53.jpg' +p232822 +sg225240 +g27 +sa(dp232823 +g225232 +S'Matthaus Merian I' +p232824 +sg225240 +g27 +sg225234 +S'engraving [printed on 2 separate sheets of paper joined at center]' +p232825 +sg225230 +S'Large View of London from Southwark' +p232826 +sg225236 +S'unknown date\n' +p232827 +sa(dp232828 +g225230 +S'Title Page' +p232829 +sg225232 +S'Artist Information (' +p232830 +sg225234 +S'(artist)' +p232831 +sg225236 +S'\n' +p232832 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00096/a0009613.jpg' +p232833 +sg225240 +g27 +sa(dp232834 +g225230 +S'Loup pris au piege (Wolf Caught in a Trap)' +p232835 +sg225232 +S'Artist Information (' +p232836 +sg225234 +S'(artist)' +p232837 +sg225236 +S'\n' +p232838 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00096/a0009614.jpg' +p232839 +sg225240 +g27 +sa(dp232840 +g225230 +S'Gazel (Gazelle)' +p232841 +sg225232 +S'Artist Information (' +p232842 +sg225234 +S'(artist)' +p232843 +sg225236 +S'\n' +p232844 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00096/a000961e.jpg' +p232845 +sg225240 +g27 +sa(dp232846 +g225230 +S'Renard (Fox)' +p232847 +sg225232 +S'Artist Information (' +p232848 +sg225234 +S'(artist)' +p232849 +sg225236 +S'\n' +p232850 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00096/a000961a.jpg' +p232851 +sg225240 +g27 +sa(dp232852 +g225230 +S'Sanglier (Wild Boar Lying Down, Head to the Left)' +p232853 +sg225232 +S'Artist Information (' +p232854 +sg225234 +S'(artist)' +p232855 +sg225236 +S'\n' +p232856 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00096/a0009619.jpg' +p232857 +sg225240 +g27 +sa(dp232858 +g225230 +S'Blereau (Badger)' +p232859 +sg225232 +S'Artist Information (' +p232860 +sg225234 +S'(artist)' +p232861 +sg225236 +S'\n' +p232862 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00096/a000961d.jpg' +p232863 +sg225240 +g27 +sa(dp232864 +g225230 +S'Loucervier (Hyena)' +p232865 +sg225232 +S'Artist Information (' +p232866 +sg225234 +S'(artist)' +p232867 +sg225236 +S'\n' +p232868 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00096/a0009615.jpg' +p232869 +sg225240 +g27 +sa(dp232870 +g225230 +S'Sanglier (Wild Boar Lying Down, Head to the Right)' +p232871 +sg225232 +S'Artist Information (' +p232872 +sg225234 +S'(artist)' +p232873 +sg225236 +S'\n' +p232874 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00096/a0009616.jpg' +p232875 +sg225240 +g27 +sa(dp232876 +g225230 +S'Mulet (Mule or Saddled Donkey)' +p232877 +sg225232 +S'Artist Information (' +p232878 +sg225234 +S'(artist)' +p232879 +sg225236 +S'\n' +p232880 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00096/a000961c.jpg' +p232881 +sg225240 +g27 +sa(dp232882 +g225230 +S'Chamois (Chamois)' +p232883 +sg225232 +S'Artist Information (' +p232884 +sg225234 +S'(artist)' +p232885 +sg225236 +S'\n' +p232886 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00096/a000961b.jpg' +p232887 +sg225240 +g27 +sa(dp232888 +g225230 +S'Chien courent (Running Hound)' +p232889 +sg225232 +S'Artist Information (' +p232890 +sg225234 +S'(artist)' +p232891 +sg225236 +S'\n' +p232892 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00096/a0009617.jpg' +p232893 +sg225240 +g27 +sa(dp232894 +g225230 +S'Leopart (Leopard or Tiger)' +p232895 +sg225232 +S'Artist Information (' +p232896 +sg225234 +S'(artist)' +p232897 +sg225236 +S'\n' +p232898 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00096/a0009618.jpg' +p232899 +sg225240 +g27 +sa(dp232900 +g225230 +S'The Long Landscape (Paysage en long)' +p232901 +sg225232 +S'Camille Pissarro' +p232902 +sg225234 +S'etching and aquatint [posthumous impression]' +p232903 +sg225236 +S'1879' +p232904 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009db5.jpg' +p232905 +sg225240 +g27 +sa(dp232906 +g225230 +S'Saint Jerome Reading' +p232907 +sg225232 +S'Jusepe de Ribera' +p232908 +sg225234 +S'etching, engraving, and drypoint' +p232909 +sg225236 +S'c. 1624' +p232910 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00067/a00067d1.jpg' +p232911 +sg225240 +g27 +sa(dp232912 +g225232 +S'Albert Gleizes' +p232913 +sg225240 +g27 +sg225234 +S'oil on canvas' +p232914 +sg225230 +S'Football Players' +p232915 +sg225236 +S'1912/1913' +p232916 +sa(dp232917 +g225232 +S'Reginald Marsh' +p232918 +sg225240 +g27 +sg225234 +S'etching [restrike]' +p232919 +sg225230 +S'Loco - Going through Jersey City' +p232920 +sg225236 +S'1930' +p232921 +sa(dp232922 +g225232 +S'Reginald Marsh' +p232923 +sg225240 +g27 +sg225234 +S'portfolio with title page, introduction, and list of prints, and thirty etchings and engravings [restrikes]' +p232924 +sg225230 +S'Reginald Marsh - Thirty Etchings and Engravings' +p232925 +sg225236 +S'published 1969' +p232926 +sa(dp232927 +g225232 +S'Reginald Marsh' +p232928 +sg225240 +g27 +sg225234 +S'etching [restrike]' +p232929 +sg225230 +S'2nd Ave. El.' +p232930 +sg225236 +S'1930' +p232931 +sa(dp232932 +g225232 +S'Reginald Marsh' +p232933 +sg225240 +g27 +sg225234 +S'etching [restrike]' +p232934 +sg225230 +S'Merry-Go-Round' +p232935 +sg225236 +S'1930' +p232936 +sa(dp232937 +g225232 +S'Reginald Marsh' +p232938 +sg225240 +g27 +sg225234 +S'etching [restrike]' +p232939 +sg225230 +S'Irving Place Burlesk' +p232940 +sg225236 +S'1930' +p232941 +sa(dp232942 +g225232 +S'Reginald Marsh' +p232943 +sg225240 +g27 +sg225234 +S'etching [restrike]' +p232944 +sg225230 +S'Gaiety Burlesk' +p232945 +sg225236 +S'1930' +p232946 +sa(dp232947 +g225232 +S'Reginald Marsh' +p232948 +sg225240 +g27 +sg225234 +S'etching [restrike]' +p232949 +sg225230 +S'The Barker' +p232950 +sg225236 +S'1931' +p232951 +sa(dp232952 +g225232 +S'Reginald Marsh' +p232953 +sg225240 +g27 +sg225234 +S'etching [restrike]' +p232954 +sg225230 +S'Wall Street (Skyline from Laurents)' +p232955 +sg225236 +S'1931' +p232956 +sa(dp232957 +g225232 +S'Reginald Marsh' +p232958 +sg225240 +g27 +sg225234 +S'etching [restrike]' +p232959 +sg225230 +S'Tenth Ave. at 27th St.' +p232960 +sg225236 +S'1931' +p232961 +sa(dp232962 +g225232 +S'Reginald Marsh' +p232963 +sg225240 +g27 +sg225234 +S'etching [restrike]' +p232964 +sg225230 +S'Steeplechase' +p232965 +sg225236 +S'1932' +p232966 +sa(dp232967 +g225232 +S'Reginald Marsh' +p232968 +sg225240 +g27 +sg225234 +S'etching [restrike]' +p232969 +sg225230 +S'Bread Line - No One Has Starved' +p232970 +sg225236 +S'1932' +p232971 +sa(dp232972 +g225232 +S'Reginald Marsh' +p232973 +sg225240 +g27 +sg225234 +S'etching [restrike]' +p232974 +sg225230 +S'Tatto-Shave-Haircut' +p232975 +sg225236 +S'1932' +p232976 +sa(dp232977 +g225232 +S'Reginald Marsh' +p232978 +sg225240 +g27 +sg225234 +S'etching [restrike]' +p232979 +sg225230 +S'Star Burlesk' +p232980 +sg225236 +S'1933' +p232981 +sa(dp232982 +g225232 +S'Reginald Marsh' +p232983 +sg225240 +g27 +sg225234 +S'etching and engraving [restrike]' +p232984 +sg225230 +S'Box at the Metropolitan' +p232985 +sg225236 +S'1934' +p232986 +sa(dp232987 +g225232 +S'Reginald Marsh' +p232988 +sg225240 +g27 +sg225234 +S'etching [restrike]' +p232989 +sg225230 +S'Erie R.R. Locos Watering' +p232990 +sg225236 +S'1934' +p232991 +sa(dp232992 +g225232 +S'Reginald Marsh' +p232993 +sg225240 +g27 +sg225234 +S'etching [restrike]' +p232994 +sg225230 +S'Steeplechase Swings' +p232995 +sg225236 +S'1935' +p232996 +sa(dp232997 +g225232 +S'Reginald Marsh' +p232998 +sg225240 +g27 +sg225234 +S'etching with some engraving [restrike]' +p232999 +sg225230 +S'Flying Concellos' +p233000 +sg225236 +S'1936' +p233001 +sa(dp233002 +g225232 +S'Reginald Marsh' +p233003 +sg225240 +g27 +sg225234 +S'engraving [restrike]' +p233004 +sg225230 +S'A Morning in May' +p233005 +sg225236 +S'1936' +p233006 +sa(dp233007 +g225232 +S'Reginald Marsh' +p233008 +sg225240 +g27 +sg225234 +S'etching [restrike]' +p233009 +sg225230 +S"Minksy's New Gotham Chorus" +p233010 +sg225236 +S'1936' +p233011 +sa(dp233012 +g225232 +S'Reginald Marsh' +p233013 +sg225240 +g27 +sg225234 +S'etching with some engraving [restrike]' +p233014 +sg225230 +S'Wooden Horses' +p233015 +sg225236 +S'1936' +p233016 +sa(dp233017 +g225232 +S'Reginald Marsh' +p233018 +sg225240 +g27 +sg225234 +S'etching and engraving [restrike]' +p233019 +sg225230 +S'Battery (Belles)' +p233020 +sg225236 +S'1938' +p233021 +sa(dp233022 +g225232 +S'Reginald Marsh' +p233023 +sg225240 +g27 +sg225234 +S'engraving [restrike]' +p233024 +sg225230 +S'Merry-Go-Round' +p233025 +sg225236 +S'1938' +p233026 +sa(dp233027 +g225232 +S'Reginald Marsh' +p233028 +sg225240 +g27 +sg225234 +S'engraving [restrike]' +p233029 +sg225230 +S'Pickaback' +p233030 +sg225236 +S'1939' +p233031 +sa(dp233032 +g225232 +S'Reginald Marsh' +p233033 +sg225240 +g27 +sg225234 +S'etching and engraving [restrike]' +p233034 +sg225230 +S'Modern 1939 Venus' +p233035 +sg225236 +S'1939' +p233036 +sa(dp233037 +g225232 +S'Reginald Marsh' +p233038 +sg225240 +g27 +sg225234 +S'engraving [restrike]' +p233039 +sg225230 +S'Grand Tier at the Met.' +p233040 +sg225236 +S'1939' +p233041 +sa(dp233042 +g225232 +S'Reginald Marsh' +p233043 +sg225240 +g27 +sg225234 +S'etching [restrike]' +p233044 +sg225230 +S'Coney Island Beach #1' +p233045 +sg225236 +S'1939' +p233046 +sa(dp233047 +g225232 +S'Reginald Marsh' +p233048 +sg225240 +g27 +sg225234 +S'engraving [restrike]' +p233049 +sg225230 +S'Girl in Fur Jacket Reading Tabloid' +p233050 +sg225236 +S'1940' +p233051 +sa(dp233052 +g225232 +S'Reginald Marsh' +p233053 +sg225240 +g27 +sg225234 +S'engraving [restrike]' +p233054 +sg225230 +S'Merry-Go-Round' +p233055 +sg225236 +S'1940' +p233056 +sa(dp233057 +g225232 +S'Reginald Marsh' +p233058 +sg225240 +g27 +sg225234 +S'engraving [restrike]' +p233059 +sg225230 +S'Eltinge Follies' +p233060 +sg225236 +S'1940' +p233061 +sa(dp233062 +g225232 +S'Reginald Marsh' +p233063 +sg225240 +g27 +sg225234 +S'engraving [restrike]' +p233064 +sg225230 +S'Bathers-in-the-Hudson' +p233065 +sg225236 +S'1941' +p233066 +sa(dp233067 +g225232 +S'Reginald Marsh' +p233068 +sg225240 +g27 +sg225234 +S'engraving [restrike]' +p233069 +sg225230 +S'Two Girls Walking to Right' +p233070 +sg225236 +S'1943' +p233071 +sa(dp233072 +g225230 +S'Naval Battle in the Straits of Messina' +p233073 +sg225232 +S'Artist Information (' +p233074 +sg225234 +S'(artist after)' +p233075 +sg225236 +S'\n' +p233076 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d065.jpg' +p233077 +sg225240 +g27 +sa(dp233078 +g225232 +S'Artist Information (' +p233079 +sg225240 +g27 +sg225234 +S'(artist after)' +p233080 +sg225230 +S'Naval Battle in the Straits of Messina' +p233081 +sg225236 +S'\n' +p233082 +sa(dp233083 +g225230 +S'The Alchemist' +p233084 +sg225232 +S'Artist Information (' +p233085 +sg225234 +S'(artist after)' +p233086 +sg225236 +S'\n' +p233087 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00050/a000502f.jpg' +p233088 +sg225240 +g27 +sa(dp233089 +g225230 +S'The Edge of a Wood' +p233090 +sg225232 +S'Sir Anthony van Dyck' +p233091 +sg225234 +S'pen and brown ink with brown wash on laid paper' +p233092 +sg225236 +S'1630s' +p233093 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00024/a000243a.jpg' +p233094 +sg225240 +g27 +sa(dp233095 +g225232 +S'Billy Morrow Jackson' +p233096 +sg225240 +g27 +sg225234 +S'oil on hardboard' +p233097 +sg225230 +S'Eve' +p233098 +sg225236 +S'1967' +p233099 +sa(dp233100 +g225232 +S'Aryeh Rothman' +p233101 +sg225240 +g27 +sg225234 +S'color etching' +p233102 +sg225230 +S'Scroll of Autumn' +p233103 +sg225236 +S'unknown date\n' +p233104 +sa(dp233105 +g225232 +S'Reuven Rubin' +p233106 +sg225240 +g27 +sg225234 +S'color lithograph' +p233107 +sg225230 +S'Horseman in the Negev' +p233108 +sg225236 +S'unknown date\n' +p233109 +sa(dp233110 +g225232 +S'French 19th Century' +p233111 +sg225240 +g27 +sg225234 +S'overall: 20.8 x 25 cm (8 3/16 x 9 13/16 in.)\r\nframed: 35.9 x 40.3 x 3.8 cm (14 1/8 x 15 7/8 x 1 1/2 in.)' +p233112 +sg225230 +S'Le Croisic' +p233113 +sg225236 +S'\noil on panel' +p233114 +sa(dp233115 +g225230 +S'Paris, rue du Havre' +p233116 +sg225232 +S'Jean B\xc3\xa9raud' +p233117 +sg225234 +S'oil on canvas' +p233118 +sg225236 +S'c. 1882' +p233119 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a00006cc.jpg' +p233120 +sg225240 +g27 +sa(dp233121 +g225230 +S'Two Dogs in a Deserted Street' +p233122 +sg225232 +S'Pierre Bonnard' +p233123 +sg225234 +S'oil on wood' +p233124 +sg225236 +S'c. 1894' +p233125 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00037/a00037b1.jpg' +p233126 +sg225240 +g27 +sa(dp233127 +g225230 +S'The Cab Horse' +p233128 +sg225232 +S'Pierre Bonnard' +p233129 +sg225234 +S'oil on wood' +p233130 +sg225236 +S'c. 1895' +p233131 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a00006d8.jpg' +p233132 +sg225240 +g27 +sa(dp233133 +g225232 +S'Pierre Bonnard' +p233134 +sg225240 +g27 +sg225234 +S'oil on cardboard' +p233135 +sg225230 +S'Children Leaving School' +p233136 +sg225236 +S'c. 1895' +p233137 +sa(dp233138 +g225232 +S'Pierre Bonnard' +p233139 +sg225240 +g27 +sg225234 +S'oil on cardboard on wood' +p233140 +sg225230 +S"The Artist's Sister and Her Children" +p233141 +sg225236 +S'1898' +p233142 +sa(dp233143 +g225232 +S'Pierre Bonnard' +p233144 +sg225240 +g27 +sg225234 +S'oil on canvas' +p233145 +sg225230 +S'The Green Table' +p233146 +sg225236 +S'c. 1910' +p233147 +sa(dp233148 +g225230 +S'Table Set in a Garden' +p233149 +sg225232 +S'Pierre Bonnard' +p233150 +sg225234 +S'oil on paper on canvas' +p233151 +sg225236 +S'c. 1908' +p233152 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a00006db.jpg' +p233153 +sg225240 +g27 +sa(dp233154 +g225232 +S'Pierre Bonnard' +p233155 +sg225240 +g27 +sg225234 +S'oil on canvas' +p233156 +sg225230 +S'Bouquet of Flowers' +p233157 +sg225236 +S'c. 1926' +p233158 +sa(dp233159 +g225232 +S'Pierre Bonnard' +p233160 +sg225240 +g27 +sg225234 +S'oil on canvas' +p233161 +sg225230 +S'A Spring Landscape' +p233162 +sg225236 +S'c. 1935' +p233163 +sa(dp233164 +g225232 +S'Pierre Bonnard' +p233165 +sg225240 +g27 +sg225234 +S'oil on canvas' +p233166 +sg225230 +S"Stairs in the Artist's Garden" +p233167 +sg225236 +S'1942/1944' +p233168 +sa(dp233169 +g225230 +S'Beach at Trouville' +p233170 +sg225232 +S'Eug\xc3\xa8ne Boudin' +p233171 +sg225234 +S'oil on wood' +p233172 +sg225236 +S'1864/1865' +p233173 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a00006e1.jpg' +p233174 +sg225240 +g27 +sa(dp233175 +g225230 +S'On the Jetty' +p233176 +sg225232 +S'Eug\xc3\xa8ne Boudin' +p233177 +sg225234 +S'oil on wood' +p233178 +sg225236 +S'c. 1869/1870' +p233179 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a00006e2.jpg' +p233180 +sg225240 +g27 +sa(dp233181 +g225230 +S'The Beach' +p233182 +sg225232 +S'Eug\xc3\xa8ne Boudin' +p233183 +sg225234 +S'oil on wood' +p233184 +sg225236 +S'1877' +p233185 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a00006e3.jpg' +p233186 +sg225240 +g27 +sa(dp233187 +g225230 +S'Women on the Beach at Berck' +p233188 +sg225232 +S'Eug\xc3\xa8ne Boudin' +p233189 +sg225234 +S'oil on wood' +p233190 +sg225236 +S'1881' +p233191 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a00006e4.jpg' +p233192 +sg225240 +g27 +sa(dp233193 +g225230 +S'Yacht Basin at Trouville-Deauville' +p233194 +sg225232 +S'Eug\xc3\xa8ne Boudin' +p233195 +sg225234 +S'oil on wood' +p233196 +sg225236 +S'probably 1895/1896' +p233197 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a00006e5.jpg' +p233198 +sg225240 +g27 +sa(dp233199 +g225230 +S'Washerwomen on the Beach of Etretat' +p233200 +sg225232 +S'Eug\xc3\xa8ne Boudin' +p233201 +sg225234 +S'oil on wood' +p233202 +sg225236 +S'1894' +p233203 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a00006e6.jpg' +p233204 +sg225240 +g27 +sa(dp233205 +g225232 +S'Artist Information (' +p233206 +sg225240 +g27 +sg225234 +S'French, 1824 - 1898' +p233207 +sg225230 +S'Beach at Deauville' +p233208 +sg225236 +S'(related artist)' +p233209 +sa(dp233210 +g225230 +S'Children Playing on the Beach' +p233211 +sg225232 +S'Mary Cassatt' +p233212 +sg225234 +S'oil on canvas' +p233213 +sg225236 +S'1884' +p233214 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a00006c8.jpg' +p233215 +sg225240 +S'By the time Cassatt exhibited this painting\r\nat the eighth and final impressionist\r\nexhibition in 1886, her reputation as a\r\npainter of mothers and children had been\r\nwell established.\n Various shades of blue—from the deep,\r\nelectric blue of the dress and shoes to the\r\nsoft, diffused blue of the ocean—are used\r\nthroughout the work. Accents of white convey the presence of sunlight bouncing off\r\nthe dresses, hats, and pails of the little\r\ngirls. While particular attention is paid to\r\nthe building of form through color and\r\nline in the foreground, the background is\r\nreduced to its essential elements through a\r\nseries of thinly painted scumbles, leaving\r\nareas of the priming layer exposed.\n Aspects of the painting suggest that it\r\nis a nostalgic tribute to her beloved sister,\r\nLydia, who died in 1882. Cassatt was so\r\ndistraught that she did not paint for six\r\nmonths. Without revealing the identity of\r\nthe little girls specifically, Cassatt depicted\r\nthem in a manner that implies they are\r\nrelated. Playing close together, the girls\r\nare comfortable with each other\xe2\x80\x99s presence.\r\nBy positioning them side by side in nearly\r\nidentical outfits, Cassatt established both a\r\ncompositional and psychological relationship\r\nbetween the two figures.\n As the primary caretaker of her elderly\r\nparents and older sister, Cassatt spent much\r\nof her adult life juggling the seemingly\r\nincompatible roles of nurse-companion\r\nand independent artist. In 1884, Cassatt\r\naccompanied her ailing mother to Spain to\r\nseek the recuperative effects of the seaside\r\nclimate. \n (Text by Michelle Bird, \n Notes\n \n ' +p233216 +sa(dp233217 +g225230 +S'Paris Scene with Bridge' +p233218 +sg225232 +S'Jean-Charles Cazin' +p233219 +sg225234 +S'oil on wood' +p233220 +sg225236 +S'unknown date\n' +p233221 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a00006cf.jpg' +p233222 +sg225240 +g27 +sa(dp233223 +g225230 +S'Riverbank' +p233224 +sg225232 +S'Paul C\xc3\xa9zanne' +p233225 +sg225234 +S'oil on canvas' +p233226 +sg225236 +S'c. 1895' +p233227 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a00006ac.jpg' +p233228 +sg225240 +S'When Cézanne began painting in the 1860s,\r\nhe worked primarily in the studio on figural\r\ncompositions and still lifes—a practice he\r\ncontinued throughout his career—but by\r\n1866 he was already anticipating the crucial\r\nrole the countryside would play in his\r\nwork: writing to his friend Emile Zola, he\r\nasserted that "all pictures painted inside,\r\nin the studio, will never be as good as those\r\ndone outside. . . . I see some superb things\r\nand I shall have to make up my mind only\r\nto do things out-of-doors."\n This sunlit scene shows the extent to\r\nwhich he absorbed the lessons of impressionism,\r\nof capturing the visual sensations\r\nof nature with modulated brushwork\r\nthat examines the relationship between\r\ncolor and light. Here the thin application\r\nof paint, with spots of canvas showing\r\nthrough, contributes to the light-soaked\r\nappearance of the scene. A bright palette\r\nof predominantly yellows and greens unifies\r\nthe composition. While horizontal\r\nbrushwork creates the mirrored surface\r\nof the river, short parallel strokes form\r\nmuch of the foliage. In the 1870s Cézanne\r\nhad developed a systematic application of\r\npaint distinctly his own, using "constructive\r\nstrokes" (diagonal, parallel lines) that\r\ndefine all objects in the composition and\r\nresult in a cohesive, rhythmic surface.\n With the exception of his scenes of\r\nbathers, Cézanne\xe2\x80\x99s landscapes are generally\r\nempty of figures and thus avoid the\r\ntypical impressionist narrative of urban\r\nresidents enjoying outings in the countryside.\r\nThe exact location of the setting\r\nhas not been identified in \n (Text by Margaret Doyle, \n Notes\n \n \n \n ' +p233229 +sa(dp233230 +g225230 +S'Bridge on the Sa\xc3\xb4ne River at M\xc3\xa2con' +p233231 +sg225232 +S'Jean-Baptiste-Camille Corot' +p233232 +sg225234 +S'oil on paper on canvas' +p233233 +sg225236 +S'1834' +p233234 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000dc7.jpg' +p233235 +sg225240 +g27 +sa(dp233236 +g225230 +S'Madame Stumpf and Her Daughter' +p233237 +sg225232 +S'Jean-Baptiste-Camille Corot' +p233238 +sg225234 +S'oil on canvas' +p233239 +sg225236 +S'1872' +p233240 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000da9.jpg' +p233241 +sg225240 +g27 +sa(dp233242 +g225232 +S'Artist Information (' +p233243 +sg225240 +g27 +sg225234 +S'French, 1808 - 1879' +p233244 +sg225230 +S'Study of Clowns' +p233245 +sg225236 +S'(related artist)' +p233246 +sa(dp233247 +g225230 +S'Dancers Backstage' +p233248 +sg225232 +S'Edgar Degas' +p233249 +sg225234 +S'oil on canvas' +p233250 +sg225236 +S'1876/1883' +p233251 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a00006bd.jpg' +p233252 +sg225240 +S'Degas\xe2\x80\x99 best-known works are those inspired\r\nby the ballet. For an artist committed to\r\nthe depiction of modern life, the theater\r\nin all of its forms—the ballet, the opera,\r\neven the more raucous café concerts—held\r\na special appeal. What intrigued him most,\r\nhowever, was not the formal, polished performance,\r\nbut rather the casual, candid\r\nmoments behind the scenes, with dancers\r\nat rehearsal or at rest. It is a theme that the\r\nartist explored time and again, not only in\r\nhis ballet paintings but also in his horse-racing\r\nscenes.\n As its title suggests, \n Degas was well acquainted with such\r\nbackstage intrigues from his own observations,\r\nfirst as an occasional visitor and\r\nlater as an abonné (he secured a subscription\r\nto the Opéra in the mid-1880s).\r\nHe also drew upon other sources: most\r\nimportantly, a series of short stories by\r\nhis friend Ludovic Halévy. First published\r\nseparately between 1870 and 1880 and then\r\ncollectively in 1883 under the title \n It has been proposed that this painting\r\nwas intended as a sketch for a larger work,\r\na reasonable assumption given its modest\r\nscale and rapidly painted surface.\n (Text by Kimberly Jones, \n Notes\n \n \n ' +p233253 +sa(dp233254 +g225230 +S'Dancers at the Old Opera House' +p233255 +sg225232 +S'Edgar Degas' +p233256 +sg225234 +S'pastel over monotype on laid paper' +p233257 +sg225236 +S'c. 1877' +p233258 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d45.jpg' +p233259 +sg225240 +g27 +sa(dp233260 +g225230 +S'Ballet Dancers' +p233261 +sg225232 +S'Edgar Degas' +p233262 +sg225234 +S'pastel and gouache over monotype' +p233263 +sg225236 +S'c. 1877' +p233264 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d46.jpg' +p233265 +sg225240 +g27 +sa(dp233266 +g225232 +S'Andr\xc3\xa9 Derain' +p233267 +sg225240 +g27 +sg225234 +S'oil on canvas' +p233268 +sg225230 +S'Road in Provence' +p233269 +sg225236 +S'probably 1920/1935' +p233270 +sa(dp233271 +g225232 +S'Andr\xc3\xa9 Derain' +p233272 +sg225240 +g27 +sg225234 +S'oil on canvas' +p233273 +sg225230 +S'Abandoned House in Provence' +p233274 +sg225236 +S'probably 1920/1935' +p233275 +sa(dp233276 +g225232 +S'Raoul Dufy' +p233277 +sg225240 +g27 +sg225234 +S'oil on linen' +p233278 +sg225230 +S'Regatta at Cowes' +p233279 +sg225236 +S'1934' +p233280 +sa(dp233281 +g225232 +S'Raoul Dufy' +p233282 +sg225240 +g27 +sg225234 +S'oil on linen' +p233283 +sg225230 +S'Regatta at Henley' +p233284 +sg225236 +S'1937' +p233285 +sa(dp233286 +g225232 +S'Raoul Dufy' +p233287 +sg225240 +g27 +sg225234 +S'oil on linen' +p233288 +sg225230 +S'The Basin at Deauville' +p233289 +sg225236 +S'1937' +p233290 +sa(dp233291 +g225230 +S'Melon and Lemon' +p233292 +sg225232 +S'French 19th Century' +p233293 +sg225234 +S'overall: 36.8 x 29.9 cm (14 1/2 x 11 3/4 in.)\r\nframed: 58.4 x 51.1 x 7.3 cm (23 x 20 1/8 x 2 7/8 in.)' +p233294 +sg225236 +S'\noil on canvas on wood' +p233295 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a0000654.jpg' +p233296 +sg225240 +g27 +sa(dp233297 +g225230 +S'Farmhouse in Provence' +p233298 +sg225232 +S'Vincent van Gogh' +p233299 +sg225234 +S'oil on canvas' +p233300 +sg225236 +S'1888' +p233301 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a0000656.jpg' +p233302 +sg225240 +S'In February 1888 Van Gogh left Paris,\r\nwhere he had been residing for nearly two\r\nyears, and went to Arles, a small town in\r\nProvence. Exhausted by the pressures of\r\ncity life, he was drawn by the relative peace\r\nand simplicity of rural existence and the\r\nwarmer climate promised by the south of\r\nFrance. His initial perception of Arles fell\r\nshort of his expectations, however. In lieu\r\nof the bright, sunlit landscape he had envisioned,\r\nhe encountered one covered with\r\nsnow. His lack of both money and friends\r\nonly added to his disenchantment, though\r\nit would quickly fade. The artist soon found\r\nhimself captivated by the distinctive character\r\nof the region, and he threw himself\r\ninto his art wholeheartedly.\n Van Gogh\xe2\x80\x99s time in Arles proved to be\r\nboth productive and transformative. In the\r\nspace of approximately fifteen months, he\r\nproduced more than two hundred paintings,\r\nmade almost one hundred drawings, and\r\nwrote more than two hundred letters. The\r\nworks he produced display a maturity and\r\na cogency of style, technique, and personal\r\nartistic vision that had previously been lacking\r\nin his work. It was there, working largely\r\nin isolation, that Van Gogh truly came into\r\nhis own as an artist. Van Gogh himself was\r\naware of this transformation, declaring to\r\nhis brother that "my concentration becomes\r\nmore intense, my hand more sure."\n Van Gogh embraced nature with a\r\nrenewed vigor, spending much of his time out of doors producing images of orchards\r\nin bloom, seascapes, and harvests such as\r\n\n This farm was an ideal subject for the\r\nartist. Both picturesque and accessible—the\r\nfarmhouse was located not far from Yellow\r\nHouse, which the artist had begun renting\r\nthe previous month—this motif appeared\r\nin a number of paintings and drawings Van\r\nGogh produced that summer.\n (Text by Kimberly Jones, \n Notes\n \n \n \n ' +p233303 +sa(dp233304 +g225230 +S'Pont de la Tournelle, Paris' +p233305 +sg225232 +S'Stanislas L\xc3\xa9pine' +p233306 +sg225234 +S'oil on canvas' +p233307 +sg225236 +S'1862' +p233308 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a0000694.jpg' +p233309 +sg225240 +g27 +sa(dp233310 +g225230 +S'A King Charles Spaniel' +p233311 +sg225232 +S'Edouard Manet' +p233312 +sg225234 +S'oil on linen' +p233313 +sg225236 +S'c. 1866' +p233314 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a0000668.jpg' +p233315 +sg225240 +S'A King Charles Spaniel\n Here Manet portrays a King Charles\r\nspaniel (or Cavalier King Charles spaniel\r\nas it is more commonly called today),\r\na breed distinguished by its long silky\r\ncoat and drooping ears. Named for King Charles II of England, whose fondness for\r\nthe breed was legendary, this toy spaniel\r\nwas a favorite of the British aristocracy\r\nfrom the sixteenth century onward. With\r\na sweet, playful disposition, they were\r\nprized as companions and typically led a pampered existence as lapdogs in contrast\r\nto larger cousins who were bred for hunting.\r\nThis particular dog has the distinctive\r\nred and white coat of the Bleinheim variety\r\n(named after the palace of John Churchill,\r\nfirst Duke of Marlborough, another wellknown\r\ndevotee of the breed who raised\r\ndogs of this coloring in the early eighteenth\r\ncentury).\n In \n Manet may have had a personal fondness\r\nfor this particular breed. Years later,\r\nhe would include a King Charles spaniel\r\npuppy slumbering in the lap of the\r\nelegantly dressed woman in his painting \n (Text by Kimberly Jones, \n Notes\n \n ' +p233316 +sa(dp233317 +g225230 +S'Flowers in a Crystal Vase' +p233318 +sg225232 +S'Edouard Manet' +p233319 +sg225234 +S'oil on canvas' +p233320 +sg225236 +S'c. 1882' +p233321 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a0000684.jpg' +p233322 +sg225240 +g27 +sa(dp233323 +g225230 +S'Bon Bock Caf\xc3\xa9' +p233324 +sg225232 +S'Artist Information (' +p233325 +sg225234 +S'French, 1832 - 1883' +p233326 +sg225236 +S'(related artist)' +p233327 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a0000669.jpg' +p233328 +sg225240 +g27 +sa(dp233329 +g225232 +S'Artist Information (' +p233330 +sg225240 +g27 +sg225234 +S'French, 1832 - 1883' +p233331 +sg225230 +S'Madame L\xc3\xa9pine' +p233332 +sg225236 +S'(related artist)' +p233333 +sa(dp233334 +g225230 +S'Still Life' +p233335 +sg225232 +S'Henri Matisse' +p233336 +sg225234 +S'oil on cardboard on wood' +p233337 +sg225236 +S'c. 1905' +p233338 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000eb6.jpg' +p233339 +sg225240 +g27 +sa(dp233340 +g225230 +S'Bazille and Camille (Study for "D\xc3\xa9jeuner sur l\'Herbe")' +p233341 +sg225232 +S'Claude Monet' +p233342 +sg225234 +S'oil on canvas' +p233343 +sg225236 +S'1865' +p233344 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a000066e.jpg' +p233345 +sg225240 +S"An elegant young couple steps into a sunlit clearing from the cool of the Fontainebleau forest. Brightness dances off their clothes, creating the strong highlights that define the curve of the man’s hat and catch the bunched hem of the woman's dress. Shadows fall, not in blacks or grays, but as deeper concentrations of the colors around them.\n Monet was one of the young artists who frequented the Café Guerbois, where Manet and other members of the avant-garde discussed art and literature. Monet championed painting out-of-doors—\n This painting was made as an oil sketch for a much larger work (15 x 20 \r\n feet) whose size made painting outdoors impossible. Instead Monet made \r\n smaller preparatory paintings out-of-doors, including this one. Only \r\n fragments of the final large canvas survive. Monet left it with a landlord \r\n to cover a debt, and it was ruined by moisture and neglect.\n " +p233346 +sa(dp233347 +g225230 +S'Argenteuil' +p233348 +sg225232 +S'Claude Monet' +p233349 +sg225234 +S'oil on canvas' +p233350 +sg225236 +S'c. 1872' +p233351 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a0000677.jpg' +p233352 +sg225240 +S'In December 1871, shortly after returning\r\nto France after a year\xe2\x80\x99s absence, Monet\r\nand his family settled in Argenteuil, a\r\nsuburb some seven miles outside Paris,\r\nand remained there until January 1878.\r\nArgenteuil proved to be a great stimulus\r\nfor his painting; the attractive countryside\r\nand the Seine that flowed nearby were\r\nideal for studying the effects of light and\r\natmosphere, while its status as a suburban\r\nrecreation site provided the artist with\r\nunlimited opportunities for the depiction\r\nof modern life. The six-year period that he\r\nspent there was a prolific one; during his first year at Argenteuil alone, he produced\r\nalmost as many paintings as he had during\r\nthe three previous years combined.\n Of the many works the artist produced\r\nduring this first year, \n As the presence of the smokestacks\r\nsuggests, Argenteuil was a burgeoning\r\ncenter for industry as well as a popular site\r\nfor boating and recreation in the second\r\nhalf of the nineteenth century. The very\r\nfactors that helped to establish its popularity\r\nas a suburban retreat—the location, the\r\nexpansive countryside, and particularly the\r\nnew railroad that had been opened in\r\n1851—also led to an increase in population,\r\nhousing construction, and manufacturing.\r\nThe town\xe2\x80\x99s economic base thus\r\nshifted from agrarian to industrial.\n (Text by Kimberly Jones, \n Notes\n \n ' +p233353 +sa(dp233354 +g225230 +S'Ships Riding on the Seine at Rouen' +p233355 +sg225232 +S'Claude Monet' +p233356 +sg225234 +S'oil on canvas' +p233357 +sg225236 +S'1872/1873' +p233358 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a0000678.jpg' +p233359 +sg225240 +g27 +sa(dp233360 +g225230 +S'Bridge at Argenteuil on a Gray Day' +p233361 +sg225232 +S'Claude Monet' +p233362 +sg225234 +S'oil on canvas' +p233363 +sg225236 +S'c. 1876' +p233364 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a000066f.jpg' +p233365 +sg225240 +g27 +sa(dp233366 +g225230 +S"The Artist's Garden at V\xc3\xa9theuil" +p233367 +sg225232 +S'Claude Monet' +p233368 +sg225234 +S'oil on canvas' +p233369 +sg225236 +S'1880' +p233370 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a000067b.jpg' +p233371 +sg225240 +S'The Artist\xe2\x80\x99s Garden at Vétheuil\n In subject, this painting reflects the\r\nartist\xe2\x80\x99s interest, dating to the 1860s, in\r\nthe depiction of gardens, particularly his\r\nown. In Argenteuil in the 1870s, in\r\nVétheuil in the early 1880s, and most\r\nnotably in Giverny—where he resided for\r\nthe last forty years of his life—Monet took\r\nan active role in tending his own garden,\r\nwhich increasingly became the focal point\r\nof his artistic and physical existence. While\r\nat Vétheuil, Monet produced at least nine\r\npaintings of his garden, all in the same\r\nyear. Four identical compositions (this\r\nwork among them) are painted from the\r\nsame vantage point. All four paintings\r\nutilize a vertical format—highly unusual\r\nfor landscape paintings—and depict the\r\nstaircase and path at the center, flanked\r\nby beds of sunflowers and blue and white\r\nceramic vases filled with gladioli. When\r\nviewed together, the four canvases suggest\r\na progression that culminates in \n Precisely when Monet began to paint\r\n\n Curiously, this painting bears the\r\ndate of 1880 (all the other canvases are\r\ndated 1881). The earlier date, however, is\r\nerroneous. The foreground of the painting\r\nwas heavily reworked in the years prior\r\nto Monet\xe2\x80\x99s death in 1926, a not uncommon\r\npractice for the artist. The year and\r\nsignature, which was painted directly into\r\nthis paint layer while still wet, was added at\r\nthat time.\n (Text by Kimberly Jones, \n Notes\n \n \n ' +p233372 +sa(dp233373 +g225230 +S'The Island of Raguenez, Brittany' +p233374 +sg225232 +S'Henri Moret' +p233375 +sg225234 +S'oil on canvas' +p233376 +sg225236 +S'1890/1895' +p233377 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00037/a00037c6.jpg' +p233378 +sg225240 +g27 +sa(dp233379 +g225230 +S"The Artist's Sister at a Window" +p233380 +sg225232 +S'Berthe Morisot' +p233381 +sg225234 +S'oil on canvas' +p233382 +sg225236 +S'1869' +p233383 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a000068b.jpg' +p233384 +sg225240 +g27 +sa(dp233385 +g225230 +S'The Harbor at Lorient' +p233386 +sg225232 +S'Berthe Morisot' +p233387 +sg225234 +S'oil on canvas' +p233388 +sg225236 +S'1869' +p233389 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0001e/a0001e2b.jpg' +p233390 +sg225240 +S'In 1869, Morisot\xe2\x80\x99s beloved sister, Edma,\r\nmoved to the town of Lorient on the Brittany\r\ncoastline following her marriage to\r\nnaval officer Adolphe Pontillon. The two\r\nsisters had been close from a young age and\r\nhad studied art together under the tutelage\r\nof Jean-Baptiste-Camille Corot, a key figure\r\nin what would later be called French\r\nrealism. Through their acquaintance with\r\nCorot, the sisters were exposed to the\r\ntechnique and tradition of painting outdoors,\r\n\n Painted during one such visit—to\r\nLorient in the summer of 1869—\n The inclusion of the figure (Edma) on\r\nthe right of the composition transforms a\r\nsimple serene landscape into a representation\r\nof the contemporary life of the \n First exhibited in the Salon of 1870,\r\n\n (Text by Daniella Berman, \n Notes\n \n ' +p233391 +sa(dp233392 +g225230 +S'Young Woman with a Straw Hat' +p233393 +sg225232 +S'Berthe Morisot' +p233394 +sg225234 +S'oil on canvas' +p233395 +sg225236 +S'1884' +p233396 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a000068d.jpg' +p233397 +sg225240 +S'With its dynamic palette and seemingly\r\nimprovisational approach, \n While many impressionist artists regularly\r\nused professional models, Morisot\r\npreferred to paint the world around her\r\nand frequently represented her family and\r\nfriends. After a period of using her sister\r\nEdma as the subject for many works, Morisot\r\ndepicted her daughter, Julie Manet,\r\nin a variety of mediums throughout her\r\nchildhood. The unidentified subject of\r\nthis painting, however, is a professional\r\nmodel who appears in several other canvases\r\nby Morisot.\n Unlike the majority of artists, Morisot\r\nrequired a model to sit only for a short\r\nperiod of time. She then typically completed\r\nmost of the canvas from memory—a\r\nmethod she quite likely used for this painting.\r\nIt was also probably executed \n (Text by Daniella Berman, \n Notes\n \n \n \n ' +p233398 +sa(dp233399 +g225230 +S'Girl in a Boat with Geese' +p233400 +sg225232 +S'Berthe Morisot' +p233401 +sg225234 +S'oil on canvas' +p233402 +sg225236 +S'c. 1889' +p233403 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a000068e.jpg' +p233404 +sg225240 +g27 +sa(dp233405 +g225230 +S'Orchard in Bloom, Louveciennes' +p233406 +sg225232 +S'Camille Pissarro' +p233407 +sg225234 +S'oil on canvas' +p233408 +sg225236 +S'1872' +p233409 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a0000698.jpg' +p233410 +sg225240 +S'Two laborers go about their work in a\r\nbrown field, surrounded by trees in various\r\nstates of bloom under a temperate sky.\r\nPissarro cast his eye on an unassuming corner\r\nof nature, employing small, separate\r\ntouches of paint for the plowed earth and\r\norchard and softly blending strokes in the\r\nsky in order to create an appealing reflection\r\non springtime renewal. The promise\r\nof verdure is evident in the upturned soil\r\nand especially in the tree at left, where\r\ntender new leaves burst through the cottony\r\nblossoms.\n The serenity of Pissarro\xe2\x80\x99s sun-bathed\r\norchard gives no hint of the turbulence\r\nthat these environs had recently experienced.\r\nPissarro had first gone to live in\r\nthe village of Louveciennes, near the Seine\r\nRiver several miles to the west of Paris, in\r\nthe spring of 1869. His friends Claude\r\nMonet, Auguste Renoir, and Alfred Sisley\r\nalso worked nearby. The artists kept one another company, focusing on the landscape\r\nwhile forging innovations that led\r\nto the emergence of a full-blown impressionist\r\nstyle. Their idyll in the countryside,\r\nhowever, was interrupted by the\r\noutbreak of the Franco-Prussian War in\r\n1870. As foreign troops marched into the\r\nregion, Pissarro fled to Brittany and then\r\nto London, leaving behind most of his\r\nbelongings. He returned in 1871 to find\r\nthat the Prussian soldiers garrisoned in\r\nhis home had destroyed or damaged much\r\nof his property, including works of art. He\r\nstayed on a few months in Louveciennes,\r\nduring which time he painted this canvas,\r\nand relocated the next year to Pontoise,\r\nfarther removed from the city.\n Louveciennes was one of dozens of\r\ncommunities near Paris that were transformed\r\nby the arrival of the railway in\r\nthe nineteenth century. Residents of the\r\nmetropolis took advantage of the new convenience\r\nof travel and headed to nearby\r\nvillages that were reachable in less than one\r\nhour. Some took up permanent residence,\r\nturning hamlets into suburbs of the French\r\ncapital.\n Pissarro\xe2\x80\x99s tendency to depict humble\r\nscenery dismayed even a critic generally\r\nsupportive of the trend toward naturalism\r\nin nineteenth-century landscape painting.\r\nIn a review of the first impressionist\r\nexhibition in 1874 (Pissarro had helped\r\norganize it and had sent five canvases),\r\nCastagnary dismissed Pissarro\xe2\x80\x99s subject\r\nmatter as too prosaic, even as he found\r\npoetry in the artist\xe2\x80\x99s handling: "[Pissarro]\r\nhas a deplorable predilection for market gardens\r\n. . . and does not hesitate to paint\r\ncabbage or any other domestic vegetable.\r\nBut these errors of logic or vulgarities of\r\ntaste do not alter his beautiful qualities of\r\nexecution."\n (Text by Margaret Doyle, \n Notes\n \n \n \n ' +p233411 +sa(dp233412 +g225230 +S'Hampton Court Green' +p233413 +sg225232 +S'Camille Pissarro' +p233414 +sg225234 +S'oil on canvas' +p233415 +sg225236 +S'1891' +p233416 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a0000697.jpg' +p233417 +sg225240 +g27 +sa(dp233418 +g225230 +S"The Artist's Garden at Eragny" +p233419 +sg225232 +S'Camille Pissarro' +p233420 +sg225234 +S'oil on canvas' +p233421 +sg225236 +S'1898' +p233422 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a0000699.jpg' +p233423 +sg225240 +g27 +sa(dp233424 +g225230 +S'Place du Carrousel, Paris' +p233425 +sg225232 +S'Camille Pissarro' +p233426 +sg225234 +S'oil on canvas' +p233427 +sg225236 +S'1900' +p233428 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a000069a.jpg' +p233429 +sg225240 +S'Cityscapes played a significant role in the\r\nwork of many impressionist painters in\r\nthe 1860s and 1870s, when Claude Monet,\r\nGustave Caillebotte, and Auguste Renoir\r\n(see \n Although his family home was north\r\nof Paris in Eragny, Pissarro spent extended\r\nperiods in the French capital during the\r\nlast decade of his career, renting rooms in\r\nvarious locations. For a number of years\r\nthe artist had suffered from chronic eye\r\ninfections that made it difficult for him\r\nto work outdoors owing to the wind and\r\nlight. Retreating indoors, he required\r\na room that overlooked scenic views in\r\norder to continue his practice of painting\r\nbefore the motif. An apartment on the\r\nrue de Rivoli, which parallels the Seine on\r\nthe opposite side of the Tuileries Gardens\r\nand the Louvre, offered him just that.\r\nUpon securing the flat, he immediately\r\nbegan planning to paint a series of the\r\navailable panoramas, writing excitedly to\r\nhis son Lucien that the place had "a superb\r\nview of the Park, the Louvre to the left, in\r\nthe background the houses on the quays\r\nbehind the trees, to the right the D\xc3\xb4me\r\ndes Invalides, the steeples of Ste. Clotilde\r\nbehind the solid mass of chestnut trees.\r\nIt is very beautiful. I shall paint a fine\r\nseries."\n This view looks toward the main\r\ncourtyard of the Louvre, where the small\r\nArc de Triomphe du Carrousel, visible\r\njust beyond the trees, marks the entrance\r\ninto the Tuileries. Although Pissarro had adopted a patterned divisionist technique\r\nin the mid-1880s (in response to the\r\ninnovations of his friend Georges Seurat,\r\nwith whom he worked closely during those\r\nyears), Pissarro returned wholeheartedly\r\nto his impressionist roots in his later work,\r\nas demonstrated by this canvas. Freely\r\napplied brushstrokes animate its surface\r\nand capture the brilliant light of a summer\r\nday. The energetic handling conveys\r\nthe sense of urban liveliness below the artist\xe2\x80\x99s\r\nwindow, even at a remove, as carriages\r\nroll past the Louvre in a line and people\r\npromenade in the garden.\n Unlike the humble rural scenery that\r\nattracted Pissarro\xe2\x80\x99s attention outside Paris,\r\nthe environs of the place du Carrousel\r\nwere not only strikingly grand but also rich\r\nin French history. It is at this site that the\r\nguillotine was erected during the French\r\nRevolution, and it was here that the Palais\r\ndes Tuileries, where Marie Antoinette and\r\nLouis XVI were held in house arrest before\r\ntheir execution, was set on fire in 1871\r\nduring the Paris Commune, the citizens\xe2\x80\x99\r\nuprising against the French government.\r\nThe damaged building, which had closed\r\noff the Louvre courtyard, was torn down in\r\n1883. Pissarro\xe2\x80\x99s painting makes no allusion\r\nto these past events, but focuses instead on\r\nthe gardens as a popular gathering place.\r\nIn his Tuileries series in general, Pissarro\r\nseems to have been especially attracted by\r\nthe geometry of the architecture and even\r\nof the gardens, whose formal layout is partially\r\nobscured here by the ample foliage.\r\nThe order and the structure of the site balance\r\nthe dynamism of the social scene and\r\nthe vibrancy of the brushwork, especially\r\nin the sky and trees.\n (Text by Margaret Doyle, \n Notes\n \n ' +p233430 +sa(dp233431 +g225230 +S'Flowers in a Vase' +p233432 +sg225232 +S'Odilon Redon' +p233433 +sg225234 +S'oil on canvas' +p233434 +sg225236 +S'c. 1910' +p233435 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a00006f4.jpg' +p233436 +sg225240 +g27 +sa(dp233437 +g225230 +S'Head of a Dog' +p233438 +sg225232 +S'Auguste Renoir' +p233439 +sg225234 +S'oil on canvas' +p233440 +sg225236 +S'1870' +p233441 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a00006f5.jpg' +p233442 +sg225240 +g27 +sa(dp233443 +g225230 +S'Pont Neuf, Paris' +p233444 +sg225232 +S'Auguste Renoir' +p233445 +sg225234 +S'oil on canvas' +p233446 +sg225236 +S'1872' +p233447 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a00006f7.jpg' +p233448 +sg225240 +S'Pont Neuf, Paris\n Here, the Pont Neuf is viewed from\r\na vantage point on the right bank of the\r\nSeine facing south across the river toward\r\nthe Île de la Cité. In the background,\r\nbuildings line the far bank along the quai\r\ndes Augustins and the quai de Conti,\r\nwhile the bridge\xe2\x80\x99s most distinctive feature,\r\nthe equestrian sculpture of Henri IV, is\r\nclearly visible on the right.\n Edmond Renoir, the artist\xe2\x80\x99s younger\r\nbrother and a budding journalist in 1872,\r\nlater recounted that the artist installed\r\nhimself in a café located on the corner\r\nof the quai du Louvre, spending hours\r\nthere sketching the scene before him.\r\n"Auguste . . . took pleasure, after having\r\noutlined the soil, the parapets, the houses\r\nin the distance, the place Dauphine and\r\nthe statue of Henri IV, in sketching the\r\npassersby, vehicles and groups. Meanwhile\r\nI scribbled, except when he asked me to\r\ngo to the bridge and speak with passersby\r\nto make them stop for a minute."\n Renoir was by no means the only impressionist\r\npainter who drew inspiration\r\nfrom this particular motif. About 1872,\r\nMonet also painted the Pont Neuf from\r\na nearly identical vantage point (Dallas\r\nMuseum of Art), although he opted for a rainy day, perhaps as an intentional contrast\r\nto Renoir\xe2\x80\x99s sunlit composition. Years\r\nlater, Camille Pissarro painted a series of\r\nviews of the bridge from the window of his\r\napartment on the Île de la Cité looking\r\nnorthward.\n (Text by Kimberly Jones, \n Notes\n \n \n ' +p233449 +sa(dp233450 +g225230 +S'Regatta at Argenteuil' +p233451 +sg225232 +S'Auguste Renoir' +p233452 +sg225234 +S'oil on canvas' +p233453 +sg225236 +S'1874' +p233454 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a00006fd.jpg' +p233455 +sg225240 +g27 +sa(dp233456 +g225230 +S'Madame Monet and Her Son' +p233457 +sg225232 +S'Auguste Renoir' +p233458 +sg225234 +S'oil on canvas' +p233459 +sg225236 +S'1874' +p233460 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a00006fe.jpg' +p233461 +sg225240 +S'Madame Monet and Her Son\n This oft-repeated quip, which was\r\nprobably made in jest given Manet\xe2\x80\x99s known\r\nfondness for Renoir, is certainly belied\r\nby the painting that inspired it. \n Both Renoir and Manet presented the\r\nfinished paintings to their host. Monet\r\nclearly appreciated Renoir\xe2\x80\x99s effort. This\r\npainting would remain with Monet for\r\nthe rest of his life and in his final years\r\nit even hung in the artist\xe2\x80\x99s bedroom at\r\nGiverny.\n (Text by Kimberly Jones, \n Notes\n \n \n ' +p233462 +sa(dp233463 +g225230 +S'Picking Flowers' +p233464 +sg225232 +S'Auguste Renoir' +p233465 +sg225234 +S'oil on canvas' +p233466 +sg225236 +S'1875' +p233467 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a00006ff.jpg' +p233468 +sg225240 +g27 +sa(dp233469 +g225232 +S'French 19th Century' +p233470 +sg225240 +g27 +sg225234 +S'overall: 20.6 x 27 cm (8 1/8 x 10 5/8 in.)\r\nframed: 31.8 x 37.5 x 6.7 cm (12 1/2 x 14 3/4 x 2 5/8 in.)' +p233471 +sg225230 +S'Woman and Two Children in a Field' +p233472 +sg225236 +S'\noil on canvas' +p233473 +sa(dp233474 +g225230 +S'Young Woman Braiding Her Hair' +p233475 +sg225232 +S'Auguste Renoir' +p233476 +sg225234 +S'oil on canvas' +p233477 +sg225236 +S'1876' +p233478 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00007/a0000734.jpg' +p233479 +sg225240 +g27 +sa(dp233480 +g225230 +S'Georges Rivi\xc3\xa8re' +p233481 +sg225232 +S'Auguste Renoir' +p233482 +sg225234 +S'oil on cement' +p233483 +sg225236 +S'1877' +p233484 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00007/a0000700.jpg' +p233485 +sg225240 +g27 +sa(dp233486 +g225230 +S'Landscape between Storms' +p233487 +sg225232 +S'Auguste Renoir' +p233488 +sg225234 +S'oil on canvas' +p233489 +sg225236 +S'1874/1875' +p233490 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000df2.jpg' +p233491 +sg225240 +g27 +sa(dp233492 +g225230 +S'Woman by a Fence' +p233493 +sg225232 +S'Auguste Renoir' +p233494 +sg225234 +S'oil on canvas' +p233495 +sg225236 +S'1866' +p233496 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a00006f8.jpg' +p233497 +sg225240 +g27 +sa(dp233498 +g225230 +S'Woman Standing by a Tree' +p233499 +sg225232 +S'Auguste Renoir' +p233500 +sg225234 +S'oil on canvas' +p233501 +sg225236 +S'1866' +p233502 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a00006f9.jpg' +p233503 +sg225240 +g27 +sa(dp233504 +g225230 +S'Woman in a Park' +p233505 +sg225232 +S'Auguste Renoir' +p233506 +sg225234 +S'oil on canvas' +p233507 +sg225236 +S'1866' +p233508 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00007/a0000701.jpg' +p233509 +sg225240 +g27 +sa(dp233510 +g225230 +S'Child with Blond Hair' +p233511 +sg225232 +S'Auguste Renoir' +p233512 +sg225234 +S'oil on canvas' +p233513 +sg225236 +S'1895/1900' +p233514 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00007/a0000723.jpg' +p233515 +sg225240 +g27 +sa(dp233516 +g225230 +S'Child with Brown Hair' +p233517 +sg225232 +S'Auguste Renoir' +p233518 +sg225234 +S'oil on canvas' +p233519 +sg225236 +S'1887/1888' +p233520 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00007/a0000724.jpg' +p233521 +sg225240 +g27 +sa(dp233522 +g225230 +S'Young Girl Reading' +p233523 +sg225232 +S'Auguste Renoir' +p233524 +sg225234 +S'oil on canvas' +p233525 +sg225236 +S'c. 1888' +p233526 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004c/a0004c1d.jpg' +p233527 +sg225240 +g27 +sa(dp233528 +g225230 +S'Landscape at V\xc3\xa9theuil' +p233529 +sg225232 +S'Auguste Renoir' +p233530 +sg225234 +S'oil on canvas' +p233531 +sg225236 +S'c. 1890' +p233532 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00007/a0000702.jpg' +p233533 +sg225240 +g27 +sa(dp233534 +g225230 +S'Small Study for a Nude' +p233535 +sg225232 +S'Auguste Renoir' +p233536 +sg225234 +S'oil on canvas' +p233537 +sg225236 +S'1882' +p233538 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004c/a0004c1e.jpg' +p233539 +sg225240 +g27 +sa(dp233540 +g225230 +S'Nude with Figure in Background' +p233541 +sg225232 +S'Auguste Renoir' +p233542 +sg225234 +S'oil on canvas' +p233543 +sg225236 +S'c. 1882' +p233544 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004c/a0004c1f.jpg' +p233545 +sg225240 +g27 +sa(dp233546 +g225230 +S'The Blue River' +p233547 +sg225232 +S'Auguste Renoir' +p233548 +sg225234 +S'oil on canvas' +p233549 +sg225236 +S'c. 1890/1900' +p233550 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00007/a0000725.jpg' +p233551 +sg225240 +g27 +sa(dp233552 +g225230 +S'Young Spanish Woman with a Guitar' +p233553 +sg225232 +S'Auguste Renoir' +p233554 +sg225234 +S'oil on canvas' +p233555 +sg225236 +S'1898' +p233556 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00007/a0000726.jpg' +p233557 +sg225240 +g27 +sa(dp233558 +g225230 +S'Maison de la Poste, Cagnes' +p233559 +sg225232 +S'Auguste Renoir' +p233560 +sg225234 +S'oil on canvas' +p233561 +sg225236 +S'1906/1907' +p233562 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000df3.jpg' +p233563 +sg225240 +g27 +sa(dp233564 +g225230 +S'Jeanne Samary' +p233565 +sg225232 +S'Auguste Renoir' +p233566 +sg225234 +S'oil on canvas' +p233567 +sg225236 +S'1878' +p233568 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000df4.jpg' +p233569 +sg225240 +g27 +sa(dp233570 +g225230 +S'Peaches on a Plate' +p233571 +sg225232 +S'Auguste Renoir' +p233572 +sg225234 +S'oil on canvas' +p233573 +sg225236 +S'1902/1905' +p233574 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00007/a0000703.jpg' +p233575 +sg225240 +S'Although Renoir is best known as the consummate\r\npainter of the female form, stilllife\r\npainting played an important role in\r\nhis development as an artist. When he first\r\nbegan his career in 1854, the thirteen-yearold\r\nRenoir held an apprenticeship at Levy\r\nBrothers, a porcelain manufactory. His\r\njob, he later recalled, "consisted of painting\r\nlittle bouquets on a white background.\r\nFor this I was paid five cents a dozen. When\r\nthere were larger pieces to decorate, the\r\nbouquets were larger."\n Still lifes appear only rarely in Renoir\xe2\x80\x99s\r\nwork of the 1860s and 1870s, but by the\r\nearly 1880s such paintings had begun to\r\noccupy a prominent place in the artist\xe2\x80\x99s\r\noeuvre. At the seventh impressionist exhibition\r\nin 1882, the first group exhibition\r\nin which he participated in five\r\nyears, Renoir exhibited a number of\r\npaintings of fruit and flowers, including\r\none of peaches nestled in a faience \n Peaches on a Plate\n This painting displays the kind of lively,\r\nfluid paint handling Renoir had extolled.\r\nWhile its subject may derive from the stilllife\r\npaintings of the eighteenth-century\r\npainter Jean Siméon Chardin, stylistically\r\n,em>Peaches on a Plate\n (Text by Kimberly Jones, \n Notes\n \n \n ' +p233576 +sa(dp233577 +g225232 +S'Georges Rouault' +p233578 +sg225240 +g27 +sg225234 +S'oil on canvas' +p233579 +sg225230 +S'Christ and the Doctor' +p233580 +sg225236 +S'c. 1935' +p233581 +sa(dp233582 +g225230 +S'Study for "La Grande Jatte"' +p233583 +sg225232 +S'Georges Seurat' +p233584 +sg225234 +S'oil on wood' +p233585 +sg225236 +S'1884/1885' +p233586 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a00006fc.jpg' +p233587 +sg225240 +g27 +sa(dp233588 +g225230 +S'Boulevard H\xc3\xa9lo\xc3\xafse, Argenteuil' +p233589 +sg225232 +S'Alfred Sisley' +p233590 +sg225234 +S'oil on canvas' +p233591 +sg225236 +S'1872' +p233592 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00007/a0000737.jpg' +p233593 +sg225240 +S'Early in 1872, Alfred Sisley traveled to\r\nArgenteuil to visit his friend Claude\r\nMonet, who had moved there the previous\r\nyear, making him one of the first\r\nmembers of the impressionist circle to\r\ndo so. Sisley had first met Monet in 1862\r\nas a fellow student in the painting studio\r\nheaded by Charles Gleyre. Although Sisley\r\nhad formed friendships with several\r\nother students, including Auguste Renoir\r\nand Frédéric Bazille, he had the strongest\r\naffinity for Monet, whose primary interest was also landscape rather than figure painting.\r\nThroughout the 1860s, Sisley had\r\noften painted alongside Monet, including\r\nan excursion the two had made to Honfleur\r\nin the summer of 1867.\n During his sojourn at Argenteuil,\r\nSisley produced a modest group of paintings\r\ndepicting both the town and the\r\nriverbanks of the Seine. \n Boulevard Héloïse takes its name\r\nfrom the twelfth-century figure Héloïse\r\nd\xe2\x80\x99Argenteuil, who after a doomed romance\r\nwith the philosopher Pierre Abélard retired\r\nto a convent in Argenteuil, where she later\r\nbecame the prioress. The thoroughfare was\r\nalso the town\xe2\x80\x99s largest and most prominent.\r\nThe two artists apparently set up easels onsite\r\nside by side—Monet stationed in the\r\ncenter of the road, Sisley positioned to his\r\nright—which afforded them comparable\r\nvantage points. They even utilized canvases\r\nof the same size. The wide horizontal format,\r\ninterestingly, was more traditionally\r\nassociated with seascapes than with landscape\r\npaintings.\n In contrast to Monet\xe2\x80\x99s canvas, which\r\nseems more invested in the overall composition\r\nand the careful and artful\r\narrangement of forms (Yale University\r\nArt Gallery, New Haven), Sisley\xe2\x80\x99s painting\r\nis far more rigorous in its observation\r\nand its execution. This is most evident\r\nin his depiction of the houses lining the\r\nleft-hand side of the street. Each building\r\nis carefully delineated and distinguished from its neighbors through the placement\r\nof architectural elements and subtle\r\nchanges in palette. Sisley\xe2\x80\x99s eye for detail\r\nis apparent throughout, in the mottled\r\nstonework of the wall partially covered\r\nwith ivy at the far left, the shape of the\r\nadjacent iron gates, even the intimation\r\nof the cobblestones paving the street (they\r\nhad been added in the early 1850s).\n (Text by Kimberly Jones, \n Notes\n \n \n ' +p233594 +sa(dp233595 +g225230 +S'Meadow' +p233596 +sg225232 +S'Alfred Sisley' +p233597 +sg225234 +S'oil on canvas' +p233598 +sg225236 +S'1875' +p233599 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00007/a0000717.jpg' +p233600 +sg225240 +g27 +sa(dp233601 +g225230 +S"The Artist's Dog Fl\xc3\xa8che" +p233602 +sg225232 +S'Henri de Toulouse-Lautrec' +p233603 +sg225234 +S'oil on wood' +p233604 +sg225236 +S'c. 1881' +p233605 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00007/a000074c.jpg' +p233606 +sg225240 +g27 +sa(dp233607 +g225230 +S'Carmen Gaudin' +p233608 +sg225232 +S'Henri de Toulouse-Lautrec' +p233609 +sg225234 +S'oil on wood' +p233610 +sg225236 +S'1885' +p233611 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00007/a000074d.jpg' +p233612 +sg225240 +S'According to a friend of the artist, Lautrec\r\nspotted Carmen Gaudin, a laundress,\r\non a Paris street one day. Struck by her\r\ncopper hair and hardened looks, which\r\nhe compared to "tough meat," he immediately\r\nwent after her to ask if she would\r\nmodel for him.\n The apparent working-class coarseness\r\nof this model appealed to an artist who\r\nwas increasingly drawn to the louche world\r\nof Montmartre, the bohemian district of\r\n\n Almost all of Lautrec\xe2\x80\x99s depictions of\r\nGaudin present her with an air of weariness\r\nthat seems to evoke the tedious reality\r\nof her situation. Laundering was grueling\r\nwork, and it was a common assumption of\r\nthe time that washerwomen supplemented\r\ntheir meager earnings through prostitution.\r\nBut the hardness that Lautrec originally\r\nperceived in Gaudin\xe2\x80\x99s face did not, to the artist\xe2\x80\x99s great surprise, reflect her\r\npersonality. She had a very gentle disposition,\r\nwas punctual, circumspect, and\r\neager to please, and as such found favor\r\nwith other artists in his circle who also\r\nemployed her.\n Gaudin\xe2\x80\x99s auburn tresses were the primary\r\nfactor in Lautrec\xe2\x80\x99s attraction to her\r\nas a model. This fascination is apparent\r\nin his paintings of her, many in profile,\r\nincluding this one, with disheveled hair\r\nfalling over her face and obscuring her eyes.\r\nLautrec preferred redheaded models even\r\nwhen the color came from dye, as was the\r\ncase with Gaudin. When she showed up at\r\nhis studio one day after a six-month hiatus,\r\nher hair returned to its natural state, he let\r\nher go, reporting to a friend, "Now she is\r\na brunette! You realize that she has lost all\r\nher appeal."\n (Text by Margaret Doyle, \n Notes\n \n \n \n ' +p233613 +sa(dp233614 +g225232 +S'Maurice Utrillo' +p233615 +sg225240 +g27 +sg225234 +S'oil on cardboard on wood' +p233616 +sg225230 +S'Row of Houses at Pierrefitte' +p233617 +sg225236 +S'c. 1905' +p233618 +sa(dp233619 +g225232 +S'Maurice Utrillo' +p233620 +sg225240 +g27 +sg225234 +S'oil on cardboard on wood' +p233621 +sg225230 +S'Landscape, Pierrefitte' +p233622 +sg225236 +S'c. 1907' +p233623 +sa(dp233624 +g225232 +S'Maurice Utrillo' +p233625 +sg225240 +g27 +sg225234 +S'oil on cardboard' +p233626 +sg225230 +S'Rue Cortot, Montmartre' +p233627 +sg225236 +S'1909' +p233628 +sa(dp233629 +g225232 +S'Maurice Utrillo' +p233630 +sg225240 +g27 +sg225234 +S'oil on canvas' +p233631 +sg225230 +S'Street at Cort\xc3\xa9, Corsica' +p233632 +sg225236 +S'1913' +p233633 +sa(dp233634 +g225230 +S'Child Wearing a Red Scarf' +p233635 +sg225232 +S'Edouard Vuillard' +p233636 +sg225234 +S'oil on cardboard' +p233637 +sg225236 +S'c. 1891' +p233638 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00007/a0000752.jpg' +p233639 +sg225240 +g27 +sa(dp233640 +g225230 +S'Woman at Her Toilette' +p233641 +sg225232 +S'Edouard Vuillard' +p233642 +sg225234 +S'oil on cardboard' +p233643 +sg225236 +S'c. 1891' +p233644 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00007/a0000753.jpg' +p233645 +sg225240 +g27 +sa(dp233646 +g225230 +S'The Conversation' +p233647 +sg225232 +S'Edouard Vuillard' +p233648 +sg225234 +S'oil on canvas' +p233649 +sg225236 +S'1891' +p233650 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00007/a000072e.jpg' +p233651 +sg225240 +g27 +sa(dp233652 +g225230 +S'Woman in Black' +p233653 +sg225232 +S'Edouard Vuillard' +p233654 +sg225234 +S'oil on cardboard' +p233655 +sg225236 +S'c. 1891' +p233656 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00007/a0000754.jpg' +p233657 +sg225240 +g27 +sa(dp233658 +g225230 +S'Two Women Drinking Coffee' +p233659 +sg225232 +S'Edouard Vuillard' +p233660 +sg225234 +S'oil on cardboard' +p233661 +sg225236 +S'c. 1893' +p233662 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00007/a0000755.jpg' +p233663 +sg225240 +g27 +sa(dp233664 +g225230 +S'The Yellow Curtain' +p233665 +sg225232 +S'Edouard Vuillard' +p233666 +sg225234 +S'oil on canvas' +p233667 +sg225236 +S'c. 1893' +p233668 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00007/a0000756.jpg' +p233669 +sg225240 +g27 +sa(dp233670 +g225230 +S'Woman Sitting by the Fireside' +p233671 +sg225232 +S'Edouard Vuillard' +p233672 +sg225234 +S'oil on cardboard' +p233673 +sg225236 +S'c. 1894' +p233674 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00007/a000072f.jpg' +p233675 +sg225240 +g27 +sa(dp233676 +g225230 +S'Breakfast' +p233677 +sg225232 +S'Edouard Vuillard' +p233678 +sg225234 +S'oil on cardboard' +p233679 +sg225236 +S'1894' +p233680 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00007/a0000757.jpg' +p233681 +sg225240 +g27 +sa(dp233682 +g225230 +S"The Artist's Paint Box and Moss Roses" +p233683 +sg225232 +S'Edouard Vuillard' +p233684 +sg225234 +S'oil on cardboard' +p233685 +sg225236 +S'1898' +p233686 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00007/a0000758.jpg' +p233687 +sg225240 +g27 +sa(dp233688 +g225230 +S'Vase of Flowers on a Mantelpiece' +p233689 +sg225232 +S'Edouard Vuillard' +p233690 +sg225234 +S'oil on cardboard' +p233691 +sg225236 +S'c. 1900' +p233692 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00007/a0000759.jpg' +p233693 +sg225240 +g27 +sa(dp233694 +g225230 +S'Oyster Sloop, Cos Cob' +p233695 +sg225232 +S'Childe Hassam' +p233696 +sg225234 +S'oil on canvas' +p233697 +sg225236 +S'1902' +p233698 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a00000e7.jpg' +p233699 +sg225240 +g27 +sa(dp233700 +g225232 +S'Hugues Merle' +p233701 +sg225240 +g27 +sg225234 +S'oil on canvas' +p233702 +sg225230 +S'Children Playing in a Park' +p233703 +sg225236 +S'c. 1860' +p233704 +sa(dp233705 +g225230 +S'Hunting Scene with a Pond' +p233706 +sg225232 +S'American 18th Century' +p233707 +sg225234 +S'overall: 65.8 x 127.4 cm (25 7/8 x 50 3/16 in.)\r\nframed: 72.7 x 134 x 3.1 cm (28 5/8 x 52 3/4 x 1 1/4 in.)' +p233708 +sg225236 +S'\noil on canvas' +p233709 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00004/a0000402.jpg' +p233710 +sg225240 +g27 +sa(dp233711 +g225230 +S'Hunting Scene with a Harbor' +p233712 +sg225232 +S'American 18th Century' +p233713 +sg225234 +S'overall: 49.2 x 140.9 cm (19 3/8 x 55 1/2 in.)\r\nframed: 56.8 x 148.6 x 2.9 cm (22 3/8 x 58 1/2 x 1 1/8 in.)' +p233714 +sg225236 +S'\noil on canvas' +p233715 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00003/a00003f8.jpg' +p233716 +sg225240 +g27 +sa(dp233717 +g225232 +S'Lily Cushing' +p233718 +sg225240 +g27 +sg225234 +S'paper mounted on cardboard' +p233719 +sg225230 +S'Chapala Beach, Mexico' +p233720 +sg225236 +S'1964' +p233721 +sa(dp233722 +g225232 +S'Lily Cushing' +p233723 +sg225240 +g27 +sg225234 +S'paper mounted on cardboard' +p233724 +sg225230 +S'Posada Garden with a Monkey' +p233725 +sg225236 +S'1964' +p233726 +sa(dp233727 +g225232 +S'Artist Information (' +p233728 +sg225240 +g27 +sg225234 +S'British, 1758 - 1810' +p233729 +sg225230 +S'Portrait of a Gentleman' +p233730 +sg225236 +S'(related artist)' +p233731 +sa(dp233732 +g225230 +S'Saint Martin Dividing His Cloak' +p233733 +sg225232 +S'Jan Boeckhorst' +p233734 +sg225234 +S', c. 1640/1645' +p233735 +sg225236 +S'\n' +p233736 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e21.jpg' +p233737 +sg225240 +g27 +sa(dp233738 +g225232 +S'Dietz Edzard' +p233739 +sg225240 +g27 +sg225234 +S'oil on canvas' +p233740 +sg225230 +S'Flowers in a Vase' +p233741 +sg225236 +S'unknown date\n' +p233742 +sa(dp233743 +g225232 +S'Dietz Edzard' +p233744 +sg225240 +g27 +sg225234 +S'oil on canvas' +p233745 +sg225230 +S'Three Flowers in a Vase' +p233746 +sg225236 +S'unknown date\n' +p233747 +sa(dp233748 +g225230 +S'Heaton Park Races' +p233749 +sg225232 +S'John Ferneley' +p233750 +sg225234 +S'oil on canvas' +p233751 +sg225236 +S'1829' +p233752 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00005/a000056d.jpg' +p233753 +sg225240 +g27 +sa(dp233754 +g225230 +S'Love as Folly' +p233755 +sg225232 +S'Jean-Honor\xc3\xa9 Fragonard' +p233756 +sg225234 +S'oil on canvas' +p233757 +sg225236 +S'c. 1773/1776' +p233758 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0005a/a0005acd.jpg' +p233759 +sg225240 +g27 +sa(dp233760 +g225230 +S'Love the Sentinel' +p233761 +sg225232 +S'Jean-Honor\xc3\xa9 Fragonard' +p233762 +sg225234 +S'oil on canvas' +p233763 +sg225236 +S'c. 1773/1776' +p233764 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0005a/a0005ace.jpg' +p233765 +sg225240 +g27 +sa(dp233766 +g225230 +S'Portrait of a Young Boy' +p233767 +sg225232 +S'French 18th Century' +p233768 +sg225234 +S'overall: 14.5 x 12.2 cm (5 11/16 x 4 13/16 in.)\r\nframed: 24.1 x 22.2 x 3.2 cm (9 1/2 x 8 3/4 x 1 1/4 in.)' +p233769 +sg225236 +S'\noil on wood' +p233770 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00062/a0006290.jpg' +p233771 +sg225240 +g27 +sa(dp233772 +g225230 +S'Race Course at Longchamps' +p233773 +sg225232 +S'French 19th Century' +p233774 +sg225234 +S'overall: 32 x 49.2 x 2 cm (12 5/8 x 19 3/8 x 13/16 in.)\r\nframed: 42.9 x 59.7 x 3.5 cm (16 7/8 x 23 1/2 x 1 3/8 in.)' +p233775 +sg225236 +S'\noil on canvas' +p233776 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0003a/a0003a10.jpg' +p233777 +sg225240 +g27 +sa(dp233778 +g225232 +S'French 19th Century' +p233779 +sg225240 +g27 +sg225234 +S'overall: 32.5 x 51.5 cm (12 13/16 x 20 1/4 in.)\r\nframed: 47.6 x 65.4 x 4.4 cm (18 3/4 x 25 3/4 x 1 3/4 in.)' +p233780 +sg225230 +S'Pont Neuf, Paris' +p233781 +sg225236 +S'\noil on wood' +p233782 +sa(dp233783 +g225230 +S'Roses in a Vase' +p233784 +sg225232 +S'French 19th Century' +p233785 +sg225234 +S'overall: 8.7 x 14.9 cm (3 7/16 x 5 7/8 in.)\r\nframed: 19.3 x 25.4 x 4.7 cm (7 5/8 x 10 x 1 7/8 in.)' +p233786 +sg225236 +S'\noil on wood' +p233787 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00105/a00105d4.jpg' +p233788 +sg225240 +g27 +sa(dp233789 +g225230 +S'Beach near Etretat' +p233790 +sg225232 +S'Jean-Baptiste-Camille Corot' +p233791 +sg225234 +S'oil on canvas' +p233792 +sg225236 +S'c. 1872' +p233793 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000db2.jpg' +p233794 +sg225240 +S'This painting is an oil sketch. Painted outdoors within a few hours, it was meant to record \n Corot\'s direct impression of the landscape. Its long, sweeping brushstrokes \n capture in shorthand the look and "feel" of light and weather. Such small \n works, never intended as finished paintings, were part of the normal practice \n of landscape artists. By referring to them later, a painter could re-create \n in his more elaborate studio paintings the freshness and immediacy of his \n initial observation. The outdoor sketch was like notes taken from nature, \n data to be transformed through the artist\'s imagination in the studio into \n finished, salable works.\n Corot and fellow landscape artists working in the forest of \n Fontainebleau were important influences on the impressionists, not only in \n their commitment to plein-air painting, but also in their adoption of a \n brighter palette. Corot, using a light-colored ground, suffused his \n paintings with a silvery light and poetic feel. \n \n ' +p233795 +sa(dp233796 +g225230 +S'Woman by the Seaside' +p233797 +sg225232 +S'French 19th Century' +p233798 +sg225234 +S'oil on wood' +p233799 +sg225236 +S'19th century' +p233800 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00105/a00105d5.jpg' +p233801 +sg225240 +g27 +sa(dp233802 +g225230 +S'Georgiana, Duchess of Devonshire' +p233803 +sg225232 +S'Gainsborough Dupont' +p233804 +sg225234 +S'oil on canvas' +p233805 +sg225236 +S'c. 1787/1796' +p233806 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f1e.jpg' +p233807 +sg225240 +g27 +sa(dp233808 +g225230 +S'William Pitt' +p233809 +sg225232 +S'Gainsborough Dupont' +p233810 +sg225234 +S'oil on board' +p233811 +sg225236 +S'1787/1796' +p233812 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00038/a0003858.jpg' +p233813 +sg225240 +g27 +sa(dp233814 +g225230 +S'Seashore with Fishermen' +p233815 +sg225232 +S'Thomas Gainsborough' +p233816 +sg225234 +S'oil on canvas' +p233817 +sg225236 +S'c. 1781/1782' +p233818 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00007/a000073a.jpg' +p233819 +sg225240 +S"Gainsborough's landscapes are highly personal statements that evolved from ideas\nand images he developed in his studio, either directly on canvas or in scale models.\nIn this work he focused on the physical exertions of fishermen as they confront\nstrong winds and pounding surf. Even the massive cliff on the far side of the cove,\nits thrusting diagonal posed against the wind, seems to echo the efforts of the\nmen struggling to launch their boat into the waves.\n Gainsborough owned works by Dutch marine painters, and their influence is evident\nhere. His own free and suggestive painting technique, however, gives the scene a\nunique degree of freshness and spontaneity. He applied his paint in thin, translucent\nlayers that are accented by deft touches of impasto, particularly in the fishermen's\nclothing and on the white foam of the waves. A restrained palette of browns and\ncreams suggests the shore and rocks; gray-greens, gray-blues, and white highlights\ndescribe the sun-filled expanse of the sea, while the sky is colored with delicate\nhints of purple, blue, and pink.\n " +p233820 +sa(dp233821 +g225230 +S'Mrs. Richard Brinsley Sheridan' +p233822 +sg225232 +S'Gainsborough Dupont' +p233823 +sg225234 +S'oil on canvas' +p233824 +sg225236 +S'1787/1796' +p233825 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f1f.jpg' +p233826 +sg225240 +g27 +sa(dp233827 +g225230 +S'Mar\xc3\xada Teresa de Borb\xc3\xb3n y Vallabriga, later Condesa de Chinch\xc3\xb3n' +p233828 +sg225232 +S'Francisco de Goya' +p233829 +sg225234 +S'oil on canvas' +p233830 +sg225236 +S'1783' +p233831 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00005/a000057e.jpg' +p233832 +sg225240 +S'Although Goya is now best known for his innovative and incisive depictions of\nsuch themes as the excitement of the bullring and horrors of the Napoleonic wars,\nit was as a portraitist that he first gained fame among his countrymen. In 1783,\nGoya was called to Arenas de San Pedro by the Infante Don Luis, brother of Charles\nIII, to paint a family portrait. He also painted individual portraits of family\nmembers such as this one.\n Ingenuous but self-assured, the future countess wears the fashionable attire of\na lady of the Spanish court as she poses at the edge of a terrace. She gazes out\nat the viewer with an innocence very much in contrast with her adult costume and\nmature stance. In the style of earlier "grand-manner" portraiture, Goya may have\nmanipulated the setting to enhance the image of the diminutive sitter, perhaps adjusting\nthe scale of the parapet to her size and placing the wall close to her.\n This is one of four portraits by Goya of María Teresa, with whom he maintained a\nlifelong sympathetic relationship. One of the most tragic figures at the court of\nCharles IV, the countess was trapped in a humiliating marriage to the King\'s minister,\nManuel Godoy, arranged by the Queen, Maria Luisa, for her own duplicitous purposes.\n ' +p233833 +sa(dp233834 +g225232 +S'Leonid' +p233835 +sg225240 +g27 +sg225234 +S'oil on canvas' +p233836 +sg225230 +S'Derrynane Harbor, Ireland' +p233837 +sg225236 +S'1961' +p233838 +sa(dp233839 +g225230 +S'Race Horse and Trainer' +p233840 +sg225232 +S'Artist Information (' +p233841 +sg225234 +S'British, 1768 - 1835' +p233842 +sg225236 +S'(related artist)' +p233843 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00005/a0000530.jpg' +p233844 +sg225240 +g27 +sa(dp233845 +g225232 +S'Captain Edward H. Molyneux' +p233846 +sg225240 +g27 +sg225234 +S'oil on fiberboard' +p233847 +sg225230 +S'Artist on a Quay' +p233848 +sg225236 +S'1962/1964' +p233849 +sa(dp233850 +g225232 +S'Captain Edward H. Molyneux' +p233851 +sg225240 +g27 +sg225234 +S'oil on canvas' +p233852 +sg225230 +S'Chapel in Provence' +p233853 +sg225236 +S'1962/1964' +p233854 +sa(dp233855 +g225232 +S'Captain Edward H. Molyneux' +p233856 +sg225240 +g27 +sg225234 +S'oil on canvas' +p233857 +sg225230 +S'Chinese Statue of a Dog' +p233858 +sg225236 +S'1953' +p233859 +sa(dp233860 +g225232 +S'Captain Edward H. Molyneux' +p233861 +sg225240 +g27 +sg225234 +S'oil on canvas' +p233862 +sg225230 +S'Chinese Statue of a Bird' +p233863 +sg225236 +S'1953' +p233864 +sa(dp233865 +g225230 +S'Mrs. George Hill' +p233866 +sg225232 +S'Sir Henry Raeburn' +p233867 +sg225234 +S'oil on canvas' +p233868 +sg225236 +S'c. 1790/1800' +p233869 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f6c.jpg' +p233870 +sg225240 +g27 +sa(dp233871 +g225230 +S'Miss Davidson Reid' +p233872 +sg225232 +S'Sir Henry Raeburn' +p233873 +sg225234 +S', c. 1800/1806' +p233874 +sg225236 +S'\n' +p233875 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0002b/a0002b0a.jpg' +p233876 +sg225240 +g27 +sa(dp233877 +g225230 +S"View of the Mall in Saint James's Park" +p233878 +sg225232 +S'Artist Information (' +p233879 +sg225234 +S'Italian, 1676 - 1729' +p233880 +sg225236 +S'(artist after)' +p233881 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000df/a000dfc1.jpg' +p233882 +sg225240 +g27 +sa(dp233883 +g225230 +S'Sir William Hamilton' +p233884 +sg225232 +S'George Romney' +p233885 +sg225234 +S'oil on canvas' +p233886 +sg225236 +S'1783-1784' +p233887 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00004/a00004e7.jpg' +p233888 +sg225240 +g27 +sa(dp233889 +g225232 +S'Frits Thaulow' +p233890 +sg225240 +g27 +sg225234 +S'oil on wood' +p233891 +sg225230 +S'River Scene' +p233892 +sg225236 +S'unknown date\n' +p233893 +sa(dp233894 +g225230 +S'Rotterdam Ferry-Boat' +p233895 +sg225232 +S'Joseph Mallord William Turner' +p233896 +sg225234 +S'oil on canvas' +p233897 +sg225236 +S'1833' +p233898 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00005/a0000564.jpg' +p233899 +sg225240 +S'This seascape was exhibited in 1833 at the Royal Academy, where Turner \r\n taught as the professor of perspective. Conquering the problem of creating \r\n a believable sense of space across a featureless expanse of water, Turner \r\n anchored the carefully aligned design upon a small passenger ferry. From \r\n this foreground focus, a row of larger ships moves backward over the choppy \r\n waves on a diagonal line, generating a remarkable illusion of depth. The \r\n warship’s Dutch flags and the skyline of Rotterdam pay tribute to Turner’s \r\n predecessors, the marine painters of seventeenth-century Holland. In \r\n particular, the low horizon and cloud-swept vista derive from harbor scenes \r\n by \n ' +p233900 +sa(dp233901 +g225230 +S'Sheep' +p233902 +sg225232 +S'Nicolaes Pietersz Berchem' +p233903 +sg225234 +S'black and red chalk (possibly crayon)' +p233904 +sg225236 +S'unknown date\n' +p233905 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006dac.jpg' +p233906 +sg225240 +g27 +sa(dp233907 +g225230 +S'Four Women at Trouville' +p233908 +sg225232 +S'Eug\xc3\xa8ne Boudin' +p233909 +sg225234 +S'watercolor and graphite on laid paper' +p233910 +sg225236 +S'1865' +p233911 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00022/a00022bc.jpg' +p233912 +sg225240 +g27 +sa(dp233913 +g225230 +S'Loading the Boats' +p233914 +sg225232 +S'Eug\xc3\xa8ne Boudin' +p233915 +sg225234 +S'watercolor and graphite' +p233916 +sg225236 +S'c. 1875' +p233917 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0005b/a0005bc4.jpg' +p233918 +sg225240 +g27 +sa(dp233919 +g225230 +S'Seascape with Sailing Vessel' +p233920 +sg225232 +S'Eug\xc3\xa8ne Boudin' +p233921 +sg225234 +S'watercolor and graphite' +p233922 +sg225236 +S'c. 1875' +p233923 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006e83.jpg' +p233924 +sg225240 +g27 +sa(dp233925 +g225230 +S'Ships in Harbor' +p233926 +sg225232 +S'Eug\xc3\xa8ne Boudin' +p233927 +sg225234 +S'watercolor and graphite' +p233928 +sg225236 +S'c. 1875' +p233929 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0005b/a0005bc7.jpg' +p233930 +sg225240 +g27 +sa(dp233931 +g225230 +S'Sun-Shades, Trouville' +p233932 +sg225232 +S'Eug\xc3\xa8ne Boudin' +p233933 +sg225234 +S'watercolor and graphite' +p233934 +sg225236 +S'1869' +p233935 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006edc.jpg' +p233936 +sg225240 +g27 +sa(dp233937 +g225230 +S'Three Women at Trouville' +p233938 +sg225232 +S'Eug\xc3\xa8ne Boudin' +p233939 +sg225234 +S'watercolor and graphite on laid paper' +p233940 +sg225236 +S'c. 1865' +p233941 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f0d.jpg' +p233942 +sg225240 +g27 +sa(dp233943 +g225230 +S'Child Seated on a Sofa' +p233944 +sg225232 +S'Mary Cassatt' +p233945 +sg225234 +S'graphite' +p233946 +sg225236 +S'c. 1883' +p233947 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0ab.jpg' +p233948 +sg225240 +g27 +sa(dp233949 +g225230 +S'Venice' +p233950 +sg225232 +S'Henri Edmond Cross' +p233951 +sg225234 +S'watercolor over black chalk' +p233952 +sg225236 +S'c. 1903' +p233953 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006ebd.jpg' +p233954 +sg225240 +g27 +sa(dp233955 +g225230 +S'George Mills' +p233956 +sg225232 +S'John Downman' +p233957 +sg225234 +S'pastel with gray and brown wash on two overlapped sheets of laid paper joined at the top' +p233958 +sg225236 +S'1792' +p233959 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f8e.jpg' +p233960 +sg225240 +g27 +sa(dp233961 +g225230 +S'Mrs. George Mills' +p233962 +sg225232 +S'John Downman' +p233963 +sg225234 +S'charcoal and pastel on laid paper' +p233964 +sg225236 +S'1783' +p233965 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006ecf.jpg' +p233966 +sg225240 +g27 +sa(dp233967 +g225230 +S'Portrait of a Woman in Profile' +p233968 +sg225232 +S'John Downman' +p233969 +sg225234 +S'black chalk and watercolor' +p233970 +sg225236 +S'1791' +p233971 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00072/a0007214.jpg' +p233972 +sg225240 +g27 +sa(dp233973 +g225230 +S'Portrait of a Woman with a Blue Sash' +p233974 +sg225232 +S'John Downman' +p233975 +sg225234 +S'black chalk and watercolor' +p233976 +sg225236 +S'1791' +p233977 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00071/a00071db.jpg' +p233978 +sg225240 +g27 +sa(dp233979 +g225232 +S'Raoul Dufy' +p233980 +sg225240 +g27 +sg225234 +S'watercolor' +p233981 +sg225230 +S'Garden at the Hotel Albert-1er, Nice' +p233982 +sg225236 +S'c. 1923' +p233983 +sa(dp233984 +g225230 +S'Woman Seated at a Table, Holding a Letter' +p233985 +sg225232 +S'Henry Edridge' +p233986 +sg225234 +S'watercolor over graphite' +p233987 +sg225236 +S'unknown date\n' +p233988 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00071/a0007113.jpg' +p233989 +sg225240 +g27 +sa(dp233990 +g225230 +S'Two Children' +p233991 +sg225232 +S'Artist Information (' +p233992 +sg225234 +S'British, 1787 - 1819' +p233993 +sg225236 +S'(artist after)' +p233994 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007c/a0007c43.jpg' +p233995 +sg225240 +g27 +sa(dp233996 +g225230 +S'Portrait of a Man in a Military Uniform' +p233997 +sg225232 +S'French 18th Century' +p233998 +sg225234 +S'overall (oval): 19.3 x 15.9 cm (7 5/8 x 6 1/4 in.)' +p233999 +sg225236 +S'\nblack, blue, and red chalk heightened with white on laid paper' +p234000 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00072/a0007211.jpg' +p234001 +sg225240 +g27 +sa(dp234002 +g225230 +S'Carriage with Driver and Groom: Autumn' +p234003 +sg225232 +S'Constantin Guys' +p234004 +sg225234 +S'pen and brown ink and watercolor' +p234005 +sg225236 +S'unknown date\n' +p234006 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00073/a00073a6.jpg' +p234007 +sg225240 +g27 +sa(dp234008 +g225230 +S'Carriage with Driver and Groom: Spring' +p234009 +sg225232 +S'Constantin Guys' +p234010 +sg225234 +S'pen and brown ink and watercolor' +p234011 +sg225236 +S'unknown date\n' +p234012 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00073/a00073a4.jpg' +p234013 +sg225240 +g27 +sa(dp234014 +g225230 +S"The Duchess of Kent's State Carriage" +p234015 +sg225232 +S'Constantin Guys' +p234016 +sg225234 +S'watercolor over graphite' +p234017 +sg225236 +S'unknown date\n' +p234018 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00073/a00073a0.jpg' +p234019 +sg225240 +g27 +sa(dp234020 +g225232 +S'John Lavalle' +p234021 +sg225240 +g27 +sg225234 +S'watercolor on paperboard' +p234022 +sg225230 +S'Agua from El Calvario, Antigua, Guatemala' +p234023 +sg225236 +S'1950' +p234024 +sa(dp234025 +g225232 +S'John Lavalle' +p234026 +sg225240 +g27 +sg225234 +S'watercolor on paperboard' +p234027 +sg225230 +S'Marble Mosque of Sultan Selim' +p234028 +sg225236 +S'1952' +p234029 +sa(dp234030 +g225230 +S'Three-Quarter Portrait of a Young Girl' +p234031 +sg225232 +S'Ambrose McEvoy' +p234032 +sg225234 +S'watercolor and graphite on paperboard' +p234033 +sg225236 +S'unknown date\n' +p234034 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006b/a0006b4c.jpg' +p234035 +sg225240 +g27 +sa(dp234036 +g225230 +S"The Artist's Sister Edma Seated in a Park" +p234037 +sg225232 +S'Berthe Morisot' +p234038 +sg225234 +S'watercolor' +p234039 +sg225236 +S'1864' +p234040 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00026/a0002600.jpg' +p234041 +sg225240 +g27 +sa(dp234042 +g225230 +S"The Artist's Sister, Edma, with Her Daughter, Jeanne" +p234043 +sg225232 +S'Berthe Morisot' +p234044 +sg225234 +S'watercolor over graphite on laid paper' +p234045 +sg225236 +S'1872' +p234046 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00026/a0002601.jpg' +p234047 +sg225240 +g27 +sa(dp234048 +g225230 +S'Girl Seated' +p234049 +sg225232 +S'Berthe Morisot' +p234050 +sg225234 +S'watercolor' +p234051 +sg225236 +S'1894' +p234052 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00070/a000700d.jpg' +p234053 +sg225240 +g27 +sa(dp234054 +g225230 +S'Landscape' +p234055 +sg225232 +S'Berthe Morisot' +p234056 +sg225234 +S'colored pencils' +p234057 +sg225236 +S'unknown date\n' +p234058 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00026/a0002602.jpg' +p234059 +sg225240 +g27 +sa(dp234060 +g225230 +S'Spring Landscape' +p234061 +sg225232 +S'Berthe Morisot' +p234062 +sg225234 +S'colored pencils and graphite' +p234063 +sg225236 +S'c. 1890/1891' +p234064 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00026/a0002603.jpg' +p234065 +sg225240 +g27 +sa(dp234066 +g225230 +S'Self-Portrait' +p234067 +sg225232 +S'Pablo Picasso' +p234068 +sg225234 +S'black chalk and watercolor on cream-colored wove paper' +p234069 +sg225236 +S'1901/1902' +p234070 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00022/a00022be.jpg' +p234071 +sg225240 +g27 +sa(dp234072 +g225230 +S'Grove of Trees' +p234073 +sg225232 +S'Camille Pissarro' +p234074 +sg225234 +S'pen with brown and black ink, gray wash, and graphite on gray paper' +p234075 +sg225236 +S'1859' +p234076 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00073/a00073fe.jpg' +p234077 +sg225240 +g27 +sa(dp234078 +g225230 +S'Houses by a Road' +p234079 +sg225232 +S'Camille Pissarro' +p234080 +sg225234 +S'pen and brown ink with graphite on gray laid paper' +p234081 +sg225236 +S'1859' +p234082 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00073/a00073fd.jpg' +p234083 +sg225240 +g27 +sa(dp234084 +g225230 +S'Woman Working in a Garden' +p234085 +sg225232 +S'Camille Pissarro' +p234086 +sg225234 +S'watercolor over black chalk' +p234087 +sg225236 +S'unknown date\n' +p234088 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00026/a00026d5.jpg' +p234089 +sg225240 +g27 +sa(dp234090 +g225230 +S'Young Woman Standing' +p234091 +sg225232 +S'Auguste Renoir' +p234092 +sg225234 +S'black chalk with gray wash' +p234093 +sg225236 +S'c. 1880' +p234094 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a0007402.jpg' +p234095 +sg225240 +g27 +sa(dp234096 +g225230 +S'A Bridge and Campanile, Venice' +p234097 +sg225232 +S'John Singer Sargent' +p234098 +sg225234 +S'watercolor over black chalk' +p234099 +sg225236 +S'unknown date\n' +p234100 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f72.jpg' +p234101 +sg225240 +g27 +sa(dp234102 +g225230 +S'Camprodon, Spain' +p234103 +sg225232 +S'John Singer Sargent' +p234104 +sg225234 +S'watercolor with body color on wove paper' +p234105 +sg225236 +S'c. 1892' +p234106 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f73.jpg' +p234107 +sg225240 +g27 +sa(dp234108 +g225230 +S'Gondola Moorings on the Grand Canal' +p234109 +sg225232 +S'John Singer Sargent' +p234110 +sg225234 +S'watercolor over graphite' +p234111 +sg225236 +S'unknown date\n' +p234112 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00009/a00009c5.jpg' +p234113 +sg225240 +g27 +sa(dp234114 +g225230 +S'The Library in Venice' +p234115 +sg225232 +S'John Singer Sargent' +p234116 +sg225234 +S'watercolor with white gouache over graphite' +p234117 +sg225236 +S'unknown date\n' +p234118 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00009/a00009c6.jpg' +p234119 +sg225240 +g27 +sa(dp234120 +g225232 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p234121 +sg225240 +g27 +sg225234 +S'pen and black ink and watercolor over traces of black chalk' +p234122 +sg225230 +S'Still Life' +p234123 +sg225236 +S'unknown date\n' +p234124 +sa(dp234125 +g225232 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p234126 +sg225240 +g27 +sg225234 +S'oil paint and pen and black ink' +p234127 +sg225230 +S'Vase of Flowers' +p234128 +sg225236 +S'unknown date\n' +p234129 +sa(dp234130 +g225230 +S'Pont Neuf, Paris' +p234131 +sg225232 +S'Paul Signac' +p234132 +sg225234 +S'watercolor over black chalk on laid paper' +p234133 +sg225236 +S'unknown date\n' +p234134 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00028/a0002852.jpg' +p234135 +sg225240 +g27 +sa(dp234136 +g225230 +S'La Rochelle' +p234137 +sg225232 +S'Paul Signac' +p234138 +sg225234 +S'watercolor over black chalk on laid paper' +p234139 +sg225236 +S'1930' +p234140 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00073/a000730c.jpg' +p234141 +sg225240 +g27 +sa(dp234142 +g225232 +S'Van Day Truex' +p234143 +sg225240 +g27 +sg225234 +S'watercolor' +p234144 +sg225230 +S'French Village' +p234145 +sg225236 +S'unknown date\n' +p234146 +sa(dp234147 +g225232 +S'Van Day Truex' +p234148 +sg225240 +g27 +sg225234 +S'watercolor' +p234149 +sg225230 +S'Italian Mountain Village' +p234150 +sg225236 +S'1963' +p234151 +sa(dp234152 +g225230 +S'Woman in Bed' +p234153 +sg225232 +S'Edouard Vuillard' +p234154 +sg225234 +S'watercolor' +p234155 +sg225236 +S'unknown date\n' +p234156 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00037/a00037fe.jpg' +p234157 +sg225240 +g27 +sa(dp234158 +g225232 +S'Augustus John' +p234159 +sg225240 +g27 +sg225234 +S'oil on canvas' +p234160 +sg225230 +S'Mrs. Alexander H. McLanahan' +p234161 +sg225236 +S'c. 1927' +p234162 +sa(dp234163 +g225230 +S'East Indian Lotus (Nelumbo nucifera)' +p234164 +sg225232 +S'British 19th Century' +p234165 +sg225234 +S'overall: 42.2 x 33.4 cm (16 5/8 x 13 1/8 in.)' +p234166 +sg225236 +S'\ngouache on oriental paper' +p234167 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00069/a0006971.jpg' +p234168 +sg225240 +g27 +sa(dp234169 +g225230 +S'Two Plums' +p234170 +sg225232 +S'George Brookshaw' +p234171 +sg225234 +S'line and stipple engraving partially printed in color and finished by hand' +p234172 +sg225236 +S'published 1817' +p234173 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007c/a0007c8e.jpg' +p234174 +sg225240 +g27 +sa(dp234175 +g225230 +S'Three Peaches' +p234176 +sg225232 +S'George Brookshaw' +p234177 +sg225234 +S'line and stipple engraving partially printed in color and finished by hand' +p234178 +sg225236 +S'published 1817' +p234179 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007c/a0007c9c.jpg' +p234180 +sg225240 +g27 +sa(dp234181 +g225230 +S'Urocissa cucullata' +p234182 +sg225232 +S'Artist Information (' +p234183 +sg225234 +S'(artist)' +p234184 +sg225236 +S'\n' +p234185 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007aa8.jpg' +p234186 +sg225240 +g27 +sa(dp234187 +g225230 +S'Urocissa magnirostris' +p234188 +sg225232 +S'Artist Information (' +p234189 +sg225234 +S'(artist)' +p234190 +sg225236 +S'\n' +p234191 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007aa7.jpg' +p234192 +sg225240 +g27 +sa(dp234193 +g225230 +S'Trogan personatus' +p234194 +sg225232 +S'Artist Information (' +p234195 +sg225234 +S'(artist)' +p234196 +sg225236 +S'\n' +p234197 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007aa9.jpg' +p234198 +sg225240 +g27 +sa(dp234199 +g225230 +S'Trogan variegatus' +p234200 +sg225232 +S'Artist Information (' +p234201 +sg225234 +S'(artist)' +p234202 +sg225236 +S'\n' +p234203 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007aa5.jpg' +p234204 +sg225240 +g27 +sa(dp234205 +g225230 +S'Flamingos and Shells' +p234206 +sg225232 +S'Artist Information (' +p234207 +sg225234 +S'(artist after)' +p234208 +sg225236 +S'\n' +p234209 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009dd4.jpg' +p234210 +sg225240 +g27 +sa(dp234211 +g225230 +S'Insects and Flowers' +p234212 +sg225232 +S'French 19th Century' +p234213 +sg225234 +S'Ailsa Mellon Bruce Collection' +p234214 +sg225236 +S'\nhand-colored (?) engraving' +p234215 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00090/a000900e.jpg' +p234216 +sg225240 +g27 +sa(dp234217 +g225230 +S'Echites splendens' +p234218 +sg225232 +S'Samuel Holden' +p234219 +sg225234 +S'hand-colored lithograph' +p234220 +sg225236 +S'unknown date\n' +p234221 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007d/a0007dd9.jpg' +p234222 +sg225240 +g27 +sa(dp234223 +g225230 +S'Lycaste Skinneri' +p234224 +sg225232 +S'Samuel Holden' +p234225 +sg225234 +S'hand-colored lithograph' +p234226 +sg225236 +S'unknown date\n' +p234227 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007d/a0007dec.jpg' +p234228 +sg225240 +g27 +sa(dp234229 +g225230 +S'Amandier de la Georgie' +p234230 +sg225232 +S'Artist Information (' +p234231 +sg225234 +S'French, active 19th century' +p234232 +sg225236 +S'(artist after)' +p234233 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009dc3.jpg' +p234234 +sg225240 +g27 +sa(dp234235 +g225230 +S'Amandier de la Georgie' +p234236 +sg225232 +S'Artist Information (' +p234237 +sg225234 +S'French, active 19th century' +p234238 +sg225236 +S'(artist after)' +p234239 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009dc5.jpg' +p234240 +sg225240 +g27 +sa(dp234241 +g225230 +S'Amandier - Pecher' +p234242 +sg225232 +S'Artist Information (' +p234243 +sg225234 +S'French, active 19th century' +p234244 +sg225236 +S'(artist after)' +p234245 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009dc8.jpg' +p234246 +sg225240 +g27 +sa(dp234247 +g225230 +S'Amandier pistache' +p234248 +sg225232 +S'Artist Information (' +p234249 +sg225234 +S'French, active 19th century' +p234250 +sg225236 +S'(artist after)' +p234251 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009dc4.jpg' +p234252 +sg225240 +g27 +sa(dp234253 +g225230 +S'Amandier a feuilles de saulle' +p234254 +sg225232 +S'Artist Information (' +p234255 +sg225234 +S'French, active 19th century' +p234256 +sg225236 +S'(artist after)' +p234257 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009dc9.jpg' +p234258 +sg225240 +g27 +sa(dp234259 +g225230 +S"Amandier d'Italie" +p234260 +sg225232 +S'Artist Information (' +p234261 +sg225234 +S'French, active 19th century' +p234262 +sg225236 +S'(artist after)' +p234263 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009dc6.jpg' +p234264 +sg225240 +g27 +sa(dp234265 +g225230 +S'Laelia Euspatha' +p234266 +sg225232 +S'Artist Information (' +p234267 +sg225234 +S'(artist after)' +p234268 +sg225236 +S'\n' +p234269 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00081/a00081e6.jpg' +p234270 +sg225240 +g27 +sa(dp234271 +g225230 +S'Laelia Anceps Stella & Barkeriana' +p234272 +sg225232 +S'Artist Information (' +p234273 +sg225234 +S'(artist after)' +p234274 +sg225236 +S'\n' +p234275 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00081/a00081e2.jpg' +p234276 +sg225240 +g27 +sa(dp234277 +g225230 +S'Dendrobium (Hybridium) Venus and Dendrobium (Hybridium) Cassiope' +p234278 +sg225232 +S'Artist Information (' +p234279 +sg225234 +S'(artist after)' +p234280 +sg225236 +S'\n' +p234281 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00081/a00081e3.jpg' +p234282 +sg225240 +g27 +sa(dp234283 +g225230 +S'Dendrobium Leechianum' +p234284 +sg225232 +S'Artist Information (' +p234285 +sg225234 +S'(artist after)' +p234286 +sg225236 +S'\n' +p234287 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00081/a00081e4.jpg' +p234288 +sg225240 +g27 +sa(dp234289 +g225230 +S'Laelia Elegans Schilleriana' +p234290 +sg225232 +S'Artist Information (' +p234291 +sg225234 +S'(artist after)' +p234292 +sg225236 +S'\n' +p234293 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00081/a00081e5.jpg' +p234294 +sg225240 +g27 +sa(dp234295 +g225230 +S'Cattleya Mendelii Quorndon House Var.' +p234296 +sg225232 +S'Artist Information (' +p234297 +sg225234 +S'(artist after)' +p234298 +sg225236 +S'\n' +p234299 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00081/a00081e0.jpg' +p234300 +sg225240 +g27 +sa(dp234301 +g225230 +S'Cattleya Rex' +p234302 +sg225232 +S'Artist Information (' +p234303 +sg225234 +S'(artist after)' +p234304 +sg225236 +S'\n' +p234305 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00081/a00081e1.jpg' +p234306 +sg225240 +g27 +sa(dp234307 +g225230 +S'Cattleya Rochellensis' +p234308 +sg225232 +S'Artist Information (' +p234309 +sg225234 +S'(artist after)' +p234310 +sg225236 +S'\n' +p234311 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00081/a00081df.jpg' +p234312 +sg225240 +g27 +sa(dp234313 +g225230 +S'Ailsa Mellon Bruce' +p234314 +sg225232 +S'Philip Alexius de Laszlo' +p234315 +sg225234 +S'oil on canvas' +p234316 +sg225236 +S'1926' +p234317 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f45.jpg' +p234318 +sg225240 +S'Ailsa Mellon Bruce\n The Hungarian-born painter Philip Alexius László de Lombos gained international acclaim for just such fashionable images as Ailsa Mellon Bruce\'s elegant portrait, done in the year of her wedding.\n ' +p234319 +sa(dp234320 +g225230 +S'The Raising of Tabitha' +p234321 +sg225232 +S'Netherlandish 15th Century' +p234322 +sg225234 +S'overall: 156.2 x 138.2 cm (61 1/2 x 54 7/16 in.)' +p234323 +sg225236 +S'\ntapestry: undyed wool warp, dyed wool and silk weft' +p234324 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00065/a000650d.jpg' +p234325 +sg225240 +g27 +sa(dp234326 +g225230 +S'The Vision of the Centurion Cornelius' +p234327 +sg225232 +S'Netherlandish 15th Century' +p234328 +sg225234 +S'overall: 154 x 123.2 cm (60 5/8 x 48 1/2 in.)' +p234329 +sg225236 +S'\ntapestry: undyed wool warp, dyed wool and silk weft' +p234330 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00065/a000650e.jpg' +p234331 +sg225240 +g27 +sa(dp234332 +g225230 +S'Coromandel Screen' +p234333 +sg225232 +S'Chinese Qing Dynasty' +p234334 +sg225234 +S'overall (each of 12 panels): 266.7 x 49.9 cm (105 x 19 5/8 in.)' +p234335 +sg225236 +S'\ncarved and painted lacquer on wood' +p234336 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004e/a0004efe.jpg' +p234337 +sg225240 +g27 +sa(dp234338 +g225230 +S'The Four Cardinal Virtues: Prudence' +p234339 +sg225232 +S'Netherlandish 16th Century' +p234340 +sg225234 +S'overall: 207 x 66 cm (81 1/2 x 26 in.)' +p234341 +sg225236 +S'\nundyed wool warp, dyed wool and dyed silk' +p234342 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00099/a00099d4.jpg' +p234343 +sg225240 +g27 +sa(dp234344 +g225230 +S'The Four Cardinal Virtues: Temperance' +p234345 +sg225232 +S'Netherlandish 16th Century' +p234346 +sg225234 +S'overall: 207 x 66 cm (81 1/2 x 26 in.)' +p234347 +sg225236 +S'\nundyed wool warp, dyed wool and dyed silk' +p234348 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00099/a00099d3.jpg' +p234349 +sg225240 +g27 +sa(dp234350 +g225230 +S'The Four Cardinal Virtues: Justice' +p234351 +sg225232 +S'Netherlandish 16th Century' +p234352 +sg225234 +S'overall: 207 x 66 cm (81 1/2 x 26 in.)' +p234353 +sg225236 +S'\nundyed wool warp, dyed wool and dyed silk' +p234354 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00099/a00099d1.jpg' +p234355 +sg225240 +g27 +sa(dp234356 +g225230 +S'The Four Cardinal Virtues: Fortitude' +p234357 +sg225232 +S'Netherlandish 16th Century' +p234358 +sg225234 +S'overall: 207 x 66 cm (81 1/2 x 26 in.)' +p234359 +sg225236 +S'\nundyed wool warp, dyed wool and dyed silk' +p234360 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00099/a00099d2.jpg' +p234361 +sg225240 +g27 +sa(dp234362 +g225230 +S'Beta Kappa' +p234363 +sg225232 +S'Morris Louis' +p234364 +sg225234 +S'acrylic on canvas' +p234365 +sg225236 +S'1961' +p234366 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a000014f.jpg' +p234367 +sg225240 +g27 +sa(dp234368 +g225232 +S'John Sloan' +p234369 +sg225240 +g27 +sg225234 +S'graphite on tracing paper' +p234370 +sg225230 +S'Study for "The City from Greenwich Village," I' +p234371 +sg225236 +S'c. 1922' +p234372 +sa(dp234373 +g225230 +S'Study for "The City from Greenwich Village," II' +p234374 +sg225232 +S'John Sloan' +p234375 +sg225234 +S'graphite' +p234376 +sg225236 +S'c. 1922' +p234377 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00009/a00009cd.jpg' +p234378 +sg225240 +g27 +sa(dp234379 +g225232 +S'John Sloan' +p234380 +sg225240 +g27 +sg225234 +S'red colored pencil with touches of graphite' +p234381 +sg225230 +S'Study for "The City from Greenwich Village," III' +p234382 +sg225236 +S'c. 1922' +p234383 +sa(dp234384 +g225230 +S'Stairway Landing' +p234385 +sg225232 +S'Lowell Nesbitt' +p234386 +sg225234 +S'oil on canvas' +p234387 +sg225236 +S'1969' +p234388 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a0000176.jpg' +p234389 +sg225240 +g27 +sa(dp234390 +g225230 +S'Landscape No. 15 from "Liber Veritatis"' +p234391 +sg225232 +S'Artist Information (' +p234392 +sg225234 +S'(artist after)' +p234393 +sg225236 +S'\n' +p234394 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00077/a00077d9.jpg' +p234395 +sg225240 +g27 +sa(dp234396 +g225230 +S'The Blue Heron (Ardea coerulea)' +p234397 +sg225232 +S'Mark Catesby' +p234398 +sg225234 +S'hand-colored etching' +p234399 +sg225236 +S'published 1731-1743' +p234400 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00078/a0007801.jpg' +p234401 +sg225240 +g27 +sa(dp234402 +g225230 +S'Caprimulgus europaeus (Nightjar)' +p234403 +sg225232 +S'Artist Information (' +p234404 +sg225234 +S'(artist)' +p234405 +sg225236 +S'\n' +p234406 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007aae.jpg' +p234407 +sg225240 +g27 +sa(dp234408 +g225230 +S'Malacoturnix superciliosus (Mountain Quail)' +p234409 +sg225232 +S'Artist Information (' +p234410 +sg225234 +S'(artist)' +p234411 +sg225236 +S'\n' +p234412 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007aaf.jpg' +p234413 +sg225240 +g27 +sa(dp234414 +g225230 +S'Barnacle Goose (Bernicla Leucopsis)' +p234415 +sg225232 +S'Artist Information (' +p234416 +sg225234 +S'(artist)' +p234417 +sg225236 +S'\n' +p234418 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007aa4.jpg' +p234419 +sg225240 +g27 +sa(dp234420 +g225230 +S'Phasianus colchicus (Ring-necked Pheasant)' +p234421 +sg225232 +S'Artist Information (' +p234422 +sg225234 +S'(artist)' +p234423 +sg225236 +S'\n' +p234424 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007ab5.jpg' +p234425 +sg225240 +g27 +sa(dp234426 +g225230 +S'Topaza pyra (Fairy Topaz)' +p234427 +sg225232 +S'Artist Information (' +p234428 +sg225234 +S'(artist)' +p234429 +sg225236 +S'\n' +p234430 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007ab3.jpg' +p234431 +sg225240 +g27 +sa(dp234432 +g225230 +S'Spathura peruana (Peruvian Racket-Tail)' +p234433 +sg225232 +S'Artist Information (' +p234434 +sg225234 +S'(artist)' +p234435 +sg225236 +S'\n' +p234436 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007ab0.jpg' +p234437 +sg225240 +g27 +sa(dp234438 +g225230 +S'Eriocnemis vestitus (Glowing Puff-Leg)' +p234439 +sg225232 +S'Artist Information (' +p234440 +sg225234 +S'(artist)' +p234441 +sg225236 +S'\n' +p234442 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007ab2.jpg' +p234443 +sg225240 +g27 +sa(dp234444 +g225230 +S'Hylocharis lactea (Sapphire-breasted Emerald)' +p234445 +sg225232 +S'Artist Information (' +p234446 +sg225234 +S'(artist)' +p234447 +sg225236 +S'\n' +p234448 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007ab4.jpg' +p234449 +sg225240 +g27 +sa(dp234450 +g225230 +S'Parra Sinensis (Pheasant-Tailed Jacana)' +p234451 +sg225232 +S'Elizabeth Gould' +p234452 +sg225234 +S'hand-colored lithograph' +p234453 +sg225236 +S'unknown date\n' +p234454 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007aaa.jpg' +p234455 +sg225240 +g27 +sa(dp234456 +g225230 +S'Carpodacus erythrinus (Common Rose Finch)' +p234457 +sg225232 +S'Artist Information (' +p234458 +sg225234 +S'(artist)' +p234459 +sg225236 +S'\n' +p234460 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007ab1.jpg' +p234461 +sg225240 +g27 +sa(dp234462 +g225230 +S'Amsterdam Street Scene' +p234463 +sg225232 +S'Adrianus Eversen' +p234464 +sg225234 +S'oil on wood' +p234465 +sg225236 +S'unknown date\n' +p234466 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00038/a0003808.jpg' +p234467 +sg225240 +g27 +sa(dp234468 +g225230 +S'Mount Katahdin, Maine' +p234469 +sg225232 +S'Marsden Hartley' +p234470 +sg225234 +S'oil on hardboard' +p234471 +sg225236 +S'1942' +p234472 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a00000e0.jpg' +p234473 +sg225240 +g27 +sa(dp234474 +g225232 +S'John Hultberg' +p234475 +sg225240 +g27 +sg225234 +S'oil on canvas' +p234476 +sg225230 +S'The Island' +p234477 +sg225236 +S'1957' +p234478 +sa(dp234479 +g225232 +S'Etienne Reo' +p234480 +sg225240 +g27 +sg225234 +S'color etching' +p234481 +sg225230 +S'Conference' +p234482 +sg225236 +S'unknown date\n' +p234483 +sa(dp234484 +g225232 +S'Michiko Arima' +p234485 +sg225240 +g27 +sg225234 +S'color woodcut' +p234486 +sg225230 +S'Stage Setting' +p234487 +sg225236 +S'unknown date\n' +p234488 +sa(dp234489 +g225232 +S'David Alfaro Siqueiros' +p234490 +sg225240 +g27 +sg225234 +S'oil on hardboard' +p234491 +sg225230 +S'Self-Portrait' +p234492 +sg225236 +S'1948' +p234493 +sa(dp234494 +g225230 +S'Eve' +p234495 +sg225232 +S'Paul Gauguin' +p234496 +sg225234 +S'glazed ceramic' +p234497 +sg225236 +S'1890' +p234498 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00024/a0002440.jpg' +p234499 +sg225240 +g27 +sa(dp234500 +g225230 +S'The Aero' +p234501 +sg225232 +S'Marsden Hartley' +p234502 +sg225234 +S'oil on canvas' +p234503 +sg225236 +S'1914' +p234504 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a00000e1.jpg' +p234505 +sg225240 +g27 +sa(dp234506 +g225230 +S'Disparate conocido (Well-Known Folly)' +p234507 +sg225232 +S'Francisco de Goya' +p234508 +sg225234 +S'etching and burnished aquatint' +p234509 +sg225236 +S'in or after 1816' +p234510 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00057/a00057fd.jpg' +p234511 +sg225240 +g27 +sa(dp234512 +g225230 +S'Disparate puntual (Sure Folly)' +p234513 +sg225232 +S'Francisco de Goya' +p234514 +sg225234 +S'etching, aquatint and (drypoint?)' +p234515 +sg225236 +S'in or after 1816' +p234516 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00058/a0005808.jpg' +p234517 +sg225240 +g27 +sa(dp234518 +g225230 +S'Landscape with the Temptation of Christ' +p234519 +sg225232 +S'Artist Information (' +p234520 +sg225234 +S'(artist after)' +p234521 +sg225236 +S'\n' +p234522 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d055.jpg' +p234523 +sg225240 +g27 +sa(dp234524 +g225230 +S'Roxana Atwater Wentworth' +p234525 +sg225232 +S'George Peter Alexander Healy' +p234526 +sg225234 +S'oil on canvas' +p234527 +sg225236 +S'1876' +p234528 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a00000eb.jpg' +p234529 +sg225240 +g27 +sa(dp234530 +g225230 +S'Benjamin Tappan' +p234531 +sg225232 +S'Gilbert Stuart' +p234532 +sg225234 +S'oil on wood' +p234533 +sg225236 +S'1814' +p234534 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a0000251.jpg' +p234535 +sg225240 +g27 +sa(dp234536 +g225230 +S'Sarah Homes Tappan (Mrs. Benjamin Tappan)' +p234537 +sg225232 +S'Gilbert Stuart' +p234538 +sg225234 +S'oil on wood' +p234539 +sg225236 +S'1814' +p234540 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a0000252.jpg' +p234541 +sg225240 +g27 +sa(dp234542 +g225230 +S'Antony Valabr\xc3\xa8gue' +p234543 +sg225232 +S'Paul C\xc3\xa9zanne' +p234544 +sg225234 +S'oil on canvas' +p234545 +sg225236 +S'1866' +p234546 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a00006ad.jpg' +p234547 +sg225240 +S'The poet and art historian Antony Valabrègue,\r\nwho grew up with Cézanne in\r\nAix-en-Provence, sat for the young artist\r\nseveral times in the 1860s. Cézanne,\r\nworking diligently to find his artistic voice\r\nin the first decade of his career, often prevailed\r\nupon friends and relatives (including\r\nhis father) to act as models in his\r\nstudio on the family estate. The format\r\nCézanne chose for Valabrègue\xe2\x80\x99s likeness—a three-quarter-length figure with face\r\nturned slightly to the side, and a plain\r\nbackdrop—was fairly conventional: it had\r\nbeen employed in portraiture since the\r\nRenaissance. But he executed this traditional\r\nsubject in a wholly radical manner,\r\neschewing the precise delineation of form\r\n(as seen especially along the edges of the\r\ncoat, where black pigment spills onto the\r\ngray of the background). Even more strikingly,\r\nhe used a palette knife to apply thick\r\nlayers of pigment.\n Gustave Courbet, whose work Cézanne\r\nadmired on his sojourns in Paris, had\r\nbeen painting with a palette knife since the\r\n1850s. But the technique was still highly\r\nunorthodox when Cézanne adopted it in\r\n1866 to create a dramatic series of still lifes\r\nand portraits. A blunt instrument normally\r\nused to mix paint, the palette knife delivers\r\nbroad strokes of color that result in a heavily\r\nimpastoed surface. Courbet\xe2\x80\x99s rough-hewn\r\nstyle had shocked mid-nineteenth-century\r\nsensibilities, but Cézanne pursued a still more ferocious, even crude effect, a style\r\nthe artist himself termed \n The intentional coarseness of this early\r\nstyle contrasted directly with the polished\r\nperfection of tightly painted canvases then\r\nin favor with the public and especially with\r\njuries of the Salon. Cézanne signed Valabrègue\xe2\x80\x99s\r\nportrait prominently and submitted\r\nit to the Salon of 1866 with the anticipation\r\nthat it would be denied entrance,\r\nperhaps keeping in mind the example of\r\nCourbet, whose defiance of the art establishment\r\nhad brought him notoriety and\r\nmade him a leader of the avant-garde. One\r\nfriend wrote about Cézanne\xe2\x80\x99s eagerness to\r\nbe rejected, stating that "the painters of his\r\nacquaintance are preparing an ovation in\r\nhis honor."\n (Text by Margaret Doyle, \n Notes\n ' +p234548 +sa(dp234549 +g225230 +S'Shooting Star' +p234550 +sg225232 +S'Joan Mir\xc3\xb3' +p234551 +sg225234 +S'oil on canvas' +p234552 +sg225236 +S'1938' +p234553 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000dd8.jpg' +p234554 +sg225240 +g27 +sa(dp234555 +g225230 +S'Abstract Painting, No. 34' +p234556 +sg225232 +S'Ad Reinhardt' +p234557 +sg225234 +S'oil on canvas' +p234558 +sg225236 +S'1964' +p234559 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a00001f3.jpg' +p234560 +sg225240 +g27 +sa(dp234561 +g225232 +S'Bridget Riley' +p234562 +sg225240 +g27 +sg225234 +S'oil on canvas' +p234563 +sg225230 +S'Balm' +p234564 +sg225236 +S'1964' +p234565 +sa(dp234566 +g225232 +S'Artist Information (' +p234567 +sg225240 +g27 +sg225234 +S'(artist)' +p234568 +sg225230 +S'The Good Samaritan' +p234569 +sg225236 +S'\n' +p234570 +sa(dp234571 +g225230 +S'The Pool of Bethesda' +p234572 +sg225232 +S'Artist Information (' +p234573 +sg225234 +S'(artist)' +p234574 +sg225236 +S'\n' +p234575 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00077/a000775c.jpg' +p234576 +sg225240 +g27 +sa(dp234577 +g225230 +S'The Empty Saddle' +p234578 +sg225232 +S'Henry Merwin Shrady' +p234579 +sg225234 +S'bronze' +p234580 +sg225236 +S'model March/December 1900, cast January 1901' +p234581 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00016/a00016a9.jpg' +p234582 +sg225240 +g27 +sa(dp234583 +g225230 +S'Political Drama' +p234584 +sg225232 +S'Robert Delaunay' +p234585 +sg225234 +S'oil and collage on cardboard' +p234586 +sg225236 +S'1914' +p234587 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000dcf.jpg' +p234588 +sg225240 +S"Robert Delaunay had little artistic training beyond an apprenticeship to a stage-set designer. He studied the color theories of the French chemist Michel-Eugène Chevreul and how the neo-impressionists applied them to painting. He is best known for his Eiffel Tower series of 1909–1913, his Windows of 1912–1914, and his Circular Forms of 1913, which paved the way for \n In 1912, the poet-critic Guillaume Apollinaire praised Delaunay for his painting \n What Delaunay had to say of his tondo \n The source is a newspaper illustration depicting a murder. The caption to the illustration reads: "Tragic epilogue....The Wife of the French Finance Minister Joseph Cailloux Shoots Dead Gaston Calmette the Editor of \n Delaunay clearly recognized the power of concentrically arranged colored forms, something that would be fully exploited again only some 50 years later in the "target" paintings of Jasper Johns and Kenneth Noland and the concentric stripe paintings of Frank Stella. However, unlike Delaunay in \n 1. Robert Delaunay's summaries from discussion groups he held in 1938 and 1939, cited in Arthur A. Cohen, ed., \n 2. The man's jacket and head, the woman's jacket and muff, and the four quadrants of the central circle, now faded, are all cut-and-pasted paper elements.\n " +p234589 +sa(dp234590 +g225232 +S'Chaim Soutine' +p234591 +sg225240 +g27 +sg225234 +S'oil on canvas' +p234592 +sg225230 +S'Pastry Chef' +p234593 +sg225236 +S'c. 1923' +p234594 +sa(dp234595 +g225230 +S'Winter Valley' +p234596 +sg225232 +S'Lamar Dodd' +p234597 +sg225234 +S'oil on canvas' +p234598 +sg225236 +S'1944' +p234599 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a000007e.jpg' +p234600 +sg225240 +g27 +sa(dp234601 +g225232 +S'Jean Delpech' +p234602 +sg225240 +g27 +sg225234 +S'color screen print on Arches' +p234603 +sg225230 +S'Nuit Bleu Marine' +p234604 +sg225236 +S'1970' +p234605 +sa(dp234606 +g225232 +S'Jean Delpech' +p234607 +sg225240 +g27 +sg225234 +S'color screen print on Arches' +p234608 +sg225230 +S'Hermes, Enee, Jason, Ulysse' +p234609 +sg225236 +S'unknown date\n' +p234610 +sa(dp234611 +g225232 +S'Jean Delpech' +p234612 +sg225240 +g27 +sg225234 +S'color screen print on Arches' +p234613 +sg225230 +S'Neptune, Atlantique, Ocean Indien, Pacifique' +p234614 +sg225236 +S'unknown date\n' +p234615 +sa(dp234616 +g225232 +S'Jean Delpech' +p234617 +sg225240 +g27 +sg225234 +S'color screen print on Arches' +p234618 +sg225230 +S'Amphitrite, Mediterranee, Mer Boreale, Mer Australe' +p234619 +sg225236 +S'unknown date\n' +p234620 +sa(dp234621 +g225230 +S'The Grand Dauphin' +p234622 +sg225232 +S'Artist Information (' +p234623 +sg225234 +S'Dutch, c. 1640 - 1694' +p234624 +sg225236 +S'(artist after)' +p234625 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0003a/a0003a0b.jpg' +p234626 +sg225240 +g27 +sa(dp234627 +g225230 +S'Louis XIV' +p234628 +sg225232 +S'Artist Information (' +p234629 +sg225234 +S'Dutch, c. 1640 - 1694' +p234630 +sg225236 +S'(artist after)' +p234631 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0002c/a0002c30.jpg' +p234632 +sg225240 +g27 +sa(dp234633 +g225230 +S'The Penitent Magdalen' +p234634 +sg225232 +S'Nicolas Legendre' +p234635 +sg225234 +S'bronze' +p234636 +sg225236 +S'model 1664, cast probably before 1709' +p234637 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0005e/a0005ef9.jpg' +p234638 +sg225240 +g27 +sa(dp234639 +g225230 +S'The Last Judgment Triptych' +p234640 +sg225232 +S'Artist Information (' +p234641 +sg225234 +S'Flemish, c. 1510 - 1570' +p234642 +sg225236 +S'(publisher)' +p234643 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d051.jpg' +p234644 +sg225240 +g27 +sa(dp234645 +g225232 +S'Ronald Leroy Kowalke' +p234646 +sg225240 +g27 +sg225234 +S'etching' +p234647 +sg225230 +S'Canto IV: The Bard Began' +p234648 +sg225236 +S'1970' +p234649 +sa(dp234650 +g225232 +S'Ronald Leroy Kowalke' +p234651 +sg225240 +g27 +sg225234 +S'portfolio with 10 etchings' +p234652 +sg225230 +S"Dante's Inferno" +p234653 +sg225236 +S'1970' +p234654 +sa(dp234655 +g225232 +S'Ronald Leroy Kowalke' +p234656 +sg225240 +g27 +sg225234 +S'etching' +p234657 +sg225230 +S'Canto V: Lovers' +p234658 +sg225236 +S'1970' +p234659 +sa(dp234660 +g225232 +S'Ronald Leroy Kowalke' +p234661 +sg225240 +g27 +sg225234 +S'etching' +p234662 +sg225230 +S'Canto XIII: Harpies' +p234663 +sg225236 +S'1970' +p234664 +sa(dp234665 +g225232 +S'Ronald Leroy Kowalke' +p234666 +sg225240 +g27 +sg225234 +S'etching' +p234667 +sg225230 +S'Canto XIV: Rain' +p234668 +sg225236 +S'1970' +p234669 +sa(dp234670 +g225232 +S'Ronald Leroy Kowalke' +p234671 +sg225240 +g27 +sg225234 +S'etching' +p234672 +sg225230 +S"Canto XIX: Sinner's Feet" +p234673 +sg225236 +S'1970' +p234674 +sa(dp234675 +g225232 +S'Ronald Leroy Kowalke' +p234676 +sg225240 +g27 +sg225234 +S'etching' +p234677 +sg225230 +S'Canto XXII: The Pit' +p234678 +sg225236 +S'1970' +p234679 +sa(dp234680 +g225232 +S'Ronald Leroy Kowalke' +p234681 +sg225240 +g27 +sg225234 +S'etching' +p234682 +sg225230 +S'Canto XXIV: Shades' +p234683 +sg225236 +S'1970' +p234684 +sa(dp234685 +g225232 +S'Ronald Leroy Kowalke' +p234686 +sg225240 +g27 +sg225234 +S'etching' +p234687 +sg225230 +S'Canto XXVIII: The Heretics' +p234688 +sg225236 +S'1970' +p234689 +sa(dp234690 +g225232 +S'Ronald Leroy Kowalke' +p234691 +sg225240 +g27 +sg225234 +S'etching' +p234692 +sg225230 +S'Canto XXVIX: Spirits' +p234693 +sg225236 +S'1970' +p234694 +sa(dp234695 +g225232 +S'Ronald Leroy Kowalke' +p234696 +sg225240 +g27 +sg225234 +S'etching' +p234697 +sg225230 +S'Canto XXXII: Poor Brethern' +p234698 +sg225236 +S'1970' +p234699 +sa(dp234700 +g225230 +S'Small Worlds I' +p234701 +sg225232 +S'Wassily Kandinsky' +p234702 +sg225234 +S'4-color lithograph' +p234703 +sg225236 +S'1922' +p234704 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00017/a000177d.jpg' +p234705 +sg225240 +g27 +sa(dp234706 +g225232 +S'Wassily Kandinsky' +p234707 +sg225240 +g27 +sg225234 +S'4-color lithograph' +p234708 +sg225230 +S'Small Worlds II' +p234709 +sg225236 +S'1922' +p234710 +sa(dp234711 +g225232 +S'Wassily Kandinsky' +p234712 +sg225240 +g27 +sg225234 +S'4-color lithograph' +p234713 +sg225230 +S'Small Worlds III' +p234714 +sg225236 +S'1922' +p234715 +sa(dp234716 +g225232 +S'Wassily Kandinsky' +p234717 +sg225240 +g27 +sg225234 +S'color lithograph' +p234718 +sg225230 +S'Small Worlds IV' +p234719 +sg225236 +S'1922' +p234720 +sa(dp234721 +g225232 +S'Wassily Kandinsky' +p234722 +sg225240 +g27 +sg225234 +S'4-color lithograph' +p234723 +sg225230 +S'Small Worlds V' +p234724 +sg225236 +S'1922' +p234725 +sa(dp234726 +g225232 +S'Wassily Kandinsky' +p234727 +sg225240 +g27 +sg225234 +S'woodcut' +p234728 +sg225230 +S'Small Worlds VI' +p234729 +sg225236 +S'1922' +p234730 +sa(dp234731 +g225230 +S'Small Worlds VII' +p234732 +sg225232 +S'Wassily Kandinsky' +p234733 +sg225234 +S'lithograph in yellow, blue, and black' +p234734 +sg225236 +S'1922' +p234735 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00016/a000164d.jpg' +p234736 +sg225240 +g27 +sa(dp234737 +g225232 +S'Wassily Kandinsky' +p234738 +sg225240 +g27 +sg225234 +S'woodcut' +p234739 +sg225230 +S'Small Worlds VIII' +p234740 +sg225236 +S'1922' +p234741 +sa(dp234742 +g225232 +S'Wassily Kandinsky' +p234743 +sg225240 +g27 +sg225234 +S'drypoint' +p234744 +sg225230 +S'Small Worlds IX' +p234745 +sg225236 +S'1922' +p234746 +sa(dp234747 +g225232 +S'Wassily Kandinsky' +p234748 +sg225240 +g27 +sg225234 +S'drypoint' +p234749 +sg225230 +S'Small Worlds X' +p234750 +sg225236 +S'1922' +p234751 +sa(dp234752 +g225232 +S'Wassily Kandinsky' +p234753 +sg225240 +g27 +sg225234 +S'drypoint' +p234754 +sg225230 +S'Small Worlds XI' +p234755 +sg225236 +S'1922' +p234756 +sa(dp234757 +g225232 +S'Wassily Kandinsky' +p234758 +sg225240 +g27 +sg225234 +S'drypoint' +p234759 +sg225230 +S'Small Worlds XII' +p234760 +sg225236 +S'1922' +p234761 +sa(dp234762 +g225230 +S'The Great American Nude' +p234763 +sg225232 +S'Tom Wesselmann' +p234764 +sg225234 +S'color screenptint on shaped vinyl with die-cut cardboard mat' +p234765 +sg225236 +S'1966' +p234766 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000b/a0000bd6.jpg' +p234767 +sg225240 +g27 +sa(dp234768 +g225232 +S'Otto Dix' +p234769 +sg225240 +g27 +sg225234 +S'etching and aquatint' +p234770 +sg225230 +S'Tote vor der Stellung bei Tahure' +p234771 +sg225236 +S'1924' +p234772 +sa(dp234773 +g225232 +S'Andy Warhol' +p234774 +sg225240 +g27 +sg225234 +S'screenprint in silver on wove paper' +p234775 +sg225230 +S'Jackie I' +p234776 +sg225236 +S'1966' +p234777 +sa(dp234778 +g225230 +S'Title Page' +p234779 +sg225232 +S'Hubert Robert' +p234780 +sg225234 +S'etching' +p234781 +sg225236 +S'unknown date\n' +p234782 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008c78.jpg' +p234783 +sg225240 +g27 +sa(dp234784 +g225230 +S'The Sarcophagus' +p234785 +sg225232 +S'Hubert Robert' +p234786 +sg225234 +S'etching' +p234787 +sg225236 +S'unknown date\n' +p234788 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008c7b.jpg' +p234789 +sg225240 +g27 +sa(dp234790 +g225230 +S'The Statue before the Ruins' +p234791 +sg225232 +S'Hubert Robert' +p234792 +sg225234 +S'etching' +p234793 +sg225236 +S'unknown date\n' +p234794 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008c7f.jpg' +p234795 +sg225240 +g27 +sa(dp234796 +g225230 +S'Steps to the Four Landmarks' +p234797 +sg225232 +S'Hubert Robert' +p234798 +sg225234 +S'etching' +p234799 +sg225236 +S'unknown date\n' +p234800 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008c7a.jpg' +p234801 +sg225240 +g27 +sa(dp234802 +g225230 +S'The Ancient Temple' +p234803 +sg225232 +S'Hubert Robert' +p234804 +sg225234 +S'etching' +p234805 +sg225236 +S'unknown date\n' +p234806 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008c83.jpg' +p234807 +sg225240 +g27 +sa(dp234808 +g225230 +S'The Portrait Bust' +p234809 +sg225232 +S'Hubert Robert' +p234810 +sg225234 +S'etching' +p234811 +sg225236 +S'unknown date\n' +p234812 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008c7e.jpg' +p234813 +sg225240 +g27 +sa(dp234814 +g225230 +S'The Well' +p234815 +sg225232 +S'Hubert Robert' +p234816 +sg225234 +S'etching' +p234817 +sg225236 +S'unknown date\n' +p234818 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008c7c.jpg' +p234819 +sg225240 +g27 +sa(dp234820 +g225230 +S'The Triumphal Arch' +p234821 +sg225232 +S'Hubert Robert' +p234822 +sg225234 +S'etching' +p234823 +sg225236 +S'unknown date\n' +p234824 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008c80.jpg' +p234825 +sg225240 +g27 +sa(dp234826 +g225230 +S'The Post' +p234827 +sg225232 +S'Hubert Robert' +p234828 +sg225234 +S'etching' +p234829 +sg225236 +S'unknown date\n' +p234830 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008c7d.jpg' +p234831 +sg225240 +g27 +sa(dp234832 +g225230 +S'The Ancient Gallery' +p234833 +sg225232 +S'Hubert Robert' +p234834 +sg225234 +S'etching' +p234835 +sg225236 +S'unknown date\n' +p234836 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008c79.jpg' +p234837 +sg225240 +g27 +sa(dp234838 +g225230 +S'Family Group' +p234839 +sg225232 +S'William Glackens' +p234840 +sg225234 +S'oil on canvas' +p234841 +sg225236 +S'1910/1911' +p234842 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a00000cb.jpg' +p234843 +sg225240 +g27 +sa(dp234844 +g225230 +S'Bizarre' +p234845 +sg225232 +S'Allen Tucker' +p234846 +sg225234 +S'oil on canvas' +p234847 +sg225236 +S'1928' +p234848 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a000027e.jpg' +p234849 +sg225240 +g27 +sa(dp234850 +g225230 +S'Madison Square, Snow' +p234851 +sg225232 +S'Allen Tucker' +p234852 +sg225234 +S'oil on canvas' +p234853 +sg225236 +S'1904' +p234854 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a000027f.jpg' +p234855 +sg225240 +g27 +sa(dp234856 +g225230 +S'The Triumph of David' +p234857 +sg225232 +S'Artist Information (' +p234858 +sg225234 +S'Dutch, 1649 - 1712' +p234859 +sg225236 +S'(related artist)' +p234860 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f04.jpg' +p234861 +sg225240 +g27 +sa(dp234862 +g225230 +S'Antique Subject' +p234863 +sg225232 +S'Artist Information (' +p234864 +sg225234 +S'Swiss, 1741 - 1807' +p234865 +sg225236 +S'(related artist)' +p234866 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006a/a0006a1e.jpg' +p234867 +sg225240 +g27 +sa(dp234868 +g225230 +S'Saint Eustace' +p234869 +sg225232 +S'Albrecht D\xc3\xbcrer' +p234870 +sg225234 +S'engraving on laid paper' +p234871 +sg225236 +S'c. 1500/1501' +p234872 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00016/a000163a.jpg' +p234873 +sg225240 +g27 +sa(dp234874 +g225230 +S'The Voyage of Life: Childhood' +p234875 +sg225232 +S'Thomas Cole' +p234876 +sg225234 +S'oil on canvas' +p234877 +sg225236 +S'1842' +p234878 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a0000053.jpg' +p234879 +sg225240 +S"Cole's renowned four–part series traces the journey of an archetypal hero along the "River of Life." Confidently assuming control of his destiny and oblivious to the dangers that await him, the voyager boldly strives to reach an aerial castle, emblematic of the daydreams of "Youth" and its aspirations for glory and fame. As the traveler approaches his goal, the ever–more–turbulent stream deviates from its course and relentlessly carries him toward the next picture in the series, where\r\nnature's fury, evil demons, and self–doubt will threaten his very existence. Only prayer, Cole suggests, can save the voyager from a dark and tragic fate.\n From the innocence of childhood, to the flush of youthful overconfidence, through the trials and tribulations of middle age, to the hero's triumphant salvation, \n " +p234880 +sa(dp234881 +g225230 +S'The Voyage of Life: Youth' +p234882 +sg225232 +S'Thomas Cole' +p234883 +sg225234 +S'oil on canvas' +p234884 +sg225236 +S'1842' +p234885 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a0000054.jpg' +p234886 +sg225240 +S'Cole\'s renowned four-part series traces the journey of an archetypal hero along\nthe "River of Life." Confidently assuming control of his destiny and oblivious to\nthe dangers that await him, the voyager boldly strives to reach an aerial castle,\nemblematic of the daydreams of "Youth" and its aspirations for glory and fame. As\nthe traveler approaches his goal, the ever-more-turbulent stream deviates from its\ncourse and relentlessly carries him toward the next picture in the series, where\nnature\'s fury, evil demons, and self-doubt will threaten his very existence. Only\nprayer, Cole suggests, can save the voyager from a dark and tragic fate.\n From the innocence of childhood, to the flush of youthful overconfidence, through\nthe trials and tribulations of middle age, to the hero\'s triumphant salvation, \n ' +p234887 +sa(dp234888 +g225230 +S'The Voyage of Life: Manhood' +p234889 +sg225232 +S'Thomas Cole' +p234890 +sg225234 +S'oil on canvas' +p234891 +sg225236 +S'1842' +p234892 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a0000055.jpg' +p234893 +sg225240 +S'Cole\'s renowned four-part series traces the journey of an archetypal hero along\nthe "River of Life." Confidently assuming control of his destiny and oblivious to\nthe dangers that await him, the voyager boldly strives to reach an aerial castle,\nemblematic of the daydreams of "Youth" and its aspirations for glory and fame. As\nthe traveler approaches his goal, the ever-more-turbulent stream deviates from its\ncourse and relentlessly carries him toward the next picture in the series, where\nnature\'s fury, evil demons, and self-doubt will threaten his very existence. Only\nprayer, Cole suggests, can save the voyager from a dark and tragic fate.\n From the innocence of childhood, to the flush of youthful overconfidence, through\nthe trials and tribulations of middle age, to the hero\'s triumphant salvation, \n ' +p234894 +sa(dp234895 +g225230 +S'The Voyage of Life: Old Age' +p234896 +sg225232 +S'Thomas Cole' +p234897 +sg225234 +S'oil on canvas' +p234898 +sg225236 +S'1842' +p234899 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a0000056.jpg' +p234900 +sg225240 +S'Cole\'s renowned four-part series traces the journey of an archetypal hero along\nthe "River of Life." Confidently assuming control of his destiny and oblivious to\nthe dangers that await him, the voyager boldly strives to reach an aerial castle,\nemblematic of the daydreams of "Youth" and its aspirations for glory and fame. As\nthe traveler approaches his goal, the ever-more-turbulent stream deviates from its\ncourse and relentlessly carries him toward the next picture in the series, where\nnature\'s fury, evil demons, and self-doubt will threaten his very existence. Only\nprayer, Cole suggests, can save the voyager from a dark and tragic fate.\n From the innocence of childhood, to the flush of youthful overconfidence, through\nthe trials and tribulations of middle age, to the hero\'s triumphant salvation, \n ' +p234901 +sa(dp234902 +g225230 +S'Head of a Man' +p234903 +sg225232 +S'Domenico Campagnola' +p234904 +sg225234 +S'pen and brown ink on laid paper' +p234905 +sg225236 +S'unknown date\n' +p234906 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a00074fb.jpg' +p234907 +sg225240 +g27 +sa(dp234908 +g225230 +S'Head of a Man' +p234909 +sg225232 +S'Domenico Campagnola' +p234910 +sg225234 +S'pen and brown ink on laid paper' +p234911 +sg225236 +S'unknown date\n' +p234912 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a00074fc.jpg' +p234913 +sg225240 +g27 +sa(dp234914 +g225230 +S'Creusa Carrying the Gods of Troy' +p234915 +sg225232 +S'Simon Vouet' +p234916 +sg225234 +S'black chalk heightened with white chalk on blue laid paper, with later framing line in brown ink' +p234917 +sg225236 +S'c. 1635' +p234918 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00037/a00037fd.jpg' +p234919 +sg225240 +g27 +sa(dp234920 +g225230 +S'Deborah Kip, Wife of Sir Balthasar Gerbier, and Her Children' +p234921 +sg225232 +S'Artist Information (' +p234922 +sg225234 +S'(painter)' +p234923 +sg225236 +S'\n' +p234924 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d7d.jpg' +p234925 +sg225240 +S"A man of great integrity, probity, and discretion, Rubens was often entrusted\nwith delicate diplomatic missions which could be accomplished under cover of his\nactivities as an artist. So it was that in an effort to secure peace between Spain\nand England he spent, in 1629, several months in London as the guest of Balthasar\nGerbier, himself a diplomatic agent, artist, and advisor to the Duke of Buckingham.\nGerbier's wife, Deborah Kip, was the daughter of a well-to-do member of the Dutch\ncommunity in London.\n Deborah Kip and four of her children are shown on a terrace elaborately appointed\nwith entwined caryatids who support a bower, a setting that indicates the status\nof the family group. Further richness is evident in Deborah Kip's elegantly embroidered\nskirt and lustrous blouse and cap. Perched on the back of her chair is a blue-gray\nparrot, a symbol of aristocratic wealth and an allusion, in Christian art, to the\nperfect mother, the Virgin Mary. At the rear George holds back a curtain; Elizabeth,\ndressed entirely in black, is serene and composed; and Susan rests her arms on her\nmother's knee and tilts her head, returning our gaze. Despite the elegant setting\nand the bravura brushwork, Rubens controlled the composition so that we are not\nallowed to lose sight of the tender relationship between a mother and her children.\n " +p234926 +sa(dp234927 +g225230 +S'Standing Youth with a Branch' +p234928 +sg225232 +S'German 14th Century' +p234929 +sg225234 +S'overall: 13 x 5.4 cm (5 1/8 x 2 1/8 in.)' +p234930 +sg225236 +S'\npen and black ink with orange tempera on vellum' +p234931 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00033/a00033d6.jpg' +p234932 +sg225240 +g27 +sa(dp234933 +g225230 +S'Seated Girl with a Dog' +p234934 +sg225232 +S'German 14th Century' +p234935 +sg225234 +S'overall: 13.4 x 6.4 cm (5 1/4 x 2 1/2 in.)' +p234936 +sg225236 +S'\npen and black ink with orange tempera on vellum' +p234937 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00033/a00033d7.jpg' +p234938 +sg225240 +g27 +sa(dp234939 +g225230 +S'Simeon the Patriarch' +p234940 +sg225232 +S'Maerten van Heemskerck' +p234941 +sg225234 +S'pen and brown ink' +p234942 +sg225236 +S'1549' +p234943 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006d6a.jpg' +p234944 +sg225240 +g27 +sa(dp234945 +g225230 +S'Napoleon Views His Rising Star' +p234946 +sg225232 +S'Alphonse Marie Mucha' +p234947 +sg225234 +S'charcoal' +p234948 +sg225236 +S'unknown date\n' +p234949 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006a/a0006a56.jpg' +p234950 +sg225240 +g27 +sa(dp234951 +g225230 +S'Market Scene' +p234952 +sg225232 +S'Netherlandish 17th Century' +p234953 +sg225234 +S'overall: 12.9 x 15.9 cm (5 1/16 x 6 1/4 in.)' +p234954 +sg225236 +S'\nblack and gray wash on laid paper' +p234955 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006e97.jpg' +p234956 +sg225240 +g27 +sa(dp234957 +g225230 +S'The Annunciation' +p234958 +sg225232 +S'German 16th Century' +p234959 +sg225234 +S'Overall: 15.2 x 13.2 cm (6 x 5 3/16 in.)\r\nsupport: 22.3 x 17.3 cm (8 3/4 x 6 13/16 in.)' +p234960 +sg225236 +S'\npen and brown ink with red-brown wash heightened with white on red-brown prepared laid paper' +p234961 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00079/a0007948.jpg' +p234962 +sg225240 +g27 +sa(dp234963 +g225230 +S'Landscape (after Paul Bril)' +p234964 +sg225232 +S'Herman van Swanevelt' +p234965 +sg225234 +S'pen and brown ink with brown and gray wash on laid paper' +p234966 +sg225236 +S'unknown date\n' +p234967 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00037/a00037f2.jpg' +p234968 +sg225240 +g27 +sa(dp234969 +g225230 +S'Angels and Putti in the Clouds' +p234970 +sg225232 +S'Federico Zuccaro' +p234971 +sg225234 +S'red and black chalk over graphite?, incised with stylus, on laid paper squared with red chalk' +p234972 +sg225236 +S'1566' +p234973 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00038/a0003800.jpg' +p234974 +sg225240 +g27 +sa(dp234975 +g225230 +S'Study of a Man Walking towards the Left Holding a Staff' +p234976 +sg225232 +S'Girolamo Siciolante' +p234977 +sg225234 +S'pen and brown ink and brown wash heightened with white over red chalk on blue paper' +p234978 +sg225236 +S'unknown date\n' +p234979 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00075/a0007580.jpg' +p234980 +sg225240 +g27 +sa(dp234981 +g225230 +S'The Triumph of Christ' +p234982 +sg225232 +S'Giovanni Battista della Rovere' +p234983 +sg225234 +S'pen and brown ink with brown wash and touches of black chalk, heightened with white, on laid paper' +p234984 +sg225236 +S'unknown date\n' +p234985 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a00074a4.jpg' +p234986 +sg225240 +g27 +sa(dp234987 +g225230 +S'Landscape' +p234988 +sg225232 +S'Salvator Rosa' +p234989 +sg225234 +S'pen and brown ink with gray wash on laid paper' +p234990 +sg225236 +S'mid 1660s' +p234991 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a0007480.jpg' +p234992 +sg225240 +g27 +sa(dp234993 +g225230 +S'Baccio Bandinelli' +p234994 +sg225232 +S'Nicol\xc3\xb2 della Casa' +p234995 +sg225234 +S'engraving' +p234996 +sg225236 +S'unknown date\n' +p234997 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00083/a0008388.jpg' +p234998 +sg225240 +g27 +sa(dp234999 +g225230 +S'The Two Hinnies' +p235000 +sg225232 +S'Jan Both' +p235001 +sg225234 +S'etching' +p235002 +sg225236 +S'unknown date\n' +p235003 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4e1.jpg' +p235004 +sg225240 +g27 +sa(dp235005 +g225230 +S'The Large Tree' +p235006 +sg225232 +S'Jan Both' +p235007 +sg225234 +S'etching' +p235008 +sg225236 +S'unknown date\n' +p235009 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4d6.jpg' +p235010 +sg225240 +g27 +sa(dp235011 +g225230 +S'The Ox-Cart: View between Ancona and Sinigaglia' +p235012 +sg225232 +S'Jan Both' +p235013 +sg225234 +S'etching' +p235014 +sg225236 +S'unknown date\n' +p235015 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4d4.jpg' +p235016 +sg225240 +g27 +sa(dp235017 +g225230 +S'The Woman on the Hinny' +p235018 +sg225232 +S'Jan Both' +p235019 +sg225234 +S'etching' +p235020 +sg225236 +S'unknown date\n' +p235021 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4d2.jpg' +p235022 +sg225240 +g27 +sa(dp235023 +g225230 +S'Auch ein Todtentanz: Title Page' +p235024 +sg225232 +S'Alfred Rethel' +p235025 +sg225234 +S'typeset printing' +p235026 +sg225236 +S'1849' +p235027 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b3c5.jpg' +p235028 +sg225240 +g27 +sa(dp235029 +g225230 +S'Auch ein Todtentanz III' +p235030 +sg225232 +S'Alfred Rethel' +p235031 +sg225234 +S'wood engraving' +p235032 +sg225236 +S'1849' +p235033 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b3c8.jpg' +p235034 +sg225240 +g27 +sa(dp235035 +g225230 +S'Auch ein Todtentanz I' +p235036 +sg225232 +S'Alfred Rethel' +p235037 +sg225234 +S'wood engraving' +p235038 +sg225236 +S'1849' +p235039 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0005d/a0005dce.jpg' +p235040 +sg225240 +g27 +sa(dp235041 +g225230 +S'Auch ein Todtentanz V' +p235042 +sg225232 +S'Alfred Rethel' +p235043 +sg225234 +S'wood engraving' +p235044 +sg225236 +S'1849' +p235045 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on laid paper' +p235710 +sg225236 +S'1579' +p235711 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006a/a0006a18.jpg' +p235712 +sg225240 +g27 +sa(dp235713 +g225230 +S'Two Studies of a Standing Woman' +p235714 +sg225232 +S'Italian 17th Century' +p235715 +sg225234 +S'overall: 26.5 x 19.7 cm (10 7/16 x 7 3/4 in.)' +p235716 +sg225236 +S'\nblack chalk on laid paper' +p235717 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a0007483.jpg' +p235718 +sg225240 +g27 +sa(dp235719 +g225230 +S'Study of a Female Nude' +p235720 +sg225232 +S'Alessandro Casolani' +p235721 +sg225234 +S'black and white chalk on blue-green paper' +p235722 +sg225236 +S'unknown date\n' +p235723 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00075/a0007538.jpg' +p235724 +sg225240 +g27 +sa(dp235725 +g225230 +S'Allegory of Age' +p235726 +sg225232 +S'Jacob Matham' +p235727 +sg225234 +S'pen and brown ink with brown wash on laid paper' +p235728 +sg225236 +S'unknown date\n' +p235729 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006ed2.jpg' +p235730 +sg225240 +g27 +sa(dp235731 +g225230 +S'Study for Miraculous Draught of Fishes (?)' +p235732 +sg225232 +S'Jean-Baptiste Jouvenet' +p235733 +sg225234 +S'black chalk with touches of white chalk on brown paper' +p235734 +sg225236 +S'unknown date\n' +p235735 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006dbf.jpg' +p235736 +sg225240 +g27 +sa(dp235737 +g225230 +S'The "Palais Tutelle" near Bordeaux' +p235738 +sg225232 +S'Jacques Androuet du Cerceau' +p235739 +sg225234 +S', unknown date' +p235740 +sg225236 +S'\n' +p235741 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00071/a0007173.jpg' +p235742 +sg225240 +g27 +sa(dp235743 +g225230 +S'The Martyrdom of Saint Alexander of Bergamo' +p235744 +sg225232 +S'Lorenzo Lotto' +p235745 +sg225234 +S'pen and brown ink, squared with black chalk, on two joined sheets of laid paper' +p235746 +sg225236 +S'1520/1524' +p235747 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00075/a000756b.jpg' +p235748 +sg225240 +g27 +sa(dp235749 +g225230 +S'Cupid Bound' +p235750 +sg225232 +S'Raphael' +p235751 +sg225234 +S', unknown date' +p235752 +sg225236 +S'\n' +p235753 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00075/a000751e.jpg' +p235754 +sg225240 +g27 +sa(dp235755 +g225230 +S'The Good Thief' +p235756 +sg225232 +S'Karel van Mander I' +p235757 +sg225234 +S'pen and brown ink with brown and (orange?) wash, heightened with white' +p235758 +sg225236 +S'unknown date\n' +p235759 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00072/a0007278.jpg' +p235760 +sg225240 +g27 +sa(dp235761 +g225230 +S'Two Male Nudes' +p235762 +sg225232 +S'Baccio Bandinelli' +p235763 +sg225234 +S'pen and brown ink on laid paper' +p235764 +sg225236 +S'c. 1520' +p235765 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00075/a000752c.jpg' +p235766 +sg225240 +g27 +sa(dp235767 +g225230 +S'Landscape with Bridge and Ruins in Background' +p235768 +sg225232 +S'Pieter Dircksz Santvoort' +p235769 +sg225234 +S'pen and brown ink with brown wash on laid paper' +p235770 +sg225236 +S'unknown date\n' +p235771 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00072/a00072f4.jpg' +p235772 +sg225240 +g27 +sa(dp235773 +g225230 +S'God the Father and Angels on Clouds' +p235774 +sg225232 +S'Raffaello Motta' +p235775 +sg225234 +S'pen and brown ink with brown wash heightened with white' +p235776 +sg225236 +S'unknown date\n' +p235777 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00075/a000756e.jpg' +p235778 +sg225240 +g27 +sa(dp235779 +g225230 +S'Tableau No. IV; Lozenge Composition with Red, Gray, Blue, Yellow, and Black' +p235780 +sg225232 +S'Piet Mondrian' +p235781 +sg225234 +S'oil on canvas' +p235782 +sg225236 +S'c. 1924/1925' +p235783 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000ec6.jpg' +p235784 +sg225240 +S'Piet Mondrian intended his abstract or so-called "neo-plastic" paintings to\n express his fundamentally spiritual notion that universal harmonies preside in nature. The\n horizontal and vertical elements of his compositions, assiduously calibrated to produce a\n balanced asymmetry, represented forces of opposition that parallel the dynamic equilibrium at\n work in the natural world. By 1921 Mondrian had distilled his compositions into black lines that\n intersect at right angles, defining rectangles painted only in white or gray and the three\n primary colors.\n In 1918 the artist turned one of these square canvases 45 degrees to rest "on\n point," doing so without rotating the linear elements within the composition.\n Approximately three years later he merged that format with the elemental color scheme of his\n mature works to produce this monumental painting, the earliest of the neo-plastic\n diamond or lozenge compositions. Repainted around 1925, when the black lines were thickened,\n this picture relates to several other works of the 1920s, where color is restricted to the\n periphery. Mondrian said the diamond compositions were about cutting, and indeed the sense of\n cropping here is emphatic. Forms are incomplete, sliced by the edge of the canvas, thus\n implying a pictorial continuum that extends beyond the physical boundary of the painting.\n ' +p235785 +sa(dp235786 +g225230 +S'Landscape' +p235787 +sg225232 +S'Peter De Wint' +p235788 +sg225234 +S'watercolor' +p235789 +sg225236 +S'unknown date\n' +p235790 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c91.jpg' +p235791 +sg225240 +g27 +sa(dp235792 +g225232 +S'John Sloan' +p235793 +sg225240 +g27 +sg225234 +S'graphite on tracing paper' +p235794 +sg225230 +S'The City from Greenwich Village' +p235795 +sg225236 +S'c. 1922' +p235796 +sa(dp235797 +g225232 +S'John Sloan' +p235798 +sg225240 +g27 +sg225234 +S'graphite' +p235799 +sg225230 +S'The City from Greenwich Village' +p235800 +sg225236 +S'c. 1922' +p235801 +sa(dp235802 +g225230 +S'Ill-Matched Lovers' +p235803 +sg225232 +S'Quentin Massys' +p235804 +sg225234 +S'oil on panel' +p235805 +sg225236 +S'c. 1520/1525' +p235806 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00004/a0000498.jpg' +p235807 +sg225240 +S"The pairing of unequal couples has a literary history dating back to antiquity when Plautus, a Roman comic poet from the 3rd–century BC, cautioned elderly men against courting younger ladies. By the late–15th and early–16th centuries, the coupling of old men with young women or old women with young men had become popular themes in northern European art and literature.\n This painting provides a clear illustration of the ideas that old age, especially lecherous old age, leads to foolishness—with the fool participating in the deception by helping to rob the old man's purse—and that women's sexual powers cause men to behave absurdly and to lose their wits and their money. The deck of cards may allude to competition between the sexes, morally loose or amorous behavior, and the loss and gain of money through gambling.\n The painting is an example of Massys' ability to assimilate elements from both northern and Italian art. Apparently familiar with Leonardo da Vinci's grotesque drawings of physiognomy and distortion, Massys adapted the facial type for the old lecher from one of Leonardo's caricatures, and the complicated pose of the suitor from Leonardo's lost drawing of an ill–matched pair, known today through a later copy.\n " +p235808 +sa(dp235809 +g225230 +S'Vista from a Grotto' +p235810 +sg225232 +S'David Teniers the Younger' +p235811 +sg225234 +S'oil on panel' +p235812 +sg225236 +S'early 1630s' +p235813 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e34.jpg' +p235814 +sg225240 +g27 +sa(dp235815 +g225230 +S'The Seine' +p235816 +sg225232 +S'Henry Ossawa Tanner' +p235817 +sg225234 +S'oil on canvas' +p235818 +sg225236 +S'c. 1902' +p235819 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a000026e.jpg' +p235820 +sg225240 +S'Henry Ossawa Tanner, son of an African American minister,\r\n left the United States partly to escape racial prejudice.\r\n After studying under \n The Seine\n ' +p235821 +sa(dp235822 +g225230 +S'The Plow and the Song' +p235823 +sg225232 +S'Arshile Gorky' +p235824 +sg225234 +S'graphite, charcoal, crayon, pastel and oil on wove paper' +p235825 +sg225236 +S'1946' +p235826 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a00008e2.jpg' +p235827 +sg225240 +g27 +sa(dp235828 +g225230 +S'Study for Marine Building Mural' +p235829 +sg225232 +S'Arshile Gorky' +p235830 +sg225234 +S'gouache on heavy paper mounted on ground wood boards' +p235831 +sg225236 +S'1939' +p235832 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a00008e3.jpg' +p235833 +sg225240 +g27 +sa(dp235834 +g225230 +S'Landscape with a Large Rock' +p235835 +sg225232 +S'Filippo Napoletano' +p235836 +sg225234 +S'pen and brown ink with brown wash and black chalk' +p235837 +sg225236 +S'c. 1621/1629' +p235838 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00067/a0006783.jpg' +p235839 +sg225240 +g27 +sa(dp235840 +g225230 +S'Study for "The Four Doctors of the Church"' +p235841 +sg225232 +S'Domenico Beccafumi' +p235842 +sg225234 +S'pen and brown ink with brown wash and red chalk heightened with white on laid paper' +p235843 +sg225236 +S'unknown date\n' +p235844 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a00074e4.jpg' +p235845 +sg225240 +g27 +sa(dp235846 +g225230 +S'Japanese Artist at Work' +p235847 +sg225232 +S'Adolph Menzel' +p235848 +sg225234 +S'graphite on paperboard' +p235849 +sg225236 +S'1886' +p235850 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006e72.jpg' +p235851 +sg225240 +g27 +sa(dp235852 +g225230 +S'A Standing Man in Classical Drapery' +p235853 +sg225232 +S'Girolamo Muziano' +p235854 +sg225234 +S'brown wash with white heightening over black chalk on green-blue paper laid on brown washed paper' +p235855 +sg225236 +S'1544/1549' +p235856 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00065/a000658f.jpg' +p235857 +sg225240 +g27 +sa(dp235858 +g225232 +S'Various Artists' +p235859 +sg225240 +g27 +sg225234 +S'Ailsa Mellon Bruce Fund' +p235860 +sg225230 +S'Livre de Paissage' +p235861 +sg225236 +S'\nbound volume with 232 etchings and engravings by Frisius, Hondius, J. van de Velde II, E. van de Velde, C. Visscher, Nieulandt, and anonymous artists' +p235862 +sa(dp235863 +g225232 +S'Artist Information (' +p235864 +sg225240 +g27 +sg225234 +S'(artist after)' +p235865 +sg225230 +S'Title Page' +p235866 +sg225236 +S'\n' +p235867 +sa(dp235868 +g225232 +S'Artist Information (' +p235869 +sg225240 +g27 +sg225234 +S'(artist after)' +p235870 +sg225230 +S'Topographia variarvm regionvm' +p235871 +sg225236 +S'\n' +p235872 +sa(dp235873 +g225232 +S'Jan van de Velde II' +p235874 +sg225240 +g27 +sg225234 +S'etching' +p235875 +sg225230 +S"'Spaernwouder' or 'Amsterdamsche Poort' at Haarlem" +p235876 +sg225236 +S'1616' +p235877 +sa(dp235878 +g225232 +S'Jan van de Velde II' +p235879 +sg225240 +g27 +sg225234 +S'etching' +p235880 +sg225230 +S'Water-mill Left of Ruins' +p235881 +sg225236 +S'1616' +p235882 +sa(dp235883 +g225232 +S'Jan van de Velde II' +p235884 +sg225240 +g27 +sg225234 +S'etching' +p235885 +sg225230 +S'Frozen River with Skaters' +p235886 +sg225236 +S'1616' +p235887 +sa(dp235888 +g225232 +S'Jan van de Velde II' +p235889 +sg225240 +g27 +sg225234 +S'etching' +p235890 +sg225230 +S'Title' +p235891 +sg225236 +S'1616' +p235892 +sa(dp235893 +g225232 +S'Jan van de Velde II' +p235894 +sg225240 +g27 +sg225234 +S'etching' +p235895 +sg225230 +S'Draw-well among Trees' +p235896 +sg225236 +S'1616' +p235897 +sa(dp235898 +g225232 +S'Jan van de Velde II' +p235899 +sg225240 +g27 +sg225234 +S'etching' +p235900 +sg225230 +S'Ponte Sisto and the Tiber in Rome' +p235901 +sg225236 +S'1616' +p235902 +sa(dp235903 +g225232 +S'Jan van de Velde II' +p235904 +sg225240 +g27 +sg225234 +S'etching' +p235905 +sg225230 +S'Winter Landscape with Skaters' +p235906 +sg225236 +S'1616' +p235907 +sa(dp235908 +g225232 +S'Jan van de Velde II' +p235909 +sg225240 +g27 +sg225234 +S'etching' +p235910 +sg225230 +S'Two Cows on a Ferry near a Bastion' +p235911 +sg225236 +S'1616' +p235912 +sa(dp235913 +g225232 +S'Jan van de Velde II' +p235914 +sg225240 +g27 +sg225234 +S'etching' +p235915 +sg225230 +S'Sheep on a Ferry near a Square Tower and Village-Gate' +p235916 +sg225236 +S'1616' +p235917 +sa(dp235918 +g225232 +S'Jan van de Velde II' +p235919 +sg225240 +g27 +sg225234 +S'etching' +p235920 +sg225230 +S'View of a Valley' +p235921 +sg225236 +S'1616' +p235922 +sa(dp235923 +g225232 +S'Artist Information (' +p235924 +sg225240 +g27 +sg225234 +S'(artist after)' +p235925 +sg225230 +S'Topographia variarvm regionvm' +p235926 +sg225236 +S'\n' +p235927 +sa(dp235928 +g225232 +S'Jan van de Velde II' +p235929 +sg225240 +g27 +sg225234 +S'etching' +p235930 +sg225230 +S"Landscape with Tower of 'Het Huis te Kleef'" +p235931 +sg225236 +S'1616' +p235932 +sa(dp235933 +g225232 +S'Jan van de Velde II' +p235934 +sg225240 +g27 +sg225234 +S'etching' +p235935 +sg225230 +S'The Ford' +p235936 +sg225236 +S'1616' +p235937 +sa(dp235938 +g225232 +S'Jan van de Velde II' +p235939 +sg225240 +g27 +sg225234 +S'etching' +p235940 +sg225230 +S'Ruins of the Thermae of Caracalla' +p235941 +sg225236 +S'1616' +p235942 +sa(dp235943 +g225232 +S'Jan van de Velde II' +p235944 +sg225240 +g27 +sg225234 +S'etching' +p235945 +sg225230 +S'Market Day in a Town' +p235946 +sg225236 +S'1616' +p235947 +sa(dp235948 +g225232 +S'Jan van de Velde II' +p235949 +sg225240 +g27 +sg225234 +S'etching' +p235950 +sg225230 +S'Tower on the River Niers' +p235951 +sg225236 +S'1616' +p235952 +sa(dp235953 +g225230 +S'Winter Landscape' +p235954 +sg225232 +S'Jan van de Velde II' +p235955 +sg225234 +S'etching' +p235956 +sg225236 +S'unknown date\n' +p235957 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00064/a0006467.jpg' +p235958 +sg225240 +g27 +sa(dp235959 +g225232 +S'Jan van de Velde II' +p235960 +sg225240 +g27 +sg225234 +S'etching' +p235961 +sg225230 +S'Landscape with Hunters and Hay-Carts' +p235962 +sg225236 +S'unknown date\n' +p235963 +sa(dp235964 +g225232 +S'Jan van de Velde II' +p235965 +sg225240 +g27 +sg225234 +S'etching' +p235966 +sg225230 +S'A Little Chapel by a Pond' +p235967 +sg225236 +S'unknown date\n' +p235968 +sa(dp235969 +g225232 +S'Esaias van de Velde I' +p235970 +sg225240 +g27 +sg225234 +S'etching' +p235971 +sg225230 +S'Farms to Left of a Path' +p235972 +sg225236 +S'probably 1614' +p235973 +sa(dp235974 +g225232 +S'Jan van de Velde II' +p235975 +sg225240 +g27 +sg225234 +S'etching' +p235976 +sg225230 +S'Landscape with Pigs and Two Peddlars' +p235977 +sg225236 +S'unknown date\n' +p235978 +sa(dp235979 +g225232 +S'Artist Information (' +p235980 +sg225240 +g27 +sg225234 +S'(artist after)' +p235981 +sg225230 +S'Topographia variarvm regionvm' +p235982 +sg225236 +S'\n' +p235983 +sa(dp235984 +g225232 +S'Jan van de Velde II' +p235985 +sg225240 +g27 +sg225234 +S'etching' +p235986 +sg225230 +S'Lime-Kiln in Stormy Weather' +p235987 +sg225236 +S'unknown date\n' +p235988 +sa(dp235989 +g225232 +S'Artist Information (' +p235990 +sg225240 +g27 +sg225234 +S'Dutch, c. 1590 - 1630' +p235991 +sg225230 +S'Farms to Left of a Path' +p235992 +sg225236 +S'(artist after)' +p235993 +sa(dp235994 +g225232 +S'Claes Jansz Visscher' +p235995 +sg225240 +g27 +sg225234 +S'etching' +p235996 +sg225230 +S'Title Page' +p235997 +sg225236 +S'c. 1611/1612' +p235998 +sa(dp235999 +g225232 +S'Claes Jansz Visscher' +p236000 +sg225240 +g27 +sg225234 +S'etching' +p236001 +sg225230 +S"Potjes herbergh (Pot's Inn)" +p236002 +sg225236 +S'c. 1611/1612' +p236003 +sa(dp236004 +g225232 +S'Claes Jansz Visscher' +p236005 +sg225240 +g27 +sg225234 +S'etching' +p236006 +sg225230 +S'Aende wegh na Leyden (The Road towards Leiden)' +p236007 +sg225236 +S'c. 1611/1612' +p236008 +sa(dp236009 +g225232 +S'Claes Jansz Visscher' +p236010 +sg225240 +g27 +sg225234 +S'etching' +p236011 +sg225230 +S'Onder wegen Heemstee (The Road towards Heemstede)' +p236012 +sg225236 +S'c. 1611/1612' +p236013 +sa(dp236014 +g225232 +S'Claes Jansz Visscher' +p236015 +sg225240 +g27 +sg225234 +S'etching' +p236016 +sg225230 +S'Blekeryen door den Houdt (Bleaching-Fields near the Haarlemmer Hout)' +p236017 +sg225236 +S'c. 1611/1612' +p236018 +sa(dp236019 +g225232 +S'Artist Information (' +p236020 +sg225240 +g27 +sg225234 +S'(artist after)' +p236021 +sg225230 +S'Topographia variarvm regionvm' +p236022 +sg225236 +S'\n' +p236023 +sa(dp236024 +g225232 +S'Claes Jansz Visscher' +p236025 +sg225240 +g27 +sg225234 +S'etching' +p236026 +sg225230 +S'Lasery van Haerlem (The Leper-House at Haarlem)' +p236027 +sg225236 +S'c. 1611/1612' +p236028 +sa(dp236029 +g225232 +S'Claes Jansz Visscher' +p236030 +sg225240 +g27 +sg225234 +S'etching' +p236031 +sg225230 +S'Plaijsante plaets aede duy kat (Road near the Dunes)' +p236032 +sg225236 +S'c. 1611/1612' +p236033 +sa(dp236034 +g225230 +S'Blekerye aededuyne gelegen (Farms and Bleaching-Fields)' +p236035 +sg225232 +S'Claes Jansz Visscher' +p236036 +sg225234 +S'etching' +p236037 +sg225236 +S'c. 1611/1612' +p236038 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00059/a0005969.jpg' +p236039 +sg225240 +g27 +sa(dp236040 +g225232 +S'Claes Jansz Visscher' +p236041 +sg225240 +g27 +sg225234 +S'etching' +p236042 +sg225230 +S"t'Huys te Kleef ('Het Huis Te Cleef,' near Haarlem)" +p236043 +sg225236 +S'c. 1611/1612' +p236044 +sa(dp236045 +g225232 +S'Matthaus Merian I' +p236046 +sg225240 +g27 +sg225234 +S'etching' +p236047 +sg225230 +S'Hallers Weyer Haus' +p236048 +sg225236 +S'c. 1616' +p236049 +sa(dp236050 +g225232 +S'Matthaus Merian I' +p236051 +sg225240 +g27 +sg225234 +S'etching' +p236052 +sg225230 +S'Fischers H\xc3\xa4uslein untterem Lazer\xc3\xabt' +p236053 +sg225236 +S'c. 1616' +p236054 +sa(dp236055 +g225232 +S'Matthaus Merian I' +p236056 +sg225240 +g27 +sg225234 +S'etching' +p236057 +sg225230 +S'Zu S. Johannes' +p236058 +sg225236 +S'c. 1616' +p236059 +sa(dp236060 +g225232 +S'Matthaus Merian I' +p236061 +sg225240 +g27 +sg225234 +S'etching' +p236062 +sg225230 +S'Der Tetzell Gartten bey dem Judenbiell' +p236063 +sg225236 +S'c. 1616' +p236064 +sa(dp236065 +g225232 +S'Matthaus Merian I' +p236066 +sg225240 +g27 +sg225234 +S'etching' +p236067 +sg225230 +S'M\xc3\xb6geldorff' +p236068 +sg225236 +S'c. 1616' +p236069 +sa(dp236070 +g225232 +S'Matthaus Merian I' +p236071 +sg225240 +g27 +sg225234 +S'etching' +p236072 +sg225230 +S'Zu Sanct Jobst' +p236073 +sg225236 +S'c. 1616' +p236074 +sa(dp236075 +g225232 +S'Artist Information (' +p236076 +sg225240 +g27 +sg225234 +S'(artist after)' +p236077 +sg225230 +S'Topographia variarvm regionvm' +p236078 +sg225236 +S'\n' +p236079 +sa(dp236080 +g225232 +S'Artist Information (' +p236081 +sg225240 +g27 +sg225234 +S'Dutch, c. 1590 - 1630' +p236082 +sg225230 +S'Farm to Right of a River' +p236083 +sg225236 +S'(artist after)' +p236084 +sa(dp236085 +g225232 +S'Artist Information (' +p236086 +sg225240 +g27 +sg225234 +S'Dutch, c. 1590 - 1630' +p236087 +sg225230 +S'Frozen River to Left of a Square Tower' +p236088 +sg225236 +S'(artist after)' +p236089 +sa(dp236090 +g225232 +S'Artist Information (' +p236091 +sg225240 +g27 +sg225234 +S'Dutch, c. 1590 - 1630' +p236092 +sg225230 +S'Two Monks on a Path before a Dilapidated Tower' +p236093 +sg225236 +S'(artist after)' +p236094 +sa(dp236095 +g225232 +S'Claes Jansz Visscher' +p236096 +sg225240 +g27 +sg225234 +S'etching' +p236097 +sg225230 +S"Paters herbergh (Father's Inn)" +p236098 +sg225236 +S'c. 1611/1612' +p236099 +sa(dp236100 +g225232 +S'Claes Jansz Visscher' +p236101 +sg225240 +g27 +sg225234 +S'etching' +p236102 +sg225230 +S'Sandvoordt (The Village Zandvoort)' +p236103 +sg225236 +S'c. 1611/1612' +p236104 +sa(dp236105 +g225232 +S'Artist Information (' +p236106 +sg225240 +g27 +sg225234 +S'Dutch, c. 1590 - 1630' +p236107 +sg225230 +S'Farm to Left of a Path Leading to Distant Fields' +p236108 +sg225236 +S'(artist after)' +p236109 +sa(dp236110 +g225232 +S'Artist Information (' +p236111 +sg225240 +g27 +sg225234 +S'Dutch, c. 1590 - 1630' +p236112 +sg225230 +S'Farms to Left of a Path' +p236113 +sg225236 +S'(artist after)' +p236114 +sa(dp236115 +g225232 +S'Artist Information (' +p236116 +sg225240 +g27 +sg225234 +S'Dutch, c. 1590 - 1630' +p236117 +sg225230 +S'Skaters before a Wooden Bridge' +p236118 +sg225236 +S'(artist after)' +p236119 +sa(dp236120 +g225232 +S'Artist Information (' +p236121 +sg225240 +g27 +sg225234 +S'Dutch, c. 1590 - 1630' +p236122 +sg225230 +S'Farm to Right of a River' +p236123 +sg225236 +S'(artist after)' +p236124 +sa(dp236125 +g225232 +S'Claes Jansz Visscher' +p236126 +sg225240 +g27 +sg225234 +S'etching' +p236127 +sg225230 +S"Vierbake t'Sandvoort (Beacon at Zandvoort): Table of Contents" +p236128 +sg225236 +S'c. 1611/1612' +p236129 +sa(dp236130 +g225232 +S'Artist Information (' +p236131 +sg225240 +g27 +sg225234 +S'Dutch, c. 1590 - 1630' +p236132 +sg225230 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[proof]' +p237022 +sg225230 +S'Benz, 2' +p237023 +sg225236 +S'1919' +p237024 +sa(dp237025 +g225232 +S'Egon Schiele' +p237026 +sg225240 +g27 +sg225234 +S'lithograph' +p237027 +sg225230 +S'Madchen' +p237028 +sg225236 +S'published 1922' +p237029 +sa(dp237030 +g225232 +S'Egon Schiele' +p237031 +sg225240 +g27 +sg225234 +S'portfolio with two lithographs, six drypoints, plus title page, table of contents, and introduction' +p237032 +sg225230 +S'Das Graphische Werk von Egon Schiele' +p237033 +sg225236 +S'published 1922' +p237034 +sa(dp237035 +g225232 +S'Egon Schiele' +p237036 +sg225240 +g27 +sg225234 +S'lithograph' +p237037 +sg225230 +S'Paris von Gutersloh' +p237038 +sg225236 +S'published 1922' +p237039 +sa(dp237040 +g225232 +S'Egon Schiele' +p237041 +sg225240 +g27 +sg225234 +S'drypoint' +p237042 +sg225230 +S'Kauernde (Sorrow)' +p237043 +sg225236 +S'published 1922' +p237044 +sa(dp237045 +g225230 +S'Kummernis' +p237046 +sg225232 +S'Egon Schiele' +p237047 +sg225234 +S'drypoint' +p237048 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1615' +p237075 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00055/a000552a.jpg' +p237076 +sg225240 +g27 +sa(dp237077 +g225230 +S"Woman's Head" +p237078 +sg225232 +S'Constantin Brancusi' +p237079 +sg225234 +S'crayon' +p237080 +sg225236 +S'c. 1910' +p237081 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00029/a0002956.jpg' +p237082 +sg225240 +g27 +sa(dp237083 +g225230 +S'Midnight' +p237084 +sg225232 +S'Henry Fuseli' +p237085 +sg225234 +S'pen and brown ink with brown wash on laid paper' +p237086 +sg225236 +S'1765' +p237087 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00033/a00033d1.jpg' +p237088 +sg225240 +g27 +sa(dp237089 +g225230 +S'Man and Woman on Bench' +p237090 +sg225232 +S'Juan Gris' +p237091 +sg225234 +S'charcoal, gouache, and watercolor' +p237092 +sg225236 +S'1908/1909' +p237093 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00065/a00065e0.jpg' +p237094 +sg225240 +g27 +sa(dp237095 +g225230 +S'Seated Prophet' +p237096 +sg225232 +S'Artist Information (' +p237097 +sg225234 +S'Italian, 1591 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with brown wash on laid paper' +p237323 +sg225236 +S'unknown date\n' +p237324 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00075/a0007533.jpg' +p237325 +sg225240 +g27 +sa(dp237326 +g225232 +S'Jean Dubuffet' +p237327 +sg225240 +g27 +sg225234 +S'color lithograph' +p237328 +sg225230 +S'Le promeneur' +p237329 +sg225236 +S'1958' +p237330 +sa(dp237331 +g225232 +S'Jean Dubuffet' +p237332 +sg225240 +g27 +sg225234 +S'lithograph' +p237333 +sg225230 +S'Salissures' +p237334 +sg225236 +S'1959' +p237335 +sa(dp237336 +g225232 +S'Jean Dubuffet' +p237337 +sg225240 +g27 +sg225234 +S'lithograph' +p237338 +sg225230 +S'Inscriptions legeres' +p237339 +sg225236 +S'1959' +p237340 +sa(dp237341 +g225232 +S'Jean Dubuffet' +p237342 +sg225240 +g27 +sg225234 +S'lithograph' +p237343 +sg225230 +S'Situation temporaire' +p237344 +sg225236 +S'1959' +p237345 +sa(dp237346 +g225232 +S'Jean Dubuffet' +p237347 +sg225240 +g27 +sg225234 +S'color lithograph' +p237348 +sg225230 +S'Profusion' +p237349 +sg225236 +S'1959' +p237350 +sa(dp237351 +g225232 +S'Jean Dubuffet' +p237352 +sg225240 +g27 +sg225234 +S'color lithograph' +p237353 +sg225230 +S'Rumeur' +p237354 +sg225236 +S'1959' +p237355 +sa(dp237356 +g225232 +S'Jean Dubuffet' +p237357 +sg225240 +g27 +sg225234 +S'color lithograph' +p237358 +sg225230 +S'Texte decrepit' +p237359 +sg225236 +S'1959' +p237360 +sa(dp237361 +g225232 +S'Jean Dubuffet' +p237362 +sg225240 +g27 +sg225234 +S'color lithograph' +p237363 +sg225230 +S'Texturologie' +p237364 +sg225236 +S'1958' +p237365 +sa(dp237366 +g225232 +S'Jean Dubuffet' +p237367 +sg225240 +g27 +sg225234 +S'lithograph' +p237368 +sg225230 +S'Aire nue' +p237369 +sg225236 +S'1959' +p237370 +sa(dp237371 +g225232 +S'Jean Dubuffet' +p237372 +sg225240 +g27 +sg225234 +S'color lithograph' +p237373 +sg225230 +S'Esprit de terre' +p237374 +sg225236 +S'1959' +p237375 +sa(dp237376 +g225232 +S'Jean Dubuffet' +p237377 +sg225240 +g27 +sg225234 +S'color lithograph' +p237378 +sg225230 +S'Impatience' +p237379 +sg225236 +S'1959' +p237380 +sa(dp237381 +g225232 +S'Jean Dubuffet' +p237382 +sg225240 +g27 +sg225234 +S'color lithograph' +p237383 +sg225230 +S'Ampleur' +p237384 +sg225236 +S'1959' +p237385 +sa(dp237386 +g225232 +S'Jean Dubuffet' +p237387 +sg225240 +g27 +sg225234 +S'color lithograph' +p237388 +sg225230 +S'Douce emprise' +p237389 +sg225236 +S'1958' +p237390 +sa(dp237391 +g225232 +S'Jean Dubuffet' +p237392 +sg225240 +g27 +sg225234 +S'color lithograph' +p237393 +sg225230 +S'Champ de pensee' +p237394 +sg225236 +S'1959' +p237395 +sa(dp237396 +g225232 +S'Jean Dubuffet' +p237397 +sg225240 +g27 +sg225234 +S'color lithograph' +p237398 +sg225230 +S'Sol becquet\xc3\xa9' +p237399 +sg225236 +S'1958' +p237400 +sa(dp237401 +g225232 +S'Jean Dubuffet' +p237402 +sg225240 +g27 +sg225234 +S'color lithograph' +p237403 +sg225230 +S'Allegresse' +p237404 +sg225236 +S'1959' +p237405 +sa(dp237406 +g225232 +S'Jean Dubuffet' +p237407 +sg225240 +g27 +sg225234 +S'color lithograph' +p237408 +sg225230 +S'Silence au sol' +p237409 +sg225236 +S'1959' +p237410 +sa(dp237411 +g225232 +S'Jean Dubuffet' +p237412 +sg225240 +g27 +sg225234 +S'portfolio with ten color lithograph' +p237413 +sg225230 +S'Les Ph\xc3\xa9nom\xc3\xa8nes: Champs de silence' +p237414 +sg225236 +S'1959' +p237415 +sa(dp237416 +g225232 +S'Jean Dubuffet' +p237417 +sg225240 +g27 +sg225234 +S'color lithograph' +p237418 +sg225230 +S'Obscure communication' +p237419 +sg225236 +S'1959' +p237420 +sa(dp237421 +g225232 +S'Jean Dubuffet' +p237422 +sg225240 +g27 +sg225234 +S'color lithograph' +p237423 +sg225230 +S'Itineraire' +p237424 +sg225236 +S'1959' +p237425 +sa(dp237426 +g225232 +S'Jean Dubuffet' +p237427 +sg225240 +g27 +sg225234 +S'color lithograph' +p237428 +sg225230 +S'Marques au mur' +p237429 +sg225236 +S'1959' +p237430 +sa(dp237431 +g225232 +S'Jean Dubuffet' +p237432 +sg225240 +g27 +sg225234 +S'color lithograph' +p237433 +sg225230 +S'Texte de terre' +p237434 +sg225236 +S'1959' +p237435 +sa(dp237436 +g225232 +S'Jean Dubuffet' +p237437 +sg225240 +g27 +sg225234 +S'color lithograph' +p237438 +sg225230 +S'Sol dramatique' +p237439 +sg225236 +S'1959' +p237440 +sa(dp237441 +g225232 +S'Jean Dubuffet' +p237442 +sg225240 +g27 +sg225234 +S'color lithograph' +p237443 +sg225230 +S'Stagnation' +p237444 +sg225236 +S'1959' +p237445 +sa(dp237446 +g225232 +S'Jean Dubuffet' +p237447 +sg225240 +g27 +sg225234 +S'color lithograph' +p237448 +sg225230 +S'Danse legere' +p237449 +sg225236 +S'1959' +p237450 +sa(dp237451 +g225232 +S'Jean Dubuffet' +p237452 +sg225240 +g27 +sg225234 +S'color lithograph' +p237453 +sg225230 +S'Taches reveuses au sol' +p237454 +sg225236 +S'1959' +p237455 +sa(dp237456 +g225232 +S'Jean Dubuffet' +p237457 +sg225240 +g27 +sg225234 +S'color lithograph' +p237458 +sg225230 +S'Degradation' +p237459 +sg225236 +S'1959' +p237460 +sa(dp237461 +g225230 +S'Lucretia' +p237462 +sg225232 +S'Parmigianino' +p237463 +sg225234 +S'watercolor heightened with white over black chalk' +p237464 +sg225236 +S'probably c. 1539' +p237465 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00026/a00026c8.jpg' +p237466 +sg225240 +g27 +sa(dp237467 +g225230 +S'Towboat "John Birkbeck"' +p237468 +sg225232 +S'James Bard' +p237469 +sg225234 +S'oil on canvas' +p237470 +sg225236 +S'1854' +p237471 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a0000010.jpg' +p237472 +sg225240 +g27 +sa(dp237473 +g225230 +S'Country Dance' +p237474 +sg225232 +S'Martin Edgar Ferrill' +p237475 +sg225234 +S'oil on canvas' +p237476 +sg225236 +S'1883' +p237477 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a00000b3.jpg' +p237478 +sg225240 +g27 +sa(dp237479 +g225230 +S'Biel Le Doyt' +p237480 +sg225232 +S'Erastus Salisbury Field' +p237481 +sg225234 +S'oil on canvas' +p237482 +sg225236 +S'1827' +p237483 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a00000b9.jpg' +p237484 +sg225240 +g27 +sa(dp237485 +g225230 +S'Paul Smith Palmer' +p237486 +sg225232 +S'Erastus Salisbury Field' +p237487 +sg225234 +S'oil on canvas' +p237488 +sg225236 +S'1835/1838' +p237489 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a00000c7.jpg' +p237490 +sg225240 +g27 +sa(dp237491 +g225230 +S'Mrs. Paul Smith Palmer and Her Twins' +p237492 +sg225232 +S'Erastus Salisbury Field' +p237493 +sg225234 +S'oil on canvas' +p237494 +sg225236 +S'1835/1838' +p237495 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a00000ba.jpg' +p237496 +sg225240 +g27 +sa(dp237497 +g225230 +S'Budd Doble Driving Goldsmith Maid at Belmont Driving Park' +p237498 +sg225232 +S'Charles S. Humphreys' +p237499 +sg225234 +S'oil on canvas' +p237500 +sg225236 +S'1876' +p237501 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00005/a0000574.jpg' +p237502 +sg225240 +g27 +sa(dp237503 +g225230 +S'Sarah Ogden Gustin' +p237504 +sg225232 +S'Joshua Johnson' +p237505 +sg225234 +S'oil on canvas' +p237506 +sg225236 +S'c. 1805' +p237507 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a0000121.jpg' +p237508 +sg225240 +g27 +sa(dp237509 +g225230 +S'Man of Science' +p237510 +sg225232 +S'American 19th Century' +p237511 +sg225234 +S'overall: 99.7 x 85 cm (39 1/4 x 33 7/16 in.)\r\nframed: 108.6 x 94 x 5 cm (42 3/4 x 37 x 1 15/16 in.)' +p237512 +sg225236 +S'\noil on canvas' +p237513 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00004/a000043c.jpg' +p237514 +sg225240 +g27 +sa(dp237515 +g225230 +S'Little Miss Fairfield' +p237516 +sg225232 +S'William Matthew Prior' +p237517 +sg225234 +S'oil on canvas' +p237518 +sg225236 +S'1850' +p237519 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a00001d3.jpg' +p237520 +sg225240 +g27 +sa(dp237521 +g225230 +S'Law of the Wild' +p237522 +sg225232 +S'Charles S. Raleigh' +p237523 +sg225234 +S'oil on canvas' +p237524 +sg225236 +S'1881' +p237525 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a00001e2.jpg' +p237526 +sg225240 +g27 +sa(dp237527 +g225230 +S'Southern Resort Town' +p237528 +sg225232 +S'Dana Smith' +p237529 +sg225234 +S'oil on canvas' +p237530 +sg225236 +S'c. 1880' +p237531 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a0000219.jpg' +p237532 +sg225240 +g27 +sa(dp237533 +g225230 +S'Boston and North Chungahochie Express' +p237534 +sg225232 +S'American 20th Century' +p237535 +sg225234 +S'overall: 47.2 x 62.4 cm (18 9/16 x 24 9/16 in.)\r\nframed: 59.7 x 74.9 x 8.8 cm (23 1/2 x 29 1/2 x 3 7/16 in.)' +p237536 +sg225236 +S'\noil or tempera on composition board' +p237537 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00004/a0000403.jpg' +p237538 +sg225240 +g27 +sa(dp237539 +g225230 +S'Boy with a Basket of Fruit' +p237540 +sg225232 +S'American 18th Century' +p237541 +sg225234 +S'overall: 57 x 43.9 cm (22 7/16 x 17 5/16 in.)\r\nframed: 67.3 x 54.3 x 6.3 cm (26 1/2 x 21 3/8 x 2 1/2 in.)' +p237542 +sg225236 +S'\noil on canvas' +p237543 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00004/a0000417.jpg' +p237544 +sg225240 +g27 +sa(dp237545 +g225230 +S'Spring on the Range' +p237546 +sg225232 +S'American 19th Century' +p237547 +sg225234 +S'overall: 53.7 x 74.5 cm (21 1/8 x 29 5/16 in.)\r\nframed: 65.4 x 85.7 x 6.3 cm (25 3/4 x 33 3/4 x 2 1/2 in.)' +p237548 +sg225236 +S'\noil on canvas' +p237549 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00004/a000045a.jpg' +p237550 +sg225240 +g27 +sa(dp237551 +g225230 +S'Samuel Eells' +p237552 +sg225232 +S'American 19th Century' +p237553 +sg225234 +S'overall: 111.4 x 84 cm (43 7/8 x 33 1/16 in.)\r\nframed: 124.4 x 97.5 x 3.8 cm (49 x 38 3/8 x 1 1/2 in.)' +p237554 +sg225236 +S'\noil on canvas' +p237555 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00004/a0000422.jpg' +p237556 +sg225240 +g27 +sa(dp237557 +g225232 +S'American 19th Century' +p237558 +sg225240 +g27 +sg225234 +S'overall: 45.7 x 66 cm (18 x 26 in.)\r\nframed: 59.7 x 80 x 3.8 cm (23 1/2 x 31 1/2 x 1 1/2 in.)' +p237559 +sg225230 +S'Indians Cooking Maize' +p237560 +sg225236 +S'\noil on canvas' +p237561 +sa(dp237562 +g225232 +S'American 19th Century' +p237563 +sg225240 +g27 +sg225234 +S'overall: 43.3 x 71.5 cm (17 1/16 x 28 1/8 in.)\r\nframed: 58.1 x 85.7 x 5 cm (22 7/8 x 33 3/4 x 1 15/16 in.)' +p237564 +sg225230 +S'Portland Harbor, Maine' +p237565 +sg225236 +S'\noil on paperboard' +p237566 +sa(dp237567 +g225230 +S'The Proud Mother' +p237568 +sg225232 +S'American 19th Century' +p237569 +sg225234 +S'overall: 76.3 x 66.5 cm (30 1/16 x 26 3/16 in.)\r\nframed: 92.1 x 82.5 x 9.5 cm (36 1/4 x 32 1/2 x 3 3/4 in.)' +p237570 +sg225236 +S'\noil on canvas' +p237571 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00005/a0000571.jpg' +p237572 +sg225240 +g27 +sa(dp237573 +g225230 +S'Sisters in Black Aprons' +p237574 +sg225232 +S'American 19th Century' +p237575 +sg225234 +S'overall: 94.3 x 67.2 cm (37 1/8 x 26 7/16 in.)\r\nframed: 104.8 x 80.6 x 6.3 cm (41 1/4 x 31 3/4 x 2 1/2 in.)' +p237576 +sg225236 +S'\noil on canvas' +p237577 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00004/a000045b.jpg' +p237578 +sg225240 +g27 +sa(dp237579 +g225230 +S'Washington at Valley Forge' +p237580 +sg225232 +S'American 19th Century' +p237581 +sg225234 +S'overall: 75.9 x 101.5 cm (29 7/8 x 39 15/16 in.)\r\nframed: 88.9 x 114.9 x 3.8 cm (35 x 45 1/4 x 1 1/2 in.)' +p237582 +sg225236 +S'\noil on canvas' +p237583 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00004/a0000443.jpg' +p237584 +sg225240 +g27 +sa(dp237585 +g225230 +S'Ichabod Crane and the Headless Horseman' +p237586 +sg225232 +S'Artist Information (' +p237587 +sg225234 +S'American, 1819 - 1853' +p237588 +sg225236 +S'(artist after)' +p237589 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a00002a3.jpg' +p237590 +sg225240 +g27 +sa(dp237591 +g225230 +S'To the Memory of the Benevolent Howard' +p237592 +sg225232 +S'Salome Hensel' +p237593 +sg225234 +S'watercolor on velveteen (theorem painting)' +p237594 +sg225236 +S'1823' +p237595 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a00000f5.jpg' +p237596 +sg225240 +g27 +sa(dp237597 +g225232 +S'Joseph H. Davis' +p237598 +sg225240 +g27 +sg225234 +S'pen and black ink and watercolor over graphite' +p237599 +sg225230 +S'Mercy E. Montgomery' +p237600 +sg225236 +S'1836' +p237601 +sa(dp237602 +g225232 +S'Joseph H. Davis' +p237603 +sg225240 +g27 +sg225234 +S'pen and black ink and watercolor over graphite' +p237604 +sg225230 +S'Tamson H. Montgomery' +p237605 +sg225236 +S'1836' +p237606 +sa(dp237607 +g225232 +S'Henry H. Van Derzee, Jr.' +p237608 +sg225240 +g27 +sg225234 +S'pen and black ink and watercolor' +p237609 +sg225230 +S'Three Buildings with Trees' +p237610 +sg225236 +S'c. 1830' +p237611 +sa(dp237612 +g225230 +S'A Sacred Sheet Sent from Holy Mother Wisdom by Her Angel of Many Signs' +p237613 +sg225232 +S'Artist Information (' +p237614 +sg225234 +S'(artist)' +p237615 +sg225236 +S'\n' +p237616 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a00008dc.jpg' +p237617 +sg225240 +g27 +sa(dp237618 +g225232 +S'James M. Gibbs' +p237619 +sg225240 +g27 +sg225234 +S'pen and brown and black ink' +p237620 +sg225230 +S'Indian Hunter' +p237621 +sg225236 +S'probably c. 1850' +p237622 +sa(dp237623 +g225230 +S'Poor House, Hospital & Lunatick-Hospital of Northampton County, Pa.' +p237624 +sg225232 +S'Charles C. Hofmann' +p237625 +sg225234 +S'watercolor' +p237626 +sg225236 +S'c. 1865' +p237627 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a00008f7.jpg' +p237628 +sg225240 +g27 +sa(dp237629 +g225232 +S'Rebecca Landon' +p237630 +sg225240 +g27 +sg225234 +S'pen and blue and red ink on paper mounted on cotton fabric' +p237631 +sg225230 +S"Mother's Banner of Love and Comfort" +p237632 +sg225236 +S'1845' +p237633 +sa(dp237634 +g225230 +S'The Cotters Saturday Night' +p237635 +sg225232 +S'Eunice Pinney' +p237636 +sg225234 +S'pen and watercolor' +p237637 +sg225236 +S'c. 1815' +p237638 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00009/a0000981.jpg' +p237639 +sg225240 +g27 +sa(dp237640 +g225232 +S'Shailer' +p237641 +sg225240 +g27 +sg225234 +S'watercolor and stencil' +p237642 +sg225230 +S'Fruit Theorem with Knife' +p237643 +sg225236 +S'unknown date\n' +p237644 +sa(dp237645 +g225232 +S'Artist Information (' +p237646 +sg225240 +g27 +sg225234 +S'(artist)' +p237647 +sg225230 +S'Samuel French of Lowell, Massachusetts' +p237648 +sg225236 +S'\n' +p237649 +sa(dp237650 +g225230 +S'A Fruit-Bearing Tree; A Cedar of Paradise' +p237651 +sg225232 +S'Phebe A. Smith' +p237652 +sg225234 +S'pen and black ink with colored wash over graphite' +p237653 +sg225236 +S'1842 and 1846' +p237654 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00009/a00009cf.jpg' +p237655 +sg225240 +g27 +sa(dp237656 +g225230 +S"Harpsichord Recital at Count Rumford's, Concord, New Hampshire" +p237657 +sg225232 +S'Benjamin Thompson' +p237658 +sg225234 +S'watercolor on laid paper' +p237659 +sg225236 +S'c. 1800' +p237660 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00009/a00009e3.jpg' +p237661 +sg225240 +g27 +sa(dp237662 +g225232 +S'American 19th Century' +p237663 +sg225240 +g27 +sg225234 +S'sight size: 54.4 x 64.8 cm (21 7/16 x 25 1/2 in.)' +p237664 +sg225230 +S'Conference of Mary, Queen of Scots, with Lord Lindsay on the Banks of Loch Catrine' +p237665 +sg225236 +S'\npen and ink with watercolor' +p237666 +sa(dp237667 +g225230 +S'To the Memory of George H. and Ruel T. Hills' +p237668 +sg225232 +S'American 19th Century' +p237669 +sg225234 +S'sight size: 45 x 57.5 cm (17 11/16 x 22 5/8 in.)\r\nframed: 55.2 x 67.3 x 0.6 cm (21 3/4 x 26 1/2 x 1/4 in.)' +p237670 +sg225236 +S'\npen and ink with watercolor, partly stenciled' +p237671 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a000089b.jpg' +p237672 +sg225240 +g27 +sa(dp237673 +g225232 +S'American 19th Century' +p237674 +sg225240 +g27 +sg225234 +S'sight size: 43.5 x 53.8 cm (17 1/8 x 21 3/16 in.)' +p237675 +sg225230 +S'Laban Runs to Meet Jacob' +p237676 +sg225236 +S'\nwatercolor' +p237677 +sa(dp237678 +g225230 +S'The Ludlow Patton' +p237679 +sg225232 +S'American 19th Century' +p237680 +sg225234 +S'Overall: 45 x 61.2 cm (17 11/16 x 24 1/8 in.)\r\nsupport: 49.7 x 61.3 cm (19 9/16 x 24 1/8 in.)\r\nframed: 58.4 x 69.8 x 3.1 cm (23 x 27 1/2 x 1 1/4 in.)' +p237681 +sg225236 +S'\npen and ink with watercolor' +p237682 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a000089c.jpg' +p237683 +sg225240 +g27 +sa(dp237684 +g225232 +S'American 19th Century' +p237685 +sg225240 +g27 +sg225234 +S'Overall: 37.5 x 49 cm (14 3/4 x 19 5/16 in.)\r\nframed: 46 x 57.8 cm (18 1/8 x 22 3/4 in.)' +p237686 +sg225230 +S'Poole Family Portrait' +p237687 +sg225236 +S'\npen and ink with watercolor' +p237688 +sa(dp237689 +g225232 +S'American 19th Century' +p237690 +sg225240 +g27 +sg225234 +S'Overall: 42.9 x 52.8 cm (16 7/8 x 20 13/16 in.)\r\nframed: 50.8 x 60.9 cm (20 x 24 in.)' +p237691 +sg225230 +S'Memorial to Norman Sherman' +p237692 +sg225236 +S'\npen and ink with gouache and touches of chalk overgraphite' +p237693 +sa(dp237694 +g225232 +S'Jean Dubuffet' +p237695 +sg225240 +g27 +sg225234 +S'color lithograph' +p237696 +sg225230 +S'Or et ombre' +p237697 +sg225236 +S'1958' +p237698 +sa(dp237699 +g225232 +S'Jean Dubuffet' +p237700 +sg225240 +g27 +sg225234 +S'color lithograph' +p237701 +sg225230 +S'Tracas' +p237702 +sg225236 +S'1959' +p237703 +sa(dp237704 +g225232 +S'Jean Dubuffet' +p237705 +sg225240 +g27 +sg225234 +S'color lithograph' +p237706 +sg225230 +S'Austere lieu' +p237707 +sg225236 +S'1958' +p237708 +sa(dp237709 +g225232 +S'Jean Dubuffet' +p237710 +sg225240 +g27 +sg225234 +S'color lithograph' +p237711 +sg225230 +S"Fragile installation de l'ombre" +p237712 +sg225236 +S'1958' +p237713 +sa(dp237714 +g225232 +S'Jean Dubuffet' +p237715 +sg225240 +g27 +sg225234 +S'color lithograph' +p237716 +sg225230 +S'Amenite' +p237717 +sg225236 +S'1959' +p237718 +sa(dp237719 +g225232 +S'Jean Dubuffet' +p237720 +sg225240 +g27 +sg225234 +S'color lithograph' +p237721 +sg225230 +S'Silence' +p237722 +sg225236 +S'1959' +p237723 +sa(dp237724 +g225232 +S'Jean Dubuffet' +p237725 +sg225240 +g27 +sg225234 +S'color lithograph' +p237726 +sg225230 +S'Jeuxe et congres' +p237727 +sg225236 +S'1959' +p237728 +sa(dp237729 +g225232 +S'Jean Dubuffet' +p237730 +sg225240 +g27 +sg225234 +S'color lithograph' +p237731 +sg225230 +S'Aire reveuse' +p237732 +sg225236 +S'1958' +p237733 +sa(dp237734 +g225232 +S'Jean Dubuffet' +p237735 +sg225240 +g27 +sg225234 +S'color lithograph' +p237736 +sg225230 +S'Soir' +p237737 +sg225236 +S'1959' +p237738 +sa(dp237739 +g225232 +S'Jean Dubuffet' +p237740 +sg225240 +g27 +sg225234 +S'color lithograph' +p237741 +sg225230 +S'Serenite' +p237742 +sg225236 +S'1959' +p237743 +sa(dp237744 +g225232 +S'Jean Dubuffet' +p237745 +sg225240 +g27 +sg225234 +S'color lithograph' +p237746 +sg225230 +S'Secret' +p237747 +sg225236 +S'1959' +p237748 +sa(dp237749 +g225232 +S'Jean Dubuffet' +p237750 +sg225240 +g27 +sg225234 +S'color lithograph' +p237751 +sg225230 +S'Vie discrete' +p237752 +sg225236 +S'1959' +p237753 +sa(dp237754 +g225232 +S'Jean Dubuffet' +p237755 +sg225240 +g27 +sg225234 +S'color lithograph' +p237756 +sg225230 +S'Spectacle au sol' +p237757 +sg225236 +S'1958' +p237758 +sa(dp237759 +g225232 +S'Jean Dubuffet' +p237760 +sg225240 +g27 +sg225234 +S'color lithograph' +p237761 +sg225230 +S"Fleur d'air" +p237762 +sg225236 +S'1959' +p237763 +sa(dp237764 +g225232 +S'Jean Dubuffet' +p237765 +sg225240 +g27 +sg225234 +S'color lithograph' +p237766 +sg225230 +S'Sombre d\xc3\xa9veloppement' +p237767 +sg225236 +S'1959' +p237768 +sa(dp237769 +g225232 +S'Jean Dubuffet' +p237770 +sg225240 +g27 +sg225234 +S'color lithograph' +p237771 +sg225230 +S"Rideau d'interdit" +p237772 +sg225236 +S'1958' +p237773 +sa(dp237774 +g225232 +S'Jean Dubuffet' +p237775 +sg225240 +g27 +sg225234 +S'color lithograph' +p237776 +sg225230 +S'Esplanade ombreuse' +p237777 +sg225236 +S'1958' +p237778 +sa(dp237779 +g225232 +S'Jean Dubuffet' +p237780 +sg225240 +g27 +sg225234 +S'color lithograph' +p237781 +sg225230 +S'Voie lact\xc3\xa9e noire' +p237782 +sg225236 +S'1958' +p237783 +sa(dp237784 +g225232 +S'Jean Dubuffet' +p237785 +sg225240 +g27 +sg225234 +S'color lithograph' +p237786 +sg225230 +S'Intimite' +p237787 +sg225236 +S'1959' +p237788 +sa(dp237789 +g225232 +S'Jean Dubuffet' +p237790 +sg225240 +g27 +sg225234 +S'7-color lithograph' +p237791 +sg225230 +S'Fragilit\xc3\xa9' +p237792 +sg225236 +S'1959' +p237793 +sa(dp237794 +g225232 +S'Jean Dubuffet' +p237795 +sg225240 +g27 +sg225234 +S'color lithograph' +p237796 +sg225230 +S'Murissement' +p237797 +sg225236 +S'1959' +p237798 +sa(dp237799 +g225232 +S'Jean Dubuffet' +p237800 +sg225240 +g27 +sg225234 +S'color lithograph' +p237801 +sg225230 +S"Bain d'ombre" +p237802 +sg225236 +S'1959' +p237803 +sa(dp237804 +g225232 +S'Jean Dubuffet' +p237805 +sg225240 +g27 +sg225234 +S'color lithograph' +p237806 +sg225230 +S'Chansons' +p237807 +sg225236 +S'1959' +p237808 +sa(dp237809 +g225232 +S'Jean Dubuffet' +p237810 +sg225240 +g27 +sg225234 +S'color lithograph' +p237811 +sg225230 +S'Faste' +p237812 +sg225236 +S'1959' +p237813 +sa(dp237814 +g225232 +S'Jean Dubuffet' +p237815 +sg225240 +g27 +sg225234 +S'color lithograph' +p237816 +sg225230 +S'Traces au sol' +p237817 +sg225236 +S'1958' +p237818 +sa(dp237819 +g225232 +S'Jean Dubuffet' +p237820 +sg225240 +g27 +sg225234 +S'color lithograph' +p237821 +sg225230 +S'Insouciance' +p237822 +sg225236 +S'1961' +p237823 +sa(dp237824 +g225232 +S'Jean Dubuffet' +p237825 +sg225240 +g27 +sg225234 +S'color lithograph' +p237826 +sg225230 +S'Deploiement' +p237827 +sg225236 +S'1959' +p237828 +sa(dp237829 +g225232 +S'Jean Dubuffet' +p237830 +sg225240 +g27 +sg225234 +S'color lithograph' +p237831 +sg225230 +S'Impermanence' +p237832 +sg225236 +S'1959' +p237833 +sa(dp237834 +g225232 +S'Jean Dubuffet' +p237835 +sg225240 +g27 +sg225234 +S'color lithograph' +p237836 +sg225230 +S'Resonances' +p237837 +sg225236 +S'1961' +p237838 +sa(dp237839 +g225232 +S'Jean Dubuffet' +p237840 +sg225240 +g27 +sg225234 +S'color lithograph' +p237841 +sg225230 +S'Champ muet' +p237842 +sg225236 +S'1958' +p237843 +sa(dp237844 +g225232 +S'Jean Dubuffet' +p237845 +sg225240 +g27 +sg225234 +S'color lithograph' +p237846 +sg225230 +S'Songes' +p237847 +sg225236 +S'1959' +p237848 +sa(dp237849 +g225232 +S'Jean Dubuffet' +p237850 +sg225240 +g27 +sg225234 +S'color lithograph' +p237851 +sg225230 +S'Symbioses' +p237852 +sg225236 +S'1959' +p237853 +sa(dp237854 +g225232 +S'Jean Dubuffet' +p237855 +sg225240 +g27 +sg225234 +S'color lithograph' +p237856 +sg225230 +S'Graces tenebreuses' +p237857 +sg225236 +S'1959' +p237858 +sa(dp237859 +g225232 +S'Jean Dubuffet' +p237860 +sg225240 +g27 +sg225234 +S'color lithograph' +p237861 +sg225230 +S'Menaces' +p237862 +sg225236 +S'1959' +p237863 +sa(dp237864 +g225232 +S'Jean Dubuffet' +p237865 +sg225240 +g27 +sg225234 +S'color lithograph' +p237866 +sg225230 +S'Fantasmes' +p237867 +sg225236 +S'1958' +p237868 +sa(dp237869 +g225232 +S'Jean Dubuffet' +p237870 +sg225240 +g27 +sg225234 +S'color lithograph' +p237871 +sg225230 +S'Aire vacant' +p237872 +sg225236 +S'1958' +p237873 +sa(dp237874 +g225232 +S'Jean Dubuffet' +p237875 +sg225240 +g27 +sg225234 +S'color lithograph' +p237876 +sg225230 +S'Le sol allegre' +p237877 +sg225236 +S'1958' +p237878 +sa(dp237879 +g225232 +S'Jean Dubuffet' +p237880 +sg225240 +g27 +sg225234 +S'color lithograph' +p237881 +sg225230 +S"Pouls fievreux de l'ombre" +p237882 +sg225236 +S'1959' +p237883 +sa(dp237884 +g225232 +S'Jean Dubuffet' +p237885 +sg225240 +g27 +sg225234 +S'color lithograph' +p237886 +sg225230 +S'Precarite' +p237887 +sg225236 +S'1959' +p237888 +sa(dp237889 +g225232 +S'Jean Dubuffet' +p237890 +sg225240 +g27 +sg225234 +S'color lithograph' +p237891 +sg225230 +S"Jeux d'ombre" +p237892 +sg225236 +S'1958' +p237893 +sa(dp237894 +g225232 +S'Jean Dubuffet' +p237895 +sg225240 +g27 +sg225234 +S'color lithograph' +p237896 +sg225230 +S"Lit d'apaisement" +p237897 +sg225236 +S'1958' +p237898 +sa(dp237899 +g225232 +S'Jean Dubuffet' +p237900 +sg225240 +g27 +sg225234 +S'color lithograph' +p237901 +sg225230 +S'Dispositif au sol' +p237902 +sg225236 +S'1958' +p237903 +sa(dp237904 +g225232 +S'Jean Dubuffet' +p237905 +sg225240 +g27 +sg225234 +S'color lithograph' +p237906 +sg225230 +S'Epanchement' +p237907 +sg225236 +S'1959' +p237908 +sa(dp237909 +g225232 +S'Jean Dubuffet' +p237910 +sg225240 +g27 +sg225234 +S'color lithograph' +p237911 +sg225230 +S'Terre agitee' +p237912 +sg225236 +S'1959' +p237913 +sa(dp237914 +g225232 +S'Jean Dubuffet' +p237915 +sg225240 +g27 +sg225234 +S'color lithograph' +p237916 +sg225230 +S'Legende platreuse' +p237917 +sg225236 +S'1959' +p237918 +sa(dp237919 +g225232 +S'Jean Dubuffet' +p237920 +sg225240 +g27 +sg225234 +S'color lithograph' +p237921 +sg225230 +S'Espoir' +p237922 +sg225236 +S'1959' +p237923 +sa(dp237924 +g225232 +S'Jean Dubuffet' +p237925 +sg225240 +g27 +sg225234 +S'color lithograph' +p237926 +sg225230 +S"L'attrait du vide" +p237927 +sg225236 +S'1959' +p237928 +sa(dp237929 +g225230 +S'Plum Brandy' +p237930 +sg225232 +S'Edouard Manet' +p237931 +sg225234 +S'oil on canvas' +p237932 +sg225236 +S'c. 1877' +p237933 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a0000687.jpg' +p237934 +sg225240 +S'Plum Brandy\n Although this canvas is undated, \n The painting may have been inspired\r\nby an actual scene witnessed by the artist at\r\nthe Café de la Nouvelle-Athènes, though\r\nManet appears to have taken certain liberties\r\nin his portrayal of the setting. When\r\ncompared with other paintings depicting\r\nthe same locale—most notably Degas\xe2\x80\x99\r\ncanvas \n (Text by Kimberly Jones, \n Notes\n \n \n ' +p237935 +sa(dp237936 +g225232 +S'Roy Adzak' +p237937 +sg225240 +g27 +sg225234 +S'painted canvas over plaster relief' +p237938 +sg225230 +S'Bulbs' +p237939 +sg225236 +S'unknown date\n' +p237940 +sa(dp237941 +g225230 +S'Tlaloc' +p237942 +sg225232 +S'Josef Albers' +p237943 +sg225234 +S'woodcut' +p237944 +sg225236 +S'1944' +p237945 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00009/a000091a.jpg' +p237946 +sg225240 +g27 +sa(dp237947 +g225232 +S'Pierre Bonnard' +p237948 +sg225240 +g27 +sg225234 +S'lithograph' +p237949 +sg225230 +S'House in the Courtyard (Maison dans la cour)' +p237950 +sg225236 +S'1895' +p237951 +sa(dp237952 +g225232 +S'Georges Braque' +p237953 +sg225240 +g27 +sg225234 +S'drypoint and etching' +p237954 +sg225230 +S'Bass' +p237955 +sg225236 +S'1911' +p237956 +sa(dp237957 +g225232 +S'Georges Braque' +p237958 +sg225240 +g27 +sg225234 +S'color lithograph' +p237959 +sg225230 +S'Leaves, Color, Light' +p237960 +sg225236 +S'1953' +p237961 +sa(dp237962 +g225230 +S'Self-Portrait' +p237963 +sg225232 +S'Paul C\xc3\xa9zanne' +p237964 +sg225234 +S'lithograph' +p237965 +sg225236 +S'1899' +p237966 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00067/a0006732.jpg' +p237967 +sg225240 +g27 +sa(dp237968 +g225232 +S'Pierre Courtin' +p237969 +sg225240 +g27 +sg225234 +S'color engraving (zinc) printed in relief' +p237970 +sg225230 +S'15 decembre 1953' +p237971 +sg225236 +S'1953' +p237972 +sa(dp237973 +g225230 +S'Les Champs-Elys\xc3\xa9es' +p237974 +sg225232 +S'Henri Edmond Cross' +p237975 +sg225234 +S'color lithograph' +p237976 +sg225236 +S'1898' +p237977 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00016/a0001633.jpg' +p237978 +sg225240 +g27 +sa(dp237979 +g225232 +S'Artist Information (' +p237980 +sg225240 +g27 +sg225234 +S'French, 1892 - 1966' +p237981 +sg225230 +S'Grasshopper Child (Enfant sauterelle)' +p237982 +sg225236 +S'(printer)' +p237983 +sa(dp237984 +g225230 +S'The City' +p237985 +sg225232 +S'Robert Delaunay' +p237986 +sg225234 +S'lithograph' +p237987 +sg225236 +S'1926' +p237988 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000a3/a000a315.jpg' +p237989 +sg225240 +g27 +sa(dp237990 +g225230 +S'Les Amoureux de Paris' +p237991 +sg225232 +S'Robert Delaunay' +p237992 +sg225234 +S'color lithograph' +p237993 +sg225236 +S'1928' +p237994 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000a0/a000a098.jpg' +p237995 +sg225240 +g27 +sa(dp237996 +g225232 +S'Sonia Delaunay' +p237997 +sg225240 +g27 +sg225234 +S'color lithograph' +p237998 +sg225230 +S'Composition' +p237999 +sg225236 +S'1950' +p238000 +sa(dp238001 +g225232 +S'Raoul Dufy' +p238002 +sg225240 +g27 +sg225234 +S'lithograph' +p238003 +sg225230 +S'Rue Royal' +p238004 +sg225236 +S'probably 1930' +p238005 +sa(dp238006 +g225232 +S'Alberto Giacometti' +p238007 +sg225240 +g27 +sg225234 +S'lithograph' +p238008 +sg225230 +S'Moving, Mute Objects (Objets mobiles et muets)' +p238009 +sg225236 +S'1931' +p238010 +sa(dp238011 +g225232 +S'Hans Hartung' +p238012 +sg225240 +g27 +sg225234 +S'color etching and aquatint' +p238013 +sg225230 +S'Composition II' +p238014 +sg225236 +S'unknown date\n' +p238015 +sa(dp238016 +g225230 +S'Sorcier' +p238017 +sg225232 +S'Stanley William Hayter' +p238018 +sg225234 +S'engraving, softground etching, drypoint and scorper on Lauriat paper' +p238019 +sg225236 +S'1953' +p238020 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00082/a0008272.jpg' +p238021 +sg225240 +g27 +sa(dp238022 +g225232 +S'Ynez Johnston' +p238023 +sg225240 +g27 +sg225234 +S'color etching' +p238024 +sg225230 +S'Ancient Street' +p238025 +sg225236 +S'unknown date\n' +p238026 +sa(dp238027 +g225230 +S'Queen of Hearts (Herzdame)' +p238028 +sg225232 +S'Paul Klee' +p238029 +sg225234 +S'lithograph' +p238030 +sg225236 +S'1921' +p238031 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ef/a000efa2.jpg' +p238032 +sg225240 +g27 +sa(dp238033 +g225232 +S'Marino Marini' +p238034 +sg225240 +g27 +sg225234 +S'3-color lithograph' +p238035 +sg225230 +S'Horse (Cavallo)' +p238036 +sg225236 +S'unknown date\n' +p238037 +sa(dp238038 +g225232 +S'Henri Matisse' +p238039 +sg225240 +g27 +sg225234 +S'lithograph' +p238040 +sg225230 +S'Three Models (Les trois mod\xc3\xa8les)' +p238041 +sg225236 +S'1928' +p238042 +sa(dp238043 +g225230 +S'Figure and Birds' +p238044 +sg225232 +S'Joan Mir\xc3\xb3' +p238045 +sg225234 +S'color lithograph' +p238046 +sg225236 +S'1948' +p238047 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00022/a000222d.jpg' +p238048 +sg225240 +g27 +sa(dp238049 +g225230 +S'Circus (Le cirque)' +p238050 +sg225232 +S'Pablo Picasso' +p238051 +sg225234 +S'lithograph' +p238052 +sg225236 +S'1945' +p238053 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee8f.jpg' +p238054 +sg225240 +g27 +sa(dp238055 +g225232 +S'Pablo Picasso' +p238056 +sg225240 +g27 +sg225234 +S'lithograph' +p238057 +sg225230 +S'Fauns and Centauress (Les faunes et la centauresse)' +p238058 +sg225236 +S'1947' +p238059 +sa(dp238060 +g225232 +S'Pablo Picasso' +p238061 +sg225240 +g27 +sg225234 +S'color lithograph' +p238062 +sg225230 +S'Owl on Chair (Hibou a la chaise fond ocre)' +p238063 +sg225236 +S'1947' +p238064 +sa(dp238065 +g225230 +S'Still Life with Fruit Bowl (Nature morte, compotier)' +p238066 +sg225232 +S'Pablo Picasso' +p238067 +sg225234 +S'drypoint' +p238068 +sg225236 +S'1909' +p238069 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ee/a000eec6.jpg' +p238070 +sg225240 +g27 +sa(dp238071 +g225232 +S'Leonard Quentin' +p238072 +sg225240 +g27 +sg225234 +S'color lithograph' +p238073 +sg225230 +S'Composition' +p238074 +sg225236 +S'unknown date\n' +p238075 +sa(dp238076 +g225232 +S'Robert Rauschenberg' +p238077 +sg225240 +g27 +sg225234 +S'lithograph (stone) in red and black on Rives BFK paper' +p238078 +sg225230 +S'Front Roll' +p238079 +sg225236 +S'1964' +p238080 +sa(dp238081 +g225232 +S'Robert Rauschenberg' +p238082 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on Amgoumois a la Main paper' +p238083 +sg225230 +S'Kar' +p238084 +sg225236 +S'1964' +p238085 +sa(dp238086 +g225230 +S'Cheval aile (Winged Horse)' +p238087 +sg225232 +S'Odilon Redon' +p238088 +sg225234 +S'lithograph' +p238089 +sg225236 +S'1894' +p238090 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00099/a00099b3.jpg' +p238091 +sg225240 +g27 +sa(dp238092 +g225230 +S'Paul C\xc3\xa9zanne' +p238093 +sg225232 +S'Auguste Renoir' +p238094 +sg225234 +S'lithograph' +p238095 +sg225236 +S'1902' +p238096 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009ff5.jpg' +p238097 +sg225240 +g27 +sa(dp238098 +g225232 +S'Georges Rouault' +p238099 +sg225240 +g27 +sg225234 +S'color aquatint' +p238100 +sg225230 +S'Amazone' +p238101 +sg225236 +S'1930' +p238102 +sa(dp238103 +g225232 +S'Richards Ruben' +p238104 +sg225240 +g27 +sg225234 +S'color screenprint' +p238105 +sg225230 +S'Ambiguities of Circumstance' +p238106 +sg225236 +S'unknown date\n' +p238107 +sa(dp238108 +g225232 +S'Otto J. Schneider' +p238109 +sg225240 +g27 +sg225234 +S'color etching' +p238110 +sg225230 +S'Untitled' +p238111 +sg225236 +S'unknown date\n' +p238112 +sa(dp238113 +g225232 +S'Gino Severini' +p238114 +sg225240 +g27 +sg225234 +S'watercolor' +p238115 +sg225230 +S'Pictograph' +p238116 +sg225236 +S'1913' +p238117 +sa(dp238118 +g225230 +S'Evening (Le soir)' +p238119 +sg225232 +S'Paul Signac' +p238120 +sg225234 +S'5-color lithograph' +p238121 +sg225236 +S'1898' +p238122 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bb7.jpg' +p238123 +sg225240 +g27 +sa(dp238124 +g225232 +S'Nicolas de Sta\xc3\xabl' +p238125 +sg225240 +g27 +sg225234 +S'color lithograph' +p238126 +sg225230 +S'Mediterranee' +p238127 +sg225236 +S'1952/1953' +p238128 +sa(dp238129 +g225232 +S'Nicolas de Sta\xc3\xabl' +p238130 +sg225240 +g27 +sg225234 +S'offset lithograph?' +p238131 +sg225230 +S'Musique de Cafe' +p238132 +sg225236 +S'unknown date\n' +p238133 +sa(dp238134 +g225232 +S'Rufino Tamayo' +p238135 +sg225240 +g27 +sg225234 +S'color lithograph' +p238136 +sg225230 +S'Aztec Landscape' +p238137 +sg225236 +S'1951' +p238138 +sa(dp238139 +g225230 +S'Game of Checkers (La partie de dames)' +p238140 +sg225232 +S'Edouard Vuillard' +p238141 +sg225234 +S'color lithograph' +p238142 +sg225236 +S'1897/1898 (published 1899)' +p238143 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009f1e.jpg' +p238144 +sg225240 +g27 +sa(dp238145 +g225230 +S'Motherhood (Maternite)' +p238146 +sg225232 +S'Edouard Vuillard' +p238147 +sg225234 +S'color lithograph' +p238148 +sg225236 +S'1896' +p238149 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009f1c.jpg' +p238150 +sg225240 +g27 +sa(dp238151 +g225230 +S'Lights in an Aircraft Plant' +p238152 +sg225232 +S'Ralston Crawford' +p238153 +sg225234 +S'oil on canvas' +p238154 +sg225236 +S'1945' +p238155 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a000006e.jpg' +p238156 +sg225240 +g27 +sa(dp238157 +g225230 +S'Sunblinded' +p238158 +sg225232 +S'Perle Fine' +p238159 +sg225234 +S'oil on paper' +p238160 +sg225236 +S'1946' +p238161 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a00008de.jpg' +p238162 +sg225240 +g27 +sa(dp238163 +g225232 +S'Hans Hartung' +p238164 +sg225240 +g27 +sg225234 +S'oil on canvas' +p238165 +sg225230 +S'Composition' +p238166 +sg225236 +S'1952' +p238167 +sa(dp238168 +g225230 +S'C & O' +p238169 +sg225232 +S'Franz Kline' +p238170 +sg225234 +S'oil on canvas' +p238171 +sg225236 +S'1958' +p238172 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a0000137.jpg' +p238173 +sg225240 +g27 +sa(dp238174 +g225232 +S'Bill Komodore' +p238175 +sg225240 +g27 +sg225234 +S'liquitex on canvas' +p238176 +sg225230 +S'Vermont' +p238177 +sg225236 +S'1964' +p238178 +sa(dp238179 +g225232 +S'Matta' +p238180 +sg225240 +g27 +sg225234 +S'oil on canvas' +p238181 +sg225230 +S'Genesis' +p238182 +sg225236 +S'1942' +p238183 +sa(dp238184 +g225232 +S'Manolo Millares' +p238185 +sg225240 +g27 +sg225234 +S'oil on canvas and wood' +p238186 +sg225230 +S'Cuadro 78' +p238187 +sg225236 +S'1959' +p238188 +sa(dp238189 +g225232 +S'Pierre Soulages' +p238190 +sg225240 +g27 +sg225234 +S'oil on canvas' +p238191 +sg225230 +S'Composition' +p238192 +sg225236 +S'1955' +p238193 +sa(dp238194 +g225232 +S'Graham Sutherland' +p238195 +sg225240 +g27 +sg225234 +S'oil on canvas' +p238196 +sg225230 +S'Palm Palisades' +p238197 +sg225236 +S'1947' +p238198 +sa(dp238199 +g225232 +S'Rufino Tamayo' +p238200 +sg225240 +g27 +sg225234 +S'oil on canvas' +p238201 +sg225230 +S'Clowns' +p238202 +sg225236 +S'1942' +p238203 +sa(dp238204 +g225230 +S'A Boy for Meg' +p238205 +sg225232 +S'Andy Warhol' +p238206 +sg225234 +S'oil on canvas' +p238207 +sg225236 +S'1962' +p238208 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a0000288.jpg' +p238209 +sg225240 +S"In 1960 Andy Warhol began making the paintings of comic strips, newspaper\n advertisements, and mass-produced items that would quickly earn him the reputation as a leader\n of the new Pop movement. The straightforward depiction of these banal subjects became a\n hallmark of his style, one that marked a substantial departure from the heavily worked surfaces\n of many abstract expressionist canvases.\n Early in 1962 the artist created a number of paintings that reproduce the front pages of\n newspapers. Lifting this ready-made imagery wholesale from its source, Warhol replicated the\n close-up photos and dramatic headlines of the tabloid, here announcing the birth of Princess\n Margaret's son. Designed for immediate accessibility and maximum dramatic impact, the tabloid\n format also provided the artist with a tightly organized, rectilinear structure. The reproductive\n nature of the subject and the generalized treatment of the imagery, rendered with a minimum of\n detail, belie the fact that the canvas was painted by hand.\n A Boy for Meg\n " +p238210 +sa(dp238211 +g225230 +S'Four Square' +p238212 +sg225232 +S'Franz Kline' +p238213 +sg225234 +S'oil on canvas' +p238214 +sg225236 +S'1956' +p238215 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a0000136.jpg' +p238216 +sg225240 +g27 +sa(dp238217 +g225230 +S'The Frugal Repast (Le repas frugal)' +p238218 +sg225232 +S'Artist Information (' +p238219 +sg225234 +S'(artist)' +p238220 +sg225236 +S'\n' +p238221 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004a/a0004a52.jpg' +p238222 +sg225240 +g27 +sa(dp238223 +g225232 +S'Enrique Castro-Cid' +p238224 +sg225240 +g27 +sg225234 +S'oil on canvas' +p238225 +sg225230 +S'Untitled' +p238226 +sg225236 +S'1960' +p238227 +sa(dp238228 +g225232 +S'Enrico Donati' +p238229 +sg225240 +g27 +sg225234 +S'oil on canvas' +p238230 +sg225230 +S"Cat's Eyes" +p238231 +sg225236 +S'1960' +p238232 +sa(dp238233 +g225232 +S'Mon Levinson' +p238234 +sg225240 +g27 +sg225234 +S'screenprint on acrylic sheet and paper' +p238235 +sg225230 +S'Black Moving Planes XXIII' +p238236 +sg225236 +S'1961' +p238237 +sa(dp238238 +g225232 +S'Joan Mir\xc3\xb3' +p238239 +sg225240 +g27 +sg225234 +S'watercolor and red crayon on folded paper; front side is title page for Tristan Tzara\'s "Parler Seul," litho. de Joan Miro, 1948, Maeght ed., 1950' +p238240 +sg225230 +S'Untitled' +p238241 +sg225236 +S'1957' +p238242 +sa(dp238243 +g225232 +S'John Piper' +p238244 +sg225240 +g27 +sg225234 +S'gouache' +p238245 +sg225230 +S'Binham Abbey: Southwest' +p238246 +sg225236 +S'1948' +p238247 +sa(dp238248 +g225232 +S'Larry Rivers' +p238249 +sg225240 +g27 +sg225234 +S'screenprint on acrylic sheet' +p238250 +sg225230 +S'Print for Core' +p238251 +sg225236 +S'unknown date\n' +p238252 +sa(dp238253 +g225230 +S'Stretch of Black III' +p238254 +sg225232 +S'Leon Polk Smith' +p238255 +sg225234 +S'oil on canvas' +p238256 +sg225236 +S'1961' +p238257 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a000021b.jpg' +p238258 +sg225240 +g27 +sa(dp238259 +g225232 +S'Jan Raes II' +p238260 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Life of Man: Time Drives Away the Joys of Life' +p238261 +sg225236 +S'unknown date\n' +p238262 +sa(dp238263 +g225232 +S'Artist Information (' +p238264 +sg225240 +g27 +sg225234 +S'French, 1667 - 1754' +p238265 +sg225230 +S'Descriptio Omnium Operatum Quibus ad Fundendam ex Aere ...' +p238266 +sg225236 +S'(author)' +p238267 +sa(dp238268 +g225230 +S'River Landscape' +p238269 +sg225232 +S'Claude Lorrain' +p238270 +sg225234 +S'pen and brown ink with brown wash and black and red chalk on laid paper' +p238271 +sg225236 +S'c. 1635/1638' +p238272 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00072/a00072a0.jpg' +p238273 +sg225240 +g27 +sa(dp238274 +g225230 +S'Benjamin Franklin' +p238275 +sg225232 +S'Artist Information (' +p238276 +sg225234 +S'French, 1725 - 1805' +p238277 +sg225236 +S'(artist after)' +p238278 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0005a/a0005aac.jpg' +p238279 +sg225240 +g27 +sa(dp238280 +g225230 +S'A Young and an Old Bacchant' +p238281 +sg225232 +S'Artist Information (' +p238282 +sg225234 +S'(artist after)' +p238283 +sg225236 +S'\n' +p238284 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c784.jpg' +p238285 +sg225240 +g27 +sa(dp238286 +g225230 +S'Massacre of the Innocents' +p238287 +sg225232 +S'Bernard Picart' +p238288 +sg225234 +S'pen and brown and gray ink with gray wash over graphite on laid paper' +p238289 +sg225236 +S'unknown date\n' +p238290 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00071/a000718a.jpg' +p238291 +sg225240 +g27 +sa(dp238292 +g225230 +S'A Landscape with Seated Soldiers and Fishermen' +p238293 +sg225232 +S'Antonio Visentini' +p238294 +sg225234 +S'black chalk with watercolor and white heightening on brown washed paper' +p238295 +sg225236 +S'unknown date\n' +p238296 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a0007438.jpg' +p238297 +sg225240 +g27 +sa(dp238298 +g225230 +S'Landscape with a Wooded Ravine' +p238299 +sg225232 +S'Anthonie Waterloo' +p238300 +sg225234 +S'black chalk with gray wash heightened with white on laid paper' +p238301 +sg225236 +S'unknown date\n' +p238302 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00072/a00072cf.jpg' +p238303 +sg225240 +g27 +sa(dp238304 +g225230 +S'Allegory of Minerva as the Head of the Muses' +p238305 +sg225232 +S'Hans Speckaert' +p238306 +sg225234 +S'pen and brown ink with brown wash over black chalk on laid paper' +p238307 +sg225236 +S'in or before 1575' +p238308 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00037/a00037f1.jpg' +p238309 +sg225240 +g27 +sa(dp238310 +g225230 +S'Harpocrates' +p238311 +sg225232 +S'French 17th Century' +p238312 +sg225234 +S'sheet: 20.3 x 29.3 cm (8 x 11 9/16 in.)\r\nsupport: 31.7 x 41.4 cm (12 1/2 x 16 5/16 in.)' +p238313 +sg225236 +S'\nred chalk on laid paper' +p238314 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00062/a00062eb.jpg' +p238315 +sg225240 +g27 +sa(dp238316 +g225230 +S'A Man Seen from Behind [recto]' +p238317 +sg225232 +S'Taddeo Zuccaro' +p238318 +sg225234 +S'red chalk heightened with white on laid paper' +p238319 +sg225236 +S'c. 1555' +p238320 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00038/a0003801.jpg' +p238321 +sg225240 +g27 +sa(dp238322 +g225230 +S'A Man Seen from Behind [verso]' +p238323 +sg225232 +S'Taddeo Zuccaro' +p238324 +sg225234 +S'red chalk and pen and brown ink on laid paper' +p238325 +sg225236 +S'c. 1555' +p238326 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a0007447.jpg' +p238327 +sg225240 +g27 +sa(dp238328 +g225230 +S'Head of Saint Francis' +p238329 +sg225232 +S'Guido Reni' +p238330 +sg225234 +S'black, red and white chalk on blue laid paper' +p238331 +sg225236 +S'unknown date\n' +p238332 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00037/a00037e2.jpg' +p238333 +sg225240 +g27 +sa(dp238334 +g225232 +S'Motoi Oi' +p238335 +sg225240 +g27 +sg225234 +S'embossed color etching on wove paper' +p238336 +sg225230 +S'Parado - Happy Child' +p238337 +sg225236 +S'1970' +p238338 +sa(dp238339 +g225232 +S'Motoi Oi' +p238340 +sg225240 +g27 +sg225234 +S'embossed color etching on wove paper' +p238341 +sg225230 +S'Walking Happy Child' +p238342 +sg225236 +S'1970' +p238343 +sa(dp238344 +g225230 +S'There Were No Flowers Tonight' +p238345 +sg225232 +S'Ivan Le Lorraine Albright' +p238346 +sg225234 +S'oil on canvas' +p238347 +sg225236 +S'1929' +p238348 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a0000000.jpg' +p238349 +sg225240 +g27 +sa(dp238350 +g225230 +S'The Heart of the Andes' +p238351 +sg225232 +S'Artist Information (' +p238352 +sg225234 +S'American, 1826 - 1900' +p238353 +sg225236 +S'(artist after)' +p238354 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004c/a0004caf.jpg' +p238355 +sg225240 +g27 +sa(dp238356 +g225232 +S'Andr\xc3\xa9 Derain' +p238357 +sg225240 +g27 +sg225234 +S'oil on canvas' +p238358 +sg225230 +S'Marie Harriman' +p238359 +sg225236 +S'1935' +p238360 +sa(dp238361 +g225230 +S"At the Water's Edge" +p238362 +sg225232 +S'Paul C\xc3\xa9zanne' +p238363 +sg225234 +S'oil on canvas' +p238364 +sg225236 +S'c. 1890' +p238365 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a00006ae.jpg' +p238366 +sg225240 +S'The emphasis on light and reflection in\r\n\n Whereas the impressionists worked\r\nswiftly in an attempt to capture transitory\r\nlight effects, Cézanne pursued a slow and\r\ndeliberate method of painting, laboring\r\nover the right stroke of color to use in\r\nany given passage.\n In addition to the unpainted areas here,\r\nextremely loose handling and seemingly random touches of color or unresolved\r\npassages of paint suggest that Cézanne may\r\nstill have been considering the next stroke\r\nto add. A curious red dab is found above\r\nthe roof of the larger house, and small\r\npatches of bright blue sit atop the foliage\r\nat center left. On the riverbank at right are\r\nstreaks of yellow, perhaps the beginnings of\r\nefflorescence. The concentration of color\r\nin the central motif of the blue house, in\r\nthe boat with blue cabin, and in the green\r\nhouseboat next to it gives an indication of\r\nthe artist\xe2\x80\x99s working method: he started in\r\nthe middle of the composition and moved\r\noutward.\n Cézanne\xe2\x80\x99s work, especially landscape\r\npaintings, increasingly verged on abstraction\r\nin the artist\xe2\x80\x99s last two decades. Here\r\nstructures on the bank and on the river are\r\nsimplified into geometric shapes that contrast\r\nwith the organic lushness surrounding\r\nthem. The composition threatens to\r\ndissolve into patches of color, and pictorial\r\nspace is flattened. Touches of whitish blue\r\npigment—whether signaling sky, clouds,\r\nor mist is unclear—overlap onto the upper\r\nedges of foliage, thus preventing an illusionistic\r\nreading of depth. These abstractions\r\nhave appealed to modern sensibilities.\r\nNear the end of his life, Cézanne\xe2\x80\x99s critical\r\nreception—once so derisive—became\r\nmore open to this aesthetic, which also had\r\nan enormous impact on successive generations\r\nof artists. Gustave Geffroy, a journalist\r\nwho was among the earliest critics\r\nsympathetic to Cézanne, signaled this new\r\nperspective when he wrote in 1901: "It has\r\nbeen noted that some of Cézanne\xe2\x80\x99s paintings\r\nare not finished. What does that matter\r\nif they express the beauty and harmony\r\nthat he has felt so deeply? Who can say at\r\nwhat precise moment a canvas is finished? Art always contains an element of unfinish\r\nfor the life that it reproduces is in constant\r\ntransformation."\n (Text by Margaret Doyle, \n Notes\n \n \n ' +p238367 +sa(dp238368 +g225230 +S'The Battle of Love' +p238369 +sg225232 +S'Paul C\xc3\xa9zanne' +p238370 +sg225234 +S'oil on canvas' +p238371 +sg225236 +S'c. 1880' +p238372 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a00006af.jpg' +p238373 +sg225240 +g27 +sa(dp238374 +g225230 +S'Man with Pipe' +p238375 +sg225232 +S'Paul C\xc3\xa9zanne' +p238376 +sg225234 +S'oil on canvas' +p238377 +sg225236 +S'1892/1896' +p238378 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a00006b0.jpg' +p238379 +sg225240 +g27 +sa(dp238380 +g225230 +S'Montagne Sainte-Victoire, from near Gardanne' +p238381 +sg225232 +S'Paul C\xc3\xa9zanne' +p238382 +sg225234 +S'oil on canvas' +p238383 +sg225236 +S'c. 1887' +p238384 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a00006b1.jpg' +p238385 +sg225240 +g27 +sa(dp238386 +g225230 +S'Still Life with Milk Jug and Fruit' +p238387 +sg225232 +S'Paul C\xc3\xa9zanne' +p238388 +sg225234 +S'oil on canvas' +p238389 +sg225236 +S'c. 1900' +p238390 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0002a/a0002aeb.jpg' +p238391 +sg225240 +S'Impressionism not only encouraged Cézanne to adopt a brighter palette, \r\n but also gave him a way of expressing form. Rather than model three-dimensional \r\n shapes by gradually blending shades from dark to light, Cézanne, like the \r\n impressionists, gave them form by juxtaposing colors. “There is neither \r\n line nor modeling,” he said, “there is only contrast.”\n The tipped plate is molded by individual arcs of peachy ivory and cooler \r\n blue tones. The shadow that falls below it does not deepen continuously but \r\n is a patchwork of blues and complementary rust-colored browns. Rounded \r\n fruits, like the flat surfaces of the table, are built up of what Cézanne \r\n called “little planes” of color, applied in brushstrokes that echo the \r\n faceted sides of the pitcher.\n Cézanne painted this same pitcher and table in other canvases. His \r\n constant rearranging of these and other props was a way to understand and \r\n create structure. The very selection of objects, combining, for example, \r\n the roundness of fruits and bowls and the angles of furniture, reflects \r\n careful decisions about order and composition. This analytical way of seeing \r\n the world, whether the countryside of Provence or the man-made landscape of \r\n a still life, had great impact on the next generation of artists. For \r\n \n ' +p238392 +sa(dp238393 +g225230 +S'Still Life with a White Mug' +p238394 +sg225232 +S'Jean Sim\xc3\xa9on Chardin' +p238395 +sg225234 +S'oil on canvas' +p238396 +sg225236 +S'c. 1764' +p238397 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0002a/a0002aec.jpg' +p238398 +sg225240 +g27 +sa(dp238399 +g225230 +S'Boats on a Beach, Etretat' +p238400 +sg225232 +S'Gustave Courbet' +p238401 +sg225234 +S'oil on canvas' +p238402 +sg225236 +S'c. 1872/1875' +p238403 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000dba.jpg' +p238404 +sg225240 +g27 +sa(dp238405 +g225230 +S'La Bretonnerie in the Department of Indre' +p238406 +sg225232 +S'Gustave Courbet' +p238407 +sg225234 +S'oil on canvas' +p238408 +sg225236 +S'1856' +p238409 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000db5.jpg' +p238410 +sg225240 +g27 +sa(dp238411 +g225230 +S'Girl Drying Herself' +p238412 +sg225232 +S'Edgar Degas' +p238413 +sg225234 +S'pastel' +p238414 +sg225236 +S'1885' +p238415 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d47.jpg' +p238416 +sg225240 +g27 +sa(dp238417 +g225232 +S'Andr\xc3\xa9 Derain' +p238418 +sg225240 +g27 +sg225234 +S'oil on canvas' +p238419 +sg225230 +S'Still Life' +p238420 +sg225236 +S'1913' +p238421 +sa(dp238422 +g225230 +S'Haystacks in Brittany' +p238423 +sg225232 +S'Paul Gauguin' +p238424 +sg225234 +S'oil on canvas' +p238425 +sg225236 +S'1890' +p238426 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a000063e.jpg' +p238427 +sg225240 +S"This stylized view of fields and farm buildings near Le Pouldu is typical of the so-called \n The friezelike procession of cows and cowherd in the foreground coaxes our eye to move horizontally, and we find that the entire composition is arranged into bands, layered one on the other. Even the sky is stratified. Strong contrasts of dark and light—exploited especially in the black-and-white cows and the flowering crops—flatten forms, rendering them more decorative than descriptive. The vivid and unexpected oranges in the foreground do not mimic nature but cast it according to the artist's imagination. Notice how the silhouette of the cow at right is outlined against the orange with dark blue. In many places similar outlines compartmentalize colors, in the manner of cloisonné enamels or stained glass. This was a style Gauguin had evolved with fellow artist \n " +p238428 +sa(dp238429 +g225230 +S'Parau na te Varua ino (Words of the Devil)' +p238430 +sg225232 +S'Paul Gauguin' +p238431 +sg225234 +S'oil on canvas' +p238432 +sg225236 +S'1892' +p238433 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a000063f.jpg' +p238434 +sg225240 +S'Lured to Tahiti in 1891 by reports of its unspoiled culture, Gauguin was disappointed by its civilized capital and moved to the countryside, where he found an approximation of the tropical paradise he had expected. The Tahiti of his depictions was derived from native folklore supplemented by material culled from books written by earlier European visitors and overlaid with allusions to western culture. The pose of the standing nude, for instance, is derived from a medieval statue of the biblical Eve and more distantly from the Venus Pudica of classical sculpture. The artist placed this rich combination of references to original sin, the loss of virginity, and occidental standards of beauty and art within the context of his Tahitian mythology and primitive, non–European aesthetics.\n The meaning of the title \n ' +p238435 +sa(dp238436 +g225230 +S'Dryad' +p238437 +sg225232 +S'Walt Kuhn' +p238438 +sg225234 +S'oil on canvas' +p238439 +sg225236 +S'1935' +p238440 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a000013d.jpg' +p238441 +sg225240 +g27 +sa(dp238442 +g225230 +S'Green Apples and Scoop' +p238443 +sg225232 +S'Walt Kuhn' +p238444 +sg225234 +S'oil on canvas' +p238445 +sg225236 +S'1939' +p238446 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a000013e.jpg' +p238447 +sg225240 +g27 +sa(dp238448 +g225230 +S'Hare and Hunting Boots' +p238449 +sg225232 +S'Walt Kuhn' +p238450 +sg225234 +S'oil on canvas' +p238451 +sg225236 +S'1926' +p238452 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a000013f.jpg' +p238453 +sg225240 +g27 +sa(dp238454 +g225230 +S'The White Clown' +p238455 +sg225232 +S'Walt Kuhn' +p238456 +sg225234 +S'oil on canvas' +p238457 +sg225236 +S'1929' +p238458 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a0000140.jpg' +p238459 +sg225240 +g27 +sa(dp238460 +g225230 +S'Zinnias' +p238461 +sg225232 +S'Walt Kuhn' +p238462 +sg225234 +S'oil on canvas' +p238463 +sg225236 +S'1933' +p238464 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a0000141.jpg' +p238465 +sg225240 +g27 +sa(dp238466 +g225232 +S'Henri Matisse' +p238467 +sg225240 +g27 +sg225234 +S'oil on canvas' +p238468 +sg225230 +S'Still Life with Pineapple' +p238469 +sg225236 +S'1924' +p238470 +sa(dp238471 +g225230 +S'Lady with a Fan' +p238472 +sg225232 +S'Pablo Picasso' +p238473 +sg225234 +S'oil on canvas' +p238474 +sg225236 +S'1905' +p238475 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000dee.jpg' +p238476 +sg225240 +g27 +sa(dp238477 +g225230 +S'Rendezvous in the Forest' +p238478 +sg225232 +S'Henri Rousseau' +p238479 +sg225234 +S'oil on canvas' +p238480 +sg225236 +S'1889' +p238481 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00007/a0000729.jpg' +p238482 +sg225240 +g27 +sa(dp238483 +g225230 +S'Seascape at Port-en-Bessin, Normandy' +p238484 +sg225232 +S'Georges Seurat' +p238485 +sg225234 +S'oil on canvas' +p238486 +sg225236 +S'1888' +p238487 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a00006f6.jpg' +p238488 +sg225240 +S'Like many Parisians, Seurat escaped the\r\nheat and the pace of the city in the summertime\r\nby heading to coastal towns along\r\nthe English Channel. In 1888 his destination\r\nwas Port-en-Bessin, a small fishing\r\nvillage that inspired him to paint six\r\ncanvases. While five of them look toward\r\nthe harbor or hint at its activities, this\r\nview is the only one turned completely\r\naway from town, focusing solely on the\r\nsurrounding cliffs. Seurat had climbed to\r\nan isolated spot above the port and accurately\r\nportrayed the topography in this and\r\ntwo other compositions, each looking in a\r\ndifferent direction.\n Seurat executed the painting by meticulously\r\napplying small dots of pure color\r\non the canvas with the expectation that they would combine vibrantly—with various\r\nhues intensifying one another—in\r\nthe viewer\xe2\x80\x99s eye. Seurat read widely on the\r\ncolor theory of his day, including treatises\r\nby the American physicist Ogden Rood,\r\nthe French scientists Eugène Chevreul\r\nand Charles Henry, and French art critic\r\nCharles Blanc, whom Seurat credited for\r\nhis initial interest in the properties of colors.\r\nHe also studied the paintings of great\r\ncolorists such as Eugène Delacroix and\r\nPeter Paul Rubens. An admiration for the\r\nwork of contemporaries Claude Monet and\r\nCamille Pissarro led Seurat to experiment\r\nwith the impressionist brushstroke, which\r\neventually resulted in his pointillist touch.\r\nPrevious artists such as Delacroix had been\r\naware of the principles of optical mixture\r\nand of colors influencing one another, but\r\nSeurat was determined to find a systematic\r\nmeans of applying these laws.\n Seurat developed his technique in\r\npartial collaboration with Pissarro and\r\nPaul Signac; all three exhibited paintings\r\nexecuted in a similar manner in the 1886\r\nimpressionist exhibition.\n Seurat\xe2\x80\x99s celebrated tenure at the\r\nforefront of the avant-garde did not last\r\nlong; his defense of his role as instigator\r\nof the pointillist technique led to tension\r\nand jealousies among his peers before the artist\xe2\x80\x99s untimely death from diphtheria at\r\nthe age of thirty-one. Nevertheless, subsequent\r\ngenerations of artists built new\r\nartistic vocabularies based in large part on\r\nthe foundation of his art and ideas.\n (Text by Margaret Doyle, \n Notes\n \n ' +p238489 +sa(dp238490 +g225230 +S'Lady with a Dog' +p238491 +sg225232 +S'Henri de Toulouse-Lautrec' +p238492 +sg225234 +S'oil on cardboard' +p238493 +sg225236 +S'1891' +p238494 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00007/a0000746.jpg' +p238495 +sg225240 +S'Although Lautrec is better known for his\r\nraucous scenes of Parisian nightlife, portraiture\r\nmakes up a large portion of his\r\nproduction. He rarely painted portraits\r\non commission—his aristocratic lineage\r\nensured a steady income regardless of\r\nhis sales—but instead was fascinated by\r\nfaces and personalities, and especially by\r\ncharacter types.\n Many of Lautrec\xe2\x80\x99s portraits were created\r\nin his studio, but he also worked outdoors,\r\nas suggested by this scene of a lady\r\nsitting with her dog in what appears to be\r\na fenced-in yard. She has traditionally\r\nbeen identified as Mme Fabre, the wife\r\nof Lautrec\xe2\x80\x99s friend Louis Fabre, who lived\r\nnear the artist in Paris and at whose vacation\r\nhome on the Arcachon bay (along\r\nthe southwest coast of France) Lautrec\r\nfrequently stayed.\n Lautrec began taking notice of avantgarde\r\nart in the mid-1880s while still in\r\nthe studio of his teacher Fernand Cormon.\r\nHe wrote to his mother, "Vive la\r\nR\xc3\xa9volution! Vive Manet! The breeze of\r\nImpressionism is blowing through the\r\nstudio. I\xe2\x80\x99m overjoyed."\n Lady with a Dog\n (Text by Margaret Doyle, \n Notes\n \n \n \n \n ' +p238496 +sa(dp238497 +g225230 +S'Peasants Celebrating Twelfth Night' +p238498 +sg225232 +S'David Teniers the Younger' +p238499 +sg225234 +S'oil on panel' +p238500 +sg225236 +S'1635' +p238501 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e3f.jpg' +p238502 +sg225240 +g27 +sa(dp238503 +g225230 +S'Moses Striking the Rock' +p238504 +sg225232 +S'Joachim Anthonisz Wtewael' +p238505 +sg225234 +S'oil on panel' +p238506 +sg225236 +S'1624' +p238507 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e93.jpg' +p238508 +sg225240 +S"Wtewael's lifelong commitment to mannerism is apparent in this depiction of \n The mannerists' use of alternating patterns of light and dark, elongated figures, contorted\nposes, and pastel colors created elegant, yet extremely artificial, scenes. Wtewael here depicts\nmany figures who feverishly use pots, pans, and other drinking utensils to capture the precious\nwater.\n This religious subject was a favorite one for mannerist artists. Such paintings were often\nproduced in cooperation with humanist scholars and had allegorical implications. Moses, in his\nrole as leader of the Israelites, was often seen as a forerunner of Christ; more specifically for the\nDutch, however, were the parallels that could be drawn between Moses and their national hero\nWilliam the Silent. Both led their people against an oppressive foreign rule, but neither of them\nlived to witness the formation of the new nation they had foreseen.\n " +p238509 +sa(dp238510 +g225230 +S'Peace Establishing Her Reign' +p238511 +sg225232 +S'Antonio Lombardo' +p238512 +sg225234 +S'bronze' +p238513 +sg225236 +S'1512' +p238514 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00034/a0003413.jpg' +p238515 +sg225240 +g27 +sa(dp238516 +g225230 +S'The Entombment' +p238517 +sg225232 +S'Albrecht D\xc3\xbcrer' +p238518 +sg225234 +S'pen and gray ink on laid paper' +p238519 +sg225236 +S'1504' +p238520 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00024/a0002448.jpg' +p238521 +sg225240 +g27 +sa(dp238522 +g225230 +S'Saint Sebastian' +p238523 +sg225232 +S'Wolf Huber' +p238524 +sg225234 +S'pen and black ink on laid paper' +p238525 +sg225236 +S'possibly 1509' +p238526 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00034/a0003420.jpg' +p238527 +sg225240 +g27 +sa(dp238528 +g225230 +S'The Virgin and Saint John' +p238529 +sg225232 +S'Artist Information (' +p238530 +sg225234 +S'German, 1484/1485 - 1545' +p238531 +sg225236 +S'(artist after)' +p238532 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00079/a0007989.jpg' +p238533 +sg225240 +g27 +sa(dp238534 +g225230 +S'Portrait of a Man Standing' +p238535 +sg225232 +S'Sir Anthony van Dyck' +p238536 +sg225234 +S'black and red chalk on laid paper' +p238537 +sg225236 +S'unknown date\n' +p238538 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0005f/a0005f38.jpg' +p238539 +sg225240 +g27 +sa(dp238540 +g225230 +S'The Rabbit Hunters' +p238541 +sg225232 +S'Pieter Bruegel the Elder' +p238542 +sg225234 +S'etching' +p238543 +sg225236 +S'1566' +p238544 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00058/a00058a8.jpg' +p238545 +sg225240 +g27 +sa(dp238546 +g225230 +S'The Choristers' +p238547 +sg225232 +S'Alessandro Magnasco' +p238548 +sg225234 +S'oil on canvas' +p238549 +sg225236 +S'c. 1740/1745' +p238550 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a0000618.jpg' +p238551 +sg225240 +g27 +sa(dp238552 +g225232 +S'Th\xc3\xa9odore Chass\xc3\xa9riau' +p238553 +sg225240 +g27 +sg225234 +S', unknown date' +p238554 +sg225230 +S'The Nursing of Jupiter' +p238555 +sg225236 +S'\n' +p238556 +sa(dp238557 +g225230 +S'The Angel Appearing to the Centurion Cornelius' +p238558 +sg225232 +S'Cornelis Cornelisz van Haarlem' +p238559 +sg225234 +S'pen and black ink with gray wash and white heightening on paper prepared with diluted red chalk' +p238560 +sg225236 +S'late 1590s' +p238561 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006ef8.jpg' +p238562 +sg225240 +g27 +sa(dp238563 +g225230 +S'Candelabrum: Swan Among Rushes' +p238564 +sg225232 +S'Artist Information (' +p238565 +sg225234 +S'(artist)' +p238566 +sg225236 +S'\n' +p238567 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000df/a000dfc8.jpg' +p238568 +sg225240 +g27 +sa(dp238569 +g225230 +S'Candelabrum: Swan Among Rushes' +p238570 +sg225232 +S'Artist Information (' +p238571 +sg225234 +S'(artist)' +p238572 +sg225236 +S'\n' +p238573 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000df/a000dfc9.jpg' +p238574 +sg225240 +S'\n This porcelain swan was produced about 1750 from models attributed to\n ' +p238575 +sa(dp238576 +g225232 +S'Edvard Munch' +p238577 +sg225240 +g27 +sg225234 +S'color lithograph and woodcut with watercolor [trial proof]' +p238578 +sg225230 +S'The Vampire (Vampyr)' +p238579 +sg225236 +S'1895' +p238580 +sa(dp238581 +g225230 +S'An Oriental Ruler Seated on His Throne' +p238582 +sg225232 +S'Albrecht D\xc3\xbcrer' +p238583 +sg225234 +S'pen and black ink on laid paper' +p238584 +sg225236 +S'c. 1495' +p238585 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00031/a00031b6.jpg' +p238586 +sg225240 +g27 +sa(dp238587 +g225230 +S'The Angel of the Annunciation [recto]' +p238588 +sg225232 +S'Fra Bartolommeo' +p238589 +sg225234 +S'pen and brown ink over black chalk on laid paper' +p238590 +sg225236 +S'1500/1504' +p238591 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a00074db.jpg' +p238592 +sg225240 +g27 +sa(dp238593 +g225232 +S'Fra Bartolommeo' +p238594 +sg225240 +g27 +sg225234 +S'pen and brown ink on laid paper' +p238595 +sg225230 +S'A View of Prato with Santa Maria delle Carceri and the Imperial Castle [verso]' +p238596 +sg225236 +S'1500/1504' +p238597 +sa(dp238598 +g225232 +S'Fran\xc3\xa7ois Coudray' +p238599 +sg225240 +g27 +sg225234 +S'bronze' +p238600 +sg225230 +S'Saint Sebastian' +p238601 +sg225236 +S'1712' +p238602 +sa(dp238603 +g225230 +S"Mounted Trumpeters of Napoleon's Imperial Guard" +p238604 +sg225232 +S'Th\xc3\xa9odore Gericault' +p238605 +sg225234 +S'oil on canvas' +p238606 +sg225236 +S'1813/1814' +p238607 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d94.jpg' +p238608 +sg225240 +S"Between 1812 and 1814, while Napoleon's armies waged war across Europe,\nThéodore Gericault began a series of small canvases depicting Napoleonic\ncavalry\nofficers. These paintings provided Gericault with the opportunity to explore two of the\nsubjects that he loved best: the horse and the pomp of military life.\n The \n " +p238609 +sa(dp238610 +g225230 +S'Enfant Dessinant (Child Drawing)' +p238611 +sg225232 +S'F\xc3\xa9lix-Hilaire Buhot' +p238612 +sg225234 +S'lithograph' +p238613 +sg225236 +S'1894' +p238614 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00091/a0009172.jpg' +p238615 +sg225240 +g27 +sa(dp238616 +g225230 +S'The Hammock (Le hamac)' +p238617 +sg225232 +S'James Jacques Joseph Tissot' +p238618 +sg225234 +S'etching and drypoint' +p238619 +sg225236 +S'1880' +p238620 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bb9.jpg' +p238621 +sg225240 +g27 +sa(dp238622 +g225232 +S'Max Pechstein' +p238623 +sg225240 +g27 +sg225234 +S'lithograph in black on wove paper' +p238624 +sg225230 +S'Erich Heckel' +p238625 +sg225236 +S'1909' +p238626 +sa(dp238627 +g225230 +S'Bust of a Girl' +p238628 +sg225232 +S'Paul C\xc3\xa9zanne' +p238629 +sg225234 +S'etching' +p238630 +sg225236 +S'1873' +p238631 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00098/a000982f.jpg' +p238632 +sg225240 +g27 +sa(dp238633 +g225230 +S'Cow Drinking' +p238634 +sg225232 +S'Nicolaes Pietersz Berchem' +p238635 +sg225234 +S'etching' +p238636 +sg225236 +S'1680' +p238637 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4b9.jpg' +p238638 +sg225240 +g27 +sa(dp238639 +g225230 +S'Cow Pissing' +p238640 +sg225232 +S'Nicolaes Pietersz Berchem' +p238641 +sg225234 +S'etching' +p238642 +sg225236 +S'unknown date\n' +p238643 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4bc.jpg' +p238644 +sg225240 +g27 +sa(dp238645 +g225230 +S'Cow Pissing' +p238646 +sg225232 +S'Nicolaes Pietersz Berchem' +p238647 +sg225234 +S'etching' +p238648 +sg225236 +S'unknown date\n' +p238649 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4bb.jpg' +p238650 +sg225240 +g27 +sa(dp238651 +g225230 +S'Herd Crossing the Brook' +p238652 +sg225232 +S'Nicolaes Pietersz Berchem' +p238653 +sg225234 +S'etching' +p238654 +sg225236 +S'unknown date\n' +p238655 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4c4.jpg' +p238656 +sg225240 +g27 +sa(dp238657 +g225230 +S'Herd Crossing the Brook' +p238658 +sg225232 +S'Nicolaes Pietersz Berchem' +p238659 +sg225234 +S'etching' +p238660 +sg225236 +S'unknown date\n' +p238661 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4c5.jpg' +p238662 +sg225240 +g27 +sa(dp238663 +g225230 +S'The Rest before the Inn' +p238664 +sg225232 +S'Nicolaes Pietersz Berchem' +p238665 +sg225234 +S'etching' +p238666 +sg225236 +S'unknown date\n' +p238667 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4c3.jpg' +p238668 +sg225240 +g27 +sa(dp238669 +g225230 +S'The Rest before the Inn' +p238670 +sg225232 +S'Nicolaes Pietersz Berchem' +p238671 +sg225234 +S'etching' +p238672 +sg225236 +S'unknown date\n' +p238673 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4c2.jpg' +p238674 +sg225240 +g27 +sa(dp238675 +g225230 +S'Resting Herd' +p238676 +sg225232 +S'Nicolaes Pietersz Berchem' +p238677 +sg225234 +S'etching counterproof' +p238678 +sg225236 +S'unknown date\n' +p238679 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4c0.jpg' +p238680 +sg225240 +g27 +sa(dp238681 +g225230 +S'Resting Herd' +p238682 +sg225232 +S'Nicolaes Pietersz Berchem' +p238683 +sg225234 +S'etching' +p238684 +sg225236 +S'unknown date\n' +p238685 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4c1.jpg' +p238686 +sg225240 +g27 +sa(dp238687 +g225230 +S'The Shepherd Seated on a Fountain and the Spinner' +p238688 +sg225232 +S'Nicolaes Pietersz Berchem' +p238689 +sg225234 +S'etching' +p238690 +sg225236 +S'1652' +p238691 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4ba.jpg' +p238692 +sg225240 +g27 +sa(dp238693 +g225230 +S'The Shepherd Seated on a Fountain and the Spinner' +p238694 +sg225232 +S'Nicolaes Pietersz Berchem' +p238695 +sg225234 +S'etching' +p238696 +sg225236 +S'1652' +p238697 +sg225238 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+sg225236 +S'unknown date\n' +p239380 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9db.jpg' +p239381 +sg225240 +g27 +sa(dp239382 +g225230 +S'Saint John the Baptist Preaching' +p239383 +sg225232 +S'Frans Crabbe van Espleghem' +p239384 +sg225234 +S'woodcut' +p239385 +sg225236 +S'possibly c. 1530' +p239386 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cf/a000cf65.jpg' +p239387 +sg225240 +g27 +sa(dp239388 +g225230 +S'Pentecost' +p239389 +sg225232 +S'Artist Information (' +p239390 +sg225234 +S'(artist after)' +p239391 +sg225236 +S'\n' +p239392 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ca/a000caa8.jpg' +p239393 +sg225240 +g27 +sa(dp239394 +g225230 +S'Pentecost' +p239395 +sg225232 +S'Artist Information (' +p239396 +sg225234 +S'(artist after)' +p239397 +sg225236 +S'\n' +p239398 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ca/a000caa9.jpg' +p239399 +sg225240 +g27 +sa(dp239400 +g225230 +S'Venus and Mars Embracing with Vulcan at his Forge' +p239401 +sg225232 +S'Artist Information (' +p239402 +sg225234 +S'(artist after)' +p239403 +sg225236 +S'\n' +p239404 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c893.jpg' +p239405 +sg225240 +g27 +sa(dp239406 +g225230 +S'Venus Reclining with Vulcan at His Forge' +p239407 +sg225232 +S'Artist Information (' +p239408 +sg225234 +S'(artist after)' +p239409 +sg225236 +S'\n' +p239410 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c892.jpg' +p239411 +sg225240 +g27 +sa(dp239412 +g225230 +S'Madonna and Child Enthroned, Saint Jerome and Saint Francis' +p239413 +sg225232 +S'Artist Information (' +p239414 +sg225234 +S'(artist after)' +p239415 +sg225236 +S'\n' +p239416 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ca/a000caf5.jpg' +p239417 +sg225240 +g27 +sa(dp239418 +g225230 +S'Diana and Her Nymphs in a Garden' +p239419 +sg225232 +S'Abraham de Bruyn' +p239420 +sg225234 +S'engraving' +p239421 +sg225236 +S'1569' +p239422 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cf/a000cf1d.jpg' +p239423 +sg225240 +g27 +sa(dp239424 +g225230 +S'The Annunciation' +p239425 +sg225232 +S'Hendrick Goltzius' +p239426 +sg225234 +S', 1594' +p239427 +sg225236 +S'\n' +p239428 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d06e.jpg' +p239429 +sg225240 +g27 +sa(dp239430 +g225230 +S'The Group at the Fireplace' +p239431 +sg225232 +S'Cornelis Bega' +p239432 +sg225234 +S'etching' +p239433 +sg225236 +S'unknown date\n' +p239434 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d08e.jpg' +p239435 +sg225240 +g27 +sa(dp239436 +g225230 +S'The Smoker' +p239437 +sg225232 +S'Cornelis Bega' +p239438 +sg225234 +S'etching' +p239439 +sg225236 +S'unknown date\n' +p239440 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d087.jpg' +p239441 +sg225240 +g27 +sa(dp239442 +g225230 +S'Young Man with a Statue of Cupid' +p239443 +sg225232 +S'Wallerant Vaillant' +p239444 +sg225234 +S'mezzotint' +p239445 +sg225236 +S'unknown date\n' +p239446 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d5c5.jpg' +p239447 +sg225240 +g27 +sa(dp239448 +g225230 +S'Study for "Surprise" (Battle of the Tigers)' +p239449 +sg225232 +S'Fran\xc3\xa7ois-Nicolas Chifflart' +p239450 +sg225234 +S'graphite on blue-gray paper' +p239451 +sg225236 +S'c. 1865' +p239452 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006e64.jpg' +p239453 +sg225240 +g27 +sa(dp239454 +g225230 +S'Femmes au bain' +p239455 +sg225232 +S'Suzanne Valadon' +p239456 +sg225234 +S'soft-ground etching' +p239457 +sg225236 +S'1893' +p239458 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0009e/a0009e95.jpg' +p239459 +sg225240 +g27 +sa(dp239460 +g225230 +S'Sunflowers, Rue des Beaux-Arts' +p239461 +sg225232 +S'James McNeill Whistler' +p239462 +sg225234 +S'etching and drypoint in black on cream laid paper' +p239463 +sg225236 +S'1892/1893' +p239464 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ab/a000ab86.jpg' +p239465 +sg225240 +g27 +sa(dp239466 +g225230 +S'Figures in a Storm' +p239467 +sg225232 +S'Alessandro Magnasco' +p239468 +sg225234 +S'brush and brown ink with brown wash, heightened with white, over red chalk on laid paper' +p239469 +sg225236 +S'unknown date\n' +p239470 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a000742f.jpg' +p239471 +sg225240 +g27 +sa(dp239472 +g225230 +S'Seaforms' +p239473 +sg225232 +S'Albert William Christ-Janer' +p239474 +sg225234 +S'offset lithograph' +p239475 +sg225236 +S'unknown date\n' +p239476 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a62.jpg' +p239477 +sg225240 +g27 +sa(dp239478 +g225230 +S'Snow' +p239479 +sg225232 +S'M.C. Escher' +p239480 +sg225234 +S'lithograph' +p239481 +sg225236 +S'1936' +p239482 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004b/a0004b78.jpg' +p239483 +sg225240 +g27 +sa(dp239484 +g225230 +S'Dish' +p239485 +sg225232 +S'Artist Information (' +p239486 +sg225234 +S'1276 - 1368' +p239487 +sg225236 +S'(ceramist)' +p239488 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00020/a00020fd.jpg' +p239489 +sg225240 +g27 +sa(dp239490 +g225230 +S'Vase' +p239491 +sg225232 +S'Chinese Liao Dynasty' +p239492 +sg225234 +S'overall: 28.6 x 16.2 cm (11 1/4 x 6 3/8 in.)' +p239493 +sg225236 +S'\nlead-glazed earthenware' +p239494 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f0e.jpg' +p239495 +sg225240 +g27 +sa(dp239496 +g225230 +S'Bowl' +p239497 +sg225232 +S'Chinese Jin Dynasty' +p239498 +sg225234 +S'overall: 9.9 x 23.2 cm (3 7/8 x 9 1/8 in.)' +p239499 +sg225236 +S'\nglazed stoneware, Northern Celadon ware' +p239500 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f1b.jpg' +p239501 +sg225240 +g27 +sa(dp239502 +g225230 +S'Tea Bowl' +p239503 +sg225232 +S'Chinese Southern Song Dynasty' +p239504 +sg225234 +S'overall: 7.2 x 12.7 cm (2 13/16 x 5 in.)' +p239505 +sg225236 +S'\nglazed stoneware, Jian ware' +p239506 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f2d.jpg' +p239507 +sg225240 +g27 +sa(dp239508 +g225230 +S'Stem Bowl' +p239509 +sg225232 +S'Chinese Ming Dynasty' +p239510 +sg225234 +S'overall: 8.3 x 15.6 cm (3 1/4 x 6 1/8 in.)' +p239511 +sg225236 +S'\nporcelain with underglaze blue decoration' +p239512 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f3e.jpg' +p239513 +sg225240 +S"This Ming dynasty stem bowl—a shape used in Buddhist ritual—exemplifies the finest blue-and-white porcelains of the early fifteenth century. The design is painted in underglaze cobalt blue. Leafy tendrils of a lotus scroll enframe eight blossoms, each topped with one of Buddhism's Eight Auspicious Emblems: a pair of fish, a lotus flower, a canopy, a parasol, a conch shell, the wheel of dharma, an endless knot, and a vase. These symbolize freedom, purity, righteousness, respect, the Buddha's voice, Buddhist law, compassion, and truth.\n " +p239514 +sa(dp239515 +g225230 +S'Stem Cup' +p239516 +sg225232 +S'Chinese Ming Dynasty' +p239517 +sg225234 +S'overall: 12.3 x 17.3 cm (4 13/16 x 6 13/16 in.)' +p239518 +sg225236 +S'\nporcelain with enamels on the biscuit' +p239519 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f55.jpg' +p239520 +sg225240 +S'The shape and the decorative motifs of this finely potted stem cup are characteristic of the late fifteenth and early sixteenth centuries. The interior is decorated with two incised dragons chasing flaming pearls around the cavetto and covered with colorless glaze. At the center is an incised double circle containing three stylized \n The presence of slip-trailed decoration is rare on this type of vessel, as the majority of middle-Ming stem cups with similarly styled yellow and green enamel decoration have the designs incised into the body.\n An unusual feature of this stem cup is the four-character 'Phagspa script mark inscribed in underglaze blue on the interior wall of the foot. This script was invented in the early Yuan dynasty (late thirteenth century) by the Tibetan monk 'Phagspa (d. 1280) for the phoneticization of Chinese words into Tibetan and Mongolian.\n Since all three vessels are decorated in the style of the Zhengde reign, and yet have 'Phagspa marks corresponding to the Jiajing reign mark, it is probable that they were produced in the first years of the latter period. It is also likely that these vessels were made as an imperial gift to a Tibetan temple or high-ranking lama. The vessels were probably produced no later than the first years of Jiajing, since the ceramic decorative style changed soon after the beginning of the Jiajing reign in 1522. Furthermore, the Jiajing emperor\'s growing obsession with the Daoist religion (at the expense of the influence of the Buddhist church) would have made such a gift unlikely late in his reign.\n (Text by Stephen Little, published in the NGA Systematic Catalogue: \n Notes\n \n \n \n \n \n \n ' +p239521 +sa(dp239522 +g225230 +S'Vase in the Shape of an Archaic Bronze Zun' +p239523 +sg225232 +S'Chinese Ming Dynasty' +p239524 +sg225234 +S'overall (height): 24.5 cm (9 5/8 in.)' +p239525 +sg225236 +S'\nporcelain with enamels on the biscuit' +p239526 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f5e.jpg' +p239527 +sg225240 +g27 +sa(dp239528 +g225230 +S'Bottle Vase' +p239529 +sg225232 +S'Chinese Qing Dynasty' +p239530 +sg225234 +S'overall: 21.7 x 9.5 cm (8 9/16 x 3 3/4 in.)' +p239531 +sg225236 +S'\nporcelain with underglaze blue decoration' +p239532 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f5f.jpg' +p239533 +sg225240 +g27 +sa(dp239534 +g225230 +S'Bottle Vase' +p239535 +sg225232 +S'Chinese Qing Dynasty' +p239536 +sg225234 +S'overall: 14.9 x 10.2 cm (5 7/8 x 4 in.)' +p239537 +sg225236 +S'\nporcelain with underglaze blue decoration' +p239538 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f60.jpg' +p239539 +sg225240 +S'This bottle vase represents a shape of the late Kangxi period.\n (Text by Stephen Little, published in the NGA Systematic Catalogue: \n Notes
\n1. For a similar example, see Special Exhibition of Hsüan-te Porcelain of the Ming Dynasty [Exh. cat. National Palace Museum], Taipei, 1980, pl. 12. For an example in steatitic porcelain that has been dated to the late Kangxi or early Yongzheng period, see H. A. Van Oort and J. M. Kater, "Chinese Soft Paste or Steatitic Porcelain," Arts of Asia 12, no. 2 (March-April 1982), fig. 5.\n ' +p239540 +sa(dp239541 +g225230 +S'Vase' +p239542 +sg225232 +S'Chinese Qing Dynasty' +p239543 +sg225234 +S'overall: 13.8 x 8.5 cm (5 7/16 x 3 3/8 in.)' +p239544 +sg225236 +S'\nporcelain with underglaze blue decoration over white slip' +p239545 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f00.jpg' +p239546 +sg225240 +g27 +sa(dp239547 +g225230 +S'Vase' +p239548 +sg225232 +S'Chinese Qing Dynasty' +p239549 +sg225234 +S'overall: 13 x 7 cm (5 1/8 x 2 3/4 in.)' +p239550 +sg225236 +S'\nporcelain with underglaze blue decoration over white slip ground' +p239551 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f01.jpg' +p239552 +sg225240 +g27 +sa(dp239553 +g225230 +S'Vase' +p239554 +sg225232 +S'Chinese Qing Dynasty' +p239555 +sg225234 +S'overall: 11.7 x 6.6 cm (4 5/8 x 2 5/8 in.)' +p239556 +sg225236 +S'\nporcelain with underglaze blue decoration' +p239557 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f02.jpg' +p239558 +sg225240 +g27 +sa(dp239559 +g225230 +S'Vase' +p239560 +sg225232 +S'Chinese Qing Dynasty' +p239561 +sg225234 +S'overall: 11.6 x 6.2 cm (4 9/16 x 2 7/16 in.)' +p239562 +sg225236 +S'\nporcelain with underglaze blue decoration over white slip ground' +p239563 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f03.jpg' +p239564 +sg225240 +g27 +sa(dp239565 +g225230 +S'Bottle Vase' +p239566 +sg225232 +S'Chinese Qing Dynasty' +p239567 +sg225234 +S'overall: 14.6 x 8.2 cm (5 3/4 x 3 1/4 in.)' +p239568 +sg225236 +S'\nporcelain with peachbloom glaze' +p239569 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f05.jpg' +p239570 +sg225240 +S'The exterior of this classical peachbloom vessel is covered with a dull red glaze.\n There are several small patches of pale green color.\n (Text by Stephen Little, published in the NGA Systematic Catalogue: \n ' +p239571 +sa(dp239572 +g225230 +S'"Beehive" Water Pot' +p239573 +sg225232 +S'Chinese Qing Dynasty' +p239574 +sg225234 +S'overall: 8.8 x 12.7 cm (3 7/16 x 5 in.)' +p239575 +sg225236 +S'\nporcelain with peachbloom glaze' +p239576 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f07.jpg' +p239577 +sg225240 +g27 +sa(dp239578 +g225230 +S'Small Beaker Vase in the Shape of an Archaic Bronze Gu' +p239579 +sg225232 +S'Chinese Qing Dynasty' +p239580 +sg225234 +S'overall: 10.9 x 8.7 cm (4 5/16 x 3 7/16 in.)' +p239581 +sg225236 +S'\nporcelain with colorless glaze' +p239582 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f08.jpg' +p239583 +sg225240 +g27 +sa(dp239584 +g225230 +S'Small Baluster Vase' +p239585 +sg225232 +S'Chinese Qing Dynasty' +p239586 +sg225234 +S'overall: 20.6 x 9.3 cm (8 1/8 x 3 11/16 in.)' +p239587 +sg225236 +S'\nporcelain with blue glaze and painted gold decoration' +p239588 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f09.jpg' +p239589 +sg225240 +g27 +sa(dp239590 +g225230 +S'Bowl' +p239591 +sg225232 +S'Chinese Qing Dynasty' +p239592 +sg225234 +S'overall: 4.5 x 11.6 cm (1 3/4 x 4 9/16 in.)' +p239593 +sg225236 +S'\nporcelain with celadon glaze' +p239594 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f0b.jpg' +p239595 +sg225240 +g27 +sa(dp239596 +g225230 +S'Vase in the Shape of an Archaic Bronze Hu' +p239597 +sg225232 +S'Chinese Qing Dynasty' +p239598 +sg225234 +S'overall: 19.1 x 12.2 cm (7 1/2 x 4 13/16 in.)' +p239599 +sg225236 +S'\nsteatitic porcelain' +p239600 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f0d.jpg' +p239601 +sg225240 +g27 +sa(dp239602 +g225230 +S'Stem Cup' +p239603 +sg225232 +S'Chinese Qing Dynasty' +p239604 +sg225234 +S'overall: 11.7 x 15.6 cm (4 5/8 x 6 1/8 in.)' +p239605 +sg225236 +S'\nporcelain with underglaze red decoration' +p239606 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f0f.jpg' +p239607 +sg225240 +g27 +sa(dp239608 +g225230 +S'Vase in the Shape of an Archaic Bronze Hu' +p239609 +sg225232 +S'Chinese Qing Dynasty' +p239610 +sg225234 +S'overall: 16.2 x 9.5 cm (6 3/8 x 3 3/4 in.)' +p239611 +sg225236 +S'\nporcelain with celadon glaze' +p239612 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f11.jpg' +p239613 +sg225240 +g27 +sa(dp239614 +g225230 +S'Small Foliated Dish' +p239615 +sg225232 +S'Chinese Qing Dynasty' +p239616 +sg225234 +S'overall: 1.4 x 8 cm (9/16 x 3 1/8 in.)' +p239617 +sg225236 +S'\nporcelain with colorless glaze' +p239618 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f12.jpg' +p239619 +sg225240 +g27 +sa(dp239620 +g225230 +S'Small Foliated Dish' +p239621 +sg225232 +S'Chinese Qing Dynasty' +p239622 +sg225234 +S'overall: 1.4 x 8 cm (9/16 x 3 1/8 in.)' +p239623 +sg225236 +S'\nporcelain with colorless glaze' +p239624 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f13.jpg' +p239625 +sg225240 +g27 +sa(dp239626 +g225230 +S'Bottle Vase' +p239627 +sg225232 +S'Chinese Qing Dynasty' +p239628 +sg225234 +S'overall: 23 x 13.7 cm (9 1/16 x 5 3/8 in.)' +p239629 +sg225236 +S'\nporcelain with turquoise glaze' +p239630 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f14.jpg' +p239631 +sg225240 +S'This vase has a globular body and a slightly flaring neck. The proportions \n are very close to larger examples that bear Qianlong reignmarks, suggesting \n that this vessel dates to the same period.\n (Text by Stephen Little, published in the NGA Systematic Catalogue: \n Notes
\n1. René-Yvon Lefebvre d\'Argencé,Chinese Ceramics \n in the Avery Brundage Collection, San Francisco, 1967, pl. 75.\n ' +p239632 +sa(dp239633 +g225230 +S'Cup' +p239634 +sg225232 +S'Chinese Qing Dynasty' +p239635 +sg225234 +S'overall: 5.1 x 7.5 cm (2 x 2 15/16 in.)' +p239636 +sg225236 +S'\nDehua ware (blanc de chine), porcelain with colorless glaze' +p239637 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f15.jpg' +p239638 +sg225240 +g27 +sa(dp239639 +g225230 +S'Guanyin, the Bodhisattva of Compassion' +p239640 +sg225232 +S'Chinese Qing Dynasty' +p239641 +sg225234 +S'overall: 19.5 x 12.1 cm (7 11/16 x 4 3/4 in.)' +p239642 +sg225236 +S'\nDehua ware (blanc de chine), porcelain with colorless glaze' +p239643 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f16.jpg' +p239644 +sg225240 +S"The bodhisattva's serene expression and the fluid lines of the robe are well matched by the qualities of Dehua porcelain, with its soft lustrous ivory color and flawless surface. Dehua ware vessels as well as figures were among the first porcelains imported to the west, where they became known as \n This hollow figure was first molded from a fine white paste and then carved with a knife. The flowing and graceful forms recall the look of ivory carving, and it may be that the first porcelain figures like this were inspired by ivory figurines. An impressed seal on the back gives the name of Chaochun, one of the most famous potters working in Dehua in the seventeenth century. This figure, however, is from the late eighteenth century.\n Guanyin is known as the bodhisattva of compassion. In Buddhist belief, bodhisattvas are beings who have attained enlightenment but have chosen to delay nirvana and remain as helpers to mankind. Guanyin, originally a male bodhisattva in India, came to be identified as a woman in Chinese and Japanese Buddhist belief. Thus, figures like this one have both masculine and feminine qualities.\n " +p239645 +sa(dp239646 +g225230 +S'Small Vase' +p239647 +sg225232 +S'Chinese Qing Dynasty' +p239648 +sg225234 +S'overall: 13 x 8.3 cm (5 1/8 x 3 1/4 in.)' +p239649 +sg225236 +S'\nporcelain with colorless glaze' +p239650 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f17.jpg' +p239651 +sg225240 +g27 +sa(dp239652 +g225230 +S'Teapot' +p239653 +sg225232 +S'Chinese Qing Dynasty' +p239654 +sg225234 +S'overall (height with lid): 15.6 cm (6 1/8 in.)' +p239655 +sg225236 +S'\nDehua ware (blanc de chine), porcelain with colorless glaze' +p239656 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f18.jpg' +p239657 +sg225240 +g27 +sa(dp239658 +g225230 +S'Jar' +p239659 +sg225232 +S'Chinese Qing Dynasty' +p239660 +sg225234 +S'overall: 14.9 x 10.5 cm (5 7/8 x 4 1/8 in.)' +p239661 +sg225236 +S'\nporcelain with apple-green glaze' +p239662 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f19.jpg' +p239663 +sg225240 +g27 +sa(dp239664 +g225230 +S'Vase, Meiping Shape' +p239665 +sg225232 +S'Chinese Qing Dynasty' +p239666 +sg225234 +S'overall: 21.8 x 12.3 cm (8 9/16 x 4 13/16 in.)' +p239667 +sg225236 +S'\nporcelain with oxblood glaze' +p239668 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f1c.jpg' +p239669 +sg225240 +g27 +sa(dp239670 +g225230 +S'Bottle Vase' +p239671 +sg225232 +S'Chinese Qing Dynasty' +p239672 +sg225234 +S'overall: 23.8 x 13.3 cm (9 3/8 x 5 1/4 in.)' +p239673 +sg225236 +S'\nporcelain with oxblood glaze' +p239674 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f1e.jpg' +p239675 +sg225240 +g27 +sa(dp239676 +g225230 +S'Small Vase' +p239677 +sg225232 +S'Chinese Qing Dynasty' +p239678 +sg225234 +S'overall: 11 x 7.7 cm (4 5/16 x 3 1/16 in.)' +p239679 +sg225236 +S'\nporcelain with oxblood glaze' +p239680 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f1f.jpg' +p239681 +sg225240 +g27 +sa(dp239682 +g225230 +S'Bottle Vase' +p239683 +sg225232 +S'Chinese Qing Dynasty' +p239684 +sg225234 +S'overall: 23.9 x 13.8 cm (9 7/16 x 5 7/16 in.)' +p239685 +sg225236 +S'\nporcelain with turquoise glaze' +p239686 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f20.jpg' +p239687 +sg225240 +g27 +sa(dp239688 +g225230 +S'Vase' +p239689 +sg225232 +S'Chinese Qing Dynasty' +p239690 +sg225234 +S'overall: 15.2 x 10.1 cm (6 x 4 in.)' +p239691 +sg225236 +S'\nporcelain with rose red glaze' +p239692 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f22.jpg' +p239693 +sg225240 +g27 +sa(dp239694 +g225230 +S'Vase' +p239695 +sg225232 +S'Chinese Qing Dynasty' +p239696 +sg225234 +S'overall: 19.1 x 10.2 cm (7 1/2 x 4 in.)' +p239697 +sg225236 +S'\nporcelain with colorless glaze' +p239698 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f23.jpg' +p239699 +sg225240 +g27 +sa(dp239700 +g225230 +S'Small Bottle' +p239701 +sg225232 +S'Chinese Qing Dynasty' +p239702 +sg225234 +S'overall: 8 x 3.3 cm (3 1/8 x 1 5/16 in.)' +p239703 +sg225236 +S'\nporcelain with colorless glaze' +p239704 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f24.jpg' +p239705 +sg225240 +g27 +sa(dp239706 +g225230 +S'Vase' +p239707 +sg225232 +S'Chinese Qing Dynasty' +p239708 +sg225234 +S'overall: 17.8 x 11.8 cm (7 x 4 5/8 in.)' +p239709 +sg225236 +S'\nporcelain with famille verte enamels on the biscuit' +p239710 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00021/a0002101.jpg' +p239711 +sg225240 +g27 +sa(dp239712 +g225230 +S'Bowl' +p239713 +sg225232 +S'Chinese Qing Dynasty' +p239714 +sg225234 +S'overall: 7 x 12.2 cm (2 3/4 x 4 13/16 in.)' +p239715 +sg225236 +S'\nporcelain with underglaze blue and overglaze doucai enamel decoration' +p239716 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f28.jpg' +p239717 +sg225240 +g27 +sa(dp239718 +g225230 +S'Bowl' +p239719 +sg225232 +S'Chinese Qing Dynasty' +p239720 +sg225234 +S'overall: 6.9 x 12.5 cm (2 11/16 x 4 15/16 in.)' +p239721 +sg225236 +S'\nporcelain with underglaze blue and overglaze doucai enamel decoration' +p239722 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f2a.jpg' +p239723 +sg225240 +g27 +sa(dp239724 +g225230 +S'Figure of a Daoist Deity' +p239725 +sg225232 +S'Chinese Qing Dynasty' +p239726 +sg225234 +S'overall (height): 26 cm (10 1/4 in.)' +p239727 +sg225236 +S'\nporcelain with famille jaune and famille noire enamels on the biscuit' +p239728 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f2e.jpg' +p239729 +sg225240 +S'Figures of this type, representing Daoist, Confucian, and Buddhist \n deities, are a common Kangxi product. This example is decorated on the \n biscuit with enamels in the \n The presence of the crown, \n (Text by Stephen Little, published in the NGA Systematic Catalogue: \n Notes
\n\n \n ' +p239730 +sa(dp239731 +g225230 +S'Cup' +p239732 +sg225232 +S'Chinese Qing Dynasty' +p239733 +sg225234 +S'overall: 4.6 x 7.6 cm (1 13/16 x 3 in.)' +p239734 +sg225236 +S'\nporcelain with underglaze blue and overglaze doucai enamel decoration' +p239735 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f30.jpg' +p239736 +sg225240 +g27 +sa(dp239737 +g225230 +S'Cup' +p239738 +sg225232 +S'Chinese Qing Dynasty' +p239739 +sg225234 +S'overall: 4.7 x 7.6 cm (1 7/8 x 3 in.)' +p239740 +sg225236 +S'\nporcelain with underglaze blue and overglaze doucai enamel decoration' +p239741 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f32.jpg' +p239742 +sg225240 +g27 +sa(dp239743 +g225230 +S'Dish' +p239744 +sg225232 +S'Chinese Qing Dynasty' +p239745 +sg225234 +S'overall: 4.1 x 21.2 cm (1 5/8 x 8 3/8 in.)' +p239746 +sg225236 +S'\nporcelain with underglaze blue and overglaze doucai enamel decoration' +p239747 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00021/a0002102.jpg' +p239748 +sg225240 +g27 +sa(dp239749 +g225230 +S'"Palace" Bowl' +p239750 +sg225232 +S'Chinese Qing Dynasty' +p239751 +sg225234 +S'overall: 6.8 x 15 cm (2 11/16 x 5 7/8 in.)' +p239752 +sg225236 +S'\nporcelain with underglaze blue and overglaze yellow enamel decoration' +p239753 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f34.jpg' +p239754 +sg225240 +g27 +sa(dp239755 +g225230 +S'"Palace" Bowl' +p239756 +sg225232 +S'Chinese Qing Dynasty' +p239757 +sg225234 +S'overall: 7 x 15 cm (2 3/4 x 5 7/8 in.)' +p239758 +sg225236 +S'\nporcelain with underglaze blue and overglaze yellow enamel decoration' +p239759 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f35.jpg' +p239760 +sg225240 +g27 +sa(dp239761 +g225230 +S'Bowl' +p239762 +sg225232 +S'Chinese Qing Dynasty' +p239763 +sg225234 +S'overall: 7.1 x 15.2 cm (2 13/16 x 6 in.)' +p239764 +sg225236 +S'\nporcelain with famille jaune and famille rose enamels on the biscuit' +p239765 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f37.jpg' +p239766 +sg225240 +S'The exterior decoration is incised into the body and painted with \n \n (Text by Stephen Little, published in the NGA Systematic Catalogue: \n ' +p239767 +sa(dp239768 +g225230 +S'Cup' +p239769 +sg225232 +S'Chinese Qing Dynasty' +p239770 +sg225234 +S'overall: 4.2 x 8.3 cm (1 5/8 x 3 1/4 in.)' +p239771 +sg225236 +S'\nporcelain with overglaze famille rose enamels' +p239772 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f39.jpg' +p239773 +sg225240 +g27 +sa(dp239774 +g225230 +S'Cup' +p239775 +sg225232 +S'Chinese Qing Dynasty' +p239776 +sg225234 +S'overall: 4.1 x 8.3 cm (1 5/8 x 3 1/4 in.)' +p239777 +sg225236 +S'\nporcelain with overglaze famille rose enamels' +p239778 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f3b.jpg' +p239779 +sg225240 +g27 +sa(dp239780 +g225230 +S'Vase' +p239781 +sg225232 +S'Chinese Qing Dynasty' +p239782 +sg225234 +S'overall: 21.4 x 11.8 cm (8 7/16 x 4 5/8 in.)' +p239783 +sg225236 +S'\nporcelain with overglaze enamels' +p239784 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f3c.jpg' +p239785 +sg225240 +S"A single four-clawed dragon encircles the vase, chasing a flaming pearl. \n Above the foot are painted crashing waves. The painting is executed in red, \n orange, and metallic gold enamels, with black for the dragon's eyes. \n (Text by Stephen Little, published in the NGA Systematic Catalogue: \n " +p239786 +sa(dp239787 +g225230 +S'Vase' +p239788 +sg225232 +S'Chinese Qing Dynasty' +p239789 +sg225234 +S'overall: 17.2 x 15 cm (6 3/4 x 5 7/8 in.)' +p239790 +sg225236 +S'\nporcelain with overglaze famille rose enamels' +p239791 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f40.jpg' +p239792 +sg225240 +S'As if tossed by a random breeze, more than one hundred stylized blossoms enliven the pure white porcelain of this finely potted vase. An underglaze seal script inscription on the base reads "made in the Qianlong reign of the great Qing dynasty." Porcelain—hard, translucent vitreous, high-fired ceramics that are the triumph of kiln technology—were first made in China. But the casual elegance of the decoration on this pot was meant to appeal to Japanese tastes. Ceramics with decoration like this began to be made in China for export to Japan in the eighteenth century.\n ' +p239793 +sa(dp239794 +g225230 +S'Bowl' +p239795 +sg225232 +S'Chinese Qing Dynasty' +p239796 +sg225234 +S'overall: 6.1 x 13.2 cm (2 3/8 x 5 3/16 in.)' +p239797 +sg225236 +S'\nporcelain with famille jaune enamels on the biscuit' +p239798 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f42.jpg' +p239799 +sg225240 +g27 +sa(dp239800 +g225230 +S'Miniature Vase' +p239801 +sg225232 +S'Artist Information (' +p239802 +sg225234 +g27 +sg225236 +S'(artist)' +p239803 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f45.jpg' +p239804 +sg225240 +g27 +sa(dp239805 +g225230 +S'Miniature Vase' +p239806 +sg225232 +S'Artist Information (' +p239807 +sg225234 +g27 +sg225236 +S'(artist)' +p239808 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f48.jpg' +p239809 +sg225240 +g27 +sa(dp239810 +g225230 +S'Miniature Vase' +p239811 +sg225232 +S'Artist Information (' +p239812 +sg225234 +g27 +sg225236 +S'(artist)' +p239813 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f4b.jpg' +p239814 +sg225240 +g27 +sa(dp239815 +g225230 +S'Cup' +p239816 +sg225232 +S'Chinese Republic' +p239817 +sg225234 +S'overall: 5.2 x 7.7 cm (2 1/16 x 3 1/16 in.)' +p239818 +sg225236 +S'\nporcelain with overglaze enamels' +p239819 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f4d.jpg' +p239820 +sg225240 +g27 +sa(dp239821 +g225230 +S'Small Bottle' +p239822 +sg225232 +S'Chinese Republic' +p239823 +sg225234 +S'overall: 8.6 x 5.4 cm (3 3/8 x 2 1/8 in.)' +p239824 +sg225236 +S'\nporcelain with overglaze enamels' +p239825 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f4e.jpg' +p239826 +sg225240 +g27 +sa(dp239827 +g225230 +S'Small Bottle' +p239828 +sg225232 +S'Chinese Republic' +p239829 +sg225234 +S'overall: 8.6 x 5.4 cm (3 3/8 x 2 1/8 in.)' +p239830 +sg225236 +S'\nporcelain with overglaze enamels' +p239831 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f50.jpg' +p239832 +sg225240 +g27 +sa(dp239833 +g225230 +S'Dish' +p239834 +sg225232 +S'Chinese Republic' +p239835 +sg225234 +S'overall: 8.9 x 19.2 cm (3 1/2 x 7 9/16 in.)' +p239836 +sg225236 +S'\nporcelain with overglaze famille rose enamels' +p239837 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00021/a0002163.jpg' +p239838 +sg225240 +g27 +sa(dp239839 +g225230 +S'Raku Tea Bowl' +p239840 +sg225232 +S'Japanese Edo Period' +p239841 +sg225234 +S'overall: 7.6 x 11.7 cm (3 x 4 5/8 in.)' +p239842 +sg225236 +S'\nglazed earthenware' +p239843 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f53.jpg' +p239844 +sg225240 +g27 +sa(dp239845 +g225230 +S'Vase' +p239846 +sg225232 +S'Artist Information (' +p239847 +sg225234 +g27 +sg225236 +S'(ceramist)' +p239848 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f56.jpg' +p239849 +sg225240 +g27 +sa(dp239850 +g225230 +S'Bowl' +p239851 +sg225232 +S'Artist Information (' +p239852 +sg225234 +g27 +sg225236 +S'(ceramist)' +p239853 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f58.jpg' +p239854 +sg225240 +g27 +sa(dp239855 +g225230 +S'Dish' +p239856 +sg225232 +S'Artist Information (' +p239857 +sg225234 +g27 +sg225236 +S'(artist after)' +p239858 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f5a.jpg' +p239859 +sg225240 +g27 +sa(dp239860 +g225230 +S'Seated Horse' +p239861 +sg225232 +S'Artist Information (' +p239862 +sg225234 +g27 +sg225236 +S'(artist after)' +p239863 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004f5c.jpg' +p239864 +sg225240 +g27 +sa(dp239865 +g225230 +S'Saint Matthew and the Angel' +p239866 +sg225232 +S'Simone Cantarini' +p239867 +sg225234 +S'oil on canvas' +p239868 +sg225236 +S'c. 1645/1648' +p239869 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00005/a00005ff.jpg' +p239870 +sg225240 +g27 +sa(dp239871 +g225232 +S'Paul Jenkins' +p239872 +sg225240 +g27 +sg225234 +S'oil on canvas' +p239873 +sg225230 +S'Phenomena Sound of Sundials' +p239874 +sg225236 +S'1971' +p239875 +sa(dp239876 +g225230 +S'Nude Woman' +p239877 +sg225232 +S'Pablo Picasso' +p239878 +sg225234 +S'oil on canvas' +p239879 +sg225236 +S'1910' +p239880 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000ded.jpg' +p239881 +sg225240 +S'In 1909, Hamilton Easter Field, a Brooklyn painter and critic, asked Picasso to create a\n group of eleven paintings as a decoration for his library. Picasso accepted but, although he\n worked on the commission intermittently over the next several years, he never completed all\n eleven of the panels.\n Nude Woman\n ' +p239882 +sa(dp239883 +g225230 +S'Landscape with the Penitence of Saint Jerome' +p239884 +sg225232 +S'Pieter Bruegel the Elder' +p239885 +sg225234 +S'pen and brown ink on laid paper' +p239886 +sg225236 +S'1553' +p239887 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00022/a00022c6.jpg' +p239888 +sg225240 +g27 +sa(dp239889 +g225230 +S'Adonis' +p239890 +sg225232 +S"Pierre Paul Prud'hon" +p239891 +sg225234 +S'black chalk with white chalk heightening on blue paper' +p239892 +sg225236 +S'c. 1810-1812' +p239893 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00026/a00026da.jpg' +p239894 +sg225240 +g27 +sa(dp239895 +g225230 +S'Venus' +p239896 +sg225232 +S"Pierre Paul Prud'hon" +p239897 +sg225234 +S'black chalk with white chalk heightening on blue-gray paper' +p239898 +sg225236 +S'c. 1810-1812' +p239899 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00026/a00026db.jpg' +p239900 +sg225240 +g27 +sa(dp239901 +g225230 +S'Portrait of an Ecclesiastic Wearing a Biretta' +p239902 +sg225232 +S'Annibale Carracci' +p239903 +sg225234 +S', probably 1580/1590' +p239904 +sg225236 +S'\n' +p239905 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00075/a000753d.jpg' +p239906 +sg225240 +g27 +sa(dp239907 +g225230 +S'Head of a Faun in a Concave Roundel' +p239908 +sg225232 +S'Agostino Carracci' +p239909 +sg225234 +S'pen and brown ink on laid paper' +p239910 +sg225236 +S'probably c. 1595' +p239911 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00031/a00031a3.jpg' +p239912 +sg225240 +g27 +sa(dp239913 +g225230 +S'The Virgin and Child Appearing to Saints George and William' +p239914 +sg225232 +S'Lodovico Carracci' +p239915 +sg225234 +S'pen and brown ink with brown wash over black chalk on laid paper' +p239916 +sg225236 +S'unknown date\n' +p239917 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00075/a000753c.jpg' +p239918 +sg225240 +g27 +sa(dp239919 +g225230 +S'Caricature of the Laocoon Group' +p239920 +sg225232 +S'Artist Information (' +p239921 +sg225234 +S'(artist after)' +p239922 +sg225236 +S'\n' +p239923 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9f3.jpg' +p239924 +sg225240 +g27 +sa(dp239925 +g225230 +S'The Virgin Appearing to Saint Gregory and Saint Andrew' +p239926 +sg225232 +S'Antonio Balestra' +p239927 +sg225234 +S'pen and brown ink with gray wash over black chalk on laid paper' +p239928 +sg225236 +S'unknown date\n' +p239929 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a000744c.jpg' +p239930 +sg225240 +g27 +sa(dp239931 +g225230 +S'Pool at the Edge of a Wood' +p239932 +sg225232 +S'Herman van Swanevelt' +p239933 +sg225234 +S'pen and brown ink and brush and brown ink over black chalk on laid paper' +p239934 +sg225236 +S'unknown date\n' +p239935 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0005b/a0005b54.jpg' +p239936 +sg225240 +g27 +sa(dp239937 +g225230 +S'The Temptation of Christ by the Devil' +p239938 +sg225232 +S'Artist Information (' +p239939 +sg225234 +S'(artist after)' +p239940 +sg225236 +S'\n' +p239941 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d6/a000d617.jpg' +p239942 +sg225240 +g27 +sa(dp239943 +g225230 +S'Poverty (Armut)' +p239944 +sg225232 +S'Aloys Wach' +p239945 +sg225234 +S'hand-colored woodcut' +p239946 +sg225236 +S'1919' +p239947 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d7/a000d7c6.jpg' +p239948 +sg225240 +g27 +sa(dp239949 +g225230 +S'Mars' +p239950 +sg225232 +S'Hendrick Goltzius' +p239951 +sg225234 +S', probably c. 1594' +p239952 +sg225236 +S'\n' +p239953 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ce3c.jpg' +p239954 +sg225240 +g27 +sa(dp239955 +g225230 +S'The Virgin and Child with Saint Anne by a Portal' +p239956 +sg225232 +S'Daniel Hopfer' +p239957 +sg225234 +S'etching (iron), plate bitten twice' +p239958 +sg225236 +S'unknown date\n' +p239959 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ac/a000ac6f.jpg' +p239960 +sg225240 +g27 +sa(dp239961 +g225232 +S'Pierre Bonnard' +p239962 +sg225240 +g27 +sg225234 +S'lithograph' +p239963 +sg225230 +S'Study of a Nude' +p239964 +sg225236 +S'1925' +p239965 +sa(dp239966 +g225230 +S'Saint Andrew' +p239967 +sg225232 +S'Girolamo Muziano' +p239968 +sg225234 +S'red chalk with brown and gray wash heightened withwhite on laid paper' +p239969 +sg225236 +S'unknown date\n' +p239970 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00063/a000639a.jpg' +p239971 +sg225240 +g27 +sa(dp239972 +g225230 +S'Apollo' +p239973 +sg225232 +S'Italian 16th Century' +p239974 +sg225234 +S'overall: 25.7 x 14 cm (10 1/8 x 5 1/2 in.)' +p239975 +sg225236 +S'\nred chalk' +p239976 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00075/a000752a.jpg' +p239977 +sg225240 +g27 +sa(dp239978 +g225230 +S'Mary Magdalene [recto]' +p239979 +sg225232 +S'Biagio Pupini' +p239980 +sg225234 +S'brush and brown ink with brown wash heightened in white over black chalk' +p239981 +sg225236 +S'in or after 1524' +p239982 +sg225238 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+sg225234 +S'red chalk on laid paper paper' +p240023 +sg225236 +S'1630s' +p240024 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00065/a000658c.jpg' +p240025 +sg225240 +g27 +sa(dp240026 +g225230 +S'Academic Nude Study of a Seated Male' +p240027 +sg225232 +S'Andrea Sacchi' +p240028 +sg225234 +S'red chalk heightened with white' +p240029 +sg225236 +S'unknown date\n' +p240030 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00065/a000656e.jpg' +p240031 +sg225240 +g27 +sa(dp240032 +g225230 +S'Landscape Study' +p240033 +sg225232 +S'Bartholomeus Breenbergh' +p240034 +sg225234 +S'brown wash over black chalk on laid paper' +p240035 +sg225236 +S'probably 1631' +p240036 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00070/a000700c.jpg' +p240037 +sg225240 +g27 +sa(dp240038 +g225230 +S'Kneeling Woman Lifting Her Hand to Her Head' +p240039 +sg225232 +S'Parmigianino' +p240040 +sg225234 +S'red chalk' +p240041 +sg225236 +S'in or after 1531' +p240042 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00075/a0007506.jpg' 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Fille' +p240112 +sg225236 +S'published 1926' +p240113 +sa(dp240114 +g225232 +S'Man Ray' +p240115 +sg225240 +g27 +sg225234 +S'color pochoir on wove paper' +p240116 +sg225230 +S'Shadows' +p240117 +sg225236 +S'published 1926' +p240118 +sa(dp240119 +g225232 +S'Man Ray' +p240120 +sg225240 +g27 +sg225234 +S'color pochoir on wove paper' +p240121 +sg225230 +S'Concrete Mixer' +p240122 +sg225236 +S'published 1926' +p240123 +sa(dp240124 +g225232 +S'Man Ray' +p240125 +sg225240 +g27 +sg225234 +S'color pochoir on wove paper' +p240126 +sg225230 +S'Dragon Fly' +p240127 +sg225236 +S'published 1926' +p240128 +sa(dp240129 +g225230 +S'The Descent from the Cross' +p240130 +sg225232 +S'Artist Information (' +p240131 +sg225234 +S'Italian, c. 1431 - 1506' +p240132 +sg225236 +S'(artist after)' +p240133 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d057.jpg' +p240134 +sg225240 +g27 +sa(dp240135 +g225230 +S'An Allegorical Figure: Non sine labore' +p240136 +sg225232 +S'Cherubino Alberti' +p240137 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by Angels (The Large Nativity)' +p240184 +sg225232 +S'Bartolomeo Biscaino' +p240185 +sg225234 +S'etching' +p240186 +sg225236 +S'unknown date\n' +p240187 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9e0.jpg' +p240188 +sg225240 +g27 +sa(dp240189 +g225230 +S'The Vision of St. Jerome' +p240190 +sg225232 +S'Giulio Bonasone' +p240191 +sg225234 +S'engraving' +p240192 +sg225236 +S'unknown date\n' +p240193 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ca/a000caa0.jpg' +p240194 +sg225240 +g27 +sa(dp240195 +g225230 +S'Christ on the Mount of Olives' +p240196 +sg225232 +S'Giulio Carpioni' +p240197 +sg225234 +S'etching' +p240198 +sg225236 +S'unknown date\n' +p240199 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ca/a000ca01.jpg' +p240200 +sg225240 +g27 +sa(dp240201 +g225230 +S'Holy Family with the Virgin Reading' +p240202 +sg225232 +S'Giulio Carpioni' +p240203 +sg225234 +S'etching on laid paper' +p240204 +sg225236 +S'unknown date\n' +p240205 +sg225238 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+p240669 +sg225234 +S'lithograph' +p240670 +sg225236 +S'c. 1896' +p240671 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009dbc.jpg' +p240672 +sg225240 +g27 +sa(dp240673 +g225230 +S'Peasants in a Field of Beans (Paysannes dans un champ de haricots)' +p240674 +sg225232 +S'Camille Pissarro' +p240675 +sg225234 +S'etching and aquatint (zinc)' +p240676 +sg225236 +S'1891' +p240677 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009dbd.jpg' +p240678 +sg225240 +g27 +sa(dp240679 +g225232 +S'Jacques Villon' +p240680 +sg225240 +g27 +sg225234 +S'drypoint in black on wove paper' +p240681 +sg225230 +S'Ren\xc3\xa9e (Ren\xc3\xa9e de face)' +p240682 +sg225236 +S'1911' +p240683 +sa(dp240684 +g225230 +S'Boy Delivering a Letter to a Woman' +p240685 +sg225232 +S'Jan van Somer' +p240686 +sg225234 +S'mezzotint' +p240687 +sg225236 +S'unknown date\n' +p240688 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d56f.jpg' +p240689 +sg225240 +g27 +sa(dp240690 +g225230 +S'A Storm' +p240691 +sg225232 +S'Moyses van Uyttenbroeck' +p240692 +sg225234 +S'etching' +p240693 +sg225236 +S'unknown date\n' +p240694 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d5c2.jpg' +p240695 +sg225240 +g27 +sa(dp240696 +g225230 +S'The Sleeping Boy' +p240697 +sg225232 +S'Nicolaas Verkolje' +p240698 +sg225234 +S'mezzotint' +p240699 +sg225236 +S'unknown date\n' +p240700 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d6/a000d67d.jpg' +p240701 +sg225240 +g27 +sa(dp240702 +g225230 +S'The Bodies of Saints Peter and Paul Hidden in the Catacombs' +p240703 +sg225232 +S'Giovanni Benedetto Castiglione' +p240704 +sg225234 +S'etching on laid paper' +p240705 +sg225236 +S'1647/1651' +p240706 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00065/a0006587.jpg' +p240707 +sg225240 +g27 +sa(dp240708 +g225230 +S"Circe Changing Ulysses' Men into Beasts" +p240709 +sg225232 +S'Giovanni Benedetto Castiglione' +p240710 +sg225234 +S'etching on laid paper' +p240711 +sg225236 +S'c. 1650' +p240712 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00065/a0006569.jpg' +p240713 +sg225240 +g27 +sa(dp240714 +g225230 +S"Rachel Concealing Laban's Idols" +p240715 +sg225232 +S'Giovanni Benedetto Castiglione' +p240716 +sg225234 +S'etching' +p240717 +sg225236 +S'c. 1635' +p240718 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00065/a000658b.jpg' +p240719 +sg225240 +g27 +sa(dp240720 +g225230 +S'The Resurrection of Lazarus' +p240721 +sg225232 +S'Giovanni Benedetto Castiglione' +p240722 +sg225234 +S'etching on laid paper' +p240723 +sg225236 +S'1647/1651' +p240724 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00065/a000658a.jpg' +p240725 +sg225240 +g27 +sa(dp240726 +g225230 +S'Tobit Burying the Dead' +p240727 +sg225232 +S'Giovanni Benedetto Castiglione' +p240728 +sg225234 +S'etching on laid paper' +p240729 +sg225236 +S'1647/1651' +p240730 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00065/a0006589.jpg' +p240731 +sg225240 +g27 +sa(dp240732 +g225230 +S'The Annunciation' +p240733 +sg225232 +S'Federico Barocci' +p240734 +sg225234 +S'etching and engraving on laid paper' +p240735 +sg225236 +S'unknown date\n' +p240736 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00020/a0002022.jpg' +p240737 +sg225240 +g27 +sa(dp240738 +g225232 +S'Giorgio Morandi' +p240739 +sg225240 +g27 +sg225234 +S'etching in black on chine coll?' +p240740 +sg225230 +S'Still Life with a Basket of Bread' +p240741 +sg225236 +S'1921' +p240742 +sa(dp240743 +g225232 +S'Giorgio Morandi' +p240744 +sg225240 +g27 +sg225234 +S'etching' +p240745 +sg225230 +S'Still Life' +p240746 +sg225236 +S'1933' +p240747 +sa(dp240748 +g225230 +S'Saint Alban of Mainz' +p240749 +sg225232 +S'Tyrolean 16th Century' +p240750 +sg225234 +S'overall: 155.6 x 51.7 cm (61 1/4 x 20 3/8 in.)' +p240751 +sg225236 +S'\noil on panel' +p240752 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0002b/a0002b0c.jpg' +p240753 +sg225240 +g27 +sa(dp240754 +g225230 +S'Saint Wolfgang' +p240755 +sg225232 +S'Tyrolean 16th Century' +p240756 +sg225234 +S'overall: 155.5 x 51.5 cm (61 1/4 x 20 1/4 in.)' +p240757 +sg225236 +S'\noil on panel' +p240758 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0002b/a0002b0d.jpg' +p240759 +sg225240 +g27 +sa(dp240760 +g225230 +S'Saint Valentine' +p240761 +sg225232 +S'Tyrolean 16th Century' +p240762 +sg225234 +S'overall: 155.6 x 51.7 cm (61 1/4 x 20 3/8 in.)' +p240763 +sg225236 +S'\noil on panel' +p240764 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0002b/a0002b0e.jpg' +p240765 +sg225240 +g27 +sa(dp240766 +g225230 +S'Saint Alcuin' +p240767 +sg225232 +S'Tyrolean 16th Century' +p240768 +sg225234 +S'overall: 155.3 x 51.6 cm (61 1/8 x 20 5/16 in.)' +p240769 +sg225236 +S'\noil on panel' +p240770 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0002b/a0002b0f.jpg' +p240771 +sg225240 +g27 +sa(dp240772 +g225230 +S'Woman Ironing' +p240773 +sg225232 +S'Edgar Degas' +p240774 +sg225234 +S'oil on canvas' +p240775 +sg225236 +S'begun c. 1876, completed c. 1887' +p240776 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a00006be.jpg' +p240777 +sg225240 +S'Working-class women hold an important\r\nplace in Degas\xe2\x80\x99 oeuvre. From the late\r\n1860s on, images of stage performers as\r\nwell as women engaged in more mundane\r\nprofessions—milliners and dressmakers,\r\nlaundresses and ironers—were a mainstay\r\nin the artist\xe2\x80\x99s work. The writer Edmond\r\nde Goncourt noted Degas\xe2\x80\x99 preoccupation\r\nwith such subjects in 1874. Following a\r\nvisit to the artist\xe2\x80\x99s studio, Goncourt wrote\r\nin his journal that Degas "has become\r\nenamored of the modern, and within the modern, he has chosen laundresses and\r\ndancers."\n Degas was not alone in his interest in\r\nsuch figures. Emile Zola\xe2\x80\x99s novel \n Woman Ironing\n The composition of this painting\r\nis clearly based upon an earlier version\r\nof the same subject (The Metropolitan\r\nMuseum of Art, New York), which Degas had sold to his dealer Durand-Ruel in\r\n1873. It was purchased at the artist\xe2\x80\x99s request\r\nalong with five of his other works\r\nthe following year by Jean-Baptiste Faure.\r\nA renowned singer at the Paris Opéra,\r\nFaure was also the most important patron\r\nof the impressionists in the early 1870s:\r\nhis collection included works by Manet,\r\nMonet, and Degas. Faure commissioned\r\nthe Washington version, which is both\r\nlarger and more elaborate than the original,\r\nin 1874, presumably as a replacement\r\nfor the original version that he had just\r\nreturned to Degas. Unfortunately, Degas\xe2\x80\x99\r\nperfectionism and a number of personal\r\ntragedies—the deaths of his father in 1874\r\nand uncle in 1875, his brother René\xe2\x80\x99s\r\ngrowing debts, and the collapse of the\r\nfamily bank—hindered the artist\xe2\x80\x99s progress\r\non this and other commissions for\r\nFaure. Degas finally delivered the completed\r\npainting to his patron in 1887, but\r\nit only remained in his possession for six\r\nyears. In 1893, Faure sold this painting\r\nand four others by Degas to Durand-Ruel\r\nat a tidy profit.\n (Text by Kimberly Jones, \n Notes\n \n ' +p240778 +sa(dp240779 +g225232 +S'Pablo Picasso' +p240780 +sg225240 +g27 +sg225234 +S'etching and aquatint' +p240781 +sg225230 +S'Woman with Tambourine (La femme au tambourin)' +p240782 +sg225236 +S'1938' +p240783 +sa(dp240784 +g225232 +S'Henri Matisse' +p240785 +sg225240 +g27 +sg225234 +S'screenprint stencil on linen damask' +p240786 +sg225230 +S'Oceania, the Sky' +p240787 +sg225236 +S'1946' +p240788 +sa(dp240789 +g225232 +S'Henri Matisse' +p240790 +sg225240 +g27 +sg225234 +S'screenprint stencil on linen damask' +p240791 +sg225230 +S'Oceania, the Sea' +p240792 +sg225236 +S'1946' +p240793 +sa(dp240794 +g225232 +S'Marcel Duchamp' +p240795 +sg225240 +g27 +sg225234 +S'light green cloth-covered case containing miniature replicas, photographs, black & white and color reproductions of works by Marcel Duchamp' +p240796 +sg225230 +S'Boite-en-Valise' +p240797 +sg225236 +S'1961' +p240798 +sa(dp240799 +g225230 +S'Portrait of a Young Man' +p240800 +sg225232 +S'Eastman Johnson' +p240801 +sg225234 +S'black and white chalk' +p240802 +sg225236 +S'unknown date\n' +p240803 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e4bb.jpg' +p240804 +sg225240 +g27 +sa(dp240805 +g225230 +S'Excalftoria minima (Blue-breasted Quail)' +p240806 +sg225232 +S'Artist Information (' +p240807 +sg225234 +S'(artist)' +p240808 +sg225236 +S'\n' +p240809 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007aad.jpg' +p240810 +sg225240 +g27 +sa(dp240811 +g225230 +S'Perdix barbata (Daurian Partridge)' +p240812 +sg225232 +S'Artist Information (' +p240813 +sg225234 +S'(artist)' +p240814 +sg225236 +S'\n' +p240815 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007aac.jpg' +p240816 +sg225240 +g27 +sa(dp240817 +g225230 +S'Turdus Poecilopterus (Aztec Thrush)' +p240818 +sg225232 +S'Elizabeth Gould' +p240819 +sg225234 +S'hand-colored lithograph' +p240820 +sg225236 +S'unknown date\n' +p240821 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007aab.jpg' +p240822 +sg225240 +g27 +sa(dp240823 +g225230 +S'Drepanornis albertisi (Black-billed Sicklebill Bird of Paradise)' +p240824 +sg225232 +S'Artist Information (' +p240825 +sg225234 +S'(artist)' +p240826 +sg225236 +S'\n' +p240827 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007ab6.jpg' +p240828 +sg225240 +g27 +sa(dp240829 +g225230 +S'Hypsipetes Psaroides (Black Bulbul)' +p240830 +sg225232 +S'Elizabeth Gould' +p240831 +sg225234 +S'hand-colored lithograph' +p240832 +sg225236 +S'unknown date\n' +p240833 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007c/a0007c47.jpg' +p240834 +sg225240 +g27 +sa(dp240835 +g225230 +S'Petrocossyphus cyanus (Blue Rockthrush)' +p240836 +sg225232 +S'Artist Information (' +p240837 +sg225234 +S'(artist)' +p240838 +sg225236 +S'\n' +p240839 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007abe.jpg' +p240840 +sg225240 +g27 +sa(dp240841 +g225230 +S'Accentor modularis (Dunnock)' +p240842 +sg225232 +S'Artist Information (' +p240843 +sg225234 +S'(artist)' +p240844 +sg225236 +S'\n' +p240845 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007ab7.jpg' +p240846 +sg225240 +g27 +sa(dp240847 +g225230 +S'Ligurinus chloris (Greenfinch)' +p240848 +sg225232 +S'Artist Information (' +p240849 +sg225234 +S'(artist)' +p240850 +sg225236 +S'\n' +p240851 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007abd.jpg' +p240852 +sg225240 +g27 +sa(dp240853 +g225230 +S'Enicurus Scouleri (Little Forktail)' +p240854 +sg225232 +S'Elizabeth Gould' +p240855 +sg225234 +S'hand-colored lithograph' +p240856 +sg225236 +S'unknown date\n' +p240857 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007c/a0007c37.jpg' +p240858 +sg225240 +g27 +sa(dp240859 +g225230 +S'Diphyllodes chrysoptera (Magnificent Bird of Paradise)' +p240860 +sg225232 +S'Artist Information (' +p240861 +sg225234 +S'(artist)' +p240862 +sg225236 +S'\n' +p240863 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007abb.jpg' +p240864 +sg225240 +g27 +sa(dp240865 +g225230 +S'Pyrrhula Erythrocephala (Redheaded Bullfinch)' +p240866 +sg225232 +S'Elizabeth Gould' +p240867 +sg225234 +S'hand-colored lithograph' +p240868 +sg225236 +S'unknown date\n' +p240869 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007c/a0007c67.jpg' +p240870 +sg225240 +g27 +sa(dp240871 +g225230 +S'Epimachus speciosus (Sickle-billed Bird of Paradise)' +p240872 +sg225232 +S'W. Hart' +p240873 +sg225234 +S'hand-colored lithograph' +p240874 +sg225236 +S'unknown date\n' +p240875 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007aa2.jpg' +p240876 +sg225240 +g27 +sa(dp240877 +g225230 +S'Columba Leuconota (Snow Pigeon)' +p240878 +sg225232 +S'Elizabeth Gould' +p240879 +sg225234 +S'hand-colored lithograph' +p240880 +sg225236 +S'unknown date\n' +p240881 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007c/a0007c77.jpg' +p240882 +sg225240 +g27 +sa(dp240883 +g225230 +S'Enicurus Maculatus (Spotted Forktail)' +p240884 +sg225232 +S'Elizabeth Gould' +p240885 +sg225234 +S'hand-colored lithograph' +p240886 +sg225236 +S'unknown date\n' +p240887 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007c/a0007c57.jpg' +p240888 +sg225240 +g27 +sa(dp240889 +g225230 +S"Myiabeillia typica (Abeille's Hummingbird)" +p240890 +sg225232 +S'Artist Information (' +p240891 +sg225234 +S'(artist)' +p240892 +sg225236 +S'\n' +p240893 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007ab8.jpg' +p240894 +sg225240 +g27 +sa(dp240895 +g225230 +S"Agyrtria bartletti (Bartlett's Emerald)" +p240896 +sg225232 +S'W. Hart' +p240897 +sg225234 +S'hand-colored lithograph' +p240898 +sg225236 +S'unknown date\n' +p240899 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007aa6.jpg' +p240900 +sg225240 +g27 +sa(dp240901 +g225230 +S'Callipharus nigriventris (Black-bellied Hummingbird)' +p240902 +sg225232 +S'Artist Information (' +p240903 +sg225234 +S'(artist)' +p240904 +sg225236 +S'\n' +p240905 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007abc.jpg' +p240906 +sg225240 +g27 +sa(dp240907 +g225230 +S'Damophila amabilis (Blue-breasted Hummingbird)' +p240908 +sg225232 +S'Artist Information (' +p240909 +sg225234 +S'(artist)' +p240910 +sg225236 +S'\n' +p240911 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007ab9.jpg' +p240912 +sg225240 +g27 +sa(dp240913 +g225230 +S'Eucephala caerulea (Blue-chinned Sapphire)' +p240914 +sg225232 +S'Artist Information (' +p240915 +sg225234 +S'(artist)' +p240916 +sg225236 +S'\n' +p240917 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007aba.jpg' +p240918 +sg225240 +g27 +sa(dp240919 +g225230 +S'Helianthea osculans (Buff-tailed Star-Frontlet)' +p240920 +sg225232 +S'W. Hart' +p240921 +sg225234 +S'hand-colored lithograph' +p240922 +sg225236 +S'unknown date\n' +p240923 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007aa3.jpg' +p240924 +sg225240 +g27 +sa(dp240925 +g225230 +S'Lafresnaya flavicaudata (Buff-tailed Velvet-breast)' +p240926 +sg225232 +S'Artist Information (' +p240927 +sg225234 +S'(artist)' +p240928 +sg225236 +S'\n' +p240929 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007ac0.jpg' +p240930 +sg225240 +g27 +sa(dp240931 +g225230 +S'Eriocnemis cupreiventris (Coppery-vented Puff-Leg)' +p240932 +sg225232 +S'Artist Information (' +p240933 +sg225234 +S'(artist)' +p240934 +sg225236 +S'\n' +p240935 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007ac1.jpg' +p240936 +sg225240 +g27 +sa(dp240937 +g225230 +S'Eugenia imperatrix (Empress Hummingbird)' +p240938 +sg225232 +S'Artist Information (' +p240939 +sg225234 +S'(artist)' +p240940 +sg225236 +S'\n' +p240941 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007ac2.jpg' +p240942 +sg225240 +g27 +sa(dp240943 +g225230 +S'Lophornis chalybeus (Festive Coquette)' +p240944 +sg225232 +S'Artist Information (' +p240945 +sg225234 +S'(artist)' +p240946 +sg225236 +S'\n' +p240947 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007ac3.jpg' +p240948 +sg225240 +g27 +sa(dp240949 +g225230 +S"Glaucis fraseri (Fraser's Barbed-throat)" +p240950 +sg225232 +S'Artist Information (' +p240951 +sg225234 +S'(artist)' +p240952 +sg225236 +S'\n' +p240953 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007ac4.jpg' +p240954 +sg225240 +g27 +sa(dp240955 +g225230 +S'Eriocnemis vestitus (Glowing Puff-Leg)' +p240956 +sg225232 +S'Artist Information (' +p240957 +sg225234 +S'(artist)' +p240958 +sg225236 +S'\n' +p240959 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007ac5.jpg' +p240960 +sg225240 +g27 +sa(dp240961 +g225230 +S'Helianthea eos (Golden Star-frontlet)' +p240962 +sg225232 +S'Artist Information (' +p240963 +sg225234 +S'(artist)' +p240964 +sg225236 +S'\n' +p240965 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007ac6.jpg' +p240966 +sg225240 +g27 +sa(dp240967 +g225230 +S"Diphogena aurora (Gould's Rainbow)" +p240968 +sg225232 +S'Artist Information (' +p240969 +sg225234 +S'(artist)' +p240970 +sg225236 +S'\n' +p240971 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007abf.jpg' +p240972 +sg225240 +g27 +sa(dp240973 +g225230 +S"Clytolaema aurescens (Banded Ruby or Gould's Ruby)" +p240974 +sg225232 +S'Artist Information (' +p240975 +sg225234 +S'(artist)' +p240976 +sg225236 +S'\n' +p240977 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007ac7.jpg' +p240978 +sg225240 +g27 +sa(dp240979 +g225230 +S"Eucephala smaragdocaerulea (Gould's Wood Nymph)" +p240980 +sg225232 +S'Artist Information (' +p240981 +sg225234 +S'(artist)' +p240982 +sg225236 +S'\n' +p240983 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007ac8.jpg' +p240984 +sg225240 +g27 +sa(dp240985 +g225230 +S"Chlorostilbona prasina (Puncheran's Emerald)" +p240986 +sg225232 +S'Artist Information (' +p240987 +sg225234 +S'(artist)' +p240988 +sg225236 +S'\n' +p240989 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00081/a00081ca.jpg' +p240990 +sg225240 +g27 +sa(dp240991 +g225230 +S'Discura longicauda (Racket-Tail)' +p240992 +sg225232 +S'Artist Information (' +p240993 +sg225234 +S'(artist)' +p240994 +sg225236 +S'\n' +p240995 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00081/a00081cb.jpg' +p240996 +sg225240 +g27 +sa(dp240997 +g225230 +S'Spathura rufocaligata (Red-booted Racket-Tail)' +p240998 +sg225232 +S'Artist Information (' +p240999 +sg225234 +S'(artist)' +p241000 +sg225236 +S'\n' +p241001 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00081/a00081c8.jpg' +p241002 +sg225240 +g27 +sa(dp241003 +g225230 +S'Selashorus scintilla (Scintillant Hummingbird)' +p241004 +sg225232 +S'Artist Information (' +p241005 +sg225234 +S'(artist)' +p241006 +sg225236 +S'\n' +p241007 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00081/a00081d0.jpg' +p241008 +sg225240 +g27 +sa(dp241009 +g225230 +S'Tharmastura enicura (Slender Shear-Tail)' +p241010 +sg225232 +S'Artist Information (' +p241011 +sg225234 +S'(artist)' +p241012 +sg225236 +S'\n' +p241013 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00081/a00081d1.jpg' +p241014 +sg225240 +g27 +sa(dp241015 +g225230 +S'Ramphomicron microrhyncha (Small-billed Thornbill)' +p241016 +sg225232 +S'Artist Information (' +p241017 +sg225234 +S'(artist)' +p241018 +sg225236 +S'\n' +p241019 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00081/a00081cf.jpg' +p241020 +sg225240 +g27 +sa(dp241021 +g225230 +S'Lophornas reginae (Spangled Coquette)' +p241022 +sg225232 +S'Artist Information (' +p241023 +sg225234 +S'(artist)' +p241024 +sg225236 +S'\n' +p241025 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00081/a00081cc.jpg' +p241026 +sg225240 +g27 +sa(dp241027 +g225230 +S'Docimastes ensiferus (Sword-billed Hummingbird)' +p241028 +sg225232 +S'Artist Information (' +p241029 +sg225234 +S'(artist)' +p241030 +sg225236 +S'\n' +p241031 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00081/a00081cd.jpg' +p241032 +sg225240 +g27 +sa(dp241033 +g225230 +S'Lampornis veraguensis (Veraguan Mango)' +p241034 +sg225232 +S'Artist Information (' +p241035 +sg225234 +S'(artist)' +p241036 +sg225236 +S'\n' +p241037 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00081/a00081ce.jpg' +p241038 +sg225240 +g27 +sa(dp241039 +g225230 +S'Spathura underwoodi (White-footed Racket-Tail)' +p241040 +sg225232 +S'Artist Information (' +p241041 +sg225234 +S'(artist)' +p241042 +sg225236 +S'\n' +p241043 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00081/a00081c9.jpg' +p241044 +sg225240 +g27 +sa(dp241045 +g225230 +S'Gustav Mahler' +p241046 +sg225232 +S'Auguste Rodin' +p241047 +sg225234 +S'bronze' +p241048 +sg225236 +S'1909' +p241049 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0002c/a0002c1e.jpg' +p241050 +sg225240 +g27 +sa(dp241051 +g225230 +S"The Flags, Saint Mark's, Venice - F\xc3\xaate Day" +p241052 +sg225232 +S'Eugene Lawrence Vail' +p241053 +sg225234 +S'oil on canvas' +p241054 +sg225236 +S'c. 1903' +p241055 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a0000282.jpg' +p241056 +sg225240 +g27 +sa(dp241057 +g225230 +S'Easter Sunday' +p241058 +sg225232 +S'Alexej von Jawlensky' +p241059 +sg225234 +S'oil on hardboard' +p241060 +sg225236 +S'1932' +p241061 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000ed1.jpg' +p241062 +sg225240 +g27 +sa(dp241063 +g225232 +S'Gabriele M\xc3\xbcnter' +p241064 +sg225240 +g27 +sg225234 +S'oil on cardboard' +p241065 +sg225230 +S'Christmas Still Life' +p241066 +sg225236 +S'1937' +p241067 +sa(dp241068 +g225232 +S'Sir Jacob Epstein' +p241069 +sg225240 +g27 +sg225234 +S'bronze' +p241070 +sg225230 +S'Princess Menen' +p241071 +sg225236 +S'1949' +p241072 +sa(dp241073 +g225230 +S'George Washington Deal' +p241074 +sg225232 +S'Robert Street' +p241075 +sg225234 +S'oil on canvas' +p241076 +sg225236 +S'1834' +p241077 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a000022e.jpg' +p241078 +sg225240 +g27 +sa(dp241079 +g225230 +S'Elizabeth Price Thomas' +p241080 +sg225232 +S'Robert Street' +p241081 +sg225234 +S'oil on canvas' +p241082 +sg225236 +S'1834' +p241083 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a000022f.jpg' +p241084 +sg225240 +g27 +sa(dp241085 +g225230 +S'The Leland Sisters' +p241086 +sg225232 +S'Thomas Sully' +p241087 +sg225234 +S'oil on canvas' +p241088 +sg225236 +S'c. 1830' +p241089 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a000026b.jpg' +p241090 +sg225240 +g27 +sa(dp241091 +g225230 +S'Saint Michael' +p241092 +sg225232 +S'Giulio Romano' +p241093 +sg225234 +S'pen and brown ink' +p241094 +sg225236 +S'c. 1530' +p241095 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00025/a0002545.jpg' +p241096 +sg225240 +g27 +sa(dp241097 +g225232 +S'Henri Matisse' +p241098 +sg225240 +g27 +sg225234 +S'paper collage on canvas' +p241099 +sg225230 +S'La N\xc3\xa9gresse' +p241100 +sg225236 +S'1952' +p241101 +sa(dp241102 +g225232 +S'Marc Chagall' +p241103 +sg225240 +g27 +sg225234 +S'oil on paper on canvas' +p241104 +sg225230 +S'Houses at Vitebsk' +p241105 +sg225236 +S'1917' +p241106 +sa(dp241107 +g225230 +S'Daybreak - A Time to Rest' +p241108 +sg225232 +S'Jacob Lawrence' +p241109 +sg225234 +S'tempera on hardboard' +p241110 +sg225236 +S'1967' +p241111 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a0000147.jpg' +p241112 +sg225240 +S'Daybreak—A Time to Rest\n Jacob Lawrence is renowned for his narrative painting series that chronicles the experiences of African-Americans, which he created during a career of more than six decades. Using geometric shapes and bold colors on flattened picture planes to express his emotions, he fleshed out the lives of Tubman, Frederick Douglass, John Brown, and African-Americans migrating north from the rural south during and after slavery. Lawrence was twelve in 1929 when his family settled in Harlem, New York, at a time when African-American intellectual and artistic life was flourishing there. As a teen, he took classes at the Harlem Art Workshop and Harlem Community Art Center, where he studied works of art by African-American artists and learned about African art and history. Lawrence went on to create images that are major expressions of the history and experience of African-Americans.\n ' +p241113 +sa(dp241114 +g225230 +S'The Pistoia Crucifix' +p241115 +sg225232 +S'Pietro Tacca' +p241116 +sg225234 +S'bronze' +p241117 +sg225236 +S'c. 1600/1616' +p241118 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002d98.jpg' +p241119 +sg225240 +g27 +sa(dp241120 +g225230 +S'Head of a Child [recto]' +p241121 +sg225232 +S'Fra Bartolommeo' +p241122 +sg225234 +S'silverpoint, heightened with white, on yellow-brown prepared paper' +p241123 +sg225236 +S'c. 1490' +p241124 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0003a/a0003a08.jpg' +p241125 +sg225240 +g27 +sa(dp241126 +g225230 +S'A Monk [verso]' +p241127 +sg225232 +S'Fra Bartolommeo' +p241128 +sg225234 +S'pen and brown ink with brown wash heightened with white over (black chalk?) on laid paper' +p241129 +sg225236 +S'c. 1500' +p241130 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a00074dd.jpg' +p241131 +sg225240 +g27 +sa(dp241132 +g225230 +S'Christ Healing the Leper' +p241133 +sg225232 +S'Pieter de Jode I' +p241134 +sg225234 +S', unknown date' +p241135 +sg225236 +S'\n' +p241136 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00071/a0007160.jpg' +p241137 +sg225240 +g27 +sa(dp241138 +g225232 +S'Anne Truitt' +p241139 +sg225240 +g27 +sg225234 +S'acrylic on wood' +p241140 +sg225230 +S'Spume (Light Grey)' +p241141 +sg225236 +S'1972' +p241142 +sa(dp241143 +g225230 +S'City Hall at Thorn' +p241144 +sg225232 +S'Eduard Gaertner' +p241145 +sg225234 +S'oil on canvas' +p241146 +sg225236 +S'1848' +p241147 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00062/a00062f1.jpg' +p241148 +sg225240 +g27 +sa(dp241149 +g225230 +S'The Camel' +p241150 +sg225232 +S'Rodolphe Bresdin' +p241151 +sg225234 +S'pen and ink tracing' +p241152 +sg225236 +S'unknown date\n' +p241153 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00022/a00022c4.jpg' +p241154 +sg225240 +g27 +sa(dp241155 +g225230 +S'Christ and the Samaritan Woman' +p241156 +sg225232 +S'Giulio Campagnola' +p241157 +sg225234 +S'engraving' +p241158 +sg225236 +S'c. 1510' +p241159 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00061/a000612d.jpg' +p241160 +sg225240 +g27 +sa(dp241161 +g225230 +S'Hamlet between the Trees' +p241162 +sg225232 +S'Allart van Everdingen' +p241163 +sg225234 +S'etching' +p241164 +sg225236 +S'probably c. 1645/1656' +p241165 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d114.jpg' +p241166 +sg225240 +g27 +sa(dp241167 +g225230 +S'Hamlet between the Trees' +p241168 +sg225232 +S'Allart van Everdingen' +p241169 +sg225234 +S'etching with engraving' +p241170 +sg225236 +S'probably c. 1645/1656' +p241171 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d115.jpg' +p241172 +sg225240 +g27 +sa(dp241173 +g225230 +S'Hamlet at the Bank of a River' +p241174 +sg225232 +S'Allart van Everdingen' +p241175 +sg225234 +S'etching' +p241176 +sg225236 +S'probably c. 1645/1656' +p241177 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d112.jpg' +p241178 +sg225240 +g27 +sa(dp241179 +g225230 +S'Hamlet at the Bank of a River' +p241180 +sg225232 +S'Allart van Everdingen' +p241181 +sg225234 +S'etching' +p241182 +sg225236 +S'probably c. 1645/1656' +p241183 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d116.jpg' +p241184 +sg225240 +g27 +sa(dp241185 +g225230 +S'Hamlet at the Bank of a River' +p241186 +sg225232 +S'Allart van Everdingen' +p241187 +sg225234 +S'etching with engraving' +p241188 +sg225236 +S'probably c. 1645/1656' +p241189 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d113.jpg' +p241190 +sg225240 +g27 +sa(dp241191 +g225230 +S'Four Figures under a Tree' +p241192 +sg225232 +S'Allart van Everdingen' +p241193 +sg225234 +S'etching' +p241194 +sg225236 +S'probably c. 1645/1656' +p241195 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d117.jpg' +p241196 +sg225240 +g27 +sa(dp241197 +g225230 +S'Four Figures under a Tree' +p241198 +sg225232 +S'Allart van Everdingen' +p241199 +sg225234 +S'etching' +p241200 +sg225236 +S'probably c. 1645/1656' +p241201 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d118.jpg' +p241202 +sg225240 +g27 +sa(dp241203 +g225230 +S'Man on a Small Wooden Bridge' +p241204 +sg225232 +S'Allart van Everdingen' +p241205 +sg225234 +S'etching' +p241206 +sg225236 +S'probably c. 1645/1656' +p241207 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d119.jpg' +p241208 +sg225240 +g27 +sa(dp241209 +g225230 +S'Man on a Small Wooden Bridge' +p241210 +sg225232 +S'Allart van Everdingen' +p241211 +sg225234 +S'etching' +p241212 +sg225236 +S'probably c. 1645/1656' +p241213 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d11a.jpg' +p241214 +sg225240 +g27 +sa(dp241215 +g225230 +S'Waterfall' +p241216 +sg225232 +S'Allart van Everdingen' +p241217 +sg225234 +S'etching' +p241218 +sg225236 +S'probably c. 1645/1656' +p241219 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d11d.jpg' +p241220 +sg225240 +g27 +sa(dp241221 +g225230 +S'Waterfall' +p241222 +sg225232 +S'Allart van Everdingen' +p241223 +sg225234 +S'etching' +p241224 +sg225236 +S'probably c. 1645/1656' +p241225 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d11e.jpg' +p241226 +sg225240 +g27 +sa(dp241227 +g225230 +S'Waterfall' +p241228 +sg225232 +S'Allart van Everdingen' +p241229 +sg225234 +S'etching with engraving' +p241230 +sg225236 +S'probably c. 1645/1656' +p241231 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d11c.jpg' +p241232 +sg225240 +g27 +sa(dp241233 +g225230 +S'Swineherd' +p241234 +sg225232 +S'Allart van Everdingen' +p241235 +sg225234 +S'etching' +p241236 +sg225236 +S'probably c. 1645/1656' +p241237 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d11f.jpg' +p241238 +sg225240 +g27 +sa(dp241239 +g225230 +S'Swineherd' +p241240 +sg225232 +S'Allart van Everdingen' +p241241 +sg225234 +S'etching' +p241242 +sg225236 +S'probably c. 1645/1656' +p241243 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d120.jpg' +p241244 +sg225240 +g27 +sa(dp241245 +g225230 +S'Landscape with Millstone near a Cask' +p241246 +sg225232 +S'Allart van Everdingen' +p241247 +sg225234 +S'etching' +p241248 +sg225236 +S'probably c. 1645/1656' +p241249 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d121.jpg' +p241250 +sg225240 +g27 +sa(dp241251 +g225230 +S'Landscape with Millstone near a Cask' +p241252 +sg225232 +S'Allart van Everdingen' +p241253 +sg225234 +S'etching' +p241254 +sg225236 +S'probably c. 1645/1656' +p241255 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d122.jpg' +p241256 +sg225240 +g27 +sa(dp241257 +g225230 +S'Chapel' +p241258 +sg225232 +S'Allart van Everdingen' +p241259 +sg225234 +S'etching with engraving' +p241260 +sg225236 +S'probably c. 1645/1656' +p241261 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d125.jpg' +p241262 +sg225240 +g27 +sa(dp241263 +g225230 +S'Chapel' +p241264 +sg225232 +S'Allart van Everdingen' +p241265 +sg225234 +S'etching with engraving' +p241266 +sg225236 +S'probably c. 1645/1656' +p241267 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d124.jpg' +p241268 +sg225240 +g27 +sa(dp241269 +g225230 +S'Two Casks in Front of a Cottage' +p241270 +sg225232 +S'Allart van Everdingen' +p241271 +sg225234 +S'etching' +p241272 +sg225236 +S'probably c. 1645/1656' +p241273 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d13a.jpg' +p241274 +sg225240 +g27 +sa(dp241275 +g225230 +S'Two Casks in Front of a Cottage' +p241276 +sg225232 +S'Allart van Everdingen' +p241277 +sg225234 +S'etching with engraving' +p241278 +sg225236 +S'probably c. 1645/1656' +p241279 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d13b.jpg' +p241280 +sg225240 +g27 +sa(dp241281 +g225230 +S'Pilgrim with a Dog' +p241282 +sg225232 +S'Allart van Everdingen' +p241283 +sg225234 +S'etching' +p241284 +sg225236 +S'probably c. 1645/1656' +p241285 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d138.jpg' +p241286 +sg225240 +g27 +sa(dp241287 +g225230 +S'Pilgrim with a Dog' +p241288 +sg225232 +S'Allart van Everdingen' +p241289 +sg225234 +S'etching' +p241290 +sg225236 +S'probably c. 1645/1656' +p241291 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d139.jpg' +p241292 +sg225240 +g27 +sa(dp241293 +g225230 +S"Fisherman's Hut" +p241294 +sg225232 +S'Allart van Everdingen' +p241295 +sg225234 +S'etching' +p241296 +sg225236 +S'probably c. 1645/1656' +p241297 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d136.jpg' +p241298 +sg225240 +g27 +sa(dp241299 +g225230 +S"Fisherman's Hut" +p241300 +sg225232 +S'Allart van Everdingen' +p241301 +sg225234 +S'etching with engraving' +p241302 +sg225236 +S'probably c. 1645/1656' +p241303 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d137.jpg' +p241304 +sg225240 +g27 +sa(dp241305 +g225230 +S'Seascape with Three Figures to the Right' +p241306 +sg225232 +S'Allart van Everdingen' +p241307 +sg225234 +S'etching' +p241308 +sg225236 +S'probably c. 1645/1656' +p241309 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d134.jpg' +p241310 +sg225240 +g27 +sa(dp241311 +g225230 +S'Seascape with Three Figures to the Right' +p241312 +sg225232 +S'Allart van Everdingen' +p241313 +sg225234 +S'etching' +p241314 +sg225236 +S'probably c. 1645/1656' +p241315 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d135.jpg' +p241316 +sg225240 +g27 +sa(dp241317 +g225230 +S'Ruined Cottage, Surrounded by Water' +p241318 +sg225232 +S'Allart van Everdingen' +p241319 +sg225234 +S'etching' +p241320 +sg225236 +S'probably c. 1645/1656' +p241321 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d132.jpg' +p241322 +sg225240 +g27 +sa(dp241323 +g225230 +S'Ruined Cottage, Surrounded by Water' +p241324 +sg225232 +S'Allart van Everdingen' +p241325 +sg225234 +S'etching with engraving' +p241326 +sg225236 +S'probably c. 1645/1656' +p241327 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d133.jpg' +p241328 +sg225240 +g27 +sa(dp241329 +g225230 +S'Church on a Hill' +p241330 +sg225232 +S'Allart van Everdingen' +p241331 +sg225234 +S'etching' +p241332 +sg225236 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+sg225232 +S'Allart van Everdingen' +p241355 +sg225234 +S'etching with engraving' +p241356 +sg225236 +S'probably c. 1645/1656' +p241357 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d12c.jpg' +p241358 +sg225240 +g27 +sa(dp241359 +g225230 +S'Large Rock' +p241360 +sg225232 +S'Allart van Everdingen' +p241361 +sg225234 +S'etching with engraving' +p241362 +sg225236 +S'probably c. 1645/1656' +p241363 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d12a.jpg' +p241364 +sg225240 +g27 +sa(dp241365 +g225230 +S'Hamlet on Mountainous Ground' +p241366 +sg225232 +S'Allart van Everdingen' +p241367 +sg225234 +S'etching' +p241368 +sg225236 +S'probably c. 1645/1656' +p241369 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d129.jpg' +p241370 +sg225240 +g27 +sa(dp241371 +g225230 +S'Unloading a Barge' +p241372 +sg225232 +S'Allart van Everdingen' +p241373 +sg225234 +S'etching' +p241374 +sg225236 +S'probably c. 1645/1656' +p241375 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d128.jpg' +p241376 +sg225240 +g27 +sa(dp241377 +g225230 +S"Carpenter's Hut" +p241378 +sg225232 +S'Allart van Everdingen' +p241379 +sg225234 +S'etching' +p241380 +sg225236 +S'probably c. 1645/1656' +p241381 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d14a.jpg' +p241382 +sg225240 +g27 +sa(dp241383 +g225230 +S"Carpenter's Hut" +p241384 +sg225232 +S'Allart van Everdingen' +p241385 +sg225234 +S'etching' +p241386 +sg225236 +S'probably c. 1645/1656' +p241387 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d14b.jpg' +p241388 +sg225240 +g27 +sa(dp241389 +g225230 +S'Horseman on a Stone Bridge' +p241390 +sg225232 +S'Allart van Everdingen' +p241391 +sg225234 +S'etching' +p241392 +sg225236 +S'probably c. 1645/1656' +p241393 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d145.jpg' +p241394 +sg225240 +g27 +sa(dp241395 +g225230 +S'Two Beams Floating in the Water' +p241396 +sg225232 +S'Allart van Everdingen' +p241397 +sg225234 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+S'Hamlet on a Hill' +p241420 +sg225232 +S'Allart van Everdingen' +p241421 +sg225234 +S'etching' +p241422 +sg225236 +S'probably c. 1645/1656' +p241423 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d143.jpg' +p241424 +sg225240 +g27 +sa(dp241425 +g225230 +S'Hamlet on a Hill' +p241426 +sg225232 +S'Allart van Everdingen' +p241427 +sg225234 +S'etching' +p241428 +sg225236 +S'probably c. 1645/1656' +p241429 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d144.jpg' +p241430 +sg225240 +g27 +sa(dp241431 +g225230 +S'Sportsman near a Large Tree' +p241432 +sg225232 +S'Allart van Everdingen' +p241433 +sg225234 +S'etching' +p241434 +sg225236 +S'probably c. 1645/1656' +p241435 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d13c.jpg' +p241436 +sg225240 +g27 +sa(dp241437 +g225230 +S'Sportsman near a Large Tree' +p241438 +sg225232 +S'Allart van Everdingen' +p241439 +sg225234 +S'etching' +p241440 +sg225236 +S'probably c. 1645/1656' +p241441 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d13d.jpg' +p241442 +sg225240 +g27 +sa(dp241443 +g225230 +S'Hut with the Remains of a Hedge' +p241444 +sg225232 +S'Allart van Everdingen' +p241445 +sg225234 +S'etching' +p241446 +sg225236 +S'probably c. 1645/1656' +p241447 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d13e.jpg' +p241448 +sg225240 +g27 +sa(dp241449 +g225230 +S'Hut with the Remains of a Hedge' +p241450 +sg225232 +S'Allart van Everdingen' +p241451 +sg225234 +S'etching' +p241452 +sg225236 +S'probably c. 1645/1656' +p241453 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d13f.jpg' +p241454 +sg225240 +g27 +sa(dp241455 +g225230 +S'Three Men on a Rock' +p241456 +sg225232 +S'Allart van Everdingen' +p241457 +sg225234 +S'etching' +p241458 +sg225236 +S'probably c. 1645/1656' +p241459 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d141.jpg' +p241460 +sg225240 +g27 +sa(dp241461 +g225230 +S'Three Men on a Rock' +p241462 +sg225232 +S'Allart van Everdingen' +p241463 +sg225234 +S'etching' +p241464 +sg225236 +S'probably c. 1645/1656' +p241465 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d142.jpg' +p241466 +sg225240 +g27 +sa(dp241467 +g225230 +S'Three Men on a Rock' +p241468 +sg225232 +S'Allart van Everdingen' +p241469 +sg225234 +S'etching' +p241470 +sg225236 +S'probably c. 1645/1656' +p241471 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d14d.jpg' +p241472 +sg225240 +g27 +sa(dp241473 +g225230 +S'Three Men on a Rock' +p241474 +sg225232 +S'Allart van Everdingen' +p241475 +sg225234 +S'etching with engraving' +p241476 +sg225236 +S'probably c. 1645/1656' +p241477 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d14c.jpg' +p241478 +sg225240 +g27 +sa(dp241479 +g225230 +S'Large House with a Turret' +p241480 +sg225232 +S'Allart van Everdingen' +p241481 +sg225234 +S'etching' +p241482 +sg225236 +S'probably c. 1645/1656' +p241483 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d14e.jpg' +p241484 +sg225240 +g27 +sa(dp241485 +g225230 +S'Large House with a Turret' +p241486 +sg225232 +S'Allart van Everdingen' +p241487 +sg225234 +S'etching' +p241488 +sg225236 +S'probably c. 1645/1656' +p241489 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d14f.jpg' +p241490 +sg225240 +g27 +sa(dp241491 +g225230 +S'Straw Hut Seen from Behind' +p241492 +sg225232 +S'Allart van Everdingen' +p241493 +sg225234 +S'etching' +p241494 +sg225236 +S'probably c. 1645/1656' +p241495 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d153.jpg' +p241496 +sg225240 +g27 +sa(dp241497 +g225230 +S'Straw Hut Seen from Behind' +p241498 +sg225232 +S'Allart van Everdingen' +p241499 +sg225234 +S'etching with engraving' +p241500 +sg225236 +S'probably c. 1645/1656' +p241501 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d154.jpg' +p241502 +sg225240 +g27 +sa(dp241503 +g225230 +S'Large Rock at the River' +p241504 +sg225232 +S'Allart van Everdingen' +p241505 +sg225234 +S'etching' +p241506 +sg225236 +S'probably c. 1645/1656' +p241507 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d157.jpg' +p241508 +sg225240 +g27 +sa(dp241509 +g225230 +S'Large Rock at the River' +p241510 +sg225232 +S'Allart van Everdingen' +p241511 +sg225234 +S'etching' +p241512 +sg225236 +S'probably c. 1645/1656' +p241513 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d156.jpg' +p241514 +sg225240 +g27 +sa(dp241515 +g225230 +S'Large Rock at the River' +p241516 +sg225232 +S'Allart van Everdingen' +p241517 +sg225234 +S'etching with engraving' +p241518 +sg225236 +S'probably c. 1645/1656' +p241519 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d155.jpg' +p241520 +sg225240 +g27 +sa(dp241521 +g225230 +S'Two Boats Approaching a Hut' +p241522 +sg225232 +S'Allart van Everdingen' +p241523 +sg225234 +S'etching' +p241524 +sg225236 +S'probably c. 1645/1656' +p241525 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d158.jpg' +p241526 +sg225240 +g27 +sa(dp241527 +g225230 +S'Winding River' +p241528 +sg225232 +S'Allart van Everdingen' +p241529 +sg225234 +S'etching' +p241530 +sg225236 +S'probably c. 1645/1656' +p241531 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d159.jpg' +p241532 +sg225240 +g27 +sa(dp241533 +g225230 +S'Winding River' +p241534 +sg225232 +S'Allart van Everdingen' +p241535 +sg225234 +S'etching' +p241536 +sg225236 +S'probably c. 1645/1656' +p241537 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d15a.jpg' +p241538 +sg225240 +g27 +sa(dp241539 +g225230 +S'Large Rock Projecting from a River' +p241540 +sg225232 +S'Allart van Everdingen' +p241541 +sg225234 +S'etching' +p241542 +sg225236 +S'probably c. 1645/1656' +p241543 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d150.jpg' +p241544 +sg225240 +g27 +sa(dp241545 +g225230 +S'Three Goats at the River' +p241546 +sg225232 +S'Allart van Everdingen' +p241547 +sg225234 +S'etching' +p241548 +sg225236 +S'probably c. 1645/1656' +p241549 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d151.jpg' +p241550 +sg225240 +g27 +sa(dp241551 +g225230 +S'Three Goats at the River' +p241552 +sg225232 +S'Allart van Everdingen' +p241553 +sg225234 +S'etching' +p241554 +sg225236 +S'probably c. 1645/1656' +p241555 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d152.jpg' +p241556 +sg225240 +g27 +sa(dp241557 +g225230 +S'Cottages at the Bank' +p241558 +sg225232 +S'Allart van Everdingen' +p241559 +sg225234 +S'etching' +p241560 +sg225236 +S'probably c. 1645/1656' +p241561 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d169.jpg' +p241562 +sg225240 +g27 +sa(dp241563 +g225230 +S'Cottages at the Bank' +p241564 +sg225232 +S'Allart van Everdingen' +p241565 +sg225234 +S'etching' +p241566 +sg225236 +S'probably c. 1645/1656' +p241567 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d168.jpg' +p241568 +sg225240 +g27 +sa(dp241569 +g225230 +S'Two Fir Trees near Cottages' +p241570 +sg225232 +S'Allart van Everdingen' +p241571 +sg225234 +S'etching' +p241572 +sg225236 +S'probably c. 1645/1656' +p241573 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d160.jpg' +p241574 +sg225240 +g27 +sa(dp241575 +g225230 +S'Two Fir Trees near Cottages' +p241576 +sg225232 +S'Allart van Everdingen' +p241577 +sg225234 +S'etching with engraving' +p241578 +sg225236 +S'probably c. 1645/1656' +p241579 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d161.jpg' +p241580 +sg225240 +g27 +sa(dp241581 +g225230 +S'Ruinous Hut' +p241582 +sg225232 +S'Allart van Everdingen' +p241583 +sg225234 +S'etching' +p241584 +sg225236 +S'probably c. 1645/1656' +p241585 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d162.jpg' +p241586 +sg225240 +g27 +sa(dp241587 +g225230 +S'Ruinous Hut' +p241588 +sg225232 +S'Allart van Everdingen' +p241589 +sg225234 +S'etching' +p241590 +sg225236 +S'probably c. 1645/1656' +p241591 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d163.jpg' +p241592 +sg225240 +g27 +sa(dp241593 +g225230 +S'Man near Entry of a Ruinous Hedge' +p241594 +sg225232 +S'Allart van Everdingen' +p241595 +sg225234 +S'etching' +p241596 +sg225236 +S'probably c. 1645/1656' +p241597 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d164.jpg' +p241598 +sg225240 +g27 +sa(dp241599 +g225230 +S'Man near Entry of a Ruinous Hedge' +p241600 +sg225232 +S'Allart van Everdingen' +p241601 +sg225234 +S'etching' +p241602 +sg225236 +S'probably c. 1645/1656' +p241603 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d165.jpg' +p241604 +sg225240 +g27 +sa(dp241605 +g225230 +S'Rock in the Middle of a River' +p241606 +sg225232 +S'Allart van Everdingen' +p241607 +sg225234 +S'etching with engraving' +p241608 +sg225236 +S'probably c. 1645/1656' +p241609 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d166.jpg' +p241610 +sg225240 +g27 +sa(dp241611 +g225230 +S'Rock in the Middle of a River' +p241612 +sg225232 +S'Allart van Everdingen' +p241613 +sg225234 +S'etching with engraving and drypoint' +p241614 +sg225236 +S'probably c. 1645/1656' +p241615 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d167.jpg' +p241616 +sg225240 +g27 +sa(dp241617 +g225230 +S'Three Cottages on a Rock' +p241618 +sg225232 +S'Allart van Everdingen' +p241619 +sg225234 +S'etching with engraving' +p241620 +sg225236 +S'probably c. 1645/1656' +p241621 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d15c.jpg' +p241622 +sg225240 +g27 +sa(dp241623 +g225230 +S'Three Cottages on a Rock' +p241624 +sg225232 +S'Allart van Everdingen' +p241625 +sg225234 +S'etching with engraving and drypoint' +p241626 +sg225236 +S'probably c. 1645/1656' +p241627 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d15d.jpg' +p241628 +sg225240 +g27 +sa(dp241629 +g225230 +S'Swine Herd near a Chapel' +p241630 +sg225232 +S'Allart van Everdingen' +p241631 +sg225234 +S'etching' +p241632 +sg225236 +S'probably c. 1645/1656' +p241633 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d15f.jpg' +p241634 +sg225240 +g27 +sa(dp241635 +g225230 +S'Swine Herd near a Chapel' +p241636 +sg225232 +S'Allart van Everdingen' +p241637 +sg225234 +S'etching' +p241638 +sg225236 +S'probably c. 1645/1656' +p241639 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d15b.jpg' +p241640 +sg225240 +g27 +sa(dp241641 +g225230 +S'River at the Foot of a High Rock' +p241642 +sg225232 +S'Allart van Everdingen' +p241643 +sg225234 +S'etching' +p241644 +sg225236 +S'probably c. 1645/1656' +p241645 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d171.jpg' +p241646 +sg225240 +g27 +sa(dp241647 +g225230 +S'River at the Foot of a High Rock' +p241648 +sg225232 +S'Allart van Everdingen' +p241649 +sg225234 +S'etching' +p241650 +sg225236 +S'probably c. 1645/1656' +p241651 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d170.jpg' +p241652 +sg225240 +g27 +sa(dp241653 +g225230 +S'The Cudgel Dam and Covered Bridge' +p241654 +sg225232 +S'Allart van Everdingen' +p241655 +sg225234 +S'etching' +p241656 +sg225236 +S'probably c. 1645/1656' +p241657 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d172.jpg' +p241658 +sg225240 +g27 +sa(dp241659 +g225230 +S'The Cudgel Dam and Covered Bridge' +p241660 +sg225232 +S'Allart van Everdingen' +p241661 +sg225234 +S'etching with engraving' +p241662 +sg225236 +S'probably c. 1645/1656' +p241663 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d173.jpg' +p241664 +sg225240 +g27 +sa(dp241665 +g225230 +S'Two Men on a Hill' +p241666 +sg225232 +S'Allart van Everdingen' +p241667 +sg225234 +S'etching' +p241668 +sg225236 +S'probably c. 1645/1656' +p241669 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d174.jpg' +p241670 +sg225240 +g27 +sa(dp241671 +g225230 +S'Two Men on a Hill' +p241672 +sg225232 +S'Allart van Everdingen' +p241673 +sg225234 +S'etching' +p241674 +sg225236 +S'probably c. 1645/1656' +p241675 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d16b.jpg' +p241676 +sg225240 +g27 +sa(dp241677 +g225230 +S'View through a Pierced Rock' +p241678 +sg225232 +S'Allart van Everdingen' +p241679 +sg225234 +S'etching' +p241680 +sg225236 +S'probably c. 1645/1656' +p241681 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d175.jpg' +p241682 +sg225240 +g27 +sa(dp241683 +g225230 +S'View through a Pierced Rock' +p241684 +sg225232 +S'Allart van Everdingen' +p241685 +sg225234 +S'etching' +p241686 +sg225236 +S'probably c. 1645/1656' +p241687 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d16c.jpg' +p241688 +sg225240 +g27 +sa(dp241689 +g225230 +S'Two Men in the Doorway of a Hut' +p241690 +sg225232 +S'Allart van Everdingen' +p241691 +sg225234 +S'etching' +p241692 +sg225236 +S'probably c. 1645/1656' +p241693 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d16d.jpg' +p241694 +sg225240 +g27 +sa(dp241695 +g225230 +S'Two Men in the Doorway of a Hut' +p241696 +sg225232 +S'Allart van Everdingen' +p241697 +sg225234 +S'etching' +p241698 +sg225236 +S'probably c. 1645/1656' +p241699 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d16e.jpg' +p241700 +sg225240 +g27 +sa(dp241701 +g225230 +S'Two Men in the Doorway of a Hut' +p241702 +sg225232 +S'Allart van Everdingen' +p241703 +sg225234 +S'etching' +p241704 +sg225236 +S'probably c. 1645/1656' +p241705 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d16f.jpg' +p241706 +sg225240 +g27 +sa(dp241707 +g225230 +S'The Carpenter' +p241708 +sg225232 +S'Allart van Everdingen' +p241709 +sg225234 +S'etching' +p241710 +sg225236 +S'probably c. 1645/1656' +p241711 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d176.jpg' +p241712 +sg225240 +g27 +sa(dp241713 +g225230 +S'The Carpenter' +p241714 +sg225232 +S'Allart van Everdingen' +p241715 +sg225234 +S'etching' +p241716 +sg225236 +S'probably c. 1645/1656' +p241717 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d177.jpg' +p241718 +sg225240 +g27 +sa(dp241719 +g225230 +S'Horseman on a Bridge' +p241720 +sg225232 +S'Allart van Everdingen' +p241721 +sg225234 +S'etching' +p241722 +sg225236 +S'probably c. 1645/1656' +p241723 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d178.jpg' +p241724 +sg225240 +g27 +sa(dp241725 +g225230 +S'Horseman on a Bridge' +p241726 +sg225232 +S'Allart van Everdingen' +p241727 +sg225234 +S'etching' +p241728 +sg225236 +S'probably c. 1645/1656' +p241729 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d179.jpg' +p241730 +sg225240 +g27 +sa(dp241731 +g225230 +S'Goat on a small Bridge' +p241732 +sg225232 +S'Allart van Everdingen' +p241733 +sg225234 +S'etching' +p241734 +sg225236 +S'probably c. 1645/1656' +p241735 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d17b.jpg' +p241736 +sg225240 +g27 +sa(dp241737 +g225230 +S'Goat on a small Bridge' +p241738 +sg225232 +S'Allart van Everdingen' +p241739 +sg225234 +S'etching with engraving' +p241740 +sg225236 +S'probably c. 1645/1656' +p241741 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d17a.jpg' +p241742 +sg225240 +g27 +sa(dp241743 +g225230 +S'Boat at a River Bank with Three Goats' +p241744 +sg225232 +S'Allart van Everdingen' +p241745 +sg225234 +S'etching' +p241746 +sg225236 +S'probably c. 1645/1656' +p241747 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d17d.jpg' +p241748 +sg225240 +g27 +sa(dp241749 +g225230 +S'Boat at a River Bank with Three Goats' +p241750 +sg225232 +S'Allart van Everdingen' +p241751 +sg225234 +S'etching with engraving' +p241752 +sg225236 +S'probably c. 1645/1656' +p241753 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d17c.jpg' +p241754 +sg225240 +g27 +sa(dp241755 +g225230 +S'Man on a Small Wooden Bridge' +p241756 +sg225232 +S'Allart van Everdingen' +p241757 +sg225234 +S'etching' +p241758 +sg225236 +S'probably c. 1645/1656' +p241759 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d184.jpg' +p241760 +sg225240 +g27 +sa(dp241761 +g225230 +S'Man on a Small Wooden Bridge' +p241762 +sg225232 +S'Allart van Everdingen' +p241763 +sg225234 +S'etching' +p241764 +sg225236 +S'probably c. 1645/1656' +p241765 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d183.jpg' +p241766 +sg225240 +g27 +sa(dp241767 +g225230 +S'Two Men Seated at the Foot of a High Rock' +p241768 +sg225232 +S'Allart van Everdingen' +p241769 +sg225234 +S'etching' +p241770 +sg225236 +S'probably c. 1645/1656' +p241771 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d182.jpg' +p241772 +sg225240 +g27 +sa(dp241773 +g225230 +S'Two Men Seated at the Foot of a High Rock' +p241774 +sg225232 +S'Allart van Everdingen' +p241775 +sg225234 +S'etching' +p241776 +sg225236 +S'probably c. 1645/1656' +p241777 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d181.jpg' +p241778 +sg225240 +g27 +sa(dp241779 +g225230 +S'Two Men Seated at the Foot of a High Rock' +p241780 +sg225232 +S'Allart van Everdingen' +p241781 +sg225234 +S'etching' +p241782 +sg225236 +S'probably c. 1645/1656' +p241783 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d180.jpg' +p241784 +sg225240 +g27 +sa(dp241785 +g225230 +S'The Inscription on the Rock' +p241786 +sg225232 +S'Allart van Everdingen' +p241787 +sg225234 +S'etching' +p241788 +sg225236 +S'probably c. 1645/1656' +p241789 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d17f.jpg' +p241790 +sg225240 +g27 +sa(dp241791 +g225230 +S'The Inscription on the Rock' +p241792 +sg225232 +S'Allart van Everdingen' +p241793 +sg225234 +S'etching' +p241794 +sg225236 +S'probably c. 1645/1656' +p241795 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d17e.jpg' +p241796 +sg225240 +g27 +sa(dp241797 +g225230 +S'Two Logs in the Water' +p241798 +sg225232 +S'Allart van Everdingen' +p241799 +sg225234 +S'etching' +p241800 +sg225236 +S'probably c. 1645/1656' +p241801 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d186.jpg' +p241802 +sg225240 +g27 +sa(dp241803 +g225230 +S'Two Logs in the Water' +p241804 +sg225232 +S'Allart van Everdingen' +p241805 +sg225234 +S'etching with engraving' +p241806 +sg225236 +S'probably c. 1645/1656' +p241807 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d185.jpg' +p241808 +sg225240 +g27 +sa(dp241809 +g225230 +S'Cart in a Narrow Pass' +p241810 +sg225232 +S'Allart van Everdingen' +p241811 +sg225234 +S'etching' +p241812 +sg225236 +S'probably c. 1645/1656' +p241813 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d188.jpg' +p241814 +sg225240 +g27 +sa(dp241815 +g225230 +S'Cart in a Narrow Pass' +p241816 +sg225232 +S'Allart van Everdingen' +p241817 +sg225234 +S'etching' +p241818 +sg225236 +S'probably c. 1645/1656' +p241819 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d187.jpg' +p241820 +sg225240 +g27 +sa(dp241821 +g225230 +S'Cart in a Narrow Pass' +p241822 +sg225232 +S'Allart van Everdingen' +p241823 +sg225234 +S'etching with drypoint and engraving' +p241824 +sg225236 +S'probably c. 1645/1656' +p241825 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d18d.jpg' +p241826 +sg225240 +g27 +sa(dp241827 +g225230 +S'Two Boats on a Wide River' +p241828 +sg225232 +S'Allart van Everdingen' +p241829 +sg225234 +S'etching' +p241830 +sg225236 +S'probably c. 1645/1656' +p241831 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d18c.jpg' +p241832 +sg225240 +g27 +sa(dp241833 +g225230 +S'Two Boats on a Wide River' +p241834 +sg225232 +S'Allart van Everdingen' +p241835 +sg225234 +S'etching' +p241836 +sg225236 +S'probably c. 1645/1656' +p241837 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d18b.jpg' +p241838 +sg225240 +g27 +sa(dp241839 +g225230 +S'Firs in the Defile' +p241840 +sg225232 +S'Allart van Everdingen' +p241841 +sg225234 +S'etching' +p241842 +sg225236 +S'probably c. 1645/1656' +p241843 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d193.jpg' +p241844 +sg225240 +g27 +sa(dp241845 +g225230 +S'Firs in the Defile' +p241846 +sg225232 +S'Allart van Everdingen' +p241847 +sg225234 +S'etching with drypoint' +p241848 +sg225236 +S'probably c. 1645/1656' +p241849 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d18a.jpg' +p241850 +sg225240 +g27 +sa(dp241851 +g225230 +S'Firs in the Defile' +p241852 +sg225232 +S'Allart van Everdingen' +p241853 +sg225234 +S'etching with drypoint' +p241854 +sg225236 +S'probably c. 1645/1656' +p241855 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d194.jpg' +p241856 +sg225240 +g27 +sa(dp241857 +g225230 +S'Two Empty Skiffs' +p241858 +sg225232 +S'Allart van Everdingen' +p241859 +sg225234 +S'etching' +p241860 +sg225236 +S'probably c. 1645/1656' +p241861 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d191.jpg' +p241862 +sg225240 +g27 +sa(dp241863 +g225230 +S'Two Empty Skiffs' +p241864 +sg225232 +S'Allart van Everdingen' +p241865 +sg225234 +S'etching with drypoint and engraving' +p241866 +sg225236 +S'probably c. 1645/1656' +p241867 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d190.jpg' +p241868 +sg225240 +g27 +sa(dp241869 +g225230 +S'Pointed Boulder at the Bank of a River' +p241870 +sg225232 +S'Allart van Everdingen' +p241871 +sg225234 +S'etching' +p241872 +sg225236 +S'probably c. 1645/1656' +p241873 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d18f.jpg' +p241874 +sg225240 +g27 +sa(dp241875 +g225230 +S'Pointed Boulder at the Bank of a River' +p241876 +sg225232 +S'Allart van Everdingen' +p241877 +sg225234 +S'etching with engraving' +p241878 +sg225236 +S'probably c. 1645/1656' +p241879 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d189.jpg' +p241880 +sg225240 +g27 +sa(dp241881 +g225230 +S'Water Mill at the Foot of a Mountain' +p241882 +sg225232 +S'Allart van Everdingen' +p241883 +sg225234 +S'etching' +p241884 +sg225236 +S'probably c. 1645/1656' +p241885 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d195.jpg' +p241886 +sg225240 +g27 +sa(dp241887 +g225230 +S'Water Mill at the Foot of a Mountain' +p241888 +sg225232 +S'Allart van Everdingen' +p241889 +sg225234 +S'etching with engraving and drypoint' +p241890 +sg225236 +S'probably c. 1645/1656' +p241891 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d196.jpg' +p241892 +sg225240 +g27 +sa(dp241893 +g225230 +S'Skiff under a Cleft Rock' +p241894 +sg225232 +S'Allart van Everdingen' +p241895 +sg225234 +S'etching with drypoint' +p241896 +sg225236 +S'probably c. 1645/1656' +p241897 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d197.jpg' +p241898 +sg225240 +g27 +sa(dp241899 +g225230 +S'Two Horsemen on a Rocky Path' +p241900 +sg225232 +S'Allart van Everdingen' +p241901 +sg225234 +S'etching' +p241902 +sg225236 +S'probably c. 1645/1656' +p241903 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1a4.jpg' +p241904 +sg225240 +g27 +sa(dp241905 +g225230 +S'Two Horsemen on a Rocky Path' +p241906 +sg225232 +S'Allart van Everdingen' +p241907 +sg225234 +S'etching with drypoint' +p241908 +sg225236 +S'probably c. 1645/1656' +p241909 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1a5.jpg' +p241910 +sg225240 +g27 +sa(dp241911 +g225230 +S'Fir Trees at the Water' +p241912 +sg225232 +S'Allart van Everdingen' +p241913 +sg225234 +S'etching' +p241914 +sg225236 +S'probably c. 1645/1656' +p241915 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1a3.jpg' +p241916 +sg225240 +g27 +sa(dp241917 +g225230 +S'Fir Trees at the Water' +p241918 +sg225232 +S'Allart van Everdingen' +p241919 +sg225234 +S'etching' +p241920 +sg225236 +S'probably c. 1645/1656' +p241921 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d199.jpg' +p241922 +sg225240 +g27 +sa(dp241923 +g225230 +S'Peasant on Horseback' +p241924 +sg225232 +S'Allart van Everdingen' +p241925 +sg225234 +S'etching' +p241926 +sg225236 +S'probably c. 1645/1656' +p241927 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d19a.jpg' +p241928 +sg225240 +g27 +sa(dp241929 +g225230 +S'Peasant on Horseback' +p241930 +sg225232 +S'Allart van Everdingen' +p241931 +sg225234 +S'etching' +p241932 +sg225236 +S'probably c. 1645/1656' +p241933 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d19b.jpg' +p241934 +sg225240 +g27 +sa(dp241935 +g225230 +S'Peasant on Horseback' +p241936 +sg225232 +S'Allart van Everdingen' +p241937 +sg225234 +S'etching' +p241938 +sg225236 +S'probably c. 1645/1656' +p241939 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1a7.jpg' +p241940 +sg225240 +g27 +sa(dp241941 +g225230 +S'Three Travelers at the Foot of a High Rock' +p241942 +sg225232 +S'Allart van Everdingen' +p241943 +sg225234 +S'etching' +p241944 +sg225236 +S'probably c. 1645/1656' +p241945 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d19c.jpg' +p241946 +sg225240 +g27 +sa(dp241947 +g225230 +S'Three Travelers at the Foot of a High Rock' +p241948 +sg225232 +S'Allart van Everdingen' +p241949 +sg225234 +S'etching' +p241950 +sg225236 +S'probably c. 1645/1656' +p241951 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1a8.jpg' +p241952 +sg225240 +g27 +sa(dp241953 +g225230 +S'Two Peasants Seated on a Hill' +p241954 +sg225232 +S'Allart van Everdingen' +p241955 +sg225234 +S'etching' +p241956 +sg225236 +S'probably c. 1645/1656' +p241957 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d19d.jpg' +p241958 +sg225240 +g27 +sa(dp241959 +g225230 +S'Two Peasants Seated on a Hill' +p241960 +sg225232 +S'Allart van Everdingen' +p241961 +sg225234 +S'etching' +p241962 +sg225236 +S'probably c. 1645/1656' +p241963 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d19e.jpg' +p241964 +sg225240 +g27 +sa(dp241965 +g225230 +S'Cart with Two Draft Horses' +p241966 +sg225232 +S'Allart van Everdingen' +p241967 +sg225234 +S'etching' +p241968 +sg225236 +S'probably c. 1645/1656' +p241969 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d19f.jpg' +p241970 +sg225240 +g27 +sa(dp241971 +g225230 +S'Cart with Two Draft Horses' +p241972 +sg225232 +S'Allart van Everdingen' +p241973 +sg225234 +S'etching' +p241974 +sg225236 +S'probably c. 1645/1656' +p241975 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1a0.jpg' +p241976 +sg225240 +g27 +sa(dp241977 +g225230 +S'The Pointed Rock' +p241978 +sg225232 +S'Allart van Everdingen' +p241979 +sg225234 +S'etching' +p241980 +sg225236 +S'probably c. 1645/1656' +p241981 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d198.jpg' +p241982 +sg225240 +g27 +sa(dp241983 +g225230 +S'The Pointed Rock' +p241984 +sg225232 +S'Allart van Everdingen' +p241985 +sg225234 +S'etching' +p241986 +sg225236 +S'probably c. 1645/1656' +p241987 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1a1.jpg' +p241988 +sg225240 +g27 +sa(dp241989 +g225230 +S'Ruinous Cottage' +p241990 +sg225232 +S'Allart van Everdingen' +p241991 +sg225234 +S'etching' +p241992 +sg225236 +S'probably c. 1645/1656' +p241993 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1b9.jpg' +p241994 +sg225240 +g27 +sa(dp241995 +g225230 +S'Mill below a Waterfall' +p241996 +sg225232 +S'Allart van Everdingen' +p241997 +sg225234 +S'etching' +p241998 +sg225236 +S'probably c. 1645/1656' +p241999 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1b5.jpg' +p242000 +sg225240 +g27 +sa(dp242001 +g225230 +S'Mill below a Waterfall' +p242002 +sg225232 +S'Allart van Everdingen' +p242003 +sg225234 +S'etching' +p242004 +sg225236 +S'probably c. 1645/1656' +p242005 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1b6.jpg' +p242006 +sg225240 +g27 +sa(dp242007 +g225230 +S'Branch in the Water' +p242008 +sg225232 +S'Allart van Everdingen' +p242009 +sg225234 +S'etching with engraving' +p242010 +sg225236 +S'probably c. 1645/1656' +p242011 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1b7.jpg' +p242012 +sg225240 +g27 +sa(dp242013 +g225230 +S'Peasant with His Dog' +p242014 +sg225232 +S'Allart van Everdingen' +p242015 +sg225234 +S'etching' +p242016 +sg225236 +S'probably c. 1645/1656' +p242017 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1b8.jpg' +p242018 +sg225240 +g27 +sa(dp242019 +g225230 +S'The Steeple' +p242020 +sg225232 +S'Allart van Everdingen' +p242021 +sg225234 +S'etching' +p242022 +sg225236 +S'probably c. 1645/1656' +p242023 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1aa.jpg' +p242024 +sg225240 +g27 +sa(dp242025 +g225230 +S'The Steeple' +p242026 +sg225232 +S'Allart van Everdingen' +p242027 +sg225234 +S'etching' +p242028 +sg225236 +S'probably c. 1645/1656' +p242029 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1ab.jpg' +p242030 +sg225240 +g27 +sa(dp242031 +g225230 +S'Two Carts' +p242032 +sg225232 +S'Allart van Everdingen' +p242033 +sg225234 +S'etching' +p242034 +sg225236 +S'probably c. 1645/1656' +p242035 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1ac.jpg' +p242036 +sg225240 +g27 +sa(dp242037 +g225230 +S'Two Carts' +p242038 +sg225232 +S'Allart van Everdingen' +p242039 +sg225234 +S'etching with engraving' +p242040 +sg225236 +S'probably c. 1645/1656' +p242041 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1ae.jpg' +p242042 +sg225240 +g27 +sa(dp242043 +g225230 +S'Three Porters' +p242044 +sg225232 +S'Allart van Everdingen' +p242045 +sg225234 +S'etching' +p242046 +sg225236 +S'probably c. 1645/1656' +p242047 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1af.jpg' +p242048 +sg225240 +g27 +sa(dp242049 +g225230 +S'Skiff at a River Bank' +p242050 +sg225232 +S'Allart van Everdingen' +p242051 +sg225234 +S'etching with engraving and drypoint' +p242052 +sg225236 +S'probably c. 1645/1656' +p242053 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1b1.jpg' +p242054 +sg225240 +g27 +sa(dp242055 +g225230 +S'A Thick Forest' +p242056 +sg225232 +S'Allart van Everdingen' +p242057 +sg225234 +S'etching' +p242058 +sg225236 +S'probably c. 1645/1656' +p242059 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1b2.jpg' +p242060 +sg225240 +g27 +sa(dp242061 +g225230 +S'A Thick Forest' +p242062 +sg225232 +S'Allart van Everdingen' +p242063 +sg225234 +S'etching with engraving' +p242064 +sg225236 +S'probably c. 1645/1656' +p242065 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1a9.jpg' +p242066 +sg225240 +g27 +sa(dp242067 +g225230 +S'Cottage with Two Ladders' +p242068 +sg225232 +S'Allart van Everdingen' +p242069 +sg225234 +S'etching' +p242070 +sg225236 +S'probably c. 1645/1656' +p242071 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1bc.jpg' +p242072 +sg225240 +g27 +sa(dp242073 +g225230 +S'Cottage with Two Ladders' +p242074 +sg225232 +S'Allart van Everdingen' +p242075 +sg225234 +S'etching with engraving' +p242076 +sg225236 +S'probably c. 1645/1656' +p242077 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1be.jpg' +p242078 +sg225240 +g27 +sa(dp242079 +g225230 +S'Nocturnal Landscape with Horse and Church Spire' +p242080 +sg225232 +S'Allart van Everdingen' +p242081 +sg225234 +S'mezzotint and drypoint' +p242082 +sg225236 +S'probably c. 1660' +p242083 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1bf.jpg' +p242084 +sg225240 +g27 +sa(dp242085 +g225230 +S'Three Cottages' +p242086 +sg225232 +S'Allart van Everdingen' +p242087 +sg225234 +S'etching' +p242088 +sg225236 +S'probably c. 1645/1656' +p242089 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1c1.jpg' +p242090 +sg225240 +g27 +sa(dp242091 +g225230 +S'Man between Two Fir Trees' +p242092 +sg225232 +S'Allart van Everdingen' +p242093 +sg225234 +S'etching' +p242094 +sg225236 +S'probably c. 1645/1656' +p242095 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1c4.jpg' +p242096 +sg225240 +g27 +sa(dp242097 +g225230 +S'Man between Two Fir Trees' +p242098 +sg225232 +S'Allart van Everdingen' +p242099 +sg225234 +S'etching with drypoint' +p242100 +sg225236 +S'probably c. 1645/1656' +p242101 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1c5.jpg' +p242102 +sg225240 +g27 +sa(dp242103 +g225230 +S'Boulder in the Woods' +p242104 +sg225232 +S'Allart van Everdingen' +p242105 +sg225234 +S'etching' +p242106 +sg225236 +S'probably c. 1645/1656' +p242107 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1ba.jpg' +p242108 +sg225240 +g27 +sa(dp242109 +g225230 +S'Reynard Seated Atop the Ass' +p242110 +sg225232 +S'Allart van Everdingen' +p242111 +sg225234 +S'etching' +p242112 +sg225236 +S'probably c. 1645/1656' +p242113 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1c7.jpg' +p242114 +sg225240 +g27 +sa(dp242115 +g225230 +S'The Lion Announces a Peace' +p242116 +sg225232 +S'Allart van Everdingen' +p242117 +sg225234 +S'etching' +p242118 +sg225236 +S'probably c. 1645/1656' +p242119 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1c8.jpg' +p242120 +sg225240 +g27 +sa(dp242121 +g225230 +S'Reynard Accused' +p242122 +sg225232 +S'Allart van Everdingen' +p242123 +sg225234 +S'etching' +p242124 +sg225236 +S'probably c. 1645/1656' +p242125 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1c9.jpg' +p242126 +sg225240 +g27 +sa(dp242127 +g225230 +S'Reynard and the Wolf before the Fish Cart' +p242128 +sg225232 +S'Allart van Everdingen' +p242129 +sg225234 +S'etching' +p242130 +sg225236 +S'probably c. 1645/1656' +p242131 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1ca.jpg' +p242132 +sg225240 +g27 +sa(dp242133 +g225230 +S'The Rooster Charges Reynard' +p242134 +sg225232 +S'Allart van Everdingen' +p242135 +sg225234 +S'etching' +p242136 +sg225236 +S'probably c. 1645/1656' +p242137 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1cb.jpg' +p242138 +sg225240 +g27 +sa(dp242139 +g225230 +S'Reynard Disguised as a Monk' +p242140 +sg225232 +S'Allart van Everdingen' +p242141 +sg225234 +S'etching' +p242142 +sg225236 +S'probably c. 1645/1656' +p242143 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1cc.jpg' +p242144 +sg225240 +g27 +sa(dp242145 +g225230 +S'The Lion Seeks Advice' +p242146 +sg225232 +S'Allart van Everdingen' +p242147 +sg225234 +S'etching' +p242148 +sg225236 +S'probably c. 1645/1656' +p242149 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1cd.jpg' +p242150 +sg225240 +g27 +sa(dp242151 +g225230 +S'The Bear Sent as Messenger' +p242152 +sg225232 +S'Allart van Everdingen' +p242153 +sg225234 +S'etching' +p242154 +sg225236 +S'probably c. 1645/1656' +p242155 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1ce.jpg' +p242156 +sg225240 +g27 +sa(dp242157 +g225230 +S'The Bear Distracted with Talk of Honey' +p242158 +sg225232 +S'Allart van Everdingen' +p242159 +sg225234 +S'etching' +p242160 +sg225236 +S'probably c. 1645/1656' +p242161 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1cf.jpg' +p242162 +sg225240 +g27 +sa(dp242163 +g225230 +S'The Bear Trapped' +p242164 +sg225232 +S'Allart van Everdingen' +p242165 +sg225234 +S'etching' +p242166 +sg225236 +S'probably c. 1645/1656' +p242167 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1d0.jpg' +p242168 +sg225240 +g27 +sa(dp242169 +g225230 +S'The Bear Assaulted by the Peasants' +p242170 +sg225232 +S'Allart van Everdingen' +p242171 +sg225234 +S'etching' +p242172 +sg225236 +S'probably c. 1645/1656' +p242173 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1d1.jpg' +p242174 +sg225240 +g27 +sa(dp242175 +g225230 +S'Reynard Mocks the Woeful Bear' +p242176 +sg225232 +S'Allart van Everdingen' +p242177 +sg225234 +S'etching' +p242178 +sg225236 +S'probably c. 1645/1656' +p242179 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1d2.jpg' +p242180 +sg225240 +g27 +sa(dp242181 +g225230 +S'The Bear Beseeches the Lion for Justice' +p242182 +sg225232 +S'Allart van Everdingen' +p242183 +sg225234 +S'etching' +p242184 +sg225236 +S'probably c. 1645/1656' +p242185 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1d3.jpg' +p242186 +sg225240 +g27 +sa(dp242187 +g225230 +S'The Cat Sent as Messenger' +p242188 +sg225232 +S'Allart van Everdingen' +p242189 +sg225234 +S'etching' +p242190 +sg225236 +S'probably c. 1645/1656' +p242191 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1d8.jpg' +p242192 +sg225240 +g27 +sa(dp242193 +g225230 +S'The Cat Enters the Barn as Reynard Looks On' +p242194 +sg225232 +S'Allart van Everdingen' +p242195 +sg225234 +S'etching' +p242196 +sg225236 +S'probably c. 1645/1656' +p242197 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1d7.jpg' +p242198 +sg225240 +g27 +sa(dp242199 +g225230 +S'The Cat Trapped and Beaten' +p242200 +sg225232 +S'Allart van Everdingen' +p242201 +sg225234 +S'etching' +p242202 +sg225236 +S'probably c. 1645/1656' +p242203 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1d6.jpg' +p242204 +sg225240 +g27 +sa(dp242205 +g225230 +S'The Badger Sent as Messenger' +p242206 +sg225232 +S'Allart van Everdingen' +p242207 +sg225234 +S'etching' +p242208 +sg225236 +S'probably c. 1645/1656' +p242209 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1e0.jpg' +p242210 +sg225240 +g27 +sa(dp242211 +g225230 +S'Reynard Departs with the Badger' +p242212 +sg225232 +S'Allart van Everdingen' +p242213 +sg225234 +S'etching' +p242214 +sg225236 +S'probably c. 1645/1656' +p242215 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1df.jpg' +p242216 +sg225240 +g27 +sa(dp242217 +g225230 +S'The Wolf and the Convent Bell' +p242218 +sg225232 +S'Allart van Everdingen' +p242219 +sg225234 +S'etching' +p242220 +sg225236 +S'probably c. 1645/1656' +p242221 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1d5.jpg' +p242222 +sg225240 +g27 +sa(dp242223 +g225230 +S'Reynard Steals a Capon from the Pastor' +p242224 +sg225232 +S'Allart van Everdingen' +p242225 +sg225234 +S'etching' +p242226 +sg225236 +S'probably c. 1645/1656' +p242227 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1d4.jpg' +p242228 +sg225240 +g27 +sa(dp242229 +g225230 +S'The Badger Imposes a Penance on Reynard' +p242230 +sg225232 +S'Allart van Everdingen' +p242231 +sg225234 +S'etching' +p242232 +sg225236 +S'probably c. 1645/1656' +p242233 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1de.jpg' +p242234 +sg225240 +g27 +sa(dp242235 +g225230 +S'Reynard Attempts to Pilfer a Rooster' +p242236 +sg225232 +S'Allart van Everdingen' +p242237 +sg225234 +S'etching' +p242238 +sg225236 +S'probably c. 1645/1656' +p242239 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1dd.jpg' +p242240 +sg225240 +g27 +sa(dp242241 +g225230 +S'The Animals Present Their Charges Against Reynard' +p242242 +sg225232 +S'Allart van Everdingen' +p242243 +sg225234 +S'etching' +p242244 +sg225236 +S'probably c. 1645/1656' +p242245 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1dc.jpg' +p242246 +sg225240 +g27 +sa(dp242247 +g225230 +S'Reynard Condemned' +p242248 +sg225232 +S'Allart van Everdingen' +p242249 +sg225234 +S'etching' +p242250 +sg225236 +S'probably c. 1645/1656' +p242251 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1db.jpg' +p242252 +sg225240 +g27 +sa(dp242253 +g225230 +S"Reynard's Relatives Plead for Him" +p242254 +sg225232 +S'Allart van Everdingen' +p242255 +sg225234 +S'etching' +p242256 +sg225236 +S'probably c. 1645/1656' +p242257 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1da.jpg' +p242258 +sg225240 +g27 +sa(dp242259 +g225230 +S'Reynard Asks Permission to Speak' +p242260 +sg225232 +S'Allart van Everdingen' +p242261 +sg225234 +S'etching' +p242262 +sg225236 +S'probably c. 1645/1656' +p242263 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1d9.jpg' +p242264 +sg225240 +g27 +sa(dp242265 +g225230 +S'Reynard is Released to Tell His Story' +p242266 +sg225232 +S'Allart van Everdingen' +p242267 +sg225234 +S'etching' +p242268 +sg225236 +S'probably c. 1645/1656' +p242269 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1ee.jpg' +p242270 +sg225240 +g27 +sa(dp242271 +g225230 +S'Reynard Winds His Tale and Wrongs His Father' +p242272 +sg225232 +S'Allart van Everdingen' +p242273 +sg225234 +S'etching' +p242274 +sg225236 +S'probably c. 1645/1656' +p242275 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1ed.jpg' +p242276 +sg225240 +g27 +sa(dp242277 +g225230 +S'Reynard in Council with the Lion and Lioness' +p242278 +sg225232 +S'Allart van Everdingen' +p242279 +sg225234 +S'etching' +p242280 +sg225236 +S'probably c. 1645/1656' +p242281 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1ec.jpg' +p242282 +sg225240 +g27 +sa(dp242283 +g225230 +S'Reynard Tells a Story of Hidden Treasure' +p242284 +sg225232 +S'Allart van Everdingen' +p242285 +sg225234 +S'etching' +p242286 +sg225236 +S'probably c. 1645/1656' +p242287 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1eb.jpg' +p242288 +sg225240 +g27 +sa(dp242289 +g225230 +S'Reynard Promises to Reveal the Hidden Treasure' +p242290 +sg225232 +S'Allart van Everdingen' +p242291 +sg225234 +S'etching' +p242292 +sg225236 +S'probably c. 1645/1656' +p242293 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1e2.jpg' +p242294 +sg225240 +g27 +sa(dp242295 +g225230 +S'The Lion Pardons Reynard before the Other Animals' +p242296 +sg225232 +S'Allart van Everdingen' +p242297 +sg225234 +S'etching' +p242298 +sg225236 +S'probably c. 1645/1656' +p242299 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1ea.jpg' +p242300 +sg225240 +g27 +sa(dp242301 +g225230 +S"Reynard's Enemies are Dismayed" +p242302 +sg225232 +S'Allart van Everdingen' +p242303 +sg225234 +S'etching' +p242304 +sg225236 +S'probably c. 1645/1656' +p242305 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1e9.jpg' +p242306 +sg225240 +g27 +sa(dp242307 +g225230 +S'The Bear and the Wolf are Persecuted' +p242308 +sg225232 +S'Allart van Everdingen' +p242309 +sg225234 +S'etching' +p242310 +sg225236 +S'probably c. 1645/1656' +p242311 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1e8.jpg' +p242312 +sg225240 +g27 +sa(dp242313 +g225230 +S'The Ram Blesses Reynard' +p242314 +sg225232 +S'Allart van Everdingen' +p242315 +sg225234 +S'etching' +p242316 +sg225236 +S'probably c. 1645/1656' +p242317 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1e7.jpg' +p242318 +sg225240 +g27 +sa(dp242319 +g225230 +S'Reynard Returns Home, Accompanied by the Ram and the Rabbit' +p242320 +sg225232 +S'Allart van Everdingen' +p242321 +sg225234 +S'etching' +p242322 +sg225236 +S'probably c. 1645/1656' +p242323 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1e1.jpg' +p242324 +sg225240 +g27 +sa(dp242325 +g225230 +S'Reynard Asks the Ram to Deliver a Document' +p242326 +sg225232 +S'Allart van Everdingen' +p242327 +sg225234 +S'etching' +p242328 +sg225236 +S'probably c. 1645/1656' +p242329 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1e5.jpg' +p242330 +sg225240 +g27 +sa(dp242331 +g225230 +S"The Document is Opened, Revealing the Murdered Rabbit's Head" +p242332 +sg225232 +S'Allart van Everdingen' +p242333 +sg225234 +S'etching' +p242334 +sg225236 +S'probably c. 1645/1656' +p242335 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1e6.jpg' +p242336 +sg225240 +g27 +sa(dp242337 +g225230 +S'The Lion Frees the Bear and the Wolf' +p242338 +sg225232 +S'Allart van Everdingen' +p242339 +sg225234 +S'etching' +p242340 +sg225236 +S'probably c. 1645/1656' +p242341 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1e4.jpg' +p242342 +sg225240 +g27 +sa(dp242343 +g225230 +S'All Rejoice for the Bear and the Wolf' +p242344 +sg225232 +S'Allart van Everdingen' +p242345 +sg225234 +S'etching' +p242346 +sg225236 +S'probably c. 1645/1656' +p242347 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1e3.jpg' +p242348 +sg225240 +g27 +sa(dp242349 +g225230 +S'Reynard and the Crows' +p242350 +sg225232 +S'Allart van Everdingen' +p242351 +sg225234 +S'etching' +p242352 +sg225236 +S'probably c. 1645/1656' +p242353 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1ef.jpg' +p242354 +sg225240 +g27 +sa(dp242355 +g225230 +S'The Lion Orders a Mass Assault on Reynard' +p242356 +sg225232 +S'Allart van Everdingen' +p242357 +sg225234 +S'etching' +p242358 +sg225236 +S'probably c. 1645/1656' +p242359 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1f0.jpg' +p242360 +sg225240 +g27 +sa(dp242361 +g225230 +S'The Badger Goes to Warn Reynard' +p242362 +sg225232 +S'Allart van Everdingen' +p242363 +sg225234 +S'etching' +p242364 +sg225236 +S'probably c. 1645/1656' +p242365 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1f1.jpg' +p242366 +sg225240 +g27 +sa(dp242367 +g225230 +S'The Mare and the Wolf' +p242368 +sg225232 +S'Allart van Everdingen' +p242369 +sg225234 +S'etching' +p242370 +sg225236 +S'probably c. 1645/1656' +p242371 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1f2.jpg' +p242372 +sg225240 +g27 +sa(dp242373 +g225230 +S'Reynard Attempts to Clear Himself' +p242374 +sg225232 +S'Allart van Everdingen' +p242375 +sg225234 +S'etching' +p242376 +sg225236 +S'probably c. 1645/1656' +p242377 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1f3.jpg' +p242378 +sg225240 +g27 +sa(dp242379 +g225230 +S'Reynard and the Rabbit' +p242380 +sg225232 +S'Allart van Everdingen' +p242381 +sg225234 +S'etching' +p242382 +sg225236 +S'probably c. 1645/1656' +p242383 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1f4.jpg' +p242384 +sg225240 +g27 +sa(dp242385 +g225230 +S'Reynard Describes the Missing Treasures' +p242386 +sg225232 +S'Allart van Everdingen' +p242387 +sg225234 +S'etching' +p242388 +sg225236 +S'probably c. 1645/1656' +p242389 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1f5.jpg' +p242390 +sg225240 +g27 +sa(dp242391 +g225230 +S'The Horse and the Stag' +p242392 +sg225232 +S'Allart van Everdingen' +p242393 +sg225234 +S'etching' +p242394 +sg225236 +S'probably c. 1645/1656' +p242395 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1f6.jpg' +p242396 +sg225240 +g27 +sa(dp242397 +g225230 +S'The Horse Forced to Pursue the Stag' +p242398 +sg225232 +S'Allart van Everdingen' +p242399 +sg225234 +S'etching' +p242400 +sg225236 +S'probably c. 1645/1656' +p242401 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1f7.jpg' +p242402 +sg225240 +g27 +sa(dp242403 +g225230 +S'The Ass and the Hound' +p242404 +sg225232 +S'Allart van Everdingen' +p242405 +sg225234 +S'etching' +p242406 +sg225236 +S'probably c. 1645/1656' +p242407 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1f8.jpg' +p242408 +sg225240 +g27 +sa(dp242409 +g225230 +S"Reynard's Father and the Cat Pursued by Hounds" +p242410 +sg225232 +S'Allart van Everdingen' +p242411 +sg225234 +S'etching' +p242412 +sg225236 +S'probably c. 1645/1656' +p242413 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1f9.jpg' +p242414 +sg225240 +g27 +sa(dp242415 +g225230 +S'The Wolf and the Crane' +p242416 +sg225232 +S'Allart van Everdingen' +p242417 +sg225234 +S'etching' +p242418 +sg225236 +S'probably c. 1645/1656' +p242419 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1fa.jpg' +p242420 +sg225240 +g27 +sa(dp242421 +g225230 +S'The Wolves on the Ice' +p242422 +sg225232 +S'Allart van Everdingen' +p242423 +sg225234 +S'etching' +p242424 +sg225236 +S'probably c. 1645/1656' +p242425 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1fb.jpg' +p242426 +sg225240 +g27 +sa(dp242427 +g225230 +S'The Wolf and the Well' +p242428 +sg225232 +S'Allart van Everdingen' +p242429 +sg225234 +S'etching' +p242430 +sg225236 +S'probably c. 1645/1656' +p242431 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1fc.jpg' +p242432 +sg225240 +g27 +sa(dp242433 +g225230 +S'The Wolf and the Monkeys' +p242434 +sg225232 +S'Allart van Everdingen' +p242435 +sg225234 +S'etching' +p242436 +sg225236 +S'probably c. 1645/1656' +p242437 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1fd.jpg' +p242438 +sg225240 +g27 +sa(dp242439 +g225230 +S'Reynard Blinds the Wolf in One Eye' +p242440 +sg225232 +S'Allart van Everdingen' +p242441 +sg225234 +S'etching' +p242442 +sg225236 +S'probably c. 1645/1656' +p242443 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1fe.jpg' +p242444 +sg225240 +g27 +sa(dp242445 +g225230 +S'The Triumph of Reynard' +p242446 +sg225232 +S'Allart van Everdingen' +p242447 +sg225234 +S'etching' +p242448 +sg225236 +S'probably c. 1645/1656' +p242449 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1ff.jpg' +p242450 +sg225240 +g27 +sa(dp242451 +g225230 +S'View of the Tiber near Perugia' +p242452 +sg225232 +S'George Inness' +p242453 +sg225234 +S'oil on canvas' +p242454 +sg225236 +S'1872-1874' +p242455 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a0000113.jpg' +p242456 +sg225240 +g27 +sa(dp242457 +g225232 +S'Henri Matisse' +p242458 +sg225240 +S'During the last fifteen years of his life Matisse developed his final artistic triumph by\n "cutting into color." First, his studio assistants would brush opaque and\n semi-transparent watercolor pigments onto small sheets of white paper. The artist would then cut\n the sheets freehand in bold shapes that would be pinned to the white studio walls, adjusted, recut,\n combined and recombined with other elements. Later, the elements were glued flat to large white\n paper backgrounds for shipping or display.\n Large Composition with Masks\n If the design of \n ' +p242459 +sg225234 +S'paper collage on canvas' +p242460 +sg225230 +S'Large Composition with Masks' +p242461 +sg225236 +S'1953' +p242462 +sa(dp242463 +g225232 +S'Henri Matisse' +p242464 +sg225240 +g27 +sg225234 +S'paper collage on canvas' +p242465 +sg225230 +S'Beasts of the Sea' +p242466 +sg225236 +S'1950' +p242467 +sa(dp242468 +g225232 +S'Henri Matisse' +p242469 +sg225240 +g27 +sg225234 +S'gouache on paper, cut and pasted on white paper, mounted on paper panel' +p242470 +sg225230 +S'Venus' +p242471 +sg225236 +S'1952' +p242472 +sa(dp242473 +g225232 +S'Henri Matisse' +p242474 +sg225240 +g27 +sg225234 +S'paper collage on canvas' +p242475 +sg225230 +S'Woman with Amphora and Pomegranates' +p242476 +sg225236 +S'1953' +p242477 +sa(dp242478 +g225230 +S'Sir Charles, Alias Willie Harris' +p242479 +sg225232 +S'Barkley Leonnard Hendricks' +p242480 +sg225234 +S'oil on canvas' +p242481 +sg225236 +S'1972' +p242482 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a00001b2.jpg' +p242483 +sg225240 +S"Sir Charles, Alias Willie Harris\n Hendricks has said that a painting he saw in 1966 while visiting the National Gallery of Art in London—a portrait by Flemish master Anthony van Dyck featuring a red velvet coat—was a point of departure for this work. Intending to make a replica of the Van Dyck image, Hendricks received permission to paint as a copyist in the museum. But once in the process, he realized he could not copy another artist's work, "no matter how much I like it," he said. Years later he painted \n Hendricks, who was born in Philadelphia, studied there at the Pennsylvania Academy of the Fine Arts and earned BFA and MFA degrees from Yale University, New Haven, Connecticut. Since 1972 he has taught at Connecticut College in New London. The recipient of numerous awards and recognitions, he has exhibited his work at the Lyman Allyn Art Museum at Connecticut College; the Whitney Museum of American Art, New York; and the Studio Museum in Harlem, New York. The Nasher Museum of Art at Duke University organized a career retrospective of Hendricks' work, \n " +p242484 +sa(dp242485 +g225230 +S'George Jules Taylor' +p242486 +sg225232 +S'Barkley Leonnard Hendricks' +p242487 +sg225234 +S'oil on canvas' +p242488 +sg225236 +S'1972' +p242489 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a00000ec.jpg' +p242490 +sg225240 +g27 +sa(dp242491 +g225230 +S'The Assumption of the Virgin' +p242492 +sg225232 +S'Netherlandish 17th Century' +p242493 +sg225234 +S'overall: 36.5 x 25.4 cm (14 3/8 x 10 in.)' +p242494 +sg225236 +S'\npen and brown ink with brown and gray wash over black chalk on laid paper' +p242495 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006ec7.jpg' +p242496 +sg225240 +g27 +sa(dp242497 +g225230 +S'Saint James Defeating the Infidels' +p242498 +sg225232 +S'Artist Information (' +p242499 +sg225234 +g27 +sg225236 +S'(artist)' +p242500 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a0007464.jpg' +p242501 +sg225240 +g27 +sa(dp242502 +g225230 +S'Peasants and Cattle near a Farmhouse' +p242503 +sg225232 +S'Pieter Bruegel the Elder' +p242504 +sg225234 +S'pen and brown ink on laid paper' +p242505 +sg225236 +S'c. 1553/1554' +p242506 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00053/a00053c6.jpg' +p242507 +sg225240 +g27 +sa(dp242508 +g225230 +S'Figures Bathing in a Stream' +p242509 +sg225232 +S'Nicolas Poussin' +p242510 +sg225234 +S', unknown date' +p242511 +sg225236 +S'\n' +p242512 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00065/a0006584.jpg' +p242513 +sg225240 +g27 +sa(dp242514 +g225230 +S'Saint Catherine in the Clouds' +p242515 +sg225232 +S'Sir Peter Paul Rubens' +p242516 +sg225234 +S'etching' +p242517 +sg225236 +S'unknown date\n' +p242518 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d55f.jpg' +p242519 +sg225240 +g27 +sa(dp242520 +g225230 +S'Study for "La Cuisine Avec Paisans"' +p242521 +sg225232 +S'J\xc3\xa9r\xc3\xb4me-Fran\xc3\xa7ois Chantereau' +p242522 +sg225234 +S'red and black chalk on gray laid paper' +p242523 +sg225236 +S'unknown date\n' +p242524 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006deb.jpg' +p242525 +sg225240 +g27 +sa(dp242526 +g225230 +S'Study of a Nude Old Woman Clenching Her Fists, and Two Decorative Objects' +p242527 +sg225232 +S'Gustav Klimt' +p242528 +sg225234 +S'black and blue crayon on wove paper' +p242529 +sg225236 +S'c. 1901' +p242530 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00069/a00069bc.jpg' +p242531 +sg225240 +g27 +sa(dp242532 +g225230 +S'Seated Nude with Drapery' +p242533 +sg225232 +S'Artist Information (' +p242534 +sg225234 +S'Flemish, 1546 - 1611' +p242535 +sg225236 +S'(related artist)' +p242536 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00072/a000720e.jpg' +p242537 +sg225240 +g27 +sa(dp242538 +g225230 +S'Birds - U.S.P.R.R. Exp. & Surveys, 35th Parallel' +p242539 +sg225232 +S'American 19th Century' +p242540 +sg225234 +S'Gift of Dr. and Mrs. George Benjamin Green' +p242541 +sg225236 +S'\ncolor lithograph' +p242542 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fa10.jpg' +p242543 +sg225240 +g27 +sa(dp242544 +g225230 +S'The Alpine Vulture' +p242545 +sg225232 +S'British 18th Century' +p242546 +sg225234 +S'Gift of Dr. and Mrs. George Benjamin Green' +p242547 +sg225236 +S'\nhand-colored etching' +p242548 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00076/a0007643.jpg' +p242549 +sg225240 +g27 +sa(dp242550 +g225230 +S'Bimaculated Duck' +p242551 +sg225232 +S'British 19th Century' +p242552 +sg225234 +S'Gift of Dr. and Mrs. George Benjamin Green' +p242553 +sg225236 +S'\ncolor lithograph' +p242554 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007d/a0007de2.jpg' +p242555 +sg225240 +g27 +sa(dp242556 +g225230 +S'Bird (Larvivora Ruficeps)' +p242557 +sg225232 +S'British 19th Century' +p242558 +sg225234 +S'Gift of Dr. and Mrs. George Benjamin Green' +p242559 +sg225236 +S'\nhand-colored lithograph' +p242560 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007c/a0007c7f.jpg' +p242561 +sg225240 +g27 +sa(dp242562 +g225230 +S'Griffon Vulture' +p242563 +sg225232 +S'British 19th Century' +p242564 +sg225234 +S'Gift of Dr. and Mrs. George Benjamin Green' +p242565 +sg225236 +S'\nhand-colored lithograph' +p242566 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007c/a0007c8d.jpg' +p242567 +sg225240 +g27 +sa(dp242568 +g225230 +S'Rook' +p242569 +sg225232 +S'British 19th Century' +p242570 +sg225234 +S'Gift of Dr. and Mrs. George Benjamin Green' +p242571 +sg225236 +S'\nhand-colored etching' +p242572 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007c/a0007c4f.jpg' +p242573 +sg225240 +g27 +sa(dp242574 +g225230 +S'The Stork (Ciconia Alba)' +p242575 +sg225232 +S'Eleazar Albin' +p242576 +sg225234 +S'hand-colored etching' +p242577 +sg225236 +S'published 1731/1738' +p242578 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00076/a00076cf.jpg' +p242579 +sg225240 +g27 +sa(dp242580 +g225230 +S'The Touraco Bird' +p242581 +sg225232 +S'British 18th Century' +p242582 +sg225234 +S'Gift of Dr. and Mrs. George Benjamin Green' +p242583 +sg225236 +S'\nhand-colored etching' +p242584 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00076/a0007641.jpg' +p242585 +sg225240 +g27 +sa(dp242586 +g225230 +S'Velvet Duck' +p242587 +sg225232 +S'British 19th Century' +p242588 +sg225234 +S'Gift of Dr. and Mrs. George Benjamin Green' +p242589 +sg225236 +S'\nhand-colored etching' +p242590 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007c/a0007c9b.jpg' +p242591 +sg225240 +g27 +sa(dp242592 +g225230 +S'Water Fowl' +p242593 +sg225232 +S'British 19th Century' +p242594 +sg225234 +S'Gift of Dr. and Mrs. George Benjamin Green' +p242595 +sg225236 +S'\netching' +p242596 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007d/a0007dd0.jpg' +p242597 +sg225240 +g27 +sa(dp242598 +g225230 +S'Merle Violet, du Royaume de Juda' 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+g27 +sa(dp243651 +g225230 +S'Saint Jerome Reading in a Landscape' +p243652 +sg225232 +S'Domenico Campagnola' +p243653 +sg225234 +S'pen and brown ink on brown laid paper' +p243654 +sg225236 +S'1520s/1530s' +p243655 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00022/a00022cd.jpg' +p243656 +sg225240 +g27 +sa(dp243657 +g225230 +S'The Mystic Marriage of Saint Catherine?' +p243658 +sg225232 +S'Italian 17th Century' +p243659 +sg225234 +S'overall (lunette): 19.6 x 10.5 cm (7 11/16 x 4 1/8 in.)' +p243660 +sg225236 +S'\npen and brown ink on laid paper' +p243661 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a0007469.jpg' +p243662 +sg225240 +g27 +sa(dp243663 +g225230 +S'Historical Scene' +p243664 +sg225232 +S'Italian 16th Century' +p243665 +sg225234 +S'overall: 42.6 x 58.3 cm (16 3/4 x 22 15/16 in.)' +p243666 +sg225236 +S'\npen and brown ink with brown wash' +p243667 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a00074a2.jpg' +p243668 +sg225240 +g27 +sa(dp243669 +g225230 +S'The Flood' 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+sg225232 +S'Karel Dujardin' +p243695 +sg225234 +S'etching' +p243696 +sg225236 +S'1662' +p243697 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d0d3.jpg' +p243698 +sg225240 +g27 +sa(dp243699 +g225230 +S'Woman Crossing a Stream' +p243700 +sg225232 +S'Karel Dujardin' +p243701 +sg225234 +S'etching' +p243702 +sg225236 +S'1662' +p243703 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d0db.jpg' +p243704 +sg225240 +g27 +sa(dp243705 +g225230 +S'Laocoon' +p243706 +sg225232 +S'Jean de Gourmont I' +p243707 +sg225234 +S'engraving' +p243708 +sg225236 +S'unknown date\n' +p243709 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00083/a0008360.jpg' +p243710 +sg225240 +g27 +sa(dp243711 +g225230 +S'Hercules and Antaeus' +p243712 +sg225232 +S'Giovanni Pietro Possenti' +p243713 +sg225234 +S'etching' +p243714 +sg225236 +S'unknown date\n' +p243715 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c99f.jpg' +p243716 +sg225240 +g27 +sa(dp243717 +g225230 +S'The Recording Angel' +p243718 +sg225232 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Sanuto' +p243743 +sg225234 +S'engraving' +p243744 +sg225236 +S'unknown date\n' +p243745 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c8cc.jpg' +p243746 +sg225240 +g27 +sa(dp243747 +g225230 +S'Mercury Silencing Battus' +p243748 +sg225232 +S'Herman van Swanevelt' +p243749 +sg225234 +S'etching' +p243750 +sg225236 +S'unknown date\n' +p243751 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d5a7.jpg' +p243752 +sg225240 +g27 +sa(dp243753 +g225230 +S'The Brazen Bull of Phalarus' +p243754 +sg225232 +S'Pierre II Woeiriot de Bouzey' +p243755 +sg225234 +S', unknown date' +p243756 +sg225236 +S'\n' +p243757 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00083/a00083b2.jpg' +p243758 +sg225240 +g27 +sa(dp243759 +g225230 +S'Heraclius Sentencing the Tyrant Phocas' +p243760 +sg225232 +S'Pierre II Woeiriot de Bouzey' +p243761 +sg225234 +S', unknown date' +p243762 +sg225236 +S'\n' +p243763 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00083/a00083c7.jpg' +p243764 +sg225240 +g27 +sa(dp243765 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over black chalk on laid paper' +p243781 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a00074d4.jpg' +p243782 +sg225240 +g27 +sa(dp243783 +g225230 +S'Saint Anne Received by the Virgin and Christ' +p243784 +sg225232 +S'Luca Giordano' +p243785 +sg225234 +S'etching' +p243786 +sg225236 +S'unknown date\n' +p243787 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ca/a000ca05.jpg' +p243788 +sg225240 +g27 +sa(dp243789 +g225230 +S'The Martyrdom of Saint Bartholomew' +p243790 +sg225232 +S'Jusepe de Ribera' +p243791 +sg225234 +S'etching' +p243792 +sg225236 +S'1624' +p243793 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00067/a00067ce.jpg' +p243794 +sg225240 +g27 +sa(dp243795 +g225230 +S'Pope Sixtus V' +p243796 +sg225232 +S'Prospero Bresciano' +p243797 +sg225234 +S'etching' +p243798 +sg225236 +S'1589' +p243799 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9f4.jpg' +p243800 +sg225240 +g27 +sa(dp243801 +g225230 +S'The Annunciation' +p243802 +sg225232 +S'Artist Information (' +p243803 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Information (' +p243826 +sg225234 +S'(artist after)' +p243827 +sg225236 +S'\n' +p243828 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00077/a00077e5.jpg' +p243829 +sg225240 +g27 +sa(dp243830 +g225230 +S'Saint John the Evangelist' +p243831 +sg225232 +S'Artist Information (' +p243832 +sg225234 +S'(artist after)' +p243833 +sg225236 +S'\n' +p243834 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00077/a00077eb.jpg' +p243835 +sg225240 +g27 +sa(dp243836 +g225230 +S'Man in Chains' +p243837 +sg225232 +S'Artist Information (' +p243838 +sg225234 +S'(artist after)' +p243839 +sg225236 +S'\n' +p243840 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00076/a0007699.jpg' +p243841 +sg225240 +g27 +sa(dp243842 +g225230 +S'Male Saint Standing, with Folded Arms, Facing to the Left' +p243843 +sg225232 +S'Artist Information (' +p243844 +sg225234 +S'(artist after)' +p243845 +sg225236 +S'\n' +p243846 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00076/a000769a.jpg' +p243847 +sg225240 +g27 +sa(dp243848 +g225230 +S'Male Saint Standing, with Folded Arms, Facing to the Left' +p243849 +sg225232 +S'Artist Information (' +p243850 +sg225234 +S'(artist after)' +p243851 +sg225236 +S'\n' +p243852 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00076/a000769b.jpg' +p243853 +sg225240 +g27 +sa(dp243854 +g225230 +S'Algernon Sidney' +p243855 +sg225232 +S'Artist Information (' +p243856 +sg225234 +S'(artist after)' +p243857 +sg225236 +S'\n' +p243858 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00079/a000790d.jpg' +p243859 +sg225240 +g27 +sa(dp243860 +g225230 +S'The Dissolute Household' +p243861 +sg225232 +S'Pieter Balten' +p243862 +sg225234 +S'engraving' +p243863 +sg225236 +S'unknown date\n' +p243864 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ced7.jpg' +p243865 +sg225240 +g27 +sa(dp243866 +g225230 +S'The Procuress' +p243867 +sg225232 +S'Artist Information (' +p243868 +sg225234 +S'(artist after)' +p243869 +sg225236 +S'\n' +p243870 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b2/a000b2d7.jpg' +p243871 +sg225240 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Standing near a Seated Peasant' +p243918 +sg225232 +S'Pieter Molijn' +p243919 +sg225234 +S'etching' +p243920 +sg225236 +S'probably 1626' +p243921 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d2/a000d286.jpg' +p243922 +sg225240 +g27 +sa(dp243923 +g225230 +S'Woman Conversing with a Peasant' +p243924 +sg225232 +S'Pieter Molijn' +p243925 +sg225234 +S'etching' +p243926 +sg225236 +S'probably 1626' +p243927 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d2/a000d284.jpg' +p243928 +sg225240 +g27 +sa(dp243929 +g225230 +S'Soldier Receiving Orders from a Seated Officer' +p243930 +sg225232 +S'Pieter Molijn' +p243931 +sg225234 +S'etching' +p243932 +sg225236 +S'probably 1626' +p243933 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d2/a000d285.jpg' +p243934 +sg225240 +g27 +sa(dp243935 +g225232 +S'Artist Information (' +p243936 +sg225240 +g27 +sg225234 +S'(artist after)' +p243937 +sg225230 +S'Lion Hunt' +p243938 +sg225236 +S'\n' +p243939 +sa(dp243940 +g225230 +S'Birth of the Virgin' +p243941 +sg225232 +S'Artist Information (' +p243942 +sg225234 +S'Italian, 1709 - 1769' +p243943 +sg225236 +S'(related artist)' +p243944 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a0007456.jpg' +p243945 +sg225240 +g27 +sa(dp243946 +g225230 +S'Christ among the Doctors' +p243947 +sg225232 +S'Artist Information (' +p243948 +sg225234 +S'Italian, 1709 - 1769' +p243949 +sg225236 +S'(related artist)' +p243950 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a0007451.jpg' +p243951 +sg225240 +g27 +sa(dp243952 +g225230 +S'Christ and the Woman of Samaria' +p243953 +sg225232 +S'Artist Information (' +p243954 +sg225234 +S'Italian, 1709 - 1769' +p243955 +sg225236 +S'(related artist)' +p243956 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a000744e.jpg' +p243957 +sg225240 +g27 +sa(dp243958 +g225230 +S'Death of a Holy Friar' +p243959 +sg225232 +S'Artist Information (' +p243960 +sg225234 +S'Italian, 1709 - 1769' +p243961 +sg225236 +S'(related artist)' +p243962 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a0007455.jpg' +p243963 +sg225240 +g27 +sa(dp243964 +g225230 +S'Death of the Magdalene' +p243965 +sg225232 +S'Artist Information (' +p243966 +sg225234 +S'Italian, 1709 - 1769' +p243967 +sg225236 +S'(related artist)' +p243968 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a000744f.jpg' +p243969 +sg225240 +g27 +sa(dp243970 +g225230 +S'Death of Saint Jerome' +p243971 +sg225232 +S'Artist Information (' +p243972 +sg225234 +S'Italian, 1709 - 1769' +p243973 +sg225236 +S'(related artist)' +p243974 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a0007450.jpg' +p243975 +sg225240 +g27 +sa(dp243976 +g225230 +S'The Deposition' +p243977 +sg225232 +S'Artist Information (' +p243978 +sg225234 +S'Italian, 1709 - 1769' +p243979 +sg225236 +S'(related artist)' +p243980 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a0007453.jpg' +p243981 +sg225240 +g27 +sa(dp243982 +g225230 +S'Funeral Procession of a Saint with Angels' +p243983 +sg225232 +S'Artist Information (' +p243984 +sg225234 +S'Italian, 1709 - 1769' +p243985 +sg225236 +S'(related artist)' +p243986 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a0007452.jpg' +p243987 +sg225240 +g27 +sa(dp243988 +g225230 +S'Last Communion of Saint Jerome' +p243989 +sg225232 +S'Artist Information (' +p243990 +sg225234 +S'Italian, 1709 - 1769' +p243991 +sg225236 +S'(related artist)' +p243992 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a0007454.jpg' +p243993 +sg225240 +g27 +sa(dp243994 +g225230 +S'Martyrdom of a Female Saint' +p243995 +sg225232 +S'Artist Information (' +p243996 +sg225234 +S'Italian, 1709 - 1769' +p243997 +sg225236 +S'(related artist)' +p243998 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a0007459.jpg' +p243999 +sg225240 +g27 +sa(dp244000 +g225230 +S'Martyrdom of Saint Andrew' +p244001 +sg225232 +S'Artist Information (' +p244002 +sg225234 +S'Italian, 1709 - 1769' +p244003 +sg225236 +S'(related artist)' +p244004 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a000745e.jpg' +p244005 +sg225240 +g27 +sa(dp244006 +g225230 +S'Moses and the Brazen Serpent' +p244007 +sg225232 +S'Artist Information (' +p244008 +sg225234 +S'Italian, 1709 - 1769' +p244009 +sg225236 +S'(related artist)' +p244010 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a0007457.jpg' +p244011 +sg225240 +g27 +sa(dp244012 +g225230 +S'Preaching of John the Baptist in the Wilderness' +p244013 +sg225232 +S'Artist Information (' +p244014 +sg225234 +S'Italian, 1709 - 1769' +p244015 +sg225236 +S'(related artist)' +p244016 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a000745a.jpg' +p244017 +sg225240 +g27 +sa(dp244018 +g225230 +S'The Raising of Lazarus' +p244019 +sg225232 +S'Artist Information (' +p244020 +sg225234 +S'Italian, 1709 - 1769' +p244021 +sg225236 +S'(related artist)' +p244022 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a0007458.jpg' +p244023 +sg225240 +g27 +sa(dp244024 +g225230 +S'The Resurrection' +p244025 +sg225232 +S'Artist Information (' +p244026 +sg225234 +S'Italian, 1709 - 1769' +p244027 +sg225236 +S'(related artist)' +p244028 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a000745b.jpg' +p244029 +sg225240 +g27 +sa(dp244030 +g225230 +S'Saint Luke Painting the Virgin' +p244031 +sg225232 +S'Artist Information (' +p244032 +sg225234 +S'Italian, 1709 - 1769' +p244033 +sg225236 +S'(related artist)' +p244034 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a000745c.jpg' +p244035 +sg225240 +g27 +sa(dp244036 +g225230 +S'Supper at Emmaus' +p244037 +sg225232 +S'Artist Information (' +p244038 +sg225234 +S'Italian, 1709 - 1769' +p244039 +sg225236 +S'(related artist)' +p244040 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a000745d.jpg' +p244041 +sg225240 +g27 +sa(dp244042 +g225232 +S'M.C. Escher' +p244043 +sg225240 +g27 +sg225234 +S'linoleum cut, touched up by hand with graphite' +p244044 +sg225230 +S'Skull' +p244045 +sg225236 +S'1917' +p244046 +sa(dp244047 +g225230 +S'Eight Heads' +p244048 +sg225232 +S'M.C. Escher' +p244049 +sg225234 +S'woodcut, block printed four times' +p244050 +sg225236 +S'1922' +p244051 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00004/a000046d.jpg' +p244052 +sg225240 +S'Created while Escher was still a student at the School for Architecture and Decorative Arts in Haarlem, this is the first print to demonstrate his theory of the regular division of a plane. Escher cut eight heads -- four male and four female -- in the original wood block. The final image was achieved by printing the block four times.\n ' +p244053 +sa(dp244054 +g225232 +S'M.C. Escher' +p244055 +sg225240 +g27 +sg225234 +S'woodcut on lighter Oriental paper' +p244056 +sg225230 +S'Saint Vincent Martyr' +p244057 +sg225236 +S'1925' +p244058 +sa(dp244059 +g225232 +S'M.C. Escher' +p244060 +sg225240 +g27 +sg225234 +S'woodcut' +p244061 +sg225230 +S'Vitorchiano nel Cimino' +p244062 +sg225236 +S'1925' +p244063 +sa(dp244064 +g225232 +S'M.C. Escher' +p244065 +sg225240 +g27 +sg225234 +S'woodcut, printed from two blocks' +p244066 +sg225230 +S'The Six Days of the Creation' +p244067 +sg225236 +S'1926' +p244068 +sa(dp244069 +g225232 +S'M.C. Escher' +p244070 +sg225240 +g27 +sg225234 +S'woodcut' +p244071 +sg225230 +S'The First Day of the Creation' +p244072 +sg225236 +S'1925' +p244073 +sa(dp244074 +g225230 +S'The Second Day of the Creation' +p244075 +sg225232 +S'M.C. Escher' +p244076 +sg225234 +S'woodcut' +p244077 +sg225236 +S'1925' +p244078 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a00002ab.jpg' +p244079 +sg225240 +S'From December 1925 to March 1926 Escher worked on a series of six woodcuts on the theme of the Creation. This one depicts the division of sky and water. A Dutch educational association bought 300 impressions of this woodcut to hang in public schools. \n ' +p244080 +sa(dp244081 +g225230 +S'The Third Day of the Creation' +p244082 +sg225232 +S'M.C. Escher' +p244083 +sg225234 +S'woodcut' +p244084 +sg225236 +S'1926' +p244085 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a00002ac.jpg' +p244086 +sg225240 +g27 +sa(dp244087 +g225230 +S'The Fourth Day of the Creation' +p244088 +sg225232 +S'M.C. Escher' +p244089 +sg225234 +S'woodcut' +p244090 +sg225236 +S'1926' +p244091 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a00002ad.jpg' +p244092 +sg225240 +g27 +sa(dp244093 +g225232 +S'M.C. Escher' +p244094 +sg225240 +g27 +sg225234 +S'woodcut' +p244095 +sg225230 +S'The Fifth Day of the Creation' +p244096 +sg225236 +S'1926' +p244097 +sa(dp244098 +g225232 +S'M.C. Escher' +p244099 +sg225240 +g27 +sg225234 +S'woodcut' +p244100 +sg225230 +S'The Sixth Day of the Creation' +p244101 +sg225236 +S'1926' +p244102 +sa(dp244103 +g225230 +S'The Fall of Man' +p244104 +sg225232 +S'M.C. Escher' +p244105 +sg225234 +S'woodcut' +p244106 +sg225236 +S'1927' +p244107 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004b/a0004b34.jpg' +p244108 +sg225240 +g27 +sa(dp244109 +g225230 +S'Rome and the Griffin of Borghese' +p244110 +sg225232 +S'M.C. Escher' +p244111 +sg225234 +S'woodcut in dark gray and black, printed from two blocks' +p244112 +sg225236 +S'1927' +p244113 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a00000c2.jpg' +p244114 +sg225240 +g27 +sa(dp244115 +g225232 +S'M.C. Escher' +p244116 +sg225240 +g27 +sg225234 +S'woodcut' +p244117 +sg225230 +S'Castle in the Air' +p244118 +sg225236 +S'1928' +p244119 +sa(dp244120 +g225232 +S'M.C. Escher' +p244121 +sg225240 +g27 +sg225234 +S'woodcut' +p244122 +sg225230 +S'Tower of Babel' +p244123 +sg225236 +S'1928' +p244124 +sa(dp244125 +g225232 +S'M.C. Escher' +p244126 +sg225240 +g27 +sg225234 +S'woodcut' +p244127 +sg225230 +S'La Cathedrale engloutie (The Drowned Cathedral)' +p244128 +sg225236 +S'1929' +p244129 +sa(dp244130 +g225230 +S'Infant (A.E. Escher)' +p244131 +sg225232 +S'M.C. Escher' +p244132 +sg225234 +S'woodcut in red-brown and two tones of pink, printed from three blocks' +p244133 +sg225236 +S'1929' +p244134 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004b/a0004b49.jpg' +p244135 +sg225240 +g27 +sa(dp244136 +g225232 +S'M.C. Escher' +p244137 +sg225240 +g27 +sg225234 +S'lithograph' +p244138 +sg225230 +S'Goriano Sicoli, Abruzzi' +p244139 +sg225236 +S'1929' +p244140 +sa(dp244141 +g225230 +S'Self-Portrait' +p244142 +sg225232 +S'M.C. Escher' +p244143 +sg225234 +S'lithograph on gray paper' +p244144 +sg225236 +S'1929' +p244145 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a000012b.jpg' +p244146 +sg225240 +S'Escher first learned to make lithographs in 1929. This is his second endeavor in the medium. Escher made self-portraits throughout his career, experimenting with various printmaking techniques that included linoleum cut, woodcut, lithography, and mezzotint.\n Lithography, in which the image is drawn with an oily medium on a stone slab, is based on the principle that oil and water repel one another. After the prepared stone is washed with water, printing ink is applied, which adheres only to the drawing.\n ' +p244147 +sa(dp244148 +g225232 +S'M.C. Escher' +p244149 +sg225240 +g27 +sg225234 +S'lithograph' +p244150 +sg225230 +S'Street in Scanno, Abruzzi' +p244151 +sg225236 +S'1930' +p244152 +sa(dp244153 +g225230 +S'Castrovalva' +p244154 +sg225232 +S'M.C. Escher' +p244155 +sg225234 +S'lithograph' +p244156 +sg225236 +S'1930' +p244157 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004b/a0004ba0.jpg' +p244158 +sg225240 +S'In May and June 1929 Escher traveled through the mountainous landscape of Abruzzi, Italy, planning to produce an illustrated book on the region. This never materialized, but he did create 28 drawings on which he based prints, including this lithograph depicting the town of Castrovalva.\n ' +p244159 +sa(dp244160 +g225232 +S'M.C. Escher' +p244161 +sg225240 +g27 +sg225234 +S'lithograph' +p244162 +sg225230 +S'The Bridge' +p244163 +sg225236 +S'1930' +p244164 +sa(dp244165 +g225230 +S'Cloister near Rocca Imperiale, Calabria' +p244166 +sg225232 +S'M.C. Escher' +p244167 +sg225234 +S'lithograph' +p244168 +sg225236 +S'1931' +p244169 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004b/a0004b35.jpg' +p244170 +sg225240 +g27 +sa(dp244171 +g225230 +S'Atrani, Coast of Amalfi' +p244172 +sg225232 +S'M.C. Escher' +p244173 +sg225234 +S'lithograph' +p244174 +sg225236 +S'1931' +p244175 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a000018a.jpg' +p244176 +sg225240 +g27 +sa(dp244177 +g225232 +S'M.C. Escher' +p244178 +sg225240 +g27 +sg225234 +S'woodcut' +p244179 +sg225230 +S'Illustration for "The Terrible Adventures of Scholastica"' +p244180 +sg225236 +S'1931' +p244181 +sa(dp244182 +g225232 +S'M.C. Escher' +p244183 +sg225240 +g27 +sg225234 +S'woodcut' +p244184 +sg225230 +S'Sundial' +p244185 +sg225236 +S'1931' +p244186 +sa(dp244187 +g225232 +S'M.C. Escher' +p244188 +sg225240 +g27 +sg225234 +S'woodcut' +p244189 +sg225230 +S'Candle Flame' +p244190 +sg225236 +S'1956' +p244191 +sa(dp244192 +g225232 +S'M.C. Escher' +p244193 +sg225240 +g27 +sg225234 +S'woodcut' +p244194 +sg225230 +S'Emblema XI, Candle Flame' +p244195 +sg225236 +S'1931' +p244196 +sa(dp244197 +g225232 +S'M.C. Escher' +p244198 +sg225240 +g27 +sg225234 +S'wood engraving on beige Japan paper' +p244199 +sg225230 +S"Porta Maria dell'Ospidale, Ravello" +p244200 +sg225236 +S'1932' +p244201 +sa(dp244202 +g225232 +S'M.C. Escher' +p244203 +sg225240 +g27 +sg225234 +S'lithograph' +p244204 +sg225230 +S'Lion of the Fountain in the Piazza at Ravello' +p244205 +sg225236 +S'1932' +p244206 +sa(dp244207 +g225230 +S'Mummified Priests in Gangi, Sicily' +p244208 +sg225232 +S'M.C. Escher' +p244209 +sg225234 +S'lithograph' +p244210 +sg225236 +S'1932' +p244211 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004b/a0004b4a.jpg' +p244212 +sg225240 +g27 +sa(dp244213 +g225232 +S'M.C. Escher' +p244214 +sg225240 +g27 +sg225234 +S'wood engraving' +p244215 +sg225230 +S'Randazzo and Mount Etna, Sicily' +p244216 +sg225236 +S'1933' +p244217 +sa(dp244218 +g225230 +S'Palm' +p244219 +sg225232 +S'M.C. Escher' +p244220 +sg225234 +S'wood engraving in black and gray-green, printed from two blocks' +p244221 +sg225236 +S'1933' +p244222 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004b/a0004b36.jpg' +p244223 +sg225240 +g27 +sa(dp244224 +g225232 +S'M.C. Escher' +p244225 +sg225240 +g27 +sg225234 +S'woodcut in light gray, dark gray and black, printed from three blocks' +p244226 +sg225230 +S'Pineta of Calvi, Corsica' +p244227 +sg225236 +S'1933' +p244228 +sa(dp244229 +g225232 +S'M.C. Escher' +p244230 +sg225240 +g27 +sg225234 +S'wood engraving' +p244231 +sg225230 +S'Calvi, Corsica' +p244232 +sg225236 +S'1933' +p244233 +sa(dp244234 +g225232 +S'M.C. Escher' +p244235 +sg225240 +g27 +sg225234 +S'lithograph' +p244236 +sg225230 +S'Corsica, Calanche' +p244237 +sg225236 +S'1934' +p244238 +sa(dp244239 +g225232 +S'M.C. Escher' +p244240 +sg225240 +g27 +sg225234 +S'lithograph' +p244241 +sg225230 +S'Nonza, Corsica' +p244242 +sg225236 +S'1934' +p244243 +sa(dp244244 +g225230 +S'Still Life with Mirror' +p244245 +sg225232 +S'M.C. Escher' +p244246 +sg225234 +S'lithograph' +p244247 +sg225236 +S'1934' +p244248 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a00001c4.jpg' +p244249 +sg225240 +S"This is one of Escher's earliest prints to explore different levels of reality. The first observed reality is the mirror itself and the objects that surround it. The second is that of the street, which in turn becomes part of the room by its reflection in the mirror. Finally, the objects in front of the mirror, by their reflection, become part of the street scene. At the same time the print presents a physical impossibility: the mirror is tilted toward the ceiling yet reflects the view of the street from the window on the opposite wall.\n " +p244250 +sa(dp244251 +g225232 +S'M.C. Escher' +p244252 +sg225240 +g27 +sg225234 +S'lithograph' +p244253 +sg225230 +S'Houses in Positano' +p244254 +sg225236 +S'1934' +p244255 +sa(dp244256 +g225232 +S'M.C. Escher' +p244257 +sg225240 +g27 +sg225234 +S'wood engraving' +p244258 +sg225230 +S'Grasshopper' +p244259 +sg225236 +S'1935' +p244260 +sa(dp244261 +g225230 +S'Scarabs' +p244262 +sg225232 +S'M.C. Escher' +p244263 +sg225234 +S'wood engraving' +p244264 +sg225236 +S'1935' +p244265 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004b/a0004b4b.jpg' +p244266 +sg225240 +g27 +sa(dp244267 +g225232 +S'M.C. Escher' +p244268 +sg225240 +g27 +sg225234 +S'wood engraving' +p244269 +sg225230 +S'Dream' +p244270 +sg225236 +S'1935' +p244271 +sa(dp244272 +g225232 +S'M.C. Escher' +p244273 +sg225240 +g27 +sg225234 +S'woodcut in black, gray and gray-green, printed from three blocks' +p244274 +sg225230 +S'Senglea, Malta' +p244275 +sg225236 +S'1935' +p244276 +sa(dp244277 +g225232 +S'Kurt Kranz' +p244278 +sg225240 +g27 +sg225234 +S'watercolor over graphite' +p244279 +sg225230 +S'Stufengefuge' +p244280 +sg225236 +S'1973' +p244281 +sa(dp244282 +g225230 +S'Bay of New York, Sunset' +p244283 +sg225232 +S'Thomas Chambers' +p244284 +sg225234 +S'oil on canvas' +p244285 +sg225236 +S'mid 19th century' +p244286 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a00001ae.jpg' +p244287 +sg225240 +g27 +sa(dp244288 +g225230 +S'Threatening Sky, Bay of New York' +p244289 +sg225232 +S'Thomas Chambers' +p244290 +sg225234 +S'oil on canvas' +p244291 +sg225236 +S'mid 19th century' +p244292 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a00001af.jpg' +p244293 +sg225240 +g27 +sa(dp244294 +g225230 +S"Houses in Provence: The Riaux Valley near L'Estaque" +p244295 +sg225232 +S'Paul C\xc3\xa9zanne' +p244296 +sg225234 +S'oil on canvas' +p244297 +sg225236 +S'c. 1883' +p244298 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a00006b2.jpg' +p244299 +sg225240 +S"In the late 1870s and 1880s Cézanne tried to impose greater order in his paintings by systematizing his brushwork. Here, almost every part of nature is defined by the same close parallel strokes. This landscape is more fully finished than several others in the Gallery's collection. In \n Many of the places Cézanne painted have been identified, including this spot near L'Estaque. By comparing his pictures with the actual locations, it becomes clear that he often moved his easel, juxtaposing different points of view as he worked over successive days.\n " +p244300 +sa(dp244301 +g225230 +S'Te Pape Nave Nave (Delectable Waters)' +p244302 +sg225232 +S'Paul Gauguin' +p244303 +sg225234 +S'oil on canvas' +p244304 +sg225236 +S'1898' +p244305 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a0000640.jpg' +p244306 +sg225240 +S"In 1898, Gauguin sent a group of works from Tahiti for exhibition in Paris. The centerpiece was a painting more than twelve-feet long on hemp sacking material with the French inscription, "Where do we come from? What are we? Where are we going?" (Museum of Fine Arts, Boston). Intended to be seen with it were eight smaller works based on motifs excerpted from \n One figure that recurs from the larger work is the blue goddess. She is the deity Hina, prominent in an ancient Polynesian creation myth, whom Gauguin represented in sculpture and painting repeatedly. Gauguin's interpretation of her appearance is based upon a variety of sources from Hindu and South Asian art and culture. Gauguin described Hina as an emblem of the "hereafter," alluding to both the cycles of life represented in the work (by the infant and old woman) and his stated intention that the grouping of work would be his final artistic statement. Experiencing numerous maladies, financial problems, and depression, he intended to commit suicide when the work was finished (he died several years later at age 54 from a variety of diseases he \r\nhad contracted). Despite these seemingly explicit biographical interpretations, this painting and related canvases, like much of Gauguin's work, retain a sense of mystery. "Known symbols would congeal the canvas into a melancholy reality," he wrote, "and the problem indicated would no longer be a poem."\n " +p244307 +sa(dp244308 +g225230 +S'Murnau' +p244309 +sg225232 +S'Alexej von Jawlensky' +p244310 +sg225234 +S'oil on hardboard' +p244311 +sg225236 +S'1910' +p244312 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000ed2.jpg' +p244313 +sg225240 +g27 +sa(dp244314 +g225230 +S'Volendam Street Scene' +p244315 +sg225232 +S'Robert Henri' +p244316 +sg225234 +S'oil on canvas' +p244317 +sg225236 +S'1910' +p244318 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a00000f2.jpg' +p244319 +sg225240 +g27 +sa(dp244320 +g225232 +S'Jacques Lipchitz' +p244321 +sg225240 +g27 +sg225234 +S'oil on canvas' +p244322 +sg225230 +S'Still Life' +p244323 +sg225236 +S'1918' +p244324 +sa(dp244325 +g225230 +S'Transfluent Lines' +p244326 +sg225232 +S'I. Rice Pereira' +p244327 +sg225234 +S'mixed media on corrugated glass and cardboard' +p244328 +sg225236 +S'1946' +p244329 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a00001ab.jpg' +p244330 +sg225240 +g27 +sa(dp244331 +g225232 +S'Jacques Lipchitz' +p244332 +sg225240 +g27 +sg225234 +S'brush and black ink with colored chalks' +p244333 +sg225230 +S'Pierrot' +p244334 +sg225236 +S'1916' +p244335 +sa(dp244336 +g225232 +S'Henry Moore' +p244337 +sg225240 +g27 +sg225234 +S'colored silkscreen on linen damask' +p244338 +sg225230 +S'Standing Figures' +p244339 +sg225236 +S'unknown date\n' +p244340 +sa(dp244341 +g225230 +S'Green Mass' +p244342 +sg225232 +S'I. Rice Pereira' +p244343 +sg225234 +S'oil on canvas' +p244344 +sg225236 +S'1950' +p244345 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a00001b3.jpg' +p244346 +sg225240 +g27 +sa(dp244347 +g225230 +S'Zenith' +p244348 +sg225232 +S'I. Rice Pereira' +p244349 +sg225234 +S'oil on canvas' +p244350 +sg225236 +S'1953' +p244351 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a00001b4.jpg' +p244352 +sg225240 +g27 +sa(dp244353 +g225232 +S'Netherlandish 20th Century' +p244354 +sg225240 +g27 +sg225234 +S'overall: 43.5 x 34.7 cm (17 1/8 x 13 11/16 in.)' +p244355 +sg225230 +S'Untitled (The Logbook of the Ship "Henry David Thoreau")' +p244356 +sg225236 +S'\ncollage' +p244357 +sa(dp244358 +g225232 +S'Netherlandish 20th Century' +p244359 +sg225240 +g27 +sg225234 +S'overall: 17 x 25.2 cm (6 11/16 x 9 15/16 in.)' +p244360 +sg225230 +S'Untitled' +p244361 +sg225236 +S'\ncollage on envelope addressed to J. Carter Brown' +p244362 +sa(dp244363 +g225232 +S'Andy Warhol' +p244364 +sg225240 +g27 +sg225234 +S'color screenprint on calendered paper' +p244365 +sg225230 +S'Mao Tse-Tung' +p244366 +sg225236 +S'1972' +p244367 +sa(dp244368 +g225232 +S'Andy Warhol' +p244369 +sg225240 +g27 +sg225234 +S'color screenprint on calendered paper' +p244370 +sg225230 +S'Mao Tse-Tung' +p244371 +sg225236 +S'1972' +p244372 +sa(dp244373 +g225232 +S'Andy Warhol' +p244374 +sg225240 +g27 +sg225234 +S'color screenprint on calendered paper' +p244375 +sg225230 +S'Mao Tse-Tung' +p244376 +sg225236 +S'1972' +p244377 +sa(dp244378 +g225232 +S'Andy Warhol' +p244379 +sg225240 +g27 +sg225234 +S'color screenprint on calendered paper' +p244380 +sg225230 +S'Mao Tse-Tung' +p244381 +sg225236 +S'1972' +p244382 +sa(dp244383 +g225232 +S'Andy Warhol' +p244384 +sg225240 +g27 +sg225234 +S'color screenprint on calendered paper' +p244385 +sg225230 +S'Mao Tse-Tung' +p244386 +sg225236 +S'1972' +p244387 +sa(dp244388 +g225232 +S'Andy Warhol' +p244389 +sg225240 +g27 +sg225234 +S'color screenprint on calendered paper' +p244390 +sg225230 +S'Mao Tse-Tung' +p244391 +sg225236 +S'1972' +p244392 +sa(dp244393 +g225232 +S'Andy Warhol' +p244394 +sg225240 +g27 +sg225234 +S'color screenprint on calendered paper' +p244395 +sg225230 +S'Mao Tse-Tung' +p244396 +sg225236 +S'1972' +p244397 +sa(dp244398 +g225232 +S'Andy Warhol' +p244399 +sg225240 +g27 +sg225234 +S'color screenprint on calendered paper' +p244400 +sg225230 +S'Mao Tse-Tung' +p244401 +sg225236 +S'1972' +p244402 +sa(dp244403 +g225232 +S'Andy Warhol' +p244404 +sg225240 +g27 +sg225234 +S'color screenprint on calendered paper' +p244405 +sg225230 +S'Mao Tse-Tung' +p244406 +sg225236 +S'1972' +p244407 +sa(dp244408 +g225232 +S'Andy Warhol' +p244409 +sg225240 +g27 +sg225234 +S'color screenprint on calendered paper' +p244410 +sg225230 +S'Mao Tse-Tung' +p244411 +sg225236 +S'1972' +p244412 +sa(dp244413 +g225230 +S'Heroic Landscape' +p244414 +sg225232 +S'Paul Bril' +p244415 +sg225234 +S'pen and brown ink' +p244416 +sg225236 +S'unknown date\n' +p244417 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00065/a0006585.jpg' +p244418 +sg225240 +g27 +sa(dp244419 +g225230 +S'Ornamental Sketches with Grotesque Masks' +p244420 +sg225232 +S'Pierre Puget' +p244421 +sg225234 +S'black chalk on laid paper' +p244422 +sg225236 +S'unknown date\n' +p244423 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00072/a00072e5.jpg' +p244424 +sg225240 +g27 +sa(dp244425 +g225230 +S'The Life of Ignatius Loyola' +p244426 +sg225232 +S'Egid Quirin Asam' +p244427 +sg225234 +S'brush and gray wash with watercolor over graphite, heightened with white, on laid paper' +p244428 +sg225236 +S'1748/1749' +p244429 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00030/a000302f.jpg' +p244430 +sg225240 +g27 +sa(dp244431 +g225230 +S'Death of the Virgin' +p244432 +sg225232 +S'Johann Matthias Kager' +p244433 +sg225234 +S'pen and black ink with gray wash, squared in black chalk, on laid paper' +p244434 +sg225236 +S'1620s' +p244435 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000bd/a000bddb.jpg' +p244436 +sg225240 +g27 +sa(dp244437 +g225230 +S'Three Soldiers Discovering a Sleeping Woman' +p244438 +sg225232 +S'Nicolas-Raymond de La Fage' +p244439 +sg225234 +S'pen and brown and black ink with touches of red chalk, heightened with white, on two sheets of laid paper' +p244440 +sg225236 +S'unknown date\n' +p244441 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00071/a000715f.jpg' +p244442 +sg225240 +g27 +sa(dp244443 +g225232 +S'Artist Information (' +p244444 +sg225240 +g27 +sg225234 +S'Dutch, 1726 - 1798' +p244445 +sg225230 +S"Collection d'Imitations de Dessins ... (volume I)" +p244446 +sg225236 +S'(artist)' +p244447 +sa(dp244448 +g225232 +S'Artist Information (' +p244449 +sg225240 +g27 +sg225234 +S'(artist)' +p244450 +sg225230 +S"Collection d'Imitations de Dessins ... (volume II)" +p244451 +sg225236 +S'\n' +p244452 +sa(dp244453 +g225230 +S"Corner of a Wood (Coin d'un bois)" +p244454 +sg225232 +S'Alphonse Legros' +p244455 +sg225234 +S'etching' +p244456 +sg225236 +S'unknown date\n' +p244457 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009b84.jpg' +p244458 +sg225240 +g27 +sa(dp244459 +g225232 +S'Artist Information (' +p244460 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Hercules Slaying Lichas' +p244461 +sg225236 +S'(sculptor)' +p244462 +sa(dp244463 +g225230 +S'Three Figures Seated in a Meadow, Seen from the Back' +p244464 +sg225232 +S'Artist Information (' +p244465 +sg225234 +g27 +sg225236 +S'(artist)' +p244466 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00072/a0007279.jpg' +p244467 +sg225240 +g27 +sa(dp244468 +g225232 +S'Philip Kappel' +p244469 +sg225240 +g27 +sg225234 +S'etching' +p244470 +sg225230 +S'Coastal Scene with Palm Trees and Standing Woman' +p244471 +sg225236 +S'unknown date\n' +p244472 +sa(dp244473 +g225230 +S'A Fresh Breeze from the Sea' +p244474 +sg225232 +S'Walter Satterlee' +p244475 +sg225234 +S'etching' +p244476 +sg225236 +S'1885' +p244477 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f2/a000f2ba.jpg' +p244478 +sg225240 +g27 +sa(dp244479 +g225230 +S'Rough Sport in the Yosemite' +p244480 +sg225232 +S'James David Smillie' +p244481 +sg225234 +S'etching' +p244482 +sg225236 +S'1886' +p244483 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f2/a000f2b9.jpg' +p244484 +sg225240 +g27 +sa(dp244485 +g225232 +S'B. Sziklay' +p244486 +sg225240 +g27 +sg225234 +S'etching' +p244487 +sg225230 +S'Street Scene with Arch' +p244488 +sg225236 +S'unknown date\n' +p244489 +sa(dp244490 +g225232 +S'Raoul Middleman' +p244491 +sg225240 +g27 +sg225234 +S'lithograph' +p244492 +sg225230 +S'Frontispiece' +p244493 +sg225236 +S'1969' +p244494 +sa(dp244495 +g225232 +S'Raoul Middleman' +p244496 +sg225240 +g27 +sg225234 +S'portfolio with 12 lithographs plus text and colophon' +p244497 +sg225230 +S'The Apocryphal Oracular Yeah-Sayings of Mae West' +p244498 +sg225236 +S'published 1969' +p244499 +sa(dp244500 +g225232 +S'Raoul Middleman' +p244501 +sg225240 +g27 +sg225234 +S'lithograph' +p244502 +sg225230 +S"It's the Only Show in Town" +p244503 +sg225236 +S'1969' +p244504 +sa(dp244505 +g225232 +S'Raoul Middleman' +p244506 +sg225240 +g27 +sg225234 +S'lithograph' +p244507 +sg225230 +S"I've Got the Posse, Sheriff ..." +p244508 +sg225236 +S'1969' +p244509 +sa(dp244510 +g225232 +S'Raoul Middleman' +p244511 +sg225240 +g27 +sg225234 +S'lithograph' +p244512 +sg225230 +S"Use What's Lyin' Around the House, Daddy" +p244513 +sg225236 +S'1969' +p244514 +sa(dp244515 +g225232 +S'Raoul Middleman' +p244516 +sg225240 +g27 +sg225234 +S'lithograph' +p244517 +sg225230 +S'My Real Name is Terra-Belle Incognita' +p244518 +sg225236 +S'1969' +p244519 +sa(dp244520 +g225232 +S'Raoul Middleman' +p244521 +sg225240 +g27 +sg225234 +S'lithograph' +p244522 +sg225230 +S"Honey, You Ain't Seen Nuthin' Yet!" +p244523 +sg225236 +S'1969' +p244524 +sa(dp244525 +g225232 +S'Raoul Middleman' +p244526 +sg225240 +g27 +sg225234 +S'lithograph' +p244527 +sg225230 +S'A Hard Man is Good to Find' +p244528 +sg225236 +S'1969' +p244529 +sa(dp244530 +g225232 +S'Raoul Middleman' +p244531 +sg225240 +g27 +sg225234 +S'lithograph' +p244532 +sg225230 +S"If Your Cock's as Big as Your Mouth, Honey ..." +p244533 +sg225236 +S'1969' +p244534 +sa(dp244535 +g225232 +S'Raoul Middleman' +p244536 +sg225240 +g27 +sg225234 +S'lithograph' +p244537 +sg225230 +S"Linger-Fickin' Beats Chicken-Plucking ..." +p244538 +sg225236 +S'1969' +p244539 +sa(dp244540 +g225232 +S'Raoul Middleman' +p244541 +sg225240 +g27 +sg225234 +S'lithograph' +p244542 +sg225230 +S'An Ounce of Erection is Worth a Pound of Allure' +p244543 +sg225236 +S'1969' +p244544 +sa(dp244545 +g225232 +S'Raoul Middleman' +p244546 +sg225240 +g27 +sg225234 +S'lithograph' +p244547 +sg225230 +S"Chicken Ain't Nuthin' But a Bird! ..." +p244548 +sg225236 +S'1969' +p244549 +sa(dp244550 +g225232 +S'Raoul Middleman' +p244551 +sg225240 +g27 +sg225234 +S'lithograph' +p244552 +sg225230 +S'Is That a Gun in Your Pocket ...' +p244553 +sg225236 +S'1969' +p244554 +sa(dp244555 +g225232 +S'American 20th Century' +p244556 +sg225240 +g27 +sg225234 +S'overall: 28.8 x 39.5 cm (11 5/16 x 15 9/16 in.)' +p244557 +sg225230 +S'View of the Skyline of New York from Central Park' +p244558 +sg225236 +S'\nwatercolor' +p244559 +sa(dp244560 +g225232 +S'Marguerite Zorach' +p244561 +sg225240 +g27 +sg225234 +S'oil on canvas' +p244562 +sg225230 +S'Christmas Mail' +p244563 +sg225236 +S'completed 1930, inscribed 1936' +p244564 +sa(dp244565 +g225230 +S'Washington, D.C. November 1963 III' +p244566 +sg225232 +S'Edward Corbett' +p244567 +sg225234 +S'oil on canvas' +p244568 +sg225236 +S'1963' +p244569 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a0000069.jpg' +p244570 +sg225240 +g27 +sa(dp244571 +g225232 +S'Milton Resnick' +p244572 +sg225240 +g27 +sg225234 +S'oil on canvas' +p244573 +sg225230 +S'Mound' +p244574 +sg225236 +S'1961' +p244575 +sa(dp244576 +g225232 +S'Gene Davis' +p244577 +sg225240 +g27 +sg225234 +S'oil on canvas' +p244578 +sg225230 +S"Satan's Flag" +p244579 +sg225236 +S'1970' +p244580 +sa(dp244581 +g225232 +S'Artist Information (' +p244582 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Engraved Clock Dial - Ornaments and Birds [recto]' +p244583 +sg225236 +S'(artist)' +p244584 +sa(dp244585 +g225232 +S'Artist Information (' +p244586 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Engraved Clock Dial - The Holy Family [verso]' +p244587 +sg225236 +S'(artist)' +p244588 +sa(dp244589 +g225232 +S'Artist Information (' +p244590 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'The Holy Family' +p244591 +sg225236 +S'(artist)' +p244592 +sa(dp244593 +g225232 +S'Gardner Cox' +p244594 +sg225240 +g27 +sg225234 +S'portfolio with 36 graphite drawings on various papers (34 drawings of LJR: 31 loose, 3 in sketch pad; 2 drawings of women: 1 loose, 1 in sketch pad)' +p244595 +sg225230 +S'Pencil Sketches of Lessing J. Rosenwald' +p244596 +sg225236 +S'1955' +p244597 +sa(dp244598 +g225232 +S'Giovanni Battista Foggini' +p244599 +sg225240 +g27 +sg225234 +S'bronze' +p244600 +sg225230 +S'Bacchus and Ariadne' +p244601 +sg225236 +S'1711/1724' +p244602 +sa(dp244603 +g225232 +S'Giuseppe Piamontini' +p244604 +sg225240 +g27 +sg225234 +S'bronze' +p244605 +sg225230 +S'Venus and Cupid' +p244606 +sg225236 +S'1711/1724' +p244607 +sa(dp244608 +g225230 +S'The Old Violin' +p244609 +sg225232 +S'John Frederick Peto' +p244610 +sg225234 +S'oil on canvas' +p244611 +sg225236 +S'c. 1890' +p244612 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a00001b5.jpg' +p244613 +sg225240 +g27 +sa(dp244614 +g225230 +S'Figure of an Archer [recto]' +p244615 +sg225232 +S'Artist Information (' +p244616 +sg225234 +S'Italian, c. 1450 - 1523' +p244617 +sg225236 +S'(related artist)' +p244618 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00075/a000750e.jpg' +p244619 +sg225240 +g27 +sa(dp244620 +g225230 +S'Rider and Standing Draped Man, after the Antique [verso]' +p244621 +sg225232 +S'Artist Information (' +p244622 +sg225234 +S'Italian, c. 1450 - 1523' +p244623 +sg225236 +S'(related artist)' +p244624 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00075/a000750f.jpg' +p244625 +sg225240 +g27 +sa(dp244626 +g225230 +S'Studies for Six Figures (sheet from a model book) [recto]' +p244627 +sg225232 +S'German 15th Century' +p244628 +sg225234 +S'overall: 14.7 x 19.2 cm (5 13/16 x 7 9/16 in.)' +p244629 +sg225236 +S'\npen and black and brown ink with gray wash heightened with white on brown-gray prepared paper' +p244630 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00079/a0007913.jpg' +p244631 +sg225240 +g27 +sa(dp244632 +g225232 +S'German 15th Century' +p244633 +sg225240 +g27 +sg225234 +S'overall: 14.7 x 19.2 cm (5 13/16 x 7 9/16 in.)' +p244634 +sg225230 +S'God the Father (sheet from a model book) [verso]' +p244635 +sg225236 +S'\npen and black and brown ink with gray wash heightened with white on brown-gray prepared paper' +p244636 +sa(dp244637 +g225230 +S'Forum Vulcani: The Hot Springs at Pozzuoli' +p244638 +sg225232 +S'Joris Hoefnagel' +p244639 +sg225234 +S'pen and brown ink with traces of black chalk' +p244640 +sg225236 +S'c. 1577/1578' +p244641 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006e22.jpg' +p244642 +sg225240 +g27 +sa(dp244643 +g225230 +S'Sportsmann' +p244644 +sg225232 +S'George Grosz' +p244645 +sg225234 +S'pen and black ink and watercolor' +p244646 +sg225236 +S'1922' +p244647 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00029/a000295c.jpg' +p244648 +sg225240 +g27 +sa(dp244649 +g225230 +S'Drunken Silenus' +p244650 +sg225232 +S'Jusepe de Ribera' +p244651 +sg225234 +S'etching and engraving' +p244652 +sg225236 +S'1628' +p244653 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00067/a00067cb.jpg' +p244654 +sg225240 +g27 +sa(dp244655 +g225230 +S'Two Peasants' +p244656 +sg225232 +S'Artist Information (' +p244657 +sg225234 +S'Italian, c. 1431 - 1506' +p244658 +sg225236 +S'(related artist)' +p244659 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6cc.jpg' +p244660 +sg225240 +g27 +sa(dp244661 +g225230 +S'The Adoration of the Magi' +p244662 +sg225232 +S'Domenico Campagnola' +p244663 +sg225234 +S'woodcut' +p244664 +sg225236 +S'unknown date\n' +p244665 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00059/a000599c.jpg' +p244666 +sg225240 +g27 +sa(dp244667 +g225230 +S'In the Fields at Ennery (Dans les champs, a Ennery)' +p244668 +sg225232 +S'Camille Pissarro' +p244669 +sg225234 +S'drypoint (zinc) [posthumous impression]' +p244670 +sg225236 +S'1875' +p244671 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009db4.jpg' +p244672 +sg225240 +g27 +sa(dp244673 +g225230 +S'Market at Pontoise (Marche a Pontoise)' +p244674 +sg225232 +S'Camille Pissarro' +p244675 +sg225234 +S'lithograph (zinc)' +p244676 +sg225236 +S'c. 1895' +p244677 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009db9.jpg' +p244678 +sg225240 +g27 +sa(dp244679 +g225230 +S'Beggar with a Crutch (Mendiant a la bequille)' +p244680 +sg225232 +S'Camille Pissarro' +p244681 +sg225234 +S'lithograph on blue-violet paper laid down on whitepaper' +p244682 +sg225236 +S'1897' +p244683 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009db7.jpg' +p244684 +sg225240 +g27 +sa(dp244685 +g225230 +S'View of Pontoise (Vue de Pontoise)' +p244686 +sg225232 +S'Camille Pissarro' +p244687 +sg225234 +S'etching and aquatint' +p244688 +sg225236 +S'1885' +p244689 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009db1.jpg' +p244690 +sg225240 +g27 +sa(dp244691 +g225232 +S'M.C. Escher' +p244692 +sg225240 +g27 +sg225234 +S'lithograph' +p244693 +sg225230 +S'"Hell", copy after Hieronymus Bosch' +p244694 +sg225236 +S'1935' +p244695 +sa(dp244696 +g225230 +S'Prickly Flower' +p244697 +sg225232 +S'M.C. Escher' +p244698 +sg225234 +S'wood engraving' +p244699 +sg225236 +S'1936' +p244700 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004b/a0004b4d.jpg' +p244701 +sg225240 +g27 +sa(dp244702 +g225230 +S'Dragonfly' +p244703 +sg225232 +S'M.C. Escher' +p244704 +sg225234 +S'wood engraving' +p244705 +sg225236 +S'1936' +p244706 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004b/a0004b4e.jpg' +p244707 +sg225240 +g27 +sa(dp244708 +g225232 +S'M.C. Escher' +p244709 +sg225240 +g27 +sg225234 +S'wood engraving' +p244710 +sg225230 +S"Between St. Peter's and the Sistine Chapel" +p244711 +sg225236 +S'1936' +p244712 +sa(dp244713 +g225230 +S'Still Life and Street' +p244714 +sg225232 +S'M.C. Escher' +p244715 +sg225234 +S'woodcut' +p244716 +sg225236 +S'1937' +p244717 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004b/a0004ba2.jpg' +p244718 +sg225240 +S"This is one of Escher's earliest prints of an impossible construction. Escher has joined in a single perspective a table covered with books and objects and a view of the street below. \n " +p244719 +sa(dp244720 +g225230 +S'Metamorphosis I' +p244721 +sg225232 +S'M.C. Escher' +p244722 +sg225234 +S'woodcut, printed on two sheets' +p244723 +sg225236 +S'1937' +p244724 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004b/a0004ba3.jpg' +p244725 +sg225240 +S"Here, the artist's first metamorphosis connects a tower on the Amalfi coast with a Chinese doll. Escher's largest print on this theme, \n " +p244726 +sa(dp244727 +g225230 +S'Development I' +p244728 +sg225232 +S'M.C. Escher' +p244729 +sg225234 +S'woodcut' +p244730 +sg225236 +S'1937' +p244731 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a00002b2.jpg' +p244732 +sg225240 +S'This is one of Escher\'s earliest prints to demonstrate his theory of the "regular division of the plane," which he described as follows: "A plane, which should be considered limitless on all sides, can be filled with or divided into similar geometric figures that border each other on all sides without leaving any empty spaces. This can be carried on to infinity according to a limited number of systems." \n ' +p244733 +sa(dp244734 +g225230 +S'Day and Night' +p244735 +sg225232 +S'M.C. Escher' +p244736 +sg225234 +S'woodcut in black and gray, printed from two blocks' +p244737 +sg225236 +S'1938' +p244738 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00015/a0001558.jpg' +p244739 +sg225240 +S"This print is one of Escher's first to show the influence of Moorish tile work, with its abstract, positive-negative geometric shapes. With day and night landscapes as mirror images, the white birds merge with a daylight sky at left, while at right the black birds blend to create a night sky.\n " +p244740 +sa(dp244741 +g225232 +S'M.C. Escher' +p244742 +sg225240 +g27 +sg225234 +S'lithograph' +p244743 +sg225230 +S'Cycle' +p244744 +sg225236 +S'1938' +p244745 +sa(dp244746 +g225230 +S'Sky and Water I' +p244747 +sg225232 +S'M.C. Escher' +p244748 +sg225234 +S'woodcut' +p244749 +sg225236 +S'1938' +p244750 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00038/a0003803.jpg' +p244751 +sg225240 +g27 +sa(dp244752 +g225232 +S'M.C. Escher' +p244753 +sg225240 +g27 +sg225234 +S'woodcut' +p244754 +sg225230 +S'Sky and Water II' +p244755 +sg225236 +S'1938' +p244756 +sa(dp244757 +g225232 +S'M.C. Escher' +p244758 +sg225240 +g27 +sg225234 +S'woodcut in brown, gray-green and black, printed from three blocks' +p244759 +sg225230 +S'Development II' +p244760 +sg225236 +S'1939' +p244761 +sa(dp244762 +g225232 +S'M.C. Escher' +p244763 +sg225240 +g27 +sg225234 +S'woodcut in three tones of gray-green, printed from three blocks' +p244764 +sg225230 +S'Fish' +p244765 +sg225236 +S'1941' +p244766 +sa(dp244767 +g225232 +S'M.C. Escher' +p244768 +sg225240 +g27 +sg225234 +S'lithograph' +p244769 +sg225230 +S'Verbum' +p244770 +sg225236 +S'1942' +p244771 +sa(dp244772 +g225232 +S'M.C. Escher' +p244773 +sg225240 +g27 +sg225234 +S'lithograph' +p244774 +sg225230 +S'Reptiles' +p244775 +sg225236 +S'1943' +p244776 +sa(dp244777 +g225230 +S'Ant' +p244778 +sg225232 +S'M.C. Escher' +p244779 +sg225234 +S'lithograph' +p244780 +sg225236 +S'1943' +p244781 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004b/a0004b4c.jpg' +p244782 +sg225240 +g27 +sa(dp244783 +g225232 +S'M.C. Escher' +p244784 +sg225240 +g27 +sg225234 +S'lithograph' +p244785 +sg225230 +S'Encounter' +p244786 +sg225236 +S'1944' +p244787 +sa(dp244788 +g225232 +S'M.C. Escher' +p244789 +sg225240 +g27 +sg225234 +S'woodcut in brown and ochre, printed from two blocks' +p244790 +sg225230 +S'Design for writing-paper for Chinese script' +p244791 +sg225236 +S'1944' +p244792 +sa(dp244793 +g225230 +S'Balcony' +p244794 +sg225232 +S'M.C. Escher' +p244795 +sg225234 +S'lithograph' +p244796 +sg225236 +S'1945' +p244797 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a00002ae.jpg' +p244798 +sg225240 +S'Escher wrote that this print "gives the illusion of a town, of house blocks with the sun shining on them. But again it\'s a fiction, for my paper remains flat. In a spirit of deriding my vain efforts and trying to break up the paper\'s flatness, I pretend to give it a blow with my fist at the back, but once again it\'s no good: the paper remains flat, and I have only created the illusion of an illusion. However, the consequence of my blow is that the balcony in the middle is about four times enlarged in comparison with the bordering objects." \n ' +p244799 +sa(dp244800 +g225232 +S'M.C. Escher' +p244801 +sg225240 +g27 +sg225234 +S'woodcut' +p244802 +sg225230 +S'Diploma Tijdelijke Academie, Eindhoven' +p244803 +sg225236 +S'1945' +p244804 +sa(dp244805 +g225232 +S'M.C. Escher' +p244806 +sg225240 +g27 +sg225234 +S'lithograph' +p244807 +sg225230 +S'Magic Mirror' +p244808 +sg225236 +S'1946' +p244809 +sa(dp244810 +g225230 +S'Three Spheres II' +p244811 +sg225232 +S'M.C. Escher' +p244812 +sg225234 +S'lithograph' +p244813 +sg225236 +S'1946' +p244814 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a00002af.jpg' +p244815 +sg225240 +S'Escher was particularly intrigued by reflections and by the concept of a sphere acting as a mirror. Here, the central sphere that reflects Escher at work is flanked by one, at left, filled with water, and at right, by another opaque sphere. All three spheres are reflected in the polished surface on which they rest. The spheres at right and left are reflected in the center sphere. Finally, the entire composition is seen as the drawing on the paper reflected in the central sphere.\n ' +p244816 +sa(dp244817 +g225232 +S'M.C. Escher' +p244818 +sg225240 +g27 +sg225234 +S'woodcut in orange, black and gray-green, printed from three blocks' +p244819 +sg225230 +S'Horseman' +p244820 +sg225236 +S'1946' +p244821 +sa(dp244822 +g225230 +S'Gallery' +p244823 +sg225232 +S'M.C. Escher' +p244824 +sg225234 +S'mezzotint' +p244825 +sg225236 +S'1946' +p244826 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004b/a0004ba1.jpg' +p244827 +sg225240 +S'This print is a variation on \n ' +p244828 +sa(dp244829 +g225232 +S'M.C. Escher' +p244830 +sg225240 +g27 +sg225234 +S'woodcut on thin white China paper' +p244831 +sg225230 +S'Illustration for "XIIme Congres Postal Universel"' +p244832 +sg225236 +S'1947' +p244833 +sa(dp244834 +g225230 +S'Other World (Another World)' +p244835 +sg225232 +S'M.C. Escher' +p244836 +sg225234 +S'wood engraving and woodcut in black, medium brown, and green, printed from three blocks' +p244837 +sg225236 +S'1947' +p244838 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00015/a0001556.jpg' +p244839 +sg225240 +S"Escher constructed a five-sided chamber in which all sides are interchangeable. This is his first print to focus primarily on his idea of relativity, how one object is seen in relation to another. The Islamic figurine of a harpy, a mythical creature with a bird's body and a human head, was a gift from Escher's father-in-law and appears in several of his prints. \n The difference between a wood engraving, shown here, and a woodcut is that the wood used in a wood engraving is cut across the grain and not along it. In this way the wood is less likely to splinter and can be worked like a copper plate with a burin. Wood engraving allows for greater detail and more delicate effects.\n " +p244840 +sa(dp244841 +g225232 +S'M.C. Escher' +p244842 +sg225240 +g27 +sg225234 +S'mezzotint' +p244843 +sg225230 +S'Crystal' +p244844 +sg225236 +S'1947' +p244845 +sa(dp244846 +g225230 +S'Drawing Hands' +p244847 +sg225232 +S'M.C. Escher' +p244848 +sg225234 +S'lithograph' +p244849 +sg225236 +S'1948' +p244850 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00022/a0002238.jpg' +p244851 +sg225240 +S'Escher frequently employed a visual game in which he transformed a flat pattern into a three-dimensional object. The artist used his own right hand as the model for both hands depicted in the print.\n ' +p244852 +sa(dp244853 +g225232 +S'M.C. Escher' +p244854 +sg225240 +g27 +sg225234 +S'mezzotint on white laid paper' +p244855 +sg225230 +S'Drop' +p244856 +sg225236 +S'1948' +p244857 +sa(dp244858 +g225230 +S'Sun and Moon' +p244859 +sg225232 +S'M.C. Escher' +p244860 +sg225234 +S'woodcut in green, red, gold and black, printed from four blockss' +p244861 +sg225236 +S'1948' +p244862 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00038/a0003804.jpg' +p244863 +sg225240 +g27 +sa(dp244864 +g225232 +S'M.C. Escher' +p244865 +sg225240 +g27 +sg225234 +S'wood engraving' +p244866 +sg225230 +S'Stars' +p244867 +sg225236 +S'1948' +p244868 +sa(dp244869 +g225232 +S'M.C. Escher' +p244870 +sg225240 +g27 +sg225234 +S'mezzotint' +p244871 +sg225230 +S'Sea-shells' +p244872 +sg225236 +S'1949' +p244873 +sa(dp244874 +g225230 +S'Rippled Surface' +p244875 +sg225232 +S'M.C. Escher' +p244876 +sg225234 +S'linoleum cut in black and gray-brown, printed fro m two blocks' +p244877 +sg225236 +S'1950' +p244878 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a00002b0.jpg' +p244879 +sg225240 +g27 +sa(dp244880 +g225232 +S'M.C. Escher' +p244881 +sg225240 +g27 +sg225234 +S'wood engraving' +p244882 +sg225230 +S'Butterflies' +p244883 +sg225236 +S'1950' +p244884 +sa(dp244885 +g225232 +S'M.C. Escher' +p244886 +sg225240 +g27 +sg225234 +S'lithograph' +p244887 +sg225230 +S'Predestination' +p244888 +sg225236 +S'1951' +p244889 +sa(dp244890 +g225232 +S'M.C. Escher' +p244891 +sg225240 +g27 +sg225234 +S'lithograph' +p244892 +sg225230 +S'House of Stairs' +p244893 +sg225236 +S'1951' +p244894 +sa(dp244895 +g225232 +S'M.C. Escher' +p244896 +sg225240 +g27 +sg225234 +S'wood engraving' +p244897 +sg225230 +S'Dragon' +p244898 +sg225236 +S'1952' +p244899 +sa(dp244900 +g225230 +S'Gravity' +p244901 +sg225232 +S'M.C. Escher' +p244902 +sg225234 +S'lithograph' +p244903 +sg225236 +S'1952' +p244904 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00034/a0003429.jpg' +p244905 +sg225240 +g27 +sa(dp244906 +g225232 +S'M.C. Escher' +p244907 +sg225240 +g27 +sg225234 +S'lithograph' +p244908 +sg225230 +S'Cubic Space Division (Cubic Space Filling)' +p244909 +sg225236 +S'1952' +p244910 +sa(dp244911 +g225232 +S'M.C. Escher' +p244912 +sg225240 +g27 +sg225234 +S'wood engraving on beige wove paper' +p244913 +sg225230 +S'Concentric Rinds' +p244914 +sg225236 +S'1953' +p244915 +sa(dp244916 +g225230 +S'Relativity' +p244917 +sg225232 +S'M.C. Escher' +p244918 +sg225234 +S'lithograph' +p244919 +sg225236 +S'1953' +p244920 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00015/a0001557.jpg' +p244921 +sg225240 +S"This is perhaps Escher's best-known print on the theme of relativity. It also is a fine example of Escher's focus on unusual, and often conflicting, points of view.\n " +p244922 +sa(dp244923 +g225230 +S'Spirals' +p244924 +sg225232 +S'M.C. Escher' +p244925 +sg225234 +S'wood engraving in black and gray-green, printed from two blocks' +p244926 +sg225236 +S'1953' +p244927 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a00002b1.jpg' +p244928 +sg225240 +g27 +sa(dp244929 +g225230 +S'Tetrahedral Planetoid' +p244930 +sg225232 +S'M.C. Escher' +p244931 +sg225234 +S'woodcut in yellow-brown and black, printed from two blocks' +p244932 +sg225236 +S'1954' +p244933 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00034/a000342a.jpg' +p244934 +sg225240 +g27 +sa(dp244935 +g225230 +S'Three Intersecting Planes' +p244936 +sg225232 +S'M.C. Escher' +p244937 +sg225234 +S'woodcut in orange and black, printed from two blocks' +p244938 +sg225236 +S'1954' +p244939 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004b/a0004b4f.jpg' +p244940 +sg225240 +g27 +sa(dp244941 +g225230 +S'Convex and Concave' +p244942 +sg225232 +S'M.C. Escher' +p244943 +sg225234 +S'lithograph' +p244944 +sg225236 +S'1955' +p244945 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004b/a0004b50.jpg' +p244946 +sg225240 +g27 +sa(dp244947 +g225232 +S'M.C. Escher' +p244948 +sg225240 +g27 +sg225234 +S'lithograph' +p244949 +sg225230 +S'Liberation' +p244950 +sg225236 +S'1955' +p244951 +sa(dp244952 +g225230 +S'Rind' +p244953 +sg225232 +S'M.C. Escher' +p244954 +sg225234 +S'wood engraving and woodcut in black, brown, red and gray-brown, printed from four blocks' +p244955 +sg225236 +S'1955' +p244956 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00038/a0003805.jpg' +p244957 +sg225240 +g27 +sa(dp244958 +g225230 +S'Three Worlds' +p244959 +sg225232 +S'M.C. Escher' +p244960 +sg225234 +S'lithograph' +p244961 +sg225236 +S'1955' +p244962 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00038/a0003806.jpg' +p244963 +sg225240 +g27 +sa(dp244964 +g225232 +S'M.C. Escher' +p244965 +sg225240 +g27 +sg225234 +S'lithograph' +p244966 +sg225230 +S'Order and Chaos' +p244967 +sg225236 +S'1955' +p244968 +sa(dp244969 +g225230 +S'Swans' +p244970 +sg225232 +S'M.C. Escher' +p244971 +sg225234 +S'wood engraving' +p244972 +sg225236 +S'1955' +p244973 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004b/a0004b51.jpg' +p244974 +sg225240 +g27 +sa(dp244975 +g225232 +S'M.C. Escher' +p244976 +sg225240 +g27 +sg225234 +S'lithograph' +p244977 +sg225230 +S'Bond of Union' +p244978 +sg225236 +S'1956' +p244979 +sa(dp244980 +g225232 +S'M.C. Escher' +p244981 +sg225240 +g27 +sg225234 +S'woodcut' +p244982 +sg225230 +S'Division' +p244983 +sg225236 +S'1956' +p244984 +sa(dp244985 +g225232 +S'M.C. 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+S'http://www.nga.gov:80/thumb-l/a000cf/a000cfe5.jpg' +p245369 +sg225240 +g27 +sa(dp245370 +g225230 +S'David Armed before Saul' +p245371 +sg225232 +S'Artist Information (' +p245372 +sg225234 +S'Netherlandish, 1498 - 1574' +p245373 +sg225236 +S'(artist after)' +p245374 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cf/a000cfe6.jpg' +p245375 +sg225240 +g27 +sa(dp245376 +g225230 +S'David Meeting Goliath' +p245377 +sg225232 +S'Artist Information (' +p245378 +sg225234 +S'Netherlandish, 1498 - 1574' +p245379 +sg225236 +S'(artist after)' +p245380 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cf/a000cfe7.jpg' +p245381 +sg225240 +g27 +sa(dp245382 +g225230 +S"David Cutting Off Goliath's Head" +p245383 +sg225232 +S'Artist Information (' +p245384 +sg225234 +S'Netherlandish, 1498 - 1574' +p245385 +sg225236 +S'(artist after)' +p245386 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cf/a000cfe8.jpg' +p245387 +sg225240 +g27 +sa(dp245388 +g225230 +S"David with Goliath's Head before Saul" +p245389 +sg225232 +S'Artist Information (' +p245390 +sg225234 +S'Netherlandish, 1498 - 1574' +p245391 +sg225236 +S'(artist after)' +p245392 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cf/a000cfe9.jpg' +p245393 +sg225240 +g27 +sa(dp245394 +g225230 +S'The Triumph of Saul and David' +p245395 +sg225232 +S'Artist Information (' +p245396 +sg225234 +S'Netherlandish, 1498 - 1574' +p245397 +sg225236 +S'(artist after)' +p245398 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cf/a000cfea.jpg' +p245399 +sg225240 +g27 +sa(dp245400 +g225230 +S'David before Saul' +p245401 +sg225232 +S'Artist Information (' +p245402 +sg225234 +S'Netherlandish, 1498 - 1574' +p245403 +sg225236 +S'(artist after)' +p245404 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cf/a000cfeb.jpg' +p245405 +sg225240 +g27 +sa(dp245406 +g225230 +S'Judah Giving Tamar the Pledge' +p245407 +sg225232 +S'Artist Information (' +p245408 +sg225234 +S'(artist after)' +p245409 +sg225236 +S'\n' +p245410 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d01f.jpg' +p245411 +sg225240 +g27 +sa(dp245412 +g225230 +S'Hirah the Adullamite with the Kid' +p245413 +sg225232 +S'Artist Information (' +p245414 +sg225234 +S'(artist after)' +p245415 +sg225236 +S'\n' +p245416 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d020.jpg' +p245417 +sg225240 +g27 +sa(dp245418 +g225230 +S'Tamar Brought to Execution' +p245419 +sg225232 +S'Artist Information (' +p245420 +sg225234 +S'(artist after)' +p245421 +sg225236 +S'\n' +p245422 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d021.jpg' +p245423 +sg225240 +g27 +sa(dp245424 +g225230 +S'Birth of Pharez and Zara' +p245425 +sg225232 +S'Artist Information (' +p245426 +sg225234 +S'(artist after)' +p245427 +sg225236 +S'\n' +p245428 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d022.jpg' +p245429 +sg225240 +g27 +sa(dp245430 +g225230 +S'The Sacrifice of Gideon' +p245431 +sg225232 +S'Ferdinand Bol' +p245432 +sg225234 +S'etching and drypoint' +p245433 +sg225236 +S'unknown date\n' +p245434 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f08c.jpg' +p245435 +sg225240 +g27 +sa(dp245436 +g225230 +S'Les filets' +p245437 +sg225232 +S'Jean-Baptiste Le Prince' +p245438 +sg225234 +S'aquatint and etching in brown' +p245439 +sg225236 +S'1771' +p245440 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008efb.jpg' +p245441 +sg225240 +g27 +sa(dp245442 +g225230 +S'Spring (Printemps)' +p245443 +sg225232 +S'James Jacques Joseph Tissot' +p245444 +sg225234 +S'etching and drypoint' +p245445 +sg225236 +S'1878' +p245446 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009baf.jpg' +p245447 +sg225240 +g27 +sa(dp245448 +g225230 +S"Summer Evening (Soiree d'ete)" +p245449 +sg225232 +S'James Jacques Joseph Tissot' +p245450 +sg225234 +S'etching and drypoint' +p245451 +sg225236 +S'1882' +p245452 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009ff1.jpg' +p245453 +sg225240 +g27 +sa(dp245454 +g225230 +S'Grazing Cow with Two Sheep' +p245455 +sg225232 +S'Adriaen van de Velde' +p245456 +sg225234 +S'etching' +p245457 +sg225236 +S'c. 1670' +p245458 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d45d.jpg' +p245459 +sg225240 +g27 +sa(dp245460 +g225230 +S'Saint Jerome in the Wilderness' +p245461 +sg225232 +S'Annibale Carracci' +p245462 +sg225234 +S'etching and engraving' +p245463 +sg225236 +S'c. 1591' +p245464 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c998.jpg' +p245465 +sg225240 +g27 +sa(dp245466 +g225230 +S'Coronation of the Virgin' +p245467 +sg225232 +S'Artist Information (' +p245468 +sg225234 +S'(artist after)' +p245469 +sg225236 +S'\n' +p245470 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d6/a000d616.jpg' +p245471 +sg225240 +g27 +sa(dp245472 +g225230 +S'Saint Matthias (?)' +p245473 +sg225232 +S'Lambert Suavius' +p245474 +sg225234 +S'engraving' +p245475 +sg225236 +S'unknown date\n' +p245476 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ceb7.jpg' +p245477 +sg225240 +g27 +sa(dp245478 +g225230 +S'Saint Bartholomew' +p245479 +sg225232 +S'Lambert Suavius' +p245480 +sg225234 +S'engraving' +p245481 +sg225236 +S'unknown date\n' +p245482 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ceb6.jpg' +p245483 +sg225240 +g27 +sa(dp245484 +g225230 +S'Baptism of the Eunuch' +p245485 +sg225232 +S'Louis Cheron' +p245486 +sg225234 +S'etching' +p245487 +sg225236 +S'unknown date\n' +p245488 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008a/a0008afc.jpg' +p245489 +sg225240 +g27 +sa(dp245490 +g225230 +S'The Holy Family with Angels' +p245491 +sg225232 +S'Carlo Maratta' +p245492 +sg225234 +S'etching' +p245493 +sg225236 +S'unknown date\n' +p245494 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9a1.jpg' +p245495 +sg225240 +g27 +sa(dp245496 +g225230 +S'Jan de Witt' +p245497 +sg225232 +S'Lambert Visscher' +p245498 +sg225234 +S'engraving' +p245499 +sg225236 +S'unknown date\n' +p245500 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d6/a000d630.jpg' +p245501 +sg225240 +g27 +sa(dp245502 +g225230 +S'Christ and the Samaritan Woman' +p245503 +sg225232 +S'Josse de Pape' +p245504 +sg225234 +S'etching' +p245505 +sg225236 +S'unknown date\n' +p245506 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d540.jpg' +p245507 +sg225240 +g27 +sa(dp245508 +g225232 +S'Josef Albers' +p245509 +sg225240 +g27 +sg225234 +S'pen and india ink on graph paper with green lines' +p245510 +sg225230 +S'Composition' +p245511 +sg225236 +S'1941' +p245512 +sa(dp245513 +g225230 +S'Mrs. Hedwig Berend' +p245514 +sg225232 +S'Lovis Corinth' +p245515 +sg225234 +S'black chalk on wove paper' +p245516 +sg225236 +S'1923' +p245517 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00020/a0002025.jpg' +p245518 +sg225240 +g27 +sa(dp245519 +g225232 +S'Roy Lichtenstein' +p245520 +sg225240 +g27 +sg225234 +S'screenprint' +p245521 +sg225230 +S'Flowers' +p245522 +sg225236 +S'1973' +p245523 +sa(dp245524 +g225232 +S'Roy Lichtenstein' +p245525 +sg225240 +g27 +sg225234 +S'screenprint' +p245526 +sg225230 +S'Flowers' +p245527 +sg225236 +S'1973' +p245528 +sa(dp245529 +g225230 +S'Study of a Young Man' +p245530 +sg225232 +S'John Singer Sargent' +p245531 +sg225234 +S'lithograph' +p245532 +sg225236 +S'unknown date\n' +p245533 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000b/a0000b85.jpg' +p245534 +sg225240 +g27 +sa(dp245535 +g225232 +S'Julian Stanczak' +p245536 +sg225240 +g27 +sg225234 +S'acrylic on canvas' +p245537 +sg225230 +S'Shimmer' +p245538 +sg225236 +S'1972' +p245539 +sa(dp245540 +g225230 +S'Blue Water' +p245541 +sg225232 +S'James Twitty' +p245542 +sg225234 +S'acrylic on canvas' +p245543 +sg225236 +S'1974' +p245544 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a0000281.jpg' +p245545 +sg225240 +g27 +sa(dp245546 +g225232 +S'Oskar Kokoschka' +p245547 +sg225240 +g27 +sg225234 +S'lithograph' +p245548 +sg225230 +S'Golda Meir, Prime Minister' +p245549 +sg225236 +S'1973' +p245550 +sa(dp245551 +g225232 +S'Oskar Kokoschka' +p245552 +sg225240 +g27 +sg225234 +S'portfolio with six lithographs' +p245553 +sg225230 +S'Jerusalem Faces' +p245554 +sg225236 +S'published 1973' +p245555 +sa(dp245556 +g225232 +S'Oskar Kokoschka' +p245557 +sg225240 +g27 +sg225234 +S'lithograph' +p245558 +sg225230 +S'Dr. Shimon Agranat' +p245559 +sg225236 +S'1973' +p245560 +sa(dp245561 +g225232 +S'Oskar Kokoschka' +p245562 +sg225240 +g27 +sg225234 +S'lithograph' +p245563 +sg225230 +S'His Beatitude Benedictos I, Greek Orthodox Patriarch of Jerusalem' +p245564 +sg225236 +S'1973' +p245565 +sa(dp245566 +g225232 +S'Oskar Kokoschka' +p245567 +sg225240 +g27 +sg225234 +S'lithograph' +p245568 +sg225230 +S'Moshe Dayan, Minister of Defense' +p245569 +sg225236 +S'1973' +p245570 +sa(dp245571 +g225232 +S'Oskar Kokoschka' +p245572 +sg225240 +g27 +sg225234 +S'lithograph' +p245573 +sg225230 +S'Sheik Mustafa Khalil el-Ansari, Chief Warden of the Mosque of Omar' +p245574 +sg225236 +S'1973' +p245575 +sa(dp245576 +g225232 +S'Oskar Kokoschka' +p245577 +sg225240 +g27 +sg225234 +S'lithograph' +p245578 +sg225230 +S'Teddy Kollek, Mayor of Jerusalem' +p245579 +sg225236 +S'1973' +p245580 +sa(dp245581 +g225230 +S'Nude Seated on a Bench with a Pillow (Woman Bathing Her Feet at a Brook)' +p245582 +sg225232 +S'Rembrandt van Rijn' +p245583 +sg225234 +S'etching on japan paper' +p245584 +sg225236 +S'1658' +p245585 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0001e/a0001e37.jpg' +p245586 +sg225240 +g27 +sa(dp245587 +g225230 +S'Seated Youth' +p245588 +sg225232 +S'Wilhelm Lehmbruck' +p245589 +sg225234 +S'composite tinted plaster' +p245590 +sg225236 +S'1917' +p245591 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00034/a0003412.jpg' +p245592 +sg225240 +S"Seated Youth\n We see a nude young man seated alone in a closed, self-contained, reflective, and melancholic pose. All nonessential elements have been eliminated, and we focus our attention solely on the expressive arrangement of the bowed head, the intertwined limbs, and the pockets of negative space that unite the form. This last aspect of the figure, its use of space, is especially powerful and reflects Lehmbruck's awareness of contemporary Parisian trends in sculpture. Anatomy is reduced, elongated, and abstracted. The formal language both underlies and reinforces the sculpture's expressive content. It is, in fact, the primary vehicle for conveying the grief, hopelessness, and despair that permeate the work.\n Seated Youth\n Seated Youth\n " +p245593 +sa(dp245594 +g225230 +S'The Adoration of the Magi' +p245595 +sg225232 +S'Master E.S.' +p245596 +sg225234 +S'engraving' +p245597 +sg225236 +S'unknown date\n' +p245598 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00017/a000178e.jpg' +p245599 +sg225240 +g27 +sa(dp245600 +g225230 +S'Landscape with Chateau on a Hill' +p245601 +sg225232 +S'Joos de Momper II' +p245602 +sg225234 +S'pen and brown ink with brown wash and watercolor, heightened with white, on laid paper' +p245603 +sg225236 +S'unknown date\n' +p245604 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006d97.jpg' +p245605 +sg225240 +g27 +sa(dp245606 +g225230 +S'The Repentant Magdalen' +p245607 +sg225232 +S'Georges de La Tour' +p245608 +sg225234 +S'oil on canvas' +p245609 +sg225236 +S'c. 1635/1640' +p245610 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d87.jpg' +p245611 +sg225240 +S"According to the tenets of the 17th–century Catholic church, Mary Magdalen was an example of the repentant sinner and consequently a symbol of the Sacrament of Penance. According to legend, Mary led a dissolute life until her sister Martha persuaded her to listen to Jesus Christ. She became one of Christ's most devoted followers and he absolved her of her former sins.\n In Georges de La Tour's somber canvas Mary is shown in profile seated at a table. A candle is the source of light in the composition, but the light also carries a spiritual meaning as it casts a golden glow on the saint's face and the objects assembled on the table. The candle light silhouettes Mary's left hand which rests on a skull that is placed on a book. The skull is reflected in a mirror. The skull and mirror are emblems of \n The simplification of forms, reduced palette, and attention to details evoke a haunting silence that is unique to La Tour's work. La Tour's intense naturalism rendered religious allegory accessible to every viewer. Although his work is deeply spiritual in tone, the solidity and massing of the forms reveal the same emphasis on clarity and symmetry that pervaded contemporary history painting and was a hallmark of French baroque art.\n " +p245612 +sa(dp245613 +g225230 +S'Pan Playing the Flute' +p245614 +sg225232 +S'Artist Information (' +p245615 +sg225234 +S'(artist after)' +p245616 +sg225236 +S'\n' +p245617 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d5fc.jpg' +p245618 +sg225240 +g27 +sa(dp245619 +g225230 +S"Chateau d'Argyle" +p245620 +sg225232 +S'Artist Information (' +p245621 +sg225234 +S'(artist after)' +p245622 +sg225236 +S'\n' +p245623 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007d/a0007d1b.jpg' +p245624 +sg225240 +g27 +sa(dp245625 +g225230 +S'The Wooden Bridge at Sulmona, near Tivoli' +p245626 +sg225232 +S'Jan Both' +p245627 +sg225234 +S'etching' +p245628 +sg225236 +S'unknown date\n' +p245629 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4e3.jpg' +p245630 +sg225240 +g27 +sa(dp245631 +g225230 +S'Henry Somerset, 1st Duke of Beaufort, K.G.' +p245632 +sg225232 +S'William Faithorne' +p245633 +sg225234 +S'engraving' +p245634 +sg225236 +S'unknown date\n' +p245635 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00076/a00076c4.jpg' +p245636 +sg225240 +g27 +sa(dp245637 +g225230 +S'The Triumph of Patience' +p245638 +sg225232 +S'Artist Information (' +p245639 +sg225234 +S'(artist after)' +p245640 +sg225236 +S'\n' +p245641 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cf/a000cf44.jpg' +p245642 +sg225240 +g27 +sa(dp245643 +g225230 +S'The Triumph of Isaac' +p245644 +sg225232 +S'Artist Information (' +p245645 +sg225234 +S'(artist after)' +p245646 +sg225236 +S'\n' +p245647 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cf/a000cf45.jpg' +p245648 +sg225240 +g27 +sa(dp245649 +g225230 +S'The Triumph of Joseph' +p245650 +sg225232 +S'Artist Information (' +p245651 +sg225234 +S'(artist after)' +p245652 +sg225236 +S'\n' +p245653 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cf/a000cf46.jpg' +p245654 +sg225240 +g27 +sa(dp245655 +g225230 +S'The Triumph of David' +p245656 +sg225232 +S'Artist Information (' +p245657 +sg225234 +S'(artist after)' +p245658 +sg225236 +S'\n' +p245659 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00061/a000612e.jpg' +p245660 +sg225240 +g27 +sa(dp245661 +g225230 +S'The Triumph of Job' +p245662 +sg225232 +S'Artist Information (' +p245663 +sg225234 +S'(artist after)' +p245664 +sg225236 +S'\n' +p245665 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cf/a000cf47.jpg' +p245666 +sg225240 +g27 +sa(dp245667 +g225230 +S'The Triumph of Tobias' +p245668 +sg225232 +S'Artist Information (' +p245669 +sg225234 +S'(artist after)' +p245670 +sg225236 +S'\n' +p245671 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cf/a000cf48.jpg' +p245672 +sg225240 +g27 +sa(dp245673 +g225230 +S'The Triumph of Saint Stephen' +p245674 +sg225232 +S'Artist Information (' +p245675 +sg225234 +S'(artist after)' +p245676 +sg225236 +S'\n' 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engraving, drypoint' +p246656 +sg225236 +S'published 1748/1749' +p246657 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cb8d.jpg' +p246658 +sg225240 +g27 +sa(dp246659 +g225230 +S'The Temptation of Christ' +p246660 +sg225232 +S'Dirk Jacobsz Vellert' +p246661 +sg225234 +S'engraving' +p246662 +sg225236 +S'1523' +p246663 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ce/a000cec4.jpg' +p246664 +sg225240 +g27 +sa(dp246665 +g225232 +S'Jacques Villon' +p246666 +sg225240 +g27 +sg225234 +S'color aquatint' +p246667 +sg225230 +S'The Lucky Negro (Le n\xc3\xa8gre en bonne fortune)' +p246668 +sg225236 +S'1899' +p246669 +sa(dp246670 +g225232 +S'Tancr\xc3\xa8de Abraham' +p246671 +sg225240 +g27 +sg225234 +S'etching' +p246672 +sg225230 +S'Etang de Fayelles (Bretagne)' +p246673 +sg225236 +S'1863' +p246674 +sa(dp246675 +g225232 +S'Societe des aquafortistes' +p246676 +sg225240 +g27 +sg225234 +S'Ailsa Mellon Bruce Fund' +p246677 +sg225230 +S'Eaux-fortes modernes originales et inedites' +p246678 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Kauffmann' +p248731 +sg225234 +S'etching' +p248732 +sg225236 +S'unknown date\n' +p248733 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ef/a000ef93.jpg' +p248734 +sg225240 +g27 +sa(dp248735 +g225230 +S'Frontispiece' +p248736 +sg225232 +S'S\xc3\xa9bastien Le Clerc I' +p248737 +sg225234 +S'etching' +p248738 +sg225236 +S'1673' +p248739 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00089/a0008955.jpg' +p248740 +sg225240 +g27 +sa(dp248741 +g225230 +S'Landscape with Horsemen and Bridge' +p248742 +sg225232 +S'S\xc3\xa9bastien Le Clerc I' +p248743 +sg225234 +S'etching' +p248744 +sg225236 +S'1673' +p248745 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00089/a0008956.jpg' +p248746 +sg225240 +g27 +sa(dp248747 +g225230 +S'Landscape with Church and Town in Distance' +p248748 +sg225232 +S'S\xc3\xa9bastien Le Clerc I' +p248749 +sg225234 +S'etching' +p248750 +sg225236 +S'1673' +p248751 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00089/a000894e.jpg' +p248752 +sg225240 +g27 +sa(dp248753 +g225230 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+p248776 +sg225240 +g27 +sa(dp248777 +g225230 +S'Mountain Landscape' +p248778 +sg225232 +S'S\xc3\xa9bastien Le Clerc I' +p248779 +sg225234 +S'etching' +p248780 +sg225236 +S'1673' +p248781 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00089/a000894d.jpg' +p248782 +sg225240 +g27 +sa(dp248783 +g225230 +S'Landscape with Temple Ruins and Pond' +p248784 +sg225232 +S'S\xc3\xa9bastien Le Clerc I' +p248785 +sg225234 +S'etching' +p248786 +sg225236 +S'1673' +p248787 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00089/a000894f.jpg' +p248788 +sg225240 +g27 +sa(dp248789 +g225230 +S'Landscape with Classical Ruins' +p248790 +sg225232 +S'S\xc3\xa9bastien Le Clerc I' +p248791 +sg225234 +S'etching' +p248792 +sg225236 +S'1673' +p248793 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00089/a0008950.jpg' +p248794 +sg225240 +g27 +sa(dp248795 +g225230 +S'Landscape with Monastery' +p248796 +sg225232 +S'S\xc3\xa9bastien Le Clerc I' +p248797 +sg225234 +S'etching' +p248798 +sg225236 +S'1673' +p248799 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00089/a0008952.jpg' +p248800 +sg225240 +g27 +sa(dp248801 +g225230 +S'Landscape with an Army' +p248802 +sg225232 +S'S\xc3\xa9bastien Le Clerc I' +p248803 +sg225234 +S'etching' +p248804 +sg225236 +S'1673' +p248805 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00089/a0008958.jpg' +p248806 +sg225240 +g27 +sa(dp248807 +g225230 +S'Saint Anthony of Padua' +p248808 +sg225232 +S'Giovanni Battista Mercati' +p248809 +sg225234 +S'etching' +p248810 +sg225236 +S'unknown date\n' +p248811 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ca/a000ca11.jpg' +p248812 +sg225240 +g27 +sa(dp248813 +g225230 +S'Marin Cureau de la Chambre' +p248814 +sg225232 +S'Robert Nanteuil' +p248815 +sg225234 +S'engraving' +p248816 +sg225236 +S'1656' +p248817 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008b/a0008b5b.jpg' +p248818 +sg225240 +g27 +sa(dp248819 +g225230 +S'Hercules and Antaeus' +p248820 +sg225232 +S'Giovanni Pietro Possenti' +p248821 +sg225234 +S'etching' +p248822 +sg225236 +S'unknown date\n' +p248823 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c99e.jpg' +p248824 +sg225240 +g27 +sa(dp248825 +g225230 +S'Building in Ruins at the Side of a River' +p248826 +sg225232 +S'Jan Smees' +p248827 +sg225234 +S'etching' +p248828 +sg225236 +S'unknown date\n' +p248829 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d3/a000d3db.jpg' +p248830 +sg225240 +g27 +sa(dp248831 +g225230 +S'Houses at the Side of a River' +p248832 +sg225232 +S'Jan Smees' +p248833 +sg225234 +S'etching' +p248834 +sg225236 +S'unknown date\n' +p248835 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d3/a000d3da.jpg' +p248836 +sg225240 +g27 +sa(dp248837 +g225230 +S'Ruins on a Hilltop' +p248838 +sg225232 +S'Jan Smees' +p248839 +sg225234 +S'etching' +p248840 +sg225236 +S'unknown date\n' +p248841 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d3/a000d3d9.jpg' +p248842 +sg225240 +g27 +sa(dp248843 +g225230 +S'Sleeping Shepherd' +p248844 +sg225232 +S'Jan Smees' +p248845 +sg225234 +S'etching' +p248846 +sg225236 +S'unknown date\n' +p248847 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d3/a000d3d8.jpg' +p248848 +sg225240 +g27 +sa(dp248849 +g225230 +S'Man and Ox in a River' +p248850 +sg225232 +S'Jan Smees' +p248851 +sg225234 +S'etching' +p248852 +sg225236 +S'unknown date\n' +p248853 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d3/a000d3dc.jpg' +p248854 +sg225240 +g27 +sa(dp248855 +g225230 +S'Louis XIII as Hercules' +p248856 +sg225232 +S'Abraham Bosse' +p248857 +sg225234 +S'engraving and etching' +p248858 +sg225236 +S'unknown date\n' +p248859 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008a/a0008a71.jpg' +p248860 +sg225240 +g27 +sa(dp248861 +g225230 +S'Six Heads, a Turk in Front' +p248862 +sg225232 +S'Gaetano Gandolfi' +p248863 +sg225234 +S'etching' +p248864 +sg225236 +S'unknown date\n' +p248865 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ca/a000cabe.jpg' +p248866 +sg225240 +g27 +sa(dp248867 +g225230 +S'The Ford (Le passage du gu\xc3\xa9)' +p248868 +sg225232 +S'Claude Lorrain' +p248869 +sg225234 +S'etching' +p248870 +sg225236 +S'1634' +p248871 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00089/a00089a8.jpg' +p248872 +sg225240 +g27 +sa(dp248873 +g225230 +S'Jan Snellinx' +p248874 +sg225232 +S'Sir Anthony van Dyck' +p248875 +sg225234 +S'etching' +p248876 +sg225236 +S'probably 1626/1641' +p248877 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d0e1.jpg' +p248878 +sg225240 +g27 +sa(dp248879 +g225230 +S'Bust of a Saint' +p248880 +sg225232 +S'Gaetano Gandolfi' +p248881 +sg225234 +S'etching' +p248882 +sg225236 +S'unknown date\n' +p248883 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ca/a000cabf.jpg' +p248884 +sg225240 +g27 +sa(dp248885 +g225230 +S'Old Man Meditating' +p248886 +sg225232 +S'Giovanni Domenico Tiepolo' +p248887 +sg225234 +S'etching' +p248888 +sg225236 +S'c. 1762' +p248889 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cb2e.jpg' +p248890 +sg225240 +g27 +sa(dp248891 +g225232 +S'Giovanni Battista Piranesi' +p248892 +sg225240 +g27 +sg225234 +S'etching [proof before letters]' +p248893 +sg225230 +S'View of the Ruins of Paestum' +p248894 +sg225236 +S'1777/1778' +p248895 +sa(dp248896 +g225232 +S'Giovanni Battista Piranesi' +p248897 +sg225240 +g27 +sg225234 +S'etching [proof before letters]' +p248898 +sg225230 +S'View of the Ruins of Paestum' +p248899 +sg225236 +S'1777/1778' +p248900 +sa(dp248901 +g225230 +S'Astatic' +p248902 +sg225232 +S'Josef Albers' +p248903 +sg225234 +S'woodcut on japan paper [proof]' +p248904 +sg225236 +S'1944' +p248905 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00009/a000091b.jpg' +p248906 +sg225240 +g27 +sa(dp248907 +g225230 +S'Rothko with Pipe' +p248908 +sg225232 +S'Milton Avery' +p248909 +sg225234 +S'drypoint, brown-black ink on wove paper' +p248910 +sg225236 +S'1936' +p248911 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a0c.jpg' +p248912 +sg225240 +g27 +sa(dp248913 +g225230 +S'Allegory of Virtue' +p248914 +sg225232 +S'Artist Information (' +p248915 +sg225234 +S'(artist after)' +p248916 +sg225236 +S'\n' +p248917 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c89d.jpg' +p248918 +sg225240 +g27 +sa(dp248919 +g225230 +S'A Sybil' +p248920 +sg225232 +S'Artist Information (' +p248921 +sg225234 +S'(artist after)' +p248922 +sg225236 +S'\n' +p248923 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cb6c.jpg' +p248924 +sg225240 +g27 +sa(dp248925 +g225230 +S'A Headpiece in the Form of a Fan' +p248926 +sg225232 +S'Agostino Carracci' +p248927 +sg225234 +S'engraving' +p248928 +sg225236 +S'c. 1589/1595' +p248929 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cb74.jpg' +p248930 +sg225240 +g27 +sa(dp248931 +g225230 +S'Young Woman and Death' +p248932 +sg225232 +S'Master F.B.' +p248933 +sg225234 +S'engraving' +p248934 +sg225236 +S'unknown date\n' +p248935 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ac/a000acb5.jpg' +p248936 +sg225240 +g27 +sa(dp248937 +g225230 +S'The Family Concert (As the old sing, so the young twitter)' +p248938 +sg225232 +S'Artist Information (' +p248939 +sg225234 +S'(artist after)' +p248940 +sg225236 +S'\n' +p248941 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d6/a000d601.jpg' +p248942 +sg225240 +g27 +sa(dp248943 +g225230 +S'The Family in the Room' +p248944 +sg225232 +S'Ferdinand Bol' +p248945 +sg225234 +S'etching' +p248946 +sg225236 +S'1645' +p248947 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d0b2.jpg' +p248948 +sg225240 +g27 +sa(dp248949 +g225230 +S'Comment! encore une caricature sur nous...' +p248950 +sg225232 +S'Honor\xc3\xa9 Daumier' +p248951 +sg225234 +S'lithograph' +p248952 +sg225236 +S'1844' +p248953 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00093/a000931d.jpg' +p248954 +sg225240 +g27 +sa(dp248955 +g225232 +S'Artist Information (' +p248956 +sg225240 +g27 +sg225234 +S'French, 1673 - 1722' +p248957 +sg225230 +S'Fables nouvelles' +p248958 +sg225236 +S'(artist)' +p248959 +sa(dp248960 +g225230 +S'The Holy Family' +p248961 +sg225232 +S'Rembrandt van Rijn' +p248962 +sg225234 +S'etching' +p248963 +sg225236 +S'c. 1632' +p248964 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d2/a000d2e4.jpg' +p248965 +sg225240 +g27 +sa(dp248966 +g225232 +S'Neapolitan 19th/20th Century' +p248967 +sg225240 +g27 +sg225234 +S'bronze' +p248968 +sg225230 +S'Paul III (Alessandro Farnese, 1468-1549), Pope 1534' +p248969 +sg225236 +S'19th/20th century' +p248970 +sa(dp248971 +g225230 +S'The Last Judgment' +p248972 +sg225232 +S'Master MF' +p248973 +sg225234 +S'woodcut' +p248974 +sg225236 +S'unknown date\n' +p248975 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c8b5.jpg' +p248976 +sg225240 +g27 +sa(dp248977 +g225230 +S'Giovanni Battista Piranesi' +p248978 +sg225232 +S'Francesco Piranesi' +p248979 +sg225234 +S'etching' +p248980 +sg225236 +S'1779' +p248981 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc1b.jpg' +p248982 +sg225240 +g27 +sa(dp248983 +g225232 +S'Ferdinando Galli Bibiena' +p248984 +sg225240 +g27 +sg225234 +S', published 1711' +p248985 +sg225230 +S"L'Architettura Civile" +p248986 +sg225236 +S'\n' +p248987 +sa(dp248988 +g225230 +S'The Rt. Reverend William Lawrence' +p248989 +sg225232 +S'John Singer Sargent' +p248990 +sg225234 +S'charcoal on laid paper' +p248991 +sg225236 +S'1916' +p248992 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004fca.jpg' +p248993 +sg225240 +g27 +sa(dp248994 +g225232 +S'Walter Ernest Tittle' +p248995 +sg225240 +g27 +sg225234 +S'drypoint' +p248996 +sg225230 +S'The Earl of Balfour' +p248997 +sg225236 +S'1921' +p248998 +sa(dp248999 +g225232 +S'Walter Ernest Tittle' +p249000 +sg225240 +g27 +sg225234 +S'drypoint' +p249001 +sg225230 +S'Lord Beatty, Admiral of the Fleet' +p249002 +sg225236 +S'1921/1922' +p249003 +sa(dp249004 +g225232 +S'Walter Ernest Tittle' +p249005 +sg225240 +g27 +sg225234 +S'drypoint' +p249006 +sg225230 +S'Admiral de Bon' +p249007 +sg225236 +S'1921' +p249008 +sa(dp249009 +g225232 +S'Walter Ernest Tittle' +p249010 +sg225240 +g27 +sg225234 +S'drypoint' +p249011 +sg225230 +S'Robert Laird Borden' +p249012 +sg225236 +S'1921/1922' +p249013 +sa(dp249014 +g225232 +S'Walter Ernest Tittle' +p249015 +sg225240 +g27 +sg225234 +S'drypoint' +p249016 +sg225230 +S'Admiral Sir Erule Chatfield' +p249017 +sg225236 +S'1921/1922' +p249018 +sa(dp249019 +g225232 +S'Walter Ernest Tittle' +p249020 +sg225240 +g27 +sg225234 +S'drypoint' +p249021 +sg225230 +S'Marechal Foch' +p249022 +sg225236 +S'1921' +p249023 +sa(dp249024 +g225232 +S'Walter Ernest Tittle' +p249025 +sg225240 +g27 +sg225234 +S'drypoint' +p249026 +sg225230 +S'David Lloyd George' +p249027 +sg225236 +S'1921/1922' +p249028 +sa(dp249029 +g225232 +S'Walter Ernest Tittle' +p249030 +sg225240 +g27 +sg225234 +S'drypoint' +p249031 +sg225230 +S'Sir Maurice Hankey' +p249032 +sg225236 +S'1921/1922' +p249033 +sa(dp249034 +g225232 +S'Walter Ernest Tittle' +p249035 +sg225240 +g27 +sg225234 +S'drypoint' +p249036 +sg225230 +S'President Harding, Full Face View' +p249037 +sg225236 +S'1920' +p249038 +sa(dp249039 +g225232 +S'Walter Ernest Tittle' +p249040 +sg225240 +g27 +sg225234 +S'drypoint' +p249041 +sg225230 +S'President Harding, Profile View' +p249042 +sg225236 +S'1920' +p249043 +sa(dp249044 +g225232 +S'Walter Ernest Tittle' +p249045 +sg225240 +g27 +sg225234 +S'drypoint' +p249046 +sg225230 +S'Charles Evans Hughes' +p249047 +sg225236 +S'1921/1922' +p249048 +sa(dp249049 +g225232 +S'Walter Ernest Tittle' +p249050 +sg225240 +g27 +sg225234 +S'drypoint' +p249051 +sg225230 +S'Marechal Joffry' +p249052 +sg225236 +S'1921/1922' +p249053 +sa(dp249054 +g225232 +S'Walter Ernest Tittle' +p249055 +sg225240 +g27 +sg225234 +S'drypoint' +p249056 +sg225230 +S'Lee of Farcham' +p249057 +sg225236 +S'1921' +p249058 +sa(dp249059 +g225232 +S'Walter Ernest Tittle' +p249060 +sg225240 +g27 +sg225234 +S'drypoint' +p249061 +sg225230 +S'Baron du Cartier du Marchieme' +p249062 +sg225236 +S'1923' +p249063 +sa(dp249064 +g225232 +S'Walter Ernest Tittle' +p249065 +sg225240 +g27 +sg225234 +S'drypoint' +p249066 +sg225230 +S'Fournier Sarloves' +p249067 +sg225236 +S'1921/1922' +p249068 +sa(dp249069 +g225232 +S'Walter Ernest Tittle' +p249070 +sg225240 +g27 +sg225234 +S'drypoint' +p249071 +sg225230 +S'Carlo Schanzer' +p249072 +sg225236 +S'1921/1922' +p249073 +sa(dp249074 +g225232 +S'Walter Ernest Tittle' +p249075 +sg225240 +g27 +sg225234 +S'drypoint' +p249076 +sg225230 +S'Dr. Sze, Chinese Ambassador to the United States' +p249077 +sg225236 +S'1921/1922' +p249078 +sa(dp249079 +g225232 +S'Walter Ernest Tittle' +p249080 +sg225240 +g27 +sg225234 +S'drypoint' +p249081 +sg225230 +S'Prince Tokugawa, President of the House of Peers, Japan' +p249082 +sg225236 +S'1921' +p249083 +sa(dp249084 +g225232 +S'Walter Ernest Tittle' +p249085 +sg225240 +g27 +sg225234 +S'drypoint' +p249086 +sg225230 +S'Sitter unidentified' +p249087 +sg225236 +S'1921' +p249088 +sa(dp249089 +g225232 +S'Walter Ernest Tittle' +p249090 +sg225240 +g27 +sg225234 +S'drypoint' +p249091 +sg225230 +S'Sitter unidentified' +p249092 +sg225236 +S'1921/1922' +p249093 +sa(dp249094 +g225232 +S'Walter Ernest Tittle' +p249095 +sg225240 +g27 +sg225234 +S'drypoint' +p249096 +sg225230 +S'Sitter unidentified' +p249097 +sg225236 +S'1921/1922' +p249098 +sa(dp249099 +g225232 +S'Walter Ernest Tittle' +p249100 +sg225240 +g27 +sg225234 +S'drypoint' +p249101 +sg225230 +S'Sitter unidentified' +p249102 +sg225236 +S'1922' +p249103 +sa(dp249104 +g225230 +S'Thomas Jefferson' +p249105 +sg225232 +S"Pierre-Jean David d'Angers" +p249106 +sg225234 +S'bronze' +p249107 +sg225236 +S'model 1832-1833, cast after 1892' +p249108 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f0f.jpg' +p249109 +sg225240 +g27 +sa(dp249110 +g225230 +S'Diana of the Tower' +p249111 +sg225232 +S'Augustus Saint-Gaudens' +p249112 +sg225234 +S'bronze' +p249113 +sg225236 +S'conceived 1892/1893, cast 1899' +p249114 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00016/a00016a3.jpg' +p249115 +sg225240 +S"Imagine this diminutive sculpture of Diana the Huntress as a rotating, 18-foot-tall, gilded weathervane atop the tower of the newly built Madison Square Garden. In collaboration with his friend, architect Stanford White (the Garden's architect), Saint-Gaudens originally designed the monumental Diana to reign over the New York skyline, a rival to Bartholdi's Liberty in New York Harbor. But Saint-Gaudens' figure proved too unwieldy to function properly (the original had metal drapery attached as a rudder) and was removed. He then designed a 13-foot version, which also failed as a weathervane and had to be bolted fast to the tower.\n Saint-Gaudens went on to make \n With her slender limbs and graceful pose, Saint-Gaudens' \n Saint-Gaudens would have seen several mythological Dianas in Paris in the 1870s, but an elongated neo-mannerist bronze Diana by \n " +p249116 +sa(dp249117 +g225230 +S'Design for a Wall Decoration [recto]' +p249118 +sg225232 +S'Jacob Jordaens' +p249119 +sg225234 +S'brush with brown and black ink and color washes, heightened with white, over black chalk on laid paper' +p249120 +sg225236 +S'1640/1645' +p249121 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00034/a0003424.jpg' +p249122 +sg225240 +g27 +sa(dp249123 +g225230 +S'Sheet of Studies with the Drunken Pan and Nymphs [verso]' +p249124 +sg225232 +S'Jacob Jordaens' +p249125 +sg225234 +S'black and red chalk on laid paper' +p249126 +sg225236 +S'unknown date\n' +p249127 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ff/a000ff6c.jpg' +p249128 +sg225240 +g27 +sa(dp249129 +g225230 +S"Michael d'Aicing" +p249130 +sg225232 +S'Melchior Lorch' +p249131 +sg225234 +S'engraving' +p249132 +sg225236 +S'1565' +p249133 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000dc/a000dc49.jpg' +p249134 +sg225240 +g27 +sa(dp249135 +g225232 +S'Ernst Ludwig Kirchner' +p249136 +sg225240 +g27 +sg225234 +S'lithograph' +p249137 +sg225230 +S'Lovers in the Morning (Liebspaar am Morgen)' +p249138 +sg225236 +S'1915' +p249139 +sa(dp249140 +g225230 +S'The Poor Fisher (Le pauvre pecheur)' +p249141 +sg225232 +S'Pierre Puvis de Chavannes' +p249142 +sg225234 +S'lithograph in deep purple' +p249143 +sg225236 +S'unknown date\n' +p249144 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009fe9.jpg' +p249145 +sg225240 +g27 +sa(dp249146 +g225230 +S'The Tuileries Garden (Le jardin des Tuileries)' +p249147 +sg225232 +S'Edouard Vuillard' +p249148 +sg225234 +S'color lithograph with graphite' +p249149 +sg225236 +S'published 1896' +p249150 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000a0/a000a064.jpg' +p249151 +sg225240 +g27 +sa(dp249152 +g225232 +S'M.C. Escher' +p249153 +sg225240 +g27 +sg225234 +S'lithograph' +p249154 +sg225230 +S'Still Life with Spherical Mirror' +p249155 +sg225236 +S'1934' +p249156 +sa(dp249157 +g225232 +S'M.C. Escher' +p249158 +sg225240 +g27 +sg225234 +S'wood engraving' +p249159 +sg225230 +S'Covered Alley in Atrani' +p249160 +sg225236 +S'1931' +p249161 +sa(dp249162 +g225232 +S'M.C. Escher' +p249163 +sg225240 +g27 +sg225234 +S'lithograph' +p249164 +sg225230 +S'Atrani' +p249165 +sg225236 +S'1931' +p249166 +sa(dp249167 +g225232 +S'M.C. Escher' +p249168 +sg225240 +g27 +sg225234 +S'lithograph' +p249169 +sg225230 +S'Castel Mola, Sicily' +p249170 +sg225236 +S'1932' +p249171 +sa(dp249172 +g225230 +S'White Cat' +p249173 +sg225232 +S'M.C. Escher' +p249174 +sg225234 +S'woodcut' +p249175 +sg225236 +S'probably 1919' +p249176 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004b/a0004b52.jpg' +p249177 +sg225240 +g27 +sa(dp249178 +g225232 +S'M.C. Escher' +p249179 +sg225240 +g27 +sg225234 +S'lithograph' +p249180 +sg225230 +S'Cathedral of Cefalu, Sicily' +p249181 +sg225236 +S'1932' +p249182 +sa(dp249183 +g225232 +S'M.C. Escher' +p249184 +sg225240 +g27 +sg225234 +S'woodcut' +p249185 +sg225230 +S'Seated Female Nude with Flowers' +p249186 +sg225236 +S'1920/1921' +p249187 +sa(dp249188 +g225232 +S'M.C. Escher' +p249189 +sg225240 +g27 +sg225234 +S'lithograph' +p249190 +sg225230 +S'Gulf of Porto, Corsica' +p249191 +sg225236 +S'1933' +p249192 +sa(dp249193 +g225230 +S'Hand with Fir Cone' +p249194 +sg225232 +S'M.C. Escher' +p249195 +sg225234 +S'woodcut' +p249196 +sg225236 +S'probably 1921' +p249197 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004b/a0004b53.jpg' +p249198 +sg225240 +g27 +sa(dp249199 +g225232 +S'M.C. Escher' +p249200 +sg225240 +g27 +sg225234 +S'lithograph' +p249201 +sg225230 +S'San Cosimo, Ravello' +p249202 +sg225236 +S'1932' +p249203 +sa(dp249204 +g225230 +S'Mount Etna near Bronte, Sicily' +p249205 +sg225232 +S'M.C. Escher' +p249206 +sg225234 +S'lithograph' +p249207 +sg225236 +S'1933' +p249208 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004b/a0004b37.jpg' +p249209 +sg225240 +g27 +sa(dp249210 +g225232 +S'M.C. Escher' +p249211 +sg225240 +g27 +sg225234 +S'lithograph' +p249212 +sg225230 +S'Turello, Southern Italy' +p249213 +sg225236 +S'1932' +p249214 +sa(dp249215 +g225232 +S'M.C. Escher' +p249216 +sg225240 +g27 +sg225234 +S'lithograph' +p249217 +sg225230 +S'Tropea, Calabria' +p249218 +sg225236 +S'1931' +p249219 +sa(dp249220 +g225232 +S'Josef Albers' +p249221 +sg225240 +g27 +sg225234 +S'lithograph' +p249222 +sg225230 +S'Ascension' +p249223 +sg225236 +S'1942' +p249224 +sa(dp249225 +g225232 +S'Josef Albers' +p249226 +sg225240 +g27 +sg225234 +S'lithograph' +p249227 +sg225230 +S'Interim' +p249228 +sg225236 +S'1942' +p249229 +sa(dp249230 +g225232 +S'Josef Albers' +p249231 +sg225240 +g27 +sg225234 +S'lithograph' +p249232 +sg225230 +S'Introitus' +p249233 +sg225236 +S'1942' +p249234 +sa(dp249235 +g225232 +S'Josef Albers' +p249236 +sg225240 +g27 +sg225234 +S'lithograph' +p249237 +sg225230 +S'To Monte Alban' +p249238 +sg225236 +S'1942' +p249239 +sa(dp249240 +g225232 +S'Josef Albers' +p249241 +sg225240 +g27 +sg225234 +S'lithograph' +p249242 +sg225230 +S'Prefatio' +p249243 +sg225236 +S'1942' +p249244 +sa(dp249245 +g225232 +S'Josef Albers' +p249246 +sg225240 +g27 +sg225234 +S'lithograph' +p249247 +sg225230 +S'Sanctuary' +p249248 +sg225236 +S'1942' +p249249 +sa(dp249250 +g225232 +S'Josef Albers' +p249251 +sg225240 +g27 +sg225234 +S'lithograph' +p249252 +sg225230 +S'Seclusion' +p249253 +sg225236 +S'1942' +p249254 +sa(dp249255 +g225232 +S'Josef Albers' +p249256 +sg225240 +g27 +sg225234 +S'lithograph' +p249257 +sg225230 +S'Shrine' +p249258 +sg225236 +S'1942' +p249259 +sa(dp249260 +g225230 +S'Circe' +p249261 +sg225232 +S'Artist Information (' +p249262 +sg225234 +S'Italian, 1503 - 1540' +p249263 +sg225236 +S'(artist after)' +p249264 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c792.jpg' +p249265 +sg225240 +g27 +sa(dp249266 +g225230 +S'Jupiter Nourished by the Goat Amalthea' +p249267 +sg225232 +S'Jacob Jordaens' +p249268 +sg225234 +S'etching' +p249269 +sg225236 +S'probably 1652' +p249270 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d52c.jpg' +p249271 +sg225240 +g27 +sa(dp249272 +g225230 +S'The Pilgrims' +p249273 +sg225232 +S'Gaetano Gandolfi' +p249274 +sg225234 +S'etching' +p249275 +sg225236 +S'unknown date\n' +p249276 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ca/a000cac0.jpg' +p249277 +sg225240 +g27 +sa(dp249278 +g225230 +S'Lot and His Daughters Leaving Sodom' +p249279 +sg225232 +S'Artist Information (' +p249280 +sg225234 +S'(artist after)' +p249281 +sg225236 +S'\n' +p249282 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d067.jpg' +p249283 +sg225240 +g27 +sa(dp249284 +g225232 +S'Artist Information (' +p249285 +sg225240 +g27 +sg225234 +S'(artist after)' +p249286 +sg225230 +S'The Wolf Hunt' +p249287 +sg225236 +S'\n' +p249288 +sa(dp249289 +g225230 +S'Resting Cows' +p249290 +sg225232 +S'Nicolaes Pietersz Berchem' +p249291 +sg225234 +S'etching counterproof' +p249292 +sg225236 +S'unknown date\n' +p249293 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d0ae.jpg' +p249294 +sg225240 +g27 +sa(dp249295 +g225230 +S'Drunken Silenus' +p249296 +sg225232 +S'Artist Information (' +p249297 +sg225234 +S'(artist after)' +p249298 +sg225236 +S'\n' +p249299 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d5f9.jpg' +p249300 +sg225240 +g27 +sa(dp249301 +g225230 +S'Virgin Supporting the Dead Christ' +p249302 +sg225232 +S'Artist Information (' +p249303 +sg225234 +S'(artist after)' +p249304 +sg225236 +S'\n' +p249305 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ff/a000ff9a.jpg' +p249306 +sg225240 +g27 +sa(dp249307 +g225232 +S'Artist Information (' +p249308 +sg225240 +g27 +sg225234 +S'(artist after)' +p249309 +sg225230 +S'Aeneas and His Companions Shipwrecked in a Tempest' +p249310 +sg225236 +S'\n' +p249311 +sa(dp249312 +g225232 +S'Artist Information (' +p249313 +sg225240 +g27 +sg225234 +S'(artist after)' +p249314 +sg225230 +S'The Assumption of the Virgin' +p249315 +sg225236 +S'\n' +p249316 +sa(dp249317 +g225232 +S'Artist Information (' +p249318 +sg225240 +g27 +sg225234 +S'(artist after)' +p249319 +sg225230 +S'Philemon and Baucis' +p249320 +sg225236 +S'\n' +p249321 +sa(dp249322 +g225230 +S'The Resurrection' +p249323 +sg225232 +S'Artist Information (' +p249324 +sg225234 +S'(artist after)' +p249325 +sg225236 +S'\n' +p249326 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d5f3.jpg' +p249327 +sg225240 +g27 +sa(dp249328 +g225230 +S'Title Page' +p249329 +sg225232 +S'Artist Information (' +p249330 +sg225234 +S'(artist after)' +p249331 +sg225236 +S'\n' +p249332 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b2/a000b290.jpg' +p249333 +sg225240 +g27 +sa(dp249334 +g225230 +S'Dedication Page' +p249335 +sg225232 +S'Artist Information (' +p249336 +sg225234 +S'(artist after)' +p249337 +sg225236 +S'\n' +p249338 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b2/a000b291.jpg' +p249339 +sg225240 +g27 +sa(dp249340 +g225230 +S'Escorial, Spain' +p249341 +sg225232 +S'Artist Information (' +p249342 +sg225234 +S'(artist after)' +p249343 +sg225236 +S'\n' +p249344 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b2/a000b292.jpg' +p249345 +sg225240 +g27 +sa(dp249346 +g225230 +S'Palace, Florence' 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loup et le chien maigre (The Wolf and the Thin Dog)' +p251201 +sg225232 +S'Artist Information (' +p251202 +sg225234 +S'(artist after)' +p251203 +sg225236 +S'\n' +p251204 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00096/a000962c.jpg' +p251205 +sg225240 +g27 +sa(dp251206 +g225230 +S'Le roi, le milan, et le chasseur (The King, the Kite, and the Hunter)' +p251207 +sg225232 +S'Artist Information (' +p251208 +sg225234 +S'(artist after)' +p251209 +sg225236 +S'\n' +p251210 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00096/a000962d.jpg' +p251211 +sg225240 +g27 +sa(dp251212 +g225230 +S"La lionne et l'ours (The Lion and the Bear)" +p251213 +sg225232 +S'Artist Information (' +p251214 +sg225234 +S'(artist after)' +p251215 +sg225236 +S'\n' +p251216 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00096/a000962a.jpg' +p251217 +sg225240 +g27 +sa(dp251218 +g225230 +S'Le thesauriseur et la singe (The Miser and the Monkey)' +p251219 +sg225232 +S'Artist Information (' +p251220 +sg225234 +S'(artist after)' 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after)' +p251263 +sg225236 +S'\n' +p251264 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00096/a000963e.jpg' +p251265 +sg225240 +g27 +sa(dp251266 +g225230 +S'Rien de trop (Nothing in Excess)' +p251267 +sg225232 +S'Artist Information (' +p251268 +sg225234 +S'(artist after)' +p251269 +sg225236 +S'\n' +p251270 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00096/a0009636.jpg' +p251271 +sg225240 +g27 +sa(dp251272 +g225230 +S"L'homme et la puce (The Man with Fleas)" +p251273 +sg225232 +S'Artist Information (' +p251274 +sg225234 +S'(artist after)' +p251275 +sg225236 +S'\n' +p251276 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00096/a000963d.jpg' +p251277 +sg225240 +g27 +sa(dp251278 +g225230 +S"L'homme et la couleuvre (Man and the Snake)" +p251279 +sg225232 +S'Artist Information (' +p251280 +sg225234 +S'(artist after)' +p251281 +sg225236 +S'\n' +p251282 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00096/a000963c.jpg' +p251283 +sg225240 +g27 +sa(dp251284 +g225230 +S'Le roi, le milan, et le chasseur (The King, the Kite, and the Hunter)' +p251285 +sg225232 +S'Artist Information (' +p251286 +sg225234 +S'(artist after)' +p251287 +sg225236 +S'\n' +p251288 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00096/a000963b.jpg' +p251289 +sg225240 +g27 +sa(dp251290 +g225230 +S'Les deux perroquets, le roi et son fils (Two Parrots, the King, and His Son)' +p251291 +sg225232 +S'Artist Information (' +p251292 +sg225234 +S'(artist after)' +p251293 +sg225236 +S'\n' +p251294 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00096/a000963a.jpg' +p251295 +sg225240 +g27 +sa(dp251296 +g225230 +S"Le renard et les poulets d'Inde (The Fox and the Hens from India)" +p251297 +sg225232 +S'Artist Information (' +p251298 +sg225234 +S'(artist after)' +p251299 +sg225236 +S'\n' +p251300 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00096/a0009637.jpg' +p251301 +sg225240 +g27 +sa(dp251302 +g225230 +S'Le loup et le renard (The Wolf and the Fox)' +p251303 +sg225232 +S'Artist Information (' +p251304 +sg225234 +S'(artist after)' 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+sg225234 +S'hand-colored etching' +p251347 +sg225236 +S'published 1731-1743' +p251348 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00078/a0007813.jpg' +p251349 +sg225240 +g27 +sa(dp251350 +g225230 +S'Landscape with Trees' +p251351 +sg225232 +S'Daniel Kotz' +p251352 +sg225234 +S'monotype' +p251353 +sg225236 +S'unknown date\n' +p251354 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f6/a000f670.jpg' +p251355 +sg225240 +g27 +sa(dp251356 +g225232 +S'Janez Bernik' +p251357 +sg225240 +g27 +sg225234 +S'color etching' +p251358 +sg225230 +S'Adriana II' +p251359 +sg225236 +S'1971' +p251360 +sa(dp251361 +g225232 +S'Various Artists' +p251362 +sg225240 +g27 +sg225234 +S'Gift to Vice President Spiro T. Agnew by Marshall Josip Broz Tito, President of the Socialist Federal Republic of Yugoslavia' +p251363 +sg225230 +S"Grafika Ljubljana '71" +p251364 +sg225236 +S'\nportfolio with 15 prints by various artists plus index, artist biographies, and introduction' +p251365 +sa(dp251366 +g225232 +S'Bogdan Borcic' +p251367 +sg225240 +g27 +sg225234 +S'color etching and aquatint' +p251368 +sg225230 +S'Print No. 63' +p251369 +sg225236 +S'1971' +p251370 +sa(dp251371 +g225232 +S'Riko Debenjak' +p251372 +sg225240 +g27 +sg225234 +S'color etching with aquatint' +p251373 +sg225230 +S'Magic Dimensions No. CX' +p251374 +sg225236 +S'1971' +p251375 +sa(dp251376 +g225232 +S'Dzevad Hozo' +p251377 +sg225240 +g27 +sg225234 +S'color etching' +p251378 +sg225230 +S'The Joyful II' +p251379 +sg225236 +S'1971' +p251380 +sa(dp251381 +g225232 +S'Jaki' +p251382 +sg225240 +g27 +sg225234 +S'etching' +p251383 +sg225230 +S'The Crucifixion' +p251384 +sg225236 +S'1971' +p251385 +sa(dp251386 +g225232 +S'Andrej Jemec' +p251387 +sg225240 +g27 +sg225234 +S'color screenprint' +p251388 +sg225230 +S'Fantasy in Blue-Green' +p251389 +sg225236 +S'1971' +p251390 +sa(dp251391 +g225232 +S'Mesko Kiar' +p251392 +sg225240 +g27 +sg225234 +S'relief print' +p251393 +sg225230 +S'The Narrow Pass' +p251394 +sg225236 +S'1971' +p251395 +sa(dp251396 +g225232 +S'Metka Krasovec' +p251397 +sg225240 +g27 +sg225234 +S'soft-ground etching' +p251398 +sg225230 +S'Presentiment' +p251399 +sg225236 +S'1971' +p251400 +sa(dp251401 +g225232 +S'Lojze Logar' +p251402 +sg225240 +g27 +sg225234 +S'color screenprint' +p251403 +sg225230 +S'Figures KC' +p251404 +sg225236 +S'1971' +p251405 +sa(dp251406 +g225232 +S'Vladimir Makuc' +p251407 +sg225240 +g27 +sg225234 +S'color relief etching' +p251408 +sg225230 +S'The Bird' +p251409 +sg225236 +S'1971' +p251410 +sa(dp251411 +g225232 +S'Adriana Maraz' +p251412 +sg225240 +g27 +sg225234 +S'color etching' +p251413 +sg225230 +S'Milk' +p251414 +sg225236 +S'1971' +p251415 +sa(dp251416 +g225232 +S'France Mihelic' +p251417 +sg225240 +g27 +sg225234 +S'linoleum cut' +p251418 +sg225230 +S'Carnivals' +p251419 +sg225236 +S'1970' +p251420 +sa(dp251421 +g225232 +S'Marjan Pogacnik' +p251422 +sg225240 +g27 +sg225234 +S'relief color etching' +p251423 +sg225230 +S'Tranquility before Arising for the Day' +p251424 +sg225236 +S'1971' +p251425 +sa(dp251426 +g225232 +S'Gorazd Sefran' +p251427 +sg225240 +g27 +sg225234 +S'color etching' +p251428 +sg225230 +S'Fear' +p251429 +sg225236 +S'1971' +p251430 +sa(dp251431 +g225232 +S'Karel Zelenko' +p251432 +sg225240 +g27 +sg225234 +S'etching' +p251433 +sg225230 +S'Trash' +p251434 +sg225236 +S'1971' +p251435 +sa(dp251436 +g225232 +S'Werner Drewes' +p251437 +sg225240 +g27 +sg225234 +S'color woodcut' +p251438 +sg225230 +S'Expanding Force' +p251439 +sg225236 +S'1974' +p251440 +sa(dp251441 +g225230 +S'Expanding Force' +p251442 +sg225232 +S'Werner Drewes' +p251443 +sg225234 +S'color woodcut' +p251444 +sg225236 +S'1974' +p251445 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a8a.jpg' +p251446 +sg225240 +g27 +sa(dp251447 +g225232 +S'Werner Drewes' +p251448 +sg225240 +g27 +sg225234 +S'color woodcut' +p251449 +sg225230 +S'Spiral Thrust' +p251450 +sg225236 +S'1974' +p251451 +sa(dp251452 +g225232 +S'Gene Davis' +p251453 +sg225240 +g27 +sg225234 +S'color screenprint [proof]' +p251454 +sg225230 +S'Untitled (Poster for Smithsonian Resident Associate Program, Tenth Anniversary)' +p251455 +sg225236 +S'1975' +p251456 +sa(dp251457 +g225232 +S'Gene Davis' +p251458 +sg225240 +g27 +sg225234 +S'color screenprint on wove paper' +p251459 +sg225230 +S'Untitled (Poster for Smithsonian Resident Associate Program, Tenth Anniversary)' +p251460 +sg225236 +S'1975' +p251461 +sa(dp251462 +g225232 +S'Artist Information (' +p251463 +sg225240 +g27 +sg225234 +S'French, 1810 - 1857' +p251464 +sg225230 +S'Voyage ou il vous plaira' +p251465 +sg225236 +S'(author)' +p251466 +sa(dp251467 +g225232 +S'Karl Siegmund von Uchteritz' +p251468 +sg225240 +g27 +sg225234 +S', published 1730' +p251469 +sg225230 +S'Bei der solennen Beerdigung des ... Hernn Kurt Hildebrand' +p251470 +sg225236 +S'\n' +p251471 +sa(dp251472 +g225232 +S'Johann Georg Wolfgang' +p251473 +sg225240 +g27 +sg225234 +S', published 1730' +p251474 +sg225230 +S'Kurt Hildebrand' +p251475 +sg225236 +S'\n' +p251476 +sa(dp251477 +g225232 +S'Gifford Beal' +p251478 +sg225240 +g27 +sg225234 +S'watercolor' +p251479 +sg225230 +S'Haverill' +p251480 +sg225236 +S'unknown date\n' +p251481 +sa(dp251482 +g225230 +S'Untitled' +p251483 +sg225232 +S'William Zorach' +p251484 +sg225234 +S'watercolor' +p251485 +sg225236 +S'unknown date\n' +p251486 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a05.jpg' +p251487 +sg225240 +g27 +sa(dp251488 +g225232 +S'Howard Mehring' +p251489 +sg225240 +g27 +sg225234 +S'wetted pastel' +p251490 +sg225230 +S'Untitled' +p251491 +sg225236 +S'unknown date\n' +p251492 +sa(dp251493 +g225230 +S'Blue Spring, Florida' +p251494 +sg225232 +S'Winslow Homer' +p251495 +sg225234 +S'watercolor on wove paper' +p251496 +sg225236 +S'1890' +p251497 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000eb/a000eba2.jpg' +p251498 +sg225240 +g27 +sa(dp251499 +g225230 +S'Casting, Number Two' +p251500 +sg225232 +S'Winslow Homer' +p251501 +sg225234 +S'watercolor over graphite' +p251502 +sg225236 +S'1894' +p251503 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a00008fe.jpg' +p251504 +sg225240 +g27 +sa(dp251505 +g225230 +S'The Coming Storm' +p251506 +sg225232 +S'Winslow Homer' +p251507 +sg225234 +S'watercolor over graphite' +p251508 +sg225236 +S'1901' +p251509 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a00008ff.jpg' +p251510 +sg225240 +g27 +sa(dp251511 +g225230 +S'Girl Carrying a Basket' +p251512 +sg225232 +S'Winslow Homer' +p251513 +sg225234 +S'watercolor over graphite' +p251514 +sg225236 +S'1882' +p251515 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00009/a0000900.jpg' +p251516 +sg225240 +g27 +sa(dp251517 +g225230 +S'A Good Shot, Adirondacks' +p251518 +sg225232 +S'Winslow Homer' +p251519 +sg225234 +S'watercolor' +p251520 +sg225236 +S'1892' +p251521 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00009/a0000901.jpg' +p251522 +sg225240 +S'There is a thematic trend in Homer’s deer hunting series; his subjects shift over time from the start of the hunt to the kill. In \n ' +p251523 +sa(dp251524 +g225230 +S'Hauling in the Nets' +p251525 +sg225232 +S'Winslow Homer' +p251526 +sg225234 +S'watercolor over graphite' +p251527 +sg225236 +S'1887' +p251528 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00057/a000575b.jpg' +p251529 +sg225240 +g27 +sa(dp251530 +g225230 +S'Sketch for "Hound and Hunter"' +p251531 +sg225232 +S'Winslow Homer' +p251532 +sg225234 +S'watercolor on wove paper' +p251533 +sg225236 +S'1892' +p251534 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00009/a0000902.jpg' +p251535 +sg225240 +S'Another watercolor in Homer’s series on hounding, \n The self-assurance of man in relation to nature that characterizes many of Homer’s \n ' +p251536 +sa(dp251537 +g225230 +S'Incoming Tide, Scarboro, Maine' +p251538 +sg225232 +S'Winslow Homer' +p251539 +sg225234 +S'watercolor' +p251540 +sg225236 +S'1883' +p251541 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00057/a0005754.jpg' +p251542 +sg225240 +g27 +sa(dp251543 +g225230 +S'Key West, Hauling Anchor' +p251544 +sg225232 +S'Winslow Homer' +p251545 +sg225234 +S'watercolor over graphite' +p251546 +sg225236 +S'1903' +p251547 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00009/a0000903.jpg' +p251548 +sg225240 +S'After not working for more than a year, Homer traveled to Florida in December 1903. The \n As with the Bahamas series, Homer ignored all but the essentials and concentrated on capturing the effects of light and color. The simplified color scheme of white hull and sails, red-shirted crew, and gray-blue sea and sky produce a scene of sunlit clarity. A sense of continuous movement is created by cropping the top of the masts and furled sail. The \n ' +p251549 +sa(dp251550 +g225230 +S'The Lone Fisherman' +p251551 +sg225232 +S'Winslow Homer' +p251552 +sg225234 +S'watercolor over graphite' +p251553 +sg225236 +S'1889' +p251554 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000eb/a000eba4.jpg' +p251555 +sg225240 +g27 +sa(dp251556 +g225230 +S'The Milk Maid' +p251557 +sg225232 +S'Winslow Homer' +p251558 +sg225234 +S'watercolor over graphite' +p251559 +sg225236 +S'1878' +p251560 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a00008fa.jpg' +p251561 +sg225240 +g27 +sa(dp251562 +g225230 +S'On the Trail' +p251563 +sg225232 +S'Winslow Homer' +p251564 +sg225234 +S'watercolor over graphite' +p251565 +sg225236 +S'c. 1892' +p251566 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a00008fb.jpg' +p251567 +sg225240 +S"In 1889 Homer began a series of \n Hounding was a controversial practice. Still-hunting, where the hunter tracked the deer through the woods without the benefit of dogs, was considered more sportsmanlike. However, Homer's hunters are not wealthy sportsmen, casually shooting for entertainment, but local guides hunting for food and livelihood. \n " +p251568 +sa(dp251569 +g225230 +S'Red Shirt, Homosassa, Florida' +p251570 +sg225232 +S'Winslow Homer' +p251571 +sg225234 +S'watercolor over graphite' +p251572 +sg225236 +S'1904' +p251573 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a00008fc.jpg' +p251574 +sg225240 +g27 +sa(dp251575 +g225230 +S'The Rise' +p251576 +sg225232 +S'Winslow Homer' +p251577 +sg225234 +S'watercolor over graphite' +p251578 +sg225236 +S'1900' +p251579 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00057/a0005755.jpg' +p251580 +sg225240 +g27 +sa(dp251581 +g225230 +S'Salt Kettle, Bermuda' +p251582 +sg225232 +S'Winslow Homer' +p251583 +sg225234 +S'watercolor over graphite' +p251584 +sg225236 +S'1899' +p251585 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a00008fd.jpg' +p251586 +sg225240 +g27 +sa(dp251587 +g225230 +S'Under a Palm Tree' +p251588 +sg225232 +S'Winslow Homer' +p251589 +sg225234 +S'watercolor' +p251590 +sg225236 +S'1886' +p251591 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c5/a000c58b.jpg' +p251592 +sg225240 +g27 +sa(dp251593 +g225230 +S'Girl with Hay Rake' +p251594 +sg225232 +S'Winslow Homer' +p251595 +sg225234 +S'watercolor' +p251596 +sg225236 +S'1878' +p251597 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00057/a0005756.jpg' +p251598 +sg225240 +g27 +sa(dp251599 +g225230 +S'The Road to Calvary' +p251600 +sg225232 +S'Jacques de Bellange' +p251601 +sg225234 +S', unknown date' +p251602 +sg225236 +S'\n' +p251603 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00010/a0001061.jpg' +p251604 +sg225240 +g27 +sa(dp251605 +g225232 +S'Andr\xc3\xa9 Derain' +p251606 +sg225240 +g27 +sg225234 +S'color woodcut' +p251607 +sg225230 +S'Vase of Flowers' +p251608 +sg225236 +S'unknown date\n' +p251609 +sa(dp251610 +g225232 +S'M.C. Escher' +p251611 +sg225240 +g27 +sg225234 +S'mezzotint' +p251612 +sg225230 +S'Dusk' +p251613 +sg225236 +S'1946' +p251614 +sa(dp251615 +g225230 +S'Italian Town' +p251616 +sg225232 +S'M.C. Escher' +p251617 +sg225234 +S'black lithographic ink, scratched' +p251618 +sg225236 +S'1930' +p251619 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004b/a0004ba4.jpg' +p251620 +sg225240 +S'Escher often used his drawings as studies for prints, but he occasionally also experimented with various drawing techniques. His most important experiments are the "scratch drawings" for which he evenly coated the paper with lithographic drawing ink. He then drew on the prepared surface with a pointed tool, scoring or scratching into it to produce his image. This technique, which he first employed in 1929, led Escher directly to his work in lithography.\n ' +p251621 +sa(dp251622 +g225232 +S'Max Beckmann' +p251623 +sg225240 +S"Max Beckmann planned to paint a ninth and final triptych called "The Artists,"\n with the left panel representing painting, the right panel music, and the middle panel, with its\n central, garlanded figure, poetry. He was moved by a dream to rename it \n The painting's title may also allude to a group of poets and painters with whom Beckmann\n associated during his years in Amsterdam, 1937-47, who called themselves "the\n Argonauts." Indeed, multiple references to Beckmann's art and his life are evident\n throughout the three panels, making \n " +p251624 +sg225234 +S'oil on canvas' +p251625 +sg225230 +S'The Argonauts [left panel]' +p251626 +sg225236 +S'1949/1950' +p251627 +sa(dp251628 +g225232 +S'Max Beckmann' +p251629 +sg225240 +g27 +sg225234 +S'oil on canvas' +p251630 +sg225230 +S'The Argonauts [middle panel]' +p251631 +sg225236 +S'1949/1950' +p251632 +sa(dp251633 +g225232 +S'Max Beckmann' +p251634 +sg225240 +g27 +sg225234 +S'oil on canvas' +p251635 +sg225230 +S'The Argonauts [right panel]' +p251636 +sg225236 +S'1949/1950' +p251637 +sa(dp251638 +g225232 +S'Max Beckmann' +p251639 +sg225240 +g27 +sg225234 +S'oil on canvas' +p251640 +sg225230 +S'Christ in Limbo' +p251641 +sg225236 +S'1947/1948' +p251642 +sa(dp251643 +g225232 +S'Max Beckmann' +p251644 +sg225240 +g27 +sg225234 +S'oil on canvas' +p251645 +sg225230 +S'Falling Man' +p251646 +sg225236 +S'1950' +p251647 +sa(dp251648 +g225232 +S'Pierre Soulages' +p251649 +sg225240 +g27 +sg225234 +S'oil on canvas' +p251650 +sg225230 +S'6 March 1955' +p251651 +sg225236 +S'1955' +p251652 +sa(dp251653 +g225232 +S'Kenneth Noland' +p251654 +sg225240 +g27 +sg225234 +S'oil on canvas' +p251655 +sg225230 +S'The Clown' +p251656 +sg225236 +S'1959' +p251657 +sa(dp251658 +g225232 +S'Carlos Scliar' +p251659 +sg225240 +g27 +sg225234 +S'oil on cardboard' +p251660 +sg225230 +S'Still Life' +p251661 +sg225236 +S'1970' +p251662 +sa(dp251663 +g225230 +S'Untitled' +p251664 +sg225232 +S'Tony Smith' +p251665 +sg225234 +S'acrylic on canvas' +p251666 +sg225236 +S'1962' +p251667 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a000021e.jpg' +p251668 +sg225240 +g27 +sa(dp251669 +g225232 +S'Larry Bell' +p251670 +sg225240 +g27 +sg225234 +S'chrome and glass' +p251671 +sg225230 +S'Chrome and Glass Construction' +p251672 +sg225236 +S'1965' +p251673 +sa(dp251674 +g225232 +S'Stuart Davis' +p251675 +sg225240 +g27 +sg225234 +S'color screenprint on wove paper' +p251676 +sg225230 +S'Composition' +p251677 +sg225236 +S'1964' +p251678 +sa(dp251679 +g225232 +S'Various Artists' +p251680 +sg225240 +g27 +sg225234 +S'Gift of Mr. and Mrs. Burton Tremaine' +p251681 +sg225230 +S'Ten Works x Ten Painters' +p251682 +sg225236 +S'\nportfolio of ten screenprints and colophon page' +p251683 +sa(dp251684 +g225232 +S'Robert Indiana' +p251685 +sg225240 +g27 +sg225234 +S'color screenprint on wove Mohawk paper' +p251686 +sg225230 +S'Eternal Hexagon' +p251687 +sg225236 +S'1964' +p251688 +sa(dp251689 +g225232 +S'Ellsworth Kelly' +p251690 +sg225240 +g27 +sg225234 +S'screenprint in red and blue on Mohawk Superfine Cover paper' +p251691 +sg225230 +S'Red/Blue (Untitled)' +p251692 +sg225236 +S'1964' +p251693 +sa(dp251694 +g225232 +S'Roy Lichtenstein' +p251695 +sg225240 +g27 +sg225234 +S'screenprint on clear plastic' +p251696 +sg225230 +S'Sandwich and Soda' +p251697 +sg225236 +S'1964' +p251698 +sa(dp251699 +g225232 +S'Robert Motherwell' +p251700 +sg225240 +g27 +sg225234 +S'screenprint in black and ochre with collage on Mohawk Superfine paper' +p251701 +sg225230 +S'Untitled' +p251702 +sg225236 +S'1964' +p251703 +sa(dp251704 +g225232 +S'George Earl Ortman' +p251705 +sg225240 +g27 +sg225234 +S'color screenprint' +p251706 +sg225230 +S'Untitled' +p251707 +sg225236 +S'1964' +p251708 +sa(dp251709 +g225232 +S'Larry Poons' +p251710 +sg225240 +g27 +sg225234 +S'color screenprint' +p251711 +sg225230 +S'Untitled' +p251712 +sg225236 +S'1964' +p251713 +sa(dp251714 +g225232 +S'Ad Reinhardt' +p251715 +sg225240 +g27 +sg225234 +S'color screenprint' +p251716 +sg225230 +S'Untitled' +p251717 +sg225236 +S'1964' +p251718 +sa(dp251719 +g225232 +S'Frank Stella' +p251720 +sg225240 +g27 +sg225234 +S'screenprint in blue and yellow' +p251721 +sg225230 +S'Untitled (Rabat)' +p251722 +sg225236 +S'1964' +p251723 +sa(dp251724 +g225232 +S'Andy Warhol' +p251725 +sg225240 +g27 +sg225234 +S'photo-screenprint' +p251726 +sg225230 +S'Birmingham Race Riot' +p251727 +sg225236 +S'1964' +p251728 +sa(dp251729 +g225230 +S'Nymph of the Fields' +p251730 +sg225232 +S'Pittaluga' +p251731 +sg225234 +S'marble' +p251732 +sg225236 +S'1915' +p251733 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002df5.jpg' +p251734 +sg225240 +g27 +sa(dp251735 +g225230 +S'Nymph of the Woods' +p251736 +sg225232 +S'Pittaluga' +p251737 +sg225234 +S'marble' +p251738 +sg225236 +S'1915' +p251739 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002df6.jpg' +p251740 +sg225240 +g27 +sa(dp251741 +g225230 +S'Cervara' +p251742 +sg225232 +S'Edward Lear' +p251743 +sg225234 +S'hand-colored lithograph' +p251744 +sg225236 +S'unknown date\n' +p251745 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007d/a0007d40.jpg' +p251746 +sg225240 +g27 +sa(dp251747 +g225230 +S'Via Porta Pinciana, Rome' +p251748 +sg225232 +S'Edward Lear' +p251749 +sg225234 +S'color lithograph' +p251750 +sg225236 +S'unknown date\n' +p251751 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007d/a0007d4f.jpg' +p251752 +sg225240 +g27 +sa(dp251753 +g225230 +S'Veduta di Campagna vincino a Gamberaia' +p251754 +sg225232 +S'Artist Information (' +p251755 +sg225234 +S'(artist after)' +p251756 +sg225236 +S'\n' +p251757 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc10.jpg' +p251758 +sg225240 +g27 +sa(dp251759 +g225230 +S'Seascape with a Fortified City at Right, Islands at Left and a Cottage in the Foreground' +p251760 +sg225232 +S'F\xc3\xa9lix-Hilaire Buhot' +p251761 +sg225234 +S'gelatin sheet' +p251762 +sg225236 +S'c. 1882' +p251763 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00091/a0009163.jpg' +p251764 +sg225240 +g27 +sa(dp251765 +g225230 +S'Estuary with a Fortified Seaport at Left and Cliffs at Right' +p251766 +sg225232 +S'F\xc3\xa9lix-Hilaire Buhot' +p251767 +sg225234 +S'gelatin sheet' +p251768 +sg225236 +S'c. 1882' +p251769 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00091/a0009164.jpg' +p251770 +sg225240 +g27 +sa(dp251771 +g225232 +S'Willem de Kooning' +p251772 +sg225240 +g27 +sg225234 +S'lithograph' +p251773 +sg225230 +S'Beach Scene' +p251774 +sg225236 +S'1970' +p251775 +sa(dp251776 +g225232 +S'Artist Information (' +p251777 +sg225240 +g27 +sg225234 +S'1846 - 2011' +p251778 +sg225230 +S'Big' +p251779 +sg225236 +S'(publisher)' +p251780 +sa(dp251781 +g225232 +S'Willem de Kooning' +p251782 +sg225240 +g27 +sg225234 +S'lithograph in black on laid paper' +p251783 +sg225230 +S'Clam Digger' +p251784 +sg225236 +S'1970' +p251785 +sa(dp251786 +g225232 +S'Willem de Kooning' +p251787 +sg225240 +g27 +sg225234 +S'lithograph' +p251788 +sg225230 +S'Figure at Gerard Beach' +p251789 +sg225236 +S'1970' +p251790 +sa(dp251791 +g225232 +S'Willem de Kooning' +p251792 +sg225240 +g27 +sg225234 +S'lithograph' +p251793 +sg225230 +S'High School Desk' +p251794 +sg225236 +S'1970' +p251795 +sa(dp251796 +g225232 +S'Artist Information (' +p251797 +sg225240 +g27 +sg225234 +S'1846 - 2011' +p251798 +sg225230 +S'Landing Place' +p251799 +sg225236 +S'(publisher)' +p251800 +sa(dp251801 +g225232 +S'Willem de Kooning' +p251802 +sg225240 +g27 +sg225234 +S'lithograph' +p251803 +sg225230 +S'Landscape at Stanton Street' +p251804 +sg225236 +S'1971' +p251805 +sa(dp251806 +g225232 +S'Willem de Kooning' +p251807 +sg225240 +g27 +sg225234 +S'lithograph' +p251808 +sg225230 +S'Love to Wakoko' +p251809 +sg225236 +S'1970' +p251810 +sa(dp251811 +g225230 +S'The Marshes' +p251812 +sg225232 +S'Artist Information (' +p251813 +sg225234 +S'1846 - 2011' +p251814 +sg225236 +S'(artist)' +p251815 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000b/a0000bc6.jpg' +p251816 +sg225240 +g27 +sa(dp251817 +g225232 +S'Willem de Kooning' +p251818 +sg225240 +g27 +sg225234 +S'lithograph' +p251819 +sg225230 +S'With Love' +p251820 +sg225236 +S'1971' +p251821 +sa(dp251822 +g225232 +S'Willem de Kooning' +p251823 +sg225240 +g27 +sg225234 +S'lithograph' +p251824 +sg225230 +S'Mother and Child' +p251825 +sg225236 +S'1970' +p251826 +sa(dp251827 +g225230 +S'Minnie Mouse' +p251828 +sg225232 +S'Willem de Kooning' +p251829 +sg225234 +S'lithograph' +p251830 +sg225236 +S'1971' +p251831 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a83.jpg' +p251832 +sg225240 +g27 +sa(dp251833 +g225232 +S'Artist Information (' +p251834 +sg225240 +g27 +sg225234 +S'1846 - 2011' +p251835 +sg225230 +S'Souvenir of Montauk' +p251836 +sg225236 +S'(publisher)' +p251837 +sa(dp251838 +g225232 +S'Willem de Kooning' +p251839 +sg225240 +g27 +sg225234 +S'lithograph' +p251840 +sg225230 +S'Sting Ray' +p251841 +sg225236 +S'unknown date\n' +p251842 +sa(dp251843 +g225232 +S'Artist Information (' +p251844 +sg225240 +g27 +sg225234 +S'1846 - 2011' +p251845 +sg225230 +S'Table and Chair' +p251846 +sg225236 +S'(publisher)' +p251847 +sa(dp251848 +g225232 +S'Artist Information (' +p251849 +sg225240 +g27 +sg225234 +S'1846 - 2011' +p251850 +sg225230 +S'To Kermit for our Trip to Japan' +p251851 +sg225236 +S'(publisher)' +p251852 +sa(dp251853 +g225232 +S'Artist Information (' +p251854 +sg225240 +g27 +sg225234 +S'1846 - 2011' +p251855 +sg225230 +S'Valentine' +p251856 +sg225236 +S'(publisher)' +p251857 +sa(dp251858 +g225232 +S'Willem de Kooning' +p251859 +sg225240 +g27 +sg225234 +S'lithograph' +p251860 +sg225230 +S'The Preacher' +p251861 +sg225236 +S'1971' +p251862 +sa(dp251863 +g225232 +S'Artist Information (' +p251864 +sg225240 +g27 +sg225234 +S'1846 - 2011' +p251865 +sg225230 +S'Woman in Anagansett' +p251866 +sg225236 +S'(publisher)' +p251867 +sa(dp251868 +g225232 +S'Willem de Kooning' +p251869 +sg225240 +g27 +sg225234 +S'lithograph' +p251870 +sg225230 +S'Woman with Corset and Long Hair' +p251871 +sg225236 +S'1970' +p251872 +sa(dp251873 +g225230 +S'Woman at Clearwater Beach' +p251874 +sg225232 +S'Willem de Kooning' +p251875 +sg225234 +S'lithograph' +p251876 +sg225236 +S'1970' +p251877 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a84.jpg' +p251878 +sg225240 +g27 +sa(dp251879 +g225230 +S'Woman Carrying a Basket' +p251880 +sg225232 +S'Cornelis Bega' +p251881 +sg225234 +S'etching' +p251882 +sg225236 +S'unknown date\n' +p251883 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d082.jpg' +p251884 +sg225240 +g27 +sa(dp251885 +g225230 +S'Portrait of M. 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Julii Caesaris ... Quae extant' +p251917 +sg225236 +S'(publisher)' +p251918 +sa(dp251919 +g225230 +S'The Martyrdom of Saint Sebastian' +p251920 +sg225232 +S'Jacob Jordaens' +p251921 +sg225234 +S'pen and brown ink with brown wash on laid paper' +p251922 +sg225236 +S'c. 1620/1621' +p251923 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00070/a0007079.jpg' +p251924 +sg225240 +g27 +sa(dp251925 +g225230 +S'Landscape with Log House near a River' +p251926 +sg225232 +S'Artist Information (' +p251927 +sg225234 +S'Dutch, 1565 - 1629' +p251928 +sg225236 +S'(artist)' +p251929 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cf/a000cfa8.jpg' +p251930 +sg225240 +g27 +sa(dp251931 +g225230 +S'The Battle of the Amazons [recto]' +p251932 +sg225232 +S'Enea Vico' +p251933 +sg225234 +S'engraving' +p251934 +sg225236 +S'1543' +p251935 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c88d.jpg' +p251936 +sg225240 +g27 +sa(dp251937 +g225232 +S'Enea Vico' +p251938 +sg225240 +g27 +sg225234 +S'engraving (counterproof)' +p251939 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+S'http://www.nga.gov:80/thumb-l/a000cd/a000cdc1.jpg' +p252163 +sg225240 +g27 +sa(dp252164 +g225230 +S'"t Moye Molletje" and "Melis Bocke-baert"' +p252165 +sg225232 +S'Artist Information (' +p252166 +sg225234 +S'(artist)' +p252167 +sg225236 +S'\n' +p252168 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cd/a000cdc2.jpg' +p252169 +sg225240 +g27 +sa(dp252170 +g225230 +S'"Schonckje Wel-bedrocht" and "Pronckje Heel-volmaeckt"' +p252171 +sg225232 +S'Artist Information (' +p252172 +sg225234 +S'(artist)' +p252173 +sg225236 +S'\n' +p252174 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cd/a000cdfb.jpg' +p252175 +sg225240 +g27 +sa(dp252176 +g225230 +S'The Rest on the Flight into Egypt, or The Miracle of the Palm Tree' +p252177 +sg225232 +S'Simone Cantarini' +p252178 +sg225234 +S'red chalk, squared for transfer and incised around edges, on laid paper' +p252179 +sg225236 +S'late 1630s' +p252180 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00031/a00031a2.jpg' +p252181 +sg225240 +g27 +sa(dp252182 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First Issue)' +p252202 +sg225236 +S'published 1743' +p252203 +sa(dp252204 +g225230 +S'Boy Balancing on a Ball' +p252205 +sg225232 +S'Johannes G\xc3\xb6tz' +p252206 +sg225234 +S'bronze' +p252207 +sg225236 +S'model 1888, cast probably c. 1905' +p252208 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00024/a0002442.jpg' +p252209 +sg225240 +g27 +sa(dp252210 +g225230 +S'The History of the United States' +p252211 +sg225232 +S'Daniel Nikolaus Chodowiecki' +p252212 +sg225234 +S'etching (3 etchings on one sheet from one plate)' +p252213 +sg225236 +S'1783/1784' +p252214 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b312.jpg' +p252215 +sg225240 +g27 +sa(dp252216 +g225230 +S'The History of the United States' +p252217 +sg225232 +S'Daniel Nikolaus Chodowiecki' +p252218 +sg225234 +S'etching' +p252219 +sg225236 +S'1783/1784' +p252220 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b30a.jpg' +p252221 +sg225240 +g27 +sa(dp252222 +g225230 +S'The History of the United States' +p252223 +sg225232 +S'Daniel Nikolaus Chodowiecki' +p252224 +sg225234 +S'etching (2 etchings on one sheet from one plate)' +p252225 +sg225236 +S'1783/1784' +p252226 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b310.jpg' +p252227 +sg225240 +g27 +sa(dp252228 +g225230 +S'The History of the United States' +p252229 +sg225232 +S'Daniel Nikolaus Chodowiecki' +p252230 +sg225234 +S'etching (2 etchings on one sheet from one plate)' +p252231 +sg225236 +S'1783/1784' +p252232 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b30f.jpg' +p252233 +sg225240 +g27 +sa(dp252234 +g225230 +S'The History of the United States' +p252235 +sg225232 +S'Daniel Nikolaus Chodowiecki' +p252236 +sg225234 +S'etching' +p252237 +sg225236 +S'1783/1784' +p252238 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b30b.jpg' +p252239 +sg225240 +g27 +sa(dp252240 +g225230 +S'The History of the United States' +p252241 +sg225232 +S'Daniel Nikolaus Chodowiecki' +p252242 +sg225234 +S'etching (3 etchings on one sheet from one plate)' +p252243 +sg225236 +S'1783/1784' +p252244 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b313.jpg' +p252245 +sg225240 +g27 +sa(dp252246 +g225232 +S'Tom\xc3\xa1s Joseph Harris' +p252247 +sg225240 +g27 +sg225234 +S', unknown date' +p252248 +sg225230 +S'Almond Trees in Blossom' +p252249 +sg225236 +S'\n' +p252250 +sa(dp252251 +g225232 +S'Tom\xc3\xa1s Joseph Harris' +p252252 +sg225240 +g27 +sg225234 +S', unknown date' +p252253 +sg225230 +S'Cactus' +p252254 +sg225236 +S'\n' +p252255 +sa(dp252256 +g225232 +S'Tom\xc3\xa1s Joseph Harris' +p252257 +sg225240 +g27 +sg225234 +S', unknown date' +p252258 +sg225230 +S'Cactus' +p252259 +sg225236 +S'\n' +p252260 +sa(dp252261 +g225232 +S'Tom\xc3\xa1s Joseph Harris' +p252262 +sg225240 +g27 +sg225234 +S', 1951' +p252263 +sg225230 +S'Christ on the Cross' +p252264 +sg225236 +S'\n' +p252265 +sa(dp252266 +g225232 +S'Tom\xc3\xa1s Joseph Harris' +p252267 +sg225240 +g27 +sg225234 +S', unknown date' +p252268 +sg225230 +S'Courtyard, Camp de Mar, Mallorca' +p252269 +sg225236 +S'\n' +p252270 +sa(dp252271 +g225232 +S'Tom\xc3\xa1s Joseph Harris' +p252272 +sg225240 +g27 +sg225234 +S', unknown date' +p252273 +sg225230 +S'Copy after Goya\'s "Gran disparate"' +p252274 +sg225236 +S'\n' +p252275 +sa(dp252276 +g225232 +S'Tom\xc3\xa1s Joseph Harris' +p252277 +sg225240 +g27 +sg225234 +S', unknown date' +p252278 +sg225230 +S'Farm, Camp de Mar' +p252279 +sg225236 +S'\n' +p252280 +sa(dp252281 +g225232 +S'Tom\xc3\xa1s Joseph Harris' +p252282 +sg225240 +g27 +sg225234 +S', unknown date' +p252283 +sg225230 +S'Group of Trees' +p252284 +sg225236 +S'\n' +p252285 +sa(dp252286 +g225232 +S'Tom\xc3\xa1s Joseph Harris' +p252287 +sg225240 +g27 +sg225234 +S', unknown date' +p252288 +sg225230 +S'Head Fantasy' +p252289 +sg225236 +S'\n' +p252290 +sa(dp252291 +g225232 +S'Tom\xc3\xa1s Joseph Harris' +p252292 +sg225240 +g27 +sg225234 +S', unknown date' +p252293 +sg225230 +S'Landscape with Three Olive Trees' +p252294 +sg225236 +S'\n' +p252295 +sa(dp252296 +g225232 +S'Tom\xc3\xa1s Joseph Harris' +p252297 +sg225240 +g27 +sg225234 +S', unknown date' +p252298 +sg225230 +S'Landscape with Farmstead' +p252299 +sg225236 +S'\n' +p252300 +sa(dp252301 +g225232 +S'Tom\xc3\xa1s Joseph Harris' +p252302 +sg225240 +g27 +sg225234 +S', 1951' +p252303 +sg225230 +S'Landscape with Farmstead' +p252304 +sg225236 +S'\n' +p252305 +sa(dp252306 +g225232 +S'Tom\xc3\xa1s Joseph Harris' +p252307 +sg225240 +g27 +sg225234 +S', 1951' +p252308 +sg225230 +S'Landscape Fantasy, with Cactus and Sun' +p252309 +sg225236 +S'\n' +p252310 +sa(dp252311 +g225232 +S'Tom\xc3\xa1s Joseph Harris' +p252312 +sg225240 +g27 +sg225234 +S', 1951' +p252313 +sg225230 +S'Landscape Fantasy, with Cactus and Setting Sun' +p252314 +sg225236 +S'\n' +p252315 +sa(dp252316 +g225232 +S'Tom\xc3\xa1s Joseph Harris' +p252317 +sg225240 +g27 +sg225234 +S', unknown date' +p252318 +sg225230 +S'Landscape Fantasy with Rocks' +p252319 +sg225236 +S'\n' +p252320 +sa(dp252321 +g225232 +S'Tom\xc3\xa1s Joseph Harris' +p252322 +sg225240 +g27 +sg225234 +S', unknown date' +p252323 +sg225230 +S'Landscape Fantasy with Large Rocks and Trees' +p252324 +sg225236 +S'\n' +p252325 +sa(dp252326 +g225232 +S'Tom\xc3\xa1s Joseph Harris' +p252327 +sg225240 +g27 +sg225234 +S', unknown date' +p252328 +sg225230 +S'Landscape Fantasy with Sea and Rocks' +p252329 +sg225236 +S'\n' +p252330 +sa(dp252331 +g225232 +S'Tom\xc3\xa1s Joseph Harris' +p252332 +sg225240 +g27 +sg225234 +S', unknown date' +p252333 +sg225230 +S'Landscape with Prominent Trees' +p252334 +sg225236 +S'\n' +p252335 +sa(dp252336 +g225232 +S'Tom\xc3\xa1s Joseph Harris' +p252337 +sg225240 +g27 +sg225234 +S', unknown date' +p252338 +sg225230 +S'Landscape with Prominent Trees' +p252339 +sg225236 +S'\n' +p252340 +sa(dp252341 +g225232 +S'Tom\xc3\xa1s Joseph Harris' +p252342 +sg225240 +g27 +sg225234 +S', 1951' +p252343 +sg225230 +S'The Mother and Child' +p252344 +sg225236 +S'\n' +p252345 +sa(dp252346 +g225232 +S'Tom\xc3\xa1s Joseph Harris' +p252347 +sg225240 +g27 +sg225234 +S', unknown date' +p252348 +sg225230 +S'The Old Basket Weaver of Camp de Mar' +p252349 +sg225236 +S'\n' +p252350 +sa(dp252351 +g225232 +S'Tom\xc3\xa1s Joseph Harris' +p252352 +sg225240 +g27 +sg225234 +S', unknown date' +p252353 +sg225230 +S'The Old Basket Weaver of Camp de Mar (?)' +p252354 +sg225236 +S'\n' +p252355 +sa(dp252356 +g225232 +S'Tom\xc3\xa1s Joseph Harris' +p252357 +sg225240 +g27 +sg225234 +S', unknown date' +p252358 +sg225230 +S'Self-Portrait' +p252359 +sg225236 +S'\n' +p252360 +sa(dp252361 +g225232 +S'Tom\xc3\xa1s Joseph Harris' +p252362 +sg225240 +g27 +sg225234 +S', unknown date' +p252363 +sg225230 +S'Self-Portrait' +p252364 +sg225236 +S'\n' +p252365 +sa(dp252366 +g225232 +S'Tom\xc3\xa1s Joseph Harris' +p252367 +sg225240 +g27 +sg225234 +S', unknown date' +p252368 +sg225230 +S'Self-Portrait' +p252369 +sg225236 +S'\n' +p252370 +sa(dp252371 +g225232 +S'Tom\xc3\xa1s Joseph Harris' +p252372 +sg225240 +g27 +sg225234 +S', unknown date' +p252373 +sg225230 +S'Self-Portrait' +p252374 +sg225236 +S'\n' +p252375 +sa(dp252376 +g225232 +S'Tom\xc3\xa1s Joseph Harris' +p252377 +sg225240 +g27 +sg225234 +S', unknown date' +p252378 +sg225230 +S'Self-Portrait' +p252379 +sg225236 +S'\n' +p252380 +sa(dp252381 +g225232 +S'Tom\xc3\xa1s Joseph Harris' +p252382 +sg225240 +g27 +sg225234 +S', unknown date' +p252383 +sg225230 +S'Self-Portrait' +p252384 +sg225236 +S'\n' +p252385 +sa(dp252386 +g225232 +S'Tom\xc3\xa1s Joseph Harris' +p252387 +sg225240 +g27 +sg225234 +S', unknown date' +p252388 +sg225230 +S'Self-Portrait' +p252389 +sg225236 +S'\n' +p252390 +sa(dp252391 +g225232 +S'Tom\xc3\xa1s Joseph Harris' +p252392 +sg225240 +g27 +sg225234 +S', unknown date' +p252393 +sg225230 +S'Self-Portrait with Background of Trees' +p252394 +sg225236 +S'\n' +p252395 +sa(dp252396 +g225230 +S'Jacob and Rebecca before Isaac [recto]' +p252397 +sg225232 +S'French 18th Century' +p252398 +sg225234 +S'overall: 21.8 x 31.2 cm (8 9/16 x 12 5/16 in.)' +p252399 +sg225236 +S'\npen and brown ink with wash over black chalk on laid paper' +p252400 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00072/a0007204.jpg' +p252401 +sg225240 +g27 +sa(dp252402 +g225232 +S'French 18th Century' +p252403 +sg225240 +g27 +sg225234 +S'overall: 21.8 x 31.2 cm (8 9/16 x 12 5/16 in.)' +p252404 +sg225230 +S'A Centaur Carrying a Maiden [verso]' +p252405 +sg225236 +S'\nblack chalk on laid paper' +p252406 +sa(dp252407 +g225230 +S'Red Rose Cantata' +p252408 +sg225232 +S'Alma Thomas' +p252409 +sg225234 +S'acrylic on canvas' +p252410 +sg225236 +S'1973' +p252411 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a0000277.jpg' +p252412 +sg225240 +S'The unevenly spaced, staccato brushstrokes on the white canvas form a visual rhythm, as if the artist had painted a cantata, a type of musical composition. Tremendous delicacy is shown in the play of space and color, with the white "background" as important to the overall effect as the red bursts of color. The harmonic color field is no accident: the compositional and color structure of \n Thomas came into the professional art world late in life, after teaching art for thirty-five years in the Washington, DC, public schools. Her age, however, did not prevent her from gaining recognition as an artist. In 1972, one year before she painted \n ' +p252413 +sa(dp252414 +g225232 +S'Francis Bacon' +p252415 +sg225240 +g27 +sg225234 +S'oil on canvas' +p252416 +sg225230 +S'Study for a Running Dog' +p252417 +sg225236 +S'c. 1954' +p252418 +sa(dp252419 +g225230 +S'Landscape with Ruins, Pastoral Figures, and Trees' +p252420 +sg225232 +S'Claude Lorrain' +p252421 +sg225234 +S'pen and brown ink with graphite and brown wash over black chalk, heightened with white chalk, on apricot-prepared paper' +p252422 +sg225236 +S'c. 1650' +p252423 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00022/a00022e0.jpg' +p252424 +sg225240 +g27 +sa(dp252425 +g225230 +S'Riveaux' +p252426 +sg225232 +S'George Cuitt the Younger' +p252427 +sg225234 +S'etching on papier mince' +p252428 +sg225236 +S'1825' +p252429 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007c/a0007c70.jpg' +p252430 +sg225240 +g27 +sa(dp252431 +g225230 +S'Fountains' +p252432 +sg225232 +S'George Cuitt the Younger' +p252433 +sg225234 +S'etching' +p252434 +sg225236 +S'1822' +p252435 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007c/a0007c60.jpg' +p252436 +sg225240 +g27 +sa(dp252437 +g225230 +S'Riveaux' +p252438 +sg225232 +S'George Cuitt the Younger' +p252439 +sg225234 +S'etching on papier mince' +p252440 +sg225236 +S'1825' +p252441 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007c/a0007c50.jpg' +p252442 +sg225240 +g27 +sa(dp252443 +g225230 +S'Saxon Arch' +p252444 +sg225232 +S'George Cuitt the Younger' +p252445 +sg225234 +S'etching' +p252446 +sg225236 +S'1810' +p252447 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007c/a0007c40.jpg' +p252448 +sg225240 +g27 +sa(dp252449 +g225230 +S'Riveaux' +p252450 +sg225232 +S'George Cuitt the Younger' +p252451 +sg225234 +S'etching on papier mince' +p252452 +sg225236 +S'1825' +p252453 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007d/a0007d6f.jpg' +p252454 +sg225240 +g27 +sa(dp252455 +g225230 +S'Riveaux' +p252456 +sg225232 +S'George Cuitt the Younger' +p252457 +sg225234 +S'etching on papier mince' +p252458 +sg225236 +S'1825' +p252459 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007d/a0007d7e.jpg' +p252460 +sg225240 +g27 +sa(dp252461 +g225230 +S'Fountains' +p252462 +sg225232 +S'George Cuitt the Younger' +p252463 +sg225234 +S'etching' +p252464 +sg225236 +S'1822' +p252465 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0005a/a0005ae0.jpg' +p252466 +sg225240 +g27 +sa(dp252467 +g225230 +S'The Great Hall at Conway Castle' +p252468 +sg225232 +S'George Cuitt the Younger' +p252469 +sg225234 +S'etching' +p252470 +sg225236 +S'unknown date\n' +p252471 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007d/a0007d8c.jpg' +p252472 +sg225240 +g27 +sa(dp252473 +g225230 +S'Riveaux' +p252474 +sg225232 +S'George Cuitt the Younger' +p252475 +sg225234 +S'etching on papier mince' +p252476 +sg225236 +S'1824' +p252477 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007d/a0007d9c.jpg' +p252478 +sg225240 +g27 +sa(dp252479 +g225230 +S'An Old Woman at the Toilet Table' +p252480 +sg225232 +S'Artist Information (' +p252481 +sg225234 +S'(artist after)' +p252482 +sg225236 +S'\n' +p252483 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b2/a000b2d3.jpg' +p252484 +sg225240 +g27 +sa(dp252485 +g225230 +S'Calm (Calme)' +p252486 +sg225232 +S'Paul Huet' +p252487 +sg225234 +S'lithograph' +p252488 +sg225236 +S'1832' +p252489 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0009a/a0009acd.jpg' +p252490 +sg225240 +g27 +sa(dp252491 +g225230 +S"View of the Chateau d'Eu (Vue du Chateau d'Eu)" +p252492 +sg225232 +S'Paul Huet' +p252493 +sg225234 +S'lithograph' +p252494 +sg225236 +S'1834' +p252495 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00098/a00098bf.jpg' +p252496 +sg225240 +g27 +sa(dp252497 +g225230 +S'Jacques Auguste de Thou' +p252498 +sg225232 +S'Artist Information (' +p252499 +sg225234 +S'(artist after)' +p252500 +sg225236 +S'\n' +p252501 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b5/a000b55d.jpg' +p252502 +sg225240 +g27 +sa(dp252503 +g225230 +S'Chancellor Michel Le Tellier' +p252504 +sg225232 +S'Artist Information (' +p252505 +sg225234 +S'(artist after)' +p252506 +sg225236 +S'\n' +p252507 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008b/a0008b63.jpg' +p252508 +sg225240 +g27 +sa(dp252509 +g225230 +S'Model for "Poetry and Music"' +p252510 +sg225232 +S'Clodion' +p252511 +sg225234 +S'terracotta' +p252512 +sg225236 +S'1774' +p252513 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0002c/a0002c06.jpg' +p252514 +sg225240 +S'Clodion specialized in small-scale terracotta figure groups, often with playfully erotic\nsubjects loosely based on ancient myths concerning the wine god Bacchus and his devotees.\nIntended for enjoyment at close range in elegant domestic settings, these inventions were the\nfruits of years of study in Italy. Although signed and clearly meant to be preserved, this example\nwas sculpted as a model for a large-scale work in marble. The National Gallery also owns the\n\n The marble \n ' +p252515 +sa(dp252516 +g225230 +S'The Triumph of Caesar: The Elephants' +p252517 +sg225232 +S'Artist Information (' +p252518 +sg225234 +S'Italian, active c. 1475/1519' +p252519 +sg225236 +S'(artist)' +p252520 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0005f/a0005f15.jpg' +p252521 +sg225240 +g27 +sa(dp252522 +g225230 +S'Saint Jerome Hearing the Trumpet of the Last Judgment' +p252523 +sg225232 +S'Jusepe de Ribera' +p252524 +sg225234 +S'etching, drypoint, and engraving' +p252525 +sg225236 +S'1621' +p252526 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00067/a00067cc.jpg' +p252527 +sg225240 +g27 +sa(dp252528 +g225230 +S"Light Artillery Officer of the Imperial Guard (Officier d'artillerie legerie de la garde imperiale)" +p252529 +sg225232 +S'Th\xc3\xa9odore Gericault' +p252530 +sg225234 +S'lithograph on papier mince' +p252531 +sg225236 +S'1823' +p252532 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0009a/a0009ab7.jpg' +p252533 +sg225240 +g27 +sa(dp252534 +g225230 +S'Horse Devoured by a Lion (Cheval devore par un lion)' +p252535 +sg225232 +S'Th\xc3\xa9odore Gericault' +p252536 +sg225234 +S'lithograph on papier mince' +p252537 +sg225236 +S'1823' +p252538 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0009a/a0009abb.jpg' +p252539 +sg225240 +g27 +sa(dp252540 +g225230 +S'View of a Garden' +p252541 +sg225232 +S'Nicolas de Son' +p252542 +sg225234 +S'etching' +p252543 +sg225236 +S'unknown date\n' +p252544 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008c22.jpg' +p252545 +sg225240 +g27 +sa(dp252546 +g225230 +S'Petit Bosquet au Chasseur' +p252547 +sg225232 +S'Jean-Jacques de Boissieu' +p252548 +sg225234 +S'etching and drypoint' +p252549 +sg225236 +S'1772' +p252550 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008cd8.jpg' +p252551 +sg225240 +g27 +sa(dp252552 +g225230 +S'Entree de Foret' +p252553 +sg225232 +S'Jean-Jacques de Boissieu' +p252554 +sg225234 +S'etching with plate tone' +p252555 +sg225236 +S'1772' +p252556 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f4b.jpg' +p252557 +sg225240 +g27 +sa(dp252558 +g225230 +S'Portrait of a Man' +p252559 +sg225232 +S'Felipe Gomez de Valencia' +p252560 +sg225234 +S'pen and brown ink on laid paper' +p252561 +sg225236 +S'unknown date\n' +p252562 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00069/a00069fa.jpg' +p252563 +sg225240 +g27 +sa(dp252564 +g225230 +S'Death of Seneca' +p252565 +sg225232 +S'Lodovico Lana' +p252566 +sg225234 +S'etching' +p252567 +sg225236 +S'unknown date\n' +p252568 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ca/a000ca02.jpg' +p252569 +sg225240 +g27 +sa(dp252570 +g225230 +S'Sir Thomas Isham' +p252571 +sg225232 +S'David Loggan' +p252572 +sg225234 +S'engraving' +p252573 +sg225236 +S'1676' +p252574 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00076/a00076bb.jpg' +p252575 +sg225240 +g27 +sa(dp252576 +g225230 +S'Robert Greville, Lord Brooke' +p252577 +sg225232 +S'Gerard Valck' +p252578 +sg225234 +S'engraving and etching' +p252579 +sg225236 +S'1678' +p252580 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d5c9.jpg' +p252581 +sg225240 +g27 +sa(dp252582 +g225230 +S'Les chats' +p252583 +sg225232 +S'Champfleury' +p252584 +sg225234 +S', published 1870' +p252585 +sg225236 +S'\n' +p252586 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004c/a0004c8d.jpg' +p252587 +sg225240 +g27 +sa(dp252588 +g225232 +S'Edouard Manet' +p252589 +sg225240 +g27 +sg225234 +S'etching and aquatint' +p252590 +sg225230 +S'The Cat and the Flowers (Le chat et les fleurs)' +p252591 +sg225236 +S'1869' +p252592 +sa(dp252593 +g225230 +S'Spectators Amazed' +p252594 +sg225232 +S'Battista Franco' +p252595 +sg225234 +S'pen and brown ink over red and black chalk on laid paper' +p252596 +sg225236 +S'1540s' +p252597 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00075/a0007500.jpg' +p252598 +sg225240 +g27 +sa(dp252599 +g225232 +S'Artist Information (' +p252600 +sg225240 +g27 +sg225234 +S'(artist after)' +p252601 +sg225230 +S'The Resting Holy Family with Dancing Angels' +p252602 +sg225236 +S'\n' +p252603 +sa(dp252604 +g225232 +S'Adriaen Frans Boudewyns' +p252605 +sg225240 +g27 +sg225234 +S'engraving' +p252606 +sg225230 +S'Large Landscape - Two Men in a Garden' +p252607 +sg225236 +S'unknown date\n' +p252608 +sa(dp252609 +g225230 +S'The Adoration of the Shepherds' +p252610 +sg225232 +S'Artist Information (' +p252611 +sg225234 +S'(artist after)' +p252612 +sg225236 +S'\n' +p252613 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d6/a000d61a.jpg' +p252614 +sg225240 +g27 +sa(dp252615 +g225230 +S'Iphigenia Recognizing Her Brother' +p252616 +sg225232 +S'Agostino dei Musi' +p252617 +sg225234 +S'engraving' +p252618 +sg225236 +S'unknown date\n' +p252619 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c847.jpg' +p252620 +sg225240 +g27 +sa(dp252621 +g225230 +S'Circe-Surface and Volume in Nature' +p252622 +sg225232 +S'Joseph Cornell' +p252623 +sg225234 +S"mixed media collage in artist's wood frame" +p252624 +sg225236 +S'c. 1965' +p252625 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a00008c6.jpg' +p252626 +sg225240 +g27 +sa(dp252627 +g225230 +S'Guillaume Apollinaire' +p252628 +sg225232 +S'Louis Casimir Ladislas Marcoussis' +p252629 +sg225234 +S'red crayon on wove paper' +p252630 +sg225236 +S'1921' +p252631 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006d1c.jpg' +p252632 +sg225240 +g27 +sa(dp252633 +g225230 +S'Composition' +p252634 +sg225232 +S'Adolph Gottlieb' +p252635 +sg225234 +S'etching in black on wove paper' +p252636 +sg225236 +S'c. 1939' +p252637 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000aa8.jpg' +p252638 +sg225240 +g27 +sa(dp252639 +g225232 +S'Artist Information (' +p252640 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Untitled' +p252641 +sg225236 +S'(printer)' +p252642 +sa(dp252643 +g225230 +S'Harrison Gray' +p252644 +sg225232 +S'John Singleton Copley' +p252645 +sg225234 +S'oil on canvas' +p252646 +sg225236 +S'c. 1767' +p252647 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a0000063.jpg' +p252648 +sg225240 +g27 +sa(dp252649 +g225230 +S'Flowers in a Classical Vase' +p252650 +sg225232 +S'French 17th Century' +p252651 +sg225234 +S'overall: 74.9 x 61.5 cm (29 1/2 x 24 3/16 in.)\r\nframed: 99 x 83.8 x 9.5 cm (39 x 33 x 3 3/4 in.)' +p252652 +sg225236 +S'\noil on canvas' +p252653 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0003a/a0003a0d.jpg' +p252654 +sg225240 +g27 +sa(dp252655 +g225230 +S'Flowers in a Vase' +p252656 +sg225232 +S'Philip van Kouwenbergh' +p252657 +sg225234 +S'oil on canvas' +p252658 +sg225236 +S'c. 1700' +p252659 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e6d.jpg' +p252660 +sg225240 +g27 +sa(dp252661 +g225230 +S'Harriet Husson Carville (Mrs. James G. Carville)' +p252662 +sg225232 +S'Thomas Eakins' +p252663 +sg225234 +S'oil on canvas' +p252664 +sg225236 +S'1904' +p252665 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a0000091.jpg' +p252666 +sg225240 +g27 +sa(dp252667 +g225232 +S'Louis-Simon Boizot' +p252668 +sg225240 +g27 +sg225234 +S'marble' +p252669 +sg225230 +S'Louis XVI' +p252670 +sg225236 +S'1777' +p252671 +sa(dp252672 +g225232 +S'Artist Information (' +p252673 +sg225240 +g27 +sg225234 +S'Hungarian, 1895 - 1978' +p252674 +sg225230 +S'Works of the Graphic Department of the Royal Hungarian Academy of Art' +p252675 +sg225236 +S'(editor)' +p252676 +sa(dp252677 +g225232 +S'Artist Information (' +p252678 +sg225240 +g27 +sg225234 +S'Hungarian, 1895 - 1978' +p252679 +sg225230 +S'Works of the Graphic Department of the Royal Hungarian Academy of Art' +p252680 +sg225236 +S'(editor)' +p252681 +sa(dp252682 +g225232 +S'Artist Information (' +p252683 +sg225240 +g27 +sg225234 +S'Hungarian, 1895 - 1978' +p252684 +sg225230 +S'Works of the Graphic Department of the Royal Hungarian Academy of Art' +p252685 +sg225236 +S'(editor)' +p252686 +sa(dp252687 +g225232 +S'Artist Information (' +p252688 +sg225240 +g27 +sg225234 +S'Hungarian, 1895 - 1978' +p252689 +sg225230 +S'Works of the Graphic Department of the Royal Hungarian Academy of Art' +p252690 +sg225236 +S'(editor)' +p252691 +sa(dp252692 +g225232 +S'Artist Information (' +p252693 +sg225240 +g27 +sg225234 +S'Hungarian, 1895 - 1978' +p252694 +sg225230 +S'Works of the Graphic Department of the Royal Hungarian Academy of Art' +p252695 +sg225236 +S'(editor)' +p252696 +sa(dp252697 +g225232 +S'Artist Information (' +p252698 +sg225240 +g27 +sg225234 +S'Hungarian, 1895 - 1978' +p252699 +sg225230 +S'Works of the Graphic Department of the Royal Hungarian Academy of Art' +p252700 +sg225236 +S'(editor)' +p252701 +sa(dp252702 +g225232 +S'Nandor Lajos Varga' +p252703 +sg225240 +g27 +sg225234 +S'drypoint' +p252704 +sg225230 +S'Half-Length of a Girl' +p252705 +sg225236 +S'1939' +p252706 +sa(dp252707 +g225232 +S'Nandor Lajos Varga' +p252708 +sg225240 +g27 +sg225234 +S'engraving and drypoint in brown' +p252709 +sg225230 +S"Head of the Artist's Infant Daughter, Lea" +p252710 +sg225236 +S'1949' +p252711 +sa(dp252712 +g225232 +S'Nandor Lajos Varga' +p252713 +sg225240 +g27 +sg225234 +S'engraving and drypoint' +p252714 +sg225230 +S"Head of the Artist's Infant Daughter, Lea" +p252715 +sg225236 +S'1949' +p252716 +sa(dp252717 +g225232 +S'Nandor Lajos Varga' +p252718 +sg225240 +g27 +sg225234 +S'woodcut' +p252719 +sg225230 +S'Head of a Girl' +p252720 +sg225236 +S'unknown date\n' +p252721 +sa(dp252722 +g225232 +S'Nandor Lajos Varga' +p252723 +sg225240 +g27 +sg225234 +S'engraving and drypoint with plate tone' +p252724 +sg225230 +S'Landscape' +p252725 +sg225236 +S'unknown date\n' +p252726 +sa(dp252727 +g225232 +S'Nandor Lajos Varga' +p252728 +sg225240 +g27 +sg225234 +S'engraving and drypoint' +p252729 +sg225230 +S'Self-Portrait' +p252730 +sg225236 +S'1946' +p252731 +sa(dp252732 +g225232 +S'Robert Rius' +p252733 +sg225240 +g27 +sg225234 +S', published 1940' +p252734 +sg225230 +S"Frappe de l'Echo" +p252735 +sg225236 +S'\n' +p252736 +sa(dp252737 +g225232 +S'Victor Brauner' +p252738 +sg225240 +g27 +sg225234 +S'etching and aquatint' +p252739 +sg225230 +S'Frontispiece' +p252740 +sg225236 +S'published 1940' +p252741 +sa(dp252742 +g225232 +S'Jacob Kainen' +p252743 +sg225240 +g27 +sg225234 +S'etching, engraving, and aquatint in black on Rives BFK paper' +p252744 +sg225230 +S'Mr. Trouble' +p252745 +sg225236 +S'1976' +p252746 +sa(dp252747 +g225230 +S'Variation Sur "Aubette"' +p252748 +sg225232 +S'Artist Information (' +p252749 +sg225234 +S'(artist after)' +p252750 +sg225236 +S'\n' +p252751 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000ef3.jpg' +p252752 +sg225240 +g27 +sa(dp252753 +g225230 +S'New York' +p252754 +sg225232 +S'Mark Tobey' +p252755 +sg225234 +S'tempera on paperboard' +p252756 +sg225236 +S'1944' +p252757 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a0000278.jpg' +p252758 +sg225240 +g27 +sa(dp252759 +g225230 +S'A Bird Perched on a Branch with Fruit' +p252760 +sg225232 +S'Andrea Mantegna' +p252761 +sg225234 +S'pen and brown ink on laid paper' +p252762 +sg225236 +S'1460s' +p252763 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00025/a00025f9.jpg' +p252764 +sg225240 +g27 +sa(dp252765 +g225230 +S'Road by a Field of Cabbages' +p252766 +sg225232 +S'Camille Pissarro' +p252767 +sg225234 +S'color monotype' +p252768 +sg225236 +S'c. 1880' +p252769 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00099/a00099ac.jpg' +p252770 +sg225240 +g27 +sa(dp252771 +g225230 +S'Title Plate' +p252772 +sg225232 +S'Giovanni Battista Piranesi' +p252773 +sg225234 +S'etching, engraving, sulphur tint or open bite' +p252774 +sg225236 +S'published 1749/1750' +p252775 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc1d.jpg' +p252776 +sg225240 +g27 +sa(dp252777 +g225230 +S'The Round Tower' +p252778 +sg225232 +S'Giovanni Battista Piranesi' +p252779 +sg225234 +S'etching, engraving, sulphur tint or open bite, burnishing' +p252780 +sg225236 +S'published 1749/1750' +p252781 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc1e.jpg' +p252782 +sg225240 +g27 +sa(dp252783 +g225230 +S'The Grand Piazza' +p252784 +sg225232 +S'Giovanni Battista Piranesi' +p252785 +sg225234 +S'etching, engraving, sulphur tint or open bite, burnishing' +p252786 +sg225236 +S'published 1749/1750' +p252787 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc1f.jpg' +p252788 +sg225240 +g27 +sa(dp252789 +g225230 +S'The Smoking Fire' +p252790 +sg225232 +S'Giovanni Battista Piranesi' +p252791 +sg225234 +S'etching, engraving, sulphur tint or open bite, burnishing' +p252792 +sg225236 +S'published 1749/1750' +p252793 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc20.jpg' +p252794 +sg225240 +g27 +sa(dp252795 +g225230 +S'The Drawbridge' +p252796 +sg225232 +S'Giovanni Battista Piranesi' +p252797 +sg225234 +S'etching, engraving, scratching' +p252798 +sg225236 +S'published 1749/1750' +p252799 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00053/a00053cf.jpg' +p252800 +sg225240 +g27 +sa(dp252801 +g225230 +S'The Staircase with Trophies' +p252802 +sg225232 +S'Giovanni Battista Piranesi' +p252803 +sg225234 +S'etching, engraving' +p252804 +sg225236 +S'published 1749/1750' +p252805 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc21.jpg' +p252806 +sg225240 +g27 +sa(dp252807 +g225230 +S'The Giant Wheel' +p252808 +sg225232 +S'Giovanni Battista Piranesi' +p252809 +sg225234 +S'etching, engraving' +p252810 +sg225236 +S'published 1749/1750' +p252811 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc22.jpg' +p252812 +sg225240 +g27 +sa(dp252813 +g225230 +S'Prisoners on a Projecting Platform' +p252814 +sg225232 +S'Giovanni Battista Piranesi' +p252815 +sg225234 +S'etching, engraving, sulphur tint or open bite, burnishing' +p252816 +sg225236 +S'published 1749/1750' +p252817 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc25.jpg' +p252818 +sg225240 +g27 +sa(dp252819 +g225230 +S'The Arch with a Shell Ornament' +p252820 +sg225232 +S'Giovanni Battista Piranesi' +p252821 +sg225234 +S'etching, engraving, scratching, sulphur tint or open bite, drypoint' +p252822 +sg225236 +S'published 1749/1750' +p252823 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc24.jpg' +p252824 +sg225240 +g27 +sa(dp252825 +g225230 +S'The Sawhorse' +p252826 +sg225232 +S'Giovanni Battista Piranesi' +p252827 +sg225234 +S'etching, engraving, sulphur tint or open bite, scratching' +p252828 +sg225236 +S'published 1749/1750' +p252829 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc23.jpg' +p252830 +sg225240 +g27 +sa(dp252831 +g225230 +S'The Well' +p252832 +sg225232 +S'Giovanni Battista Piranesi' +p252833 +sg225234 +S'etching, engraving, scratching, burnishing, lavis' +p252834 +sg225236 +S'published 1749/1750' +p252835 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc26.jpg' +p252836 +sg225240 +g27 +sa(dp252837 +g225230 +S'The Gothic Arch' +p252838 +sg225232 +S'Giovanni Battista Piranesi' +p252839 +sg225234 +S'etching, engraving, sulphur tint or open bite, and burnishing' +p252840 +sg225236 +S'published 1749/1750' +p252841 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f67.jpg' +p252842 +sg225240 +g27 +sa(dp252843 +g225230 +S'The Pier with a Lamp' +p252844 +sg225232 +S'Giovanni Battista Piranesi' +p252845 +sg225234 +S'etching, engraving, sulphur tint or open bite, and burnishing' +p252846 +sg225236 +S'published 1749/1750' +p252847 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0001e/a0001e2d.jpg' +p252848 +sg225240 +g27 +sa(dp252849 +g225230 +S'The Pier with Chains' +p252850 +sg225232 +S'Giovanni Battista Piranesi' +p252851 +sg225234 +S'etching, engraving, sulphur tint or open bite, burnishing' +p252852 +sg225236 +S'published 1749/1750' +p252853 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc27.jpg' +p252854 +sg225240 +g27 +sa(dp252855 +g225230 +S'The Sanctuary of Hercules' +p252856 +sg225232 +S'Arnold B\xc3\xb6cklin' +p252857 +sg225234 +S'oil on wood' +p252858 +sg225236 +S'1884' +p252859 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00007/a0000735.jpg' +p252860 +sg225240 +S"In Arnold Böcklin's \n At first glance, the subject appears very realistic and the shrine archaeologically accurate. Yet the scene also conveys a definite mood of mystery. The stones' pure and richly harmonious colors glow with an unnatural radiance. The gloom inside the grove is equaled by the dark ominous clouds, lit by flashes of lightning on the horizon. Indebted to the romantics of the first half of the 19th century, Böcklin rejected the idea of painting solely from nature, and strove to express his own feelings through nature, with the use of vibrant coloration and dramatic lighting.\n " +p252861 +sa(dp252862 +g225230 +S'Number 1, 1950 (Lavender Mist)' +p252863 +sg225232 +S'Jackson Pollock' +p252864 +sg225234 +S'oil, enamel and aluminum on canvas' +p252865 +sg225236 +S'1950' +p252866 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0002b/a0002b30.jpg' +p252867 +sg225240 +S'In 1947 Jackson Pollock introduced a radically innovative method of painting in which he\n poured paint directly onto unprimed canvas that he tacked to the studio floor. Deploying sticks or\n hardened brushes, Pollock circled around the canvas, flinging, dripping, and splashing skeins of\n paint onto its surface, layer upon layer, until a dense web of color was formed. Although his\n process, which was filmed in 1950 by the photographer Hans Namuth, was spontaneous and\n intuitive, Pollock exercised remarkable control over it and insisted, "there is no\n accident."\n Number 1 (Lavender Mist)\n ' +p252868 +sa(dp252869 +g225230 +S'Concours pour le Prix... (The Competition)' +p252870 +sg225232 +S'Artist Information (' +p252871 +sg225234 +S'(artist after)' +p252872 +sg225236 +S'\n' +p252873 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f68.jpg' +p252874 +sg225240 +g27 +sa(dp252875 +g225230 +S'Wooded Landscape with Two Country Carts and Figures' +p252876 +sg225232 +S'Thomas Gainsborough' +p252877 +sg225234 +S'soft-ground etching' +p252878 +sg225236 +S'1779/1780' +p252879 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00078/a00078a8.jpg' +p252880 +sg225240 +g27 +sa(dp252881 +g225230 +S'Wooded Landscape with Riders' +p252882 +sg225232 +S'Thomas Gainsborough' +p252883 +sg225234 +S'aquatint' +p252884 +sg225236 +S'mid 1780s' +p252885 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00078/a00078ac.jpg' +p252886 +sg225240 +g27 +sa(dp252887 +g225230 +S'The Virgin Supporting the Body of Christ' +p252888 +sg225232 +S'Master F' +p252889 +sg225234 +S'engraving' +p252890 +sg225236 +S'unknown date\n' +p252891 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cc/a000ccdc.jpg' +p252892 +sg225240 +g27 +sa(dp252893 +g225230 +S'The Adoration of the Shepherds' +p252894 +sg225232 +S'Parmigianino' +p252895 +sg225234 +S'etching' +p252896 +sg225236 +S'unknown date\n' +p252897 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c775.jpg' +p252898 +sg225240 +g27 +sa(dp252899 +g225230 +S'The Entombment' +p252900 +sg225232 +S'Parmigianino' +p252901 +sg225234 +S'etching and drypoint' +p252902 +sg225236 +S'unknown date\n' +p252903 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c851.jpg' +p252904 +sg225240 +g27 +sa(dp252905 +g225230 +S'A View of Savelli near Albano' +p252906 +sg225232 +S'Jan de Bisschop' +p252907 +sg225234 +S'brush and brown ink with touches of gray and yellow wash' +p252908 +sg225236 +S'unknown date\n' +p252909 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f20.jpg' +p252910 +sg225240 +g27 +sa(dp252911 +g225230 +S'Construction' +p252912 +sg225232 +S'Werner Drewes' +p252913 +sg225234 +S'engraving in black' +p252914 +sg225236 +S'1944' +p252915 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a8b.jpg' +p252916 +sg225240 +g27 +sa(dp252917 +g225232 +S'Werner Drewes' +p252918 +sg225240 +g27 +sg225234 +S'etching' +p252919 +sg225230 +S'Sunset' +p252920 +sg225236 +S'1944' +p252921 +sa(dp252922 +g225230 +S'Waiting' +p252923 +sg225232 +S'Mary Cassatt' +p252924 +sg225234 +S'aquatint and soft-ground etching' +p252925 +sg225236 +S'c. 1879' +p252926 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fa2c.jpg' +p252927 +sg225240 +g27 +sa(dp252928 +g225230 +S'A Native Dance' +p252929 +sg225232 +S'William Hogarth' +p252930 +sg225234 +S'engraving' +p252931 +sg225236 +S'published 1723' +p252932 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00078/a00078c8.jpg' +p252933 +sg225240 +g27 +sa(dp252934 +g225230 +S'The Inside of a Mosque' +p252935 +sg225232 +S'William Hogarth' +p252936 +sg225234 +S'engraving' +p252937 +sg225236 +S'published 1723' +p252938 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00078/a00078ca.jpg' +p252939 +sg225240 +g27 +sa(dp252940 +g225230 +S'The Seraglio' +p252941 +sg225232 +S'William Hogarth' +p252942 +sg225234 +S'engraving' +p252943 +sg225236 +S'published 1723' +p252944 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00078/a00078be.jpg' +p252945 +sg225240 +g27 +sa(dp252946 +g225230 +S'Saint Jerome in the Cave' +p252947 +sg225232 +S'Albrecht Altdorfer' +p252948 +sg225234 +S'woodcut' +p252949 +sg225236 +S'1515' +p252950 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a782.jpg' +p252951 +sg225240 +g27 +sa(dp252952 +g225230 +S'The Entombment' +p252953 +sg225232 +S'Artist Information (' +p252954 +sg225234 +S'(artist after)' +p252955 +sg225236 +S'\n' +p252956 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c89f.jpg' +p252957 +sg225240 +g27 +sa(dp252958 +g225230 +S'Saint John the Baptist' +p252959 +sg225232 +S'Jacopo Palma il Giovane' +p252960 +sg225234 +S'etching' +p252961 +sg225236 +S'unknown date\n' +p252962 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c766.jpg' +p252963 +sg225240 +g27 +sa(dp252964 +g225230 +S'Saint Andrew' +p252965 +sg225232 +S'Bartolomeo Passarotti' +p252966 +sg225234 +S'etching' +p252967 +sg225236 +S'unknown date\n' +p252968 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c85b.jpg' +p252969 +sg225240 +g27 +sa(dp252970 +g225230 +S'Saint John the Evangelist' +p252971 +sg225232 +S'Bartolomeo Passarotti' +p252972 +sg225234 +S'etching' +p252973 +sg225236 +S'1560/1565' +p252974 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c85a.jpg' +p252975 +sg225240 +g27 +sa(dp252976 +g225230 +S'The Virgin and Child with Saints' +p252977 +sg225232 +S'Guiseppe Nicolo Vicentino' +p252978 +sg225234 +S'chiaroscuro woodcut' +p252979 +sg225236 +S'unknown date\n' +p252980 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c875.jpg' +p252981 +sg225240 +g27 +sa(dp252982 +g225230 +S'Faust' +p252983 +sg225232 +S'Artist Information (' +p252984 +sg225234 +S'(author)' +p252985 +sg225236 +S'\n' +p252986 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0001e/a0001e43.jpg' +p252987 +sg225240 +g27 +sa(dp252988 +g225230 +S'River Landscape with Travelers' +p252989 +sg225232 +S'Paul Bril' +p252990 +sg225234 +S'etching' +p252991 +sg225236 +S'unknown date\n' +p252992 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00065/a0006568.jpg' +p252993 +sg225240 +g27 +sa(dp252994 +g225230 +S'Susanna and the Elders' +p252995 +sg225232 +S'Annibale Carracci' +p252996 +sg225234 +S'etching and engraving' +p252997 +sg225236 +S'c. 1590/1595' +p252998 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f0b.jpg' +p252999 +sg225240 +g27 +sa(dp253000 +g225230 +S'Saint George Slaying the Dragon' +p253001 +sg225232 +S'Albrecht Altdorfer' +p253002 +sg225234 +S'woodcut' +p253003 +sg225236 +S'1511' +p253004 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a700.jpg' +p253005 +sg225240 +g27 +sa(dp253006 +g225230 +S'Woman Pulling Her Hair' +p253007 +sg225232 +S'Artist Information (' +p253008 +sg225234 +S'(artist after)' +p253009 +sg225236 +S'\n' +p253010 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c81b.jpg' +p253011 +sg225240 +g27 +sa(dp253012 +g225230 +S'Circus Elephants' +p253013 +sg225232 +S'John Steuart Curry' +p253014 +sg225234 +S'oil on canvas' +p253015 +sg225236 +S'1932' +p253016 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a0000072.jpg' +p253017 +sg225240 +g27 +sa(dp253018 +g225230 +S'Midsummer Twilight' +p253019 +sg225232 +S'Willard Leroy Metcalf' +p253020 +sg225234 +S'oil on canvas' +p253021 +sg225236 +S'c. 1890' +p253022 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a0000168.jpg' +p253023 +sg225240 +S'In the later 1880s, Willard "Willy" Metcalf visited and summered four\r\n times at Giverny, northwest of Paris. Giverny had been home to the famous\r\n impressionist Claude Monet since 1883. Although Metcalf knew the older\r\n French painter, it was the rustic village itself that drew the young\r\n American to the area. The calm structure of Giverny\'s plowed fields,\r\n stone-walled roads, and tile-roofed farmhouses fascinated many painters.\r\n Here, several building eaves and crop lines point toward the shimmering orb\r\n of a full moon rising through rosy clouds over the eastern horizon.\n Sunset imparts a yellow warmth to the stuccoed walls, while the\r\n complementary color of violet marks the lengthening shadows of late\r\n afternoon. The deep blue-greens of the foreground bushes similarly balance\r\n and contrast with the red-oranges of the terracotta roofs.\n Metcalf traveled incessantly, painting Italian villages in the Tuscan\r\n hills, Arab markets in Tunisia, and Zuni pueblos in New Mexico. Despite his\r\n restlessness, he kept returning to his native Massachusetts. His New\r\n England woodland and coastal scenes captured every season of the year and\r\n eventually earned his fame. Ironically, for an artist who could so\r\n beautifully convey the earth\'s placid serenity, Metcalf led a bohemian life\r\n obsessed with women, alcohol, and occult spiritualism.\n ' +p253024 +sa(dp253025 +g225230 +S'Head of an Aged Woman' +p253026 +sg225232 +S'Artist Information (' +p253027 +sg225234 +S'(artist after)' +p253028 +sg225236 +S'\n' +p253029 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b379.jpg' +p253030 +sg225240 +g27 +sa(dp253031 +g225230 +S'Penelope' +p253032 +sg225232 +S'Artist Information (' +p253033 +sg225234 +S'(artist after)' +p253034 +sg225236 +S'\n' +p253035 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b2/a000b2fc.jpg' +p253036 +sg225240 +g27 +sa(dp253037 +g225230 +S'Affairs of State, 1770-1780' +p253038 +sg225232 +S'Daniel Nikolaus Chodowiecki' +p253039 +sg225234 +S'etching (6 etchings on one sheet from one plate)' +p253040 +sg225236 +S'1791' +p253041 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b339.jpg' +p253042 +sg225240 +g27 +sa(dp253043 +g225230 +S'Clarissa' +p253044 +sg225232 +S'Daniel Nikolaus Chodowiecki' +p253045 +sg225234 +S'etching (2 etchings on one sheet from one plate)' +p253046 +sg225236 +S'1796' +p253047 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b32e.jpg' +p253048 +sg225240 +g27 +sa(dp253049 +g225230 +S'Pilgrimage to French Bucholz' +p253050 +sg225232 +S'Daniel Nikolaus Chodowiecki' +p253051 +sg225234 +S'etching' +p253052 +sg225236 +S'1775' +p253053 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b311.jpg' +p253054 +sg225240 +g27 +sa(dp253055 +g225230 +S'Poor Boy Showing His Navel' +p253056 +sg225232 +S'Daniel Nikolaus Chodowiecki' +p253057 +sg225234 +S'etching' +p253058 +sg225236 +S'1758' +p253059 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b33c.jpg' +p253060 +sg225240 +g27 +sa(dp253061 +g225230 +S'Benjamin Franklin' +p253062 +sg225232 +S'Franz Weber' +p253063 +sg225234 +S'etching' +p253064 +sg225236 +S'unknown date\n' +p253065 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b4/a000b473.jpg' +p253066 +sg225240 +g27 +sa(dp253067 +g225232 +S'Mark Tobey' +p253068 +sg225240 +g27 +sg225234 +S'charcoal on laid paper' +p253069 +sg225230 +S'Mrs. Gallois' +p253070 +sg225236 +S'unknown date\n' +p253071 +sa(dp253072 +g225232 +S'Sid Hammer' +p253073 +sg225240 +g27 +sg225234 +S'color etching' +p253074 +sg225230 +S'Title Page' +p253075 +sg225236 +S'1964' +p253076 +sa(dp253077 +g225232 +S'Sid Hammer' +p253078 +sg225240 +g27 +sg225234 +S'portfolio with sixteen etchings including title page' +p253079 +sg225230 +S'Dance of Death' +p253080 +sg225236 +S'1964' +p253081 +sa(dp253082 +g225232 +S'Sid Hammer' +p253083 +sg225240 +g27 +sg225234 +S'etching' +p253084 +sg225230 +S'The Source' +p253085 +sg225236 +S'1964' +p253086 +sa(dp253087 +g225232 +S'Sid Hammer' +p253088 +sg225240 +g27 +sg225234 +S'etching' +p253089 +sg225230 +S'In the Void' +p253090 +sg225236 +S'1964' +p253091 +sa(dp253092 +g225232 +S'Sid Hammer' +p253093 +sg225240 +g27 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+p253188 +sg225240 +g27 +sg225234 +S'(artist)' +p253189 +sg225230 +S"The Wife of Bath's Tale" +p253190 +sg225236 +S'\n' +p253191 +sa(dp253192 +g225232 +S'Wallace Bradstreet Putnam' +p253193 +sg225240 +g27 +sg225234 +S'lithograph' +p253194 +sg225230 +S'Sea Bird Saga I' +p253195 +sg225236 +S'1966' +p253196 +sa(dp253197 +g225232 +S'Wallace Bradstreet Putnam' +p253198 +sg225240 +g27 +sg225234 +S'portfolio with title page, preface, poem, and colophon, and eleven lithographs' +p253199 +sg225230 +S'Sea Bird Saga' +p253200 +sg225236 +S'published 1966' +p253201 +sa(dp253202 +g225232 +S'Wallace Bradstreet Putnam' +p253203 +sg225240 +g27 +sg225234 +S'lithograph' +p253204 +sg225230 +S'Sea Bird Saga II' +p253205 +sg225236 +S'1966' +p253206 +sa(dp253207 +g225232 +S'Wallace Bradstreet Putnam' +p253208 +sg225240 +g27 +sg225234 +S'lithograph' +p253209 +sg225230 +S'Sea Bird Saga III' +p253210 +sg225236 +S'1966' +p253211 +sa(dp253212 +g225232 +S'Wallace Bradstreet Putnam' +p253213 +sg225240 +g27 +sg225234 +S'lithograph' +p253214 +sg225230 +S'Sea Bird Saga IV' +p253215 +sg225236 +S'1966' +p253216 +sa(dp253217 +g225232 +S'Wallace Bradstreet Putnam' +p253218 +sg225240 +g27 +sg225234 +S'lithograph' +p253219 +sg225230 +S'Sea Bird Saga V' +p253220 +sg225236 +S'1966' +p253221 +sa(dp253222 +g225232 +S'Wallace Bradstreet Putnam' +p253223 +sg225240 +g27 +sg225234 +S'lithograph' +p253224 +sg225230 +S'Sea Bird Saga VI' +p253225 +sg225236 +S'1966' +p253226 +sa(dp253227 +g225232 +S'Wallace Bradstreet Putnam' +p253228 +sg225240 +g27 +sg225234 +S'lithograph' +p253229 +sg225230 +S'Sea Bird Saga VII' +p253230 +sg225236 +S'1966' +p253231 +sa(dp253232 +g225232 +S'Wallace Bradstreet Putnam' +p253233 +sg225240 +g27 +sg225234 +S'lithograph' +p253234 +sg225230 +S'Sea Bird Saga VIII' +p253235 +sg225236 +S'1966' +p253236 +sa(dp253237 +g225232 +S'Wallace Bradstreet Putnam' +p253238 +sg225240 +g27 +sg225234 +S'lithograph' +p253239 +sg225230 +S'Sea Bird Saga IX' +p253240 +sg225236 +S'1966' +p253241 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+g27 +sg225234 +S'lithograph in tan and black' +p253269 +sg225230 +S'Stork' +p253270 +sg225236 +S'1968' +p253271 +sa(dp253272 +g225232 +S'Murray Zimiles' +p253273 +sg225240 +g27 +sg225234 +S'lithograph' +p253274 +sg225230 +S'Vulture' +p253275 +sg225236 +S'1968' +p253276 +sa(dp253277 +g225232 +S'Murray Zimiles' +p253278 +sg225240 +g27 +sg225234 +S'lithograph' +p253279 +sg225230 +S'Parrot' +p253280 +sg225236 +S'1968' +p253281 +sa(dp253282 +g225232 +S'Murray Zimiles' +p253283 +sg225240 +g27 +sg225234 +S'lithograph' +p253284 +sg225230 +S'Peafowel' +p253285 +sg225236 +S'1968' +p253286 +sa(dp253287 +g225232 +S'Murray Zimiles' +p253288 +sg225240 +g27 +sg225234 +S'lithograph' +p253289 +sg225230 +S'Ibis' +p253290 +sg225236 +S'1968' +p253291 +sa(dp253292 +g225232 +S'Murray Zimiles' +p253293 +sg225240 +g27 +sg225234 +S'lithograph in tan and black' +p253294 +sg225230 +S'Dove' +p253295 +sg225236 +S'1968' +p253296 +sa(dp253297 +g225232 +S'Murray Zimiles' +p253298 +sg225240 +g27 +sg225234 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Need Yellow' +p253529 +sg225236 +S'(technical collaborator)' +p253530 +sa(dp253531 +g225232 +S'Fritz Glarner' +p253532 +sg225240 +g27 +sg225234 +S'color lithograph' +p253533 +sg225230 +S'Colored Drawing' +p253534 +sg225236 +S'1963' +p253535 +sa(dp253536 +g225230 +S'Centrifugal' +p253537 +sg225232 +S'Adolph Gottlieb' +p253538 +sg225234 +S'gouache on paperboard' +p253539 +sg225236 +S'1961' +p253540 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a00008e9.jpg' +p253541 +sg225240 +g27 +sa(dp253542 +g225232 +S'Red Grooms' +p253543 +sg225240 +g27 +sg225234 +S'watercolor' +p253544 +sg225230 +S'Ruins' +p253545 +sg225236 +S'1968' +p253546 +sa(dp253547 +g225232 +S'Red Grooms' +p253548 +sg225240 +g27 +sg225234 +S'red and black felt-tip pen' +p253549 +sg225230 +S'Trogir' +p253550 +sg225236 +S'1968' +p253551 +sa(dp253552 +g225230 +S'Slushing' +p253553 +sg225232 +S'Red Grooms' +p253554 +sg225234 +S'watercolor' +p253555 +sg225236 +S'1971' +p253556 +sg225238 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Arches Cover paper' +p253565 +sg225230 +S'Rain' +p253566 +sg225236 +S'1973' +p253567 +sa(dp253568 +g225230 +S'Sun' +p253569 +sg225232 +S'David Hockney' +p253570 +sg225234 +S'8-color lithograph (aluminum and stone) and screenprint on Arjomari paper' +p253571 +sg225236 +S'1973' +p253572 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00022/a00022ab.jpg' +p253573 +sg225240 +g27 +sa(dp253574 +g225232 +S'David Hockney' +p253575 +sg225240 +g27 +sg225234 +S'11-color lithograph (aluminum and stone) and screenprint on Arjomari paper' +p253576 +sg225230 +S'Wind' +p253577 +sg225236 +S'1973' +p253578 +sa(dp253579 +g225232 +S'David Hockney' +p253580 +sg225240 +g27 +sg225234 +S'9-color lithograph (aluminum and stone) and screenprint on Arjomari paper' +p253581 +sg225230 +S'Snow' +p253582 +sg225236 +S'1973' +p253583 +sa(dp253584 +g225232 +S'David Hockney' +p253585 +sg225240 +g27 +sg225234 +S'4-color lithograph (stone) and screenprint on Arjomari paper' +p253586 +sg225230 +S'Lightning' +p253587 +sg225236 +S'1973' +p253588 +sa(dp253589 +g225230 +S'Red Sky' +p253590 +sg225232 +S'Hans Hofmann' +p253591 +sg225234 +S'colored crayons and black felt-tip pen' +p253592 +sg225236 +S'1943' +p253593 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a00008f8.jpg' +p253594 +sg225240 +g27 +sa(dp253595 +g225230 +S'Bird Flight' +p253596 +sg225232 +S'Hans Hofmann' +p253597 +sg225234 +S'colored crayons and black felt-tip pen' +p253598 +sg225236 +S'1943' +p253599 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a00008f9.jpg' +p253600 +sg225240 +g27 +sa(dp253601 +g225230 +S'False Start I' +p253602 +sg225232 +S'Artist Information (' +p253603 +sg225234 +S'1920 - 2003' +p253604 +sg225236 +S'(printer)' +p253605 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000ad0.jpg' +p253606 +sg225240 +g27 +sa(dp253607 +g225232 +S'Jasper Johns' +p253608 +sg225240 +g27 +sg225234 +S'11-color lithograph (stone) on A. 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No.1' +p254266 +sg225232 +S'Jack Tworkov' +p254267 +sg225234 +S'gouache, graphite, and watercolor' +p254268 +sg225236 +S'1961' +p254269 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00009/a00009e8.jpg' +p254270 +sg225240 +g27 +sa(dp254271 +g225232 +S'Jack Youngerman' +p254272 +sg225240 +g27 +sg225234 +S'brush and black ink' +p254273 +sg225230 +S'March 5th, 1968' +p254274 +sg225236 +S'1968' +p254275 +sa(dp254276 +g225232 +S'Jack Youngerman' +p254277 +sg225240 +g27 +sg225234 +S'brush and black ink' +p254278 +sg225230 +S'April 2nd, 1965' +p254279 +sg225236 +S'1965' +p254280 +sa(dp254281 +g225232 +S'Jack Youngerman' +p254282 +sg225240 +g27 +sg225234 +S'red watercolor?' +p254283 +sg225230 +S'August 6, 1968' +p254284 +sg225236 +S'1968' +p254285 +sa(dp254286 +g225232 +S'Jack Youngerman' +p254287 +sg225240 +g27 +sg225234 +S'brush and black ink' +p254288 +sg225230 +S'March 3rd, 1965' +p254289 +sg225236 +S'1965' +p254290 +sa(dp254291 +g225232 +S'Robert Rauschenberg' +p254292 +sg225240 +g27 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Expedation' +p254443 +sg225236 +S'(printer)' +p254444 +sa(dp254445 +g225232 +S'Artist Information (' +p254446 +sg225240 +g27 +sg225234 +g27 +sg225230 +S"420 West Broadway Visitors' Profile" +p254447 +sg225236 +S'(printer)' +p254448 +sa(dp254449 +g225232 +S'Artist Information (' +p254450 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Untitled' +p254451 +sg225236 +S'(printer)' +p254452 +sa(dp254453 +g225232 +S'Artist Information (' +p254454 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Installation Drawing for a Work in the New York Collection for Stockholm' +p254455 +sg225236 +S'(printer)' +p254456 +sa(dp254457 +g225232 +S'Artist Information (' +p254458 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Untitled' +p254459 +sg225236 +S'(printer)' +p254460 +sa(dp254461 +g225232 +S'Artist Information (' +p254462 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Untitled' +p254463 +sg225236 +S'(printer)' +p254464 +sa(dp254465 +g225232 +S'Artist Information (' +p254466 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Finger Pointing' +p254467 +sg225236 +S'(printer)' +p254468 +sa(dp254469 +g225232 +S'Artist Information (' +p254470 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Untitled' +p254471 +sg225236 +S'(printer)' +p254472 +sa(dp254473 +g225232 +S'Artist Information (' +p254474 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Untitled' +p254475 +sg225236 +S'(printer)' +p254476 +sa(dp254477 +g225232 +S'Artist Information (' +p254478 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Untitled' +p254479 +sg225236 +S'(printer)' +p254480 +sa(dp254481 +g225232 +S'Artist Information (' +p254482 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Mickey Mouse' +p254483 +sg225236 +S'(printer)' +p254484 +sa(dp254485 +g225232 +S'Artist Information (' +p254486 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Untitled' +p254487 +sg225236 +S'(printer)' +p254488 +sa(dp254489 +g225232 +S'Artist Information (' +p254490 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Installation Drawing of Monogram' +p254491 +sg225236 +S'(printer)' +p254492 +sa(dp254493 +g225232 +S'Artist Information (' +p254494 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Lenin?' +p254495 +sg225236 +S'(printer)' +p254496 +sa(dp254497 +g225232 +S'Artist Information (' +p254498 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Ten Days' +p254499 +sg225236 +S'(printer)' +p254500 +sa(dp254501 +g225232 +S'Artist Information (' +p254502 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Dry Cleaning Store' +p254503 +sg225236 +S'(printer)' +p254504 +sa(dp254505 +g225232 +S'Artist Information (' +p254506 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Untitled' +p254507 +sg225236 +S'(printer)' +p254508 +sa(dp254509 +g225232 +S'Artist Information (' +p254510 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Untitled' +p254511 +sg225236 +S'(printer)' +p254512 +sa(dp254513 +g225232 +S'Artist Information (' +p254514 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Untitled' +p254515 +sg225236 +S'(printer)' +p254516 +sa(dp254517 +g225232 +S'Artist Information (' +p254518 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Untitled' +p254519 +sg225236 +S'(printer)' +p254520 +sa(dp254521 +g225232 +S'Artist Information (' +p254522 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Untitled' +p254523 +sg225236 +S'(printer)' +p254524 +sa(dp254525 +g225232 +S'Artist Information (' +p254526 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Mao' +p254527 +sg225236 +S'(printer)' +p254528 +sa(dp254529 +g225230 +S'Saint Anne with the Virgin and the Christ Child' +p254530 +sg225232 +S'Master of Frankfurt' +p254531 +sg225234 +S'oil on panel' +p254532 +sg225236 +S'c. 1511/1515' +p254533 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00005/a00005b7.jpg' +p254534 +sg225240 +S'In this altarpiece panel, the Virgin and her mother, Saint Anne, flank the infant Jesus. Images with Saint Anne became common in the fifteenth century as her popularity grew, and this arrangement is one of the two principal ways in which she was shown. The figure of God the Father appears in a gold ground above the baby’s head, and the dove of the holy spirit hovers between them. The composition links the trinity—the father, the son, and the holy ghost—with the triad of mother, Mary, and child. The visual parallel enhances Anne’s status and underlines Christ’s dual nature as both human and divine. (A larger \n The identity of the Master of Frankfurt remains undocumented. In his case the designation given him by modern scholars is misleading since it is now clear that he was not German but Netherlandish, probably working in Antwerp. Although we are not certain of his name we do have his fingerprints. He used his fingers to smudge the paint in the clouds, giving them extra texture. Another interesting aspect of his technique is his apparent use of a stencil to create the pattern in Saint Anne’s red cloak. Notice how the design is uninterrupted across the folds of cloth.\n ' +p254535 +sa(dp254536 +g225230 +S'The Capitoline Eagle' +p254537 +sg225232 +S'Sir Peter Paul Rubens' +p254538 +sg225234 +S'black chalk on laid paper' +p254539 +sg225236 +S'c. 1601/1602' +p254540 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006ed9.jpg' +p254541 +sg225240 +g27 +sa(dp254542 +g225232 +S'Josef Albers' +p254543 +sg225240 +g27 +sg225234 +S'inkless intaglio on Arches paper' +p254544 +sg225230 +S'Embossed Linear Construction 1-A' +p254545 +sg225236 +S'1969' +p254546 +sa(dp254547 +g225232 +S'Josef Albers' +p254548 +sg225240 +g27 +sg225234 +S'inkless intaglio on Arches paper' +p254549 +sg225230 +S'Embossed Linear Construction 1-B' +p254550 +sg225236 +S'1969' +p254551 +sa(dp254552 +g225232 +S'Josef Albers' +p254553 +sg225240 +g27 +sg225234 +S'inkless intaglio on Arches paper' +p254554 +sg225230 +S'Embossed Linear Construction 1-C' +p254555 +sg225236 +S'l969' +p254556 +sa(dp254557 +g225232 +S'Josef Albers' 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+sa(dp254612 +g225232 +S'Josef Albers' +p254613 +sg225240 +g27 +sg225234 +S'color screenprint' +p254614 +sg225230 +S'Variant Six' +p254615 +sg225236 +S'1969' +p254616 +sa(dp254617 +g225232 +S'Ivan Puni' +p254618 +sg225240 +g27 +sg225234 +S'painted wood, metal and cardboard' +p254619 +sg225230 +S'Suprematist Construction Montage' +p254620 +sg225236 +S'1915/1916' +p254621 +sa(dp254622 +g225230 +S'Les Plaisirs paternels (Paternal Pleasures)' +p254623 +sg225232 +S'Philibert-Louis Debucourt' +p254624 +sg225234 +S'etching and wash manner, printed in orange-red, blue, yellow, and black inks' +p254625 +sg225236 +S'c. 1797' +p254626 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00096/a00096cb.jpg' +p254627 +sg225240 +g27 +sa(dp254628 +g225230 +S'Forest Landscape with Two Men and a Woman Resting near a Bridge' +p254629 +sg225232 +S'Artist Information (' +p254630 +sg225234 +S'(artist after)' +p254631 +sg225236 +S'\n' +p254632 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d030.jpg' +p254633 +sg225240 +g27 +sa(dp254634 +g225230 +S'River Landscape with a Duck Hunter' +p254635 +sg225232 +S'Artist Information (' +p254636 +sg225234 +S'(artist after)' +p254637 +sg225236 +S'\n' +p254638 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d02f.jpg' +p254639 +sg225240 +g27 +sa(dp254640 +g225230 +S'The Fall of the Rebellious Angels' +p254641 +sg225232 +S'Philippe Thomassin' +p254642 +sg225234 +S'engraving' +p254643 +sg225236 +S'1618' +p254644 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008b/a0008bf2.jpg' +p254645 +sg225240 +g27 +sa(dp254646 +g225230 +S'Sailors at the Waterside' +p254647 +sg225232 +S'Thomas Wyck' +p254648 +sg225234 +S'etching' +p254649 +sg225236 +S'unknown date\n' +p254650 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d451.jpg' +p254651 +sg225240 +g27 +sa(dp254652 +g225230 +S'The Shepherd and the Old Warrior' +p254653 +sg225232 +S'Domenico Campagnola' +p254654 +sg225234 +S'engraving' +p254655 +sg225236 +S'1517' +p254656 +sg225238 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Vinckboons' +p254678 +sg225234 +S'pen and brown ink with green, blue, brown, and pink wash over black chalk on laid paper' +p254679 +sg225236 +S'c. 1610' +p254680 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00037/a00037fc.jpg' +p254681 +sg225240 +g27 +sa(dp254682 +g225230 +S'Man with a Plumed Cap' +p254683 +sg225232 +S'Artist Information (' +p254684 +sg225234 +S'(artist after)' +p254685 +sg225236 +S'\n' +p254686 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d56c.jpg' +p254687 +sg225240 +g27 +sa(dp254688 +g225230 +S'Landscape with Cross and Figures' +p254689 +sg225232 +S'Georg Eisenmann' +p254690 +sg225234 +S'etching' +p254691 +sg225236 +S'unknown date\n' +p254692 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b344.jpg' +p254693 +sg225240 +g27 +sa(dp254694 +g225230 +S'Mountainous Riverscape with Figures' +p254695 +sg225232 +S'Georg Eisenmann' +p254696 +sg225234 +S'etching' +p254697 +sg225236 +S'unknown date\n' +p254698 +sg225238 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+sg225240 +g27 +sg225234 +S'(artist after)' +p254742 +sg225230 +S'Christ on the Cross with Saint Catherine of Siena, Saint Dominic and an Angel' +p254743 +sg225236 +S'\n' +p254744 +sa(dp254745 +g225230 +S'Mother with Two Children and a Horse in Front of an Inn' +p254746 +sg225232 +S'Jan van Huchtenburgh' +p254747 +sg225234 +S'mezzotint' +p254748 +sg225236 +S'unknown date\n' +p254749 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d513.jpg' +p254750 +sg225240 +g27 +sa(dp254751 +g225230 +S'Two Fighting Horsemen' +p254752 +sg225232 +S'Jan van Huchtenburgh' +p254753 +sg225234 +S'mezzotint' +p254754 +sg225236 +S'unknown date\n' +p254755 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d516.jpg' +p254756 +sg225240 +g27 +sa(dp254757 +g225230 +S'Robbers on Horseback' +p254758 +sg225232 +S'Jan van Huchtenburgh' +p254759 +sg225234 +S'mezzotint' +p254760 +sg225236 +S'unknown date\n' +p254761 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d517.jpg' +p254762 +sg225240 +g27 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paper with commer cially prepared cream ground' +p255145 +sg225236 +S'probably c. 1870' +p255146 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006cfb.jpg' +p255147 +sg225240 +g27 +sa(dp255148 +g225230 +S'Charles II with His Council' +p255149 +sg225232 +S'British 17th Century' +p255150 +sg225234 +S'Andrew W. 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Bella' +p255174 +sg225234 +S'etching' +p255175 +sg225236 +S'1656' +p255176 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9d3.jpg' +p255177 +sg225240 +g27 +sa(dp255178 +g225230 +S'Two Riders Passing Near a Herd of Animals' +p255179 +sg225232 +S'Stefano Della Bella' +p255180 +sg225234 +S'etching' +p255181 +sg225236 +S'1656' +p255182 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9d2.jpg' +p255183 +sg225240 +g27 +sa(dp255184 +g225230 +S'Peasant Woman on Horseback with a Child in Her Arms' +p255185 +sg225232 +S'Stefano Della Bella' +p255186 +sg225234 +S'etching' +p255187 +sg225236 +S'1656' +p255188 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9d4.jpg' +p255189 +sg225240 +g27 +sa(dp255190 +g225230 +S'Three Camel Heads' +p255191 +sg225232 +S'Stefano Della Bella' +p255192 +sg225234 +S'etching' +p255193 +sg225236 +S'probably 1649' +p255194 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c913.jpg' +p255195 +sg225240 +g27 +sa(dp255196 +g225230 +S'Two Camel Heads' +p255197 +sg225232 +S'Stefano Della Bella' +p255198 +sg225234 +S'etching' +p255199 +sg225236 +S'probably 1649' +p255200 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c914.jpg' +p255201 +sg225240 +g27 +sa(dp255202 +g225230 +S'Two Horse Heads' +p255203 +sg225232 +S'Stefano Della Bella' +p255204 +sg225234 +S'etching' +p255205 +sg225236 +S'probably 1649' +p255206 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c915.jpg' +p255207 +sg225240 +g27 +sa(dp255208 +g225230 +S'Three Lion Heads' +p255209 +sg225232 +S'Stefano Della Bella' +p255210 +sg225234 +S'etching' +p255211 +sg225236 +S'probably 1649' +p255212 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c916.jpg' +p255213 +sg225240 +g27 +sa(dp255214 +g225232 +S'Artist Information (' +p255215 +sg225240 +g27 +sg225234 +S'(artist after)' +p255216 +sg225230 +S'Jane (Fleming), Countess of Harrington' +p255217 +sg225236 +S'\n' +p255218 +sa(dp255219 +g225230 +S"The Boy with Soap Bubbles (L'enfant aux bulles de savon)" +p255220 +sg225232 +S'Edouard Manet' +p255221 +sg225234 +S'etching and aquatint on green paper' +p255222 +sg225236 +S'1868/1869' +p255223 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00067/a000673a.jpg' +p255224 +sg225240 +g27 +sa(dp255225 +g225230 +S"L'agriculture consideree, le Comte de Veaux" +p255226 +sg225232 +S'Artist Information (' +p255227 +sg225234 +S'(artist after)' +p255228 +sg225236 +S'\n' +p255229 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e86.jpg' +p255230 +sg225240 +g27 +sa(dp255231 +g225230 +S'A Mameluck Resting' +p255232 +sg225232 +S'Carle Vernet' +p255233 +sg225234 +S'lithograph' +p255234 +sg225236 +S'unknown date\n' +p255235 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000a0/a000a05e.jpg' +p255236 +sg225240 +g27 +sa(dp255237 +g225230 +S'The Madonna and Child with the Abbot Ludwig von Churchwalden' +p255238 +sg225232 +S'Artist Information (' +p255239 +sg225234 +S'(artist after)' +p255240 +sg225236 +S'\n' +p255241 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000a4/a000a444.jpg' +p255242 +sg225240 +g27 +sa(dp255243 +g225230 +S'Studies for Christopher Columbus' +p255244 +sg225232 +S'Eug\xc3\xa8ne Delacroix' +p255245 +sg225234 +S'pen and brown ink and graphite' +p255246 +sg225236 +S'unknown date\n' +p255247 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00072/a00072a6.jpg' +p255248 +sg225240 +g27 +sa(dp255249 +g225230 +S'The Loves of Mars and Venus' +p255250 +sg225232 +S'Enea Vico' +p255251 +sg225234 +S'engraving' +p255252 +sg225236 +S'unknown date\n' +p255253 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c88c.jpg' +p255254 +sg225240 +g27 +sa(dp255255 +g225230 +S'Two Camel Heads [recto]' +p255256 +sg225232 +S'Stefano Della Bella' +p255257 +sg225234 +S'etching with revisions in black chalk and brown wash on laid paper' +p255258 +sg225236 +S'probably 1649' +p255259 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c917.jpg' +p255260 +sg225240 +g27 +sa(dp255261 +g225230 +S'The Flight into Egypt [verso]' +p255262 +sg225232 +S'Stefano Della Bella' +p255263 +sg225234 +S'pen and brown ink with graphite on laid paper' +p255264 +sg225236 +S'unknown date\n' +p255265 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c918.jpg' +p255266 +sg225240 +g27 +sa(dp255267 +g225230 +S'A Venetian Procurator of San Marco [recto]' +p255268 +sg225232 +S'Artist Information (' +p255269 +sg225234 +S'(artist)' +p255270 +sg225236 +S'\n' +p255271 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a0007427.jpg' +p255272 +sg225240 +g27 +sa(dp255273 +g225230 +S'Portrait of a Procurator [verso]' +p255274 +sg225232 +S'Artist Information (' +p255275 +sg225234 +S'(artist)' +p255276 +sg225236 +S'\n' +p255277 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a0007428.jpg' +p255278 +sg225240 +g27 +sa(dp255279 +g225230 +S'Self-Portrait' +p255280 +sg225232 +S'Wallerant Vaillant' +p255281 +sg225234 +S'mezzotint' +p255282 +sg225236 +S'unknown date\n' +p255283 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d5c3.jpg' +p255284 +sg225240 +g27 +sa(dp255285 +g225230 +S'The Lion Hunt' +p255286 +sg225232 +S'Vicencio Carducho' +p255287 +sg225234 +S'black chalk with brown, rose and green wash, squared for transfer, on laid paper' +p255288 +sg225236 +S'unknown date\n' +p255289 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006a/a0006a01.jpg' +p255290 +sg225240 +g27 +sa(dp255291 +g225232 +S'Frank Stella' +p255292 +sg225240 +g27 +sg225234 +S'collage of colored fabrics, paperboard and oil paint on paperboard' +p255293 +sg225230 +S'Chyrow' +p255294 +sg225236 +S'1973' +p255295 +sa(dp255296 +g225232 +S'Jean Arp' +p255297 +sg225240 +g27 +sg225234 +S'carved and painted wood' +p255298 +sg225230 +S'The Forest' +p255299 +sg225236 +S'1916' +p255300 +sa(dp255301 +g225230 +S'Tavern Scene' +p255302 +sg225232 +S'Adriaen van Ostade' +p255303 +sg225234 +S'oil on panel' +p255304 +sg225236 +S'early 1660s' +p255305 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e76.jpg' +p255306 +sg225240 +g27 +sa(dp255307 +g225230 +S'The Flight into Egypt' +p255308 +sg225232 +S'Stefano Della Bella' +p255309 +sg225234 +S'etching and bitten tone' +p255310 +sg225236 +S'probably 1662' +p255311 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9ae.jpg' +p255312 +sg225240 +g27 +sa(dp255313 +g225230 +S'Frontispiece for Callot\'s "The New Testament"' +p255314 +sg225232 +S'Abraham Bosse' +p255315 +sg225234 +S'etching' +p255316 +sg225236 +S'1635' +p255317 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00088/a000881b.jpg' +p255318 +sg225240 +g27 +sa(dp255319 +g225230 +S'Christ Disputing with the Doctors' +p255320 +sg225232 +S'Jacques Callot' +p255321 +sg225234 +S'etching' +p255322 +sg225236 +S'1635' +p255323 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00088/a000880d.jpg' +p255324 +sg225240 +g27 +sa(dp255325 +g225230 +S'Fisher of Men' +p255326 +sg225232 +S'Jacques Callot' +p255327 +sg225234 +S'etching' +p255328 +sg225236 +S'1635' +p255329 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00088/a000880e.jpg' +p255330 +sg225240 +g27 +sa(dp255331 +g225230 +S'Jesus with the Pharisees' +p255332 +sg225232 +S'Jacques Callot' +p255333 +sg225234 +S'etching' +p255334 +sg225236 +S'1635' +p255335 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00088/a0008815.jpg' +p255336 +sg225240 +g27 +sa(dp255337 +g225230 +S'Sermon on the Mount' +p255338 +sg225232 +S'Jacques Callot' +p255339 +sg225234 +S'etching' +p255340 +sg225236 +S'1635' +p255341 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00088/a0008816.jpg' +p255342 +sg225240 +g27 +sa(dp255343 +g225230 +S'Christ and the Woman Taken in Adultery' +p255344 +sg225232 +S'Jacques Callot' +p255345 +sg225234 +S'etching' +p255346 +sg225236 +S'1635' +p255347 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00088/a00088b9.jpg' +p255348 +sg225240 +g27 +sa(dp255349 +g225230 +S'Stoning of Jesus' +p255350 +sg225232 +S'Jacques Callot' +p255351 +sg225234 +S'etching' +p255352 +sg225236 +S'1635' +p255353 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00088/a00088ba.jpg' +p255354 +sg225240 +g27 +sa(dp255355 +g225230 +S'Raising of Lazarus' +p255356 +sg225232 +S'Jacques Callot' +p255357 +sg225234 +S'etching' +p255358 +sg225236 +S'1635' +p255359 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00088/a00088c3.jpg' +p255360 +sg225240 +g27 +sa(dp255361 +g225230 +S'The Entry into Jerusalem' +p255362 +sg225232 +S'Jacques Callot' +p255363 +sg225234 +S'etching' +p255364 +sg225236 +S'1635' +p255365 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00088/a00088c4.jpg' +p255366 +sg225240 +g27 +sa(dp255367 +g225230 +S"Caesar's Coin" +p255368 +sg225232 +S'Jacques Callot' +p255369 +sg225234 +S'etching' +p255370 +sg225236 +S'1635' +p255371 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00088/a00088bd.jpg' +p255372 +sg225240 +g27 +sa(dp255373 +g225230 +S'Conversion of Paul' +p255374 +sg225232 +S'Jacques Callot' +p255375 +sg225234 +S'etching' +p255376 +sg225236 +S'1635' +p255377 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00088/a00088be.jpg' +p255378 +sg225240 +g27 +sa(dp255379 +g225230 +S'The Bald Eagle (Falco leucocephalus)' +p255380 +sg225232 +S'Mark Catesby' +p255381 +sg225234 +S'hand-colored etching' +p255382 +sg225236 +S'published 1731-1743' +p255383 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00077/a00077fa.jpg' +p255384 +sg225240 +g27 +sa(dp255385 +g225232 +S'Albert Edward Sterner' +p255386 +sg225240 +g27 +sg225234 +S'monotype with (pen?) and brown ink' +p255387 +sg225230 +S'Reclining Nude' +p255388 +sg225236 +S'c. 1909' +p255389 +sa(dp255390 +g225230 +S'Ambroise Par\xc3\xa9' +p255391 +sg225232 +S"Pierre-Jean David d'Angers" +p255392 +sg225234 +S'bronze' +p255393 +sg225236 +S'model 1836-1839, cast after 1840' +p255394 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00054/a000541f.jpg' +p255395 +sg225240 +g27 +sa(dp255396 +g225232 +S'Alfredo Halegua' +p255397 +sg225240 +g27 +sg225234 +S'cor-ten steel' +p255398 +sg225230 +S'America' +p255399 +sg225236 +S'1970' +p255400 +sa(dp255401 +g225232 +S'Jacques Lipchitz' +p255402 +sg225240 +g27 +sg225234 +S'polychromed stone' +p255403 +sg225230 +S'Bas-Relief, I' +p255404 +sg225236 +S'1918' +p255405 +sa(dp255406 +g225230 +S'David with the Head of Goliath' +p255407 +sg225232 +S'Giovanni Benedetto Castiglione' +p255408 +sg225234 +S'monotype in brown oil pigment on laid paper' +p255409 +sg225236 +S'c. 1655' +p255410 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00010/a0001065.jpg' +p255411 +sg225240 +g27 +sa(dp255412 +g225230 +S'Danse du Soleil' +p255413 +sg225232 +S'Stanley William Hayter' +p255414 +sg225234 +S'color offset from woodblock w/ color engraving + soft-ground etching printed intaglio + relief (stencil method); areas of intaglio w/ ink wiped clean' +p255415 +sg225236 +S'1951' +p255416 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00061/a000613c.jpg' +p255417 +sg225240 +g27 +sa(dp255418 +g225232 +S'Keith Anden Achepohl' +p255419 +sg225240 +g27 +sg225234 +S'color etching and other media' +p255420 +sg225230 +S'House and Garden VI' +p255421 +sg225236 +S'1971' +p255422 +sa(dp255423 +g225230 +S'Portrait of a Lady' +p255424 +sg225232 +S'Ottavio Leoni' +p255425 +sg225234 +S'colored chalks on blue paper' +p255426 +sg225236 +S'1623' +p255427 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00034/a0003427.jpg' +p255428 +sg225240 +g27 +sa(dp255429 +g225230 +S'The Temptation of Christ in the Desert' +p255430 +sg225232 +S'Felipe Gomez de Valencia' +p255431 +sg225234 +S'pen and brown ink on laid paper' +p255432 +sg225236 +S'probably 1676' +p255433 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00069/a00069fe.jpg' +p255434 +sg225240 +g27 +sa(dp255435 +g225230 +S'The Marriage at Cana' +p255436 +sg225232 +S'Artist Information (' +p255437 +sg225234 +S'(artist after)' +p255438 +sg225236 +S'\n' +p255439 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c8af.jpg' +p255440 +sg225240 +g27 +sa(dp255441 +g225230 +S'Armand Gu\xc3\xa9raud' +p255442 +sg225232 +S'Charles Meryon' +p255443 +sg225234 +S'etching with engraving, printed from 2 plates' +p255444 +sg225236 +S'1862' +p255445 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00099/a0009989.jpg' +p255446 +sg225240 +g27 +sa(dp255447 +g225230 +S'Figures in Rowing Boats in a Rocky Cove, Sailing Ships Beyond' +p255448 +sg225232 +S'Allart van Everdingen' +p255449 +sg225234 +S'pen and brown ink with brown and gray wash on laidpaper' +p255450 +sg225236 +S'unknown date\n' +p255451 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006cf2.jpg' +p255452 +sg225240 +g27 +sa(dp255453 +g225230 +S'Polish Nobleman Standing (Stanislaus Sobocki at Age 27)' +p255454 +sg225232 +S'Hendrick Goltzius' +p255455 +sg225234 +S', 1583' +p255456 +sg225236 +S'\n' +p255457 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ce3b.jpg' +p255458 +sg225240 +g27 +sa(dp255459 +g225230 +S'Hadleigh Castle (Large Plate)' +p255460 +sg225232 +S'Artist Information (' +p255461 +sg225234 +S'(artist after)' +p255462 +sg225236 +S'\n' +p255463 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007d/a0007dcf.jpg' +p255464 +sg225240 +g27 +sa(dp255465 +g225230 +S'Birth of Adonis' +p255466 +sg225232 +S'Herman van Swanevelt' +p255467 +sg225234 +S'etching' +p255468 +sg225236 +S'unknown date\n' +p255469 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d5b7.jpg' +p255470 +sg225240 +g27 +sa(dp255471 +g225230 +S'Venus Abducting Adonis' +p255472 +sg225232 +S'Herman van Swanevelt' +p255473 +sg225234 +S'etching' +p255474 +sg225236 +S'unknown date\n' +p255475 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d5b6.jpg' +p255476 +sg225240 +g27 +sa(dp255477 +g225230 +S'Venus Offering Diana a Choice between Cupid and Adonis' +p255478 +sg225232 +S'Herman van Swanevelt' +p255479 +sg225234 +S'etching' +p255480 +sg225236 +S'unknown date\n' +p255481 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d5b4.jpg' +p255482 +sg225240 +g27 +sa(dp255483 +g225230 +S'Venus and Adonis Hunting' +p255484 +sg225232 +S'Herman van Swanevelt' +p255485 +sg225234 +S'etching' +p255486 +sg225236 +S'unknown date\n' +p255487 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d5b5.jpg' +p255488 +sg225240 +g27 +sa(dp255489 +g225230 +S'Death of Adonis' +p255490 +sg225232 +S'Herman van Swanevelt' +p255491 +sg225234 +S'etching' +p255492 +sg225236 +S'unknown date\n' +p255493 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d5b2.jpg' +p255494 +sg225240 +g27 +sa(dp255495 +g225230 +S"Venus Lamenting over Adonis' Death" +p255496 +sg225232 +S'Herman van Swanevelt' +p255497 +sg225234 +S'etching' +p255498 +sg225236 +S'unknown date\n' +p255499 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d5b3.jpg' +p255500 +sg225240 +g27 +sa(dp255501 +g225230 +S'Georg Roggenbach' +p255502 +sg225232 +S'Hans Sebald Lautensack' +p255503 +sg225234 +S'etching on vellum' +p255504 +sg225236 +S'1554' +p255505 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b1/a000b176.jpg' +p255506 +sg225240 +g27 +sa(dp255507 +g225230 +S'Gorge in the Rocks (Gorge dans les rochers)' +p255508 +sg225232 +S'Artist Information (' +p255509 +sg225234 +S'(artist after)' +p255510 +sg225236 +S'\n' +p255511 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00091/a0009142.jpg' +p255512 +sg225240 +g27 +sa(dp255513 +g225230 +S'Landscape with a Bridge and Ruined Tower' +p255514 +sg225232 +S'Christian Wilhelm Ernst Dietrich' +p255515 +sg225234 +S'etching' +p255516 +sg225236 +S'1744' +p255517 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b308.jpg' +p255518 +sg225240 +g27 +sa(dp255519 +g225230 +S'The Singer at the Country Fair' +p255520 +sg225232 +S'Christian Wilhelm Ernst Dietrich' +p255521 +sg225234 +S'etching' +p255522 +sg225236 +S'1740' +p255523 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b348.jpg' +p255524 +sg225240 +g27 +sa(dp255525 +g225230 +S'Bust of an Old Man in Profile, Facing Right' +p255526 +sg225232 +S'Salomon Koninck' +p255527 +sg225234 +S'etching' +p255528 +sg225236 +S'1638' +p255529 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d2/a000d24e.jpg' +p255530 +sg225240 +g27 +sa(dp255531 +g225232 +S'Henri Matisse' +p255532 +sg225240 +g27 +sg225234 +S'lithograph' +p255533 +sg225230 +S'Nude in Three-Quarters with Part of Her Head Cropped Off (Nu de trois-quarts, une partie de la t\xc3\xaate coup\xc3\xa9e)' +p255534 +sg225236 +S'1913' +p255535 +sa(dp255536 +g225230 +S'Madonna and Child with Saints Gimignano, John the Baptist, George and Peter Martyr' +p255537 +sg225232 +S'Guercino' +p255538 +sg225234 +S', unknown date' +p255539 +sg225236 +S'\n' +p255540 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a00074b7.jpg' +p255541 +sg225240 +g27 +sa(dp255542 +g225230 +S'Allegorical Figure' +p255543 +sg225232 +S'Giuseppe Cesari' +p255544 +sg225234 +S', probably c. 1588' +p255545 +sg225236 +S'\n' +p255546 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00031/a00031a8.jpg' +p255547 +sg225240 +g27 +sa(dp255548 +g225230 +S'Woman' +p255549 +sg225232 +S'Joan Mir\xc3\xb3' +p255550 +sg225234 +S'oil on canvas' +p255551 +sg225236 +S'1976' +p255552 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000dd9.jpg' +p255553 +sg225240 +g27 +sa(dp255554 +g225230 +S'Woman Carrying a Tray' +p255555 +sg225232 +S'Master F.P.' +p255556 +sg225234 +S'etching' +p255557 +sg225236 +S'1527/1530' +p255558 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c74c.jpg' +p255559 +sg225240 +g27 +sa(dp255560 +g225230 +S'Woman Carrying a Tray' +p255561 +sg225232 +S'Master F.P.' +p255562 +sg225234 +S'etching' +p255563 +sg225236 +S'1527/1530' +p255564 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c74e.jpg' +p255565 +sg225240 +g27 +sa(dp255566 +g225232 +S'Reginald Butler' +p255567 +sg225240 +g27 +sg225234 +S'bronze' +p255568 +sg225230 +S'Girl' +p255569 +sg225236 +S'1957/1958' +p255570 +sa(dp255571 +g225230 +S'The Chariot' +p255572 +sg225232 +S'Alberto Giacometti' +p255573 +sg225234 +S'bronze' +p255574 +sg225236 +S'1950' +p255575 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00030/a0003045.jpg' +p255576 +sg225240 +g27 +sa(dp255577 +g225232 +S'Alberto Giacometti' +p255578 +sg225240 +g27 +sg225234 +S'bronze' +p255579 +sg225230 +S'The City Square' +p255580 +sg225236 +S'1948/1949' +p255581 +sa(dp255582 +g225232 +S'Alberto Giacometti' +p255583 +sg225240 +g27 +sg225234 +S'bronze, painted' +p255584 +sg225230 +S'The Forest' +p255585 +sg225236 +S'1950' +p255586 +sa(dp255587 +g225232 +S'Alberto Giacometti' +p255588 +sg225240 +g27 +sg225234 +S'bronze' +p255589 +sg225230 +S'Kneeling Woman' +p255590 +sg225236 +S'1956' +p255591 +sa(dp255592 +g225230 +S'Standing Woman' +p255593 +sg225232 +S'Alberto Giacometti' +p255594 +sg225234 +S'bronze' +p255595 +sg225236 +S'c. 1947' +p255596 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0002a/a0002af6.jpg' +p255597 +sg225240 +g27 +sa(dp255598 +g225230 +S'Walking Man II' +p255599 +sg225232 +S'Alberto Giacometti' +p255600 +sg225234 +S'bronze' +p255601 +sg225236 +S'1960' +p255602 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00017/a0001794.jpg' +p255603 +sg225240 +g27 +sa(dp255604 +g225232 +S'Ibram Lassaw' +p255605 +sg225240 +g27 +sg225234 +S'wire and metal' +p255606 +sg225230 +S'Rhiannon' +p255607 +sg225236 +S'1954' +p255608 +sa(dp255609 +g225232 +S'Marino Marini' +p255610 +sg225240 +g27 +sg225234 +S'bronze' +p255611 +sg225230 +S'Horseman' +p255612 +sg225236 +S'1947' +p255613 +sa(dp255614 +g225232 +S'Henry Moore' +p255615 +sg225240 +g27 +sg225234 +S'bronze' +p255616 +sg225230 +S'Three Motives Against Wall, Number 1' +p255617 +sg225236 +S'1958' +p255618 +sa(dp255619 +g225232 +S'Oskar Schlemmer' +p255620 +sg225240 +g27 +sg225234 +S'wire and metal' +p255621 +sg225230 +S'Homo' +p255622 +sg225236 +S'model 1931, cast 1968' +p255623 +sa(dp255624 +g225232 +S'Ernest Tino Trova' +p255625 +sg225240 +g27 +sg225234 +S'bronze' +p255626 +sg225230 +S'Walking Man' +p255627 +sg225236 +S'1970' +p255628 +sa(dp255629 +g225230 +S'Orange and Tan' +p255630 +sg225232 +S'Mark Rothko' +p255631 +sg225234 +S'oil on canvas' +p255632 +sg225236 +S'1954' +p255633 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00010/a0001073.jpg' +p255634 +sg225240 +g27 +sa(dp255635 +g225230 +S'Dancer and Gazelles' +p255636 +sg225232 +S'Paul Manship' +p255637 +sg225234 +S'bronze' +p255638 +sg225236 +S'1916' +p255639 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00016/a0001695.jpg' +p255640 +sg225240 +S"For \n The flowing surfaces of \n Manship's aesthetic grew from his enthusiasm for archaic (pre-classical) Greek, Etruscan, and Asian art and from his consummate craftsmanship. It was influenced also by his feeling for sculpture as a close relative of architecture and akin to the new streamlined ornamental style now known as Art Deco. He would become one of the most sought-after American artists for public sculpture over the course of a long career. His \n The two original \n " +p255641 +sa(dp255642 +g225230 +S'Diana and a Hound' +p255643 +sg225232 +S'Paul Manship' +p255644 +sg225234 +S'bronze' +p255645 +sg225236 +S'1925' +p255646 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00016/a0001696.jpg' +p255647 +sg225240 +g27 +sa(dp255648 +g225230 +S'Untitled' +p255649 +sg225232 +S'James Rosati' +p255650 +sg225234 +S'zinc' +p255651 +sg225236 +S'1971' +p255652 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00017/a00017b6.jpg' +p255653 +sg225240 +g27 +sa(dp255654 +g225230 +S'Figures Studies [recto]' +p255655 +sg225232 +S'Girolamo Mazzola Bedoli' +p255656 +sg225234 +S', unknown date' +p255657 +sg225236 +S'\n' +p255658 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a00074e6.jpg' +p255659 +sg225240 +g27 +sa(dp255660 +g225230 +S'Birds in Flight [verso]' +p255661 +sg225232 +S'Girolamo Mazzola Bedoli' +p255662 +sg225234 +S', unknown date' +p255663 +sg225236 +S'\n' +p255664 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a00074e7.jpg' +p255665 +sg225240 +g27 +sa(dp255666 +g225230 +S'Joseph Revealing Himself to His Brothers in Egypt' +p255667 +sg225232 +S'Artist Information (' +p255668 +sg225234 +S'Italian, 1612 - 1666' +p255669 +sg225236 +S'(related artist)' +p255670 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a00074bb.jpg' +p255671 +sg225240 +g27 +sa(dp255672 +g225230 +S'The Marriage of Saint Catherine' +p255673 +sg225232 +S'Francesco Vanni' +p255674 +sg225234 +S', unknown date' +p255675 +sg225236 +S'\n' +p255676 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00075/a000751a.jpg' +p255677 +sg225240 +g27 +sa(dp255678 +g225230 +S'Madonna and Child under a Canopy' +p255679 +sg225232 +S'Sebald Beham' +p255680 +sg225234 +S'woodcut' +p255681 +sg225236 +S'unknown date\n' +p255682 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a8e9.jpg' +p255683 +sg225240 +g27 +sa(dp255684 +g225230 +S'Interior of a Farmhouse' +p255685 +sg225232 +S'Jules Dupr\xc3\xa9' +p255686 +sg225234 +S'etching' +p255687 +sg225236 +S'1833' +p255688 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00098/a000988c.jpg' +p255689 +sg225240 +g27 +sa(dp255690 +g225232 +S'Charles Wilbert White' +p255691 +sg225240 +g27 +sg225234 +S'lithograph and screenprint [artist proof]' +p255692 +sg225230 +S'Prophet II' +p255693 +sg225236 +S'1975' +p255694 +sa(dp255695 +g225230 +S'Figure Studies [recto]' +p255696 +sg225232 +S'Th\xc3\xa9ophile Alexandre Steinlen' +p255697 +sg225234 +S'graphite' +p255698 +sg225236 +S'unknown date\n' +p255699 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00073/a0007312.jpg' +p255700 +sg225240 +g27 +sa(dp255701 +g225230 +S'Figure Studies [verso]' +p255702 +sg225232 +S'Th\xc3\xa9ophile Alexandre Steinlen' +p255703 +sg225234 +S'graphite' +p255704 +sg225236 +S'unknown date\n' +p255705 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00073/a0007313.jpg' +p255706 +sg225240 +g27 +sa(dp255707 +g225232 +S'Artist Information (' +p255708 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Adonis in Y fronts' +p255709 +sg225236 +S'(printer)' +p255710 +sa(dp255711 +g225232 +S'Artist Information (' +p255712 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Interior' +p255713 +sg225236 +S'(printer)' +p255714 +sa(dp255715 +g225232 +S'Artist Information (' +p255716 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Bathers (a)' +p255717 +sg225236 +S'(printer)' +p255718 +sa(dp255719 +g225232 +S'Artist Information (' +p255720 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'A portrait of the artist by Francis Bacon' +p255721 +sg225236 +S'(printer)' +p255722 +sa(dp255723 +g225230 +S'Snow Flurries' +p255724 +sg225232 +S'Andrew Wyeth' +p255725 +sg225234 +S'tempera on panel' +p255726 +sg225236 +S'1953' +p255727 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a000012d.jpg' +p255728 +sg225240 +g27 +sa(dp255729 +g225230 +S"The Abduction of Hippodamia (L'Enl\xc3\xa8vement d'Hippodamie)" +p255730 +sg225232 +S'Artist Information (' +p255731 +sg225234 +S'(sculptor)' +p255732 +sg225236 +S'\n' +p255733 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00024/a000243c.jpg' +p255734 +sg225240 +S"Carrier-Belleuse portrays a wrenching struggle between woman and beast in this abduction scene from Greek myth. The inebriated centaur, a guest at the wedding feast of Hippodamia and the Lapith king, grabs the young bride, pinning her to his side and setting off a battle between the human Lapiths and the wild centaurs. Hippodamia is rescued, but the episode starts a greater war between the two factions. In the end, the Lapiths triumph and the centaurs retreat to the mountains. With its classical references (the wedding garlands worn by both figures and the overturned wine jar), nineteenth-century viewers would have recognized the story—a motif for the moral struggle between rationality and bestiality, between civilized behavior and primitive instincts.\n With his \n Scholars speculate that while the sensuous, long-limbed Hippodamia is characteristic of Carrier-Belleuse's female nudes, the overall expressive intensity of the sculpture—particularly the centaur's bulky musculature and bellowing mouth—reflect the energetic modeling of \n " +p255735 +sa(dp255736 +g225230 +S'Silenus Crowned by Nymphs' +p255737 +sg225232 +S'Clodion' +p255738 +sg225234 +S'terracotta' +p255739 +sg225236 +S'1768' +p255740 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0002c/a0002c07.jpg' +p255741 +sg225240 +g27 +sa(dp255742 +g225230 +S'Circle I' +p255743 +sg225232 +S'David Smith' +p255744 +sg225234 +S'painted steel' +p255745 +sg225236 +S'1962' +p255746 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00016/a00016aa.jpg' +p255747 +sg225240 +S"America's leading modern sculptor, David Smith belongs to the generation of abstract\n expressionist artists that included Jackson Pollock and Willem de Kooning. In 1934 Smith set up\n a studio at Terminal Iron Works, a machinist shop in Brooklyn, where he translated the industrial\n materials and methods of that trade into his art. Inspired by the welded sculptures of Pablo\n Picasso and Julio Gonzales from the late 1920s, Smith incorporated machine parts, scrap metal\n and found objects into his innovative and remarkably diverse structures.\n Smith only adopted the circle as a single compositional focus in the early sixties, perhaps in\n response to the target paintings then being created by his friend Kenneth Noland. Although the \n Related Works:\n " +p255748 +sa(dp255749 +g225230 +S'Circle II' +p255750 +sg225232 +S'David Smith' +p255751 +sg225234 +S'painted steel' +p255752 +sg225236 +S'1962' +p255753 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00016/a00016ab.jpg' +p255754 +sg225240 +g27 +sa(dp255755 +g225230 +S'Circle III' +p255756 +sg225232 +S'David Smith' +p255757 +sg225234 +S'painted steel' +p255758 +sg225236 +S'1962' +p255759 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00016/a00016ac.jpg' +p255760 +sg225240 +g27 +sa(dp255761 +g225230 +S'Voltri VII' +p255762 +sg225232 +S'David Smith' +p255763 +sg225234 +S'iron' +p255764 +sg225236 +S'1962' +p255765 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00016/a00016ad.jpg' +p255766 +sg225240 +g27 +sa(dp255767 +g225230 +S'Meadow with a Shepherd and Cows' +p255768 +sg225232 +S'Willem Buytewech' +p255769 +sg225234 +S'black and red chalk, and pen and brush with brown ink' +p255770 +sg225236 +S'1617' +p255771 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00031/a000319f.jpg' +p255772 +sg225240 +g27 +sa(dp255773 +g225230 +S'An Apostle Filled with the Holy Spirit' +p255774 +sg225232 +S'Emil Nolde' +p255775 +sg225234 +S'watercolor over pen and brown ink on English typewriting paper' +p255776 +sg225236 +S'1909' +p255777 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00029/a0002967.jpg' +p255778 +sg225240 +g27 +sa(dp255779 +g225230 +S'Lady Borlase' +p255780 +sg225232 +S'Gerard Soest' +p255781 +sg225234 +S'oil on canvas' +p255782 +sg225236 +S'c. 1672/1675' +p255783 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00005/a0000576.jpg' +p255784 +sg225240 +g27 +sa(dp255785 +g225230 +S'Homage to Piranesi V' +p255786 +sg225232 +S'Herbert Ferber' +p255787 +sg225234 +S'copper' +p255788 +sg225236 +S'1965/1966' +p255789 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00016/a0001671.jpg' +p255790 +sg225240 +g27 +sa(dp255791 +g225232 +S'Michael Bolus' +p255792 +sg225240 +g27 +sg225234 +S'painted aluminum' +p255793 +sg225230 +S'Sculpture Number 2' +p255794 +sg225236 +S'1969' +p255795 +sa(dp255796 +g225230 +S'Drawing Book' +p255797 +sg225232 +S'Luca Ciamberlano' +p255798 +sg225234 +S'bound volume with 1 engraved title (without letters) and 37 engravings' +p255799 +sg225236 +S'c. 1610/1620' +p255800 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00065/a0006592.jpg' +p255801 +sg225240 +g27 +sa(dp255802 +g225232 +S'Francesco Rosaspina' +p255803 +sg225240 +g27 +sg225234 +S'1 vol: ill: 41 etchings in black and red-brown' +p255804 +sg225230 +S'Scherzi Poetici e Pittorici' +p255805 +sg225236 +S'published 1795' +p255806 +sa(dp255807 +g225230 +S'Title Page' +p255808 +sg225232 +S'Cornelis Ploos van Amstel' +p255809 +sg225234 +S'etching and surface-printing in brown, with inkless embossment and some hand-coloring (?)' +p255810 +sg225236 +S'1765' +p255811 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d6/a000d673.jpg' +p255812 +sg225240 +g27 +sa(dp255813 +g225230 +S'The Winter King on the Ice' +p255814 +sg225232 +S'Artist Information (' +p255815 +sg225234 +S'(artist after)' +p255816 +sg225236 +S'\n' +p255817 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0005b/a0005b52.jpg' +p255818 +sg225240 +g27 +sa(dp255819 +g225230 +S'Fisherman with Pack over His Shoulder' +p255820 +sg225232 +S'Artist Information (' +p255821 +sg225234 +S'(artist)' +p255822 +sg225236 +S'\n' +p255823 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d6/a000d662.jpg' +p255824 +sg225240 +g27 +sa(dp255825 +g225230 +S'Seascape with Full Moon' +p255826 +sg225232 +S'Artist Information (' +p255827 +sg225234 +S'(artist)' +p255828 +sg225236 +S'\n' +p255829 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d6/a000d663.jpg' +p255830 +sg225240 +g27 +sa(dp255831 +g225230 +S'War Vessel in the Y' +p255832 +sg225232 +S'Artist Information (' +p255833 +sg225234 +S'(artist)' +p255834 +sg225236 +S'\n' +p255835 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d6/a000d654.jpg' +p255836 +sg225240 +g27 +sa(dp255837 +g225230 +S'Interior of a Peasant House with Two Women' +p255838 +sg225232 +S'Artist Information (' +p255839 +sg225234 +S'(artist)' +p255840 +sg225236 +S'\n' +p255841 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d6/a000d660.jpg' +p255842 +sg225240 +g27 +sa(dp255843 +g225230 +S'Woman Seated on a Mule' +p255844 +sg225232 +S'Artist Information (' +p255845 +sg225234 +S'(artist)' +p255846 +sg225236 +S'\n' +p255847 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d6/a000d649.jpg' +p255848 +sg225240 +g27 +sa(dp255849 +g225230 +S'Madonna and Child' +p255850 +sg225232 +S'Artist Information (' +p255851 +sg225234 +S'(artist after)' +p255852 +sg225236 +S'\n' +p255853 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d6/a000d652.jpg' +p255854 +sg225240 +g27 +sa(dp255855 +g225230 +S'Directors of the Orphan Asylum of Haarlem' +p255856 +sg225232 +S'Artist Information (' +p255857 +sg225234 +S'(artist)' +p255858 +sg225236 +S'\n' +p255859 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d6/a000d674.jpg' +p255860 +sg225240 +g27 +sa(dp255861 +g225230 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Goncourt' +p256683 +sg225230 +S"D'Apres Nature" +p256684 +sg225236 +S'1858' +p256685 +sa(dp256686 +g225230 +S"Ambush (L'Embuscade)" +p256687 +sg225232 +S'Jean-Baptiste-Camille Corot' +p256688 +sg225234 +S'cliche-verre (salt print)' +p256689 +sg225236 +S'1858' +p256690 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00098/a0009819.jpg' +p256691 +sg225240 +g27 +sa(dp256692 +g225230 +S"Stand of Alders (Le Bouquet d'aunes)" +p256693 +sg225232 +S'Charles-Fran\xc3\xa7ois Daubigny' +p256694 +sg225234 +S'cliche-verre' +p256695 +sg225236 +S'1862' +p256696 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00097/a00097f4.jpg' +p256697 +sg225240 +g27 +sa(dp256698 +g225230 +S'Deer (Les Cerfs)' +p256699 +sg225232 +S'Charles-Fran\xc3\xa7ois Daubigny' +p256700 +sg225234 +S'cliche-verre (salt print)' +p256701 +sg225236 +S'1862' +p256702 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00097/a00097f7.jpg' +p256703 +sg225240 +g27 +sa(dp256704 +g225230 +S'Banks of a River (Bords de Riviere)' +p256705 +sg225232 +S'Paul Huet' +p256706 +sg225234 +S'cliche-verre' +p256707 +sg225236 +S'c. 1866' +p256708 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00098/a00098c0.jpg' +p256709 +sg225240 +g27 +sa(dp256710 +g225230 +S'Le Cerisier de la Plante a Biau' +p256711 +sg225232 +S'Th\xc3\xa9odore Rousseau' +p256712 +sg225234 +S'cliche-verre' +p256713 +sg225236 +S'1855' +p256714 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0005d/a0005d20.jpg' +p256715 +sg225240 +g27 +sa(dp256716 +g225230 +S'En Foret a Breau' +p256717 +sg225232 +S'Adolphe Andr\xc3\xa9 Wacquez' +p256718 +sg225234 +S'cliche-verre' +p256719 +sg225236 +S'1860' +p256720 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0005b/a0005bdf.jpg' +p256721 +sg225240 +g27 +sa(dp256722 +g225230 +S'Squelettes et Ecorches' +p256723 +sg225232 +S'Domenico del Barbiere' +p256724 +sg225234 +S'engraving' +p256725 +sg225236 +S'unknown date\n' +p256726 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9f1.jpg' +p256727 +sg225240 +g27 +sa(dp256728 +g225230 +S'The Holy Family' +p256729 +sg225232 +S'Hendrick Goltzius' +p256730 +sg225234 +S', 1593' +p256731 +sg225236 +S'\n' +p256732 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d069.jpg' +p256733 +sg225240 +g27 +sa(dp256734 +g225230 +S'Frontispiece for "Fountains"' +p256735 +sg225232 +S'Jean-Laurent Legeay' +p256736 +sg225234 +S'etching' +p256737 +sg225236 +S'1768' +p256738 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008ef6.jpg' +p256739 +sg225240 +g27 +sa(dp256740 +g225230 +S'Vase Supported by Intertwined Serpents' +p256741 +sg225232 +S'Jean-Laurent Legeay' +p256742 +sg225234 +S'etching' +p256743 +sg225236 +S'1768' +p256744 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008ef1.jpg' +p256745 +sg225240 +g27 +sa(dp256746 +g225230 +S'Vase Supported by Two Sphinxes' +p256747 +sg225232 +S'Jean-Laurent Legeay' +p256748 +sg225234 +S'etching' +p256749 +sg225236 +S'1768' +p256750 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008ef2.jpg' +p256751 +sg225240 +g27 +sa(dp256752 +g225230 +S'Vase with Two Fantastic Heads' +p256753 +sg225232 +S'Jean-Laurent Legeay' +p256754 +sg225234 +S'etching' +p256755 +sg225236 +S'1768' +p256756 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008ef9.jpg' +p256757 +sg225240 +g27 +sa(dp256758 +g225230 +S'Vase Supported by a Base with Three Grotesque Faces' +p256759 +sg225232 +S'Jean-Laurent Legeay' +p256760 +sg225234 +S'etching' +p256761 +sg225236 +S'1768' +p256762 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008ef5.jpg' +p256763 +sg225240 +g27 +sa(dp256764 +g225230 +S'Prima Parte di Architetture, e Prospettive (First Edition, Third Issue)' +p256765 +sg225232 +S'Giovanni Battista Piranesi' +p256766 +sg225234 +S'1 vol: title plate (Robison 1, state iii), dedication page (reset text w/ initial "S" (Robison 14), 14 plates (R.2-3, 5-12 state ii; R.14-18 state i)' +p256767 +sg225236 +S'dated 1743 but printed 1747' +p256768 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0005c/a0005c57.jpg' +p256769 +sg225240 +g27 +sa(dp256770 +g225230 +S'Return to the Fold' +p256771 +sg225232 +S'Fran\xc3\xa7ois Boucher' +p256772 +sg225234 +S'brown and black chalk heightened with white on brown laid paper' +p256773 +sg225236 +S'1750/1765' +p256774 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00031/a0003198.jpg' +p256775 +sg225240 +g27 +sa(dp256776 +g225230 +S'Francois de Villemontee' +p256777 +sg225232 +S'Artist Information (' +p256778 +sg225234 +S'(artist after)' +p256779 +sg225236 +S'\n' +p256780 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b5/a000b529.jpg' +p256781 +sg225240 +g27 +sa(dp256782 +g225230 +S'View on Lake George' +p256783 +sg225232 +S'John William Casilear' +p256784 +sg225234 +S'oil on canvas' +p256785 +sg225236 +S'1857' +p256786 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a0000039.jpg' +p256787 +sg225240 +g27 +sa(dp256788 +g225230 +S'Forest in the Morning Light' +p256789 +sg225232 +S'Asher Brown Durand' +p256790 +sg225234 +S'oil on canvas' +p256791 +sg225236 +S'c. 1855' +p256792 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a0000087.jpg' +p256793 +sg225240 +S'After establishing a successful career as an engraver and portraitist, Durand\nbegan specializing in landscapes during the late 1830s. He usually presented the\ngentler, bucolic aspects of nature rather than the awesome \n Durand emphasized the importance of the close, almost scientific, observation of\nnature. He took numerous excursions in the woods so that he could paint directly\nfrom nature, and also published his theories in the influential art magazine, \n ' +p256794 +sa(dp256795 +g225230 +S'A Pastoral Scene' +p256796 +sg225232 +S'Asher Brown Durand' +p256797 +sg225234 +S'oil on canvas' +p256798 +sg225236 +S'1858' +p256799 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a0000084.jpg' +p256800 +sg225240 +g27 +sa(dp256801 +g225230 +S'The Bashful Cousin' +p256802 +sg225232 +S'Francis William Edmonds' +p256803 +sg225234 +S'oil on canvas' +p256804 +sg225236 +S'c. 1841-1842' +p256805 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a000009c.jpg' +p256806 +sg225240 +S'Scenes detailing middle-class manners and mores became prevalent in American\nart and literature toward the middle of the nineteenth century, and Francis Edmonds\'\namusing vignette regarding matrimonial intent successfully combines these two avenues\nof expression. The painting is loosely based on James Kirke Paulding\'s "The Dutchman\'s\nFireside," a popular tale set in mid-eighteenth-century New York. The story deals\nwith the relationship between a shy, ungainly bachelor, Sybrandt Westbrook, and\nhis distant cousin, Catalina Vancour. As the young woman implores her diffident\ncaller to stay for tea, her mother gestures towards the couple. She is either soliciting\nher husband\'s help in persuading the young man to remain, or -- in the hope of securing\nan even better match for her daughter -- attempting to enlist his aid in discouraging\ntheir daughter\'s affections for this provincial suitor. Mr. Vancour pointedly ignores\nhis wife, far too absorbed in worldly affairs to concern himself with matters of\netiquette or romance. In the background, the bemused family servant, Aunt Nantje,\nwisely surveys the scene.\n The precise detailing of the structured, stage-like space, the theatrical use of\nlight, the choice of brightly colored costumes, and the humorous portrayal of everyday\nlife all reflect the influence of the seventeenth-century Dutch genre paintings\nthat had impressed Edmonds greatly during his travels on the Continent.\n ' +p256807 +sa(dp256808 +g225230 +S'Beach at Beverly' +p256809 +sg225232 +S'John Frederick Kensett' +p256810 +sg225234 +S'oil on canvas' +p256811 +sg225236 +S'c. 1869/1872' +p256812 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a0000135.jpg' +p256813 +sg225240 +g27 +sa(dp256814 +g225230 +S'Domestic Scene' +p256815 +sg225232 +S'Gerolamo Bassano' +p256816 +sg225234 +S'red, black, and white chalk on blue-gray paper' +p256817 +sg225236 +S'unknown date\n' +p256818 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a00074e9.jpg' +p256819 +sg225240 +g27 +sa(dp256820 +g225230 +S'Holy Family with Saint Anne and Female Head in Profile' +p256821 +sg225232 +S'Donato Creti' +p256822 +sg225234 +S', unknown date' +p256823 +sg225236 +S'\n' +p256824 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006cfe.jpg' +p256825 +sg225240 +g27 +sa(dp256826 +g225230 +S'The Ascension of the Virgin' +p256827 +sg225232 +S'Donato Creti' +p256828 +sg225234 +S', unknown date' +p256829 +sg225236 +S'\n' +p256830 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00071/a00071ac.jpg' +p256831 +sg225240 +g27 +sa(dp256832 +g225230 +S'Holy Family with St. Elizabeth, St. John the Baptist, and Two Angels in a Landscape' +p256833 +sg225232 +S'Donato Creti' +p256834 +sg225234 +S', unknown date' +p256835 +sg225236 +S'\n' +p256836 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00072/a00072f1.jpg' +p256837 +sg225240 +g27 +sa(dp256838 +g225230 +S'Virgin and Child with Five Saints' +p256839 +sg225232 +S'Donato Creti' +p256840 +sg225234 +S', unknown date' +p256841 +sg225236 +S'\n' +p256842 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00072/a0007285.jpg' +p256843 +sg225240 +g27 +sa(dp256844 +g225230 +S'Magdalene Washing the Feet of Christ with Eight Disciples Looking On [recto]' +p256845 +sg225232 +S'Donato Creti' +p256846 +sg225234 +S', unknown date' +p256847 +sg225236 +S'\n' +p256848 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00072/a000727c.jpg' +p256849 +sg225240 +g27 +sa(dp256850 +g225230 +S'Seven Figures Witnessing an Ascension [verso]' +p256851 +sg225232 +S'Donato Creti' +p256852 +sg225234 +S', unknown date' +p256853 +sg225236 +S'\n' +p256854 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00072/a0007249.jpg' +p256855 +sg225240 +g27 +sa(dp256856 +g225230 +S'Musician and Dancing Figures' +p256857 +sg225232 +S'Donato Creti' +p256858 +sg225234 +S', unknown date' +p256859 +sg225236 +S'\n' +p256860 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00072/a0007213.jpg' +p256861 +sg225240 +g27 +sa(dp256862 +g225230 +S'Holy Family [recto]' +p256863 +sg225232 +S'Donato Creti' +p256864 +sg225234 +S', unknown date' +p256865 +sg225236 +S'\n' +p256866 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00072/a00072e6.jpg' +p256867 +sg225240 +g27 +sa(dp256868 +g225230 +S'Female Figure (Penitent Magdalene?) [verso]' +p256869 +sg225232 +S'Donato Creti' +p256870 +sg225234 +S', unknown date' +p256871 +sg225236 +S'\n' +p256872 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00072/a00072b2.jpg' +p256873 +sg225240 +g27 +sa(dp256874 +g225230 +S'Penitent Magdalene with Angels in a Landscape [recto]' +p256875 +sg225232 +S'Donato Creti' +p256876 +sg225234 +S', unknown date' +p256877 +sg225236 +S'\n' +p256878 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006d08.jpg' +p256879 +sg225240 +g27 +sa(dp256880 +g225232 +S'Donato Creti' +p256881 +sg225240 +g27 +sg225234 +S', unknown date' +p256882 +sg225230 +S'Recumbant Female Figure with Arms Outstretched [verso]' +p256883 +sg225236 +S'\n' +p256884 +sa(dp256885 +g225230 +S'The Adoration of the Magi [recto]' +p256886 +sg225232 +S'Donato Creti' +p256887 +sg225234 +S', unknown date' +p256888 +sg225236 +S'\n' +p256889 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00071/a0007177.jpg' +p256890 +sg225240 +g27 +sa(dp256891 +g225230 +S'Studies of Figures for an Adoration of the Magi [verso]' +p256892 +sg225232 +S'Donato Creti' +p256893 +sg225234 +S', unknown date' +p256894 +sg225236 +S'\n' +p256895 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00071/a0007147.jpg' +p256896 +sg225240 +g27 +sa(dp256897 +g225230 +S'Auguste-Jean-Marie Gu\xc3\xa9nepin' +p256898 +sg225232 +S'Jean-Auguste-Dominique Ingres' +p256899 +sg225234 +S'graphite on wove paper' +p256900 +sg225236 +S'1809' +p256901 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004fc4.jpg' +p256902 +sg225240 +g27 +sa(dp256903 +g225230 +S'Isabella Abandons Her Home to Follow Odorico and His Men' +p256904 +sg225232 +S'Jean-Honor\xc3\xa9 Fragonard' +p256905 +sg225234 +S'black chalk, stumping, with brown and gray wash on laid paper' +p256906 +sg225236 +S'unknown date\n' +p256907 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00033/a00033cd.jpg' +p256908 +sg225240 +g27 +sa(dp256909 +g225230 +S'Angelica Is Exposed to the Orc' +p256910 +sg225232 +S'Jean-Honor\xc3\xa9 Fragonard' +p256911 +sg225234 +S'black chalk with brown and gray wash on laid paper' +p256912 +sg225236 +S'1780s' +p256913 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00033/a00033ce.jpg' +p256914 +sg225240 +g27 +sa(dp256915 +g225230 +S'Orlando Kills the Orc with an Anchor' +p256916 +sg225232 +S'Jean-Honor\xc3\xa9 Fragonard' +p256917 +sg225234 +S'black chalk with brown wash on laid paper' +p256918 +sg225236 +S'unknown date\n' +p256919 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00033/a00033cf.jpg' +p256920 +sg225240 +g27 +sa(dp256921 +g225230 +S"Orlando and Angelica Arrive at Charlemagne's Camp" +p256922 +sg225232 +S'Jean-Honor\xc3\xa9 Fragonard' +p256923 +sg225234 +S'black chalk, stumping, with brown wash on laid paper' +p256924 +sg225236 +S'unknown date\n' +p256925 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00033/a00033d0.jpg' +p256926 +sg225240 +g27 +sa(dp256927 +g225230 +S'Bradamante Tries to Catch Hold of the Hippogryph [recto]' +p256928 +sg225232 +S'Jean-Honor\xc3\xa9 Fragonard' +p256929 +sg225234 +S'black chalk with brown and gray wash on laid paper' +p256930 +sg225236 +S'1780s' +p256931 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00025/a0002531.jpg' +p256932 +sg225240 +g27 +sa(dp256933 +g225230 +S'Man on a Horse [verso]' +p256934 +sg225232 +S'Jean-Honor\xc3\xa9 Fragonard' +p256935 +sg225234 +S'black chalk on laid paper' +p256936 +sg225236 +S'unknown date\n' +p256937 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00111/a0011156.jpg' +p256938 +sg225240 +g27 +sa(dp256939 +g225230 +S'Half-Figure of an Old Woman with a Cap' +p256940 +sg225232 +S'Hans Baldung Grien' +p256941 +sg225234 +S'black chalk with green wash added by a later hand' +p256942 +sg225236 +S'c. 1535' +p256943 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00033/a00033c7.jpg' +p256944 +sg225240 +g27 +sa(dp256945 +g225230 +S'View of Dordrecht from the Dordtse Kil' +p256946 +sg225232 +S'Jan van Goyen' +p256947 +sg225234 +S'oil on panel' +p256948 +sg225236 +S'1644' +p256949 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e58.jpg' +p256950 +sg225240 +S"The Netherlands was a great trading nation that depended on shipping as a basis\nfor wealth and power. Whether on the open sea or through the network of rivers and\ncanals that spread across the low lying land, Dutch ships carried goods for trade\nand commerce. Cities and towns grew up along the inland waterways so that transport\nof goods by barges and passengers by ferries could be facilitated.\n Depictions of such water views were extremely popular in the first half of the seventeenth\ncentury. One of the greatest early landscape artists, Jan van Goyen was particularly\nadept at suggesting the various moods of the land in different seasons of the year\nor weather conditions. In this view of Dordrecht, the sky is overcast and the water\ncalm, the atmosphere carefully created through Van Goyen's subtle range of ochers\nand grays.\n Figures animate the scene; a fisherman works his traps on the left and behind him\na sailboat takes on more travelers from a smaller transport boat. Another rowboat\nin the center foreground has already taken on passengers from the ferry boat and\nis transporting them to the harbor of Dordrecht.\n " +p256951 +sa(dp256952 +g225230 +S'The Spirit of War' +p256953 +sg225232 +S'Jasper Francis Cropsey' +p256954 +sg225234 +S'oil on canvas' +p256955 +sg225236 +S'1851' +p256956 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a0000070.jpg' +p256957 +sg225240 +g27 +sa(dp256958 +g225230 +S'Two Piece Mirror Knife Edge' +p256959 +sg225232 +S'Henry Moore' +p256960 +sg225234 +S'bronze' +p256961 +sg225236 +S'1976-1977' +p256962 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002de6.jpg' +p256963 +sg225240 +g27 +sa(dp256964 +g225230 +S'Cubi XXVI' +p256965 +sg225232 +S'David Smith' +p256966 +sg225234 +S'steel' +p256967 +sg225236 +S'1965' +p256968 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00016/a00016ae.jpg' +p256969 +sg225240 +g27 +sa(dp256970 +g225230 +S'Two Women on the Shore (Frauen am Meeresufer)' +p256971 +sg225232 +S'Edvard Munch' +p256972 +sg225234 +S'color woodcut with watercolor' +p256973 +sg225236 +S'c. 1898' +p256974 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00022/a00022e3.jpg' +p256975 +sg225240 +g27 +sa(dp256976 +g225230 +S'Two Women on the Shore (Frauen am Meeresufer)' +p256977 +sg225232 +S'Edvard Munch' +p256978 +sg225234 +S'color woodcut and color linoleum block' +p256979 +sg225236 +S'c. 1900/1910' +p256980 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00022/a00022e4.jpg' +p256981 +sg225240 +g27 +sa(dp256982 +g225230 +S'Two Women on the Shore (Frauen am Meeresufer)' +p256983 +sg225232 +S'Edvard Munch' +p256984 +sg225234 +S'color woodcut and color linoleum block' +p256985 +sg225236 +S'1910s' +p256986 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00022/a00022e5.jpg' +p256987 +sg225240 +g27 +sa(dp256988 +g225230 +S'Two Women on the Shore (Frauen am Meeresufer)' +p256989 +sg225232 +S'Edvard Munch' +p256990 +sg225234 +S'color woodcut' +p256991 +sg225236 +S'1920s' +p256992 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00022/a00022e6.jpg' +p256993 +sg225240 +g27 +sa(dp256994 +g225230 +S'Two Women on the Shore (Frauen am Meeresufer)' +p256995 +sg225232 +S'Edvard Munch' +p256996 +sg225234 +S'color woodcut' +p256997 +sg225236 +S'1920s' +p256998 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00022/a00022e7.jpg' +p256999 +sg225240 +g27 +sa(dp257000 +g225230 +S"Lion of the Atlas Mountains (Lion de l'Atlas)" +p257001 +sg225232 +S'Eug\xc3\xa8ne Delacroix' +p257002 +sg225234 +S'lithograph' +p257003 +sg225236 +S'1829' +p257004 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009f38.jpg' +p257005 +sg225240 +g27 +sa(dp257006 +g225230 +S'Royal Tiger (Tigre Royal)' +p257007 +sg225232 +S'Eug\xc3\xa8ne Delacroix' +p257008 +sg225234 +S'lithograph' +p257009 +sg225236 +S'1829' +p257010 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009f39.jpg' +p257011 +sg225240 +g27 +sa(dp257012 +g225230 +S'Pan Reclining' +p257013 +sg225232 +S'Sir Peter Paul Rubens' +p257014 +sg225234 +S'red and black chalk with red wash and gouache' +p257015 +sg225236 +S'possibly c. 1610' +p257016 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00037/a00037ec.jpg' +p257017 +sg225240 +g27 +sa(dp257018 +g225230 +S'Young Woman in Profile' +p257019 +sg225232 +S'Sir Peter Paul Rubens' +p257020 +sg225234 +S'black chalk heightened with white' +p257021 +sg225236 +S'c. 1613' +p257022 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00027/a000279d.jpg' +p257023 +sg225240 +g27 +sa(dp257024 +g225230 +S'Landscape with Two Washerwomen' +p257025 +sg225232 +S'Agostino Carracci' +p257026 +sg225234 +S'pen and brown ink on laid paper' +p257027 +sg225236 +S'1580s' +p257028 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00031/a00031a5.jpg' +p257029 +sg225240 +g27 +sa(dp257030 +g225230 +S'Landscape with Castle above a Harbor' +p257031 +sg225232 +S'Matthys Cock' +p257032 +sg225234 +S'pen and brown ink with watercolor and white heightening on light brown laid paper' +p257033 +sg225236 +S'1540' +p257034 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00031/a00031af.jpg' +p257035 +sg225240 +g27 +sa(dp257036 +g225230 +S'Village Fair' +p257037 +sg225232 +S'Jan van Goyen' +p257038 +sg225234 +S'black chalk with gray wash on laid paper' +p257039 +sg225236 +S'1656' +p257040 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00071/a0007166.jpg' +p257041 +sg225240 +g27 +sa(dp257042 +g225230 +S'Wayside Inn' +p257043 +sg225232 +S'Jan van Goyen' +p257044 +sg225234 +S'black chalk with gray wash on laid paper' +p257045 +sg225236 +S'1653' +p257046 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00033/a00033e3.jpg' +p257047 +sg225240 +g27 +sa(dp257048 +g225230 +S'Deer Park' +p257049 +sg225232 +S'Jan Lievens' +p257050 +sg225234 +S'brush and brown ink' +p257051 +sg225236 +S'unknown date\n' +p257052 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00034/a0003428.jpg' +p257053 +sg225240 +g27 +sa(dp257054 +g225230 +S'Reconciliation Elegy' +p257055 +sg225232 +S'Robert Motherwell' +p257056 +sg225234 +S'acrylic on canvas' +p257057 +sg225236 +S'1978' +p257058 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a0000191.jpg' +p257059 +sg225240 +g27 +sa(dp257060 +g225232 +S'Anthony Caro' +p257061 +sg225240 +g27 +sg225234 +S'welded steel' +p257062 +sg225230 +S'National Gallery Ledge Piece' +p257063 +sg225236 +S'1978' +p257064 +sa(dp257065 +g225230 +S'Oriforme' +p257066 +sg225232 +S'Jean Arp' +p257067 +sg225234 +S'stainless steel' +p257068 +sg225236 +S'model 1962, fabricated 1977' +p257069 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002dec.jpg' +p257070 +sg225240 +g27 +sa(dp257071 +g225230 +S'Woman' +p257072 +sg225232 +S'Artist Information (' +p257073 +sg225234 +S'(artist after)' +p257074 +sg225236 +S'\n' +p257075 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000df5.jpg' +p257076 +sg225240 +g27 +sa(dp257077 +g225230 +S'Untitled' +p257078 +sg225232 +S'James Rosati' +p257079 +sg225234 +S'aluminum, painted' +p257080 +sg225236 +S'model 1971, fabricated 1977' +p257081 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00017/a00017b7.jpg' +p257082 +sg225240 +g27 +sa(dp257083 +g225230 +S'Saint John' +p257084 +sg225232 +S'Jacques de Bellange' +p257085 +sg225234 +S', unknown date' +p257086 +sg225236 +S'\n' +p257087 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008a/a0008a4c.jpg' +p257088 +sg225240 +g27 +sa(dp257089 +g225230 +S'The Marriage of the Virgin' +p257090 +sg225232 +S'Artist Information (' +p257091 +sg225234 +S'(artist after)' +p257092 +sg225236 +S'\n' +p257093 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d5f5.jpg' +p257094 +sg225240 +g27 +sa(dp257095 +g225230 +S'La Mariee de Village (The Village Bride)' +p257096 +sg225232 +S'Artist Information (' +p257097 +sg225234 +S'(artist after)' +p257098 +sg225236 +S'\n' +p257099 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00057/a0005726.jpg' +p257100 +sg225240 +g27 +sa(dp257101 +g225230 +S'En\xc3\xa9e et Didon' +p257102 +sg225232 +S'Honor\xc3\xa9 Daumier' +p257103 +sg225234 +S'lithograph' +p257104 +sg225236 +S'1842' +p257105 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00092/a00092a3.jpg' +p257106 +sg225240 +g27 +sa(dp257107 +g225230 +S'The Two Statues' +p257108 +sg225232 +S'Artist Information (' +p257109 +sg225234 +S'(artist after)' +p257110 +sg225236 +S'\n' +p257111 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d6/a000d607.jpg' +p257112 +sg225240 +g27 +sa(dp257113 +g225230 +S'A Flying Angel' +p257114 +sg225232 +S'Jacopo Palma il Giovane' +p257115 +sg225234 +S'pen and brown ink, heightened with white, over black chalk on laid paper' +p257116 +sg225236 +S'1580/1590' +p257117 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00075/a0007570.jpg' +p257118 +sg225240 +g27 +sa(dp257119 +g225230 +S'Portrait of a Young Man with a Skull' +p257120 +sg225232 +S'Lucas van Leyden' +p257121 +sg225234 +S'engraving' +p257122 +sg225236 +S'c. 1519' +p257123 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00060/a0006095.jpg' +p257124 +sg225240 +g27 +sa(dp257125 +g225230 +S'Herdsmen Crossing a Waterfall' +p257126 +sg225232 +S'Hubert Robert' +p257127 +sg225234 +S'red chalk on laid paper, with later framing line in brown ink' +p257128 +sg225236 +S'1770/1775' +p257129 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00037/a00037e8.jpg' +p257130 +sg225240 +g27 +sa(dp257131 +g225232 +S'Artist Information (' +p257132 +sg225240 +g27 +sg225234 +S'(artist after)' +p257133 +sg225230 +S'View of Malines' +p257134 +sg225236 +S'\n' +p257135 +sa(dp257136 +g225230 +S'Seneca Standing in the Bath' +p257137 +sg225232 +S'Artist Information (' +p257138 +sg225234 +S'(artist after)' +p257139 +sg225236 +S'\n' +p257140 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d50e.jpg' +p257141 +sg225240 +g27 +sa(dp257142 +g225230 +S'Judith Beheading Holofernes' +p257143 +sg225232 +S'Artist Information (' +p257144 +sg225234 +S'(artist after)' +p257145 +sg225236 +S'\n' +p257146 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f2b.jpg' +p257147 +sg225240 +g27 +sa(dp257148 +g225230 +S'The Fall of the Rebel Angels' +p257149 +sg225232 +S'Artist Information (' +p257150 +sg225234 +S'(artist after)' +p257151 +sg225236 +S'\n' +p257152 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d6/a000d633.jpg' +p257153 +sg225240 +g27 +sa(dp257154 +g225230 +S'The Fall of the Rebel Angels' +p257155 +sg225232 +S'Artist Information (' +p257156 +sg225234 +S'(artist after)' +p257157 +sg225236 +S'\n' +p257158 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d6/a000d634.jpg' +p257159 +sg225240 +g27 +sa(dp257160 +g225230 +S'Saint Francis Receiving the Stigmata' +p257161 +sg225232 +S'Artist Information (' +p257162 +sg225234 +S'(artist after)' +p257163 +sg225236 +S'\n' +p257164 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d6/a000d62e.jpg' +p257165 +sg225240 +g27 +sa(dp257166 +g225230 +S'Saint Simon' +p257167 +sg225232 +S'Artist Information (' +p257168 +sg225234 +S'(artist after)' +p257169 +sg225236 +S'\n' +p257170 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c74a.jpg' +p257171 +sg225240 +g27 +sa(dp257172 +g225230 +S'Saint Simon' +p257173 +sg225232 +S'Artist Information (' +p257174 +sg225234 +S'(artist after)' +p257175 +sg225236 +S'\n' +p257176 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c880.jpg' +p257177 +sg225240 +g27 +sa(dp257178 +g225232 +S'Artist Information (' +p257179 +sg225240 +g27 +sg225234 +S'(artist after)' +p257180 +sg225230 +S'Virgin and Child Adored by Saints' +p257181 +sg225236 +S'\n' +p257182 +sa(dp257183 +g225232 +S'Artist Information (' +p257184 +sg225240 +g27 +sg225234 +S'(artist after)' +p257185 +sg225230 +S'The Elevation of the Cross' +p257186 +sg225236 +S'\n' +p257187 +sa(dp257188 +g225230 +S'Woman I' +p257189 +sg225232 +S'Willem de Kooning' +p257190 +sg225234 +S'pastel, crayon and graphite on wove paper' +p257191 +sg225236 +S'1952' +p257192 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00009/a0000951.jpg' +p257193 +sg225240 +g27 +sa(dp257194 +g225230 +S'Wild Boar' +p257195 +sg225232 +S'German 18th Century' +p257196 +sg225234 +S'overall: 10.2 x 14.9 cm (4 x 5 7/8 in.)' +p257197 +sg225236 +S'\nred chalk over graphite on laid paper' +p257198 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006eba.jpg' +p257199 +sg225240 +g27 +sa(dp257200 +g225230 +S'The Bohemians Marching: The Vanguard' +p257201 +sg225232 +S'Jacques Callot' +p257202 +sg225234 +S'etching and engraving on gold colored silk' +p257203 +sg225236 +S'probably 18th century' +p257204 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00085/a0008553.jpg' +p257205 +sg225240 +g27 +sa(dp257206 +g225230 +S'Gericault' +p257207 +sg225232 +S'Artist Information (' +p257208 +sg225234 +S'French, 1794 - 1880' +p257209 +sg225236 +S'(artist after)' +p257210 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00091/a000918f.jpg' +p257211 +sg225240 +g27 +sa(dp257212 +g225232 +S'Pavel Tchelitchew' +p257213 +sg225240 +g27 +sg225234 +S'brown-orange watercolor' +p257214 +sg225230 +S'George Platt Lynes' +p257215 +sg225236 +S'c. 1937' +p257216 +sa(dp257217 +g225232 +S'Elie Nadelman' +p257218 +sg225240 +g27 +sg225234 +S'pen and brown ink with brown and gray wash over graphite on laid paper' +p257219 +sg225230 +S'Study for "Man in the Open Air"' +p257220 +sg225236 +S'c. 1913/1914' +p257221 +sa(dp257222 +g225232 +S'Elie Nadelman' +p257223 +sg225240 +g27 +sg225234 +S'gray-brown wash over graphite on wove paper' +p257224 +sg225230 +S"Woman's Head" +p257225 +sg225236 +S'unknown date\n' +p257226 +sa(dp257227 +g225232 +S'Elie Nadelman' +p257228 +sg225240 +g27 +sg225234 +S'pen and black ink over graphite on wove paper' +p257229 +sg225230 +S"Woman's Head in Profile, Facing Left" +p257230 +sg225236 +S'unknown date\n' +p257231 +sa(dp257232 +g225232 +S'Pavel Tchelitchew' +p257233 +sg225240 +g27 +sg225234 +S'pen and black ink with black and gray wash' +p257234 +sg225230 +S'Mrs. Oliver Jennings' +p257235 +sg225236 +S'c. 1937' +p257236 +sa(dp257237 +g225232 +S'Rudy Pozzatti' +p257238 +sg225240 +g27 +sg225234 +S'etching and aquatint' +p257239 +sg225230 +S'City' +p257240 +sg225236 +S'1961' +p257241 +sa(dp257242 +g225232 +S'Rudy Pozzatti' +p257243 +sg225240 +g27 +sg225234 +S'pen and brush with brown ink' +p257244 +sg225230 +S'Forum' +p257245 +sg225236 +S'1962' +p257246 +sa(dp257247 +g225232 +S'Rudy Pozzatti' +p257248 +sg225240 +g27 +sg225234 +S'woodcut in black on Mulberry paper' +p257249 +sg225230 +S'The Grasshopper' +p257250 +sg225236 +S'1954' +p257251 +sa(dp257252 +g225232 +S'Rudy Pozzatti' +p257253 +sg225240 +g27 +sg225234 +S'etching-lift ground, soft-ground, and aquatint (zinc)' +p257254 +sg225230 +S'Homage to Brunelleschi' +p257255 +sg225236 +S'1968' +p257256 +sa(dp257257 +g225232 +S'Rudy Pozzatti' +p257258 +sg225240 +g27 +sg225234 +S'etching-lift ground, aquatint, and engraving (zinc) with roulette and sandpaper toning in black and dark umber' +p257259 +sg225230 +S'Homage to Vesalius' +p257260 +sg225236 +S'1968' +p257261 +sa(dp257262 +g225232 +S'Rudy Pozzatti' +p257263 +sg225240 +g27 +sg225234 +S'etching and aquatint' +p257264 +sg225230 +S'Kings' +p257265 +sg225236 +S'1961' +p257266 +sa(dp257267 +g225232 +S'Rudy Pozzatti' +p257268 +sg225240 +g27 +sg225234 +S'etching-soft ground (copper)' +p257269 +sg225230 +S'Louis XI' +p257270 +sg225236 +S'1964' +p257271 +sa(dp257272 +g225232 +S'Rudy Pozzatti' +p257273 +sg225240 +g27 +sg225234 +S'engraving' +p257274 +sg225230 +S'Medieval Musician #1' +p257275 +sg225236 +S'1960' +p257276 +sa(dp257277 +g225232 +S'Rudy Pozzatti' +p257278 +sg225240 +g27 +sg225234 +S'etching-soft ground (zinc)' +p257279 +sg225230 +S'Men and Beasts II' +p257280 +sg225236 +S'1965' +p257281 +sa(dp257282 +g225232 +S'Rudy Pozzatti' +p257283 +sg225240 +g27 +sg225234 +S'etching-softground and liftground aquatint (zinc) in sienna and black' +p257284 +sg225230 +S'Portrait' +p257285 +sg225236 +S'1965' +p257286 +sa(dp257287 +g225232 +S'Rudy Pozzatti' +p257288 +sg225240 +g27 +sg225234 +S'5-color woodcut' +p257289 +sg225230 +S'Sun over Venice' +p257290 +sg225236 +S'1961' +p257291 +sa(dp257292 +g225232 +S'Rudy Pozzatti' +p257293 +sg225240 +g27 +sg225234 +S'brush and black ink' +p257294 +sg225230 +S'Two Eagles' +p257295 +sg225236 +S'1958' +p257296 +sa(dp257297 +g225230 +S'The Shell' +p257298 +sg225232 +S"Georgia O'Keeffe" +p257299 +sg225234 +S'charcoal on laid paper' +p257300 +sg225236 +S'1934' +p257301 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00009/a0000979.jpg' +p257302 +sg225240 +g27 +sa(dp257303 +g225232 +S'Jules Olitski' +p257304 +sg225240 +g27 +sg225234 +S'water-miscible acrylic on canvas' +p257305 +sg225230 +S'Unlocked' +p257306 +sg225236 +S'1966' +p257307 +sa(dp257308 +g225232 +S'Howard Mehring' +p257309 +sg225240 +g27 +sg225234 +S'acrylic on canvas' +p257310 +sg225230 +S'Sequence' +p257311 +sg225236 +S'1960' +p257312 +sa(dp257313 +g225230 +S'Baby (Cradle)' +p257314 +sg225232 +S'Gustav Klimt' +p257315 +sg225234 +S'oil on canvas' +p257316 +sg225236 +S'1917/1918' +p257317 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000ed4.jpg' +p257318 +sg225240 +g27 +sa(dp257319 +g225230 +S'A Venetian Ecclesiastic' +p257320 +sg225232 +S'Giusto Le Court' +p257321 +sg225234 +S', third quarter 17th century' +p257322 +sg225236 +S'\n' +p257323 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002d7b.jpg' +p257324 +sg225240 +g27 +sa(dp257325 +g225230 +S'Knife Edge Mirror Two Piece' +p257326 +sg225232 +S'Henry Moore' +p257327 +sg225234 +S'bronze' +p257328 +sg225236 +S'1976-1978' +p257329 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004a/a0004ad8.jpg' +p257330 +sg225240 +g27 +sa(dp257331 +g225230 +S'Two Piece Mirror Knife Edge' +p257332 +sg225232 +S'Henry Moore' +p257333 +sg225234 +S'plaster' +p257334 +sg225236 +S'1976-1977' +p257335 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002de7.jpg' +p257336 +sg225240 +g27 +sa(dp257337 +g225230 +S'Satyr Holding a Roundel' +p257338 +sg225232 +S'Annibale Carracci' +p257339 +sg225234 +S'black chalk on gray-blue paper' +p257340 +sg225236 +S'1597/1600' +p257341 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00022/a00022d2.jpg' +p257342 +sg225240 +g27 +sa(dp257343 +g225230 +S'The Partridge Saves Her Young' +p257344 +sg225232 +S'Jean-Baptiste Oudry' +p257345 +sg225234 +S'brush and black ink, white gouache, and gray wash, with a simluated mount in blue and gray wash and pen and dark brown ink, on blue laid paper' +p257346 +sg225236 +S'1732' +p257347 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00026/a000260c.jpg' +p257348 +sg225240 +g27 +sa(dp257349 +g225230 +S'The Adoration of the Shepherds' +p257350 +sg225232 +S'Adriaen Isenbrant' +p257351 +sg225234 +S'oil on panel' +p257352 +sg225236 +S'probably 1520/1540' +p257353 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00005/a0000599.jpg' +p257354 +sg225240 +S'Isenbrant, called Gerard David’s “disciple” by a commentator in the 1600s, lived in Bruges and was clearly influenced by its preeminent painter. Notice, for example, how the faces of the Virgin here and in David’s \n The crumbling ruin, its ancient decoration slowly disappearing under creeping vines, suggests the decay of the old pagan religion. In the same vein, the figure of Moses at the top alludes to the transition from Old Testament law to the new era brought about by Christ’s birth. The shepherds who gather around the infant are the first to celebrate Jesus’ appearance on earth. The distant bonfires of a peasant festival celebrating the winter solstice help to fix the time of year. By placing the infant on an altarlike cradle next to a sheaf of wheat, the painting also stresses the association of the incarnation—Jesus’ human birth—with the eucharist, the presence of his body and blood in the wafer and wine of the mass.\n ' +p257355 +sa(dp257356 +g225230 +S'Hide and Seek' +p257357 +sg225232 +S'James Jacques Joseph Tissot' +p257358 +sg225234 +S'oil on wood' +p257359 +sg225236 +S'c. 1877' +p257360 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00007/a0000747.jpg' +p257361 +sg225240 +S'In early 1874 Degas wrote, "Look here, my dear Tissot. . . you positively must\nexhibit at the Boulevard [in the first impressionist exhibition]. . . Exhibit. Be\nof your country and with your friends." Degas and Tissot, who met as students during\nthe late 1850s, stayed in close communication even after Tissot fled to London in\n1871 to avoid punishment for activities in the abortive Commune. Arguing that the\nbenefits of declaring his allegiance to French art outweighed the potential harm\nit might cause among Tissot\'s London audience, Degas urged Tissot to show with the\nimpressionists and thereby affirm his ties to France and more particularly to Degas\nand realism.\n Although he chose not to accept the invitation, Tissot, like Degas, worked in a\nrealist vein. \n ' +p257362 +sa(dp257363 +g225230 +S'Improvisation 31 (Sea Battle)' +p257364 +sg225232 +S'Wassily Kandinsky' +p257365 +sg225234 +S'oil on canvas' +p257366 +sg225236 +S'1913' +p257367 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000ee3.jpg' +p257368 +sg225240 +S'The title "Improvisations" refers to a series of works that Kandinsky painted\n between 1909 and 1913 which was, according to the artist, "a largely unconscious,\n spontaneous expression of inner character, non-material nature." Although the amorphous\n shapes and colorful washes of paint in \n The central motif of \n Although this work was painted on the eve of the First World War, Kandinsky denied that\n his paintings referred to any specific war but rather to "a terrible struggle . . . going on in\n the spiritual atmosphere." Kandinsky, who fervently believed that humanity stood on the\n brink of a new spiritual era, avowed that art could help to sever human attachment to the material\n world and usher in the new age.\n ' +p257369 +sa(dp257370 +g225230 +S'The Skeletons' +p257371 +sg225232 +S'Giovanni Battista Piranesi' +p257372 +sg225234 +S'etching, engraving, drypoint, burnishing' +p257373 +sg225236 +S'published 1750/1759' +p257374 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc1a.jpg' +p257375 +sg225240 +g27 +sa(dp257376 +g225230 +S'The Triumphal Arch' +p257377 +sg225232 +S'Giovanni Battista Piranesi' +p257378 +sg225234 +S'etching, engraving, drypoint, burnishing' +p257379 +sg225236 +S'published 1750/1759' +p257380 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc19.jpg' +p257381 +sg225240 +g27 +sa(dp257382 +g225230 +S'The Tomb of Nero' +p257383 +sg225232 +S'Giovanni Battista Piranesi' +p257384 +sg225234 +S'etching, engraving, drypoint, scratching' +p257385 +sg225236 +S'published 1750/1759' +p257386 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc18.jpg' +p257387 +sg225240 +g27 +sa(dp257388 +g225230 +S'The Monumental Tablet' +p257389 +sg225232 +S'Giovanni Battista Piranesi' +p257390 +sg225234 +S'etching, engraving, drypoint, scratching' +p257391 +sg225236 +S'published 1750/1759' +p257392 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc17.jpg' +p257393 +sg225240 +g27 +sa(dp257394 +g225230 +S'The Partridge and the Cocks' +p257395 +sg225232 +S'Jean-Baptiste Oudry' +p257396 +sg225234 +S'brush and black ink, gray wash, and white gouache on blue laid paper//royal blue wash border' +p257397 +sg225236 +S'1732' +p257398 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ff/a000ffae.jpg' +p257399 +sg225240 +g27 +sa(dp257400 +g225230 +S'Title Page' +p257401 +sg225232 +S'John Hamilton Mortimer' +p257402 +sg225234 +S'etching' +p257403 +sg225236 +S'1778' +p257404 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00077/a0007735.jpg' +p257405 +sg225240 +g27 +sa(dp257406 +g225230 +S'Pastoral' +p257407 +sg225232 +S'John Hamilton Mortimer' +p257408 +sg225234 +S'etching' +p257409 +sg225236 +S'1778' +p257410 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00077/a0007743.jpg' +p257411 +sg225240 +g27 +sa(dp257412 +g225230 +S'Jealous Monster' +p257413 +sg225232 +S'John Hamilton Mortimer' +p257414 +sg225234 +S'etching' +p257415 +sg225236 +S'1778' +p257416 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00077/a0007741.jpg' +p257417 +sg225240 +g27 +sa(dp257418 +g225230 +S'Successful Monster' +p257419 +sg225232 +S'John Hamilton Mortimer' +p257420 +sg225234 +S'etching' +p257421 +sg225236 +S'1778' +p257422 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00077/a000773f.jpg' +p257423 +sg225240 +g27 +sa(dp257424 +g225230 +S'Enraged Monster' +p257425 +sg225232 +S'John Hamilton Mortimer' +p257426 +sg225234 +S'etching' +p257427 +sg225236 +S'1778' +p257428 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00077/a0007747.jpg' +p257429 +sg225240 +g27 +sa(dp257430 +g225230 +S'Musical Monster' +p257431 +sg225232 +S'John Hamilton Mortimer' +p257432 +sg225234 +S'etching' +p257433 +sg225236 +S'1778' +p257434 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00077/a0007749.jpg' +p257435 +sg225240 +g27 +sa(dp257436 +g225230 +S'Comedy' +p257437 +sg225232 +S'John Hamilton Mortimer' +p257438 +sg225234 +S'etching' +p257439 +sg225236 +S'1778' +p257440 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00077/a000773d.jpg' +p257441 +sg225240 +g27 +sa(dp257442 +g225230 +S'Elegy' +p257443 +sg225232 +S'John Hamilton Mortimer' +p257444 +sg225234 +S'etching' +p257445 +sg225236 +S'1778' +p257446 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00077/a000773b.jpg' +p257447 +sg225240 +g27 +sa(dp257448 +g225230 +S'Tragedy' +p257449 +sg225232 +S'John Hamilton Mortimer' +p257450 +sg225234 +S'etching' +p257451 +sg225236 +S'1778' +p257452 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00077/a0007739.jpg' +p257453 +sg225240 +g27 +sa(dp257454 +g225230 +S'Reposo' +p257455 +sg225232 +S'John Hamilton Mortimer' +p257456 +sg225234 +S'etching' +p257457 +sg225236 +S'1778' +p257458 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00077/a0007737.jpg' +p257459 +sg225240 +g27 +sa(dp257460 +g225230 +S'Salvator Rosa' +p257461 +sg225232 +S'John Hamilton Mortimer' +p257462 +sg225234 +S'etching' +p257463 +sg225236 +S'1778' +p257464 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00077/a000771e.jpg' +p257465 +sg225240 +g27 +sa(dp257466 +g225230 +S'Banditti Taking His Post' +p257467 +sg225232 +S'John Hamilton Mortimer' +p257468 +sg225234 +S'etching' +p257469 +sg225236 +S'1778' +p257470 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00077/a0007720.jpg' +p257471 +sg225240 +g27 +sa(dp257472 +g225230 +S'A Captn of Banditti Sending Out a Party' +p257473 +sg225232 +S'John Hamilton Mortimer' +p257474 +sg225234 +S'etching' +p257475 +sg225236 +S'1778' +p257476 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00077/a0007722.jpg' +p257477 +sg225240 +g27 +sa(dp257478 +g225230 +S'Banditti on the Look Out' +p257479 +sg225232 +S'John Hamilton Mortimer' +p257480 +sg225234 +S'etching' +p257481 +sg225236 +S'1778' +p257482 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00077/a0007726.jpg' +p257483 +sg225240 +g27 +sa(dp257484 +g225230 +S'Gerd Lairesse' +p257485 +sg225232 +S'John Hamilton Mortimer' +p257486 +sg225234 +S'etching' +p257487 +sg225236 +S'1778' +p257488 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00077/a0007724.jpg' +p257489 +sg225240 +g27 +sa(dp257490 +g225230 +S'Studies of a Male Torso' +p257491 +sg225232 +S'Italian 16th Century' +p257492 +sg225234 +S'overall: 25.7 x 20.3 cm (10 1/8 x 8 in.)' +p257493 +sg225236 +S'\npen and brown ink on gray-blue paper' +p257494 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00075/a0007529.jpg' +p257495 +sg225240 +g27 +sa(dp257496 +g225230 +S'Ritual Washing of the Israelites' +p257497 +sg225232 +S'Abraham Bloemaert' +p257498 +sg225234 +S'black chalk and pale blue-green wash on laid paper' +p257499 +sg225236 +S'1606' +p257500 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00071/a0007186.jpg' +p257501 +sg225240 +g27 +sa(dp257502 +g225230 +S'The Fall of Phaeton' +p257503 +sg225232 +S'Gaspare Diziani' +p257504 +sg225234 +S'pen and brown ink over red chalk with brown and gray wash on laid paper' +p257505 +sg225236 +S'1745/1750' +p257506 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00024/a000243e.jpg' +p257507 +sg225240 +g27 +sa(dp257508 +g225230 +S'The Defeat of Sennacherib' +p257509 +sg225232 +S'Artist Information (' +p257510 +sg225234 +S'(artist)' +p257511 +sg225236 +S'\n' +p257512 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00070/a000706c.jpg' +p257513 +sg225240 +g27 +sa(dp257514 +g225230 +S'Pleasures of Brittany (Joies de Bretagne)' +p257515 +sg225232 +S'Artist Information (' +p257516 +sg225234 +S'French, 1867 - 1939' +p257517 +sg225236 +S'(artist)' +p257518 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00015/a000155f.jpg' +p257519 +sg225240 +g27 +sa(dp257520 +g225230 +S"Donkey in a Field (L'Ane au pre)" +p257521 +sg225232 +S'Charles-Fran\xc3\xa7ois Daubigny' +p257522 +sg225234 +S'cliche-verre' +p257523 +sg225236 +S'1862' +p257524 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00097/a00097f6.jpg' +p257525 +sg225240 +g27 +sa(dp257526 +g225230 +S'Time, Apollo, and the Seasons (Le Temps, Apollon et les Saisons)' +p257527 +sg225232 +S'Claude Lorrain' +p257528 +sg225234 +S'etching' +p257529 +sg225236 +S'1662' +p257530 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008a/a0008af3.jpg' +p257531 +sg225240 +g27 +sa(dp257532 +g225230 +S"The Father's Leave-Taking" +p257533 +sg225232 +S'William Holman Hunt' +p257534 +sg225234 +S'etching' +p257535 +sg225236 +S'1879' +p257536 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007d/a0007db3.jpg' +p257537 +sg225240 +g27 +sa(dp257538 +g225230 +S'Temple of the Sibyl, Tivoli' +p257539 +sg225232 +S'Christian Wilhelm Ernst Dietrich' +p257540 +sg225234 +S'etching' +p257541 +sg225236 +S'1745' +p257542 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b309.jpg' +p257543 +sg225240 +g27 +sa(dp257544 +g225230 +S'Polish Nobleman Standing (Balthasar Bathory de Somlyo at Age 22)' +p257545 +sg225232 +S'Hendrick Goltzius' +p257546 +sg225234 +S', 1583' +p257547 +sg225236 +S'\n' +p257548 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cf/a000cfd0.jpg' +p257549 +sg225240 +g27 +sa(dp257550 +g225230 +S'Bust of an Old Woman Wearing a Head Scarf' +p257551 +sg225232 +S'Lagneau' +p257552 +sg225234 +S'black chalk and colored chalks on laid paper' +p257553 +sg225236 +S'c. 1625' +p257554 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00060/a000607b.jpg' +p257555 +sg225240 +g27 +sa(dp257556 +g225230 +S'Lady with a Lute' +p257557 +sg225232 +S'Thomas Wilmer Dewing' +p257558 +sg225234 +S'oil on wood' +p257559 +sg225236 +S'1886' +p257560 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a000007b.jpg' +p257561 +sg225240 +g27 +sa(dp257562 +g225232 +S'Mark Tobey' +p257563 +sg225240 +g27 +sg225234 +S'gouache on paper' +p257564 +sg225230 +S'Interior of the Studio' +p257565 +sg225236 +S'1937' +p257566 +sa(dp257567 +g225232 +S'John Walker' +p257568 +sg225240 +g27 +sg225234 +S'mixed media on canvas' +p257569 +sg225230 +S'Untitled (Oxford)' +p257570 +sg225236 +S'1977/1978' +p257571 +sa(dp257572 +g225230 +S'South Bend' +p257573 +sg225232 +S'Robert Indiana' +p257574 +sg225234 +S'color lithograph on wove Arjomari paper' +p257575 +sg225236 +S'1978' +p257576 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000acc.jpg' +p257577 +sg225240 +g27 +sa(dp257578 +g225232 +S'Artist Information (' +p257579 +sg225240 +g27 +sg225234 +S'German, 1724 - 1790' +p257580 +sg225230 +S'Elementarwerk' +p257581 +sg225236 +S'(author)' +p257582 +sa(dp257583 +g225232 +S'Ben Shahn' +p257584 +sg225240 +g27 +sg225234 +S'photo-offset' +p257585 +sg225230 +S'Wheat Field' +p257586 +sg225236 +S'c. 1958' +p257587 +sa(dp257588 +g225232 +S'Brian Halsey' +p257589 +sg225240 +g27 +sg225234 +S'screenprint' +p257590 +sg225230 +S'Isotron' +p257591 +sg225236 +S'1978' +p257592 +sa(dp257593 +g225232 +S'Brian Halsey' +p257594 +sg225240 +g27 +sg225234 +S'portfolio with folded introductory sheet (including title page) and six screenprints' +p257595 +sg225230 +S'Microcosms' +p257596 +sg225236 +S'published 1978' +p257597 +sa(dp257598 +g225232 +S'Brian Halsey' +p257599 +sg225240 +g27 +sg225234 +S'screenprint' +p257600 +sg225230 +S'Quatpad' +p257601 +sg225236 +S'1978' +p257602 +sa(dp257603 +g225232 +S'Brian Halsey' +p257604 +sg225240 +g27 +sg225234 +S'screenprint' +p257605 +sg225230 +S'Theon' +p257606 +sg225236 +S'1978' +p257607 +sa(dp257608 +g225232 +S'Brian Halsey' +p257609 +sg225240 +g27 +sg225234 +S'screenprint' +p257610 +sg225230 +S'Nucleod' +p257611 +sg225236 +S'1978' +p257612 +sa(dp257613 +g225232 +S'Brian Halsey' +p257614 +sg225240 +g27 +sg225234 +S'screenprint' +p257615 +sg225230 +S'Centros' +p257616 +sg225236 +S'1978' +p257617 +sa(dp257618 +g225232 +S'Brian Halsey' +p257619 +sg225240 +g27 +sg225234 +S'screenprint' +p257620 +sg225230 +S'Astron' +p257621 +sg225236 +S'1978' +p257622 +sa(dp257623 +g225230 +S'The Migration' +p257624 +sg225232 +S'Mark Alan Leithauser' +p257625 +sg225234 +S'etching and engraving [trial proof]' +p257626 +sg225236 +S'1976' +p257627 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000b/a0000b02.jpg' +p257628 +sg225240 +g27 +sa(dp257629 +g225230 +S'Saint Francis Consoled by the Musical Angel' +p257630 +sg225232 +S'Artist Information (' +p257631 +sg225234 +S'(artist after)' +p257632 +sg225236 +S'\n' +p257633 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c996.jpg' +p257634 +sg225240 +g27 +sa(dp257635 +g225230 +S'Chartres Cathedral' +p257636 +sg225232 +S'Charles Sheeler' +p257637 +sg225234 +S'charcoal' +p257638 +sg225236 +S'1929' +p257639 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00009/a00009c9.jpg' +p257640 +sg225240 +g27 +sa(dp257641 +g225230 +S'Woodland River with a Boat' +p257642 +sg225232 +S'Agostino Carracci' +p257643 +sg225234 +S'pen and brown ink on laid paper' +p257644 +sg225236 +S'c. 1590' +p257645 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00075/a0007539.jpg' +p257646 +sg225240 +g27 +sa(dp257647 +g225230 +S'The Sirens' +p257648 +sg225232 +S'Auguste Rodin' +p257649 +sg225234 +S'bronze' +p257650 +sg225236 +S'model before 1887, cast probably 1900/1920' +p257651 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00054/a000543d.jpg' +p257652 +sg225240 +g27 +sa(dp257653 +g225230 +S'The Brown Family' +p257654 +sg225232 +S'Eastman Johnson' +p257655 +sg225234 +S'oil on paper on canvas' +p257656 +sg225236 +S'1869' +p257657 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a000011f.jpg' +p257658 +sg225240 +g27 +sa(dp257659 +g225232 +S'Henri Matisse' +p257660 +sg225240 +g27 +sg225234 +S'oil on canvas' +p257661 +sg225230 +S'Palm Leaf, Tangier' +p257662 +sg225236 +S'1912' +p257663 +sa(dp257664 +g225230 +S'The Great Landscape with the Water Mill' +p257665 +sg225232 +S'Albrecht Altdorfer' +p257666 +sg225234 +S'etching with traces of light gray and yellow watercolor on laid paper' +p257667 +sg225236 +S'c. 1520' +p257668 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00096/a00096c2.jpg' +p257669 +sg225240 +g27 +sa(dp257670 +g225232 +S'Giovanni Battista Betti' +p257671 +sg225240 +g27 +sg225234 +S'1 vol: ill: engraved title and 24 engraved plates' +p257672 +sg225230 +S"A'Dilettanti delle Bell'Arti" +p257673 +sg225236 +S'published 1785' +p257674 +sa(dp257675 +g225232 +S'Artist Information (' +p257676 +sg225240 +g27 +sg225234 +S'French, 1595 - 1676' +p257677 +sg225230 +S'Clovis ou la France chrestinne' +p257678 +sg225236 +S'(author)' +p257679 +sa(dp257680 +g225230 +S'The Fight in the Forest' +p257681 +sg225232 +S'Hans Burgkmair I' +p257682 +sg225234 +S'pen and black ink on laid paper' +p257683 +sg225236 +S'c. 1500/1503' +p257684 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00022/a00022c8.jpg' +p257685 +sg225240 +g27 +sa(dp257686 +g225230 +S'Studies: Major Thomas Biddle and Thomas Wilcocks Sully' +p257687 +sg225232 +S'Thomas Sully' +p257688 +sg225234 +S'pen and brown ink over graphite on gray laid paper' +p257689 +sg225236 +S'1820' +p257690 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e4c9.jpg' +p257691 +sg225240 +g27 +sa(dp257692 +g225230 +S'Adam Babcock' +p257693 +sg225232 +S'John Singleton Copley' +p257694 +sg225234 +S'oil on canvas' +p257695 +sg225236 +S'c. 1774' +p257696 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a0000064.jpg' +p257697 +sg225240 +g27 +sa(dp257698 +g225230 +S'New York Harbor with Pilot Boat "George Washington"' +p257699 +sg225232 +S'Thomas Chambers' +p257700 +sg225234 +S'oil on canvas' +p257701 +sg225236 +S'mid 19th century' +p257702 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a0000044.jpg' +p257703 +sg225240 +g27 +sa(dp257704 +g225232 +S'American 19th Century' +p257705 +sg225240 +g27 +sg225234 +S'overall: 74.3 x 66 cm (29 1/4 x 26 in.)' +p257706 +sg225230 +S'Man Named Hubbard Reading "Boston Atlas"' +p257707 +sg225236 +S'\noil on canvas' +p257708 +sa(dp257709 +g225230 +S'The Taj Mahal' +p257710 +sg225232 +S'Erastus Salisbury Field' +p257711 +sg225234 +S'oil on canvas' +p257712 +sg225236 +S'c. 1860/1880' +p257713 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a00000bb.jpg' +p257714 +sg225240 +g27 +sa(dp257715 +g225230 +S"Pharaoh's Army Marching" +p257716 +sg225232 +S'Erastus Salisbury Field' +p257717 +sg225234 +S'oil on canvas' +p257718 +sg225236 +S'c. 1865/1880' +p257719 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a00000bc.jpg' +p257720 +sg225240 +g27 +sa(dp257721 +g225230 +S'Leverett Pond' +p257722 +sg225232 +S'Erastus Salisbury Field' +p257723 +sg225234 +S'oil on canvas' +p257724 +sg225236 +S'c. 1860/1880' +p257725 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a00000bd.jpg' +p257726 +sg225240 +g27 +sa(dp257727 +g225230 +S'Man with a Tune Book: Possibly Mr. Cook' +p257728 +sg225232 +S'Erastus Salisbury Field' +p257729 +sg225234 +S'oil on canvas' +p257730 +sg225236 +S'c. 1838' +p257731 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a00000be.jpg' +p257732 +sg225240 +g27 +sa(dp257733 +g225232 +S'M.A. Goode' +p257734 +sg225240 +g27 +sg225234 +S'oil on canvas' +p257735 +sg225230 +S'Still Life' +p257736 +sg225236 +S'second half 19th century' +p257737 +sa(dp257738 +g225230 +S'Mr. Baylor' +p257739 +sg225232 +S'Joshua Johnson' +p257740 +sg225234 +S'oil on canvas' +p257741 +sg225236 +S'c. 1805' +p257742 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a0000122.jpg' +p257743 +sg225240 +g27 +sa(dp257744 +g225230 +S'Child with Straw Hat' +p257745 +sg225232 +S'William Matthew Prior' +p257746 +sg225234 +S'oil on canvas' +p257747 +sg225236 +S'c. 1846/1873' +p257748 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a00001d4.jpg' +p257749 +sg225240 +g27 +sa(dp257750 +g225230 +S'Little Girl Holding Apple' +p257751 +sg225232 +S'Sturtevant J. Hamblin' +p257752 +sg225234 +S'oil on canvas' +p257753 +sg225236 +S'c. 1840' +p257754 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a00000d7.jpg' +p257755 +sg225240 +g27 +sa(dp257756 +g225230 +S'Boy of the Beekman Family' +p257757 +sg225232 +S'American 18th Century' +p257758 +sg225234 +S'overall: 130.8 x 103.6 cm (51 1/2 x 40 13/16 in.)\r\nframed: 143.2 x 116.5 x 5.1 cm (56 3/8 x 45 7/8 x 2 in.)' +p257759 +sg225236 +S'\noil on canvas' +p257760 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00005/a0000572.jpg' +p257761 +sg225240 +g27 +sa(dp257762 +g225230 +S'Birds' +p257763 +sg225232 +S'American 19th Century' +p257764 +sg225234 +S'overall: 43.1 x 35.5 cm (16 15/16 x 14 in.)\r\nframed: 53 x 45.4 x 2.8 cm (20 7/8 x 17 7/8 x 1 1/8 in.)' +p257765 +sg225236 +S'\noil on canvas' +p257766 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00004/a0000404.jpg' +p257767 +sg225240 +g27 +sa(dp257768 +g225230 +S'The Congdon Brothers' +p257769 +sg225232 +S'American 19th Century' +p257770 +sg225234 +S'overall: 38.3 x 64 cm (15 1/16 x 25 3/16 in.)\r\nframed: 48.7 x 74.3 x 5.4 cm (19 3/16 x 29 1/4 x 2 1/8 in.)' +p257771 +sg225236 +S'\noil on canvas' +p257772 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00004/a0000418.jpg' +p257773 +sg225240 +g27 +sa(dp257774 +g225230 +S'Girl in Red with Flowers and a Distelfink' +p257775 +sg225232 +S'American 19th Century' +p257776 +sg225234 +S'overall: 93 x 108 cm (36 5/8 x 42 1/2 in.)' +p257777 +sg225236 +S'\noil on wood (fireboard)' +p257778 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00004/a0000419.jpg' +p257779 +sg225240 +g27 +sa(dp257780 +g225230 +S'Lady Wearing Spectacles' +p257781 +sg225232 +S'American 19th Century' +p257782 +sg225234 +S'overall: 76.9 x 64 cm (30 1/4 x 25 3/16 in.)\r\nframed: 94.1 x 81.8 x 5.1 cm (37 1/16 x 32 3/16 x 2 in.)' +p257783 +sg225236 +S'\noil on canvas' +p257784 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00004/a0000427.jpg' +p257785 +sg225240 +g27 +sa(dp257786 +g225230 +S'Catherine A. May' +p257787 +sg225232 +S'Ammi Phillips' +p257788 +sg225234 +S'oil on canvas' +p257789 +sg225236 +S'c. 1830' +p257790 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a00001be.jpg' +p257791 +sg225240 +g27 +sa(dp257792 +g225230 +S'Eliza R. Read' +p257793 +sg225232 +S'Royall Brewster Smith' +p257794 +sg225234 +S'oil on canvas' +p257795 +sg225236 +S'1833' +p257796 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a000021c.jpg' +p257797 +sg225240 +g27 +sa(dp257798 +g225230 +S'John G. Read' +p257799 +sg225232 +S'Royall Brewster Smith' +p257800 +sg225234 +S'oil on canvas' +p257801 +sg225236 +S'1833' +p257802 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a000021d.jpg' +p257803 +sg225240 +g27 +sa(dp257804 +g225230 +S'Sisters in Blue' +p257805 +sg225232 +S'Sturtevant J. Hamblin' +p257806 +sg225234 +S'oil on canvas' +p257807 +sg225236 +S'c. 1840' +p257808 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a00000d8.jpg' +p257809 +sg225240 +g27 +sa(dp257810 +g225230 +S'Susanna Truax' +p257811 +sg225232 +S'American 18th Century' +p257812 +sg225234 +S'overall: 92 x 73 cm (36 1/4 x 28 3/4 in.)\r\nframed: 102.6 x 80 x 4.8 cm (40 3/8 x 31 1/2 x 1 7/8 in.)' +p257813 +sg225236 +S'\noil on canvas' +p257814 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00004/a0000444.jpg' +p257815 +sg225240 +g27 +sa(dp257816 +g225230 +S'View of Concord' +p257817 +sg225232 +S'American 19th Century' +p257818 +sg225234 +S'overall: 66.1 x 99.4 cm (26 x 39 1/8 in.)\r\nframed: 77.5 x 111.1 x 3.8 cm (30 1/2 x 43 3/4 x 1 1/2 in.)' +p257819 +sg225236 +S'\noil on canvas' +p257820 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00004/a0000445.jpg' +p257821 +sg225240 +g27 +sa(dp257822 +g225230 +S'Landscape with Seated Figure and Dog' +p257823 +sg225232 +S'Abraham Bloemaert' +p257824 +sg225234 +S'black chalk and pen and brown ink with brown wash on brown paper' +p257825 +sg225236 +S'unknown date\n' +p257826 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f86.jpg' +p257827 +sg225240 +g27 +sa(dp257828 +g225230 +S'Travellers along the Crest of a Hill' +p257829 +sg225232 +S'Pieter Molijn' +p257830 +sg225234 +S'black chalk with gray wash on laid paper' +p257831 +sg225236 +S'1652' +p257832 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006ea7.jpg' +p257833 +sg225240 +g27 +sa(dp257834 +g225232 +S'Artist Information (' +p257835 +sg225240 +g27 +sg225234 +S'(author)' +p257836 +sg225230 +S'De Re Militari' +p257837 +sg225236 +S'\n' +p257838 +sa(dp257839 +g225232 +S'Artist Information (' +p257840 +sg225240 +g27 +sg225234 +S'French, born 1795 or 1798' +p257841 +sg225230 +S'Les petits francais' +p257842 +sg225236 +S'(author)' +p257843 +sa(dp257844 +g225230 +S'Train de plaisir' +p257845 +sg225232 +S'Artist Information (' +p257846 +sg225234 +S'(artist after)' +p257847 +sg225236 +S'\n' +p257848 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00095/a0009572.jpg' +p257849 +sg225240 +g27 +sa(dp257850 +g225232 +S'Artist Information (' +p257851 +sg225240 +g27 +sg225234 +S'French, 1808 - 1879' +p257852 +sg225230 +S'H. Daumier, tirage unique de trente-six bois' +p257853 +sg225236 +S'(artist after)' +p257854 +sa(dp257855 +g225230 +S"Les Amateurs de tableaux a l'hotel Bouillon" +p257856 +sg225232 +S'Artist Information (' +p257857 +sg225234 +S'(artist after)' +p257858 +sg225236 +S'\n' +p257859 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00095/a000956f.jpg' +p257860 +sg225240 +g27 +sa(dp257861 +g225230 +S'Le Boulevard des Italiens' +p257862 +sg225232 +S'Artist Information (' +p257863 +sg225234 +S'(artist after)' +p257864 +sg225236 +S'\n' +p257865 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00095/a0009571.jpg' +p257866 +sg225240 +g27 +sa(dp257867 +g225230 +S'Boulevard du Temple a minuit' +p257868 +sg225232 +S'Artist Information (' +p257869 +sg225234 +S'(artist after)' +p257870 +sg225236 +S'\n' +p257871 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00095/a000956e.jpg' +p257872 +sg225240 +g27 +sa(dp257873 +g225230 +S'Le Couplet final' +p257874 +sg225232 +S'Artist Information (' +p257875 +sg225234 +S'(artist 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Escher' +p258176 +sg225240 +g27 +sg225234 +S'lithograph' +p258177 +sg225230 +S'Santa Severina, Calabria' +p258178 +sg225236 +S'1931' +p258179 +sa(dp258180 +g225232 +S'M.C. Escher' +p258181 +sg225240 +g27 +sg225234 +S'woodcut' +p258182 +sg225230 +S'Rossano, Calabria' +p258183 +sg225236 +S'1931' +p258184 +sa(dp258185 +g225230 +S'Santa Francesca Romana' +p258186 +sg225232 +S'M.C. Escher' +p258187 +sg225234 +S'woodcut' +p258188 +sg225236 +S'1934' +p258189 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004b/a0004b57.jpg' +p258190 +sg225240 +g27 +sa(dp258191 +g225230 +S'Church Domes' +p258192 +sg225232 +S'M.C. Escher' +p258193 +sg225234 +S'woodcut' +p258194 +sg225236 +S'1934' +p258195 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a00002b6.jpg' +p258196 +sg225240 +g27 +sa(dp258197 +g225232 +S'M.C. Escher' +p258198 +sg225240 +g27 +sg225234 +S'woodcut' +p258199 +sg225230 +S'The "Dioscuro" Pollux' +p258200 +sg225236 +S'1934' +p258201 +sa(dp258202 +g225232 +S'M.C. Escher' +p258203 +sg225240 +g27 +sg225234 +S'woodcut' +p258204 +sg225230 +S'Basilica of Constantine' +p258205 +sg225236 +S'1934' +p258206 +sa(dp258207 +g225232 +S'M.C. Escher' +p258208 +sg225240 +g27 +sg225234 +S'woodcut' +p258209 +sg225230 +S'San Giorgio in Vellabro' +p258210 +sg225236 +S'1934' +p258211 +sa(dp258212 +g225232 +S'M.C. Escher' +p258213 +sg225240 +g27 +sg225234 +S'woodcut' +p258214 +sg225230 +S"Castel Sant'Angelo" +p258215 +sg225236 +S'1934' +p258216 +sa(dp258217 +g225232 +S'M.C. Escher' +p258218 +sg225240 +g27 +sg225234 +S'lithograph' +p258219 +sg225230 +S'Genazzano, Abruzzi' +p258220 +sg225236 +S'1929' +p258221 +sa(dp258222 +g225232 +S'M.C. Escher' +p258223 +sg225240 +g27 +sg225234 +S'lithograph' +p258224 +sg225230 +S'Barbarano, Cimino' +p258225 +sg225236 +S'1929' +p258226 +sa(dp258227 +g225232 +S'M.C. Escher' +p258228 +sg225240 +g27 +sg225234 +S'lithograph' +p258229 +sg225230 +S'San Michele dei Frisoni, Rome' +p258230 +sg225236 +S'1932' +p258231 +sa(dp258232 +g225232 +S'M.C. Escher' +p258233 +sg225240 +g27 +sg225234 +S'wood engraving' +p258234 +sg225230 +S'Temple of Segesta, Sicily' +p258235 +sg225236 +S'1932' +p258236 +sa(dp258237 +g225232 +S'M.C. Escher' +p258238 +sg225240 +g27 +sg225234 +S'lithograph' +p258239 +sg225230 +S'Caltavuturo in the Madonie Mountains, Sicily' +p258240 +sg225236 +S'1933' +p258241 +sa(dp258242 +g225230 +S'New Lava near Nuziata' +p258243 +sg225232 +S'M.C. Escher' +p258244 +sg225234 +S'lithograph' +p258245 +sg225236 +S'1933' +p258246 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004b/a0004b56.jpg' +p258247 +sg225240 +g27 +sa(dp258248 +g225230 +S'Old Olive Tree, Corsica' +p258249 +sg225232 +S'M.C. Escher' +p258250 +sg225234 +S'wood engraving' +p258251 +sg225236 +S'1934' +p258252 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a00002b3.jpg' +p258253 +sg225240 +g27 +sa(dp258254 +g225232 +S'M.C. Escher' +p258255 +sg225240 +g27 +sg225234 +S'lithograph' +p258256 +sg225230 +S'House in the Lava near Nunziata, Sicily' +p258257 +sg225236 +S'1936' +p258258 +sa(dp258259 +g225232 +S'M.C. Escher' +p258260 +sg225240 +g27 +sg225234 +S'wood engraving' +p258261 +sg225230 +S'Cantania, Sicily' +p258262 +sg225236 +S'1936' +p258263 +sa(dp258264 +g225232 +S'M.C. Escher' +p258265 +sg225240 +g27 +sg225234 +S'woodcut' +p258266 +sg225230 +S'Study for part of "Snakes"' +p258267 +sg225236 +S'probably 1969' +p258268 +sa(dp258269 +g225232 +S'M.C. Escher' +p258270 +sg225240 +g27 +sg225234 +S'wooduct on medium beige wove paper' +p258271 +sg225230 +S'Illustration for "XIIme Congres Postal Universel"' +p258272 +sg225236 +S'1947' +p258273 +sa(dp258274 +g225230 +S'Wild West' +p258275 +sg225232 +S'M.C. Escher' +p258276 +sg225234 +S'woodcut' +p258277 +sg225236 +S'1920' +p258278 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a00002b4.jpg' +p258279 +sg225240 +S"Escher's early interest in the sharp contrast between black and white is apparent in this woodcut. It also presents ideas that he fully developed later in his career, such as the interlocking and patternlike forms seen in the audience that is depicted here.\n The woodcut is a relief process. First a drawing is made on a block of wood that has been cut along the grain. A knife and chisel are then used to remove the wood on either side of the drawn lines, leaving the print surface raised above the areas to remain blank. In his early period Escher also frequently used linoleum cuts as a print medium, in which the same technique is employed as in a woodcut. \n " +p258280 +sa(dp258281 +g225230 +S'Knots' +p258282 +sg225232 +S'M.C. Escher' +p258283 +sg225234 +S'woodcut in black' +p258284 +sg225236 +S'1965' +p258285 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004b/a0004b39.jpg' +p258286 +sg225240 +g27 +sa(dp258287 +g225232 +S'M.C. Escher' +p258288 +sg225240 +g27 +sg225234 +S'linoleum cut' +p258289 +sg225230 +S'Fiet van Stolk-Van der Does de Willebois' +p258290 +sg225236 +S'1918' +p258291 +sa(dp258292 +g225232 +S'M.C. Escher' +p258293 +sg225240 +g27 +sg225234 +S'woodcut on Japan paper' +p258294 +sg225230 +S'Illustration for "The Terrible Adventures of Scholastica"' +p258295 +sg225236 +S'1932' +p258296 +sa(dp258297 +g225232 +S'M.C. Escher' +p258298 +sg225240 +g27 +sg225234 +S'woodcut' +p258299 +sg225230 +S'Birth annoucement card of Jan Escher' +p258300 +sg225236 +S'1938' +p258301 +sa(dp258302 +g225230 +S'Synthesis' +p258303 +sg225232 +S'M.C. Escher' +p258304 +sg225234 +S'lithograph' +p258305 +sg225236 +S'1947' +p258306 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a00002b5.jpg' +p258307 +sg225240 +g27 +sa(dp258308 +g225232 +S'M.C. Escher' +p258309 +sg225240 +g27 +sg225234 +S'wood engraving in red, blue and black, printed from two blocks' +p258310 +sg225230 +S'Whirlpools' +p258311 +sg225236 +S'1957' +p258312 +sa(dp258313 +g225232 +S'M.C. Escher' +p258314 +sg225240 +g27 +sg225234 +S'woodcut in black' +p258315 +sg225230 +S'Sphere Surface with Fish' +p258316 +sg225236 +S'1958' +p258317 +sa(dp258318 +g225232 +S'M.C. Escher' +p258319 +sg225240 +g27 +sg225234 +S'graphite on tracing paper' +p258320 +sg225230 +S'Sphere Surface with Longitudinals and Latitudinals' +p258321 +sg225236 +S'1958' +p258322 +sa(dp258323 +g225232 +S'Artist Information (' +p258324 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'My Marilyn' +p258325 +sg225236 +S'(printer)' +p258326 +sa(dp258327 +g225232 +S'Artist Information (' +p258328 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Swingeing London 67 - etching' +p258329 +sg225236 +S'(printer)' +p258330 +sa(dp258331 +g225232 +S'Artist Information (' +p258332 +sg225240 +g27 +sg225234 +g27 +sg225230 +S"I'm dreaming of a white Christmas" +p258333 +sg225236 +S'(printer)' +p258334 +sa(dp258335 +g225232 +S'Robert Indiana' +p258336 +sg225240 +g27 +sg225234 +S'color screenprint on wove Arches paper' +p258337 +sg225230 +S'Heptagon' +p258338 +sg225236 +S'1975' +p258339 +sa(dp258340 +g225232 +S'Robert Indiana' +p258341 +sg225240 +g27 +sg225234 +S'color screenprint on wove Arches paper' +p258342 +sg225230 +S'Hexagon' +p258343 +sg225236 +S'1975' +p258344 +sa(dp258345 +g225232 +S'Robert Indiana' +p258346 +sg225240 +g27 +sg225234 +S'color screenprint on wove Arches paper' +p258347 +sg225230 +S'Nonagon' +p258348 +sg225236 +S'1975' +p258349 +sa(dp258350 +g225232 +S'Robert Indiana' +p258351 +sg225240 +g27 +sg225234 +S'color screenprint on wove Arches paper' +p258352 +sg225230 +S'Octagon' +p258353 +sg225236 +S'1975' +p258354 +sa(dp258355 +g225232 +S'Robert Indiana' +p258356 +sg225240 +g27 +sg225234 +S'color screenprint on wove Arches paper' +p258357 +sg225230 +S'Pentagon' +p258358 +sg225236 +S'1975' +p258359 +sa(dp258360 +g225232 +S'Robert Indiana' +p258361 +sg225240 +g27 +sg225234 +S'color screenprint on wove Arches paper' +p258362 +sg225230 +S'Square' +p258363 +sg225236 +S'1975' +p258364 +sa(dp258365 +g225232 +S'Robert Indiana' +p258366 +sg225240 +g27 +sg225234 +S'color screenprint on wove Arches paper' +p258367 +sg225230 +S'Triangle' +p258368 +sg225236 +S'1975' +p258369 +sa(dp258370 +g225232 +S'Jasper Johns' +p258371 +sg225240 +g27 +sg225234 +S'lithograph (stone and aluminum) in black and medium gray on German Copperplate paper' +p258372 +sg225230 +S'Alphabet' +p258373 +sg225236 +S'1969' +p258374 +sa(dp258375 +g225232 +S'Jasper Johns' +p258376 +sg225240 +g27 +sg225234 +S'4-color lithograph (aluminum and stone) with embossing' +p258377 +sg225230 +S'No' +p258378 +sg225236 +S'1968/1969' +p258379 +sa(dp258380 +g225232 +S'Artist Information (' +p258381 +sg225240 +g27 +sg225234 +S'American, born 1931' +p258382 +sg225230 +S'Bastos' +p258383 +sg225236 +S'(printer)' +p258384 +sa(dp258385 +g225232 +S'Artist Information (' +p258386 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Booster' +p258387 +sg225236 +S'(publisher)' +p258388 +sa(dp258389 +g225232 +S'Thomas Bewick' +p258390 +sg225240 +g27 +sg225234 +S'1 vol: ill: wood engravings (134 pages)' +p258391 +sg225230 +S'Figures of British Land Birds (volume I)' +p258392 +sg225236 +S'published 1800' +p258393 +sa(dp258394 +g225230 +S'Landscape with Ruins' +p258395 +sg225232 +S'Italian 18th Century' +p258396 +sg225234 +S'overall: 18.5 x 26 cm (7 5/16 x 10 1/4 in.)' +p258397 +sg225236 +S'\npen and brown ink with brown wash on laid paper' +p258398 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006d88.jpg' +p258399 +sg225240 +g27 +sa(dp258400 +g225230 +S'Seated Turk' +p258401 +sg225232 +S'Nicolas-Toussaint Charlet' +p258402 +sg225234 +S'lithograph' +p258403 +sg225236 +S'1825' +p258404 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00091/a000918c.jpg' +p258405 +sg225240 +g27 +sa(dp258406 +g225230 +S'Le D\xc3\xa9part pour le bal' +p258407 +sg225232 +S'Honor\xc3\xa9 Daumier' +p258408 +sg225234 +S'lithograph' +p258409 +sg225236 +S'1847' +p258410 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00093/a00093af.jpg' +p258411 +sg225240 +g27 +sa(dp258412 +g225230 +S'Head of a Young Woman' +p258413 +sg225232 +S'Artist Information (' +p258414 +sg225234 +S'(artist after)' +p258415 +sg225236 +S'\n' +p258416 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008d/a0008d0f.jpg' +p258417 +sg225240 +g27 +sa(dp258418 +g225230 +S'Landscape with Men Fishing by Moonlight' +p258419 +sg225232 +S'Artist Information (' +p258420 +sg225234 +S'(artist after)' +p258421 +sg225236 +S'\n' +p258422 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d02b.jpg' +p258423 +sg225240 +g27 +sa(dp258424 +g225230 +S"Castel Sant'Angelo, Rome" +p258425 +sg225232 +S'Stefano Della Bella' +p258426 +sg225234 +S'etching' +p258427 +sg225236 +S'c. 1634' +p258428 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9cc.jpg' +p258429 +sg225240 +g27 +sa(dp258430 +g225230 +S'Death of Horseback' +p258431 +sg225232 +S'Stefano Della Bella' +p258432 +sg225234 +S'etching and engraving' +p258433 +sg225236 +S'probably 1648' +p258434 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c8e2.jpg' +p258435 +sg225240 +g27 +sa(dp258436 +g225230 +S'Death Carrying a Child to the Right' +p258437 +sg225232 +S'Stefano Della Bella' +p258438 +sg225234 +S'etching and engraving' +p258439 +sg225236 +S'probably 1648' +p258440 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c8e5.jpg' +p258441 +sg225240 +g27 +sa(dp258442 +g225230 +S'Death Carrying a Child to the Left' +p258443 +sg225232 +S'Stefano Della Bella' +p258444 +sg225234 +S'etching and engraving' +p258445 +sg225236 +S'probably 1648' +p258446 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c8e1.jpg' +p258447 +sg225240 +g27 +sa(dp258448 +g225230 +S'Death Carrying a Woman' +p258449 +sg225232 +S'Stefano Della Bella' +p258450 +sg225234 +S'etching and engraving' +p258451 +sg225236 +S'probably 1648' +p258452 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c8e4.jpg' +p258453 +sg225240 +g27 +sa(dp258454 +g225230 +S'Death with an Old Man' +p258455 +sg225232 +S'Stefano Della Bella' +p258456 +sg225234 +S'etching and engraving' +p258457 +sg225236 +S'probably 1648' +p258458 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c8e3.jpg' +p258459 +sg225240 +g27 +sa(dp258460 +g225230 +S'Decorative Panel with Mythological Figures' +p258461 +sg225232 +S'Angelo Falconetto' +p258462 +sg225234 +S'etching and engraving on blue paper' +p258463 +sg225236 +S'1555/1565' +p258464 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cbb6.jpg' +p258465 +sg225240 +g27 +sa(dp258466 +g225230 +S'La bonne petite soeur' +p258467 +sg225232 +S'Philippe Jacques de Loutherbourg II' +p258468 +sg225234 +S'etching' +p258469 +sg225236 +S'unknown date\n' +p258470 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f09.jpg' +p258471 +sg225240 +g27 +sa(dp258472 +g225230 +S'Saint James the Greater' +p258473 +sg225232 +S'Parmigianino' +p258474 +sg225234 +S'etching' +p258475 +sg225236 +S'unknown date\n' +p258476 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c774.jpg' +p258477 +sg225240 +g27 +sa(dp258478 +g225230 +S"Rovine d' antichi Edifizj" +p258479 +sg225232 +S'Giovanni Battista Piranesi' +p258480 +sg225234 +S'etching, engraving, drypoint, scratching' +p258481 +sg225236 +S'published 1743/1744' +p258482 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cb8e.jpg' +p258483 +sg225240 +g27 +sa(dp258484 +g225230 +S'Classical Ruins in a Landscape: frontispiece' +p258485 +sg225232 +S'Artist Information (' +p258486 +sg225234 +S'(artist)' +p258487 +sg225236 +S'\n' +p258488 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cb3b.jpg' +p258489 +sg225240 +g27 +sa(dp258490 +g225232 +S'Jacques Villon' +p258491 +sg225240 +g27 +sg225234 +S'etching, aquatint, and roulette in green and pink on japan paper' +p258492 +sg225230 +S'The Parisian (Small Plate) (La Parisienne)' +p258493 +sg225236 +S'1904' +p258494 +sa(dp258495 +g225232 +S'Elena Liessner-Blomberg' +p258496 +sg225240 +g27 +sg225234 +S'graphite' +p258497 +sg225230 +S'Peasant Head' +p258498 +sg225236 +S'1922' +p258499 +sa(dp258500 +g225232 +S'Elena Liessner-Blomberg' +p258501 +sg225240 +g27 +sg225234 +S'graphite' +p258502 +sg225230 +S'Moment' +p258503 +sg225236 +S'1921' +p258504 +sa(dp258505 +g225230 +S'The Great Standard Bearer' +p258506 +sg225232 +S'Hendrick Goltzius' +p258507 +sg225234 +S', 1587' +p258508 +sg225236 +S'\n' +p258509 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cf/a000cfd1.jpg' +p258510 +sg225240 +g27 +sa(dp258511 +g225230 +S'Cottage by a River' +p258512 +sg225232 +S'Jan van Goyen' +p258513 +sg225234 +S'black chalk on laid paper' +p258514 +sg225236 +S'c. 1627/1629' +p258515 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006fbc.jpg' +p258516 +sg225240 +g27 +sa(dp258517 +g225230 +S'Horseman among the Dunes' +p258518 +sg225232 +S'Jan van Goyen' +p258519 +sg225234 +S'black chalk on laid paper' +p258520 +sg225236 +S'c. 1627/1629' +p258521 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006feb.jpg' +p258522 +sg225240 +g27 +sa(dp258523 +g225230 +S'Sailboat on an Estuary' +p258524 +sg225232 +S'Jan van Goyen' +p258525 +sg225234 +S'black chalk on laid paper' +p258526 +sg225236 +S'c.1627-1629' +p258527 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f62.jpg' +p258528 +sg225240 +g27 +sa(dp258529 +g225230 +S'Houses by a Road' +p258530 +sg225232 +S'Jan van Goyen' +p258531 +sg225234 +S'black chalk on laid paper' +p258532 +sg225236 +S'c.1627-1629' +p258533 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00070/a0007049.jpg' +p258534 +sg225240 +g27 +sa(dp258535 +g225230 +S'The Crucifixion with Saints Roch and Augustine' +p258536 +sg225232 +S'Filippo Bellini' +p258537 +sg225234 +S'pen and brown ink with brown wash heightened with white over black chalk on laid paper backed with fabric' +p258538 +sg225236 +S'unknown date\n' +p258539 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a000749f.jpg' +p258540 +sg225240 +g27 +sa(dp258541 +g225232 +S'Jacques Callot' +p258542 +sg225240 +g27 +sg225234 +S'bound volume with 9 etchings plus title page' +p258543 +sg225230 +S'The Large Miseries of War' +p258544 +sg225236 +S'published 1633' +p258545 +sa(dp258546 +g225232 +S'Jacques Callot' +p258547 +sg225240 +g27 +sg225234 +S'etching' +p258548 +sg225230 +S'Title Page' +p258549 +sg225236 +S'c. 1633' +p258550 +sa(dp258551 +g225232 +S'Jacques Callot' +p258552 +sg225240 +g27 +sg225234 +S'etching' +p258553 +sg225230 +S'Plundering a Large Farmhouse' +p258554 +sg225236 +S'c. 1633' +p258555 +sa(dp258556 +g225232 +S'Jacques Callot' +p258557 +sg225240 +g27 +sg225234 +S'etching' +p258558 +sg225230 +S'The Peasants Avenge Themselves' +p258559 +sg225236 +S'c. 1633' +p258560 +sa(dp258561 +g225232 +S'Jacques Callot' +p258562 +sg225240 +g27 +sg225234 +S'etching' +p258563 +sg225230 +S'Dying Soldiers by the Roadside' +p258564 +sg225236 +S'c. 1633' +p258565 +sa(dp258566 +g225232 +S'Jacques Callot' +p258567 +sg225240 +g27 +sg225234 +S'etching' +p258568 +sg225230 +S'Discovery of the Criminal Soldiers' +p258569 +sg225236 +S'c. 1633' +p258570 +sa(dp258571 +g225232 +S'Jacques Callot' +p258572 +sg225240 +g27 +sg225234 +S'etching' +p258573 +sg225230 +S'The Firing Squad' +p258574 +sg225236 +S'c. 1633' +p258575 +sa(dp258576 +g225232 +S'Jacques Callot' +p258577 +sg225240 +g27 +sg225234 +S'etching' +p258578 +sg225230 +S'Attack on a Coach' +p258579 +sg225236 +S'c. 1633' +p258580 +sa(dp258581 +g225232 +S'Jacques Callot' +p258582 +sg225240 +g27 +sg225234 +S'etching' +p258583 +sg225230 +S'The Battle' +p258584 +sg225236 +S'c. 1633' +p258585 +sa(dp258586 +g225232 +S'Jacques Callot' +p258587 +sg225240 +g27 +sg225234 +S'etching' +p258588 +sg225230 +S'Plundering and Burning a Village' +p258589 +sg225236 +S'c. 1633' +p258590 +sa(dp258591 +g225232 +S'Jacques Callot' +p258592 +sg225240 +g27 +sg225234 +S'etching' +p258593 +sg225230 +S'The Stake' +p258594 +sg225236 +S'c. 1633' +p258595 +sa(dp258596 +g225230 +S'Ah! monstre, vous vous permettez...' +p258597 +sg225232 +S'Honor\xc3\xa9 Daumier' +p258598 +sg225234 +S'lithograph' +p258599 +sg225236 +S'1840' +p258600 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00092/a0009265.jpg' +p258601 +sg225240 +g27 +sa(dp258602 +g225230 +S"L'unit\xc3\xa9 allemande" +p258603 +sg225232 +S'Honor\xc3\xa9 Daumier' +p258604 +sg225234 +S'lithograph' +p258605 +sg225236 +S'1870' +p258606 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0009a/a0009a92.jpg' +p258607 +sg225240 +g27 +sa(dp258608 +g225230 +S'Po\xc3\xa8te classique composant une \xc3\xa9glogue...' +p258609 +sg225232 +S'Honor\xc3\xa9 Daumier' +p258610 +sg225234 +S'lithograph' +p258611 +sg225236 +S'1840' +p258612 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00092/a00092f4.jpg' +p258613 +sg225240 +g27 +sa(dp258614 +g225230 +S"V'la mon petit... s'il n'a pas assez de moyens..." +p258615 +sg225232 +S'Honor\xc3\xa9 Daumier' +p258616 +sg225234 +S'lithograph' +p258617 +sg225236 +S'1850' +p258618 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00094/a0009406.jpg' +p258619 +sg225240 +g27 +sa(dp258620 +g225230 +S"L'Eau est d\xc3\xa9licieuse... je t'assure..." +p258621 +sg225232 +S'Honor\xc3\xa9 Daumier' +p258622 +sg225234 +S'lithograph' +p258623 +sg225236 +S'1845' +p258624 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00093/a0009368.jpg' +p258625 +sg225240 +g27 +sa(dp258626 +g225230 +S'Apollo and Marsyas' +p258627 +sg225232 +S'Artist Information (' +p258628 +sg225234 +S'(artist after)' +p258629 +sg225236 +S'\n' +p258630 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c837.jpg' +p258631 +sg225240 +g27 +sa(dp258632 +g225230 +S'Saint Roch' +p258633 +sg225232 +S'Artist Information (' +p258634 +sg225234 +S'(artist after)' +p258635 +sg225236 +S'\n' +p258636 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c746.jpg' +p258637 +sg225240 +g27 +sa(dp258638 +g225230 +S'Le Juif Errant' +p258639 +sg225232 +S'Artist Information (' +p258640 +sg225234 +S'(artist after)' +p258641 +sg225236 +S'\n' +p258642 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009ffb.jpg' +p258643 +sg225240 +g27 +sa(dp258644 +g225230 +S'The Adoration of the Magi' +p258645 +sg225232 +S'Bartolom\xc3\xa9 Esteban Murillo' +p258646 +sg225234 +S'pen and brown ink with brown wash over red and black chalk on laid paper' +p258647 +sg225236 +S'c. 1650/1656' +p258648 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00026/a0002605.jpg' +p258649 +sg225240 +g27 +sa(dp258650 +g225230 +S'The Betrothal of Maximilian with Mary of Burgundy' +p258651 +sg225232 +S'Albrecht D\xc3\xbcrer' +p258652 +sg225234 +S'woodcut' +p258653 +sg225236 +S'1515' +p258654 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ac/a000ac5b.jpg' +p258655 +sg225240 +g27 +sa(dp258656 +g225230 +S'The Sacrifice of Marcus Curtius' +p258657 +sg225232 +S'Jost Amman' +p258658 +sg225234 +S'pen and black ink on laid paper' +p258659 +sg225236 +S'unknown date\n' +p258660 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006a/a0006a0f.jpg' +p258661 +sg225240 +g27 +sa(dp258662 +g225230 +S'Two Women in Classical Dress' +p258663 +sg225232 +S'Claude Lorrain' +p258664 +sg225234 +S'black chalk and pen and brown ink and brown wash, heightened with white gouache on apricot-prepared paper, with later framing line in black ink' +p258665 +sg225236 +S'mid-1640s' +p258666 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0003a/a0003a20.jpg' +p258667 +sg225240 +g27 +sa(dp258668 +g225230 +S'Esurientes pascere' +p258669 +sg225232 +S'S\xc3\xa9bastien Bourdon' +p258670 +sg225234 +S'engraving' +p258671 +sg225236 +S'probably 1658' +p258672 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008b/a0008bfb.jpg' +p258673 +sg225240 +g27 +sa(dp258674 +g225230 +S'Potare sitientes' +p258675 +sg225232 +S'S\xc3\xa9bastien Bourdon' +p258676 +sg225234 +S'engraving' +p258677 +sg225236 +S'probably 1658' +p258678 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008c00.jpg' +p258679 +sg225240 +g27 +sa(dp258680 +g225230 +S'Hospitio exipere advenas' +p258681 +sg225232 +S'S\xc3\xa9bastien Bourdon' +p258682 +sg225234 +S'engraving' +p258683 +sg225236 +S'probably 1658' +p258684 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008b/a0008bff.jpg' +p258685 +sg225240 +g27 +sa(dp258686 +g225230 +S'Vestine nudos' +p258687 +sg225232 +S'S\xc3\xa9bastien Bourdon' +p258688 +sg225234 +S'engraving' +p258689 +sg225236 +S'probably 1658' +p258690 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008b/a0008bfe.jpg' +p258691 +sg225240 +g27 +sa(dp258692 +g225230 +S'Aegros Curare' +p258693 +sg225232 +S'S\xc3\xa9bastien Bourdon' +p258694 +sg225234 +S'engraving' +p258695 +sg225236 +S'probably 1658' +p258696 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008b/a0008bfd.jpg' +p258697 +sg225240 +g27 +sa(dp258698 +g225230 +S'Liberare Captivos' +p258699 +sg225232 +S'S\xc3\xa9bastien Bourdon' +p258700 +sg225234 +S'engraving' +p258701 +sg225236 +S'probably 1658' +p258702 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008b/a0008bfc.jpg' +p258703 +sg225240 +g27 +sa(dp258704 +g225230 +S'Sepelire mortuos' +p258705 +sg225232 +S'S\xc3\xa9bastien Bourdon' +p258706 +sg225234 +S'engraving' +p258707 +sg225236 +S'probably 1658' +p258708 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008b/a0008bfa.jpg' +p258709 +sg225240 +g27 +sa(dp258710 +g225230 +S'Mercury with the Head of Argus in His Hand' +p258711 +sg225232 +S'Hieronymus Cock' +p258712 +sg225234 +S'etching' +p258713 +sg225236 +S'1558' +p258714 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cf/a000cf2c.jpg' +p258715 +sg225240 +g27 +sa(dp258716 +g225230 +S'Ruins on the Palatine with the Septizonium' +p258717 +sg225232 +S'Hieronymus Cock' +p258718 +sg225234 +S'etching on laid paper' +p258719 +sg225236 +S'1550' +p258720 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cf/a000cf2e.jpg' +p258721 +sg225240 +g27 +sa(dp258722 +g225232 +S'Erich Heckel' +p258723 +sg225240 +g27 +sg225234 +S'woodcut' +p258724 +sg225230 +S'Kneeling (Hockende)' +p258725 +sg225236 +S'1913' +p258726 +sa(dp258727 +g225230 +S'The Annunciation' +p258728 +sg225232 +S'Artist Information (' +p258729 +sg225234 +S'(artist after)' +p258730 +sg225236 +S'\n' +p258731 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00065/a0006593.jpg' +p258732 +sg225240 +g27 +sa(dp258733 +g225230 +S'The Virgin in Glory' +p258734 +sg225232 +S'Abraham Bloemaert' +p258735 +sg225234 +S'pen and brown ink with brown wash heightened with white over black chalk on blue paper' +p258736 +sg225236 +S'unknown date\n' +p258737 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00071/a0007152.jpg' +p258738 +sg225240 +g27 +sa(dp258739 +g225230 +S'John Adams' +p258740 +sg225232 +S'Gilbert Stuart' +p258741 +sg225234 +S'oil on wood' +p258742 +sg225236 +S'c. 1821' +p258743 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a0000254.jpg' +p258744 +sg225240 +S'This likeness was painted when the second president was in his eighties. \n However, Stuart copied it from a much earlier National Gallery picture, the \n \n ' +p258745 +sa(dp258746 +g225230 +S'James Madison' +p258747 +sg225232 +S'Gilbert Stuart' +p258748 +sg225234 +S'oil on wood' +p258749 +sg225236 +S'c. 1821' +p258750 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a0000255.jpg' +p258751 +sg225240 +S"Stuart first portrayed James Madison when he was Jefferson's secretary of state. The Gibbs-Coolidge likeness was most likely based on other pictures Stuart had painted from life that where either in his possession or accessible to him. The deep green curtain accents the color of Madison's eyes.\n " +p258752 +sa(dp258753 +g225230 +S'James Monroe' +p258754 +sg225232 +S'Gilbert Stuart' +p258755 +sg225234 +S'oil on wood' +p258756 +sg225236 +S'c. 1817' +p258757 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a0000256.jpg' +p258758 +sg225240 +S"Monroe's likeness, a replica of one done from life in 1817, is the only \n picture in the Gibbs-Coolidge set with a pale background. Stuart very \n rarely used light settings for his portrayals of men. Since James Monroe \n was the last of the first five presidents, serving from 1817 to 1825, this \n glowing sky might symbolize the Republic's future.\n " +p258759 +sa(dp258760 +g225230 +S'George Washington' +p258761 +sg225232 +S'Gilbert Stuart' +p258762 +sg225234 +S'oil on wood' +p258763 +sg225236 +S'c. 1821' +p258764 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a0000257.jpg' +p258765 +sg225240 +S'This version is among the best of the seventy-two copies Stuart made of \n his Athenaeum format for the first president. Painted from life in April \n 1796, the unfinished original is now shared at three-year intervals between \n the Museum of Fine Arts, Boston, and the National Portrait Gallery, \n Washington.\n ' +p258766 +sa(dp258767 +g225230 +S'Grottesco with the Tomb of Nero' +p258768 +sg225232 +S'Giovanni Battista Piranesi' +p258769 +sg225234 +S'pen and brush with gray-brown ink and gray wash over red chalk on laid paper' +p258770 +sg225236 +S'1747' +p258771 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00072/a000728e.jpg' +p258772 +sg225240 +g27 +sa(dp258773 +g225230 +S'Study of a Woman' +p258774 +sg225232 +S'Adolph Menzel' +p258775 +sg225234 +S'graphite with stump' +p258776 +sg225236 +S'c. 1875/1890' +p258777 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006d0e.jpg' +p258778 +sg225240 +g27 +sa(dp258779 +g225232 +S'John Singer Sargent' +p258780 +sg225240 +g27 +sg225234 +S'sketchbook with one graphite sketch and one pen and black ink and graphite sketch plus photo-mechanical reproduction of one sketch (see 1979.8.2)' +p258781 +sg225230 +S'Sketchbook with Two Costume Studies' +p258782 +sg225236 +S'1900' +p258783 +sa(dp258784 +g225230 +S'Design for Hawk Dress for Mrs. C.E. Hunter as Queen Phalema in "The Seraph"' +p258785 +sg225232 +S'John Singer Sargent' +p258786 +sg225234 +S'photo-mechanical reproduction' +p258787 +sg225236 +S'1900' +p258788 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004fcc.jpg' +p258789 +sg225240 +g27 +sa(dp258790 +g225232 +S'Miriam Schapiro' +p258791 +sg225240 +g27 +sg225234 +S'embossing on Arches paper' +p258792 +sg225230 +S'Title Page' +p258793 +sg225236 +S'1977' +p258794 +sa(dp258795 +g225232 +S'Miriam Schapiro' +p258796 +sg225240 +g27 +sg225234 +S'portfolio with eight color collotypes and two embossings including title page and colophon on Archespaper' +p258797 +sg225230 +S'Anonymous was a Woman' +p258798 +sg225236 +S'1977' +p258799 +sa(dp258800 +g225232 +S'Miriam Schapiro' +p258801 +sg225240 +g27 +sg225234 +S'collotype in red-brown on Arches paper' +p258802 +sg225230 +S'Anonymous was a Woman I' +p258803 +sg225236 +S'1977' +p258804 +sa(dp258805 +g225232 +S'Miriam Schapiro' +p258806 +sg225240 +g27 +sg225234 +S'collotype in brown on Arches paper' +p258807 +sg225230 +S'Anonymous was a Woman II' +p258808 +sg225236 +S'1977' +p258809 +sa(dp258810 +g225232 +S'Miriam Schapiro' +p258811 +sg225240 +g27 +sg225234 +S'collotype in light red-brown on Arches paper' +p258812 +sg225230 +S'Anonymous was a Woman III' +p258813 +sg225236 +S'1977' +p258814 +sa(dp258815 +g225232 +S'Miriam Schapiro' +p258816 +sg225240 +g27 +sg225234 +S'collotype in blue on Arches paper' +p258817 +sg225230 +S'Anonymous was a Woman IV' +p258818 +sg225236 +S'1977' +p258819 +sa(dp258820 +g225232 +S'Miriam Schapiro' +p258821 +sg225240 +g27 +sg225234 +S'collotype in brown and white on Arches paper' +p258822 +sg225230 +S'Anonymous was a Woman V' +p258823 +sg225236 +S'1977' +p258824 +sa(dp258825 +g225232 +S'Miriam Schapiro' +p258826 +sg225240 +g27 +sg225234 +S'collotype in black and embossing on Arches paper' +p258827 +sg225230 +S'Anonymous was a Woman VI' +p258828 +sg225236 +S'1977' +p258829 +sa(dp258830 +g225232 +S'Miriam Schapiro' +p258831 +sg225240 +g27 +sg225234 +S'collotype in red on Arches paper' +p258832 +sg225230 +S'Anonymous was a Woman VII' +p258833 +sg225236 +S'1977' +p258834 +sa(dp258835 +g225232 +S'Miriam Schapiro' +p258836 +sg225240 +g27 +sg225234 +S'collotype in brown on Arches paper' +p258837 +sg225230 +S'Anonymous was a Woman VIII' +p258838 +sg225236 +S'1977' +p258839 +sa(dp258840 +g225232 +S'Miriam Schapiro' +p258841 +sg225240 +g27 +sg225234 +S'embossing on Arches paper' +p258842 +sg225230 +S'Colophon' +p258843 +sg225236 +S'1977' +p258844 +sa(dp258845 +g225230 +S'Door Knocker with Nereid, Triton, and Putti' +p258846 +sg225232 +S'Jacopo Sansovino' +p258847 +sg225234 +S'bronze' +p258848 +sg225236 +S'c. 1550' +p258849 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002d95.jpg' +p258850 +sg225240 +S"Renaissance bronze sculpture often served practical functions. This doorknocker is one of\nthe finest examples of a specialty of the city of Venice, where Jacopo Sansovino dominated\nsculptural and architectural projects for some forty years. Gifted, prolific, and well-connected,\nSansovino introduced the dynamic and heroically proportioned human types of central Italian\nHigh Renaissance art to Venetian sculpture.\n Typical of its kind, this doorknocker has a broad base of lush acanthus leaves, from which\nhorns curve upward and converge toward the top in a form suggesting a lyre. A nereid and triton,\nhalf-human sea creatures whose lower bodies are understood to disappear into fish-tails hidden in\nthe foliage, gaze delightedly at each other. The male's outstretched left arm unites them, and each\nfigure's outer arm winds up under and around the horns that rise out of the leaves. Above them,\nrobust little putti twist about beneath their burden of dense fruit garlands, splaying their legs and\nplanting their feet impudently on the adults' heads and chests. The whole, brilliantly interwoven\nantiquarian invention alludes in a direct and playful way to love and fertility, appropriate to the\ndoor of a home. The smooth, worn lower leaves indicate that the knocker received many years of\nuse.\n " +p258851 +sa(dp258852 +g225230 +S'The Head of Saint John the Evangelist' +p258853 +sg225232 +S'Federico Barocci' +p258854 +sg225234 +S'oil on paper lined with linen' +p258855 +sg225236 +S'c. 1580' +p258856 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00022/a00022a2.jpg' +p258857 +sg225240 +g27 +sa(dp258858 +g225230 +S'Paradise, Newport' +p258859 +sg225232 +S'William Trost Richards' +p258860 +sg225234 +S'gouache on gray fibrous paper' +p258861 +sg225236 +S'1877' +p258862 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00009/a000098d.jpg' +p258863 +sg225240 +g27 +sa(dp258864 +g225230 +S'The Artist and His Mother' +p258865 +sg225232 +S'Arshile Gorky' +p258866 +sg225234 +S'oil on canvas' +p258867 +sg225236 +S'c. 1926-c. 1942' +p258868 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a00000cc.jpg' +p258869 +sg225240 +g27 +sa(dp258870 +g225230 +S'One Year the Milkweed' +p258871 +sg225232 +S'Arshile Gorky' +p258872 +sg225234 +S'oil on canvas' +p258873 +sg225236 +S'1944' +p258874 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a00000cd.jpg' +p258875 +sg225240 +S"In \n Gorky spent most of 1944 at the country estate of his wife's parents in Hamilton, Virginia,\n drawing, painting, and observing the changes of the seasons. His mood in \n " +p258876 +sa(dp258877 +g225230 +S'Organization' +p258878 +sg225232 +S'Arshile Gorky' +p258879 +sg225234 +S'oil on canvas' +p258880 +sg225236 +S'1933-1936' +p258881 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a00000ce.jpg' +p258882 +sg225240 +g27 +sa(dp258883 +g225230 +S'Portrait of the Artist and His Mother' +p258884 +sg225232 +S'Arshile Gorky' +p258885 +sg225234 +S'graphite on squared paper' +p258886 +sg225236 +S'1926/1936' +p258887 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a00008e4.jpg' +p258888 +sg225240 +g27 +sa(dp258889 +g225230 +S'Untitled (Squared Study for "The Plow and the Song")' +p258890 +sg225232 +S'Arshile Gorky' +p258891 +sg225234 +S'graphite and crayon on wove paper, squared for transfer' +p258892 +sg225236 +S'c. 1944' +p258893 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a00008e5.jpg' +p258894 +sg225240 +g27 +sa(dp258895 +g225230 +S'The Rest on the Flight into Egypt' +p258896 +sg225232 +S'Guercino' +p258897 +sg225234 +S', c. 1626' +p258898 +sg225236 +S'\n' +p258899 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00033/a00033e6.jpg' +p258900 +sg225240 +g27 +sa(dp258901 +g225230 +S'Allegory of Music' +p258902 +sg225232 +S'Fran\xc3\xa7ois Boucher' +p258903 +sg225234 +S'pen and brown ink with red wash on laid paper' +p258904 +sg225236 +S'1764' +p258905 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00031/a0003199.jpg' +p258906 +sg225240 +g27 +sa(dp258907 +g225230 +S'Brinkman Priory' +p258908 +sg225232 +S'Paul Sandby Munn' +p258909 +sg225234 +S'pen and tusche lithograph' +p258910 +sg225236 +S'1812' +p258911 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00077/a000772a.jpg' +p258912 +sg225240 +g27 +sa(dp258913 +g225230 +S'Country Footbridge (The Traveller)' +p258914 +sg225232 +S'Paul Sandby Munn' +p258915 +sg225234 +S'pen and tusche lithograph' +p258916 +sg225236 +S'c. 1810' +p258917 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00077/a000771a.jpg' +p258918 +sg225240 +g27 +sa(dp258919 +g225230 +S'La Parisienne (7)' +p258920 +sg225232 +S'Jacques Villon' +p258921 +sg225234 +S'color softground etching, etching, and aquatint printed from multiple plates with watercolor additions and graphite notations on cream wove paper [touched proof]' +p258922 +sg225236 +S'1902' +p258923 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00054/a0005455.jpg' +p258924 +sg225240 +g27 +sa(dp258925 +g225232 +S'Emil Nolde' +p258926 +sg225240 +g27 +sg225234 +S'woodcut' +p258927 +sg225230 +S'Fischdampfer (Fish Steamboat)' +p258928 +sg225236 +S'1910' +p258929 +sa(dp258930 +g225230 +S'Four Boys on a Beach' +p258931 +sg225232 +S'Winslow Homer' +p258932 +sg225234 +S'graphite with watercolor and gouache on wove paper' +p258933 +sg225236 +S'c. 1873' +p258934 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00009/a0000904.jpg' +p258935 +sg225240 +g27 +sa(dp258936 +g225230 +S'Solitude: Miss Vesta Rollinstall' +p258937 +sg225232 +S'Edwin Austin Abbey' +p258938 +sg225234 +S'graphite on heavy cream wove paper' +p258939 +sg225236 +S'1878' +p258940 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e482.jpg' +p258941 +sg225240 +g27 +sa(dp258942 +g225230 +S"Young Woman's Head" +p258943 +sg225232 +S'Esther Frances Alexander' +p258944 +sg225234 +S'graphite and pen and brown ink on wove paper' +p258945 +sg225236 +S'unknown date\n' +p258946 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e481.jpg' +p258947 +sg225240 +g27 +sa(dp258948 +g225230 +S'Wanaus, Tuscarora Indian' +p258949 +sg225232 +S'Esther Frances Alexander' +p258950 +sg225234 +S'pen and brown ink on heavy ivory cardstock' +p258951 +sg225236 +S'1868' +p258952 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00068/a0006860.jpg' +p258953 +sg225240 +g27 +sa(dp258954 +g225230 +S'Composition with Four Figures [recto and verso]' +p258955 +sg225232 +S'Washington Allston' +p258956 +sg225234 +S', c. 1805' +p258957 +sg225236 +S'\n' +p258958 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0a4.jpg' +p258959 +sg225240 +g27 +sa(dp258960 +g225230 +S'Kentucky Fly-catching Warbler' +p258961 +sg225232 +S'John Woodhouse Audubon' +p258962 +sg225234 +S'pen and black and gray ink with watercolor on wovepaper' +p258963 +sg225236 +S'1830s' +p258964 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e47f.jpg' +p258965 +sg225240 +g27 +sa(dp258966 +g225230 +S'Gowanus Heights, Brooklyn' +p258967 +sg225232 +S'William Henry Bartlett' +p258968 +sg225234 +S'brush and brown ink with brown wash on wove paper' +p258969 +sg225236 +S'c. 1836/1837' +p258970 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006b/a0006bea.jpg' +p258971 +sg225240 +g27 +sa(dp258972 +g225230 +S'Two Men Figures' +p258973 +sg225232 +S'George Caleb Bingham' +p258974 +sg225234 +S'pen and ink over graphite' +p258975 +sg225236 +S'unknown date\n' +p258976 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0a6.jpg' +p258977 +sg225240 +g27 +sa(dp258978 +g225230 +S'Riverhead, Long Island' +p258979 +sg225232 +S'Oscar F. Bluemner' +p258980 +sg225234 +S'graphite with black crayon' +p258981 +sg225236 +S'1903' +p258982 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e5/a000e569.jpg' +p258983 +sg225240 +g27 +sa(dp258984 +g225230 +S'Francois' +p258985 +sg225232 +S'Charles J. Bridgman' +p258986 +sg225234 +S'graphite on wove paper' +p258987 +sg225236 +S'1872' +p258988 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e48a.jpg' +p258989 +sg225240 +g27 +sa(dp258990 +g225230 +S'Rosetta, Egypt' +p258991 +sg225232 +S'Charles J. Bridgman' +p258992 +sg225234 +S'graphite and black crayon heightened with cream chalk on wove paper' +p258993 +sg225236 +S'c. 1871/1872' +p258994 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e48b.jpg' +p258995 +sg225240 +g27 +sa(dp258996 +g225230 +S'Bible Lesson [recto]' +p258997 +sg225232 +S'Mather Brown' +p258998 +sg225234 +S'pen and brown ink over graphite on laid paper' +p258999 +sg225236 +S'1780/1790' +p259000 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e47e.jpg' +p259001 +sg225240 +g27 +sa(dp259002 +g225232 +S'Mather Brown' +p259003 +sg225240 +g27 +sg225234 +S'graphite and pen and ink' +p259004 +sg225230 +S'Three Figures [verso]' +p259005 +sg225236 +S'1780/1790' +p259006 +sa(dp259007 +g225230 +S'Allegory: Four Putti' +p259008 +sg225232 +S'Mather Brown' +p259009 +sg225234 +S'pen and brown ink over graphite on laid paper' +p259010 +sg225236 +S'1780/1790' +p259011 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f099.jpg' +p259012 +sg225240 +g27 +sa(dp259013 +g225230 +S'Banknote Studies [recto]' +p259014 +sg225232 +S'John William Casilear' +p259015 +sg225234 +S'graphite with touches of pen and brown ink on tan wove paper' +p259016 +sg225236 +S'1840' +p259017 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0a9.jpg' +p259018 +sg225240 +g27 +sa(dp259019 +g225232 +S'John William Casilear' +p259020 +sg225240 +g27 +sg225234 +S'graphite on tan wove paper' +p259021 +sg225230 +S'Studies of Classical Temple Facades and Seated Female Figure [verso]' +p259022 +sg225236 +S'unknown date\n' +p259023 +sa(dp259024 +g225230 +S'H. Wood Sullivan - "The Shaver"' +p259025 +sg225232 +S'Jefferson David Chalfant' +p259026 +sg225234 +S'graphite on aged brown sulphured wove paper; verso blackened for transfer' +p259027 +sg225236 +S'probably 1890/1900' +p259028 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e495.jpg' +p259029 +sg225240 +g27 +sa(dp259030 +g225230 +S'On the Road from Conway' +p259031 +sg225232 +S'Thomas Cole' +p259032 +sg225234 +S'pen and black ink over graphite on wove paper' +p259033 +sg225236 +S'1827/1828' +p259034 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e496.jpg' +p259035 +sg225240 +g27 +sa(dp259036 +g225230 +S'Temples of Juno, Lucina, and Concordia - Agrigentum, Sicily' +p259037 +sg225232 +S'Thomas Cole' +p259038 +sg225234 +S'graphite with white gouache on brown paper' +p259039 +sg225236 +S'1842' +p259040 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e499.jpg' +p259041 +sg225240 +g27 +sa(dp259042 +g225230 +S'The Bridge of Fear' +p259043 +sg225232 +S'Thomas Cole' +p259044 +sg225234 +S'graphite and black crayon with gray wash on wove paper' +p259045 +sg225236 +S'unknown date\n' +p259046 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a00008c0.jpg' +p259047 +sg225240 +g27 +sa(dp259048 +g225230 +S'The Good Shepherd' +p259049 +sg225232 +S'Thomas Cole' +p259050 +sg225234 +S'graphite and pen and ink with tan and gray wash, heightened with white, on laid paper' +p259051 +sg225236 +S'1847' +p259052 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e494.jpg' +p259053 +sg225240 +g27 +sa(dp259054 +g225230 +S'Lullaby' +p259055 +sg225232 +S'Maude Alice Cowles' +p259056 +sg225234 +S'pen and black ink with gray and white wash on graypaper-surfaced cardboard' +p259057 +sg225236 +S'c. 1890' +p259058 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e49c.jpg' +p259059 +sg225240 +g27 +sa(dp259060 +g225230 +S'A Corner Window, Will Low' +p259061 +sg225232 +S'Kenyon Cox' +p259062 +sg225234 +S'pen and black ink on laid paper' +p259063 +sg225236 +S'1884' +p259064 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a00008ca.jpg' +p259065 +sg225240 +g27 +sa(dp259066 +g225230 +S'Seated Male Nude: Study for "Science" - Iowa State Capitol' +p259067 +sg225232 +S'Kenyon Cox' +p259068 +sg225234 +S'graphite on laid paper, squared with graphite' +p259069 +sg225236 +S'1905' +p259070 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e49d.jpg' +p259071 +sg225240 +g27 +sa(dp259072 +g225230 +S'Reclining Female Nude Study for "Painting"' +p259073 +sg225232 +S'Kenyon Cox' +p259074 +sg225234 +S'graphite on laid paper, squared with graphite' +p259075 +sg225236 +S'unknown date\n' +p259076 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a00008cb.jpg' +p259077 +sg225240 +g27 +sa(dp259078 +g225230 +S'Study of a Plaster Torso' +p259079 +sg225232 +S'Kenyon Cox' +p259080 +sg225234 +S'graphite on laid paper, squared with graphite' +p259081 +sg225236 +S'unknown date\n' +p259082 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000eb/a000eb9c.jpg' +p259083 +sg225240 +g27 +sa(dp259084 +g225230 +S'Drapery Study for Reclining Female Study for "Painting"' +p259085 +sg225232 +S'Kenyon Cox' +p259086 +sg225234 +S'graphite on laid paper, squared with graphite' +p259087 +sg225236 +S'unknown date\n' +p259088 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a00008cc.jpg' +p259089 +sg225240 +g27 +sa(dp259090 +g225230 +S'Brownies at Home - Twelve Vignettes' +p259091 +sg225232 +S'Palmer Cox' +p259092 +sg225234 +S'pen and black ink on twelve pieces of wove paper' +p259093 +sg225236 +S'c. 1893' +p259094 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006a/a0006aae.jpg' +p259095 +sg225240 +g27 +sa(dp259096 +g225230 +S'Hudson River Brick Piers' +p259097 +sg225232 +S'Jasper Francis Cropsey' +p259098 +sg225234 +S'graphite and watercolor on brown wove paper' +p259099 +sg225236 +S'1886' +p259100 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0ae.jpg' +p259101 +sg225240 +g27 +sa(dp259102 +g225230 +S'Pine Tree' +p259103 +sg225232 +S'Jasper Francis Cropsey' +p259104 +sg225234 +S'graphite heightened with white on heavy wove paper' +p259105 +sg225236 +S'1847' +p259106 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0ad.jpg' +p259107 +sg225240 +g27 +sa(dp259108 +g225230 +S'The Hudson River at Hastings' +p259109 +sg225232 +S'Jasper Francis Cropsey' +p259110 +sg225234 +S'graphite on wove paper' +p259111 +sg225236 +S'1885' +p259112 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000eb/a000eb9b.jpg' +p259113 +sg225240 +g27 +sa(dp259114 +g225230 +S"Portrait of the Artist's Wife" +p259115 +sg225232 +S'Elliott Daingerfield' +p259116 +sg225234 +S'graphite on laid paper' +p259117 +sg225236 +S'1898' +p259118 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e4a4.jpg' +p259119 +sg225240 +g27 +sa(dp259120 +g225230 +S'Man Flailing' +p259121 +sg225232 +S'Felix Octavius Carr Darley' +p259122 +sg225234 +S'graphite on heavy wove paper' +p259123 +sg225236 +S'1850s' +p259124 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0b2.jpg' +p259125 +sg225240 +g27 +sa(dp259126 +g225230 +S"The Squatter's Death" +p259127 +sg225232 +S'Felix Octavius Carr Darley' +p259128 +sg225234 +S'pen and brown ink with brown wash' +p259129 +sg225236 +S'1859/1861' +p259130 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a00008cf.jpg' +p259131 +sg225240 +g27 +sa(dp259132 +g225230 +S"Aldrich's Dog" +p259133 +sg225232 +S'Arthur B. Davies' +p259134 +sg225234 +S'pen and black ink touched with white on buff prepared laid paper' +p259135 +sg225236 +S'late 1880s' +p259136 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e5/a000e5ab.jpg' +p259137 +sg225240 +g27 +sa(dp259138 +g225230 +S'Foxgloves' +p259139 +sg225232 +S'Arthur B. Davies' +p259140 +sg225234 +S'graphite' +p259141 +sg225236 +S'unknown date\n' +p259142 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e0/a000e09a.jpg' +p259143 +sg225240 +g27 +sa(dp259144 +g225230 +S'Seated Nude and a Foot' +p259145 +sg225232 +S'Arthur B. Davies' +p259146 +sg225234 +S'black and white chalk fixed with water bath on brown laid paper' +p259147 +sg225236 +S'probably 1920' +p259148 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e5/a000e5ad.jpg' +p259149 +sg225240 +g27 +sa(dp259150 +g225230 +S'Jewish Synagogue, N.Y.' +p259151 +sg225232 +S'Alexander Jackson Davis' +p259152 +sg225234 +S'pen and black ink with gray wash' +p259153 +sg225236 +S'unknown date\n' +p259154 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0b1.jpg' +p259155 +sg225240 +g27 +sa(dp259156 +g225230 +S'White Mountains (?)' +p259157 +sg225232 +S'Asher Brown Durand' +p259158 +sg225234 +S', possibly 1825/1830' +p259159 +sg225236 +S'\n' +p259160 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e4a5.jpg' +p259161 +sg225240 +g27 +sa(dp259162 +g225230 +S'Rip Van Winkle' +p259163 +sg225232 +S'Asher Brown Durand' +p259164 +sg225234 +S'graphite' +p259165 +sg225236 +S'c. 1840' +p259166 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e4a3.jpg' +p259167 +sg225240 +g27 +sa(dp259168 +g225230 +S'Portrait of the Artist Asa W. Twitchell' +p259169 +sg225232 +S'Charles Loring Elliott' +p259170 +sg225234 +S'graphite on wove paper' +p259171 +sg225236 +S'1864' +p259172 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0b3.jpg' +p259173 +sg225240 +g27 +sa(dp259174 +g225230 +S'Study from a Cast' +p259175 +sg225232 +S'Louis Michel Eilshemius' +p259176 +sg225234 +S'graphite on tan wove paper' +p259177 +sg225236 +S'c. 1884/1886' +p259178 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e4a7.jpg' +p259179 +sg225240 +g27 +sa(dp259180 +g225232 +S'Sir Jacob Epstein' +p259181 +sg225240 +g27 +sg225234 +S'black crayon on wove paper' +p259182 +sg225230 +S'New York Garment Worker' +p259183 +sg225236 +S'1900/1902' +p259184 +sa(dp259185 +g225230 +S'Sketching from Nature' +p259186 +sg225232 +S'Thomas C. Farrer' +p259187 +sg225234 +S'pen and black and brown ink' +p259188 +sg225236 +S'1861' +p259189 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c0f.jpg' +p259190 +sg225240 +g27 +sa(dp259191 +g225230 +S'Oxen and Dump Cart' +p259192 +sg225232 +S'Edwin Forbes' +p259193 +sg225234 +S'graphite and black crayon with white chalk on gray wove paper' +p259194 +sg225236 +S'1860s or 1870s' +p259195 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0b6.jpg' +p259196 +sg225240 +g27 +sa(dp259197 +g225232 +S'Charles Dana Gibson' +p259198 +sg225240 +g27 +sg225234 +S'graphite, pen and black ink, and brush and black ink' +p259199 +sg225230 +S'Near Stanhope Gate' +p259200 +sg225236 +S'c. 1897' +p259201 +sa(dp259202 +g225230 +S'Niagara Falls' +p259203 +sg225232 +S'R\xc3\xa9gis Fran\xc3\xa7ois Gignoux' +p259204 +sg225234 +S'graphite and white gouache on green-gray wove paper' +p259205 +sg225236 +S'unknown date\n' +p259206 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000eb/a000eb9a.jpg' +p259207 +sg225240 +g27 +sa(dp259208 +g225230 +S'The Trees, Bedford, New York' +p259209 +sg225232 +S'R\xc3\xa9gis Fran\xc3\xa7ois Gignoux' +p259210 +sg225234 +S'brush and gray and black ink on wove paper' +p259211 +sg225236 +S'1849' +p259212 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e4a2.jpg' +p259213 +sg225240 +g27 +sa(dp259214 +g225230 +S'Study of a Hand' +p259215 +sg225232 +S'Horatio Greenough' +p259216 +sg225234 +S'graphite on wove paper' +p259217 +sg225236 +S'unknown date\n' +p259218 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a00008ea.jpg' +p259219 +sg225240 +g27 +sa(dp259220 +g225230 +S'Right Hand Holding Short Rod' +p259221 +sg225232 +S'Horatio Greenough' +p259222 +sg225234 +S'graphite on wove paper' +p259223 +sg225236 +S'1847' +p259224 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e49e.jpg' +p259225 +sg225240 +g27 +sa(dp259226 +g225230 +S'Right Hand Holding Short Rod' +p259227 +sg225232 +S'Horatio Greenough' +p259228 +sg225234 +S'pen and brown ink over graphite on wove paper' +p259229 +sg225236 +S'1847' +p259230 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e49f.jpg' +p259231 +sg225240 +g27 +sa(dp259232 +g225230 +S"The Artist's Brother - Richard Greenough (?)" +p259233 +sg225232 +S'Horatio Greenough' +p259234 +sg225234 +S'pen and brown ink over graphite on wove paper' +p259235 +sg225236 +S'c. 1850' +p259236 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0b7.jpg' +p259237 +sg225240 +g27 +sa(dp259238 +g225230 +S'Classical Head in Profile' +p259239 +sg225232 +S'Horatio Greenough' +p259240 +sg225234 +S'graphite and charcoal on wove paper' +p259241 +sg225236 +S'unknown date\n' +p259242 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0b8.jpg' +p259243 +sg225240 +g27 +sa(dp259244 +g225230 +S'Harbor Scene' +p259245 +sg225232 +S'John Greenwood' +p259246 +sg225234 +S'brush and gray ink with gray wash on laid paper' +p259247 +sg225236 +S'c. 1760' +p259248 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a00008eb.jpg' +p259249 +sg225240 +g27 +sa(dp259250 +g225230 +S'Rocks and Waterfall' +p259251 +sg225232 +S'Casimir Clayton Griswold' +p259252 +sg225234 +S'pen and brown ink with brown wash heightened with white on wove paper' +p259253 +sg225236 +S'1878' +p259254 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0ba.jpg' +p259255 +sg225240 +g27 +sa(dp259256 +g225230 +S'Mountain Landscape, Stream and Waterfall' +p259257 +sg225232 +S'William Hart' +p259258 +sg225234 +S'graphite with white (gouache?) on brown paper' +p259259 +sg225236 +S'1860' +p259260 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0be.jpg' +p259261 +sg225240 +g27 +sa(dp259262 +g225230 +S'The Hudson at Nyack' +p259263 +sg225232 +S'John Henry Hill' +p259264 +sg225234 +S'pen and black ink with gray wash over graphite on light brown paper' +p259265 +sg225236 +S'1858' +p259266 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0bf.jpg' +p259267 +sg225240 +g27 +sa(dp259268 +g225230 +S'Landscape, Early Spring' +p259269 +sg225232 +S'John Henry Hill' +p259270 +sg225234 +S'graphite touched with white (gouache?) on light brown paper' +p259271 +sg225236 +S'1857' +p259272 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0c4.jpg' +p259273 +sg225240 +g27 +sa(dp259274 +g225230 +S'Signature in Palette' +p259275 +sg225232 +S'Winslow Homer' +p259276 +sg225234 +S'pen and brown ink on wove paper' +p259277 +sg225236 +S'unknown date\n' +p259278 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00057/a000575a.jpg' +p259279 +sg225240 +g27 +sa(dp259280 +g225230 +S'Sketchbook Page' +p259281 +sg225232 +S'Winslow Homer' +p259282 +sg225234 +S'graphite on wove paper' +p259283 +sg225236 +S'unknown date\n' +p259284 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0ca.jpg' +p259285 +sg225240 +g27 +sa(dp259286 +g225230 +S'Studies for Elaine' +p259287 +sg225232 +S'Thomas Hovenden' +p259288 +sg225234 +S'graphite on blue wove paper' +p259289 +sg225236 +S'c. 1880' +p259290 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e4b1.jpg' +p259291 +sg225240 +g27 +sa(dp259292 +g225230 +S'The Old Soldier - Berncastel' +p259293 +sg225232 +S'Alfred Cornelius Howland' +p259294 +sg225234 +S'graphite on brown wove paper' +p259295 +sg225236 +S'1861/1862' +p259296 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e4b3.jpg' +p259297 +sg225240 +g27 +sa(dp259298 +g225230 +S'Lake George' +p259299 +sg225232 +S'Richard William Hubbard' +p259300 +sg225234 +S'graphite touched with white (chalk?) on green wovepaper' +p259301 +sg225236 +S'c. 1850/1869' +p259302 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0c0.jpg' +p259303 +sg225240 +g27 +sa(dp259304 +g225230 +S'Evening, Farm Landscape' +p259305 +sg225232 +S'William Morris Hunt' +p259306 +sg225234 +S'charcoal on wove paper' +p259307 +sg225236 +S'1870s' +p259308 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00068/a000685d.jpg' +p259309 +sg225240 +g27 +sa(dp259310 +g225230 +S'Seated Girl' +p259311 +sg225232 +S'William Morris Hunt' +p259312 +sg225234 +S'charcoal on laid paper' +p259313 +sg225236 +S'c. 1875' +p259314 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00009/a000090c.jpg' +p259315 +sg225240 +g27 +sa(dp259316 +g225230 +S'Recruit; Two Studies of Heads' +p259317 +sg225232 +S'Daniel Huntington' +p259318 +sg225234 +S'graphite touched with white chalk on gray wove paper' +p259319 +sg225236 +S'c. 1862' +p259320 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e4b2.jpg' +p259321 +sg225240 +g27 +sa(dp259322 +g225230 +S'Saco, Looking Northwest' +p259323 +sg225232 +S'Daniel Huntington' +p259324 +sg225234 +S'graphite on wove paper' +p259325 +sg225236 +S'mid 1860s' +p259326 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e4b4.jpg' +p259327 +sg225240 +g27 +sa(dp259328 +g225230 +S'Character Study' +p259329 +sg225232 +S'Charles Wesley Jarvis' +p259330 +sg225234 +S'black chalk and graphite on laid paper' +p259331 +sg225236 +S'1820s' +p259332 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0cf.jpg' +p259333 +sg225240 +g27 +sa(dp259334 +g225230 +S'The Drinker' +p259335 +sg225232 +S'Charles Wesley Jarvis' +p259336 +sg225234 +S'graphite and black chalk with gray wash on laid paper' +p259337 +sg225236 +S'1820s' +p259338 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e4ba.jpg' +p259339 +sg225240 +g27 +sa(dp259340 +g225230 +S'Irish Fisherman' +p259341 +sg225232 +S'John Wesley Jarvis' +p259342 +sg225234 +S'black chalk and graphite on laid paper' +p259343 +sg225236 +S'unknown date\n' +p259344 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e4b9.jpg' +p259345 +sg225240 +g27 +sa(dp259346 +g225230 +S'Man Leaning on a Counter' +p259347 +sg225232 +S'Charles Wesley Jarvis' +p259348 +sg225234 +S'black chalk, (black crayon?), and graphite on laidpaper' +p259349 +sg225236 +S'1820s' +p259350 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0d0.jpg' +p259351 +sg225240 +g27 +sa(dp259352 +g225230 +S'Unknown Yale Student' +p259353 +sg225232 +S'Charles Wesley Jarvis' +p259354 +sg225234 +S'watercolor and graphite on bristol board' +p259355 +sg225236 +S'unknown date\n' +p259356 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0d1.jpg' +p259357 +sg225240 +g27 +sa(dp259358 +g225230 +S'Head of a Young Woman' +p259359 +sg225232 +S'Eastman Johnson' +p259360 +sg225234 +S'graphite on wove paper' +p259361 +sg225236 +S'1850' +p259362 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0d3.jpg' +p259363 +sg225240 +g27 +sa(dp259364 +g225230 +S'Seated Study of M.D.' +p259365 +sg225232 +S'Eastman Johnson' +p259366 +sg225234 +S'graphite on brown wove paper' +p259367 +sg225236 +S'unknown date\n' +p259368 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0d5.jpg' +p259369 +sg225240 +g27 +sa(dp259370 +g225230 +S'Self-Portrait' +p259371 +sg225232 +S'Eastman Johnson' +p259372 +sg225234 +S'graphite on wove paper' +p259373 +sg225236 +S'c. 1850' +p259374 +sg225238 +S'http://www.nga.gov:80/thumb-l//.jpg' +p259375 +sg225240 +g27 +sa(dp259376 +g225230 +S'The Young Doctor' +p259377 +sg225232 +S'Eastman Johnson' +p259378 +sg225234 +S'charcoal with black and white chalk on brown wove paper' +p259379 +sg225236 +S'probably c. 1848' +p259380 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000eb/a000eba8.jpg' +p259381 +sg225240 +g27 +sa(dp259382 +g225232 +S'Leo Katz' +p259383 +sg225240 +g27 +sg225234 +S'red chalk and graphite' +p259384 +sg225230 +S'Anatomy Studies' +p259385 +sg225236 +S'1911' +p259386 +sa(dp259387 +g225230 +S'In the Sierras, A Pack Train' +p259388 +sg225232 +S'William Keith' +p259389 +sg225234 +S'pen and brown ink with gray wash' +p259390 +sg225236 +S'unknown date\n' +p259391 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0dc.jpg' +p259392 +sg225240 +g27 +sa(dp259393 +g225230 +S'West Point from Storm King' +p259394 +sg225232 +S'John William Casilear' +p259395 +sg225234 +S', unknown date' +p259396 +sg225236 +S'\n' +p259397 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e48c.jpg' +p259398 +sg225240 +g27 +sa(dp259399 +g225230 +S'Angel - Trinity Church Mural' +p259400 +sg225232 +S'John La Farge' +p259401 +sg225234 +S'charcoal, graphite, and pen and brown ink, squared with graphite' +p259402 +sg225236 +S'1876' +p259403 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00009/a0000959.jpg' +p259404 +sg225240 +g27 +sa(dp259405 +g225230 +S'Study for Moses - Trinity Church, Boston' +p259406 +sg225232 +S'John La Farge' +p259407 +sg225234 +S'charcoal on laid paper' +p259408 +sg225236 +S'1876' +p259409 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e4b7.jpg' +p259410 +sg225240 +g27 +sa(dp259411 +g225230 +S'Trinity Church, Boston (nave) - Mural Study' +p259412 +sg225232 +S'John La Farge' +p259413 +sg225234 +S'graphite, pen and brown ink, and brush and brown ink on gray-blue wove paper' +p259414 +sg225236 +S'1876' +p259415 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0d6.jpg' +p259416 +sg225240 +g27 +sa(dp259417 +g225230 +S'Eastman Johnson Sketching' +p259418 +sg225232 +S'Emanuel Gottlieb Leutze' +p259419 +sg225234 +S'graphite and touches of black chalk on wove paper' +p259420 +sg225236 +S'c. 1849/1851' +p259421 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e4b8.jpg' +p259422 +sg225240 +g27 +sa(dp259423 +g225230 +S'Ten Heads' +p259424 +sg225232 +S'George Benjamin Luks' +p259425 +sg225234 +S'black chalk on tan wove paper' +p259426 +sg225236 +S'probably c. 1905' +p259427 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ea/a000ea03.jpg' +p259428 +sg225240 +g27 +sa(dp259429 +g225230 +S'Old Crossing, Otter Tail River' +p259430 +sg225232 +S'Homer Dodge Martin' +p259431 +sg225234 +S'black chalk touched with white chalk on brown wove paper' +p259432 +sg225236 +S'1871' +p259433 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000eb/a000eba5.jpg' +p259434 +sg225240 +g27 +sa(dp259435 +g225230 +S'Raven Hill' +p259436 +sg225232 +S'Homer Dodge Martin' +p259437 +sg225234 +S'graphite on green wove paper' +p259438 +sg225236 +S'1868' +p259439 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000eb/a000eba6.jpg' +p259440 +sg225240 +g27 +sa(dp259441 +g225230 +S'Upper Saranac Lake' +p259442 +sg225232 +S'Homer Dodge Martin' +p259443 +sg225234 +S'graphite on wove paper' +p259444 +sg225236 +S'1861' +p259445 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e4c0.jpg' +p259446 +sg225240 +g27 +sa(dp259447 +g225230 +S'Meadow Pond, New York' +p259448 +sg225232 +S'Charles Frederick William Mielatz' +p259449 +sg225234 +S'graphite' +p259450 +sg225236 +S'unknown date\n' +p259451 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e4c1.jpg' +p259452 +sg225240 +g27 +sa(dp259453 +g225230 +S'Selina, Countess of Huntindon' +p259454 +sg225232 +S'Artist Information (' +p259455 +sg225234 +S'(artist after)' +p259456 +sg225236 +S'\n' +p259457 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007d/a0007d70.jpg' +p259458 +sg225240 +g27 +sa(dp259459 +g225230 +S'American Observing Station, Kerquelen Islands' +p259460 +sg225232 +S'John Moran' +p259461 +sg225234 +S'pen and black ink with gray and black wash' +p259462 +sg225236 +S'1874/1875' +p259463 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e4bc.jpg' +p259464 +sg225240 +g27 +sa(dp259465 +g225230 +S'On Board of the Stony Brook Packet' +p259466 +sg225232 +S'William Sidney Mount' +p259467 +sg225234 +S'graphite on wove paper' +p259468 +sg225236 +S'1848' +p259469 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0d8.jpg' +p259470 +sg225240 +g27 +sa(dp259471 +g225230 +S'Nelson Mathewson' +p259472 +sg225232 +S'William Sidney Mount' +p259473 +sg225234 +S'graphite on wove paper' +p259474 +sg225236 +S'1839' +p259475 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0d7.jpg' +p259476 +sg225240 +g27 +sa(dp259477 +g225230 +S'Self-Portrait' +p259478 +sg225232 +S'Jerome Myers' +p259479 +sg225234 +S'charcoal heightened with white on light brown laid paper' +p259480 +sg225236 +S'1906' +p259481 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ea/a000ea79.jpg' +p259482 +sg225240 +g27 +sa(dp259483 +g225230 +S'Archer, Nude Study' +p259484 +sg225232 +S'Thomas Nast' +p259485 +sg225234 +S'charcoal and black chalk heightened with white gouache on brown wove paper' +p259486 +sg225236 +S'c. 1858' +p259487 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000eb/a000eba7.jpg' +p259488 +sg225240 +g27 +sa(dp259489 +g225230 +S'Signature, "TH. Nast, Oct. 17, 1901"' +p259490 +sg225232 +S'Thomas Nast' +p259491 +sg225234 +S'pen and brown ink on back of a Union League Club card' +p259492 +sg225236 +S'1901' +p259493 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0df.jpg' +p259494 +sg225240 +g27 +sa(dp259495 +g225230 +S'Gideon Fairman' +p259496 +sg225232 +S'Artist Information (' +p259497 +sg225234 +S'(artist after)' +p259498 +sg225236 +S'\n' +p259499 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e4be.jpg' +p259500 +sg225240 +g27 +sa(dp259501 +g225230 +S'R. Strong' +p259502 +sg225232 +S'Rembrandt Peale' +p259503 +sg225234 +S', 1810' +p259504 +sg225236 +S'\n' +p259505 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e4c4.jpg' +p259506 +sg225240 +g27 +sa(dp259507 +g225230 +S'Interior, Fitzwilliam Museum' +p259508 +sg225232 +S'Joseph Pennell' +p259509 +sg225234 +S'brush and black ink with gray wash over graphite on wove paper' +p259510 +sg225236 +S'1890s' +p259511 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ea/a000ea82.jpg' +p259512 +sg225240 +g27 +sa(dp259513 +g225230 +S'Main Stairway, Corcoran Art Gallery' +p259514 +sg225232 +S'Joseph Pennell' +p259515 +sg225234 +S'graphite with brush and black ink and white gouache on olive green paper' +p259516 +sg225236 +S'unknown date\n' +p259517 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ea/a000ea86.jpg' +p259518 +sg225240 +g27 +sa(dp259519 +g225230 +S'Narrow Walkway, London' +p259520 +sg225232 +S'Joseph Pennell' +p259521 +sg225234 +S'black and gray wash with white gouache' +p259522 +sg225236 +S'unknown date\n' +p259523 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ea/a000ea85.jpg' +p259524 +sg225240 +g27 +sa(dp259525 +g225230 +S'Study of a Hand' +p259526 +sg225232 +S'Hiram Powers' +p259527 +sg225234 +S'charcoal heightened with white chalk on green wove paper' +p259528 +sg225236 +S'1856' +p259529 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00009/a0000984.jpg' +p259530 +sg225240 +g27 +sa(dp259531 +g225230 +S'Landscape' +p259532 +sg225232 +S'William Trost Richards' +p259533 +sg225234 +S'graphite on wove paper' +p259534 +sg225236 +S'1862' +p259535 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0d9.jpg' +p259536 +sg225240 +g27 +sa(dp259537 +g225230 +S'Hudson River Landing [recto]' +p259538 +sg225232 +S'Alexander Robertson' +p259539 +sg225234 +S'pen with gray and black ink on laid paper' +p259540 +sg225236 +S'1796' +p259541 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e47a.jpg' +p259542 +sg225240 +g27 +sa(dp259543 +g225232 +S'Alexander Robertson' +p259544 +sg225240 +g27 +sg225234 +S'graphite on laid paper' +p259545 +sg225230 +S'Highlands from Newburgh [verso]' +p259546 +sg225236 +S'in or after 1794' +p259547 +sa(dp259548 +g225232 +S'Boardman Robinson' +p259549 +sg225240 +g27 +sg225234 +S'charcoal? and graphite on wove paper' +p259550 +sg225230 +S'Charles W. Eliot' +p259551 +sg225236 +S'1904' +p259552 +sa(dp259553 +g225232 +S'Boardman Robinson' +p259554 +sg225240 +g27 +sg225234 +S'black crayon, pen and black ink, and graphite heightened with white on paperboard' +p259555 +sg225230 +S'Enter Miss Hazzard' +p259556 +sg225236 +S'c. 1908' +p259557 +sa(dp259558 +g225230 +S'Capilla Real Entablature, Granada' +p259559 +sg225232 +S'John Singer Sargent' +p259560 +sg225234 +S'graphite' +p259561 +sg225236 +S'1912' +p259562 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004fcb.jpg' +p259563 +sg225240 +g27 +sa(dp259564 +g225230 +S'The Horse Shoe on the Shanandoa (sic), Virginia' +p259565 +sg225232 +S'Joshua Shaw' +p259566 +sg225234 +S'pen and brown ink on laid paper' +p259567 +sg225236 +S'1820s' +p259568 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0e4.jpg' +p259569 +sg225240 +g27 +sa(dp259570 +g225230 +S'Munich Factory' +p259571 +sg225232 +S'Walter Shirlaw' +p259572 +sg225234 +S'graphite' +p259573 +sg225236 +S'unknown date\n' +p259574 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e4cc.jpg' +p259575 +sg225240 +g27 +sa(dp259576 +g225230 +S'Man Seated at a Table' +p259577 +sg225232 +S'John Rubens Smith' +p259578 +sg225234 +S'graphite' +p259579 +sg225236 +S'1819' +p259580 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e4c8.jpg' +p259581 +sg225240 +g27 +sa(dp259582 +g225232 +S'John Sloan' +p259583 +sg225240 +g27 +sg225234 +S'pen and black ink over graphite' +p259584 +sg225230 +S'Self-Portrait' +p259585 +sg225236 +S'unknown date\n' +p259586 +sa(dp259587 +g225232 +S'Joseph Stella' +p259588 +sg225240 +g27 +sg225234 +S'graphite on wove paper' +p259589 +sg225230 +S'Seeking the Reference' +p259590 +sg225236 +S'c. 1910' +p259591 +sa(dp259592 +g225230 +S'Lafayette (Two Views)' +p259593 +sg225232 +S'Thomas Sully' +p259594 +sg225234 +S'brush and black ink with gray and brown wash on wove paper' +p259595 +sg225236 +S'c. 1825' +p259596 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0e3.jpg' +p259597 +sg225240 +g27 +sa(dp259598 +g225230 +S'Figure Costume Study for Columbus Mural, Washington, D.C.' +p259599 +sg225232 +S'John Vanderlyn' +p259600 +sg225234 +S'brush and brown ink with brown wash heightened with white' +p259601 +sg225236 +S'in or after 1837' +p259602 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000eb/a000ebac.jpg' +p259603 +sg225240 +g27 +sa(dp259604 +g225230 +S'Portrait of a Seated Man' +p259605 +sg225232 +S'John Vanderlyn' +p259606 +sg225234 +S'black chalk on bristol board' +p259607 +sg225236 +S'c. 1800' +p259608 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0e5.jpg' +p259609 +sg225240 +g27 +sa(dp259610 +g225230 +S'Self-Portrait' +p259611 +sg225232 +S'John Vanderlyn' +p259612 +sg225234 +S'charcoal and (graphite?) on tan wove paper' +p259613 +sg225236 +S'unknown date\n' +p259614 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e4d1.jpg' +p259615 +sg225240 +g27 +sa(dp259616 +g225230 +S'Tmui of Ptolemy' +p259617 +sg225232 +S'Elihu Vedder' +p259618 +sg225234 +S'black crayon on green wove paper' +p259619 +sg225236 +S'1890' +p259620 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e4e4.jpg' +p259621 +sg225240 +g27 +sa(dp259622 +g225230 +S'George Reynolds' +p259623 +sg225232 +S'John Quincy Adams Ward' +p259624 +sg225234 +S'pen and brown-black ink over graphite' +p259625 +sg225236 +S'1859' +p259626 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0ea.jpg' +p259627 +sg225240 +g27 +sa(dp259628 +g225230 +S'Johnson Mundy, Sculptor' +p259629 +sg225232 +S'John Quincy Adams Ward' +p259630 +sg225234 +S'pen and brown ink over graphite on wove paper' +p259631 +sg225236 +S'1857' +p259632 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0e9.jpg' +p259633 +sg225240 +g27 +sa(dp259634 +g225230 +S'Sketching - George Fuller' +p259635 +sg225232 +S'John Quincy Adams Ward' +p259636 +sg225234 +S'pen and brown ink over graphite on wove paper' +p259637 +sg225236 +S'1858' +p259638 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0e8.jpg' +p259639 +sg225240 +g27 +sa(dp259640 +g225230 +S'Sketching - Emanuel Leutze' +p259641 +sg225232 +S'John Quincy Adams Ward' +p259642 +sg225234 +S'pen and brown ink over graphite on wove paper' +p259643 +sg225236 +S'1858' +p259644 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0e7.jpg' +p259645 +sg225240 +g27 +sa(dp259646 +g225230 +S'Sketch Class Series - E.W. Perry' +p259647 +sg225232 +S'John Quincy Adams Ward' +p259648 +sg225234 +S'pen and brown ink over graphite on wove paper' +p259649 +sg225236 +S'1860' +p259650 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0eb.jpg' +p259651 +sg225240 +g27 +sa(dp259652 +g225230 +S'H.K. Brown' +p259653 +sg225232 +S'John Quincy Adams Ward' +p259654 +sg225234 +S'pen and brown ink over graphite on wove paper' +p259655 +sg225236 +S'1859' +p259656 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0e6.jpg' +p259657 +sg225240 +g27 +sa(dp259658 +g225230 +S'J.Q.A. Ward' +p259659 +sg225232 +S'William de Hartburn Washington' +p259660 +sg225234 +S'graphite' +p259661 +sg225236 +S'c. 1858' +p259662 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e4d6.jpg' +p259663 +sg225240 +g27 +sa(dp259664 +g225230 +S'Dalles of St. Louis' +p259665 +sg225232 +S'Alfred R. Waud' +p259666 +sg225234 +S'graphite heightened with white on green wove paper' +p259667 +sg225236 +S'early 1880s' +p259668 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0f0.jpg' +p259669 +sg225240 +g27 +sa(dp259670 +g225230 +S'Dalles of the St. Louis' +p259671 +sg225232 +S'Alfred R. Waud' +p259672 +sg225234 +S'wood engraving' +p259673 +sg225236 +S'unknown date\n' +p259674 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f2/a000f2c8.jpg' +p259675 +sg225240 +g27 +sa(dp259676 +g225230 +S'Railroad on the Dalles of the St. Louis' +p259677 +sg225232 +S'Alfred R. Waud' +p259678 +sg225234 +S'graphite heightened with white on light green wove paper' +p259679 +sg225236 +S'1882' +p259680 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e4d2.jpg' +p259681 +sg225240 +g27 +sa(dp259682 +g225230 +S'Praying Figures in a Church, Florence' +p259683 +sg225232 +S'Robert Walter Weir' +p259684 +sg225234 +S'pen and brown and black ink with brown wash over graphite on wove paper' +p259685 +sg225236 +S'c. 1824/1827' +p259686 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0ed.jpg' +p259687 +sg225240 +g27 +sa(dp259688 +g225230 +S'"Tis but Fancy\'s Sketch"' +p259689 +sg225232 +S'Robert Walter Weir' +p259690 +sg225234 +S'graphite on wove paper' +p259691 +sg225236 +S'1850s' +p259692 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e4d3.jpg' +p259693 +sg225240 +g27 +sa(dp259694 +g225230 +S'Countess of Huntingdon' +p259695 +sg225232 +S'Benjamin West' +p259696 +sg225234 +S'pen and brown ink and (graphite?) on laid paper' +p259697 +sg225236 +S'unknown date\n' +p259698 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0a1.jpg' +p259699 +sg225240 +g27 +sa(dp259700 +g225232 +S'Benjamin West' +p259701 +sg225240 +g27 +sg225234 +S', possibly c. 1758/1759' +p259702 +sg225230 +S'Death of Iphigenia (?)' +p259703 +sg225236 +S'\n' +p259704 +sa(dp259705 +g225230 +S'Charles L. Freer (?)' +p259706 +sg225232 +S'James McNeill Whistler' +p259707 +sg225234 +S', late 19th century' +p259708 +sg225236 +S'\n' +p259709 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0fb.jpg' +p259710 +sg225240 +g27 +sa(dp259711 +g225230 +S'The Battery, New York' +p259712 +sg225232 +S'Stanford White' +p259713 +sg225234 +S'graphite on green wove paper' +p259714 +sg225236 +S'c. 1900' +p259715 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e4e1.jpg' +p259716 +sg225240 +g27 +sa(dp259717 +g225230 +S'Manhattan Bridge' +p259718 +sg225232 +S'Stanford White' +p259719 +sg225234 +S'graphite on blue-gray laid paper' +p259720 +sg225236 +S'unknown date\n' +p259721 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e4e2.jpg' +p259722 +sg225240 +g27 +sa(dp259723 +g225230 +S'North on Broadway from Trinity Church' +p259724 +sg225232 +S'Stanford White' +p259725 +sg225234 +S'graphite on blue-gray laid paper' +p259726 +sg225236 +S'c. 1900' +p259727 +sg225238 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Salvador Carmona' +p259772 +sg225234 +S'etching and engraving' +p259773 +sg225236 +S'1761' +p259774 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0005b/a0005b0c.jpg' +p259775 +sg225240 +g27 +sa(dp259776 +g225230 +S'Nicolas Coustou' +p259777 +sg225232 +S'Charles Dupuis' +p259778 +sg225234 +S'engraving' +p259779 +sg225236 +S'1730' +p259780 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008ea4.jpg' +p259781 +sg225240 +g27 +sa(dp259782 +g225230 +S'Jean-Baptiste Greuze' +p259783 +sg225232 +S'Artist Information (' +p259784 +sg225234 +S'(artist after)' +p259785 +sg225236 +S'\n' +p259786 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008cfe.jpg' +p259787 +sg225240 +g27 +sa(dp259788 +g225230 +S'Nicolas Delaunay' +p259789 +sg225232 +S'Artist Information (' +p259790 +sg225234 +S'(artist after)' +p259791 +sg225236 +S'\n' +p259792 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008d/a0008d1a.jpg' +p259793 +sg225240 +g27 +sa(dp259794 +g225230 +S'Christophe Gabriel Allegrain' +p259795 +sg225232 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Information (' +p259820 +sg225234 +S'(artist after)' +p259821 +sg225236 +S'\n' +p259822 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008c28.jpg' +p259823 +sg225240 +g27 +sa(dp259824 +g225230 +S'Jean Baptiste Simeon Chardin' +p259825 +sg225232 +S'Jean Francois Rousseau' +p259826 +sg225234 +S'etching' +p259827 +sg225236 +S'1776' +p259828 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008c72.jpg' +p259829 +sg225240 +g27 +sa(dp259830 +g225230 +S'Jean Baptiste Descamps' +p259831 +sg225232 +S'Jean Francois Rousseau' +p259832 +sg225234 +S'etching' +p259833 +sg225236 +S'1761' +p259834 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008c73.jpg' +p259835 +sg225240 +g27 +sa(dp259836 +g225230 +S'Jean Jouvenet' +p259837 +sg225232 +S'Artist Information (' +p259838 +sg225234 +S'(artist after)' +p259839 +sg225236 +S'\n' +p259840 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008cb1.jpg' +p259841 +sg225240 +g27 +sa(dp259842 +g225230 +S'Wooded Landscape with Travelers' +p259843 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+S'Henri Matisse' +p262258 +sg225240 +g27 +sg225234 +S'color stencil in gouache' +p262259 +sg225230 +S'Monsieur Loyal' +p262260 +sg225236 +S'published 1947' +p262261 +sa(dp262262 +g225232 +S'Henri Matisse' +p262263 +sg225240 +g27 +sg225234 +S'color stencil in gouache' +p262264 +sg225230 +S'The Nightmare of the White Elephant' +p262265 +sg225236 +S'published 1947' +p262266 +sa(dp262267 +g225232 +S'Henri Matisse' +p262268 +sg225240 +g27 +sg225234 +S'color stencil in gouache' +p262269 +sg225230 +S'The Horse, the Equestrienne, and the Clown' +p262270 +sg225236 +S'published 1947' +p262271 +sa(dp262272 +g225232 +S'Henri Matisse' +p262273 +sg225240 +g27 +sg225234 +S'color stencil in gouache' +p262274 +sg225230 +S'The Wolf' +p262275 +sg225236 +S'published 1947' +p262276 +sa(dp262277 +g225232 +S'Henri Matisse' +p262278 +sg225240 +g27 +sg225234 +S'color stencil in gouache' +p262279 +sg225230 +S'The Heart' +p262280 +sg225236 +S'published 1947' +p262281 +sa(dp262282 +g225232 +S'Henri Matisse' 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+p262309 +sg225230 +S'The Sword Swallower' +p262310 +sg225236 +S'published 1947' +p262311 +sa(dp262312 +g225232 +S'Henri Matisse' +p262313 +sg225240 +g27 +sg225234 +S'color stencil in gouache' +p262314 +sg225230 +S'The Cowboy' +p262315 +sg225236 +S'published 1947' +p262316 +sa(dp262317 +g225232 +S'Henri Matisse' +p262318 +sg225240 +g27 +sg225234 +S'color stencil in gouache' +p262319 +sg225230 +S'The Knife Thrower' +p262320 +sg225236 +S'published 1947' +p262321 +sa(dp262322 +g225232 +S'Henri Matisse' +p262323 +sg225240 +g27 +sg225234 +S'color stencil in gouache' +p262324 +sg225230 +S'Destiny' +p262325 +sg225236 +S'published 1947' +p262326 +sa(dp262327 +g225232 +S'Henri Matisse' +p262328 +sg225240 +g27 +sg225234 +S'color stencil in gouache' +p262329 +sg225230 +S'The Lagoon' +p262330 +sg225236 +S'published 1947' +p262331 +sa(dp262332 +g225232 +S'Henri Matisse' +p262333 +sg225240 +g27 +sg225234 +S'color stencil in gouache' +p262334 +sg225230 +S'The Lagoon' +p262335 +sg225236 +S'published 1947' +p262336 +sa(dp262337 +g225232 +S'Henri Matisse' +p262338 +sg225240 +g27 +sg225234 +S'color stencil in gouache' +p262339 +sg225230 +S'The Lagoon' +p262340 +sg225236 +S'published 1947' +p262341 +sa(dp262342 +g225232 +S'Henri Matisse' +p262343 +sg225240 +g27 +sg225234 +S'color stencil in gouache' +p262344 +sg225230 +S'The Toboggan' +p262345 +sg225236 +S'published 1947' +p262346 +sa(dp262347 +g225232 +S'Elinor Roberts' +p262348 +sg225240 +g27 +sg225234 +S'pen and black and colored ink on paperboard' +p262349 +sg225230 +S'Untitled (East House IV)' +p262350 +sg225236 +S'unknown date\n' +p262351 +sa(dp262352 +g225232 +S'Elinor Roberts' +p262353 +sg225240 +g27 +sg225234 +S'pen and black ink on paperboard' +p262354 +sg225230 +S'Dunham Hill (5)' +p262355 +sg225236 +S'unknown date\n' +p262356 +sa(dp262357 +g225232 +S'Elinor Roberts' +p262358 +sg225240 +g27 +sg225234 +S'pen and black ink on paperboard' +p262359 +sg225230 +S'Dunham Hill House (4)' +p262360 +sg225236 +S'unknown date\n' +p262361 +sa(dp262362 +g225230 +S'Elizabeth Gray Otis (Mrs. Samuel Alleyne Otis)' +p262363 +sg225232 +S'John Singleton Copley' +p262364 +sg225234 +S'oil on canvas' +p262365 +sg225236 +S'c. 1764' +p262366 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a0000065.jpg' +p262367 +sg225240 +S'In a fanciful guise taken from European prototypes, the sitter appears \r\n as a shepherdess holding a herder’s staff. Elizabeth Gray (1746-1779) \r\n married a Boston merchant in 1764. With its promising sunrise, this \r\n pastoral scene was almost certainly commissioned to mark her wedding.\n ' +p262368 +sa(dp262369 +g225230 +S'Samuel Alleyne Otis' +p262370 +sg225232 +S'Gilbert Stuart' +p262371 +sg225234 +S'oil on wood' +p262372 +sg225236 +S'1811/1813' +p262373 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a0000258.jpg' +p262374 +sg225240 +g27 +sa(dp262375 +g225230 +S'Head of Saint John the Baptist' +p262376 +sg225232 +S'Hans Baldung Grien' +p262377 +sg225234 +S'black chalk on two joined sheets of laid paper' +p262378 +sg225236 +S'1516' +p262379 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00033/a00033c8.jpg' +p262380 +sg225240 +g27 +sa(dp262381 +g225230 +S'A Stormy Landscape' +p262382 +sg225232 +S'Marco Ricci' +p262383 +sg225234 +S'gouache on kidskin backed with paper' +p262384 +sg225236 +S'c. 1725' +p262385 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00026/a00026ee.jpg' +p262386 +sg225240 +g27 +sa(dp262387 +g225230 +S'Christ as Salvator Mundi' +p262388 +sg225232 +S'German 15th Century' +p262389 +sg225234 +S'Schreiber, no. 835' +p262390 +sg225236 +S'\nhand-colored woodcut' +p262391 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000a6/a000a654.jpg' +p262392 +sg225240 +g27 +sa(dp262393 +g225230 +S'Christ on the Cross' +p262394 +sg225232 +S'German 15th Century' +p262395 +sg225234 +S'Schreiber, no. 394' +p262396 +sg225236 +S'\nhand-colored woodcut' +p262397 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a50d.jpg' +p262398 +sg225240 +g27 +sa(dp262399 +g225230 +S'Saint Agnes' +p262400 +sg225232 +S'German 15th Century' +p262401 +sg225234 +S'Schreiber, no. 1180, State b' +p262402 +sg225236 +S'\nhand-colored woodcut with manuscript inscriptions' +p262403 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a525.jpg' +p262404 +sg225240 +g27 +sa(dp262405 +g225230 +S'The Rape of a Sabine' +p262406 +sg225232 +S'Artist Information (' +p262407 +sg225234 +S'(artist after)' +p262408 +sg225236 +S'\n' +p262409 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c827.jpg' +p262410 +sg225240 +g27 +sa(dp262411 +g225230 +S'Striding Man' +p262412 +sg225232 +S'Artist Information (' +p262413 +sg225234 +S'(artist after)' +p262414 +sg225236 +S'\n' +p262415 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00083/a0008351.jpg' +p262416 +sg225240 +g27 +sa(dp262417 +g225230 +S'The Nativity with God the Father and the Holy Spirit' +p262418 +sg225232 +S'Giovanni Benedetto Castiglione' +p262419 +sg225234 +S'etching' +p262420 +sg225236 +S'unknown date\n' +p262421 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00065/a0006586.jpg' +p262422 +sg225240 +g27 +sa(dp262423 +g225230 +S'Christ before Caiaphas' +p262424 +sg225232 +S'Artist Information (' +p262425 +sg225234 +S'(artist after)' +p262426 +sg225236 +S'\n' +p262427 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000a3/a000a3d5.jpg' +p262428 +sg225240 +g27 +sa(dp262429 +g225230 +S'The Annunciation' +p262430 +sg225232 +S'Parmigianino' +p262431 +sg225234 +S'etching' +p262432 +sg225236 +S'unknown date\n' +p262433 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c776.jpg' +p262434 +sg225240 +g27 +sa(dp262435 +g225230 +S'The Entombment' +p262436 +sg225232 +S'Parmigianino' +p262437 +sg225234 +S'etching and drypoint [second version]' +p262438 +sg225236 +S'c. 1530' +p262439 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c852.jpg' +p262440 +sg225240 +g27 +sa(dp262441 +g225230 +S'Judith' +p262442 +sg225232 +S'Parmigianino' +p262443 +sg225234 +S'etching' +p262444 +sg225236 +S'unknown date\n' +p262445 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c76f.jpg' +p262446 +sg225240 +g27 +sa(dp262447 +g225230 +S'Saint Tha\xc3\xafs' +p262448 +sg225232 +S'Parmigianino' +p262449 +sg225234 +S'etching' +p262450 +sg225236 +S'unknown date\n' +p262451 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c771.jpg' +p262452 +sg225240 +g27 +sa(dp262453 +g225230 +S'Virgin and Child' +p262454 +sg225232 +S'Parmigianino' +p262455 +sg225234 +S'etching' +p262456 +sg225236 +S'unknown date\n' +p262457 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c777.jpg' +p262458 +sg225240 +g27 +sa(dp262459 +g225230 +S'The Rape of Proserpina' +p262460 +sg225232 +S'Giuseppe Scolari' +p262461 +sg225234 +S'woodcut' +p262462 +sg225236 +S'unknown date\n' +p262463 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c8c9.jpg' +p262464 +sg225240 +g27 +sa(dp262465 +g225230 +S'The Apostle Jean Journet Setting Out for the Conquest of Universal Harmony' +p262466 +sg225232 +S'Gustave Courbet' +p262467 +sg225234 +S'lithograph' +p262468 +sg225236 +S'1850' +p262469 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009f31.jpg' +p262470 +sg225240 +g27 +sa(dp262471 +g225230 +S'View of Pont de la Tournelle and Notre Dame Taken from the Arsnel: pl.11' +p262472 +sg225232 +S'Thomas Girtin' +p262473 +sg225234 +S'soft-ground etching retouched with brown and ochre washes' +p262474 +sg225236 +S'published 1802' +p262475 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00078/a00078a1.jpg' +p262476 +sg225240 +g27 +sa(dp262477 +g225230 +S'View of the Village of Chaillot from the Pont de la Concorde: pl.17' +p262478 +sg225232 +S'Thomas Girtin' +p262479 +sg225234 +S'soft-ground etching retouched with pencil and brown and ochre washes' +p262480 +sg225236 +S'published 1802' +p262481 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00078/a00078a0.jpg' +p262482 +sg225240 +g27 +sa(dp262483 +g225232 +S'Jacob Kainen' +p262484 +sg225240 +g27 +sg225234 +S'color monotype on wove paper' +p262485 +sg225230 +S'Sesqui II' +p262486 +sg225236 +S'1979' +p262487 +sa(dp262488 +g225230 +S'The Adoration of the Magi' +p262489 +sg225232 +S'Christofano Robetta' +p262490 +sg225234 +S'engraving' +p262491 +sg225236 +S'unknown date\n' +p262492 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c7b5.jpg' +p262493 +sg225240 +g27 +sa(dp262494 +g225232 +S'Erich Heckel' +p262495 +sg225240 +g27 +sg225234 +S'black crayon on wove paper' +p262496 +sg225230 +S'Siddi in Bed [recto]' +p262497 +sg225236 +S'1912' +p262498 +sa(dp262499 +g225232 +S'Erich Heckel' +p262500 +sg225240 +g27 +sg225234 +S'black chalk on wove paper' +p262501 +sg225230 +S'Landscape [verso]' +p262502 +sg225236 +S'1913' +p262503 +sa(dp262504 +g225230 +S'Pont-y-Pair over the River Conway above Llanrwst in the County of Denbigh' +p262505 +sg225232 +S'Paul Sandby' +p262506 +sg225234 +S'aquatint in sanguine' +p262507 +sg225236 +S'1776' +p262508 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00077/a00077ef.jpg' +p262509 +sg225240 +g27 +sa(dp262510 +g225230 +S'Roman Statue of a Muse (Anchyrrhoe)' +p262511 +sg225232 +S'Jacques-Louis David' +p262512 +sg225234 +S'pen and black ink with gray wash on laid paper' +p262513 +sg225236 +S'unknown date\n' +p262514 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00071/a0007192.jpg' +p262515 +sg225240 +g27 +sa(dp262516 +g225230 +S'Roman Statue of a Standing Woman' +p262517 +sg225232 +S'Jacques-Louis David' +p262518 +sg225234 +S'red chalk with brown wash on laid paper' +p262519 +sg225236 +S'unknown date\n' +p262520 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00071/a00071ca.jpg' +p262521 +sg225240 +g27 +sa(dp262522 +g225232 +S'Louis Valtat' +p262523 +sg225240 +g27 +sg225234 +S'woodcut and monotype' +p262524 +sg225230 +S'Girl Combing Her Hair' +p262525 +sg225236 +S'1898' +p262526 +sa(dp262527 +g225230 +S'Louis XIII, King of France' +p262528 +sg225232 +S'Artist Information (' +p262529 +sg225234 +S'(artist after)' +p262530 +sg225236 +S'\n' +p262531 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d525.jpg' +p262532 +sg225240 +g27 +sa(dp262533 +g225230 +S"L'Ile aux Moines with Figure and Cart" +p262534 +sg225232 +S'Eug\xc3\xa8ne Boudin' +p262535 +sg225234 +S'graphite' +p262536 +sg225236 +S'c. 1858' +p262537 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00072/a0007289.jpg' +p262538 +sg225240 +g27 +sa(dp262539 +g225230 +S'Coastal Landscape with Shipping' +p262540 +sg225232 +S'Eug\xc3\xa8ne Boudin' +p262541 +sg225234 +S'graphite' +p262542 +sg225236 +S'c. 1858' +p262543 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00072/a0007253.jpg' +p262544 +sg225240 +g27 +sa(dp262545 +g225230 +S'Coastal Landscape with Shipping; Windmill in Distance' +p262546 +sg225232 +S'Eug\xc3\xa8ne Boudin' +p262547 +sg225234 +S'graphite' +p262548 +sg225236 +S'c. 1858' +p262549 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00072/a00072bf.jpg' +p262550 +sg225240 +g27 +sa(dp262551 +g225230 +S"L'Ile aux Moines with Workers in a Field" +p262552 +sg225232 +S'Eug\xc3\xa8ne Boudin' +p262553 +sg225234 +S'graphite' +p262554 +sg225236 +S'c. 1858' +p262555 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00072/a0007222.jpg' +p262556 +sg225240 +g27 +sa(dp262557 +g225230 +S'Landscape with Trees, Cottage, and Farm Wagon' +p262558 +sg225232 +S'Eug\xc3\xa8ne Boudin' +p262559 +sg225234 +S'graphite' +p262560 +sg225236 +S'c. 1858' +p262561 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00071/a00071e8.jpg' +p262562 +sg225240 +g27 +sa(dp262563 +g225230 +S'River Landscape with Buildings, Boats, and Figures' +p262564 +sg225232 +S'Eug\xc3\xa8ne Boudin' +p262565 +sg225234 +S'graphite' +p262566 +sg225236 +S'c. 1858' +p262567 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00071/a00071af.jpg' +p262568 +sg225240 +g27 +sa(dp262569 +g225230 +S'Cover for "Au pied du Sina\xc3\xaf"' +p262570 +sg225232 +S'Henri de Toulouse-Lautrec' +p262571 +sg225234 +S'color lithograph on japan paper' +p262572 +sg225236 +S'1898' +p262573 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000a0/a000a038.jpg' +p262574 +sg225240 +g27 +sa(dp262575 +g225232 +S'Artist Information (' +p262576 +sg225240 +g27 +sg225234 +S'German, 1895 - 1951' +p262577 +sg225230 +S'Deutsche Graphiker der Gegenwart' +p262578 +sg225236 +S'(author)' +p262579 +sa(dp262580 +g225232 +S'Max Beckmann' +p262581 +sg225240 +g27 +sg225234 +S'drypoint' +p262582 +sg225230 +S'Self-Portrait (Selbstbildnis)' +p262583 +sg225236 +S'1920' +p262584 +sa(dp262585 +g225232 +S'Lovis Corinth' +p262586 +sg225240 +g27 +sg225234 +S'lithograph' +p262587 +sg225230 +S'Selbstbildnis (Self-Portrait)' +p262588 +sg225236 +S'published 1920' +p262589 +sa(dp262590 +g225232 +S'Max Liebermann' +p262591 +sg225240 +g27 +sg225234 +S'lithograph' +p262592 +sg225230 +S'Selbstbildnis (Self-Portrait)' +p262593 +sg225236 +S'published 1920' +p262594 +sa(dp262595 +g225232 +S'K\xc3\xa4the Kollwitz' +p262596 +sg225240 +g27 +sg225234 +S'lithograph' +p262597 +sg225230 +S'Selbstbildnis (Self-Portrait)' +p262598 +sg225236 +S'1920' +p262599 +sa(dp262600 +g225232 +S'August Gaul' +p262601 +sg225240 +g27 +sg225234 +S'lithograph' +p262602 +sg225230 +S'Zeigen' +p262603 +sg225236 +S'published 1920' +p262604 +sa(dp262605 +g225232 +S'Rudolf Grossman' +p262606 +sg225240 +g27 +sg225234 +S'lithograph' +p262607 +sg225230 +S'Die Boxer (Boxers)' +p262608 +sg225236 +S'published 1920' +p262609 +sa(dp262610 +g225232 +S'Alfred Kubin' +p262611 +sg225240 +g27 +sg225234 +S'lithograph' +p262612 +sg225230 +S'Auf der Flucht (In Flight)' +p262613 +sg225236 +S'published 1920' +p262614 +sa(dp262615 +g225232 +S'Paul Klee' +p262616 +sg225240 +g27 +sg225234 +S'lithograph' +p262617 +sg225230 +S'Riesenblattlaus' +p262618 +sg225236 +S'published 1920' +p262619 +sa(dp262620 +g225232 +S'George Grosz' +p262621 +sg225240 +g27 +sg225234 +S'lithograph' +p262622 +sg225230 +S'He Made Fun of Hindenburg (Er hat Hindenburg verspottet)' +p262623 +sg225236 +S'1920' +p262624 +sa(dp262625 +g225232 +S'Ernst Barlach' +p262626 +sg225240 +g27 +sg225234 +S'woodcut' +p262627 +sg225230 +S'Gruppe im Sturm (Couple in a Storm)' +p262628 +sg225236 +S'published 1920' +p262629 +sa(dp262630 +g225232 +S'Richard Seewald' +p262631 +sg225240 +g27 +sg225234 +S'woodcut' +p262632 +sg225230 +S'Die Ziege (The Goat)' +p262633 +sg225236 +S'published 1920' +p262634 +sa(dp262635 +g225232 +S'Heinrich Campendonk' +p262636 +sg225240 +g27 +sg225234 +S'woodcut' +p262637 +sg225230 +S'Tiere' +p262638 +sg225236 +S'1918' +p262639 +sa(dp262640 +g225232 +S'Erich Heckel' +p262641 +sg225240 +g27 +sg225234 +S'woodcut' +p262642 +sg225230 +S'Jungling (Krankes Madchen)' +p262643 +sg225236 +S'1913' +p262644 +sa(dp262645 +g225232 +S'Otto M\xc3\xbcller' +p262646 +sg225240 +g27 +sg225234 +S'lithograph' +p262647 +sg225230 +S'Badende (Bathers)' +p262648 +sg225236 +S'published 1920' +p262649 +sa(dp262650 +g225232 +S'Max Pechstein' +p262651 +sg225240 +g27 +sg225234 +S'woodcut' +p262652 +sg225230 +S'Woman Walking with a Man' +p262653 +sg225236 +S'published 1920' +p262654 +sa(dp262655 +g225232 +S'Karl Schmidt-Rottluff' +p262656 +sg225240 +g27 +sg225234 +S'woodcut' +p262657 +sg225230 +S"Frauenkopf (Woman's Head)" +p262658 +sg225236 +S'1916' +p262659 +sa(dp262660 +g225232 +S'Lyonel Feininger' +p262661 +sg225240 +g27 +sg225234 +S'woodcut' +p262662 +sg225230 +S'Hansaflotte (Fleet of 17th Century Galleons)' +p262663 +sg225236 +S'1918' +p262664 +sa(dp262665 +g225232 +S'Conrad Felixm\xc3\xbcller' +p262666 +sg225240 +g27 +sg225234 +S'woodcut' +p262667 +sg225230 +S'Selbstbildnis (Self-Portrait)' +p262668 +sg225236 +S'1919' +p262669 +sa(dp262670 +g225232 +S'Max Unold' +p262671 +sg225240 +g27 +sg225234 +S'lithograph' +p262672 +sg225230 +S'Die Strasse (The Street)' +p262673 +sg225236 +S'published 1920' +p262674 +sa(dp262675 +g225232 +S'Karl Caspar' +p262676 +sg225240 +g27 +sg225234 +S'lithograph' +p262677 +sg225230 +S'Heimsuchung (Affliction)' +p262678 +sg225236 +S'published 1920' +p262679 +sa(dp262680 +g225232 +S'Ren\xc3\xa9 Beeh' +p262681 +sg225240 +g27 +sg225234 +S'lithograph' +p262682 +sg225230 +S'Lowe (Lion)' +p262683 +sg225236 +S'published 1920' +p262684 +sa(dp262685 +g225232 +S'Adolf Ferdinand Schinnerer' +p262686 +sg225240 +g27 +sg225234 +S'lithograph' +p262687 +sg225230 +S'Das Gastmahl (Dinner Party)' +p262688 +sg225236 +S'published 1920' +p262689 +sa(dp262690 +g225232 +S'Ludwig Meidner' +p262691 +sg225240 +g27 +sg225234 +S'lithograph' +p262692 +sg225230 +S'Bildnis (Portrait)' +p262693 +sg225236 +S'published 1920' +p262694 +sa(dp262695 +g225232 +S'Max Beckmann' +p262696 +sg225240 +g27 +sg225234 +S'lithograph' +p262697 +sg225230 +S'Pierrot and Mask (Pierrot und Maske)' +p262698 +sg225236 +S'published 1920' +p262699 +sa(dp262700 +g225230 +S'The Triumphal Chariot of Maximilian I (The Great Triumphal Car) [plate 1 of 8]' +p262701 +sg225232 +S'Albrecht D\xc3\xbcrer' +p262702 +sg225234 +S'woodcut' +p262703 +sg225236 +S'1522' +p262704 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b063.jpg' +p262705 +sg225240 +g27 +sa(dp262706 +g225230 +S'The Triumphal Chariot of Maximilian I (The Great Triumphal Car) [plate 2 of 8]' +p262707 +sg225232 +S'Albrecht D\xc3\xbcrer' +p262708 +sg225234 +S'woodcut' +p262709 +sg225236 +S'1522' +p262710 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ad/a000adb1.jpg' +p262711 +sg225240 +g27 +sa(dp262712 +g225230 +S'The Triumphal Chariot of Maximilian I (The Great Triumphal Car) [plate 3 of 8]' +p262713 +sg225232 +S'Albrecht D\xc3\xbcrer' +p262714 +sg225234 +S'woodcut' +p262715 +sg225236 +S'1522' +p262716 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b064.jpg' +p262717 +sg225240 +g27 +sa(dp262718 +g225230 +S'The Triumphal Chariot of Maximilian I (The Great Triumphal Car) [plate 4 of 8]' +p262719 +sg225232 +S'Albrecht D\xc3\xbcrer' +p262720 +sg225234 +S'woodcut' +p262721 +sg225236 +S'1522' +p262722 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ae/a000aeb1.jpg' +p262723 +sg225240 +g27 +sa(dp262724 +g225230 +S'The Triumphal Chariot of Maximilian I (The Great Triumphal Car) [plate 5 of 8]' +p262725 +sg225232 +S'Albrecht D\xc3\xbcrer' +p262726 +sg225234 +S'woodcut' +p262727 +sg225236 +S'1522' +p262728 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ae/a000ae3c.jpg' +p262729 +sg225240 +g27 +sa(dp262730 +g225230 +S'The Triumphal Chariot of Maximilian I (The Great Triumphal Car) [plate 6 of 8]' +p262731 +sg225232 +S'Albrecht D\xc3\xbcrer' +p262732 +sg225234 +S'woodcut' +p262733 +sg225236 +S'1522' +p262734 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ad/a000adb5.jpg' +p262735 +sg225240 +g27 +sa(dp262736 +g225230 +S'The Triumphal Chariot of Maximilian I (The Great Triumphal Car) [plate 7 of 8]' +p262737 +sg225232 +S'Albrecht D\xc3\xbcrer' +p262738 +sg225234 +S'woodcut' +p262739 +sg225236 +S'1522' +p262740 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b065.jpg' +p262741 +sg225240 +g27 +sa(dp262742 +g225230 +S'The Triumphal Chariot of Maximilian I (The Great Triumphal Car) [plate 8 of 8]' +p262743 +sg225232 +S'Albrecht D\xc3\xbcrer' +p262744 +sg225234 +S'woodcut' +p262745 +sg225236 +S'1522' +p262746 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000af/a000af1c.jpg' +p262747 +sg225240 +g27 +sa(dp262748 +g225230 +S'Lumber Schooners at Evening on Penobscot Bay' +p262749 +sg225232 +S'Fitz Henry Lane' +p262750 +sg225234 +S'oil on canvas' +p262751 +sg225236 +S'1863' +p262752 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a0000190.jpg' +p262753 +sg225240 +S"Despite its meticulous draftsmanship and precise detail, Lane's work is far more than a\nsimple inventory of harbor activity. The diminutive figures and carefully rendered vessels remain\nsecondary to the vast expanse of sky, where shimmering light creates a tranquil, idyllic mood.\nLane's rarefied landscapes epitomize man's harmonious union with the natural world.\n Some scholars have used the term "luminism" to describe the artist's subtle use\nof light and atmospheric effects to convey nature's intangible spirit. Ralph Waldo Emerson, the\nforemost exponent of American Transcendentalism, believed that poets and painters should serve\nas conduits through which the experience of nature might be transmitted directly to their\naudience. With a similarly self-effacing artistic temperament, Lane minimized his autographic\npresence, using translucent glazes rather than heavily impastoed surfaces to underscore the\nscene's pervasive stillness. His elegiac paintings differ profoundly from the more explosive\nexuberance expressed by Cole and Church, though he shared these artists' reverence for nature\nand their belief in its inherent divinity.\n " +p262754 +sa(dp262755 +g225230 +S'The Mocking of Christ' +p262756 +sg225232 +S'Jacopo Bassano' +p262757 +sg225234 +S'colored chalks on green-gray paper' +p262758 +sg225236 +S'1568' +p262759 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00022/a00022a4.jpg' +p262760 +sg225240 +g27 +sa(dp262761 +g225230 +S'Figure Studies [recto]' +p262762 +sg225232 +S'Perino del Vaga' +p262763 +sg225234 +S'pen and brown ink on laid paper' +p262764 +sg225236 +S'unknown date\n' +p262765 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00026/a00026ca.jpg' +p262766 +sg225240 +g27 +sa(dp262767 +g225230 +S'Figure Studies [verso]' +p262768 +sg225232 +S'Perino del Vaga' +p262769 +sg225234 +S'pen and brown ink on laid paper (red chalk line across center)' +p262770 +sg225236 +S'unknown date\n' +p262771 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00075/a000757d.jpg' +p262772 +sg225240 +g27 +sa(dp262773 +g225230 +S'A View of the Pont Neuf, the Mint, etc.: pl.8' +p262774 +sg225232 +S'Thomas Girtin' +p262775 +sg225234 +S'retouched etching' +p262776 +sg225236 +S'published 1802' +p262777 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00078/a00078a2.jpg' +p262778 +sg225240 +g27 +sa(dp262779 +g225232 +S'Erich Heckel' +p262780 +sg225240 +g27 +sg225234 +S'drypoint' +p262781 +sg225230 +S'Head of a Young Girl (Madchenkopf)' +p262782 +sg225236 +S'1919' +p262783 +sa(dp262784 +g225232 +S'Emil Nolde' +p262785 +sg225240 +g27 +sg225234 +S'etching and soft-ground etching in blue-gray' +p262786 +sg225230 +S'Club Table (Tischgesellschaft)' +p262787 +sg225236 +S'published 1907' +p262788 +sa(dp262789 +g225230 +S'Hunters Resting by a River' +p262790 +sg225232 +S'Adriaen Frans Boudewyns' +p262791 +sg225234 +S'sanguine chalk on laid paper' +p262792 +sg225236 +S'unknown date\n' +p262793 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00022/a00022bb.jpg' +p262794 +sg225240 +g27 +sa(dp262795 +g225230 +S'Vue du chateau de Madrid' +p262796 +sg225232 +S'Jean-Jacques de Boissieu' +p262797 +sg225234 +S'etching' +p262798 +sg225236 +S'unknown date\n' +p262799 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008cd9.jpg' +p262800 +sg225240 +g27 +sa(dp262801 +g225230 +S'Cart Filled with Wounded Soldiers (Chariot charge de soldats blesses)' +p262802 +sg225232 +S'Th\xc3\xa9odore Gericault' +p262803 +sg225234 +S'lithograph' +p262804 +sg225236 +S'1818' +p262805 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0009a/a0009aaf.jpg' +p262806 +sg225240 +g27 +sa(dp262807 +g225230 +S'Joseph Identifying Himself to His Brothers' +p262808 +sg225232 +S'Pier Francesco Mola' +p262809 +sg225234 +S'etching' +p262810 +sg225236 +S'unknown date\n' +p262811 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ca/a000ca20.jpg' +p262812 +sg225240 +g27 +sa(dp262813 +g225232 +S'Giovanni Battista Piranesi' +p262814 +sg225240 +g27 +sg225234 +S'etching with figure at lower right reworked in red-brown chalk' +p262815 +sg225230 +S"Veduta dell' Arco di Tito" +p262816 +sg225236 +S'1770/1771' +p262817 +sa(dp262818 +g225230 +S'Grotesque Strip with Dragon, Shields and Wild Men' +p262819 +sg225232 +S'German 15th Century' +p262820 +sg225234 +S'Schreiber, undescribed' +p262821 +sg225236 +S'\nwoodcut, hand-colored' +p262822 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a5a4.jpg' +p262823 +sg225240 +g27 +sa(dp262824 +g225230 +S'Broadside with Two Scenes from the Life of Christ, and Grotesque Borders' +p262825 +sg225232 +S'German 15th Century' +p262826 +sg225234 +S'Schreiber, undescribed' +p262827 +sg225236 +S'\nhand-colored woodcut' +p262828 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000a3/a000a3e5.jpg' +p262829 +sg225240 +g27 +sa(dp262830 +g225230 +S'Witch' +p262831 +sg225232 +S'Christian Rohlfs' +p262832 +sg225234 +S'woodcut on shopping bag' +p262833 +sg225236 +S'unknown date\n' +p262834 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b7/a000b758.jpg' +p262835 +sg225240 +g27 +sa(dp262836 +g225232 +S'Malcolm Rice' +p262837 +sg225240 +g27 +sg225234 +S'graphite' +p262838 +sg225230 +S'Craig Quarry' +p262839 +sg225236 +S'1973' +p262840 +sa(dp262841 +g225232 +S'Malcolm Rice' +p262842 +sg225240 +g27 +sg225234 +S'graphite' +p262843 +sg225230 +S'Craig Quarry with Surrounding Vignettes' +p262844 +sg225236 +S'1973' +p262845 +sa(dp262846 +g225232 +S'Malcolm Rice' +p262847 +sg225240 +g27 +sg225234 +S'graphite and colored chalk' +p262848 +sg225230 +S'Ebenezer Quarry - The Snake and the Ram' +p262849 +sg225236 +S'1944' +p262850 +sa(dp262851 +g225232 +S'Malcolm Rice' +p262852 +sg225240 +g27 +sg225234 +S'graphite' +p262853 +sg225230 +S'Grey Knox Quarry' +p262854 +sg225236 +S'1972' +p262855 +sa(dp262856 +g225232 +S'Malcolm Rice' +p262857 +sg225240 +g27 +sg225234 +S'graphite' +p262858 +sg225230 +S'Ross Quarry' +p262859 +sg225236 +S'1973' +p262860 +sa(dp262861 +g225232 +S'Artist Information (' +p262862 +sg225240 +g27 +sg225234 +S'(artist after)' +p262863 +sg225230 +S'Vue de la ville et de la rade de Toulon (View of the Town and the Road of Toulon)' +p262864 +sg225236 +S'\n' +p262865 +sa(dp262866 +g225230 +S'Coast Scene with an Artist (Le dessinateur)' +p262867 +sg225232 +S'Claude Lorrain' +p262868 +sg225234 +S'etching' +p262869 +sg225236 +S'c. 1638/1641' +p262870 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f47.jpg' +p262871 +sg225240 +g27 +sa(dp262872 +g225230 +S'A Gentleman with a Walking Stick' +p262873 +sg225232 +S'Giovanni Battista Piranesi' +p262874 +sg225234 +S'black chalk on laid paper' +p262875 +sg225236 +S'early 1750s' +p262876 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006cf6.jpg' +p262877 +sg225240 +g27 +sa(dp262878 +g225230 +S'Drapery Studies [recto]' +p262879 +sg225232 +S'Baldassare Franceschini' +p262880 +sg225234 +S'black chalk heightened with white on laid paper' +p262881 +sg225236 +S'late 1650s' +p262882 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a00074ae.jpg' +p262883 +sg225240 +g27 +sa(dp262884 +g225230 +S'Baby [verso]' +p262885 +sg225232 +S'Baldassare Franceschini' +p262886 +sg225234 +S'black chalk heightened with white on laid paper' +p262887 +sg225236 +S'late 1650s' +p262888 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a00074af.jpg' +p262889 +sg225240 +g27 +sa(dp262890 +g225230 +S'Ascension of the Magdalene' +p262891 +sg225232 +S'Baldassare Franceschini' +p262892 +sg225234 +S'black chalk heightened with white on laid paper' +p262893 +sg225236 +S'late 1650s' +p262894 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a00074ad.jpg' +p262895 +sg225240 +g27 +sa(dp262896 +g225230 +S'Archer Drawing His Bow' +p262897 +sg225232 +S'Hans Leonard Sch\xc3\xa4ufelein' +p262898 +sg225234 +S'pen and black ink on laid paper' +p262899 +sg225236 +S'c. 1510' +p262900 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00028/a0002850.jpg' +p262901 +sg225240 +g27 +sa(dp262902 +g225230 +S'Frederik Hendrik, Prince of Nassau-Orange' +p262903 +sg225232 +S'Willem Jacobsz Delff' +p262904 +sg225234 +S'engraving' +p262905 +sg225236 +S'1618' +p262906 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4f1.jpg' +p262907 +sg225240 +g27 +sa(dp262908 +g225230 +S'Landscape with Three Nude Men and a Dog' +p262909 +sg225232 +S'Artist Information (' +p262910 +sg225234 +S'(artist after)' +p262911 +sg225236 +S'\n' +p262912 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d042.jpg' +p262913 +sg225240 +g27 +sa(dp262914 +g225230 +S'Charles VII the Victorious on Horseback' +p262915 +sg225232 +S'Antoine-Louis Barye' +p262916 +sg225234 +S'bronze' +p262917 +sg225236 +S'model c. 1844, cast 1860/1909' +p262918 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00054/a0005407.jpg' +p262919 +sg225240 +g27 +sa(dp262920 +g225230 +S'Gaston de Foix on Horseback' +p262921 +sg225232 +S'Antoine-Louis Barye' +p262922 +sg225234 +S'bronze' +p262923 +sg225236 +S'model 1839/1840, cast after 1855' +p262924 +sg225238 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+S'Auguste-Nicolas Cain' +p262946 +sg225234 +S'bronze' +p262947 +sg225236 +S'model c. 1860/1894, cast possibly 1890s/c. 1914' +p262948 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00054/a000540d.jpg' +p262949 +sg225240 +g27 +sa(dp262950 +g225230 +S'Flayed Horse I' +p262951 +sg225232 +S'Th\xc3\xa9odore Gericault' +p262952 +sg225234 +S'pigmented wax' +p262953 +sg225236 +S'c. 1820/1824' +p262954 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00029/a00029c0.jpg' +p262955 +sg225240 +g27 +sa(dp262956 +g225230 +S'Flayed Horse II' +p262957 +sg225232 +S'Th\xc3\xa9odore Gericault' +p262958 +sg225234 +S'bronze' +p262959 +sg225236 +S'model c. 1820/1824, cast c. 1832' +p262960 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00029/a000295b.jpg' +p262961 +sg225240 +g27 +sa(dp262962 +g225230 +S'Flayed Horse III' +p262963 +sg225232 +S'Th\xc3\xa9odore Gericault' +p262964 +sg225234 +S'bronze' +p262965 +sg225236 +S'model c. 1820/1824, cast 1959-1960' +p262966 +sg225238 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+sg225240 +g27 +sa(dp263013 +g225230 +S'The Chamber Idyll' +p263014 +sg225232 +S'Edward Calvert' +p263015 +sg225234 +S'wood engraving' +p263016 +sg225236 +S'1831' +p263017 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007c/a0007cad.jpg' +p263018 +sg225240 +g27 +sa(dp263019 +g225230 +S'Sara Wearing a Bonnet and Coat' +p263020 +sg225232 +S'Mary Cassatt' +p263021 +sg225234 +S'pastel over pastel counterproof on chine colle, mounted on wove paper' +p263022 +sg225236 +S'c. 1904/1906' +p263023 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a00008bc.jpg' +p263024 +sg225240 +g27 +sa(dp263025 +g225232 +S'James Ensor' +p263026 +sg225240 +g27 +sg225234 +S'etching and drypoint on Japan vellum' +p263027 +sg225230 +S'Christ in Hell (Le Christ aux enfers)' +p263028 +sg225236 +S'1895' +p263029 +sa(dp263030 +g225232 +S'Arthur L. Flory' +p263031 +sg225240 +g27 +sg225234 +S'lithograph' +p263032 +sg225230 +S'The Collector' +p263033 +sg225236 +S'1967' +p263034 +sa(dp263035 +g225230 +S'Standing Woman with a Fan' +p263036 +sg225232 +S'Jean-Louis Forain' +p263037 +sg225234 +S'watercolor with opaque white' +p263038 +sg225236 +S'probably 1880/1890' +p263039 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00033/a00033cc.jpg' +p263040 +sg225240 +g27 +sa(dp263041 +g225232 +S'Wenceslaus Hollar' +p263042 +sg225240 +g27 +sg225234 +S'etching' +p263043 +sg225230 +S'Parallel Views of London Before and After the Fire' +p263044 +sg225236 +S'1666' +p263045 +sa(dp263046 +g225232 +S'James McBey' +p263047 +sg225240 +g27 +sg225234 +S'black chalk' +p263048 +sg225230 +S'Lessing J. Rosenwald' +p263049 +sg225236 +S'1930' +p263050 +sa(dp263051 +g225232 +S'James McBey' +p263052 +sg225240 +g27 +sg225234 +S'etching [cancellation proof - dark impression]' +p263053 +sg225230 +S'Lessing J. 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+S'Austrian 15th Century' +p263091 +sg225234 +S'image: 6.8 x 8.5 cm (2 11/16 x 3 3/8 in.)' +p263092 +sg225236 +S'\npen and ink with watercolor; fragment from Bible MS (German text on image verso); image cut in silhouette and mounted on backing sheet' +p263093 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00069/a000697f.jpg' +p263094 +sg225240 +g27 +sa(dp263095 +g225230 +S'Woman Suspending Man from Tower' +p263096 +sg225232 +S'Austrian 15th Century' +p263097 +sg225234 +S'image: 10.8 x 8.4 cm (4 1/4 x 3 5/16 in.)' +p263098 +sg225236 +S'\npen and ink with watercolor; fragment from Bible MS (German text on image verso); image cut in silhouette and mounted on backing sheet' +p263099 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00069/a0006980.jpg' +p263100 +sg225240 +g27 +sa(dp263101 +g225230 +S'Frontispiece' +p263102 +sg225232 +S'British 17th Century' +p263103 +sg225234 +S'Rosenwald Collection' +p263104 +sg225236 +S'\nengraving' +p263105 +sg225238 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and brown ink over graphite' +p263147 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00071/a00071c9.jpg' +p263148 +sg225240 +g27 +sa(dp263149 +g225230 +S'Head of an Old Man' +p263150 +sg225232 +S'British 19th Century' +p263151 +sg225234 +S'overall: 13 x 12.7 cm (5 1/8 x 5 in.)' +p263152 +sg225236 +S'\npen and brown ink on wove paper' +p263153 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006b/a0006be3.jpg' +p263154 +sg225240 +g27 +sa(dp263155 +g225230 +S'Sleeping Infant' +p263156 +sg225232 +S'British 19th Century' +p263157 +sg225234 +S'mezzotint' +p263158 +sg225236 +S'unknown date\n' +p263159 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007c/a0007c5f.jpg' +p263160 +sg225240 +g27 +sa(dp263161 +g225230 +S'Nine Heads' +p263162 +sg225232 +S'Artist Information (' +p263163 +sg225234 +S'(artist after)' +p263164 +sg225236 +S'\n' +p263165 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d53e.jpg' +p263166 +sg225240 +g27 +sa(dp263167 +g225232 +S'Ivan Stepanovich Gomenkov' +p263168 +sg225240 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+S'http://www.nga.gov:80/thumb-l/a00083/a000830c.jpg' +p263242 +sg225240 +g27 +sa(dp263243 +g225230 +S'Systeme de Magnee - Veritable position de la main et de la plume' +p263244 +sg225232 +S'French 18th Century' +p263245 +sg225234 +S'Rosenwald Collection' +p263246 +sg225236 +S'\nstipple engraving in black and red' +p263247 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008cc1.jpg' +p263248 +sg225240 +g27 +sa(dp263249 +g225230 +S'Barthe' +p263250 +sg225232 +S'French 19th Century' +p263251 +sg225234 +S'lithograph' +p263252 +sg225236 +S'unknown date\n' +p263253 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00097/a000975a.jpg' +p263254 +sg225240 +g27 +sa(dp263255 +g225230 +S'The Greasy Pole' +p263256 +sg225232 +S'French 19th Century' +p263257 +sg225234 +S'Rosenwald Collection' +p263258 +sg225236 +S'\nlithograph (colored with stencils?)' +p263259 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00090/a0009012.jpg' +p263260 +sg225240 +g27 +sa(dp263261 +g225230 +S'Lithographic Workshop' 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Greenfield' +p263613 +sg225236 +S'unknown date\n' +p263614 +sa(dp263615 +g225232 +S'Alfred Bendiner' +p263616 +sg225240 +g27 +sg225234 +S'pen and brush and black ink on cardstock' +p263617 +sg225230 +S'Bertha Von Morschzisker and Lessing J. Rosenwald at the Print Club' +p263618 +sg225236 +S'unknown date\n' +p263619 +sa(dp263620 +g225232 +S'Alfred Bendiner' +p263621 +sg225240 +g27 +sg225234 +S'lithograph' +p263622 +sg225230 +S"Franklin's Kite" +p263623 +sg225236 +S'1935' +p263624 +sa(dp263625 +g225232 +S'Alfred Bendiner' +p263626 +sg225240 +g27 +sg225234 +S'graphite on stationery (The Benjamin Franklin Hotel, Philadelphia)' +p263627 +sg225230 +S'General Abel Davis' +p263628 +sg225236 +S'c. 1926' +p263629 +sa(dp263630 +g225232 +S'Alfred Bendiner' +p263631 +sg225240 +g27 +sg225234 +S'lithograph' +p263632 +sg225230 +S'Happy Birthday to Uncle' +p263633 +sg225236 +S'1948' +p263634 +sa(dp263635 +g225232 +S'Alfred Bendiner' +p263636 +sg225240 +g27 +sg225234 +S'charcoal on wove paper' +p263637 +sg225230 +S'Harold (front view)' +p263638 +sg225236 +S'unknown date\n' +p263639 +sa(dp263640 +g225232 +S'Alfred Bendiner' +p263641 +sg225240 +g27 +sg225234 +S'charcoal on wove paper' +p263642 +sg225230 +S'Harold (profile)' +p263643 +sg225236 +S'unknown date\n' +p263644 +sa(dp263645 +g225232 +S'Alfred Bendiner' +p263646 +sg225240 +g27 +sg225234 +S'lithograph' +p263647 +sg225230 +S'Jerusalem' +p263648 +sg225236 +S'1935' +p263649 +sa(dp263650 +g225232 +S'Alfred Bendiner' +p263651 +sg225240 +g27 +sg225234 +S'charcoal on wove paper' +p263652 +sg225230 +S'Judge Lewis' +p263653 +sg225236 +S'1925' +p263654 +sa(dp263655 +g225232 +S'Alfred Bendiner' +p263656 +sg225240 +g27 +sg225234 +S'charcoal on wove paper' +p263657 +sg225230 +S'Judge Lewis (front view)' +p263658 +sg225236 +S'1925' +p263659 +sa(dp263660 +g225232 +S'Alfred Bendiner' +p263661 +sg225240 +g27 +sg225234 +S'graphite' +p263662 +sg225230 +S'Lessing J. Rosenwald' +p263663 +sg225236 +S'unknown date\n' +p263664 +sa(dp263665 +g225232 +S'Alfred Bendiner' +p263666 +sg225240 +g27 +sg225234 +S'charcoal on wove paper' +p263667 +sg225230 +S'Levy (?)' +p263668 +sg225236 +S'unknown date\n' +p263669 +sa(dp263670 +g225232 +S'Alfred Bendiner' +p263671 +sg225240 +g27 +sg225234 +S'lithograph' +p263672 +sg225230 +S'Master of the House' +p263673 +sg225236 +S'1935' +p263674 +sa(dp263675 +g225232 +S'Alfred Bendiner' +p263676 +sg225240 +g27 +sg225234 +S'charcoal on wove paper' +p263677 +sg225230 +S'Mr. Louis Marshall' +p263678 +sg225236 +S'1925' +p263679 +sa(dp263680 +g225232 +S'Alfred Bendiner' +p263681 +sg225240 +g27 +sg225234 +S'lithograph' +p263682 +sg225230 +S'Peasant Woman' +p263683 +sg225236 +S'1934' +p263684 +sa(dp263685 +g225232 +S'Alfred Bendiner' +p263686 +sg225240 +g27 +sg225234 +S'lithograph' +p263687 +sg225230 +S'Return from Fiesta' +p263688 +sg225236 +S'1935' +p263689 +sa(dp263690 +g225232 +S'Alfred Bendiner' +p263691 +sg225240 +g27 +sg225234 +S'lithograph' +p263692 +sg225230 +S'Rosenwald New Year Card' +p263693 +sg225236 +S'1935' +p263694 +sa(dp263695 +g225232 +S'Alfred Bendiner' +p263696 +sg225240 +g27 +sg225234 +S'lithograph' +p263697 +sg225230 +S'Rosenwald New Year Card' +p263698 +sg225236 +S'1935' +p263699 +sa(dp263700 +g225232 +S'Alfred Bendiner' +p263701 +sg225240 +g27 +sg225234 +S'graphite' +p263702 +sg225230 +S'Samuel Lewisohn' +p263703 +sg225236 +S'unknown date\n' +p263704 +sa(dp263705 +g225232 +S'Alfred Bendiner' +p263706 +sg225240 +g27 +sg225234 +S'charcoal on wove paper' +p263707 +sg225230 +S'Profile Portraits of Men [recto and verso]' +p263708 +sg225236 +S'unknown date\n' +p263709 +sa(dp263710 +g225232 +S'Alfred Bendiner' +p263711 +sg225240 +g27 +sg225234 +S'charcoal on wove paper' +p263712 +sg225230 +S'Caricature of a Man (Azish?, front and profile views)' +p263713 +sg225236 +S'unknown date\n' +p263714 +sa(dp263715 +g225232 +S'Alfred Bendiner' +p263716 +sg225240 +g27 +sg225234 +S'black crayon' +p263717 +sg225230 +S'Caricature of a Man' +p263718 +sg225236 +S'unknown date\n' +p263719 +sa(dp263720 +g225232 +S'Alfred Bendiner' +p263721 +sg225240 +g27 +sg225234 +S'graphite' +p263722 +sg225230 +S'Caricature of a Man Smoking a Cigar' +p263723 +sg225236 +S'unknown date\n' +p263724 +sa(dp263725 +g225232 +S'Alfred Bendiner' +p263726 +sg225240 +g27 +sg225234 +S'charcoal' +p263727 +sg225230 +S'Three Profile Caricatures of Men' +p263728 +sg225236 +S'unknown date\n' +p263729 +sa(dp263730 +g225232 +S'Alfred Bendiner' +p263731 +sg225240 +g27 +sg225234 +S'graphite sketch at the head of a typewritten letter from Betty & Al Bendiner to Edith & Lessing Rosenwald on stationery from the Hotel Crillon, Madrid' +p263732 +sg225230 +S'Toreador and Dead Bull' +p263733 +sg225236 +S'unknown date\n' +p263734 +sa(dp263735 +g225232 +S'Connie Benham' +p263736 +sg225240 +g27 +sg225234 +S'aquatint and etching' +p263737 +sg225230 +S'(Architectural-like structure; like a playground environmental sculpture)' +p263738 +sg225236 +S'1974' +p263739 +sa(dp263740 +g225232 +S'Connie Benham' +p263741 +sg225240 +g27 +sg225234 +S'aquatint and etching' +p263742 +sg225230 +S'(Architectural structure like a superstructure of a high rise building)' +p263743 +sg225236 +S'1975' +p263744 +sa(dp263745 +g225232 +S'Connie Benham' +p263746 +sg225240 +g27 +sg225234 +S'aquatint and etching' +p263747 +sg225230 +S'(Four rectangular box-like forms joined by a beam)' +p263748 +sg225236 +S'1975' +p263749 +sa(dp263750 +g225232 +S'Connie Benham' +p263751 +sg225240 +g27 +sg225234 +S'aquatint and etching' +p263752 +sg225230 +S'(Vertical forms at left and right with criss-cross diagonal beams at center)' +p263753 +sg225236 +S'1974' +p263754 +sa(dp263755 +g225232 +S'Antonio Berni' +p263756 +sg225240 +g27 +sg225234 +S'relief, deeply embossed' +p263757 +sg225230 +S'El Obispo' +p263758 +sg225236 +S'1964' +p263759 +sa(dp263760 +g225232 +S'Antonio Berni' +p263761 +sg225240 +g27 +sg225234 +S'relief print' +p263762 +sg225230 +S'The Meeting of Ramona and John' +p263763 +sg225236 +S'1966' +p263764 +sa(dp263765 +g225232 +S'Michael Biddle' +p263766 +sg225240 +g27 +sg225234 +S'etching' +p263767 +sg225230 +S'Profile of Jailer' +p263768 +sg225236 +S'unknown date\n' +p263769 +sa(dp263770 +g225232 +S'Michael Biddle' +p263771 +sg225240 +g27 +sg225234 +S'etching' +p263772 +sg225230 +S'Two Figures Fighting' +p263773 +sg225236 +S'unknown date\n' +p263774 +sa(dp263775 +g225232 +S'Michael Biddle' +p263776 +sg225240 +g27 +sg225234 +S'etching [restrike]' +p263777 +sg225230 +S'Three Figures, Two Fighting, One Dead' +p263778 +sg225236 +S'unknown date\n' +p263779 +sa(dp263780 +g225232 +S'Richard Evett Bishop' +p263781 +sg225240 +g27 +sg225234 +S'etching' +p263782 +sg225230 +S'Christmas Card from Helen and Dick Bishop' +p263783 +sg225236 +S'1933' +p263784 +sa(dp263785 +g225232 +S'Richard Evett Bishop' +p263786 +sg225240 +g27 +sg225234 +S'etching' +p263787 +sg225230 +S'Christmas Card from Helen and Dick Bishop' +p263788 +sg225236 +S'1934' +p263789 +sa(dp263790 +g225232 +S'Richard Evett Bishop' +p263791 +sg225240 +g27 +sg225234 +S'etching' +p263792 +sg225230 +S'Christmas Card from Helen and Dick Bishop' +p263793 +sg225236 +S'1943' +p263794 +sa(dp263795 +g225232 +S'Richard Evett Bishop' +p263796 +sg225240 +g27 +sg225234 +S'etching' +p263797 +sg225230 +S'Christmas Card from Helen and Dick Bishop' +p263798 +sg225236 +S'1944' +p263799 +sa(dp263800 +g225232 +S'Richard Evett Bishop' +p263801 +sg225240 +g27 +sg225234 +S'etching' +p263802 +sg225230 +S'Christmas Card from Helen and Dick Bishop' +p263803 +sg225236 +S'1945' +p263804 +sa(dp263805 +g225232 +S'Richard Evett Bishop' +p263806 +sg225240 +g27 +sg225234 +S'etching' +p263807 +sg225230 +S'Christmas Card from Helen and Dick Bishop' +p263808 +sg225236 +S'1947' +p263809 +sa(dp263810 +g225232 +S'Richard Evett Bishop' +p263811 +sg225240 +g27 +sg225234 +S'etching' +p263812 +sg225230 +S'Christmas Card from Helen and Dick Bishop' +p263813 +sg225236 +S'1948' +p263814 +sa(dp263815 +g225232 +S'Richard Evett Bishop' +p263816 +sg225240 +g27 +sg225234 +S'etching' +p263817 +sg225230 +S'Christmas Card from Helen and Dick Bishop' +p263818 +sg225236 +S'1949' +p263819 +sa(dp263820 +g225232 +S'Richard Evett Bishop' +p263821 +sg225240 +g27 +sg225234 +S'etching' +p263822 +sg225230 +S'Christmas Card from Helen and Dick Bishop' +p263823 +sg225236 +S'1950' +p263824 +sa(dp263825 +g225232 +S'Richard Evett Bishop' +p263826 +sg225240 +g27 +sg225234 +S'etching' +p263827 +sg225230 +S'Christmas Card from Helen and Dick Bishop' +p263828 +sg225236 +S'1952' +p263829 +sa(dp263830 +g225232 +S'Richard Evett Bishop' +p263831 +sg225240 +g27 +sg225234 +S'etching' +p263832 +sg225230 +S'Christmas Card from Helen and Dick Bishop' +p263833 +sg225236 +S'1953' +p263834 +sa(dp263835 +g225232 +S'Richard Evett Bishop' +p263836 +sg225240 +g27 +sg225234 +S'etching' +p263837 +sg225230 +S'Christmas Card from Helen and Dick Bishop' +p263838 +sg225236 +S'1954' +p263839 +sa(dp263840 +g225232 +S'Richard Evett Bishop' +p263841 +sg225240 +g27 +sg225234 +S'etching and aquatint' +p263842 +sg225230 +S'Christmas Card from Helen and Dick Bishop' +p263843 +sg225236 +S'unknown date\n' +p263844 +sa(dp263845 +g225232 +S'Richard Evett Bishop' +p263846 +sg225240 +g27 +sg225234 +S'etching' +p263847 +sg225230 +S'Christmas Card from Helen and Dick Bishop' +p263848 +sg225236 +S'1935' +p263849 +sa(dp263850 +g225232 +S'Richard Evett Bishop' +p263851 +sg225240 +g27 +sg225234 +S'etching' +p263852 +sg225230 +S'Christmas Card from Helen and Dick Bishop' +p263853 +sg225236 +S'1937' +p263854 +sa(dp263855 +g225232 +S'Richard Evett Bishop' +p263856 +sg225240 +g27 +sg225234 +S'etching' +p263857 +sg225230 +S'Christmas Card from Helen and Dick Bishop' +p263858 +sg225236 +S'1941' +p263859 +sa(dp263860 +g225232 +S'Richard Evett Bishop' +p263861 +sg225240 +g27 +sg225234 +S'etching' +p263862 +sg225230 +S'Christmas Card from Helen and Dick Bishop' +p263863 +sg225236 +S'1973' +p263864 +sa(dp263865 +g225232 +S'William Blake' +p263866 +sg225240 +g27 +sg225234 +S'1 vol. plus separate portfolio of facsimiles and one restrike from original engraved plate (see 1943.3.1742 for plate)' +p263867 +sg225230 +S"Blake's Illustrations of Dante (facsimile edition)" +p263868 +sg225236 +S'published 1978' +p263869 +sa(dp263870 +g225232 +S'Artist Information (' +p263871 +sg225240 +g27 +sg225234 +S'British, 1757 - 1827' +p263872 +sg225230 +S'Electrotype plate made from fragment of Blake\'s cancelled plate for "A Prophecy"' +p263873 +sg225236 +S'(artist after)' +p263874 +sa(dp263875 +g225230 +S'The Circle of the Lustful: Paolo and Francesca' +p263876 +sg225232 +S'William Blake' +p263877 +sg225234 +S'engraving printed by Harry Hoehn in 1968' +p263878 +sg225236 +S'1827' +p263879 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00077/a0007707.jpg' +p263880 +sg225240 +g27 +sa(dp263881 +g225230 +S'The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo' +p263882 +sg225232 +S'William Blake' +p263883 +sg225234 +S'engraving printed by Harry Hoehn in 1968' +p263884 +sg225236 +S'1827' +p263885 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00077/a0007709.jpg' +p263886 +sg225240 +g27 +sa(dp263887 +g225230 +S'The Circle of the Corrupt Officials; the Devils Mauling Each Other' +p263888 +sg225232 +S'William Blake' +p263889 +sg225234 +S'engraving printed by Harry Hoehn in 1968' +p263890 +sg225236 +S'1827' +p263891 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00077/a000770b.jpg' +p263892 +sg225240 +g27 +sa(dp263893 +g225230 +S'The Circle of the Thieves; Agnolo Brunelleschi Attacked by a Six-Footed Serpent' +p263894 +sg225232 +S'William Blake' +p263895 +sg225234 +S'engraving printed by Harry Hoehn in 1968' +p263896 +sg225236 +S'1827' +p263897 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00077/a000770d.jpg' +p263898 +sg225240 +g27 +sa(dp263899 +g225230 +S'The Circle of the Thieves; Buoso Donati Attacked by the Serpent' +p263900 +sg225232 +S'William Blake' +p263901 +sg225234 +S'engraving printed by Harry Hoehn in 1968' +p263902 +sg225236 +S'1827' +p263903 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00077/a000770f.jpg' +p263904 +sg225240 +g27 +sa(dp263905 +g225230 +S'The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the stench' +p263906 +sg225232 +S'William Blake' +p263907 +sg225234 +S'engraving printed by Harry Hoehn in 1968' +p263908 +sg225236 +S'1827' +p263909 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00077/a0007711.jpg' +p263910 +sg225240 +g27 +sa(dp263911 +g225230 +S"The Circle of the Traitors; Dante's Foot Striking Bocca degli Abbate" +p263912 +sg225232 +S'William Blake' +p263913 +sg225234 +S'engraving printed by Harry Hoehn in 1968' +p263914 +sg225236 +S'1827' +p263915 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00077/a0007713.jpg' +p263916 +sg225240 +g27 +sa(dp263917 +g225230 +S'The Circle of the Lustful: Paolo and Francesca' +p263918 +sg225232 +S'William Blake' +p263919 +sg225234 +S'engraving printed by Harry Hoehn in 1968 before plate was cleaned' +p263920 +sg225236 +S'1827' +p263921 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00078/a000789d.jpg' +p263922 +sg225240 +g27 +sa(dp263923 +g225230 +S'The Circle of the Lustful: Paolo and Francesca' +p263924 +sg225232 +S'William Blake' +p263925 +sg225234 +S'engraving printed by Harry Hoehn in 1968 before plate was cleaned' +p263926 +sg225236 +S'1827' +p263927 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00078/a000789e.jpg' +p263928 +sg225240 +g27 +sa(dp263929 +g225230 +S'Sketch of a Swordsman Standing Over His Defeated Opponent [recto]' +p263930 +sg225232 +S'William Blake' +p263931 +sg225234 +S'graphite' +p263932 +sg225236 +S'c. 1780/1785' +p263933 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006fe5.jpg' +p263934 +sg225240 +g27 +sa(dp263935 +g225230 +S'Sketch of a Swordsman Standing Over His Defeated Opponent [verso]' +p263936 +sg225232 +S'William Blake' +p263937 +sg225234 +S'graphite' +p263938 +sg225236 +S'c. 1780/1785' +p263939 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006fb7.jpg' +p263940 +sg225240 +g27 +sa(dp263941 +g225232 +S'Herman Bloch' +p263942 +sg225240 +g27 +sg225234 +S'etching and drypoint' +p263943 +sg225230 +S'Corner in France' +p263944 +sg225236 +S'unknown date\n' +p263945 +sa(dp263946 +g225232 +S'Herbert Bockl' +p263947 +sg225240 +g27 +sg225234 +S'aquatint' +p263948 +sg225230 +S'Monk' +p263949 +sg225236 +S'1949' +p263950 +sa(dp263951 +g225230 +S'Winter' +p263952 +sg225232 +S'Artist Information (' +p263953 +sg225234 +S'(artist after)' +p263954 +sg225236 +S'\n' +p263955 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cf/a000cff7.jpg' +p263956 +sg225240 +g27 +sa(dp263957 +g225232 +S'Paolo Boni' +p263958 +sg225240 +g27 +sg225234 +S'collagraph plate (zinc and aluminum mounted on wooden board)' +p263959 +sg225230 +S'Mirage' +p263960 +sg225236 +S'1962' +p263961 +sa(dp263962 +g225232 +S'Paolo Boni' +p263963 +sg225240 +g27 +sg225234 +S'collagraph plate (zinc, copper, iron, brass) in four parts' +p263964 +sg225230 +S'Omaggio a Braccelli' +p263965 +sg225236 +S'1968' +p263966 +sa(dp263967 +g225232 +S'Paolo Boni' +p263968 +sg225240 +g27 +sg225234 +S'blind printed with two different variations from the collagraph plate' +p263969 +sg225230 +S'Omaggio a Braccelli (Title Folder)' +p263970 +sg225236 +S'1968' +p263971 +sa(dp263972 +g225232 +S'Paolo Boni' +p263973 +sg225240 +g27 +sg225234 +S'portfolio with 13 early and late proofs of the collagraph of the same title plus handwritten description of the various proofs' +p263974 +sg225230 +S'Omaggio a Braccelli' +p263975 +sg225236 +S'1968' +p263976 +sa(dp263977 +g225232 +S'Paolo Boni' +p263978 +sg225240 +g27 +sg225234 +S'description of various proofs handwritten in blackink' +p263979 +sg225230 +S'Omaggio a Braccelli (Justification Page)' +p263980 +sg225236 +S'1968' +p263981 +sa(dp263982 +g225232 +S'Paolo Boni' +p263983 +sg225240 +g27 +sg225234 +S'dry impression to control the cut of two separate plates of support in zinc' +p263984 +sg225230 +S'Omaggio a Braccelli (1st state)' +p263985 +sg225236 +S'1968' +p263986 +sa(dp263987 +g225232 +S'Paolo Boni' +p263988 +sg225240 +g27 +sg225234 +S'dry impression of a part of zinc plate with elements in iron and brass superimposed on one figure; iron shoe taps covered by copper on second figure' +p263989 +sg225230 +S'Omaggio a Braccelli (2nd state)' +p263990 +sg225236 +S'1968' +p263991 +sa(dp263992 +g225232 +S'Paolo Boni' +p263993 +sg225240 +g27 +sg225234 +S'impression in transparent dirty white; brass base added to zinc support; two superimposed personags in copper and brass screen' +p263994 +sg225230 +S'Omaggio a Braccelli (3rd state)' +p263995 +sg225236 +S'1968' +p263996 +sa(dp263997 +g225232 +S'Paolo Boni' +p263998 +sg225240 +g27 +sg225234 +S'impression on the forms united' +p263999 +sg225230 +S'Omaggio a Braccelli (4th state)' +p264000 +sg225236 +S'1968' +p264001 +sa(dp264002 +g225232 +S'Paolo Boni' +p264003 +sg225240 +g27 +sg225234 +S'impression of whole plate: dry printing with lowerfigures inked with roller of gray-tan ink' +p264004 +sg225230 +S'Omaggio a Braccelli (5th state)' +p264005 +sg225236 +S'1968' +p264006 +sa(dp264007 +g225232 +S'Paolo Boni' +p264008 +sg225240 +g27 +sg225234 +S'impression with upper part inked with roller in yellow; addition of plate with elements inked in red' +p264009 +sg225230 +S'Omaggio a Braccelli (6th state)' +p264010 +sg225236 +S'1968' +p264011 +sa(dp264012 +g225232 +S'Paolo Boni' +p264013 +sg225240 +g27 +sg225234 +S'variation with plate retouched in yellow, gray, white and brown on gray paper' +p264014 +sg225230 +S'Omaggio a Braccelli (7th state)' +p264015 +sg225236 +S'1968' +p264016 +sa(dp264017 +g225232 +S'Paolo Boni' +p264018 +sg225240 +g27 +sg225234 +S'print in black with lower part inked by roller' +p264019 +sg225230 +S'Omaggio a Braccelli (prova in nero)' +p264020 +sg225236 +S'1968' +p264021 +sa(dp264022 +g225232 +S'Paolo Boni' +p264023 +sg225240 +g27 +sg225234 +S'addition of plate to cover whole surface of paper in brown and white on cream paper' +p264024 +sg225230 +S'Omaggio a Braccelli (8th state)' +p264025 +sg225236 +S'1968' +p264026 +sa(dp264027 +g225232 +S'Paolo Boni' +p264028 +sg225240 +g27 +sg225234 +S'blind print, with retouches and additions of two elements in lower figure to control whole composition, on gray paper' +p264029 +sg225230 +S'Omaggio a Braccelli (prova a secco)' +p264030 +sg225236 +S'1968' +p264031 +sa(dp264032 +g225232 +S'Paolo Boni' +p264033 +sg225240 +g27 +sg225234 +S'print in shades of gray and brown' +p264034 +sg225230 +S'Omaggio a Braccelli (prova di colore)' +p264035 +sg225236 +S'1968' +p264036 +sa(dp264037 +g225232 +S'Paolo Boni' +p264038 +sg225240 +g27 +sg225234 +S'collagraph in shades of brown' +p264039 +sg225230 +S'Omaggio a Braccelli' +p264040 +sg225236 +S'1968' +p264041 +sa(dp264042 +g225230 +S'Croix de Moulin-les-Planches' +p264043 +sg225232 +S'Richard Parkes Bonington' +p264044 +sg225234 +S'lithograph on chine colle paper' +p264045 +sg225236 +S'1827' +p264046 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intaglio on BFK Rives paper' +p264429 +sg225230 +S'Ghost Fish' +p264430 +sg225236 +S'1969' +p264431 +sa(dp264432 +g225232 +S'Robert Allan Cale' +p264433 +sg225240 +g27 +sg225234 +S'soft-ground etching in green' +p264434 +sg225230 +S'Leaves of Grass' +p264435 +sg225236 +S'unknown date\n' +p264436 +sa(dp264437 +g225232 +S'Robert Allan Cale' +p264438 +sg225240 +g27 +sg225234 +S'etching and aquatint in blue' +p264439 +sg225230 +S'Me' +p264440 +sg225236 +S'1972' +p264441 +sa(dp264442 +g225232 +S'Robert Allan Cale' +p264443 +sg225240 +g27 +sg225234 +S'engraving on Rives paper' +p264444 +sg225230 +S'North Atlantic Lobster' +p264445 +sg225236 +S'1968' +p264446 +sa(dp264447 +g225232 +S'Robert Allan Cale' +p264448 +sg225240 +g27 +sg225234 +S'color fish print on Rives BFK paper' +p264449 +sg225230 +S'Orphies Dansants' +p264450 +sg225236 +S'1970' +p264451 +sa(dp264452 +g225232 +S'Robert Allan Cale' +p264453 +sg225240 +g27 +sg225234 +S'soft-ground etching, lift-ground etching and line etching on Arches paper' +p264454 +sg225230 +S'Seasons' +p264455 +sg225236 +S'1973' +p264456 +sa(dp264457 +g225232 +S'Robert Allan Cale' +p264458 +sg225240 +g27 +sg225234 +S'intaglio on Rives BFK paper' +p264459 +sg225230 +S'Shadows of Fish' +p264460 +sg225236 +S'1969' +p264461 +sa(dp264462 +g225232 +S'Robert Allan Cale' +p264463 +sg225240 +g27 +sg225234 +S'intaglio on Rives paper' +p264464 +sg225230 +S'Shadows and the Lonely Ones' +p264465 +sg225236 +S'1969/1970' +p264466 +sa(dp264467 +g225232 +S'Robert Allan Cale' +p264468 +sg225240 +g27 +sg225234 +S'monotype' +p264469 +sg225230 +S'Skate Race' +p264470 +sg225236 +S'1970' +p264471 +sa(dp264472 +g225232 +S'Robert Allan Cale' +p264473 +sg225240 +g27 +sg225234 +S'color fish print' +p264474 +sg225230 +S'Small Porgies' +p264475 +sg225236 +S'1975' +p264476 +sa(dp264477 +g225232 +S'Robert Allan Cale' +p264478 +sg225240 +g27 +sg225234 +S'color intaglio on Arches paper' +p264479 +sg225230 +S'Sometime in the Morning' +p264480 +sg225236 +S'1971' +p264481 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Calewaert' +p264493 +sg225240 +g27 +sg225234 +S'etching' +p264494 +sg225230 +S'The Hollow' +p264495 +sg225236 +S'1914' +p264496 +sa(dp264497 +g225230 +S"Donato Dell' Antella" +p264498 +sg225232 +S'Jacques Callot' +p264499 +sg225234 +S'etching' +p264500 +sg225236 +S'1619' +p264501 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008a/a0008ab7.jpg' +p264502 +sg225240 +g27 +sa(dp264503 +g225232 +S'David Young Cameron' +p264504 +sg225240 +g27 +sg225234 +S'etching' +p264505 +sg225230 +S'Bookplate of Lessing and Edith Rosenwald' +p264506 +sg225236 +S'1930' +p264507 +sa(dp264508 +g225232 +S'David Young Cameron' +p264509 +sg225240 +g27 +sg225234 +S'etching' +p264510 +sg225230 +S'Bookplate of Lessing and Edith Rosenwald' +p264511 +sg225236 +S'1930' +p264512 +sa(dp264513 +g225232 +S'David Young Cameron' +p264514 +sg225240 +g27 +sg225234 +S'etching' +p264515 +sg225230 +S'Bookplate of Lessing and Edith Rosenwald' +p264516 +sg225236 +S'1930' +p264517 +sa(dp264518 +g225232 +S'French 20th Century' 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Capuletti' +p264545 +sg225240 +g27 +sg225234 +S'hand-colored lithograph' +p264546 +sg225230 +S'Dance Scene' +p264547 +sg225236 +S'1953' +p264548 +sa(dp264549 +g225230 +S'Pierre Puvis de Chavannes' +p264550 +sg225232 +S'Eug\xc3\xa8ne Carri\xc3\xa8re' +p264551 +sg225234 +S'lithograph' +p264552 +sg225236 +S'1897' +p264553 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009f11.jpg' +p264554 +sg225240 +g27 +sa(dp264555 +g225232 +S'Paolo Carosone' +p264556 +sg225240 +g27 +sg225234 +S'mixed media' +p264557 +sg225230 +S'Untitled' +p264558 +sg225236 +S'1971' +p264559 +sa(dp264560 +g225230 +S'Voltaire' +p264561 +sg225232 +S'comte de Anne-Claude-Philippe de Tubi\xc3\xa8res Caylus' +p264562 +sg225234 +S'etching' +p264563 +sg225236 +S'unknown date\n' +p264564 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008cee.jpg' +p264565 +sg225240 +g27 +sa(dp264566 +g225230 +S'Voltaire' +p264567 +sg225232 +S'comte de Anne-Claude-Philippe de Tubi\xc3\xa8res Caylus' +p264568 +sg225234 +S'etching' 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+S'color etching' +p264595 +sg225230 +S'Window in the Studio, St. Paul' +p264596 +sg225236 +S'1968' +p264597 +sa(dp264598 +g225232 +S'Marc Chagall' +p264599 +sg225240 +g27 +sg225234 +S'etching and drypoint' +p264600 +sg225230 +S'Cellist of the Village' +p264601 +sg225236 +S'unknown date\n' +p264602 +sa(dp264603 +g225232 +S'Marc Chagall' +p264604 +sg225240 +g27 +sg225234 +S'etching and drypoint' +p264605 +sg225230 +S'Portrait' +p264606 +sg225236 +S'unknown date\n' +p264607 +sa(dp264608 +g225232 +S'Marc Chagall' +p264609 +sg225240 +g27 +sg225234 +S'etching' +p264610 +sg225230 +S'Self-Portrait' +p264611 +sg225236 +S'1968' +p264612 +sa(dp264613 +g225232 +S'Jean Charlot' +p264614 +sg225240 +g27 +sg225234 +S'1 vol: ill: 32 color lithographs; 1 drawing (1980.45.307a) and 14 progressive proofs bound in front of main text' +p264615 +sg225230 +S'Picture Book II' +p264616 +sg225236 +S'published 1973' +p264617 +sa(dp264618 +g225232 +S'Jean Charlot' +p264619 +sg225240 +g27 +sg225234 +S'red and black crayon over graphite' +p264620 +sg225230 +S'Terracotta' +p264621 +sg225236 +S'1973' +p264622 +sa(dp264623 +g225232 +S'Jean Charlot' +p264624 +sg225240 +g27 +sg225234 +S'color lithograph' +p264625 +sg225230 +S'Hawaiian Swimmer' +p264626 +sg225236 +S'1972' +p264627 +sa(dp264628 +g225232 +S'Michel Ciry' +p264629 +sg225240 +g27 +sg225234 +S'etching and aquatint' +p264630 +sg225230 +S'Arlequin no.2' +p264631 +sg225236 +S'1966' +p264632 +sa(dp264633 +g225232 +S'Michel Ciry' +p264634 +sg225240 +g27 +sg225234 +S'etching and aquatint' +p264635 +sg225230 +S'Harlequin' +p264636 +sg225236 +S'unknown date\n' +p264637 +sa(dp264638 +g225232 +S'Michel Ciry' +p264639 +sg225240 +g27 +sg225234 +S'etching and drypoint' +p264640 +sg225230 +S'Hommage a Bernanos no.2' +p264641 +sg225236 +S'1966' +p264642 +sa(dp264643 +g225230 +S'Frontispiece to "The Laws and Acts of Parliament Made by King James I ..."' +p264644 +sg225232 +S'James Clark' +p264645 +sg225234 +S'engraving' +p264646 +sg225236 +S'unknown date\n' +p264647 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00077/a00077d3.jpg' +p264648 +sg225240 +g27 +sa(dp264649 +g225232 +S'Jean Clerte' +p264650 +sg225240 +g27 +sg225234 +S'engraving' +p264651 +sg225230 +S'Horses' +p264652 +sg225236 +S'1954' +p264653 +sa(dp264654 +g225230 +S'The Calmady Children' +p264655 +sg225232 +S'Artist Information (' +p264656 +sg225234 +S'(artist after)' +p264657 +sg225236 +S'\n' +p264658 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000fe/a000fe40.jpg' +p264659 +sg225240 +g27 +sa(dp264660 +g225230 +S'Clelia Cattaneo, Daughter of Marchesa Elena Grimaldi' +p264661 +sg225232 +S'Artist Information (' +p264662 +sg225234 +S'(artist after)' +p264663 +sg225236 +S'\n' +p264664 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000fe/a000fe3f.jpg' +p264665 +sg225240 +g27 +sa(dp264666 +g225230 +S'Filippo Cattaneo, Son of Marchesa Elena Grimaldi' +p264667 +sg225232 +S'Artist Information (' +p264668 +sg225234 +S'(artist after)' +p264669 +sg225236 +S'\n' +p264670 +sg225238 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+sg225234 +S'etching in brown' +p265240 +sg225236 +S'unknown date\n' +p265241 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00098/a000985b.jpg' +p265242 +sg225240 +g27 +sa(dp265243 +g225232 +S'Sonia Delaunay' +p265244 +sg225240 +g27 +sg225234 +S'pochoir print retouched with black chalk on wove paper' +p265245 +sg225230 +S'Untitled Abstraction' +p265246 +sg225236 +S'unknown date\n' +p265247 +sa(dp265248 +g225232 +S'John H. De Pol' +p265249 +sg225240 +g27 +sg225234 +S'wood engraving' +p265250 +sg225230 +S'County Derry' +p265251 +sg225236 +S'1959' +p265252 +sa(dp265253 +g225232 +S'Arthur Deshaies' +p265254 +sg225240 +g27 +sg225234 +S'lucite engraving? on bright pink prepared paper' +p265255 +sg225230 +S'The Contemporaries - Noel' +p265256 +sg225236 +S'1956' +p265257 +sa(dp265258 +g225230 +S'The Steps of Age (Trap des Ouderdoms)' +p265259 +sg225232 +S'Hendrik Frans Diamaer' +p265260 +sg225234 +S'etching' +p265261 +sg225236 +S'unknown date\n' +p265262 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d6/a000d63b.jpg' +p265263 +sg225240 +g27 +sa(dp265264 +g225232 +S'Jozsef Domjan' +p265265 +sg225240 +g27 +sg225234 +S'woodcut in red' +p265266 +sg225230 +S'Homage to Durer' +p265267 +sg225236 +S'1972' +p265268 +sa(dp265269 +g225232 +S'Jozsef Domjan' +p265270 +sg225240 +g27 +sg225234 +S'color woodcut' +p265271 +sg225230 +S'Homage to Durer' +p265272 +sg225236 +S'1972' +p265273 +sa(dp265274 +g225232 +S'Piero Dorazio' +p265275 +sg225240 +g27 +sg225234 +S'color aquatint' +p265276 +sg225230 +S'JND (Just Noticeable Difference)' +p265277 +sg225236 +S'1964' +p265278 +sa(dp265279 +g225232 +S'G. Douglas' +p265280 +sg225240 +g27 +sg225234 +S'hand-colored etching' +p265281 +sg225230 +S'Lepcha Boy' +p265282 +sg225236 +S'unknown date\n' +p265283 +sa(dp265284 +g225232 +S'G. Douglas' +p265285 +sg225240 +g27 +sg225234 +S'hand-colored etching' +p265286 +sg225230 +S'Tibetan Beggar-Woman' +p265287 +sg225236 +S'unknown date\n' +p265288 +sa(dp265289 +g225232 +S'G. Douglas' +p265290 +sg225240 +g27 +sg225234 +S'hand-colored etching' +p265291 +sg225230 +S'Tibetan Gypsy Woman' +p265292 +sg225236 +S'unknown date\n' +p265293 +sa(dp265294 +g225232 +S'G. Douglas' +p265295 +sg225240 +g27 +sg225234 +S'hand-colored etching' +p265296 +sg225230 +S'Tibetan Lama Blowing a Conch Shell' +p265297 +sg225236 +S'unknown date\n' +p265298 +sa(dp265299 +g225232 +S'G. Douglas' +p265300 +sg225240 +g27 +sg225234 +S'etching' +p265301 +sg225230 +S'Tibetan Mendicant Lama, Darjeeling' +p265302 +sg225236 +S'unknown date\n' +p265303 +sa(dp265304 +g225230 +S'The White Wheel of W.T.H.' +p265305 +sg225232 +S'John E. Dowell, Jr.' +p265306 +sg225234 +S'etching' +p265307 +sg225236 +S'1967' +p265308 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a87.jpg' +p265309 +sg225240 +g27 +sa(dp265310 +g225232 +S'John E. Dowell, Jr.' +p265311 +sg225240 +g27 +sg225234 +S'color lithograph' +p265312 +sg225230 +S'Title Page for "Triangular Fugue"' +p265313 +sg225236 +S'1965' +p265314 +sa(dp265315 +g225232 +S'John E. Dowell, Jr.' +p265316 +sg225240 +g27 +sg225234 +S'portfolio w/ 9 color lithographs 1980.45.440 in black only) incl. title page and colophon' +p265317 +sg225230 +S'Triangular Fugue: A Suite of Eight Lithographs by John Dowell, Jr.' +p265318 +sg225236 +S'1965' +p265319 +sa(dp265320 +g225232 +S'John E. Dowell, Jr.' +p265321 +sg225240 +g27 +sg225234 +S'color lithograph' +p265322 +sg225230 +S'Triangular Fugue I' +p265323 +sg225236 +S'1965' +p265324 +sa(dp265325 +g225232 +S'John E. 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+S'http://www.nga.gov:80/thumb-l/a00056/a000561b.jpg' +p265539 +sg225240 +g27 +sa(dp265540 +g225232 +S'Albrecht D\xc3\xbcrer' +p265541 +sg225240 +g27 +sg225234 +S'woodcut' +p265542 +sg225230 +S'The Nativity' +p265543 +sg225236 +S'c. 1502/1504' +p265544 +sa(dp265545 +g225232 +S'Albrecht D\xc3\xbcrer' +p265546 +sg225240 +g27 +sg225234 +S'woodcut' +p265547 +sg225230 +S'Saint John before God and the Elders' +p265548 +sg225236 +S'probably c. 1496/1498' +p265549 +sa(dp265550 +g225232 +S'Albrecht D\xc3\xbcrer' +p265551 +sg225240 +g27 +sg225234 +S'woodcut' +p265552 +sg225230 +S'The Circumcision' +p265553 +sg225236 +S'c. 1504/1505' +p265554 +sa(dp265555 +g225232 +S'Albrecht D\xc3\xbcrer' +p265556 +sg225240 +g27 +sg225234 +S'woodcut' +p265557 +sg225230 +S'The Four Horsemen' +p265558 +sg225236 +S'probably c. 1496/1498' +p265559 +sa(dp265560 +g225232 +S'Albrecht D\xc3\xbcrer' +p265561 +sg225240 +g27 +sg225234 +S'woodcut' +p265562 +sg225230 +S'The Adoration of the Magi' +p265563 +sg225236 +S'c. 1501/1503' +p265564 +sa(dp265565 +g225232 +S'Albrecht D\xc3\xbcrer' +p265566 +sg225240 +g27 +sg225234 +S'woodcut' +p265567 +sg225230 +S'The Opening of the Fifth and Sixth Seals' +p265568 +sg225236 +S'probably c. 1496/1498' +p265569 +sa(dp265570 +g225232 +S'Albrecht D\xc3\xbcrer' +p265571 +sg225240 +g27 +sg225234 +S'woodcut' +p265572 +sg225230 +S'The Presentation of Christ in the Temple' +p265573 +sg225236 +S'c. 1504/1505' +p265574 +sa(dp265575 +g225232 +S'Albrecht D\xc3\xbcrer' +p265576 +sg225240 +g27 +sg225234 +S'woodcut' +p265577 +sg225230 +S'The Four Angels Holding the Winds' +p265578 +sg225236 +S'probably c. 1496/1498' +p265579 +sa(dp265580 +g225232 +S'Albrecht D\xc3\xbcrer' +p265581 +sg225240 +g27 +sg225234 +S'woodcut' +p265582 +sg225230 +S'The Flight into Egypt' +p265583 +sg225236 +S'c. 1504' +p265584 +sa(dp265585 +g225232 +S'Albrecht D\xc3\xbcrer' +p265586 +sg225240 +g27 +sg225234 +S'woodcut' +p265587 +sg225230 +S'The Seven Angels with the Trumpets' +p265588 +sg225236 +S'probably c. 1496/1498' +p265589 +sa(dp265590 +g225232 +S'Albrecht D\xc3\xbcrer' +p265591 +sg225240 +g27 +sg225234 +S'woodcut' +p265592 +sg225230 +S'Sojourn of the Holy Family in Egypt' +p265593 +sg225236 +S'c. 1504' +p265594 +sa(dp265595 +g225232 +S'Albrecht D\xc3\xbcrer' +p265596 +sg225240 +g27 +sg225234 +S'woodcut' +p265597 +sg225230 +S'The Four Avenging Angels' +p265598 +sg225236 +S'probably c. 1496/1498' +p265599 +sa(dp265600 +g225232 +S'Albrecht D\xc3\xbcrer' +p265601 +sg225240 +g27 +sg225234 +S'woodcut' +p265602 +sg225230 +S'Christ among the Doctors' +p265603 +sg225236 +S'c. 1503/1504' +p265604 +sa(dp265605 +g225232 +S'Albrecht D\xc3\xbcrer' +p265606 +sg225240 +g27 +sg225234 +S'woodcut' +p265607 +sg225230 +S'Saint John Devouring the Book' +p265608 +sg225236 +S'probably c. 1496/1498' +p265609 +sa(dp265610 +g225232 +S'Albrecht D\xc3\xbcrer' +p265611 +sg225240 +g27 +sg225234 +S'woodcut' +p265612 +sg225230 +S'Christ Taking Leave from His Mother' +p265613 +sg225236 +S'c. 1504/1505' +p265614 +sa(dp265615 +g225232 +S'Albrecht D\xc3\xbcrer' +p265616 +sg225240 +g27 +sg225234 +S'woodcut' +p265617 +sg225230 +S'The Apocalyptic Woman' +p265618 +sg225236 +S'probably c. 1496/1498' +p265619 +sa(dp265620 +g225232 +S'Albrecht D\xc3\xbcrer' +p265621 +sg225240 +g27 +sg225234 +S'woodcut' +p265622 +sg225230 +S'The Death of the Virgin' +p265623 +sg225236 +S'1510' +p265624 +sa(dp265625 +g225230 +S'Saint Michael Fighting the Dragon' +p265626 +sg225232 +S'Albrecht D\xc3\xbcrer' +p265627 +sg225234 +S'woodcut' +p265628 +sg225236 +S'probably c. 1496/1498' +p265629 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f28.jpg' +p265630 +sg225240 +g27 +sa(dp265631 +g225232 +S'Albrecht D\xc3\xbcrer' +p265632 +sg225240 +g27 +sg225234 +S'woodcut' +p265633 +sg225230 +S'The Assumption and Coronation of the Virgin' +p265634 +sg225236 +S'1510' +p265635 +sa(dp265636 +g225232 +S'Albrecht D\xc3\xbcrer' +p265637 +sg225240 +g27 +sg225234 +S'woodcut' +p265638 +sg225230 +S'The Beast with Two Horns like a Lamb' +p265639 +sg225236 +S'probably c. 1496/1498' +p265640 +sa(dp265641 +g225232 +S'Albrecht D\xc3\xbcrer' +p265642 +sg225240 +g27 +sg225234 +S'woodcut' +p265643 +sg225230 +S'The Glorification of the Virgin' +p265644 +sg225236 +S'c. 1504' +p265645 +sa(dp265646 +g225232 +S'Albrecht D\xc3\xbcrer' +p265647 +sg225240 +g27 +sg225234 +S'woodcut' +p265648 +sg225230 +S'The Adoration of the Lamb' +p265649 +sg225236 +S'probably c. 1496/1498' +p265650 +sa(dp265651 +g225232 +S'Albrecht D\xc3\xbcrer' +p265652 +sg225240 +g27 +sg225234 +S'woodcut' +p265653 +sg225230 +S'The Man of Sorrows Mocked by a Soldier' +p265654 +sg225236 +S'probably 1511' +p265655 +sa(dp265656 +g225232 +S'Albrecht D\xc3\xbcrer' +p265657 +sg225240 +g27 +sg225234 +S'woodcut' +p265658 +sg225230 +S'The Babylonian Whore' +p265659 +sg225236 +S'probably c. 1496/1498' +p265660 +sa(dp265661 +g225232 +S'Albrecht D\xc3\xbcrer' +p265662 +sg225240 +g27 +sg225234 +S'woodcut' +p265663 +sg225230 +S'The Last Supper' +p265664 +sg225236 +S'1510' +p265665 +sa(dp265666 +g225232 +S'Albrecht D\xc3\xbcrer' +p265667 +sg225240 +g27 +sg225234 +S'woodcut' +p265668 +sg225230 +S'The Angel with the Key to the Bottomless Pit' +p265669 +sg225236 +S'probably c. 1496/1498' +p265670 +sa(dp265671 +g225232 +S'Albrecht D\xc3\xbcrer' +p265672 +sg225240 +g27 +sg225234 +S'woodcut' +p265673 +sg225230 +S'Christ on the Mount of Olives' +p265674 +sg225236 +S'c. 1497/1500' +p265675 +sa(dp265676 +g225232 +S'Albrecht D\xc3\xbcrer' +p265677 +sg225240 +g27 +sg225234 +S'woodcut' +p265678 +sg225230 +S'The Betrayal of Christ' +p265679 +sg225236 +S'1510' +p265680 +sa(dp265681 +g225232 +S'Albrecht D\xc3\xbcrer' +p265682 +sg225240 +g27 +sg225234 +S'woodcut' +p265683 +sg225230 +S'The Flagellation' +p265684 +sg225236 +S'c. 1497' +p265685 +sa(dp265686 +g225232 +S'Albrecht D\xc3\xbcrer' +p265687 +sg225240 +g27 +sg225234 +S'woodcut' +p265688 +sg225230 +S'Ecce Homo' +p265689 +sg225236 +S'c. 1498/1499' +p265690 +sa(dp265691 +g225232 +S'Robert Pierce Eagerton' +p265692 +sg225240 +g27 +sg225234 +S'lithograph' +p265693 +sg225230 +S'Woman Kneeling' +p265694 +sg225236 +S'1968' +p265695 +sa(dp265696 +g225230 +S"Gus' Boat, Lincolnville" +p265697 +sg225232 +S'Linwood Easton' +p265698 +sg225234 +S'etching' +p265699 +sg225236 +S'unknown date\n' +p265700 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f4/a000f485.jpg' +p265701 +sg225240 +g27 +sa(dp265702 +g225232 +S'Fritz Eichenberg' +p265703 +sg225240 +g27 +sg225234 +S'wood engraving' +p265704 +sg225230 +S'And Their Eyes were Opened' +p265705 +sg225236 +S'1955' +p265706 +sa(dp265707 +g225232 +S'Fritz Eichenberg' +p265708 +sg225240 +g27 +sg225234 +S'portfolio with nine wood engravings (plus one: 1964.8.1790)' +p265709 +sg225230 +S'Ten Wood Engravings for the Old Testament' +p265710 +sg225236 +S'published 1955' +p265711 +sa(dp265712 +g225232 +S'Fritz Eichenberg' +p265713 +sg225240 +g27 +sg225234 +S'wood engraving' +p265714 +sg225230 +S'And in Her Mouth was an Olive Leaf' +p265715 +sg225236 +S'1955' +p265716 +sa(dp265717 +g225232 +S'Fritz Eichenberg' +p265718 +sg225240 +g27 +sg225234 +S'wood engraving' +p265719 +sg225230 +S'And She became a Pillar of Salt' +p265720 +sg225236 +S'1955' +p265721 +sa(dp265722 +g225232 +S'Fritz Eichenberg' +p265723 +sg225240 +g27 +sg225234 +S'wood engraving' +p265724 +sg225230 +S'The Lamentations of Jeremiah' +p265725 +sg225236 +S'1955' +p265726 +sa(dp265727 +g225232 +S'Fritz Eichenberg' +p265728 +sg225240 +g27 +sg225234 +S'wood engraving [trial proof]' +p265729 +sg225230 +S'The Book of Job' +p265730 +sg225236 +S'1955' +p265731 +sa(dp265732 +g225232 +S'Fritz Eichenberg' +p265733 +sg225240 +g27 +sg225234 +S'wood engraving' +p265734 +sg225230 +S'The Story of Jonah' +p265735 +sg225236 +S'1955' +p265736 +sa(dp265737 +g225232 +S'Fritz Eichenberg' +p265738 +sg225240 +g27 +sg225234 +S'wood engraving' +p265739 +sg225230 +S'The Peaceable Kingdom' +p265740 +sg225236 +S'1955' +p265741 +sa(dp265742 +g225232 +S'Fritz Eichenberg' +p265743 +sg225240 +g27 +sg225234 +S'wood engraving' +p265744 +sg225230 +S'And David Played the Harp' +p265745 +sg225236 +S'1955' +p265746 +sa(dp265747 +g225232 +S'Fritz Eichenberg' +p265748 +sg225240 +g27 +sg225234 +S'wood engraving' +p265749 +sg225230 +S'And His Strength went from Him' +p265750 +sg225236 +S'1955' +p265751 +sa(dp265752 +g225232 +S'Fritz Eichenberg' +p265753 +sg225240 +g27 +sg225234 +S'woodcut' +p265754 +sg225230 +S'Dame Folly Speaks' +p265755 +sg225236 +S'published 1972' +p265756 +sa(dp265757 +g225232 +S'Fritz Eichenberg' +p265758 +sg225240 +g27 +sg225234 +S'portfolio with 10 woodcuts and text' +p265759 +sg225230 +S'Desiderius Erasmus\' "In Praise of Folly"' +p265760 +sg225236 +S'published 1972' +p265761 +sa(dp265762 +g225232 +S'Fritz Eichenberg' +p265763 +sg225240 +g27 +sg225234 +S'woodcut' +p265764 +sg225230 +S'The Follies of Old Age' +p265765 +sg225236 +S'published 1972' +p265766 +sa(dp265767 +g225232 +S'Fritz Eichenberg' +p265768 +sg225240 +g27 +sg225234 +S'woodcut' +p265769 +sg225230 +S'The Follies of Worshipping Idols' +p265770 +sg225236 +S'published 1972' +p265771 +sa(dp265772 +g225232 +S'Fritz Eichenberg' +p265773 +sg225240 +g27 +sg225234 +S'woodcut' +p265774 +sg225230 +S'The Human Comedy' +p265775 +sg225236 +S'published 1972' +p265776 +sa(dp265777 +g225232 +S'Fritz Eichenberg' +p265778 +sg225240 +g27 +sg225234 +S'woodcut' +p265779 +sg225230 +S'The Follies of Teaching' +p265780 +sg225236 +S'published 1972' +p265781 +sa(dp265782 +g225232 +S'Fritz Eichenberg' +p265783 +sg225240 +g27 +sg225234 +S'woodcut' +p265784 +sg225230 +S'The Follies of the Monks' +p265785 +sg225236 +S'published 1972' +p265786 +sa(dp265787 +g225232 +S'Fritz Eichenberg' +p265788 +sg225240 +g27 +sg225234 +S'woodcut' +p265789 +sg225230 +S'The Follies of Princely Power' +p265790 +sg225236 +S'published 1972' +p265791 +sa(dp265792 +g225232 +S'Fritz Eichenberg' +p265793 +sg225240 +g27 +sg225234 +S'woodcut' +p265794 +sg225230 +S'The Follies of the Court' +p265795 +sg225236 +S'published 1972' +p265796 +sa(dp265797 +g225232 +S'Fritz Eichenberg' +p265798 +sg225240 +g27 +sg225234 +S'woodcut' +p265799 +sg225230 +S'The Follies of the Popes' +p265800 +sg225236 +S'published 1972' +p265801 +sa(dp265802 +g225232 +S'Fritz Eichenberg' +p265803 +sg225240 +g27 +sg225234 +S'woodcut' +p265804 +sg225230 +S'The Follies of War' +p265805 +sg225236 +S'published 1972' +p265806 +sa(dp265807 +g225232 +S'Sharon Ellis' +p265808 +sg225240 +g27 +sg225234 +S'etching' +p265809 +sg225230 +S'Portrait of an Old Woman' +p265810 +sg225236 +S'unknown date\n' +p265811 +sa(dp265812 +g225230 +S"The Affair near Konigstein (L'Affaire pres de Koenigstein) [recto]" +p265813 +sg225232 +S'Gerhardus Emaus de Micault' +p265814 +sg225234 +S'etching' +p265815 +sg225236 +S'unknown date\n' +p265816 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d6/a000d69b.jpg' +p265817 +sg225240 +g27 +sa(dp265818 +g225232 +S'Gerhardus Emaus de Micault' +p265819 +sg225240 +g27 +sg225234 +S'etching' +p265820 +sg225230 +S"The Affair near Konigstein (L'Affaire pres d e Koenigstein) [verso]" +p265821 +sg225236 +S'unknown date\n' +p265822 +sa(dp265823 +g225230 +S'Napoleon I and Captain Elphinstone (Napoleon I et le Capitaine Elphinstone)' +p265824 +sg225232 +S'Gerhardus Emaus de Micault' +p265825 +sg225234 +S'etching' +p265826 +sg225236 +S'1859' +p265827 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d6/a000d69c.jpg' +p265828 +sg225240 +g27 +sa(dp265829 +g225230 +S"Explosion of a Grenade (L'Explosion d'une grenade)" +p265830 +sg225232 +S'Gerhardus Emaus de Micault' +p265831 +sg225234 +S'etching' +p265832 +sg225236 +S'1854' +p265833 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d6/a000d69d.jpg' +p265834 +sg225240 +g27 +sa(dp265835 +g225230 +S"Death of a Russian General (Le Mort d'un general russe)" +p265836 +sg225232 +S'Gerhardus Emaus de Micault' +p265837 +sg225234 +S'etching' +p265838 +sg225236 +S'1814' +p265839 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d6/a000d698.jpg' +p265840 +sg225240 +g27 +sa(dp265841 +g225230 +S"Capture of a Village (Prise d'un village)" +p265842 +sg225232 +S'Gerhardus Emaus de Micault' +p265843 +sg225234 +S'etching' +p265844 +sg225236 +S'unknown date\n' +p265845 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d6/a000d69a.jpg' +p265846 +sg225240 +g27 +sa(dp265847 +g225230 +S'Charge of the Cavalry (Charge de cavalerie contre des chasseurs)' +p265848 +sg225232 +S'Gerhardus Emaus de Micault' +p265849 +sg225234 +S'etching' +p265850 +sg225236 +S'1856' +p265851 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d6/a000d693.jpg' +p265852 +sg225240 +g27 +sa(dp265853 +g225230 +S'Cossacks before a Fireplace (Les cosaques devant la cheminee de la ferme en Hollande) [recto]' +p265854 +sg225232 +S'Gerhardus Emaus de Micault' +p265855 +sg225234 +S'etching' +p265856 +sg225236 +S'1815' +p265857 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d6/a000d694.jpg' +p265858 +sg225240 +g27 +sa(dp265859 +g225230 +S'Title Page for A.D. van Buren Schele\'s "Adolf van Gelder", Amsterdam, 1842' +p265860 +sg225232 +S'Dirk Jurriaan Sluyter' +p265861 +sg225234 +S'engraving' +p265862 +sg225236 +S'probably c. 1842' +p265863 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d6/a000d695.jpg' +p265864 +sg225240 +g27 +sa(dp265865 +g225230 +S'Cavalry and Hay Wagon' +p265866 +sg225232 +S'Gerhardus Emaus de Micault' +p265867 +sg225234 +S'etching' +p265868 +sg225236 +S'unknown date\n' +p265869 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d6/a000d699.jpg' +p265870 +sg225240 +g27 +sa(dp265871 +g225232 +S'James Ensor' +p265872 +sg225240 +g27 +sg225234 +S'etching' +p265873 +sg225230 +S"Stand of Trees (Bouquet d'arbres)" +p265874 +sg225236 +S'1888' +p265875 +sa(dp265876 +g225232 +S'James Ensor' +p265877 +sg225240 +g27 +sg225234 +S'etching and drypoint' +p265878 +sg225230 +S"The City Hall in Audenarde (L'hotel de ville d'Audenarde)" +p265879 +sg225236 +S'1888' +p265880 +sa(dp265881 +g225232 +S'James Ensor' +p265882 +sg225240 +g27 +sg225234 +S'drypoint' +p265883 +sg225230 +S'Houses on the Boulevard Anspach in Brussels(Maisons du boulevard Anspach a Bruxelles)' +p265884 +sg225236 +S'1888' +p265885 +sa(dp265886 +g225230 +S'Saint Vincent Martyr' +p265887 +sg225232 +S'M.C. Escher' +p265888 +sg225234 +S'woodcut on heavier laid paper with prominent chai n lines' +p265889 +sg225236 +S'1925' +p265890 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004b/a0004b58.jpg' +p265891 +sg225240 +g27 +sa(dp265892 +g225232 +S'M.C. Escher' +p265893 +sg225240 +g27 +sg225234 +S'lithograph' +p265894 +sg225230 +S'Encounter' +p265895 +sg225236 +S'1944' +p265896 +sa(dp265897 +g225232 +S'M.C. Escher' +p265898 +sg225240 +g27 +sg225234 +S'woodcut' +p265899 +sg225230 +S'Saint Francis' +p265900 +sg225236 +S'1922' +p265901 +sa(dp265902 +g225230 +S'Stars' +p265903 +sg225232 +S'M.C. Escher' +p265904 +sg225234 +S'wood engraving' +p265905 +sg225236 +S'1948' +p265906 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00038/a0003807.jpg' +p265907 +sg225240 +g27 +sa(dp265908 +g225230 +S"Fisherman's Hut" +p265909 +sg225232 +S'Allart van Everdingen' +p265910 +sg225234 +S'etching with engraving' +p265911 +sg225236 +S'probably c. 1645/1656' +p265912 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d12f.jpg' +p265913 +sg225240 +g27 +sa(dp265914 +g225230 +S'Landscape with Millstone near a Cask' +p265915 +sg225232 +S'Allart van Everdingen' +p265916 +sg225234 +S'etching with engraving' +p265917 +sg225236 +S'probably c. 1645/1656' +p265918 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d123.jpg' +p265919 +sg225240 +g27 +sa(dp265920 +g225230 +S'Three Cottages' +p265921 +sg225232 +S'Allart van Everdingen' +p265922 +sg225234 +S'etching with engraving' +p265923 +sg225236 +S'probably c. 1645/1656' +p265924 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d1/a000d1c3.jpg' +p265925 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+g225230 +S'An Old Woman at the Toilet Table' +p265950 +sg225232 +S'Artist Information (' +p265951 +sg225234 +S'(artist after)' +p265952 +sg225236 +S'\n' +p265953 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b2/a000b2d4.jpg' +p265954 +sg225240 +g27 +sa(dp265955 +g225230 +S'Le Galand Jardinier (The Gallant Gardener)' +p265956 +sg225232 +S'Artist Information (' +p265957 +sg225234 +S'(artist after)' +p265958 +sg225236 +S'\n' +p265959 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f6a.jpg' +p265960 +sg225240 +g27 +sa(dp265961 +g225232 +S'Lyonel Feininger' +p265962 +sg225240 +g27 +sg225234 +S'woodcut on Sekishu natural laid paper' +p265963 +sg225230 +S'Gelmeroda' +p265964 +sg225236 +S'1920' +p265965 +sa(dp265966 +g225232 +S'Peter Lipman-Wulf' +p265967 +sg225240 +g27 +sg225234 +S'color etching and aquatint with embossing' +p265968 +sg225230 +S'The Market [left side]' +p265969 +sg225236 +S'unknown date\n' +p265970 +sa(dp265971 +g225232 +S'Peter Lipman-Wulf' +p265972 +sg225240 +g27 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+sg225230 +S'Wharf and Crane' +p267144 +sg225236 +S'1938' +p267145 +sa(dp267146 +g225232 +S'Donald Carlisle Greason' +p267147 +sg225240 +g27 +sg225234 +S'pen and black ink with brown and gray wash on wove paper' +p267148 +sg225230 +S'Wharf and Rowboat' +p267149 +sg225236 +S'1938' +p267150 +sa(dp267151 +g225232 +S'Donald Carlisle Greason' +p267152 +sg225240 +g27 +sg225234 +S'pen and black ink with gray and brown wash on wove paper' +p267153 +sg225230 +S'Winter Harbor' +p267154 +sg225236 +S'1938' +p267155 +sa(dp267156 +g225232 +S'Bernard Greenwald' +p267157 +sg225240 +g27 +sg225234 +S'etching and aquatint' +p267158 +sg225230 +S'Arrow' +p267159 +sg225236 +S'1966' +p267160 +sa(dp267161 +g225232 +S'Bernard Greenwald' +p267162 +sg225240 +g27 +sg225234 +S'etching and aquatint' +p267163 +sg225230 +S'Circle' +p267164 +sg225236 +S'1965' +p267165 +sa(dp267166 +g225232 +S'Bernard Greenwald' +p267167 +sg225240 +g27 +sg225234 +S'sugar-lift aquatint' +p267168 +sg225230 +S'Dark Still Life' +p267169 +sg225236 +S'1965' +p267170 +sa(dp267171 +g225232 +S'Bernard Greenwald' +p267172 +sg225240 +g27 +sg225234 +S'etching and aquatint' +p267173 +sg225230 +S'Room' +p267174 +sg225236 +S'1965' +p267175 +sa(dp267176 +g225232 +S'Marcel Gromaire' +p267177 +sg225240 +g27 +sg225234 +S'etching' +p267178 +sg225230 +S'The Fishing Boat (La peche en barque)' +p267179 +sg225236 +S'unknown date\n' +p267180 +sa(dp267181 +g225232 +S'Anthony Gross' +p267182 +sg225240 +g27 +sg225234 +S'etching' +p267183 +sg225230 +S'Landscape with Dogs and Pigeons' +p267184 +sg225236 +S'1937' +p267185 +sa(dp267186 +g225232 +S'Anthony Gross' +p267187 +sg225240 +g27 +sg225234 +S'etched and steel-faced copper plate with five cancellation holes' +p267188 +sg225230 +S'Tangled Undergrowth' +p267189 +sg225236 +S'1954' +p267190 +sa(dp267191 +g225232 +S'Anthony Gross' +p267192 +sg225240 +g27 +sg225234 +S'aquatinted and steel-faced copper plate withone cancellation hole' +p267193 +sg225230 +S'Tangled Undergrowth' +p267194 +sg225236 +S'1954' +p267195 +sa(dp267196 +g225232 +S'Anthony Gross' +p267197 +sg225240 +g27 +sg225234 +S'etching [partial proof in black]' +p267198 +sg225230 +S'Tangled Undergrowth' +p267199 +sg225236 +S'1954' +p267200 +sa(dp267201 +g225232 +S'Anthony Gross' +p267202 +sg225240 +g27 +sg225234 +S'color aquatint and drypoint [partial proof]' +p267203 +sg225230 +S'Tangled Undergrowth (Coloured Undergrowth)' +p267204 +sg225236 +S'1954' +p267205 +sa(dp267206 +g225232 +S'Anthony Gross' +p267207 +sg225240 +g27 +sg225234 +S'etching in black with color aquatint and drypoint (printed from two plates), retouched with blue wash' +p267208 +sg225230 +S'Tangled Undergrowth' +p267209 +sg225236 +S'1954' +p267210 +sa(dp267211 +g225232 +S'Richard John Haas' +p267212 +sg225240 +g27 +sg225234 +S'etching' +p267213 +sg225230 +S'Flatiron Building' +p267214 +sg225236 +S'1973' +p267215 +sa(dp267216 +g225232 +S'Richard John Haas' +p267217 +sg225240 +g27 +sg225234 +S'etching' +p267218 +sg225230 +S'New York General Building 74' +p267219 +sg225236 +S'1974' +p267220 +sa(dp267221 +g225232 +S'Richard John Haas' +p267222 +sg225240 +g27 +sg225234 +S'4-color lithograph' +p267223 +sg225230 +S'Pennsylvania Academy' +p267224 +sg225236 +S'1974' +p267225 +sa(dp267226 +g225232 +S'Terry Haass' +p267227 +sg225240 +g27 +sg225234 +S'color etching, engraving, and aquatint' +p267228 +sg225230 +S'Concerto' +p267229 +sg225236 +S'1964' +p267230 +sa(dp267231 +g225232 +S'Terry Haass' +p267232 +sg225240 +g27 +sg225234 +S'aquatint, engraving and etching with scraping and burnishing' +p267233 +sg225230 +S'Night Flight' +p267234 +sg225236 +S'unknown date\n' +p267235 +sa(dp267236 +g225232 +S'Terry Haass' +p267237 +sg225240 +g27 +sg225234 +S'etching and aquatint in black and red' +p267238 +sg225230 +S'Nexus I' +p267239 +sg225236 +S'1964' +p267240 +sa(dp267241 +g225232 +S'Terry Haass' +p267242 +sg225240 +g27 +sg225234 +S'portfolio with introductory page giving title information and poem by Robert Horn, seven color prints and colophon page' +p267243 +sg225230 +S'Nexus' +p267244 +sg225236 +S'published 1968' +p267245 +sa(dp267246 +g225232 +S'Terry Haass' +p267247 +sg225240 +g27 +sg225234 +S'etching, aquatint, and (engraving?) in yellow and blue-green' +p267248 +sg225230 +S'Nexus II' +p267249 +sg225236 +S'1964' +p267250 +sa(dp267251 +g225232 +S'Terry Haass' +p267252 +sg225240 +g27 +sg225234 +S'etching and aquatint in bronze and purple' +p267253 +sg225230 +S'Nexus III' +p267254 +sg225236 +S'1964' +p267255 +sa(dp267256 +g225232 +S'Terry Haass' +p267257 +sg225240 +g27 +sg225234 +S'etching and aquatint in gold and blue' +p267258 +sg225230 +S'Nexus IV' +p267259 +sg225236 +S'1964' +p267260 +sa(dp267261 +g225232 +S'Terry Haass' +p267262 +sg225240 +g27 +sg225234 +S'etching, sugar-lift and aquatint in gold and green' +p267263 +sg225230 +S'Nexus V' +p267264 +sg225236 +S'1964' +p267265 +sa(dp267266 +g225232 +S'Terry Haass' +p267267 +sg225240 +g27 +sg225234 +S'etching and aquatint in red and maroon' +p267268 +sg225230 +S'Nexus VI' +p267269 +sg225236 +S'1964' +p267270 +sa(dp267271 +g225232 +S'Terry Haass' +p267272 +sg225240 +g27 +sg225234 +S'etching and aquatint in gold and green' +p267273 +sg225230 +S'Nexus VII' +p267274 +sg225236 +S'1964' +p267275 +sa(dp267276 +g225232 +S'Terry Haass' +p267277 +sg225240 +g27 +sg225234 +S'mixed intaglio (etching, soft-ground, and engraving) copper plate' +p267278 +sg225230 +S'Belier (Aries)' +p267279 +sg225236 +S'unknown date\n' +p267280 +sa(dp267281 +g225232 +S'Terry Haass' +p267282 +sg225240 +g27 +sg225234 +S'red and black crayon with pencil' +p267283 +sg225230 +S'Belier (Aries)' +p267284 +sg225236 +S'1964' +p267285 +sa(dp267286 +g225232 +S'Terry Haass' +p267287 +sg225240 +g27 +sg225234 +S'portfolio with title page, two sheets with poetry text by Pierre Sauvageot, one drawing, twelve color prints, and colophon page' +p267288 +sg225230 +S'Zodiac' +p267289 +sg225236 +S'published 1964' +p267290 +sa(dp267291 +g225232 +S'Terry Haass' +p267292 +sg225240 +g27 +sg225234 +S'etching, engraving, aquatint, and sugar-lift in red and black' +p267293 +sg225230 +S'Belier (Aries)' +p267294 +sg225236 +S'1964' +p267295 +sa(dp267296 +g225232 +S'Terry Haass' +p267297 +sg225240 +g27 +sg225234 +S'etching, engraving, scraping, and aquatint in red, black, and orange' +p267298 +sg225230 +S'Taureau (Taurus)' +p267299 +sg225236 +S'1964' +p267300 +sa(dp267301 +g225232 +S'Terry Haass' +p267302 +sg225240 +g27 +sg225234 +S'etching, engraving, scraping, and aquatint in orange and black' +p267303 +sg225230 +S'Gemeaux (Gemini)' +p267304 +sg225236 +S'1964' +p267305 +sa(dp267306 +g225232 +S'Terry Haass' +p267307 +sg225240 +g27 +sg225234 +S'etching, engraving, sugar-lift, and aquatint in yellow, orange, and black' +p267308 +sg225230 +S'Cancer' +p267309 +sg225236 +S'1964' +p267310 +sa(dp267311 +g225232 +S'Terry Haass' +p267312 +sg225240 +g27 +sg225234 +S'etehing, engraving, and aquatint in yellow and black' +p267313 +sg225230 +S'Lion (Leo)' +p267314 +sg225236 +S'1964' +p267315 +sa(dp267316 +g225232 +S'Terry Haass' +p267317 +sg225240 +g27 +sg225234 +S'etching, engraving, aquatint, and sugar-lift in yellow, green, and black' +p267318 +sg225230 +S'Vierge (Virgo)' +p267319 +sg225236 +S'1964' +p267320 +sa(dp267321 +g225232 +S'Terry Haass' +p267322 +sg225240 +g27 +sg225234 +S'etching, engraving, and aquatint in green and black' +p267323 +sg225230 +S'Balance (Libra)' +p267324 +sg225236 +S'1964' +p267325 +sa(dp267326 +g225232 +S'Terry Haass' +p267327 +sg225240 +g27 +sg225234 +S'etching, engraving, sugar-lift, and aquatint in blue and black' +p267328 +sg225230 +S'Scorpion (Scorpio)' +p267329 +sg225236 +S'1964' +p267330 +sa(dp267331 +g225232 +S'Terry Haass' +p267332 +sg225240 +g27 +sg225234 +S'etching, engraving, aquatint, and scraping in blue and black' +p267333 +sg225230 +S'Sagittaire (Sagittarius)' +p267334 +sg225236 +S'1964' +p267335 +sa(dp267336 +g225232 +S'Terry Haass' +p267337 +sg225240 +g27 +sg225234 +S'etching, engraving, and aquatint in violet, blue, and black' +p267338 +sg225230 +S'Capricorne (Capricorn)' +p267339 +sg225236 +S'1964' +p267340 +sa(dp267341 +g225232 +S'Terry Haass' +p267342 +sg225240 +g27 +sg225234 +S'etching, engraving, aquatint in black and violet, and scraping' +p267343 +sg225230 +S'Verseau (Aquarius)' +p267344 +sg225236 +S'1964' +p267345 +sa(dp267346 +g225232 +S'Terry Haass' +p267347 +sg225240 +g27 +sg225234 +S'etching, engraving and aquatint in red, violet, and black' +p267348 +sg225230 +S'Poissons (Pisces)' +p267349 +sg225236 +S'1964' +p267350 +sa(dp267351 +g225232 +S'Terry Haass' +p267352 +sg225240 +g27 +sg225234 +S'engraving, aquatint, and sugar-lift in green and blue' +p267353 +sg225230 +S'Leaves of Grass' +p267354 +sg225236 +S'1967' +p267355 +sa(dp267356 +g225232 +S'Terry Haass' +p267357 +sg225240 +g27 +sg225234 +S'color etching, engraving, and aquatint' +p267358 +sg225230 +S'Nebuleuse (Nebula)' +p267359 +sg225236 +S'unknown date\n' +p267360 +sa(dp267361 +g225232 +S'Terry Haass' +p267362 +sg225240 +g27 +sg225234 +S'engraving and (aquatint?) in yellow' +p267363 +sg225230 +S'Untitled' +p267364 +sg225236 +S'unknown date\n' +p267365 +sa(dp267366 +g225232 +S'Terry Haass' +p267367 +sg225240 +g27 +sg225234 +S'engraving, sugar-lift, and aquatint in yellow-brown on Arches paper' +p267368 +sg225230 +S'Untitled' +p267369 +sg225236 +S'unknown date\n' +p267370 +sa(dp267371 +g225232 +S'Shirley Thomson Hadley' +p267372 +sg225240 +g27 +sg225234 +S'wood engraving' +p267373 +sg225230 +S'Old Marblehead' +p267374 +sg225236 +S'1949' +p267375 +sa(dp267376 +g225232 +S'Gustav Hagemann' +p267377 +sg225240 +g27 +sg225234 +S'drypoint' +p267378 +sg225230 +S'Folk Scene: Devil, Christ, Man, Woman, and Animals in a Landscape' +p267379 +sg225236 +S'1937' +p267380 +sa(dp267381 +g225232 +S'Gustav Hagemann' +p267382 +sg225240 +g27 +sg225234 +S'drypoint' +p267383 +sg225230 +S'Folk Scene: Man and Wife, Dog, and Reindeer' +p267384 +sg225236 +S'1937' +p267385 +sa(dp267386 +g225232 +S'Gustav Hagemann' +p267387 +sg225240 +g27 +sg225234 +S'drypoint' +p267388 +sg225230 +S'Folk Scene: Men Driving a Herd of Reindeer across a River' +p267389 +sg225236 +S'1937' +p267390 +sa(dp267391 +g225232 +S'Gustav Hagemann' +p267392 +sg225240 +g27 +sg225234 +S'drypoint' +p267393 +sg225230 +S'Folk Scene: Several Groups of Reindeer and Eskimos' +p267394 +sg225236 +S'1937' +p267395 +sa(dp267396 +g225232 +S'Gustav Hagemann' +p267397 +sg225240 +g27 +sg225234 +S'drypoint' +p267398 +sg225230 +S'Folk Scene: Village Fete' +p267399 +sg225236 +S'unknown date\n' +p267400 +sa(dp267401 +g225232 +S'Hideo Hagiwara' +p267402 +sg225240 +g27 +sg225234 +S'woodcut' +p267403 +sg225230 +S'Midas' +p267404 +sg225236 +S'unknown date\n' +p267405 +sa(dp267406 +g225232 +S'Hideo Hagiwara' +p267407 +sg225240 +g27 +sg225234 +S'woodcut' +p267408 +sg225230 +S'Bacchus' +p267409 +sg225236 +S'unknown date\n' +p267410 +sa(dp267411 +g225232 +S'Hideo Hagiwara' +p267412 +sg225240 +g27 +sg225234 +S'woodcut' +p267413 +sg225230 +S'Herakles' +p267414 +sg225236 +S'unknown date\n' +p267415 +sa(dp267416 +g225232 +S'Hideo Hagiwara' +p267417 +sg225240 +g27 +sg225234 +S'woodcut' +p267418 +sg225230 +S'Danae' +p267419 +sg225236 +S'unknown date\n' +p267420 +sa(dp267421 +g225232 +S'Hideo Hagiwara' +p267422 +sg225240 +g27 +sg225234 +S'woodcut' +p267423 +sg225230 +S'Europa' +p267424 +sg225236 +S'unknown date\n' +p267425 +sa(dp267426 +g225232 +S'Hideo Hagiwara' +p267427 +sg225240 +g27 +sg225234 +S'woodcut' +p267428 +sg225230 +S'Venus' +p267429 +sg225236 +S'unknown date\n' +p267430 +sa(dp267431 +g225232 +S'Haku Maki' +p267432 +sg225240 +g27 +sg225234 +S'relief intaglio, embossed, in black, green, and yellow' +p267433 +sg225230 +S'Rest' +p267434 +sg225236 +S'1973' +p267435 +sa(dp267436 +g225232 +S'Haku Maki' +p267437 +sg225240 +g27 +sg225234 +S'relief intaglio, embossed, in black, purple, and white' +p267438 +sg225230 +S'Snow' +p267439 +sg225236 +S'1973' +p267440 +sa(dp267441 +g225232 +S'Haku Maki' +p267442 +sg225240 +g27 +sg225234 +S'relief intaglio, embossed' +p267443 +sg225230 +S'Woods' +p267444 +sg225236 +S'1973' +p267445 +sa(dp267446 +g225232 +S'Emanuel Haller' +p267447 +sg225240 +g27 +sg225234 +S'drypoint' +p267448 +sg225230 +S'Homage to R.' +p267449 +sg225236 +S'unknown date\n' +p267450 +sa(dp267451 +g225232 +S'Yozo Hamaguchi' +p267452 +sg225240 +g27 +sg225234 +S'color mezzotint' +p267453 +sg225230 +S'Red Butterfly (Papillon rouge)' +p267454 +sg225236 +S'1973' +p267455 +sa(dp267456 +g225232 +S'Yozo Hamaguchi' +p267457 +sg225240 +g27 +sg225234 +S'mezzotint' +p267458 +sg225230 +S'Untitled' +p267459 +sg225236 +S'1973' +p267460 +sa(dp267461 +g225232 +S'Artist Information (' +p267462 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Reaper (b)' +p267463 +sg225236 +S'(printer)' +p267464 +sa(dp267465 +g225232 +S'Artist Information (' +p267466 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Reaper (m)' +p267467 +sg225236 +S'(printer)' +p267468 +sa(dp267469 +g225232 +S'Artist Information (' +p267470 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Reaper (j)' +p267471 +sg225236 +S'(printer)' +p267472 +sa(dp267473 +g225232 +S'Artist Information (' +p267474 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Reaper (e)' +p267475 +sg225236 +S'(printer)' +p267476 +sa(dp267477 +g225232 +S'Sid Hammer' +p267478 +sg225240 +g27 +sg225234 +S'thermo-intaglio' +p267479 +sg225230 +S'Manna' +p267480 +sg225236 +S'1961' +p267481 +sa(dp267482 +g225232 +S'Sid Hammer' +p267483 +sg225240 +g27 +sg225234 +S'polyvinyl chloride plate (inked)' +p267484 +sg225230 +S'Manna' +p267485 +sg225236 +S'1961' +p267486 +sa(dp267487 +g225232 +S'Sid Hammer' +p267488 +sg225240 +g27 +sg225234 +S'thermo-intaglio' +p267489 +sg225230 +S'They Run' +p267490 +sg225236 +S'1964' +p267491 +sa(dp267492 +g225232 +S'Victor Hammer' +p267493 +sg225240 +g27 +sg225234 +S'mezzotint' +p267494 +sg225230 +S'Albrecht, Graf von Bernstorff' +p267495 +sg225236 +S'1926' +p267496 +sa(dp267497 +g225232 +S'Victor Hammer' +p267498 +sg225240 +g27 +sg225234 +S'graphite on wove paper' +p267499 +sg225230 +S'Dr. Viktor von Geramb' +p267500 +sg225236 +S'probably 1935' +p267501 +sa(dp267502 +g225232 +S'Victor Hammer' +p267503 +sg225240 +g27 +sg225234 +S'graphite on wove paper' +p267504 +sg225230 +S'Dr. Viktor von Geramb' +p267505 +sg225236 +S'probably 1935' +p267506 +sa(dp267507 +g225232 +S'Victor Hammer' +p267508 +sg225240 +g27 +sg225234 +S'mezzotint' +p267509 +sg225230 +S'Dr. Viktor von Geramb' +p267510 +sg225236 +S'probably 1935' +p267511 +sa(dp267512 +g225232 +S'Victor Hammer' +p267513 +sg225240 +g27 +sg225234 +S'mezzotint' +p267514 +sg225230 +S'Self-Portrait' +p267515 +sg225236 +S'1925' +p267516 +sa(dp267517 +g225232 +S'Olle Hanspers' +p267518 +sg225240 +g27 +sg225234 +S'etching' +p267519 +sg225230 +S'Untitled' +p267520 +sg225236 +S'1971' +p267521 +sa(dp267522 +g225232 +S'Sheigla Hartman' +p267523 +sg225240 +g27 +sg225234 +S'engraving and soft-ground' +p267524 +sg225230 +S'Au bout de chemin (At the End of the Road)' +p267525 +sg225236 +S'1973' +p267526 +sa(dp267527 +g225232 +S'Sheigla Hartman' +p267528 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+S'Barry Lewis' +p268355 +sg225240 +g27 +sg225234 +S'screenprint' +p268356 +sg225230 +S'Vincent Van Gogh 1888' +p268357 +sg225236 +S'1971' +p268358 +sa(dp268359 +g225232 +S'Barry Lewis' +p268360 +sg225240 +g27 +sg225234 +S'screenprint' +p268361 +sg225230 +S'Probably Arrangement' +p268362 +sg225236 +S'1974' +p268363 +sa(dp268364 +g225232 +S'Barry Lewis' +p268365 +sg225240 +g27 +sg225234 +S'screenprint' +p268366 +sg225230 +S'The Spreading Underworld' +p268367 +sg225236 +S'1970' +p268368 +sa(dp268369 +g225232 +S'Barry Lewis' +p268370 +sg225240 +g27 +sg225234 +S'screenprint' +p268371 +sg225230 +S'Superficiality #2' +p268372 +sg225236 +S'1969' +p268373 +sa(dp268374 +g225230 +S'Lycidas' +p268375 +sg225232 +S'Artist Information (' +p268376 +sg225234 +S'(artist)' +p268377 +sg225236 +S'\n' +p268378 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007d/a0007d31.jpg' +p268379 +sg225240 +g27 +sa(dp268380 +g225232 +S'Jeannette Maxfield Lewis' +p268381 +sg225240 +g27 +sg225234 +S'etching' +p268382 +sg225230 +S'Pont-Aven' +p268383 +sg225236 +S'1955' +p268384 +sa(dp268385 +g225232 +S'Liao Shiou-Ping' +p268386 +sg225240 +g27 +sg225234 +S'color intaglio' +p268387 +sg225230 +S'La Lune' +p268388 +sg225236 +S'1969' +p268389 +sa(dp268390 +g225230 +S'Dr. C. Hofstede de Groot' +p268391 +sg225232 +S'Max Liebermann' +p268392 +sg225234 +S'drypoint' +p268393 +sg225236 +S'unknown date\n' +p268394 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b7/a000b723.jpg' +p268395 +sg225240 +g27 +sa(dp268396 +g225232 +S'Liebrinski' +p268397 +sg225240 +g27 +sg225234 +S'charcoal and black chalk over watercolor and graphite' +p268398 +sg225230 +S'Woman and Child' +p268399 +sg225236 +S'1948' +p268400 +sa(dp268401 +g225232 +S'Ella Fillmore Lillie' +p268402 +sg225240 +g27 +sg225234 +S'lithograph' +p268403 +sg225230 +S'Cradled in the Hills' +p268404 +sg225236 +S'unknown date\n' +p268405 +sa(dp268406 +g225232 +S'Norman Lindsay' +p268407 +sg225240 +g27 +sg225234 +S'etching' +p268408 +sg225230 +S'Scherzo' +p268409 +sg225236 +S'1922' +p268410 +sa(dp268411 +g225232 +S'Peter Lipman-Wulf' +p268412 +sg225240 +g27 +sg225234 +S'color aquatint and etching' +p268413 +sg225230 +S'Indian Family' +p268414 +sg225236 +S'1967' +p268415 +sa(dp268416 +g225232 +S'Richard Evett Bishop' +p268417 +sg225240 +g27 +sg225234 +S'etching and drypoint on wove paper' +p268418 +sg225230 +S'Christmas Card from Helen and Dick Bishop' +p268419 +sg225236 +S'unknown date\n' +p268420 +sa(dp268421 +g225232 +S'Guy Littell' +p268422 +sg225240 +g27 +sg225234 +S', unknown date' +p268423 +sg225230 +S'Cottage in Snow and Mountain' +p268424 +sg225236 +S'\n' +p268425 +sa(dp268426 +g225232 +S'Paula Litzky' +p268427 +sg225240 +g27 +sg225234 +S'mixed intaglio' +p268428 +sg225230 +S'Involute' +p268429 +sg225236 +S'1973' +p268430 +sa(dp268431 +g225232 +S'Paula Litzky' +p268432 +sg225240 +g27 +sg225234 +S'color intaglio' +p268433 +sg225230 +S"L'eternal retour" +p268434 +sg225236 +S'1973' +p268435 +sa(dp268436 +g225232 +S'George Lockwood' +p268437 +sg225240 +g27 +sg225234 +S'lithograph' +p268438 +sg225230 +S'Persephine' +p268439 +sg225236 +S'1960' +p268440 +sa(dp268441 +g225232 +S'George Lockwood' +p268442 +sg225240 +g27 +sg225234 +S'color woodcut' +p268443 +sg225230 +S'Study in Grey' +p268444 +sg225236 +S'unknown date\n' +p268445 +sa(dp268446 +g225232 +S'Jean Lodge' +p268447 +sg225240 +g27 +sg225234 +S'engraving' +p268448 +sg225230 +S'Falls' +p268449 +sg225236 +S'1973' +p268450 +sa(dp268451 +g225232 +S'George Lusk' +p268452 +sg225240 +g27 +sg225234 +S'lithograph on light gray paper' +p268453 +sg225230 +S'Macchu Pichu' +p268454 +sg225236 +S'1944' +p268455 +sa(dp268456 +g225232 +S'Guy MacCoy' +p268457 +sg225240 +g27 +sg225234 +S'screenprint' +p268458 +sg225230 +S'Landscape #1' +p268459 +sg225236 +S'unknown date\n' +p268460 +sa(dp268461 +g225232 +S'James McBey' +p268462 +sg225240 +g27 +sg225234 +S'drypoint' +p268463 +sg225230 +S'Dr. A.S.W. Rosenbach' +p268464 +sg225236 +S'1930' +p268465 +sa(dp268466 +g225232 +S'James McBey' +p268467 +sg225240 +g27 +sg225234 +S'etching' +p268468 +sg225230 +S'Lessing J. Rosenwald' +p268469 +sg225236 +S'1930' +p268470 +sa(dp268471 +g225232 +S'James McBey' +p268472 +sg225240 +g27 +sg225234 +S'etching' +p268473 +sg225230 +S'Lessing J. Rosenwald' +p268474 +sg225236 +S'1930' +p268475 +sa(dp268476 +g225232 +S'James McBey' +p268477 +sg225240 +g27 +sg225234 +S'etching' +p268478 +sg225230 +S'Lessing J. Rosenwald' +p268479 +sg225236 +S'1930' +p268480 +sa(dp268481 +g225232 +S'James McBey' +p268482 +sg225240 +g27 +sg225234 +S'etching' +p268483 +sg225230 +S'Lessing J. Rosenwald' +p268484 +sg225236 +S'1930' +p268485 +sa(dp268486 +g225232 +S'James McBey' +p268487 +sg225240 +g27 +sg225234 +S'etching' +p268488 +sg225230 +S'Lessing J. Rosenwald' +p268489 +sg225236 +S'1930' +p268490 +sa(dp268491 +g225232 +S'James McBey' +p268492 +sg225240 +g27 +sg225234 +S'etching' +p268493 +sg225230 +S'Lessing J. Rosenwald' +p268494 +sg225236 +S'1930' +p268495 +sa(dp268496 +g225232 +S'James McBey' +p268497 +sg225240 +g27 +sg225234 +S'etching [cancellation proof]' +p268498 +sg225230 +S'Lessing J. Rosenwald' +p268499 +sg225236 +S'1930' +p268500 +sa(dp268501 +g225232 +S'James McBey' +p268502 +sg225240 +g27 +sg225234 +S'etching' +p268503 +sg225230 +S'Lessing J. Rosenwald' +p268504 +sg225236 +S'1930' +p268505 +sa(dp268506 +g225232 +S'James McBey' +p268507 +sg225240 +g27 +sg225234 +S'etching on blue paper' +p268508 +sg225230 +S'Lessing J. Rosenwald' +p268509 +sg225236 +S'1930' +p268510 +sa(dp268511 +g225232 +S'James McBey' +p268512 +sg225240 +g27 +sg225234 +S'black chalk and watercolor' +p268513 +sg225230 +S'Lessing J. Rosenwald' +p268514 +sg225236 +S'1930' +p268515 +sa(dp268516 +g225232 +S'James McGarrell' +p268517 +sg225240 +g27 +sg225234 +S'color lithograph' +p268518 +sg225230 +S'Light and Dark' +p268519 +sg225236 +S'unknown date\n' +p268520 +sa(dp268521 +g225232 +S'Christine McGinnis' +p268522 +sg225240 +g27 +sg225234 +S'engraving on plexiglass' +p268523 +sg225230 +S'Eagle Owl' +p268524 +sg225236 +S'unknown date\n' +p268525 +sa(dp268526 +g225230 +S'Central Park Scenery (New York)' +p268527 +sg225232 +S'Charles Magnus' +p268528 +sg225234 +S'hand-colored lithograph' +p268529 +sg225236 +S'unknown date\n' +p268530 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fae9.jpg' +p268531 +sg225240 +g27 +sa(dp268532 +g225232 +S'Aristide Maillol' +p268533 +sg225240 +g27 +sg225234 +S'woodcut in red on Japan paper' +p268534 +sg225230 +S'First Eclogue: Tityrus Playing on His Pipe (Premiere eglogue)' +p268535 +sg225236 +S'published 1926' +p268536 +sa(dp268537 +g225232 +S'Aristide Maillol' +p268538 +sg225240 +g27 +sg225234 +S'woodcut in red on Japan paper' +p268539 +sg225230 +S'First Eclogue: Goats with Newly-Born Twins (Chevre et chevreaux)' +p268540 +sg225236 +S'published 1926' +p268541 +sa(dp268542 +g225232 +S'Aristide Maillol' +p268543 +sg225240 +g27 +sg225234 +S'woodcut in red on Japan paper' +p268544 +sg225230 +S'First Eclogue: Meliboeus and Tityrus (Melibeet Tityre)' +p268545 +sg225236 +S'published 1926' +p268546 +sa(dp268547 +g225232 +S'Aristide Maillol' +p268548 +sg225240 +g27 +sg225234 +S'woodcut in red on Japan paper' +p268549 +sg225230 +S'Second Eclogue: Shepherd Corydon Ardently in Love (Corydon)' +p268550 +sg225236 +S'published 1926' +p268551 +sa(dp268552 +g225232 +S'Aristide Maillol' +p268553 +sg225240 +g27 +sg225234 +S'woodcut in red on Japan paper' +p268554 +sg225230 +S"Second Eclogue: Corydon Sees Himself in a Pool (Corydon se mirant dans l'eau)" +p268555 +sg225236 +S'published 1926' +p268556 +sa(dp268557 +g225232 +S'Aristide Maillol' +p268558 +sg225240 +g27 +sg225234 +S'woodcut in red on Japan paper' +p268559 +sg225230 +S'Second Eclogue: The Nymphs Bring Lilies in Baskets Full (Les nymphs porteuses de fleurs)' +p268560 +sg225236 +S'published 1926' +p268561 +sa(dp268562 +g225232 +S'Aristide Maillol' +p268563 +sg225240 +g27 +sg225234 +S'woodcut in red on Japan paper' +p268564 +sg225230 +S'Second Eclogue: A Young Goat (Fin de la deuxieme eglogue)' +p268565 +sg225236 +S'published 1926' +p268566 +sa(dp268567 +g225232 +S'Aristide Maillol' +p268568 +sg225240 +g27 +sg225234 +S'woodcut in red on Japan paper' +p268569 +sg225230 +S'Third Eclogue: Naiad on a Dolphin (Naiade chevauchant un dauphin)' +p268570 +sg225236 +S'published 1926' +p268571 +sa(dp268572 +g225232 +S'Aristide Maillol' +p268573 +sg225240 +g27 +sg225234 +S'woodcut in red on Japan paper' +p268574 +sg225230 +S"Third Eclogue: Aegon Putting His Flock in Damoetas' Care (En-tete de la troisieme eglogue)" +p268575 +sg225236 +S'published 1926' +p268576 +sa(dp268577 +g225232 +S'Aristide Maillol' +p268578 +sg225240 +g27 +sg225234 +S'woodcut in red on Japan paper' +p268579 +sg225230 +S'Third Eclogue: Menalcas and Damoetas (Menalcas et Damoetas)' +p268580 +sg225236 +S'published 1926' +p268581 +sa(dp268582 +g225232 +S'Aristide Maillol' +p268583 +sg225240 +g27 +sg225234 +S'woodcut in red on Japan paper' +p268584 +sg225230 +S'Third Eclogue: Galatea Aims an Apple at Damoetas (Galatee lance une pomme sur Damoetas)' +p268585 +sg225236 +S'published 1926' +p268586 +sa(dp268587 +g225232 +S'Aristide Maillol' +p268588 +sg225240 +g27 +sg225234 +S'woodcut in red on Japan paper' +p268589 +sg225230 +S"Third Eclogue: Blossoms (Branches d'arbre en fleurs)" +p268590 +sg225236 +S'published 1926' +p268591 +sa(dp268592 +g225232 +S'Aristide Maillol' +p268593 +sg225240 +g27 +sg225234 +S'woodcut in red on Japan paper' +p268594 +sg225230 +S'Fourth Eclogue: Lucina Smiles on Her Boy (En t\xc3\xaate de la quatrieme eglogue) [left]' +p268595 +sg225236 +S'published 1926' +p268596 +sa(dp268597 +g225232 +S'Aristide Maillol' +p268598 +sg225240 +g27 +sg225234 +S'woodcut in red on Japan paper' +p268599 +sg225230 +S'Fourth Eclogue: The Earth Pours Freely Her Presents (Jeunes filles ...) [right]' +p268600 +sg225236 +S'published 1926' +p268601 +sa(dp268602 +g225232 +S'Aristide Maillol' +p268603 +sg225240 +g27 +sg225234 +S'woodcut in red on Japan paper' +p268604 +sg225230 +S'Fourth Eclogue and Coverplate: Leda and the Swan (Leda)' +p268605 +sg225236 +S'published 1926' +p268606 +sa(dp268607 +g225232 +S'Aristide Maillol' +p268608 +sg225240 +g27 +sg225234 +S'woodcut in red on Japan paper' +p268609 +sg225230 +S"Fifth Eclogue: Mopsus' Kids at Pasture (En-tete)" +p268610 +sg225236 +S'published 1926' +p268611 +sa(dp268612 +g225232 +S'Aristide Maillol' +p268613 +sg225240 +g27 +sg225234 +S'woodcut in red on Japan paper' +p268614 +sg225230 +S'Fifth Eclogue: Woodland Nymphs Weeping the Loss of Daphnis (Nymphs des Bois dansant le contrapas)' +p268615 +sg225236 +S'published 1926' +p268616 +sa(dp268617 +g225232 +S'Aristide Maillol' +p268618 +sg225240 +g27 +sg225234 +S'woodcut in red on Japan paper' +p268619 +sg225230 +S"Fifth Eclogue: A Shepherd Carving Verse on Daphnes' Funeral Mound (Le tombeau de Daphnis)" +p268620 +sg225236 +S'published 1926' +p268621 +sa(dp268622 +g225232 +S'Aristide Maillol' +p268623 +sg225240 +g27 +sg225234 +S'woodcut in red on Japan paper' +p268624 +sg225230 +S'Fifth Eclogue: Shepherds and Dryad Maidens Fill the Woods (Bergers et dryades)' +p268625 +sg225236 +S'published 1926' +p268626 +sa(dp268627 +g225232 +S'Aristide Maillol' +p268628 +sg225240 +g27 +sg225234 +S'woodcut in red on Japan paper' +p268629 +sg225230 +S'Sixth Eclogue: Silenus' +p268630 +sg225236 +S'published 1926' +p268631 +sa(dp268632 +g225232 +S'Aristide Maillol' +p268633 +sg225240 +g27 +sg225234 +S'woodcut in red on Japan paper' +p268634 +sg225230 +S'Sixth Eclogue: Faun and Aegle, the Loveliest Naiad (Chevre-pieds et naide)' +p268635 +sg225236 +S'published 1926' +p268636 +sa(dp268637 +g225232 +S'Aristide Maillol' +p268638 +sg225240 +g27 +sg225234 +S'woodcut in red on Japan paper' +p268639 +sg225230 +S'Sixth Eclogue: Forests Begin to Rise Up (Arbes dans la montagne)' +p268640 +sg225236 +S'published 1926' +p268641 +sa(dp268642 +g225232 +S'Aristide Maillol' +p268643 +sg225240 +g27 +sg225234 +S'woodcut in red on Japan paper' +p268644 +sg225230 +S'Sixth Eclogue: Wild Animals Roam the Mountains (Nymphs, Chevre-Pieds et Animaux dans la montagne)' +p268645 +sg225236 +S'published 1926' +p268646 +sa(dp268647 +g225232 +S'Aristide Maillol' +p268648 +sg225240 +g27 +sg225234 +S'woodcut in red on Japan paper' +p268649 +sg225230 +S'Sixth Eclogue: Hylas Left by a Stream (Hylas disparu dans une fontaine)' +p268650 +sg225236 +S'published 1926' +p268651 +sa(dp268652 +g225232 +S'Aristide Maillol' +p268653 +sg225240 +g27 +sg225234 +S'woodcut in red on Japan paper' +p268654 +sg225230 +S"Seventh Eclogue: Corydon and Thrysis Singing (Corydon et Thyrsis, assis sous un cheneegaux dan l'art de chanter et dans l'art derepondre)" +p268655 +sg225236 +S'published 1926' +p268656 +sa(dp268657 +g225232 +S'Aristide Maillol' +p268658 +sg225240 +g27 +sg225234 +S'woodcut in red on Japan paper' +p268659 +sg225230 +S"Seventh Eclogue: Micon Offering the Branching Antlers of a Stag (Micon offrant sur un aute les bois d'un cerf)" +p268660 +sg225236 +S'published 1926' +p268661 +sa(dp268662 +g225232 +S'Aristide Maillol' +p268663 +sg225240 +g27 +sg225234 +S'woodcut in red on Japan paper' +p268664 +sg225230 +S"Seventh Eclogue: Galatea Whiter than Swan down (Galatee jouant dans l'eau)" +p268665 +sg225236 +S'published 1926' +p268666 +sa(dp268667 +g225232 +S'Aristide Maillol' +p268668 +sg225240 +g27 +sg225234 +S'woodcut in red on Japan paper' +p268669 +sg225230 +S'Seventh Eclogue: Galatea Lovelier than Pale Ivory (Galatee dans les Flots)' +p268670 +sg225236 +S'published 1926' +p268671 +sa(dp268672 +g225232 +S'Aristide Maillol' +p268673 +sg225240 +g27 +sg225234 +S'woodcut in red on Japan paper' +p268674 +sg225230 +S"Seventh Eclogue: A Sleeping Shepherdess (Une bergere endorme s'eveille)" +p268675 +sg225236 +S'published 1926' +p268676 +sa(dp268677 +g225232 +S'Aristide Maillol' +p268678 +sg225240 +g27 +sg225234 +S'woodcut in red on Japan paper' +p268679 +sg225230 +S'Seventh Eclogue: Thyrsis Milking a Goat (Thyrsis trayant une chevre)' +p268680 +sg225236 +S'published 1926' +p268681 +sa(dp268682 +g225232 +S'Aristide Maillol' +p268683 +sg225240 +g27 +sg225234 +S'woodcut in red on Japan paper' +p268684 +sg225230 +S'Seventh Eclogue: A Girl Under a Tree (Jeune fille sous un arbre)' +p268685 +sg225236 +S'published 1926' +p268686 +sa(dp268687 +g225232 +S'Aristide Maillol' +p268688 +sg225240 +g27 +sg225234 +S'woodcut in red on Japan paper' +p268689 +sg225230 +S"Eighth Eclogue: Cupid (Cupidon tirant de l'arc)" +p268690 +sg225236 +S'published 1926' +p268691 +sa(dp268692 +g225232 +S'Aristide Maillol' +p268693 +sg225240 +g27 +sg225234 +S'woodcut in red on Japan paper' +p268694 +sg225230 +S'Ninth Eclogue: Moeris on the Road to Town (Moeris rentrant sa chevre a la ville)' +p268695 +sg225236 +S'published 1926' +p268696 +sa(dp268697 +g225232 +S'Aristide Maillol' +p268698 +sg225240 +g27 +sg225234 +S'woodcut in red on Japan paper' +p268699 +sg225230 +S'Ninth Eclogue: Two Nymphs of the Woodlands (Deux nymphes)' +p268700 +sg225236 +S'published 1926' +p268701 +sa(dp268702 +g225232 +S'Aristide Maillol' +p268703 +sg225240 +g27 +sg225234 +S'woodcut in red on Japan paper' +p268704 +sg225230 +S'Ninth Eclogue: Tityrus and the Buck (Tityre et son Bouc)' +p268705 +sg225236 +S'published 1926' +p268706 +sa(dp268707 +g225232 +S'Aristide Maillol' +p268708 +sg225240 +g27 +sg225234 +S'woodcut in red on Japan paper' +p268709 +sg225230 +S'Ninth Eclogue: Tityrus with a Goat (Tityre enfourchant sa chevre)' +p268710 +sg225236 +S'published 1926' +p268711 +sa(dp268712 +g225232 +S'Aristide Maillol' +p268713 +sg225240 +g27 +sg225234 +S'woodcut in red on Japan paper' +p268714 +sg225230 +S'Ninth Eclogue: Galatea in the Water (Galatee se jouant dans les eaux)' +p268715 +sg225236 +S'published 1926' +p268716 +sa(dp268717 +g225232 +S'Aristide Maillol' +p268718 +sg225240 +g27 +sg225234 +S'woodcut in red on Japan paper' +p268719 +sg225230 +S'Ninth Eclogue: Galatea Daughter of Nereus (Galatee nue devant une fontaine)' +p268720 +sg225236 +S'published 1926' +p268721 +sa(dp268722 +g225232 +S'Aristide Maillol' +p268723 +sg225240 +g27 +sg225234 +S'woodcut in red on Japan paper' +p268724 +sg225230 +S'Tenth Eclogue: A Naiad, Nymph of the Springs (Arethuse)' +p268725 +sg225236 +S'published 1926' +p268726 +sa(dp268727 +g225232 +S'Aristide Maillol' +p268728 +sg225240 +g27 +sg225234 +S'woodcut in red on Japan paper' +p268729 +sg225230 +S'Tenth Eclogue: Pan of Arcady, Silvanus and Apollo (Pan, Sylvanus et Apollon)' +p268730 +sg225236 +S'published 1926' +p268731 +sa(dp268732 +g225232 +S'Aristide Maillol' +p268733 +sg225240 +g27 +sg225234 +S'woodcut in red on Japan paper' +p268734 +sg225230 +S'Tenth Eclogue: Hamadryads, Girls of the Woodlands (Hamadryade de la Foret)' +p268735 +sg225236 +S'published 1926' +p268736 +sa(dp268737 +g225232 +S'Aristide Maillol' +p268738 +sg225240 +g27 +sg225234 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Un large trou Noir! Il est vide peut-etre? (What are you afraid of? A wide black hole! It is empty, perhaps!)' +p269642 +sg225232 +S'Odilon Redon' +p269643 +sg225234 +S'lithograph' +p269644 +sg225236 +S'1896' +p269645 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c9c.jpg' +p269646 +sg225240 +g27 +sa(dp269647 +g225232 +S'Earl Howell Reed' +p269648 +sg225240 +g27 +sg225234 +S'lithograph' +p269649 +sg225230 +S'February Silence' +p269650 +sg225236 +S'unknown date\n' +p269651 +sa(dp269652 +g225232 +S'Imre Reiner' +p269653 +sg225240 +g27 +sg225234 +S'color etching' +p269654 +sg225230 +S'Happy New Year' +p269655 +sg225236 +S'1971' +p269656 +sa(dp269657 +g225232 +S'Imre Reiner' +p269658 +sg225240 +g27 +sg225234 +S'etching' +p269659 +sg225230 +S'Shakespeare/Sommernachtstraum' +p269660 +sg225236 +S'1964' +p269661 +sa(dp269662 +g225232 +S'Imre Reiner' +p269663 +sg225240 +g27 +sg225234 +S'portfolio with 10 etchings' +p269664 +sg225230 +S'Theater - Zehn Radierungen' +p269665 +sg225236 +S'1964' +p269666 +sa(dp269667 +g225232 +S'Imre Reiner' +p269668 +sg225240 +g27 +sg225234 +S'etching' +p269669 +sg225230 +S'Shakespeare/Sommernachtstraum' +p269670 +sg225236 +S'1964' +p269671 +sa(dp269672 +g225232 +S'Imre Reiner' +p269673 +sg225240 +g27 +sg225234 +S'etching' +p269674 +sg225230 +S'Shakespeare/Sommernachtstraum' +p269675 +sg225236 +S'1964' +p269676 +sa(dp269677 +g225232 +S'Imre Reiner' +p269678 +sg225240 +g27 +sg225234 +S'etching' +p269679 +sg225230 +S'Euripides/Medea' +p269680 +sg225236 +S'1964' +p269681 +sa(dp269682 +g225232 +S'Imre Reiner' +p269683 +sg225240 +g27 +sg225234 +S'etching' +p269684 +sg225230 +S'Euripides/Medea' +p269685 +sg225236 +S'1964' +p269686 +sa(dp269687 +g225232 +S'Imre Reiner' +p269688 +sg225240 +g27 +sg225234 +S'etching' +p269689 +sg225230 +S'Euripides/Medea' +p269690 +sg225236 +S'1964' +p269691 +sa(dp269692 +g225232 +S'Imre Reiner' +p269693 +sg225240 +g27 +sg225234 +S'etching' +p269694 +sg225230 +S'Euripides/Medea' +p269695 +sg225236 +S'1964' +p269696 +sa(dp269697 +g225232 +S'Imre Reiner' +p269698 +sg225240 +g27 +sg225234 +S'etching' +p269699 +sg225230 +S'Von Kleist/Marionettentheater' +p269700 +sg225236 +S'1964' +p269701 +sa(dp269702 +g225232 +S'Imre Reiner' +p269703 +sg225240 +g27 +sg225234 +S'etching' +p269704 +sg225230 +S'Von Kleist/Marionettentheater' +p269705 +sg225236 +S'1964' +p269706 +sa(dp269707 +g225232 +S'Imre Reiner' +p269708 +sg225240 +g27 +sg225234 +S'etching' +p269709 +sg225230 +S'Von Kleist/Marionettentheater' +p269710 +sg225236 +S'1964' +p269711 +sa(dp269712 +g225230 +S'Snub-Nosed Man in a Cap' +p269713 +sg225232 +S'Artist Information (' +p269714 +sg225234 +S'Dutch, 1606 - 1669' +p269715 +sg225236 +S'(artist)' +p269716 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d3/a000d3a0.jpg' +p269717 +sg225240 +g27 +sa(dp269718 +g225232 +S'Auguste Renoir' +p269719 +sg225240 +g27 +sg225234 +S'counterproof of pastel' +p269720 +sg225230 +S'Lady with Green Hat (Mlle. 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[Text]" +p270220 +sg225236 +S'\n' +p270221 +sa(dp270222 +g225232 +S'Alois Senefelder' +p270223 +sg225240 +g27 +sg225234 +S'lithograph' +p270224 +sg225230 +S'A Lithographic Printing Press' +p270225 +sg225236 +S'published 1819' +p270226 +sa(dp270227 +g225232 +S'Jay Moon' +p270228 +sg225240 +g27 +sg225234 +S'drypoint and monoprint' +p270229 +sg225230 +S'Robby Crusoe' +p270230 +sg225236 +S'1973' +p270231 +sa(dp270232 +g225232 +S'Anastasia Seremitis' +p270233 +sg225240 +g27 +sg225234 +S'engraving' +p270234 +sg225230 +S'Ship at Sunrise' +p270235 +sg225236 +S'1972' +p270236 +sa(dp270237 +g225232 +S'Anastasia Seremitis' +p270238 +sg225240 +g27 +sg225234 +S'engraving' +p270239 +sg225230 +S'Studies from Durer' +p270240 +sg225236 +S'1973' +p270241 +sa(dp270242 +g225232 +S'Artist Information (' +p270243 +sg225240 +g27 +sg225234 +S'(artist after)' +p270244 +sg225230 +S'Martin Luther King, Jr.' +p270245 +sg225236 +S'\n' +p270246 +sa(dp270247 +g225232 +S'Artist Information (' +p270248 +sg225240 +g27 +sg225234 +S'(artist after)' +p270249 +sg225230 +S'Martin Luther King, Jr.' +p270250 +sg225236 +S'\n' +p270251 +sa(dp270252 +g225232 +S'Ben Shahn' +p270253 +sg225240 +g27 +sg225234 +S'hand-colored screenprint' +p270254 +sg225230 +S'Wheat Field' +p270255 +sg225236 +S'1958' +p270256 +sa(dp270257 +g225232 +S'Ben Shahn' +p270258 +sg225240 +g27 +sg225234 +S'photo-offset in black and red' +p270259 +sg225230 +S'Alphabet (Greeting Card)' +p270260 +sg225236 +S'1960s' +p270261 +sa(dp270262 +g225232 +S'William Sharp' +p270263 +sg225240 +g27 +sg225234 +S'etching and aquatint' +p270264 +sg225230 +S'Scene from Don Quixote (?)' +p270265 +sg225236 +S'unknown date\n' +p270266 +sa(dp270267 +g225232 +S'Paul Shaub' +p270268 +sg225240 +g27 +sg225234 +S'woodcut in black and green' +p270269 +sg225230 +S'Pilot Boats' +p270270 +sg225236 +S'unknown date\n' +p270271 +sa(dp270272 +g225232 +S'Howard Simon' +p270273 +sg225240 +g27 +sg225234 +S'wood engraving (woodcut?)' +p270274 +sg225230 +S'Rhythms of Men in the Wilderness' +p270275 +sg225236 +S'1948' +p270276 +sa(dp270277 +g225230 +S'Etow oh Koam, King of the River Nation' +p270278 +sg225232 +S'Artist Information (' +p270279 +sg225234 +S'(artist after)' +p270280 +sg225236 +S'\n' +p270281 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00078/a0007800.jpg' +p270282 +sg225240 +g27 +sa(dp270283 +g225232 +S'Lucien J. 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Frantisek Simon' +p270290 +sg225234 +S'color etching and aquatint' +p270291 +sg225236 +S'1912' +p270292 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000db/a000db7f.jpg' +p270293 +sg225240 +g27 +sa(dp270294 +g225232 +S'Bogdan Kazimierz Skupinski' +p270295 +sg225240 +g27 +sg225234 +S'etching' +p270296 +sg225230 +S'XX' +p270297 +sg225236 +S'1969' +p270298 +sa(dp270299 +g225232 +S'Bogdan Kazimierz Skupinski' +p270300 +sg225240 +g27 +sg225234 +S'etching' +p270301 +sg225230 +S'Good Journey' +p270302 +sg225236 +S'1970' +p270303 +sa(dp270304 +g225232 +S'Hans Meid' +p270305 +sg225240 +g27 +sg225234 +S'drypoint' +p270306 +sg225230 +S'From Florence' +p270307 +sg225236 +S'1913' +p270308 +sa(dp270309 +g225232 +S'Hans Meid' +p270310 +sg225240 +g27 +sg225234 +S'drypoint' +p270311 +sg225230 +S'The Dance' +p270312 +sg225236 +S'1920' +p270313 +sa(dp270314 +g225232 +S'Hans Meid' +p270315 +sg225240 +g27 +sg225234 +S'drypoint' +p270316 +sg225230 +S'The Murder' +p270317 +sg225236 +S'1920' +p270318 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Leslie Thompson' +p270745 +sg225240 +g27 +sg225234 +S'color aquatint' +p270746 +sg225230 +S'October in the Midwest' +p270747 +sg225236 +S'1963' +p270748 +sa(dp270749 +g225232 +S'Valerie Thornton' +p270750 +sg225240 +g27 +sg225234 +S'color etching' +p270751 +sg225230 +S'Arles' +p270752 +sg225236 +S'1975' +p270753 +sa(dp270754 +g225232 +S'Valerie Thornton' +p270755 +sg225240 +g27 +sg225234 +S'color intaglio' +p270756 +sg225230 +S'Beechwood' +p270757 +sg225236 +S'unknown date\n' +p270758 +sa(dp270759 +g225232 +S'Valerie Thornton' +p270760 +sg225240 +g27 +sg225234 +S'color etching' +p270761 +sg225230 +S'Saint Ives' +p270762 +sg225236 +S'1975' +p270763 +sa(dp270764 +g225232 +S'Valerie Thornton' +p270765 +sg225240 +g27 +sg225234 +S'color soft-ground etching' +p270766 +sg225230 +S'Santo Domingo de Silos' +p270767 +sg225236 +S'1976' +p270768 +sa(dp270769 +g225230 +S"Summer Evening (Soiree d'ete)" +p270770 +sg225232 +S'James Jacques Joseph Tissot' +p270771 +sg225234 +S'etching and drypoint' 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French Attacked by a Cosack' +p270933 +sg225232 +S'Artist Information (' +p270934 +sg225234 +S'(artist)' +p270935 +sg225236 +S'\n' +p270936 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000a0/a000a060.jpg' +p270937 +sg225240 +g27 +sa(dp270938 +g225232 +S'Charles Vernier' +p270939 +sg225240 +g27 +sg225234 +S'lithograph' +p270940 +sg225230 +S'Cover Illustration' +p270941 +sg225236 +S'published 1859' +p270942 +sa(dp270943 +g225232 +S'Artist Information (' +p270944 +sg225240 +g27 +sg225234 +S'(artist)' +p270945 +sg225230 +S'Au bivouac - Croquis militaires ...' +p270946 +sg225236 +S'\n' +p270947 +sa(dp270948 +g225232 +S'Charles Vernier' +p270949 +sg225240 +g27 +sg225234 +S'lithograph' +p270950 +sg225230 +S'Title Page' +p270951 +sg225236 +S'published 1859' +p270952 +sa(dp270953 +g225232 +S'Charles Vernier' +p270954 +sg225240 +g27 +sg225234 +S'lithograph' +p270955 +sg225230 +S"Il n'est pas mauvais votre schnick!" +p270956 +sg225236 +S'published 1859' +p270957 +sa(dp270958 +g225232 +S'Charles Vernier' +p270959 +sg225240 +g27 +sg225234 +S', published 1859' +p270960 +sg225230 +S'Dis-donc, Maubert ...' +p270961 +sg225236 +S'\n' +p270962 +sa(dp270963 +g225232 +S'Charles Vernier' +p270964 +sg225240 +g27 +sg225234 +S', published 1859' +p270965 +sg225230 +S"Voila, ce que j'ai recu" +p270966 +sg225236 +S'\n' +p270967 +sa(dp270968 +g225232 +S'Honor\xc3\xa9 Daumier' +p270969 +sg225240 +g27 +sg225234 +S'lithograph' +p270970 +sg225230 +S'Nos troupiers: En Italie' +p270971 +sg225236 +S'published 1859' +p270972 +sa(dp270973 +g225232 +S'Cham (pseud.)' +p270974 +sg225240 +g27 +sg225234 +S'lithograph' +p270975 +sg225230 +S"Italien! ... il s'agit de s'expliquer ici" +p270976 +sg225236 +S'published 1859' +p270977 +sa(dp270978 +g225232 +S'Honor\xc3\xa9 Daumier' +p270979 +sg225240 +g27 +sg225234 +S'lithograph' +p270980 +sg225230 +S'Nos troupiers: Vill\xc3\xa9giature' +p270981 +sg225236 +S'published 1859' +p270982 +sa(dp270983 +g225232 +S'Cham (pseud.)' +p270984 +sg225240 +g27 +sg225234 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Mon ami ... quel beau turco!' +p271026 +sg225236 +S'published 1859' +p271027 +sa(dp271028 +g225232 +S'Charles Vernier' +p271029 +sg225240 +g27 +sg225234 +S'lithograph' +p271030 +sg225230 +S"N'est-ce pas, monsieur le zouave" +p271031 +sg225236 +S'published 1859' +p271032 +sa(dp271033 +g225232 +S'Charles Vernier' +p271034 +sg225240 +g27 +sg225234 +S'lithograph' +p271035 +sg225230 +S"Tiens! ... J'suis t'y a ton gout comme ..." +p271036 +sg225236 +S'published 1859' +p271037 +sa(dp271038 +g225232 +S'Honor\xc3\xa9 Daumier' +p271039 +sg225240 +g27 +sg225234 +S'lithograph' +p271040 +sg225230 +S"Actualit\xc3\xa9s: Tiens Ad\xc3\xa9laide ... J'ai voulou te faire une surprise ..." +p271041 +sg225236 +S'published 1859' +p271042 +sa(dp271043 +g225232 +S'Honor\xc3\xa9 Daumier' +p271044 +sg225240 +g27 +sg225234 +S'lithograph' +p271045 +sg225230 +S"Actualit\xc3\xa9s: Mme. Potard - N'est-ul pas vrai, brave turco ..." +p271046 +sg225236 +S'published 1859' +p271047 +sa(dp271048 +g225232 +S'Honor\xc3\xa9 Daumier' +p271049 +sg225240 +g27 +sg225234 +S'lithograph' +p271050 +sg225230 +S'Au camp de Saint-Maur: Bono ... Bono! ... France!!!' +p271051 +sg225236 +S'published 1859' +p271052 +sa(dp271053 +g225232 +S'Honor\xc3\xa9 Daumier' +p271054 +sg225240 +g27 +sg225234 +S'lithograph' +p271055 +sg225230 +S"En Italie: Le vin est l'ornement de l'homme..." +p271056 +sg225236 +S'published 1859' +p271057 +sa(dp271058 +g225232 +S'Honor\xc3\xa9 Daumier' +p271059 +sg225240 +g27 +sg225234 +S'lithograph' +p271060 +sg225230 +S"Actualit\xc3\xa9s: Oh! Mon ami ... J'ai peur de ces gens-la!" +p271061 +sg225236 +S'published 1859' +p271062 +sa(dp271063 +g225232 +S'Honor\xc3\xa9 Daumier' +p271064 +sg225240 +g27 +sg225234 +S'lithograph' +p271065 +sg225230 +S"Au camp de Saint-Maur: M. Prud'homme se passant la fantaisie ..." +p271066 +sg225236 +S'published 1859' +p271067 +sa(dp271068 +g225232 +S'Charles Vernier' +p271069 +sg225240 +g27 +sg225234 +S'lithograph' +p271070 +sg225230 +S"C'est drole ... ces turcos!" +p271071 +sg225236 +S'published 1859' +p271072 +sa(dp271073 +g225232 +S'Charles Vernier' +p271074 +sg225240 +g27 +sg225234 +S'lithograph' +p271075 +sg225230 +S'La dame - Mais ... je ne vois pas de raies sur ce cannon!' +p271076 +sg225236 +S'published 1859' +p271077 +sa(dp271078 +g225232 +S'Charles Vernier' +p271079 +sg225240 +g27 +sg225234 +S'lithograph' +p271080 +sg225230 +S"Le cap'taine ... il n'est pas suseptible ..." +p271081 +sg225236 +S'published 1859' +p271082 +sa(dp271083 +g225232 +S'Charles Vernier' +p271084 +sg225240 +g27 +sg225234 +S'lithograph' +p271085 +sg225230 +S'Madam - Dieu ... les beau militaires!' +p271086 +sg225236 +S'published 1859' +p271087 +sa(dp271088 +g225232 +S'Charles Vernier' +p271089 +sg225240 +g27 +sg225234 +S'lithograph' +p271090 +sg225230 +S"Adieu les amis ... j'prends mon conge" +p271091 +sg225236 +S'published 1859' +p271092 +sa(dp271093 +g225232 +S'Honor\xc3\xa9 Daumier' +p271094 +sg225240 +g27 +sg225234 +S'lithograph' +p271095 +sg225230 +S'Au camp de Saint-Maur: La lev\xc3\xa9e du camp' +p271096 +sg225236 +S'published 1859' +p271097 +sa(dp271098 +g225232 +S'Cham (pseud.)' +p271099 +sg225240 +g27 +sg225234 +S'lithograph' +p271100 +sg225230 +S"La paix s'est faite!!!" +p271101 +sg225236 +S'published 1859' +p271102 +sa(dp271103 +g225232 +S'Jacques Villon' +p271104 +sg225240 +g27 +sg225234 +S'etching and drypoint' +p271105 +sg225230 +S'Small Vase of Flowers (Petite vase de fleurs)' +p271106 +sg225236 +S'1949' +p271107 +sa(dp271108 +g225232 +S'Mileta Vitorovic' +p271109 +sg225240 +g27 +sg225234 +S'color screenprint' +p271110 +sg225230 +S'Gzadska ferifesija II' +p271111 +sg225236 +S'unknown date\n' +p271112 +sa(dp271113 +g225232 +S'Maurice de Vlaminck' +p271114 +sg225240 +g27 +sg225234 +S'etching and drypoint [1966 reprint]' +p271115 +sg225230 +S"The Church (L'eglise)" +p271116 +sg225236 +S'1927' +p271117 +sa(dp271118 +g225232 +S'Claire Van Vliet' +p271119 +sg225240 +g27 +sg225234 +S'lithograph' +p271120 +sg225230 +S'Dusk' +p271121 +sg225236 +S'unknown date\n' +p271122 +sa(dp271123 +g225232 +S'Claire Van Vliet' +p271124 +sg225240 +g27 +sg225234 +S'lithograph on Rives BFK paper' +p271125 +sg225230 +S'North' +p271126 +sg225236 +S'1971' +p271127 +sa(dp271128 +g225232 +S'Claire Van Vliet' +p271129 +sg225240 +g27 +sg225234 +S'color lithograph' +p271130 +sg225230 +S'Rye Field' +p271131 +sg225236 +S'unknown date\n' +p271132 +sa(dp271133 +g225232 +S'Claire Van Vliet' +p271134 +sg225240 +g27 +sg225234 +S'lithograph on Rives BFK paper' +p271135 +sg225230 +S'Storm' +p271136 +sg225236 +S'1971' +p271137 +sa(dp271138 +g225232 +S'Claire Van Vliet' +p271139 +sg225240 +g27 +sg225234 +S'lithograph' +p271140 +sg225230 +S'Storm Light' +p271141 +sg225236 +S'unknown date\n' +p271142 +sa(dp271143 +g225230 +S'Game of Checkers (La partie de dames)' +p271144 +sg225232 +S'Edouard Vuillard' +p271145 +sg225234 +S'color lithograph' +p271146 +sg225236 +S'1897/1898 (published 1899)' +p271147 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009f22.jpg' +p271148 +sg225240 +g27 +sa(dp271149 +g225232 +S'George Bunker' +p271150 +sg225240 +g27 +sg225234 +S'color screenprint' +p271151 +sg225230 +S'Island Summer' +p271152 +sg225236 +S'1964' +p271153 +sa(dp271154 +g225232 +S'Various Artists' +p271155 +sg225240 +g27 +sg225234 +S'Rosenwald Collection' +p271156 +sg225230 +S'For Carl Zigrosser' +p271157 +sg225236 +S'\nportfolio with eleven prints plus title page, dedication page, and colophon' +p271158 +sa(dp271159 +g225232 +S'Edward Colker' +p271160 +sg225240 +g27 +sg225234 +S'color etching and aquatint' +p271161 +sg225230 +S'Fruit-ful' +p271162 +sg225236 +S'1964' +p271163 +sa(dp271164 +g225232 +S'Arthur L. Flory' +p271165 +sg225240 +g27 +sg225234 +S'lithograph' +p271166 +sg225230 +S'The Dandelion' +p271167 +sg225236 +S'1963' +p271168 +sa(dp271169 +g225232 +S'Jerome Kaplan' +p271170 +sg225240 +g27 +sg225234 +S'color etching and aquatint' +p271171 +sg225230 +S'2 Nus' +p271172 +sg225236 +S'1964' +p271173 +sa(dp271174 +g225232 +S'Samuel Calman Maitin' +p271175 +sg225240 +g27 +sg225234 +S'etching and roulette in blue' +p271176 +sg225230 +S'Little Blue Room' +p271177 +sg225236 +S'1964' +p271178 +sa(dp271179 +g225232 +S'Robert F. McGovern' +p271180 +sg225240 +g27 +sg225234 +S'woodcut' +p271181 +sg225230 +S'Negro Singing' +p271182 +sg225236 +S'1964' +p271183 +sa(dp271184 +g225232 +S'Peter Paone' +p271185 +sg225240 +g27 +sg225234 +S'etching in brown' +p271186 +sg225230 +S'Homage to Zigrosser' +p271187 +sg225236 +S'1964' +p271188 +sa(dp271189 +g225232 +S'Helen Siegl' +p271190 +sg225240 +g27 +sg225234 +S'woodcut or linoleum cut' +p271191 +sg225230 +S'Exodus' +p271192 +sg225236 +S'1964' +p271193 +sa(dp271194 +g225232 +S'Benton Murdoch Spruance' +p271195 +sg225240 +g27 +sg225234 +S'color lithograph' +p271196 +sg225230 +S'Patron Saint' +p271197 +sg225236 +S'1964' +p271198 +sa(dp271199 +g225232 +S'Romas Viesulas' +p271200 +sg225240 +g27 +sg225234 +S'intaglio' +p271201 +sg225230 +S'Verge' +p271202 +sg225236 +S'1964' +p271203 +sa(dp271204 +g225232 +S'Claire Van Vliet' +p271205 +sg225240 +g27 +sg225234 +S'woodcut' +p271206 +sg225230 +S'Untitled' +p271207 +sg225236 +S'1964' +p271208 +sa(dp271209 +g225232 +S'Eric Detthow' +p271210 +sg225240 +g27 +sg225234 +S'etching' +p271211 +sg225230 +S'Tjuvskyttar' +p271212 +sg225236 +S'unknown date\n' +p271213 +sa(dp271214 +g225232 +S'Various Artists' +p271215 +sg225240 +g27 +sg225234 +S'Rosenwald Collection' +p271216 +sg225230 +S'Foreningen for Grafisk Konst' +p271217 +sg225236 +S'\nportfolio with 5 prints by Detthow, S. Rosen, Sallberg, Johanson, and R. 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+sg225234 +S'brush (pen?) and black ink' +p271246 +sg225230 +S'Postcard to Barbara Eisenberg' +p271247 +sg225236 +S'1949' +p271248 +sa(dp271249 +g225232 +S'Burton Wasserman' +p271250 +sg225240 +g27 +sg225234 +S'screenprint' +p271251 +sg225230 +S'Untitled' +p271252 +sg225236 +S'1967/1968' +p271253 +sa(dp271254 +g225232 +S'Burton Wasserman' +p271255 +sg225240 +g27 +sg225234 +S'screenprint in black [proof]' +p271256 +sg225230 +S'Untitled' +p271257 +sg225236 +S'1971/1972' +p271258 +sa(dp271259 +g225232 +S'Burton Wasserman' +p271260 +sg225240 +g27 +sg225234 +S'screenprint in red [proof]' +p271261 +sg225230 +S'Untitled' +p271262 +sg225236 +S'1975' +p271263 +sa(dp271264 +g225232 +S'Burton Wasserman' +p271265 +sg225240 +g27 +sg225234 +S'color screenprint' +p271266 +sg225230 +S'Christmas Card' +p271267 +sg225236 +S'1973' +p271268 +sa(dp271269 +g225232 +S'Sadao Watanabe' +p271270 +sg225240 +g27 +sg225234 +S'stencil print' +p271271 +sg225230 +S'Moses' +p271272 +sg225236 +S'1966' +p271273 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+S'Happy New Year, 1970 (Bonne Annee, 1970)' +p271535 +sg225236 +S'1969' +p271536 +sa(dp271537 +g225232 +S'Albert Edgar Yersin' +p271538 +sg225240 +g27 +sg225234 +S'etching' +p271539 +sg225230 +S'Happy New Year, 1971 (Bonne Annee, 1971)' +p271540 +sg225236 +S'1971' +p271541 +sa(dp271542 +g225232 +S'Albert Edgar Yersin' +p271543 +sg225240 +g27 +sg225234 +S'color engraving and mezzotint' +p271544 +sg225230 +S'Happy New Year, 1974 (Bonne Annee, 1974)' +p271545 +sg225236 +S'1973' +p271546 +sa(dp271547 +g225232 +S'Albert Edgar Yersin' +p271548 +sg225240 +g27 +sg225234 +S'engraving' +p271549 +sg225230 +S'Dedans et Dehors (At Home and Abroad)' +p271550 +sg225236 +S'1965/1967' +p271551 +sa(dp271552 +g225232 +S'Albert Edgar Yersin' +p271553 +sg225240 +g27 +sg225234 +S'color engraving' +p271554 +sg225230 +S'Dickicht' +p271555 +sg225236 +S'unknown date\n' +p271556 +sa(dp271557 +g225232 +S'Albert Edgar Yersin' +p271558 +sg225240 +g27 +sg225234 +S'color engraving with stipple' +p271559 +sg225230 +S'La Vie Interieure (The Interior Life)' +p271560 +sg225236 +S'unknown date\n' +p271561 +sa(dp271562 +g225232 +S'Albert Edgar Yersin' +p271563 +sg225240 +g27 +sg225234 +S'mezzotint and engraving' +p271564 +sg225230 +S'Le Microcosme (The Microcosm)' +p271565 +sg225236 +S'unknown date\n' +p271566 +sa(dp271567 +g225232 +S'Albert Edgar Yersin' +p271568 +sg225240 +g27 +sg225234 +S'color engraving' +p271569 +sg225230 +S'La Ronde Baroque (The Baroque Round)' +p271570 +sg225236 +S'1969' +p271571 +sa(dp271572 +g225232 +S'Albert Edgar Yersin' +p271573 +sg225240 +g27 +sg225234 +S'color engraving' +p271574 +sg225230 +S'Miroir des Origins (Mirror of Origins)' +p271575 +sg225236 +S'1968/1970' +p271576 +sa(dp271577 +g225232 +S'Albert Edgar Yersin' +p271578 +sg225240 +g27 +sg225234 +S'color engraving with mezzotint' +p271579 +sg225230 +S'Nine Fathoms Deep' +p271580 +sg225236 +S'1971' +p271581 +sa(dp271582 +g225232 +S'Adja Yunkers' +p271583 +sg225240 +g27 +sg225234 +S'color woodcut on black tissue paper' +p271584 +sg225230 +S'Merry Christmas and a Happier New Year' +p271585 +sg225236 +S'unknown date\n' +p271586 +sa(dp271587 +g225232 +S'Adja Yunkers' +p271588 +sg225240 +g27 +sg225234 +S'woodcut in red on Asian paper' +p271589 +sg225230 +S'Merry Christmas and a Happier New Year' +p271590 +sg225236 +S'1948' +p271591 +sa(dp271592 +g225232 +S'Adja Yunkers' +p271593 +sg225240 +g27 +sg225234 +S'relief print in grey on Asian paper' +p271594 +sg225230 +S'Untitled (Christmas Card)' +p271595 +sg225236 +S'1953' +p271596 +sa(dp271597 +g225232 +S'Adja Yunkers' +p271598 +sg225240 +g27 +sg225234 +S'relief print in black and red on wove paper' +p271599 +sg225230 +S'Untitled (Christmas Card)' +p271600 +sg225236 +S'1954' +p271601 +sa(dp271602 +g225232 +S'Adja Yunkers' +p271603 +sg225240 +g27 +sg225234 +S'5-color relief print on Asian paper' +p271604 +sg225230 +S'Untitled (Christmas Card)' +p271605 +sg225236 +S'unknown date\n' +p271606 +sa(dp271607 +g225232 +S'Adja Yunkers' +p271608 +sg225240 +g27 +sg225234 +S'relief print in blue on Asian paper' +p271609 +sg225230 +S'Untitled (Christmas Card)' +p271610 +sg225236 +S'unknown date\n' +p271611 +sa(dp271612 +g225232 +S'Adja Yunkers' +p271613 +sg225240 +g27 +sg225234 +S'relief print in rust and black on Asian paper' +p271614 +sg225230 +S'Untitled (Christmas Card)' +p271615 +sg225236 +S'unknown date\n' +p271616 +sa(dp271617 +g225232 +S'Adja Yunkers' +p271618 +sg225240 +g27 +sg225234 +S'5-color lithograph on wove paper' +p271619 +sg225230 +S'Summer in Venice I' +p271620 +sg225236 +S'1966' +p271621 +sa(dp271622 +g225230 +S'Genoa at the Giardino Durazzo al Zerbino' +p271623 +sg225232 +S'Leopoldina Zanetti Borzino' +p271624 +sg225234 +S'lithograph on chine colle' +p271625 +sg225236 +S'unknown date\n' +p271626 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc5f.jpg' +p271627 +sg225240 +g27 +sa(dp271628 +g225232 +S'Leonard Baskin' +p271629 +sg225240 +g27 +sg225234 +S'silver' +p271630 +sg225230 +S'Thomas Eakins House Restoration Commemorative Medal [obverse]' +p271631 +sg225236 +S'1972' +p271632 +sa(dp271633 +g225232 +S'Leonard Baskin' +p271634 +sg225240 +g27 +sg225234 +S'silver' +p271635 +sg225230 +S'Inscription [reverse]' +p271636 +sg225236 +S'1972' +p271637 +sa(dp271638 +g225230 +S'Study for a Monument' +p271639 +sg225232 +S'John Flaxman' +p271640 +sg225234 +S'pen and gray ink over graphite' +p271641 +sg225236 +S'unknown date\n' +p271642 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006fca.jpg' +p271643 +sg225240 +g27 +sa(dp271644 +g225230 +S'King John [right side]' +p271645 +sg225232 +S'British 16th Century' +p271646 +sg225234 +S'overall (approximate): 32 x 22.5 cm (12 5/8 x 8 7/8 in.)' +p271647 +sg225236 +S'\npen and brown-black ink over black chalk on laid paper//1 of 2 drwgs. on folded sheet from Ms. (second sheet from Ms. interleaved w/accessioned sheet)' +p271648 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cd/a000cdc0.jpg' +p271649 +sg225240 +g27 +sa(dp271650 +g225232 +S'British 16th Century' +p271651 +sg225240 +g27 +sg225234 +S'overall (approximate): 32 x 22.5 cm (12 5/8 x 8 7/8 in.)' +p271652 +sg225230 +S'King Henry III [left side]' +p271653 +sg225236 +S'\npen and brown-black ink over black chalk on laid paper//1 of 2 drwgs. on folded sheet from Ms. (second sheet from Ms. interleaved w/accessioned sheet)' +p271654 +sa(dp271655 +g225232 +S'Mortimer Borne' +p271656 +sg225240 +g27 +sg225234 +S'etching in lavender' +p271657 +sg225230 +S'Three Dancing Girls with a Goat' +p271658 +sg225236 +S'1947' +p271659 +sa(dp271660 +g225230 +S'Alphonse Hirsch' +p271661 +sg225232 +S'Edgar Degas' +p271662 +sg225234 +S'drypoint and aquatint [restrike]' +p271663 +sg225236 +S'1875' +p271664 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00095/a0009590.jpg' +p271665 +sg225240 +g27 +sa(dp271666 +g225232 +S'Shigeru Izumi' +p271667 +sg225240 +g27 +sg225234 +S'lithograph' +p271668 +sg225230 +S'At Philadelphia' +p271669 +sg225236 +S'unknown date\n' +p271670 +sa(dp271671 +g225232 +S'Helen Siegl' +p271672 +sg225240 +g27 +sg225234 +S'woodcut on rust colored paper' +p271673 +sg225230 +S'Concentric Circles, Goose, and Fish' +p271674 +sg225236 +S'unknown date\n' +p271675 +sa(dp271676 +g225232 +S'Helen Siegl' +p271677 +sg225240 +g27 +sg225234 +S'woodcut' +p271678 +sg225230 +S'Invitation to an Exhibition' +p271679 +sg225236 +S'unknown date\n' +p271680 +sa(dp271681 +g225232 +S'Helen Siegl' +p271682 +sg225240 +g27 +sg225234 +S'woodcut in blue' +p271683 +sg225230 +S'Card with Bird' +p271684 +sg225236 +S'1962' +p271685 +sa(dp271686 +g225230 +S'Sheet of Studies' +p271687 +sg225232 +S'John Flaxman' +p271688 +sg225234 +S'graphite//on back of 1798 Royal Academy exhibition announcement' +p271689 +sg225236 +S'in or after 1798' +p271690 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00071/a00071f0.jpg' +p271691 +sg225240 +g27 +sa(dp271692 +g225230 +S'Portrait of a Woman' +p271693 +sg225232 +S'John Flaxman' +p271694 +sg225234 +S'graphite' +p271695 +sg225236 +S'unknown date\n' +p271696 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00071/a00071b8.jpg' +p271697 +sg225240 +g27 +sa(dp271698 +g225230 +S'Sheet of Studies' +p271699 +sg225232 +S'John Flaxman' +p271700 +sg225234 +S'graphite' +p271701 +sg225236 +S'unknown date\n' +p271702 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00072/a0007228.jpg' +p271703 +sg225240 +g27 +sa(dp271704 +g225230 +S'Design for a Monument' +p271705 +sg225232 +S'John Flaxman' +p271706 +sg225234 +S'graphite' +p271707 +sg225236 +S'unknown date\n' +p271708 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00071/a000717f.jpg' +p271709 +sg225240 +g27 +sa(dp271710 +g225230 +S'Studies of a Male Figure' +p271711 +sg225232 +S'John Flaxman' +p271712 +sg225234 +S'graphite' +p271713 +sg225236 +S'unknown date\n' +p271714 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00072/a0007292.jpg' +p271715 +sg225240 +g27 +sa(dp271716 +g225230 +S'Sheet of Studies' +p271717 +sg225232 +S'John Flaxman' +p271718 +sg225234 +S'graphite' +p271719 +sg225236 +S'unknown date\n' +p271720 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00072/a000725a.jpg' +p271721 +sg225240 +g27 +sa(dp271722 +g225230 +S'Three Inscription Fields' +p271723 +sg225232 +S'John Flaxman' +p271724 +sg225234 +S'pen and gray ink with gray wash' +p271725 +sg225236 +S'unknown date\n' +p271726 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006d14.jpg' +p271727 +sg225240 +g27 +sa(dp271728 +g225230 +S'Sheet of Studies' +p271729 +sg225232 +S'John Flaxman' +p271730 +sg225234 +S'graphite//brown wash uL corner unrelated to composition' +p271731 +sg225236 +S'unknown date\n' +p271732 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00072/a00072c8.jpg' +p271733 +sg225240 +g27 +sa(dp271734 +g225230 +S'Sheet of Studies' +p271735 +sg225232 +S'John Flaxman' +p271736 +sg225234 +S'graphite' +p271737 +sg225236 +S'unknown date\n' +p271738 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006cdf.jpg' +p271739 +sg225240 +g27 +sa(dp271740 +g225230 +S'Sheet of Studies' +p271741 +sg225232 +S'John Flaxman' +p271742 +sg225234 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Haller' +p272862 +sg225232 +S'Thomas Ryder' +p272863 +sg225234 +S'etching and engraving' +p272864 +sg225236 +S'unknown date\n' +p272865 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00076/a0007690.jpg' +p272866 +sg225240 +g27 +sa(dp272867 +g225230 +S'Henry Blundell' +p272868 +sg225232 +S'Artist Information (' +p272869 +sg225234 +S'(artist after)' +p272870 +sg225236 +S'\n' +p272871 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007a26.jpg' +p272872 +sg225240 +g27 +sa(dp272873 +g225230 +S'Rev. John Clowes' +p272874 +sg225232 +S'Artist Information (' +p272875 +sg225234 +S'(artist after)' +p272876 +sg225236 +S'\n' +p272877 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007a27.jpg' +p272878 +sg225240 +g27 +sa(dp272879 +g225230 +S'A Jewish Rabbi' +p272880 +sg225232 +S'Artist Information (' +p272881 +sg225234 +S'(artist after)' +p272882 +sg225236 +S'\n' +p272883 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007a21.jpg' +p272884 +sg225240 +g27 +sa(dp272885 +g225230 +S'Josiah Wedgwood' +p272886 +sg225232 +S'Artist Information (' +p272887 +sg225234 +S'(artist after)' +p272888 +sg225236 +S'\n' +p272889 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007a23.jpg' +p272890 +sg225240 +g27 +sa(dp272891 +g225230 +S'Monument to William Shakespeare' +p272892 +sg225232 +S'Artist Information (' +p272893 +sg225234 +S'(artist after)' +p272894 +sg225236 +S'\n' +p272895 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00078/a0007814.jpg' +p272896 +sg225240 +g27 +sa(dp272897 +g225230 +S'Abraham Rees, D.D.' +p272898 +sg225232 +S'Artist Information (' +p272899 +sg225234 +S'(artist after)' +p272900 +sg225236 +S'\n' +p272901 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007d/a0007d16.jpg' +p272902 +sg225240 +g27 +sa(dp272903 +g225230 +S'Antonio Canova' +p272904 +sg225232 +S'Artist Information (' +p272905 +sg225234 +S'(artist after)' +p272906 +sg225236 +S'\n' +p272907 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007c/a0007c73.jpg' +p272908 +sg225240 +g27 +sa(dp272909 +g225230 +S'Bust of Sir Walter Scott' +p272910 +sg225232 +S'Artist Information (' +p272911 +sg225234 +S'(artist after)' +p272912 +sg225236 +S'\n' +p272913 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007c/a0007c63.jpg' +p272914 +sg225240 +g27 +sa(dp272915 +g225230 +S'John Brown, M.D.' +p272916 +sg225232 +S'Artist Information (' +p272917 +sg225234 +S'(artist after)' +p272918 +sg225236 +S'\n' +p272919 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007d/a0007d08.jpg' +p272920 +sg225240 +g27 +sa(dp272921 +g225230 +S'John Flaxman' +p272922 +sg225232 +S'Artist Information (' +p272923 +sg225234 +S'(artist after)' +p272924 +sg225236 +S'\n' +p272925 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007c/a0007c82.jpg' +p272926 +sg225240 +g27 +sa(dp272927 +g225230 +S'Edinburgh, from Craigleith' +p272928 +sg225232 +S'Artist Information (' +p272929 +sg225234 +S'(artist after)' +p272930 +sg225236 +S'\n' +p272931 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007c/a0007ced.jpg' +p272932 +sg225240 +g27 +sa(dp272933 +g225230 +S'Rev. Reginald Heber, D.D.' +p272934 +sg225232 +S'Artist Information (' +p272935 +sg225234 +S'(artist after)' +p272936 +sg225236 +S'\n' +p272937 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007c/a0007c9f.jpg' +p272938 +sg225240 +g27 +sa(dp272939 +g225232 +S'American 19th Century' +p272940 +sg225240 +g27 +sg225234 +S'Rosenwald Collection' +p272941 +sg225230 +S'U.S. Treasury Department Specimens ...' +p272942 +sg225236 +S'\n1 vol: ill: 93 engravings plus title page' +p272943 +sa(dp272944 +g225232 +S'Artist Information (' +p272945 +sg225240 +g27 +sg225234 +S'British, 1815 - 1885' +p272946 +sg225230 +S'Lithography in Colours: A Series of Progress Prints' +p272947 +sg225236 +S'(artist after)' +p272948 +sa(dp272949 +g225232 +S'Artist Information (' +p272950 +sg225240 +g27 +sg225234 +S'(artist after)' +p272951 +sg225230 +S'Saint Anthony' +p272952 +sg225236 +S'\n' +p272953 +sa(dp272954 +g225232 +S'Artist Information (' +p272955 +sg225240 +g27 +sg225234 +S'(artist after)' +p272956 +sg225230 +S'Album of a Series of Saints' +p272957 +sg225236 +S'\n' +p272958 +sa(dp272959 +g225232 +S'Pieter de Bailliu' +p272960 +sg225240 +g27 +sg225234 +S'engraving' +p272961 +sg225230 +S'Saint Augustine' +p272962 +sg225236 +S'unknown date\n' +p272963 +sa(dp272964 +g225232 +S'Pieter de Bailliu' +p272965 +sg225240 +g27 +sg225234 +S'engraving' +p272966 +sg225230 +S'Saint Gregory' +p272967 +sg225236 +S'unknown date\n' +p272968 +sa(dp272969 +g225232 +S'Artist Information (' +p272970 +sg225240 +g27 +sg225234 +S'(artist after)' +p272971 +sg225230 +S'Saint Mary Magdalene' +p272972 +sg225236 +S'\n' +p272973 +sa(dp272974 +g225232 +S'Artist Information (' +p272975 +sg225240 +g27 +sg225234 +S'(artist after)' +p272976 +sg225230 +S'Saint Veronica with the Vernicle' +p272977 +sg225236 +S'\n' +p272978 +sa(dp272979 +g225232 +S'Pieter de Bailliu' +p272980 +sg225240 +g27 +sg225234 +S'engraving' +p272981 +sg225230 +S'Saint Agatha' +p272982 +sg225236 +S'unknown date\n' +p272983 +sa(dp272984 +g225232 +S'Artist Information (' +p272985 +sg225240 +g27 +sg225234 +S'(artist after)' +p272986 +sg225230 +S'Saint Elizabeth' +p272987 +sg225236 +S'\n' +p272988 +sa(dp272989 +g225232 +S'Pieter de Bailliu' +p272990 +sg225240 +g27 +sg225234 +S'engraving' +p272991 +sg225230 +S'Saint Barbara' +p272992 +sg225236 +S'unknown date\n' +p272993 +sa(dp272994 +g225232 +S'Michael Bryan' +p272995 +sg225240 +g27 +sg225234 +S', published 1858' +p272996 +sg225230 +S'A Biographical and Critical Dictionary of Painters and Engravers (volume I)' +p272997 +sg225236 +S'\n' +p272998 +sa(dp272999 +g225232 +S'Michael Bryan' +p273000 +sg225240 +g27 +sg225234 +S', published 1858' +p273001 +sg225230 +S'A Biographical and Critical Dictionary of Painters and Engravers (volume II)' +p273002 +sg225236 +S'\n' +p273003 +sa(dp273004 +g225232 +S'Michael Bryan' +p273005 +sg225240 +g27 +sg225234 +S', published 1858' +p273006 +sg225230 +S'A Biographical and Critical Dictionary of Painters and Engravers (volume III)' +p273007 +sg225236 +S'\n' +p273008 +sa(dp273009 +g225232 +S'Michael Bryan' +p273010 +sg225240 +g27 +sg225234 +S', published 1858' +p273011 +sg225230 +S'A Biographical and Critical Dictionary of Painters and Engravers (volume IV)' +p273012 +sg225236 +S'\n' +p273013 +sa(dp273014 +g225232 +S'Michael Bryan' +p273015 +sg225240 +g27 +sg225234 +S', published 1858' +p273016 +sg225230 +S'A Biographical and Critical Dictionary of Painters and Engravers (volume V)' +p273017 +sg225236 +S'\n' +p273018 +sa(dp273019 +g225232 +S'Henry Ottley' +p273020 +sg225240 +g27 +sg225234 +S', published 1866' +p273021 +sg225230 +S'A Biographical and Critical Dictionary of Painters ... Supplement to Bryan (volume 1)' +p273022 +sg225236 +S'\n' +p273023 +sa(dp273024 +g225232 +S'Henry Ottley' +p273025 +sg225240 +g27 +sg225234 +S', published 1866' +p273026 +sg225230 +S'A Biographical and Critical Dictionary of Painters ... Supplement to Bryan (volume 2)' +p273027 +sg225236 +S'\n' +p273028 +sa(dp273029 +g225232 +S'Artist Information (' +p273030 +sg225240 +g27 +sg225234 +S'(artist after)' +p273031 +sg225230 +S'De droeve Ellendigheden van den Oorloogh' +p273032 +sg225236 +S'\n' +p273033 +sa(dp273034 +g225232 +S'Artist Information (' +p273035 +sg225240 +g27 +sg225234 +S'(artist after)' +p273036 +sg225230 +S'A Collection of Etchings after ... Masters of the Dutch and Flemish Schools (vol.1)' +p273037 +sg225236 +S'\n' +p273038 +sa(dp273039 +g225232 +S'Artist Information (' +p273040 +sg225240 +g27 +sg225234 +S'(artist after)' +p273041 +sg225230 +S'A Collection of Etchings after ... Masters of the Dutch and Flemish Schools (vol.2)' +p273042 +sg225236 +S'\n' +p273043 +sa(dp273044 +g225232 +S'Artist Information (' +p273045 +sg225240 +g27 +sg225234 +S'(artist after)' +p273046 +sg225230 +S'A Collection of Etchings after ... Masters of the Dutch and Flemish Schools (vol.3)' +p273047 +sg225236 +S'\n' +p273048 +sa(dp273049 +g225232 +S'Artist Information (' +p273050 +sg225240 +g27 +sg225234 +S'(artist after)' +p273051 +sg225230 +S'Saint Peter' +p273052 +sg225236 +S'\n' +p273053 +sa(dp273054 +g225232 +S'Artist Information (' +p273055 +sg225240 +g27 +sg225234 +S'(artist after)' +p273056 +sg225230 +S'The Apostles and Saint Paul' +p273057 +sg225236 +S'\n' +p273058 +sa(dp273059 +g225232 +S'Artist Information (' +p273060 +sg225240 +g27 +sg225234 +S'(artist after)' +p273061 +sg225230 +S'Saint Andrew' +p273062 +sg225236 +S'\n' +p273063 +sa(dp273064 +g225232 +S'Artist Information (' +p273065 +sg225240 +g27 +sg225234 +S'(artist after)' +p273066 +sg225230 +S'Saint James Major' +p273067 +sg225236 +S'\n' +p273068 +sa(dp273069 +g225232 +S'Artist Information (' +p273070 +sg225240 +g27 +sg225234 +S'(artist after)' +p273071 +sg225230 +S'Saint John, Evangelist' +p273072 +sg225236 +S'\n' +p273073 +sa(dp273074 +g225232 +S'Artist Information (' +p273075 +sg225240 +g27 +sg225234 +S'(artist after)' +p273076 +sg225230 +S'Saint Philip' +p273077 +sg225236 +S'\n' +p273078 +sa(dp273079 +g225232 +S'Artist Information (' +p273080 +sg225240 +g27 +sg225234 +S'(artist after)' +p273081 +sg225230 +S'Saint Bartholomew' +p273082 +sg225236 +S'\n' +p273083 +sa(dp273084 +g225232 +S'Artist Information (' +p273085 +sg225240 +g27 +sg225234 +S'(artist after)' +p273086 +sg225230 +S'Saint Thomas' +p273087 +sg225236 +S'\n' +p273088 +sa(dp273089 +g225232 +S'Artist Information (' +p273090 +sg225240 +g27 +sg225234 +S'(artist after)' +p273091 +sg225230 +S'Saint Matthew' +p273092 +sg225236 +S'\n' +p273093 +sa(dp273094 +g225232 +S'Artist Information (' +p273095 +sg225240 +g27 +sg225234 +S'(artist after)' +p273096 +sg225230 +S'Saint James Minor' +p273097 +sg225236 +S'\n' +p273098 +sa(dp273099 +g225232 +S'Artist Information (' +p273100 +sg225240 +g27 +sg225234 +S'(artist after)' +p273101 +sg225230 +S'Saint Simon' +p273102 +sg225236 +S'\n' +p273103 +sa(dp273104 +g225232 +S'Artist Information (' +p273105 +sg225240 +g27 +sg225234 +S'(artist after)' +p273106 +sg225230 +S'Saint Judas Thaddaeus' +p273107 +sg225236 +S'\n' +p273108 +sa(dp273109 +g225232 +S'Artist Information (' +p273110 +sg225240 +g27 +sg225234 +S'(artist after)' +p273111 +sg225230 +S'Saint Matthias' +p273112 +sg225236 +S'\n' +p273113 +sa(dp273114 +g225232 +S'Artist Information (' +p273115 +sg225240 +g27 +sg225234 +S'(artist after)' +p273116 +sg225230 +S'Saint Paul' +p273117 +sg225236 +S'\n' +p273118 +sa(dp273119 +g225232 +S'Artist Information (' +p273120 +sg225240 +g27 +sg225234 +S'British, 1583 - probably 1650' +p273121 +sg225230 +S'Baziliologia: A Booke of Kings ... (volume I)' +p273122 +sg225236 +S'(editor)' +p273123 +sa(dp273124 +g225232 +S'Artist Information (' +p273125 +sg225240 +g27 +sg225234 +S'British, 1583 - probably 1650' +p273126 +sg225230 +S'Baziliologia: A Booke of Kings ... (volume II)' +p273127 +sg225236 +S'(editor)' +p273128 +sa(dp273129 +g225232 +S'Artist Information (' +p273130 +sg225240 +g27 +sg225234 +S'British, 1583 - probably 1650' +p273131 +sg225230 +S'Baziliologia: A Booke of Kings ... (volume III)' +p273132 +sg225236 +S'(editor)' +p273133 +sa(dp273134 +g225232 +S'Hendrick Goltzius' +p273135 +sg225240 +g27 +sg225234 +S', 1596' +p273136 +sg225230 +S'Piet\xc3\xa0' +p273137 +sg225236 +S'\n' +p273138 +sa(dp273139 +g225232 +S'Artist Information (' +p273140 +sg225240 +g27 +sg225234 +S'Dutch, 1558 - 1617' +p273141 +sg225230 +S'Album of Engravings by or after Hendrick Goltzius' +p273142 +sg225236 +S'(artist)' +p273143 +sa(dp273144 +g225232 +S'Artist Information (' +p273145 +sg225240 +g27 +sg225234 +S'Dutch, 1558 - 1617' +p273146 +sg225230 +S'Piet\xc3\xa0' +p273147 +sg225236 +S'(artist after)' +p273148 +sa(dp273149 +g225232 +S'Artist Information (' +p273150 +sg225240 +g27 +sg225234 +S'Dutch, 1558 - 1617' +p273151 +sg225230 +S'Piet\xc3\xa0' +p273152 +sg225236 +S'(artist after)' +p273153 +sa(dp273154 +g225232 +S'Artist Information (' +p273155 +sg225240 +g27 +sg225234 +S'Dutch, 1558 - 1617' +p273156 +sg225230 +S'Piet\xc3\xa0' +p273157 +sg225236 +S'(artist after)' +p273158 +sa(dp273159 +g225232 +S'Hendrick Goltzius' +p273160 +sg225240 +g27 +sg225234 +S', c. 1585/1586' +p273161 +sg225230 +S'The Adoration of the Magi' +p273162 +sg225236 +S'\n' +p273163 +sa(dp273164 +g225232 +S'Hendrick Goltzius' +p273165 +sg225240 +g27 +sg225234 +S', 1583' +p273166 +sg225230 +S'Andromeda' +p273167 +sg225236 +S'\n' +p273168 +sa(dp273169 +g225232 +S'Artist Information (' +p273170 +sg225240 +g27 +sg225234 +S'(artist after)' +p273171 +sg225230 +S'Ascension of the Holy Spirit' +p273172 +sg225236 +S'\n' +p273173 +sa(dp273174 +g225232 +S'Artist Information (' +p273175 +sg225240 +g27 +sg225234 +S'(artist after)' +p273176 +sg225230 +S'The Descent into Hell' +p273177 +sg225236 +S'\n' +p273178 +sa(dp273179 +g225232 +S'Artist Information (' +p273180 +sg225240 +g27 +sg225234 +S'(artist after)' +p273181 +sg225230 +S'Saturn' +p273182 +sg225236 +S'\n' +p273183 +sa(dp273184 +g225232 +S'Artist Information (' +p273185 +sg225240 +g27 +sg225234 +S'(artist after)' +p273186 +sg225230 +S'Jupiter' +p273187 +sg225236 +S'\n' +p273188 +sa(dp273189 +g225232 +S'Artist Information (' +p273190 +sg225240 +g27 +sg225234 +S'(artist after)' +p273191 +sg225230 +S'Mars' +p273192 +sg225236 +S'\n' +p273193 +sa(dp273194 +g225232 +S'Artist Information (' +p273195 +sg225240 +g27 +sg225234 +S'(artist after)' +p273196 +sg225230 +S'Sun' +p273197 +sg225236 +S'\n' +p273198 +sa(dp273199 +g225232 +S'Artist Information (' +p273200 +sg225240 +g27 +sg225234 +S'(artist after)' +p273201 +sg225230 +S'Venus' +p273202 +sg225236 +S'\n' +p273203 +sa(dp273204 +g225232 +S'Artist Information (' +p273205 +sg225240 +g27 +sg225234 +S'(artist after)' +p273206 +sg225230 +S'Mercury' +p273207 +sg225236 +S'\n' +p273208 +sa(dp273209 +g225232 +S'Artist Information (' +p273210 +sg225240 +g27 +sg225234 +S'Dutch, 1558 - 1617' +p273211 +sg225230 +S'The Last Supper' +p273212 +sg225236 +S'(artist after)' +p273213 +sa(dp273214 +g225232 +S'Artist Information (' +p273215 +sg225240 +g27 +sg225234 +S'Dutch, 1558 - 1617' +p273216 +sg225230 +S'Christ on the Mount of Olives' +p273217 +sg225236 +S'(artist after)' +p273218 +sa(dp273219 +g225232 +S'Artist Information (' +p273220 +sg225240 +g27 +sg225234 +S'Dutch, 1558 - 1617' +p273221 +sg225230 +S'Christ Taken Captive' +p273222 +sg225236 +S'(artist after)' +p273223 +sa(dp273224 +g225232 +S'Artist Information (' +p273225 +sg225240 +g27 +sg225234 +S'Dutch, 1558 - 1617' +p273226 +sg225230 +S'Christ before Caiphas' +p273227 +sg225236 +S'(artist after)' +p273228 +sa(dp273229 +g225232 +S'Artist Information (' +p273230 +sg225240 +g27 +sg225234 +S'Dutch, 1558 - 1617' +p273231 +sg225230 +S'Christ before Pilate' +p273232 +sg225236 +S'(artist after)' +p273233 +sa(dp273234 +g225232 +S'Artist Information (' +p273235 +sg225240 +g27 +sg225234 +S'Dutch, 1558 - 1617' +p273236 +sg225230 +S'Flagellation of Christ' +p273237 +sg225236 +S'(artist after)' +p273238 +sa(dp273239 +g225232 +S'Artist Information (' +p273240 +sg225240 +g27 +sg225234 +S'Dutch, 1558 - 1617' +p273241 +sg225230 +S'Christ Crowned with Thorns' +p273242 +sg225236 +S'(artist after)' +p273243 +sa(dp273244 +g225232 +S'Artist Information (' +p273245 +sg225240 +g27 +sg225234 +S'Dutch, 1558 - 1617' +p273246 +sg225230 +S'Ecce Homo' +p273247 +sg225236 +S'(artist after)' +p273248 +sa(dp273249 +g225232 +S'Artist Information (' +p273250 +sg225240 +g27 +sg225234 +S'Dutch, 1558 - 1617' +p273251 +sg225230 +S'Christ Carrying the Cross' +p273252 +sg225236 +S'(artist after)' +p273253 +sa(dp273254 +g225232 +S'Artist Information (' +p273255 +sg225240 +g27 +sg225234 +S'Dutch, 1558 - 1617' +p273256 +sg225230 +S'The Crucifixion' +p273257 +sg225236 +S'(artist after)' +p273258 +sa(dp273259 +g225232 +S'Artist Information (' +p273260 +sg225240 +g27 +sg225234 +S'Dutch, 1558 - 1617' +p273261 +sg225230 +S'Burial of Christ' +p273262 +sg225236 +S'(artist after)' +p273263 +sa(dp273264 +g225232 +S'Artist Information (' +p273265 +sg225240 +g27 +sg225234 +S'Dutch, 1558 - 1617' +p273266 +sg225230 +S'The Resurrection' +p273267 +sg225236 +S'(artist after)' +p273268 +sa(dp273269 +g225232 +S'Artist Information (' +p273270 +sg225240 +g27 +sg225234 +S'Dutch, 1558 - 1617' +p273271 +sg225230 +S'The Resurrection' +p273272 +sg225236 +S'(artist after)' +p273273 +sa(dp273274 +g225232 +S'Hendrick Goltzius' +p273275 +sg225240 +g27 +sg225234 +S', unknown date' +p273276 +sg225230 +S'The Standard-Bearer Standing, Facing Left' +p273277 +sg225236 +S'\n' +p273278 +sa(dp273279 +g225232 +S'Artist Information (' +p273280 +sg225240 +g27 +sg225234 +S'Dutch, 1558 - 1617' +p273281 +sg225230 +S'Autumn' +p273282 +sg225236 +S'(artist after)' +p273283 +sa(dp273284 +g225232 +S'Artist Information (' +p273285 +sg225240 +g27 +sg225234 +S'Dutch, 1558 - 1617' +p273286 +sg225230 +S'Spring' +p273287 +sg225236 +S'(artist after)' +p273288 +sa(dp273289 +g225232 +S'Artist Information (' +p273290 +sg225240 +g27 +sg225234 +S'Dutch, 1558 - 1617' +p273291 +sg225230 +S'Summer' +p273292 +sg225236 +S'(artist after)' +p273293 +sa(dp273294 +g225232 +S'Artist Information (' +p273295 +sg225240 +g27 +sg225234 +S'(artist after)' +p273296 +sg225230 +S'Soldier with Arquebus' +p273297 +sg225236 +S'\n' +p273298 +sa(dp273299 +g225232 +S'Hendrick Goltzius' +p273300 +sg225240 +g27 +sg225234 +S', 1592' +p273301 +sg225230 +S'Euterpe' +p273302 +sg225236 +S'\n' +p273303 +sa(dp273304 +g225232 +S'Hendrick Goltzius' +p273305 +sg225240 +g27 +sg225234 +S', 1589' +p273306 +sg225230 +S'The Holy Family under the Cherry Tree' +p273307 +sg225236 +S'\n' +p273308 +sa(dp273309 +g225232 +S'Hendrick Goltzius' +p273310 +sg225240 +g27 +sg225234 +S', unknown date' +p273311 +sg225230 +S'Bacchus' +p273312 +sg225236 +S'\n' +p273313 +sa(dp273314 +g225232 +S'Philip Gilbert Hamerton' +p273315 +sg225240 +g27 +sg225234 +S', published 1894' +p273316 +sg225230 +S'The Art of the American Wood-Engraver (volume I)' +p273317 +sg225236 +S'\n' +p273318 +sa(dp273319 +g225232 +S'Artist Information (' +p273320 +sg225240 +g27 +sg225234 +S'British, 1834 - 1894' +p273321 +sg225230 +S'The Art of the American Wood-Engraver (volume II)' +p273322 +sg225236 +S'(author)' +p273323 +sa(dp273324 +g225232 +S'Artist Information (' +p273325 +sg225240 +g27 +sg225234 +S'(artist after)' +p273326 +sg225230 +S'The Crowd at Park Street Church, Boston' +p273327 +sg225236 +S'\n' +p273328 +sa(dp273329 +g225232 +S'Henry W. 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Andrew' +p273510 +sg225240 +g27 +sg225234 +S'wood engraving on chine colle' +p273511 +sg225230 +S'John Henry, Cardinal Newman' +p273512 +sg225236 +S'published 1894' +p273513 +sa(dp273514 +g225232 +S'Artist Information (' +p273515 +sg225240 +g27 +sg225234 +S'(artist after)' +p273516 +sg225230 +S'Sir E. 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+p274498 +sg225236 +S'1973' +p274499 +sa(dp274500 +g225232 +S'Agnes Martin' +p274501 +sg225240 +g27 +sg225234 +S'screenprint' +p274502 +sg225230 +S'On a Clear Day IV' +p274503 +sg225236 +S'1973' +p274504 +sa(dp274505 +g225232 +S'Agnes Martin' +p274506 +sg225240 +g27 +sg225234 +S'screenprint' +p274507 +sg225230 +S'On a Clear Day V' +p274508 +sg225236 +S'1973' +p274509 +sa(dp274510 +g225232 +S'Agnes Martin' +p274511 +sg225240 +g27 +sg225234 +S'screenprint' +p274512 +sg225230 +S'On a Clear Day VI' +p274513 +sg225236 +S'1973' +p274514 +sa(dp274515 +g225232 +S'Agnes Martin' +p274516 +sg225240 +g27 +sg225234 +S'screenprint' +p274517 +sg225230 +S'On a Clear Day VII' +p274518 +sg225236 +S'1973' +p274519 +sa(dp274520 +g225232 +S'Agnes Martin' +p274521 +sg225240 +g27 +sg225234 +S'screenprint' +p274522 +sg225230 +S'On a Clear Day VIII' +p274523 +sg225236 +S'1973' +p274524 +sa(dp274525 +g225232 +S'Agnes Martin' +p274526 +sg225240 +g27 +sg225234 +S'screenprint' +p274527 +sg225230 +S'On a Clear Day IX' +p274528 +sg225236 +S'1973' +p274529 +sa(dp274530 +g225232 +S'Agnes Martin' +p274531 +sg225240 +g27 +sg225234 +S'screenprint' +p274532 +sg225230 +S'On a Clear Day X' +p274533 +sg225236 +S'1973' +p274534 +sa(dp274535 +g225232 +S'Agnes Martin' +p274536 +sg225240 +g27 +sg225234 +S'screenprint' +p274537 +sg225230 +S'On a Clear Day XI' +p274538 +sg225236 +S'1973' +p274539 +sa(dp274540 +g225232 +S'Agnes Martin' +p274541 +sg225240 +g27 +sg225234 +S'screenprint' +p274542 +sg225230 +S'On a Clear Day XII' +p274543 +sg225236 +S'1973' +p274544 +sa(dp274545 +g225232 +S'Agnes Martin' +p274546 +sg225240 +g27 +sg225234 +S'screenprint' +p274547 +sg225230 +S'On a Clear Day XIII' +p274548 +sg225236 +S'1973' +p274549 +sa(dp274550 +g225232 +S'Agnes Martin' +p274551 +sg225240 +g27 +sg225234 +S'screenprint' +p274552 +sg225230 +S'On a Clear Day XIV' +p274553 +sg225236 +S'1973' +p274554 +sa(dp274555 +g225232 +S'Agnes Martin' +p274556 +sg225240 +g27 +sg225234 +S'screenprint' +p274557 +sg225230 +S'On a Clear Day XV' +p274558 +sg225236 +S'1973' +p274559 +sa(dp274560 +g225232 +S'Agnes Martin' +p274561 +sg225240 +g27 +sg225234 +S'screenprint' +p274562 +sg225230 +S'On a Clear Day XVI' +p274563 +sg225236 +S'1973' +p274564 +sa(dp274565 +g225232 +S'Agnes Martin' +p274566 +sg225240 +g27 +sg225234 +S'screenprint' +p274567 +sg225230 +S'On a Clear Day XVII' +p274568 +sg225236 +S'1973' +p274569 +sa(dp274570 +g225232 +S'Agnes Martin' +p274571 +sg225240 +g27 +sg225234 +S'screenprint' +p274572 +sg225230 +S'On a Clear Day XVIII' +p274573 +sg225236 +S'1973' +p274574 +sa(dp274575 +g225232 +S'Agnes Martin' +p274576 +sg225240 +g27 +sg225234 +S'screenprint' +p274577 +sg225230 +S'On a Clear Day XIX' +p274578 +sg225236 +S'1973' +p274579 +sa(dp274580 +g225232 +S'Agnes Martin' +p274581 +sg225240 +g27 +sg225234 +S'screenprint' +p274582 +sg225230 +S'On a Clear Day XX' +p274583 +sg225236 +S'1973' +p274584 +sa(dp274585 +g225232 +S'Agnes Martin' +p274586 +sg225240 +g27 +sg225234 +S'screenprint' +p274587 +sg225230 +S'On a Clear Day XXI' +p274588 +sg225236 +S'1973' +p274589 +sa(dp274590 +g225232 +S'Agnes Martin' +p274591 +sg225240 +g27 +sg225234 +S'screenprint' +p274592 +sg225230 +S'On a Clear Day XXII' +p274593 +sg225236 +S'1973' +p274594 +sa(dp274595 +g225232 +S'Agnes Martin' +p274596 +sg225240 +g27 +sg225234 +S'screenprint' +p274597 +sg225230 +S'On a Clear Day XXIII' +p274598 +sg225236 +S'1973' +p274599 +sa(dp274600 +g225232 +S'Agnes Martin' +p274601 +sg225240 +g27 +sg225234 +S'screenprint' +p274602 +sg225230 +S'On a Clear Day XXIV' +p274603 +sg225236 +S'1973' +p274604 +sa(dp274605 +g225232 +S'Agnes Martin' +p274606 +sg225240 +g27 +sg225234 +S'screenprint' +p274607 +sg225230 +S'On a Clear Day XXV' +p274608 +sg225236 +S'1973' +p274609 +sa(dp274610 +g225232 +S'Agnes Martin' +p274611 +sg225240 +g27 +sg225234 +S'screenprint' +p274612 +sg225230 +S'On a Clear Day XXVI' +p274613 +sg225236 +S'1973' +p274614 +sa(dp274615 +g225232 +S'Agnes Martin' +p274616 +sg225240 +g27 +sg225234 +S'screenprint' +p274617 +sg225230 +S'On a Clear Day XXVII' +p274618 +sg225236 +S'1973' +p274619 +sa(dp274620 +g225232 +S'Agnes Martin' +p274621 +sg225240 +g27 +sg225234 +S'screenprint' +p274622 +sg225230 +S'On a Clear Day XXVIII' +p274623 +sg225236 +S'1973' +p274624 +sa(dp274625 +g225232 +S'Agnes Martin' +p274626 +sg225240 +g27 +sg225234 +S'screenprint' +p274627 +sg225230 +S'On a Clear Day XXIX' +p274628 +sg225236 +S'1973' +p274629 +sa(dp274630 +g225232 +S'Agnes Martin' +p274631 +sg225240 +g27 +sg225234 +S'screenprint' +p274632 +sg225230 +S'On a Clear Day XXX' +p274633 +sg225236 +S'1973' +p274634 +sa(dp274635 +g225232 +S'American 20th Century' +p274636 +sg225240 +g27 +sg225234 +S'Gift of John Davis Hatch' +p274637 +sg225230 +S'The Cowardice of Pratt' +p274638 +sg225236 +S'\netching with white highlights and pencil corrections' +p274639 +sa(dp274640 +g225232 +S'Gene Davis' +p274641 +sg225240 +g27 +sg225234 +S'color screenprint on wove paper' +p274642 +sg225230 +S'Untitled' +p274643 +sg225236 +S'1980' +p274644 +sa(dp274645 +g225232 +S'Joaqu\xc3\xadn Torres-Garc\xc3\xada' +p274646 +sg225240 +g27 +sg225234 +S'gouache over graphite on paperboard' +p274647 +sg225230 +S'Port of Uruguay' +p274648 +sg225236 +S'1933' +p274649 +sa(dp274650 +g225232 +S'French 18th Century' +p274651 +sg225240 +g27 +sg225234 +S'Gift of M. Jean-Pierre Seguin' +p274652 +sg225230 +S'Charles' +p274653 +sg225236 +S'\nwoodcut colored with stencils' +p274654 +sa(dp274655 +g225232 +S'French 18th Century' +p274656 +sg225240 +g27 +sg225234 +S'Gift of M. Jean-Pierre Seguin' +p274657 +sg225230 +S'Hector' +p274658 +sg225236 +S'\nwoodcut colored with stencils' +p274659 +sa(dp274660 +g225230 +S'John Henderson as Falstaff' +p274661 +sg225232 +S'George Romney' +p274662 +sg225234 +S'graphite' +p274663 +sg225236 +S'c. 1778/1780' +p274664 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00069/a0006969.jpg' +p274665 +sg225240 +g27 +sa(dp274666 +g225232 +S'Artist Information (' +p274667 +sg225240 +g27 +sg225234 +S'(artist after)' +p274668 +sg225230 +S'William Blake' +p274669 +sg225236 +S'\n' +p274670 +sa(dp274671 +g225232 +S'Artist Information (' +p274672 +sg225240 +g27 +sg225234 +S'(author)' +p274673 +sg225230 +S'The Grave, A Poem' +p274674 +sg225236 +S'\n' +p274675 +sa(dp274676 +g225232 +S'Artist Information (' +p274677 +sg225240 +g27 +sg225234 +S'(artist after)' +p274678 +sg225230 +S'The Skeleton Re-animated' +p274679 +sg225236 +S'\n' +p274680 +sa(dp274681 +g225232 +S'Artist Information (' +p274682 +sg225240 +g27 +sg225234 +S'(artist after)' +p274683 +sg225230 +S'Christ descending into the Grave' +p274684 +sg225236 +S'\n' +p274685 +sa(dp274686 +g225232 +S'Artist Information (' +p274687 +sg225240 +g27 +sg225234 +S'(artist after)' +p274688 +sg225230 +S'The meeting of a Family in Heaven' +p274689 +sg225236 +S'\n' +p274690 +sa(dp274691 +g225232 +S'Artist Information (' +p274692 +sg225240 +g27 +sg225234 +S'(artist after)' +p274693 +sg225230 +S'The Counseller [sic], King, Warrior, Mother &Child;, in the Tomb' +p274694 +sg225236 +S'\n' +p274695 +sa(dp274696 +g225232 +S'Artist Information (' +p274697 +sg225240 +g27 +sg225234 +S'(artist after)' +p274698 +sg225230 +S'Death of the Strong Wicked Man' +p274699 +sg225236 +S'\n' +p274700 +sa(dp274701 +g225232 +S'Artist Information (' +p274702 +sg225240 +g27 +sg225234 +S'(artist after)' +p274703 +sg225230 +S'The Soul hovering over the Body reluctantly parting with Life' +p274704 +sg225236 +S'\n' +p274705 +sa(dp274706 +g225232 +S'Artist Information (' +p274707 +sg225240 +g27 +sg225234 +S'(artist after)' +p274708 +sg225230 +S'The descent of Man into the Vale of Death' +p274709 +sg225236 +S'\n' +p274710 +sa(dp274711 +g225232 +S'Artist Information (' +p274712 +sg225240 +g27 +sg225234 +S'(artist after)' +p274713 +sg225230 +S'The Day of Judgment' +p274714 +sg225236 +S'\n' +p274715 +sa(dp274716 +g225232 +S'Artist Information (' +p274717 +sg225240 +g27 +sg225234 +S'(artist after)' +p274718 +sg225230 +S'The Soul exploring the recesses of the Grave' +p274719 +sg225236 +S'\n' +p274720 +sa(dp274721 +g225232 +S'Artist Information (' +p274722 +sg225240 +g27 +sg225234 +S'(artist after)' +p274723 +sg225230 +S'The Death of The Good Old Man' +p274724 +sg225236 +S'\n' +p274725 +sa(dp274726 +g225232 +S'Artist Information (' +p274727 +sg225240 +g27 +sg225234 +S'(artist after)' +p274728 +sg225230 +S'The Reunion of the Soul & the Body' +p274729 +sg225236 +S'\n' +p274730 +sa(dp274731 +g225232 +S'Artist Information (' +p274732 +sg225240 +g27 +sg225234 +S'(artist after)' +p274733 +sg225230 +S"Death's Door" +p274734 +sg225236 +S'\n' +p274735 +sa(dp274736 +g225232 +S'Artist Information (' +p274737 +sg225240 +g27 +sg225234 +S'Irish, 1717 - 1771' +p274738 +sg225230 +S'The Ruins of Palmyra' +p274739 +sg225236 +S'(author)' +p274740 +sa(dp274741 +g225232 +S'Artist Information (' +p274742 +sg225240 +g27 +sg225234 +S'Irish, 1717 - 1771' +p274743 +sg225230 +S'The Ruins of Balbec' +p274744 +sg225236 +S'(author)' +p274745 +sa(dp274746 +g225232 +S'J.E. Shadek' +p274747 +sg225240 +g27 +sg225234 +S'bound volume with 93 drawings in mixed media on wove paper' +p274748 +sg225230 +S'J.E. Shadek Sketchbook' +p274749 +sg225236 +S'1861/1862' +p274750 +sa(dp274751 +g225232 +S'Master of the Judgment of Solomon' +p274752 +sg225240 +g27 +sg225234 +S', c. 1580' +p274753 +sg225230 +S'Allegory of Charity' +p274754 +sg225236 +S'\n' +p274755 +sa(dp274756 +g225230 +S'Old Trees along a Bank' +p274757 +sg225232 +S'Jacob van Ruisdael' +p274758 +sg225234 +S'black chalk' +p274759 +sg225236 +S'late 1640s' +p274760 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00037/a00037ee.jpg' +p274761 +sg225240 +g27 +sa(dp274762 +g225230 +S'Landscape with a Village Church' +p274763 +sg225232 +S'Augustin Hirschvogel' +p274764 +sg225234 +S'etching on blue laid paper' +p274765 +sg225236 +S'1545' +p274766 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00096/a00096c1.jpg' +p274767 +sg225240 +g27 +sa(dp274768 +g225230 +S'Possibly William Metcalf' +p274769 +sg225232 +S'The Pollard Limner' +p274770 +sg225234 +S', c. 1730' +p274771 +sg225236 +S'\n' +p274772 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a00001c1.jpg' +p274773 +sg225240 +g27 +sa(dp274774 +g225230 +S'The Gage Family' +p274775 +sg225232 +S'American 19th Century' +p274776 +sg225234 +S'overall: 137 x 137.4 cm (53 15/16 x 54 1/8 in.)\r\nframed: 159.4 x 159.4 cm (62 3/4 x 62 3/4 in.)' +p274777 +sg225236 +S'\noil on bed ticking' +p274778 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00004/a000041a.jpg' +p274779 +sg225240 +g27 +sa(dp274780 +g225230 +S'Family Group' +p274781 +sg225232 +S'Joshua Johnson' +p274782 +sg225234 +S'oil on canvas' +p274783 +sg225236 +S'c. 1800' +p274784 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a0000124.jpg' +p274785 +sg225240 +g27 +sa(dp274786 +g225230 +S'Adelina Morton' +p274787 +sg225232 +S'Joshua Johnson' +p274788 +sg225234 +S'oil on canvas' +p274789 +sg225236 +S'c. 1810' +p274790 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a0000123.jpg' +p274791 +sg225240 +g27 +sa(dp274792 +g225230 +S'Young Lady with a Fan' +p274793 +sg225232 +S'Artist Information (' +p274794 +sg225234 +S'(painter)' +p274795 +sg225236 +S'\n' +p274796 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a00000c9.jpg' +p274797 +sg225240 +g27 +sa(dp274798 +g225230 +S'Bucks County Farm Outside Doylestown, Pennsylvania' +p274799 +sg225232 +S'American 19th Century' +p274800 +sg225234 +S'overall: 67 x 93.2 cm (26 3/8 x 36 11/16 in.)' +p274801 +sg225236 +S'\noil on canvas' +p274802 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00004/a000041b.jpg' +p274803 +sg225240 +g27 +sa(dp274804 +g225230 +S'Steamship "Erie"' +p274805 +sg225232 +S'American 19th Century' +p274806 +sg225234 +S'overall: 56.6 x 75.1 cm (22 5/16 x 29 9/16 in.)\r\nframed: 68.6 x 86.3 x 5 cm (27 x 34 x 1 15/16 in.)' +p274807 +sg225236 +S'\noil on canvas' +p274808 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00004/a0000447.jpg' +p274809 +sg225240 +g27 +sa(dp274810 +g225230 +S'The Independent Voter' +p274811 +sg225232 +S'American 19th Century' +p274812 +sg225234 +S'overall: 90.4 x 131.5 cm (35 9/16 x 51 3/4 in.)' +p274813 +sg225236 +S'\noil on canvas' +p274814 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00004/a000041c.jpg' +p274815 +sg225240 +g27 +sa(dp274816 +g225230 +S'The Finish' +p274817 +sg225232 +S'American 19th Century' +p274818 +sg225234 +S'painted surface: 58.7 x 95.3 cm (23 1/8 x 37 1/2 in.)\r\nsupport: 65.8 x 95.8 cm (25 7/8 x 37 11/16 in.)' +p274819 +sg225236 +S'\noil on wood' +p274820 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00004/a000041d.jpg' +p274821 +sg225240 +g27 +sa(dp274822 +g225230 +S'After the Wedding in Warren, Pennsylvania' +p274823 +sg225232 +S'American 20th Century' +p274824 +sg225234 +S'overall: 56 x 76 cm (22 1/16 x 29 15/16 in.)\r\nframed: 64.8 x 85.1 x 6.4 cm (25 1/2 x 33 1/2 x 2 1/2 in.)' +p274825 +sg225236 +S'\noil on canvas' +p274826 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00004/a0000407.jpg' +p274827 +sg225240 +g27 +sa(dp274828 +g225230 +S'Watermelon on a Plate' +p274829 +sg225232 +S'American 19th Century' +p274830 +sg225234 +S'overall: 45.7 x 61 cm (18 x 24 in.)\r\nframed: 62.2 x 76.8 x 9.8 cm (24 1/2 x 30 1/4 x 3 7/8 in.)' +p274831 +sg225236 +S'\noil on canvas' +p274832 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00004/a0000446.jpg' +p274833 +sg225240 +g27 +sa(dp274834 +g225230 +S'Interior Scene' +p274835 +sg225232 +S'American 19th Century' +p274836 +sg225234 +S'overall: 71.1 x 60 cm (28 x 23 5/8 in.)\r\nframed: 91.4 x 81.6 x 5.7 cm (36 x 32 1/8 x 2 1/4 in.)' +p274837 +sg225236 +S'\noil on canvas' +p274838 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00004/a0000428.jpg' +p274839 +sg225240 +g27 +sa(dp274840 +g225230 +S'Portrait of an Unknown Family with a Terrier' +p274841 +sg225232 +S'British 19th Century' +p274842 +sg225234 +S'overall: 103.3 x 80.5 cm (40 11/16 x 31 11/16 in.)' +p274843 +sg225236 +S'\noil on canvas' +p274844 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f02.jpg' +p274845 +sg225240 +g27 +sa(dp274846 +g225230 +S'Ship in Full Sail' +p274847 +sg225232 +S'T. Davies' +p274848 +sg225234 +S'oil on canvas' +p274849 +sg225236 +S'1827' +p274850 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00005/a0000573.jpg' +p274851 +sg225240 +g27 +sa(dp274852 +g225230 +S'Still Life: Fruit, Bird, and Dwarf Pear Tree' +p274853 +sg225232 +S'Charles V. Bond' +p274854 +sg225234 +S'oil on canvas' +p274855 +sg225236 +S'1856' +p274856 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a0000028.jpg' +p274857 +sg225240 +g27 +sa(dp274858 +g225230 +S'Prize Bull' +p274859 +sg225232 +S'H. Call' +p274860 +sg225234 +S'oil on canvas' +p274861 +sg225236 +S'1876' +p274862 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a0000036.jpg' +p274863 +sg225240 +g27 +sa(dp274864 +g225230 +S'Boston Harbor' +p274865 +sg225232 +S'Thomas Chambers' +p274866 +sg225234 +S'oil on canvas' +p274867 +sg225236 +S'mid 19th century' +p274868 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a0000045.jpg' +p274869 +sg225240 +g27 +sa(dp274870 +g225230 +S'Packet Ship Passing Castle Williams, New York Harbor' +p274871 +sg225232 +S'Thomas Chambers' +p274872 +sg225234 +S'oil on canvas' +p274873 +sg225236 +S'mid 19th century' +p274874 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a0000046.jpg' +p274875 +sg225240 +g27 +sa(dp274876 +g225230 +S'Mrs. John Lothrop' +p274877 +sg225232 +S'John Durand' +p274878 +sg225234 +S'oil on canvas' +p274879 +sg225236 +S'c. 1770' +p274880 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a0000085.jpg' +p274881 +sg225240 +g27 +sa(dp274882 +g225230 +S'Woman Holding a Book' +p274883 +sg225232 +S'Erastus Salisbury Field' +p274884 +sg225234 +S'oil on canvas' +p274885 +sg225236 +S'c. 1835' +p274886 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a00000bf.jpg' +p274887 +sg225240 +g27 +sa(dp274888 +g225230 +S'Girl with Reticule and Rose' +p274889 +sg225232 +S'Joseph Whiting Stock' +p274890 +sg225234 +S'oil on canvas' +p274891 +sg225236 +S'c. 1840' +p274892 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a000022c.jpg' +p274893 +sg225240 +g27 +sa(dp274894 +g225230 +S'Bare Knuckles' +p274895 +sg225232 +S'George A. Hayes' +p274896 +sg225234 +S'oil on paperboard on wood panel' +p274897 +sg225236 +S'c. 1870/1885' +p274898 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a00000e8.jpg' +p274899 +sg225240 +g27 +sa(dp274900 +g225230 +S'Possibly Margaret Robins' +p274901 +sg225232 +S'American 18th Century' +p274902 +sg225234 +S'overall: 67 x 60.7 cm (26 3/8 x 23 7/8 in.)\r\nframed: 69.2 x 76.5 x 4.4 cm (27 1/4 x 30 1/8 x 1 3/4 in.)' +p274903 +sg225236 +S'\noil on canvas' +p274904 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00004/a0000448.jpg' +p274905 +sg225240 +g27 +sa(dp274906 +g225230 +S"Penn's Treaty with the Indians" +p274907 +sg225232 +S'Edward Hicks' +p274908 +sg225234 +S'oil on canvas' +p274909 +sg225236 +S'c. 1840/1844' +p274910 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a00000f8.jpg' +p274911 +sg225240 +g27 +sa(dp274912 +g225230 +S'The Grave of William Penn' +p274913 +sg225232 +S'Edward Hicks' +p274914 +sg225234 +S'oil on canvas' +p274915 +sg225236 +S'c. 1847/1848' +p274916 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a00000f9.jpg' +p274917 +sg225240 +g27 +sa(dp274918 +g225230 +S'The Landing of Columbus' +p274919 +sg225232 +S'Edward Hicks' +p274920 +sg225234 +S'oil on canvas' +p274921 +sg225236 +S'c. 1837' +p274922 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a00000fa.jpg' +p274923 +sg225240 +g27 +sa(dp274924 +g225230 +S'Portrait of a Child' +p274925 +sg225232 +S'Edward Hicks' +p274926 +sg225234 +S', c. 1840' +p274927 +sg225236 +S'\n' +p274928 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a00000fb.jpg' +p274929 +sg225240 +g27 +sa(dp274930 +g225230 +S'Peaceable Kingdom' +p274931 +sg225232 +S'Edward Hicks' +p274932 +sg225234 +S'oil on canvas' +p274933 +sg225236 +S'c. 1834' +p274934 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00004/a00004ba.jpg' +p274935 +sg225240 +g27 +sa(dp274936 +g225230 +S'John Harrisson' +p274937 +sg225232 +S'Frederick W. Mayhew' +p274938 +sg225234 +S'oil on canvas' +p274939 +sg225236 +S'c. 1823' +p274940 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a0000163.jpg' +p274941 +sg225240 +g27 +sa(dp274942 +g225230 +S'Mrs. John Harrisson and Daughter' +p274943 +sg225232 +S'Frederick W. Mayhew' +p274944 +sg225234 +S'oil on canvas' +p274945 +sg225236 +S'c. 1823' +p274946 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a00001b0.jpg' +p274947 +sg225240 +g27 +sa(dp274948 +g225230 +S'The Burnish Sisters' +p274949 +sg225232 +S'William Matthew Prior' +p274950 +sg225234 +S'oil on canvas' +p274951 +sg225236 +S'1854' +p274952 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a00001d5.jpg' +p274953 +sg225240 +g27 +sa(dp274954 +g225230 +S'Sisters in Red' +p274955 +sg225232 +S'Sturtevant J. Hamblin' +p274956 +sg225234 +S'oil on canvas' +p274957 +sg225236 +S'c. 1840/1850' +p274958 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a00000d9.jpg' +p274959 +sg225240 +g27 +sa(dp274960 +g225230 +S'Basket of Fruit with Parrot' +p274961 +sg225232 +S'A.M. Randall' +p274962 +sg225234 +S'oil on canvas' +p274963 +sg225236 +S'1777' +p274964 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a00001e3.jpg' +p274965 +sg225240 +g27 +sa(dp274966 +g225230 +S"The Sportsman's Dream" +p274967 +sg225232 +S'C.F. Senior' +p274968 +sg225234 +S'oil on canvas' +p274969 +sg225236 +S'1881 or after' +p274970 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a000020d.jpg' +p274971 +sg225240 +g27 +sa(dp274972 +g225230 +S'Joshua Lamb' +p274973 +sg225232 +S'Abram Ross Stanley' +p274974 +sg225234 +S'oil on canvas' +p274975 +sg225236 +S'1842' +p274976 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a0000223.jpg' +p274977 +sg225240 +g27 +sa(dp274978 +g225230 +S'Baby in Wicker Basket' +p274979 +sg225232 +S'Joseph Whiting Stock' +p274980 +sg225234 +S'oil on canvas' +p274981 +sg225236 +S'c. 1840' +p274982 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a000022b.jpg' +p274983 +sg225240 +g27 +sa(dp274984 +g225230 +S'J. M. Stolle' +p274985 +sg225232 +S'American 18th Century' +p274986 +sg225234 +S'overall: 101.6 x 87 cm (40 x 34 1/4 in.)' +p274987 +sg225236 +S'\noil on canvas' +p274988 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00004/a000045c.jpg' +p274989 +sg225240 +g27 +sa(dp274990 +g225230 +S'The Cat' +p274991 +sg225232 +S'American 19th Century' +p274992 +sg225234 +S'overall: 40.7 x 50.8 cm (16 x 20 in.)\r\nframed: 51.8 x 61.9 x 5.4 cm (20 3/8 x 24 3/8 x 2 1/8 in.)' +p274993 +sg225236 +S'\noil on canvas' +p274994 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00004/a0000429.jpg' +p274995 +sg225240 +g27 +sa(dp274996 +g225230 +S'Captain Elisha Denison' +p274997 +sg225232 +S'Artist Information (' +p274998 +sg225234 +S'(painter)' +p274999 +sg225236 +S'\n' +p275000 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a0000078.jpg' +p275001 +sg225240 +g27 +sa(dp275002 +g225230 +S'Mrs. Elizabeth Noyes Denison' +p275003 +sg225232 +S'Artist Information (' +p275004 +sg225234 +S'(painter)' +p275005 +sg225236 +S'\n' +p275006 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a0000079.jpg' +p275007 +sg225240 +g27 +sa(dp275008 +g225230 +S'Miss Denison of Stonington, Connecticut (possibly Matilda Denison)' +p275009 +sg225232 +S'Artist Information (' +p275010 +sg225234 +S'(painter)' +p275011 +sg225236 +S'\n' +p275012 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a000007a.jpg' +p275013 +sg225240 +g27 +sa(dp275014 +g225230 +S'Horizon of the New World' +p275015 +sg225232 +S'American 19th Century' +p275016 +sg225234 +S'overall: 77.6 x 167 cm (30 9/16 x 65 3/4 in.)\r\nframed: 84.7 x 174.3 x 2.8 cm (33 3/8 x 68 5/8 x 1 1/8 in.)' +p275017 +sg225236 +S'\noil on canvas' +p275018 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00004/a000041e.jpg' +p275019 +sg225240 +g27 +sa(dp275020 +g225230 +S'Innocence' +p275021 +sg225232 +S'American 19th Century' +p275022 +sg225234 +S'overall: 68.9 x 56.5 cm (27 1/8 x 22 1/4 in.)\r\nframed: 82.1 x 69.4 x 3.5 cm (32 5/16 x 27 5/16 x 1 3/8 in.)' +p275023 +sg225236 +S'\noil on canvas' +p275024 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00004/a000042a.jpg' +p275025 +sg225240 +g27 +sa(dp275026 +g225230 +S'Susanna Truax' +p275027 +sg225232 +S'Artist Information (' +p275028 +sg225234 +S'(painter)' +p275029 +sg225236 +S'\n' +p275030 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a00000ca.jpg' +p275031 +sg225240 +g27 +sa(dp275032 +g225230 +S'Muster Day' +p275033 +sg225232 +S'Charles Henry Granger' +p275034 +sg225234 +S'oil on canvas' +p275035 +sg225236 +S'1843 or after' +p275036 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a00000cf.jpg' +p275037 +sg225240 +g27 +sa(dp275038 +g225230 +S'Indian Tobacco Shop Sign [recto, Indian facing left]' +p275039 +sg225232 +S'American 19th Century' +p275040 +sg225234 +S'overall: 136.4 x 57.8 cm (53 11/16 x 22 3/4 in.)' +p275041 +sg225236 +S'\noil on wood' +p275042 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00005/a000053f.jpg' +p275043 +sg225240 +g27 +sa(dp275044 +g225230 +S'Indian Tobacco Shop Sign [verso, Indian facing right]' +p275045 +sg225232 +S'American 19th Century' +p275046 +sg225234 +S'overall: 136.4 x 57.8 cm (53 11/16 x 22 3/4 in.)' +p275047 +sg225236 +S'\noil on wood' +p275048 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00005/a0000540.jpg' +p275049 +sg225240 +g27 +sa(dp275050 +g225230 +S'Catalyntje Post' +p275051 +sg225232 +S'American 18th Century' +p275052 +sg225234 +S'overall: 133.6 x 90.4 cm (52 5/8 x 35 9/16 in.)' +p275053 +sg225236 +S'\noil on canvas' +p275054 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00004/a0000449.jpg' +p275055 +sg225240 +g27 +sa(dp275056 +g225230 +S'Portrait of a Man in Red' +p275057 +sg225232 +S'The Sherman Limner' +p275058 +sg225234 +S'oil on canvas' +p275059 +sg225236 +S'c. 1785/1790' +p275060 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a0000211.jpg' +p275061 +sg225240 +g27 +sa(dp275062 +g225230 +S'Portrait of a Lady in Red' +p275063 +sg225232 +S'The Sherman Limner' +p275064 +sg225234 +S'oil on canvas' +p275065 +sg225236 +S'c. 1785/1790' +p275066 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a0000210.jpg' +p275067 +sg225240 +g27 +sa(dp275068 +g225230 +S'Sisters' +p275069 +sg225232 +S'American 19th Century' +p275070 +sg225234 +S'overall: 46 x 60.8 cm (18 1/8 x 23 15/16 in.)\r\nframed: 60 x 74.6 x 6 cm (23 5/8 x 29 3/8 x 2 3/8 in.)' +p275071 +sg225236 +S'\noil on canvas' +p275072 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00004/a000044a.jpg' +p275073 +sg225240 +g27 +sa(dp275074 +g225230 +S'Bowl of Fruit' +p275075 +sg225232 +S'American 19th Century' +p275076 +sg225234 +S'overall: 78.5 x 98.8 cm (30 7/8 x 38 7/8 in.)\r\nframed: 91.4 x 113 x 5.7 cm (36 x 44 1/2 x 2 1/4 in.)' +p275077 +sg225236 +S'\noil on canvas' +p275078 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00004/a0000405.jpg' +p275079 +sg225240 +g27 +sa(dp275080 +g225230 +S'Mother and Child in White' +p275081 +sg225232 +S'American 18th Century' +p275082 +sg225234 +S'overall: 89.5 x 68.7 cm (35 1/4 x 27 1/16 in.)\r\nframed: 106 x 85.4 x 4.4 cm (41 3/4 x 33 5/8 x 1 3/4 in.)' +p275083 +sg225236 +S'\noil on canvas' +p275084 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00004/a000042d.jpg' +p275085 +sg225240 +g27 +sa(dp275086 +g225230 +S'Young Woman with a Butterfly' +p275087 +sg225232 +S'American 18th Century' +p275088 +sg225234 +S'overall: 137.3 x 104.6 cm (54 1/16 x 41 3/16 in.)\r\nframed: 101.6 x 86.4 x 5.1 cm (40 x 34 x 2 in.)' +p275089 +sg225236 +S'\noil on canvas' +p275090 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00004/a000042b.jpg' +p275091 +sg225240 +g27 +sa(dp275092 +g225230 +S'The Domino Girl' +p275093 +sg225232 +S'American 18th Century' +p275094 +sg225234 +S'overall: 58.1 x 46.8 cm (22 7/8 x 18 7/16 in.)\r\nframed: 70.5 x 59.1 x 5.1 cm (27 3/4 x 23 1/4 x 2 in.)' +p275095 +sg225236 +S'\noil on canvas' +p275096 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00004/a000041f.jpg' +p275097 +sg225240 +g27 +sa(dp275098 +g225230 +S'Girl with Kitten' +p275099 +sg225232 +S'Joseph Goodhue Chandler' +p275100 +sg225234 +S'oil on canvas' +p275101 +sg225236 +S'c. 1836/1838' +p275102 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a0000048.jpg' +p275103 +sg225240 +g27 +sa(dp275104 +g225230 +S'Basket of Fruit with Flowers' +p275105 +sg225232 +S'American 19th Century' +p275106 +sg225234 +S'overall: 35.1 x 45.5 cm (13 13/16 x 17 15/16 in.)' +p275107 +sg225236 +S'\noil on wood' +p275108 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00004/a0000406.jpg' +p275109 +sg225240 +g27 +sa(dp275110 +g225230 +S'Dr. Philemon Tracy' +p275111 +sg225232 +S'American 18th Century' +p275112 +sg225234 +S'overall: 79.1 x 73.4 cm (31 1/8 x 28 7/8 in.)\r\nframed: 94 x 88.6 x 6 cm (37 x 34 7/8 x 2 3/8 in.)' +p275113 +sg225236 +S'\noil on paper on board on canvas' +p275114 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00004/a000044b.jpg' +p275115 +sg225240 +g27 +sa(dp275116 +g225230 +S'Lady Wearing a Large White Cap' +p275117 +sg225232 +S'American 18th Century' +p275118 +sg225234 +S'overall: 76.5 x 65 cm (30 1/8 x 25 9/16 in.)\r\nframed: 81.6 x 93.4 x 6.4 cm (32 1/8 x 36 3/4 x 2 1/2 in.)' +p275119 +sg225236 +S'\noil on canvas' +p275120 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00004/a000042e.jpg' +p275121 +sg225240 +g27 +sa(dp275122 +g225230 +S'Dr. John Safford and Family' +p275123 +sg225232 +S'Reuben Rowley' +p275124 +sg225234 +S', c. 1830' +p275125 +sg225236 +S'\n' +p275126 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a00001fa.jpg' +p275127 +sg225240 +g27 +sa(dp275128 +g225230 +S'Fruit and Baltimore Oriole' +p275129 +sg225232 +S'Wagguno' +p275130 +sg225234 +S'oil on canvas' +p275131 +sg225236 +S'1858' +p275132 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a0000286.jpg' +p275133 +sg225240 +g27 +sa(dp275134 +g225232 +S'Ruth Henshaw Bascom' +p275135 +sg225240 +g27 +sg225234 +S'pastel and graphite with watercolor on two sheets of paper, the bottom sheet partially cut in silhouette' +p275136 +sg225230 +S'Mr. William Waters' +p275137 +sg225236 +S'c. 1825/1830' +p275138 +sa(dp275139 +g225232 +S'Ruth Henshaw Bascom' +p275140 +sg225240 +g27 +sg225234 +S'pastel and graphite with watercolor on four sheets of paper, the head and shoulders of the sitter cut in silhouette' +p275141 +sg225230 +S'Mrs. William Waters' +p275142 +sg225236 +S'c. 1825/1830' +p275143 +sa(dp275144 +g225232 +S'B. Doyle' +p275145 +sg225240 +g27 +sg225234 +S'pastel' +p275146 +sg225230 +S'Portrait of a Girl with Blue Eyes and Blue Dress' +p275147 +sg225236 +S'c. 1820' +p275148 +sa(dp275149 +g225232 +S'Emily Eastman' +p275150 +sg225240 +g27 +sg225234 +S'pen and black ink, watercolor, and touches of graphite on wove paper' +p275151 +sg225230 +S'Curls and Ruffles' +p275152 +sg225236 +S'unknown date\n' +p275153 +sa(dp275154 +g225230 +S'Feathers and Pearls' +p275155 +sg225232 +S'Emily Eastman' +p275156 +sg225234 +S'graphite with watercolor and touches of white heightening on wove paper' +p275157 +sg225236 +S'unknown date\n' +p275158 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a00008db.jpg' +p275159 +sg225240 +g27 +sa(dp275160 +g225232 +S'Jacob Maentel' +p275161 +sg225240 +g27 +sg225234 +S'pen and watercolor' +p275162 +sg225230 +S'General Schumacker' +p275163 +sg225236 +S'c. 1812' +p275164 +sa(dp275165 +g225232 +S'Jacob Maentel' +p275166 +sg225240 +g27 +sg225234 +S'pen and watercolor' +p275167 +sg225230 +S"General Schumacker's Daughter" +p275168 +sg225236 +S'c. 1812' +p275169 +sa(dp275170 +g225232 +S'American 19th Century' +p275171 +sg225240 +g27 +sg225234 +S'overall: 66.1 x 56 cm (26 x 22 1/16 in.)' +p275172 +sg225230 +S'Young Man with Folding Rule' +p275173 +sg225236 +S'\npastel and applied paper' +p275174 +sa(dp275175 +g225230 +S'Lady with Red and Blue Sewing Bag' +p275176 +sg225232 +S'American 19th Century' +p275177 +sg225234 +S'overall: 66 x 56 cm (26 x 22 1/16 in.)' +p275178 +sg225236 +S'\npastel and applied paper' +p275179 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a000089d.jpg' +p275180 +sg225240 +g27 +sa(dp275181 +g225230 +S'Bowl of Fruit' +p275182 +sg225232 +S'American 19th Century' +p275183 +sg225234 +S'overall: 36.2 x 42.4 cm (14 1/4 x 16 11/16 in.)' +p275184 +sg225236 +S'\nwatercolor and stencil on wove paper' +p275185 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a000089e.jpg' +p275186 +sg225240 +g27 +sa(dp275187 +g225230 +S'Victory Parade' +p275188 +sg225232 +S'American 19th Century' +p275189 +sg225234 +S'overall: 40 x 32.1 cm (15 3/4 x 12 5/8 in.)' +p275190 +sg225236 +S'\npen and ink with watercolor' +p275191 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a00008a1.jpg' +p275192 +sg225240 +g27 +sa(dp275193 +g225232 +S'American 19th Century' +p275194 +sg225240 +g27 +sg225234 +S'overall: 71 x 57.5 cm (27 15/16 x 22 5/8 in.)' +p275195 +sg225230 +S'George Edward Blake' +p275196 +sg225236 +S'\npastel on blue laid paper' +p275197 +sa(dp275198 +g225232 +S'American 19th Century' +p275199 +sg225240 +g27 +sg225234 +S'sight size: 70 x 55 cm (27 9/16 x 21 5/8 in.)' +p275200 +sg225230 +S'Anna Margaret Blake and Her Two Children' +p275201 +sg225236 +S'\npastel' +p275202 +sa(dp275203 +g225232 +S'American 19th Century' +p275204 +sg225240 +g27 +sg225234 +S'overall: 66 x 49.9 cm (26 x 19 5/8 in.)' +p275205 +sg225230 +S'Lady in Pink Holding an Apple' +p275206 +sg225236 +S'\npastel' +p275207 +sa(dp275208 +g225232 +S'American 19th Century' +p275209 +sg225240 +g27 +sg225234 +S'overall: 60.5 x 49.1 cm (23 13/16 x 19 5/16 in.)' +p275210 +sg225230 +S'Girl by a Rosebush' +p275211 +sg225236 +S'\nwatercolor and graphite on wove paper' +p275212 +sa(dp275213 +g225232 +S'American 19th Century' +p275214 +sg225240 +g27 +sg225234 +S'overall: 44 x 55.3 cm (17 5/16 x 21 3/4 in.)' +p275215 +sg225230 +S'Fruit in a Yellow Bowl' +p275216 +sg225236 +S'\nwatercolor' +p275217 +sa(dp275218 +g225232 +S'American 19th Century' +p275219 +sg225240 +g27 +sg225234 +S'overall: 67.5 x 82.7 cm (26 9/16 x 32 9/16 in.)' +p275220 +sg225230 +S'Portrait of Man, Woman, and Child' +p275221 +sg225236 +S'\npastel and graphite with watercolor and applied pieces' +p275222 +sa(dp275223 +g225232 +S'American 19th Century' +p275224 +sg225240 +g27 +sg225234 +S'overall: 65.7 x 55.2 cm (25 7/8 x 21 3/4 in.)' +p275225 +sg225230 +S'Portrait of a Man Holding a Book' +p275226 +sg225236 +S'\npastel' +p275227 +sa(dp275228 +g225232 +S'American 19th Century' +p275229 +sg225240 +g27 +sg225234 +S'overall: 65.5 x 55.5 cm (25 13/16 x 21 7/8 in.)' +p275230 +sg225230 +S'Portrait of a Woman with a Lace Cap' +p275231 +sg225236 +S'\npastel on paper sheet backed by several layers of paper, the last of which is newsprint bearing the date 1823' +p275232 +sa(dp275233 +g225232 +S'Micah Williams' +p275234 +sg225240 +g27 +sg225234 +S'pastel on laid paper' +p275235 +sg225230 +S'Child with Pet Dog' +p275236 +sg225236 +S'c. 1825' +p275237 +sa(dp275238 +g225230 +S'On Point' +p275239 +sg225232 +S'D.G. Stouter' +p275240 +sg225234 +S'oil on canvas' +p275241 +sg225236 +S'1854 or after' +p275242 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a000022d.jpg' +p275243 +sg225240 +g27 +sa(dp275244 +g225230 +S'The Neigh of an Iron Horse' +p275245 +sg225232 +S'Joseph Anderson Faris' +p275246 +sg225234 +S'oil on canvas' +p275247 +sg225236 +S'186(?)' +p275248 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a00000ad.jpg' +p275249 +sg225240 +g27 +sa(dp275250 +g225230 +S'John Lothrop' +p275251 +sg225232 +S'John Durand' +p275252 +sg225234 +S'oil on canvas' +p275253 +sg225236 +S'c. 1770' +p275254 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a0000086.jpg' +p275255 +sg225240 +g27 +sa(dp275256 +g225230 +S'Two Grotesque Heads' +p275257 +sg225232 +S'Artist Information (' +p275258 +sg225234 +S'(artist after)' +p275259 +sg225236 +S'\n' +p275260 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00066/a00066a8.jpg' +p275261 +sg225240 +g27 +sa(dp275262 +g225230 +S'Apollo' +p275263 +sg225232 +S'Fran\xc3\xa7ois Boucher' +p275264 +sg225234 +S'black chalk and stumping, heightened with white chalk on greenish-gray laid paper' +p275265 +sg225236 +S'c. 1752' +p275266 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00031/a000319a.jpg' +p275267 +sg225240 +g27 +sa(dp275268 +g225230 +S'Cr\xc3\xaapes' +p275269 +sg225232 +S'Fran\xc3\xa7ois Boucher' +p275270 +sg225234 +S'pen and brown ink with brown wash over traces of graphite on laid paper' +p275271 +sg225236 +S'1761/1763' +p275272 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00031/a000319b.jpg' +p275273 +sg225240 +g27 +sa(dp275274 +g225230 +S'A Nude Woman Reaching to the Right' +p275275 +sg225232 +S'Fran\xc3\xa7ois Boucher' +p275276 +sg225234 +S'black chalk with stumping, heightened with white chalk on brown laid paper (formerly blue)' +p275277 +sg225236 +S'c. 1769' +p275278 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00031/a000319c.jpg' +p275279 +sg225240 +g27 +sa(dp275280 +g225232 +S'Artist Information (' +p275281 +sg225240 +g27 +sg225234 +S'Italian, 43 B.C. - 17/18 A.D.' +p275282 +sg225230 +S"Les Metamorphoses d'Ovide" +p275283 +sg225236 +S'(author)' +p275284 +sa(dp275285 +g225232 +S'Artist Information (' +p275286 +sg225240 +g27 +sg225234 +S'(artist)' +p275287 +sg225230 +S'Album of Prints after Old Master Drawings' +p275288 +sg225236 +S'\n' +p275289 +sa(dp275290 +g225230 +S'Goatherd Piping to Four Goats' +p275291 +sg225232 +S'Francesco Londonio' +p275292 +sg225234 +S'etching on blue paper with white heightening' +p275293 +sg225236 +S'unknown date\n' +p275294 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cb4e.jpg' +p275295 +sg225240 +g27 +sa(dp275296 +g225232 +S'Gustave Adolphe Simonau' +p275297 +sg225240 +g27 +sg225234 +S'lithograph' +p275298 +sg225230 +S'Hotel-de-Ville de Louvain' +p275299 +sg225236 +S'1844' +p275300 +sa(dp275301 +g225230 +S'Sidon' +p275302 +sg225232 +S'Sanford Robinson Gifford' +p275303 +sg225234 +S'graphite on greenish wove paper' +p275304 +sg225236 +S'c. 1868/1869' +p275305 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0b9.jpg' +p275306 +sg225240 +g27 +sa(dp275307 +g225230 +S'Portrait of an Old Woman' +p275308 +sg225232 +S'Eastman Johnson' +p275309 +sg225234 +S'black crayon and graphite heightened with white on green wove paper' +p275310 +sg225236 +S'early 1840s' +p275311 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0d4.jpg' +p275312 +sg225240 +g27 +sa(dp275313 +g225230 +S'Tree and Foliage' +p275314 +sg225232 +S'Walter Shirlaw' +p275315 +sg225234 +S'graphite on wove paper' +p275316 +sg225236 +S'probably c. 1873' +p275317 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e4cd.jpg' +p275318 +sg225240 +g27 +sa(dp275319 +g225232 +S'Alfred Stieglitz' +p275320 +sg225240 +g27 +sg225234 +S'platinum print' +p275321 +sg225230 +S"Georgia O'Keeffe at 291" +p275322 +sg225236 +S'1917' +p275323 +sa(dp275324 +g225230 +S"Georgia O'Keeffe at 291" +p275325 +sg225232 +S'Alfred Stieglitz' +p275326 +sg225234 +S'platinum print' +p275327 +sg225236 +S'1917' +p275328 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00062/a0006284.jpg' +p275329 +sg225240 +g27 +sa(dp275330 +g225232 +S'Alfred Stieglitz' +p275331 +sg225240 +g27 +sg225234 +S'Satista print' +p275332 +sg225230 +S"Georgia O'Keeffe at 291" +p275333 +sg225236 +S'1917' +p275334 +sa(dp275335 +g225230 +S"Georgia O'Keeffe--Hands" +p275336 +sg225232 +S'Alfred Stieglitz' +p275337 +sg225234 +S'Satista print' +p275338 +sg225236 +S'1917' +p275339 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00062/a0006285.jpg' +p275340 +sg225240 +g27 +sa(dp275341 +g225232 +S'Alfred Stieglitz' +p275342 +sg225240 +g27 +sg225234 +S'gelatin silver print' +p275343 +sg225230 +S"Georgia O'Keeffe--Exhibition at 291" +p275344 +sg225236 +S'1917' +p275345 +sa(dp275346 +g225232 +S'Alfred Stieglitz' +p275347 +sg225240 +g27 +sg225234 +S'gelatin silver print' +p275348 +sg225230 +S"Georgia O'Keeffe" +p275349 +sg225236 +S'1918' +p275350 +sa(dp275351 +g225232 +S'Alfred Stieglitz' +p275352 +sg225240 +g27 +sg225234 +S'platinum print' +p275353 +sg225230 +S"Georgia O'Keeffe" +p275354 +sg225236 +S'1918' +p275355 +sa(dp275356 +g225232 +S'Alfred Stieglitz' +p275357 +sg225240 +g27 +sg225234 +S'palladium print' +p275358 +sg225230 +S"Georgia O'Keeffe" +p275359 +sg225236 +S'1918' +p275360 +sa(dp275361 +g225232 +S'Alfred Stieglitz' +p275362 +sg225240 +g27 +sg225234 +S'gelatin silver print' +p275363 +sg225230 +S"Georgia O'Keeffe" +p275364 +sg225236 +S'1920' +p275365 +sa(dp275366 +g225232 +S'Alfred Stieglitz' +p275367 +sg225240 +g27 +sg225234 +S'gelatin silver print' +p275368 +sg225230 +S"Georgia O'Keeffe" +p275369 +sg225236 +S'1920' +p275370 +sa(dp275371 +g225232 +S'Alfred Stieglitz' +p275372 +sg225240 +g27 +sg225234 +S'palladium print' +p275373 +sg225230 +S"Georgia O'Keeffe" +p275374 +sg225236 +S'1918' +p275375 +sa(dp275376 +g225232 +S'Alfred Stieglitz' +p275377 +sg225240 +g27 +sg225234 +S'platinum print' +p275378 +sg225230 +S"Georgia O'Keeffe" +p275379 +sg225236 +S'1918' +p275380 +sa(dp275381 +g225232 +S'Alfred Stieglitz' +p275382 +sg225240 +g27 +sg225234 +S'palladium print' +p275383 +sg225230 +S"Georgia O'Keeffe" +p275384 +sg225236 +S'1918' +p275385 +sa(dp275386 +g225232 +S'Alfred Stieglitz' +p275387 +sg225240 +g27 +sg225234 +S'gelatin silver print' +p275388 +sg225230 +S"Georgia O'Keeffe" +p275389 +sg225236 +S'1918' +p275390 +sa(dp275391 +g225232 +S'Alfred Stieglitz' +p275392 +sg225240 +g27 +sg225234 +S'palladium print' +p275393 +sg225230 +S"Georgia O'Keeffe" +p275394 +sg225236 +S'1918' +p275395 +sa(dp275396 +g225232 +S'Alfred Stieglitz' +p275397 +sg225240 +g27 +sg225234 +S'palladium print' +p275398 +sg225230 +S"Georgia O'Keeffe" +p275399 +sg225236 +S'possibly 1918' +p275400 +sa(dp275401 +g225232 +S'Alfred Stieglitz' +p275402 +sg225240 +g27 +sg225234 +S'gelatin silver print' +p275403 +sg225230 +S"Georgia O'Keeffe" +p275404 +sg225236 +S'possibly 1918' +p275405 +sa(dp275406 +g225232 +S'Alfred Stieglitz' +p275407 +sg225240 +g27 +sg225234 +S'palladium print' +p275408 +sg225230 +S"Georgia O'Keeffe" +p275409 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+p277095 +sg225240 +g27 +sg225234 +S'acrylic on canvas' +p277096 +sg225230 +S'Sound' +p277097 +sg225236 +S'c. 1966' +p277098 +sa(dp277099 +g225232 +S'C\xc3\xa9sar' +p277100 +sg225240 +g27 +sg225234 +S'bronze' +p277101 +sg225230 +S'Homage to Brancusi' +p277102 +sg225236 +S'1957' +p277103 +sa(dp277104 +g225232 +S'Constantin Brancusi' +p277105 +sg225240 +S"Maiastra\n Maiastra appears perched on its base, radiant in its golden color, its breast swelling and beak open as if about to sing. Brancusi stated about the pose, "I wanted to show the Maiastra as raising its head, but without putting any implications of pride, haughtiness or defiance into this gesture. That was the difficult problem and it is only after much hard work that I managed to incorporate this gesture into the motion of flight." The subtlety and refinement of Brancusi's sculptural language are seen in the treatment of the eyes, the arch of the neck, the slight turn of the head, and the highly polished reflective surface of the bronze, as well as the dialogue between organic and hard-edge surfaces and lines and between the materials and shapes of the sculpture, its base, and its pedestal.\n In his obsessive search for "the essence of the work," Brancusi's \n " +p277106 +sg225234 +S'polished bronze' +p277107 +sg225230 +S'Maiastra' +p277108 +sg225236 +S'c. 1911' +p277109 +sa(dp277110 +g225230 +S'Landscape with Alpheus and Arethusa' +p277111 +sg225232 +S'Anthonie Waterloo' +p277112 +sg225234 +S'etching' +p277113 +sg225236 +S'unknown date\n' +p277114 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d5e6.jpg' +p277115 +sg225240 +g27 +sa(dp277116 +g225230 +S'Landscape with Tobias and the Angel' +p277117 +sg225232 +S'Anthonie Waterloo' +p277118 +sg225234 +S'etching' +p277119 +sg225236 +S'unknown date\n' +p277120 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d5e7.jpg' +p277121 +sg225240 +g27 +sa(dp277122 +g225232 +S'Masabikh Fatkhylilamovich Akhunov' +p277123 +sg225240 +g27 +sg225234 +S'linogravure' +p277124 +sg225230 +S'Lebedinskiy Mine' +p277125 +sg225236 +S'1972' +p277126 +sa(dp277127 +g225232 +S'Dmitrii Spiridonovich Bisti' +p277128 +sg225240 +g27 +sg225234 +S'linogravure' +p277129 +sg225230 +S'Construction' +p277130 +sg225236 +S'1971' +p277131 +sa(dp277132 +g225232 +S'Nikolai Nikolaevich Blagovolin' +p277133 +sg225240 +g27 +sg225234 +S'color auto lithograph' +p277134 +sg225230 +S'Salute' +p277135 +sg225236 +S'unknown date\n' +p277136 +sa(dp277137 +g225232 +S'Illarion Vladimirovich Golitzyn' +p277138 +sg225240 +g27 +sg225234 +S'linoleum cut' +p277139 +sg225230 +S'Grandson' +p277140 +sg225236 +S'unknown date\n' +p277141 +sa(dp277142 +g225232 +S"Inar Zhanovich Khel'mut" +p277143 +sg225240 +g27 +sg225234 +S'etching?' +p277144 +sg225230 +S'Riga Shift' +p277145 +sg225236 +S'1972' +p277146 +sa(dp277147 +g225232 +S"Inar Zhanovich Khel'mut" +p277148 +sg225240 +g27 +sg225234 +S'etching' +p277149 +sg225230 +S'Steel' +p277150 +sg225236 +S'1973' +p277151 +sa(dp277152 +g225232 +S"Aleksandr Mikhailovich Murav'ev" +p277153 +sg225240 +g27 +sg225234 +S'etching?' +p277154 +sg225230 +S'Water Pumping' +p277155 +sg225236 +S'1975' +p277156 +sa(dp277157 +g225232 +S'Konstantin Borisovich Nazarov' +p277158 +sg225240 +g27 +sg225234 +S'lithograph' +p277159 +sg225230 +S'Girls' +p277160 +sg225236 +S'1973' +p277161 +sa(dp277162 +g225232 +S'Aleksei Fedorovich Pakhamov' +p277163 +sg225240 +g27 +sg225234 +S'autolithograph' +p277164 +sg225230 +S'Laboratory Workers' +p277165 +sg225236 +S'1969' +p277166 +sa(dp277167 +g225232 +S'Artist Information (' +p277168 +sg225240 +g27 +sg225234 +S'(artist)' +p277169 +sg225230 +S'Lenin' +p277170 +sg225236 +S'\n' +p277171 +sa(dp277172 +g225232 +S'Georgii Georgievich Poplavskiy' +p277173 +sg225240 +g27 +sg225234 +S'lithograph' +p277174 +sg225230 +S'Return Vehicle' +p277175 +sg225236 +S'1975' +p277176 +sa(dp277177 +g225232 +S'Nikolai Valerianovich Shcheglov' +p277178 +sg225240 +g27 +sg225234 +S'color lithograph' +p277179 +sg225230 +S'Fusillade of Arora' +p277180 +sg225236 +S'unknown date\n' +p277181 +sa(dp277182 +g225232 +S"Aleksei Dement'evich Shmarinov" +p277183 +sg225240 +g27 +sg225234 +S'linogravure' +p277184 +sg225230 +S'Black Birds' +p277185 +sg225236 +S'unknown date\n' +p277186 +sa(dp277187 +g225232 +S'Ahdona Prano Skirutite' +p277188 +sg225240 +g27 +sg225234 +S'linogravure' +p277189 +sg225230 +S'Blue Lakes' +p277190 +sg225236 +S'1967' +p277191 +sa(dp277192 +g225232 +S'Ahdona Prano Skirutite' +p277193 +sg225240 +g27 +sg225234 +S'lithograph' +p277194 +sg225230 +S'Hay-Mowing' +p277195 +sg225236 +S'1972' +p277196 +sa(dp277197 +g225232 +S'Mikhail Nikolaevich Skulyari' +p277198 +sg225240 +g27 +sg225234 +S'color autolithograph' +p277199 +sg225230 +S'Still Life' +p277200 +sg225236 +S'1970' +p277201 +sa(dp277202 +g225232 +S'Georgii Galaktionovich Tsereteli' +p277203 +sg225240 +g27 +sg225234 +S'autolithograph' +p277204 +sg225230 +S'Recollections of Summer' +p277205 +sg225236 +S'unknown date\n' +p277206 +sa(dp277207 +g225232 +S'Vladimir Aleksandrovich Vetrogonskii' +p277208 +sg225240 +g27 +sg225234 +S'lithograph' +p277209 +sg225230 +S'Kirishskiy Stars' +p277210 +sg225236 +S'1968' +p277211 +sa(dp277212 +g225232 +S'Vladimir Aleksandrovich Vetrogonskii' +p277213 +sg225240 +g27 +sg225234 +S'autolithograph' +p277214 +sg225230 +S'Volga-Baltic Canal' +p277215 +sg225236 +S'1971/1976' +p277216 +sa(dp277217 +g225232 +S"Victor Semenovich Vil'ner" +p277218 +sg225240 +g27 +sg225234 +S'lithograph' +p277219 +sg225230 +S"Fisherman's Port" +p277220 +sg225236 +S'probably 1976' +p277221 +sa(dp277222 +g225232 +S'Anatolii Borisovich Yakushin' +p277223 +sg225240 +g27 +sg225234 +S'etching' +p277224 +sg225230 +S'Before the Night Take-Off' +p277225 +sg225236 +S'unknown date\n' +p277226 +sa(dp277227 +g225232 +S'Anatolii Borisovich Yakushin' +p277228 +sg225240 +g27 +sg225234 +S'etching' +p277229 +sg225230 +S'Tsiolkovskiy' +p277230 +sg225236 +S'1975' +p277231 +sa(dp277232 +g225232 +S'Anatolii Borisovich Yakushin' +p277233 +sg225240 +g27 +sg225234 +S'etching' +p277234 +sg225230 +S'Untitled' +p277235 +sg225236 +S'1975' +p277236 +sa(dp277237 +g225232 +S'Gurii Fillipovich Zakharov' +p277238 +sg225240 +g27 +sg225234 +S'etching' +p277239 +sg225230 +S'Singers Bridge' +p277240 +sg225236 +S'unknown date\n' +p277241 +sa(dp277242 +g225230 +S'Evening' +p277243 +sg225232 +S'Artist Information (' +p277244 +sg225234 +S'(artist after)' +p277245 +sg225236 +S'\n' +p277246 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009f0c.jpg' +p277247 +sg225240 +g27 +sa(dp277248 +g225232 +S'Jacques Villon' +p277249 +sg225240 +g27 +sg225234 +S'drypoint in black on laid paper' +p277250 +sg225230 +S'The Parisian (La Parisienne)' +p277251 +sg225236 +S'1903' +p277252 +sa(dp277253 +g225232 +S'Artist Information (' +p277254 +sg225240 +g27 +sg225234 +S'(artist after)' +p277255 +sg225230 +S'Landscape with Wagon' +p277256 +sg225236 +S'\n' +p277257 +sa(dp277258 +g225230 +S'Old Man with Bare Head' +p277259 +sg225232 +S'Giovanni Domenico Tiepolo' +p277260 +sg225234 +S'etching' +p277261 +sg225236 +S'c. 1762' +p277262 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cb31.jpg' +p277263 +sg225240 +g27 +sa(dp277264 +g225230 +S'Hudson Highlands' +p277265 +sg225232 +S'John William Casilear' +p277266 +sg225234 +S'graphite with touches of white heightening on graywove paper' +p277267 +sg225236 +S'1860s' +p277268 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e48d.jpg' +p277269 +sg225240 +g27 +sa(dp277270 +g225230 +S'Magdalena River, New Granada, Equador' +p277271 +sg225232 +S'Frederic Edwin Church' +p277272 +sg225234 +S'graphite heightened with white on wove paper' +p277273 +sg225236 +S'1853' +p277274 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0005d/a0005d5a.jpg' +p277275 +sg225240 +g27 +sa(dp277276 +g225230 +S'Temple of Juno, Agrigentum' +p277277 +sg225232 +S'Thomas Cole' +p277278 +sg225234 +S'graphite and white chalk on gray laid paper' +p277279 +sg225236 +S'1842' +p277280 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e49a.jpg' +p277281 +sg225240 +g27 +sa(dp277282 +g225230 +S"Villa d'Este, Tivoli" +p277283 +sg225232 +S'Jasper Francis Cropsey' +p277284 +sg225234 +S'graphite with touches of white heightening and brown wash on wove paper' +p277285 +sg225236 +S'1848' +p277286 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a00008cd.jpg' +p277287 +sg225240 +g27 +sa(dp277288 +g225230 +S'Breezing Up' +p277289 +sg225232 +S'Winslow Homer' +p277290 +sg225234 +S'graphite highlighted with black crayon and white chalk on wove paper' +p277291 +sg225236 +S'c. 1879' +p277292 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0005e/a0005e1c.jpg' +p277293 +sg225240 +g27 +sa(dp277294 +g225230 +S'North from Storm King' +p277295 +sg225232 +S'John William Casilear' +p277296 +sg225234 +S'graphite heightened with white on light green wove paper' +p277297 +sg225236 +S'1850s' +p277298 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a00008b6.jpg' +p277299 +sg225240 +g27 +sa(dp277300 +g225230 +S'White Line Square I' +p277301 +sg225232 +S'Artist Information (' +p277302 +sg225234 +g27 +sg225236 +S'(publisher)' +p277303 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00009/a000091c.jpg' +p277304 +sg225240 +g27 +sa(dp277305 +g225230 +S'White Line Square XIII' +p277306 +sg225232 +S'Artist Information (' +p277307 +sg225234 +g27 +sg225236 +S'(publisher)' +p277308 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00009/a000091f.jpg' +p277309 +sg225240 +g27 +sa(dp277310 +g225232 +S'Artist Information (' +p277311 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'White Line Square XIV' +p277312 +sg225236 +S'(publisher)' +p277313 +sa(dp277314 +g225232 +S'Artist Information (' +p277315 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Drypoint Zeta' +p277316 +sg225236 +S'(publisher)' +p277317 +sa(dp277318 +g225232 +S'Artist Information (' 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+sg225240 +g27 +sg225234 +g27 +sg225230 +S'Straight Line of the Sun' +p277345 +sg225236 +S'(publisher)' +p277346 +sa(dp277347 +g225230 +S'Turn' +p277348 +sg225232 +S'Artist Information (' +p277349 +sg225234 +g27 +sg225236 +S'(publisher)' +p277350 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a94.jpg' +p277351 +sg225240 +g27 +sa(dp277352 +g225232 +S'Artist Information (' +p277353 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Composite Head' +p277354 +sg225236 +S'(publisher)' +p277355 +sa(dp277356 +g225232 +S'Artist Information (' +p277357 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Coat' +p277358 +sg225236 +S'(publisher)' +p277359 +sa(dp277360 +g225232 +S'Artist Information (' +p277361 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Elements' +p277362 +sg225236 +S'(publisher)' +p277363 +sa(dp277364 +g225232 +S'Artist Information (' +p277365 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Room' +p277366 +sg225236 +S'(publisher)' +p277367 +sa(dp277368 +g225232 +S'Artist Information (' +p277369 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Sea' +p277370 +sg225236 +S'(publisher)' +p277371 +sa(dp277372 +g225232 +S'Artist Information (' +p277373 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Summer' +p277374 +sg225236 +S'(publisher)' +p277375 +sa(dp277376 +g225232 +S'Artist Information (' +p277377 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Scrap Metal Drypoint #1' +p277378 +sg225236 +S'(publisher)' +p277379 +sa(dp277380 +g225232 +S'Artist Information (' +p277381 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Scrap Metal Drypoint #2' +p277382 +sg225236 +S'(publisher)' +p277383 +sa(dp277384 +g225232 +S'Artist Information (' +p277385 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Scrap Metal Drypoint #3' +p277386 +sg225236 +S'(publisher)' +p277387 +sa(dp277388 +g225232 +S'Artist Information (' +p277389 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Scrap Metal Drypoint #4' +p277390 +sg225236 +S'(publisher)' +p277391 +sa(dp277392 +g225232 +S'Artist Information (' +p277393 +sg225240 +g27 +sg225234 +g27 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+g27 +sg225230 +S'Henry with Tulips' +p277418 +sg225236 +S'(publisher)' +p277419 +sa(dp277420 +g225232 +S'Artist Information (' +p277421 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Celia - Musing' +p277422 +sg225236 +S'(publisher)' +p277423 +sa(dp277424 +g225232 +S'Artist Information (' +p277425 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Celia - Inquiring' +p277426 +sg225236 +S'(publisher)' +p277427 +sa(dp277428 +g225232 +S'Artist Information (' +p277429 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Figure 1' +p277430 +sg225236 +S'(publisher)' +p277431 +sa(dp277432 +g225232 +S'Artist Information (' +p277433 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Figure 7' +p277434 +sg225236 +S'(publisher)' +p277435 +sa(dp277436 +g225232 +S'Artist Information (' +p277437 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Figure 1' +p277438 +sg225236 +S'(publisher)' +p277439 +sa(dp277440 +g225230 +S'Figure 7' +p277441 +sg225232 +S'Artist Information (' +p277442 +sg225234 +g27 +sg225236 +S'(publisher)' +p277443 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Carmean, Jr.' +p279808 +sg225240 +g27 +sg225234 +S'1 vol: ill: original lithograph by Motherwell accompanies volume (see record for print 1981.61.2)' +p279809 +sg225230 +S'Robert Motherwell: Reconciliation Elegy' +p279810 +sg225236 +S'published 1980' +p279811 +sa(dp279812 +g225232 +S'Artist Information (' +p279813 +sg225240 +g27 +sg225234 +S'American, born 1945' +p279814 +sg225230 +S'Altamira Elegy' +p279815 +sg225236 +S'(printer)' +p279816 +sa(dp279817 +g225232 +S'Rufino Tamayo' +p279818 +sg225240 +g27 +sg225234 +S'stencil print with embossing on hand-made paper' +p279819 +sg225230 +S'Untitled' +p279820 +sg225236 +S'c. 1981' +p279821 +sa(dp279822 +g225232 +S'Jean Tinguely' +p279823 +sg225240 +g27 +sg225234 +S'etching in brown' +p279824 +sg225230 +S'Metaharmonie III' +p279825 +sg225236 +S'1981' +p279826 +sa(dp279827 +g225230 +S'Head of a Bull' +p279828 +sg225232 +S'Gaetano Monti' +p279829 +sg225234 +S'marble' +p279830 +sg225236 +S'1824' +p279831 +sg225238 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Sig. Marchese Mario Capra" +p280085 +sg225236 +S'\n' +p280086 +sa(dp280087 +g225232 +S'Artist Information (' +p280088 +sg225240 +g27 +sg225234 +S'(artist)' +p280089 +sg225230 +S'Numismata Summorum Pontificum Templi Vaticani Fabricam Indicantia, Chronologica ejusden Fabricae narratione, ac multiplici eruditione explicata, Atque uberiori Numismatum omnium Pontificiorum Lucubrationi veluti Prodromus praemissa A Patre Philippo' +p280090 +sg225236 +S'\n' +p280091 +sa(dp280092 +g225232 +S'Artist Information (' +p280093 +sg225240 +g27 +sg225234 +S'(artist)' +p280094 +sg225230 +S'Vitruvius Britannicus, or the British Architect, Containing The Plans, Elevations, and Sections of the Regular Buildings, both Publick and Private, in Great Britain, With Variety of New Designs; in 200 large Folio Plates, Engraven by the best Hands; and Drawn either from the Buildings themselves, the the Original Designs of the Architects; In III Volumes Vol. I [-III] by Colen Campb ell Esqr....(repeated in French) Cum Privilegio Regis' +p280095 +sg225236 +S'\n' +p280096 +sa(dp280097 +g225232 +S'Vincenzo Scamozzi' +p280098 +sg225240 +g27 +sg225234 +S', published 1615' +p280099 +sg225230 +S"L'Idea della Architettura Universale di Vincenzo Scamozzi Architetto Veneto Diuisa in X. Libri. Parte Prima. Dell' Eccellenza di Qvesta Facolta, Degl' Architetti prestani: e Precetti, Inuentioni, Disegni, Modelli & Opere merauigliose. Le qualite de Paesi, e Siti; Le Forme delle Citt\xc3\xa0, e Fortezze reali; e di tutti i Generi d'Edifici Sacri, Publici, e Priuati: Antichi, e proprij dell' Autore. Con i Loro Disegni" +p280100 +sg225236 +S'\n' +p280101 +sa(dp280102 +g225232 +S'Artist Information (' +p280103 +sg225240 +g27 +sg225234 +S'(artist)' +p280104 +sg225230 +S"L'Entr\xc3\xa9e Triomphante De Leurs Maiestez Louis XIV. Roy De France Et De Navarre, Et Marie Therese D'Austriche Son Espouse, Dans La Ville De Paris Capitale De Leurs Royaumes, Au Retour De La Signature De La Paix Generalle Et De Leur Heureux Mariage. Enrichie de plusiers Figures, des Harangues & de diverses Pieces considerables pour l'Histoire..." +p280105 +sg225236 +S'\n' +p280106 +sa(dp280107 +g225232 +S'Artist Information (' +p280108 +sg225240 +g27 +sg225234 +S'(artist)' +p280109 +sg225230 +S'The Architecture of Leon Battista Alberti in Ten Books of Painting in Three Books and of Statuary in One Book. Translated into Italian by Cosimo Bartoli. The Second Edition and Divided into Two Volumes by James Leoni, Venetian, Architect' +p280110 +sg225236 +S'\n' +p280111 +sa(dp280112 +g225232 +S'Artist Information (' +p280113 +sg225240 +g27 +sg225234 +S'(artist)' +p280114 +sg225230 +S'The Architecture of Leon Battista Alberti in Ten Books of Painting in Three Books and of Statuary in One Book. Translated into Italian by Cosimo Bartoli. The Second Edition and Divided into Two Volumes by James Leoni, Venetian, Architect' +p280115 +sg225236 +S'\n' +p280116 +sa(dp280117 +g225230 +S'Sarah Bernhardt as Melisande' +p280118 +sg225232 +S'Paul Berthon' +p280119 +sg225234 +S'color lithograph' +p280120 +sg225236 +S'unknown date\n' +p280121 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0009e/a0009ef1.jpg' +p280122 +sg225240 +g27 +sa(dp280123 +g225232 +S'Artist Information (' +p280124 +sg225240 +g27 +sg225234 +S'(author)' +p280125 +sg225230 +S'Sabbath Bells' +p280126 +sg225236 +S'\n' +p280127 +sa(dp280128 +g225232 +S'Artist Information (' +p280129 +sg225240 +g27 +sg225234 +S'(author)' +p280130 +sg225230 +S'De Funeribus Romanorum' +p280131 +sg225236 +S'\n' +p280132 +sa(dp280133 +g225230 +S'Pastoral Scene' +p280134 +sg225232 +S'Artist Information (' +p280135 +sg225234 +S'(artist after)' +p280136 +sg225236 +S'\n' +p280137 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cb5d.jpg' +p280138 +sg225240 +g27 +sa(dp280139 +g225230 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+S'\n' +p280233 +sa(dp280234 +g225232 +S'Hjalmar M\xc3\xb6rner' +p280235 +sg225240 +g27 +sg225234 +S'1 vol: 20 etchings' +p280236 +sg225230 +S'Il Carnevale di Roma' +p280237 +sg225236 +S'published 1820' +p280238 +sa(dp280239 +g225232 +S'Bartolomeo Pinelli' +p280240 +sg225240 +g27 +sg225234 +S'1 vol: 50 etchings' +p280241 +sg225230 +S"L'Eneide di Virgilio" +p280242 +sg225236 +S'published 1811' +p280243 +sa(dp280244 +g225232 +S'Bartolomeo Pinelli' +p280245 +sg225240 +g27 +sg225234 +S'1 vol: ill: 100 etchings' +p280246 +sg225230 +S'Istoria Roma' +p280247 +sg225236 +S'published 1821' +p280248 +sa(dp280249 +g225232 +S'Bartolomeo Pinelli' +p280250 +sg225240 +g27 +sg225234 +S'1 vol: ill: 100 etchings' +p280251 +sg225230 +S'Istoria Greca' +p280252 +sg225236 +S'published 1821' +p280253 +sa(dp280254 +g225232 +S'Bartolomeo Pinelli' +p280255 +sg225240 +g27 +sg225234 +S'1 vol: 67 etchings including frontispiece' +p280256 +sg225230 +S'Divina Comedia di Dante (volume I)' +p280257 +sg225236 +S'published 1826' +p280258 +sa(dp280259 +g225232 +S'Bartolomeo Pinelli' +p280260 +sg225240 +g27 +sg225234 +S'1 vol: 43 etchings' +p280261 +sg225230 +S'Divina Comedia di Dante (volume II)' +p280262 +sg225236 +S'published 1826' +p280263 +sa(dp280264 +g225232 +S'Bartolomeo Pinelli' +p280265 +sg225240 +g27 +sg225234 +S'1 vol: 35 etchings' +p280266 +sg225230 +S'Divina Comedia di Dante (volume III)' +p280267 +sg225236 +S'published 1826' +p280268 +sa(dp280269 +g225232 +S'Various Artists' +p280270 +sg225240 +g27 +sg225234 +S'Gift of Dr. and Mrs. David S. Pollen' +p280271 +sg225230 +S'Raccolta ... della Citta di Roma ...' +p280272 +sg225236 +S'\n1 vol: 40 etchings and engravings of which 10 are by P. Parboni, 10 by F. Morel, 6 by F. Palmucci, 6 by G. Acquaroni, 3 by P. Ruga, & 4 by S. Bossi' +p280273 +sa(dp280274 +g225230 +S'Ein Monitari Indianer' +p280275 +sg225232 +S'Karl Bodmer' +p280276 +sg225234 +S'lithograph' +p280277 +sg225236 +S'1839' +p280278 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ef/a000ef02.jpg' +p280279 +sg225240 +g27 +sa(dp280280 +g225230 +S"L'Inquietude" +p280281 +sg225232 +S'Achille Deveria' +p280282 +sg225234 +S'lithograph' +p280283 +sg225236 +S'1829' +p280284 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00063/a0006369.jpg' +p280285 +sg225240 +g27 +sa(dp280286 +g225230 +S'Figures in a Landscape' +p280287 +sg225232 +S'William Hart' +p280288 +sg225234 +S'graphite with white gouache on brown paper' +p280289 +sg225236 +S'1860' +p280290 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a00008f1.jpg' +p280291 +sg225240 +g27 +sa(dp280292 +g225230 +S'Norman Structure' +p280293 +sg225232 +S'Childe Hassam' +p280294 +sg225234 +S'pen and black ink over graphite on (bristol board?)' +p280295 +sg225236 +S'1885' +p280296 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a00008f5.jpg' +p280297 +sg225240 +g27 +sa(dp280298 +g225230 +S'Prometheus Bound' +p280299 +sg225232 +S'Christian Schussele' +p280300 +sg225234 +S'charcoal' +p280301 +sg225236 +S'unknown date\n' +p280302 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00009/a00009c8.jpg' +p280303 +sg225240 +g27 +sa(dp280304 +g225230 +S'Charity' +p280305 +sg225232 +S'Benjamin West' +p280306 +sg225234 +S'pen and brown ink with brown wash on gray paper mounted to brown laid paper' +p280307 +sg225236 +S'unknown date\n' +p280308 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00009/a00009f3.jpg' +p280309 +sg225240 +g27 +sa(dp280310 +g225230 +S'City Street Scene' +p280311 +sg225232 +S'Artist Information (' +p280312 +sg225234 +g27 +sg225236 +S'(artist)' +p280313 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00072/a00072ad.jpg' +p280314 +sg225240 +g27 +sa(dp280315 +g225232 +S'M.C. Escher' +p280316 +sg225240 +g27 +sg225234 +S'wood engraving//below engraving on same sheet is anotein ink from Escher to Martin Gardner' +p280317 +sg225230 +S'Trees and Animals' +p280318 +sg225236 +S'probably 1953' +p280319 +sa(dp280320 +g225232 +S'M.C. Escher' +p280321 +sg225240 +g27 +sg225234 +S'wood engraving//illustration on cover of "De Graphicus M.C. Escher" by G.H.\'s-Gravesande, "Halcyon 3-4", The Hague, 1940' +p280322 +sg225230 +S'Covered Alley in Atrani' +p280323 +sg225236 +S'1931' +p280324 +sa(dp280325 +g225232 +S'M.C. Escher' +p280326 +sg225240 +g27 +sg225234 +S'wood engraving' +p280327 +sg225230 +S'Grasshopper' +p280328 +sg225236 +S'1935' +p280329 +sa(dp280330 +g225232 +S'M.C. Escher' +p280331 +sg225240 +g27 +sg225234 +S'wood engraving' +p280332 +sg225230 +S'Scarabs' +p280333 +sg225236 +S'1935' +p280334 +sa(dp280335 +g225232 +S'M.C. Escher' +p280336 +sg225240 +g27 +sg225234 +S'woodcut//poem ("Spinrag") is on same sheet to right of woodcut' +p280337 +sg225230 +S'Cobwebs' +p280338 +sg225236 +S'1931' +p280339 +sa(dp280340 +g225232 +S'Artist Information (' +p280341 +sg225240 +g27 +sg225234 +S'(author)' +p280342 +sg225230 +S'XXIV Emblemata dat zijn zinne-beelden' +p280343 +sg225236 +S'\n' +p280344 +sa(dp280345 +g225232 +S'Artist Information (' +p280346 +sg225240 +g27 +sg225234 +S'(author)' +p280347 +sg225230 +S'Flor de Pascua' +p280348 +sg225236 +S'\n' +p280349 +sa(dp280350 +g225232 +S'M.C. Escher' +p280351 +sg225240 +g27 +sg225234 +S'woodcut//1 of 4 woodcuts printed on a single page' +p280352 +sg225230 +S'Sunflower [upper right]' +p280353 +sg225236 +S'1921' +p280354 +sa(dp280355 +g225232 +S'M.C. Escher' +p280356 +sg225240 +g27 +sg225234 +S'woodcut//1 of 4 woodcuts printed on a single page' +p280357 +sg225230 +S'Valentine [upper left]' +p280358 +sg225236 +S'1921' +p280359 +sa(dp280360 +g225232 +S'M.C. Escher' +p280361 +sg225240 +g27 +sg225234 +S'woodcut//1 of 4 woodcuts printed on a single page' +p280362 +sg225230 +S'Bell Flower [lower left]' +p280363 +sg225236 +S'1921' +p280364 +sa(dp280365 +g225232 +S'M.C. Escher' +p280366 +sg225240 +g27 +sg225234 +S'woodcut//1 of 4 woodcuts printed on a single page' +p280367 +sg225230 +S'Alarm Clock [lower right]' +p280368 +sg225236 +S'1921' +p280369 +sa(dp280370 +g225232 +S'M.C. Escher' +p280371 +sg225240 +g27 +sg225234 +S'woodcut' +p280372 +sg225230 +S'The Scapegoat' +p280373 +sg225236 +S'1921' +p280374 +sa(dp280375 +g225232 +S'M.C. Escher' +p280376 +sg225240 +g27 +sg225234 +S'woodcut' +p280377 +sg225230 +S'Convention' +p280378 +sg225236 +S'1921' +p280379 +sa(dp280380 +g225232 +S'M.C. Escher' +p280381 +sg225240 +g27 +sg225234 +S'woodcut' +p280382 +sg225230 +S'Fulfillment' +p280383 +sg225236 +S'1921' +p280384 +sa(dp280385 +g225232 +S'M.C. Escher' +p280386 +sg225240 +g27 +sg225234 +S'woodcut' +p280387 +sg225230 +S'Madonna' +p280388 +sg225236 +S'1921' +p280389 +sa(dp280390 +g225232 +S'M.C. Escher' +p280391 +sg225240 +g27 +sg225234 +S'woodcut' +p280392 +sg225230 +S'Standing Figure' +p280393 +sg225236 +S'1921' +p280394 +sa(dp280395 +g225232 +S'M.C. Escher' +p280396 +sg225240 +g27 +sg225234 +S'woodcut' +p280397 +sg225230 +S'Spook' +p280398 +sg225236 +S'1921' +p280399 +sa(dp280400 +g225232 +S'M.C. Escher' +p280401 +sg225240 +g27 +sg225234 +S'woodcut' +p280402 +sg225230 +S'Pansy' +p280403 +sg225236 +S'1921' +p280404 +sa(dp280405 +g225232 +S'M.C. Escher' +p280406 +sg225240 +g27 +sg225234 +S'woodcut' +p280407 +sg225230 +S'Theosophy' +p280408 +sg225236 +S'1921' +p280409 +sa(dp280410 +g225232 +S'M.C. Escher' +p280411 +sg225240 +g27 +sg225234 +S'woodcut' +p280412 +sg225230 +S'Rooster on the Tower' +p280413 +sg225236 +S'1921' +p280414 +sa(dp280415 +g225232 +S'M.C. Escher' +p280416 +sg225240 +g27 +sg225234 +S'woodcut' +p280417 +sg225230 +S'Perfume' +p280418 +sg225236 +S'1921' +p280419 +sa(dp280420 +g225232 +S'M.C. Escher' +p280421 +sg225240 +g27 +sg225234 +S'woodcut' +p280422 +sg225230 +S"Whore's Superstiton" +p280423 +sg225236 +S'1921' +p280424 +sa(dp280425 +g225232 +S'M.C. Escher' +p280426 +sg225240 +g27 +sg225234 +S'woodcut' +p280427 +sg225230 +S'The Sphere' +p280428 +sg225236 +S'1921' +p280429 +sa(dp280430 +g225232 +S'M.C. Escher' +p280431 +sg225240 +g27 +sg225234 +S'woodcut' +p280432 +sg225230 +S'"Never Think before You Act"' +p280433 +sg225236 +S'1921' +p280434 +sa(dp280435 +g225232 +S'M.C. Escher' +p280436 +sg225240 +g27 +sg225234 +S'woodcut' +p280437 +sg225230 +S'Beautiful' +p280438 +sg225236 +S'1921' +p280439 +sa(dp280440 +g225232 +S'M.C. Escher' +p280441 +sg225240 +g27 +sg225234 +S'woodcut' +p280442 +sg225230 +S'Charity' +p280443 +sg225236 +S'1921' +p280444 +sa(dp280445 +g225232 +S'Artist Information (' +p280446 +sg225240 +g27 +sg225234 +S'(author)' +p280447 +sg225230 +S'De vreeselijke avonturen van Scholastica' +p280448 +sg225236 +S'\n' +p280449 +sa(dp280450 +g225232 +S'M.C. Escher' +p280451 +sg225240 +g27 +sg225234 +S'woodcut on thin Japan paper' +p280452 +sg225230 +S'Initial A' +p280453 +sg225236 +S'probably 1932' +p280454 +sa(dp280455 +g225232 +S'M.C. Escher' +p280456 +sg225240 +g27 +sg225234 +S'woodcut on thin Japan paper' +p280457 +sg225230 +S'Initial S' +p280458 +sg225236 +S'probably 1932' +p280459 +sa(dp280460 +g225232 +S'M.C. Escher' +p280461 +sg225240 +g27 +sg225234 +S'woodcut on thin Japan paper' +p280462 +sg225230 +S'Initial S' +p280463 +sg225236 +S'probably 1932' +p280464 +sa(dp280465 +g225232 +S'M.C. Escher' +p280466 +sg225240 +g27 +sg225234 +S'woodcut on thin Japan paper' +p280467 +sg225230 +S'Initial D' +p280468 +sg225236 +S'probably 1932' +p280469 +sa(dp280470 +g225232 +S'M.C. Escher' +p280471 +sg225240 +g27 +sg225234 +S'woodcut on thin Japan paper' +p280472 +sg225230 +S'Initial T' +p280473 +sg225236 +S'probably 1932' +p280474 +sa(dp280475 +g225232 +S'M.C. Escher' +p280476 +sg225240 +g27 +sg225234 +S'woodcut on thin Japan paper' +p280477 +sg225230 +S'Initial H' +p280478 +sg225236 +S'probably 1932' +p280479 +sa(dp280480 +g225232 +S'M.C. Escher' +p280481 +sg225240 +g27 +sg225234 +S'woodcut on thin Japan paper' +p280482 +sg225230 +S'Initial H' +p280483 +sg225236 +S'probably 1932' +p280484 +sa(dp280485 +g225232 +S'M.C. Escher' +p280486 +sg225240 +g27 +sg225234 +S'woodcut on thin Japan paper' +p280487 +sg225230 +S'Initial V' +p280488 +sg225236 +S'probably 1932' +p280489 +sa(dp280490 +g225232 +S'M.C. Escher' +p280491 +sg225240 +g27 +sg225234 +S'woodcut on thin Japan paper' +p280492 +sg225230 +S'Initial V' +p280493 +sg225236 +S'probably 1932' +p280494 +sa(dp280495 +g225232 +S'M.C. Escher' +p280496 +sg225240 +g27 +sg225234 +S'woodcut on thin Japan paper' +p280497 +sg225230 +S'Initial D' +p280498 +sg225236 +S'probably 1932' +p280499 +sa(dp280500 +g225232 +S'M.C. Escher' +p280501 +sg225240 +g27 +sg225234 +S'woodcut on thin Japan paper' +p280502 +sg225230 +S'Initial O' +p280503 +sg225236 +S'probably 1932' +p280504 +sa(dp280505 +g225232 +S'M.C. Escher' +p280506 +sg225240 +g27 +sg225234 +S'woodcut on thin Japan paper' +p280507 +sg225230 +S'Vignette' +p280508 +sg225236 +S'probably 1932' +p280509 +sa(dp280510 +g225232 +S'M.C. Escher' +p280511 +sg225240 +g27 +sg225234 +S'wood engraving' +p280512 +sg225230 +S'San Cosimo' +p280513 +sg225236 +S'1932' +p280514 +sa(dp280515 +g225232 +S'M.C. Escher' +p280516 +sg225240 +g27 +sg225234 +S'lithograph' +p280517 +sg225230 +S'Farmhouse, Ravello' +p280518 +sg225236 +S'1932' +p280519 +sa(dp280520 +g225232 +S'M.C. Escher' +p280521 +sg225240 +g27 +sg225234 +S'lithograph' +p280522 +sg225230 +S'San Cosimo, Ravello' +p280523 +sg225236 +S'1932' +p280524 +sa(dp280525 +g225232 +S'M.C. Escher' +p280526 +sg225240 +g27 +sg225234 +S'wood engraving on thin white laid paper (China?)' +p280527 +sg225230 +S"Porta Maria dell'Ospidale, Ravello" +p280528 +sg225236 +S'1932' +p280529 +sa(dp280530 +g225230 +S'Calanche of Piana, Corsica' +p280531 +sg225232 +S'M.C. Escher' +p280532 +sg225234 +S'wood engraving' +p280533 +sg225236 +S'1934' +p280534 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a00002b7.jpg' +p280535 +sg225240 +g27 +sa(dp280536 +g225232 +S'M.C. Escher' +p280537 +sg225240 +g27 +sg225234 +S'woodcut in black and gray, printed from two blocks' +p280538 +sg225230 +S'Birthday card for J. Greshoff' +p280539 +sg225236 +S'1938' +p280540 +sa(dp280541 +g225232 +S'M.C. Escher' +p280542 +sg225240 +g27 +sg225234 +S'mezzotint and drypoint' +p280543 +sg225230 +S'Eye' +p280544 +sg225236 +S'1946' +p280545 +sa(dp280546 +g225230 +S'Sun and Moon' +p280547 +sg225232 +S'M.C. Escher' +p280548 +sg225234 +S'woodcut in black' +p280549 +sg225236 +S'1948' +p280550 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004b/a0004b3a.jpg' +p280551 +sg225240 +g27 +sa(dp280552 +g225232 +S'M.C. Escher' +p280553 +sg225240 +g27 +sg225234 +S'woodcut in black' +p280554 +sg225230 +S'Sun and Moon' +p280555 +sg225236 +S'1948' +p280556 +sa(dp280557 +g225232 +S'M.C. Escher' +p280558 +sg225240 +g27 +sg225234 +S'woodcut in black' +p280559 +sg225230 +S'Sun and Moon' +p280560 +sg225236 +S'1948' +p280561 +sa(dp280562 +g225232 +S'M.C. Escher' +p280563 +sg225240 +g27 +sg225234 +S'woodcut in black' +p280564 +sg225230 +S'Sun and Moon' +p280565 +sg225236 +S'1948' +p280566 +sa(dp280567 +g225232 +S'M.C. Escher' +p280568 +sg225240 +g27 +sg225234 +S'woodcut in black and gray' +p280569 +sg225230 +S'Sphere Surface with Fish' +p280570 +sg225236 +S'1958' +p280571 +sa(dp280572 +g225232 +S'M.C. Escher' +p280573 +sg225240 +g27 +sg225234 +S'woodcut in black and gold' +p280574 +sg225230 +S'Sphere Surface with Fish' +p280575 +sg225236 +S'1958' +p280576 +sa(dp280577 +g225232 +S'M.C. Escher' +p280578 +sg225240 +g27 +sg225234 +S'woodcut in black and green' +p280579 +sg225230 +S'Knots' +p280580 +sg225236 +S'1965' +p280581 +sa(dp280582 +g225232 +S'Josef Albers' +p280583 +sg225240 +g27 +sg225234 +S'color screenprint' +p280584 +sg225230 +S'Golden Gate' +p280585 +sg225236 +S'1965' +p280586 +sa(dp280587 +g225232 +S'Josef Albers' +p280588 +sg225240 +g27 +sg225234 +S'portfolio with ten screenprints plus statement by the artist' +p280589 +sg225230 +S'Homage to the Square: Soft Edge - Hard Edge' +p280590 +sg225236 +S'published 1965' +p280591 +sa(dp280592 +g225232 +S'Josef Albers' +p280593 +sg225240 +g27 +sg225234 +S'color screenprint' +p280594 +sg225230 +S'Palatial' +p280595 +sg225236 +S'1965' +p280596 +sa(dp280597 +g225232 +S'Josef Albers' +p280598 +sg225240 +g27 +sg225234 +S'color screenprint' +p280599 +sg225230 +S'Nacre' +p280600 +sg225236 +S'1965' +p280601 +sa(dp280602 +g225232 +S'Josef Albers' +p280603 +sg225240 +g27 +sg225234 +S'color screenprint' +p280604 +sg225230 +S'Late' +p280605 +sg225236 +S'1965' +p280606 +sa(dp280607 +g225232 +S'Josef Albers' +p280608 +sg225240 +g27 +sg225234 +S'color screenprint' +p280609 +sg225230 +S'Porta Negra' +p280610 +sg225236 +S'1965' +p280611 +sa(dp280612 +g225232 +S'Josef Albers' +p280613 +sg225240 +g27 +sg225234 +S'color screenprint' +p280614 +sg225230 +S'Emeraude' +p280615 +sg225236 +S'1965' +p280616 +sa(dp280617 +g225232 +S'Josef Albers' +p280618 +sg225240 +g27 +sg225234 +S'color screenprint' +p280619 +sg225230 +S'Profundo' +p280620 +sg225236 +S'1965' +p280621 +sa(dp280622 +g225232 +S'Josef Albers' +p280623 +sg225240 +g27 +sg225234 +S'color screenprint' +p280624 +sg225230 +S'Arctic Bloom' +p280625 +sg225236 +S'1965' +p280626 +sa(dp280627 +g225232 +S'Josef Albers' +p280628 +sg225240 +g27 +sg225234 +S'color screenprint' +p280629 +sg225230 +S'Pending' +p280630 +sg225236 +S'1965' +p280631 +sa(dp280632 +g225232 +S'Josef Albers' +p280633 +sg225240 +g27 +sg225234 +S'color screenprint' +p280634 +sg225230 +S'Arrived' +p280635 +sg225236 +S'1965' +p280636 +sa(dp280637 +g225232 +S'Max Beckmann' +p280638 +sg225240 +g27 +sg225234 +S'gouache on paper mounted on hardboard' +p280639 +sg225230 +S"Pandora's Box" +p280640 +sg225236 +S'1936 and 1947' +p280641 +sa(dp280642 +g225232 +S'June Wayne' +p280643 +sg225240 +g27 +sg225234 +S'lithograph' +p280644 +sg225230 +S'Last Chance' +p280645 +sg225236 +S'1955' +p280646 +sa(dp280647 +g225232 +S'Artist Information (' +p280648 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Untitled' +p280649 +sg225236 +S'(publisher)' +p280650 +sa(dp280651 +g225232 +S'Jasper Johns' +p280652 +sg225240 +g27 +sg225234 +S'color lithograph' +p280653 +sg225230 +S'0 through 9' +p280654 +sg225236 +S'1977' +p280655 +sa(dp280656 +g225232 +S'Jasper Johns' +p280657 +sg225240 +g27 +sg225234 +S'4-color lithograph on La Paloma handmade paper' +p280658 +sg225230 +S'0 through 9' +p280659 +sg225236 +S'1977' +p280660 +sa(dp280661 +g225232 +S'Jasper Johns' +p280662 +sg225240 +g27 +sg225234 +S'color lithograph on La Paloma handmade paper' +p280663 +sg225230 +S'O through 9' +p280664 +sg225236 +S'1977' +p280665 +sa(dp280666 +g225232 +S'Artist Information (' +p280667 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Bull Head I' +p280668 +sg225236 +S'(publisher)' +p280669 +sa(dp280670 +g225232 +S'Artist Information (' +p280671 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Bull Head II' +p280672 +sg225236 +S'(publisher)' +p280673 +sa(dp280674 +g225232 +S'Artist Information (' +p280675 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Bull Head III' +p280676 +sg225236 +S'(publisher)' +p280677 +sa(dp280678 +g225232 +S'Roy Lichtenstein' +p280679 +sg225240 +g27 +sg225234 +S'woodcut on Japanese Hoshi paper' +p280680 +sg225230 +S'Modern Head #1' +p280681 +sg225236 +S'1970' +p280682 +sa(dp280683 +g225232 +S'Artist Information (' +p280684 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Modern Head #2' +p280685 +sg225236 +S'(publisher)' +p280686 +sa(dp280687 +g225232 +S'Artist Information (' +p280688 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Modern Head #3' +p280689 +sg225236 +S'(publisher)' +p280690 +sa(dp280691 +g225232 +S'Roy Lichtenstein' +p280692 +sg225240 +g27 +sg225234 +S'lithograph on engraved and anodized aluminum' +p280693 +sg225230 +S'Modern Head #4' +p280694 +sg225236 +S'1970' +p280695 +sa(dp280696 +g225232 +S'Artist Information (' +p280697 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Modern Head #5' +p280698 +sg225236 +S'(publisher)' +p280699 +sa(dp280700 +g225232 +S'Frank Stella' +p280701 +sg225240 +g27 +sg225234 +S'color screenprint (150 runs from 50 screens) on Arches 88 paper' +p280702 +sg225230 +S'Double Gray Scramble' +p280703 +sg225236 +S'1972/1973' +p280704 +sa(dp280705 +g225232 +S'Artist Information (' +p280706 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Los Alamitos' +p280707 +sg225236 +S'(publisher)' +p280708 +sa(dp280709 +g225230 +S'Woman with a Hat' +p280710 +sg225232 +S'Maurice de Vlaminck' +p280711 +sg225234 +S'oil on canvas' +p280712 +sg225236 +S'1905' +p280713 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000edf.jpg' +p280714 +sg225240 +g27 +sa(dp280715 +g225232 +S'Henri Matisse' +p280716 +sg225240 +g27 +sg225234 +S'pen and black ink' +p280717 +sg225230 +S'Henriette as an Odalisque' +p280718 +sg225236 +S'1922' +p280719 +sa(dp280720 +g225232 +S'Hans Hartung' +p280721 +sg225240 +g27 +sg225234 +S'oil on canvas' +p280722 +sg225230 +S'T.51.6' +p280723 +sg225236 +S'1951' +p280724 +sa(dp280725 +g225230 +S'Wales' +p280726 +sg225232 +S'Helen Frankenthaler' +p280727 +sg225234 +S'acrylic on canvas' +p280728 +sg225236 +S'1966' +p280729 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a00000c1.jpg' +p280730 +sg225240 +g27 +sa(dp280731 +g225230 +S'Madonna and Child' +p280732 +sg225232 +S'Jan Gossaert' +p280733 +sg225234 +S'oil on panel' +p280734 +sg225236 +S'c. 1532' +p280735 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00005/a00005ab.jpg' +p280736 +sg225240 +g27 +sa(dp280737 +g225232 +S'Artist Information (' +p280738 +sg225240 +g27 +sg225234 +S'(artist after)' +p280739 +sg225230 +S'The Doge in the Bucintoro Leaving San Nicol\xc3\xb2 di Lido' +p280740 +sg225236 +S'\n' +p280741 +sa(dp280742 +g225230 +S'Disputation of Saint Catherine of Alexandria' +p280743 +sg225232 +S'Federico Zuccaro' +p280744 +sg225234 +S'pen and brown ink and brown wash over graphite heightened with white, squared in graphite, on laid paper' +p280745 +sg225236 +S'probably c. 1570' +p280746 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00028/a00028ee.jpg' +p280747 +sg225240 +g27 +sa(dp280748 +g225230 +S'A Young Man Pursued by Death' +p280749 +sg225232 +S'Stefano Della Bella' +p280750 +sg225234 +S'pen and brown, iron gall ink with gray wash over black chalk on laid paper' +p280751 +sg225236 +S'unknown date\n' +p280752 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a0007470.jpg' +p280753 +sg225240 +g27 +sa(dp280754 +g225230 +S'Two Beggars with Their Dog' +p280755 +sg225232 +S'Paul Troger' +p280756 +sg225234 +S'pen and brown ink on laid paper' +p280757 +sg225236 +S'c. 1728' +p280758 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b9/a000b955.jpg' +p280759 +sg225240 +g27 +sa(dp280760 +g225230 +S'The Departure of Jacob to Egypt' +p280761 +sg225232 +S'Stefano Della Bella' +p280762 +sg225234 +S'etching' +p280763 +sg225236 +S'probably 1647' +p280764 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9b0.jpg' +p280765 +sg225240 +g27 +sa(dp280766 +g225230 +S'Gentleman Seen from Behind' +p280767 +sg225232 +S'Pieter Jansz Quast' +p280768 +sg225234 +S'graphite on vellum' +p280769 +sg225236 +S'1638' +p280770 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00072/a00072ed.jpg' +p280771 +sg225240 +g27 +sa(dp280772 +g225230 +S'Lady Seen from Behind' +p280773 +sg225232 +S'Pieter Jansz Quast' +p280774 +sg225234 +S'graphite on vellum' +p280775 +sg225236 +S'unknown date\n' +p280776 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00072/a00072b7.jpg' +p280777 +sg225240 +g27 +sa(dp280778 +g225230 +S'Horses Going to a Fair' +p280779 +sg225232 +S'Th\xc3\xa9odore Gericault' +p280780 +sg225234 +S'lithograph' +p280781 +sg225236 +S'1821' +p280782 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009f69.jpg' +p280783 +sg225240 +g27 +sa(dp280784 +g225232 +S'Mark Alan Leithauser' +p280785 +sg225240 +g27 +sg225234 +S'etching' +p280786 +sg225230 +S'Downriver Plant' +p280787 +sg225236 +S'1978' +p280788 +sa(dp280789 +g225230 +S'Anthony Henley' +p280790 +sg225232 +S'Sir Godfrey Kneller' +p280791 +sg225234 +S'black chalk heightened with white chalk on brown laid paper' +p280792 +sg225236 +S'before 1694' +p280793 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00072/a00072da.jpg' +p280794 +sg225240 +g27 +sa(dp280795 +g225232 +S'Giacomo Balla' +p280796 +sg225240 +g27 +sg225234 +S'brush and black ink over graphite on bristol board' +p280797 +sg225230 +S'Self-Portrait' +p280798 +sg225236 +S'1917' +p280799 +sa(dp280800 +g225232 +S'Henri Laurens' +p280801 +sg225240 +g27 +sg225234 +S'papier coll? [marbled papers] with charcoal and white chalk on brown paperboard' +p280802 +sg225230 +S"L'Instrument de Musique" +p280803 +sg225236 +S'1916' +p280804 +sa(dp280805 +g225230 +S'Jester' +p280806 +sg225232 +S'Pablo Picasso' +p280807 +sg225234 +S'pen and black ink on brown paper' +p280808 +sg225236 +S'1905' +p280809 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006a/a0006a08.jpg' +p280810 +sg225240 +g27 +sa(dp280811 +g225232 +S'Frank Stella' +p280812 +sg225240 +g27 +sg225234 +S'color felt-tip pen (over screenprint in black?)' +p280813 +sg225230 +S'Study for Albany Mall [panel 1]' +p280814 +sg225236 +S'1968' +p280815 +sa(dp280816 +g225232 +S'Frank Stella' +p280817 +sg225240 +g27 +sg225234 +S'color felt-tip pen (over screenprint in black?)' +p280818 +sg225230 +S'Study for Albany Mall [panel 2]' +p280819 +sg225236 +S'1968' +p280820 +sa(dp280821 +g225232 +S'Frank Stella' +p280822 +sg225240 +g27 +sg225234 +S'color felt-tip pen (over screenprint in black?)' +p280823 +sg225230 +S'Study for Albany Mall [panel 3]' +p280824 +sg225236 +S'1968' +p280825 +sa(dp280826 +g225232 +S'Frank Stella' +p280827 +sg225240 +g27 +sg225234 +S'color felt-tip pen (over screenprint in black?)' +p280828 +sg225230 +S'Study for Albany Mall [panel 4]' +p280829 +sg225236 +S'1968' +p280830 +sa(dp280831 +g225230 +S"Portrait of the Artist's Mother" +p280832 +sg225232 +S'Arshile Gorky' +p280833 +sg225234 +S'graphite on paperboard' +p280834 +sg225236 +S'unknown date\n' +p280835 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a00008e7.jpg' +p280836 +sg225240 +g27 +sa(dp280837 +g225232 +S'Fausta Vittoria Mengarini' +p280838 +sg225240 +g27 +sg225234 +S'bronze' +p280839 +sg225230 +S'David E. Finley' +p280840 +sg225236 +S'1930' +p280841 +sa(dp280842 +g225230 +S'The Penitence of Saint Peter' +p280843 +sg225232 +S'Jusepe de Ribera' +p280844 +sg225234 +S'etching and engraving' +p280845 +sg225236 +S'1621' +p280846 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00067/a00067cd.jpg' +p280847 +sg225240 +g27 +sa(dp280848 +g225232 +S'Artist Information (' +p280849 +sg225240 +g27 +sg225234 +S'(artist after)' +p280850 +sg225230 +S'Baptismi Sacramentum' +p280851 +sg225236 +S'\n' +p280852 +sa(dp280853 +g225232 +S'Artist Information (' +p280854 +sg225240 +g27 +sg225234 +S'(artist after)' +p280855 +sg225230 +S'Poenitentiae Sacramentum' +p280856 +sg225236 +S'\n' +p280857 +sa(dp280858 +g225232 +S'Artist Information (' +p280859 +sg225240 +g27 +sg225234 +S'(artist after)' +p280860 +sg225230 +S'Eucharistiae Sacramentum' +p280861 +sg225236 +S'\n' +p280862 +sa(dp280863 +g225232 +S'Artist Information (' +p280864 +sg225240 +g27 +sg225234 +S'(artist after)' +p280865 +sg225230 +S'Confirmationis Sacramentum' +p280866 +sg225236 +S'\n' +p280867 +sa(dp280868 +g225232 +S'Artist Information (' +p280869 +sg225240 +g27 +sg225234 +S'(artist after)' +p280870 +sg225230 +S'Matrimonii Sacramentum' +p280871 +sg225236 +S'\n' +p280872 +sa(dp280873 +g225232 +S'Artist Information (' +p280874 +sg225240 +g27 +sg225234 +S'(artist after)' +p280875 +sg225230 +S'Ordinis Sacramentum' +p280876 +sg225236 +S'\n' +p280877 +sa(dp280878 +g225232 +S'Artist Information (' +p280879 +sg225240 +g27 +sg225234 +S'(artist after)' +p280880 +sg225230 +S'Extremae Unctionis' +p280881 +sg225236 +S'\n' +p280882 +sa(dp280883 +g225230 +S'Landscape with the Rest on the Flight into Egypt' +p280884 +sg225232 +S'Sebastiano de Valentinis' +p280885 +sg225234 +S'etching' +p280886 +sg225236 +S'unknown date\n' +p280887 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c77b.jpg' +p280888 +sg225240 +g27 +sa(dp280889 +g225230 +S'Trees Profiled against the Sky' +p280890 +sg225232 +S'John Henry Hill' +p280891 +sg225234 +S'watercolor' +p280892 +sg225236 +S'c. 1865' +p280893 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e4a6.jpg' +p280894 +sg225240 +g27 +sa(dp280895 +g225230 +S'Soldier Taking Aim [recto]' +p280896 +sg225232 +S'Winslow Homer' +p280897 +sg225234 +S'black and white chalk over graphite on brown wove paper' +p280898 +sg225236 +S'1864' +p280899 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b5/a000b587.jpg' +p280900 +sg225240 +g27 +sa(dp280901 +g225232 +S'Winslow Homer' +p280902 +sg225240 +g27 +sg225234 +S'charcoal on brown wove paper' +p280903 +sg225230 +S'Skirmish Involving a Wagon Train [verso]' +p280904 +sg225236 +S'1864' +p280905 +sa(dp280906 +g225230 +S'Zouave' +p280907 +sg225232 +S'Winslow Homer' +p280908 +sg225234 +S'black and white chalk on olive-green wove paper' +p280909 +sg225236 +S'1864' +p280910 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00009/a0000905.jpg' +p280911 +sg225240 +g27 +sa(dp280912 +g225230 +S'Henry Clay' +p280913 +sg225232 +S'Charles Wesley Jarvis' +p280914 +sg225234 +S'graphite with gray wash on wove paper' +p280915 +sg225236 +S'c. 1840' +p280916 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00009/a0000952.jpg' +p280917 +sg225240 +g27 +sa(dp280918 +g225230 +S'Head of a Young Woman' +p280919 +sg225232 +S'Eastman Johnson' +p280920 +sg225234 +S'charcoal heightened with white chalk on brown wove paper' +p280921 +sg225236 +S'late 1870s' +p280922 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00009/a0000955.jpg' +p280923 +sg225240 +g27 +sa(dp280924 +g225230 +S"Study of a Woman's Dress" +p280925 +sg225232 +S'John Vanderlyn' +p280926 +sg225234 +S'graphite and black chalk heightened with white chalk on pink wove paper' +p280927 +sg225236 +S'probably c. 1820' +p280928 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e4d4.jpg' +p280929 +sg225240 +g27 +sa(dp280930 +g225230 +S"Studies of a Lion's Head" +p280931 +sg225232 +S'Stefano Della Bella' +p280932 +sg225234 +S'pen and brown ink on laid paper' +p280933 +sg225236 +S'unknown date\n' 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+sg225234 +S'(artist after)' +p281154 +sg225236 +S'\n' +p281155 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00083/a000831c.jpg' +p281156 +sg225240 +g27 +sa(dp281157 +g225230 +S'Narcissus at the Fountain' +p281158 +sg225232 +S'Artist Information (' +p281159 +sg225234 +S'(artist after)' +p281160 +sg225236 +S'\n' +p281161 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00083/a000831d.jpg' +p281162 +sg225240 +g27 +sa(dp281163 +g225230 +S'The Sleeping Shepherd; Early Morning' +p281164 +sg225232 +S'Samuel Palmer' +p281165 +sg225234 +S'etching on mounted China paper' +p281166 +sg225236 +S'1857' +p281167 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00079/a00079f9.jpg' +p281168 +sg225240 +g27 +sa(dp281169 +g225232 +S'Alfredo M\xc3\xbcller' +p281170 +sg225240 +g27 +sg225234 +S'color lithograph laid down on linen backing' +p281171 +sg225230 +S'Swans' +p281172 +sg225236 +S'c. 1900' +p281173 +sa(dp281174 +g225230 +S"Charles-Rene d'Hozier" +p281175 +sg225232 +S'Artist Information (' +p281176 +sg225234 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+S'http://www.nga.gov:80/thumb-l/a00054/a00054ab.jpg' +p281274 +sg225240 +g27 +sa(dp281275 +g225232 +S'William Kienbusch' +p281276 +sg225240 +g27 +sg225234 +S'watercolor over graphite' +p281277 +sg225230 +S'Landscape with Houses' +p281278 +sg225236 +S'probably 1936' +p281279 +sa(dp281280 +g225230 +S'Vulcan and the Cyclopes Forging Arrows' +p281281 +sg225232 +S'Artist Information (' +p281282 +sg225234 +S'(artist after)' +p281283 +sg225236 +S'\n' +p281284 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b2/a000b255.jpg' +p281285 +sg225240 +g27 +sa(dp281286 +g225232 +S'Max Pechstein' +p281287 +sg225240 +g27 +sg225234 +S'brush and black ink with gray wash on brown paper' +p281288 +sg225230 +S'Horses in a Landscape' +p281289 +sg225236 +S'1924' +p281290 +sa(dp281291 +g225232 +S'Max Pechstein' +p281292 +sg225240 +g27 +sg225234 +S'drypoint and roulette on wove paper' +p281293 +sg225230 +S'Heidenstamm I' +p281294 +sg225236 +S'1918' +p281295 +sa(dp281296 +g225230 +S'Hans Holbein the Younger' +p281297 +sg225232 +S'Artist Information (' +p281298 +sg225234 +S'(artist after)' +p281299 +sg225236 +S'\n' +p281300 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d8/a000d899.jpg' +p281301 +sg225240 +g27 +sa(dp281302 +g225232 +S'French 18th Century' +p281303 +sg225240 +g27 +sg225234 +S'Gift of Mr. Robert H. Thayer' +p281304 +sg225230 +S'Maps of Paris' +p281305 +sg225236 +S'\nbound volume with 8 hand-colored engravings' +p281306 +sa(dp281307 +g225232 +S'Claude Lucas' +p281308 +sg225240 +g27 +sg225234 +S'1 vol: ill: 20 engravings on laid paper' +p281309 +sg225230 +S'Plan of Paris - The Turgot Plan' +p281310 +sg225236 +S'1734/1739' +p281311 +sa(dp281312 +g225232 +S'Helen Phillips' +p281313 +sg225240 +g27 +sg225234 +S'etching (liquid ground applied with brush)' +p281314 +sg225230 +S'Flux' +p281315 +sg225236 +S'1976' +p281316 +sa(dp281317 +g225232 +S'Robert Rauschenberg' +p281318 +sg225240 +g27 +sg225234 +S'offset lithograph' +p281319 +sg225230 +S'Commemorative Artwork' +p281320 +sg225236 +S'1981' +p281321 +sa(dp281322 +g225232 +S'William Chapin Seitz' +p281323 +sg225240 +g27 +sg225234 +S'oil on canvas' +p281324 +sg225230 +S'Millstone #1' +p281325 +sg225236 +S'1956' +p281326 +sa(dp281327 +g225230 +S'Camera Obscura' +p281328 +sg225232 +S'Bruce Conner' +p281329 +sg225234 +S'mixed media' +p281330 +sg225236 +S'c. 1962' +p281331 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00016/a00016cf.jpg' +p281332 +sg225240 +g27 +sa(dp281333 +g225230 +S'La Ricordanza' +p281334 +sg225232 +S'Joseph Cornell' +p281335 +sg225234 +S'mixed media (metal on wood)' +p281336 +sg225236 +S'1964' +p281337 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00016/a0001660.jpg' +p281338 +sg225240 +g27 +sa(dp281339 +g225232 +S'Ren\xc3\xa9 Magritte' +p281340 +sg225240 +g27 +sg225234 +S'graphite on wove paper' +p281341 +sg225230 +S'The Rape' +p281342 +sg225236 +S'1966' +p281343 +sa(dp281344 +g225232 +S'Max Ernst' +p281345 +sg225240 +g27 +sg225234 +S'oil on canvas' +p281346 +sg225230 +S'A Moment of Calm' +p281347 +sg225236 +S'1939' +p281348 +sa(dp281349 +g225230 +S'Jarama II' +p281350 +sg225232 +S'Frank Stella' +p281351 +sg225234 +S'mixed media on etched magnesium' +p281352 +sg225236 +S'1982' +p281353 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a0000226.jpg' +p281354 +sg225240 +g27 +sa(dp281355 +g225230 +S'Still Life with Dead Game' +p281356 +sg225232 +S'Willem van Aelst' +p281357 +sg225234 +S'oil on canvas' +p281358 +sg225236 +S'1661' +p281359 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e7a.jpg' +p281360 +sg225240 +S"Still lifes with hunting motifs became popular in Dutch art in the latter part\nof the seventeenth century, at a time when Dutch society grew wealthier and more\nrefined. One of the most important artists in this tradition was Willem van Aelst,\nwho came from Delft but trained and worked for a number of years in France and Italy.\n Van Aelst depicted a number of dead animals hanging above and resting upon a stone\nledge on which a blue and gold hunter's game pouch lies. The animals were painted\nvery precisely, and most of them can be identified. Aside from the large European\nhare and roosters are a partridge, kingfisher, and common wheatear. Also visible\nare two falconer's hoods, perhaps to indicate the nature of the hunt.\n That Van Aelst's painting was intended to represent the general theme of the hunt\nrather than the spoils of a specific hunt is evident from the relief depicting Diana\nand Actaeon on the front of the stone ledge. This popular story from Ovid's \n " +p281361 +sa(dp281362 +g225230 +S'The Resurrection' +p281363 +sg225232 +S'Pietro Testa' +p281364 +sg225234 +S'pen and brown ink over black chalk' +p281365 +sg225236 +S'early 1640s' +p281366 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a00074d5.jpg' +p281367 +sg225240 +g27 +sa(dp281368 +g225230 +S'The Resurrection' +p281369 +sg225232 +S'Artist Information (' +p281370 +sg225234 +S'(artist after)' +p281371 +sg225236 +S'\n' +p281372 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008d/a0008dbf.jpg' +p281373 +sg225240 +g27 +sa(dp281374 +g225230 +S'Self-Portrait' +p281375 +sg225232 +S'Dirk Helmbreker' +p281376 +sg225234 +S'red chalk' +p281377 +sg225236 +S'unknown date\n' +p281378 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00025/a0002554.jpg' +p281379 +sg225240 +g27 +sa(dp281380 +g225230 +S'A Capriccio of Roman Ruins' +p281381 +sg225232 +S'Marco Ricci' +p281382 +sg225234 +S'gouache on kidskin' +p281383 +sg225236 +S'1720s' +p281384 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00026/a00026ef.jpg' +p281385 +sg225240 +g27 +sa(dp281386 +g225230 +S'The Adoration of the Shepherds' +p281387 +sg225232 +S'Giovanni Battista Tiepolo' +p281388 +sg225234 +S'pen and brown ink with brown wash over black chalk on laid paper' +p281389 +sg225236 +S'1735/1740' +p281390 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00028/a000285d.jpg' +p281391 +sg225240 +g27 +sa(dp281392 +g225230 +S'Dionysian Revelers' +p281393 +sg225232 +S'Elihu Vedder' +p281394 +sg225234 +S'charcoal and white chalk on green paper' +p281395 +sg225236 +S'unknown date\n' +p281396 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00009/a00009ea.jpg' +p281397 +sg225240 +g27 +sa(dp281398 +g225230 +S'The Prodigal Son Bids Farewell to his Father' +p281399 +sg225232 +S'Abraham Bosse' +p281400 +sg225234 +S'engraving' +p281401 +sg225236 +S'unknown date\n' +p281402 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008a/a0008a62.jpg' +p281403 +sg225240 +g27 +sa(dp281404 +g225230 +S'The Prodigal Son in a House of Ill-Repute' +p281405 +sg225232 +S'Abraham Bosse' +p281406 +sg225234 +S'engraving' +p281407 +sg225236 +S'unknown date\n' +p281408 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008a/a0008a5f.jpg' +p281409 +sg225240 +g27 +sa(dp281410 +g225230 +S'The Prodigal Son as a Swineherd' +p281411 +sg225232 +S'Abraham Bosse' +p281412 +sg225234 +S'engraving' +p281413 +sg225236 +S'unknown date\n' +p281414 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008a/a0008a61.jpg' +p281415 +sg225240 +g27 +sa(dp281416 +g225230 +S'The Prodigal Son Received by his Father' +p281417 +sg225232 +S'Abraham Bosse' +p281418 +sg225234 +S'engraving' +p281419 +sg225236 +S'unknown date\n' +p281420 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008a/a0008a5e.jpg' +p281421 +sg225240 +g27 +sa(dp281422 +g225230 +S"The Prodigal Son's Father Orders the Best Robe and the Slaughter of the Fatted Calf" +p281423 +sg225232 +S'Abraham Bosse' +p281424 +sg225234 +S'engraving' +p281425 +sg225236 +S'unknown date\n' +p281426 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008a/a0008a5d.jpg' +p281427 +sg225240 +g27 +sa(dp281428 +g225230 +S'The Feast Celebrating the Return of the Prodigal Son' +p281429 +sg225232 +S'Abraham Bosse' +p281430 +sg225234 +S'engraving' +p281431 +sg225236 +S'unknown date\n' +p281432 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008a/a0008a63.jpg' +p281433 +sg225240 +g27 +sa(dp281434 +g225230 +S'The Prodigal Son Bids Farewell to His Father' +p281435 +sg225232 +S'Artist Information (' +p281436 +sg225234 +S'(artist after)' +p281437 +sg225236 +S'\n' +p281438 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d44c.jpg' +p281439 +sg225240 +g27 +sa(dp281440 +g225230 +S'The Prodigal Son Receiving His Patrimony' +p281441 +sg225232 +S'Artist Information (' +p281442 +sg225234 +S'(artist after)' +p281443 +sg225236 +S'\n' +p281444 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d44b.jpg' +p281445 +sg225240 +g27 +sa(dp281446 +g225230 +S'The Prodigal Wasting His Substance in the Tavern' +p281447 +sg225232 +S'Artist Information (' +p281448 +sg225234 +S'(artist after)' +p281449 +sg225236 +S'\n' +p281450 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d44d.jpg' +p281451 +sg225240 +g27 +sa(dp281452 +g225230 +S'The Prodigal Son Driven from the Tavern' +p281453 +sg225232 +S'Artist Information (' +p281454 +sg225234 +S'(artist after)' +p281455 +sg225236 +S'\n' +p281456 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d44e.jpg' +p281457 +sg225240 +g27 +sa(dp281458 +g225230 +S'The Prodigal Son among the Swine' +p281459 +sg225232 +S'Artist Information (' +p281460 +sg225234 +S'(artist after)' +p281461 +sg225236 +S'\n' +p281462 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d44f.jpg' +p281463 +sg225240 +g27 +sa(dp281464 +g225230 +S'The Prodigal Son Received by His Father' +p281465 +sg225232 +S'Artist Information (' +p281466 +sg225234 +S'(artist after)' +p281467 +sg225236 +S'\n' +p281468 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d450.jpg' +p281469 +sg225240 +g27 +sa(dp281470 +g225230 +S'The Virgin with the Rose' +p281471 +sg225232 +S'Artist Information (' +p281472 +sg225234 +S'(artist after)' +p281473 +sg225236 +S'\n' +p281474 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9ea.jpg' +p281475 +sg225240 +g27 +sa(dp281476 +g225232 +S'French 17th Century' +p281477 +sg225240 +g27 +sg225234 +S'Ailsa Mellon Bruce Fund' +p281478 +sg225230 +S'Concert royal des muses' +p281479 +sg225236 +S'\nengraving' +p281480 +sa(dp281481 +g225230 +S'Saint George and the Dragon' +p281482 +sg225232 +S'Raphael' +p281483 +sg225234 +S'brush and brown ink heightened with white over black chalk, incised with stylus' +p281484 +sg225236 +S'unknown date\n' +p281485 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00075/a000757f.jpg' +p281486 +sg225240 +g27 +sa(dp281487 +g225230 +S'Path through a Wheat Field (Sentier dans les bles)' +p281488 +sg225232 +S'Charles-Fran\xc3\xa7ois Daubigny' +p281489 +sg225234 +S'cliche-verre' +p281490 +sg225236 +S'1862' +p281491 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00097/a00097f5.jpg' +p281492 +sg225240 +g27 +sa(dp281493 +g225230 +S'La Vieille aux Loques' +p281494 +sg225232 +S'James McNeill Whistler' +p281495 +sg225234 +S'etching and drypoint on blue paper' +p281496 +sg225236 +S'1858' +p281497 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000a9/a000a9d2.jpg' +p281498 +sg225240 +g27 +sa(dp281499 +g225232 +S'Wenceslaus Hollar' +p281500 +sg225240 +g27 +sg225234 +S'pen and brown ink with watercolor over black chalkon two joined sheets of laid paper' +p281501 +sg225230 +S'Cape Spartell from the West' +p281502 +sg225236 +S'1669/1670' +p281503 +sa(dp281504 +g225230 +S'Christ Driving the Money Changers from the Temple' +p281505 +sg225232 +S'Rembrandt van Rijn' +p281506 +sg225234 +S'etching' +p281507 +sg225236 +S'1635' +p281508 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d2/a000d2e8.jpg' +p281509 +sg225240 +g27 +sa(dp281510 +g225230 +S'The Triumph of Mars' +p281511 +sg225232 +S'Artist Information (' +p281512 +sg225234 +S'(artist after)' +p281513 +sg225236 +S'\n' +p281514 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc43.jpg' +p281515 +sg225240 +g27 +sa(dp281516 +g225230 +S'Thesis' +p281517 +sg225232 +S'Artist Information (' +p281518 +sg225234 +S'(artist after)' +p281519 +sg225236 +S'\n' +p281520 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ca/a000ca22.jpg' +p281521 +sg225240 +g27 +sa(dp281522 +g225230 +S'O douleur!... avoir r\xc3\xaav\xc3\xa9... un \xc3\xa9poux...' +p281523 +sg225232 +S'Honor\xc3\xa9 Daumier' +p281524 +sg225234 +S'lithograph' +p281525 +sg225236 +S'1844' +p281526 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00093/a000931b.jpg' +p281527 +sg225240 +g27 +sa(dp281528 +g225230 +S'Promenade du Boeuf gras' +p281529 +sg225232 +S'Honor\xc3\xa9 Daumier' +p281530 +sg225234 +S'lithograph' +p281531 +sg225236 +S'1839' +p281532 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00092/a0009243.jpg' +p281533 +sg225240 +g27 +sa(dp281534 +g225230 +S'Une Repr\xc3\xa9sentation a b\xc3\xa9n\xc3\xa9fice' +p281535 +sg225232 +S'Honor\xc3\xa9 Daumier' +p281536 +sg225234 +S'lithograph' +p281537 +sg225236 +S'1844' +p281538 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00092/a00092d3.jpg' +p281539 +sg225240 +g27 +sa(dp281540 +g225230 +S'The Empty Jug' +p281541 +sg225232 +S'Adriaen van Ostade' +p281542 +sg225234 +S'etching' +p281543 +sg225236 +S'probably 1653' +p281544 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d2/a000d28f.jpg' +p281545 +sg225240 +g27 +sa(dp281546 +g225230 +S'Head of an Old Woman' +p281547 +sg225232 +S'Nicolas-Toussaint Charlet' +p281548 +sg225234 +S'lithograph on chine applique' +p281549 +sg225236 +S'unknown date\n' +p281550 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00098/a0009836.jpg' +p281551 +sg225240 +g27 +sa(dp281552 +g225230 +S"Veduta della Girandola a Castel Sant'Angelo (Fireworks Display over the Castle Sant'A" +p281553 +sg225232 +S'Adrien Manglard' +p281554 +sg225234 +S'etching with touches of engraving and burnishing' +p281555 +sg225236 +S'1750/1752' +p281556 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f0e.jpg' +p281557 +sg225240 +g27 +sa(dp281558 +g225230 +S'Grenadier' +p281559 +sg225232 +S'Horace Vernet' +p281560 +sg225234 +S'lithograph' +p281561 +sg225236 +S'1817' +p281562 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00091/a00091c2.jpg' +p281563 +sg225240 +g27 +sa(dp281564 +g225230 +S'The Raising of Lazarus' +p281565 +sg225232 +S'Artist Information (' +p281566 +sg225234 +S'(artist after)' +p281567 +sg225236 +S'\n' +p281568 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d6/a000d61c.jpg' +p281569 +sg225240 +g27 +sa(dp281570 +g225230 +S'Edge of a Wood with Peasants Going to Market' +p281571 +sg225232 +S'Jean Morin' +p281572 +sg225234 +S'etching' +p281573 +sg225236 +S'unknown date\n' +p281574 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b5/a000b534.jpg' +p281575 +sg225240 +g27 +sa(dp281576 +g225230 +S'Hilly Landscape with Travelers on Foot' +p281577 +sg225232 +S'Jean Morin' +p281578 +sg225234 +S'etching' +p281579 +sg225236 +S'unknown date\n' +p281580 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b5/a000b527.jpg' +p281581 +sg225240 +g27 +sa(dp281582 +g225230 +S'Edge of a Wood with Travelers in a Carriage' +p281583 +sg225232 +S'Jean Morin' +p281584 +sg225234 +S'etching' +p281585 +sg225236 +S'unknown date\n' +p281586 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b5/a000b525.jpg' +p281587 +sg225240 +g27 +sa(dp281588 +g225230 +S'View in Normandy (Vue prise en Normandie)' +p281589 +sg225232 +S'Jules Dupr\xc3\xa9' +p281590 +sg225234 +S'lithograph' +p281591 +sg225236 +S'1835' +p281592 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00095/a00095cb.jpg' +p281593 +sg225240 +g27 +sa(dp281594 +g225230 +S'Sacramento Mall Proposal #4' +p281595 +sg225232 +S'Frank Stella' +p281596 +sg225234 +S'acrylic on canvas' +p281597 +sg225236 +S'1978' +p281598 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a0000227.jpg' +p281599 +sg225240 +g27 +sa(dp281600 +g225230 +S'Untitled (Medici Prince)' +p281601 +sg225232 +S'Joseph Cornell' +p281602 +sg225234 +S'mixed media' +p281603 +sg225236 +S'c. 1953' +p281604 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00016/a0001661.jpg' +p281605 +sg225240 +g27 +sa(dp281606 +g225230 +S'Seapiece: Off the French Coast' +p281607 +sg225232 +S'Richard Parkes Bonington' +p281608 +sg225234 +S'oil on canvas' +p281609 +sg225236 +S'c. 1823/1824' +p281610 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00005/a0000526.jpg' +p281611 +sg225240 +g27 +sa(dp281612 +g225230 +S'Aria de Bach' +p281613 +sg225232 +S'Georges Braque' +p281614 +sg225234 +S'collage (black paper, imitation wood-grain paper) with charcoal and white chalk on white paper' +p281615 +sg225236 +S'1913' +p281616 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00020/a0002023.jpg' +p281617 +sg225240 +g27 +sa(dp281618 +g225232 +S'Martin Schongauer' +p281619 +sg225240 +g27 +sg225234 +S'pen and brown ink on laid paper' +p281620 +sg225230 +S'Young Woman Wearing a Scarf' +p281621 +sg225236 +S'unknown date\n' +p281622 +sa(dp281623 +g225230 +S'Second View of the Agrigento Countryside' +p281624 +sg225232 +S'Claude-Louis Ch\xc3\xa2telet' +p281625 +sg225234 +S'pen and brown and black ink with watercolor and gray wash over graphite on laid paper, with a partial framing line in brown and gray ink' +p281626 +sg225236 +S'1778' +p281627 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0005f/a0005f9f.jpg' +p281628 +sg225240 +g27 +sa(dp281629 +g225230 +S'Geometrical Elevation of the Peace Plaza and Fa\xc3\xa7ade of the Opera House' +p281630 +sg225232 +S'Giacomo Quarenghi' +p281631 +sg225234 +S'pen and black ink with watercolor on laid paper' +p281632 +sg225236 +S'c. 1800' +p281633 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00026/a00026dc.jpg' +p281634 +sg225240 +g27 +sa(dp281635 +g225232 +S'Artist Information (' +p281636 +sg225240 +g27 +sg225234 +S'French, 1653 - 1728' +p281637 +sg225230 +S'Les Edifices Antiques de Rome Dessines ...' +p281638 +sg225236 +S'(author)' +p281639 +sa(dp281640 +g225232 +S'Artist Information (' +p281641 +sg225240 +g27 +sg225234 +S'(artist)' +p281642 +sg225230 +S"Narrative, of a Five Years' Expedition, against the Revolted Negroes ... (volume I)" +p281643 +sg225236 +S'\n' +p281644 +sa(dp281645 +g225232 +S'Artist Information (' +p281646 +sg225240 +g27 +sg225234 +S'(artist)' +p281647 +sg225230 +S"Narrative, of a Five Years' Expedition, against the Revolted Negroes ... (volume II)" +p281648 +sg225236 +S'\n' +p281649 +sa(dp281650 +g225232 +S'Artist Information (' +p281651 +sg225240 +g27 +sg225234 +S'(artist after)' +p281652 +sg225230 +S'Life of William Blake with Selections from His Poems and other Writings (volume I)' +p281653 +sg225236 +S'\n' +p281654 +sa(dp281655 +g225232 +S'Artist Information (' +p281656 +sg225240 +g27 +sg225234 +S'(artist after)' +p281657 +sg225230 +S'Life of William Blake with Selections from His Poems and other Writings (volume II)' +p281658 +sg225236 +S'\n' +p281659 +sa(dp281660 +g225232 +S'Jean-Louis Gampert' +p281661 +sg225240 +g27 +sg225234 +S'graphite, squared, on laid paper' +p281662 +sg225230 +S'Henri Louis Mermod' +p281663 +sg225236 +S'1927' +p281664 +sa(dp281665 +g225230 +S'Old Woman Seated' +p281666 +sg225232 +S'Artist Information (' +p281667 +sg225234 +S'(artist after)' +p281668 +sg225236 +S'\n' +p281669 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00089/a00089eb.jpg' +p281670 +sg225240 +g27 +sa(dp281671 +g225230 +S'Ruins of an Aquaduct' +p281672 +sg225232 +S'Artist Information (' +p281673 +sg225234 +S'(artist after)' +p281674 +sg225236 +S'\n' +p281675 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00089/a00089e9.jpg' +p281676 +sg225240 +g27 +sa(dp281677 +g225230 +S'Ruins of an Aquaduct' +p281678 +sg225232 +S'Artist Information (' +p281679 +sg225234 +S'(artist after)' +p281680 +sg225236 +S'\n' +p281681 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00089/a00089ea.jpg' +p281682 +sg225240 +g27 +sa(dp281683 +g225230 +S'Au Quartier Latin' +p281684 +sg225232 +S'Jules Ch\xc3\xa9ret' +p281685 +sg225234 +S'color lithograph' +p281686 +sg225236 +S'1894' +p281687 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00091/a00091a5.jpg' +p281688 +sg225240 +g27 +sa(dp281689 +g225230 +S'Saint-Pierre Stream near Pierrefond (Ruisseaude Saint-Pierre, pres Pierrefond)' +p281690 +sg225232 +S'Paul Huet' +p281691 +sg225234 +S'etching' +p281692 +sg225236 +S'1842' +p281693 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0009a/a0009ac7.jpg' +p281694 +sg225240 +g27 +sa(dp281695 +g225232 +S'Edgar Chahine' +p281696 +sg225240 +g27 +sg225234 +S'etching, drypoint, and aquatint' +p281697 +sg225230 +S'Lerand in the Role of Rodin in "The Wandering Jew"' +p281698 +sg225236 +S'1903' +p281699 +sa(dp281700 +g225232 +S'Edgar Chahine' +p281701 +sg225240 +g27 +sg225234 +S'drypoint' +p281702 +sg225230 +S'Sans Travail' +p281703 +sg225236 +S'1903' +p281704 +sa(dp281705 +g225232 +S'Raphael Soyer' +p281706 +sg225240 +g27 +sg225234 +S'lithograph' +p281707 +sg225230 +S'Self-Portrait' +p281708 +sg225236 +S'1982' +p281709 +sa(dp281710 +g225232 +S'William Kienbusch' +p281711 +sg225240 +g27 +sg225234 +S'casein' +p281712 +sg225230 +S'Summertime' +p281713 +sg225236 +S'1962' +p281714 +sa(dp281715 +g225232 +S'Francisca Sutil' +p281716 +sg225240 +g27 +sg225234 +S'dyed handmade paper' +p281717 +sg225230 +S'Untitled' +p281718 +sg225236 +S'1981' +p281719 +sa(dp281720 +g225230 +S'Harpocrates' +p281721 +sg225232 +S'Jan Muller' +p281722 +sg225234 +S'engraving' +p281723 +sg225236 +S'1593' +p281724 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d6/a000d61b.jpg' +p281725 +sg225240 +g27 +sa(dp281726 +g225230 +S'Guitarist in an Armchair' +p281727 +sg225232 +S'Pablo Picasso' +p281728 +sg225234 +S'etching' +p281729 +sg225236 +S'1911-1912' +p281730 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00068/a0006864.jpg' +p281731 +sg225240 +g27 +sa(dp281732 +g225230 +S"Man with a Dog (L'homme au chien)" +p281733 +sg225232 +S'Pablo Picasso' +p281734 +sg225234 +S'etching in black on laid paper' +p281735 +sg225236 +S'1915' +p281736 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee27.jpg' +p281737 +sg225240 +g27 +sa(dp281738 +g225230 +S"Man with a Dog (L'homme au chien)" +p281739 +sg225232 +S'Artist Information (' +p281740 +sg225234 +S'French, active first half 20th century' +p281741 +sg225236 +S'(printer)' +p281742 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ee/a000ee24.jpg' +p281743 +sg225240 +g27 +sa(dp281744 +g225230 +S'Persephone' +p281745 +sg225232 +S'Hendrick Goltzius' +p281746 +sg225234 +S', 1588/1590' +p281747 +sg225236 +S'\n' +p281748 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f31.jpg' +p281749 +sg225240 +g27 +sa(dp281750 +g225230 +S'Footpaths and Pavilion in the Dresden Grosser Garten' +p281751 +sg225232 +S'Ernst Ludwig Kirchner' +p281752 +sg225234 +S'black crayon on brown wove paper' +p281753 +sg225236 +S'c. 1909' +p281754 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00079/a0007925.jpg' +p281755 +sg225240 +g27 +sa(dp281756 +g225230 +S'The Bower' +p281757 +sg225232 +S'Antoine Watteau' +p281758 +sg225234 +S'red chalk and red chalk counterproof on laid paper' +p281759 +sg225236 +S'c. 1716' +p281760 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00028/a00028e4.jpg' +p281761 +sg225240 +g27 +sa(dp281762 +g225230 +S'Cattleya Orchid and Three Hummingbirds' +p281763 +sg225232 +S'Martin Johnson Heade' +p281764 +sg225234 +S'oil on wood' +p281765 +sg225236 +S'1871' +p281766 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a00000ea.jpg' +p281767 +sg225240 +S"Heade offered viewers an intimate glimpse into the exotic recesses of nature's\nsecret garden. Lichen covers dead branches; moss drips from trees; and, a blue-gray\nmist veils the distant jungle. An opulent pink orchid with light-green stems and\npods dominates the left foreground. To the right, perched near a nest on a branch,\nare a Sappho Comet, green with a yellow throat and brilliant red tail feathers,\nand two green-and-pink Brazilian Amethysts.\n Perhaps inspired by the writings of Charles Darwin, the artist studied these subjects in\nthe wild during several expeditions to South America. The precisely rendered flora\nand fauna seem alive in their natural habitat, not mere specimens for scientific\nanalysis. Defying strict categorization as either still life or landscape, Heade's\nwork reflects the artist's unerring attention to detail and his delight in the infinitesimal\njoys of nature.\n " +p281768 +sa(dp281769 +g225230 +S'The Procession to Calvary' +p281770 +sg225232 +S'Flemish 16th Century' +p281771 +sg225234 +S'overall: 310.5 x 363.9 cm (122 1/4 x 143 1/4 in.)' +p281772 +sg225236 +S'\ntapestry: undyed wool warp; dyed wool, silk, and silver-wrapped silk weft' +p281773 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00063/a00063a6.jpg' +p281774 +sg225240 +g27 +sa(dp281775 +g225230 +S'Masked Ball at the Opera' +p281776 +sg225232 +S'Edouard Manet' +p281777 +sg225234 +S'oil on canvas' +p281778 +sg225236 +S'1873' +p281779 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a0000685.jpg' +p281780 +sg225240 +S'As its title suggests, \n There is a frankly sexual character to\r\nthe encounters between the scantily clad\r\nmembers of the Parisian demimonde\r\nand the well-dressed upper-class men\r\nportrayed here. Although the painting\r\ndepicts a masked ball, none of the men\r\nwear masks and only one—presumably it\r\nis a man dressed in the garish silks of the\r\nclown Polichinelle at the far left—appears\r\nin costume. Manet focused instead on the\r\ndramatic juxtaposition of the men in somber\r\nblack evening attire and silk top hats,\r\nand the more fancifully garbed women with\r\ntheir brightly colored stockings, dainty\r\nshoes, and other feminine accoutrements.\r\nIn contrast to their male counterparts,\r\nall but one of the women are masked, a\r\ntoken gesture of propriety. Only the girl\r\ndressed in a pair of silk soldier breeches\r\nstanding just left of center reveals her face,\r\nflaunting her identity—along with the\r\nbare flesh of her arms and calves—for all\r\nto see. She flirts unabashedly with a male\r\ncompanion, smiling up at him and resting\r\none hand suggestively against his chest\r\nwhile his gloved hand cradles her other\r\narm, perhaps to pull her into an embrace.\r\nOn the floor nearby is a black silk mask,\r\nabandoned by a partygoer (presumably\r\nthis young woman) who has cast discretion\r\naside, along with part of her costume.\n Masked Ball at the Opera\n (Text by Kimberly Jones, \n Notes\n \n ' +p281781 +sa(dp281782 +g225230 +S'Club Night' +p281783 +sg225232 +S'George Bellows' +p281784 +sg225234 +S'oil on canvas' +p281785 +sg225236 +S'1907' +p281786 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a000001e.jpg' +p281787 +sg225240 +g27 +sa(dp281788 +g225230 +S'Coast near Antibes' +p281789 +sg225232 +S'Henri Edmond Cross' +p281790 +sg225234 +S'oil on canvas' +p281791 +sg225236 +S'1891/1892' +p281792 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a00006d0.jpg' +p281793 +sg225240 +g27 +sa(dp281794 +g225230 +S'Charing Cross Bridge, London' +p281795 +sg225232 +S'Andr\xc3\xa9 Derain' +p281796 +sg225234 +S'oil on canvas' +p281797 +sg225236 +S'1906' +p281798 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000eaf.jpg' +p281799 +sg225240 +g27 +sa(dp281800 +g225230 +S'Mountains at Collioure' +p281801 +sg225232 +S'Andr\xc3\xa9 Derain' +p281802 +sg225234 +S'oil on canvas' +p281803 +sg225236 +S'1905' +p281804 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000dfa.jpg' +p281805 +sg225240 +g27 +sa(dp281806 +g225230 +S'Baby at Play' +p281807 +sg225232 +S'Thomas Eakins' +p281808 +sg225234 +S'oil on canvas' +p281809 +sg225236 +S'1876' +p281810 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a0000092.jpg' +p281811 +sg225240 +S"Baby at Play\n According to one recent interpretation, Eakins was depicting Ella's initial foray into the adult world of education and learning. Having temporarily cast aside her more infantile toys in favor of alphabet blocks—the tools of language—the child now seems ready to enter the next critical stage in her intellectual development.\n The monumentality of her painted form may seem surprising, considering the diminutive stature of Eakins' model. Her life–sized figure is arranged in a stable pyramidal block at the composition's center and the deft handling of light and shadow further emphasizes spatial volume. Eakins' choice of a lowered vantage point encourages the spectator to adopt a child's point of view. His penetrating psychological insight elevates this picture from a sentimental genre scene to a highly serious portrayal of an earnest, intelligent child.\n " +p281812 +sa(dp281813 +g225230 +S'Cape Cod Evening' +p281814 +sg225232 +S'Edward Hopper' +p281815 +sg225234 +S'oil on canvas' +p281816 +sg225236 +S'1939' +p281817 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d83.jpg' +p281818 +sg225240 +S'"My aim in painting," explained Edward Hopper, "has always been the most exact\ntranscription possible of my most intimate impressions of nature." Claiming the\nfigures in \n Despite his matter-of-fact account, Hopper also has endowed this ostensibly straightforward\nwork with a strong, albeit ambiguous, emotional undercurrent. The sense of eerie\ncalm is due, in part, to the serene effect of the golden twilight sun that illuminates\nthe grass in front of the Victorian house, but fails to penetrate the dense forest\nbeyond. The middle-aged rural couple seem to lack any emotional rapport; they project\na mood of self-absorption, futility, and alienation that typifies much of Hopper\'s\nfigurative work.\n ' +p281819 +sa(dp281820 +g225230 +S'Tropical Forest with Monkeys' +p281821 +sg225232 +S'Henri Rousseau' +p281822 +sg225234 +S'oil on canvas' +p281823 +sg225236 +S'1910' +p281824 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00007/a0000736.jpg' +p281825 +sg225240 +S"Born in 1844 to a working-class family in Laval, France, Henri Rousseau worked briefly for a lawyer and served a stint in the military before taking a position at a French customs post in 1868; the nickname "\n Very poor, Rousseau was a self-taught painter who harbored dreams of official approval. Although he never achieved recognition from the French academy, he was embraced by early 20th-century avant-garde artists, including Picasso and the surrealists, for his departures from conventional style, which included broad, flat planes of color, stylized line, and fantastic landscapes. While he painted exotic locales, Rousseau never left France; his jungles are the dreams of a city dweller, constructed from visits to the botanical gardens, the Paris zoo, and colonial expositions, and culled from prints and reproductions.\n Tropical Forest with Monkeys\n One of the most striking aspects of Rousseau's style is the flattening of his subjects. Whether he was echoing his impressionist contemporaries, who were concerned with surface, or simply following his own vision, the artist's jungle paintings lack solidity, as if they were representations of theatrical décor, the gigantic leaves and petals minimally contoured so as to create the effect of overlapping cutouts. Moreover, his creatures seem deliberately subdued by a deadpan treatment that identifies each more as outline than as a tactile form.\n As his career progressed, Rousseau increasingly associated with the avant-garde, and in 1905 he exhibited alongside the Fauves at the Salon d'Automne. Gradually his reputation grew, and sales of his work had increased considerably by 1910, when he fell victim to an infection and died. His funeral was attended by Paul Signac and Guillaume Apollinaire composed a whimsical poem that Constantin Brancusi chiseled into the tombstone, thereby situating Rousseau an unwitting godfather of modernism.\n " +p281826 +sa(dp281827 +g225230 +S'Wapping' +p281828 +sg225232 +S'James McNeill Whistler' +p281829 +sg225234 +S'oil on canvas' +p281830 +sg225236 +S'1860-1864' +p281831 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d54.jpg' +p281832 +sg225240 +S'Whistler inscribed "1861" at the lower right of this early canvas, but he reworked the picture extensively nearly four years later. He sketched the original composition in a letter to an associate and described the girl as "saying to her sailor: \'That\'s all very well my friend, but don\'t think you\'re the first.\' You know, she winks and pokes fun at him." In this final revision, however, Whistler eliminated any risqu\xc3\xa9 narrative and instead sought a mood of pensive isolation.\n The background remains intact from the artist\'s first sessions at Wapping, a dockyard on the river Thames, east of London. Painting on site from an inn called The Angel, Whistler created the whole scene \n For this work, Whistler hired Joanna Hiffernan, an artist\'s model known for her coppery red hair. She soon became his mistress and posed for \n ' +p281833 +sa(dp281834 +g225232 +S'Sir Jacob Epstein' +p281835 +sg225240 +g27 +sg225234 +S'bronze' +p281836 +sg225230 +S'George Bernard Shaw' +p281837 +sg225236 +S'1934' +p281838 +sa(dp281839 +g225230 +S'Apollo' +p281840 +sg225232 +S'Jost Amman' +p281841 +sg225234 +S'pen and black ink on laid paper' +p281842 +sg225236 +S'c. 1580' +p281843 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006a/a0006a14.jpg' +p281844 +sg225240 +g27 +sa(dp281845 +g225230 +S'God the Father in Glory' +p281846 +sg225232 +S'Artist Information (' +p281847 +sg225234 +S'(artist after)' +p281848 +sg225236 +S'\n' +p281849 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00075/a000752b.jpg' +p281850 +sg225240 +g27 +sa(dp281851 +g225232 +S'Louis-Antoine de Caraccioli' +p281852 +sg225240 +g27 +sg225234 +S', published 1757' +p281853 +sg225230 +S'Le livre de quatre couleurs' +p281854 +sg225236 +S'\n' +p281855 +sa(dp281856 +g225230 +S'Rudolf I and Albert I with Pallas' +p281857 +sg225232 +S'Artist Information (' +p281858 +sg225234 +S'(artist)' +p281859 +sg225236 +S'\n' +p281860 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006e80.jpg' +p281861 +sg225240 +g27 +sa(dp281862 +g225230 +S'Draftsmen Outdoors' +p281863 +sg225232 +S'Gabriel de Saint-Aubin' +p281864 +sg225234 +S', c. 1760' +p281865 +sg225236 +S'\n' +p281866 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00027/a00027a6.jpg' +p281867 +sg225240 +g27 +sa(dp281868 +g225230 +S'Wooded Upland Landscape with a Bridge' +p281869 +sg225232 +S'Thomas Gainsborough' +p281870 +sg225234 +S'black and white chalk with gray and black wash heightened with white on laid paper' +p281871 +sg225236 +S'c. 1780' +p281872 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00033/a00033d3.jpg' +p281873 +sg225240 +g27 +sa(dp281874 +g225230 +S'Seated Woman Sewing' +p281875 +sg225232 +S'Louis Rolland Trinquesse' +p281876 +sg225234 +S'red chalk' +p281877 +sg225236 +S'1788' +p281878 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00037/a00037f8.jpg' +p281879 +sg225240 +g27 +sa(dp281880 +g225230 +S'Sea Coast Scene' +p281881 +sg225232 +S'British 19th Century' +p281882 +sg225234 +S'overall: 13.6 x 21.2 cm (5 3/8 x 8 3/8 in.)' +p281883 +sg225236 +S'\nblack chalk with gray wash heightened with white on green paper' +p281884 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006b/a0006be4.jpg' +p281885 +sg225240 +g27 +sa(dp281886 +g225230 +S'Studies of Nude Dancers' +p281887 +sg225232 +S'Auguste Rodin' +p281888 +sg225234 +S', c. 1900/1905' +p281889 +sg225236 +S'\n' +p281890 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a0007409.jpg' +p281891 +sg225240 +g27 +sa(dp281892 +g225232 +S'Simo Pertii Hannula' +p281893 +sg225240 +g27 +sg225234 +S'etching and drypoint' +p281894 +sg225230 +S'Moment by Moment' +p281895 +sg225236 +S'1967' +p281896 +sa(dp281897 +g225232 +S'Simo Pertii Hannula' +p281898 +sg225240 +g27 +sg225234 +S'etching and drypoint' +p281899 +sg225230 +S"Night's Strangers" +p281900 +sg225236 +S'1967' +p281901 +sa(dp281902 +g225232 +S'Simo Pertii Hannula' +p281903 +sg225240 +g27 +sg225234 +S'etching and drypoint' +p281904 +sg225230 +S'Satellizards' +p281905 +sg225236 +S'1968' +p281906 +sa(dp281907 +g225232 +S'Simo Pertii Hannula' +p281908 +sg225240 +g27 +sg225234 +S'etching and drypoint' +p281909 +sg225230 +S'When the Time Comes' +p281910 +sg225236 +S'1968' +p281911 +sa(dp281912 +g225230 +S'Woman in Court Dress' +p281913 +sg225232 +S'Adolph Menzel' +p281914 +sg225234 +S'graphite with stump' +p281915 +sg225236 +S'unknown date\n' +p281916 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00072/a0007255.jpg' +p281917 +sg225240 +g27 +sa(dp281918 +g225232 +S'Ossip Zadkine' +p281919 +sg225240 +g27 +sg225234 +S'etching' +p281920 +sg225230 +S'Two Figures' +p281921 +sg225236 +S'unknown date\n' +p281922 +sa(dp281923 +g225232 +S'Artist Information (' +p281924 +sg225240 +g27 +sg225234 +S'(artist after)' +p281925 +sg225230 +S"Les travaux d'Ulysse" +p281926 +sg225236 +S'\n' +p281927 +sa(dp281928 +g225230 +S'Evening' +p281929 +sg225232 +S'Artist Information (' +p281930 +sg225234 +S'(artist after)' +p281931 +sg225236 +S'\n' +p281932 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009f0b.jpg' +p281933 +sg225240 +g27 +sa(dp281934 +g225230 +S'Murder of Edith Cavell' +p281935 +sg225232 +S'George Bellows' +p281936 +sg225234 +S'lithograph' +p281937 +sg225236 +S'1918' +p281938 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a23.jpg' +p281939 +sg225240 +g27 +sa(dp281940 +g225232 +S'Lars Bo' +p281941 +sg225240 +g27 +sg225234 +S'color etching' +p281942 +sg225230 +S'Dryads, Old and Young' +p281943 +sg225236 +S'1963' +p281944 +sa(dp281945 +g225232 +S'Lars Bo' +p281946 +sg225240 +g27 +sg225234 +S'color etching' +p281947 +sg225230 +S'A Sea Change' +p281948 +sg225236 +S'1963' +p281949 +sa(dp281950 +g225232 +S'Peter Milton' +p281951 +sg225240 +g27 +sg225234 +S'photo-sensitive ground etching and engraving with photographic transfer' +p281952 +sg225230 +S'Daylilies' +p281953 +sg225236 +S'1975' +p281954 +sa(dp281955 +g225232 +S'M.C. Escher' +p281956 +sg225240 +g27 +sg225234 +S'woodcut' +p281957 +sg225230 +S'Cobwebs' +p281958 +sg225236 +S'1931' +p281959 +sa(dp281960 +g225232 +S'M.C. Escher' +p281961 +sg225240 +g27 +sg225234 +S'woodcut in black, olive and ochre, printed from twenty blocks on three combined sheets' +p281962 +sg225230 +S'Metamorphosis II' +p281963 +sg225236 +S'1939/1940' +p281964 +sa(dp281965 +g225232 +S'M.C. Escher' +p281966 +sg225240 +g27 +sg225234 +S'woodcut' +p281967 +sg225230 +S'Fish and Scales' +p281968 +sg225236 +S'1959' +p281969 +sa(dp281970 +g225232 +S'M.C. Escher' +p281971 +sg225240 +g27 +sg225234 +S'woodcut in rust, olive, blue, brown and black, printed from five blocks' +p281972 +sg225230 +S'Circle Limit III' +p281973 +sg225236 +S'1959' +p281974 +sa(dp281975 +g225232 +S'M.C. Escher' +p281976 +sg225240 +g27 +sg225234 +S'lithograph' +p281977 +sg225230 +S'Ascending and Descending' +p281978 +sg225236 +S'1960' +p281979 +sa(dp281980 +g225232 +S'M.C. Escher' +p281981 +sg225240 +g27 +sg225234 +S'woodcut in black on Japan paper' +p281982 +sg225230 +S'Circle Limit IV' +p281983 +sg225236 +S'1960' +p281984 +sa(dp281985 +g225232 +S'M.C. Escher' +p281986 +sg225240 +g27 +sg225234 +S'wood engraving and woodcut in red, green, gold an d black, printed from four blocks' +p281987 +sg225230 +S'Mobius Strip I' +p281988 +sg225236 +S'1961' +p281989 +sa(dp281990 +g225232 +S'M.C. Escher' +p281991 +sg225240 +g27 +sg225234 +S'woodcut in black, yellow and red, printed from three blocks' +p281992 +sg225230 +S'Four Regular Solids' +p281993 +sg225236 +S'1961' +p281994 +sa(dp281995 +g225230 +S'Waterfall' +p281996 +sg225232 +S'M.C. Escher' +p281997 +sg225234 +S'lithograph' +p281998 +sg225236 +S'1961' +p281999 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a00002b9.jpg' +p282000 +sg225240 +S'Escher\'s print illustrates the "impossible triangle" described by the British mathematician Roger Penrose in a 1958 article on visual illusion: "Here is a perspective drawing, each part of which is accepted as representing a three-dimensional, rectangular structure. The lines of the drawing are, however, connected in such a manner as to reproduce an impossibility. As the eye pursues the lines of the figure, sudden changes in the interpretation of distance of the object from the observer are necessary."\n ' +p282001 +sa(dp282002 +g225232 +S'M.C. Escher' +p282003 +sg225240 +g27 +sg225234 +S'woodcut in red, black and gray-green, printed fro m three blocks' +p282004 +sg225230 +S'Mobius Strip II' +p282005 +sg225236 +S'1963' +p282006 +sa(dp282007 +g225232 +S'M.C. Escher' +p282008 +sg225240 +g27 +sg225234 +S'woodcut in red and gray-green, printed from two blocks' +p282009 +sg225230 +S'Square Limit' +p282010 +sg225236 +S'1964' +p282011 +sa(dp282012 +g225232 +S'M.C. Escher' +p282013 +sg225240 +g27 +sg225234 +S'woodcut in black' +p282014 +sg225230 +S'Knots' +p282015 +sg225236 +S'1965' +p282016 +sa(dp282017 +g225232 +S'M.C. Escher' +p282018 +sg225240 +g27 +sg225234 +S'woodcut in orange' +p282019 +sg225230 +S'Knots' +p282020 +sg225236 +S'1965' +p282021 +sa(dp282022 +g225232 +S'M.C. Escher' +p282023 +sg225240 +g27 +sg225234 +S'woodcut in orange and black, printed from two blocks' +p282024 +sg225230 +S'Knots' +p282025 +sg225236 +S'1965' +p282026 +sa(dp282027 +g225232 +S'M.C. Escher' +p282028 +sg225240 +g27 +sg225234 +S'woodcut in black, green and brown, printed from three blocks' +p282029 +sg225230 +S'Knots' +p282030 +sg225236 +S'1965' +p282031 +sa(dp282032 +g225230 +S'Path of Life III' +p282033 +sg225232 +S'M.C. Escher' +p282034 +sg225234 +S'woodcut in red and black, printed from two blocks on japan paper' +p282035 +sg225236 +S'1966' +p282036 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00015/a000155a.jpg' +p282037 +sg225240 +g27 +sa(dp282038 +g225232 +S'M.C. Escher' +p282039 +sg225240 +g27 +sg225234 +S'woodcut in black, green and red-brown, printed from thirty-three blocks on six combined sheets, mounted on canvas with hand-coloring' +p282040 +sg225230 +S'Metamorphosis III' +p282041 +sg225236 +S'1967/1968' +p282042 +sa(dp282043 +g225230 +S'Snakes' +p282044 +sg225232 +S'M.C. Escher' +p282045 +sg225234 +S'woodcut in orange, green, and black, printed from three blocks' +p282046 +sg225236 +S'1969' +p282047 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00015/a0001559.jpg' +p282048 +sg225240 +S'Escher suffered from poor health when making this woodcut, and it is his last print. He again illustrates the concept of infinity. However, here he introduces a new invention: infinitely small rings grow from the center of the circle, reach a maximum size, and then diminish again as they reach the outer circumference.\n ' +p282049 +sa(dp282050 +g225232 +S'Pierre Alechinsky' +p282051 +sg225240 +g27 +sg225234 +S'etching and lithograph' +p282052 +sg225230 +S'Soleil Con Coupe' +p282053 +sg225236 +S'1970' +p282054 +sa(dp282055 +g225232 +S'Harold Altman' +p282056 +sg225240 +g27 +sg225234 +S'soft-ground etching' +p282057 +sg225230 +S'The Park' +p282058 +sg225236 +S'unknown date\n' +p282059 +sa(dp282060 +g225232 +S'Jonathan Grant Meader' +p282061 +sg225240 +g27 +sg225234 +S'color silkscreen' +p282062 +sg225230 +S'Holding I' +p282063 +sg225236 +S'1974' +p282064 +sa(dp282065 +g225232 +S'Jonathan Grant Meader' +p282066 +sg225240 +g27 +sg225234 +S'portfolio with four color silkscreens' +p282067 +sg225230 +S'Holding' +p282068 +sg225236 +S'1974' +p282069 +sa(dp282070 +g225232 +S'Jonathan Grant Meader' +p282071 +sg225240 +g27 +sg225234 +S'color silkscreen' +p282072 +sg225230 +S'Holding II' +p282073 +sg225236 +S'1974' +p282074 +sa(dp282075 +g225232 +S'Jonathan Grant Meader' +p282076 +sg225240 +g27 +sg225234 +S'color silkscreen' +p282077 +sg225230 +S'Holding III' +p282078 +sg225236 +S'1974' +p282079 +sa(dp282080 +g225232 +S'Jonathan Grant Meader' +p282081 +sg225240 +g27 +sg225234 +S'color silkscreen' +p282082 +sg225230 +S'Holding IV' +p282083 +sg225236 +S'1974' +p282084 +sa(dp282085 +g225232 +S'Anni Albers' +p282086 +sg225240 +g27 +sg225234 +S'silkscreen' +p282087 +sg225230 +S'Triadic Print C' +p282088 +sg225236 +S'1969' +p282089 +sa(dp282090 +g225232 +S'Anni Albers' +p282091 +sg225240 +g27 +sg225234 +S'silkscreen' +p282092 +sg225230 +S'Triadic Print D' +p282093 +sg225236 +S'1969' +p282094 +sa(dp282095 +g225232 +S'Anni Albers' +p282096 +sg225240 +g27 +sg225234 +S'silkscreen' +p282097 +sg225230 +S'Triadic Print E' +p282098 +sg225236 +S'1969' +p282099 +sa(dp282100 +g225232 +S'Anni Albers' +p282101 +sg225240 +g27 +sg225234 +S'silkscreen' +p282102 +sg225230 +S'Triadic Print F' +p282103 +sg225236 +S'1969' +p282104 +sa(dp282105 +g225232 +S'Josef Albers' +p282106 +sg225240 +g27 +sg225234 +S'silkscreen' +p282107 +sg225230 +S'Point Blue, Homage to the Square' +p282108 +sg225236 +S'1971' +p282109 +sa(dp282110 +g225232 +S'Josef Albers' +p282111 +sg225240 +g27 +sg225234 +S'silkscreen' +p282112 +sg225230 +S'Point Black, Homage to the Square' +p282113 +sg225236 +S'1971' +p282114 +sa(dp282115 +g225232 +S'Josef Albers' +p282116 +sg225240 +g27 +sg225234 +S'silkscreen' +p282117 +sg225230 +S'Point Green, Homage to the Square' +p282118 +sg225236 +S'1971' +p282119 +sa(dp282120 +g225232 +S'Josef Albers' +p282121 +sg225240 +g27 +sg225234 +S'silkscreen' +p282122 +sg225230 +S'Point Yellow, Homage to the Square' +p282123 +sg225236 +S'1971' +p282124 +sa(dp282125 +g225230 +S'Untitled (Hotel du Nord)' +p282126 +sg225232 +S'Joseph Cornell' +p282127 +sg225234 +S'silkscreen' +p282128 +sg225236 +S'1972' +p282129 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a69.jpg' +p282130 +sg225240 +g27 +sa(dp282131 +g225232 +S'Joseph Cornell' +p282132 +sg225240 +g27 +sg225234 +S'silkscreen' +p282133 +sg225230 +S'Untitled (How to Make a Rainbow)' +p282134 +sg225236 +S'1972' +p282135 +sa(dp282136 +g225232 +S'Joseph Cornell' +p282137 +sg225240 +g27 +sg225234 +S'photogravure' +p282138 +sg225230 +S'Untitled (Derby Hat)' +p282139 +sg225236 +S'1972' +p282140 +sa(dp282141 +g225232 +S'Joseph Cornell' +p282142 +sg225240 +g27 +sg225234 +S'photogravure' +p282143 +sg225230 +S'Untitled (Landscape with Figure)' +p282144 +sg225236 +S'1972' +p282145 +sa(dp282146 +g225232 +S'Andy Warhol' +p282147 +sg225240 +g27 +sg225234 +S'color screenprint on Stonehenge paper' +p282148 +sg225230 +S'Kimiko' +p282149 +sg225236 +S'1981' +p282150 +sa(dp282151 +g225232 +S'Michael Vinson Clark' +p282152 +sg225240 +g27 +sg225234 +S'screen print' +p282153 +sg225230 +S'Washington I' +p282154 +sg225236 +S'1982' +p282155 +sa(dp282156 +g225232 +S'Michael Vinson Clark' +p282157 +sg225240 +g27 +sg225234 +S'screen print' +p282158 +sg225230 +S'Washington II' +p282159 +sg225236 +S'1982' +p282160 +sa(dp282161 +g225232 +S'Oleg Kudryashov' +p282162 +sg225240 +g27 +sg225234 +S'drypoint' +p282163 +sg225230 +S'Composition' +p282164 +sg225236 +S'1982' +p282165 +sa(dp282166 +g225230 +S'Let Us Now Praise Famous Men (Rauschenberg Family)' +p282167 +sg225232 +S'Andy Warhol' +p282168 +sg225234 +S'silkscreen on canvas' +p282169 +sg225236 +S'1963' +p282170 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00002/a0000289.jpg' +p282171 +sg225240 +g27 +sa(dp282172 +g225230 +S'Saint Matthew' +p282173 +sg225232 +S'Jacques de Gheyn II' +p282174 +sg225234 +S'pen and brown ink with gray wash on laid paper' +p282175 +sg225236 +S'c. 1585/1590' +p282176 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006e0e.jpg' +p282177 +sg225240 +g27 +sa(dp282178 +g225230 +S'The Raising of Lazarus: Small Plate' +p282179 +sg225232 +S'Rembrandt van Rijn' +p282180 +sg225234 +S'etching on laid paper' +p282181 +sg225236 +S'1642' +p282182 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d2/a000d2ec.jpg' +p282183 +sg225240 +g27 +sa(dp282184 +g225230 +S'Banquet at the House of Tarquinius' +p282185 +sg225232 +S'Hendrick Goltzius' +p282186 +sg225234 +S', c. 1578' +p282187 +sg225236 +S'\n' +p282188 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cf/a000cfc0.jpg' +p282189 +sg225240 +g27 +sa(dp282190 +g225230 +S'Daniel Heinsius' +p282191 +sg225232 +S'Jan Lievens' +p282192 +sg225234 +S'etching and engraving on laid paper' +p282193 +sg225236 +S'unknown date\n' +p282194 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d52d.jpg' +p282195 +sg225240 +g27 +sa(dp282196 +g225232 +S'John Marin' +p282197 +sg225240 +g27 +sg225234 +S'etching with monotype wiping on japan paper' +p282198 +sg225230 +S'Bridge over Canal, Amsterdam' +p282199 +sg225236 +S'1906' +p282200 +sa(dp282201 +g225230 +S'Dream of a Man Fleeing' +p282202 +sg225232 +S'Francesco Montelatici' +p282203 +sg225234 +S'black and red chalk on laid paper' +p282204 +sg225236 +S'unknown date\n' +p282205 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a0007482.jpg' +p282206 +sg225240 +g27 +sa(dp282207 +g225230 +S'Little Shepherd, 1st Plate (Le Petit Berger)' +p282208 +sg225232 +S'Jean-Baptiste-Camille Corot' +p282209 +sg225234 +S'cliche-verre' +p282210 +sg225236 +S'1855' +p282211 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00091/a00091b8.jpg' +p282212 +sg225240 +g27 +sa(dp282213 +g225230 +S"Putti Testing a Man's Perception of Depth" +p282214 +sg225232 +S'Sir Peter Paul Rubens' +p282215 +sg225234 +S'pen and brown ink with brown wash over black chalk, heightened with white, on laid paper; indented with a stylus and chalked for transfer on the verso' +p282216 +sg225236 +S'c. 1613' +p282217 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006d61.jpg' +p282218 +sg225240 +g27 +sa(dp282219 +g225232 +S'Anton Schutz' +p282220 +sg225240 +g27 +sg225234 +S'etching' +p282221 +sg225230 +S'New York Stock Exchange' +p282222 +sg225236 +S'1930' +p282223 +sa(dp282224 +g225232 +S'Anton Schutz' +p282225 +sg225240 +g27 +sg225234 +S'portfolio with seven etchings' +p282226 +sg225230 +S'Stock Exchanges of the World' +p282227 +sg225236 +S'1930' +p282228 +sa(dp282229 +g225232 +S'Anton Schutz' +p282230 +sg225240 +g27 +sg225234 +S'etching' +p282231 +sg225230 +S'The London Stock Exchange' +p282232 +sg225236 +S'1930' +p282233 +sa(dp282234 +g225232 +S'Anton Schutz' +p282235 +sg225240 +g27 +sg225234 +S'etching' +p282236 +sg225230 +S'Paris Stock Exchange' +p282237 +sg225236 +S'1930' +p282238 +sa(dp282239 +g225232 +S'Anton Schutz' +p282240 +sg225240 +g27 +sg225234 +S'etching' +p282241 +sg225230 +S'Amsterdam Stock Exchange' +p282242 +sg225236 +S'1930' +p282243 +sa(dp282244 +g225232 +S'Anton Schutz' +p282245 +sg225240 +g27 +sg225234 +S'etching' +p282246 +sg225230 +S'Berlin Stock Exchange' +p282247 +sg225236 +S'1930' +p282248 +sa(dp282249 +g225232 +S'Anton Schutz' +p282250 +sg225240 +g27 +sg225234 +S'etching' +p282251 +sg225230 +S'Stock Exchange of Rome' +p282252 +sg225236 +S'1930' +p282253 +sa(dp282254 +g225232 +S'Anton Schutz' +p282255 +sg225240 +g27 +sg225234 +S'etching' +p282256 +sg225230 +S'Milano Stock Exchange' +p282257 +sg225236 +S'1930' +p282258 +sa(dp282259 +g225230 +S'Saint Constantine and Saint Elena' +p282260 +sg225232 +S'Bulgarian 19th Century' +p282261 +sg225234 +S"Gift of His Excellency Konstantin N. Grigorov, Ambassador E.and P., Embassy of the People's Republic of Bulgaria" +p282262 +sg225236 +S'\nphoto-mechanical reproduction' +p282263 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000dd/a000dda6.jpg' +p282264 +sg225240 +g27 +sa(dp282265 +g225232 +S'Roumen Skortchev' +p282266 +sg225240 +g27 +sg225234 +S'lithograph' +p282267 +sg225230 +S'Motherhood' +p282268 +sg225236 +S'1977' +p282269 +sa(dp282270 +g225232 +S'Pietro Parigi' +p282271 +sg225240 +g27 +sg225234 +S'woodcut' +p282272 +sg225230 +S'The Crucifixion by Cimabue (Il Crocefisso de Cimabue travolto dalle acque)' +p282273 +sg225236 +S'1967' +p282274 +sa(dp282275 +g225232 +S'Pietro Parigi' +p282276 +sg225240 +g27 +sg225234 +S'portfolio with seven woodcuts' +p282277 +sg225230 +S'Sette Manifesti per Santa Croce' +p282278 +sg225236 +S'unknown date\n' +p282279 +sa(dp282280 +g225232 +S'Pietro Parigi' +p282281 +sg225240 +g27 +sg225234 +S'woodcut' +p282282 +sg225230 +S'The Resurrection of Christ (Il Cristo risorto)' +p282283 +sg225236 +S'1970' +p282284 +sa(dp282285 +g225232 +S'Pietro Parigi' +p282286 +sg225240 +g27 +sg225234 +S'woodcut' +p282287 +sg225230 +S'Final Apparition of the Son of God as Lightning (Apparizione finale del figlio de Diocome folgore)' +p282288 +sg225236 +S'unknown date\n' +p282289 +sa(dp282290 +g225232 +S'Pietro Parigi' +p282291 +sg225240 +g27 +sg225234 +S'woodcut' +p282292 +sg225230 +S"Saint Anthony of Padua (Sant'Antonio de Padova))" +p282293 +sg225236 +S'1969' +p282294 +sa(dp282295 +g225232 +S'Pietro Parigi' +p282296 +sg225240 +g27 +sg225234 +S'woodcut' +p282297 +sg225230 +S'Death of Saint Francis (La morte di San Francesco; particolare da Giotto)' +p282298 +sg225236 +S'1966' +p282299 +sa(dp282300 +g225232 +S'Pietro Parigi' +p282301 +sg225240 +g27 +sg225234 +S'woodcut' +p282302 +sg225230 +S'Minor Arts in Santa Croce (Le arti minore in Santa Croce)' +p282303 +sg225236 +S'1968' +p282304 +sa(dp282305 +g225232 +S'Pietro Parigi' +p282306 +sg225240 +g27 +sg225234 +S'woodcut' +p282307 +sg225230 +S'Dante in the Cloister of Santa Croce (Dante nei chiostri de Santa Croce)' +p282308 +sg225236 +S'1965' +p282309 +sa(dp282310 +g225232 +S'Hiroaki Takahashi' +p282311 +sg225240 +g27 +sg225234 +S'color woodcut' +p282312 +sg225230 +S'Figure Watching Two Musicians in a House' +p282313 +sg225236 +S'unknown date\n' +p282314 +sa(dp282315 +g225232 +S'Artist Information (' +p282316 +sg225240 +g27 +sg225234 +S'English, 1679 - 1749' +p282317 +sg225230 +S'The Blue Linnet (Tanagra cyanea)' +p282318 +sg225236 +S'(artist after)' +p282319 +sa(dp282320 +g225232 +S'Artist Information (' +p282321 +sg225240 +g27 +sg225234 +S'English, 1679 - 1749' +p282322 +sg225230 +S'The Largest White Billed Woodpecker (Picus principalis)' +p282323 +sg225236 +S'(artist after)' +p282324 +sa(dp282325 +g225230 +S'Woman Weighing Pearls' +p282326 +sg225232 +S'Artist Information (' +p282327 +sg225234 +S'(artist after)' +p282328 +sg225236 +S'\n' +p282329 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000fe/a000fe3d.jpg' +p282330 +sg225240 +g27 +sa(dp282331 +g225232 +S'Adja Yunkers' +p282332 +sg225240 +g27 +sg225234 +S'woodcut poster with letterpress text [1982 impression]' +p282333 +sg225230 +S'Gathering of the Clans' +p282334 +sg225236 +S'c. 1948/1949' +p282335 +sa(dp282336 +g225230 +S'Arab Mounting' +p282337 +sg225232 +S'Th\xc3\xa9odore Chass\xc3\xa9riau' +p282338 +sg225234 +S'soft-etching and roulette' +p282339 +sg225236 +S'1849' +p282340 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00091/a0009192.jpg' +p282341 +sg225240 +g27 +sa(dp282342 +g225230 +S'Anne with a Japanese Parasol' +p282343 +sg225232 +S'George Bellows' +p282344 +sg225234 +S'oil on canvas' +p282345 +sg225236 +S'1917' +p282346 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a000001f.jpg' +p282347 +sg225240 +g27 +sa(dp282348 +g225230 +S'Little Girl in White (Queenie Burnett)' +p282349 +sg225232 +S'George Bellows' +p282350 +sg225234 +S'oil on canvas' +p282351 +sg225236 +S'1907' +p282352 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a0000020.jpg' +p282353 +sg225240 +g27 +sa(dp282354 +g225230 +S'My Family' +p282355 +sg225232 +S'George Bellows' +p282356 +sg225234 +S'oil on canvas' +p282357 +sg225236 +S'1916' +p282358 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a0000021.jpg' +p282359 +sg225240 +g27 +sa(dp282360 +g225230 +S'Nude with Hexagonal Quilt' +p282361 +sg225232 +S'George Bellows' +p282362 +sg225234 +S'oil on canvas' +p282363 +sg225236 +S'1924' +p282364 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a0000033.jpg' +p282365 +sg225240 +g27 +sa(dp282366 +g225230 +S'Tennis Tournament' +p282367 +sg225232 +S'George Bellows' +p282368 +sg225234 +S'oil on canvas' +p282369 +sg225236 +S'1920' +p282370 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a0000022.jpg' +p282371 +sg225240 +g27 +sa(dp282372 +g225230 +S'Young Woman with Peonies' +p282373 +sg225232 +S'Fr\xc3\xa9d\xc3\xa9ric Bazille' +p282374 +sg225234 +S'oil on canvas' +p282375 +sg225236 +S'1870' +p282376 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00007/a0000719.jpg' +p282377 +sg225240 +S'Young Woman with Peonies\n Although both paintings entitled \n The exact relationship between the\r\ntwo versions is not clear. Surprisingly,\r\nBazille seems to make no explicit mention\r\nof either work in his correspondence.\r\nIt has been suggested, however, that these\r\npaintings are the ones Bazille referred to\r\nas "Suzanne\xe2\x80\x99s flowers" in several letters\r\nwritten between January and May 1870.\n Young Woman with Peonies\n (Text by Kimberly Jones, \n Notes\n ' +p282378 +sa(dp282379 +g225230 +S'Ships and Sailing Boats Leaving Le Havre' +p282380 +sg225232 +S'Eug\xc3\xa8ne Boudin' +p282381 +sg225234 +S'oil on canvas' +p282382 +sg225236 +S'1887' +p282383 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a00006f0.jpg' +p282384 +sg225240 +g27 +sa(dp282385 +g225230 +S'Bathing Time at Deauville' +p282386 +sg225232 +S'Eug\xc3\xa8ne Boudin' +p282387 +sg225234 +S'oil on wood' +p282388 +sg225236 +S'1865' +p282389 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a00006ec.jpg' +p282390 +sg225240 +S'Boudin, twenty years older than most of the impressionists, was among \n the few artists of his generation to insist on painting in the open air, \n declaring three brushstrokes done outdoors to be of greater value than days \n spent working in the studio. Grains of sand from the beaches where Boudin \n painted still adhere to some of his pictures. At times he was accompanied \n by the young \n Though Boudin believed sincerity was achieved by painting directly from \n nature, he still made adjustments to his paintings in the studio. "An \n impression is gained in an instant," he advised a student, "but it then has \n to be condensed following the rules of art or rather your own feeling and \n that is the most difficult thing -- to finish a painting without spoiling \n anything."\n ' +p282391 +sa(dp282392 +g225230 +S'Jetty and Wharf at Trouville' +p282393 +sg225232 +S'Eug\xc3\xa8ne Boudin' +p282394 +sg225234 +S'oil on wood' +p282395 +sg225236 +S'1863' +p282396 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a00006ed.jpg' +p282397 +sg225240 +g27 +sa(dp282398 +g225230 +S'Festival in the Harbor of Honfleur' +p282399 +sg225232 +S'Eug\xc3\xa8ne Boudin' +p282400 +sg225234 +S'oil on wood' +p282401 +sg225236 +S'1858' +p282402 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0003a/a0003a09.jpg' +p282403 +sg225240 +g27 +sa(dp282404 +g225230 +S'Coast of Brittany' +p282405 +sg225232 +S'Eug\xc3\xa8ne Boudin' +p282406 +sg225234 +S'oil on canvas' +p282407 +sg225236 +S'1870' +p282408 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a00006e7.jpg' +p282409 +sg225240 +g27 +sa(dp282410 +g225230 +S'Figures on the Beach' +p282411 +sg225232 +S'Eug\xc3\xa8ne Boudin' +p282412 +sg225234 +S'oil on canvas' +p282413 +sg225236 +S'c. 1867/1870' +p282414 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a00006e8.jpg' +p282415 +sg225240 +g27 +sa(dp282416 +g225230 +S'Beach Scene' +p282417 +sg225232 +S'Eug\xc3\xa8ne Boudin' +p282418 +sg225234 +S'oil on wood' +p282419 +sg225236 +S'1862' +p282420 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a00006e9.jpg' +p282421 +sg225240 +g27 +sa(dp282422 +g225230 +S'Beach Scene at Trouville' +p282423 +sg225232 +S'Eug\xc3\xa8ne Boudin' +p282424 +sg225234 +S'oil on wood' +p282425 +sg225236 +S'1863' +p282426 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a00006ea.jpg' +p282427 +sg225240 +S'When Boudin began to paint vacationers on the beaches of Normandy, his \n subject was unconventional. Seascapes, often populated with small peasant \n figures or fishermen, still attracted French painters in the mid-1800s. But \n Boudin\'s images, unlike those of other rustic genre scenes, recorded a new \n phenomenon, the tourist with money and leisure time. His subjects were \n also his buyers, and he satisfied them by producing more than four thousand \n paintings like this one.\n Boudin\'s beach scenes, though crowded, lack obvious narrative or \n anecdote. He characterized not individuals, but the bourgeoisie and their \n postures and fashions, including the huge crinolines that in high winds \n occasionally sent women over cliffs or into carriage wheels. Like the plume \n of smoke issuing from a steamer, the anonymity of the figures imparts a \n sense of modern life. Boudin seems to have been a bit ambivalent about his \n subjects. At times he defended them, but he also dismissed them as "gilded \n parasites," to insist that his true subjects were light and color.\n ' +p282428 +sa(dp282429 +g225230 +S'Washerwoman near Trouville' +p282430 +sg225232 +S'Eug\xc3\xa8ne Boudin' +p282431 +sg225234 +S'oil on wood' +p282432 +sg225236 +S'c. 1872/1876' +p282433 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0005a/a0005a74.jpg' +p282434 +sg225240 +g27 +sa(dp282435 +g225230 +S'Entrance to the Harbor, Le Havre' +p282436 +sg225232 +S'Eug\xc3\xa8ne Boudin' +p282437 +sg225234 +S'oil on canvas' +p282438 +sg225236 +S'1883' +p282439 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a00006eb.jpg' +p282440 +sg225240 +g27 +sa(dp282441 +g225230 +S'Child in a Straw Hat' +p282442 +sg225232 +S'Mary Cassatt' +p282443 +sg225234 +S'oil on canvas' +p282444 +sg225236 +S'c. 1886' +p282445 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a00006c9.jpg' +p282446 +sg225240 +S'Devoted to painting subjects of modern\r\nlife, the impressionists were committed to\r\nrendering direct experiences as opposed\r\nto literary subjects. Much of their work\r\nfocuses on life out in the modern metropolis,\r\nas well as on quotidian activities within\r\nthe home. Cassatt specialized in scenes\r\ndepicting women in their traditional role\r\nas caregivers, particularly of children, and\r\nshe invested relatively quiet and unexceptional\r\nmoments with considerable dynamism\r\nin handling and composition.\n Cassatt\xe2\x80\x99s lack of convention and sentiment\r\nin portraying children earned her\r\nboth praise and criticism. Although she\r\nexplored a subject considered the express\r\ndomain of women artists, her approach was\r\nconsidered atypical and did not go unnoticed.\r\nCritics remarked upon the apparent\r\ndisconnect between her technique and her\r\ngender by using masculine terms such as\r\n"strong" and "virile" to describe her work.\n Child in a Straw Hat\n While the subject matter captures a\r\nlanguid moment, the paint is handled in\r\na dynamic fashion. Broad, visible brushstrokes\r\nare used throughout the entire\r\ncomposition, forming abstract patterns in\r\nsome areas, such as the white sleeves of the\r\nblouse and smock. Technical analysis indicates\r\nthat the paint was applied quickly and\r\ndirectly to the canvas, in a manner referred\r\nto as \n Possessing a natural "talent for likenesses,"\r\nCassatt could expound upon both\r\nthe traditional and more modern, formal\r\nqualities of portraiture.\n (Text by Michelle Bird, \n Notes\n ' +p282447 +sa(dp282448 +g225230 +S'Little Girl in a Blue Armchair' +p282449 +sg225232 +S'Mary Cassatt' +p282450 +sg225234 +S'oil on canvas' +p282451 +sg225236 +S'1878' +p282452 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a00006ce.jpg' +p282453 +sg225240 +S'During her travels in Italy, Spain, and The\r\nNetherlands Mary Cassatt encountered and\r\nwas deeply moved by the art of the European\r\nold masters—the tenderness depicted\r\nin Correggio\xe2\x80\x99s Madonna and child paintings,\r\nthe expressive and sketchy brushstroke\r\nof Diego Velázquez, and the realism of the\r\ndomestic genre scenes of the Dutch Golden\r\nAge. By the time she settled in Paris in 1874,\r\nshe had become a mature artist with more\r\nthan a decade of experience behind her.\n In Paris, Cassatt established her artistic\r\nreputation by showing her work in the\r\nSalon. Her career would take a dramatic\r\nturn, however, following an encounter\r\nwith a group of pastels by Edgar Degas in\r\na shop window in about 1877. "I used to\r\ngo and flatten my nose against that window\r\nand absorb all I could of his art. It changed\r\nmy life. I saw art then as I wanted to see it,"\r\nshe later recounted.\n Little Girl in a Blue Armchair\n This painting has been known by\r\na variety of titles throughout the years,\r\nincluding Cassatt\xe2\x80\x99s original and somewhat\r\ngeneric \n Cassatt submitted this painting to the\r\nParis Exposition Universelle in 1878, and\r\nits rejection infuriated her. She reworked\r\nthe painting with the help of her friend\r\nDegas and exhibited it along with ten other\r\npaintings in her debut exhibition with\r\nthe impressionists in 1879. Its acceptance signaled her break with the Salon and\r\ncemented her connection to this radical\r\ngroup of independents.\n (Text by Michelle Bird, \n Notes\n \n \n ' +p282454 +sa(dp282455 +g225230 +S'Breton Girls Dancing, Pont-Aven' +p282456 +sg225232 +S'Paul Gauguin' +p282457 +sg225234 +S'oil on canvas' +p282458 +sg225236 +S'1888' +p282459 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a0000641.jpg' +p282460 +sg225240 +S'In 1886, Gauguin made his first excursion\r\nto Brittany, spending three months\r\nin Pont-Aven, a small farming village\r\nnear the southern coast that was home to\r\na lively artists\xe2\x80\x99 colony. He returned there\r\nin 1888, staying for close to nine months.\r\nGauguin enjoyed the relative isolation\r\nand uncomplicated existence of Brittany.\r\nHe wrote to his friend and disciple Emile Schuffenecker: "I like Brittany, it is savage\r\nand primitive. The flat sounds of my\r\nwooden clogs on the cobblestones, deep,\r\nhollow, and powerful, is the note I seek in\r\nmy painting."\n Breton Girls Dancing, Pont-Aven\n The three girls are shown dancing a\r\ngavotte, a distinctive form of folk dance\r\nperformed by Breton peasants. Gauguin\r\napproached his subject with an almost ethnographic\r\nsensibility, particularly in his\r\ncareful depiction of the girls\xe2\x80\x99 traditional\r\ncostumes. He even went so far as to depict\r\nthe \n Gauguin arranged for the completed\r\npainting to be sent to Theo van Gogh, who included it in an exhibition of the artist\xe2\x80\x99s\r\nrecent work at the Boussod and Valadon\r\nGallery in Paris in November 1888. Van\r\nGogh informed the artist that he had\r\nfound a buyer for the painting, but on one\r\ncondition: "I could also sell the dance of\r\nthe little Breton girls, but you would have\r\nto change it slightly. The hand of the little\r\ngirl originating near the edge seems to\r\nhave an importance which one does not\r\nnotice when one sees the picture without\r\na frame. The buyer would like you to alter\r\nthe hand a little, without otherwise modifying\r\nthe rest of the painting. It does not\r\nseem to me to be a difficult request. . . . See\r\nif you can make him happy and if you want\r\nto do this deal."\n With some reluctance, Gauguin agreed\r\nto make the requisite change. However,\r\ndespite Gauguin\xe2\x80\x99s efforts and Van Gogh\xe2\x80\x99s\r\nassurances, the painting remained unsold.\r\nGauguin included it along with sixteen\r\nother works at the Exhibition of Paintings\r\nby the Impressionist and Synthetist\r\nGroup held in Paris at the Café Volpini\r\nduring the Exposition Universelle of 1889,\r\nbut was disheartened by the lack of both\r\ncritical attention and sales. It would not be\r\nuntil September 1889 that the painting was\r\nfinally sold for five hundred francs.\n (Text by Kimberly Jones, \n Notes\n \n \n \n \n ' +p282461 +sa(dp282462 +g225230 +S'Landscape at Le Pouldu' +p282463 +sg225232 +S'Paul Gauguin' +p282464 +sg225234 +S'oil on canvas' +p282465 +sg225236 +S'1890' +p282466 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a0000642.jpg' +p282467 +sg225240 +S"After his first stay in Brittany, Gauguin returned to Paris in time for the 1889 international exposition marking the centennial of the French Revolution. Refused space at the official art exhibition, he mounted an independent show with several colleagues near the entrance to the huge fair, billing their work "impressioniste et synthétiste," but it was not a success. He decided to escape Paris and its scornful critics. Among the most popular attractions at the exposition, and Gauguin's personal favorites, had been performances by Buffalo Bill's Wild West Show and a troupe of Javanese dancers—Gauguin began to talk of emigrating to the more exotic lands of Tonkin (Vietnam), Madagascar, or Tahiti. But he returned instead to Brittany.\n In 1889 he found the village of Pont-Aven crowded with artists. Seeking a more isolated—and less expensive—environment, he and several colleagues took up residence in Le Pouldu, a small hamlet nine kilometers distant. From there they made many expeditions to the countryside, but their landscapes, like this one, were painted primarily from memory and sketches. "Don't copy nature too literally," Gauguin advised. "Art is abstraction; draw art as you dream in nature's presence, and think more about the act of creation than about the final result."\n " +p282468 +sa(dp282469 +g225230 +S'Flower Beds in Holland' +p282470 +sg225232 +S'Vincent van Gogh' +p282471 +sg225234 +S'oil on canvas on wood' +p282472 +sg225236 +S'c. 1883' +p282473 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a000064e.jpg' +p282474 +sg225240 +g27 +sa(dp282475 +g225230 +S'New House in the Suburbs' +p282476 +sg225232 +S'Paul Klee' +p282477 +sg225234 +S'gouache on canvas' +p282478 +sg225236 +S'1924' +p282479 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000ed3.jpg' +p282480 +sg225240 +g27 +sa(dp282481 +g225232 +S'Joan Mir\xc3\xb3' +p282482 +sg225240 +g27 +sg225234 +S'oil on canvas' +p282483 +sg225230 +S'The Flight of the Dragonfly before the Sun' +p282484 +sg225236 +S'1968' +p282485 +sa(dp282486 +g225230 +S'The Bridge at Argenteuil' +p282487 +sg225232 +S'Claude Monet' +p282488 +sg225234 +S'oil on canvas' +p282489 +sg225236 +S'1874' +p282490 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a0000679.jpg' +p282491 +sg225240 +S"From a distance of ten feet or so, Monet's brushstrokes blend to yield a convincing view of the Seine and the pleasure boats that drew tourists to Argenteuil. Up close, however, each dab of paint is distinct, and the scene dissolves into a mosaic of paint—brilliant, unblended tones of blue, red, green, yellow. In the water, quick, fluid skips of the brush mimic the lapping surface. In the trees, thicker paint is applied with denser, stubbier strokes. The figure in the sailboat is only a ghostly wash of dusty blue, the women rowing nearby are indicated by mere shorthand.\n In the early years of impressionism, Monet, Renoir, and others strove to capture the fleeting effects of light and atmosphere on the landscape and to transcribe directly and quickly their sensory experience of it. Monet advised the American artist Lilla Cabot Perry, "When you go out to paint, try to forget what objects you have before you, a tree, a house, a field or whatever. Merely think here is a little square of blue, here an oblong of pink, here a streak of yellow, and paint it just as it looks to you, the exact color and shape, until it gives your own naïve impression of the scene before you."\n " +p282492 +sa(dp282493 +g225230 +S"The Cradle - Camille with the Artist's Son Jean" +p282494 +sg225232 +S'Claude Monet' +p282495 +sg225234 +S'oil on canvas' +p282496 +sg225236 +S'1867' +p282497 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a0000670.jpg' +p282498 +sg225240 +S'The Cradle—Camille with the Artist\xe2\x80\x99s Son Jean\n Fatherhood inspired an unexpected\r\ntenderness on the part of the artist. In a\r\nletter to his friend the painter Frédéric\r\nBazille, who was also Jean\xe2\x80\x99s godfather,\r\nMonet described his delight and frustration\r\nat the situation: "She [Camille]\r\ngave birth to a large and handsome son\r\nand despite everything, and I don\xe2\x80\x99t know\r\nhow, I feel that I love him, and I suffer\r\nto think that his mother has nothing to\r\neat."\n Time and circumstance undoubtedly\r\nplayed a role. Given the apparent age of\r\nthe infant, somewhere between four and\r\nsix months, the painting was probably executed\r\nlate in the winter of 1867 during\r\nMonet\xe2\x80\x99s stay in Paris and just before his\r\nreturn to Sainte-Adresse in January 1868.\r\nMonet made no allusion to the desperate\r\nfinancial straits of his family at this time,\r\ndepicting instead a scene of domestic tranquility\r\nand bourgeois comfort. The most\r\ntelling evidence of this is the identity of the\r\nwoman seated beside the cradle. Although\r\nshe is typically identified as Camille, her\r\nwhite cap and modest dark dress suggest she\r\nmay be the child\xe2\x80\x99s wet nurse rather than his\r\nmother, something that is more in keeping\r\nwith the standard of living to which the artist\r\naspired than with his current station.\n (Text by Kimberly Jones, \n Notes\n \n \n ' +p282499 +sa(dp282500 +g225230 +S'Interior, after Dinner' +p282501 +sg225232 +S'Claude Monet' +p282502 +sg225234 +S'oil on canvas' +p282503 +sg225236 +S'1868/1869' +p282504 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a000067a.jpg' +p282505 +sg225240 +g27 +sa(dp282506 +g225230 +S'Waterloo Bridge, London, at Dusk' +p282507 +sg225232 +S'Claude Monet' +p282508 +sg225234 +S'oil on canvas' +p282509 +sg225236 +S'1904' +p282510 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a000067c.jpg' +p282511 +sg225240 +g27 +sa(dp282512 +g225230 +S'Waterloo Bridge, London, at Sunset' +p282513 +sg225232 +S'Claude Monet' +p282514 +sg225234 +S'oil on canvas' +p282515 +sg225236 +S'1904' +p282516 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a000067d.jpg' +p282517 +sg225240 +g27 +sa(dp282518 +g225230 +S'Woman with a Parasol - Madame Monet and Her Son' +p282519 +sg225232 +S'Claude Monet' +p282520 +sg225234 +S'oil on canvas' +p282521 +sg225236 +S'1875' +p282522 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a000067e.jpg' +p282523 +sg225240 +S'Woman with a Parasol—Madame Monet and Her Son\n Camille, dressed in white and wearing\r\na veiled hat, stands on a hill, her body\r\nplaced slightly off center but balanced\r\nvisually by the green and white parasol\r\nshe carries. Her gaze and the angle of her\r\nbody suggest that she has suddenly become\r\naware of the viewer\xe2\x80\x99s presence and has\r\nturned in response, creating a convincing\r\nillusion of movement frozen in time.\r\nBehind and to the left of Camille is the\r\nmuch smaller form of their son Jean, who\r\nwas almost eight years old at the time. The\r\nlow horizon line and the juxtaposition of\r\nher form against the sky give the figure a\r\nfeeling of monumentality that is unusual\r\nin Monet\xe2\x80\x99s paintings of the mid-1870s.\n Boldly and rapidly executed out of\r\ndoors, this painting was probably created\r\nin a single sitting. Monet\xe2\x80\x99s depiction of\r\nthe arrested moment in time is accentuated\r\nby the spontaneity of the brushwork\r\nand bold color. The sky was painted\r\nquickly, with strokes of varying size and\r\ndirection, and large patches of ground\r\nleft exposed. Although he painted the sky\r\nfirst, he retouched it after adding the\r\nfigures—drawing the brush around their\r\nshapes, he further defined them. The\r\ngrass is painted with short comma-like\r\nstrokes in various shades of green, blue,\r\nyellow, and red: broad passages of bluegreens\r\nwere used to indicate shadow and\r\nlighter greens, to indicate sunlit areas.\n This painting was one of eighteen\r\nthat the artist contributed to the second\r\nimpressionist show (held in April 1876).\r\nExhibited under the title \n Monet returned to this motif—a woman\r\nwith a parasol standing on a hill—for\r\na pair of paintings that he executed in the\r\nsummer of 1886 (Musée d Orsay, Paris).\r\nThe inspiration for these paintings was\r\nthe image of Suzanne, a daughter of his\r\nfriends Alice and Ernest Hoschedé, walking\r\nalong an embankment on the \xc3\xaele aux\r\nOrties at Giverny; upon seeing her silhouetted\r\nagainst the sky, Monet is said to have\r\nremarked: "But it\xe2\x80\x99s like Camille at Argenteuil!\r\nWell, tomorrow we\xe2\x80\x99ll come back and\r\nyou\xe2\x80\x99ll pose here."\n (Text by Kimberly Jones, \n Notes\n \n ' +p282524 +sa(dp282525 +g225232 +S'Kenzo Okada' +p282526 +sg225240 +g27 +sg225234 +S'oil on canvas' +p282527 +sg225230 +S'Blue' +p282528 +sg225236 +S'1970' +p282529 +sa(dp282530 +g225232 +S'Kenzo Okada' +p282531 +sg225240 +g27 +sg225234 +S'oil on canvas' +p282532 +sg225230 +S'Kasaner' +p282533 +sg225236 +S'1968' +p282534 +sa(dp282535 +g225230 +S'Flowers in a Vase' +p282536 +sg225232 +S'Auguste Renoir' +p282537 +sg225234 +S'oil on canvas' +p282538 +sg225236 +S'c. 1866' +p282539 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00006/a00006fb.jpg' +p282540 +sg225240 +g27 +sa(dp282541 +g225230 +S'The Lighthouse at Honfleur' +p282542 +sg225232 +S'Georges Seurat' +p282543 +sg225234 +S'oil on canvas' +p282544 +sg225236 +S'1886' +p282545 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00007/a0000718.jpg' +p282546 +sg225240 +S'Honfleur, a historic port on the Seine\r\nestuary in Normandy, had long been a\r\nfavorite with artists from England and\r\nFrance: J. M. W. Turner, Gustave Courbet,\r\nJean-Baptiste-Camille Corot, Eugène\r\nBoudin, and Claude Monet all worked\r\nthere. Seurat\xe2\x80\x99s stay in the summer of 1886\r\nresulted in seven canvases, most of which\r\nfocus on ordinary sites rather than the picturesque\r\nviews offered by the quaint town.\r\nThe lighthouse, however, was a motif\r\nthat appealed to many of Seurat\xe2\x80\x99s artistic\r\npredecessors: Boudin, for example, had\r\npainted this same scene twenty years earlier,\r\nwith the buildings at right and the\r\njetty behind the tower. Rather than centering\r\nthe view, Seurat cropped it in an\r\nunconventional way, leaving no sky above\r\nthe tip of the lighthouse and abruptly cutting\r\noff objects on the right. The lighthouse\r\nstands on the shore in front of\r\na home for old mariners; next to it was a shipyard, whose presence is acknowledged\r\nby the boat, trestle, and transport wheel.\n Honfleur\xe2\x80\x99s importance had been\r\neclipsed in the nineteenth century by the\r\nrobust development of the port at nearby\r\nLe Havre. Here the empty beach contributes\r\nto the sense of desertion suggested\r\nby the nautical odds and ends left lying\r\nin the sand. Indeed the scene is almost\r\ncompletely static: a sailboat drifting off in\r\nthe calm waters at left is the only suggestion\r\nof movement on a perfectly serene\r\nday. In contrast to Seurat\xe2\x80\x99s crowded\r\nscenes of urban entertainment and leisure,\r\nthe artist\xe2\x80\x99s Normandy seascapes\r\navoid the bustle typically associated with\r\nsuch popular tourist destinations, especially\r\nduring the summer. The critic J.-K.\r\nHuysmans reflected on the poetic stillness\r\nof Seurat\xe2\x80\x99s Honfleur paintings in\r\n1887, writing, "I find in them a fullness of\r\nexpansive air, a siesta of a quiet soul, a distinction\r\nof wan indolence, a caressing lullaby\r\nof the sea that soothes and dissipates\r\nmy weary cares."\n Perhaps it was the promise of such\r\ntranquility that attracted Seurat to the\r\nseaside in the first place. His arrival in\r\nHonfleur came several months after he\r\nhad completed his seminal work, \n (Text by Margaret Doyle, \n Notes\n \n \n ' +p282547 +sa(dp282548 +g225232 +S'Nicolas de Sta\xc3\xabl' +p282549 +sg225240 +g27 +sg225234 +S'oil on canvas' +p282550 +sg225230 +S'Ballet' +p282551 +sg225236 +S'1952' +p282552 +sa(dp282553 +g225230 +S'From Wheat to Straw' +p282554 +sg225232 +S'Jacques Villon' +p282555 +sg225234 +S'oil on canvas' +p282556 +sg225236 +S'1946' +p282557 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000eeb.jpg' +p282558 +sg225240 +g27 +sa(dp282559 +g225230 +S'Drink to the Chimera' +p282560 +sg225232 +S'Jacques Villon' +p282561 +sg225234 +S'oil on canvas' +p282562 +sg225236 +S'1947' +p282563 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000eec.jpg' +p282564 +sg225240 +g27 +sa(dp282565 +g225230 +S'The Bridge of Beaugency' +p282566 +sg225232 +S'Jacques Villon' +p282567 +sg225234 +S'oil on canvas' +p282568 +sg225236 +S'1944' +p282569 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00037/a00037fb.jpg' +p282570 +sg225240 +g27 +sa(dp282571 +g225230 +S'Woman in a Striped Dress' +p282572 +sg225232 +S'Edouard Vuillard' +p282573 +sg225234 +S'oil on canvas' +p282574 +sg225236 +S'1895' +p282575 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00007/a0000715.jpg' +p282576 +sg225240 +S"Vuillard belonged to a quasi-mystical group of young artists that arose in about\n1890 and called themselves the Nabi, a Hebrew word for prophet. The Nabi rejected\nimpressionism and considered simple transcription of the appearance of the natural\nworld unthinking and unartistic. Inspired by Gauguin's work and symbolist poetry,\ntheir paintings evoke rather than specify, suggest rather than describe. Recognizing\nthat the physical components of painting -- colored pigments arranged on a flat surface\n-- were artificial, they considered as false the traditional convention of regarding\npaintings as re-creations of the natural world.\n Woman in a Striped Dress\n " +p282577 +sa(dp282578 +g225230 +S'Moonlight on the Yare' +p282579 +sg225232 +S'John Crome' +p282580 +sg225234 +S'oil on canvas' +p282581 +sg225236 +S'c. 1816/1817' +p282582 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00004/a00004e8.jpg' +p282583 +sg225240 +S'Crome, from Norwich in east central\r\n England, learned to paint by copying pictures in local private collections.\r\n Landscapes by his countrymen Gainsborough and Wilson intrigued him, as did\r\n the Dutch old masters such as \n Moonlight on the Yare,\n A lively wit with a good business sense, Crome augmented his successful\r\n career as a landscape painter by giving drawing lessons and acting as a\r\n picture restorer and art dealer. Crome was instrumental in founding the\r\n Norwich Society in 1803 and, after 1806, sometimes also sent paintings for\r\n exhibition at the Royal Academy in London.\n ' +p282584 +sa(dp282585 +g225230 +S'Arthur Holdsworth Conversing with Thomas Taylor and Captain Stancombe by the River Dart' +p282586 +sg225232 +S'Arthur Devis' +p282587 +sg225234 +S'oil on canvas' +p282588 +sg225236 +S'1757' +p282589 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00007/a000073c.jpg' +p282590 +sg225240 +S"The British demand for portraiture increased rapidly in the eighteenth century\nas members of the wealthy middle class became art patrons in their own right. Arthur\nDevis was a provincial artist who came to live in London, where sophisticated portraitists\nof the upper class such as Reynolds and Gainsborough dominated the art world. Devis\nreceived commissions from the middle-class landowning families, merchants, and officials\nwho lived in smaller cities outside London.\n This informal portrait is a conversation piece, a genre favored by Devis. The figures,\nwhile full-length, are relatively small and are placed somewhat back in the landscape;\nthe background is larger and more detailed than in traditional portraiture and describes\nthe subjects' personal and social context.\n Devis devised a repertoire of postures and gestures that he used to express the\nsocial status of his sitter. Arthur Holdsworth, governor of Dartmouth Castle, is\nshown seated, an alert, attentive expression on his face. The ship sailing into\nthe mouth of the River Dart in the background may be a reference to the Holdsworth\nfamily's trading business. Holdsworth's brother-in-law, Thomas Taylor, stands behind him in riding clothes. The third man is Captain Stancombe.\n " +p282591 +sa(dp282592 +g225230 +S'Oedipus Cursing His Son, Polynices' +p282593 +sg225232 +S'Henry Fuseli' +p282594 +sg225234 +S'oil on canvas' +p282595 +sg225236 +S'1786' +p282596 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00067/a0006740.jpg' +p282597 +sg225240 +S"Fuseli, a native of Switzerland, began his career in England as a history painter. He developed an expressionistic style composed of a unique blend of influences—German romanticism, the monumental vision of Michelangelo, and the physical and psychological exaggerations of the 16th–century Italian mannerists.\n Fuseli's own pessimism and fascination with the extremes of human passion are evident. He heightened the intensity of this scene from Sophocles' \n " +p282598 +sa(dp282599 +g225230 +S"A Scene from The Beggar's Opera" +p282600 +sg225232 +S'William Hogarth' +p282601 +sg225234 +S'oil on canvas' +p282602 +sg225236 +S'1728/1729' +p282603 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00005/a0000566.jpg' +p282604 +sg225240 +S"Hogarth represents an important watershed in British art, marking the end of\nthe century-long predominance of Dutch and Flemish painters in England and the beginning\nof a native school. Although his style was influenced by French rococo artists,\nHogarth was a realist and social critic whose subjects came from the London middle\nclasses as he observed them in the streets, in coffee houses, or at the theater.\n This vivid scene is a small version of Hogarth's earliest dated painting, now in\nthe Tate Gallery, London. The subject was based on John Gay's popular and long-playing\nballad-opera. With its open buffooning of Italian grand opera and its more subtle\nattacks on the British ruling class and Walpole government, the story was a ready\nmedium for Hogarth's incisive pictorial satire.\n The setting (act 3, scene II) is in Newgate prison where Macheath, a highwayman\nand anti-hero of sorts, has been brought after his arrest for robbery. He stands\nin the middle of the stage, shackled, legs astride, a dominant figure in brilliant\nred. To the left is Lucy, Macheath's lover, the daughter of the jailer Lockit. To\nthe right is Macheath's wife, Polly, who kneels by her father, Peachum, the fence\nwho betrayed Macheath and in doing so brought about the present crisis. Both wife\nand lover plead for Macheath's life to be spared.\n " +p282605 +sa(dp282606 +g225230 +S'Family Group' +p282607 +sg225232 +S'Francis Wheatley' +p282608 +sg225234 +S'oil on canvas' +p282609 +sg225236 +S'c. 1775/1780' +p282610 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00005/a0000567.jpg' +p282611 +sg225240 +S"Wheatley's portrait style has much in common with the traditional conversation\npieces of artists such as Arthur Devis. While the figures in Wheatley's portraits\nare larger in proportion to the background than in Devis' works, both artists employed\nthe same formula of presenting middle-class families engaged together in some pleasant\nactivity, often with one member of the group looking out at the viewer.\n The figures of this group are arranged in a parklike setting, silhouetted against\na backdrop of dark-green foliage. Wheatley suggested the psychological relationships\nof the subjects through their physical arrangement in the group. Despite the difference\nin size, the mother and daughter are, in effect, mirror images of each other, brought\ntogether by similarity of their forms and postures. The daughter's intimate relationship\nwith each parent balances and unifies the composition.\n Wheatley portrayed sitters' faces with great sensitivity, but his artistic talents\nare best seen in drapery and costume details. Moving easily from broad, suggestive\nbrushstrokes to ones that are fine and precise, he achieved a variety of techniques\nthat stimulate and delight the eye.\n " +p282612 +sa(dp282613 +g225230 +S'Lake Albano' +p282614 +sg225232 +S'Richard Wilson' +p282615 +sg225234 +S'oil on canvas' +p282616 +sg225236 +S'1762' +p282617 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00004/a00004e4.jpg' +p282618 +sg225240 +g27 +sa(dp282619 +g225230 +S'Solitude' +p282620 +sg225232 +S'Richard Wilson' +p282621 +sg225234 +S'oil on canvas' +p282622 +sg225236 +S'c. 1762/1770' +p282623 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00004/a00004e5.jpg' +p282624 +sg225240 +S"Richard Wilson began as a portraitist, although he also produced a few topographical\npaintings early in his career. During his stay in Italy in the 1750s he turned his\nattention exclusively to depictions of arcadian landscape and developed a personal\nstyle that freed him from the realistic constraints of his earlier works. Indeed,\nItaly's golden Mediterranean light and the ancient ruins that evoked the glory of\nits classical past affected Wilson long after his return to London in 1756. Like\nhis contemporary Reynolds, Wilson sought to elevate the status of his genre of painting\nthrough the systematic application of classical standards.\n In this landscape the artist draws on his memories of the Italian countryside as\nwell as on his imagination to create a richly detailed panorama, suffused with a\nquiet and evocative mood. On a massive pedestal stands the ruin of a statue of a\nlion with a globe under its paw, symbolizing the inevitability of death and decay.\nThe pagan hermit reading at the base of the statue and the two Christian monks to\nthe left, their church highlighted in a clearing in the woods, seem to share a common\nhope of discovering answers to the mysteries of life.\n " +p282625 +sa(dp282626 +g225230 +S'The Corinthian Maid' +p282627 +sg225232 +S'Joseph Wright' +p282628 +sg225234 +S'oil on canvas' +p282629 +sg225236 +S'1782-1784' +p282630 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00007/a0000742.jpg' +p282631 +sg225240 +S'Josiah Wedgwood, the pioneer of pottery manufacturing, commissioned this \r\n mythological scene that illustrates the invention of the art of modeling \r\n bas-relief sculpture. Wedgwood’s own fired-clay vessels, decorated with low \r\n reliefs, would have been seen by an eighteenth-century audience as the \r\n aesthetic descendants of this ancient Greek maiden’s attempt to preserve \r\n her beloved’s profile.\n The girl was the daughter of a potter in Corinth. Her boyfriend was \r\n about to embark on a perilous journey to foreign lands, taking only his \r\n spear and dog. As a memento, she traced her sleeping lover’s silhouette \r\n onto the wall. Her father then used the drawing to model a clay relief, \r\n which he baked in his kiln to create a ceramic keepsake.\n Joseph Wright, a master of artificial illumination, concealed a \r\n hanging lamp behind the curtain, suggesting the source of the beams that \r\n cast the youth’s shadow. In contrast to the lamp’s gentle glow, intense \r\n sparks and embers leap inside the potter’s fiery furnace.\n Wright researched his topic for archeological accuracy. Wedgwood \r\n loaned antique vases from his own art collection so that Wright could copy \r\n their shapes, and the clothing derives from ancient sculpture. Classical \r\n symmetry pervades the design; the curtain and archway flank the focal \r\n action of the maiden’s stylus tracing the youth’s profile.\n ' +p282632 +sa(dp282633 +g225230 +S'Italian Landscape' +p282634 +sg225232 +S'Joseph Wright' +p282635 +sg225234 +S'oil on canvas' +p282636 +sg225236 +S'1790' +p282637 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00004/a00004e6.jpg' +p282638 +sg225240 +S'Wright\'s artistic interests varied widely, ranging from portraiture and scientific\ntopics in his early "candlelight" period to popular subjects, romantic history,\nliterature, and landscapes in later years. This painting dates from the end of Wright\'s\ncareer. It is a romantic and fantastic blend of his memories of Italy and the countryside\nof his native Derby.\n In the foreground, a rustic figure sits by the side of a rock-strewn path; he is\na small, lonely human presence in this broad and arresting view of nature. A path\nwinds above him to the villas in the hills, while to the right the land gives way\nto a rolling meadow, a still lake, and a distant mountain. In the background great\nmasses of earth rise dramatically, culminating in a long silhouette against the\npale blue sky.\n Wright\'s unorthodox use of color in the cliffs has an expressionistic quality that\nseems to foreshadow the works of later artists. At a distance from the painting\nthe sharp contrast between the colors emphasizes the geometry of the forms. Viewed\ncloser, the forms begin to flatten out into abstract patterns. While Wright\'s vision\nof nature is romantic in its use of light and color and in its pervasive nostalgic\nmood, it is also classical in its purity of line and form and in its controlled\nand balanced composition.\n ' +p282639 +sa(dp282640 +g225230 +S'The Lavie Children' +p282641 +sg225232 +S'Johann Zoffany' +p282642 +sg225234 +S'oil on canvas' +p282643 +sg225236 +S'c. 1770' +p282644 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00007/a0000743.jpg' +p282645 +sg225240 +S'When Johann Zoffany arrived in London in 1760, the\r\n twenty-seven-year-old \r\n painter already had worked in Rome and his native Germany. Under\r\n the \r\n patronage of the celebrated actor David Garrick, Zoffany came to\r\n the \r\n attention of the royal family. Zoffany’s fame rested on lively\r\n depictions \r\n of actors performing on stage and of connoisseurs examining art\r\n galleries. \r\n Revitalizing the conversation-piece format developed by \r\n \n The Lavie Children\n ' +p282646 +sa(dp282647 +g225230 +S'Obus' +p282648 +sg225232 +S'Alexander Calder' +p282649 +sg225234 +S'painted sheet metal' +p282650 +sg225236 +S'1972' +p282651 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00016/a0001654.jpg' +p282652 +sg225240 +g27 +sa(dp282653 +g225232 +S'Mary Callery' +p282654 +sg225240 +g27 +sg225234 +S'bronze' +p282655 +sg225230 +S'Epoque de Rennes' +p282656 +sg225236 +S'1960' +p282657 +sa(dp282658 +g225230 +S'Mother and Child' +p282659 +sg225232 +S'Aim\xc3\xa9-Jules Dalou' +p282660 +sg225234 +S'terracotta' +p282661 +sg225236 +S'c. 1873' +p282662 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00029/a0002957.jpg' +p282663 +sg225240 +g27 +sa(dp282664 +g225230 +S'Ailsa Mellon Bruce' +p282665 +sg225232 +S'Jo Davidson' +p282666 +sg225234 +S'marble' +p282667 +sg225236 +S'1927' +p282668 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00016/a0001664.jpg' +p282669 +sg225240 +g27 +sa(dp282670 +g225232 +S'Charles Despiau' +p282671 +sg225240 +g27 +sg225234 +S'bronze' +p282672 +sg225230 +S'Adolescent Girl' +p282673 +sg225236 +S'1921' +p282674 +sa(dp282675 +g225232 +S'Fernand L\xc3\xa9ger' +p282676 +sg225240 +g27 +sg225234 +S'bronze' +p282677 +sg225230 +S'Composition with Fruit' +p282678 +sg225236 +S'c. 1950/1952' +p282679 +sa(dp282680 +g225232 +S'Fernand L\xc3\xa9ger' +p282681 +sg225240 +g27 +sg225234 +S'bronze' +p282682 +sg225230 +S'Bird among Flowers' +p282683 +sg225236 +S'c. 1950/1952' +p282684 +sa(dp282685 +g225232 +S'Aristide Maillol' +p282686 +sg225240 +g27 +sg225234 +S'terracotta' +p282687 +sg225230 +S'Modesty' +p282688 +sg225236 +S'c. 1900' +p282689 +sa(dp282690 +g225232 +S'Aristide Maillol' +p282691 +sg225240 +g27 +sg225234 +S'terracotta' +p282692 +sg225230 +S'Reclining Nude' +p282693 +sg225236 +S'c. 1900' +p282694 +sa(dp282695 +g225232 +S'Aristide Maillol' +p282696 +sg225240 +g27 +sg225234 +S'terracotta' +p282697 +sg225230 +S'Rosita' +p282698 +sg225236 +S'c. 1890/1899' +p282699 +sa(dp282700 +g225232 +S'Aristide Maillol' +p282701 +sg225240 +g27 +sg225234 +S'terracotta' +p282702 +sg225230 +S'Seated Woman' +p282703 +sg225236 +S'c. 1900' +p282704 +sa(dp282705 +g225232 +S'Aristide Maillol' +p282706 +sg225240 +g27 +sg225234 +S'bronze' +p282707 +sg225230 +S'Torso of a Young Woman' +p282708 +sg225236 +S'c. 1930' +p282709 +sa(dp282710 +g225232 +S'Aristide Maillol' +p282711 +sg225240 +g27 +sg225234 +S'stone' +p282712 +sg225230 +S'Two Young Girls' +p282713 +sg225236 +S'c. 1930' +p282714 +sa(dp282715 +g225232 +S'Aristide Maillol' +p282716 +sg225240 +g27 +sg225234 +S'terracotta' +p282717 +sg225230 +S'Women Wrestlers' +p282718 +sg225236 +S'1900' +p282719 +sa(dp282720 +g225232 +S'Giacomo Manz\xc3\xb9' +p282721 +sg225240 +g27 +sg225234 +S'bronze' +p282722 +sg225230 +S'Sheaves of Wheat' +p282723 +sg225236 +S'1960' +p282724 +sa(dp282725 +g225232 +S'Giacomo Manz\xc3\xb9' +p282726 +sg225240 +g27 +sg225234 +S'bronze' +p282727 +sg225230 +S'Vine Branches' +p282728 +sg225236 +S'1960' +p282729 +sa(dp282730 +g225232 +S'Giacomo Manz\xc3\xb9' +p282731 +sg225240 +g27 +sg225234 +S'bronze' +p282732 +sg225230 +S'Model Undressing II' +p282733 +sg225236 +S'1965' +p282734 +sa(dp282735 +g225232 +S'Giacomo Manz\xc3\xb9' +p282736 +sg225240 +g27 +sg225234 +S'bronze' +p282737 +sg225230 +S'Mother and Child' +p282738 +sg225236 +S'1956' +p282739 +sa(dp282740 +g225232 +S'Giacomo Manz\xc3\xb9' +p282741 +sg225240 +g27 +sg225234 +S'bronze' +p282742 +sg225230 +S'Dead Bird' +p282743 +sg225236 +S'1962' +p282744 +sa(dp282745 +g225232 +S'Giacomo Manz\xc3\xb9' +p282746 +sg225240 +g27 +sg225234 +S'bronze' +p282747 +sg225230 +S'Dormouse' +p282748 +sg225236 +S'1962' +p282749 +sa(dp282750 +g225232 +S'Giacomo Manz\xc3\xb9' +p282751 +sg225240 +g27 +sg225234 +S'bronze' +p282752 +sg225230 +S'Hedgehog' +p282753 +sg225236 +S'1962' +p282754 +sa(dp282755 +g225232 +S'Giacomo Manz\xc3\xb9' +p282756 +sg225240 +g27 +sg225234 +S'bronze' +p282757 +sg225230 +S'Owl and Mouse' +p282758 +sg225236 +S'1962' +p282759 +sa(dp282760 +g225232 +S'Henry Moore' +p282761 +sg225240 +g27 +sg225234 +S'roman travertine' +p282762 +sg225230 +S'Stone Memorial' +p282763 +sg225236 +S'1961/1969' +p282764 +sa(dp282765 +g225230 +S'Maternity: Madame Renoir and Son' +p282766 +sg225232 +S'Auguste Renoir' +p282767 +sg225234 +S'terracotta' +p282768 +sg225236 +S'c. 1916' +p282769 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00043/a00043f9.jpg' +p282770 +sg225240 +S"Renoir's wife Aline had always been among his favorite models. Her fresh, full face and figure appeared in paintings throughout his career.\n When Aline died in 1915, Renoir decided to create a monument to mark her gravesite. The painter had turned to sculpture several years before, when rheumatoid arthritis made it too difficult to manipulate a paintbrush. With young Catalan artist Richard Guino (who had studied sculpture with \n For this sculpture, Renoir used a portrait he had made of Aline nursing their first-born son, Pierre, some twenty years before. In the painting, Aline, dressed casually in sunhat and seated in her garden, looks up from the chubby baby she holds to her breast. Renoir loved her natural, unselfconscious look; he equated this image of motherhood with the constancy and timelessness of nature.\n In the end, Renoir did not expand the small terracotta into a monument, instead he enlarged and cast just the head and bust to mark Aline's grave. A full replica of \n " +p282771 +sa(dp282772 +g225230 +S'Anne and Her Mother' +p282773 +sg225232 +S'George Bellows' +p282774 +sg225234 +S'black crayon and graphite on wove paper' +p282775 +sg225236 +S'1917' +p282776 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a00008b1.jpg' +p282777 +sg225240 +g27 +sa(dp282778 +g225230 +S'Sketch for the Arms and Hands of Mrs. Philip Wase' +p282779 +sg225232 +S'George Bellows' +p282780 +sg225234 +S'black conte crayon' +p282781 +sg225236 +S'1924' +p282782 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e5/a000e565.jpg' +p282783 +sg225240 +g27 +sa(dp282784 +g225230 +S'An Irish Girl' +p282785 +sg225232 +S'George Bellows' +p282786 +sg225234 +S'black crayon' +p282787 +sg225236 +S'1922' +p282788 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e5/a000e564.jpg' +p282789 +sg225240 +g27 +sa(dp282790 +g225232 +S'George Bellows' +p282791 +sg225240 +g27 +sg225234 +S'black conte crayon' +p282792 +sg225230 +S'The Kindliness Came Not from Her' +p282793 +sg225236 +S'1922' +p282794 +sa(dp282795 +g225230 +S'Lady of 1860 - The Actress' +p282796 +sg225232 +S'George Bellows' +p282797 +sg225234 +S'graphite and charcoal on wove paper' +p282798 +sg225236 +S'1922' +p282799 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e5/a000e566.jpg' +p282800 +sg225240 +g27 +sa(dp282801 +g225230 +S'Nude Girl Reclining' +p282802 +sg225232 +S'George Bellows' +p282803 +sg225234 +S'black crayon on wove paper' +p282804 +sg225236 +S'1919' +p282805 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a00008aa.jpg' +p282806 +sg225240 +g27 +sa(dp282807 +g225232 +S'George Bellows' +p282808 +sg225240 +g27 +sg225234 +S'black chalk, pen and brush and black ink, and pen and white ink with scratching out over graphite on wove paper' +p282809 +sg225230 +S'Dancing Town (The Top of the World)' +p282810 +sg225236 +S'1922' +p282811 +sa(dp282812 +g225230 +S'A Winter Day - Under the Elevated near Brooklyn Bridge' +p282813 +sg225232 +S'George Bellows' +p282814 +sg225234 +S'brush and ink, watercolor and colored crayon' +p282815 +sg225236 +S'c. 1907' +p282816 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a00008ab.jpg' +p282817 +sg225240 +g27 +sa(dp282818 +g225230 +S'Woodstock Road, Woodstock, New York' +p282819 +sg225232 +S'George Bellows' +p282820 +sg225234 +S'black crayon on wove paper' +p282821 +sg225236 +S'1924' +p282822 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a00008ac.jpg' +p282823 +sg225240 +g27 +sa(dp282824 +g225230 +S'Allan Donn Puts to Sea' +p282825 +sg225232 +S'George Bellows' +p282826 +sg225234 +S'lithograph on wove paper' +p282827 +sg225236 +S'1923' +p282828 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00112/a0011238.jpg' +p282829 +sg225240 +g27 +sa(dp282830 +g225230 +S'Dempsey and Firpo' +p282831 +sg225232 +S'George Bellows' +p282832 +sg225234 +S'lithograph' +p282833 +sg225236 +S'1923/1924' +p282834 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a24.jpg' +p282835 +sg225240 +g27 +sa(dp282836 +g225230 +S'Emma in a Chair, or Lady with a Fan' +p282837 +sg225232 +S'George Bellows' +p282838 +sg225234 +S'lithograph' +p282839 +sg225236 +S'1921' +p282840 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000fc/a000fc4b.jpg' +p282841 +sg225240 +g27 +sa(dp282842 +g225230 +S'Lychnis and her Sons' +p282843 +sg225232 +S'George Bellows' +p282844 +sg225234 +S'lithograph' +p282845 +sg225236 +S'1923' +p282846 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c60f.jpg' +p282847 +sg225240 +g27 +sa(dp282848 +g225230 +S'Marjorie, Emma and Elsie' +p282849 +sg225232 +S'George Bellows' +p282850 +sg225234 +S'lithograph' +p282851 +sg225236 +S'1921' +p282852 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000fc/a000fc4a.jpg' +p282853 +sg225240 +g27 +sa(dp282854 +g225230 +S'Mother and Children' +p282855 +sg225232 +S'George Bellows' +p282856 +sg225234 +S'lithograph' +p282857 +sg225236 +S'1916' +p282858 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00112/a0011232.jpg' +p282859 +sg225240 +g27 +sa(dp282860 +g225230 +S'Preliminaries to the Big Bout' +p282861 +sg225232 +S'George Bellows' +p282862 +sg225234 +S'lithograph' +p282863 +sg225236 +S'1916' +p282864 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00112/a0011237.jpg' +p282865 +sg225240 +g27 +sa(dp282866 +g225230 +S'Sixteen East Gay Street' +p282867 +sg225232 +S'George Bellows' +p282868 +sg225234 +S'lithograph' +p282869 +sg225236 +S'1923/1924' +p282870 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c612.jpg' +p282871 +sg225240 +g27 +sa(dp282872 +g225230 +S'Sunday, Going to Church' +p282873 +sg225232 +S'George Bellows' +p282874 +sg225234 +S'lithograph on laid (possibly Chinese) paper' +p282875 +sg225236 +S'1921' +p282876 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00112/a0011233.jpg' +p282877 +sg225240 +g27 +sa(dp282878 +g225230 +S'Tennis Tournament' +p282879 +sg225232 +S'George Bellows' +p282880 +sg225234 +S'lithograph' +p282881 +sg225236 +S'c. 1921' +p282882 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c1/a000c1c1.jpg' +p282883 +sg225240 +g27 +sa(dp282884 +g225232 +S'George Bellows' +p282885 +sg225240 +g27 +sg225234 +S'lithograph on chine applique' +p282886 +sg225230 +S'Tennis Tournament' +p282887 +sg225236 +S'c. 1921' +p282888 +sa(dp282889 +g225230 +S'Dampfer und Segelbote (Dredger and Sailboat)' +p282890 +sg225232 +S'Paul Klee' +p282891 +sg225234 +S"watercolor on laid paper, on Klee's original mount" +p282892 +sg225236 +S'1931' +p282893 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00021/a0002172.jpg' +p282894 +sg225240 +g27 +sa(dp282895 +g225230 +S'Studies of Jean' +p282896 +sg225232 +S'George Bellows' +p282897 +sg225234 +S'graphite on wove paper' +p282898 +sg225236 +S'c. 1920' +p282899 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e5/a000e562.jpg' +p282900 +sg225240 +g27 +sa(dp282901 +g225230 +S'The Cross in the Wilderness' +p282902 +sg225232 +S'Thomas Cole' +p282903 +sg225234 +S'graphite with gray-green, green-brown, and white chalk on gray paper' +p282904 +sg225236 +S'c. 1844' +p282905 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a00008c1.jpg' +p282906 +sg225240 +g27 +sa(dp282907 +g225230 +S'Self-Portrait' +p282908 +sg225232 +S'Marsden Hartley' +p282909 +sg225234 +S'black crayon on wove paper laid on bristol board' +p282910 +sg225236 +S'1908' +p282911 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a00008f2.jpg' +p282912 +sg225240 +g27 +sa(dp282913 +g225230 +S'Studies for "Washington Crossing the Delaware" [recto]' +p282914 +sg225232 +S'Emanuel Gottlieb Leutze' +p282915 +sg225234 +S'pen and brown ink and graphite on wove paper' +p282916 +sg225236 +S'1849' +p282917 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e4b6.jpg' +p282918 +sg225240 +g27 +sa(dp282919 +g225232 +S'Emanuel Gottlieb Leutze' +p282920 +sg225240 +g27 +sg225234 +S'graphite on wove paper' +p282921 +sg225230 +S'Study of Half-Length Figure with Pole [verso]' +p282922 +sg225236 +S'1849' +p282923 +sa(dp282924 +g225230 +S'Shepard Alonzo Mount, Age Twenty-Three [recto]' +p282925 +sg225232 +S'William Sidney Mount' +p282926 +sg225234 +S'graphite' +p282927 +sg225236 +S'1827' +p282928 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0dd.jpg' +p282929 +sg225240 +g27 +sa(dp282930 +g225232 +S'William Sidney Mount' +p282931 +sg225240 +g27 +sg225234 +S'graphite' +p282932 +sg225230 +S'Sketch of a Standing Man [verso]' +p282933 +sg225236 +S'1827' +p282934 +sa(dp282935 +g225232 +S'John Sloan' +p282936 +sg225240 +g27 +sg225234 +S'graphite, black crayon, brush and black and gray ink with gray wash on paperboard' +p282937 +sg225230 +S'Medusa Beer Truck' +p282938 +sg225236 +S'1908' +p282939 +sa(dp282940 +g225232 +S'Jean Arp' +p282941 +sg225240 +g27 +sg225234 +S'wood' +p282942 +sg225230 +S'Shirt Front and Fork' +p282943 +sg225236 +S'1922' +p282944 +sa(dp282945 +g225230 +S'Arms of a Boxer' +p282946 +sg225232 +S'George Bellows' +p282947 +sg225234 +S'black chalk on wove paper' +p282948 +sg225236 +S'1916' +p282949 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000e5/a000e563.jpg' +p282950 +sg225240 +g27 +sa(dp282951 +g225232 +S'Artist Information (' +p282952 +sg225240 +g27 +sg225234 +S'(artist after)' +p282953 +sg225230 +S'Allegory of the Clemency and Triumph of the Theological Virtues' +p282954 +sg225236 +S'\n' +p282955 +sa(dp282956 +g225230 +S'Bather on the Beach' +p282957 +sg225232 +S'Ernst Ludwig Kirchner' +p282958 +sg225234 +S'black crayon with blue and gray wash' +p282959 +sg225236 +S'1912/1913' +p282960 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00029/a0002961.jpg' +p282961 +sg225240 +g27 +sa(dp282962 +g225230 +S'Saint Christopher' +p282963 +sg225232 +S'Albrecht Altdorfer' +p282964 +sg225234 +S'engraving' +p282965 +sg225236 +S'c. 1515/1520' +p282966 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a760.jpg' +p282967 +sg225240 +g27 +sa(dp282968 +g225230 +S'The Conversion of Saint Paul' +p282969 +sg225232 +S'Artist Information (' +p282970 +sg225234 +S'(artist after)' +p282971 +sg225236 +S'\n' +p282972 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c843.jpg' +p282973 +sg225240 +g27 +sa(dp282974 +g225230 +S'Two Nude Youths [recto]' +p282975 +sg225232 +S'Federico Barocci' +p282976 +sg225234 +S'black chalk heightened with white, contours (of standing figure) incised, on blue paper' +p282977 +sg225236 +S'c. 1565/1567' +p282978 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0003a/a0003a02.jpg' +p282979 +sg225240 +g27 +sa(dp282980 +g225230 +S'Half-Length of Mary Magdalene [verso]' +p282981 +sg225232 +S'Federico Barocci' +p282982 +sg225234 +S'black chalk heightened with white on blue paper' +p282983 +sg225236 +S'c. 1565/1567' +p282984 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00031/a0003191.jpg' +p282985 +sg225240 +g27 +sa(dp282986 +g225232 +S'Rodolfo Abularach' +p282987 +sg225240 +g27 +sg225234 +S'lithograph (zinc and stone) in blue and black on white Nacre paper' +p282988 +sg225230 +S'City of the Eyes I' +p282989 +sg225236 +S'1966' +p282990 +sa(dp282991 +g225232 +S'Rodolfo Abularach' +p282992 +sg225240 +g27 +sg225234 +S'portfolio with 10 lithographs (stone and zinc) in black, blue, violet, and red on white Nacre paper' +p282993 +sg225230 +S'City of the Eyes' +p282994 +sg225236 +S'1966' +p282995 +sa(dp282996 +g225232 +S'Rodolfo Abularach' +p282997 +sg225240 +g27 +sg225234 +S'lithograph (stone) in blue on white Nacre paper' +p282998 +sg225230 +S'City of the Eyes II' +p282999 +sg225236 +S'1966' +p283000 +sa(dp283001 +g225232 +S'Rodolfo Abularach' +p283002 +sg225240 +g27 +sg225234 +S'lithograph (zinc and stone) in blue and black on white Nacre paper' +p283003 +sg225230 +S'City of the Eyes III' +p283004 +sg225236 +S'1966' +p283005 +sa(dp283006 +g225232 +S'Rodolfo Abularach' +p283007 +sg225240 +g27 +sg225234 +S'lithograph (zinc and stone) in violet and black onwhite Nacre paper' +p283008 +sg225230 +S'City of the Eyes IV' +p283009 +sg225236 +S'1966' +p283010 +sa(dp283011 +g225232 +S'Rodolfo Abularach' +p283012 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on white Nacre paper' +p283013 +sg225230 +S'City of the Eyes V' +p283014 +sg225236 +S'1966' +p283015 +sa(dp283016 +g225232 +S'Rodolfo Abularach' +p283017 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on white Nacre paper' +p283018 +sg225230 +S'City of the Eyes VI' +p283019 +sg225236 +S'1966' +p283020 +sa(dp283021 +g225232 +S'Rodolfo Abularach' +p283022 +sg225240 +g27 +sg225234 +S'lithograph (zinc and stone) in red and black on white Nacre paper' +p283023 +sg225230 +S'City of the Eyes VII' +p283024 +sg225236 +S'1966' +p283025 +sa(dp283026 +g225232 +S'Rodolfo Abularach' +p283027 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on white Nacre paper' +p283028 +sg225230 +S'City of the Eyes VIII' +p283029 +sg225236 +S'1966' +p283030 +sa(dp283031 +g225232 +S'Rodolfo Abularach' +p283032 +sg225240 +g27 +sg225234 +S'lithograph (zinc and stone) in violet and black onwhite Nacre paper' +p283033 +sg225230 +S'City of the Eyes IX' +p283034 +sg225236 +S'1966' +p283035 +sa(dp283036 +g225232 +S'Rodolfo Abularach' +p283037 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on white Nacre paper' +p283038 +sg225230 +S'City of the Eyes X' +p283039 +sg225236 +S'1966' +p283040 +sa(dp283041 +g225232 +S'Rodolfo Abularach' +p283042 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on Magnani Italia paper' +p283043 +sg225230 +S'Untitled' +p283044 +sg225236 +S'1966' +p283045 +sa(dp283046 +g225232 +S'Rodolfo Abularach' +p283047 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on Magnani Italia paper' +p283048 +sg225230 +S'Window' +p283049 +sg225236 +S'1966' +p283050 +sa(dp283051 +g225232 +S'Rodolfo Abularach' +p283052 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on Rives BFK paper' +p283053 +sg225230 +S'Untitled' +p283054 +sg225236 +S'1966' +p283055 +sa(dp283056 +g225232 +S'Rodolfo Abularach' +p283057 +sg225240 +g27 +sg225234 +S'lithograph (stone) in light brown and black on Magnani Italia paper' +p283058 +sg225230 +S'Untitled' +p283059 +sg225236 +S'1966' +p283060 +sa(dp283061 +g225232 +S'Rodolfo Abularach' +p283062 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on Copperplate Deluxe paper' +p283063 +sg225230 +S'Ascension' +p283064 +sg225236 +S'1966' +p283065 +sa(dp283066 +g225232 +S'Rodolfo Abularach' +p283067 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on Magnani Italia paper' +p283068 +sg225230 +S'Untitled' +p283069 +sg225236 +S'1966' +p283070 +sa(dp283071 +g225232 +S'Rodolfo Abularach' +p283072 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on white Nacre paper' +p283073 +sg225230 +S'Enigma' +p283074 +sg225236 +S'1966' +p283075 +sa(dp283076 +g225232 +S'Rodolfo Abularach' +p283077 +sg225240 +g27 +sg225234 +S'lithograph (stone) in violet, blue and dark brown on Magnani Italia paper' +p283078 +sg225230 +S'Untitled' +p283079 +sg225236 +S'1966' +p283080 +sa(dp283081 +g225232 +S'Rodolfo Abularach' +p283082 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on white Arches paper' +p283083 +sg225230 +S'Untitled' +p283084 +sg225236 +S'1966' +p283085 +sa(dp283086 +g225232 +S'Rodolfo Abularach' +p283087 +sg225240 +g27 +sg225234 +S'lithograph (stone) in dark violet and dark blue onwhite Nacre paper' +p283088 +sg225230 +S'Untitled' +p283089 +sg225236 +S'1966' +p283090 +sa(dp283091 +g225232 +S'Rodolfo Abularach' +p283092 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on white Nacre paper' +p283093 +sg225230 +S'Untitled' +p283094 +sg225236 +S'1966' +p283095 +sa(dp283096 +g225232 +S'Rodolfo Abularach' +p283097 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on white Nacre paper' +p283098 +sg225230 +S'Untitled' +p283099 +sg225236 +S'1966' +p283100 +sa(dp283101 +g225232 +S'Rodolfo Abularach' +p283102 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on white Nacre paper' +p283103 +sg225230 +S'Untitled' +p283104 +sg225236 +S'1966' +p283105 +sa(dp283106 +g225232 +S'Rodolfo Abularach' +p283107 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on white Nacre paper' +p283108 +sg225230 +S'Untitled' +p283109 +sg225236 +S'1966' +p283110 +sa(dp283111 +g225232 +S'Rodolfo Abularach' +p283112 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on white Nacre paper' +p283113 +sg225230 +S'Untitled' +p283114 +sg225236 +S'1966' +p283115 +sa(dp283116 +g225232 +S'Rodolfo Abularach' +p283117 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on white Nacre paper' +p283118 +sg225230 +S'Untitled' +p283119 +sg225236 +S'1966' +p283120 +sa(dp283121 +g225232 +S'Rodolfo Abularach' +p283122 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on white Nacre paper' +p283123 +sg225230 +S'Untitled' +p283124 +sg225236 +S'1966' +p283125 +sa(dp283126 +g225232 +S'Rodolfo Abularach' +p283127 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on white Nacre paper' +p283128 +sg225230 +S'Untitled' +p283129 +sg225236 +S'1966' +p283130 +sa(dp283131 +g225232 +S'Rodolfo Abularach' +p283132 +sg225240 +g27 +sg225234 +S'lithograph (zinc and stone) in orange, blue, violet and black on white Nacre paper' +p283133 +sg225230 +S'Untitled' +p283134 +sg225236 +S'1966' +p283135 +sa(dp283136 +g225232 +S'Rodolfo Abularach' +p283137 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on German Etching paper' +p283138 +sg225230 +S'Shrine' +p283139 +sg225236 +S'1966' +p283140 +sa(dp283141 +g225232 +S'Rodolfo Abularach' +p283142 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on German Etching paper' +p283143 +sg225230 +S'Shrine' +p283144 +sg225236 +S'1966' +p283145 +sa(dp283146 +g225232 +S'Rodolfo Abularach' +p283147 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on German Etching paper' +p283148 +sg225230 +S'Untitled' +p283149 +sg225236 +S'1966' +p283150 +sa(dp283151 +g225232 +S'Clinton Adams' +p283152 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in two grays, red,and two oranges on German Etching paper' +p283153 +sg225230 +S'Venus in Cibola I' +p283154 +sg225236 +S'1968' +p283155 +sa(dp283156 +g225232 +S'Clinton Adams' +p283157 +sg225240 +g27 +sg225234 +S'portfolio with 10 lithographs (aluminum and stone) plus title page and colophon on German Etching paper' +p283158 +sg225230 +S'Venus in Cibola' +p283159 +sg225236 +S'1968/1969' +p283160 +sa(dp283161 +g225232 +S'Clinton Adams' +p283162 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in gray and red-brown on German Etching paper' +p283163 +sg225230 +S'Venus in Cibola II' +p283164 +sg225236 +S'1968/1969' +p283165 +sa(dp283166 +g225232 +S'Clinton Adams' +p283167 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in gray and two yellows on German Etching paper' +p283168 +sg225230 +S'Venus in Cibola III' +p283169 +sg225236 +S'1969' +p283170 +sa(dp283171 +g225232 +S'Clinton Adams' +p283172 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in two blues and three greens on German Etching paper' +p283173 +sg225230 +S'Venus in Cibola IV' +p283174 +sg225236 +S'1968' +p283175 +sa(dp283176 +g225232 +S'Clinton Adams' +p283177 +sg225240 +g27 +sg225234 +S'lithograph' +p283178 +sg225230 +S'Venus in Cibola V' +p283179 +sg225236 +S'unknown date\n' +p283180 +sa(dp283181 +g225232 +S'Clinton Adams' +p283182 +sg225240 +g27 +sg225234 +S'lithograph (stone and aluminum) in two reds and green on German Etching paper' +p283183 +sg225230 +S'Venus in Cibola VI' +p283184 +sg225236 +S'1968/1969' +p283185 +sa(dp283186 +g225232 +S'Clinton Adams' +p283187 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in red, blue and black on German Etching paper' +p283188 +sg225230 +S'Venus in Cibola VII' +p283189 +sg225236 +S'1968/1969' +p283190 +sa(dp283191 +g225232 +S'Clinton Adams' +p283192 +sg225240 +g27 +sg225234 +S'lithograph (stone) in yellow and two beiges on German Etching paper' +p283193 +sg225230 +S'Venus in Cibola VIII' +p283194 +sg225236 +S'1968' +p283195 +sa(dp283196 +g225232 +S'Clinton Adams' +p283197 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in two grays on German Etching paper' +p283198 +sg225230 +S'Venus in Cibola IX' +p283199 +sg225236 +S'1968' +p283200 +sa(dp283201 +g225232 +S'Clinton Adams' +p283202 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in two oranges andtwo blues on German Etching paper' +p283203 +sg225230 +S'Venus in Cibola X' +p283204 +sg225236 +S'1969' +p283205 +sa(dp283206 +g225232 +S'Clinton Adams' +p283207 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on white Arches paper' +p283208 +sg225230 +S'Requiem' +p283209 +sg225236 +S'1963' +p283210 +sa(dp283211 +g225230 +S'Cleft' +p283212 +sg225232 +S'Clinton Adams' +p283213 +sg225234 +S'lithograph (stone) in black on white Arches paper' +p283214 +sg225236 +S'1965' +p283215 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00009/a0000912.jpg' +p283216 +sg225240 +g27 +sa(dp283217 +g225230 +S'Nocturne' +p283218 +sg225232 +S'Clinton Adams' +p283219 +sg225234 +S'lithograph (stone) in gray, three blues, blue-violet and ochre on white Arches paper' +p283220 +sg225236 +S'1965' +p283221 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00009/a0000913.jpg' +p283222 +sg225240 +g27 +sa(dp283223 +g225230 +S'Enchantress' +p283224 +sg225232 +S'Clinton Adams' +p283225 +sg225234 +S'lithograph (stone) in green and light red on buff Arches paper' +p283226 +sg225236 +S'1965' +p283227 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00009/a0000914.jpg' +p283228 +sg225240 +g27 +sa(dp283229 +g225232 +S'Clinton Adams' +p283230 +sg225240 +g27 +sg225234 +S'lithograph (stone) in green and black on white Arches paper' +p283231 +sg225230 +S'Arabesque I' +p283232 +sg225236 +S'1966' +p283233 +sa(dp283234 +g225232 +S'Clinton Adams' +p283235 +sg225240 +g27 +sg225234 +S'lithograph (stone) in beige-red, pink, red-brown and light blue-violet on Rives BFK paper' +p283236 +sg225230 +S'Arabesque II' +p283237 +sg225236 +S'1966' +p283238 +sa(dp283239 +g225232 +S'Clinton Adams' +p283240 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on buff Arches paper' +p283241 +sg225230 +S'Sorceress' +p283242 +sg225236 +S'1965' +p283243 +sa(dp283244 +g225230 +S'Circe I' +p283245 +sg225232 +S'Clinton Adams' +p283246 +sg225234 +S'lithograph (stone) in dark beige and black on white Arches paper' +p283247 +sg225236 +S'1965' +p283248 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00009/a0000915.jpg' +p283249 +sg225240 +g27 +sa(dp283250 +g225230 +S'Circe II' +p283251 +sg225232 +S'Clinton Adams' +p283252 +sg225234 +S'lithograph (stone) in dark beige, violet and red-orange on white Arches paper' +p283253 +sg225236 +S'1965' +p283254 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00009/a0000916.jpg' +p283255 +sg225240 +g27 +sa(dp283256 +g225232 +S'Clinton Adams' +p283257 +sg225240 +g27 +sg225234 +S'lithograph (stone) in two pinks, red-orange and red on Copperplate Deluxe paper' +p283258 +sg225230 +S'Little Red Arabesque' +p283259 +sg225236 +S'1966' +p283260 +sa(dp283261 +g225232 +S'Clinton Adams' +p283262 +sg225240 +g27 +sg225234 +S'lithograph (stone) in three pinks, red-orange and red-brown on Copperplate Deluxe paper' +p283263 +sg225230 +S'Helios' +p283264 +sg225236 +S'1966' +p283265 +sa(dp283266 +g225232 +S'Clinton Adams' +p283267 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on whtie Arches paper' +p283268 +sg225230 +S'Astarte' +p283269 +sg225236 +S'1966' +p283270 +sa(dp283271 +g225232 +S'Clinton Adams' +p283272 +sg225240 +g27 +sg225234 +S'lithograph (stone) in brown, ochre, white and two grays on white Arches paper' +p283273 +sg225230 +S'Sequence' +p283274 +sg225236 +S'1966/1967' +p283275 +sa(dp283276 +g225232 +S'Clinton Adams' +p283277 +sg225240 +g27 +sg225234 +S'lithograph (stone) in two grays and pink-beige on German Etching paper' +p283278 +sg225230 +S'Untitled' +p283279 +sg225236 +S'1967' +p283280 +sa(dp283281 +g225232 +S'Clinton Adams' +p283282 +sg225240 +g27 +sg225234 +S'lithograph (stone) in two beiges and transparent blue-green on German Etching paper' +p283283 +sg225230 +S'Untitled' +p283284 +sg225236 +S'1967/1968' +p283285 +sa(dp283286 +g225232 +S'Clinton Adams' +p283287 +sg225240 +g27 +sg225234 +S'lithograph (stone and aluminum) in gray, two bluesand red-brown on German Etching paper' +p283288 +sg225230 +S'Cibola Series (Blue)' +p283289 +sg225236 +S'1968/1969' +p283290 +sa(dp283291 +g225232 +S'Clinton Adams' +p283292 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on Rives BFK paper' +p283293 +sg225230 +S'Untitled' +p283294 +sg225236 +S'1968' +p283295 +sa(dp283296 +g225232 +S'Artist Information (' +p283297 +sg225240 +g27 +sg225234 +S'(artist after)' +p283298 +sg225230 +S'Venus Three Times' +p283299 +sg225236 +S'\n' +p283300 +sa(dp283301 +g225232 +S'Clinton Adams' +p283302 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in two grays, two greens and violet-blue on German Etching paper' +p283303 +sg225230 +S'Figure in Green' +p283304 +sg225236 +S'1969' +p283305 +sa(dp283306 +g225232 +S'Clinton Adams' +p283307 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in two browns, yellow and orange on German Etching paper' +p283308 +sg225230 +S'Figure in Yellow' +p283309 +sg225236 +S'1969' +p283310 +sa(dp283311 +g225232 +S'Kenneth Miller Adams' +p283312 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black and white crayons on Arches paper' +p283313 +sg225230 +S'Taos Indian' +p283314 +sg225236 +S'1965' +p283315 +sa(dp283316 +g225232 +S'Kinji Akagawa' +p283317 +sg225240 +g27 +sg225234 +S'lithograph (aluminum) in Hanco opaque white and Charbonnel Noir Velours on Copperplate Deluxe paper' +p283318 +sg225230 +S'Black Rainbow I (Title Page)' +p283319 +sg225236 +S'1965' +p283320 +sa(dp283321 +g225232 +S'Kinji Akagawa' +p283322 +sg225240 +g27 +sg225234 +S'portfolio w/ 8 lithographs (stone) in black including title page and colophon on Copperplate Deluxe,Arches and Rives BFK paper' +p283323 +sg225230 +S'Black Rainbow' +p283324 +sg225236 +S'1965' +p283325 +sa(dp283326 +g225232 +S'Kinji Akagawa' +p283327 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black with acid tint on Rives BFK paper' +p283328 +sg225230 +S'Black Rainbow II' +p283329 +sg225236 +S'1965' +p283330 +sa(dp283331 +g225232 +S'Kinji Akagawa' +p283332 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black with acid tint on Arches paper' +p283333 +sg225230 +S'Black Rainbow III' +p283334 +sg225236 +S'1965' +p283335 +sa(dp283336 +g225232 +S'Kinji Akagawa' +p283337 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black with acid tint on Rives BFK paper' +p283338 +sg225230 +S'Black Rainbow IV' +p283339 +sg225236 +S'1965' +p283340 +sa(dp283341 +g225232 +S'Kinji Akagawa' +p283342 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black with acid tint on Arches paper' +p283343 +sg225230 +S'Black Rainbow V' +p283344 +sg225236 +S'1965' +p283345 +sa(dp283346 +g225232 +S'Kinji Akagawa' +p283347 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black with acid tint on Arches paper' +p283348 +sg225230 +S'Black Rainbow VI' +p283349 +sg225236 +S'1965' +p283350 +sa(dp283351 +g225232 +S'Kinji Akagawa' +p283352 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black with acid tint on Copperplate Deluxe paper' +p283353 +sg225230 +S'Black Rainbow VII' +p283354 +sg225236 +S'1965' +p283355 +sa(dp283356 +g225232 +S'Kinji Akagawa' +p283357 +sg225240 +g27 +sg225234 +S'lithograph (zinc) in black on Copperplate Deluxe paper' +p283358 +sg225230 +S'Black Rainbow VIII' +p283359 +sg225236 +S'1965' +p283360 +sa(dp283361 +g225232 +S'Kinji Akagawa' +p283362 +sg225240 +g27 +sg225234 +S'lithograph (stone and zinc) in green, brown and purple on Copperplate Deluxe paper' +p283363 +sg225230 +S'Upsidedown' +p283364 +sg225236 +S'1966' +p283365 +sa(dp283366 +g225232 +S'Kinji Akagawa' +p283367 +sg225240 +g27 +sg225234 +S'portfolio with 6 color lithographs (stone and zinc) on Copperplate Deluxe paper' +p283368 +sg225230 +S'Pink Jelly' +p283369 +sg225236 +S'1966' +p283370 +sa(dp283371 +g225232 +S'Kinji Akagawa' +p283372 +sg225240 +g27 +sg225234 +S'lithograph (stone and zinc) in two blues, pink andgreen on Copperplate Deluxe paper' +p283373 +sg225230 +S'The Clanging Cataclysm' +p283374 +sg225236 +S'1966' +p283375 +sa(dp283376 +g225232 +S'Kinji Akagawa' +p283377 +sg225240 +g27 +sg225234 +S'lithograph (stone and zinc) in blue, red, orange and black on Copperplate Deluxe paper' +p283378 +sg225230 +S'A Tart Sound' +p283379 +sg225236 +S'1966' +p283380 +sa(dp283381 +g225232 +S'Kinji Akagawa' +p283382 +sg225240 +g27 +sg225234 +S'lithograph (stone and zinc) in blue, brown, yellowand orange on Copperplate Deluxe paper' +p283383 +sg225230 +S"The Ten O'Clock Lion" +p283384 +sg225236 +S'1966' +p283385 +sa(dp283386 +g225232 +S'Kinji Akagawa' +p283387 +sg225240 +g27 +sg225234 +S'lithograph (stone and zinc) in blue, two blacks and red on Copperplate Deluxe paper' +p283388 +sg225230 +S'The Sun Moves Round' +p283389 +sg225236 +S'1966' +p283390 +sa(dp283391 +g225232 +S'Kinji Akagawa' +p283392 +sg225240 +g27 +sg225234 +S'lithograph (stone and zinc) in three blues and redon Copperplate Deluxe paper' +p283393 +sg225230 +S'While We Play with the Joy of Life' +p283394 +sg225236 +S'1966' +p283395 +sa(dp283396 +g225232 +S'Kinji Akagawa' +p283397 +sg225240 +g27 +sg225234 +S'lithograph (zinc) in olive green and brown on white Nacre paper' +p283398 +sg225230 +S'Baku No Niji' +p283399 +sg225236 +S'1965' +p283400 +sa(dp283401 +g225232 +S'Kinji Akagawa' +p283402 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on Arches paper' +p283403 +sg225230 +S'Play the Piano' +p283404 +sg225236 +S'1965' +p283405 +sa(dp283406 +g225232 +S'Anni Albers' +p283407 +sg225240 +g27 +sg225234 +S'color lithograph in yellow-gray on Arches paper' +p283408 +sg225230 +S'Line Involvement (Title Page)' +p283409 +sg225236 +S'1964' +p283410 +sa(dp283411 +g225232 +S'Anni Albers' +p283412 +sg225240 +g27 +sg225234 +S'portfolio with 6 color lithographs and title page (stone and zinc) on Arches paper' +p283413 +sg225230 +S'Line Involvements' +p283414 +sg225236 +S'1964' +p283415 +sa(dp283416 +g225230 +S'Line Involvement I' +p283417 +sg225232 +S'Anni Albers' +p283418 +sg225234 +S'color lithograph in brown, gray and black on Arches paper' +p283419 +sg225236 +S'1964' +p283420 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00009/a0000920.jpg' +p283421 +sg225240 +g27 +sa(dp283422 +g225230 +S'Line Involvement II' +p283423 +sg225232 +S'Anni Albers' +p283424 +sg225234 +S'color lithograph in green-black on Arches paper' +p283425 +sg225236 +S'1964' +p283426 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00009/a0000921.jpg' +p283427 +sg225240 +g27 +sa(dp283428 +g225230 +S'Line Involvement III' +p283429 +sg225232 +S'Anni Albers' +p283430 +sg225234 +S'color lithograph in beige, gray and black on Arches paper' +p283431 +sg225236 +S'1964' +p283432 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00009/a0000922.jpg' +p283433 +sg225240 +g27 +sa(dp283434 +g225230 +S'Line Involvement IV' +p283435 +sg225232 +S'Anni Albers' +p283436 +sg225234 +S'lithograph in black on Arches paper' +p283437 +sg225236 +S'1964' +p283438 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00009/a0000923.jpg' +p283439 +sg225240 +g27 +sa(dp283440 +g225230 +S'Line Involvement V' +p283441 +sg225232 +S'Anni Albers' +p283442 +sg225234 +S'lithograph in black on Arches paper' +p283443 +sg225236 +S'1964' +p283444 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00009/a0000924.jpg' +p283445 +sg225240 +g27 +sa(dp283446 +g225232 +S'Anni Albers' +p283447 +sg225240 +g27 +sg225234 +S'lithograph in black on Arches paper' +p283448 +sg225230 +S'Line Involvement VI' +p283449 +sg225236 +S'1964' +p283450 +sa(dp283451 +g225232 +S'Anni Albers' +p283452 +sg225240 +g27 +sg225234 +S'lithograph (zinc and stone) in red-brown and blackon natural Nacre paper' +p283453 +sg225230 +S'Enmeshed I' +p283454 +sg225236 +S'1963' +p283455 +sa(dp283456 +g225232 +S'Anni Albers' +p283457 +sg225240 +g27 +sg225234 +S'lithograph (zinc and stone) in gray-brown and black on white Arches paper' +p283458 +sg225230 +S'Enmeshed II' +p283459 +sg225236 +S'1963' +p283460 +sa(dp283461 +g225232 +S'Josef Albers' +p283462 +sg225240 +g27 +sg225234 +S'lithograph (zinc) in two grays on white Arches paper' +p283463 +sg225230 +S'Day and Night I' +p283464 +sg225236 +S'1963' +p283465 +sa(dp283466 +g225232 +S'Josef Albers' +p283467 +sg225240 +g27 +sg225234 +S'portfolio w/ 11 color lithographs (zinc and stone)including title/colophon page on white Arches and Rives BFK' +p283468 +sg225230 +S'Day and Night' +p283469 +sg225236 +S'1963' +p283470 +sa(dp283471 +g225232 +S'Josef Albers' +p283472 +sg225240 +g27 +sg225234 +S'lithograph (zinc) in black and blue-gray on white Arches paper' +p283473 +sg225230 +S'Day and Night II' +p283474 +sg225236 +S'1963' +p283475 +sa(dp283476 +g225232 +S'Josef Albers' +p283477 +sg225240 +g27 +sg225234 +S'lithograph (zinc) in four green-grays on white Arches paper' +p283478 +sg225230 +S'Day and Night III' +p283479 +sg225236 +S'1963' +p283480 +sa(dp283481 +g225232 +S'Josef Albers' +p283482 +sg225240 +g27 +sg225234 +S'lithograph (zinc) in brown and green-gray on whiteArches paper' +p283483 +sg225230 +S'Day and Night IV' +p283484 +sg225236 +S'1963' +p283485 +sa(dp283486 +g225232 +S'Josef Albers' +p283487 +sg225240 +g27 +sg225234 +S'lithograph (zinc) in blue-gray, violet-gray and black on white Arches paper' +p283488 +sg225230 +S'Day and Night V' +p283489 +sg225236 +S'1963' +p283490 +sa(dp283491 +g225232 +S'Josef Albers' +p283492 +sg225240 +g27 +sg225234 +S'lithograph (zinc) in two grays and black on white Arches paper' +p283493 +sg225230 +S'Day and Night VI' +p283494 +sg225236 +S'1963' +p283495 +sa(dp283496 +g225232 +S'Josef Albers' +p283497 +sg225240 +g27 +sg225234 +S'lithograph (zinc) in two grays on white Arches paper' +p283498 +sg225230 +S'Day and Night VII' +p283499 +sg225236 +S'1963' +p283500 +sa(dp283501 +g225232 +S'Josef Albers' +p283502 +sg225240 +g27 +sg225234 +S'lithograph (zinc) in black and two grays on white Arches paper' +p283503 +sg225230 +S'Day and Night VIII' +p283504 +sg225236 +S'1963' +p283505 +sa(dp283506 +g225232 +S'Josef Albers' +p283507 +sg225240 +g27 +sg225234 +S'lithograph (zinc) in light brown and light green on white Arches paper' +p283508 +sg225230 +S'Day and Night IX' +p283509 +sg225236 +S'1963' +p283510 +sa(dp283511 +g225232 +S'Josef Albers' +p283512 +sg225240 +g27 +sg225234 +S'lithograph (zinc) in brown, gray, violet and blackon white Arches paper' +p283513 +sg225230 +S'Day and Night X' +p283514 +sg225236 +S'1963' +p283515 +sa(dp283516 +g225232 +S'Josef Albers' +p283517 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on Rives BFK paper' +p283518 +sg225230 +S'Day and Night (Title/Colophon Page)' +p283519 +sg225236 +S'1963' +p283520 +sa(dp283521 +g225232 +S'Josef Albers' +p283522 +sg225240 +g27 +sg225234 +S'lithograph (zinc) in black on white Arches paper' +p283523 +sg225230 +S'Midnight and Noon I' +p283524 +sg225236 +S'1964' +p283525 +sa(dp283526 +g225232 +S'Josef Albers' +p283527 +sg225240 +g27 +sg225234 +S'portfolio w/ 8 lithographs (zinc and aluminum) in black, gray, yellow and ochre plus title page and colophon on white Arches paper' +p283528 +sg225230 +S'Midnight and Noon' +p283529 +sg225236 +S'1964' +p283530 +sa(dp283531 +g225232 +S'Josef Albers' +p283532 +sg225240 +g27 +sg225234 +S'lithograph (zinc) in black and gray on white Arhces paper' +p283533 +sg225230 +S'Midnight and Noon II' +p283534 +sg225236 +S'1964' +p283535 +sa(dp283536 +g225232 +S'Josef Albers' +p283537 +sg225240 +g27 +sg225234 +S'lithograph (zinc) in two green-blacks on white Arches paper' +p283538 +sg225230 +S'Midnight and Noon III' +p283539 +sg225236 +S'1964' +p283540 +sa(dp283541 +g225232 +S'Josef Albers' +p283542 +sg225240 +g27 +sg225234 +S'lithograph (zinc) in two blue-blacks on white Arches paper' +p283543 +sg225230 +S'Midnight and Noon IV' +p283544 +sg225236 +S'1964' +p283545 +sa(dp283546 +g225232 +S'Josef Albers' +p283547 +sg225240 +g27 +sg225234 +S'lithograph (zinc) in two yellows on white Arches paper' +p283548 +sg225230 +S'Midnight and Noon V' +p283549 +sg225236 +S'1964' +p283550 +sa(dp283551 +g225232 +S'Josef Albers' +p283552 +sg225240 +g27 +sg225234 +S'lithograph (zinc) in two yellow-ochres on white Arches paper' +p283553 +sg225230 +S'Midnight and Noon VI' +p283554 +sg225236 +S'1964' +p283555 +sa(dp283556 +g225232 +S'Josef Albers' +p283557 +sg225240 +g27 +sg225234 +S'lithograph (zinc) in two yellows on white Arches paper' +p283558 +sg225230 +S'Midnight and Noon VII' +p283559 +sg225236 +S'1964' +p283560 +sa(dp283561 +g225232 +S'Josef Albers' +p283562 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and zinc) in two yellows on white Arches paper' +p283563 +sg225230 +S'Midnight and Noon VIII' +p283564 +sg225236 +S'1964' +p283565 +sa(dp283566 +g225232 +S'John Altoon' +p283567 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on white Arches paper' +p283568 +sg225230 +S'Untitled' +p283569 +sg225236 +S'1965' +p283570 +sa(dp283571 +g225232 +S'John Altoon' +p283572 +sg225240 +g27 +sg225234 +S'lithograph (aluminum, zinc and stone) in orange, blue, pink and black on white Arches paper' +p283573 +sg225230 +S'Untitled' +p283574 +sg225236 +S'1965' +p283575 +sa(dp283576 +g225232 +S'John Altoon' +p283577 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in yellow, blue, pink and black on white Arches paper' +p283578 +sg225230 +S'Untitled' +p283579 +sg225236 +S'1965' +p283580 +sa(dp283581 +g225232 +S'John Altoon' +p283582 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on white Arches paper' +p283583 +sg225230 +S'Untitled' +p283584 +sg225236 +S'1965' +p283585 +sa(dp283586 +g225232 +S'John Altoon' +p283587 +sg225240 +g27 +sg225234 +S'lithograph (stone and zinc) in black, yellow, blueand red-violet on white Arches paper' +p283588 +sg225230 +S'Untitled' +p283589 +sg225236 +S'1965' +p283590 +sa(dp283591 +g225232 +S'John Altoon' +p283592 +sg225240 +g27 +sg225234 +S'lithograph (stone) in brown on natural Nacre paper' +p283593 +sg225230 +S'Untitled' +p283594 +sg225236 +S'1965' +p283595 +sa(dp283596 +g225232 +S'John Altoon' +p283597 +sg225240 +g27 +sg225234 +S'lithograph (stone and aluminum) in silver, green, two violets, pink and orange on white Arches paper' +p283598 +sg225230 +S'Untitled' +p283599 +sg225236 +S'1968' +p283600 +sa(dp283601 +g225232 +S'John Altoon' +p283602 +sg225240 +g27 +sg225234 +S'lithograph (aluminum) in light beige, gold, light blue-green, pink and blue on white Arches paper' +p283603 +sg225230 +S'Untitled' +p283604 +sg225236 +S'1968' +p283605 +sa(dp283606 +g225232 +S'John Altoon' +p283607 +sg225240 +g27 +sg225234 +S'lithograph (zinc) in light blue, light violet, orange, yellow-green and red on white Arches paper' +p283608 +sg225230 +S'Untitled' +p283609 +sg225236 +S'1968' +p283610 +sa(dp283611 +g225232 +S'John Altoon' +p283612 +sg225240 +g27 +sg225234 +S'lithograph (aluminum) in pink, three greens and light yellow on German Etching paper' +p283613 +sg225230 +S'Untitled' +p283614 +sg225236 +S'1968' +p283615 +sa(dp283616 +g225232 +S'John Altoon' +p283617 +sg225240 +g27 +sg225234 +S'lithograph (aluminum) in yellow-green and pink on German Etching paper' +p283618 +sg225230 +S'Untitled' +p283619 +sg225236 +S'1968' +p283620 +sa(dp283621 +g225232 +S'John Altoon' +p283622 +sg225240 +g27 +sg225234 +S'lithograph (aluminum) in light green, blue, yellow, brown and black on Copperplate Deluxe paper' +p283623 +sg225230 +S'Untitled' +p283624 +sg225236 +S'1968' +p283625 +sa(dp283626 +g225232 +S'John Altoon' +p283627 +sg225240 +g27 +sg225234 +S'lithograph (zinc and aluminum) in pink, two greens, light blue, violet and orange on German Etching paper' +p283628 +sg225230 +S'Untitled' +p283629 +sg225236 +S'1968' +p283630 +sa(dp283631 +g225230 +S'Untitled' +p283632 +sg225232 +S'John Altoon' +p283633 +sg225234 +S'lithograph (zinc) in orange, ochre, blue and red on German Etching paper' +p283634 +sg225236 +S'1968' +p283635 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00009/a0000928.jpg' +p283636 +sg225240 +g27 +sa(dp283637 +g225230 +S'Untitled' +p283638 +sg225232 +S'John Altoon' +p283639 +sg225234 +S'lithograph (zinc) in pink, yellow, blue, blue-green, silver and violet on Copperplate Deluxe paper' +p283640 +sg225236 +S'1968' +p283641 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00009/a0000929.jpg' +p283642 +sg225240 +g27 +sa(dp283643 +g225232 +S'John Altoon' +p283644 +sg225240 +g27 +sg225234 +S'lithograph (zinc) in yellow, two greens and violeton German Etching paper' +p283645 +sg225230 +S'Untitled' +p283646 +sg225236 +S'1968' +p283647 +sa(dp283648 +g225232 +S'John Altoon' +p283649 +sg225240 +g27 +sg225234 +S'lithograph (zinc) in yellow, blue, red and light green on Copperplate Deluxe paper' +p283650 +sg225230 +S'Untitled' +p283651 +sg225236 +S'1968' +p283652 +sa(dp283653 +g225230 +S'Untitled' +p283654 +sg225232 +S'John Altoon' +p283655 +sg225234 +S'lithograph (zinc) in pink, orange, green, blue andbrown on Copperplate Deluxe paper' +p283656 +sg225236 +S'1968' +p283657 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00009/a000092a.jpg' +p283658 +sg225240 +g27 +sa(dp283659 +g225232 +S'John Altoon' +p283660 +sg225240 +g27 +sg225234 +S'lithograph (zinc, aluminum and stone) in gold, green and blue on German Etching paper' +p283661 +sg225230 +S'Untitled' +p283662 +sg225236 +S'1968' +p283663 +sa(dp283664 +g225232 +S'John Altoon' +p283665 +sg225240 +g27 +sg225234 +S'lithograph (zinc, aluminum and stone) in pink, gold and blue on German Etching paper' +p283666 +sg225230 +S'Untitled' +p283667 +sg225236 +S'1968' +p283668 +sa(dp283669 +g225232 +S'John Altoon' +p283670 +sg225240 +g27 +sg225234 +S'lithograph (aluminum) in blue-black on natural Nacre paper' +p283671 +sg225230 +S'Untitled' +p283672 +sg225236 +S'1968' +p283673 +sa(dp283674 +g225232 +S'John Altoon' +p283675 +sg225240 +g27 +sg225234 +S'lithograph (stone) in blue on uncalendered Rives paper' +p283676 +sg225230 +S'Untitled' +p283677 +sg225236 +S'1968' +p283678 +sa(dp283679 +g225232 +S'John Altoon' +p283680 +sg225240 +g27 +sg225234 +S'lithograph (aluminum) in brown on Crisbrook Waterleaf paper' +p283681 +sg225230 +S'Untitled' +p283682 +sg225236 +S'1968' +p283683 +sa(dp283684 +g225232 +S'Garo Zareh Antreasian' +p283685 +sg225240 +g27 +sg225234 +S'lithograph (stone) in dark brown, gray-blue and light gray on Copperplate Deluxe paper' +p283686 +sg225230 +S'Quantum I (Title Page)' +p283687 +sg225236 +S'1966/1967' +p283688 +sa(dp283689 +g225232 +S'Garo Zareh Antreasian' +p283690 +sg225240 +g27 +sg225234 +S'portfolio w/ 11 color lithographs (stone) including title page and colophon on Copperplate Deluxe paper' +p283691 +sg225230 +S'Quantum' +p283692 +sg225236 +S'1966/1967' +p283693 +sa(dp283694 +g225232 +S'Garo Zareh Antreasian' +p283695 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on Copperplate Deluxe paper' +p283696 +sg225230 +S'Quantum II' +p283697 +sg225236 +S'1966' +p283698 +sa(dp283699 +g225232 +S'Garo Zareh Antreasian' +p283700 +sg225240 +g27 +sg225234 +S'lithograph (stone) in four blues, two yellows and two grays on Copperplate Deluxe paper' +p283701 +sg225230 +S'Quantum III' +p283702 +sg225236 +S'1966' +p283703 +sa(dp283704 +g225232 +S'Garo Zareh Antreasian' +p283705 +sg225240 +g27 +sg225234 +S'lithograph (stone) in yellow, green, blue, brown, two violets, three grays and two beiges on Copperplate Deluxe paper' +p283706 +sg225230 +S'Quantum IV' +p283707 +sg225236 +S'1966' +p283708 +sa(dp283709 +g225232 +S'Garo Zareh Antreasian' +p283710 +sg225240 +g27 +sg225234 +S'lithograph (stone) in yellow, red, blue, yellow-green, two grays and gray-black on Copperplate Deluxe paper' +p283711 +sg225230 +S'Quantum V' +p283712 +sg225236 +S'1966' +p283713 +sa(dp283714 +g225232 +S'Garo Zareh Antreasian' +p283715 +sg225240 +g27 +sg225234 +S'lithograph' +p283716 +sg225230 +S'Quantum VI' +p283717 +sg225236 +S'1966' +p283718 +sa(dp283719 +g225232 +S'Garo Zareh Antreasian' +p283720 +sg225240 +g27 +sg225234 +S'lithograph (stone) in blended blue-gray, dark red and black on Copperplate Deluxe paper' +p283721 +sg225230 +S'Quantum VII' +p283722 +sg225236 +S'1966' +p283723 +sa(dp283724 +g225232 +S'Garo Zareh Antreasian' +p283725 +sg225240 +g27 +sg225234 +S'lithograph (stone) in two blues, three blue-greens, four grays and black on Copperplate Deluxe paper' +p283726 +sg225230 +S'Quantum VIII' +p283727 +sg225236 +S'1966' +p283728 +sa(dp283729 +g225232 +S'Garo Zareh Antreasian' +p283730 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on Copperplate Deluxe paper' +p283731 +sg225230 +S'Quantum IX' +p283732 +sg225236 +S'1966' +p283733 +sa(dp283734 +g225232 +S'Garo Zareh Antreasian' +p283735 +sg225240 +g27 +sg225234 +S'lithograph (stone) in pink, two violets, two blacks and three greens on Copperplate Deluxe paper' +p283736 +sg225230 +S'Quantum X' +p283737 +sg225236 +S'1966' +p283738 +sa(dp283739 +g225232 +S'Garo Zareh Antreasian' +p283740 +sg225240 +g27 +sg225234 +S'lithograph (stone) in blended red and two browns on Copperplate Deluxe paper' +p283741 +sg225230 +S'Quantum XI (Colophon)' +p283742 +sg225236 +S'1966/1967' +p283743 +sa(dp283744 +g225232 +S'Garo Zareh Antreasian' +p283745 +sg225240 +g27 +sg225234 +S'lithograph (stone) in transparent brown-black on silver foil on German Etching paper' +p283746 +sg225230 +S'Title Page (Silver Suite I)' +p283747 +sg225236 +S'1968' +p283748 +sa(dp283749 +g225232 +S'Garo Zareh Antreasian' +p283750 +sg225240 +g27 +sg225234 +S'portfolio w/ 11 color lithographs (stone) including title page and colophon on German Etching paper' +p283751 +sg225230 +S'The Silver Suite' +p283752 +sg225236 +S'1967/1968' +p283753 +sa(dp283754 +g225230 +S'Untitled (Silver Suite II)' +p283755 +sg225232 +S'Garo Zareh Antreasian' +p283756 +sg225234 +S'lithograph (stone) in light beige and blended pink, two red-browns and blue-gray on silver foil on German Etching paper' +p283757 +sg225236 +S'1968' +p283758 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00009/a000092b.jpg' +p283759 +sg225240 +g27 +sa(dp283760 +g225230 +S'Untitled (Silver Suite III)' +p283761 +sg225232 +S'Garo Zareh Antreasian' +p283762 +sg225234 +S'lithograph (stone) in white, yellow, red, two blues and dark gray on silver foil on German Etching paper' +p283763 +sg225236 +S'1967' +p283764 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00009/a000092c.jpg' +p283765 +sg225240 +g27 +sa(dp283766 +g225232 +S'Garo Zareh Antreasian' +p283767 +sg225240 +g27 +sg225234 +S'lithograph (stone) in six blended grays, red and blue on silver foil on German Etching paper' +p283768 +sg225230 +S'Untitled (Silver Suite IV)' +p283769 +sg225236 +S'1967' +p283770 +sa(dp283771 +g225230 +S'Untitled (Silver Suite V)' +p283772 +sg225232 +S'Garo Zareh Antreasian' +p283773 +sg225234 +S'lithograph (stone) in transparent yellow, transparent blue-green, red and black on silver foil on German Etching paper' +p283774 +sg225236 +S'1968' +p283775 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00009/a000092d.jpg' +p283776 +sg225240 +g27 +sa(dp283777 +g225230 +S'Untitled (Silver Suite VI)' +p283778 +sg225232 +S'Garo Zareh Antreasian' +p283779 +sg225234 +S'lithograph (stone) in orange, black, light blue and red on silver foil on German Etching paper' +p283780 +sg225236 +S'1968' +p283781 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00009/a000092e.jpg' +p283782 +sg225240 +g27 +sa(dp283783 +g225232 +S'Garo Zareh Antreasian' +p283784 +sg225240 +g27 +sg225234 +S'lithograph (stone) in green and blended two pinks,light beige, gray and white on silver foil on Ger man Etching paper' +p283785 +sg225230 +S'Untitled (Silver Suite VII)' +p283786 +sg225236 +S'1968' +p283787 +sa(dp283788 +g225232 +S'Garo Zareh Antreasian' +p283789 +sg225240 +g27 +sg225234 +S'lithograph (stone) in dark brown, red and violet on silver foil on German Etching paper' +p283790 +sg225230 +S'Untitled (Silver Suite VIII)' +p283791 +sg225236 +S'1968' +p283792 +sa(dp283793 +g225232 +S'Garo Zareh Antreasian' +p283794 +sg225240 +g27 +sg225234 +S'lithograph (stone) in four grays on silver foil onGerman Etching paper' +p283795 +sg225230 +S'Untitled (Silver Suite IX)' +p283796 +sg225236 +S'1968' +p283797 +sa(dp283798 +g225230 +S'Untitled (Silver Suite X)' +p283799 +sg225232 +S'Garo Zareh Antreasian' +p283800 +sg225234 +S'lithograph (stone) in transparent copper, white, three blue, blue-violet and black on silver foil onGerman Etching paper' +p283801 +sg225236 +S'1968' +p283802 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00009/a000092f.jpg' +p283803 +sg225240 +g27 +sa(dp283804 +g225232 +S'Garo Zareh Antreasian' +p283805 +sg225240 +g27 +sg225234 +S'lithograph (stone) in brown-black on silver foil on German Etching paper' +p283806 +sg225230 +S'Colophon (Silver Suite XI)' +p283807 +sg225236 +S'1968' +p283808 +sa(dp283809 +g225232 +S'Garo Zareh Antreasian' +p283810 +sg225240 +g27 +sg225234 +S'lithograph (zinc) in black on white Arches paper' +p283811 +sg225230 +S'Untitled' +p283812 +sg225236 +S'1961' +p283813 +sa(dp283814 +g225232 +S'Garo Zareh Antreasian' +p283815 +sg225240 +g27 +sg225234 +S'lithograph (zinc and stone) in violet and black, embossed, on Rives BFK paper' +p283816 +sg225230 +S'Untitled' +p283817 +sg225236 +S'1961' +p283818 +sa(dp283819 +g225232 +S'Garo Zareh Antreasian' +p283820 +sg225240 +g27 +sg225234 +S'lithograph (stone) in two blacks and light violet on white Arches paper' +p283821 +sg225230 +S'Black on black' +p283822 +sg225236 +S'1965' +p283823 +sa(dp283824 +g225232 +S'Garo Zareh Antreasian' +p283825 +sg225240 +g27 +sg225234 +S'lithograph (stone) in three grays, two pinks, black, green and red on white Arches paper' +p283826 +sg225230 +S'Glow Box' +p283827 +sg225236 +S'1965' +p283828 +sa(dp283829 +g225232 +S'Garo Zareh Antreasian' +p283830 +sg225240 +g27 +sg225234 +S'lithograph (stone) in three yellows, two violets, red and blue on white Arches paper' +p283831 +sg225230 +S'New Mexico IV' +p283832 +sg225236 +S'1964' +p283833 +sa(dp283834 +g225232 +S'Garo Zareh Antreasian' +p283835 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black, red, blue and orange-yellow on Rives BFK paper' +p283836 +sg225230 +S'Eagles' +p283837 +sg225236 +S'1965' +p283838 +sa(dp283839 +g225232 +S'Garo Zareh Antreasian' +p283840 +sg225240 +g27 +sg225234 +S'lithograph (stone) in red, two blacks, pink and light green on German Etching paper' +p283841 +sg225230 +S'Ojo' +p283842 +sg225236 +S'1965' +p283843 +sa(dp283844 +g225232 +S'Garo Zareh Antreasian' +p283845 +sg225240 +g27 +sg225234 +S'lithograph (stone) in seven pinks, three blues, and two red-browns on Copperplate Deluxe paper' +p283846 +sg225230 +S'Untitled' +p283847 +sg225236 +S'1966' +p283848 +sa(dp283849 +g225232 +S'Garo Zareh Antreasian' +p283850 +sg225240 +g27 +sg225234 +S'lithograph (stone) in white, red, violet, blue andorange on silver foil on German Etching paper' +p283851 +sg225230 +S'Untitled' +p283852 +sg225236 +S'1967' +p283853 +sa(dp283854 +g225232 +S'Garo Zareh Antreasian' +p283855 +sg225240 +g27 +sg225234 +S'lithograph (stone) in two beiges and violet-gray blended on Fasson Aluminum foil and Fasson Chromecote on buff Arches paper' +p283856 +sg225230 +S'Untitled' +p283857 +sg225236 +S'1969' +p283858 +sa(dp283859 +g225232 +S'Garo Zareh Antreasian' +p283860 +sg225240 +g27 +sg225234 +S'lithograph (stone) in yellow-orange, red and blue on white Arches paper' +p283861 +sg225230 +S'Untitled' +p283862 +sg225236 +S'1969' +p283863 +sa(dp283864 +g225232 +S'Garo Zareh Antreasian' +p283865 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black and two grays on RivesBFK paper' +p283866 +sg225230 +S'Untitled' +p283867 +sg225236 +S'1969' +p283868 +sa(dp283869 +g225232 +S'Ruth Asawa' +p283870 +sg225240 +g27 +sg225234 +S'lithograph (stone) in red-brown on German Etching paper' +p283871 +sg225230 +S'Flowers I (Title Page)' +p283872 +sg225236 +S'1965' +p283873 +sa(dp283874 +g225232 +S'Ruth Asawa' +p283875 +sg225240 +g27 +sg225234 +S'portfolio w/ 12 color lithographs (stone) including title page and colophon on German Etching paper' +p283876 +sg225230 +S'Flowers' +p283877 +sg225236 +S'1965' +p283878 +sa(dp283879 +g225232 +S'Ruth Asawa' +p283880 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on German Etching paper' +p283881 +sg225230 +S'Flowers II' +p283882 +sg225236 +S'1965' +p283883 +sa(dp283884 +g225232 +S'Ruth Asawa' +p283885 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on German Etching paper' +p283886 +sg225230 +S'Flowers III' +p283887 +sg225236 +S'1965' +p283888 +sa(dp283889 +g225232 +S'Ruth Asawa' +p283890 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on German Etching paper' +p283891 +sg225230 +S'Flowers IV' +p283892 +sg225236 +S'1965' +p283893 +sa(dp283894 +g225232 +S'Ruth Asawa' +p283895 +sg225240 +g27 +sg225234 +S'lithograph (stone) in red, green and violet on German Etching paper' +p283896 +sg225230 +S'Flowers V' +p283897 +sg225236 +S'1965' +p283898 +sa(dp283899 +g225232 +S'Ruth Asawa' +p283900 +sg225240 +g27 +sg225234 +S'lithograph (stone) in red, green and violet on German Etching paper' +p283901 +sg225230 +S'Flowers VI' +p283902 +sg225236 +S'1965' +p283903 +sa(dp283904 +g225232 +S'Ruth Asawa' +p283905 +sg225240 +g27 +sg225234 +S'lithograph (stone) in red, green and violet on German Etching paper' +p283906 +sg225230 +S'Flowers VII' +p283907 +sg225236 +S'1965' +p283908 +sa(dp283909 +g225232 +S'Ruth Asawa' +p283910 +sg225240 +g27 +sg225234 +S'lithograph (stone) in brown-red on German Etching paper' +p283911 +sg225230 +S'Flowers VIII' +p283912 +sg225236 +S'1965' +p283913 +sa(dp283914 +g225232 +S'Ruth Asawa' +p283915 +sg225240 +g27 +sg225234 +S'lithograph (stone) in brown-red on German Etching paper' +p283916 +sg225230 +S'Flowers IX' +p283917 +sg225236 +S'1965' +p283918 +sa(dp283919 +g225232 +S'Ruth Asawa' +p283920 +sg225240 +g27 +sg225234 +S'lithograph (stone) in brown-red, green and gray onGerman Etching paper' +p283921 +sg225230 +S'Flowers X' +p283922 +sg225236 +S'1965' +p283923 +sa(dp283924 +g225232 +S'Ruth Asawa' +p283925 +sg225240 +g27 +sg225234 +S'lithograph (stone) in brown-red, green and gray onGerman Etching paper' +p283926 +sg225230 +S'Flowers XI' +p283927 +sg225236 +S'1965' +p283928 +sa(dp283929 +g225232 +S'Ruth Asawa' +p283930 +sg225240 +g27 +sg225234 +S'lithograph (stone) in red-brown on German Etching paper' +p283931 +sg225230 +S'Flowers XII (Colophon)' +p283932 +sg225236 +S'1965' +p283933 +sa(dp283934 +g225232 +S'Ruth Asawa' +p283935 +sg225240 +g27 +sg225234 +S'lithograph (stone) in orange, yellow and pink on Rives Type IV paper' +p283936 +sg225230 +S'Desert Plant' +p283937 +sg225236 +S'1965' +p283938 +sa(dp283939 +g225232 +S'Ruth Asawa' +p283940 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on Rives BFK Type IV paper' +p283941 +sg225230 +S'Desert Flower' +p283942 +sg225236 +S'1965' +p283943 +sa(dp283944 +g225232 +S'Ruth Asawa' +p283945 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on German Etching paper' +p283946 +sg225230 +S'Desert Flower' +p283947 +sg225236 +S'1965' +p283948 +sa(dp283949 +g225232 +S'Ruth Asawa' +p283950 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on Rives BFK Type V paper' +p283951 +sg225230 +S'Desert Flower' +p283952 +sg225236 +S'1965' +p283953 +sa(dp283954 +g225232 +S'Ruth Asawa' +p283955 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on white Arches paper' +p283956 +sg225230 +S'Plane Tree' +p283957 +sg225236 +S'1965' +p283958 +sa(dp283959 +g225232 +S'Ruth Asawa' +p283960 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on Copperplate Deluxe paper' +p283961 +sg225230 +S'Plane Tree Reversal' +p283962 +sg225236 +S'1965' +p283963 +sa(dp283964 +g225232 +S'Ruth Asawa' +p283965 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on Rives BFK paper' +p283966 +sg225230 +S'Plane Trees' +p283967 +sg225236 +S'1965' +p283968 +sa(dp283969 +g225232 +S'Ruth Asawa' +p283970 +sg225240 +g27 +sg225234 +S'lithograph (stone) in blue-black on white Arches paper' +p283971 +sg225230 +S'Plane Trees II' +p283972 +sg225236 +S'1965' +p283973 +sa(dp283974 +g225232 +S'Ruth Asawa' +p283975 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on white Arches paper' +p283976 +sg225230 +S'Aiko' +p283977 +sg225236 +S'1965' +p283978 +sa(dp283979 +g225232 +S'Ruth Asawa' +p283980 +sg225240 +g27 +sg225234 +S'lithograph (stone) in two greens and green-brown on white Arches paper' +p283981 +sg225230 +S'Spring' +p283982 +sg225236 +S'1965' +p283983 +sa(dp283984 +g225232 +S'Ruth Asawa' +p283985 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on natural Nacre paper' +p283986 +sg225230 +S'Succulents' +p283987 +sg225236 +S'1965' +p283988 +sa(dp283989 +g225232 +S'Ruth Asawa' +p283990 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on natural Nacre paper' +p283991 +sg225230 +S'Umakichi' +p283992 +sg225236 +S'1965' +p283993 +sa(dp283994 +g225232 +S'Ruth Asawa' +p283995 +sg225240 +g27 +sg225234 +S'lithograph (stone) in dark brown on buff Arches paper' +p283996 +sg225230 +S'Umakichi' +p283997 +sg225236 +S'1965' +p283998 +sa(dp283999 +g225232 +S'Ruth Asawa' +p284000 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on white Arches paper' +p284001 +sg225230 +S'Umakichi' +p284002 +sg225236 +S'1965' +p284003 +sa(dp284004 +g225232 +S'Ruth Asawa' +p284005 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on Rives BFK Type V paper' +p284006 +sg225230 +S'Umakichi' +p284007 +sg225236 +S'1965' +p284008 +sa(dp284009 +g225232 +S'Ruth Asawa' +p284010 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on white Arches paper' +p284011 +sg225230 +S'Chrysanthemums' +p284012 +sg225236 +S'1965' +p284013 +sa(dp284014 +g225232 +S'Ruth Asawa' +p284015 +sg225240 +g27 +sg225234 +S'lithograph (stone) in brown-red and red-black on white Arches paper' +p284016 +sg225230 +S'Chrysanthemums' +p284017 +sg225236 +S'1965' +p284018 +sa(dp284019 +g225232 +S'Ruth Asawa' +p284020 +sg225240 +g27 +sg225234 +S'lithograph (stone) in red-black on Fabriano paper' +p284021 +sg225230 +S'Chrysanthemums' +p284022 +sg225236 +S'1965' +p284023 +sa(dp284024 +g225232 +S'Ruth Asawa' +p284025 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on Copperplate Deluxe paper' +p284026 +sg225230 +S'Pigeons on Cobblestone' +p284027 +sg225236 +S'1965' +p284028 +sa(dp284029 +g225232 +S'Ruth Asawa' +p284030 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in yellow, red anddark green-blue on white Arches paper' +p284031 +sg225230 +S'Poppy' +p284032 +sg225236 +S'1965' +p284033 +sa(dp284034 +g225232 +S'Ruth Asawa' +p284035 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on German Etching paper' +p284036 +sg225230 +S'Untitled' +p284037 +sg225236 +S'1965' +p284038 +sa(dp284039 +g225232 +S'Ruth Asawa' +p284040 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on white Arches paper' +p284041 +sg225230 +S'Babies' +p284042 +sg225236 +S'1965' +p284043 +sa(dp284044 +g225232 +S'Ruth Asawa' +p284045 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on white Arches paper' +p284046 +sg225230 +S'Haru' +p284047 +sg225236 +S'1965' +p284048 +sa(dp284049 +g225232 +S'Ruth Asawa' +p284050 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on Copperplate Deluxe paper' +p284051 +sg225230 +S'Owl' +p284052 +sg225236 +S'1965' +p284053 +sa(dp284054 +g225232 +S'Ruth Asawa' +p284055 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on Rives BFK Type IV paper' +p284056 +sg225230 +S'Untitled' +p284057 +sg225236 +S'1965' +p284058 +sa(dp284059 +g225232 +S'Ruth Asawa' +p284060 +sg225240 +g27 +sg225234 +S'lithograph (zinc and stone) in blue and dark blue-violet on Rives BFK Type III paper' +p284061 +sg225230 +S'Untitled' +p284062 +sg225236 +S'1965' +p284063 +sa(dp284064 +g225232 +S'Ruth Asawa' +p284065 +sg225240 +g27 +sg225234 +S'lithograph (stone) in pink on Copperplate Deluxe paper' +p284066 +sg225230 +S'Untitled' +p284067 +sg225236 +S'1965' +p284068 +sa(dp284069 +g225232 +S'Ruth Asawa' +p284070 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on Copperplate Deluxe paper' +p284071 +sg225230 +S'Nude' +p284072 +sg225236 +S'1965' +p284073 +sa(dp284074 +g225232 +S'Ruth Asawa' +p284075 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on Copperplate Deluxe paper' +p284076 +sg225230 +S'Nude' +p284077 +sg225236 +S'1965' +p284078 +sa(dp284079 +g225232 +S'Ruth Asawa' +p284080 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on Rives BFK Type V paper' +p284081 +sg225230 +S'Faces' +p284082 +sg225236 +S'1965' +p284083 +sa(dp284084 +g225232 +S'Ruth Asawa' +p284085 +sg225240 +g27 +sg225234 +S'lithograph (zinc and stone) in brown and black on white Arches paper' +p284086 +sg225230 +S'Owl II' +p284087 +sg225236 +S'1965' +p284088 +sa(dp284089 +g225232 +S'Ruth Asawa' +p284090 +sg225240 +g27 +sg225234 +S'lithograph (stone) in red, green and violet on German Etching paper' +p284091 +sg225230 +S'Untitled' +p284092 +sg225236 +S'1965' +p284093 +sa(dp284094 +g225232 +S'Ruth Asawa' +p284095 +sg225240 +g27 +sg225234 +S'lithograph (stone and zinc) in brown, orange and yellow-green on white Arches paper' +p284096 +sg225230 +S'Nasturtiums' +p284097 +sg225236 +S'1965' +p284098 +sa(dp284099 +g225232 +S'Ruth Asawa' +p284100 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on Copperplate Deluxe paper' +p284101 +sg225230 +S'Chair' +p284102 +sg225236 +S'1965' +p284103 +sa(dp284104 +g225232 +S'Ruth Asawa' +p284105 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on white Arches paper' +p284106 +sg225230 +S'Hudson' +p284107 +sg225236 +S'1965' +p284108 +sa(dp284109 +g225232 +S'Ruth Asawa' +p284110 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on white Arches paper' +p284111 +sg225230 +S'Bud' +p284112 +sg225236 +S'1965' +p284113 +sa(dp284114 +g225232 +S'Ruth Asawa' +p284115 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on white Arches paper' +p284116 +sg225230 +S'Fritz and Larry' +p284117 +sg225236 +S'1965' +p284118 +sa(dp284119 +g225232 +S'Ruth Asawa' +p284120 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on white Arches paper' +p284121 +sg225230 +S'Henry and Adam' +p284122 +sg225236 +S'1965' +p284123 +sa(dp284124 +g225232 +S'Ruth Asawa' +p284125 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on white Arches paper' +p284126 +sg225230 +S'Paul' +p284127 +sg225236 +S'1965' +p284128 +sa(dp284129 +g225232 +S'Ruth Asawa' +p284130 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on white Arches paper' +p284131 +sg225230 +S'Xavier' +p284132 +sg225236 +S'1965' +p284133 +sa(dp284134 +g225232 +S'Mario Avati' +p284135 +sg225240 +g27 +sg225234 +S'lithograph (zinc and stone) in red and black on white Arches paper' +p284136 +sg225230 +S'Valentine pour Tamarind' +p284137 +sg225236 +S'1963' +p284138 +sa(dp284139 +g225232 +S'Mario Avati' +p284140 +sg225240 +g27 +sg225234 +S'lithograph (zinc and stone) in beige and black on Copperplate Deluxe paper' +p284141 +sg225230 +S'Citron, Bol et Compotier' +p284142 +sg225236 +S'1967' +p284143 +sa(dp284144 +g225232 +S'Mario Avati' +p284145 +sg225240 +g27 +sg225234 +S'lithograph (zinc and stone) in beige, yellow, blue, light red and black on Copperplate Deluxe paper' +p284146 +sg225230 +S'Citron, Bol et Compotier' +p284147 +sg225236 +S'1967' +p284148 +sa(dp284149 +g225232 +S'Mario Avati' +p284150 +sg225240 +g27 +sg225234 +S'lithograph (stone) in beige and black on Copperplate Deluxe paper' +p284151 +sg225230 +S'Les Artichauts de Los Angeles' +p284152 +sg225236 +S'1967' +p284153 +sa(dp284154 +g225232 +S'Edward Avedisian' +p284155 +sg225240 +g27 +sg225234 +S'lithograph (zinc and stone) in yellow and transparent peagreen on Rives BFK paper' +p284156 +sg225230 +S'Untitled' +p284157 +sg225236 +S'1965' +p284158 +sa(dp284159 +g225232 +S'Kengiro Azuma' +p284160 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in yellow and blue-black on natural Nacre paper' +p284161 +sg225230 +S'Nothingness' +p284162 +sg225236 +S'1965' +p284163 +sa(dp284164 +g225232 +S'Kengiro Azuma' +p284165 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black and white on Arches paper' +p284166 +sg225230 +S'Nothing' +p284167 +sg225236 +S'1965' +p284168 +sa(dp284169 +g225232 +S'Herbert Bayer' +p284170 +sg225240 +g27 +sg225234 +S'lithograph (aluminum) in blue on Copperplate Deluxe paper' +p284171 +sg225230 +S'8 Monochromes (Title Page)' +p284172 +sg225236 +S'1965' +p284173 +sa(dp284174 +g225232 +S'Herbert Bayer' +p284175 +sg225240 +g27 +sg225234 +S'portfolio w/ 8 color lithographs (stone) plus title page and colophon (aluminum) on Copperplate Deluxe' +p284176 +sg225230 +S'8 Monochromes' +p284177 +sg225236 +S'1965' +p284178 +sa(dp284179 +g225232 +S'Herbert Bayer' +p284180 +sg225240 +g27 +sg225234 +S'lithograph (stone) in two blues on Copperplate Deluxe paper' +p284181 +sg225230 +S'8 Monochromes I' +p284182 +sg225236 +S'1965' +p284183 +sa(dp284184 +g225232 +S'Herbert Bayer' +p284185 +sg225240 +g27 +sg225234 +S'lithograph (stone) in two browns on Copperplate Deluxe paper' +p284186 +sg225230 +S'8 Monochromes II' +p284187 +sg225236 +S'1965' +p284188 +sa(dp284189 +g225232 +S'Herbert Bayer' +p284190 +sg225240 +g27 +sg225234 +S'lithograph (stone) in two grays on Copperplate Deluxe paper' +p284191 +sg225230 +S'8 Monochromes III' +p284192 +sg225236 +S'1965' +p284193 +sa(dp284194 +g225232 +S'Herbert Bayer' +p284195 +sg225240 +g27 +sg225234 +S'lithograph (stone) in two reds on Copperplate Deluxe paper' +p284196 +sg225230 +S'8 Monochromes IV' +p284197 +sg225236 +S'1965' +p284198 +sa(dp284199 +g225232 +S'Herbert Bayer' +p284200 +sg225240 +g27 +sg225234 +S'lithograph (stone) in blue on Copperplate Deluxe paper' +p284201 +sg225230 +S'8 Monochromes V' +p284202 +sg225236 +S'1965' +p284203 +sa(dp284204 +g225232 +S'Herbert Bayer' +p284205 +sg225240 +g27 +sg225234 +S'lithograph (stone) in dark blue on Copperplate Deluxe paper' +p284206 +sg225230 +S'8 Monochromes VI' +p284207 +sg225236 +S'1965' +p284208 +sa(dp284209 +g225232 +S'Herbert Bayer' +p284210 +sg225240 +g27 +sg225234 +S'lithograph (stone) in two dark browns on Copperplate Deluxe paper' +p284211 +sg225230 +S'8 Monochromes VII' +p284212 +sg225236 +S'1965' +p284213 +sa(dp284214 +g225232 +S'Herbert Bayer' +p284215 +sg225240 +g27 +sg225234 +S'lithograph (stone) in two orange-browns on Copperplate Deluxe paper' +p284216 +sg225230 +S'8 Monochromes VIII' +p284217 +sg225236 +S'1965' +p284218 +sa(dp284219 +g225232 +S'Herbert Bayer' +p284220 +sg225240 +g27 +sg225234 +S'lithograph (aluminum) in blue on Copperplate Deluxe paper' +p284221 +sg225230 +S'8 Monochromes (Colophon)' +p284222 +sg225236 +S'1965' +p284223 +sa(dp284224 +g225232 +S'Herbert Bayer' +p284225 +sg225240 +g27 +sg225234 +S'lithograph (stone and zinc) in yellow, light red, gray and transparent blue on Copperplate Deluxe paper' +p284226 +sg225230 +S'Structure in Yellow' +p284227 +sg225236 +S'1965' +p284228 +sa(dp284229 +g225232 +S'Herbert Bayer' +p284230 +sg225240 +g27 +sg225234 +S'lithograph (stone and zinc) in blue-black and blueon Copperplate Deluxe paper' +p284231 +sg225230 +S'Celestial Wheel' +p284232 +sg225236 +S'1965' +p284233 +sa(dp284234 +g225232 +S'Herbert Bayer' +p284235 +sg225240 +g27 +sg225234 +S'lithograph (zinc) in blue, red and two blacks on Copperplate Deluxe paper' +p284236 +sg225230 +S'Las Vegas' +p284237 +sg225236 +S'1965' +p284238 +sa(dp284239 +g225232 +S'Herbert Bayer' +p284240 +sg225240 +g27 +sg225234 +S'lithograph (zinc) in brown-gray, blue and dark brown on Copperplate Deluxe paper' +p284241 +sg225230 +S'Two Progressions' +p284242 +sg225236 +S'1965' +p284243 +sa(dp284244 +g225232 +S'Herbert Bayer' +p284245 +sg225240 +g27 +sg225234 +S'lithograph (stone and zinc) in yellow, red, green and blue on Copperplate Deluxe paper' +p284246 +sg225230 +S'Horizontally Oriented' +p284247 +sg225236 +S'1965' +p284248 +sa(dp284249 +g225232 +S'Herbert Bayer' +p284250 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on de Laga Narcisse paper' +p284251 +sg225230 +S'Event' +p284252 +sg225236 +S'1965' +p284253 +sa(dp284254 +g225232 +S'Herbert Bayer' +p284255 +sg225240 +g27 +sg225234 +S'lithograph (stone) in red-brown on natural Nacre paper' +p284256 +sg225230 +S"Explorer's Notebook" +p284257 +sg225236 +S'1965' +p284258 +sa(dp284259 +g225232 +S'Herbert Bayer' +p284260 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on Copperplate Deluxe paper' +p284261 +sg225230 +S'Graph of the Seven Year Cycle' +p284262 +sg225236 +S'1965' +p284263 +sa(dp284264 +g225232 +S'Herbert Bayer' +p284265 +sg225240 +g27 +sg225234 +S'lithograph (stone) in blue on Copperplate Deluxe paper' +p284266 +sg225230 +S'Untitled' +p284267 +sg225236 +S'1965' +p284268 +sa(dp284269 +g225230 +S'Viking Dracula' +p284270 +sg225232 +S'Billy Al Bengston' +p284271 +sg225234 +S'lithograph (aluminum and zinc) in silver-violet, yellow, two grays and orange on uncalendered Rives paper' +p284272 +sg225236 +S'1968' +p284273 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a25.jpg' +p284274 +sg225240 +g27 +sa(dp284275 +g225232 +S'Billy Al Bengston' +p284276 +sg225240 +g27 +sg225234 +S'lithograph (zinc and aluminum) in silver-violet, yellow, two grays and orange on uncalendered Rives paper' +p284277 +sg225230 +S'Royal Viking Dracula' +p284278 +sg225236 +S'1968' +p284279 +sa(dp284280 +g225230 +S'Cockatoo AAA Dracula' +p284281 +sg225232 +S'Billy Al Bengston' +p284282 +sg225234 +S'lithograph (zinc and aluminum) in silver-violet, yellow, two grays and orange on uncalendered Rives paper' +p284283 +sg225236 +S'1968' +p284284 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a26.jpg' +p284285 +sg225240 +g27 +sa(dp284286 +g225230 +S'Cockatoo Dracula' +p284287 +sg225232 +S'Billy Al Bengston' +p284288 +sg225234 +S'lithograph (aluminum and zinc) in silver-violet, yellow, two grays and aluminum on uncalendered Rives paper' +p284289 +sg225236 +S'1968' +p284290 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a27.jpg' +p284291 +sg225240 +g27 +sa(dp284292 +g225232 +S'Billy Al Bengston' +p284293 +sg225240 +g27 +sg225234 +S'lithograph (zinc and aluminum) in yellow, beige and black on uncalendered Rives paper' +p284294 +sg225230 +S'Executive Party Dracula' +p284295 +sg225236 +S'1968' +p284296 +sa(dp284297 +g225230 +S'Twilight Executive Dracula' +p284298 +sg225232 +S'Billy Al Bengston' +p284299 +sg225234 +S'lithograph (zinc and aluminum) in yellow, beige and black on uncalendered Rives paper' +p284300 +sg225236 +S'1968' +p284301 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a28.jpg' +p284302 +sg225240 +g27 +sa(dp284303 +g225232 +S'Billy Al Bengston' +p284304 +sg225240 +g27 +sg225234 +S'lithograph (zinc and aluminum) in yellow, beige and black on uncalendered Rives paper' +p284305 +sg225230 +S'Downtowner Dracula' +p284306 +sg225236 +S'1968' +p284307 +sa(dp284308 +g225230 +S'Hollywood Hawaiian Dracula' +p284309 +sg225232 +S'Billy Al Bengston' +p284310 +sg225234 +S'lithograph (zinc and aluminum) in yellow and beige on uncalendered Rives paper' +p284311 +sg225236 +S'1968' +p284312 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a29.jpg' +p284313 +sg225240 +g27 +sa(dp284314 +g225232 +S'Billy Al Bengston' +p284315 +sg225240 +g27 +sg225234 +S'lithograph (stone) in gray on uncalendered Rives paper' +p284316 +sg225230 +S'Paradise Dracula' +p284317 +sg225236 +S'1968' +p284318 +sa(dp284319 +g225232 +S'Billy Al Bengston' +p284320 +sg225240 +g27 +sg225234 +S'lithograph (stone and aluminum) in gray and pink on calendered Rives paper' +p284321 +sg225230 +S'Sunset Marvel Dracula' +p284322 +sg225236 +S'1968' +p284323 +sa(dp284324 +g225232 +S'Billy Al Bengston' +p284325 +sg225240 +g27 +sg225234 +S'lithograph (stone and aluminum) in white and lightyellow on uncalendered Rives paper' +p284326 +sg225230 +S'Satellite Dracula' +p284327 +sg225236 +S'1968' +p284328 +sa(dp284329 +g225232 +S'Billy Al Bengston' +p284330 +sg225240 +g27 +sg225234 +S'lithograph (stone) in light blue-green and light pearly-orange on uncalendered Rives paper' +p284331 +sg225230 +S'Galaxie Dracula' +p284332 +sg225236 +S'1968' +p284333 +sa(dp284334 +g225232 +S'Billy Al Bengston' +p284335 +sg225240 +g27 +sg225234 +S'lithograph (stone) in light pearly-orange and light pearly-blue on calendered Rives paper' +p284336 +sg225230 +S"Winona's Dracula" +p284337 +sg225236 +S'1968' +p284338 +sa(dp284339 +g225232 +S'Billy Al Bengston' +p284340 +sg225240 +g27 +sg225234 +S'lithograph (stone and aluminum) in two whites and yellow on white Nacre paper' +p284341 +sg225230 +S'Moytel Dracula' +p284342 +sg225236 +S'1968' +p284343 +sa(dp284344 +g225232 +S'Billy Al Bengston' +p284345 +sg225240 +g27 +sg225234 +S'lithograph (aluminum) in light pearly-orange on Rives BFK paper' +p284346 +sg225230 +S"Bamby's Dracula" +p284347 +sg225236 +S'1968' +p284348 +sa(dp284349 +g225232 +S'Billy Al Bengston' +p284350 +sg225240 +g27 +sg225234 +S'lithograph (aluminum) in light pearly-orange on Rives BFK paper' +p284351 +sg225230 +S'Hollywood Tropics Dracula' +p284352 +sg225236 +S'1968' +p284353 +sa(dp284354 +g225232 +S'Billy Al Bengston' +p284355 +sg225240 +g27 +sg225234 +S'lithograph (stone) in light green-gray on Copperplate Deluxe paper' +p284356 +sg225230 +S'One-O-Eight Dracula' +p284357 +sg225236 +S'1968' +p284358 +sa(dp284359 +g225232 +S'Billy Al Bengston' +p284360 +sg225240 +g27 +sg225234 +S'lithograph (stone and aluminum) in pink and green-gray on Rives BFK paper' +p284361 +sg225230 +S'Saga Dracula Primero' +p284362 +sg225236 +S'1968' +p284363 +sa(dp284364 +g225232 +S'Billy Al Bengston' +p284365 +sg225240 +g27 +sg225234 +S'lithograph (stone and aluminum) in pink and green-gray on Rives BFK paper' +p284366 +sg225230 +S'Saga Dracula Segundo' +p284367 +sg225236 +S'1968' +p284368 +sa(dp284369 +g225232 +S'Billy Al Bengston' +p284370 +sg225240 +g27 +sg225234 +S'lithograph (stone and aluminum) in pink and green-gray on Rives BFK paper' +p284371 +sg225230 +S'Saga Dracula Tercero' +p284372 +sg225236 +S'1968' +p284373 +sa(dp284374 +g225232 +S'Billy Al Bengston' +p284375 +sg225240 +g27 +sg225234 +S'lithograph (stone and aluminum) in pink and green-gray on Rives BFK paper' +p284376 +sg225230 +S'Saga Dracula Cuarto' +p284377 +sg225236 +S'1968' +p284378 +sa(dp284379 +g225232 +S'Billy Al Bengston' +p284380 +sg225240 +g27 +sg225234 +S'lithograph (stone) in light pearly-gray and light pearly-yellow on white Nacre paper' +p284381 +sg225230 +S'Oasis Dracula' +p284382 +sg225236 +S'1968' +p284383 +sa(dp284384 +g225232 +S'Billy Al Bengston' +p284385 +sg225240 +g27 +sg225234 +S'lithograph (stone and aluminum) in dark gold and pearly blue-black on German Etching paper' +p284386 +sg225230 +S"Joiner's Unique Dracula" +p284387 +sg225236 +S'1968' +p284388 +sa(dp284389 +g225232 +S'Billy Al Bengston' +p284390 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in two grays on German Etching paper' +p284391 +sg225230 +S'Jet Inn Dracula' +p284392 +sg225236 +S'1968' +p284393 +sa(dp284394 +g225232 +S'Billy Al Bengston' +p284395 +sg225240 +g27 +sg225234 +S'lithograph (aluminum) in light yellow and light gray-green on white Arches paper' +p284396 +sg225230 +S'Nido Dracula' +p284397 +sg225236 +S'1968' +p284398 +sa(dp284399 +g225232 +S'Billy Al Bengston' +p284400 +sg225240 +g27 +sg225234 +S'lithograph (aluminum) in light yellow and light gray-green on white Arches paper' +p284401 +sg225230 +S'Dan River Dracula' +p284402 +sg225236 +S'1968' +p284403 +sa(dp284404 +g225232 +S'Billy Al Bengston' +p284405 +sg225240 +g27 +sg225234 +S'lithograph (stone and aluminum) in gold-black and gray-black on German Etching paper' +p284406 +sg225230 +S'Mecca Dracula' +p284407 +sg225236 +S'1968' +p284408 +sa(dp284409 +g225232 +S'Billy Al Bengston' +p284410 +sg225240 +g27 +sg225234 +S'lithograph (stone and aluminum) in two gold-blackson German Etching paper' +p284411 +sg225230 +S'Le Roi Dracula' +p284412 +sg225236 +S'1968' +p284413 +sa(dp284414 +g225232 +S'Billy Al Bengston' +p284415 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on Magnani Italia paper' +p284416 +sg225230 +S'Players Dracula Primero' +p284417 +sg225236 +S'1968' +p284418 +sa(dp284419 +g225232 +S'Billy Al Bengston' +p284420 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on Magnani Italia paper' +p284421 +sg225230 +S'Players Dracula Segundo' +p284422 +sg225236 +S'1968' +p284423 +sa(dp284424 +g225232 +S'Billy Al Bengston' +p284425 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on Magnani Italia paper' +p284426 +sg225230 +S'Players Dracula Tercero' +p284427 +sg225236 +S'1968' +p284428 +sa(dp284429 +g225232 +S'Billy Al Bengston' +p284430 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on Magnani Italia paper' +p284431 +sg225230 +S'Players Dracula Cuarto' +p284432 +sg225236 +S'1968' +p284433 +sa(dp284434 +g225232 +S'Billy Al Bengston' +p284435 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on Magnani Italia paper' +p284436 +sg225230 +S'Players Dracula Quinto' +p284437 +sg225236 +S'1968' +p284438 +sa(dp284439 +g225232 +S'Billy Al Bengston' +p284440 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on Magnani Italia paper' +p284441 +sg225230 +S'Players Dracula Sexto' +p284442 +sg225236 +S'1968' +p284443 +sa(dp284444 +g225232 +S'Billy Al Bengston' +p284445 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on Magnani Italia paper' +p284446 +sg225230 +S'Players Dracula Septimo' +p284447 +sg225236 +S'1968' +p284448 +sa(dp284449 +g225232 +S'Billy Al Bengston' +p284450 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on Magnani Italia paper' +p284451 +sg225230 +S'Players Dracula Octavo' +p284452 +sg225236 +S'1968' +p284453 +sa(dp284454 +g225232 +S'Billy Al Bengston' +p284455 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on Magnani Italia paper' +p284456 +sg225230 +S'Players Dracula Noveno' +p284457 +sg225236 +S'1968' +p284458 +sa(dp284459 +g225232 +S'Billy Al Bengston' +p284460 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on Magnani Italia paper' +p284461 +sg225230 +S'Players Dracula Decimo' +p284462 +sg225236 +S'1968' +p284463 +sa(dp284464 +g225232 +S'Billy Al Bengston' +p284465 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on Magnani Italia paper' +p284466 +sg225230 +S'Players Dracula Undecimo' +p284467 +sg225236 +S'1968' +p284468 +sa(dp284469 +g225232 +S'Billy Al Bengston' +p284470 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on Magnani Italia paper' +p284471 +sg225230 +S'Players Dracula Duodecimo' +p284472 +sg225236 +S'1968' +p284473 +sa(dp284474 +g225232 +S'Billy Al Bengston' +p284475 +sg225240 +g27 +sg225234 +S'lithograph (stone and aluminum) in black and gray on Magnani Italia paper' +p284476 +sg225230 +S'Players Dracula Grande' +p284477 +sg225236 +S'1968' +p284478 +sa(dp284479 +g225232 +S'Billy Al Bengston' +p284480 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on Magnani Italia paper' +p284481 +sg225230 +S'Bostic Dracula' +p284482 +sg225236 +S'1968' +p284483 +sa(dp284484 +g225232 +S'Billy Al Bengston' +p284485 +sg225240 +g27 +sg225234 +S'lithograph (stone) in light pearly-gray and light pearly-pink on Copperplate Deluxe paper' +p284486 +sg225230 +S'Rocket Dracula Primero' +p284487 +sg225236 +S'1968' +p284488 +sa(dp284489 +g225232 +S'Billy Al Bengston' +p284490 +sg225240 +g27 +sg225234 +S'lithograph (stone) in light pearly-gray and light pearly-pink on Copperplate Deluxe paper' +p284491 +sg225230 +S'Rocket Dracula Segundo' +p284492 +sg225236 +S'1968' +p284493 +sa(dp284494 +g225232 +S'Billy Al Bengston' +p284495 +sg225240 +g27 +sg225234 +S'lithograph (stone) in light pearly-gray and light pearly-pink on Copperplate Deluxe paper' +p284496 +sg225230 +S'Rocket Dracula Tercero' +p284497 +sg225236 +S'1968' +p284498 +sa(dp284499 +g225232 +S'Billy Al Bengston' +p284500 +sg225240 +g27 +sg225234 +S'lithograph (stone) in light pearly-gray and light pearly-pink on Copperplate Deluxe paper' +p284501 +sg225230 +S'Rocket Dracula Cuarto' +p284502 +sg225236 +S'1968' +p284503 +sa(dp284504 +g225232 +S'Billy Al Bengston' +p284505 +sg225240 +g27 +sg225234 +S'lithograph (stone) in light pearly-gray on Copperplate Deluxe paper' +p284506 +sg225230 +S'Rocket Dracula Quinto' +p284507 +sg225236 +S'1968' +p284508 +sa(dp284509 +g225232 +S'Billy Al Bengston' +p284510 +sg225240 +g27 +sg225234 +S'lithograph (stone) in light pearly-pink on Copperplate Deluxe paper' +p284511 +sg225230 +S'Rocket Dracula Sexto' +p284512 +sg225236 +S'1968' +p284513 +sa(dp284514 +g225232 +S'Billy Al Bengston' +p284515 +sg225240 +g27 +sg225234 +S'lithograph (stone) in light pearly-blue on German Etching paper' +p284516 +sg225230 +S'Lotus Dracula' +p284517 +sg225236 +S'1968' +p284518 +sa(dp284519 +g225232 +S'Billy Al Bengston' +p284520 +sg225240 +g27 +sg225234 +S'lithograph (stone) in light pearly-gray and light pearly-pink on Copperplate Deluxe paper' +p284521 +sg225230 +S'Hi-Pal Dracula' +p284522 +sg225236 +S'1968' +p284523 +sa(dp284524 +g225232 +S'Billy Al Bengston' +p284525 +sg225240 +g27 +sg225234 +S'lithograph (stone) in light pearly-gray on Copperplate Deluxe paper' +p284526 +sg225230 +S'Hi Hat Dracula' +p284527 +sg225236 +S'1968' +p284528 +sa(dp284529 +g225232 +S'Billy Al Bengston' +p284530 +sg225240 +g27 +sg225234 +S'lithograph (stone) in light pearly-pink on Copperplate Deluxe paper' +p284531 +sg225230 +S'Hi Hat AAA Dracula' +p284532 +sg225236 +S'1968' +p284533 +sa(dp284534 +g225232 +S'Wendell Black' +p284535 +sg225240 +g27 +sg225234 +S'lithograph (stone) on white Arches paper' +p284536 +sg225230 +S'Manna from Armenia' +p284537 +sg225236 +S'1963' +p284538 +sa(dp284539 +g225232 +S'Wendell Black' +p284540 +sg225240 +g27 +sg225234 +S'lithograph (stone) on Yamada #41 paper' +p284541 +sg225230 +S'Memos' +p284542 +sg225236 +S'1963' +p284543 +sa(dp284544 +g225232 +S'Wendell Black' +p284545 +sg225240 +g27 +sg225234 +S'lithograph (stone) on white Arches paper' +p284546 +sg225230 +S'Saint Joan of North Meridian' +p284547 +sg225236 +S'1963' +p284548 +sa(dp284549 +g225232 +S'Wendell Black' +p284550 +sg225240 +g27 +sg225234 +S'lithograph (stone) on buff Arches paper' +p284551 +sg225230 +S'Indy Alley Thing' +p284552 +sg225236 +S'1966' +p284553 +sa(dp284554 +g225232 +S'Wendell Black' +p284555 +sg225240 +g27 +sg225234 +S'lithograph (stone) on Yamada #41 paper' +p284556 +sg225230 +S'Sea Harbor' +p284557 +sg225236 +S'1963' +p284558 +sa(dp284559 +g225232 +S'Andre Lucien Albert Bloc' +p284560 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on Rives BFK paper' +p284561 +sg225230 +S'Evocation' +p284562 +sg225236 +S'1965' +p284563 +sa(dp284564 +g225232 +S'Peter Bodnar' +p284565 +sg225240 +g27 +sg225234 +S'lithograph (stone) on Rives BFK paper' +p284566 +sg225230 +S'Untitled Imp. 16' +p284567 +sg225236 +S'1963/1964' +p284568 +sa(dp284569 +g225232 +S'Peter Bodnar' +p284570 +sg225240 +g27 +sg225234 +S'lithograph (stone) on buff Arches paper' +p284571 +sg225230 +S'Untitled 11 Imp.' +p284572 +sg225236 +S'1963/1964' +p284573 +sa(dp284574 +g225232 +S'Peter Bodnar' +p284575 +sg225240 +g27 +sg225234 +S'lithograph (stone) on buff Arches paper' +p284576 +sg225230 +S'Untitled Imp. 11' +p284577 +sg225236 +S'1963/1964' +p284578 +sa(dp284579 +g225232 +S'James Boynton' +p284580 +sg225240 +g27 +sg225234 +S'lithograph (stone and zinc) in violet-brown and blue on Rives paper' +p284581 +sg225230 +S'Genesis' +p284582 +sg225236 +S'1967' +p284583 +sa(dp284584 +g225232 +S'James Boynton' +p284585 +sg225240 +g27 +sg225234 +S'portfolio w/ 10 color lithographs (stone, aluminum, and zinc) on Rives paper' +p284586 +sg225230 +S'Packaged Horizon, or a Guided Tour to Oblivion' +p284587 +sg225236 +S'1967' +p284588 +sa(dp284589 +g225232 +S'James Boynton' +p284590 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on Rives paper' +p284591 +sg225230 +S'Adam' +p284592 +sg225236 +S'1967' +p284593 +sa(dp284594 +g225232 +S'James Boynton' +p284595 +sg225240 +g27 +sg225234 +S'lithograph (zinc and stone) in green, orange and violet on Rives paper' +p284596 +sg225230 +S'Eve' +p284597 +sg225236 +S'1967' +p284598 +sa(dp284599 +g225232 +S'James Boynton' +p284600 +sg225240 +g27 +sg225234 +S'lithograph (stone and aluminum) in blue, yellow-green and violet on Rives paper' +p284601 +sg225230 +S'Snake' +p284602 +sg225236 +S'1967' +p284603 +sa(dp284604 +g225232 +S'James Boynton' +p284605 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in pink, red, green and gold on Rives paper' +p284606 +sg225230 +S'The Word' +p284607 +sg225236 +S'1967' +p284608 +sa(dp284609 +g225232 +S'James Boynton' +p284610 +sg225240 +g27 +sg225234 +S'lithograph (zinc, aluminum and stone) in yellow, violet and brown on Rives paper' +p284611 +sg225230 +S"And Don't Come Back" +p284612 +sg225236 +S'1967' +p284613 +sa(dp284614 +g225232 +S'James Boynton' +p284615 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in red, red-violet, ochre and yellow on Rives paper' +p284616 +sg225230 +S'Key' +p284617 +sg225236 +S'1967' +p284618 +sa(dp284619 +g225232 +S'James Boynton' +p284620 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in silver and black on Rives paper' +p284621 +sg225230 +S'Big Channel in the Sky' +p284622 +sg225236 +S'1967' +p284623 +sa(dp284624 +g225232 +S'James Boynton' +p284625 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in red, yellow, blue and two blacks on Rives paper' +p284626 +sg225230 +S'Orbit Edged in Black' +p284627 +sg225236 +S'1967' +p284628 +sa(dp284629 +g225232 +S'James Boynton' +p284630 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black and red on Rives paper' +p284631 +sg225230 +S'Bleed Image' +p284632 +sg225236 +S'1967' +p284633 +sa(dp284634 +g225232 +S'James Boynton' +p284635 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in two browns and gray-green on German Etching paper' +p284636 +sg225230 +S'Kremlin' +p284637 +sg225236 +S'1967' +p284638 +sa(dp284639 +g225232 +S'James Boynton' +p284640 +sg225240 +g27 +sg225234 +S'portfolio w/ 12 color lithographs (aluminum, stone) on German Etching paper' +p284641 +sg225230 +S'Pandorasville Revisited' +p284642 +sg225236 +S'1967' +p284643 +sa(dp284644 +g225232 +S'James Boynton' +p284645 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in two browns, blue and pink on German Etching paper' +p284646 +sg225230 +S'Pink' +p284647 +sg225236 +S'1967' +p284648 +sa(dp284649 +g225232 +S'James Boynton' +p284650 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in two browns and yellow on German Etching paper' +p284651 +sg225230 +S'Standing Room Only' +p284652 +sg225236 +S'1967' +p284653 +sa(dp284654 +g225232 +S'James Boynton' +p284655 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in two browns, blue and violet on German Etching paper' +p284656 +sg225230 +S'Purple' +p284657 +sg225236 +S'1967' +p284658 +sa(dp284659 +g225232 +S'James Boynton' +p284660 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in green, dark brown and blue on German Etching paper' +p284661 +sg225230 +S'Portable Cave' +p284662 +sg225236 +S'1967' +p284663 +sa(dp284664 +g225232 +S'James Boynton' +p284665 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in red-violet, dark brown and orange on German Etching paper' +p284666 +sg225230 +S'Trunkated Elephant' +p284667 +sg225236 +S'1967' +p284668 +sa(dp284669 +g225232 +S'James Boynton' +p284670 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in green, violet and pink on German Etching paper' +p284671 +sg225230 +S'Tacks' +p284672 +sg225236 +S'1967' +p284673 +sa(dp284674 +g225232 +S'James Boynton' +p284675 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in green, violet and pink on German Etching paper' +p284676 +sg225230 +S'Coupled Mushrooms' +p284677 +sg225236 +S'1967' +p284678 +sa(dp284679 +g225232 +S'James Boynton' +p284680 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in yellow, pink and violet on German Etching paper' +p284681 +sg225230 +S'Fetish' +p284682 +sg225236 +S'1967' +p284683 +sa(dp284684 +g225232 +S'James Boynton' +p284685 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in blue, yellow-ochre and violet on German Etching paper' +p284686 +sg225230 +S'Condensed History of Art' +p284687 +sg225236 +S'1967' +p284688 +sa(dp284689 +g225232 +S'James Boynton' +p284690 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in green, yellow-ochre, violet and red on German Etching paper' +p284691 +sg225230 +S'Striped Wizard' +p284692 +sg225236 +S'1967' +p284693 +sa(dp284694 +g225232 +S'James Boynton' +p284695 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in green, violet and blue on German Etching paper' +p284696 +sg225230 +S'Ball' +p284697 +sg225236 +S'1967' +p284698 +sa(dp284699 +g225232 +S'James Boynton' +p284700 +sg225240 +g27 +sg225234 +S'lithograph (stone) in two blacks on German Etchingpaper' +p284701 +sg225230 +S'Landscape' +p284702 +sg225236 +S'1967' +p284703 +sa(dp284704 +g225232 +S'James Boynton' +p284705 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in light blue, yellow-ochre and dark violet on Rives paper' +p284706 +sg225230 +S'Big Channel in the Sky' +p284707 +sg225236 +S'1967' +p284708 +sa(dp284709 +g225232 +S'James Boynton' +p284710 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in violet and black on Rives paper' +p284711 +sg225230 +S'Swinger' +p284712 +sg225236 +S'1967' +p284713 +sa(dp284714 +g225232 +S'James Boynton' +p284715 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) black, brown and gold on German Etching paper' +p284716 +sg225230 +S'Teeth' +p284717 +sg225236 +S'1967' +p284718 +sa(dp284719 +g225232 +S'James Boynton' +p284720 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on German Etching paper' +p284721 +sg225230 +S'Untitled' +p284722 +sg225236 +S'1967' +p284723 +sa(dp284724 +g225232 +S'James Boynton' +p284725 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on German Etching paper' +p284726 +sg225230 +S'Untitled' +p284727 +sg225236 +S'1967' +p284728 +sa(dp284729 +g225232 +S'James Boynton' +p284730 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on German Etching paper' +p284731 +sg225230 +S'Untitled' +p284732 +sg225236 +S'1967' +p284733 +sa(dp284734 +g225232 +S'James Boynton' +p284735 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on German Etching paper' +p284736 +sg225230 +S'Untitled' +p284737 +sg225236 +S'1967' +p284738 +sa(dp284739 +g225232 +S'James Boynton' +p284740 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on German Etching paper' +p284741 +sg225230 +S'Untitled' +p284742 +sg225236 +S'1967' +p284743 +sa(dp284744 +g225232 +S'James Boynton' +p284745 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on German Etching paper' +p284746 +sg225230 +S'Untitled' +p284747 +sg225236 +S'1967' +p284748 +sa(dp284749 +g225232 +S'James Boynton' +p284750 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on German Etching paper' +p284751 +sg225230 +S'Untitled' +p284752 +sg225236 +S'1967' +p284753 +sa(dp284754 +g225232 +S'James Boynton' +p284755 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on German Etching paper' +p284756 +sg225230 +S'Untitled' +p284757 +sg225236 +S'1967' +p284758 +sa(dp284759 +g225232 +S'James Boynton' +p284760 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on German Etching paper' +p284761 +sg225230 +S'Untitled' +p284762 +sg225236 +S'1967' +p284763 +sa(dp284764 +g225232 +S'James Boynton' +p284765 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on German Etching paper' +p284766 +sg225230 +S'Untitled' +p284767 +sg225236 +S'1967' +p284768 +sa(dp284769 +g225232 +S'James Boynton' +p284770 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on German Etching paper' +p284771 +sg225230 +S'Untitled' +p284772 +sg225236 +S'1967' +p284773 +sa(dp284774 +g225232 +S'James Boynton' +p284775 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on German Etching paper' +p284776 +sg225230 +S'Untitled' +p284777 +sg225236 +S'1967' +p284778 +sa(dp284779 +g225232 +S'Paul Henry Brach' +p284780 +sg225240 +g27 +sg225234 +S'lithograph (zinc and stone) in dark blue-green andgray on white Arches paper' +p284781 +sg225230 +S'The Negative Way 1' +p284782 +sg225236 +S'1964' +p284783 +sa(dp284784 +g225232 +S'Paul Henry Brach' +p284785 +sg225240 +g27 +sg225234 +S'portfolio w/ 10 lithographs (zinc and stone) in blue-green and gray plus title page and colophon on white Arches paper' +p284786 +sg225230 +S'The Negative Way' +p284787 +sg225236 +S'1964' +p284788 +sa(dp284789 +g225232 +S'Paul Henry Brach' +p284790 +sg225240 +g27 +sg225234 +S'lithograph (zinc and stone) in dark blue-green andtwo grays on white Arches paper' +p284791 +sg225230 +S'The Negative Way 2' +p284792 +sg225236 +S'1964' +p284793 +sa(dp284794 +g225232 +S'Paul Henry Brach' +p284795 +sg225240 +g27 +sg225234 +S'lithograph (zinc and stone) in dark blue-green andtwo grays on white Arches paper' +p284796 +sg225230 +S'The Negative Way 3' +p284797 +sg225236 +S'1964' +p284798 +sa(dp284799 +g225232 +S'Paul Henry Brach' +p284800 +sg225240 +g27 +sg225234 +S'lithograph (zinc and stone) in dark blue-green, black and gray on white Arches paper' +p284801 +sg225230 +S'The Negative Way 4' +p284802 +sg225236 +S'1964' +p284803 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+g225232 +S'Paul Henry Brach' +p284825 +sg225240 +g27 +sg225234 +S'lithograph (zinc and stone) in two blue-greens andtwo grays on white Arches paper' +p284826 +sg225230 +S'The Negative Way 9' +p284827 +sg225236 +S'1964' +p284828 +sa(dp284829 +g225232 +S'Paul Henry Brach' +p284830 +sg225240 +g27 +sg225234 +S'lithograph (zinc and stone) in dark blue-green andsilver on white Arches paper' +p284831 +sg225230 +S'The Negative Way 10' +p284832 +sg225236 +S'1964' +p284833 +sa(dp284834 +g225232 +S'Paul Henry Brach' +p284835 +sg225240 +g27 +sg225234 +S'lithograph (zinc) in two green-blues and blue-green on white Arches paper' +p284836 +sg225230 +S'Oracle' +p284837 +sg225236 +S'1964' +p284838 +sa(dp284839 +g225232 +S'Paul Henry Brach' +p284840 +sg225240 +g27 +sg225234 +S'lithograph (stone) in dark gray and white on RivesBFK paper' +p284841 +sg225230 +S'Vessel' +p284842 +sg225236 +S'1965' +p284843 +sa(dp284844 +g225232 +S'Paul Henry Brach' +p284845 +sg225240 +g27 +sg225234 +S'lithograph (stone) in three grays on Rives BFK paper' +p284846 +sg225230 +S'Silver Series' +p284847 +sg225236 +S'1965' +p284848 +sa(dp284849 +g225232 +S'Paul Henry Brach' +p284850 +sg225240 +g27 +sg225234 +S'lithograph (stone) in two grays on Rives BFK paper' +p284851 +sg225230 +S'Dark Vessel' +p284852 +sg225236 +S'1965' +p284853 +sa(dp284854 +g225232 +S'Salvador Bru' +p284855 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black and white on German Etching paper' +p284856 +sg225230 +S'La Gran Maquina' +p284857 +sg225236 +S'1969' +p284858 +sa(dp284859 +g225232 +S'Salvador Bru' +p284860 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in brown and blackon calendered Rives paper' +p284861 +sg225230 +S'Homenaje Al Desierto de Nevada' +p284862 +sg225236 +S'1969' +p284863 +sa(dp284864 +g225232 +S'Salvador Bru' +p284865 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in light brown, violet and black on German Etching paper' +p284866 +sg225230 +S'The Onion Flower' +p284867 +sg225236 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uncalendered Rives paper' +p284996 +sg225230 +S'Tus Gritos Oiran' +p284997 +sg225236 +S'1969' +p284998 +sa(dp284999 +g225232 +S'Rafael Canogar' +p285000 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in two blacks, embossed, on uncalendered Rives paper' +p285001 +sg225230 +S'Cordon de Policia' +p285002 +sg225236 +S'1969' +p285003 +sa(dp285004 +g225232 +S'Rafael Canogar' +p285005 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in gray and black on uncalendered Rives paper' +p285006 +sg225230 +S'Vivo Tiempos Sombrios' +p285007 +sg225236 +S'1969' +p285008 +sa(dp285009 +g225232 +S'Rafael Canogar' +p285010 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on uncalendered Rives paper' +p285011 +sg225230 +S'El Carcelero' +p285012 +sg225236 +S'1969' +p285013 +sa(dp285014 +g225232 +S'Rafael Canogar' +p285015 +sg225240 +g27 +sg225234 +S'lithograph (stone and aluminum) in red-brown, black and white on uncalendered Rives paper' +p285016 +sg225230 +S'El Llanto' 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paper' +p285061 +sg225230 +S'La Violencia' +p285062 +sg225236 +S'1969' +p285063 +sa(dp285064 +g225232 +S'Rafael Canogar' +p285065 +sg225240 +g27 +sg225234 +S'lithograph (stone) in green-black on uncalendered Rives paper' +p285066 +sg225230 +S'Descolorida paz, preciosa guerra' +p285067 +sg225236 +S'1969' +p285068 +sa(dp285069 +g225232 +S'Rafael Canogar' +p285070 +sg225240 +g27 +sg225234 +S'lithograph (stone) in green-black on uncalendered Rives paper' +p285071 +sg225230 +S'Los Revolucionarios' +p285072 +sg225236 +S'1969' +p285073 +sa(dp285074 +g225232 +S'Rafael Canogar' +p285075 +sg225240 +g27 +sg225234 +S'lithograph (stone) in silver-black on uncalenderedRives paper' +p285076 +sg225230 +S'La Pelea' +p285077 +sg225236 +S'1969' +p285078 +sa(dp285079 +g225232 +S'Rafael Canogar' +p285080 +sg225240 +g27 +sg225234 +S'lithograph (stone and aluminum) in violet-black and red on uncalendered Rives paper' +p285081 +sg225230 +S'Los Prisioneros' +p285082 +sg225236 +S'1969' +p285083 +sa(dp285084 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+sg225230 +S'Untitled' +p285107 +sg225236 +S'1970' +p285108 +sa(dp285109 +g225232 +S'Paul Arthur Clinton' +p285110 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in red, white and gray on uncalendered Rives paper' +p285111 +sg225230 +S'Untitled' +p285112 +sg225236 +S'1969' +p285113 +sa(dp285114 +g225232 +S'Paul Arthur Clinton' +p285115 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in black on Copperplate Deluxe paper' +p285116 +sg225230 +S'Untitled' +p285117 +sg225236 +S'1969' +p285118 +sa(dp285119 +g225232 +S'Bruce Conner' +p285120 +sg225240 +g27 +sg225234 +S'lithograph (stone) in transparent light brown on buff Arches paper' +p285121 +sg225230 +S'Untitled' +p285122 +sg225236 +S'1965' +p285123 +sa(dp285124 +g225232 +S'Bruce Conner' +p285125 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on white Arches paper' +p285126 +sg225230 +S'Untitled' +p285127 +sg225236 +S'1965' +p285128 +sa(dp285129 +g225232 +S'Bruce Conner' +p285130 +sg225240 +g27 +sg225234 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(stone) in light pink-brown, light pinkand black on white Nacre paper' +p285241 +sg225230 +S'Twelfth Station' +p285242 +sg225236 +S'1967' +p285243 +sa(dp285244 +g225232 +S'Robert Cremean' +p285245 +sg225240 +g27 +sg225234 +S'lithograph (stone) in light pink-brown, light pinkand black on white Nacre paper' +p285246 +sg225230 +S'Thirteenth Station' +p285247 +sg225236 +S'1967' +p285248 +sa(dp285249 +g225232 +S'Robert Cremean' +p285250 +sg225240 +g27 +sg225234 +S'lithograph (stone) in light pink-brown, light pinkand black on white Nacre paper' +p285251 +sg225230 +S'Fourteenth Station' +p285252 +sg225236 +S'1967' +p285253 +sa(dp285254 +g225232 +S'Robert Cremean' +p285255 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on German Etching paper' +p285256 +sg225230 +S'Study' +p285257 +sg225236 +S'1966' +p285258 +sa(dp285259 +g225232 +S'Jos\xc3\xa9 Luis Cuevas' +p285260 +sg225240 +g27 +sg225234 +S'lithograph (stone) in brown on white Nacre paper' +p285261 +sg225230 +S'Charenton (Title Page)' +p285262 +sg225236 +S'1966' +p285263 +sa(dp285264 +g225232 +S'Jos\xc3\xa9 Luis Cuevas' +p285265 +sg225240 +g27 +sg225234 +S'portfolio w/ 15 color lithographs (stone and aluminum) including title page, table of contents, and colophon on white Nacre paper' +p285266 +sg225230 +S'Charenton' +p285267 +sg225236 +S'1965/1966' +p285268 +sa(dp285269 +g225232 +S'Jos\xc3\xa9 Luis Cuevas' +p285270 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on white Nacre paper' +p285271 +sg225230 +S'Charenton (Table of Contents)' +p285272 +sg225236 +S'1966' +p285273 +sa(dp285274 +g225232 +S'Jos\xc3\xa9 Luis Cuevas' +p285275 +sg225240 +g27 +sg225234 +S'lithograph (stone) in brown-orange and green-black on white Nacre paper' +p285276 +sg225230 +S'Justine and the Marquis de Sade' +p285277 +sg225236 +S'1965' +p285278 +sa(dp285279 +g225232 +S'Jos\xc3\xa9 Luis Cuevas' +p285280 +sg225240 +g27 +sg225234 +S'lithograph (stone) in transparent green and dark brown on white Nacre paper' +p285281 +sg225230 +S'Doctor Laforet and His Patients' +p285282 +sg225236 +S'1965' +p285283 +sa(dp285284 +g225232 +S'Jos\xc3\xa9 Luis Cuevas' +p285285 +sg225240 +g27 +sg225234 +S'lithograph (stone) in two dark browns on white Nacre paper' +p285286 +sg225230 +S'Double Portrait of Doctor Laforet' +p285287 +sg225236 +S'1965' +p285288 +sa(dp285289 +g225232 +S'Jos\xc3\xa9 Luis Cuevas' +p285290 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on white Nacre paper' +p285291 +sg225230 +S'Ghosts of the Asylum' +p285292 +sg225236 +S'1965' +p285293 +sa(dp285294 +g225232 +S'Jos\xc3\xa9 Luis Cuevas' +p285295 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on white Nacre paper' +p285296 +sg225230 +S'Tortured Ones' +p285297 +sg225236 +S'1965' +p285298 +sa(dp285299 +g225232 +S'Jos\xc3\xa9 Luis Cuevas' +p285300 +sg225240 +g27 +sg225234 +S'lithograph (stone) in dark brown on white Nacre paper' +p285301 +sg225230 +S'Visions of the Marquis de Sade' +p285302 +sg225236 +S'1965' +p285303 +sa(dp285304 +g225232 +S'Jos\xc3\xa9 Luis Cuevas' +p285305 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in light brown and black on white Nacre paper' +p285306 +sg225230 +S'Visitors' +p285307 +sg225236 +S'1965/1966' +p285308 +sa(dp285309 +g225232 +S'Jos\xc3\xa9 Luis Cuevas' +p285310 +sg225240 +g27 +sg225234 +S'lithograph (stone) in dark green-brown on white Nacre paper' +p285311 +sg225230 +S'Happenings at Charenton' +p285312 +sg225236 +S'1966' +p285313 +sa(dp285314 +g225232 +S'Jos\xc3\xa9 Luis Cuevas' +p285315 +sg225240 +g27 +sg225234 +S'lithograph (stone) in brown-orange and black on white Nacre paper' +p285316 +sg225230 +S'Procuress with Meat' +p285317 +sg225236 +S'1966' +p285318 +sa(dp285319 +g225232 +S'Jos\xc3\xa9 Luis Cuevas' +p285320 +sg225240 +g27 +sg225234 +S'lithograph (stone) in yellow-beige and black on white Nacre paper' +p285321 +sg225230 +S'The Marriage of the Arnolfini' +p285322 +sg225236 +S'1965' +p285323 +sa(dp285324 +g225232 +S'Jos\xc3\xa9 Luis Cuevas' +p285325 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on white Nacre paper' +p285326 +sg225230 +S'Beast Eating' +p285327 +sg225236 +S'1965' +p285328 +sa(dp285329 +g225232 +S'Jos\xc3\xa9 Luis Cuevas' +p285330 +sg225240 +g27 +sg225234 +S'lithograph (stone) in two blacks on white Nacre paper' +p285331 +sg225230 +S'Worm Pit' +p285332 +sg225236 +S'1965/1966' +p285333 +sa(dp285334 +g225232 +S'Jos\xc3\xa9 Luis Cuevas' +p285335 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on white Nacre paper' +p285336 +sg225230 +S'Charenton (Colophon)' +p285337 +sg225236 +S'1966' +p285338 +sa(dp285339 +g225232 +S'Jos\xc3\xa9 Luis Cuevas' +p285340 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on natural Nacre paper' +p285341 +sg225230 +S'The Marquis de Sade and the King of Diamonds' +p285342 +sg225236 +S'1965' +p285343 +sa(dp285344 +g225232 +S'Jos\xc3\xa9 Luis Cuevas' +p285345 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on Copperplate Deluxe paper' +p285346 +sg225230 +S'Cast of Characters' +p285347 +sg225236 +S'1965' +p285348 +sa(dp285349 +g225232 +S'Jos\xc3\xa9 Luis Cuevas' +p285350 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on de Laga Narcisse paper' +p285351 +sg225230 +S'The Marquis de Sade-Pig' +p285352 +sg225236 +S'1965' +p285353 +sa(dp285354 +g225232 +S'Jos\xc3\xa9 Luis Cuevas' +p285355 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in beige, gray-green and black on white Nacre paper' +p285356 +sg225230 +S'Head with Worms' +p285357 +sg225236 +S'1965' +p285358 +sa(dp285359 +g225232 +S'Jos\xc3\xa9 Luis Cuevas' +p285360 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on de Laga Narcisse paper' +p285361 +sg225230 +S'Untitled' +p285362 +sg225236 +S'1966' +p285363 +sa(dp285364 +g225232 +S'Jos\xc3\xa9 Luis Cuevas' +p285365 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on de Laga Narcisse paper' +p285366 +sg225230 +S'The Marquis de Sade' +p285367 +sg225236 +S'1966' +p285368 +sa(dp285369 +g225232 +S'Jos\xc3\xa9 Luis Cuevas' +p285370 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on natural Nacre paper' +p285371 +sg225230 +S'Interior' +p285372 +sg225236 +S'1966' +p285373 +sa(dp285374 +g225232 +S'Jos\xc3\xa9 Luis Cuevas' +p285375 +sg225240 +g27 +sg225234 +S'lithograph' +p285376 +sg225230 +S'Self-Portrait like Musicians' +p285377 +sg225236 +S'unknown date\n' +p285378 +sa(dp285379 +g225232 +S'Jos\xc3\xa9 Luis Cuevas' +p285380 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on natural Nacre paper' +p285381 +sg225230 +S'Portrait like Beethoven' +p285382 +sg225236 +S'1966' +p285383 +sa(dp285384 +g225232 +S'Jos\xc3\xa9 Luis Cuevas' +p285385 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on natural Nacre paper' +p285386 +sg225230 +S'Cuevas-Charenton' +p285387 +sg225236 +S'1966' +p285388 +sa(dp285389 +g225232 +S'Burhan Cahit Dogancay' +p285390 +sg225240 +g27 +sg225234 +S'lithograph (stone) in brown on uncalendered Rives paper' +p285391 +sg225230 +S'Wall V (I) (Title Page/Colophon)' +p285392 +sg225236 +S'1969' +p285393 +sa(dp285394 +g225232 +S'Burhan Cahit Dogancay' +p285395 +sg225240 +g27 +sg225234 +S'portfolio with 11 color lithographs (stone, aluminum, and zinc) including title page and colophon onuncalendered Rives paper' +p285396 +sg225230 +S'Walls V' +p285397 +sg225236 +S'1969' +p285398 +sa(dp285399 +g225232 +S'Burhan Cahit Dogancay' +p285400 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in red, blue and black on uncalendered Rives paper' +p285401 +sg225230 +S'Walls V (II)' +p285402 +sg225236 +S'1969' +p285403 +sa(dp285404 +g225232 +S'Burhan Cahit Dogancay' +p285405 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in yellow, red andblue on uncalendered Rives paper' +p285406 +sg225230 +S'Walls V (III)' +p285407 +sg225236 +S'1969' +p285408 +sa(dp285409 +g225232 +S'Burhan Cahit Dogancay' +p285410 +sg225240 +g27 +sg225234 +S'lithograph (stone and zinc) in yellow, red and blue on uncalendered Rives paper' +p285411 +sg225230 +S'Walls V (IV)' +p285412 +sg225236 +S'1969' +p285413 +sa(dp285414 +g225232 +S'Burhan Cahit Dogancay' +p285415 +sg225240 +g27 +sg225234 +S'lithograph (zinc and stone) in yellow, red and blue on uncalendered Rives paper' +p285416 +sg225230 +S'Walls V (V)' +p285417 +sg225236 +S'1969' +p285418 +sa(dp285419 +g225232 +S'Burhan Cahit Dogancay' +p285420 +sg225240 +g27 +sg225234 +S'lithograph (zinc, aluminum and stone) in yellow, blue and red on uncalendered Rives paper' +p285421 +sg225230 +S'Walls V (VI)' +p285422 +sg225236 +S'1969' +p285423 +sa(dp285424 +g225232 +S'Burhan Cahit Dogancay' +p285425 +sg225240 +g27 +sg225234 +S'lithograph (stone and aluminum) in red and blue onuncalendered Rives paper' +p285426 +sg225230 +S'Walls V (VII)' +p285427 +sg225236 +S'1969' +p285428 +sa(dp285429 +g225232 +S'Burhan Cahit Dogancay' +p285430 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in black, yellow and red on uncalendered Rives paper' +p285431 +sg225230 +S'Walls V (VIII)' +p285432 +sg225236 +S'1969' +p285433 +sa(dp285434 +g225232 +S'Burhan Cahit Dogancay' +p285435 +sg225240 +g27 +sg225234 +S'lithograph (stone and aluminum) in yellow and black on uncalendered Rives paper' +p285436 +sg225230 +S'Walls V (IX)' +p285437 +sg225236 +S'1969' +p285438 +sa(dp285439 +g225232 +S'Burhan Cahit Dogancay' +p285440 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in blue and red onuncalendered Rives paper' +p285441 +sg225230 +S'Walls V (X)' +p285442 +sg225236 +S'1969' +p285443 +sa(dp285444 +g225232 +S'Burhan Cahit Dogancay' +p285445 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in red, blue and black on uncalendered Rives paper' +p285446 +sg225230 +S'Walls V (XI)' +p285447 +sg225236 +S'1969' +p285448 +sa(dp285449 +g225232 +S'Burhan Cahit Dogancay' +p285450 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in pink, red and two blacks on German Etching paper' +p285451 +sg225230 +S'Untitled' +p285452 +sg225236 +S'1969' +p285453 +sa(dp285454 +g225232 +S'Burhan Cahit Dogancay' +p285455 +sg225240 +g27 +sg225234 +S'lithograph (stone) in violet-black on Copperplate Deluxe paper' +p285456 +sg225230 +S'Untitled' +p285457 +sg225236 +S'1969' +p285458 +sa(dp285459 +g225232 +S'Jules Engel' +p285460 +sg225240 +g27 +sg225234 +S'lithograph (stone) in blue on J. Green paper' +p285461 +sg225230 +S'Homage to Nevelson II' +p285462 +sg225236 +S'1968' +p285463 +sa(dp285464 +g225232 +S'Jules Engel' +p285465 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in green, black and blue on calendered Rives paper' +p285466 +sg225230 +S'Twins' +p285467 +sg225236 +S'1968' +p285468 +sa(dp285469 +g225232 +S'Jules Engel' +p285470 +sg225240 +g27 +sg225234 +S'lithograph (stone and aluminum) in black, violet and red-orange on calendered Rives paper' +p285471 +sg225230 +S'Twins II' +p285472 +sg225236 +S'1968' +p285473 +sa(dp285474 +g225232 +S'Jules Engel' +p285475 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in red-orange, green and black on Copperplate Deluxe paper' +p285476 +sg225230 +S'Untitled' +p285477 +sg225236 +S'1968' +p285478 +sa(dp285479 +g225232 +S'Sam Francis' +p285480 +sg225240 +g27 +sg225234 +S'lithograph (zinc and stone) in green, yellow, red and blue on white Arches paper' +p285481 +sg225230 +S'Bright Nothing' +p285482 +sg225236 +S'1963' +p285483 +sa(dp285484 +g225232 +S'Sam Francis' +p285485 +sg225240 +g27 +sg225234 +S'lithograph (zinc) in red and blue on white Arches paper' +p285486 +sg225230 +S'Chinese Planet' +p285487 +sg225236 +S'1963' +p285488 +sa(dp285489 +g225232 +S'Sam Francis' +p285490 +sg225240 +g27 +sg225234 +S'lithograph (zinc) in yellow, violet and red on white Arches paper' +p285491 +sg225230 +S'Yellow Speck' +p285492 +sg225236 +S'1963' +p285493 +sa(dp285494 +g225232 +S'Sam Francis' +p285495 +sg225240 +g27 +sg225234 +S'lithograph (zinc) in blue, yellow and red on whiteArches paper' +p285496 +sg225230 +S'Another Disappearance' +p285497 +sg225236 +S'1963' +p285498 +sa(dp285499 +g225232 +S'Sam Francis' +p285500 +sg225240 +g27 +sg225234 +S'lithograph (zinc) in black on white Arches paper' +p285501 +sg225230 +S'Essai' +p285502 +sg225236 +S'1963' +p285503 +sa(dp285504 +g225232 +S'Sam Francis' +p285505 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on white Arches paper' +p285506 +sg225230 +S'Stone Cloud' +p285507 +sg225236 +S'1963' +p285508 +sa(dp285509 +g225232 +S'Sam Francis' +p285510 +sg225240 +g27 +sg225234 +S'lithograph (zinc) in yellow and blue on white Arches paper' +p285511 +sg225230 +S'Mercury' +p285512 +sg225236 +S'1963' +p285513 +sa(dp285514 +g225232 +S'Sam Francis' +p285515 +sg225240 +g27 +sg225234 +S'lithograph (zinc) in yellow, red and blue on RivesBFK paper' +p285516 +sg225230 +S'Flying Love' +p285517 +sg225236 +S'1963' +p285518 +sa(dp285519 +g225232 +S'Sam Francis' +p285520 +sg225240 +g27 +sg225234 +S'lithograph (zinc and stone) in yellow, two oranges, red and two blues on uncalendered Rives paper' +p285521 +sg225230 +S'A Sail' +p285522 +sg225236 +S'1969' +p285523 +sa(dp285524 +g225232 +S'Sam Francis' +p285525 +sg225240 +g27 +sg225234 +S'lithograph (zinc and stone) in yellow, two oranges, red, blue and violet on uncalendered Rives paper' +p285526 +sg225230 +S'Blue Cut Sail' +p285527 +sg225236 +S'1969' +p285528 +sa(dp285529 +g225232 +S'Sam Francis' +p285530 +sg225240 +g27 +sg225234 +S'lithograph (zinc and stone) in yellow, two reds and blue on uncalendered Rives paper' +p285531 +sg225230 +S'Damp' +p285532 +sg225236 +S'1969' +p285533 +sa(dp285534 +g225232 +S'Sam Francis' +p285535 +sg225240 +g27 +sg225234 +S'lithograph (stone and zinc) in two blues, green, yellow and red on calendered Rives paper' +p285536 +sg225230 +S'Chinese Wall' +p285537 +sg225236 +S'1969' +p285538 +sa(dp285539 +g225232 +S'Sam Francis' +p285540 +sg225240 +g27 +sg225234 +S'lithograph (zinc and stone) in yellow, orange, blue, green and two reds on uncalendered Rives paper' +p285541 +sg225230 +S'Veiled Sail' +p285542 +sg225236 +S'1969' +p285543 +sa(dp285544 +g225232 +S'Sam Francis' +p285545 +sg225240 +g27 +sg225234 +S'lithograph (zinc and stone) in red, blue, two greens, orange, yellow and violet on uncalendered Rives paper' +p285546 +sg225230 +S'Sulfur Sails' +p285547 +sg225236 +S'1969' +p285548 +sa(dp285549 +g225232 +S'Sonia Gechtoff' +p285550 +sg225240 +g27 +sg225234 +S'lithograph (zinc and stone) in red-violet, blue and black on white Arches paper' +p285551 +sg225230 +S'Title Page' +p285552 +sg225236 +S'1963' +p285553 +sa(dp285554 +g225232 +S'Sonia Gechtoff' +p285555 +sg225240 +g27 +sg225234 +S'portfolio w/ 8 color lithographs (zinc and stone) including title page and colophon on white Arches paper' +p285556 +sg225230 +S'6 Icons' +p285557 +sg225236 +S'1963' +p285558 +sa(dp285559 +g225232 +S'Sonia Gechtoff' +p285560 +sg225240 +g27 +sg225234 +S'lithograph (zinc and stone) in yellow, violet, redand black on white Arches paper' +p285561 +sg225230 +S'Icon I' +p285562 +sg225236 +S'1963' +p285563 +sa(dp285564 +g225232 +S'Sonia Gechtoff' +p285565 +sg225240 +g27 +sg225234 +S'lithograph (stone) in dark blue and black on whiteArches paper' +p285566 +sg225230 +S'Icon II' +p285567 +sg225236 +S'1963' +p285568 +sa(dp285569 +g225232 +S'Sonia Gechtoff' +p285570 +sg225240 +g27 +sg225234 +S'lithograph (stone) in beige, brown and black on white Arches paper' +p285571 +sg225230 +S'Icon III' +p285572 +sg225236 +S'1963' +p285573 +sa(dp285574 +g225232 +S'Sonia Gechtoff' +p285575 +sg225240 +g27 +sg225234 +S'lithograph (stone) in gray-green and black on white Arches paper' +p285576 +sg225230 +S'Icon IV' +p285577 +sg225236 +S'1963' +p285578 +sa(dp285579 +g225232 +S'Sonia Gechtoff' +p285580 +sg225240 +g27 +sg225234 +S'lithograph (zinc and stone) in light blue, ochre and black on white Arches paper' +p285581 +sg225230 +S'Icon V' +p285582 +sg225236 +S'1963' +p285583 +sa(dp285584 +g225232 +S'Sonia Gechtoff' +p285585 +sg225240 +g27 +sg225234 +S'lithograph (stone) in pink, red and black on whiteArches paper' +p285586 +sg225230 +S'Icon VI' +p285587 +sg225236 +S'1963' +p285588 +sa(dp285589 +g225232 +S'Sonia Gechtoff' +p285590 +sg225240 +g27 +sg225234 +S'lithograph (stone) in yellow and blue-black on white Arches paper' +p285591 +sg225230 +S'Colophon' +p285592 +sg225236 +S'1963' +p285593 +sa(dp285594 +g225232 +S'Sonia Gechtoff' +p285595 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on white Arches paper' +p285596 +sg225230 +S'Untitled' +p285597 +sg225236 +S'1963' +p285598 +sa(dp285599 +g225232 +S'Sonia Gechtoff' +p285600 +sg225240 +g27 +sg225234 +S'lithograph (zinc and stone) in light blue, pink and blue-black on natural Nacre paper' +p285601 +sg225230 +S'Untitled' +p285602 +sg225236 +S'1963' +p285603 +sa(dp285604 +g225232 +S'Sonia Gechtoff' +p285605 +sg225240 +g27 +sg225234 +S'lithograph (zinc) in black on white Nacre paper' +p285606 +sg225230 +S'Untitled' +p285607 +sg225236 +S'1963' +p285608 +sa(dp285609 +g225232 +S'Sonia Gechtoff' +p285610 +sg225240 +g27 +sg225234 +S'lithograph (zinc) in black on white Nacre paper' +p285611 +sg225230 +S'Untitled' +p285612 +sg225236 +S'1963' +p285613 +sa(dp285614 +g225232 +S'Sonia Gechtoff' +p285615 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on white Arches paper' +p285616 +sg225230 +S'Untitled' +p285617 +sg225236 +S'1963' +p285618 +sa(dp285619 +g225232 +S'Sonia Gechtoff' +p285620 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on white Arches paper' +p285621 +sg225230 +S'Untitled' +p285622 +sg225236 +S'1963' +p285623 +sa(dp285624 +g225232 +S'Sonia Gechtoff' +p285625 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on white Arches paper' +p285626 +sg225230 +S'Untitled' +p285627 +sg225236 +S'1963' +p285628 +sa(dp285629 +g225232 +S'Sonia Gechtoff' +p285630 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on white Arches paper' +p285631 +sg225230 +S'Untitled' +p285632 +sg225236 +S'1963' +p285633 +sa(dp285634 +g225232 +S'Gego' +p285635 +sg225240 +g27 +sg225234 +S'bound volume w/ 12 lithographs (stone) in red and light green-gray plus title page and colophon on white Nacre paper' +p285636 +sg225230 +S'Lines' +p285637 +sg225236 +S'1966' +p285638 +sa(dp285639 +g225232 +S'Gego' +p285640 +sg225240 +g27 +sg225234 +S'portfolio with cont. 4-part lithograph (zinc and stone) in yellow, white, and gray on white Nacre paper' +p285641 +sg225230 +S'Untitled' +p285642 +sg225236 +S'1966' +p285643 +sa(dp285644 +g225232 +S'Gego' +p285645 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on white Nacre paper' +p285646 +sg225230 +S'Suite 5X I' +p285647 +sg225236 +S'1966' +p285648 +sa(dp285649 +g225232 +S'Gego' +p285650 +sg225240 +g27 +sg225234 +S'portfolio with 5 lithographs (stone) in black' +p285651 +sg225230 +S'Suite 5X' +p285652 +sg225236 +S'1966' +p285653 +sa(dp285654 +g225232 +S'Gego' +p285655 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on Copperplate Deluxe paper' +p285656 +sg225230 +S'Suite 5X II' +p285657 +sg225236 +S'1966' +p285658 +sa(dp285659 +g225232 +S'Gego' +p285660 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on Copperplate Deluxe paper' +p285661 +sg225230 +S'Suite 5X III' +p285662 +sg225236 +S'1966' +p285663 +sa(dp285664 +g225232 +S'Gego' +p285665 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on Copperplate Deluxe paper' +p285666 +sg225230 +S'Suite 5X IV' +p285667 +sg225236 +S'1966' +p285668 +sa(dp285669 +g225232 +S'Gego' +p285670 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on Copperplate Deluxe paper' +p285671 +sg225230 +S'Suite 5X V' +p285672 +sg225236 +S'1966' +p285673 +sa(dp285674 +g225232 +S'Gego' +p285675 +sg225240 +g27 +sg225234 +S'lithograph (zinc) in black on white Arches paper' +p285676 +sg225230 +S'Untitled' +p285677 +sg225236 +S'1963' +p285678 +sa(dp285679 +g225232 +S'Gego' +p285680 +sg225240 +g27 +sg225234 +S'lithograph (zinc) in dark blue on white Arches paper' +p285681 +sg225230 +S'Untitled' +p285682 +sg225236 +S'1963' +p285683 +sa(dp285684 +g225232 +S'Gego' +p285685 +sg225240 +g27 +sg225234 +S'lithograph (stone) in pink and red on white Archespaper' +p285686 +sg225230 +S'Untitled' +p285687 +sg225236 +S'1966' +p285688 +sa(dp285689 +g225232 +S'Gego' +p285690 +sg225240 +g27 +sg225234 +S'lithograph (stone) in pink and red on white Archespaper' +p285691 +sg225230 +S'Untitled' +p285692 +sg225236 +S'1966' +p285693 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(zinc and stone) in dark violet and black on white Nacre paper' +p285746 +sg225230 +S'Untitled' +p285747 +sg225236 +S'1966' +p285748 +sa(dp285749 +g225232 +S'Gego' +p285750 +sg225240 +g27 +sg225234 +S'lithograph (zinc) in black on white Nacre paper' +p285751 +sg225230 +S'Untitled' +p285752 +sg225236 +S'1966' +p285753 +sa(dp285754 +g225232 +S'Gego' +p285755 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on Copperplate Deluxe paper' +p285756 +sg225230 +S'Untitled' +p285757 +sg225236 +S'1966' +p285758 +sa(dp285759 +g225232 +S'Gego' +p285760 +sg225240 +g27 +sg225234 +S'lithograph (stone) in dark gray and blue-black on Copperplate Deluxe paper' +p285761 +sg225230 +S'Untitled' +p285762 +sg225236 +S'1966' +p285763 +sa(dp285764 +g225232 +S'Gego' +p285765 +sg225240 +g27 +sg225234 +S'lithograph (stone) in two yellows on Copperplate Deluxe paper' +p285766 +sg225230 +S'Untitled' +p285767 +sg225236 +S'1966' +p285768 +sa(dp285769 +g225232 +S'Gego' +p285770 +sg225240 +g27 +sg225234 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paper' +p285841 +sg225230 +S'Fallen Fighter' +p285842 +sg225236 +S'1965' +p285843 +sa(dp285844 +g225232 +S'Leon Albert Golub' +p285845 +sg225240 +g27 +sg225234 +S'lithograph (stone) in brown on buff Arches paper' +p285846 +sg225230 +S'Running Man II' +p285847 +sg225236 +S'1965' +p285848 +sa(dp285849 +g225232 +S'Leon Albert Golub' +p285850 +sg225240 +g27 +sg225234 +S'lithograph (stone) in red-orange, red-brown and light blue on buff Arches paper' +p285851 +sg225230 +S'Fleeing Man' +p285852 +sg225236 +S'1965' +p285853 +sa(dp285854 +g225232 +S'Leon Albert Golub' +p285855 +sg225240 +g27 +sg225234 +S'lithograph (stone and aluminum) in orange and blue-green on white Arches paper' +p285856 +sg225230 +S'The Orange Sphinx' +p285857 +sg225236 +S'1965' +p285858 +sa(dp285859 +g225232 +S'Leon Albert Golub' +p285860 +sg225240 +g27 +sg225234 +S'lithograph (stone) in orange-brown, black and darkgreen on Rives BFK paper' +p285861 +sg225230 +S'Niobe' +p285862 +sg225236 +S'1965' +p285863 +sa(dp285864 +g225230 +S'Orator II' +p285865 +sg225232 +S'Leon Albert Golub' +p285866 +sg225234 +S'lithograph (stone) in pink-orange, red and gray-violet on white Arches paper' +p285867 +sg225236 +S'1965' +p285868 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000aa6.jpg' +p285869 +sg225240 +g27 +sa(dp285870 +g225232 +S'Leon Albert Golub' +p285871 +sg225240 +g27 +sg225234 +S'lithograph (stone) in dark green on Rives BFK paper' +p285872 +sg225230 +S'Fleeing Girls' +p285873 +sg225236 +S'1965' +p285874 +sa(dp285875 +g225232 +S'Leon Albert Golub' +p285876 +sg225240 +g27 +sg225234 +S'lithograph (stone) in orange, blue-green and blackon Rives BFK paper' +p285877 +sg225230 +S'Niobid' +p285878 +sg225236 +S'1965' +p285879 +sa(dp285880 +g225232 +S'Leon Albert Golub' +p285881 +sg225240 +g27 +sg225234 +S'lithograph (stone) in blue, black and red on Copperplate Deluxe paper' +p285882 +sg225230 +S'Wounded Sphinx' +p285883 +sg225236 +S'1965' +p285884 +sa(dp285885 +g225232 +S'Leon Albert Golub' +p285886 +sg225240 +g27 +sg225234 +S'lithograph (stone) in brown and black on Rives BFKpaper' +p285887 +sg225230 +S'Struggle' +p285888 +sg225236 +S'1965' +p285889 +sa(dp285890 +g225232 +S'Leon Albert Golub' +p285891 +sg225240 +g27 +sg225234 +S'lithograph (stone) in violet, light green and brown-orange on white Arches paper' +p285892 +sg225230 +S'Seated Man' +p285893 +sg225236 +S'1965' +p285894 +sa(dp285895 +g225232 +S'Leon Albert Golub' +p285896 +sg225240 +g27 +sg225234 +S'lithograph (stone) in dark red on Copperplate Deluxe paper' +p285897 +sg225230 +S'Man and Woman' +p285898 +sg225236 +S'1965' +p285899 +sa(dp285900 +g225230 +S'Wounded Sphinx II' +p285901 +sg225232 +S'Leon Albert Golub' +p285902 +sg225234 +S'lithograph (stone) in dark blue and red on white Arches paper' +p285903 +sg225236 +S'1965' +p285904 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000aa7.jpg' +p285905 +sg225240 +g27 +sa(dp285906 +g225232 +S'Leon Albert Golub' +p285907 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on white Arches paper' +p285908 +sg225230 +S'Niobid II' +p285909 +sg225236 +S'1965' +p285910 +sa(dp285911 +g225232 +S'Leon Albert Golub' +p285912 +sg225240 +g27 +sg225234 +S'lithograph (stone) in red-black on white Arches paper' +p285913 +sg225230 +S'The Fighter' +p285914 +sg225236 +S'1965' +p285915 +sa(dp285916 +g225232 +S'John Grillo' +p285917 +sg225240 +g27 +sg225234 +S'lithograph (stone and zinc) in yellow and brown onwhite Arches paper' +p285918 +sg225230 +S'Illuminations of Time and Space I (Title Page)' +p285919 +sg225236 +S'1964' +p285920 +sa(dp285921 +g225232 +S'John Grillo' +p285922 +sg225240 +g27 +sg225234 +S'portfolio w/ 10 color lithographs (stone and zinc)including title page and colophon on white Arches paper' +p285923 +sg225230 +S'Illuminations of Time and Space' +p285924 +sg225236 +S'1964' +p285925 +sa(dp285926 +g225232 +S'John Grillo' +p285927 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black and violet on white Arches paper' +p285928 +sg225230 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+g225232 +S'John Grillo' +p285972 +sg225240 +g27 +sg225234 +S'lithograph (zinc) in red, orange, blue-green and dark blue on white Arches paper' +p285973 +sg225230 +S'Untitled' +p285974 +sg225236 +S'1964' +p285975 +sa(dp285976 +g225232 +S'John Grillo' +p285977 +sg225240 +g27 +sg225234 +S'lithograph (zinc and stone) in red and blue on white Arches paper' +p285978 +sg225230 +S'Untitled' +p285979 +sg225236 +S'1964' +p285980 +sa(dp285981 +g225232 +S'John Grillo' +p285982 +sg225240 +g27 +sg225234 +S'lithograph (zinc and stone) in yellow and violet-brown on Rives BFK paper' +p285983 +sg225230 +S'Untitled' +p285984 +sg225236 +S'1964' +p285985 +sa(dp285986 +g225232 +S'John Grillo' +p285987 +sg225240 +g27 +sg225234 +S'lithograph (zinc) in violet on Rives BFK paper' +p285988 +sg225230 +S'Untitled' +p285989 +sg225236 +S'1964' +p285990 +sa(dp285991 +g225232 +S'John Grillo' +p285992 +sg225240 +g27 +sg225234 +S'lithograph (zinc) in black on white Arches paper' +p285993 +sg225230 +S'Untitled' +p285994 +sg225236 +S'1964' +p285995 +sa(dp285996 +g225232 +S'William Gropper' +p285997 +sg225240 +g27 +sg225234 +S'lithograph (stone) in two greens and violet on white Arches paper' +p285998 +sg225230 +S'Untitled' +p285999 +sg225236 +S'1967' +p286000 +sa(dp286001 +g225232 +S'William Gropper' +p286002 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in yellow-brown, violet, yellow, blue-green and gray on white Archespaper' +p286003 +sg225230 +S'Untitled' +p286004 +sg225236 +S'1967' +p286005 +sa(dp286006 +g225232 +S'William Gropper' +p286007 +sg225240 +g27 +sg225234 +S'lithograph (stone) in two grays and red-brown on white Arches paper' +p286008 +sg225230 +S'Untitled' +p286009 +sg225236 +S'1967' +p286010 +sa(dp286011 +g225232 +S'William Gropper' +p286012 +sg225240 +g27 +sg225234 +S'lithograph (stone) in gray, blue and red-brown on white Arches paper' +p286013 +sg225230 +S'Untitled' +p286014 +sg225236 +S'1967' +p286015 +sa(dp286016 +g225232 +S'William Gropper' +p286017 +sg225240 +g27 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+sg225240 +g27 +sg225234 +S'lithograph (stone) in red-brown on natural Nacre paper' +p286088 +sg225230 +S'Untitled' +p286089 +sg225236 +S'1967' +p286090 +sa(dp286091 +g225232 +S'William Gropper' +p286092 +sg225240 +g27 +sg225234 +S'lithograph (stone) in red-brown on natural Nacre paper' +p286093 +sg225230 +S'Untitled' +p286094 +sg225236 +S'1967' +p286095 +sa(dp286096 +g225232 +S'William Gropper' +p286097 +sg225240 +g27 +sg225234 +S'lithograph (stone) in red-brown on natural Nacre paper' +p286098 +sg225230 +S'Untitled' +p286099 +sg225236 +S'1967' +p286100 +sa(dp286101 +g225232 +S'William Gropper' +p286102 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in orange, violet,yellow-brown and blue-green on white Arches paper' +p286103 +sg225230 +S'Untitled' +p286104 +sg225236 +S'1967' +p286105 +sa(dp286106 +g225232 +S'William Gropper' +p286107 +sg225240 +g27 +sg225234 +S'lithograph (stone and aluminum) in brown, yellow-green and transparent gray on white Arches paper' +p286108 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Howard Hunt' +p286402 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on white Arches paper' +p286403 +sg225230 +S'Details VII' +p286404 +sg225236 +S'1965' +p286405 +sa(dp286406 +g225232 +S'Richard Howard Hunt' +p286407 +sg225240 +g27 +sg225234 +S'lithograph (stone) in black on white Arches paper' +p286408 +sg225230 +S'Details VIII' +p286409 +sg225236 +S'1965' +p286410 +sa(dp286411 +g225232 +S'Richard Howard Hunt' +p286412 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in two transparentgrays, blue-black, yellow and blue-green on white Arches paper' +p286413 +sg225230 +S'Untitled' +p286414 +sg225236 +S'1965' +p286415 +sa(dp286416 +g225232 +S'Richard Howard Hunt' +p286417 +sg225240 +g27 +sg225234 +S'lithograph (aluminum, stone and zinc) in two yellows and black on white Arches paper' +p286418 +sg225230 +S'Untitled' +p286419 +sg225236 +S'1965' +p286420 +sa(dp286421 +g225232 +S'Richard Howard Hunt' +p286422 +sg225240 +g27 +sg225234 +S'lithograph (aluminum, stone and 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and black on white Arches paper' +p286806 +sg225230 +S'A Pythagorean Notebook XVI' +p286807 +sg225236 +S'1965' +p286808 +sa(dp286809 +g225232 +S'Alfred Jensen' +p286810 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in yellow, blue, green, red, two violets and black on white Arches paper' +p286811 +sg225230 +S'A Pythagorean Notebook XVII' +p286812 +sg225236 +S'1965' +p286813 +sa(dp286814 +g225230 +S'A Pythagorean Notebook XVIII' +p286815 +sg225232 +S'Alfred Jensen' +p286816 +sg225234 +S'lithograph (aluminum and stone) in yellow, blue, red, violet and black on white Arches paper' +p286817 +sg225236 +S'1965' +p286818 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000ace.jpg' +p286819 +sg225240 +g27 +sa(dp286820 +g225232 +S'Alfred Jensen' +p286821 +sg225240 +g27 +sg225234 +S'lithograph (aluminum and stone) in yellow, blue, red, violet and black on white Arches paper' +p286822 +sg225230 +S'A Pythagorean Notebook XIX' +p286823 +sg225236 +S'1965' +p286824 +sa(dp286825 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+S'The Harbor of Seville' +p287233 +sg225232 +S'Samuel Colman' +p287234 +sg225234 +S'watercolor and gouache' +p287235 +sg225236 +S'1867' +p287236 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a00008c2.jpg' +p287237 +sg225240 +g27 +sa(dp287238 +g225230 +S'Witchcraft Scene with a Vampire [recto]' +p287239 +sg225232 +S'Jacques de Gheyn II' +p287240 +sg225234 +S'pen and brown iron gall ink over black chalk' +p287241 +sg225236 +S'unknown date\n' +p287242 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006edb.jpg' +p287243 +sg225240 +g27 +sa(dp287244 +g225232 +S'Jacques de Gheyn II' +p287245 +sg225240 +g27 +sg225234 +S'pen and brown iron gall ink' +p287246 +sg225230 +S'Rough Sketch of Head and Shoulders [verso]' +p287247 +sg225236 +S'unknown date\n' +p287248 +sa(dp287249 +g225230 +S'Saint Ambrose Suppressing Heresy' +p287250 +sg225232 +S'Gottfried Bernhard G\xc3\xb6tz' +p287251 +sg225234 +S'pen and brown ink with gray wash heightened with white, squared in graphite; lower left corner redrawn on an insert' +p287252 +sg225236 +S'unknown date\n' +p287253 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006ce9.jpg' +p287254 +sg225240 +g27 +sa(dp287255 +g225230 +S'A Man Leaning on a Structure' +p287256 +sg225232 +S'Giovanni Battista Piranesi' +p287257 +sg225234 +S'pen and brown ink on fragment of a printed sheet' +p287258 +sg225236 +S'1760s' +p287259 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006d52.jpg' +p287260 +sg225240 +g27 +sa(dp287261 +g225230 +S'Cathedral in a Landscape' +p287262 +sg225232 +S'Vincenzo dal Re' +p287263 +sg225234 +S'pen and brown ink with gray wash over graphite on laid paper' +p287264 +sg225236 +S'unknown date\n' +p287265 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00071/a00071b4.jpg' +p287266 +sg225240 +g27 +sa(dp287267 +g225230 +S'Clouds at Dawn' +p287268 +sg225232 +S'James Hamilton Shegogue' +p287269 +sg225234 +S'watercolor over graphite' +p287270 +sg225236 +S'unknown date\n' +p287271 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0e0.jpg' +p287272 +sg225240 +g27 +sa(dp287273 +g225230 +S'Clouds at Sunset' +p287274 +sg225232 +S'James Hamilton Shegogue' +p287275 +sg225234 +S'watercolor over graphite' +p287276 +sg225236 +S'unknown date\n' +p287277 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0e1.jpg' +p287278 +sg225240 +g27 +sa(dp287279 +g225230 +S'Portrait of a Gentleman' +p287280 +sg225232 +S'James Hamilton Shegogue' +p287281 +sg225234 +S'watercolor over graphite on paperboard' +p287282 +sg225236 +S'1830' +p287283 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0e2.jpg' +p287284 +sg225240 +g27 +sa(dp287285 +g225230 +S'The Virgin Islands in Bezons (Les Iles vierges a Bezons)' +p287286 +sg225232 +S'Charles-Fran\xc3\xa7ois Daubigny' +p287287 +sg225234 +S'etching with drypoint and roulette on chine applique' +p287288 +sg225236 +S'1850' +p287289 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00091/a00091d4.jpg' +p287290 +sg225240 +g27 +sa(dp287291 +g225230 +S'Springtime (Le Printemps)' +p287292 +sg225232 +S'Charles-Fran\xc3\xa7ois Daubigny' +p287293 +sg225234 +S'etching on chine applique' +p287294 +sg225236 +S'1857' +p287295 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00091/a00091d3.jpg' +p287296 +sg225240 +g27 +sa(dp287297 +g225230 +S'Plantes de Serre' +p287298 +sg225232 +S'Jules-Ferdinand Jacquemart' +p287299 +sg225234 +S'etching in brown-black on laid paper' +p287300 +sg225236 +S'1863' +p287301 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0009a/a0009afe.jpg' +p287302 +sg225240 +g27 +sa(dp287303 +g225230 +S'Polichinelle' +p287304 +sg225232 +S'Edouard Manet' +p287305 +sg225234 +S'lithograph in brown-black on white wove paper (proof of line stone)' +p287306 +sg225236 +S'1874' +p287307 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009fc3.jpg' +p287308 +sg225240 +g27 +sa(dp287309 +g225230 +S'The Doll House' +p287310 +sg225232 +S'John Everett Millais' +p287311 +sg225234 +S'etching on chine applique' +p287312 +sg225236 +S'unknown date\n' +p287313 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00079/a00079f8.jpg' +p287314 +sg225240 +g27 +sa(dp287315 +g225230 +S'The Resurrection of Christ' +p287316 +sg225232 +S'Parmigianino' +p287317 +sg225234 +S'etching and engraving on laid paper' +p287318 +sg225236 +S'c. 1528/1529' +p287319 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c76c.jpg' +p287320 +sg225240 +g27 +sa(dp287321 +g225230 +S'Hagar in the Desert' +p287322 +sg225232 +S'Moyses van Uyttenbroeck' +p287323 +sg225234 +S'etching on laid paper' +p287324 +sg225236 +S'unknown date\n' +p287325 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d454.jpg' +p287326 +sg225240 +g27 +sa(dp287327 +g225230 +S'Portrait of a Lady beside a Rose Bush' +p287328 +sg225232 +S'Wallerant Vaillant' +p287329 +sg225234 +S'mezzotint' +p287330 +sg225236 +S'c. 1655' +p287331 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d5c8.jpg' +p287332 +sg225240 +g27 +sa(dp287333 +g225232 +S'Artist Information (' +p287334 +sg225240 +g27 +sg225234 +S'French, active 18th century' +p287335 +sg225230 +S'Catalogue ... du Cabinet du feu M. Randon de Boisset, Receveur General de Finances' +p287336 +sg225236 +S'(author)' +p287337 +sa(dp287338 +g225230 +S'Dawn Landscape with Classical Ruins' +p287339 +sg225232 +S'Jean-Baptiste Lallemand' +p287340 +sg225234 +S'gouache on laid paper' +p287341 +sg225236 +S'1760s?' +p287342 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0005f/a0005f56.jpg' +p287343 +sg225240 +g27 +sa(dp287344 +g225230 +S'Portrait of a Bearded Man in a Doublet and Skull Cap' +p287345 +sg225232 +S'Lagneau' +p287346 +sg225234 +S', unknown date' +p287347 +sg225236 +S'\n' +p287348 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00061/a0006169.jpg' +p287349 +sg225240 +g27 +sa(dp287350 +g225230 +S'The Disputation of Saint Catherine of Alexandria' +p287351 +sg225232 +S'Georg Wilhelm Neunhertz' +p287352 +sg225234 +S'pen and black ink over black chalk on laid paper' +p287353 +sg225236 +S'1727' +p287354 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00079/a00079af.jpg' +p287355 +sg225240 +g27 +sa(dp287356 +g225232 +S'Artist Information (' +p287357 +sg225240 +g27 +sg225234 +S'(author)' +p287358 +sg225230 +S'Italien' +p287359 +sg225236 +S'\n' +p287360 +sa(dp287361 +g225230 +S'A Bull on a Ledge' +p287362 +sg225232 +S'Giovanni Domenico Tiepolo' +p287363 +sg225234 +S'pen and brown ink with brown-gray wash over graphite on laid paper' +p287364 +sg225236 +S'1770s' +p287365 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f95.jpg' +p287366 +sg225240 +g27 +sa(dp287367 +g225230 +S'Untitled' +p287368 +sg225232 +S'Josef Albers' +p287369 +sg225234 +S'silkscreen in black and orange' +p287370 +sg225236 +S'1973' +p287371 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00009/a0000925.jpg' +p287372 +sg225240 +g27 +sa(dp287373 +g225232 +S'Mark Tobey' +p287374 +sg225240 +g27 +sg225234 +S'drypoint in brown and blue on wove paper' +p287375 +sg225230 +S'Pensees Germinales' +p287376 +sg225236 +S'1973' +p287377 +sa(dp287378 +g225230 +S'Christ in Half-Length' +p287379 +sg225232 +S'Wilhelm Traut' +p287380 +sg225234 +S'woodcut on laid paper' +p287381 +sg225236 +S'unknown date\n' +p287382 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b2/a000b2d0.jpg' +p287383 +sg225240 +g27 +sa(dp287384 +g225230 +S'The Death of the Miser' +p287385 +sg225232 +S'Artist Information (' +p287386 +sg225234 +S'(artist after)' +p287387 +sg225236 +S'\n' +p287388 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006fe7.jpg' +p287389 +sg225240 +g27 +sa(dp287390 +g225232 +S'Leone Battista Alberti' +p287391 +sg225240 +g27 +sg225234 +S', published 1550' +p287392 +sg225230 +S"L'Architettura di Leonbatista Alberti Tradotta in lingua Fiorentina da Cosimo Bartoli Gentil'huomo & Accedemico Fiorentino. Con la aggiunta de Disegni" +p287393 +sg225236 +S'\n' +p287394 +sa(dp287395 +g225232 +S'Leone Battista Alberti' +p287396 +sg225240 +g27 +sg225234 +S', published 1553' +p287397 +sg225230 +S"L'Architecture et Art de Bien Bastir du Seigneur Leon Baptiste Albert, Gentilhomme Florentin, divis\xc3\xa9e en dix livres, Traduicts de Latin en Fran\xc3\xa7ois, par deffunct Ian Martin, Parisien, negueres Secretaire du Reuerendissime Cardinal de Lenoncourt" +p287398 +sg225236 +S'\n' +p287399 +sa(dp287400 +g225232 +S'Leone Battista Alberti' +p287401 +sg225240 +g27 +sg225234 +S', published 1565' +p287402 +sg225230 +S"L'Architettura di Leonbatista Alberti Tradotta in Lingua Fiorentina da Cosimo Bartoli, Gentilhuomo, & Accedemico Fiorentino. Con la aggiunta de' Disegni" +p287403 +sg225236 +S'\n' +p287404 +sa(dp287405 +g225232 +S'Artist Information (' +p287406 +sg225240 +g27 +sg225234 +S'(artist)' +p287407 +sg225230 +S'The Architecture of Leon Battista Alberti in Ten Books of Painting in Three Books and of Statuary in One Book. Translated into Italian by Cosimo Bartoli. And Now First Into English, and Divided Into Three Volumes by James Leoni, Venetian, Architect; To Which Are Added Several Designs of His Own, For Buildings Both Public and Private' +p287408 +sg225236 +S'\n' +p287409 +sa(dp287410 +g225232 +S'Daniel Barbaro' +p287411 +sg225240 +g27 +sg225234 +S', published 1568' +p287412 +sg225230 +S"La Pratica della Perspettiva di Monsignor Daniel Barbaro Eletto Patriarca d'Aquileia, Opera molto utile a Pittori, a Scultori, & ad Architetti. Con due tavole, una de' capitoli principali, l'altra delle cose piu notabili contenute nella presente opera" +p287413 +sg225236 +S'\n' +p287414 +sa(dp287415 +g225232 +S'Artist Information (' +p287416 +sg225240 +g27 +sg225234 +S'(artist)' +p287417 +sg225230 +S"Del Palazzo De' Cesari Opera Postuma Di Monsignor Francesco Bianchini Veronese" +p287418 +sg225236 +S'\n' +p287419 +sa(dp287420 +g225232 +S'Artist Information (' +p287421 +sg225240 +g27 +sg225234 +S'(artist)' +p287422 +sg225230 +S"Description Des Festes Donn\xc3\xa9es Par La Ville De Paris, A l'occasion du Mariage de Madame Louise-Elisabeth de France, & de Dom Philippe, Infant & Grand Amiral d'Espagne, les vignt-neuvi\xc3\xa9me & trenti\xc3\xa9me Ao\xc3\xbbt mil sept cent trente-neuf" +p287423 +sg225236 +S'\n' +p287424 +sa(dp287425 +g225232 +S'Artist Information (' +p287426 +sg225240 +g27 +sg225234 +S'(artist)' +p287427 +sg225230 +S"F\xc3\xaates Publiques Donne\xc3\xa9s Par La Ville De Paris a l'occasion du Mariage De Monseigneur Le Dauphin Les 23. et 26. Fevreir M.DCC.XLV" +p287428 +sg225236 +S'\n' +p287429 +sa(dp287430 +g225232 +S'Artist Information (' +p287431 +sg225240 +g27 +sg225234 +S'(artist)' +p287432 +sg225230 +S"F\xc3\xaates Publiques Donne\xc3\xa9s Par La Ville De Paris a l'occasion du Mariage De Monseigneur Le Dauphin Le 13. Fevrier M.DCC.XLVII" +p287433 +sg225236 +S'\n' +p287434 +sa(dp287435 +g225232 +S'Hans Blum' +p287436 +sg225240 +g27 +sg225234 +S', published 1579' +p287437 +sg225230 +S'Von den f\xc3\xbcnff Se\xc3\xbclen, Grundtlicher bericht, vnnd deren eigentliche contrasenung, nach Symmetrischer aussteilung der Architectur. Durch den erfarnen, vnd der f\xc3\xbcnff se\xc3\xbclen wolberichten, M. Hans Bl\xc3\xbcmen von Loz am Mayn, fleyssig Uss den antiquiteten gezogen, vnd tre\xc3\xbcwlich, als voz nie besch\xc3\xa4hen, inn Truck abgefertiget' +p287438 +sg225236 +S'\n' +p287439 +sa(dp287440 +g225232 +S'Hans Blum' +p287441 +sg225240 +g27 +sg225234 +S', n.d. [in or before 1585]' +p287442 +sg225230 +S'Ein kunstrych B\xc3\xbcch von allerley antiquiteten, so zum verstand der f\xc3\xbcnff seulen der Architectur geh\xc3\xb6rend' +p287443 +sg225236 +S'\n' +p287444 +sa(dp287445 +g225232 +S'Artist Information (' +p287446 +sg225240 +g27 +sg225234 +S'(artist)' +p287447 +sg225230 +S'Architectura Curiosa Nova, Exponens 1. Fundamenta hydragogica, indolemq; aquae, a\xc3\xabris interventu in altum levandae. 2. Varios aquarum ac salientum fontium lusus per varia spectatu jucunda epistomiorum seu Siphonum genera. 3. Magnum amoenissimorum fontium, machinarumq; aquaeductoriarum sumtu magno exstructarum, ac per Italiam, Galliam, Britanniam, Germaniam &c.; visendarum, numerum. 4. Specus artificiales sumtuosissmas, cum plerisq; Principum Europaeorum Palatis, hortis, aulis; nec non praecipuis monasteriis atq; arcibus. 5. Cum auctario figurarum elegantissimarum, ad hortorum topiaria vario ductu dividenda, nec non conclavium laquearibus ac pavimentis segmentandis, itemq; Labyrinthis constru' +p287448 +sg225236 +S'\n' +p287449 +sa(dp287450 +g225232 +S'Artist Information (' +p287451 +sg225240 +g27 +sg225234 +S'(artist)' +p287452 +sg225230 +S'Architectura Curiosa Nova, Das ist: Neue, Erg\xc3\xb6tzliche, Sinnund Kunstreiche, auch n\xc3\xbctzliche Bau- und Wasser Kunst, Vorstellend 1. Das Fundament und die Eigenschaft des Wassers, wie dasselbe durch den Luft hochsteigend zu machen. 2. Mancherley lustige Wasserspiel, wie auch sch\xc3\xb6ne, Aufs\xc3\xa4tze. 3. Allerley zierliche Bronnen, Fonteynen und Wasserk\xc3\xbcnste, so hin und wieder in Italien, Franckreich, Engel- und Teutschland, u. mit grosseem unkosten, erbauet, und zu sehen sind. 4. Viererley kostbare Grotten, Lusth\xc3\xa4user, G\xc3\xa4rten, f\xc3\xbcrstl. Pal\xc3\xa4st und Residenzen, vornehme Cl\xc3\xb6ster und Schl\xc3\xb6sser in Europa befindlichen. 5. Neben beygef\xc3\xbcgten sch\xc3\xb6nen Abtheilungen der Gartenl\xc3\xa4nder, von Zugwercken, auc' +p287453 +sg225236 +S'\n' +p287454 +sa(dp287455 +g225232 +S'Artist Information (' +p287456 +sg225240 +g27 +sg225234 +S'(artist)' +p287457 +sg225230 +S'The Baths Of The Romans Explained And Illustrated. With The Restorations Of Palladio Corrected And Improved. To Which Is Prefixed, An Introductory Preface, Pointing Out The Nature Of The Work. And A Dissertation Upon The State Of The Arts During The Different Periods Of The Roman Empire' +p287458 +sg225236 +S'\n' +p287459 +sa(dp287460 +g225232 +S'Alessandro Capra' +p287461 +sg225240 +g27 +sg225234 +S', published 1678' +p287462 +sg225230 +S"La Nuova Architettura Famigliare di Alessandro Capra Architetto, e Cittadino Cremonese Diuisa in cinque Libri corrispondenti a' cinque Ordini, cio\xc3\xa8 Toscano, Dorico, Ionico, Corintio, e Composito" +p287463 +sg225236 +S'\n' +p287464 +sa(dp287465 +g225232 +S'Alessandro Capra' +p287466 +sg225240 +g27 +sg225234 +S', published 1683' +p287467 +sg225230 +S"La Nuova Architettura Militare d'Antica Rinovata da Alessandro Capra Architetto, e Cittadino Cremonese: Divisa in tre' Parti, Con l'Indice, e loro Argomenti" +p287468 +sg225236 +S'\n' +p287469 +sa(dp287470 +g225232 +S'Pietro Cataneo' +p287471 +sg225240 +g27 +sg225234 +S', published 1554' +p287472 +sg225230 +S'I Quattro Primi Libri di Architettura di Pietro Cataneo Senese' +p287473 +sg225236 +S'\n' +p287474 +sa(dp287475 +g225232 +S'Artist Information (' +p287476 +sg225240 +g27 +sg225234 +S'(artist)' +p287477 +sg225230 +S'Designs of Chinese Buildings, Furniture, Dresses, Machines, and Utensils. Engraved by the Best Hands, From the Originals drawn in China by Mr. Chambers, Architect, Member of the Imperial Academy of Arts at Florence. To which is annexed, A Description of their Temples, Houses, Gardens, &c.;' +p287478 +sg225236 +S'\n' +p287479 +sa(dp287480 +g225232 +S'Artist Information (' +p287481 +sg225240 +g27 +sg225234 +S'(artist)' +p287482 +sg225230 +S'A Treatise on Civil Architecture, in which The Principles of that Art Are liad down, and Illustrated by A great Number of Plates, Accurately Designed, and Elegantly Engraved by the Best Hands' +p287483 +sg225236 +S'\n' +p287484 +sa(dp287485 +g225232 +S'Artist Information (' +p287486 +sg225240 +g27 +sg225234 +S'(artist)' +p287487 +sg225230 +S'F\xc3\xbcrstlicher Baumeister, Oder: Architectura Civilis, Wie Grosser F\xc3\xbcrsten und Herren Pall\xc3\xa4ste, mit ihren H\xc3\xb6fen, Lust-H\xc3\xa4usern, G\xc3\xa4rten, Grotten, Orangerien, und anderen darzu geh\xc3\xb6rigen Geb\xc3\xa4uden f\xc3\xbcglich anzulegen, und nach heutiger Art auszuzieren;...Erster Theil, Inventirt und gezeichnet, Durch Paulus Decker' +p287488 +sg225236 +S'\n' +p287489 +sa(dp287490 +g225232 +S'Artist Information (' +p287491 +sg225240 +g27 +sg225234 +S'(artist)' +p287492 +sg225230 +S'Prodromus Architecturae Goldmannianae, Oder Getreue und gr\xc3\xbcndliche Anweisung,...Als eine Vorbereitung Zu einer vorhabenden neuen, sehr vermehrten, verbesserten und bequemern Edition der vollst\xc3\xa4ndigen Anweisung Zu der Civil-Bau-Kunst heraus gegeben, Und in netten Kudfferstichen mit unterschiedlichen Baumeisterischen Erfindungen erl\xc3\xa4utert' +p287493 +sg225236 +S'\n' +p287494 +sa(dp287495 +g225232 +S'Artist Information (' +p287496 +sg225240 +g27 +sg225234 +S'(artist)' +p287497 +sg225230 +S'Fiestas De La S. Iglesia Metropolitana, Y Patriarchal De Sevilla, Al Nveuo Cvlto Del Se\xc3\xb1or Rey S. Fernando el Tercero De Castilla Y De Leon...' +p287498 +sg225236 +S'\n' +p287499 +sa(dp287500 +g225232 +S'Artist Information (' +p287501 +sg225240 +g27 +sg225234 +S'(author)' +p287502 +sg225230 +S'Cosmo Medici Duci Florentinor. Et. Senens. Urbis Romae Aedificiorum. Illustriumquae. Supersunt. Reliquiae. Summa. Cum. Diligentia. A. Ionnane Antonio. Dosio. Stilo. Ferreo. Ut. Hodie. Cernuntur. Decriptae. Et. A. Io. Baptista. De. Cavaleriis. Aeneis. Tabulis. Incisis. Repraesentatae M.D.LXIX.Kal.Mai' +p287503 +sg225236 +S'\n' +p287504 +sa(dp287505 +g225232 +S'Artist Information (' +p287506 +sg225240 +g27 +sg225234 +S'(artist)' +p287507 +sg225230 +S'Joh: Rudolph F\xc3\xa4sches, Archit: und Ingen: Capit: anderer Versuch Seiner Architect: Wercke bedtehend in allerhand Grund-Haupt Rissen und Profile unterschiedener Gab\xc3\xa4uden' +p287508 +sg225236 +S'\n' +p287509 +sa(dp287510 +g225232 +S'Artist Information (' +p287511 +sg225240 +g27 +sg225234 +S'(author)' +p287512 +sg225230 +S'Templum Vaticanum Et Ipsius Origo Cum Aedificiis maxim\xc3\xa8 conspicuis antiquit\xc3\xb9s, & rec\xc3\xa8ns ibidem constitutis; Editum Ab Equite Carolo Fontana Deputato celeberrimi ejusdem Templi Ministro, atque Architecto. Cum plerisque Regulis, novisque Architecturae & Operationibus ab Ipsomet in lucem evulgatis. Cum Indice Rerum notablium ad calcem locupletissimo. Opus In Spetem Libros Distributum, Latinesque literis consignatum A Joanne Jos. Bonnerv\xc3\xab De S. Romain' +p287513 +sg225236 +S'\n' +p287514 +sa(dp287515 +g225232 +S'Artist Information (' +p287516 +sg225240 +g27 +sg225234 +S'(artist)' +p287517 +sg225230 +S'Architectura Civilis: Das ist: Eigentliche Beschreibung wie ma nach bester form, und gerechter Regul, F\xc3\xbcrs Erste: Pall\xc3\xa4st, mit dero Lust: und Thiergarten, darben auch Grotten: So dann Gemeine Bewonungen: Zum Andern, Kirchen, Capellen, Alt\xc3\xa4r, Gotsh\xc3\xa4user: Drittens, Spit\xc3\xa4ler, Lazareten und Gots\xc3\xa4cker auff\xc3\xbcren unnd erbawen soll; Alles auss vielfaltiger Erfahrnuss zusammen getragen, beschrieben, und mit. 40. Kupfferstucken f\xc3\xbcr Augen gestellt, Durch Josephum Furttenbach' +p287518 +sg225236 +S'\n' +p287519 +sa(dp287520 +g225232 +S'Artist Information (' +p287521 +sg225240 +g27 +sg225234 +S'(artist)' +p287522 +sg225230 +S'Architectura Martialis: Das ist, Aussf\xc3\xbchrliches Bedencken, uber das, zu dem Gesch\xc3\xbctz und Waffen geh\xc3\xb6rige Geb\xc3\xa4w: Darin- nen f\xc3\xbcr das Erste engentlish zuvernemmen / In was gestalt ein wolgeordnetes Zeug- oder R\xc3\xbcft-haus...' +p287523 +sg225236 +S'\n' +p287524 +sa(dp287525 +g225232 +S'Joseph Furttenbach' +p287526 +sg225240 +g27 +sg225234 +S', published 1630' +p287527 +sg225230 +S'Anno 1630. Das Giornal, Oder Tag Buch' +p287528 +sg225236 +S'\n' +p287529 +sa(dp287530 +g225232 +S'Joseph Furttenbach' +p287531 +sg225240 +g27 +sg225234 +S', published 1630' +p287532 +sg225230 +S'Anno 1630. Schuld Buch' +p287533 +sg225236 +S'\n' +p287534 +sa(dp287535 +g225232 +S'Artist Information (' +p287536 +sg225240 +g27 +sg225234 +S'(artist after)' +p287537 +sg225230 +S'Architectura Navilis. Das ist: Von dem Schiff Geb\xc3\xa4w, Auff dem Meer und Seekusten zugebrauchen...' +p287538 +sg225236 +S'\n' +p287539 +sa(dp287540 +g225232 +S'Artist Information (' +p287541 +sg225240 +g27 +sg225234 +S'(artist)' +p287542 +sg225230 +S'Halinitro-Pyrobolia. Beschreibug Einer newen B\xc3\xbcchsen meisteren, nemlichen: Gr\xc3\xbcndlicher Bericht, wie der Salpeter, Schwefel, Kohlen, unnd des Pulfer zu praepariren,...Dann, wie der P\xc3\xb6ler, das Grobe Besch\xc3\xbctz, und der Petardo zu gobernirn:...Alles auss eygener Experientza:...mit.44. Kupfferstucken delinirt und f\xc3\xbcr Augen gestellt Durch Josephum Furttenbach' +p287543 +sg225236 +S'\n' +p287544 +sa(dp287545 +g225232 +S'Teofilo Gallaccini' +p287546 +sg225240 +g27 +sg225234 +S', published 1767' +p287547 +sg225230 +S'Trattato di Teofilo Gallaccini Sopra Gli Errori Degli Architetti Ora Per La Prima Volta Pubblicato' +p287548 +sg225236 +S'\n' +p287549 +sa(dp287550 +g225232 +S'Antonio Visentini' +p287551 +sg225240 +g27 +sg225234 +S', published 1771' +p287552 +sg225230 +S'Osservazioni Di Antonio Visentini Architetto Veneto Che Servono Di Continuazione Al Trattato Di Teofilo Gallaccini Sopra Gli Errori Degli Architetti' +p287553 +sg225236 +S'\n' +p287554 +sa(dp287555 +g225232 +S'Artist Information (' +p287556 +sg225240 +g27 +sg225234 +S'(artist)' +p287557 +sg225230 +S'Der auserlessneste und Nach den Regeln der antiquen Bau-kunst sowohl, als nach dem heutigen Gusto verneuerte Goldmann, Als der rechtschaffenste Bau-Meister, oder die gantze Civil-Bau-Kunst, In unterschiedlichen vollst\xc3\xa4ndigen Anweisungen der- gestalt abgehandelt, ... (Text)' +p287558 +sg225236 +S'\n' +p287559 +sa(dp287560 +g225232 +S'Artist Information (' +p287561 +sg225240 +g27 +sg225234 +S'(artist)' +p287562 +sg225230 +S'Der auserlessneste und Nach den Regeln der antiquen Bau-kunst sowohl, als nach dem heutigen Gusto verneuerte Goldmann, Als der rechtschaffenste Bau-Meister, oder die gantze Civil-Bau-Kunst, In unterschiedlichen vollst\xc3\xa4ndigen Anweisungen der- gestalt abgehandelt, ... (Plates)' +p287563 +sg225236 +S'\n' +p287564 +sa(dp287565 +g225232 +S'Artist Information (' +p287566 +sg225240 +g27 +sg225234 +S'(author)' +p287567 +sg225230 +S'Architecttura Civile Del Padre D. Guarino Guarini Cherico Regolare Opera Postuma Dedicata A Sua Sacra Reale Maesta.' +p287568 +sg225236 +S'\n' +p287569 +sa(dp287570 +g225232 +S'Artist Information (' +p287571 +sg225240 +g27 +sg225234 +S'(artist)' +p287572 +sg225230 +S"Th\xc3\xa9orie De l'Art Des Jardins par C.C.L. Hirschfeld, Conseiller de Justice de S. M. Danoise & Professeur de Philosophie & der Beaux-Arts dans l'Universit\xc3\xa9 de Kiel. Traduit de L'Allemand. Tome Premier." +p287573 +sg225236 +S'\n' +p287574 +sa(dp287575 +g225232 +S'Artist Information (' +p287576 +sg225240 +g27 +sg225234 +S'(artist)' +p287577 +sg225230 +S"Th\xc3\xa9orie De l'Art Des Jardins par C.C.L. Hirschfeld, Conseiller de Justice de S. M. Danoise & Professeur de Philosophie & der Beaux-Arts dans l'Universit\xc3\xa9 de Kiel. Traduit de L'Allemand. Tome Second." +p287578 +sg225236 +S'\n' +p287579 +sa(dp287580 +g225232 +S'Artist Information (' +p287581 +sg225240 +g27 +sg225234 +S'(artist)' +p287582 +sg225230 +S"Th\xc3\xa9orie De l'Art Des Jardins par C.C.L. Hirschfeld, Conseiller de Justice de S. M. Danoise & Professeur de Philosophie & der Beaux-Arts dans l'Universit\xc3\xa9 de Kiel. Traduit de L'Allemand. Tome Troisi\xc3\xa8me" +p287583 +sg225236 +S'\n' +p287584 +sa(dp287585 +g225232 +S'Artist Information (' +p287586 +sg225240 +g27 +sg225234 +S'(artist)' +p287587 +sg225230 +S"Th\xc3\xa9orie De l'Art Des Jardins par C.C.L. Hirschfeld, Conseiller de Justice de S. M. Danoise & Professeur de Philosophie & der Beaux-Arts dans l'Universit\xc3\xa9 de Kiel. Traduit de L'Allemand. Tome Quatri\xc3\xa8me" +p287588 +sg225236 +S'\n' +p287589 +sa(dp287590 +g225232 +S'Artist Information (' +p287591 +sg225240 +g27 +sg225234 +S'(artist)' +p287592 +sg225230 +S"Th\xc3\xa9orie De l'Art Des Jardins par C.C.L. Hirschfeld, Conseiller de Justice de S. M. Danoise & Professeur de Philosophie & der Beaux-Arts dans l'Universit\xc3\xa9 de Kiel. Traduit de L'Allemand. Tome Cinqui\xc3\xa8me" +p287593 +sg225236 +S'\n' +p287594 +sa(dp287595 +g225232 +S'Artist Information (' +p287596 +sg225240 +g27 +sg225234 +S'(artist)' +p287597 +sg225230 +S'Perspectiva Corporum Regularium. Das ist Ein fleyssige F\xc3\xbcrweysung Wie die F\xc3\xbcnff Regulirten C\xc3\xb6rper darwon Plato inn Timaeo Unnd Euclides inn sein Elementis schreibt etc. Durch einen sonderlichen neuen behenden und gerechten weg der vor nie im gebrauch ist gesehen wor-den gar k\xc3\xbcnstlich inn die Perpectuia gebracht Und darzu ein sch\xc3\xb6ne Anleytung wie auss denselbigen F\xc3\xbcnff C\xc3\xb6rpern one Endt gar viel andrere C\xc3\xb6rper mancherlen Art und gestalt gemacht unnd gefunden werden m\xc3\xbcgen. Allen Liebhabern der freyen kunst zu Ehn durch Wenzeln Jamnitzer...' +p287598 +sg225236 +S'\n' +p287599 +sa(dp287600 +g225232 +S'Artist Information (' +p287601 +sg225240 +g27 +sg225234 +S'(artist)' +p287602 +sg225230 +S"The Designs of Inigo Jones Consisting of Plans and Elevations for Publick and Private Buildings. Publish'd by William Kent, With some Additional Designs. The First [Second] Volume" +p287603 +sg225236 +S'\n' +p287604 +sa(dp287605 +g225232 +S'Carlo Labruzzi' +p287606 +sg225240 +g27 +sg225234 +S', published c. 1795' +p287607 +sg225230 +S'Via Appia Illustrata Ab Urbe Roma Ad Capuam' +p287608 +sg225236 +S'\n' +p287609 +sa(dp287610 +g225232 +S'Artist Information (' +p287611 +sg225240 +g27 +sg225234 +S'(author)' +p287612 +sg225230 +S'Herrn Alexander Blonds neuer\xc3\xb6fnete G\xc3\xa4rtner-Akademie oder: Die Kunst Pracht-und Lust-G\xc3\xa4rten samt dererselben Auszierungen und Wasserwerken wohl anzulegen Mit drey-und dreyssig kupfer-Taffeln versehen und aus dem Franz\xc3\xb6sischen ins Deutsche \xc3\xbcbersesset von Franz Anton Danreitter.' +p287613 +sg225236 +S'\n' +p287614 +sa(dp287615 +g225232 +S'Samuel Locke' +p287616 +sg225240 +g27 +sg225234 +S', published 1783' +p287617 +sg225230 +S'Die Verbindung und Uebereinanderstellung der S\xc3\xa4ulen, oder Anweisung, wie bey der Baukunst die f\xc3\xbcnf S\xc3\xa4ulenordnungen auf eine sehr leichte und bequeme Art, nach einer gegrundeten Regel, sowohl bey geraden als auch cirkulrunden Figuren, \xc3\xbcber einander zu setzen und zu verbinden sind; in drey Abtheilungen abgehandelt, und auf 60 kupferbl\xc3\xa4ttern vorgestellet durch Samule Locke,...' +p287618 +sg225236 +S'\n' +p287619 +sa(dp287620 +g225232 +S'Johann Baptist Mair von Mairsfeld' +p287621 +sg225240 +g27 +sg225234 +S', published 1712' +p287622 +sg225230 +S'Beschreibung, Was auf Ableiben Weyland Ihrer Keyser. Majest\xc3\xa4t Josephi, Biss nach Vorgegangener Erb-Huldigung, Welche dem ... R\xc3\xb6mischen Keyser, Carolo Dem Sechsten, ...Als Erz-Herzogen zu Oesterreich, Die gesamte Nider-Oesterreichische St\xc3\xa4nde Den. 8 Novembris A: 1712. Jn allertieffester Unterh\xc3\xa4nigkeit abgelest, Sich Merkw\xc3\xbcdiges hat zugetragen, Und auf Anordnung vorermelter L\xc3\xb6bl. St\xc3\xa4nden mit allen Umst\xc3\xa4nden beschriben worden, Durch...Herrn Johann Baptist von Mairn, Edlen von Mairsfeld,...' +p287623 +sg225236 +S'\n' +p287624 +sa(dp287625 +g225232 +S'Artist Information (' +p287626 +sg225240 +g27 +sg225234 +S'(artist)' +p287627 +sg225230 +S"Pain's British Palladio: or, The Builder's General Assistant. demonstrating, in the most easy and practical method, all the Principal Rules of Architecture, from the Ground Plan to the Ornamental Finish. Illustrated with Several New and Useful Designs of Houses, with their Plans, Elevations, and Sections. Also, Clear and Ample Instructions, annexed to each subject, in Letter-Press; with a List of Prices for Materials, and Labour, and Labour only....The Whole correctly Engraved on Forty-two Folio Copper Plates, from the Original Designs of William and James Pain." +p287628 +sg225236 +S'\n' +p287629 +sa(dp287630 +g225232 +S'William Pain' +p287631 +sg225240 +g27 +sg225234 +S', published 1769' +p287632 +sg225230 +S"The Builder's Companion, and Workman's General Assistant; Demonstrating, After the most easy and practical Method, All the Principal Rules of Architecture, from The Plan to the Ornamental Finish; Illustrated with a greater Number of useful and familiar Examples than any Work of that Kind hitherto published;...The Whole correctly engraved on 92 Folio Copper-Plates,...The Third Edition, With many Improvements and Additions by the Author." +p287633 +sg225236 +S'\n' +p287634 +sa(dp287635 +g225232 +S'Artist Information (' +p287636 +sg225240 +g27 +sg225234 +S'(artist)' +p287637 +sg225230 +S"Plans, Elevations and Sections, of Noblemen and Gentlemen's Houses, and also of Stabling, Bridges, Public and Private, Temples, and other Garden Buildings; executed in the counties of Derby, Durham, Middlesex, Northumberland, Nottingham, and York....Part the First. Illustrated by seventy-four large folio Plates." +p287638 +sg225236 +S'\n' +p287639 +sa(dp287640 +g225232 +S'Artist Information (' +p287641 +sg225240 +g27 +sg225234 +S'(artist)' +p287642 +sg225230 +S"Plans, Elevations and Sections, of Noblemen and Gentlemen's Houses, and also of Bridges, Public and Private, Temples, and other Garden Buildings; executed in the counties of Nottingham, Essex, Wilts, Derby, Hertford, Suffolk, Salop, Middlesex, and Surrey....Part the Second. Illustrated by One Hundred and One Large Folio Plates." +p287643 +sg225236 +S'\n' +p287644 +sa(dp287645 +g225232 +S'Andrea Palladio' +p287646 +sg225240 +g27 +sg225234 +S', published 1570' +p287647 +sg225230 +S"I Quattro Libri dell'Architettura Di Andrea Palladio. Ne' quali, dopo un breue trattato de' cinque ordini, & di quelli auertimenti, che sono piu necessarij nel fabricare; Si Tratta Delle Case Private, delle Vie, de i Ponti, delle Piazze, de i Xisti, et de'Tempij." +p287648 +sg225236 +S'\n' +p287649 +sa(dp287650 +g225232 +S'Andrea Palladio' +p287651 +sg225240 +g27 +sg225234 +S', published 1581' +p287652 +sg225230 +S"I Quattro Libri dell'Architettura Di Andrea Palladio. Ne' quali, dopo un breue trattato de' cinque ordini, & di quelli auertimenti, che sono piu necessarij nel fabricare; Si Tratta Delle Case Private, delle Vie, de i Ponti, delle Piazze, de i Xisti, et de'Tempij." +p287653 +sg225236 +S'\n' +p287654 +sa(dp287655 +g225232 +S'Artist Information (' +p287656 +sg225240 +g27 +sg225234 +S'(artist)' +p287657 +sg225230 +S"Traict\xc3\xa9 Des cinq Ordres d'Architecture, dont se sont seruy les Anciens. Traduit Du Palladio. Augment\xc3\xa9 de nouvelles inventions pour l'Art de bien bastir. Par le Sr. Le Muet." +p287658 +sg225236 +S'\n' +p287659 +sa(dp287660 +g225230 +S"Les Quatre Livres De l'Architecture D'Andr\xc3\xa9 Palladio. Mis en Fran\xc3\xa7ois. Dans lesquels, apr\xc3\xa9s un petit Traitt\xc3\xa9 des cing Ordres, avec quelques- vues des plus nec\xc3\xa9ssaires observations pour bien bastir, Il parle de la contructions des maisons particulieres, des grands chemins, des Ponts, des Places publiques, des Xystes, des Basiliques, & des Temples" +p287661 +sg225232 +S'Artist Information (' +p287662 +sg225234 +S'(author)' +p287663 +sg225236 +S'\n' +p287664 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004c/a0004c90.jpg' +p287665 +sg225240 +g27 +sa(dp287666 +g225232 +S'Artist Information (' +p287667 +sg225240 +g27 +sg225234 +S'(author)' +p287668 +sg225230 +S"L'Architettura d'Andrea Palladio Divisa in Quatro Libri Di nuovo ristampata, ed abbellita coll' impressione delle figure in rame non pi\xc3\xb9 isata. Con l'Aggiunta del Quinto Libro, Che tratta dell Antichit\xc3\xa0 di Roma dell' Autore medemo no pi\xc3\xb9 veduto." +p287669 +sg225236 +S'\n' +p287670 +sa(dp287671 +g225232 +S'Artist Information (' +p287672 +sg225240 +g27 +sg225234 +S'(artist)' +p287673 +sg225230 +S"Architecture de Palladio Divis\xc3\xa9e en Quatre Livres: dans lesquels, Apr\xc3\xa8s un Trait\xc3\xa9 des cinq Ordres, joint aux observations les plus n\xc3\xa9cessaires pour bien b\xc3\xa2tir, il est parl\xc3\xa9 De la construction des Maisons publiques & particuli\xc3\xa9res, des Grand-Chemins, des Ponts, des Place-Publiques, des Xystes, & des Temples; avec leurs Plans, Profils, Coupes & El\xc3\xa9vations avec des Notes d'Inigo Jones, qui n'avoient point encore \xc3\xa9t\xc3\xa9 imprim\xc3\xa9es. Le tout revu, dessin\xc3\xa9 & nouvellement mis au jour par Jaques Leoni, Venitien,...Traduit de l'Italien. Tome Premier, Contenant les deux premiers Livres" +p287674 +sg225236 +S'\n' +p287675 +sa(dp287676 +g225232 +S'Artist Information (' +p287677 +sg225240 +g27 +sg225234 +S'(artist)' +p287678 +sg225230 +S"Architecture de Palladio Divis\xc3\xa9e en Quatre Livres: dans lesquels, Apr\xc3\xa8s un Trait\xc3\xa9 des cinq Ordres, joint aux observations les plus n\xc3\xa9cessaires pour bien b\xc3\xa2tir, il est parl\xc3\xa9 De la construction des Maisons publiques & particuli\xc3\xa9res, des Grand-Chemins, des Ponts, des Place-Publiques, des Xystes, & des Temples; avec leurs Plans, Profils, Coupes & El\xc3\xa9vations avec des Notes d'Inigo Jones, qui n'avoient point encore \xc3\xa9t\xc3\xa9 imprim\xc3\xa9es. Le tout revu, dessin\xc3\xa9 & nouvellement mis au jour par Jaques Leoni, Venitien,...Traduit de l'Italien. Tome Second, Contenant les Livres III & IV" +p287679 +sg225236 +S'\n' +p287680 +sa(dp287681 +g225232 +S'Artist Information (' +p287682 +sg225240 +g27 +sg225234 +S'(artist)' +p287683 +sg225230 +S"Fabbriche' Antiche Disegnate' da Andrea Palladio Vicentino e' Date in Luce' da Riccardo Conte' di Burlington." +p287684 +sg225236 +S'\n' +p287685 +sa(dp287686 +g225232 +S'Artist Information (' +p287687 +sg225240 +g27 +sg225234 +S'(author)' +p287688 +sg225230 +S"Andrea Palladio's Architecture, in Four Books Containing a Dissertation on the Five Orders & ye most Necessary Observations relating to all kinds of Building. as also The Different Constructions of Public and Private Houses, High-ways, Bridges, Market-Places, Xystes, & Temples, n.th their Plans, Sections, & Elevations. The Whole Containing 226 Folio Copper-Plates Carefully Revied and Redelineated By Edw.d Hoppus...and Embellish'd n.th a Large Variety of Chimney Pieces Collected from the Works of Inigo Jones & others." +p287689 +sg225236 +S'\n' +p287690 +sa(dp287691 +g225232 +S'Artist Information (' +p287692 +sg225240 +g27 +sg225234 +S'(author)' +p287693 +sg225230 +S"The Four Books of Andrea Palladio's Architecture: Wherein, After a short Treatise of the Five Orders, Those Observations that are most necessary in Building, Private Houses, Streets, Bridges, Piazzas, Xisti, and Temples are treated of." +p287694 +sg225236 +S'\n' +p287695 +sa(dp287696 +g225232 +S'Artist Information (' +p287697 +sg225240 +g27 +sg225234 +S'(artist)' +p287698 +sg225230 +S"Architettura di Andrea Palladio Vicentino Di Nuovo Ristampata, E di Figure in Rame diligentemente intagliate arricchita, corretta, e accresciuta di moltissime Fabbriche inedite; Con Le Osservazioni Dell' Architetto N.N. E Con La Traduzione Francese. Tomo Primo." +p287699 +sg225236 +S'\n' +p287700 +sa(dp287701 +g225232 +S'Artist Information (' +p287702 +sg225240 +g27 +sg225234 +S'(artist)' +p287703 +sg225230 +S"Architettura di Andrea Palladio Vicentino Di Nuovo Ristampata, E di Figure in Rame diligentemente intagliate arricchita, corretta, e accresciuta di moltissime Fabbriche inedite; Con Le Osservazioni Dell' Architetto N.N. E Con La Traduzione Francese. Tomo Quinto." +p287704 +sg225236 +S'\n' +p287705 +sa(dp287706 +g225232 +S'Artist Information (' +p287707 +sg225240 +g27 +sg225234 +S'(artist)' +p287708 +sg225230 +S"Architettura di Andrea Palladio Vicentino Di Nuovo Ristampata, Nella quale sono ridotte in compendio le Misure, e le Proporzioni delli Cinque Ordini di Architettura dal medesimo insegnate, ed anche da molti altri Autori, e tratte da Fabbriche Antiche, Raccolte, E Date in Luce Dall' Architetto N.N. E Con La Traduzione Francese. Tomo Terzo." +p287709 +sg225236 +S'\n' +p287710 +sa(dp287711 +g225232 +S'Andrea Palladio' +p287712 +sg225240 +g27 +sg225234 +S', published 1747-1748' +p287713 +sg225230 +S"Architettura di Andrea Palladio Vicentino Di Nuovo Ristampata, E di Figure in Rame diligentemente intagliate arricchita, corretta, e accresciuta di moltissime Fabbriche inedite; Con Le Osservazioni Dell' Architetto N.N. E Con La Traduzione Francese. Tomo Settimo." +p287714 +sg225236 +S'\n' +p287715 +sa(dp287716 +g225232 +S'Artist Information (' +p287717 +sg225240 +g27 +sg225234 +S'(author)' +p287718 +sg225230 +S"The First Book of Andrea Palladio's Architecture. Treating of the Five Orders; and What is most necessary in Building. Correctly drawn from his Original Work, publish'd by himself at Venice, Anno 1570. And accurately engraved by I. Ware." +p287719 +sg225236 +S'\n' +p287720 +sa(dp287721 +g225232 +S'Andrea Palladio' +p287722 +sg225240 +g27 +sg225234 +S', published 1776/1783' +p287723 +sg225230 +S'Le Fabbriche E I Disegni Di Andrea Palladio Raccolti Ed Illustrati Da Ottavio Bertotti Scamozzi Opera divisa in quattro Tomi con Tavole in rame rappresentanti le Piante, i Prospetti, e gli Spaccati. Con La Traduzione Francese. Tomo Primo.' +p287724 +sg225236 +S'\n' +p287725 +sa(dp287726 +g225232 +S'Andrea Palladio' +p287727 +sg225240 +g27 +sg225234 +S', published 1776/1783' +p287728 +sg225230 +S'Les Batimens Et Les Desseins De Andr\xc3\xa9 Palladio Recueillis Et Illustr\xc3\xa9s Par Octave Bertotti Scamozzi Ouvrage divis\xc3\xa9 en quattre volumes, avec de Planches, qui representent les Plans, Les Prospects, & les Sections. Tome premier.' +p287729 +sg225236 +S'\n' +p287730 +sa(dp287731 +g225232 +S'Artist Information (' +p287732 +sg225240 +g27 +sg225234 +S'(artist)' +p287733 +sg225230 +S'Le Fabbriche E I Disegni Di Andrea Palladio Raccolti Ed Illustrati Da Ottavio Bertotti Scamozzi Opera divisa in quattro Tomi con Tavole in rame rappresentanti le Piante, i Prospetti, e gli Spaccati. Con La Traduzione Francese. [volume 3]' +p287734 +sg225236 +S'\n' +p287735 +sa(dp287736 +g225232 +S'Artist Information (' +p287737 +sg225240 +g27 +sg225234 +S'(artist)' +p287738 +sg225230 +S'Le Fabbriche E I Disegni Di Andrea Palladio Raccolti Ed Illustrati Da Ottavio Bertotti Scamozzi Opera divisa in quattro Tomi con Tavole in rame rappresentanti le Piante, i Prospetti, e gli Spaccati. Con La Traduzione Francese. [volume 4]' +p287739 +sg225236 +S'\n' +p287740 +sa(dp287741 +g225232 +S'Artist Information (' +p287742 +sg225240 +g27 +sg225234 +S'(author)' +p287743 +sg225230 +S"Le Terme Dei Romani Disegnate Da Andrea Palladio E Ripubblicate Con La Giunta Di Alcune Osservazioni Da Ottavio Bertotti Scamozzi Giusta L'Esemplare Del Lord Co. Di Burlingthon Impresso In Londra L'Anno 1732." +p287744 +sg225236 +S'\n' +p287745 +sa(dp287746 +g225232 +S'Artist Information (' +p287747 +sg225240 +g27 +sg225234 +S'(artist)' +p287748 +sg225230 +S'Les B\xc3\xa2timens Et Les Desseins De Andre Palladio Recueillis Et Illustr\xc3\xa9s Par Octave Bertotti Scamozzi Ouvrage Divis\xc3\xa9 En Quartre Volumes, Avec Des Planches Qui R\xc3\xa9presentent Les Plans, Les Fa\xc3\xa7ades, Et Les Coupes. Tome Premier. [-Tome Second.] Seconde Editi' +p287749 +sg225236 +S'\n' +p287750 +sa(dp287751 +g225232 +S'Artist Information (' +p287752 +sg225240 +g27 +sg225234 +S'(artist)' +p287753 +sg225230 +S'Les B\xc3\xa2timens Et Les Desseins De Andre Palladio Recueillis Et Illustr\xc3\xa9s Par Octave Bertotti Scamozzi Ouvrage Divis\xc3\xa9 En Quartre Volumes, Avec Des Planches Qui R\xc3\xa9presentent Les Plans, Les Fa\xc3\xa7ades, Et Les Coupes. Tome Troisi\xc3\xa8me. [-Tome Quatri\xc3\xa8me.] Seconde Edition.' +p287754 +sg225236 +S'\n' +p287755 +sa(dp287756 +g225232 +S'Artist Information (' +p287757 +sg225240 +g27 +sg225234 +S'(author)' +p287758 +sg225230 +S"Les Thermes Des Romains Dessin\xc3\xa9es Par Andrea Palladio Et Publi\xc3\xa9es De Nouveau Avec Quelques Observations Par Octave Bertotti Scamozzi D'Apr\xc3\xa9s L'Ex\xc3\xa9mplaire Du Lord Comte De Burlingthon Imprim\xc3\xa9 A Londres En 1732." +p287759 +sg225236 +S'\n' +p287760 +sa(dp287761 +g225232 +S'Andrea Palladio' +p287762 +sg225240 +g27 +sg225234 +S', published 1616' +p287763 +sg225230 +S"I Quattro Libri Dell'Architettura Di Andrea Palladio. Ne' quali, dop\xc3\xb2 un breue Trattato de'cinque ordini, & di quelli auertimenti, che sono pi\xc3\xb9 necessarij nel fabricare; Si Tratta Delle Case Private, delle Vie, dei Ponti, delle Piazze, dei Xisti, & de'Tempij. Con Privilegi." +p287764 +sg225236 +S'\n' +p287765 +sa(dp287766 +g225232 +S'Artist Information (' +p287767 +sg225240 +g27 +sg225234 +S'(author)' +p287768 +sg225230 +S"A Treatise of the Five Orders of Columns in Architecture, Viz. Toscan, Doric, Ionic, Corinthian, and Composite. Wherein The Proportions and Character of the Members Of their several Pedestals, Columns and Entablatures, Are distinctly consider'd, with respect to the Practice of the Antients and Moderns. Also A most Natural, Easie and Practicable Method laid down, for determining the most minute Part in all the Orders, without a Fraction....Engraven on Six Folio Plates of the Several Orders, adorn'd with Twenty-Four Borders, as many Initial Letters, and a like number of Tail-Pieces, by John Sturt. Written in French by Claude Perrault, of the Royal Academy of Paris....Made English by John James" +p287769 +sg225236 +S'\n' +p287770 +sa(dp287771 +g225232 +S'Francesco Piranesi' +p287772 +sg225240 +g27 +sg225234 +S', n.d. [published 1800/1809]' +p287773 +sg225230 +S'Sciographia Quatuor Templorum Veterum Pio Vi Pont Max Bono Christianae Reip Nato Et Artium Ingenvarum Felicitati A Francesco Piranesio Romano Dictata' +p287774 +sg225236 +S'\n' +p287775 +sa(dp287776 +g225232 +S'Francesco Piranesi' +p287777 +sg225240 +g27 +sg225234 +S', published 1783' +p287778 +sg225230 +S"Il Teatro d'Ercolano Alla Maesta Di Gustavo III Re: Di Svezia &c; &c; &c; Promotore Munificentissino Delle Belle Arti Francesco Piranesi Architetto Umilia E Consagra" +p287779 +sg225236 +S'\n' +p287780 +sa(dp287781 +g225232 +S'Artist Information (' +p287782 +sg225240 +g27 +sg225234 +S'(artist)' +p287783 +sg225230 +S"[A collection of plates, including etchings of Pompeii after Desprez, views of the Vatican, and the large plan of Hadrian's villa at Tivoli]" +p287784 +sg225236 +S'\n' +p287785 +sa(dp287786 +g225232 +S'Francesco Piranesi' +p287787 +sg225240 +g27 +sg225234 +S', published 1790' +p287788 +sg225230 +S"Raccolta De'Tempj Antichi Opera Di Francesco Piranesi Architetto Romano Prima Parte Che Comprende I Tempj Di Vesta Madre, Ossia Della Terra, E Della Sibilla, Ambedue in Tivoli, E Dell' Onore, E Della Virt\xc3\xb9 Fuori Di Porta Capena." +p287789 +sg225236 +S'\n' +p287790 +sa(dp287791 +g225232 +S'Artist Information (' +p287792 +sg225240 +g27 +sg225234 +S'Italian, active 1804/1817' +p287793 +sg225230 +S'[Choix des meilleures statues antiques]' +p287794 +sg225236 +S'(artist after)' +p287795 +sa(dp287796 +g225230 +S"Le Magnificenze di Roma Le Pi\xc3\xb9 Remarcabili Consistenti In Gran Numero di Stampe Nelle quali vengano rappresentate le pi\xc3\xb9 cospicue Fabbriche Di Roma Moderna, E Le Rimaste Dell' Antica, Anche Quelle, Che Sparse Sono Per L'Italia Con L'Aggiunta Ancora Di Molte Invenzioni Si Prospettiva Sulla Maniera Degl' Antichi Romani, Come Anche Di Molti Capricci Di Carceri Sotterranee. Il Tutto Com Singolar Gusto, E Studio Diligentemente Delineate, Inventate, Ed Incise Da Giambattista Piranesi Architetto Veneziano, E Raccolte Da Giovanni Bouchard Mercante Librajo Al Corso" +p287797 +sg225232 +S'Artist Information (' +p287798 +sg225234 +S'(artist)' +p287799 +sg225236 +S'\n' +p287800 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ff/a000ffa6.jpg' +p287801 +sg225240 +g27 +sa(dp287802 +g225232 +S'Giovanni Battista Piranesi' +p287803 +sg225240 +g27 +sg225234 +S', published 1761' +p287804 +sg225230 +S'Opera Varie Di Architettura Prospettiva Grotteschi Antichit\xc3\xa0 sul Gusto Degli Antichi Romani Inventate, ed Incise Da Gio. Batista Piranesi Architetto Veneziano' +p287805 +sg225236 +S'\n' +p287806 +sa(dp287807 +g225232 +S'Giovanni Battista Piranesi' +p287808 +sg225240 +g27 +sg225234 +S', published 1761' +p287809 +sg225230 +S"Della Magnificenza ed Architettura de'Romani Opera; Osservazioni" +p287810 +sg225236 +S'\n' +p287811 +sa(dp287812 +g225230 +S"Lapides Capitolini; Antichit\xc3\xa0 di Cora; Le Rovine del Castello dell'Acqua Giulia" +p287813 +sg225232 +S'Giovanni Battista Piranesi' +p287814 +sg225234 +S', published 1761' +p287815 +sg225236 +S'\n' +p287816 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0005d/a0005d24.jpg' +p287817 +sg225240 +g27 +sa(dp287818 +g225232 +S'Giovanni Battista Piranesi' +p287819 +sg225240 +g27 +sg225234 +S', published 1762' +p287820 +sg225230 +S"Antichit\xc3\xa0 d'Albano e di Castel Gandolfo; Descrizione e disegno dell'Emissario del Lago Albano; Di due Spelonche Ornate Dagli Antichi Alla Riva Del Lago Albano" +p287821 +sg225236 +S'\n' +p287822 +sa(dp287823 +g225232 +S'Artist Information (' +p287824 +sg225240 +g27 +sg225234 +S'(artist)' +p287825 +sg225230 +S"Peintures de la Sala Borgia, au Vatican, de l'invention de Raphael; Peintures de la Villa Lante, \xc3\xa0 Rome, de l'invention de Jules Romain; Peintures de la Ville Altoviti; Peintures du Cabinet de Jules II, au Vatican, de l'invention de Raphael; Raccolta di Alcuni Disegni...Guercino" +p287826 +sg225236 +S'\n' +p287827 +sa(dp287828 +g225230 +S'Catalogo delle Opere Date Finora Alla Lvce Da Gio Battista Piranesi' +p287829 +sg225232 +S'Artist Information (' +p287830 +sg225234 +S'(author)' +p287831 +sg225236 +S'\n' +p287832 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc3d.jpg' +p287833 +sg225240 +g27 +sa(dp287834 +g225230 +S'Catalogo delle Opere Date Finora Alla Lvce Da Gio Battista Piranesi' +p287835 +sg225232 +S'Artist Information (' +p287836 +sg225234 +S'(author)' +p287837 +sg225236 +S'\n' +p287838 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc40.jpg' +p287839 +sg225240 +g27 +sa(dp287840 +g225232 +S'Artist Information (' +p287841 +sg225240 +g27 +sg225234 +S'(author)' +p287842 +sg225230 +S'Exercitationes Vitruvianae Primae (-Tertiae). Hoc est: Ioannis Poleni Commentarivs Criticvs de M. Vitruvii Pollionis Architecti' +p287843 +sg225236 +S'\n' +p287844 +sa(dp287845 +g225232 +S'Artist Information (' +p287846 +sg225240 +g27 +sg225234 +S'(author)' +p287847 +sg225230 +S'Perspective Pictorum Et Architectorum, Andreae Putei, E Societate Jesu. In qu\xc3\xa2 docetur Modus expeditissimus Delineandi Optic\xc3\xa8 omnia que pertinent ad Architecturam' +p287848 +sg225236 +S'\n' +p287849 +sa(dp287850 +g225232 +S'Andrea Pozzo' +p287851 +sg225240 +g27 +sg225234 +S', published 1700' +p287852 +sg225230 +S'Perspectiva Pictorum et Architectorum Andraeae Putei E Societate Jesu. Pars Secunda' +p287853 +sg225236 +S'\n' +p287854 +sa(dp287855 +g225232 +S'Andrea Pozzo' +p287856 +sg225240 +g27 +sg225234 +S', published 1702' +p287857 +sg225230 +S'Perspectiva Pictorum et Architectorum Andraeae Putei E Societate Jesu. Pars Prima' +p287858 +sg225236 +S'\n' +p287859 +sa(dp287860 +g225232 +S'Andrea Pozzo' +p287861 +sg225240 +g27 +sg225234 +S', published 1706' +p287862 +sg225230 +S'Perspectivae Pictorum atque Architectorum, I.(-II.) Pars, Qu\xc3\xa2 facillima ac expeditissima Methodus omne id, quod ad Architecturam attinet, optic\xc3\xa2 ratione delineandi exhibetur, Inventa, designata & prim\xc3\xb9m Romae aedita \xc3\xa0 Fr. Andrea Puteo, S.J.' +p287863 +sg225236 +S'\n' +p287864 +sa(dp287865 +g225232 +S'Giacomo Quarenghi' +p287866 +sg225240 +g27 +sg225234 +S', published 1821' +p287867 +sg225230 +S'Fabbriche e Disegni di Giacomo Quarenghi Architetto' +p287868 +sg225236 +S'\n' +p287869 +sa(dp287870 +g225232 +S'Artist Information (' +p287871 +sg225240 +g27 +sg225234 +S'(artist)' +p287872 +sg225230 +S'Ragguaglio delle nozze delle maesta di Fillipo Quinto e di Elisabetta Farnese' +p287873 +sg225236 +S'\n' +p287874 +sa(dp287875 +g225232 +S'Artist Information (' +p287876 +sg225240 +g27 +sg225234 +S'(artist)' +p287877 +sg225230 +S'Drey Beschreibungen, Erstens: Das Koniglichen Einzugs,...' +p287878 +sg225236 +S'\n' +p287879 +sa(dp287880 +g225232 +S'Christian Rieger' +p287881 +sg225240 +g27 +sg225234 +S', published 1756' +p287882 +sg225230 +S'Universae Architecturae Civilis Elementa...; Materia Tentaminis Publici...' +p287883 +sg225236 +S'\n' +p287884 +sa(dp287885 +g225232 +S'Artist Information (' +p287886 +sg225240 +g27 +sg225234 +S'(artist)' +p287887 +sg225230 +S"Studio d'Architettura Civile sopra gli Ornamenti di Porte e Finestre tratti da alcune Fabbriche insigni di Roma con le Misure Piante Modini, e Profili Opera De Piv Celebri Architetti De Nostri Tempi...Parte Prima" +p287888 +sg225236 +S'\n' +p287889 +sa(dp287890 +g225232 +S'Artist Information (' +p287891 +sg225240 +g27 +sg225234 +S'(artist)' +p287892 +sg225230 +S"Studio d'Architettura Civile sopra varj Ornamenti di Cappelle, e diuersi Sepolcri Tratti da piu Chiese Roma Colle loro Facciate, Fianchi, Piante e Misure...Parte Seconda; Studio D'Architettura Civile Sopra varie Chiese, Capelle di Roma...Parte Terza" +p287893 +sg225236 +S'\n' +p287894 +sa(dp287895 +g225232 +S'Artist Information (' +p287896 +sg225240 +g27 +sg225234 +S'(artist)' +p287897 +sg225230 +S'Insignium Rome Templorum Prospectus Exteriores Interioresque...; Disegni di Vari Altari e Cappelle Nelle Chiese Di Roma...' +p287898 +sg225236 +S'\n' +p287899 +sa(dp287900 +g225232 +S'Artist Information (' +p287901 +sg225240 +g27 +sg225234 +S'(artist)' +p287902 +sg225230 +S'Scelta di Architetture Antiche e Moderne della Citt\xc3\xa0 di Firenze Opera Gi\xc3\xa0 Data in Luce, Misurata, Disegnata, Ed Intagliata Dal Celebre Ferdinando Ruggieri Architetto Fiorentino Edizione Seconda...Tome Primo...' +p287903 +sg225236 +S'\n' +p287904 +sa(dp287905 +g225232 +S'Artist Information (' +p287906 +sg225240 +g27 +sg225234 +S'(artist)' +p287907 +sg225230 +S'Scelta di Architetture Antiche e Moderne della Citt\xc3\xa0 di Firenze Opera Gi\xc3\xa0 Data in Luce, Misurata, Disegnata, Ed Intagliata Dal Celebre Ferdinando Ruggieri Architetto Fiorentino Edizione Seconda...Tome Secondo...' +p287908 +sg225236 +S'\n' +p287909 +sa(dp287910 +g225232 +S'Artist Information (' +p287911 +sg225240 +g27 +sg225234 +S'(artist)' +p287912 +sg225230 +S'Scelta di Architetture Antiche e Moderne della Citt\xc3\xa0 di Firenze Opera Gi\xc3\xa0 Data in Luce, Misurata, Disegnata, Ed Intagliata Dal Celebre Ferdinando Ruggieri Architetto Fiorentino Edizione Seconda...Tomo Terzo...' +p287913 +sg225236 +S'\n' +p287914 +sa(dp287915 +g225232 +S'Artist Information (' +p287916 +sg225240 +g27 +sg225234 +S'(artist)' +p287917 +sg225230 +S"Piante Ed Alzati Interiori Ed Esterni Dell' Insigne Chiesa Di S. Maria Del Fiore Metropolitana Fiorentina Misurate E Delineati Dal Senatore Gio. Batista Nelli...Tomo Quarto Parte Prima" +p287918 +sg225236 +S'\n' +p287919 +sa(dp287920 +g225232 +S'Artist Information (' +p287921 +sg225240 +g27 +sg225234 +S'(artist)' +p287922 +sg225230 +S'La Libreria Mediceo-Laurenziana Architettura Di Michelagnolo Buonaroti...Tomo Quarto Parte Secondo' +p287923 +sg225236 +S'\n' +p287924 +sa(dp287925 +g225232 +S'Giovanni Battista Nelli' +p287926 +sg225240 +g27 +sg225234 +S', published 1755' +p287927 +sg225230 +S'Pianta Del: La Citt\xc3\xa0 di Firenze nelle sue vere misure colla descrizione dei Luoghi piu notabili di ciascun Quartiere' +p287928 +sg225236 +S'\n' +p287929 +sa(dp287930 +g225232 +S'Luigi Ughi' +p287931 +sg225240 +g27 +sg225234 +S', published 1729' +p287932 +sg225230 +S'[Pianta di Venezia] Iconografica...Consacratta Di Venezia O Veneto' +p287933 +sg225236 +S'\n' +p287934 +sa(dp287935 +g225232 +S'Giovanni Antonio Rusconi' +p287936 +sg225240 +g27 +sg225234 +S', published 1590' +p287937 +sg225230 +S'Della Architettura di Gio. Antonio Rusconi, Con Centosessanta Figure Dissegnate dal Medisimo, Secondo i Precetti di Vitruvio, e con chiarezza, e breuit\xc3\xa0 dichiarate Libri Dieci...' +p287938 +sg225236 +S'\n' +p287939 +sa(dp287940 +g225232 +S'Giovanni Antonio Rusconi' +p287941 +sg225240 +g27 +sg225234 +S', published 1660' +p287942 +sg225230 +S"I Dieci Libri d'Architettura di Gio. Antonio Rusconi. Secondo i precetti di Vitruvio, nouamente ristampati, & accresciuti della Prattica degl' Horologi Solari" +p287943 +sg225236 +S'\n' +p287944 +sa(dp287945 +g225232 +S'Walther Herman Ryff' +p287946 +sg225240 +g27 +sg225234 +S', published 1558' +p287947 +sg225230 +S'Der Architectur f\xc3\xbcr nembsten, notwendigsten, angeh\xc3\xb6rigen Mathematischen und Mechanischen k\xc3\xbcnst, eygentlicher bericht, und verstendliche unterrichtung, zu rechtem verstandt der lehr Vitruuij, in drey f\xc3\xbcrneme B\xc3\xbccher abgetheilet. Als Der newen Perspectiva das. I. Buch....' +p287948 +sg225236 +S'\n' +p287949 +sa(dp287950 +g225232 +S'Artist Information (' +p287951 +sg225240 +g27 +sg225234 +S'(artist)' +p287952 +sg225230 +S"Li Cinque Ordini d'Architettura Civile di Michel Sanmicheli non pi\xc3\xb9 veduti in luce, Ora publicati, ed esposti con quelli di Vitruvio, e d'altri cinque dal Conte Alessandro Pompei" +p287953 +sg225236 +S'\n' +p287954 +sa(dp287955 +g225232 +S'Artist Information (' +p287956 +sg225240 +g27 +sg225234 +S'(author)' +p287957 +sg225230 +S"Discorso sopra l'Antichit\xc3\xa0 di Roma Di Vicenzo Scamozzi Architetto Vicentino con XL. Tavole in Rame" +p287958 +sg225236 +S'\n' +p287959 +sa(dp287960 +g225232 +S'Vincenzo Scamozzi' +p287961 +sg225240 +g27 +sg225234 +S', published 1615' +p287962 +sg225230 +S"L'Idea della Architettura Universale di Vincenzo Scamozzi Architetto Veneto Diuisa in X. Libri. Parte Prima. Dell' Eccellenza di Qvesta Facolta, Degl' Architetti prestani: e Precetti, Inuentioni, Disegni, Modelli & Opere merauigliose. Le qualite de Paesi, e Siti; Le Forme delle Citt\xc3\xa0, e Fortezze reali; e di tutti i Generi d'Edifici Sacri, Publici, e Priuati: Antichi, e proprij dell' Autore. Con i Loro Disegni." +p287963 +sg225236 +S'\n' +p287964 +sa(dp287965 +g225232 +S'Vincenzo Scamozzi' +p287966 +sg225240 +g27 +sg225234 +S', published 1676' +p287967 +sg225230 +S'The Mirror of Architecture: or the Ground-Rules of the Art of Building, Exactly laid down by Vincent Scamozzi Master-Builder of Venice...' +p287968 +sg225236 +S'\n' +p287969 +sa(dp287970 +g225232 +S'Vincenzo Scamozzi' +p287971 +sg225240 +g27 +sg225234 +S', published 1685' +p287972 +sg225230 +S"Les Cinq Ordres d'Architecture de Vincent Scamozzi, Vicentini, Architecte De La Republique De Venise..." +p287973 +sg225236 +S'\n' +p287974 +sa(dp287975 +g225232 +S'Artist Information (' +p287976 +sg225240 +g27 +sg225234 +S'(artist)' +p287977 +sg225230 +S'Ordonnance des Cinq Especes De Colonnes Selon Methode Des Anciens' +p287978 +sg225236 +S'\n' +p287979 +sa(dp287980 +g225232 +S'Peter Schenk' +p287981 +sg225240 +g27 +sg225234 +S', probably 1700' +p287982 +sg225230 +S'Admirandorum Quadruplex Spectaculum; delectum, pictum, et aeri in cisum, per Johannem van Call' +p287983 +sg225236 +S'\n' +p287984 +sa(dp287985 +g225232 +S'Artist Information (' +p287986 +sg225240 +g27 +sg225234 +S'(author)' +p287987 +sg225230 +S'Gr\xc3\xbcndlicher und deutlicher Unterricht, zur Verfertigung der vollst\xc3\xa4ndigen S\xc3\xa4ulen-Ordnung...' +p287988 +sg225236 +S'\n' +p287989 +sa(dp287990 +g225232 +S'Johann Jacob Sch\xc3\xbcbler' +p287991 +sg225240 +g27 +sg225234 +S', published 1763' +p287992 +sg225230 +S'Perspectiva Geometrico-Practica, Welchen nach unterschiedenen Methoden lehret, wie aus sichern Gr\xc3\xbcnden die Militarischen Werke...' +p287993 +sg225236 +S'\n' +p287994 +sa(dp287995 +g225232 +S'Sebastiano Serlio' +p287996 +sg225240 +g27 +sg225234 +S', published 1545/1547' +p287997 +sg225230 +S"Il Primo Libro d'Architettura di Sebastiano Serlio, Bolognese: Il Secondo Libro de Perspettia...; Quinto Libro D'Architettura Di Sebastiano Serlio Bolognese... ..." +p287998 +sg225236 +S'\n' +p287999 +sa(dp288000 +g225232 +S'Sebastiano Serlio' +p288001 +sg225240 +g27 +sg225234 +S', published 1551' +p288002 +sg225230 +S"Il Primo (-quinto) Libro d'Architettura di M. Sebastiano Serlio Bolognese" +p288003 +sg225236 +S'\n' +p288004 +sa(dp288005 +g225232 +S'Sebastiano Serlio' +p288006 +sg225240 +g27 +sg225234 +S', published 1551' +p288007 +sg225230 +S'Extraordinario Libro di Architettura di Sebastiano Serlio, Architetto Del Re Christianissimo, Nel quale si dimonstrano trenta porte di opera Rustica mista con diversi ordini: Et venti di opera dilicata di diverse specie con la scrittura dauanti, che narra il tutto...' +p288008 +sg225236 +S'\n' +p288009 +sa(dp288010 +g225232 +S'Sebastiano Serlio' +p288011 +sg225240 +g27 +sg225234 +S', published 1569' +p288012 +sg225230 +S"Sebastiani Serlii Bononiensis de Architectura Libri Qinque, Quibus cuncta fer\xc3\xa8 Architectonica facultatis mysteria doct\xc3\xa8, perspicu\xc3\xa8, vberrine\xc3\xb3, explicantur, A' Ioanne Carolo Saraceno ex Italica in Latinum linguam..." +p288013 +sg225236 +S'\n' +p288014 +sa(dp288015 +g225232 +S'Sebastiano Serlio' +p288016 +sg225240 +g27 +sg225234 +S', published 1584' +p288017 +sg225230 +S"Tutte l'Opere d'Architettura di Sebastiano Serlio Bolognese..." +p288018 +sg225236 +S'\n' +p288019 +sa(dp288020 +g225232 +S'Sebastiano Serlio' +p288021 +sg225240 +g27 +sg225234 +S', published 1600' +p288022 +sg225230 +S"Tutte l'Opere d'Architettura et Prospetiva Di Sebastiano Serlio..." +p288023 +sg225236 +S'\n' +p288024 +sa(dp288025 +g225232 +S'Sebastiano Serlio' +p288026 +sg225240 +g27 +sg225234 +S', published 1611' +p288027 +sg225230 +S'The First (-fifth) Booke of Architecture made by Sebastian Serly entreating of Geometrie' +p288028 +sg225236 +S'\n' +p288029 +sa(dp288030 +g225232 +S'Sebastiano Serlio' +p288031 +sg225240 +g27 +sg225234 +S', published 1609' +p288032 +sg225230 +S'Seb. Serlii von der Architectur F\xc3\xbcnff B\xc3\xbccher...' +p288033 +sg225236 +S'\n' +p288034 +sa(dp288035 +g225232 +S'Sebastiano Serlio' +p288036 +sg225240 +g27 +sg225234 +S', published 1609' +p288037 +sg225230 +S'Seb. Serlii von der Architectur F\xc3\xbcnff B\xc3\xbccher...' +p288038 +sg225236 +S'\n' +p288039 +sa(dp288040 +g225232 +S'Johann Wilhelm' +p288041 +sg225240 +g27 +sg225234 +S', probably 1670' +p288042 +sg225230 +S'Architectura Civilis Oder Beschreibung und Vorreissung Vieler Vornehmer Tachwerck...' +p288043 +sg225236 +S'\n' +p288044 +sa(dp288045 +g225232 +S'Artist Information (' +p288046 +sg225240 +g27 +sg225234 +S'(artist)' +p288047 +sg225230 +S"La Sontuosa illuminazione della citta di Torino per l'Augusto Sposalizio..." +p288048 +sg225236 +S'\n' +p288049 +sa(dp288050 +g225232 +S'Artist Information (' +p288051 +sg225240 +g27 +sg225234 +S'(artist)' +p288052 +sg225230 +S"Plans et Dessins Tir\xc3\xa9s de la Belle Architecture ou Representations D'Edifices execut\xc3\xa9s ou projett\xc3\xa9s en 115 Planches avec les Explications n\xc3\xa9cessaires Le tout accompagn\xc3\xa9 d'un Trai\xc3\xa9 abr\xc3\xa9g\xc3\xa9 sur le Beau dans l'Architecture par Dr. C.L. Stieglitz" +p288053 +sg225236 +S'\n' +p288054 +sa(dp288055 +g225232 +S'Leonhardt Christoph Sturm' +p288056 +sg225240 +g27 +sg225234 +S', published 1718/1721' +p288057 +sg225230 +S'Vollst\xc3\xa4ndige M\xc3\xbchlen Baukunst...; Leonhard Christoph Sturms Vollst\xc3\xa4ndige Anweisung Wasser-K\xc3\xbcnste, Wasserleitungen, brunnen und listernen wohl anzugeben...; Leonhard Christoph Sturms Vollst\xc3\xa4ndige Anleitung Schiff-H\xc3\xa4user oder Arsenale und Anfuhrten oder See-H\xc3\xa4sen geh\xc3\xb6rig anzugeben...' +p288058 +sg225236 +S'\n' +p288059 +sa(dp288060 +g225232 +S'Artist Information (' +p288061 +sg225240 +g27 +sg225234 +S'(artist)' +p288062 +sg225230 +S'Aedes Barberinae ad Quirinalem a Comite Hieronymo Tetio Descriptae...' +p288063 +sg225236 +S'\n' +p288064 +sa(dp288065 +g225232 +S'Vignola' +p288066 +sg225240 +g27 +sg225234 +S', probably 1570' +p288067 +sg225230 +S"Regola delli Cinque Ordini d'Architettura Di M. Iacomo Barozzio Da Vignola" +p288068 +sg225236 +S'\n' +p288069 +sa(dp288070 +g225232 +S'Vignola' +p288071 +sg225240 +g27 +sg225234 +S', published 1617/1650' +p288072 +sg225230 +S"Regola delli Cinque Ordini d'Architettura Di M. Iacomo Barozzio Da Vignola. Libro Primo, Et Originale; Alcune Opere D'Architettura Di Iacomo Barotio Da Vignola Raccolte et poste in luce da Francesco Villamena" +p288073 +sg225236 +S'\n' +p288074 +sa(dp288075 +g225232 +S'Vignola' +p288076 +sg225240 +g27 +sg225234 +S', published 1619' +p288077 +sg225230 +S"Regola delli Cinque Ordini d'Architettura Di M. Giacomo Barozzio Da Vignola. Con la Nuova aggionta de Michel-Angelo Buonaroti..." +p288078 +sg225236 +S'\n' +p288079 +sa(dp288080 +g225232 +S'Bernardino Radi' +p288081 +sg225240 +g27 +sg225234 +S', published 1625' +p288082 +sg225230 +S'Varie Inventioni per Depositi di Bernardino Radi Cortonese' +p288083 +sg225236 +S'\n' +p288084 +sa(dp288085 +g225232 +S'Valerien Regnard' +p288086 +sg225240 +g27 +sg225234 +S', unknown date' +p288087 +sg225230 +S'[Roman Facades]' +p288088 +sg225236 +S'\n' +p288089 +sa(dp288090 +g225232 +S'Artist Information (' +p288091 +sg225240 +g27 +sg225234 +S'(artist)' +p288092 +sg225230 +S"Livre Nouveau ou Regles des Cinq Ordres d'Architecture, Par Jacques Barozzio de Vignole...; Recueil Des plus beaux Edifices et Modernes..." +p288093 +sg225236 +S'\n' +p288094 +sa(dp288095 +g225232 +S'Artist Information (' +p288096 +sg225240 +g27 +sg225234 +S'(artist)' +p288097 +sg225230 +S"Il Vignola Illustrato Proposto da Giambattista Spampani, e Carlo Antonini Studenti d'Architettura Dedicato alla Santit\xc3\xa0 di N.S. PP. Clemente XIV. felicemente regnante" +p288098 +sg225236 +S'\n' +p288099 +sa(dp288100 +g225230 +S'Fountain in a Courtyard' +p288101 +sg225232 +S'Charles Louis Cl\xc3\xa9risseau' +p288102 +sg225234 +S'pen and gray ink and watercolor over graphite on laid paper; graphite and brown ink sketches on verso' +p288103 +sg225236 +S'in or before 1768' +p288104 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00061/a0006141.jpg' +p288105 +sg225240 +g27 +sa(dp288106 +g225232 +S'Artist Information (' +p288107 +sg225240 +g27 +sg225234 +S'(artist)' +p288108 +sg225230 +S'Album of Drawings of Rome and the Surrounding Countryside' +p288109 +sg225236 +S'\n' +p288110 +sa(dp288111 +g225230 +S"L'Ordre Corinthian" +p288112 +sg225232 +S'Charles Louis Cl\xc3\xa9risseau' +p288113 +sg225234 +S'pen and gray ink and gray wash over graphite on laid paper' +p288114 +sg225236 +S'in or before 1768' +p288115 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00061/a0006142.jpg' +p288116 +sg225240 +g27 +sa(dp288117 +g225230 +S'The Round Temple on the Piazza Bocca della Verit\xc3\xa0, Rome' +p288118 +sg225232 +S'Joseph-Marie Vien' +p288119 +sg225234 +S'graphite on laid paper' +p288120 +sg225236 +S'1744/1750' +p288121 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00061/a0006143.jpg' +p288122 +sg225240 +g27 +sa(dp288123 +g225230 +S'Ruins of the Imperial Palaces on the Palatine Hill' +p288124 +sg225232 +S'Joseph-Marie Vien' +p288125 +sg225234 +S'graphite on laid paper' +p288126 +sg225236 +S'1744/1750' +p288127 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00061/a0006144.jpg' +p288128 +sg225240 +g27 +sa(dp288129 +g225230 +S'A Roman Street with Monte Cavo in the Distance' +p288130 +sg225232 +S'Joseph-Marie Vien' +p288131 +sg225234 +S'graphite on laid paper' +p288132 +sg225236 +S'1744/1750' +p288133 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00061/a0006145.jpg' +p288134 +sg225240 +g27 +sa(dp288135 +g225230 +S'Landscape with the Church of San Teodoro' +p288136 +sg225232 +S'Joseph-Marie Vien' +p288137 +sg225234 +S'graphite on laid paper' +p288138 +sg225236 +S'1744/1750' +p288139 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00061/a0006146.jpg' +p288140 +sg225240 +g27 +sa(dp288141 +g225230 +S'Walls of Rome with Santa Maria del Popolo in the Distance' +p288142 +sg225232 +S'Joseph-Marie Vien' +p288143 +sg225234 +S'graphite on laid paper' +p288144 +sg225236 +S'1744/1750' +p288145 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00061/a0006147.jpg' +p288146 +sg225240 +g27 +sa(dp288147 +g225230 +S'Arched Passageways of a Ruined Building' +p288148 +sg225232 +S'Joseph-Marie Vien' +p288149 +sg225234 +S'graphite on laid paper' +p288150 +sg225236 +S'1744/1750' +p288151 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00061/a0006148.jpg' +p288152 +sg225240 +g27 +sa(dp288153 +g225230 +S'An Ancient Wall with a Ruined Gate' +p288154 +sg225232 +S'Joseph-Marie Vien' +p288155 +sg225234 +S'graphite on laid paper' +p288156 +sg225236 +S'1744/1750' +p288157 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00061/a0006149.jpg' +p288158 +sg225240 +g27 +sa(dp288159 +g225230 +S'View across the Wall of an Italian Garden' +p288160 +sg225232 +S'Joseph-Marie Vien' +p288161 +sg225234 +S'graphite on laid paper' +p288162 +sg225236 +S'1744/1750' +p288163 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00061/a000614a.jpg' +p288164 +sg225240 +g27 +sa(dp288165 +g225230 +S'Arch of Drusus near the Appian Way' +p288166 +sg225232 +S'Joseph-Marie Vien' +p288167 +sg225234 +S'graphite on laid paper' +p288168 +sg225236 +S'1744/1750' +p288169 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00061/a000614b.jpg' +p288170 +sg225240 +g27 +sa(dp288171 +g225230 +S'Ruins of the Temple of Venus and Rome in the Forum' +p288172 +sg225232 +S'Joseph-Marie Vien' +p288173 +sg225234 +S'graphite on laid paper' +p288174 +sg225236 +S'1744/1750' +p288175 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00061/a000614c.jpg' +p288176 +sg225240 +g27 +sa(dp288177 +g225230 +S"Villa d'Este, Tivoli" +p288178 +sg225232 +S'Joseph-Marie Vien' +p288179 +sg225234 +S'graphite on laid paper' +p288180 +sg225236 +S'1744/1750' +p288181 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00061/a0006140.jpg' +p288182 +sg225240 +g27 +sa(dp288183 +g225230 +S'Casino Farnese on the Palatine Hill, Rome' +p288184 +sg225232 +S'Joseph-Marie Vien' +p288185 +sg225234 +S'graphite on laid paper' +p288186 +sg225236 +S'1744/1750' +p288187 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00061/a000619a.jpg' +p288188 +sg225240 +g27 +sa(dp288189 +g225230 +S'Roman Ruins with a Stand of Cypresses' +p288190 +sg225232 +S'Joseph-Marie Vien' +p288191 +sg225234 +S'graphite on laid paper' +p288192 +sg225236 +S'1744/1750' +p288193 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00061/a000619b.jpg' +p288194 +sg225240 +g27 +sa(dp288195 +g225230 +S'Roman Walls' +p288196 +sg225232 +S'Joseph-Marie Vien' +p288197 +sg225234 +S'graphite on laid paper' +p288198 +sg225236 +S'1744/1750' +p288199 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00061/a000619c.jpg' +p288200 +sg225240 +g27 +sa(dp288201 +g225230 +S'Entrance to a Walled Garden' +p288202 +sg225232 +S'Joseph-Marie Vien' +p288203 +sg225234 +S'graphite on laid paper' +p288204 +sg225236 +S'1744/1750' +p288205 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00061/a00061aa.jpg' +p288206 +sg225240 +g27 +sa(dp288207 +g225230 +S'House and Trees across a Garden Wall' +p288208 +sg225232 +S'Joseph-Marie Vien' +p288209 +sg225234 +S'graphite on laid paper' +p288210 +sg225236 +S'1744/1750' +p288211 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00061/a000619d.jpg' +p288212 +sg225240 +g27 +sa(dp288213 +g225230 +S'Portico of the Palazzo Nuovo, on the Campidoglio' +p288214 +sg225232 +S'Joseph-Marie Vien' +p288215 +sg225234 +S'graphite on laid paper' +p288216 +sg225236 +S'1744/1750' +p288217 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00061/a00061ab.jpg' +p288218 +sg225240 +g27 +sa(dp288219 +g225230 +S'Loggia and Statuary in an Italian Garden' +p288220 +sg225232 +S'Joseph-Marie Vien' +p288221 +sg225234 +S'graphite on laid paper' +p288222 +sg225236 +S'1744/1750' +p288223 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00061/a000619e.jpg' +p288224 +sg225240 +g27 +sa(dp288225 +g225230 +S'Terrace by a River with a Villa and Trees Beyond' +p288226 +sg225232 +S'Joseph-Marie Vien' +p288227 +sg225234 +S'graphite on laid paper' +p288228 +sg225236 +S'1744/1750' +p288229 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00061/a000619f.jpg' +p288230 +sg225240 +g27 +sa(dp288231 +g225230 +S'The Fishpond at Villa Madama' +p288232 +sg225232 +S'Joseph-Marie Vien' +p288233 +sg225234 +S'black chalk on laid paper' +p288234 +sg225236 +S'1746/1749' +p288235 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00060/a00060bb.jpg' +p288236 +sg225240 +g27 +sa(dp288237 +g225230 +S'Roman Rooftops' +p288238 +sg225232 +S'Joseph-Marie Vien' +p288239 +sg225234 +S'graphite on laid paper' +p288240 +sg225236 +S'1744/1750' +p288241 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00061/a00061a8.jpg' +p288242 +sg225240 +g27 +sa(dp288243 +g225230 +S'A Stone Bridge and the Fortified Entrance to a Town' +p288244 +sg225232 +S'Joseph-Marie Vien' +p288245 +sg225234 +S'graphite on laid paper' +p288246 +sg225236 +S'1744/1750' +p288247 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00061/a00061a9.jpg' +p288248 +sg225240 +g27 +sa(dp288249 +g225230 +S"Fountain of Pomona in the Gardens of the Villa d'Este, Tivoli" +p288250 +sg225232 +S'Joseph-Marie Vien' +p288251 +sg225234 +S'graphite on laid paper' +p288252 +sg225236 +S'1744/1750' +p288253 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00061/a00061ac.jpg' +p288254 +sg225240 +g27 +sa(dp288255 +g225230 +S"Saint Peter's Basilica and the Papal Palace" +p288256 +sg225232 +S'Joseph-Marie Vien' +p288257 +sg225234 +S'black chalk on laid paper' +p288258 +sg225236 +S'1746/1749' +p288259 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00060/a00060bc.jpg' +p288260 +sg225240 +g27 +sa(dp288261 +g225230 +S'View of the Prato of the Villa Borghese' +p288262 +sg225232 +S'Joseph-Marie Vien' +p288263 +sg225234 +S'graphite on laid paper' +p288264 +sg225236 +S'1744/1750' +p288265 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00061/a00061ad.jpg' +p288266 +sg225240 +g27 +sa(dp288267 +g225230 +S'Houses in Italy' +p288268 +sg225232 +S'Joseph-Marie Vien' +p288269 +sg225234 +S'graphite on laid paper' +p288270 +sg225236 +S'1744/1750' +p288271 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00061/a00061ae.jpg' +p288272 +sg225240 +g27 +sa(dp288273 +g225230 +S'Italian Farm Buildings by a Stream' +p288274 +sg225232 +S'Joseph-Marie Vien' +p288275 +sg225234 +S'graphite on laid paper' +p288276 +sg225236 +S'1744/1750' +p288277 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00061/a00061af.jpg' +p288278 +sg225240 +g27 +sa(dp288279 +g225230 +S"A Building on a Hill with Saint Peter's in the Distance" +p288280 +sg225232 +S'Joseph-Marie Vien' +p288281 +sg225234 +S'graphite on laid paper' +p288282 +sg225236 +S'1744/1750' +p288283 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00061/a00061b0.jpg' +p288284 +sg225240 +g27 +sa(dp288285 +g225230 +S"The Water Organ in the Gardens of the Villa d'Este, Tivoli" +p288286 +sg225232 +S'Joseph-Marie Vien' +p288287 +sg225234 +S'graphite on laid paper' +p288288 +sg225236 +S'1744/1750' +p288289 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00061/a00061b1.jpg' +p288290 +sg225240 +g27 +sa(dp288291 +g225230 +S'Trees Screening a House Built on Ancient Ruins' +p288292 +sg225232 +S'Joseph-Marie Vien' +p288293 +sg225234 +S'graphite on laid paper' +p288294 +sg225236 +S'1744/1750' +p288295 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00061/a00061b5.jpg' +p288296 +sg225240 +g27 +sa(dp288297 +g225230 +S'Corner of an Italian Garden with a Church Beyond' +p288298 +sg225232 +S'Joseph-Marie Vien' +p288299 +sg225234 +S'graphite on laid paper; tree study on verso' +p288300 +sg225236 +S'1744/1750' +p288301 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00061/a00061b2.jpg' +p288302 +sg225240 +g27 +sa(dp288303 +g225230 +S'An Italian Town with a Stone Bridge and a Waterfall' +p288304 +sg225232 +S'Joseph-Marie Vien' +p288305 +sg225234 +S'graphite on laid paper' +p288306 +sg225236 +S'1744/1750' +p288307 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00061/a00061b3.jpg' +p288308 +sg225240 +g27 +sa(dp288309 +g225230 +S'A Fortified Town in Italy' +p288310 +sg225232 +S'Joseph-Marie Vien' +p288311 +sg225234 +S'graphite on laid paper' +p288312 +sg225236 +S'1744/1750' +p288313 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00061/a00061b4.jpg' +p288314 +sg225240 +g27 +sa(dp288315 +g225230 +S'Italian Buildings on a Hillside' +p288316 +sg225232 +S'Joseph-Marie Vien' +p288317 +sg225234 +S'graphite on laid paper' +p288318 +sg225236 +S'1744/1750' +p288319 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00061/a00061b6.jpg' +p288320 +sg225240 +g27 +sa(dp288321 +g225230 +S'Trees' +p288322 +sg225232 +S'Joseph-Marie Vien' +p288323 +sg225234 +S'graphite on laid paper' +p288324 +sg225236 +S'1744/1750' +p288325 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00061/a00061b7.jpg' +p288326 +sg225240 +g27 +sa(dp288327 +g225230 +S'Rooftops and Umbrella Pines' +p288328 +sg225232 +S'Joseph-Marie Vien' +p288329 +sg225234 +S'graphite on laid paper' +p288330 +sg225236 +S'1744/1750' +p288331 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00061/a00061b8.jpg' +p288332 +sg225240 +g27 +sa(dp288333 +g225230 +S'Houses and a Garden on a Hillside in Italy' +p288334 +sg225232 +S'Joseph-Marie Vien' +p288335 +sg225234 +S'graphite on laid paper' +p288336 +sg225236 +S'1744/1750' +p288337 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00061/a00061b9.jpg' +p288338 +sg225240 +g27 +sa(dp288339 +g225230 +S'Houses on the North Side of the Forum with the Basilica of Maxentius Beyond' +p288340 +sg225232 +S'Joseph-Marie Vien' +p288341 +sg225234 +S'black chalk on laid paper' +p288342 +sg225236 +S'1746/1749' +p288343 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00060/a00060bd.jpg' +p288344 +sg225240 +g27 +sa(dp288345 +g225230 +S'The Forno inside the Walls of the Vatican' +p288346 +sg225232 +S'Joseph-Marie Vien' +p288347 +sg225234 +S'graphite on laid paper' +p288348 +sg225236 +S'1744/1750' +p288349 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00061/a00061bf.jpg' +p288350 +sg225240 +g27 +sa(dp288351 +g225230 +S'The Grotto of the Nymph Egeria' +p288352 +sg225232 +S'Joseph-Marie Vien' +p288353 +sg225234 +S'graphite on laid paper' +p288354 +sg225236 +S'1744/1750' +p288355 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00061/a00061ba.jpg' +p288356 +sg225240 +g27 +sa(dp288357 +g225230 +S'Houses beside a Road in Italy' +p288358 +sg225232 +S'Joseph-Marie Vien' +p288359 +sg225234 +S'graphite on laid paper' +p288360 +sg225236 +S'1744/1750' +p288361 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00061/a00061ed.jpg' +p288362 +sg225240 +g27 +sa(dp288363 +g225230 +S'Entrance to the Gardens of the Villa Giulia' +p288364 +sg225232 +S'Joseph-Marie Vien' +p288365 +sg225234 +S'black chalk on laid paper' +p288366 +sg225236 +S'1746/1749' +p288367 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00060/a000607a.jpg' +p288368 +sg225240 +g27 +sa(dp288369 +g225230 +S"Castel Sant'Angelo from the Northwest" 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Bar. de Vignola Wie auch dessen und des ber\xc3\xbchmten Mich. Angelo vornehmsten Gab\xc3\xa4uden,...' +p288432 +sg225236 +S'\n' +p288433 +sa(dp288434 +g225232 +S"Augustin-Charles d'Aviler" +p288435 +sg225240 +g27 +sg225234 +S', published 1759' +p288436 +sg225230 +S'Ausf\xc3\xbchrliche Anleitung zu der ganzen Civil-Bau-Kunst, worinnen Nebst denen Lebens-Beschreibungen, und den f\xc3\xbcnf Ordnungen von J. Bar. de Vignola Wie auch dessen und des ber\xc3\xbchmten Mich. Angelo vornehmsten Gab\xc3\xa4uden,...' +p288437 +sg225236 +S'\n' +p288438 +sa(dp288439 +g225232 +S'Roy Lichtenstein' +p288440 +sg225240 +S"Cubist Still Life\n In its careful reconstruction of the essential elements of cubist still life, Lichtenstein's\n painting represents a considered tribute to the cubist masters. But as is characteristic of American\n pop art, the tribute is rendered in the form of a send-up. As closely as Lichtenstein hews to the\n conventions of cubism, in its distinctive style, scale, and wit, \n " +p288441 +sg225234 +S'oil and Magna on canvas' +p288442 +sg225230 +S'Cubist Still Life' +p288443 +sg225236 +S'1974' +p288444 +sa(dp288445 +g225230 +S'Rocklined Beach with Distant Boats' +p288446 +sg225232 +S'William Stanley Haseltine' +p288447 +sg225234 +S'pen and black ink with graphite and gray wash' +p288448 +sg225236 +S'probably 1860/1869' +p288449 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000eb/a000eba0.jpg' +p288450 +sg225240 +g27 +sa(dp288451 +g225230 +S'Market Scene with a Fantastic Sculpture' +p288452 +sg225232 +S'Jean-Baptiste H\xc3\xbcet' +p288453 +sg225234 +S', 1797/1798' +p288454 +sg225236 +S'\n' +p288455 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00025/a0002558.jpg' +p288456 +sg225240 +g27 +sa(dp288457 +g225230 +S'View of Ceriana' +p288458 +sg225232 +S'Edward Lear' +p288459 +sg225234 +S'pen and brown ink over graphite' +p288460 +sg225236 +S'1870' +p288461 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Landscape with a Rustic House' +p288482 +sg225232 +S'Salvator Rosa' +p288483 +sg225234 +S'pen and brown ink' +p288484 +sg225236 +S'unknown date\n' +p288485 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a00074ca.jpg' +p288486 +sg225240 +g27 +sa(dp288487 +g225230 +S'Mawddach Falls near Dolgelly' +p288488 +sg225232 +S'John Webber' +p288489 +sg225234 +S'watercolor over graphite' +p288490 +sg225236 +S'1790' +p288491 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00069/a0006967.jpg' +p288492 +sg225240 +g27 +sa(dp288493 +g225230 +S'Caritas' +p288494 +sg225232 +S'Francisco de Goya' +p288495 +sg225234 +S'etching and drypoint on thin laid paper [second edition impression probably printed circa 1920-1930]' +p288496 +sg225236 +S'unknown date\n' +p288497 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ed/a000ed56.jpg' +p288498 +sg225240 +g27 +sa(dp288499 +g225230 +S'Imaginary Port Scene' +p288500 +sg225232 +S'Pierre Moreau' +p288501 +sg225234 +S'etching on laid paper' +p288502 +sg225236 +S'unknown 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Lowing over a Fence' +p288548 +sg225232 +S'Christophe Fratin' +p288549 +sg225234 +S'bronze' +p288550 +sg225236 +S'model c. 1845/1864, cast possibly by 1865' +p288551 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00034/a0003408.jpg' +p288552 +sg225240 +g27 +sa(dp288553 +g225230 +S'Woman Bathing Her Foot' +p288554 +sg225232 +S'Barth\xc3\xa9lemy Prieur' +p288555 +sg225234 +S'bronze' +p288556 +sg225236 +S'early 17th century' +p288557 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002da3.jpg' +p288558 +sg225240 +g27 +sa(dp288559 +g225232 +S'Artist Information (' +p288560 +sg225240 +g27 +sg225234 +S'(author)' +p288561 +sg225230 +S'Anthologia gnomica' +p288562 +sg225236 +S'\n' +p288563 +sa(dp288564 +g225232 +S'Artist Information (' +p288565 +sg225240 +g27 +sg225234 +S'(author)' +p288566 +sg225230 +S'Oeuvres de Nicolas Boileau Despreaux (volume I)' +p288567 +sg225236 +S'\n' +p288568 +sa(dp288569 +g225232 +S'Artist Information (' +p288570 +sg225240 +g27 +sg225234 +S'(artist after)' +p288571 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Information (' +p288746 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Sanbornville' +p288747 +sg225236 +S'(publisher)' +p288748 +sa(dp288749 +g225230 +S'Shepherds Resting by a Stream' +p288750 +sg225232 +S'Jean-Baptiste Pillement' +p288751 +sg225234 +S'gouache and pastel on linen' +p288752 +sg225236 +S'1779' +p288753 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00037/a00037d7.jpg' +p288754 +sg225240 +g27 +sa(dp288755 +g225232 +S'Ludwig Meidner' +p288756 +sg225240 +g27 +sg225234 +S'graphite' +p288757 +sg225230 +S'Hans Freimark' +p288758 +sg225236 +S'1915' +p288759 +sa(dp288760 +g225230 +S'Allegory on the Turkish Wars' +p288761 +sg225232 +S'Hans von Aachen' +p288762 +sg225234 +S'pen and brown and black inks with watercolor over graphite on laid paper' +p288763 +sg225236 +S'c. 1600' +p288764 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00079/a0007947.jpg' +p288765 +sg225240 +g27 +sa(dp288766 +g225230 +S'Figure Studies' +p288767 +sg225232 +S'Federico Barocci' +p288768 +sg225234 +S'pen and brown ink with brown wash heightened with white over black chalk' +p288769 +sg225236 +S'unknown date\n' +p288770 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00075/a000752f.jpg' +p288771 +sg225240 +g27 +sa(dp288772 +g225230 +S'Anatomical Studies' +p288773 +sg225232 +S'Domenico Beccafumi' +p288774 +sg225234 +S'pen and brown ink with red chalk in another hand' +p288775 +sg225236 +S'unknown date\n' +p288776 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a00074e8.jpg' +p288777 +sg225240 +g27 +sa(dp288778 +g225230 +S'Venus' +p288779 +sg225232 +S'Sir Edward Coley Burne-Jones' +p288780 +sg225234 +S'graphite' +p288781 +sg225236 +S'unknown date\n' +p288782 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006b/a0006bf1.jpg' +p288783 +sg225240 +g27 +sa(dp288784 +g225230 +S'Orpheus and Eurydice' +p288785 +sg225232 +S'Sir Edward Coley Burne-Jones' +p288786 +sg225234 +S'black and white chalk with traces of graphite on brown paper' +p288787 +sg225236 +S'unknown date\n' +p288788 +sg225238 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+sg225232 +S'Jean Cousin the Younger' +p288809 +sg225234 +S'pen and black ink with brown wash over red chalk' +p288810 +sg225236 +S'unknown date\n' +p288811 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006e73.jpg' +p288812 +sg225240 +g27 +sa(dp288813 +g225230 +S'Two Seated Male Figures' +p288814 +sg225232 +S'Sir Anthony van Dyck' +p288815 +sg225234 +S'pen and black ink on buff laid paper' +p288816 +sg225236 +S'unknown date\n' +p288817 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00072/a000726f.jpg' +p288818 +sg225240 +g27 +sa(dp288819 +g225230 +S'Female Saint Carrying a Banner [recto]' +p288820 +sg225232 +S'Baldassare Franceschini' +p288821 +sg225234 +S'red chalk on laid paper' +p288822 +sg225236 +S'unknown date\n' +p288823 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a00074ac.jpg' +p288824 +sg225240 +g27 +sa(dp288825 +g225232 +S'Baldassare Franceschini' +p288826 +sg225240 +g27 +sg225234 +S'red chalk; pen and brown ink (in another hand) on laid paper' +p288827 +sg225230 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+S'http://www.nga.gov:80/thumb-l/a0006d/a0006d39.jpg' +p288865 +sg225240 +g27 +sa(dp288866 +g225230 +S'View near Rosora di Serra San Quirico' +p288867 +sg225232 +S'Gherardo Cibo' +p288868 +sg225234 +S'pen and brown ink with brown wash heightened in white on blue laid paper' +p288869 +sg225236 +S'unknown date\n' +p288870 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a00074f8.jpg' +p288871 +sg225240 +g27 +sa(dp288872 +g225230 +S'The Rivals' +p288873 +sg225232 +S'Franz von Stuck' +p288874 +sg225234 +S'brush and black ink over graphite on cardboard' +p288875 +sg225236 +S'unknown date\n' +p288876 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006de5.jpg' +p288877 +sg225240 +g27 +sa(dp288878 +g225230 +S'Studies of Market Figures' +p288879 +sg225232 +S'David Teniers the Younger' +p288880 +sg225234 +S'graphite' +p288881 +sg225236 +S'unknown date\n' +p288882 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006d0b.jpg' +p288883 +sg225240 +g27 +sa(dp288884 +g225230 +S'The Martyrdom of Saint Apollonia' +p288885 +sg225232 +S'Jacopo Zucchi' +p288886 +sg225234 +S'pen and brown ink with brown wash heightened with white over black chalk on laid paper' +p288887 +sg225236 +S'unknown date\n' +p288888 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00028/a00028f0.jpg' +p288889 +sg225240 +g27 +sa(dp288890 +g225230 +S'Paul Mellon' +p288891 +sg225232 +S'William Franklin Draper' +p288892 +sg225234 +S'oil on canvas' +p288893 +sg225236 +S'1974' +p288894 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00000/a0000081.jpg' +p288895 +sg225240 +S"Son of the National Gallery's founder and the brother of Ailsa Mellon \n Bruce, \n William Franklin Draper, navy combat artist during World War II and later a successful portrait \n painter, animated his portrayal of Paul Mellon with rapid, slashing strokes of the brush.\n " +p288896 +sa(dp288897 +g225232 +S'Henrietta Hoopes Heath' +p288898 +sg225240 +g27 +sg225234 +S'oil and egg tempera on canvas' +p288899 +sg225230 +S'Huntington Cairns' +p288900 +sg225236 +S'1982' +p288901 +sa(dp288902 +g225230 +S'Number 7, 1951' +p288903 +sg225232 +S'Jackson Pollock' +p288904 +sg225234 +S'enamel on canvas' +p288905 +sg225236 +S'1951' +p288906 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a00001c5.jpg' +p288907 +sg225240 +g27 +sa(dp288908 +g225230 +S'The Dancers' +p288909 +sg225232 +S'George Segal' +p288910 +sg225234 +S'bronze with white patina' +p288911 +sg225236 +S'model 1971, cast 1982' +p288912 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00016/a00016a6.jpg' +p288913 +sg225240 +g27 +sa(dp288914 +g225230 +S'Mrs. Richard Brinsley Sheridan' +p288915 +sg225232 +S'Artist Information (' +p288916 +sg225234 +S'(artist after)' +p288917 +sg225236 +S'\n' +p288918 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0007d/a0007dc3.jpg' +p288919 +sg225240 +g27 +sa(dp288920 +g225230 +S'The Maryland Medal: Cecil Calvert, 1605-1675, 2nd Baron of Baltimore 1632, 1st Lord Proprietary of Maryland and Avalon [obverse]' +p288921 +sg225232 +S'British 17th Century' +p288922 +sg225234 +S'overall (diameter): 4.76 cm (1 7/8 in.)\r\ngross weight: 25.01 gr (0.055 lb.)\r\naxis: 12:00' +p288923 +sg225236 +S'\nsilver' +p288924 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002d9f.jpg' +p288925 +sg225240 +g27 +sa(dp288926 +g225232 +S'British 17th Century' +p288927 +sg225240 +g27 +sg225234 +S'overall (diameter): 4.76 cm (1 7/8 in.)\r\ngross weight: 25.01 gr (0.055 lb.)\r\naxis: 12:00' +p288928 +sg225230 +S'The Maryland Medal: Anne Arundell of Wardour, c. 1610-1649, Countess of the Holy Roman Empire, Wife of Lord Cecil Calvert 1628, Baroness of Baltimore 1632 [reverse]' +p288929 +sg225236 +S'\nsilver' +p288930 +sa(dp288931 +g225230 +S'Harbor in Holland - Flushing (La balise - En Holland, Flessingue)' +p288932 +sg225232 +S'Paul Signac' +p288933 +sg225234 +S'etching in blue-green on laid paper' +p288934 +sg225236 +S'c. 1894' +p288935 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0009b/a0009bb1.jpg' +p288936 +sg225240 +g27 +sa(dp288937 +g225230 +S'Cattle and Figures at a Farmyard Stream' +p288938 +sg225232 +S'Marco Ricci' +p288939 +sg225234 +S'etching on blue laid paper' +p288940 +sg225236 +S'unknown date\n' +p288941 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cb59.jpg' +p288942 +sg225240 +g27 +sa(dp288943 +g225230 +S'The Prodigal Son Living with Harlots' +p288944 +sg225232 +S'Artist Information (' +p288945 +sg225234 +S'(artist after)' +p288946 +sg225236 +S'\n' +p288947 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cf/a000cf43.jpg' +p288948 +sg225240 +g27 +sa(dp288949 +g225230 +S'Joseph Awakened by the Angel' +p288950 +sg225232 +S'Giovanni Benedetto Castiglione' +p288951 +sg225234 +S'etching on laid paper' +p288952 +sg225236 +S'1635/1640' +p288953 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00065/a0006575.jpg' +p288954 +sg225240 +g27 +sa(dp288955 +g225230 +S'Antwerp Cathedral' +p288956 +sg225232 +S'Wenceslaus Hollar' +p288957 +sg225234 +S'etching and engraving on laid paper' +p288958 +sg225236 +S'1649' +p288959 +sg225238 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+p288981 +sg225236 +S'1852' +p288982 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0009d/a0009d12.jpg' +p288983 +sg225240 +g27 +sa(dp288984 +g225230 +S'La Modiste (The Milliner)' +p288985 +sg225232 +S'F\xc3\xa9lix Vallotton' +p288986 +sg225234 +S'woodcut on wove paper' +p288987 +sg225236 +S'1894' +p288988 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ef/a000ef66.jpg' +p288989 +sg225240 +g27 +sa(dp288990 +g225232 +S'Artist Information (' +p288991 +sg225240 +g27 +sg225234 +S'Italian, 1544 - 1595' +p288992 +sg225230 +S'La Gerusalemme liberata di Torquanto Tasso' +p288993 +sg225236 +S'(author)' +p288994 +sa(dp288995 +g225230 +S'Comedie de la Mort' +p288996 +sg225232 +S'Rodolphe Bresdin' +p288997 +sg225234 +S'lithograph' +p288998 +sg225236 +S'1854' +p288999 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f092.jpg' +p289000 +sg225240 +g27 +sa(dp289001 +g225230 +S'Samson and Delilah' +p289002 +sg225232 +S'Artist Information (' +p289003 +sg225234 +S'(artist after)' +p289004 +sg225236 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+sg225240 +g27 +sa(dp289435 +g225230 +S'Psittacus viridis minor Mexicanus' +p289436 +sg225232 +S'Artist Information (' +p289437 +sg225234 +S'(artist after)' +p289438 +sg225236 +S'\n' +p289439 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b36d.jpg' +p289440 +sg225240 +g27 +sa(dp289441 +g225232 +S'Leonard Baskin' +p289442 +sg225240 +g27 +sg225234 +S'lithograph' +p289443 +sg225230 +S'Rodin' +p289444 +sg225236 +S'1963' +p289445 +sa(dp289446 +g225232 +S'Artist Information (' +p289447 +sg225240 +g27 +sg225234 +S'(artist after)' +p289448 +sg225230 +S'George Washington on Horseback' +p289449 +sg225236 +S'\n' +p289450 +sa(dp289451 +g225230 +S'Evening' +p289452 +sg225232 +S'Artist Information (' +p289453 +sg225234 +S'(artist after)' +p289454 +sg225236 +S'\n' +p289455 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cf/a000cf1c.jpg' +p289456 +sg225240 +g27 +sa(dp289457 +g225230 +S'The River God Tiber with the Urn and the Vestal Tuccia' +p289458 +sg225232 +S'Artist Information (' +p289459 +sg225234 +S'(artist after)' +p289460 +sg225236 +S'\n' +p289461 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000cf/a000cfa1.jpg' +p289462 +sg225240 +g27 +sa(dp289463 +g225230 +S'Rialto' +p289464 +sg225232 +S'Norbert Goeneutte' +p289465 +sg225234 +S'etching and drypoint on heavy laid paper' +p289466 +sg225236 +S'unknown date\n' +p289467 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0009a/a0009a5e.jpg' +p289468 +sg225240 +g27 +sa(dp289469 +g225232 +S'John Sloan' +p289470 +sg225240 +g27 +sg225234 +S'etching on laid paper' +p289471 +sg225230 +S'"The Green Hour"' +p289472 +sg225236 +S'1930' +p289473 +sa(dp289474 +g225232 +S'David Young Cameron' +p289475 +sg225240 +g27 +sg225234 +S'etching in brown on laid paper' +p289476 +sg225230 +S'Linlithgow Palace' +p289477 +sg225236 +S'1887' +p289478 +sa(dp289479 +g225232 +S'David Young Cameron' +p289480 +sg225240 +g27 +sg225234 +S'etching on laid paper' +p289481 +sg225230 +S'Jamaica Street Bridge' +p289482 +sg225236 +S'1888' +p289483 +sa(dp289484 +g225232 +S'David Young Cameron' +p289485 +sg225240 +g27 +sg225234 +S'etching on laid paper' +p289486 +sg225230 +S'Evening' +p289487 +sg225236 +S'1888' +p289488 +sa(dp289489 +g225232 +S'David Young Cameron' +p289490 +sg225240 +g27 +sg225234 +S'etching on laid paper' +p289491 +sg225230 +S'Dolo' +p289492 +sg225236 +S'1894' +p289493 +sa(dp289494 +g225232 +S'David Young Cameron' +p289495 +sg225240 +g27 +sg225234 +S'etching and drypoint on laid paper' +p289496 +sg225230 +S'Isles of Loch Maree' +p289497 +sg225236 +S'1923' +p289498 +sa(dp289499 +g225232 +S'David Young Cameron' +p289500 +sg225240 +g27 +sg225234 +S'etching and drypoint on laid paper' +p289501 +sg225230 +S'Killundine' +p289502 +sg225236 +S'1929' +p289503 +sa(dp289504 +g225232 +S'David Young Cameron' +p289505 +sg225240 +g27 +sg225234 +S'drypoint on laid paper' +p289506 +sg225230 +S'Balquhidder' +p289507 +sg225236 +S'1931' +p289508 +sa(dp289509 +g225232 +S'David Young Cameron' +p289510 +sg225240 +g27 +sg225234 +S'drypoint on laid paper' +p289511 +sg225230 +S'Tarff' +p289512 +sg225236 +S'1931' +p289513 +sa(dp289514 +g225232 +S'David Young Cameron' +p289515 +sg225240 +g27 +sg225234 +S'drypoint on laid paper' +p289516 +sg225230 +S'Valley of the Tay' +p289517 +sg225236 +S'1931' +p289518 +sa(dp289519 +g225232 +S'David Young Cameron' +p289520 +sg225240 +g27 +sg225234 +S'drypoint on laid paper' +p289521 +sg225230 +S'The Scuir of Eigg' +p289522 +sg225236 +S'1931' +p289523 +sa(dp289524 +g225232 +S'David Young Cameron' +p289525 +sg225240 +g27 +sg225234 +S'drypoint on laid paper' +p289526 +sg225230 +S'Monzie' +p289527 +sg225236 +S'1932' +p289528 +sa(dp289529 +g225232 +S'David Young Cameron' +p289530 +sg225240 +g27 +sg225234 +S'drypoint and etching on laid paper' +p289531 +sg225230 +S'Tantallon' +p289532 +sg225236 +S'1932' +p289533 +sa(dp289534 +g225232 +S'David Young Cameron' +p289535 +sg225240 +g27 +sg225234 +S'etching cancelled in drypoint on wove paper [cancellation proof]' +p289536 +sg225230 +S'Two Bridges' +p289537 +sg225236 +S'1896' +p289538 +sa(dp289539 +g225232 +S'David Young Cameron' +p289540 +sg225240 +g27 +sg225234 +S'etching cancelled in drypoint on wove paper [cancellation proof]' +p289541 +sg225230 +S'Thames Barges' +p289542 +sg225236 +S'1890' +p289543 +sa(dp289544 +g225232 +S'David Young Cameron' +p289545 +sg225240 +g27 +sg225234 +S'drypoint on wove paper [cancellation proof]' +p289546 +sg225230 +S'A Lowland River: A Dry-Point' +p289547 +sg225236 +S'1892' +p289548 +sa(dp289549 +g225232 +S'David Young Cameron' +p289550 +sg225240 +g27 +sg225234 +S'etching on wove paper [cancellation proof]' +p289551 +sg225230 +S'Strathendrick and Loch Lomond' +p289552 +sg225236 +S'1888' +p289553 +sa(dp289554 +g225232 +S'David Young Cameron' +p289555 +sg225240 +g27 +sg225234 +S'etching on wove paper [cancellation proof]' +p289556 +sg225230 +S'Romantic Landscape' +p289557 +sg225236 +S'c. 1890' +p289558 +sa(dp289559 +g225232 +S'David Young Cameron' +p289560 +sg225240 +g27 +sg225234 +S'etching on wove paper [cancellation proof]' +p289561 +sg225230 +S'Highland Kitchen' +p289562 +sg225236 +S'1891' +p289563 +sa(dp289564 +g225232 +S'David Young Cameron' +p289565 +sg225240 +g27 +sg225234 +S'etching on wove paper [cancellation proof]' +p289566 +sg225230 +S'Barochan No.1' +p289567 +sg225236 +S'1892' +p289568 +sa(dp289569 +g225232 +S'David Young Cameron' +p289570 +sg225240 +g27 +sg225234 +S'etching cancelled with drypoint on wove paper [cancellation proof]' +p289571 +sg225230 +S'Thames Wharf' +p289572 +sg225236 +S'1890' +p289573 +sa(dp289574 +g225232 +S'David Young Cameron' +p289575 +sg225240 +g27 +sg225234 +S'etching cancelled in drypoint on wove paper [cancellation proof]' +p289576 +sg225230 +S'The Steps' +p289577 +sg225236 +S'1892' +p289578 +sa(dp289579 +g225232 +S'David Young Cameron' +p289580 +sg225240 +g27 +sg225234 +S', unknown date' +p289581 +sg225230 +S'Scene with Large Village House' +p289582 +sg225236 +S'\n' +p289583 +sa(dp289584 +g225230 +S'Paris Street Scene' +p289585 +sg225232 +S'Robert Henri' +p289586 +sg225234 +S'etching' +p289587 +sg225236 +S'1904' +p289588 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000abd.jpg' +p289589 +sg225240 +g27 +sa(dp289590 +g225230 +S"Escher's Father, G.A. Escher" +p289591 +sg225232 +S'M.C. Escher' +p289592 +sg225234 +S'linoleum cut in purple on wove paper' +p289593 +sg225236 +S'1916' +p289594 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004b/a0004ba5.jpg' +p289595 +sg225240 +S"Escher's first prints were made from linoleum blocks. This portrait of Escher's father, George A. Escher (1843-1939), is the earliest print by the artist. His father, who was a civil engineer, instilled in him a lifelong interest in mathematics and science.\n " +p289596 +sa(dp289597 +g225230 +S'Still Life' +p289598 +sg225232 +S'M.C. Escher' +p289599 +sg225234 +S'linoleum cut in purple on wove paper' +p289600 +sg225236 +S'1917' +p289601 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004b/a0004b3b.jpg' +p289602 +sg225240 +g27 +sa(dp289603 +g225232 +S'M.C. Escher' +p289604 +sg225240 +g27 +sg225234 +S'linoleum cut in two browns on brown wove paper' +p289605 +sg225230 +S'Self-Portrait' +p289606 +sg225236 +S'1917' +p289607 +sa(dp289608 +g225232 +S'M.C. Escher' +p289609 +sg225240 +g27 +sg225234 +S'linoleum cut in two tones of brown on wove paper, printed from two blocks' +p289610 +sg225230 +S'Jug' +p289611 +sg225236 +S'1917' +p289612 +sa(dp289613 +g225232 +S'M.C. Escher' +p289614 +sg225240 +g27 +sg225234 +S'linoleum cut in two browns, printed from two blocks, on brown wove paper' +p289615 +sg225230 +S'Self-Portrait' +p289616 +sg225236 +S'1918' +p289617 +sa(dp289618 +g225232 +S'M.C. Escher' +p289619 +sg225240 +g27 +sg225234 +S'linoleum cut' +p289620 +sg225230 +S'Life Force' +p289621 +sg225236 +S'1919' +p289622 +sa(dp289623 +g225232 +S'M.C. Escher' +p289624 +sg225240 +g27 +sg225234 +S'woodcut on tan paper' +p289625 +sg225230 +S'Self-Portrait in a Chair' +p289626 +sg225236 +S'1920' +p289627 +sa(dp289628 +g225232 +S'M.C. Escher' +p289629 +sg225240 +g27 +sg225234 +S'woodcut' +p289630 +sg225230 +S'Female Nude in a Landscape' +p289631 +sg225236 +S'1920' +p289632 +sa(dp289633 +g225232 +S'M.C. Escher' +p289634 +sg225240 +g27 +sg225234 +S'woodcut' +p289635 +sg225230 +S'Paradise' +p289636 +sg225236 +S'1921' +p289637 +sa(dp289638 +g225230 +S'Seated Female Nude' +p289639 +sg225232 +S'M.C. Escher' +p289640 +sg225234 +S'woodcut' +p289641 +sg225236 +S'1921' +p289642 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004b/a0004b59.jpg' +p289643 +sg225240 +g27 +sa(dp289644 +g225230 +S'Seated Female Nude' +p289645 +sg225232 +S'M.C. Escher' +p289646 +sg225234 +S'linoleum cut on tan paper' +p289647 +sg225236 +S'probably 1921' +p289648 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004b/a0004b5a.jpg' +p289649 +sg225240 +g27 +sa(dp289650 +g225232 +S'M.C. Escher' +p289651 +sg225240 +g27 +sg225234 +S'woodcut' +p289652 +sg225230 +S'Emblema VIII, Sundial' +p289653 +sg225236 +S'1931' +p289654 +sa(dp289655 +g225232 +S'M.C. Escher' +p289656 +sg225240 +g27 +sg225234 +S'woodcut in orange' +p289657 +sg225230 +S'Reptile (color test for unidentified print)' +p289658 +sg225236 +S'1968' +p289659 +sa(dp289660 +g225232 +S'M.C. Escher' +p289661 +sg225240 +g27 +sg225234 +S'wood engraving in black' +p289662 +sg225230 +S'Whirlpools' +p289663 +sg225236 +S'1957' +p289664 +sa(dp289665 +g225232 +S'M.C. Escher' +p289666 +sg225240 +g27 +sg225234 +S'woodcut in green and gold on white satin' +p289667 +sg225230 +S'Tessellation of Fishes' +p289668 +sg225236 +S'probably c. 1960' +p289669 +sa(dp289670 +g225232 +S'M.C. Escher' +p289671 +sg225240 +g27 +sg225234 +S'woodcut in orange and black, printed from two blocks' +p289672 +sg225230 +S'Knots' +p289673 +sg225236 +S'1965' +p289674 +sa(dp289675 +g225232 +S'M.C. Escher' +p289676 +sg225240 +g27 +sg225234 +S'woodcut in orange' +p289677 +sg225230 +S'Metamorphosis III' +p289678 +sg225236 +S'1967/1968' +p289679 +sa(dp289680 +g225232 +S'M.C. Escher' +p289681 +sg225240 +g27 +sg225234 +S'woodcut' +p289682 +sg225230 +S'Metamorphosis III' +p289683 +sg225236 +S'1967/1968' +p289684 +sa(dp289685 +g225232 +S'M.C. Escher' +p289686 +sg225240 +g27 +sg225234 +S'woodcut in black and gray-brown' +p289687 +sg225230 +S'Metamorphosis III' +p289688 +sg225236 +S'1967/1968' +p289689 +sa(dp289690 +g225232 +S'M.C. Escher' +p289691 +sg225240 +g27 +sg225234 +S'wood engraving on wove paper' +p289692 +sg225230 +S'Bookplate Albert Ernst Bosman' +p289693 +sg225236 +S'probably 1946' +p289694 +sa(dp289695 +g225232 +S'M.C. Escher' +p289696 +sg225240 +g27 +sg225234 +S'metalcut (zinc) on wove paper' +p289697 +sg225230 +S'Bookplate B.G. Escher' +p289698 +sg225236 +S'probably 1922' +p289699 +sa(dp289700 +g225232 +S'M.C. Escher' +p289701 +sg225240 +g27 +sg225234 +S'wood engraving on wove paper' +p289702 +sg225230 +S'Bookplate D.H. Roodhuyzen de Vries-Van Dishoeck' +p289703 +sg225236 +S'1942' +p289704 +sa(dp289705 +g225232 +S'M.C. Escher' +p289706 +sg225240 +g27 +sg225234 +S'wood engraving on laid paper' +p289707 +sg225230 +S'Bookplate A.M.E. van Dishoeck' +p289708 +sg225236 +S'1943' +p289709 +sa(dp289710 +g225232 +S'M.C. Escher' +p289711 +sg225240 +g27 +sg225234 +S'wood engraving on wove paper' +p289712 +sg225230 +S'Bookplate Dr. P.H.M. Travaglino' +p289713 +sg225236 +S'1940' +p289714 +sa(dp289715 +g225232 +S'M.C. Escher' +p289716 +sg225240 +g27 +sg225234 +S'woodcut on light tan wove paper' +p289717 +sg225230 +S'Bookplate A.R.A. Wertheim' +p289718 +sg225236 +S'1954' +p289719 +sa(dp289720 +g225232 +S'M.C. Escher' +p289721 +sg225240 +g27 +sg225234 +S'wood engraving on wove paper' +p289722 +sg225230 +S'Bookplate J.C. de Bruyn van Melis-en Mariekerke-Mackay' +p289723 +sg225236 +S'1946' +p289724 +sa(dp289725 +g225232 +S'M.C. Escher' +p289726 +sg225240 +g27 +sg225234 +S'wood engraving on wove paper' +p289727 +sg225230 +S"Bookplate G.H.'s-Gravesande" +p289728 +sg225236 +S'1940' +p289729 +sa(dp289730 +g225232 +S'M.C. Escher' +p289731 +sg225240 +g27 +sg225234 +S'wood engraving on off-white wove paper' +p289732 +sg225230 +S"Bookplate G.H.'s-Gravesande" +p289733 +sg225236 +S'1940' +p289734 +sa(dp289735 +g225232 +S'M.C. Escher' +p289736 +sg225240 +g27 +sg225234 +S'woodcut on laid paper' +p289737 +sg225230 +S"New Year's greeting-card 1949, L. and K. Asselbergs" +p289738 +sg225236 +S'1948' +p289739 +sa(dp289740 +g225232 +S'M.C. Escher' +p289741 +sg225240 +g27 +sg225234 +S'wood engraving on paperboard' +p289742 +sg225230 +S"New Year's greeting-card 1951, L. and K. Asselbergs" +p289743 +sg225236 +S'1950' +p289744 +sa(dp289745 +g225232 +S'M.C. Escher' +p289746 +sg225240 +g27 +sg225234 +S'woodcut on light tan wove paper' +p289747 +sg225230 +S'Fish' +p289748 +sg225236 +S'probably 1955' +p289749 +sa(dp289750 +g225232 +S'M.C. Escher' +p289751 +sg225240 +g27 +sg225234 +S'wood engraving on light tan wove paper' +p289752 +sg225230 +S"New Year's greeting-card PTT" +p289753 +sg225236 +S'1956' +p289754 +sa(dp289755 +g225232 +S'M.C. Escher' +p289756 +sg225240 +g27 +sg225234 +S'woodcut in black and orange, printed from two blocks, on wove paper' +p289757 +sg225230 +S"Earth, New Year's greeting-card 1953" +p289758 +sg225236 +S'1952' +p289759 +sa(dp289760 +g225232 +S'M.C. Escher' +p289761 +sg225240 +g27 +sg225234 +S'woodcut in blue and brown, printed from two blocks, on wove paper' +p289762 +sg225230 +S"Earth, New Year's greeting-card 1953" +p289763 +sg225236 +S'1952' +p289764 +sa(dp289765 +g225232 +S'M.C. Escher' +p289766 +sg225240 +g27 +sg225234 +S'woodcut in green and brown, printed from two blocks, on wove paper' +p289767 +sg225230 +S"Air, New Year's greeting-card 1954" +p289768 +sg225236 +S'1952' +p289769 +sa(dp289770 +g225232 +S'M.C. Escher' +p289771 +sg225240 +g27 +sg225234 +S'woodcut in yellow and orange, printed from two blocks, on wove paper' +p289772 +sg225230 +S"Fire, New Year's greeting-card 1955" +p289773 +sg225236 +S'1952' +p289774 +sa(dp289775 +g225232 +S'M.C. Escher' +p289776 +sg225240 +g27 +sg225234 +S'woodcut in green and blue, printed from two blocks, on wove paper' +p289777 +sg225230 +S"Water, New Year's greeting-card 1956" +p289778 +sg225236 +S'1952' +p289779 +sa(dp289780 +g225232 +S'M.C. Escher' +p289781 +sg225240 +g27 +sg225234 +S'woodcut in blue and brown, printed from two blocks, on wove paper' +p289782 +sg225230 +S"Earth, New Year's greeting-card 1953" +p289783 +sg225236 +S'1952' +p289784 +sa(dp289785 +g225232 +S'M.C. Escher' +p289786 +sg225240 +g27 +sg225234 +S'woodcut in green and brown, printed from two blocks, on wove paper' +p289787 +sg225230 +S"Air, New Year's greeting-card 1954" +p289788 +sg225236 +S'1952' +p289789 +sa(dp289790 +g225232 +S'M.C. Escher' +p289791 +sg225240 +g27 +sg225234 +S'woodcut in yellow and orange, printed from two blocks, on wove paper' +p289792 +sg225230 +S"Fire, New Year's greeting-card 1955" +p289793 +sg225236 +S'1952' +p289794 +sa(dp289795 +g225232 +S'M.C. Escher' +p289796 +sg225240 +g27 +sg225234 +S'woodcut in green and blue, printed from two blocks, on wove paper' +p289797 +sg225230 +S"Water, New Year's greeting-card 1956" +p289798 +sg225236 +S'1952' +p289799 +sa(dp289800 +g225232 +S'M.C. Escher' +p289801 +sg225240 +g27 +sg225234 +S'wood engraving on light tan wove paper' +p289802 +sg225230 +S'Christmas card AKU' +p289803 +sg225236 +S'1955' +p289804 +sa(dp289805 +g225232 +S'M.C. Escher' +p289806 +sg225240 +g27 +sg225234 +S'woodcut in red on wove paper' +p289807 +sg225230 +S'Regular Division of the Plane I' +p289808 +sg225236 +S'1957' +p289809 +sa(dp289810 +g225232 +S'M.C. Escher' +p289811 +sg225240 +g27 +sg225234 +S'woodcut in red on wove paper' +p289812 +sg225230 +S'Regular Division of the Plane II' +p289813 +sg225236 +S'1957' +p289814 +sa(dp289815 +g225232 +S'M.C. Escher' +p289816 +sg225240 +g27 +sg225234 +S'woodcut in red on wove paper' +p289817 +sg225230 +S'Regular Division of the Plane III' +p289818 +sg225236 +S'1957' +p289819 +sa(dp289820 +g225232 +S'M.C. Escher' +p289821 +sg225240 +g27 +sg225234 +S'woodcut in red on wove paper' +p289822 +sg225230 +S'Regular Division of the Plane IV' +p289823 +sg225236 +S'1957' +p289824 +sa(dp289825 +g225232 +S'M.C. Escher' +p289826 +sg225240 +g27 +sg225234 +S'woodcut in red on wove paper' +p289827 +sg225230 +S'Regular Division of the Plane V' +p289828 +sg225236 +S'1957' +p289829 +sa(dp289830 +g225232 +S'M.C. Escher' +p289831 +sg225240 +g27 +sg225234 +S'woodcut in red on wove paper' +p289832 +sg225230 +S'Regular Division of the Plane VI' +p289833 +sg225236 +S'1957' +p289834 +sa(dp289835 +g225232 +S'M.C. Escher' +p289836 +sg225240 +g27 +sg225234 +S'woodcut on tracing paper' +p289837 +sg225230 +S'Perfume' +p289838 +sg225236 +S'1921' +p289839 +sa(dp289840 +g225232 +S'M.C. Escher' +p289841 +sg225240 +g27 +sg225234 +S'woodcut on wove paper' +p289842 +sg225230 +S'Perfume (Bad Smell)' +p289843 +sg225236 +S'1921' +p289844 +sa(dp289845 +g225232 +S'M.C. Escher' +p289846 +sg225240 +g27 +sg225234 +S'woodcut on tracing paper' +p289847 +sg225230 +S"Whore's Superstition" +p289848 +sg225236 +S'1921' +p289849 +sa(dp289850 +g225232 +S'M.C. Escher' +p289851 +sg225240 +g27 +sg225234 +S'woodcut on tracing paper' +p289852 +sg225230 +S'"Never Think before You Act"' +p289853 +sg225236 +S'1921' +p289854 +sa(dp289855 +g225232 +S'M.C. Escher' +p289856 +sg225240 +g27 +sg225234 +S'woodcut on light tan wove paper' +p289857 +sg225230 +S'"Never Think before You Act"' +p289858 +sg225236 +S'1921' +p289859 +sa(dp289860 +g225232 +S'M.C. Escher' +p289861 +sg225240 +g27 +sg225234 +S'woodcut on tracing paper' +p289862 +sg225230 +S'Fulfillment' +p289863 +sg225236 +S'1921' +p289864 +sa(dp289865 +g225232 +S'M.C. Escher' +p289866 +sg225240 +g27 +sg225234 +S'woodcut on tracing paper' +p289867 +sg225230 +S'The Scapegoat' +p289868 +sg225236 +S'1921' +p289869 +sa(dp289870 +g225232 +S'M.C. Escher' +p289871 +sg225240 +g27 +sg225234 +S'woodcut in purple on wove paper' +p289872 +sg225230 +S'Program "St. Matthew Passion"' +p289873 +sg225236 +S'1938' +p289874 +sa(dp289875 +g225232 +S'M.C. Escher' +p289876 +sg225240 +g27 +sg225234 +S'wood engraving on light tan wove paper' +p289877 +sg225230 +S'Devils' +p289878 +sg225236 +S'1950' +p289879 +sa(dp289880 +g225232 +S'M.C. Escher' +p289881 +sg225240 +g27 +sg225234 +S'woodcut on laid paper' +p289882 +sg225230 +S'Design for wrapping paper: De Bijenkorf' +p289883 +sg225236 +S'1933' +p289884 +sa(dp289885 +g225232 +S'M.C. Escher' +p289886 +sg225240 +g27 +sg225234 +S'wood engraving on light tan wove paper' +p289887 +sg225230 +S'Plane-filling Motif with Birds' +p289888 +sg225236 +S'1949' +p289889 +sa(dp289890 +g225232 +S'M.C. Escher' +p289891 +sg225240 +g27 +sg225234 +S'woodcut in four colors on gray wove paper' +p289892 +sg225230 +S'Birth announcement card of Arthur Escher' +p289893 +sg225236 +S'1928' +p289894 +sa(dp289895 +g225232 +S'M.C. Escher' +p289896 +sg225240 +g27 +sg225234 +S'woodcut on laid paper' +p289897 +sg225230 +S'Birth announcement card of Jan Escher' +p289898 +sg225236 +S'1938' +p289899 +sa(dp289900 +g225232 +S'M.C. Escher' +p289901 +sg225240 +g27 +sg225234 +S'wood engraving on laid paper' +p289902 +sg225230 +S'"E is een Ezel" (Donkey)' +p289903 +sg225236 +S'1953' +p289904 +sa(dp289905 +g225232 +S'M.C. Escher' +p289906 +sg225240 +g27 +sg225234 +S'wood engraving on laid paper' +p289907 +sg225230 +S'Fish' +p289908 +sg225236 +S'1956' +p289909 +sa(dp289910 +g225232 +S'M.C. Escher' +p289911 +sg225240 +g27 +sg225234 +S'woodcut on wove paper' +p289912 +sg225230 +S'Fish' +p289913 +sg225236 +S'published 1963' +p289914 +sa(dp289915 +g225232 +S'M.C. Escher' +p289916 +sg225240 +g27 +sg225234 +S'woodcut on wove paper' +p289917 +sg225230 +S'Fish' +p289918 +sg225236 +S'published 1963' +p289919 +sa(dp289920 +g225232 +S'M.C. Escher' +p289921 +sg225240 +g27 +sg225234 +S'wood engraving on wove paper' +p289922 +sg225230 +S'Fish' +p289923 +sg225236 +S'1954' +p289924 +sa(dp289925 +g225232 +S'M.C. Escher' +p289926 +sg225240 +g27 +sg225234 +S'linoleum cut on wove paper' +p289927 +sg225230 +S'Plane-filling Motif with Fish and Bird' +p289928 +sg225236 +S'1951' +p289929 +sa(dp289930 +g225232 +S'M.C. Escher' +p289931 +sg225240 +g27 +sg225234 +S'wood engraving on wove paper' +p289932 +sg225230 +S'Fish and Frogs' +p289933 +sg225236 +S'1949' +p289934 +sa(dp289935 +g225232 +S'M.C. Escher' +p289936 +sg225240 +g27 +sg225234 +S'wood engraving on off-white wove paper' +p289937 +sg225230 +S'Invitation' +p289938 +sg225236 +S'1931' +p289939 +sa(dp289940 +g225232 +S'M.C. Escher' +p289941 +sg225240 +g27 +sg225234 +S'woodcut on light tan wove paper' +p289942 +sg225230 +S'"M is een Muis" (Mouse)' +p289943 +sg225236 +S'1953' +p289944 +sa(dp289945 +g225232 +S'M.C. Escher' +p289946 +sg225240 +g27 +sg225234 +S'woodcut on light tan wove paper' +p289947 +sg225230 +S'Initial S' +p289948 +sg225236 +S'probably 1932' +p289949 +sa(dp289950 +g225232 +S'M.C. Escher' +p289951 +sg225240 +g27 +sg225234 +S'wood engraving on light tan wove paper' +p289952 +sg225230 +S'Man with Cuboid' +p289953 +sg225236 +S'probably 1958' +p289954 +sa(dp289955 +g225232 +S'M.C. Escher' +p289956 +sg225240 +g27 +sg225234 +S'woodcut on light tan wove paper' +p289957 +sg225230 +S"New Year's greeting-card 1947, Nederlandsche ExLibris-Kring" +p289958 +sg225236 +S'1946' +p289959 +sa(dp289960 +g225232 +S'M.C. Escher' +p289961 +sg225240 +g27 +sg225234 +S'woodcut on light tan wove paper' +p289962 +sg225230 +S"New Year's greeting-card 1947, Nederlandsche ExLibris-Kring" +p289963 +sg225236 +S'1946' +p289964 +sa(dp289965 +g225232 +S'M.C. Escher' +p289966 +sg225240 +g27 +sg225234 +S'wood engraving on wove paper' +p289967 +sg225230 +S'Horses and Birds' +p289968 +sg225236 +S'1949' +p289969 +sa(dp289970 +g225232 +S'M.C. Escher' +p289971 +sg225240 +g27 +sg225234 +S'woodcut on wove paper' +p289972 +sg225230 +S'Vignette for "XIIme Congres Postal Universel"' +p289973 +sg225236 +S'1947' +p289974 +sa(dp289975 +g225232 +S'M.C. Escher' +p289976 +sg225240 +g27 +sg225234 +S'woodcut on wove paper' +p289977 +sg225230 +S'Self-Portrait in Spherical Mirror' +p289978 +sg225236 +S'1950' +p289979 +sa(dp289980 +g225232 +S'M.C. Escher' +p289981 +sg225240 +g27 +sg225234 +S'woodcut in red on laid paper' +p289982 +sg225230 +S'Emblem for Restaurant Insulinde, The Hague' +p289983 +sg225236 +S'1944' +p289984 +sa(dp289985 +g225232 +S'M.C. Escher' +p289986 +sg225240 +g27 +sg225234 +S'linoleum cut in green on light tan wove paper' +p289987 +sg225230 +S'Bookplate T. de Ridder' +p289988 +sg225236 +S'1918' +p289989 +sa(dp289990 +g225232 +S'M.C. Escher' +p289991 +sg225240 +g27 +sg225234 +S'wood engraving on wove paper' +p289992 +sg225230 +S'Larix' +p289993 +sg225236 +S'1961' +p289994 +sa(dp289995 +g225232 +S'M.C. Escher' +p289996 +sg225240 +g27 +sg225234 +S'woodcut on wove paper' +p289997 +sg225230 +S'Tree' +p289998 +sg225236 +S'1926' +p289999 +sa(dp290000 +g225232 +S'M.C. Escher' +p290001 +sg225240 +g27 +sg225234 +S'wood engraving on light tan wove paper' +p290002 +sg225230 +S'Trees and Animals' +p290003 +sg225236 +S'1953' +p290004 +sa(dp290005 +g225232 +S'M.C. Escher' +p290006 +sg225240 +g27 +sg225234 +S'woodcut on off-white wove paper' +p290007 +sg225230 +S'Trademark' +p290008 +sg225236 +S'1935' +p290009 +sa(dp290010 +g225232 +S'M.C. Escher' +p290011 +sg225240 +g27 +sg225234 +S'woodcut in brown on off-white tracing paper' +p290012 +sg225230 +S'Bookplate R.I.H.' +p290013 +sg225236 +S'1919' +p290014 +sa(dp290015 +g225232 +S'M.C. Escher' +p290016 +sg225240 +g27 +sg225234 +S'linoleum cut in brown on tan wove paper' +p290017 +sg225230 +S'Bookplate Heleen van Thienen' +p290018 +sg225236 +S'1917' +p290019 +sa(dp290020 +g225232 +S'M.C. Escher' +p290021 +sg225240 +g27 +sg225234 +S'linoleum cut in blue and black, printed from two blocks, with graphite on light tan wove paper' +p290022 +sg225230 +S'Bookplate Bastian Kist' +p290023 +sg225236 +S'probably 1916' +p290024 +sa(dp290025 +g225232 +S'M.C. Escher' +p290026 +sg225240 +g27 +sg225234 +S'linoleum cut on brown wove paper' +p290027 +sg225230 +S'Bookplate M.C. Escher' +p290028 +sg225236 +S'1917' +p290029 +sa(dp290030 +g225232 +S'M.C. Escher' +p290031 +sg225240 +g27 +sg225234 +S'linoleum cut in brown and green, printed from one block, on light tan wove paper' +p290032 +sg225230 +S'Two Bells' +p290033 +sg225236 +S'1918' +p290034 +sa(dp290035 +g225232 +S'M.C. Escher' +p290036 +sg225240 +g27 +sg225234 +S'woodcut on light tan wove paper' +p290037 +sg225230 +S'White Cat' +p290038 +sg225236 +S'1919' +p290039 +sa(dp290040 +g225232 +S'M.C. Escher' +p290041 +sg225240 +g27 +sg225234 +S'linoleum cut on laid paper' +p290042 +sg225230 +S'Hen with Egg' +p290043 +sg225236 +S'1917' +p290044 +sa(dp290045 +g225232 +S'M.C. Escher' +p290046 +sg225240 +g27 +sg225234 +S'linoleum cut in green and brown on wove paper' +p290047 +sg225230 +S'Baby' +p290048 +sg225236 +S'1917' +p290049 +sa(dp290050 +g225232 +S'M.C. Escher' +p290051 +sg225240 +g27 +sg225234 +S'linoleum cut in brown on light tan paper' +p290052 +sg225230 +S'Chrysanthemum' +p290053 +sg225236 +S'probably 1916' +p290054 +sa(dp290055 +g225232 +S'M.C. Escher' +p290056 +sg225240 +g27 +sg225234 +S'woodcut in orange' +p290057 +sg225230 +S'(Color test for unidentified print)' +p290058 +sg225236 +S'unknown date\n' +p290059 +sa(dp290060 +g225232 +S'M.C. Escher' +p290061 +sg225240 +g27 +sg225234 +S'woodcut in blue' +p290062 +sg225230 +S'(Color test for unidentified print)' +p290063 +sg225236 +S'1971' +p290064 +sa(dp290065 +g225232 +S'M.C. Escher' +p290066 +sg225240 +g27 +sg225234 +S'woodcut in red' +p290067 +sg225230 +S'(Color test for unidentified print)' +p290068 +sg225236 +S'1971' +p290069 +sa(dp290070 +g225232 +S'M.C. Escher' +p290071 +sg225240 +g27 +sg225234 +S'linoleum cut in brown with graphite borders on ta n paper' +p290072 +sg225230 +S'Young Thrush' +p290073 +sg225236 +S'1917' +p290074 +sa(dp290075 +g225232 +S'M.C. Escher' +p290076 +sg225240 +g27 +sg225234 +S'linoleum cut in olive green on light tan wove paper' +p290077 +sg225230 +S'Fiet van Stolk-Van der Does de Willebois' +p290078 +sg225236 +S'1918' +p290079 +sa(dp290080 +g225232 +S'M.C. Escher' +p290081 +sg225240 +g27 +sg225234 +S'etching on off-white wove paper' +p290082 +sg225230 +S'Railway Bridge Across the Rhine at Oosterbeek' +p290083 +sg225236 +S'probably 1917' +p290084 +sa(dp290085 +g225232 +S'M.C. Escher' +p290086 +sg225240 +g27 +sg225234 +S'wood engraving on wove paper' +p290087 +sg225230 +S'Larix' +p290088 +sg225236 +S'1961' +p290089 +sa(dp290090 +g225232 +S'M.C. Escher' +p290091 +sg225240 +g27 +sg225234 +S'linoleum cut on light tan wove paper' +p290092 +sg225230 +S'Sunflowers' +p290093 +sg225236 +S'1918' +p290094 +sa(dp290095 +g225232 +S'M.C. Escher' +p290096 +sg225240 +g27 +sg225234 +S'linoleum cut in brown on light tan wove paper' +p290097 +sg225230 +S'Waves' +p290098 +sg225236 +S'1918' +p290099 +sa(dp290100 +g225232 +S'M.C. Escher' +p290101 +sg225240 +g27 +sg225234 +S'linoleum cut on light tan wove paper' +p290102 +sg225230 +S'The Borger Oak, Oosterbeek' +p290103 +sg225236 +S'1919' +p290104 +sa(dp290105 +g225232 +S'Gerd Arntz' +p290106 +sg225240 +g27 +sg225234 +S'lino-cut on wove paper' +p290107 +sg225230 +S'Letter "A"' +p290108 +sg225236 +S'published 1953' +p290109 +sa(dp290110 +g225232 +S'Various Artists' +p290111 +sg225240 +g27 +sg225234 +S'page size: 19.9 x 13.9 cm (7 13/16 x 5 1/2 in.)' +p290112 +sg225230 +S'Grafisch ABC' +p290113 +sg225236 +S'\nportfolio with table of contents and 26 prints in various techniques' +p290114 +sa(dp290115 +g225232 +S'Hubert Bekman' +p290116 +sg225240 +g27 +sg225234 +S'woodcut on wove paper' +p290117 +sg225230 +S'Letter "B"' +p290118 +sg225236 +S'published 1953' +p290119 +sa(dp290120 +g225232 +S'Pam Georg Rueter' +p290121 +sg225240 +g27 +sg225234 +S'woodcut on wove paper' +p290122 +sg225230 +S'Letter "C"' +p290123 +sg225236 +S'published 1953' +p290124 +sa(dp290125 +g225232 +S'Jenny Dalenoord' +p290126 +sg225240 +g27 +sg225234 +S'linoleum cut on wove paper' +p290127 +sg225230 +S'Letter "D"' +p290128 +sg225236 +S'published 1953' +p290129 +sa(dp290130 +g225232 +S'M.C. Escher' +p290131 +sg225240 +g27 +sg225234 +S'wood engraving on wove paper' +p290132 +sg225230 +S'"E is een Ezel" (Donkey)' +p290133 +sg225236 +S'published 1953' +p290134 +sa(dp290135 +g225232 +S'Wim Beuning' +p290136 +sg225240 +g27 +sg225234 +S'woodcut on wove paper' +p290137 +sg225230 +S'Letter "F"' +p290138 +sg225236 +S'published 1953' +p290139 +sa(dp290140 +g225232 +S'Jan Giesen' +p290141 +sg225240 +g27 +sg225234 +S'wood engraving on wove paper' +p290142 +sg225230 +S'Letter "G"' +p290143 +sg225236 +S'published 1953' +p290144 +sa(dp290145 +g225232 +S'Hans Marinus van Dokkum' +p290146 +sg225240 +g27 +sg225234 +S'wood engraving on wove paper' +p290147 +sg225230 +S'Letter "H"' +p290148 +sg225236 +S'published 1953' +p290149 +sa(dp290150 +g225232 +S'Ina Rahusen' +p290151 +sg225240 +g27 +sg225234 +S'woodcut on wove paper' +p290152 +sg225230 +S'Letter "I"' +p290153 +sg225236 +S'published 1953' +p290154 +sa(dp290155 +g225232 +S'Cor de Wolff' +p290156 +sg225240 +g27 +sg225234 +S'woodcut on wove paper' +p290157 +sg225230 +S'Letter "J"' +p290158 +sg225236 +S'published 1953' +p290159 +sa(dp290160 +g225232 +S'Harry van Kruiningen' +p290161 +sg225240 +g27 +sg225234 +S'lithograph on wove paper' +p290162 +sg225230 +S'Letter "K"' +p290163 +sg225236 +S'published 1953' +p290164 +sa(dp290165 +g225232 +S'Jacobus Marie Prange' +p290166 +sg225240 +g27 +sg225234 +S'woodcut on wove paper' +p290167 +sg225230 +S'Letter "L"' +p290168 +sg225236 +S'published 1953' +p290169 +sa(dp290170 +g225232 +S'M.C. Escher' +p290171 +sg225240 +g27 +sg225234 +S'woodcut on wove paper' +p290172 +sg225230 +S'"M is een Muis" (Mouse)' +p290173 +sg225236 +S'published 1953' +p290174 +sa(dp290175 +g225232 +S'Nico Bulder' +p290176 +sg225240 +g27 +sg225234 +S'wood engraving on wove paper' +p290177 +sg225230 +S'Letter "N"' +p290178 +sg225236 +S'published 1953' +p290179 +sa(dp290180 +g225232 +S'Jeanne Bieruma Oosting' +p290181 +sg225240 +g27 +sg225234 +S'wood engraving on wove paper' +p290182 +sg225230 +S'Letter "O"' +p290183 +sg225236 +S'published 1953' +p290184 +sa(dp290185 +g225232 +S'Jacobus Marie Prange' +p290186 +sg225240 +g27 +sg225234 +S'wood engraving on wove paper' +p290187 +sg225230 +S'Letter "P"' +p290188 +sg225236 +S'published 1953' +p290189 +sa(dp290190 +g225232 +S'Ru van Rossem' +p290191 +sg225240 +g27 +sg225234 +S'wood engraving on wove paper' +p290192 +sg225230 +S'Letter "Q"' +p290193 +sg225236 +S'published 1953' +p290194 +sa(dp290195 +g225232 +S'Pam Georg Rueter' +p290196 +sg225240 +g27 +sg225234 +S'wood engraving on wove paper' +p290197 +sg225230 +S'Letter "R"' +p290198 +sg225236 +S'published 1953' +p290199 +sa(dp290200 +g225232 +S'Ap Sok' +p290201 +sg225240 +g27 +sg225234 +S'woodcut on wove paper' +p290202 +sg225230 +S'Letter "S"' +p290203 +sg225236 +S'published 1953' +p290204 +sa(dp290205 +g225232 +S'Thijs Mauve' +p290206 +sg225240 +g27 +sg225234 +S'wood engraving on wove paper' +p290207 +sg225230 +S'Letter "T"' +p290208 +sg225236 +S'published 1953' +p290209 +sa(dp290210 +g225232 +S'Dick van Luijn' +p290211 +sg225240 +g27 +sg225234 +S'wood engraving on wove paper' +p290212 +sg225230 +S'Letter "U"' +p290213 +sg225236 +S'published 1953' +p290214 +sa(dp290215 +g225232 +S'Hans Marinus van Dokkum' +p290216 +sg225240 +g27 +sg225234 +S'wood engraving on wove paper' +p290217 +sg225230 +S'Letter "V"' +p290218 +sg225236 +S'published 1953' +p290219 +sa(dp290220 +g225232 +S'Cor de Wolff' +p290221 +sg225240 +g27 +sg225234 +S'woodcut on wove paper' +p290222 +sg225230 +S'Letter "W"' +p290223 +sg225236 +S'published 1953' +p290224 +sa(dp290225 +g225232 +S'Dirk van Gelder' +p290226 +sg225240 +g27 +sg225234 +S'wood engraving on wove paper' +p290227 +sg225230 +S'Letter "X"' +p290228 +sg225236 +S'published 1953' +p290229 +sa(dp290230 +g225232 +S'Pam Georg Rueter' +p290231 +sg225240 +g27 +sg225234 +S'wood engraving on wove paper' +p290232 +sg225230 +S'Letter "Y"' +p290233 +sg225236 +S'published 1953' +p290234 +sa(dp290235 +g225232 +S'Wim Zwiers' +p290236 +sg225240 +g27 +sg225234 +S'linoleum cut on wove paper' +p290237 +sg225230 +S'Letter "Z"' +p290238 +sg225236 +S'published 1953' +p290239 +sa(dp290240 +g225232 +S'Artist Information (' +p290241 +sg225240 +g27 +sg225234 +S'(author)' +p290242 +sg225230 +S'XXIV Emblemata dat zijn zinne-beelden' +p290243 +sg225236 +S'\n' +p290244 +sa(dp290245 +g225232 +S'Artist Information (' +p290246 +sg225240 +g27 +sg225234 +S'(author)' +p290247 +sg225230 +S'Het Bezwaarde Hart' +p290248 +sg225236 +S'\n' +p290249 +sa(dp290250 +g225232 +S'M.C. Escher' +p290251 +sg225240 +g27 +sg225234 +S'woodcut on wove paper' +p290252 +sg225230 +S'The Troubled Heart' +p290253 +sg225236 +S'1937' +p290254 +sa(dp290255 +g225232 +S'M.C. Escher' +p290256 +sg225240 +g27 +sg225234 +S'woodcut' +p290257 +sg225230 +S'The Troubled Heart' +p290258 +sg225236 +S'1937' +p290259 +sa(dp290260 +g225232 +S'M.C. Escher' +p290261 +sg225240 +g27 +sg225234 +S'1 vol: ill: 6 woodcuts in black on gray wove paper; extra set of 6 plates in red accompany volume (1983.109.43-48)' +p290262 +sg225230 +S'Regelmatige vlakverdeling' +p290263 +sg225236 +S'published 1958' +p290264 +sa(dp290265 +g225232 +S'Artist Information (' +p290266 +sg225240 +g27 +sg225234 +S'(author)' +p290267 +sg225230 +S'De vreeselijke avonturen van Scholastica' +p290268 +sg225236 +S'\n' +p290269 +sa(dp290270 +g225232 +S'Samuel Jessurun de Mesquita' +p290271 +sg225240 +g27 +sg225234 +S'etching with gray, blue and brown wash' +p290272 +sg225230 +S'Untitled' +p290273 +sg225236 +S'1927' +p290274 +sa(dp290275 +g225232 +S'Gertraud Brausewetter' +p290276 +sg225240 +g27 +sg225234 +S'woodcut' +p290277 +sg225230 +S'Adam and Eve in the Garden of Eden' +p290278 +sg225236 +S'1918' +p290279 +sa(dp290280 +g225232 +S'Gertraud Brausewetter' +p290281 +sg225240 +g27 +sg225234 +S'woodcut' +p290282 +sg225230 +S'The Christ Child with the Virgin Mary' +p290283 +sg225236 +S'1917' +p290284 +sa(dp290285 +g225232 +S'M.C. Escher' +p290286 +sg225240 +g27 +sg225234 +S'linoleum cut in blue and brown on brown paper' +p290287 +sg225230 +S'Baby' +p290288 +sg225236 +S'1917' +p290289 +sa(dp290290 +g225232 +S'M.C. Escher' +p290291 +sg225240 +g27 +sg225234 +S'linoleum cut' +p290292 +sg225230 +S'Sunflowers' +p290293 +sg225236 +S'1918' +p290294 +sa(dp290295 +g225232 +S'M.C. Escher' +p290296 +sg225240 +g27 +sg225234 +S'linoleum cut in two browns, printed from two blocks, on brown paper' +p290297 +sg225230 +S'Self-Portrait' +p290298 +sg225236 +S'1918' +p290299 +sa(dp290300 +g225230 +S'Siena' +p290301 +sg225232 +S'M.C. Escher' +p290302 +sg225234 +S'woodcut' +p290303 +sg225236 +S'1922' +p290304 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004b/a0004b5c.jpg' +p290305 +sg225240 +g27 +sa(dp290306 +g225230 +S'Serenade in Siena' +p290307 +sg225232 +S'M.C. Escher' +p290308 +sg225234 +S'woodcut' +p290309 +sg225236 +S'1923' +p290310 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004b/a0004b5d.jpg' +p290311 +sg225240 +g27 +sa(dp290312 +g225230 +S'Palm Tree' +p290313 +sg225232 +S'M.C. Escher' +p290314 +sg225234 +S'woodcut' +p290315 +sg225236 +S'1923' +p290316 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004b/a0004b5e.jpg' +p290317 +sg225240 +g27 +sa(dp290318 +g225232 +S'M.C. Escher' +p290319 +sg225240 +g27 +sg225234 +S'woodcut' +p290320 +sg225230 +S'G. Escher-Umiker' +p290321 +sg225236 +S'1925' +p290322 +sa(dp290323 +g225232 +S'M.C. Escher' +p290324 +sg225240 +g27 +sg225234 +S'woodcut' +p290325 +sg225230 +S'Cave Dwellings, Sicily' +p290326 +sg225236 +S'1933' +p290327 +sa(dp290328 +g225232 +S'M.C. Escher' +p290329 +sg225240 +g27 +sg225234 +S'woodcut' +p290330 +sg225230 +S"Colonnade of St. Peter's" +p290331 +sg225236 +S'1934' +p290332 +sa(dp290333 +g225232 +S'M.C. Escher' +p290334 +sg225240 +g27 +sg225234 +S'woodcut' +p290335 +sg225230 +S'San Nicola in Carcere' +p290336 +sg225236 +S'1934' +p290337 +sa(dp290338 +g225232 +S'M.C. Escher' +p290339 +sg225240 +g27 +sg225234 +S'woodcut' +p290340 +sg225230 +S'Colosseum' +p290341 +sg225236 +S'1934' +p290342 +sa(dp290343 +g225232 +S'M.C. Escher' +p290344 +sg225240 +g27 +sg225234 +S'wood engraving' +p290345 +sg225230 +S"St. Peter's from the Gianicolo" +p290346 +sg225236 +S'1935' +p290347 +sa(dp290348 +g225232 +S'Ben Shahn' +p290349 +sg225240 +g27 +sg225234 +S'screenprint in black with hand-coloring and applied gold leaf on Asian paper' +p290350 +sg225230 +S'Menorah' +p290351 +sg225236 +S'1965' +p290352 +sa(dp290353 +g225232 +S'Ben Shahn' +p290354 +sg225240 +g27 +sg225234 +S'gouache' +p290355 +sg225230 +S'Untitled' +p290356 +sg225236 +S'unknown date\n' +p290357 +sa(dp290358 +g225232 +S'Ernest Tino Trova' +p290359 +sg225240 +g27 +sg225234 +S'collage with mustard-yellow, pink, red and blue paper on pale yellow paper' +p290360 +sg225230 +S'Falling Man' +p290361 +sg225236 +S'1967' +p290362 +sa(dp290363 +g225232 +S'Bridget Riley' +p290364 +sg225240 +g27 +sg225234 +S'silkscreen in pink, green, blue, and gray on wove paper' +p290365 +sg225230 +S'Elapse' +p290366 +sg225236 +S'1982' +p290367 +sa(dp290368 +g225232 +S'Artist Information (' +p290369 +sg225240 +g27 +sg225234 +g27 +sg225230 +S'Sure Violet' +p290370 +sg225236 +S'(technical collaborator)' +p290371 +sa(dp290372 +g225230 +S'Kofelberg Oberammergau' +p290373 +sg225232 +S'Marsden Hartley' +p290374 +sg225234 +S'lithograph' +p290375 +sg225236 +S'1934' +p290376 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000ab4.jpg' +p290377 +sg225240 +g27 +sa(dp290378 +g225232 +S'David Hockney' +p290379 +sg225240 +g27 +sg225234 +S'lithograph in blue' +p290380 +sg225230 +S'Lithographic Water Made of Lines (Pool II-B)' +p290381 +sg225236 +S'1978' +p290382 +sa(dp290383 +g225232 +S'David Hockney' +p290384 +sg225240 +g27 +sg225234 +S'soft-ground and hard-ground etching in red and blue on Arches paper' +p290385 +sg225230 +S"Geography Book (F\xc3\xa9licit\xc3\xa9's only view from abroad)" +p290386 +sg225236 +S'1974' +p290387 +sa(dp290388 +g225232 +S'David Hockney' +p290389 +sg225240 +g27 +sg225234 +S'soft-ground and hard-ground etching in red and twoblues on Inveresk paper' +p290390 +sg225230 +S'Gregory' +p290391 +sg225236 +S'1974' +p290392 +sa(dp290393 +g225232 +S'David Hockney' +p290394 +sg225240 +g27 +sg225234 +S'5-color etching on Arches paper' +p290395 +sg225230 +S'Godetia' +p290396 +sg225236 +S'1973' +p290397 +sa(dp290398 +g225232 +S'Ed Ruscha' +p290399 +sg225240 +g27 +sg225234 +S'3-color screenprint on Panache paper' +p290400 +sg225230 +S'Home with Complete Electronic Security System' +p290401 +sg225236 +S'1982' +p290402 +sa(dp290403 +g225232 +S'Louis Lozowick' +p290404 +sg225240 +g27 +sg225234 +S'lithograph on wove paper' +p290405 +sg225230 +S'Above the City' +p290406 +sg225236 +S'1932' +p290407 +sa(dp290408 +g225232 +S'John Grazier' +p290409 +sg225240 +g27 +sg225234 +S'lithograph in black' +p290410 +sg225230 +S'Breaking Up' +p290411 +sg225236 +S'1976' +p290412 +sa(dp290413 +g225232 +S'John Grazier' +p290414 +sg225240 +g27 +sg225234 +S'lithograph in black' +p290415 +sg225230 +S'Memory of a Porch' +p290416 +sg225236 +S'1975' +p290417 +sa(dp290418 +g225232 +S'Artist Information (' +p290419 +sg225240 +g27 +sg225234 +S'(artist)' +p290420 +sg225230 +S'Differentes vues de quelques restes de trois grands edifices ... de Pesto' +p290421 +sg225236 +S'\n' +p290422 +sa(dp290423 +g225232 +S'Giovanni Battista Piranesi' +p290424 +sg225240 +g27 +sg225234 +S'etching, engraving, sulphur tint or open bite on laid paper' +p290425 +sg225230 +S'Title Plate' +p290426 +sg225236 +S'published 1761' +p290427 +sa(dp290428 +g225232 +S'Giovanni Battista Piranesi' +p290429 +sg225240 +g27 +sg225234 +S'etching and engraving on laid paper' +p290430 +sg225230 +S'The Man on the Rack' +p290431 +sg225236 +S'published 1761' +p290432 +sa(dp290433 +g225230 +S'The Round Tower' +p290434 +sg225232 +S'Giovanni Battista Piranesi' +p290435 +sg225234 +S'etching, engraving, sulphur tint or open bite, and burnishing on laid paper' +p290436 +sg225236 +S'published 1761' +p290437 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00054/a000548a.jpg' +p290438 +sg225240 +g27 +sa(dp290439 +g225232 +S'Giovanni Battista Piranesi' +p290440 +sg225240 +g27 +sg225234 +S'etching, engraving, sulphur tint or open bite, and burnishing on laid paper' +p290441 +sg225230 +S'The Grand Piazza' +p290442 +sg225236 +S'published 1761' +p290443 +sa(dp290444 +g225232 +S'Giovanni Battista Piranesi' +p290445 +sg225240 +g27 +sg225234 +S'etching and engraving on laid paper' +p290446 +sg225230 +S'The Lion Bas-Reliefs' +p290447 +sg225236 +S'published 1761' +p290448 +sa(dp290449 +g225232 +S'Giovanni Battista Piranesi' +p290450 +sg225240 +g27 +sg225234 +S'etching, engraving, sulphur tint or open bite, and burnishing on laid paper' +p290451 +sg225230 +S'The Smoking Fire' +p290452 +sg225236 +S'published 1761' +p290453 +sa(dp290454 +g225232 +S'Giovanni Battista Piranesi' +p290455 +sg225240 +g27 +sg225234 +S'etching and engraving with scratching on laid paper' +p290456 +sg225230 +S'The Drawbridge' +p290457 +sg225236 +S'published 1761' +p290458 +sa(dp290459 +g225232 +S'Giovanni Battista Piranesi' +p290460 +sg225240 +g27 +sg225234 +S'etching and engraving on laid paper' +p290461 +sg225230 +S'The Staircase with Trophies' +p290462 +sg225236 +S'published 1761' +p290463 +sa(dp290464 +g225232 +S'Giovanni Battista Piranesi' +p290465 +sg225240 +g27 +sg225234 +S'etching and engraving on laid paper' +p290466 +sg225230 +S'The Giant Wheel' +p290467 +sg225236 +S'published 1761' +p290468 +sa(dp290469 +g225232 +S'Giovanni Battista Piranesi' +p290470 +sg225240 +g27 +sg225234 +S'etching, engraving, sulphur tint or open bite, and burnishing on laid paper' +p290471 +sg225230 +S'Prisoners on a Projecting Platform' +p290472 +sg225236 +S'published 1761' +p290473 +sa(dp290474 +g225232 +S'Giovanni Battista Piranesi' +p290475 +sg225240 +g27 +sg225234 +S'etching, engraving, scratching, sulphur tint or open bite, and drypoint on laid paper' +p290476 +sg225230 +S'The Arch with a Shell Ornament' +p290477 +sg225236 +S'published 1761' +p290478 +sa(dp290479 +g225232 +S'Giovanni Battista Piranesi' +p290480 +sg225240 +g27 +sg225234 +S'etching, engraving, sulphur tint or open bite, and scratching on laid paper' +p290481 +sg225230 +S'The Sawhorse' +p290482 +sg225236 +S'published 1761' +p290483 +sa(dp290484 +g225232 +S'Giovanni Battista Piranesi' +p290485 +sg225240 +g27 +sg225234 +S'etching, engraving, scratching, burnishing, and lavis on laid paper' +p290486 +sg225230 +S'The Well' +p290487 +sg225236 +S'published 1761' +p290488 +sa(dp290489 +g225232 +S'Giovanni Battista Piranesi' +p290490 +sg225240 +g27 +sg225234 +S'etching, engraving, sulphur tint or open bite, and burnishing on laid paper' +p290491 +sg225230 +S'The Gothic Arch' +p290492 +sg225236 +S'published 1761' +p290493 +sa(dp290494 +g225232 +S'Giovanni Battista Piranesi' +p290495 +sg225240 +g27 +sg225234 +S'etching, engraving, sulphur tint or open bite, and burnishing on laid paper' +p290496 +sg225230 +S'The Pier with a Lamp' +p290497 +sg225236 +S'published 1761' +p290498 +sa(dp290499 +g225232 +S'Giovanni Battista Piranesi' +p290500 +sg225240 +g27 +sg225234 +S'etching, engraving, sulphur tint or open bite, and burnishing on laid paper' +p290501 +sg225230 +S'The Pier with Chains' +p290502 +sg225236 +S'published 1761' +p290503 +sa(dp290504 +g225232 +S'Artist Information (' +p290505 +sg225240 +g27 +sg225234 +S'(artist)' +p290506 +sg225230 +S'Villa Pamphilia eiusque Palatium cum suis prospectibus, statuae, fontes, vivaria, the' +p290507 +sg225236 +S'\n' +p290508 +sa(dp290509 +g225232 +S'Artist Information (' +p290510 +sg225240 +g27 +sg225234 +S'(artist after)' +p290511 +sg225230 +S'Camillus Pamphilius' +p290512 +sg225236 +S'\n' +p290513 +sa(dp290514 +g225232 +S'Dominique Barri\xc3\xa8re' +p290515 +sg225240 +g27 +sg225234 +S'etching' +p290516 +sg225230 +S'(Half-Title with a stone gate and garden view)' +p290517 +sg225236 +S'unknown date\n' +p290518 +sa(dp290519 +g225230 +S'Horseman and Attendants at the Edge of a Wood' +p290520 +sg225232 +S'Roelant Roghman' +p290521 +sg225234 +S'black chalk and gray wash on laid paper' +p290522 +sg225236 +S'unknown date\n' +p290523 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00072/a000721a.jpg' +p290524 +sg225240 +g27 +sa(dp290525 +g225232 +S'Giorgio De Chirico' +p290526 +sg225240 +g27 +sg225234 +S'lithograph on wove paper' +p290527 +sg225230 +S'Bagni Misteriosi' +p290528 +sg225236 +S'unknown date\n' +p290529 +sa(dp290530 +g225232 +S'American 20th Century' +p290531 +sg225240 +g27 +sg225234 +S'overall: 49.3 x 75.8 cm (19 7/16 x 29 13/16 in.)' +p290532 +sg225230 +S'View of Constitution Avenue Entrance to the National Gallery' +p290533 +sg225236 +S'\npen and brown ink with gray wash' +p290534 +sa(dp290535 +g225230 +S'Lovers in a Thunderstorm' +p290536 +sg225232 +S'Daniel Nikolaus Chodowiecki' +p290537 +sg225234 +S'pen and black and brown ink with gray wash and white heightening over black chalk on buff laid paper' +p290538 +sg225236 +S'unknown date\n' +p290539 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f18.jpg' +p290540 +sg225240 +g27 +sa(dp290541 +g225230 +S'Fan Design [recto]' +p290542 +sg225232 +S'Lovis Corinth' +p290543 +sg225234 +S'graphite on green paper' +p290544 +sg225236 +S'probably 1906' +p290545 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00020/a0002026.jpg' +p290546 +sg225240 +g27 +sa(dp290547 +g225230 +S'Fan Design [verso]' +p290548 +sg225232 +S'Lovis Corinth' +p290549 +sg225234 +S'graphite on green paper' +p290550 +sg225236 +S'probably 1906' +p290551 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00072/a00072ef.jpg' +p290552 +sg225240 +g27 +sa(dp290553 +g225230 +S'Seated Young Woman [recto]' +p290554 +sg225232 +S'Lovis Corinth' +p290555 +sg225234 +S'graphite on wove paper' +p290556 +sg225236 +S'1889' +p290557 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00072/a0007283.jpg' +p290558 +sg225240 +g27 +sa(dp290559 +g225232 +S'Lovis Corinth' +p290560 +sg225240 +g27 +sg225234 +S'graphite on wove paper' +p290561 +sg225230 +S'Reclining Female; Seated Man in a Top Hat [verso]' +p290562 +sg225236 +S'probably c. 1889' +p290563 +sa(dp290564 +g225230 +S'The Nauwerk Family' +p290565 +sg225232 +S'Johan Christian Dahl' +p290566 +sg225234 +S'pen and brown ink over graphite on laid paper' +p290567 +sg225236 +S'1819' +p290568 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006a/a0006a57.jpg' +p290569 +sg225240 +g27 +sa(dp290570 +g225230 +S'Nude Woman' +p290571 +sg225232 +S'Arthur B. Davies' +p290572 +sg225234 +S'graphite over black crayon on light green paper' +p290573 +sg225236 +S'unknown date\n' +p290574 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a00008d0.jpg' +p290575 +sg225240 +g27 +sa(dp290576 +g225230 +S'Oriental in a Fantastic Headdress' +p290577 +sg225232 +S'Christian Wilhelm Ernst Dietrich' +p290578 +sg225234 +S'pen and brown ink on laid paper' +p290579 +sg225236 +S'1731/1732' +p290580 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006d76.jpg' +p290581 +sg225240 +g27 +sa(dp290582 +g225230 +S'Two Men Resting near a Lake' +p290583 +sg225232 +S'Johann Christoph Dietzsch' +p290584 +sg225234 +S'black chalk with gray and black wash' +p290585 +sg225236 +S'unknown date\n' +p290586 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00079/a00079a7.jpg' +p290587 +sg225240 +g27 +sa(dp290588 +g225230 +S'Travelers in a Rocky Wood' +p290589 +sg225232 +S'Johann Christoph Dietzsch' +p290590 +sg225234 +S'black chalk with gray and black wash' +p290591 +sg225236 +S'unknown date\n' +p290592 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00079/a00079a8.jpg' +p290593 +sg225240 +g27 +sa(dp290594 +g225230 +S'The Assassination of King Wenzel III' +p290595 +sg225232 +S'Josef von F\xc3\xbchrich' +p290596 +sg225234 +S'pen and black ink with gray and light brown wash' +p290597 +sg225236 +S'unknown date\n' +p290598 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00069/a0006990.jpg' +p290599 +sg225240 +g27 +sa(dp290600 +g225230 +S'Studies for a Boatman' +p290601 +sg225232 +S'Otto Greiner' +p290602 +sg225234 +S'black and blue chalk on red-brown paper' +p290603 +sg225236 +S'unknown date\n' +p290604 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006fe2.jpg' +p290605 +sg225240 +g27 +sa(dp290606 +g225230 +S'Studies of Men in Togas [recto]' +p290607 +sg225232 +S'Otto Greiner' +p290608 +sg225234 +S'black chalk on wove paper' +p290609 +sg225236 +S'unknown date\n' +p290610 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f88.jpg' +p290611 +sg225240 +g27 +sa(dp290612 +g225232 +S'Otto Greiner' +p290613 +sg225240 +g27 +sg225234 +S'black chalk on wove paper' +p290614 +sg225230 +S'Studies of Monks [verso]' +p290615 +sg225236 +S'unknown date\n' +p290616 +sa(dp290617 +g225230 +S'View of Trento' +p290618 +sg225232 +S'Albert Emil Kirchner' +p290619 +sg225234 +S'pen and brown ink with gouache heightened with white on brown paper' +p290620 +sg225236 +S'unknown date\n' +p290621 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006efa.jpg' +p290622 +sg225240 +g27 +sa(dp290623 +g225230 +S'Wallachian Wagoners Resting' +p290624 +sg225232 +S'Johann Adam Klein' +p290625 +sg225234 +S'graphite and pen and ink' +p290626 +sg225236 +S'probably c. 1813' +p290627 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006d99.jpg' +p290628 +sg225240 +g27 +sa(dp290629 +g225230 +S'Satyrs and Nymphs' +p290630 +sg225232 +S'Martin Johann Schmidt' +p290631 +sg225234 +S'pen and brown ink with correction in lead white' +p290632 +sg225236 +S'c. 1765' +p290633 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00069/a0006984.jpg' +p290634 +sg225240 +g27 +sa(dp290635 +g225230 +S'Road through the Woods near Kresselbach' +p290636 +sg225232 +S'T. Lamey' +p290637 +sg225234 +S'pen and black ink with brown wash on laid paper' +p290638 +sg225236 +S'1805' +p290639 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00071/a000716a.jpg' +p290640 +sg225240 +g27 +sa(dp290641 +g225230 +S'Flight of Stone Steps in a Garden' +p290642 +sg225232 +S'Adolph Menzel' +p290643 +sg225234 +S'graphite' +p290644 +sg225236 +S'unknown date\n' +p290645 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00072/a000728b.jpg' +p290646 +sg225240 +g27 +sa(dp290647 +g225230 +S'A Young Couple Seated near a Massive Rock Formation' +p290648 +sg225232 +S'Johann August Nahl II' +p290649 +sg225234 +S'pen and brown ink with brown wash over graphite on laid paper' +p290650 +sg225236 +S'unknown date\n' +p290651 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00079/a0007999.jpg' +p290652 +sg225240 +g27 +sa(dp290653 +g225230 +S'Head of a Young Woman' +p290654 +sg225232 +S'Moritz Daniel Oppenheim' +p290655 +sg225234 +S'graphite' +p290656 +sg225236 +S'unknown date\n' +p290657 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006fc6.jpg' +p290658 +sg225240 +g27 +sa(dp290659 +g225230 +S'View of Capri' +p290660 +sg225232 +S'Gustaf Wilhelm Palm' +p290661 +sg225234 +S'graphite and gray wash' +p290662 +sg225236 +S'1841' +p290663 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006a/a0006ab1.jpg' +p290664 +sg225240 +g27 +sa(dp290665 +g225232 +S'Max Pechstein' +p290666 +sg225240 +g27 +sg225234 +S'watercolor over graphite' +p290667 +sg225230 +S'Lovers by the Seashore' +p290668 +sg225236 +S'1919' +p290669 +sa(dp290670 +g225230 +S'Scene from Act IV from Goethe\'s "Gotz von Berlichingen"' +p290671 +sg225232 +S'Franz Pforr' +p290672 +sg225234 +S'pen and black ink with gray wash' +p290673 +sg225236 +S'c. 1810' +p290674 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006ce1.jpg' +p290675 +sg225240 +g27 +sa(dp290676 +g225230 +S'View of Salzburg' +p290677 +sg225232 +S'Johann Georg von Dillis' +p290678 +sg225234 +S'pen and gray ink with gray and brown washes, heightened with pink, over graphite on blue paper' +p290679 +sg225236 +S'1820s' +p290680 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00065/a00065cb.jpg' +p290681 +sg225240 +g27 +sa(dp290682 +g225230 +S'Alpine Landscape' +p290683 +sg225232 +S'Friedrich Salath\xc3\xa9' +p290684 +sg225234 +S'gouache over graphite' +p290685 +sg225236 +S'unknown date\n' +p290686 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006a/a0006a28.jpg' +p290687 +sg225240 +g27 +sa(dp290688 +g225230 +S'Studies of Hands' +p290689 +sg225232 +S'John Singer Sargent' +p290690 +sg225234 +S'black chalk on gray paper' +p290691 +sg225236 +S'unknown date\n' +p290692 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004fcd.jpg' +p290693 +sg225240 +g27 +sa(dp290694 +g225230 +S'Figure Studies of a Nude Youth' +p290695 +sg225232 +S'John Singer Sargent' +p290696 +sg225234 +S'black chalk on laid paper' +p290697 +sg225236 +S'unknown date\n' +p290698 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0004f/a0004fce.jpg' +p290699 +sg225240 +g27 +sa(dp290700 +g225230 +S'Market Scene' +p290701 +sg225232 +S'Anton Wachsmann' +p290702 +sg225234 +S'pen and black ink with gray wash over graphite' +p290703 +sg225236 +S'c. 1800' +p290704 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00071/a0007156.jpg' +p290705 +sg225240 +g27 +sa(dp290706 +g225230 +S'Vincenzio Piombi' +p290707 +sg225232 +S'Jean-Baptiste Joseph Wicar' +p290708 +sg225234 +S'black chalk on laid paper' +p290709 +sg225236 +S'unknown date\n' +p290710 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006e95.jpg' +p290711 +sg225240 +g27 +sa(dp290712 +g225230 +S'Portrait of a Girl' +p290713 +sg225232 +S'Adrian Zingg' +p290714 +sg225234 +S'graphite within an etched frame on laid paper' +p290715 +sg225236 +S'unknown date\n' +p290716 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006a/a0006a1d.jpg' +p290717 +sg225240 +g27 +sa(dp290718 +g225230 +S'Allegorical Female Figure in a Landscape [recto]' +p290719 +sg225232 +S'German 17th Century' +p290720 +sg225234 +S'overall: 14.7 x 20.4 cm (5 13/16 x 8 1/16 in.)' +p290721 +sg225236 +S'\npen and brown ink with gray and brown wash' +p290722 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006dc2.jpg' +p290723 +sg225240 +g27 +sa(dp290724 +g225232 +S'German 17th Century' +p290725 +sg225240 +g27 +sg225234 +S'overall: 20.4 x 14.7 cm (8 1/16 x 5 13/16 in.)' +p290726 +sg225230 +S'Street Scene [verso]' +p290727 +sg225236 +S'\nred chalk' +p290728 +sa(dp290729 +g225230 +S'Water and Earth/Autumn and Winter' +p290730 +sg225232 +S'Swiss 16th Century' +p290731 +sg225234 +S'overall: 20.3 x 20.9 cm (8 x 8 1/4 in.)' +p290732 +sg225236 +S'\npen and black ink with gray wash' +p290733 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006a/a0006a12.jpg' +p290734 +sg225240 +g27 +sa(dp290735 +g225230 +S'Seated Girl in Peasant Costume' +p290736 +sg225232 +S'Swiss 19th Century' +p290737 +sg225234 +S'overall (approximate): 31.9 x 25.5 cm (12 9/16 x 10 1/16 in.)' +p290738 +sg225236 +S'\nblack crayon' +p290739 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006a/a0006a30.jpg' +p290740 +sg225240 +g27 +sa(dp290741 +g225230 +S'John Beale Bordley' +p290742 +sg225232 +S'Charles Willson Peale' +p290743 +sg225234 +S'oil on canvas' +p290744 +sg225236 +S'1770' +p290745 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00001/a00001a4.jpg' +p290746 +sg225240 +S"John Beale Bordley, a close friend of Charles Willson Peale, raised the funds\nin 1766 to send the young artist to London, where Peale trained under Benjamin West's\ntutelage. In the stormy years before the American Revolution, Bordley was a Maryland\nplanter, judge, and member of the Governor's Council. A fervent republican, he gave\nPeale his first major commission -- for life-size, symbolic portraits that were to\nbe exhibited in London as declarations of colonial opposition.\n The portrait addresses two political issues: America's agricultural self-sufficiency,\nand her fair treatment. The first of these concepts is referred to in the background,\nwhich depicts Bordley's plantation on Wye Island in the Chesapeake Bay. A peach\ntree and a packhorse signify America's abundance, while the grazing sheep speak\nfor freedom from imported, British woolens. The theme of tyranny dominates the foreground.\nBordley, trained as a lawyer, assumes an attitude of debate, raising his hand in\na gesture of argumentation. He points to a statue of British Liberty holding the\nscales of justice, reminding English viewers that the colonists lived under British\nlaw and, thus, were entitled to the rights it guaranteed. That Britain had violated\nthese rights is signified by the legal document, torn and discarded at Bordley's\nfeet. A poisonous plant at the statue's base -- the native American jimson weed --\nwarns of the deadly consequences of any attack on American civil liberties.\n " +p290747 +sa(dp290748 +g225230 +S'Cavalier with a Harlot' +p290749 +sg225232 +S'Netherlandish 17th Century' +p290750 +sg225234 +S'overall: 11.2 x 11.9 cm (4 7/16 x 4 11/16 in.)' +p290751 +sg225236 +S'\npen and brown ink' +p290752 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006ec1.jpg' +p290753 +sg225240 +g27 +sa(dp290754 +g225230 +S'Head of an Old Man' +p290755 +sg225232 +S'Gerrit Claesz Bleker' +p290756 +sg225234 +S', unknown date' +p290757 +sg225236 +S'\n' +p290758 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00070/a00070fb.jpg' +p290759 +sg225240 +g27 +sa(dp290760 +g225230 +S'The Risen Christ Surrounded by Saints' +p290761 +sg225232 +S'Jan Boeckhorst' +p290762 +sg225234 +S'colored wash with heightening' +p290763 +sg225236 +S'c. 1660' +p290764 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006d7c.jpg' +p290765 +sg225240 +g27 +sa(dp290766 +g225230 +S'Seated Cavalier' +p290767 +sg225232 +S'Jan Philipz van Bouckhorst' +p290768 +sg225234 +S', c. 1630' +p290769 +sg225236 +S'\n' +p290770 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00070/a000703d.jpg' +p290771 +sg225240 +g27 +sa(dp290772 +g225230 +S'Jacob Meyer-Heine' +p290773 +sg225232 +S'F\xc3\xa9lix Bracquemond' +p290774 +sg225234 +S'graphite with pen and black ink' +p290775 +sg225236 +S'1872' +p290776 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00070/a0007062.jpg' +p290777 +sg225240 +g27 +sa(dp290778 +g225230 +S'Tomb of Plautius' +p290779 +sg225232 +S'Bartholomeus Breenbergh' +p290780 +sg225234 +S'brown wash on laid paper' +p290781 +sg225236 +S'unknown date\n' +p290782 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006fdf.jpg' +p290783 +sg225240 +g27 +sa(dp290784 +g225230 +S'Erminia' +p290785 +sg225232 +S'Peter von Cornelius' +p290786 +sg225234 +S'pen and brown ink with gray wash over graphite on wove paper' +p290787 +sg225236 +S'unknown date\n' +p290788 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000b9/a000b954.jpg' +p290789 +sg225240 +g27 +sa(dp290790 +g225230 +S'View through the Trees at Tivoli [recto]' +p290791 +sg225232 +S'Jasper Francis Cropsey' +p290792 +sg225234 +S'graphite with brown wash on brown paper' +p290793 +sg225236 +S'1848' +p290794 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a00008ce.jpg' +p290795 +sg225240 +g27 +sa(dp290796 +g225232 +S'Jasper Francis Cropsey' +p290797 +sg225240 +g27 +sg225234 +S'graphite on brown paper' +p290798 +sg225230 +S'View of a Mountain [verso]' +p290799 +sg225236 +S'unknown date\n' +p290800 +sa(dp290801 +g225230 +S"The Poleman in the Ma'sh" +p290802 +sg225232 +S'Thomas Eakins' +p290803 +sg225234 +S'brown wash heightened with white over graphite and black chalk' +p290804 +sg225236 +S'c. 1881' +p290805 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00008/a00008da.jpg' +p290806 +sg225240 +g27 +sa(dp290807 +g225230 +S'The Angel of the Annunciation' +p290808 +sg225232 +S'Guercino' +p290809 +sg225234 +S', c. 1638/1639' +p290810 +sg225236 +S'\n' +p290811 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a0007461.jpg' +p290812 +sg225240 +g27 +sa(dp290813 +g225230 +S'Giovanni da Bologna' +p290814 +sg225232 +S'Joseph Heintz the Elder' +p290815 +sg225234 +S'black and red chalks on laid paper' +p290816 +sg225236 +S'c. 1587' +p290817 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00025/a0002553.jpg' +p290818 +sg225240 +g27 +sa(dp290819 +g225232 +S'Thomas Hovenden' +p290820 +sg225240 +g27 +sg225234 +S'charcoal on off-white laid paper' +p290821 +sg225230 +S'Standing Nude Girl' +p290822 +sg225236 +S'unknown date\n' +p290823 +sa(dp290824 +g225230 +S'"It is good candles which light the way"' +p290825 +sg225232 +S'Jacob Jordaens' +p290826 +sg225234 +S'pen and ink with brown wash and white heightening over black and red chalk on laid paper' +p290827 +sg225236 +S'1640s' +p290828 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00070/a00070aa.jpg' +p290829 +sg225240 +g27 +sa(dp290830 +g225230 +S'The Presentation in the Temple' +p290831 +sg225232 +S'Laurent de La Hyre' +p290832 +sg225234 +S'black chalk with gray wash on laid paper, with later framing line in black ink' +p290833 +sg225236 +S'c. 1648' +p290834 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0005f/a0005f5c.jpg' +p290835 +sg225240 +g27 +sa(dp290836 +g225230 +S'Head of a Macedonian Soldier' +p290837 +sg225232 +S'Charles Le Brun' +p290838 +sg225234 +S', c. 1668' +p290839 +sg225236 +S'\n' +p290840 +sg225238 +S'http://www.nga.gov:80/thumb-l/a0005f/a0005f84.jpg' +p290841 +sg225240 +g27 +sa(dp290842 +g225230 +S'Head of a Bearded Man' +p290843 +sg225232 +S'Benedetto Luti' +p290844 +sg225234 +S'pastel on laid paper' +p290845 +sg225236 +S'1715' +p290846 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a00074b3.jpg' +p290847 +sg225240 +g27 +sa(dp290848 +g225230 +S'The Judgment of Solomon' +p290849 +sg225232 +S'Master of the Liechtenstein Adoration' +p290850 +sg225234 +S'pen and ink with gray wash and heightening over black chalk on prepared paper' +p290851 +sg225236 +S'c. 1550' +p290852 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00079/a0007992.jpg' +p290853 +sg225240 +g27 +sa(dp290854 +g225230 +S'Studies for Saint Anne in "Education of the Virgin"' +p290855 +sg225232 +S'Agostino Masucci' +p290856 +sg225234 +S'black, red and blue chalk on blue laid paper' +p290857 +sg225236 +S'unknown date\n' +p290858 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a0007431.jpg' +p290859 +sg225240 +g27 +sa(dp290860 +g225230 +S'Studies of a Man Drinking' +p290861 +sg225232 +S'Adolph Menzel' +p290862 +sg225234 +S'graphite on wove paper' +p290863 +sg225236 +S'1888' +p290864 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00072/a00072c2.jpg' +p290865 +sg225240 +g27 +sa(dp290866 +g225230 +S'Sunlit Garden' +p290867 +sg225232 +S'Jean-Baptiste Millet' +p290868 +sg225234 +S'black chalk with gray wash' +p290869 +sg225236 +S'unknown date\n' +p290870 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00073/a00073f7.jpg' +p290871 +sg225240 +g27 +sa(dp290872 +g225230 +S'Christ and the Virgin with Music-Making Angels' +p290873 +sg225232 +S'Johann Friedrich Overbeck' +p290874 +sg225234 +S'graphite on wove paper' +p290875 +sg225236 +S'unknown date\n' +p290876 +sg225238 +S'http://www.nga.gov:80/thumb-l/a000ba/a000bade.jpg' +p290877 +sg225240 +g27 +sa(dp290878 +g225230 +S'Caliph Aladin and His Counselors' +p290879 +sg225232 +S'Giovanni Battista Piazzetta' +p290880 +sg225234 +S'black chalk (with extraneous marks in red chalk) on laid paper' +p290881 +sg225236 +S'late 1730s' +p290882 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00074/a0007432.jpg' +p290883 +sg225240 +g27 +sa(dp290884 +g225230 +S'Statue of a Female in a Toga' +p290885 +sg225232 +S'Hubert Robert' +p290886 +sg225234 +S'black chalk on laid paper' +p290887 +sg225236 +S'probably c. 1754/1765' +p290888 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00061/a00061d5.jpg' +p290889 +sg225240 +g27 +sa(dp290890 +g225232 +S'Hubert Robert' +p290891 +sg225240 +g27 +sg225234 +S'bound volume with 46 pages of 38 chalk and graphite drawings' +p290892 +sg225230 +S'Album of Drawings' +p290893 +sg225236 +S'probably c. 1754/1763' +p290894 +sa(dp290895 +g225230 +S'Statue of Abundance [recto]' +p290896 +sg225232 +S'Hubert Robert' +p290897 +sg225234 +S'black chalk' +p290898 +sg225236 +S'probably c. 1754/1765' +p290899 +sg225238 +S'http://www.nga.gov:80/thumb-l/a00061/a00061d2.jpg' +p290900 +sg225240 +g27 +sa(dp290901 +g225230 +S'Statue of a Roman Woman (Female Deity?) 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+S'http://www.nga.gov:80/thumb-l/a0005b/a0005b32.jpg' +p292292 +sg291136 +S"Cosimo Fancelli, from a family of stonemasons, sculpted the designs of key artists of the Italian baroque, including those of his friend, the Roman painter and architect Pietro da Cortona. Among Pietro's celebrated paintings are ceiling frescoes in the Barberini Palace, Rome, and the Pitti Palace, Florence. Smaller-scale sculptural works like this one, based on Pietro's design, reflect the same compositional balance and vitality.\n This work depicts Martina, the Christian daughter of a Roman consul who died for her refusal to worship the pagan gods. The palm of martyrdom appears at her feet along with an iron hook, one of the instruments of her torture. The Roman building in the background may be the temple of Apollo struck by lightning when Martina made the sign of the cross. As the Virgin and Child appear to her on a cloud, the excitement of the encounter is echoed by the swirling drapery patterns and the windblown sweep of distant trees.\n Pietro portrayed Saint Martina repeatedly after her remains were discovered in 1634 during reconstruction of the crypt in the church of the Academy of Saint Luke, which he was overseeing. In celebration, Pietro was commissioned to rebuild the entire church, renamed Saints Luke and Martina. He designed and collaborated with Fancelli on an alabaster and lapis lazuli relief version of the Martina image that still adorns the altar of her shrine in the crypt. This gilt bronze relief is among the best of the several other sculptural interpretations of the theme.\n " +p292293 +sa(dp292294 +g291130 +S'black crayon on orange-brown paper' +p292295 +sg291132 +S'1955' +p292296 +sg291134 +S'Indian Standing with Hand on Hip' +p292297 +sg291136 +g27 +sg291137 +S'Courtney Allen' +p292298 +sa(dp292299 +g291130 +S'black crayon on tan paper' +p292300 +sg291132 +S'1955' +p292301 +sg291134 +S'Nude Indian, Leaning on a Pole' +p292302 +sg291136 +g27 +sg291137 +S'Courtney Allen' +p292303 +sa(dp292304 +g291134 +S'Man in a Great Coat' +p292305 +sg291137 +S'Artist Information (' +p292306 +sg291130 +S'(artist)' +p292307 +sg291132 +S'\n' +p292308 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f09a.jpg' +p292309 +sg291136 +g27 +sa(dp292310 +g291130 +S'graphite on tracing paper' +p292311 +sg291132 +S'1924' +p292312 +sg291134 +S'Quai Vert, Bruges' +p292313 +sg291136 +g27 +sg291137 +S'John Taylor Arms' +p292314 +sa(dp292315 +g291130 +S'graphite on wove paper' +p292316 +sg291132 +S'1950' +p292317 +sg291134 +S'The Clock Tower, Tr\xc3\xa9brivan' +p292318 +sg291136 +g27 +sg291137 +S'John Taylor Arms' +p292319 +sa(dp292320 +g291130 +S'black chalk' +p292321 +sg291132 +S'1929' +p292322 +sg291134 +S'Sore Throat' +p292323 +sg291136 +g27 +sg291137 +S'Peggy Bacon' +p292324 +sa(dp292325 +g291130 +S'graphite on tracing paper' +p292326 +sg291132 +S'unknown date\n' +p292327 +sg291134 +S'Belinda' +p292328 +sg291136 +g27 +sg291137 +S'Peggy Bacon' +p292329 +sa(dp292330 +g291130 +S'black chalk on tracing paper' +p292331 +sg291132 +S'unknown date\n' +p292332 +sg291134 +S'Alfred Stieglitz' +p292333 +sg291136 +g27 +sg291137 +S'Peggy Bacon' +p292334 +sa(dp292335 +g291130 +S'pen and brown ink' +p292336 +sg291132 +S'1918' +p292337 +sg291134 +S'Newburgh on the Hudson' +p292338 +sg291136 +g27 +sg291137 +S'Gifford Beal' +p292339 +sa(dp292340 +g291130 +S'black chalk with blue and white gouache and gray wash over graphite' +p292341 +sg291132 +S'unknown date\n' +p292342 +sg291134 +S'After Deck' +p292343 +sg291136 +g27 +sg291137 +S'Carroll Bill' +p292344 +sa(dp292345 +g291134 +S'Koln, Maria-Capitol' +p292346 +sg291137 +S'Oscar F. 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+S'Francis Luis Mora' +p292762 +sg291130 +S'graphite on tracing paper' +p292763 +sg291132 +S'unknown date\n' +p292764 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000ea/a000ea3b.jpg' +p292765 +sg291136 +g27 +sa(dp292766 +g291134 +S'Hunter and Fleeing Deer' +p292767 +sg291137 +S'Thomas Moran' +p292768 +sg291130 +S'graphite with blue wash' +p292769 +sg291132 +S'unknown date\n' +p292770 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0de.jpg' +p292771 +sg291136 +g27 +sa(dp292772 +g291130 +S'pen and black ink with watercolor' +p292773 +sg291132 +S'1940' +p292774 +sg291134 +S'Near Sheepshead Bay, Brooklyn' +p292775 +sg291136 +g27 +sg291137 +S'Ira Moskowitz' +p292776 +sa(dp292777 +g291130 +S'pen and brown ink over graphite' +p292778 +sg291132 +S'1931' +p292779 +sg291134 +S'Standing Female Nude' +p292780 +sg291136 +g27 +sg291137 +S'Ira Moskowitz' +p292781 +sa(dp292782 +g291130 +S'pen and black ink' +p292783 +sg291132 +S'1944' +p292784 +sg291134 +S'Seated Indian Woman' +p292785 +sg291136 +g27 +sg291137 +S'Ira Moskowitz' +p292786 +sa(dp292787 +g291134 +S'William Agur Tomlinson, M.D.' +p292788 +sg291137 +S'Reuben Moulthrop' +p292789 +sg291130 +S', second half of 18th century' +p292790 +sg291132 +S'\n' +p292791 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f098.jpg' +p292792 +sg291136 +g27 +sa(dp292793 +g291134 +S'East Side Market' +p292794 +sg291137 +S'Jerome Myers' +p292795 +sg291130 +S'black and colored chalk on gray paper' +p292796 +sg291132 +S'unknown date\n' +p292797 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e4bd.jpg' +p292798 +sg291136 +g27 +sa(dp292799 +g291134 +S'The Gallery [recto]' +p292800 +sg291137 +S'Jerome Myers' +p292801 +sg291130 +S'black chalk' +p292802 +sg291132 +S'unknown date\n' +p292803 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000e2/a000e26e.jpg' +p292804 +sg291136 +g27 +sa(dp292805 +g291130 +S'black chalk' +p292806 +sg291132 +S'unknown date\n' +p292807 +sg291134 +S'Dancing Figures [verso]' +p292808 +sg291136 +g27 +sg291137 +S'Jerome Myers' +p292809 +sa(dp292810 +g291130 +S'pen and brown ink with brown wash' +p292811 +sg291132 +S'unknown date\n' +p292812 +sg291134 +S'Standing Woman' +p292813 +sg291136 +g27 +sg291137 +S'Elie Nadelman' +p292814 +sa(dp292815 +g291130 +S'pen and black ink on light brown paper' +p292816 +sg291132 +S'unknown date\n' +p292817 +sg291134 +S'Central Park' +p292818 +sg291136 +g27 +sg291137 +S'E.G. Nelson' +p292819 +sa(dp292820 +g291130 +S'pen and brown ink over graphite on paperboard' +p292821 +sg291132 +S'unknown date\n' +p292822 +sg291134 +S'Low Tide, Yarmouth' +p292823 +sg291136 +g27 +sg291137 +S'Robert Hogg Nisbet' +p292824 +sa(dp292825 +g291130 +S'pen and brown and black ink over graphite heightened with white on paperboard' +p292826 +sg291132 +S'unknown date\n' +p292827 +sg291134 +S'Farm Buildings [recto]' +p292828 +sg291136 +g27 +sg291137 +S'Robert Hogg Nisbet' +p292829 +sa(dp292830 +g291130 +S'pen and black ink on paperboard' +p292831 +sg291132 +S'unknown date\n' +p292832 +sg291134 +S'Tree [verso]' +p292833 +sg291136 +g27 +sg291137 +S'Robert Hogg Nisbet' +p292834 +sa(dp292835 +g291130 +S'black, red and white chalk on brown laid paper' +p292836 +sg291132 +S'1942' +p292837 +sg291134 +S'William Henry Fox' +p292838 +sg291136 +g27 +sg291137 +S'Violet Oakley' +p292839 +sa(dp292840 +g291130 +S'pen and black ink with brown wash heightened with white on brown paper' +p292841 +sg291132 +S'1922' +p292842 +sg291134 +S'Dromedaries, London' +p292843 +sg291136 +g27 +sg291137 +S'Herman Palmer' +p292844 +sa(dp292845 +g291130 +S'pen and black ink with brown wash' +p292846 +sg291132 +S'1922' +p292847 +sg291134 +S'Two Studies of an Ocelot' +p292848 +sg291136 +g27 +sg291137 +S'Herman Palmer' +p292849 +sa(dp292850 +g291130 +S'pen and black ink with gray wash' +p292851 +sg291132 +S'1927' +p292852 +sg291134 +S'Mt. Shuksan, Washington' +p292853 +sg291136 +g27 +sg291137 +S'Roi Partridge' +p292854 +sa(dp292855 +g291130 +S'pen and brown ink with gray wash on paperboard' +p292856 +sg291132 +S'1925' +p292857 +sg291134 +S'Pines, Stewart Point, Monterey' +p292858 +sg291136 +g27 +sg291137 +S'Roi Partridge' +p292859 +sa(dp292860 +g291134 +S'The Harrow Inn' +p292861 +sg291137 +S'Joseph Pennell' +p292862 +sg291130 +S'graphite with gray wash' +p292863 +sg291132 +S'unknown date\n' +p292864 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e4c3.jpg' +p292865 +sg291136 +g27 +sa(dp292866 +g291130 +S'pen and black ink and brush and black ink with gray wash over touches of graphite on paperboard' +p292867 +sg291132 +S'1957' +p292868 +sg291134 +S'Pittsburgh Point Bridge Forms' +p292869 +sg291136 +g27 +sg291137 +S'Norton Peterson' +p292870 +sa(dp292871 +g291130 +S'graphite' +p292872 +sg291132 +S'unknown date\n' +p292873 +sg291134 +S'Standing Girl' +p292874 +sg291136 +g27 +sg291137 +S'Henry Clarence Pitz' +p292875 +sa(dp292876 +g291130 +S'graphite' +p292877 +sg291132 +S'unknown date\n' +p292878 +sg291134 +S'Horse at Rest' +p292879 +sg291136 +g27 +sg291137 +S'C.S. Price' +p292880 +sa(dp292881 +g291130 +S'brush and black ink' +p292882 +sg291132 +S'unknown date\n' +p292883 +sg291134 +S'Guy Pene du Bois' +p292884 +sg291136 +g27 +sg291137 +S'Henry Raleigh' +p292885 +sa(dp292886 +g291134 +S'European Elk' +p292887 +sg291137 +S'Peter Rindisbacher' +p292888 +sg291130 +S'gouache on wove paper' +p292889 +sg291132 +S'unknown date\n' +p292890 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0da.jpg' +p292891 +sg291136 +g27 +sa(dp292892 +g291130 +S'graphite' +p292893 +sg291132 +S'1924' +p292894 +sg291134 +S'Charles W. Elliot' +p292895 +sg291136 +g27 +sg291137 +S'Boardman Robinson' +p292896 +sa(dp292897 +g291130 +S'pen and brown ink and graphite with brown wash' +p292898 +sg291132 +S'1945' +p292899 +sg291134 +S'Shipyard Workers' +p292900 +sg291136 +g27 +sg291137 +S'Louis Conrad Rosenberg' +p292901 +sa(dp292902 +g291130 +S'pen and black ink' +p292903 +sg291132 +S'unknown date\n' +p292904 +sg291134 +S'Strike! Boston' +p292905 +sg291136 +g27 +sg291137 +S'Lewis W. Rubenstein' +p292906 +sa(dp292907 +g291130 +S'black chalk and watercolor on four juxtaposed sheets' +p292908 +sg291132 +S'1900' +p292909 +sg291134 +S'Paris' +p292910 +sg291136 +g27 +sg291137 +S'Everett Shinn' +p292911 +sa(dp292912 +g291130 +S'pen and black ink with watercolor and gouache over black chalk' +p292913 +sg291132 +S'1942' +p292914 +sg291134 +S'Fish Pier' +p292915 +sg291136 +g27 +sg291137 +S'George H. Shorey' +p292916 +sa(dp292917 +g291130 +S'red crayon on brown paper' +p292918 +sg291132 +S'unknown date\n' +p292919 +sg291134 +S'Houses in France' +p292920 +sg291136 +g27 +sg291137 +S'John Sloan' +p292921 +sa(dp292922 +g291134 +S'Newport Mountain from Bald Porcupine' +p292923 +sg291137 +S'George Henry Smillie' +p292924 +sg291130 +S'black and white chalk and watercolor on blue paper' +p292925 +sg291132 +S'unknown date\n' +p292926 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00009/a00009ce.jpg' +p292927 +sg291136 +g27 +sa(dp292928 +g291130 +S'pen and black ink with gray wash, squared with graphite' +p292929 +sg291132 +S'unknown date\n' +p292930 +sg291134 +S'East Lombard Street, Baltimore' +p292931 +sg291136 +g27 +sg291137 +S'Aaron Sopher' +p292932 +sa(dp292933 +g291130 +S'graphite on brown paper' +p292934 +sg291132 +S'c. 1900' +p292935 +sg291134 +S'Burlesque Theater' +p292936 +sg291136 +g27 +sg291137 +S'Joseph Stella' +p292937 +sa(dp292938 +g291130 +S'black chalk' +p292939 +sg291132 +S'unknown date\n' +p292940 +sg291134 +S'Seated Balinese Figure Seen from Behind' +p292941 +sg291136 +g27 +sg291137 +S'Maurice Sterne' +p292942 +sa(dp292943 +g291130 +S'charcoal' +p292944 +sg291132 +S'1920' +p292945 +sg291134 +S'Older Couple' +p292946 +sg291136 +g27 +sg291137 +S'Albert Edward Sterner' +p292947 +sa(dp292948 +g291130 +S'charcoal on brown paper' +p292949 +sg291132 +S'1946' +p292950 +sg291134 +S'J.D. Hatch' +p292951 +sg291136 +g27 +sg291137 +S'Albert Edward Sterner' +p292952 +sa(dp292953 +g291134 +S'Suffer the Little Children' +p292954 +sg291137 +S'Thomas Sully' +p292955 +sg291130 +S'gouache on blue paper' +p292956 +sg291132 +S'unknown date\n' +p292957 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00009/a00009e1.jpg' +p292958 +sg291136 +g27 +sa(dp292959 +g291130 +S'gouache and watercolor over touches of graphite' +p292960 +sg291132 +S'unknown date\n' +p292961 +sg291134 +S'Self-Portrait' +p292962 +sg291136 +g27 +sg291137 +S'Thomas Sully' +p292963 +sa(dp292964 +g291130 +S'white chalk on brown paper' +p292965 +sg291132 +S'unknown date\n' +p292966 +sg291134 +S'Two Female Nudes' +p292967 +sg291136 +g27 +sg291137 +S'Augustus Vincent Tack' +p292968 +sa(dp292969 +g291134 +S'Mounted Arabs' +p292970 +sg291137 +S'Elihu Vedder' +p292971 +sg291130 +S'black chalk on folded blue paper' +p292972 +sg291132 +S'unknown date\n' +p292973 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000f1/a000f106.jpg' +p292974 +sg291136 +g27 +sa(dp292975 +g291130 +S'black chalk' +p292976 +sg291132 +S'1905' +p292977 +sg291134 +S'Standing Figure' +p292978 +sg291136 +g27 +sg291137 +S'Abraham Walkowitz' +p292979 +sa(dp292980 +g291134 +S'The Dalles of St. Louis' +p292981 +sg291137 +S'Alfred R. Waud' +p292982 +sg291130 +S'graphite (stumping in areas) and pen and black ink heightened with white' +p292983 +sg291132 +S'unknown date\n' +p292984 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0ef.jpg' +p292985 +sg291136 +g27 +sa(dp292986 +g291134 +S'Study for "The Bailey Family"' +p292987 +sg291137 +S'Robert Walter Weir' +p292988 +sg291130 +S'watercolor over graphite with touches of pen and black ink' +p292989 +sg291132 +S'unknown date\n' +p292990 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0ec.jpg' +p292991 +sg291136 +g27 +sa(dp292992 +g291134 +S'Wood Interior' +p292993 +sg291137 +S'Charles Herbert Woodbury' +p292994 +sg291130 +S'graphite' +p292995 +sg291132 +S'1920' +p292996 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000eb/a000eb93.jpg' +p292997 +sg291136 +g27 +sa(dp292998 +g291134 +S'St. Kitts' +p292999 +sg291137 +S'Charles Herbert Woodbury' +p293000 +sg291130 +S'graphite' +p293001 +sg291132 +S'unknown date\n' +p293002 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e4dd.jpg' +p293003 +sg291136 +g27 +sa(dp293004 +g291134 +S'St. Vincent' +p293005 +sg291137 +S'Charles Herbert Woodbury' +p293006 +sg291130 +S'graphite' +p293007 +sg291132 +S'unknown date\n' +p293008 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e4dc.jpg' +p293009 +sg291136 +g27 +sa(dp293010 +g291134 +S'Ogunquit Fisherman' +p293011 +sg291137 +S'Charles Herbert Woodbury' +p293012 +sg291130 +S'black crayon' +p293013 +sg291132 +S'unknown date\n' +p293014 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e4db.jpg' +p293015 +sg291136 +g27 +sa(dp293016 +g291134 +S'Engine Trouble' +p293017 +sg291137 +S'Charles Herbert Woodbury' +p293018 +sg291130 +S'black crayon' +p293019 +sg291132 +S'unknown date\n' +p293020 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e4de.jpg' +p293021 +sg291136 +g27 +sa(dp293022 +g291130 +S'pen and black ink with black wash on laid paper' +p293023 +sg291132 +S'1931' +p293024 +sg291134 +S'Ploughman and Horses' +p293025 +sg291136 +g27 +sg291137 +S'R. Stevens Wright' +p293026 +sa(dp293027 +g291130 +S'metalpoint on calendered paper' +p293028 +sg291132 +S'unknown date\n' +p293029 +sg291134 +S'Navaho Land' +p293030 +sg291136 +g27 +sg291137 +S'Mahonri MacKintosh Young' +p293031 +sa(dp293032 +g291130 +S'1 vol: very early issue, datable 1757, containing first printing of "Lettere di Giustificazione" (2 letters only); ill: 72 etchings including frontispiece' +p293033 +sg291132 +S'published 1757' +p293034 +sg291134 +S'Le Antichit\xc3\xa0 Romane (volume I)' +p293035 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p293036 +sa(dp293037 +g291130 +S'1 vol: very early issue, datable 1757; ill: 62 etchings including frontispiece' +p293038 +sg291132 +S'published 1757' +p293039 +sg291134 +S'Le Antichit\xc3\xa0 Romane (volume II)' +p293040 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p293041 +sa(dp293042 +g291130 +S'1 vol: very early issue, datable 1757; ill: 54 etchings (plates numbered I-LIV)' +p293043 +sg291132 +S'published 1757' +p293044 +sg291134 +S'Le Antichit\xc3\xa0 Romane (volume III)' +p293045 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p293046 +sa(dp293047 +g291130 +S'1 vol: very early issue, datable 1757; ill: 56 etchings including frontispiece' +p293048 +sg291132 +S'published 1757' +p293049 +sg291134 +S'Le Antichit\xc3\xa0 Romane (volume IV)' +p293050 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p293051 +sa(dp293052 +g291130 +S'etching on laid paper' +p293053 +sg291132 +S'1756' +p293054 +sg291134 +S'Foundations of the Mausoleum of Hadrian' +p293055 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p293056 +sa(dp293057 +g291134 +S'Varie vedute di Roma antica e moderna disegnate e intagliate da celebri autori' +p293058 +sg291137 +S'Artist Information (' +p293059 +sg291130 +S'(artist)' +p293060 +sg291132 +S'\n' +p293061 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005d/a0005d5b.jpg' +p293062 +sg291136 +g27 +sa(dp293063 +g291130 +S'1 vol: ill: etched frontispiece (Foc. 146), etched title page, 4 head- and 1 tail-piece and 8 etchings (1 folding, rest full-page, versos blank)' +p293064 +sg291132 +S'published 1757' +p293065 +sg291134 +S"Lettere di Giustificazione scritte a Milord Charlemont e a' di lui Agenti di Roma" +p293066 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p293067 +sa(dp293068 +g291130 +S'(artist)' +p293069 +sg291132 +S'\n' +p293070 +sg291134 +S"Il Campo Marzio dell'antica Roma" +p293071 +sg291136 +g27 +sg291137 +S'Artist Information (' +p293072 +sa(dp293073 +g291130 +S'(artist)' +p293074 +sg291132 +S'\n' +p293075 +sg291134 +S"Trofeo O Sia Magnifico Colonna Coclide De Marmo...; Colonna Traiana; Colonna dell' Aposteosi di Antonino e Faustina; Colonna Antonina" +p293076 +sg291136 +g27 +sg291137 +S'Artist Information (' +p293077 +sa(dp293078 +g291130 +S'(artist)' +p293079 +sg291132 +S'\n' +p293080 +sg291134 +S'[Album of Prints]' +p293081 +sg291136 +g27 +sg291137 +S'Artist Information (' +p293082 +sa(dp293083 +g291130 +S'1 vol: ill: engraved title page, preface plate, and 18 etched and engraved double page plates printed on 36 leaves' +p293084 +sg291132 +S'published 1748' +p293085 +sg291134 +S'Nova Pianta di Roma Data in Luce Da Giambattista Nolli...' +p293086 +sg291136 +g27 +sg291137 +S'Giovanni Battista Nolli' +p293087 +sa(dp293088 +g291130 +S'drypoint' +p293089 +sg291132 +S'1965' +p293090 +sg291134 +S'DE-6' +p293091 +sg291136 +g27 +sg291137 +S'Jir\xc3\xad Balcar' +p293092 +sa(dp293093 +g291130 +S'color lithograph' +p293094 +sg291132 +S'1980' +p293095 +sg291134 +S'The State Capital, Albany, NY' +p293096 +sg291136 +g27 +sg291137 +S'Richard John Haas' +p293097 +sa(dp293098 +g291130 +S'color lithograph' +p293099 +sg291132 +S'1982' +p293100 +sg291134 +S'View of the Mall from the Castle Tower' +p293101 +sg291136 +g27 +sg291137 +S'Richard John Haas' +p293102 +sa(dp293103 +g291134 +S'Christ Carrying the Cross' +p293104 +sg291137 +S'Italian 16th Century' +p293105 +sg291130 +S'overall (approximate): 51.5 x 41.6 cm (20 1/4 x 16 3/8 in.)' +p293106 +sg291132 +S'\nhand-colored woodcut' +p293107 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c89b.jpg' +p293108 +sg291136 +g27 +sa(dp293109 +g291134 +S'Mountain Landscape' +p293110 +sg291137 +S'Erhard Altdorfer' +p293111 +sg291130 +S'etching on laid paper' +p293112 +sg291132 +S'1510/1525' +p293113 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a7a1.jpg' +p293114 +sg291136 +g27 +sa(dp293115 +g291134 +S'Venice' +p293116 +sg291137 +S'James McNeill Whistler' +p293117 +sg291130 +S'etching touched with gray wash on wove paper' +p293118 +sg291132 +S'1879/1880' +p293119 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000ab/a000ab9d.jpg' +p293120 +sg291136 +g27 +sa(dp293121 +g291134 +S'Funeral Monument to the Daughters of Feuerabend' +p293122 +sg291137 +S'German 16th Century' +p293123 +sg291130 +S'plate: 50 x 35 cm (19 11/16 x 13 3/4 in.)' +p293124 +sg291132 +S'\nengraving on two joined sheets' +p293125 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b068.jpg' +p293126 +sg291136 +g27 +sa(dp293127 +g291130 +S'lithograph on heavy laid paper' +p293128 +sg291132 +S'unknown date\n' +p293129 +sg291134 +S'Angelica' +p293130 +sg291136 +g27 +sg291137 +S'Wilhelm Heise' +p293131 +sa(dp293132 +g291130 +S'lithograph on laid paper' +p293133 +sg291132 +S'unknown date\n' +p293134 +sg291134 +S"Frauenschuh (Lady's Slipper)" +p293135 +sg291136 +g27 +sg291137 +S'Wilhelm Heise' +p293136 +sa(dp293137 +g291130 +S'graphite on two joined sheets of tracing paper' +p293138 +sg291132 +S'1935' +p293139 +sg291134 +S'Frauenschuh' +p293140 +sg291136 +g27 +sg291137 +S'Wilhelm Heise' +p293141 +sa(dp293142 +g291134 +S'Allegory of Poverty Hindering Wit' +p293143 +sg291137 +S'Cornelis Cort' +p293144 +sg291130 +S'pen and brown ink on heavy laid paper' +p293145 +sg291132 +S'1565/1570' +p293146 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f99.jpg' +p293147 +sg291136 +g27 +sa(dp293148 +g291130 +S'reed pen and black ink' +p293149 +sg291132 +S'1912' +p293150 +sg291134 +S'Erna Lying on the Beach among Rocks' +p293151 +sg291136 +g27 +sg291137 +S'Ernst Ludwig Kirchner' +p293152 +sa(dp293153 +g291134 +S"Bouquet d'arbres au ruisseau (Stand of Trees on a River)" +p293154 +sg291137 +S'Henri-Joseph Harpignies' +p293155 +sg291130 +S'etching on oatmeal paper' +p293156 +sg291132 +S'1849' +p293157 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00098/a00098c3.jpg' +p293158 +sg291136 +g27 +sa(dp293159 +g291134 +S'Title-Border with Putti Holding the Pirckheimer Arms' +p293160 +sg291137 +S'Albrecht D\xc3\xbcrer' +p293161 +sg291130 +S'woodcut on laid paper' +p293162 +sg291132 +S'probably 1513' +p293163 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000ac/a000ac5a.jpg' +p293164 +sg291136 +g27 +sa(dp293165 +g291134 +S'Head of an Elderly Woman with Upturned Eyes' +p293166 +sg291137 +S'Antonio del Castillo' +p293167 +sg291130 +S'black chalk on laid paper' +p293168 +sg291132 +S'unknown date\n' +p293169 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00069/a00069fd.jpg' +p293170 +sg291136 +g27 +sa(dp293171 +g291134 +S'The Falconer' +p293172 +sg291137 +S'Jacques Callot' +p293173 +sg291130 +S'etching' +p293174 +sg291132 +S'unknown date\n' +p293175 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00083/a00083cc.jpg' +p293176 +sg291136 +g27 +sa(dp293177 +g291134 +S'A Spaniel Jumping' +p293178 +sg291137 +S'Jan Verkolje I' +p293179 +sg291130 +S'mezzotint on laid paper' +p293180 +sg291132 +S'1680' +p293181 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d456.jpg' +p293182 +sg291136 +g27 +sa(dp293183 +g291134 +S'The Entombment' +p293184 +sg291137 +S'Artist Information (' +p293185 +sg291130 +S'(artist after)' +p293186 +sg291132 +S'\n' +p293187 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d07f.jpg' +p293188 +sg291136 +g27 +sa(dp293189 +g291134 +S'Two Angels Holding a Coat of Arms' +p293190 +sg291137 +S'Jost Amman' +p293191 +sg291130 +S'pen and black ink with gray wash over chalk on two joined sheets' +p293192 +sg291132 +S'unknown date\n' +p293193 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006a/a0006a10.jpg' +p293194 +sg291136 +g27 +sa(dp293195 +g291134 +S'Anne of Austria' +p293196 +sg291137 +S'Artist Information (' +p293197 +sg291130 +S'(artist after)' +p293198 +sg291132 +S'\n' +p293199 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008b/a0008bc4.jpg' +p293200 +sg291136 +g27 +sa(dp293201 +g291134 +S'Anne of Austria' +p293202 +sg291137 +S'Artist Information (' +p293203 +sg291130 +S'(artist after)' +p293204 +sg291132 +S'\n' +p293205 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008b/a0008bc0.jpg' +p293206 +sg291136 +g27 +sa(dp293207 +g291134 +S"Arnauld d'Andilly" +p293208 +sg291137 +S'Artist Information (' +p293209 +sg291130 +S'(artist after)' +p293210 +sg291132 +S'\n' +p293211 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008b/a0008bc1.jpg' +p293212 +sg291136 +g27 +sa(dp293213 +g291134 +S"Charles de Valois, duc d'Angouleme" +p293214 +sg291137 +S'Artist Information (' +p293215 +sg291130 +S'(artist after)' +p293216 +sg291132 +S'\n' +p293217 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008b/a0008bbf.jpg' +p293218 +sg291136 +g27 +sa(dp293219 +g291134 +S'Saint Charles, Cardinal Borromeo' +p293220 +sg291137 +S'Artist Information (' +p293221 +sg291130 +S'(artist after)' +p293222 +sg291132 +S'\n' +p293223 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008b/a0008bc3.jpg' +p293224 +sg291136 +g27 +sa(dp293225 +g291134 +S'Saint Charles, Cardinal Borromeo' +p293226 +sg291137 +S'Artist Information (' +p293227 +sg291130 +S'(artist after)' +p293228 +sg291132 +S'\n' +p293229 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008b/a0008bbd.jpg' +p293230 +sg291136 +g27 +sa(dp293231 +g291134 +S'Honorine Grimberge, comtesse de Bossu' +p293232 +sg291137 +S'Jean Morin' +p293233 +sg291130 +S'etching, engraving, and stippling on laid paper' +p293234 +sg291132 +S'unknown date\n' +p293235 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008b/a0008bba.jpg' +p293236 +sg291136 +g27 +sa(dp293237 +g291134 +S'Armand de Bourbon-Conti' +p293238 +sg291137 +S'Artist Information (' +p293239 +sg291130 +S'(artist after)' +p293240 +sg291132 +S'\n' +p293241 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008b/a0008bc5.jpg' +p293242 +sg291136 +g27 +sa(dp293243 +g291134 +S'Theophile Brachet de la Milletiere' +p293244 +sg291137 +S'Artist Information (' +p293245 +sg291130 +S'(artist after)' +p293246 +sg291132 +S'\n' +p293247 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008b/a0008bbb.jpg' +p293248 +sg291136 +g27 +sa(dp293249 +g291134 +S'Anne Sophie Herbert, comtesse de Carnarvon' +p293250 +sg291137 +S'Artist Information (' +p293251 +sg291130 +S'(artist after)' +p293252 +sg291132 +S'\n' +p293253 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008b/a0008bbc.jpg' +p293254 +sg291136 +g27 +sa(dp293255 +g291134 +S'Gilbert de Choiseul du Plessis Praslin' +p293256 +sg291137 +S'Artist Information (' +p293257 +sg291130 +S'(artist after)' +p293258 +sg291132 +S'\n' +p293259 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008b/a0008bca.jpg' +p293260 +sg291136 +g27 +sa(dp293261 +g291134 +S'Gilbert de Choiseul du Plessis Praslin' +p293262 +sg291137 +S'Artist Information (' +p293263 +sg291130 +S'(artist after)' +p293264 +sg291132 +S'\n' +p293265 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008b/a0008bcc.jpg' +p293266 +sg291136 +g27 +sa(dp293267 +g291134 +S'Francois Potier, marquis de Gevres' +p293268 +sg291137 +S'Artist Information (' +p293269 +sg291130 +S'(artist after)' +p293270 +sg291132 +S'\n' +p293271 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008b/a0008bc7.jpg' +p293272 +sg291136 +g27 +sa(dp293273 +g291134 +S'Jean Francois Paul de Gondy' +p293274 +sg291137 +S'Artist Information (' +p293275 +sg291130 +S'(artist after)' +p293276 +sg291132 +S'\n' +p293277 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b5/a000b545.jpg' +p293278 +sg291136 +g27 +sa(dp293279 +g291134 +S'Henri de Lorraine, duc de Guise' +p293280 +sg291137 +S'Artist Information (' +p293281 +sg291130 +S'(artist after)' +p293282 +sg291132 +S'\n' +p293283 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008b/a0008bcd.jpg' +p293284 +sg291136 +g27 +sa(dp293285 +g291134 +S"Henri de Lorraine, comte d'Harcourt" +p293286 +sg291137 +S'Artist Information (' +p293287 +sg291130 +S'(artist after)' +p293288 +sg291132 +S'\n' +p293289 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008b/a0008bc9.jpg' +p293290 +sg291136 +g27 +sa(dp293291 +g291134 +S'Jean du Verger de Hauranne' +p293292 +sg291137 +S'Artist Information (' +p293293 +sg291130 +S'(artist after)' +p293294 +sg291132 +S'\n' +p293295 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008b/a0008bc6.jpg' +p293296 +sg291136 +g27 +sa(dp293297 +g291134 +S'Jean Verger de Hauranne' +p293298 +sg291137 +S'Artist Information (' +p293299 +sg291130 +S'(artist after)' +p293300 +sg291132 +S'\n' +p293301 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008b/a0008bc8.jpg' +p293302 +sg291136 +g27 +sa(dp293303 +g291134 +S'Henry II' +p293304 +sg291137 +S'Artist Information (' +p293305 +sg291130 +S'(artist after)' +p293306 +sg291132 +S'\n' +p293307 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008b/a0008bcf.jpg' +p293308 +sg291136 +g27 +sa(dp293309 +g291134 +S'Henry IV' +p293310 +sg291137 +S'Artist Information (' +p293311 +sg291130 +S'(artist after)' +p293312 +sg291132 +S'\n' +p293313 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008b/a0008bd0.jpg' +p293314 +sg291136 +g27 +sa(dp293315 +g291134 +S'Corneille Jansenius, Bishop of Ypres' +p293316 +sg291137 +S'Jean Morin' +p293317 +sg291130 +S'etching, engraving, and stippling on laid paper' +p293318 +sg291132 +S'unknown date\n' +p293319 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b5/a000b51c.jpg' +p293320 +sg291136 +g27 +sa(dp293321 +g291134 +S'Louis XI' +p293322 +sg291137 +S'Jean Morin' +p293323 +sg291130 +S'etching, engraving, and stippling on laid paper' +p293324 +sg291132 +S'unknown date\n' +p293325 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b5/a000b560.jpg' +p293326 +sg291136 +g27 +sa(dp293327 +g291134 +S'Louis XIII' +p293328 +sg291137 +S'Artist Information (' +p293329 +sg291130 +S'(artist after)' +p293330 +sg291132 +S'\n' +p293331 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b5/a000b522.jpg' +p293332 +sg291136 +g27 +sa(dp293333 +g291134 +S'Rene de Longueil, marquis de Maisons' +p293334 +sg291137 +S'Artist Information (' +p293335 +sg291130 +S'(artist after)' +p293336 +sg291132 +S'\n' +p293337 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b5/a000b56c.jpg' +p293338 +sg291136 +g27 +sa(dp293339 +g291134 +S'Michel de Marillac' +p293340 +sg291137 +S'Artist Information (' +p293341 +sg291130 +S'(artist after)' +p293342 +sg291132 +S'\n' +p293343 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b5/a000b569.jpg' +p293344 +sg291136 +g27 +sa(dp293345 +g291134 +S'Cardinal Mazarin' +p293346 +sg291137 +S'Artist Information (' +p293347 +sg291130 +S'(artist after)' +p293348 +sg291132 +S'\n' +p293349 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b5/a000b516.jpg' +p293350 +sg291136 +g27 +sa(dp293351 +g291134 +S'Jacques le Mercier' +p293352 +sg291137 +S'Artist Information (' +p293353 +sg291130 +S'(artist after)' +p293354 +sg291132 +S'\n' +p293355 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b5/a000b563.jpg' +p293356 +sg291136 +g27 +sa(dp293357 +g291134 +S'Philippe II, King of Spain' +p293358 +sg291137 +S'Artist Information (' +p293359 +sg291130 +S'(artist after)' +p293360 +sg291132 +S'\n' +p293361 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b5/a000b540.jpg' +p293362 +sg291136 +g27 +sa(dp293363 +g291134 +S'Cardinal Richelieu' +p293364 +sg291137 +S'Artist Information (' +p293365 +sg291130 +S'(artist after)' +p293366 +sg291132 +S'\n' +p293367 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b5/a000b542.jpg' +p293368 +sg291136 +g27 +sa(dp293369 +g291134 +S'Saint Francois de Sales' +p293370 +sg291137 +S'Jean Morin' +p293371 +sg291130 +S'etching, engraving, and stippling on laid paper' +p293372 +sg291132 +S'unknown date\n' +p293373 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008b/a0008bd1.jpg' +p293374 +sg291136 +g27 +sa(dp293375 +g291134 +S'Michel le Tellier' +p293376 +sg291137 +S'Artist Information (' +p293377 +sg291130 +S'(artist after)' +p293378 +sg291132 +S'\n' +p293379 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b5/a000b513.jpg' +p293380 +sg291136 +g27 +sa(dp293381 +g291134 +S'Jacques Auguste de Thou' +p293382 +sg291137 +S'Artist Information (' +p293383 +sg291130 +S'(artist after)' +p293384 +sg291132 +S'\n' +p293385 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b5/a000b548.jpg' +p293386 +sg291136 +g27 +sa(dp293387 +g291134 +S'Jacques Tuboeuf' +p293388 +sg291137 +S'Artist Information (' +p293389 +sg291130 +S'(artist after)' +p293390 +sg291132 +S'\n' +p293391 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b5/a000b531.jpg' +p293392 +sg291136 +g27 +sa(dp293393 +g291134 +S'Jean Baptiste Amidor Vignerod' +p293394 +sg291137 +S'Artist Information (' +p293395 +sg291130 +S'(artist after)' +p293396 +sg291132 +S'\n' +p293397 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b5/a000b53d.jpg' +p293398 +sg291136 +g27 +sa(dp293399 +g291134 +S'Francois de Villemontee' +p293400 +sg291137 +S'Artist Information (' +p293401 +sg291130 +S'(artist after)' +p293402 +sg291132 +S'\n' +p293403 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b5/a000b52b.jpg' +p293404 +sg291136 +g27 +sa(dp293405 +g291134 +S'Nicholas de Neufville, marquis de Villeroy' +p293406 +sg291137 +S'Artist Information (' +p293407 +sg291130 +S'(artist after)' +p293408 +sg291132 +S'\n' +p293409 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b5/a000b52e.jpg' +p293410 +sg291136 +g27 +sa(dp293411 +g291134 +S'Antoine Vitre' +p293412 +sg291137 +S'Artist Information (' +p293413 +sg291130 +S'(artist after)' +p293414 +sg291132 +S'\n' +p293415 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b5/a000b537.jpg' +p293416 +sg291136 +g27 +sa(dp293417 +g291134 +S'A Meadow with Cattle and Deer' +p293418 +sg291137 +S'Francis Barlow' +p293419 +sg291130 +S'pen and brown ink with gray wash on laid paper' +p293420 +sg291132 +S'1684' +p293421 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00072/a00072a5.jpg' +p293422 +sg291136 +g27 +sa(dp293423 +g291130 +S'bronze' +p293424 +sg291132 +S'probably c. 1918/1928' +p293425 +sg291134 +S'Torso of Venus' +p293426 +sg291136 +g27 +sg291137 +S'Aristide Maillol' +p293427 +sa(dp293428 +g291134 +S'The Martyrdom and Last Communion of Saint Lucy' +p293429 +sg291137 +S'Veronese' +p293430 +sg291130 +S'oil on canvas' +p293431 +sg291132 +S'c. 1582' +p293432 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00008/a0000832.jpg' +p293433 +sg291136 +S"While exposing her breast to the thrust of the dagger that will kill her, Saint\nLucy turns her head to accept communion from a priest. This unconventional addition\nof the sacrament to the scene of Lucy's martyrdom is a reminder of the Counter-Reformation\nclimate that shadowed Veronese's career. Twice, the artist had defended himself\nagainst allegations of impropriety in his treatment of religious subjects.\n Sketchily rendered in the background is a team of oxen; these are the beasts who\nhad failed to drag the chaste Lucy -- made miraculously immobile -- to the brothel where\nshe had been condemned for her Christian faith. A glimpse of fire behind Lucy alludes\nto another failed attempt to martyr this third-century saint.\n Veronese's own Venice, and not Lucy's ancient Syracuse, is made the backdrop to\nthis scene. A brilliant decorator, Veronese was celebrated for his sumptuous histories\nand mythologies which he translated into opulent present-day surroundings and dress.\nIf the artist was best known for the sparkling blond harmonies of his mature work,\nthe \n " +p293434 +sa(dp293435 +g291134 +S'Marble Mantel' +p293436 +sg291137 +S'Karl Knaths' +p293437 +sg291130 +S'oil on canvas' +p293438 +sg291132 +S'1966' +p293439 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00001/a0000138.jpg' +p293440 +sg291136 +g27 +sa(dp293441 +g291134 +S'Gray Stallion' +p293442 +sg291137 +S'Artist Information (' +p293443 +sg291130 +S'French, 1791 - 1824' +p293444 +sg291132 +S'(artist after)' +p293445 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fa5f.jpg' +p293446 +sg291136 +g27 +sa(dp293447 +g291134 +S'Standing Draped Man [recto]' +p293448 +sg291137 +S'Jacopo Chimenti' +p293449 +sg291130 +S', unknown date' +p293450 +sg291132 +S'\n' +p293451 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00075/a0007535.jpg' +p293452 +sg291136 +g27 +sa(dp293453 +g291134 +S'Seated Draped Man [verso]' +p293454 +sg291137 +S'Jacopo Chimenti' +p293455 +sg291130 +S'red chalk on laid paper' +p293456 +sg291132 +S'unknown date\n' +p293457 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00075/a0007536.jpg' +p293458 +sg291136 +g27 +sa(dp293459 +g291134 +S'Boats' +p293460 +sg291137 +S'Artist Information (' +p293461 +sg291130 +S'Italian, 1565 - 1644' +p293462 +sg291132 +S'(related artist)' +p293463 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00074/a000747e.jpg' +p293464 +sg291136 +g27 +sa(dp293465 +g291134 +S'Young Man' +p293466 +sg291137 +S'Michel-Fran\xc3\xa7ois Dandr\xc3\xa9-Bardon' +p293467 +sg291130 +S'red chalk heightened with white on laid paper' +p293468 +sg291132 +S'unknown date\n' +p293469 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00072/a0007280.jpg' +p293470 +sg291136 +g27 +sa(dp293471 +g291134 +S'Standing Man' +p293472 +sg291137 +S'Paul Gavarni' +p293473 +sg291130 +S'pen and brown ink with brown wash heightened with white on paper prepared with wash' +p293474 +sg291132 +S'unknown date\n' +p293475 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00073/a0007364.jpg' +p293476 +sg291136 +g27 +sa(dp293477 +g291130 +S'wood engraving and woodcut in black, light brown and green, printed from three blocks' +p293478 +sg291132 +S'1947' +p293479 +sg291134 +S'Other World (Another World)' +p293480 +sg291136 +g27 +sg291137 +S'M.C. Escher' +p293481 +sa(dp293482 +g291134 +S'Contrast (Order and Chaos)' +p293483 +sg291137 +S'M.C. Escher' +p293484 +sg291130 +S'lithograph' +p293485 +sg291132 +S'1950' +p293486 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0004b/a0004b5f.jpg' +p293487 +sg291136 +S'Escher described this print as a symbol of order and chaos: order represented by the polyhedron and the translucent sphere; chaos depicted by the surrounding broken and crumpled cast-off objects of daily life. The artist believed the polyhedron (a solid figure with many sides) symbolized beauty, order, and harmony in the universe. Yet, he rendered chaos with equal care, as in the exquisitely drawn sardine can at upper left.\n ' +p293488 +sa(dp293489 +g291130 +S'drypoint, engraving and etching' +p293490 +sg291132 +S'unknown date\n' +p293491 +sg291134 +S'Nocturne IV' +p293492 +sg291136 +g27 +sg291137 +S'Evan David Summer' +p293493 +sa(dp293494 +g291130 +S'photo-sensitive ground etching and engraving' +p293495 +sg291132 +S'1984' +p293496 +sg291134 +S'Family Reunion' +p293497 +sg291136 +g27 +sg291137 +S'Peter Milton' +p293498 +sa(dp293499 +g291130 +g27 +sg291132 +S'(publisher)' +p293500 +sg291134 +S'Soot-Black Stone, #1' +p293501 +sg291136 +g27 +sg291137 +S'Artist Information (' +p293502 +sa(dp293503 +g291130 +g27 +sg291132 +S'(publisher)' +p293504 +sg291134 +S'Sweets, Meats, Sheets' +p293505 +sg291136 +g27 +sg291137 +S'Artist Information (' +p293506 +sa(dp293507 +g291130 +g27 +sg291132 +S'(publisher)' +p293508 +sg291134 +S'Don Cribb' +p293509 +sg291136 +g27 +sg291137 +S'Artist Information (' +p293510 +sa(dp293511 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Kanemitsu' +p293535 +sa(dp293536 +g291130 +S'lithograph (stone) in black on uncalendered Rives paper' +p293537 +sg291132 +S'1970' +p293538 +sg291134 +S'Untitled' +p293539 +sg291136 +g27 +sg291137 +S'Matsumi Kanemitsu' +p293540 +sa(dp293541 +g291130 +S'lithograph (stone) in black on undcalendered Rivespaper' +p293542 +sg291132 +S'1970' +p293543 +sg291134 +S'Untitled' +p293544 +sg291136 +g27 +sg291137 +S'Matsumi Kanemitsu' +p293545 +sa(dp293546 +g291130 +S'lithograph (stone) in black on uncalendered Rives paper' +p293547 +sg291132 +S'1970' +p293548 +sg291134 +S'Untitled' +p293549 +sg291136 +g27 +sg291137 +S'Matsumi Kanemitsu' +p293550 +sa(dp293551 +g291130 +S'lithograph (stone) in black on uncalendered Rives paper' +p293552 +sg291132 +S'1970' +p293553 +sg291134 +S'Untitled' +p293554 +sg291136 +g27 +sg291137 +S'Matsumi Kanemitsu' +p293555 +sa(dp293556 +g291130 +S'lithograph (stone) in black on uncalendered Rives paper' +p293557 +sg291132 +S'1970' +p293558 +sg291134 +S'Untitled' +p293559 +sg291136 +g27 +sg291137 +S'Matsumi Kanemitsu' +p293560 +sa(dp293561 +g291130 +S'lithograph (stone) in black on uncalendered Rives paper' +p293562 +sg291132 +S'1970' +p293563 +sg291134 +S'Untitled' +p293564 +sg291136 +g27 +sg291137 +S'Matsumi Kanemitsu' +p293565 +sa(dp293566 +g291130 +S'lithograph (stone) in black on uncalendered Rives paper' +p293567 +sg291132 +S'1970' +p293568 +sg291134 +S'Untitled' +p293569 +sg291136 +g27 +sg291137 +S'Matsumi Kanemitsu' +p293570 +sa(dp293571 +g291130 +S'lithograph (stone) in black on uncalendered Rives paper' +p293572 +sg291132 +S'1970' +p293573 +sg291134 +S'Untitled' +p293574 +sg291136 +g27 +sg291137 +S'Matsumi Kanemitsu' +p293575 +sa(dp293576 +g291130 +S'lithograph (stone) in black on uncalendered Rives paper' +p293577 +sg291132 +S'1970' +p293578 +sg291134 +S'Untitled' +p293579 +sg291136 +g27 +sg291137 +S'Matsumi Kanemitsu' +p293580 +sa(dp293581 +g291130 +S'lithograph (stone) in black on uncalendered Rives paper' +p293582 +sg291132 +S'1970' 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paper' +p293607 +sg291132 +S'1965' +p293608 +sg291134 +S'Tam. #1' +p293609 +sg291136 +g27 +sg291137 +S'Matsumi Kanemitsu' +p293610 +sa(dp293611 +g291130 +S'lithograph (stone) in brownish-black on natural Nacre paper' +p293612 +sg291132 +S'1965' +p293613 +sg291134 +S'Tam. #2' +p293614 +sg291136 +g27 +sg291137 +S'Matsumi Kanemitsu' +p293615 +sa(dp293616 +g291130 +S'lithograph (stone) in black on Copperplate Deluxe paper' +p293617 +sg291132 +S'1965' +p293618 +sg291134 +S'Tam. #3' +p293619 +sg291136 +g27 +sg291137 +S'Matsumi Kanemitsu' +p293620 +sa(dp293621 +g291130 +S'lithograph (stone) in black on Copperplate Deluxe paper' +p293622 +sg291132 +S'1965' +p293623 +sg291134 +S'Salt and Lake' +p293624 +sg291136 +g27 +sg291137 +S'Matsumi Kanemitsu' +p293625 +sa(dp293626 +g291130 +S'lithograph (stone and aluminum) in orange, red andblack on white Arches paper' +p293627 +sg291132 +S'1965' +p293628 +sg291134 +S'Tam. #9' +p293629 +sg291136 +g27 +sg291137 +S'Matsumi Kanemitsu' +p293630 +sa(dp293631 +g291130 +S'lithograph (stone) in black on Copperplate Deluxe paper' +p293632 +sg291132 +S'1965' +p293633 +sg291134 +S'Tam. #5' +p293634 +sg291136 +g27 +sg291137 +S'Matsumi Kanemitsu' +p293635 +sa(dp293636 +g291130 +S'lithograph (stone) in black on Copperplate Deluxe paper' +p293637 +sg291132 +S'1965' +p293638 +sg291134 +S'Tam. #12' +p293639 +sg291136 +g27 +sg291137 +S'Matsumi Kanemitsu' +p293640 +sa(dp293641 +g291130 +S'lithograph (stone) in green-black on white Arches paper' +p293642 +sg291132 +S'1965' +p293643 +sg291134 +S'Tam. #8' +p293644 +sg291136 +g27 +sg291137 +S'Matsumi Kanemitsu' +p293645 +sa(dp293646 +g291130 +S'lithograph (stone) in black on natural Nacre paper' +p293647 +sg291132 +S'1965' +p293648 +sg291134 +S'Tam. #10' +p293649 +sg291136 +g27 +sg291137 +S'Matsumi Kanemitsu' +p293650 +sa(dp293651 +g291130 +S'lithograph (aluminum and stone) in green, red and two blacks on Copperplate Deluxe paper' +p293652 +sg291132 +S'1965' +p293653 +sg291134 +S'Tam. #11' +p293654 +sg291136 +g27 +sg291137 +S'Matsumi Kanemitsu' +p293655 +sa(dp293656 +g291130 +S'lithograph (aluminum) in blue on white Arches paper' +p293657 +sg291132 +S'1965' +p293658 +sg291134 +S'Tam. #6' +p293659 +sg291136 +g27 +sg291137 +S'Matsumi Kanemitsu' +p293660 +sa(dp293661 +g291130 +S'lithograph (stone) in black on Copperplate Deluxe paper' +p293662 +sg291132 +S'1965' +p293663 +sg291134 +S'Tam. #14' +p293664 +sg291136 +g27 +sg291137 +S'Matsumi Kanemitsu' +p293665 +sa(dp293666 +g291130 +S'lithograph (stone) in black on Magnani Italia paper' +p293667 +sg291132 +S'1967' +p293668 +sg291134 +S'Silence' +p293669 +sg291136 +g27 +sg291137 +S'Matsumi Kanemitsu' +p293670 +sa(dp293671 +g291130 +S'lithograph (stone) in black on white Arches paper' +p293672 +sg291132 +S'1967' +p293673 +sg291134 +S'Escape' +p293674 +sg291136 +g27 +sg291137 +S'Matsumi Kanemitsu' +p293675 +sa(dp293676 +g291130 +S'lithograph (aluminum and stone) in pink, red, blueand brown-green on white Arches paper' +p293677 +sg291132 +S'1967' +p293678 +sg291134 +S'Escape II' +p293679 +sg291136 +g27 +sg291137 +S'Matsumi Kanemitsu' +p293680 +sa(dp293681 +g291130 +S'lithograph (stone) in black on white Arches paper' +p293682 +sg291132 +S'1967' +p293683 +sg291134 +S'Birth' +p293684 +sg291136 +g27 +sg291137 +S'Matsumi Kanemitsu' +p293685 +sa(dp293686 +g291130 +S'lithograph (aluminum and stone) in yellow, orange and black on German Etching paper' +p293687 +sg291132 +S'1968' +p293688 +sg291134 +S'In Memory of Visit' +p293689 +sg291136 +g27 +sg291137 +S'Matsumi Kanemitsu' +p293690 +sa(dp293691 +g291130 +S'lithograph (stone) in black on calendered Rives paper' +p293692 +sg291132 +S'1969' +p293693 +sg291134 +S'Try Out' +p293694 +sg291136 +g27 +sg291137 +S'Matsumi Kanemitsu' +p293695 +sa(dp293696 +g291130 +S'lithograph (stone) in yellow, pink-red, light violet and black on calendered Rives paper' +p293697 +sg291132 +S'1969' +p293698 +sg291134 +S'Homage to Jules Langsner' +p293699 +sg291136 +g27 +sg291137 +S'Matsumi Kanemitsu' 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+sg291134 +S"Monday's Witch" +p293724 +sg291136 +g27 +sg291137 +S'Matsumi Kanemitsu' +p293725 +sa(dp293726 +g291130 +S'lithograph (aluminum and stone) in orange and blueon calendered Rives paper' +p293727 +sg291132 +S'1970' +p293728 +sg291134 +S'Serge' +p293729 +sg291136 +g27 +sg291137 +S'Matsumi Kanemitsu' +p293730 +sa(dp293731 +g291130 +S'lithograph (aluminum and stone) in orange and blueon Rives BFK paper' +p293732 +sg291132 +S'1970' +p293733 +sg291134 +S'Pacific' +p293734 +sg291136 +g27 +sg291137 +S'Matsumi Kanemitsu' +p293735 +sa(dp293736 +g291130 +S'lithograph (stone) in blue-black on calendered Rives paper' +p293737 +sg291132 +S'1970' +p293738 +sg291134 +S'Forty-Eight' +p293739 +sg291136 +g27 +sg291137 +S'Matsumi Kanemitsu' +p293740 +sa(dp293741 +g291130 +S'lithograph (aluminum and stone) in gray and black on calendered Rives paper' +p293742 +sg291132 +S'1970' +p293743 +sg291134 +S'Forty-Eight II' +p293744 +sg291136 +g27 +sg291137 +S'Matsumi Kanemitsu' +p293745 +sa(dp293746 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Legs A" +p294930 +sg291136 +g27 +sg291137 +S'Michael Mazur' +p294931 +sa(dp294932 +g291130 +S'lithograph (stone) in gray on Copperplate Deluxe paper' +p294933 +sg291132 +S'1968' +p294934 +sg291134 +S"Angelina's Legs B" +p294935 +sg291136 +g27 +sg291137 +S'Michael Mazur' +p294936 +sa(dp294937 +g291130 +S'lithograph (stone) in black on Copperplate Deluxe paper' +p294938 +sg291132 +S'1968' +p294939 +sg291134 +S'Self-Portrait' +p294940 +sg291136 +g27 +sg291137 +S'Michael Mazur' +p294941 +sa(dp294942 +g291130 +S'lithograph (stone) in black on Copperplate Deluxe paper' +p294943 +sg291132 +S'1968' +p294944 +sg291134 +S'Untitled' +p294945 +sg291136 +g27 +sg291137 +S'Michael Mazur' +p294946 +sa(dp294947 +g291130 +S'lithograph (stone) in black on Copperplate Deluxe paper' +p294948 +sg291132 +S'1968' +p294949 +sg291134 +S'Untitled' +p294950 +sg291136 +g27 +sg291137 +S'Michael Mazur' +p294951 +sa(dp294952 +g291130 +S'lithograph (aluminum and stone) in black and blue-black on Copperplate Deluxe paper' +p294953 +sg291132 +S'1968' +p294954 +sg291134 +S'Sunset Boulevard III' +p294955 +sg291136 +g27 +sg291137 +S'Michael Mazur' +p294956 +sa(dp294957 +g291130 +S'lithograph (aluminum) in light beige and light blue on Copperplate Deluxe paper' +p294958 +sg291132 +S'1968' +p294959 +sg291134 +S'Untitled' +p294960 +sg291136 +g27 +sg291137 +S'Michael Mazur' +p294961 +sa(dp294962 +g291130 +S'lithograph (aluminum) in gray and blue on buff Arches paper' +p294963 +sg291132 +S'1968' +p294964 +sg291134 +S'Untitled' +p294965 +sg291136 +g27 +sg291137 +S'Michael Mazur' +p294966 +sa(dp294967 +g291130 +S'lithograph (stone) in yellow-gray on Rives BFK paper' +p294968 +sg291132 +S'1968' +p294969 +sg291134 +S"Model's Entrance" +p294970 +sg291136 +g27 +sg291137 +S'Michael Mazur' +p294971 +sa(dp294972 +g291130 +S'lithograph (stone) in black on Rives BFK paper' +p294973 +sg291132 +S'1968' +p294974 +sg291134 +S'Shadow Interior' +p294975 +sg291136 +g27 +sg291137 +S'Michael Mazur' +p294976 +sa(dp294977 +g291130 +S'lithograph (stone) in black on Copperplate Deluxe paper' +p294978 +sg291132 +S'1968' +p294979 +sg291134 +S'Tamarind Avenue' +p294980 +sg291136 +g27 +sg291137 +S'Michael Mazur' +p294981 +sa(dp294982 +g291130 +S'lithograph (stone) in black on Copperplate Deluxe paper' +p294983 +sg291132 +S'1968' +p294984 +sg291134 +S'Self-Portrait II' +p294985 +sg291136 +g27 +sg291137 +S'Michael Mazur' +p294986 +sa(dp294987 +g291130 +S'lithograph (stone) in black on Copperplate Deluxe paper' +p294988 +sg291132 +S'1968' +p294989 +sg291134 +S'Self-Portrait III' +p294990 +sg291136 +g27 +sg291137 +S'Michael Mazur' +p294991 +sa(dp294992 +g291130 +S'lithograph (stone) in green-blue, yellow-green, pink and light blue on white Arches paper' +p294993 +sg291132 +S'1965' +p294994 +sg291134 +S'Monogatari' +p294995 +sg291136 +g27 +sg291137 +S'Byron Gordon McKeeby' +p294996 +sa(dp294997 +g291130 +S'lithograph (stone) in black on buff Arches paper' +p294998 +sg291132 +S'1965' +p294999 +sg291134 +S'Okina' +p295000 +sg291136 +g27 +sg291137 +S'Byron Gordon McKeeby' +p295001 +sa(dp295002 +g291130 +S'lithograph (stone) in light yellow on one of two hinged sheets of Magnani Italia paper' +p295003 +sg291132 +S'1968' +p295004 +sg291134 +S'Tablet Litho 1 [top sheet]' +p295005 +sg291136 +g27 +sg291137 +S'Eleanore Mikus' +p295006 +sa(dp295007 +g291130 +S'lithograph (stone) in light yellow on one of two hinged sheets of Magnani Italia paper' +p295008 +sg291132 +S'1968' +p295009 +sg291134 +S'Tablet Litho 1 [bottom sheet]' +p295010 +sg291136 +g27 +sg291137 +S'Eleanore Mikus' +p295011 +sa(dp295012 +g291130 +S'lithograph (stone) in light yellow and black on Rives BFK paper' +p295013 +sg291132 +S'1968' +p295014 +sg291134 +S'Tablet Litho 2' +p295015 +sg291136 +g27 +sg291137 +S'Eleanore Mikus' +p295016 +sa(dp295017 +g291130 +S'lithograph (stone) in beige and white on Copperplate Deluxe paper' +p295018 +sg291132 +S'1968' +p295019 +sg291134 +S'Tablet Litho 4' +p295020 +sg291136 +g27 +sg291137 +S'Eleanore Mikus' +p295021 +sa(dp295022 +g291130 +S'lithograph (stone) in black on German Etching paper' +p295023 +sg291132 +S'1968' +p295024 +sg291134 +S'Tablet Litho 5' +p295025 +sg291136 +g27 +sg291137 +S'Eleanore Mikus' +p295026 +sa(dp295027 +g291130 +S'lithograph (stone) in black on German Etching paper' +p295028 +sg291132 +S'1968' +p295029 +sg291134 +S'Tablet Litho 3' +p295030 +sg291136 +g27 +sg291137 +S'Eleanore Mikus' +p295031 +sa(dp295032 +g291130 +S'lithograph (stone) in black on white Nacre paper' +p295033 +sg291132 +S'1968' +p295034 +sg291134 +S'Tablet Litho 14' +p295035 +sg291136 +g27 +sg291137 +S'Eleanore Mikus' +p295036 +sa(dp295037 +g291130 +S'lithograph (aluminum) in yellow-gray on white Nacre paper' +p295038 +sg291132 +S'1968' +p295039 +sg291134 +S'Tablet Litho 7' +p295040 +sg291136 +g27 +sg291137 +S'Eleanore Mikus' +p295041 +sa(dp295042 +g291130 +S'lithograph (aluminum) in black and blue-black on white Nacre paper' +p295043 +sg291132 +S'1968' +p295044 +sg291134 +S'Tablet Litho 8' +p295045 +sg291136 +g27 +sg291137 +S'Eleanore Mikus' +p295046 +sa(dp295047 +g291130 +S'lithograph (stone) in black on one of two hinged sheets of white Nacre paper' +p295048 +sg291132 +S'1968' +p295049 +sg291134 +S'Tablet Litho 13 [left sheet]' +p295050 +sg291136 +g27 +sg291137 +S'Eleanore Mikus' +p295051 +sa(dp295052 +g291130 +S'lithograph (stone) in black and red on one of two hinged sheets of white Nacre paper' +p295053 +sg291132 +S'1968' +p295054 +sg291134 +S'Tablet Litho 13 [right sheet]' +p295055 +sg291136 +g27 +sg291137 +S'Eleanore Mikus' +p295056 +sa(dp295057 +g291130 +S'lithograph (aluminum) in blue-black on natural Nacre paper' +p295058 +sg291132 +S'1968' +p295059 +sg291134 +S'Tablet Litho 10' +p295060 +sg291136 +g27 +sg291137 +S'Eleanore Mikus' +p295061 +sa(dp295062 +g291130 +S'lithograph (stone) in black on Copperplate Deluxe paper' +p295063 +sg291132 +S'1968' +p295064 +sg291134 +S'Tablet Litho 11' +p295065 +sg291136 +g27 +sg291137 +S'Eleanore Mikus' +p295066 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on white Nacre paper' +p295113 +sg291132 +S'1968' +p295114 +sg291134 +S'Tablet Litho 19' +p295115 +sg291136 +g27 +sg291137 +S'Eleanore Mikus' +p295116 +sa(dp295117 +g291130 +S'lithograph (stone) in silver-black on German Etching paper' +p295118 +sg291132 +S'1968' +p295119 +sg291134 +S'Tablet Litho 23' +p295120 +sg291136 +g27 +sg291137 +S'Eleanore Mikus' +p295121 +sa(dp295122 +g291130 +S'lithograph (stone) in black and blue-black on white Nacre paper' +p295123 +sg291132 +S'1968' +p295124 +sg291134 +S'Tablet Litho 20' +p295125 +sg291136 +g27 +sg291137 +S'Eleanore Mikus' +p295126 +sa(dp295127 +g291130 +S'lithograph (stone) in silver-black on German Etching paper' +p295128 +sg291132 +S'1968' +p295129 +sg291134 +S'Tablet Litho 24' +p295130 +sg291136 +g27 +sg291137 +S'Eleanore Mikus' +p295131 +sa(dp295132 +g291130 +S'lithograph (stone) in violet-black and blue-black on one of two hinged sheets of white Inomachi Nacre paper' +p295133 +sg291132 +S'1968' +p295134 +sg291134 +S'Tablet Litho 26 [top sheet]' +p295135 +sg291136 +g27 +sg291137 +S'Eleanore Mikus' +p295136 +sa(dp295137 +g291130 +S'lithograph (stone) in violet-black and blue-black on one of two hinged sheets of white Inomachi Nacre paper' +p295138 +sg291132 +S'1968' +p295139 +sg291134 +S'Tablet Litho 26 [bottom sheet]' +p295140 +sg291136 +g27 +sg291137 +S'Eleanore Mikus' +p295141 +sa(dp295142 +g291130 +S'lithograph (stone) in beige on one of two hinged sheets of white Nacre paper' +p295143 +sg291132 +S'1968' +p295144 +sg291134 +S'Tablet Litho 29 [top sheet]' +p295145 +sg291136 +g27 +sg291137 +S'Eleanore Mikus' +p295146 +sa(dp295147 +g291130 +S'lithograph (stone) in beige on one of two hinged sheets of white Nacre paper' +p295148 +sg291132 +S'1968' +p295149 +sg291134 +S'Tablet Litho 29 [bottom sheet]' +p295150 +sg291136 +g27 +sg291137 +S'Eleanore Mikus' +p295151 +sa(dp295152 +g291130 +S'lithograph (aluminum) in light yellow-gray on German Etching paper' +p295153 +sg291132 +S'1968' +p295154 +sg291134 +S'Tablet Litho 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Reddy' +p296736 +sa(dp296737 +g291130 +S'portfolio of six lithographs with title page and colophon on German Etching paper, with cover of white Nacre' +p296738 +sg291132 +S'1966' +p296739 +sg291134 +S'e.g.a.' +p296740 +sg291136 +g27 +sg291137 +S'Jesse Reichek' +p296741 +sa(dp296742 +g291130 +S'portfolio of six lithographs with title page and colophon on German Etching paper, with white Nacre cover' +p296743 +sg291132 +S'1966' +p296744 +sg291134 +S'e.g.b.' +p296745 +sg291136 +g27 +sg291137 +S'Jesse Reichek' +p296746 +sa(dp296747 +g291130 +S'portfolio with 24 lithographs (stone) in black with title page and colophon on German Etching paper' +p296748 +sg291132 +S'1966' +p296749 +sg291134 +S'Homage to Kandinsky' +p296750 +sg291136 +g27 +sg291137 +S'Jesse Reichek' +p296751 +sa(dp296752 +g291130 +S'portfolio with 24 lithographs (stone) in yellow with title page and colophon' +p296753 +sg291132 +S'1966' +p296754 +sg291134 +S'Hommage a Klee' +p296755 +sg291136 +g27 +sg291137 +S'Jesse Reichek' 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+S'1936' +p299303 +sg291134 +S'Early Plan Study: Three Unit Scheme 3rd to 7th Streets' +p299304 +sg291136 +g27 +sg291137 +S'John Russell Pope' +p299305 +sa(dp299306 +g291130 +S'graphite' +p299307 +sg291132 +S'1936' +p299308 +sg291134 +S'Early Elevation Study: Three Unit Building, 3rd and 7th Street' +p299309 +sg291136 +g27 +sg291137 +S'John Russell Pope' +p299310 +sa(dp299311 +g291130 +S'graphite' +p299312 +sg291132 +S'1936' +p299313 +sg291134 +S'Plan of Scheme C: Axis on 4 1/2 Street' +p299314 +sg291136 +g27 +sg291137 +S'John Russell Pope' +p299315 +sa(dp299316 +g291130 +S'graphite' +p299317 +sg291132 +S'1936' +p299318 +sg291134 +S'Early Elevation Study: Axis on 4 1/2 Street' +p299319 +sg291136 +g27 +sg291137 +S'John Russell Pope' +p299320 +sa(dp299321 +g291130 +S'graphite' +p299322 +sg291132 +S'1936' +p299323 +sg291134 +S'Early Elevation Study: Three Building Scheme' +p299324 +sg291136 +g27 +sg291137 +S'John Russell Pope' +p299325 +sa(dp299326 +g291130 +S'graphite' +p299327 +sg291132 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+p299351 +sa(dp299352 +g291134 +S'Early Plan Study' +p299353 +sg291137 +S'John Russell Pope' +p299354 +sg291130 +S'graphite' +p299355 +sg291132 +S'probably 1936' +p299356 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000f1/a000f1ba.jpg' +p299357 +sg291136 +g27 +sa(dp299358 +g291130 +S'(architect)' +p299359 +sg291132 +S'\n' +p299360 +sg291134 +S'Early Perspective Study' +p299361 +sg291136 +g27 +sg291137 +S'Artist Information (' +p299362 +sa(dp299363 +g291134 +S'Early Plan Study: One of the First Schemes Showing the Central Dome' +p299364 +sg291137 +S'John Russell Pope' +p299365 +sg291130 +S'black chalk' +p299366 +sg291132 +S'probably 1936' +p299367 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000f1/a000f1bb.jpg' +p299368 +sg291136 +g27 +sa(dp299369 +g291130 +S'graphite, cream and white gouache, ochre watercolor, and gray wash' +p299370 +sg291132 +S'unknown date\n' +p299371 +sg291134 +S'Early Study, Mall Facade' +p299372 +sg291136 +g27 +sg291137 +S'John Russell Pope' +p299373 +sa(dp299374 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Central Hall Scheme without Dome' +p299398 +sg291136 +g27 +sg291137 +S'Artist Information (' +p299399 +sa(dp299400 +g291134 +S'Preliminary Study: Central Gallery for the Exhibition of Sculpture' +p299401 +sg291137 +S'Artist Information (' +p299402 +sg291130 +S'(architect)' +p299403 +sg291132 +S'\n' +p299404 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00058/a00058a1.jpg' +p299405 +sg291136 +g27 +sa(dp299406 +g291130 +S'(architect)' +p299407 +sg291132 +S'\n' +p299408 +sg291134 +S'Preliminary Study: Rotunda without Central Feature' +p299409 +sg291136 +g27 +sg291137 +S'Artist Information (' +p299410 +sa(dp299411 +g291134 +S'Preliminary Study: Rotunda' +p299412 +sg291137 +S'Artist Information (' +p299413 +sg291130 +S'(architect)' +p299414 +sg291132 +S'\n' +p299415 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00058/a00058a0.jpg' +p299416 +sg291136 +g27 +sa(dp299417 +g291130 +S'(architect)' +p299418 +sg291132 +S'\n' +p299419 +sg291134 +S'Preliminary Study: Gallery Facing Garden Court' +p299420 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and cream gouache' +p299555 +sg291132 +S'1939' +p299556 +sg291134 +S'Italian Fourteenth and Fifteenth Centuries: Gallery 1 (Alternate)' +p299557 +sg291136 +g27 +sg291137 +S'Eggers and Higgins, Architects' +p299558 +sa(dp299559 +g291130 +S'graphite, watercolor, and cream gouache' +p299560 +sg291132 +S'1939' +p299561 +sg291134 +S'Donatello Gallery 6 and 7' +p299562 +sg291136 +g27 +sg291137 +S'Eggers and Higgins, Architects' +p299563 +sa(dp299564 +g291130 +S'graphite and watercolor' +p299565 +sg291132 +S'1939' +p299566 +sg291134 +S'Raphael, Alba Madonna: Gallery 9' +p299567 +sg291136 +g27 +sg291137 +S'Eggers and Higgins, Architects' +p299568 +sa(dp299569 +g291130 +S'graphite, cream gouache, and watercolor' +p299570 +sg291132 +S'1939' +p299571 +sg291134 +S'Italian 16th and 18th Century: Gallery 34' +p299572 +sg291136 +g27 +sg291137 +S'Eggers and Higgins, Architects' +p299573 +sa(dp299574 +g291130 +S'graphite with watercolor and cream gouache' +p299575 +sg291132 +S'1939' +p299576 +sg291134 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cream and white gouache' +p299600 +sg291132 +S'1939' +p299601 +sg291134 +S'English 18th Century: Gallery 52' +p299602 +sg291136 +g27 +sg291137 +S'Eggers and Higgins, Architects' +p299603 +sa(dp299604 +g291130 +S'graphite, watercolor, and gouache' +p299605 +sg291132 +S'1939' +p299606 +sg291134 +S'American Eighteenth Century: Gallery 57' +p299607 +sg291136 +g27 +sg291137 +S'Eggers and Higgins, Architects' +p299608 +sa(dp299609 +g291130 +S'graphite' +p299610 +sg291132 +S'1939' +p299611 +sg291134 +S'Sculpture Gallery 8' +p299612 +sg291136 +g27 +sg291137 +S'Eggers and Higgins, Architects' +p299613 +sa(dp299614 +g291130 +S'graphite, watercolor, and gouache' +p299615 +sg291132 +S'1939' +p299616 +sg291134 +S'Sculpture Gallery 8' +p299617 +sg291136 +g27 +sg291137 +S'Eggers and Higgins, Architects' +p299618 +sa(dp299619 +g291130 +S'graphite, brown crayon, gray wash, and brown and cream gouache' +p299620 +sg291132 +S'1939' +p299621 +sg291134 +S'Sculpture Galleries 11, 12, 16' +p299622 +sg291136 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+sg291136 +g27 +sg291137 +S'Eggers and Higgins, Architects' +p299648 +sa(dp299649 +g291130 +S'graphite, cream gouache, and watercolor' +p299650 +sg291132 +S'1939' +p299651 +sg291134 +S'Cafeteria Dining Room' +p299652 +sg291136 +g27 +sg291137 +S'Eggers and Higgins, Architects' +p299653 +sa(dp299654 +g291130 +S'graphite, watercolor, and cream gouache' +p299655 +sg291132 +S'1939' +p299656 +sg291134 +S'Board Room: Ground Floor' +p299657 +sg291136 +g27 +sg291137 +S'Eggers and Higgins, Architects' +p299658 +sa(dp299659 +g291130 +S'graphite with white gouache' +p299660 +sg291132 +S'1940' +p299661 +sg291134 +S'Lecture Hall: Longitudinal Section' +p299662 +sg291136 +g27 +sg291137 +S'Eggers and Higgins, Architects' +p299663 +sa(dp299664 +g291130 +S'watercolor and cream gouache over graphite' +p299665 +sg291132 +S'1939' +p299666 +sg291134 +S'Treatment of Central Lobby Ground Floor Looking toward Entrance Lobby' +p299667 +sg291136 +g27 +sg291137 +S'Eggers and Higgins, Architects' +p299668 +sa(dp299669 +g291130 +S'(architect)' +p299670 +sg291132 +S'\n' +p299671 +sg291134 +S'Suggested Treatment for Constitution Avenue Lobby' +p299672 +sg291136 +g27 +sg291137 +S'Artist Information (' +p299673 +sa(dp299674 +g291130 +S'graphite with white gouache' +p299675 +sg291132 +S'1939' +p299676 +sg291134 +S'Suggestion for Marble Benches: Garden Court' +p299677 +sg291136 +g27 +sg291137 +S'Eggers and Higgins, Architects' +p299678 +sa(dp299679 +g291130 +S'graphite with gray wash and white gouache' +p299680 +sg291132 +S'1939' +p299681 +sg291134 +S'Suggestion for Marble Benches: Rotunda' +p299682 +sg291136 +g27 +sg291137 +S'Eggers and Higgins, Architects' +p299683 +sa(dp299684 +g291130 +S'graphite with gray wash and white gouache' +p299685 +sg291132 +S'1939' +p299686 +sg291134 +S'Suggestion for Marble Benches: Entrance Lobby, Ground Floor' +p299687 +sg291136 +g27 +sg291137 +S'Eggers and Higgins, Architects' +p299688 +sa(dp299689 +g291130 +S'(architect)' +p299690 +sg291132 +S'\n' +p299691 +sg291134 +S'Exterior Fountain: Scheme "A"' +p299692 +sg291136 +g27 +sg291137 +S'Artist Information (' +p299693 +sa(dp299694 +g291130 +S'(architect)' +p299695 +sg291132 +S'\n' +p299696 +sg291134 +S'Exterior Fountain: Scheme "B"' +p299697 +sg291136 +g27 +sg291137 +S'Artist Information (' +p299698 +sa(dp299699 +g291130 +S'(architect)' +p299700 +sg291132 +S'\n' +p299701 +sg291134 +S'Exterior Fountain: Scheme "C"' +p299702 +sg291136 +g27 +sg291137 +S'Artist Information (' +p299703 +sa(dp299704 +g291130 +S'graphite with cream gouache' +p299705 +sg291132 +S'1939' +p299706 +sg291134 +S'Exterior Fountain' +p299707 +sg291136 +g27 +sg291137 +S'Eggers and Higgins, Architects' +p299708 +sa(dp299709 +g291130 +S'(architect)' +p299710 +sg291132 +S'\n' +p299711 +sg291134 +S'Fountain in the Rotunda' +p299712 +sg291136 +g27 +sg291137 +S'Artist Information (' +p299713 +sa(dp299714 +g291130 +S'graphite with white gouache' +p299715 +sg291132 +S'1939' +p299716 +sg291134 +S'Constitution Avenue Flagpoles' +p299717 +sg291136 +g27 +sg291137 +S'Eggers and Higgins, Architects' +p299718 +sa(dp299719 +g291130 +S'graphite and gray gouache' +p299720 +sg291132 +S'1939' +p299721 +sg291134 +S'Bronze Lighting Standards (Exterior)' +p299722 +sg291136 +g27 +sg291137 +S'Eggers and Higgins, Architects' +p299723 +sa(dp299724 +g291130 +S'(architect)' +p299725 +sg291132 +S'\n' +p299726 +sg291134 +S'Proposed Development of the Adjoining Plot between Fourth and Third Streets' +p299727 +sg291136 +g27 +sg291137 +S'Artist Information (' +p299728 +sa(dp299729 +g291134 +S'National Gallery of Art' +p299730 +sg291137 +S'Artist Information (' +p299731 +sg291130 +S'(architect)' +p299732 +sg291132 +S'\n' +p299733 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00066/a0006636.jpg' +p299734 +sg291136 +g27 +sa(dp299735 +g291130 +S'(architect)' +p299736 +sg291132 +S'\n' +p299737 +sg291134 +S'National Gallery' +p299738 +sg291136 +g27 +sg291137 +S'Artist Information (' +p299739 +sa(dp299740 +g291130 +S'graphite with gray wash' +p299741 +sg291132 +S'1937' +p299742 +sg291134 +S'End Elevation: Scheme "M3"' +p299743 +sg291136 +g27 +sg291137 +S'John Russell Pope' +p299744 +sa(dp299745 +g291130 +S'graphite with gray wash' +p299746 +sg291132 +S'1937' +p299747 +sg291134 +S'End Elevation Scheme "G1"' +p299748 +sg291136 +g27 +sg291137 +S'John Russell Pope' +p299749 +sa(dp299750 +g291130 +S'graphite, gray wash, and pen and black ink' +p299751 +sg291132 +S'unknown date\n' +p299752 +sg291134 +S'Main Floor Plan' +p299753 +sg291136 +g27 +sg291137 +S'Eggers and Higgins, Architects' +p299754 +sa(dp299755 +g291130 +S'graphite and watercolor' +p299756 +sg291132 +S'unknown date\n' +p299757 +sg291134 +S'View from Rotunda Ceiling to Floor Below: Five Black Marble Columns Showing' +p299758 +sg291136 +g27 +sg291137 +S'Eggers and Higgins, Architects' +p299759 +sa(dp299760 +g291130 +S'graphite with brown and tan wash' +p299761 +sg291132 +S'unknown date\n' +p299762 +sg291134 +S'East and West Central Galleries: Lobbies "B" and "C"' +p299763 +sg291136 +g27 +sg291137 +S'Eggers and Higgins, Architects' +p299764 +sa(dp299765 +g291130 +S'graphite and watercolor' +p299766 +sg291132 +S'unknown date\n' +p299767 +sg291134 +S'Lobbies "B" and "C": East and West Garden Courts' +p299768 +sg291136 +g27 +sg291137 +S'Eggers and Higgins, Architects' +p299769 +sa(dp299770 +g291130 +S'graphite, brown and gray wash, and yellow and white gouache' +p299771 +sg291132 +S'1939' +p299772 +sg291134 +S'Bust of a Boy by Desiderio da Settignano, Gallery 6' +p299773 +sg291136 +g27 +sg291137 +S'Eggers and Higgins, Architects' +p299774 +sa(dp299775 +g291130 +S'graphite' +p299776 +sg291132 +S'unknown date\n' +p299777 +sg291134 +S'Central Lobby: Ground Floor, Scheme "B"' +p299778 +sg291136 +g27 +sg291137 +S'John Russell Pope' +p299779 +sa(dp299780 +g291130 +S'graphite and gray wash on paperboard' +p299781 +sg291132 +S'unknown date\n' +p299782 +sg291134 +S'Central Lobby: Ground Floor, Scheme "C"' +p299783 +sg291136 +g27 +sg291137 +S'John Russell Pope' +p299784 +sa(dp299785 +g291134 +S'Central Lobby: Ground Floor, Scheme "D"' +p299786 +sg291137 +S'John Russell Pope' +p299787 +sg291130 +S'graphite and gray wash on paperboard' +p299788 +sg291132 +S'unknown date\n' +p299789 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00058/a000589f.jpg' +p299790 +sg291136 +g27 +sa(dp299791 +g291130 +S'graphite, watercolor, gouache, and wash' +p299792 +sg291132 +S'unknown date\n' +p299793 +sg291134 +S'Garden Court: Study of Fountain' +p299794 +sg291136 +g27 +sg291137 +S'Eggers and Higgins, Architects' +p299795 +sa(dp299796 +g291130 +S'graphite with white gouache' +p299797 +sg291132 +S'1940' +p299798 +sg291134 +S'Suggestion for Marble Benches: Garden Courts' +p299799 +sg291136 +g27 +sg291137 +S'Eggers and Higgins, Architects' +p299800 +sa(dp299801 +g291130 +S'gray wash and white gouache over graphite' +p299802 +sg291132 +S'1940' +p299803 +sg291134 +S'Suggestion for Marble Benches: Garden Courts' +p299804 +sg291136 +g27 +sg291137 +S'Eggers and Higgins, Architects' +p299805 +sa(dp299806 +g291130 +S'graphite with white gouache and gray wash' +p299807 +sg291132 +S'1940' +p299808 +sg291134 +S'Suggestion for Marble Benches: Garden Courts' +p299809 +sg291136 +g27 +sg291137 +S'Eggers and Higgins, Architects' +p299810 +sa(dp299811 +g291130 +S'(architect)' +p299812 +sg291132 +S'\n' +p299813 +sg291134 +S'Print Study Room' +p299814 +sg291136 +g27 +sg291137 +S'Artist Information (' +p299815 +sa(dp299816 +g291130 +S'(architect)' +p299817 +sg291132 +S'\n' +p299818 +sg291134 +S'Kress Bronze Rooms 1, 2, and 3' +p299819 +sg291136 +g27 +sg291137 +S'Artist Information (' +p299820 +sa(dp299821 +g291130 +S'graphite, watercolor, and cream gouache' +p299822 +sg291132 +S'1954' +p299823 +sg291134 +S'Kress Bronze Room' +p299824 +sg291136 +g27 +sg291137 +S'Eggers and Higgins, Architects' +p299825 +sa(dp299826 +g291130 +S'(architect)' +p299827 +sg291132 +S'\n' +p299828 +sg291134 +S'Kress Bronze Medal Case' +p299829 +sg291136 +g27 +sg291137 +S'Artist Information (' +p299830 +sa(dp299831 +g291130 +S'graphite and black chalk' +p299832 +sg291132 +S'probably 1954' +p299833 +sg291134 +S'Ceiling Painting in Gallery 25' +p299834 +sg291136 +g27 +sg291137 +S'Eggers and Higgins, Architects' +p299835 +sa(dp299836 +g291130 +S'graphite and ochre wash' +p299837 +sg291132 +S'unknown date\n' +p299838 +sg291134 +S"Benefactors' Panel for North Lobby" +p299839 +sg291136 +g27 +sg291137 +S'Eggers and Higgins, Architects' +p299840 +sa(dp299841 +g291134 +S'The Sacrifice of Marcus Curtius' +p299842 +sg291137 +S'Franz Cleyn' +p299843 +sg291130 +S'black chalk on laid paper' +p299844 +sg291132 +S'1640s' +p299845 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00079/a000799d.jpg' +p299846 +sg291136 +g27 +sa(dp299847 +g291134 +S'Fumette' +p299848 +sg291137 +S'James McNeill Whistler' +p299849 +sg291130 +S'etching in brown' +p299850 +sg291132 +S'c. 1857' +p299851 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000a9/a000a9bc.jpg' +p299852 +sg291136 +g27 +sa(dp299853 +g291134 +S'Self-Portrait' +p299854 +sg291137 +S'Sir Peter Lely' +p299855 +sg291130 +S'black chalk with touches of red chalk on buff laid paper' +p299856 +sg291132 +S'c. 1641' +p299857 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006cee.jpg' +p299858 +sg291136 +g27 +sa(dp299859 +g291134 +S'Head of a Young Woman' +p299860 +sg291137 +S'Hendrick Goltzius' +p299861 +sg291130 +S', c. 1605' +p299862 +sg291132 +S'\n' +p299863 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f0c.jpg' +p299864 +sg291136 +g27 +sa(dp299865 +g291134 +S'The Departure of the Prodigal Son' +p299866 +sg291137 +S'Karel van Mander I' +p299867 +sg291130 +S'pen and brown ink with brown wash heightened with white on laid paper' +p299868 +sg291132 +S'unknown date\n' +p299869 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00072/a00072f6.jpg' +p299870 +sg291136 +g27 +sa(dp299871 +g291134 +S'The Apotheosis of San Vitale' +p299872 +sg291137 +S'Ubaldo Gandolfi' +p299873 +sg291130 +S'pen and brown ink with brown wash over black chalk on laid paper' +p299874 +sg291132 +S'1781' +p299875 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006fa6.jpg' +p299876 +sg291136 +g27 +sa(dp299877 +g291134 +S'Saint Francis' +p299878 +sg291137 +S'Artist Information (' +p299879 +sg291130 +S'(artist after)' +p299880 +sg291132 +S'\n' +p299881 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d56d.jpg' +p299882 +sg291136 +g27 +sa(dp299883 +g291134 +S'Virgin and Angels Watching Over the Sleeping Infant Jesus' +p299884 +sg291137 +S'Francesco Cozza' +p299885 +sg291130 +S'etching in black' +p299886 +sg291132 +S'unknown date\n' +p299887 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00067/a00067d0.jpg' +p299888 +sg291136 +g27 +sa(dp299889 +g291134 +S'Localization of Graphic Motifs II' +p299890 +sg291137 +S'Frantisek Kupka' +p299891 +sg291130 +S'oil on canvas' +p299892 +sg291132 +S'1912/1913' +p299893 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000ed5.jpg' +p299894 +sg291136 +g27 +sa(dp299895 +g291130 +S'oil on canvas' +p299896 +sg291132 +S'c. 1945/1950' +p299897 +sg291134 +S'Via Appia Antica' +p299898 +sg291136 +g27 +sg291137 +S'Giorgio De Chirico' +p299899 +sa(dp299900 +g291134 +S'Battle of the Sea Gods [left half]' +p299901 +sg291137 +S'Andrea Mantegna' +p299902 +sg291130 +S'engraving on laid paper' +p299903 +sg291132 +S'c. 1485/1488' +p299904 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f59.jpg' +p299905 +sg291136 +S"The engravings of Andrea Mantegna were the most influential prints produced in 15th-century Italy. Motifs from his creations appear in works by every major early Italian printmaker, and it was through Mantegna's prints that Albrecht Dürer made his first acquaintance with the southern Renaissance. Mantegna developed a passion for ancient works of art early in his career when introduced to classical antiquity, and their study profoundly influenced his paintings and engravings. The idealized form of his figures, their monumental scale and dynamic movement, as well as their sculptural clarity and definition can all be traced to his involvement with ancient architecture and reliefs.\n This print is the left-hand portion of a two-sheet composition, intended to join the right half and create a unified image after printing. The subject appears to be an allegory of the destructive forces of human envy—perhaps between artists—and centers on the emaciated woman at the left. She clearly represents the vice of Envy (her tablet is inscribed with the Latin word for envy), a theme to which Mantegna would return later in a painting for Isabella d'Este's private study. The artist probably borrowed some of the specific motifs in the engraving from a fragmentary ancient relief now in the Villa Medici in Rome. The bold foreshortenings of the forms, the forceful movement of the figures, and the sophisticated light created by the subtle gradations of tone indicate that this is a fully mature invention by Mantegna.\n " +p299906 +sa(dp299907 +g291130 +S'bronze' +p299908 +sg291132 +S'1968/1969' +p299909 +sg291134 +S'Torso' +p299910 +sg291136 +g27 +sg291137 +S'Fritz Wotruba' +p299911 +sa(dp299912 +g291134 +S'Grotteschi' +p299913 +sg291137 +S'Pinturicchio' +p299914 +sg291130 +S'pen and brown ink' +p299915 +sg291132 +S'unknown date\n' +p299916 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00074/a00074e0.jpg' +p299917 +sg291136 +g27 +sa(dp299918 +g291134 +S'Avarice' +p299919 +sg291137 +S'Jacopo Ligozzi' +p299920 +sg291130 +S'pen and brown ink with brown wash heightened with gold on laid paper' +p299921 +sg291132 +S'1590' +p299922 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00025/a00025f1.jpg' +p299923 +sg291136 +g27 +sa(dp299924 +g291134 +S'Venus at the Forge of Vulcan' +p299925 +sg291137 +S'French 18th Century' +p299926 +sg291130 +S'overall (approximate): 36.7 x 16.6 cm (14 7/16 x 6 9/16 in.)' +p299927 +sg291132 +S'\npen and brown ink with brown wash and touches of white gouache' +p299928 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00071/a000715e.jpg' +p299929 +sg291136 +g27 +sa(dp299930 +g291134 +S'Head of a Young Woman' +p299931 +sg291137 +S'Artist Information (' +p299932 +sg291130 +S'(artist after)' +p299933 +sg291132 +S'\n' +p299934 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008d/a0008d07.jpg' +p299935 +sg291136 +g27 +sa(dp299936 +g291134 +S'Eros and Psyche' +p299937 +sg291137 +S'Artist Information (' +p299938 +sg291130 +S'(artist after)' +p299939 +sg291132 +S'\n' +p299940 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00096/a000969b.jpg' +p299941 +sg291136 +g27 +sa(dp299942 +g291134 +S'On the Sands' +p299943 +sg291137 +S'Winslow Homer' +p299944 +sg291130 +S'watercolor and gouache with pen and black ink over graphite' +p299945 +sg291132 +S'1881' +p299946 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00009/a0000906.jpg' +p299947 +sg291136 +g27 +sa(dp299948 +g291134 +S'Danger' +p299949 +sg291137 +S'Winslow Homer' +p299950 +sg291130 +S'watercolor and gouache over graphite' +p299951 +sg291132 +S'1883 and 1887' +p299952 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000eb/a000eba3.jpg' +p299953 +sg291136 +g27 +sa(dp299954 +g291134 +S'Mending the Nets' +p299955 +sg291137 +S'Winslow Homer' +p299956 +sg291130 +S'watercolor and gouache over graphite' +p299957 +sg291132 +S'1882' +p299958 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00009/a0000907.jpg' +p299959 +sg291136 +S'In 1881 Winslow Homer began a series of \n Although large steam trawlers had begun to replace smaller boats as fishing craft in Cullercoats, Homer preferred to focus on the old ways. In \n The composition suggests Homer’s familiarity with classical sculpture. The overlapping figures of the women create a compact group in a relatively shallow space, recalling \n ' +p299960 +sa(dp299961 +g291134 +S'Santiago de Cuba' +p299962 +sg291137 +S'Winslow Homer' +p299963 +sg291130 +S'watercolor and pen and black ink over graphite' +p299964 +sg291132 +S'1885' +p299965 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00009/a0000908.jpg' +p299966 +sg291136 +g27 +sa(dp299967 +g291134 +S'Palm Trees, Red' +p299968 +sg291137 +S'Winslow Homer' +p299969 +sg291130 +S'watercolor over graphite on wove paper' +p299970 +sg291132 +S'1890' +p299971 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e4a8.jpg' +p299972 +sg291136 +g27 +sa(dp299973 +g291134 +S'Over the Audience' +p299974 +sg291137 +S'Everett Shinn' +p299975 +sg291130 +S'pastel on blue paper' +p299976 +sg291132 +S'1934-1940' +p299977 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00009/a00009cb.jpg' +p299978 +sg291136 +g27 +sa(dp299979 +g291130 +S'gouache and pastel on paperboard' +p299980 +sg291132 +S'1902-1903' +p299981 +sg291134 +S'Boys Sliding, Washington Square' +p299982 +sg291136 +g27 +sg291137 +S'Everett Shinn' +p299983 +sa(dp299984 +g291130 +S'gouache over graphite on paperboard' +p299985 +sg291132 +S'1914' +p299986 +sg291134 +S'Joan of Arc Square, Paris' +p299987 +sg291136 +g27 +sg291137 +S'Everett Shinn' +p299988 +sa(dp299989 +g291134 +S'Fifth Avenue Bus, 23rd Street and Broadway' +p299990 +sg291137 +S'Everett Shinn' +p299991 +sg291130 +S'pastel on paperboard' +p299992 +sg291132 +S'1914' +p299993 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00009/a00009cc.jpg' +p299994 +sg291136 +g27 +sa(dp299995 +g291130 +S'black chalk with gouache on brown paper' +p299996 +sg291132 +S'1914' +p299997 +sg291134 +S'Standing Nude' +p299998 +sg291136 +g27 +sg291137 +S'Max Klinger' +p299999 +sa(dp300000 +g291130 +S'woodcut block' +p300001 +sg291132 +S'1959' +p300002 +sg291134 +S'Circle Limit III' +p300003 +sg291136 +g27 +sg291137 +S'M.C. Escher' +p300004 +sa(dp300005 +g291130 +S'woodcut block' +p300006 +sg291132 +S'1959' +p300007 +sg291134 +S'Circle Limit III' +p300008 +sg291136 +g27 +sg291137 +S'M.C. Escher' +p300009 +sa(dp300010 +g291130 +S'woodcut block' +p300011 +sg291132 +S'1959' +p300012 +sg291134 +S'Circle Limit III' +p300013 +sg291136 +g27 +sg291137 +S'M.C. Escher' +p300014 +sa(dp300015 +g291130 +S'woodcut block' +p300016 +sg291132 +S'1959' +p300017 +sg291134 +S'Circle Limit III' +p300018 +sg291136 +g27 +sg291137 +S'M.C. Escher' +p300019 +sa(dp300020 +g291130 +S'woodcut block' +p300021 +sg291132 +S'1959' +p300022 +sg291134 +S'Circle Limit III' +p300023 +sg291136 +g27 +sg291137 +S'M.C. Escher' +p300024 +sa(dp300025 +g291130 +S'pen with black and red ink' +p300026 +sg291132 +S'1959' +p300027 +sg291134 +S'Circle Limit III' +p300028 +sg291136 +g27 +sg291137 +S'M.C. Escher' +p300029 +sa(dp300030 +g291130 +S'pen with black and red ink over graphite' +p300031 +sg291132 +S'1959' +p300032 +sg291134 +S'Circle Limit III' +p300033 +sg291136 +g27 +sg291137 +S'M.C. Escher' +p300034 +sa(dp300035 +g291130 +S'pen with black and red ink over graphite' +p300036 +sg291132 +S'1959' +p300037 +sg291134 +S'Circle Limit III' +p300038 +sg291136 +g27 +sg291137 +S'M.C. Escher' +p300039 +sa(dp300040 +g291130 +S'pen with black and red ink over graphite' +p300041 +sg291132 +S'1959' +p300042 +sg291134 +S'Circle Limit III' +p300043 +sg291136 +g27 +sg291137 +S'M.C. Escher' +p300044 +sa(dp300045 +g291130 +S'woodcut in black' +p300046 +sg291132 +S'1959' +p300047 +sg291134 +S'Circle Limit III' +p300048 +sg291136 +g27 +sg291137 +S'M.C. Escher' +p300049 +sa(dp300050 +g291130 +S'woodcut in black' +p300051 +sg291132 +S'1959' +p300052 +sg291134 +S'Circle Limit III' +p300053 +sg291136 +g27 +sg291137 +S'M.C. Escher' +p300054 +sa(dp300055 +g291130 +S'woodcut in black' +p300056 +sg291132 +S'1959' +p300057 +sg291134 +S'Circle Limit III' +p300058 +sg291136 +g27 +sg291137 +S'M.C. Escher' +p300059 +sa(dp300060 +g291130 +S'woodcut in black' +p300061 +sg291132 +S'1959' +p300062 +sg291134 +S'Circle Limit III' +p300063 +sg291136 +g27 +sg291137 +S'M.C. Escher' +p300064 +sa(dp300065 +g291130 +S'woodcut in black' +p300066 +sg291132 +S'1959' +p300067 +sg291134 +S'Circle Limit III' +p300068 +sg291136 +g27 +sg291137 +S'M.C. Escher' +p300069 +sa(dp300070 +g291130 +S'collage of woodcut proofs in four colors' +p300071 +sg291132 +S'1959' +p300072 +sg291134 +S'Circle Limit III' +p300073 +sg291136 +g27 +sg291137 +S'M.C. Escher' +p300074 +sa(dp300075 +g291130 +S'woodcut in red' +p300076 +sg291132 +S'1959' +p300077 +sg291134 +S'Circle Limit III' +p300078 +sg291136 +g27 +sg291137 +S'M.C. Escher' +p300079 +sa(dp300080 +g291130 +S'woodcut in blue' +p300081 +sg291132 +S'1959' +p300082 +sg291134 +S'Circle Limit III' +p300083 +sg291136 +g27 +sg291137 +S'M.C. Escher' +p300084 +sa(dp300085 +g291130 +S'woodcut in gold' +p300086 +sg291132 +S'1959' +p300087 +sg291134 +S'Circle Limit III' +p300088 +sg291136 +g27 +sg291137 +S'M.C. Escher' +p300089 +sa(dp300090 +g291130 +S'woodcut in green' +p300091 +sg291132 +S'1959' +p300092 +sg291134 +S'Circle Limit III' +p300093 +sg291136 +g27 +sg291137 +S'M.C. Escher' +p300094 +sa(dp300095 +g291130 +S'woodcut in black' +p300096 +sg291132 +S'1959' +p300097 +sg291134 +S'Circle Limit III' +p300098 +sg291136 +g27 +sg291137 +S'M.C. Escher' +p300099 +sa(dp300100 +g291130 +S'woodcut in black' +p300101 +sg291132 +S'1959' +p300102 +sg291134 +S'Circle Limit III' +p300103 +sg291136 +g27 +sg291137 +S'M.C. Escher' +p300104 +sa(dp300105 +g291134 +S'Lion of the Colonne de Juillet' +p300106 +sg291137 +S'Antoine-Louis Barye' +p300107 +sg291130 +S'tinted terracotta' +p300108 +sg291132 +S'1836' +p300109 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00029/a00029b9.jpg' +p300110 +sg291136 +g27 +sa(dp300111 +g291134 +S'The Piazza San Marco' +p300112 +sg291137 +S'Maurice Brazil Prendergast' +p300113 +sg291130 +S'watercolor over graphite' +p300114 +sg291132 +S'1898' +p300115 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00009/a0000985.jpg' +p300116 +sg291136 +g27 +sa(dp300117 +g291130 +S'pen and black ink over graphite on green paper' +p300118 +sg291132 +S'1949' +p300119 +sg291134 +S'Boulder, Colorado' +p300120 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300121 +sa(dp300122 +g291130 +S'pen and black ink over graphite' +p300123 +sg291132 +S'1949' +p300124 +sg291134 +S'Quappi and Cowboy' +p300125 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300126 +sa(dp300127 +g291130 +S'pen and blue ink over graphite' +p300128 +sg291132 +S'1947' +p300129 +sg291134 +S'The Rescue' +p300130 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300131 +sa(dp300132 +g291130 +S'black chalk' +p300133 +sg291132 +S'1929' +p300134 +sg291134 +S'Quappi with Cigarette' +p300135 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300136 +sa(dp300137 +g291130 +S'brush and brown ink' +p300138 +sg291132 +S'1909' +p300139 +sg291134 +S'Judith and Holofernes' +p300140 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300141 +sa(dp300142 +g291130 +S'pen and blue ink over graphite' +p300143 +sg291132 +S'1947' +p300144 +sg291134 +S'Christ in Limbo' +p300145 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300146 +sa(dp300147 +g291130 +S'drypoint in black' +p300148 +sg291132 +S'1918' +p300149 +sg291134 +S'Self-Portrait' +p300150 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300151 +sa(dp300152 +g291130 +S'woodcut in black' +p300153 +sg291132 +S'1920' +p300154 +sg291134 +S'Woman with Candle (Frau mit Kerze)' +p300155 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300156 +sa(dp300157 +g291130 +S'drypoint in black' +p300158 +sg291132 +S'1914' +p300159 +sg291134 +S'Weeping Woman (Weinende Frau)' +p300160 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300161 +sa(dp300162 +g291130 +S'drypoint in black' +p300163 +sg291132 +S'1918' +p300164 +sg291134 +S'Main River Landscape (Mainlandschaft)' +p300165 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300166 +sa(dp300167 +g291130 +S'drypoint in black' +p300168 +sg291132 +S'1921' +p300169 +sg291134 +S'The Barker (Self-Portrait) (Der Ausrufer)' +p300170 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300171 +sa(dp300172 +g291130 +S'portfolio with 10 drypoints' +p300173 +sg291132 +S'published 1922' +p300174 +sg291134 +S'Annual Fair (Jahrmarkt)' +p300175 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300176 +sa(dp300177 +g291130 +S'drypoint in black' +p300178 +sg291132 +S'1921' +p300179 +sg291134 +S'Dressing Room (Garderobe)' +p300180 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300181 +sa(dp300182 +g291130 +S'drypoint in black' +p300183 +sg291132 +S'1921' +p300184 +sg291134 +S'Behind the Scenes (Hinter den Kulissen)' +p300185 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300186 +sa(dp300187 +g291130 +S'drypoint in black' +p300188 +sg291132 +S'1921' +p300189 +sg291134 +S'Shooting Gallery (Schiessbude)' +p300190 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300191 +sa(dp300192 +g291130 +S'drypoint in black' +p300193 +sg291132 +S'1921' +p300194 +sg291134 +S'The Tall Man (Der grosse Mann)' +p300195 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300196 +sa(dp300197 +g291130 +S'drypoint in black' +p300198 +sg291132 +S'1921' +p300199 +sg291134 +S'The Negro (Der Neger)' +p300200 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300201 +sa(dp300202 +g291130 +S'drypoint in black' +p300203 +sg291132 +S'1921' +p300204 +sg291134 +S'Merry-Go-Round (Das Karussell)' +p300205 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300206 +sa(dp300207 +g291130 +S'drypoint in black' +p300208 +sg291132 +S'1921' +p300209 +sg291134 +S'The Tight Rope Walkers (Die Seilt\xc3\xa4nzer)' +p300210 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300211 +sa(dp300212 +g291130 +S'drypoint in black' +p300213 +sg291132 +S'1921' +p300214 +sg291134 +S'Negro Dance (Niggertanz)' +p300215 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300216 +sa(dp300217 +g291130 +S'drypoint in black' +p300218 +sg291132 +S'1921' +p300219 +sg291134 +S'Snake Lady (Schlangendame)' +p300220 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300221 +sa(dp300222 +g291130 +S'woodcut block with additions in crayon and ink' +p300223 +sg291132 +S'c. 1923' +p300224 +sg291134 +S'Self-Portrait with Naila as Circus Performers Holding Masks and Reclining on a Sea Monster' +p300225 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300226 +sa(dp300227 +g291130 +S'sketchbook with 4 sketches in graphite; 10 blank pages, and several missing sheets' +p300228 +sg291132 +S'unknown date\n' +p300229 +sg291134 +S'Beckmann Sketchbook' +p300230 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300231 +sa(dp300232 +g291130 +S'graphite' +p300233 +sg291132 +S'unknown date\n' +p300234 +sg291134 +S'M\xc3\xa4dchen mit Puppe (Girl with a Doll) [p. 7]' +p300235 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300236 +sa(dp300237 +g291130 +S'graphite' +p300238 +sg291132 +S'unknown date\n' +p300239 +sg291134 +S'M\xc3\xa4dchenbildnis (Portrait of a Girl) [p. 9]' +p300240 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300241 +sa(dp300242 +g291130 +S'graphite' +p300243 +sg291132 +S'unknown date\n' +p300244 +sg291134 +S'M\xc3\xa4dchenbildnis im Profil (Girl in Profile) [p. 11]' +p300245 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300246 +sa(dp300247 +g291130 +S'graphite' +p300248 +sg291132 +S'unknown date\n' +p300249 +sg291134 +S'M\xc3\xa4dchen mit geschlossenen Augen (Girl with Downcast Eyes) [p. 13]' +p300250 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300251 +sa(dp300252 +g291130 +S"sketchbook with 1 sketch in graphite and 1 sketch in pen and black ink; 61 blank pages; two pages of the artist's notations; and one page with a graphite test line. Sketchbook also has a charcoal impression from a (missing) sketch." +p300253 +sg291132 +S'unknown date\n' +p300254 +sg291134 +S'Beckmann Sketchbook' +p300255 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300256 +sa(dp300257 +g291130 +S'Sketchbook with 1 sketch in graphite with pen and black. Also contains 9 blank pages' +p300258 +sg291132 +S'unknown date\n' +p300259 +sg291134 +S'Beckmann Sketchbook' +p300260 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300261 +sa(dp300262 +g291130 +S'graphite with pen and black in' +p300263 +sg291132 +S'unknown date\n' +p300264 +sg291134 +S'Begonnene Stra enszene mit zerst\xc3\xb6rtem (Sketch of Street Scene) [p. 1]' +p300265 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300266 +sa(dp300267 +g291130 +S'sketchbook with 26 sketches in graphite, including one on the inside of the back cover, 11 blank pages and 3 missing sheets (6 pages)' +p300268 +sg291132 +S'unknown date\n' +p300269 +sg291134 +S'Beckmann Sketchbook' +p300270 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300271 +sa(dp300272 +g291130 +S'pen and brown ink' +p300273 +sg291132 +S'unknown date\n' +p300274 +sg291134 +S'Figuren in Interieur (Figural Group in Interior) [p. 1]' +p300275 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300276 +sa(dp300277 +g291130 +S'charcoal' +p300278 +sg291132 +S'unknown date\n' +p300279 +sg291134 +S'Begonnene Skizze (Unfinished Sketch) [p. 3]' +p300280 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300281 +sa(dp300282 +g291130 +S'graphite' +p300283 +sg291132 +S'unknown date\n' +p300284 +sg291134 +S'Vergewaltigungs- oder Mordszene und Skizze mit maskiertem Mann (Sketch of a Rape or Murder and Sketch with Masked Man) [p. 4]' +p300285 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300286 +sa(dp300287 +g291130 +S'graphite' +p300288 +sg291132 +S'unknown date\n' +p300289 +sg291134 +S'Stra\xc3\x9fenszene mit Passante (Figures Walking on t he Street) [p. 5]' +p300290 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300291 +sa(dp300292 +g291130 +S'graphite' +p300293 +sg291132 +S'unknown date\n' +p300294 +sg291134 +S'N\xc3\xa4chtliche Stadtszene (Nocturnal City Scene) [p. 6]' +p300295 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300296 +sa(dp300297 +g291130 +S'graphite' +p300298 +sg291132 +S'unknown date\n' +p300299 +sg291134 +S'Vier M\xc3\xa4nner in Uniform (?) (Four Men Wearing Uniforms) [p. 7]' +p300300 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300301 +sa(dp300302 +g291130 +S'graphite' +p300303 +sg291132 +S'unknown date\n' +p300304 +sg291134 +S'N\xc3\xa4chtliche Stadtszene (Nocturnal City scene) [p. 8]' +p300305 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300306 +sa(dp300307 +g291130 +S'graphite' +p300308 +sg291132 +S'unknown date\n' +p300309 +sg291134 +S'Zwei M\xc3\xa4nner (Two Men) [p. 9]' +p300310 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300311 +sa(dp300312 +g291130 +S'graphite' +p300313 +sg291132 +S'unknown date\n' +p300314 +sg291134 +S'Passanten vor H\xc3\xa4userfassade (Pedestrians in Front of a House) [p. 11]' +p300315 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300316 +sa(dp300317 +g291130 +S'graphite' +p300318 +sg291132 +S'unknown date\n' +p300319 +sg291134 +S'Weiblicher Akt in Str\xc3\xbcmpfen (Nude with Stockings) [p. 12]' +p300320 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300321 +sa(dp300322 +g291130 +S'graphite' +p300323 +sg291132 +S'unknown date\n' +p300324 +sg291134 +S'Weiblicher Akt in R\xc3\xbcckenansicht (Nude from Behind) [p. 13]' +p300325 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300326 +sa(dp300327 +g291130 +S'graphite' +p300328 +sg291132 +S'unknown date\n' +p300329 +sg291134 +S'Liegende Frau mit verborgenem Gesicht (Reclining Woman Hiding Her Face) [p. 14]' +p300330 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300331 +sa(dp300332 +g291130 +S'graphite' +p300333 +sg291132 +S'unknown date\n' +p300334 +sg291134 +S'Weiblicher Halbakt (Nude Torso) [p. 15]' +p300335 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300336 +sa(dp300337 +g291130 +S'graphite' +p300338 +sg291132 +S'unknown date\n' +p300339 +sg291134 +S'Zuschauerraum eines Theaters (Theater Auditorium) [p. 16]' +p300340 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300341 +sa(dp300342 +g291130 +S'graphite and pen & black ink' +p300343 +sg291132 +S'unknown date\n' +p300344 +sg291134 +S'Notizen und kleine Skizzen (Notes and Small Sketches) [p. 22]' +p300345 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300346 +sa(dp300347 +g291130 +S'graphite' +p300348 +sg291132 +S'unknown date\n' +p300349 +sg291134 +S'Figuren in Bahnhof [?] (Group of People in Station [?]) [p. 24]' +p300350 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300351 +sa(dp300352 +g291130 +S'graphite' +p300353 +sg291132 +S'unknown date\n' +p300354 +sg291134 +S'Interieur mit Figuren (Figures in an Interior) [p. 25]' +p300355 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300356 +sa(dp300357 +g291130 +S'graphite' +p300358 +sg291132 +S'unknown date\n' +p300359 +sg291134 +S'Interieur mit Figuren (Figures in an Interior) [p. 26]' +p300360 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300361 +sa(dp300362 +g291130 +S'graphite' +p300363 +sg291132 +S'unknown date\n' +p300364 +sg291134 +S'Landschaft mit Fabrikbauten (Landscape with Factory Buildings) [p. 27]' +p300365 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300366 +sa(dp300367 +g291130 +S'graphite' +p300368 +sg291132 +S'unknown date\n' +p300369 +sg291134 +S'Begonnene Skizze (Unfinished Sketch) [p. 28]' +p300370 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300371 +sa(dp300372 +g291130 +S'graphite' +p300373 +sg291132 +S'unknown date\n' +p300374 +sg291134 +S'Mehrfigurige Skizze in Interieur (Interior Scene) [p. 32]' +p300375 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300376 +sa(dp300377 +g291130 +S'graphite' +p300378 +sg291132 +S'unknown date\n' +p300379 +sg291134 +S'Drei Figuren (Three Figures) [p. 34]' +p300380 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300381 +sa(dp300382 +g291130 +S'graphite' +p300383 +sg291132 +S'unknown date\n' +p300384 +sg291134 +S'Landschaft mit Berg und Tannen (Landscape with Mountain and Fir Trees) [p. 35]' +p300385 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300386 +sa(dp300387 +g291130 +S'graphite, charcoal, and pen with brown ink' +p300388 +sg291132 +S'unknown date\n' +p300389 +sg291134 +S'Notizen und kleine Skizzen (Sketches and Notes) [p. 36]' +p300390 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300391 +sa(dp300392 +g291130 +S'sketchbook with 5 sketches in graphite and charcoal and 74 blank pages.' +p300393 +sg291132 +S'unknown date\n' +p300394 +sg291134 +S'Beckmann Sketchbook' +p300395 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300396 +sa(dp300397 +g291130 +S'graphite' +p300398 +sg291132 +S'unknown date\n' +p300399 +sg291134 +S'Strandlandschaft mit Badenden (Seascape with Bathers) [p. 1]' +p300400 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300401 +sa(dp300402 +g291130 +S'graphite' +p300403 +sg291132 +S'unknown date\n' +p300404 +sg291134 +S'Ballspielende M\xc3\xa4nner am Strand (A Ballgame at the Beach) [p. 3]' +p300405 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300406 +sa(dp300407 +g291130 +S'graphite' +p300408 +sg291132 +S'unknown date\n' +p300409 +sg291134 +S'Anlegendes Segelboot und Uferpromenade (Sailboat arriving at Embankment) [p. 5]' +p300410 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300411 +sa(dp300412 +g291130 +S'charcoal' +p300413 +sg291132 +S'unknown date\n' +p300414 +sg291134 +S'Weibliche Badende (Swimmer) [p. 7]' +p300415 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300416 +sa(dp300417 +g291130 +S'charcoal' +p300418 +sg291132 +S'unknown date\n' +p300419 +sg291134 +S'Weibliche Halbfigur und verworfenes groteskes Profil (Female Half Figure and Abandoned Grotesque Profile) [p. 80]' +p300420 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300421 +sa(dp300422 +g291130 +S'sketchbook with 23 sketches (including one on inside front cover) in graphite, pen and black, brown, and gray ink on lined paper; 4 sheets of writing and calculations; 23 blank page; four sheets are missing.' +p300423 +sg291132 +S'1943-1947' +p300424 +sg291134 +S'Beckmann Sketchbook' +p300425 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300426 +sa(dp300427 +g291130 +S'pen and brown ink on lined paper' +p300428 +sg291132 +S'unknown date\n' +p300429 +sg291134 +S'Seilt\xc3\xa4nzer (Tightrope Walker) [p. 1]' +p300430 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300431 +sa(dp300432 +g291130 +S'pen with black and brown ink on lined paper' +p300433 +sg291132 +S'unknown date\n' +p300434 +sg291134 +S'Mehrfigurige Szene (Figural Scene) [p. 3]' +p300435 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300436 +sa(dp300437 +g291130 +S'pen and brown ink on lined paper' +p300438 +sg291132 +S'unknown date\n' +p300439 +sg291134 +S'Drei Skizzen mit Bezeichnung (Three Sketches with Inscriptions) [p. 4]' +p300440 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300441 +sa(dp300442 +g291130 +S'pen with brown and gray ink on lined paper' +p300443 +sg291132 +S'unknown date\n' +p300444 +sg291134 +S'Zwei Skizzen mit Bezeichnung (Two Sketches with Inscriptions) [p. 5]' +p300445 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300446 +sa(dp300447 +g291130 +S'pen with brown and gray ink on lined paper' +p300448 +sg291132 +S'unknown date\n' +p300449 +sg291134 +S'Zwei Stehende Frauen (Two Standing Women) [p. 6]' +p300450 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300451 +sa(dp300452 +g291130 +S'pen with brown and gray ink on lined paper' +p300453 +sg291132 +S'unknown date\n' +p300454 +sg291134 +S'Frau hinter Baum (Woman Behind a Tree) [p. 7]' +p300455 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300456 +sa(dp300457 +g291130 +S'pen with brown and gray ink on lined paper' +p300458 +sg291132 +S'unknown date\n' +p300459 +sg291134 +S'Sitzende Figur mit verdecktem Gesicht (Seated Figure with Covered Face) [p. 8]' +p300460 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300461 +sa(dp300462 +g291130 +S'pen with brown and gray ink on lined paper' +p300463 +sg291132 +S'unknown date\n' +p300464 +sg291134 +S'Zwei bezeichnete Skizzen (Two Sketches with Inscriptions) [p. 9]' +p300465 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300466 +sa(dp300467 +g291130 +S'pen and brown ink on lined paper' +p300468 +sg291132 +S'unknown date\n' +p300469 +sg291134 +S'Skizze mit Fensterausblick (Sketch with View from Window) [p. 10]' +p300470 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300471 +sa(dp300472 +g291130 +S'pen and brown ink on lined paper' +p300473 +sg291132 +S'unknown date\n' +p300474 +sg291134 +S'Verworfene Skizze (Figure Crossed Out) [p. 11]' +p300475 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300476 +sa(dp300477 +g291130 +S'pen and brown ink on lined paper' +p300478 +sg291132 +S'unknown date\n' +p300479 +sg291134 +S'Skizze mit zwei Figuren (Sketch with Two Figures) [p. 12]' +p300480 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300481 +sa(dp300482 +g291130 +S'pen and brown ink on lined paper' +p300483 +sg291132 +S'unknown date\n' +p300484 +sg291134 +S'Mehrfigurige Szene (Figural Sketch) [p. 13]' +p300485 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300486 +sa(dp300487 +g291130 +S'pen and brown ink on lined paper' +p300488 +sg291132 +S'unknown date\n' +p300489 +sg291134 +S'Zirkusszene (Circus Scene) [p. 14]' +p300490 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300491 +sa(dp300492 +g291130 +S'pen and brown ink on lined paper' +p300493 +sg291132 +S'unknown date\n' +p300494 +sg291134 +S'Zwei Skizzen (Two Sketches) [p. 15]' +p300495 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300496 +sa(dp300497 +g291130 +S'pen and brown ink on lined paper' +p300498 +sg291132 +S'unknown date\n' +p300499 +sg291134 +S'Der echte Don Juan (The Real Don Juan) [p. 16]' +p300500 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300501 +sa(dp300502 +g291130 +S'graphite on lined paper' +p300503 +sg291132 +S'unknown date\n' +p300504 +sg291134 +S'Mehrfigurige Szene (Reclining Nude with Onlookers) [p. 18]' +p300505 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300506 +sa(dp300507 +g291130 +S'graphite on lined paper' +p300508 +sg291132 +S'unknown date\n' +p300509 +sg291134 +S'Figuren in einer Bar (Figures in a Bar) [p. 19]' +p300510 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300511 +sa(dp300512 +g291130 +S'graphite on lined paper' +p300513 +sg291132 +S'unknown date\n' +p300514 +sg291134 +S'Paar und gro\xc3\x9fe Figur (Couple and Large Figure) [p. 21]' +p300515 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300516 +sa(dp300517 +g291130 +S'graphite on lined paper' +p300518 +sg291132 +S'unknown date\n' +p300519 +sg291134 +S'Nicht identifizierte Kompositionsskizze (Not identified compositional Sketch) [p. 22]' +p300520 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300521 +sa(dp300522 +g291130 +S'graphite on lined paper' +p300523 +sg291132 +S'unknown date\n' +p300524 +sg291134 +S'Liebespaar (Lovers) [p. 23]' +p300525 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300526 +sa(dp300527 +g291130 +S'graphite on lined paper' +p300528 +sg291132 +S'unknown date\n' +p300529 +sg291134 +S'Skizze mit 9 Einzelszenen (Nine Vignettes in a Grid) [p. 32]' +p300530 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300531 +sa(dp300532 +g291130 +S'sketchbook with 16 sketches in graphite and charcoal on colored paper. Sketchbook also contains 42 blank pages and 2 pages of notations.' +p300533 +sg291132 +S'1933/1936' +p300534 +sg291134 +S'Beckmann Sketchbook' +p300535 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300536 +sa(dp300537 +g291130 +S'graphite' +p300538 +sg291132 +S'unknown date\n' +p300539 +sg291134 +S'Frau mit Fackel und Kind (Woman with Torch and Child) [p. 1]' +p300540 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300541 +sa(dp300542 +g291130 +S'charcoal' +p300543 +sg291132 +S'unknown date\n' +p300544 +sg291134 +S'gefl\xc3\xbcgelte Mischwesen, \xc3\xbcber Gebirge fliegend (Winged Creature Flying over Mountains) [p. 3]' +p300545 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300546 +sa(dp300547 +g291130 +S'graphite' +p300548 +sg291132 +S'unknown date\n' +p300549 +sg291134 +S'Einblick in ein Gew\xc3\xb6lbe (View into a Cellar) [p. 5]' +p300550 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300551 +sa(dp300552 +g291130 +S'graphite' +p300553 +sg291132 +S'unknown date\n' +p300554 +sg291134 +S'D\xc3\xa4monen und Fabelwesen (Demons and Fantastic Creature) [p. 9]' +p300555 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300556 +sa(dp300557 +g291130 +S'graphite' +p300558 +sg291132 +S'1936' +p300559 +sg291134 +S'Interieur mit Figuren (Interior with Figures) [p. 11]' +p300560 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300561 +sa(dp300562 +g291130 +S'graphite on red paper' +p300563 +sg291132 +S'unknown date\n' +p300564 +sg291134 +S'Zwergenk\xc3\xb6nig und Riese auf einer B\xc3\xbchne (Dwarf King and Giant on a Stage) [p. 13]' +p300565 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300566 +sa(dp300567 +g291130 +S'graphite on green paper' +p300568 +sg291132 +S'unknown date\n' +p300569 +sg291134 +S'schreitender Mann (Nude Male) [p. 15]' +p300570 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300571 +sa(dp300572 +g291130 +S'graphite on green paper' +p300573 +sg291132 +S'unknown date\n' +p300574 +sg291134 +S'mehrfigurige Skizze mit kriechenden Figuren (Figure Sketch) [p. 17]' +p300575 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300576 +sa(dp300577 +g291130 +S'charcoal' +p300578 +sg291132 +S'unknown date\n' +p300579 +sg291134 +S'Selbstportrait mit D\xc3\xa4mon (Self-Portrait with Demon) [p. 19]' +p300580 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300581 +sa(dp300582 +g291130 +S'charcoal' +p300583 +sg291132 +S'unknown date\n' +p300584 +sg291134 +S'fl\xc3\xbcchtige Skizze zweier Figuren (Rough Sketch with Two Figures) [p. 21]' +p300585 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300586 +sa(dp300587 +g291130 +S'graphite' +p300588 +sg291132 +S'1934' +p300589 +sg291134 +S'Selbstportrait mit Kerze (Self-Portrait with Candle) [p. 23]' +p300590 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300591 +sa(dp300592 +g291130 +S'charcoal' +p300593 +sg291132 +S'unknown date\n' +p300594 +sg291134 +S'Skizze, "Der Tod und die G\xc3\xb6tter" (Sketch of "Death and the Gods") [p. 24]' +p300595 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300596 +sa(dp300597 +g291130 +S'charcoal' +p300598 +sg291132 +S'unknown date\n' +p300599 +sg291134 +S'Skizze, "Fest in der W\xc3\xbcste" (Sketch of "Festival in the Desert") [p. 27]' +p300600 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300601 +sa(dp300602 +g291130 +S'charcoal' +p300603 +sg291132 +S'unknown date\n' +p300604 +sg291134 +S'Profil, "Auktion" (Profile, "Auction") [p. 29]' +p300605 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300606 +sa(dp300607 +g291130 +S'charcoal' +p300608 +sg291132 +S'unknown date\n' +p300609 +sg291134 +S'Drei stehende Frauenakte und Notizen (Three Standing Women and Documentation) [p. 33]' +p300610 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300611 +sa(dp300612 +g291130 +S'charcoal on beige paper' +p300613 +sg291132 +S'unknown date\n' +p300614 +sg291134 +S'sitzende Figur mit dickem Bauch (Sitting Figure with Belly) [p. 41]' +p300615 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300616 +sa(dp300617 +g291130 +S'sketchbook with 6 sketches in graphite on lined paper, 86 blank pages and 1 missing sheet (2 pages)' +p300618 +sg291132 +S'unknown date\n' +p300619 +sg291134 +S'Beckmann Sketchbook' +p300620 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300621 +sa(dp300622 +g291130 +S'graphite on lined paper' +p300623 +sg291132 +S'unknown date\n' +p300624 +sg291134 +S'umgekippter Schubkarren (Tilted Wheelbarrow) [p. 1]' +p300625 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300626 +sa(dp300627 +g291130 +S'graphite on lined paper' +p300628 +sg291132 +S'unknown date\n' +p300629 +sg291134 +S'Rad eines Schubkarrens (Wheel of a Wheelbarrow) [p. 3]' +p300630 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300631 +sa(dp300632 +g291130 +S'graphite on lined paper' +p300633 +sg291132 +S'unknown date\n' +p300634 +sg291134 +S'stehender Schubkarren vor Architektur (Wheelbarrow Standing by Architecture) [p. 5]' +p300635 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300636 +sa(dp300637 +g291130 +S'graphite on lined paper' +p300638 +sg291132 +S'unknown date\n' +p300639 +sg291134 +S'stehender Schubkarren (Wheelbarrow Standing) [p. 7]' +p300640 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300641 +sa(dp300642 +g291130 +S'graphite on lined paper' +p300643 +sg291132 +S'unknown date\n' +p300644 +sg291134 +S'stehendes Kalb (Standing Calf) [p. 9]' +p300645 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300646 +sa(dp300647 +g291130 +S'graphite on lined paper' +p300648 +sg291132 +S'unknown date\n' +p300649 +sg291134 +S'stehendes Kalb, weiter ausgef\xc3\xbchrt (Standing Calf) [p. 11]' +p300650 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300651 +sa(dp300652 +g291130 +S'sketchbook with 6 sketches; 4 in graphite and 2 in pen and black ink. Book additionally contains 12 blank pages.' +p300653 +sg291132 +S'unknown date\n' +p300654 +sg291134 +S'Beckmann Sketchbook' +p300655 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300656 +sa(dp300657 +g291130 +S'graphite on paper' +p300658 +sg291132 +S'unknown date\n' +p300659 +sg291134 +S'Study of Artillery Cannon (Begonnene Studie einer Artilleriekanone) [p. 1]' +p300660 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300661 +sa(dp300662 +g291130 +S'pen with black ink on paper' +p300663 +sg291132 +S'unknown date\n' +p300664 +sg291134 +S'Church Tower of St. M\xc3\xa9dard in Verwik (Turm der Kirche St. M\xc3\xa9dard in Verwik) [p. 2]' +p300665 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300666 +sa(dp300667 +g291130 +S'pen with black ink on paper' +p300668 +sg291132 +S'unknown date\n' +p300669 +sg291134 +S'Self-Portrait (Selbstbildnis) [p. 3]' +p300670 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300671 +sa(dp300672 +g291130 +S'graphite on paper' +p300673 +sg291132 +S'unknown date\n' +p300674 +sg291134 +S'Male Portrait Study (Mannliche Bildnisstudie, daruber Kohler...) [p. 7]' +p300675 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300676 +sa(dp300677 +g291130 +S'graphite on paper' +p300678 +sg291132 +S'unknown date\n' +p300679 +sg291134 +S'Portrait Study (Fl\xc3\xbcchtige Bildnisstudie) [p. 16]' +p300680 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300681 +sa(dp300682 +g291130 +S'graphite with black ink on paper' +p300683 +sg291132 +S'unknown date\n' +p300684 +sg291134 +S'Male Portrait Study and Notes (M\xc3\xa4nnerakte in R\xc3\xbcckenansicht in einem Bad) [p. 18]' +p300685 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300686 +sa(dp300687 +g291130 +S'sketchbook of 56 pages containing 6 blank pages, 16 pages of artist notations and 34 sketches, 19 in graphite, 2 in pen and black ink, 8 in graphite with pen and black ink; 5 in graphite, pen and black ink with red chalk.' +p300688 +sg291132 +S'unknown date\n' +p300689 +sg291134 +S'Beckmann Sketchbook' +p300690 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300691 +sa(dp300692 +g291130 +S'graphite' +p300693 +sg291132 +S'unknown date\n' +p300694 +sg291134 +S'Geometrische Skizze (Geometric Sketch) [p. 1]' +p300695 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300696 +sa(dp300697 +g291130 +S'graphite' +p300698 +sg291132 +S'unknown date\n' +p300699 +sg291134 +S'Notizen (Notation) [p. 3]' +p300700 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300701 +sa(dp300702 +g291130 +S'pen with black ink on paper' +p300703 +sg291132 +S'unknown date\n' +p300704 +sg291134 +S'Kost\xc3\xbcmstudien von Hebr\xc3\xa4ern (Hebrew Costume Studies) [p. 4]' +p300705 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300706 +sa(dp300707 +g291130 +S'graphite' +p300708 +sg291132 +S'unknown date\n' +p300709 +sg291134 +S'Kost\xc3\xbcmstudien von Hebr\xc3\xa4ern (Hebrew Costume Studies) [p. 5]' +p300710 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300711 +sa(dp300712 +g291130 +S'graphite' +p300713 +sg291132 +S'unknown date\n' +p300714 +sg291134 +S'Von Ochsen gezogener Heuwagen (Hay Cart pulled by Bullocks) [p. 6]' +p300715 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300716 +sa(dp300717 +g291130 +S'graphite' +p300718 +sg291132 +S'unknown date\n' +p300719 +sg291134 +S'Notizen (Notation) [p. 7]' +p300720 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300721 +sa(dp300722 +g291130 +S'graphite' +p300723 +sg291132 +S'unknown date\n' +p300724 +sg291134 +S'Zwei Studien eines Ochsen (Two Studies of a Bullock) [p. 8]' +p300725 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300726 +sa(dp300727 +g291130 +S'graphite' +p300728 +sg291132 +S'unknown date\n' +p300729 +sg291134 +S"Zwei Studien eines Ochsenkopfes, Notizen (Two Studies of a Bullock's Head, Notation) [p. 9]" +p300730 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300731 +sa(dp300732 +g291130 +S'graphite' +p300733 +sg291132 +S'unknown date\n' +p300734 +sg291134 +S'Detailstudien eines Ochsen, Notizen (Details of a Bullock, Notation) [p. 10]' +p300735 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300736 +sa(dp300737 +g291130 +S'graphite' +p300738 +sg291132 +S'unknown date\n' +p300739 +sg291134 +S'Notizen (Notation) [p. 11]' +p300740 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300741 +sa(dp300742 +g291130 +S'graphite' +p300743 +sg291132 +S'unknown date\n' +p300744 +sg291134 +S'Notizen (Notation) [p. 12]' +p300745 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300746 +sa(dp300747 +g291130 +S'graphite' +p300748 +sg291132 +S'unknown date\n' +p300749 +sg291134 +S'Mehrfigurige Kompositionsskizze (Figural Sketch) [p. 27]' +p300750 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300751 +sa(dp300752 +g291130 +S'graphite' +p300753 +sg291132 +S'unknown date\n' +p300754 +sg291134 +S'Mehrfigurige Kompositionsskizze (Figural Sketch) [p. 28]' +p300755 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300756 +sa(dp300757 +g291130 +S'graphite' +p300758 +sg291132 +S'unknown date\n' +p300759 +sg291134 +S'Mehrfigurige Kompositionsskizze (Figural Sketch) [p. 29]' +p300760 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300761 +sa(dp300762 +g291130 +S'graphite' +p300763 +sg291132 +S'unknown date\n' +p300764 +sg291134 +S'Notizen (Notation) [p. 32]' +p300765 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300766 +sa(dp300767 +g291130 +S'graphite with ink bleed through from verso' +p300768 +sg291132 +S'unknown date\n' +p300769 +sg291134 +S'Notizen (Notation) [p. 33]' +p300770 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300771 +sa(dp300772 +g291130 +S'pen with black ink and wash' +p300773 +sg291132 +S'unknown date\n' +p300774 +sg291134 +S'Zwei bezeichnete Skizzen (Two Sketches with Inscriptions) [p. 34]' +p300775 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300776 +sa(dp300777 +g291130 +S'graphite' +p300778 +sg291132 +S'unknown date\n' +p300779 +sg291134 +S'Notizen und kleine Skizze (Notation and Small Sketch) [p. 35]' +p300780 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300781 +sa(dp300782 +g291130 +S'graphite with pen and black ink' +p300783 +sg291132 +S'unknown date\n' +p300784 +sg291134 +S'Zwei bezeichnete Skizzen (Two Sketches with Inscription) [p. 36]' +p300785 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300786 +sa(dp300787 +g291130 +S'pen and black ink' +p300788 +sg291132 +S'unknown date\n' +p300789 +sg291134 +S'Skizze und leerer Rahmen mit Bezeichnung (Sketch and Empty Frame with Inscription) [p. 37]' +p300790 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300791 +sa(dp300792 +g291130 +S'graphite with pen and black ink' +p300793 +sg291132 +S'unknown date\n' +p300794 +sg291134 +S'Drei kleine Skizzen mit Bezeichnung (Three Small Sketches with Inscriptions) [p. 38]' +p300795 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300796 +sa(dp300797 +g291130 +S'graphite' +p300798 +sg291132 +S'unknown date\n' +p300799 +sg291134 +S'Zwei Skizzen, Bezeichnungen (Two Sketches with Inscriptions) [p. 39]' +p300800 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300801 +sa(dp300802 +g291130 +S'graphite with pen and black ink notations' +p300803 +sg291132 +S'unknown date\n' +p300804 +sg291134 +S'Notizen und kleine Skizze (Notations and Small Sketch) [p. 40]' +p300805 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300806 +sa(dp300807 +g291130 +S'graphite' +p300808 +sg291132 +S'unknown date\n' +p300809 +sg291134 +S'Meeresstudie (Seascape) [p. 41]' +p300810 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300811 +sa(dp300812 +g291130 +S'graphite with traces of black ink' +p300813 +sg291132 +S'unknown date\n' +p300814 +sg291134 +S'Landschaftsstudie (Landscape) [p. 42]' +p300815 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300816 +sa(dp300817 +g291130 +S'graphite with pen and black ink and wash' +p300818 +sg291132 +S'unknown date\n' +p300819 +sg291134 +S'Zwei Skizzen, Bezeichnungen (Two Sketches with Inscriptions) [p. 43]' +p300820 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300821 +sa(dp300822 +g291130 +S'pen and black ink with red chalk' +p300823 +sg291132 +S'unknown date\n' +p300824 +sg291134 +S'Zwei Skizzen, Bezeichnungen (Two Sketches with Inscriptions) [p. 44]' +p300825 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300826 +sa(dp300827 +g291130 +S'graphite under pen and black ink notation' +p300828 +sg291132 +S'unknown date\n' +p300829 +sg291134 +S'Notizen (Notations) [p. 45]' +p300830 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300831 +sa(dp300832 +g291130 +S'graphite under red chalk with black ink notations' +p300833 +sg291132 +S'unknown date\n' +p300834 +sg291134 +S'Notizen (Notations) [p. 46]' +p300835 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300836 +sa(dp300837 +g291130 +S'graphite under black ink' +p300838 +sg291132 +S'unknown date\n' +p300839 +sg291134 +S'Zwei bezeichnete Skizzen, Notizen (Two Inscribed Sketches, Notations) [p. 48]' +p300840 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300841 +sa(dp300842 +g291130 +S'pen and black ink' +p300843 +sg291132 +S'unknown date\n' +p300844 +sg291134 +S'Drei kleine Skizzen mit Bezeichnung (Three Small Sketches with Inscriptions) [p. 49]' +p300845 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300846 +sa(dp300847 +g291130 +S'pen and black ink with red chalk' +p300848 +sg291132 +S'unknown date\n' +p300849 +sg291134 +S'Drei kleine Skizzen mit Bezeichnung (Three Small Sketches with Inscriptions) [p. 50]' +p300850 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300851 +sa(dp300852 +g291130 +S'pen and black ink with red chalk and graphite' +p300853 +sg291132 +S'unknown date\n' +p300854 +sg291134 +S'Drei kleine Skizzen mit Bezeichnung (Three Small Sketches with Inscriptions) [p. 51]' +p300855 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300856 +sa(dp300857 +g291130 +S'pen and black ink with red chalk and graphite' +p300858 +sg291132 +S'unknown date\n' +p300859 +sg291134 +S'F\xc3\xbcnf kleine Skizzen mit Bezeichnung (Five Small Sketches with Inscriptions) [p. 52]' +p300860 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300861 +sa(dp300862 +g291130 +S'sketchbook with 5 sketches in graphite' +p300863 +sg291132 +S'unknown date\n' +p300864 +sg291134 +S'Beckmann Sketchbook' +p300865 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300866 +sa(dp300867 +g291130 +S'graphite' +p300868 +sg291132 +S'unknown date\n' +p300869 +sg291134 +S'Mittelalterlich gekleideter Mann, Trompete blasend mit Pferd (Medieval Trumpeter by His Horse) [p. 1]' +p300870 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300871 +sa(dp300872 +g291130 +S'graphite' +p300873 +sg291132 +S'unknown date\n' +p300874 +sg291134 +S'Begonnener Skizze eines Giebels (Beginning Sketch of Gables) [p. 5]' +p300875 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300876 +sa(dp300877 +g291130 +S'graphite' +p300878 +sg291132 +S'unknown date\n' +p300879 +sg291134 +S'Begonnener Pferdekopf (Beginning Sketch of Horse Head) [p. 7]' +p300880 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300881 +sa(dp300882 +g291130 +S'graphite' +p300883 +sg291132 +S'unknown date\n' +p300884 +sg291134 +S'Weiblich Bildnistudie, Sabine Hackenschmidt (Portrait of Sabine Hackenschmidt) [p. 14]' +p300885 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300886 +sa(dp300887 +g291130 +S'graphite' +p300888 +sg291132 +S'unknown date\n' +p300889 +sg291134 +S'M\xc3\xa4nnliche Bildnisstudie (Unknown Male Portrait Study) [p. 20]' +p300890 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300891 +sa(dp300892 +g291130 +S"sketchbook with 28 sketches in graphite, 15 pages of artist's notations, 11 blank pages, and 2 missing sheets (4 pages.)" +p300893 +sg291132 +S'unknown date\n' +p300894 +sg291134 +S'Beckmann Sketchbook' +p300895 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300896 +sa(dp300897 +g291130 +S'graphite' +p300898 +sg291132 +S'unknown date\n' +p300899 +sg291134 +S'\xc3\xa4lterer Mann in R\xc3\xbcckenansicht (Elderly Man Seen from Behind) [p. 3]' +p300900 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300901 +sa(dp300902 +g291130 +S'graphite' +p300903 +sg291132 +S'unknown date\n' +p300904 +sg291134 +S'Menschen [in einem Casino?] (People [in a Casino?]) [p. 5]' +p300905 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300906 +sa(dp300907 +g291130 +S'graphite' +p300908 +sg291132 +S'unknown date\n' +p300909 +sg291134 +S'begonnene Skizze eines Mannes mit Bart (Unfinished Sketch of a Man with Beard) [p. 6]' +p300910 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300911 +sa(dp300912 +g291130 +S'graphite' +p300913 +sg291132 +S'unknown date\n' +p300914 +sg291134 +S'Mann und Notizen (Man with Notations) [p. 7]' +p300915 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300916 +sa(dp300917 +g291130 +S'graphite' +p300918 +sg291132 +S'unknown date\n' +p300919 +sg291134 +S'fl\xc3\xbcchtige m\xc3\xa4nnliche Bildnisstudie (Male Portrait Sudy) [p. 8]' +p300920 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300921 +sa(dp300922 +g291130 +S'graphite' +p300923 +sg291132 +S'unknown date\n' +p300924 +sg291134 +S'Lageplan (Site Plan) [p. 9]' +p300925 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300926 +sa(dp300927 +g291130 +S'graphite' +p300928 +sg291132 +S'unknown date\n' +p300929 +sg291134 +S'm\xc3\xa4nnliche Bildnisstudie (Male Portrait Study) [p. 10]' +p300930 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300931 +sa(dp300932 +g291130 +S'graphite' +p300933 +sg291132 +S'unknown date\n' +p300934 +sg291134 +S'drei K\xc3\xb6pfe und Beschriftung (Three Heads, One Notation) [p. 11]' +p300935 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300936 +sa(dp300937 +g291130 +S'graphite' +p300938 +sg291132 +S'unknown date\n' +p300939 +sg291134 +S'hageres Gesicht (Slim Head) [p. 12]' +p300940 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300941 +sa(dp300942 +g291130 +S'graphite' +p300943 +sg291132 +S'unknown date\n' +p300944 +sg291134 +S'b\xc3\xa4rtiger Mann (Bearded Head) [p. 14]' +p300945 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300946 +sa(dp300947 +g291130 +S'graphite' +p300948 +sg291132 +S'unknown date\n' +p300949 +sg291134 +S'junger Mann mit aufgest\xc3\xbctztem Kopf (Young Man, Propped Up) [p. 15]' +p300950 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300951 +sa(dp300952 +g291130 +S'graphite' +p300953 +sg291132 +S'unknown date\n' +p300954 +sg291134 +S'Mann im Frack (Man in Dress Coat) [p. 16]' +p300955 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300956 +sa(dp300957 +g291130 +S'graphite' +p300958 +sg291132 +S'unknown date\n' +p300959 +sg291134 +S'junger Mann (Young Man) [p. 17]' +p300960 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300961 +sa(dp300962 +g291130 +S'graphite' +p300963 +sg291132 +S'unknown date\n' +p300964 +sg291134 +S'begonnene Skizze eines Mannes mit Bart (Sketch of a Man with a Beard) [p. 18]' +p300965 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300966 +sa(dp300967 +g291130 +S'graphite' +p300968 +sg291132 +S'unknown date\n' +p300969 +sg291134 +S'liegende Frau und sitzeder Mann (Reclining Female and Seated Male) [p. 19]' +p300970 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300971 +sa(dp300972 +g291130 +S'graphite' +p300973 +sg291132 +S'unknown date\n' +p300974 +sg291134 +S'ballspielnde M\xc3\xa4nner (Man Playing a Ballgame) [p. 21]' +p300975 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300976 +sa(dp300977 +g291130 +S'graphite' +p300978 +sg291132 +S'unknown date\n' +p300979 +sg291134 +S'sitzende Frau (Reclining Female) [p. 23]' +p300980 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300981 +sa(dp300982 +g291130 +S'graphite' +p300983 +sg291132 +S'unknown date\n' +p300984 +sg291134 +S'Zwei Frauen (Two Women) [p. 31]' +p300985 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300986 +sa(dp300987 +g291130 +S'graphite' +p300988 +sg291132 +S'unknown date\n' +p300989 +sg291134 +S'weibliche Bildnisstudie (Female Portrait) [p. 33]' +p300990 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300991 +sa(dp300992 +g291130 +S'graphite' +p300993 +sg291132 +S'unknown date\n' +p300994 +sg291134 +S'dieselbe Frau (Female Portrait) [p. 35]' +p300995 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p300996 +sa(dp300997 +g291130 +S'graphite' +p300998 +sg291132 +S'unknown date\n' +p300999 +sg291134 +S'Mann und Frau (Two Figures) [p. 37]' +p301000 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301001 +sa(dp301002 +g291130 +S'graphite' +p301003 +sg291132 +S'unknown date\n' +p301004 +sg291134 +S'weibliches Profil mit Hut, Notizen (Woman with Hat, Notations) [p. 39]' +p301005 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301006 +sa(dp301007 +g291130 +S'graphite' +p301008 +sg291132 +S'unknown date\n' +p301009 +sg291134 +S'Zwei Frauen (Two Women) [p. 40]' +p301010 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301011 +sa(dp301012 +g291130 +S'graphite' +p301013 +sg291132 +S'unknown date\n' +p301014 +sg291134 +S'Mann und Frau (Man and Woman) [p. 43]' +p301015 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301016 +sa(dp301017 +g291130 +S'graphite' +p301018 +sg291132 +S'unknown date\n' +p301019 +sg291134 +S'Studienk\xc3\xb6pfe (Portrait Studies) [p. 44]' +p301020 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301021 +sa(dp301022 +g291130 +S'graphite' +p301023 +sg291132 +S'unknown date\n' +p301024 +sg291134 +S'begonnene Skizze eines Gesichts (Initial Sketch of Profile) [p. 45]' +p301025 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301026 +sa(dp301027 +g291130 +S'graphite' +p301028 +sg291132 +S'unknown date\n' +p301029 +sg291134 +S'zwei Figuren in einer Loge (Two People in Box Seats) [p. 47]' +p301030 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301031 +sa(dp301032 +g291130 +S'graphite' +p301033 +sg291132 +S'unknown date\n' +p301034 +sg291134 +S'drei K\xc3\xb6pfe (Three Heads) [p. 51]' +p301035 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301036 +sa(dp301037 +g291130 +S"sketchbook with 26 sketches in graphite and charcoal and 1 sheet of artist's notations on white, blue and green laid paper. Sketchbook has 37 blank pages." +p301038 +sg291132 +S'unknown date\n' +p301039 +sg291134 +S'Beckmann Sketchbook' +p301040 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301041 +sa(dp301042 +g291130 +S'graphite' +p301043 +sg291132 +S'unknown date\n' +p301044 +sg291134 +S'Profil und Liste (Profile with Notations) [p. 1]' +p301045 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301046 +sa(dp301047 +g291130 +S'graphite' +p301048 +sg291132 +S'unknown date\n' +p301049 +sg291134 +S'balancierender Artist (Balancing Act of an Acrobat) [p. 2]' +p301050 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301051 +sa(dp301052 +g291130 +S'graphite' +p301053 +sg291132 +S'unknown date\n' +p301054 +sg291134 +S'Zirkusszene (Circus Scene) [p. 3]' +p301055 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301056 +sa(dp301057 +g291130 +S'graphite on blue paper' +p301058 +sg291132 +S'unknown date\n' +p301059 +sg291134 +S'm\xc3\xa4nnliche Bildnisstudie (Male Portrait Study) [p. 7]' +p301060 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301061 +sa(dp301062 +g291130 +S'graphite' +p301063 +sg291132 +S'unknown date\n' +p301064 +sg291134 +S'Zwei Personen an einer Bar (Two Figures at a Bar) [p. 12]' +p301065 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301066 +sa(dp301067 +g291130 +S'graphite' +p301068 +sg291132 +S'unknown date\n' +p301069 +sg291134 +S'Hallenarchitektur (Vaulted Architecture) [p. 14]' +p301070 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301071 +sa(dp301072 +g291130 +S'graphite' +p301073 +sg291132 +S'unknown date\n' +p301074 +sg291134 +S'Bahnhofs Halle (Railway Station) [p. 15]' +p301075 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301076 +sa(dp301077 +g291130 +S'graphite' +p301078 +sg291132 +S'unknown date\n' +p301079 +sg291134 +S'fl\xc3\xbcchtige Skizze von Akrobaten (Sketch of Acrobats) [p. 16]' +p301080 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301081 +sa(dp301082 +g291130 +S'graphite' +p301083 +sg291132 +S'unknown date\n' +p301084 +sg291134 +S'alter Mann mit Kneifer (Old Man with Spectacles) [p. 17]' +p301085 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301086 +sa(dp301087 +g291130 +S'graphite' +p301088 +sg291132 +S'unknown date\n' +p301089 +sg291134 +S'Hallenarchitektur (Vaulted Architecture) [p. 18]' +p301090 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301091 +sa(dp301092 +g291130 +S'graphite on green paper' +p301093 +sg291132 +S'unknown date\n' +p301094 +sg291134 +S'Hallenarchitektur (Vaulted Architecture) [p. 19]' +p301095 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301096 +sa(dp301097 +g291130 +S'graphite' +p301098 +sg291132 +S'unknown date\n' +p301099 +sg291134 +S'Zwei Figuren (Two Figures) [p. 20]' +p301100 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301101 +sa(dp301102 +g291130 +S'graphite' +p301103 +sg291132 +S'unknown date\n' +p301104 +sg291134 +S'Tanzende auf einer B\xc3\xbchne (Dancers on a Stage) [p. 21]' +p301105 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301106 +sa(dp301107 +g291130 +S'graphite' +p301108 +sg291132 +S'unknown date\n' +p301109 +sg291134 +S'alter Mann mit Kneifer (Male Portrait) [p. 23]' +p301110 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301111 +sa(dp301112 +g291130 +S'graphite' +p301113 +sg291132 +S'unknown date\n' +p301114 +sg291134 +S'drei Personen im Caf\xc3\xa9 (Three Figures in a Caf\xc3\xa9) [p. 25]' +p301115 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301116 +sa(dp301117 +g291130 +S'graphite' +p301118 +sg291132 +S'unknown date\n' +p301119 +sg291134 +S'Seilt\xc3\xa4nzer (Tightrope) [p. 26]' +p301120 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301121 +sa(dp301122 +g291130 +S'graphite on green paper' +p301123 +sg291132 +S'unknown date\n' +p301124 +sg291134 +S'Frau mit Hut (Woman with a Hat) [p. 33]' +p301125 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301126 +sa(dp301127 +g291130 +S'graphite on green paper' +p301128 +sg291132 +S'unknown date\n' +p301129 +sg291134 +S'Mann und Frau mit Sektgl\xc3\xa4sern (Couple with Champagne Glasses) [p. 37]' +p301130 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301131 +sa(dp301132 +g291130 +S'graphite on green paper' +p301133 +sg291132 +S'unknown date\n' +p301134 +sg291134 +S'Zwei K\xc3\xb6pfe (Two Heads) [p. 39]' +p301135 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301136 +sa(dp301137 +g291130 +S'graphite with charcoal on green paper' +p301138 +sg291132 +S'unknown date\n' +p301139 +sg291134 +S'mehrere Studienk\xc3\xb6pfe (Several Head Studies) [p. 41]' +p301140 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301141 +sa(dp301142 +g291130 +S'graphite on green paper' +p301143 +sg291132 +S'unknown date\n' +p301144 +sg291134 +S'Frau mit Hut im Gespr\xc3\xa4ch (Woman in Hat Talking) [p. 43]' +p301145 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301146 +sa(dp301147 +g291130 +S'graphite on green paper' +p301148 +sg291132 +S'unknown date\n' +p301149 +sg291134 +S'begonnene Figurenstudie (Figural Sketch) [p. 45]' +p301150 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301151 +sa(dp301152 +g291130 +S'graphite' +p301153 +sg291132 +S'unknown date\n' +p301154 +sg291134 +S'Zwerg (Small Man) [p. 47]' +p301155 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301156 +sa(dp301157 +g291130 +S'graphite' +p301158 +sg291132 +S'unknown date\n' +p301159 +sg291134 +S'Zwei Figuren (Two Figures [p. 51]' +p301160 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301161 +sa(dp301162 +g291130 +S'graphite' +p301163 +sg291132 +S'unknown date\n' +p301164 +sg291134 +S'fl\xc3\xbcchtiges Gesicht (Sketch of a Face) [p. 53]' +p301165 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301166 +sa(dp301167 +g291130 +S'graphite and charcoal' +p301168 +sg291132 +S'unknown date\n' +p301169 +sg291134 +S'Landschaftsskizze mit Notizen (Sketch with Inscription) [p. 64]' +p301170 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301171 +sa(dp301172 +g291130 +S'sketchbook with 17 sketches in graphite. Pages 1-26 are separated at perforated edge. Sketchbook is missing front and back covers and has many missing sheets at the back. Contains 89 blank pages.' +p301173 +sg291132 +S'unknown date\n' +p301174 +sg291134 +S'Beckmann Sketchbook' +p301175 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301176 +sa(dp301177 +g291130 +S'graphite on paper' +p301178 +sg291132 +S'unknown date\n' +p301179 +sg291134 +S'Akrobat in der Br\xc3\xbccke (Backbend) [p. 1]' +p301180 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301181 +sa(dp301182 +g291130 +S'graphite on paper' +p301183 +sg291132 +S'unknown date\n' +p301184 +sg291134 +S'Akrobat in der Br\xc3\xbccke und weitere Figur (Backbend with Onlooker) [p. 3]' +p301185 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301186 +sa(dp301187 +g291130 +S'graphite on paper' +p301188 +sg291132 +S'unknown date\n' +p301189 +sg291134 +S'Akrobat in der Br\xc3\xbccke (Backbend) [p. 5]' +p301190 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301191 +sa(dp301192 +g291130 +S'graphite on paper' +p301193 +sg291132 +S'unknown date\n' +p301194 +sg291134 +S'Singende Frau (Woman Singing) [p. 7]' +p301195 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301196 +sa(dp301197 +g291130 +S'graphite on paper' +p301198 +sg291132 +S'unknown date\n' +p301199 +sg291134 +S'Akrobat, in die Br\xc3\xbccke gehend (Acrobat Bending Backward) [p. 9]' +p301200 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301201 +sa(dp301202 +g291130 +S'graphite on paper' +p301203 +sg291132 +S'unknown date\n' +p301204 +sg291134 +S'Tanzende Figur (Dancing Figure) [p. 11]' +p301205 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301206 +sa(dp301207 +g291130 +S'graphite on paper' +p301208 +sg291132 +S'unknown date\n' +p301209 +sg291134 +S'Akrobat in der Br\xc3\xbccke (Backbend) [p. 13]' +p301210 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301211 +sa(dp301212 +g291130 +S'graphite on paper' +p301213 +sg291132 +S'unknown date\n' +p301214 +sg291134 +S'Akrobat in der Br\xc3\xbccke (Backbend) [p. 15]' +p301215 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301216 +sa(dp301217 +g291130 +S'graphite on paper' +p301218 +sg291132 +S'unknown date\n' +p301219 +sg291134 +S'Akrobat in der Br\xc3\xbccke, Detail (Backbend, Detail) [p. 17]' +p301220 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301221 +sa(dp301222 +g291130 +S'graphite on paper' +p301223 +sg291132 +S'unknown date\n' +p301224 +sg291134 +S'Akrobat im Handstand auf Bock (Chair Stand) [p. 19]' +p301225 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301226 +sa(dp301227 +g291130 +S'graphite on paper' +p301228 +sg291132 +S'unknown date\n' +p301229 +sg291134 +S'Seel\xc3\xb6we (Sea Lion) [p. 21]' +p301230 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301231 +sa(dp301232 +g291130 +S'graphite on paper' +p301233 +sg291132 +S'unknown date\n' +p301234 +sg291134 +S'Zirkusnummer mit zwei Seel\xc3\xb6wen (Two Performing Sea Lions) [p. 23]' +p301235 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301236 +sa(dp301237 +g291130 +S'graphite on paper' +p301238 +sg291132 +S'unknown date\n' +p301239 +sg291134 +S'Zirkusnummer mit zwei Seel\xc3\xb6wen (Two Performing Sea Lions) [p. 25]' +p301240 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301241 +sa(dp301242 +g291130 +S'graphite on paper' +p301243 +sg291132 +S'unknown date\n' +p301244 +sg291134 +S'Paar an der Bar (Couple at a Bar) [p. 27]' +p301245 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301246 +sa(dp301247 +g291130 +S'graphite on paper' +p301248 +sg291132 +S'unknown date\n' +p301249 +sg291134 +S'Paar an der Bar (Couple at a Bar) [p. 29]' +p301250 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301251 +sa(dp301252 +g291130 +S'graphite on paper' +p301253 +sg291132 +S'unknown date\n' +p301254 +sg291134 +S'M\xc3\xa4nnliche Bildnisstudie (Male Portrait Study) [p. 31]' +p301255 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301256 +sa(dp301257 +g291130 +S'graphite on paper' +p301258 +sg291132 +S'unknown date\n' +p301259 +sg291134 +S'Lachende Frau mit an den Kopf gelegten H\xc3\xa4nden (Woman Laughing with Hands at her Head) [p. 57]' +p301260 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301261 +sa(dp301262 +g291130 +S'Sketchbook with 32 sketches; 26 in graphite, 5 in charcoal, and 1 in purple colored pencil.' +p301263 +sg291132 +S'unknown date\n' +p301264 +sg291134 +S'Beckmann Sketchbook' +p301265 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301266 +sa(dp301267 +g291130 +S'graphite on paper' +p301268 +sg291132 +S'unknown date\n' +p301269 +sg291134 +S'Kahn (Ship) [p. 3]' +p301270 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301271 +sa(dp301272 +g291130 +S'graphite on paper' +p301273 +sg291132 +S'unknown date\n' +p301274 +sg291134 +S'Kahn, Detail (Ship, Detail) [p. 5]' +p301275 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301276 +sa(dp301277 +g291130 +S'graphite on paper' +p301278 +sg291132 +S'unknown date\n' +p301279 +sg291134 +S'H\xc3\xa4userdach (Rooftop) [p. 20]' +p301280 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301281 +sa(dp301282 +g291130 +S'graphite on paper' +p301283 +sg291132 +S'unknown date\n' +p301284 +sg291134 +S'Stra\xc3\x9fenlaterne (Lamppost) [p. 21]' +p301285 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301286 +sa(dp301287 +g291130 +S'graphite on paper' +p301288 +sg291132 +S'unknown date\n' +p301289 +sg291134 +S'Drei Figuren in Interieur (Three Figures in a Building) [p. 27]' +p301290 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301291 +sa(dp301292 +g291130 +S'charcoal on paper' +p301293 +sg291132 +S'unknown date\n' +p301294 +sg291134 +S'H\xc3\xa4userfassade (Facade) [p. 31]' +p301295 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301296 +sa(dp301297 +g291130 +S'charcoal on paper' +p301298 +sg291132 +S'unknown date\n' +p301299 +sg291134 +S'Details einer H\xc3\xa4userfassade (Details of a Facade) [p. 32]' +p301300 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301301 +sa(dp301302 +g291130 +S'charcoal on paper' +p301303 +sg291132 +S'unknown date\n' +p301304 +sg291134 +S'Details einer H\xc3\xa4userfassade (Details of a Facade) [p. 33]' +p301305 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301306 +sa(dp301307 +g291130 +S'charcoal on paper' +p301308 +sg291132 +S'unknown date\n' +p301309 +sg291134 +S'Spitze einer Stra\xc3\x9fenlaterne, zu .013 geh\xc3\xb6rend (Top of a Lamppost, belonging to .013) [p. 34]' +p301310 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301311 +sa(dp301312 +g291130 +S'charcoal on paper' +p301313 +sg291132 +S'unknown date\n' +p301314 +sg291134 +S'Laterne vor H\xc3\xa4userfassade (Lamppost in Front of Facade) [p. 35]' +p301315 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301316 +sa(dp301317 +g291130 +S'graphite on paper' +p301318 +sg291132 +S'unknown date\n' +p301319 +sg291134 +S'Kopf mit Hut, Gesicht verworfen (Head with a Hat) [p. 37]' +p301320 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301321 +sa(dp301322 +g291130 +S'graphite on paper' +p301323 +sg291132 +S'unknown date\n' +p301324 +sg291134 +S'Weibliche Bildnisstudie (Female Portrait Study) [p. 43]' +p301325 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301326 +sa(dp301327 +g291130 +S'graphite on paper' +p301328 +sg291132 +S'unknown date\n' +p301329 +sg291134 +S'Strommast, zu .018 geh\xc3\xb6rend (Power Pole, belonging to .018) [p. 46]' +p301330 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301331 +sa(dp301332 +g291130 +S'graphite on paper' +p301333 +sg291132 +S'unknown date\n' +p301334 +sg291134 +S'Aufsicht auf eine Stra\xc3\x9fenkreuzung (Top View on a crossing) [p. 47]' +p301335 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301336 +sa(dp301337 +g291130 +S'graphite on paper' +p301338 +sg291132 +S'unknown date\n' +p301339 +sg291134 +S'zwei Figuren (Two Figures) [p. 50]' +p301340 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301341 +sa(dp301342 +g291130 +S'graphite on paper' +p301343 +sg291132 +S'unknown date\n' +p301344 +sg291134 +S'begonnene Skizze (Initial Sketch) [p. 51]' +p301345 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301346 +sa(dp301347 +g291130 +S'graphite on paper' +p301348 +sg291132 +S'unknown date\n' +p301349 +sg291134 +S'Zirkusnummer mit B\xc3\xa4ren (Performing Bears) [p. 54]' +p301350 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301351 +sa(dp301352 +g291130 +S'graphite on paper' +p301353 +sg291132 +S'unknown date\n' +p301354 +sg291134 +S"Detail eines B\xc3\xa4renkopfes (Detail of a Bear's Head) [p. 56]" +p301355 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301356 +sa(dp301357 +g291130 +S'graphite on paper' +p301358 +sg291132 +S'unknown date\n' +p301359 +sg291134 +S'Paar durch ein Fenster gesehen (Distrought Couple Seen through a Window) [p. 57]' +p301360 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301361 +sa(dp301362 +g291130 +S'graphite on paper' +p301363 +sg291132 +S'unknown date\n' +p301364 +sg291134 +S'Frau unter Wasser (Woman Submerged) [p. 58]' +p301365 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301366 +sa(dp301367 +g291130 +S'purple colored pencil on paper' +p301368 +sg291132 +S'unknown date\n' +p301369 +sg291134 +S'Boote mit Menschen (Boats and Figures) [p. 59]' +p301370 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301371 +sa(dp301372 +g291130 +S'graphite on paper' +p301373 +sg291132 +S'unknown date\n' +p301374 +sg291134 +S'Drei Figuren (Three Figures) [p. 60]' +p301375 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301376 +sa(dp301377 +g291130 +S'graphite on paper' +p301378 +sg291132 +S'unknown date\n' +p301379 +sg291134 +S'Figur aus einer T\xc3\xbcr tretend (Figure Stepping through a Door) [p. 23]' +p301380 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301381 +sa(dp301382 +g291130 +S'graphite on paper' +p301383 +sg291132 +S'unknown date\n' +p301384 +sg291134 +S'Kopf mit Hut, Gesicht verworfen (Head with a Hat) [p. 64]' +p301385 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301386 +sa(dp301387 +g291130 +S'graphite on paper' +p301388 +sg291132 +S'unknown date\n' +p301389 +sg291134 +S'Gestalt mit erhobenem Glas (Figure with Raised Glass) [p. 65]' +p301390 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301391 +sa(dp301392 +g291130 +S'graphite on paper' +p301393 +sg291132 +S'unknown date\n' +p301394 +sg291134 +S'Zwei Frauen mit H\xc3\xbcten (Two Women with Hats) [p. 67]' +p301395 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301396 +sa(dp301397 +g291130 +S'graphite on paper' +p301398 +sg291132 +S'unknown date\n' +p301399 +sg291134 +S'M\xc3\xa4nnliche Bildnisstudie (Male Portrait Study) [p. 69]' +p301400 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301401 +sa(dp301402 +g291130 +S'graphite on paper' +p301403 +sg291132 +S'unknown date\n' +p301404 +sg291134 +S'verworfenes weibliches Gesicht (Discarded Female Face) [p. 80]' +p301405 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301406 +sa(dp301407 +g291130 +S'graphite on paper' +p301408 +sg291132 +S'unknown date\n' +p301409 +sg291134 +S"Frauenkopf mit Hut (Woman's Head with a Hat) [p. 82]" +p301410 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301411 +sa(dp301412 +g291130 +S'graphite on paper' +p301413 +sg291132 +S'unknown date\n' +p301414 +sg291134 +S'weibliche Bildnisstudie mit Hut (Woman in a Hat) [p. 84]' +p301415 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301416 +sa(dp301417 +g291130 +S'graphite on paper' +p301418 +sg291132 +S'unknown date\n' +p301419 +sg291134 +S'weibliche Bildhnisstudie, frontal (Portrait of a Woman) [p. 86]' +p301420 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301421 +sa(dp301422 +g291130 +S'graphite on paper' +p301423 +sg291132 +S'unknown date\n' +p301424 +sg291134 +S"weibliches Profil, Gesicht verworfen (Woman's Profile) [p. 87]" +p301425 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301426 +sa(dp301427 +g291130 +S'sketchbook with 13 sketches in graphite, 2 pages of artist notations in pen and brown ink, and 65 blank pages.' +p301428 +sg291132 +S'probably c. 1937' +p301429 +sg291134 +S'Beckmann Sketchbook' +p301430 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301431 +sa(dp301432 +g291130 +S'graphite on paper' +p301433 +sg291132 +S'unknown date\n' +p301434 +sg291134 +S'Seilt\xc3\xa4nzer (Tightrope Walker) [p. 2]' +p301435 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301436 +sa(dp301437 +g291130 +S'graphite on paper' +p301438 +sg291132 +S'unknown date\n' +p301439 +sg291134 +S'Kamel (Camel) [p. 3]' +p301440 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301441 +sa(dp301442 +g291130 +S'graphite on paper' +p301443 +sg291132 +S'unknown date\n' +p301444 +sg291134 +S'Zirkusnummer mit Seehunden (Seal Trainer) [p. 5]' +p301445 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301446 +sa(dp301447 +g291130 +S'graphite on paper' +p301448 +sg291132 +S'unknown date\n' +p301449 +sg291134 +S'Drei Figuren (Three Figures) [p. 7]' +p301450 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301451 +sa(dp301452 +g291130 +S'graphite on paper' +p301453 +sg291132 +S'unknown date\n' +p301454 +sg291134 +S'Vier Figuren (Four Figures) [p. 8]' +p301455 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301456 +sa(dp301457 +g291130 +S'graphite on paper' +p301458 +sg291132 +S'unknown date\n' +p301459 +sg291134 +S'Begonnenes Skizze (Sketch of Face) [p. 9]' +p301460 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301461 +sa(dp301462 +g291130 +S'graphite on paper' +p301463 +sg291132 +S'unknown date\n' +p301464 +sg291134 +S'Zirkusnummer mit Schlange (Animal Trainer) [p. 10]' +p301465 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301466 +sa(dp301467 +g291130 +S'graphite on paper' +p301468 +sg291132 +S'unknown date\n' +p301469 +sg291134 +S'Zirkusnummer mit Schlange (Animal Trainer) [p. 11]' +p301470 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301471 +sa(dp301472 +g291130 +S'graphite on paper' +p301473 +sg291132 +S'unknown date\n' +p301474 +sg291134 +S'Drei Figuren (Three Figures) [p. 12]' +p301475 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301476 +sa(dp301477 +g291130 +S'graphite on paper' +p301478 +sg291132 +S'unknown date\n' +p301479 +sg291134 +S'Benonnenes Gesicht (Sketch of Face) [p. 13]' +p301480 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301481 +sa(dp301482 +g291130 +S'graphite on paper' +p301483 +sg291132 +S'unknown date\n' +p301484 +sg291134 +S'Begonnene Figurenskizze (Figural Sketch) [p. 14]' +p301485 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301486 +sa(dp301487 +g291130 +S'graphite on paper' +p301488 +sg291132 +S'unknown date\n' +p301489 +sg291134 +S'Lesender Mann im Caf\xc3\xa9 (Reading Man in a Caf\xc3\xa9) [p. 22]' +p301490 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301491 +sa(dp301492 +g291130 +S'graphite on paper' +p301493 +sg291132 +S'unknown date\n' +p301494 +sg291134 +S'Barinterieur (Inside a Bar) [p. 23]' +p301495 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301496 +sa(dp301497 +g291130 +S'sketchbook with 28 sketches in graphite, pen and black ink, and blue ball-point pen; 21 blank pages including a half sheet, and at least 1.5 missing sheets.' +p301498 +sg291132 +S'1944-1949' +p301499 +sg291134 +S'Beckmann Sketchbook' +p301500 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301501 +sa(dp301502 +g291130 +S'graphite on paper' +p301503 +sg291132 +S'1944-1949' +p301504 +sg291134 +S'Interieur mit zwei Figuren (Interior with Two Figures) [p. 11]' +p301505 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301506 +sa(dp301507 +g291130 +S'graphite on paper' +p301508 +sg291132 +S'1944-1949' +p301509 +sg291134 +S'm\xc3\xa4nnliche Bildnisstudie (Male Profile) [p. 12]' +p301510 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301511 +sa(dp301512 +g291130 +S'graphite on paper' +p301513 +sg291132 +S'1944-1949' +p301514 +sg291134 +S'm\xc3\xa4nnliche Bildnisstudie (Male Portrait) [p. 13]' +p301515 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301516 +sa(dp301517 +g291130 +S'graphite on paper' +p301518 +sg291132 +S'1944-1949' +p301519 +sg291134 +S'zwei Figuren (Two Figures) [p. 15]' +p301520 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301521 +sa(dp301522 +g291130 +S'graphite on paper' +p301523 +sg291132 +S'1944-1949' +p301524 +sg291134 +S'm\xc3\xa4nnliches Profil (Profile) [p. 16]' +p301525 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301526 +sa(dp301527 +g291130 +S'graphite on paper' +p301528 +sg291132 +S'1944-1949' +p301529 +sg291134 +S'Portrait of Wolfgang Frommel [p. 17]' +p301530 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301531 +sa(dp301532 +g291130 +S'graphite on paper' +p301533 +sg291132 +S'1944-1949' +p301534 +sg291134 +S'drei Figurenstudien (Portrait Studies) [p. 18]' +p301535 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301536 +sa(dp301537 +g291130 +S'graphite on paper' +p301538 +sg291132 +S'1944-1949' +p301539 +sg291134 +S'drei Studienk\xc3\xb6pfe (Three Heads) [p. 19]' +p301540 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301541 +sa(dp301542 +g291130 +S'graphite on paper' +p301543 +sg291132 +S'1944-1949' +p301544 +sg291134 +S'weibliche Bildnisstudie (Woman) [p. 23]' +p301545 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301546 +sa(dp301547 +g291130 +S'graphite on paper' +p301548 +sg291132 +S'1944-1949' +p301549 +sg291134 +S'Portrait of Wolfgang Frommel [p. 25]' +p301550 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301551 +sa(dp301552 +g291130 +S'pen and blue ink with graphite on paper' +p301553 +sg291132 +S'1944-1949' +p301554 +sg291134 +S'Frau auf einer Leiter (Woman on a Ladder) [p. 27]' +p301555 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301556 +sa(dp301557 +g291130 +S'pen and blue ink on paper' +p301558 +sg291132 +S'1944-1949' +p301559 +sg291134 +S'Sitzende Frau im Umhang (Seated Figure with a Cape) [p. 29]' +p301560 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301561 +sa(dp301562 +g291130 +S'pen and blue ink on paper' +p301563 +sg291132 +S'1944-1949' +p301564 +sg291134 +S'Entwurf zu "Vogelspiel" (Sketch for "Birdplay") [p. 31]' +p301565 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301566 +sa(dp301567 +g291130 +S'pen with brown ink on paper' +p301568 +sg291132 +S'1944-1949' +p301569 +sg291134 +S'Paar (Couple) [p. 32]' +p301570 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301571 +sa(dp301572 +g291130 +S'pen with brown ink on paper' +p301573 +sg291132 +S'1944-1949' +p301574 +sg291134 +S'Paar Helene und Simon (Helene and Simon) [p. 33]' +p301575 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301576 +sa(dp301577 +g291130 +S'pen with brown ink on paper' +p301578 +sg291132 +S'1944-1949' +p301579 +sg291134 +S'Frau mit Hand vor dem Gesicht (Woman Covering her Face) [p. 34]' +p301580 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301581 +sa(dp301582 +g291130 +S'brown chalk with traces of black paint on paper' +p301583 +sg291132 +S'1944-1949' +p301584 +sg291134 +S'mehrfigurige Skizze (Group) [p. 35]' +p301585 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301586 +sa(dp301587 +g291130 +S'pen with brown and black ink on paper' +p301588 +sg291132 +S'1944-1949' +p301589 +sg291134 +S'Drei Frauen (Three Women) [p. 37]' +p301590 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301591 +sa(dp301592 +g291130 +S'pen and blue ink on paper' +p301593 +sg291132 +S'1944-1949' +p301594 +sg291134 +S'Katzenfrau und Mischwesen (Cat Woman) [p. 39]' +p301595 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301596 +sa(dp301597 +g291130 +S'graphite on paper' +p301598 +sg291132 +S'1944-1949' +p301599 +sg291134 +S'm\xc3\xa4nnliche Bildnisstudie (Male Profile) [p. 40]' +p301600 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301601 +sa(dp301602 +g291130 +S'pen and blue ink with notation in brown ink' +p301603 +sg291132 +S'1944-1949' +p301604 +sg291134 +S'Aktstudien - Athleten (Studies of Athletes) [p. 41]' +p301605 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301606 +sa(dp301607 +g291130 +S'graphite on paper' +p301608 +sg291132 +S'1944-1949' +p301609 +sg291134 +S'Skizze - Gesicht (Sketch of a Face) [p. 42]' +p301610 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301611 +sa(dp301612 +g291130 +S'pen with black and brown ink on paper' +p301613 +sg291132 +S'1944-1949' +p301614 +sg291134 +S'Selbstbildnis unter Wasser (Self-Portrait under Water) [p. 43]' +p301615 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301616 +sa(dp301617 +g291130 +S'pen with black ink' +p301618 +sg291132 +S'1944-1949' +p301619 +sg291134 +S'Mann unter Wasser und Stilleben mit Kerzen (Man under Water and Still life with Candles) [p. 45]' +p301620 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301621 +sa(dp301622 +g291130 +S'pen with diluted blue ink on paper' +p301623 +sg291132 +S'1944-1949' +p301624 +sg291134 +S'Zwei Skizzen unter Wasser (Two Under Water Sketch) [p. 47]' +p301625 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301626 +sa(dp301627 +g291130 +S'pen with black ink' +p301628 +sg291132 +S'1944-1949' +p301629 +sg291134 +S'Familienszene (Family Scene) [p. 49]' +p301630 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301631 +sa(dp301632 +g291130 +S'graphite on paper' +p301633 +sg291132 +S'1944-1949' +p301634 +sg291134 +S'Entwurf zu "Abst\xc3\xbcrzender" (Sketch for "Falling Man") [p. 50]' +p301635 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301636 +sa(dp301637 +g291130 +S'pen with black and brown ink with graphite and traces of red and blue paint' +p301638 +sg291132 +S'1944-1949' +p301639 +sg291134 +S'Entwurf zu "Abst\xc3\xbcrzender" (Sketch for "Falling Man") [p. 51]' +p301640 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301641 +sa(dp301642 +g291130 +S'sketchbook with 14 sketches in graphite, 38 blank pages and 88 pages of notation' +p301643 +sg291132 +S'unknown date\n' +p301644 +sg291134 +S'Beckmann Sketchbook' +p301645 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301646 +sa(dp301647 +g291130 +S'graphite on paper' +p301648 +sg291132 +S'unknown date\n' +p301649 +sg291134 +S'Interieurszene mit Hund (Domestic Scene with Dog) [p. 1]' +p301650 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301651 +sa(dp301652 +g291130 +S'graphite on paper' +p301653 +sg291132 +S'unknown date\n' +p301654 +sg291134 +S'Mann mit Pfeife (Man with a Pipe) [p. 3]' +p301655 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301656 +sa(dp301657 +g291130 +S'graphite on paper' +p301658 +sg291132 +S'unknown date\n' +p301659 +sg291134 +S'Junge mit Kappe (Boy with a Hat) [p. 5]' +p301660 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301661 +sa(dp301662 +g291130 +S'graphite on paper' +p301663 +sg291132 +S'unknown date\n' +p301664 +sg291134 +S'fl\xc3\xbcchtige Halbfigur mit Kopftuch (Woman with a Headscarf) [p. 7]' +p301665 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301666 +sa(dp301667 +g291130 +S'graphite on paper' +p301668 +sg291132 +S'unknown date\n' +p301669 +sg291134 +S'weibliche Figur mit Kopftuch und Profil im Hintergrund (Forlorn Figure with Headscarf and Profile) [p. 9]' +p301670 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301671 +sa(dp301672 +g291130 +S'graphite on paper' +p301673 +sg291132 +S'unknown date\n' +p301674 +sg291134 +S'\xc3\xa4ltere Frau (Elderly Woman) [p. 11]' +p301675 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301676 +sa(dp301677 +g291130 +S'graphite on paper' +p301678 +sg291132 +S'unknown date\n' +p301679 +sg291134 +S'junges M\xc3\xa4dchen und \xc3\xa4lterer Mann mit Petroleumlampe (Young Girl and Elderly Man with Lamp) [p. 13]' +p301680 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301681 +sa(dp301682 +g291130 +S'graphite on paper' +p301683 +sg291132 +S'unknown date\n' +p301684 +sg291134 +S'junger Mann mit Hund (Younger Man with Dog) [p. 15]' +p301685 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301686 +sa(dp301687 +g291130 +S'graphite on paper' 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+sg291136 +g27 +sg291137 +S'Max Beckmann' +p301711 +sa(dp301712 +g291130 +S'graphite on paper' +p301713 +sg291132 +S'unknown date\n' +p301714 +sg291134 +S'Orchester (Orchestra) [p. 61]' +p301715 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301716 +sa(dp301717 +g291130 +S'graphite on paper' +p301718 +sg291132 +S'unknown date\n' +p301719 +sg291134 +S'in der Ecke: Teil der Orchesterskizze (Corner of sketch: Orchestra) [p. 62]' +p301720 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301721 +sa(dp301722 +g291130 +S'sketchbook with 16 sketches in graphite on cream perforated paper' +p301723 +sg291132 +S'1924' +p301724 +sg291134 +S'Beckmann Sketchbook' +p301725 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301726 +sa(dp301727 +g291130 +S'graphite on perforated cream paper' +p301728 +sg291132 +S'unknown date\n' +p301729 +sg291134 +S'Parklandschaft am Ufer mit Booten (Riverboat Dock in a Park) [p. 1]' +p301730 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301731 +sa(dp301732 +g291130 +S'graphite on perforated cream paper' +p301733 +sg291132 +S'unknown date\n' +p301734 +sg291134 +S'Liegende Frau mit Hut (Elegant Lady in a Hat) [p. 3]' +p301735 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301736 +sa(dp301737 +g291130 +S'graphite on perforated cream paper' +p301738 +sg291132 +S'unknown date\n' +p301739 +sg291134 +S'Zuschauer (At a Show) [p. 5]' +p301740 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301741 +sa(dp301742 +g291130 +S'graphite on perforated cream paper' +p301743 +sg291132 +S'unknown date\n' +p301744 +sg291134 +S'fl\xc3\xbcchtige Skizze zweier Tanzender (Two Dancers) [p. 9]' +p301745 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301746 +sa(dp301747 +g291130 +S'graphite on perforated cream paper' +p301748 +sg291132 +S'unknown date\n' +p301749 +sg291134 +S'fl\xc3\xbcchtige Skizze dreier Tanzender (Three Dancers) [p. 11]' +p301750 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301751 +sa(dp301752 +g291130 +S'graphite on perforated cream paper' +p301753 +sg291132 +S'unknown date\n' +p301754 +sg291134 +S'Tanzende Figur (Dancing Figure) [p. 13]' +p301755 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301756 +sa(dp301757 +g291130 +S'graphite on perforated cream paper' +p301758 +sg291132 +S'unknown date\n' +p301759 +sg291134 +S'Kircheninterieur (Church Interior) [p. 15]' +p301760 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301761 +sa(dp301762 +g291130 +S'graphite on perforated cream paper' +p301763 +sg291132 +S'unknown date\n' +p301764 +sg291134 +S'begonnene Skizze der Stadtansicht -010 (started sketch of Cityscape -010) [p. 17]' +p301765 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301766 +sa(dp301767 +g291130 +S'graphite on perforated cream paper' +p301768 +sg291132 +S'unknown date\n' +p301769 +sg291134 +S'Stadtansicht (Cityscape) [p. 19]' +p301770 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301771 +sa(dp301772 +g291130 +S'graphite on perforated cream paper' +p301773 +sg291132 +S'unknown date\n' +p301774 +sg291134 +S'Nase (Nose) [p. 23]' +p301775 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301776 +sa(dp301777 +g291130 +S'graphite on perforated cream paper' +p301778 +sg291132 +S'unknown date\n' +p301779 +sg291134 +S'Nase (Nose) [p. 25]' +p301780 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301781 +sa(dp301782 +g291130 +S'graphite on perforated cream paper' +p301783 +sg291132 +S'unknown date\n' +p301784 +sg291134 +S'weibliche Bildnisstudie im Profil (Woman in Profile) [p. 27]' +p301785 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301786 +sa(dp301787 +g291130 +S'graphite on perforated cream paper' +p301788 +sg291132 +S'unknown date\n' +p301789 +sg291134 +S'Skizze von Tanzenden (Sketch of Two Dancers) [p. 65]' +p301790 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301791 +sa(dp301792 +g291130 +S'graphite on perforated cream paper' +p301793 +sg291132 +S'unknown date\n' +p301794 +sg291134 +S'Skizze von Tanzenden (Sketch of Two Dancers) [p. 67]' +p301795 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301796 +sa(dp301797 +g291130 +S'graphite on perforated cream paper' +p301798 +sg291132 +S'unknown date\n' +p301799 +sg291134 +S'Drei Figuren, wohl T\xc3\xa4nzer (Three Figures) [p. 69]' +p301800 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301801 +sa(dp301802 +g291130 +S'graphite on perforated cream paper' +p301803 +sg291132 +S'unknown date\n' +p301804 +sg291134 +S'Drei Figuren, wohl T\xc3\xa4nzer (Three Figures) [p. 71]' +p301805 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301806 +sa(dp301807 +g291130 +S"sketchbook with 29 sketches in graphite, 1 in blue ball-point pen, 1 in both, 74 blank pages, and 4 pages of artist's notations." +p301808 +sg291132 +S'probably 1927' +p301809 +sg291134 +S'Beckmann Sketchbook' +p301810 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301811 +sa(dp301812 +g291130 +S'graphite on paper' +p301813 +sg291132 +S'1927' +p301814 +sg291134 +S'T\xc3\xa4nzer (Dancer) [p. 3]' +p301815 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301816 +sa(dp301817 +g291130 +S'graphite on paper' +p301818 +sg291132 +S'1927' +p301819 +sg291134 +S'Zwei Frauen (Two Women) [p. 5]' +p301820 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301821 +sa(dp301822 +g291130 +S'graphite on paper' +p301823 +sg291132 +S'1927' +p301824 +sg291134 +S'S\xc3\xa4ngerin vor Fl\xc3\xbcgel (Woman at Piano, Singing) [p. 15]' +p301825 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301826 +sa(dp301827 +g291130 +S'graphite on paper' +p301828 +sg291132 +S'1927' +p301829 +sg291134 +S'Zwei T\xc3\xa4nzer in Kost\xc3\xbcmen (Two Dancers in Costume) [p. 17]' +p301830 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301831 +sa(dp301832 +g291130 +S'graphite on paper' +p301833 +sg291132 +S'1927' +p301834 +sg291134 +S'weibliches Profilbildnis (Female Profile) [p. 19]' +p301835 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301836 +sa(dp301837 +g291130 +S'graphite on paper' +p301838 +sg291132 +S'1927' +p301839 +sg291134 +S'Line (Single Line) [p. 21]' +p301840 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301841 +sa(dp301842 +g291130 +S'graphite on paper' +p301843 +sg291132 +S'1927' +p301844 +sg291134 +S'Mann mit Kappe in zwei Ansichten (Two Views of a Man with a Cap) [p. 25]' +p301845 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301846 +sa(dp301847 +g291130 +S'graphite on paper' +p301848 +sg291132 +S'1927' +p301849 +sg291134 +S'derselbe Mann wie auf S. 25 (Man with a Cap ) [p. 27]' +p301850 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301851 +sa(dp301852 +g291130 +S'graphite on paper' +p301853 +sg291132 +S'1927' +p301854 +sg291134 +S'm\xc3\xa4nnliche Bildnisstudie (Male Portrait Study) [p. 31]' +p301855 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301856 +sa(dp301857 +g291130 +S'graphite on paper' +p301858 +sg291132 +S'1927' +p301859 +sg291134 +S'liegende Frau mit verborgenem Gesicht (Woman Laying Face Down) [p. 35]' +p301860 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301861 +sa(dp301862 +g291130 +S'graphite with blue ball-point pen' +p301863 +sg291132 +S'1927' +p301864 +sg291134 +S'liegende Frau mit verborgenem Gesicht (Woman Laying Face Down) [p. 37]' +p301865 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301866 +sa(dp301867 +g291130 +S'graphite on paper' +p301868 +sg291132 +S'1927' +p301869 +sg291134 +S'liegende Frau mit in Str\xc3\xbcmpfen (Woman in Stockings) [p. 39]' +p301870 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301871 +sa(dp301872 +g291130 +S'graphite on paper' +p301873 +sg291132 +S'1927' +p301874 +sg291134 +S'zwei M\xc3\xa4nner und eine Frau an der Bar (Three for Drinks) [p. 42]' +p301875 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301876 +sa(dp301877 +g291130 +S'graphite on paper' +p301878 +sg291132 +S'1927' +p301879 +sg291134 +S'drei zu Tisch sitzende Frauen (Three at a Table) [p. 45]' +p301880 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301881 +sa(dp301882 +g291130 +S'graphite on paper' +p301883 +sg291132 +S'1927' +p301884 +sg291134 +S'Tanzendes Paar (Couple) [p. 47]' +p301885 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301886 +sa(dp301887 +g291130 +S'graphite on paper' +p301888 +sg291132 +S'1927' +p301889 +sg291134 +S'Zwei M\xc3\xa4nner (Two Men) [p. 50]' +p301890 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301891 +sa(dp301892 +g291130 +S'graphite on paper' +p301893 +sg291132 +S'1927' +p301894 +sg291134 +S'sich k\xc3\xa4mmende Frau in W\xc3\xa4sche (Woman in a Corset Combing Her Hair) [p. 55]' +p301895 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301896 +sa(dp301897 +g291130 +S'graphite on paper' +p301898 +sg291132 +S'1927' +p301899 +sg291134 +S'Tanzendes Paar (Dancing Couple) [p. 62]' +p301900 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301901 +sa(dp301902 +g291130 +S'graphite on paper' +p301903 +sg291132 +S'1927' +p301904 +sg291134 +S'Stehende Frau in R\xc3\xbcckenansicht (Standing Woman Seen from Behind) [p. 67]' +p301905 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301906 +sa(dp301907 +g291130 +S'graphite on paper' +p301908 +sg291132 +S'1927' +p301909 +sg291134 +S'Liegende Frau in W\xc3\xa4sche (Woman in Corset Reclining ) [p. 70]' +p301910 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301911 +sa(dp301912 +g291130 +S'graphite on paper' +p301913 +sg291132 +S'1929' +p301914 +sg291134 +S'Frau mit aufgest\xc3\xbctztem Kopf (Woman with Head Rested on Hand) [p. 73]' +p301915 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301916 +sa(dp301917 +g291130 +S'graphite on paper' +p301918 +sg291132 +S'1927' +p301919 +sg291134 +S'Haare der Frau auf S. 77 (Hair Bun of Figure in p. 77) [p. 76]' +p301920 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301921 +sa(dp301922 +g291130 +S'graphite on paper' +p301923 +sg291132 +S'1927' +p301924 +sg291134 +S'Drei zu Tisch sitzende Figuren (Three Figures at a Table) [p. 77]' +p301925 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301926 +sa(dp301927 +g291130 +S'graphite on paper' +p301928 +sg291132 +S'1927' +p301929 +sg291134 +S'Drei Figuren (Three Figures) [p. 82]' +p301930 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301931 +sa(dp301932 +g291130 +S'graphite on paper' +p301933 +sg291132 +S'1927' +p301934 +sg291134 +S'Gesicht (Face) [p. 86]' +p301935 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301936 +sa(dp301937 +g291130 +S'graphite on paper' +p301938 +sg291132 +S'1927' +p301939 +sg291134 +S'\xc3\xa4lterer Mann (Elderly Face) [p. 91]' +p301940 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301941 +sa(dp301942 +g291130 +S'graphite on paper' +p301943 +sg291132 +S'1927' +p301944 +sg291134 +S'Tanzendes Paar und Zuschauer (Couple Dancing with Onlooker) [p. 94]' +p301945 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301946 +sa(dp301947 +g291130 +S'graphite on paper' +p301948 +sg291132 +S'1927' +p301949 +sg291134 +S'Frau mit Champagnerglas (Woman with a Glass of Champagne) [p. 96]' +p301950 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301951 +sa(dp301952 +g291130 +S'graphite on paper' +p301953 +sg291132 +S'1927' +p301954 +sg291134 +S'Tanzende Paare (A Dance) [p. 98]' +p301955 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301956 +sa(dp301957 +g291130 +S'graphite on paper' +p301958 +sg291132 +S'1927' +p301959 +sg291134 +S'Zuschauer (Spectators) [p. 100]' +p301960 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301961 +sa(dp301962 +g291130 +S'graphite on paper' +p301963 +sg291132 +S'1927' +p301964 +sg291134 +S'Tanzendes Paar (Dancing) [p. 102]' +p301965 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301966 +sa(dp301967 +g291130 +S'sketchbook with 17 sketches in graphite on perforated paper' +p301968 +sg291132 +S'probably 1927' +p301969 +sg291134 +S'Beckmann Sketchbook' +p301970 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301971 +sa(dp301972 +g291130 +S'graphite on perforated, cream paper' +p301973 +sg291132 +S'unknown date\n' +p301974 +sg291134 +S'D\xc3\xbcnenlandschaft, Farbangaben (Sketch with Notations) [p. 7]' +p301975 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301976 +sa(dp301977 +g291130 +S'graphite on perforated, cream paper' +p301978 +sg291132 +S'unknown date\n' +p301979 +sg291134 +S'Mann mit Brille (Man Wearing Spectacles) [p. 33]' +p301980 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301981 +sa(dp301982 +g291130 +S'graphite on perforated, cream paper' +p301983 +sg291132 +S'unknown date\n' +p301984 +sg291134 +S'Drei Studienk\xc3\xb6pfe (Study of Three Heads) p. 35]' +p301985 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301986 +sa(dp301987 +g291130 +S'graphite on perforated, cream paper' +p301988 +sg291132 +S'unknown date\n' +p301989 +sg291134 +S'Begonnenes Gesicht (Initial Sketch of a Face) [p. 37]' +p301990 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301991 +sa(dp301992 +g291130 +S'graphite on perforated, cream paper' +p301993 +sg291132 +S'unknown date\n' +p301994 +sg291134 +S'Zuschauer (Male Spectators) [p. 51]' +p301995 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p301996 +sa(dp301997 +g291130 +S'graphite on perforated, cream paper' +p301998 +sg291132 +S'unknown date\n' +p301999 +sg291134 +S'M\xc3\xa4nnliche Bildnisstudie im Profil (Man in Profile) [p. 56]' +p302000 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302001 +sa(dp302002 +g291130 +S'graphite on perforated, cream paper' +p302003 +sg291132 +S'unknown date\n' +p302004 +sg291134 +S'Zuschauer (Audience) [p. 58]' +p302005 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302006 +sa(dp302007 +g291130 +S'graphite on perforated, cream paper' +p302008 +sg291132 +S'unknown date\n' +p302009 +sg291134 +S'M\xc3\xa4nnliche Bildnisstudie (Male Portrait Study) [p. 60]' +p302010 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302011 +sa(dp302012 +g291130 +S'graphite on perforated, cream paper' +p302013 +sg291132 +S'unknown date\n' +p302014 +sg291134 +S'Mann im verlorenen Profil (Man Turned Away) [p. 62]' +p302015 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302016 +sa(dp302017 +g291130 +S'graphite on perforated, cream paper' +p302018 +sg291132 +S'unknown date\n' +p302019 +sg291134 +S'Profil eines Mannes mit Spitzbart (Portrait of a Man with a Pointed Beard) [p. 64]' +p302020 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302021 +sa(dp302022 +g291130 +S'graphite on perforated, cream paper' +p302023 +sg291132 +S'unknown date\n' +p302024 +sg291134 +S'Mann mit Spitzbart (Man with a Pointed Beard) [p. 66]' +p302025 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302026 +sa(dp302027 +g291130 +S'graphite on perforated, cream paper' +p302028 +sg291132 +S'unknown date\n' +p302029 +sg291134 +S'Mann mit erhobenem Arm (Man with a Raised Hand) [p. 68]' +p302030 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302031 +sa(dp302032 +g291130 +S'graphite on perforated, cream paper' +p302033 +sg291132 +S'unknown date\n' +p302034 +sg291134 +S'L\xc3\xa4chelnder Mann mit Spitzbart (Man with Pointed Beard, Smiling) [p. 70]' +p302035 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302036 +sa(dp302037 +g291130 +S'graphite on perforated, cream paper' +p302038 +sg291132 +S'unknown date\n' +p302039 +sg291134 +S'Meereslandschaft, Farbangaben (Seascape with Notations) [p. 100]' +p302040 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302041 +sa(dp302042 +g291130 +S'graphite on perforated, cream paper' +p302043 +sg291132 +S'unknown date\n' +p302044 +sg291134 +S'Meereslandschaft, Farbangaben (Seascape with Notations) [p. 108]' +p302045 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302046 +sa(dp302047 +g291130 +S'graphite on perforated, cream paper' +p302048 +sg291132 +S'unknown date\n' +p302049 +sg291134 +S'Blick aus dem Fenster, Notizen (View from a Window with Notations [p. 112]' +p302050 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302051 +sa(dp302052 +g291130 +S'graphite on perforated, cream paper' +p302053 +sg291132 +S'unknown date\n' +p302054 +sg291134 +S'Meereslandschaft, Farbangaben (Seascape with Notations) [p. 116]' +p302055 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302056 +sa(dp302057 +g291130 +S'perforated sketchbook with 7 sketches in graphite on wove paper' +p302058 +sg291132 +S'unknown date\n' +p302059 +sg291134 +S'Beckmann Sketchbook' +p302060 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302061 +sa(dp302062 +g291130 +S'graphite on perforated, wove paper' +p302063 +sg291132 +S'unknown date\n' +p302064 +sg291134 +S'zwei m\xc3\xa4nnliche Profile (Two Male Profiles) [p. 3]' +p302065 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302066 +sa(dp302067 +g291130 +S'graphite on perforated, wove paper' +p302068 +sg291132 +S'unknown date\n' +p302069 +sg291134 +S'Boxveranstaltung (Boxing Match) [p. 3]' +p302070 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302071 +sa(dp302072 +g291130 +S'graphite on perforated, wove paper' +p302073 +sg291132 +S'unknown date\n' +p302074 +sg291134 +S'Frau mit geschlossenen Augen (Woman with Eyes Closed) [p. 7]' +p302075 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302076 +sa(dp302077 +g291130 +S'graphite on perforated, wove paper' +p302078 +sg291132 +S'unknown date\n' +p302079 +sg291134 +S'Park [p. 8-9]' +p302080 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302081 +sa(dp302082 +g291130 +S'graphite on perforated, wove paper' +p302083 +sg291132 +S'unknown date\n' +p302084 +sg291134 +S'weibliche Bildnisstudie (Female Portrait) [p. 13]' +p302085 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302086 +sa(dp302087 +g291130 +S'graphite on perforated, wove paper' +p302088 +sg291132 +S'unknown date\n' +p302089 +sg291134 +S'weibliche Bildnisstudie (Female Portrait) [p. 15]' +p302090 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302091 +sa(dp302092 +g291130 +S'graphite on perforated, wove paper' +p302093 +sg291132 +S'unknown date\n' +p302094 +sg291134 +S'zwei m\xc3\xa4nnliche Profile (Two Male Profiles) [p. 1]' +p302095 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302096 +sa(dp302097 +g291130 +S"sketchbook with artist's notations and 1 sketch in graphite inserted on separate sheet" +p302098 +sg291132 +S'unknown date\n' +p302099 +sg291134 +S'Beckmann Sketchbook' +p302100 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302101 +sa(dp302102 +g291130 +S'sketchbook with 5 sketches in graphite on cream paper. Sketchbook contains multicolored paper as well.' +p302103 +sg291132 +S'unknown date\n' +p302104 +sg291134 +S'Beckmann Sketchbook' +p302105 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302106 +sa(dp302107 +g291130 +S'graphite on cream paper' +p302108 +sg291132 +S'unknown date\n' +p302109 +sg291134 +S'Zwei K\xc3\xb6pfe (Two Heads) [p. 13]' +p302110 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302111 +sa(dp302112 +g291130 +S'graphite on cream paper' +p302113 +sg291132 +S'unknown date\n' +p302114 +sg291134 +S'begonnene Skizze, wohl zweier K\xc3\xb6pfe (Initial Sketch) [p. 15]' +p302115 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302116 +sa(dp302117 +g291130 +S'graphite on cream paper' +p302118 +sg291132 +S'unknown date\n' +p302119 +sg291134 +S'mehrere Figuren (Group Composition) [p. 16]' +p302120 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302121 +sa(dp302122 +g291130 +S'graphite on cream paper' +p302123 +sg291132 +S'unknown date\n' +p302124 +sg291134 +S'Figur im weiten Mantel (Figure with Coat) [p. 18]' +p302125 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302126 +sa(dp302127 +g291130 +S'graphite on cream paper' +p302128 +sg291132 +S'unknown date\n' +p302129 +sg291134 +S'Notizen und Gesicht (Notation and Face) [p. 20]' +p302130 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302131 +sa(dp302132 +g291130 +S'sketchbook with 18 sketches in graphite on lined paper, and 14 blank pages.' +p302133 +sg291132 +S'unknown date\n' +p302134 +sg291134 +S'Beckmann Sketchbook' +p302135 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302136 +sa(dp302137 +g291130 +S'graphite on paper' +p302138 +sg291132 +S'unknown date\n' +p302139 +sg291134 +S'Zirkusartist im Kost\xc3\xbcm (Acrobat in Costume) [p. 1]' +p302140 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302141 +sa(dp302142 +g291130 +S'graphite on paper' +p302143 +sg291132 +S'unknown date\n' +p302144 +sg291134 +S'Weibliche Bildnistudie (Female Portrait) [p. 3]' +p302145 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302146 +sa(dp302147 +g291130 +S'graphite on paper' +p302148 +sg291132 +S'unknown date\n' +p302149 +sg291134 +S'Entwurf f\xc3\xbcr ein Triptychon (Sketch for a Tryptich) [p. 4]' +p302150 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302151 +sa(dp302152 +g291130 +S'graphite on paper' +p302153 +sg291132 +S'unknown date\n' +p302154 +sg291134 +S'Kleiner Mann mit Kappe (Small Man with a Hat) [p. 5]' +p302155 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302156 +sa(dp302157 +g291130 +S'graphite on paper' +p302158 +sg291132 +S'unknown date\n' +p302159 +sg291134 +S'Kamel, Nilpferd, Zebra (Camel, Hippo, Zebra) [p. 7]' +p302160 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302161 +sa(dp302162 +g291130 +S'graphite on paper' +p302163 +sg291132 +S'unknown date\n' +p302164 +sg291134 +S'Zwei Clowns mit H\xc3\xbcten (Two Clowns with Hats) [p. 9]' +p302165 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302166 +sa(dp302167 +g291130 +S'graphite on paper' +p302168 +sg291132 +S'unknown date\n' +p302169 +sg291134 +S'Linker Fl\xc3\xbcgel von Dream of Monte Carlo (Left leaf of Dream of Monte Carlo) [p. 10]' +p302170 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302171 +sa(dp302172 +g291130 +S'graphite on paper' +p302173 +sg291132 +S'unknown date\n' +p302174 +sg291134 +S'Stehender Clown (Standing Clown) [p. 11]' +p302175 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302176 +sa(dp302177 +g291130 +S'graphite on paper' +p302178 +sg291132 +S'unknown date\n' +p302179 +sg291134 +S'Artisten am Trapez (Balancing Act on Trapeze) [p. 12]' +p302180 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302181 +sa(dp302182 +g291130 +S'graphite on paper' +p302183 +sg291132 +S'unknown date\n' +p302184 +sg291134 +S'Artisten am Trapez (Balancing Act on Trapeze) [p. 13]' +p302185 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302186 +sa(dp302187 +g291130 +S'graphite on paper' +p302188 +sg291132 +S'unknown date\n' +p302189 +sg291134 +S'Clown [p. 15]' +p302190 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302191 +sa(dp302192 +g291130 +S'graphite on paper' +p302193 +sg291132 +S'unknown date\n' +p302194 +sg291134 +S'Paar (Couple) [p. 17]' +p302195 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302196 +sa(dp302197 +g291130 +S'graphite on paper' +p302198 +sg291132 +S'unknown date\n' +p302199 +sg291134 +S'Akrobat auf Schaukel (Acrobat in a Swing) [p. 19]' +p302200 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302201 +sa(dp302202 +g291130 +S'graphite on paper' +p302203 +sg291132 +S'unknown date\n' +p302204 +sg291134 +S'Zwei Akrobaten (Two Acrobats) [p. 21]' +p302205 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302206 +sa(dp302207 +g291130 +S'graphite on paper' +p302208 +sg291132 +S'unknown date\n' +p302209 +sg291134 +S'Zwei Akrobaten (Two Acrobats) [p. 23]' +p302210 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302211 +sa(dp302212 +g291130 +S'graphite on paper' +p302213 +sg291132 +S'unknown date\n' +p302214 +sg291134 +S'Zwei Akrobaten (Two Acrobats) [p. 24]' +p302215 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302216 +sa(dp302217 +g291130 +S'graphite on paper' +p302218 +sg291132 +S'unknown date\n' +p302219 +sg291134 +S'Zwei Akrobaten in der Schaukel (Two Acrobats in Swings) [p. 25]' +p302220 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302221 +sa(dp302222 +g291130 +S'graphite on paper' +p302223 +sg291132 +S'unknown date\n' +p302224 +sg291134 +S'Akrobat auf Schaukel (Acrobat on a Swing) [p. 27]' +p302225 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302226 +sa(dp302227 +g291130 +S'sketchbook with 27 sketches in graphite and charcoal on graph paper. Notations are in graphite, pen with blue or brown ink, and purple colored pencil.' +p302228 +sg291132 +S'1918/1919' +p302229 +sg291134 +S'Beckmann Sketchbook' +p302230 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302231 +sa(dp302232 +g291130 +S'graphite on graph paper' +p302233 +sg291132 +S'1918/1919' +p302234 +sg291134 +S'Mehrfigurige Kompositionsskizze (Figural Composition) [p. 9]' +p302235 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302236 +sa(dp302237 +g291130 +S'graphite on graph paper' +p302238 +sg291132 +S'1918/1919' +p302239 +sg291134 +S'Bezeichnete Skizze mit zwei sitzende Figuren (Two Seated Figures) [p. 10]' +p302240 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302241 +sa(dp302242 +g291130 +S'graphite on graph paper' +p302243 +sg291132 +S'1918/1919' +p302244 +sg291134 +S'Mehrfigurige Kompositionsskizze (Figural Composition) [p. 11]' +p302245 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302246 +sa(dp302247 +g291130 +S'graphite on graph paper' +p302248 +sg291132 +S'1918/1919' +p302249 +sg291134 +S'Skizze mit Bezeichnung (Sketch with Inscription) [p. 16]' +p302250 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302251 +sa(dp302252 +g291130 +S'graphite on graph paper' +p302253 +sg291132 +S'1918/1919' +p302254 +sg291134 +S'Tanzendes Paar, Notizen (Dancers, Notation) [p. 17]' +p302255 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302256 +sa(dp302257 +g291130 +S'graphite on graph paper' +p302258 +sg291132 +S'1918/1919' +p302259 +sg291134 +S'Architekturstudien (House Exterior Scene) [p. 19]' +p302260 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302261 +sa(dp302262 +g291130 +S'graphite on graph paper' +p302263 +sg291132 +S'1918/1919' +p302264 +sg291134 +S'M\xc3\xa4nnliche Bildnisstudie (Male Portrait) [p. 23]' +p302265 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302266 +sa(dp302267 +g291130 +S'charcoal on graph paper' +p302268 +sg291132 +S'1918/1919' +p302269 +sg291134 +S'Begonnene Studie, wohl Tanzende (Initial Sketch, Probably Dancers) [p. 25]' +p302270 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302271 +sa(dp302272 +g291130 +S'charcoal on graph paper' +p302273 +sg291132 +S'1918/1919' +p302274 +sg291134 +S'Figur mit H\xc3\xa4nden am Kopf (Figure with Hands at Head) [p. 26]' +p302275 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302276 +sa(dp302277 +g291130 +S'graphite on graph paper' +p302278 +sg291132 +S'1918/1919' +p302279 +sg291134 +S'Grundri\xc3\x9f (Floor Plan) [p. 29]' +p302280 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302281 +sa(dp302282 +g291130 +S'graphite on graph paper' +p302283 +sg291132 +S'1918/1919' +p302284 +sg291134 +S'Weibliche Bildnisstudie im Profil (Female Portrait Study, Profile) [p. 30]' +p302285 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302286 +sa(dp302287 +g291130 +S'graphite on graph paper' +p302288 +sg291132 +S'1918/1919' +p302289 +sg291134 +S'Weibliche Bildnisstudie im Profil (Female Portrait Study, Profile) [p. 31]' +p302290 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302291 +sa(dp302292 +g291130 +S'graphite on graph paper' +p302293 +sg291132 +S'1918/1919' +p302294 +sg291134 +S'Weibliche Bildnisstudie, Detail (Female Portrait Study, Detail) [p. 32]' +p302295 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302296 +sa(dp302297 +g291130 +S'graphite on graph paper' +p302298 +sg291132 +S'1918/1919' +p302299 +sg291134 +S'Weibliche Bildnisstudie im Profil (Female Portrait Study, Profile) [p. 33]' +p302300 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302301 +sa(dp302302 +g291130 +S'graphite on graph paper' +p302303 +sg291132 +S'1918/1919' +p302304 +sg291134 +S'Kirchturm (Steeple) [p. 35]' +p302305 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302306 +sa(dp302307 +g291130 +S'graphite on graph paper' +p302308 +sg291132 +S'1918/1919' +p302309 +sg291134 +S'Mehrfigurige Kompositionsskizze (Figural Composition) [p. 41]' +p302310 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302311 +sa(dp302312 +g291130 +S'graphite on graph paper' +p302313 +sg291132 +S'1918/1919' +p302314 +sg291134 +S'Tanzendes Paar (Dancing Couple) [p. 42]' +p302315 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302316 +sa(dp302317 +g291130 +S'charcoal on graph paper' +p302318 +sg291132 +S'1918/1919' +p302319 +sg291134 +S'Kompositionsskizze (Sketch) [p. 46]' +p302320 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302321 +sa(dp302322 +g291130 +S'graphite on graph paper' +p302323 +sg291132 +S'1918/1919' +p302324 +sg291134 +S'Zwei Figuren (Two Figures) [p. 50]' +p302325 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302326 +sa(dp302327 +g291130 +S'graphite on graph paper' +p302328 +sg291132 +S'1918/1919' +p302329 +sg291134 +S'Synagoge am B\xc3\xb6rneplatz (Synagogue at B\xc3\xb6rneplatz) [p. 52]' +p302330 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302331 +sa(dp302332 +g291130 +S'graphite on graph paper' +p302333 +sg291132 +S'1918/1919' +p302334 +sg291134 +S'M\xc3\xa4nnliche Bildnisstudie (Male Portrait Study) [p. 54]' +p302335 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302336 +sa(dp302337 +g291130 +S'graphite on graph paper' +p302338 +sg291132 +S'1918/1919' +p302339 +sg291134 +S'Mehrfigurige Kompositionsskizze (Figural Composition) [p. 60]' +p302340 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302341 +sa(dp302342 +g291130 +S'graphite on graph paper' +p302343 +sg291132 +S'1918/1919' +p302344 +sg291134 +S'Mehrfigurige Kompositionsskizze (Figural Composition) [p. 62]' +p302345 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302346 +sa(dp302347 +g291130 +S'graphite on graph paper' +p302348 +sg291132 +S'1918/1919' +p302349 +sg291134 +S'Ausschnitt aus einem Stadtplan (Detail of a Map) [p. 64]' +p302350 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302351 +sa(dp302352 +g291130 +S'graphite on graph paper' +p302353 +sg291132 +S'1918/1919' +p302354 +sg291134 +S'Mehrfigurige Kompositionsskizze (Figural Composition) [p. 68]' +p302355 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302356 +sa(dp302357 +g291130 +S'graphite on graph paper' +p302358 +sg291132 +S'1918/1919' +p302359 +sg291134 +S'Nicht identifizierte Skizze, Karussell? (Sketch of Merry-go-round, Perhaps) [p. 69]' +p302360 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302361 +sa(dp302362 +g291130 +S'graphite on graph paper' +p302363 +sg291132 +S'1918/1919' +p302364 +sg291134 +S'M\xc3\xa4nnliche Bildnisstudie im Profil (Male Portrait Study) [p. 70]' +p302365 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302366 +sa(dp302367 +g291130 +S'sketchbook with 12 sketches in graphite' +p302368 +sg291132 +S'unknown date\n' +p302369 +sg291134 +S'Beckmann Sketchbook' +p302370 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302371 +sa(dp302372 +g291130 +S'graphite on paper' +p302373 +sg291132 +S'unknown date\n' +p302374 +sg291134 +S'Zwei stehende Figuren (Two Standing Figures) [p. 7]' +p302375 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302376 +sa(dp302377 +g291130 +S'graphite on paper' +p302378 +sg291132 +S'unknown date\n' +p302379 +sg291134 +S'M\xc3\xa4nnliche Bildnisstudie (Male Portrait Study) [p. 19]' +p302380 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302381 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im Kost\xc3\xbcm (Circus Performer in Costume) [?] [p. 29]' +p302405 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302406 +sa(dp302407 +g291130 +S'graphite on paper' +p302408 +sg291132 +S'unknown date\n' +p302409 +sg291134 +S'Pferde auf der Rennbahn (Horses on a Race Course) [p. 31]' +p302410 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302411 +sa(dp302412 +g291130 +S'graphite on paper' +p302413 +sg291132 +S'unknown date\n' +p302414 +sg291134 +S'Zuschauer (A Vista) [p. 33]' +p302415 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302416 +sa(dp302417 +g291130 +S'graphite on paper' +p302418 +sg291132 +S'unknown date\n' +p302419 +sg291134 +S'Pferd und Notizen (A Horse, Notations) [p. 35]' +p302420 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302421 +sa(dp302422 +g291130 +S'graphite on paper' +p302423 +sg291132 +S'unknown date\n' +p302424 +sg291134 +S'Zwei Figuren und ein Gesicht (Two Figures and a Face) [p. 47]' +p302425 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302426 +sa(dp302427 +g291130 +S'graphite on paper' +p302428 +sg291132 +S'unknown date\n' +p302429 +sg291134 +S'Initial Sketch [p. 49]' +p302430 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302431 +sa(dp302432 +g291130 +S'sketchbook with 39 sketches in graphite' +p302433 +sg291132 +S'c. 1914' +p302434 +sg291134 +S'Beckmann Sketchbook' +p302435 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302436 +sa(dp302437 +g291130 +S'graphite with pen and brown ink notations' +p302438 +sg291132 +S'unknown date\n' +p302439 +sg291134 +S'Begonnene Skizze, Notizen (Initial Sketch, Notation) [p. 1]' +p302440 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302441 +sa(dp302442 +g291130 +S'graphite on paper' +p302443 +sg291132 +S'unknown date\n' +p302444 +sg291134 +S'Zwei Passanten (Two Walking Figures) [p. 3]' +p302445 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302446 +sa(dp302447 +g291130 +S'graphite on paper' +p302448 +sg291132 +S'unknown date\n' +p302449 +sg291134 +S'Gehender Mann (Man Walking) [p. 5]' +p302450 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302451 +sa(dp302452 +g291130 +S'graphite on paper' +p302453 +sg291132 +S'unknown date\n' +p302454 +sg291134 +S'Stra\xc3\x9fenszene in der Gro\xc3\x9fstadt (Street Scene in Large City) [p. 7]' +p302455 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302456 +sa(dp302457 +g291130 +S'graphite on paper' +p302458 +sg291132 +S'unknown date\n' +p302459 +sg291134 +S'Interieur mit Liegendem (Interior with Reclining Figure) [p. 9]' +p302460 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302461 +sa(dp302462 +g291130 +S'graphite on paper' +p302463 +sg291132 +S'unknown date\n' +p302464 +sg291134 +S'Zelt(?)Architektur (Tent-like Architecture) [p. 10-11]' +p302465 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302466 +sa(dp302467 +g291130 +S'graphite on paper' +p302468 +sg291132 +S'unknown date\n' +p302469 +sg291134 +S'Architekturstudie (Architectural Study) [p. 12]' +p302470 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302471 +sa(dp302472 +g291130 +S'graphite on paper' +p302473 +sg291132 +S'unknown date\n' +p302474 +sg291134 +S'Drei balancierende Figuren (Three Figures Balancing) [p. 13]' +p302475 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302476 +sa(dp302477 +g291130 +S'graphite on paper' +p302478 +sg291132 +S'unknown date\n' +p302479 +sg291134 +S'Architekturstudie (City Blocks) [p. 14]' +p302480 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302481 +sa(dp302482 +g291130 +S'graphite on paper' +p302483 +sg291132 +S'unknown date\n' +p302484 +sg291134 +S'Zwei Figuren auf dem Trapez (Two Figures on a Trapeze) [p. 16]' +p302485 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302486 +sa(dp302487 +g291130 +S'graphite on paper' +p302488 +sg291132 +S'unknown date\n' +p302489 +sg291134 +S'Papagei (A Parrot) [p. 17]' +p302490 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302491 +sa(dp302492 +g291130 +S'graphite on paper' +p302493 +sg291132 +S'unknown date\n' +p302494 +sg291134 +S'Papagei (A Parrot) [p. 19]' +p302495 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p302496 +sa(dp302497 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Triptych) [p. 18]' +p303095 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p303096 +sa(dp303097 +g291130 +S'graphite on paper' +p303098 +sg291132 +S'unknown date\n' +p303099 +sg291134 +S'Kompositionsskizze mit Bezeichnung (Sketch with Inscription) [p. 19]' +p303100 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p303101 +sa(dp303102 +g291130 +S'graphite on paper' +p303103 +sg291132 +S'unknown date\n' +p303104 +sg291134 +S'Kompositionsskizze mit Bezeichnung (Three Figures) [p. 21]' +p303105 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p303106 +sa(dp303107 +g291130 +S'graphite on paper' +p303108 +sg291132 +S'unknown date\n' +p303109 +sg291134 +S'Kompositionsskizze mit Bezeichnung (Sketch with Inscription) [p. 23]' +p303110 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p303111 +sa(dp303112 +g291130 +S'graphite on paper' +p303113 +sg291132 +S'unknown date\n' +p303114 +sg291134 +S'Kompositionsskizze mit Bezeichnung (Sketch with Inscription) [p. 25]' +p303115 +sg291136 +g27 +sg291137 +S'Max Beckmann' 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for Early Men) [p. 9]' +p303220 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p303221 +sa(dp303222 +g291130 +S'graphite on paper' +p303223 +sg291132 +S'unknown date\n' +p303224 +sg291134 +S'begonnene Skizze (Sketch) [p. 10]' +p303225 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p303226 +sa(dp303227 +g291130 +S'graphite on paper' +p303228 +sg291132 +S'unknown date\n' +p303229 +sg291134 +S'Skizze f\xc3\xbcr Fr\xc3\xbche Menschen, Notizen (Sketch for Early Men with Notation) [p. 11]' +p303230 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p303231 +sa(dp303232 +g291130 +S'charcoal with brush and blue ink' +p303233 +sg291132 +S'unknown date\n' +p303234 +sg291134 +S'Fl\xc3\xbcchtige Skizze (Sketch) [p. 12]' +p303235 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p303236 +sa(dp303237 +g291130 +S'brown cont? crayon on paper' +p303238 +sg291132 +S'unknown date\n' +p303239 +sg291134 +S'Figuren in Interieur (Figures in Interior) [p. 13]' +p303240 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p303241 +sa(dp303242 +g291130 +S'graphite on paper' +p303243 +sg291132 +S'unknown date\n' +p303244 +sg291134 +S'Geometrische Formen mit Notizen (Geometric Shapes with Notations) [p. 15]' +p303245 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p303246 +sa(dp303247 +g291130 +S'graphite on paper' +p303248 +sg291132 +S'1937' +p303249 +sg291134 +S'Skizze mit Bezeichnung (Sketch with Inscriptions) [p. 17]' +p303250 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p303251 +sa(dp303252 +g291130 +S'graphite on paper' +p303253 +sg291132 +S'unknown date\n' +p303254 +sg291134 +S'Drei Figuren in Interieur, Notizen (Three Figures with Inscriptions) [p. 22]' +p303255 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p303256 +sa(dp303257 +g291130 +S'graphite on paper' +p303258 +sg291132 +S'unknown date\n' +p303259 +sg291134 +S'Bauern im Feld (Peasants in Field) [p. 23]' +p303260 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p303261 +sa(dp303262 +g291130 +S'graphite on paper' +p303263 +sg291132 +S'unknown date\n' +p303264 +sg291134 +S'Bauern im Feld (Path in the Bavarian Mountains) [p. 25]' +p303265 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p303266 +sa(dp303267 +g291130 +S'graphite on paper' +p303268 +sg291132 +S'unknown date\n' +p303269 +sg291134 +S'Landschaft in Bayern oder Schwarzwald (Landscape in Bavaria or Black Forest) [p. 27]' +p303270 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p303271 +sa(dp303272 +g291130 +S'graphite on paper' +p303273 +sg291132 +S'unknown date\n' +p303274 +sg291134 +S'Mann mit Schurrbart und M\xc3\xbctze im Profil (Man with Moustache in Profile) [p. 29]' +p303275 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p303276 +sa(dp303277 +g291130 +S'graphite on paper' +p303278 +sg291132 +S'unknown date\n' +p303279 +sg291134 +S'Skizze und Notizen (Small Sketches with Notations) [p. 31]' +p303280 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p303281 +sa(dp303282 +g291130 +S'graphite on paper' +p303283 +sg291132 +S'unknown date\n' +p303284 +sg291134 +S'Skizze mit Bezeichnung (Sketch with Notation) [p. 32]' 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on paper' +p303463 +sg291132 +S'unknown date\n' +p303464 +sg291134 +S'Liegender weiblicher Akt (Reclining Nude) [p. 14]' +p303465 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p303466 +sa(dp303467 +g291130 +S'graphite and pen with black and blue ink on paper' +p303468 +sg291132 +S'unknown date\n' +p303469 +sg291134 +S'Sitzende Frau in W\xc3\xa4sche (Woman Seated in Profile) [p. 15]' +p303470 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p303471 +sa(dp303472 +g291130 +S'graphite and pen with black ink on paper' +p303473 +sg291132 +S'unknown date\n' +p303474 +sg291134 +S'Sich nach vorne beugende Frau (Woman in Profile) [p. 16]' +p303475 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p303476 +sa(dp303477 +g291130 +S'pen with black and blue ink on paper' +p303478 +sg291132 +S'unknown date\n' +p303479 +sg291134 +S'Sitzender weiblicher Akt (Seated Nude) [p. 17]' +p303480 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p303481 +sa(dp303482 +g291130 +S'graphite and pen with black ink on paper' +p303483 +sg291132 +S'unknown date\n' +p303484 +sg291134 +S'Rauchender weiblicher Akt (Nude Smoking) [p. 18]' +p303485 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p303486 +sa(dp303487 +g291130 +S'pen with black and blue ink on paper' +p303488 +sg291132 +S'unknown date\n' +p303489 +sg291134 +S'Kriechende Frau in R\xc3\xbcckenansicht (Woman on Hands and Knees, seen from Behind) [p. 19]' +p303490 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p303491 +sa(dp303492 +g291130 +S'graphite and pen with black and blue ink on paper' +p303493 +sg291132 +S'unknown date\n' +p303494 +sg291134 +S'Frau in W\xc3\xa4sche in R\xc3\xbcckenansicht (Nude from Behind) [p. 20]' +p303495 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p303496 +sa(dp303497 +g291130 +S'pen with black and blue ink on paper' +p303498 +sg291132 +S'unknown date\n' +p303499 +sg291134 +S'Liegende Frau in W\xc3\xa4sche (Half Nude Reclining) [p. 21]' +p303500 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p303501 +sa(dp303502 +g291130 +S'pen with black and blue ink on paper' +p303503 +sg291132 +S'unknown date\n' +p303504 +sg291134 +S'Fl\xc3\xbcchtige Studien von Akten (Nude Sketches) [p. 22]' +p303505 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p303506 +sa(dp303507 +g291130 +S'graphite with pen and black ink on paper' +p303508 +sg291132 +S'unknown date\n' +p303509 +sg291134 +S'Fl\xc3\xbcchtige Studie eines Aktes und eines Gesichtes (Nude Sketches) [p. 23]' +p303510 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p303511 +sa(dp303512 +g291130 +S'pen and black ink on paper' +p303513 +sg291132 +S'unknown date\n' +p303514 +sg291134 +S'Sitzender Akt in R\xc3\xbcckenansicht (Seated Nude from Behind) [p. 24]' +p303515 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p303516 +sa(dp303517 +g291130 +S'graphite with pen and black ink on paper' +p303518 +sg291132 +S'unknown date\n' +p303519 +sg291134 +S'Weibliche Bildnisstudie (Portrait of a Woman) [p. 25]' +p303520 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p303521 +sa(dp303522 +g291130 +S'graphite with pen and black and blue ink on paper' +p303523 +sg291132 +S'unknown date\n' +p303524 +sg291134 +S'Fl\xc3\xbcchtige Aktstudien (Sketches of Three Women) [pp. 26-27]' +p303525 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p303526 +sa(dp303527 +g291130 +S'graphite on paper' +p303528 +sg291132 +S'unknown date\n' +p303529 +sg291134 +S'Fl\xc3\xbcchtige Studie eines hockenden Aktes (Sketch of a Seated Nude)[p. 28]' +p303530 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p303531 +sa(dp303532 +g291130 +S'pen and black ink on paper' +p303533 +sg291132 +S'unknown date\n' +p303534 +sg291134 +S'Liegende Frau in W\xc3\xa4sche (Partial Nude) [p. 29]' +p303535 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p303536 +sa(dp303537 +g291130 +S'graphite on paper' +p303538 +sg291132 +S'unknown date\n' +p303539 +sg291134 +S'Frau in der Hocke (Kneeling Woman) [p. 30]' +p303540 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p303541 +sa(dp303542 +g291130 +S'pen and black ink on paper' +p303543 +sg291132 +S'unknown date\n' +p303544 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M\xc3\xa4nner in einer Loge (Two Men in a Theater Box) [p. 11]' +p303610 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p303611 +sa(dp303612 +g291130 +S'graphite on paper' +p303613 +sg291132 +S'unknown date\n' +p303614 +sg291134 +S'Ringk\xc3\xa4mpfer (Wrestlers) [p. 13]' +p303615 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p303616 +sa(dp303617 +g291130 +S'graphite on paper' +p303618 +sg291132 +S'unknown date\n' +p303619 +sg291134 +S'Zwei Ringk\xc3\xa4mpfer (Two Wrestlers Close Up) [p. 16]' +p303620 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p303621 +sa(dp303622 +g291130 +S'graphite on paper' +p303623 +sg291132 +S'unknown date\n' +p303624 +sg291134 +S'Zuschauer, rechts Ringk\xc3\xa4mpfer (Spectators and Wrestlers) [p. 17]' +p303625 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p303626 +sa(dp303627 +g291130 +S'graphite on paper' +p303628 +sg291132 +S'unknown date\n' +p303629 +sg291134 +S'Zwei ineinander verschlungene Figuren (Two Figures Locked) [p. 19]' +p303630 +sg291136 +g27 +sg291137 +S'Max 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+S'1900' +p304699 +sg291134 +S'Man in a Dresden Restaurant, Smoking' +p304700 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304701 +sa(dp304702 +g291130 +S'graphite on wove paper' +p304703 +sg291132 +S'1900' +p304704 +sg291134 +S'Man in Profile to the Left' +p304705 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304706 +sa(dp304707 +g291130 +S'graphite with crayon on wove paper' +p304708 +sg291132 +S'1900' +p304709 +sg291134 +S'Man Wearing a Hat in Profile to the Left' +p304710 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304711 +sa(dp304712 +g291130 +S'graphite on wove paper' +p304713 +sg291132 +S'1900' +p304714 +sg291134 +S'Man Wearing a Hat Seated at a Table' +p304715 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304716 +sa(dp304717 +g291130 +S'graphite on wove paper' +p304718 +sg291132 +S'1900' +p304719 +sg291134 +S'Woman on a Bench Holding a Folded Umbrella' +p304720 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304721 +sa(dp304722 +g291130 +S'graphite on wove paper' +p304723 +sg291132 +S'1900' +p304724 +sg291134 +S'Man Seated at the End of a Bench, Reading' +p304725 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304726 +sa(dp304727 +g291130 +S'graphite with crayon on wove paper' +p304728 +sg291132 +S'1900' +p304729 +sg291134 +S'Woman in a Hat with Netting' +p304730 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304731 +sa(dp304732 +g291130 +S'graphite on wove paper' +p304733 +sg291132 +S'1900' +p304734 +sg291134 +S'Man at a Table Smoking' +p304735 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304736 +sa(dp304737 +g291130 +S'graphite on wove paper' +p304738 +sg291132 +S'1900' +p304739 +sg291134 +S'Candle Burning' +p304740 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304741 +sa(dp304742 +g291130 +S'graphite on wove paper' +p304743 +sg291132 +S'1900' +p304744 +sg291134 +S'Two Figures Facing Each Other (Finis)' +p304745 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304746 +sa(dp304747 +g291130 +S'sketchbook with 32 sketches in graphite on pink, cream, green, and blue laid paper' +p304748 +sg291132 +S'unknown date\n' +p304749 +sg291134 +S'Beckmann Sketchbook' +p304750 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304751 +sa(dp304752 +g291130 +S'graphite and purple pencil notations on pink laid paper' +p304753 +sg291132 +S'unknown date\n' +p304754 +sg291134 +S'L\xc3\xb6wenstudie, Notizen (Lion, Notation) [p. 1]' +p304755 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304756 +sa(dp304757 +g291130 +S'graphite on cream laid paper' +p304758 +sg291132 +S'unknown date\n' +p304759 +sg291134 +S'Liegender L\xc3\xb6we (Lion Reclining) [p. 3]' +p304760 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304761 +sa(dp304762 +g291130 +S'graphite on cream laid paper' +p304763 +sg291132 +S'unknown date\n' +p304764 +sg291134 +S'Begonnene Tierstudie (Unfinished Animal Study) [p. 5]' +p304765 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304766 +sa(dp304767 +g291130 +S'graphite on cream laid paper' +p304768 +sg291132 +S'unknown date\n' +p304769 +sg291134 +S'Fressender L\xc3\xb6we (Lion Eating) [p. 6]' +p304770 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304771 +sa(dp304772 +g291130 +S'graphite on green laid paper' +p304773 +sg291132 +S'unknown date\n' +p304774 +sg291134 +S'L\xc3\xb6wenkopf im Profil (Lion Profile) [p. 7]' +p304775 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304776 +sa(dp304777 +g291130 +S'graphite on green laid paper' +p304778 +sg291132 +S'unknown date\n' +p304779 +sg291134 +S'L\xc3\xb6wenkopf im Profil (Double Lion Profile) [p. 8]' +p304780 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304781 +sa(dp304782 +g291130 +S'graphite on green laid paper' +p304783 +sg291132 +S'unknown date\n' +p304784 +sg291134 +S'Sich aufrichtender L\xc3\xb6we (Lion Top View) [p. 9]' +p304785 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304786 +sa(dp304787 +g291130 +S'graphite on green laid paper' +p304788 +sg291132 +S'unknown date\n' +p304789 +sg291134 +S'Stehender L\xc3\xb6we (Lion Standing) [p. 10]' +p304790 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304791 +sa(dp304792 +g291130 +S'graphite on cream laid paper' +p304793 +sg291132 +S'unknown date\n' +p304794 +sg291134 +S'Begonnener L\xc3\xb6wenkopf (Sketch of Lion Face) [p. 11]' +p304795 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304796 +sa(dp304797 +g291130 +S'graphite on cream laid paper' +p304798 +sg291132 +S'unknown date\n' +p304799 +sg291134 +S'L\xc3\xb6we mit aufgerissenem Maul (Lion Baring Teeth) [p. 12]' +p304800 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304801 +sa(dp304802 +g291130 +S'graphite on cream laid paper' +p304803 +sg291132 +S'unknown date\n' +p304804 +sg291134 +S'L\xc3\xb6wenbeine (Lion Legs) [p. 13]' +p304805 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304806 +sa(dp304807 +g291130 +S'graphite on cream laid paper' +p304808 +sg291132 +S'unknown date\n' +p304809 +sg291134 +S'Stehender L\xc3\xb6we (Lion Standing) [p. 14]' +p304810 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304811 +sa(dp304812 +g291130 +S'graphite on pink laid paper' +p304813 +sg291132 +S'unknown date\n' +p304814 +sg291134 +S'Nilpferdkopf mit ge\xc3\xb6ffnetem Maul (Hippo with Open Mouth) [p. 15]' +p304815 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304816 +sa(dp304817 +g291130 +S'graphite on pink laid paper' +p304818 +sg291132 +S'unknown date\n' +p304819 +sg291134 +S'Nilpferdkopf (Hippo Head) [p. 16]' +p304820 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304821 +sa(dp304822 +g291130 +S'graphite on cream laid paper' +p304823 +sg291132 +S'unknown date\n' +p304824 +sg291134 +S'Nilpferdkopf im Profil (Hippo Head in Profile) [p. 17]' +p304825 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304826 +sa(dp304827 +g291130 +S'graphite on blue laid paper' +p304828 +sg291132 +S'unknown date\n' +p304829 +sg291134 +S'Nilpferdkopf im Profil (Hippo Head) [p. 19]' +p304830 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304831 +sa(dp304832 +g291130 +S'graphite on blue laid paper' +p304833 +sg291132 +S'unknown date\n' +p304834 +sg291134 +S'Zwei K\xc3\xb6pfe, Zuschauer (Two Spectators) [p. 20]' +p304835 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304836 +sa(dp304837 +g291130 +S'graphite on pink laid paper' +p304838 +sg291132 +S'unknown date\n' +p304839 +sg291134 +S'Skizze (Sketch) [p. 21]' +p304840 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304841 +sa(dp304842 +g291130 +S'graphite on pink laid paper' +p304843 +sg291132 +S'unknown date\n' +p304844 +sg291134 +S'Fressender L\xc3\xb6we (Lion Eating) [p. 22]' +p304845 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304846 +sa(dp304847 +g291130 +S'graphite on cream laid paper' +p304848 +sg291132 +S'unknown date\n' +p304849 +sg291134 +S'Zuschauer (Spectators) [p. 23]' +p304850 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304851 +sa(dp304852 +g291130 +S'graphite on cream laid paper' +p304853 +sg291132 +S'unknown date\n' +p304854 +sg291134 +S'Nilpferd in R\xc3\xbcckenansicht (Hippo from behind) [p. 24]' +p304855 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304856 +sa(dp304857 +g291130 +S'graphite on green laid paper' +p304858 +sg291132 +S'unknown date\n' +p304859 +sg291134 +S'Fressender L\xc3\xb6we (Lion Eating) [p. 25]' +p304860 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304861 +sa(dp304862 +g291130 +S'graphite on green laid paper' +p304863 +sg291132 +S'unknown date\n' +p304864 +sg291134 +S'Nilpferd, halb unter Wasser (Hippo Partially Submerged) [p. 26]' +p304865 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304866 +sa(dp304867 +g291130 +S'graphite on pink laid paper' +p304868 +sg291132 +S'unknown date\n' +p304869 +sg291134 +S'Nilpferdkopf mit ge\xc3\xb6ffnetem Maul (Hippo Mouth Open) [p. 27]' +p304870 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304871 +sa(dp304872 +g291130 +S'graphite on pink laid paper' +p304873 +sg291132 +S'unknown date\n' +p304874 +sg291134 +S'Akrobatin (Acrobat) [p. 28]' +p304875 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304876 +sa(dp304877 +g291130 +S'graphite on green laid paper' +p304878 +sg291132 +S'unknown date\n' +p304879 +sg291134 +S'Drei hagere Akte (Three Nude Figures) [p. 29]' +p304880 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304881 +sa(dp304882 +g291130 +S'graphite on green laid paper' +p304883 +sg291132 +S'unknown date\n' +p304884 +sg291134 +S'Akrobatin auf Seil (Acrobat on Tight Rope) [p. 30]' +p304885 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304886 +sa(dp304887 +g291130 +S'graphite on pink laid paper' +p304888 +sg291132 +S'unknown date\n' +p304889 +sg291134 +S'L\xc3\xb6we mit aufgerissenem Maul (Lion Mouth Open) [p. 31]' +p304890 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304891 +sa(dp304892 +g291130 +S'graphite on cream laid paper' +p304893 +sg291132 +S'unknown date\n' +p304894 +sg291134 +S'L\xc3\xb6wenkopf im Profil (Lion Profile) [p. 33]' +p304895 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304896 +sa(dp304897 +g291130 +S'graphite on cream laid paper' +p304898 +sg291132 +S'unknown date\n' +p304899 +sg291134 +S"M\xc3\xa4nnliches Gesicht (Man's Face) [p. 34]" +p304900 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304901 +sa(dp304902 +g291130 +S'graphite on blue laid paper' +p304903 +sg291132 +S'unknown date\n' +p304904 +sg291134 +S'Begonnene L\xc3\xb6wenstudie (Partial Lion) [p. 35]' +p304905 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304906 +sa(dp304907 +g291130 +S'graphite on cream laid paper' +p304908 +sg291132 +S'unknown date\n' +p304909 +sg291134 +S'Antiker Krieger mit Helm (Antique Warrior with Helmet) [p. 38]' +p304910 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304911 +sa(dp304912 +g291130 +S'volume with 27 hand-colored lithographs' +p304913 +sg291132 +S'executed 1941/1942; published 1943' +p304914 +sg291134 +S'The Apocalypse (Apokalypse)' +p304915 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304916 +sa(dp304917 +g291130 +S'1 vol: ill: 139 graphite drawings on the blank interleaves of a 1925 Bremer Presse (Munich) edition of Goethe\'s "Faust" (Zweite Teil)' +p304918 +sg291132 +S'in or after 1925' +p304919 +sg291134 +S'Sketches Illustrating Faust' +p304920 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304921 +sa(dp304922 +g291130 +S'lithograph in black' +p304923 +sg291132 +S'1946' +p304924 +sg291134 +S'Self-Portrait' +p304925 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304926 +sa(dp304927 +g291130 +S'portfolio w/ 15 lithographs plus 1 lithograph (Still Life with Globe) on wrapper; title page, table of contents, & colophon on folded single sheet' +p304928 +sg291132 +S'published 1946' +p304929 +sg291134 +S'Day and Dream (Tag und Traum)' +p304930 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304931 +sa(dp304932 +g291130 +S'lithograph in black' +p304933 +sg291132 +S'1946' +p304934 +sg291134 +S'Weather Vane (Wetterfahne)' +p304935 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304936 +sa(dp304937 +g291130 +S'lithograph in black' +p304938 +sg291132 +S'1946' +p304939 +sg291134 +S'Sleeping Athlete (Schlafender Athlet)' +p304940 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304941 +sa(dp304942 +g291130 +S'lithograph in black' +p304943 +sg291132 +S'1946' +p304944 +sg291134 +S'Tango' +p304945 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304946 +sa(dp304947 +g291130 +S'lithograph in black' +p304948 +sg291132 +S'1946' +p304949 +sg291134 +S'Crawling Woman (Kriechende Frau)' +p304950 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304951 +sa(dp304952 +g291130 +S'lithograph in black' +p304953 +sg291132 +S'1946' +p304954 +sg291134 +S"I don't want to eat my Soup (Ich esse meine Suppe nicht)" +p304955 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304956 +sa(dp304957 +g291130 +S'lithograph in black' +p304958 +sg291132 +S'1946' +p304959 +sg291134 +S'Dancing Couple (Tanzpaar)' +p304960 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304961 +sa(dp304962 +g291130 +S'lithograph in black' +p304963 +sg291132 +S'1946' +p304964 +sg291134 +S'King and Demagogue (K\xc3\xb6nig und Demagoge)' +p304965 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304966 +sa(dp304967 +g291130 +S'lithograph in black' +p304968 +sg291132 +S'1946' +p304969 +sg291134 +S'The Buck (Der Bock)' +p304970 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304971 +sa(dp304972 +g291130 +S'lithograph in black' +p304973 +sg291132 +S'1946' +p304974 +sg291134 +S'Dream of War (Der Traum vom Krieg)' +p304975 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304976 +sa(dp304977 +g291130 +S'lithograph in black' +p304978 +sg291132 +S'1946' +p304979 +sg291134 +S'Morning (Der Morgen)' +p304980 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304981 +sa(dp304982 +g291130 +S'lithograph in black' +p304983 +sg291132 +S'1946' +p304984 +sg291134 +S'Circus (Zirkus)' +p304985 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304986 +sa(dp304987 +g291130 +S'lithograph in black' +p304988 +sg291132 +S'1946' +p304989 +sg291134 +S'Magic Mirror (Zauberspiegel)' +p304990 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304991 +sa(dp304992 +g291130 +S'lithograph in black' +p304993 +sg291132 +S'1946' +p304994 +sg291134 +S'The Fall of Man (S\xc3\xbcdenfall)' +p304995 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p304996 +sa(dp304997 +g291130 +S'lithograph in black' +p304998 +sg291132 +S'1946' +p304999 +sg291134 +S'Christ and Pilate (Christus und Pilatus)' +p305000 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p305001 +sa(dp305002 +g291130 +S'(author)' +p305003 +sg291132 +S'\n' +p305004 +sg291134 +S'Stadtnacht (City Night)' +p305005 +sg291136 +g27 +sg291137 +S'Artist Information (' +p305006 +sa(dp305007 +g291130 +S'(author)' +p305008 +sg291132 +S'\n' +p305009 +sg291134 +S'Die F\xc3\xbcrstin' +p305010 +sg291136 +g27 +sg291137 +S'Artist Information (' +p305011 +sa(dp305012 +g291130 +S'drypoint in brown on laid paper' +p305013 +sg291132 +S'unknown date\n' +p305014 +sg291134 +S'Two Poplars on a Hilltop' +p305015 +sg291136 +g27 +sg291137 +S'Charles Winston Haberer' +p305016 +sa(dp305017 +g291134 +S'A Member of the Fr\xc3\xb6schl Family' +p305018 +sg291137 +S'Hans Mielich' +p305019 +sg291130 +S'oil on panel' +p305020 +sg291132 +S'c. 1539/1540' +p305021 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00004/a00004d3.jpg' +p305022 +sg291136 +S"Hans Mielich was the leading painter in Bavaria in the mid-sixteenth century.\nHis art was greatly influenced by Albrecht Altdorfer with whom he worked in Regensburg\nfrom about 1536 to 1538. After a trip to Rome in 1542, Mielich settled in his native\nMunich, becoming court painter to Albrecht V, the Duke of Bavaria.\n This sitter's identification with the Fröchl family derives from the presence of\ntheir coat-of-arms painted on the reverse of the panel. The man might Jakob Fröschl\nof Wasserburg. A grain merchant and city councilor in Wasserburg, he married in\n1539, and thus this may be his wedding portrait.\n The sitter's large scale, dignified bearing, and richly decorated padded black jacket\nall suggest someone of great power and importance. In the background, visible through\nthe wood-trimmed window, is a landscape with trees, a house, and a man and a horse\nplowing. Clearly, the man was a substantial landowner as well.\n Beyond its representational fascination, the portrait is a wonderful study in the\nabstract interplay of pattern, form, and outline. The massive, simple expanse of\nthe black jacket contrasts with the intricately marbleized decor of the wall which,\nin turn, mimics the irregular configurations of the trees.\n " +p305023 +sa(dp305024 +g291134 +S"Comedy and Tragedy: 'Sic Vita'" +p305025 +sg291137 +S'Sir Alfred Gilbert' +p305026 +sg291130 +S'bronze' +p305027 +sg291132 +S'model 1891-1892, cast probably 1902/1905' +p305028 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00024/a0002441.jpg' +p305029 +sg291136 +g27 +sa(dp305030 +g291134 +S'Mountain Landscape with a Hollow' +p305031 +sg291137 +S'Alexander Cozens' +p305032 +sg291130 +S'pen and brown ink with brown wash on laid paper' +p305033 +sg291132 +S'c. 1770' +p305034 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00024/a000242b.jpg' +p305035 +sg291136 +g27 +sa(dp305036 +g291134 +S'An Elderly Woman in a Striped Shawl' +p305037 +sg291137 +S'Giuseppe Nogari' +p305038 +sg291130 +S'pastel on two attached sheets' +p305039 +sg291132 +S'c. 1743' +p305040 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00026/a000260f.jpg' +p305041 +sg291136 +g27 +sa(dp305042 +g291134 +S'A Lake in the Tyrol (Un lac du Tyrol)' +p305043 +sg291137 +S'Jean-Baptiste-Camille Corot' +p305044 +sg291130 +S'etching in red-brown on wove paper' +p305045 +sg291132 +S'1863' +p305046 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00098/a000981d.jpg' +p305047 +sg291136 +g27 +sa(dp305048 +g291134 +S'Studies of Legs and Drapery [recto]' +p305049 +sg291137 +S'Abraham Bloemaert' +p305050 +sg291130 +S'red chalk heightened with white' +p305051 +sg291132 +S'unknown date\n' +p305052 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00071/a0007168.jpg' +p305053 +sg291136 +g27 +sa(dp305054 +g291134 +S'Studies of Hands and Bending Figures [verso]' +p305055 +sg291137 +S'Abraham Bloemaert' +p305056 +sg291130 +S'red chalk heightened with white' +p305057 +sg291132 +S'unknown date\n' +p305058 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00071/a0007139.jpg' +p305059 +sg291136 +g27 +sa(dp305060 +g291130 +S'(author)' +p305061 +sg291132 +S'\n' +p305062 +sg291134 +S'Oeuvres de Moliere (volume I)' +p305063 +sg291136 +g27 +sg291137 +S'Artist Information (' +p305064 +sa(dp305065 +g291130 +S'(artist after)' +p305066 +sg291132 +S'\n' +p305067 +sg291134 +S'Moliere' +p305068 +sg291136 +g27 +sg291137 +S'Artist Information (' +p305069 +sa(dp305070 +g291130 +S'(author)' +p305071 +sg291132 +S'\n' +p305072 +sg291134 +S'Oeuvres de Moliere (volume II)' +p305073 +sg291136 +g27 +sg291137 +S'Artist Information (' +p305074 +sa(dp305075 +g291130 +S'(author)' +p305076 +sg291132 +S'\n' +p305077 +sg291134 +S'Oeuvres de Moliere (volume III)' +p305078 +sg291136 +g27 +sg291137 +S'Artist Information (' +p305079 +sa(dp305080 +g291130 +S'(author)' +p305081 +sg291132 +S'\n' +p305082 +sg291134 +S'Oeuvres de Moliere (volume IV)' +p305083 +sg291136 +g27 +sg291137 +S'Artist Information (' +p305084 +sa(dp305085 +g291130 +S'(author)' +p305086 +sg291132 +S'\n' +p305087 +sg291134 +S'Oeuvres de Moliere (volume V)' +p305088 +sg291136 +g27 +sg291137 +S'Artist Information (' +p305089 +sa(dp305090 +g291130 +S'(author)' +p305091 +sg291132 +S'\n' +p305092 +sg291134 +S'Oeuvres de Moliere (volume VI)' +p305093 +sg291136 +g27 +sg291137 +S'Artist Information (' +p305094 +sa(dp305095 +g291130 +S'bronze' +p305096 +sg291132 +S'unknown date\n' +p305097 +sg291134 +S'Temperance' +p305098 +sg291136 +g27 +sg291137 +S'Peter Fl\xc3\xb6tner' +p305099 +sa(dp305100 +g291130 +S'bronze' +p305101 +sg291132 +S'unknown date\n' +p305102 +sg291134 +S'Cacus Stealing the Oxen of Hercules' +p305103 +sg291136 +g27 +sg291137 +S'Moderno' +p305104 +sa(dp305105 +g291134 +S'Altar with a Female Bust' +p305106 +sg291137 +S'Andrea Briosco, called Riccio' +p305107 +sg291130 +S'bronze' +p305108 +sg291132 +S'unknown date\n' +p305109 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002dd2.jpg' +p305110 +sg291136 +g27 +sa(dp305111 +g291134 +S'Peter and John at the Gate of the Temple' +p305112 +sg291137 +S'Artist Information (' +p305113 +sg291130 +S'(artist after)' +p305114 +sg291132 +S'\n' +p305115 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c853.jpg' +p305116 +sg291136 +g27 +sa(dp305117 +g291134 +S'The Look of Amber' +p305118 +sg291137 +S'Yves Tanguy' +p305119 +sg291130 +S'oil on canvas' +p305120 +sg291132 +S'1929' +p305121 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000ee8.jpg' +p305122 +sg291136 +g27 +sa(dp305123 +g291134 +S'Urania' +p305124 +sg291137 +S'Hendrick Goltzius' +p305125 +sg291130 +S', unknown date' +p305126 +sg291132 +S'\n' +p305127 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006d83.jpg' +p305128 +sg291136 +g27 +sa(dp305129 +g291134 +S'The Roman Courtesan (The Revenge of the Magician Virgil)' +p305130 +sg291137 +S'Albrecht Altdorfer' +p305131 +sg291130 +S'engraving' +p305132 +sg291132 +S'c. 1520/1526' +p305133 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a786.jpg' +p305134 +sg291136 +g27 +sa(dp305135 +g291134 +S'Trees Reflected in a Brook' +p305136 +sg291137 +S'Claude-Joseph Vernet' +p305137 +sg291130 +S'pen and brown ink' +p305138 +sg291132 +S'unknown date\n' +p305139 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00053/a000538e.jpg' +p305140 +sg291136 +g27 +sa(dp305141 +g291134 +S'Aeneas Saving His Father from Troy' +p305142 +sg291137 +S'Artist Information (' +p305143 +sg291130 +S'(artist after)' +p305144 +sg291132 +S'\n' +p305145 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b2/a000b2d6.jpg' +p305146 +sg291136 +g27 +sa(dp305147 +g291134 +S'La Confidence' +p305148 +sg291137 +S'Artist Information (' +p305149 +sg291130 +S'(artist after)' +p305150 +sg291132 +S'\n' +p305151 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00096/a0009650.jpg' +p305152 +sg291136 +g27 +sa(dp305153 +g291130 +S'(artist)' +p305154 +sg291132 +S'\n' +p305155 +sg291134 +S'Lion Hunt' +p305156 +sg291136 +g27 +sg291137 +S'Artist Information (' +p305157 +sa(dp305158 +g291134 +S'The Holy Family with Saint John the Baptist' +p305159 +sg291137 +S'Annibale Carracci' +p305160 +sg291130 +S'etching and engraving' +p305161 +sg291132 +S'1590' +p305162 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c8cf.jpg' +p305163 +sg291136 +g27 +sa(dp305164 +g291130 +S'(artist after)' +p305165 +sg291132 +S'\n' +p305166 +sg291134 +S'Monument to the Glory of Heroes' +p305167 +sg291136 +g27 +sg291137 +S'Artist Information (' +p305168 +sa(dp305169 +g291134 +S'The Finding of Moses' +p305170 +sg291137 +S'Artist Information (' +p305171 +sg291130 +S'(artist after)' +p305172 +sg291132 +S'\n' +p305173 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc4e.jpg' +p305174 +sg291136 +g27 +sa(dp305175 +g291134 +S'David and Abigail' +p305176 +sg291137 +S'Artist Information (' +p305177 +sg291130 +S'(artist after)' +p305178 +sg291132 +S'\n' +p305179 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc4f.jpg' +p305180 +sg291136 +g27 +sa(dp305181 +g291134 +S'Rebecca at the Well' +p305182 +sg291137 +S'Artist Information (' +p305183 +sg291130 +S'(artist after)' +p305184 +sg291132 +S'\n' +p305185 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc50.jpg' +p305186 +sg291136 +g27 +sa(dp305187 +g291134 +S'Moses Striking a Shepherd' +p305188 +sg291137 +S'Artist Information (' +p305189 +sg291130 +S'(artist after)' +p305190 +sg291132 +S'\n' +p305191 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc51.jpg' +p305192 +sg291136 +g27 +sa(dp305193 +g291134 +S'Abraham Kneeling before the Three Angels' +p305194 +sg291137 +S'Artist Information (' +p305195 +sg291130 +S'(artist after)' +p305196 +sg291132 +S'\n' +p305197 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc52.jpg' +p305198 +sg291136 +g27 +sa(dp305199 +g291134 +S"Jacob's Ladder" +p305200 +sg291137 +S'Artist Information (' +p305201 +sg291130 +S'(artist after)' +p305202 +sg291132 +S'\n' +p305203 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc53.jpg' +p305204 +sg291136 +g27 +sa(dp305205 +g291134 +S'Moses and the Burning Bush' +p305206 +sg291137 +S'Artist Information (' +p305207 +sg291130 +S'(artist after)' +p305208 +sg291132 +S'\n' +p305209 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc58.jpg' +p305210 +sg291136 +g27 +sa(dp305211 +g291134 +S'Jephthah and His Daughter' +p305212 +sg291137 +S'Artist Information (' +p305213 +sg291130 +S'(artist after)' +p305214 +sg291132 +S'\n' +p305215 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc57.jpg' +p305216 +sg291136 +g27 +sa(dp305217 +g291134 +S'Abraham Dismissing Hagar' +p305218 +sg291137 +S'Artist Information (' +p305219 +sg291130 +S'(artist after)' +p305220 +sg291132 +S'\n' +p305221 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc56.jpg' +p305222 +sg291136 +g27 +sa(dp305223 +g291134 +S'Joseph and His Brothers' +p305224 +sg291137 +S'Artist Information (' +p305225 +sg291130 +S'(artist after)' +p305226 +sg291132 +S'\n' +p305227 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc55.jpg' +p305228 +sg291136 +g27 +sa(dp305229 +g291134 +S'The Blind Tobias' +p305230 +sg291137 +S'Artist Information (' +p305231 +sg291130 +S'(artist after)' +p305232 +sg291132 +S'\n' +p305233 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc54.jpg' +p305234 +sg291136 +g27 +sa(dp305235 +g291134 +S"Jean d'Aire" +p305236 +sg291137 +S'Auguste Rodin' +p305237 +sg291130 +S'plaster' +p305238 +sg291132 +S'model 1884-1889, cast probably early 20th century' +p305239 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00029/a00029c5.jpg' +p305240 +sg291136 +g27 +sa(dp305241 +g291130 +S'oil on canvas' +p305242 +sg291132 +S'1970' +p305243 +sg291134 +S'Portrait of the Doyles' +p305244 +sg291136 +g27 +sg291137 +S'Jack Beal' +p305245 +sa(dp305246 +g291134 +S'Saint Michael with Lucifer' +p305247 +sg291137 +S'Giuseppe Porta' +p305248 +sg291130 +S'pen and brown ink with brown wash over black chalk' +p305249 +sg291132 +S'c. 1556/1560' +p305250 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00075/a000757a.jpg' +p305251 +sg291136 +g27 +sa(dp305252 +g291134 +S'Stage Design' +p305253 +sg291137 +S'Mauro Antonio Tesi' +p305254 +sg291130 +S'pen and brown ink with brown wash over graphite' +p305255 +sg291132 +S'c. 1755' +p305256 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00028/a000285a.jpg' +p305257 +sg291136 +g27 +sa(dp305258 +g291130 +S'(author)' +p305259 +sg291132 +S'\n' +p305260 +sg291134 +S'Templum Vaticanum' +p305261 +sg291136 +g27 +sg291137 +S'Artist Information (' +p305262 +sa(dp305263 +g291134 +S'The Adoration of the Shepherds' +p305264 +sg291137 +S'Hendrick Goltzius' +p305265 +sg291130 +S', 1594' +p305266 +sg291132 +S'\n' +p305267 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d068.jpg' +p305268 +sg291136 +g27 +sa(dp305269 +g291134 +S'The Merry Shoemaker' +p305270 +sg291137 +S'Cornelis Dusart' +p305271 +sg291130 +S'etching' +p305272 +sg291132 +S'1695' +p305273 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4f6.jpg' +p305274 +sg291136 +g27 +sa(dp305275 +g291134 +S'The Dog' +p305276 +sg291137 +S'Odilon Redon' +p305277 +sg291130 +S'lithograph in brown and black' +p305278 +sg291132 +S'1896' +p305279 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0009c/a0009c9b.jpg' +p305280 +sg291136 +g27 +sa(dp305281 +g291134 +S'Diana Surprised by Actaeon' +p305282 +sg291137 +S'Artist Information (' +p305283 +sg291130 +S'(artist after)' +p305284 +sg291132 +S'\n' +p305285 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d078.jpg' +p305286 +sg291136 +g27 +sa(dp305287 +g291134 +S'The Mother' +p305288 +sg291137 +S'Cornelis Bega' +p305289 +sg291130 +S'etching' +p305290 +sg291132 +S'unknown date\n' +p305291 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d091.jpg' +p305292 +sg291136 +g27 +sa(dp305293 +g291134 +S'Crepuscule poetique (Poetical Twilight)' +p305294 +sg291137 +S'Charles \xc3\x89mile Jacque' +p305295 +sg291130 +S'lithograph in black and blue' +p305296 +sg291132 +S'unknown date\n' +p305297 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0009a/a0009af9.jpg' +p305298 +sg291136 +g27 +sa(dp305299 +g291130 +S'(author)' +p305300 +sg291132 +S'\n' +p305301 +sg291134 +S'The Georgicks of Virgil [translated and annotated by John Martyn]' +p305302 +sg291136 +g27 +sg291137 +S'Artist Information (' +p305303 +sa(dp305304 +g291130 +S'(author)' +p305305 +sg291132 +S'\n' +p305306 +sg291134 +S'The Bucolicks of Virgil [translated and annotated by John Martyn]' +p305307 +sg291136 +g27 +sg291137 +S'Artist Information (' +p305308 +sa(dp305309 +g291130 +S'British, 1745 - 1820' +p305310 +sg291132 +S'(author)' +p305311 +sg291134 +S'The Life of George Romney, Esq.' +p305312 +sg291136 +g27 +sg291137 +S'Artist Information (' +p305313 +sa(dp305314 +g291130 +S'(author)' +p305315 +sg291132 +S'\n' +p305316 +sg291134 +S"The Courtin'" +p305317 +sg291136 +g27 +sg291137 +S'Artist Information (' +p305318 +sa(dp305319 +g291134 +S'Young Woman with Donkeys Riding under a Natural Bridge' +p305320 +sg291137 +S'Hubert Robert' +p305321 +sg291130 +S'red chalk counterproof' +p305322 +sg291132 +S'unknown date\n' +p305323 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00071/a0007155.jpg' +p305324 +sg291136 +g27 +sa(dp305325 +g291134 +S'Village Fair' +p305326 +sg291137 +S'Artist Information (' +p305327 +sg291130 +S'(artist after)' +p305328 +sg291132 +S'\n' +p305329 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00096/a00096b6.jpg' +p305330 +sg291136 +g27 +sa(dp305331 +g291134 +S'Head of a Faun' +p305332 +sg291137 +S'Artist Information (' +p305333 +sg291130 +S'(artist after)' +p305334 +sg291132 +S'\n' +p305335 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e66.jpg' +p305336 +sg291136 +g27 +sa(dp305337 +g291134 +S'T\xc3\xaate \xc3\xa0 T\xc3\xaate (La baigneuse surprise)' +p305338 +sg291137 +S'Artist Information (' +p305339 +sg291130 +S'(artist after)' +p305340 +sg291132 +S'\n' +p305341 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00096/a00096dc.jpg' +p305342 +sg291136 +g27 +sa(dp305343 +g291134 +S'Triton and Nymph' +p305344 +sg291137 +S'Artist Information (' +p305345 +sg291130 +S'(artist after)' +p305346 +sg291132 +S'\n' +p305347 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008d/a0008d10.jpg' +p305348 +sg291136 +g27 +sa(dp305349 +g291134 +S'Faith and Charity' +p305350 +sg291137 +S'Artist Information (' +p305351 +sg291130 +S'(artist after)' +p305352 +sg291132 +S'\n' +p305353 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f8f.jpg' +p305354 +sg291136 +g27 +sa(dp305355 +g291134 +S'Two Tritons and a Swan' +p305356 +sg291137 +S'Artist Information (' +p305357 +sg291130 +S'(artist after)' +p305358 +sg291132 +S'\n' +p305359 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008cc9.jpg' +p305360 +sg291136 +g27 +sa(dp305361 +g291134 +S'Satyr, Nymph and River God' +p305362 +sg291137 +S'Artist Information (' +p305363 +sg291130 +S'(artist after)' +p305364 +sg291132 +S'\n' +p305365 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008cca.jpg' +p305366 +sg291136 +g27 +sa(dp305367 +g291134 +S'Veue de quelques Grottes solitaires de la Thebaide' +p305368 +sg291137 +S'Artist Information (' +p305369 +sg291130 +S'(artist after)' +p305370 +sg291132 +S'\n' +p305371 +sg292149 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hand-colored with crayon and colored pencil' +p305749 +sg291132 +S'1980' +p305750 +sg291134 +S'The Underworld [half of diptych]' +p305751 +sg291136 +g27 +sg291137 +S'Ann McCoy' +p305752 +sa(dp305753 +g291130 +S'color silkscreen' +p305754 +sg291132 +S'1980' +p305755 +sg291134 +S'Untitled' +p305756 +sg291136 +g27 +sg291137 +S'Larry Poons' +p305757 +sa(dp305758 +g291130 +S'color silkscreen' +p305759 +sg291132 +S'1980' +p305760 +sg291134 +S'Untitled' +p305761 +sg291136 +g27 +sg291137 +S'Larry Poons' +p305762 +sa(dp305763 +g291130 +S'color silkscreen' +p305764 +sg291132 +S'1980' +p305765 +sg291134 +S'Untitled' +p305766 +sg291136 +g27 +sg291137 +S'Larry Poons' +p305767 +sa(dp305768 +g291130 +S'color silkscreen' +p305769 +sg291132 +S'1980' +p305770 +sg291134 +S'Untitled' +p305771 +sg291136 +g27 +sg291137 +S'Larry Poons' +p305772 +sa(dp305773 +g291130 +S'color silkscreen' +p305774 +sg291132 +S'1980' +p305775 +sg291134 +S'Star Space Nightlight, Milkyway Center by Earth Hour [left half]' 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+p305800 +sg291134 +S'Star Space Daylight, Sun Center by Earth Degree [right half]' +p305801 +sg291136 +g27 +sg291137 +S'Charles Ross' +p305802 +sa(dp305803 +g291130 +S'color silkscreen' +p305804 +sg291132 +S'1980' +p305805 +sg291134 +S'Star Space Nightlight, Sun Center by Earth Degree [left half]' +p305806 +sg291136 +g27 +sg291137 +S'Charles Ross' +p305807 +sa(dp305808 +g291130 +S'color silkscreen' +p305809 +sg291132 +S'1980' +p305810 +sg291134 +S'Star Space Nightlight, Sun Center by Earth Degree [right half]' +p305811 +sg291136 +g27 +sg291137 +S'Charles Ross' +p305812 +sa(dp305813 +g291130 +g27 +sg291132 +S'(artist)' +p305814 +sg291134 +S'Vote McGovern' +p305815 +sg291136 +g27 +sg291137 +S'Artist Information (' +p305816 +sa(dp305817 +g291134 +S'White Curve VIII' +p305818 +sg291137 +S'Ellsworth Kelly' +p305819 +sg291130 +S'oil on canvas' +p305820 +sg291132 +S'1976' +p305821 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00001/a0000131.jpg' +p305822 +sg291136 +g27 +sa(dp305823 +g291130 +S'gray wash over graphite' +p305824 +sg291132 +S'unknown date\n' +p305825 +sg291134 +S'The National Gallery, Washington, D.C.' +p305826 +sg291136 +g27 +sg291137 +S'John Russell Pope' +p305827 +sa(dp305828 +g291134 +S'Young Girl Dressing' +p305829 +sg291137 +S'Laura Theresa Alma-Tadema' +p305830 +sg291130 +S'graphite on cream wove paper' +p305831 +sg291132 +S'c. 1889' +p305832 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c54.jpg' +p305833 +sg291136 +g27 +sa(dp305834 +g291134 +S'Portrait of a Lady' +p305835 +sg291137 +S'Jacopo Amigoni' +p305836 +sg291130 +S'pen and brush and black ink with gray wash and graphite on blue paper' +p305837 +sg291132 +S'unknown date\n' +p305838 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006ea2.jpg' +p305839 +sg291136 +g27 +sa(dp305840 +g291134 +S'Design for an Architectural Framework' +p305841 +sg291137 +S'French 16th Century' +p305842 +sg291130 +S'overall: 39.5 x 26.2 cm (15 9/16 x 10 5/16 in.)' +p305843 +sg291132 +S'\npen and brown ink with brown wash over black chalk' +p305844 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006efb.jpg' +p305845 +sg291136 +g27 +sa(dp305846 +g291134 +S'Imperfectorum Academia (Academy of the Imperfects)' +p305847 +sg291137 +S'Claude D\xc3\xa9ruet' +p305848 +sg291130 +S'pen and brown ink with blue wash over black chalk, incised for transfer, on laid paper' +p305849 +sg291132 +S'c. 1619' +p305850 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005f/a0005ffc.jpg' +p305851 +sg291136 +g27 +sa(dp305852 +g291134 +S'Two Seated Saints' +p305853 +sg291137 +S'French 17th Century' +p305854 +sg291130 +S'overall: 21.2 x 29.6 cm (8 3/8 x 11 5/8 in.)' +p305855 +sg291132 +S'\npen and brown ink with brown wash and white heightening over black chalk' +p305856 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006db7.jpg' +p305857 +sg291136 +g27 +sa(dp305858 +g291134 +S'Seated Woman' +p305859 +sg291137 +S'French 18th Century' +p305860 +sg291130 +S'overall: 48.4 x 38.7 cm (19 1/16 x 15 1/4 in.)' +p305861 +sg291132 +S'\nred and white chalk on gray laid paper' +p305862 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f03.jpg' +p305863 +sg291136 +g27 +sa(dp305864 +g291130 +S'overall: 16.9 x 66.2 cm (6 5/8 x 26 1/16 in.)' +p305865 +sg291132 +S'\npen and brown ink' +p305866 +sg291134 +S'The Triumph of Venus' +p305867 +sg291136 +g27 +sg291137 +S'Italian 16th Century' +p305868 +sa(dp305869 +g291134 +S'The Rest on the Flight into Egypt' +p305870 +sg291137 +S'Italian 16th Century' +p305871 +sg291130 +S'Overall: 17.2 x 19.3 cm (6 3/4 x 7 5/8 in.)\r\nsupport: 21.6 x 31.8 cm (8 1/2 x 12 1/2 in.)' +p305872 +sg291132 +S'\npen and brown ink with brown and gray wash' +p305873 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00074/a00074ec.jpg' +p305874 +sg291136 +g27 +sa(dp305875 +g291134 +S'An Angel' +p305876 +sg291137 +S'Italian 17th Century' +p305877 +sg291130 +S'overall: 41.2 x 25.8 cm (16 1/4 x 10 3/16 in.)' +p305878 +sg291132 +S'\nbrush and brown ink, heightened with white, on laid paper' +p305879 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00074/a000748e.jpg' +p305880 +sg291136 +g27 +sa(dp305881 +g291134 +S'The Massacre of the Innocents' +p305882 +sg291137 +S'Giovanni Antonio Pellegrini' +p305883 +sg291130 +S'pen and brown ink with gray wash and white heightening over red chalk' +p305884 +sg291132 +S'unknown date\n' +p305885 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00074/a000742b.jpg' +p305886 +sg291136 +g27 +sa(dp305887 +g291134 +S'Allegory in Honor of a Gentleman' +p305888 +sg291137 +S'Dutch 17th Century' +p305889 +sg291130 +S'overall: 49.3 x 37.8 cm (19 7/16 x 14 7/8 in.)' +p305890 +sg291132 +S'\npen and brown ink with brown wash over graphite' +p305891 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00071/a00071f8.jpg' +p305892 +sg291136 +g27 +sa(dp305893 +g291134 +S'Saint Nicolas of Bari' +p305894 +sg291137 +S'Cesare Aretusi' +p305895 +sg291130 +S', unknown date' +p305896 +sg291132 +S'\n' +p305897 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00074/a000749b.jpg' +p305898 +sg291136 +g27 +sa(dp305899 +g291134 +S'The Ruins of the Colosseum' +p305900 +sg291137 +S'Jan Asselijn' +p305901 +sg291130 +S', unknown date' +p305902 +sg291132 +S'\n' +p305903 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f56.jpg' +p305904 +sg291136 +g27 +sa(dp305905 +g291134 +S'Woman Walking to the Right' +p305906 +sg291137 +S'Giovanni Baglione' +p305907 +sg291130 +S'black chalk with gray wash and white heightening on light brown paper' +p305908 +sg291132 +S'unknown date\n' +p305909 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00065/a000657b.jpg' +p305910 +sg291136 +g27 +sa(dp305911 +g291134 +S'Lady in Formal Dress' +p305912 +sg291137 +S'Salvador Barbudo Sanchez' +p305913 +sg291130 +S'watercolor over graphite on wove paper' +p305914 +sg291132 +S'1886' +p305915 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006a/a0006a02.jpg' +p305916 +sg291136 +g27 +sa(dp305917 +g291134 +S'Nude with Putto' +p305918 +sg291137 +S'Bertoia' +p305919 +sg291130 +S'pen and brown ink with brown wash and white heightening over black chalk, laid down' +p305920 +sg291132 +S'unknown date\n' +p305921 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00074/a00074f3.jpg' +p305922 +sg291136 +g27 +sa(dp305923 +g291134 +S'The Trinity and the Virgin Appearing to Ecclesiastics' +p305924 +sg291137 +S'Theodor Boeyermans' +p305925 +sg291130 +S'pen and brown and black ink over black chalk' +p305926 +sg291132 +S'unknown date\n' +p305927 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00071/a0007126.jpg' +p305928 +sg291136 +g27 +sa(dp305929 +g291134 +S'A Noble Lady of Pisa' +p305930 +sg291137 +S'Jean-Jacques Boissard' +p305931 +sg291130 +S'pen and brown ink with brown wash, indented with stylus for transfer' +p305932 +sg291132 +S'in or before 1581' +p305933 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00062/a00062ed.jpg' +p305934 +sg291136 +g27 +sa(dp305935 +g291134 +S'A Farmyard' +p305936 +sg291137 +S'Jean-Jacques de Boissieu' +p305937 +sg291130 +S'pen and black and brown ink with gray wash' +p305938 +sg291132 +S'unknown date\n' +p305939 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00070/a0007018.jpg' +p305940 +sg291136 +g27 +sa(dp305941 +g291134 +S'Washerwomen on the Beach at Etretat' +p305942 +sg291137 +S'George Henry Boughton' +p305943 +sg291130 +S'watercolor over graphite on blue paper' +p305944 +sg291132 +S'unknown date\n' +p305945 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006b/a0006bec.jpg' +p305946 +sg291136 +g27 +sa(dp305947 +g291134 +S'Stellio Changed into a Lizard by Ceres' +p305948 +sg291137 +S'Leonard Bramer' +p305949 +sg291130 +S'brush and black ink with gray wash and white heightening' +p305950 +sg291132 +S'unknown date\n' +p305951 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f85.jpg' +p305952 +sg291136 +g27 +sa(dp305953 +g291134 +S'Title Page for a Bible' +p305954 +sg291137 +S'Augustin Braun' +p305955 +sg291130 +S'pen and brown ink with brown and blue wash over black chalk' +p305956 +sg291132 +S'unknown date\n' +p305957 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b9/a000b92d.jpg' +p305958 +sg291136 +g27 +sa(dp305959 +g291134 +S'Lady Picking Flowers' +p305960 +sg291137 +S'Sir Edward Coley Burne-Jones' +p305961 +sg291130 +S'pen and black ink over graphite' +p305962 +sg291132 +S'c. 1890' +p305963 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006b/a0006bf2.jpg' +p305964 +sg291136 +g27 +sa(dp305965 +g291134 +S'Coronation of the Virgin' +p305966 +sg291137 +S'Denys Calvaert' +p305967 +sg291130 +S'pen and brown ink on laid paper' +p305968 +sg291132 +S'unknown date\n' +p305969 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f57.jpg' +p305970 +sg291136 +g27 +sa(dp305971 +g291134 +S'Psyche Received on Mount Olympus' +p305972 +sg291137 +S'Vincenzo Camuccini' +p305973 +sg291130 +S'brown wash over graphite on laid paper' +p305974 +sg291132 +S'unknown date\n' +p305975 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00071/a000713d.jpg' +p305976 +sg291136 +g27 +sa(dp305977 +g291134 +S'Galley under Construction' +p305978 +sg291137 +S'Pietro Ciafferi' +p305979 +sg291130 +S', unknown date' +p305980 +sg291132 +S'\n' +p305981 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00074/a00074a9.jpg' +p305982 +sg291136 +g27 +sa(dp305983 +g291134 +S'Homer and Calliope' +p305984 +sg291137 +S'Tommaso Conca' +p305985 +sg291130 +S'black chalk with brown and gray wash and white andpink heightening, squared in graphite, on brown p aper' +p305986 +sg291132 +S'c. 1786' +p305987 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00072/a00072bb.jpg' +p305988 +sg291136 +g27 +sa(dp305989 +g291134 +S'Masinissa and Sophonisba' +p305990 +sg291137 +S'Artist Information (' +p305991 +sg291130 +S'Italian, 1597 - 1669' +p305992 +sg291132 +S'(artist after)' +p305993 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00074/a00074aa.jpg' +p305994 +sg291136 +g27 +sa(dp305995 +g291134 +S'Prince Charming in the Forest' +p305996 +sg291137 +S'Walter Crane' +p305997 +sg291130 +S'pen and brush and red ink' +p305998 +sg291132 +S'unknown date\n' +p305999 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c7c.jpg' +p306000 +sg291136 +g27 +sa(dp306001 +g291134 +S'Diana and Endymion' +p306002 +sg291137 +S'Gaspare Diziani' +p306003 +sg291130 +S'pen and brown ink with brown wash and red chalk' +p306004 +sg291132 +S'unknown date\n' +p306005 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f19.jpg' +p306006 +sg291136 +g27 +sa(dp306007 +g291134 +S'Scene from the Inferno (canto IX)' +p306008 +sg291137 +S'William Etty' +p306009 +sg291130 +S'pen and black ink with gray wash' +p306010 +sg291132 +S'unknown date\n' +p306011 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c9a.jpg' +p306012 +sg291136 +g27 +sa(dp306013 +g291134 +S"An Artist's Studio [recto]" +p306014 +sg291137 +S'Frans Francken the Younger' +p306015 +sg291130 +S'pen and brown ink with brown wash over black chalk on laid paper' +p306016 +sg291132 +S'unknown date\n' +p306017 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00066/a00066f0.jpg' +p306018 +sg291136 +g27 +sa(dp306019 +g291130 +S'black chalk on laid paper' +p306020 +sg291132 +S'unknown date\n' +p306021 +sg291134 +S'Study for "Allegory on the Abdication of Emperor Charles V in Brussels, 25 October 1555" [verso]' +p306022 +sg291136 +g27 +sg291137 +S'Frans Francken the Younger' +p306023 +sa(dp306024 +g291134 +S'Mountainous Landscape with Classical Temple' +p306025 +sg291137 +S'Felice Giani' +p306026 +sg291130 +S'pen and brown ink with brown wash' +p306027 +sg291132 +S'unknown date\n' +p306028 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006e02.jpg' +p306029 +sg291136 +g27 +sa(dp306030 +g291134 +S'View of Scheveningen [recto]' +p306031 +sg291137 +S'Jan van Goyen' +p306032 +sg291130 +S'gray wash over black chalk on buff paper//border in pen and black ink added by later hand' +p306033 +sg291132 +S'probably c. 1650/1652' +p306034 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00071/a0007107.jpg' +p306035 +sg291136 +g27 +sa(dp306036 +g291130 +S'black chalk with gray wash on buff paper' +p306037 +sg291132 +S'probably c. 1650/1652' +p306038 +sg291134 +S'Six Men [verso]' +p306039 +sg291136 +g27 +sg291137 +S'Jan van Goyen' +p306040 +sa(dp306041 +g291134 +S'Rustic House with a Well' +p306042 +sg291137 +S'Jan van Goyen' +p306043 +sg291130 +S'black chalk' +p306044 +sg291132 +S'unknown date\n' +p306045 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00070/a00070d8.jpg' +p306046 +sg291136 +g27 +sa(dp306047 +g291134 +S'Five Saints' +p306048 +sg291137 +S'Pieter de Jode I' +p306049 +sg291130 +S'pen and brown ink with brown wash over black chalk' +p306050 +sg291132 +S'unknown date\n' +p306051 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00071/a0007133.jpg' +p306052 +sg291136 +g27 +sa(dp306053 +g291134 +S'Religious Procession in Landeck' +p306054 +sg291137 +S'George Jones' +p306055 +sg291130 +S', 1820' +p306056 +sg291132 +S'\n' +p306057 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006cab.jpg' +p306058 +sg291136 +g27 +sa(dp306059 +g291134 +S'Spanish Dancers' +p306060 +sg291137 +S'Pio Joris' +p306061 +sg291130 +S'pen and brown ink with brown wash and white heightening over graphite' +p306062 +sg291132 +S'1873' +p306063 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00070/a0007027.jpg' +p306064 +sg291136 +g27 +sa(dp306065 +g291134 +S'Seated Peasant Woman' +p306066 +sg291137 +S'Francesco Londonio' +p306067 +sg291130 +S'charcoal with white chalk and gray wash on gray paper' +p306068 +sg291132 +S'unknown date\n' +p306069 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00074/a0007425.jpg' +p306070 +sg291136 +g27 +sa(dp306071 +g291134 +S'Sleeping Peasant' +p306072 +sg291137 +S'Francesco Londonio' +p306073 +sg291130 +S'charcoal heightened with white on brown laid paper' +p306074 +sg291132 +S'unknown date\n' +p306075 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00074/a0007426.jpg' +p306076 +sg291136 +g27 +sa(dp306077 +g291134 +S'Young Girl with a Red Bandana' +p306078 +sg291137 +S'Arcadio Mas y Fondevila' +p306079 +sg291130 +S'watercolor over graphite' +p306080 +sg291132 +S'unknown date\n' +p306081 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00069/a00069ff.jpg' +p306082 +sg291136 +g27 +sa(dp306083 +g291134 +S'Lazarille de Tormes Stealing Drink from a Blind Man' +p306084 +sg291137 +S'Jean-Louis-Ernest Meissonier' +p306085 +sg291130 +S'graphite and white body color on boxwood' +p306086 +sg291132 +S'probably c. 1846' +p306087 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00072/a0007293.jpg' +p306088 +sg291136 +g27 +sa(dp306089 +g291134 +S'Studies for Three Figures' +p306090 +sg291137 +S'Albert Joseph Moore' +p306091 +sg291130 +S', unknown date' +p306092 +sg291132 +S'\n' +p306093 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006cba.jpg' +p306094 +sg291136 +g27 +sa(dp306095 +g291134 +S'Christ before Caiaphas' +p306096 +sg291137 +S'Crispen van den Broecke' +p306097 +sg291130 +S'pen and brown ink with blue wash, indented with stylus' +p306098 +sg291132 +S'unknown date\n' +p306099 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006e9d.jpg' +p306100 +sg291136 +g27 +sa(dp306101 +g291134 +S'Saint Homobono' +p306102 +sg291137 +S'Avanzino Nucci' +p306103 +sg291130 +S', unknown date' +p306104 +sg291132 +S'\n' +p306105 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00067/a0006787.jpg' +p306106 +sg291136 +g27 +sa(dp306107 +g291134 +S"Two Studies of an Elderly Man's Head" +p306108 +sg291137 +S'Artist Information (' +p306109 +sg291130 +S'(artist after)' +p306110 +sg291132 +S'\n' +p306111 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006e1a.jpg' +p306112 +sg291136 +g27 +sa(dp306113 +g291134 +S'Cupid' +p306114 +sg291137 +S'Giulio Cesare Procaccini' +p306115 +sg291130 +S'pen and brown ink with brown wash' +p306116 +sg291132 +S'unknown date\n' +p306117 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00075/a0007515.jpg' +p306118 +sg291136 +g27 +sa(dp306119 +g291134 +S'The Founding of Santa Maria Maggiore' +p306120 +sg291137 +S'Giovanni Battista Ricci' +p306121 +sg291130 +S'pen and brown ink with brown wash and white heightening over black chalk' +p306122 +sg291132 +S'unknown date\n' +p306123 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00065/a0006595.jpg' +p306124 +sg291136 +g27 +sa(dp306125 +g291134 +S'Allegory of Strength' +p306126 +sg291137 +S'Francesco Rosaspina' +p306127 +sg291130 +S'pen and brown ink with gray and brown wash, heightend with white, over black chalk' +p306128 +sg291132 +S'unknown date\n' +p306129 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00074/a0007434.jpg' +p306130 +sg291136 +g27 +sa(dp306131 +g291134 +S'Three Herms' +p306132 +sg291137 +S'Giovanni Mauro della Rovere' +p306133 +sg291130 +S'pen and black ink with gray wash and white heightening over black chalk on gray laid paper' +p306134 +sg291132 +S'unknown date\n' +p306135 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00074/a00074c5.jpg' +p306136 +sg291136 +g27 +sa(dp306137 +g291134 +S'A Young English Beauty' +p306138 +sg291137 +S'Thomas Rowlandson' +p306139 +sg291130 +S'pen and black ink with black, gray, and pink wash' +p306140 +sg291132 +S'c. 1790' +p306141 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00026/a00026f6.jpg' +p306142 +sg291136 +g27 +sa(dp306143 +g291134 +S'Design for an Altar' +p306144 +sg291137 +S'Francesco Salviati' +p306145 +sg291130 +S'pen and brown ink with brown wash and white heightening over black chalk' +p306146 +sg291132 +S'unknown date\n' +p306147 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00075/a0007582.jpg' +p306148 +sg291136 +g27 +sa(dp306149 +g291134 +S'Portrait of a Man' +p306150 +sg291137 +S'Pieter Claesz Soutman' +p306151 +sg291130 +S'black and red chalk with black wash and white heightening on laid paper' +p306152 +sg291132 +S'unknown date\n' +p306153 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006d68.jpg' +p306154 +sg291136 +g27 +sa(dp306155 +g291134 +S'The Fair at Impruneta' +p306156 +sg291137 +S'Remigio Cantagallina' +p306157 +sg291130 +S'pen and brown ink with brown wash over black chalk, squared in red chalk' +p306158 +sg291132 +S'unknown date\n' +p306159 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00074/a00074d0.jpg' +p306160 +sg291136 +g27 +sa(dp306161 +g291134 +S'The Virgin and Infant Jesus with Saints' +p306162 +sg291137 +S'Hans Rottenhammer' +p306163 +sg291130 +S'pen and brown ink with brown wash over red chalk' +p306164 +sg291132 +S'c. 1600' +p306165 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00067/a0006782.jpg' +p306166 +sg291136 +g27 +sa(dp306167 +g291134 +S'Saint John on Patmos' +p306168 +sg291137 +S'Geoffroy Dumo\xc3\xbbtier' +p306169 +sg291130 +S'pen and black ink with brown wash over black chalk, corrected and heightened with white gouache, with border lines by the artist on laid paper' +p306170 +sg291132 +S'c. 1547' +p306171 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00060/a000607d.jpg' +p306172 +sg291136 +g27 +sa(dp306173 +g291134 +S'Antwerp Blessed with Abundance' +p306174 +sg291137 +S'Theodoor van Thulden' +p306175 +sg291130 +S'red chalk and brush and black ink with brown and gray wash' +p306176 +sg291132 +S'c. 1648' +p306177 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00028/a000285c.jpg' +p306178 +sg291136 +g27 +sa(dp306179 +g291130 +S'red chalk on buff wove paper' +p306180 +sg291132 +S'unknown date\n' +p306181 +sg291134 +S'Pensive Girl Adrift in a Boat' +p306182 +sg291136 +g27 +sg291137 +S'James Jacques Joseph Tissot' +p306183 +sa(dp306184 +g291134 +S'River Bank with Cattle' +p306185 +sg291137 +S'Constant Troyon' +p306186 +sg291130 +S'black and white chalk on blue wove paper' +p306187 +sg291132 +S'probably after 1850' +p306188 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00074/a000740b.jpg' +p306189 +sg291136 +g27 +sa(dp306190 +g291134 +S'View of Livorno' +p306191 +sg291137 +S'Angelo Uggeri' +p306192 +sg291130 +S'pen and black and brown ink with brown wash over graphite on laid paper' +p306193 +sg291132 +S'unknown date\n' +p306194 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00074/a0007439.jpg' +p306195 +sg291136 +g27 +sa(dp306196 +g291134 +S'Tomb of Scipios' +p306197 +sg291137 +S'Angelo Uggeri' +p306198 +sg291130 +S'pen and brown ink with brown and green wash' +p306199 +sg291132 +S'1803' +p306200 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00074/a0007437.jpg' +p306201 +sg291136 +g27 +sa(dp306202 +g291134 +S'A Roman Triumph' +p306203 +sg291137 +S'Maarten de Vos' +p306204 +sg291130 +S'pen and brown ink with brown and gray wash' +p306205 +sg291132 +S'unknown date\n' +p306206 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00070/a00070ca.jpg' +p306207 +sg291136 +g27 +sa(dp306208 +g291134 +S'Fortitude' +p306209 +sg291137 +S'Maarten de Vos' +p306210 +sg291130 +S'pen and brown ink with brown wash over black chalk' +p306211 +sg291132 +S'unknown date\n' +p306212 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00072/a00072e3.jpg' +p306213 +sg291136 +g27 +sa(dp306214 +g291134 +S'Study of an Elderly Woman for "Disobedience Discovered"' +p306215 +sg291137 +S'James Ward' +p306216 +sg291130 +S'black chalk with gray wash and white heightening on blue-green prepared paper' +p306217 +sg291132 +S'c. 1797' +p306218 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006cd0.jpg' +p306219 +sg291136 +g27 +sa(dp306220 +g291134 +S'Standing Nude Binding Her Hair' +p306221 +sg291137 +S'John Dawson Watson' +p306222 +sg291130 +S'pen and brown ink over graphite' +p306223 +sg291132 +S'1879' +p306224 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006cd6.jpg' +p306225 +sg291136 +g27 +sa(dp306226 +g291134 +S'Standing Nude with Crossed Arms' +p306227 +sg291137 +S'John Dawson Watson' +p306228 +sg291130 +S'pen and brown ink over graphite' +p306229 +sg291132 +S'1879' +p306230 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006cd5.jpg' +p306231 +sg291136 +g27 +sa(dp306232 +g291134 +S'Two Girls under a Cloak' +p306233 +sg291137 +S'Sir David Wilkie' +p306234 +sg291130 +S'black chalk with pink wash on wove paper' +p306235 +sg291132 +S'unknown date\n' +p306236 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c51.jpg' +p306237 +sg291136 +g27 +sa(dp306238 +g291134 +S'An Old Water Mill' +p306239 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+S'http://www.nga.gov:80/thumb-l/a000ca/a000ca0c.jpg' +p306308 +sg291136 +g27 +sa(dp306309 +g291134 +S'Houses Beside a Mountain' +p306310 +sg291137 +S'Crescenzio Onofri' +p306311 +sg291130 +S'etching' +p306312 +sg291132 +S'1696' +p306313 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000ca/a000ca0d.jpg' +p306314 +sg291136 +g27 +sa(dp306315 +g291134 +S'Double Arched Bridge' +p306316 +sg291137 +S'Crescenzio Onofri' +p306317 +sg291130 +S'etching' +p306318 +sg291132 +S'1696' +p306319 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000ca/a000ca0e.jpg' +p306320 +sg291136 +g27 +sa(dp306321 +g291134 +S'A Waterfall' +p306322 +sg291137 +S'Crescenzio Onofri' +p306323 +sg291130 +S'etching' +p306324 +sg291132 +S'1696' +p306325 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000ca/a000ca0f.jpg' +p306326 +sg291136 +g27 +sa(dp306327 +g291134 +S'The Stream' +p306328 +sg291137 +S'Crescenzio Onofri' +p306329 +sg291130 +S'etching' +p306330 +sg291132 +S'1696' +p306331 +sg292149 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laid paper' +p306377 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006de6.jpg' +p306378 +sg291136 +g27 +sa(dp306379 +g291134 +S'Pan Reclining before a Large Vase' +p306380 +sg291137 +S'Giovanni Benedetto Castiglione' +p306381 +sg291130 +S'etching with tonal wiping on laid paper' +p306382 +sg291132 +S'1640/1645' +p306383 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00065/a0006579.jpg' +p306384 +sg291136 +g27 +sa(dp306385 +g291134 +S'The Washerwomen (Les laveuses)' +p306386 +sg291137 +S'Artist Information (' +p306387 +sg291130 +S'(artist)' +p306388 +sg291132 +S'\n' +p306389 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0009a/a0009a6c.jpg' +p306390 +sg291136 +g27 +sa(dp306391 +g291134 +S'The Flight into Egypt' +p306392 +sg291137 +S'Giovanni Benedetto Castiglione' +p306393 +sg291130 +S'etching on laid paper' +p306394 +sg291132 +S'1640/1645' +p306395 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00065/a0006588.jpg' +p306396 +sg291136 +g27 +sa(dp306397 +g291134 +S'Still Life with Two Children Feeding Goats' +p306398 +sg291137 +S'Jan Fyt' +p306399 +sg291130 +S'black and white chalk on faded blue paper' +p306400 +sg291132 +S'unknown date\n' +p306401 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00072/a0007276.jpg' +p306402 +sg291136 +g27 +sa(dp306403 +g291134 +S'Fortified Bridge against Distant Mountains' +p306404 +sg291137 +S'Pietro Giacomo Palmieri' +p306405 +sg291130 +S'pen and brown ink over black chalk' +p306406 +sg291132 +S'c. 1760' +p306407 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00074/a000742c.jpg' +p306408 +sg291136 +g27 +sa(dp306409 +g291134 +S'Justice' +p306410 +sg291137 +S'Cherubino Alberti' +p306411 +sg291130 +S'pen and brown ink with gray wash over black chalk on laid paper' +p306412 +sg291132 +S'unknown date\n' +p306413 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00065/a0006566.jpg' +p306414 +sg291136 +g27 +sa(dp306415 +g291130 +S'1 vol: ill: etched title page, dedication, and 24 plates plus descriptive index and list of subscribers' +p306416 +sg291132 +S'published 1811' +p306417 +sg291134 +S'Etchings' +p306418 +sg291136 +g27 +sg291137 +S'John Sell Cotman' +p306419 +sa(dp306420 +g291130 +S'Italian, 1675 - 1762' +p306421 +sg291132 +S'(author)' +p306422 +sg291134 +S'De vita ac rebus gest beati Gregorii Barbadici ... libri tres' +p306423 +sg291136 +g27 +sg291137 +S'Artist Information (' +p306424 +sa(dp306425 +g291134 +S'A Great Oak Tree' +p306426 +sg291137 +S'John Constable' +p306427 +sg291130 +S'black chalk with gray wash' +p306428 +sg291132 +S'c. 1801' +p306429 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00069/a000696d.jpg' +p306430 +sg291136 +g27 +sa(dp306431 +g291134 +S'Cupid Dancing with Two Allegorical Women' +p306432 +sg291137 +S'Paulus Moreelse' +p306433 +sg291130 +S'chiaroscuro woodcut printed from two blocks in black and gray on laid paper' +p306434 +sg291132 +S'1612' +p306435 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005d/a0005d11.jpg' +p306436 +sg291136 +g27 +sa(dp306437 +g291134 +S'Madonna and Child with Saint Elizabeth and Saint John the Baptist' +p306438 +sg291137 +S'Jacopino del Conte' +p306439 +sg291130 +S'oil on panel' +p306440 +sg291132 +S'c. 1535' +p306441 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00008/a0000814.jpg' +p306442 +sg291136 +S'Like the somewhat older Rosso and Pontormo, Jacopino was probably a\r\n student of Andrea del Sarto. His earliest works essentially paraphrased his\r\n teacher’s compositions, but here newer influences are evident. A hint of\r\n Pontormo’s style emerges in the longer, more elegant proportions of the\r\n figures and in the hard, polished color. Furthermore, the figures’\r\n monumental scale and almost sculptural mass signal Michelangelo’s\r\n influence.\n Images of the Virgin and Child with John the Baptist and his mother\r\n Elizabeth were popular in sixteenth-century Florence. Here, many elements\r\n of the composition play a symbolic role to extend the scene’s meaning. The\r\n cloth, just warmed over the brazier, foreshadows Jesus’ burial shroud, and\r\n the cradle at Mary’s feet, his tomb. The unseen future, with Christ’s\r\n passion and its promise of mankind’s salvation, is expressed in these\r\n signals and the linked gestures of the figures.\n ' +p306443 +sa(dp306444 +g291134 +S'Kneeling Satyr Supporting the Figure of an Emperor' +p306445 +sg291137 +S'Severo da Ravenna' +p306446 +sg291130 +S'bronze' +p306447 +sg291132 +S'c. 1500' +p306448 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002d97.jpg' +p306449 +sg291136 +g27 +sa(dp306450 +g291134 +S'Serge Lifar' +p306451 +sg291137 +S'Louis Casimir Ladislas Marcoussis' +p306452 +sg291130 +S'etching and engraving in black on brown chine coll?' +p306453 +sg291132 +S'1933' +p306454 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000a3/a000a38a.jpg' +p306455 +sg291136 +g27 +sa(dp306456 +g291134 +S'The Fantastic Rocks and Castle at Bomarzo [recto]' +p306457 +sg291137 +S'Bartholomeus Breenbergh' +p306458 +sg291130 +S'pen and brown ink with brown and gray wash over black chalk on laid paper' +p306459 +sg291132 +S'c. 1625' +p306460 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00071/a00071bf.jpg' +p306461 +sg291136 +g27 +sa(dp306462 +g291130 +S'pen and brown ink with brown wash over black chalk on laid paper' +p306463 +sg291132 +S'c. 1625' +p306464 +sg291134 +S'The Fantastic Rocks and Castle at Bomarzo [verso]' +p306465 +sg291136 +g27 +sg291137 +S'Bartholomeus Breenbergh' +p306466 +sa(dp306467 +g291134 +S'The Convalescent (La convalescente)' +p306468 +sg291137 +S'Edouard Manet' +p306469 +sg291130 +S'etching in dark brown on laid paper' +p306470 +sg291132 +S'1876/1878' +p306471 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00099/a0009951.jpg' +p306472 +sg291136 +g27 +sa(dp306473 +g291134 +S'Still Life with Ham' +p306474 +sg291137 +S'Gerret Willemsz Heda' +p306475 +sg291130 +S'oil on panel' +p306476 +sg291132 +S'1650' +p306477 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e60.jpg' +p306478 +sg291136 +g27 +sa(dp306479 +g291134 +S'The Edge of a Wood at Nohant' +p306480 +sg291137 +S'Eug\xc3\xa8ne Delacroix' +p306481 +sg291130 +S'watercolor' +p306482 +sg291132 +S'c. 1842/1843' +p306483 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00031/a00031b5.jpg' +p306484 +sg291136 +g27 +sa(dp306485 +g291134 +S'Satyr Leaning on a Column' +p306486 +sg291137 +S'Anton Domenico Gabbiani' +p306487 +sg291130 +S'black and white chalk' +p306488 +sg291132 +S'unknown date\n' +p306489 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00074/a00074b2.jpg' +p306490 +sg291136 +g27 +sa(dp306491 +g291134 +S'Christ' +p306492 +sg291137 +S'John Bernard Flannagan' +p306493 +sg291130 +S'wood' +p306494 +sg291132 +S'1925' +p306495 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00016/a0001672.jpg' +p306496 +sg291136 +g27 +sa(dp306497 +g291134 +S'Gorilla' +p306498 +sg291137 +S'John Bernard Flannagan' +p306499 +sg291130 +S'stone' +p306500 +sg291132 +S'1938' +p306501 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00016/a0001673.jpg' +p306502 +sg291136 +g27 +sa(dp306503 +g291134 +S'Sketch-Model for Reclining Figure' +p306504 +sg291137 +S'Henry Moore' +p306505 +sg291130 +S'terracotta' +p306506 +sg291132 +S'1946' +p306507 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00043/a00043f4.jpg' +p306508 +sg291136 +g27 +sa(dp306509 +g291130 +S'pen and blue ink over graphite on paper with printed lines and letterhead of "Hotel Frankfurter Hof"' +p306510 +sg291132 +S'1932/1935' +p306511 +sg291134 +S'Study for Left Panel of "Departure"' +p306512 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p306513 +sa(dp306514 +g291130 +S'pen and black ink on laid paper' +p306515 +sg291132 +S'1918' +p306516 +sg291134 +S'Sketch for "The Night"' +p306517 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p306518 +sa(dp306519 +g291130 +S'pen and black ink on paper with printed lines' +p306520 +sg291132 +S'1946' +p306521 +sg291134 +S'Sketch for "Perseus\' (Hercules\') Last Duty"' +p306522 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p306523 +sa(dp306524 +g291130 +S'graphite on paper with printed lines' +p306525 +sg291132 +S'unknown date\n' +p306526 +sg291134 +S'Nude Figures' +p306527 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p306528 +sa(dp306529 +g291130 +S'pen with blue and black ink and graphite on paper with printed lines' +p306530 +sg291132 +S'1948' +p306531 +sg291134 +S'Sheet of Sketches including Triptych, Skyscrapers, and Nude Female Figure' +p306532 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p306533 +sa(dp306534 +g291130 +S'graphite on light brown wove paper' +p306535 +sg291132 +S'1937' +p306536 +sg291134 +S'Study for "Birth"' +p306537 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p306538 +sa(dp306539 +g291130 +S'graphite//on sheet of folded stationery from the "Hotel Esplanade Berlin," bearing date line "DEN...192"' +p306540 +sg291132 +S'unknown date\n' +p306541 +sg291134 +S'Still Life' +p306542 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p306543 +sa(dp306544 +g291130 +S'pen and black ink on wove paper' +p306545 +sg291132 +S'1947' +p306546 +sg291134 +S'Soldier and Prostitute' +p306547 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p306548 +sa(dp306549 +g291130 +S'graphite on paper with blue printed lines' +p306550 +sg291132 +S'1946' +p306551 +sg291134 +S'Figures in an Interior' +p306552 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p306553 +sa(dp306554 +g291130 +S'pen and black ink on blue laid paper' +p306555 +sg291132 +S'1946' +p306556 +sg291134 +S'Triptych' +p306557 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p306558 +sa(dp306559 +g291130 +S'black crayon' +p306560 +sg291132 +S'unknown date\n' +p306561 +sg291134 +S"Woman's Face" +p306562 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p306563 +sa(dp306564 +g291130 +S'graphite on wove paper' +p306565 +sg291132 +S'unknown date\n' +p306566 +sg291134 +S'Wooded Landscape with Bridge' +p306567 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p306568 +sa(dp306569 +g291130 +S'pen and brown ink on graph paper' +p306570 +sg291132 +S'1918' +p306571 +sg291134 +S'Crowd of People' +p306572 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p306573 +sa(dp306574 +g291130 +S'graphite' +p306575 +sg291132 +S'in or after 1928' +p306576 +sg291134 +S'Audience Watching Stage' +p306577 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p306578 +sa(dp306579 +g291130 +S'green crayon on back of printed document dated: "Dresden, den 13.September 1928."' +p306580 +sg291132 +S'1929' +p306581 +sg291134 +S'Sketch for "Death" and Two Unidentified Subjects' +p306582 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p306583 +sa(dp306584 +g291130 +S'pen and black ink and graphite on paper with printed lines' +p306585 +sg291132 +S'1946 and 1950' +p306586 +sg291134 +S'Argonauts (Sketch for Triptych and Study for Center Panel)' +p306587 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p306588 +sa(dp306589 +g291130 +S'pen with brown and blue ink' +p306590 +sg291132 +S'in or after 1937' +p306591 +sg291134 +S'Three Figures' +p306592 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p306593 +sa(dp306594 +g291130 +S'pen and blue-black ink on paper with printed lines' +p306595 +sg291132 +S'1946' +p306596 +sg291134 +S'Triptych' +p306597 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p306598 +sa(dp306599 +g291130 +S'graphite on graph paper with blue lines' +p306600 +sg291132 +S'1947' +p306601 +sg291134 +S'Reclining Female Nude' +p306602 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p306603 +sa(dp306604 +g291130 +S'graphite on stationery of "Karl Buchholz, Buchhandlung Kunstausstellung"' +p306605 +sg291132 +S'in or after 1937' +p306606 +sg291134 +S'Figure Studies' +p306607 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p306608 +sa(dp306609 +g291130 +S'graphite' +p306610 +sg291132 +S'unknown date\n' +p306611 +sg291134 +S'Figure in a Rowboat and Reclining Female Nude' +p306612 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p306613 +sa(dp306614 +g291130 +S'pen and blue ink with watercolor over graphite on graph paper with blue lines' +p306615 +sg291132 +S'1947' +p306616 +sg291134 +S'Reclining Female' +p306617 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p306618 +sa(dp306619 +g291130 +S'pen and black ink' +p306620 +sg291132 +S'unknown date\n' +p306621 +sg291134 +S'Sketches of Unidentified Subjects' +p306622 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p306623 +sa(dp306624 +g291130 +S'graphite on wove paper' +p306625 +sg291132 +S'1920' +p306626 +sg291134 +S'Dancer and Man with Top Hat' +p306627 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p306628 +sa(dp306629 +g291130 +S'pen and blue ink on page from account ledger' +p306630 +sg291132 +S'possibly 1950' +p306631 +sg291134 +S'Dancing Figures' +p306632 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p306633 +sa(dp306634 +g291130 +S'pen and black ink over graphite on blue laid paper' +p306635 +sg291132 +S'1946' +p306636 +sg291134 +S'Two Sketches of Unidentified Subjects' +p306637 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p306638 +sa(dp306639 +g291130 +S'graphite on wove paper' +p306640 +sg291132 +S'1945' +p306641 +sg291134 +S'Seated Woman and Woman Reading' +p306642 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p306643 +sa(dp306644 +g291130 +S'pen and blue ink on wove paper' +p306645 +sg291132 +S'unknown date\n' +p306646 +sg291134 +S'Portrait of a Woman' +p306647 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p306648 +sa(dp306649 +g291130 +S'graphite on wove paper' +p306650 +sg291132 +S'1922' +p306651 +sg291134 +S'Dancer and Male Audience' +p306652 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p306653 +sa(dp306654 +g291130 +S'hand-colored lithograph on laid paper' +p306655 +sg291132 +S'1941/1942' +p306656 +sg291134 +S'John, Revelations (Chapter 1, Verses 12-20)' +p306657 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p306658 +sa(dp306659 +g291130 +S'pen and blue ink, pink (crayon?), and graphite on wove paper' +p306660 +sg291132 +S'unknown date\n' +p306661 +sg291134 +S'Kneeling Female Nude' +p306662 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p306663 +sa(dp306664 +g291130 +S'graphite on wove paper' +p306665 +sg291132 +S'unknown date\n' +p306666 +sg291134 +S'Two Nude Figures and Serpent' +p306667 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p306668 +sa(dp306669 +g291130 +S'graphite on paperboard//back of menu with text printed in French ("Dimanches et Fetes")' +p306670 +sg291132 +S'unknown date\n' +p306671 +sg291134 +S'Sketch of Unidentified Subject' +p306672 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p306673 +sa(dp306674 +g291130 +S'pen and black ink on paperboard (back of printed announcement for "Scheherezade: Cabaret, Variete")' +p306675 +sg291132 +S'possibly 1944' +p306676 +sg291134 +S'Studies of Heads and Figures' +p306677 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p306678 +sa(dp306679 +g291130 +S'pen and black ink over graphite on laid paper' +p306680 +sg291132 +S'c. 1944' +p306681 +sg291134 +S'Sketch for Finished Drawing "In the Studio (Dutch Women)"' +p306682 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p306683 +sa(dp306684 +g291130 +S'graphite on wove paper' +p306685 +sg291132 +S'1918' +p306686 +sg291134 +S'Two Bass Players' +p306687 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p306688 +sa(dp306689 +g291130 +S'charcoal on wove paper' +p306690 +sg291132 +S'1908' +p306691 +sg291134 +S"Women's Orchestra" +p306692 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p306693 +sa(dp306694 +g291130 +S'graphite on graph paper' +p306695 +sg291132 +S'possibly 1915' +p306696 +sg291134 +S'Compositional Sketch' +p306697 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p306698 +sa(dp306699 +g291130 +S'pen and blue ink on back of telegram form with text printed in German, bearing date line "DEN.... 193...."' +p306700 +sg291132 +S'probably 1930s' +p306701 +sg291134 +S'Nude Figures' +p306702 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p306703 +sa(dp306704 +g291130 +S'pen and black ink//on envelope' +p306705 +sg291132 +S'possibly 1944' +p306706 +sg291134 +S'Sketches of Unidentified Subjects' +p306707 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p306708 +sa(dp306709 +g291130 +S'purple crayon on brown paper//envelope' +p306710 +sg291132 +S'unknown date\n' +p306711 +sg291134 +S'Les Trois' +p306712 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p306713 +sa(dp306714 +g291130 +S'pen and black ink on paper with printed lines' +p306715 +sg291132 +S'unknown date\n' +p306716 +sg291134 +S'Kneeling Figure' +p306717 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p306718 +sa(dp306719 +g291130 +S'pen and blue ink on back cover of a 1945 French booklet of instructions for playing baccarat' +p306720 +sg291132 +S'in or after 1945' +p306721 +sg291134 +S'Two Men on a Boardwalk' +p306722 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p306723 +sa(dp306724 +g291130 +S'graphite on graph paper' +p306725 +sg291132 +S'unknown date\n' +p306726 +sg291134 +S'Ein Trommler und sein Weib' +p306727 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p306728 +sa(dp306729 +g291130 +S'graphite on wove paper' +p306730 +sg291132 +S'c. 1923' +p306731 +sg291134 +S'Dancing Couple and Part of a Head' +p306732 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p306733 +sa(dp306734 +g291130 +S'graphite//on back of printed receipt (German)' +p306735 +sg291132 +S'in or after 1934' +p306736 +sg291134 +S'Nude Figures' +p306737 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p306738 +sa(dp306739 +g291130 +S'pen and black ink over black crayon on wove paper' +p306740 +sg291132 +S'1920' +p306741 +sg291134 +S'Sketch for "Carnival"' +p306742 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p306743 +sa(dp306744 +g291130 +S'pen and black ink' +p306745 +sg291132 +S'1920' +p306746 +sg291134 +S'Sketch for "The Dream"' +p306747 +sg291136 +g27 +sg291137 +S'Max Beckmann' +p306748 +sa(dp306749 +g291130 +S'lithograph' +p306750 +sg291132 +S'1927' +p306751 +sg291134 +S'Self-Portrait (Selbstbildnis)' +p306752 +sg291136 +g27 +sg291137 +S'K\xc3\xa4the Kollwitz' +p306753 +sa(dp306754 +g291130 +S'lithograph' +p306755 +sg291132 +S'1920' +p306756 +sg291134 +S'Woman Meditating II (Nachdenkende Frau II)' +p306757 +sg291136 +g27 +sg291137 +S'K\xc3\xa4the Kollwitz' +p306758 +sa(dp306759 +g291130 +S'etching, aquatint, and soft-ground' +p306760 +sg291132 +S'1906' +p306761 +sg291134 +S'The Ploughmen' +p306762 +sg291136 +g27 +sg291137 +S'K\xc3\xa4the Kollwitz' +p306763 +sa(dp306764 +g291130 +S'etching' +p306765 +sg291132 +S'1935' +p306766 +sg291134 +S'Noon Hour' +p306767 +sg291136 +g27 +sg291137 +S'Isabel Bishop' +p306768 +sa(dp306769 +g291134 +S'Abigail Smith Babcock (Mrs. Adam Babcock)' +p306770 +sg291137 +S'John Singleton Copley' +p306771 +sg291130 +S'oil on canvas' +p306772 +sg291132 +S'c. 1774' +p306773 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00000/a0000066.jpg' +p306774 +sg291136 +S'The subject, Abigail Smith (1744-1777), was the wife of a wealthy New \r\n Haven, Connecticut, shipowner. Mrs. Babcock appears regal in her \r\n ermine-lined cape and pearl-studded girdle. Her portrait is possibly \r\n Copley’s last American work, finished just before he left for Europe, \r\n never to return.\n ' +p306775 +sa(dp306776 +g291134 +S'The Crucifixion of Polycrates' +p306777 +sg291137 +S'Salvator Rosa' +p306778 +sg291130 +S'etching and drypoint on laid paper' +p306779 +sg291132 +S'c. 1662' +p306780 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005a/a0005a95.jpg' +p306781 +sg291136 +g27 +sa(dp306782 +g291130 +S'etching and drypoint on laid paper' +p306783 +sg291132 +S'1663' +p306784 +sg291134 +S'The Fall of the Giants' +p306785 +sg291136 +g27 +sg291137 +S'Salvator Rosa' +p306786 +sa(dp306787 +g291134 +S'Apostles Peter and John Healing the Paralytic' +p306788 +sg291137 +S'Lambert Suavius' +p306789 +sg291130 +S'etching and engraving' +p306790 +sg291132 +S'1553' +p306791 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d072.jpg' +p306792 +sg291136 +g27 +sa(dp306793 +g291134 +S'The Martyrdom of Saint Lawrence' +p306794 +sg291137 +S'Claude Vignon' +p306795 +sg291130 +S'etching on laid paper' +p306796 +sg291132 +S'unknown date\n' +p306797 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008c47.jpg' +p306798 +sg291136 +g27 +sa(dp306799 +g291134 +S'Cavalryman Mounting a Horse' +p306800 +sg291137 +S'Luigi Sabatelli I' +p306801 +sg291130 +S'pen and brown ink on laid paper' +p306802 +sg291132 +S'unknown date\n' +p306803 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00070/a00070b6.jpg' +p306804 +sg291136 +g27 +sa(dp306805 +g291130 +S'bronze' +p306806 +sg291132 +S'c. 1470/1480' +p306807 +sg291134 +S'Antique Sacrifice' +p306808 +sg291136 +g27 +sg291137 +S'Tommaso di Calisto' +p306809 +sa(dp306810 +g291134 +S'Europa' +p306811 +sg291137 +S'Paduan 16th Century' +p306812 +sg291130 +S'overall (with base): 16.1 x 12 x 8.6 cm (6 5/16 x 4 3/4 x 3 3/8 in.)\r\nbase: 6.7 x 7 x 7 cm (2 5/8 x 2 3/4 x 2 3/4 in.)' +p306813 +sg291132 +S'\ngilt bronze' +p306814 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002d88.jpg' +p306815 +sg291136 +g27 +sa(dp306816 +g291134 +S'Sacrifice to Priapus' +p306817 +sg291137 +S'Artist Information (' +p306818 +sg291130 +S'(artist after)' +p306819 +sg291132 +S'\n' +p306820 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000ff/a000ffac.jpg' +p306821 +sg291136 +g27 +sa(dp306822 +g291134 +S'Mars and Venus' +p306823 +sg291137 +S"Jacopo de' Barbari" +p306824 +sg291130 +S'engraving' +p306825 +sg291132 +S'c. 1509/1516' +p306826 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00061/a0006116.jpg' +p306827 +sg291136 +g27 +sa(dp306828 +g291134 +S'Henri II, 1519-1559, King of France 1547 [obverse]' +p306829 +sg291137 +S'Etienne Delaune' +p306830 +sg291130 +S'gilt bronze' +p306831 +sg291132 +S'1552' +p306832 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002daa.jpg' +p306833 +sg291136 +g27 +sa(dp306834 +g291134 +S'Inscription in a Laurel Wreath [reverse]' +p306835 +sg291137 +S'Etienne Delaune' +p306836 +sg291130 +S'gilt bronze' +p306837 +sg291132 +S'1552' +p306838 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002dab.jpg' +p306839 +sg291136 +g27 +sa(dp306840 +g291130 +S'mixed media on board' +p306841 +sg291132 +S'1979' +p306842 +sg291134 +S'Doric Circus' +p306843 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p306844 +sa(dp306845 +g291134 +S'Ships in Distress off a Rocky Coast' +p306846 +sg291137 +S'Ludolf Backhuysen' +p306847 +sg291130 +S'oil on canvas' +p306848 +sg291132 +S'1667' +p306849 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e7d.jpg' +p306850 +sg291136 +S'The three ships in this large painting are the wide-bellied,\r\n seagoing \r\n vessels that transported much of Holland’s mercantile cargo. They\r\n display \r\n the Dutch flag of orange, white, and blue. These symbols of\r\n national \r\n optimism, however, are in peril of crashing against rocks during a\r\n storm. \r\n Each ship has a broken mast and, in the lower right foreground,\r\n floating \r\n wreckage reveals that one vessel has already sunk. Amid the dark\r\n gray and \r\n steely blue clouds and water, the sun’s golden rays give hope that\r\n calmer \r\n weather will soon return. The subject may be considered a\r\n \n Although realistic in appearance, the painting combines\r\n imaginary \r\n elements that Backhuysen often used in his theatrical compositions.\r\n Complex \r\n shapes and sharp contrasts of light and shadow heighten the drama\r\n as do the \r\n massive cliffs and frothy spray.\n Backhuysen, German-born, moved to Amsterdam in 1649 to study\r\n marine \r\n painting. During the last quarter of the seventeenth century he was\r\n Holland’s leading seascape artist, with royal and noble patrons\r\n throughout \r\n Europe.\n ' +p306851 +sa(dp306852 +g291130 +S'cast bronze' +p306853 +sg291132 +S'1983' +p306854 +sg291134 +S'Olympic Torso (Female)' +p306855 +sg291136 +g27 +sg291137 +S'Robert Graham' +p306856 +sa(dp306857 +g291134 +S'Wooded Landscape with Two Country Carts and Figures' +p306858 +sg291137 +S'Thomas Gainsborough' +p306859 +sg291130 +S'soft-ground etching on laid paper' +p306860 +sg291132 +S'1779/1780' +p306861 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a00078aa.jpg' +p306862 +sg291136 +g27 +sa(dp306863 +g291134 +S'Self-Portrait (Selbstbildnis)' +p306864 +sg291137 +S'Lovis Corinth' +p306865 +sg291130 +S'soft-ground etching on wove paper' +p306866 +sg291132 +S'1921/1922' +p306867 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b5/a000b5e0.jpg' +p306868 +sg291136 +g27 +sa(dp306869 +g291134 +S'The Convalescent (La convalescente)' +p306870 +sg291137 +S'Edouard Manet' +p306871 +sg291130 +S'etching and aquatint in dark brown on laid paper' +p306872 +sg291132 +S'1876/1878' +p306873 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00099/a0009950.jpg' +p306874 +sg291136 +g27 +sa(dp306875 +g291130 +S'drypoint on wove paper' +p306876 +sg291132 +S'1913' +p306877 +sg291134 +S'Oriental Landscape with Two Riders' +p306878 +sg291136 +g27 +sg291137 +S'Hans Meid' +p306879 +sa(dp306880 +g291134 +S'French Fishing Boats off a Rocky Coast' +p306881 +sg291137 +S'William Callow' +p306882 +sg291130 +S'watercolor and white gouache over graphite on laid paper' +p306883 +sg291132 +S'1833' +p306884 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00022/a00022cc.jpg' +p306885 +sg291136 +g27 +sa(dp306886 +g291134 +S'Studies of Soldiers in Camp' +p306887 +sg291137 +S'Georg Philipp Rugendas' +p306888 +sg291130 +S'graphite on laid paper' +p306889 +sg291132 +S'unknown date\n' +p306890 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00079/a00079b1.jpg' +p306891 +sg291136 +g27 +sa(dp306892 +g291130 +S'1 vol: ill: title page, dedication, and 25 etchings and drypoints mounted on 15 leaves' +p306893 +sg291132 +S'published 1845' +p306894 +sg291134 +S'A Series of Etchings from Nature Designed to Illustrate a Few of the Leading Features of English Scenery' +p306895 +sg291136 +g27 +sg291137 +S'David Charles Read' +p306896 +sa(dp306897 +g291134 +S'Three Ladies Chatting' +p306898 +sg291137 +S'Hubert Robert' +p306899 +sg291130 +S'pen and black ink with brown wash over graphite' +p306900 +sg291132 +S'unknown date\n' +p306901 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006ebf.jpg' +p306902 +sg291136 +g27 +sa(dp306903 +g291134 +S'Marino and the Alban Hills' +p306904 +sg291137 +S'Charles Joseph Natoire' +p306905 +sg291130 +S'pen and brown ink with brown and gray wash, watercolor, and white gouache over black chalk on laid paper' +p306906 +sg291132 +S'1769' +p306907 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00026/a0002607.jpg' +p306908 +sg291136 +g27 +sa(dp306909 +g291130 +S'cast bronze' +p306910 +sg291132 +S'1983' +p306911 +sg291134 +S'Olympic Torso (Male)' +p306912 +sg291136 +g27 +sg291137 +S'Robert Graham' +p306913 +sa(dp306914 +g291134 +S'Untitled (Seagram Mural sketch)' +p306915 +sg291137 +S'Mark Rothko' +p306916 +sg291130 +S'oil and acrylic on canvas' +p306917 +sg291132 +S'1958' +p306918 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00010/a0001074.jpg' +p306919 +sg291136 +g27 +sa(dp306920 +g291134 +S'Untitled (Seagram Mural sketch)' +p306921 +sg291137 +S'Mark Rothko' +p306922 +sg291130 +S'oil and acrylic on canvas' +p306923 +sg291132 +S'1959' +p306924 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00010/a0001075.jpg' +p306925 +sg291136 +g27 +sa(dp306926 +g291134 +S'Untitled (Seagram Mural sketch)' +p306927 +sg291137 +S'Mark Rothko' +p306928 +sg291130 +S'oil and acrylic on canvas' +p306929 +sg291132 +S'1959' +p306930 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00010/a0001076.jpg' +p306931 +sg291136 +g27 +sa(dp306932 +g291134 +S'Untitled (Seagram Mural sketch)' +p306933 +sg291137 +S'Mark Rothko' +p306934 +sg291130 +S'oil and acrylic on canvas' +p306935 +sg291132 +S'1959' +p306936 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00010/a0001077.jpg' +p306937 +sg291136 +g27 +sa(dp306938 +g291134 +S'Untitled (Seagram Mural)' +p306939 +sg291137 +S'Mark Rothko' +p306940 +sg291130 +S'oil and mixed media on canvas' +p306941 +sg291132 +S'1959' +p306942 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00010/a0001078.jpg' +p306943 +sg291136 +g27 +sa(dp306944 +g291134 +S'Untitled (Seagram Mural sketch)' +p306945 +sg291137 +S'Mark Rothko' +p306946 +sg291130 +S'oil on canvas' +p306947 +sg291132 +S'1959' +p306948 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00010/a0001079.jpg' +p306949 +sg291136 +g27 +sa(dp306950 +g291134 +S'Jules-David Cromot, Baron du Bourg' +p306951 +sg291137 +S'Jean-Baptiste Lemoyne II' +p306952 +sg291130 +S'marble' +p306953 +sg291132 +S'c. 1757' +p306954 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0002c/a0002c14.jpg' +p306955 +sg291136 +S"Sweeping drapery and a taut twist of the head create movement and energy\r\n in this portrait bust. The slightly parted lips, drilled pupils, and\r\n carefully detailed features—the lines etched around eyes and mouth—animate the personality of the subject, who was a counselor to Louis XV and\r\n whose son fought in the American War of Independence. Both painted and\r\n sculpted portraits of the period sought to capture more than a sitter's\r\n likeness, and Lemoyne has conveyed a sense of Cromot's strong character and\r\n lively intelligence. His voluminous robes are a convention from ancient\r\n sculpture and partly cover his informal modern dress.\n " +p306956 +sa(dp306957 +g291134 +S'A Prophet Addressed by an Angel' +p306958 +sg291137 +S'Sebastiano del Piombo' +p306959 +sg291130 +S'black chalk with gray and brown wash, heightened with white on blue paper, squared in red chalk' +p306960 +sg291132 +S'1516/1517' +p306961 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00037/a00037f0.jpg' +p306962 +sg291136 +g27 +sa(dp306963 +g291134 +S'An Artist Seated at His Easel [recto]' +p306964 +sg291137 +S'Andries Both' +p306965 +sg291130 +S'pen and brown ink' +p306966 +sg291132 +S'possibly c. 1634' +p306967 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006dda.jpg' +p306968 +sg291136 +g27 +sa(dp306969 +g291130 +S'pen and brown ink' +p306970 +sg291132 +S'possibly c. 1634' +p306971 +sg291134 +S'Fragmentary Studies for a Crucifixion [verso]' +p306972 +sg291136 +g27 +sg291137 +S'Andries Both' +p306973 +sa(dp306974 +g291134 +S'A Bellowing Stag' +p306975 +sg291137 +S'Sir Edwin Landseer' +p306976 +sg291130 +S'pen and brown ink over graphite on wove paper' +p306977 +sg291132 +S'probably 1840/1850' +p306978 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006cb0.jpg' +p306979 +sg291136 +g27 +sa(dp306980 +g291130 +S'(artist)' +p306981 +sg291132 +S'\n' +p306982 +sg291134 +S'Bibliotheca Radcliviana: Or, A Short Description Of The Radcliffe Library At Oxford' +p306983 +sg291136 +g27 +sg291137 +S'Artist Information (' +p306984 +sa(dp306985 +g291130 +S'(artist)' +p306986 +sg291132 +S'\n' +p306987 +sg291134 +S'The Plans, Elevations, and Sections; Chimney-Pieces, and Cielings [sic] of Houghton in Norfolk;' +p306988 +sg291136 +g27 +sg291137 +S'Artist Information (' +p306989 +sa(dp306990 +g291130 +S'(author)' +p306991 +sg291132 +S'\n' +p306992 +sg291134 +S'Iules Obsequent des Prodiges. Plvs Trois Liures de Polydore Vergile sur la mesme matiere.' +p306993 +sg291136 +g27 +sg291137 +S'Artist Information (' +p306994 +sa(dp306995 +g291130 +S'(artist)' +p306996 +sg291132 +S'\n' +p306997 +sg291134 +S'De Veldgezangen Van Thyrsis; De Gestrafte Kupido; Alwarde; Batrachomyomachia' +p306998 +sg291136 +g27 +sg291137 +S'Artist Information (' +p306999 +sa(dp307000 +g291130 +S', published 1522' +p307001 +sg291132 +S'\n' +p307002 +sg291134 +S'M. Vitrvvii De Architectvra Libri decem nuper maxima diligentia castigati atq;' +p307003 +sg291136 +g27 +sg291137 +S'Marcus Vitruvius Pollio' +p307004 +sa(dp307005 +g291134 +S'Louis XIII' +p307006 +sg291137 +S'Artist Information (' +p307007 +sg291130 +g27 +sg291132 +S'(artist)' +p307008 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d2/a000d265.jpg' +p307009 +sg291136 +g27 +sa(dp307010 +g291134 +S'Francois Maynard' +p307011 +sg291137 +S'Pierre Daret de Cazeneuve' +p307012 +sg291130 +S'engraving and etching on thin laid paper' +p307013 +sg291132 +S'1646' +p307014 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00088/a00088f9.jpg' +p307015 +sg291136 +g27 +sa(dp307016 +g291134 +S'Portrait of an Unknown Gentleman' +p307017 +sg291137 +S'Jean Lenfant' +p307018 +sg291130 +S'engraving on laid paper' +p307019 +sg291132 +S'1649' +p307020 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008b/a0008b34.jpg' +p307021 +sg291136 +g27 +sa(dp307022 +g291134 +S'Queen Christina of Sweden' +p307023 +sg291137 +S'Artist Information (' +p307024 +sg291130 +S'(artist after)' +p307025 +sg291132 +S'\n' +p307026 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00096/a0009644.jpg' +p307027 +sg291136 +g27 +sa(dp307028 +g291134 +S'Jean Restout' +p307029 +sg291137 +S'Artist Information (' +p307030 +sg291130 +S'(artist after)' +p307031 +sg291132 +S'\n' +p307032 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f0a.jpg' +p307033 +sg291136 +g27 +sa(dp307034 +g291134 +S'Le Comte de Caylus' +p307035 +sg291137 +S'Jean-Baptiste de Lorraine' +p307036 +sg291130 +S'engraving and etching on heavy laid paper' +p307037 +sg291132 +S'unknown date\n' +p307038 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f0b.jpg' +p307039 +sg291136 +g27 +sa(dp307040 +g291134 +S'Marie-Antoinette' +p307041 +sg291137 +S'Artist Information (' +p307042 +sg291130 +S'(artist after)' +p307043 +sg291132 +S'\n' +p307044 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008d/a0008d22.jpg' +p307045 +sg291136 +g27 +sa(dp307046 +g291134 +S'Marie-Antoinette' +p307047 +sg291137 +S'Artist Information (' +p307048 +sg291130 +S'(artist after)' +p307049 +sg291132 +S'\n' +p307050 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008ea6.jpg' +p307051 +sg291136 +g27 +sa(dp307052 +g291134 +S'Antoine Coyzevox' +p307053 +sg291137 +S'Artist Information (' +p307054 +sg291130 +S'(artist after)' +p307055 +sg291132 +S'\n' +p307056 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f26.jpg' +p307057 +sg291136 +g27 +sa(dp307058 +g291134 +S'Nicholas Bertin' +p307059 +sg291137 +S'Artist Information (' +p307060 +sg291130 +S'(artist after)' +p307061 +sg291132 +S'\n' +p307062 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008efe.jpg' +p307063 +sg291136 +g27 +sa(dp307064 +g291134 +S'Carle Vanloo' +p307065 +sg291137 +S'Artist Information (' +p307066 +sg291130 +S'(artist after)' +p307067 +sg291132 +S'\n' +p307068 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b35f.jpg' +p307069 +sg291136 +g27 +sa(dp307070 +g291134 +S'Louis Michel Vanloo' +p307071 +sg291137 +S'Artist Information (' +p307072 +sg291130 +S'(artist after)' +p307073 +sg291132 +S'\n' +p307074 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00096/a0009611.jpg' +p307075 +sg291136 +g27 +sa(dp307076 +g291134 +S'Gaspard Duchange' +p307077 +sg291137 +S'Artist Information (' +p307078 +sg291130 +S'(artist after)' +p307079 +sg291132 +S'\n' +p307080 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008ea9.jpg' +p307081 +sg291136 +g27 +sa(dp307082 +g291134 +S'Frontispiece' +p307083 +sg291137 +S'James Jacques Joseph Tissot' +p307084 +sg291130 +S'etching in brown on wove paper' +p307085 +sg291132 +S'1882' +p307086 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009feb.jpg' +p307087 +sg291136 +g27 +sa(dp307088 +g291134 +S'The Departure' +p307089 +sg291137 +S'James Jacques Joseph Tissot' +p307090 +sg291130 +S'etching on laid paper' +p307091 +sg291132 +S'1882' +p307092 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009fef.jpg' +p307093 +sg291136 +g27 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plexiglass box [prototype]' +p308217 +sg291132 +S'1971' +p308218 +sg291134 +S'Tampa Clay Piece 4' +p308219 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p308220 +sa(dp308221 +g291130 +S'lithograph (stone) in black' +p308222 +sg291132 +S'1972' +p308223 +sg291134 +S'Untitled' +p308224 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p308225 +sa(dp308226 +g291130 +S'color lithograph' +p308227 +sg291132 +S'1972' +p308228 +sg291134 +S'Untitled' +p308229 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p308230 +sa(dp308231 +g291130 +S'lithograph (stone and aluminum) in black with a varnish overprint on waterproof "tar" paper [cancellation proof]' +p308232 +sg291132 +S'1972' +p308233 +sg291134 +S'Tampa 1' +p308234 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p308235 +sa(dp308236 +g291130 +S'blueprint and lithograph (aluminum) in blue and green on Rives B.F.K. paper [cancellation proof]' +p308237 +sg291132 +S'1972/1973' +p308238 +sg291134 +S'Tampa 2' +p308239 +sg291136 +g27 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+sg291132 +S'1972/1973' +p308258 +sg291134 +S'Tampa 10' +p308259 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p308260 +sa(dp308261 +g291130 +S'lithograph (aluminum) in pink and brown sepia on Rives B.F.K. paper [cancellation proof]' +p308262 +sg291132 +S'1972/1973' +p308263 +sg291134 +S'Tampa 12' +p308264 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p308265 +sa(dp308266 +g291130 +S'lithograph [workshop proof]' +p308267 +sg291132 +S'unknown date\n' +p308268 +sg291134 +S'Untitled' +p308269 +sg291136 +g27 +sg291137 +S'James Rosenquist' +p308270 +sa(dp308271 +g291130 +S'multi-color lithograph [proof]' +p308272 +sg291132 +S'unknown date\n' +p308273 +sg291134 +S'Untitled' +p308274 +sg291136 +g27 +sg291137 +S'James Rosenquist' +p308275 +sa(dp308276 +g291130 +S'lithograph in black on Arches paper [cancellation [proof]' +p308277 +sg291132 +S'1975' +p308278 +sg291134 +S'Tampa - New York 1188' +p308279 +sg291136 +g27 +sg291137 +S'James Rosenquist' +p308280 +sa(dp308281 +g291130 +S'lithograph in black on Arches paper [cancellation proof]' +p308282 +sg291132 +S'1975' +p308283 +sg291134 +S'Iris Lake' +p308284 +sg291136 +g27 +sg291137 +S'James Rosenquist' +p308285 +sa(dp308286 +g291130 +S'lithograph in black on Arches paper [cancellation proof]' +p308287 +sg291132 +S'1975' +p308288 +sg291134 +S'Mirage Morning' +p308289 +sg291136 +g27 +sg291137 +S'James Rosenquist' +p308290 +sa(dp308291 +g291130 +S'lithograph in black on Arches paper [cancellation proof]' +p308292 +sg291132 +S'1976' +p308293 +sg291134 +S'Rails' +p308294 +sg291136 +g27 +sg291137 +S'James Rosenquist' +p308295 +sa(dp308296 +g291130 +S'lithograph in black on Arches paper [cancellation proof]' +p308297 +sg291132 +S'1975/1976' +p308298 +sg291134 +S'Pale Cradle' +p308299 +sg291136 +g27 +sg291137 +S'James Rosenquist' +p308300 +sa(dp308301 +g291130 +S'color lithograph with collage' +p308302 +sg291132 +S'1983' +p308303 +sg291134 +S'Rococo' +p308304 +sg291136 +g27 +sg291137 +S'Miriam Schapiro' +p308305 +sa(dp308306 +g291130 +S'collage with printing and drawing' +p308307 +sg291132 +S'1983' +p308308 +sg291134 +S'Together' +p308309 +sg291136 +g27 +sg291137 +S'Miriam Schapiro' +p308310 +sa(dp308311 +g291130 +S'offset lithograph [poster]' +p308312 +sg291132 +S'1983' +p308313 +sg291134 +S'Rococo' +p308314 +sg291136 +g27 +sg291137 +S'Miriam Schapiro' +p308315 +sa(dp308316 +g291130 +S'pastel, graphite and watercolor' +p308317 +sg291132 +S'c. 1969' +p308318 +sg291134 +S'Study for "Evergloom"' +p308319 +sg291136 +g27 +sg291137 +S'Richard Smith' +p308320 +sa(dp308321 +g291130 +S'colored pencil and graphite on white wove paper underlayed with tinted paper; both papers cut and folded' +p308322 +sg291132 +S'c. 1969' +p308323 +sg291134 +S'Study for "Everglad"' +p308324 +sg291136 +g27 +sg291137 +S'Richard Smith' +p308325 +sa(dp308326 +g291130 +S'silver' +p308327 +sg291132 +S'c. 1661' +p308328 +sg291134 +S'William Laud, 1573-1645, Archbishop of Canterbury 1633 [obverse]' +p308329 +sg291136 +g27 +sg291137 +S'Jan Roettiers' +p308330 +sa(dp308331 +g291130 +S'silver' +p308332 +sg291132 +S'c. 1661' +p308333 +sg291134 +S'Allegorical Scene [reverse]' +p308334 +sg291136 +g27 +sg291137 +S'Jan Roettiers' +p308335 +sa(dp308336 +g291134 +S"The Testing of the King's Sons" +p308337 +sg291137 +S'Master MZ' +p308338 +sg291130 +S'engraving on laid paper' +p308339 +sg291132 +S'c. 1500' +p308340 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000a3/a000a3bb.jpg' +p308341 +sg291136 +g27 +sa(dp308342 +g291134 +S'Milo of Croton' +p308343 +sg291137 +S'Pierre Puget' +p308344 +sg291130 +S'bronze' +p308345 +sg291132 +S'marble original 1670-1682, bronze reduction late 17th/early 18th century' +p308346 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0002c/a0002c1a.jpg' +p308347 +sg291136 +g27 +sa(dp308348 +g291134 +S'Gloria Victis' +p308349 +sg291137 +S'Marius-Jean-Antonin Merci\xc3\xa9' +p308350 +sg291130 +S'bronze' +p308351 +sg291132 +S'model c. 1874, cast after 1879' +p308352 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00029/a00029c2.jpg' +p308353 +sg291136 +g27 +sa(dp308354 +g291134 +S'A Villefranche-sur-Mer' +p308355 +sg291137 +S'Adolphe Appian' +p308356 +sg291130 +S'etching and monotype on thin laid paper' +p308357 +sg291132 +S'1882' +p308358 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00097/a0009755.jpg' +p308359 +sg291136 +g27 +sa(dp308360 +g291134 +S'The Holy Family Adored by Angels (The Large Nativity)' +p308361 +sg291137 +S'Bartolomeo Biscaino' +p308362 +sg291130 +S'etching on laid paper' +p308363 +sg291132 +S'c. 1655' +p308364 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d43f.jpg' +p308365 +sg291136 +g27 +sa(dp308366 +g291134 +S'The Mystic Marriage of Saint Catherine' +p308367 +sg291137 +S'Carlo Maratta' +p308368 +sg291130 +S'etching on laid paper' +p308369 +sg291132 +S'unknown date\n' +p308370 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9a0.jpg' +p308371 +sg291136 +g27 +sa(dp308372 +g291134 +S'Self-Portrait' +p308373 +sg291137 +S'Alessandro Longhi' +p308374 +sg291130 +S'etching on laid paper' +p308375 +sg291132 +S'published 1762' +p308376 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cb3a.jpg' +p308377 +sg291136 +g27 +sa(dp308378 +g291130 +S'Italian, probably 1720 - probably 1790' +p308379 +sg291132 +S'(author)' +p308380 +sg291134 +S"Paesti qvod Posidoniam etiam dixere rvdera (Rovine della citta' di Pesto detta ancora Posidonia)" +p308381 +sg291136 +g27 +sg291137 +S'Artist Information (' +p308382 +sa(dp308383 +g291134 +S'White Line' +p308384 +sg291137 +S'Sam Francis' +p308385 +sg291130 +S'oil on canvas' +p308386 +sg291132 +S'1958/1959' +p308387 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00000/a00000c0.jpg' +p308388 +sg291136 +g27 +sa(dp308389 +g291134 +S'Jason and the Dragon' +p308390 +sg291137 +S'Salvator Rosa' +p308391 +sg291130 +S'etching and drypoint on laid paper' +p308392 +sg291132 +S'c. 1663/1664' +p308393 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000ca/a000ca19.jpg' +p308394 +sg291136 +g27 +sa(dp308395 +g291134 +S'The Eritrean Sibyl' +p308396 +sg291137 +S'Artist Information (' +p308397 +sg291130 +S'(artist after)' +p308398 +sg291132 +S'\n' +p308399 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005f/a0005f3a.jpg' +p308400 +sg291136 +g27 +sa(dp308401 +g291134 +S'The Delphic Sibyl' +p308402 +sg291137 +S'Artist Information (' +p308403 +sg291130 +S'(artist after)' +p308404 +sg291132 +S'\n' +p308405 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c8c3.jpg' +p308406 +sg291136 +g27 +sa(dp308407 +g291134 +S'The Prophet Jeremiah' +p308408 +sg291137 +S'Artist Information (' +p308409 +sg291130 +S'(artist after)' +p308410 +sg291132 +S'\n' +p308411 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c8c4.jpg' +p308412 +sg291136 +g27 +sa(dp308413 +g291134 +S'The Prophet Joel' +p308414 +sg291137 +S'Artist Information (' +p308415 +sg291130 +S'(artist after)' +p308416 +sg291132 +S'\n' +p308417 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c8c5.jpg' +p308418 +sg291136 +g27 +sa(dp308419 +g291134 +S'The Persian Sibyl' +p308420 +sg291137 +S'Artist Information (' +p308421 +sg291130 +S'(artist after)' +p308422 +sg291132 +S'\n' +p308423 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c8c6.jpg' +p308424 +sg291136 +g27 +sa(dp308425 +g291134 +S'The Prophet Ezekiel' +p308426 +sg291137 +S'Artist Information (' +p308427 +sg291130 +S'(artist after)' +p308428 +sg291132 +S'\n' +p308429 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c8c7.jpg' +p308430 +sg291136 +g27 +sa(dp308431 +g291134 +S'Lot and His Daughters' +p308432 +sg291137 +S'Artist Information (' +p308433 +sg291130 +S'(artist after)' +p308434 +sg291132 +S'\n' +p308435 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc59.jpg' +p308436 +sg291136 +g27 +sa(dp308437 +g291134 +S'Rubens Peale with a Geranium' +p308438 +sg291137 +S'Rembrandt Peale' +p308439 +sg291130 +S'oil on canvas' +p308440 +sg291132 +S'1801' +p308441 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00001/a00001aa.jpg' +p308442 +sg291136 +S"Charles Willson Peale christened most of his seventeen children after famous\nartists and scientists; however, there is little consistency between the sons' and\ndaughters' namesakes and their adult careers. While Rembrandt Peale did become a\npainter and the portraitist of this work, Rubens Peale, who sat for this likeness\nat the age of seventeen, was a botanist.\n Painted in Philadelphia, the work could be described as a double portrait because\nthe geranium, reputed to be the first specimen of this exotic plant ever grown in\nthe New World, is as lovingly portrayed as the painter's brother is. The Peale family\noften collaborated in their endeavors, and here Rembrandt commemorated his brother's\nhorticultural triumph. Rembrandt's own skill is evident in the clearly defined pools\nof light on Rubens' cheeks. In a phenomenon familiar to all, his glasses focus the\nbeams passing through them, thereby forming the brighter disks of light under his\neyes.\n Rubens Peale with a Geranium\n " +p308443 +sa(dp308444 +g291134 +S'Fantastic Flowers with Peapod Leaves' +p308445 +sg291137 +S'Artist Information (' +p308446 +sg291130 +S'(artist after)' +p308447 +sg291132 +S'\n' +p308448 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000eee.jpg' +p308449 +sg291136 +g27 +sa(dp308450 +g291134 +S'Fantastic Flowers with Oyster-shell Blossoms' +p308451 +sg291137 +S'Artist Information (' +p308452 +sg291130 +S'(artist after)' +p308453 +sg291132 +S'\n' +p308454 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000eef.jpg' +p308455 +sg291136 +g27 +sa(dp308456 +g291130 +S'etching' +p308457 +sg291132 +S'probably 1747/1748' +p308458 +sg291134 +S'Title Plate' +p308459 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308460 +sa(dp308461 +g291130 +S'(artist)' +p308462 +sg291132 +S'\n' +p308463 +sg291134 +S'The Works in Architecture of Robert and James Adam Esquires (Volume 1)' +p308464 +sg291136 +g27 +sg291137 +S'Artist Information (' +p308465 +sa(dp308466 +g291130 +S'etching on laid paper' +p308467 +sg291132 +S'probably 1747/1748' +p308468 +sg291134 +S'Frontispiece with Statue of Minerva' +p308469 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308470 +sa(dp308471 +g291130 +S'etching on laid paper' +p308472 +sg291132 +S'probably 1747/1748' +p308473 +sg291134 +S'Veduta della Basilica, e Piazza de S. Pietro in Vaticano' +p308474 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308475 +sa(dp308476 +g291130 +S'etching on laid paper' +p308477 +sg291132 +S'probably 1748/1749' +p308478 +sg291134 +S'Veduta interna della Basilica di S. Pietro in Vaticano' +p308479 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308480 +sa(dp308481 +g291130 +S'etching on laid paper' +p308482 +sg291132 +S'1750/1751' +p308483 +sg291134 +S"Veduta dell'Esterno della gran Basilica di S. Pietro in Vaticano" +p308484 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308485 +sa(dp308486 +g291130 +S'etching on laid paper' +p308487 +sg291132 +S'probably 1757/1758' +p308488 +sg291134 +S'Veduta della Basilica di S. Paolo fuor delle mura' +p308489 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308490 +sa(dp308491 +g291130 +S'etching on laid paper' +p308492 +sg291132 +S'probably 1748/1749' +p308493 +sg291134 +S'Spaccato interno della Basilica di S. Paolo fuori delle Mura' +p308494 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308495 +sa(dp308496 +g291130 +S'etching on laid paper' +p308497 +sg291132 +S'probably 1747/1748' +p308498 +sg291134 +S'Veduta della Basilica di S. Giovanni Laterano' +p308499 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308500 +sa(dp308501 +g291130 +S'etching on laid paper' +p308502 +sg291132 +S'probably 1747/1748' +p308503 +sg291134 +S'Veduta della Basilica di Sta. Maria Maggiore' +p308504 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308505 +sa(dp308506 +g291130 +S'etching on laid paper' +p308507 +sg291132 +S'1756/1757' +p308508 +sg291134 +S'Veduta della Facciata di dietro della Basilica di S. Maria Maggiore' +p308509 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308510 +sa(dp308511 +g291130 +S'etching on laid paper' +p308512 +sg291132 +S'probably 1757/1758' +p308513 +sg291134 +S'Veduta della Facciata della Basilica di S. Croce in Gerusalemme' +p308514 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308515 +sa(dp308516 +g291130 +S'etching on laid paper' +p308517 +sg291132 +S'1760/1761' +p308518 +sg291134 +S'Veduta della Basilica di San Lorenzo fuor delle mura' +p308519 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308520 +sa(dp308521 +g291130 +S'etching on laid paper' +p308522 +sg291132 +S'1761' +p308523 +sg291134 +S'Veduta della Basilica di S. Sebastiano' +p308524 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308525 +sa(dp308526 +g291130 +S'etching on laid paper' +p308527 +sg291132 +S'probably 1747/1748' +p308528 +sg291134 +S'Veduta della Piazza del Popolo' +p308529 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308530 +sa(dp308531 +g291130 +S'etching on laid paper' +p308532 +sg291132 +S'probably 1747/1748' +p308533 +sg291134 +S'Veduta della Piazza di Monte Cavallo' +p308534 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308535 +sa(dp308536 +g291130 +S'etching on laid paper' +p308537 +sg291132 +S'probably 1747/1748' +p308538 +sg291134 +S'Veduta di Piazza Navona sopra le rovine del Circo Agonale' +p308539 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308540 +sa(dp308541 +g291130 +S'etching on laid paper' +p308542 +sg291132 +S'probably 1747/1748' +p308543 +sg291134 +S'Veduta della Piazza Rotonda' +p308544 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308545 +sa(dp308546 +g291130 +S'etching on laid paper' +p308547 +sg291132 +S'1750/1751' +p308548 +sg291134 +S'Veduta di Piazza di Spagna' +p308549 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308550 +sa(dp308551 +g291130 +S'etching on laid paper' +p308552 +sg291132 +S'probably 1747/1748' +p308553 +sg291134 +S'Veduta della vasta Fontana di Trevi ...' +p308554 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308555 +sa(dp308556 +g291130 +S'etching on laid paper' +p308557 +sg291132 +S'1760/1761' +p308558 +sg291134 +S"Veduta del Castello dell' Acqua Felice" +p308559 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308560 +sa(dp308561 +g291130 +S'etching on laid paper' +p308562 +sg291132 +S'1756/1757' +p308563 +sg291134 +S"Veduta del Castello dell' Acqua Paolo sul Monte Aureo" +p308564 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308565 +sa(dp308566 +g291130 +S'etching on laid paper' +p308567 +sg291132 +S'probably 1757/1758' +p308568 +sg291134 +S'Veduta del Palazzo fabbricato sul Quirinale per le Segreterie de Brevi e della Sacra Consulta' +p308569 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308570 +sa(dp308571 +g291130 +S'etching on laid paper' +p308572 +sg291132 +S'probably 1758/1759' +p308573 +sg291134 +S'Veduta della Gran Curia Innocenziana' +p308574 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308575 +sa(dp308576 +g291130 +S'etching on laid paper' +p308577 +sg291132 +S'probably 1757/1758' +p308578 +sg291134 +S"Veduta, nella Via del Corso, del Palazzo dell' Accademia" +p308579 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308580 +sa(dp308581 +g291130 +S'etching on laid paper' +p308582 +sg291132 +S'probably 1758/1759' +p308583 +sg291134 +S"Veduta sul Monte Quirinale del Palazzo dell'Eccellentissima Casa Barberini..." +p308584 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308585 +sa(dp308586 +g291130 +S'etching on laid paper' +p308587 +sg291132 +S'probably 1757/1758' +p308588 +sg291134 +S'Veduta del Palazzo Odescalchi' +p308589 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308590 +sa(dp308591 +g291130 +S'etching on laid paper' +p308592 +sg291132 +S'probably 1757/1758' +p308593 +sg291134 +S'Veduta del Porto di Ripa Grande' +p308594 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308595 +sa(dp308596 +g291130 +S'etching on laid paper' +p308597 +sg291132 +S'probably 1757/1758' +p308598 +sg291134 +S'Veduta del Porto di Ripa Grande' +p308599 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308600 +sa(dp308601 +g291130 +S'etching on laid paper' +p308602 +sg291132 +S'1750/1751' +p308603 +sg291134 +S'Veduta del Porto di Ripetta' +p308604 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308605 +sa(dp308606 +g291130 +S'etching on laid paper' +p308607 +sg291132 +S'1750/1751' +p308608 +sg291134 +S"Veduta del Ponte e Castello Sant'Angelo" +p308609 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308610 +sa(dp308611 +g291130 +S'etching on laid paper' +p308612 +sg291132 +S'1756/1757' +p308613 +sg291134 +S"Veduta del Masoleo d' Elio Adriano" +p308614 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308615 +sa(dp308616 +g291130 +S'etching on laid paper' +p308617 +sg291132 +S'1751/1753' +p308618 +sg291134 +S'Veduta del Ponte Salario' +p308619 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308620 +sa(dp308621 +g291130 +S'etching on laid paper' +p308622 +sg291132 +S'1749/1750' +p308623 +sg291134 +S'Veduta della Dogana di Terra' +p308624 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308625 +sa(dp308626 +g291130 +S'etching on laid paper' +p308627 +sg291132 +S'1749/1750' +p308628 +sg291134 +S'Teatro di Marcello' +p308629 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308630 +sa(dp308631 +g291130 +S'etching on laid paper' +p308632 +sg291132 +S'1751/1753' +p308633 +sg291134 +S"Veduta dell'avanzo del Castello" +p308634 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308635 +sa(dp308636 +g291130 +S'etching on laid paper' +p308637 +sg291132 +S'1761' +p308638 +sg291134 +S'Piramide di C. Cestio' +p308639 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308640 +sa(dp308641 +g291130 +S'etching on laid paper' +p308642 +sg291132 +S'probably 1747/1748' +p308643 +sg291134 +S'Veduta del Sepolcro di Cajo Cestio' +p308644 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308645 +sa(dp308646 +g291130 +S'etching on laid paper' +p308647 +sg291132 +S'probably 1749/1750' +p308648 +sg291134 +S'Veduta interna del Sepolocro di S. Costanza' +p308649 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308650 +sa(dp308651 +g291130 +S'etching on laid paper' +p308652 +sg291132 +S'1761' +p308653 +sg291134 +S"Veduta del Romano Campidoglio con Scalinata che va alla Chiesa d'Araceli" +p308654 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308655 +sa(dp308656 +g291130 +S'etching on laid paper' +p308657 +sg291132 +S'1761' +p308658 +sg291134 +S'Veduta del Campidoglio di Fianco' +p308659 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308660 +sa(dp308661 +g291130 +S'etching on laid paper' +p308662 +sg291132 +S'probably 1747/1748' +p308663 +sg291134 +S'Veduta di Campo Vaccino' +p308664 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308665 +sa(dp308666 +g291130 +S'etching on laid paper' +p308667 +sg291132 +S'probably 1749/1750' +p308668 +sg291134 +S"Veduta del Sito, ov'era l'antico Foro Romano" +p308669 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308670 +sa(dp308671 +g291130 +S'etching on laid paper' +p308672 +sg291132 +S'1756/1757' +p308673 +sg291134 +S'Veduta degli avanzi del Foro di Nerva' +p308674 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308675 +sa(dp308676 +g291130 +S'etching on laid paper' +p308677 +sg291132 +S'1750/1751' +p308678 +sg291134 +S'Veduta ... del Serraglio delle fiere fabbricato da Domiziano' +p308679 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308680 +sa(dp308681 +g291130 +S'etching on laid paper' +p308682 +sg291132 +S'1753/1754' +p308683 +sg291134 +S'Vedute del Tempio di Giove Tonante' +p308684 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308685 +sa(dp308686 +g291130 +S'etching on laid paper' +p308687 +sg291132 +S'probably 1749/1750' +p308688 +sg291134 +S'Veduta degli avanzi del Tablino della Casa Aurea di Nerone' +p308689 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308690 +sa(dp308691 +g291130 +S'etching on laid paper' +p308692 +sg291132 +S'1750/1751' +p308693 +sg291134 +S'Veduta del tempio della Fortuna Virile' +p308694 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308695 +sa(dp308696 +g291130 +S'etching on laid paper' +p308697 +sg291132 +S'1753/1754' +p308698 +sg291134 +S'Veduta del Tempio di Cibele' +p308699 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308700 +sa(dp308701 +g291130 +S'etching on laid paper' +p308702 +sg291132 +S'1756/1757' +p308703 +sg291134 +S'Veduta del tempio di Bacco' +p308704 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308705 +sa(dp308706 +g291130 +S'etching on laid paper' +p308707 +sg291132 +S'probably 1749/1750' +p308708 +sg291134 +S"Veduta del Tempio d'Antonio e Faustina in Campo Vaccino" +p308709 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308710 +sa(dp308711 +g291130 +S'etching on laid paper' +p308712 +sg291132 +S'probably 1748/1749' +p308713 +sg291134 +S'Veduta degli Avanzi di due Triclinj che appartenevano alla Casa aurea di Nerone' +p308714 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308715 +sa(dp308716 +g291130 +S'etching on laid paper' +p308717 +sg291132 +S'probably 1748/1749' +p308718 +sg291134 +S'Colonna Trajana' +p308719 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308720 +sa(dp308721 +g291130 +S'etching on laid paper' +p308722 +sg291132 +S'probably 1748/1749' +p308723 +sg291134 +S'Colonna Antonina' +p308724 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308725 +sa(dp308726 +g291130 +S'etching on laid paper' +p308727 +sg291132 +S'probably 1749/1750' +p308728 +sg291134 +S'Obelisco Egizio' +p308729 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308730 +sa(dp308731 +g291130 +S'etching on laid paper' +p308732 +sg291132 +S'probably 1749/1750' +p308733 +sg291134 +S'Arco di Settimio Severo' +p308734 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308735 +sa(dp308736 +g291130 +S'etching on laid paper' +p308737 +sg291132 +S'1756/1757' +p308738 +sg291134 +S"Veduta dell' Arco di Tito" +p308739 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308740 +sa(dp308741 +g291130 +S'etching on laid paper' +p308742 +sg291132 +S'probably 1747/1748' +p308743 +sg291134 +S"Veduta dell' Arco di Costantino, e ... il Colosseo" +p308744 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308745 +sa(dp308746 +g291130 +S'etching on laid paper' +p308747 +sg291132 +S'1761' +p308748 +sg291134 +S"Veduta dell' ... Colosseo" +p308749 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308750 +sa(dp308751 +g291130 +S'etching on laid paper' +p308752 +sg291132 +S'1750/1751' +p308753 +sg291134 +S"Veduta dell' ... Atrio del Portico di Ottavia" +p308754 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308755 +sa(dp308756 +g291130 +S'etching on laid paper' +p308757 +sg291132 +S'1750/1751' +p308758 +sg291134 +S"Veduta interna dell' Atrio del Portico di Ottavia" +p308759 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308760 +sa(dp308761 +g291130 +S'etching on laid paper' +p308762 +sg291132 +S'1761' +p308763 +sg291134 +S"Veduta del Pantheon d'Agrippa oggi Chiesa di S. Maria ad Martyres" +p308764 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308765 +sa(dp308766 +g291130 +S'etching on laid paper' +p308767 +sg291132 +S'1761' +p308768 +sg291134 +S'Veduta del tempio della Sibilla in Tivoli' +p308769 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308770 +sa(dp308771 +g291130 +S'etching on laid paper' +p308772 +sg291132 +S'1761' +p308773 +sg291134 +S'Altra Veduta del tempio della Sibilla in Tivoli' +p308774 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308775 +sa(dp308776 +g291130 +S'etching on laid paper' +p308777 +sg291132 +S'1761' +p308778 +sg291134 +S'Altra Veduta del tempio della Sibilla in Tivoli' +p308779 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308780 +sa(dp308781 +g291130 +S'etching on 3 sheet of joined laid paper' +p308782 +sg291132 +S'1778' +p308783 +sg291134 +S'Pianta di Roma e del Campo Marzo' +p308784 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308785 +sa(dp308786 +g291130 +S'etching on laid paper' +p308787 +sg291132 +S'probably 1747/1748' +p308788 +sg291134 +S'Frontispiece with Statue of Minerva' +p308789 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308790 +sa(dp308791 +g291130 +S'etching on laid paper' +p308792 +sg291132 +S'1762' +p308793 +sg291134 +S'Veduta del Ponte Molle' +p308794 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308795 +sa(dp308796 +g291130 +S'etching on laid paper' +p308797 +sg291132 +S'1763' +p308798 +sg291134 +S'Avanzi della Villa di Mecenate a Tivoli, construita di travertini a opera incerta' +p308799 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308800 +sa(dp308801 +g291130 +S'etching on laid paper' +p308802 +sg291132 +S'1762' +p308803 +sg291134 +S'Veduta delle due Chiese ... presso la Colonna a Trajana' +p308804 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308805 +sa(dp308806 +g291130 +S'etching on laid paper' +p308807 +sg291132 +S'1762' +p308808 +sg291134 +S'Sepolcro di Cecilia Metella' +p308809 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308810 +sa(dp308811 +g291130 +S'etching on laid paper' +p308812 +sg291132 +S'1763' +p308813 +sg291134 +S'Veduta del Ponte Lugano' +p308814 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308815 +sa(dp308816 +g291130 +S'etching on laid paper' +p308817 +sg291132 +S'1763' +p308818 +sg291134 +S'Veduta del Tempio detto della Tosse ... vicino a Tivoli' +p308819 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308820 +sa(dp308821 +g291130 +S'etching on laid paper' +p308822 +sg291132 +S'1764' +p308823 +sg291134 +S'Veduta interna del Tempio della Tosse' +p308824 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308825 +sa(dp308826 +g291130 +S'etching on laid paper' +p308827 +sg291132 +S'1763' +p308828 +sg291134 +S'Tempio antico volgarmente detto della Salute' +p308829 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308830 +sa(dp308831 +g291130 +S'etching on laid paper' +p308832 +sg291132 +S'1764' +p308833 +sg291134 +S'Vedute del Sepolcro di Pisone Liciniano' +p308834 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308835 +sa(dp308836 +g291130 +S'etching on laid paper' +p308837 +sg291132 +S'1764' +p308838 +sg291134 +S'Veduta interna della Villa di Mecenate' +p308839 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308840 +sa(dp308841 +g291130 +S'etching on laid paper' +p308842 +sg291132 +S'1764' +p308843 +sg291134 +S'Veduta del Tempio ottangolare di Miverva Medica' +p308844 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308845 +sa(dp308846 +g291130 +S'etching on laid paper' +p308847 +sg291132 +S'1766' +p308848 +sg291134 +S'Veduta della Cascata di Tivoli' +p308849 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308850 +sa(dp308851 +g291130 +S'etching on laid paper' +p308852 +sg291132 +S'1765' +p308853 +sg291134 +S'Rovine delle Terme Antoniniane' +p308854 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308855 +sa(dp308856 +g291130 +S'etching on laid paper' +p308857 +sg291132 +S'1765' +p308858 +sg291134 +S'Rovine del Sisto o sia della gran sala delle Terme Antoniniane' +p308859 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308860 +sa(dp308861 +g291130 +S'etching on laid paper' +p308862 +sg291132 +S'1766' +p308863 +sg291134 +S"Veduta dell'interno dell' ... Colosseo" +p308864 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308865 +sa(dp308866 +g291130 +S'etching on laid paper' +p308867 +sg291132 +S'1766' +p308868 +sg291134 +S"Avanzi d'un portico coperto, ... da Roma su la via di Frascati" +p308869 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308870 +sa(dp308871 +g291130 +S'etching on laid paper' +p308872 +sg291132 +S'1766' +p308873 +sg291134 +S"Veduta della fonte e delle Spelonche d'Egeri" +p308874 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308875 +sa(dp308876 +g291130 +S'etching on laid paper' +p308877 +sg291132 +S'1767' +p308878 +sg291134 +S"Veduta interna dell'antico Tempio di Bacco" +p308879 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308880 +sa(dp308881 +g291130 +S'etching on laid paper' +p308882 +sg291132 +S'1769' +p308883 +sg291134 +S'Veduta interna Pronao del Panteon' +p308884 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308885 +sa(dp308886 +g291130 +S'etching on laid paper' +p308887 +sg291132 +S'probably 1765/1769' +p308888 +sg291134 +S'Veduta ... della famiglia Plauzia' +p308889 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308890 +sa(dp308891 +g291130 +S'etching on laid paper' +p308892 +sg291132 +S'1767' +p308893 +sg291134 +S'Altra veduta interna della Villa di Mecenate in Tivoli' +p308894 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308895 +sa(dp308896 +g291130 +S'etching on laid paper' +p308897 +sg291132 +S'1768' +p308898 +sg291134 +S'Avanzi del Tempio detto di Apollo nella Villa Adriano vicino a Tivoli' +p308899 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308900 +sa(dp308901 +g291130 +S'etching on laid paper' +p308902 +sg291132 +S'1768' +p308903 +sg291134 +S'Veduta interna del Panteon' +p308904 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308905 +sa(dp308906 +g291130 +S'etching on laid paper' +p308907 +sg291132 +S'1768' +p308908 +sg291134 +S'Veduta interna della Basilica di S. Maria Maggiore' +p308909 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308910 +sa(dp308911 +g291130 +S'etching on laid paper' +p308912 +sg291132 +S'1768' +p308913 +sg291134 +S'Veduta interna della Basilica di S. Giovanni Laterano' +p308914 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308915 +sa(dp308916 +g291130 +S'etching on laid paper' +p308917 +sg291132 +S'1769' +p308918 +sg291134 +S'Veduta della Villa ... Albani' +p308919 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308920 +sa(dp308921 +g291130 +S'etching on laid paper' +p308922 +sg291132 +S'1768' +p308923 +sg291134 +S'Avanzi del Tempio del Dio Canopo nella Villa Adriana in Tivoli' +p308924 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308925 +sa(dp308926 +g291130 +S'etching on laid paper' +p308927 +sg291132 +S'1769' +p308928 +sg291134 +S'Veduta del Tempio di Ercole ... lontano da Velletri' +p308929 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308930 +sa(dp308931 +g291130 +S'etching on laid paper' +p308932 +sg291132 +S'1769' +p308933 +sg291134 +S'Veduta delle Cascatelle a Tivoli' +p308934 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308935 +sa(dp308936 +g291130 +S'etching on laid paper' +p308937 +sg291132 +S'1770' +p308938 +sg291134 +S"Rovine d'una Galleria di Statue nella Villa Adriana a Tivoli" +p308939 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308940 +sa(dp308941 +g291130 +S'etching on laid paper' +p308942 +sg291132 +S'1770' +p308943 +sg291134 +S'Veduta degli avanzi del Castro Pretorio nella Villa Adriana a Tivoli' +p308944 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308945 +sa(dp308946 +g291130 +S'etching on laid paper' +p308947 +sg291132 +S'1770' +p308948 +sg291134 +S'Veduta degli avanzi del Foro di Nerva' +p308949 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308950 +sa(dp308951 +g291130 +S'etching on laid paper' +p308952 +sg291132 +S'1771' +p308953 +sg291134 +S'Tempio detto volgarmente di Giano' +p308954 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308955 +sa(dp308956 +g291130 +S'etching on laid paper' +p308957 +sg291132 +S'1771' +p308958 +sg291134 +S"Veduta dell' Arco di Costantino" +p308959 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308960 +sa(dp308961 +g291130 +S'etching on laid paper' +p308962 +sg291132 +S'1771' +p308963 +sg291134 +S"Veduta dell' Arco di Tito" +p308964 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308965 +sa(dp308966 +g291130 +S'etching on laid paper' +p308967 +sg291132 +S'1772' +p308968 +sg291134 +S"Veduta dell' Arco di Settimio Severo" +p308969 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308970 +sa(dp308971 +g291130 +S'etching on laid paper' +p308972 +sg291132 +S'1772' +p308973 +sg291134 +S'Veduta di Campo Vaccino' +p308974 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308975 +sa(dp308976 +g291130 +S'etching on laid paper' +p308977 +sg291132 +S'1772' +p308978 +sg291134 +S'Veduta della gran Piazza e Basilica di S. Pietro' +p308979 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308980 +sa(dp308981 +g291130 +S'etching on laid paper' +p308982 +sg291132 +S'1773' +p308983 +sg291134 +S'Veduta interna della Basilica di S. Pietro in Vaticano vicino alla Tribuna' +p308984 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308985 +sa(dp308986 +g291130 +S'etching on laid paper' +p308987 +sg291132 +S'1773' +p308988 +sg291134 +S'Veduta della Piazza di Monte Cavallo' +p308989 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308990 +sa(dp308991 +g291130 +S'etching on laid paper' +p308992 +sg291132 +S'1773' +p308993 +sg291134 +S'Veduta ... della gran Fontana ... di Trevi' +p308994 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p308995 +sa(dp308996 +g291130 +S'etching on laid paper' +p308997 +sg291132 +S'1773' +p308998 +sg291134 +S'Veduta della Villa Estense in Tivoli' +p308999 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p309000 +sa(dp309001 +g291130 +S'etching on laid paper' +p309002 +sg291132 +S'1773' +p309003 +sg291134 +S'Veduta del Tempio delle Camene' +p309004 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p309005 +sa(dp309006 +g291130 +S'etching on laid paper' +p309007 +sg291132 +S'1773' +p309008 +sg291134 +S'Veduta del Palazzo Farnese' +p309009 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p309010 +sa(dp309011 +g291130 +S'etching on laid paper' +p309012 +sg291132 +S'1773' +p309013 +sg291134 +S'Veduta di Piazza Navona spora le rovine del Circo Agonale' +p309014 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p309015 +sa(dp309016 +g291130 +S'etching on laid paper' +p309017 +sg291132 +S'1774' +p309018 +sg291134 +S'Veduta del Tempio detto della Concordia' +p309019 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p309020 +sa(dp309021 +g291130 +S'etching on laid paper' +p309022 +sg291132 +S'1774' +p309023 +sg291134 +S'Altra veduta degli avanzi del Pronao del Tempio della Concordia' +p309024 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p309025 +sa(dp309026 +g291130 +S'etching on laid paper' +p309027 +sg291132 +S'1774' +p309028 +sg291134 +S'Veduta della Piazza del Campidoglio' +p309029 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p309030 +sa(dp309031 +g291130 +S'etching on laid paper' +p309032 +sg291132 +S'1774' +p309033 +sg291134 +S'Avanzi di una Sala appartente ... nella Villa Adriana in Tivoli' +p309034 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p309035 +sa(dp309036 +g291130 +S'etching on laid paper' +p309037 +sg291132 +S'1774' +p309038 +sg291134 +S"Rovina di uno degli allogiamente de' Soldati ... nella sua Villa in Tivoli" +p309039 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p309040 +sa(dp309041 +g291130 +S'etching on laid paper' +p309042 +sg291132 +S'1774' +p309043 +sg291134 +S'Veduta degli avanzi del Tablino della Casa aurea di Nerone' +p309044 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p309045 +sa(dp309046 +g291130 +S'etching on laid paper [touched proof]' +p309047 +sg291132 +S'1774' +p309048 +sg291134 +S'Veduta degli avanzi superiori delle Terme di Diocleziano' +p309049 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p309050 +sa(dp309051 +g291130 +S'etching on laid paper' +p309052 +sg291132 +S'1774' +p309053 +sg291134 +S'Veduta degli avanzi superiori delle Terme di Diocleziano' +p309054 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p309055 +sa(dp309056 +g291130 +S'etching on laid paper' +p309057 +sg291132 +S'1775' +p309058 +sg291134 +S'Veduta della Piazza e Basilica di S. Giovanni in Laterano' +p309059 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p309060 +sa(dp309061 +g291130 +S'etching on laid paper' +p309062 +sg291132 +S'1775' +p309063 +sg291134 +S"Avanzi degl' Aquedotti Neroniani ..." +p309064 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p309065 +sa(dp309066 +g291130 +S'etching on laid paper' +p309067 +sg291132 +S'1775' +p309068 +sg291134 +S"Veduta del Monumento eretto dall' Imperardor Tito Vespasiano" +p309069 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p309070 +sa(dp309071 +g291130 +S'etching on laid paper' +p309072 +sg291132 +S'1775' +p309073 +sg291134 +S"Veduta dell' insigne Basilica Vaticana coll' ampio Portico, e Piazza adjacente" +p309074 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p309075 +sa(dp309076 +g291130 +S'etching on laid paper' +p309077 +sg291132 +S'1775' +p309078 +sg291134 +S"Veduta dell' Isola Tiberina" +p309079 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p309080 +sa(dp309081 +g291130 +S'etching on laid paper' +p309082 +sg291132 +S'1775' +p309083 +sg291134 +S'Veduta della Facciata della Basilica di S. Giovanni Laterano' +p309084 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p309085 +sa(dp309086 +g291134 +S'Veduta delle Terme di Tito' +p309087 +sg291137 +S'Giovanni Battista Piranesi' +p309088 +sg291130 +S'etching on laid paper' +p309089 +sg291132 +S'1775' +p309090 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000a3/a000a348.jpg' +p309091 +sg291136 +g27 +sa(dp309092 +g291130 +S'etching on laid paper' +p309093 +sg291132 +S'1776' +p309094 +sg291134 +S'Villa Panfili' +p309095 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p309096 +sa(dp309097 +g291130 +S'etching on laid paper' +p309098 +sg291132 +S'1776' +p309099 +sg291134 +S'Veduta delle antiche Sostruzioni ... le Cloache fin al Tevere' +p309100 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p309101 +sa(dp309102 +g291130 +S'etching on laid paper' +p309103 +sg291132 +S'1776' +p309104 +sg291134 +S"Veduta dell' ... Colosseo" +p309105 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p309106 +sa(dp309107 +g291134 +S'Veduta ... delle Terme di Tito' +p309108 +sg291137 +S'Giovanni Battista Piranesi' +p309109 +sg291130 +S'etching on laid paper' +p309110 +sg291132 +S'1776' +p309111 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000a3/a000a347.jpg' +p309112 +sg291136 +g27 +sa(dp309113 +g291130 +S'etching on laid paper' +p309114 +sg291132 +S'1776' +p309115 +sg291134 +S'Veduta del Palazzo Stopani' +p309116 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p309117 +sa(dp309118 +g291130 +S'etching on laid paper' +p309119 +sg291132 +S'1776' +p309120 +sg291134 +S'Veduta interna della Chiesa della Madonna degli Angioli' +p309121 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p309122 +sa(dp309123 +g291130 +S'etching on laid paper' +p309124 +sg291132 +S'1776' +p309125 +sg291134 +S'Avanzi di un antico Sepolcro ... dalla Porta di Capua per andar a Napoli' +p309126 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p309127 +sa(dp309128 +g291130 +S'etching on laid paper' +p309129 +sg291132 +S'1776' +p309130 +sg291134 +S'Interno del Tempio d.o di Canopo nella Villa Adriana' +p309131 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p309132 +sa(dp309133 +g291130 +S'etching on laid paper' +p309134 +sg291132 +S'1776' +p309135 +sg291134 +S"Veduta degli Avanzi della Circonferenzo ... chiamata Piazza d'oro" +p309136 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p309137 +sa(dp309138 +g291130 +S'etching on laid paper' +p309139 +sg291132 +S'1777' +p309140 +sg291134 +S'Veduta di un Eliocamino ... per le Finestre' +p309141 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p309142 +sa(dp309143 +g291130 +S'etching on laid paper' +p309144 +sg291132 +S'1777' +p309145 +sg291134 +S'Dieta, o sia Luogo ... esistente nella Villa Adriana' +p309146 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p309147 +sa(dp309148 +g291130 +S'etching on laid paper' +p309149 +sg291132 +S'1778' +p309150 +sg291134 +S"Veduta dell' Arco di Benevento nel regno di Napoli" +p309151 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p309152 +sa(dp309153 +g291130 +S'etching on laid paper' +p309154 +sg291132 +S'c. 1778' +p309155 +sg291134 +S'Veduta interna del Panteon volgarmente detto la Rotonda' +p309156 +sg291136 +g27 +sg291137 +S'Francesco Piranesi' +p309157 +sa(dp309158 +g291130 +S'(artist)' +p309159 +sg291132 +S'\n' +p309160 +sg291134 +S'La Topografia di Roma' +p309161 +sg291136 +g27 +sg291137 +S'Artist Information (' +p309162 +sa(dp309163 +g291130 +S'pen and black ink on laid paper' +p309164 +sg291132 +S'c. 1943' +p309165 +sg291134 +S'Untitled' +p309166 +sg291136 +g27 +sg291137 +S'Jackson Pollock' +p309167 +sa(dp309168 +g291134 +S'Untitled' +p309169 +sg291137 +S'Jackson Pollock' +p309170 +sg291130 +S'black ink' +p309171 +sg291132 +S'c. 1950' +p309172 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00009/a0000982.jpg' +p309173 +sg291136 +g27 +sa(dp309174 +g291130 +S'brush and black ink on wove paper' +p309175 +sg291132 +S'c. 1939/1942' +p309176 +sg291134 +S'Untitled' +p309177 +sg291136 +g27 +sg291137 +S'Jackson Pollock' +p309178 +sa(dp309179 +g291130 +S'pen and black ink on brown paper prepared with yellow gouache' +p309180 +sg291132 +S'c. 1945' +p309181 +sg291134 +S'Untitled' +p309182 +sg291136 +g27 +sg291137 +S'Jackson Pollock' +p309183 +sa(dp309184 +g291134 +S'Alexander in the Studio of Apelles' +p309185 +sg291137 +S'Salvator Rosa' +p309186 +sg291130 +S'etching and drypoint on laid paper' +p309187 +sg291132 +S'c. 1662' +p309188 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000ca/a000ca15.jpg' +p309189 +sg291136 +g27 +sa(dp309190 +g291134 +S'The Ramparts at Aigues-Mortes' +p309191 +sg291137 +S'Fr\xc3\xa9d\xc3\xa9ric Bazille' +p309192 +sg291130 +S'oil on canvas' +p309193 +sg291132 +S'1867' +p309194 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00006/a00006ca.jpg' +p309195 +sg291136 +S'Beginning in mid-to-late May 1867, Bazille\r\nspent a month in Aigues-Mortes, a fortified\r\nmedieval town located about fifteen\r\nand one-half miles from Montpellier in\r\nthe Languedoc region of southern France.\r\nThis site held considerable appeal for the\r\nyoung artist because of its association\r\nwith local history and its proximity to the\r\nBazille family property at Méric, itself on\r\nthe outskirts of Montpellier.\n Bazille had already begun thinking\r\nabout painting at the site by the summer\r\nof 1866: "I will be back in Montpellier as\r\nquickly as possible after having finished a\r\nlarge nude study, and I will begin a study at\r\nAigues-Mortes," he informed his parents.\n Three paintings from Bazille\xe2\x80\x99s stay\r\nat Aigues-Mortes are extant: the \n Despite the apparent fluency in the\r\npainting\xe2\x80\x99s execution, it is clear that Bazille\r\nadopted a fairly methodical approach in\r\nits conception. A sketchbook in the Musée\r\ndu Louvre, Paris, is filled with preparatory\r\nstudies undertaken at Aigues-Mortes,\r\nincluding five of the ramparts themselves\r\nfrom differing angles. While none of the\r\narchitectural drawings relates directly to this\r\npainting, the number of drawings indicates\r\nthat Bazille did explore and subsequently\r\nabandon possible vantage points before settling on those he would ultimately paint.\r\nBazille\xe2\x80\x99s rigor may have been in response to\r\nhis father\xe2\x80\x99s own suggestion to depict such\r\na subject. In a letter to his son, Gaston\r\nBazille remarked upon the appeal of the\r\nsite, noting, "I have never seen a painting\r\nrepresenting Aigues-Mortes, and I am sufficiently\r\ninclined to believe that a landscape\r\nor a marine (because Aigues-Mortes with its\r\nlittle port, can furnish either subject) of this\r\nuncommon point of the Midi, would be of\r\ninterest."\n (Text by Kimberly Jones, \n Notes\n \n \n \n ' +p309196 +sa(dp309197 +g291134 +S'Edmond Ma\xc3\xaetre' +p309198 +sg291137 +S'Fr\xc3\xa9d\xc3\xa9ric Bazille' +p309199 +sg291130 +S'oil on canvas' +p309200 +sg291132 +S'1869' +p309201 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00006/a00006cb.jpg' +p309202 +sg291136 +S'Bazille first met Edmond Maître in 1865\r\nat a dinner hosted by Emile Blanche, a\r\ndoctor whose home was a favorite meeting\r\nplace of the Parisian avant-garde during\r\nthe 1860s. The two young men had much\r\nin common: both came from upper-class\r\nfamilies; both moved to Paris for their\r\nprofessional studies (medicine for Bazille,\r\nthe law for Maître), which they quickly\r\nabandoned in favor of more artistic pursuits.\r\nMost important was their shared\r\npassion for music. Both were competent\r\npianists—they would often play duets late\r\ninto the night—and admired the work of\r\nHector Berlioz and the German composers\r\nRichard Wagner and Robert Schumann.\r\nThe two friends frequently attended concerts\r\ntogether at the Pasdeloup as well as\r\nthe Conservatoire (Maître obtained season\r\npasses for them in 1865), occasionally\r\naccompanied by another friend and fellow\r\nWagner enthusiast, the painter Henri\r\nFantin-Latour.\n In a letter of January 1, 1869, Bazille\r\ntold his mother, "I have started to do\r\nanother portrait of Maître to replace the\r\none I gave him two years ago, and which\r\nI find simply too bad."\n One possible source of inspiration\r\nfor this painting is Edouard Manet\xe2\x80\x99s portrait\r\nof Emile Zola (Musée d\xe2\x80\x99Orsay, Paris).\r\nPainted the previous year, it is a work that\r\nBazille would have seen either in Manet\xe2\x80\x99s\r\nstudio or Zola\xe2\x80\x99s home. But while the pose\r\nis similar, Bazille\xe2\x80\x99s portrait is almost stark\r\nin comparison, lacking the accoutrements\r\nand clutter so integral to Manet\xe2\x80\x99s portrait.\r\nBazille might also have been thinking of\r\nthe realist portraits of Gustave Courbet,\r\nespecially the portrait of his patron Alfred\r\nBruyas, which had been donated to the\r\nMusée Fabre in Bazille\xe2\x80\x99s hometown of\r\nMontpellier in 1868. Whatever lessons\r\nBazille might have drawn from these works,\r\nhis portrait of Maître is uniquely his own.\n Bazille painted Maître a third time,\r\nincluding him in the large composition\r\n\n (Text by Kimberly Jones, \n Notes\n \n \n ' +p309203 +sa(dp309204 +g291134 +S'Concert at the Casino of Deauville' +p309205 +sg291137 +S'Eug\xc3\xa8ne Boudin' +p309206 +sg291130 +S'oil on canvas' +p309207 +sg291132 +S'1865' +p309208 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00006/a00006ee.jpg' +p309209 +sg291136 +g27 +sa(dp309210 +g291134 +S'The Trawlers' +p309211 +sg291137 +S'Eug\xc3\xa8ne Boudin' +p309212 +sg291130 +S'oil on wood' +p309213 +sg291132 +S'1885' +p309214 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005a/a0005a75.jpg' +p309215 +sg291136 +g27 +sa(dp309216 +g291130 +S'oil on canvas' +p309217 +sg291132 +S'1952' +p309218 +sg291134 +S'The Garden Table' +p309219 +sg291136 +g27 +sg291137 +S'Georges Braque' +p309220 +sa(dp309221 +g291134 +S'Skiffs' +p309222 +sg291137 +S'Gustave Caillebotte' +p309223 +sg291130 +S'oil on canvas' +p309224 +sg291132 +S'1877' +p309225 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00006/a0000692.jpg' +p309226 +sg291136 +S'Gustave Caillebotte\xe2\x80\x99s association with the\r\ngroup of pioneering artists soon to be\r\ndubbed the impressionists began with their\r\nfirst exhibition in 1874. He did not exhibit\r\nthere, but served as one of the organizers.\r\nThis role, along with promoter and patron,\r\nwould nearly eclipse his accomplishments\r\nas a painter. Indeed, he is often referred\r\nto as the unknown impressionist. With the\r\nfinancial means to support both himself\r\nand his fellow painters, Caillebotte did not need to rely on the sale of his paintings\r\nto make a living. As a result, many of\r\nhis paintings remained in the collections\r\nof family and friends, out of public view,\r\nuntil 1951 when the first major exhibition\r\nof his work was presented at Wildenstein\xe2\x80\x99s\r\nGalerie Beaux-Arts in Paris.\n Of the eight impressionist exhibitions\r\nheld from 1874 to 1886, Caillebotte participated\r\nin five. He made his debut as a\r\npainter in 1876 in the second impressionist\r\nexhibition with a series of works depicting\r\nindoor and outdoor scenes of upper\r\nmiddle-class life that garnered quite a bit\r\nof attention in the press. Included among\r\nthe eight paintings he showed was \n Between 1877 and 1878, Caillebotte\r\nmade a series of paintings focusing on\r\nswimmers, fishermen, rowers, and canoers\r\nat his family estate in Yerres. In \n As an avid sailor and designer of boats,\r\nCaillebotte often drew upon his personal\r\nexperiences in his paintings (he is generally\r\nidentified as one of the figures—the\r\nman in the white jacket and straw boating hat—in Renoir\xe2\x80\x99s \n After the premature death of his\r\nyounger brother René in 1876, Caillebotte\r\naddressed his own mortality and drafted\r\nhis will in 1878 at the age of twenty-eight.\r\nIn it, he designated that funds be set aside\r\nfor the next exhibition of impressionist\r\nartists. He also bequeathed his prized\r\ncollection of paintings to the French government,\r\nstipulating "that these paintings\r\nnot end up in an attic (storage room) or\r\na provincial museum but rather in the\r\nLuxembourg and later in the Louvre, a\r\ncertain lapse of time [being] necessary\r\nbefore the execution of this clause, until\r\nthe public may, I do not say understand,\r\nbut admit this painting."\n (Text by Michelle Bird, \n Notes\n ' +p309227 +sa(dp309228 +g291134 +S'Harlequin' +p309229 +sg291137 +S'Paul C\xc3\xa9zanne' +p309230 +sg291130 +S'oil on canvas' +p309231 +sg291132 +S'1888-1890' +p309232 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00006/a00006b3.jpg' +p309233 +sg291136 +S'Cézanne painted the austere and elegant \n Pissarro brought Cézanne into the impressionist movement and Cézanne showed in the first and third exhibitions, but in the late 1870s he stopped exhibiting in Paris and withdrew to Aix. Through the patient scrutiny of nature that Pissarro had advised and which Cézanne pursued in virtual isolation there, the dark and expressionistic execution that characterized his early work was transformed into his profoundly meditative late style.\n ' +p309234 +sa(dp309235 +g291134 +S'The Bend in the Road' +p309236 +sg291137 +S'Paul C\xc3\xa9zanne' +p309237 +sg291130 +S'oil on canvas' +p309238 +sg291132 +S'1900/1906' +p309239 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00006/a00006b4.jpg' +p309240 +sg291136 +g27 +sa(dp309241 +g291134 +S'Young Girl Reading' +p309242 +sg291137 +S'Jean-Baptiste-Camille Corot' +p309243 +sg291130 +S'oil on paperboard on wood' +p309244 +sg291132 +S'c. 1868' +p309245 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000db3.jpg' +p309246 +sg291136 +g27 +sa(dp309247 +g291134 +S'Calm Sea' +p309248 +sg291137 +S'Gustave Courbet' +p309249 +sg291130 +S'oil on canvas' +p309250 +sg291132 +S'1866' +p309251 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000dbb.jpg' +p309252 +sg291136 +g27 +sa(dp309253 +g291134 +S'Woman Viewed from Behind' +p309254 +sg291137 +S'Edgar Degas' +p309255 +sg291130 +S'oil on canvas' +p309256 +sg291132 +S'unknown date\n' +p309257 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00006/a00006c0.jpg' +p309258 +sg291136 +S"Degas unleashed his biting wit on many of his colleagues, but was \n impressed with the work of American artist \n Probably it is Cassatt we see here. Degas made a number of prints and \n pastels of Cassatt and her sister during visits to the Louvre -- where, in \n fact, she and Degas first met. These works make it possible to identify the \n setting of this work. Although painted freely, Degas' sketchy brushstrokes \n convey the surfaces of painted canvases in heavy gold frames and the pink \n columns still found in the Grande Galerie. The line of Mary Cassatt's \n silhouette and the tilt of her head are lively and energetic, but her \n expression is withheld from view.\n " +p309259 +sa(dp309260 +g291134 +S'View of the Thames' +p309261 +sg291137 +S'Andr\xc3\xa9 Derain' +p309262 +sg291130 +S'oil on canvas' +p309263 +sg291132 +S'1906' +p309264 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000dfb.jpg' +p309265 +sg291136 +g27 +sa(dp309266 +g291134 +S'July 14 in Le Havre' +p309267 +sg291137 +S'Raoul Dufy' +p309268 +sg291130 +S'oil on canvas' +p309269 +sg291132 +S'1906' +p309270 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0004a/a0004a0f.jpg' +p309271 +sg291136 +g27 +sa(dp309272 +g291130 +S'oil on canvas' +p309273 +sg291132 +S'1952' +p309274 +sg291134 +S'Music and the Pink Violin' +p309275 +sg291136 +g27 +sg291137 +S'Raoul Dufy' +p309276 +sa(dp309277 +g291134 +S'Study for "Negro Boy Dancing": The Boy' +p309278 +sg291137 +S'Thomas Eakins' +p309279 +sg291130 +S'oil on canvas' +p309280 +sg291132 +S'probably 1877' +p309281 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00000/a0000093.jpg' +p309282 +sg291136 +g27 +sa(dp309283 +g291134 +S'Study for "Negro Boy Dancing": The Banjo Player' +p309284 +sg291137 +S'Thomas Eakins' +p309285 +sg291130 +S'oil on canvas on cardboard' +p309286 +sg291132 +S'probably 1877' +p309287 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00000/a0000094.jpg' +p309288 +sg291136 +g27 +sa(dp309289 +g291134 +S'The Bicycle Race' +p309290 +sg291137 +S'Lyonel Feininger' +p309291 +sg291130 +S'oil on canvas' +p309292 +sg291132 +S'1912' +p309293 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00000/a00000b0.jpg' +p309294 +sg291136 +g27 +sa(dp309295 +g291134 +S'The Race Track' +p309296 +sg291137 +S'Jean-Louis Forain' +p309297 +sg291130 +S'oil on canvas' +p309298 +sg291132 +S'c. 1891' +p309299 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00006/a0000648.jpg' +p309300 +sg291136 +g27 +sa(dp309301 +g291134 +S"The Artist's Wife Fishing" +p309302 +sg291137 +S'Jean-Louis Forain' +p309303 +sg291130 +S'oil on canvas' +p309304 +sg291132 +S'1896' +p309305 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00006/a0000649.jpg' +p309306 +sg291136 +g27 +sa(dp309307 +g291134 +S'Self-Portrait Dedicated to Carri\xc3\xa8re' +p309308 +sg291137 +S'Paul Gauguin' +p309309 +sg291130 +S'oil on canvas' +p309310 +sg291132 +S'1888 or 1889' +p309311 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00006/a0000643.jpg' +p309312 +sg291136 +g27 +sa(dp309313 +g291134 +S'The Red School House' +p309314 +sg291137 +S'Winslow Homer' +p309315 +sg291130 +S'oil on canvas' +p309316 +sg291132 +S'1873' +p309317 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00001/a0000105.jpg' +p309318 +sg291136 +g27 +sa(dp309319 +g291134 +S'Autumn' +p309320 +sg291137 +S'Winslow Homer' +p309321 +sg291130 +S'oil on canvas' +p309322 +sg291132 +S'1877' +p309323 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00001/a0000106.jpg' +p309324 +sg291136 +g27 +sa(dp309325 +g291134 +S'View on the Outskirts of Caen' +p309326 +sg291137 +S'Stanislas L\xc3\xa9pine' +p309327 +sg291130 +S'oil on wood' +p309328 +sg291132 +S'1872/1875' +p309329 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0002b/a0002b28.jpg' +p309330 +sg291136 +g27 +sa(dp309331 +g291130 +S'oil on canvas' +p309332 +sg291132 +S'1965' +p309333 +sg291134 +S'The Blank Signature' +p309334 +sg291136 +g27 +sg291137 +S'Ren\xc3\xa9 Magritte' +p309335 +sa(dp309336 +g291134 +S'Pianist and Checker Players' +p309337 +sg291137 +S'Henri Matisse' +p309338 +sg291130 +S'oil on canvas' +p309339 +sg291132 +S'1924' +p309340 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e0b.jpg' +p309341 +sg291136 +S'Through the 1920s, Matisse stayed in Nice from late fall to early spring of each year, while\n his wife and family remained in Issy-les-Moulineaux outside Paris. \n The possible psychological complexities of the painting are more than matched by those of\n its pictorial organization. In few paintings does Matisse manage to control such an extraordinary\n proliferation of pattern and ornamentation. To this decorative profusion Matisse adds an\n equivalent abundance of perspectival viewpoints: piano, chairs, floor, and bureau are each\n pictured from different angles. Despite the wealth of pictorial elements, a curious, calm order of\n structured harmony prevails. \n ' +p309342 +sa(dp309343 +g291134 +S'Still Life with Sleeping Woman' +p309344 +sg291137 +S'Henri Matisse' +p309345 +sg291130 +S'oil on canvas' +p309346 +sg291132 +S'1940' +p309347 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e00.jpg' +p309348 +sg291136 +g27 +sa(dp309349 +g291134 +S'Cliffs at Pourville' +p309350 +sg291137 +S'Claude Monet' +p309351 +sg291130 +S'oil on canvas' +p309352 +sg291132 +S'1882' +p309353 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00006/a000067f.jpg' +p309354 +sg291136 +g27 +sa(dp309355 +g291134 +S'Hanging the Laundry out to Dry' +p309356 +sg291137 +S'Berthe Morisot' +p309357 +sg291130 +S'oil on canvas' +p309358 +sg291132 +S'1875' +p309359 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00006/a000068f.jpg' +p309360 +sg291136 +g27 +sa(dp309361 +g291134 +S'A Creek in St. Thomas (Virgin Islands)' +p309362 +sg291137 +S'Camille Pissarro' +p309363 +sg291130 +S'oil on academy board' +p309364 +sg291132 +S'1856' +p309365 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00006/a0000660.jpg' +p309366 +sg291136 +g27 +sa(dp309367 +g291134 +S'Two Women Chatting by the Sea, St. Thomas' +p309368 +sg291137 +S'Camille Pissarro' +p309369 +sg291130 +S'oil on canvas' +p309370 +sg291132 +S'1856' +p309371 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00006/a00006a3.jpg' +p309372 +sg291136 +g27 +sa(dp309373 +g291134 +S'The Fence' +p309374 +sg291137 +S'Camille Pissarro' +p309375 +sg291130 +S'oil on canvas' +p309376 +sg291132 +S'1872' +p309377 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00006/a0000661.jpg' +p309378 +sg291136 +S'Pissarro, who was committed to socialist principles, identified strongly \n with the land and with the peasant farmers who worked it. He moved with his \n family from Paris in the 1860s to a number of small villages like \n Louveciennes. While many of his fellow impressionists chose subjects from \n modern life and leisure, sophisticated even if their settings were in the \n countryside, Pissarro preferred scenes of an older, more rural way of life like this garden fence and the small figures who pause in their work. \n Some contemporaries criticized Pissarro for his unadorned rusticity. About \n \n It was in the early 1870s that Pissarro made his most purely \n impressionist pictures, painted, as this one probably was, in a single \n session on the spot. The paint here is quickly applied, thick in some \n areas, much thinner in others. We can see, in the trees, for example, where \n one brushstroke has been pulled through an earlier one that still lay wet \n on the canvas.\n ' +p309379 +sa(dp309380 +g291134 +S'Charing Cross Bridge, London' +p309381 +sg291137 +S'Camille Pissarro' +p309382 +sg291130 +S'oil on canvas' +p309383 +sg291132 +S'1890' +p309384 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00006/a0000662.jpg' +p309385 +sg291136 +g27 +sa(dp309386 +g291134 +S'Salem Cove' +p309387 +sg291137 +S'Maurice Brazil Prendergast' +p309388 +sg291130 +S'oil on canvas' +p309389 +sg291132 +S'1916' +p309390 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00001/a00001ce.jpg' +p309391 +sg291136 +S'Maurice Prendergast\'s optimistic temperament lends \n Prendergast\'s avant-garde style, with its colorful patches of paint\r\n outlined in darker shades, has been compared to Byzantine mosaics and\r\n Gothic tapestries. These emphatic decorative patterns owe as much, or more,\r\n to the Art Nouveau posters and book illustrations he designed in his youth\r\n as a graphic artist. Although Prendergast has been called a naive or\r\n untutored artist, his background included six extended trips to Europe,\r\n where he studied in Paris and sketched at museums and landmarks throughout\r\n France, Britain, and Italy. Moreover, he was conversant about the most\r\n radical trends, from the "art for art\'s sake" theories of James McNeill\r\n Whistler to the postimpressionism of Paul Cézanne.\n Born in Newfoundland, Canada, Maurice Prendergast had moved as a child\r\n to Boston. This shy artist, especially acclaimed for his technical\r\n experiments with monotype prints, worked in the studio of his younger\r\n brother, Charles Prendergast, a successful picture framer.\n ' +p309392 +sa(dp309393 +g291130 +S'oil on canvas' +p309394 +sg291132 +S'unknown date\n' +p309395 +sg291134 +S'Horses' +p309396 +sg291136 +g27 +sg291137 +S'Rene Pierre Charles Princeteau' +p309397 +sa(dp309398 +g291134 +S'Claude Monet' +p309399 +sg291137 +S'Auguste Renoir' +p309400 +sg291130 +S'oil on canvas' +p309401 +sg291132 +S'1872' +p309402 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00007/a000070e.jpg' +p309403 +sg291136 +g27 +sa(dp309404 +g291134 +S"Child with Toys - Gabrielle and the Artist's Son, Jean" +p309405 +sg291137 +S'Auguste Renoir' +p309406 +sg291130 +S'oil on canvas' +p309407 +sg291132 +S'1895-1896' +p309408 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00007/a0000727.jpg' +p309409 +sg291136 +g27 +sa(dp309410 +g291130 +S'oil on canvas' +p309411 +sg291132 +S'1937' +p309412 +sg291134 +S'The Breton Wedding' +p309413 +sg291136 +g27 +sg291137 +S'Georges Rouault' +p309414 +sa(dp309415 +g291134 +S'Flood at Port-Marly' +p309416 +sg291137 +S'Alfred Sisley' +p309417 +sg291130 +S'oil on canvas' +p309418 +sg291132 +S'1872' +p309419 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00007/a0000738.jpg' +p309420 +sg291136 +S"Flooding early in the spring of 1872 drew Sisley to Port–Marly, a village on the Seine near Louveciennes, the artist's home. The water here is calm and human activity is minimal. Rather than dramatic or picturesque incident, the artist's attention was engaged by purely visual effects of rain–laden clouds and water–covered streets. The tranquility of the painting and the directness and simplicity of Sisley's observation are qualities derived from Corot, whom Sisley had met in the 1860s.\n The composition is traditional. The Restaurant à Saint Nicolas at the left and the erect pylon on the right and its reflection establish a stable foreground and frame an opening at the center toward a stand of trees and distant hillside. The artist's handling, however, distinguishes \n Sisley painted the floods at Port–Marly again in 1876, echoing this 1872 composition in two virtually identical works. Such repetition was unusual for Sisley and suggests that he found the motif congenial and this painting successful.\n " +p309421 +sa(dp309422 +g291134 +S'A la Bastille (Jeanne Wenz)' +p309423 +sg291137 +S'Henri de Toulouse-Lautrec' +p309424 +sg291130 +S'oil on canvas' +p309425 +sg291132 +S'1888' +p309426 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00007/a000074e.jpg' +p309427 +sg291136 +g27 +sa(dp309428 +g291130 +S'oil on wood' +p309429 +sg291132 +S'c. 1908' +p309430 +sg291134 +S'The Pont Saint-Michel, Paris' +p309431 +sg291136 +g27 +sg291137 +S'Maurice Utrillo' +p309432 +sa(dp309433 +g291134 +S'The Wind' +p309434 +sg291137 +S'F\xc3\xa9lix Vallotton' +p309435 +sg291130 +S'oil on canvas' +p309436 +sg291132 +S'1910' +p309437 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f8a.jpg' +p309438 +sg291136 +g27 +sa(dp309439 +g291134 +S'On the Beach' +p309440 +sg291137 +S'Edouard Vuillard' +p309441 +sg291130 +S'glue on canvas' +p309442 +sg291132 +S'c. 1907' +p309443 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005f/a0005f52.jpg' +p309444 +sg291136 +g27 +sa(dp309445 +g291134 +S'Women Sewing' +p309446 +sg291137 +S'Edouard Vuillard' +p309447 +sg291130 +S'glue on paper on canvas' +p309448 +sg291132 +S'c. 1912' +p309449 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00007/a000075a.jpg' +p309450 +sg291136 +g27 +sa(dp309451 +g291130 +S'oil on carved board' +p309452 +sg291132 +S'1969' +p309453 +sg291134 +S'1969 (Holkham Sands No. 1)' +p309454 +sg291136 +g27 +sg291137 +S'Ben Nicholson' +p309455 +sa(dp309456 +g291134 +S'Picking Apples (Memorial, or Family Idyll)' +p309457 +sg291137 +S'Edgar Degas' +p309458 +sg291130 +S'red wax and plastiline on wood' +p309459 +sg291132 +S'c. 1881/possibly 1890s' +p309460 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00105/a00105e9.jpg' +p309461 +sg291136 +g27 +sa(dp309462 +g291134 +S'Study in the Nude of Little Dancer Aged Fourteen (Nude Little Dancer)' +p309463 +sg291137 +S'Edgar Degas' +p309464 +sg291130 +S'red wax and plastiline' +p309465 +sg291132 +S'c. 1878-1881' +p309466 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00063/a00063b8.jpg' +p309467 +sg291136 +g27 +sa(dp309468 +g291134 +S'Dancer Adjusting the Shoulder Strap of Her Bodice' +p309469 +sg291137 +S'Edgar Degas' +p309470 +sg291130 +S'yellow brown wax and plastiline' +p309471 +sg291132 +S'1880s/1890s' +p309472 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0002c/a0002c08.jpg' +p309473 +sg291136 +g27 +sa(dp309474 +g291134 +S'The Tub' +p309475 +sg291137 +S'Edgar Degas' +p309476 +sg291130 +S'brownish red wax, lead, plaster of Paris, cloth' +p309477 +sg291132 +S'c. 1889' +p309478 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0002c/a0002c09.jpg' +p309479 +sg291136 +S'Degas exhibited only one sculpture during his lifetime, the wax\n\n In his other sculptures, not meant for exhibition, Degas worked less\nin pursuit of perfect forms than in restless exploration of movement\nand composition. Using soft, pliable materials, he built up his \nfigures on makeshift armatures reinforced with brush handles, \nmatches, or whatever else was at hand. The waxes, whose lumpish \nsurfaces leave his labor visible, have a translucent character that \nconveys an astonishing sense of life.\n Like the \n ' +p309480 +sa(dp309481 +g291134 +S'Fourth Position Front, on the Left Leg' +p309482 +sg291137 +S'Edgar Degas' +p309483 +sg291130 +S'yellow brown wax and plastiline' +p309484 +sg291132 +S'c. 1885/1890' +p309485 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005e/a0005ede.jpg' +p309486 +sg291136 +g27 +sa(dp309487 +g291134 +S'The Bow' +p309488 +sg291137 +S'Edgar Degas' +p309489 +sg291130 +S'yellow wax and plastiline' +p309490 +sg291132 +S'1880s/1890s' +p309491 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00058/a00058ed.jpg' +p309492 +sg291136 +g27 +sa(dp309493 +g291134 +S'Woman Taken Unawares' +p309494 +sg291137 +S'Edgar Degas' +p309495 +sg291130 +S'yellow brown wax and plastiline' +p309496 +sg291132 +S'late 1880s/early 1890s' +p309497 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00063/a00063b7.jpg' +p309498 +sg291136 +g27 +sa(dp309499 +g291130 +S'yellow brown wax and plastiline' +p309500 +sg291132 +S'1890s/1911' +p309501 +sg291134 +S'Dancer Putting on Her Stocking' +p309502 +sg291136 +g27 +sg291137 +S'Edgar Degas' +p309503 +sa(dp309504 +g291134 +S'Dancer Holding Her Right Foot in Her Right Hand' +p309505 +sg291137 +S'Edgar Degas' +p309506 +sg291130 +S'brown wax and plastiline' +p309507 +sg291132 +S'possibly 1900/1911' +p309508 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005f/a0005f58.jpg' +p309509 +sg291136 +g27 +sa(dp309510 +g291134 +S'Pregnant Woman' +p309511 +sg291137 +S'Edgar Degas' +p309512 +sg291130 +S'brown wax and plastiline' +p309513 +sg291132 +S'c. 1896/1911' +p309514 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00063/a00063b6.jpg' +p309515 +sg291136 +g27 +sa(dp309516 +g291134 +S'Woman Stretching' +p309517 +sg291137 +S'Edgar Degas' +p309518 +sg291130 +S'red wax and plastiline' +p309519 +sg291132 +S'c. 1896/1911' +p309520 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005f/a0005f0e.jpg' +p309521 +sg291136 +g27 +sa(dp309522 +g291134 +S'Dancer Holding Her Right Foot in Her Right Hand' +p309523 +sg291137 +S'Edgar Degas' +p309524 +sg291130 +S'brown wax and plastiline' +p309525 +sg291132 +S'possibly 1900/1911' +p309526 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005b/a0005b6a.jpg' +p309527 +sg291136 +g27 +sa(dp309528 +g291134 +S'Woman Seated, Wiping Her Left Side' +p309529 +sg291137 +S'Edgar Degas' +p309530 +sg291130 +S'red wax and plastilene' +p309531 +sg291132 +S'1890s/1911' +p309532 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00053/a00053df.jpg' +p309533 +sg291136 +g27 +sa(dp309534 +g291134 +S'Woman Seated in an Armchair, Wiping Her Neck' +p309535 +sg291137 +S'Edgar Degas' +p309536 +sg291130 +S'green wax and plastiline' +p309537 +sg291132 +S'1890s/c. 1905' +p309538 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00053/a00053e1.jpg' +p309539 +sg291136 +g27 +sa(dp309540 +g291134 +S'Woman Seated, Wiping Her Left Hip' +p309541 +sg291137 +S'Edgar Degas' +p309542 +sg291130 +S'brown wax' +p309543 +sg291132 +S'1890s/1911' +p309544 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005b/a0005b69.jpg' +p309545 +sg291136 +g27 +sa(dp309546 +g291134 +S'Woman Seated in an Armchair, Wiping Her Left Armpit' +p309547 +sg291137 +S'Edgar Degas' +p309548 +sg291130 +S'brown wax and plastiline' +p309549 +sg291132 +S'c. 1890s' +p309550 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00053/a00053e3.jpg' +p309551 +sg291136 +g27 +sa(dp309552 +g291134 +S'The Masseuse, Group' +p309553 +sg291137 +S'Edgar Degas' +p309554 +sg291130 +S'plastiline' +p309555 +sg291132 +S'mid 1890s' +p309556 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00053/a00053e6.jpg' +p309557 +sg291136 +g27 +sa(dp309558 +g291134 +S'Little Dancer Aged Fourteen' +p309559 +sg291137 +S'Edgar Degas' +p309560 +sg291130 +S'plaster' +p309561 +sg291132 +S'original wax 1878-1881, plaster cast possibly 1920/1921' +p309562 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00043/a00043ed.jpg' +p309563 +sg291136 +g27 +sa(dp309564 +g291130 +S'bronze' +p309565 +sg291132 +S'original wax 1880s, cast 1920/1964' +p309566 +sg291134 +S'Dancer with a Tambourine' +p309567 +sg291136 +g27 +sg291137 +S'Edgar Degas' +p309568 +sa(dp309569 +g291130 +S'bronze' +p309570 +sg291132 +S'original wax 1880s/1890s, cast 1920/1949' +p309571 +sg291134 +S'Dancer Adjusting the Shoulder Strap of Her Bodice' +p309572 +sg291136 +g27 +sg291137 +S'Edgar Degas' +p309573 +sa(dp309574 +g291130 +S'bronze' +p309575 +sg291132 +S'original wax possibly late 1880s/1890s, cast 1920/1962' +p309576 +sg291134 +S'Woman Arranging Her Hair' +p309577 +sg291136 +g27 +sg291137 +S'Edgar Degas' +p309578 +sa(dp309579 +g291130 +S'bronze' +p309580 +sg291132 +S'original plastiline 1890s/c.1905, cast 1920/1952' +p309581 +sg291134 +S'Woman Seated in an Armchair, Wiping Her Neck' +p309582 +sg291136 +g27 +sg291137 +S'Edgar Degas' +p309583 +sa(dp309584 +g291134 +S'Study in the Nude of Little Dancer Aged Fourteen (Nude Little Dancer)' +p309585 +sg291137 +S'Edgar Degas' +p309586 +sg291130 +S'bronze' +p309587 +sg291132 +S'original wax c. 1878-1881, cast 1920/1926' +p309588 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0002c/a0002c0a.jpg' +p309589 +sg291136 +g27 +sa(dp309590 +g291130 +S'bronze' +p309591 +sg291132 +S'1952-1954' +p309592 +sg291134 +S"The Concept of the Rider (L'Idea del Cavaliere)" +p309593 +sg291136 +g27 +sg291137 +S'Marino Marini' +p309594 +sa(dp309595 +g291134 +S'Hermit Thrush' +p309596 +sg291137 +S'John James Audubon' +p309597 +sg291130 +S'black chalk, watercolor, and gouache over graphite' +p309598 +sg291132 +S'1820' +p309599 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e480.jpg' +p309600 +sg291136 +g27 +sa(dp309601 +g291134 +S'Blue Yellow Back Warbler' +p309602 +sg291137 +S'John James Audubon' +p309603 +sg291130 +S'watercolor and gouache over graphite' +p309604 +sg291132 +S'1812' +p309605 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00008/a00008a5.jpg' +p309606 +sg291136 +g27 +sa(dp309607 +g291130 +S'watercolor and gouache over graphite' +p309608 +sg291132 +S'1828' +p309609 +sg291134 +S'English Black Cocks' +p309610 +sg291136 +g27 +sg291137 +S'John James Audubon' +p309611 +sa(dp309612 +g291134 +S'A Couple Seated on the Beach with Two Dogs' +p309613 +sg291137 +S'Eug\xc3\xa8ne Boudin' +p309614 +sg291130 +S'watercolor and graphite' +p309615 +sg291132 +S'c. 1865' +p309616 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00059/a00059e3.jpg' +p309617 +sg291136 +g27 +sa(dp309618 +g291134 +S'Ladies and Gentleman Walking on the Beach with Two Dogs' +p309619 +sg291137 +S'Eug\xc3\xa8ne Boudin' +p309620 +sg291130 +S'watercolor over graphite' +p309621 +sg291132 +S'1866' +p309622 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00059/a00059e2.jpg' +p309623 +sg291136 +g27 +sa(dp309624 +g291134 +S'Beach House with Flags at Trouville' +p309625 +sg291137 +S'Eug\xc3\xa8ne Boudin' +p309626 +sg291130 +S'watercolor over graphite' +p309627 +sg291132 +S'c. 1865' +p309628 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00059/a00059e5.jpg' +p309629 +sg291136 +g27 +sa(dp309630 +g291134 +S'Ladies and Gentlemen Seated on the Beach with a Dog' +p309631 +sg291137 +S'Eug\xc3\xa8ne Boudin' +p309632 +sg291130 +S'watercolor over graphite' +p309633 +sg291132 +S'1866' +p309634 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00022/a00022c2.jpg' +p309635 +sg291136 +g27 +sa(dp309636 +g291134 +S'Ladies and Gentlemen on the Beach, in Two Registers' +p309637 +sg291137 +S'Eug\xc3\xa8ne Boudin' +p309638 +sg291130 +S'watercolor over graphite' +p309639 +sg291132 +S'c. 1865' +p309640 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f3c.jpg' +p309641 +sg291136 +g27 +sa(dp309642 +g291134 +S'Two Ladies Seated and a Couple Walking on the Beach' +p309643 +sg291137 +S'Eug\xc3\xa8ne Boudin' +p309644 +sg291130 +S'watercolor over graphite on wove paper' +p309645 +sg291132 +S'c. 1866' +p309646 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00059/a00059e4.jpg' +p309647 +sg291136 +g27 +sa(dp309648 +g291134 +S'A Couple Seated and a Couple Walking on the Beach' +p309649 +sg291137 +S'Eug\xc3\xa8ne Boudin' +p309650 +sg291130 +S'watercolor over graphite' +p309651 +sg291132 +S'1865' +p309652 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00059/a00059e1.jpg' +p309653 +sg291136 +g27 +sa(dp309654 +g291134 +S'Four Ladies Seated at Trouville' +p309655 +sg291137 +S'Eug\xc3\xa8ne Boudin' +p309656 +sg291130 +S'watercolor and graphite with black chalk over graphite' +p309657 +sg291132 +S'1866' +p309658 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00071/a000714a.jpg' +p309659 +sg291136 +g27 +sa(dp309660 +g291134 +S'Four Ladies in Crinolines Walking at Trouville' +p309661 +sg291137 +S'Eug\xc3\xa8ne Boudin' +p309662 +sg291130 +S'watercolor over graphite on laid paper' +p309663 +sg291132 +S'1865' +p309664 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00031/a000319d.jpg' +p309665 +sg291136 +g27 +sa(dp309666 +g291134 +S'The Black Hat' +p309667 +sg291137 +S'Mary Cassatt' +p309668 +sg291130 +S'pastel' +p309669 +sg291132 +S'c. 1890' +p309670 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00008/a00008bd.jpg' +p309671 +sg291136 +g27 +sa(dp309672 +g291134 +S'Mont Sainte-Victoire Seen beyond the Wall of the Jas de Bouffan' +p309673 +sg291137 +S'Paul C\xc3\xa9zanne' +p309674 +sg291130 +S'watercolor and graphite on laid paper' +p309675 +sg291132 +S'c. 1885/1888' +p309676 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00031/a00031a9.jpg' +p309677 +sg291136 +g27 +sa(dp309678 +g291134 +S'The Little Bridge [recto]' +p309679 +sg291137 +S'Paul C\xc3\xa9zanne' +p309680 +sg291130 +S'graphite' +p309681 +sg291132 +S'c. 1880' +p309682 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00031/a00031aa.jpg' +p309683 +sg291136 +g27 +sa(dp309684 +g291134 +S'Bust of Madame C\xc3\xa9zanne [verso]' +p309685 +sg291137 +S'Paul C\xc3\xa9zanne' +p309686 +sg291130 +S'graphite' +p309687 +sg291132 +S'1884/1885' +p309688 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00031/a00031ab.jpg' +p309689 +sg291136 +g27 +sa(dp309690 +g291134 +S'Wash Basin and Scent Bottle [recto]' +p309691 +sg291137 +S'Paul C\xc3\xa9zanne' +p309692 +sg291130 +S'graphite' +p309693 +sg291132 +S'1877/1881' +p309694 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00071/a000714b.jpg' +p309695 +sg291136 +g27 +sa(dp309696 +g291134 +S'Seated Bather [verso]' +p309697 +sg291137 +S'Paul C\xc3\xa9zanne' +p309698 +sg291130 +S'graphite' +p309699 +sg291132 +S'1882/1885' +p309700 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00071/a00071b1.jpg' +p309701 +sg291136 +g27 +sa(dp309702 +g291134 +S'Self-Portrait [recto]' +p309703 +sg291137 +S'Paul C\xc3\xa9zanne' +p309704 +sg291130 +S'graphite on wove paper (sketchbook page)' +p309705 +sg291132 +S'c. 1880/1882' +p309706 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00031/a00031ac.jpg' +p309707 +sg291136 +g27 +sa(dp309708 +g291134 +S"The Artist's Father and Objects on a Mantel [verso]" +p309709 +sg291137 +S'Paul C\xc3\xa9zanne' +p309710 +sg291130 +S'graphite on wove paper (sketchbook page)' +p309711 +sg291132 +S'1877/1881' +p309712 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00031/a00031ad.jpg' +p309713 +sg291136 +g27 +sa(dp309714 +g291134 +S'Trees Leaning over Rocks' +p309715 +sg291137 +S'Paul C\xc3\xa9zanne' +p309716 +sg291130 +S'watercolor and black chalk' +p309717 +sg291132 +S'c. 1892' +p309718 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00031/a00031ae.jpg' +p309719 +sg291136 +g27 +sa(dp309720 +g291134 +S'Three Dancers Resting' +p309721 +sg291137 +S'Edgar Degas' +p309722 +sg291130 +S'black chalk and pastel on tan wove paper' +p309723 +sg291132 +S'c. 1880' +p309724 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00024/a0002431.jpg' +p309725 +sg291136 +g27 +sa(dp309726 +g291134 +S'Three Studies of Ludovic Hal\xc3\xa9vy Standing' +p309727 +sg291137 +S'Edgar Degas' +p309728 +sg291130 +S'charcoal' +p309729 +sg291132 +S'c. 1880' +p309730 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00024/a0002432.jpg' +p309731 +sg291136 +g27 +sa(dp309732 +g291130 +S'pastel on paper mounted on canvas' +p309733 +sg291132 +S'1895' +p309734 +sg291134 +S'The Farewell Dinner' +p309735 +sg291136 +g27 +sg291137 +S'Jean-Louis Forain' +p309736 +sa(dp309737 +g291134 +S'Crowd of Spectators at the Track, Deauville' +p309738 +sg291137 +S'Jean-Louis Forain' +p309739 +sg291130 +S'pen and brush with black ink, blue crayon, and white heightening on tracing paper' +p309740 +sg291132 +S'unknown date\n' +p309741 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00072/a0007209.jpg' +p309742 +sg291136 +g27 +sa(dp309743 +g291134 +S'The Harvest' +p309744 +sg291137 +S'Vincent van Gogh' +p309745 +sg291130 +S'pen and brown ink over graphite' +p309746 +sg291132 +S'1888' +p309747 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00033/a00033e0.jpg' +p309748 +sg291136 +g27 +sa(dp309749 +g291134 +S'An Open Carriage' +p309750 +sg291137 +S'Constantin Guys' +p309751 +sg291130 +S'black wash on wove paper' +p309752 +sg291132 +S'unknown date\n' +p309753 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00073/a00073a3.jpg' +p309754 +sg291136 +g27 +sa(dp309755 +g291134 +S'Military Parade' +p309756 +sg291137 +S'Constantin Guys' +p309757 +sg291130 +S'pen and brown ink with gray wash over graphite' +p309758 +sg291132 +S'unknown date\n' +p309759 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006d30.jpg' +p309760 +sg291136 +g27 +sa(dp309761 +g291134 +S'Promenade in the Bois' +p309762 +sg291137 +S'Constantin Guys' +p309763 +sg291130 +S'pen and brown ink with watercolor over graphite' +p309764 +sg291132 +S'unknown date\n' +p309765 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00073/a00073a5.jpg' +p309766 +sg291136 +g27 +sa(dp309767 +g291134 +S'Coachmen' +p309768 +sg291137 +S'Constantin Guys' +p309769 +sg291130 +S', unknown date' +p309770 +sg291132 +S'\n' +p309771 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00073/a00073a2.jpg' +p309772 +sg291136 +g27 +sa(dp309773 +g291134 +S'The Brighton Coach' +p309774 +sg291137 +S'Constantin Guys' +p309775 +sg291130 +S'pen and brown ink with blue and green wash on wove paper' +p309776 +sg291132 +S'unknown date\n' +p309777 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00072/a00072ea.jpg' +p309778 +sg291136 +g27 +sa(dp309779 +g291134 +S'The Strawberry Roans' +p309780 +sg291137 +S'Constantin Guys' +p309781 +sg291130 +S', unknown date' +p309782 +sg291132 +S'\n' +p309783 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00072/a0007217.jpg' +p309784 +sg291136 +g27 +sa(dp309785 +g291134 +S'A Sprig of Plums' +p309786 +sg291137 +S'William Michael Harnett' +p309787 +sg291130 +S'charcoal and black chalk with stumping and scratching out on cream wove paper' +p309788 +sg291132 +S'1873' +p309789 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00008/a00008ef.jpg' +p309790 +sg291136 +g27 +sa(dp309791 +g291134 +S'Spectators at the Grand Prix' +p309792 +sg291137 +S'Childe Hassam' +p309793 +sg291130 +S'watercolor and gouache over graphite' +p309794 +sg291132 +S'1888' +p309795 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00008/a00008f6.jpg' +p309796 +sg291136 +g27 +sa(dp309797 +g291134 +S'Grenoble' +p309798 +sg291137 +S'Johan Barthold Jongkind' +p309799 +sg291130 +S'watercolor and gouache over black chalk' +p309800 +sg291132 +S'1883' +p309801 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00070/a0007091.jpg' +p309802 +sg291136 +g27 +sa(dp309803 +g291134 +S'A Stream Running between Houses and a Road' +p309804 +sg291137 +S'Johan Barthold Jongkind' +p309805 +sg291130 +S'watercolor over graphite' +p309806 +sg291132 +S'unknown date\n' +p309807 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00071/a00071d2.jpg' +p309808 +sg291136 +g27 +sa(dp309809 +g291134 +S'Two Apples' +p309810 +sg291137 +S'Edouard Manet' +p309811 +sg291130 +S'watercolor over graphite on wove paper' +p309812 +sg291132 +S'1880' +p309813 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00037/a00037be.jpg' +p309814 +sg291136 +g27 +sa(dp309815 +g291134 +S'Cucumber with Leaves' +p309816 +sg291137 +S'Edouard Manet' +p309817 +sg291130 +S'watercolor and gray wash on laid paper' +p309818 +sg291132 +S'c. 1880' +p309819 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00066/a0006610.jpg' +p309820 +sg291136 +g27 +sa(dp309821 +g291134 +S'Self-Portrait' +p309822 +sg291137 +S'Henri Matisse' +p309823 +sg291130 +S'charcoal on wove paper' +p309824 +sg291132 +S'1937' +p309825 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00029/a0002964.jpg' +p309826 +sg291136 +g27 +sa(dp309827 +g291134 +S'The Cup of Coffee' +p309828 +sg291137 +S'Pablo Picasso' +p309829 +sg291130 +S'collage with charcoal and white chalk' +p309830 +sg291132 +S'1913' +p309831 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00039/a00039a6.jpg' +p309832 +sg291136 +g27 +sa(dp309833 +g291134 +S'Ruth Dangler' +p309834 +sg291137 +S'Pablo Picasso' +p309835 +sg291130 +S'graphite' +p309836 +sg291132 +S'1922' +p309837 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00029/a0002968.jpg' +p309838 +sg291136 +g27 +sa(dp309839 +g291134 +S'The Road from Versailles to Louveciennes' +p309840 +sg291137 +S'Camille Pissarro' +p309841 +sg291130 +S'watercolor over graphite' +p309842 +sg291132 +S'c. 1872' +p309843 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00037/a00037d8.jpg' +p309844 +sg291136 +g27 +sa(dp309845 +g291134 +S'Bridge at Caracas' +p309846 +sg291137 +S'Camille Pissarro' +p309847 +sg291130 +S'watercolor over graphite' +p309848 +sg291132 +S'1854' +p309849 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00037/a00037d9.jpg' +p309850 +sg291136 +g27 +sa(dp309851 +g291134 +S'Factory on the Oise at Pontoise' +p309852 +sg291137 +S'Camille Pissarro' +p309853 +sg291130 +S'watercolor over graphite' +p309854 +sg291132 +S'1873' +p309855 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00037/a00037da.jpg' +p309856 +sg291136 +g27 +sa(dp309857 +g291134 +S'Parisian Omnibus' +p309858 +sg291137 +S'Maurice Brazil Prendergast' +p309859 +sg291130 +S'watercolor over graphite' +p309860 +sg291132 +S'1893/1894' +p309861 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00009/a0000986.jpg' +p309862 +sg291136 +g27 +sa(dp309863 +g291134 +S'Figures on a Beach' +p309864 +sg291137 +S'Maurice Brazil Prendergast' +p309865 +sg291130 +S'watercolor over black chalk' +p309866 +sg291132 +S'1910/1915' +p309867 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00009/a0000987.jpg' +p309868 +sg291136 +g27 +sa(dp309869 +g291134 +S'Revere Beach' +p309870 +sg291137 +S'Maurice Brazil Prendergast' +p309871 +sg291130 +S'watercolor' +p309872 +sg291132 +S'c. 1896' +p309873 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00009/a0000988.jpg' +p309874 +sg291136 +g27 +sa(dp309875 +g291134 +S'Five Butterflies' +p309876 +sg291137 +S'Odilon Redon' +p309877 +sg291130 +S'watercolor on wove paper' +p309878 +sg291132 +S'c. 1912' +p309879 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00021/a0002189.jpg' +p309880 +sg291136 +g27 +sa(dp309881 +g291134 +S'Four Peonies and a Crown Imperial' +p309882 +sg291137 +S'Pierre Joseph Redout\xc3\xa9' +p309883 +sg291130 +S'watercolor and gouache over graphite on parchment mounted on board' +p309884 +sg291132 +S'unknown date\n' +p309885 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00074/a0007401.jpg' +p309886 +sg291136 +g27 +sa(dp309887 +g291130 +S'pen and brush with black ink, watercolor, and gouache' +p309888 +sg291132 +S'1961' +p309889 +sg291134 +S'Fruits with a Vase of Flowers on a Table' +p309890 +sg291136 +g27 +sg291137 +S'Andr\xc3\xa9 Dunoyer de Segonzac' +p309891 +sa(dp309892 +g291134 +S'The Square' +p309893 +sg291137 +S'Edouard Vuillard' +p309894 +sg291130 +S'brush and black ink on thin brown wove paper' +p309895 +sg291132 +S'1910' +p309896 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00055/a0005507.jpg' +p309897 +sg291136 +g27 +sa(dp309898 +g291134 +S'Lanius rufus' +p309899 +sg291137 +S'American 19th Century' +p309900 +sg291130 +S'plate: 41 x 27.8 cm (16 1/8 x 10 15/16 in.)\r\nsheet: 54.3 x 36.1 cm (21 3/8 x 14 3/16 in.)' +p309901 +sg291132 +S'\nhand-colored etching on laid paper' +p309902 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fa1a.jpg' +p309903 +sg291136 +g27 +sa(dp309904 +g291134 +S'Sitta europea' +p309905 +sg291137 +S'American 19th Century' +p309906 +sg291130 +S'plate: 35.5 x 23.9 cm (14 x 9 7/16 in.)\r\nsheet: 54.6 x 37.7 cm (21 1/2 x 14 13/16 in.)' +p309907 +sg291132 +S'\nhand-colored etching on laid paper' +p309908 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fa19.jpg' +p309909 +sg291136 +g27 +sa(dp309910 +g291130 +S'hand-colored aquatint with touches of engraving on laid paper' +p309911 +sg291132 +S'published 1831' +p309912 +sg291134 +S'Baltimore Taken near Whetstone Point' +p309913 +sg291136 +g27 +sg291137 +S'William James Bennett' +p309914 +sa(dp309915 +g291130 +S'color aquatint with touches of etching, hand-colored, on wove paper' +p309916 +sg291132 +S'published 1831' +p309917 +sg291134 +S'Baltimore from Federal Hill' +p309918 +sg291136 +g27 +sg291137 +S'William James Bennett' +p309919 +sa(dp309920 +g291130 +S'color aquatint with touches of etching, hand-colored, on wove paper; laid down on heavy wove paper' +p309921 +sg291132 +S'unknown date\n' +p309922 +sg291134 +S'Boston: From City Point near Sea Street' +p309923 +sg291136 +g27 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+sg292149 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a2b.jpg' +p309946 +sg291136 +g27 +sa(dp309947 +g291130 +S'(artist after)' +p309948 +sg291132 +S'\n' +p309949 +sg291134 +S'New Orleans: Taken from the Opposite Side, a Short Distance above the Middle or Picayyune Ferry' +p309950 +sg291136 +g27 +sg291137 +S'Artist Information (' +p309951 +sa(dp309952 +g291134 +S'Niagara Falls from the American Side' +p309953 +sg291137 +S'Artist Information (' +p309954 +sg291130 +S'(artist after)' +p309955 +sg291132 +S'\n' +p309956 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a2c.jpg' +p309957 +sg291136 +g27 +sa(dp309958 +g291130 +S'hand-colored aquatint' +p309959 +sg291132 +S'published 1840' +p309960 +sg291134 +S'Niagara Falls from the Table Rock' +p309961 +sg291136 +g27 +sg291137 +S'William James Bennett' +p309962 +sa(dp309963 +g291130 +S'(artist after)' +p309964 +sg291132 +S'\n' +p309965 +sg291134 +S'Niagara Falls: Part of the American Fall, from the Foot of the Stair Case' +p309966 +sg291136 +g27 +sg291137 +S'Artist Information (' +p309967 +sa(dp309968 +g291130 +S'(artist after)' +p309969 +sg291132 +S'\n' +p309970 +sg291134 +S'Niagara Falls: Part of the British Fall, taken from under the Table Rock' +p309971 +sg291136 +g27 +sg291137 +S'Artist Information (' +p309972 +sa(dp309973 +g291130 +S'(artist after)' +p309974 +sg291132 +S'\n' +p309975 +sg291134 +S'Richmond: From the Hill above the Waterworks' +p309976 +sg291136 +g27 +sg291137 +S'Artist Information (' +p309977 +sa(dp309978 +g291130 +S'hand-colored aquatint with touches of engraving on wove paper' +p309979 +sg291132 +S'published 1838' +p309980 +sg291134 +S'Troy: Taken from the West Bank of the Hudson in front of the United States Arsenal' +p309981 +sg291136 +g27 +sg291137 +S'William James Bennett' +p309982 +sa(dp309983 +g291130 +S'color aquatint with hand-coloring on wove paper, mounted to canvas' +p309984 +sg291132 +S'published 1835' +p309985 +sg291134 +S'View of the High Falls of Trenton: West Canada Creek, N.Y.' +p309986 +sg291136 +g27 +sg291137 +S'William James Bennett' +p309987 +sa(dp309988 +g291134 +S'View of the Natural Bridge' +p309989 +sg291137 +S'Artist Information (' +p309990 +sg291130 +S'(artist after)' +p309991 +sg291132 +S'\n' +p309992 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a2d.jpg' +p309993 +sg291136 +g27 +sa(dp309994 +g291130 +S'hand-colored aquatint with touches of engraving onwove paper' +p309995 +sg291132 +S'published 1833' +p309996 +sg291134 +S'View of the New York Quarantine, Staten Island' +p309997 +sg291136 +g27 +sg291137 +S'William James Bennett' +p309998 +sa(dp309999 +g291130 +S'(artist after)' +p310000 +sg291132 +S'\n' +p310001 +sg291134 +S'West Point, from above Washington Valley: Looking down the River' +p310002 +sg291136 +g27 +sg291137 +S'Artist Information (' +p310003 +sa(dp310004 +g291130 +S'color aquatint with touches of engraving, hand-colored, on wove paper' +p310005 +sg291132 +S'published 1831' +p310006 +sg291134 +S'West Point, from 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Giustina in pra della Vale' +p310052 +sg291137 +S'Canaletto' +p310053 +sg291130 +S'etching on laid paper' +p310054 +sg291132 +S'c. 1735/1746' +p310055 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cbe5.jpg' +p310056 +sg291136 +g27 +sa(dp310057 +g291134 +S'View of a Town on a River Bank' +p310058 +sg291137 +S'Canaletto' +p310059 +sg291130 +S'etching on laid paper' +p310060 +sg291132 +S'c. 1735/1746' +p310061 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cbee.jpg' +p310062 +sg291136 +g27 +sa(dp310063 +g291134 +S'The Portico with the Lantern' +p310064 +sg291137 +S'Canaletto' +p310065 +sg291130 +S'etching on laid paper' +p310066 +sg291132 +S'c. 1735/1746' +p310067 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cbed.jpg' +p310068 +sg291136 +g27 +sa(dp310069 +g291134 +S'Imaginary View of Padua' +p310070 +sg291137 +S'Canaletto' +p310071 +sg291130 +S'etching on laid paper' +p310072 +sg291132 +S'c. 1735/1746' +p310073 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cbeb.jpg' +p310074 +sg291136 +g27 +sa(dp310075 +g291134 +S'The House with the Inscription [left]' +p310076 +sg291137 +S'Canaletto' +p310077 +sg291130 +S'etching on laid paper' +p310078 +sg291132 +S'1741' +p310079 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cbe7.jpg' +p310080 +sg291136 +g27 +sa(dp310081 +g291134 +S'The House with the Peristyle [right]' +p310082 +sg291137 +S'Canaletto' +p310083 +sg291130 +S'etching on laid paper' +p310084 +sg291132 +S'1741' +p310085 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cbe8.jpg' +p310086 +sg291136 +g27 +sa(dp310087 +g291134 +S"View of a Town with a Bishop's Tomb" +p310088 +sg291137 +S'Canaletto' +p310089 +sg291130 +S'etching on laid paper' +p310090 +sg291132 +S'c. 1735/1746' +p310091 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cbf2.jpg' +p310092 +sg291136 +g27 +sa(dp310093 +g291134 +S'La libreria. V. [upper left]' +p310094 +sg291137 +S'Canaletto' +p310095 +sg291130 +S'etching on laid paper' +p310096 +sg291132 +S'in or before 1742' +p310097 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cbfb.jpg' +p310098 +sg291136 +g27 +sa(dp310099 +g291134 +S'Le Procuratie niove e S. Ziminian V. [upper right]' +p310100 +sg291137 +S'Canaletto' +p310101 +sg291130 +S'etching on laid paper' +p310102 +sg291132 +S'c. 1735/1746' +p310103 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cbfc.jpg' +p310104 +sg291136 +g27 +sa(dp310105 +g291134 +S'La Piera del Bando. V. [lower right]' +p310106 +sg291137 +S'Canaletto' +p310107 +sg291130 +S'etching on laid paper' +p310108 +sg291132 +S'c. 1735/1746' +p310109 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cbfd.jpg' +p310110 +sg291136 +g27 +sa(dp310111 +g291134 +S'Le Preson. V. [lower left]' +p310112 +sg291137 +S'Canaletto' +p310113 +sg291130 +S'etching on laid paper' +p310114 +sg291132 +S'c. 1735/1746' +p310115 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cbfe.jpg' +p310116 +sg291136 +g27 +sa(dp310117 +g291134 +S'The Market on the Molo [upper left]' +p310118 +sg291137 +S'Canaletto' +p310119 +sg291130 +S'etching on laid paper' +p310120 +sg291132 +S'c. 1735/1746' +p310121 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cbf7.jpg' +p310122 +sg291136 +g27 +sa(dp310123 +g291134 +S'Imaginary View of S. Giacomo di Rialto [upper right]' +p310124 +sg291137 +S'Canaletto' +p310125 +sg291130 +S'etching on laid paper' +p310126 +sg291132 +S'c. 1735/1746' +p310127 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cbf8.jpg' +p310128 +sg291136 +g27 +sa(dp310129 +g291134 +S'The Terrace [lower right]' +p310130 +sg291137 +S'Canaletto' +p310131 +sg291130 +S'etching on laid paper' +p310132 +sg291132 +S'c. 1735/1746' +p310133 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cbf9.jpg' +p310134 +sg291136 +g27 +sa(dp310135 +g291134 +S'The Market at Dolo [lower left]' +p310136 +sg291137 +S'Canaletto' +p310137 +sg291130 +S'etching on laid paper' +p310138 +sg291132 +S'c. 1735/1746' +p310139 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cbfa.jpg' +p310140 +sg291136 +g27 +sa(dp310141 +g291134 +S'Landscape with the Pilgrim at Prayer [upper left]' +p310142 +sg291137 +S'Canaletto' +p310143 +sg291130 +S'etching on laid paper' +p310144 +sg291132 +S'c. 1735/1746' +p310145 +sg292149 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+p310166 +sg291137 +S'Canaletto' +p310167 +sg291130 +S'etching on laid paper' +p310168 +sg291132 +S'c. 1735/1746' +p310169 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cbff.jpg' +p310170 +sg291136 +g27 +sa(dp310171 +g291134 +S'Landscape with Ruined Monuments [right]' +p310172 +sg291137 +S'Canaletto' +p310173 +sg291130 +S'etching on laid paper' +p310174 +sg291132 +S'c. 1735/1746' +p310175 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc00.jpg' +p310176 +sg291136 +g27 +sa(dp310177 +g291134 +S'The Little Monument [left]' +p310178 +sg291137 +S'Canaletto' +p310179 +sg291130 +S'etching' +p310180 +sg291132 +S'c. 1735/1746' +p310181 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc01.jpg' +p310182 +sg291136 +g27 +sa(dp310183 +g291134 +S"The Bishop's Tomb [center]" +p310184 +sg291137 +S'Canaletto' +p310185 +sg291130 +S'etching' +p310186 +sg291132 +S'c. 1735/1746' +p310187 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc02.jpg' +p310188 +sg291136 +g27 +sa(dp310189 +g291134 +S'The Wagon Passing over a Bridge' +p310190 +sg291137 +S'Canaletto' +p310191 +sg291130 +S'etching' +p310192 +sg291132 +S'c. 1735/1746' +p310193 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc03.jpg' +p310194 +sg291136 +g27 +sa(dp310195 +g291130 +S'etching with softground and falsebite on Rives BFK' +p310196 +sg291132 +S'1970' +p310197 +sg291134 +S"C\xc3\xa9zanne's Father" +p310198 +sg291136 +g27 +sg291137 +S'Thomas Browne Cornell' +p310199 +sa(dp310200 +g291130 +S'(publisher)' +p310201 +sg291132 +S'\n' +p310202 +sg291134 +S'American Farm Scenes: No.4 (Winter)' +p310203 +sg291136 +g27 +sg291137 +S'Artist Information (' +p310204 +sa(dp310205 +g291134 +S'American Winter Scenes: Morning' +p310206 +sg291137 +S'Artist Information (' +p310207 +sg291130 +S'(publisher)' +p310208 +sg291132 +S'\n' +p310209 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000b/a0000b5a.jpg' +p310210 +sg291136 +g27 +sa(dp310211 +g291130 +S'(publisher)' +p310212 +sg291132 +S'\n' +p310213 +sg291134 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+sg291132 +S'published 1790' +p310280 +sg291134 +S'New York' +p310281 +sg291136 +g27 +sg291137 +S'Archibald Robertson' +p310282 +sa(dp310283 +g291130 +S'lithograph in black and beige on wove paper' +p310284 +sg291132 +S'published 1845' +p310285 +sg291134 +S"Peytona and Fashion's Great Match" +p310286 +sg291136 +g27 +sg291137 +S'Charles Severin' +p310287 +sa(dp310288 +g291130 +S'hand-colored photogravure on wove paper' +p310289 +sg291132 +S'1906' +p310290 +sg291134 +S'Yale University' +p310291 +sg291136 +g27 +sg291137 +S'Richard Rummell' +p310292 +sa(dp310293 +g291130 +S'aquatinted and etched copper plate' +p310294 +sg291132 +S'published 1812' +p310295 +sg291134 +S'Brilliant Naval Victory' +p310296 +sg291136 +g27 +sg291137 +S'Samuel Seymour' +p310297 +sa(dp310298 +g291134 +S'Brilliant Naval Victory' +p310299 +sg291137 +S'Samuel Seymour' +p310300 +sg291130 +S'aquatint and etching [restrike] on wove paper' +p310301 +sg291132 +S'published 1812' +p310302 +sg292149 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Information (' +p310367 +sa(dp310368 +g291130 +S'etched plate glass and steel, with cable' +p310369 +sg291132 +S'1972' +p310370 +sg291134 +S'Clearing' +p310371 +sg291136 +g27 +sg291137 +S'Christopher Wilmarth' +p310372 +sa(dp310373 +g291134 +S'The Rest on the Return from Egypt' +p310374 +sg291137 +S'Artist Information (' +p310375 +sg291130 +S'(artist after)' +p310376 +sg291132 +S'\n' +p310377 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000cf/a000cf4f.jpg' +p310378 +sg291136 +g27 +sa(dp310379 +g291134 +S'Door Knocker with Triton, Nereid, and Putti' +p310380 +sg291137 +S'Artist Information (' +p310381 +sg291130 +g27 +sg291132 +S'(artist)' +p310382 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00061/a0006118.jpg' +p310383 +sg291136 +g27 +sa(dp310384 +g291134 +S'Door Knocker with Zeus Vanguishing Giants' +p310385 +sg291137 +S'Artist Information (' +p310386 +sg291130 +g27 +sg291132 +S'(artist)' +p310387 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00061/a0006117.jpg' +p310388 +sg291136 +g27 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Escher' +p310410 +sa(dp310411 +g291130 +S'black crayon and black ball-point pen on wove paper' +p310412 +sg291132 +S'1959' +p310413 +sg291134 +S'Tuscania, San Pietro' +p310414 +sg291136 +g27 +sg291137 +S'M.C. Escher' +p310415 +sa(dp310416 +g291130 +S'black crayon and white chalk on gray paper' +p310417 +sg291132 +S'1950' +p310418 +sg291134 +S'Manourie' +p310419 +sg291136 +g27 +sg291137 +S'M.C. Escher' +p310420 +sa(dp310421 +g291134 +S'Atrani, Coast of Amalfi' +p310422 +sg291137 +S'M.C. Escher' +p310423 +sg291130 +S'graphite and black crayon on wove paper' +p310424 +sg291132 +S'1931' +p310425 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00004/a000046b.jpg' +p310426 +sg291136 +S'Escher spent the early part of the summer of 1931 in Ravello and along the coast of Amalfi, Italy. With its dramatic mountains and ancient hill towns this was a particularly favorite region for Escher. Drawings from the trip, including this example, inspired 15 woodcuts, wood engravings, and lithographs. \n ' +p310427 +sa(dp310428 +g291134 +S'Carruba Tree (Ravello)' +p310429 +sg291137 +S'M.C. Escher' +p310430 +sg291130 +S'graphite on wove paper' +p310431 +sg291132 +S'1931' +p310432 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00004/a000046c.jpg' +p310433 +sg291136 +g27 +sa(dp310434 +g291130 +S'woodcut' +p310435 +sg291132 +S'1934' +p310436 +sg291134 +S'San Giorgio in Vellabro' +p310437 +sg291136 +g27 +sg291137 +S'M.C. Escher' +p310438 +sa(dp310439 +g291130 +S'woodcut block' +p310440 +sg291132 +S'1932' +p310441 +sg291134 +S'Carruba Tree (Ravello) [recto]' +p310442 +sg291136 +g27 +sg291137 +S'M.C. Escher' +p310443 +sa(dp310444 +g291130 +S'woodcut block' +p310445 +sg291132 +S'1932' +p310446 +sg291134 +S'Atrani, Coast of Amalfi [verso]' +p310447 +sg291136 +g27 +sg291137 +S'M.C. Escher' +p310448 +sa(dp310449 +g291130 +S'woodcut block' +p310450 +sg291132 +S'1934' +p310451 +sg291134 +S'San Giorgio in Vellabro [recto]' +p310452 +sg291136 +g27 +sg291137 +S'M.C. Escher' +p310453 +sa(dp310454 +g291130 +S'woodcut block' +p310455 +sg291132 +S'1932' +p310456 +sg291134 +S'Carruba Tree (Ravello) [verso]' +p310457 +sg291136 +g27 +sg291137 +S'M.C. Escher' +p310458 +sa(dp310459 +g291130 +S'lithograph on handmade Auvergne paper' +p310460 +sg291132 +S'1944' +p310461 +sg291134 +S'Plumeuse' +p310462 +sg291136 +g27 +sg291137 +S'Jean Dubuffet' +p310463 +sa(dp310464 +g291130 +S'screenprint in black and pink' +p310465 +sg291132 +S'1970' +p310466 +sg291134 +S'Features 55' +p310467 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p310468 +sa(dp310469 +g291130 +S'screenprint in black and gray' +p310470 +sg291132 +S'1970' +p310471 +sg291134 +S'Features 56' +p310472 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p310473 +sa(dp310474 +g291130 +S'screenprint in black and gray' +p310475 +sg291132 +S'1970' +p310476 +sg291134 +S'Features 57' +p310477 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p310478 +sa(dp310479 +g291130 +S'screenprint in black and blue' +p310480 +sg291132 +S'1970' +p310481 +sg291134 +S'Features 58' +p310482 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p310483 +sa(dp310484 +g291130 +S'screenprint in black and 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silver print, 1981' +p310979 +sg291132 +S'c. 1929' +p310980 +sg291134 +S'Saint Francis Church, Ranchos de Taos, New Mexico' +p310981 +sg291136 +g27 +sg291137 +S'Ansel Adams' +p310982 +sa(dp310983 +g291130 +S'gelatin silver print, 1981' +p310984 +sg291132 +S'1958' +p310985 +sg291134 +S'Monument Valley, Arizona' +p310986 +sg291136 +g27 +sg291137 +S'Ansel Adams' +p310987 +sa(dp310988 +g291130 +S'gelatin silver print, 1981' +p310989 +sg291132 +S'1942' +p310990 +sg291134 +S'Old Faithful Geyser, Yellowstone National Park, Wyoming' +p310991 +sg291136 +g27 +sg291137 +S'Ansel Adams' +p310992 +sa(dp310993 +g291130 +S'gelatin silver print, 1981' +p310994 +sg291132 +S'c. 1942' +p310995 +sg291134 +S'Leaves, Mount Rainier National Park, Washington' +p310996 +sg291136 +g27 +sg291137 +S'Ansel Adams' +p310997 +sa(dp310998 +g291130 +S'gelatin silver print, 1981' +p310999 +sg291132 +S'c. 1953' +p311000 +sg291134 +S'Church and Road, Bodega, California' +p311001 +sg291136 +g27 +sg291137 +S'Ansel Adams' 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Texas' +p311026 +sg291136 +g27 +sg291137 +S'Ansel Adams' +p311027 +sa(dp311028 +g291130 +S'gelatin silver print, 1981' +p311029 +sg291132 +S'c. 1942' +p311030 +sg291134 +S'Dune, White Sands National Monument, New Mexico' +p311031 +sg291136 +g27 +sg291137 +S'Ansel Adams' +p311032 +sa(dp311033 +g291130 +S'gelatin silver print, 1980' +p311034 +sg291132 +S'1948' +p311035 +sg291134 +S'Mormon Temple, Manti, Utah' +p311036 +sg291136 +g27 +sg291137 +S'Ansel Adams' +p311037 +sa(dp311038 +g291130 +S'gelatin silver print, 1981' +p311039 +sg291132 +S'1948' +p311040 +sg291134 +S'Dawn, Autumn, Great Smoky Mountains National Park, Tennessee' +p311041 +sg291136 +g27 +sg291137 +S'Ansel Adams' +p311042 +sa(dp311043 +g291130 +S'gelatin silver print, 1981' +p311044 +sg291132 +S'1942' +p311045 +sg291134 +S'White House Ruin, Canyon de Chelly National Monument, Arizona' +p311046 +sg291136 +g27 +sg291137 +S'Ansel Adams' +p311047 +sa(dp311048 +g291130 +S'gelatin silver print, 1981' +p311049 +sg291132 +S'1951' +p311050 +sg291134 +S'Clearing Storm, Sonoma County Hills, California' +p311051 +sg291136 +g27 +sg291137 +S'Ansel Adams' +p311052 +sa(dp311053 +g291130 +S'gelatin silver print, 1980' +p311054 +sg291132 +S'c. 1942' +p311055 +sg291134 +S'Grand Canyon of the Colorado River, Grand Canyon National Park, Arizona' +p311056 +sg291136 +g27 +sg291137 +S'Ansel Adams' +p311057 +sa(dp311058 +g291130 +S'gelatin silver print, 1980' +p311059 +sg291132 +S'c. 1946' +p311060 +sg291134 +S'Tenaya Lake, Mount Conness, Yosemite Nationa l Park, California' +p311061 +sg291136 +g27 +sg291137 +S'Ansel Adams' +p311062 +sa(dp311063 +g291130 +S'gelatin silver print, 1980' +p311064 +sg291132 +S'c. 1962' +p311065 +sg291134 +S'Evening Clouds and Pool, East Side of the Sierra Nevada from the Owens Valley, Califonia' +p311066 +sg291136 +g27 +sg291137 +S'Ansel Adams' +p311067 +sa(dp311068 +g291130 +S'gelatin silver print, 1980' +p311069 +sg291132 +S'c. 1935' +p311070 +sg291134 +S'Grass and Pool, the Sierra Nevada, California' +p311071 +sg291136 +g27 +sg291137 +S'Ansel Adams' +p311072 +sa(dp311073 +g291130 +S'gelatin silver print, 1981' +p311074 +sg291132 +S'c. 1942' +p311075 +sg291134 +S'Pool, Acoma Pueblo, New Mexico' +p311076 +sg291136 +g27 +sg291137 +S'Ansel Adams' +p311077 +sa(dp311078 +g291130 +S'gelatin silver print, 1981' +p311079 +sg291132 +S'1945' +p311080 +sg291134 +S'Metamorphic Rock and Summer Grass, Foothills, the Sierra Nevada, California' +p311081 +sg291136 +g27 +sg291137 +S'Ansel Adams' +p311082 +sa(dp311083 +g291130 +S'gelatin silver print, 1981' +p311084 +sg291132 +S'c. 1958' +p311085 +sg291134 +S'Autumn Storm, Los Trampas, near Penasco, New Mexico' +p311086 +sg291136 +g27 +sg291137 +S'Ansel Adams' +p311087 +sa(dp311088 +g291130 +S'gelatin silver print, 1981' +p311089 +sg291132 +S'1937' +p311090 +sg291134 +S'Aspens, Dawn, Dolores River Canyon, Autumn, Colorado' +p311091 +sg291136 +g27 +sg291137 +S'Ansel Adams' +p311092 +sa(dp311093 +g291130 +S'gelatin silver print, 1981' +p311094 +sg291132 +S'c. 1947' +p311095 +sg291134 +S'Mono Lake, California' +p311096 +sg291136 +g27 +sg291137 +S'Ansel Adams' +p311097 +sa(dp311098 +g291130 +S'gelatin silver print, 1981' +p311099 +sg291132 +S'c. 1965' +p311100 +sg291134 +S'Trees, Slide Lake, Grand Teton National Park, Wyoming' +p311101 +sg291136 +g27 +sg291137 +S'Ansel Adams' +p311102 +sa(dp311103 +g291130 +S'gelatin silver print, 1980' +p311104 +sg291132 +S'1932' +p311105 +sg291134 +S'The Golden Gate before the Bridge, San Francisco, California' +p311106 +sg291136 +g27 +sg291137 +S'Ansel Adams' +p311107 +sa(dp311108 +g291130 +S'gelatin silver print, 1981' +p311109 +sg291132 +S'c. 1952' +p311110 +sg291134 +S'Manly Beacon, Death Valley National Monument, California' +p311111 +sg291136 +g27 +sg291137 +S'Ansel Adams' +p311112 +sa(dp311113 +g291130 +S'gelatin silver print, 1981' +p311114 +sg291132 +S'c. 1950' +p311115 +sg291134 +S'Penitente Moranda, Coyote, New Mexico' +p311116 +sg291136 +g27 +sg291137 +S'Ansel Adams' +p311117 +sa(dp311118 +g291130 +S'gelatin silver print, 1982' +p311119 +sg291132 +S'1940' +p311120 +sg291134 +S'Surf Sequence 1, San Mateo County Coast, California' +p311121 +sg291136 +g27 +sg291137 +S'Ansel Adams' +p311122 +sa(dp311123 +g291130 +S'gelatin silver print, 1982' +p311124 +sg291132 +S'1940' +p311125 +sg291134 +S'Surf Sequence 2, San Mateo County Coast, California' +p311126 +sg291136 +g27 +sg291137 +S'Ansel Adams' +p311127 +sa(dp311128 +g291130 +S'gelatin silver print, 1982' +p311129 +sg291132 +S'1940' +p311130 +sg291134 +S'Surf Sequence 3, San Mateo County Coast, California' +p311131 +sg291136 +g27 +sg291137 +S'Ansel Adams' +p311132 +sa(dp311133 +g291130 +S'gelatin silver print, 1982' +p311134 +sg291132 +S'1940' +p311135 +sg291134 +S'Surf Sequence 4, San Mateo County Coast, California' +p311136 +sg291136 +g27 +sg291137 +S'Ansel Adams' +p311137 +sa(dp311138 +g291130 +S'gelatin silver print, 1982' +p311139 +sg291132 +S'1940' +p311140 +sg291134 +S'Surf Sequence 5, San Mateo County Coast, California' +p311141 +sg291136 +g27 +sg291137 +S'Ansel Adams' +p311142 +sa(dp311143 +g291134 +S"Winter: Cat on a Cushion (L'hiver: Chat sur un coussin)" +p311144 +sg291137 +S'Th\xc3\xa9ophile Alexandre Steinlen' +p311145 +sg291130 +S'color lithograph' +p311146 +sg291132 +S'unknown date\n' +p311147 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000a0/a000a00e.jpg' +p311148 +sg291136 +g27 +sa(dp311149 +g291134 +S'The Triumph of Marriage' +p311150 +sg291137 +S'Claude Gillot' +p311151 +sg291130 +S'pen and brown ink on laid paper' +p311152 +sg291132 +S'unknown date\n' +p311153 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00070/a0007025.jpg' +p311154 +sg291136 +g27 +sa(dp311155 +g291134 +S'Architectural Fantasy with a Pyramidal Mausoleum' +p311156 +sg291137 +S'Charles Michel-Ange Challe' +p311157 +sg291130 +S'pen and brown ink with brown wash on laid paper' +p311158 +sg291132 +S'c. 1747' +p311159 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006e18.jpg' +p311160 +sg291136 +g27 +sa(dp311161 +g291134 +S'Fantasy on an Ancient Campidoglio' +p311162 +sg291137 +S'Hubert Robert' +p311163 +sg291130 +S'pen and black ink with gray wash on laid paper' +p311164 +sg291132 +S'unknown date\n' +p311165 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006eee.jpg' +p311166 +sg291136 +g27 +sa(dp311167 +g291134 +S'The Holy Family under a Tree' +p311168 +sg291137 +S'Simone Cantarini' +p311169 +sg291130 +S'pen and brown ink on laid paper' +p311170 +sg291132 +S'unknown date\n' +p311171 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00074/a0007498.jpg' +p311172 +sg291136 +g27 +sa(dp311173 +g291130 +S'etching, engraving, drypoint, burnishing' +p311174 +sg291132 +S'published 1747/1749' +p311175 +sg291134 +S'The Triumphal Arch' +p311176 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p311177 +sa(dp311178 +g291130 +S'etching, engraving, drypoint, scratching' +p311179 +sg291132 +S'published 1747/1749' +p311180 +sg291134 +S'The Monumental Tablet' +p311181 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p311182 +sa(dp311183 +g291130 +S'etching, engraving, drypoint, scratching' +p311184 +sg291132 +S'published 1747/1749' +p311185 +sg291134 +S'The Tomb of Nero' +p311186 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p311187 +sa(dp311188 +g291130 +S'etching, engraving, drypoint, burnishing' +p311189 +sg291132 +S'published 1747/1749' +p311190 +sg291134 +S'The Skeletons' +p311191 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p311192 +sa(dp311193 +g291130 +S'sculptured and knotted wool pile on cotton canvas' +p311194 +sg291132 +S'1982' +p311195 +sg291134 +S'Scarlet Yantra' +p311196 +sg291136 +g27 +sg291137 +S'Jack Youngerman' +p311197 +sa(dp311198 +g291134 +S'Landscape with Open Gate' +p311199 +sg291137 +S'Pieter Molijn' +p311200 +sg291130 +S'oil on panel' +p311201 +sg291132 +S'c. 1630' +p311202 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e72.jpg' +p311203 +sg291136 +g27 +sa(dp311204 +g291130 +S'mixed media and oil on canvas' +p311205 +sg291132 +S'1946' +p311206 +sg291134 +S'La dame au pompon' +p311207 +sg291136 +g27 +sg291137 +S'Jean Dubuffet' +p311208 +sa(dp311209 +g291134 +S'Sylvae' +p311210 +sg291137 +S'Cy Twombly' +p311211 +sg291130 +S'paint stick, flat paint, crayon, and graphite on paper' +p311212 +sg291132 +S'1981' +p311213 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00009/a00009e5.jpg' +p311214 +sg291136 +g27 +sa(dp311215 +g291134 +S'Sylvae' +p311216 +sg291137 +S'Cy Twombly' +p311217 +sg291130 +S'paint stick, flat paint, crayon, and graphite on paper' +p311218 +sg291132 +S'1981' +p311219 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00009/a00009e6.jpg' +p311220 +sg291136 +g27 +sa(dp311221 +g291134 +S'Nike' +p311222 +sg291137 +S'Cy Twombly' +p311223 +sg291130 +S'flat paint, crayon, and graphite on paper' +p311224 +sg291132 +S'1981' +p311225 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00009/a00009e7.jpg' +p311226 +sg291136 +g27 +sa(dp311227 +g291134 +S'An Elegant Couple, a Gooseboy, and a Gentleman [recto]' +p311228 +sg291137 +S'Francesco Guardi' +p311229 +sg291130 +S'pen and brown ink with brown and gray wash over black chalk on laid paper' +p311230 +sg291132 +S'c. 1780' +p311231 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006fb0.jpg' +p311232 +sg291136 +g27 +sa(dp311233 +g291134 +S'Two Elegant Couples [verso]' +p311234 +sg291137 +S'Francesco Guardi' +p311235 +sg291130 +S'pen and brown ink with brown and gray wash on laid paper' +p311236 +sg291132 +S'c. 1780' +p311237 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f82.jpg' +p311238 +sg291136 +g27 +sa(dp311239 +g291134 +S"The Little Girls' Tavern" +p311240 +sg291137 +S'Pierre Brebiette' +p311241 +sg291130 +S'etching on laid paper' +p311242 +sg291132 +S'c. 1620' +p311243 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00085/a0008522.jpg' +p311244 +sg291136 +g27 +sa(dp311245 +g291134 +S'Self-Portrait Wearing a Turban' +p311246 +sg291137 +S'Jonathan Richardson, Sr.' +p311247 +sg291130 +S'black chalk heightened with white on blue laid paper' +p311248 +sg291132 +S'1728' +p311249 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00069/a0006965.jpg' +p311250 +sg291136 +g27 +sa(dp311251 +g291134 +S"Studies of Women's Heads" +p311252 +sg291137 +S'Michel Corneille' +p311253 +sg291130 +S'black and red chalk heightened with white chalk on light brown laid paper, with later framing line in brown ink' +p311254 +sg291132 +S'1680s or 1690s' +p311255 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005f/a0005ffd.jpg' +p311256 +sg291136 +g27 +sa(dp311257 +g291134 +S'Amnon and Tamar' +p311258 +sg291137 +S'Guercino' +p311259 +sg291130 +S', 1649-1650' +p311260 +sg291132 +S'\n' +p311261 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00006/a0000613.jpg' +p311262 +sg291136 +g27 +sa(dp311263 +g291134 +S"Joseph and Potiphar's Wife" +p311264 +sg291137 +S'Guercino' +p311265 +sg291130 +S', 1649' +p311266 +sg291132 +S'\n' +p311267 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00006/a000062c.jpg' +p311268 +sg291136 +S"For this depiction of Joseph spurning the advances of his Egyptian employer's\nwife, as recounted in the Book of Genesis, Guercino chose a three-quarter length\nformat that presses the life-sized figures close to the spectator. He has filled\nthe scene with the bed -- all rumpled sheets and opulent curtains. As the temptress\nreaches for the strong and handsome Joseph, he struggles vigorously to extricate\nhimself. But she holds tight to the vivid blue cloak and sets Joseph spinning like\na top out of his garment. In panic, he turns his imploring eyes heavenward, seeming\nto realize that even if he escapes with his virtue unscathed, he is helplessly\nensnared in an evil plot; Potiphar's wife, bejeweled and confident, will later use\nthe cloak to support her denunciation of Joseph as the aggressor.\n With a delicate play of light on the seductress' profile, the artist shows the very\nmoment of lust shading into treachery. If Guercino's narration is clear and eloquent,\nhis presentation of the moral implications is more subtle: as this woman's beauty\nconceals her wickedness, so the visual lushness of Guercino's painting disguises\na serious lesson about righteous conduct.\n " +p311269 +sa(dp311270 +g291134 +S"Delilah Cutting Samson's Hair" +p311271 +sg291137 +S'Artist Information (' +p311272 +sg291130 +S'(artist after)' +p311273 +sg291132 +S'\n' +p311274 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d03e.jpg' +p311275 +sg291136 +g27 +sa(dp311276 +g291134 +S'Solomon Led to Idolatry by His Wives' +p311277 +sg291137 +S'Artist Information (' +p311278 +sg291130 +S'(artist after)' +p311279 +sg291132 +S'\n' +p311280 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d03f.jpg' +p311281 +sg291136 +g27 +sa(dp311282 +g291134 +S'Sardanapalus among the Concubines' +p311283 +sg291137 +S'Artist Information (' +p311284 +sg291130 +S'(artist after)' +p311285 +sg291132 +S'\n' +p311286 +sg292149 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+sg291130 +S'watercolor over graphite on wove paper' +p311312 +sg291132 +S'1824' +p311313 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00031/a00031b0.jpg' +p311314 +sg291136 +g27 +sa(dp311315 +g291134 +S"The Card Game (Der kleine l'Hombre Tisch)" +p311316 +sg291137 +S'Daniel Nikolaus Chodowiecki' +p311317 +sg291130 +S'etching and aquatint with engraving on laid paper' +p311318 +sg291132 +S'1758' +p311319 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b341.jpg' +p311320 +sg291136 +g27 +sa(dp311321 +g291134 +S'The Four Elements' +p311322 +sg291137 +S'Artist Information (' +p311323 +sg291130 +S'(artist after)' +p311324 +sg291132 +S'\n' +p311325 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d532.jpg' +p311326 +sg291136 +g27 +sa(dp311327 +g291134 +S'Eros and Anteros' +p311328 +sg291137 +S'Artist Information (' +p311329 +sg291130 +S'(artist after)' +p311330 +sg291132 +S'\n' +p311331 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d531.jpg' +p311332 +sg291136 +g27 +sa(dp311333 +g291134 +S'Venus, Bacchus, and Ceres' +p311334 +sg291137 +S'Artist Information (' +p311335 +sg291130 +S'(artist after)' +p311336 +sg291132 +S'\n' +p311337 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d530.jpg' +p311338 +sg291136 +g27 +sa(dp311339 +g291130 +S'(publisher)' +p311340 +sg291132 +S'\n' +p311341 +sg291134 +S'Voyages: Six Poems from White Buildings' +p311342 +sg291136 +g27 +sg291137 +S'Artist Information (' +p311343 +sa(dp311344 +g291130 +S'etching, aquatint and spitbite on gray wove paper' +p311345 +sg291132 +S'1977' +p311346 +sg291134 +S'Playground' +p311347 +sg291136 +g27 +sg291137 +S'Mark Stock' +p311348 +sa(dp311349 +g291130 +S'photo-etching in blue with embossing on White Rives BFK paper' +p311350 +sg291132 +S'1983' +p311351 +sg291134 +S'End Mask' +p311352 +sg291136 +g27 +sg291137 +S'Vito Acconci' +p311353 +sa(dp311354 +g291130 +S'photo-etching in red with embossing on White Rives BFK paper' +p311355 +sg291132 +S'1983' +p311356 +sg291134 +S'Red Mask' +p311357 +sg291136 +g27 +sg291137 +S'Vito Acconci' +p311358 +sa(dp311359 +g291130 +S'photo-etching in black with embossing on White Rives BFK paper' +p311360 +sg291132 +S'1983' +p311361 +sg291134 +S'People Mask' +p311362 +sg291136 +g27 +sg291137 +S'Vito Acconci' +p311363 +sa(dp311364 +g291130 +S'multi-color photo-etching, soft-ground etching, hard-ground etching, and aquatint printed from 62 plates onto four sections of Arches Cover White paper joined to make two panels' +p311365 +sg291132 +S'1983/1985' +p311366 +sg291134 +S'Building-Blocks for a Doorway [2-part print]' +p311367 +sg291136 +g27 +sg291137 +S'Vito Acconci' +p311368 +sa(dp311369 +g291130 +S'color lithograph' +p311370 +sg291132 +S'1972/1973' +p311371 +sg291134 +S'Clearwater' +p311372 +sg291136 +g27 +sg291137 +S'Richard Anuszkiewicz' +p311373 +sa(dp311374 +g291130 +S'color lithograph' +p311375 +sg291132 +S'1972/1973' +p311376 +sg291134 +S'Tampa Winter' +p311377 +sg291136 +g27 +sg291137 +S'Richard Anuszkiewicz' +p311378 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after)' +p312779 +sg291134 +S'Untitled [left]' +p312780 +sg291136 +g27 +sg291137 +S'Artist Information (' +p312781 +sa(dp312782 +g291130 +S'American, 1836 - 1910' +p312783 +sg291132 +S'(artist after)' +p312784 +sg291134 +S'"Allow Me to Examine the Young Lady" [right]' +p312785 +sg291136 +g27 +sg291137 +S'Artist Information (' +p312786 +sa(dp312787 +g291130 +S'American, 1836 - 1910' +p312788 +sg291132 +S'(artist after)' +p312789 +sg291134 +S'Hon. J.L.M. Curry of Alabama' +p312790 +sg291136 +g27 +sg291137 +S'Artist Information (' +p312791 +sa(dp312792 +g291130 +S'American, 1836 - 1910' +p312793 +sg291132 +S'(artist after)' +p312794 +sg291134 +S'The Meeting after the Marriage' +p312795 +sg291136 +g27 +sg291137 +S'Artist Information (' +p312796 +sa(dp312797 +g291130 +S'American, 1836 - 1910' +p312798 +sg291132 +S'(artist after)' +p312799 +sg291134 +S'The Buds [bottom]' +p312800 +sg291136 +g27 +sg291137 +S'Artist Information (' +p312801 +sa(dp312802 +g291130 +S'American, 1836 - 1910' +p312803 +sg291132 +S'(artist after)' +p312804 +sg291134 +S'Mrs. Otcheson at the Piano [top]' +p312805 +sg291136 +g27 +sg291137 +S'Artist Information (' +p312806 +sa(dp312807 +g291130 +S'American, 1836 - 1910' +p312808 +sg291132 +S'(artist after)' +p312809 +sg291134 +S'On the Beach' +p312810 +sg291136 +g27 +sg291137 +S'Artist Information (' +p312811 +sa(dp312812 +g291130 +S'American, 1836 - 1910' +p312813 +sg291132 +S'(artist after)' +p312814 +sg291134 +S'The Lady in Black [top]' +p312815 +sg291136 +g27 +sg291137 +S'Artist Information (' +p312816 +sa(dp312817 +g291130 +S'American, 1836 - 1910' +p312818 +sg291132 +S'(artist after)' +p312819 +sg291134 +S'Meadowbrook Parsonage [bottom]' +p312820 +sg291136 +g27 +sg291137 +S'Artist Information (' +p312821 +sa(dp312822 +g291130 +S'American, 1836 - 1910' +p312823 +sg291132 +S'(artist after)' +p312824 +sg291134 +S'Hon. Elihu B. Washburne, of Illinois, Chairman of the Committee on Commerce' +p312825 +sg291136 +g27 +sg291137 +S'Artist Information (' +p312826 +sa(dp312827 +g291130 +S'American, 1836 - 1910' +p312828 +sg291132 +S'(artist after)' +p312829 +sg291134 +S'Scene in Union Square, New York, on a March Day' +p312830 +sg291136 +g27 +sg291137 +S'Artist Information (' +p312831 +sa(dp312832 +g291130 +S'American, 1836 - 1910' +p312833 +sg291132 +S'(artist after)' +p312834 +sg291134 +S'Chime of Thirteen Bells for Christ Church, Cambridge, Massachusetts, Manufactured by Messrs. Henry N. 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Abraham Lincoln, Born in Kentucky, February 12, 1809' +p312865 +sg291136 +g27 +sg291137 +S'Artist Information (' +p312866 +sa(dp312867 +g291130 +S'American, 1836 - 1910' +p312868 +sg291132 +S'(artist after)' +p312869 +sg291134 +S'Too Many Cooks Spoil the Broth' +p312870 +sg291136 +g27 +sg291137 +S'Artist Information (' +p312871 +sa(dp312872 +g291130 +S'American, 1836 - 1910' +p312873 +sg291132 +S'(artist after)' +p312874 +sg291134 +S'General Guiseppe Garibaldi and Two Favorite Volunteers' +p312875 +sg291136 +g27 +sg291137 +S'Artist Information (' +p312876 +sa(dp312877 +g291130 +S'American, 1836 - 1910' +p312878 +sg291132 +S'(artist after)' +p312879 +sg291134 +S'Hon. Roger B. Taney, Chief-Justice of the United States' +p312880 +sg291136 +g27 +sg291137 +S'Artist Information (' +p312881 +sa(dp312882 +g291130 +S'American, 1836 - 1910' +p312883 +sg291132 +S'(artist after)' +p312884 +sg291134 +S'Expulsion of Negroes and Abolitionists from Tremont Temple, Boston, Massachusetts, onDecember 3, 1860' +p312885 +sg291136 +g27 +sg291137 +S'Artist Information (' +p312886 +sa(dp312887 +g291130 +S'American, 1836 - 1910' +p312888 +sg291132 +S'(artist after)' +p312889 +sg291134 +S'The Seceding South Carolina Delegation' +p312890 +sg291136 +g27 +sg291137 +S'Artist Information (' +p312891 +sa(dp312892 +g291130 +S'American, 1836 - 1910' +p312893 +sg291132 +S'(artist after)' +p312894 +sg291134 +S'The Georgia Delegation in Congress' +p312895 +sg291136 +g27 +sg291137 +S'Artist Information (' +p312896 +sa(dp312897 +g291130 +S'American, 1836 - 1910' +p312898 +sg291132 +S'(artist after)' +p312899 +sg291134 +S'The Seceding Mississippi Delegation in Congress' +p312900 +sg291136 +g27 +sg291137 +S'Artist Information (' +p312901 +sa(dp312902 +g291130 +S'American, 1836 - 1910' +p312903 +sg291132 +S'(artist after)' +p312904 +sg291134 +S'The Seceding Alabama Delegation in Congress' +p312905 +sg291136 +g27 +sg291137 +S'Artist Information (' +p312906 +sa(dp312907 +g291130 +S'American, 1836 - 1910' +p312908 +sg291132 +S'(artist after)' +p312909 +sg291134 +S'The Late Reverend Doctor Murray' +p312910 +sg291136 +g27 +sg291137 +S'Artist Information (' +p312911 +sa(dp312912 +g291130 +S'American, 1836 - 1910' +p312913 +sg291132 +S'(artist after)' +p312914 +sg291134 +S'Lieutenant Slemmer, U.S.A., Commanding Fort Pickens [left]' +p312915 +sg291136 +g27 +sg291137 +S'Artist Information (' +p312916 +sa(dp312917 +g291130 +S'American, 1836 - 1910' +p312918 +sg291132 +S'(artist after)' +p312919 +sg291134 +S'Lieutenant Gilman, U.S.A., of the Garrison at Fort Pickens [right]' +p312920 +sg291136 +g27 +sg291137 +S'Artist Information (' +p312921 +sa(dp312922 +g291130 +S'American, 1836 - 1910' +p312923 +sg291132 +S'(artist after)' +p312924 +sg291134 +S'Abraham Lincoln, the President Elect, Addressing the People from the Astor House Balcony, February 19, 1861' +p312925 +sg291136 +g27 +sg291137 +S'Artist Information (' +p312926 +sa(dp312927 +g291130 +S'American, 1836 - 1910' +p312928 +sg291132 +S'(artist after)' +p312929 +sg291134 +S'President Lincoln Hoisting the American Flag with Thirty-four Stars upon IndependenceHall' +p312930 +sg291136 +g27 +sg291137 +S'Artist Information (' +p312931 +sa(dp312932 +g291130 +S'American, 1836 - 1910' +p312933 +sg291132 +S'(artist after)' +p312934 +sg291134 +S'Inauguration of President Jefferson Davis of the Southern Confederacy, at Montgomery,Alabama, February 18, 1861' +p312935 +sg291136 +g27 +sg291137 +S'Artist Information (' +p312936 +sa(dp312937 +g291130 +S'American, 1836 - 1910' +p312938 +sg291132 +S'(artist after)' +p312939 +sg291134 +S'The Inaugural Procession at Washington Passing the Gate of the Capitol Grounds' +p312940 +sg291136 +g27 +sg291137 +S'Artist Information (' +p312941 +sa(dp312942 +g291130 +S'American, 1836 - 1910' +p312943 +sg291132 +S'(artist after)' +p312944 +sg291134 +S'Presidents Buchanan and Lincoln Entering the Senate Chamber before the Inauguration' +p312945 +sg291136 +g27 +sg291137 +S'Artist Information (' +p312946 +sa(dp312947 +g291130 +S'American, 1836 - 1910' +p312948 +sg291132 +S'(artist after)' +p312949 +sg291134 +S'United States Flying Artillery Going on Board the Steamship "Atlantic" at New York, April 6, 1861' +p312950 +sg291136 +g27 +sg291137 +S'Artist Information (' +p312951 +sa(dp312952 +g291130 +S'American, 1836 - 1910' +p312953 +sg291132 +S'(artist after)' +p312954 +sg291134 +S'General Thomas Swearing in the Volunteers Called into the Service of the United States at Washington, D.C.' +p312955 +sg291136 +g27 +sg291137 +S'Artist Information (' +p312956 +sa(dp312957 +g291130 +S'American, 1836 - 1910' +p312958 +sg291132 +S'(artist after)' +p312959 +sg291134 +S'General Beauregard' +p312960 +sg291136 +g27 +sg291137 +S'Artist Information (' +p312961 +sa(dp312962 +g291130 +S'American, 1836 - 1910' +p312963 +sg291132 +S'(artist after)' +p312964 +sg291134 +S'The Great Meeting in Union Square, New York, to Support the Government, April 20,1861' +p312965 +sg291136 +g27 +sg291137 +S'Artist Information (' +p312966 +sa(dp312967 +g291130 +S'American, 1836 - 1910' +p312968 +sg291132 +S'(artist after)' +p312969 +sg291134 +S'Massachusetts Volunteers: The Boston Regiments Embarking for Washington in the Jersey City Cars' +p312970 +sg291136 +g27 +sg291137 +S'Artist Information (' +p312971 +sa(dp312972 +g291130 +S'American, 1836 - 1910' +p312973 +sg291132 +S'(artist after)' +p312974 +sg291134 +S"Colonel Wilson, of Wilson's Brigade" +p312975 +sg291136 +g27 +sg291137 +S'Artist Information (' +p312976 +sa(dp312977 +g291130 +S'American, 1836 - 1910' +p312978 +sg291132 +S'(artist after)' +p312979 +sg291134 +S'Seventh Regiment on Board the "Boston", en Route for Annapolis' +p312980 +sg291136 +g27 +sg291137 +S'Artist Information (' +p312981 +sa(dp312982 +g291130 +S'American, 1836 - 1910' +p312983 +sg291132 +S'(artist after)' +p312984 +sg291134 +S'The Seventy-ninth Regiment (Highlanders) New York State Militia' +p312985 +sg291136 +g27 +sg291137 +S'Artist Information (' +p312986 +sa(dp312987 +g291130 +S'American, 1836 - 1910' +p312988 +sg291132 +S'(artist after)' +p312989 +sg291134 +S'The Advance Guard of the Grand Army of the United States Crossing the Long Bridge over the Potomac, at 2 A.M. on May 24, 1861' +p312990 +sg291136 +g27 +sg291137 +S'Artist Information (' +p312991 +sa(dp312992 +g291130 +S'American, 1836 - 1910' +p312993 +sg291132 +S'(artist after)' +p312994 +sg291134 +S'The War - Making Havelocks for the Volunteers' +p312995 +sg291136 +g27 +sg291137 +S'Artist Information (' +p312996 +sa(dp312997 +g291130 +S'American, 1836 - 1910' +p312998 +sg291132 +S'(artist after)' +p312999 +sg291134 +S'Crew of the United States Steam-Sloop "Colorado", Shipped at Boston, June, 1861' +p313000 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313001 +sa(dp313002 +g291130 +S'American, 1836 - 1910' +p313003 +sg291132 +S'(artist after)' +p313004 +sg291134 +S'Filling Cartridges at the United States Arsenal, at Watertown, Massachusetts' +p313005 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313006 +sa(dp313007 +g291130 +S'American, 1836 - 1910' +p313008 +sg291132 +S'(artist after)' +p313009 +sg291134 +S'Presentation of a Flag to the Webster Regiment, Boston, Massachusetts, by Hon. 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1910' +p313033 +sg291132 +S'(artist after)' +p313034 +sg291134 +S'The Skating Season - 1862' +p313035 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313036 +sa(dp313037 +g291130 +S'American, 1836 - 1910' +p313038 +sg291132 +S'(artist after)' +p313039 +sg291134 +S'Rebels Outside Their Works at Yorktown Reconnoitring with Dark Lanterns' +p313040 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313041 +sa(dp313042 +g291130 +S'American, 1836 - 1910' +p313043 +sg291132 +S'(artist after)' +p313044 +sg291134 +S'The Union Cavalry and Artillery Starting in Pursuit of the Rebels up the Yorktown Turnpike' +p313045 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313046 +sa(dp313047 +g291130 +S'American, 1836 - 1910' +p313048 +sg291132 +S'(artist after)' +p313049 +sg291134 +S'Charge of the First Massachusetts Regiment on a Rebel Rifle Pit near Yorktown' +p313050 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313051 +sa(dp313052 +g291130 +S'American, 1836 - 1910' +p313053 +sg291132 +S'(artist after)' +p313054 +sg291134 +S'The Army of the Potomac - Our Outlying Picket in the Woods' +p313055 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313056 +sa(dp313057 +g291130 +S'American, 1836 - 1910' +p313058 +sg291132 +S'(artist after)' +p313059 +sg291134 +S'The Surgeon at Work at the Rear During an Engagement' +p313060 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313061 +sa(dp313062 +g291134 +S'The Army of the Potomac - A Sharp-Shooter on Picket Duty' +p313063 +sg291137 +S'Artist Information (' +p313064 +sg291130 +S'American, 1836 - 1910' +p313065 +sg291132 +S'(artist after)' +p313066 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000ac5.jpg' +p313067 +sg291136 +g27 +sa(dp313068 +g291134 +S'Thanksgiving in Camp' +p313069 +sg291137 +S'Artist Information (' +p313070 +sg291130 +S'American, 1836 - 1910' +p313071 +sg291132 +S'(artist after)' +p313072 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000fa/a000faae.jpg' +p313073 +sg291136 +g27 +sa(dp313074 +g291130 +S'American, 1836 - 1910' +p313075 +sg291132 +S'(artist after)' +p313076 +sg291134 +S'A Shell in the Rebel Trenches' +p313077 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313078 +sa(dp313079 +g291130 +S'American, 1836 - 1910' +p313080 +sg291132 +S'(artist after)' +p313081 +sg291134 +S'Winter-Quarters in Camp - The Inside of a Hut' +p313082 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313083 +sa(dp313084 +g291130 +S'American, 1836 - 1910' +p313085 +sg291132 +S'(artist after)' +p313086 +sg291134 +S'Great Sumter Meeting in Union Square, New York, April 11, 1863' +p313087 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313088 +sa(dp313089 +g291130 +S'American, 1836 - 1910' +p313090 +sg291132 +S'(artist after)' +p313091 +sg291134 +S'The Approach of the British Pirate "Alabama"' +p313092 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313093 +sa(dp313094 +g291134 +S'Home from the War' +p313095 +sg291137 +S'Artist Information (' +p313096 +sg291130 +S'American, 1836 - 1910' +p313097 +sg291132 +S'(artist after)' +p313098 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000fa/a000faad.jpg' +p313099 +sg291136 +g27 +sa(dp313100 +g291130 +S'American, 1836 - 1910' +p313101 +sg291132 +S'(artist after)' +p313102 +sg291134 +S'The Russian Ball - In the Supper-Room' +p313103 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313104 +sa(dp313105 +g291134 +S'"Any Thing for Me, If You Please?" - Post Office of the Brooklyn Fair in Aid of the Sanitary Commission' +p313106 +sg291137 +S'Artist Information (' +p313107 +sg291130 +S'American, 1836 - 1910' +p313108 +sg291132 +S'(artist after)' +p313109 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000fa/a000faac.jpg' +p313110 +sg291136 +g27 +sa(dp313111 +g291130 +S'American, 1836 - 1910' +p313112 +sg291132 +S'(artist after)' +p313113 +sg291134 +S'Floral Department of the Great Fair' +p313114 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313115 +sa(dp313116 +g291130 +S'American, 1836 - 1910' +p313117 +sg291132 +S'(artist after)' +p313118 +sg291134 +S'The Fire Department in the Fair' +p313119 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313120 +sa(dp313121 +g291130 +S'American, 1836 - 1910' +p313122 +sg291132 +S'(artist after)' +p313123 +sg291134 +S'The Late Chief-Justice Roger B. 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1910' +p313147 +sg291132 +S'(artist after)' +p313148 +sg291134 +S'A Parisian Ball - Dancing at the Mabille, Paris' +p313149 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313150 +sa(dp313151 +g291130 +S'American, 1836 - 1910' +p313152 +sg291132 +S'(artist after)' +p313153 +sg291134 +S'A Parisian Ball - Dancing at the Casino' +p313154 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313155 +sa(dp313156 +g291130 +S'American, 1836 - 1910' +p313157 +sg291132 +S'(artist after)' +p313158 +sg291134 +S'Art-Students and Copyists in the Louvre Gallery, Paris' +p313159 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313160 +sa(dp313161 +g291130 +S'American, 1836 - 1910' +p313162 +sg291132 +S'(artist after)' +p313163 +sg291134 +S'"Winter" - A Skating Scene' +p313164 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313165 +sa(dp313166 +g291130 +S'American, 1836 - 1910' +p313167 +sg291132 +S'(artist after)' +p313168 +sg291134 +S"St. Valentine's Day - The Old Story in All Lands" +p313169 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313170 +sa(dp313171 +g291130 +S'American, 1836 - 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1910' +p313222 +sg291132 +S'(artist after)' +p313223 +sg291134 +S'Spring Farm Work - Grafting' +p313224 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313225 +sa(dp313226 +g291130 +S'American, 1836 - 1910' +p313227 +sg291132 +S'(artist after)' +p313228 +sg291134 +S'Spring Blossoms' +p313229 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313230 +sa(dp313231 +g291130 +S'American, 1836 - 1910' +p313232 +sg291132 +S'(artist after)' +p313233 +sg291134 +S'The Dinner Horn' +p313234 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313235 +sa(dp313236 +g291130 +S'American, 1836 - 1910' +p313237 +sg291132 +S'(artist after)' +p313238 +sg291134 +S'On the Bluff at Long Branch, at the Bathing Hour' +p313239 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313240 +sa(dp313241 +g291130 +S'American, 1836 - 1910' +p313242 +sg291132 +S'(artist after)' +p313243 +sg291134 +S'Making Hay' +p313244 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313245 +sa(dp313246 +g291134 +S'On the Beach - Two are Company, Three are None' +p313247 +sg291137 +S'Artist Information (' +p313248 +sg291130 +S'American, 1836 - 1910' +p313249 +sg291132 +S'(artist after)' +p313250 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fabd.jpg' +p313251 +sg291136 +g27 +sa(dp313252 +g291130 +S'American, 1836 - 1910' +p313253 +sg291132 +S'(artist after)' +p313254 +sg291134 +S'Under the Falls, Catskill Mountains' +p313255 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313256 +sa(dp313257 +g291130 +S'American, 1836 - 1910' +p313258 +sg291132 +S'(artist after)' +p313259 +sg291134 +S'The Wreck of the "Atlantic" - Cast Up by the Sea' +p313260 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313261 +sa(dp313262 +g291130 +S'American, 1836 - 1910' +p313263 +sg291132 +S'(artist after)' +p313264 +sg291134 +S'The Noon Recess' +p313265 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313266 +sa(dp313267 +g291130 +S'(artist after)' +p313268 +sg291132 +S'\n' +p313269 +sg291134 +S'The Bathers' +p313270 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313271 +sa(dp313272 +g291134 +S'The Nooning' +p313273 +sg291137 +S'Artist Information (' +p313274 +sg291130 +S'American, 1836 - 1910' +p313275 +sg291132 +S'(artist after)' +p313276 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fab9.jpg' +p313277 +sg291136 +g27 +sa(dp313278 +g291130 +S'(artist after)' +p313279 +sg291132 +S'\n' +p313280 +sg291134 +S'Sea-Side Sketches - A Clam-Bake' +p313281 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313282 +sa(dp313283 +g291134 +S'Gloucester Harbor' +p313284 +sg291137 +S'Artist Information (' +p313285 +sg291130 +S'American, 1836 - 1910' +p313286 +sg291132 +S'(artist after)' +p313287 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fab7.jpg' +p313288 +sg291136 +g27 +sa(dp313289 +g291134 +S'Ship-Building, Gloucester Harbor' +p313290 +sg291137 +S'Artist Information (' +p313291 +sg291130 +S'American, 1836 - 1910' +p313292 +sg291132 +S'(artist after)' +p313293 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0004b/a0004bab.jpg' +p313294 +sg291136 +g27 +sa(dp313295 +g291134 +S'"Dad\'s Coming!"' +p313296 +sg291137 +S'Artist Information (' +p313297 +sg291130 +S'American, 1836 - 1910' +p313298 +sg291132 +S'(artist after)' +p313299 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fac4.jpg' +p313300 +sg291136 +g27 +sa(dp313301 +g291130 +S'American, 1836 - 1910' +p313302 +sg291132 +S'(artist after)' +p313303 +sg291134 +S'The Last Days of Harvest' +p313304 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313305 +sa(dp313306 +g291130 +S'American, 1836 - 1910' +p313307 +sg291132 +S'(artist after)' +p313308 +sg291134 +S'The Morning Bell' +p313309 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313310 +sa(dp313311 +g291130 +S'American, 1836 - 1910' +p313312 +sg291132 +S'(artist after)' +p313313 +sg291134 +S'Station-House Lodgers' +p313314 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313315 +sa(dp313316 +g291130 +S'American, 1836 - 1910' +p313317 +sg291132 +S'(artist after)' +p313318 +sg291134 +S'Watch-Tower, Corner of Spring and Varick Streets, New York' +p313319 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313320 +sa(dp313321 +g291130 +S'American, 1836 - 1910' +p313322 +sg291132 +S'(artist after)' +p313323 +sg291134 +S'The Chinese in New York - Scene in a Baxter Street Club-House' +p313324 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313325 +sa(dp313326 +g291130 +S'(artist after)' +p313327 +sg291132 +S'\n' +p313328 +sg291134 +S'New York Charities - St. Barnabas House, 304 Mulberry Street' +p313329 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313330 +sa(dp313331 +g291130 +S'(artist after)' +p313332 +sg291132 +S'\n' +p313333 +sg291134 +S'Raid on a Sand-Swallow Colony - "How Many Eggs?"' +p313334 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313335 +sa(dp313336 +g291130 +S'(artist after)' +p313337 +sg291132 +S'\n' +p313338 +sg291134 +S'Gathering Berries' +p313339 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313340 +sa(dp313341 +g291130 +S'(artist after)' +p313342 +sg291132 +S'\n' +p313343 +sg291134 +S"On the Beach at Long Branch - The Children's Hour" +p313344 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313345 +sa(dp313346 +g291130 +S'(artist after)' +p313347 +sg291132 +S'\n' +p313348 +sg291134 +S'Waiting for a Bite' +p313349 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313350 +sa(dp313351 +g291130 +S'American, 1836 - 1910' +p313352 +sg291132 +S'(artist after)' +p313353 +sg291134 +S'Seesaw - Gloucester, Massachusetts' +p313354 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313355 +sa(dp313356 +g291130 +S'American, 1836 - 1910' +p313357 +sg291132 +S'(artist after)' +p313358 +sg291134 +S'Flirting on the Sea-Shore and on the Meadow' +p313359 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313360 +sa(dp313361 +g291130 +S'(artist after)' +p313362 +sg291132 +S'\n' +p313363 +sg291134 +S'Camping Out in the Adirondack Mountains' +p313364 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313365 +sa(dp313366 +g291130 +S'American, 1836 - 1910' +p313367 +sg291132 +S'(artist after)' +p313368 +sg291134 +S"The Battle of Bunker-Hill - Watching the Fight from Copp's Hill, in Boston" +p313369 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313370 +sa(dp313371 +g291130 +S'(artist after)' +p313372 +sg291132 +S'\n' +p313373 +sg291134 +S'The Fishing Party' +p313374 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313375 +sa(dp313376 +g291130 +S'(artist after)' +p313377 +sg291132 +S'\n' +p313378 +sg291134 +S'Captain J.W. Watkins' +p313379 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313380 +sa(dp313381 +g291130 +S'(artist after)' +p313382 +sg291132 +S'\n' +p313383 +sg291134 +S'Corner of Winter, Washington and Summer Streets, Boston' +p313384 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313385 +sa(dp313386 +g291130 +S'(artist after)' +p313387 +sg291132 +S'\n' +p313388 +sg291134 +S'Hon. William Haile, Governor of New Hampshire' +p313389 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313390 +sa(dp313391 +g291130 +S'(artist after)' +p313392 +sg291132 +S'\n' +p313393 +sg291134 +S'The Fountain on Boston Common' +p313394 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313395 +sa(dp313396 +g291130 +S'American, 1836 - 1910' +p313397 +sg291132 +S'(artist after)' +p313398 +sg291134 +S'Pierre-Jean De Berranger' +p313399 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313400 +sa(dp313401 +g291130 +S'American, 1836 - 1910' +p313402 +sg291132 +S'(artist after)' +p313403 +sg291134 +S'A Boston Watering-Cart' +p313404 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313405 +sa(dp313406 +g291130 +S'(artist after)' +p313407 +sg291132 +S'\n' +p313408 +sg291134 +S'The Late William Wood' +p313409 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313410 +sa(dp313411 +g291130 +S'(artist after)' +p313412 +sg291132 +S'\n' +p313413 +sg291134 +S'View in South Market Street, Boston' +p313414 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313415 +sa(dp313416 +g291130 +S'(artist after)' +p313417 +sg291132 +S'\n' +p313418 +sg291134 +S'Hon. Robert I. Burbank' +p313419 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313420 +sa(dp313421 +g291130 +S'(artist after)' +p313422 +sg291132 +S'\n' +p313423 +sg291134 +S'Rembrandt Peale' +p313424 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313425 +sa(dp313426 +g291130 +S'(artist after)' +p313427 +sg291132 +S'\n' +p313428 +sg291134 +S'Emigrant Arrival at Constitution Wharf' +p313429 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313430 +sa(dp313431 +g291130 +S'American, 1836 - 1910' +p313432 +sg291132 +S'(artist after)' +p313433 +sg291134 +S'Boston Evening Street Scene, at the Corner of Court and Brattle Streets' +p313434 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313435 +sa(dp313436 +g291130 +S'American, 1836 - 1910' +p313437 +sg291132 +S'(artist after)' +p313438 +sg291134 +S"Blindman's Buff [top]" +p313439 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313440 +sa(dp313441 +g291130 +S'(artist after)' +p313442 +sg291132 +S'\n' +p313443 +sg291134 +S'Husking Party Finding the Red Ears [bottom]' +p313444 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313445 +sa(dp313446 +g291130 +S'(artist after)' +p313447 +sg291132 +S'\n' +p313448 +sg291134 +S'Family Party Playing at Fox and Geese [top]' +p313449 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313450 +sa(dp313451 +g291130 +S'(artist after)' +p313452 +sg291132 +S'\n' +p313453 +sg291134 +S'Coasting Out of Doors [bottom]' +p313454 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313455 +sa(dp313456 +g291130 +S'American, 1836 - 1910' +p313457 +sg291132 +S'(artist after)' +p313458 +sg291134 +S'The "Cold Term," Boston-Scene, Corner of Milk and Washington Streets' +p313459 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313460 +sa(dp313461 +g291130 +S'American, 1836 - 1910' +p313462 +sg291132 +S'(artist after)' +p313463 +sg291134 +S'Class Day, at Harvard University, Cambridge, Mass.' +p313464 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313465 +sa(dp313466 +g291130 +S'American, 1836 - 1910' +p313467 +sg291132 +S'(artist after)' +p313468 +sg291134 +S'Landing at the Cape [top]' +p313469 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313470 +sa(dp313471 +g291130 +S'(artist after)' +p313472 +sg291132 +S'\n' +p313473 +sg291134 +S'Morning Ablutions [bottom]' +p313474 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313475 +sa(dp313476 +g291130 +S'American, 1836 - 1910' +p313477 +sg291132 +S'(artist after)' +p313478 +sg291134 +S'Cooking [top]' +p313479 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313480 +sa(dp313481 +g291130 +S'American, 1836 - 1910' +p313482 +sg291132 +S'(artist after)' +p313483 +sg291134 +S'The Tent [bottom]' +p313484 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313485 +sa(dp313486 +g291130 +S'(artist after)' +p313487 +sg291132 +S'\n' +p313488 +sg291134 +S'Theodore Parker' +p313489 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313490 +sa(dp313491 +g291130 +S'(artist after)' +p313492 +sg291132 +S'\n' +p313493 +sg291134 +S'William E. Burton, Esq., Comedian' +p313494 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313495 +sa(dp313496 +g291130 +S'(artist after)' +p313497 +sg291132 +S'\n' +p313498 +sg291134 +S'Franklin Haven, Esq.' +p313499 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313500 +sa(dp313501 +g291130 +S'(artist after)' +p313502 +sg291132 +S'\n' +p313503 +sg291134 +S'Henry Wadsworth Longfellow' +p313504 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313505 +sa(dp313506 +g291130 +S'(artist after)' +p313507 +sg291132 +S'\n' +p313508 +sg291134 +S'Hon. Stephen A. Douglas' +p313509 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313510 +sa(dp313511 +g291130 +S'(artist after)' +p313512 +sg291132 +S'\n' +p313513 +sg291134 +S'Hon. Charles Hale, Speaker of the House, Massachusetts Legislature' +p313514 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313515 +sa(dp313516 +g291130 +S'(artist after)' +p313517 +sg291132 +S'\n' +p313518 +sg291134 +S'Skating on Jamaica Pond, near Boston' +p313519 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313520 +sa(dp313521 +g291130 +S'(artist after)' +p313522 +sg291132 +S'\n' +p313523 +sg291134 +S'Sleighing in Haymarket Square, Boston [top]' +p313524 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313525 +sa(dp313526 +g291130 +S'(artist after)' +p313527 +sg291132 +S'\n' +p313528 +sg291134 +S'Sleighing on the Road, Brighton, near Boston [bottom]' +p313529 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313530 +sa(dp313531 +g291130 +S'(artist after)' +p313532 +sg291132 +S'\n' +p313533 +sg291134 +S'Ralph Waldo Emerson' +p313534 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313535 +sa(dp313536 +g291130 +S'(artist after)' +p313537 +sg291132 +S'\n' +p313538 +sg291134 +S'Trotting on the Milldam, Boston' +p313539 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313540 +sa(dp313541 +g291130 +S'(artist after)' +p313542 +sg291132 +S'\n' +p313543 +sg291134 +S'Mrs. Cunningham, Boston Museum' +p313544 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313545 +sa(dp313546 +g291130 +S'(artist after)' +p313547 +sg291132 +S'\n' +p313548 +sg291134 +S'Maria Piccolomini' +p313549 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313550 +sa(dp313551 +g291130 +S'American, 1836 - 1910' +p313552 +sg291132 +S'(artist after)' +p313553 +sg291134 +S'Nahum Capen, Esq., Postmaster of Boston' +p313554 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313555 +sa(dp313556 +g291130 +S'American, 1836 - 1910' +p313557 +sg291132 +S'(artist after)' +p313558 +sg291134 +S'La Petite Angelina and Miss C. Thompson, at the Boston Museum [top]' +p313559 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313560 +sa(dp313561 +g291130 +S'American, 1836 - 1910' +p313562 +sg291132 +S'(artist after)' +p313563 +sg291134 +S'Evening Scene at the Skating Park, Boston [bottom]' +p313564 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313565 +sa(dp313566 +g291130 +S'(artist after)' +p313567 +sg291132 +S'\n' +p313568 +sg291134 +S'Fletcher Webster, Esq., Surveyor of Boston' +p313569 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313570 +sa(dp313571 +g291130 +S'(artist after)' +p313572 +sg291132 +S'\n' +p313573 +sg291134 +S'Samuel Masury, Daguerreotypist and Photographer' +p313574 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313575 +sa(dp313576 +g291130 +S'American, 1836 - 1910' +p313577 +sg291132 +S'(artist after)' +p313578 +sg291134 +S'Gen. Joseph Lane, U.S. Senator from Oregon' +p313579 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313580 +sa(dp313581 +g291130 +S'(artist after)' +p313582 +sg291132 +S'\n' +p313583 +sg291134 +S'A Superb Lion and Lioness, Now Exhibiting in Boston' +p313584 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313585 +sa(dp313586 +g291130 +S'American, 1836 - 1910' +p313587 +sg291132 +S'(artist after)' +p313588 +sg291134 +S'Hon. James A. Pearce, U.S. Senator from Maryland' +p313589 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313590 +sa(dp313591 +g291130 +S'(artist after)' +p313592 +sg291132 +S'\n' +p313593 +sg291134 +S'The New Town of Belmont, Massachusetts' +p313594 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313595 +sa(dp313596 +g291130 +S'(artist after)' +p313597 +sg291132 +S'\n' +p313598 +sg291134 +S'The Late Col. Samuel Jaques' +p313599 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313600 +sa(dp313601 +g291130 +S'(artist after)' +p313602 +sg291132 +S'\n' +p313603 +sg291134 +S'The Wonderful Dutton Children' +p313604 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313605 +sa(dp313606 +g291130 +S'(artist after)' +p313607 +sg291132 +S'\n' +p313608 +sg291134 +S'Scene on the Back Bay Lands, Boston' +p313609 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313610 +sa(dp313611 +g291130 +S'(artist after)' +p313612 +sg291132 +S'\n' +p313613 +sg291134 +S'The Aquarial Gardens, Bromfield Street, Boston' +p313614 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313615 +sa(dp313616 +g291130 +S'American, 1836 - 1910' +p313617 +sg291132 +S'(artist after)' +p313618 +sg291134 +S'Cricket Players on Boston Common' +p313619 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313620 +sa(dp313621 +g291130 +S'(artist after)' +p313622 +sg291132 +S'\n' +p313623 +sg291134 +S'Madame Laborde, the Prima Donna' +p313624 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313625 +sa(dp313626 +g291130 +S'(artist after)' +p313627 +sg291132 +S'\n' +p313628 +sg291134 +S'Paul Morphy, the Chess Champion' +p313629 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313630 +sa(dp313631 +g291130 +S'(artist after)' +p313632 +sg291132 +S'\n' +p313633 +sg291134 +S'Cambridge Cattle Market' +p313634 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313635 +sa(dp313636 +g291130 +S'American, 1836 - 1910' +p313637 +sg291132 +S'(artist after)' +p313638 +sg291134 +S'Fourth of July Scene, on Boston Common' +p313639 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313640 +sa(dp313641 +g291130 +S'American, 1836 - 1910' +p313642 +sg291132 +S'(artist after)' +p313643 +sg291134 +S'Boston Street Characters' +p313644 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313645 +sa(dp313646 +g291130 +S'(artist after)' +p313647 +sg291132 +S'\n' +p313648 +sg291134 +S'Captain Robert B. Forbes' +p313649 +sg291136 +g27 +sg291137 +S'Artist Information (' +p313650 +sa(dp313651 +g291130 +S'(artist after)' +p313652 +sg291132 +S'\n' +p313653 +sg291134 +S'Hon. John F. 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+sg291130 +S'etching and engraving on laid paper [restrike]' +p317189 +sg291132 +S'1619' +p317190 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e30.jpg' +p317191 +sg291136 +g27 +sa(dp317192 +g291134 +S'Plan and Elevation of the Church of the Holy Nativity' +p317193 +sg291137 +S'Jacques Callot' +p317194 +sg291130 +S'etching and engraving on laid paper [restrike]' +p317195 +sg291132 +S'1619' +p317196 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e2e.jpg' +p317197 +sg291136 +g27 +sa(dp317198 +g291134 +S'Plan and Part of the Elevation of the Church of the Holy Sepulchre of the Madonna' +p317199 +sg291137 +S'Jacques Callot' +p317200 +sg291130 +S'etching and engraving on laid paper [restrike]' +p317201 +sg291132 +S'1619' +p317202 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e2f.jpg' +p317203 +sg291136 +g27 +sa(dp317204 +g291134 +S'Plan and Rendering of the Temple of Solomon' +p317205 +sg291137 +S'Jacques Callot' +p317206 +sg291130 +S'etching and engraving on laid paper [restrike]' +p317207 +sg291132 +S'1619' +p317208 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e2b.jpg' +p317209 +sg291136 +g27 +sa(dp317210 +g291134 +S'Dedication Plate' +p317211 +sg291137 +S'Theodor Verkruis' +p317212 +sg291130 +S'etching on laid paper [restrike]' +p317213 +sg291132 +S'unknown date\n' +p317214 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e2c.jpg' +p317215 +sg291136 +g27 +sa(dp317216 +g291134 +S'Il Greco in Troia: Plate 1' +p317217 +sg291137 +S'Arnold von Westerhout' +p317218 +sg291130 +S'etching and engraving on laid paper [restrike]' +p317219 +sg291132 +S'unknown date\n' +p317220 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e38.jpg' +p317221 +sg291136 +g27 +sa(dp317222 +g291134 +S'Il Greco in Troia: Plate 2' +p317223 +sg291137 +S'Arnold von Westerhout' +p317224 +sg291130 +S'etching and engraving on laid paper [restrike]' +p317225 +sg291132 +S'unknown date\n' +p317226 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e33.jpg' 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paper [restrike]' +p317267 +sg291132 +S'unknown date\n' +p317268 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e37.jpg' +p317269 +sg291136 +g27 +sa(dp317270 +g291134 +S'Il Greco in Troia: Plate 10' +p317271 +sg291137 +S'Arnold von Westerhout' +p317272 +sg291130 +S'etching and engraving on laid paper [restrike]' +p317273 +sg291132 +S'unknown date\n' +p317274 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e3b.jpg' +p317275 +sg291136 +g27 +sa(dp317276 +g291130 +S'1 vol: 78 etched plates and 18 etched head-pieces [restrikes]' +p317277 +sg291132 +S'possibly 1756/1784' +p317278 +sg291134 +S'Le Antichit\xc3\xa0 Romane (volume I)' +p317279 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p317280 +sa(dp317281 +g291130 +S'1 vol: 64 etchings [restrikes]' +p317282 +sg291132 +S'possibly 1756/1784' +p317283 +sg291134 +S'Le Antichit\xc3\xa0 Romane (volume II)' +p317284 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p317285 +sa(dp317286 +g291130 +S'1 vol: 55 etchings [restrikes]' +p317287 +sg291132 +S'possibly 1756/1784' +p317288 +sg291134 +S'Le Antichit\xc3\xa0 Romane (volume III)' +p317289 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p317290 +sa(dp317291 +g291130 +S'1 vol: 65 etchings [restrikes]' +p317292 +sg291132 +S'possibly 1756/1784' +p317293 +sg291134 +S'Le Antichit\xc3\xa0 Romane (volume IV)' +p317294 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p317295 +sa(dp317296 +g291130 +S'1 vol: 6 etched plates and 7 etched head-pieces and vignettes [restrikes]' +p317297 +sg291132 +S'published 1785' +p317298 +sg291134 +S'Monumenti degli Scipione (Supplement to "Le Antichit\xc3\xa0 Romane")' +p317299 +sg291136 +g27 +sg291137 +S'Francesco Piranesi' +p317300 +sa(dp317301 +g291130 +S'1 vol: 52 etched plates and 11 etched head-pieces and vignettes [restrikes]' +p317302 +sg291132 +S'published 1780' +p317303 +sg291134 +S'Raccolta de\'Tempi Antichi (Supplement to "Le Antichit\xc3\xa0 Romane")' +p317304 +sg291136 +g27 +sg291137 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Marzio dell'Antica Roma" +p317324 +sg291136 +g27 +sg291137 +S'Artist Information (' +p317325 +sa(dp317326 +g291130 +S'1 vol: 55 etched plates and 12 etched head-pieces and vignettes [restrikes]' +p317327 +sg291132 +S'unknown date\n' +p317328 +sg291134 +S"Antichit\xc3\xa0 d'Albano; Descrizione ... del'Emmissario; Di due Spelonche" +p317329 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p317330 +sa(dp317331 +g291130 +S'(artist)' +p317332 +sg291132 +S'\n' +p317333 +sg291134 +S'Vasi, candelabri, cippi ... (volume I)' +p317334 +sg291136 +g27 +sg291137 +S'Artist Information (' +p317335 +sa(dp317336 +g291130 +S'(artist)' +p317337 +sg291132 +S'\n' +p317338 +sg291134 +S'Vasi, candelabri, cippi ... (volume II)' +p317339 +sg291136 +g27 +sg291137 +S'Artist Information (' +p317340 +sa(dp317341 +g291130 +S'1 vol: 48 etchings [restrikes]' +p317342 +sg291132 +S'in or after 1775' +p317343 +sg291134 +S'Le Colonne Trajana e Antonina' +p317344 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p317345 +sa(dp317346 +g291130 +S'(artist)' +p317347 +sg291132 +S'\n' +p317348 +sg291134 +S'Differentes vues de quelques Restes ...' +p317349 +sg291136 +g27 +sg291137 +S'Artist Information (' +p317350 +sa(dp317351 +g291130 +S'1 vol: 71 etchings [restrikes]' +p317352 +sg291132 +S'published 1748' +p317353 +sg291134 +S'Le Vedute di Roma (volume I)' +p317354 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p317355 +sa(dp317356 +g291130 +S'(artist)' +p317357 +sg291132 +S'\n' +p317358 +sg291134 +S'Le Vedute di Roma (volume II)' +p317359 +sg291136 +g27 +sg291137 +S'Artist Information (' +p317360 +sa(dp317361 +g291130 +S'(artist after)' +p317362 +sg291132 +S'\n' +p317363 +sg291134 +S'Statue Antichi' +p317364 +sg291136 +g27 +sg291137 +S'Artist Information (' +p317365 +sa(dp317366 +g291130 +S'1 vol: 10 etched plates and 2 etched head-pieces [restrikes]' +p317367 +sg291132 +S'published 1785' +p317368 +sg291134 +S"Il Teatro d'Ercolano" +p317369 +sg291136 +g27 +sg291137 +S'Francesco Piranesi' +p317370 +sa(dp317371 +g291130 +S'1 vol: 85 etched plates and 6 etched head-pieces and vignettes [restrikes]' +p317372 +sg291132 +S'published 1769' +p317373 +sg291134 +S"Diverse maniere d'ardornare i Cammini; Diversi ornati delle pareti" +p317374 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p317375 +sa(dp317376 +g291130 +S'(artist)' +p317377 +sg291132 +S'\n' +p317378 +sg291134 +S'Raccolta di Alcuni Disegni del ... Guercino' +p317379 +sg291136 +g27 +sg291137 +S'Artist Information (' +p317380 +sa(dp317381 +g291130 +S'Italian, c. 1758 - 1810' +p317382 +sg291132 +S'(publisher)' +p317383 +sg291134 +S'La Scuola Italiana' +p317384 +sg291136 +g27 +sg291137 +S'Artist Information (' +p317385 +sa(dp317386 +g291130 +S'(artist after)' +p317387 +sg291132 +S'\n' +p317388 +sg291134 +S'Soggetti Diversi e Prospettive delle piazze di Padova' +p317389 +sg291136 +g27 +sg291137 +S'Artist Information (' +p317390 +sa(dp317391 +g291130 +S'(artist after)' +p317392 +sg291132 +S'\n' +p317393 +sg291134 +S'Antiquites de la Grande-Grece (volume I)' +p317394 +sg291136 +g27 +sg291137 +S'Artist Information (' +p317395 +sa(dp317396 +g291130 +S'(artist after)' +p317397 +sg291132 +S'\n' +p317398 +sg291134 +S'Antiquites de la Grande-Grece (volume II)' +p317399 +sg291136 +g27 +sg291137 +S'Artist Information (' +p317400 +sa(dp317401 +g291130 +S'(artist after)' +p317402 +sg291132 +S'\n' +p317403 +sg291134 +S'Antiquites de la Grande-Grece (Table des usages civils et militares ...)' +p317404 +sg291136 +g27 +sg291137 +S'Artist Information (' +p317405 +sa(dp317406 +g291130 +S'(publisher)' +p317407 +sg291132 +S'\n' +p317408 +sg291134 +S'Amorini e Trofei nella Villa Lante' +p317409 +sg291136 +g27 +sg291137 +S'Artist Information (' +p317410 +sa(dp317411 +g291134 +S'Torso of Christ on the Cross' +p317412 +sg291137 +S'Guido Reni' +p317413 +sg291130 +S', probably c. 1616' +p317414 +sg291132 +S'\n' +p317415 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00067/a0006784.jpg' +p317416 +sg291136 +g27 +sa(dp317417 +g291134 +S"The Eagle's Nest in the Forest of Fontainebleau (Le nid de l'aigle dans la Foret de Fontainebleau" +p317418 +sg291137 +S'Charles-Fran\xc3\xa7ois Daubigny' +p317419 +sg291130 +S'etching on wove paper' +p317420 +sg291132 +S'in or before 1844' +p317421 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00098/a000982c.jpg' +p317422 +sg291136 +g27 +sa(dp317423 +g291134 +S'The Embroiderers (Les brodeuses)' +p317424 +sg291137 +S'Henri Fantin-Latour' +p317425 +sg291130 +S'chine colle lithograph' +p317426 +sg291132 +S'1898' +p317427 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00095/a00095d1.jpg' +p317428 +sg291136 +g27 +sa(dp317429 +g291130 +S'oil on canvas' +p317430 +sg291132 +S'c. 1900' +p317431 +sg291134 +S'Winter Landscape' +p317432 +sg291136 +g27 +sg291137 +S'John Marin' +p317433 +sa(dp317434 +g291130 +S'oil on canvas board' +p317435 +sg291132 +S'1928' +p317436 +sg291134 +S'Buildings with Snowbank, Cliffside, New Jersey' +p317437 +sg291136 +g27 +sg291137 +S'John Marin' +p317438 +sa(dp317439 +g291130 +S'oil on canvas board' +p317440 +sg291132 +S'c. 1928' +p317441 +sg291134 +S'House with Dutch Roof' +p317442 +sg291136 +g27 +sg291137 +S'John Marin' +p317443 +sa(dp317444 +g291130 +S'oil on canvas on cardboard' +p317445 +sg291132 +S'1931' +p317446 +sg291134 +S'Landscape with Houses and Trees' +p317447 +sg291136 +g27 +sg291137 +S'John Marin' +p317448 +sa(dp317449 +g291130 +S'oil on canvas on cardboard' +p317450 +sg291132 +S'1931' +p317451 +sg291134 +S'Houses and Trees' +p317452 +sg291136 +g27 +sg291137 +S'John Marin' +p317453 +sa(dp317454 +g291130 +S'oil on canvas on cardboard' +p317455 +sg291132 +S'1931' +p317456 +sg291134 +S'Old Swedish Church, New Castle, Delaware: Close View' +p317457 +sg291136 +g27 +sg291137 +S'John Marin' +p317458 +sa(dp317459 +g291130 +S'oil on canvas on cardboard' +p317460 +sg291132 +S'1931' +p317461 +sg291134 +S'Old Swedish Church, New Castle, Delaware: Distant View' +p317462 +sg291136 +g27 +sg291137 +S'John Marin' +p317463 +sa(dp317464 +g291130 +S'oil on canvas' +p317465 +sg291132 +S'c. 1944' +p317466 +sg291134 +S'Mrs. John Marin' +p317467 +sg291136 +g27 +sg291137 +S'John Marin' +p317468 +sa(dp317469 +g291130 +S'oil on canvas board' +p317470 +sg291132 +S'1948' +p317471 +sg291134 +S'Tunk Mountains, Maine' +p317472 +sg291136 +g27 +sg291137 +S'John Marin' +p317473 +sa(dp317474 +g291130 +S'oil on canvas on board' +p317475 +sg291132 +S'c. 1950' +p317476 +sg291134 +S'Sketch of Two Bison' +p317477 +sg291136 +g27 +sg291137 +S'John Marin' +p317478 +sa(dp317479 +g291130 +S'oil on canvas' +p317480 +sg291132 +S'1951' +p317481 +sg291134 +S'Bather Seated on Rocks' +p317482 +sg291136 +g27 +sg291137 +S'John Marin' +p317483 +sa(dp317484 +g291130 +S'oil on canvas' +p317485 +sg291132 +S'c. 1953' +p317486 +sg291134 +S'Untitled: Circus' +p317487 +sg291136 +g27 +sg291137 +S'John Marin' +p317488 +sa(dp317489 +g291130 +S'watercolor over graphite on wove paper' +p317490 +sg291132 +S'c. 1890' +p317491 +sg291134 +S'West New York and Vicinity' +p317492 +sg291136 +g27 +sg291137 +S'John Marin' +p317493 +sa(dp317494 +g291130 +S'watercolor over graphite on wove paper' +p317495 +sg291132 +S'c. 1895/1900' +p317496 +sg291134 +S'House' +p317497 +sg291136 +g27 +sg291137 +S'John Marin' +p317498 +sa(dp317499 +g291130 +S'watercolor and graphite on wove paper' +p317500 +sg291132 +S'c. 1895/1900' +p317501 +sg291134 +S'House with Figures in Front [recto]' 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the Argonaut, Epilogue (37)' +p324497 +sg291136 +g27 +sg291137 +S'Francesco Clemente' +p324498 +sa(dp324499 +g291130 +S'lithograph in black, orange, and blue with letterpress text on Okawara 60 gsm mold made kozo paper' +p324500 +sg291132 +S'published 1986' +p324501 +sg291134 +S'The Departure of the Argonaut, Epilogue (38)' +p324502 +sg291136 +g27 +sg291137 +S'Francesco Clemente' +p324503 +sa(dp324504 +g291130 +S'lithograph in yellow and black with letterpress text on Okawara 60 gsm mold made kozo paper' +p324505 +sg291132 +S'published 1986' +p324506 +sg291134 +S'The Departure of the Argonaut, Epilogue (39)' +p324507 +sg291136 +g27 +sg291137 +S'Francesco Clemente' +p324508 +sa(dp324509 +g291130 +S'lithograph in orange and black with letterpress text on Okawara 60 gsm mold made kozo paper' +p324510 +sg291132 +S'published 1986' +p324511 +sg291134 +S'The Departure of the Argonaut, Epilogue (40)' +p324512 +sg291136 +g27 +sg291137 +S'Francesco Clemente' +p324513 +sa(dp324514 +g291130 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before 1938' +p324592 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000fd/a000fd8d.jpg' +p324593 +sg291136 +g27 +sa(dp324594 +g291134 +S'Snow' +p324595 +sg291137 +S'George Elbert Burr' +p324596 +sg291130 +S'drypoint on wove paper' +p324597 +sg291132 +S'unknown date\n' +p324598 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000f3/a000f3a9.jpg' +p324599 +sg291136 +g27 +sa(dp324600 +g291134 +S'Palm Canyon (no.1)' +p324601 +sg291137 +S'George Elbert Burr' +p324602 +sg291130 +S'drypoint on wove paper' +p324603 +sg291132 +S'in or before 1921' +p324604 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000f3/a000f3ab.jpg' +p324605 +sg291136 +g27 +sa(dp324606 +g291134 +S'Palo Verde Trees' +p324607 +sg291137 +S'George Elbert Burr' +p324608 +sg291130 +S'soft-ground etching in red on wove paper' +p324609 +sg291132 +S'in or before 1921' +p324610 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000f3/a000f3ac.jpg' +p324611 +sg291136 +g27 +sa(dp324612 +g291134 +S'Desert Sunset (Sunset)' +p324613 +sg291137 +S'George 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laid paper' +p324693 +sg291132 +S'unknown date\n' +p324694 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000fd/a000fd8c.jpg' +p324695 +sg291136 +g27 +sa(dp324696 +g291134 +S'Arizona Night (Near Needles, Arizona)' +p324697 +sg291137 +S'George Elbert Burr' +p324698 +sg291130 +S'drypoint and aquatint in green on wove paper' +p324699 +sg291132 +S'in or before 1930' +p324700 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a37.jpg' +p324701 +sg291136 +g27 +sa(dp324702 +g291134 +S'Mesa Encantada, New Mexico (no.2)' +p324703 +sg291137 +S'George Elbert Burr' +p324704 +sg291130 +S'drypoint on laid paper' +p324705 +sg291132 +S'unknown date\n' +p324706 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000f3/a000f3b4.jpg' +p324707 +sg291136 +g27 +sa(dp324708 +g291134 +S'Verde River, Apache Reservation, Arizona' +p324709 +sg291137 +S'George Elbert Burr' +p324710 +sg291130 +S'drypoint and soft-ground etching in green on wove paper' +p324711 +sg291132 +S'in or after 1920' +p324712 +sg292149 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+sg291136 +g27 +sa(dp324732 +g291134 +S'Sketch of Florence' +p324733 +sg291137 +S'George Elbert Burr' +p324734 +sg291130 +S'drypoint on laid paper' +p324735 +sg291132 +S'unknown date\n' +p324736 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000fd/a000fd8b.jpg' +p324737 +sg291136 +g27 +sa(dp324738 +g291134 +S'Evening, Arizona' +p324739 +sg291137 +S'George Elbert Burr' +p324740 +sg291130 +S'etching, drypoint, and aquatint on wove paper' +p324741 +sg291132 +S'in or before 1930' +p324742 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000f3/a000f3b0.jpg' +p324743 +sg291136 +g27 +sa(dp324744 +g291134 +S'Juno with Her Peacock' +p324745 +sg291137 +S'Antoine-Louis Barye' +p324746 +sg291130 +S'bronze' +p324747 +sg291132 +S'model c. 1840, cast after 1855' +p324748 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00029/a00029ba.jpg' +p324749 +sg291136 +g27 +sa(dp324750 +g291134 +S'God the Father' +p324751 +sg291137 +S'Artist Information (' +p324752 +sg291130 +S'French, 1612 - 1695' +p324753 +sg291132 +S'(related artist)' +p324754 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005a/a0005ab2.jpg' +p324755 +sg291136 +g27 +sa(dp324756 +g291134 +S'A Fantastic Vase' +p324757 +sg291137 +S'Giovanni Battista Piranesi' +p324758 +sg291130 +S'pen and black ink with gray wash over black chalk on laid paper' +p324759 +sg291132 +S'1745/1747' +p324760 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00059/a000596b.jpg' +p324761 +sg291136 +g27 +sa(dp324762 +g291134 +S'Three Studies of Hands Clasped in Prayer' +p324763 +sg291137 +S'Jacopo Guarana' +p324764 +sg291130 +S'black chalk heightened with white on reddish-brown laid paper' +p324765 +sg291132 +S'unknown date\n' +p324766 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006eea.jpg' +p324767 +sg291136 +g27 +sa(dp324768 +g291134 +S'A Capriccio of Ruins by the Lagoon' +p324769 +sg291137 +S'Francesco Guardi' +p324770 +sg291130 +S'pen and brown ink with brown and gray wash on laid paper; laid down' +p324771 +sg291132 +S'unknown date\n' +p324772 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00070/a000709a.jpg' +p324773 +sg291136 +g27 +sa(dp324774 +g291134 +S'First Station' +p324775 +sg291137 +S'Barnett Newman' +p324776 +sg291130 +S'Magna on canvas' +p324777 +sg291132 +S'1958' +p324778 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00001/a0000177.jpg' +p324779 +sg291136 +g27 +sa(dp324780 +g291134 +S'Second Station' +p324781 +sg291137 +S'Barnett Newman' +p324782 +sg291130 +S'Magna on canvas' +p324783 +sg291132 +S'1958' +p324784 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00001/a000017e.jpg' +p324785 +sg291136 +g27 +sa(dp324786 +g291134 +S'Third Station' +p324787 +sg291137 +S'Barnett Newman' +p324788 +sg291130 +S'oil on canvas' +p324789 +sg291132 +S'1960' +p324790 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00001/a000017f.jpg' +p324791 +sg291136 +g27 +sa(dp324792 +g291134 +S'Fourth Station' +p324793 +sg291137 +S'Barnett Newman' +p324794 +sg291130 +S'oil on canvas' +p324795 +sg291132 +S'1960' +p324796 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00001/a0000180.jpg' +p324797 +sg291136 +g27 +sa(dp324798 +g291134 +S'Fifth Station' +p324799 +sg291137 +S'Barnett Newman' +p324800 +sg291130 +S'oil on canvas' +p324801 +sg291132 +S'1962' +p324802 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00001/a0000181.jpg' +p324803 +sg291136 +g27 +sa(dp324804 +g291134 +S'Sixth Station' +p324805 +sg291137 +S'Barnett Newman' +p324806 +sg291130 +S'oil on canvas' +p324807 +sg291132 +S'1962' +p324808 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00001/a00001b1.jpg' +p324809 +sg291136 +g27 +sa(dp324810 +g291134 +S'Seventh Station' +p324811 +sg291137 +S'Barnett Newman' +p324812 +sg291130 +S'oil on canvas' +p324813 +sg291132 +S'1964' +p324814 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00001/a0000182.jpg' +p324815 +sg291136 +g27 +sa(dp324816 +g291134 +S'Eighth Station' +p324817 +sg291137 +S'Barnett Newman' +p324818 +sg291130 +S'oil on canvas' +p324819 +sg291132 +S'1964' +p324820 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00001/a0000183.jpg' +p324821 +sg291136 +g27 +sa(dp324822 +g291134 +S'Ninth Station' +p324823 +sg291137 +S'Barnett Newman' +p324824 +sg291130 +S'acrylic on canvas' +p324825 +sg291132 +S'1964' +p324826 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00001/a0000184.jpg' +p324827 +sg291136 +g27 +sa(dp324828 +g291134 +S'Tenth Station' +p324829 +sg291137 +S'Barnett Newman' +p324830 +sg291130 +S'Magna on canvas' +p324831 +sg291132 +S'1965' +p324832 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00001/a0000178.jpg' +p324833 +sg291136 +g27 +sa(dp324834 +g291134 +S'Eleventh Station' +p324835 +sg291137 +S'Barnett Newman' +p324836 +sg291130 +S'acrylic on canvas' +p324837 +sg291132 +S'1965' +p324838 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00001/a0000179.jpg' +p324839 +sg291136 +g27 +sa(dp324840 +g291134 +S'Twelfth Station' +p324841 +sg291137 +S'Barnett Newman' +p324842 +sg291130 +S'acrylic on canvas' +p324843 +sg291132 +S'1965' +p324844 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00001/a000017a.jpg' +p324845 +sg291136 +g27 +sa(dp324846 +g291134 +S'Thirteenth Station' +p324847 +sg291137 +S'Barnett Newman' +p324848 +sg291130 +S'acrylic on canvas' +p324849 +sg291132 +S'1965/1966' +p324850 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00001/a000017b.jpg' +p324851 +sg291136 +g27 +sa(dp324852 +g291134 +S'Fourteenth Station' +p324853 +sg291137 +S'Barnett Newman' +p324854 +sg291130 +S'acrylic and Duco on canvas' +p324855 +sg291132 +S'1965/1966' +p324856 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00001/a000017c.jpg' +p324857 +sg291136 +g27 +sa(dp324858 +g291134 +S'Be II' +p324859 +sg291137 +S'Barnett Newman' +p324860 +sg291130 +S'acrylic and oil on canvas' +p324861 +sg291132 +S'1961/1964' +p324862 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00001/a000017d.jpg' +p324863 +sg291136 +g27 +sa(dp324864 +g291134 +S'Head of a Man Wearing a Plumed Turban' +p324865 +sg291137 +S'Artist Information (' +p324866 +sg291130 +S'(artist after)' +p324867 +sg291132 +S'\n' +p324868 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008d/a0008d0e.jpg' +p324869 +sg291136 +g27 +sa(dp324870 +g291134 +S'Madonna and Child' +p324871 +sg291137 +S'Dirck Bouts' +p324872 +sg291130 +S'oil on panel' +p324873 +sg291132 +S'c. 1465' +p324874 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00005/a000059e.jpg' +p324875 +sg291136 +S"Dirck Bouts was a member of the second generation of artists who \n followed and pursued the style of \n Small enough to fit in the palm of the hand, this tiny work was \n evidently an item of personal devotion. The light that falls on the Virgin \n and Child, their expressions, and their postures are subtly manipulated to \n make the infant appear bright and alert while the Madonna seems pensive and \n somber, her face darkened by sadness. Fifteenth-century viewers would have \n immediately interpreted this difference as evidence that Mary was \n foreseeing the future of Christ on the cross. They believed that the Virgin \n had suffered along with her son, actually experiencing the same pain. This \n kind of empathetic identification was an important element of religious \n life in the north during the fifteenth century. By meditating on such \n dramatic closeups of great immediacy, the worshiper also could experience \n Jesus' life and suffering in a direct and personal way.\n " +p324876 +sa(dp324877 +g291134 +S'Berkeley No. 52' +p324878 +sg291137 +S'Richard Diebenkorn' +p324879 +sg291130 +S'oil on canvas' +p324880 +sg291132 +S'1955' +p324881 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00000/a000007c.jpg' +p324882 +sg291136 +g27 +sa(dp324883 +g291130 +S'Italian, 1475 - 1564' +p324884 +sg291132 +S'(artist after)' +p324885 +sg291134 +S'Damned Soul' +p324886 +sg291136 +g27 +sg291137 +S'Artist Information (' +p324887 +sa(dp324888 +g291134 +S'River Landscape with Cows' +p324889 +sg291137 +S'Aelbert Cuyp' +p324890 +sg291130 +S'oil on panel' +p324891 +sg291132 +S'1645/1650' +p324892 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e56.jpg' +p324893 +sg291136 +g27 +sa(dp324894 +g291134 +S'Thomas Jefferson' +p324895 +sg291137 +S'Gilbert Stuart' +p324896 +sg291130 +S'oil on wood' +p324897 +sg291132 +S'c. 1821' +p324898 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00002/a0000259.jpg' +p324899 +sg291136 +S'Stuart painted the third president from life three times during his administration of 1801 to 1809. This Gibbs-Coolidge rendition was most likely based on other pictures Stuart had painted from life that where either in his possession or accessible to him.\n ' +p324900 +sa(dp324901 +g291134 +S'New York' +p324902 +sg291137 +S'George Bellows' +p324903 +sg291130 +S'oil on canvas' +p324904 +sg291132 +S'1911' +p324905 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00000/a0000023.jpg' +p324906 +sg291136 +g27 +sa(dp324907 +g291134 +S'The Harbor of St. Malo at Low Tide' +p324908 +sg291137 +S'William Callow' +p324909 +sg291130 +S'watercolor with gouache over graphite on wove paper' +p324910 +sg291132 +S'c. 1850' +p324911 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c7d.jpg' +p324912 +sg291136 +g27 +sa(dp324913 +g291134 +S'The School Walk' +p324914 +sg291137 +S'David Cox' +p324915 +sg291130 +S'watercolor over graphite on wove paper' +p324916 +sg291132 +S'unknown date\n' +p324917 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00031/a00031b1.jpg' +p324918 +sg291136 +g27 +sa(dp324919 +g291134 +S"View of the Governor's House in St. Helena" +p324920 +sg291137 +S'Thomas Daniell' +p324921 +sg291130 +S'gray wash over graphite on laid paper' +p324922 +sg291132 +S'1794' +p324923 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00069/a000696b.jpg' +p324924 +sg291136 +g27 +sa(dp324925 +g291134 +S'Evening on the Foss Dyke near Lincoln' +p324926 +sg291137 +S'Peter De Wint' +p324927 +sg291130 +S'watercolor over graphite on wove paper' +p324928 +sg291132 +S'unknown date\n' +p324929 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c8e.jpg' +p324930 +sg291136 +g27 +sa(dp324931 +g291134 +S'A Meadow with Cattle near Glastonbury' +p324932 +sg291137 +S'Peter De Wint' +p324933 +sg291130 +S'watercolor over graphite on wove paper' +p324934 +sg291132 +S'unknown date\n' +p324935 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c90.jpg' +p324936 +sg291136 +g27 +sa(dp324937 +g291134 +S'Comfort the Afflicted' +p324938 +sg291137 +S'John Flaxman' +p324939 +sg291130 +S'pen and gray ink with gray and brown wash over graphite on laid paper' +p324940 +sg291132 +S'c. 1790' +p324941 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00072/a00072c5.jpg' +p324942 +sg291136 +g27 +sa(dp324943 +g291134 +S"St. James' Park with a View of Westminster Abbey" +p324944 +sg291137 +S'Thomas Girtin' +p324945 +sg291130 +S'watercolor over graphite on oatmeal paper' +p324946 +sg291132 +S'unknown date\n' +p324947 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00069/a0006963.jpg' +p324948 +sg291136 +g27 +sa(dp324949 +g291134 +S'Travelers Resting by a Fallen Tree' +p324950 +sg291137 +S'John Linnell' +p324951 +sg291130 +S'watercolor and gouache with pen and brown ink over graphite on wove paper' +p324952 +sg291132 +S'1852' +p324953 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006cb3.jpg' +p324954 +sg291136 +g27 +sa(dp324955 +g291134 +S'Sailboats on Southampton River' +p324956 +sg291137 +S'John Linnell' +p324957 +sg291130 +S'watercolor on wove paper' +p324958 +sg291132 +S'1819' +p324959 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00025/a00025ec.jpg' +p324960 +sg291136 +g27 +sa(dp324961 +g291134 +S'Gleaners in the Wheat Field' +p324962 +sg291137 +S'John Martin' +p324963 +sg291130 +S'watercolor with gouache on wove paper' +p324964 +sg291132 +S'1847' +p324965 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c32.jpg' +p324966 +sg291136 +g27 +sa(dp324967 +g291134 +S'Harvesters by Firelight' +p324968 +sg291137 +S'Samuel Palmer' +p324969 +sg291130 +S'pen and black ink with watercolor and gouache on wove paper' +p324970 +sg291132 +S'1830' +p324971 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00026/a0002612.jpg' +p324972 +sg291136 +g27 +sa(dp324973 +g291134 +S'The Naval College from the River at Greenwich' +p324974 +sg291137 +S'David Roberts' +p324975 +sg291130 +S'watercolor and gouache over graphite on wove paper' +p324976 +sg291132 +S'1861' +p324977 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006cce.jpg' +p324978 +sg291136 +g27 +sa(dp324979 +g291134 +S'A Funeral Procession' +p324980 +sg291137 +S'Thomas Rowlandson' +p324981 +sg291130 +S'pen and brown and gray ink with watercolor over graphite on wove paper' +p324982 +sg291132 +S'1805/1810' +p324983 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006e96.jpg' +p324984 +sg291136 +g27 +sa(dp324985 +g291134 +S'The Peep Show' +p324986 +sg291137 +S'Thomas Rowlandson' +p324987 +sg291130 +S'pen and brown ink with watercolor over graphite on laid paper' +p324988 +sg291132 +S'unknown date\n' +p324989 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00072/a0007237.jpg' +p324990 +sg291136 +g27 +sa(dp324991 +g291134 +S'Market Day at Richmond in Yorkshire' +p324992 +sg291137 +S'Thomas Rowlandson' +p324993 +sg291130 +S'pen and brown and gray ink with watercolor over graphite on wove paper' +p324994 +sg291132 +S'c. 1818' +p324995 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006ec0.jpg' +p324996 +sg291136 +g27 +sa(dp324997 +g291134 +S'The Bridge at Bridgnorth in Shropshire' +p324998 +sg291137 +S'Paul Sandby' +p324999 +sg291130 +S'pen and gray ink with watercolor over graphite on laid paper' +p325000 +sg291132 +S'unknown date\n' +p325001 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00069/a0006966.jpg' +p325002 +sg291136 +g27 +sa(dp325003 +g291134 +S'A Packet Boat off Dover' +p325004 +sg291137 +S'Joseph Mallord William Turner' +p325005 +sg291130 +S'watercolor and gouache with touches of black chalk on wove paper' +p325006 +sg291132 +S'c. 1836' +p325007 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006cd1.jpg' +p325008 +sg291136 +g27 +sa(dp325009 +g291134 +S'A Yorkshire River' +p325010 +sg291137 +S'Joseph Mallord William Turner' +p325011 +sg291130 +S'watercolor on wove paper' +p325012 +sg291132 +S'c. 1827' +p325013 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00050/a0005095.jpg' +p325014 +sg291136 +g27 +sa(dp325015 +g291134 +S'Conway in North Wales' +p325016 +sg291137 +S'John Varley' +p325017 +sg291130 +S'watercolor over graphite on wove paper' +p325018 +sg291132 +S'1803' +p325019 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006cdd.jpg' +p325020 +sg291136 +g27 +sa(dp325021 +g291134 +S'Looking under the Bridge' +p325022 +sg291137 +S'John Varley' +p325023 +sg291130 +S'watercolor over graphite on wove paper' +p325024 +sg291132 +S'unknown date\n' +p325025 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00037/a00037fa.jpg' +p325026 +sg291136 +g27 +sa(dp325027 +g291134 +S'Landing Place near Tintern Abbey' +p325028 +sg291137 +S'James Ward' +p325029 +sg291130 +S'watercolor and graphite on paper' +p325030 +sg291132 +S'probably c. 1802' +p325031 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c49.jpg' +p325032 +sg291136 +g27 +sa(dp325033 +g291130 +S'oil on canvas' +p325034 +sg291132 +S'1977' +p325035 +sg291134 +S'Contact' +p325036 +sg291136 +g27 +sg291137 +S'Richard Lindner' +p325037 +sa(dp325038 +g291134 +S'Pluto and Persephone (Allegory of Fire)' +p325039 +sg291137 +S'Fran\xc3\xa7ois Girardon' +p325040 +sg291130 +S'bronze' +p325041 +sg291132 +S'original marble 1677/1699, bronze cast c. 1693-1716' +p325042 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00069/a0006914.jpg' +p325043 +sg291136 +g27 +sa(dp325044 +g291134 +S'Boreas and Orithyia (Allegory of Air)' +p325045 +sg291137 +S'Artist Information (' +p325046 +sg291130 +S'(artist)' +p325047 +sg291132 +S'\n' +p325048 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0002c/a0002c16.jpg' +p325049 +sg291136 +g27 +sa(dp325050 +g291130 +S'welded Monel' +p325051 +sg291132 +S'1981' +p325052 +sg291134 +S'Maquette for "Threshold"' +p325053 +sg291136 +g27 +sg291137 +S'Seymour Lipton' +p325054 +sa(dp325055 +g291130 +S'welded Monel' +p325056 +sg291132 +S'1975' +p325057 +sg291134 +S'Maquette for "Thorn Mill"' +p325058 +sg291136 +g27 +sg291137 +S'Seymour Lipton' +p325059 +sa(dp325060 +g291130 +S'welded Monel' +p325061 +sg291132 +S'1976' +p325062 +sg291134 +S'Maquette for "Sailing"' +p325063 +sg291136 +g27 +sg291137 +S'Seymour Lipton' +p325064 +sa(dp325065 +g291130 +S'crayon on wove paper' +p325066 +sg291132 +S'1952' +p325067 +sg291134 +S'Untitled' +p325068 +sg291136 +g27 +sg291137 +S'Seymour Lipton' +p325069 +sa(dp325070 +g291130 +S'crayon on wove paper' +p325071 +sg291132 +S'1953' +p325072 +sg291134 +S'Untitled' +p325073 +sg291136 +g27 +sg291137 +S'Seymour Lipton' +p325074 +sa(dp325075 +g291130 +S'crayon on wove paper' +p325076 +sg291132 +S'1954' +p325077 +sg291134 +S'Untitled' +p325078 +sg291136 +g27 +sg291137 +S'Seymour Lipton' +p325079 +sa(dp325080 +g291130 +S'crayon on wove paper' +p325081 +sg291132 +S'1957' +p325082 +sg291134 +S'Untitled' +p325083 +sg291136 +g27 +sg291137 +S'Seymour Lipton' +p325084 +sa(dp325085 +g291130 +S'crayon on wove paper' +p325086 +sg291132 +S'1957' +p325087 +sg291134 +S'Untitled' +p325088 +sg291136 +g27 +sg291137 +S'Seymour Lipton' +p325089 +sa(dp325090 +g291130 +S'crayon on wove paper' +p325091 +sg291132 +S'1958' +p325092 +sg291134 +S'Untitled' +p325093 +sg291136 +g27 +sg291137 +S'Seymour Lipton' +p325094 +sa(dp325095 +g291130 +S'crayon on wove paper' 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Green paper' +p326114 +sg291132 +S'1974' +p326115 +sg291134 +S'Flowers X' +p326116 +sg291136 +g27 +sg291137 +S'Andy Warhol' +p326117 +sa(dp326118 +g291130 +S'color screenprint on calendered paper' +p326119 +sg291132 +S'1972' +p326120 +sg291134 +S'Mao Tse-Tung' +p326121 +sg291136 +g27 +sg291137 +S'Andy Warhol' +p326122 +sa(dp326123 +g291130 +S'color screenprint on calendered paper' +p326124 +sg291132 +S'1972' +p326125 +sg291134 +S'Mao Tse-Tung' +p326126 +sg291136 +g27 +sg291137 +S'Andy Warhol' +p326127 +sa(dp326128 +g291130 +S'color screenprint on calendered paper' +p326129 +sg291132 +S'1972' +p326130 +sg291134 +S'Mao Tse-Tung' +p326131 +sg291136 +g27 +sg291137 +S'Andy Warhol' +p326132 +sa(dp326133 +g291130 +S'color screenprint on calendered paper' +p326134 +sg291132 +S'1972' +p326135 +sg291134 +S'Mao Tse-Tung' +p326136 +sg291136 +g27 +sg291137 +S'Andy Warhol' +p326137 +sa(dp326138 +g291130 +S'color screenprint on calendered paper' +p326139 +sg291132 +S'1972' +p326140 +sg291134 +S'Mao Tse-Tung' +p326141 +sg291136 +g27 +sg291137 +S'Andy Warhol' +p326142 +sa(dp326143 +g291130 +S'color screenprint on calendered paper' +p326144 +sg291132 +S'1972' +p326145 +sg291134 +S'Mao Tse-Tung' +p326146 +sg291136 +g27 +sg291137 +S'Andy Warhol' +p326147 +sa(dp326148 +g291130 +S'color screenprint on calendered paper' +p326149 +sg291132 +S'1972' +p326150 +sg291134 +S'Mao Tse-Tung' +p326151 +sg291136 +g27 +sg291137 +S'Andy Warhol' +p326152 +sa(dp326153 +g291130 +S'color screenprint on calendered paper' +p326154 +sg291132 +S'1972' +p326155 +sg291134 +S'Mao Tse-Tung' +p326156 +sg291136 +g27 +sg291137 +S'Andy Warhol' +p326157 +sa(dp326158 +g291130 +S'color screenprint on calendered paper' +p326159 +sg291132 +S'1972' +p326160 +sg291134 +S'Mao Tse-Tung' +p326161 +sg291136 +g27 +sg291137 +S'Andy Warhol' +p326162 +sa(dp326163 +g291130 +S'color screenprint on calendered paper' +p326164 +sg291132 +S'1972' +p326165 +sg291134 +S'Mao Tse-Tung' +p326166 +sg291136 +g27 +sg291137 +S'Andy Warhol' +p326167 +sa(dp326168 +g291134 +S'The Baptism of Christ, Set in a Mountainous Landscape' +p326169 +sg291137 +S'Giovanni Francesco Grimaldi' +p326170 +sg291130 +S'etching on laid paper' +p326171 +sg291132 +S'unknown date\n' +p326172 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000ca/a000ca24.jpg' +p326173 +sg291136 +g27 +sa(dp326174 +g291134 +S'Juno' +p326175 +sg291137 +S'Angelica Kauffmann' +p326176 +sg291130 +S'etching and aquatint in brown on laid paper' +p326177 +sg291132 +S'published 1780' +p326178 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000ef/a000ef9f.jpg' +p326179 +sg291136 +g27 +sa(dp326180 +g291134 +S'Fanny/Fingerpainting' +p326181 +sg291137 +S'Chuck Close' +p326182 +sg291130 +S'oil on canvas' +p326183 +sg291132 +S'1985' +p326184 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00000/a000004f.jpg' +p326185 +sg291136 +S"Fanny/Fingerpainting\n Seen from a distance, the painting looks like a giant, silver-toned photograph that\r\n unrelentingly reveals every crack and crevice of the sitter's face. Closer up, the paint surface\r\n dissolves into a sea of fingerprints that have an abstract beauty, even as they metaphorically\r\n suggest the withering of the sitter's skin with age. The fingerpaintings provide a far more literal\r\n record of the artist's touch than most abstract expressionist brushwork -- but are at the same time\r\n dictated by an abstract, distinctly impersonal system.\n " +p326186 +sa(dp326187 +g291134 +S'The Madonna and Child Enthroned, with Saints Corbinian and Sigismund' +p326188 +sg291137 +S'German 15th Century' +p326189 +sg291130 +S'sheet: 21.8 x 13.7 cm (8 9/16 x 5 3/8 in.)' +p326190 +sg291132 +S'\nwoodcut, hand-colored in red lake, red-orange, green, blue, and yellow on laid paper' +p326191 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000a5/a000a5a2.jpg' +p326192 +sg291136 +g27 +sa(dp326193 +g291134 +S'The Ruins of Netley Abbey' +p326194 +sg291137 +S'John Constable' +p326195 +sg291130 +S'etching on wove paper [1st state]' +p326196 +sg291132 +S'c. 1826' +p326197 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0007d/a0007d25.jpg' +p326198 +sg291136 +g27 +sa(dp326199 +g291134 +S'Milford Bridge' +p326200 +sg291137 +S'John Constable' +p326201 +sg291130 +S'etching on wove paper [1st state]' +p326202 +sg291132 +S'c. 1826' +p326203 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0007c/a0007cee.jpg' +p326204 +sg291136 +g27 +sa(dp326205 +g291134 +S'Little Girl with a Large Hat' +p326206 +sg291137 +S'Gwen John' +p326207 +sg291130 +S'gouache over graphite on wove paper' +p326208 +sg291132 +S'probably 1915/1920' +p326209 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006b/a0006bbf.jpg' +p326210 +sg291136 +g27 +sa(dp326211 +g291134 +S'Shepherd with Goats (Les ch\xc3\xa8vres)' +p326212 +sg291137 +S'Claude Lorrain' +p326213 +sg291130 +S'etching from two plates on two sheets of laid paper; attached' +p326214 +sg291132 +S'c. 1630/1633' +p326215 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008a/a0008af7.jpg' +p326216 +sg291136 +g27 +sa(dp326217 +g291134 +S'Lady and Gentlemen Riding in a Park' +p326218 +sg291137 +S'Jean-Michel Moreau the Younger' +p326219 +sg291130 +S', unknown date' +p326220 +sg291132 +S'\n' +p326221 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006da0.jpg' +p326222 +sg291136 +g27 +sa(dp326223 +g291134 +S'A Capriccio View of Roman Ruins along the Tiber' +p326224 +sg291137 +S'Jacob van der Ulft' +p326225 +sg291130 +S'pen and brush and iron gall ink on laid paper; laid down' +p326226 +sg291132 +S'unknown date\n' +p326227 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00072/a0007221.jpg' +p326228 +sg291136 +g27 +sa(dp326229 +g291134 +S'The Angel Appearing to Hagar and Ishmael' +p326230 +sg291137 +S'Sebastiano Ricci' +p326231 +sg291130 +S'pen and brown ink and brown wash over black and red chalk on laid paper' +p326232 +sg291132 +S'1726/1727' +p326233 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00072/a000723f.jpg' +p326234 +sg291136 +g27 +sa(dp326235 +g291134 +S'Hunt of the Calydonian Boar' +p326236 +sg291137 +S'Guglielmo della Porta' +p326237 +sg291130 +S'bronze relief' +p326238 +sg291132 +S'c. 1553/1555' +p326239 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002dd0.jpg' +p326240 +sg291136 +g27 +sa(dp326241 +g291134 +S'Vulcan Capturing Mars and Venus' +p326242 +sg291137 +S'Guglielmo della Porta' +p326243 +sg291130 +S'bronze relief' +p326244 +sg291132 +S'c. 1553/1555' +p326245 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002dd1.jpg' +p326246 +sg291136 +S'\r\n Plaquettes were meant to be enjoyed for intellectual and tactile pleasures. It is easy to imagine owners and their guests passing them to each other and discussing the interpretation of the scenes depicted. Often, as in this example, the subjects were from classical mythology.\r\n\n ' +p326247 +sa(dp326248 +g291130 +S'bronze relief' +p326249 +sg291132 +S'c. 1553/1555' +p326250 +sg291134 +S'Diana and Callisto' +p326251 +sg291136 +g27 +sg291137 +S'Guglielmo della Porta' +p326252 +sa(dp326253 +g291134 +S'A Boy Smiling' +p326254 +sg291137 +S'Francesco Zuccarelli' +p326255 +sg291130 +S'black and gray chalk on laid paper' +p326256 +sg291132 +S'c. 1748' +p326257 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00059/a000596c.jpg' +p326258 +sg291136 +g27 +sa(dp326259 +g291134 +S'An Italianate Garden with a Parrot, a Poodle, and a Man' +p326260 +sg291137 +S'Isaac de Moucheron' +p326261 +sg291130 +S'watercolor and pen and brown ink over black chalk on laid paper' +p326262 +sg291132 +S'1730s' +p326263 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00026/a0002604.jpg' +p326264 +sg291136 +g27 +sa(dp326265 +g291134 +S'Four Ladies with Fancy Hats' +p326266 +sg291137 +S'Edouard Vuillard' +p326267 +sg291130 +S'watercolor over graphite on wove paper' +p326268 +sg291132 +S'1892/1893' +p326269 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00028/a00028e2.jpg' +p326270 +sg291136 +g27 +sa(dp326271 +g291130 +S'pen and ink on heavy wove paper' +p326272 +sg291132 +S'1980/1982' +p326273 +sg291134 +S'Avoda' +p326274 +sg291136 +g27 +sg291137 +S'Jacob El Hanani' +p326275 +sa(dp326276 +g291130 +S'pen and ink on heavy wove paper' +p326277 +sg291132 +S'1985' +p326278 +sg291134 +S'Arad' +p326279 +sg291136 +g27 +sg291137 +S'Jacob El Hanani' +p326280 +sa(dp326281 +g291134 +S'The Emperor Ferdinand II' +p326282 +sg291137 +S'Stefano Della Bella' +p326283 +sg291130 +S'etching and engraving on laid paper' +p326284 +sg291132 +S'1637' +p326285 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c8e6.jpg' +p326286 +sg291136 +g27 +sa(dp326287 +g291134 +S'Il Tedeschino' +p326288 +sg291137 +S'Stefano Della Bella' +p326289 +sg291130 +S'etching on laid paper' +p326290 +sg291132 +S'1637' +p326291 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9b3.jpg' +p326292 +sg291136 +g27 +sa(dp326293 +g291134 +S'Saint Prosper' +p326294 +sg291137 +S'Stefano Della Bella' +p326295 +sg291130 +S'etching and engraving on laid paper' +p326296 +sg291132 +S'possibly 1652' +p326297 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9b2.jpg' +p326298 +sg291136 +g27 +sa(dp326299 +g291134 +S'Fastose Aguglie e Mausolei vetusti' +p326300 +sg291137 +S'Giovanni Francesco Costa' +p326301 +sg291130 +S'etching on laid paper' +p326302 +sg291132 +S'published 1767/1770' +p326303 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000ca/a000ca3c.jpg' +p326304 +sg291136 +g27 +sa(dp326305 +g291134 +S'The Marriage of Europe and China' +p326306 +sg291137 +S'Pietro Antonio Novelli' +p326307 +sg291130 +S'pen and brown and gray ink with gray wash on laid paper' +p326308 +sg291132 +S'c. 1780' +p326309 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00026/a000260b.jpg' +p326310 +sg291136 +g27 +sa(dp326311 +g291134 +S"Bouquet d'arbres aux rochers (Stand of Trees with Rocks)" +p326312 +sg291137 +S'Henri-Joseph Harpignies' +p326313 +sg291130 +S'drypoint on oatmeal paper' +p326314 +sg291132 +S'1847' +p326315 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00098/a00098ba.jpg' +p326316 +sg291136 +g27 +sa(dp326317 +g291134 +S'The Farm' +p326318 +sg291137 +S'Joan Mir\xc3\xb3' +p326319 +sg291130 +S'oil on canvas' +p326320 +sg291132 +S'1921-1922' +p326321 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000ddc.jpg' +p326322 +sg291136 +S"Miró moved from Barcelona to Paris in 1920, determined to participate in the artistic\n vanguard of the French capital. Nevertheless, he remained deeply attached to his native\n Catalonia, and returned each summer to his family's farm in the village of Montroig. In 1921, he\n determined to make a painting of this farm, a painting that he came to regard as one of the key\n works in his career.\n The Farm\n By the mid-1920s, Miró had abandoned the realist manner of \n " +p326323 +sa(dp326324 +g291130 +S'oil on canvas' +p326325 +sg291132 +S'1938' +p326326 +sg291134 +S'Grey Sea' +p326327 +sg291136 +g27 +sg291137 +S'John Marin' +p326328 +sa(dp326329 +g291130 +S'watercolor on wove paper' +p326330 +sg291132 +S'c. 1911' +p326331 +sg291134 +S'Woolworth Building under Construction [recto]' +p326332 +sg291136 +g27 +sg291137 +S'John Marin' +p326333 +sa(dp326334 +g291130 +S'watercolor on wove paper' +p326335 +sg291132 +S'c. 1913' +p326336 +sg291134 +S'View of New York [verso]' +p326337 +sg291136 +g27 +sg291137 +S'John Marin' +p326338 +sa(dp326339 +g291134 +S'Head of Saint John the Baptist' +p326340 +sg291137 +S'Francesco Marmitta' +p326341 +sg291130 +S'metalpoint heightened with white on blue paper' +p326342 +sg291132 +S'15th century' +p326343 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00074/a00074e3.jpg' +p326344 +sg291136 +g27 +sa(dp326345 +g291130 +S'charcoal on wove paper' +p326346 +sg291132 +S'1919' +p326347 +sg291134 +S'Woman Sewing' +p326348 +sg291136 +g27 +sg291137 +S'Julius Thiengen Bloch' +p326349 +sa(dp326350 +g291134 +S'Edmond de Goncourt' +p326351 +sg291137 +S'F\xc3\xa9lix Bracquemond' +p326352 +sg291130 +S'etching in black on japan paper' +p326353 +sg291132 +S'1882' +p326354 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00057/a0005725.jpg' +p326355 +sg291136 +g27 +sa(dp326356 +g291134 +S'Landscape with Large Rock' +p326357 +sg291137 +S'Allart van Everdingen' +p326358 +sg291130 +S'pen and brown ink with brown wash on laid paper' +p326359 +sg291132 +S'unknown date\n' +p326360 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00071/a00071cd.jpg' +p326361 +sg291136 +g27 +sa(dp326362 +g291130 +S'1 vol: ill: 79 drawings (incl.title page) in watercolor and gouache, with gold oval borders, on vellum, alternating w/ ms text on paper; 2 plates (III, IV) with gold border only' +p326363 +sg291132 +S'c. 1575/1580' +p326364 +sg291134 +S'Animalia Rationalia et Insecta (Ignis), volume I' +p326365 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326366 +sa(dp326367 +g291134 +S'Animalia Rationalia et Insecta (Ignis): Title Page' +p326368 +sg291137 +S'Joris Hoefnagel' +p326369 +sg291130 +S'watercolor and gouache with gold on vellum' +p326370 +sg291132 +S'c. 1575/1580' +p326371 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00102/a0010215.jpg' +p326372 +sg291136 +g27 +sa(dp326373 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326374 +sg291132 +S'c. 1575/1580' +p326375 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate IX' +p326376 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326377 +sa(dp326378 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326379 +sg291132 +S'c. 1575/1580' +p326380 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate X' +p326381 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326382 +sa(dp326383 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326384 +sg291132 +S'c. 1575/1580' +p326385 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate XI' +p326386 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326387 +sa(dp326388 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326389 +sg291132 +S'c. 1575/1580' +p326390 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate XII' +p326391 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326392 +sa(dp326393 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326394 +sg291132 +S'c. 1575/1580' +p326395 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate XIII' +p326396 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326397 +sa(dp326398 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326399 +sg291132 +S'c. 1575/1580' +p326400 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate XIV' +p326401 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326402 +sa(dp326403 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326404 +sg291132 +S'c. 1575/1580' +p326405 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate XV' +p326406 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326407 +sa(dp326408 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326409 +sg291132 +S'c. 1575/1580' +p326410 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate XVI' +p326411 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326412 +sa(dp326413 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326414 +sg291132 +S'c. 1575/1580' +p326415 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate XVII' +p326416 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326417 +sa(dp326418 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326419 +sg291132 +S'c. 1575/1580' +p326420 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate XVIII' +p326421 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326422 +sa(dp326423 +g291134 +S'Animalia Rationalia et Insecta (Ignis): Plate I' +p326424 +sg291137 +S'Joris Hoefnagel' +p326425 +sg291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326426 +sg291132 +S'c. 1575/1580' +p326427 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00033/a00033e7.jpg' +p326428 +sg291136 +g27 +sa(dp326429 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326430 +sg291132 +S'c. 1575/1580' +p326431 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate XIX' +p326432 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326433 +sa(dp326434 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326435 +sg291132 +S'c. 1575/1580' +p326436 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate XX' +p326437 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326438 +sa(dp326439 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326440 +sg291132 +S'c. 1575/1580' +p326441 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate XXI' +p326442 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326443 +sa(dp326444 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326445 +sg291132 +S'c. 1575/1580' +p326446 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate XXII' +p326447 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326448 +sa(dp326449 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326450 +sg291132 +S'c. 1575/1580' +p326451 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate XXIII' +p326452 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326453 +sa(dp326454 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326455 +sg291132 +S'c. 1575/1580' +p326456 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate XXIV' +p326457 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326458 +sa(dp326459 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326460 +sg291132 +S'c. 1575/1580' +p326461 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate XXV' +p326462 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326463 +sa(dp326464 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326465 +sg291132 +S'c. 1575/1580' +p326466 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate XXVI' +p326467 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326468 +sa(dp326469 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326470 +sg291132 +S'c. 1575/1580' +p326471 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate XXVII' +p326472 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326473 +sa(dp326474 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326475 +sg291132 +S'c. 1575/1580' +p326476 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate XXVIII' +p326477 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326478 +sa(dp326479 +g291134 +S'Animalia Rationalia et Insecta (Ignis): Plate II' +p326480 +sg291137 +S'Joris Hoefnagel' +p326481 +sg291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326482 +sg291132 +S'c. 1575/1580' +p326483 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005f/a0005f20.jpg' +p326484 +sg291136 +g27 +sa(dp326485 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326486 +sg291132 +S'c. 1575/1580' +p326487 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate XXIX' +p326488 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326489 +sa(dp326490 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326491 +sg291132 +S'c. 1575/1580' +p326492 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate XXX' +p326493 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326494 +sa(dp326495 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326496 +sg291132 +S'c. 1575/1580' +p326497 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate XXXI' +p326498 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326499 +sa(dp326500 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326501 +sg291132 +S'c. 1575/1580' +p326502 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate XXXII' +p326503 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326504 +sa(dp326505 +g291134 +S'Animalia Rationalia et Insecta (Ignis): Plate XXXIII' +p326506 +sg291137 +S'Joris Hoefnagel' +p326507 +sg291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326508 +sg291132 +S'c. 1575/1580' +p326509 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00033/a00033e8.jpg' +p326510 +sg291136 +g27 +sa(dp326511 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326512 +sg291132 +S'c. 1575/1580' +p326513 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate XXXIV' +p326514 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326515 +sa(dp326516 +g291134 +S'Animalia Rationalia et Insecta (Ignis): Plate XXXV' +p326517 +sg291137 +S'Joris Hoefnagel' +p326518 +sg291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326519 +sg291132 +S'c. 1575/1580' +p326520 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00033/a00033e9.jpg' +p326521 +sg291136 +g27 +sa(dp326522 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326523 +sg291132 +S'c. 1575/1580' +p326524 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate XXXVI' +p326525 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326526 +sa(dp326527 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326528 +sg291132 +S'c. 1575/1580' +p326529 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate XXXVII' +p326530 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326531 +sa(dp326532 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326533 +sg291132 +S'c. 1575/1580' +p326534 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate XXXVIII' +p326535 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326536 +sa(dp326537 +g291130 +S'gold border only' +p326538 +sg291132 +S'c. 1575/1580' +p326539 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate III' +p326540 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326541 +sa(dp326542 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326543 +sg291132 +S'c. 1575/1580' +p326544 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate XXXIX' +p326545 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326546 +sa(dp326547 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326548 +sg291132 +S'c. 1575/1580' +p326549 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate XL' +p326550 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326551 +sa(dp326552 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326553 +sg291132 +S'c. 1575/1580' +p326554 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate XLI' +p326555 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326556 +sa(dp326557 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326558 +sg291132 +S'c. 1575/1580' +p326559 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate XLII' +p326560 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326561 +sa(dp326562 +g291134 +S'Animalia Rationalia et Insecta (Ignis): Plate XLIII' +p326563 +sg291137 +S'Joris Hoefnagel' +p326564 +sg291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326565 +sg291132 +S'c. 1575/1580' +p326566 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00033/a00033ea.jpg' +p326567 +sg291136 +g27 +sa(dp326568 +g291134 +S'Animalia Rationalia et Insecta (Ignis): Plate XLIV' +p326569 +sg291137 +S'Joris Hoefnagel' +p326570 +sg291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326571 +sg291132 +S'c. 1575/1580' +p326572 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00033/a00033eb.jpg' +p326573 +sg291136 +g27 +sa(dp326574 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326575 +sg291132 +S'c. 1575/1580' +p326576 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate XLV' +p326577 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326578 +sa(dp326579 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326580 +sg291132 +S'c. 1575/1580' +p326581 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate XLVI' +p326582 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326583 +sa(dp326584 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326585 +sg291132 +S'c. 1575/1580' +p326586 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate XLVII' +p326587 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326588 +sa(dp326589 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326590 +sg291132 +S'c. 1575/1580' +p326591 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate XLVIII' +p326592 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326593 +sa(dp326594 +g291130 +S'gold border only' +p326595 +sg291132 +S'c. 1575/1580' +p326596 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate IV' +p326597 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326598 +sa(dp326599 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326600 +sg291132 +S'c. 1575/1580' +p326601 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate XLIX' +p326602 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326603 +sa(dp326604 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326605 +sg291132 +S'c. 1575/1580' +p326606 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate L' +p326607 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326608 +sa(dp326609 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326610 +sg291132 +S'c. 1575/1580' +p326611 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate LI' +p326612 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326613 +sa(dp326614 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326615 +sg291132 +S'c. 1575/1580' +p326616 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate LII' +p326617 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326618 +sa(dp326619 +g291134 +S'Animalia Rationalia et Insecta (Ignis): Plate LIII' +p326620 +sg291137 +S'Joris Hoefnagel' +p326621 +sg291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326622 +sg291132 +S'c. 1575/1580' +p326623 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00033/a00033ec.jpg' +p326624 +sg291136 +g27 +sa(dp326625 +g291134 +S'Animalia Rationalia et Insecta (Ignis): Plate LIV' +p326626 +sg291137 +S'Joris Hoefnagel' +p326627 +sg291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326628 +sg291132 +S'c. 1575/1580' +p326629 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00033/a00033ed.jpg' +p326630 +sg291136 +g27 +sa(dp326631 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326632 +sg291132 +S'c. 1575/1580' +p326633 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate LV' +p326634 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326635 +sa(dp326636 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326637 +sg291132 +S'c. 1575/1580' +p326638 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate LVI' +p326639 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326640 +sa(dp326641 +g291134 +S'Animalia Rationalia et Insecta (Ignis): Plate LVII' +p326642 +sg291137 +S'Joris Hoefnagel' +p326643 +sg291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326644 +sg291132 +S'c. 1575/1580' +p326645 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00033/a00033ee.jpg' +p326646 +sg291136 +g27 +sa(dp326647 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326648 +sg291132 +S'c. 1575/1580' +p326649 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate LVIII' +p326650 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326651 +sa(dp326652 +g291134 +S'Animalia Rationalia et Insecta (Ignis): Plate V' +p326653 +sg291137 +S'Joris Hoefnagel' +p326654 +sg291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326655 +sg291132 +S'c. 1575/1580' +p326656 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00033/a00033ef.jpg' +p326657 +sg291136 +g27 +sa(dp326658 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326659 +sg291132 +S'c. 1575/1580' +p326660 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate LIX' +p326661 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326662 +sa(dp326663 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326664 +sg291132 +S'c. 1575/1580' +p326665 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate LX' +p326666 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326667 +sa(dp326668 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326669 +sg291132 +S'c. 1575/1580' +p326670 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate LXI' +p326671 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326672 +sa(dp326673 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326674 +sg291132 +S'c. 1575/1580' +p326675 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate LXII' +p326676 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326677 +sa(dp326678 +g291130 +S'watercolor and gouache, with oval border,in gold, on vellum' +p326679 +sg291132 +S'c. 1575/1580' +p326680 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate LXIII' +p326681 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326682 +sa(dp326683 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326684 +sg291132 +S'c. 1575/1580' +p326685 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate LXIV' +p326686 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326687 +sa(dp326688 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326689 +sg291132 +S'c. 1575/1580' +p326690 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate LXV' +p326691 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326692 +sa(dp326693 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326694 +sg291132 +S'c. 1575/1580' +p326695 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate LXVI' +p326696 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326697 +sa(dp326698 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326699 +sg291132 +S'c. 1575/1580' +p326700 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate LXVII' +p326701 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326702 +sa(dp326703 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326704 +sg291132 +S'c. 1575/1580' +p326705 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate LXVIII' +p326706 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326707 +sa(dp326708 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326709 +sg291132 +S'c. 1575/1580' +p326710 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate VI' +p326711 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326712 +sa(dp326713 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326714 +sg291132 +S'c. 1575/1580' +p326715 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate LXIX' +p326716 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326717 +sa(dp326718 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326719 +sg291132 +S'c. 1575/1580' +p326720 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate LXX' +p326721 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326722 +sa(dp326723 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326724 +sg291132 +S'c. 1575/1580' +p326725 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate LXXI' +p326726 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326727 +sa(dp326728 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326729 +sg291132 +S'c. 1575/1580' +p326730 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate LXXII' +p326731 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326732 +sa(dp326733 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326734 +sg291132 +S'c. 1575/1580' +p326735 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate LXXIII' +p326736 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326737 +sa(dp326738 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326739 +sg291132 +S'c. 1575/1580' +p326740 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate LXXIV' +p326741 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326742 +sa(dp326743 +g291134 +S'Animalia Rationalia et Insecta (Ignis): Plate LXXV' +p326744 +sg291137 +S'Joris Hoefnagel' +p326745 +sg291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326746 +sg291132 +S'c. 1575/1580' +p326747 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00033/a00033f0.jpg' +p326748 +sg291136 +g27 +sa(dp326749 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326750 +sg291132 +S'c. 1575/1580' +p326751 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate LXXVI' +p326752 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326753 +sa(dp326754 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326755 +sg291132 +S'c. 1575/1580' +p326756 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate LXXVII' +p326757 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326758 +sa(dp326759 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326760 +sg291132 +S'c. 1575/1580' +p326761 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate LXXVIII' +p326762 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326763 +sa(dp326764 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326765 +sg291132 +S'c. 1575/1580' +p326766 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate VII' +p326767 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326768 +sa(dp326769 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326770 +sg291132 +S'c. 1575/1580' +p326771 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate LXXIX' +p326772 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326773 +sa(dp326774 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326775 +sg291132 +S'c. 1575/1580' +p326776 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate LXXX' +p326777 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326778 +sa(dp326779 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326780 +sg291132 +S'c. 1575/1580' +p326781 +sg291134 +S'Animalia Rationalia et Insecta (Ignis): Plate VIII' +p326782 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326783 +sa(dp326784 +g291130 +S'1 vol: ill: 71 drawings (incl.title page) in watercolor and gouache, with gold oval borders, on vellum, alternating w/ ms text on paper; 1 plate (LXXI) with gold border only' +p326785 +sg291132 +S'c. 1575/1580' +p326786 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra), volume II' +p326787 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326788 +sa(dp326789 +g291130 +S'watercolor and gouache with gold on vellum' +p326790 +sg291132 +S'c. 1575/1580' +p326791 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Title Page' +p326792 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326793 +sa(dp326794 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326795 +sg291132 +S'c. 1575/1580' +p326796 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate IX' +p326797 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326798 +sa(dp326799 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326800 +sg291132 +S'c. 1575/1580' +p326801 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate X' +p326802 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326803 +sa(dp326804 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326805 +sg291132 +S'c. 1575/1580' +p326806 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate XI' +p326807 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326808 +sa(dp326809 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326810 +sg291132 +S'c. 1575/1580' +p326811 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate XII' +p326812 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326813 +sa(dp326814 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326815 +sg291132 +S'c. 1575/1580' +p326816 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate XIII' +p326817 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326818 +sa(dp326819 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326820 +sg291132 +S'c. 1575/1580' +p326821 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate XIV' +p326822 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326823 +sa(dp326824 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326825 +sg291132 +S'c. 1575/1580' +p326826 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate XV' +p326827 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326828 +sa(dp326829 +g291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate XVI' +p326830 +sg291137 +S'Joris Hoefnagel' +p326831 +sg291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326832 +sg291132 +S'c. 1575/1580' +p326833 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00033/a00033f1.jpg' +p326834 +sg291136 +g27 +sa(dp326835 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326836 +sg291132 +S'c. 1575/1580' +p326837 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate XVII' +p326838 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326839 +sa(dp326840 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326841 +sg291132 +S'c. 1575/1580' +p326842 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate XVIII' +p326843 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326844 +sa(dp326845 +g291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate I' +p326846 +sg291137 +S'Joris Hoefnagel' +p326847 +sg291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326848 +sg291132 +S'c. 1575/1580' +p326849 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00066/a00066f1.jpg' +p326850 +sg291136 +g27 +sa(dp326851 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326852 +sg291132 +S'c. 1575/1580' +p326853 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate XIX' +p326854 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326855 +sa(dp326856 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326857 +sg291132 +S'c. 1575/1580' +p326858 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate XX' +p326859 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326860 +sa(dp326861 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326862 +sg291132 +S'c. 1575/1580' +p326863 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate XXI' +p326864 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326865 +sa(dp326866 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326867 +sg291132 +S'c. 1575/1580' +p326868 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate XXII' +p326869 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326870 +sa(dp326871 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326872 +sg291132 +S'c. 1575/1580' +p326873 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate XXIII' +p326874 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326875 +sa(dp326876 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326877 +sg291132 +S'c. 1575/1580' +p326878 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate XXIV' +p326879 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326880 +sa(dp326881 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326882 +sg291132 +S'c. 1575/1580' +p326883 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate XXV' +p326884 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326885 +sa(dp326886 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326887 +sg291132 +S'c. 1575/1580' +p326888 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate XXVI' +p326889 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326890 +sa(dp326891 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326892 +sg291132 +S'c. 1575/1580' +p326893 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate XXVII' +p326894 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326895 +sa(dp326896 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326897 +sg291132 +S'c. 1575/1580' +p326898 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate XXVIII' +p326899 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326900 +sa(dp326901 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326902 +sg291132 +S'c. 1575/1580' +p326903 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate II' +p326904 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326905 +sa(dp326906 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326907 +sg291132 +S'c. 1575/1580' +p326908 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate XXIX' +p326909 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326910 +sa(dp326911 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326912 +sg291132 +S'c. 1575/1580' +p326913 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate XXX' +p326914 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326915 +sa(dp326916 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326917 +sg291132 +S'c. 1575/1580' +p326918 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate XXXI' +p326919 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326920 +sa(dp326921 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326922 +sg291132 +S'c. 1575/1580' +p326923 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate XXXII' +p326924 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326925 +sa(dp326926 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326927 +sg291132 +S'c. 1575/1580' +p326928 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate XXXIII' +p326929 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326930 +sa(dp326931 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326932 +sg291132 +S'c. 1575/1580' +p326933 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate XXXIV' +p326934 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326935 +sa(dp326936 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326937 +sg291132 +S'c. 1575/1580' +p326938 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate XXXV' +p326939 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326940 +sa(dp326941 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326942 +sg291132 +S'c. 1575/1580' +p326943 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate XXXVI' +p326944 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326945 +sa(dp326946 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326947 +sg291132 +S'c. 1575/1580' +p326948 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate XXXVII' +p326949 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326950 +sa(dp326951 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326952 +sg291132 +S'c. 1575/1580' +p326953 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate XXXVIII' +p326954 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326955 +sa(dp326956 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326957 +sg291132 +S'c. 1575/1580' +p326958 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate III' +p326959 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326960 +sa(dp326961 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326962 +sg291132 +S'c. 1575/1580' +p326963 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate XXXIX' +p326964 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326965 +sa(dp326966 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326967 +sg291132 +S'c. 1575/1580' +p326968 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate XL' +p326969 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326970 +sa(dp326971 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326972 +sg291132 +S'c. 1575/1580' +p326973 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate XLI' +p326974 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326975 +sa(dp326976 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326977 +sg291132 +S'c. 1575/1580' +p326978 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate XLII' +p326979 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326980 +sa(dp326981 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326982 +sg291132 +S'c. 1575/1580' +p326983 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate XLIII' +p326984 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326985 +sa(dp326986 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326987 +sg291132 +S'c. 1575/1580' +p326988 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate XLIV' +p326989 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326990 +sa(dp326991 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326992 +sg291132 +S'c. 1575/1580' +p326993 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate XLV' +p326994 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p326995 +sa(dp326996 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p326997 +sg291132 +S'c. 1575/1580' +p326998 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate XLVI' +p326999 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327000 +sa(dp327001 +g291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate XLVII' +p327002 +sg291137 +S'Joris Hoefnagel' +p327003 +sg291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327004 +sg291132 +S'c. 1575/1580' +p327005 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00033/a00033f2.jpg' +p327006 +sg291136 +g27 +sa(dp327007 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327008 +sg291132 +S'c. 1575/1580' +p327009 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate XLVIII' +p327010 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327011 +sa(dp327012 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327013 +sg291132 +S'c. 1575/1580' +p327014 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate IV' +p327015 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327016 +sa(dp327017 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327018 +sg291132 +S'c. 1575/1580' +p327019 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate XLIX' +p327020 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327021 +sa(dp327022 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327023 +sg291132 +S'c. 1575/1580' +p327024 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate L' +p327025 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327026 +sa(dp327027 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327028 +sg291132 +S'c. 1575/1580' +p327029 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate LI' +p327030 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327031 +sa(dp327032 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327033 +sg291132 +S'c. 1575/1580' +p327034 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate LII' +p327035 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327036 +sa(dp327037 +g291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate LIII' +p327038 +sg291137 +S'Joris Hoefnagel' +p327039 +sg291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327040 +sg291132 +S'c. 1575/1580' +p327041 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00033/a00033f3.jpg' +p327042 +sg291136 +g27 +sa(dp327043 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327044 +sg291132 +S'c. 1575/1580' +p327045 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate LIV' +p327046 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327047 +sa(dp327048 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327049 +sg291132 +S'c. 1575/1580' +p327050 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate LV' +p327051 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327052 +sa(dp327053 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327054 +sg291132 +S'c. 1575/1580' +p327055 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate LVI' +p327056 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327057 +sa(dp327058 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327059 +sg291132 +S'c. 1575/1580' +p327060 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate LVII' +p327061 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327062 +sa(dp327063 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327064 +sg291132 +S'c. 1575/1580' +p327065 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate LVIII' +p327066 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327067 +sa(dp327068 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327069 +sg291132 +S'c. 1575/1580' +p327070 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate V' +p327071 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327072 +sa(dp327073 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327074 +sg291132 +S'c. 1575/1580' +p327075 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate LIX' +p327076 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327077 +sa(dp327078 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327079 +sg291132 +S'c. 1575/1580' +p327080 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate LX' +p327081 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327082 +sa(dp327083 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327084 +sg291132 +S'c. 1575/1580' +p327085 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate LXI' +p327086 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327087 +sa(dp327088 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327089 +sg291132 +S'c. 1575/1580' +p327090 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate LXII' +p327091 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327092 +sa(dp327093 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327094 +sg291132 +S'c. 1575/1580' +p327095 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate LXIV' +p327096 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327097 +sa(dp327098 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327099 +sg291132 +S'c. 1575/1580' +p327100 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate LXIV' +p327101 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327102 +sa(dp327103 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327104 +sg291132 +S'c. 1575/1580' +p327105 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate LXV' +p327106 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327107 +sa(dp327108 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327109 +sg291132 +S'c. 1575/1580' +p327110 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate LXVI' +p327111 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327112 +sa(dp327113 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327114 +sg291132 +S'c. 1575/1580' +p327115 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate LXVII' +p327116 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327117 +sa(dp327118 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327119 +sg291132 +S'c. 1575/1580' +p327120 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate LXVIII' +p327121 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327122 +sa(dp327123 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327124 +sg291132 +S'c. 1575/1580' +p327125 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate VI' +p327126 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327127 +sa(dp327128 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327129 +sg291132 +S'c. 1575/1580' +p327130 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate LXIX' +p327131 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327132 +sa(dp327133 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327134 +sg291132 +S'c. 1575/1580' +p327135 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate LXX' +p327136 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327137 +sa(dp327138 +g291130 +S'gold border only' +p327139 +sg291132 +S'c. 1575/1580' +p327140 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate LXXI' +p327141 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327142 +sa(dp327143 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327144 +sg291132 +S'c. 1575/1580' +p327145 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate VII' +p327146 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327147 +sa(dp327148 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327149 +sg291132 +S'c. 1575/1580' +p327150 +sg291134 +S'Animalia Qvadrvpedia et Reptilia (Terra): Plate VIII' +p327151 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327152 +sa(dp327153 +g291130 +S'1 vol: ill: 58 drawings (incl.title page) in watercolor and gouache, with gold oval borders, on vellum, alternating w/ ms text on paper; 1 plate (VII) with gold border only' +p327154 +sg291132 +S'c. 1575/1580' +p327155 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva), volume III' +p327156 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327157 +sa(dp327158 +g291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Title Page' +p327159 +sg291137 +S'Joris Hoefnagel' +p327160 +sg291130 +S'watercolor and gouache with gold' +p327161 +sg291132 +S'c. 1575/1580' +p327162 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00033/a00033f4.jpg' +p327163 +sg291136 +g27 +sa(dp327164 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327165 +sg291132 +S'c. 1575/1580' +p327166 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate IX' +p327167 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327168 +sa(dp327169 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327170 +sg291132 +S'c. 1575/1580' +p327171 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate X' +p327172 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327173 +sa(dp327174 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327175 +sg291132 +S'c. 1575/1580' +p327176 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate XI' +p327177 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327178 +sa(dp327179 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327180 +sg291132 +S'c. 1575/1580' +p327181 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate XII' +p327182 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327183 +sa(dp327184 +g291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate XXIV' +p327185 +sg291137 +S'Joris Hoefnagel' +p327186 +sg291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327187 +sg291132 +S'c. 1575/1580' +p327188 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00034/a000340a.jpg' +p327189 +sg291136 +g27 +sa(dp327190 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327191 +sg291132 +S'c. 1575/1580' +p327192 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate XIV' +p327193 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327194 +sa(dp327195 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327196 +sg291132 +S'c. 1575/1580' +p327197 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate XV' +p327198 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327199 +sa(dp327200 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327201 +sg291132 +S'c. 1575/1580' +p327202 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate XVI' +p327203 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327204 +sa(dp327205 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327206 +sg291132 +S'c. 1575/1580' +p327207 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate XVII' +p327208 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327209 +sa(dp327210 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327211 +sg291132 +S'c. 1575/1580' +p327212 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate XVIII' +p327213 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327214 +sa(dp327215 +g291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate I' +p327216 +sg291137 +S'Joris Hoefnagel' +p327217 +sg291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327218 +sg291132 +S'c. 1575/1580' +p327219 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00033/a00033f5.jpg' +p327220 +sg291136 +g27 +sa(dp327221 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327222 +sg291132 +S'c. 1575/1580' +p327223 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate XIX' +p327224 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327225 +sa(dp327226 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327227 +sg291132 +S'c. 1575/1580' +p327228 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate XX' +p327229 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327230 +sa(dp327231 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327232 +sg291132 +S'c. 1575/1580' +p327233 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate XXI' +p327234 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327235 +sa(dp327236 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327237 +sg291132 +S'c. 1575/1580' +p327238 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate XXII' +p327239 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327240 +sa(dp327241 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327242 +sg291132 +S'c. 1575/1580' +p327243 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate XXIII' +p327244 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327245 +sa(dp327246 +g291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate XXIV' +p327247 +sg291137 +S'Joris Hoefnagel' +p327248 +sg291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327249 +sg291132 +S'c. 1575/1580' +p327250 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00034/a000341c.jpg' +p327251 +sg291136 +g27 +sa(dp327252 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327253 +sg291132 +S'c. 1575/1580' +p327254 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate XXV' +p327255 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327256 +sa(dp327257 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327258 +sg291132 +S'c. 1575/1580' +p327259 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate XXVI' +p327260 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327261 +sa(dp327262 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327263 +sg291132 +S'c. 1575/1580' +p327264 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate XXVII' +p327265 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327266 +sa(dp327267 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327268 +sg291132 +S'c. 1575/1580' +p327269 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate XXVIII' +p327270 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327271 +sa(dp327272 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327273 +sg291132 +S'c. 1575/1580' +p327274 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate II' +p327275 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327276 +sa(dp327277 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327278 +sg291132 +S'c. 1575/1580' +p327279 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate XXIX' +p327280 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327281 +sa(dp327282 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327283 +sg291132 +S'c. 1575/1580' +p327284 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate XXX' +p327285 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327286 +sa(dp327287 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327288 +sg291132 +S'c. 1575/1580' +p327289 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate XXXI' +p327290 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327291 +sa(dp327292 +g291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate XXXII' +p327293 +sg291137 +S'Joris Hoefnagel' +p327294 +sg291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327295 +sg291132 +S'c. 1575/1580' +p327296 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00034/a000340b.jpg' +p327297 +sg291136 +g27 +sa(dp327298 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327299 +sg291132 +S'c. 1575/1580' +p327300 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate XXXIII' +p327301 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327302 +sa(dp327303 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327304 +sg291132 +S'c. 1575/1580' +p327305 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate XXXIV' +p327306 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327307 +sa(dp327308 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327309 +sg291132 +S'c. 1575/1580' +p327310 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate XXXV' +p327311 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327312 +sa(dp327313 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327314 +sg291132 +S'c. 1575/1580' +p327315 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate XXXVI' +p327316 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327317 +sa(dp327318 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327319 +sg291132 +S'c. 1575/1580' +p327320 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate XXXVII' +p327321 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327322 +sa(dp327323 +g291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate XXXVIII' +p327324 +sg291137 +S'Joris Hoefnagel' +p327325 +sg291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327326 +sg291132 +S'c. 1575/1580' +p327327 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0003b/a0003b4e.jpg' +p327328 +sg291136 +g27 +sa(dp327329 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327330 +sg291132 +S'c. 1575/1580' +p327331 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate III' +p327332 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327333 +sa(dp327334 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327335 +sg291132 +S'c. 1575/1580' +p327336 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate XXXIX' +p327337 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327338 +sa(dp327339 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327340 +sg291132 +S'c. 1575/1580' +p327341 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate XL' +p327342 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327343 +sa(dp327344 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327345 +sg291132 +S'c. 1575/1580' +p327346 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate XLI' +p327347 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327348 +sa(dp327349 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327350 +sg291132 +S'c. 1575/1580' +p327351 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate XLII' +p327352 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327353 +sa(dp327354 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327355 +sg291132 +S'c. 1575/1580' +p327356 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate XLIII' +p327357 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327358 +sa(dp327359 +g291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate XLIV' +p327360 +sg291137 +S'Joris Hoefnagel' +p327361 +sg291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327362 +sg291132 +S'c. 1575/1580' +p327363 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00034/a000340d.jpg' +p327364 +sg291136 +g27 +sa(dp327365 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327366 +sg291132 +S'c. 1575/1580' +p327367 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate XLV' +p327368 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327369 +sa(dp327370 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327371 +sg291132 +S'c. 1575/1580' +p327372 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate XLVI' +p327373 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327374 +sa(dp327375 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327376 +sg291132 +S'c. 1575/1580' +p327377 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate XLVII' +p327378 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327379 +sa(dp327380 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327381 +sg291132 +S'c. 1575/1580' +p327382 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate XLVIII' +p327383 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327384 +sa(dp327385 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327386 +sg291132 +S'c. 1575/1580' +p327387 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate IV' +p327388 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327389 +sa(dp327390 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327391 +sg291132 +S'c. 1575/1580' +p327392 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate XLIX' +p327393 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327394 +sa(dp327395 +g291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate L' +p327396 +sg291137 +S'Joris Hoefnagel' +p327397 +sg291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327398 +sg291132 +S'c. 1575/1580' +p327399 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00034/a000340e.jpg' +p327400 +sg291136 +g27 +sa(dp327401 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327402 +sg291132 +S'c. 1575/1580' +p327403 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate LI' +p327404 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327405 +sa(dp327406 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327407 +sg291132 +S'c. 1575/1580' +p327408 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate LII' +p327409 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327410 +sa(dp327411 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327412 +sg291132 +S'c. 1575/1580' +p327413 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate LIII' +p327414 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327415 +sa(dp327416 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327417 +sg291132 +S'c. 1575/1580' +p327418 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate LIV' +p327419 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327420 +sa(dp327421 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327422 +sg291132 +S'c. 1575/1580' +p327423 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate LV' +p327424 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327425 +sa(dp327426 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327427 +sg291132 +S'c. 1575/1580' +p327428 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate LVI' +p327429 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327430 +sa(dp327431 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327432 +sg291132 +S'c. 1575/1580' +p327433 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate LVII' +p327434 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327435 +sa(dp327436 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327437 +sg291132 +S'c. 1575/1580' +p327438 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate LVIII' +p327439 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327440 +sa(dp327441 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327442 +sg291132 +S'c. 1575/1580' +p327443 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate V' +p327444 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327445 +sa(dp327446 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327447 +sg291132 +S'c. 1575/1580' +p327448 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate VI' +p327449 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327450 +sa(dp327451 +g291130 +S'gold border only' +p327452 +sg291132 +S'c. 1575/1580' +p327453 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate VII' +p327454 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327455 +sa(dp327456 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327457 +sg291132 +S'c. 1575/1580' +p327458 +sg291134 +S'Animalia Aqvatilia et Cochiliata (Aqva): Plate VIII' +p327459 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327460 +sa(dp327461 +g291130 +S'1 vol: ill: 70 drawings (incl.title page) in watercolor and gouache, with gold oval borders, on vellum, alternating with ms text on paper; 2 plates (LXX and LXXI) with gold border only' +p327462 +sg291132 +S'c. 1575/1580' +p327463 +sg291134 +S'Animalia Volatilia et Amphibia (Aier), volume IV' +p327464 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327465 +sa(dp327466 +g291130 +S'watercolor and gouache with gold' +p327467 +sg291132 +S'c. 1575/1580' +p327468 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Title Page' +p327469 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327470 +sa(dp327471 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327472 +sg291132 +S'c. 1575/1580' +p327473 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate IX' +p327474 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327475 +sa(dp327476 +g291134 +S'Animalia Volatilia et Amphibia (Aier): Plate X' +p327477 +sg291137 +S'Joris Hoefnagel' +p327478 +sg291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327479 +sg291132 +S'c. 1575/1580' +p327480 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00066/a00066f2.jpg' +p327481 +sg291136 +g27 +sa(dp327482 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327483 +sg291132 +S'c. 1575/1580' +p327484 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate XI' +p327485 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327486 +sa(dp327487 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327488 +sg291132 +S'c. 1575/1580' +p327489 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate XII' +p327490 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327491 +sa(dp327492 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327493 +sg291132 +S'c. 1575/1580' +p327494 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate XIII' +p327495 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327496 +sa(dp327497 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327498 +sg291132 +S'c. 1575/1580' +p327499 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate XIV' +p327500 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327501 +sa(dp327502 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327503 +sg291132 +S'c. 1575/1580' +p327504 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate XV' +p327505 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327506 +sa(dp327507 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327508 +sg291132 +S'c. 1575/1580' +p327509 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate XVI' +p327510 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327511 +sa(dp327512 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327513 +sg291132 +S'c. 1575/1580' +p327514 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate XVII' +p327515 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327516 +sa(dp327517 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327518 +sg291132 +S'c. 1575/1580' +p327519 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate XVIII' +p327520 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327521 +sa(dp327522 +g291134 +S'Animalia Volatilia et Amphibia (Aier): Plate I' +p327523 +sg291137 +S'Joris Hoefnagel' +p327524 +sg291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327525 +sg291132 +S'c. 1575/1580' +p327526 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00034/a000341d.jpg' +p327527 +sg291136 +g27 +sa(dp327528 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327529 +sg291132 +S'c. 1575/1580' +p327530 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate XIX' +p327531 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327532 +sa(dp327533 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327534 +sg291132 +S'c. 1575/1580' +p327535 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate XX' +p327536 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327537 +sa(dp327538 +g291134 +S'Animalia Volatilia et Amphibia (Aier): Plate XXI' +p327539 +sg291137 +S'Joris Hoefnagel' +p327540 +sg291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327541 +sg291132 +S'c. 1575/1580' +p327542 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00034/a000340f.jpg' +p327543 +sg291136 +g27 +sa(dp327544 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327545 +sg291132 +S'c. 1575/1580' +p327546 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate XXII' +p327547 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327548 +sa(dp327549 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327550 +sg291132 +S'c. 1575/1580' +p327551 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate XXIII' +p327552 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327553 +sa(dp327554 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327555 +sg291132 +S'c. 1575/1580' +p327556 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate XXIV' +p327557 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327558 +sa(dp327559 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327560 +sg291132 +S'c. 1575/1580' +p327561 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate XXV' +p327562 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327563 +sa(dp327564 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327565 +sg291132 +S'c. 1575/1580' +p327566 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate XXVI' +p327567 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327568 +sa(dp327569 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327570 +sg291132 +S'c. 1575/1580' +p327571 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate XXVII' +p327572 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327573 +sa(dp327574 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327575 +sg291132 +S'c. 1575/1580' +p327576 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate XXVIII' +p327577 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327578 +sa(dp327579 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327580 +sg291132 +S'c. 1575/1580' +p327581 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate II' +p327582 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327583 +sa(dp327584 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327585 +sg291132 +S'c. 1575/1580' +p327586 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate XXIX' +p327587 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327588 +sa(dp327589 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327590 +sg291132 +S'c. 1575/1580' +p327591 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate XXX' +p327592 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327593 +sa(dp327594 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327595 +sg291132 +S'c. 1575/1580' +p327596 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate XXXI' +p327597 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327598 +sa(dp327599 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327600 +sg291132 +S'c. 1575/1580' +p327601 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate XXXII' +p327602 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327603 +sa(dp327604 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327605 +sg291132 +S'c. 1575/1580' +p327606 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate XXXIII' +p327607 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327608 +sa(dp327609 +g291134 +S'Animalia Volatilia et Amphibia (Aier): Plate XXXIV' +p327610 +sg291137 +S'Joris Hoefnagel' +p327611 +sg291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327612 +sg291132 +S'c. 1575/1580' +p327613 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00034/a000341e.jpg' +p327614 +sg291136 +g27 +sa(dp327615 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327616 +sg291132 +S'c. 1575/1580' +p327617 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate XXXV' +p327618 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327619 +sa(dp327620 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327621 +sg291132 +S'c. 1575/1580' +p327622 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate XXXVI' +p327623 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327624 +sa(dp327625 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327626 +sg291132 +S'c. 1575/1580' +p327627 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate XXXVII' +p327628 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327629 +sa(dp327630 +g291134 +S'Animalia Volatilia et Amphibia (Aier): Plate XXXVIII' +p327631 +sg291137 +S'Joris Hoefnagel' +p327632 +sg291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327633 +sg291132 +S'c. 1575/1580' +p327634 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00034/a000341f.jpg' +p327635 +sg291136 +g27 +sa(dp327636 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327637 +sg291132 +S'c. 1575/1580' +p327638 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate III' +p327639 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327640 +sa(dp327641 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327642 +sg291132 +S'c. 1575/1580' +p327643 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate XXXIX' +p327644 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327645 +sa(dp327646 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327647 +sg291132 +S'c. 1575/1580' +p327648 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate XL' +p327649 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327650 +sa(dp327651 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327652 +sg291132 +S'c. 1575/1580' +p327653 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate XLI' +p327654 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327655 +sa(dp327656 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327657 +sg291132 +S'c. 1575/1580' +p327658 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate XLII' +p327659 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327660 +sa(dp327661 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327662 +sg291132 +S'c. 1575/1580' +p327663 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate XLIII' +p327664 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327665 +sa(dp327666 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327667 +sg291132 +S'c. 1575/1580' +p327668 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate XLIV' +p327669 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327670 +sa(dp327671 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327672 +sg291132 +S'c. 1575/1580' +p327673 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate XLV' +p327674 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327675 +sa(dp327676 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327677 +sg291132 +S'c. 1575/1580' +p327678 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate XLVI' +p327679 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327680 +sa(dp327681 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327682 +sg291132 +S'c. 1575/1580' +p327683 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate XLVII' +p327684 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327685 +sa(dp327686 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327687 +sg291132 +S'c. 1575/1580' +p327688 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate XLVIII' +p327689 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327690 +sa(dp327691 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327692 +sg291132 +S'c. 1575/1580' +p327693 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate IV' +p327694 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327695 +sa(dp327696 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327697 +sg291132 +S'c. 1575/1580' +p327698 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate XLIX' +p327699 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327700 +sa(dp327701 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327702 +sg291132 +S'c. 1575/1580' +p327703 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate L' +p327704 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327705 +sa(dp327706 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327707 +sg291132 +S'c. 1575/1580' +p327708 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate LI' +p327709 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327710 +sa(dp327711 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327712 +sg291132 +S'c. 1575/1580' +p327713 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate LII' +p327714 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327715 +sa(dp327716 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327717 +sg291132 +S'c. 1575/1580' +p327718 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate LIII' +p327719 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327720 +sa(dp327721 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327722 +sg291132 +S'c. 1575/1580' +p327723 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate LIV' +p327724 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327725 +sa(dp327726 +g291134 +S'Animalia Volatilia et Amphibia (Aier): Plate LV' +p327727 +sg291137 +S'Joris Hoefnagel' +p327728 +sg291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327729 +sg291132 +S'c. 1575/1580' +p327730 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000e0/a000e018.jpg' +p327731 +sg291136 +g27 +sa(dp327732 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327733 +sg291132 +S'c. 1575/1580' +p327734 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate LVI' +p327735 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327736 +sa(dp327737 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327738 +sg291132 +S'c. 1575/1580' +p327739 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate LVII' +p327740 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327741 +sa(dp327742 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327743 +sg291132 +S'c. 1575/1580' +p327744 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate LVIII' +p327745 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327746 +sa(dp327747 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327748 +sg291132 +S'c. 1575/1580' +p327749 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate V' +p327750 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327751 +sa(dp327752 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327753 +sg291132 +S'c. 1575/1580' +p327754 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate LIX' +p327755 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327756 +sa(dp327757 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327758 +sg291132 +S'c. 1575/1580' +p327759 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate LX' +p327760 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327761 +sa(dp327762 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327763 +sg291132 +S'c. 1575/1580' +p327764 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate LXI' +p327765 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327766 +sa(dp327767 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327768 +sg291132 +S'c. 1575/1580' +p327769 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate LXII' +p327770 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327771 +sa(dp327772 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327773 +sg291132 +S'c. 1575/1580' +p327774 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate LXIII' +p327775 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327776 +sa(dp327777 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327778 +sg291132 +S'c. 1575/1580' +p327779 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate LXIV' +p327780 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327781 +sa(dp327782 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327783 +sg291132 +S'c. 1575/1580' +p327784 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate LXV' +p327785 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327786 +sa(dp327787 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327788 +sg291132 +S'c. 1575/1580' +p327789 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate LXVI' +p327790 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327791 +sa(dp327792 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327793 +sg291132 +S'c. 1575/1580' +p327794 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate LXVII' +p327795 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327796 +sa(dp327797 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327798 +sg291132 +S'c. 1575/1580' +p327799 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate LXVIII' +p327800 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327801 +sa(dp327802 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327803 +sg291132 +S'c. 1575/1580' +p327804 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate VI' +p327805 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327806 +sa(dp327807 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327808 +sg291132 +S'c. 1575/1580' +p327809 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate LXIX' +p327810 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327811 +sa(dp327812 +g291130 +S'gold border only' +p327813 +sg291132 +S'c. 1575/1580' +p327814 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate LXX' +p327815 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327816 +sa(dp327817 +g291130 +S'gold border only' +p327818 +sg291132 +S'c. 1575/1580' +p327819 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate LXXI' +p327820 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327821 +sa(dp327822 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327823 +sg291132 +S'c. 1575/1580' +p327824 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate VII' +p327825 +sg291136 +g27 +sg291137 +S'Joris Hoefnagel' +p327826 +sa(dp327827 +g291130 +S'watercolor and gouache, with oval border in gold, on vellum' +p327828 +sg291132 +S'c. 1575/1580' +p327829 +sg291134 +S'Animalia Volatilia et Amphibia (Aier): Plate VIII' 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Accompanied by Two Friends in His Third Aerial Excursion, Taken from St. George's Fields, in London" +p327962 +sg291137 +S'Artist Information (' +p327963 +sg291130 +S'(artist after)' +p327964 +sg291132 +S'\n' +p327965 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000ef5.jpg' +p327966 +sg291136 +g27 +sa(dp327967 +g291134 +S'Judith and Holofernes' +p327968 +sg291137 +S'Hans von Aachen' +p327969 +sg291130 +S'pen and brown ink with brown and gray wash on laid paper; laid down' +p327970 +sg291132 +S'unknown date\n' +p327971 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000bb/a000bb2d.jpg' +p327972 +sg291136 +g27 +sa(dp327973 +g291134 +S'In the Hague Woods' +p327974 +sg291137 +S'Simon de Vlieger' +p327975 +sg291130 +S'black chalk with gray wash heightened with white on blue laid paper' +p327976 +sg291132 +S'unknown date\n' +p327977 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00028/a00028e1.jpg' +p327978 +sg291136 +g27 +sa(dp327979 +g291134 +S'Salome' +p327980 +sg291137 +S'Hans Baldung Grien' +p327981 +sg291130 +S'woodcut on laid paper' +p327982 +sg291132 +S'c. 1511/1512' +p327983 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000a7/a000a7ee.jpg' +p327984 +sg291136 +g27 +sa(dp327985 +g291130 +S'bronze' +p327986 +sg291132 +S'1551' +p327987 +sg291134 +S'Ippolita Gonzaga, 1535-1563, daughter of Ferrante Gonzaga [obverse]' +p327988 +sg291136 +g27 +sg291137 +S'Leone Leoni' +p327989 +sa(dp327990 +g291130 +S'bronze' +p327991 +sg291132 +S'1551' +p327992 +sg291134 +S'Ippolita as Diana with Hunting Dogs in a Landscape; behind her Pluto and Cerberus [reverse]' +p327993 +sg291136 +g27 +sg291137 +S'Leone Leoni' +p327994 +sa(dp327995 +g291134 +S"Lorenzo de' Medici, il Magnifico, 1449-1492 [obverse]" +p327996 +sg291137 +S'Niccol\xc3\xb2 Fiorentino' +p327997 +sg291130 +S'bronze' +p327998 +sg291132 +S'c. 1490' +p327999 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002dd7.jpg' +p328000 +sg291136 +g27 +sa(dp328001 +g291134 +S'Florence under a Laurel(?) 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Maillol' +p328068 +sa(dp328069 +g291130 +S'woodcut on handmade paper' +p328070 +sg291132 +S'published 1937' +p328071 +sg291134 +S'First Book: Three Goats, First Plate (Chevreaux, premiere planche)' +p328072 +sg291136 +g27 +sg291137 +S'Aristide Maillol' +p328073 +sa(dp328074 +g291130 +S'woodcut on handmade paper' +p328075 +sg291132 +S'published 1937' +p328076 +sg291134 +S'First Book: Three Goats, First Plate (Chevreaux, premiere planche)' +p328077 +sg291136 +g27 +sg291137 +S'Aristide Maillol' +p328078 +sa(dp328079 +g291130 +S'woodcut on handmade paper' +p328080 +sg291132 +S'published 1937' +p328081 +sg291134 +S'First Book: Two Nymphs Dancing (Les nymphs de la grotte)' +p328082 +sg291136 +g27 +sg291137 +S'Aristide Maillol' +p328083 +sa(dp328084 +g291130 +S'woodcut on handmade paper' +p328085 +sg291132 +S'published 1937' +p328086 +sg291134 +S'First Book: Two Nymphs Dancing (Les nymphs de la grotte)' +p328087 +sg291136 +g27 +sg291137 +S'Aristide Maillol' +p328088 +sa(dp328089 +g291130 +S'woodcut on handmade paper' +p328090 +sg291132 +S'published 1937' +p328091 +sg291134 +S'First Book: Daphnis and Chloe Picking Flowers(Daphnis et Chloe rammassant des fleurs)' +p328092 +sg291136 +g27 +sg291137 +S'Aristide Maillol' +p328093 +sa(dp328094 +g291130 +S'woodcut on handmade paper' +p328095 +sg291132 +S'published 1937' +p328096 +sg291134 +S"First Book: Daphnis Playing His Pipe for Chloe (Daphnis jouant de l'harmonica pour Chloe)" +p328097 +sg291136 +g27 +sg291137 +S'Aristide Maillol' +p328098 +sa(dp328099 +g291130 +S'woodcut on handmade paper' +p328100 +sg291132 +S'published 1937' +p328101 +sg291134 +S"First Book: Daphnis Playing His Pipe for Chloe (Daphnis jouant de l'harmonica pour Chloe)" +p328102 +sg291136 +g27 +sg291137 +S'Aristide Maillol' +p328103 +sa(dp328104 +g291130 +S'woodcut on handmade paper' +p328105 +sg291132 +S'published 1937' +p328106 +sg291134 +S'First Book: Chloe Washing Daphnis in the Cave of the Nymphs (Chloe lave Daphnis dansla caverne des nymphes)' 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Teaches Chloe to Play on the Pipe (Daphnis apprend a Chloe a jouer de la flute)' +p328127 +sg291136 +g27 +sg291137 +S'Aristide Maillol' +p328128 +sa(dp328129 +g291130 +S'woodcut on handmade paper' +p328130 +sg291132 +S'published 1937' +p328131 +sg291134 +S'First Book: Daphnis Observes the Sleeping Chloe (Daphnis regarde Chloe dormir)' +p328132 +sg291136 +g27 +sg291137 +S'Aristide Maillol' +p328133 +sa(dp328134 +g291130 +S'woodcut on handmade paper' +p328135 +sg291132 +S'published 1937' +p328136 +sg291134 +S"First Book: Daphnis Draws the Grasshopper from Chloe's Bosom (Daphnis met la main dans le sein de Chloe pour en retirer une cigale)" +p328137 +sg291136 +g27 +sg291137 +S'Aristide Maillol' +p328138 +sa(dp328139 +g291130 +S'woodcut on handmade paper' +p328140 +sg291132 +S'published 1937' +p328141 +sg291134 +S'First Book: Chloe Casting Daphnis into Her Arms (Daphnis et Chloe se lavent ensemble dans la caverne des nymphes)' +p328142 +sg291136 +g27 +sg291137 +S'Aristide Maillol' +p328143 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+S'woodcut on handmade paper' +p328165 +sg291132 +S'published 1937' +p328166 +sg291134 +S"Second Book: Daphnis and Chloe Run Smiling Together (Daphnis et Chloe courent l'un vers l'autre)" +p328167 +sg291136 +g27 +sg291137 +S'Aristide Maillol' +p328168 +sa(dp328169 +g291130 +S'woodcut on handmade paper' +p328170 +sg291132 +S'published 1937' +p328171 +sg291134 +S"Second Book: Daphnis and Chloe Run Smiling Together (Daphnis et Chloe courent l'un vers l'autre)" +p328172 +sg291136 +g27 +sg291137 +S'Aristide Maillol' +p328173 +sa(dp328174 +g291130 +S'woodcut on handmade paper' +p328175 +sg291132 +S'published 1937' +p328176 +sg291134 +S'Second Book: Three Goats, Third Plate (Chevreaux, troisieme planche)' +p328177 +sg291136 +g27 +sg291137 +S'Aristide Maillol' +p328178 +sa(dp328179 +g291130 +S'woodcut on handmade paper' +p328180 +sg291132 +S'published 1937' +p328181 +sg291134 +S'Second Book: Daphnis and Chloe Embrace One Another (Daphnis et Chloe apres le depart des Methymniens)' +p328182 +sg291136 +g27 +sg291137 +S'Aristide Maillol' +p328183 +sa(dp328184 +g291130 +S'woodcut on handmade paper' +p328185 +sg291132 +S'published 1937' +p328186 +sg291134 +S'Second Book: Daphnis and Chloe Playing (Daphnis poursuivant Chloe)' +p328187 +sg291136 +g27 +sg291137 +S'Aristide Maillol' +p328188 +sa(dp328189 +g291130 +S'woodcut on handmade paper' +p328190 +sg291132 +S'published 1937' +p328191 +sg291134 +S'Second Book: Daphnis and Chloe Playing (Daphnis poursuivant Chloe)' +p328192 +sg291136 +g27 +sg291137 +S'Aristide Maillol' +p328193 +sa(dp328194 +g291130 +S'woodcut on handmade paper' +p328195 +sg291132 +S'published 1937' +p328196 +sg291134 +S'Second Book: Methymnaean Carrying Chloe Away (Chloe enlevee par le Methymnien)' +p328197 +sg291136 +g27 +sg291137 +S'Aristide Maillol' +p328198 +sa(dp328199 +g291130 +S'woodcut on handmade paper' +p328200 +sg291132 +S'published 1937' +p328201 +sg291134 +S'Second Book: Daphnis Rushing into the Embraces of Chloe (Daphnis et Chloe se retrouvent apres la captivite de Chloe)' +p328202 +sg291136 +g27 +sg291137 +S'Aristide Maillol' +p328203 +sa(dp328204 +g291130 +S'woodcut on handmade paper' +p328205 +sg291132 +S'published 1937' +p328206 +sg291134 +S'Second Book: Daphnis and Chloe Sacrificing a Crowned Goat (Daphnis et Chloe emmenant le bouc, chef du troupeau, pour le sacrificier a Pan)' +p328207 +sg291136 +g27 +sg291137 +S'Aristide Maillol' +p328208 +sa(dp328209 +g291130 +S'woodcut on handmade paper' +p328210 +sg291132 +S'published 1937' +p328211 +sg291134 +S'Second Book: Syrinx Disappears in a Grove of Reeds (Syringe, poursuivie par Pan, se jette dans un marais et des parait dans les roseaux)' +p328212 +sg291136 +g27 +sg291137 +S'Aristide Maillol' +p328213 +sa(dp328214 +g291130 +S'woodcut on handmade paper' +p328215 +sg291132 +S'published 1937' +p328216 +sg291134 +S"Second Book: Daphnis Driving Home His Flock (Daphnis ramene ses betes a l'etable)" +p328217 +sg291136 +g27 +sg291137 +S'Aristide Maillol' +p328218 +sa(dp328219 +g291130 +S'woodcut on handmade paper' +p328220 +sg291132 +S'published 1937' +p328221 +sg291134 +S'Second Book: Three Goats Resting, Fourth Plate (Trois chevreaux couches, quatrieme planche)' +p328222 +sg291136 +g27 +sg291137 +S'Aristide Maillol' +p328223 +sa(dp328224 +g291130 +S'woodcut on handmade paper' +p328225 +sg291132 +S'published 1937' +p328226 +sg291134 +S"Second Book: Daphnis and Chloe Remember Their Sweet Conversation (L'hiver, Daphnis et Chloe s'entrelacent et s'embrassent)" +p328227 +sg291136 +g27 +sg291137 +S'Aristide Maillol' +p328228 +sa(dp328229 +g291130 +S'woodcut on handmade paper' +p328230 +sg291132 +S'published 1937' +p328231 +sg291134 +S"Third Book: Daphnis and Chloe in Dryas' House (Daphnis et Chloe dans la maison de Dryas)" +p328232 +sg291136 +g27 +sg291137 +S'Aristide Maillol' +p328233 +sa(dp328234 +g291130 +S'woodcut on handmade paper' +p328235 +sg291132 +S'published 1937' +p328236 +sg291134 +S'Third Book: Daphnis Lifts Chloe Up (Daphnis soulevant Chloe)' +p328237 +sg291136 +g27 +sg291137 +S'Aristide Maillol' +p328238 +sa(dp328239 +g291130 +S'woodcut on handmade paper' +p328240 +sg291132 +S'published 1937' +p328241 +sg291134 +S"Third Book: Lycaenium Teaches Daphnis the Secret of Love (Lycenion donne une lecon d'amour a Daphnis)" +p328242 +sg291136 +g27 +sg291137 +S'Aristide Maillol' +p328243 +sa(dp328244 +g291130 +S'woodcut on handmade paper' +p328245 +sg291132 +S'published 1937' +p328246 +sg291134 +S'Third Book: The Echo, Daughter of a Nymph (La nymphe Echo)' +p328247 +sg291136 +g27 +sg291137 +S'Aristide Maillol' +p328248 +sa(dp328249 +g291130 +S'woodcut on handmade paper' +p328250 +sg291132 +S'published 1937' +p328251 +sg291134 +S'Third Book: Chloe Embraces Daphnis (Chloe embrasse Daphnis)' +p328252 +sg291136 +g27 +sg291137 +S'Aristide Maillol' +p328253 +sa(dp328254 +g291130 +S'woodcut on handmade paper' +p328255 +sg291132 +S'published 1937' +p328256 +sg291134 +S'Third Book: Three Goats, Fifth Plate (Chevreaux, cinquieme planche)' +p328257 +sg291136 +g27 +sg291137 +S'Aristide Maillol' +p328258 +sa(dp328259 +g291130 +S'woodcut on handmade paper' +p328260 +sg291132 +S'published 1937' +p328261 +sg291134 +S'Third Book: Daphnis Pulls an Apple for Chloe (Daphnis donne la pomme a Chloe)' +p328262 +sg291136 +g27 +sg291137 +S'Aristide Maillol' +p328263 +sa(dp328264 +g291130 +S'woodcut on handmade paper' +p328265 +sg291132 +S'published 1937' +p328266 +sg291134 +S"Third Book: Daphnis Puts the Apple into Chloe's Bosom (Daphnis met la pomme entre lesseins de Chloe)" +p328267 +sg291136 +g27 +sg291137 +S'Aristide Maillol' +p328268 +sa(dp328269 +g291130 +S'woodcut on handmade paper' +p328270 +sg291132 +S'published 1937' +p328271 +sg291134 +S"Third Book: Daphnis Puts the Apple into Chloe's Bosom, First Conception (Daphnis met la pomme entre les seins de Chloe, variante)" +p328272 +sg291136 +g27 +sg291137 +S'Aristide Maillol' +p328273 +sa(dp328274 +g291130 +S'woodcut on handmade paper' +p328275 +sg291132 +S'published 1937' +p328276 +sg291134 +S'Fourth Book: Daphnis and Chloe at Play (Daphnis mente sur le dos de Chloe)' +p328277 +sg291136 +g27 +sg291137 +S'Aristide Maillol' +p328278 +sa(dp328279 +g291130 +S'woodcut on handmade paper' +p328280 +sg291132 +S'published 1937' +p328281 +sg291134 +S'Fourth Book: Chloe Helps Daphnis with His Goats (Chloe trait une chevre de Daphnis)' +p328282 +sg291136 +g27 +sg291137 +S'Aristide Maillol' +p328283 +sa(dp328284 +g291130 +S'woodcut on handmade paper' +p328285 +sg291132 +S'published 1937' +p328286 +sg291134 +S'Fourth Book: Daphnis Plays to His Goats (Daphnis joue de la flute au milieu de ses chevres)' +p328287 +sg291136 +g27 +sg291137 +S'Aristide Maillol' +p328288 +sa(dp328289 +g291130 +S'woodcut on handmade paper' +p328290 +sg291132 +S'published 1937' +p328291 +sg291134 +S'Fourth Book: Daphnis and Chloe (Groupe de Daphnis et Chloe)' +p328292 +sg291136 +g27 +sg291137 +S'Aristide Maillol' +p328293 +sa(dp328294 +g291130 +S'woodcut on handmade paper' +p328295 +sg291132 +S'published 1937' +p328296 +sg291134 +S'Fourth Book: Daphnis and Chloe (Groupe de Daphne et Chloe)' +p328297 +sg291136 +g27 +sg291137 +S'Aristide Maillol' +p328298 +sa(dp328299 +g291130 +S'woodcut on handmade paper' +p328300 +sg291132 +S'published 1937' +p328301 +sg291134 +S'Fourth Book: Lampis Ravishing Chloe Away (Le bouvier Lampis enleve Chloe)' +p328302 +sg291136 +g27 +sg291137 +S'Aristide Maillol' +p328303 +sa(dp328304 +g291130 +S'woodcut on handmade paper' +p328305 +sg291132 +S'published 1937' +p328306 +sg291134 +S'Fourth Book: Chloe is Given to Daphnis (Chloe unie a Daphnis)' +p328307 +sg291136 +g27 +sg291137 +S'Aristide Maillol' +p328308 +sa(dp328309 +g291130 +S'woodcut on handmade paper' +p328310 +sg291132 +S'published 1937' +p328311 +sg291134 +S'Fourth Book: Daphnis and Chloe Lying Together, First Variant (Daphnis et Chloe couches ensemble, premier variante)' +p328312 +sg291136 +g27 +sg291137 +S'Aristide Maillol' +p328313 +sa(dp328314 +g291130 +S'woodcut on handmade paper' 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Print for R.O.C.I.' +p328878 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p328879 +sa(dp328880 +g291130 +S'35-color screenprint on heavy wove paper' +p328881 +sg291132 +S'1987' +p328882 +sg291134 +S'In Celebration' +p328883 +sg291136 +g27 +sg291137 +S'Sam Gilliam' +p328884 +sa(dp328885 +g291134 +S'Acrobat on a Horse (Voltigeuse zu Pferd)' +p328886 +sg291137 +S'Ernst Ludwig Kirchner' +p328887 +sg291130 +S'drypoint on blotting paper' +p328888 +sg291132 +S'1913' +p328889 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c4/a000c433.jpg' +p328890 +sg291136 +g27 +sa(dp328891 +g291134 +S'Female Nude (Weiblicher Akt)' +p328892 +sg291137 +S'Ernst Ludwig Kirchner' +p328893 +sg291130 +S'woodcut on blotting paper' +p328894 +sg291132 +S'1908' +p328895 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c4/a000c440.jpg' +p328896 +sg291136 +g27 +sa(dp328897 +g291130 +S'pen and black ink on Arches paper' +p328898 +sg291132 +S'1973' +p328899 +sg291134 +S"Lincoln at Ford's Theater" +p328900 +sg291136 +g27 +sg291137 +S'Warrington Colescott' +p328901 +sa(dp328902 +g291130 +S'color etching, aquatint, soft-ground etching, and drypoint printed from two plates on wove paper' +p328903 +sg291132 +S'1972' +p328904 +sg291134 +S"Lincoln at Ford's Theater" +p328905 +sg291136 +g27 +sg291137 +S'Warrington Colescott' +p328906 +sa(dp328907 +g291130 +S'color linoleum cut on wove paper' +p328908 +sg291132 +S'1982' +p328909 +sg291134 +S"We're Having a Heat Wave" +p328910 +sg291136 +g27 +sg291137 +S'Phoebe Cole' +p328911 +sa(dp328912 +g291134 +S'A Young Girl Looking Upward' +p328913 +sg291137 +S'Jean-Baptiste Greuze' +p328914 +sg291130 +S'red chalk on laid paper' +p328915 +sg291132 +S'c. 1778' +p328916 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00033/a00033e4.jpg' +p328917 +sg291136 +g27 +sa(dp328918 +g291134 +S'Christ Leading Peter, James, and John to the High Mountain for the Transfiguration' +p328919 +sg291137 +S'Giovanni Domenico Tiepolo' +p328920 +sg291130 +S'pen and black ink, gray wash, and a variety of brown washes over black chalk on laid paper' +p328921 +sg291132 +S'1770s/1780s' +p328922 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00037/a00037f4.jpg' +p328923 +sg291136 +g27 +sa(dp328924 +g291134 +S'A Shepherd Family Resting' +p328925 +sg291137 +S'Giovanni Battista Piazzetta' +p328926 +sg291130 +S'red chalk over graphite on laid paper' +p328927 +sg291132 +S'1740s' +p328928 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00037/a00037d1.jpg' +p328929 +sg291136 +g27 +sa(dp328930 +g291130 +S'color lithograph on paper' +p328931 +sg291132 +S'1985' +p328932 +sg291134 +S'Dover' +p328933 +sg291136 +g27 +sg291137 +S'Jacob Kainen' +p328934 +sa(dp328935 +g291134 +S'A Bridge in Auvergne (Un pont en Auvergne)' +p328936 +sg291137 +S'Paul Huet' +p328937 +sg291130 +S'etching and roulette on chine applique' +p328938 +sg291132 +S'1834' +p328939 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009f6d.jpg' +p328940 +sg291136 +g27 +sa(dp328941 +g291130 +S'(artist)' +p328942 +sg291132 +S'\n' +p328943 +sg291134 +S'Transitional Planes' +p328944 +sg291136 +g27 +sg291137 +S'Artist Information (' +p328945 +sa(dp328946 +g291130 +S'pen and brush and black ink on wove paper' +p328947 +sg291132 +S'1891/1893' +p328948 +sg291134 +S'Sketches including "A Promenade in Fancy Hats"' +p328949 +sg291136 +g27 +sg291137 +S'Pierre Bonnard' +p328950 +sa(dp328951 +g291134 +S'Christ on the Mount of Olives' +p328952 +sg291137 +S'Sebald Beham' +p328953 +sg291130 +S'woodcut on laid paper' +p328954 +sg291132 +S'1522' +p328955 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a8c2.jpg' +p328956 +sg291136 +g27 +sa(dp328957 +g291134 +S'Ecce Homo' +p328958 +sg291137 +S'Sebald Beham' +p328959 +sg291130 +S'woodcut on laid paper' +p328960 +sg291132 +S'1522' +p328961 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000a8/a000a8c6.jpg' +p328962 +sg291136 +g27 +sa(dp328963 +g291134 +S'La condition humaine' +p328964 +sg291137 +S'Ren\xc3\xa9 Magritte' +p328965 +sg291130 +S'oil on canvas' +p328966 +sg291132 +S'1933' +p328967 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000eb1.jpg' +p328968 +sg291136 +S"Two of Magritte's favored themes were the "window painting" and the\n "painting within a painting." \n The Human Condition\n " +p328969 +sa(dp328970 +g291134 +S'Monsieur and Madame Blizet with Monsieur Le Roy the Actor' +p328971 +sg291137 +S'Louis Carrogis, called Carmontelle' +p328972 +sg291130 +S'watercolor and gouache over red and black chalks with touches of graphite on laid paper; laid down' +p328973 +sg291132 +S'c. 1765' +p328974 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005f/a0005fb4.jpg' +p328975 +sg291136 +g27 +sa(dp328976 +g291134 +S'Poppy in Bloom' +p328977 +sg291137 +S'Jean-Baptiste H\xc3\xbcet' +p328978 +sg291130 +S', mid 1760s' +p328979 +sg291132 +S'\n' +p328980 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f44.jpg' +p328981 +sg291136 +g27 +sa(dp328982 +g291134 +S'Poppy in Bloom' +p328983 +sg291137 +S'Jean-Baptiste H\xc3\xbcet' +p328984 +sg291130 +S', mid 1760s' +p328985 +sg291132 +S'\n' +p328986 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f73.jpg' +p328987 +sg291136 +g27 +sa(dp328988 +g291134 +S'Poppies with Seed Pods' +p328989 +sg291137 +S'Jean-Baptiste H\xc3\xbcet' +p328990 +sg291130 +S', mid 1760s' +p328991 +sg291132 +S'\n' +p328992 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006fa2.jpg' +p328993 +sg291136 +g27 +sa(dp328994 +g291134 +S'Flowering Plant with Grass' +p328995 +sg291137 +S'Jean-Baptiste H\xc3\xbcet' +p328996 +sg291130 +S', mid 1760s' +p328997 +sg291132 +S'\n' +p328998 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005f/a0005f62.jpg' +p328999 +sg291136 +g27 +sa(dp329000 +g291134 +S'Flowering Plant with Buds' +p329001 +sg291137 +S'Jean-Baptiste H\xc3\xbcet' +p329002 +sg291130 +S', mid 1760s' +p329003 +sg291132 +S'\n' +p329004 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005f/a0005f5b.jpg' +p329005 +sg291136 +g27 +sa(dp329006 +g291134 +S'Jack-in-Pulpit - No. 2' +p329007 +sg291137 +S"Georgia O'Keeffe" +p329008 +sg291130 +S'oil on canvas' +p329009 +sg291132 +S'1930' +p329010 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00001/a0000194.jpg' +p329011 +sg291136 +g27 +sa(dp329012 +g291134 +S'Jack-in-the-Pulpit No. 3' +p329013 +sg291137 +S"Georgia O'Keeffe" +p329014 +sg291130 +S'oil on canvas' +p329015 +sg291132 +S'1930' +p329016 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00001/a0000195.jpg' +p329017 +sg291136 +g27 +sa(dp329018 +g291134 +S'Jack-in-the-Pulpit No. IV' +p329019 +sg291137 +S"Georgia O'Keeffe" +p329020 +sg291130 +S'oil on canvas' +p329021 +sg291132 +S'1930' +p329022 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00001/a0000196.jpg' +p329023 +sg291136 +S"In 1930, Georgia O'Keeffe painted a series of six canvases depicting a jack-in-the-pulpit. The\n series begins with the striped and hooded bloom rendered with a botanist's care, continues with\n successively more abstract and tightly focused depictions, and ends with the essence of the\n jack-in-the-pulpit, a haloed black pistil standing alone against a black, purple, and gray\n field.\n Jack-in-the-Pulpit No. IV\n O'Keeffe bequeathed \n " +p329024 +sa(dp329025 +g291134 +S'Jack-in-Pulpit Abstraction - No. 5' +p329026 +sg291137 +S"Georgia O'Keeffe" +p329027 +sg291130 +S'oil on canvas' +p329028 +sg291132 +S'1930' +p329029 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00001/a0000197.jpg' +p329030 +sg291136 +g27 +sa(dp329031 +g291134 +S'Jack-in-the-Pulpit No. VI' +p329032 +sg291137 +S"Georgia O'Keeffe" +p329033 +sg291130 +S'oil on canvas' +p329034 +sg291132 +S'1930' +p329035 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00001/a0000198.jpg' +p329036 +sg291136 +g27 +sa(dp329037 +g291134 +S'Line and Curve' +p329038 +sg291137 +S"Georgia O'Keeffe" +p329039 +sg291130 +S'oil on canvas' +p329040 +sg291132 +S'1927' +p329041 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00001/a0000199.jpg' +p329042 +sg291136 +g27 +sa(dp329043 +g291134 +S'Shell No. I' +p329044 +sg291137 +S"Georgia O'Keeffe" +p329045 +sg291130 +S'oil on canvas' +p329046 +sg291132 +S'1928' +p329047 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00001/a000019a.jpg' +p329048 +sg291136 +g27 +sa(dp329049 +g291134 +S'Sky with Flat White Cloud' +p329050 +sg291137 +S"Georgia O'Keeffe" +p329051 +sg291130 +S'oil on canvas' +p329052 +sg291132 +S'1962' +p329053 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00001/a000019b.jpg' +p329054 +sg291136 +g27 +sa(dp329055 +g291134 +S'Pont Aberglaslyn' +p329056 +sg291137 +S'John Varley' +p329057 +sg291130 +S'watercolor over graphite on wove paper' +p329058 +sg291132 +S'1812' +p329059 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006cda.jpg' +p329060 +sg291136 +g27 +sa(dp329061 +g291134 +S'Untitled' +p329062 +sg291137 +S'Aleksandr Mikhailovich Rodchenko' +p329063 +sg291130 +S'oil on wood' +p329064 +sg291132 +S'1919' +p329065 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000ee5.jpg' +p329066 +sg291136 +g27 +sa(dp329067 +g291134 +S'Portrait of a Standing Lady' +p329068 +sg291137 +S'John Vanderbank' +p329069 +sg291130 +S'pen and brown ink on laid paper' +p329070 +sg291132 +S'1734' +p329071 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006d20.jpg' +p329072 +sg291136 +g27 +sa(dp329073 +g291134 +S'Portrait of a Standing Lady' +p329074 +sg291137 +S'John Vanderbank' +p329075 +sg291130 +S'pen and brown ink on laid paper' +p329076 +sg291132 +S'1734' +p329077 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006d4d.jpg' +p329078 +sg291136 +g27 +sa(dp329079 +g291134 +S'Aerial View of Theatre' +p329080 +sg291137 +S'Stefano Della Bella' +p329081 +sg291130 +S'etching and engraving on laid paper' +p329082 +sg291132 +S'1652' +p329083 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000ca/a000ca1f.jpg' +p329084 +sg291136 +g27 +sa(dp329085 +g291130 +S'etching and engraving on laid paper' +p329086 +sg291132 +S'1652' +p329087 +sg291134 +S'Entrance Procession [left half of 2-part print, see 1987.62.3]' +p329088 +sg291136 +g27 +sg291137 +S'Stefano Della Bella' +p329089 +sa(dp329090 +g291130 +S'etching and engraving on laid paper' +p329091 +sg291132 +S'1652' +p329092 +sg291134 +S'Entrance Procession [right half of 2-part print, see 1987.62.2]' +p329093 +sg291136 +g27 +sg291137 +S'Stefano Della Bella' +p329094 +sa(dp329095 +g291134 +S'The Rock of Aeolus' +p329096 +sg291137 +S'Stefano Della Bella' +p329097 +sg291130 +S'etching on laid paper' +p329098 +sg291132 +S'1652' +p329099 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9bf.jpg' +p329100 +sg291136 +g27 +sa(dp329101 +g291134 +S'Twenty-Four Cavorting Cavaliers' +p329102 +sg291137 +S'Stefano Della Bella' +p329103 +sg291130 +S'etching on laid paper' +p329104 +sg291132 +S'1652' +p329105 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9c2.jpg' +p329106 +sg291136 +g27 +sa(dp329107 +g291134 +S'Fighting Cavaliers' +p329108 +sg291137 +S'Stefano Della Bella' +p329109 +sg291130 +S'etching on laid paper' +p329110 +sg291132 +S'1652' +p329111 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9c3.jpg' +p329112 +sg291136 +g27 +sa(dp329113 +g291134 +S'Twenty-Four Cavaliers in an Oval' +p329114 +sg291137 +S'Stefano Della Bella' +p329115 +sg291130 +S'etching on laid paper' +p329116 +sg291132 +S'1652' +p329117 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9c4.jpg' +p329118 +sg291136 +g27 +sa(dp329119 +g291134 +S'Cavaliers Fighting with Swords' +p329120 +sg291137 +S'Stefano Della Bella' +p329121 +sg291130 +S'etching on laid paper' +p329122 +sg291132 +S'1652' +p329123 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9c1.jpg' +p329124 +sg291136 +g27 +sa(dp329125 +g291134 +S'Twenty-Four Cavaliers in Double S Formation' +p329126 +sg291137 +S'Stefano Della Bella' +p329127 +sg291130 +S'etching on laid paper' +p329128 +sg291132 +S'1652' +p329129 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9c0.jpg' +p329130 +sg291136 +g27 +sa(dp329131 +g291134 +S'Cavaliers Fighting in Two Columns' +p329132 +sg291137 +S'Stefano Della Bella' +p329133 +sg291130 +S'etching on laid paper' +p329134 +sg291132 +S'1652' +p329135 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9c5.jpg' +p329136 +sg291136 +g27 +sa(dp329137 +g291134 +S'Ten Cavaliers with Large Plumed Helmets' +p329138 +sg291137 +S'Stefano Della Bella' +p329139 +sg291130 +S'etching on laid paper' +p329140 +sg291132 +S'1652' +p329141 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9c6.jpg' +p329142 +sg291136 +g27 +sa(dp329143 +g291134 +S'Ten Cavaliers in a Circle' +p329144 +sg291137 +S'Stefano Della Bella' +p329145 +sg291130 +S'etching on laid paper' +p329146 +sg291132 +S'1652' +p329147 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9c7.jpg' +p329148 +sg291136 +g27 +sa(dp329149 +g291134 +S'A Procession of Sixty Cavaliers and Torch Bearers' +p329150 +sg291137 +S'Stefano Della Bella' +p329151 +sg291130 +S'etching on laid paper' +p329152 +sg291132 +S'1652' +p329153 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000ca/a000ca23.jpg' +p329154 +sg291136 +g27 +sa(dp329155 +g291134 +S'Thirty-Six Jugglers Standing in Pyramids' +p329156 +sg291137 +S'Stefano Della Bella' +p329157 +sg291130 +S'etching on laid paper' +p329158 +sg291132 +S'1652' +p329159 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9be.jpg' +p329160 +sg291136 +g27 +sa(dp329161 +g291134 +S'Pyramids of Jugglers' +p329162 +sg291137 +S'Stefano Della Bella' +p329163 +sg291130 +S'etching on laid paper' +p329164 +sg291132 +S'1652' +p329165 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9bb.jpg' +p329166 +sg291136 +g27 +sa(dp329167 +g291130 +S'etching on chine applique [unique proof]' +p329168 +sg291132 +S'1845' +p329169 +sg291134 +S'The Forest of Fontainebleau' +p329170 +sg291136 +g27 +sg291137 +S'Eug\xc3\xa8ne Bl\xc3\xa9ry' +p329171 +sa(dp329172 +g291134 +S'Early Morning' +p329173 +sg291137 +S'Sigmund Freudenberger' +p329174 +sg291130 +S'pen and black ink with gray wash and graphite with touches of white gouache on laid paper, with border line in black ink drawn by the artist' +p329175 +sg291132 +S'c. 1774' +p329176 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00060/a00060d3.jpg' +p329177 +sg291136 +g27 +sa(dp329178 +g291134 +S'Hans Bol' +p329179 +sg291137 +S'Hendrick Goltzius' +p329180 +sg291130 +S', 1593' +p329181 +sg291132 +S'\n' +p329182 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ce23.jpg' +p329183 +sg291136 +g27 +sa(dp329184 +g291134 +S'Mountain Landscape' +p329185 +sg291137 +S'Artist Information (' +p329186 +sg291130 +S'(artist after)' +p329187 +sg291132 +S'\n' +p329188 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00077/a0007728.jpg' +p329189 +sg291136 +g27 +sa(dp329190 +g291134 +S'Venus Entrusting Cupid to Time' +p329191 +sg291137 +S'Artist Information (' +p329192 +sg291130 +S'(artist after)' +p329193 +sg291132 +S'\n' +p329194 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc46.jpg' +p329195 +sg291136 +g27 +sa(dp329196 +g291130 +S'woodcut on heavy blue-gray laid paper' +p329197 +sg291132 +S'1907' +p329198 +sg291134 +S'Hockender (Crouching Figure)' +p329199 +sg291136 +g27 +sg291137 +S'Erich Heckel' +p329200 +sa(dp329201 +g291134 +S'Hector Posing Nude' +p329202 +sg291137 +S'Ferdinand Hodler' +p329203 +sg291130 +S'graphite, squared, on wove paper' +p329204 +sg291132 +S'1901' +p329205 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006a/a0006a39.jpg' +p329206 +sg291136 +g27 +sa(dp329207 +g291134 +S'Ecce Homo' +p329208 +sg291137 +S'Hans Weiner' +p329209 +sg291130 +S'engraving on laid paper' +p329210 +sg291132 +S'unknown date\n' +p329211 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b2/a000b2d8.jpg' +p329212 +sg291136 +g27 +sa(dp329213 +g291134 +S'Trees at Beddington' +p329214 +sg291137 +S'Robert Hills' +p329215 +sg291130 +S'graphite over watercolor on wove paper' +p329216 +sg291132 +S'possibly c. 1805' +p329217 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on laid paper' +p329263 +sg291132 +S'1801' +p329264 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008ca8.jpg' +p329265 +sg291136 +g27 +sa(dp329266 +g291134 +S'Pierre Corneille' +p329267 +sg291137 +S'Augustin de Saint-Aubin' +p329268 +sg291130 +S'engraving over etching on laid paper' +p329269 +sg291132 +S'1799' +p329270 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008c8c.jpg' +p329271 +sg291136 +g27 +sa(dp329272 +g291134 +S'Thomas Corneille' +p329273 +sg291137 +S'Augustin de Saint-Aubin' +p329274 +sg291130 +S'engraving over etching on laid paper' +p329275 +sg291132 +S'1805' +p329276 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008c8b.jpg' +p329277 +sg291136 +g27 +sa(dp329278 +g291134 +S'Antoinette du Ligier de La Garde Deshoulieres' +p329279 +sg291137 +S'Artist Information (' +p329280 +sg291130 +S'(artist after)' +p329281 +sg291132 +S'\n' +p329282 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008c8e.jpg' +p329283 +sg291136 +g27 +sa(dp329284 +g291134 +S'Jean de 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embossing' +p329421 +sg291132 +S'1984/1986' +p329422 +sg291134 +S'The Sharing of Nameless' +p329423 +sg291136 +g27 +sg291137 +S'Arakawa' +p329424 +sa(dp329425 +g291130 +S'direct gravure in black' +p329426 +sg291132 +S'1986' +p329427 +sg291134 +S'Emily/Fingerprint' +p329428 +sg291136 +g27 +sg291137 +S'Chuck Close' +p329429 +sa(dp329430 +g291130 +S'direct gravure in black' +p329431 +sg291132 +S'1986' +p329432 +sg291134 +S'Marta/Fingerprint' +p329433 +sg291136 +g27 +sg291137 +S'Chuck Close' +p329434 +sa(dp329435 +g291130 +S'direct gravure in black' +p329436 +sg291132 +S'1986' +p329437 +sg291134 +S'Leslie/Fingerprint' +p329438 +sg291136 +g27 +sg291137 +S'Chuck Close' +p329439 +sa(dp329440 +g291130 +S'direct gravure with silk coll?' +p329441 +sg291132 +S'1986' +p329442 +sg291134 +S'Emily/Fingerprint/Silk Coll\xc3\xa9' +p329443 +sg291136 +g27 +sg291137 +S'Chuck Close' +p329444 +sa(dp329445 +g291130 +S'direct gravure with silk colle' +p329446 +sg291132 +S'1986' +p329447 +sg291134 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power tool drypoint with painted additions' +p329471 +sg291132 +S'1986' +p329472 +sg291134 +S'Hand Painting on the Mandala' +p329473 +sg291136 +g27 +sg291137 +S'Jim Dine' +p329474 +sa(dp329475 +g291130 +S'direct gravure, etching, soft-ground etching, spitbite aquatint, and power tool drypoint' +p329476 +sg291132 +S'1985/1987' +p329477 +sg291134 +S'My Nights in Santa Monica' +p329478 +sg291136 +g27 +sg291137 +S'Jim Dine' +p329479 +sa(dp329480 +g291130 +S'direct gravure, etching, and power tool drypoint' +p329481 +sg291132 +S'1985/1987' +p329482 +sg291134 +S'My Nights in Santa Monica (The Bistre Version)' +p329483 +sg291136 +g27 +sg291137 +S'Jim Dine' +p329484 +sa(dp329485 +g291130 +S'hand-colored direct gravure, spitbite aquatint, and power tool drypoint with painted additions' +p329486 +sg291132 +S'1985/1986' +p329487 +sg291134 +S'Shellac on a Hand' +p329488 +sg291136 +g27 +sg291137 +S'Jim Dine' +p329489 +sa(dp329490 +g291130 +S'direct gravure, etching, spitbite aquatint, and power tool drypoint' +p329491 +sg291132 +S'1986' +p329492 +sg291134 +S'Black and White Blossom' +p329493 +sg291136 +g27 +sg291137 +S'Jim Dine' +p329494 +sa(dp329495 +g291130 +S'color lithograph and etching' +p329496 +sg291132 +S'1986' +p329497 +sg291134 +S'Two Florida Bathrobes' +p329498 +sg291136 +g27 +sg291137 +S'Jim Dine' +p329499 +sa(dp329500 +g291130 +S'soft-ground etching in red-brown on T.H. 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Whatman paper?)' +p329709 +sg291132 +S'1787' +p329710 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0007c/a0007cf1.jpg' +p329711 +sg291136 +g27 +sa(dp329712 +g291134 +S'Saint Paul Preaching' +p329713 +sg291137 +S'Agostino Carracci' +p329714 +sg291130 +S', unknown date' +p329715 +sg291132 +S'\n' +p329716 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00075/a000753a.jpg' +p329717 +sg291136 +g27 +sa(dp329718 +g291134 +S'The Assumption of the Virgin' +p329719 +sg291137 +S'Charles Parrocel' +p329720 +sg291130 +S'red chalk on laid paper; laid down' +p329721 +sg291132 +S'1742' +p329722 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005f/a0005f5a.jpg' +p329723 +sg291136 +g27 +sa(dp329724 +g291134 +S'A Mastiff with a Gold-Tooled Collar' +p329725 +sg291137 +S'Jakob Walther' +p329726 +sg291130 +S'pen and black ink with gray and brown wash, with touches of gold ink, over traces of black chalk on laid paper' +p329727 +sg291132 +S'unknown date\n' +p329728 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00079/a000796a.jpg' +p329729 +sg291136 +g27 +sa(dp329730 +g291134 +S'Alexander Setting Fire to Persepolis' +p329731 +sg291137 +S'Bernhard Rode' +p329732 +sg291130 +S'pen and brown ink with brown wash over graphite on laid paper' +p329733 +sg291132 +S'unknown date\n' +p329734 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00072/a00072d5.jpg' +p329735 +sg291136 +g27 +sa(dp329736 +g291134 +S'Mary Magdalene Praying in the Wilderness' +p329737 +sg291137 +S'Johan Wierix' +p329738 +sg291130 +S'pen and brown ink on vellum; laid down' +p329739 +sg291132 +S'unknown date\n' +p329740 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00071/a00071d5.jpg' +p329741 +sg291136 +g27 +sa(dp329742 +g291134 +S'A Seated Man Holding a Tablet' +p329743 +sg291137 +S'Carlo Maratta' +p329744 +sg291130 +S'red chalk with white heightening on blue laid paper' +p329745 +sg291132 +S'unknown date\n' +p329746 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00074/a00074c0.jpg' +p329747 +sg291136 +g27 +sa(dp329748 +g291134 +S'The Great Hercules' +p329749 +sg291137 +S'Hendrick Goltzius' +p329750 +sg291130 +S', 1589' +p329751 +sg291132 +S'\n' +p329752 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d06f.jpg' +p329753 +sg291136 +g27 +sa(dp329754 +g291134 +S'Gemischt' +p329755 +sg291137 +S'Paul Klee' +p329756 +sg291130 +S'reed pen and black ink over traces of graphite' +p329757 +sg291132 +S'1927' +p329758 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006a/a0006a40.jpg' +p329759 +sg291136 +g27 +sa(dp329760 +g291134 +S'Portrait of a Man' +p329761 +sg291137 +S'Thomas de Keyser' +p329762 +sg291130 +S'black chalk on vellum' +p329763 +sg291132 +S'1657' +p329764 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00070/a0007020.jpg' +p329765 +sg291136 +g27 +sa(dp329766 +g291134 +S'The Swallows' +p329767 +sg291137 +S'F\xc3\xa9lix Bracquemond' +p329768 +sg291130 +S'etching on laid paper printed c. 1900 by David Keppel, under the auspices of the artist' +p329769 +sg291132 +S'c. 1884' +p329770 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00091/a0009145.jpg' +p329771 +sg291136 +g27 +sa(dp329772 +g291134 +S'The Oriental Merchant' +p329773 +sg291137 +S'Thomas Wyck' +p329774 +sg291130 +S'etching on laid paper' +p329775 +sg291132 +S'unknown date\n' +p329776 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d452.jpg' +p329777 +sg291136 +g27 +sa(dp329778 +g291134 +S'Ruined Towers Overlooking the Rhine' +p329779 +sg291137 +S'Karl Bodmer' +p329780 +sg291130 +S'pen and black ink and brush and gray ink with gray wash and graphite on wove paper' +p329781 +sg291132 +S'c. 1835' +p329782 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00031/a0003195.jpg' +p329783 +sg291136 +g27 +sa(dp329784 +g291134 +S"Belshazzar's Feast" +p329785 +sg291137 +S'Artist Information (' +p329786 +sg291130 +S'(artist after)' +p329787 +sg291132 +S'\n' +p329788 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d01e.jpg' +p329789 +sg291136 +g27 +sa(dp329790 +g291134 +S'Still Life with Game Birds' +p329791 +sg291137 +S'Artist Information (' +p329792 +sg291130 +S'(artist after)' +p329793 +sg291132 +S'\n' +p329794 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d6/a000d667.jpg' +p329795 +sg291136 +g27 +sa(dp329796 +g291134 +S'A Bouquet of Flowers with Insects' +p329797 +sg291137 +S'Pierre Joseph Redout\xc3\xa9' +p329798 +sg291130 +S'watercolor with gold on vellum; laid down' +p329799 +sg291132 +S'unknown date\n' +p329800 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00026/a00026df.jpg' +p329801 +sg291136 +g27 +sa(dp329802 +g291130 +S'pastel on laid paper' +p329803 +sg291132 +S'c. 1898' +p329804 +sg291134 +S'Landscape with a Lady in a Striped Dress' +p329805 +sg291136 +g27 +sg291137 +S'Ker Xavier Roussel' +p329806 +sa(dp329807 +g291134 +S'The Attitudes of Lady Hamilton' +p329808 +sg291137 +S'Pietro Antonio Novelli' +p329809 +sg291130 +S'pen and brown ink on laid paper' +p329810 +sg291132 +S'unknown date\n' +p329811 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00062/a00062f2.jpg' +p329812 +sg291136 +g27 +sa(dp329813 +g291134 +S"Bust of a Man Wearing a High Cap, Three-Quarters Right (The Artist's Father?)" +p329814 +sg291137 +S'Rembrandt van Rijn' +p329815 +sg291130 +S'etching on laid paper' +p329816 +sg291132 +S'1630' +p329817 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d3/a000d384.jpg' +p329818 +sg291136 +g27 +sa(dp329819 +g291134 +S'Ancient Triumphal Procession' +p329820 +sg291137 +S'Daniel Lindtmayer' +p329821 +sg291130 +S'pen and black ink with gray wash on laid paper' +p329822 +sg291132 +S'unknown date\n' +p329823 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006a/a0006a09.jpg' +p329824 +sg291136 +g27 +sa(dp329825 +g291134 +S'Portrait of a Man in a Tricorn Hat' +p329826 +sg291137 +S'Georg Friedrich Schmidt' +p329827 +sg291130 +S'red chalk on laid paper; 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View' +p329927 +sg291137 +S'John Coney' +p329928 +sg291130 +S'graphite on heavy wove paper' +p329929 +sg291132 +S'1820' +p329930 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00069/a000696e.jpg' +p329931 +sg291136 +g27 +sa(dp329932 +g291134 +S'Welsh Hovel at Machynllaeth' +p329933 +sg291137 +S'George Cuitt the Younger' +p329934 +sg291130 +S'etching on chine applique' +p329935 +sg291132 +S'1814' +p329936 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0007c/a0007cd3.jpg' +p329937 +sg291136 +g27 +sa(dp329938 +g291134 +S'Children in a Cart' +p329939 +sg291137 +S'Myles Birket Foster' +p329940 +sg291130 +S'watercolor on paperboard' +p329941 +sg291132 +S'unknown date\n' +p329942 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c10.jpg' +p329943 +sg291136 +g27 +sa(dp329944 +g291134 +S'View of Ullswater' +p329945 +sg291137 +S'William Gilpin' +p329946 +sg291130 +S'brush and black ink with gray washes over graphite on laid paper' +p329947 +sg291132 +S'unknown date\n' +p329948 +sg292149 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Rosenwald)' +p330156 +sg291136 +g27 +sg291137 +S'Alfred Bendiner' +p330157 +sa(dp330158 +g291134 +S'River Landscape with a Castle' +p330159 +sg291137 +S'Robert Adam' +p330160 +sg291130 +S'pen and black ink and watercolor over graphite on laid paper' +p330161 +sg291132 +S'1780s' +p330162 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00022/a0002222.jpg' +p330163 +sg291136 +g27 +sa(dp330164 +g291134 +S'Monte Circeo at Sunset' +p330165 +sg291137 +S'John Robert Cozens' +p330166 +sg291130 +S'watercolor on paper; laid down on original presentation mount' +p330167 +sg291132 +S'1780s' +p330168 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00069/a0006955.jpg' +p330169 +sg291136 +g27 +sa(dp330170 +g291134 +S'River Landscape with Ruins' +p330171 +sg291137 +S'William Gilpin' +p330172 +sg291130 +S'pen and black ink with gray wash over graphite on laid paper' +p330173 +sg291132 +S'1770s' +p330174 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00071/a000717c.jpg' +p330175 +sg291136 +g27 +sa(dp330176 +g291134 +S'The Crucifixion' +p330177 +sg291137 +S'Netherlandish 16th Century' +p330178 +sg291130 +S'overall: 29.3 x 20.3 cm (11 9/16 x 8 in.)' +p330179 +sg291132 +S'\npen and brown ink over black chalk on laid paper' +p330180 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00070/a0007081.jpg' +p330181 +sg291136 +g27 +sa(dp330182 +g291130 +S'minton ware ceramic' +p330183 +sg291132 +S'1875' +p330184 +sg291134 +S'Candlestick with Masks and Cupids (copy of "Henri Deux" ware)' +p330185 +sg291136 +g27 +sg291137 +S'Charles Toft' +p330186 +sa(dp330187 +g291134 +S'A Fortified Village along a River' +p330188 +sg291137 +S'Marco Ricci' +p330189 +sg291130 +S'pen and brown ink over traces of graphite; Zanetti mount' +p330190 +sg291132 +S'1720s' +p330191 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00026/a00026f0.jpg' +p330192 +sg291136 +g27 +sa(dp330193 +g291134 +S'Portrait of a Lady Sewing' +p330194 +sg291137 +S'Daniel Nikolaus Chodowiecki' +p330195 +sg291130 +S'watercolor and gouache on laid paper' +p330196 +sg291132 +S'unknown date\n' +p330197 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00065/a00065fc.jpg' +p330198 +sg291136 +g27 +sa(dp330199 +g291134 +S'Hans Felbbier' +p330200 +sg291137 +S'Hendrick Goltzius' +p330201 +sg291130 +S', 1582' +p330202 +sg291132 +S'\n' +p330203 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ce30.jpg' +p330204 +sg291136 +g27 +sa(dp330205 +g291134 +S'Jane Morris' +p330206 +sg291137 +S'Dante Gabriel Rossetti' +p330207 +sg291130 +S'pen and iron gall ink with brown wash on laid paper; laid down on paperboard' +p330208 +sg291132 +S'1870' +p330209 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005a/a0005ab3.jpg' +p330210 +sg291136 +g27 +sa(dp330211 +g291134 +S'Emperor Claudius, 10 B.C.-54 A.D., Emperor 41-54 [obverse]' +p330212 +sg291137 +S'Varrone Belferdino' +p330213 +sg291130 +S'bronze' +p330214 +sg291132 +S'c. 1440s/1450s' +p330215 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00067/a00067e7.jpg' +p330216 +sg291136 +g27 +sa(dp330217 +g291134 +S'Claudius, Attended by Minerva and Liberalitas, Distributing Largesse [obverse]' +p330218 +sg291137 +S'Varrone Belferdino' +p330219 +sg291130 +S'bronze' +p330220 +sg291132 +S'c. 1440s/1450s' +p330221 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00067/a00067e5.jpg' +p330222 +sg291136 +g27 +sa(dp330223 +g291134 +S"Lorenzo de' Medici, il Magnifico, 1449-1492 (The Pazzi Conspiracy Medal) [obverse]" +p330224 +sg291137 +S'Bertoldo di Giovanni' +p330225 +sg291130 +S'bronze' +p330226 +sg291132 +S'1478' +p330227 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c6/a000c6a9.jpg' +p330228 +sg291136 +g27 +sa(dp330229 +g291130 +S'bronze' +p330230 +sg291132 +S'1478' +p330231 +sg291134 +S"The Murder of Giuliano I de' Medici (The Pazzi Consiracy Medal) [reverse]" +p330232 +sg291136 +g27 +sg291137 +S'Bertoldo di Giovanni' +p330233 +sa(dp330234 +g291134 +S'Marcantonio Flaminio, 1498-1550, poet [obverse]' +p330235 +sg291137 +S'Giulio della Torre' +p330236 +sg291130 +S'bronze' +p330237 +sg291132 +S'1520s' +p330238 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00062/a00062ce.jpg' +p330239 +sg291136 +g27 +sa(dp330240 +g291134 +S'The Muse Calliope [reverse]' +p330241 +sg291137 +S'Giulio della Torre' +p330242 +sg291130 +S'bronze' +p330243 +sg291132 +S'1520s' +p330244 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00062/a00062cf.jpg' +p330245 +sg291136 +g27 +sa(dp330246 +g291130 +S'bronze' +p330247 +sg291132 +S'1481' +p330248 +sg291134 +S'Alfonso II of Aragon, 1448-1495, Duke of Calabria 1458, afterwards King of Naples 1494-1495 [obverse]' +p330249 +sg291136 +g27 +sg291137 +S'Andrea Guacialoti' +p330250 +sa(dp330251 +g291130 +S'bronze' +p330252 +sg291132 +S'1481' +p330253 +sg291134 +S"Alfonso's Triumphal Entry into Naples [reverse]" +p330254 +sg291136 +g27 +sg291137 +S'Andrea Guacialoti' +p330255 +sa(dp330256 +g291130 +S'Italian, 1467 - 1528' +p330257 +sg291132 +S'(artist)' +p330258 +sg291134 +S'F. Francina, lived late fifteenth century [obverse]' +p330259 +sg291136 +g27 +sg291137 +S'Artist Information (' +p330260 +sa(dp330261 +g291130 +S'(artist)' +p330262 +sg291132 +S'\n' +p330263 +sg291134 +S'Phoenix on a Burning Pyre [reverse]' +p330264 +sg291136 +g27 +sg291137 +S'Artist Information (' +p330265 +sa(dp330266 +g291130 +S'bronze' +p330267 +sg291132 +S'1555' +p330268 +sg291134 +S'Mary Tudor, 1516-1558, Queen of England 1552 [obverse]' +p330269 +sg291136 +g27 +sg291137 +S'Jacopo Nizzola da Trezzo' +p330270 +sa(dp330271 +g291130 +S'bronze' +p330272 +sg291132 +S'1555' +p330273 +sg291134 +S'Mary as Peace Setting Fire to Arms [reverse]' +p330274 +sg291136 +g27 +sg291137 +S'Jacopo Nizzola da Trezzo' +p330275 +sa(dp330276 +g291134 +S'Bacchus' +p330277 +sg291137 +S'Hendrick Goltzius' +p330278 +sg291130 +S', c. 1595' +p330279 +sg291132 +S'\n' +p330280 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ce3d.jpg' +p330281 +sg291136 +g27 +sa(dp330282 +g291134 +S'Hesbeen' +p330283 +sg291137 +S'Roelant Roghman' +p330284 +sg291130 +S'etching on laid paper' +p330285 +sg291132 +S'unknown date\n' +p330286 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d3/a000d3ac.jpg' +p330287 +sg291136 +g27 +sa(dp330288 +g291134 +S'Allegory on the Death of the Dauphin' +p330289 +sg291137 +S'Artist Information (' +p330290 +sg291130 +S'(artist after)' +p330291 +sg291132 +S'\n' +p330292 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e6a.jpg' +p330293 +sg291136 +g27 +sa(dp330294 +g291134 +S'An der Haidnaab' +p330295 +sg291137 +S'Max Joseph Wagenbauer' +p330296 +sg291130 +S'lithograph on wove paper' +p330297 +sg291132 +S'1806' +p330298 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b3e1.jpg' +p330299 +sg291136 +g27 +sa(dp330300 +g291134 +S'Waldstrom bey Teissnach' +p330301 +sg291137 +S'Max Joseph Wagenbauer' +p330302 +sg291130 +S'lithograph on wove paper' +p330303 +sg291132 +S'c. 1810' +p330304 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b3e2.jpg' +p330305 +sg291136 +g27 +sa(dp330306 +g291134 +S'Altarpiece of the Madonna and Child with Saints, in Its Architectural Setting' +p330307 +sg291137 +S'Perino del Vaga' +p330308 +sg291130 +S'pen and brown ink on laid paper' +p330309 +sg291132 +S'1528/1537' +p330310 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00075/a0007514.jpg' +p330311 +sg291136 +g27 +sa(dp330312 +g291134 +S'Title Page' +p330313 +sg291137 +S'Artist Information (' +p330314 +sg291130 +S'(artist after)' +p330315 +sg291132 +S'\n' +p330316 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008cdb.jpg' +p330317 +sg291136 +g27 +sa(dp330318 +g291134 +S'Figure Studies including Woman with a Kettle' +p330319 +sg291137 +S'Artist Information (' +p330320 +sg291130 +S'(artist after)' +p330321 +sg291132 +S'\n' +p330322 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008ce1.jpg' +p330323 +sg291136 +g27 +sa(dp330324 +g291134 +S'Figure Studies including Two Seated Peasants' +p330325 +sg291137 +S'Artist Information (' +p330326 +sg291130 +S'(artist after)' +p330327 +sg291132 +S'\n' +p330328 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008cde.jpg' +p330329 +sg291136 +g27 +sa(dp330330 +g291134 +S'Figures in a Landscape' +p330331 +sg291137 +S'Artist Information (' +p330332 +sg291130 +S'(artist after)' +p330333 +sg291132 +S'\n' +p330334 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008cdc.jpg' +p330335 +sg291136 +g27 +sa(dp330336 +g291134 +S'Figure Studies including Reclining Boy' +p330337 +sg291137 +S'Artist Information (' +p330338 +sg291130 +S'(artist after)' +p330339 +sg291132 +S'\n' +p330340 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000ff/a000ffaa.jpg' +p330341 +sg291136 +g27 +sa(dp330342 +g291134 +S'Seated Mother and Child, Two Standing Peasants' +p330343 +sg291137 +S'Artist Information (' +p330344 +sg291130 +S'(artist after)' +p330345 +sg291132 +S'\n' +p330346 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008cdf.jpg' +p330347 +sg291136 +g27 +sa(dp330348 +g291134 +S'Figure Studies including Standing Boy Holding a Pitcher' +p330349 +sg291137 +S'Artist Information (' +p330350 +sg291130 +S'(artist after)' +p330351 +sg291132 +S'\n' +p330352 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008ce0.jpg' +p330353 +sg291136 +g27 +sa(dp330354 +g291134 +S'Seated Shepherd Boys' +p330355 +sg291137 +S'Artist Information (' +p330356 +sg291130 +S'(artist after)' +p330357 +sg291132 +S'\n' +p330358 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008ce2.jpg' +p330359 +sg291136 +g27 +sa(dp330360 +g291134 +S'Figure Studies including Bearded Face of an Old Man' +p330361 +sg291137 +S'Artist Information (' +p330362 +sg291130 +S'(artist after)' +p330363 +sg291132 +S'\n' +p330364 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008cda.jpg' +p330365 +sg291136 +g27 +sa(dp330366 +g291134 +S'Seated Woman with Peasant Boy Holding a Basket' +p330367 +sg291137 +S'Artist Information (' +p330368 +sg291130 +S'(artist after)' +p330369 +sg291132 +S'\n' +p330370 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008ce4.jpg' +p330371 +sg291136 +g27 +sa(dp330372 +g291134 +S'Figure Studies including Seated Mother and Child' +p330373 +sg291137 +S'Artist Information (' +p330374 +sg291130 +S'(artist after)' +p330375 +sg291132 +S'\n' +p330376 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008ce3.jpg' +p330377 +sg291136 +g27 +sa(dp330378 +g291134 +S'Reclining Shepherd Boys' +p330379 +sg291137 +S'Artist Information (' +p330380 +sg291130 +S'(artist after)' +p330381 +sg291132 +S'\n' +p330382 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008cdd.jpg' +p330383 +sg291136 +g27 +sa(dp330384 +g291130 +S'color aquatint on wove paper' +p330385 +sg291132 +S'1980' +p330386 +sg291134 +S'Still-Life' +p330387 +sg291136 +g27 +sg291137 +S'Annapia Antonini' +p330388 +sa(dp330389 +g291134 +S'Sketch of Boats near a Cliff' +p330390 +sg291137 +S'British 19th Century' +p330391 +sg291130 +S'overall: 23 x 32.1 cm (9 1/16 x 12 5/8 in.)' +p330392 +sg291132 +S'\npen and black ink and brush and gray wash with white gouache over graphite' +p330393 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c5a.jpg' +p330394 +sg291136 +g27 +sa(dp330395 +g291134 +S'Spread Thy Wings and Away!' +p330396 +sg291137 +S'Albert Newsam' +p330397 +sg291130 +S'lithograph on wove paper' +p330398 +sg291132 +S'unknown date\n' +p330399 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fae8.jpg' +p330400 +sg291136 +g27 +sa(dp330401 +g291134 +S'Crucifixion' +p330402 +sg291137 +S'Mexican 18th Century' +p330403 +sg291130 +S'plate: 17.4 x 12 cm (6 7/8 x 4 3/4 in.)\r\nsheet: 21.3 x 15.5 cm (8 3/8 x 6 1/8 in.)' +p330404 +sg291132 +S'\nengraving in green printed on 20th cent.(?) imitation laid paper [restrike]' +p330405 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000dd/a000ddf9.jpg' +p330406 +sg291136 +g27 +sa(dp330407 +g291130 +S'wood engraving on laid paper' +p330408 +sg291132 +S'unknown date\n' +p330409 +sg291134 +S'Man in Patterned Robe, Wearing Turban' +p330410 +sg291136 +g27 +sg291137 +S'Russian 20th Century' +p330411 +sa(dp330412 +g291130 +S'woodcut on laid paper' +p330413 +sg291132 +S'unknown date\n' +p330414 +sg291134 +S'Two Children Playing Instruments' +p330415 +sg291136 +g27 +sg291137 +S'Russian 20th Century' +p330416 +sa(dp330417 +g291134 +S'Rape of the Sabine Women' +p330418 +sg291137 +S'Artist Information (' +p330419 +sg291130 +S'(artist after)' +p330420 +sg291132 +S'\n' +p330421 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d6/a000d638.jpg' +p330422 +sg291136 +g27 +sa(dp330423 +g291130 +S'etching on wove paper' +p330424 +sg291132 +S'probably 1974' +p330425 +sg291134 +S'Abstraction' +p330426 +sg291136 +g27 +sg291137 +S'Lenz Klotz' +p330427 +sa(dp330428 +g291130 +S'screenprint in blue, green, and pink on wove paper' +p330429 +sg291132 +S'1975' +p330430 +sg291134 +S'Abstraction' +p330431 +sg291136 +g27 +sg291137 +S'Bridget Riley' +p330432 +sa(dp330433 +g291134 +S"Gezicht van't Koningsplein naar de Reguliers of Munts-Tooren, Te Amsterdam" +p330434 +sg291137 +S'Artist Information (' +p330435 +sg291130 +S'(artist after)' +p330436 +sg291132 +S'\n' +p330437 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d6/a000d68e.jpg' +p330438 +sg291136 +g27 +sa(dp330439 +g291130 +S'color etching on wove paper' +p330440 +sg291132 +S'1970' +p330441 +sg291134 +S'Meandering' +p330442 +sg291136 +g27 +sg291137 +S'Albert Edgar Yersin' +p330443 +sa(dp330444 +g291130 +S'lithograph on wove paper' +p330445 +sg291132 +S'1974' +p330446 +sg291134 +S'Still-Life with Reproductions' +p330447 +sg291136 +g27 +sg291137 +S'Catherine E. Murphy' +p330448 +sa(dp330449 +g291130 +S'lithograph in brown and green on wove paper' +p330450 +sg291132 +S'probably 1975' +p330451 +sg291134 +S"L'aube" +p330452 +sg291136 +g27 +sg291137 +S'Andr\xc3\xa9 Beaudin' +p330453 +sa(dp330454 +g291130 +S'etching and aquatint on wove paper' +p330455 +sg291132 +S'1974' +p330456 +sg291134 +S'Still-Life' +p330457 +sg291136 +g27 +sg291137 +S'Friedrich Meckseper' +p330458 +sa(dp330459 +g291134 +S'The Daughters of Minyas' +p330460 +sg291137 +S'Jean Lepautre' +p330461 +sg291130 +S'etching and engraving on laid paper' +p330462 +sg291132 +S'published 1676' +p330463 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00089/a00089df.jpg' +p330464 +sg291136 +g27 +sa(dp330465 +g291134 +S'Minerva Changing Arachne into a Spider' +p330466 +sg291137 +S'Jean Lepautre' +p330467 +sg291130 +S'etching and engraving on laid paper' +p330468 +sg291132 +S'published 1676' +p330469 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00089/a00089e0.jpg' +p330470 +sg291136 +g27 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The zip was a\n compositional fulcrum, a source of movement, division, and measurement, as well as a carrier of\n often metaphysical meaning.\n Achilles\n It was not unusual for Newman to use titles from the Bible or Greek mythology. 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Information (' +p333013 +sa(dp333014 +g291130 +g27 +sg291132 +S'(publisher)' +p333015 +sg291134 +S'Sketch 2' +p333016 +sg291136 +g27 +sg291137 +S'Artist Information (' +p333017 +sa(dp333018 +g291130 +g27 +sg291132 +S'(publisher)' +p333019 +sg291134 +S'Sketch 3' +p333020 +sg291136 +g27 +sg291137 +S'Artist Information (' +p333021 +sa(dp333022 +g291130 +g27 +sg291132 +S'(publisher)' +p333023 +sg291134 +S'Sketch 4' +p333024 +sg291136 +g27 +sg291137 +S'Artist Information (' +p333025 +sa(dp333026 +g291130 +g27 +sg291132 +S'(publisher)' +p333027 +sg291134 +S'Sketch 5' +p333028 +sg291136 +g27 +sg291137 +S'Artist Information (' +p333029 +sa(dp333030 +g291130 +g27 +sg291132 +S'(publisher)' +p333031 +sg291134 +S'Sketch 6' +p333032 +sg291136 +g27 +sg291137 +S'Artist Information (' +p333033 +sa(dp333034 +g291130 +g27 +sg291132 +S'(publisher)' +p333035 +sg291134 +S'Sketch 7' +p333036 +sg291136 +g27 +sg291137 +S'Artist Information (' +p333037 +sa(dp333038 +g291130 +g27 +sg291132 +S'(publisher)' +p333039 +sg291134 +S'Goslar' +p333040 +sg291136 +g27 +sg291137 +S'Artist Information (' +p333041 +sa(dp333042 +g291130 +g27 +sg291132 +S'(publisher)' +p333043 +sg291134 +S'Back to Black' +p333044 +sg291136 +g27 +sg291137 +S'Artist Information (' +p333045 +sa(dp333046 +g291130 +g27 +sg291132 +S'(publisher)' +p333047 +sg291134 +S'Malcolm X' +p333048 +sg291136 +g27 +sg291137 +S'Artist Information (' +p333049 +sa(dp333050 +g291130 +g27 +sg291132 +S'(publisher)' +p333051 +sg291134 +S'The Moral Majority Sucks' +p333052 +sg291136 +g27 +sg291137 +S'Artist Information (' +p333053 +sa(dp333054 +g291130 +g27 +sg291132 +S'(publisher)' +p333055 +sg291134 +S'Bad Water' +p333056 +sg291136 +g27 +sg291137 +S'Artist Information (' +p333057 +sa(dp333058 +g291130 +g27 +sg291132 +S'(publisher)' +p333059 +sg291134 +S'Out the Window at the Square Diner' +p333060 +sg291136 +g27 +sg291137 +S'Artist Information (' +p333061 +sa(dp333062 +g291130 +g27 +sg291132 +S'(publisher)' +p333063 +sg291134 +S'Paradise of Ash [ (left half of 2-panel print, see right half 1988.]' +p333064 +sg291136 +g27 +sg291137 +S'Artist Information (' +p333065 +sa(dp333066 +g291130 +g27 +sg291132 +S'(publisher)' +p333067 +sg291134 +S'Paradise of Ash [ (right half of 2-panel print, see left half 1988.]' +p333068 +sg291136 +g27 +sg291137 +S'Artist Information (' +p333069 +sa(dp333070 +g291134 +S'Three Feminine Heads' +p333071 +sg291137 +S'Parmigianino' +p333072 +sg291130 +S'red chalk on laid paper; laid down' +p333073 +sg291132 +S'c. 1522/1524' +p333074 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00055/a0005569.jpg' +p333075 +sg291136 +g27 +sa(dp333076 +g291134 +S'Ariadne' +p333077 +sg291137 +S'Sir Edward Coley Burne-Jones' +p333078 +sg291130 +S'watercolor and gouache over graphite on smooth wove paper' +p333079 +sg291132 +S'1863/1864' +p333080 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00031/a000319e.jpg' +p333081 +sg291136 +g27 +sa(dp333082 +g291134 +S'Hunting in the Pontine Marshes' +p333083 +sg291137 +S'Horace Vernet' +p333084 +sg291130 +S'oil on canvas' +p333085 +sg291132 +S'1833' +p333086 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d9c.jpg' +p333087 +sg291136 +S'Though less well-known than other painters on this tour, Horace Vernet was regarded by many in his day as one of the greatest French artists of all time. Horace\'s forthright and accurate reporting of facts was already being disparaged by some romantic critics before his death -- and more recently he has been compared to Norman Rockwell. Increasingly, however, his naturalism is appreciated as foreshadowing the work of realists like Courbet.\n This painting was made in Italy after Vernet had been appointed director of the French Academy in Rome. Following the July Revolution of 1830, which installed "Citizen King" Louis Philippe, Vernet found himself the most senior French official in the city -- an uncomfortable post, given the antipathy of the pope and Italian public toward a more liberal French monarchy. It was often advantageous to be out of town, and the painter\'s love of hunting offered frequent opportunities.\n Here, tiny figures are overshadowed by the wild landscape -- an ancient wooded marsh some forty kilometers from Rome. Vernet described it as a majestic place, where the presence of man did not interrupt the order of nature.\n ' +p333088 +sa(dp333089 +g291134 +S'Penelope and Her Maids Weaving' +p333090 +sg291137 +S'Artist Information (' +p333091 +sg291130 +S'(artist after)' +p333092 +sg291132 +S'\n' +p333093 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000ad/a000adc1.jpg' +p333094 +sg291136 +g27 +sa(dp333095 +g291134 +S'The Divertissement from Voltaire\'s "La princesse de Navarre"' +p333096 +sg291137 +S'Gabriel de Saint-Aubin' +p333097 +sg291130 +S', 1745' +p333098 +sg291132 +S'\n' +p333099 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00027/a00027a7.jpg' +p333100 +sg291136 +g27 +sa(dp333101 +g291134 +S'Architectural Fantasies with Temples and Pyramids' +p333102 +sg291137 +S'Filippo Juvarra' +p333103 +sg291130 +S'pen and iron gall ink with blue and brown wash on laid paper' +p333104 +sg291132 +S'1704' +p333105 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00034/a0003426.jpg' +p333106 +sg291136 +g27 +sa(dp333107 +g291134 +S'Classical Figures Gathered around an Urn' +p333108 +sg291137 +S'Giovanni Battista Tiepolo' +p333109 +sg291130 +S'pen and brown ink on laid paper; black chalk sketches of mostly architecture on verso' +p333110 +sg291132 +S'1724/1729' +p333111 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00074/a000743d.jpg' +p333112 +sg291136 +g27 +sa(dp333113 +g291134 +S'Mountain Heights, Cader Idris' +p333114 +sg291137 +S'David Cox' +p333115 +sg291130 +S'watercolor over chalk on oatmeal paper; laid down' +p333116 +sg291132 +S'c. 1850' +p333117 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005e/a0005ecb.jpg' +p333118 +sg291136 +g27 +sa(dp333119 +g291134 +S"Moses Delivering God's Commandments to the Israelites" +p333120 +sg291137 +S'Jan Swart van Groningen' +p333121 +sg291130 +S'pen and black ink and brown wash on laid paper' +p333122 +sg291132 +S'unknown date\n' +p333123 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00072/a00072d0.jpg' +p333124 +sg291136 +g27 +sa(dp333125 +g291134 +S'Machine tournez vite (Machine Turn Quickly)' +p333126 +sg291137 +S'Francis Picabia' +p333127 +sg291130 +S'brush and ink with watercolor and shell gold on paper; laid down on canvas' +p333128 +sg291132 +S'1916/1918' +p333129 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00021/a0002182.jpg' +p333130 +sg291136 +g27 +sa(dp333131 +g291134 +S'Subway Portrait' +p333132 +sg291137 +S'Walker Evans' +p333133 +sg291130 +S'gelatin silver print' +p333134 +sg291132 +S'1938-1941' +p333135 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00064/a000649e.jpg' +p333136 +sg291136 +g27 +sa(dp333137 +g291134 +S'Subway Portrait' +p333138 +sg291137 +S'Walker Evans' +p333139 +sg291130 +S'gelatin silver print' +p333140 +sg291132 +S'1938-1941' +p333141 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005a/a0005a59.jpg' +p333142 +sg291136 +g27 +sa(dp333143 +g291134 +S'Subway Portrait' +p333144 +sg291137 +S'Walker Evans' +p333145 +sg291130 +S'gelatin silver print' +p333146 +sg291132 +S'1938-1941' +p333147 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00064/a000649f.jpg' +p333148 +sg291136 +g27 +sa(dp333149 +g291134 +S'Subway Portrait' +p333150 +sg291137 +S'Walker Evans' +p333151 +sg291130 +S'gelatin silver print' +p333152 +sg291132 +S'1938-1941' +p333153 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00064/a00064a4.jpg' +p333154 +sg291136 +g27 +sa(dp333155 +g291134 +S'Subway Portrait' +p333156 +sg291137 +S'Walker Evans' +p333157 +sg291130 +S'gelatin silver print' +p333158 +sg291132 +S'1938-1941' +p333159 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00064/a00064a0.jpg' +p333160 +sg291136 +g27 +sa(dp333161 +g291134 +S'Subway Portrait' +p333162 +sg291137 +S'Walker Evans' +p333163 +sg291130 +S'gelatin silver print' +p333164 +sg291132 +S'1938-1941' +p333165 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00064/a00064ac.jpg' +p333166 +sg291136 +g27 +sa(dp333167 +g291134 +S'Subway Portrait' +p333168 +sg291137 +S'Walker Evans' +p333169 +sg291130 +S'gelatin silver print' +p333170 +sg291132 +S'1938-1941' +p333171 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00064/a00064ad.jpg' +p333172 +sg291136 +g27 +sa(dp333173 +g291134 +S'Subway Portrait' +p333174 +sg291137 +S'Walker Evans' +p333175 +sg291130 +S'gelatin silver print' +p333176 +sg291132 +S'1938' +p333177 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00064/a00064ae.jpg' +p333178 +sg291136 +g27 +sa(dp333179 +g291134 +S'The Expulsion of Adam and Eve from Paradise' +p333180 +sg291137 +S'Benjamin West' +p333181 +sg291130 +S'oil on canvas' +p333182 +sg291132 +S'1791' +p333183 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00008/a0000882.jpg' +p333184 +sg291136 +S"By 1779, Benjamin West had conceived his life's "great work," intending to rebuild the Royal Chapel at Windsor Castle as a shrine to Revealed Religion. After sponsoring the elaborate scheme for two decades, George III abruptly canceled it in 1801. Though the overall project was abandoned, many individual paintings, including this nine–foot–long \n The Book of Genesis does not state how the first man and woman were expelled from Eden, but artists usually portray the Archangel Michael as the agent of the Lord's wrath. The sinners wear fur robes because God clothed them in "coats of skins" so that they could stand unashamed in his presence. The serpent, now cursed among creatures, slithers away on its belly to eat dust. The sharp beam of light overhead refers to the "flaming sword" in Genesis.\n West's \n " +p333185 +sa(dp333186 +g291134 +S'Natural Arch at Capri' +p333187 +sg291137 +S'William Stanley Haseltine' +p333188 +sg291130 +S'oil on canvas' +p333189 +sg291132 +S'1871' +p333190 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00000/a00000e3.jpg' +p333191 +sg291136 +g27 +sa(dp333192 +g291134 +S'Amnon and Tamar' +p333193 +sg291137 +S'Guercino' +p333194 +sg291130 +S', 1649' +p333195 +sg291132 +S'\n' +p333196 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00074/a00074b5.jpg' +p333197 +sg291136 +g27 +sa(dp333198 +g291130 +S'(artist)' +p333199 +sg291132 +S'\n' +p333200 +sg291134 +S'Camera ed Inscrizioni Sepulcrali' +p333201 +sg291136 +g27 +sg291137 +S'Artist Information (' +p333202 +sa(dp333203 +g291130 +S'(artist after)' +p333204 +sg291132 +S'\n' +p333205 +sg291134 +S'Palmi Romani' +p333206 +sg291136 +g27 +sg291137 +S'Artist Information (' +p333207 +sa(dp333208 +g291130 +S'(artist after)' +p333209 +sg291132 +S'\n' +p333210 +sg291134 +S'Palmi Romani' +p333211 +sg291136 +g27 +sg291137 +S'Artist Information (' +p333212 +sa(dp333213 +g291130 +S'(artist after)' +p333214 +sg291132 +S'\n' +p333215 +sg291134 +S'Palmi Romani' +p333216 +sg291136 +g27 +sg291137 +S'Artist Information (' +p333217 +sa(dp333218 +g291130 +S'charcoal, chalk, and brushed washes with scratching out on wove paper' +p333219 +sg291132 +S'unknown date\n' +p333220 +sg291134 +S'A Woodland River with a Fisherman' +p333221 +sg291136 +g27 +sg291137 +S'Adolphe Appian' +p333222 +sa(dp333223 +g291134 +S'The Blind Hurdy Gurdy Player' +p333224 +sg291137 +S'Jacques de Bellange' +p333225 +sg291130 +S', unknown date' +p333226 +sg291132 +S'\n' +p333227 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008a/a0008a4b.jpg' +p333228 +sg291136 +g27 +sa(dp333229 +g291134 +S'Saint Jerome' +p333230 +sg291137 +S"Jacopo de' Barbari" +p333231 +sg291130 +S'engraving on laid paper' +p333232 +sg291132 +S'c. 1501/1504' +p333233 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c797.jpg' +p333234 +sg291136 +g27 +sa(dp333235 +g291134 +S'The Holy Family with Saint Elizabeth and Saint John the Baptist' +p333236 +sg291137 +S'Hendrick Goltzius' +p333237 +sg291130 +S', 1595' +p333238 +sg291132 +S'\n' +p333239 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00033/a00033e1.jpg' +p333240 +sg291136 +g27 +sa(dp333241 +g291130 +S'sketchbook with 23 pen and ink drawings and one graphite sketch' +p333242 +sg291132 +S'1885/1887' +p333243 +sg291134 +S'Burnand Sketchbook' +p333244 +sg291136 +g27 +sg291137 +S'Eug\xc3\xa8ne Burnand' +p333245 +sa(dp333246 +g291130 +S'pen and brown ink over graphite on wove paper' +p333247 +sg291132 +S'1885' +p333248 +sg291134 +S'Sepey' +p333249 +sg291136 +g27 +sg291137 +S'Eug\xc3\xa8ne Burnand' +p333250 +sa(dp333251 +g291130 +S'pen and brown ink over graphite on wove paper' +p333252 +sg291132 +S'probably 1885' +p333253 +sg291134 +S'Untitled (Cottage)' +p333254 +sg291136 +g27 +sg291137 +S'Eug\xc3\xa8ne Burnand' +p333255 +sa(dp333256 +g291130 +S'pen and brown ink on wove paper' +p333257 +sg291132 +S'1885' +p333258 +sg291134 +S'Voulez-vous me faire aller? (Will You Give Me a Push?)' +p333259 +sg291136 +g27 +sg291137 +S'Eug\xc3\xa8ne Burnand' +p333260 +sa(dp333261 +g291130 +S'pen and brown ink over graphite on wove paper' +p333262 +sg291132 +S'1885' +p333263 +sg291134 +S'Arrangements du Grand-pre (Ways to Grand-pre)' +p333264 +sg291136 +g27 +sg291137 +S'Eug\xc3\xa8ne Burnand' +p333265 +sa(dp333266 +g291130 +S'pen and brown ink over graphite on wove paper' +p333267 +sg291132 +S'1885' +p333268 +sg291134 +S'Retour de Surpierre (Return from Surpierre)' +p333269 +sg291136 +g27 +sg291137 +S'Eug\xc3\xa8ne Burnand' +p333270 +sa(dp333271 +g291130 +S'pen and brown ink over graphite on wove paper' +p333272 +sg291132 +S'1885' +p333273 +sg291134 +S"L'arrivee du Modele (premier acte) (The Arrival of the Model, Act I)" +p333274 +sg291136 +g27 +sg291137 +S'Eug\xc3\xa8ne Burnand' +p333275 +sa(dp333276 +g291130 +S'pen and brown ink over graphite on wove paper' +p333277 +sg291132 +S'1885' +p333278 +sg291134 +S"L'arrivee du modele (second acte) (The Arrival of the Model, Act II)" +p333279 +sg291136 +g27 +sg291137 +S'Eug\xc3\xa8ne Burnand' +p333280 +sa(dp333281 +g291130 +S'pen and brown ink over graphite on wove paper' +p333282 +sg291132 +S'1885' +p333283 +sg291134 +S'La Seance (The Sitting)' +p333284 +sg291136 +g27 +sg291137 +S'Eug\xc3\xa8ne Burnand' +p333285 +sa(dp333286 +g291130 +S'pen and brown ink over graphite on wove paper' +p333287 +sg291132 +S'1885' +p333288 +sg291134 +S'Untitled (The Artist at Work)' +p333289 +sg291136 +g27 +sg291137 +S'Eug\xc3\xa8ne Burnand' +p333290 +sa(dp333291 +g291130 +S'pen and brown ink over graphite on wove paper' +p333292 +sg291132 +S'1885' +p333293 +sg291134 +S'Apres le Travail (After Work)' +p333294 +sg291136 +g27 +sg291137 +S'Eug\xc3\xa8ne Burnand' +p333295 +sa(dp333296 +g291130 +S'pen and brown ink over graphite on wove paper' +p333297 +sg291132 +S'probably 1885' +p333298 +sg291134 +S'Untitled (Mr. de Cocs... and the Duc de B...)' +p333299 +sg291136 +g27 +sg291137 +S'Eug\xc3\xa8ne Burnand' +p333300 +sa(dp333301 +g291130 +S'pen and brown ink over graphite on wove paper' +p333302 +sg291132 +S'1885' +p333303 +sg291134 +S'Retour du Grand-pre (Return from Grand-pre)' +p333304 +sg291136 +g27 +sg291137 +S'Eug\xc3\xa8ne Burnand' +p333305 +sa(dp333306 +g291130 +S'pen and brown ink over graphite on wove paper' +p333307 +sg291132 +S'probably 1885' +p333308 +sg291134 +S'A present les petits la-bas, un peu dranguiles! (The Little Ones Over There for Now, a Little Quiet!' +p333309 +sg291136 +g27 +sg291137 +S'Eug\xc3\xa8ne Burnand' +p333310 +sa(dp333311 +g291130 +S'pen and brown ink over graphite on wove paper' +p333312 +sg291132 +S'probably 1885' +p333313 +sg291134 +S'Untitled (Packing Up)' +p333314 +sg291136 +g27 +sg291137 +S'Eug\xc3\xa8ne Burnand' +p333315 +sa(dp333316 +g291130 +S'pen and brown ink over graphite on wove paper' +p333317 +sg291132 +S'probably 1885' +p333318 +sg291134 +S"Le lit de mes neveux, Songe d'une nuit d'ete (My Nephews' Bed, Dream of a Summer Night)" +p333319 +sg291136 +g27 +sg291137 +S'Eug\xc3\xa8ne Burnand' +p333320 +sa(dp333321 +g291130 +S'graphite on wove paper' +p333322 +sg291132 +S'1885/1887' +p333323 +sg291134 +S'Untitled (Man with Child)' +p333324 +sg291136 +g27 +sg291137 +S'Eug\xc3\xa8ne Burnand' +p333325 +sa(dp333326 +g291130 +S'pen and brown ink over graphite on wove paper' +p333327 +sg291132 +S'probably 1885' +p333328 +sg291134 +S'Souvenir du Jura (Memories of the Jura)' +p333329 +sg291136 +g27 +sg291137 +S'Eug\xc3\xa8ne Burnand' +p333330 +sa(dp333331 +g291130 +S'pen and brown ink over graphite on wove paper' +p333332 +sg291132 +S'1885' +p333333 +sg291134 +S'Depart de la Grande Tour (Departure on the Grand Tour)' +p333334 +sg291136 +g27 +sg291137 +S'Eug\xc3\xa8ne Burnand' +p333335 +sa(dp333336 +g291130 +S'pen and brown ink over graphite on wove paper' +p333337 +sg291132 +S'1887' +p333338 +sg291134 +S"Attends, Franz, je vais te boquer! (Just Wait, Franz, I'm Going to Bonk You!)" +p333339 +sg291136 +g27 +sg291137 +S'Eug\xc3\xa8ne Burnand' +p333340 +sa(dp333341 +g291130 +S'pen and black ink over graphite on wove paper' +p333342 +sg291132 +S'1887' +p333343 +sg291134 +S'Untitled (The Troop Departs)' +p333344 +sg291136 +g27 +sg291137 +S'Eug\xc3\xa8ne Burnand' +p333345 +sa(dp333346 +g291130 +S'pen and black ink with gray wash over graphite on wove paper' +p333347 +sg291132 +S'1887' +p333348 +sg291134 +S"L'Atelier de Sepey, la jour du bapteme de Marcel (The Studio at Sepey on the Day of Marcel's Baptism)" +p333349 +sg291136 +g27 +sg291137 +S'Eug\xc3\xa8ne Burnand' +p333350 +sa(dp333351 +g291130 +S'pen and black ink over graphite on wove paper' +p333352 +sg291132 +S'probably 1887' +p333353 +sg291134 +S"En collaboration - la recherche d'un ton (In Collaboration, the Search for a Tone)" +p333354 +sg291136 +g27 +sg291137 +S'Eug\xc3\xa8ne Burnand' +p333355 +sa(dp333356 +g291130 +S'pen and black ink over graphite on wove paper' +p333357 +sg291132 +S'probably 1887' +p333358 +sg291134 +S'Untitled (Horses in Tow)' +p333359 +sg291136 +g27 +sg291137 +S'Eug\xc3\xa8ne Burnand' +p333360 +sa(dp333361 +g291130 +S'pen and black ink over graphite with blue tracing on wove paper' +p333362 +sg291132 +S'probably 1887' +p333363 +sg291134 +S'Untitled (Man Seated, Waiting to be Served)' +p333364 +sg291136 +g27 +sg291137 +S'Eug\xc3\xa8ne Burnand' +p333365 +sa(dp333366 +g291134 +S'At Venice' +p333367 +sg291137 +S'Adolphe Appian' +p333368 +sg291130 +S'etching on thin laid paper' +p333369 +sg291132 +S'1878' +p333370 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00090/a0009028.jpg' +p333371 +sg291136 +g27 +sa(dp333372 +g291134 +S'Landscape with the Flight into Egypt' +p333373 +sg291137 +S'Roelandt Savery' +p333374 +sg291130 +S'oil on panel' +p333375 +sg291132 +S'1624' +p333376 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000da/a000dab4.jpg' +p333377 +sg291136 +g27 +sa(dp333378 +g291134 +S'Still Life with Fruit, Fish, and a Nest' +p333379 +sg291137 +S'Abraham Mignon' +p333380 +sg291130 +S'oil on canvas' +p333381 +sg291132 +S'c. 1675' +p333382 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e70.jpg' +p333383 +sg291136 +S"Many Dutch still-life painters silhouetted their carefully arranged foreground objects against neutral, blank backgrounds. Similarly, the forest\r\nbackdrop here is so dark it nearly conceals a stone archway. The abundance of the sea and the land is suggested by the fishing rod, bait box, and catch of fish that surround a wicker basket overflowing with fruit and vegetables.\n The work forms an allegory on the cycles of life. A nest of birds' eggs implies birth. Full blossoms and ripe fruit suggest maturity. The gnarled tree stump characterizes old age. Ultimately, death appears with the fish and a lizard, being eaten by ants. The wheat and grapes offer salvation by symbolizing Jesus' blessing of bread and wine at the Last Supper.\n An early biographer noted that Mignon was "especially diligent," a quality that this stunning array of textures certainly proves. After training in\r\nhis native Germany, Mignon moved to Utrecht. While there he probably worked in the studio of \n " +p333384 +sa(dp333385 +g291134 +S'Sunrise in the Catskills' +p333386 +sg291137 +S'Thomas Cole' +p333387 +sg291130 +S'oil on canvas' +p333388 +sg291132 +S'1826' +p333389 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00000/a0000068.jpg' +p333390 +sg291136 +g27 +sa(dp333391 +g291134 +S'Blond Figure' +p333392 +sg291137 +S'Raphael Soyer' +p333393 +sg291130 +S'oil on canvas' +p333394 +sg291132 +S'1940s' +p333395 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00002/a000021f.jpg' +p333396 +sg291136 +g27 +sa(dp333397 +g291130 +S'watercolor over graphite on wove paper' +p333398 +sg291132 +S'1914' +p333399 +sg291134 +S'New England Landscape' +p333400 +sg291136 +g27 +sg291137 +S'John Marin' +p333401 +sa(dp333402 +g291134 +S'Hercules Resting from His Labors' +p333403 +sg291137 +S'Giorgio Ghisi' +p333404 +sg291130 +S', 1567' +p333405 +sg291132 +S'\n' +p333406 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cbbc.jpg' +p333407 +sg291136 +g27 +sa(dp333408 +g291134 +S'Grotesque' +p333409 +sg291137 +S'Cornelis Floris II' +p333410 +sg291130 +S'engraving on laid paper' +p333411 +sg291132 +S'published 1557' +p333412 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000cf/a000cf67.jpg' +p333413 +sg291136 +g27 +sa(dp333414 +g291134 +S'Study of a Mustang' +p333415 +sg291137 +S'Edgar Degas' +p333416 +sg291130 +S'bronze' +p333417 +sg291132 +S'original wax 1860s, cast by 1921' +p333418 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0002c/a0002c0b.jpg' +p333419 +sg291136 +g27 +sa(dp333420 +g291134 +S'Horse Walking' +p333421 +sg291137 +S'Edgar Degas' +p333422 +sg291130 +S'bronze' +p333423 +sg291132 +S'original wax possibly early 1870s, cast c. 1920/1921' +p333424 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0002c/a0002c0c.jpg' +p333425 +sg291136 +g27 +sa(dp333426 +g291134 +S'Autumn' +p333427 +sg291137 +S'Artist Information (' +p333428 +sg291130 +S'(artist after)' +p333429 +sg291132 +S'\n' +p333430 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000cf/a000cff9.jpg' +p333431 +sg291136 +g27 +sa(dp333432 +g291134 +S'Afternoon Tea Party' +p333433 +sg291137 +S'Mary Cassatt' +p333434 +sg291130 +S'drypoint and aquatint with touches of gold paint on wove paper' +p333435 +sg291132 +S'1890/1891' +p333436 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fa4b.jpg' +p333437 +sg291136 +g27 +sa(dp333438 +g291134 +S'Woman Bathing' +p333439 +sg291137 +S'Mary Cassatt' +p333440 +sg291130 +S'color drypoint and aquatint on heavy laid paper' +p333441 +sg291132 +S'1890-1891' +p333442 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00067/a0006714.jpg' +p333443 +sg291136 +g27 +sa(dp333444 +g291134 +S'The Fitting' +p333445 +sg291137 +S'Mary Cassatt' +p333446 +sg291130 +S'drypoint and aquatint on heavy laid paper' +p333447 +sg291132 +S'1890/1891' +p333448 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fa40.jpg' +p333449 +sg291136 +g27 +sa(dp333450 +g291134 +S"Fairy Connoisseurs Inspecting Mr. Frederick Locker's Collection of Drawings" +p333451 +sg291137 +S'George Cruikshank' +p333452 +sg291130 +S'watercolor and graphite on wove paper' +p333453 +sg291132 +S'1867' +p333454 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c0c.jpg' +p333455 +sg291136 +g27 +sa(dp333456 +g291134 +S"Fairy Connoisseurs Inspecting Mr. Frederick Locker's Collection of Drawings" +p333457 +sg291137 +S'George Cruikshank' +p333458 +sg291130 +S'etching in black on wove paper' +p333459 +sg291132 +S'1868' +p333460 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0007c/a0007cc6.jpg' +p333461 +sg291136 +g27 +sa(dp333462 +g291134 +S'Fantastic Vases' +p333463 +sg291137 +S'Stefano Della Bella' +p333464 +sg291130 +S'etching on laid paper' +p333465 +sg291132 +S'probably 1646' +p333466 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c808.jpg' +p333467 +sg291136 +g27 +sa(dp333468 +g291134 +S'Fantastic Vases' +p333469 +sg291137 +S'Stefano Della Bella' +p333470 +sg291130 +S'etching on laid paper' +p333471 +sg291132 +S'probably 1646' +p333472 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c806.jpg' +p333473 +sg291136 +g27 +sa(dp333474 +g291134 +S'Fantastic Vases' +p333475 +sg291137 +S'Stefano Della Bella' +p333476 +sg291130 +S'etching on laid paper' +p333477 +sg291132 +S'probably 1646' +p333478 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c804.jpg' +p333479 +sg291136 +g27 +sa(dp333480 +g291134 +S'Fantastic Vases' +p333481 +sg291137 +S'Stefano Della Bella' +p333482 +sg291130 +S'etching on laid paper' +p333483 +sg291132 +S'probably 1646' +p333484 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c80e.jpg' +p333485 +sg291136 +g27 +sa(dp333486 +g291134 +S'Ballet Dancer' +p333487 +sg291137 +S'Jean-Louis Forain' +p333488 +sg291130 +S'pastel on blue wove paper; laid down' +p333489 +sg291132 +S'unknown date\n' +p333490 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005d/a0005d17.jpg' +p333491 +sg291136 +g27 +sa(dp333492 +g291130 +S'watercolor over graphite on wove paper' +p333493 +sg291132 +S'1947' +p333494 +sg291134 +S'Willow and Pool in Spring' +p333495 +sg291136 +g27 +sg291137 +S'Arthur Mayger Hind' +p333496 +sa(dp333497 +g291130 +S'brown wash over graphite on laid paper' +p333498 +sg291132 +S'1928' +p333499 +sg291134 +S'Landscape near Meersburg' +p333500 +sg291136 +g27 +sg291137 +S'Arthur Mayger Hind' +p333501 +sa(dp333502 +g291130 +S'pen and black ink with brown wash over graphite on wove paper' +p333503 +sg291132 +S'1929' +p333504 +sg291134 +S'Barn near Henley-on-Thames' +p333505 +sg291136 +g27 +sg291137 +S'Arthur Mayger Hind' +p333506 +sa(dp333507 +g291134 +S'Landscape with High Cliffs, River, and City' +p333508 +sg291137 +S'Augustin Hirschvogel' +p333509 +sg291130 +S'etching on laid paper' +p333510 +sg291132 +S'1546' +p333511 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000ab/a000abbf.jpg' +p333512 +sg291136 +g27 +sa(dp333513 +g291130 +S'color mezzotint on wove paper' +p333514 +sg291132 +S'unknown date\n' +p333515 +sg291134 +S'Still Life with Apple and Walnuts' +p333516 +sg291136 +g27 +sg291137 +S'Wako Ito' +p333517 +sa(dp333518 +g291130 +S'color mezzotint on Arches wove paper' +p333519 +sg291132 +S'unknown date\n' +p333520 +sg291134 +S'Still Life with Strawberries' +p333521 +sg291136 +g27 +sg291137 +S'Wako Ito' +p333522 +sa(dp333523 +g291130 +S'lithograph in blue and light brown on beige wove paper' +p333524 +sg291132 +S'1903' +p333525 +sg291134 +S'Peasant Woman in a Blue Shawl' +p333526 +sg291136 +g27 +sg291137 +S'K\xc3\xa4the Kollwitz' +p333527 +sa(dp333528 +g291130 +S'drypoint and roulette in black on wove paper' +p333529 +sg291132 +S'1966' +p333530 +sg291134 +S'Island' +p333531 +sg291136 +g27 +sg291137 +S'Leonard Lehrer' +p333532 +sa(dp333533 +g291130 +S'lithograph in black on Rives BFK paper' +p333534 +sg291132 +S'1971' +p333535 +sg291134 +S'Welshpool' +p333536 +sg291136 +g27 +sg291137 +S'Leonard Lehrer' +p333537 +sa(dp333538 +g291130 +S'roulette in black on Rives BFK paper' +p333539 +sg291132 +S'1966' +p333540 +sg291134 +S'Inlet' +p333541 +sg291136 +g27 +sg291137 +S'Leonard Lehrer' +p333542 +sa(dp333543 +g291130 +S'lithograph in black on Rives BFK paper' +p333544 +sg291132 +S'1972' +p333545 +sg291134 +S'Sabika' +p333546 +sg291136 +g27 +sg291137 +S'Leonard Lehrer' +p333547 +sa(dp333548 +g291130 +S'watercolor on wove paper' +p333549 +sg291132 +S'1926' +p333550 +sg291134 +S'Antwerp' +p333551 +sg291136 +g27 +sg291137 +S'James McBey' +p333552 +sa(dp333553 +g291130 +S'aquatint with etching, scraping, and burnishing in black on wove paper' +p333554 +sg291132 +S'1978' +p333555 +sg291134 +S'Alverthorpe Park, Jenkintown, Pa.' +p333556 +sg291136 +g27 +sg291137 +S'Tony Rosati' +p333557 +sa(dp333558 +g291134 +S'Winter in Prague' +p333559 +sg291137 +S'T. Frantisek Simon' +p333560 +sg291130 +S'color etching and aquatint with roulette on laid paper' +p333561 +sg291132 +S'unknown date\n' +p333562 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000db/a000db7e.jpg' +p333563 +sg291136 +g27 +sa(dp333564 +g291130 +S'lithograph on wove paper' +p333565 +sg291132 +S'unknown date\n' +p333566 +sg291134 +S'Mision San Luis Rey de Francia' +p333567 +sg291136 +g27 +sg291137 +S'James Jones' +p333568 +sa(dp333569 +g291130 +S'lithograph on wove paper' +p333570 +sg291132 +S'unknown date\n' +p333571 +sg291134 +S'Mision San Diego de Alcala' +p333572 +sg291136 +g27 +sg291137 +S'James Jones' +p333573 +sa(dp333574 +g291130 +S'lithograph on wove paper' +p333575 +sg291132 +S'unknown date\n' +p333576 +sg291134 +S'Mision Nuestra Senora La Reina de Los Angeles' +p333577 +sg291136 +g27 +sg291137 +S'James Jones' +p333578 +sa(dp333579 +g291130 +S'lithograph on wove paper' +p333580 +sg291132 +S'unknown date\n' +p333581 +sg291134 +S'Mision San Carlos de Monterey' +p333582 +sg291136 +g27 +sg291137 +S'James Jones' +p333583 +sa(dp333584 +g291130 +S'lithograph on wove paper' +p333585 +sg291132 +S'unknown date\n' +p333586 +sg291134 +S'Mision San Carlos de Borromeo de Carmelo' +p333587 +sg291136 +g27 +sg291137 +S'James Jones' +p333588 +sa(dp333589 +g291130 +S'lithograph on wove paper' +p333590 +sg291132 +S'unknown date\n' +p333591 +sg291134 +S'Mision San Francisco de Solano' +p333592 +sg291136 +g27 +sg291137 +S'James Jones' +p333593 +sa(dp333594 +g291130 +S'lithograph on wove paper' +p333595 +sg291132 +S'unknown date\n' +p333596 +sg291134 +S'Mision San Antonio de Padua' +p333597 +sg291136 +g27 +sg291137 +S'James Jones' +p333598 +sa(dp333599 +g291130 +S'lithograph on wove paper' +p333600 +sg291132 +S'unknown date\n' +p333601 +sg291134 +S'Mision San Francisco de Asis' +p333602 +sg291136 +g27 +sg291137 +S'James Jones' +p333603 +sa(dp333604 +g291130 +S'lithograph on wove paper' +p333605 +sg291132 +S'unknown date\n' +p333606 +sg291134 +S'Mision Santa Clara' +p333607 +sg291136 +g27 +sg291137 +S'James Jones' +p333608 +sa(dp333609 +g291130 +S'lithograph on wove paper' +p333610 +sg291132 +S'unknown date\n' +p333611 +sg291134 +S'Mision de Santa Cruz' +p333612 +sg291136 +g27 +sg291137 +S'James Jones' +p333613 +sa(dp333614 +g291130 +S'lithograph on wove paper' +p333615 +sg291132 +S'unknown date\n' +p333616 +sg291134 +S'Mision San Jose' +p333617 +sg291136 +g27 +sg291137 +S'James Jones' +p333618 +sa(dp333619 +g291130 +S'lithograph on wove paper' +p333620 +sg291132 +S'unknown date\n' +p333621 +sg291134 +S'Mision Santa Margarita' +p333622 +sg291136 +g27 +sg291137 +S'James Jones' +p333623 +sa(dp333624 +g291130 +S'lithograph on wove paper' +p333625 +sg291132 +S'unknown date\n' +p333626 +sg291134 +S'Mision San Fernando Rey de Espana' +p333627 +sg291136 +g27 +sg291137 +S'James Jones' +p333628 +sa(dp333629 +g291130 +S'wood' +p333630 +sg291132 +S'1968' +p333631 +sg291134 +S'Schwamengang Hills' +p333632 +sg291136 +g27 +sg291137 +S'Raoul Hague' +p333633 +sa(dp333634 +g291134 +S'Woman Seated in an Armchair' +p333635 +sg291137 +S'Henri Matisse' +p333636 +sg291130 +S'oil on canvas' +p333637 +sg291132 +S'1940' +p333638 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e01.jpg' +p333639 +sg291136 +g27 +sa(dp333640 +g291134 +S'Harlequin Musician' +p333641 +sg291137 +S'Pablo Picasso' +p333642 +sg291130 +S'oil on canvas' +p333643 +sg291132 +S'1924' +p333644 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000df1.jpg' +p333645 +sg291136 +g27 +sa(dp333646 +g291130 +S'brass, cast stone, and wood' +p333647 +sg291132 +S'1927' +p333648 +sg291134 +S'Bird in Space' +p333649 +sg291136 +g27 +sg291137 +S'Constantin Brancusi' +p333650 +sa(dp333651 +g291134 +S'Marie-Rosalie Vanloo' +p333652 +sg291137 +S'Artist Information (' +p333653 +sg291130 +S'(artist after)' +p333654 +sg291132 +S'\n' +p333655 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00055/a00055ad.jpg' +p333656 +sg291136 +g27 +sa(dp333657 +g291134 +S'Seated Cavalier with His Arm Akimbo' +p333658 +sg291137 +S'Jan Miel' +p333659 +sg291130 +S'black chalk and brush and black ink with white heightening on blue paper; laid down' +p333660 +sg291132 +S'unknown date\n' +p333661 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00070/a00070b0.jpg' +p333662 +sg291136 +g27 +sa(dp333663 +g291134 +S'Landscape with a Waterfall' +p333664 +sg291137 +S'Guercino' +p333665 +sg291130 +S', unknown date' +p333666 +sg291132 +S'\n' +p333667 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00025/a000254e.jpg' +p333668 +sg291136 +g27 +sa(dp333669 +g291134 +S'Spotted Bull and Three Sheep' +p333670 +sg291137 +S'Adriaen van de Velde' +p333671 +sg291130 +S'etching on laid paper' +p333672 +sg291132 +S'1670' +p333673 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d45e.jpg' +p333674 +sg291136 +g27 +sa(dp333675 +g291130 +S'(artist)' +p333676 +sg291132 +S'\n' +p333677 +sg291134 +S'Opticorum Libri Sex' +p333678 +sg291136 +g27 +sg291137 +S'Artist Information (' +p333679 +sa(dp333680 +g291130 +S'(artist after)' +p333681 +sg291132 +S'\n' +p333682 +sg291134 +S'Title page for Opticorum Libri Sex' +p333683 +sg291136 +g27 +sg291137 +S'Artist Information (' +p333684 +sa(dp333685 +g291130 +S'(artist after)' +p333686 +sg291132 +S'\n' +p333687 +sg291134 +S'Organo, Obiecto, Natvraq. Visvs.' +p333688 +sg291136 +g27 +sg291137 +S'Artist Information (' +p333689 +sa(dp333690 +g291130 +S'(artist after)' +p333691 +sg291132 +S'\n' +p333692 +sg291134 +S'Radio Optico et Horoptere' +p333693 +sg291136 +g27 +sg291137 +S'Artist Information (' +p333694 +sa(dp333695 +g291130 +S'(artist after)' +p333696 +sg291132 +S'\n' +p333697 +sg291134 +S'Commvnivm Obiectorvm Cognitione' +p333698 +sg291136 +g27 +sg291137 +S'Artist Information (' +p333699 +sa(dp333700 +g291130 +S'(artist after)' +p333701 +sg291132 +S'\n' +p333702 +sg291134 +S'Fallaciis Aspectvs' +p333703 +sg291136 +g27 +sg291137 +S'Artist Information (' +p333704 +sa(dp333705 +g291130 +S'(artist after)' +p333706 +sg291132 +S'\n' +p333707 +sg291134 +S'Lvminoso et Opaco' +p333708 +sg291136 +g27 +sg291137 +S'Artist Information (' +p333709 +sa(dp333710 +g291130 +S'(artist after)' +p333711 +sg291132 +S'\n' +p333712 +sg291134 +S'Proiectionibvs' +p333713 +sg291136 +g27 +sg291137 +S'Artist Information (' +p333714 +sa(dp333715 +g291134 +S'A Loch in Scotland' +p333716 +sg291137 +S'George Fennel Robson' +p333717 +sg291130 +S'watercolor over graphite on wove paper' +p333718 +sg291132 +S'unknown date\n' +p333719 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005a/a0005adf.jpg' +p333720 +sg291136 +g27 +sa(dp333721 +g291134 +S'Ladies and Gentlemen in a Country Park' +p333722 +sg291137 +S'Paul Sandby' +p333723 +sg291130 +S'pen and black ink and graphite on laid paper' +p333724 +sg291132 +S'unknown date\n' +p333725 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00072/a00072d1.jpg' +p333726 +sg291136 +g27 +sa(dp333727 +g291134 +S'A Young Man with Flowing Hair' +p333728 +sg291137 +S'Jacob Matthias Schmutzer' +p333729 +sg291130 +S'red and brown chalk on laid paper' +p333730 +sg291132 +S'1777' +p333731 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b9/a000b97c.jpg' +p333732 +sg291136 +g27 +sa(dp333733 +g291130 +S'(artist)' +p333734 +sg291132 +S'\n' +p333735 +sg291134 +S'Album Amicorum' +p333736 +sg291136 +g27 +sg291137 +S'Artist Information (' +p333737 +sa(dp333738 +g291130 +S'watercolor over graphite on laid paper' +p333739 +sg291132 +S'c. 1789' +p333740 +sg291134 +S'Father Time by a Tombstone' +p333741 +sg291136 +g27 +sg291137 +S'C. del Sasso' +p333742 +sa(dp333743 +g291130 +S'page size: 11.5 x 19 cm (4 1/2 x 7 1/2 in.)' +p333744 +sg291132 +S'\nwatercolor on laid paper' +p333745 +sg291134 +S'Garden Design with a Pavilion and Stream' +p333746 +sg291136 +g27 +sg291137 +S'German 18th Century' +p333747 +sa(dp333748 +g291130 +S'page size: 11.5 x 19 cm (4 1/2 x 7 1/2 in.)' +p333749 +sg291132 +S'\ngraphite on laid paper' +p333750 +sg291134 +S'Architectural Sketch of an Interior' +p333751 +sg291136 +g27 +sg291137 +S'German 18th Century' +p333752 +sa(dp333753 +g291130 +S'page size: 11.5 x 19 cm (4 1/2 x 7 1/2 in.)' +p333754 +sg291132 +S'\nwatercolor on laid paper' +p333755 +sg291134 +S'Distressed Woman in a Cemetery' +p333756 +sg291136 +g27 +sg291137 +S'German 18th Century' +p333757 +sa(dp333758 +g291130 +S'page size: 11.5 x 19 cm (4 1/2 x 7 1/2 in.)' +p333759 +sg291132 +S'\nwatercolor on laid paper' +p333760 +sg291134 +S'Ruins and Resting Goatherders' +p333761 +sg291136 +g27 +sg291137 +S'German 18th Century' +p333762 +sa(dp333763 +g291130 +S'page size: 11.5 x 19 cm (4 1/2 x 7 1/2 in.)' +p333764 +sg291132 +S'\nwatercolor on laid paper' +p333765 +sg291134 +S'Landscape with Village near a Lake' +p333766 +sg291136 +g27 +sg291137 +S'German 18th Century' +p333767 +sa(dp333768 +g291130 +S'watercolor on laid paper' +p333769 +sg291132 +S'1788' +p333770 +sg291134 +S'Young Men and a Dog Wading in a Pond' +p333771 +sg291136 +g27 +sg291137 +S'Domenico Artaria' +p333772 +sa(dp333773 +g291130 +S'gouache on laid paper' +p333774 +sg291132 +S'1788' +p333775 +sg291134 +S'A Young Lady Inviting Gentlemen to Tea' +p333776 +sg291136 +g27 +sg291137 +S'Johann Meyrl' +p333777 +sa(dp333778 +g291134 +S'Saint Anthony of Padua' +p333779 +sg291137 +S'Guercino' +p333780 +sg291130 +S', unknown date' +p333781 +sg291132 +S'\n' 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+S'Seated Faun' +p334505 +sg291137 +S'Antoine Coypel' +p334506 +sg291130 +S'red and black chalk heightened with white chalk on blue paper' +p334507 +sg291132 +S'1700/1705' +p334508 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00024/a0002429.jpg' +p334509 +sg291136 +g27 +sa(dp334510 +g291134 +S'The Carrying of the Cross' +p334511 +sg291137 +S'Giovanni Battista Piranesi' +p334512 +sg291130 +S'pen and gray-brown ink with gray-brown wash over black chalk on laid paper; laid down' +p334513 +sg291132 +S'1747' +p334514 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00068/a0006826.jpg' +p334515 +sg291136 +g27 +sa(dp334516 +g291134 +S'Head of a Man' +p334517 +sg291137 +S'Artist Information (' +p334518 +sg291130 +S'(artist after)' +p334519 +sg291132 +S'\n' +p334520 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00096/a00096dd.jpg' +p334521 +sg291136 +g27 +sa(dp334522 +g291130 +S'(author)' +p334523 +sg291132 +S'\n' +p334524 +sg291134 +S'Les Chats' +p334525 +sg291136 +g27 +sg291137 +S'Artist Information (' +p334526 +sa(dp334527 +g291134 +S'Manhattan' +p334528 +sg291137 +S'Walker Evans' +p334529 +sg291130 +S'gelatin silver print' +p334530 +sg291132 +S'c. 1928' +p334531 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00064/a00064aa.jpg' +p334532 +sg291136 +g27 +sa(dp334533 +g291134 +S'New York City' +p334534 +sg291137 +S'Walker Evans' +p334535 +sg291130 +S'gelatin silver print' +p334536 +sg291132 +S'1928-1929' +p334537 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00064/a00064a9.jpg' +p334538 +sg291136 +g27 +sa(dp334539 +g291130 +S'gelatin silver print' +p334540 +sg291132 +S'1931' +p334541 +sg291134 +S'New Bedford, Massachusetts' +p334542 +sg291136 +g27 +sg291137 +S'Walker Evans' +p334543 +sa(dp334544 +g291134 +S'Coffee Bags, Havana' +p334545 +sg291137 +S'Walker Evans' +p334546 +sg291130 +S'gelatin silver print' +p334547 +sg291132 +S'1933' +p334548 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005e/a0005e46.jpg' +p334549 +sg291136 +g27 +sa(dp334550 +g291134 +S'Breakfast Room, Belle Grove Plantation, White Chapel, Louisiana' +p334551 +sg291137 +S'Walker Evans' +p334552 +sg291130 +S'gelatin silver print' +p334553 +sg291132 +S'1935' +p334554 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005e/a0005e2e.jpg' +p334555 +sg291136 +g27 +sa(dp334556 +g291134 +S'Sidewalk in Vicksburg, Mississippi' +p334557 +sg291137 +S'Walker Evans' +p334558 +sg291130 +S'gelatin silver print' +p334559 +sg291132 +S'1936' +p334560 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00064/a00064ab.jpg' +p334561 +sg291136 +g27 +sa(dp334562 +g291134 +S'Billboard, Birmingham, Alabama' +p334563 +sg291137 +S'Walker Evans' +p334564 +sg291130 +S'gelatin silver print' +p334565 +sg291132 +S'1936' +p334566 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005e/a0005e45.jpg' +p334567 +sg291136 +g27 +sa(dp334568 +g291134 +S'Barber Shop Interior, Atlanta' +p334569 +sg291137 +S'Walker Evans' +p334570 +sg291130 +S'gelatin silver print' +p334571 +sg291132 +S'1936' +p334572 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005d/a0005d05.jpg' +p334573 +sg291136 +g27 +sa(dp334574 +g291130 +S'gelatin silver print' +p334575 +sg291132 +S'1936' +p334576 +sg291134 +S"Fireplace, Burrough's Bedroom, Hale County, Alabama" +p334577 +sg291136 +g27 +sg291137 +S'Walker Evans' +p334578 +sa(dp334579 +g291134 +S'Tupelo, Mississippi' +p334580 +sg291137 +S'Walker Evans' +p334581 +sg291130 +S'gelatin silver print' +p334582 +sg291132 +S'1936' +p334583 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005e/a0005e2f.jpg' +p334584 +sg291136 +g27 +sa(dp334585 +g291130 +S'gelatin silver print' +p334586 +sg291132 +S'1936' +p334587 +sg291134 +S'Abandoned Ante-Bellum Plantation House, Vicksburg, Mississippi' +p334588 +sg291136 +g27 +sg291137 +S'Walker Evans' +p334589 +sa(dp334590 +g291134 +S'Doorbell' +p334591 +sg291137 +S'Walker Evans' +p334592 +sg291130 +S'gelatin silver print' +p334593 +sg291132 +S'1958' +p334594 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005d/a0005d06.jpg' +p334595 +sg291136 +g27 +sa(dp334596 +g291134 +S'The Fall of the Rebel Angels [recto]' +p334597 +sg291137 +S'Parmigianino' +p334598 +sg291130 +S'pen and brown ink with brown wash on thin laid paper' +p334599 +sg291132 +S'c. 1524/1527' +p334600 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00075/a0007508.jpg' +p334601 +sg291136 +g27 +sa(dp334602 +g291134 +S'Jael and Cisera? [verso]' +p334603 +sg291137 +S'Parmigianino' +p334604 +sg291130 +S'red chalk on thin laid paper' +p334605 +sg291132 +S'c. 1524/1527' +p334606 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00075/a0007509.jpg' +p334607 +sg291136 +g27 +sa(dp334608 +g291134 +S'Lever No. 3' +p334609 +sg291137 +S'Martin Puryear' +p334610 +sg291130 +S'carved and painted wood' +p334611 +sg291132 +S'1989' +p334612 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0004a/a0004adf.jpg' +p334613 +sg291136 +S'In the sweeping silhouette of \n While the central form of \n Puryear was born in Washington, DC, in 1941. After earning his BA there from Catholic University, he joined the Peace Corps in Sierra Leone, Africa, where he had the chance to study woodworking techniques such as basketry and carpentry. Puryear then attended the Swedish Royal Academy of Arts in Stockholm and independently continued his studies in woodworking. He received an MFA in sculpture from Yale University, New Haven, Connecticut. In 2007 the Museum of Modern Art, New York, organized a thirty-year retrospective exhibition of his work. Puryear lives and works outside New York City.\n ' +p334614 +sa(dp334615 +g291134 +S'New York Milk Counter' +p334616 +sg291137 +S'Walker Evans' +p334617 +sg291130 +S'gelatin silver print' +p334618 +sg291132 +S'1929-1930' +p334619 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005e/a0005e43.jpg' +p334620 +sg291136 +g27 +sa(dp334621 +g291130 +S'gelatin silver print' +p334622 +sg291132 +S'July 1935' +p334623 +sg291134 +S'Mining Store Company, Westmoreland County, Pennsylvania' +p334624 +sg291136 +g27 +sg291137 +S'Walker Evans' +p334625 +sa(dp334626 +g291134 +S'Signs, Beaufort, South Carolina' +p334627 +sg291137 +S'Walker Evans' +p334628 +sg291130 +S'gelatin silver print' +p334629 +sg291132 +S'March 1936' +p334630 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005d/a0005d31.jpg' +p334631 +sg291136 +g27 +sa(dp334632 +g291130 +S'gelatin silver print' +p334633 +sg291132 +S'c. 1936' +p334634 +sg291134 +S'Vicksburg, Mississippi' +p334635 +sg291136 +g27 +sg291137 +S'Walker Evans' +p334636 +sa(dp334637 +g291130 +S'gelatin silver print' +p334638 +sg291132 +S'c. 1946' +p334639 +sg291134 +S'Labor Anonymous' +p334640 +sg291136 +g27 +sg291137 +S'Walker Evans' +p334641 +sa(dp334642 +g291130 +S'gelatin silver print' +p334643 +sg291132 +S'1946' +p334644 +sg291134 +S'Chicago' +p334645 +sg291136 +g27 +sg291137 +S'Walker Evans' +p334646 +sa(dp334647 +g291134 +S'Chicago' +p334648 +sg291137 +S'Walker Evans' +p334649 +sg291130 +S'gelatin silver print' +p334650 +sg291132 +S'1946' +p334651 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00064/a00064bc.jpg' +p334652 +sg291136 +g27 +sa(dp334653 +g291130 +S'gelatin silver print' +p334654 +sg291132 +S'c. 1965' +p334655 +sg291134 +S'Debris' +p334656 +sg291136 +g27 +sg291137 +S'Walker Evans' +p334657 +sa(dp334658 +g291130 +S'gelatin silver print' +p334659 +sg291132 +S'1962' +p334660 +sg291134 +S'Upstairs Room, Walpole, Maine' +p334661 +sg291136 +g27 +sg291137 +S'Walker Evans' +p334662 +sa(dp334663 +g291134 +S'Mirrored Cell' +p334664 +sg291137 +S'Lucas Samaras' +p334665 +sg291130 +S'mirror over wood' +p334666 +sg291132 +S'drawn 1969, constructed 1988' +p334667 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00016/a00016a4.jpg' +p334668 +sg291136 +g27 +sa(dp334669 +g291130 +S'paintstik and turpentine on Arches heavy wove paper' +p334670 +sg291132 +S'1986' +p334671 +sg291134 +S'Scheherazade' +p334672 +sg291136 +g27 +sg291137 +S'Jacob Kainen' +p334673 +sa(dp334674 +g291134 +S'Dodo and an Older Woman Reclining before a Mirror' +p334675 +sg291137 +S'Ernst Ludwig Kirchner' +p334676 +sg291130 +S'pen and black ink on heavy gray-green paper' +p334677 +sg291132 +S'1909' +p334678 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00021/a0002171.jpg' +p334679 +sg291136 +g27 +sa(dp334680 +g291134 +S'Head of a Woman' +p334681 +sg291137 +S'Federico Barocci' +p334682 +sg291130 +S'colored chalks with some stumping on blue laid paper' +p334683 +sg291132 +S'c. 1584' +p334684 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00022/a00022a3.jpg' +p334685 +sg291136 +g27 +sa(dp334686 +g291134 +S'Angels and Putti' +p334687 +sg291137 +S'Giovanni Battista Crosato' +p334688 +sg291130 +S'pen and brown ink with gray wash over charcoal; laid down' +p334689 +sg291132 +S'unknown date\n' +p334690 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00070/a000703b.jpg' +p334691 +sg291136 +g27 +sa(dp334692 +g291130 +S'etching on wove paper' +p334693 +sg291132 +S'1904' +p334694 +sg291134 +S'Sir Edmund William Gosse' +p334695 +sg291136 +g27 +sg291137 +S'Sylvia Gosse' +p334696 +sa(dp334697 +g291134 +S'Caresses' +p334698 +sg291137 +S'Charles Haslewood Shannon' +p334699 +sg291130 +S', unknown date' +p334700 +sg291132 +S'\n' +p334701 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007a1f.jpg' +p334702 +sg291136 +g27 +sa(dp334703 +g291134 +S'Mother and Children' +p334704 +sg291137 +S'Charles Haslewood Shannon' +p334705 +sg291130 +S', unknown date' +p334706 +sg291132 +S'\n' +p334707 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007a24.jpg' +p334708 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+S'http://www.nga.gov:80/thumb-l/a000b7/a000b794.jpg' +p334731 +sg291136 +g27 +sa(dp334732 +g291134 +S'Burial (Begrabnis)' +p334733 +sg291137 +S'Walter Gramatt\xc3\xa9' +p334734 +sg291130 +S'linocut in black on thin japan paper' +p334735 +sg291132 +S'1916' +p334736 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b7/a000b798.jpg' +p334737 +sg291136 +g27 +sa(dp334738 +g291134 +S'Sonia' +p334739 +sg291137 +S'Walter Gramatt\xc3\xa9' +p334740 +sg291130 +S'etching in black on wove paper' +p334741 +sg291132 +S'1923' +p334742 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b7/a000b795.jpg' +p334743 +sg291136 +g27 +sa(dp334744 +g291134 +S'The Couple (Das Paar)' +p334745 +sg291137 +S'Walter Gramatt\xc3\xa9' +p334746 +sg291130 +S'etching and abrasion in blue-green on japan paper' +p334747 +sg291132 +S'1922' +p334748 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b7/a000b797.jpg' +p334749 +sg291136 +g27 +sa(dp334750 +g291134 +S'Three People in an Atelier' +p334751 +sg291137 +S'Walter Gramatt\xc3\xa9' +p334752 +sg291130 +S'drypoint on cream wove paper' +p334753 +sg291132 +S'1920' +p334754 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b7/a000b793.jpg' +p334755 +sg291136 +g27 +sa(dp334756 +g291134 +S'Self-Portrait' +p334757 +sg291137 +S'Walter Gramatt\xc3\xa9' +p334758 +sg291130 +S'lithograph in black on cream wove paper' +p334759 +sg291132 +S'1922' +p334760 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c5/a000c514.jpg' +p334761 +sg291136 +g27 +sa(dp334762 +g291134 +S'Qual (Torment)' +p334763 +sg291137 +S'Walter Gramatt\xc3\xa9' +p334764 +sg291130 +S'lithograph in black, yellow, red, and gray-green on blotting paper' +p334765 +sg291132 +S'1920/1921' +p334766 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c5/a000c518.jpg' +p334767 +sg291136 +g27 +sa(dp334768 +g291130 +S'lithograph in black on Rives paper' +p334769 +sg291132 +S'1965' +p334770 +sg291134 +S'Inca Sanctuary' +p334771 +sg291136 +g27 +sg291137 +S'Louis Lozowick' +p334772 +sa(dp334773 +g291130 +S'lithograph in black on wove paper' +p334774 +sg291132 +S'1926' +p334775 +sg291134 +S'Luna Park' +p334776 +sg291136 +g27 +sg291137 +S'Louis Lozowick' +p334777 +sa(dp334778 +g291134 +S'Still Life #2' +p334779 +sg291137 +S'Louis Lozowick' +p334780 +sg291130 +S'lithograph in black on wove paper' +p334781 +sg291132 +S'1929' +p334782 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000b/a0000b1c.jpg' +p334783 +sg291136 +g27 +sa(dp334784 +g291130 +S'lithograph in black on wove paper' +p334785 +sg291132 +S'1929' +p334786 +sg291134 +S'Crane' +p334787 +sg291136 +g27 +sg291137 +S'Louis Lozowick' +p334788 +sa(dp334789 +g291134 +S'Construction' +p334790 +sg291137 +S'Louis Lozowick' +p334791 +sg291130 +S'lithograph in black on wove paper' +p334792 +sg291132 +S'1930' +p334793 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000b/a0000b1d.jpg' +p334794 +sg291136 +g27 +sa(dp334795 +g291130 +S'lithograph in black on wove paper' +p334796 +sg291132 +S'1956' +p334797 +sg291134 +S'Sky Overcast' +p334798 +sg291136 +g27 +sg291137 +S'Louis Lozowick' +p334799 +sa(dp334800 +g291134 +S'Performer Bowing (Beifallheischende Artistin)' +p334801 +sg291137 +S'Ernst Ludwig Kirchner' +p334802 +sg291130 +S'lithograph in red, black, and blue on wove paper' +p334803 +sg291132 +S'1909' +p334804 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00061/a0006135.jpg' +p334805 +sg291136 +g27 +sa(dp334806 +g291134 +S'The Blond Painter Stirner (Blonder Maler Stirner)' +p334807 +sg291137 +S'Ernst Ludwig Kirchner' +p334808 +sg291130 +S'color woodcut on oriental paper' +p334809 +sg291132 +S'1919' +p334810 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00017/a0001782.jpg' +p334811 +sg291136 +g27 +sa(dp334812 +g291134 +S'Self-portrait with extra large paper hat' +p334813 +sg291137 +S'Red Grooms' +p334814 +sg291130 +S'pen and black ink and yellow watercolor with applied black ink and washes on wove paper' +p334815 +sg291132 +S'1955' +p334816 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00008/a00008ed.jpg' +p334817 +sg291136 +g27 +sa(dp334818 +g291134 +S'Numbers' +p334819 +sg291137 +S'Jasper Johns' +p334820 +sg291130 +S'graphite powder and graphite wash on polyester fabric' +p334821 +sg291132 +S'1966' +p334822 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00009/a0000953.jpg' +p334823 +sg291136 +g27 +sa(dp334824 +g291130 +S'lithograph in black and pink on wove paper' +p334825 +sg291132 +S'1895' +p334826 +sg291134 +S'Woman with an Umbrella (Femme au Parapluie)' +p334827 +sg291136 +g27 +sg291137 +S'Pierre Bonnard' +p334828 +sa(dp334829 +g291134 +S'Portrait of an Abbot' +p334830 +sg291137 +S'Artist Information (' +p334831 +sg291130 +S'(artist after)' +p334832 +sg291132 +S'\n' +p334833 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008c4c.jpg' +p334834 +sg291136 +g27 +sa(dp334835 +g291134 +S'S.C. Boutin' +p334836 +sg291137 +S'Artist Information (' +p334837 +sg291130 +S'(artist after)' +p334838 +sg291132 +S'\n' +p334839 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008c4f.jpg' +p334840 +sg291136 +g27 +sa(dp334841 +g291134 +S'Brunet de Neuilly' +p334842 +sg291137 +S'Charles-Nicolas Cochin II' +p334843 +sg291130 +S'etching on laid paper' +p334844 +sg291132 +S'unknown date\n' +p334845 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008cf8.jpg' +p334846 +sg291136 +g27 +sa(dp334847 +g291134 +S"J. D'Alembert" +p334848 +sg291137 +S'Artist Information (' +p334849 +sg291130 +S'(artist after)' +p334850 +sg291132 +S'\n' +p334851 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008c4e.jpg' +p334852 +sg291136 +g27 +sa(dp334853 +g291134 +S'J. Gosseaume' +p334854 +sg291137 +S'Artist Information (' +p334855 +sg291130 +S'(artist after)' +p334856 +sg291132 +S'\n' +p334857 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008ce5.jpg' +p334858 +sg291136 +g27 +sa(dp334859 +g291134 +S'Edme-Sebastien Jeaurat' +p334860 +sg291137 +S'Artist Information (' +p334861 +sg291130 +S'(artist after)' +p334862 +sg291132 +S'\n' +p334863 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d6/a000d66a.jpg' +p334864 +sg291136 +g27 +sa(dp334865 +g291134 +S'Louis Cesar de La Baume-le-Blanc' +p334866 +sg291137 +S'Charles-Nicolas Cochin II' +p334867 +sg291130 +S'etching on laid paper' +p334868 +sg291132 +S'unknown date\n' +p334869 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008cfa.jpg' +p334870 +sg291136 +g27 +sa(dp334871 +g291134 +S'Louis Cesar de La Baume-le-Blanc' +p334872 +sg291137 +S'Charles-Nicolas Cochin II' +p334873 +sg291130 +S'etching on laid paper' +p334874 +sg291132 +S'1757' +p334875 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008cf4.jpg' +p334876 +sg291136 +g27 +sa(dp334877 +g291134 +S"Jean Denis L'Empereur" +p334878 +sg291137 +S'Artist Information (' +p334879 +sg291130 +S'(artist after)' +p334880 +sg291132 +S'\n' +p334881 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008d/a0008d1b.jpg' +p334882 +sg291136 +g27 +sa(dp334883 +g291134 +S'Jean Monnet' +p334884 +sg291137 +S'Artist Information (' +p334885 +sg291130 +S'(artist after)' +p334886 +sg291132 +S'\n' +p334887 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008ca9.jpg' +p334888 +sg291136 +g27 +sa(dp334889 +g291134 +S'Francois de Regny' +p334890 +sg291137 +S'Artist Information (' +p334891 +sg291130 +S'French, 1715 - 1790' +p334892 +sg291132 +S'(artist after)' +p334893 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008cfb.jpg' +p334894 +sg291136 +g27 +sa(dp334895 +g291134 +S'J. Trevilliers' +p334896 +sg291137 +S'Artist Information (' +p334897 +sg291130 +S'(artist after)' +p334898 +sg291132 +S'\n' +p334899 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008ce6.jpg' +p334900 +sg291136 +g27 +sa(dp334901 +g291134 +S'Jean-Charles-Philibert Trudaine' +p334902 +sg291137 +S'Artist Information (' +p334903 +sg291130 +S'(artist after)' +p334904 +sg291132 +S'\n' +p334905 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008b/a0008bed.jpg' +p334906 +sg291136 +g27 +sa(dp334907 +g291134 +S'Carle Vanloo' +p334908 +sg291137 +S'Artist Information (' +p334909 +sg291130 +S'(artist after)' +p334910 +sg291132 +S'\n' +p334911 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008d/a0008d06.jpg' +p334912 +sg291136 +g27 +sa(dp334913 +g291134 +S'Claude Joseph Vernet' +p334914 +sg291137 +S'Artist Information (' +p334915 +sg291130 +S'(artist after)' +p334916 +sg291132 +S'\n' +p334917 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00053/a000538d.jpg' +p334918 +sg291136 +g27 +sa(dp334919 +g291134 +S'N. Beaujeon' +p334920 +sg291137 +S'Artist Information (' +p334921 +sg291130 +S'(artist after)' +p334922 +sg291132 +S'\n' +p334923 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008d/a0008d3b.jpg' +p334924 +sg291136 +g27 +sa(dp334925 +g291130 +S'gouache and watercolor over black chalk on wove paper' +p334926 +sg291132 +S'1915' +p334927 +sg291134 +S'F\xc3\xa9la and Odilon' +p334928 +sg291136 +g27 +sg291137 +S'Marc Chagall' +p334929 +sa(dp334930 +g291130 +S'gelatin silver print, 1957/1961' +p334931 +sg291132 +S'1942' +p334932 +sg291134 +S'The Tetons and the Snake River' +p334933 +sg291136 +g27 +sg291137 +S'Ansel Adams' +p334934 +sa(dp334935 +g291134 +S'1951-N' +p334936 +sg291137 +S'Clyfford Still' +p334937 +sg291130 +S'oil on canvas' +p334938 +sg291132 +S'1951' +p334939 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00002/a0000228.jpg' +p334940 +sg291136 +g27 +sa(dp334941 +g291134 +S'Untitled' +p334942 +sg291137 +S'Ellsworth Kelly' +p334943 +sg291130 +S'bronze' +p334944 +sg291132 +S'1988' +p334945 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00016/a0001683.jpg' +p334946 +sg291136 +g27 +sa(dp334947 +g291134 +S'Coney Island, New York' +p334948 +sg291137 +S'Walker Evans' +p334949 +sg291130 +S'gelatin silver print' +p334950 +sg291132 +S'1928 or 1929' +p334951 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005d/a0005d2b.jpg' +p334952 +sg291136 +g27 +sa(dp334953 +g291130 +S'gelatin silver print' +p334954 +sg291132 +S'1928 or 1929' +p334955 +sg291134 +S'Coney Island, New York' +p334956 +sg291136 +g27 +sg291137 +S'Walker Evans' +p334957 +sa(dp334958 +g291130 +S'gelatin silver print' +p334959 +sg291132 +S'1929-1930' +p334960 +sg291134 +S'"Manhattan Melodrama"' +p334961 +sg291136 +g27 +sg291137 +S'Walker Evans' +p334962 +sa(dp334963 +g291134 +S'Painted Sign on Fence, Cedar Point, Ohio' +p334964 +sg291137 +S'Walker Evans' +p334965 +sg291130 +S'gelatin silver print' +p334966 +sg291132 +S'1930s' +p334967 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00064/a00064b9.jpg' +p334968 +sg291136 +g27 +sa(dp334969 +g291134 +S'Berenice Abbott, New York City' +p334970 +sg291137 +S'Walker Evans' +p334971 +sg291130 +S'gelatin silver print' +p334972 +sg291132 +S'c. 1930' +p334973 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005d/a0005d2a.jpg' +p334974 +sg291136 +g27 +sa(dp334975 +g291130 +S'gelatin silver print' +p334976 +sg291132 +S'c. 1934' +p334977 +sg291134 +S'Buildings, New York City' +p334978 +sg291136 +g27 +sg291137 +S'Walker Evans' +p334979 +sa(dp334980 +g291134 +S'Barber Shop, New Orleans' +p334981 +sg291137 +S'Walker Evans' +p334982 +sg291130 +S'gelatin silver print' +p334983 +sg291132 +S'1936' +p334984 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005e/a0005e31.jpg' +p334985 +sg291136 +g27 +sa(dp334986 +g291134 +S"Photographer's Display Window, Birmingham, Alabama" +p334987 +sg291137 +S'Walker Evans' +p334988 +sg291130 +S'gelatin silver print' +p334989 +sg291132 +S'1936' +p334990 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005d/a0005d32.jpg' +p334991 +sg291136 +g27 +sa(dp334992 +g291130 +S'gelatin silver print' +p334993 +sg291132 +S'1938-1941' +p334994 +sg291134 +S'Subway Portrait' +p334995 +sg291136 +g27 +sg291137 +S'Walker Evans' +p334996 +sa(dp334997 +g291134 +S'Chicago' +p334998 +sg291137 +S'Walker Evans' +p334999 +sg291130 +S'gelatin silver print' +p335000 +sg291132 +S'1946' +p335001 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00064/a00064a8.jpg' +p335002 +sg291136 +g27 +sa(dp335003 +g291134 +S'Blind Man with Guitar' +p335004 +sg291137 +S'Walker Evans' +p335005 +sg291130 +S'gelatin silver print' +p335006 +sg291132 +S'c. 1941' +p335007 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00064/a00064af.jpg' +p335008 +sg291136 +g27 +sa(dp335009 +g291130 +S'basswood heliorelief, acrylic paint, gum plywood, and gold leaf' +p335010 +sg291132 +S'1987/1989' +p335011 +sg291134 +S'Flowers Fight' +p335012 +sg291136 +g27 +sg291137 +S'Sandro Chia' +p335013 +sa(dp335014 +g291130 +S'multi-color woodcut with roulette work on two sheets of joined Rives BFK White paper' +p335015 +sg291132 +S'1987/1989' +p335016 +sg291134 +S'Jerusalem, Kidron Valley' +p335017 +sg291136 +g27 +sg291137 +S'Philip Pearlstein' +p335018 +sa(dp335019 +g291130 +S'color woodcut with roulette work on Rives BFK White paper' +p335020 +sg291132 +S'1987/1989' +p335021 +sg291134 +S'Jerusalem, Temple Mount' +p335022 +sg291136 +g27 +sg291137 +S'Philip Pearlstein' +p335023 +sa(dp335024 +g291130 +S'aquatint in black with burnishing on folded sheet of T.H. Saunders paper' +p335025 +sg291132 +S'1987/1989' +p335026 +sg291134 +S'The Prickly Dark' +p335027 +sg291136 +g27 +sg291137 +S'James Rosenquist' +p335028 +sa(dp335029 +g291130 +S'multi-color monoprint and lithograph collage on T.H. Saunders Watercolor paper; mounted elements are Arches 88 paper' +p335030 +sg291132 +S'1986' +p335031 +sg291134 +S'Flowers and Females' +p335032 +sg291136 +g27 +sg291137 +S'James Rosenquist' +p335033 +sa(dp335034 +g291130 +S'multi-color monoprint and lithograph collage on Arches Cover White paper; elements are Arches 88 paper' +p335035 +sg291132 +S'1987/1989' +p335036 +sg291134 +S'Sister Shrieks' +p335037 +sg291136 +g27 +sg291137 +S'James Rosenquist' +p335038 +sa(dp335039 +g291134 +S'Standing Hercules with the Nemean Lion' +p335040 +sg291137 +S'Moderno' +p335041 +sg291130 +S'bronze' +p335042 +sg291132 +S'c. 1488/1489' +p335043 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002dba.jpg' +p335044 +sg291136 +g27 +sa(dp335045 +g291134 +S'Bacchante with a Goat' +p335046 +sg291137 +S'Philippe-Laurent Roland' +p335047 +sg291130 +S'bronze' +p335048 +sg291132 +S'1796, cast 1798' +p335049 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0002c/a0002c20.jpg' +p335050 +sg291136 +g27 +sa(dp335051 +g291134 +S'The Fall of Phaeton' +p335052 +sg291137 +S'Sir Peter Paul Rubens' +p335053 +sg291130 +S'oil on canvas' +p335054 +sg291132 +S'c. 1604/1605, probably reworked c. 1606/1608' +p335055 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e3e.jpg' +p335056 +sg291136 +S"Phaeton, Apollo\xe2\x80\x99s son, begged his father to allow him to drive the chariot of the sun across the sky. In the hands of the rash youth, who had neither the strength nor the experience to control the chariot, the horses bolted, scorching everything in their path with the sun's heat. The butterfly–winged female figures, personifying the seasons and hours, react in terror as the earth below bursts into flame. Even the great astrological bands that arch through the heavens are disrupted. To save the universe from destruction, Zeus, king of the gods, throws a thunderbolt, represented here by a blinding shaft of light. As the chariot disintegrates, Phaeton plunges to his death.\n Rubens painted \n " +p335057 +sa(dp335058 +g291130 +S'etching with graphite additions on wove paper [trial proof]' +p335059 +sg291132 +S'1983' +p335060 +sg291134 +S'In the North Greenhouse' +p335061 +sg291136 +g27 +sg291137 +S'Mark Alan Leithauser' +p335062 +sa(dp335063 +g291130 +S'etching on wove paper' +p335064 +sg291132 +S'1983' +p335065 +sg291134 +S'In the North Greenhouse' +p335066 +sg291136 +g27 +sg291137 +S'Mark Alan Leithauser' +p335067 +sa(dp335068 +g291134 +S'Dedication Page with Statue of Fama' +p335069 +sg291137 +S'Ercole Bazicaluva' +p335070 +sg291130 +S'etching on laid paper' +p335071 +sg291132 +S'1638' +p335072 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000ca/a000ca00.jpg' +p335073 +sg291136 +g27 +sa(dp335074 +g291134 +S'Rustic Landscape with Peasants and Horses' +p335075 +sg291137 +S'Ercole Bazicaluva' +p335076 +sg291130 +S'etching with engraving on laid paper' +p335077 +sg291132 +S'1638' +p335078 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9ff.jpg' +p335079 +sg291136 +g27 +sa(dp335080 +g291134 +S'Coastal Landscape with Anchored Vessels' +p335081 +sg291137 +S'Ercole Bazicaluva' +p335082 +sg291130 +S'etching on laid paper' +p335083 +sg291132 +S'1638' +p335084 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9fe.jpg' +p335085 +sg291136 +g27 +sa(dp335086 +g291134 +S'Herdsman and Cows Crossing a River' +p335087 +sg291137 +S'Ercole Bazicaluva' +p335088 +sg291130 +S'etching on laid paper' +p335089 +sg291132 +S'1638' +p335090 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9fd.jpg' +p335091 +sg291136 +g27 +sa(dp335092 +g291134 +S'Landscape with Runaway Horses' +p335093 +sg291137 +S'Ercole Bazicaluva' +p335094 +sg291130 +S'etching on laid paper' +p335095 +sg291132 +S'1638' +p335096 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9fc.jpg' +p335097 +sg291136 +g27 +sa(dp335098 +g291134 +S'Rustic Seaport' +p335099 +sg291137 +S'Ercole Bazicaluva' +p335100 +sg291130 +S'etching on laid paper' +p335101 +sg291132 +S'1638' +p335102 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9f7.jpg' +p335103 +sg291136 +g27 +sa(dp335104 +g291134 +S'Seaport with Anchored Vessels' +p335105 +sg291137 +S'Ercole Bazicaluva' +p335106 +sg291130 +S'etching on laid paper' +p335107 +sg291132 +S'1638' +p335108 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9f6.jpg' +p335109 +sg291136 +g27 +sa(dp335110 +g291134 +S'Lakeside Village with Herdsmen' +p335111 +sg291137 +S'Ercole Bazicaluva' +p335112 +sg291130 +S'etching on laid paper' +p335113 +sg291132 +S'1638' +p335114 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9fb.jpg' +p335115 +sg291136 +g27 +sa(dp335116 +g291134 +S'Men Fighting in a Landscape' +p335117 +sg291137 +S'Ercole Bazicaluva' +p335118 +sg291130 +S'etching on laid paper' +p335119 +sg291132 +S'1638' +p335120 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9fa.jpg' +p335121 +sg291136 +g27 +sa(dp335122 +g291134 +S'Landscape with a Traveler before a Cottage' +p335123 +sg291137 +S'Ercole Bazicaluva' +p335124 +sg291130 +S'etching on laid paper' +p335125 +sg291132 +S'1638' +p335126 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9f9.jpg' +p335127 +sg291136 +g27 +sa(dp335128 +g291134 +S'Landscape and River with Anchored Vessels' +p335129 +sg291137 +S'Ercole Bazicaluva' +p335130 +sg291130 +S'etching on laid paper' +p335131 +sg291132 +S'1638' +p335132 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9f5.jpg' +p335133 +sg291136 +g27 +sa(dp335134 +g291134 +S'Landscape with Resting Herdsmen' +p335135 +sg291137 +S'Ercole Bazicaluva' +p335136 +sg291130 +S'etching and engraving on laid paper' +p335137 +sg291132 +S'1638' +p335138 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9f8.jpg' +p335139 +sg291136 +g27 +sa(dp335140 +g291134 +S"Mezzetin and Harlequin, Disguised as the Captain, Disrupt Pantaloon's Dinner" +p335141 +sg291137 +S'Johann Jacob Sch\xc3\xbcbler' +p335142 +sg291130 +S'pen and black ink and gray wash on laid paper; scored for transfer' +p335143 +sg291132 +S'c. 1729' +p335144 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00070/a00070fe.jpg' +p335145 +sg291136 +g27 +sa(dp335146 +g291134 +S'Mezzetin "Paints" a Portrait of Cupid by Cutting the Canvas to Reveal Harlequin' +p335147 +sg291137 +S'Johann Jacob Sch\xc3\xbcbler' +p335148 +sg291130 +S'pen and black ink and gray wash on laid paper; scored for transfer' +p335149 +sg291132 +S'c. 1729' +p335150 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00070/a00070ce.jpg' +p335151 +sg291136 +g27 +sa(dp335152 +g291134 +S'Mezzetin and Harlequin Use the Picture Frame to Catch Pantaloon and Pierrot' +p335153 +sg291137 +S'Johann Jacob Sch\xc3\xbcbler' +p335154 +sg291130 +S'pen and black ink and gray wash on laid paper; scored for transfer' +p335155 +sg291132 +S'c. 1729' +p335156 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00070/a00070a1.jpg' +p335157 +sg291136 +g27 +sa(dp335158 +g291134 +S'Pantaloon and the Doctor Fighting with Columbine and Brigatella in the Garden' +p335159 +sg291137 +S'Johann Jacob Sch\xc3\xbcbler' +p335160 +sg291130 +S'pen and black ink and gray wash on laid paper; scored for transfer' +p335161 +sg291132 +S'c. 1729' +p335162 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00070/a000706f.jpg' +p335163 +sg291136 +g27 +sa(dp335164 +g291134 +S'Seated Sibyl' +p335165 +sg291137 +S'Bartolomeo Guidobono' +p335166 +sg291130 +S'brush and brown, blue, and gray ink over black chalk and graphite, heightened with white on laid paper' +p335167 +sg291132 +S'c. 1690' +p335168 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00074/a00074b1.jpg' +p335169 +sg291136 +g27 +sa(dp335170 +g291134 +S'Moonlit Landscape with Bridge' +p335171 +sg291137 +S'Aert van der Neer' +p335172 +sg291130 +S'oil on panel' +p335173 +sg291132 +S'probably 1648/1650' +p335174 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e73.jpg' +p335175 +sg291136 +S'Van der Neer was in his late twenties when he decided to become\r\n an \r\n artist. He first painted winter scenes, partly under the influence\r\n of \r\n Hendrick Avercamp. By the late 1640s, however, Van der Neer\r\n developed his \r\n own specialty of nocturnes, or night scenes. These mysteriously\r\n dark, \r\n moonlit pictures belong to the early monochrome period in Dutch\r\n art, much \r\n as Avercamp’s cool grays or Jan van Goyen’s warm tans.\n Here, luminous clouds float before a full moon. Reflecting the \r\n moonlight, a stream runs through the center of the scene and\r\n directs \r\n attention toward a church. A village and a walled estate close the \r\n symmetrically composed space at either side. Beams from the moon\r\n glint off \r\n window panes, glow upon a fashionable couple conversing by the\r\n estate’s \r\n ornate gateway, and silhouette a poor family crossing a bridge.\n This nocturne’s radiance is created by multiple layers of\r\n translucent and \r\n opaque paint applied with consummate technical skill. Using the\r\n handle of \r\n his brush or a palette knife, Van der Neer scraped away top layers\r\n of dark \r\n color to reveal underlying pinks, golds, and blues in the\r\n clouds.\n ' +p335176 +sa(dp335177 +g291134 +S'Fruit Still Life with Chinese Export Basket' +p335178 +sg291137 +S'James Peale' +p335179 +sg291130 +S'oil on wood' +p335180 +sg291132 +S'1824' +p335181 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00001/a00001a5.jpg' +p335182 +sg291136 +g27 +sa(dp335183 +g291130 +S'aluminum' +p335184 +sg291132 +S'1968' +p335185 +sg291134 +S'Wall' +p335186 +sg291136 +g27 +sg291137 +S'Adolph Gottlieb' +p335187 +sa(dp335188 +g291134 +S'Magnificent Catafalque for a Deceased Noble' +p335189 +sg291137 +S'Francesco Galli Bibiena' +p335190 +sg291130 +S'pen and brown ink with brown and gray washes over graphite on laid paper' +p335191 +sg291132 +S'unknown date\n' +p335192 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00022/a00022a8.jpg' +p335193 +sg291136 +g27 +sa(dp335194 +g291134 +S'Ancient Roman Warriors Riding into Battle' +p335195 +sg291137 +S'Antoine Caron' +p335196 +sg291130 +S'black chalk with brown wash, heightened with white gouache on light brown laid paper, with later framing line in brown ink' +p335197 +sg291132 +S'c. 1597' +p335198 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00060/a0006007.jpg' +p335199 +sg291136 +g27 +sa(dp335200 +g291134 +S'Saint Jerome in the Wilderness' +p335201 +sg291137 +S'Paul Troger' +p335202 +sg291130 +S'pen and iron gall ink and gray wash over black chalk on laid paper' +p335203 +sg291132 +S'unknown date\n' +p335204 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00069/a0006985.jpg' +p335205 +sg291136 +g27 +sa(dp335206 +g291134 +S'The Baptism of Christ' +p335207 +sg291137 +S'Paul Troger' +p335208 +sg291130 +S'pen and iron gall ink and gray wash over black chalk on laid paper' +p335209 +sg291132 +S'unknown date\n' +p335210 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00069/a0006986.jpg' +p335211 +sg291136 +g27 +sa(dp335212 +g291134 +S'A Desert Hermit Adoring the Crucifix' +p335213 +sg291137 +S'Paul Troger' +p335214 +sg291130 +S'pen and iron gall ink and gray wash over black chalk on laid paper' +p335215 +sg291132 +S'unknown date\n' +p335216 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00069/a0006987.jpg' +p335217 +sg291136 +g27 +sa(dp335218 +g291134 +S'The Dead Christ with Angels' +p335219 +sg291137 +S'Paul Troger' +p335220 +sg291130 +S'pen and iron gall ink and gray wash over black chalk on laid paper' +p335221 +sg291132 +S'unknown date\n' +p335222 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00069/a0006988.jpg' +p335223 +sg291136 +g27 +sa(dp335224 +g291134 +S'A Crouching Man Holding a Staff [recto]' +p335225 +sg291137 +S'Domenico Tintoretto' +p335226 +sg291130 +S'black chalk heightened with white on blue laid paper' +p335227 +sg291132 +S'unknown date\n' +p335228 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00074/a00074cb.jpg' +p335229 +sg291136 +g27 +sa(dp335230 +g291134 +S'A Female Nude [verso]' +p335231 +sg291137 +S'Domenico Tintoretto' +p335232 +sg291130 +S'black chalk on blue laid paper' +p335233 +sg291132 +S'unknown date\n' +p335234 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00074/a00074cc.jpg' +p335235 +sg291136 +g27 +sa(dp335236 +g291130 +S'pen and brown ink and brown wash over graphite on laid paper' +p335237 +sg291132 +S'1789' +p335238 +sg291134 +S'Orlando Rescuing Oliver from the Lion' +p335239 +sg291136 +g27 +sg291137 +S'Raphael Lamar West' +p335240 +sa(dp335241 +g291134 +S'Saint Jerome in the Cave' +p335242 +sg291137 +S'Ferdinand Bol' +p335243 +sg291130 +S'etching and drypoint on laid paper' +p335244 +sg291132 +S'1644' +p335245 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4cd.jpg' +p335246 +sg291136 +g27 +sa(dp335247 +g291134 +S'Villa Madama a Rome' +p335248 +sg291137 +S'Artist Information (' +p335249 +sg291130 +S'(artist)' +p335250 +sg291132 +S'\n' +p335251 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00072/a00072ec.jpg' +p335252 +sg291136 +g27 +sa(dp335253 +g291134 +S'Piet\xc3\xa0' +p335254 +sg291137 +S'South Netherlandish 15th Century' +p335255 +sg291130 +S'overall: 42 x 50 x 23.5 cm (16 9/16 x 19 11/16 x 9 1/4 in.)' +p335256 +sg291132 +S'\nalabaster with traces of polychromy' +p335257 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002d8a.jpg' +p335258 +sg291136 +g27 +sa(dp335259 +g291130 +S'woodcut in black with painted additions in black oil paint on offset paper' +p335260 +sg291132 +S'1982' +p335261 +sg291134 +S'Man Reading (Lesender Mann)' +p335262 +sg291136 +g27 +sg291137 +S'Georg Baselitz' +p335263 +sa(dp335264 +g291134 +S'Bust of a Man Facing Right' +p335265 +sg291137 +S'Hendrick Goltzius' +p335266 +sg291130 +S', 1579' +p335267 +sg291132 +S'\n' +p335268 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ce46.jpg' +p335269 +sg291136 +g27 +sa(dp335270 +g291134 +S'The Holy Family' +p335271 +sg291137 +S'Hendrick Goltzius' +p335272 +sg291130 +S', unknown date' +p335273 +sg291132 +S'\n' +p335274 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000cd/a000cdfc.jpg' +p335275 +sg291136 +g27 +sa(dp335276 +g291130 +S'(artist after)' +p335277 +sg291132 +S'\n' +p335278 +sg291134 +S'The Wedding of Cupid and Psyche' +p335279 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335280 +sa(dp335281 +g291134 +S'The Port of Monaco' +p335282 +sg291137 +S'Adolphe Appian' +p335283 +sg291130 +S'charcoal, black chalk, and gray wash heightened with white chalk on blue wove paper' +p335284 +sg291132 +S'1873' +p335285 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00071/a00071d4.jpg' +p335286 +sg291136 +g27 +sa(dp335287 +g291134 +S'The Port of Monaco' +p335288 +sg291137 +S'Adolphe Appian' +p335289 +sg291130 +S'etching and drypoint on heavy laid paper' +p335290 +sg291132 +S'1873' +p335291 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00090/a0009027.jpg' +p335292 +sg291136 +g27 +sa(dp335293 +g291134 +S'A Singular Rock in Dove-Dale named the Pickerell' +p335294 +sg291137 +S'William Day' +p335295 +sg291130 +S'graphite and watercolor on laid paper; laid down on original mount' +p335296 +sg291132 +S'1789' +p335297 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00069/a000695c.jpg' +p335298 +sg291136 +g27 +sa(dp335299 +g291134 +S'Christ on the Cross' +p335300 +sg291137 +S'German 15th Century' +p335301 +sg291130 +S'sheet: 32 x 19.8 cm (12 5/8 x 7 13/16 in.)' +p335302 +sg291132 +S'\nwoodcut with gouache and gold leaf (incised and stamped) on vellum' +p335303 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f2d.jpg' +p335304 +sg291136 +g27 +sa(dp335305 +g291134 +S'A Venetian Courtyard, in the Procuratie Nuove' +p335306 +sg291137 +S'Canaletto' +p335307 +sg291130 +S'pen and brown ink with gray wash on laid paper' +p335308 +sg291132 +S'c. 1760' +p335309 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00022/a00022ce.jpg' +p335310 +sg291136 +g27 +sa(dp335311 +g291134 +S'Evening' +p335312 +sg291137 +S'William Blake' +p335313 +sg291130 +S'watercolor and chalk on wood' +p335314 +sg291132 +S'c. 1820/1825' +p335315 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00004/a00004ea.jpg' +p335316 +sg291136 +g27 +sa(dp335317 +g291130 +S'watercolor (applied recto and verso) on japan paper' +p335318 +sg291132 +S'c. 1930/1940' +p335319 +sg291134 +S'Red and Yellow Poppies with a Blue Delphinium' +p335320 +sg291136 +g27 +sg291137 +S'Emil Nolde' +p335321 +sa(dp335322 +g291134 +S'Arnoud van Beresteyn' +p335323 +sg291137 +S'Hendrick Goltzius' +p335324 +sg291130 +S', c. 1579' +p335325 +sg291132 +S'\n' +p335326 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ce32.jpg' +p335327 +sg291136 +g27 +sa(dp335328 +g291134 +S'The Turret-Ship' +p335329 +sg291137 +S'James McNeill Whistler' +p335330 +sg291130 +S'etching in black on laid paper' +p335331 +sg291132 +S'1887' +p335332 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000aa/a000aa5c.jpg' +p335333 +sg291136 +g27 +sa(dp335334 +g291134 +S'The Kiss' +p335335 +sg291137 +S'Edvard Munch' +p335336 +sg291130 +S'woodcut printed from two blocks in black and gray on heavy brown paper [1902 printing]' +p335337 +sg291132 +S'1898' +p335338 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00022/a00022e8.jpg' +p335339 +sg291136 +g27 +sa(dp335340 +g291130 +S'color lithograph and woodcut [1902 printing] on oriental paper: lithograph printed from 3 stones in beige, red, and black; woodcut printed from 1 block in blue' +p335341 +sg291132 +S'1895' +p335342 +sg291134 +S'Madonna' +p335343 +sg291136 +g27 +sg291137 +S'Edvard Munch' +p335344 +sa(dp335345 +g291130 +g27 +sg291132 +S'(publisher)' +p335346 +sg291134 +S'Edward G. Robinson' +p335347 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335348 +sa(dp335349 +g291130 +g27 +sg291132 +S'(publisher)' +p335350 +sg291134 +S'Ira Gershwin' +p335351 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335352 +sa(dp335353 +g291130 +g27 +sg291132 +S'(publisher)' +p335354 +sg291134 +S'(to Don Judd, colorist) 1' +p335355 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335356 +sa(dp335357 +g291130 +g27 +sg291132 +S'(publisher)' +p335358 +sg291134 +S'(to Don Judd, colorist) 2' +p335359 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335360 +sa(dp335361 +g291130 +g27 +sg291132 +S'(publisher)' +p335362 +sg291134 +S'(to Don Judd, colorist) 3' +p335363 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335364 +sa(dp335365 +g291130 +g27 +sg291132 +S'(publisher)' +p335366 +sg291134 +S'(to Don Judd, colorist) 4' +p335367 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335368 +sa(dp335369 +g291134 +S'(to Don Judd, colorist) 5' +p335370 +sg291137 +S'Artist Information (' +p335371 +sg291130 +g27 +sg291132 +S'(publisher)' +p335372 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a90.jpg' +p335373 +sg291136 +g27 +sa(dp335374 +g291130 +g27 +sg291132 +S'(publisher)' +p335375 +sg291134 +S'(to Don Judd, colorist) 6' +p335376 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335377 +sa(dp335378 +g291130 +g27 +sg291132 +S'(publisher)' +p335379 +sg291134 +S'(to Don Judd, colorist) 7' +p335380 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335381 +sa(dp335382 +g291130 +g27 +sg291132 +S'(publisher)' +p335383 +sg291134 +S'(for Gina and DeWain) 1 [recto]' +p335384 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335385 +sa(dp335386 +g291130 +S'Twinrocker Willow Green paper' +p335387 +sg291132 +S'published 1987' +p335388 +sg291134 +S'(for Gina and DeWain) 1 [verso]' +p335389 +sg291136 +g27 +sg291137 +S'Dan Flavin' +p335390 +sa(dp335391 +g291130 +g27 +sg291132 +S'(publisher)' +p335392 +sg291134 +S'(for Gina and DeWain) 2 [recto]' +p335393 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335394 +sa(dp335395 +g291130 +g27 +sg291132 +S'(publisher)' +p335396 +sg291134 +S'(for Gina and DeWain) 2 [verso]' +p335397 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335398 +sa(dp335399 +g291130 +g27 +sg291132 +S'(publisher)' +p335400 +sg291134 +S'Beaudelaire' +p335401 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335402 +sa(dp335403 +g291130 +g27 +sg291132 +S'(publisher)' +p335404 +sg291134 +S'Remains' +p335405 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335406 +sa(dp335407 +g291130 +g27 +sg291132 +S'(publisher)' +p335408 +sg291134 +S'Edition One' +p335409 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335410 +sa(dp335411 +g291130 +g27 +sg291132 +S'(publisher)' +p335412 +sg291134 +S'Edition Two' +p335413 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335414 +sa(dp335415 +g291130 +g27 +sg291132 +S'(publisher)' +p335416 +sg291134 +S'Edition Three' +p335417 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335418 +sa(dp335419 +g291130 +g27 +sg291132 +S'(publisher)' +p335420 +sg291134 +S'Edition Four' +p335421 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335422 +sa(dp335423 +g291130 +g27 +sg291132 +S'(publisher)' +p335424 +sg291134 +S'Edition Five' +p335425 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335426 +sa(dp335427 +g291130 +g27 +sg291132 +S'(publisher)' +p335428 +sg291134 +S'Gregory Evans' +p335429 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335430 +sa(dp335431 +g291130 +g27 +sg291132 +S'(publisher)' +p335432 +sg291134 +S'Gregory with Gym Socks' +p335433 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335434 +sa(dp335435 +g291130 +g27 +sg291132 +S'(publisher)' +p335436 +sg291134 +S'Gregory Reclining' +p335437 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335438 +sa(dp335439 +g291130 +g27 +sg291132 +S'(publisher)' +p335440 +sg291134 +S'Ann Putting on Lipstick' +p335441 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335442 +sa(dp335443 +g291130 +g27 +sg291132 +S'(publisher)' +p335444 +sg291134 +S'Henry' +p335445 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335446 +sa(dp335447 +g291130 +g27 +sg291132 +S'(publisher)' +p335448 +sg291134 +S'Good Time Charley' +p335449 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335450 +sa(dp335451 +g291130 +g27 +sg291132 +S'(publisher)' +p335452 +sg291134 +S"#1 (after 'Untitled 1975'), 1976" +p335453 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335454 +sa(dp335455 +g291130 +g27 +sg291132 +S'(publisher)' +p335456 +sg291134 +S"#3 (after 'Untitled 1975'), 1976" +p335457 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335458 +sa(dp335459 +g291130 +g27 +sg291132 +S'(publisher)' +p335460 +sg291134 +S"#4 (after 'Untitled 1975'), 1976" +p335461 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335462 +sa(dp335463 +g291130 +g27 +sg291132 +S'(publisher)' +p335464 +sg291134 +S"#5 (after 'Untitled 1975'), 1976" +p335465 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335466 +sa(dp335467 +g291130 +g27 +sg291132 +S'(publisher)' +p335468 +sg291134 +S'Blue 1' +p335469 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335470 +sa(dp335471 +g291130 +g27 +sg291132 +S'(publisher)' +p335472 +sg291134 +S'Serrabone' +p335473 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335474 +sa(dp335475 +g291130 +g27 +sg291132 +S'(publisher)' +p335476 +sg291134 +S'Tavant' +p335477 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335478 +sa(dp335479 +g291130 +g27 +sg291132 +S'(publisher)' +p335480 +sg291134 +S'Cluny' +p335481 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335482 +sa(dp335483 +g291130 +g27 +sg291132 +S'(publisher)' +p335484 +sg291134 +S'Cuxa' +p335485 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335486 +sa(dp335487 +g291130 +g27 +sg291132 +S'(publisher)' +p335488 +sg291134 +S'Brioude' +p335489 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335490 +sa(dp335491 +g291130 +g27 +sg291132 +S'(publisher)' +p335492 +sg291134 +S'Untitled (Red State I)' +p335493 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335494 +sa(dp335495 +g291130 +g27 +sg291132 +S'(publisher)' +p335496 +sg291134 +S'Untitled (Gray State I)' +p335497 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335498 +sa(dp335499 +g291130 +g27 +sg291132 +S'(publisher)' +p335500 +sg291134 +S'Aviator' +p335501 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335502 +sa(dp335503 +g291130 +g27 +sg291132 +S'(publisher)' +p335504 +sg291134 +S'Nude on Beach' +p335505 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335506 +sa(dp335507 +g291130 +S'lithograph on Arches 88 paper' +p335508 +sg291132 +S'1978' +p335509 +sg291134 +S'A Bright Night' +p335510 +sg291136 +g27 +sg291137 +S'Roy Lichtenstein' +p335511 +sa(dp335512 +g291130 +g27 +sg291132 +S'(publisher)' +p335513 +sg291134 +S'Palo Alto' +p335514 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335515 +sa(dp335516 +g291130 +g27 +sg291132 +S'(publisher)' +p335517 +sg291134 +S'Eve Born of Adam' +p335518 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335519 +sa(dp335520 +g291130 +g27 +sg291132 +S'(publisher)' +p335521 +sg291134 +S'Eve Born of Adam (State)' +p335522 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335523 +sa(dp335524 +g291130 +g27 +sg291132 +S'(publisher)' +p335525 +sg291134 +S'Proof of Pudding' +p335526 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335527 +sa(dp335528 +g291130 +g27 +sg291132 +S'(publisher)' +p335529 +sg291134 +S'Colossal Screw in Landscape - Type 1' +p335530 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335531 +sa(dp335532 +g291130 +g27 +sg291132 +S'(publisher)' +p335533 +sg291134 +S'Horsefeathers Thirteen - XI' +p335534 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335535 +sa(dp335536 +g291130 +g27 +sg291132 +S'(publisher)' +p335537 +sg291134 +S'Horsefeathers Thirteen - XII' +p335538 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335539 +sa(dp335540 +g291130 +g27 +sg291132 +S'(publisher)' 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+sa(dp335564 +g291130 +g27 +sg291132 +S'(publisher)' +p335565 +sg291134 +S'Untitled [right panel of triptych, see 1990.27.51 and 1990.]' +p335566 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335567 +sa(dp335568 +g291130 +g27 +sg291132 +S'(publisher)' +p335569 +sg291134 +S'Air to Air' +p335570 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335571 +sa(dp335572 +g291130 +g27 +sg291132 +S'(publisher)' +p335573 +sg291134 +S'Air to Air' +p335574 +sg291136 +g27 +sg291137 +S'Artist Information (' +p335575 +sa(dp335576 +g291134 +S'Untitled' +p335577 +sg291137 +S'Joel Shapiro' +p335578 +sg291130 +S'bronze' +p335579 +sg291132 +S'1989' +p335580 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00016/a00016a8.jpg' +p335581 +sg291136 +g27 +sa(dp335582 +g291134 +S'The Church of Souain' +p335583 +sg291137 +S'F\xc3\xa9lix Vallotton' +p335584 +sg291130 +S'oil on canvas' +p335585 +sg291132 +S'1917' +p335586 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000eea.jpg' +p335587 +sg291136 +g27 +sa(dp335588 +g291134 +S'Charles Stewart Butler and Lawrence Smith Butler' +p335589 +sg291137 +S'Augustus Saint-Gaudens' +p335590 +sg291130 +S'plaster' +p335591 +sg291132 +S'1880-1881' +p335592 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00016/a00016b1.jpg' +p335593 +sg291136 +g27 +sa(dp335594 +g291134 +S'Altar of the Christian Faith' +p335595 +sg291137 +S'Hermann tom Ring' +p335596 +sg291130 +S'pen and black ink with gray wash and blue watercolor on laid paper mounted and folded to form miniature design for a triptych alterpiece; script in pen and brown ink' +p335597 +sg291132 +S'1561' +p335598 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00079/a000795f.jpg' +p335599 +sg291136 +g27 +sa(dp335600 +g291134 +S"Apollo and Studies of the Artist's Own Hand [recto]" +p335601 +sg291137 +S'Francesco Fontebasso' +p335602 +sg291130 +S'black chalk and pen and brown ink on laid paper' +p335603 +sg291132 +S'c. 1740' +p335604 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00025/a000252e.jpg' +p335605 +sg291136 +g27 +sa(dp335606 +g291130 +S'pen and brown ink and black chalk on laid paper' +p335607 +sg291132 +S'unknown date\n' +p335608 +sg291134 +S'Head of a Woman and Studies of a Male Nude [verso]' +p335609 +sg291136 +g27 +sg291137 +S'Francesco Fontebasso' +p335610 +sa(dp335611 +g291134 +S'Portrait of a Woman' +p335612 +sg291137 +S'Paula Modersohn-Becker' +p335613 +sg291130 +S'charcoal and graphite on wove paper' +p335614 +sg291132 +S'1898' +p335615 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00022/a00022e2.jpg' +p335616 +sg291136 +g27 +sa(dp335617 +g291134 +S'The Judgment of Paris' +p335618 +sg291137 +S'Joachim Anthonisz Wtewael' +p335619 +sg291130 +S'pen and brown ink with gray washes over black chalk on laid paper' +p335620 +sg291132 +S'c. 1615' +p335621 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006ce5.jpg' +p335622 +sg291136 +g27 +sa(dp335623 +g291130 +S'etching and aquatint in black with scraping and burnishing on heavy wove paper' +p335624 +sg291132 +S'1918' +p335625 +sg291134 +S'Der Graf (The Count)' +p335626 +sg291136 +g27 +sg291137 +S'Emil Nolde' +p335627 +sa(dp335628 +g291134 +S'Sketches of a Horse and a Nobleman' +p335629 +sg291137 +S'French 19th Century' +p335630 +sg291130 +S'sheet: 36.2 x 27.9 cm (14 1/4 x 11 in.)' +p335631 +sg291132 +S'\nlithograph in black on wove paper' +p335632 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00090/a0009017.jpg' +p335633 +sg291136 +g27 +sa(dp335634 +g291134 +S'Philip Galle' +p335635 +sg291137 +S'Hendrick Goltzius' +p335636 +sg291130 +S', 1582' +p335637 +sg291132 +S'\n' +p335638 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ce2a.jpg' +p335639 +sg291136 +g27 +sa(dp335640 +g291130 +S'gelatin silver print' +p335641 +sg291132 +S'1929-1930' +p335642 +sg291134 +S'New York City' +p335643 +sg291136 +g27 +sg291137 +S'Walker Evans' +p335644 +sa(dp335645 +g291130 +S'gelatin silver print' +p335646 +sg291132 +S'1929-1930' +p335647 +sg291134 +S'New York City' +p335648 +sg291136 +g27 +sg291137 +S'Walker Evans' +p335649 +sa(dp335650 +g291134 +S'Hart Crane' +p335651 +sg291137 +S'Walker Evans' +p335652 +sg291130 +S'gelatin silver print' +p335653 +sg291132 +S'c. 1930' +p335654 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00064/a00064b8.jpg' +p335655 +sg291136 +g27 +sa(dp335656 +g291130 +S'gelatin silver print' +p335657 +sg291132 +S'1931' +p335658 +sg291134 +S'House, Upstate New York' +p335659 +sg291136 +g27 +sg291137 +S'Walker Evans' +p335660 +sa(dp335661 +g291134 +S'Coal Dock Workers' +p335662 +sg291137 +S'Walker Evans' +p335663 +sg291130 +S'gelatin silver print, 1960s' +p335664 +sg291132 +S'1933' +p335665 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005e/a0005e30.jpg' +p335666 +sg291136 +g27 +sa(dp335667 +g291134 +S'Chicago' +p335668 +sg291137 +S'Walker Evans' +p335669 +sg291130 +S'gelatin silver print' +p335670 +sg291132 +S'1946' +p335671 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005e/a0005e47.jpg' +p335672 +sg291136 +g27 +sa(dp335673 +g291130 +S'gelatin silver print' +p335674 +sg291132 +S'1941' +p335675 +sg291134 +S'Ringling Bandwagon' +p335676 +sg291136 +g27 +sg291137 +S'Walker Evans' +p335677 +sa(dp335678 +g291134 +S'New York' +p335679 +sg291137 +S'Walker Evans' +p335680 +sg291130 +S'gelatin silver print mounted on board' +p335681 +sg291132 +S'1940-1950' +p335682 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00064/a00064bb.jpg' +p335683 +sg291136 +g27 +sa(dp335684 +g291134 +S'Sunday in an Alley' +p335685 +sg291137 +S'Walker Evans' +p335686 +sg291130 +S'gelatin silver print' +p335687 +sg291132 +S'1947' +p335688 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005d/a0005d30.jpg' +p335689 +sg291136 +g27 +sa(dp335690 +g291134 +S'Saint Christopher' +p335691 +sg291137 +S'Orazio Borgianni' +p335692 +sg291130 +S'engraving on laid paper' +p335693 +sg291132 +S'c. 1615' +p335694 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00065/a000656b.jpg' +p335695 +sg291136 +g27 +sa(dp335696 +g291134 +S'The Street Sweeper (Le Cantonnier)' +p335697 +sg291137 +S'Paul Gavarni' +p335698 +sg291130 +S'watercolor, gouache, and red chalk on wove paper' +p335699 +sg291132 +S'c. 1848/1852' +p335700 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00025/a000253f.jpg' +p335701 +sg291136 +g27 +sa(dp335702 +g291134 +S'Look Mickey' +p335703 +sg291137 +S'Roy Lichtenstein' +p335704 +sg291130 +S'oil on canvas' +p335705 +sg291132 +S'1961' +p335706 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00001/a000014d.jpg' +p335707 +sg291136 +S'One of the key figures in the history of so-called pop art, Roy Lichtenstein shared with his contemporary Andy Warhol a fascination for the visual languages of printed mass media and consumer culture during the 1960s. Lichtenstein was especially preoccupied with cheap newspaper advertising and cartoon or comic book illustration, which he enlarged and transposed—making subtle alterations—directly into paint on canvas. At the time the simplistic narratives and boldly graphic visual mannerisms of comics and advertising were understood to resist the powerful postwar legacy of abstract expressionist painting—the highly subjective processes and grand claims for psychic content that characterized the work of \n ' +p335708 +sa(dp335709 +g291134 +S'Mount Cairo from across the Melfa River' +p335710 +sg291137 +S'Jean-Jacques de Boissieu' +p335711 +sg291130 +S'brush and gray wash on laid paper; laid down' +p335712 +sg291132 +S'c. 1765/1766' +p335713 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00022/a00022b6.jpg' +p335714 +sg291136 +g27 +sa(dp335715 +g291134 +S'Death Stalking a Woman' +p335716 +sg291137 +S'Carl Gotthard Langhans' +p335717 +sg291130 +S'pen and black ink with gray wash on laid paper' +p335718 +sg291132 +S'unknown date\n' +p335719 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00072/a000729f.jpg' +p335720 +sg291136 +g27 +sa(dp335721 +g291134 +S'The Madonna and Child with Saints in a Landscape (Sacra Conversazione)' +p335722 +sg291137 +S'Vittore Carpaccio' +p335723 +sg291130 +S'pen and brown ink (iron gall) on laid paper (cut vertically at center); laid down' +p335724 +sg291132 +S'c. 1500' +p335725 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00022/a00022cf.jpg' +p335726 +sg291136 +g27 +sa(dp335727 +g291130 +S'satista print' +p335728 +sg291132 +S'1916' +p335729 +sg291134 +S'Farmer, Connecticut' +p335730 +sg291136 +g27 +sg291137 +S'Paul Strand' +p335731 +sa(dp335732 +g291130 +S'gelatin silver print, 1920s' +p335733 +sg291132 +S'1916' +p335734 +sg291134 +S'The White Fence' +p335735 +sg291136 +g27 +sg291137 +S'Paul Strand' +p335736 +sa(dp335737 +g291130 +S'gelatin silver print' +p335738 +sg291132 +S'1922' +p335739 +sg291134 +S"Truckman's House, New York" +p335740 +sg291136 +g27 +sg291137 +S'Paul Strand' +p335741 +sa(dp335742 +g291130 +S'gelatin silver print' +p335743 +sg291132 +S'1927' +p335744 +sg291134 +S'Wild Iris, Maine [recto]' +p335745 +sg291136 +g27 +sg291137 +S'Paul Strand' +p335746 +sa(dp335747 +g291130 +S'gelatin silver print' +p335748 +sg291132 +S'1923' +p335749 +sg291134 +S'Lathe, New York [verso]' +p335750 +sg291136 +g27 +sg291137 +S'Paul Strand' +p335751 +sa(dp335752 +g291130 +S'platinum print' +p335753 +sg291132 +S'1931' +p335754 +sg291134 +S'Rebecca, New Mexico' +p335755 +sg291136 +g27 +sg291137 +S'Paul Strand' +p335756 +sa(dp335757 +g291130 +S'gelatin silver print' +p335758 +sg291132 +S'1944' +p335759 +sg291134 +S'Toward the Sugar House, Vermont' +p335760 +sg291136 +g27 +sg291137 +S'Paul Strand' +p335761 +sa(dp335762 +g291130 +S'aluminum relief' +p335763 +sg291132 +S'1973/1974' +p335764 +sg291134 +S'The Tampa Tool Reliefs (1)' +p335765 +sg291136 +g27 +sg291137 +S'Jim Dine' +p335766 +sa(dp335767 +g291130 +S'cast aluminum in five parts' +p335768 +sg291132 +S'1974' +p335769 +sg291134 +S'The Tampa Tool Reliefs [series of 5 reliefs]' +p335770 +sg291136 +g27 +sg291137 +S'Jim Dine' +p335771 +sa(dp335772 +g291130 +S'aluminum relief' +p335773 +sg291132 +S'1973/1974' +p335774 +sg291134 +S'The Tampa Tool Reliefs (2)' +p335775 +sg291136 +g27 +sg291137 +S'Jim Dine' +p335776 +sa(dp335777 +g291130 +S'aluminum relief' +p335778 +sg291132 +S'1973/1974' +p335779 +sg291134 +S'The Tampa Tool Reliefs (3)' +p335780 +sg291136 +g27 +sg291137 +S'Jim Dine' +p335781 +sa(dp335782 +g291130 +S'aluminum relief' +p335783 +sg291132 +S'1973/1974' +p335784 +sg291134 +S'The Tampa Tool Reliefs (4)' +p335785 +sg291136 +g27 +sg291137 +S'Jim Dine' +p335786 +sa(dp335787 +g291130 +S'aluminum relief' +p335788 +sg291132 +S'1973/1974' +p335789 +sg291134 +S'The Tampa Tool Reliefs (5)' +p335790 +sg291136 +g27 +sg291137 +S'Jim Dine' +p335791 +sa(dp335792 +g291134 +S'Putti Playing in a Fanciful Landscape' +p335793 +sg291137 +S'Jean Cousin the Younger' +p335794 +sg291130 +S'etching on laid paper' +p335795 +sg291132 +S'unknown date\n' +p335796 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00083/a0008302.jpg' +p335797 +sg291136 +g27 +sa(dp335798 +g291134 +S'Clump of Trees at Civita Castellana' +p335799 +sg291137 +S'Jean-Baptiste-Camille Corot' +p335800 +sg291130 +S'pen and brown ink and graphite with white heightening on brown wove paper' +p335801 +sg291132 +S'1826' +p335802 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00022/a00022dc.jpg' +p335803 +sg291136 +g27 +sa(dp335804 +g291134 +S'Thirius de Pautrizel' +p335805 +sg291137 +S'Jacques-Louis David' +p335806 +sg291130 +S'pen and gray ink with gray wash and pale brown wash (on the face) over touches of graphite, heightened with white gouache on laid paper, laid down on an old circular mount' +p335807 +sg291132 +S'June or July 1795' +p335808 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00024/a0002430.jpg' +p335809 +sg291136 +g27 +sa(dp335810 +g291134 +S'The Triumph of Job' +p335811 +sg291137 +S'Maerten van Heemskerck' +p335812 +sg291130 +S'pen and brown ink with traces of chalk on laid paper' +p335813 +sg291132 +S'1559' +p335814 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00025/a0002552.jpg' +p335815 +sg291136 +g27 +sa(dp335816 +g291130 +S'polaroid photograph mounted on board with masking tape border; squared in ink for transfer' +p335817 +sg291132 +S'1984' +p335818 +sg291134 +S'Fanny' +p335819 +sg291136 +g27 +sg291137 +S'Chuck Close' +p335820 +sa(dp335821 +g291134 +S"Two Men Contemplating a Bust of a Woman's Head" +p335822 +sg291137 +S'Pablo Picasso' +p335823 +sg291130 +S'graphite on wove paper' +p335824 +sg291132 +S'1931' +p335825 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00021/a0002185.jpg' +p335826 +sg291136 +g27 +sa(dp335827 +g291134 +S'Six Circus Horses with Riders' +p335828 +sg291137 +S'Pablo Picasso' +p335829 +sg291130 +S'pen and black ink on wove paper; laid down on cardboard' +p335830 +sg291132 +S'1905' +p335831 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00022/a0002230.jpg' +p335832 +sg291136 +g27 +sa(dp335833 +g291134 +S'Lake Lucerne' +p335834 +sg291137 +S'Albert Bierstadt' +p335835 +sg291130 +S'oil on canvas' +p335836 +sg291132 +S'1858' +p335837 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00000/a0000026.jpg' +p335838 +sg291136 +S"Best known for his panoramic views of the Rocky Mountains, Albert Bierstadt began his career as a painter of European landscapes. In 1856, during a period of study abroad, he spent time in Switzerland and completed the plein air sketches he would later use to compose \n In the spring of 1858 he sent the painting to New York for the annual exhibition at the National Academy of Design. The picture caused a sensation. Bierstadt was hailed as a bright new star on the American art stage and was elected an honorary member of the Academy.\n Bierstadt's painting offers a sweeping view of Lake Lucerne with the village of Brunnen in the middle distance and the alpine peaks Ematten, Oberbauen, Uri–Rotstock and St. Gotthard in the distance. Though an image of mountain grandeur, \n One year after completing \n " +p335839 +sa(dp335840 +g291134 +S'Peasants Fighting in a Tavern' +p335841 +sg291137 +S'Artist Information (' +p335842 +sg291130 +S'(artist)' +p335843 +sg291132 +S'\n' +p335844 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00026/a0002610.jpg' +p335845 +sg291136 +g27 +sa(dp335846 +g291134 +S'Italian Coastal Landscape with a Thunderstorm' +p335847 +sg291137 +S'Friedrich Preller the Elder' +p335848 +sg291130 +S'pen and red-brown ink with red-brown and gray washes, heightened with white, over graphite on paper; mounted on board' +p335849 +sg291132 +S'1828/1831' +p335850 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b9/a000b92c.jpg' +p335851 +sg291136 +g27 +sa(dp335852 +g291130 +S'sketchbook with 54 drawings (in various states of completion) in graphite on wove paper' +p335853 +sg291132 +S'unknown date\n' +p335854 +sg291134 +S'Sketchbook of Landscape Drawings' +p335855 +sg291136 +g27 +sg291137 +S'Winckworth Allan Gay' +p335856 +sa(dp335857 +g291134 +S'Roadside Sign' +p335858 +sg291137 +S'Walker Evans' +p335859 +sg291130 +S'gelatin silver print' +p335860 +sg291132 +S'1929' +p335861 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005e/a0005e44.jpg' +p335862 +sg291136 +g27 +sa(dp335863 +g291134 +S'Hudson Street Boarding House Detail, New York' +p335864 +sg291137 +S'Walker Evans' +p335865 +sg291130 +S'gelatin silver print' +p335866 +sg291132 +S'1931' +p335867 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005e/a0005e32.jpg' +p335868 +sg291136 +g27 +sa(dp335869 +g291130 +S'gelatin silver print' +p335870 +sg291132 +S'July 1935' +p335871 +sg291134 +S'Independence Day, Terra Alta, West Virginia' +p335872 +sg291136 +g27 +sg291137 +S'Walker Evans' +p335873 +sa(dp335874 +g291134 +S'Street Scene, New York City' +p335875 +sg291137 +S'Walker Evans' +p335876 +sg291130 +S'gelatin silver print' +p335877 +sg291132 +S'Summer 1938' +p335878 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005e/a0005e39.jpg' +p335879 +sg291136 +g27 +sa(dp335880 +g291130 +S'red chalk on laid paper' +p335881 +sg291132 +S'c. 1925' +p335882 +sg291134 +S'Florence Beerbohm' +p335883 +sg291136 +g27 +sg291137 +S'Sir William Rothenstein' +p335884 +sa(dp335885 +g291134 +S'Charles Goldoni' +p335886 +sg291137 +S'Artist Information (' +p335887 +sg291130 +S'(artist after)' +p335888 +sg291132 +S'\n' +p335889 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008d/a0008d1d.jpg' +p335890 +sg291136 +g27 +sa(dp335891 +g291134 +S'M. David Hume' +p335892 +sg291137 +S'Artist Information (' +p335893 +sg291130 +S'(artist after)' +p335894 +sg291132 +S'\n' +p335895 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008d/a0008d3f.jpg' +p335896 +sg291136 +g27 +sa(dp335897 +g291134 +S'M. David Hume' +p335898 +sg291137 +S'Artist Information (' +p335899 +sg291130 +S'(artist after)' +p335900 +sg291132 +S'\n' +p335901 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008d/a0008d40.jpg' +p335902 +sg291136 +g27 +sa(dp335903 +g291134 +S'Louis XV' +p335904 +sg291137 +S'Artist Information (' +p335905 +sg291130 +S'(artist after)' +p335906 +sg291132 +S'\n' +p335907 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008c68.jpg' +p335908 +sg291136 +g27 +sa(dp335909 +g291134 +S'Antoine Fran\xc3\xa7ois Prevost' +p335910 +sg291137 +S'Georg Friedrich Schmidt' +p335911 +sg291130 +S'engraving on laid paper' +p335912 +sg291132 +S'1745' +p335913 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b336.jpg' +p335914 +sg291136 +g27 +sa(dp335915 +g291134 +S'Guillaume Thomas Raynal' +p335916 +sg291137 +S'Artist Information (' +p335917 +sg291130 +S'(artist after)' +p335918 +sg291132 +S'\n' +p335919 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008d/a0008d08.jpg' +p335920 +sg291136 +g27 +sa(dp335921 +g291134 +S'D. Pineau, Sculpteur' +p335922 +sg291137 +S'Artist Information (' +p335923 +sg291130 +S'(artist after)' +p335924 +sg291132 +S'\n' +p335925 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008c66.jpg' +p335926 +sg291136 +g27 +sa(dp335927 +g291134 +S'Jean George Wille' +p335928 +sg291137 +S'Artist Information (' +p335929 +sg291130 +S'(artist after)' +p335930 +sg291132 +S'\n' +p335931 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008d/a0008d18.jpg' +p335932 +sg291136 +g27 +sa(dp335933 +g291134 +S'Diderot' +p335934 +sg291137 +S'Thomas Ryder' +p335935 +sg291130 +S'engraving on laid paper' +p335936 +sg291132 +S'unknown date\n' +p335937 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00053/a00053b8.jpg' +p335938 +sg291136 +g27 +sa(dp335939 +g291134 +S'Glorification of the Host' +p335940 +sg291137 +S'Italian 18th Century' +p335941 +sg291130 +S'overall: 29.5 x 26.3 cm (11 5/8 x 10 3/8 in.)' +p335942 +sg291132 +S'\npen and iron gall ink on laid paper' +p335943 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006d92.jpg' +p335944 +sg291136 +g27 +sa(dp335945 +g291134 +S'Male Nude Seated on Rocks' +p335946 +sg291137 +S'Louis de Boullogne the Younger' +p335947 +sg291130 +S'black chalk, heightened with white chalk, on brown laid paper' +p335948 +sg291132 +S'c. 1710' +p335949 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00060/a00060cf.jpg' +p335950 +sg291136 +g27 +sa(dp335951 +g291134 +S'Briare' +p335952 +sg291137 +S'Henri-Joseph Harpignies' +p335953 +sg291130 +S'watercolor over graphite on wove paper' +p335954 +sg291132 +S'1902' +p335955 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00021/a000216f.jpg' +p335956 +sg291136 +g27 +sa(dp335957 +g291134 +S'Figures Seated Around a Fountain' +p335958 +sg291137 +S'Jean-Baptiste Lallemand' +p335959 +sg291130 +S'black chalk on laid paper; laid down' +p335960 +sg291132 +S'c. 1755' +p335961 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00071/a00071df.jpg' +p335962 +sg291136 +g27 +sa(dp335963 +g291134 +S'The Serpentine, London' +p335964 +sg291137 +S'Walter Richard Sickert' +p335965 +sg291130 +S'pen and black and brown ink, squared for transfer, on lined wove paper' +p335966 +sg291132 +S'c. 1920' +p335967 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006b/a0006bba.jpg' +p335968 +sg291136 +g27 +sa(dp335969 +g291134 +S'The Flight into Egypt' +p335970 +sg291137 +S'Benjamin West' +p335971 +sg291130 +S'pen and brown ink and wash, heightened with white gouache, on laid paper' +p335972 +sg291132 +S'c. 1800' +p335973 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f09c.jpg' +p335974 +sg291136 +g27 +sa(dp335975 +g291134 +S'Allegory of Peace' +p335976 +sg291137 +S'Artist Information (' +p335977 +sg291130 +S'Italian, 1511 - 1574' +p335978 +sg291132 +S'(artist after)' +p335979 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00075/a0007526.jpg' +p335980 +sg291136 +g27 +sa(dp335981 +g291130 +S'collage with colored paper and gouache mounted on board' +p335982 +sg291132 +S'probably 1960/1970' +p335983 +sg291134 +S'Untitled' +p335984 +sg291136 +g27 +sg291137 +S'Herman Cherry' +p335985 +sa(dp335986 +g291130 +S'collage with colored paper and gouache mounted on board' +p335987 +sg291132 +S'probably 1960/1970' +p335988 +sg291134 +S'Untitled' +p335989 +sg291136 +g27 +sg291137 +S'Herman Cherry' +p335990 +sa(dp335991 +g291130 +S'collage with colored papers' +p335992 +sg291132 +S'1967' +p335993 +sg291134 +S'Untitled' +p335994 +sg291136 +g27 +sg291137 +S'Ellsworth Kelly' +p335995 +sa(dp335996 +g291130 +S'lithograph in black and yellow touched with graphite, mounted with tape onto red backing paper' +p335997 +sg291132 +S'probably 1960/1970' +p335998 +sg291134 +S'Red Boiling Springs #2' +p335999 +sg291136 +g27 +sg291137 +S'Nicholas Krushenick' +p336000 +sa(dp336001 +g291130 +S'collage with burlap and paper mounted to painted paper' +p336002 +sg291132 +S'probably 1960/1970' +p336003 +sg291134 +S'Untitled' +p336004 +sg291136 +g27 +sg291137 +S'Conrad Marca-Relli' +p336005 +sa(dp336006 +g291130 +S'collage with burlap and canvas mounted on gray construction paper' +p336007 +sg291132 +S'probably 1960/1970' +p336008 +sg291134 +S'Untitled' +p336009 +sg291136 +g27 +sg291137 +S'Conrad Marca-Relli' +p336010 +sa(dp336011 +g291130 +S'collage with graphite on graph paper mounted on black construction paper' +p336012 +sg291132 +S'1946' +p336013 +sg291134 +S'Untitled' +p336014 +sg291136 +g27 +sg291137 +S'Isamu Noguchi' +p336015 +sa(dp336016 +g291130 +S'red, white, and black gouache printed "a la poupee" on wove paper' +p336017 +sg291132 +S'probably 1960/1970' +p336018 +sg291134 +S'Untitled' +p336019 +sg291136 +g27 +sg291137 +S'Arnaldo Pomodoro' +p336020 +sa(dp336021 +g291130 +S'gray, white, and black gouache printed "a la poupee" on wove paper' +p336022 +sg291132 +S'probably 1960/1970' +p336023 +sg291134 +S'Untitled' +p336024 +sg291136 +g27 +sg291137 +S'Arnaldo Pomodoro' +p336025 +sa(dp336026 +g291130 +S'red gouache printed "a la poupee" on wove paper' +p336027 +sg291132 +S'probably 1960/1970' +p336028 +sg291134 +S'Untitled' +p336029 +sg291136 +g27 +sg291137 +S'Arnaldo Pomodoro' +p336030 +sa(dp336031 +g291130 +S'red and black gouache printed "a la poupee" on wove paper' +p336032 +sg291132 +S'probably 1960/1970' +p336033 +sg291134 +S'Untitled' +p336034 +sg291136 +g27 +sg291137 +S'Arnaldo Pomodoro' +p336035 +sa(dp336036 +g291130 +S'collage with colored papers mounted on board' +p336037 +sg291132 +S'1973-1975' +p336038 +sg291134 +S'Infinity Field' +p336039 +sg291136 +g27 +sg291137 +S'Theodoros Stamos' +p336040 +sa(dp336041 +g291130 +S'gouache and graphite on blotting paper' +p336042 +sg291132 +S'1973-1975' +p336043 +sg291134 +S'Red and Green on Blue Field' +p336044 +sg291136 +g27 +sg291137 +S'Theodoros Stamos' +p336045 +sa(dp336046 +g291130 +S'collage with colored papers mounted on board' +p336047 +sg291132 +S'probably 1960/1970' +p336048 +sg291134 +S'Portrait Head' +p336049 +sg291136 +g27 +sg291137 +S'Ernest Tino Trova' +p336050 +sa(dp336051 +g291130 +S'collage with colored papers and colored tissue papers mounted on styrofoam board' +p336052 +sg291132 +S'probably 1960/1970' +p336053 +sg291134 +S'Daytime' +p336054 +sg291136 +g27 +sg291137 +S'Esteban Vicente' +p336055 +sa(dp336056 +g291130 +S'collage with colored papers' +p336057 +sg291132 +S'1980' +p336058 +sg291134 +S'Blue Island' +p336059 +sg291136 +g27 +sg291137 +S'Emerson Woelffer' +p336060 +sa(dp336061 +g291130 +S'collage with colored papers' +p336062 +sg291132 +S'1979' +p336063 +sg291134 +S'Blue Island' +p336064 +sg291136 +g27 +sg291137 +S'Emerson Woelffer' +p336065 +sa(dp336066 +g291130 +S'collage with colored papers' +p336067 +sg291132 +S'1979' +p336068 +sg291134 +S'Orange is Day' +p336069 +sg291136 +g27 +sg291137 +S'Emerson Woelffer' +p336070 +sa(dp336071 +g291130 +S'collage with colored papers' +p336072 +sg291132 +S'1980' +p336073 +sg291134 +S'White Rain' +p336074 +sg291136 +g27 +sg291137 +S'Emerson Woelffer' +p336075 +sa(dp336076 +g291130 +S'colored pencil and graphite on graph paper' +p336077 +sg291132 +S'1965' +p336078 +sg291134 +S'Untitled' +p336079 +sg291136 +g27 +sg291137 +S'Larry Zox' +p336080 +sa(dp336081 +g291130 +S'gouache on wove paper' +p336082 +sg291132 +S'probably 1960/1970' +p336083 +sg291134 +S'Angel Stone' +p336084 +sg291136 +g27 +sg291137 +S'Lee Gatch' +p336085 +sa(dp336086 +g291130 +S'gouache on wove paper' +p336087 +sg291132 +S'1967' +p336088 +sg291134 +S'Totem Blue' +p336089 +sg291136 +g27 +sg291137 +S'Jack Youngerman' +p336090 +sa(dp336091 +g291134 +S'Sainte-Adresse' +p336092 +sg291137 +S'Claude Monet' +p336093 +sg291130 +S'oil on canvas' +p336094 +sg291132 +S'1867' +p336095 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0004b/a0004bad.jpg' +p336096 +sg291136 +S'In June 1867, at the urging of his father,\r\nClaude Monet went to Sainte-Adresse, a\r\npopular resort town on the Normandy\r\ncoast, for an extended stay in the home\r\nof his aunt, Sophie Lecadre. His visit\r\nlasted almost until winter and proved to\r\nbe a period of intense activity, despite\r\nthe complications of his personal life\r\nat the time. &Quot;I have my work cut out for\r\nme,&Quot; Monet wrote to his friend and fellow\r\npainter Frédéric Bazille shortly after\r\nhis arrival. "I have about twenty canvases\r\nwell under way, some stunning seascapes\r\nand some figures and gardens, everything\r\nin short."\n Sainte-Adresse\n In stylistic terms, this painting is consistent\r\nwith the seascapes Monet produced\r\nduring the summer and fall of 1867. A new\r\nawareness of the particular atmospheric\r\ncharacter of the scene reflects Monet\xe2\x80\x99s\r\ngrowing acuity as a landscape painter. The\r\novercast day is skillfully captured through\r\nthe grayish tonalities of the sky, the water,\r\nand the beach. A stronger emphasis is also\r\ngiven to the paint surface, with rapidly\r\napplied touches of color that help characterize\r\nrather than carefully delineate the\r\nscene. The relative simplicity of the composition,\r\nthe elimination of detail, and\r\nthe fresh, varied quality of the brushwork\r\nall suggest that this painting was executed\r\nat least partly on site rather than entirely\r\nin the studio.\n The most salient characteristic, however,\r\nis the treatment of the subject itself.\r\nAlthough Sainte-Adresse was a resort\r\nsuburb, located two and one-half miles\r\nnorthwest of Le Havre, Monet made no\r\nallusion in the painting to the influx of\r\ntourists who visited the Normandy coast\r\nevery summer. In this painting, as in the 1867 \n (Text by Kimberly Jones, \n Notes\n ' +p336097 +sa(dp336098 +g291134 +S'Persische Nachtigallen (Persian Nightingales)' +p336099 +sg291137 +S'Paul Klee' +p336100 +sg291130 +S'gouache, watercolor, and pen and black ink over graphite on laid paper, mounted on cardboard; the sheet bordered at the top with yellow paper strip mounted to support' +p336101 +sg291132 +S'1917' +p336102 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00021/a0002174.jpg' +p336103 +sg291136 +S"Literary references permeate the works\r\n of Swiss artist Paul Klee, whose \n Johann Wolfgang von Goethe introduced\r\n the Persian writer to Germanspeaking\r\n audiences in his \n A pink rose appears in the lower left\r\n quadrant of Klee's watercolor, cradled\r\n by two sharply pointed leaves whose\r\n forms mirror the nightingales' heads.\r\n Above and to the left of the flower is\r\n the letter \n Klee further alludes to Persian\r\n miniature painting in the drawing's\r\n gemlike delicacy, ornamentation, and\r\n lustrous color, as well as its disregard for\r\n scale and perspective. Even the structure\r\n of the composition, which one\r\n seems to enter through an arched niche\r\n or parted curtains, recalls the format\r\n of many Persian miniatures. While Klee\r\n was living in Germany, from 1898 to\r\n 1933, he would have had ample opportunity\r\n to see Persian art in public collections,\r\n such as the Kaiser-Friedrich-Museum in Berlin (now Bode Museum),\r\n as well as the Bayerisches Nationalmuseum\r\n and the Staatsbibliothek in\r\n Munich. He no doubt also saw an\r\n important 1910 exhibition of Islamic art\r\n in Munich that featured more than\r\n 3,500 objects, including, as Klee's friend\r\n and colleagueWassily Kandinsky wrote\r\n in a published review, "carpets, majolica,\r\n weapons, ceramics, textiles, and finally\xc3\xa2\xc2\x80\xc2\x94the most arresting and closest to us\r\n today\xc3\xa2\xc2\x80\xc2\x94Persian miniatures." \n This radiant watercolor reflects in\r\n miniature a wondrous, microcosmic\r\n universe, one that even grants status to\r\n lowly consonants. Indeed, the letters\r\n R and N are fully integrated within the\r\n composition; they are scaled to the size\r\n of the nightingales and juxtaposed in\r\n the same indeterminate space. As is\r\n often the case in Persian art and particularly\r\n in Hafiz's poetry, the earthly and\r\n the divine are poised in a delicate and\r\n ambiguous balance. Individual shapes\r\n shift one against the other, each within\r\n the confines of Klee's wiry line and\r\n each flooded with thin washes of color.\r\n Although perfectly balanced for the\r\n moment, one senses that a tiny slip\r\n of a line in one direction or another\r\n might set the whole creation tumbling. \n " +p336104 +sa(dp336105 +g291134 +S'Blackboard' +p336106 +sg291137 +S'Winslow Homer' +p336107 +sg291130 +S'watercolor on wove paper' +p336108 +sg291132 +S'1877' +p336109 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00022/a0002243.jpg' +p336110 +sg291136 +g27 +sa(dp336111 +g291134 +S'The Martyrdom of Two Saints' +p336112 +sg291137 +S'Artist Information (' +p336113 +sg291130 +S'(artist after)' +p336114 +sg291132 +S'\n' +p336115 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c896.jpg' +p336116 +sg291136 +g27 +sa(dp336117 +g291134 +S'View of an Italian Port' +p336118 +sg291137 +S'Nicolaes Pietersz Berchem' +p336119 +sg291130 +S'oil on canvas' +p336120 +sg291132 +S'early 1660s' +p336121 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e52.jpg' +p336122 +sg291136 +g27 +sa(dp336123 +g291134 +S'Abraham Entertaining the Angels' +p336124 +sg291137 +S'Jan Tengnagel' +p336125 +sg291130 +S'pen and brown ink with wash over black chalk and graphite on laid paper; laid down' +p336126 +sg291132 +S'1610/1620' +p336127 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00028/a0002859.jpg' +p336128 +sg291136 +g27 +sa(dp336129 +g291130 +S'oil on canvas' +p336130 +sg291132 +S'c. 1912' +p336131 +sg291134 +S'Large Vase with Flowers' +p336132 +sg291136 +g27 +sg291137 +S'Odilon Redon' +p336133 +sa(dp336134 +g291134 +S'Polichinelle' +p336135 +sg291137 +S'Edouard Manet' +p336136 +sg291130 +S'lithograph in black hand-colored with gouache and watercolor on wove paper' +p336137 +sg291132 +S'1874' +p336138 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f56.jpg' +p336139 +sg291136 +g27 +sa(dp336140 +g291134 +S'Harmonica Player (Mundharmonikaspielerin)' +p336141 +sg291137 +S'Ernst Ludwig Kirchner' +p336142 +sg291130 +S'lithograph in red and deep violet on blotting paper' +p336143 +sg291132 +S'1919' +p336144 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b7/a000b7bc.jpg' +p336145 +sg291136 +g27 +sa(dp336146 +g291134 +S'Mountains (Berge)' +p336147 +sg291137 +S'Ernst Ludwig Kirchner' +p336148 +sg291130 +S'etching and tonal etching in black, touched with gray ink, on blotting paper' +p336149 +sg291132 +S'1920' +p336150 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c4/a000c432.jpg' +p336151 +sg291136 +g27 +sa(dp336152 +g291134 +S'Landscape with the Taming of a Horse' +p336153 +sg291137 +S'Guercino' +p336154 +sg291130 +S', 1620/1630' +p336155 +sg291132 +S'\n' +p336156 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00025/a000254f.jpg' +p336157 +sg291136 +g27 +sa(dp336158 +g291134 +S'The Repentant Magdalen' +p336159 +sg291137 +S'Gerard Seghers' +p336160 +sg291130 +S'oil on canvas' +p336161 +sg291132 +S'c. 1627/1630' +p336162 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e47.jpg' +p336163 +sg291136 +g27 +sa(dp336164 +g291134 +S'The Espousal (The Passage of the Rhine)' +p336165 +sg291137 +S'Aim\xc3\xa9-Jules Dalou' +p336166 +sg291130 +S'bronze' +p336167 +sg291132 +S'model 1890/1892, cast c. 1907' +p336168 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00029/a0002958.jpg' +p336169 +sg291136 +g27 +sa(dp336170 +g291130 +S'graphite on brown wove paper' +p336171 +sg291132 +S'1948' +p336172 +sg291134 +S'Nude Girl Stretched Out on a Chair [recto]' +p336173 +sg291136 +g27 +sg291137 +S'Balthus' +p336174 +sa(dp336175 +g291130 +S'black chalk on wove paper' +p336176 +sg291132 +S'1948' +p336177 +sg291134 +S'Figure Studies [verso]' +p336178 +sg291136 +g27 +sg291137 +S'Balthus' +p336179 +sa(dp336180 +g291134 +S'Drawbridge - Long Branch R. R.' +p336181 +sg291137 +S'Theodore Robinson' +p336182 +sg291130 +S'oil on canvas' +p336183 +sg291132 +S'1894' +p336184 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00001/a00001f8.jpg' +p336185 +sg291136 +g27 +sa(dp336186 +g291130 +g27 +sg291132 +S'(publisher)' +p336187 +sg291134 +S'Berlin Dream with Steel Window Frame at 2978899' +p336188 +sg291136 +g27 +sg291137 +S'Artist Information (' +p336189 +sa(dp336190 +g291130 +g27 +sg291132 +S'(publisher)' +p336191 +sg291134 +S'Concentric Bearings, A' +p336192 +sg291136 +g27 +sg291137 +S'Artist Information (' +p336193 +sa(dp336194 +g291130 +g27 +sg291132 +S'(publisher)' +p336195 +sg291134 +S'Trip on the Ground' +p336196 +sg291136 +g27 +sg291137 +S'Artist Information (' +p336197 +sa(dp336198 +g291134 +S'King Corpse' +p336199 +sg291137 +S'Artist Information (' +p336200 +sg291130 +g27 +sg291132 +S'(publisher)' +p336201 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000a99.jpg' +p336202 +sg291136 +g27 +sa(dp336203 +g291130 +g27 +sg291132 +S'(publisher)' +p336204 +sg291134 +S'Platform #2' +p336205 +sg291136 +g27 +sg291137 +S'Artist Information (' +p336206 +sa(dp336207 +g291130 +g27 +sg291132 +S'(publisher)' +p336208 +sg291134 +S'Celia' +p336209 +sg291136 +g27 +sg291137 +S'Artist Information (' +p336210 +sa(dp336211 +g291134 +S'Figure 0' +p336212 +sg291137 +S'Artist Information (' +p336213 +sg291130 +g27 +sg291132 +S'(publisher)' +p336214 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000a/a0000adf.jpg' +p336215 +sg291136 +g27 +sa(dp336216 +g291130 +g27 +sg291132 +S'(publisher)' +p336217 +sg291134 +S'Figure 9' +p336218 +sg291136 +g27 +sg291137 +S'Artist Information (' +p336219 +sa(dp336220 +g291130 +g27 +sg291132 +S'(publisher)' +p336221 +sg291134 +S'Red Curve' +p336222 +sg291136 +g27 +sg291137 +S'Artist Information (' +p336223 +sa(dp336224 +g291130 +g27 +sg291132 +S'(publisher)' +p336225 +sg291134 +S'Rite of Passage' +p336226 +sg291136 +g27 +sg291137 +S'Artist Information (' +p336227 +sa(dp336228 +g291130 +g27 +sg291132 +S'(publisher)' +p336229 +sg291134 +S'Ringer (State)' +p336230 +sg291136 +g27 +sg291137 +S'Artist Information (' +p336231 +sa(dp336232 +g291134 +S'Boneman' +p336233 +sg291137 +S'Artist Information (' +p336234 +sg291130 +g27 +sg291132 +S'(publisher)' +p336235 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000b/a0000b7c.jpg' +p336236 +sg291136 +g27 +sa(dp336237 +g291134 +S'Muddy Waters' +p336238 +sg291137 +S'Artist Information (' +p336239 +sg291130 +g27 +sg291132 +S'(publisher)' +p336240 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000b/a0000b8a.jpg' +p336241 +sg291136 +g27 +sa(dp336242 +g291130 +S'heliorelief and woodcut on hot-pressed T.H. Saunders paper, with painted oak and gum plywood frame and assemblage' +p336243 +sg291132 +S'1987/1989' +p336244 +sg291134 +S'Father and Son Song' +p336245 +sg291136 +g27 +sg291137 +S'Sandro Chia' +p336246 +sa(dp336247 +g291130 +S'woodcut, heliorelief woodcut, softground and spitbite etching, and drypoint with painted additions on wove paper' +p336248 +sg291132 +S'1987/1988' +p336249 +sg291134 +S'Youth and the Maiden [left sheet of 3-part print]' +p336250 +sg291136 +g27 +sg291137 +S'Jim Dine' +p336251 +sa(dp336252 +g291130 +S'woodcut, heliorelief woodcut, softground and spitbite etching, and drypoint, with painted additions on wove paper' +p336253 +sg291132 +S'1987/1988' +p336254 +sg291134 +S'Youth and the Maiden [center sheet of 3-part print]' +p336255 +sg291136 +g27 +sg291137 +S'Jim Dine' +p336256 +sa(dp336257 +g291130 +S'woodcut, heliorelief woodcut, softground and spitbite etching, and drypoint, with painted additions on wove paper' +p336258 +sg291132 +S'1987/1988' +p336259 +sg291134 +S'Youth and the Maiden [right sheet of 3-part print]' +p336260 +sg291136 +g27 +sg291137 +S'Jim Dine' +p336261 +sa(dp336262 +g291130 +S'brushed stainless steel, aluminum mesh, cast resin, cast paper, aluminum panels, cast epoxy, and color lithograph' +p336263 +sg291132 +S'1990' +p336264 +sg291134 +S'Canoptic Legerdemain' +p336265 +sg291136 +g27 +sg291137 +S'Nancy Graves' +p336266 +sa(dp336267 +g291130 +S'lithograph, woodcut, and screenprint with encaustic and waxtype on wove paper' +p336268 +sg291132 +S'1989' +p336269 +sg291134 +S'Green Face' +p336270 +sg291136 +g27 +sg291137 +S'Roy Lichtenstein' +p336271 +sa(dp336272 +g291130 +S'bronze, Xerox transfer on silk, thread, shot' +p336273 +sg291132 +S'1986' +p336274 +sg291134 +S'Fifth-Force' +p336275 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p336276 +sa(dp336277 +g291130 +S'aquatint on wove paper' +p336278 +sg291132 +S'1987' +p336279 +sg291134 +S'Welcome to the Water Planet' +p336280 +sg291136 +g27 +sg291137 +S'James Rosenquist' +p336281 +sa(dp336282 +g291130 +S'watercolor (applied recto and verso) on japan paper' +p336283 +sg291132 +S'c. 1930/1940' +p336284 +sg291134 +S'Sunflowers, Pink and White Dahlias, and a Blue Delphinium' +p336285 +sg291136 +g27 +sg291137 +S'Emil Nolde' +p336286 +sa(dp336287 +g291134 +S'U.S. Thread Company Mills, Willimantic, Connecticut' +p336288 +sg291137 +S'Julian Alden Weir' +p336289 +sg291130 +S'oil on canvas' +p336290 +sg291132 +S'c. 1893/1897' +p336291 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00105/a00105d8.jpg' +p336292 +sg291136 +g27 +sa(dp336293 +g291134 +S'Soft Drainpipe - Red (Hot) Version' +p336294 +sg291137 +S'Claes Oldenburg' +p336295 +sg291130 +S'vinyl lined with canvas, filled with expanded polystyrene chips, on painted metal stand' +p336296 +sg291132 +S'1967' +p336297 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00016/a00016a0.jpg' +p336298 +sg291136 +g27 +sa(dp336299 +g291134 +S'Mountain Landscape with Washerwomen and a Fisherman' +p336300 +sg291137 +S'Francesco Zuccarelli' +p336301 +sg291130 +S'gouache on paper' +p336302 +sg291132 +S'1760s' +p336303 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00028/a00028ed.jpg' +p336304 +sg291136 +g27 +sa(dp336305 +g291130 +S'charcoal, black chalk, and pastel on laid paper' +p336306 +sg291132 +S'1894/1895' +p336307 +sg291134 +S'Reclining Nude [recto]' +p336308 +sg291136 +g27 +sg291137 +S'Paul Gauguin' +p336309 +sa(dp336310 +g291130 +S'charcoal, black chalk, and pastel on paper worked over with brush and water' +p336311 +sg291132 +S'c. 1894' +p336312 +sg291134 +S'Study for Aita tamari vahine Judith te parari [verso]' +p336313 +sg291136 +g27 +sg291137 +S'Paul Gauguin' +p336314 +sa(dp336315 +g291134 +S'Interior of the Fourth Dimension' +p336316 +sg291137 +S'Max Weber' +p336317 +sg291130 +S'oil on canvas' +p336318 +sg291132 +S'1913' +p336319 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00002/a000028e.jpg' +p336320 +sg291136 +g27 +sa(dp336321 +g291134 +S'Warrior in Renaissance Armor on a Rearing Horse' +p336322 +sg291137 +S'Peter Vischer the Younger' +p336323 +sg291130 +S', c. 1530/1540' +p336324 +sg291132 +S'\n' +p336325 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00079/a0007968.jpg' +p336326 +sg291136 +g27 +sa(dp336327 +g291130 +S'etching in black on japan paper' +p336328 +sg291132 +S'1909' +p336329 +sg291134 +S'Old House, Rue des Arpents, Rouen, I' +p336330 +sg291136 +g27 +sg291137 +S'John Marin' +p336331 +sa(dp336332 +g291130 +S'etching in black with plate tone on japan paper' +p336333 +sg291132 +S'1909' +p336334 +sg291134 +S'Old House, Rue des Arpents, Rouen, I' +p336335 +sg291136 +g27 +sg291137 +S'John Marin' +p336336 +sa(dp336337 +g291134 +S'Figure Costumed as Hercules' +p336338 +sg291137 +S'French 16th Century' +p336339 +sg291130 +S'sheet: 41.5 x 29 cm (16 5/16 x 11 7/16 in.)' +p336340 +sg291132 +S'\netching on laid paper' +p336341 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00083/a0008347.jpg' +p336342 +sg291136 +g27 +sa(dp336343 +g291134 +S'Miss Kitty Dressing' +p336344 +sg291137 +S'Artist Information (' +p336345 +sg291130 +S'(artist after)' +p336346 +sg291132 +S'\n' +p336347 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0007d/a0007d3c.jpg' +p336348 +sg291136 +g27 +sa(dp336349 +g291134 +S'Zim Zum' +p336350 +sg291137 +S'Anselm Kiefer' +p336351 +sg291130 +S'acrylic, emulsion, crayon, shellac, ashes, and canvas on lead' +p336352 +sg291132 +S'1990' +p336353 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f9b.jpg' +p336354 +sg291136 +g27 +sa(dp336355 +g291130 +S'gelatin silver print' +p336356 +sg291132 +S'1949' +p336357 +sg291134 +S'Eleanor, Chicago' +p336358 +sg291136 +g27 +sg291137 +S'Harry Callahan' +p336359 +sa(dp336360 +g291130 +S'gelatin silver print mounted on paperboard' +p336361 +sg291132 +S'1959' +p336362 +sg291134 +S'Grasses, Wisconsin' +p336363 +sg291136 +g27 +sg291137 +S'Harry Callahan' +p336364 +sa(dp336365 +g291130 +S'gelatin silver print' +p336366 +sg291132 +S'c. 1943' +p336367 +sg291134 +S'Store Front and Reflections' +p336368 +sg291136 +g27 +sg291137 +S'Harry Callahan' +p336369 +sa(dp336370 +g291130 +S'gelatin silver print mounted on paperboard' +p336371 +sg291132 +S'1947' +p336372 +sg291134 +S'Eleanor, Chicago' +p336373 +sg291136 +g27 +sg291137 +S'Harry Callahan' +p336374 +sa(dp336375 +g291130 +S'platinum print' +p336376 +sg291132 +S'1916' +p336377 +sg291134 +S'People, Streets of New York, 83rd and West End Avenue' +p336378 +sg291136 +g27 +sg291137 +S'Paul Strand' +p336379 +sa(dp336380 +g291130 +S'(artist after)' +p336381 +sg291132 +S'\n' +p336382 +sg291134 +S'The Grotto of Posilipo' +p336383 +sg291136 +g27 +sg291137 +S'Artist Information (' +p336384 +sa(dp336385 +g291134 +S'View on the River Wye, Looking towards Chepstow' +p336386 +sg291137 +S'John Martin' +p336387 +sg291130 +S'watercolor, gouache, and touches of oil paint (?) over graphite with scraping out, heightened with varnish and/or gum arabic, on wove paper' +p336388 +sg291132 +S'1844' +p336389 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00025/a00025fa.jpg' +p336390 +sg291136 +g27 +sa(dp336391 +g291130 +S'hand-colored etching, engraving, aquatint, and soft-ground on laid paper [proof]' +p336392 +sg291132 +S'1953/1955' +p336393 +sg291134 +S'Magic Garden' +p336394 +sg291136 +g27 +sg291137 +S'Louise Nevelson' +p336395 +sa(dp336396 +g291130 +S'etching, engraving, aquatint, and soft-ground in green-black on Rives BFK wove paper [printed 1965/1966 at Hollander Graphic Workshop, New York]' +p336397 +sg291132 +S'1953/1955' +p336398 +sg291134 +S'Magic Garden' +p336399 +sg291136 +g27 +sg291137 +S'Louise Nevelson' +p336400 +sa(dp336401 +g291130 +S'lithograph in black on Arches paper' +p336402 +sg291132 +S'1977' +p336403 +sg291134 +S'Nancy' +p336404 +sg291136 +g27 +sg291137 +S'Alice Neel' +p336405 +sa(dp336406 +g291130 +S'soft-ground etching in black, orange, and green on Richard de Bas paper' +p336407 +sg291132 +S'1989' +p336408 +sg291134 +S'Pages, 1' +p336409 +sg291136 +g27 +sg291137 +S'Robert Mangold' +p336410 +sa(dp336411 +g291130 +S'portfolio with twelve intaglio prints and title page' +p336412 +sg291132 +S'published 1989' +p336413 +sg291134 +S'Pages' +p336414 +sg291136 +g27 +sg291137 +S'Robert Mangold' +p336415 +sa(dp336416 +g291130 +S'drypoint in black on Fabriano Esportazione paper' +p336417 +sg291132 +S'1989' +p336418 +sg291134 +S'Pages, 2' +p336419 +sg291136 +g27 +sg291137 +S'Robert Mangold' +p336420 +sa(dp336421 +g291130 +S'drypoint in black on Richard de Bas paper' +p336422 +sg291132 +S'1989' +p336423 +sg291134 +S'Pages, 3' +p336424 +sg291136 +g27 +sg291137 +S'Robert Mangold' +p336425 +sa(dp336426 +g291130 +S'etching and soft-ground etching in black and red on Fabriano Esportazione paper' +p336427 +sg291132 +S'1989' +p336428 +sg291134 +S'Pages, 4' +p336429 +sg291136 +g27 +sg291137 +S'Robert Mangold' +p336430 +sa(dp336431 +g291130 +S"drypoint in black and aquatint in gray on D'Arches paper" +p336432 +sg291132 +S'1989' +p336433 +sg291134 +S'Pages, 5' +p336434 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+S'http://www.nga.gov:80/thumb-l/a000b6/a000b696.jpg' +p337523 +sg291136 +g27 +sa(dp337524 +g291134 +S'Tod und J\xc3\xbcngling (Death and the Young Man)' +p337525 +sg291137 +S'Lovis Corinth' +p337526 +sg291130 +S'softground etching in gray-black on japan paper' +p337527 +sg291132 +S'1921' +p337528 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b6/a000b697.jpg' +p337529 +sg291136 +g27 +sa(dp337530 +g291134 +S'Tod und Greis (Death and the Old Man)' +p337531 +sg291137 +S'Lovis Corinth' +p337532 +sg291130 +S'softground etching in black on japan paper' +p337533 +sg291132 +S'1921' +p337534 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00016/a0001632.jpg' +p337535 +sg291136 +g27 +sa(dp337536 +g291134 +S'Tod und Weib (Death and the Woman)' +p337537 +sg291137 +S'Lovis Corinth' +p337538 +sg291130 +S'softground etching in black on japan paper' +p337539 +sg291132 +S'1921' +p337540 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b6/a000b698.jpg' +p337541 +sg291136 +g27 +sa(dp337542 +g291134 +S'Tod bei Strucks (Death Visits the Strucks)' +p337543 +sg291137 +S'Lovis Corinth' +p337544 +sg291130 +S'softground etching in black on japan paper' +p337545 +sg291132 +S'1921' +p337546 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b6/a000b699.jpg' +p337547 +sg291136 +g27 +sa(dp337548 +g291134 +S'Dancer (Die T\xc3\xa4nzerin)' +p337549 +sg291137 +S'Egon Schiele' +p337550 +sg291130 +S'watercolor and gouache over graphite on wove paper' +p337551 +sg291132 +S'1913' +p337552 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00021/a000218b.jpg' +p337553 +sg291136 +g27 +sa(dp337554 +g291130 +S'1 vol: ill: 16 photogravures on wove paper' +p337555 +sg291132 +S'published 1895' +p337556 +sg291134 +S'Marsh Leaves' +p337557 +sg291136 +g27 +sg291137 +S'Peter Henry Emerson' +p337558 +sa(dp337559 +g291130 +S'photogravure on wove paper' +p337560 +sg291132 +S'in or before 1895' +p337561 +sg291134 +S"A Winter's Sunrise" +p337562 +sg291136 +g27 +sg291137 +S'Peter Henry Emerson' +p337563 +sa(dp337564 +g291130 +S'photogravure on wove paper' +p337565 +sg291132 +S'in or before 1895' +p337566 +sg291134 +S'The Lone Lagoon' +p337567 +sg291136 +g27 +sg291137 +S'Peter Henry Emerson' +p337568 +sa(dp337569 +g291130 +S'photogravure on wove paper' +p337570 +sg291132 +S'in or before 1895' +p337571 +sg291134 +S'The Fetters of Winter' +p337572 +sg291136 +g27 +sg291137 +S'Peter Henry Emerson' +p337573 +sa(dp337574 +g291130 +S'photogravure on wove paper' +p337575 +sg291132 +S'in or before 1895' +p337576 +sg291134 +S'A Waterside Inn' +p337577 +sg291136 +g27 +sg291137 +S'Peter Henry Emerson' +p337578 +sa(dp337579 +g291130 +S'photogravure on wove paper' +p337580 +sg291132 +S'in or before 1895' +p337581 +sg291134 +S'A Winter Pastoral' +p337582 +sg291136 +g27 +sg291137 +S'Peter Henry Emerson' +p337583 +sa(dp337584 +g291130 +S'photogravure on wove paper' +p337585 +sg291132 +S'in or before 1895' +p337586 +sg291134 +S'Marsh Weeds' +p337587 +sg291136 +g27 +sg291137 +S'Peter Henry Emerson' +p337588 +sa(dp337589 +g291130 +S'photogravure on wove paper' +p337590 +sg291132 +S'in or before 1895' +p337591 +sg291134 +S'Gnarled Thorn-Trees' +p337592 +sg291136 +g27 +sg291137 +S'Peter Henry Emerson' +p337593 +sa(dp337594 +g291130 +S'photogravure on wove paper' +p337595 +sg291132 +S'in or before 1895' +p337596 +sg291134 +S'The Misty River' +p337597 +sg291136 +g27 +sg291137 +S'Peter Henry Emerson' +p337598 +sa(dp337599 +g291130 +S'photogravure on wove paper' +p337600 +sg291132 +S'in or before 1895' +p337601 +sg291134 +S'Bleak Winter' +p337602 +sg291136 +g27 +sg291137 +S'Peter Henry Emerson' +p337603 +sa(dp337604 +g291130 +S'photogravure on wove paper' +p337605 +sg291132 +S'in or before 1895' +p337606 +sg291134 +S'The Waking River' +p337607 +sg291136 +g27 +sg291137 +S'Peter Henry Emerson' +p337608 +sa(dp337609 +g291130 +S'photogravure on wove paper' +p337610 +sg291132 +S'in or before 1895' +p337611 +sg291134 +S'The Bridge' +p337612 +sg291136 +g27 +sg291137 +S'Peter Henry Emerson' +p337613 +sa(dp337614 +g291130 +S'photogravure on wove paper' +p337615 +sg291132 +S'in or before 1895' +p337616 +sg291134 +S'The Snow Garden' +p337617 +sg291136 +g27 +sg291137 +S'Peter Henry Emerson' +p337618 +sa(dp337619 +g291130 +S'photogravure on wove paper' +p337620 +sg291132 +S'in or before 1895' +p337621 +sg291134 +S'A Corner of the Farm-Yard' +p337622 +sg291136 +g27 +sg291137 +S'Peter Henry Emerson' +p337623 +sa(dp337624 +g291130 +S'photogravure on wove paper' +p337625 +sg291132 +S'in or before 1895' +p337626 +sg291134 +S'Rime Crystals' +p337627 +sg291136 +g27 +sg291137 +S'Peter Henry Emerson' +p337628 +sa(dp337629 +g291130 +S'photogravure on wove paper' +p337630 +sg291132 +S'in or before 1895' +p337631 +sg291134 +S'The Lonely Fisher' +p337632 +sg291136 +g27 +sg291137 +S'Peter Henry Emerson' +p337633 +sa(dp337634 +g291130 +S'photogravure on wove paper' +p337635 +sg291132 +S'in or before 1895' +p337636 +sg291134 +S'The Last Gate' +p337637 +sg291136 +g27 +sg291137 +S'Peter Henry Emerson' +p337638 +sa(dp337639 +g291134 +S'Subway Portrait' +p337640 +sg291137 +S'Walker Evans' +p337641 +sg291130 +S'gelatin silver print' +p337642 +sg291132 +S'1938-1941' +p337643 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00064/a00064b0.jpg' +p337644 +sg291136 +g27 +sa(dp337645 +g291134 +S'Subway Portrait' +p337646 +sg291137 +S'Walker Evans' +p337647 +sg291130 +S'gelatin silver print' +p337648 +sg291132 +S'1938-1941' +p337649 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00064/a00064b5.jpg' +p337650 +sg291136 +g27 +sa(dp337651 +g291134 +S'Subway Portrait' +p337652 +sg291137 +S'Walker Evans' +p337653 +sg291130 +S'gelatin silver print' +p337654 +sg291132 +S'1938-1941' +p337655 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00064/a00064b4.jpg' +p337656 +sg291136 +g27 +sa(dp337657 +g291134 +S'Subway Portrait' +p337658 +sg291137 +S'Walker Evans' +p337659 +sg291130 +S'gelatin silver print' +p337660 +sg291132 +S'1938-1941' +p337661 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00064/a00064b3.jpg' +p337662 +sg291136 +g27 +sa(dp337663 +g291134 +S'Subway Portrait' +p337664 +sg291137 +S'Walker Evans' +p337665 +sg291130 +S'gelatin silver print' +p337666 +sg291132 +S'1938-1941' +p337667 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00064/a00064b7.jpg' +p337668 +sg291136 +g27 +sa(dp337669 +g291130 +S'gelatin silver print' +p337670 +sg291132 +S'January 1941' +p337671 +sg291134 +S'Subway Portrait' +p337672 +sg291136 +g27 +sg291137 +S'Walker Evans' +p337673 +sa(dp337674 +g291134 +S'Subway Portrait' +p337675 +sg291137 +S'Walker Evans' +p337676 +sg291130 +S'gelatin silver print mounted on paperboard' +p337677 +sg291132 +S'January 1941' +p337678 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005a/a0005abf.jpg' +p337679 +sg291136 +g27 +sa(dp337680 +g291134 +S'Subway Portrait' +p337681 +sg291137 +S'Walker Evans' +p337682 +sg291130 +S'gelatin silver print' +p337683 +sg291132 +S'1938-1941' +p337684 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00064/a000649c.jpg' +p337685 +sg291136 +g27 +sa(dp337686 +g291134 +S'Subway Portrait' +p337687 +sg291137 +S'Walker Evans' +p337688 +sg291130 +S'gelatin silver print' +p337689 +sg291132 +S'1938-1941' +p337690 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00064/a0006498.jpg' +p337691 +sg291136 +g27 +sa(dp337692 +g291134 +S'Subway Portrait' +p337693 +sg291137 +S'Walker Evans' +p337694 +sg291130 +S'gelatin silver print' +p337695 +sg291132 +S'1938-1941' +p337696 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00064/a0006497.jpg' +p337697 +sg291136 +g27 +sa(dp337698 +g291134 +S'Subway Portrait' +p337699 +sg291137 +S'Walker Evans' +p337700 +sg291130 +S'gelatin silver print' +p337701 +sg291132 +S'1938-1941' +p337702 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00064/a000649b.jpg' +p337703 +sg291136 +g27 +sa(dp337704 +g291134 +S'Subway Portrait' +p337705 +sg291137 +S'Walker Evans' +p337706 +sg291130 +S'gelatin silver print' +p337707 +sg291132 +S'1938-1941' +p337708 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00064/a000649a.jpg' +p337709 +sg291136 +g27 +sa(dp337710 +g291134 +S'Subway Portrait' +p337711 +sg291137 +S'Walker Evans' +p337712 +sg291130 +S'gelatin silver print' +p337713 +sg291132 +S'1938' +p337714 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005d/a0005d1e.jpg' +p337715 +sg291136 +S'Although he resisted the term "art photographer" throughout his life, Walker Evans was instrumental in establishing photography as an artistic profession in the United States. Ten years after making his first serious photographs, Evans had published three books with noted writers and had as many one-person shows at the Museum of Modern Art. The last of these, \n For his "subway portraits," which Evans began to make immediately after the appearance of \n ' +p337716 +sa(dp337717 +g291134 +S'Subway Portrait' +p337718 +sg291137 +S'Walker Evans' +p337719 +sg291130 +S'gelatin silver print' +p337720 +sg291132 +S'1938-1941' +p337721 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00064/a0006499.jpg' +p337722 +sg291136 +g27 +sa(dp337723 +g291134 +S'Subway Portrait' +p337724 +sg291137 +S'Walker Evans' +p337725 +sg291130 +S'gelatin silver print mounted on paperboard' +p337726 +sg291132 +S'1938-1941' +p337727 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00064/a0006496.jpg' +p337728 +sg291136 +g27 +sa(dp337729 +g291130 +S'Italian, 1467 - 1528' +p337730 +sg291132 +S'(related artist)' +p337731 +sg291134 +S'Standing Leda and the Swan [obverse]' +p337732 +sg291136 +g27 +sg291137 +S'Artist Information (' +p337733 +sa(dp337734 +g291130 +S'Italian, 1467 - 1528' +p337735 +sg291132 +S'(related artist)' +p337736 +sg291134 +S'Hercules and the Nemean Lion [reverse]' +p337737 +sg291136 +g27 +sg291137 +S'Artist Information (' +p337738 +sa(dp337739 +g291130 +S'5-color sugar-lift aquatint on wove paper' +p337740 +sg291132 +S'1937' +p337741 +sg291134 +S'Laquais (Footman)' +p337742 +sg291136 +g27 +sg291137 +S'Georges Rouault' +p337743 +sa(dp337744 +g291130 +S'4-color sugar-lift aquatint on wove paper' +p337745 +sg291132 +S'1938' +p337746 +sg291134 +S'Christ de Face' +p337747 +sg291136 +g27 +sg291137 +S'Georges Rouault' +p337748 +sa(dp337749 +g291130 +S'gelatin silver print mounted on paperboard' +p337750 +sg291132 +S'1918' +p337751 +sg291134 +S"Georgia O'Keeffe" +p337752 +sg291136 +g27 +sg291137 +S'Alfred Stieglitz' +p337753 +sa(dp337754 +g291134 +S"Georgia O'Keeffe--Hands" +p337755 +sg291137 +S'Alfred Stieglitz' +p337756 +sg291130 +S'palladium print' +p337757 +sg291132 +S'1919' +p337758 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00057/a0005717.jpg' +p337759 +sg291136 +S'Alfred Stieglitz (1864–1946) spent much of his career establishing a dialogue between advanced photography, painting, and sculpture, and his more than three hundred photographs of the painter Georgia O\'Keeffe (1887–1986) count as a signal contribution to this long-term enterprise. Two years after opening an exhibition space, the Little Galleries of the Photo-Secession (Gallery "291"), in 1905, Stieglitz began showing modern art there as well. Drawings, paintings, and sculpture by Auguste Rodin, Henri Matisse, Pablo Picasso, and Constantin Brancusi, among others, influenced Stieglitz in his thinking about photography. These artists, significantly, all made or worked from photographs.\n Stieglitz\'s decision to consider his photographs of O\'Keeffe\'s hands "portraits" of her in their own right, rather than simply studies for a larger composition, is certainly indebted to the sculptural fragments made by Rodin and pursued to the point of abstraction by Rodin\'s one-time assistant Brancusi. Yet Stieglitz cultivated here above all the sense of photography as fragmentary, a partial viewing that lends itself to juxtaposition and serial development. Stieglitz called his ongoing studies of O\'Keeffe a "composite portrait," meaning one that developed over time, piece by piece. This closely framed view of ecstatically clawing hands, sinewy fingers pressing into flesh, gives just one aspect of O\'Keeffe\'s multifaceted personality as shaped through this portrait series.\n ' +p337760 +sa(dp337761 +g291134 +S'Saint Anthony Abbot and Saint Bernardino of Siena' +p337762 +sg291137 +S'Jacopo Bellini' +p337763 +sg291130 +S'tempera on panel' +p337764 +sg291132 +S'1459' +p337765 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00008/a0000851.jpg' +p337766 +sg291136 +g27 +sa(dp337767 +g291130 +S'gelatin silver print' +p337768 +sg291132 +S'c. 1955' +p337769 +sg291134 +S'Reflections, New York' +p337770 +sg291136 +g27 +sg291137 +S'Lisette Model' +p337771 +sa(dp337772 +g291130 +S'gelatin silver print' +p337773 +sg291132 +S'1933/1938' +p337774 +sg291134 +S'Man with Pamphlets' +p337775 +sg291136 +g27 +sg291137 +S'Lisette Model' +p337776 +sa(dp337777 +g291130 +S'gelatin silver print' +p337778 +sg291132 +S'1934' +p337779 +sg291134 +S'Promenade des Anglais' +p337780 +sg291136 +g27 +sg291137 +S'Lisette Model' +p337781 +sa(dp337782 +g291130 +S'gelatin silver print, 1950s' +p337783 +sg291132 +S'1929' +p337784 +sg291134 +S'The Bricklayer' +p337785 +sg291136 +g27 +sg291137 +S'August Sander' +p337786 +sa(dp337787 +g291130 +S'linocut with painted additions on offset paper' +p337788 +sg291132 +S'1983' +p337789 +sg291134 +S'consequences (folgen)' +p337790 +sg291136 +g27 +sg291137 +S'J\xc3\xb6rg Immendorff' +p337791 +sa(dp337792 +g291130 +S'screenprint on stained canvas with painted additions' +p337793 +sg291132 +S'1983' +p337794 +sg291134 +S'The Last Supper (Das letzte Abendmahl)' +p337795 +sg291136 +g27 +sg291137 +S'Hermann Nitsch' +p337796 +sa(dp337797 +g291134 +S'Study for a Prophet' +p337798 +sg291137 +S'Lattanzio Gambara' +p337799 +sg291130 +S'black chalk with white heightening on laid paper; squared for transfer' +p337800 +sg291132 +S'1567/1573' +p337801 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00025/a000253c.jpg' +p337802 +sg291136 +g27 +sa(dp337803 +g291130 +S'(artist after)' +p337804 +sg291132 +S'\n' +p337805 +sg291134 +S'The English Dance of Death (volume I)' +p337806 +sg291136 +g27 +sg291137 +S'Artist Information (' +p337807 +sa(dp337808 +g291130 +S'(artist after)' +p337809 +sg291132 +S'\n' +p337810 +sg291134 +S'The English Dance of Death (volume II)' +p337811 +sg291136 +g27 +sg291137 +S'Artist Information (' +p337812 +sa(dp337813 +g291130 +S'(artist after)' +p337814 +sg291132 +S'\n' +p337815 +sg291134 +S'The Dance of Life' +p337816 +sg291136 +g27 +sg291137 +S'Artist Information (' +p337817 +sa(dp337818 +g291130 +S'(artist)' +p337819 +sg291132 +S'\n' +p337820 +sg291134 +S'The Vicar of Wakefield' +p337821 +sg291136 +g27 +sg291137 +S'Artist Information (' +p337822 +sa(dp337823 +g291130 +S'(artist)' +p337824 +sg291132 +S'\n' +p337825 +sg291134 +S'The Tour of Doctor Syntax in Search of the Picturesque: A Poem (volume I)' +p337826 +sg291136 +g27 +sg291137 +S'Artist Information (' +p337827 +sa(dp337828 +g291130 +S'(artist after)' +p337829 +sg291132 +S'\n' +p337830 +sg291134 +S'The Second Tour of Doctor Syntax, in Search of Consolation: A Poem (volume II)' +p337831 +sg291136 +g27 +sg291137 +S'Artist Information (' +p337832 +sa(dp337833 +g291130 +S'(artist after)' +p337834 +sg291132 +S'\n' +p337835 +sg291134 +S'The Third Tour of Doctor Syntax, in Search of a Wife: A Poem (volume III)' +p337836 +sg291136 +g27 +sg291137 +S'Artist Information (' +p337837 +sa(dp337838 +g291130 +S'(artist after)' +p337839 +sg291132 +S'\n' +p337840 +sg291134 +S'The History of Johnny Quae Genus, the Foundling of the Late Doctor Syntax: A Poem' +p337841 +sg291136 +g27 +sg291137 +S'Artist Information (' +p337842 +sa(dp337843 +g291134 +S'Le Cabinet des plus beaux Portraits ... faits par le fameux Antoine van Dyck' +p337844 +sg291137 +S'Artist Information (' +p337845 +sg291130 +S'(artist)' +p337846 +sg291132 +S'\n' +p337847 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00034/a0003404.jpg' +p337848 +sg291136 +g27 +sa(dp337849 +g291134 +S'Self-Portrait' +p337850 +sg291137 +S'Artist Information (' +p337851 +sg291130 +S'(artist)' +p337852 +sg291132 +S'\n' +p337853 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00054/a0005460.jpg' +p337854 +sg291136 +g27 +sa(dp337855 +g291130 +S'(artist after)' +p337856 +sg291132 +S'\n' +p337857 +sg291134 +S"Gaston d'Orl\xc3\xa9ans" +p337858 +sg291136 +g27 +sg291137 +S'Artist Information (' +p337859 +sa(dp337860 +g291130 +S'(artist after)' +p337861 +sg291132 +S'\n' +p337862 +sg291134 +S'Hendrick van Balen' +p337863 +sg291136 +g27 +sg291137 +S'Artist Information (' +p337864 +sa(dp337865 +g291130 +S'(artist after)' +p337866 +sg291132 +S'\n' +p337867 +sg291134 +S'Hubert van den Eynden' +p337868 +sg291136 +g27 +sg291137 +S'Artist Information (' +p337869 +sa(dp337870 +g291130 +S'(artist after)' +p337871 +sg291132 +S'\n' +p337872 +sg291134 +S'Andre Colyns de Nole' +p337873 +sg291136 +g27 +sg291137 +S'Artist Information (' +p337874 +sa(dp337875 +g291130 +S'Flemish, 1599 - 1641' +p337876 +sg291132 +S'(artist 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after)' +p338058 +sg291132 +S'\n' +p338059 +sg291134 +S'Margaret, Princess of Lorraine' +p338060 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338061 +sa(dp338062 +g291130 +S'(artist after)' +p338063 +sg291132 +S'\n' +p338064 +sg291134 +S'Alathea Talbot, Countess of Arundel' +p338065 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338066 +sa(dp338067 +g291130 +S'(artist after)' +p338068 +sg291132 +S'\n' +p338069 +sg291134 +S"Jacques Leroy d'Herbaix" +p338070 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338071 +sa(dp338072 +g291130 +S'(artist after)' +p338073 +sg291132 +S'\n' +p338074 +sg291134 +S'James, Duke of Hamilton' +p338075 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338076 +sa(dp338077 +g291130 +S'(artist after)' +p338078 +sg291132 +S'\n' +p338079 +sg291134 +S'Charles Emanuel, Duke of Savoy' +p338080 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338081 +sa(dp338082 +g291130 +S'(artist after)' +p338083 +sg291132 +S'\n' +p338084 +sg291134 +S'Antonio 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after)' +p338253 +sg291132 +S'\n' +p338254 +sg291134 +S'Jan Lievens' +p338255 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338256 +sa(dp338257 +g291130 +S'(artist after)' +p338258 +sg291132 +S'\n' +p338259 +sg291134 +S'Albert, Count of Aremberg' +p338260 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338261 +sa(dp338262 +g291130 +S'(artist after)' +p338263 +sg291132 +S'\n' +p338264 +sg291134 +S'Martin Pepyn' +p338265 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338266 +sa(dp338267 +g291130 +S'(artist after)' +p338268 +sg291132 +S'\n' +p338269 +sg291134 +S'Cornelis Schut' +p338270 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338271 +sa(dp338272 +g291130 +S'(artist after)' +p338273 +sg291132 +S'\n' +p338274 +sg291134 +S'Jan Snellinx' +p338275 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338276 +sa(dp338277 +g291130 +S'(artist after)' +p338278 +sg291132 +S'\n' +p338279 +sg291134 +S'Jodocus de Momper' +p338280 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338281 +sa(dp338282 +g291130 +S'(artist after)' +p338283 +sg291132 +S'\n' +p338284 +sg291134 +S'Michel Miereveld' +p338285 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338286 +sa(dp338287 +g291130 +S'(artist after)' +p338288 +sg291132 +S'\n' +p338289 +sg291134 +S'Artus Wolfart' +p338290 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338291 +sa(dp338292 +g291130 +S'(artist after)' +p338293 +sg291132 +S'\n' +p338294 +sg291134 +S'Paul de Vos' +p338295 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338296 +sa(dp338297 +g291130 +S'(artist after)' +p338298 +sg291132 +S'\n' +p338299 +sg291134 +S'Sebastian Vrancx' +p338300 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338301 +sa(dp338302 +g291130 +S'(artist after)' +p338303 +sg291132 +S'\n' +p338304 +sg291134 +S'Peter Snayers' +p338305 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338306 +sa(dp338307 +g291130 +S'(artist after)' +p338308 +sg291132 +S'\n' +p338309 +sg291134 +S'Orazio Gentileschi' +p338310 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338311 +sa(dp338312 +g291130 +S'(artist after)' +p338313 +sg291132 +S'\n' +p338314 +sg291134 +S'Francis Thomas of Savoy-Carignan' +p338315 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338316 +sa(dp338317 +g291130 +S'(artist)' +p338318 +sg291132 +S'\n' +p338319 +sg291134 +S'Anthony Cornelissen' +p338320 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338321 +sa(dp338322 +g291130 +S'(artist)' +p338323 +sg291132 +S'\n' +p338324 +sg291134 +S'Frans Francken II' +p338325 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338326 +sa(dp338327 +g291130 +S'(artist after)' +p338328 +sg291132 +S'\n' +p338329 +sg291134 +S'Daniel Mytens' +p338330 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338331 +sa(dp338332 +g291130 +S'(artist after)' +p338333 +sg291132 +S'\n' +p338334 +sg291134 +S'Simon Vouet' +p338335 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338336 +sa(dp338337 +g291130 +S'(artist after)' +p338338 +sg291132 +S'\n' +p338339 +sg291134 +S'Hendrik Steenwyck' +p338340 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338341 +sa(dp338342 +g291130 +S'(artist after)' +p338343 +sg291132 +S'\n' +p338344 +sg291134 +S'Cornelis de Vos' +p338345 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338346 +sa(dp338347 +g291130 +S'(artist after)' +p338348 +sg291132 +S'\n' +p338349 +sg291134 +S'Jacques de Cachiopin' +p338350 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338351 +sa(dp338352 +g291130 +S'(artist after)' +p338353 +sg291132 +S'\n' +p338354 +sg291134 +S'Jan Christoph van der Lamen' +p338355 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338356 +sa(dp338357 +g291130 +S'(artist after)' +p338358 +sg291132 +S'\n' +p338359 +sg291134 +S'Andreas van Ertvelt' +p338360 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338361 +sa(dp338362 +g291130 +S'(artist)' +p338363 +sg291132 +S'\n' +p338364 +sg291134 +S'Cornelis van Poelenburgh' +p338365 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338366 +sa(dp338367 +g291130 +S'(artist after)' +p338368 +sg291132 +S'\n' +p338369 +sg291134 +S"Joannes Cornelius T'Serclaes de Tilly" +p338370 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338371 +sa(dp338372 +g291130 +S'(artist after)' +p338373 +sg291132 +S'\n' +p338374 +sg291134 +S'Jan van Mildert' +p338375 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338376 +sa(dp338377 +g291130 +S'(artist after)' +p338378 +sg291132 +S'\n' +p338379 +sg291134 +S'Joannes van Ravesteyn' +p338380 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338381 +sa(dp338382 +g291130 +S'(artist after)' +p338383 +sg291132 +S'\n' +p338384 +sg291134 +S'Adam de Coster' +p338385 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338386 +sa(dp338387 +g291130 +S'(artist after)' +p338388 +sg291132 +S'\n' +p338389 +sg291134 +S'Lucas van Uden' +p338390 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338391 +sa(dp338392 +g291130 +S'(artist after)' +p338393 +sg291132 +S'\n' +p338394 +sg291134 +S'Palamedes Palamedesz.' +p338395 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338396 +sa(dp338397 +g291130 +S'(artist after)' +p338398 +sg291132 +S'\n' +p338399 +sg291134 +S'Willem Hondius' +p338400 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338401 +sa(dp338402 +g291130 +S'(artist after)' +p338403 +sg291132 +S'\n' +p338404 +sg291134 +S'Theodore Rombouts' +p338405 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338406 +sa(dp338407 +g291130 +S'(artist after)' +p338408 +sg291132 +S'\n' +p338409 +sg291134 +S'Theodorus van Loon' +p338410 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338411 +sa(dp338412 +g291130 +S'(artist after)' +p338413 +sg291132 +S'\n' +p338414 +sg291134 +S'Robert van Voerst' +p338415 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338416 +sa(dp338417 +g291130 +S'(artist after)' +p338418 +sg291132 +S'\n' +p338419 +sg291134 +S'Gerrit van Honthorst' +p338420 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338421 +sa(dp338422 +g291130 +S'(artist after)' +p338423 +sg291132 +S'\n' +p338424 +sg291134 +S'Don Emanuel Frockas Pinyra et Piementel, Count Feria' +p338425 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338426 +sa(dp338427 +g291130 +S'(artist after)' +p338428 +sg291132 +S'\n' +p338429 +sg291134 +S'Cornelis Saftleven' +p338430 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338431 +sa(dp338432 +g291130 +S'(artist after)' +p338433 +sg291132 +S'\n' +p338434 +sg291134 +S'Cornelis van der Geest' +p338435 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338436 +sa(dp338437 +g291130 +S'(artist after)' +p338438 +sg291132 +S'\n' +p338439 +sg291134 +S'Peter de Jode the Elder' +p338440 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338441 +sa(dp338442 +g291130 +S'(artist after)' +p338443 +sg291132 +S'\n' +p338444 +sg291134 +S'Peter de Jode the Younger' +p338445 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338446 +sa(dp338447 +g291130 +S'(artist after)' +p338448 +sg291132 +S'\n' +p338449 +sg291134 +S'Lucas Vorsterman the Elder' +p338450 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338451 +sa(dp338452 +g291130 +S'(artist after)' +p338453 +sg291132 +S'\n' +p338454 +sg291134 +S'Karel de Mallery' +p338455 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338456 +sa(dp338457 +g291130 +S'(artist after)' +p338458 +sg291132 +S'\n' +p338459 +sg291134 +S'Jan Baptista Barbe' +p338460 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338461 +sa(dp338462 +g291130 +S'(artist after)' +p338463 +sg291132 +S'\n' +p338464 +sg291134 +S'Paulus Pontius' +p338465 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338466 +sa(dp338467 +g291130 +S'(artist after)' +p338468 +sg291132 +S'\n' +p338469 +sg291134 +S'Theodor Galle' +p338470 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338471 +sa(dp338472 +g291130 +S'(artist after)' +p338473 +sg291132 +S'\n' +p338474 +sg291134 +S'Jacques Callot' +p338475 +sg291136 +g27 +sg291137 +S'Artist Information (' +p338476 +sa(dp338477 +g291134 +S"I Think I'll..." +p338478 +sg291137 +S'Ed Ruscha' +p338479 +sg291130 +S'oil on canvas' +p338480 +sg291132 +S'1983' +p338481 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00001/a00001fb.jpg' +p338482 +sg291136 +g27 +sa(dp338483 +g291130 +S'oil on canvas' +p338484 +sg291132 +S'1951' +p338485 +sg291134 +S'Untitled' +p338486 +sg291136 +g27 +sg291137 +S'Clyfford Still' +p338487 +sa(dp338488 +g291134 +S'Marcelle Lender Dancing the Bolero in "Chilp\xc3\xa9ric"' +p338489 +sg291137 +S'Henri de Toulouse-Lautrec' +p338490 +sg291130 +S'oil on canvas' +p338491 +sg291132 +S'1895-1896' +p338492 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0004c/a0004cc3.jpg' +p338493 +sg291136 +S"Henri de Toulouse-Lautrec had a passion for the theater in all its forms, from the popular dance halls and cabarets to the avant-garde theaters of Paris. He was both a keen spectator and an active participant, designing posters, theater programs, scenery, and costumes for a number of theaters and stage productions. Although he was drawn to the spectacle of the performance, it was the performers who most fascinated him.\n Among Toulouse-Lautrec's favorite subjects was the red-headed actress Marcelle Lender. He first encountered her in 1893, the year he began to attend the theater on a regular basis. His infatuation with her reached its peak two years later when she starred in the revival of the French librettist and composer Herv\xc3\xa9's \n One of the largest and most elaborate paintings Toulouse-Lautrec ever created, \n " +p338494 +sa(dp338495 +g291134 +S'A Lady' +p338496 +sg291137 +S'Joseph Chinard' +p338497 +sg291130 +S'terracotta' +p338498 +sg291132 +S'1810' +p338499 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00029/a00029be.jpg' +p338500 +sg291136 +g27 +sa(dp338501 +g291134 +S"The Oval Fountain in the Gardens of the Villa d'Este, Tivoli" +p338502 +sg291137 +S'Hubert Robert' +p338503 +sg291130 +S'red chalk over graphite on laid paper' +p338504 +sg291132 +S'1760' +p338505 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00026/a00026f3.jpg' +p338506 +sg291136 +g27 +sa(dp338507 +g291130 +S'cast aluminum' +p338508 +sg291132 +S'1974' +p338509 +sg291134 +S'Metamorphosis of a Plant Into a Fan' +p338510 +sg291136 +g27 +sg291137 +S'Jim Dine' +p338511 +sa(dp338512 +g291134 +S'Metamorphosis of a Plant Into a Fan' +p338513 +sg291137 +S'Jim Dine' +p338514 +sg291130 +S'cast aluminum' +p338515 +sg291132 +S'1974' +p338516 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00016/a0001666.jpg' +p338517 +sg291136 +g27 +sa(dp338518 +g291130 +S'cast aluminum' +p338519 +sg291132 +S'1974' +p338520 +sg291134 +S'Metamorphosis of a Plant Into a Fan' +p338521 +sg291136 +g27 +sg291137 +S'Jim Dine' +p338522 +sa(dp338523 +g291130 +S'cast aluminum' +p338524 +sg291132 +S'1974' +p338525 +sg291134 +S'Metamorphosis of a Plant Into a Fan' +p338526 +sg291136 +g27 +sg291137 +S'Jim Dine' +p338527 +sa(dp338528 +g291130 +S'cast aluminum' +p338529 +sg291132 +S'1974' +p338530 +sg291134 +S'Metamorphosis of a Plant Into a Fan' +p338531 +sg291136 +g27 +sg291137 +S'Jim Dine' +p338532 +sa(dp338533 +g291130 +S'brush and black ink over graphite on wove paper' +p338534 +sg291132 +S'c. 1900' +p338535 +sg291134 +S'Caricature of Prince del Drago' +p338536 +sg291136 +g27 +sg291137 +S'Carlo De Fornaro' +p338537 +sa(dp338538 +g291134 +S'The Prophets Hosea and Jonah' +p338539 +sg291137 +S'Artist Information (' +p338540 +sg291130 +S'(artist after)' +p338541 +sg291132 +S'\n' +p338542 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00071/a00071a7.jpg' +p338543 +sg291136 +g27 +sa(dp338544 +g291134 +S'Marie-Antoinette' +p338545 +sg291137 +S'Artist Information (' +p338546 +sg291130 +S'(artist after)' +p338547 +sg291132 +S'\n' +p338548 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f38.jpg' +p338549 +sg291136 +g27 +sa(dp338550 +g291134 +S'A un peuple libre' +p338551 +sg291137 +S'Artist Information (' +p338552 +sg291130 +S'(artist after)' +p338553 +sg291132 +S'\n' +p338554 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e55.jpg' +p338555 +sg291136 +g27 +sa(dp338556 +g291134 +S'Louis XIII' +p338557 +sg291137 +S'Pierre Daret de Cazeneuve' +p338558 +sg291130 +S'etching and engraving on laid paper [first state]' +p338559 +sg291132 +S'1643' +p338560 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008b/a0008b14.jpg' +p338561 +sg291136 +g27 +sa(dp338562 +g291134 +S'Louis XIII' +p338563 +sg291137 +S'Pierre Daret de Cazeneuve' +p338564 +sg291130 +S'etching and engraving on laid paper [second state]' +p338565 +sg291132 +S'1643' +p338566 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008b/a0008b0e.jpg' +p338567 +sg291136 +g27 +sa(dp338568 +g291130 +S'oil and nails on cardboard and wood' +p338569 +sg291132 +S'1958' +p338570 +sg291134 +S'Them Apples' +p338571 +sg291136 +g27 +sg291137 +S'Frank Stella' +p338572 +sa(dp338573 +g291130 +S'color lithograph on Arches Cover paper' +p338574 +sg291132 +S'1969' +p338575 +sg291134 +S'Untitled' +p338576 +sg291136 +g27 +sg291137 +S'Charles Hinman' +p338577 +sa(dp338578 +g291130 +S'color lithograph printed on both sides of folded Arches Cover paper' +p338579 +sg291132 +S'1969' +p338580 +sg291134 +S'Evergloom' +p338581 +sg291136 +g27 +sg291137 +S'Richard Smith' +p338582 +sa(dp338583 +g291130 +S'color lithograph printed on both sides of folded Arches Cover paper' +p338584 +sg291132 +S'1969' +p338585 +sg291134 +S'Everglad' +p338586 +sg291136 +g27 +sg291137 +S'Richard Smith' +p338587 +sa(dp338588 +g291134 +S'Thirteen Studies of Heads' +p338589 +sg291137 +S'Jean-Jacques de Boissieu' +p338590 +sg291130 +S'etching in black on thin wove paper' +p338591 +sg291132 +S'1770' +p338592 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f51.jpg' +p338593 +sg291136 +g27 +sa(dp338594 +g291134 +S'Seven Studies of Heads' +p338595 +sg291137 +S'Jean-Jacques de Boissieu' +p338596 +sg291130 +S'etching in black on laid paper' +p338597 +sg291132 +S'1793' +p338598 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f50.jpg' +p338599 +sg291136 +g27 +sa(dp338600 +g291134 +S'A Donkey by a Water Well' +p338601 +sg291137 +S'Jean-Louis Demarne' +p338602 +sg291130 +S'etching in black on laid paper' +p338603 +sg291132 +S'unknown date\n' +p338604 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008d/a0008d03.jpg' +p338605 +sg291136 +g27 +sa(dp338606 +g291134 +S'Two Cows and a Woman Lying Down' +p338607 +sg291137 +S'Jean-Louis Demarne' +p338608 +sg291130 +S'etching in black on laid paper' +p338609 +sg291132 +S'unknown date\n' +p338610 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008d/a0008d05.jpg' +p338611 +sg291136 +g27 +sa(dp338612 +g291134 +S'Les Pecheurs (The Fishermen)' +p338613 +sg291137 +S'Jean-Baptiste Le Prince' +p338614 +sg291130 +S'etching and aquatint printed in brown ink' +p338615 +sg291132 +S'1771' +p338616 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008efd.jpg' +p338617 +sg291136 +g27 +sa(dp338618 +g291134 +S'Rococo Fountain with Lovers and the Four Elements' +p338619 +sg291137 +S'Johann Esaias Nilson' +p338620 +sg291130 +S'pen and black ink with gray wash on laid paper' +p338621 +sg291132 +S'unknown date\n' +p338622 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00072/a0007233.jpg' +p338623 +sg291136 +g27 +sa(dp338624 +g291130 +S"pen and black ink and watercolor on laid paper, on Klee's original mount" +p338625 +sg291132 +S'1925' +p338626 +sg291134 +S'Junger Wald (Young Forest)' +p338627 +sg291136 +g27 +sg291137 +S'Paul Klee' +p338628 +sa(dp338629 +g291134 +S'The Martyrdom of Saint Bartholomew' +p338630 +sg291137 +S'Jusepe de Ribera' +p338631 +sg291130 +S'oil on canvas' +p338632 +sg291132 +S'1634' +p338633 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00004/a00004ae.jpg' +p338634 +sg291136 +S"A popular subject in Counter–Reformation Italy and Spain, Ribera's profoundly moving work portrays the apostle's final moments before he is to be flayed alive. The viewer is meant to empathize with Bartholomew, whose body seemingly bursts through the surface of the canvas, and whose outstretched arms embrace a mystical light that illuminates his flesh. His piercing eyes, open mouth, and petitioning left hand bespeak an intense communion with the divine; yet this same hand draws our attention to the instruments of his torture, symbolically positioned in the shape of a cross. Transfixed by Bartholomew's active faith, the executioner seems to have stopped short in his actions, and his furrowed brow and partially illuminated face suggest a moment of doubt, with the possibility of conversion.\n The use of sharp light–dark contrasts and extreme naturalism reveal the influence of Caravaggio, whose work Ribera would have seen both in Rome and in Naples, where he lived from 1616 until the end of his life. Yet unlike Caravaggio, Ribera has enlivened the canvas with a variety of brushstrokes and textures, allowing the viewer to become further involved with this psychologically charged painting.\n " +p338635 +sa(dp338636 +g291134 +S'Torione Anticho Fori di Roma' +p338637 +sg291137 +S'Claude Lorrain' +p338638 +sg291130 +S'red chalk on laid paper' +p338639 +sg291132 +S'c. 1630/1635' +p338640 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00072/a00072d6.jpg' +p338641 +sg291136 +g27 +sa(dp338642 +g291134 +S'Green Marilyn' +p338643 +sg291137 +S'Andy Warhol' +p338644 +sg291130 +S'silkscreen on synthetic polymer paint on canvas' +p338645 +sg291132 +S'1962' +p338646 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00002/a000028a.jpg' +p338647 +sg291136 +g27 +sa(dp338648 +g291134 +S'Cakes' +p338649 +sg291137 +S'Wayne Thiebaud' +p338650 +sg291130 +S'oil on canvas' +p338651 +sg291132 +S'1963' +p338652 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00002/a0000274.jpg' +p338653 +sg291136 +g27 +sa(dp338654 +g291134 +S'Portrait of a Young Boy (Henry Ebenezer Bingham?)' +p338655 +sg291137 +S'Aim\xc3\xa9-Jules Dalou' +p338656 +sg291130 +S'marble' +p338657 +sg291132 +S'1871/1879' +p338658 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00024/a000242f.jpg' +p338659 +sg291136 +S"Dalou infused this marble portrait bust with subtle movement and energy: rather than maintaining a strictly formal pose, Dalou's young boy tips his head slightly, jostling his collar and tie, as if pausing only briefly before running on to play. The variety of textures—the soft creaminess of the boy's cheeks, his crisply drilled eyes, the chiseled matte finish of the sailor suit—enable light and shadow to alternate across the bust's surfaces. Like his contemporary \n Dalou created several busts of young children while living in England in the 1870s. Scholars speculate that this is five-year-old Henry Ebenezer Bingham, the son and grandson of English master marble- and stonemasons. Dalou taught sculptural modeling in London in the 1870s and had a studio near the Bingham family stone business. Henry's father, Edward Bingham, may have engaged Dalou to make this bust; in fact, the choice of material, "noble" statuary marble rather than the more popular terracotta that Dalou used at the time, may hint at the Binghams' social aspirations, as well as being a reference to the material basis of the family business.\n Traditional stone-carving tools were used for this work: a variety of chisels to work the face, hair, tie, and collar of the slightly disheveled suit; a drill for the pupil and iris; and files (and perhaps emery and pumice, but not wax or polish) to smooth the work and soften the boy's cheeks.\n " +p338660 +sa(dp338661 +g291134 +S'The Vaccine' +p338662 +sg291137 +S'Louis-L\xc3\xa9opold Boilly' +p338663 +sg291130 +S'pen and black ink and wash on laid paper' +p338664 +sg291132 +S'1806' +p338665 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00022/a00022c1.jpg' +p338666 +sg291136 +g27 +sa(dp338667 +g291134 +S'A Stand of Cypresses in an Italian Park' +p338668 +sg291137 +S'Jean-Honor\xc3\xa9 Fragonard' +p338669 +sg291130 +S'red chalk on laid paper' +p338670 +sg291132 +S'c. 1760' +p338671 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00025/a0002533.jpg' +p338672 +sg291136 +g27 +sa(dp338673 +g291130 +S'watercolor over graphite on laid paper' +p338674 +sg291132 +S'c. 1921 (dated 1927)' +p338675 +sg291134 +S'Abstract Composition' +p338676 +sg291136 +g27 +sg291137 +S'Stuart Davis' +p338677 +sa(dp338678 +g291134 +S'Land' +p338679 +sg291137 +S'Joan Mitchell' +p338680 +sg291130 +S'oil on canvas' +p338681 +sg291132 +S'1989' +p338682 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00001/a000016a.jpg' +p338683 +sg291136 +g27 +sa(dp338684 +g291134 +S'Liber Chronicarum (Nuremberg Chronicle)' +p338685 +sg291137 +S'Artist Information (' +p338686 +sg291130 +S'(artist)' +p338687 +sg291132 +S'\n' +p338688 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000e0/a000e020.jpg' +p338689 +sg291136 +g27 +sa(dp338690 +g291134 +S'Violet [Note?]...The Return of the Fishing Boats' +p338691 +sg291137 +S'James McNeill Whistler' +p338692 +sg291130 +S'watercolor on paperboard' +p338693 +sg291132 +S'c. 1885' +p338694 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00009/a00009fa.jpg' +p338695 +sg291136 +g27 +sa(dp338696 +g291134 +S'Beach Scene' +p338697 +sg291137 +S'James McNeill Whistler' +p338698 +sg291130 +S'watercolor on off-white paper mounted on paperboard' +p338699 +sg291132 +S'probably 1885' +p338700 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00009/a00009fb.jpg' +p338701 +sg291136 +g27 +sa(dp338702 +g291134 +S'Village Shop, Chelsea' +p338703 +sg291137 +S'James McNeill Whistler' +p338704 +sg291130 +S'watercolor and gouache on paperboard' +p338705 +sg291132 +S'1883/1884' +p338706 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00009/a00009fc.jpg' +p338707 +sg291136 +g27 +sa(dp338708 +g291134 +S"Study in Black and Gold (Madge O'Donoghue)" +p338709 +sg291137 +S'James McNeill Whistler' +p338710 +sg291130 +S'watercolor on white laid paper mounted on paperboard' +p338711 +sg291132 +S'1883/1884' +p338712 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00009/a00009fd.jpg' +p338713 +sg291136 +g27 +sa(dp338714 +g291130 +S'sheet metal' +p338715 +sg291132 +S'1970' +p338716 +sg291134 +S'Crinkly Taureau' +p338717 +sg291136 +g27 +sg291137 +S'Alexander Calder' +p338718 +sa(dp338719 +g291134 +S'La Vache' +p338720 +sg291137 +S'Alexander Calder' +p338721 +sg291130 +S'sheet metal' +p338722 +sg291132 +S'1970' +p338723 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00016/a000165c.jpg' +p338724 +sg291136 +g27 +sa(dp338725 +g291134 +S'Deux Angles Droits' +p338726 +sg291137 +S'Alexander Calder' +p338727 +sg291130 +S'sheet metal' +p338728 +sg291132 +S'1971' +p338729 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00016/a000165d.jpg' +p338730 +sg291136 +g27 +sa(dp338731 +g291134 +S'Horse' +p338732 +sg291137 +S'Alexander Calder' +p338733 +sg291130 +S'sheet metal' +p338734 +sg291132 +S'1970' +p338735 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00016/a000165e.jpg' +p338736 +sg291136 +g27 +sa(dp338737 +g291134 +S'Crinkly Worm' +p338738 +sg291137 +S'Alexander Calder' +p338739 +sg291130 +S'sheet metal' +p338740 +sg291132 +S'1971' +p338741 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00016/a0001655.jpg' +p338742 +sg291136 +g27 +sa(dp338743 +g291134 +S'Red and Yellow Bull with Blue Head' +p338744 +sg291137 +S'Alexander Calder' +p338745 +sg291130 +S'sheet metal' +p338746 +sg291132 +S'1971' +p338747 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00016/a0001656.jpg' +p338748 +sg291136 +g27 +sa(dp338749 +g291134 +S'Blue and Red Bull with Yellow Head' +p338750 +sg291137 +S'Alexander Calder' +p338751 +sg291130 +S'sheet metal' +p338752 +sg291132 +S'1971' +p338753 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00016/a0001657.jpg' +p338754 +sg291136 +g27 +sa(dp338755 +g291134 +S'Black Camel with Blue Head and Red Tongue' +p338756 +sg291137 +S'Alexander Calder' +p338757 +sg291130 +S'sheet metal' +p338758 +sg291132 +S'1971' +p338759 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00016/a0001658.jpg' +p338760 +sg291136 +g27 +sa(dp338761 +g291134 +S'Red Cow with Black Head' +p338762 +sg291137 +S'Alexander Calder' +p338763 +sg291130 +S'sheet metal' +p338764 +sg291132 +S'1971' +p338765 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00016/a0001659.jpg' +p338766 +sg291136 +g27 +sa(dp338767 +g291134 +S'Les Fl\xc3\xa8ches' +p338768 +sg291137 +S'Alexander Calder' +p338769 +sg291130 +S'sheet metal' +p338770 +sg291132 +S'1976' +p338771 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00016/a000165a.jpg' +p338772 +sg291136 +g27 +sa(dp338773 +g291134 +S'Pourville-sur-Mer' +p338774 +sg291137 +S'Artist Information (' +p338775 +sg291130 +S'American, 1834 - 1903' +p338776 +sg291132 +S'(related artist)' +p338777 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0fa.jpg' +p338778 +sg291136 +g27 +sa(dp338779 +g291134 +S'Bust of a Youth Looking Upward [recto]' +p338780 +sg291137 +S'Luca Signorelli' +p338781 +sg291130 +S'black chalk partially indented with a stylus on tan laid paper' +p338782 +sg291132 +S'c. 1500' +p338783 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00028/a0002853.jpg' +p338784 +sg291136 +g27 +sa(dp338785 +g291134 +S'Two Nude Figures [verso]' +p338786 +sg291137 +S'Luca Signorelli' +p338787 +sg291130 +S'black chalk on tan laid paper' +p338788 +sg291132 +S'c. 1500' +p338789 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00028/a0002854.jpg' +p338790 +sg291136 +g27 +sa(dp338791 +g291134 +S'A Deathbed Scene [recto]' +p338792 +sg291137 +S'Polidoro da Caravaggio' +p338793 +sg291130 +S'red chalk on laid paper' +p338794 +sg291132 +S'c. 1521/1522' +p338795 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00026/a00026d6.jpg' +p338796 +sg291136 +g27 +sa(dp338797 +g291134 +S'Woman Seated with a Piece of Cloth [verso]' +p338798 +sg291137 +S'Polidoro da Caravaggio' +p338799 +sg291130 +S'red chalk on laid paper' +p338800 +sg291132 +S'c. 1521/1522' +p338801 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00026/a00026d7.jpg' +p338802 +sg291136 +g27 +sa(dp338803 +g291134 +S'Landscape with the Baptism of Christ' +p338804 +sg291137 +S'Pieter Cornelisz Kunst' +p338805 +sg291130 +S', c. 1530' +p338806 +sg291132 +S'\n' +p338807 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00025/a0002561.jpg' +p338808 +sg291136 +g27 +sa(dp338809 +g291130 +S'sheet: 41 x 29.5 cm (16 1/8 x 11 5/8 in.)' +p338810 +sg291132 +S'\nchiaroscuro woodcut printed from four blocks: black line block and three red-brown tone blocks' +p338811 +sg291134 +S'Presentation in the Temple' +p338812 +sg291136 +g27 +sg291137 +S'Italian 16th Century' +p338813 +sa(dp338814 +g291130 +S'woodcut in black on japan paper' +p338815 +sg291132 +S'1913' +p338816 +sg291134 +S'Young Woman (Junges M\xc3\xa4dchen)' +p338817 +sg291136 +g27 +sg291137 +S'Erich Heckel' +p338818 +sa(dp338819 +g291134 +S'Portrait of a Bearded Man with a Beret' +p338820 +sg291137 +S'Heinrich Aldegrever' +p338821 +sg291130 +S'colored chalks on laid paper; laid down' +p338822 +sg291132 +S'c. 1540' +p338823 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00022/a0002224.jpg' +p338824 +sg291136 +g27 +sa(dp338825 +g291134 +S'David and Bathsheba' +p338826 +sg291137 +S'Virgil Solis' +p338827 +sg291130 +S'pen and black ink and gray wash on laid paper' +p338828 +sg291132 +S'1540/1550' +p338829 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00028/a0002855.jpg' +p338830 +sg291136 +g27 +sa(dp338831 +g291130 +S', published 1568' +p338832 +sg291132 +S'\n' +p338833 +sg291134 +S"Vita de' gran Michelagnolo Buonarroti" +p338834 +sg291136 +g27 +sg291137 +S'Giorgio Vasari' +p338835 +sa(dp338836 +g291134 +S'Portrait of a Member of the Quaratesi Family' +p338837 +sg291137 +S'French 16th Century' +p338838 +sg291130 +S'overall: 103.5 x 87 cm (40 3/4 x 34 1/4 in.)\r\nframed: 129.5 x 113.7 x 6.4 cm (51 x 44 3/4 x 2 1/2 in.)' +p338839 +sg291132 +S'\noil on probably oak' +p338840 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005a/a0005ad1.jpg' +p338841 +sg291136 +g27 +sa(dp338842 +g291134 +S'Winter Landscape with Skaters' +p338843 +sg291137 +S'Hans Bol' +p338844 +sg291130 +S'pen and brown ink and wash on laid paper' +p338845 +sg291132 +S'c. 1584/1586' +p338846 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00022/a00022b7.jpg' +p338847 +sg291136 +g27 +sa(dp338848 +g291134 +S'Christ Crucified' +p338849 +sg291137 +S'Giovanni Bologna' +p338850 +sg291130 +S'bronze' +p338851 +sg291132 +S'probably before 1588' +p338852 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0002a/a0002ae8.jpg' +p338853 +sg291136 +g27 +sa(dp338854 +g291134 +S'Landscape with Figures by an Estuary with Sailing Boats' +p338855 +sg291137 +S'Annibale Carracci' +p338856 +sg291130 +S'pen and brown ink on laid paper; laid down' +p338857 +sg291132 +S'c. 1590/1595' +p338858 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00031/a00031a6.jpg' +p338859 +sg291136 +g27 +sa(dp338860 +g291130 +S'overall: 28.1 x 29 x 6.8 cm (11 1/16 x 11 7/16 x 2 11/16 in.)\r\naccessory size: 2 x 24.7 x 11.4 cm (13/16 x 9 3/4 x 4 1/2 in.)' +p338861 +sg291132 +S'\nbronze' +p338862 +sg291134 +S'Striding Stag' +p338863 +sg291136 +g27 +sg291137 +S'South German 16th Century' +p338864 +sa(dp338865 +g291134 +S'Lamentation' +p338866 +sg291137 +S'Jacopo Palma il Giovane' +p338867 +sg291130 +S'oil on canvas' +p338868 +sg291132 +S'c. 1620' +p338869 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00008/a000081a.jpg' +p338870 +sg291136 +g27 +sa(dp338871 +g291134 +S'Diana and Endymion' +p338872 +sg291137 +S'Luca Giordano' +p338873 +sg291130 +S'oil on canvas' +p338874 +sg291132 +S'c. 1675/1680' +p338875 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00006/a000060a.jpg' +p338876 +sg291136 +g27 +sa(dp338877 +g291134 +S'Inleyding tot de Hooge Schoole de Schilderkonst (Introduction to the Noble School of Painting)' +p338878 +sg291137 +S'Samuel van Hoogstraten' +p338879 +sg291130 +S'1 vol: ill: 20 etchings and engravings' +p338880 +sg291132 +S'published 1678' +p338881 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005d/a0005d53.jpg' +p338882 +sg291136 +g27 +sa(dp338883 +g291134 +S'The March of Silenus [recto]' +p338884 +sg291137 +S'Antoine Watteau' +p338885 +sg291130 +S'red, black, and white chalks on brown laid paper' +p338886 +sg291132 +S'c. 1715/1716' +p338887 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00028/a00028e6.jpg' +p338888 +sg291136 +g27 +sa(dp338889 +g291134 +S'Figure Sketches and a Copy After a Sculpted Head [verso]' +p338890 +sg291137 +S'Antoine Watteau' +p338891 +sg291130 +S'red chalk on brown laid paper, the sculpted head likely not by Watteau' +p338892 +sg291132 +S'c. 1715/1716' +p338893 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006cf0.jpg' +p338894 +sg291136 +g27 +sa(dp338895 +g291134 +S'La malheureuse famille Calas (The Unfortunate Calas Family)' +p338896 +sg291137 +S'Artist Information (' +p338897 +sg291130 +S'(artist after)' +p338898 +sg291132 +S'\n' +p338899 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00096/a00096ce.jpg' +p338900 +sg291136 +g27 +sa(dp338901 +g291134 +S'Head of a Gentleman [recto]' +p338902 +sg291137 +S'Joseph Ducreux' +p338903 +sg291130 +S'red, black, and white chalks with stumping on brown paper' +p338904 +sg291132 +S'1770/1780' +p338905 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006d31.jpg' +p338906 +sg291136 +g27 +sa(dp338907 +g291130 +S'red and black chalks with stumping on brown paper' +p338908 +sg291132 +S'1770/1780' +p338909 +sg291134 +S'Head of a Gentleman [verso]' +p338910 +sg291136 +g27 +sg291137 +S'Joseph Ducreux' +p338911 +sa(dp338912 +g291134 +S'Antoine Coypel and His Son' +p338913 +sg291137 +S'Artist Information (' +p338914 +sg291130 +S'(artist after)' +p338915 +sg291132 +S'\n' +p338916 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008ea3.jpg' +p338917 +sg291136 +g27 +sa(dp338918 +g291134 +S'Joseph Parrocel' +p338919 +sg291137 +S'Artist Information (' +p338920 +sg291130 +S'(artist after)' +p338921 +sg291132 +S'\n' +p338922 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b370.jpg' +p338923 +sg291136 +g27 +sa(dp338924 +g291134 +S'Louis Tocque' +p338925 +sg291137 +S'Artist Information (' +p338926 +sg291130 +S'(artist after)' +p338927 +sg291132 +S'\n' +p338928 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f57.jpg' +p338929 +sg291136 +g27 +sa(dp338930 +g291134 +S'Francois Verdier' +p338931 +sg291137 +S'Artist Information (' +p338932 +sg291130 +S'(artist after)' +p338933 +sg291132 +S'\n' +p338934 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e9d.jpg' +p338935 +sg291136 +g27 +sa(dp338936 +g291134 +S'Joseph Vernet' +p338937 +sg291137 +S'Artist Information (' +p338938 +sg291130 +S'(artist after)' +p338939 +sg291132 +S'\n' +p338940 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f5b.jpg' +p338941 +sg291136 +g27 +sa(dp338942 +g291134 +S'Nicholas Boileau' +p338943 +sg291137 +S'Artist Information (' +p338944 +sg291130 +S'(artist after)' +p338945 +sg291132 +S'\n' +p338946 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008f/a0008f53.jpg' +p338947 +sg291136 +g27 +sa(dp338948 +g291134 +S'Pierre Louis Moreau de Maupertuis' +p338949 +sg291137 +S'Artist Information (' +p338950 +sg291130 +S'(artist after)' +p338951 +sg291132 +S'\n' +p338952 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00096/a00096bd.jpg' +p338953 +sg291136 +g27 +sa(dp338954 +g291134 +S'A Young Man with a Staff' +p338955 +sg291137 +S'Giovanni Battista Piranesi' +p338956 +sg291130 +S'pen and brown ink with brown wash on laid paper' +p338957 +sg291132 +S'c. 1765' +p338958 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00026/a00026d3.jpg' +p338959 +sg291136 +g27 +sa(dp338960 +g291130 +S'watercolor, graphite, and charcoal on wove paper' +p338961 +sg291132 +S'1803' +p338962 +sg291134 +S'The Death of Saint Joseph' +p338963 +sg291136 +g27 +sg291137 +S'William Blake' +p338964 +sa(dp338965 +g291130 +S', published 1869' +p338966 +sg291132 +S'\n' +p338967 +sg291134 +S'Sonnets et Eaux-Fortes (Sonnets and Etchings)' +p338968 +sg291136 +g27 +sg291137 +S'Alphonse Lemerre' +p338969 +sa(dp338970 +g291130 +S'etching on laid paper (facing _La Mer_ by Jean Aicard)' +p338971 +sg291132 +S'in or before 1869' +p338972 +sg291134 +S'La Mer (The Sea)' +p338973 +sg291136 +g27 +sg291137 +S'L\xc3\xa9on Gaucherel' +p338974 +sa(dp338975 +g291130 +S'etching in black on laid paper (facing _La Pivoine_ by Judith Mendes)' +p338976 +sg291132 +S'in or before 1869' +p338977 +sg291134 +S'La Pivoine (The Peony)' +p338978 +sg291136 +g27 +sg291137 +S'Jules-Ferdinand Jacquemart' +p338979 +sa(dp338980 +g291130 +S'etching in black on laid paper (facing _Le Masque_ by Autran)' +p338981 +sg291132 +S'in or before 1869' +p338982 +sg291134 +S'Le Masque (The Mask)' +p338983 +sg291136 +g27 +sg291137 +S'Emile Levy' +p338984 +sa(dp338985 +g291130 +S'etching in black on laid paper (facing _Theodora_ by Catulle Mendes)' +p338986 +sg291132 +S'in or before 1869' +p338987 +sg291134 +S'Theodora' +p338988 +sg291136 +g27 +sg291137 +S'Ingomar Frankel' +p338989 +sa(dp338990 +g291130 +S'etching in black on laid paper (facing _Promenade Galante_ by Theodore de Banville)' +p338991 +sg291132 +S'in or before 1869' +p338992 +sg291134 +S'Promenade Galante (Galant Walk)' +p338993 +sg291136 +g27 +sg291137 +S'Edmond Morin' +p338994 +sa(dp338995 +g291134 +S'Composition de F. Millet (Composition by F. Millet)' +p338996 +sg291137 +S'Jean-Fran\xc3\xa7ois Millet' +p338997 +sg291130 +S'etching in black on laid paper (facing _Composition de F. 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+S'http://www.nga.gov:80/thumb-l/a00090/a000909e.jpg' +p339307 +sg291136 +g27 +sa(dp339308 +g291134 +S'By the Lamp (Sous la Lampe)' +p339309 +sg291137 +S'Albert Besnard' +p339310 +sg291130 +S"etching in black, touched with white highlight on the child's face, on cream wove paper (proof impression of the second? state)" +p339311 +sg291132 +S'c. 1926' +p339312 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00090/a000909f.jpg' +p339313 +sg291136 +g27 +sa(dp339314 +g291134 +S'By the Lamp (Sous la Lampe)' +p339315 +sg291137 +S'Albert Besnard' +p339316 +sg291130 +S'etching in black on laid paper (proof impression from the cut plate)' +p339317 +sg291132 +S'c. 1926' +p339318 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00090/a0009096.jpg' +p339319 +sg291136 +g27 +sa(dp339320 +g291134 +S"Baigneuses, gardeuses d'oies (Bathers Tending Geese)" +p339321 +sg291137 +S'Camille Pissarro' +p339322 +sg291130 +S'color etching and drypoint with aquatint' +p339323 +sg291132 +S'c. 1895' +p339324 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f69.jpg' +p339325 +sg291136 +g27 +sa(dp339326 +g291134 +S'Seated Clowness (La Clownesse assise)' +p339327 +sg291137 +S'Artist Information (' +p339328 +sg291130 +S'French, 1858 - 1936' +p339329 +sg291132 +S'(printer)' +p339330 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000fab.jpg' +p339331 +sg291136 +g27 +sa(dp339332 +g291134 +S'Two Women on the Shore (Frauen am Meeresufer)' +p339333 +sg291137 +S'Edvard Munch' +p339334 +sg291130 +S'woodcut in blue, green, black, and ocher with green crayon on japan paper' +p339335 +sg291132 +S'1898' +p339336 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00022/a00022e9.jpg' +p339337 +sg291136 +g27 +sa(dp339338 +g291130 +S'woodcut in black, green, and red on japan paper' +p339339 +sg291132 +S'1899' +p339340 +sg291134 +S'Girl with the Heart (Das Madchen und das Herz)' +p339341 +sg291136 +g27 +sg291137 +S'Edvard Munch' +p339342 +sa(dp339343 +g291134 +S'Rear Admiral George W. Melville' +p339344 +sg291137 +S'Thomas Eakins' +p339345 +sg291130 +S'oil on canvas' +p339346 +sg291132 +S'1905' +p339347 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00000/a0000095.jpg' +p339348 +sg291136 +g27 +sa(dp339349 +g291134 +S'The Chaperone' +p339350 +sg291137 +S'Thomas Eakins' +p339351 +sg291130 +S'oil on canvas' +p339352 +sg291132 +S'c. 1908' +p339353 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00000/a0000096.jpg' +p339354 +sg291136 +g27 +sa(dp339355 +g291130 +S'charcoal on laid paper' +p339356 +sg291132 +S'1920' +p339357 +sg291134 +S'Head of a Woman' +p339358 +sg291136 +g27 +sg291137 +S'Andr\xc3\xa9 Derain' +p339359 +sa(dp339360 +g291130 +S'graphite on wove paper' +p339361 +sg291132 +S'1927' +p339362 +sg291134 +S'Plums and Pears' +p339363 +sg291136 +g27 +sg291137 +S'Marsden Hartley' +p339364 +sa(dp339365 +g291134 +S'Self-Portrait' +p339366 +sg291137 +S'Egon Schiele' +p339367 +sg291130 +S'bronze' +p339368 +sg291132 +S'c. 1917, cast c. 1925-1928' +p339369 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002df8.jpg' +p339370 +sg291136 +g27 +sa(dp339371 +g291134 +S'Two Women' +p339372 +sg291137 +S'Fernand L\xc3\xa9ger' +p339373 +sg291130 +S'oil on canvas' +p339374 +sg291132 +S'1922' +p339375 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f38.jpg' +p339376 +sg291136 +S"Fernand Léger originated a distinct\r\n cubist style in the twentieth century. In\r\n the early 1920s he both embraced and\r\n influenced the aesthetic of Purism as\r\n espoused by his friends Le Corbusier\r\n and Amedée Ozenfant. The clean, geometric\r\n forms of mechanized industry\r\n and mass production were prized as the\r\n harbingers of a renewed social and aesthetic\r\n order. Many of Léger's paintings\r\n took mechanical devices as their subject,\r\n and all of his paintings were\r\n informed by a style of cool precision\r\n and exacting workmanship. \n Women occupied a traditional place\r\n within Léger's ideal new order. Counterpoints\r\n to the urban world of industry\r\n and work, Léger's many depictions\r\n of women embody a domestic realm\r\n of tranquility and leisure.1 He treated\r\n his depictions of women no differently\r\n than the most austere mechanical form:\r\n edges are sharp, colors are distinct, and\r\n modeling follows a conspicuously\r\n stylized formula.\n Léger often produced more than\r\n one version of his important compositions,\r\n and \n \n The first major work by Léger to\r\n enter the National Gallery collection,\r\n \n " +p339377 +sa(dp339378 +g291134 +S'Gr\xc3\xbcne Pflanzen Blutlaus (Green Plant-Blood-Louse)' +p339379 +sg291137 +S'Paul Klee' +p339380 +sg291130 +S"watercolor with pen and black ink on gessoed cloth, on Klee's original mount" +p339381 +sg291132 +S'1924' +p339382 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00021/a0002175.jpg' +p339383 +sg291136 +g27 +sa(dp339384 +g291130 +S'lead' +p339385 +sg291132 +S'1930-1938' +p339386 +sg291134 +S'The Three Nymphs' +p339387 +sg291136 +g27 +sg291137 +S'Aristide Maillol' +p339388 +sa(dp339389 +g291130 +S'marble, wood, and bronze' +p339390 +sg291132 +S'1931-1932' +p339391 +sg291134 +S'No More Play' +p339392 +sg291136 +g27 +sg291137 +S'Alberto Giacometti' +p339393 +sa(dp339394 +g291130 +S'gelatin silver print' +p339395 +sg291132 +S'1936' +p339396 +sg291134 +S'Dunes, Oceano' +p339397 +sg291136 +g27 +sg291137 +S'Edward Weston' +p339398 +sa(dp339399 +g291134 +S'Interior' +p339400 +sg291137 +S'Horace Pippin' +p339401 +sg291130 +S'oil on canvas' +p339402 +sg291132 +S'1944' +p339403 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00001/a00001c0.jpg' +p339404 +sg291136 +S'Interior\n ' +p339405 +sa(dp339406 +g291134 +S'Virginia Landscape' +p339407 +sg291137 +S'Arshile Gorky' +p339408 +sg291130 +S'graphite and wax crayon on wove paper' +p339409 +sg291132 +S'1944' +p339410 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00008/a00008e8.jpg' +p339411 +sg291136 +g27 +sa(dp339412 +g291130 +S'oil on canvas board' +p339413 +sg291132 +S'1945' +p339414 +sg291134 +S'Personnage' +p339415 +sg291136 +g27 +sg291137 +S'Robert Motherwell' +p339416 +sa(dp339417 +g291134 +S'Untitled' +p339418 +sg291137 +S'Isamu Noguchi' +p339419 +sg291130 +S'wood' +p339420 +sg291132 +S'1945' +p339421 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00016/a000169a.jpg' +p339422 +sg291136 +g27 +sa(dp339423 +g291134 +S'Young Woman in a Striped Blouse' +p339424 +sg291137 +S'Pablo Picasso' +p339425 +sg291130 +S'lithograph in black on wove paper' +p339426 +sg291132 +S'1949' +p339427 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0001e/a0001e2a.jpg' +p339428 +sg291136 +g27 +sa(dp339429 +g291134 +S'Counterpoint' +p339430 +sg291137 +S'Charles Sheeler' +p339431 +sg291130 +S'cont? crayon on wove paper' +p339432 +sg291132 +S'1949' +p339433 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00009/a00009ca.jpg' +p339434 +sg291136 +g27 +sa(dp339435 +g291130 +S'graphite on wove paper' +p339436 +sg291132 +S'1950' +p339437 +sg291134 +S'The Table before the Dormer Window' +p339438 +sg291136 +g27 +sg291137 +S'Alberto Giacometti' +p339439 +sa(dp339440 +g291130 +S'sketchbook with 29 drawings in various media (29 leaves)' +p339441 +sg291132 +S'1951' +p339442 +sg291134 +S'Marin Sketchbook' +p339443 +sg291136 +g27 +sg291137 +S'John Marin' +p339444 +sa(dp339445 +g291130 +S'watercolor and graphite on wove paper' +p339446 +sg291132 +S'1951' +p339447 +sg291134 +S'Centerville, Maine' +p339448 +sg291136 +g27 +sg291137 +S'John Marin' +p339449 +sa(dp339450 +g291130 +S'watercolor and blue felt tip pen on wove paper' +p339451 +sg291132 +S'1951' +p339452 +sg291134 +S'Cattle Stream, St. Johns River Country' +p339453 +sg291136 +g27 +sg291137 +S'John Marin' +p339454 +sa(dp339455 +g291130 +S'watercolor and graphite on wove paper' +p339456 +sg291132 +S'1951' +p339457 +sg291134 +S'From Sheep Island, Maine' +p339458 +sg291136 +g27 +sg291137 +S'John Marin' +p339459 +sa(dp339460 +g291130 +S'blue felt tip pen on wove paper' +p339461 +sg291132 +S'1951' +p339462 +sg291134 +S'Old Church, St. Andrews, New Brunswick, Canada' +p339463 +sg291136 +g27 +sg291137 +S'John Marin' +p339464 +sa(dp339465 +g291130 +S'watercolor and graphite on wove paper' +p339466 +sg291132 +S'1951' +p339467 +sg291134 +S'Near Calais, Maine' +p339468 +sg291136 +g27 +sg291137 +S'John Marin' +p339469 +sa(dp339470 +g291130 +S'graphite on wove paper' +p339471 +sg291132 +S'1951' +p339472 +sg291134 +S'Old Church, Newburyport, Massachusetts' +p339473 +sg291136 +g27 +sg291137 +S'John Marin' +p339474 +sa(dp339475 +g291130 +S'watercolor and graphite on wove paper' +p339476 +sg291132 +S'1951' +p339477 +sg291134 +S'Near St. Stephens, New Brunswick, Canada' +p339478 +sg291136 +g27 +sg291137 +S'John Marin' +p339479 +sa(dp339480 +g291130 +S'watercolor and graphite on wove paper' +p339481 +sg291132 +S'1951' +p339482 +sg291134 +S"Ship's Stern Island, Maine" +p339483 +sg291136 +g27 +sg291137 +S'John Marin' +p339484 +sa(dp339485 +g291130 +S'graphite on wove paper' +p339486 +sg291132 +S'1951' +p339487 +sg291134 +S"Ship's Stern Island, Maine" +p339488 +sg291136 +g27 +sg291137 +S'John Marin' +p339489 +sa(dp339490 +g291130 +S'graphite on wove paper' +p339491 +sg291132 +S'1951' +p339492 +sg291134 +S'Movement, Machais River, Maine' +p339493 +sg291136 +g27 +sg291137 +S'John Marin' +p339494 +sa(dp339495 +g291130 +S'watercolor and graphite on wove paper' +p339496 +sg291132 +S'1951' +p339497 +sg291134 +S'Saco Falls, Maine' +p339498 +sg291136 +g27 +sg291137 +S'John Marin' +p339499 +sa(dp339500 +g291130 +S'watercolor and graphite on wove paper' +p339501 +sg291132 +S'1951' +p339502 +sg291134 +S'Machais, Maine' +p339503 +sg291136 +g27 +sg291137 +S'John Marin' +p339504 +sa(dp339505 +g291130 +S'watercolor and graphite on wove paper' +p339506 +sg291132 +S'1951' +p339507 +sg291134 +S'St. Johns, New Brunswick, Canada' +p339508 +sg291136 +g27 +sg291137 +S'John Marin' +p339509 +sa(dp339510 +g291130 +S'graphite on wove paper' +p339511 +sg291132 +S'1951' +p339512 +sg291134 +S'St. Johns, New Brunswick, Canada' +p339513 +sg291136 +g27 +sg291137 +S'John Marin' +p339514 +sa(dp339515 +g291130 +S'graphite on wove paper' +p339516 +sg291132 +S'1951' +p339517 +sg291134 +S'St. Johns, New Brunswick, Canada' +p339518 +sg291136 +g27 +sg291137 +S'John Marin' +p339519 +sa(dp339520 +g291130 +S'blue felt tip pen on wove paper' +p339521 +sg291132 +S'1951' +p339522 +sg291134 +S'St. Johns, New Brunswick, Canada' +p339523 +sg291136 +g27 +sg291137 +S'John Marin' +p339524 +sa(dp339525 +g291130 +S'graphite on wove paper' +p339526 +sg291132 +S'1951' +p339527 +sg291134 +S'St. Johns, New Brunswick, Canada' +p339528 +sg291136 +g27 +sg291137 +S'John Marin' +p339529 +sa(dp339530 +g291130 +S'graphite on wove paper' +p339531 +sg291132 +S'1951' +p339532 +sg291134 +S'St. Johns, New Brunswick, Canada' +p339533 +sg291136 +g27 +sg291137 +S'John Marin' +p339534 +sa(dp339535 +g291130 +S'graphite on wove paper' +p339536 +sg291132 +S'1951' +p339537 +sg291134 +S'First Landing in St. Johns, New Brunswick' +p339538 +sg291136 +g27 +sg291137 +S'John Marin' +p339539 +sa(dp339540 +g291130 +S'graphite on wove paper' +p339541 +sg291132 +S'1951' +p339542 +sg291134 +S'St. Johns, New Brunswick, Canada' +p339543 +sg291136 +g27 +sg291137 +S'John Marin' +p339544 +sa(dp339545 +g291130 +S'graphite on wove paper' +p339546 +sg291132 +S'1951' +p339547 +sg291134 +S'St. Johns, New Brunswick, Canada' +p339548 +sg291136 +g27 +sg291137 +S'John Marin' +p339549 +sa(dp339550 +g291130 +S'watercolor and graphite on wove paper' +p339551 +sg291132 +S'1951' +p339552 +sg291134 +S'St. Johns River, New Brunswick, Canada' +p339553 +sg291136 +g27 +sg291137 +S'John Marin' +p339554 +sa(dp339555 +g291130 +S'graphite on wove paper' +p339556 +sg291132 +S'1951' +p339557 +sg291134 +S'St. Johns River, New Brunswick, Canada' +p339558 +sg291136 +g27 +sg291137 +S'John Marin' +p339559 +sa(dp339560 +g291130 +S'graphite on wove paper' +p339561 +sg291132 +S'1951' +p339562 +sg291134 +S'St. Johns River, New Brunswick, Canada' +p339563 +sg291136 +g27 +sg291137 +S'John Marin' +p339564 +sa(dp339565 +g291130 +S'graphite on wove paper' +p339566 +sg291132 +S'1951' +p339567 +sg291134 +S'St. Johns River, New Brunswick, Canada' +p339568 +sg291136 +g27 +sg291137 +S'John Marin' +p339569 +sa(dp339570 +g291130 +S'blue felt tip pen on wove paper' +p339571 +sg291132 +S'1951' +p339572 +sg291134 +S'St. Johns River, New Brunswick, Canada' +p339573 +sg291136 +g27 +sg291137 +S'John Marin' +p339574 +sa(dp339575 +g291130 +S'blue felt tip pen on wove paper' +p339576 +sg291132 +S'1951' +p339577 +sg291134 +S'St. Johns River Country, New Brunswick, Canada' +p339578 +sg291136 +g27 +sg291137 +S'John Marin' +p339579 +sa(dp339580 +g291130 +S'blue felt tip pen on wove paper' +p339581 +sg291132 +S'1951' +p339582 +sg291134 +S'St. Johns River, New Brunswick, Canada' +p339583 +sg291136 +g27 +sg291137 +S'John Marin' +p339584 +sa(dp339585 +g291130 +S'blue felt tip pen on wove paper' +p339586 +sg291132 +S'1951' +p339587 +sg291134 +S'St. Johns River Country, New Brunswick, Canada' +p339588 +sg291136 +g27 +sg291137 +S'John Marin' +p339589 +sa(dp339590 +g291130 +S'sketchbook with 12 drawings in various media (20 leaves)' +p339591 +sg291132 +S'1952' +p339592 +sg291134 +S'Marin Sketchbook' +p339593 +sg291136 +g27 +sg291137 +S'John Marin' +p339594 +sa(dp339595 +g291130 +S'watercolor and graphite on wove paper' +p339596 +sg291132 +S'1952' +p339597 +sg291134 +S'Sunset, Maine' +p339598 +sg291136 +g27 +sg291137 +S'John Marin' +p339599 +sa(dp339600 +g291130 +S'watercolor and graphite on wove paper' +p339601 +sg291132 +S'1952' +p339602 +sg291134 +S'Sunset, Maine' +p339603 +sg291136 +g27 +sg291137 +S'John Marin' +p339604 +sa(dp339605 +g291130 +S'watercolor and graphite on wove paper' +p339606 +sg291132 +S'1952' +p339607 +sg291134 +S'Sunset, Maine' +p339608 +sg291136 +g27 +sg291137 +S'John Marin' +p339609 +sa(dp339610 +g291130 +S'colored pencil and graphite on wove paper' +p339611 +sg291132 +S'1952' +p339612 +sg291134 +S'Shoreline' +p339613 +sg291136 +g27 +sg291137 +S'John Marin' +p339614 +sa(dp339615 +g291130 +S'watercolor and graphite on wove paper' +p339616 +sg291132 +S'1952' +p339617 +sg291134 +S"Yawl in Full Sail off Norton's Island, Maine" +p339618 +sg291136 +g27 +sg291137 +S'John Marin' +p339619 +sa(dp339620 +g291130 +S'graphite on wove paper on separate sheet laid down on sketchbook page' +p339621 +sg291132 +S'1952' +p339622 +sg291134 +S'Lubec, Maine' +p339623 +sg291136 +g27 +sg291137 +S'John Marin' +p339624 +sa(dp339625 +g291130 +S'graphite on wove paper' +p339626 +sg291132 +S'1952' +p339627 +sg291134 +S'Prospect Harbor, Maine' +p339628 +sg291136 +g27 +sg291137 +S'John Marin' +p339629 +sa(dp339630 +g291130 +S'graphite on wove paper' +p339631 +sg291132 +S'1952' +p339632 +sg291134 +S'Saco Falls, Maine' +p339633 +sg291136 +g27 +sg291137 +S'John Marin' +p339634 +sa(dp339635 +g291130 +S'watercolor and graphite on wove paper' +p339636 +sg291132 +S'1952' +p339637 +sg291134 +S'Tunk Mountains, Maine' +p339638 +sg291136 +g27 +sg291137 +S'John Marin' +p339639 +sa(dp339640 +g291130 +S'watercolor and graphite on wove paper' +p339641 +sg291132 +S'1952' +p339642 +sg291134 +S'Machais, Maine' +p339643 +sg291136 +g27 +sg291137 +S'John Marin' +p339644 +sa(dp339645 +g291130 +S'watercolor and graphite on wove paper' +p339646 +sg291132 +S'1952' +p339647 +sg291134 +S'Autumn Color' +p339648 +sg291136 +g27 +sg291137 +S'John Marin' +p339649 +sa(dp339650 +g291130 +S'watercolor, pen and black ink, and graphite on wove paper' +p339651 +sg291132 +S'1952' +p339652 +sg291134 +S'Autumn Color' +p339653 +sg291136 +g27 +sg291137 +S'John Marin' +p339654 +sa(dp339655 +g291130 +S'graphite on plastic' +p339656 +sg291132 +S'c. 1950' +p339657 +sg291134 +S'Ye Old Dutch Church, Upper Saddle River, New Jersey' +p339658 +sg291136 +g27 +sg291137 +S'John Marin' +p339659 +sa(dp339660 +g291130 +S'graphite on plastic' +p339661 +sg291132 +S'c. 1950' +p339662 +sg291134 +S'Ye Old Dutch Church, Upper Saddle River, New Jersey' +p339663 +sg291136 +g27 +sg291137 +S'John Marin' +p339664 +sa(dp339665 +g291130 +S'graphite on plastic' +p339666 +sg291132 +S'1950' +p339667 +sg291134 +S'Ye Old Dutch Church, Upper Saddle River, New Jersey' +p339668 +sg291136 +g27 +sg291137 +S'John Marin' +p339669 +sa(dp339670 +g291130 +S'graphite on plastic' +p339671 +sg291132 +S'1951' +p339672 +sg291134 +S'Ye Old Dutch Church, Upper Saddle River, New Jersey' +p339673 +sg291136 +g27 +sg291137 +S'John Marin' +p339674 +sa(dp339675 +g291130 +S'graphite on plastic' +p339676 +sg291132 +S'1951' +p339677 +sg291134 +S'Ye Old Dutch Church, Upper Saddle River, New Jersey' +p339678 +sg291136 +g27 +sg291137 +S'John Marin' +p339679 +sa(dp339680 +g291130 +S'graphite on plastic' +p339681 +sg291132 +S'1952' +p339682 +sg291134 +S'Prospect Harbor, Maine' +p339683 +sg291136 +g27 +sg291137 +S'John Marin' +p339684 +sa(dp339685 +g291130 +S'brush and black ink on plastic' +p339686 +sg291132 +S'1952' +p339687 +sg291134 +S'Machias, Maine' +p339688 +sg291136 +g27 +sg291137 +S'John Marin' +p339689 +sa(dp339690 +g291130 +S'graphite on plastic' +p339691 +sg291132 +S'c. 1953' +p339692 +sg291134 +S'Study for "Untitled (Mrs. Marin)" [upper half]' +p339693 +sg291136 +g27 +sg291137 +S'John Marin' +p339694 +sa(dp339695 +g291130 +S'graphite on plastic' +p339696 +sg291132 +S'c. 1953' +p339697 +sg291134 +S'Study for "Untitled (Mrs. Marin)" [lower half]' +p339698 +sg291136 +g27 +sg291137 +S'John Marin' +p339699 +sa(dp339700 +g291130 +S'graphite on plastic' +p339701 +sg291132 +S'unknown date\n' +p339702 +sg291134 +S'New York Skyline' +p339703 +sg291136 +g27 +sg291137 +S'John Marin' +p339704 +sa(dp339705 +g291130 +S'graphite on plastic' +p339706 +sg291132 +S'1951' +p339707 +sg291134 +S'New York Skyline' +p339708 +sg291136 +g27 +sg291137 +S'John Marin' +p339709 +sa(dp339710 +g291130 +S'graphite on plastic' +p339711 +sg291132 +S'1951' +p339712 +sg291134 +S'New York Skyline' +p339713 +sg291136 +g27 +sg291137 +S'John Marin' +p339714 +sa(dp339715 +g291130 +S'graphite on plastic' +p339716 +sg291132 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aquatint in red, blue, green, yellow, and black (printed from 2 copper plates) on wove paper' +p340100 +sg291132 +S'1976/1977' +p340101 +sg291134 +S'The Poet' +p340102 +sg291136 +g27 +sg291137 +S'David Hockney' +p340103 +sa(dp340104 +g291130 +S'etching, softground etching and aquatint in red, blue, and green (printed from 2 copper plates) on wove paper' +p340105 +sg291132 +S'1976/1977' +p340106 +sg291134 +S'Etching is the Subject' +p340107 +sg291136 +g27 +sg291137 +S'David Hockney' +p340108 +sa(dp340109 +g291130 +S'etching, softground etching, and aquatint in red, blue, green, and black (printed from 2 copper plates) on wove paper' +p340110 +sg291132 +S'1976/1977' +p340111 +sg291134 +S'Tick it, Tock it, Turn it True' +p340112 +sg291136 +g27 +sg291137 +S'David Hockney' +p340113 +sa(dp340114 +g291130 +S'etching and aquatint in red, blue, yellow, green, and black (printed from 2 copper plates) on wove paper' +p340115 +sg291132 +S'1976/1977' +p340116 +sg291134 +S'I Say They Are' +p340117 +sg291136 +g27 +sg291137 +S'David Hockney' +p340118 +sa(dp340119 +g291130 +S'etching, softground etching, and aquatint in red, blue, green, and yellow (printed from 2 copper plates) on wove paper' +p340120 +sg291132 +S'1976/1977' +p340121 +sg291134 +S'On it May Stay His Eye' +p340122 +sg291136 +g27 +sg291137 +S'David Hockney' +p340123 +sa(dp340124 +g291130 +S'etching, softground etching, and aquatint in red, blue, green, and yellow (printed from 2 copper plates) on wove paper' +p340125 +sg291132 +S'1976/1977' +p340126 +sg291134 +S'A Moving Still Life' +p340127 +sg291136 +g27 +sg291137 +S'David Hockney' +p340128 +sa(dp340129 +g291130 +S'etching, softground etching, and aquatint in red, blue, green, and yellow (printed from 2 copper plates) on wove paper' +p340130 +sg291132 +S'1976/1977' +p340131 +sg291134 +S'Serenade' +p340132 +sg291136 +g27 +sg291137 +S'David Hockney' +p340133 +sa(dp340134 +g291130 +S'etching, softground etching, and aquatint in red, blue, and green (printed from 2 copper plates) on wove paper' +p340135 +sg291132 +S'1976/1977' +p340136 +sg291134 +S'What is this Picasso?' +p340137 +sg291136 +g27 +sg291137 +S'David Hockney' +p340138 +sa(dp340139 +g291134 +S'The Gate, Goodbye Vermont' +p340140 +sg291137 +S'Jim Dine' +p340141 +sg291130 +S'steel, tools, wood' +p340142 +sg291132 +S'1985' +p340143 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00016/a000166f.jpg' +p340144 +sg291136 +g27 +sa(dp340145 +g291134 +S'An Eagle' +p340146 +sg291137 +S'Titian' +p340147 +sg291130 +S'pen and brown ink on laid paper; laid down on decorated mount' +p340148 +sg291132 +S'c. 1515' +p340149 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00028/a000286a.jpg' +p340150 +sg291136 +g27 +sa(dp340151 +g291134 +S'Hercules Killing Cacus' +p340152 +sg291137 +S'Hendrick Goltzius' +p340153 +sg291130 +S', 1588' +p340154 +sg291132 +S'\n' +p340155 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f32.jpg' +p340156 +sg291136 +g27 +sa(dp340157 +g291134 +S'The Return of the Prodigal Son' +p340158 +sg291137 +S'Rembrandt van Rijn' +p340159 +sg291130 +S'etching on laid paper' +p340160 +sg291132 +S'1636' +p340161 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f77.jpg' +p340162 +sg291136 +g27 +sa(dp340163 +g291134 +S'Workmen before an Inn' +p340164 +sg291137 +S'Isack van Ostade' +p340165 +sg291130 +S'oil on panel' +p340166 +sg291132 +S'1645' +p340167 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e77.jpg' +p340168 +sg291136 +S'Tavern drinkers and idlers frequently appear in Dutch genre scenes of daily life, but depictions of workers restocking an inn are very unusual. Two laborers here are yoked together to haul beer kegs off a sledge. Their overworked, underfed horse bears the scars of a hard existence. At the cellar door a small boy carries a jug of ale, while the street teems with beggars, peddlers, and fighting dogs.\n Like one other Isack van Ostade painting, \n Isack was trained in Haarlem by his older brother \n ' +p340169 +sa(dp340170 +g291130 +S'(artist)' +p340171 +sg291132 +S'\n' +p340172 +sg291134 +S'Historiae Biblicae Veteris et Novi Testamenti' +p340173 +sg291136 +g27 +sg291137 +S'Artist Information (' +p340174 +sa(dp340175 +g291134 +S'Weathered Boulders' +p340176 +sg291137 +S'Franz Edmund Weirotter' +p340177 +sg291130 +S'red chalk on laid paper' +p340178 +sg291132 +S'c. 1769' +p340179 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00028/a00028e7.jpg' +p340180 +sg291136 +g27 +sa(dp340181 +g291134 +S'Fan with Wildflowers and Butterflies against the Norman Coast' +p340182 +sg291137 +S'F\xc3\xa9lix-Hilaire Buhot' +p340183 +sg291130 +S'tempera and gouache with gold highlights over graphite on silk; laid down' +p340184 +sg291132 +S'c. 1875' +p340185 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00022/a00022c7.jpg' +p340186 +sg291136 +g27 +sa(dp340187 +g291134 +S'Roses' +p340188 +sg291137 +S'Vincent van Gogh' +p340189 +sg291130 +S'oil on canvas' +p340190 +sg291132 +S'1890' +p340191 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0004a/a0004a15.jpg' +p340192 +sg291136 +S'In May 1889, following bouts of depression\r\nand erratic behavior that culminated\r\nin the mutilation of his left ear, Van Gogh\r\ntraveled from Arles to the nearby village\r\nof Saint-Rémy, where he voluntarily\r\ncommitted himself to the asylum Saint-\r\nPaul-de-Mausole. As had always been true\r\nduring the bleaker periods in the artist\xe2\x80\x99s\r\nlife, art was both his therapy and his salvation.\r\nVincent\xe2\x80\x99s time at Saint-R\xc3\xa9my was\r\nno exception. His doctor observed that "between his attacks the patient was perfectly\r\nquiet and devoted himself with ardor\r\nto his painting."\n Vincent\xe2\x80\x99s final weeks at the asylum\r\nwere marked by both intense productivity\r\nand emotional stability. Looking back on\r\nthose days, Vincent would tell his sister that\r\nhe "worked as in a frenzy. Great bunches\r\nof flowers, violet irises, big bouquets of\r\nroses, landscapes."\n Vincent\xe2\x80\x99s newfound confidence is palpable\r\nin this painting, in which an enormous\r\nbouquet of roses seems to spill\r\nout from a stoneware vase, with fragrant\r\nblooms filling virtually the entire composition.\r\nAlthough Vincent was known to\r\nassign meanings to the flowers he painted,\r\nhis correspondence makes no mention of\r\nany deeper significance associated with the\r\nroses depicted here. Instead, \n The artist\xe2\x80\x99s exuberance is equally evident\r\nin his use of color and brushwork.\r\nVincent selected a palette dominated by the\r\ncomplementary colors red and green, juxtaposed\r\nin order to heighten each color\xe2\x80\x99s\r\nvibrancy. Unfortunately in the case of \n (Text by Kimberly Jones, \n Notes\n 2. Letter from Vincent to his sister, beginning of\r\nJune 1890. The Complete Letters of Vincent van Gogh, 3 vols., 2nd\r\ned. (Boston, 1978), 3:469, letter W. 21.\n \n \n ' +p340193 +sa(dp340194 +g291130 +S'charcoal on laid paper' +p340195 +sg291132 +S'1939' +p340196 +sg291134 +S"The Oriental (L'Asiatique)" +p340197 +sg291136 +g27 +sg291137 +S'Henri Matisse' +p340198 +sa(dp340199 +g291130 +S'oil on canvas' +p340200 +sg291132 +S'1973' +p340201 +sg291134 +S"Painter's Table" +p340202 +sg291136 +g27 +sg291137 +S'Philip Guston' +p340203 +sa(dp340204 +g291130 +g27 +sg291132 +S'(artist)' +p340205 +sg291134 +S'Bowl with a Shield of Arms' +p340206 +sg291136 +g27 +sg291137 +S'Artist Information (' +p340207 +sa(dp340208 +g291130 +S'oil on canvas' +p340209 +sg291132 +S'1908' +p340210 +sg291134 +S'Maine Woods' +p340211 +sg291136 +g27 +sg291137 +S'Marsden Hartley' +p340212 +sa(dp340213 +g291130 +S'1 vol: ill: 11 woodcuts in black on wove paper (woodcut VII repeated on cover); text by Gabrielle Buffet-Picabia; intro. by Max Bill; poem by Jean Arp' +p340214 +sg291132 +S'published 1945' +p340215 +sg291134 +S'11 configurations' +p340216 +sg291136 +g27 +sg291137 +S'Jean Arp' +p340217 +sa(dp340218 +g291130 +S'lithograph from zinc in black on brown-red laid paper' +p340219 +sg291132 +S'1951' +p340220 +sg291134 +S'Head of March' +p340221 +sg291136 +g27 +sg291137 +S'Milton Avery' +p340222 +sa(dp340223 +g291130 +S'gelatin silver print' +p340224 +sg291132 +S'1951' +p340225 +sg291134 +S'London' +p340226 +sg291136 +g27 +sg291137 +S'Robert Frank' +p340227 +sa(dp340228 +g291130 +g27 +sg291132 +S'(publisher)' +p340229 +sg291134 +S'White Line Square XV' +p340230 +sg291136 +g27 +sg291137 +S'Artist Information (' +p340231 +sa(dp340232 +g291130 +g27 +sg291132 +S'(publisher)' +p340233 +sg291134 +S'White Embossing on Gray XI' +p340234 +sg291136 +g27 +sg291137 +S'Artist Information (' +p340235 +sa(dp340236 +g291130 +g27 +sg291132 +S'(publisher)' +p340237 +sg291134 +S'White Embossing on Gray V' +p340238 +sg291136 +g27 +sg291137 +S'Artist Information (' +p340239 +sa(dp340240 +g291130 +g27 +sg291132 +S'(publisher)' 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the Western Shore' +p341716 +sg291136 +g27 +sg291137 +S'Jim Dine' +p341717 +sa(dp341718 +g291130 +S'etching and woodcut with sandpapered highlights and handpainting in acrylic on Arches Cover White paper' +p341719 +sg291132 +S'1987/1989' +p341720 +sg291134 +S'The Foreign Plowman [part 1 of 5-part print]' +p341721 +sg291136 +g27 +sg291137 +S'Jim Dine' +p341722 +sa(dp341723 +g291130 +S'etching and woodcut with sandpapered highlights and handpainting in acrylic on Arches Cover White paper' +p341724 +sg291132 +S'1987/1989' +p341725 +sg291134 +S'The Foreign Plowman [part 2 of 5-part print]' +p341726 +sg291136 +g27 +sg291137 +S'Jim Dine' +p341727 +sa(dp341728 +g291130 +S'etching and woodcut with handpainting in acrylic on Arches Cover White paper' +p341729 +sg291132 +S'1987/1989' +p341730 +sg291134 +S'The Foreign Plowman [part 3 of 5-part print]' +p341731 +sg291136 +g27 +sg291137 +S'Jim Dine' +p341732 +sa(dp341733 +g291130 +S'etching and woodcut with handpainting in acrylic on Arches Cover 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burnishing on Rives BFK paper [artist's proof]" +p341879 +sg291132 +S'1984' +p341880 +sg291134 +S'Nude' +p341881 +sg291136 +g27 +sg291137 +S'Robert Gordy' +p341882 +sa(dp341883 +g291130 +S'graphite on tracing paper' +p341884 +sg291132 +S'1984' +p341885 +sg291134 +S'Drawing for "Nude"' +p341886 +sg291136 +g27 +sg291137 +S'Robert Gordy' +p341887 +sa(dp341888 +g291130 +S"aquatint in black on Rives BFK paper [artist's proof]" +p341889 +sg291132 +S'1984' +p341890 +sg291134 +S'Female Head' +p341891 +sg291136 +g27 +sg291137 +S'Robert Gordy' +p341892 +sa(dp341893 +g291130 +S"aquatint in black with burnishing on Rives BFK paper [artist's proof]" +p341894 +sg291132 +S'1984' +p341895 +sg291134 +S'Female Head' +p341896 +sg291136 +g27 +sg291137 +S'Robert Gordy' +p341897 +sa(dp341898 +g291130 +S"aquatint in black with burnishing on Rives BFK paper [artist's proof]" +p341899 +sg291132 +S'1984' +p341900 +sg291134 +S'Female Head' +p341901 +sg291136 +g27 +sg291137 +S'Robert Gordy' +p341902 +sa(dp341903 +g291130 +S"aquatint in black with burnishing on Rives BFK paper [artist's proof]" +p341904 +sg291132 +S'1984' +p341905 +sg291134 +S'Female Head' +p341906 +sg291136 +g27 +sg291137 +S'Robert Gordy' +p341907 +sa(dp341908 +g291130 +S"aquatint in shades of black with burnishing on wove paper [artist's proof]" +p341909 +sg291132 +S'1984' +p341910 +sg291134 +S'Female Head' +p341911 +sg291136 +g27 +sg291137 +S'Robert Gordy' +p341912 +sa(dp341913 +g291130 +S"aquatint in shades of black with burnishing on Rives BFK paper [artist's proof]" +p341914 +sg291132 +S'1984' +p341915 +sg291134 +S'Female Head' +p341916 +sg291136 +g27 +sg291137 +S'Robert Gordy' +p341917 +sa(dp341918 +g291130 +S'graphite on tracing paper' +p341919 +sg291132 +S'1984' +p341920 +sg291134 +S'Drawing for "Female Head"' +p341921 +sg291136 +g27 +sg291137 +S'Robert Gordy' +p341922 +sa(dp341923 +g291130 +S'5-color lithograph on German Etching paper [workshop proof]' +p341924 +sg291132 +S'1970' +p341925 +sg291134 +S'Truck' +p341926 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+p341967 +sa(dp341968 +g291130 +S'photogravure in black on Rives BFK White paper [trial proof]' +p341969 +sg291132 +S'unknown date\n' +p341970 +sg291134 +S'Untitled' +p341971 +sg291136 +g27 +sg291137 +S'Robert Mapplethorpe' +p341972 +sa(dp341973 +g291130 +S'lithograph in black on German Etching paper [workshop proof]' +p341974 +sg291132 +S'1970/1971' +p341975 +sg291134 +S'Untitled' +p341976 +sg291136 +g27 +sg291137 +S'Bruce Marsh' +p341977 +sa(dp341978 +g291130 +S'lithograph in black, pink, and gold with embossing on German Etching paper [workshop proof]' +p341979 +sg291132 +S'1969/1970' +p341980 +sg291134 +S'Untitled' +p341981 +sg291136 +g27 +sg291137 +S'George Pappas' +p341982 +sa(dp341983 +g291130 +S'multi-color woodcut on Rives BFK White paper [color trial proof]' +p341984 +sg291132 +S'1987' +p341985 +sg291134 +S'Jerusalem, Temple Mount' +p341986 +sg291136 +g27 +sg291137 +S'Philip Pearlstein' +p341987 +sa(dp341988 +g291130 +S'brush and black ink with graphite on mylar' +p341989 +sg291132 +S'1987' +p341990 +sg291134 +S'Drawing for "Jerusalem, Temple Mount"' +p341991 +sg291136 +g27 +sg291137 +S'Philip Pearlstein' +p341992 +sa(dp341993 +g291130 +S'colored pencil and graphite on mylar' +p341994 +sg291132 +S'1987' +p341995 +sg291134 +S'Drawing for "Jerusalem, Temple Mount"' +p341996 +sg291136 +g27 +sg291137 +S'Philip Pearlstein' +p341997 +sa(dp341998 +g291130 +S'brush and black ink with graphite on mylar' +p341999 +sg291132 +S'1987' +p342000 +sg291134 +S'Drawing for "Jerusalem, Temple Mount"' +p342001 +sg291136 +g27 +sg291137 +S'Philip Pearlstein' +p342002 +sa(dp342003 +g291130 +S'brush and black ink with graphite on mylar' +p342004 +sg291132 +S'1987' +p342005 +sg291134 +S'Drawing for "Jerusalem, Temple Mount"' +p342006 +sg291136 +g27 +sg291137 +S'Philip Pearlstein' +p342007 +sa(dp342008 +g291130 +S'brush and black ink on mylar' +p342009 +sg291132 +S'1987' +p342010 +sg291134 +S'Drawing for "Jerusalem, Temple Mount"' +p342011 +sg291136 +g27 +sg291137 +S'Philip Pearlstein' +p342012 +sa(dp342013 +g291130 +S'brush and black ink with graphite on mylar' +p342014 +sg291132 +S'1987' +p342015 +sg291134 +S'Drawing for "Jerusalem, Temple Mount"' +p342016 +sg291136 +g27 +sg291137 +S'Philip Pearlstein' +p342017 +sa(dp342018 +g291130 +S'brush and black ink with graphite and scratching on mylar' +p342019 +sg291132 +S'1987' +p342020 +sg291134 +S'Drawing for "Jerusalem, Temple Mount"' +p342021 +sg291136 +g27 +sg291137 +S'Philip Pearlstein' +p342022 +sa(dp342023 +g291130 +S'brush and black ink with graphite on mylar' +p342024 +sg291132 +S'1987' +p342025 +sg291134 +S'Drawing for "Jerusalem, Temple Mount"' +p342026 +sg291136 +g27 +sg291137 +S'Philip Pearlstein' +p342027 +sa(dp342028 +g291130 +S'brush and black ink with graphite on mylar' +p342029 +sg291132 +S'1987' +p342030 +sg291134 +S'Drawing for "Jerusalem, Temple Mount"' +p342031 +sg291136 +g27 +sg291137 +S'Philip Pearlstein' +p342032 +sa(dp342033 +g291130 +S'kodalith with drawn additions in felt-tip pen 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+sg291134 +S'Drawing for "View of Rome"' +p342056 +sg291136 +g27 +sg291137 +S'Philip Pearlstein' +p342057 +sa(dp342058 +g291130 +S'brush and black ink with graphite on mylar' +p342059 +sg291132 +S'1986' +p342060 +sg291134 +S'Drawing for "View of Rome"' +p342061 +sg291136 +g27 +sg291137 +S'Philip Pearlstein' +p342062 +sa(dp342063 +g291130 +S'aquatint in black on wove paper [working proof]' +p342064 +sg291132 +S'1986' +p342065 +sg291134 +S'View of Rome' +p342066 +sg291136 +g27 +sg291137 +S'Philip Pearlstein' +p342067 +sa(dp342068 +g291130 +S'multi-color direct gravure and aquatint with roulette work on Arches Cover White paper [color trial proof 2]' +p342069 +sg291132 +S'1986' +p342070 +sg291134 +S'View of Rome' +p342071 +sg291136 +g27 +sg291137 +S'Philip Pearlstein' +p342072 +sa(dp342073 +g291130 +S'multi-color aquatint with roulette work on wove paper [color working proof]' +p342074 +sg291132 +S'1986' +p342075 +sg291134 +S'View of Rome' +p342076 +sg291136 +g27 +sg291137 +S'Philip 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on T.H. 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chine colle of Sekishu paper; bird cast from Arches pulp' +p342214 +sg291132 +S'1990' +p342215 +sg291134 +S'Canoptic Prestidigitation' +p342216 +sg291136 +g27 +sg291137 +S'Nancy Graves' +p342217 +sa(dp342218 +g291130 +S'watercolor, graphite, gouache, and gold leaf on cut paper mounted to foamcore' +p342219 +sg291132 +S'1990' +p342220 +sg291134 +S'Maquette for "Canoptic Legerdemain"' +p342221 +sg291136 +g27 +sg291137 +S'Nancy Graves' +p342222 +sa(dp342223 +g291130 +S'photogravure in three blacks on T.H. 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"Chinese Summerhall"' +p342246 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342247 +sa(dp342248 +g291130 +S'9 x 8 inch glass carrier containing photographic negative' +p342249 +sg291132 +S'c. 1982' +p342250 +sg291134 +S'Negative for "Chinese Summerhall"' +p342251 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342252 +sa(dp342253 +g291130 +S'9 x 8 inch glass carrier containing photographic negative' +p342254 +sg291132 +S'c. 1982' +p342255 +sg291134 +S'Negative for "Chinese Summerhall"' +p342256 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342257 +sa(dp342258 +g291130 +S'9 x 8 inch glass carrier containing photographic negative' +p342259 +sg291132 +S'c. 1982' +p342260 +sg291134 +S'Negative for "Chinese Summerhall"' +p342261 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342262 +sa(dp342263 +g291130 +S'9 x 8 inch glass carrier containing photographic negative' +p342264 +sg291132 +S'c. 1982' +p342265 +sg291134 +S'Negative for "Chinese Summerhall"' +p342266 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342267 +sa(dp342268 +g291130 +S'9 x 8 inch glass carrier containing photographic negative' +p342269 +sg291132 +S'c. 1982' +p342270 +sg291134 +S'Negative for "Chinese Summerhall"' +p342271 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342272 +sa(dp342273 +g291130 +S'9 x 8 inch glass carrier containing photographic negative' +p342274 +sg291132 +S'c. 1982' +p342275 +sg291134 +S'Negative for "Chinese Summerhall"' +p342276 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342277 +sa(dp342278 +g291130 +S'9 x 8 inch glass carrier containing photographic negative' +p342279 +sg291132 +S'c. 1982' +p342280 +sg291134 +S'Negative for "Chinese Summerhall"' +p342281 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342282 +sa(dp342283 +g291130 +S'9 x 8 inch glass carrier containing photographic negative' +p342284 +sg291132 +S'c. 1982' +p342285 +sg291134 +S'Negative for "Chinese Summerhall"' +p342286 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342287 +sa(dp342288 +g291130 +S'9 x 8 inch glass carrier containing photographic negative' +p342289 +sg291132 +S'c. 1982' +p342290 +sg291134 +S'Negative for "Chinese Summerhall"' +p342291 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342292 +sa(dp342293 +g291130 +S'9 x 8 inch glass carrier containing photographic negative' +p342294 +sg291132 +S'c. 1982' +p342295 +sg291134 +S'Negative for "Chinese Summerhall"' +p342296 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342297 +sa(dp342298 +g291130 +S'9 x 8 inch glass carrier containing photographic negative' +p342299 +sg291132 +S'c. 1982' +p342300 +sg291134 +S'Negative for "Chinese Summerhall"' +p342301 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342302 +sa(dp342303 +g291130 +S'9 x 8 inch glass carrier containing photographic negative' +p342304 +sg291132 +S'c. 1982' +p342305 +sg291134 +S'Negative for "Chinese Summerhall"' +p342306 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342307 +sa(dp342308 +g291130 +S'9 x 8 inch glass carrier containing photographic negative' +p342309 +sg291132 +S'c. 1982' +p342310 +sg291134 +S'Negative for "Chinese Summerhall"' +p342311 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342312 +sa(dp342313 +g291130 +S'5 x 5 inch glass carrier containing photographic negative' +p342314 +sg291132 +S'c. 1982' +p342315 +sg291134 +S'Negative for "Chinese Summerhall"' +p342316 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342317 +sa(dp342318 +g291130 +S'5 x 5 inch glass carrier containing photographic negative' +p342319 +sg291132 +S'c. 1982' +p342320 +sg291134 +S'Negative for "Chinese Summerhall"' +p342321 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342322 +sa(dp342323 +g291130 +S'5 x 5 inch glass carrier containing photographic negative' +p342324 +sg291132 +S'c. 1982' +p342325 +sg291134 +S'Negative for "Chinese Summerhall"' +p342326 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342327 +sa(dp342328 +g291130 +S'5 x 5 inch glass carrier containing photographic negative' +p342329 +sg291132 +S'c. 1982' +p342330 +sg291134 +S'Negative for "Chinese Summerhall"' +p342331 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342332 +sa(dp342333 +g291130 +S'5 x 5 inch glass carrier containing photographic negative' +p342334 +sg291132 +S'c. 1982' +p342335 +sg291134 +S'Negative for "Chinese Summerhall"' +p342336 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342337 +sa(dp342338 +g291130 +S'5 x 5 inch glass carrier containing photographic negative' +p342339 +sg291132 +S'c. 1982' +p342340 +sg291134 +S'Negative for "Chinese Summerhall"' +p342341 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342342 +sa(dp342343 +g291130 +S'5 x 5 inch glass carrier containing photographic negative' +p342344 +sg291132 +S'c. 1982' +p342345 +sg291134 +S'Negative for "Chinese Summerhall"' +p342346 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342347 +sa(dp342348 +g291130 +S'5 x 5 inch glass carrier containing photographic negative' +p342349 +sg291132 +S'c. 1982' +p342350 +sg291134 +S'Negative for "Chinese Summerhall"' +p342351 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342352 +sa(dp342353 +g291130 +S'5 x 5 inch glass carrier containing photographic negative' +p342354 +sg291132 +S'c. 1982' +p342355 +sg291134 +S'Negative for "Chinese Summerhall"' +p342356 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342357 +sa(dp342358 +g291130 +S'5 x 5 inch glass carrier containing photographic negative' +p342359 +sg291132 +S'c. 1982' +p342360 +sg291134 +S'Negative for "Chinese Summerhall"' +p342361 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342362 +sa(dp342363 +g291130 +S'4 x 5 inch Beseler carrier containing photographic negative' +p342364 +sg291132 +S'c. 1982' +p342365 +sg291134 +S'Negative for "Chinese Summerhall"' +p342366 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342367 +sa(dp342368 +g291130 +S'4 x 5 inch Beseler carrier containing photographic negative' +p342369 +sg291132 +S'c. 1982' +p342370 +sg291134 +S'Negative for "Chinese Summerhall"' +p342371 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342372 +sa(dp342373 +g291130 +S'4 x 5 inch Beseler carrier containing photographic negative' +p342374 +sg291132 +S'c. 1982' +p342375 +sg291134 +S'Negative for "Chinese Summerhall"' +p342376 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342377 +sa(dp342378 +g291130 +S'4 x 5 inch Beseler carrier containing photographic negative' +p342379 +sg291132 +S'c. 1982' +p342380 +sg291134 +S'Negative for "Chinese Summerhall"' +p342381 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342382 +sa(dp342383 +g291130 +S'4 x 5 inch Beseler carrier containing photographic negative' +p342384 +sg291132 +S'c. 1982' +p342385 +sg291134 +S'Negative for "Chinese Summerhall"' +p342386 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342387 +sa(dp342388 +g291130 +S'4 x 5 inch Beseler carrier containing photographic negative' +p342389 +sg291132 +S'c. 1982' +p342390 +sg291134 +S'Negative for "Chinese Summerhall"' +p342391 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342392 +sa(dp342393 +g291130 +S'4 x 5 inch Beseler carrier containing photographic negative' +p342394 +sg291132 +S'c. 1982' +p342395 +sg291134 +S'Negative for "Chinese Summerhall"' +p342396 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342397 +sa(dp342398 +g291130 +S'4 x 5 inch Beseler carrier containing photographic negative' +p342399 +sg291132 +S'c. 1982' +p342400 +sg291134 +S'Negative for "Chinese Summerhall"' +p342401 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342402 +sa(dp342403 +g291130 +S"cello, chrome-plated washtub, glycerine, Chinese scrollmaker's brush, mirrored Plexiglas" +p342404 +sg291132 +S'1985-1986' +p342405 +sg291134 +S'Tibetan Garden Song/ROCI TIBET' +p342406 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342407 +sa(dp342408 +g291130 +S'screenprinted enamel with painted additions on polished natural aluminum over a plywood substructure, with sterling silver and lapis lazuli' +p342409 +sg291132 +S'1985-1986' +p342410 +sg291134 +S'Araucan Mastaba' +p342411 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342412 +sa(dp342413 +g291130 +S'square bamboo, neon lights, brass electrical box, fittings, and cable' +p342414 +sg291132 +S'1986-1987' +p342415 +sg291134 +S'Bamhue' +p342416 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342417 +sa(dp342418 +g291130 +S'acrylic on canvas with aluminum frame plus object of aluminum and tin' +p342419 +sg291132 +S'1985' +p342420 +sg291134 +S'Altar Peace/ROCI MEXICO' +p342421 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342422 +sa(dp342423 +g291134 +S'Copperhead Grande/ROCI CHILE' +p342424 +sg291137 +S'Robert Rauschenberg' +p342425 +sg291130 +S'acrylic and tarnishes on copper' +p342426 +sg291132 +S'1985' +p342427 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00001/a00001db.jpg' +p342428 +sg291136 +g27 +sa(dp342429 +g291130 +S'acrylic and collage on plywood panel with objects' +p342430 +sg291132 +S'1985' +p342431 +sg291134 +S'Urban/Interior Network/ROCI VENEZUELA' +p342432 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342433 +sa(dp342434 +g291130 +S'acrylic and fabric collages on fabric laminated paper mounted on aluminum support with objects' +p342435 +sg291132 +S'1986' +p342436 +sg291134 +S'Sino-Trolley/ROCI CHINA' +p342437 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342438 +sa(dp342439 +g291130 +S'acrylic and fabric collage on canvas' +p342440 +sg291132 +S'1987' +p342441 +sg291134 +S'Wall-Eyed Carp/ROCI JAPAN' +p342442 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342443 +sa(dp342444 +g291130 +S'enamel and acrylic on galvanized steel' +p342445 +sg291132 +S'1988' +p342446 +sg291134 +S'Cuban Acre/ROCI CUBA' +p342447 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342448 +sa(dp342449 +g291130 +S'acrylic and fabric collage on plywood panels' +p342450 +sg291132 +S'1990' +p342451 +sg291134 +S"Bach's Rocks (Bachs Steine)/ROCI BERLIN" +p342452 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342453 +sa(dp342454 +g291134 +S'Malaysian Flower Cave/ROCI MALAYSIA' +p342455 +sg291137 +S'Robert Rauschenberg' +p342456 +sg291130 +S'acrylic and fabric on galvanized steel' +p342457 +sg291132 +S'1990' +p342458 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00001/a00001e0.jpg' +p342459 +sg291136 +g27 +sa(dp342460 +g291130 +g27 +sg291132 +S'(publisher)' +p342461 +sg291134 +S'Samarkand Stitches #1' +p342462 +sg291136 +g27 +sg291137 +S'Artist Information (' +p342463 +sa(dp342464 +g291130 +S'sewn fabric collage with screenprint' +p342465 +sg291132 +S'1988' +p342466 +sg291134 +S'Samarkand Stitches #2' +p342467 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342468 +sa(dp342469 +g291130 +g27 +sg291132 +S'(publisher)' +p342470 +sg291134 +S'Samarkand Stitches #3' +p342471 +sg291136 +g27 +sg291137 +S'Artist Information (' +p342472 +sa(dp342473 +g291130 +S'sewn fabric collage with screenprint' +p342474 +sg291132 +S'1988' +p342475 +sg291134 +S'Samarkand Stitches #4' +p342476 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342477 +sa(dp342478 +g291130 +S'sewn fabric collage with screenprint' +p342479 +sg291132 +S'1988' +p342480 +sg291134 +S'Samarkand Stitches #5' +p342481 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342482 +sa(dp342483 +g291130 +S'sewn fabric collage with screenprint' +p342484 +sg291132 +S'1988' +p342485 +sg291134 +S'Samarkand Stitches #6' +p342486 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342487 +sa(dp342488 +g291130 +S'sewn fabric collage with screenprint' +p342489 +sg291132 +S'1988' +p342490 +sg291134 +S'Samarkand Stitches #7' +p342491 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342492 +sa(dp342493 +g291130 +S'photogravure on chine coll? of rice paper on T.H. Saunders paper' +p342494 +sg291132 +S'1988' +p342495 +sg291134 +S'Soviet/American Array I' +p342496 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342497 +sa(dp342498 +g291130 +S'photogravure on chine coll? of Mulberry paper on T.H. Saunders paper' +p342499 +sg291132 +S'1988' +p342500 +sg291134 +S'Soviet/American Array II' +p342501 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342502 +sa(dp342503 +g291130 +S'photogravure on T.H. Saunders paper' +p342504 +sg291132 +S'1988' +p342505 +sg291134 +S'Soviet/American Array III' +p342506 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342507 +sa(dp342508 +g291130 +S'photogravure on T.H. Saunders paper' +p342509 +sg291132 +S'1988' +p342510 +sg291134 +S'Soviet/American Array IV' +p342511 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342512 +sa(dp342513 +g291130 +S'photogravure on T.H. Saunders paper' +p342514 +sg291132 +S'1988' +p342515 +sg291134 +S'Soviet/American Array V' +p342516 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342517 +sa(dp342518 +g291130 +S'photogravure on T.H. Saunders paper' +p342519 +sg291132 +S'1988' +p342520 +sg291134 +S'Soviet/American Array VI' +p342521 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342522 +sa(dp342523 +g291130 +S'photogravure' +p342524 +sg291132 +S'1988' +p342525 +sg291134 +S'Soviet/American Array VII' +p342526 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342527 +sa(dp342528 +g291130 +S'acrylic, fire wax, and chair on stainless steel' +p342529 +sg291132 +S'1990' +p342530 +sg291134 +S'Pegasits/ROCI USA (Wax Fire Works)' +p342531 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342532 +sa(dp342533 +g291130 +S'acrylic, enamel, and fire wax on stainless steel' +p342534 +sg291132 +S'1990' +p342535 +sg291134 +S'Narcissus/ROCI USA (Wax Fire Works)' +p342536 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342537 +sa(dp342538 +g291130 +S'acrylic, fire wax, and variegated brass leaf on stainless steel' +p342539 +sg291132 +S'1990' +p342540 +sg291134 +S'Swim/ROCI USA (Wax Fire Works)' +p342541 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342542 +sa(dp342543 +g291130 +S'acrylic and fire wax on stainless steel' +p342544 +sg291132 +S'1990' +p342545 +sg291134 +S'Seminole Host/ROCI USA (Wax Fire Works)' +p342546 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p342547 +sa(dp342548 +g291130 +S'6-color screenprint on PTI Supra paper' +p342549 +sg291132 +S'1990' +p342550 +sg291134 +S'For the Blue Sons of the Air' +p342551 +sg291136 +g27 +sg291137 +S'Sam Francis' +p342552 +sa(dp342553 +g291134 +S'Lesson Study on Jersey Coast' +p342554 +sg291137 +S'John La Farge' +p342555 +sg291130 +S'watercolor and gouache on wove paper' +p342556 +sg291132 +S'1881' +p342557 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00009/a000095a.jpg' +p342558 +sg291136 +g27 +sa(dp342559 +g291134 +S'Bacchus and Ariadne' +p342560 +sg291137 +S'Giovanni Battista Tiepolo' +p342561 +sg291130 +S'pen and brown ink and brown wash over black chalk on laid paper' +p342562 +sg291132 +S'c. 1745' +p342563 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00028/a0002861.jpg' +p342564 +sg291136 +g27 +sa(dp342565 +g291134 +S'Two Men in Masquerade Costumes: The Earth and a Parade Helmet' +p342566 +sg291137 +S'Stefano Della Bella' +p342567 +sg291130 +S'pen and brown ink over graphite on laid paper; laid down' +p342568 +sg291132 +S'c. 1645' +p342569 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00024/a0002436.jpg' +p342570 +sg291136 +g27 +sa(dp342571 +g291134 +S'A Coffered Dome with Apollo and Phaeton' +p342572 +sg291137 +S'Felice Giani' +p342573 +sg291130 +S'pen and brown ink with gray, blue, and pink washes over black chalk on wove paper' +p342574 +sg291132 +S'c. 1787' +p342575 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006e91.jpg' +p342576 +sg291136 +g27 +sa(dp342577 +g291130 +S'gelatin silver print' +p342578 +sg291132 +S'1951' +p342579 +sg291134 +S'City of London' +p342580 +sg291136 +g27 +sg291137 +S'Robert Frank' +p342581 +sa(dp342582 +g291130 +S'gelatin silver print' +p342583 +sg291132 +S'1952' +p342584 +sg291134 +S'London' +p342585 +sg291136 +g27 +sg291137 +S'Robert Frank' +p342586 +sa(dp342587 +g291130 +S'gelatin silver print' +p342588 +sg291132 +S'1951' +p342589 +sg291134 +S'London' +p342590 +sg291136 +g27 +sg291137 +S'Robert Frank' +p342591 +sa(dp342592 +g291130 +S'gelatin silver print' +p342593 +sg291132 +S'1953' +p342594 +sg291134 +S'Approaching New York Harbor' +p342595 +sg291136 +g27 +sg291137 +S'Robert Frank' +p342596 +sa(dp342597 +g291130 +S'gelatin silver print, 1977' +p342598 +sg291132 +S'1955' +p342599 +sg291134 +S'Parade--Hoboken, New Jersey' +p342600 +sg291136 +g27 +sg291137 +S'Robert Frank' +p342601 +sa(dp342602 +g291134 +S'An Allegory in Honor of Innocent X' +p342603 +sg291137 +S'Pietro Testa' +p342604 +sg291130 +S'etching on laid paper' +p342605 +sg291132 +S'1644' +p342606 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000ca/a000ca33.jpg' +p342607 +sg291136 +g27 +sa(dp342608 +g291134 +S'Allegory of Africa' +p342609 +sg291137 +S'Fr\xc3\xa9d\xc3\xa9ric-Auguste Bartholdi' +p342610 +sg291130 +S'bronze' +p342611 +sg291132 +S'conceived 1863/1865, cast date unknown' +p342612 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00030/a0003031.jpg' +p342613 +sg291136 +g27 +sa(dp342614 +g291130 +S'woodcut on wove paper' +p342615 +sg291132 +S'1899' +p342616 +sg291134 +S'A Young Woman with Long Hair' +p342617 +sg291136 +g27 +sg291137 +S'Louis Valtat' +p342618 +sa(dp342619 +g291134 +S'Frederick North, Later Fifth Earl of Guilford, in Rome' +p342620 +sg291137 +S'Hugh Douglas Hamilton' +p342621 +sg291130 +S'pastel on paper mounted to canvas' +p342622 +sg291132 +S'late 1780s' +p342623 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00025/a0002551.jpg' +p342624 +sg291136 +g27 +sa(dp342625 +g291134 +S'Banquet Piece with Mince Pie' +p342626 +sg291137 +S'Willem Claesz Heda' +p342627 +sg291130 +S'oil on canvas' +p342628 +sg291132 +S'1635' +p342629 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e61.jpg' +p342630 +sg291136 +S'Heda\'s largest known painting appears, at first sight, to extend the hospitality of a sumptuous feast. Yet platters and knives teeter precariously over the table\'s edge, while goblets and compotes already have toppled. Perishable or expended items symbolize life\'s transience: a snuffed–out candle, spilled olives, half–eaten minced pie, and a lemon, only half–peeled.\n From the 1620s to the late 1640s, Dutch artists preferred monochromatic tones for their still lifes and landscapes. Heda was a master of such cool gray or warm tan color schemes. Here, the gold, silver, pewter, and Venetian glass play against a neutral setting and a white tablecloth. Somewhat later in the mid–1600s, brighter colors would characterize the classical period of Dutch painting.\n A specialist in banquet still lifes, Heda also painted "breakfast pieces" and, as a writer in 1648 noted, "fruit, and all kinds of knick–knacks." Willem Claesz Heda taught several apprentices including his son, Gerrit Willemsz Heda (the sz at the end of many Dutch names is an abbreviation for szoon, meaning "son of"). Gerrit\'s \n ' +p342631 +sa(dp342632 +g291134 +S'The Garden of San Miniato near Florence' +p342633 +sg291137 +S'John Ruskin' +p342634 +sg291130 +S'watercolor and pen and black ink, heightened with white gouache, over graphite on wove paper laid down on thick, white paper' +p342635 +sg291132 +S'1845' +p342636 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00027/a00027a0.jpg' +p342637 +sg291136 +g27 +sa(dp342638 +g291134 +S'Martin Desjardins' +p342639 +sg291137 +S'Artist Information (' +p342640 +sg291130 +S'(artist after)' +p342641 +sg291132 +S'\n' +p342642 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d6/a000d60a.jpg' +p342643 +sg291136 +g27 +sa(dp342644 +g291134 +S'Jan Maurits Quinkhard' +p342645 +sg291137 +S'Artist Information (' +p342646 +sg291130 +S'(artist after)' +p342647 +sg291132 +S'\n' +p342648 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d6/a000d684.jpg' +p342649 +sg291136 +g27 +sa(dp342650 +g291134 +S'Francesco Bartolozzi' +p342651 +sg291137 +S'Artist Information (' +p342652 +sg291130 +S'(artist after)' +p342653 +sg291132 +S'\n' +p342654 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a0007838.jpg' +p342655 +sg291136 +g27 +sa(dp342656 +g291134 +S'Study for The Battle of La Hogue [recto]' +p342657 +sg291137 +S'Benjamin West' +p342658 +sg291130 +S'pen and brown ink on laid paper' +p342659 +sg291132 +S'1778' +p342660 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00009/a00009f5.jpg' +p342661 +sg291136 +g27 +sa(dp342662 +g291134 +S'Study of Moses Striking the Rock and a Procession [verso]' +p342663 +sg291137 +S'Benjamin West' +p342664 +sg291130 +S'black chalk on laid paper' +p342665 +sg291132 +S'1778' +p342666 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00009/a00009f6.jpg' +p342667 +sg291136 +g27 +sa(dp342668 +g291134 +S'The Ungrateful Son' +p342669 +sg291137 +S'Jean-Baptiste Greuze' +p342670 +sg291130 +S'red chalk on brown laid paper with framing line in black ink' +p342671 +sg291132 +S'c. 1770' +p342672 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00025/a000254b.jpg' +p342673 +sg291136 +g27 +sa(dp342674 +g291134 +S"The Apostles' Creed" +p342675 +sg291137 +S'Giovanni Domenico Tiepolo' +p342676 +sg291130 +S'pen and brown ink and wash over charcoal on laid paper' +p342677 +sg291132 +S'1770s/1780s' +p342678 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00037/a00037f5.jpg' +p342679 +sg291136 +g27 +sa(dp342680 +g291130 +S'stainless steel' +p342681 +sg291132 +S'1981' +p342682 +sg291134 +S'Divided Square Oblique II' +p342683 +sg291136 +g27 +sg291137 +S'George Rickey' +p342684 +sa(dp342685 +g291130 +S'oil on paper' +p342686 +sg291132 +S'1966' +p342687 +sg291134 +S'Woman with a Hat' +p342688 +sg291136 +g27 +sg291137 +S'Willem de Kooning' +p342689 +sa(dp342690 +g291134 +S'Fran\xc3\xa7ois-Pascal-Simon, Baron G\xc3\xa9rard' +p342691 +sg291137 +S"Pierre-Jean David d'Angers" +p342692 +sg291130 +S'plaster' +p342693 +sg291132 +S'1836-c. 1838' +p342694 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00024/a000243d.jpg' +p342695 +sg291136 +g27 +sa(dp342696 +g291134 +S'Pastoral Landscape' +p342697 +sg291137 +S'Asher Brown Durand' +p342698 +sg291130 +S'oil on canvas' +p342699 +sg291132 +S'1861' +p342700 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00000/a0000088.jpg' +p342701 +sg291136 +g27 +sa(dp342702 +g291134 +S'Saint George and the Dragon' +p342703 +sg291137 +S'Israhel van Meckenem' +p342704 +sg291130 +S'engraving on laid paper' +p342705 +sg291132 +S'c. 1465/1470' +p342706 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f60.jpg' +p342707 +sg291136 +g27 +sa(dp342708 +g291134 +S'The Adoration of the Shepherds' +p342709 +sg291137 +S'Master of the Adoration of the Shepherds' +p342710 +sg291130 +S'woodcut printed from two blocks on two sheets (joined) of laid paper' +p342711 +sg291132 +S'probably 1530/1540' +p342712 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000ad/a000adad.jpg' +p342713 +sg291136 +g27 +sa(dp342714 +g291134 +S'Fortitude' +p342715 +sg291137 +S'Artist Information (' +p342716 +sg291130 +S'(artist after)' +p342717 +sg291132 +S'\n' +p342718 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000ac/a000ac68.jpg' +p342719 +sg291136 +g27 +sa(dp342720 +g291130 +S'polyester resin' +p342721 +sg291132 +S'1969-1984' +p342722 +sg291134 +S"Site \xc3\xa0 l'homme assis" +p342723 +sg291136 +g27 +sg291137 +S'Jean Dubuffet' +p342724 +sa(dp342725 +g291130 +S'oil on canvas' +p342726 +sg291132 +S'1868' +p342727 +sg291134 +S'Landscape at Les P\xc3\xa2tis, Pontoise' +p342728 +sg291136 +g27 +sg291137 +S'Camille Pissarro' +p342729 +sa(dp342730 +g291134 +S'The Deliverance of the Demoniac of Constantinople by Saint John Chrysostom' +p342731 +sg291137 +S'Elisabetta Sirani' +p342732 +sg291130 +S'pen and brown ink and brown washes heightened with white over graphite on laid paper' +p342733 +sg291132 +S'c. 1659' +p342734 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00074/a000747b.jpg' +p342735 +sg291136 +g27 +sa(dp342736 +g291130 +S'(artist)' +p342737 +sg291132 +S'\n' +p342738 +sg291134 +S'Les Memoires de Michel de Marolles, Abbe de Villeloin' +p342739 +sg291136 +g27 +sg291137 +S'Artist Information (' +p342740 +sa(dp342741 +g291134 +S'Michel de Marolles' +p342742 +sg291137 +S'Claude Mellan' +p342743 +sg291130 +S'engraving on laid paper' +p342744 +sg291132 +S'1648' +p342745 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00066/a00066d7.jpg' +p342746 +sg291136 +g27 +sa(dp342747 +g291134 +S'Claude de Marolles' +p342748 +sg291137 +S'Claude Mellan' +p342749 +sg291130 +S'engraving on laid paper' +p342750 +sg291132 +S'in or before 1656' +p342751 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00066/a00066d8.jpg' +p342752 +sg291136 +g27 +sa(dp342753 +g291130 +S'engraving on laid paper' +p342754 +sg291132 +S'in or before 1656' +p342755 +sg291134 +S'Equestrian Design' +p342756 +sg291136 +g27 +sg291137 +S'Michel Lasne' +p342757 +sa(dp342758 +g291130 +S'engraving on laid paper' +p342759 +sg291132 +S'1657' +p342760 +sg291134 +S'Michel de Marolles' +p342761 +sg291136 +g27 +sg291137 +S'Robert Nanteuil' +p342762 +sa(dp342763 +g291134 +S'The Discovery of the Tomb of Punchinello' +p342764 +sg291137 +S'Giovanni Battista Tiepolo' +p342765 +sg291130 +S'etching on laid paper tinted with yellow-green watercolor' +p342766 +sg291132 +S'early 1750s' +p342767 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000fa8.jpg' +p342768 +sg291136 +g27 +sa(dp342769 +g291134 +S'Study after Old Master' +p342770 +sg291137 +S'Elihu Vedder' +p342771 +sg291130 +S'pen and ink on wove paper' +p342772 +sg291132 +S'c. 1858' +p342773 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00009/a00009eb.jpg' +p342774 +sg291136 +g27 +sa(dp342775 +g291134 +S'Study after Domenichino' +p342776 +sg291137 +S'Elihu Vedder' +p342777 +sg291130 +S'pen and brown ink on wove paper' +p342778 +sg291132 +S'c. 1858' +p342779 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00009/a00009ed.jpg' +p342780 +sg291136 +g27 +sa(dp342781 +g291134 +S'Study after Old Master' +p342782 +sg291137 +S'Elihu Vedder' +p342783 +sg291130 +S'pen and brown ink and watercolor on wove paper' +p342784 +sg291132 +S'c. 1858' +p342785 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000f1/a000f108.jpg' +p342786 +sg291136 +g27 +sa(dp342787 +g291134 +S'Study after Gozzoli' +p342788 +sg291137 +S'Elihu Vedder' +p342789 +sg291130 +S'graphite and colored pencil on wove paper' +p342790 +sg291132 +S'1858' +p342791 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000f1/a000f105.jpg' +p342792 +sg291136 +g27 +sa(dp342793 +g291134 +S'Study of Hunter with Dogs' +p342794 +sg291137 +S'Elihu Vedder' +p342795 +sg291130 +S'graphite on laid paper' +p342796 +sg291132 +S'c. 1858' +p342797 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000f1/a000f104.jpg' +p342798 +sg291136 +g27 +sa(dp342799 +g291134 +S'Study of a Girl Reading' +p342800 +sg291137 +S'Elihu Vedder' +p342801 +sg291130 +S'graphite on wove paper' +p342802 +sg291132 +S'c. 1858' +p342803 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000f1/a000f103.jpg' +p342804 +sg291136 +g27 +sa(dp342805 +g291134 +S"Study of a Girl's Head" +p342806 +sg291137 +S'Elihu Vedder' +p342807 +sg291130 +S'graphite on wove paper' +p342808 +sg291132 +S'c. 1858' +p342809 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000f1/a000f101.jpg' +p342810 +sg291136 +g27 +sa(dp342811 +g291134 +S'Students in the Latin Quarter, Paris' +p342812 +sg291137 +S'Elihu Vedder' +p342813 +sg291130 +S'graphite and red colored pencil on green wove paper' +p342814 +sg291132 +S'c. 1858' +p342815 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00009/a00009f2.jpg' +p342816 +sg291136 +g27 +sa(dp342817 +g291134 +S'Rome' +p342818 +sg291137 +S'Elihu Vedder' +p342819 +sg291130 +S'graphite on wove paper' +p342820 +sg291132 +S'1857' +p342821 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000f1/a000f102.jpg' +p342822 +sg291136 +g27 +sa(dp342823 +g291134 +S'Tuscany' +p342824 +sg291137 +S'Elihu Vedder' +p342825 +sg291130 +S'pen and black ink on blue wove paper' +p342826 +sg291132 +S'c. 1858' +p342827 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00009/a00009ec.jpg' +p342828 +sg291136 +g27 +sa(dp342829 +g291134 +S'The Son and the Donkey' +p342830 +sg291137 +S'Elihu Vedder' +p342831 +sg291130 +S'graphite on wove paper laid down' +p342832 +sg291132 +S'1863' +p342833 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000f1/a000f107.jpg' +p342834 +sg291136 +g27 +sa(dp342835 +g291134 +S'Son and Donkey' +p342836 +sg291137 +S'Elihu Vedder' +p342837 +sg291130 +S'graphite on wove paper' +p342838 +sg291132 +S'c. 1859' +p342839 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0fe.jpg' +p342840 +sg291136 +g27 +sa(dp342841 +g291134 +S'The Parable of the Miller and the Donkey' +p342842 +sg291137 +S'Elihu Vedder' +p342843 +sg291130 +S'graphite on wove paper' +p342844 +sg291132 +S'c. 1859' +p342845 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000f1/a000f100.jpg' +p342846 +sg291136 +g27 +sa(dp342847 +g291134 +S'Father and Son' +p342848 +sg291137 +S'Elihu Vedder' +p342849 +sg291130 +S'graphite on wove paper' +p342850 +sg291132 +S'c. 1859' +p342851 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0ff.jpg' +p342852 +sg291136 +g27 +sa(dp342853 +g291134 +S'Father and Son' +p342854 +sg291137 +S'Elihu Vedder' +p342855 +sg291130 +S'graphite on wove paper' +p342856 +sg291132 +S'c. 1859' +p342857 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000e0/a000e02f.jpg' +p342858 +sg291136 +g27 +sa(dp342859 +g291134 +S'Son and Donkey' +p342860 +sg291137 +S'Elihu Vedder' +p342861 +sg291130 +S'graphite on wove paper' +p342862 +sg291132 +S'c. 1859' +p342863 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000e0/a000e033.jpg' +p342864 +sg291136 +g27 +sa(dp342865 +g291134 +S'Father, Son, and Donkey' +p342866 +sg291137 +S'Elihu Vedder' +p342867 +sg291130 +S'graphite on wove paper' +p342868 +sg291132 +S'c. 1859' +p342869 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000e0/a000e035.jpg' +p342870 +sg291136 +g27 +sa(dp342871 +g291134 +S'Village Scene' +p342872 +sg291137 +S'Elihu Vedder' +p342873 +sg291130 +S'graphite on wove paper' +p342874 +sg291132 +S'c. 1859' +p342875 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000e0/a000e032.jpg' +p342876 +sg291136 +g27 +sa(dp342877 +g291134 +S'Son and the Donkey' +p342878 +sg291137 +S'Elihu Vedder' +p342879 +sg291130 +S'graphite on wove paper' +p342880 +sg291132 +S'c. 1859' +p342881 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000e0/a000e031.jpg' +p342882 +sg291136 +g27 +sa(dp342883 +g291134 +S'Ground Floor Plan for Torre Quatro Venti' +p342884 +sg291137 +S'Elihu Vedder' +p342885 +sg291130 +S'pen and ink and colored pencil on wove paper' +p342886 +sg291132 +S'c. 1905' +p342887 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e4e3.jpg' +p342888 +sg291136 +g27 +sa(dp342889 +g291134 +S'Orte' +p342890 +sg291137 +S'Elihu Vedder' +p342891 +sg291130 +S'watercolor and graphite on wove paper; laid down' +p342892 +sg291132 +S'c. 1887' +p342893 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00009/a00009ee.jpg' +p342894 +sg291136 +g27 +sa(dp342895 +g291134 +S'The Shipwreck' +p342896 +sg291137 +S'Elihu Vedder' +p342897 +sg291130 +S'charcoal, watercolor, and gouache on blue laid paper' +p342898 +sg291132 +S'c. 1880' +p342899 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00009/a00009ef.jpg' +p342900 +sg291136 +g27 +sa(dp342901 +g291134 +S'Roman Landscape' +p342902 +sg291137 +S'Elihu Vedder' +p342903 +sg291130 +S'colored chalks on green wove paper' +p342904 +sg291132 +S'c. 1900' +p342905 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00009/a00009f0.jpg' +p342906 +sg291136 +g27 +sa(dp342907 +g291134 +S'Sketch of a Fragment from a Wall in Capri' +p342908 +sg291137 +S'Elihu Vedder' +p342909 +sg291130 +S'graphite on brown wove paper' +p342910 +sg291132 +S'c. 1897' +p342911 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000e0/a000e030.jpg' +p342912 +sg291136 +g27 +sa(dp342913 +g291134 +S'Arco Oscuro--Over the Via Fiaminia' +p342914 +sg291137 +S'Elihu Vedder' +p342915 +sg291130 +S'graphite on wove paper' +p342916 +sg291132 +S'c. 1890' +p342917 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000e0/a000e034.jpg' +p342918 +sg291136 +g27 +sa(dp342919 +g291134 +S'From the Rub\xc3\xa1iy\xc3\xa1t' +p342920 +sg291137 +S'Elihu Vedder' +p342921 +sg291130 +S'graphite on wove paper' +p342922 +sg291132 +S'c. 1887' +p342923 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00009/a00009f1.jpg' +p342924 +sg291136 +g27 +sa(dp342925 +g291134 +S'Detail of the Marriage of the Daughter of the Vine' +p342926 +sg291137 +S'Elihu Vedder' +p342927 +sg291130 +S'colored pencil on wove paper' +p342928 +sg291132 +S'c. 1890' +p342929 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000e4/a000e4e7.jpg' +p342930 +sg291136 +g27 +sa(dp342931 +g291134 +S'Study for the mural "Music"' +p342932 +sg291137 +S'Elihu Vedder' +p342933 +sg291130 +S'charcoal and pastel over graphite on gray wove paper' +p342934 +sg291132 +S'c. 1890' +p342935 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000e0/a000e038.jpg' +p342936 +sg291136 +g27 +sa(dp342937 +g291134 +S'Five Heads' +p342938 +sg291137 +S'Elihu Vedder' +p342939 +sg291130 +S'pen and ink and watercolor on 5 sheets of wove paper, matted together' +p342940 +sg291132 +S'c. 1918' +p342941 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000e0/a000e03a.jpg' +p342942 +sg291136 +g27 +sa(dp342943 +g291134 +S'Self-Portrait: Caricatures' +p342944 +sg291137 +S'Elihu Vedder' +p342945 +sg291130 +S'charcoal and pastel on wove paper' +p342946 +sg291132 +S'c. 1918' +p342947 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000e0/a000e039.jpg' +p342948 +sg291136 +g27 +sa(dp342949 +g291134 +S'Dawn' +p342950 +sg291137 +S'Elihu Vedder' +p342951 +sg291130 +S'crayon, gouache, gold paint, and graphite over silver gelatin developed-out print mounted to board' +p342952 +sg291132 +S'1898' +p342953 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000b/a0000bcc.jpg' +p342954 +sg291136 +g27 +sa(dp342955 +g291130 +S'silver gelatin developed-out print on wove paper' +p342956 +sg291132 +S'unknown date\n' +p342957 +sg291134 +S'Into the Universe' +p342958 +sg291136 +g27 +sg291137 +S'Elihu Vedder' +p342959 +sa(dp342960 +g291134 +S'Au coq des bruyeres' +p342961 +sg291137 +S'Artist Information (' +p342962 +sg291130 +S'(artist after)' +p342963 +sg291132 +S'\n' +p342964 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0009f/a0009fbc.jpg' +p342965 +sg291136 +g27 +sa(dp342966 +g291130 +S'1 vol: ill: 24 lithographs, with text by F. York Powell and others' +p342967 +sg291132 +S'published 1896' +p342968 +sg291134 +S'Oxford Characters' +p342969 +sg291136 +g27 +sg291137 +S'Sir William Rothenstein' +p342970 +sa(dp342971 +g291130 +S'lithograph in black on laid paper' +p342972 +sg291132 +S'1893' +p342973 +sg291134 +S'Sir Henry Acland, Bart.' +p342974 +sg291136 +g27 +sg291137 +S'Sir William Rothenstein' +p342975 +sa(dp342976 +g291130 +S'lithograph in black on laid paper' +p342977 +sg291132 +S'1893' +p342978 +sg291134 +S'W.A.L. Fletcher' +p342979 +sg291136 +g27 +sg291137 +S'Sir William Rothenstein' +p342980 +sa(dp342981 +g291130 +S'lithograph in black on laid paper' +p342982 +sg291132 +S'1893' +p342983 +sg291134 +S'Robinson Ellis' +p342984 +sg291136 +g27 +sg291137 +S'Sir William Rothenstein' +p342985 +sa(dp342986 +g291130 +S'lithograph in black on laid paper' +p342987 +sg291132 +S'1896' +p342988 +sg291134 +S'Viscount St. Cyres' +p342989 +sg291136 +g27 +sg291137 +S'Sir William Rothenstein' +p342990 +sa(dp342991 +g291130 +S'lithograph in black on laid paper' +p342992 +sg291132 +S'1893' +p342993 +sg291134 +S'W.R. Morfill' +p342994 +sg291136 +g27 +sg291137 +S'Sir William Rothenstein' +p342995 +sa(dp342996 +g291130 +S'lithograph in black on laid paper' +p342997 +sg291132 +S'1893' +p342998 +sg291134 +S'C.B. Fry' +p342999 +sg291136 +g27 +sg291137 +S'Sir William Rothenstein' +p343000 +sa(dp343001 +g291130 +S'lithograph in black on laid paper' +p343002 +sg291132 +S'1893' +p343003 +sg291134 +S'Friedrich Max Muller' +p343004 +sg291136 +g27 +sg291137 +S'Sir William Rothenstein' +p343005 +sa(dp343006 +g291130 +S'lithograph in black on laid paper' +p343007 +sg291132 +S'1893' +p343008 +sg291134 +S'Earl Beauchamp' +p343009 +sg291136 +g27 +sg291137 +S'Sir William Rothenstein' +p343010 +sa(dp343011 +g291130 +S'lithograph in black on laid paper' +p343012 +sg291132 +S'1893' +p343013 +sg291134 +S'James A.H. Murray' +p343014 +sg291136 +g27 +sg291137 +S'Sir William Rothenstein' +p343015 +sa(dp343016 +g291130 +S'lithograph in black on laid paper' +p343017 +sg291132 +S'1893' +p343018 +sg291134 +S'Mr. J. Conway-Rees' +p343019 +sg291136 +g27 +sg291137 +S'Sir William Rothenstein' +p343020 +sa(dp343021 +g291130 +S'lithograph in black on laid paper' +p343022 +sg291132 +S'1894' +p343023 +sg291134 +S'Walter Horatio Pater' +p343024 +sg291136 +g27 +sg291137 +S'Sir William Rothenstein' +p343025 +sa(dp343026 +g291130 +S'lithograph in black on laid paper' +p343027 +sg291132 +S'1893' +p343028 +sg291134 +S'Mr. F.W. Bussell' +p343029 +sg291136 +g27 +sg291137 +S'Sir William Rothenstein' +p343030 +sa(dp343031 +g291130 +S'lithograph in black on laid paper' +p343032 +sg291132 +S'1893' +p343033 +sg291134 +S'Professor Margoliouth' +p343034 +sg291136 +g27 +sg291137 +S'Sir William Rothenstein' +p343035 +sa(dp343036 +g291130 +S'lithograph in black on laid paper' +p343037 +sg291132 +S'1893' +p343038 +sg291134 +S'Mr. Max Beerbohm' +p343039 +sg291136 +g27 +sg291137 +S'Sir William Rothenstein' +p343040 +sa(dp343041 +g291130 +S'lithograph in black on laid paper' +p343042 +sg291132 +S'1896' +p343043 +sg291134 +S'Ingram Bywater' +p343044 +sg291136 +g27 +sg291137 +S'Sir William Rothenstein' +p343045 +sa(dp343046 +g291130 +S'lithograph in black on laid paper' +p343047 +sg291132 +S'1896' +p343048 +sg291134 +S'Hilaire Belloc' +p343049 +sg291136 +g27 +sg291137 +S'Sir William Rothenstein' +p343050 +sa(dp343051 +g291130 +S'lithograph in black on laid paper' +p343052 +sg291132 +S'1896' +p343053 +sg291134 +S'The Rev. Charles Henry Olive Daniel' +p343054 +sg291136 +g27 +sg291137 +S'Sir William Rothenstein' +p343055 +sa(dp343056 +g291130 +S'lithograph in black on laid paper' +p343057 +sg291132 +S'1893' +p343058 +sg291134 +S'Mr. Hartwell de la Garde Grissell' +p343059 +sg291136 +g27 +sg291137 +S'Sir William Rothenstein' +p343060 +sa(dp343061 +g291130 +S'lithograph in black on laid paper' +p343062 +sg291132 +S'1893' +p343063 +sg291134 +S'E. Ray Lankester, F.R.S.' +p343064 +sg291136 +g27 +sg291137 +S'Sir William Rothenstein' +p343065 +sa(dp343066 +g291130 +S'lithograph in black on laid paper' +p343067 +sg291132 +S'1896' +p343068 +sg291134 +S'Mr. James Hearn' +p343069 +sg291136 +g27 +sg291137 +S'Sir William Rothenstein' +p343070 +sa(dp343071 +g291130 +S'lithograph in black on laid paper' +p343072 +sg291132 +S'1896' +p343073 +sg291134 +S'John Scott Burdon Sanderson, D.M.' +p343074 +sg291136 +g27 +sg291137 +S'Sir William Rothenstein' +p343075 +sa(dp343076 +g291130 +S'lithograph in black on laid paper' +p343077 +sg291132 +S'1896' +p343078 +sg291134 +S'Arthur Sidgwick' +p343079 +sg291136 +g27 +sg291137 +S'Sir William Rothenstein' +p343080 +sa(dp343081 +g291130 +S'lithograph in black on laid paper' +p343082 +sg291132 +S'1893' +p343083 +sg291134 +S'Mr. Joseph Wells, M.A.' +p343084 +sg291136 +g27 +sg291137 +S'Sir William Rothenstein' +p343085 +sa(dp343086 +g291130 +S'lithograph in black on laid paper' +p343087 +sg291132 +S'1896' +p343088 +sg291134 +S'Frederick York Powell, M.A.' +p343089 +sg291136 +g27 +sg291137 +S'Sir William Rothenstein' +p343090 +sa(dp343091 +g291134 +S'Groupe de paysans (Group of Peasants)' +p343092 +sg291137 +S'Camille Pissarro' +p343093 +sg291130 +S'chine coll? lithograph in black on Ingres de couleur paper' +p343094 +sg291132 +S'c. 1899' +p343095 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f68.jpg' +p343096 +sg291136 +g27 +sa(dp343097 +g291134 +S'Rail Fence' +p343098 +sg291137 +S'Charles Burchfield' +p343099 +sg291130 +S'watercolor and graphite on wove paper' +p343100 +sg291132 +S'1916' +p343101 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00008/a00008b5.jpg' +p343102 +sg291136 +g27 +sa(dp343103 +g291130 +S'black crayon and watercolor over graphite on cardboard' +p343104 +sg291132 +S'probably 1925/1930' +p343105 +sg291134 +S'Corpus Christi Procession, Santiago' +p343106 +sg291136 +g27 +sg291137 +S'Sir Muirhead Bone' +p343107 +sa(dp343108 +g291130 +S'graphite on wove paper; laid down on cardboard' +p343109 +sg291132 +S'probably 1925/1930' +p343110 +sg291134 +S'An Arch of Old Waterloo Bridge' +p343111 +sg291136 +g27 +sg291137 +S'Sir Muirhead Bone' +p343112 +sa(dp343113 +g291130 +S'charcoal on laid paper' +p343114 +sg291132 +S'c. 1910/1915' +p343115 +sg291134 +S"Pope's Casino, Vatican Gardens" +p343116 +sg291136 +g27 +sg291137 +S'Sir Muirhead Bone' +p343117 +sa(dp343118 +g291130 +S'charcoal, pen and black ink, and brush and black ink with violet-blue wash on laid paper' +p343119 +sg291132 +S'probably 1925/1930' +p343120 +sg291134 +S'Bilboa' +p343121 +sg291136 +g27 +sg291137 +S'Sir Muirhead Bone' +p343122 +sa(dp343123 +g291130 +S'watercolor on wove paper' +p343124 +sg291132 +S'probably 1920/1930' +p343125 +sg291134 +S'Calm on the Mediterranean' +p343126 +sg291136 +g27 +sg291137 +S'Sir Muirhead Bone' +p343127 +sa(dp343128 +g291130 +S'graphite, charcoal, and white gouache on wove paper' +p343129 +sg291132 +S'probably 1910/1915' +p343130 +sg291134 +S"Portico of Saint Peter's, Rome" +p343131 +sg291136 +g27 +sg291137 +S'Sir Muirhead Bone' +p343132 +sa(dp343133 +g291130 +S'charcoal and blue wash on wove paper' +p343134 +sg291132 +S'c. 1923' +p343135 +sg291134 +S'New York at Dusk' +p343136 +sg291136 +g27 +sg291137 +S'Sir Muirhead Bone' +p343137 +sa(dp343138 +g291130 +S'(author)' +p343139 +sg291132 +S'\n' +p343140 +sg291134 +S'Ulysses' +p343141 +sg291136 +g27 +sg291137 +S'Artist Information (' +p343142 +sa(dp343143 +g291130 +S'soft-ground etching in black on wove paper' +p343144 +sg291132 +S'published 1935' +p343145 +sg291134 +S'Calypso' +p343146 +sg291136 +g27 +sg291137 +S'Henri Matisse' +p343147 +sa(dp343148 +g291130 +S'soft-ground etching in black on wove paper' +p343149 +sg291132 +S'published 1935' +p343150 +sg291134 +S'\xc3\x89ole' +p343151 +sg291136 +g27 +sg291137 +S'Henri Matisse' +p343152 +sa(dp343153 +g291130 +S'soft-ground etching in black on wove paper' +p343154 +sg291132 +S'published 1935' +p343155 +sg291134 +S'Polyph\xc3\xa8me' +p343156 +sg291136 +g27 +sg291137 +S'Henri Matisse' +p343157 +sa(dp343158 +g291130 +S'soft-ground etching in black on wove paper' +p343159 +sg291132 +S'published 1935' +p343160 +sg291134 +S'Nausicaa' +p343161 +sg291136 +g27 +sg291137 +S'Henri Matisse' +p343162 +sa(dp343163 +g291130 +S'soft-ground etching in black on wove paper' +p343164 +sg291132 +S'published 1935' +p343165 +sg291134 +S'Circ\xc3\xa9' +p343166 +sg291136 +g27 +sg291137 +S'Henri Matisse' +p343167 +sa(dp343168 +g291130 +S'soft-ground etching in black on wove paper' +p343169 +sg291132 +S'published 1935' +p343170 +sg291134 +S'Ithaque' +p343171 +sg291136 +g27 +sg291137 +S'Henri Matisse' +p343172 +sa(dp343173 +g291130 +S'gelatin silver print, 1970s' +p343174 +sg291132 +S'c. 1945' +p343175 +sg291134 +S'Moro Rock, Sequoia National Park and Sierra Foothills' +p343176 +sg291136 +g27 +sg291137 +S'Ansel Adams' +p343177 +sa(dp343178 +g291130 +S'gelatin silver (parmelian) print' +p343179 +sg291132 +S'1927' +p343180 +sg291134 +S'Mount Galen Clark, Yosemite Park' +p343181 +sg291136 +g27 +sg291137 +S'Ansel Adams' +p343182 +sa(dp343183 +g291130 +S'book dummy (or maquette for _Many Are Called_) with 46 reproductions of photographs' +p343184 +sg291132 +S'1958-1966' +p343185 +sg291134 +S'The Passengers' +p343186 +sg291136 +g27 +sg291137 +S'Walker Evans' +p343187 +sa(dp343188 +g291130 +S'book dummy (or maquette for _Many Are Called_)' +p343189 +sg291132 +S'c. 1965' +p343190 +sg291134 +S'Lexington Avenue Local' +p343191 +sg291136 +g27 +sg291137 +S'Walker Evans' +p343192 +sa(dp343193 +g291130 +S'1 vol: ill: 40 intaglio prints on Zerkall Litho paper' +p343194 +sg291132 +S'published 1988' +p343195 +sg291134 +S'Glyptotek' +p343196 +sg291136 +g27 +sg291137 +S'Jim Dine' +p343197 +sa(dp343198 +g291130 +S'(author)' +p343199 +sg291132 +S'\n' +p343200 +sg291134 +S'Mabel: A Story' +p343201 +sg291136 +g27 +sg291137 +S'Artist Information (' +p343202 +sa(dp343203 +g291130 +S'28 drypoint-engravings on Rives BFK paper with botanical notes and poetry selected by Glenn Todd and Nancy Dine (136 pages, unpaginated)' +p343204 +sg291132 +S'published 1984' +p343205 +sg291134 +S'The Temple of Flora' +p343206 +sg291136 +g27 +sg291137 +S'Jim Dine' +p343207 +sa(dp343208 +g291130 +S'drypoint, engraving, and electric tool work on Rives BFK paper' +p343209 +sg291132 +S'1984' +p343210 +sg291134 +S"Details from Nancy's Garden" +p343211 +sg291136 +g27 +sg291137 +S'Jim Dine' +p343212 +sa(dp343213 +g291130 +S'drypoint, engraving, and electric tool work on Rives BFK paper (facing _Shell Ginger_ by John Ashberry)' +p343214 +sg291132 +S'1984' +p343215 +sg291134 +S'Shell Ginger' +p343216 +sg291136 +g27 +sg291137 +S'Jim Dine' +p343217 +sa(dp343218 +g291130 +S'drypoint, engraving, and electric tool work on Rives BFK paper (facing _Paradise Enough_ by Andrew Hoyem)' +p343219 +sg291132 +S'1984' +p343220 +sg291134 +S'Bird-of-Paradise' +p343221 +sg291136 +g27 +sg291137 +S'Jim Dine' +p343222 +sa(dp343223 +g291130 +S'drypoint, engraving, and electric tool work on Rives BFK paper (facing _Soaring Clouds_ by Huang O, translated by Kenneth Rexroth and Lin Chung)' +p343224 +sg291132 +S'1984' +p343225 +sg291134 +S'Sacred Lotus of the East' +p343226 +sg291136 +g27 +sg291137 +S'Jim Dine' +p343227 +sa(dp343228 +g291130 +S'drypoint, engraving, and electric tool work on Rives BFK paper (facing _Iris_ by Hilda Doolittle)' +p343229 +sg291132 +S'1984' +p343230 +sg291134 +S'Iris' +p343231 +sg291136 +g27 +sg291137 +S'Jim Dine' +p343232 +sa(dp343233 +g291130 +S'drypoint, engraving, and electric tool work on Rives BFK paper (facing _Orchids_ by Theodore Roethke)' +p343234 +sg291132 +S'1984' +p343235 +sg291134 +S'Chinese Limodorum' +p343236 +sg291136 +g27 +sg291137 +S'Jim Dine' +p343237 +sa(dp343238 +g291130 +S'drypoint, engraving, and electric tool work on Rives BFK paper (facing _Tulips_ by Sylvia Plath)' +p343239 +sg291132 +S'1984' +p343240 +sg291134 +S'Tulip' +p343241 +sg291136 +g27 +sg291137 +S'Jim Dine' +p343242 +sa(dp343243 +g291130 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Auden' +p343725 +sg291136 +g27 +sg291137 +S'R.B. 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page 39' +p344396 +sg291136 +g27 +sg291137 +S'William Crutchfield' +p344397 +sa(dp344398 +g291130 +S'screenprint in black and yellow on laid paper' +p344399 +sg291132 +S'1970' +p344400 +sg291134 +S'Owl Feathers: page 40' +p344401 +sg291136 +g27 +sg291137 +S'William Crutchfield' +p344402 +sa(dp344403 +g291130 +S'screenprint in black on laid paper' +p344404 +sg291132 +S'1970' +p344405 +sg291134 +S'Owl Feathers: page 41' +p344406 +sg291136 +g27 +sg291137 +S'William Crutchfield' +p344407 +sa(dp344408 +g291130 +S'screenprint in black and yellow on laid paper' +p344409 +sg291132 +S'1970' +p344410 +sg291134 +S'Owl Feathers: page 42' +p344411 +sg291136 +g27 +sg291137 +S'William Crutchfield' +p344412 +sa(dp344413 +g291130 +S'screenprint in black and yellow on laid paper' +p344414 +sg291132 +S'1970' +p344415 +sg291134 +S'Owl Feathers: page 43' +p344416 +sg291136 +g27 +sg291137 +S'William Crutchfield' +p344417 +sa(dp344418 +g291130 +S'screenprint in black on laid paper' +p344419 +sg291132 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+g291130 +S'screenprint in black on laid paper' +p344444 +sg291132 +S'1970' +p344445 +sg291134 +S'Owl Feathers: page 49' +p344446 +sg291136 +g27 +sg291137 +S'William Crutchfield' +p344447 +sa(dp344448 +g291130 +S'screenprint in black and yellow on laid paper' +p344449 +sg291132 +S'1970' +p344450 +sg291134 +S'Owl Feathers: page 50' +p344451 +sg291136 +g27 +sg291137 +S'William Crutchfield' +p344452 +sa(dp344453 +g291130 +S'screenprint in black and yellow on laid paper' +p344454 +sg291132 +S'1970' +p344455 +sg291134 +S'Owl Feathers: page 51' +p344456 +sg291136 +g27 +sg291137 +S'William Crutchfield' +p344457 +sa(dp344458 +g291130 +S'screenprint in black and yellow on laid paper' +p344459 +sg291132 +S'1970' +p344460 +sg291134 +S'Owl Feathers: page 52' +p344461 +sg291136 +g27 +sg291137 +S'William Crutchfield' +p344462 +sa(dp344463 +g291130 +S'screenprint in black and yellow on laid paper' +p344464 +sg291132 +S'1970' +p344465 +sg291134 +S'Owl Feathers: page 53' +p344466 +sg291136 +g27 +sg291137 +S'William Crutchfield' +p344467 +sa(dp344468 +g291130 +S'screenprint in black and yellow on laid paper' +p344469 +sg291132 +S'1970' +p344470 +sg291134 +S'Owl Feathers: page 54' +p344471 +sg291136 +g27 +sg291137 +S'William Crutchfield' +p344472 +sa(dp344473 +g291130 +S'screenprint in black and yellow on laid paper' +p344474 +sg291132 +S'1970' +p344475 +sg291134 +S'Owl Feathers: page 55' +p344476 +sg291136 +g27 +sg291137 +S'William Crutchfield' +p344477 +sa(dp344478 +g291130 +S'(author)' +p344479 +sg291132 +S'\n' +p344480 +sg291134 +S'Fourteen poems by C.P. Cavafy chosen and illustrated with twelve etchings by David Hockney' +p344481 +sg291136 +g27 +sg291137 +S'Artist Information (' +p344482 +sa(dp344483 +g291130 +S'etching and aquatint in black on Hevisier Art Drawing paper by H.V. Seir Limited' +p344484 +sg291132 +S'1966' +p344485 +sg291134 +S'C.P. Cavafy in Alexandria' +p344486 +sg291136 +g27 +sg291137 +S'David Hockney' +p344487 +sa(dp344488 +g291130 +S'etching and aquatint in black on Hevisier Art Drawing paper by H.V. Seir Limited' +p344489 +sg291132 +S'1966' +p344490 +sg291134 +S'Two boys aged 23 or 24' +p344491 +sg291136 +g27 +sg291137 +S'David Hockney' +p344492 +sa(dp344493 +g291130 +S'etching and aquatint in black on Hevisier Art Drawing paper by H.V. Seir Limited' +p344494 +sg291132 +S'1966' +p344495 +sg291134 +S'He enquired after the quality' +p344496 +sg291136 +g27 +sg291137 +S'David Hockney' +p344497 +sa(dp344498 +g291130 +S'etching and aquatint in black on Hevisier Art Drawing paper by H.V. Seir Limited' +p344499 +sg291132 +S'1966' +p344500 +sg291134 +S'To remain' +p344501 +sg291136 +g27 +sg291137 +S'David Hockney' +p344502 +sa(dp344503 +g291130 +S'etching in black on Hevisier Art Drawing paper by H.V. Seir Limited' +p344504 +sg291132 +S'1966' +p344505 +sg291134 +S'According to prescriptions of ancient magicians' +p344506 +sg291136 +g27 +sg291137 +S'David Hockney' +p344507 +sa(dp344508 +g291130 +S'etching in black on Hevisier Art Drawing paper by H.V. Seir Limited' +p344509 +sg291132 +S'1966' +p344510 +sg291134 +S'In an old book' +p344511 +sg291136 +g27 +sg291137 +S'David Hockney' +p344512 +sa(dp344513 +g291130 +S'etching and aquatint in black on Hevisier Art Drawing paper by H.V. Seir Limited' +p344514 +sg291132 +S'1966' +p344515 +sg291134 +S'The shop window of a tobacco store' +p344516 +sg291136 +g27 +sg291137 +S'David Hockney' +p344517 +sa(dp344518 +g291130 +S'etching in black on Hevisier Art Drawing paper by H.V. Seir Limited' +p344519 +sg291132 +S'1966' +p344520 +sg291134 +S'In the dull village' +p344521 +sg291136 +g27 +sg291137 +S'David Hockney' +p344522 +sa(dp344523 +g291130 +S'etching with scraping in black on Hevisier Art Drawing paper by H.V. Seir Limited' +p344524 +sg291132 +S'1966' +p344525 +sg291134 +S'The beginning' +p344526 +sg291136 +g27 +sg291137 +S'David Hockney' +p344527 +sa(dp344528 +g291130 +S'etching and aquatint in black on Hevisier Art Drawing paper by H.V. Seir Limited' +p344529 +sg291132 +S'1966' +p344530 +sg291134 +S'One night' +p344531 +sg291136 +g27 +sg291137 +S'David Hockney' +p344532 +sa(dp344533 +g291130 +S'etching in black on Hevisier Art Drawing paper by H.V. Seir Limited' +p344534 +sg291132 +S'1966' +p344535 +sg291134 +S'In despair' +p344536 +sg291136 +g27 +sg291137 +S'David Hockney' +p344537 +sa(dp344538 +g291130 +S'etching and aquatint in black on Hevisier Art Drawing paper by H.V. Seir Limited' +p344539 +sg291132 +S'1966' +p344540 +sg291134 +S'Beautiful and white flowers' +p344541 +sg291136 +g27 +sg291137 +S'David Hockney' +p344542 +sa(dp344543 +g291130 +S"etching in black on d'Auvergne du Moulin Richard-de-Bas paper" +p344544 +sg291132 +S'1950' +p344545 +sg291134 +S'Rest (Le repos)' +p344546 +sg291136 +g27 +sg291137 +S'Marino Marini' +p344547 +sa(dp344548 +g291130 +S'portfolio with 12 etchings, title page, table of contents, and introduction by G. di San Lazzaro' +p344549 +sg291132 +S'published 1968' +p344550 +sg291134 +S"L'Album No. 1" +p344551 +sg291136 +g27 +sg291137 +S'Marino Marini' +p344552 +sa(dp344553 +g291130 +S"etching in black on d'Auvergne du Moulin Richard-de-Bas paper" +p344554 +sg291132 +S'1950' +p344555 +sg291134 +S"Perception (L'Id\xc3\xa9e)" +p344556 +sg291136 +g27 +sg291137 +S'Marino Marini' +p344557 +sa(dp344558 +g291130 +S"etching in black on d'Auvergne du Moulin Richard-de-Bas paper" +p344559 +sg291132 +S'1954' +p344560 +sg291134 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+sa(dp344583 +g291130 +S"etching in black on d'Auvergne du Moulin Richard-de-Bas paper" +p344584 +sg291132 +S'1958' +p344585 +sg291134 +S"The Horseman's View (L'Id\xc3\xa9e du cavalier)" +p344586 +sg291136 +g27 +sg291137 +S'Marino Marini' +p344587 +sa(dp344588 +g291130 +S"etching in black on d'Auvergne du Moulin Richard-de-Bas paper" +p344589 +sg291132 +S'1958' +p344590 +sg291134 +S"The Annunciation (L'Annonciation)" +p344591 +sg291136 +g27 +sg291137 +S'Marino Marini' +p344592 +sa(dp344593 +g291130 +S"etching in black on d'Auvergne du Moulin Richard-de-Bas paper" +p344594 +sg291132 +S'1960' +p344595 +sg291134 +S'The Miracle (Le miracle)' +p344596 +sg291136 +g27 +sg291137 +S'Marino Marini' +p344597 +sa(dp344598 +g291130 +S"etching in black on d'Auvergne du Moulin Richard-de-Bas paper" +p344599 +sg291132 +S'1960' +p344600 +sg291134 +S"The Horseman's Dream (Le songe du cavalier)" +p344601 +sg291136 +g27 +sg291137 +S'Marino Marini' +p344602 +sa(dp344603 +g291130 +S"etching in black on d'Auvergne du Moulin Richard-de-Bas paper" +p344604 +sg291132 +S'1961' +p344605 +sg291134 +S'Composition' +p344606 +sg291136 +g27 +sg291137 +S'Marino Marini' +p344607 +sa(dp344608 +g291130 +S"etching in black on d'Auvergne du Moulin Richard-de-Bas paper" +p344609 +sg291132 +S'1962' +p344610 +sg291134 +S'Warrior (Guerrier)' +p344611 +sg291136 +g27 +sg291137 +S'Marino Marini' +p344612 +sa(dp344613 +g291130 +S'photosensitive-ground etching and engraving in black with gray-brown tone plate on Arches Buff paper' +p344614 +sg291132 +S'1971' +p344615 +sg291134 +S'The Jolly Corner I:1' +p344616 +sg291136 +g27 +sg291137 +S'Peter Milton' +p344617 +sa(dp344618 +g291130 +S'"Preferred Portfolio Edition" with 21 etchings, half-title page, frontispiece, title page, copyright page, another half-title page, cancelled plate, and text by Henry James; this "Preferred Portfolio Edition" also includes an identical suite (unsignedwith the exception of 1 print) of 21 prints, see 1991.116.307-327' +p344619 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black with gray-brown tone plate on Arches Buff paper' +p344639 +sg291132 +S'1971' +p344640 +sg291134 +S'The Jolly Corner I:5' +p344641 +sg291136 +g27 +sg291137 +S'Peter Milton' +p344642 +sa(dp344643 +g291130 +S'photosensitive-ground etching and engraving in black with gray-brown tone plate on Arches Buff paper' +p344644 +sg291132 +S'1971' +p344645 +sg291134 +S'The Jolly Corner I:6' +p344646 +sg291136 +g27 +sg291137 +S'Peter Milton' +p344647 +sa(dp344648 +g291130 +S'photosensitive-ground etching and engraving in black with gray-brown tone plate on Arches Buff paper' +p344649 +sg291132 +S'1971' +p344650 +sg291134 +S'The Jolly Corner I:7' +p344651 +sg291136 +g27 +sg291137 +S'Peter Milton' +p344652 +sa(dp344653 +g291130 +S'photosensitive-ground etching and engraving in black with gray-brown tone plate on Arches Buff paper' +p344654 +sg291132 +S'1971' +p344655 +sg291134 +S'The Jolly Corner II:1' +p344656 +sg291136 +g27 +sg291137 +S'Peter Milton' +p344657 +sa(dp344658 +g291130 +S'photosensitive-ground etching and engraving in black with gray-brown tone plate on Arches Buff paper' +p344659 +sg291132 +S'1971' +p344660 +sg291134 +S'The Jolly Corner II:2' +p344661 +sg291136 +g27 +sg291137 +S'Peter Milton' +p344662 +sa(dp344663 +g291130 +S'photosensitive-ground etching and engraving in black with gray-brown tone plate on Arches Buff paper' +p344664 +sg291132 +S'1971' +p344665 +sg291134 +S'The Jolly Corner II:3' +p344666 +sg291136 +g27 +sg291137 +S'Peter Milton' +p344667 +sa(dp344668 +g291130 +S'photosensitive-ground etching and engraving in black with gray-brown tone plate on Arches Buff paper' +p344669 +sg291132 +S'1971' +p344670 +sg291134 +S'The Jolly Corner II:4' +p344671 +sg291136 +g27 +sg291137 +S'Peter Milton' +p344672 +sa(dp344673 +g291130 +S'photosensitive-ground etching and engraving in black with gray-brown tone plate on Arches Buff paper' +p344674 +sg291132 +S'1971' +p344675 +sg291134 +S'The Jolly Corner II:5' +p344676 +sg291136 +g27 +sg291137 +S'Peter 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Buff paper' +p344714 +sg291132 +S'1971' +p344715 +sg291134 +S'The Jolly Corner III:6' +p344716 +sg291136 +g27 +sg291137 +S'Peter Milton' +p344717 +sa(dp344718 +g291130 +S'photosensitive-ground etching, engraving, aquatint, and direct photographic transfer in black with gray-brown tone plate on Arches Buff paper' +p344719 +sg291132 +S'1971' +p344720 +sg291134 +S'The Jolly Corner III:7' +p344721 +sg291136 +g27 +sg291137 +S'Peter Milton' +p344722 +sa(dp344723 +g291130 +S'copper plate' +p344724 +sg291132 +S'1971' +p344725 +sg291134 +S'Cancelled copper plate for The Jolly Corner III:4' +p344726 +sg291136 +g27 +sg291137 +S'Peter Milton' +p344727 +sa(dp344728 +g291130 +S'linocut in black and yellow on Hahnemuhle paper' +p344729 +sg291132 +S'1986' +p344730 +sg291134 +S'Untitled' +p344731 +sg291136 +g27 +sg291137 +S'Mimmo Paladino' +p344732 +sa(dp344733 +g291130 +S'portfolio with linocut frontispiece and 12 woodcuts (one with etching); folded and contained in a portfolio designed by the artist' +p344734 +sg291132 +S'published 1986' +p344735 +sg291134 +S'Lacrimose' +p344736 +sg291136 +g27 +sg291137 +S'Mimmo Paladino' +p344737 +sa(dp344738 +g291130 +S'2 woodcuts on Hahnemuhle paper' +p344739 +sg291132 +S'1986' +p344740 +sg291134 +S'Untitled' +p344741 +sg291136 +g27 +sg291137 +S'Mimmo Paladino' +p344742 +sa(dp344743 +g291130 +S'woodcut in black on Hahnemuhle paper' +p344744 +sg291132 +S'1986' +p344745 +sg291134 +S'Untitled' +p344746 +sg291136 +g27 +sg291137 +S'Mimmo Paladino' +p344747 +sa(dp344748 +g291130 +S'two woodcuts on Hahnemuhle paper' +p344749 +sg291132 +S'1986' +p344750 +sg291134 +S'Untitled' +p344751 +sg291136 +g27 +sg291137 +S'Mimmo Paladino' +p344752 +sa(dp344753 +g291130 +S'woodcut in red-brown on Hahnemuhle paper' +p344754 +sg291132 +S'1986' +p344755 +sg291134 +S'Untitled' +p344756 +sg291136 +g27 +sg291137 +S'Mimmo Paladino' +p344757 +sa(dp344758 +g291130 +S'2 woodcuts on Hahnemuhle paper' +p344759 +sg291132 +S'1986' +p344760 +sg291134 +S'Untitled' +p344761 +sg291136 +g27 +sg291137 +S'Mimmo Paladino' +p344762 +sa(dp344763 +g291130 +S'woodcut in red on hahnemuhle paper' +p344764 +sg291132 +S'1986' +p344765 +sg291134 +S'Untitled' +p344766 +sg291136 +g27 +sg291137 +S'Mimmo Paladino' +p344767 +sa(dp344768 +g291130 +S'2 woodcuts, one with etching and drypoint, on Hahnemuhle paper' +p344769 +sg291132 +S'1986' +p344770 +sg291134 +S'Untitled' +p344771 +sg291136 +g27 +sg291137 +S'Mimmo Paladino' +p344772 +sa(dp344773 +g291130 +S'woodcut in red on Hahnemuhle paper' +p344774 +sg291132 +S'1986' +p344775 +sg291134 +S'Untitled' +p344776 +sg291136 +g27 +sg291137 +S'Mimmo Paladino' +p344777 +sa(dp344778 +g291130 +S'2 woodcuts on Hahnemuhle paper' +p344779 +sg291132 +S'1986' +p344780 +sg291134 +S'Untitled' +p344781 +sg291136 +g27 +sg291137 +S'Mimmo Paladino' +p344782 +sa(dp344783 +g291130 +S'woodcut in red on Hahnemuhle paper' +p344784 +sg291132 +S'1986' +p344785 +sg291134 +S'Untitled' +p344786 +sg291136 +g27 +sg291137 +S'Mimmo Paladino' +p344787 +sa(dp344788 +g291130 +S'2 woodcuts on Hahnemuhle paper' +p344789 +sg291132 +S'1986' +p344790 +sg291134 +S'Untitled' +p344791 +sg291136 +g27 +sg291137 +S'Mimmo Paladino' +p344792 +sa(dp344793 +g291130 +S'woodcut in black on Hahnemuhle paper' +p344794 +sg291132 +S'1986' +p344795 +sg291134 +S'Untitled' +p344796 +sg291136 +g27 +sg291137 +S'Mimmo Paladino' +p344797 +sa(dp344798 +g291130 +S'color intaglio on Rives BFK paper' +p344799 +sg291132 +S'1969' +p344800 +sg291134 +S'Komposition I' +p344801 +sg291136 +g27 +sg291137 +S'Provoslav Sov\xc3\xa1k' +p344802 +sa(dp344803 +g291130 +S'portfolio with 10 color intaglios, title page, introductions by Manuel Gasser and Pavel Kohout,and colophon page' +p344804 +sg291132 +S'published 1969' +p344805 +sg291134 +S'Graphisches Tagebuch' +p344806 +sg291136 +g27 +sg291137 +S'Provoslav Sov\xc3\xa1k' +p344807 +sa(dp344808 +g291130 +S'color intaglio on Rives BFK paper' +p344809 +sg291132 +S'1969' +p344810 +sg291134 +S'Ende des Krieges 1945' +p344811 +sg291136 +g27 +sg291137 +S'Provoslav Sov\xc3\xa1k' +p344812 +sa(dp344813 +g291130 +S'color intaglio on Rives BFK paper' +p344814 +sg291132 +S'1969' +p344815 +sg291134 +S'Nachkriegszeit - Aufbau' +p344816 +sg291136 +g27 +sg291137 +S'Provoslav Sov\xc3\xa1k' +p344817 +sa(dp344818 +g291130 +S'color intaglio on Rives BFK paper' +p344819 +sg291132 +S'1969' +p344820 +sg291134 +S'Kafig der Welt' +p344821 +sg291136 +g27 +sg291137 +S'Provoslav Sov\xc3\xa1k' +p344822 +sa(dp344823 +g291130 +S'color intaglio on Rives BFK paper' +p344824 +sg291132 +S'1969' +p344825 +sg291134 +S'Prager Fruhling - Dubcek' +p344826 +sg291136 +g27 +sg291137 +S'Provoslav Sov\xc3\xa1k' +p344827 +sa(dp344828 +g291130 +S'color intaglio on Rives BFK paper' +p344829 +sg291132 +S'1969' +p344830 +sg291134 +S'Komposition II' +p344831 +sg291136 +g27 +sg291137 +S'Provoslav Sov\xc3\xa1k' +p344832 +sa(dp344833 +g291130 +S'color intaglio on Rives BFK paper' +p344834 +sg291132 +S'1969' +p344835 +sg291134 +S'Prager Fruhling - Perugia' 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artist' +p344859 +sg291132 +S'published 1967' +p344860 +sg291134 +S'The Mexican Portfolio' +p344861 +sg291136 +g27 +sg291137 +S'Paul Strand' +p344862 +sa(dp344863 +g291130 +S'photogravure in black on Rives BFK paper, 1967' +p344864 +sg291132 +S'1933' +p344865 +sg291134 +S'Church, Coapiaxtla' +p344866 +sg291136 +g27 +sg291137 +S'Paul Strand' +p344867 +sa(dp344868 +g291130 +S'photogravure in black on Rives BFK paper, 1967' +p344869 +sg291132 +S'1933' +p344870 +sg291134 +S'Virgin, San Felipe, Oaxaca' +p344871 +sg291136 +g27 +sg291137 +S'Paul Strand' +p344872 +sa(dp344873 +g291130 +S'photogravure in black on Rives BFK paper, 1967' +p344874 +sg291132 +S'1933' +p344875 +sg291134 +S'Women of Santa Anna, Michoacan' +p344876 +sg291136 +g27 +sg291137 +S'Paul Strand' +p344877 +sa(dp344878 +g291130 +S'photogravure in black on Rives BFK paper, 1967' +p344879 +sg291132 +S'1933' +p344880 +sg291134 +S'Men of Santa Anna, Michoacan' +p344881 +sg291136 +g27 +sg291137 +S'Paul Strand' +p344882 +sa(dp344883 +g291130 +S'photogravure in black on Rives BFK paper, 1967' +p344884 +sg291132 +S'1933' +p344885 +sg291134 +S'Woman, Patzcuaro' +p344886 +sg291136 +g27 +sg291137 +S'Paul Strand' +p344887 +sa(dp344888 +g291130 +S'photogravure in black on Rives BFK paper, 1967' +p344889 +sg291132 +S'1933' +p344890 +sg291134 +S'Boy, Uruapan' +p344891 +sg291136 +g27 +sg291137 +S'Paul Strand' +p344892 +sa(dp344893 +g291130 +S'photogravure in black on Rives BFK paper, 1967' +p344894 +sg291132 +S'1933' +p344895 +sg291134 +S'Cristo, Oaxaca' +p344896 +sg291136 +g27 +sg291137 +S'Paul Strand' +p344897 +sa(dp344898 +g291130 +S'photogravure in black on Rives BFK paper, 1967' +p344899 +sg291132 +S'1933' +p344900 +sg291134 +S'Woman and Boy, Tenancingo' +p344901 +sg291136 +g27 +sg291137 +S'Paul Strand' +p344902 +sa(dp344903 +g291130 +S'photogravure in black on Rives BFK paper, 1967' +p344904 +sg291132 +S'1933' +p344905 +sg291134 +S'Plaza, State of Puebla' +p344906 +sg291136 +g27 +sg291137 +S'Paul Strand' +p344907 +sa(dp344908 +g291130 +S'photogravure in black on Rives BFK paper, 1967' +p344909 +sg291132 +S'1933' +p344910 +sg291134 +S'Man with a Hoe, Los Remedios' +p344911 +sg291136 +g27 +sg291137 +S'Paul Strand' +p344912 +sa(dp344913 +g291130 +S'photogravure in black on Rives BFK paper, 1967' +p344914 +sg291132 +S'1933' +p344915 +sg291134 +S'Calvario, Patzcuaro' +p344916 +sg291136 +g27 +sg291137 +S'Paul Strand' +p344917 +sa(dp344918 +g291130 +S'photogravure in black on Rives BFK paper, 1967' +p344919 +sg291132 +S'1933' +p344920 +sg291134 +S'Cristo, Tlacochoaya, Oaxaca' +p344921 +sg291136 +g27 +sg291137 +S'Paul Strand' +p344922 +sa(dp344923 +g291130 +S'photogravure in black on Rives BFK paper, 1967' +p344924 +sg291132 +S'1933' +p344925 +sg291134 +S'Boy, Hidalgo' +p344926 +sg291136 +g27 +sg291137 +S'Paul Strand' +p344927 +sa(dp344928 +g291130 +S'photogravure in black on Rives BFK paper, 1967' +p344929 +sg291132 +S'1933' +p344930 +sg291134 +S'Woman and Baby, Hidalgo' +p344931 +sg291136 +g27 +sg291137 +S'Paul Strand' +p344932 +sa(dp344933 +g291130 +S'photogravure in black on Rives BFK paper, 1967' +p344934 +sg291132 +S'1933' +p344935 +sg291134 +S'Girl and Child, Toluca' +p344936 +sg291136 +g27 +sg291137 +S'Paul Strand' +p344937 +sa(dp344938 +g291130 +S'photogravure in black on Rives BFK paper, 1967' +p344939 +sg291132 +S'1933' +p344940 +sg291134 +S'Cristo with Thorns, Huexotla' +p344941 +sg291136 +g27 +sg291137 +S'Paul Strand' +p344942 +sa(dp344943 +g291130 +S'photogravure in black on Rives BFK paper, 1967' +p344944 +sg291132 +S'1933' +p344945 +sg291134 +S'Man, Tenancingo' +p344946 +sg291136 +g27 +sg291137 +S'Paul Strand' +p344947 +sa(dp344948 +g291130 +S'photogravure in black on Rives BFK paper, 1967' +p344949 +sg291132 +S'1933' +p344950 +sg291134 +S'Young Woman and Boy, Toluca' +p344951 +sg291136 +g27 +sg291137 +S'Paul Strand' +p344952 +sa(dp344953 +g291130 +S'photogravure in black on Rives BFK paper, 1967' +p344954 +sg291132 +S'1933' +p344955 +sg291134 +S'Gateway, Hidalgo' +p344956 +sg291136 +g27 +sg291137 +S'Paul Strand' +p344957 +sa(dp344958 +g291130 +S'color lithograph on Rives paper' +p344959 +sg291132 +S'1970' +p344960 +sg291134 +S'The Song of Solomon (I:16)' +p344961 +sg291136 +g27 +sg291137 +S'Paul Wunderlich' +p344962 +sa(dp344963 +g291130 +S'portfolio with 10 color lithographs, title page, colophon page, and text' +p344964 +sg291132 +S'published 1970' +p344965 +sg291134 +S"The Song of Songs which is Solomon's" +p344966 +sg291136 +g27 +sg291137 +S'Paul Wunderlich' +p344967 +sa(dp344968 +g291130 +S'color lithograph on Rives paper' +p344969 +sg291132 +S'1970' +p344970 +sg291134 +S'The Song of Solomon (II:3)' +p344971 +sg291136 +g27 +sg291137 +S'Paul Wunderlich' +p344972 +sa(dp344973 +g291130 +S'color lithograph on Rives paper' +p344974 +sg291132 +S'1970' +p344975 +sg291134 +S'The Song of Solomon (II:9)' +p344976 +sg291136 +g27 +sg291137 +S'Paul Wunderlich' +p344977 +sa(dp344978 +g291130 +S'color lithograph on Rives paper' +p344979 +sg291132 +S'1970' +p344980 +sg291134 +S'The Song of Solomon (IV:1)' +p344981 +sg291136 +g27 +sg291137 +S'Paul Wunderlich' +p344982 +sa(dp344983 +g291130 +S'color lithograph on Rives paper' +p344984 +sg291132 +S'1970' +p344985 +sg291134 +S'The Song of Solomon (IV:5)' +p344986 +sg291136 +g27 +sg291137 +S'Paul Wunderlich' +p344987 +sa(dp344988 +g291130 +S'color lithograph on Rives paper' +p344989 +sg291132 +S'1970' +p344990 +sg291134 +S'The Song of Solomon (IV:9)' +p344991 +sg291136 +g27 +sg291137 +S'Paul Wunderlich' +p344992 +sa(dp344993 +g291130 +S'color lithograph on Rives paper' +p344994 +sg291132 +S'1970' +p344995 +sg291134 +S'The Song of Solomon (V:4)' +p344996 +sg291136 +g27 +sg291137 +S'Paul Wunderlich' +p344997 +sa(dp344998 +g291130 +S'color lithograph on Rives paper' +p344999 +sg291132 +S'1970' +p345000 +sg291134 +S'The Song of Solomon (VII:1)' +p345001 +sg291136 +g27 +sg291137 +S'Paul Wunderlich' +p345002 +sa(dp345003 +g291130 +S'color lithograph on Rives paper' +p345004 +sg291132 +S'1970' +p345005 +sg291134 +S'The Song of Solomon (VII:2)' +p345006 +sg291136 +g27 +sg291137 +S'Paul Wunderlich' +p345007 +sa(dp345008 +g291130 +S'color lithograph on Rives paper' +p345009 +sg291132 +S'1970' +p345010 +sg291134 +S'The Song of Solomon (VII:7)' +p345011 +sg291136 +g27 +sg291137 +S'Paul Wunderlich' +p345012 +sa(dp345013 +g291130 +S'photosensitive-ground etching and engraving in black with gray-brown tone plate on Rives paper' +p345014 +sg291132 +S'1971' +p345015 +sg291134 +S'The Jolly Corner I:1' +p345016 +sg291136 +g27 +sg291137 +S'Peter Milton' +p345017 +sa(dp345018 +g291130 +S'suite of 21 etchings on Rives paper' +p345019 +sg291132 +S'published 1971' +p345020 +sg291134 +S'The Jolly Corner' +p345021 +sg291136 +g27 +sg291137 +S'Peter Milton' +p345022 +sa(dp345023 +g291130 +S'photosensitive-ground etching, engraving, and hard-ground etching in black with gray-brown tone plate on Rives paper' +p345024 +sg291132 +S'1971' +p345025 +sg291134 +S'The Jolly Corner I:2' 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+S'The Jolly Corner II:3' +p345066 +sg291136 +g27 +sg291137 +S'Peter Milton' +p345067 +sa(dp345068 +g291130 +S'photosensitive-ground etching and engraving in black with gray-brown tone plate on Rives paper' +p345069 +sg291132 +S'1971' +p345070 +sg291134 +S'The Jolly Corner II:4' +p345071 +sg291136 +g27 +sg291137 +S'Peter Milton' +p345072 +sa(dp345073 +g291130 +S'photosensitive-ground etching and engraving in black with gray-brown tone plate on Rives paper' +p345074 +sg291132 +S'1971' +p345075 +sg291134 +S'The Jolly Corner II:5' +p345076 +sg291136 +g27 +sg291137 +S'Peter Milton' +p345077 +sa(dp345078 +g291130 +S'photosensitive-ground etching and engraving in black with gray-brown tone plate on Rives paper' +p345079 +sg291132 +S'1971' +p345080 +sg291134 +S'The Jolly Corner II:6' +p345081 +sg291136 +g27 +sg291137 +S'Peter Milton' +p345082 +sa(dp345083 +g291130 +S'photosensitive-ground etching and engraving in black with gray-brown tone plate on Rives paper' +p345084 +sg291132 +S'1971' 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gray-brown tone plate on Rives paper' +p345104 +sg291132 +S'1971' +p345105 +sg291134 +S'The Jolly Corner III:4' +p345106 +sg291136 +g27 +sg291137 +S'Peter Milton' +p345107 +sa(dp345108 +g291130 +S'photosensitive-ground etching and engraving in black with gray-brown tone plate on Rives paper' +p345109 +sg291132 +S'1971' +p345110 +sg291134 +S'The Jolly Corner III:5' +p345111 +sg291136 +g27 +sg291137 +S'Peter Milton' +p345112 +sa(dp345113 +g291130 +S'photosensitive-ground etching and engraving in black with gray-brown tone plate on Rives paper' +p345114 +sg291132 +S'1971' +p345115 +sg291134 +S'The Jolly Corner III:6' +p345116 +sg291136 +g27 +sg291137 +S'Peter Milton' +p345117 +sa(dp345118 +g291130 +S'photosensitive-ground etching, engraving, aquatint, and direct photographic transfer in black with gray-brown tone plate on Rives paper' +p345119 +sg291132 +S'1971' +p345120 +sg291134 +S'The Jolly Corner III:7' +p345121 +sg291136 +g27 +sg291137 +S'Peter Milton' +p345122 +sa(dp345123 +g291134 +S'The Yellow and Black Pye (Oriolus Icterus)' +p345124 +sg291137 +S'Mark Catesby' +p345125 +sg291130 +S'hand-colored etching on wove paper' +p345126 +sg291132 +S'published 1731-1743' +p345127 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a0007896.jpg' +p345128 +sg291136 +g27 +sa(dp345129 +g291130 +S'(artist after)' +p345130 +sg291132 +S'\n' +p345131 +sg291134 +S'Brown Lark' +p345132 +sg291136 +g27 +sg291137 +S'Artist Information (' +p345133 +sa(dp345134 +g291130 +S'etching in black on laid paper' +p345135 +sg291132 +S'1769' +p345136 +sg291134 +S'Veduta delle Cascatelle a Tivoli' +p345137 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p345138 +sa(dp345139 +g291130 +S'etching in black on laid paper' +p345140 +sg291132 +S'1764' +p345141 +sg291134 +S'Veduta interna della Villa di Mecenate' +p345142 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p345143 +sa(dp345144 +g291134 +S"Portrait of the Artist's Father" +p345145 +sg291137 +S'Artist Information (' +p345146 +sg291130 +S'(artist after)' +p345147 +sg291132 +S'\n' +p345148 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008e52.jpg' +p345149 +sg291136 +g27 +sa(dp345150 +g291134 +S'Peter the Great of Russia' +p345151 +sg291137 +S'Carl Guttenberg' +p345152 +sg291130 +S'graphite with gray wash on laid paper' +p345153 +sg291132 +S'unknown date\n' +p345154 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00079/a00079a5.jpg' +p345155 +sg291136 +g27 +sa(dp345156 +g291134 +S'Mask, Makonde, Wamuera' +p345157 +sg291137 +S'Walker Evans' +p345158 +sg291130 +S'gelatin silver print' +p345159 +sg291132 +S'1935' +p345160 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005d/a0005d33.jpg' +p345161 +sg291136 +g27 +sa(dp345162 +g291130 +S'gelatin silver print' +p345163 +sg291132 +S'1935' +p345164 +sg291134 +S'Eight Scalpels' +p345165 +sg291136 +g27 +sg291137 +S'Walker Evans' +p345166 +sa(dp345167 +g291130 +S'gelatin silver print' +p345168 +sg291132 +S'1935' +p345169 +sg291134 +S'Five Knives' +p345170 +sg291136 +g27 +sg291137 +S'Walker Evans' +p345171 +sa(dp345172 +g291130 +S'gelatin silver print' +p345173 +sg291132 +S'1935' +p345174 +sg291134 +S'Polychrome Double Mask, BaLuba, Belgian Congo' +p345175 +sg291136 +g27 +sg291137 +S'Walker Evans' +p345176 +sa(dp345177 +g291134 +S'Head Rest, WaZimba, MaNyema' +p345178 +sg291137 +S'Walker Evans' +p345179 +sg291130 +S'gelatin silver print' +p345180 +sg291132 +S'1935' +p345181 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00064/a0006494.jpg' +p345182 +sg291136 +g27 +sa(dp345183 +g291130 +S'gelatin silver print' +p345184 +sg291132 +S'1935' +p345185 +sg291134 +S'Polychrome Mask' +p345186 +sg291136 +g27 +sg291137 +S'Walker Evans' +p345187 +sa(dp345188 +g291134 +S'Figure of a Woman, Pahouin, Okak' +p345189 +sg291137 +S'Walker Evans' +p345190 +sg291130 +S'gelatin silver print' +p345191 +sg291132 +S'1935' +p345192 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00064/a0006493.jpg' +p345193 +sg291136 +g27 +sa(dp345194 +g291134 +S'Figure of a Young Woman, Pahouin, Border of Spanish Guinea' +p345195 +sg291137 +S'Walker Evans' +p345196 +sg291130 +S'gelatin silver print' +p345197 +sg291132 +S'1935' +p345198 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00064/a0006492.jpg' +p345199 +sg291136 +g27 +sa(dp345200 +g291134 +S'Figure of a Woman with Hands across Abdomen, Pahouin, Okak' +p345201 +sg291137 +S'Walker Evans' +p345202 +sg291130 +S'gelatin silver print' +p345203 +sg291132 +S'1935' +p345204 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00064/a0006491.jpg' +p345205 +sg291136 +g27 +sa(dp345206 +g291134 +S'Figure of a Young Woman, Pahouin, Border of Spanish Guinea' +p345207 +sg291137 +S'Walker Evans' +p345208 +sg291130 +S'gelatin silver print' +p345209 +sg291132 +S'1935' +p345210 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00064/a0006490.jpg' +p345211 +sg291136 +g27 +sa(dp345212 +g291130 +S'gelatin silver print' +p345213 +sg291132 +S'1935' +p345214 +sg291134 +S'Detail of a Seat' +p345215 +sg291136 +g27 +sg291137 +S'Walker Evans' +p345216 +sa(dp345217 +g291134 +S'Cover of a Receptacle, WaRuanda' +p345218 +sg291137 +S'Walker Evans' +p345219 +sg291130 +S'gelatin silver print' +p345220 +sg291132 +S'1935' +p345221 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00064/a000648f.jpg' +p345222 +sg291136 +g27 +sa(dp345223 +g291130 +S'gelatin silver print' +p345224 +sg291132 +S'1935' +p345225 +sg291134 +S'Three Spoons, WaRegga' +p345226 +sg291136 +g27 +sg291137 +S'Walker Evans' +p345227 +sa(dp345228 +g291134 +S'White Mask, Pangwe' +p345229 +sg291137 +S'Walker Evans' +p345230 +sg291130 +S'gelatin silver print' +p345231 +sg291132 +S'1935' +p345232 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00064/a000648e.jpg' +p345233 +sg291136 +g27 +sa(dp345234 +g291130 +S'gelatin silver print' +p345235 +sg291132 +S'1935' +p345236 +sg291134 +S'Polychrome Mask, French Congo' +p345237 +sg291136 +g27 +sg291137 +S'Walker Evans' +p345238 +sa(dp345239 +g291134 +S'Figure of a Woman, Sibiti?' +p345240 +sg291137 +S'Walker Evans' +p345241 +sg291130 +S'gelatin silver print' +p345242 +sg291132 +S'1935' +p345243 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00064/a000648d.jpg' +p345244 +sg291136 +g27 +sa(dp345245 +g291134 +S'Figure of a Woman, Laongo' +p345246 +sg291137 +S'Walker Evans' +p345247 +sg291130 +S'gelatin silver print' +p345248 +sg291132 +S'1935' +p345249 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00064/a000648b.jpg' +p345250 +sg291136 +g27 +sa(dp345251 +g291134 +S'Figure' +p345252 +sg291137 +S'Walker Evans' +p345253 +sg291130 +S'gelatin silver print' +p345254 +sg291132 +S'1935' +p345255 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00064/a000648a.jpg' +p345256 +sg291136 +g27 +sa(dp345257 +g291134 +S'Figure of a Woman, Sibiti?' +p345258 +sg291137 +S'Walker Evans' +p345259 +sg291130 +S'gelatin silver print' +p345260 +sg291132 +S'1935' +p345261 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00064/a0006489.jpg' +p345262 +sg291136 +g27 +sa(dp345263 +g291134 +S'Figure, Pahouin' +p345264 +sg291137 +S'Walker Evans' +p345265 +sg291130 +S'gelatin silver print' +p345266 +sg291132 +S'1935' +p345267 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00064/a0006488.jpg' +p345268 +sg291136 +g27 +sa(dp345269 +g291134 +S'Bust, Pahouin' +p345270 +sg291137 +S'Walker Evans' +p345271 +sg291130 +S'gelatin silver print' +p345272 +sg291132 +S'1935' +p345273 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00064/a0006487.jpg' +p345274 +sg291136 +g27 +sa(dp345275 +g291134 +S'Seated Figure, Pahouin' +p345276 +sg291137 +S'Walker Evans' +p345277 +sg291130 +S'gelatin silver print' +p345278 +sg291132 +S'1935' +p345279 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00064/a0006486.jpg' +p345280 +sg291136 +g27 +sa(dp345281 +g291134 +S'Figure with Clenched Fists, Pahouin' +p345282 +sg291137 +S'Walker Evans' +p345283 +sg291130 +S'gelatin silver print' +p345284 +sg291132 +S'1935' +p345285 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00064/a0006485.jpg' +p345286 +sg291136 +g27 +sa(dp345287 +g291134 +S'Figure Holding a Knife, Pahouin' +p345288 +sg291137 +S'Walker Evans' +p345289 +sg291130 +S'gelatin silver print' +p345290 +sg291132 +S'1935' +p345291 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00064/a0006484.jpg' +p345292 +sg291136 +g27 +sa(dp345293 +g291134 +S'Figure with Clasped Hands, Pahouin' +p345294 +sg291137 +S'Walker Evans' +p345295 +sg291130 +S'gelatin silver print' +p345296 +sg291132 +S'1935' +p345297 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00064/a000648c.jpg' +p345298 +sg291136 +g27 +sa(dp345299 +g291130 +S'gelatin silver print' +p345300 +sg291132 +S'1935' +p345301 +sg291134 +S'Amulet, Figure with Two Masks, and Amulet, Two Figures Embracing, WaRegga' +p345302 +sg291136 +g27 +sg291137 +S'Walker Evans' +p345303 +sa(dp345304 +g291130 +S'etching and drypoint in black on wove paper' +p345305 +sg291132 +S'1948' +p345306 +sg291134 +S'The Walk' +p345307 +sg291136 +g27 +sg291137 +S'Jacob Kainen' +p345308 +sa(dp345309 +g291130 +S'1 vol: ill: 10 lithographs in red, brown, blue, and black on wove paper' +p345310 +sg291132 +S'published 1986' +p345311 +sg291134 +S'Zwischenraumgespenster (The Phantom of the Intermediate Space)' +p345312 +sg291136 +g27 +sg291137 +S'Markus L\xc3\xbcpertz' +p345313 +sa(dp345314 +g291130 +S"lithograph in green and black on Fabriano Zeichenpapier [artist's proof]" +p345315 +sg291132 +S'1990' +p345316 +sg291134 +S'Grunes Tuch' +p345317 +sg291136 +g27 +sg291137 +S'Georg Baselitz' +p345318 +sa(dp345319 +g291130 +S"woodcut in orange and three shades of green on Aqaba paper (artist's proof)" +p345320 +sg291132 +S'1990' +p345321 +sg291134 +S'Camp' +p345322 +sg291136 +g27 +sg291137 +S'Alex Katz' +p345323 +sa(dp345324 +g291130 +S"17-color encaustic wax and screenprint in Magna on Saunders Waterford paper (artist's proof)" +p345325 +sg291132 +S'1990' +p345326 +sg291134 +S'Reflections on Expressionist Painting' +p345327 +sg291136 +g27 +sg291137 +S'Roy Lichtenstein' +p345328 +sa(dp345329 +g291130 +S"5-color lithograph on Fabriano paper (artist's proof)" +p345330 +sg291132 +S'1990' +p345331 +sg291134 +S'Champs' +p345332 +sg291136 +g27 +sg291137 +S'Joan Mitchell' +p345333 +sa(dp345334 +g291130 +S"color screenprint on Coventry Rag paper (artist's proof)" +p345335 +sg291132 +S'1990' +p345336 +sg291134 +S'Carnegie Hall Print' +p345337 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p345338 +sa(dp345339 +g291130 +S"color screenprint on Arches two-ply Archival Museum Board (artist's proof)" +p345340 +sg291132 +S'1990' +p345341 +sg291134 +S'Sky Music at Carnegie Hall' +p345342 +sg291136 +g27 +sg291137 +S'Larry Rivers' +p345343 +sa(dp345344 +g291130 +S"lithograph in blue-black on Rives BFK paper (artist's proof)" +p345345 +sg291132 +S'1990' +p345346 +sg291134 +S'Now' +p345347 +sg291136 +g27 +sg291137 +S'Ed Ruscha' +p345348 +sa(dp345349 +g291130 +S'Italian, 1467 - 1528' +p345350 +sg291132 +S'(related artist)' +p345351 +sg291134 +S'Elvira, Daughter of Consalvo de C\xc3\xb3rdoba [obverse]' +p345352 +sg291136 +g27 +sg291137 +S'Artist Information (' +p345353 +sa(dp345354 +g291130 +S'Italian, 1467 - 1528' +p345355 +sg291132 +S'(related artist)' +p345356 +sg291134 +S'Time Carrying a Scythe [reverse]' +p345357 +sg291136 +g27 +sg291137 +S'Artist Information (' +p345358 +sa(dp345359 +g291134 +S'A Flagellator of Christ' +p345360 +sg291137 +S'Alessandro Algardi' +p345361 +sg291130 +S'silver' +p345362 +sg291132 +S'c. 1630s' +p345363 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002d9d.jpg' +p345364 +sg291136 +g27 +sa(dp345365 +g291134 +S'Winged Victory' +p345366 +sg291137 +S'Artist Information (' +p345367 +sg291130 +S'(artist after)' +p345368 +sg291132 +S'\n' +p345369 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002d74.jpg' +p345370 +sg291136 +g27 +sa(dp345371 +g291134 +S"Rauenstein Castle Seen from the River's Edge" +p345372 +sg291137 +S'Adrian Zingg' +p345373 +sg291130 +S'pen and brown ink and brown wash on wove paper' +p345374 +sg291132 +S'c. 1800' +p345375 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00028/a00028ec.jpg' +p345376 +sg291136 +g27 +sa(dp345377 +g291134 +S'The Holy Family with Saints [recto]' +p345378 +sg291137 +S'Hermann Weyer' +p345379 +sg291130 +S'pen and black ink and gray wash over black chalk, heightened with white, on laid paper prepared with pink wash' +p345380 +sg291132 +S'c. 1616/1617' +p345381 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00028/a00028e8.jpg' +p345382 +sg291136 +g27 +sa(dp345383 +g291134 +S'Tobias and the Angel [verso]' +p345384 +sg291137 +S'Hermann Weyer' +p345385 +sg291130 +S'pen and black ink on laid paper' +p345386 +sg291132 +S'c. 1616/1617' +p345387 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000ba/a000ba6c.jpg' +p345388 +sg291136 +g27 +sa(dp345389 +g291134 +S'Man with a Pipe (Self-Portrait)' +p345390 +sg291137 +S'Emil Nolde' +p345391 +sg291130 +S'lithograph in black on calendered paper' +p345392 +sg291132 +S'1907' +p345393 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0001d/a0001df4.jpg' +p345394 +sg291136 +g27 +sa(dp345395 +g291134 +S'Young Woman Holding a Fan' +p345396 +sg291137 +S'Thomas Frye' +p345397 +sg291130 +S'mezzotint on laid paper' +p345398 +sg291132 +S'1760' +p345399 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a00078a5.jpg' +p345400 +sg291136 +g27 +sa(dp345401 +g291134 +S'Three Cherubs and a Beribboned Staff' +p345402 +sg291137 +S'Giovanni Battista Tiepolo' +p345403 +sg291130 +S'red and white chalks on blue paper' +p345404 +sg291132 +S'c. 1750' +p345405 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00028/a0002866.jpg' +p345406 +sg291136 +g27 +sa(dp345407 +g291134 +S'Max Slevogt' +p345408 +sg291137 +S'Emil Orlik' +p345409 +sg291130 +S'drypoint and rocker with graphite and white heightening on laid paper [working proof]' +p345410 +sg291132 +S'1917' +p345411 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b7/a000b751.jpg' +p345412 +sg291136 +g27 +sa(dp345413 +g291134 +S'The Entrance of a Temple' +p345414 +sg291137 +S'Pierre Moreau' +p345415 +sg291130 +S'etching in brown-black on laid paper' +p345416 +sg291132 +S'unknown date\n' +p345417 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008c5f.jpg' +p345418 +sg291136 +g27 +sa(dp345419 +g291134 +S'Self-Portrait, Drawing' +p345420 +sg291137 +S'Georg Friedrich Schmidt' +p345421 +sg291130 +S'etching and engraving on laid paper' +p345422 +sg291132 +S'1752' +p345423 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b335.jpg' +p345424 +sg291136 +g27 +sa(dp345425 +g291134 +S'Self-Portrait with a Spider in the Window' +p345426 +sg291137 +S'Georg Friedrich Schmidt' +p345427 +sg291130 +S'etching on laid paper' +p345428 +sg291132 +S'1758' +p345429 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b337.jpg' +p345430 +sg291136 +g27 +sa(dp345431 +g291134 +S'Nicolas de Largilli\xc3\xa8re' +p345432 +sg291137 +S'Artist Information (' +p345433 +sg291130 +S'(artist after)' +p345434 +sg291132 +S'\n' +p345435 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00096/a00096b4.jpg' +p345436 +sg291136 +g27 +sa(dp345437 +g291134 +S'Gertrude van Veen' +p345438 +sg291137 +S'Lucas Emil Vorsterman' +p345439 +sg291130 +S'engraving on laid paper' +p345440 +sg291132 +S'unknown date\n' +p345441 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d5e5.jpg' +p345442 +sg291136 +g27 +sa(dp345443 +g291134 +S'Self-Portrait' +p345444 +sg291137 +S'Gwen John' +p345445 +sg291130 +S'black chalk on laid paper' +p345446 +sg291132 +S'probably 1907/1909' +p345447 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00021/a0002170.jpg' +p345448 +sg291136 +g27 +sa(dp345449 +g291130 +S'British, born Armenia, 1940' +p345450 +sg291132 +S'(printer)' +p345451 +sg291134 +S'Head and Shoulders of a Girl' +p345452 +sg291136 +g27 +sg291137 +S'Artist Information (' +p345453 +sa(dp345454 +g291134 +S'Small Oriental Head' +p345455 +sg291137 +S'Giovanni Benedetto Castiglione' +p345456 +sg291130 +S'etching on laid paper (a later impression)' +p345457 +sg291132 +S'probably 1645/1650' +p345458 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00065/a0006572.jpg' +p345459 +sg291136 +g27 +sa(dp345460 +g291134 +S'Small Oriental Head' +p345461 +sg291137 +S'Giovanni Benedetto Castiglione' +p345462 +sg291130 +S'etching on laid paper (an early impression)' +p345463 +sg291132 +S'c. 1650' +p345464 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00065/a0006573.jpg' +p345465 +sg291136 +g27 +sa(dp345466 +g291134 +S'Italian Peasant Woman with a Broom' +p345467 +sg291137 +S'Johann Caspar Weidenmann' +p345468 +sg291130 +S'graphite on wove paper' +p345469 +sg291132 +S'unknown date\n' +p345470 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006a/a0006a35.jpg' +p345471 +sg291136 +g27 +sa(dp345472 +g291130 +S'gelatin silver print' +p345473 +sg291132 +S'1952' +p345474 +sg291134 +S'Barcelona' +p345475 +sg291136 +g27 +sg291137 +S'Robert Frank' +p345476 +sa(dp345477 +g291130 +S'gelatin silver print' +p345478 +sg291132 +S'1952' +p345479 +sg291134 +S'Pablo in Valencia' +p345480 +sg291136 +g27 +sg291137 +S'Robert Frank' +p345481 +sa(dp345482 +g291130 +S'gelatin silver print' +p345483 +sg291132 +S'1952' +p345484 +sg291134 +S'Valencia' +p345485 +sg291136 +g27 +sg291137 +S'Robert Frank' +p345486 +sa(dp345487 +g291130 +S'gelatin silver print' +p345488 +sg291132 +S'1952' +p345489 +sg291134 +S'Spain' +p345490 +sg291136 +g27 +sg291137 +S'Robert Frank' +p345491 +sa(dp345492 +g291130 +S'gelatin silver print' +p345493 +sg291132 +S'1952' +p345494 +sg291134 +S'Majorca, Spain' +p345495 +sg291136 +g27 +sg291137 +S'Robert Frank' +p345496 +sa(dp345497 +g291130 +S'gelatin silver print' +p345498 +sg291132 +S'1953' +p345499 +sg291134 +S'Caerau, Wales' +p345500 +sg291136 +g27 +sg291137 +S'Robert Frank' +p345501 +sa(dp345502 +g291130 +S'gelatin silver print' +p345503 +sg291132 +S'1953' +p345504 +sg291134 +S'Caerau, Wales' +p345505 +sg291136 +g27 +sg291137 +S'Robert Frank' +p345506 +sa(dp345507 +g291130 +S'gelatin silver print mounted on hardboard' +p345508 +sg291132 +S'1953' +p345509 +sg291134 +S'Welsh Miners' +p345510 +sg291136 +g27 +sg291137 +S'Robert Frank' +p345511 +sa(dp345512 +g291130 +S'gelatin silver print' +p345513 +sg291132 +S'1951' +p345514 +sg291134 +S'Near Victoria Station, London' +p345515 +sg291136 +g27 +sg291137 +S'Robert Frank' +p345516 +sa(dp345517 +g291134 +S'Deer Resting in Albury Park' +p345518 +sg291137 +S'Anthony Devis' +p345519 +sg291130 +S'watercolor over graphite on Whatman laid paper' +p345520 +sg291132 +S'after 1780' +p345521 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00069/a000695f.jpg' +p345522 +sg291136 +g27 +sa(dp345523 +g291130 +S'gelatin silver print mounted on paperboard' +p345524 +sg291132 +S'c. 1942' +p345525 +sg291134 +S'Multiple Exposure Trees, Detroit' +p345526 +sg291136 +g27 +sg291137 +S'Harry Callahan' +p345527 +sa(dp345528 +g291130 +S'gelatin silver print' +p345529 +sg291132 +S'1956' +p345530 +sg291134 +S'Multiple Exposure Tree, Chicago' +p345531 +sg291136 +g27 +sg291137 +S'Harry Callahan' +p345532 +sa(dp345533 +g291130 +S'gelatin silver print' +p345534 +sg291132 +S'c. 1948' +p345535 +sg291134 +S'Lincoln Park, Chicago' +p345536 +sg291136 +g27 +sg291137 +S'Harry Callahan' +p345537 +sa(dp345538 +g291130 +S'gelatin silver print' +p345539 +sg291132 +S'c. 1948' +p345540 +sg291134 +S'Lincoln Park, Chicago' +p345541 +sg291136 +g27 +sg291137 +S'Harry Callahan' +p345542 +sa(dp345543 +g291130 +S'gelatin silver print' +p345544 +sg291132 +S'c. 1948' +p345545 +sg291134 +S'Lincoln Park, Chicago' +p345546 +sg291136 +g27 +sg291137 +S'Harry Callahan' +p345547 +sa(dp345548 +g291130 +S'gelatin silver print' +p345549 +sg291132 +S'1962' +p345550 +sg291134 +S'Maine' +p345551 +sg291136 +g27 +sg291137 +S'Harry Callahan' +p345552 +sa(dp345553 +g291130 +S'gelatin silver print mounted on paperboard' +p345554 +sg291132 +S'1958' +p345555 +sg291134 +S'Chicago' +p345556 +sg291136 +g27 +sg291137 +S'Harry Callahan' +p345557 +sa(dp345558 +g291134 +S'Peasants in a Tavern' +p345559 +sg291137 +S'David Teniers the Younger' +p345560 +sg291130 +S'oil on panel' +p345561 +sg291132 +S'c. 1633' +p345562 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e4a.jpg' +p345563 +sg291136 +g27 +sa(dp345564 +g291134 +S'Sketch for The Copley Family' +p345565 +sg291137 +S'John Singleton Copley' +p345566 +sg291130 +S'oil on canvas' +p345567 +sg291132 +S'1776' +p345568 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00000/a0000067.jpg' +p345569 +sg291136 +g27 +sa(dp345570 +g291134 +S'Warwick Castle, England' +p345571 +sg291137 +S'Jasper Francis Cropsey' +p345572 +sg291130 +S'oil on canvas' +p345573 +sg291132 +S'1857' +p345574 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00000/a0000071.jpg' +p345575 +sg291136 +g27 +sa(dp345576 +g291130 +S'oil on canvas' +p345577 +sg291132 +S'1970' +p345578 +sg291134 +S'Loneliness' +p345579 +sg291136 +g27 +sg291137 +S'Alice Neel' +p345580 +sa(dp345581 +g291130 +S'oil on canvas' +p345582 +sg291132 +S'1966' +p345583 +sg291134 +S'Hartley' +p345584 +sg291136 +g27 +sg291137 +S'Alice Neel' +p345585 +sa(dp345586 +g291134 +S'Schooner' +p345587 +sg291137 +S'American 19th Century' +p345588 +sg291130 +S'overall: 58.7 x 91.4 cm (23 1/8 x 36 in.)\r\nframed: 69.9 x 102.6 x 6.7 cm (27 1/2 x 40 3/8 x 2 5/8 in.)' +p345589 +sg291132 +S'\noil on canvas' +p345590 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00004/a000044c.jpg' +p345591 +sg291136 +g27 +sa(dp345592 +g291134 +S'Andiron with Putto Finial' +p345593 +sg291137 +S'Nicol\xc3\xb2 Roccatagliata' +p345594 +sg291130 +S'bronze' +p345595 +sg291132 +S'model c. 1600, cast probably 17th/18th century' +p345596 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002d93.jpg' +p345597 +sg291136 +g27 +sa(dp345598 +g291130 +S'bronze' +p345599 +sg291132 +S'model c. 1600, cast probably 17th/18th century' +p345600 +sg291134 +S'Andiron with Putto Finial' +p345601 +sg291136 +g27 +sg291137 +S'Nicol\xc3\xb2 Roccatagliata' +p345602 +sa(dp345603 +g291130 +S'lead' +p345604 +sg291132 +S'c. 1540' +p345605 +sg291134 +S'The Continence of Scipio [original sense]' +p345606 +sg291136 +g27 +sg291137 +S'Giovanni Bernardi' +p345607 +sa(dp345608 +g291130 +S'lead' +p345609 +sg291132 +S'c. 1540' +p345610 +sg291134 +S'Eliezer and Rebecca at the Well' +p345611 +sg291136 +g27 +sg291137 +S'Giovanni Bernardi' +p345612 +sa(dp345613 +g291130 +S'bronze' +p345614 +sg291132 +S'c. 1540' +p345615 +sg291134 +S'Eliezer and Rebecca at the Well' +p345616 +sg291136 +g27 +sg291137 +S'Giovanni Bernardi' +p345617 +sa(dp345618 +g291130 +S'white felt with blue velvet appliqu?' +p345619 +sg291132 +S'1919' +p345620 +sg291134 +S'Mourner Costume' +p345621 +sg291136 +g27 +sg291137 +S'Henri Matisse' +p345622 +sa(dp345623 +g291130 +S'saffron yellow satin with applied gold lam? disks, each surrounded by a black, handpainted motif; lined with hand-stitched cotton batting' +p345624 +sg291132 +S'1919' +p345625 +sg291134 +S'Mandarin Costume' +p345626 +sg291136 +g27 +sg291137 +S'Henri Matisse' +p345627 +sa(dp345628 +g291130 +S'Perspex with nylon monofilament' +p345629 +sg291132 +S'1954' +p345630 +sg291134 +S'Linear Construction in Space No. 2' +p345631 +sg291136 +g27 +sg291137 +S'Naum Gabo' +p345632 +sa(dp345633 +g291134 +S'Prudence [recto]' +p345634 +sg291137 +S'Cherubino Alberti' +p345635 +sg291130 +S'red chalk on laid paper' +p345636 +sg291132 +S'c. 1601' +p345637 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00022/a000223c.jpg' +p345638 +sg291136 +g27 +sa(dp345639 +g291134 +S'Prudence [verso]' +p345640 +sg291137 +S'Giovanni Alberti' +p345641 +sg291130 +S'red chalk on laid paper' +p345642 +sg291132 +S'1596/1601' +p345643 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0001e/a0001e42.jpg' +p345644 +sg291136 +g27 +sa(dp345645 +g291134 +S'Head of a Youth' +p345646 +sg291137 +S'Alessandro Allori' +p345647 +sg291130 +S'red chalk on laid paper; laid down' +p345648 +sg291132 +S'unknown date\n' +p345649 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00074/a00074e5.jpg' +p345650 +sg291136 +g27 +sa(dp345651 +g291134 +S'Two Nudes Fighting' +p345652 +sg291137 +S'Michelangelo' +p345653 +sg291130 +S'pen and brown ink on laid paper; laid down' +p345654 +sg291132 +S'unknown date\n' +p345655 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00075/a0007503.jpg' +p345656 +sg291136 +g27 +sa(dp345657 +g291134 +S'Landscape with a Man and a Dog' +p345658 +sg291137 +S'Artist Information (' +p345659 +sg291130 +S'(artist after)' +p345660 +sg291132 +S'\n' +p345661 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00074/a00074ea.jpg' +p345662 +sg291136 +g27 +sa(dp345663 +g291134 +S'Sketches of Heads and Hands' +p345664 +sg291137 +S'Pompeo Batoni' +p345665 +sg291130 +S'red and black chalks on orange prepared laid paper' +p345666 +sg291132 +S'unknown date\n' +p345667 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006e13.jpg' +p345668 +sg291136 +g27 +sa(dp345669 +g291134 +S'Designs for Palatial Staircases [recto]' +p345670 +sg291137 +S'Lorenzo Sacchetti' +p345671 +sg291130 +S'pen and brown ink and graphite on wove paper' +p345672 +sg291132 +S'c. 1800' +p345673 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00027/a00027a2.jpg' +p345674 +sg291136 +g27 +sa(dp345675 +g291134 +S'Designs for Palatial Arches [verso]' +p345676 +sg291137 +S'Lorenzo Sacchetti' +p345677 +sg291130 +S'pen and brown ink and graphite on wove paper' +p345678 +sg291132 +S'c. 1800' +p345679 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00027/a00027a3.jpg' +p345680 +sg291136 +g27 +sa(dp345681 +g291134 +S'Prophet and Sybil' +p345682 +sg291137 +S'Artist Information (' +p345683 +sg291130 +S'Italian, 1544 - 1573/1574' +p345684 +sg291132 +S'(artist after)' +p345685 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00074/a000749a.jpg' +p345686 +sg291136 +g27 +sa(dp345687 +g291134 +S'A Mythological Scene with Sea Gods' +p345688 +sg291137 +S'Giuseppe Bernardino Bison' +p345689 +sg291130 +S'brown wash and pen and brown ink over graphite, heightened with white, on brown wove paper' +p345690 +sg291132 +S'unknown date\n' +p345691 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006ed6.jpg' +p345692 +sg291136 +g27 +sa(dp345693 +g291134 +S'Sacrifice [recto]' +p345694 +sg291137 +S'Giuseppe Cades' +p345695 +sg291130 +S'pen and brown ink and brown wash on laid paper' +p345696 +sg291132 +S'unknown date\n' +p345697 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00070/a00070be.jpg' +p345698 +sg291136 +g27 +sa(dp345699 +g291134 +S'Designs for Vases [verso]' +p345700 +sg291137 +S'Giuseppe Cades' +p345701 +sg291130 +S'pen and brown ink over graphite on laid paper' +p345702 +sg291132 +S'unknown date\n' +p345703 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00070/a0007090.jpg' +p345704 +sg291136 +g27 +sa(dp345705 +g291134 +S'Travelers on a Road in a Wooded Landscape' +p345706 +sg291137 +S'Jean Baptiste Claude Chatelain' +p345707 +sg291130 +S'black chalk and graphite on laid paper' +p345708 +sg291132 +S'unknown date\n' +p345709 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006e48.jpg' +p345710 +sg291136 +g27 +sa(dp345711 +g291134 +S'Standing Man' +p345712 +sg291137 +S'Jacopo Chimenti' +p345713 +sg291130 +S'red chalk on laid paper' +p345714 +sg291132 +S'unknown date\n' +p345715 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00022/a00022d9.jpg' +p345716 +sg291136 +g27 +sa(dp345717 +g291134 +S'Two Standing Putti [recto]' +p345718 +sg291137 +S'Italian 17th Century' +p345719 +sg291130 +S'overall: 15 x 17.2 cm (5 7/8 x 6 3/4 in.)' +p345720 +sg291132 +S'\npen and brown ink on laid paper' +p345721 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00074/a0007467.jpg' +p345722 +sg291136 +g27 +sa(dp345723 +g291130 +S'overall: 15 x 17.2 cm (5 7/8 x 6 3/4 in.)' +p345724 +sg291132 +S'\npen and brown ink and graphite on laid paper' +p345725 +sg291134 +S'Plant Study [verso]' +p345726 +sg291136 +g27 +sg291137 +S'Italian 17th Century' +p345727 +sa(dp345728 +g291134 +S'Roman Ruins with a Sepulchre' +p345729 +sg291137 +S'Charles Louis Cl\xc3\xa9risseau' +p345730 +sg291130 +S'pen and gray ink with watercolor on laid paper' +p345731 +sg291132 +S'unknown date\n' +p345732 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006d5f.jpg' +p345733 +sg291136 +g27 +sa(dp345734 +g291134 +S'Head of a Young Man [recto]' +p345735 +sg291137 +S'Dutch 17th Century' +p345736 +sg291130 +S'overall: 19.9 x 20.4 cm (7 13/16 x 8 1/16 in.)' +p345737 +sg291132 +S'\nblack chalk on laid paper' +p345738 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00024/a000244c.jpg' +p345739 +sg291136 +g27 +sa(dp345740 +g291130 +S'overall: 19.9 x 20.4 cm (7 13/16 x 8 1/16 in.)' +p345741 +sg291132 +S'\nblack and red chalks on laid paper' +p345742 +sg291134 +S'Figure Sketches with Christ Appearing to Mary Magdalen [verso]' +p345743 +sg291136 +g27 +sg291137 +S'Dutch 17th Century' +p345744 +sa(dp345745 +g291134 +S'A Woodland Pond' +p345746 +sg291137 +S'Charles-Fran\xc3\xa7ois Daubigny' +p345747 +sg291130 +S'charcoal and gray wash on laid paper' +p345748 +sg291132 +S'c. 1870' +p345749 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00073/a000731e.jpg' +p345750 +sg291136 +g27 +sa(dp345751 +g291134 +S'A Man Looking Out a Window' +p345752 +sg291137 +S"Bonifacio de' Pitati" +p345753 +sg291130 +S'pen and brown ink with brown wash over black chalk, heightened with white on laid paper' +p345754 +sg291132 +S'unknown date\n' +p345755 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00075/a0007516.jpg' +p345756 +sg291136 +g27 +sa(dp345757 +g291134 +S'Study for a Ceiling: Allegory of the Harvest with Dionysus and Ceres' +p345758 +sg291137 +S'Jacob de Wit' +p345759 +sg291130 +S'pen and black and brown inks with gray and brown washes on laid paper' +p345760 +sg291132 +S'unknown date\n' +p345761 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f55.jpg' +p345762 +sg291136 +g27 +sa(dp345763 +g291134 +S'Cleopatra' +p345764 +sg291137 +S'Gustave Dor\xc3\xa9' +p345765 +sg291130 +S'graphite on wove paper' +p345766 +sg291132 +S'unknown date\n' +p345767 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f8d.jpg' +p345768 +sg291136 +g27 +sa(dp345769 +g291134 +S'Christian Martyrs' +p345770 +sg291137 +S'Gustave Dor\xc3\xa9' +p345771 +sg291130 +S'black chalk and brown washes, heightened with white, on wove paper' +p345772 +sg291132 +S'1869/1871' +p345773 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00024/a000243f.jpg' +p345774 +sg291136 +g27 +sa(dp345775 +g291134 +S'The Council of Trent with Saint Thomas Vanquishing the Heretics' +p345776 +sg291137 +S'Biagio Falcieri' +p345777 +sg291130 +S'pen and black and brown ink and gray wash over black chalk on laid paper' +p345778 +sg291132 +S'c. 1680' +p345779 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00024/a000244e.jpg' +p345780 +sg291136 +g27 +sa(dp345781 +g291134 +S'Timotheus Playing the Lyre before Alexander and Tha\xc3\xafs in the Hall of the Palace at Persepolis' +p345782 +sg291137 +S'Pietro Fancelli' +p345783 +sg291130 +S'pen and brown ink with gray wash over black chalk and graphite, squared for transfer, on two joined sheets of wove paper' +p345784 +sg291132 +S'c. 1820' +p345785 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00024/a000244f.jpg' +p345786 +sg291136 +g27 +sa(dp345787 +g291134 +S'Women Dancing' +p345788 +sg291137 +S'Pietro Fancelli' +p345789 +sg291130 +S'black chalk on wove paper' +p345790 +sg291132 +S'c. 1820' +p345791 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00025/a000251c.jpg' +p345792 +sg291136 +g27 +sa(dp345793 +g291134 +S'Four Standing Warriors' +p345794 +sg291137 +S'Pietro Fancelli' +p345795 +sg291130 +S'black chalk on laid paper, pricked and squared for transfer' +p345796 +sg291132 +S'c. 1820' +p345797 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00025/a000251d.jpg' +p345798 +sg291136 +g27 +sa(dp345799 +g291134 +S'Two Standing Courtiers' +p345800 +sg291137 +S'Pietro Fancelli' +p345801 +sg291130 +S'black chalk on thin wove paper, pricked for tranfer' +p345802 +sg291132 +S'c. 1820' +p345803 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006fc9.jpg' +p345804 +sg291136 +g27 +sa(dp345805 +g291134 +S'Wooded Landscape with Putti Helping a Woman Undress' +p345806 +sg291137 +S'William Perkins Babcock' +p345807 +sg291130 +S'cont? crayon on laid paper' +p345808 +sg291132 +S'unknown date\n' +p345809 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0a5.jpg' +p345810 +sg291136 +g27 +sa(dp345811 +g291134 +S'Woman at a Counter' +p345812 +sg291137 +S'Jean-Louis Forain' +p345813 +sg291130 +S'brush and black ink with black chalk on wove paper' +p345814 +sg291132 +S'unknown date\n' +p345815 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f2c.jpg' +p345816 +sg291136 +g27 +sa(dp345817 +g291134 +S'Design for Entrance to a Hall' +p345818 +sg291137 +S'Fabrizio Galliari' +p345819 +sg291130 +S'pen and brown ink and brown wash over graphite on laid paper' +p345820 +sg291132 +S'unknown date\n' +p345821 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00070/a0007060.jpg' +p345822 +sg291136 +g27 +sa(dp345823 +g291134 +S'Stage Design' +p345824 +sg291137 +S'Gasparo Galliari' +p345825 +sg291130 +S'pen and brown ink with gray wash over graphite on laid paper' +p345826 +sg291132 +S'unknown date\n' +p345827 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006fdd.jpg' +p345828 +sg291136 +g27 +sa(dp345829 +g291134 +S'Stage Design: A Piazza with a Domed Church and an Obelisk' +p345830 +sg291137 +S'Giuseppino Galliari' +p345831 +sg291130 +S'pen and brown ink with brown wash over graphite on laid paper' +p345832 +sg291132 +S'1783' +p345833 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006fff.jpg' +p345834 +sg291136 +g27 +sa(dp345835 +g291130 +S'graphite on wove paper' +p345836 +sg291132 +S'unknown date\n' +p345837 +sg291134 +S'Costume Design' +p345838 +sg291136 +g27 +sg291137 +S'Natalija Sergeevna Goncharova' +p345839 +sa(dp345840 +g291134 +S'Captives before a Commander' +p345841 +sg291137 +S'Hubert Fran\xc3\xa7ois Gravelot' +p345842 +sg291130 +S'pen and black ink and graphite on laid paper' +p345843 +sg291132 +S'unknown date\n' +p345844 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006e25.jpg' +p345845 +sg291136 +g27 +sa(dp345846 +g291134 +S"Hob Surprised by Sir Thomas with Mr. Friendly's Letter" +p345847 +sg291137 +S'Hubert Fran\xc3\xa7ois Gravelot' +p345848 +sg291130 +S'pen and black ink, red chalk, and graphite, incised for transfer, on laid paper' +p345849 +sg291132 +S'unknown date\n' +p345850 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006e54.jpg' +p345851 +sg291136 +g27 +sa(dp345852 +g291134 +S'Interior of a Church with a Wall Tomb and Medieval Font' +p345853 +sg291137 +S'Louis Haghe' +p345854 +sg291130 +S'watercolor and graphite on wove paper' +p345855 +sg291132 +S'unknown date\n' +p345856 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006ca0.jpg' +p345857 +sg291136 +g27 +sa(dp345858 +g291134 +S'Road at H\xc3\xa9risson' +p345859 +sg291137 +S'Henri-Joseph Harpignies' +p345860 +sg291130 +S'brush with black and gray inks over charcoal on wove paper' +p345861 +sg291132 +S'1911' +p345862 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00073/a00073ac.jpg' +p345863 +sg291136 +g27 +sa(dp345864 +g291134 +S'An Artist Holding a Book and Compass' +p345865 +sg291137 +S'Artist Information (' +p345866 +sg291130 +S'Dutch, active c. 1650 - active 1655' +p345867 +sg291132 +S'(artist after)' +p345868 +sg292149 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+sg291132 +S'1650s?' +p345928 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00028/a00028eb.jpg' +p345929 +sg291136 +g27 +sa(dp345930 +g291134 +S'Battle of the Gods and Giants from Mount Olympus and Mount Othrys' +p345931 +sg291137 +S'Jan Luyken' +p345932 +sg291130 +S'pen and brown ink with brown wash on laid paper' +p345933 +sg291132 +S'unknown date\n' +p345934 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006dc0.jpg' +p345935 +sg291136 +g27 +sa(dp345936 +g291134 +S'Study of a Young Boy' +p345937 +sg291137 +S'Carlo Maratta' +p345938 +sg291130 +S'red chalk on blue laid paper' +p345939 +sg291132 +S'unknown date\n' +p345940 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00074/a00074c3.jpg' +p345941 +sg291136 +g27 +sa(dp345942 +g291134 +S'A Scene from the Life of Trajan' +p345943 +sg291137 +S'Conrad Metz' +p345944 +sg291130 +S'pen and brown ink with brown wash over black chalk, heightened with white on laid paper' +p345945 +sg291132 +S'1817' +p345946 +sg292149 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+sg291136 +g27 +sa(dp346085 +g291134 +S'A Classical Temple' +p346086 +sg291137 +S'Louis Gustave Taraval' +p346087 +sg291130 +S'pen and black ink with gray, brown, and green washes on laid paper' +p346088 +sg291132 +S'c. 1780' +p346089 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00028/a0002858.jpg' +p346090 +sg291136 +g27 +sa(dp346091 +g291130 +S'pen and brown ink with brown wash on laid paper' +p346092 +sg291132 +S'1931' +p346093 +sg291134 +S'Les P\xc3\xaacheurs' +p346094 +sg291136 +g27 +sg291137 +S'Pavel Tchelitchew' +p346095 +sa(dp346096 +g291134 +S'Capriccio with a Palladian Villa' +p346097 +sg291137 +S'Mauro Antonio Tesi' +p346098 +sg291130 +S'pen and brown ink with brown wash and watercolor over graphite on laid paper' +p346099 +sg291132 +S'c. 1760' +p346100 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00028/a000285b.jpg' +p346101 +sg291136 +g27 +sa(dp346102 +g291134 +S'The Adoration of the Shepherds' +p346103 +sg291137 +S'Giuseppe Passeri' +p346104 +sg291130 +S'pen and brown ink with brown wash over red chalk, heightened with white on laid paper, squared for transfer' +p346105 +sg291132 +S'unknown date\n' +p346106 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00074/a00074b9.jpg' +p346107 +sg291136 +g27 +sa(dp346108 +g291134 +S'Ceremony of Consecration' +p346109 +sg291137 +S'French 18th Century' +p346110 +sg291130 +S'overall: 22.5 x 35.4 cm (8 7/8 x 13 15/16 in.)' +p346111 +sg291132 +S'\nred chalk over graphite, squared and incised for transfer on laid paper' +p346112 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00070/a0007047.jpg' +p346113 +sg291136 +g27 +sa(dp346114 +g291134 +S'Design for a Wall of a Music Room [recto]' +p346115 +sg291137 +S'Italian 18th Century' +p346116 +sg291130 +S'overall: 21.8 x 32.7 cm (8 9/16 x 12 7/8 in.)' +p346117 +sg291132 +S'\nwatercolor, gouache, pen and brown ink, and graphite on wove paper' +p346118 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006dc3.jpg' +p346119 +sg291136 +g27 +sa(dp346120 +g291130 +S'overall: 21.8 x 32.7 cm (8 9/16 x 12 7/8 in.)' +p346121 +sg291132 +S'\ngraphite on wove paper' +p346122 +sg291134 +S'Ornamental Design [verso]' +p346123 +sg291136 +g27 +sg291137 +S'Italian 18th Century' +p346124 +sa(dp346125 +g291134 +S'Entablature' +p346126 +sg291137 +S'Auguste Delacouture' +p346127 +sg291130 +S'pen and black ink with gray wash on laid paper' +p346128 +sg291132 +S'1822' +p346129 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00073/a000731c.jpg' +p346130 +sg291136 +g27 +sa(dp346131 +g291134 +S'The Flagellation of Christ' +p346132 +sg291137 +S'Artist Information (' +p346133 +sg291130 +S'Flemish, c. 1570 - 1630' +p346134 +sg291132 +S'(artist after)' +p346135 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006e9c.jpg' +p346136 +sg291136 +g27 +sa(dp346137 +g291134 +S'Men Throwing Dice' +p346138 +sg291137 +S'German 19th Century' +p346139 +sg291130 +S'overall: 15.5 x 18.6 cm (6 1/8 x 7 5/16 in.)' +p346140 +sg291132 +S'\ngraphite on laid paper' +p346141 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006d6c.jpg' +p346142 +sg291136 +g27 +sa(dp346143 +g291134 +S'The Rescue of Deianeira' +p346144 +sg291137 +S'Austrian 18th Century' +p346145 +sg291130 +S'overall: 30.3 x 19.5 cm (11 15/16 x 7 11/16 in.)' +p346146 +sg291132 +S'\npen and brown ink with brown wash over black chalk on laid paper' +p346147 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00069/a000694a.jpg' +p346148 +sg291136 +g27 +sa(dp346149 +g291134 +S'Stage Design' +p346150 +sg291137 +S'Italian 19th Century' +p346151 +sg291130 +S'overall: 9.4 x 15.6 cm (3 11/16 x 6 1/8 in.)' +p346152 +sg291132 +S'\npen and gray ink with brown and gray washes over graphite on laid paper' +p346153 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00072/a0007236.jpg' +p346154 +sg291136 +g27 +sa(dp346155 +g291134 +S'Study for an Altar and a Reredos' +p346156 +sg291137 +S'German 18th Century' +p346157 +sg291130 +S'overall: 40.4 x 23.9 cm (15 7/8 x 9 7/16 in.)' +p346158 +sg291132 +S'\npen and brown ink with brown wash over graphite on laid paper' +p346159 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00079/a00079a2.jpg' +p346160 +sg291136 +g27 +sa(dp346161 +g291134 +S'Tempio della Fortuna Virile with the Tempio di Vesta in the Distance' +p346162 +sg291137 +S'Italian 18th Century' +p346163 +sg291130 +S'overall: 10.1 x 14.6 cm (4 x 5 3/4 in.)' +p346164 +sg291132 +S'\ngouache on laid paper' +p346165 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006d2c.jpg' +p346166 +sg291136 +g27 +sa(dp346167 +g291134 +S'Two Fountains' +p346168 +sg291137 +S'Italian 17th Century' +p346169 +sg291130 +S'overall: 16.2 x 20.6 cm (6 3/8 x 8 1/8 in.)' +p346170 +sg291132 +S'\npen and gray ink with gray wash on laid paper' +p346171 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00074/a000746b.jpg' +p346172 +sg291136 +g27 +sa(dp346173 +g291134 +S'Apollo and the Muses' +p346174 +sg291137 +S'Giuseppe Valeriani' +p346175 +sg291130 +S'pen and black ink with gray wash over graphite on laid paper' +p346176 +sg291132 +S'unknown date\n' +p346177 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00074/a000743a.jpg' +p346178 +sg291136 +g27 +sa(dp346179 +g291134 +S'The Raising of Lazarus' +p346180 +sg291137 +S'Jean-Baptiste Van Loo' +p346181 +sg291130 +S'pen and brown ink with gray wash over black chalk on laid paper' +p346182 +sg291132 +S'unknown date\n' +p346183 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006ec9.jpg' +p346184 +sg291136 +g27 +sa(dp346185 +g291134 +S'The Baths of Caracalla, Rome' +p346186 +sg291137 +S'Willem van Nieuwlandt II' +p346187 +sg291130 +S'pen and brown ink with gray wash on laid paper' +p346188 +sg291132 +S'unknown date\n' +p346189 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006e49.jpg' +p346190 +sg291136 +g27 +sa(dp346191 +g291134 +S'Diana and Endymion' +p346192 +sg291137 +S'Charles-Antoine Coypel' +p346193 +sg291130 +S'black chalk heightened with white and squared for transfer on brown paper' +p346194 +sg291132 +S'1720s' +p346195 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00024/a000242a.jpg' +p346196 +sg291136 +g27 +sa(dp346197 +g291134 +S'A Bearded Man with a Staff' +p346198 +sg291137 +S'Simon Vouet' +p346199 +sg291130 +S', unknown date' +p346200 +sg291132 +S'\n' +p346201 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00065/a0006580.jpg' +p346202 +sg291136 +g27 +sa(dp346203 +g291134 +S"Odoratus, L'Ordorat" +p346204 +sg291137 +S'Abraham Bosse' +p346205 +sg291130 +S'engraving in black on laid paper' +p346206 +sg291132 +S'unknown date\n' +p346207 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008a/a0008a6c.jpg' +p346208 +sg291136 +g27 +sa(dp346209 +g291134 +S'The Valet' +p346210 +sg291137 +S'Abraham Bosse' +p346211 +sg291130 +S'engraving in black on laid paper' +p346212 +sg291132 +S'unknown date\n' +p346213 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008a/a0008a6b.jpg' +p346214 +sg291136 +g27 +sa(dp346215 +g291134 +S"Ah! il pr\xc3\xa9tend m'emp\xc3\xaacher d'aller..." +p346216 +sg291137 +S'Honor\xc3\xa9 Daumier' +p346217 +sg291130 +S'lithograph in black on newsprint' +p346218 +sg291132 +S'1849' +p346219 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00094/a000945b.jpg' +p346220 +sg291136 +g27 +sa(dp346221 +g291134 +S"C'est-y emb\xc3\xaatant de brosser ces machines l\xc3\xa0..." +p346222 +sg291137 +S'Honor\xc3\xa9 Daumier' +p346223 +sg291130 +S'lithograph in black on newsprint' +p346224 +sg291132 +S'unknown date\n' +p346225 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00095/a0009563.jpg' +p346226 +sg291136 +g27 +sa(dp346227 +g291134 +S'Oui, ma ch\xc3\xa8re, mon mari a raval\xc3\xa9 ma dignit\xc3\xa9...' +p346228 +sg291137 +S'Honor\xc3\xa9 Daumier' +p346229 +sg291130 +S'lithograph in black on newsprint' +p346230 +sg291132 +S'1849' +p346231 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00094/a0009451.jpg' +p346232 +sg291136 +g27 +sa(dp346233 +g291134 +S'Ah! vous \xc3\xaates mon mari, ah! vous \xc3\xaates le ma\xc3\xaetre...' +p346234 +sg291137 +S'Honor\xc3\xa9 Daumier' +p346235 +sg291130 +S'lithograph in black on newsprint' +p346236 +sg291132 +S'1849' +p346237 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00094/a0009450.jpg' +p346238 +sg291136 +g27 +sa(dp346239 +g291134 +S'Inconv\xc3\xa9nient... des domestiques qui ont servi chez M. Duprez' +p346240 +sg291137 +S'Honor\xc3\xa9 Daumier' +p346241 +sg291130 +S'lithograph in black on newsprint' +p346242 +sg291132 +S'1850' +p346243 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00094/a0009405.jpg' +p346244 +sg291136 +g27 +sa(dp346245 +g291130 +S'etching in black on wove paper' +p346246 +sg291132 +S'1907' +p346247 +sg291134 +S'Tree in a Landscape' +p346248 +sg291136 +g27 +sg291137 +S'Jean Fr\xc3\xa9laut' +p346249 +sa(dp346250 +g291134 +S'Banks of the Tamise' +p346251 +sg291137 +S'Maxime Lalanne' +p346252 +sg291130 +S'etching in black on laid paper' +p346253 +sg291132 +S'unknown date\n' +p346254 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00098/a00098c5.jpg' +p346255 +sg291136 +g27 +sa(dp346256 +g291134 +S'The Early Ploughman' +p346257 +sg291137 +S'Samuel Palmer' +p346258 +sg291130 +S'etching in black on laid paper' +p346259 +sg291132 +S'in or before 1861' +p346260 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0007c/a0007cfd.jpg' +p346261 +sg291136 +g27 +sa(dp346262 +g291130 +S'linoleum cut on japan paper' +p346263 +sg291132 +S'unknown date\n' +p346264 +sg291134 +S'Abstract' +p346265 +sg291136 +g27 +sg291137 +S'Charles William Smith' +p346266 +sa(dp346267 +g291130 +S'linoleum cut on laid paper' +p346268 +sg291132 +S'unknown date\n' +p346269 +sg291134 +S'Fish and Bottle' +p346270 +sg291136 +g27 +sg291137 +S'Charles William Smith' +p346271 +sa(dp346272 +g291134 +S'The Sacrifice of Abraham' +p346273 +sg291137 +S'Artist Information (' +p346274 +sg291130 +S'Italian, 1503 - 1540' +p346275 +sg291132 +S'(artist after)' +p346276 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c8/a000c87a.jpg' +p346277 +sg291136 +g27 +sa(dp346278 +g291130 +S'etching in black on laid paper' +p346279 +sg291132 +S'1928' +p346280 +sg291134 +S'The Meadow Chapel' +p346281 +sg291136 +g27 +sg291137 +S'Graham Sutherland' +p346282 +sa(dp346283 +g291130 +S'(author)' +p346284 +sg291132 +S'\n' +p346285 +sg291134 +S'The Beaux Stratagem' +p346286 +sg291136 +g27 +sg291137 +S'Artist Information (' +p346287 +sa(dp346288 +g291130 +S'British' +p346289 +sg291132 +S'(printer)' +p346290 +sg291134 +S'Genesis' +p346291 +sg291136 +g27 +sg291137 +S'Artist Information (' +p346292 +sa(dp346293 +g291130 +S'(artist)' +p346294 +sg291132 +S'\n' +p346295 +sg291134 +S'Carmen' +p346296 +sg291136 +g27 +sg291137 +S'Artist Information (' +p346297 +sa(dp346298 +g291130 +S'(author)' +p346299 +sg291132 +S'\n' +p346300 +sg291134 +S'The Rape of the Lock' +p346301 +sg291136 +g27 +sg291137 +S'Artist Information (' +p346302 +sa(dp346303 +g291130 +S'(author)' +p346304 +sg291132 +S'\n' +p346305 +sg291134 +S'A Sentimental Journey Through France and Italy' +p346306 +sg291136 +g27 +sg291137 +S'Artist Information (' +p346307 +sa(dp346308 +g291130 +S'(author)' +p346309 +sg291132 +S'\n' +p346310 +sg291134 +S"Wagner's Music Drama of the Ring" +p346311 +sg291136 +g27 +sg291137 +S'Artist Information (' +p346312 +sa(dp346313 +g291134 +S'Elisha Watching Elijah in the Fiery Chariot' +p346314 +sg291137 +S'Hans Jakob N\xc3\xbcscheler' +p346315 +sg291130 +S'pen and brown ink on laid paper' +p346316 +sg291132 +S'c. 1600' +p346317 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006a/a0006a11.jpg' +p346318 +sg291136 +g27 +sa(dp346319 +g291134 +S'Woods Near a Village with Rabbit Catchers and Their Greyhounds' +p346320 +sg291137 +S'Thomas Gainsborough' +p346321 +sg291130 +S'graphite on laid paper' +p346322 +sg291132 +S'late 1750s' +p346323 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00072/a0007225.jpg' +p346324 +sg291136 +g27 +sa(dp346325 +g291134 +S'An Egyptian Stage Design' +p346326 +sg291137 +S'Pietro Gonzaga' +p346327 +sg291130 +S'pen and brown ink with gray and brown wash on laid paper' +p346328 +sg291132 +S'c. 1815' +p346329 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00025/a0002546.jpg' +p346330 +sg291136 +g27 +sa(dp346331 +g291134 +S'Murder Scene' +p346332 +sg291137 +S'Thomas Bewick' +p346333 +sg291130 +S'engraving in red on wove paper' +p346334 +sg291132 +S'unknown date\n' +p346335 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0007d/a0007d33.jpg' +p346336 +sg291136 +g27 +sa(dp346337 +g291134 +S'Scene in a Cave' +p346338 +sg291137 +S'George Cumberland' +p346339 +sg291130 +S'watercolor on wove paper' +p346340 +sg291132 +S'unknown date\n' +p346341 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006b/a0006bfd.jpg' +p346342 +sg291136 +g27 +sa(dp346343 +g291134 +S'Christ Trampling Satan' +p346344 +sg291137 +S'Artist Information (' +p346345 +sg291130 +S'(artist after)' +p346346 +sg291132 +S'\n' +p346347 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0007c/a0007caa.jpg' +p346348 +sg291136 +g27 +sa(dp346349 +g291134 +S'Conscience and the Recording Angel' +p346350 +sg291137 +S'Artist Information (' +p346351 +sg291130 +S'(artist after)' +p346352 +sg291132 +S'\n' +p346353 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0007d/a0007dfe.jpg' +p346354 +sg291136 +g27 +sa(dp346355 +g291134 +S'The Bellman' +p346356 +sg291137 +S'Samuel Palmer' +p346357 +sg291130 +S'etching in black on japan paper' +p346358 +sg291132 +S'1879' +p346359 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00079/a00079f4.jpg' +p346360 +sg291136 +g27 +sa(dp346361 +g291134 +S'The Lonely Tower' +p346362 +sg291137 +S'Samuel Palmer' +p346363 +sg291130 +S'etching in black on laid paper' +p346364 +sg291132 +S'1879' +p346365 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00079/a00079f6.jpg' +p346366 +sg291136 +g27 +sa(dp346367 +g291134 +S'Sheep at Noon' +p346368 +sg291137 +S'John Linnell' +p346369 +sg291130 +S'etching on laid paper' +p346370 +sg291132 +S'1818' +p346371 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0007d/a0007d7f.jpg' +p346372 +sg291136 +g27 +sa(dp346373 +g291134 +S'John Martin' +p346374 +sg291137 +S'John Linnell' +p346375 +sg291130 +S'engraving in black on chine coll? on wove paper' +p346376 +sg291132 +S'1817' +p346377 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0007d/a0007d44.jpg' +p346378 +sg291136 +g27 +sa(dp346379 +g291130 +S'1 vol: ill: 13 lithographs' +p346380 +sg291132 +S'published 1826' +p346381 +sg291134 +S'Reliquiae Conservatae' +p346382 +sg291136 +g27 +sg291137 +S'George Cumberland' +p346383 +sa(dp346384 +g291134 +S'Bacchante' +p346385 +sg291137 +S'Artist Information (' +p346386 +sg291130 +S'(artist after)' +p346387 +sg291132 +S'\n' +p346388 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0007a/a0007a1e.jpg' +p346389 +sg291136 +g27 +sa(dp346390 +g291134 +S'Tower of a Fortified House [recto]' +p346391 +sg291137 +S'Friedrich Salath\xc3\xa9' +p346392 +sg291130 +S'pen and black ink with watercolor over graphite on wove paper' +p346393 +sg291132 +S'1814/1815' +p346394 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00027/a00027a8.jpg' +p346395 +sg291136 +g27 +sa(dp346396 +g291130 +S'pen and black ink and graphite on wove paper' +p346397 +sg291132 +S'1814/1815' +p346398 +sg291134 +S'Study of a Tree [verso]' +p346399 +sg291136 +g27 +sg291137 +S'Friedrich Salath\xc3\xa9' +p346400 +sa(dp346401 +g291134 +S'View of the Islands of Nisida and Capri' +p346402 +sg291137 +S'Friedrich Salath\xc3\xa9' +p346403 +sg291130 +S'graphite and brown wash on laid paper' +p346404 +sg291132 +S'probably 1819' +p346405 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00028/a000284c.jpg' +p346406 +sg291136 +g27 +sa(dp346407 +g291134 +S'Corner of a Garden Court' +p346408 +sg291137 +S'Friedrich Salath\xc3\xa9' +p346409 +sg291130 +S'graphite on laid paper' +p346410 +sg291132 +S'1815/1821' +p346411 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00028/a000284d.jpg' +p346412 +sg291136 +g27 +sa(dp346413 +g291134 +S'Windmill near Burg on Fehmarn (Windm\xc3\xbchle bei Burg auf Fehmarn)' +p346414 +sg291137 +S'Ernst Ludwig Kirchner' +p346415 +sg291130 +S'lithograph in black on thin japan paper' +p346416 +sg291132 +S'1908' +p346417 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00017/a0001783.jpg' +p346418 +sg291136 +g27 +sa(dp346419 +g291134 +S'Girls from Fehmarn (Fehmarn M\xc3\xa4dchen)' +p346420 +sg291137 +S'Ernst Ludwig Kirchner' +p346421 +sg291130 +S'woodcut in black on yellow paper' +p346422 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+sa(dp346443 +g291130 +S'lithograph in black on pink paper' +p346444 +sg291132 +S'1921' +p346445 +sg291134 +S"Portrait of a Girl (L's Daughter)" +p346446 +sg291136 +g27 +sg291137 +S'Ernst Ludwig Kirchner' +p346447 +sa(dp346448 +g291134 +S'Pianist and Singer (Pianist und S\xc3\xa4ngerin)' +p346449 +sg291137 +S'Ernst Ludwig Kirchner' +p346450 +sg291130 +S'woodcut in black on blue blotting paper' +p346451 +sg291132 +S'1928' +p346452 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00017/a0001787.jpg' +p346453 +sg291136 +g27 +sa(dp346454 +g291134 +S"Mary Wigman's Dance (Mary Wigman-Tanz)" +p346455 +sg291137 +S'Ernst Ludwig Kirchner' +p346456 +sg291130 +S'woodcut in black touched with black ink on wove paper' +p346457 +sg291132 +S'1933' +p346458 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00017/a0001788.jpg' +p346459 +sg291136 +g27 +sa(dp346460 +g291134 +S'Old Man Reckoning (Rechnender Greis)' +p346461 +sg291137 +S'Paul Klee' +p346462 +sg291130 +S'etching in black on japan paper' +p346463 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+S'http://www.nga.gov:80/thumb-l/a000fa/a000fae0.jpg' +p346663 +sg291136 +g27 +sa(dp346664 +g291134 +S'Pinnated Grous, Blue-green Warbler, and Nashville Warbler' +p346665 +sg291137 +S'Artist Information (' +p346666 +sg291130 +S'(artist after)' +p346667 +sg291132 +S'\n' +p346668 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fadf.jpg' +p346669 +sg291136 +g27 +sa(dp346670 +g291134 +S'Carolina Cuckoo, Black-billed Cuckoo, Blue Yellow-backed Warbler, and Yellow Red-poll Warbler' +p346671 +sg291137 +S'Artist Information (' +p346672 +sg291130 +S'(artist after)' +p346673 +sg291132 +S'\n' +p346674 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fade.jpg' +p346675 +sg291136 +g27 +sa(dp346676 +g291134 +S'Passenger Pigeon, Blue-mountain Warbler, and Hemlock Warbler' +p346677 +sg291137 +S'Artist Information (' +p346678 +sg291130 +S'(artist after)' +p346679 +sg291132 +S'\n' +p346680 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000fb/a000fb24.jpg' +p346681 +sg291136 +g27 +sa(dp346682 +g291134 +S'The Red Bellied Woodpecker (Picus Carolinus)' +p346683 +sg291137 +S'Artist Information (' +p346684 +sg291130 +S'(artist after)' +p346685 +sg291132 +S'\n' +p346686 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b391.jpg' +p346687 +sg291136 +g27 +sa(dp346688 +g291134 +S'The Tropic Bird (Phaeton aethereus)' +p346689 +sg291137 +S'Artist Information (' +p346690 +sg291130 +S'(artist after)' +p346691 +sg291132 +S'\n' +p346692 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b392.jpg' +p346693 +sg291136 +g27 +sa(dp346694 +g291134 +S'The Nuthatch (Sitta Europaea)' +p346695 +sg291137 +S'Mark Catesby' +p346696 +sg291130 +S'hand-colored engraving on laid paper' +p346697 +sg291132 +S'published 1754' +p346698 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00077/a00077e8.jpg' +p346699 +sg291136 +g27 +sa(dp346700 +g291134 +S'The Purple Martin (Hirundo purpurea)' +p346701 +sg291137 +S'Mark Catesby' +p346702 +sg291130 +S'hand-colored engraving on laid paper' +p346703 +sg291132 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+S'hand-colored engraving on laid paper' +p346745 +sg291132 +S'published 1731-1743' +p346746 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a000781f.jpg' +p346747 +sg291136 +g27 +sa(dp346748 +g291134 +S'The Green Lizard of Jamaica (Lacerta bullaris)' +p346749 +sg291137 +S'Mark Catesby' +p346750 +sg291130 +S'hand-colored engraving on laid paper' +p346751 +sg291132 +S'published 1731-1743' +p346752 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a0007880.jpg' +p346753 +sg291136 +g27 +sa(dp346754 +g291134 +S'The Lyon Lizard (Lacerta 6-lineata)' +p346755 +sg291137 +S'Mark Catesby' +p346756 +sg291130 +S'hand-colored engraving on laid paper' +p346757 +sg291132 +S'published 1731-1743' +p346758 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a000787a.jpg' +p346759 +sg291136 +g27 +sa(dp346760 +g291134 +S'The Lyon Lizard (Lacerta 6-lineata)' +p346761 +sg291137 +S'Mark Catesby' +p346762 +sg291130 +S'hand-colored engraving on laid paper' +p346763 +sg291132 +S'published 1731-1743' +p346764 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a000787e.jpg' +p346765 +sg291136 +g27 +sa(dp346766 +g291134 +S'The Land Frog (Rana)' +p346767 +sg291137 +S'Mark Catesby' +p346768 +sg291130 +S'hand-colored engraving on laid paper' +p346769 +sg291132 +S'published 1731-1743' +p346770 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a0007886.jpg' +p346771 +sg291136 +g27 +sa(dp346772 +g291134 +S'The Bahama Coney (Mus Monax)' +p346773 +sg291137 +S'Mark Catesby' +p346774 +sg291130 +S'hand-colored engraving on laid paper' +p346775 +sg291132 +S'published 1754' +p346776 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a000788c.jpg' +p346777 +sg291136 +g27 +sa(dp346778 +g291134 +S'Golden Pheasant (Chrysolophus pictus)' +p346779 +sg291137 +S'British 18th Century' +p346780 +sg291130 +S'sheet: 34.3 x 28.3 cm (13 1/2 x 11 1/8 in.)' +p346781 +sg291132 +S'\nwatercolor over graphite on laid paper' +p346782 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f5c.jpg' +p346783 +sg291136 +g27 +sa(dp346784 +g291134 +S'Green Heron, Night Heron, Young Heron, and Great White Heron' +p346785 +sg291137 +S'Artist Information (' +p346786 +sg291130 +S'(artist after)' +p346787 +sg291132 +S'\n' +p346788 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000fb/a000fb25.jpg' +p346789 +sg291136 +g27 +sa(dp346790 +g291134 +S'Louisiana Heron, Pied Oyster-catcher, Hooping Crane, and Long-billed Curlew' +p346791 +sg291137 +S'Artist Information (' +p346792 +sg291130 +S'(artist after)' +p346793 +sg291132 +S'\n' +p346794 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000fb/a000fb28.jpg' +p346795 +sg291136 +g27 +sa(dp346796 +g291134 +S'The Swallow Tail Hawk (Falco furcatus)' +p346797 +sg291137 +S'Mark Catesby' +p346798 +sg291130 +S'hand-colored engraving on laid paper' +p346799 +sg291132 +S'published 1754' +p346800 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00077/a00077fc.jpg' +p346801 +sg291136 +g27 +sa(dp346802 +g291134 +S'The Red Winged Starling (Oriolus phoeniceus)' +p346803 +sg291137 +S'Mark Catesby' +p346804 +sg291130 +S'hand-colored engraving on laid paper' +p346805 +sg291132 +S'published 1754' +p346806 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00077/a00077f8.jpg' +p346807 +sg291136 +g27 +sa(dp346808 +g291134 +S'The Fieldfare of Carolina (Turdus migratorius)' +p346809 +sg291137 +S'Mark Catesby' +p346810 +sg291130 +S'hand-colored engraving on laid paper' +p346811 +sg291132 +S'published 1731-1743' +p346812 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00077/a00077f2.jpg' +p346813 +sg291136 +g27 +sa(dp346814 +g291134 +S'The Flamingo (Phoenicopterus ruber)' +p346815 +sg291137 +S'Mark Catesby' +p346816 +sg291130 +S'hand-colored engraving on laid paper' +p346817 +sg291132 +S'published 1731-1743' +p346818 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a0007805.jpg' +p346819 +sg291136 +g27 +sa(dp346820 +g291134 +S'The Hooping Crane (Ardea Americana)' +p346821 +sg291137 +S'Mark Catesby' +p346822 +sg291130 +S'hand-colored engraving on laid paper' +p346823 +sg291132 +S'published 1731-1743' +p346824 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a0007803.jpg' +p346825 +sg291136 +g27 +sa(dp346826 +g291134 +S'The Blue Winged Shoveler (Anas clypeata foemina)' +p346827 +sg291137 +S'Mark Catesby' +p346828 +sg291130 +S'hand-colored engraving on laid paper' +p346829 +sg291132 +S'published 1731-1743' +p346830 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a0007829.jpg' +p346831 +sg291136 +g27 +sa(dp346832 +g291134 +S'The Globe Fish (Tetrodon lagocephalus)' +p346833 +sg291137 +S'Mark Catesby' +p346834 +sg291130 +S'hand-colored engraving on laid paper' +p346835 +sg291132 +S'published 1731-1743' +p346836 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a0007859.jpg' +p346837 +sg291136 +g27 +sa(dp346838 +g291134 +S'The Vanelloe (Epidendrum Vanilla)' +p346839 +sg291137 +S'Mark Catesby' +p346840 +sg291130 +S'hand-colored engraving on laid paper' +p346841 +sg291132 +S'published 1731-1743' +p346842 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a0007898.jpg' +p346843 +sg291136 +g27 +sa(dp346844 +g291134 +S'The Laughing Gull (Larus articilla)' +p346845 +sg291137 +S'Mark Catesby' +p346846 +sg291130 +S'hand-colored engraving on laid paper' +p346847 +sg291132 +S'published 1731-1743' +p346848 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a0007823.jpg' +p346849 +sg291136 +g27 +sa(dp346850 +g291134 +S'Red Frangipanni (Plumeria rubra)' +p346851 +sg291137 +S'Mark Catesby' +p346852 +sg291130 +S'hand-colored engraving on laid paper' +p346853 +sg291132 +S'published 1731-1743' +p346854 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a000788f.jpg' +p346855 +sg291136 +g27 +sa(dp346856 +g291134 +S"Cat's Claw (Mimosa circinalis)" +p346857 +sg291137 +S'Mark Catesby' +p346858 +sg291130 +S'hand-colored engraving on laid paper' +p346859 +sg291132 +S'published 1731-1743' +p346860 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a0007891.jpg' +p346861 +sg291136 +g27 +sa(dp346862 +g291134 +S'Cross-vine (Bignonia capreolata)' +p346863 +sg291137 +S'Mark Catesby' +p346864 +sg291130 +S'hand-colored engraving on laid paper' +p346865 +sg291132 +S'published 1754' +p346866 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a000788e.jpg' +p346867 +sg291136 +g27 +sa(dp346868 +g291134 +S'The Lane-snapper (Sparus synagris)' +p346869 +sg291137 +S'Mark Catesby' +p346870 +sg291130 +S'hand-colored engraving on laid paper' +p346871 +sg291132 +S'published 1731-1743' +p346872 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a0007831.jpg' +p346873 +sg291136 +g27 +sa(dp346874 +g291134 +S'The Land-crab (Cancer ruricola)' +p346875 +sg291137 +S'Mark Catesby' +p346876 +sg291130 +S'hand-colored engraving on laid paper' +p346877 +sg291132 +S'published 1731-1743' +p346878 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a000785f.jpg' +p346879 +sg291136 +g27 +sa(dp346880 +g291134 +S'The Hawks-bill Turtle (Testudo caretta)' +p346881 +sg291137 +S'Mark Catesby' +p346882 +sg291130 +S'hand-colored engraving on laid paper' +p346883 +sg291132 +S'published 1731-1743' +p346884 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a000785d.jpg' +p346885 +sg291136 +g27 +sa(dp346886 +g291134 +S'The Hog-nose Snake (Boa contortrix)' +p346887 +sg291137 +S'Mark Catesby' +p346888 +sg291130 +S'hand-colored engraving on laid paper' +p346889 +sg291132 +S'published 1731-1743' +p346890 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a0007882.jpg' +p346891 +sg291136 +g27 +sa(dp346892 +g291134 +S'Centipede (Scolopendra morsitans)' +p346893 +sg291137 +S'Mark Catesby' +p346894 +sg291130 +S'hand-colored engraving on laid paper' +p346895 +sg291132 +S'published 1731-1743' +p346896 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a0007893.jpg' +p346897 +sg291136 +g27 +sa(dp346898 +g291134 +S'Argus Pheasant (Argusianus Argus)' +p346899 +sg291137 +S'W. Hart' +p346900 +sg291130 +S'hand-colored lithograph on wove paper' +p346901 +sg291132 +S'published 1850-1883' +p346902 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00081/a00081d9.jpg' +p346903 +sg291136 +g27 +sa(dp346904 +g291134 +S'Rufous-breasted Bamboo Partridge (Bambusicola Hyperythra)' +p346905 +sg291137 +S'Artist Information (' +p346906 +sg291130 +S'(artist)' +p346907 +sg291132 +S'\n' +p346908 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00081/a00081d3.jpg' +p346909 +sg291136 +g27 +sa(dp346910 +g291134 +S'Hydrochelidon nigra' +p346911 +sg291137 +S'Artist Information (' +p346912 +sg291130 +S'(artist)' +p346913 +sg291132 +S'\n' +p346914 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00081/a00081d7.jpg' +p346915 +sg291136 +g27 +sa(dp346916 +g291134 +S'Caprimulgus Ruficollis' +p346917 +sg291137 +S'Artist Information (' +p346918 +sg291130 +S'(artist)' +p346919 +sg291132 +S'\n' +p346920 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00081/a00081d6.jpg' +p346921 +sg291136 +g27 +sa(dp346922 +g291134 +S'Lampornis prevosti' +p346923 +sg291137 +S'Artist Information (' +p346924 +sg291130 +S'(artist)' +p346925 +sg291132 +S'\n' +p346926 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00081/a00081d5.jpg' +p346927 +sg291136 +g27 +sa(dp346928 +g291134 +S'Great Black Woodpecker (Dryocopus martius)' +p346929 +sg291137 +S'Artist Information (' +p346930 +sg291130 +S'(artist)' +p346931 +sg291132 +S'\n' +p346932 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00081/a00081d8.jpg' +p346933 +sg291136 +g27 +sa(dp346934 +g291134 +S'Lesbia Amaryllis' +p346935 +sg291137 +S'Artist Information (' +p346936 +sg291130 +S'(artist)' +p346937 +sg291132 +S'\n' +p346938 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00081/a00081da.jpg' +p346939 +sg291136 +g27 +sa(dp346940 +g291134 +S'Calothorax heliodori' +p346941 +sg291137 +S'Artist Information (' +p346942 +sg291130 +S'(artist)' +p346943 +sg291132 +S'\n' +p346944 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00081/a00081d4.jpg' +p346945 +sg291136 +g27 +sa(dp346946 +g291134 +S'Osculant Toucan (Ramphastos osculans)' +p346947 +sg291137 +S'Artist Information (' +p346948 +sg291130 +S'(artist)' +p346949 +sg291132 +S'\n' +p346950 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00081/a00081d2.jpg' +p346951 +sg291136 +g27 +sa(dp346952 +g291134 +S'Bird of Paradise (Paradisea apoda)' +p346953 +sg291137 +S'Artist Information (' +p346954 +sg291130 +S'(artist)' +p346955 +sg291132 +S'\n' +p346956 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00081/a00081dc.jpg' +p346957 +sg291136 +g27 +sa(dp346958 +g291134 +S'White Headed Eagle (Haliaetus leucocephalus)' +p346959 +sg291137 +S'Edward Lear' +p346960 +sg291130 +S'hand-colored lithograph on wove paper' +p346961 +sg291132 +S'published 1832-37' +p346962 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00081/a00081de.jpg' +p346963 +sg291136 +g27 +sa(dp346964 +g291134 +S'The Crested Flycatcher (Muscicapa cristata)' +p346965 +sg291137 +S'Mark Catesby' +p346966 +sg291130 +S'hand-colored engraving on laid paper' +p346967 +sg291132 +S'published 1754' +p346968 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a000780d.jpg' +p346969 +sg291136 +g27 +sa(dp346970 +g291134 +S'The Yellow Throated Creeper' +p346971 +sg291137 +S'Mark Catesby' +p346972 +sg291130 +S'hand-colored engraving on laid paper' +p346973 +sg291132 +S'published 1754' +p346974 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a0007817.jpg' +p346975 +sg291136 +g27 +sa(dp346976 +g291134 +S'The Spotted Ribbon Snake (Coluber nebulosus?)' +p346977 +sg291137 +S'Mark Catesby' +p346978 +sg291130 +S'hand-colored engraving on laid paper' +p346979 +sg291132 +S'published 1731-1743' +p346980 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a000784f.jpg' +p346981 +sg291136 +g27 +sa(dp346982 +g291134 +S'The Coach-whip Snake (Coluber flagellum)' +p346983 +sg291137 +S'Mark Catesby' +p346984 +sg291130 +S'hand-colored engraving on laid paper' +p346985 +sg291132 +S'published 1731-1743' +p346986 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a000787c.jpg' +p346987 +sg291136 +g27 +sa(dp346988 +g291134 +S'The Hog-nose Snake (Boa contortrix)' +p346989 +sg291137 +S'Mark Catesby' +p346990 +sg291130 +S'hand-colored engraving on laid paper' +p346991 +sg291132 +S'published 1731-1743' +p346992 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a0007872.jpg' +p346993 +sg291136 +g27 +sa(dp346994 +g291134 +S'The Glass Snake (Anguis ventralis)' +p346995 +sg291137 +S'Mark Catesby' +p346996 +sg291130 +S'hand-colored engraving on laid paper' +p346997 +sg291132 +S'published 1731-1743' +p346998 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a000786d.jpg' +p346999 +sg291136 +g27 +sa(dp347000 +g291134 +S'The Pole Cat (Viverra putorius)' +p347001 +sg291137 +S'Mark Catesby' +p347002 +sg291130 +S'hand-colored engraving on laid paper' +p347003 +sg291132 +S'published 1731-1743' +p347004 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a0007884.jpg' +p347005 +sg291136 +g27 +sa(dp347006 +g291134 +S'The Hawks-bill Turtle (Testudo caretta)' +p347007 +sg291137 +S'Mark Catesby' +p347008 +sg291130 +S'hand-colored engraving on laid paper' +p347009 +sg291132 +S'published 1731-1743' +p347010 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a0007855.jpg' +p347011 +sg291136 +g27 +sa(dp347012 +g291134 +S'The Yellow Titmouse (Motacilla trochilus)' +p347013 +sg291137 +S'Mark Catesby' +p347014 +sg291130 +S'hand-colored engraving on laid paper' +p347015 +sg291132 +S'published 1754' +p347016 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a000780f.jpg' +p347017 +sg291136 +g27 +sa(dp347018 +g291134 +S'The Blue Winged Shoveler (Anas clypeata foemina)' +p347019 +sg291137 +S'Mark Catesby' +p347020 +sg291130 +S'hand-colored engraving on laid paper' +p347021 +sg291132 +S'published 1754' +p347022 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a0007827.jpg' +p347023 +sg291136 +g27 +sa(dp347024 +g291134 +S'The Mangrove Snapper (Labrus griseus)' +p347025 +sg291137 +S'Mark Catesby' +p347026 +sg291130 +S'hand-colored engraving on laid paper' +p347027 +sg291132 +S'published 1754' +p347028 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a0007847.jpg' +p347029 +sg291136 +g27 +sa(dp347030 +g291134 +S'The Porgy (Sparus chrysops)' +p347031 +sg291137 +S'Mark Catesby' +p347032 +sg291130 +S'hand-colored engraving on laid paper' +p347033 +sg291132 +S'published 1754' +p347034 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a0007845.jpg' +p347035 +sg291136 +g27 +sa(dp347036 +g291134 +S'The Muray (Muraena helena)' +p347037 +sg291137 +S'Mark Catesby' +p347038 +sg291130 +S'hand-colored engraving on laid paper' +p347039 +sg291132 +S'published 1754' +p347040 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a000784b.jpg' +p347041 +sg291136 +g27 +sa(dp347042 +g291134 +S'The Black Muray (Muraenae helenae varietas)' +p347043 +sg291137 +S'Mark Catesby' +p347044 +sg291130 +S'hand-colored engraving on laid paper' +p347045 +sg291132 +S'published 1754' +p347046 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a000783d.jpg' +p347047 +sg291136 +g27 +sa(dp347048 +g291134 +S'The Cat Fish (Silurus catus)' +p347049 +sg291137 +S'Mark Catesby' +p347050 +sg291130 +S'hand-colored engraving on laid paper' +p347051 +sg291132 +S'published 1754' +p347052 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a000783f.jpg' +p347053 +sg291136 +g27 +sa(dp347054 +g291134 +S'The Ribbon Snake (Coluber saurita)' +p347055 +sg291137 +S'Mark Catesby' +p347056 +sg291130 +S'hand-colored engraving on laid paper' +p347057 +sg291132 +S'published 1731-1743' +p347058 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a000785b.jpg' +p347059 +sg291136 +g27 +sa(dp347060 +g291134 +S'The Ribbon Snake (Coluber saurita)' +p347061 +sg291137 +S'Mark Catesby' +p347062 +sg291130 +S'hand-colored engraving on laid paper' +p347063 +sg291132 +S'published 1731-1743' +p347064 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a0007853.jpg' +p347065 +sg291136 +g27 +sa(dp347066 +g291134 +S'The Ribbon Snake (Coluber saurita)' +p347067 +sg291137 +S'Mark Catesby' +p347068 +sg291130 +S'hand-colored engraving on laid paper' +p347069 +sg291132 +S'published 1731-1743' +p347070 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a0007851.jpg' +p347071 +sg291136 +g27 +sa(dp347072 +g291134 +S'The Barracuda (Esox barracuda)' +p347073 +sg291137 +S'Mark Catesby' +p347074 +sg291130 +S'hand-colored engraving on laid paper' +p347075 +sg291132 +S'published 1754' +p347076 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a0007849.jpg' +p347077 +sg291136 +g27 +sa(dp347078 +g291134 +S'The Croker (Perca undulata)' +p347079 +sg291137 +S'Mark Catesby' +p347080 +sg291130 +S'hand-colored engraving on laid paper' +p347081 +sg291132 +S'published 1731-1743' +p347082 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a0007843.jpg' +p347083 +sg291136 +g27 +sa(dp347084 +g291134 +S'The Pilchard (Argentina carolina)' +p347085 +sg291137 +S'Mark Catesby' +p347086 +sg291130 +S'hand-colored engraving on laid paper' +p347087 +sg291132 +S'published 1731-1743' +p347088 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a0007837.jpg' +p347089 +sg291136 +g27 +sa(dp347090 +g291134 +S'The Sucking Fish (Echeneis naucratis)' +p347091 +sg291137 +S'Mark Catesby' +p347092 +sg291130 +S'hand-colored engraving on laid paper' +p347093 +sg291132 +S'published 1731-1743' +p347094 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a0007839.jpg' +p347095 +sg291136 +g27 +sa(dp347096 +g291134 +S'The Sole (Pleuronectes lunatus)' +p347097 +sg291137 +S'Mark Catesby' +p347098 +sg291130 +S'hand-colored engraving on wove paper' +p347099 +sg291132 +S'published 1731-1743' +p347100 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a0007857.jpg' +p347101 +sg291136 +g27 +sa(dp347102 +g291134 +S'Centipede (Scolopendra morsitans)' +p347103 +sg291137 +S'Mark Catesby' +p347104 +sg291130 +S'hand-colored engraving on laid paper' +p347105 +sg291132 +S'published 1731-1743' +p347106 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a0007895.jpg' +p347107 +sg291136 +g27 +sa(dp347108 +g291134 +S'The Ground Dove (Columba passerina)' +p347109 +sg291137 +S'Mark Catesby' +p347110 +sg291130 +S'hand-colored engraving on laid paper' +p347111 +sg291132 +S'published 1731-1743' +p347112 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00077/a00077f4.jpg' +p347113 +sg291136 +g27 +sa(dp347114 +g291134 +S'The Towhe Bird (Fringilla erythrophthalma)' +p347115 +sg291137 +S'Mark Catesby' +p347116 +sg291130 +S'hand-colored engraving on laid paper' +p347117 +sg291132 +S'published 1754' +p347118 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00077/a00077f0.jpg' +p347119 +sg291136 +g27 +sa(dp347120 +g291134 +S'The Little Brown Flycatcher' +p347121 +sg291137 +S'Mark Catesby' +p347122 +sg291130 +S'hand-colored engraving on laid paper' +p347123 +sg291132 +S'published 1731-1743' +p347124 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a000780b.jpg' +p347125 +sg291136 +g27 +sa(dp347126 +g291134 +S'The Finch Creeper (Parus americanus)' +p347127 +sg291137 +S'Mark Catesby' +p347128 +sg291130 +S'hand-colored engraving on laid paper' +p347129 +sg291132 +S'published 1731-1743' +p347130 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a0007809.jpg' +p347131 +sg291136 +g27 +sa(dp347132 +g291134 +S'The Bald Eagle (Falco leucocephalus)' +p347133 +sg291137 +S'Artist Information (' +p347134 +sg291130 +S'(artist after)' +p347135 +sg291132 +S'\n' +p347136 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b38e.jpg' +p347137 +sg291136 +g27 +sa(dp347138 +g291134 +S'The Muray (Muraena helena)' +p347139 +sg291137 +S'Mark Catesby' +p347140 +sg291130 +S'hand-colored engraving on laid paper' +p347141 +sg291132 +S'published 1731-1743' +p347142 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a000784d.jpg' +p347143 +sg291136 +g27 +sa(dp347144 +g291134 +S'The Grey Fox Squirrel (Sciurus cinereus)' +p347145 +sg291137 +S'Mark Catesby' +p347146 +sg291130 +S'hand-colored engraving on laid paper' +p347147 +sg291132 +S'published 1731-1743' +p347148 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a000788a.jpg' +p347149 +sg291136 +g27 +sa(dp347150 +g291134 +S'The Red Legged Thrush (Turdus plumbeus)' +p347151 +sg291137 +S'Mark Catesby' +p347152 +sg291130 +S'hand-colored engraving on laid paper' +p347153 +sg291132 +S'published 1731-1743' +p347154 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00077/a00077ea.jpg' +p347155 +sg291136 +g27 +sa(dp347156 +g291134 +S'The Little Brown Duck (Anas rustica)' +p347157 +sg291137 +S'Mark Catesby' +p347158 +sg291130 +S'hand-colored engraving on laid paper' +p347159 +sg291132 +S'published 1754' +p347160 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a0007819.jpg' +p347161 +sg291136 +g27 +sa(dp347162 +g291134 +S'The Fishing Hawk (Falco haliaetus)' +p347163 +sg291137 +S'Mark Catesby' +p347164 +sg291130 +S'hand-colored engraving on laid paper' +p347165 +sg291132 +S'published 1754' +p347166 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00077/a00077fd.jpg' +p347167 +sg291136 +g27 +sa(dp347168 +g291134 +S'The Small Bittern (Ardea virescens)' +p347169 +sg291137 +S'Mark Catesby' +p347170 +sg291130 +S'hand-colored engraving on laid paper' +p347171 +sg291132 +S'published 1754' +p347172 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a000781d.jpg' +p347173 +sg291136 +g27 +sa(dp347174 +g291134 +S'The Wood Pelican (Tantalus Loculator)' +p347175 +sg291137 +S'Mark Catesby' +p347176 +sg291130 +S'hand-colored engraving on laid paper' +p347177 +sg291132 +S'published 1731-1743' +p347178 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a000782f.jpg' +p347179 +sg291136 +g27 +sa(dp347180 +g291134 +S'The Viper-mouth (Silurus cataphractus)' +p347181 +sg291137 +S'Mark Catesby' +p347182 +sg291130 +S'hand-colored engraving on laid paper' +p347183 +sg291132 +S'published 1731-1743' +p347184 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a000789c.jpg' +p347185 +sg291136 +g27 +sa(dp347186 +g291134 +S'The Rice-bird (Emberiza oryzivora)' +p347187 +sg291137 +S'Mark Catesby' +p347188 +sg291130 +S'hand-colored engraving on laid paper' +p347189 +sg291132 +S'published 1731-1743' +p347190 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a000789a.jpg' +p347191 +sg291136 +g27 +sa(dp347192 +g291134 +S'Trichoparadisea Gulielmi' +p347193 +sg291137 +S'W. Hart' +p347194 +sg291130 +S'hand-colored lithograph on wove paper' +p347195 +sg291132 +S'published 1875-1888' +p347196 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00081/a00081db.jpg' +p347197 +sg291136 +g27 +sa(dp347198 +g291134 +S'Haemanthus' +p347199 +sg291137 +S'Artist Information (' +p347200 +sg291130 +S'(artist)' +p347201 +sg291132 +S'\n' +p347202 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b3/a000b380.jpg' +p347203 +sg291136 +g27 +sa(dp347204 +g291134 +S'Passenger Pigeon, Blue-mountain Warbler, and Hemlock Warbler' +p347205 +sg291137 +S'Artist Information (' +p347206 +sg291130 +S'(artist after)' +p347207 +sg291132 +S'\n' +p347208 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000fb/a000fb26.jpg' +p347209 +sg291136 +g27 +sa(dp347210 +g291134 +S"Swallow-tailed Flycatcher, Arkansas Flycatcher, Say's Flycatcher, and Female Golden-crested Wren" +p347211 +sg291137 +S'Artist Information (' +p347212 +sg291130 +S'(artist after)' +p347213 +sg291132 +S'\n' +p347214 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fadc.jpg' +p347215 +sg291136 +g27 +sa(dp347216 +g291134 +S'Fork-tailed Flycatcher, Rocky Mountain Anteater, and Female Golden-winged Warbler' +p347217 +sg291137 +S'Artist Information (' +p347218 +sg291130 +S'(artist after)' +p347219 +sg291132 +S'\n' +p347220 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fadb.jpg' +p347221 +sg291136 +g27 +sa(dp347222 +g291134 +S'Young Yellow-bellied Woodpeckers and Band-tailed Pigeon' +p347223 +sg291137 +S'Artist Information (' +p347224 +sg291130 +S'(artist after)' +p347225 +sg291132 +S'\n' +p347226 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fada.jpg' +p347227 +sg291136 +g27 +sa(dp347228 +g291134 +S'Yellow-headed Blackbird, Female Blackbird, and Female Cape May Warbler' +p347229 +sg291137 +S'Artist Information (' +p347230 +sg291130 +S'(artist after)' +p347231 +sg291132 +S'\n' +p347232 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000fa/a000fad9.jpg' +p347233 +sg291136 +g27 +sa(dp347234 +g291134 +S'Wood Ibis, Scarlet Ibis, Flamingo, and White Ibis' +p347235 +sg291137 +S'Artist Information (' +p347236 +sg291130 +S'(artist after)' +p347237 +sg291132 +S'\n' +p347238 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000fb/a000fb27.jpg' +p347239 +sg291136 +g27 +sa(dp347240 +g291134 +S'Self-Portrait' +p347241 +sg291137 +S'Claude Mellan' +p347242 +sg291130 +S'engraving on laid paper' +p347243 +sg291132 +S'1635' +p347244 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00067/a000678b.jpg' +p347245 +sg291136 +g27 +sa(dp347246 +g291134 +S'Self-Portrait' +p347247 +sg291137 +S'Claude Mellan' +p347248 +sg291130 +S'engraving on laid paper' +p347249 +sg291132 +S'1635' +p347250 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00067/a0006789.jpg' +p347251 +sg291136 +g27 +sa(dp347252 +g291134 +S'Nicolas-Claude Fabri de Peiresc' +p347253 +sg291137 +S'Claude Mellan' +p347254 +sg291130 +S'engraving on laid paper' +p347255 +sg291132 +S'1637' +p347256 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00067/a000679c.jpg' +p347257 +sg291136 +g27 +sa(dp347258 +g291134 +S'Nicolas-Claude Fabri de Peiresc' +p347259 +sg291137 +S'Artist Information (' +p347260 +sg291130 +S'French, 1598 - 1688' +p347261 +sg291132 +S'(artist after)' +p347262 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00089/a00089ef.jpg' +p347263 +sg291136 +g27 +sa(dp347264 +g291134 +S'Nicolas-Claude Fabri de Peiresc' +p347265 +sg291137 +S'Artist Information (' +p347266 +sg291130 +S'French, 1598 - 1688' +p347267 +sg291132 +S'(artist after)' +p347268 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00089/a00089f0.jpg' +p347269 +sg291136 +g27 +sa(dp347270 +g291134 +S'Girolamo Frescobaldi' +p347271 +sg291137 +S'Claude Mellan' +p347272 +sg291130 +S'engraving on laid paper' +p347273 +sg291132 +S'1619' +p347274 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00089/a00089ed.jpg' +p347275 +sg291136 +g27 +sa(dp347276 +g291134 +S'Urban VIII' +p347277 +sg291137 +S'Artist Information (' +p347278 +sg291130 +S'(artist after)' +p347279 +sg291132 +S'\n' +p347280 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00067/a00067b2.jpg' +p347281 +sg291136 +g27 +sa(dp347282 +g291134 +S'Virginia da Vezzo' +p347283 +sg291137 +S'Claude Mellan' +p347284 +sg291130 +S'engraving on laid paper' +p347285 +sg291132 +S'1626' +p347286 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00067/a00067a3.jpg' +p347287 +sg291136 +g27 +sa(dp347288 +g291134 +S'Anna Maria Vaiani' +p347289 +sg291137 +S'Claude Mellan' +p347290 +sg291130 +S'engraving on laid paper' +p347291 +sg291132 +S'unknown date\n' +p347292 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00067/a00067a1.jpg' +p347293 +sg291136 +g27 +sa(dp347294 +g291134 +S'Maddalena Corvina' +p347295 +sg291137 +S'Claude Mellan' +p347296 +sg291130 +S'engraving on laid paper' +p347297 +sg291132 +S'1636' +p347298 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00067/a00067a2.jpg' +p347299 +sg291136 +g27 +sa(dp347300 +g291134 +S'Charles I de Crequi, Duke of Lesdigui\xc3\xa8res' +p347301 +sg291137 +S'Claude Mellan' +p347302 +sg291130 +S'engraving on laid paper' +p347303 +sg291132 +S'1633' +p347304 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00067/a00067af.jpg' +p347305 +sg291136 +g27 +sa(dp347306 +g291134 +S'Alphonse du Plessis Richelieu, Cardinal of Lyon' +p347307 +sg291137 +S'Claude Mellan' +p347308 +sg291130 +S'engraving on laid paper' +p347309 +sg291132 +S'1636' +p347310 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00067/a000679d.jpg' +p347311 +sg291136 +g27 +sa(dp347312 +g291134 +S'Fran\xc3\xa7ois Le Clerc Du Tremblay, Known as P\xc3\xa8re Joseph' +p347313 +sg291137 +S'Claude Mellan' +p347314 +sg291130 +S'engraving on laid paper; laid down' +p347315 +sg291132 +S'in or after 1638' +p347316 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00067/a0006794.jpg' +p347317 +sg291136 +g27 +sa(dp347318 +g291134 +S'Guido Bentivoglio' +p347319 +sg291137 +S'Claude Mellan' +p347320 +sg291130 +S'engraving on laid paper' +p347321 +sg291132 +S'unknown date\n' +p347322 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00067/a000678c.jpg' +p347323 +sg291136 +g27 +sa(dp347324 +g291134 +S'Gabriel Naude' +p347325 +sg291137 +S'Claude Mellan' +p347326 +sg291130 +S'engraving on laid paper' +p347327 +sg291132 +S'unknown date\n' +p347328 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00067/a000679a.jpg' +p347329 +sg291136 +g27 +sa(dp347330 +g291134 +S'Henri II, Duke of Montmorency' +p347331 +sg291137 +S'Claude Mellan' +p347332 +sg291130 +S'engraving on laid paper' +p347333 +sg291132 +S'unknown date\n' +p347334 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00067/a0006798.jpg' +p347335 +sg291136 +g27 +sa(dp347336 +g291134 +S'Jean-Louis Guez de Balzac' +p347337 +sg291137 +S'Claude Mellan' +p347338 +sg291130 +S'engraving on laid paper' +p347339 +sg291132 +S'probably 1637' +p347340 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00067/a0006790.jpg' +p347341 +sg291136 +g27 +sa(dp347342 +g291134 +S'Jean-Louis Guez de Balzac' +p347343 +sg291137 +S'Claude Mellan' +p347344 +sg291130 +S'engraving on laid paper' +p347345 +sg291132 +S'probably 1637' +p347346 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00067/a000678f.jpg' +p347347 +sg291136 +g27 +sa(dp347348 +g291134 +S'Charles de Condren' +p347349 +sg291137 +S'Claude Mellan' +p347350 +sg291130 +S'engraving on laid paper' +p347351 +sg291132 +S'unknown date\n' +p347352 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00067/a000678e.jpg' +p347353 +sg291136 +g27 +sa(dp347354 +g291134 +S'Claude de Lingendes' +p347355 +sg291137 +S'Claude Mellan' +p347356 +sg291130 +S'engraving on laid paper' +p347357 +sg291132 +S'1661' +p347358 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00067/a0006799.jpg' +p347359 +sg291136 +g27 +sa(dp347360 +g291134 +S'Jean Pierre Camus' +p347361 +sg291137 +S'Claude Mellan' +p347362 +sg291130 +S'engraving on laid paper' +p347363 +sg291132 +S'unknown date\n' +p347364 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00067/a0006793.jpg' +p347365 +sg291136 +g27 +sa(dp347366 +g291134 +S'Victor Le Bouthillier' +p347367 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+S'http://www.nga.gov:80/thumb-l/a0008b/a0008b2e.jpg' +p347701 +sg291136 +g27 +sa(dp347702 +g291134 +S'Anne of Austria' +p347703 +sg291137 +S'Artist Information (' +p347704 +sg291130 +S'(artist after)' +p347705 +sg291132 +S'\n' +p347706 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008b/a0008b31.jpg' +p347707 +sg291136 +g27 +sa(dp347708 +g291134 +S'Michel de Marillac' +p347709 +sg291137 +S'Michel Lasne' +p347710 +sg291130 +S'engraving on laid paper' +p347711 +sg291132 +S'unknown date\n' +p347712 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008b/a0008b2b.jpg' +p347713 +sg291136 +g27 +sa(dp347714 +g291134 +S'Louis de Marillac, Duke of Beaufort' +p347715 +sg291137 +S'Michel Lasne' +p347716 +sg291130 +S'engraving on laid paper; laid down' +p347717 +sg291132 +S'unknown date\n' +p347718 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008b/a0008b2a.jpg' +p347719 +sg291136 +g27 +sa(dp347720 +g291134 +S'Pierre de Marcassus' +p347721 +sg291137 +S'Artist Information (' +p347722 +sg291130 +S'(artist after)' +p347723 +sg291132 +S'\n' +p347724 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00089/a0008945.jpg' +p347725 +sg291136 +g27 +sa(dp347726 +g291134 +S'Louis Sieur de Maine' +p347727 +sg291137 +S'Artist Information (' +p347728 +sg291130 +S'(artist after)' +p347729 +sg291132 +S'\n' +p347730 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00089/a000894a.jpg' +p347731 +sg291136 +g27 +sa(dp347732 +g291134 +S'Jean Loret' +p347733 +sg291137 +S'Michel Lasne' +p347734 +sg291130 +S'engraving on laid paper' +p347735 +sg291132 +S'1656' +p347736 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00089/a000894c.jpg' +p347737 +sg291136 +g27 +sa(dp347738 +g291134 +S"Fran\xc3\xa7ois de l'Hospital du Hallier" +p347739 +sg291137 +S'Michel Lasne' +p347740 +sg291130 +S'engraving on laid paper; laid down' +p347741 +sg291132 +S'unknown date\n' +p347742 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00089/a000894b.jpg' +p347743 +sg291136 +g27 +sa(dp347744 +g291134 +S'Jean Charles Doria' +p347745 +sg291137 +S'Artist Information (' +p347746 +sg291130 +S'(artist after)' +p347747 +sg291132 +S'\n' +p347748 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00089/a0008949.jpg' +p347749 +sg291136 +g27 +sa(dp347750 +g291134 +S'Louis II de Bourbon' +p347751 +sg291137 +S'Michel Lasne' +p347752 +sg291130 +S'engraving on laid paper' +p347753 +sg291132 +S'unknown date\n' +p347754 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008b/a0008b33.jpg' +p347755 +sg291136 +g27 +sa(dp347756 +g291134 +S'Mathieu Mole' +p347757 +sg291137 +S'Michel Lasne' +p347758 +sg291130 +S'engraving on laid paper' +p347759 +sg291132 +S'unknown date\n' +p347760 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008b/a0008b28.jpg' +p347761 +sg291136 +g27 +sa(dp347762 +g291134 +S'Portrait of a Man' +p347763 +sg291137 +S'Emil Orlik' +p347764 +sg291130 +S'lithograph on laid paper' +p347765 +sg291132 +S'1930' +p347766 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b7/a000b74b.jpg' +p347767 +sg291136 +g27 +sa(dp347768 +g291134 +S"Miner's Home, West Virginia" +p347769 +sg291137 +S'Walker Evans' +p347770 +sg291130 +S'gelatin silver print, 1960s' +p347771 +sg291132 +S'1935' +p347772 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005e/a0005e3f.jpg' +p347773 +sg291136 +g27 +sa(dp347774 +g291130 +S'black and brown chalks on pressboard' +p347775 +sg291132 +S'1947' +p347776 +sg291134 +S'Study of Judas' +p347777 +sg291136 +g27 +sg291137 +S'Ivan Mestrovic' +p347778 +sa(dp347779 +g291130 +S'(author)' +p347780 +sg291132 +S'\n' +p347781 +sg291134 +S'XXXIII Sonnets Compos\xc3\xa9s au Secret' +p347782 +sg291136 +g27 +sg291137 +S'Artist Information (' +p347783 +sa(dp347784 +g291130 +S'collage of colored papers over graphite on paper mounted to pressed board' +p347785 +sg291132 +S'c. 1977' +p347786 +sg291134 +S'Circe' +p347787 +sg291136 +g27 +sg291137 +S'Romare Bearden' +p347788 +sa(dp347789 +g291130 +S'tempera over graphite on board' +p347790 +sg291132 +S'1979' +p347791 +sg291134 +S'Outromer' +p347792 +sg291136 +g27 +sg291137 +S'Ilya Bolotowsky' +p347793 +sa(dp347794 +g291130 +S'tempera over graphite on heavy wove paper' +p347795 +sg291132 +S'unknown date\n' +p347796 +sg291134 +S'Yellow Tondo' +p347797 +sg291136 +g27 +sg291137 +S'Ilya Bolotowsky' +p347798 +sa(dp347799 +g291130 +S'collage of colored papers and graphite' +p347800 +sg291132 +S'unknown date\n' +p347801 +sg291134 +S'Desert Saw' +p347802 +sg291136 +g27 +sg291137 +S'Ivan Chermayeff' +p347803 +sa(dp347804 +g291130 +S'collage of lithograph in black and yellow mounted onto blue backing paper' +p347805 +sg291132 +S'unknown date\n' +p347806 +sg291134 +S'Untitled' +p347807 +sg291136 +g27 +sg291137 +S'Nicholas Krushenick' +p347808 +sa(dp347809 +g291130 +S'colored pencil and black crayon over graphite on wove paper' +p347810 +sg291132 +S'1979' +p347811 +sg291134 +S'Diagram 1 - Amerind Landscape' +p347812 +sg291136 +g27 +sg291137 +S'Roy Lichtenstein' +p347813 +sa(dp347814 +g291130 +S'hand-colored aquatint and etching on wove paper' +p347815 +sg291132 +S'unknown date\n' +p347816 +sg291134 +S'Poster Variation' +p347817 +sg291136 +g27 +sg291137 +S'Kenneth Noland' +p347818 +sa(dp347819 +g291130 +S'tempera, graphite, and ball-point pen on heavy wove paper' +p347820 +sg291132 +S'1973-1975' +p347821 +sg291134 +S'Untitled (blue with orange lines)' +p347822 +sg291136 +g27 +sg291137 +S'Theodoros Stamos' +p347823 +sa(dp347824 +g291130 +S'colored pencil over graphite on graph paper' +p347825 +sg291132 +S'1967' +p347826 +sg291134 +S'Diamond Cut' +p347827 +sg291136 +g27 +sg291137 +S'Larry Zox' +p347828 +sa(dp347829 +g291130 +S'graphite and brush and black ink on graph paper' +p347830 +sg291132 +S'1961' +p347831 +sg291134 +S'Plant to Fan Growth' +p347832 +sg291136 +g27 +sg291137 +S'Jim Dine' +p347833 +sa(dp347834 +g291130 +S'monoprint woodcut' +p347835 +sg291132 +S'1990' +p347836 +sg291134 +S'Untitled' +p347837 +sg291136 +g27 +sg291137 +S'Charles Arnoldi' +p347838 +sa(dp347839 +g291130 +S'monoprint woodcut' +p347840 +sg291132 +S'1989' +p347841 +sg291134 +S'Untitled' +p347842 +sg291136 +g27 +sg291137 +S'Charles Arnoldi' +p347843 +sa(dp347844 +g291130 +S'colored and pressed paper pulp' +p347845 +sg291132 +S'1982' +p347846 +sg291134 +S'Untitled' +p347847 +sg291136 +g27 +sg291137 +S'Friedel Dzubas' +p347848 +sa(dp347849 +g291130 +S'colored and pressed paper pulp' +p347850 +sg291132 +S'1982' +p347851 +sg291134 +S'Untitled' +p347852 +sg291136 +g27 +sg291137 +S'Friedel Dzubas' +p347853 +sa(dp347854 +g291134 +S'The Ecstasy of Saint Francis [recto]' +p347855 +sg291137 +S'Sebastiano Ricci' +p347856 +sg291130 +S'pen and brown ink and brown wash on laid paper' +p347857 +sg291132 +S'1720/1730' +p347858 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00026/a00026f1.jpg' +p347859 +sg291136 +g27 +sa(dp347860 +g291130 +S'graphite on laid paper' +p347861 +sg291132 +S'1720/1730' +p347862 +sg291134 +S'Biblical Scene [verso]' +p347863 +sg291136 +g27 +sg291137 +S'Sebastiano Ricci' +p347864 +sa(dp347865 +g291134 +S'The Breadline' +p347866 +sg291137 +S'Walker Evans' +p347867 +sg291130 +S'gelatin silver print' +p347868 +sg291132 +S'1933' +p347869 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005d/a0005d45.jpg' +p347870 +sg291136 +g27 +sa(dp347871 +g291130 +S'gelatin silver print' +p347872 +sg291132 +S'1935' +p347873 +sg291134 +S'Young Girl' +p347874 +sg291136 +g27 +sg291137 +S'Walker Evans' +p347875 +sa(dp347876 +g291130 +S'monoprint in black and white on wove paper' +p347877 +sg291132 +S'1990' +p347878 +sg291134 +S'Untitled' +p347879 +sg291136 +g27 +sg291137 +S'Nancy Haynes' +p347880 +sa(dp347881 +g291130 +S'monoprint in black on wove paper' +p347882 +sg291132 +S'1990' +p347883 +sg291134 +S'Untitled' +p347884 +sg291136 +g27 +sg291137 +S'Nancy Haynes' +p347885 +sa(dp347886 +g291134 +S'Seated Figure with Hat' +p347887 +sg291137 +S'Richard Diebenkorn' +p347888 +sg291130 +S'oil on canvas' +p347889 +sg291132 +S'1967' +p347890 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00000/a000007d.jpg' +p347891 +sg291136 +S"Several times throughout his career, Richard Diebenkorn shifted between abstract and representational modes—each critical to his work. In 1983 an interviewer remarked to Diebenkorn of his "capacity to move back and forth between figuration and abstraction." Such a description, the artist replied, "makes it sound as though 'I know how to do it' and this is very far from the case." Rather he proceeded with "the utmost trepidation and great difficulty." \n When the artist shifted from one idiom to the other, he was invariably looking for a new challenge or for the next step in the formal progression of his work. For example, after Diebenkorn rose to acclaim with the Berkeley paintings, his brilliant series of abstract landscapes made from 1953 to 1956, the artist chose the subject of the figure to provide him with a new set of pictorial problems:\n The artist developed his mature figurative works from 1956 to 1967. By the end of that period, Diebenkorn began to flatten the pictorial space in his work, a direction that eventually led back to abstraction in the windowlike apertures of the Ocean Park series. Despite these shifts from representation to abstraction, Diebenkorn continued to work from the figure throughout his career, often using family members as models.\n Seated Figure with Hat\n Diebenkorn's formal concern with discrete areas of color and a simplified composition also prefigures the abstract mode he was about to enter. With regard to composition and refinement of color, the painting \n (Text by Molly Donovan, published in the National Gallery of Art exhibition catalogue, \n Notes\n \n\n \n\n " +p347892 +sa(dp347893 +g291134 +S'Valdemosa, Majorca: Thistles and Herbage on a Hillside' +p347894 +sg291137 +S'John Singer Sargent' +p347895 +sg291130 +S'oil on canvas' +p347896 +sg291132 +S'1908' +p347897 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00002/a0000208.jpg' +p347898 +sg291136 +g27 +sa(dp347899 +g291134 +S'The Triumph of Caesar: The Senators' +p347900 +sg291137 +S'Artist Information (' +p347901 +sg291130 +S'Italian, c. 1431 - 1506' +p347902 +sg291132 +S'(related artist)' +p347903 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00068/a000681a.jpg' +p347904 +sg291136 +g27 +sa(dp347905 +g291130 +S'(artist)' +p347906 +sg291132 +S'\n' +p347907 +sg291134 +S'Der Zee-Vaert Lof' +p347908 +sg291136 +g27 +sg291137 +S'Artist Information (' +p347909 +sa(dp347910 +g291130 +S"etching on laid paper, on page 97 of Herckman's _Der Zee-Vaert Lof_, published 1634" +p347911 +sg291132 +S'1633' +p347912 +sg291134 +S'The Ship of Fortune' +p347913 +sg291136 +g27 +sg291137 +S'Rembrandt van Rijn' +p347914 +sa(dp347915 +g291134 +S'Young Woman with Braided Hair and a Veil' +p347916 +sg291137 +S'Ottavio Leoni' +p347917 +sg291130 +S'black chalk heightened with white on blue paper' +p347918 +sg291132 +S'c. 1610' +p347919 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00025/a00025f0.jpg' +p347920 +sg291136 +g27 +sa(dp347921 +g291134 +S'Mountainous Landscape with the Parable of the Sower' +p347922 +sg291137 +S'Giovanni Battista Fontana' +p347923 +sg291130 +S'etching on laid paper' +p347924 +sg291132 +S'c. 1572/1573' +p347925 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cbb2.jpg' +p347926 +sg291136 +g27 +sa(dp347927 +g291134 +S'Alexander the Great and Bucephalus' +p347928 +sg291137 +S'Taddeo Zuccaro' +p347929 +sg291130 +S'pen and brown ink with brown wash over traces of graphite on laid paper' +p347930 +sg291132 +S'c. 1553' +p347931 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00028/a00028ef.jpg' +p347932 +sg291136 +g27 +sa(dp347933 +g291134 +S'The Meeting of Antony and Cleopatra' +p347934 +sg291137 +S'Giovanni Battista Tiepolo' +p347935 +sg291130 +S'pen and brown ink with brown wash over black chalk on buff paper' +p347936 +sg291132 +S'1740/1745' +p347937 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00028/a000285e.jpg' +p347938 +sg291136 +g27 +sa(dp347939 +g291134 +S'The Lamentation' +p347940 +sg291137 +S'Hans Baldung Grien' +p347941 +sg291130 +S'brush and black ink, heightened with white, on dark brown prepared paper; the surface varnished' +p347942 +sg291132 +S'c. 1515' +p347943 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00022/a00022a0.jpg' +p347944 +sg291136 +g27 +sa(dp347945 +g291134 +S'Portrait of a Man Wearing a Hat with a Medallion' +p347946 +sg291137 +S'German 16th century (Augsburg)' +p347947 +sg291130 +S'overall: 20.4 x 20.3 cm (8 1/16 x 8 in.)' +p347948 +sg291132 +S'\nblack, red, and yellow chalks on laid paper' +p347949 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00079/a0007970.jpg' +p347950 +sg291136 +g27 +sa(dp347951 +g291134 +S'Red Squirrel' +p347952 +sg291137 +S'Hans Hoffmann' +p347953 +sg291130 +S'watercolor and gouache over traces of graphite on vellum' +p347954 +sg291132 +S'1578' +p347955 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00025/a0002555.jpg' +p347956 +sg291136 +g27 +sa(dp347957 +g291134 +S'Study of Trees' +p347958 +sg291137 +S'Lucas van Uden' +p347959 +sg291130 +S'pen and brown ink with gray wash, yellow and white chalks over traces of graphite on laid paper; laid down' +p347960 +sg291132 +S'1640s' +p347961 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00028/a00028da.jpg' +p347962 +sg291136 +g27 +sa(dp347963 +g291134 +S'Portrait of a Man' +p347964 +sg291137 +S'Jean-Baptiste Perronneau' +p347965 +sg291130 +S'pastel on blue laid paper, mounted on board' +p347966 +sg291132 +S'c. 1757' +p347967 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00026/a00026cb.jpg' +p347968 +sg291136 +g27 +sa(dp347969 +g291134 +S'The Public in the Salon of the Louvre, Viewing the Painting of the "Sacre"' +p347970 +sg291137 +S'Louis-L\xc3\xa9opold Boilly' +p347971 +sg291130 +S'pen and black ink with gray wash and watercolor over traces of graphite on laid paper' +p347972 +sg291132 +S'begun 1808' +p347973 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00022/a00022b5.jpg' +p347974 +sg291136 +g27 +sa(dp347975 +g291134 +S'Madame Ditte' +p347976 +sg291137 +S'Henri Fantin-Latour' +p347977 +sg291130 +S'black cont? crayon, black chalk and blue pastel, stumping and erasure, with touches of white on laid paper' +p347978 +sg291132 +S'1867' +p347979 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00025/a000251e.jpg' +p347980 +sg291136 +g27 +sa(dp347981 +g291134 +S'Mascaras crueles (Cruel Masks) [recto]' +p347982 +sg291137 +S'Francisco de Goya' +p347983 +sg291130 +S'brush and black ink and gray wash with scraping on laid paper' +p347984 +sg291132 +S'1796/1797' +p347985 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00025/a0002547.jpg' +p347986 +sg291136 +g27 +sa(dp347987 +g291134 +S'Brujas \xc3\xa0 volar (Witches Preparing to Fly) [verso]' +p347988 +sg291137 +S'Francisco de Goya' +p347989 +sg291130 +S'brush and black ink and gray wash on laid paper' +p347990 +sg291132 +S'1796/1797' +p347991 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00025/a0002548.jpg' +p347992 +sg291136 +g27 +sa(dp347993 +g291134 +S'Male Nude Holding a Mirror [recto]' +p347994 +sg291137 +S'Albrecht D\xc3\xbcrer' +p347995 +sg291130 +S'pen and brown ink on laid paper; the paper has been pricked in several places with the points of a pair of compasses and indented lightly with a stylus' +p347996 +sg291132 +S'c. 1500' +p347997 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00079/a000798d.jpg' +p347998 +sg291136 +g27 +sa(dp347999 +g291134 +S'Male Nude with a Lion [verso]' +p348000 +sg291137 +S'Albrecht D\xc3\xbcrer' +p348001 +sg291130 +S'pen and brown ink on laid paper' +p348002 +sg291132 +S'c. 1500' +p348003 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00079/a000798e.jpg' +p348004 +sg291136 +g27 +sa(dp348005 +g291134 +S'Joseph Recounting His Dreams' +p348006 +sg291137 +S'Rembrandt van Rijn' +p348007 +sg291130 +S'reed pen and brown ink with brown wash, heightened with white, on laid paper' +p348008 +sg291132 +S'early 1640s' +p348009 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00026/a00026e7.jpg' +p348010 +sg291136 +g27 +sa(dp348011 +g291134 +S'Archer Drawing a Bow' +p348012 +sg291137 +S'Artist Information (' +p348013 +sg291130 +S'Italian, c. 1450 - 1523' +p348014 +sg291132 +S'(related artist)' +p348015 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00026/a00026cc.jpg' +p348016 +sg291136 +g27 +sa(dp348017 +g291134 +S'Head of Saint John the Baptist' +p348018 +sg291137 +S'Andrea del Sarto' +p348019 +sg291130 +S'black chalk on paper laid down on panel' +p348020 +sg291132 +S'c. 1523' +p348021 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00028/a000284f.jpg' +p348022 +sg291136 +g27 +sa(dp348023 +g291134 +S'Martyrdom of the Ten Thousand [recto]' +p348024 +sg291137 +S'Vittore Carpaccio' +p348025 +sg291130 +S'red chalk on laid paper' +p348026 +sg291132 +S'c. 1513' +p348027 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00022/a00022d0.jpg' +p348028 +sg291136 +g27 +sa(dp348029 +g291134 +S'Groups of Figures [verso]' +p348030 +sg291137 +S'Vittore Carpaccio' +p348031 +sg291130 +S'red chalk with pen and brown ink on laid paper' +p348032 +sg291132 +S'c. 1513/1514' +p348033 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00022/a00022d1.jpg' +p348034 +sg291136 +g27 +sa(dp348035 +g291134 +S'Head of a Bearded Man' +p348036 +sg291137 +S'Federico Barocci' +p348037 +sg291130 +S'red, black, white, and ochre chalks on blue laid paper; laid down' +p348038 +sg291132 +S'1579/1582' +p348039 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005f/a0005faf.jpg' +p348040 +sg291136 +g27 +sa(dp348041 +g291134 +S'Fantasy of a Fa\xc3\xa7ade with Bizarre Ornaments' +p348042 +sg291137 +S'Giovanni Battista Piranesi' +p348043 +sg291130 +S'pen and brown ink with brown wash over black chalk on laid paper' +p348044 +sg291132 +S'1764/1766' +p348045 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00026/a00026d2.jpg' +p348046 +sg291136 +g27 +sa(dp348047 +g291134 +S'Portrait of a Woman [recto]' +p348048 +sg291137 +S'Hans Holbein the Elder' +p348049 +sg291130 +S'silverpoint, brush and black and brown ink, and black chalk heightened with white on white prepared paper' +p348050 +sg291132 +S'c. 1508' +p348051 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00053/a000532f.jpg' +p348052 +sg291136 +g27 +sa(dp348053 +g291134 +S'Study of a Bearded Man [verso]' +p348054 +sg291137 +S'Hans Holbein the Elder' +p348055 +sg291130 +S'silverpoint and black chalk heightened with white on white prepared paper' +p348056 +sg291132 +S'c. 1508/1510' +p348057 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00053/a0005330.jpg' +p348058 +sg291136 +g27 +sa(dp348059 +g291134 +S'Head of a Bearded Man' +p348060 +sg291137 +S'Jost Amman' +p348061 +sg291130 +S'brush and black ink with white wash on blue prepared paper' +p348062 +sg291132 +S'1572' +p348063 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00022/a000229e.jpg' +p348064 +sg291136 +g27 +sa(dp348065 +g291134 +S'The Backplate of a Suit of Parade Armor' +p348066 +sg291137 +S'Etienne Delaune' +p348067 +sg291130 +S'pen and black ink with gray wash and faint traces of black chalk on laid paper' +p348068 +sg291132 +S'c. 1557' +p348069 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00024/a0002435.jpg' +p348070 +sg291136 +g27 +sa(dp348071 +g291134 +S'Philippe Mengin de Bionval' +p348072 +sg291137 +S'Jean-Auguste-Dominique Ingres' +p348073 +sg291130 +S'graphite on wove paper' +p348074 +sg291132 +S'1812' +p348075 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00025/a000255a.jpg' +p348076 +sg291136 +g27 +sa(dp348077 +g291130 +S'pen and black ink and gray wash with touches of red-brown crayon, surface scraping on Bristol board' +p348078 +sg291132 +S'1853' +p348079 +sg291134 +S'Fantasy Farmhouse' +p348080 +sg291136 +g27 +sg291137 +S'Rodolphe Bresdin' +p348081 +sa(dp348082 +g291134 +S'Self-Portrait' +p348083 +sg291137 +S'Edgar Degas' +p348084 +sg291130 +S'red chalk on laid paper' +p348085 +sg291132 +S'c. 1855' +p348086 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00024/a0002433.jpg' +p348087 +sg291136 +g27 +sa(dp348088 +g291134 +S"The Age of Bronze (L'Age d'Airain)" +p348089 +sg291137 +S'Auguste Rodin' +p348090 +sg291130 +S'plaster' +p348091 +sg291132 +S'model 1875-1876, cast 1898' +p348092 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0002c/a0002c45.jpg' +p348093 +sg291136 +S'The splendid image of Rodin\'s \n Such a contemporaneous interpretation of this great work, as the idealized self-image of a warrior of a new age, endows with a particular weight its insistently realistic style, especially given Rodin\'s choice of model. Concerned as he was to achieve a wholly new and intensely expressive figural form, Rodin was anxious to avoid using professional models, whose stock poses he felt would be inimical to his aspirations. He sought out a soldier as an exemplar of well-conditioned male anatomy.\n This hauntingly veristic sculpture\'s intense naturalism, coupled with its original lack of an allegorical or historicizing title, served principally to baffle and offend its first observers. The Salon reviewer Charles Tardieu (rather astonishingly) called it a "slavish likeness of a model with neither character nor beauty, an...exact copy of a most commonplace individual."\n Three or four early plaster casts of \n This entry is based on initial acquisition research by Alison Luchs and the writer, as well as (by kind permission) on Ruth Butler\'s essay for the National Gallery\'s systematic catalogue \n (Text by Douglas Lewis, published in the National Gallery of Art exhibition catalogue, \n Notes\n \n \n \n \n \n \n ' +p348094 +sa(dp348095 +g291134 +S'Erotic Blando Fruto' +p348096 +sg291137 +S'Malcolm Morley' +p348097 +sg291130 +S'oil on canvas' +p348098 +sg291132 +S'1989' +p348099 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000be/a000be77.jpg' +p348100 +sg291136 +g27 +sa(dp348101 +g291134 +S'Perspective View of the Interior of a Metropolitan Church' +p348102 +sg291137 +S'Etienne-Louis Boull\xc3\xa9e' +p348103 +sg291130 +S'pen and black ink with gray and brown wash over graphite on laid paper, with framing line in brown chalk' +p348104 +sg291132 +S'1780/1781' +p348105 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00022/a00022c3.jpg' +p348106 +sg291136 +g27 +sa(dp348107 +g291134 +S'Title Page for New Suite of Chinese Arabesques' +p348108 +sg291137 +S'Artist Information (' +p348109 +sg291130 +S'(artist after)' +p348110 +sg291132 +S'\n' +p348111 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008cc8.jpg' +p348112 +sg291136 +g27 +sa(dp348113 +g291134 +S'Chinese Arabesque with a Double Parasol' +p348114 +sg291137 +S'Artist Information (' +p348115 +sg291130 +S'(artist after)' +p348116 +sg291132 +S'\n' +p348117 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000ef0.jpg' +p348118 +sg291136 +g27 +sa(dp348119 +g291134 +S'Chinese Arabesque with a Monkey' +p348120 +sg291137 +S'Artist Information (' +p348121 +sg291130 +S'(artist after)' +p348122 +sg291132 +S'\n' +p348123 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000ef1.jpg' +p348124 +sg291136 +g27 +sa(dp348125 +g291134 +S'Chinese Arabesque with a Boat' +p348126 +sg291137 +S'Artist Information (' +p348127 +sg291130 +S'(artist after)' +p348128 +sg291132 +S'\n' +p348129 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00052/a0005227.jpg' +p348130 +sg291136 +g27 +sa(dp348131 +g291134 +S'Chinese Arabesque with a Tightrope Walker' +p348132 +sg291137 +S'Artist Information (' +p348133 +sg291130 +S'(artist after)' +p348134 +sg291132 +S'\n' +p348135 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00052/a0005228.jpg' +p348136 +sg291136 +g27 +sa(dp348137 +g291134 +S'The Dead Caesar' +p348138 +sg291137 +S'Jean-L\xc3\xa9on G\xc3\xa9r\xc3\xb4me' +p348139 +sg291130 +S'graphite on wove paper' +p348140 +sg291132 +S'c. 1859' +p348141 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00025/a0002543.jpg' +p348142 +sg291136 +g27 +sa(dp348143 +g291130 +S'aquatint and spitbite aquatint on Somerset Textured paper' +p348144 +sg291132 +S'1988' +p348145 +sg291134 +S'Laboratory Still Life No. 2, State 2' +p348146 +sg291136 +g27 +sg291137 +S'Tony Cragg' +p348147 +sa(dp348148 +g291130 +S'softground etching in two shades of blue-green on wove paper' +p348149 +sg291132 +S'1990' +p348150 +sg291134 +S'Suburbs (Softground Series) I' +p348151 +sg291136 +g27 +sg291137 +S'Tony Cragg' +p348152 +sa(dp348153 +g291130 +S'softground etching in gray and brown on wove paper' +p348154 +sg291132 +S'1990' +p348155 +sg291134 +S'Suburbs (Softground Series) II' +p348156 +sg291136 +g27 +sg291137 +S'Tony Cragg' +p348157 +sa(dp348158 +g291130 +S'softground etching in yellow and black on wove paper' +p348159 +sg291132 +S'1990' +p348160 +sg291134 +S'Suburbs (Softground Series) III' +p348161 +sg291136 +g27 +sg291137 +S'Tony Cragg' +p348162 +sa(dp348163 +g291130 +S'softground etching in gray and pink on wove paper' +p348164 +sg291132 +S'1990' +p348165 +sg291134 +S'Suburbs (Softground Series) IV' +p348166 +sg291136 +g27 +sg291137 +S'Tony Cragg' +p348167 +sa(dp348168 +g291130 +S'softground etching in gray and brown on wove paper' +p348169 +sg291132 +S'1990' +p348170 +sg291134 +S'Suburbs (Softground Series) V' +p348171 +sg291136 +g27 +sg291137 +S'Tony Cragg' +p348172 +sa(dp348173 +g291130 +S'spitbite etching in brown on wove paper' +p348174 +sg291132 +S'1990' +p348175 +sg291134 +S'Suburbs (Spitbite Series) I' +p348176 +sg291136 +g27 +sg291137 +S'Tony Cragg' +p348177 +sa(dp348178 +g291130 +S'spitbite etching in brown-yellow on wove paper' +p348179 +sg291132 +S'1990' +p348180 +sg291134 +S'Suburbs (Spitbite Series) II' +p348181 +sg291136 +g27 +sg291137 +S'Tony Cragg' +p348182 +sa(dp348183 +g291130 +S'spitbite etching in red on wove paper' +p348184 +sg291132 +S'1990' +p348185 +sg291134 +S'Suburbs (Spitbite Series) III' +p348186 +sg291136 +g27 +sg291137 +S'Tony Cragg' +p348187 +sa(dp348188 +g291130 +S'spitbite etching in blue and blue-green on wove paper' +p348189 +sg291132 +S'1990' +p348190 +sg291134 +S'Suburbs (Spitbite Series) IV' +p348191 +sg291136 +g27 +sg291137 +S'Tony Cragg' +p348192 +sa(dp348193 +g291130 +S'spitbite etching in brown and red-brown on wove paper' +p348194 +sg291132 +S'1990' +p348195 +sg291134 +S'Suburbs (Spitbite Series) V' +p348196 +sg291136 +g27 +sg291137 +S'Tony Cragg' +p348197 +sa(dp348198 +g291130 +S'color lithograph on wove paper' +p348199 +sg291132 +S'1981' +p348200 +sg291134 +S'Bedford II' +p348201 +sg291136 +g27 +sg291137 +S'Joan Mitchell' +p348202 +sa(dp348203 +g291130 +S'color lithograph on wove paper' +p348204 +sg291132 +S'1981' +p348205 +sg291134 +S'Flower I' +p348206 +sg291136 +g27 +sg291137 +S'Joan Mitchell' +p348207 +sa(dp348208 +g291134 +S'A Satyr' +p348209 +sg291137 +S'Benvenuto Cellini' +p348210 +sg291130 +S'pen and brown ink with brown wash over black chalk on laid paper; laid down, with framing line in brown ink' +p348211 +sg291132 +S'1544/1545' +p348212 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00017/a000177a.jpg' +p348213 +sg291136 +g27 +sa(dp348214 +g291130 +S'oil on canvas' +p348215 +sg291132 +S'1939' +p348216 +sg291134 +S'Cobalt Green' +p348217 +sg291136 +g27 +sg291137 +S'Ilya Bolotowsky' +p348218 +sa(dp348219 +g291130 +S'oil on canvas' +p348220 +sg291132 +S'1940' +p348221 +sg291134 +S'Artist and Nude' +p348222 +sg291136 +g27 +sg291137 +S'Milton Avery' +p348223 +sa(dp348224 +g291134 +S'Corner of a Rustic Barn' +p348225 +sg291137 +S'Sigmund Freudenberger' +p348226 +sg291130 +S'black chalk on laid paper' +p348227 +sg291132 +S'1770' +p348228 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006a/a0006a21.jpg' +p348229 +sg291136 +g27 +sa(dp348230 +g291130 +S'pastel on dark brown wove paper' +p348231 +sg291132 +S'1897' +p348232 +sg291134 +S'A Dock Harmony-Fishing Boats' +p348233 +sg291136 +g27 +sg291137 +S'Charles Fromuth' +p348234 +sa(dp348235 +g291130 +S'lithograph on wove paper' +p348236 +sg291132 +S'1970' +p348237 +sg291134 +S'Partially Buried Woodshed' +p348238 +sg291136 +g27 +sg291137 +S'Robert Smithson' +p348239 +sa(dp348240 +g291130 +S'graphite and felt-tip pen on wove paper' +p348241 +sg291132 +S'1969' +p348242 +sg291134 +S'Mud Flow (F-14)' +p348243 +sg291136 +g27 +sg291137 +S'Robert Smithson' +p348244 +sa(dp348245 +g291130 +S'sketchbook with 24 drawings (in various states of completion) in graphite on wove paper' +p348246 +sg291132 +S'1859' +p348247 +sg291134 +S'Lake George Sketchbook' +p348248 +sg291136 +g27 +sg291137 +S'Winckworth Allan Gay' +p348249 +sa(dp348250 +g291130 +S'sketchbook with 60 drawings (in various states of completion) in graphite on wove paper' +p348251 +sg291132 +S'1860/1870' +p348252 +sg291134 +S'New England Sketchbook' +p348253 +sg291136 +g27 +sg291137 +S'Winckworth Allan Gay' +p348254 +sa(dp348255 +g291130 +S'crayon and graphite on graph paper' +p348256 +sg291132 +S'c. 1965' +p348257 +sg291134 +S'Untitled' +p348258 +sg291136 +g27 +sg291137 +S'Frank Stella' +p348259 +sa(dp348260 +g291130 +S'bronze' +p348261 +sg291132 +S'c. 1485' +p348262 +sg291134 +S'Girolamo Ridolfi of San Gimignano, 1465-1526, Apostolic Secretary, Consistorial Advocate, and Knight of the Golden Spur [obverse]' +p348263 +sg291136 +g27 +sg291137 +S'Niccol\xc3\xb2 Fiorentino' +p348264 +sa(dp348265 +g291134 +S'Pegasus [reverse]' +p348266 +sg291137 +S'Niccol\xc3\xb2 Fiorentino' +p348267 +sg291130 +S'bronze' +p348268 +sg291132 +S'c. 1485' +p348269 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002dc2.jpg' +p348270 +sg291136 +g27 +sa(dp348271 +g291134 +S'George Washington' +p348272 +sg291137 +S'Jean-Antoine Houdon' +p348273 +sg291130 +S'plaster' +p348274 +sg291132 +S'1786/1793' +p348275 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0002c/a0002c11.jpg' +p348276 +sg291136 +g27 +sa(dp348277 +g291134 +S'Holofernes Interrogating Achior' +p348278 +sg291137 +S'French 16th Century' +p348279 +sg291130 +S'sheet: 38.5 x 49.5 cm (15 3/16 x 19 1/2 in.)' +p348280 +sg291132 +S'\nhand-colored woodcut on laid paper' +p348281 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00084/a00084bf.jpg' +p348282 +sg291136 +g27 +sa(dp348283 +g291134 +S'Judith Goes to the Camp of Holofernes' +p348284 +sg291137 +S'French 16th Century' +p348285 +sg291130 +S'sheet: 38.5 x 49 cm (15 3/16 x 19 5/16 in.)' +p348286 +sg291132 +S'\nhand-colored woodcut on laid paper' +p348287 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00084/a00084be.jpg' +p348288 +sg291136 +g27 +sa(dp348289 +g291134 +S'Saint Mary Magdalene Pray for Us' +p348290 +sg291137 +S'French 19th Century' +p348291 +sg291130 +S'sheet: 31 x 39.4 cm (12 3/16 x 15 1/2 in.)' +p348292 +sg291132 +S'\nhand-colored woodcut on laid paper' +p348293 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00090/a0009018.jpg' +p348294 +sg291136 +g27 +sa(dp348295 +g291134 +S'Saint John the Baptist Pray for Us' +p348296 +sg291137 +S'French 19th Century' +p348297 +sg291130 +S'image: 34.5 x 26.1 cm (13 9/16 x 10 1/4 in.)\r\nsheet: 39.7 x 30.2 cm (15 5/8 x 11 7/8 in.)' +p348298 +sg291132 +S'\nhand-colored woodcut on blue laid paper' +p348299 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00090/a0009015.jpg' +p348300 +sg291136 +g27 +sa(dp348301 +g291134 +S'Chancellor Pierre Seguier' +p348302 +sg291137 +S'Gr\xc3\xa9goire Huret' +p348303 +sg291130 +S'engraving on laid paper' +p348304 +sg291132 +S'unknown date\n' +p348305 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008b/a0008b0d.jpg' +p348306 +sg291136 +g27 +sa(dp348307 +g291134 +S'The Pater Familias' +p348308 +sg291137 +S'Adriaen van Ostade' +p348309 +sg291130 +S'etching on laid paper' +p348310 +sg291132 +S'1648' +p348311 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d2/a000d2a4.jpg' +p348312 +sg291136 +g27 +sa(dp348313 +g291134 +S'Eyeglass Peddlar' +p348314 +sg291137 +S'Adriaen van Ostade' +p348315 +sg291130 +S'etching on laid paper' +p348316 +sg291132 +S'c. 1646' +p348317 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d2/a000d2a7.jpg' +p348318 +sg291136 +g27 +sa(dp348319 +g291134 +S'The Judgment of Solomon' +p348320 +sg291137 +S'Georg Pencz' +p348321 +sg291130 +S'engraving on laid paper' +p348322 +sg291132 +S'unknown date\n' +p348323 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000ad/a000ad53.jpg' 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+sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a000782e.jpg' +p348348 +sg291136 +g27 +sa(dp348349 +g291134 +S'Pierre Mignard' +p348350 +sg291137 +S'Artist Information (' +p348351 +sg291130 +S'(artist after)' +p348352 +sg291132 +S'\n' +p348353 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d6/a000d62c.jpg' +p348354 +sg291136 +g27 +sa(dp348355 +g291134 +S'Pierre Ignace de Braux' +p348356 +sg291137 +S'Artist Information (' +p348357 +sg291130 +S'(artist after)' +p348358 +sg291132 +S'\n' +p348359 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d6/a000d68f.jpg' +p348360 +sg291136 +g27 +sa(dp348361 +g291134 +S'Hendrik Casimir II, Count of Nassau-Dietz' +p348362 +sg291137 +S'Abraham Blooteling' +p348363 +sg291130 +S'mezzotint on laid paper' +p348364 +sg291132 +S'unknown date\n' +p348365 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4cb.jpg' +p348366 +sg291136 +g27 +sa(dp348367 +g291134 +S'Johan de Wit' +p348368 +sg291137 +S'Artist Information (' +p348369 +sg291130 +S'(artist after)' 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+p348393 +sg291130 +S'(artist after)' +p348394 +sg291132 +S'\n' +p348395 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4c9.jpg' +p348396 +sg291136 +g27 +sa(dp348397 +g291134 +S'Section of the Church of Saint John the Baptist' +p348398 +sg291137 +S'Valerien Regnard' +p348399 +sg291130 +S'engraving on laid paper' +p348400 +sg291132 +S'unknown date\n' +p348401 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008c2b.jpg' +p348402 +sg291136 +g27 +sa(dp348403 +g291134 +S'Ground Plan of the Church of Saint John the Baptist' +p348404 +sg291137 +S'Valerien Regnard' +p348405 +sg291130 +S'engraving on laid paper' +p348406 +sg291132 +S'unknown date\n' +p348407 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008c2c.jpg' +p348408 +sg291136 +g27 +sa(dp348409 +g291134 +S"Moses Brought to Pharaoh's Daughter" +p348410 +sg291137 +S'Artist Information (' +p348411 +sg291130 +S'(artist)' +p348412 +sg291132 +S'\n' +p348413 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a00078ed.jpg' 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+S'Studio Keys' +p348585 +sg291136 +g27 +sg291137 +S'Artist Information (' +p348586 +sa(dp348587 +g291130 +S'American, active 20th century' +p348588 +sg291132 +S'(printer)' +p348589 +sg291134 +S'High Noon' +p348590 +sg291136 +g27 +sg291137 +S'Artist Information (' +p348591 +sa(dp348592 +g291130 +S'American, active 20th century' +p348593 +sg291132 +S'(printer)' +p348594 +sg291134 +S'Three Piece Set' +p348595 +sg291136 +g27 +sg291137 +S'Artist Information (' +p348596 +sa(dp348597 +g291130 +S'American, active 20th century' +p348598 +sg291132 +S'(printer)' +p348599 +sg291134 +S'Dusk' +p348600 +sg291136 +g27 +sg291137 +S'Artist Information (' +p348601 +sa(dp348602 +g291130 +S'American, active 20th century' +p348603 +sg291132 +S'(printer)' +p348604 +sg291134 +S'Exacto' +p348605 +sg291136 +g27 +sg291137 +S'Artist Information (' +p348606 +sa(dp348607 +g291130 +S'American, active 20th century' +p348608 +sg291132 +S'(printer)' +p348609 +sg291134 +S'Solar Flame' +p348610 +sg291136 +g27 +sg291137 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+g27 +sg291137 +S'K\xc3\xa4the Kollwitz' +p349305 +sa(dp349306 +g291130 +S'chromogenic print, c. 1972' +p349307 +sg291132 +S'1951' +p349308 +sg291134 +S'Ohio Clay Kilns' +p349309 +sg291136 +g27 +sg291137 +S'Walker Evans' +p349310 +sa(dp349311 +g291130 +S'chromogenic print' +p349312 +sg291132 +S'1970' +p349313 +sg291134 +S'Trash' +p349314 +sg291136 +g27 +sg291137 +S'Walker Evans' +p349315 +sa(dp349316 +g291134 +S'Trash' +p349317 +sg291137 +S'Walker Evans' +p349318 +sg291130 +S'chromogenic print, scored at margins with graphite' +p349319 +sg291132 +S'1970' +p349320 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005e/a0005e40.jpg' +p349321 +sg291136 +g27 +sa(dp349322 +g291134 +S'Connecticut Clapboard' +p349323 +sg291137 +S'Walker Evans' +p349324 +sg291130 +S'chromogenic print' +p349325 +sg291132 +S'1945' +p349326 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00064/a00064ba.jpg' +p349327 +sg291136 +g27 +sa(dp349328 +g291130 +S'chromogenic print' +p349329 +sg291132 +S'1973' +p349330 +sg291134 +S'London' +p349331 +sg291136 +g27 +sg291137 +S'Walker Evans' +p349332 +sa(dp349333 +g291130 +S'chromogenic print, c. 1972' +p349334 +sg291132 +S'1962' +p349335 +sg291134 +S'Truck and Hubcaps' +p349336 +sg291136 +g27 +sg291137 +S'Walker Evans' +p349337 +sa(dp349338 +g291134 +S'Tractor' +p349339 +sg291137 +S'Walker Evans' +p349340 +sg291130 +S'chromogenic print, c. 1972' +p349341 +sg291132 +S'1962' +p349342 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005e/a0005e3b.jpg' +p349343 +sg291136 +g27 +sa(dp349344 +g291130 +S'dye imbibition print, printed c. 1980' +p349345 +sg291132 +S'1957' +p349346 +sg291134 +S'Venice' +p349347 +sg291136 +g27 +sg291137 +S'Harry Callahan' +p349348 +sa(dp349349 +g291130 +S'dye imbibition print' +p349350 +sg291132 +S'1977' +p349351 +sg291134 +S'Providence' +p349352 +sg291136 +g27 +sg291137 +S'Harry Callahan' +p349353 +sa(dp349354 +g291134 +S'A Young Woman Sewing [recto]' +p349355 +sg291137 +S'Baron Dominique Vivant Denon' +p349356 +sg291130 +S'pen and brown ink over graphite on gray-blue paper' +p349357 +sg291132 +S'c. 1790' +p349358 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00024/a0002437.jpg' +p349359 +sg291136 +g27 +sa(dp349360 +g291134 +S'A Horseman Wearing a Grande Cockade [verso]' +p349361 +sg291137 +S'Baron Dominique Vivant Denon' +p349362 +sg291130 +S'graphite on gray-blue paper' +p349363 +sg291132 +S'c. 1790' +p349364 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00024/a0002438.jpg' +p349365 +sg291136 +g27 +sa(dp349366 +g291130 +S'gelatin silver print, 1920s' +p349367 +sg291132 +S'1916' +p349368 +sg291134 +S'Blind Woman, New York' +p349369 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349370 +sa(dp349371 +g291130 +S'gelatin silver print, 1920s' +p349372 +sg291132 +S'1916' +p349373 +sg291134 +S'Bowls' +p349374 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349375 +sa(dp349376 +g291130 +S'palladium print' +p349377 +sg291132 +S'1922' +p349378 +sg291134 +S'Alfred Stieglitz' +p349379 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349380 +sa(dp349381 +g291130 +S'gelatin silver print' +p349382 +sg291132 +S'1922' +p349383 +sg291134 +S'Alfred Stieglitz and Rebecca Strand at Lake George' +p349384 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349385 +sa(dp349386 +g291130 +S'gelatin silver print' +p349387 +sg291132 +S'1922' +p349388 +sg291134 +S'Looking Down, New York' +p349389 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349390 +sa(dp349391 +g291134 +S'Rebecca' +p349392 +sg291137 +S'Paul Strand' +p349393 +sg291130 +S'platinum print' +p349394 +sg291132 +S'1922' +p349395 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00053/a0005341.jpg' +p349396 +sg291136 +S"Paul Strand (1890–1976) first studied photography with Lewis Hine (1874–1940), a teacher at the Ethical Culture School in New York who used the camera as a means to document the disadvantaged and effect social reforms on their behalf. Hine's photographs of immigrants arriving at Ellis Island, taken in 1904, included sympathetic, individuated portraits of these otherwise anonymous and impoverished newcomers to American society. Strand refined his own photographic technique in the following years, taking inspiration from the exhibitions at Alfred Stieglitz's Gallery "291," and from 1915 through contact with Stieglitz himself.\n In 1922 Strand married Rebecca Salsbury (1891–1968), a self-taught artist who was friendly with Stieglitz as well. One year earlier, Stieglitz had exhibited a large group of his portrait studies of O'Keeffe, including many of her nude, placing them boldly in counterpoint to his more conventional portraits of male friends and colleagues. The open sensuality of Stieglitz's work with O'Keeffe clearly influenced Strand, who used his habitual emphasis on deep, warm print tones to accentuate an impression of frank intimacy between photographer and sitter.\n " +p349397 +sa(dp349398 +g291130 +S'gelatin silver print' +p349399 +sg291132 +S'1922' +p349400 +sg291134 +S'The Docks, New York' +p349401 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349402 +sa(dp349403 +g291130 +S'gelatin silver print' +p349404 +sg291132 +S'1923' +p349405 +sg291134 +S'Lathe #1, New York' +p349406 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349407 +sa(dp349408 +g291130 +S'gelatin silver print' +p349409 +sg291132 +S'1925' +p349410 +sg291134 +S'Apartment Repainted, New York [recto]' +p349411 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349412 +sa(dp349413 +g291130 +S'gelatin silver print' +p349414 +sg291132 +S'probably 1925' +p349415 +sg291134 +S'Untitled [verso]' +p349416 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349417 +sa(dp349418 +g291130 +S'platinum print' +p349419 +sg291132 +S'1927' +p349420 +sg291134 +S'Driftwood [recto]' +p349421 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349422 +sa(dp349423 +g291130 +S'platinum print' +p349424 +sg291132 +S'unknown date\n' +p349425 +sg291134 +S'Broken Twigs, Georgetown, Maine [verso]' +p349426 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349427 +sa(dp349428 +g291130 +S'gelatin silver print' +p349429 +sg291132 +S'1927' +p349430 +sg291134 +S'Rock [recto]' +p349431 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349432 +sa(dp349433 +g291130 +S'gelatin silver print' +p349434 +sg291132 +S'1927' +p349435 +sg291134 +S'Cobweb in Rain, Georgetown, Maine [verso]' +p349436 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349437 +sa(dp349438 +g291130 +S'gelatin silver print' +p349439 +sg291132 +S'1927' +p349440 +sg291134 +S'Rock, Georgetown, Maine' +p349441 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349442 +sa(dp349443 +g291130 +S'platinum print' +p349444 +sg291132 +S'1927' +p349445 +sg291134 +S'Woods, Maine [recto]' +p349446 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349447 +sa(dp349448 +g291130 +S'platinum print' +p349449 +sg291132 +S'probably 1927' +p349450 +sg291134 +S'Mrs. Sheridan [verso]' +p349451 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349452 +sa(dp349453 +g291130 +S'gelatin silver print' +p349454 +sg291132 +S'1928' +p349455 +sg291134 +S'Driftwood, Dark Roots, Georgetown, Maine' +p349456 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349457 +sa(dp349458 +g291130 +S'platinum print' +p349459 +sg291132 +S'1928' +p349460 +sg291134 +S'Driftwood, Maine' +p349461 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349462 +sa(dp349463 +g291130 +S'gelatin silver print' +p349464 +sg291132 +S'1928' +p349465 +sg291134 +S'Toadstool and Grasses, Georgetown, Maine' +p349466 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349467 +sa(dp349468 +g291130 +S'gelatin silver print' +p349469 +sg291132 +S'1929' +p349470 +sg291134 +S'Fence and Houses, Gasp\xc3\xa9' +p349471 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349472 +sa(dp349473 +g291130 +S'platinum print' +p349474 +sg291132 +S'1929' +p349475 +sg291134 +S'Houses, Gasp\xc3\xa9' +p349476 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349477 +sa(dp349478 +g291130 +S'gelatin silver print' +p349479 +sg291132 +S'1929' +p349480 +sg291134 +S'Perc\xc3\xa9 Harbor, Gasp\xc3\xa9' +p349481 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349482 +sa(dp349483 +g291130 +S'platinum print' +p349484 +sg291132 +S'1930' +p349485 +sg291134 +S'Hacienda, near Taos, New Mexico' +p349486 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349487 +sa(dp349488 +g291130 +S'gelatin silver print' +p349489 +sg291132 +S'1931' +p349490 +sg291134 +S'City Hall, Colorado [recto]' +p349491 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349492 +sa(dp349493 +g291130 +S'gelatin silver print' +p349494 +sg291132 +S'1931' +p349495 +sg291134 +S'Deserted Building, New Mexico [verso]' +p349496 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349497 +sa(dp349498 +g291130 +S'gelatin silver print' +p349499 +sg291132 +S'1931' +p349500 +sg291134 +S'Deserted Building, New Mexico [recto]' +p349501 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349502 +sa(dp349503 +g291130 +S'gelatin silver print' +p349504 +sg291132 +S'1931' +p349505 +sg291134 +S'Red River, New Mexico [verso]' +p349506 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349507 +sa(dp349508 +g291130 +S'platinum print' +p349509 +sg291132 +S'1931' +p349510 +sg291134 +S'Near Ranchos de Taos, New Mexico' +p349511 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349512 +sa(dp349513 +g291130 +S'gelatin silver print' +p349514 +sg291132 +S'1931' +p349515 +sg291134 +S'Ranchos de Taos Church, New Mexico [recto]' +p349516 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349517 +sa(dp349518 +g291130 +S'gelatin silver print' +p349519 +sg291132 +S'probably 1927/1928' +p349520 +sg291134 +S'Maine [verso]' +p349521 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349522 +sa(dp349523 +g291130 +S'gelatin silver print' +p349524 +sg291132 +S'1931' +p349525 +sg291134 +S'Red River, New Mexico [recto]' +p349526 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349527 +sa(dp349528 +g291130 +S'gelatin silver print' +p349529 +sg291132 +S'1931' +p349530 +sg291134 +S'Deserted Building, New Mexico [verso]' +p349531 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349532 +sa(dp349533 +g291130 +S'platinum print mounted on paperboard' +p349534 +sg291132 +S'1932' +p349535 +sg291134 +S'Near Rinconada, New Mexico' +p349536 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349537 +sa(dp349538 +g291130 +S'platinum print' +p349539 +sg291132 +S'1932' +p349540 +sg291134 +S'Rebecca, New Mexico' +p349541 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349542 +sa(dp349543 +g291130 +S'platinum print' +p349544 +sg291132 +S'1933' +p349545 +sg291134 +S'Boy, Hidalgo' +p349546 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349547 +sa(dp349548 +g291130 +S'platinum print' +p349549 +sg291132 +S'1933' +p349550 +sg291134 +S'Christo, Tlacochoaya, Oaxaca' +p349551 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349552 +sa(dp349553 +g291130 +S'platinum print' +p349554 +sg291132 +S'1933' +p349555 +sg291134 +S'Man with Sombrero, Mexico' +p349556 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349557 +sa(dp349558 +g291130 +S'platinum print' +p349559 +sg291132 +S'1933' +p349560 +sg291134 +S'Man, Tenancingo [recto]' +p349561 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349562 +sa(dp349563 +g291130 +S'platinum print' +p349564 +sg291132 +S'probably 1931' +p349565 +sg291134 +S'Hacienda, New Mexico [verso]' +p349566 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349567 +sa(dp349568 +g291130 +S'platinum print' +p349569 +sg291132 +S'1933' +p349570 +sg291134 +S'Virgin, San Felipe, Oaxaca [recto]' +p349571 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349572 +sa(dp349573 +g291130 +S'platinum print' +p349574 +sg291132 +S'1933' +p349575 +sg291134 +S'Virgin [verso]' +p349576 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349577 +sa(dp349578 +g291130 +S'gelatin silver print' +p349579 +sg291132 +S'1943' +p349580 +sg291134 +S'Iron Latch, East Jamaica, Vermont' +p349581 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349582 +sa(dp349583 +g291130 +S'gelatin silver print' +p349584 +sg291132 +S'1944' +p349585 +sg291134 +S'Mr. Bennett, Vermont' +p349586 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349587 +sa(dp349588 +g291130 +S'gelatin silver print' +p349589 +sg291132 +S'1946' +p349590 +sg291134 +S'Burying Ground, Vermont' +p349591 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349592 +sa(dp349593 +g291130 +S'gelatin silver print' +p349594 +sg291132 +S'1946' +p349595 +sg291134 +S'Parlor, Prospect Harbor, Maine' +p349596 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349597 +sa(dp349598 +g291130 +S'gelatin silver print' +p349599 +sg291132 +S'1946' +p349600 +sg291134 +S'Side Porch' +p349601 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349602 +sa(dp349603 +g291130 +S'gelatin silver print' +p349604 +sg291132 +S'1946' +p349605 +sg291134 +S'Tombstone, Winged Skull' +p349606 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349607 +sa(dp349608 +g291130 +S'gelatin silver print' +p349609 +sg291132 +S'1946' +p349610 +sg291134 +S'Town Hall' +p349611 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349612 +sa(dp349613 +g291130 +S'gelatin silver print' +p349614 +sg291132 +S'1950' +p349615 +sg291134 +S'Levens, Alpes-Maritimes, Provence, France' +p349616 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349617 +sa(dp349618 +g291130 +S'gelatin silver print' +p349619 +sg291132 +S'1950' +p349620 +sg291134 +S'Wheatfield, France' +p349621 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349622 +sa(dp349623 +g291130 +S'gelatin silver print' +p349624 +sg291132 +S'1951' +p349625 +sg291134 +S'Camargue, France' +p349626 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349627 +sa(dp349628 +g291130 +S'gelatin silver print' +p349629 +sg291132 +S'1951' +p349630 +sg291134 +S'Man, Gondeville, Charente, France' +p349631 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349632 +sa(dp349633 +g291130 +S'gelatin silver print' +p349634 +sg291132 +S'1951' +p349635 +sg291134 +S'Midi-Libre, France' +p349636 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349637 +sa(dp349638 +g291130 +S'gelatin silver print' +p349639 +sg291132 +S'1952' +p349640 +sg291134 +S'Port, Adriatic, Italy' +p349641 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349642 +sa(dp349643 +g291130 +S'gelatin silver print' +p349644 +sg291132 +S'1953' +p349645 +sg291134 +S'Lusetti Family, Luzzara, Italy' +p349646 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349647 +sa(dp349648 +g291130 +S'gelatin silver print' +p349649 +sg291132 +S'1953' +p349650 +sg291134 +S'Place to Meet, Luzzara, Italy' +p349651 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349652 +sa(dp349653 +g291130 +S'gelatin silver print' +p349654 +sg291132 +S'1953' +p349655 +sg291134 +S'The Affianced, Luzzara, Italy' +p349656 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349657 +sa(dp349658 +g291130 +S'gelatin silver print' +p349659 +sg291132 +S'1953' +p349660 +sg291134 +S'The Market, Luzzara, Italy' +p349661 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349662 +sa(dp349663 +g291130 +S'gelatin silver print' +p349664 +sg291132 +S'1954' +p349665 +sg291134 +S'Alex MacDonald, South Uist, Hebrides' +p349666 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349667 +sa(dp349668 +g291130 +S'gelatin silver print' +p349669 +sg291132 +S'1954' +p349670 +sg291134 +S'Ewan MacLeod, South Uist, Hebrides' +p349671 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349672 +sa(dp349673 +g291130 +S'gelatin silver print' +p349674 +sg291132 +S'1954' +p349675 +sg291134 +S'Loch, South Uist, Hebrides' +p349676 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349677 +sa(dp349678 +g291130 +S'gelatin silver print' +p349679 +sg291132 +S'1954' +p349680 +sg291134 +S'Tide Going Out, South Uist, Hebrides' +p349681 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349682 +sa(dp349683 +g291130 +S'gelatin silver print' +p349684 +sg291132 +S'1959' +p349685 +sg291134 +S'The Market, Aswan, Egypt' +p349686 +sg291136 +g27 +sg291137 +S'Paul Strand' +p349687 +sa(dp349688 +g291130 +S'gelatin silver print' +p349689 +sg291132 +S'1974' 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Reclining on a Dolphin' +p349790 +sg291137 +S'Fran\xc3\xa7ois Boucher' +p349791 +sg291130 +S'black chalk heightened with white on brown laid paper' +p349792 +sg291132 +S'c. 1745' +p349793 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00055/a0005559.jpg' +p349794 +sg291136 +g27 +sa(dp349795 +g291134 +S'A Tired Woman with Two Children' +p349796 +sg291137 +S'Jean-Baptiste Greuze' +p349797 +sg291130 +S'pen and brown ink with brown wash over black chalk on laid paper; laid down' +p349798 +sg291132 +S'1750/1761' +p349799 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00050/a00050df.jpg' +p349800 +sg291136 +g27 +sa(dp349801 +g291134 +S'The Reading' +p349802 +sg291137 +S'Jean-Honor\xc3\xa9 Fragonard' +p349803 +sg291130 +S'brown wash on wove paper' +p349804 +sg291132 +S'c. 1765/1775' +p349805 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c7cf.jpg' +p349806 +sg291136 +g27 +sa(dp349807 +g291134 +S'A Prayer for Grandpapa' +p349808 +sg291137 +S'Jean-Honor\xc3\xa9 Fragonard' +p349809 +sg291130 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proof]" +p351349 +sg291132 +S'1973' +p351350 +sg291134 +S'Self-Portrait' +p351351 +sg291136 +g27 +sg291137 +S'Sam Francis' +p351352 +sa(dp351353 +g291130 +S"lithograph in red-brown on Rives BFK paper [artist's proof]" +p351354 +sg291132 +S'1974' +p351355 +sg291134 +S'Self-Portrait' +p351356 +sg291136 +g27 +sg291137 +S'Sam Francis' +p351357 +sa(dp351358 +g291130 +S"lithograph in gray on Rives BFK paper [artist's proof]" +p351359 +sg291132 +S'1974' +p351360 +sg291134 +S'Self-Portrait' +p351361 +sg291136 +g27 +sg291137 +S'Sam Francis' +p351362 +sa(dp351363 +g291130 +S"lithograph in gray on buff Rives BFK wove paper [artist's proof]" +p351364 +sg291132 +S'1974' +p351365 +sg291134 +S'Self-Portrait' +p351366 +sg291136 +g27 +sg291137 +S'Sam Francis' +p351367 +sa(dp351368 +g291130 +S"lithograph in black-silver on Rives BFK wove paper [artist's proof]" +p351369 +sg291132 +S'1974' +p351370 +sg291134 +S'Self-Portrait' +p351371 +sg291136 +g27 +sg291137 +S'Sam Francis' +p351372 +sa(dp351373 +g291130 +S"lithograph in gray on Rives BFK paper [artist's proof]" +p351374 +sg291132 +S'1974' +p351375 +sg291134 +S'Self-Portrait' +p351376 +sg291136 +g27 +sg291137 +S'Sam Francis' +p351377 +sa(dp351378 +g291130 +S"lithograph in gray on Rives BFK wove paper [artist's proof]" +p351379 +sg291132 +S'1974' +p351380 +sg291134 +S'Self-Portrait' +p351381 +sg291136 +g27 +sg291137 +S'Sam Francis' +p351382 +sa(dp351383 +g291130 +S"lithograph in gray on Rives BFK paper [artist's proof]" +p351384 +sg291132 +S'1974' +p351385 +sg291134 +S'Self-Portrait' +p351386 +sg291136 +g27 +sg291137 +S'Sam Francis' +p351387 +sa(dp351388 +g291130 +S"lithograph in red on Arches Cover paper [artist's proof]" +p351389 +sg291132 +S'1974' +p351390 +sg291134 +S'Self-Portrait' +p351391 +sg291136 +g27 +sg291137 +S'Sam Francis' +p351392 +sa(dp351393 +g291130 +S'lithograph in light tan and gray on Rives BFK wove paper' +p351394 +sg291132 +S'1974' +p351395 +sg291134 +S'Self-Portrait' +p351396 +sg291136 +g27 +sg291137 +S'Sam Francis' +p351397 +sa(dp351398 +g291130 +S'lithograph in black on Rives BFK paper' +p351399 +sg291132 +S'1975' +p351400 +sg291134 +S'Untitled' +p351401 +sg291136 +g27 +sg291137 +S'Sam Francis' +p351402 +sa(dp351403 +g291130 +S'lithograph in black on Rives BFK paper' +p351404 +sg291132 +S'1976' +p351405 +sg291134 +S'Untitled' +p351406 +sg291136 +g27 +sg291137 +S'Sam Francis' +p351407 +sa(dp351408 +g291130 +S"sugarlift in black on Fabriano Tiepolo wove paper [artist's proof]" +p351409 +sg291132 +S'1982' +p351410 +sg291134 +S'Self-Portrait' +p351411 +sg291136 +g27 +sg291137 +S'Sam Francis' +p351412 +sa(dp351413 +g291130 +S"sugarlift and spitbite in black on Fabriano Tiepolo wove paper [artist's proof]" +p351414 +sg291132 +S'1982' +p351415 +sg291134 +S'Self-Portrait' +p351416 +sg291136 +g27 +sg291137 +S'Sam Francis' +p351417 +sa(dp351418 +g291130 +S"sugarlift in black on Fabriano Tiepolo paper [artist's proof]" +p351419 +sg291132 +S'1982' +p351420 +sg291134 +S'Self-Portrait' +p351421 +sg291136 +g27 +sg291137 +S'Sam Francis' +p351422 +sa(dp351423 +g291130 +S"etching in black on Fabriano Tiepolo wove paper [artist's proof]" +p351424 +sg291132 +S'1982' +p351425 +sg291134 +S'Self-Portrait' +p351426 +sg291136 +g27 +sg291137 +S'Sam Francis' +p351427 +sa(dp351428 +g291130 +S'etching in black on Fabriano Tiepolo wove paper' +p351429 +sg291132 +S'1982' +p351430 +sg291134 +S'Self-Portrait' +p351431 +sg291136 +g27 +sg291137 +S'Sam Francis' +p351432 +sa(dp351433 +g291130 +S'etching in black on Fabriano Tiepolo wove paper' +p351434 +sg291132 +S'1982' +p351435 +sg291134 +S'Self-Portrait' +p351436 +sg291136 +g27 +sg291137 +S'Sam Francis' +p351437 +sa(dp351438 +g291130 +S"sugarlift in black on Fabriano Tiepolo wove paper [artist's proof]" +p351439 +sg291132 +S'1982' +p351440 +sg291134 +S'Self-Portrait' +p351441 +sg291136 +g27 +sg291137 +S'Sam Francis' +p351442 +sa(dp351443 +g291130 +S"sugarlift in black on Fabriano Tiepolo wove paper [artist's proof]" +p351444 +sg291132 +S'published 1982' +p351445 +sg291134 +S'Self-Portrait' +p351446 +sg291136 +g27 +sg291137 +S'Sam Francis' +p351447 +sa(dp351448 +g291130 +S'American, born 1939' +p351449 +sg291132 +S'(printer)' +p351450 +sg291134 +S'Untitled' +p351451 +sg291136 +g27 +sg291137 +S'Artist Information (' +p351452 +sa(dp351453 +g291130 +S'aquatint with crayon additions on wove paper' +p351454 +sg291132 +S'1981' +p351455 +sg291134 +S'Combination (working proof 1)' +p351456 +sg291136 +g27 +sg291137 +S'Richard Diebenkorn' +p351457 +sa(dp351458 +g291130 +S'color spitbite etching and aquatint with graphite and collage on wove paper' +p351459 +sg291132 +S'1981' +p351460 +sg291134 +S'Combination (working proof 4)' +p351461 +sg291136 +g27 +sg291137 +S'Richard Diebenkorn' +p351462 +sa(dp351463 +g291130 +S'color spitbite etching and aquatint with crayon on wove paper' +p351464 +sg291132 +S'1981' +p351465 +sg291134 +S'Combination (working proof 10)' +p351466 +sg291136 +g27 +sg291137 +S'Richard Diebenkorn' +p351467 +sa(dp351468 +g291130 +S'color spitbite etching and aquatint on wove paper' +p351469 +sg291132 +S'1981' +p351470 +sg291134 +S'Combination (working proof 15)' +p351471 +sg291136 +g27 +sg291137 +S'Richard Diebenkorn' +p351472 +sa(dp351473 +g291130 +S'color spitbite etching and aquatint on wove paper' +p351474 +sg291132 +S'1981' +p351475 +sg291134 +S'Combination (working proof 16)' +p351476 +sg291136 +g27 +sg291137 +S'Richard Diebenkorn' +p351477 +sa(dp351478 +g291130 +S'color spitbite etching and aquatint on wove paper' +p351479 +sg291132 +S'1981' +p351480 +sg291134 +S'Combination (working proof 17)' +p351481 +sg291136 +g27 +sg291137 +S'Richard Diebenkorn' +p351482 +sa(dp351483 +g291130 +S'color spitbite etching and aquatint on wove paper' +p351484 +sg291132 +S'1981' +p351485 +sg291134 +S'Combination (working proof 19)' +p351486 +sg291136 +g27 +sg291137 +S'Richard Diebenkorn' +p351487 +sa(dp351488 +g291130 +S'aquatint with photo-lithograph on wove paper' +p351489 +sg291132 +S'1981' +p351490 +sg291134 +S'Blue Club (working proof 7)' +p351491 +sg291136 +g27 +sg291137 +S'Richard Diebenkorn' +p351492 +sa(dp351493 +g291130 +S'aquatint with photo-lithograph on wove paper' +p351494 +sg291132 +S'1981' +p351495 +sg291134 +S'Blue Club (working proof 8)' +p351496 +sg291136 +g27 +sg291137 +S'Richard Diebenkorn' +p351497 +sa(dp351498 +g291130 +S'color woodcut on Echizen Kozo paper' +p351499 +sg291132 +S'1989' +p351500 +sg291134 +S'Pachinko' +p351501 +sg291136 +g27 +sg291137 +S'Al Held' +p351502 +sa(dp351503 +g291130 +S'color woodcut on Echizen Kozo paper' +p351504 +sg291132 +S'1989' +p351505 +sg291134 +S'Pachinko (working proof 7)' +p351506 +sg291136 +g27 +sg291137 +S'Al Held' +p351507 +sa(dp351508 +g291130 +S'color woodcut on Echizen Kozo paper' +p351509 +sg291132 +S'1989' +p351510 +sg291134 +S'Pachinko (working proof 8)' +p351511 +sg291136 +g27 +sg291137 +S'Al Held' +p351512 +sa(dp351513 +g291130 +S'color woodcut on Echizen Kozo paper' +p351514 +sg291132 +S'1989' +p351515 +sg291134 +S'Pachinko (working proof 9)' +p351516 +sg291136 +g27 +sg291137 +S'Al Held' +p351517 +sa(dp351518 +g291130 +S'etching and aquatint in black on wove paper' +p351519 +sg291132 +S'1990' +p351520 +sg291134 +S'Straits of Pohai' +p351521 +sg291136 +g27 +sg291137 +S'Al Held' +p351522 +sa(dp351523 +g291130 +S'etching and aquatint in black on wove paper' +p351524 +sg291132 +S'1990' +p351525 +sg291134 +S'Straits of Pohai (working proof 4)' +p351526 +sg291136 +g27 +sg291137 +S'Al Held' +p351527 +sa(dp351528 +g291134 +S'The Direction of Water' +p351529 +sg291137 +S'Pat Steir' +p351530 +sg291130 +S'color spitbite, soapground, soft-ground aquatint, and drypoint on Somerset textured paper' +p351531 +sg291132 +S'1991' +p351532 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00053/a0005366.jpg' +p351533 +sg291136 +g27 +sa(dp351534 +g291130 +S'spitbite, soapground and soft-ground aquatint in black, touched with graphite on Somerset textured paper' +p351535 +sg291132 +S'1991' +p351536 +sg291134 +S'The Direction of Water (working proof 13)' +p351537 +sg291136 +g27 +sg291137 +S'Pat Steir' +p351538 +sa(dp351539 +g291130 +S'spitbite and soapground aquatint in black, gray, and pink on Somerset textured paper' +p351540 +sg291132 +S'1991' +p351541 +sg291134 +S'The Direction of Water (working proof 14)' +p351542 +sg291136 +g27 +sg291137 +S'Pat Steir' +p351543 +sa(dp351544 +g291130 +S'spitbite and soapground aquatint in gray on Somerset paper' +p351545 +sg291132 +S'1991' +p351546 +sg291134 +S'The Direction of Water (working proof 15)' +p351547 +sg291136 +g27 +sg291137 +S'Pat Steir' +p351548 +sa(dp351549 +g291130 +S'spitbite, soapground aquatint in gray and red, and drypoint in red on Somerset textured paper' +p351550 +sg291132 +S'1991' +p351551 +sg291134 +S'The Direction of Water (working proof 16)' +p351552 +sg291136 +g27 +sg291137 +S'Pat Steir' +p351553 +sa(dp351554 +g291130 +S'color spitbite and soapground aquatint on Somerset textured paper' +p351555 +sg291132 +S'1991' +p351556 +sg291134 +S'The Direction of Water (working proof 17)' +p351557 +sg291136 +g27 +sg291137 +S'Pat Steir' +p351558 +sa(dp351559 +g291130 +S'color spitbite, soapground aquatint and drypoint on Somerset textured paper' +p351560 +sg291132 +S'1991' +p351561 +sg291134 +S'The Direction of Water (working proof 18)' +p351562 +sg291136 +g27 +sg291137 +S'Pat Steir' +p351563 +sa(dp351564 +g291130 +S'color spitbite, soapground aquatint and drypoint on Somerset textured paper' +p351565 +sg291132 +S'1991' +p351566 +sg291134 +S'The Direction of Water (working proof 19)' +p351567 +sg291136 +g27 +sg291137 +S'Pat Steir' +p351568 +sa(dp351569 +g291130 +S'color spitbite, soapground, soft-ground aquatint and drypoint on Somerset textured paper' +p351570 +sg291132 +S'1991' +p351571 +sg291134 +S'The Direction of Water (working proof 20)' +p351572 +sg291136 +g27 +sg291137 +S'Pat Steir' +p351573 +sa(dp351574 +g291134 +S'Rainclouds' +p351575 +sg291137 +S'Pat Steir' +p351576 +sg291130 +S'color spitbite, soapground and soft-ground aquatint etching with drypoint in blue-green on wove paper' +p351577 +sg291132 +S'1991' +p351578 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00052/a000524a.jpg' +p351579 +sg291136 +g27 +sa(dp351580 +g291130 +S'spitbite, soapground, and soft-ground aquatint etching with drypoint in brown on wove paper' +p351581 +sg291132 +S'1991' +p351582 +sg291134 +S'Rainclouds (working proof 2)' +p351583 +sg291136 +g27 +sg291137 +S'Pat Steir' +p351584 +sa(dp351585 +g291130 +S'chinese watercolor woodcut on Mulberry paper laid down on Somerset textured paper' +p351586 +sg291132 +S'1990' +p351587 +sg291134 +S'Beloved Ghost Waterfall/Beijing' +p351588 +sg291136 +g27 +sg291137 +S'Pat Steir' +p351589 +sa(dp351590 +g291134 +S"Now Who's Got the Blueprints" +p351591 +sg291137 +S'Artist Information (' +p351592 +sg291130 +g27 +sg291132 +S'(publisher)' +p351593 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000b/a0000bc4.jpg' +p351594 +sg291136 +g27 +sa(dp351595 +g291130 +S'color aquatint and soft-ground etching with burnishing and drypoint on wove paper' +p351596 +sg291132 +S'1989' +p351597 +sg291134 +S"Now Who's Got the Blueprints (working proof 6)" +p351598 +sg291136 +g27 +sg291137 +S'William T. Wiley' +p351599 +sa(dp351600 +g291130 +S'aquatint and soft-ground etching with burnishing and drypoint in black on wove paper' +p351601 +sg291132 +S'1989' +p351602 +sg291134 +S"Now Who's Got the Blueprints (working proof 7)" +p351603 +sg291136 +g27 +sg291137 +S'William T. Wiley' +p351604 +sa(dp351605 +g291130 +S'aquatint and soft-ground etching with burnishing and drypoint on wove paper' +p351606 +sg291132 +S'1989' +p351607 +sg291134 +S"Now Who's Got the Blueprints (working proof 8)" +p351608 +sg291136 +g27 +sg291137 +S'William T. Wiley' +p351609 +sa(dp351610 +g291130 +S'etching in black on Rives paper' +p351611 +sg291132 +S'1969' +p351612 +sg291134 +S'October Piece' +p351613 +sg291136 +g27 +sg291137 +S'Peter Milton' +p351614 +sa(dp351615 +g291130 +S'lithograph in yellow and black on wove paper' +p351616 +sg291132 +S'1973' +p351617 +sg291134 +S'Silhouette Figures with Border Designs' +p351618 +sg291136 +g27 +sg291137 +S'Henry Moore' +p351619 +sa(dp351620 +g291130 +S'lithograph in yellow, gray, and black on wove paper' +p351621 +sg291132 +S'1975' +p351622 +sg291134 +S'Three Heads' +p351623 +sg291136 +g27 +sg291137 +S'Henry Moore' +p351624 +sa(dp351625 +g291130 +S'1 vol: ill: 10 lithographs in yellow, red, and black plus images on cover and front leaf' +p351626 +sg291132 +S'published 1982' +p351627 +sg291134 +S'Ich Stand vor der Mauer aus Glas (I Stood before the Glass Wall)' +p351628 +sg291136 +g27 +sg291137 +S'Markus L\xc3\xbcpertz' +p351629 +sa(dp351630 +g291130 +S'screenprint on blown vinyl mounted to heavy wove paper' +p351631 +sg291132 +S'1965' +p351632 +sg291134 +S'Cut-out Nude' +p351633 +sg291136 +g27 +sg291137 +S'Tom Wesselmann' +p351634 +sa(dp351635 +g291130 +S'Gift of Francine Schear Linde, in Honor of the 50th Anniversary of the National Gallery of Art' +p351636 +sg291132 +S'\nportfolio with 11 prints with title and colophon pages' +p351637 +sg291134 +S'11 Pop Artists' +p351638 +sg291136 +g27 +sg291137 +S'Various Artists' +p351639 +sa(dp351640 +g291130 +S'screenprint in silver on wove paper' +p351641 +sg291132 +S'1965' +p351642 +sg291134 +S'Jacqueline Kennedy I' +p351643 +sg291136 +g27 +sg291137 +S'Andy Warhol' +p351644 +sa(dp351645 +g291130 +S'screenprint on blue Rowlux' +p351646 +sg291132 +S'1965' +p351647 +sg291134 +S'Moonscape' +p351648 +sg291136 +g27 +sg291137 +S'Roy Lichtenstein' +p351649 +sa(dp351650 +g291130 +S'screenprint on wove paper' +p351651 +sg291132 +S'1965' +p351652 +sg291134 +S'Landscape I' +p351653 +sg291136 +g27 +sg291137 +S"Allan D'Arcangelo" +p351654 +sa(dp351655 +g291130 +S'screenprint in black and red on wove paper' +p351656 +sg291132 +S'1965' +p351657 +sg291134 +S'Awl' +p351658 +sg291136 +g27 +sg291137 +S'Jim Dine' +p351659 +sa(dp351660 +g291130 +S'screenprint on alufoil' +p351661 +sg291132 +S'1965' +p351662 +sg291134 +S'Custom Print I' +p351663 +sg291136 +g27 +sg291137 +S'Peter Phillips' +p351664 +sa(dp351665 +g291130 +S'screenprint on wove paper' +p351666 +sg291132 +S'1965' +p351667 +sg291134 +S'Maiden' +p351668 +sg291136 +g27 +sg291137 +S'John Wesley' +p351669 +sa(dp351670 +g291130 +S'screenprint on wove paper' +p351671 +sg291132 +S'1965' +p351672 +sg291134 +S'Circles of Confusion' +p351673 +sg291136 +g27 +sg291137 +S'James Rosenquist' +p351674 +sa(dp351675 +g291130 +S'screenprint on wove paper' +p351676 +sg291132 +S'1965' +p351677 +sg291134 +S'Chic' +p351678 +sg291136 +g27 +sg291137 +S'Mel Ramos' +p351679 +sa(dp351680 +g291130 +S'screenprint with mylar collage elements on wove paper' +p351681 +sg291132 +S'1965' +p351682 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paper' +p352733 +sg291132 +S'1919' +p352734 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b6/a000b673.jpg' +p352735 +sg291136 +g27 +sa(dp352736 +g291134 +S'Andreas Weissgaerber-I (Bildnis Andreas Weissgaerber)' +p352737 +sg291137 +S'Lovis Corinth' +p352738 +sg291130 +S'drypoint in black on laid paper' +p352739 +sg291132 +S'1919' +p352740 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b6/a000b67d.jpg' +p352741 +sg291136 +g27 +sa(dp352742 +g291134 +S'Andreas Weissgaerber-II (Bildnis Andreas Weissgaerber)' +p352743 +sg291137 +S'Lovis Corinth' +p352744 +sg291130 +S'drypoint in black on laid paper' +p352745 +sg291132 +S'1919' +p352746 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b6/a000b683.jpg' +p352747 +sg291136 +g27 +sa(dp352748 +g291134 +S'The Banquet of Trimalchio: pl.I' +p352749 +sg291137 +S'Lovis Corinth' +p352750 +sg291130 +S'drypoint in black on wove paper' +p352751 +sg291132 +S'1919' +p352752 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b5/a000b5e2.jpg' +p352753 +sg291136 +g27 +sa(dp352754 +g291134 +S'The Banquet of Trimalchio: pl.II' +p352755 +sg291137 +S'Lovis Corinth' +p352756 +sg291130 +S'drypoint in black on wove paper' +p352757 +sg291132 +S'1919' +p352758 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b6/a000b686.jpg' +p352759 +sg291136 +g27 +sa(dp352760 +g291134 +S'The Banquet of Trimalchio: pl.V' +p352761 +sg291137 +S'Lovis Corinth' +p352762 +sg291130 +S'drypoint in black on white wove paper' +p352763 +sg291132 +S'1919' +p352764 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b5/a000b5dd.jpg' +p352765 +sg291136 +g27 +sa(dp352766 +g291134 +S'The Banquet of Trimalchio: pl.VII' +p352767 +sg291137 +S'Lovis Corinth' +p352768 +sg291130 +S'drypoint in black on white wove paper' +p352769 +sg291132 +S'1919' +p352770 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b6/a000b685.jpg' +p352771 +sg291136 +g27 +sa(dp352772 +g291134 +S'The Banquet of Trimalchio: pl.XI' +p352773 +sg291137 +S'Lovis Corinth' +p352774 +sg291130 +S'drypoint in black on white wove paper' +p352775 +sg291132 +S'1919' +p352776 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b6/a000b684.jpg' +p352777 +sg291136 +g27 +sa(dp352778 +g291134 +S'The Sacrifice of Isaac (Die Opferung Isaacs)' +p352779 +sg291137 +S'Artist Information (' +p352780 +sg291130 +S'(artist after)' +p352781 +sg291132 +S'\n' +p352782 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b6/a000b67f.jpg' +p352783 +sg291136 +g27 +sa(dp352784 +g291134 +S'Der Fahnentr\xc3\xa4ger (The Standard Bearer)' +p352785 +sg291137 +S'Lovis Corinth' +p352786 +sg291130 +S'drypoint and roulette in black on wove paper' +p352787 +sg291132 +S'1920' +p352788 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b6/a000b67e.jpg' +p352789 +sg291136 +g27 +sa(dp352790 +g291134 +S'View of the Tiergarten (Aus dem Tiergarten)' +p352791 +sg291137 +S'Lovis Corinth' +p352792 +sg291130 +S'drypoint in black on wove paper' +p352793 +sg291132 +S'1920' +p352794 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f93.jpg' +p352795 +sg291136 +g27 +sa(dp352796 +g291134 +S'The Poet (Der Dichter)' +p352797 +sg291137 +S'Lovis Corinth' +p352798 +sg291130 +S'drypoint and roulette in black on wove paper' +p352799 +sg291132 +S'1920' +p352800 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b6/a000b681.jpg' +p352801 +sg291136 +g27 +sa(dp352802 +g291134 +S'Sunday Riders (Sonntagsreiter)' +p352803 +sg291137 +S'Lovis Corinth' +p352804 +sg291130 +S'drypoint in black on laid paper' +p352805 +sg291132 +S'1920' +p352806 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b6/a000b68a.jpg' +p352807 +sg291136 +g27 +sa(dp352808 +g291134 +S"The Artist's Mother-in-Law (Des K\xc3\xbcnstlers Schwiegermutter)" +p352809 +sg291137 +S'Lovis Corinth' +p352810 +sg291130 +S'drypoint in black on laid paper' +p352811 +sg291132 +S'1920' +p352812 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b5/a000b5da.jpg' +p352813 +sg291136 +g27 +sa(dp352814 +g291134 +S'Self-Portrait (Selbstbildnis)' +p352815 +sg291137 +S'Lovis Corinth' +p352816 +sg291130 +S'drypoint in black on laid paper' +p352817 +sg291132 +S'1920' +p352818 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b5/a000b5e4.jpg' +p352819 +sg291136 +g27 +sa(dp352820 +g291134 +S'Karl Schwarz (Bildnis K.S.)' +p352821 +sg291137 +S'Lovis Corinth' +p352822 +sg291130 +S'drypoint in black on wove paper' +p352823 +sg291132 +S'1920' +p352824 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b5/a000b5e3.jpg' +p352825 +sg291136 +g27 +sa(dp352826 +g291134 +S'Hermann Struck (Bildnisstudie H. St.)' +p352827 +sg291137 +S'Lovis Corinth' +p352828 +sg291130 +S'drypoint in black on wove paper' +p352829 +sg291132 +S'1920' +p352830 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b5/a000b5e7.jpg' +p352831 +sg291136 +g27 +sa(dp352832 +g291134 +S'Cats (Katzenstudie)' +p352833 +sg291137 +S'Lovis Corinth' +p352834 +sg291130 +S'drypoint and open-bite etching on laid paper' +p352835 +sg291132 +S'1920' +p352836 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b6/a000b688.jpg' +p352837 +sg291136 +g27 +sa(dp352838 +g291134 +S'Henny Porten' +p352839 +sg291137 +S'Lovis Corinth' +p352840 +sg291130 +S'soft-ground etching on laid paper' +p352841 +sg291132 +S'1923' +p352842 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b6/a000b69b.jpg' +p352843 +sg291136 +g27 +sa(dp352844 +g291130 +S'lithograph' +p352845 +sg291132 +S'1923' +p352846 +sg291134 +S'Sigbert Marzynski' +p352847 +sg291136 +g27 +sg291137 +S'Lovis Corinth' +p352848 +sa(dp352849 +g291130 +S'lithograph in black on laid paper' +p352850 +sg291132 +S'1923' +p352851 +sg291134 +S'Sigbert Marzynski' +p352852 +sg291136 +g27 +sg291137 +S'Lovis Corinth' +p352853 +sa(dp352854 +g291130 +S'lithograph in black on laid paper' +p352855 +sg291132 +S'1923' +p352856 +sg291134 +S'Sigbert Marzynski' +p352857 +sg291136 +g27 +sg291137 +S'Lovis Corinth' +p352858 +sa(dp352859 +g291130 +S'lithograph in black on laid paper' +p352860 +sg291132 +S'1923' +p352861 +sg291134 +S'Sigbert Marzynski' +p352862 +sg291136 +g27 +sg291137 +S'Lovis Corinth' +p352863 +sa(dp352864 +g291130 +S'lithograph in black on laid paper' +p352865 +sg291132 +S'1923' +p352866 +sg291134 +S'Sigbert Marzynski' +p352867 +sg291136 +g27 +sg291137 +S'Lovis Corinth' +p352868 +sa(dp352869 +g291130 +S'lithograph in black on laid paper' +p352870 +sg291132 +S'1923' +p352871 +sg291134 +S'Sigbert Marzynski' +p352872 +sg291136 +g27 +sg291137 +S'Lovis Corinth' +p352873 +sa(dp352874 +g291134 +S'Title Page for "Wallensteins Lager" ("Wallenstein\'s Camp")' +p352875 +sg291137 +S'Lovis Corinth' +p352876 +sg291130 +S'etching in black on laid paper' +p352877 +sg291132 +S'1923' +p352878 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b6/a000b6a4.jpg' +p352879 +sg291136 +g27 +sa(dp352880 +g291134 +S'"Vater, es wird nicht gut ablaufen, bleiben wir von dem soldatenhaufen" ("Father, this won\'t end well, we\'d better stay away from that hoard of soldiers")' +p352881 +sg291137 +S'Lovis Corinth' +p352882 +sg291130 +S'etching in black on laid paper' +p352883 +sg291132 +S'1923' +p352884 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b6/a000b6a5.jpg' +p352885 +sg291136 +g27 +sa(dp352886 +g291134 +S'"Einer dirne sch\xc3\xb6n gesicht muss allgemein sein wie\'s sonnenlicht" ("A pretty girl\'s face must be as common as sunlight")' +p352887 +sg291137 +S'Lovis Corinth' +p352888 +sg291130 +S'etching in black on laid paper' +p352889 +sg291132 +S'1923' +p352890 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b6/a000b6a6.jpg' +p352891 +sg291136 +g27 +sa(dp352892 +g291134 +S'"Was der blitz! Das ist ja die gustel von blasewitz" ("How she flashes! Ya, it\'s Gustel von Blasewitz")' +p352893 +sg291137 +S'Lovis Corinth' +p352894 +sg291130 +S'etching in black on laid paper' +p352895 +sg291132 +S'1923' +p352896 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b6/a000b6a7.jpg' +p352897 +sg291136 +g27 +sa(dp352898 +g291134 +S'Kapuzinerpredigt "Hetzt sich lieber herum mit der Dirn\'" (Sermon of the Capuchin Monk "It\'s better to bother yourself with the pursuit of women")' +p352899 +sg291137 +S'Lovis Corinth' +p352900 +sg291130 +S'etching in black on laid paper' +p352901 +sg291132 +S'1923' +p352902 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b6/a000b6a8.jpg' +p352903 +sg291136 +g27 +sa(dp352904 +g291134 +S'"Wohl auf, kameraden, aufs pferd, aufs pferd! Ins feld, in die freiheit gezogen!" ("Come on comrades, to horse, to horse! To action, freedom beckons us")' +p352905 +sg291137 +S'Lovis Corinth' +p352906 +sg291130 +S'etching in black on laid paper' +p352907 +sg291132 +S'1923' +p352908 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b6/a000b6a9.jpg' +p352909 +sg291136 +g27 +sa(dp352910 +g291134 +S'Herd of Sheep Under Trees' +p352911 +sg291137 +S'Max Liebermann' +p352912 +sg291130 +S'etching and soft-ground etching on japan paper' +p352913 +sg291132 +S'1891' +p352914 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00058/a00058e0.jpg' +p352915 +sg291136 +g27 +sa(dp352916 +g291130 +S'lithograph on wove paper' +p352917 +sg291132 +S'1924' +p352918 +sg291134 +S'Never Again War (Nie Wieder Krieg)' +p352919 +sg291136 +g27 +sg291137 +S'K\xc3\xa4the Kollwitz' +p352920 +sa(dp352921 +g291134 +S'Harbor' +p352922 +sg291137 +S'Georges Braque' +p352923 +sg291130 +S'oil on canvas' +p352924 +sg291132 +S'1909' +p352925 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000dc3.jpg' +p352926 +sg291136 +g27 +sa(dp352927 +g291134 +S'Sacrifice of Abraham' +p352928 +sg291137 +S'Hieronymus Cock' +p352929 +sg291130 +S'etching on laid paper' +p352930 +sg291132 +S'1551' +p352931 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000cf/a000cf3e.jpg' +p352932 +sg291136 +g27 +sa(dp352933 +g291130 +S'etching on laid paper' +p352934 +sg291132 +S'1924' +p352935 +sg291134 +S'Mountain Landscape' +p352936 +sg291136 +g27 +sg291137 +S'Erich Heckel' +p352937 +sa(dp352938 +g291134 +S'Lamech and Cain' +p352939 +sg291137 +S'Lucas van Leyden' +p352940 +sg291130 +S'engraving on laid paper' +p352941 +sg291132 +S'1524' +p352942 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ce47.jpg' +p352943 +sg291136 +g27 +sa(dp352944 +g291134 +S'Battlefield' +p352945 +sg291137 +S'Karel Dujardin' +p352946 +sg291130 +S'etching and drypoint on laid paper' +p352947 +sg291132 +S'1652' +p352948 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d0da.jpg' +p352949 +sg291136 +g27 +sa(dp352950 +g291134 +S'The Portrait Bust' +p352951 +sg291137 +S'Hubert Robert' +p352952 +sg291130 +S'etching on laid paper' +p352953 +sg291132 +S'1764' +p352954 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008c84.jpg' +p352955 +sg291136 +g27 +sa(dp352956 +g291134 +S'The Ancient Temple' +p352957 +sg291137 +S'Hubert Robert' +p352958 +sg291130 +S'etching on laid paper' +p352959 +sg291132 +S'1763/1764' +p352960 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008c86.jpg' +p352961 +sg291136 +g27 +sa(dp352962 +g291134 +S'The Sarcophagus' +p352963 +sg291137 +S'Hubert Robert' +p352964 +sg291130 +S'etching on laid paper' +p352965 +sg291132 +S'1763/1764' +p352966 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008c81.jpg' +p352967 +sg291136 +g27 +sa(dp352968 +g291134 +S'The Triumphal Arch' +p352969 +sg291137 +S'Hubert Robert' +p352970 +sg291130 +S'etching on laid paper' +p352971 +sg291132 +S'1763/1764' +p352972 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008c85.jpg' +p352973 +sg291136 +g27 +sa(dp352974 +g291134 +S'The Post' +p352975 +sg291137 +S'Hubert Robert' +p352976 +sg291130 +S'etching on laid paper' +p352977 +sg291132 +S'1763/1764' +p352978 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008c/a0008c82.jpg' +p352979 +sg291136 +g27 +sa(dp352980 +g291134 +S'Two Scouts' +p352981 +sg291137 +S'Winslow Homer' +p352982 +sg291130 +S'watercolor over graphite on wove paper' +p352983 +sg291132 +S'1887' +p352984 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00009/a000090a.jpg' +p352985 +sg291136 +g27 +sa(dp352986 +g291134 +S'Valley Curtain, Project for Colorado, Grand Hogback' +p352987 +sg291137 +S'Christo' +p352988 +sg291130 +S'collage with photostat by Harry Shunk, fabric, two diazo prints, enamel paint, graphite, colored pencil, wax crayon, tape, and staples on paperboard' +p352989 +sg291132 +S'1971' +p352990 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00054/a00054c7.jpg' +p352991 +sg291136 +g27 +sa(dp352992 +g291130 +S'collage with wax crayon, graphite, ball-point pen, brown wove paper and typed description on paperboard' +p352993 +sg291132 +S'1972' +p352994 +sg291134 +S'Running Fence, Project for the West Coast - USA' +p352995 +sg291136 +g27 +sg291137 +S'Christo' +p352996 +sa(dp352997 +g291134 +S'Package 1974' +p352998 +sg291137 +S'Christo' +p352999 +sg291130 +S'tarpaulin, rope, and wood' +p353000 +sg291132 +S'1974' +p353001 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00052/a0005276.jpg' +p353002 +sg291136 +S'Christo made his first packages and wrapped objects as part of a group called \n The critic David Bourdon called Christo\'s work "revelation through concealment",\n By extension, the fabric also alludes to the human body and to Christo\'s anthropological concerns. In discussing the medium, the artist cited a more contemporary and personal referent when relating the use of fabric to his Marxist background. He commented, "Friedrich Engels said that fabric made [modern] man different from primitive man...fabric is almost like an extension of our skin."\n Fabric has been the common denominator in Christo and Jeanne-Claude\'s work for over forty years, and has ranged in type from found materials to custom industrial weaves. The artists\' formalist concerns embrace the properties of fabric: its folds, pleats, and drape, which are created by the ropes or lines that bind or support it. Beyond these physical dimensions, however, Christo and Jeanne-Claude\'s work infiltrates the social fabric of the time and place where it is created.\n\n Package 1974\n In making \n (Text by Molly Donovan, published in the National Gallery of Art exhibition catalogue, \n Notes\n \n\n \n\n \n\n ' +p353003 +sa(dp353004 +g291130 +S'black felt-tip pen and graphite on blue laid paper' +p353005 +sg291132 +S'1969' +p353006 +sg291134 +S'Drawing Series I, II, III, IIII/IA [recto]' +p353007 +sg291136 +g27 +sg291137 +S'Sol LeWitt' +p353008 +sa(dp353009 +g291130 +S'black felt-tip pen and graphite on blue laid paper' +p353010 +sg291132 +S'1969' +p353011 +sg291134 +S'Untitled [verso]' +p353012 +sg291136 +g27 +sg291137 +S'Sol LeWitt' +p353013 +sa(dp353014 +g291130 +S'pen and black ink over graphite on wove paper' +p353015 +sg291132 +S'1969' +p353016 +sg291134 +S'Pen and Ink Drawing of Diagonal, Horizontal and Vertical Lines, Black on White' +p353017 +sg291136 +g27 +sg291137 +S'Sol LeWitt' +p353018 +sa(dp353019 +g291134 +S'Untitled' +p353020 +sg291137 +S'Sol LeWitt' +p353021 +sg291130 +S'painted wood' +p353022 +sg291132 +S'1971' +p353023 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00056/a000560f.jpg' +p353024 +sg291136 +g27 +sa(dp353025 +g291130 +S'colored felt-tip pen on wove paper' +p353026 +sg291132 +S'1972' +p353027 +sg291134 +S'Red Grid, Blue Circles, Black Arcs from Four Sides and Yellow Arcs from Four Corners' +p353028 +sg291136 +g27 +sg291137 +S'Sol LeWitt' +p353029 +sa(dp353030 +g291130 +S'red and blue felt-tip pens with graphite on wove paper' +p353031 +sg291132 +S'1975' +p353032 +sg291134 +S'Red Lines from the Midpoint of the Left Side and Blue Lines from the Midpoint of the Bottom Side' +p353033 +sg291136 +g27 +sg291137 +S'Sol LeWitt' +p353034 +sa(dp353035 +g291130 +S'red and blue felt-tip pens with graphite on wove paper' +p353036 +sg291132 +S'1975' +p353037 +sg291134 +S'Red Lines from Midpoint of the Left Side and the Upper Left Corner, Blue Lines from the Midpoint of the Bottom Side and the Lower Right Corner' +p353038 +sg291136 +g27 +sg291137 +S'Sol LeWitt' +p353039 +sa(dp353040 +g291134 +S'1/2 X Series (Medium Scale)' +p353041 +sg291137 +S'Robert Mangold' +p353042 +sg291130 +S'acrylic on incised hardboard' +p353043 +sg291132 +S'1968' +p353044 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005b/a0005b2f.jpg' +p353045 +sg291136 +g27 +sa(dp353046 +g291130 +S'acrylic and graphite on wove paper mounted on paperboard' +p353047 +sg291132 +S'1981' +p353048 +sg291134 +S'Red/Green X Within X' +p353049 +sg291136 +g27 +sg291137 +S'Robert Mangold' +p353050 +sa(dp353051 +g291130 +S'acrylic and graphite on four sheets of joined paper mounted to illustration board' +p353052 +sg291132 +S'1984' +p353053 +sg291134 +S'Four Color Frame Painting #1' +p353054 +sg291136 +g27 +sg291137 +S'Robert Mangold' +p353055 +sa(dp353056 +g291134 +S'Albert Einstein' +p353057 +sg291137 +S'Max Liebermann' +p353058 +sg291130 +S'lithograph on wove paper' +p353059 +sg291132 +S'1922' +p353060 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00058/a00058e1.jpg' +p353061 +sg291136 +g27 +sa(dp353062 +g291134 +S'The Japanese Footbridge' +p353063 +sg291137 +S'Claude Monet' +p353064 +sg291130 +S'oil on canvas' +p353065 +sg291132 +S'1899' +p353066 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00006/a0000671.jpg' +p353067 +sg291136 +S"In 1883 Monet moved his household, his two sons along with Alice Hoschedé and her children, to the rural community of Giverny, where he leased a house that he was able to purchase seven years later. In early 1893, he acquired a swampy area across the railroad tracks abutting his property and petitioned the village council for permission to divert a small stream into it. But it was only toward the end of that decade that he turned to the garden he had created there as a rich source of artistic inspiration.\n In 1899, Monet painted 12 works from a single vantage point, focusing on the arching blue–green bridge and the microcosm of his water garden. Among the 12 works was the National Gallery's \n When Monet exhibited these paintings at Durand–Ruel's gallery in 1900, a number of critics mentioned his debt to Japanese art. More telling, the impenetrable green enclosure—heightened in the National Gallery painting by the placement of the top of the bridge's arch just below the painting's top edge—harkens back to the \n " +p353068 +sa(dp353069 +g291134 +S'Saint Sebastian' +p353070 +sg291137 +S'Artist Information (' +p353071 +sg291130 +S'Netherlandish, 1540/1550 - 1620' +p353072 +sg291132 +S'(related artist)' +p353073 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002da4.jpg' +p353074 +sg291136 +S'A creation of supreme refinement as well as dramatic intensity, this \n Saint Sebastian, a Roman soldier martyred as a Christian, appears frequently in painting and sculpture from the fifteenth to the eighteenth centuries. According to legend, he was bound to a tree and shot full of arrows (an ordeal he survived, only to be clubbed to death later). The affliction with arrows led to his veneration as a protector against the comparable agonies of the plague, but his story also allowed artists to demonstrate to connoisseurs their ability to display an ideal young male nude in a pose full of expressive tension. The sculptor of this version was evidently familiar with the pose in paintings by artists such as Hans von Aachen (1552 - 1615), whose \n The sculptor imagined the saint with a short but strongly articulated torso, muscular shoulders, expansive rib cage, narrow waist, and heavy buttocks, one of which had to be flattened in the wax model to permit attachment to a tree-shaped support. With one leg bent back, and the foot of the straight leg barely grazing the ground, the figure appears in almost weightless suspension. His face turns upward and his forehead wrinkles in an agony that searches the heavens for help. His long, fleecy curls, sinuously modeled, suggest the flow of melting wax.\n\n This \n (Text by Alison Luchs, published in the National Gallery of Art exhibition catalogue, \n Notes\n \n \n \n \n \n \n ' +p353075 +sa(dp353076 +g291134 +S'Moonrise on an Empty Shore' +p353077 +sg291137 +S'Caspar David Friedrich' +p353078 +sg291130 +S'sepia washes over graphite on wove paper (with original black ink border)' +p353079 +sg291132 +S'1837/1839' +p353080 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00025/a000253b.jpg' +p353081 +sg291136 +g27 +sa(dp353082 +g291134 +S'A Triumphal Procession in Ancient Rome' +p353083 +sg291137 +S'Gaetano Gandolfi' +p353084 +sg291130 +S'pen and brown ink with brown wash over graphite and black chalk' +p353085 +sg291132 +S'c. 1780' +p353086 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00025/a000253d.jpg' +p353087 +sg291136 +g27 +sa(dp353088 +g291130 +S'1 vol: ill: 10 lithographs in yellow, red, and black plus images on cover and front leaf; this copy contains 1 hand-colored page' +p353089 +sg291132 +S'published 1982' +p353090 +sg291134 +S'Ich Stand vor der Mauer aus Glas (I Stood before the Glass Wall)' +p353091 +sg291136 +g27 +sg291137 +S'Markus L\xc3\xbcpertz' +p353092 +sa(dp353093 +g291134 +S'La promenade du Critique influent' +p353094 +sg291137 +S'Honor\xc3\xa9 Daumier' +p353095 +sg291130 +S'lithograph on wove paper' +p353096 +sg291132 +S'published 1865' +p353097 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00094/a00094e7.jpg' +p353098 +sg291136 +g27 +sa(dp353099 +g291134 +S'Alpheus and Arethusa' +p353100 +sg291137 +S'Jacopo Guarana' +p353101 +sg291130 +S'etching and engraving on heavy laid paper' +p353102 +sg291132 +S'1770/1780' +p353103 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc0d.jpg' +p353104 +sg291136 +g27 +sa(dp353105 +g291134 +S'The Death of Priam' +p353106 +sg291137 +S'Michael Lukas Leopold Willmann' +p353107 +sg291130 +S'pen and brown ink with brown washes over graphite on tan laid paper' +p353108 +sg291132 +S'c. 1660' +p353109 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00028/a00028e9.jpg' +p353110 +sg291136 +g27 +sa(dp353111 +g291134 +S'Shell (Vasum ceramicum)' +p353112 +sg291137 +S'Wenceslaus Hollar' +p353113 +sg291130 +S'etching on laid paper' +p353114 +sg291132 +S'c. 1645' +p353115 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000db/a000db1e.jpg' +p353116 +sg291136 +g27 +sa(dp353117 +g291134 +S'Shell (Murex brandaris)' +p353118 +sg291137 +S'Wenceslaus Hollar' +p353119 +sg291130 +S'etching on laid paper' +p353120 +sg291132 +S'c. 1645' +p353121 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f40.jpg' +p353122 +sg291136 +g27 +sa(dp353123 +g291134 +S'The Martyrdom of Saint Sebastian' +p353124 +sg291137 +S'Aegidius Sadeler II' +p353125 +sg291130 +S'black chalk with brown and gray wash heightened with white on laid paper' +p353126 +sg291132 +S'c. 1620' +p353127 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00027/a00027a5.jpg' +p353128 +sg291136 +g27 +sa(dp353129 +g291134 +S'The Martyrdom of Saint Sebastian' +p353130 +sg291137 +S'Aegidius Sadeler II' +p353131 +sg291130 +S'engraving on laid paper' +p353132 +sg291132 +S'c. 1620' +p353133 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d076.jpg' +p353134 +sg291136 +g27 +sa(dp353135 +g291134 +S'Cetara on the Gulf of Salerno' +p353136 +sg291137 +S'John Robert Cozens' +p353137 +sg291130 +S'watercolor over graphite on wove paper' +p353138 +sg291132 +S'1790' +p353139 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00024/a000242c.jpg' +p353140 +sg291136 +g27 +sa(dp353141 +g291134 +S'Slum Gardens No. 3' +p353142 +sg291137 +S'Joseph Norman' +p353143 +sg291130 +S'charcoal on wove paper' +p353144 +sg291132 +S'1990' +p353145 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00060/a0006064.jpg' +p353146 +sg291136 +S"The densely layered image of \n Joseph Norman frequently uses landscape imagery to convey meaning. For this work he drew on his experiences growing up in the ghettos of Chicago and on a trip in 1990 to Costa Rica, where he witnessed the affects of poverty on various neighborhoods. \n Norman was born in Chicago in 1957. He received a BS is art education from the University of Arkansas, Little Rock, in 1980 and an MFA six years later from the University of Cincinnati. After teaching drawing for nine years at the Rhode Island School of Design, Providence, he took a professorship at the Lamar Dodd School of Art at the University of Georgia, Athens, in 2001. He currently serves as the school's chairman of drawing and painting.\n " +p353147 +sa(dp353148 +g291130 +S'lithograph on Arches paper' +p353149 +sg291132 +S'1990' +p353150 +sg291134 +S'Notorious' +p353151 +sg291136 +g27 +sg291137 +S'Joseph Norman' +p353152 +sa(dp353153 +g291130 +S'painted steel' +p353154 +sg291132 +S'model 1962, fabricated 1992' +p353155 +sg291134 +S'The Snake Is Out' +p353156 +sg291136 +g27 +sg291137 +S'Tony Smith' +p353157 +sa(dp353158 +g291134 +S'Joseph Vien' +p353159 +sg291137 +S'Artist Information (' +p353160 +sg291130 +S'(artist after)' +p353161 +sg291132 +S'\n' +p353162 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000ff/a000ffa0.jpg' +p353163 +sg291136 +g27 +sa(dp353164 +g291134 +S'Saint Christopher Giving His Hand to the Infant Jesus' +p353165 +sg291137 +S'Francesco Amato' +p353166 +sg291130 +S'etching on laid paper' +p353167 +sg291132 +S'1650s' +p353168 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c9/a000c9af.jpg' +p353169 +sg291136 +g27 +sa(dp353170 +g291134 +S"T\xc3\xaate de Putiphar (Potiphar's Wife)" +p353171 +sg291137 +S'Artist Information (' +p353172 +sg291130 +S'(artist after)' +p353173 +sg291132 +S'\n' +p353174 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00096/a00096a5.jpg' +p353175 +sg291136 +g27 +sa(dp353176 +g291134 +S'Saint Gregoire I Delivering Souls from Purgatory' +p353177 +sg291137 +S'Artist Information (' +p353178 +sg291130 +S'(artist after)' +p353179 +sg291132 +S'\n' +p353180 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000cc/a000cc0a.jpg' +p353181 +sg291136 +g27 +sa(dp353182 +g291134 +S'Flora and Mercury' +p353183 +sg291137 +S'Giuseppe Diamantini' +p353184 +sg291130 +S'etching on laid paper' +p353185 +sg291132 +S'1690/1700' +p353186 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000ca/a000ca0a.jpg' +p353187 +sg291136 +g27 +sa(dp353188 +g291134 +S'Self-Portrait' +p353189 +sg291137 +S'Thomas Frye' +p353190 +sg291130 +S'mezzotint on laid paper' +p353191 +sg291132 +S'1760' +p353192 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00078/a00078ab.jpg' +p353193 +sg291136 +g27 +sa(dp353194 +g291134 +S'The Visitation' +p353195 +sg291137 +S'Lucas van Leyden' +p353196 +sg291130 +S'engraving on laid paper' +p353197 +sg291132 +S'1520' +p353198 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ce5d.jpg' +p353199 +sg291136 +g27 +sa(dp353200 +g291134 +S'Hands Holding Empty Gloves' +p353201 +sg291137 +S'Bernardo Strozzi' +p353202 +sg291130 +S'red chalk on beige oatmeal paper' +p353203 +sg291132 +S'c. 1618' +p353204 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00059/a0005980.jpg' +p353205 +sg291136 +g27 +sa(dp353206 +g291134 +S'Two Peasants with a Glass of Wine' +p353207 +sg291137 +S'David Teniers the Younger' +p353208 +sg291130 +S'oil on panel' +p353209 +sg291132 +S'c. 1645' +p353210 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e40.jpg' +p353211 +sg291136 +g27 +sa(dp353212 +g291134 +S'Henry, Duke of Lorrain' +p353213 +sg291137 +S'European 17th Century' +p353214 +sg291130 +S'Overall: 7.4 x 5.9 cm (2 15/16 x 2 5/16 in.)\r\noverall: 24.3 x 19.5 cm (9 9/16 x 7 11/16 in.)' +p353215 +sg291132 +S'\ngouache on parchment, mounted to wood' +p353216 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c5/a000c5a0.jpg' +p353217 +sg291136 +g27 +sa(dp353218 +g291130 +S'oil on hardboard' +p353219 +sg291132 +S'1950' +p353220 +sg291134 +S'Study for Homage to the Square: Light Rising' +p353221 +sg291136 +g27 +sg291137 +S'Josef Albers' +p353222 +sa(dp353223 +g291130 +S'oil on canvas' +p353224 +sg291132 +S'1950' +p353225 +sg291134 +S'Untitled (Yellow and White)' +p353226 +sg291136 +g27 +sg291137 +S'Ad Reinhardt' +p353227 +sa(dp353228 +g291130 +S'oil on canvas' +p353229 +sg291132 +S'1950' +p353230 +sg291134 +S'Untitled (Red and Gray)' +p353231 +sg291136 +g27 +sg291137 +S'Ad Reinhardt' +p353232 +sa(dp353233 +g291130 +S'mixed media collage' +p353234 +sg291132 +S'1970' +p353235 +sg291134 +S'Penny Arcade' +p353236 +sg291136 +g27 +sg291137 +S'Joseph Cornell' +p353237 +sa(dp353238 +g291130 +S'felt, paper and canvas collage on canvas' +p353239 +sg291132 +S'1971' +p353240 +sg291134 +S'Chodorow II' +p353241 +sg291136 +g27 +sg291137 +S'Frank Stella' +p353242 +sa(dp353243 +g291130 +S'acrylic and graphite on canvas' +p353244 +sg291132 +S'1981' +p353245 +sg291134 +S'Untitled #2' +p353246 +sg291136 +g27 +sg291137 +S'Agnes Martin' +p353247 +sa(dp353248 +g291130 +S'oil on canvas' +p353249 +sg291132 +S'1985' +p353250 +sg291134 +S'Saigon, Minnesota' +p353251 +sg291136 +g27 +sg291137 +S'Eric Fischl' +p353252 +sa(dp353253 +g291130 +S'watercolor over graphite on wove paper' +p353254 +sg291132 +S'1987' +p353255 +sg291134 +S'Untitled' +p353256 +sg291136 +g27 +sg291137 +S'David Salle' +p353257 +sa(dp353258 +g291130 +S'varnished steel' +p353259 +sg291132 +S'c. 1967/1968' +p353260 +sg291134 +S'Table Piece LXX' +p353261 +sg291136 +g27 +sg291137 +S'Anthony Caro' +p353262 +sa(dp353263 +g291134 +S'Three Oriental Heads' +p353264 +sg291137 +S'John Hamilton Mortimer' +p353265 +sg291130 +S'pen and black ink on laid paper; laid down' +p353266 +sg291132 +S'1770/1775' +p353267 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006d45.jpg' +p353268 +sg291136 +g27 +sa(dp353269 +g291134 +S'Three Oriental Heads' +p353270 +sg291137 +S'John Hamilton Mortimer' +p353271 +sg291130 +S'pen and black ink on laid paper; laid down' +p353272 +sg291132 +S'1770/1775' +p353273 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006d74.jpg' +p353274 +sg291136 +g27 +sa(dp353275 +g291134 +S'Three Oriental Heads' +p353276 +sg291137 +S'John Hamilton Mortimer' +p353277 +sg291130 +S'pen and black ink on laid paper; laid down' +p353278 +sg291132 +S'1770/1775' +p353279 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006d19.jpg' +p353280 +sg291136 +g27 +sa(dp353281 +g291134 +S'Two Oriental Heads' +p353282 +sg291137 +S'John Hamilton Mortimer' +p353283 +sg291130 +S'pen and black ink on laid paper; laid down' +p353284 +sg291132 +S'1770/1775' +p353285 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006ce6.jpg' +p353286 +sg291136 +g27 +sa(dp353287 +g291134 +S'Nude with Her Hands Raised' +p353288 +sg291137 +S'Gaston Lachaise' +p353289 +sg291130 +S'graphite on wove paper' +p353290 +sg291132 +S'c. 1928/1934' +p353291 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00072/a000728d.jpg' +p353292 +sg291136 +g27 +sa(dp353293 +g291130 +S'graphite and black and red chalks on tracing paper; laid down' +p353294 +sg291132 +S'c. 1938' +p353295 +sg291134 +S'Two Girls Reading' +p353296 +sg291136 +g27 +sg291137 +S'Isabel Bishop' +p353297 +sa(dp353298 +g291130 +S'color screenprint on wove paper' +p353299 +sg291132 +S'1948' +p353300 +sg291134 +S'La L\xc3\xadnea en Funci\xc3\xb3n del Plano' +p353301 +sg291136 +g27 +sg291137 +S'Raul Lozza' +p353302 +sa(dp353303 +g291130 +S'gouache, graphite, and collage on wove paper' +p353304 +sg291132 +S'1947' +p353305 +sg291134 +S'La L\xc3\xadnea en Funci\xc3\xb3n del Plano' +p353306 +sg291136 +g27 +sg291137 +S'Raul Lozza' +p353307 +sa(dp353308 +g291130 +S'acrylic and pen and black ink over graphite on wove paper' +p353309 +sg291132 +S'1976' +p353310 +sg291134 +S'Charting the Future' +p353311 +sg291136 +g27 +sg291137 +S'Herbert Bayer' +p353312 +sa(dp353313 +g291130 +S'(artist after)' +p353314 +sg291132 +S'\n' +p353315 +sg291134 +S'The Heart of the Andes' +p353316 +sg291136 +g27 +sg291137 +S'Artist Information (' +p353317 +sa(dp353318 +g291130 +S'drypoint in brown-black on heavy wove paper' +p353319 +sg291132 +S'1911' +p353320 +sg291134 +S'Head of a Girl (M\xc3\xa4dchenkopf)' +p353321 +sg291136 +g27 +sg291137 +S'Joseph Uhl' +p353322 +sa(dp353323 +g291130 +S'drypoint on laid paper' +p353324 +sg291132 +S'1922' +p353325 +sg291134 +S'Pokrowa Street, Vitebsk' +p353326 +sg291136 +g27 +sg291137 +S'Marc Chagall' +p353327 +sa(dp353328 +g291130 +S'drypoint on laid paper' +p353329 +sg291132 +S'1922' +p353330 +sg291134 +S'Birth' +p353331 +sg291136 +g27 +sg291137 +S'Marc Chagall' +p353332 +sa(dp353333 +g291130 +S'crayon and felt-tip pen over graphite on wove paper' +p353334 +sg291132 +S'1969' +p353335 +sg291134 +S'Mud Flow (1000 Tons of Yellow Mud)' +p353336 +sg291136 +g27 +sg291137 +S'Robert Smithson' +p353337 +sa(dp353338 +g291130 +S'graphite and black pencil on wove paper' +p353339 +sg291132 +S'1972' +p353340 +sg291134 +S'Granite Crystal' +p353341 +sg291136 +g27 +sg291137 +S'Robert Smithson' +p353342 +sa(dp353343 +g291134 +S'Alexander VI (Rodrigo Borgia, c. 1431-1503), Pope 1492 [obverse]' +p353344 +sg291137 +S'Artist Information (' +p353345 +sg291130 +g27 +sg291132 +S'(artist)' +p353346 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002dd3.jpg' +p353347 +sg291136 +g27 +sa(dp353348 +g291134 +S"Castel Sant' Angelo [reverse]" +p353349 +sg291137 +S'Artist Information (' +p353350 +sg291130 +g27 +sg291132 +S'(artist)' +p353351 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002dd4.jpg' +p353352 +sg291136 +g27 +sa(dp353353 +g291130 +S', c. 1550' +p353354 +sg291132 +S'\n' +p353355 +sg291134 +S'Gian Lodovico Battaglia [obverse]' +p353356 +sg291136 +g27 +sg291137 +S'Danese Cattaneo' +p353357 +sa(dp353358 +g291134 +S'Horse Pawing the Earth [reverse]' +p353359 +sg291137 +S'Danese Cattaneo' +p353360 +sg291130 +S', c. 1550' +p353361 +sg291132 +S'\n' +p353362 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00055/a0005563.jpg' +p353363 +sg291136 +g27 +sa(dp353364 +g291134 +S'Four Evangelists in a Scriptorium' +p353365 +sg291137 +S'Master I.K.' +p353366 +sg291130 +S'pen and brown ink with brown wash over red chalk on laid paper' +p353367 +sg291132 +S'1539' +p353368 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00025/a00025fc.jpg' +p353369 +sg291136 +g27 +sa(dp353370 +g291134 +S'Christ on the Cross' +p353371 +sg291137 +S'Alessandro Algardi' +p353372 +sg291130 +S'pen and brown ink over red chalk on laid paper' +p353373 +sg291132 +S'1647' +p353374 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00022/a0002225.jpg' +p353375 +sg291136 +g27 +sa(dp353376 +g291134 +S'Saint Jerome in a Cave' +p353377 +sg291137 +S'Albrecht D\xc3\xbcrer' +p353378 +sg291130 +S'woodcut on laid paper' +p353379 +sg291132 +S'1512' +p353380 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000ac/a000ac47.jpg' +p353381 +sg291136 +g27 +sa(dp353382 +g291130 +S'acrylic on canvas' +p353383 +sg291132 +S'1960' +p353384 +sg291134 +S'Blue Broadjump' +p353385 +sg291136 +g27 +sg291137 +S'Gene Davis' +p353386 +sa(dp353387 +g291130 +S'gouache and ink over graphite on Arches paper' +p353388 +sg291132 +S'1972' +p353389 +sg291134 +S'Sabine DM Region of the Moon' +p353390 +sg291136 +g27 +sg291137 +S'Nancy Graves' +p353391 +sa(dp353392 +g291130 +S'gouache and ink with gold felt-tip marker over graphite on Arches paper' +p353393 +sg291132 +S'1972' +p353394 +sg291134 +S'Riphaeus Mountain Region of the Moon' +p353395 +sg291136 +g27 +sg291137 +S'Nancy Graves' +p353396 +sa(dp353397 +g291130 +S'gouache and ink over graphite on Arches paper' +p353398 +sg291132 +S'1972' +p353399 +sg291134 +S'Fra Mauro Region of the Moon' +p353400 +sg291136 +g27 +sg291137 +S'Nancy Graves' +p353401 +sa(dp353402 +g291130 +S'gouache and ink over graphite on Arches paper' +p353403 +sg291132 +S'1972' +p353404 +sg291134 +S'Part of Sabine D Region of the Moon, Southwest Mare Tranquilitatis' +p353405 +sg291136 +g27 +sg291137 +S'Nancy Graves' +p353406 +sa(dp353407 +g291130 +S'gouache and ink over graphite on Arches paper' +p353408 +sg291132 +S'1972' +p353409 +sg291134 +S'Julius Caesar Quadrangle of the Moon' +p353410 +sg291136 +g27 +sg291137 +S'Nancy Graves' +p353411 +sa(dp353412 +g291130 +S'gouache and ink over graphite on Arches paper' +p353413 +sg291132 +S'1972' +p353414 +sg291134 +S'Maestlin G Region of the Moon' +p353415 +sg291136 +g27 +sg291137 +S'Nancy Graves' +p353416 +sa(dp353417 +g291130 +S'gouache and ink over graphite on Arches paper' +p353418 +sg291132 +S'1972' +p353419 +sg291134 +S'Maskelyne DA Region of the Moon' +p353420 +sg291136 +g27 +sg291137 +S'Nancy Graves' +p353421 +sa(dp353422 +g291130 +S'gouache and ink over graphite on Arches paper' +p353423 +sg291132 +S'1972' +p353424 +sg291134 +S'Sabine D Region of the Moon, Lunar Orbiter Site II P-6 Southwest Mare Tranquilitatis' +p353425 +sg291136 +g27 +sg291137 +S'Nancy Graves' +p353426 +sa(dp353427 +g291130 +S'gouache and ink over graphite on Arches paper' +p353428 +sg291132 +S'1972' +p353429 +sg291134 +S'Geological Map of the Sinus Iridum Quadrangle of the Moon' +p353430 +sg291136 +g27 +sg291137 +S'Nancy Graves' +p353431 +sa(dp353432 +g291130 +S'gouache and ink over graphite on Arches paper' +p353433 +sg291132 +S'1972' +p353434 +sg291134 +S'Montes Apenninus Region of the Moon' +p353435 +sg291136 +g27 +sg291137 +S'Nancy Graves' +p353436 +sa(dp353437 +g291136 +g27 +sg291134 +S'Pitcher' +p353438 +sg291137 +S'Manuel G. Runyan' +p353439 +sa(dp353440 +g291136 +g27 +sg291134 +S'"Westward Ho" Compote' +p353441 +sg291137 +S'Paul Kelly' +p353442 +sa(dp353443 +g291136 +g27 +sg291134 +S'Coffee Pot' +p353444 +sg291137 +S'Roberta Elvis' +p353445 +sa(dp353446 +g291136 +g27 +sg291134 +S'Wallpaper' +p353447 +sg291137 +S'American 20th Century' +p353448 +sa(dp353449 +g291136 +g27 +sg291134 +S'Flask' +p353450 +sg291137 +S'William Kieckhofel' +p353451 +sa(dp353452 +g291136 +g27 +sg291134 +S'Circus Wagon Figure: "Dancing Girl"' +p353453 +sg291137 +S'John Matulis' +p353454 +sa(dp353455 +g291130 +S'watercolor, gouache, and graphite on gray wove paper' +p353456 +sg291132 +S'c. 1914/1918' +p353457 +sg291134 +S'Railway Station [recto]' +p353458 +sg291136 +g27 +sg291137 +S'Charles Hoffbauer' +p353459 +sa(dp353460 +g291130 +S'graphite on gray wove paper' +p353461 +sg291132 +S'c. 1914/1918' +p353462 +sg291134 +S'Battlefield Scenes [verso]' +p353463 +sg291136 +g27 +sg291137 +S'Charles Hoffbauer' +p353464 +sa(dp353465 +g291134 +S'A Boy Wearing a Military Cap' +p353466 +sg291137 +S'French 18th Century' +p353467 +sg291130 +S'overall: 24.3 x 20.3 cm (9 9/16 x 8 in.)' +p353468 +sg291132 +S'\nblack chalk heightened with white on blue laid paper' +p353469 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00070/a00070a8.jpg' +p353470 +sg291136 +g27 +sa(dp353471 +g291134 +S'A Young Man Embracing a Girl' +p353472 +sg291137 +S'Giovanni Battista Piazzetta' +p353473 +sg291130 +S'black chalk, heightened with white on blue paper faded to gray' +p353474 +sg291132 +S'c. 1743' +p353475 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b5/a000b56f.jpg' +p353476 +sg291136 +S'During the brilliant artistic flowering\r\nin 18th-century Venice, the two\r\nmost important figure painters were\r\nGiovanni Battista Tiepolo (1696–1770)\r\nand Giovanni Battista Piazzetta. In his early years, Tiepolo\r\nwas strongly influenced by Piazzetta,\r\nthough his fiery and luminous fantasy later diverged from Piazzetta\xe2\x80\x99s contemplative\r\nand elegant naturalism.\n Piazzetta\xe2\x80\x99s art was wide-ranging, and included\r\nintensely felt religious works, images\r\nfrom ancient history, illustrations\r\nfor books of all types, and idyllic\r\ngenre scenes. The latter were characterized\r\nby sensitive portrayals of\r\nyoung men and women, usually in\r\npastoral or other ordinary costumes and\r\nfrequently with tender romantic overtones.\r\nLike John Donne and other\r\nBritish 17th-century poets,\r\nPiazzetta created works of profound\r\nand deeply moving spirituality but\r\nalso of light-hearted dalliance.\n Piazzetta first became famous for his\r\ndrawings, and among his many works on paper,\r\nhe was well-known for his nearly\r\nlife-sized heads and busts rendered in black\r\nand white chalk on Venetian blue\r\npaper. We know from inventories\r\nand other records that these character\r\nheads were immediately prized\r\nby his contemporaries and were\r\nframed and glazed to hang in rooms\r\nlike finished paintings. In fact, these\r\nworks were perhaps the earliest\r\ntype of drawings to be so consistently\r\ncollected and displayed, which also\r\nexplains why their paper has changed\r\ncolor from extended exposure to light, softening from blue to gray-green or tan.\n A Young Man Embracing a Girl\n At the time, this drawing was recognized as a masterpiece. It was immediately made into a full-sized engraving by \r\n\r\nGiovanni Cattini, a prominent Venetian printmaker, which was then copied by an Augsburg artist in mezzotint, later \r\n\r\nrecreated as an engraving by an artist in Munich, and finally rendered as a color woodcut by an English artist living in \r\n\r\nVenice. The renown of this drawing today is enhanced by its superb condition, with the whites brilliant and the blacks \r\n\r\npreserved with a thick, velvety richness.\n ' +p353477 +sa(dp353478 +g291130 +g27 +sg291132 +S'(medalist)' +p353479 +sg291134 +S'Achilles Seizing Troilus' +p353480 +sg291136 +g27 +sg291137 +S'Artist Information (' +p353481 +sa(dp353482 +g291130 +S'active 1980' +p353483 +sg291132 +S'(printer)' +p353484 +sg291134 +S'13 Etchings' +p353485 +sg291136 +g27 +sg291137 +S'Artist Information (' +p353486 +sa(dp353487 +g291134 +S'Norwegian Coast During a Storm' +p353488 +sg291137 +S'Johan Christian Dahl' +p353489 +sg291130 +S'etching with bitten tone on wove paper' +p353490 +sg291132 +S'1819' +p353491 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000de/a000de56.jpg' +p353492 +sg291136 +g27 +sa(dp353493 +g291134 +S'Plan and Three Views of a Circular Church' +p353494 +sg291137 +S'Pierre Varin' +p353495 +sg291130 +S'pen and black and gray ink with gray, pink, and blue washes on laid paper' +p353496 +sg291132 +S'c. 1750' +p353497 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f58.jpg' +p353498 +sg291136 +g27 +sa(dp353499 +g291134 +S'Three Views and a Plan of a Triangular Parish Church' +p353500 +sg291137 +S'Pierre Varin' +p353501 +sg291130 +S'pen and black and gray ink with gray, pink, and blue washes on laid paper' +p353502 +sg291132 +S'c. 1750' +p353503 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006fe1.jpg' +p353504 +sg291136 +g27 +sa(dp353505 +g291134 +S'Interior of a Temple' +p353506 +sg291137 +S'Pierre Varin' +p353507 +sg291130 +S'pen and black and gray ink with gray wash on laid paper' +p353508 +sg291132 +S'c. 1750' +p353509 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006fb3.jpg' +p353510 +sg291136 +g27 +sa(dp353511 +g291134 +S'Plan for a Decorated Ceiling' +p353512 +sg291137 +S'Pierre Varin' +p353513 +sg291130 +S'pen and black and gray ink with gray and black wash on laid paper' +p353514 +sg291132 +S'c. 1750' +p353515 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f87.jpg' +p353516 +sg291136 +g27 +sa(dp353517 +g291130 +g27 +sg291132 +S'(publisher)' +p353518 +sg291134 +S'City Edge' +p353519 +sg291136 +g27 +sg291137 +S'Artist Information (' +p353520 +sa(dp353521 +g291130 +S'painted wood and bronze' +p353522 +sg291132 +S'drawn 1960, executed 1964' +p353523 +sg291134 +S'Racconto alla strega no. 1' +p353524 +sg291136 +g27 +sg291137 +S'Pietro Consagra' +p353525 +sa(dp353526 +g291134 +S'Untitled (from Club/Spade Group 1981-82)' +p353527 +sg291137 +S'Richard Diebenkorn' +p353528 +sg291130 +S'gouache, crayon, and graphite on calendered paper' +p353529 +sg291132 +S'1982' +p353530 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00054/a000548c.jpg' +p353531 +sg291136 +g27 +sa(dp353532 +g291130 +S'color screenprint on wove paper' +p353533 +sg291132 +S'1970' +p353534 +sg291134 +S'Horizontal Composite' +p353535 +sg291136 +g27 +sg291137 +S'Sol LeWitt' +p353536 +sa(dp353537 +g291130 +S'etching' +p353538 +sg291132 +S'1881' +p353539 +sg291134 +S'Highway (Chaussee): pl. 4' +p353540 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353541 +sa(dp353542 +g291130 +S'etching' +p353543 +sg291132 +S'1889' +p353544 +sg291134 +S'Night (Nacht): pl.1' +p353545 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353546 +sa(dp353547 +g291130 +S'etching and aquatint' +p353548 +sg291132 +S'1915' +p353549 +sg291134 +S'The Swan Prince (Der Schwanenprinz): pl. 7' +p353550 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353551 +sa(dp353552 +g291130 +S'etching' +p353553 +sg291132 +S'published 1881' +p353554 +sg291134 +S'Simplicius in the Solitude of the Forest (Simplicius in der Waldein\xc3\xb6de): pl. 10' +p353555 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353556 +sa(dp353557 +g291130 +S'print' +p353558 +sg291132 +S'1881' +p353559 +sg291134 +S'Love, Death, and the Hereafter (Amor Tod und Jenseits): pl.12' +p353560 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353561 +sa(dp353562 +g291130 +S'etching' +p353563 +sg291132 +S'1889' +p353564 +sg291134 +S'Child (Kind): pl. 5' +p353565 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353566 +sa(dp353567 +g291130 +S'etching and aquatint' +p353568 +sg291132 +S'1915' +p353569 +sg291134 +S'By the Sea (Am Zee): pl. 3' +p353570 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353571 +sa(dp353572 +g291130 +S'etching and aquatint' +p353573 +sg291132 +S'1915' +p353574 +sg291134 +S'The Swans (Die Schw\xc3\xa4ne): pl. 4' +p353575 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353576 +sa(dp353577 +g291130 +S'etching and aquatint' +p353578 +sg291132 +S'1915' +p353579 +sg291134 +S'The Bull (Der Stier): pl. 6' +p353580 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353581 +sa(dp353582 +g291130 +S'etching and aquatint' +p353583 +sg291132 +S'1915' +p353584 +sg291134 +S'The Camp (Das Lager): pl. 5' +p353585 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353586 +sa(dp353587 +g291130 +S'etching' +p353588 +sg291132 +S'published 1881' +p353589 +sg291134 +S'Simplicius among the Soldiers (Simplicius unter den Soldaten): pl. 9' +p353590 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353591 +sa(dp353592 +g291130 +S'etching' +p353593 +sg291132 +S'1889' +p353594 +sg291134 +S'Sea (Meer): pl.3' +p353595 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353596 +sa(dp353597 +g291130 +S'etching and aquatint' +p353598 +sg291132 +S'1915' +p353599 +sg291134 +S'Girl and Archer (M\xc3\xa4dchen und Sch\xc3\xbctze): pl. 9' +p353600 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353601 +sa(dp353602 +g291130 +S'etching and aquatint' +p353603 +sg291132 +S'1915' +p353604 +sg291134 +S'The Shot (Der Schuss): pl. 10' +p353605 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353606 +sa(dp353607 +g291130 +S'etching' +p353608 +sg291132 +S'1889' +p353609 +sg291134 +S'Seafarers (Seeleute): pl.2' +p353610 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353611 +sa(dp353612 +g291134 +S'Moonlit Night (Mondnacht): pl. 4' +p353613 +sg291137 +S'Max Klinger' +p353614 +sg291130 +S'etching and aquatint' +p353615 +sg291132 +S'published 1881' +p353616 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005d/a0005d9f.jpg' +p353617 +sg291136 +g27 +sa(dp353618 +g291130 +S'etching' +p353619 +sg291132 +S'1889' +p353620 +sg291134 +S'On the Rails (Auf den Schienen): pl. 8' +p353621 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353622 +sa(dp353623 +g291130 +S'etching and aquatint' +p353624 +sg291132 +S'published 1881' +p353625 +sg291134 +S'By the Sea (Am Meer): pl. 2' +p353626 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353627 +sa(dp353628 +g291134 +S'Bear and Elf (B\xc3\xa4r und Elfe): pl.1' +p353629 +sg291137 +S'Max Klinger' +p353630 +sg291130 +S'etching and aquatint' +p353631 +sg291132 +S'published 1881' +p353632 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005d/a0005dd1.jpg' +p353633 +sg291136 +g27 +sa(dp353634 +g291130 +S'etching and aquatint' +p353635 +sg291132 +S'1915' +p353636 +sg291134 +S'Rape (Vergewaltigung): pl. 8' +p353637 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353638 +sa(dp353639 +g291130 +S'etching' +p353640 +sg291132 +S'published 1881' +p353641 +sg291134 +S'Fallen Rider (Gefallener Reiter): pl. 11' +p353642 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353643 +sa(dp353644 +g291130 +S'etching' +p353645 +sg291132 +S'1889' +p353646 +sg291134 +S'Death as Saviour (Der Tod als Heiland):pl. 10' +p353647 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353648 +sa(dp353649 +g291130 +S'etching' +p353650 +sg291132 +S'1889' +p353651 +sg291134 +S'Countryman (Landmann): pl. 7' +p353652 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353653 +sa(dp353654 +g291130 +S'etching and aquatint' +p353655 +sg291132 +S'published 1881' +p353656 +sg291134 +S'Hunted Centaur (Verfolgter Centaur): pl. 3' +p353657 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353658 +sa(dp353659 +g291130 +S'etching' +p353660 +sg291132 +S'published 1881' +p353661 +sg291134 +S"Simplicius at the Hermit's Grave (Simplicius am Grabe des Einsiedlers); pl. 8" +p353662 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353663 +sa(dp353664 +g291130 +S'etching and aquatint' +p353665 +sg291132 +S'published 1881' +p353666 +sg291134 +S'Fighting Centaurs (K\xc3\xa4mpfende Centauren): pl. 5' +p353667 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353668 +sa(dp353669 +g291130 +S'etching' +p353670 +sg291132 +S'1889' +p353671 +sg291134 +S'Poor Family (Arme Familie): pl.9' +p353672 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353673 +sa(dp353674 +g291130 +S'etching and aquatint' +p353675 +sg291132 +S'1915' +p353676 +sg291134 +S'Introduction (Vorspiel): pl. 1' +p353677 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353678 +sa(dp353679 +g291130 +S'etching and aquatint' +p353680 +sg291132 +S'published 1881' +p353681 +sg291134 +S'Avalanche (Bergsturz):p l. 6' +p353682 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353683 +sa(dp353684 +g291130 +S'etching and aquatint' +p353685 +sg291132 +S'published 1881' +p353686 +sg291134 +S"Simplicius's Writing Lesson (Simplici Schreibstunde): pl. 7" +p353687 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353688 +sa(dp353689 +g291130 +S'etching' +p353690 +sg291132 +S'1889' +p353691 +sg291134 +S'Herod (Herodes): pl. 6' +p353692 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353693 +sa(dp353694 +g291130 +S'etching and aquatint' +p353695 +sg291132 +S'1915' +p353696 +sg291134 +S'Before the Queen (Vor der K\xc3\xb6nigin): pl. 24' +p353697 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353698 +sa(dp353699 +g291130 +S'etching and aquatint' +p353700 +sg291132 +S'1915' +p353701 +sg291134 +S'Preparation for the Dance (Bereitung zum Tanz): pl. 25' +p353702 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353703 +sa(dp353704 +g291130 +S'etching and aquatint' +p353705 +sg291132 +S'1915' +p353706 +sg291134 +S'Gratitude (Dank): pl. 11' +p353707 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353708 +sa(dp353709 +g291130 +S'etching and aquatint' +p353710 +sg291132 +S'1915' +p353711 +sg291134 +S'Found (Gefunden): pl. 41' +p353712 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353713 +sa(dp353714 +g291130 +S'etching and aquatint' +p353715 +sg291132 +S'1915' +p353716 +sg291134 +S'Through the Mountains (Durchs Gebirge): pl. 19' +p353717 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353718 +sa(dp353719 +g291130 +S'etching and aquatint' +p353720 +sg291132 +S'1915' +p353721 +sg291134 +S'Condition (Bedingung): pl. 38' +p353722 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353723 +sa(dp353724 +g291130 +S'etching and aquatint' +p353725 +sg291132 +S'1915' +p353726 +sg291134 +S'The Foot (Der Fuss): pl. 16' +p353727 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353728 +sa(dp353729 +g291130 +S'etching and aquatint' +p353730 +sg291132 +S'1915' +p353731 +sg291134 +S'Dance (Tanz): pl. 27' +p353732 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353733 +sa(dp353734 +g291130 +S'etching and aquatint' +p353735 +sg291132 +S'1915' +p353736 +sg291134 +S'The Expedition (Der Zug): pl. 13' +p353737 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353738 +sa(dp353739 +g291130 +S'etching and aquatint' +p353740 +sg291132 +S'1915' +p353741 +sg291134 +S'Flight (Flucht): pl. 21' +p353742 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353743 +sa(dp353744 +g291130 +S'etching and aquatint' +p353745 +sg291132 +S'1915' +p353746 +sg291134 +S'Queen and Goddess (K\xc3\xb6ningin und G\xc3\xb6ttin): pl. 32' +p353747 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353748 +sa(dp353749 +g291130 +S'etching and aquatint' +p353750 +sg291132 +S'1915' +p353751 +sg291134 +S'Assault (Best\xc3\xbcrmung): pl. 28' +p353752 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353753 +sa(dp353754 +g291130 +S'etching and aquatint' +p353755 +sg291132 +S'1915' +p353756 +sg291134 +S'Horror (Entsetzen): pl. 44' +p353757 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353758 +sa(dp353759 +g291130 +S'etching and aquatint' +p353760 +sg291132 +S'1915' +p353761 +sg291134 +S'Murder (Mord): pl. 39' +p353762 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353763 +sa(dp353764 +g291130 +S'etching and aquatint' +p353765 +sg291132 +S'1915' +p353766 +sg291134 +S'Night in the Forest (Waldnacht): pl. 42' +p353767 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353768 +sa(dp353769 +g291130 +S'etching and aquatint' +p353770 +sg291132 +S'1915' +p353771 +sg291134 +S'Avalanche (Bergsturz): pl. 20' +p353772 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353773 +sa(dp353774 +g291130 +S'etching and aquatint' +p353775 +sg291132 +S'1915' +p353776 +sg291134 +S'The Bowl (Die Schale): pl. 15' +p353777 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353778 +sa(dp353779 +g291130 +S'etching and aquatint' +p353780 +sg291132 +S'1915' +p353781 +sg291134 +S"Before the Tower (Vor'm Turm): pl. 36" +p353782 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353783 +sa(dp353784 +g291130 +S'etching and aquatint' +p353785 +sg291132 +S'1915' +p353786 +sg291134 +S'Magician and Knight (Zauberer und Ritter): pl. 34' +p353787 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353788 +sa(dp353789 +g291130 +S'etching and aquatint' +p353790 +sg291132 +S'1915' +p353791 +sg291134 +S'The Great Goddess (Die Grosse G\xc3\xb6ttin): pl. 26' +p353792 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353793 +sa(dp353794 +g291130 +S'etching and aquatint' +p353795 +sg291132 +S'1915' +p353796 +sg291134 +S"In One's Own Country (Im eigenem Land): pl. 43" +p353797 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353798 +sa(dp353799 +g291130 +S'etching and aquatint' +p353800 +sg291132 +S'1915' +p353801 +sg291134 +S'On the Tower (Auf dem Turm): pl. 30' +p353802 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353803 +sa(dp353804 +g291130 +S'etching and aquatint' +p353805 +sg291132 +S'1915' +p353806 +sg291134 +S'At the Gate (Am Tor): pl. 23' +p353807 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353808 +sa(dp353809 +g291130 +S'etching and aquatint' +p353810 +sg291132 +S'1915' +p353811 +sg291134 +S'Voyage in Space (Luftfahrt): pl. 40' +p353812 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353813 +sa(dp353814 +g291130 +S'etching and aquatint' +p353815 +sg291132 +S'1915' +p353816 +sg291134 +S'Captured (Gefangen): pl. 22' +p353817 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353818 +sa(dp353819 +g291130 +S'etching and aquatint' +p353820 +sg291132 +S'1915' +p353821 +sg291134 +S'The Tent (Zelt): pl. 2' +p353822 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353823 +sa(dp353824 +g291130 +S'etching and aquatint' +p353825 +sg291132 +S'1915' +p353826 +sg291134 +S'The Cave (Die H\xc3\xb6hle): pl. 37' +p353827 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353828 +sa(dp353829 +g291130 +S'etching and aquatint' +p353830 +sg291132 +S'1889' +p353831 +sg291134 +S'Dream Path (Traumweg): pl. 35' +p353832 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353833 +sa(dp353834 +g291130 +S'etching and aquatint' +p353835 +sg291132 +S'1915' +p353836 +sg291134 +S'Murder and Abduction (Mord und Entf\xc3\xbchrung): pl. 17' +p353837 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353838 +sa(dp353839 +g291130 +S'etching and aquatint' +p353840 +sg291132 +S'1915' +p353841 +sg291134 +S'Threat (Drohung): pl. 31' +p353842 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353843 +sa(dp353844 +g291130 +S'etching and aquatint' +p353845 +sg291132 +S'1915' +p353846 +sg291134 +S'Gifts (Geschenke): pl. 29' +p353847 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353848 +sa(dp353849 +g291130 +S'etching and aquatint' +p353850 +sg291132 +S'1915' +p353851 +sg291134 +S'Goddess and Magician (G\xc3\xb6ttin und Zauberer): pl. 33' +p353852 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353853 +sa(dp353854 +g291130 +S'etching and aquatint' +p353855 +sg291132 +S'1915' +p353856 +sg291134 +S'Invasion (Einbruch): pl. 14' +p353857 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353858 +sa(dp353859 +g291130 +S'etching and aquatint' +p353860 +sg291132 +S'1915' +p353861 +sg291134 +S'Night (Nacht): pl. 12' +p353862 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353863 +sa(dp353864 +g291130 +S'etching and aquatint' +p353865 +sg291132 +S'1915' +p353866 +sg291134 +S'Through the Swamps (Durch S\xc3\xbcmpfe): pl. 18' +p353867 +sg291136 +g27 +sg291137 +S'Max Klinger' +p353868 +sa(dp353869 +g291134 +S'Page from "Libro de\' Disegni"' +p353870 +sg291137 +S'Artist Information (' +p353871 +sg291130 +S'(artist)' +p353872 +sg291132 +S'\n' +p353873 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0001e/a0001e17.jpg' +p353874 +sg291136 +g27 +sa(dp353875 +g291134 +S'Head of a Youth Wearing a Cap; a Right Forearm with the Hand Clutching a Stone; and a Left Hand Holding a Drapery' +p353876 +sg291137 +S'Sandro Botticelli' +p353877 +sg291130 +S'metalpoint heightened with white gouache on mauve-prepared paper' +p353878 +sg291132 +S'1480/1485' +p353879 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0002a/a0002af9.jpg' +p353880 +sg291136 +g27 +sa(dp353881 +g291134 +S'Standing Nude Youth' +p353882 +sg291137 +S'Filippino Lippi' +p353883 +sg291130 +S'metalpoint heightened with white on gray-prepared paper' +p353884 +sg291132 +S'c. 1496' +p353885 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00025/a00025ed.jpg' +p353886 +sg291136 +g27 +sa(dp353887 +g291134 +S'Man with a Stick' +p353888 +sg291137 +S'Filippino Lippi' +p353889 +sg291130 +S'metalpoint heightened with white on gray-prepared paper' +p353890 +sg291132 +S'c. 1500' +p353891 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00025/a00025f2.jpg' +p353892 +sg291136 +g27 +sa(dp353893 +g291134 +S'Various Figure Studies' +p353894 +sg291137 +S'Filippino Lippi' +p353895 +sg291130 +S'metalpoint heightened with white on ochre-prepared paper with borders by Vasari in brown ink' +p353896 +sg291132 +S'c. 1493/1495' +p353897 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00026/a000260d.jpg' +p353898 +sg291136 +g27 +sa(dp353899 +g291134 +S'Dancing Putto Holding a Drapery' +p353900 +sg291137 +S'Filippino Lippi' +p353901 +sg291130 +S'pen and brown ink on laid paper' +p353902 +sg291132 +S'c. 1493/1497' +p353903 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00025/a00025f3.jpg' +p353904 +sg291136 +g27 +sa(dp353905 +g291134 +S'An Angel Carrying a Torch' +p353906 +sg291137 +S'Filippino Lippi' +p353907 +sg291130 +S'pen and brown ink and gray wash on laid paper' +p353908 +sg291132 +S'c. 1500/1504' +p353909 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000be/a000be78.jpg' +p353910 +sg291136 +g27 +sa(dp353911 +g291134 +S'Two Angels Carrying Torches' +p353912 +sg291137 +S'Filippino Lippi' +p353913 +sg291130 +S'pen and brown ink and brown wash on laid paper, pricked for transfer' +p353914 +sg291132 +S'c. 1501' +p353915 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000be/a000be79.jpg' +p353916 +sg291136 +g27 +sa(dp353917 +g291134 +S'Saint Roch between Saints Anthony Abbot and Catherine of Alexandria' +p353918 +sg291137 +S'Raffaellino del Garbo' +p353919 +sg291130 +S'gouache and brown wash heightened with white on laid paper' +p353920 +sg291132 +S'c. 1485/1495' +p353921 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00022/a00022b9.jpg' +p353922 +sg291136 +g27 +sa(dp353923 +g291134 +S'Standing Woman with Her Hands Clasped in Prayer' +p353924 +sg291137 +S'Filippino Lippi' +p353925 +sg291130 +S'metalpoint heightened with white on gray-prepared paper' +p353926 +sg291132 +S'c. 1488' +p353927 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00025/a00025f5.jpg' +p353928 +sg291136 +g27 +sa(dp353929 +g291134 +S'Two Draped Women Standing on Either Side of a Herm' +p353930 +sg291137 +S'Filippino Lippi' +p353931 +sg291130 +S'metalpoint heightened with white on light green-prepared paper' +p353932 +sg291132 +S'1488/1493' +p353933 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00025/a00025ee.jpg' +p353934 +sg291136 +g27 +sa(dp353935 +g291130 +S'album with title page, introductory page, illustrated preface, 39 hand-colored woodcuts, and 2 drawings' +p353936 +sg291132 +S'c. 1970' +p353937 +sg291134 +S'The Dream of Abu-Said' +p353938 +sg291136 +g27 +sg291137 +S'Ilya Kabakov' +p353939 +sa(dp353940 +g291134 +S'View of Bozen with a Painter' +p353941 +sg291137 +S'Jules Coignet' +p353942 +sg291130 +S'oil on paper on canvas' +p353943 +sg291132 +S'1837' +p353944 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0002b/a0002b19.jpg' +p353945 +sg291136 +g27 +sa(dp353946 +g291134 +S'View of Lake Nemi' +p353947 +sg291137 +S'Jules Coignet' +p353948 +sg291130 +S'oil on paper on canvas' +p353949 +sg291132 +S'1843' +p353950 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000dad.jpg' +p353951 +sg291136 +g27 +sa(dp353952 +g291134 +S'Forest Interior with a Painter, Civita Castellana' +p353953 +sg291137 +S'Andr\xc3\xa9 Giroux' +p353954 +sg291130 +S'oil on paper' +p353955 +sg291132 +S'1825/1830' +p353956 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f30.jpg' +p353957 +sg291136 +g27 +sa(dp353958 +g291134 +S'Forest Interior with a Waterfall, Papigno' +p353959 +sg291137 +S'Andr\xc3\xa9 Giroux' +p353960 +sg291130 +S'oil on paper' +p353961 +sg291132 +S'1825/1830' +p353962 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e9c.jpg' +p353963 +sg291136 +g27 +sa(dp353964 +g291134 +S'Kellergarten im Rosenheim' +p353965 +sg291137 +S'Max Liebermann' +p353966 +sg291130 +S'etching on wove paper' +p353967 +sg291132 +S'1895' +p353968 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00059/a0005921.jpg' +p353969 +sg291136 +g27 +sa(dp353970 +g291134 +S'Self-Portrait' +p353971 +sg291137 +S'Max Liebermann' +p353972 +sg291130 +S'etching on laid paper' +p353973 +sg291132 +S'1906' +p353974 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00059/a0005920.jpg' +p353975 +sg291136 +g27 +sa(dp353976 +g291134 +S'Margaret ("Gretchen") Strong' +p353977 +sg291137 +S'Frank Weston Benson' +p353978 +sg291130 +S'oil on canvas' +p353979 +sg291132 +S'c. 1909' +p353980 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0004d/a0004d31.jpg' +p353981 +sg291136 +S'An instructor at the Boston Museum school, Frank Benson created lovely\r\n daydreams of women and children frolicking outdoors. One of his daughters\r\n recalled their family vacations in North Haven, Maine: "Papa would often\r\n have us put on our best white dresses and then ask us to sit in the grass\r\n or play in the woods. We thought it was so silly and the maids made such a\r\n fuss when they saw the clothes afterwards."\n These modeling sessions resulted in such idyllic works as \n In a very daring maneuver for a commissioned portrait, Benson left\r\n Margaret\'s face still turned away from the sun. He did modify the design by\r\n raising the beach line of the distant cape so that, here, it would not cut\r\n across her profile. Her striking, coppery red hair frames her head, keys\r\n into the warm tan grass, and complements the blue Atlantic and the cool,\r\n iridescent shadows. Above all, the dazzling virtuosity of Benson\'s rapid\r\n brushwork captures attention.\n ' +p353982 +sa(dp353983 +g291130 +S'cast bronze' +p353984 +sg291132 +S'model 1889, cast 1983' +p353985 +sg291134 +S'La Douleur (de la Porte)' +p353986 +sg291136 +g27 +sg291137 +S'Auguste Rodin' +p353987 +sa(dp353988 +g291130 +S'French, 1840 - 1917' +p353989 +sg291132 +S'(artist after)' +p353990 +sg291134 +S'Lost-Wax Casting Display: plaster model [first of ten steps]' +p353991 +sg291136 +g27 +sg291137 +S'Artist Information (' +p353992 +sa(dp353993 +g291130 +S'offset lithograph on calendered paper' +p353994 +sg291132 +S'1969' +p353995 +sg291134 +S'Autobiography [top or left panel]' +p353996 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p353997 +sa(dp353998 +g291130 +S'offset lithograph on calendered paper' +p353999 +sg291132 +S'1969' +p354000 +sg291134 +S'Autobiography [top or left panel]' +p354001 +sg291136 +g27 +sg291137 +S'Robert Rauschenberg' +p354002 +sa(dp354003 +g291130 +S'oil on canvas' +p354004 +sg291132 +S'1794' +p354005 +sg291134 +S'John Jay' +p354006 +sg291136 +S'The classical column, crimson drapery, legal tome, and robes of state in this impressive portrait recall the "Grand Manner" tradition Stuart had used to emphasize the social status of British aristocrats.\n As a framer of the Constitution and the first Chief Justice of the \n United States from 1789 to 1795, John Jay was the first American statesman \n of international reputation whom Stuart ever painted. The success of this \n likeness of the chief justice, painted in New York in 1794, introduced \n Stuart to an appreciative clientele in America.\n The forty-nine-year-old Jay could spare time to pose only for the head. \n His nephew modeled the judicial robe so that Stuart could complete the \n body. Broadly painted strokes suggest the robe\'s gleaming scarlet, black, \n and white satin, setting off by contrast the careful execution of Jay\'s \n handsome features.\n Stuart rendered Jay\'s complexion with deftly executed highlights in opaque \n paint on top of translucent glazes of thinned oils. Later the artist \n explained his methods for painting such lively skin tones: "Good flesh \n color partook of all colors, not mixed so as to combine in one tint, but \n shining through each other, like blood through natural skin."\n ' +p354007 +sg291137 +S'Gilbert Stuart' +p354008 +sa(dp354009 +g291134 +S'Mound of Butter' +p354010 +sg291137 +S'Antoine Vollon' +p354011 +sg291130 +S'oil on canvas' +p354012 +sg291132 +S'1875/1885' +p354013 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00007/a0000750.jpg' +p354014 +sg291136 +g27 +sa(dp354015 +g291134 +S'Bottles' +p354016 +sg291137 +S'Stanley William Hayter' +p354017 +sg291130 +S'softground etching and aquatint in black on wove paper' +p354018 +sg291132 +S'1926' +p354019 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00080/a00080a7.jpg' +p354020 +sg291136 +g27 +sa(dp354021 +g291134 +S'Combat' +p354022 +sg291137 +S'Stanley William Hayter' +p354023 +sg291130 +S'color engraving and softground etching on wove paper' +p354024 +sg291132 +S'1953' +p354025 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0001e/a0001e22.jpg' +p354026 +sg291136 +g27 +sa(dp354027 +g291134 +S'Unstable Woman' +p354028 +sg291137 +S'Stanley William Hayter' +p354029 +sg291130 +S'color engraving and softground etching with embossed open bite areas on laid paper' +p354030 +sg291132 +S'1946-1947' +p354031 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00082/a0008270.jpg' +p354032 +sg291136 +g27 +sa(dp354033 +g291134 +S'Cronos' +p354034 +sg291137 +S'Stanley William Hayter' +p354035 +sg291130 +S'engraving and softground etching in black with embossed open bite areas on wove paper' +p354036 +sg291132 +S'1944' +p354037 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00060/a00060fb.jpg' +p354038 +sg291136 +g27 +sa(dp354039 +g291134 +S'Onde Verte' +p354040 +sg291137 +S'Stanley William Hayter' +p354041 +sg291130 +S'color softground etching, etching, and scorper on wove paper' +p354042 +sg291132 +S'1965' +p354043 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0001e/a0001e23.jpg' +p354044 +sg291136 +g27 +sa(dp354045 +g291130 +S'hand-made folding book with 12 double-page acrylics on board' +p354046 +sg291132 +S'1977' +p354047 +sg291134 +S'Opposite without Opposition' +p354048 +sg291136 +g27 +sg291137 +S'Ming Wang' +p354049 +sa(dp354050 +g291134 +S'Tiger' +p354051 +sg291137 +S'Ellsworth Kelly' +p354052 +sg291130 +S'oil on canvas (five joined panels)' +p354053 +sg291132 +S'1953' +p354054 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00053/a0005332.jpg' +p354055 +sg291136 +S'Ellsworth Kelly realized his first abstractions during his stay in France from 1948 to 1954. In these extremely productive years, he created a body of work whose refinement of line, form, and color remains the fundamental language of his art. \n In November 1951, Kelly left Paris for the Mediterranean fishing village of Sanary, where he remained until May of the following year. There Kelly produced his first monochrome polyptychs and studies for related works that he executed later. \n The colors for \n During this period, Kelly spent a lot of time looking at art and architecture in Europe. The geometric structures he saw probably provided source material for \n Kelly\'s works from his years in France are characterized chiefly by his use of multiple rectangular planes, most of which are uniform in size within a given work. In \n (Text by Molly Donovan, published in the National Gallery of Art exhibition catalogue,\n Notes\n \n \n \n \n \n ' +p354056 +sa(dp354057 +g291134 +S'The Erpingham Gate, Norwich' +p354058 +sg291137 +S'John Carter' +p354059 +sg291130 +S'pen and black ink, gray wash, and watercolor on laid paper' +p354060 +sg291132 +S'1791' +p354061 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00069/a0006953.jpg' +p354062 +sg291136 +g27 +sa(dp354063 +g291134 +S'Cosimo II, Grand Duke of Tuscany' +p354064 +sg291137 +S'Adriaen Haelwegh' +p354065 +sg291130 +S'engraving on laid paper' +p354066 +sg291132 +S'before 1691' +p354067 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d521.jpg' +p354068 +sg291136 +g27 +sa(dp354069 +g291134 +S'Sebastian Le Clerc' +p354070 +sg291137 +S'Claude Duflos' +p354071 +sg291130 +S'engraving on laid paper' +p354072 +sg291132 +S'c. 1714' +p354073 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0008e/a0008ea8.jpg' +p354074 +sg291136 +g27 +sa(dp354075 +g291130 +S'charcoal on laid paper' +p354076 +sg291132 +S'1915' +p354077 +sg291134 +S'Second, Out of My Head' +p354078 +sg291136 +g27 +sg291137 +S"Georgia O'Keeffe" +p354079 +sa(dp354080 +g291130 +S'charcoal on laid paper' +p354081 +sg291132 +S'1915' +p354082 +sg291134 +S'No. 12-Special' +p354083 +sg291136 +g27 +sg291137 +S"Georgia O'Keeffe" +p354084 +sa(dp354085 +g291130 +S'charcoal on laid paper' +p354086 +sg291132 +S'1916' +p354087 +sg291134 +S'I-Special' +p354088 +sg291136 +g27 +sg291137 +S"Georgia O'Keeffe" +p354089 +sa(dp354090 +g291130 +S'charcoal on laid paper' +p354091 +sg291132 +S'1915' +p354092 +sg291134 +S'No. 2-Special' +p354093 +sg291136 +g27 +sg291137 +S"Georgia O'Keeffe" +p354094 +sa(dp354095 +g291130 +S'charcoal on laid paper' +p354096 +sg291132 +S'1915' +p354097 +sg291134 +S'No. 3-Special' +p354098 +sg291136 +g27 +sg291137 +S"Georgia O'Keeffe" +p354099 +sa(dp354100 +g291130 +S'charcoal on laid paper' +p354101 +sg291132 +S'1915' +p354102 +sg291134 +S'No. 4 Special' +p354103 +sg291136 +g27 +sg291137 +S"Georgia O'Keeffe" +p354104 +sa(dp354105 +g291130 +S'charcoal on laid paper' +p354106 +sg291132 +S'1915' +p354107 +sg291134 +S'No. 5 Special' +p354108 +sg291136 +g27 +sg291137 +S"Georgia O'Keeffe" +p354109 +sa(dp354110 +g291130 +S'charcoal on laid paper' +p354111 +sg291132 +S'1915' +p354112 +sg291134 +S'No. 7 Special' +p354113 +sg291136 +g27 +sg291137 +S"Georgia O'Keeffe" +p354114 +sa(dp354115 +g291130 +S'charcoal on laid paper' +p354116 +sg291132 +S'1916' +p354117 +sg291134 +S'No. 14 Special' +p354118 +sg291136 +g27 +sg291137 +S"Georgia O'Keeffe" +p354119 +sa(dp354120 +g291130 +S'charcoal on laid paper' +p354121 +sg291132 +S'1915' +p354122 +sg291134 +S'No. 20-From Music-Special' +p354123 +sg291136 +g27 +sg291137 +S"Georgia O'Keeffe" +p354124 +sa(dp354125 +g291130 +S'charcoal on laid paper' +p354126 +sg291132 +S'1916' +p354127 +sg291134 +S'First Drawing of the Blue Lines' +p354128 +sg291136 +g27 +sg291137 +S"Georgia O'Keeffe" +p354129 +sa(dp354130 +g291130 +S'charcoal on laid paper' +p354131 +sg291132 +S'1918' +p354132 +sg291134 +S'No. 16 Special' +p354133 +sg291136 +g27 +sg291137 +S"Georgia O'Keeffe" +p354134 +sa(dp354135 +g291130 +S'charcoal on laid paper' +p354136 +sg291132 +S'1916/1917' +p354137 +sg291134 +S'Untitled (Abstraction)' +p354138 +sg291136 +g27 +sg291137 +S"Georgia O'Keeffe" +p354139 +sa(dp354140 +g291130 +S'gelatin silver print' +p354141 +sg291132 +S'1957' +p354142 +sg291134 +S'Washington D.C. Inauguration Day' +p354143 +sg291136 +g27 +sg291137 +S'Robert Frank' +p354144 +sa(dp354145 +g291130 +S'gelatin silver print' +p354146 +sg291132 +S'1952' +p354147 +sg291134 +S'City of London' +p354148 +sg291136 +g27 +sg291137 +S'Robert Frank' +p354149 +sa(dp354150 +g291130 +S'gelatin silver print' +p354151 +sg291132 +S'1952' +p354152 +sg291134 +S'City of London' +p354153 +sg291136 +g27 +sg291137 +S'Robert Frank' +p354154 +sa(dp354155 +g291130 +S'gelatin silver print' +p354156 +sg291132 +S'1952' +p354157 +sg291134 +S'City of London' +p354158 +sg291136 +g27 +sg291137 +S'Robert Frank' +p354159 +sa(dp354160 +g291134 +S'Pallas Athene in the Form of a Bird Leaving Nestor and Telemachus' +p354161 +sg291137 +S'Jean-Jacques-Fran\xc3\xa7ois Le Barbier I' +p354162 +sg291130 +S'pen and black ink with gray and brown washes over graphite, heightened with white, on laid paper' +p354163 +sg291132 +S'c. 1780' +p354164 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00071/a0007117.jpg' +p354165 +sg291136 +g27 +sa(dp354166 +g291134 +S'An Ancient Sacrifice' +p354167 +sg291137 +S'Cl\xc3\xa9ment-Pierre Marillier' +p354168 +sg291130 +S'pen and black ink with gray wash, heightened with white, on laid paper' +p354169 +sg291132 +S'c. 1800' +p354170 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006e2b.jpg' +p354171 +sg291136 +g27 +sa(dp354172 +g291134 +S'Mythological Composition with Chronos and Harpies [recto]' +p354173 +sg291137 +S'Giovanni Battista Cipriani' +p354174 +sg291130 +S'red chalk on laid paper' +p354175 +sg291132 +S'unknown date\n' +p354176 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00072/a000721e.jpg' +p354177 +sg291136 +g27 +sa(dp354178 +g291134 +S'Study of Two Putti and a Draped Arm [verso]' +p354179 +sg291137 +S'Giovanni Battista Cipriani' +p354180 +sg291130 +S'black chalk on laid paper' +p354181 +sg291132 +S'unknown date\n' +p354182 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00071/a00071e5.jpg' +p354183 +sg291136 +g27 +sa(dp354184 +g291134 +S'The Storm' +p354185 +sg291137 +S'Charles Fromuth' +p354186 +sg291130 +S'charcoal heightened with white on tan wove paper mounted to board' +p354187 +sg291132 +S'1908' +p354188 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000ec/a000ec35.jpg' +p354189 +sg291136 +g27 +sa(dp354190 +g291134 +S'Piano m\xc3\xa9canique' +p354191 +sg291137 +S'Joan Mitchell' +p354192 +sg291130 +S'oil on canvas' +p354193 +sg291132 +S'1958' +p354194 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00051/a0005176.jpg' +p354195 +sg291136 +g27 +sa(dp354196 +g291130 +g27 +sg291132 +S'\nBritish, born 1940' +p354197 +sg291134 +S'S.M.S. (February 1968)' +p354198 +sg291136 +g27 +sg291137 +S'Artist Information (' +p354199 +sa(dp354200 +g291134 +S'The Levite at Gibeah' +p354201 +sg291137 +S'Gerbrand van den Eeckhout' +p354202 +sg291130 +S'oil on canvas' +p354203 +sg291132 +S'probably late 1650s' +p354204 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00037/a00037f9.jpg' +p354205 +sg291136 +S"Gerbrand van den Eeckhout, one of \n The subject of this painting, the story of the Levite and his concubine, is taken from the Old Testament book of Judges. After the Levite had brought home a woman from Bethlehem to be his concubine, she left him and returned to her father's house. While the concubine was staying with her father, the Levite found her and took her back to his home in the country of Ephraim. On their journey home, they sought shelter in Gibeah, but were unsuccessful until a field laborer offered the couple lodging in his house. It is this moment that Van den Eeckhout depicts. As the story then goes, a few wicked men surrounded the laborer's house and threatened to do the Levite harm. The Levite then pushed the concubine out the door so the men could attack her instead. The next day, he left Gibeah with her lifeless body set atop a donkey. When he got home, the Levite cut the concubine's body into twelve pieces and sent one piece to each tribe of Israel.\n Traditionally the narrative had been used to warn against the sin of adultery. However, by depicting the peaceful meeting in Gibeah instead of some of the more appalling episodes in the story, the artist emphasizes—through the moral exemplar of the field laborer offering hospitality to strangers—the Christian commandment to love one's neighbor. Although this unusual biblical story was infrequently depicted by Dutch artists, Van den Eeckhout painted it at least three times: a first version in 1645 (Staatliche Museen, Berlin) and two others from the late 1650s, this one, and another in the Pushkin Museum, Moscow.\n " +p354206 +sa(dp354207 +g291130 +S'Italian, 1500 - 1550' +p354208 +sg291132 +S'(sculptor)' +p354209 +sg291134 +S'Male Nude Standing in a Fearful Pose' +p354210 +sg291136 +g27 +sg291137 +S'Artist Information (' +p354211 +sa(dp354212 +g291134 +S'The Favorite of the Emir' +p354213 +sg291137 +S'Jean Joseph Benjamin Constant' +p354214 +sg291130 +S'oil on canvas' +p354215 +sg291132 +S'c. 1879' +p354216 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00068/a000683b.jpg' +p354217 +sg291136 +S"Jean-Joseph Benjamin-Constant was among the preeminent\r\npainters of orientalist subjects in France\r\nin the latter decades of the 19th\r\ncentury. In 1859, he enrolled at the École\r\ndes Beaux-Arts in Toulouse where he\r\nremained until 1866 when a municipal\r\nscholarship allowed him to continue\r\nhis artistic training in Paris. In 1871,\r\nBenjamin-Constant embarked upon an\r\nextended sojourn, spending the better\r\npart of two years abroad, traveling first\r\nthrough Moorish Spain before joining\r\nCharles Joseph Tissot, French plenipotentiary\r\nto Morocco. During the artist's\r\n16-month stay he collected artifacts\r\nand made sketches and studies that\r\nwould provide the basis for his numerous\r\ncompositions in the years to come.\n By the mid-1870s, Benjamin-Constant had established a reputation\r\nas painter of orientalist subjects, ranging\r\nfrom grim and occasionally violent\r\ngenre scenes, to opulent and visually\r\nalluring harem scenes. \n Benjamin-Constant took great\r\ndelight in the juxtaposition of the richly\r\nembroidered fabric against the smooth\r\npale flesh of the women's arms and\r\nchests and the subtle variations between\r\nthe two women. On the right, the darkhaired\r\nwoman gazes directly at the\r\nviewer while her companion is shown\r\nfully in repose, her body relaxed and\r\nher eyes closed as if lulled to sleep\r\nby the musician seated behind her.\r\nThe paleness of her skin and her rich\r\nauburn hair suggest that she is not a\r\nnative. Playing upon contemporary\r\nfantasies of European beauties who have\r\nbeen spirited away to lead the pampered,\r\ncloistered life of a courtesan in\r\na harem—the inclusion of the man\r\nstanding guard in the background at\r\nthe far right of the composition serves\r\nas a reminder of the locale—Benjamin-Constant introduced an erotic charge\r\ninto this exotic and visually seductive\r\npainting. This painting, the first by the\r\nartist to enter the Gallery's collection,\r\nis a gift of the United States Naval\r\nAcademy Museum.\n " +p354218 +sa(dp354219 +g291130 +S'black crayon on thin buff wove paper' +p354220 +sg291132 +S'unknown date\n' +p354221 +sg291134 +S'Two Nudes' +p354222 +sg291136 +g27 +sg291137 +S'Jules Pascin' +p354223 +sa(dp354224 +g291130 +g27 +sg291132 +S'(publisher)' +p354225 +sg291134 +S'Kai' +p354226 +sg291136 +g27 +sg291137 +S'Artist Information (' +p354227 +sa(dp354228 +g291130 +S'etching on laid paper (proof)' +p354229 +sg291132 +S'1778 or before' +p354230 +sg291134 +S'Vases and Candelabra (plate 96)' +p354231 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p354232 +sa(dp354233 +g291130 +S'(artist)' +p354234 +sg291132 +S'\n' +p354235 +sg291134 +S'Life and Landscape on the Norfolk Broads' +p354236 +sg291136 +g27 +sg291137 +S'Artist Information (' +p354237 +sa(dp354238 +g291130 +S'(artist)' +p354239 +sg291132 +S'\n' +p354240 +sg291134 +S'Coming Home from the Marshes' +p354241 +sg291136 +g27 +sg291137 +S'Artist Information (' +p354242 +sa(dp354243 +g291130 +S'(artist)' +p354244 +sg291132 +S'\n' +p354245 +sg291134 +S'Setting the Bow-Net' +p354246 +sg291136 +g27 +sg291137 +S'Artist Information (' +p354247 +sa(dp354248 +g291130 +S'(artist)' +p354249 +sg291132 +S'\n' +p354250 +sg291134 +S"A Broadman's Cottage" +p354251 +sg291136 +g27 +sg291137 +S'Artist Information (' +p354252 +sa(dp354253 +g291130 +S'platinum print' +p354254 +sg291132 +S'1885' +p354255 +sg291134 +S'A Sailing Match at Horning' +p354256 +sg291136 +g27 +sg291137 +S'Peter Henry Emerson' +p354257 +sa(dp354258 +g291130 +S'platinum print' +p354259 +sg291132 +S'1886' +p354260 +sg291134 +S'The Village of Horning' +p354261 +sg291136 +g27 +sg291137 +S'Peter Henry Emerson' +p354262 +sa(dp354263 +g291130 +S'platinum print' +p354264 +sg291132 +S'1886' +p354265 +sg291134 +S"An Eel-Catcher's Home" +p354266 +sg291136 +g27 +sg291137 +S'Peter Henry Emerson' +p354267 +sa(dp354268 +g291130 +S'(artist)' +p354269 +sg291132 +S'\n' +p354270 +sg291134 +S'Taking Up the Eel-Net' +p354271 +sg291136 +g27 +sg291137 +S'Artist Information (' +p354272 +sa(dp354273 +g291130 +S'(artist)' +p354274 +sg291132 +S'\n' +p354275 +sg291134 +S'Water-Lilies' +p354276 +sg291136 +g27 +sg291137 +S'Artist Information (' +p354277 +sa(dp354278 +g291130 +S'platinum print' +p354279 +sg291132 +S'1886' +p354280 +sg291134 +S'Gathering Water-Lilies' +p354281 +sg291136 +g27 +sg291137 +S'Peter Henry Emerson' +p354282 +sa(dp354283 +g291130 +S'(artist)' +p354284 +sg291132 +S'\n' +p354285 +sg291134 +S'Snipe-Shooting' +p354286 +sg291136 +g27 +sg291137 +S'Artist Information (' +p354287 +sa(dp354288 +g291130 +S'platinum print' +p354289 +sg291132 +S'1886' +p354290 +sg291134 +S'A Ruined Water-Mill' +p354291 +sg291136 +g27 +sg291137 +S'Peter Henry Emerson' +p354292 +sa(dp354293 +g291130 +S'(artist)' +p354294 +sg291132 +S'\n' +p354295 +sg291134 +S'The Old Order and the New' +p354296 +sg291136 +g27 +sg291137 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+S'unknown date\n' +p354460 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000a0/a000a073.jpg' +p354461 +sg291136 +g27 +sa(dp354462 +g291130 +S'color offset lithograph on three sheets of white wove paper' +p354463 +sg291132 +S'1966' +p354464 +sg291134 +S'As I Opened Fire [left panel]' +p354465 +sg291136 +g27 +sg291137 +S'Roy Lichtenstein' +p354466 +sa(dp354467 +g291130 +S'color woodcut and wood engraving on wove paper' +p354468 +sg291132 +S'1937' +p354469 +sg291134 +S'Sea Forms' +p354470 +sg291136 +g27 +sg291137 +S'John Ferren' +p354471 +sa(dp354472 +g291130 +S'aquatint and graphite on Rives BFK paper' +p354473 +sg291132 +S'1979' +p354474 +sg291134 +S'Untitled' +p354475 +sg291136 +g27 +sg291137 +S'Lois Lane' +p354476 +sa(dp354477 +g291130 +S'aquatint with photo-etching and graphite on Rives BFK paper' +p354478 +sg291132 +S'1979' +p354479 +sg291134 +S'Terrorist' +p354480 +sg291136 +g27 +sg291137 +S'Lois Lane' +p354481 +sa(dp354482 +g291130 +S'drypoint and aquatint in black on wove paper' 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Piranesi' +p354578 +sa(dp354579 +g291130 +S'etching on laid paper (proof)' +p354580 +sg291132 +S'1778 or before' +p354581 +sg291134 +S'Vases and Candelabra (plate 101)' +p354582 +sg291136 +g27 +sg291137 +S'Giovanni Battista Piranesi' +p354583 +sa(dp354584 +g291130 +S'metal and canvas relief' +p354585 +sg291132 +S'1960' +p354586 +sg291134 +S'Untitled' +p354587 +sg291136 +g27 +sg291137 +S'Lee Bontecou' +p354588 +sa(dp354589 +g291134 +S'Grove of Trees' +p354590 +sg291137 +S'Claude Lorrain' +p354591 +sg291130 +S'pen and brown ink with gray wash on laid paper' +p354592 +sg291132 +S'c. 1640' +p354593 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006cea.jpg' +p354594 +sg291136 +g27 +sa(dp354595 +g291134 +S'Clara and Lizzie, Daughters of Frederick and Elizabeth Shattuck' +p354596 +sg291137 +S'Bela Lyon Pratt' +p354597 +sg291130 +S'bronze' +p354598 +sg291132 +S'model 1893, cast 1894' +p354599 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00054/a0005427.jpg' +p354600 +sg291136 +g27 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for Plate 12: From the Portfolio "Folk Art of Rural Pennsylvania"' +p354641 +sg291137 +S'American 20th Century' +p354642 +sa(dp354643 +g291136 +g27 +sg291134 +S'Plate 11: From the Portfolio "Folk Art of Rural Pennsylvania"' +p354644 +sg291137 +S'American 20th Century' +p354645 +sa(dp354646 +g291136 +g27 +sg291134 +S'Plate 11: From the Portfolio "Folk Art of Rural Pennsylvania"' +p354647 +sg291137 +S'American 20th Century' +p354648 +sa(dp354649 +g291136 +g27 +sg291134 +S'Drawing for Plate 11: From the Portfolio "Folk Art of Rural Pennsylvania"' +p354650 +sg291137 +S'American 20th Century' +p354651 +sa(dp354652 +g291136 +g27 +sg291134 +S'Plate 10: From the Portfolio "Folk Art of Rural Pennsylvania"' +p354653 +sg291137 +S'American 20th Century' +p354654 +sa(dp354655 +g291136 +g27 +sg291134 +S'Drawing for Plate 10: From the Portfolio "Folk Art of Rural Pennsylvania"' +p354656 +sg291137 +S'American 20th Century' +p354657 +sa(dp354658 +g291136 +g27 +sg291134 +S'Drawing for Plate 9: From the 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of New Mexico"' +p354893 +sg291137 +S'American 20th Century' +p354894 +sa(dp354895 +g291136 +g27 +sg291134 +S'Plate 21: Main Altarpiece: From Portfolio "Spanish Colonial Designs of New Mexico"' +p354896 +sg291137 +S'American 20th Century' +p354897 +sa(dp354898 +g291136 +g27 +sg291134 +S'Plate 19: Reading Stand: From Portfolio "Spanish Colonial Designs of New Mexico"' +p354899 +sg291137 +S'American 20th Century' +p354900 +sa(dp354901 +g291136 +g27 +sg291134 +S'Plate 18: Reading Stand: From Portfolio "Spanish Colonial Designs of New Mexico"' +p354902 +sg291137 +S'American 20th Century' +p354903 +sa(dp354904 +g291136 +g27 +sg291134 +S'Plate 16: Altar Panel: From Portfolio "Spanish Colonial Designs of New Mexico"' +p354905 +sg291137 +S'American 20th Century' +p354906 +sa(dp354907 +g291136 +g27 +sg291134 +S'Plate 15: The Creation (Lunette): From Portfolio "Spanish Colonial Designs of New Mexico"' +p354908 +sg291137 +S'American 20th Century' +p354909 +sa(dp354910 +g291136 +g27 +sg291134 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Mexico"' +p354998 +sg291137 +S'American 20th Century' +p354999 +sa(dp355000 +g291136 +g27 +sg291134 +S'Plate 16: Wheat Sheaf, Altar Panel: From Portfolio "Spanish Colonial Designs of New Mexico"' +p355001 +sg291137 +S'American 20th Century' +p355002 +sa(dp355003 +g291136 +g27 +sg291134 +S'Plate 17: Grapes, Altar Panel: From Portfolio "Spanish Colonial Designs of New Mexico"' +p355004 +sg291137 +S'American 20th Century' +p355005 +sa(dp355006 +g291136 +g27 +sg291134 +S'Plate 18: Reading Stand, Llano: From Portfolio "Spanish Colonial Designs of New Mexico"' +p355007 +sg291137 +S'American 20th Century' +p355008 +sa(dp355009 +g291136 +g27 +sg291134 +S'Plate 19: Reading Stand, Chimayo: From Portfolio "Spanish Colonial Designs of New Mexico"' +p355010 +sg291137 +S'American 20th Century' +p355011 +sa(dp355012 +g291136 +g27 +sg291134 +S'Plate 20: Saint Veronica: From Portfolio "Spanish Colonial Designs of New Mexico"' +p355013 +sg291137 +S'American 20th Century' +p355014 +sa(dp355015 +g291136 +g27 +sg291134 +S'Plate 22: Wall Decoration, Laguna: From Portfolio "Spanish Colonial Designs of New Mexico"' +p355016 +sg291137 +S'American 20th Century' +p355017 +sa(dp355018 +g291136 +g27 +sg291134 +S'Plate 23: Painting on Buckskin, Laguna: From Portfolio "Spanish Colonial Designs of New Mexico"' +p355019 +sg291137 +S'American 20th Century' +p355020 +sa(dp355021 +g291136 +g27 +sg291134 +S'Plate 26: Christ Crucified, Taos: From Portfolio "Spanish Colonial Designs of New Mexico"' +p355022 +sg291137 +S'American 20th Century' +p355023 +sa(dp355024 +g291136 +g27 +sg291134 +S'Plate 27: Christ Crucified, Mora: From Portfolio "Spanish Colonial Designs of New Mexico"' +p355025 +sg291137 +S'American 20th Century' +p355026 +sa(dp355027 +g291136 +g27 +sg291134 +S'Plate 28: The Holy Family: From Portfolio "Spanish Colonial Designs of New Mexico"' +p355028 +sg291137 +S'American 20th Century' +p355029 +sa(dp355030 +g291136 +g27 +sg291134 +S'Plate 28: The Holy Family: From Portfolio "Spanish Colonial Designs of New Mexico"' +p355031 +sg291137 +S'American 20th Century' +p355032 +sa(dp355033 +g291136 +g27 +sg291134 +S'Plate 29: Saint Acacius: From Portfolio "Spanish Colonial Designs of New Mexico"' +p355034 +sg291137 +S'American 20th Century' +p355035 +sa(dp355036 +g291136 +g27 +sg291134 +S'Plate 30: Saint Isidore: From Portfolio "Spanish Colonial Designs of New Mexico"' +p355037 +sg291137 +S'American 20th Century' +p355038 +sa(dp355039 +g291136 +g27 +sg291134 +S'Plate 32: Our Lady of Guadalupe: From Portfolio "Spanish Colonial Designs of New Mexico"' +p355040 +sg291137 +S'American 20th Century' +p355041 +sa(dp355042 +g291136 +g27 +sg291134 +S'Plate 33: The Holy Trinity: From Portfolio "Spanish Colonial Designs of New Mexico"' +p355043 +sg291137 +S'American 20th Century' +p355044 +sa(dp355045 +g291136 +g27 +sg291134 +S'Plate 36: Saint Roch: From Portfolio "Spanish Colonial Designs of New Mexico"' +p355046 +sg291137 +S'American 20th Century' +p355047 +sa(dp355048 +g291136 +g27 +sg291134 +S'Plate 37: Saint Anthony: From Portfolio "Spanish Colonial Designs of New Mexico"' +p355049 +sg291137 +S'American 20th Century' +p355050 +sa(dp355051 +g291136 +g27 +sg291134 +S'Plate 39: Saint John Nepomuk: From Portfolio "Spanish Colonial Designs of New Mexico"' +p355052 +sg291137 +S'American 20th Century' +p355053 +sa(dp355054 +g291136 +g27 +sg291134 +S'Plate 41: Saint Barbara: From Portfolio "Spanish Colonial Designs of New Mexico"' +p355055 +sg291137 +S'American 20th Century' +p355056 +sa(dp355057 +g291136 +g27 +sg291134 +S'Plate 42: Painted Chest Design: From Portfolio "Spanish Colonial Designs of New Mexico"' +p355058 +sg291137 +S'American 20th Century' +p355059 +sa(dp355060 +g291136 +g27 +sg291134 +S'Plate 43: Painted Chest Design: From Portfolio "Spanish Colonial Designs of New Mexico"' +p355061 +sg291137 +S'American 20th Century' +p355062 +sa(dp355063 +g291136 +g27 +sg291134 +S'Plate 44: Painted Chest Design: From Portfolio "Spanish Colonial Designs of New Mexico"' +p355064 +sg291137 +S'American 20th Century' +p355065 +sa(dp355066 +g291136 +g27 +sg291134 +S'Plate 46: Straw Applique Design: From Portfolio "Spanish Colonial Designs of New Mexico"' +p355067 +sg291137 +S'American 20th Century' +p355068 +sa(dp355069 +g291136 +g27 +sg291134 +S'Plate 47: Crosses of Tin: From Portfolio "Spanish Colonial Designs of New Mexico"' +p355070 +sg291137 +S'American 20th Century' +p355071 +sa(dp355072 +g291136 +g27 +sg291134 +S'Plate 48: Buckskin Design: From Portfolio "Spanish Colonial Designs of New Mexico"' +p355073 +sg291137 +S'American 20th Century' +p355074 +sa(dp355075 +g291136 +g27 +sg291134 +S'Plate 49: Miscellaneous Design: From Portfolio "Spanish Colonial Designs of New Mexico"' +p355076 +sg291137 +S'American 20th Century' +p355077 +sa(dp355078 +g291136 +g27 +sg291134 +S'Plate 50: Sacred Heart: From Portfolio "Spanish Colonial Designs of New Mexico"' +p355079 +sg291137 +S'American 20th Century' +p355080 +sa(dp355081 +g291130 +S'drypoint and etching in black on wove paper' +p355082 +sg291132 +S'1984' +p355083 +sg291134 +S'Standard West (K) 4 francs' +p355084 +sg291136 +g27 +sg291137 +S'A.R. Penck' +p355085 +sa(dp355086 +g291130 +S'woodcut in black with drawn additions on japan paper' +p355087 +sg291132 +S'1985' +p355088 +sg291134 +S'The Eviction' +p355089 +sg291136 +g27 +sg291137 +S'Paul Marcus' +p355090 +sa(dp355091 +g291130 +S'lithograph with collage and painted additions on wove paper' +p355092 +sg291132 +S'1986' +p355093 +sg291134 +S'Untitled' +p355094 +sg291136 +g27 +sg291137 +S'Jean-Charles Blais' +p355095 +sa(dp355096 +g291130 +S'resin relief in black on two joined sheets of Fabriano paper' +p355097 +sg291132 +S'1986' +p355098 +sg291134 +S'Annegato' +p355099 +sg291136 +g27 +sg291137 +S'Sauro Cardinale' +p355100 +sa(dp355101 +g291130 +S'screenprint in black and gold on brown laid packing paper' +p355102 +sg291132 +S'1985' +p355103 +sg291134 +S'Small Crucifixion with Tea' +p355104 +sg291136 +g27 +sg291137 +S'Walter Dahn' +p355105 +sa(dp355106 +g291130 +S'monoprint woodcut in black, brown, yellow, and red on commercial paper bag' +p355107 +sg291132 +S'1981' +p355108 +sg291134 +S'Glockenschiff (Bell Ship)' +p355109 +sg291136 +g27 +sg291137 +S'Felix Droese' +p355110 +sa(dp355111 +g291130 +S'monoprint woodcut in black on red tissue paper' +p355112 +sg291132 +S'1982' +p355113 +sg291134 +S'Glockenschiff (Bell Ship)' +p355114 +sg291136 +g27 +sg291137 +S'Felix Droese' +p355115 +sa(dp355116 +g291130 +S'portfolio of twelve etchings on wove paper' +p355117 +sg291132 +S'published 1983' +p355118 +sg291134 +S'Book of Wanderings' +p355119 +sg291136 +g27 +sg291137 +S'J\xc3\xbcrgen Partenheimer' +p355120 +sa(dp355121 +g291130 +S'active 1980' +p355122 +sg291132 +S'(printer)' +p355123 +sg291134 +S'Die Grundlagen der Arithmetik' +p355124 +sg291136 +g27 +sg291137 +S'Artist Information (' +p355125 +sa(dp355126 +g291130 +g27 +sg291132 +S'(publisher)' +p355127 +sg291134 +S'Untitled' +p355128 +sg291136 +g27 +sg291137 +S'Artist Information (' +p355129 +sa(dp355130 +g291130 +S'nickel-plated gasoline can with Fresnel lens system and light bulb mounted on wooden table with fabric doily and plastic ashtray and including a cassette player with tapes' +p355131 +sg291132 +S'1981' +p355132 +sg291134 +S'Krone' +p355133 +sg291136 +g27 +sg291137 +S'Edward Kienholz' +p355134 +sa(dp355135 +g291130 +g27 +sg291132 +S'(publisher)' +p355136 +sg291134 +S'Imperfect 44 3/4" x 103"' +p355137 +sg291136 +g27 +sg291137 +S'Artist Information (' +p355138 +sa(dp355139 +g291130 +g27 +sg291132 +S'(publisher)' +p355140 +sg291134 +S'View from the Window' +p355141 +sg291136 +g27 +sg291137 +S'Artist Information (' +p355142 +sa(dp355143 +g291134 +S'At the Square' +p355144 +sg291137 +S'Henri Jacques Edouard Evenepoel' +p355145 +sg291130 +S'color lithograph on wove paper' +p355146 +sg291132 +S'1897' +p355147 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d8/a000d823.jpg' +p355148 +sg291136 +g27 +sa(dp355149 +g291134 +S'Pluto' +p355150 +sg291137 +S'Hendrick Goltzius' +p355151 +sg291130 +S', 1588/1590' +p355152 +sg291132 +S'\n' +p355153 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000cf/a000cfd5.jpg' +p355154 +sg291136 +g27 +sa(dp355155 +g291134 +S'Los caprichos: Subir y bajar' +p355156 +sg291137 +S'Francisco de Goya' +p355157 +sg291130 +S'etching and burnished aquatint on laid paper' +p355158 +sg291132 +S'published 1799' +p355159 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f96.jpg' +p355160 +sg291136 +g27 +sa(dp355161 +g291134 +S'Los caprichos: No hay quien nos desate' +p355162 +sg291137 +S'Francisco de Goya' +p355163 +sg291130 +S'etching and burnished aquatint on laid paper' +p355164 +sg291132 +S'published 1799' +p355165 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f36.jpg' +p355166 +sg291136 +g27 +sa(dp355167 +g291134 +S'Daubigny' +p355168 +sg291137 +S'Artist Information (' +p355169 +sg291130 +S'(artist)' +p355170 +sg291132 +S'\n' +p355171 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00098/a00098c8.jpg' +p355172 +sg291136 +g27 +sa(dp355173 +g291134 +S"Belshazzar's Feast" +p355174 +sg291137 +S'Jan Muller' +p355175 +sg291130 +S'engraving on laid paper' +p355176 +sg291132 +S'c. 1598' +p355177 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d6/a000d618.jpg' +p355178 +sg291136 +g27 +sa(dp355179 +g291134 +S'The Spinner' +p355180 +sg291137 +S'Adriaen van Ostade' +p355181 +sg291130 +S'etching on laid paper' +p355182 +sg291132 +S'1652' +p355183 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d2/a000d2a1.jpg' +p355184 +sg291136 +g27 +sa(dp355185 +g291134 +S"The Farrier's Shop" +p355186 +sg291137 +S'Artist Information (' +p355187 +sg291130 +S'(artist after)' +p355188 +sg291132 +S'\n' +p355189 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0007d/a0007d71.jpg' +p355190 +sg291136 +g27 +sa(dp355191 +g291134 +S'The Flight into Egypt' +p355192 +sg291137 +S'Rembrandt van Rijn' +p355193 +sg291130 +S'etching, drypoint, and engraving on laid paper' +p355194 +sg291132 +S'1651' +p355195 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d2/a000d2e0.jpg' +p355196 +sg291136 +g27 +sa(dp355197 +g291134 +S'Nude Seated on a Bench with a Pillow (Woman Bathing Her Feet at a Brook)' +p355198 +sg291137 +S'Rembrandt van Rijn' +p355199 +sg291130 +S'etching and engraving on laid paper' +p355200 +sg291132 +S'1658' +p355201 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d3/a000d336.jpg' +p355202 +sg291136 +g27 +sa(dp355203 +g291134 +S'St. Jerome in a Dark Chamber' +p355204 +sg291137 +S'Rembrandt van Rijn' +p355205 +sg291130 +S'etching, drypoint, and engraving on laid paper' +p355206 +sg291132 +S'1642' +p355207 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d3/a000d302.jpg' +p355208 +sg291136 +g27 +sa(dp355209 +g291134 +S'Old Man with a Beard' +p355210 +sg291137 +S'Giovanni Domenico Tiepolo' +p355211 +sg291130 +S'etching on laid paper' +p355212 +sg291132 +S'c. 1762' +p355213 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cb30.jpg' +p355214 +sg291136 +g27 +sa(dp355215 +g291134 +S'Cottages by a River' +p355216 +sg291137 +S'Jan van Goyen' +p355217 +sg291130 +S'black chalk with touches of graphite on laid paper' +p355218 +sg291132 +S'c. 1627/1629' +p355219 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f91.jpg' +p355220 +sg291136 +g27 +sa(dp355221 +g291134 +S'Young Man Playing the Cymbal' +p355222 +sg291137 +S'Artist Information (' +p355223 +sg291130 +S'(artist after)' +p355224 +sg291132 +S'\n' +p355225 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d5/a000d568.jpg' +p355226 +sg291136 +g27 +sa(dp355227 +g291134 +S'La Parisienne (8)' +p355228 +sg291137 +S'Jacques Villon' +p355229 +sg291130 +S'color softground etching, drypoint, etching, aquatint, and embossing (in white) printed from multiple plates on cream laid paper [proof]' +p355230 +sg291132 +S'1902' +p355231 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00054/a0005457.jpg' +p355232 +sg291136 +g27 +sa(dp355233 +g291134 +S'Monkey Business in Old Holland' +p355234 +sg291137 +S'Artist Information (' +p355235 +sg291130 +S'(artist after)' +p355236 +sg291132 +S'\n' +p355237 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d4/a000d4ca.jpg' +p355238 +sg291136 +g27 +sa(dp355239 +g291134 +S'Metamorphoses of the Day: A Conventional Marriage' +p355240 +sg291137 +S'Jean-Ignace-Isidore Grandville' +p355241 +sg291130 +S'hand-colored lithograph on wove paper' +p355242 +sg291132 +S'1829' +p355243 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0009a/a0009a61.jpg' +p355244 +sg291136 +g27 +sa(dp355245 +g291134 +S'Metamorphoses of the Day: Regrets, or Never till the Next Time' +p355246 +sg291137 +S'Jean-Ignace-Isidore Grandville' +p355247 +sg291130 +S'hand-colored lithograph on wove paper' +p355248 +sg291132 +S'1829' +p355249 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0009a/a0009a63.jpg' +p355250 +sg291136 +g27 +sa(dp355251 +g291134 +S'The Ailing Cricket' +p355252 +sg291137 +S'Jean-Ignace-Isidore Grandville' +p355253 +sg291130 +S'hand-colored lithograph on wove paper' +p355254 +sg291132 +S'1829' +p355255 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0009a/a0009a60.jpg' +p355256 +sg291136 +g27 +sa(dp355257 +g291130 +S'(engraver)' +p355258 +sg291132 +S'\n' +p355259 +sg291134 +S'Vauxhall Gardens' +p355260 +sg291136 +g27 +sg291137 +S'Artist Information (' +p355261 +sa(dp355262 +g291134 +S'An Old Man Reading' +p355263 +sg291137 +S'Ferdinand Bol' +p355264 +sg291130 +S'etching and drypoint on laid paper' +p355265 +sg291132 +S'1642' +p355266 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d0b3.jpg' +p355267 +sg291136 +g27 +sa(dp355268 +g291134 +S'Portrait of a Young Man in Uniform' +p355269 +sg291137 +S'European 18th Century' +p355270 +sg291130 +S'overall: 42.4 x 31.3 cm (16 11/16 x 12 5/16 in.)' +p355271 +sg291132 +S'\npastel on blue laid paper' +p355272 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006a/a0006ab2.jpg' +p355273 +sg291136 +g27 +sa(dp355274 +g291134 +S'Portrait of a Young Man in Uniform' +p355275 +sg291137 +S'European 18th Century' +p355276 +sg291130 +S'overall: 41.6 x 31.3 cm (16 3/8 x 12 5/16 in.)' +p355277 +sg291132 +S'\npastel on blue laid paper' +p355278 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006a/a0006ab3.jpg' +p355279 +sg291136 +g27 +sa(dp355280 +g291134 +S'Portrait of a Young Man in Profile' +p355281 +sg291137 +S'European 19th Century' +p355282 +sg291130 +S'overall: 43.2 x 36.6 cm (17 x 14 7/16 in.)' +p355283 +sg291132 +S'\npastel on laid paper' +p355284 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006a/a0006ab4.jpg' +p355285 +sg291136 +g27 +sa(dp355286 +g291134 +S'Hellene von Sleben' +p355287 +sg291137 +S'European 19th Century' +p355288 +sg291130 +S'overall: 43.5 x 36 cm (17 1/8 x 14 3/16 in.)' +p355289 +sg291132 +S'\npastel on blue wove paper' +p355290 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006a/a0006ab5.jpg' +p355291 +sg291136 +g27 +sa(dp355292 +g291134 +S'Madame La Duchesse de Mortemart' +p355293 +sg291137 +S'Louis Carrogis, called Carmontelle' +p355294 +sg291130 +S', unknown date' +p355295 +sg291132 +S'\n' +p355296 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00060/a00060c8.jpg' +p355297 +sg291136 +g27 +sa(dp355298 +g291134 +S'Seated Guitarist [recto]' +p355299 +sg291137 +S'Antoine Watteau' +p355300 +sg291130 +S'red chalk on laid paper' +p355301 +sg291132 +S'unknown date\n' +p355302 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006d7a.jpg' +p355303 +sg291136 +g27 +sa(dp355304 +g291134 +S'Treetops [verso]' +p355305 +sg291137 +S'Antoine Watteau' +p355306 +sg291130 +S'black and red chalks with brown wash on laid paper' +p355307 +sg291132 +S'unknown date\n' +p355308 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006d4c.jpg' +p355309 +sg291136 +g27 +sa(dp355310 +g291134 +S'Design for a Border with a Portrait of Baron Cuvier' +p355311 +sg291137 +S'Jean-Baptiste Arnout' +p355312 +sg291130 +S'graphite on tracing paper' +p355313 +sg291132 +S'unknown date\n' +p355314 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00072/a000720d.jpg' +p355315 +sg291136 +g27 +sa(dp355316 +g291134 +S'Two Russians Seated in Landscape' +p355317 +sg291137 +S'Jean-Baptiste Le Prince' +p355318 +sg291130 +S'brown chalk on beige laid paper' +p355319 +sg291132 +S'unknown date\n' +p355320 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006e5b.jpg' +p355321 +sg291136 +g27 +sa(dp355322 +g291134 +S'Sancho Fleeing from the Servants of the Duke' +p355323 +sg291137 +S'Fran\xc3\xa7ois Boucher' +p355324 +sg291130 +S'black chalk and gray wash heightened with white gouache on light brown laid paper' +p355325 +sg291132 +S'1735/1736' +p355326 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00022/a00022ba.jpg' +p355327 +sg291136 +g27 +sa(dp355328 +g291134 +S'Landscape View' +p355329 +sg291137 +S'Chapotay' +p355330 +sg291130 +S'gray wash with graphite on laid paper; black chalk study of male nude on verso' +p355331 +sg291132 +S'1791' +p355332 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006dbe.jpg' +p355333 +sg291136 +g27 +sa(dp355334 +g291134 +S'View of a Port' +p355335 +sg291137 +S'European 18th Century' +p355336 +sg291130 +S'overall: 16.2 x 21.7 cm (6 3/8 x 8 9/16 in.)' +p355337 +sg291132 +S'\npen and black ink with brown wash over graphite on laid paper' +p355338 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006a/a0006a58.jpg' +p355339 +sg291136 +g27 +sa(dp355340 +g291134 +S'Young French Marquise in Exile in Lausanne' +p355341 +sg291137 +S'Jean-Baptiste Mallet' +p355342 +sg291130 +S'gouache on wove paper' +p355343 +sg291132 +S'1789' +p355344 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00025/a00025f7.jpg' +p355345 +sg291136 +g27 +sa(dp355346 +g291134 +S'Allegory of Fame' +p355347 +sg291137 +S'Charles-Nicolas Cochin II' +p355348 +sg291130 +S'red chalk with traces of graphite on wove paper' +p355349 +sg291132 +S'1773' +p355350 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00071/a00071a0.jpg' +p355351 +sg291136 +g27 +sa(dp355352 +g291134 +S'Man Falling from the Sky' +p355353 +sg291137 +S'Flemish 17th Century' +p355354 +sg291130 +S'overall (round): 8.7 x 8.7 cm (3 7/16 x 3 7/16 in.)' +p355355 +sg291132 +S'\npen and brown ink with blue wash and touches of black ink, incised for transfer, on laid paper' +p355356 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f4f.jpg' +p355357 +sg291136 +g27 +sa(dp355358 +g291134 +S'Standing Man in Sixteenth-Century Costume' +p355359 +sg291137 +S'Giovanni Battista Tiepolo' +p355360 +sg291130 +S'pen and brown ink with brown wash on laid paper' +p355361 +sg291132 +S'unknown date\n' +p355362 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00070/a000704d.jpg' +p355363 +sg291136 +g27 +sa(dp355364 +g291134 +S'Sailboats near a Lighthouse' +p355365 +sg291137 +S'Paul Signac' +p355366 +sg291130 +S'pen and brown ink with brown wash over graphite on laid paper' +p355367 +sg291132 +S'unknown date\n' +p355368 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00074/a000740a.jpg' +p355369 +sg291136 +g27 +sa(dp355370 +g291134 +S'Four Cows' +p355371 +sg291137 +S'Claude Lorrain' +p355372 +sg291130 +S'red and black chalks with gray wash on laid paper' +p355373 +sg291132 +S'unknown date\n' +p355374 +sg292149 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date\n' +p355392 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f09b.jpg' +p355393 +sg291136 +g27 +sa(dp355394 +g291134 +S'Mary Fox' +p355395 +sg291137 +S'Hugh Douglas Hamilton' +p355396 +sg291130 +S'pastel on laid paper' +p355397 +sg291132 +S'c. 1770' +p355398 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006e78.jpg' +p355399 +sg291136 +g27 +sa(dp355400 +g291134 +S'Adolph Friedrich Theodor Gritzner' +p355401 +sg291137 +S'Friedrich Christian Krieger' +p355402 +sg291130 +S'pastel on blue laid paper' +p355403 +sg291132 +S'1809' +p355404 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006e/a0006eca.jpg' +p355405 +sg291136 +g27 +sa(dp355406 +g291134 +S'Daniel Kemper' +p355407 +sg291137 +S'Artist Information (' +p355408 +sg291130 +S'French, 1770 - 1852' +p355409 +sg291132 +S'(artist after)' +p355410 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000eb/a000ebaa.jpg' +p355411 +sg291136 +g27 +sa(dp355412 +g291134 +S'Mrs. Daniel (Elizabeth Marius) Kemper' +p355413 +sg291137 +S'Artist Information (' +p355414 +sg291130 +S'French, 1770 - 1852' +p355415 +sg291132 +S'(artist after)' +p355416 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000eb/a000eba9.jpg' +p355417 +sg291136 +g27 +sa(dp355418 +g291134 +S'Title Cartouche for a Map of the Chateau and Village of Le Plessis aux Bois' +p355419 +sg291137 +S'Hubert Fran\xc3\xa7ois Gravelot' +p355420 +sg291130 +S'graphite, incised for transfer on laid paper; laid down' +p355421 +sg291132 +S'unknown date\n' +p355422 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00072/a00072c3.jpg' +p355423 +sg291136 +g27 +sa(dp355424 +g291134 +S'A Plinth Surmounted by the Arms of the King of France' +p355425 +sg291137 +S'Hubert Fran\xc3\xa7ois Gravelot' +p355426 +sg291130 +S'graphite, incised for transfer on laid paper; laid down' +p355427 +sg291132 +S'unknown date\n' +p355428 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00072/a0007256.jpg' +p355429 +sg291136 +g27 +sa(dp355430 +g291134 +S'The Parting of Saints Peter and Paul' +p355431 +sg291137 +S'Giovanni Domenico Tiepolo' +p355432 +sg291130 +S'pen and brown ink with brown wash over charcoal on laid paper' +p355433 +sg291132 +S'early 1790s' +p355434 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00028/a0002867.jpg' +p355435 +sg291136 +g27 +sa(dp355436 +g291134 +S'Design for a Morion-Burgonet Helmet' +p355437 +sg291137 +S'Jean Cousin the Elder' +p355438 +sg291130 +S'pen and black ink with gray wash over black chalk on laid paper' +p355439 +sg291132 +S'c. 1545' +p355440 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00025/a000252d.jpg' +p355441 +sg291136 +g27 +sa(dp355442 +g291134 +S'Two Studies of Virgil' +p355443 +sg291137 +S'Jean-Auguste-Dominique Ingres' +p355444 +sg291130 +S'graphite on 5 joined sheets of paper' +p355445 +sg291132 +S'c. 1812 and c. 1825' +p355446 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00025/a000255b.jpg' +p355447 +sg291136 +g27 +sa(dp355448 +g291134 +S'Mendigos que se llevan solos en Bordeaux (Beggars Who Get about on Their Own in Bordeaux)' +p355449 +sg291137 +S'Francisco de Goya' +p355450 +sg291130 +S'black chalk on greenish laid paper' +p355451 +sg291132 +S'1824/1827' +p355452 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00025/a0002549.jpg' +p355453 +sg291136 +g27 +sa(dp355454 +g291134 +S'Eight Apostles' +p355455 +sg291137 +S'Raphael' +p355456 +sg291130 +S'red chalk over stylus underdrawing and traces of leadpoint on laid paper, cut in two pieces and rejoined; laid down' +p355457 +sg291132 +S'c. 1514' +p355458 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00026/a00026e1.jpg' +p355459 +sg291136 +g27 +sa(dp355460 +g291134 +S'A Marble Horse on the Quirinal Hill [recto]' +p355461 +sg291137 +S'Raphael' +p355462 +sg291130 +S'red chalk and pen and brown ink, with stylus underdrawing and traces of leadpoint on laid paper' +p355463 +sg291132 +S'c. 1513' +p355464 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00026/a00026e2.jpg' +p355465 +sg291136 +g27 +sa(dp355466 +g291134 +S'Architectural Details and a Soldier [verso]' +p355467 +sg291137 +S'Raphael' +p355468 +sg291130 +S'pen and brown ink on laid paper' +p355469 +sg291132 +S'unknown date\n' +p355470 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005f/a0005f5d.jpg' +p355471 +sg291136 +g27 +sa(dp355472 +g291134 +S'The Virgin Annunciate' +p355473 +sg291137 +S'Albrecht D\xc3\xbcrer' +p355474 +sg291130 +S'pen and brown ink on laid paper' +p355475 +sg291132 +S'1495/1499' +p355476 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00024/a000244b.jpg' +p355477 +sg291136 +g27 +sa(dp355478 +g291134 +S'A Pastoral Landscape with Shepherds Playing a Viola and Panpipes' +p355479 +sg291137 +S'Albrecht D\xc3\xbcrer' +p355480 +sg291130 +S"watercolor and gouache heightened with pen and ink and gold, pasted back onto page 1 of Aldus Manutius' first edition of Theocritus' Idylls and other texts (Venice, February 1496)" +p355481 +sg291132 +S'1496/1497' +p355482 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00059/a0005925.jpg' +p355483 +sg291136 +g27 +sa(dp355484 +g291130 +S', 1495' +p355485 +sg291132 +S'\n' +p355486 +sg291134 +S'Idylls' +p355487 +sg291136 +g27 +sg291137 +S'Theocritus' +p355488 +sa(dp355489 +g291134 +S'The Mystic Marriage of Saint Catherine' +p355490 +sg291137 +S'Sir Anthony van Dyck' +p355491 +sg291130 +S'pen and brown ink with brown and gray washes over black chalk on laid paper' +p355492 +sg291132 +S'c. 1618' +p355493 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00024/a000244d.jpg' +p355494 +sg291136 +g27 +sa(dp355495 +g291134 +S'View of Houtewael near the Sint Anthoniespoort [recto]' +p355496 +sg291137 +S'Rembrandt van Rijn' +p355497 +sg291130 +S'reed pen and brown ink with gray-brown wash and touches of white on laid paper' +p355498 +sg291132 +S'c. 1650' +p355499 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00026/a00026ed.jpg' +p355500 +sg291136 +g27 +sa(dp355501 +g291134 +S'Figures on the Anthoniesdijk Entering Houtewael [verso]' +p355502 +sg291137 +S'Rembrandt van Rijn' +p355503 +sg291130 +S'reed pen and brown ink on light brown washed laid paper' +p355504 +sg291132 +S'c. 1650' +p355505 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00026/a00026e8.jpg' +p355506 +sg291136 +g27 +sa(dp355507 +g291134 +S'Studies for Small Bronzes with Classical Motifs' +p355508 +sg291137 +S'Artist Information (' +p355509 +sg291130 +S'(artist)' +p355510 +sg291132 +S'\n' +p355511 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00074/a00074d9.jpg' +p355512 +sg291136 +g27 +sa(dp355513 +g291134 +S'An Angel Blowing a Trumpet, and Another Holding a Standard' +p355514 +sg291137 +S'Fra Bartolommeo' +p355515 +sg291130 +S'pen and brown ink, squared in red chalk for transfer on laid paper; laid down' +p355516 +sg291132 +S'c. 1500' +p355517 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00059/a0005940.jpg' +p355518 +sg291136 +g27 +sa(dp355519 +g291134 +S'The Hermits Saint Paul and Saint Anthony Receiving Bread from a Dove' +p355520 +sg291137 +S'Domenico Campagnola' +p355521 +sg291130 +S'pen and brown ink over traces of metalpoint on laid paper' +p355522 +sg291132 +S'c. 1530' +p355523 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00075/a0007532.jpg' +p355524 +sg291136 +g27 +sa(dp355525 +g291134 +S'Alexander Consecrating the Altars for the Twelve Olympian Gods' +p355526 +sg291137 +S'Perino del Vaga' +p355527 +sg291130 +S'pen and brown ink with gray wash over black chalk on laid paper; laid down' +p355528 +sg291132 +S'1545/1547' +p355529 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c5/a000c563.jpg' +p355530 +sg291136 +g27 +sa(dp355531 +g291134 +S'The Resurrection' +p355532 +sg291137 +S'Francesco Salviati' +p355533 +sg291130 +S'pen and brown ink with brown wash heightened with white on laid paper (faint black chalk sketch on verso?)' +p355534 +sg291132 +S'1545/1548' +p355535 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00075/a0007581.jpg' +p355536 +sg291136 +g27 +sa(dp355537 +g291134 +S'The Rape of Ganymede' +p355538 +sg291137 +S"Niccol\xc3\xb2 dell' Abate" +p355539 +sg291130 +S'pen and brown ink with brown wash and watercolor over traces of black chalk, heightened with white on laid paper washed light brown; laid down' +p355540 +sg291132 +S'c. 1545' +p355541 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00074/a000749c.jpg' +p355542 +sg291136 +g27 +sa(dp355543 +g291134 +S'The Presentation of the Virgin in the Temple' +p355544 +sg291137 +S'Artist Information (' +p355545 +sg291130 +S'Italian, probably 1535 - 1612' +p355546 +sg291132 +S'(artist after)' +p355547 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00071/a0007151.jpg' +p355548 +sg291136 +g27 +sa(dp355549 +g291134 +S'The Head of Christ' +p355550 +sg291137 +S'Guido Reni' +p355551 +sg291130 +S'black, red, and white chalks on gray-green laid paper' +p355552 +sg291132 +S'c. 1623' +p355553 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00067/a0006786.jpg' +p355554 +sg291136 +g27 +sa(dp355555 +g291134 +S'Christ Led Captive from a Palace' +p355556 +sg291137 +S'Giuseppe Galli Bibiena' +p355557 +sg291130 +S'pen and brown ink, brown and gray wash (for architecture), pen and black ink (foreground), pen and gray ink (background), both with brown wash (for the figures)' +p355558 +sg291132 +S'1740/1745' +p355559 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00074/a0007449.jpg' +p355560 +sg291136 +g27 +sa(dp355561 +g291134 +S'The Raising of Tabitha' +p355562 +sg291137 +S'Giovanni Domenico Tiepolo' +p355563 +sg291130 +S'pen and brown ink with brown wash over charcoal on laid paper' +p355564 +sg291132 +S'early 1790s' +p355565 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005a/a0005a72.jpg' +p355566 +sg291136 +g27 +sa(dp355567 +g291134 +S'Punchinellos Hunting Waterfowl' +p355568 +sg291137 +S'Giovanni Domenico Tiepolo' +p355569 +sg291130 +S'pen and brown ink with brown wash over charcoal on laid paper' +p355570 +sg291132 +S'c. 1800' +p355571 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00059/a0005963.jpg' +p355572 +sg291136 +g27 +sa(dp355573 +g291134 +S'An Aedicule with Two Studies of Saint Christopher' +p355574 +sg291137 +S'Austrian 14th Century' +p355575 +sg291130 +S'overall: 15.4 x 21.6 cm (6 1/16 x 8 1/2 in.)' +p355576 +sg291132 +S'\npen and black ink with black wash on vellum' +p355577 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005b/a0005b0b.jpg' +p355578 +sg291136 +g27 +sa(dp355579 +g291134 +S'A Sibyl' +p355580 +sg291137 +S'Swabian 15th Century' +p355581 +sg291130 +S'overall: 20.1 x 14.2 cm (7 15/16 x 5 9/16 in.)' +p355582 +sg291132 +S'\npen and black and gray ink with gray wash on laid paper' +p355583 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00066/a00066ea.jpg' +p355584 +sg291136 +g27 +sa(dp355585 +g291134 +S'Maximilian, Duke of Austria, on Horseback' +p355586 +sg291137 +S'Primary Master of the Strassburg Chronicle' +p355587 +sg291130 +S'pen and black ink over traces of black chalk on laid paper ruled in leadpoint' +p355588 +sg291132 +S'1492' +p355589 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00059/a0005945.jpg' +p355590 +sg291136 +g27 +sa(dp355591 +g291130 +S'pen and ink over traces of chalk and leadpoint on laid paper in bound volume' +p355592 +sg291132 +S'c. 1492' +p355593 +sg291134 +S'The Crucifixion with the Virgin and Saints and the Hungerstein Family' +p355594 +sg291136 +g27 +sg291137 +S'Primary Master of the Strassburg Chronicle' +p355595 +sa(dp355596 +g291134 +S'Head of a Boy' +p355597 +sg291137 +S'Artist Information (' +p355598 +sg291130 +S'German, 1471 - 1528' +p355599 +sg291132 +S'(artist after)' +p355600 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00079/a000796f.jpg' +p355601 +sg291136 +g27 +sa(dp355602 +g291134 +S'Portrait of a Man in a Broad-Brimmed Hat' +p355603 +sg291137 +S'Artist Information (' +p355604 +sg291130 +S'German, 1497/1498 - 1543' +p355605 +sg291132 +S'(artist after)' +p355606 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006a/a0006a16.jpg' +p355607 +sg291136 +g27 +sa(dp355608 +g291134 +S'The Four Latin Fathers of the Church' +p355609 +sg291137 +S'Valentijn van Orley' +p355610 +sg291130 +S', 1510/1515' +p355611 +sg291132 +S'\n' +p355612 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006d27.jpg' +p355613 +sg291136 +g27 +sa(dp355614 +g291134 +S'Acis and Galatea' +p355615 +sg291137 +S'Abraham Bloemaert' +p355616 +sg291130 +S'pen and brown ink with brown wash and traces of white heightening over black chalk on laid paper' +p355617 +sg291132 +S'c. 1590' +p355618 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00071/a0007127.jpg' +p355619 +sg291136 +g27 +sa(dp355620 +g291134 +S'Mountainous Landscape with Castles and Waterfalls' +p355621 +sg291137 +S'Roelandt Savery' +p355622 +sg291130 +S'black, ocher, red, and blue chalks, with traces of white heightening on gray-green laid paper' +p355623 +sg291132 +S'c. 1606' +p355624 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c4/a000c4ac.jpg' +p355625 +sg291136 +g27 +sa(dp355626 +g291134 +S'Winter Games on the Frozen River Ijssel' +p355627 +sg291137 +S'Hendrick Avercamp' +p355628 +sg291130 +S'pen and black and gray ink with watercolor, gouache, and graphite on laid paper; laid down' +p355629 +sg291132 +S'c. 1626' +p355630 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00063/a00063a9.jpg' +p355631 +sg291136 +g27 +sa(dp355632 +g291134 +S'The Parable of the Publican and the Pharisee' +p355633 +sg291137 +S'Artist Information (' +p355634 +sg291130 +S'Dutch, 1606 - 1669' +p355635 +sg291132 +S'(artist)' +p355636 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006f/a0006f0a.jpg' +p355637 +sg291136 +g27 +sa(dp355638 +g291134 +S'Culemborg Castle' +p355639 +sg291137 +S'Roelant Roghman' +p355640 +sg291130 +S'black chalk with gray wash over graphite on laid paper' +p355641 +sg291132 +S'1647' +p355642 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00070/a000709c.jpg' +p355643 +sg291136 +g27 +sa(dp355644 +g291134 +S'Seven Famous Figures from Ancient History' +p355645 +sg291137 +S'Barth\xc3\xa9lemy van Eyck' +p355646 +sg291130 +S'pen and brown ink with watercolor, heightened with white, on vellum' +p355647 +sg291132 +S'c. 1442' +p355648 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00071/a000719d.jpg' +p355649 +sg291136 +g27 +sa(dp355650 +g291134 +S'Portrait of a Noblewoman (Madame de Pellegars?)' +p355651 +sg291137 +S'Fran\xc3\xa7ois Quesnel' +p355652 +sg291130 +S'black and red chalks with stumping, heightened with white chalk, on laid paper' +p355653 +sg291132 +S'1590/1595' +p355654 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00059/a000595e.jpg' +p355655 +sg291136 +g27 +sa(dp355656 +g291134 +S"Cupid Stealing Venus' Floral Crown" +p355657 +sg291137 +S'Antoine Coypel' +p355658 +sg291130 +S'orange-red, white, and black chalk, squared for transfer in black chalk, on blue laid paper; laid down' +p355659 +sg291132 +S'1705/1708' +p355660 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00060/a00060ca.jpg' +p355661 +sg291136 +g27 +sa(dp355662 +g291134 +S"A Performance by the Commedia dell'Arte" +p355663 +sg291137 +S'Claude Gillot' +p355664 +sg291130 +S'pen and brown ink with gray wash on laid paper' +p355665 +sg291132 +S'c. 1710' +p355666 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005f/a0005f37.jpg' +p355667 +sg291136 +g27 +sa(dp355668 +g291134 +S'Studies of Ornament and Architecture' +p355669 +sg291137 +S'Claude Gillot' +p355670 +sg291130 +S'pen and brown ink over traces of graphite on laid paper' +p355671 +sg291132 +S'c. 1710' +p355672 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005f/a0005f7e.jpg' +p355673 +sg291136 +g27 +sa(dp355674 +g291134 +S'The Archery Contest' +p355675 +sg291137 +S'Fran\xc3\xa7ois Boucher' +p355676 +sg291130 +S'black and white chalks on light brown laid paper (formerly blue)' +p355677 +sg291132 +S'1765' +p355678 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005f/a0005f36.jpg' +p355679 +sg291136 +g27 +sa(dp355680 +g291134 +S'Bust of an Old Man' +p355681 +sg291137 +S'Jean-Baptiste Greuze' +p355682 +sg291130 +S'red, black, and white chalks with stumping and erasure on light brown laid paper, with later framing line in dark brown ink' +p355683 +sg291132 +S'probably 1763' +p355684 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000da/a000dad1.jpg' +p355685 +sg291136 +g27 +sa(dp355686 +g291134 +S'Pittacus the Tyrant in War Costume' +p355687 +sg291137 +S'Gustave Moreau' +p355688 +sg291130 +S'graphite with watercolor on wove paper' +p355689 +sg291132 +S'1883' +p355690 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00073/a00073f9.jpg' +p355691 +sg291136 +g27 +sa(dp355692 +g291134 +S'Oriental Horsewoman in a Desolate Mountain Landscape' +p355693 +sg291137 +S'Rodolphe Bresdin' +p355694 +sg291130 +S'pen and black ink and gray wash on wove paper' +p355695 +sg291132 +S'1858' +p355696 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00059/a0005946.jpg' +p355697 +sg291136 +g27 +sa(dp355698 +g291134 +S'Oriental Horseman in a Desolate Mountain Landscape' +p355699 +sg291137 +S'Rodolphe Bresdin' +p355700 +sg291130 +S'pen and black ink and gray wash on wove paper' +p355701 +sg291132 +S'1858' +p355702 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00071/a000711e.jpg' +p355703 +sg291136 +g27 +sa(dp355704 +g291134 +S'Six Standing Men and Ten Battling Nudes' +p355705 +sg291137 +S'Francesco Squarcione' +p355706 +sg291130 +S', 1470s' +p355707 +sg291132 +S'\n' +p355708 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c5/a000c54a.jpg' +p355709 +sg291136 +g27 +sa(dp355710 +g291134 +S'Standing Youth' +p355711 +sg291137 +S'Florentine 15th Century' +p355712 +sg291130 +S', c. 1475/1500' +p355713 +sg291132 +S'\n' +p355714 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000df/a000dfb4.jpg' +p355715 +sg291136 +g27 +sa(dp355716 +g291134 +S'A Hound Chasing a Hare' +p355717 +sg291137 +S'Benozzo Gozzoli' +p355718 +sg291130 +S'pen and brown ink with traces of red chalk, heightened with white on pink prepared paper' +p355719 +sg291132 +S'c. 1455' +p355720 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005a/a0005a5b.jpg' +p355721 +sg291136 +g27 +sa(dp355722 +g291134 +S'Three Philosophers' +p355723 +sg291137 +S'Vittore Carpaccio' +p355724 +sg291130 +S'pen and black ink on laid paper' +p355725 +sg291132 +S'unknown date\n' +p355726 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00074/a00074df.jpg' +p355727 +sg291136 +g27 +sa(dp355728 +g291134 +S'Rustic Houses Built among Ruins' +p355729 +sg291137 +S'Giorgione' +p355730 +sg291130 +S', 1510/1513' +p355731 +sg291132 +S'\n' +p355732 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00069/a000693c.jpg' +p355733 +sg291136 +g27 +sa(dp355734 +g291134 +S'A Village by a Cliff (recto)' +p355735 +sg291137 +S'Giulio Campagnola' +p355736 +sg291130 +S'pen and brown ink on laid paper' +p355737 +sg291132 +S'c. 1513' +p355738 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00074/a00074fd.jpg' +p355739 +sg291136 +g27 +sa(dp355740 +g291130 +S'pen and brown ink on laid paper' +p355741 +sg291132 +S'c. 1513' +p355742 +sg291134 +S'Head of a Boy (verso)' +p355743 +sg291136 +g27 +sg291137 +S'Giulio Campagnola' +p355744 +sa(dp355745 +g291134 +S'Figures and Legs (verso)' +p355746 +sg291137 +S'Jacopo Tintoretto' +p355747 +sg291130 +S'black chalk on laid paper' +p355748 +sg291132 +S'1575/1580' +p355749 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00074/a00074fe.jpg' +p355750 +sg291136 +g27 +sa(dp355751 +g291134 +S'The Madonna and Child with Saint Anthony Abbot and Saint Francis Introducing a Patron' +p355752 +sg291137 +S'Girolamo Romanino' +p355753 +sg291130 +S'red chalk (wetted for counterproofing) on laid paper; laid down' +p355754 +sg291132 +S'c. 1517' +p355755 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00075/a0007517.jpg' +p355756 +sg291136 +g27 +sa(dp355757 +g291134 +S'Profile of a Man' +p355758 +sg291137 +S'Lombard 16th Century' +p355759 +sg291130 +S'overall: 42.2 x 27.2 cm (16 5/8 x 10 11/16 in.)' +p355760 +sg291132 +S'\nblack chalk with stumping and touches of red chalk heightened with white on laid paper; laid down' +p355761 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0004c/a0004cbc.jpg' +p355762 +sg291136 +g27 +sa(dp355763 +g291134 +S'The Fall of Phaethon' +p355764 +sg291137 +S'Artist Information (' +p355765 +sg291130 +S'(artist)' +p355766 +sg291132 +S'\n' +p355767 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0004c/a0004cb0.jpg' +p355768 +sg291136 +g27 +sa(dp355769 +g291134 +S'Saint Mary Magdalene Lifted by Angels' +p355770 +sg291137 +S'Giovanni Battista Tiepolo' +p355771 +sg291130 +S'pen and brown ink with brown wash over black chalk on laid paper' +p355772 +sg291132 +S'c. 1740' +p355773 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005a/a0005a5c.jpg' +p355774 +sg291136 +g27 +sa(dp355775 +g291134 +S'Venus and Cupid Discovering the Body of Adonis' +p355776 +sg291137 +S'Giovanni Battista Tiepolo' +p355777 +sg291130 +S'pen and brown ink with brown wash over black chalk on laid paper' +p355778 +sg291132 +S'c. 1740' +p355779 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005a/a0005a5d.jpg' +p355780 +sg291136 +g27 +sa(dp355781 +g291134 +S'The Portico of the Pantheon' +p355782 +sg291137 +S'Giovanni Battista Piranesi' +p355783 +sg291130 +S'pen and dark brown ink with gray and gray-brown wash over red chalk, on three pieces of paper glued together vertically' +p355784 +sg291132 +S'1750s and early 1760s' +p355785 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c5/a000c561.jpg' +p355786 +sg291136 +g27 +sa(dp355787 +g291134 +S'The Bay of Naples with Mounts Vesuvius and Somma' +p355788 +sg291137 +S'Giovanni Battista Lusieri' +p355789 +sg291130 +S'watercolor with pen and black ink over graphite on laid paper mounted to paperboard' +p355790 +sg291132 +S'1782/1794' +p355791 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005e/a0005edd.jpg' +p355792 +sg291136 +g27 +sa(dp355793 +g291134 +S'Christ on the Cross [recto]' +p355794 +sg291137 +S'Master of the Coburg Roundels' +p355795 +sg291130 +S'pen and black ink with gray wash on antique laid paper' +p355796 +sg291132 +S'c. 1490' +p355797 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0004c/a0004cbd.jpg' +p355798 +sg291136 +g27 +sa(dp355799 +g291134 +S'Female Figure Kneeling in Prayer [verso]' +p355800 +sg291137 +S'Master of the Coburg Roundels' +p355801 +sg291130 +S'pen and black ink on antique laid paper' +p355802 +sg291132 +S'c. 1490' +p355803 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00079/a0007915.jpg' +p355804 +sg291136 +g27 +sa(dp355805 +g291134 +S'Study of a Knight in Armor, Holding a Halberd' +p355806 +sg291137 +S'Swabian 15th Century' +p355807 +sg291130 +S'pen and brown and black ink, point of the brush and black ink, and gray wash, heightened with white, on brown prepared paper (upper corners made up)' +p355808 +sg291132 +S'c. 1500' +p355809 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0004c/a0004cc2.jpg' +p355810 +sg291136 +g27 +sa(dp355811 +g291134 +S'A Farmstead in a Wood' +p355812 +sg291137 +S'Nuremberg 15th Century' +p355813 +sg291130 +S'pen and brown ink and watercolor with white gouache on 4 joined pieces of parchment' +p355814 +sg291132 +S'1500/1510' +p355815 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0004c/a0004cbe.jpg' +p355816 +sg291136 +g27 +sa(dp355817 +g291134 +S'Female Nude Praying' +p355818 +sg291137 +S'Albrecht D\xc3\xbcrer' +p355819 +sg291130 +S'pen and brown ink on laid paper' +p355820 +sg291132 +S'1497/1500' +p355821 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00079/a000795d.jpg' +p355822 +sg291136 +g27 +sa(dp355823 +g291134 +S'Mary and John before the Man of Sorrows' +p355824 +sg291137 +S'Hans S\xc3\xbcss von Kulmbach' +p355825 +sg291130 +S'pen and brown ink with watercolor on laid paper' +p355826 +sg291132 +S'c. 1514' +p355827 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0004c/a0004cba.jpg' +p355828 +sg291136 +g27 +sa(dp355829 +g291134 +S'Cimon and Pero' +p355830 +sg291137 +S'Sebald Beham' +p355831 +sg291130 +S"pen and black ink with charcoal heightened with white on heavy laid paper; laid down (repair to Pero's ear)" +p355832 +sg291132 +S'1540' +p355833 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0004c/a0004cb1.jpg' +p355834 +sg291136 +g27 +sa(dp355835 +g291134 +S'Christian II of Denmark and Norway' +p355836 +sg291137 +S'Artist Information (' +p355837 +sg291130 +S'German, 1472 - 1553' +p355838 +sg291132 +S'(related artist)' +p355839 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0004c/a0004c89.jpg' +p355840 +sg291136 +g27 +sa(dp355841 +g291134 +S'"Always Have the Bedclothes Folded up" [fol. 41 recto]' +p355842 +sg291137 +S'French early 16th Century' +p355843 +sg291130 +S', c. 1512/1515' +p355844 +sg291132 +S'\n' +p355845 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006d17.jpg' +p355846 +sg291136 +g27 +sa(dp355847 +g291134 +S'Seated Satyr Leaning Backward [recto]' +p355848 +sg291137 +S'Jean-Baptiste Deshays' +p355849 +sg291130 +S'black chalk with stumping, heightened with white on brown laid paper' +p355850 +sg291132 +S'1758/1765' +p355851 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0004c/a0004cb4.jpg' +p355852 +sg291136 +g27 +sa(dp355853 +g291134 +S'Man Reclining on the Ground and the Corner of a Bed [verso]' +p355854 +sg291137 +S'Jean-Baptiste Deshays' +p355855 +sg291130 +S'counterproof in black and white chalks on brown laid paper' +p355856 +sg291132 +S'1758/1765' +p355857 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005f/a0005f81.jpg' +p355858 +sg291136 +g27 +sa(dp355859 +g291134 +S'Kneeling Man Bound to a Tree' +p355860 +sg291137 +S'French 17th Century' +p355861 +sg291130 +S'overall: 49 x 30.5 cm (19 5/16 x 12 in.)' +p355862 +sg291132 +S'\nred chalk heightened with white chalk on gray-brown laid paper' +p355863 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005f/a0005f85.jpg' +p355864 +sg291136 +g27 +sa(dp355865 +g291134 +S'Self-Portrait' +p355866 +sg291137 +S'Claude Hoin' +p355867 +sg291130 +S'red and black chalks, and pastel with stumping on gray-brown laid paper' +p355868 +sg291132 +S'c. 1780' +p355869 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0004c/a0004cb8.jpg' +p355870 +sg291136 +g27 +sa(dp355871 +g291134 +S'Mademoiselle Mary de Borderieux(?)' +p355872 +sg291137 +S'Jean-Auguste-Dominique Ingres' +p355873 +sg291130 +S'Graphite and watercolor with white highlights' +p355874 +sg291132 +S'1857' +p355875 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c5/a000c54c.jpg' +p355876 +sg291136 +g27 +sa(dp355877 +g291134 +S'The Throne Room at Fontainebleau' +p355878 +sg291137 +S'Thomas Allom' +p355879 +sg291130 +S'watercolor and graphite on gray wove paper' +p355880 +sg291132 +S'c. 1845' +p355881 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c56.jpg' +p355882 +sg291136 +g27 +sa(dp355883 +g291134 +S'A Dance in Spring' +p355884 +sg291137 +S'Sir Lawrence Alma-Tadema' +p355885 +sg291130 +S'graphite on wove paper' +p355886 +sg291132 +S'c. 1910' +p355887 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c55.jpg' +p355888 +sg291136 +g27 +sa(dp355889 +g291134 +S'Cape Town' +p355890 +sg291137 +S'Maxwell Balfour' +p355891 +sg291130 +S'watercolor and gouache on blue wove paper' +p355892 +sg291132 +S'1900' +p355893 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006b/a0006b78.jpg' +p355894 +sg291136 +g27 +sa(dp355895 +g291134 +S'The Fort, Srinagar' +p355896 +sg291137 +S'Maxwell Balfour' +p355897 +sg291130 +S'watercolor and gouache over graphite on brown wove paper' +p355898 +sg291132 +S'1896' +p355899 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006b/a0006b81.jpg' +p355900 +sg291136 +g27 +sa(dp355901 +g291130 +S'graphite on tracing paper' +p355902 +sg291132 +S'before 1959' +p355903 +sg291134 +S'Flowers on a Windowsill' +p355904 +sg291136 +g27 +sg291137 +S'Ludwig Bemelmans' +p355905 +sa(dp355906 +g291134 +S'Constantine' +p355907 +sg291137 +S'Hercules Brabazon Brabazon' +p355908 +sg291130 +S'graphite and red and white chalks with white gouache on wove paper' +p355909 +sg291132 +S'c. 1867' +p355910 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006b/a0006bed.jpg' +p355911 +sg291136 +g27 +sa(dp355912 +g291130 +S'brush and black ink over black chalk on thin wove paper' +p355913 +sg291132 +S'1913/1915' +p355914 +sg291134 +S'The Historic Landing' +p355915 +sg291136 +g27 +sg291137 +S'Sir Frank Brangwyn' +p355916 +sa(dp355917 +g291134 +S'A View across the Park, Chatsworth, Derbyshire' +p355918 +sg291137 +S'John Burgess' +p355919 +sg291130 +S'graphite on laid paper' +p355920 +sg291132 +S'unknown date\n' +p355921 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c67.jpg' +p355922 +sg291136 +g27 +sa(dp355923 +g291134 +S'Head of a Woman' +p355924 +sg291137 +S'Sir Edward Coley Burne-Jones' +p355925 +sg291130 +S'graphite on wove paper' +p355926 +sg291132 +S'unknown date\n' +p355927 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c69.jpg' +p355928 +sg291136 +g27 +sa(dp355929 +g291134 +S'A Fragment from an Antique Frieze' +p355930 +sg291137 +S'Sir Edward Coley Burne-Jones' +p355931 +sg291130 +S'black chalk heightened with white gouache on brown wove paper' +p355932 +sg291132 +S'unknown date\n' +p355933 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00022/a00022ca.jpg' +p355934 +sg291136 +g27 +sa(dp355935 +g291134 +S'A Chandelier with the Virgin Mary Holding the Christ Child' +p355936 +sg291137 +S'Sir Frederick William Burton' +p355937 +sg291130 +S'pen and brown ink with watercolor over graphite, heightened with white, on wove paper' +p355938 +sg291132 +S'unknown date\n' +p355939 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c68.jpg' +p355940 +sg291136 +g27 +sa(dp355941 +g291134 +S'Trouville-sur-Mer' +p355942 +sg291137 +S'Randolph Caldecott' +p355943 +sg291130 +S'graphite on wove paper' +p355944 +sg291132 +S'1879' +p355945 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006b/a0006bf4.jpg' +p355946 +sg291136 +g27 +sa(dp355947 +g291130 +S'pen and brown ink with wash on tracing paper' +p355948 +sg291132 +S'1961' +p355949 +sg291134 +S'Study for "Beast"' +p355950 +sg291136 +g27 +sg291137 +S'Lynn Chadwick' +p355951 +sa(dp355952 +g291130 +S'black ink applied with block or paperboard edge on wove paper' +p355953 +sg291132 +S'1961' +p355954 +sg291134 +S'Study for "Watcher"' +p355955 +sg291136 +g27 +sg291137 +S'Lynn Chadwick' +p355956 +sa(dp355957 +g291134 +S'Antiquities of Dacca' +p355958 +sg291137 +S'George Chinnery' +p355959 +sg291130 +S'pen and brown ink over graphite on laid paper' +p355960 +sg291132 +S'1814/1827' +p355961 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006b/a0006bf5.jpg' +p355962 +sg291136 +g27 +sa(dp355963 +g291134 +S'A Village Hut in India [recto]' +p355964 +sg291137 +S'George Chinnery' +p355965 +sg291130 +S'pen and black ink over graphite on wove paper' +p355966 +sg291132 +S'1814/1824' +p355967 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006b/a0006bf6.jpg' +p355968 +sg291136 +g27 +sa(dp355969 +g291134 +S'A Village Scene in India [verso]' +p355970 +sg291137 +S'George Chinnery' +p355971 +sg291130 +S'pen and black ink over graphite on wove paper' +p355972 +sg291132 +S'1814/1824' +p355973 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006b/a0006bf7.jpg' +p355974 +sg291136 +g27 +sa(dp355975 +g291134 +S'Admiral Sir Edward Pellew' +p355976 +sg291137 +S'George Chinnery' +p355977 +sg291130 +S'graphite on wove paper' +p355978 +sg291132 +S'first quarter 19th century' +p355979 +sg292149 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20th Century' +p355998 +sa(dp355999 +g291136 +g27 +sg291134 +S'Plate 49: Miscellaneous Design: From Portfolio "Spanish Colonial Designs of New Mexico"' +p356000 +sg291137 +S'American 20th Century' +p356001 +sa(dp356002 +g291136 +g27 +sg291134 +S'Plate 48: Buckskin Design: From Portfolio "Spanish Colonial Designs of New Mexico"' +p356003 +sg291137 +S'American 20th Century' +p356004 +sa(dp356005 +g291136 +g27 +sg291134 +S'Plate 47: Crosses of Tin: From Portfolio "Spanish Colonial Designs of New Mexico"' +p356006 +sg291137 +S'American 20th Century' +p356007 +sa(dp356008 +g291136 +g27 +sg291134 +S'Plate 46: Straw Applique Design: From Portfolio "Spanish Colonial Designs of New Mexico"' +p356009 +sg291137 +S'American 20th Century' +p356010 +sa(dp356011 +g291136 +g27 +sg291134 +S'Plate 44: Painted Chest Design: From Portfolio "Spanish Colonial Designs of New Mexico"' +p356012 +sg291137 +S'American 20th Century' +p356013 +sa(dp356014 +g291136 +g27 +sg291134 +S'Plate 42: Painted Chest Design: From Portfolio "Spanish Colonial Designs of New Mexico"' +p356015 +sg291137 +S'American 20th Century' +p356016 +sa(dp356017 +g291136 +g27 +sg291134 +S'Plate 41: Saint Barbara: From Portfolio "Spanish Colonial Designs of New Mexico"' +p356018 +sg291137 +S'American 20th Century' +p356019 +sa(dp356020 +g291136 +g27 +sg291134 +S'Plate 38: Saint Michael: From Portfolio "Spanish Colonial Designs of New Mexico"' +p356021 +sg291137 +S'American 20th Century' +p356022 +sa(dp356023 +g291136 +g27 +sg291134 +S'Plate 38: Saint Michael: From Portfolio "Spanish Colonial Designs of New Mexico"' +p356024 +sg291137 +S'American 20th Century' +p356025 +sa(dp356026 +g291136 +g27 +sg291134 +S'Plate 37: Saint Anthony: From Portfolio "Spanish Colonial Designs of New Mexico"' +p356027 +sg291137 +S'American 20th Century' +p356028 +sa(dp356029 +g291136 +g27 +sg291134 +S'Plate 36: Saint Roch: From Portfolio "Spanish Colonial Designs of New Mexico"' +p356030 +sg291137 +S'American 20th Century' +p356031 +sa(dp356032 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+sa(dp356098 +g291136 +g27 +sg291134 +S'Plate 5: Main Altarpiece, Santa Cruz: From Portfolio "Spanish Colonial Designs of New Mexico"' +p356099 +sg291137 +S'American 20th Century' +p356100 +sa(dp356101 +g291136 +g27 +sg291134 +S'Plate 4: Christ in the Sepulchre: From Portfolio "Spanish Colonial Designs of New Mexico"' +p356102 +sg291137 +S'American 20th Century' +p356103 +sa(dp356104 +g291136 +g27 +sg291134 +S'Plate 3: Pecos Book of Visitations: From Portfolio "Spanish Colonial Designs of New Mexico"' +p356105 +sg291137 +S'American 20th Century' +p356106 +sa(dp356107 +g291136 +g27 +sg291134 +S'Plate 3: Pecos Book of Visitations: From Portfolio "Spanish Colonial Designs of New Mexico"' +p356108 +sg291137 +S'American 20th Century' +p356109 +sa(dp356110 +g291136 +g27 +sg291134 +S'Plate 3: Pecos Book of Visitations: From Portfolio "Spanish Colonial Designs of New Mexico"' +p356111 +sg291137 +S'American 20th Century' +p356112 +sa(dp356113 +g291136 +g27 +sg291134 +S'Plate 2: Jemez Book of 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+sg291137 +S'Thomas Rowlandson' +p357280 +sg291130 +S'pen and brown ink with watercolor on wove paper' +p357281 +sg291132 +S'unknown date\n' +p357282 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00070/a00070d2.jpg' +p357283 +sg291136 +g27 +sa(dp357284 +g291134 +S'View from the Inn at Lynton' +p357285 +sg291137 +S'Thomas Rowlandson' +p357286 +sg291130 +S'pen and gray ink with watercolor on wove paper' +p357287 +sg291132 +S'probably 1811' +p357288 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00072/a0007201.jpg' +p357289 +sg291136 +g27 +sa(dp357290 +g291134 +S'Ornamental Study with Acanthus Motif for "The Stones of Venice"' +p357291 +sg291137 +S'John Ruskin' +p357292 +sg291130 +S'pen and brown ink with watercolor and graphite on wove paper' +p357293 +sg291132 +S'1849' +p357294 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c3f.jpg' +p357295 +sg291136 +g27 +sa(dp357296 +g291134 +S'Girl with a Bonnet at Work [recto]' +p357297 +sg291137 +S'Paul Sandby' +p357298 +sg291130 +S'pen and black ink with gray wash over graphite on laid paper' +p357299 +sg291132 +S'unknown date\n' +p357300 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00072/a0007230.jpg' +p357301 +sg291136 +g27 +sa(dp357302 +g291134 +S'Girl with a Bonnet Reclining [verso]' +p357303 +sg291137 +S'Paul Sandby' +p357304 +sg291130 +S'pen and black ink over graphite on laid paper' +p357305 +sg291132 +S'unknown date\n' +p357306 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00071/a00071f9.jpg' +p357307 +sg291136 +g27 +sa(dp357308 +g291134 +S'A Hound Jumping' +p357309 +sg291137 +S'James Seymour' +p357310 +sg291130 +S'graphite on wove paper' +p357311 +sg291132 +S'c. 1743' +p357312 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00072/a000729b.jpg' +p357313 +sg291136 +g27 +sa(dp357314 +g291134 +S'Huntsmen with Hounds and a Crouching Hare [recto]' +p357315 +sg291137 +S'James Seymour' +p357316 +sg291130 +S'graphite on laid paper' +p357317 +sg291132 +S'unknown date\n' +p357318 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006dab.jpg' +p357319 +sg291136 +g27 +sa(dp357320 +g291134 +S'Mounted Horsemen [verso]' +p357321 +sg291137 +S'James Seymour' +p357322 +sg291130 +S'graphite on laid paper' +p357323 +sg291132 +S'unknown date\n' +p357324 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006d/a0006d7b.jpg' +p357325 +sg291136 +g27 +sa(dp357326 +g291134 +S'Study of Atlas' +p357327 +sg291137 +S'Charles Haslewood Shannon' +p357328 +sg291130 +S', unknown date' +p357329 +sg291132 +S'\n' +p357330 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006b/a0006bb6.jpg' +p357331 +sg291136 +g27 +sa(dp357332 +g291134 +S'Studies of Men and Women in Medieval Dress' +p357333 +sg291137 +S'Byam Shaw' +p357334 +sg291130 +S'graphite on wove paper' +p357335 +sg291132 +S'unknown date\n' +p357336 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006b/a0006b37.jpg' +p357337 +sg291136 +g27 +sa(dp357338 +g291134 +S'The Postcard' +p357339 +sg291137 +S'Walter Richard Sickert' +p357340 +sg291130 +S'pen and black ink squared in red ink on blue wove paper' +p357341 +sg291132 +S'unknown date\n' +p357342 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006b/a0006bbb.jpg' +p357343 +sg291136 +g27 +sa(dp357344 +g291134 +S"An Allegory of Britain's Mercantile Power" +p357345 +sg291137 +S'Robert Smirke' +p357346 +sg291130 +S'pen and black and brown inks with gray wash over graphite, squared in graphite, on laid paper' +p357347 +sg291132 +S'unknown date\n' +p357348 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c40.jpg' +p357349 +sg291136 +g27 +sa(dp357350 +g291134 +S"An Allegory of Britain's Naval Might" +p357351 +sg291137 +S'Robert Smirke' +p357352 +sg291130 +S'pen and black and brown inks with gray wash over graphite, squared in graphite, on laid paper' +p357353 +sg291132 +S'unknown date\n' +p357354 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c41.jpg' +p357355 +sg291136 +g27 +sa(dp357356 +g291130 +S'inked edge of block and inked brayer with brown oil stick on wove paper' +p357357 +sg291132 +S'1936' +p357358 +sg291134 +S'Standing Female Nude' +p357359 +sg291136 +g27 +sg291137 +S'Charles William Smith' +p357360 +sa(dp357361 +g291134 +S'King Solomon' +p357362 +sg291137 +S'Simeon Solomon' +p357363 +sg291130 +S'egg tempera (?) with touches of varnish on paper mounted to board' +p357364 +sg291132 +S'1872 or 1874' +p357365 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00028/a0002856.jpg' +p357366 +sg291136 +g27 +sa(dp357367 +g291134 +S'H\xc3\xb4tel de Ville, Place des Terreaux, Lyons' +p357368 +sg291137 +S'Robert Smirke' +p357369 +sg291130 +S'pen and brown ink with gray wash over graphite on wove paper' +p357370 +sg291132 +S'1845' +p357371 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c42.jpg' +p357372 +sg291136 +g27 +sa(dp357373 +g291134 +S'Patriotic Fund' +p357374 +sg291137 +S'Robert Smirke' +p357375 +sg291130 +S'pen and brown ink with gray wash heightened with white on laid paper' +p357376 +sg291132 +S'unknown date\n' +p357377 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c43.jpg' +p357378 +sg291136 +g27 +sa(dp357379 +g291134 +S'Peter and His Children Visited by Three Flying Figures' +p357380 +sg291137 +S'Thomas Stothard' +p357381 +sg291130 +S'pen and gray ink with gray wash over graphite on wove paper' +p357382 +sg291132 +S'c. 1783' +p357383 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c44.jpg' +p357384 +sg291136 +g27 +sa(dp357385 +g291134 +S'Design for a Book Illustration and Related Studies [recto]' +p357386 +sg291137 +S'Thomas Stothard' +p357387 +sg291130 +S'pen and gray and brown ink with gray wash over graphite on wove paper' +p357388 +sg291132 +S'unknown date\n' +p357389 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005e/a0005e23.jpg' +p357390 +sg291136 +g27 +sa(dp357391 +g291134 +S'Figure Studies [verso]' +p357392 +sg291137 +S'Thomas Stothard' +p357393 +sg291130 +S'pen and brown ink on wove paper' +p357394 +sg291132 +S'unknown date\n' +p357395 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005e/a0005e24.jpg' +p357396 +sg291136 +g27 +sa(dp357397 +g291134 +S'Sheet of Studies' +p357398 +sg291137 +S'Thomas Stothard' +p357399 +sg291130 +S'pen and brown ink and graphite on wove paper' +p357400 +sg291132 +S'unknown date\n' +p357401 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c45.jpg' +p357402 +sg291136 +g27 +sa(dp357403 +g291134 +S'Vignette for a Title Page: "Winged Victory"' +p357404 +sg291137 +S'Thomas Stothard' +p357405 +sg291130 +S'pen and brown and black inks on wove paper' +p357406 +sg291132 +S'unknown date\n' +p357407 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c46.jpg' +p357408 +sg291136 +g27 +sa(dp357409 +g291134 +S'Studies of a Pony' +p357410 +sg291137 +S'William Strutt' +p357411 +sg291130 +S'graphite on wove paper' +p357412 +sg291132 +S'unknown date\n' +p357413 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005d/a0005dfc.jpg' +p357414 +sg291136 +g27 +sa(dp357415 +g291130 +S'black chalk heightened with white chalk on brown wove paper' +p357416 +sg291132 +S'1950' +p357417 +sg291134 +S'Study for "Mantis" [recto]' +p357418 +sg291136 +g27 +sg291137 +S'Graham Sutherland' +p357419 +sa(dp357420 +g291130 +S'black chalk heightened with white chalk on brown wove paper' +p357421 +sg291132 +S'1949' +p357422 +sg291134 +S'Study for "Thorn Head" [verso]' +p357423 +sg291136 +g27 +sg291137 +S'Graham Sutherland' +p357424 +sa(dp357425 +g291134 +S'A Horse Pulling a Load of Hay' +p357426 +sg291137 +S'J. Frederick Tayler' +p357427 +sg291130 +S'graphite on wove paper' +p357428 +sg291132 +S'unknown date\n' +p357429 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005e/a0005e03.jpg' +p357430 +sg291136 +g27 +sa(dp357431 +g291134 +S'A Young Woman in Profile' +p357432 +sg291137 +S'Henry Tonks' +p357433 +sg291130 +S'graphite on wove paper' +p357434 +sg291132 +S'1896' +p357435 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006b/a0006bbe.jpg' +p357436 +sg291136 +g27 +sa(dp357437 +g291134 +S'A View of Vevey with La Tour de Peilz in the Distance' +p357438 +sg291137 +S'Francis Towne' +p357439 +sg291130 +S'pen and black ink over graphite on laid paper' +p357440 +sg291132 +S'1781' +p357441 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00072/a0007205.jpg' +p357442 +sg291136 +g27 +sa(dp357443 +g291134 +S'Extensive Landscape with a Pond' +p357444 +sg291137 +S'William Turner of Oxford' +p357445 +sg291130 +S'charcoal with touches of white heightening on two joined sheets of blue wove paper' +p357446 +sg291132 +S'unknown date\n' +p357447 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005d/a0005d00.jpg' +p357448 +sg291136 +g27 +sa(dp357449 +g291134 +S'Figures Overlooking a Bay near the Mouth of the Paye, Lincolnshire' +p357450 +sg291137 +S'British 19th Century' +p357451 +sg291130 +S'overall: 7.6 x 16.5 cm (3 x 6 1/2 in.)' +p357452 +sg291132 +S'\nbrown wash on wove paper' +p357453 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006b/a0006be5.jpg' +p357454 +sg291136 +g27 +sa(dp357455 +g291134 +S'A Monstrance' +p357456 +sg291137 +S'British 19th Century' +p357457 +sg291130 +S'overall: 24.3 x 17.2 cm (9 9/16 x 6 3/4 in.)' +p357458 +sg291132 +S'\nwatercolor over graphite on wove paper' +p357459 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006b/a0006be6.jpg' +p357460 +sg291136 +g27 +sa(dp357461 +g291134 +S"St. George's, Bloomsbury" +p357462 +sg291137 +S'Thomas Malton' +p357463 +sg291130 +S'pen and black ink with gray wash and graphite on wove paper' +p357464 +sg291132 +S'1799' +p357465 +sg292149 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+g291134 +S'Study of Trees in a Landscape' +p357486 +sg291137 +S'John Varley' +p357487 +sg291130 +S'pen and brown ink with brown wash on thin brown paper backed with japan paper' +p357488 +sg291132 +S'unknown date\n' +p357489 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005d/a0005dfb.jpg' +p357490 +sg291136 +g27 +sa(dp357491 +g291134 +S'A Stand of Trees [recto]' +p357492 +sg291137 +S'John Varley' +p357493 +sg291130 +S'brush and brown-gray wash with graphite on laid paper' +p357494 +sg291132 +S'unknown date\n' +p357495 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005e/a0005e20.jpg' +p357496 +sg291136 +g27 +sa(dp357497 +g291134 +S'Study of a Head in Profile [verso]' +p357498 +sg291137 +S'John Varley' +p357499 +sg291130 +S'gray wash and graphite on laid paper' +p357500 +sg291132 +S'unknown date\n' +p357501 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005e/a0005e21.jpg' +p357502 +sg291136 +g27 +sa(dp357503 +g291134 +S'Landscape Composition [recto]' +p357504 +sg291137 +S'John Varley' 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+sg291136 +g27 +sa(dp357526 +g291134 +S'A Sheep Resting' +p357527 +sg291137 +S'James Ward' +p357528 +sg291130 +S'graphite with watercolor and green crayon on wove paper' +p357529 +sg291132 +S'c. 1800/1810' +p357530 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c4b.jpg' +p357531 +sg291136 +g27 +sa(dp357532 +g291134 +S'Two Studies of a Seated Man' +p357533 +sg291137 +S'James Ward' +p357534 +sg291130 +S'graphite on wove paper' +p357535 +sg291132 +S'unknown date\n' +p357536 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005d/a0005dfa.jpg' +p357537 +sg291136 +g27 +sa(dp357538 +g291134 +S'Study of Death for "Time and Death"' +p357539 +sg291137 +S'George Frederic Watts' +p357540 +sg291130 +S'pen and brown ink on blue laid paper' +p357541 +sg291132 +S'c. 1868' +p357542 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005d/a0005dfe.jpg' +p357543 +sg291136 +g27 +sa(dp357544 +g291134 +S'Head of a Young Woman' +p357545 +sg291137 +S'George Frederic Watts' +p357546 +sg291130 +S'black chalk heightened with white on brown wove paper' +p357547 +sg291132 +S'1860s' +p357548 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00069/a0006976.jpg' +p357549 +sg291136 +g27 +sa(dp357550 +g291134 +S'An Alpine Landscape with a Couple Seated by Trees Overlooking a Valley' +p357551 +sg291137 +S'Benjamin West' +p357552 +sg291130 +S'pen and gray ink on light gray laid paper' +p357553 +sg291132 +S'1760/1763' +p357554 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000eb/a000eb98.jpg' +p357555 +sg291136 +g27 +sa(dp357556 +g291134 +S'Death of a General' +p357557 +sg291137 +S'Benjamin West' +p357558 +sg291130 +S'pen and black ink with gray wash on laid paper' +p357559 +sg291132 +S'unknown date\n' +p357560 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000f0/a000f0a0.jpg' +p357561 +sg291136 +g27 +sa(dp357562 +g291134 +S'An Angel' +p357563 +sg291137 +S'Benjamin West' +p357564 +sg291130 +S'pen and brown ink over black chalk on laid paper' +p357565 +sg291132 +S'unknown date\n' +p357566 +sg292149 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+sg291136 +g27 +sa(dp357586 +g291134 +S'Study of a Chair Leg' +p357587 +sg291137 +S'Sir David Wilkie' +p357588 +sg291130 +S'black chalk heightened with white on wove paper' +p357589 +sg291132 +S'unknown date\n' +p357590 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c52.jpg' +p357591 +sg291136 +g27 +sa(dp357592 +g291134 +S'A Family Group' +p357593 +sg291137 +S'Sir David Wilkie' +p357594 +sg291130 +S'pen and brown ink with brown wash on wove paper' +p357595 +sg291132 +S'1835' +p357596 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005e/a0005e02.jpg' +p357597 +sg291136 +g27 +sa(dp357598 +g291134 +S'Landscape with Figures and a Carriage' +p357599 +sg291137 +S'Sir David Wilkie' +p357600 +sg291130 +S'graphite and watercolor on wove paper' +p357601 +sg291132 +S'unknown date\n' +p357602 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005e/a0005e01.jpg' +p357603 +sg291136 +g27 +sa(dp357604 +g291134 +S'Battle Scene' +p357605 +sg291137 +S'Sir David Wilkie' +p357606 +sg291130 +S'pen and black ink on wove paper' +p357607 +sg291132 +S'1840' +p357608 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c4e.jpg' +p357609 +sg291136 +g27 +sa(dp357610 +g291134 +S'An Ornate Ewer [recto]' +p357611 +sg291137 +S'Sir David Wilkie' +p357612 +sg291130 +S'pen and brown ink on wove paper' +p357613 +sg291132 +S'unknown date\n' +p357614 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005e/a0005e1d.jpg' +p357615 +sg291136 +g27 +sa(dp357616 +g291134 +S'Study of a Mother and Child [verso]' +p357617 +sg291137 +S'Sir David Wilkie' +p357618 +sg291130 +S'pen and brown ink on wove paper' +p357619 +sg291132 +S'unknown date\n' +p357620 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c4f.jpg' +p357621 +sg291136 +g27 +sa(dp357622 +g291134 +S'An Upraised Arm' +p357623 +sg291137 +S'Sir David Wilkie' +p357624 +sg291130 +S'black and red chalks heightened with white on wove paper' +p357625 +sg291132 +S'unknown date\n' +p357626 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005d/a0005dff.jpg' +p357627 +sg291136 +g27 +sa(dp357628 +g291134 +S'A Tassel' +p357629 +sg291137 +S'Sir David Wilkie' +p357630 +sg291130 +S'black, red, and yellow chalks heightened with white on wove paper' +p357631 +sg291132 +S'unknown date\n' +p357632 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c50.jpg' +p357633 +sg291136 +g27 +sa(dp357634 +g291134 +S'House by the Beach at Tr\xc3\xa9boul' +p357635 +sg291137 +S'Christopher Wood' +p357636 +sg291130 +S'graphite on wove paper' +p357637 +sg291132 +S'probably 1929 or 1930' +p357638 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006b/a0006b36.jpg' +p357639 +sg291136 +g27 +sa(dp357640 +g291134 +S"Study of a Seated Man's Legs" +p357641 +sg291137 +S'Henry Wyatt' +p357642 +sg291130 +S'black chalk with stumping, heightened with white, on blue wove paper' +p357643 +sg291132 +S'1816' +p357644 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006c4d.jpg' +p357645 +sg291136 +g27 +sa(dp357646 +g291134 +S'Sandstorm in the Desert Overtaking a Caravan' +p357647 +sg291137 +S'Johann Zoffany' +p357648 +sg291130 +S'pen and brown ink on wove paper' +p357649 +sg291132 +S'c. 1783/1789' +p357650 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00072/a00072dc.jpg' +p357651 +sg291136 +g27 +sa(dp357652 +g291134 +S'Seated Male Nude' +p357653 +sg291137 +S'Samuel Woodforde' +p357654 +sg291130 +S'black chalk heightened with white on blue laid paper' +p357655 +sg291132 +S'probably 1786/1791' +p357656 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00071/a00071cc.jpg' +p357657 +sg291136 +g27 +sa(dp357658 +g291134 +S'The "Farnese Flora" at Stourhead' +p357659 +sg291137 +S'Samuel Woodforde' +p357660 +sg291130 +S'black chalk heightened with white on blue laid paper' +p357661 +sg291132 +S'unknown date\n' +p357662 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00072/a00072a8.jpg' +p357663 +sg291136 +g27 +sa(dp357664 +g291134 +S'A Lady Seated with a Parasol' +p357665 +sg291137 +S'Samuel Woodforde' +p357666 +sg291130 +S'pen and brown ink over graphite on laid paper' +p357667 +sg291132 +S'on or after 1794' +p357668 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0006c/a0006cf1.jpg' +p357669 +sg291136 +g27 +sa(dp357670 +g291134 +S'Personnage Gothique, Oiseau-Eclair (Gothic Personage, Bird-Flash)' +p357671 +sg291137 +S'Joan Mir\xc3\xb3' +p357672 +sg291130 +S'bronze' +p357673 +sg291132 +S'model 1974, cast 1977' +p357674 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0002d/a0002de4.jpg' +p357675 +sg291136 +g27 +sa(dp357676 +g291130 +S'oil on canvas' +p357677 +sg291132 +S'1910' +p357678 +sg291134 +S'Two Girls under an Umbrella' +p357679 +sg291136 +g27 +sg291137 +S'Ernst Ludwig Kirchner' +p357680 +sa(dp357681 +g291134 +S'Basket of Fruits' +p357682 +sg291137 +S'Balthasar van der Ast' +p357683 +sg291130 +S'oil on panel' +p357684 +sg291132 +S'c. 1622' +p357685 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e7b.jpg' +p357686 +sg291136 +g27 +sa(dp357687 +g291134 +S'Basket of Flowers' +p357688 +sg291137 +S'Balthasar van der Ast' +p357689 +sg291130 +S'oil on panel' +p357690 +sg291132 +S'c. 1622' +p357691 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000d/a0000d7a.jpg' +p357692 +sg291136 +g27 +sa(dp357693 +g291134 +S'Vase of Flowers in a Niche' +p357694 +sg291137 +S'Artist Information (' +p357695 +sg291130 +S'Dutch, 1612/1613 - 1643' +p357696 +sg291132 +S'(related artist)' +p357697 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00109/a00109c1.jpg' +p357698 +sg291136 +g27 +sa(dp357699 +g291134 +S'Roses and a Tulip in a Glass Vase' +p357700 +sg291137 +S'Jan Philips van Thielen' +p357701 +sg291130 +S'oil on panel' +p357702 +sg291132 +S'c. 1650/1660' +p357703 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f86.jpg' +p357704 +sg291136 +g27 +sa(dp357705 +g291134 +S'A Hanging Bouquet of Flowers' +p357706 +sg291137 +S'Abraham Mignon' +p357707 +sg291130 +S'oil on panel' +p357708 +sg291132 +S'probably 1665/1670' +p357709 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e71.jpg' +p357710 +sg291136 +g27 +sa(dp357711 +g291134 +S'Flowers in a Basket and a Vase' +p357712 +sg291137 +S'Jan Brueghel the Elder' +p357713 +sg291130 +S'oil on panel' +p357714 +sg291132 +S'1615' +p357715 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000e/a0000e27.jpg' +p357716 +sg291136 +g27 +sa(dp357717 +g291134 +S'Becalmed off Halfway Rock' +p357718 +sg291137 +S'Fitz Henry Lane' +p357719 +sg291130 +S'oil on canvas' +p357720 +sg291132 +S'1860' +p357721 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00001/a0000146.jpg' +p357722 +sg291136 +g27 +sa(dp357723 +g291134 +S'Untitled' +p357724 +sg291137 +S'Mark Rothko' +p357725 +sg291130 +S'oil on canvas' +p357726 +sg291132 +S'1955' +p357727 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00015/a0001535.jpg' +p357728 +sg291136 +g27 +sa(dp357729 +g291134 +S'Untitled' +p357730 +sg291137 +S'Mark Rothko' +p357731 +sg291130 +S'oil on canvas' +p357732 +sg291132 +S'1955' +p357733 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00015/a0001536.jpg' +p357734 +sg291136 +g27 +sa(dp357735 +g291134 +S'The Mall, Central Park' +p357736 +sg291137 +S'Maurice Brazil Prendergast' +p357737 +sg291130 +S'watercolor and graphite on wove paper' +p357738 +sg291132 +S'1900/1903' +p357739 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00009/a0000989.jpg' +p357740 +sg291136 +g27 +sa(dp357741 +g291134 +S'Docks, East Boston' +p357742 +sg291137 +S'Maurice Brazil Prendergast' +p357743 +sg291130 +S'watercolor and graphite on wove paper' +p357744 +sg291132 +S'1900/1904' +p357745 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00009/a000098a.jpg' +p357746 +sg291136 +g27 +sa(dp357747 +g291134 +S'Harvest--The Plain of La Crau' +p357748 +sg291137 +S'Vincent van Gogh' +p357749 +sg291130 +S'reed pen and brown ink over graphite on wove paper' +p357750 +sg291132 +S'1888' +p357751 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00034/a0003409.jpg' +p357752 +sg291136 +S"Van Gogh was committed to the craft of his art. Behind his expressive painting are countless drawings with bold, sure lines. He made studies, sometimes with notes about color, in preparation for painting, but he also drew scenes—like this one—that he had already painted, to further his skill and understanding. Van Gogh sometimes sent drawings as gifts or used them in exchanges with other artists.\n Drawings, including this one reproduced here, are not frequently exhibited. However, scholars, students, and interested visitors can view them and other works in the Gallery's collection of prints and drawings \n " +p357753 +sa(dp357754 +g291134 +S'C\xc3\xa9zanne Sketchbook' +p357755 +sg291137 +S'Paul C\xc3\xa9zanne' +p357756 +sg291130 +S'sketchbook with 71 drawings in graphite, pen and brown ink, and watercolor; the sketchbook contains 46 sheets, several which are blank; the end papers, the recto of the first page, and half the verso of the final page were used for notes, lists, andarithmetical figuring; a draft of a letter to the critic Octave Mirbeau is on page II (recto)' +p357757 +sg291132 +S'c. 1877/1900' +p357758 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0005e/a0005ea5.jpg' +p357759 +sg291136 +g27 +sa(dp357760 +g291134 +S'The Plaster Mill (La Moulin \xc3\xa0 pl\xc3\xa2tre)' +p357761 +sg291137 +S'Paul C\xc3\xa9zanne' +p357762 +sg291130 +S'graphite on wove paper' +p357763 +sg291132 +S'1889/1892' +p357764 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000ae/a000aea9.jpg' +p357765 +sg291136 +g27 +sa(dp357766 +g291134 +S'Study of Puget\'s "Milo of Crotona"' +p357767 +sg291137 +S'Paul C\xc3\xa9zanne' +p357768 +sg291130 +S'graphite on wove paper' +p357769 +sg291132 +S'1895/1898' +p357770 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d3/a000d3e8.jpg' +p357771 +sg291136 +g27 +sa(dp357772 +g291134 +S"The Artist's Son Leaning on his Elbow" +p357773 +sg291137 +S'Paul C\xc3\xa9zanne' +p357774 +sg291130 +S'graphite on wove paper' +p357775 +sg291132 +S'c. 1887' +p357776 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d9/a000d95a.jpg' +p357777 +sg291136 +g27 +sa(dp357778 +g291134 +S'Landscape Near Aix-En-Provence' +p357779 +sg291137 +S'Paul C\xc3\xa9zanne' +p357780 +sg291130 +S'graphite on wove paper' +p357781 +sg291132 +S'1877/1880' +p357782 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d9/a000d979.jpg' +p357783 +sg291136 +g27 +sa(dp357784 +g291134 +S'Study of Houses' +p357785 +sg291137 +S'Paul C\xc3\xa9zanne' +p357786 +sg291130 +S'graphite on wove paper' +p357787 +sg291132 +S'1879/1882' +p357788 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d9/a000d95b.jpg' +p357789 +sg291136 +g27 +sa(dp357790 +g291134 +S'Landscape with Trees' +p357791 +sg291137 +S'Paul C\xc3\xa9zanne' +p357792 +sg291130 +S'graphite on wove paper' +p357793 +sg291132 +S'1895/1898' +p357794 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d3/a000d3e9.jpg' +p357795 +sg291136 +g27 +sa(dp357796 +g291134 +S'Studies Including a Straw Hat' +p357797 +sg291137 +S'Paul C\xc3\xa9zanne' +p357798 +sg291130 +S'graphite on wove paper' +p357799 +sg291132 +S'1895/1898' +p357800 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d9/a000d937.jpg' +p357801 +sg291136 +g27 +sa(dp357802 +g291134 +S'Madame C\xc3\xa9zanne' +p357803 +sg291137 +S'Paul C\xc3\xa9zanne' +p357804 +sg291130 +S'graphite on wove paper' +p357805 +sg291132 +S'1888/1891' +p357806 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d9/a000d95c.jpg' +p357807 +sg291136 +g27 +sa(dp357808 +g291134 +S'A Head, a Cup, and a Bread Roll' +p357809 +sg291137 +S'Paul C\xc3\xa9zanne' +p357810 +sg291130 +S'graphite on wove paper' +p357811 +sg291132 +S'1891/1894' +p357812 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d9/a000d95d.jpg' +p357813 +sg291136 +g27 +sa(dp357814 +g291134 +S'Kerosene Lamp' +p357815 +sg291137 +S'Paul C\xc3\xa9zanne' +p357816 +sg291130 +S'graphite on wove paper' +p357817 +sg291132 +S'1878/1881' +p357818 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d9/a000d938.jpg' +p357819 +sg291136 +g27 +sa(dp357820 +g291134 +S'Two Heads' +p357821 +sg291137 +S'Paul C\xc3\xa9zanne' +p357822 +sg291130 +S'graphite on wove paper' +p357823 +sg291132 +S'1888' +p357824 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d9/a000d95e.jpg' +p357825 +sg291136 +g27 +sa(dp357826 +g291134 +S'Madame C\xc3\xa9zanne' +p357827 +sg291137 +S'Paul C\xc3\xa9zanne' +p357828 +sg291130 +S'graphite on wove paper' +p357829 +sg291132 +S'1886/1889' +p357830 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d9/a000d939.jpg' +p357831 +sg291136 +g27 +sa(dp357832 +g291134 +S'Self-Portrait' +p357833 +sg291137 +S'Paul C\xc3\xa9zanne' +p357834 +sg291130 +S'graphite on wove paper' +p357835 +sg291132 +S'c. 1895' +p357836 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d9/a000d95f.jpg' +p357837 +sg291136 +g27 +sa(dp357838 +g291134 +S'Landscape Seen from the Inside of a Cave' +p357839 +sg291137 +S'Paul C\xc3\xa9zanne' +p357840 +sg291130 +S'graphite on wove paper' +p357841 +sg291132 +S'1889/1892' +p357842 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d9/a000d93a.jpg' +p357843 +sg291136 +g27 +sa(dp357844 +g291134 +S'Head of a Young Woman' +p357845 +sg291137 +S'Paul C\xc3\xa9zanne' +p357846 +sg291130 +S'graphite on wove paper' +p357847 +sg291132 +S'c. 1880' +p357848 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d9/a000d93b.jpg' +p357849 +sg291136 +g27 +sa(dp357850 +g291134 +S'Madame C\xc3\xa9zanne' +p357851 +sg291137 +S'Paul C\xc3\xa9zanne' +p357852 +sg291130 +S'graphite on wove paper' +p357853 +sg291132 +S'1882/1887' +p357854 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d9/a000d960.jpg' +p357855 +sg291136 +g27 +sa(dp357856 +g291134 +S'Study of a Decorative Ornament' +p357857 +sg291137 +S'Paul C\xc3\xa9zanne' +p357858 +sg291130 +S'graphite on wove paper' +p357859 +sg291132 +S'1879/1882' +p357860 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d9/a000d93c.jpg' +p357861 +sg291136 +g27 +sa(dp357862 +g291134 +S'Madame C\xc3\xa9zanne' +p357863 +sg291137 +S'Paul C\xc3\xa9zanne' +p357864 +sg291130 +S'graphite on wove paper' +p357865 +sg291132 +S'1897/1900' +p357866 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d9/a000d961.jpg' +p357867 +sg291136 +g27 +sa(dp357868 +g291134 +S'Study of the Allegorical Figure of Health in Rubens\' "The Birth of Louis XIII"' +p357869 +sg291137 +S'Paul C\xc3\xa9zanne' +p357870 +sg291130 +S'graphite on wove paper' +p357871 +sg291132 +S'1880/1883' +p357872 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d9/a000d93d.jpg' +p357873 +sg291136 +g27 +sa(dp357874 +g291134 +S'Two Heads of Women' +p357875 +sg291137 +S'Paul C\xc3\xa9zanne' +p357876 +sg291130 +S'graphite on wove paper' +p357877 +sg291132 +S'1890/1894' +p357878 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d9/a000d962.jpg' +p357879 +sg291136 +g27 +sa(dp357880 +g291134 +S'Woman Leaning Forward' +p357881 +sg291137 +S'Paul C\xc3\xa9zanne' +p357882 +sg291130 +S'graphite on wove paper' +p357883 +sg291132 +S'1890/1894' +p357884 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d9/a000d93e.jpg' +p357885 +sg291136 +g27 +sa(dp357886 +g291134 +S'Woman Leaning Forward' +p357887 +sg291137 +S'Paul C\xc3\xa9zanne' +p357888 +sg291130 +S'graphite on wove paper' +p357889 +sg291132 +S'1890/1894' +p357890 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d9/a000d963.jpg' +p357891 +sg291136 +g27 +sa(dp357892 +g291134 +S'Bellows in Front of a Fireplace' +p357893 +sg291137 +S'Paul C\xc3\xa9zanne' +p357894 +sg291130 +S'graphite on wove paper' +p357895 +sg291132 +S'1887/1892' +p357896 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d9/a000d93f.jpg' +p357897 +sg291136 +g27 +sa(dp357898 +g291134 +S'Fireplace Tongs and Poker' +p357899 +sg291137 +S'Paul C\xc3\xa9zanne' +p357900 +sg291130 +S'graphite on wove paper' +p357901 +sg291132 +S'1887/1892' +p357902 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d9/a000d964.jpg' +p357903 +sg291136 +g27 +sa(dp357904 +g291134 +S'Cushion of an Armchair' +p357905 +sg291137 +S'Paul C\xc3\xa9zanne' +p357906 +sg291130 +S'graphite on wove paper' +p357907 +sg291132 +S'1886/1889' +p357908 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d9/a000d940.jpg' +p357909 +sg291136 +g27 +sa(dp357910 +g291134 +S'Madame C\xc3\xa9zanne with her Head Lowered' +p357911 +sg291137 +S'Paul C\xc3\xa9zanne' +p357912 +sg291130 +S'graphite on wove paper' +p357913 +sg291132 +S'1893/1896' +p357914 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d9/a000d965.jpg' +p357915 +sg291136 +g27 +sa(dp357916 +g291134 +S"The Artist's Son Writing" +p357917 +sg291137 +S'Paul C\xc3\xa9zanne' +p357918 +sg291130 +S'graphite on wove paper' +p357919 +sg291132 +S'c. 1887' +p357920 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d9/a000d941.jpg' +p357921 +sg291136 +g27 +sa(dp357922 +g291134 +S"The Artist's Son" +p357923 +sg291137 +S'Paul C\xc3\xa9zanne' +p357924 +sg291130 +S'graphite on wove paper' +p357925 +sg291132 +S'c. 1887' +p357926 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d9/a000d966.jpg' +p357927 +sg291136 +g27 +sa(dp357928 +g291134 +S'Head of a Boy' +p357929 +sg291137 +S'Paul C\xc3\xa9zanne' +p357930 +sg291130 +S'graphite on wove paper' +p357931 +sg291132 +S'1887/1889' +p357932 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d9/a000d942.jpg' +p357933 +sg291136 +g27 +sa(dp357934 +g291134 +S'Head of a Boy Seen from Behind' +p357935 +sg291137 +S'Paul C\xc3\xa9zanne' +p357936 +sg291130 +S'graphite on wove paper' +p357937 +sg291132 +S'c. 1885' +p357938 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d9/a000d967.jpg' +p357939 +sg291136 +g27 +sa(dp357940 +g291134 +S'Carnival Scene' +p357941 +sg291137 +S'Paul C\xc3\xa9zanne' +p357942 +sg291130 +S'graphite on wove paper' +p357943 +sg291132 +S'1885/1888' +p357944 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d9/a000d943.jpg' +p357945 +sg291136 +g27 +sa(dp357946 +g291134 +S'Woman Leaning Forward' +p357947 +sg291137 +S'Paul C\xc3\xa9zanne' +p357948 +sg291130 +S'graphite on wove paper' +p357949 +sg291132 +S'1888/1891' +p357950 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d9/a000d968.jpg' +p357951 +sg291136 +g27 +sa(dp357952 +g291134 +S"Head of the Artist's Son" +p357953 +sg291137 +S'Paul C\xc3\xa9zanne' +p357954 +sg291130 +S'graphite on wove paper' +p357955 +sg291132 +S'1888/1889' +p357956 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d9/a000d944.jpg' +p357957 +sg291136 +g27 +sa(dp357958 +g291134 +S'Branch in Flower' +p357959 +sg291137 +S'Paul C\xc3\xa9zanne' +p357960 +sg291130 +S'graphite on wove paper' +p357961 +sg291132 +S'1886/1889' +p357962 +sg292149 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+p358025 +sg291137 +S'Paul C\xc3\xa9zanne' +p358026 +sg291130 +S'graphite on wove paper' +p358027 +sg291132 +S'1883/1886' +p358028 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d9/a000d94a.jpg' +p358029 +sg291136 +g27 +sa(dp358030 +g291134 +S'Study for "The Judgement of Paris" or "The Amorous Shepherd"' +p358031 +sg291137 +S'Paul C\xc3\xa9zanne' +p358032 +sg291130 +S'graphite on wove paper' +p358033 +sg291132 +S'1883/1886' +p358034 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d9/a000d96f.jpg' +p358035 +sg291136 +g27 +sa(dp358036 +g291134 +S'Victor Chocquet and an Angel for "The Apotheosis of Delacroix"' +p358037 +sg291137 +S'Paul C\xc3\xa9zanne' +p358038 +sg291130 +S'graphite and pen and brown ink with watercolor on wove paper' +p358039 +sg291132 +S'1878/1880' +p358040 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00022/a00022d8.jpg' +p358041 +sg291136 +g27 +sa(dp358042 +g291134 +S'Peonies' +p358043 +sg291137 +S'Paul C\xc3\xa9zanne' +p358044 +sg291130 +S'graphite on wove paper' 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obverse' +p358243 +sg291132 +S'1555' +p358244 +sg291134 +S'Marcellus II (Marcello Corvino, 1501-1555), Pope 1555' +p358245 +sg291136 +g27 +sg291137 +S"Giovanni Antonio de' Rossi" +p358246 +sa(dp358247 +g291130 +S', c. 1562' +p358248 +sg291132 +S'\n' +p358249 +sg291134 +S'Giambattista Castaldi, died 1562, Count Piadena, General of Charles V [obverse]' +p358250 +sg291136 +g27 +sg291137 +S'Annibale Fontana' +p358251 +sa(dp358252 +g291130 +S', c. 1562' +p358253 +sg291132 +S'\n' +p358254 +sg291134 +S'Conquest of Transylvania [reverse]' +p358255 +sg291136 +g27 +sg291137 +S'Annibale Fontana' +p358256 +sa(dp358257 +g291130 +S'cast non-sterling silver' +p358258 +sg291132 +S'c. 1545' +p358259 +sg291134 +S'Pietro Strozzi, 1510-1588, Marshall of France 1554 [obverse]' +p358260 +sg291136 +g27 +sg291137 +S'Florentine 16th Century' +p358261 +sa(dp358262 +g291130 +S'cast non-sterling silver' +p358263 +sg291132 +S'c. 1545' +p358264 +sg291134 +S'Horse Pawing the Earth [reverse]' +p358265 +sg291136 +g27 +sg291137 +S'Florentine 16th Century' +p358266 +sa(dp358267 +g291130 +S'silver' +p358268 +sg291132 +S'1571' +p358269 +sg291134 +S'Viglius van Aytta of Zuichem, 1507-1577, Lawyer and Humanist [obverse]' +p358270 +sg291136 +g27 +sg291137 +S'Jacques Jonghelinck' +p358271 +sa(dp358272 +g291130 +S'silver' +p358273 +sg291132 +S'1571' +p358274 +sg291134 +S'Memento Mori [reverse]' +p358275 +sg291136 +g27 +sg291137 +S'Jacques Jonghelinck' +p358276 +sa(dp358277 +g291130 +S'struck bronze' +p358278 +sg291132 +S'1575' +p358279 +sg291134 +S'Gregory XIII (Ugo Buoncompagni, 1502-1585), Pope 1572 [obverse]' +p358280 +sg291136 +g27 +sg291137 +S'Giovan Federico Bonzagni' +p358281 +sa(dp358282 +g291130 +S'bronze' +p358283 +sg291132 +S'1575' +p358284 +sg291134 +S'Opening of the Porta Santa [reverse]' +p358285 +sg291136 +g27 +sg291137 +S'Giovan Federico Bonzagni' +p358286 +sa(dp358287 +g291130 +S'wax modello on slate' +p358288 +sg291132 +S'c. 1575' +p358289 +sg291134 +S'A Gentlewoman in Court Finery' +p358290 +sg291136 +g27 +sg291137 +S'Italian 16th Century' +p358291 +sa(dp358292 +g291130 +S'gilded bronze' +p358293 +sg291132 +S'1598' +p358294 +sg291134 +S'Henri IV, 1553-1610, King of France 1589 [obverse]' +p358295 +sg291136 +g27 +sg291137 +S'Conrad Bloc' +p358296 +sa(dp358297 +g291130 +S'gilded bronze' +p358298 +sg291132 +S'1598' +p358299 +sg291134 +S'Royal Emblem [reverse]' +p358300 +sg291136 +g27 +sg291137 +S'Conrad Bloc' +p358301 +sa(dp358302 +g291130 +S'gilded bronze' +p358303 +sg291132 +S'1624' +p358304 +sg291134 +S'Louis XIII, 1601-1643, King of France 1610 [obverse]' +p358305 +sg291136 +g27 +sg291137 +S'Pierre Regnier' +p358306 +sa(dp358307 +g291130 +S'gilded bronze' +p358308 +sg291132 +S'1624' +p358309 +sg291134 +S'The New Louvre [reverse]' +p358310 +sg291136 +g27 +sg291137 +S'Pierre Regnier' +p358311 +sa(dp358312 +g291130 +S', c. 1540' +p358313 +sg291132 +S'\n' +p358314 +sg291134 +S'A Putto Symbolizing the Muse Erato' +p358315 +sg291136 +g27 +sg291137 +S'Peter Fl\xc3\xb6tner' +p358316 +sa(dp358317 +g291130 +S'(artist)' +p358318 +sg291132 +S'\n' +p358319 +sg291134 +S'Saint John Composing "Revelation" on Patmos' +p358320 +sg291136 +g27 +sg291137 +S'Artist Information (' +p358321 +sa(dp358322 +g291130 +S'German, 1574 - 1628' +p358323 +sg291132 +S'(related artist)' +p358324 +sg291134 +S'Athena Introducing the Personification of Painting into the Circle of the Liberal Arts' +p358325 +sg291136 +g27 +sg291137 +S'Artist Information (' +p358326 +sa(dp358327 +g291130 +S', c. 1625' +p358328 +sg291132 +S'\n' +p358329 +sg291134 +S'James I, 1566-1625, King of England 1603 [obverse]' +p358330 +sg291136 +g27 +sg291137 +S'Simon van de Passe' +p358331 +sa(dp358332 +g291130 +S', c. 1625' +p358333 +sg291132 +S'\n' +p358334 +sg291134 +S'Prince Charles, 1600-1649, King of England 1625 [reverse]' +p358335 +sg291136 +g27 +sg291137 +S'Simon van de Passe' +p358336 +sa(dp358337 +g291130 +S'struck silver' +p358338 +sg291132 +S'1654' +p358339 +sg291134 +S'Peace with Holland [obverse]' +p358340 +sg291136 +g27 +sg291137 +S'Sebastian Dadler' +p358341 +sa(dp358342 +g291130 +S'struck silver' +p358343 +sg291132 +S'1654' +p358344 +sg291134 +S'The Navigation Acts [reverse]' +p358345 +sg291136 +g27 +sg291137 +S'Sebastian Dadler' +p358346 +sa(dp358347 +g291130 +S', 1676' +p358348 +sg291132 +S'\n' +p358349 +sg291134 +S'The Great Elector (?), or Don Johann of Austria (?) [obverse]' +p358350 +sg291136 +g27 +sg291137 +S'Christoph Sucro' +p358351 +sa(dp358352 +g291130 +S', 1676' +p358353 +sg291132 +S'\n' +p358354 +sg291134 +S'Lamb of the Redeemer [reverse]' +p358355 +sg291136 +g27 +sg291137 +S'Christoph Sucro' +p358356 +sa(dp358357 +g291130 +S', 1705' +p358358 +sg291132 +S'\n' +p358359 +sg291134 +S'Joseph I, 1678-1711, Holy Roman Emperor 1705 [obverse]' +p358360 +sg291136 +g27 +sg291137 +S'Johann Georg Seidlitz' +p358361 +sa(dp358362 +g291130 +S', 1705' +p358363 +sg291132 +S'\n' +p358364 +sg291134 +S'Uniting Europe [reverse]' +p358365 +sg291136 +g27 +sg291137 +S'Johann Georg Seidlitz' +p358366 +sa(dp358367 +g291134 +S'Virginia Deer' +p358368 +sg291137 +S'Antoine-Louis Barye' +p358369 +sg291130 +S'cast bronze' +p358370 +sg291132 +S'1831' +p358371 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00054/a000540a.jpg' +p358372 +sg291136 +g27 +sa(dp358373 +g291134 +S'Orpheus [obverse]' +p358374 +sg291137 +S'Marie-Alexandre-Lucien Coudray' +p358375 +sg291130 +S'silver' +p358376 +sg291132 +S'c. 1893' +p358377 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000f5/a000f597.jpg' +p358378 +sg291136 +g27 +sa(dp358379 +g291134 +S'1e Prix: Claude Debussy [reverse]' +p358380 +sg291137 +S'Marie-Alexandre-Lucien Coudray' +p358381 +sg291130 +S'silver' +p358382 +sg291132 +S'c. 1893' +p358383 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000f5/a000f598.jpg' +p358384 +sg291136 +g27 +sa(dp358385 +g291130 +S'lithograph in black on Basingwerk Parchment' +p358386 +sg291132 +S'1948' +p358387 +sg291134 +S'Mother and Child' +p358388 +sg291136 +g27 +sg291137 +S'Roy Lichtenstein' +p358389 +sa(dp358390 +g291130 +S'lithograph, aquatint, salt-ground (?), and engraving in black on machine-made parchment paper' +p358391 +sg291132 +S'c. 1950' +p358392 +sg291134 +S'The King' +p358393 +sg291136 +g27 +sg291137 +S'Roy Lichtenstein' +p358394 +sa(dp358395 +g291130 +S'woodcut in black on natural Japanese paper' +p358396 +sg291132 +S'1948/1949' +p358397 +sg291134 +S'Panther in Tree' +p358398 +sg291136 +g27 +sg291137 +S'Roy Lichtenstein' +p358399 +sa(dp358400 +g291130 +S'drypoint in black on Rives paper' +p358401 +sg291132 +S'1950' +p358402 +sg291134 +S'Woman on Horseback' +p358403 +sg291136 +g27 +sg291137 +S'Roy Lichtenstein' +p358404 +sa(dp358405 +g291130 +S'lithograph in black on Rives paper' +p358406 +sg291132 +S'1950' +p358407 +sg291134 +S'Insect with Umbrella' +p358408 +sg291136 +g27 +sg291137 +S'Roy Lichtenstein' +p358409 +sa(dp358410 +g291130 +S'woodcut in black over screenprint in green on Troya paper' +p358411 +sg291132 +S'1950' +p358412 +sg291134 +S'St. George and the Dragon (I)' +p358413 +sg291136 +g27 +sg291137 +S'Roy Lichtenstein' +p358414 +sa(dp358415 +g291130 +S'woodcut in brown over screenprint in green on Troya paper' +p358416 +sg291132 +S'1950' +p358417 +sg291134 +S'St. George and the Dragon (I)' +p358418 +sg291136 +g27 +sg291137 +S'Roy Lichtenstein' +p358419 +sa(dp358420 +g291130 +S'woodcut in brown on Troya paper' +p358421 +sg291132 +S'1950' +p358422 +sg291134 +S'St. George and the Dragon (I)' +p358423 +sg291136 +g27 +sg291137 +S'Roy Lichtenstein' +p358424 +sa(dp358425 +g291130 +S'woodcut in blue on brown Kraft paper' +p358426 +sg291132 +S'1950' +p358427 +sg291134 +S'To Battle' +p358428 +sg291136 +g27 +sg291137 +S'Roy Lichtenstein' +p358429 +sa(dp358430 +g291134 +S'Harlech Castle and Snowdon' +p358431 +sg291137 +S'John Varley' +p358432 +sg291130 +S'watercolor over graphite with sponging-out on wove paper' +p358433 +sg291132 +S'c. 1805' +p358434 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00069/a0006977.jpg' +p358435 +sg291136 +g27 +sa(dp358436 +g291130 +S'aquatint, etching, engraving in black on white handmade(?) paper' +p358437 +sg291132 +S'1950' +p358438 +sg291134 +S'Knight on Horseback (I)' +p358439 +sg291136 +g27 +sg291137 +S'Roy Lichtenstein' +p358440 +sa(dp358441 +g291130 +S'etching, aquatint, and engraving in black on cream wove paper' +p358442 +sg291132 +S'1950' +p358443 +sg291134 +S'Storming the Castle' +p358444 +sg291136 +g27 +sg291137 +S'Roy Lichtenstein' +p358445 +sa(dp358446 +g291134 +S'Milsom Street in Bath' +p358447 +sg291137 +S'Thomas Malton' +p358448 +sg291130 +S'pen and gray and black ink with gray wash and watercolor over graphite on laid paper' +p358449 +sg291132 +S'1784' +p358450 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00069/a000695d.jpg' +p358451 +sg291136 +g27 +sa(dp358452 +g291134 +S'Interior of Bushey Church' +p358453 +sg291137 +S'William Henry Hunt' +p358454 +sg291130 +S'pen and brown ink and watercolor over graphite on wove paper' +p358455 +sg291132 +S'1815/1820' +p358456 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00069/a0006972.jpg' +p358457 +sg291136 +g27 +sa(dp358458 +g291130 +S'woodcut in brown on natural Japanese paper' +p358459 +sg291132 +S'c. 1951' +p358460 +sg291134 +S'St. George and the Dragon (II)' +p358461 +sg291136 +g27 +sg291137 +S'Roy Lichtenstein' +p358462 +sa(dp358463 +g291130 +S'color woodcut on white laid drawing paper' +p358464 +sg291132 +S'1951' +p358465 +sg291134 +S'Knight with Lady' +p358466 +sg291136 +g27 +sg291137 +S'Roy Lichtenstein' +p358467 +sa(dp358468 +g291130 +S'color woodcut on cream wove paper' +p358469 +sg291132 +S'1951' +p358470 +sg291134 +S'Hunter with Dog' +p358471 +sg291136 +g27 +sg291137 +S'Roy Lichtenstein' +p358472 +sa(dp358473 +g291130 +S'woodcut in black on green Strathmore charcoal paper' +p358474 +sg291132 +S'1951' +p358475 +sg291134 +S'Approaching the Castle' +p358476 +sg291136 +g27 +sg291137 +S'Roy Lichtenstein' +p358477 +sa(dp358478 +g291130 +S'woodcut in black on gray Strathmore charcoal paper' +p358479 +sg291132 +S'1952' +p358480 +sg291134 +S'Two Sioux Indians' +p358481 +sg291136 +g27 +sg291137 +S'Roy Lichtenstein' +p358482 +sa(dp358483 +g291130 +S'woodcut in black on Beverly Ingres paper' +p358484 +sg291132 +S'1952' +p358485 +sg291134 +S'Two Dancing Indians' +p358486 +sg291136 +g27 +sg291137 +S'Roy Lichtenstein' +p358487 +sa(dp358488 +g291130 +S'color woodcut on cream laid paper' +p358489 +sg291132 +S'1952' +p358490 +sg291134 +S'A Cherokee Brave' +p358491 +sg291136 +g27 +sg291137 +S'Roy Lichtenstein' +p358492 +sa(dp358493 +g291130 +S'etching and aquatint in black on Rives Heavyweight paper' +p358494 +sg291132 +S'1952' +p358495 +sg291134 +S'Indians Pursued by American Dragoons' +p358496 +sg291136 +g27 +sg291137 +S'Roy Lichtenstein' +p358497 +sa(dp358498 +g291130 +S'woodcut in black on natural Japanese paper' +p358499 +sg291132 +S'1953' +p358500 +sg291134 +S'Two Indians' +p358501 +sg291136 +g27 +sg291137 +S'Roy Lichtenstein' +p358502 +sa(dp358503 +g291130 +S'woodcut in black on natural Japanese paper' +p358504 +sg291132 +S'1953' +p358505 +sg291134 +S'Indian with Pony' +p358506 +sg291136 +g27 +sg291137 +S'Roy Lichtenstein' +p358507 +sa(dp358508 +g291130 +S'woodcut in black on natural Japanese paper' +p358509 +sg291132 +S'1953' +p358510 +sg291134 +S'The United States and the Macedonian' +p358511 +sg291136 +g27 +sg291137 +S'Roy Lichtenstein' +p358512 +sa(dp358513 +g291130 +S'woodcut in black on natural Japanese paper' +p358514 +sg291132 +S'1953' +p358515 +sg291134 +S'Isaac Hull Esq.' +p358516 +sg291136 +g27 +sg291137 +S'Roy Lichtenstein' +p358517 +sa(dp358518 +g291130 +S'color woodcut on Japanese paper' +p358519 +sg291132 +S'1953' +p358520 +sg291134 +S'The Heavier-than-Air Machine' +p358521 +sg291136 +g27 +sg291137 +S'Roy Lichtenstein' +p358522 +sa(dp358523 +g291130 +S'color woodcut on Japanese paper' +p358524 +sg291132 +S'1953' +p358525 +sg291134 +S'The Heavier-than-Air Machine' +p358526 +sg291136 +g27 +sg291137 +S'Roy Lichtenstein' +p358527 +sa(dp358528 +g291130 +S'lithograph in black on Rives paper' +p358529 +sg291132 +S'1956' +p358530 +sg291134 +S'Ten Dollar Bill' +p358531 +sg291136 +g27 +sg291137 +S'Roy Lichtenstein' +p358532 +sa(dp358533 +g291130 +g27 +sg291132 +S'(printer)' +p358534 +sg291134 +S'The Chief' +p358535 +sg291136 +g27 +sg291137 +S'Artist Information (' +p358536 +sa(dp358537 +g291130 +g27 +sg291132 +S'(printer)' +p358538 +sg291134 +S'Warrior on Horseback' +p358539 +sg291136 +g27 +sg291137 +S'Artist Information (' +p358540 +sa(dp358541 +g291130 +S'woodcut in black on mulberry paper' +p358542 +sg291132 +S'1957' +p358543 +sg291134 +S'Untitled (Illustration for "Polemic" Magazine)' +p358544 +sg291136 +g27 +sg291137 +S'Roy Lichtenstein' +p358545 +sa(dp358546 +g291130 +g27 +sg291132 +S'(publisher)' +p358547 +sg291134 +S'Castelli Handshake Poster' +p358548 +sg291136 +g27 +sg291137 +S'Artist Information (' +p358549 +sa(dp358550 +g291130 +S'color offset lithograph on lightweight, off-white wove paper' +p358551 +sg291132 +S'1963' +p358552 +sg291134 +S'Crying Girl' +p358553 +sg291136 +g27 +sg291137 +S'Roy Lichtenstein' +p358554 +sa(dp358555 +g291130 +S'offset lithograph (halftone) in black, on lightweight, off-white wove paper' +p358556 +sg291132 +S'1963' +p358557 +sg291134 +S'Foot Medication Poster' +p358558 +sg291136 +g27 +sg291137 +S'Roy Lichtenstein' +p358559 +sa(dp358560 +g291130 +S'offset lithograph in blue and black on white wove paper' +p358561 +sg291132 +S'1963' +p358562 +sg291134 +S'Sock Announcement' +p358563 +sg291136 +g27 +sg291137 +S'Roy Lichtenstein' +p358564 +sa(dp358565 +g291130 +g27 +sg291132 +S'(publisher)' +p358566 +sg291134 +S'CRAK!' +p358567 +sg291136 +g27 +sg291137 +S'Artist Information (' +p358568 +sa(dp358569 +g291130 +S'screenprint in red and yellow on smooth, white wove paper bag with handles' +p358570 +sg291132 +S'1964' +p358571 +sg291134 +S'Turkey Shopping Bag' +p358572 +sg291136 +g27 +sg291137 +S'Roy Lichtenstein' +p358573 +sa(dp358574 +g291130 +g27 +sg291132 +S'(publisher)' +p358575 +sg291134 +S'Shipboard Girl' +p358576 +sg291136 +g27 +sg291137 +S'Artist Information (' +p358577 +sa(dp358578 +g291130 +g27 +sg291132 +S'(publisher)' +p358579 +sg291134 +S'Sunrise' +p358580 +sg291136 +g27 +sg291137 +S'Artist Information (' +p358581 +sa(dp358582 +g291130 +S'color screenprint on heavy, smooth, white wove paper' +p358583 +sg291132 +S'1965' +p358584 +sg291134 +S'Sweet Dreams Baby!' +p358585 +sg291136 +g27 +sg291137 +S'Roy Lichtenstein' +p358586 +sa(dp358587 +g291134 +S'Brushstroke' +p358588 +sg291137 +S'Artist Information (' +p358589 +sg291130 +g27 +sg291132 +S'(publisher)' +p358590 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00050/a000502d.jpg' +p358591 +sg291136 +g27 +sa(dp358592 +g291130 +g27 +sg291132 +S'(printer)' +p358593 +sg291134 +S'Paris Review Poster' +p358594 +sg291136 +g27 +sg291137 +S'Artist Information (' +p358595 +sa(dp358596 +g291136 +g27 +sg291134 +S'Study for Portfolio Cover: "Folk Art of Rural Pennsylvania"' +p358597 +sg291137 +S'American 20th Century' +p358598 +sa(dp358599 +g291130 +S'offset lithograph in yellow, red, blue, and black on smooth, white wove paper' +p358600 +sg291132 +S'1966' +p358601 +sg291134 +S'Lincoln Center Poster' +p358602 +sg291136 +g27 +sg291137 +S'Roy Lichtenstein' +p358603 +sa(dp358604 +g291136 +g27 +sg291134 +S'Study for Portfolio Cover: "Folk Art of Rural Pennsylvania"' +p358605 +sg291137 +S'American 20th Century' +p358606 +sa(dp358607 +g291136 +g27 +sg291134 +S'Study for Portfolio Cover: "Folk Art of Rural Pennsylvania"' +p358608 +sg291137 +S'American 20th Century' +p358609 +sa(dp358610 +g291130 +S'American' +p358611 +sg291132 +S'(printer)' +p358612 +sg291134 +S'Fish and Sky' +p358613 +sg291136 +g27 +sg291137 +S'Artist Information (' +p358614 +sa(dp358615 +g291130 +S'active c. 1967' +p358616 +sg291132 +S'(printer)' +p358617 +sg291134 +S'Landscape 1' +p358618 +sg291136 +g27 +sg291137 +S'Artist Information (' +p358619 +sa(dp358620 +g291130 +g27 +sg291132 +S'(printer)' +p358621 +sg291134 +S'Brushstrokes' +p358622 +sg291136 +g27 +sg291137 +S'Artist Information (' +p358623 +sa(dp358624 +g291130 +S'American, born 1927' +p358625 +sg291132 +S'(printer)' +p358626 +sg291134 +S'Explosion' +p358627 +sg291136 +g27 +sg291137 +S'Artist Information (' +p358628 +sa(dp358629 +g291130 +S'active c. 1967' +p358630 +sg291132 +S'(printer)' +p358631 +sg291134 +S'Merton of the Movies' +p358632 +sg291136 +g27 +sg291137 +S'Artist Information (' +p358633 +sa(dp358634 +g291130 +S'color screenprint on smooth, white wove paper' +p358635 +sg291132 +S'1968' +p358636 +sg291134 +S'Salute to Aviation' +p358637 +sg291136 +g27 +sg291137 +S'Roy Lichtenstein' +p358638 +sa(dp358639 +g291130 +S'offset lithograph in yellow and blue on white wove paper' +p358640 +sg291132 +S'1968' +p358641 +sg291134 +S'Joanna' +p358642 +sg291136 +g27 +sg291137 +S'Roy Lichtenstein' +p358643 +sa(dp358644 +g291130 +g27 +sg291132 +S'(printer)' +p358645 +sg291134 +S'Pyramid' +p358646 +sg291136 +g27 +sg291137 +S'Artist Information (' +p358647 +sa(dp358648 +g291130 +S'screenprint in yellow, red, and blue on paper plate' +p358649 +sg291132 +S'1969' +p358650 +sg291134 +S'Paper Plate' +p358651 +sg291136 +g27 +sg291137 +S'Roy Lichtenstein' +p358652 +sa(dp358653 +g291130 +g27 +sg291132 +S'(printer)' +p358654 +sg291134 +S'Repeated Design' +p358655 +sg291136 +g27 +sg291137 +S'Artist Information (' +p358656 +sa(dp358657 +g291130 +S'color screenprint 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Hexagonal Shape' +p360118 +sg291137 +S'Artist Information (' +p360119 +sg291130 +S'Italian, c. 1447 - 1517' +p360120 +sg291132 +S'(related artist)' +p360121 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c726.jpg' +p360122 +sg291136 +g27 +sa(dp360123 +g291134 +S'Panel of Ornament with a Satyress Feeding Two Children' +p360124 +sg291137 +S'Peregrino da Cesena' +p360125 +sg291130 +S'niello print' +p360126 +sg291132 +S'c. 1505/1520' +p360127 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c720.jpg' +p360128 +sg291136 +g27 +sa(dp360129 +g291134 +S'Roman General Addressing His Troops' +p360130 +sg291137 +S'Italian 16th Century' +p360131 +sg291130 +S'sheet: 4.8 x 3.7 cm (1 7/8 x 1 7/16 in.)' +p360132 +sg291132 +S'\nniello print' +p360133 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000c7/a000c714.jpg' +p360134 +sg291136 +g27 +sa(dp360135 +g291134 +S'Horatius Cocles' +p360136 +sg291137 +S'Artist Information (' +p360137 +sg291130 +g27 +sg291132 +S'(artist)' +p360138 +sg292149 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+S'lithograph in green and yellow' +p360163 +sg291132 +S'1913' +p360164 +sg291134 +S'Mother and Child (Mutter und Kind)' +p360165 +sg291136 +g27 +sg291137 +S'Emil Nolde' +p360166 +sa(dp360167 +g291130 +S'lithograph in black and gray on japan paper' +p360168 +sg291132 +S'1913' +p360169 +sg291134 +S'Young Couple (Junges Paar)' +p360170 +sg291136 +g27 +sg291137 +S'Emil Nolde' +p360171 +sa(dp360172 +g291130 +S'woodcut [trial proof]' +p360173 +sg291132 +S'1912' +p360174 +sg291134 +S'Dr. Leber' +p360175 +sg291136 +g27 +sg291137 +S'Emil Nolde' +p360176 +sa(dp360177 +g291130 +S'woodcut' +p360178 +sg291132 +S'1910' +p360179 +sg291134 +S'Woman in Profile (Frau im Profil)' +p360180 +sg291136 +g27 +sg291137 +S'Emil Nolde' +p360181 +sa(dp360182 +g291134 +S'Summer Storm' +p360183 +sg291137 +S'Thomas Willoughby Nason' +p360184 +sg291130 +S'color wood engraving' +p360185 +sg291132 +S'1940' +p360186 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000b/a0000b48.jpg' +p360187 +sg291136 +g27 +sa(dp360188 +g291130 +S'wood engraving' +p360189 +sg291132 +S'1941' +p360190 +sg291134 +S'Passing Cannon Green' +p360191 +sg291136 +g27 +sg291137 +S'Thomas Willoughby Nason' +p360192 +sa(dp360193 +g291134 +S'Se\xc3\xb1ora Sabasa Garcia' +p360194 +sg291137 +S'Francisco de Goya' +p360195 +sg291130 +S'oil on canvas' +p360196 +sg291132 +S'c. 1806/1811' +p360197 +sg292149 +S'http://www.nga.gov:80/thumb-l/a00005/a0000582.jpg' +p360198 +sg291136 +S'The years between Goya\'s appointment as first painter to the court of Charles\nIV and the Napoleonic invasion of 1808 were a time of great activity and financial\nsecurity for the artist. He painted some of his finest portraits at that time, \n In contrast with his earlier work -- \n Señora Sabasa García was the niece of Evaristo Pérez de Castro,\nSpain\'s minister\nof foreign affairs, for whom Goya was painting an official portrait when, according\nto a perhaps legendary anecdote, the young woman appeared. The artist, struck by\nher beauty, stopped work and asked permission to paint her portrait. With images\nlike this, spotlighting the restrained fire and beauty of the subject, Goya created\nthe visual vocabulary that embodies the words "Spanish beauty," just as his earlier\ntapestry cartoons and genre paintings of popular pastimes distilled the essence\nof Spanish life.\n ' +p360199 +sa(dp360200 +g291134 +S'Soldier Seated on a Tomb with Surrounding Figures' +p360201 +sg291137 +S'Giovanni Battista Tiepolo' +p360202 +sg291130 +S'etching' +p360203 +sg291132 +S'published 1785' +p360204 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cb25.jpg' +p360205 +sg291136 +g27 +sa(dp360206 +g291130 +S'wood engraving' +p360207 +sg291132 +S'1937' +p360208 +sg291134 +S'Bucks County Farm House' +p360209 +sg291136 +g27 +sg291137 +S'Thomas Willoughby Nason' +p360210 +sa(dp360211 +g291130 +S'wood engraving' +p360212 +sg291132 +S'1936' +p360213 +sg291134 +S'House in the Pine Trees' +p360214 +sg291136 +g27 +sg291137 +S'Thomas Willoughby Nason' +p360215 +sa(dp360216 +g291130 +S'wood engraving' +p360217 +sg291132 +S'1937' +p360218 +sg291134 +S'Approach of Spring' +p360219 +sg291136 +g27 +sg291137 +S'Thomas Willoughby Nason' +p360220 +sa(dp360221 +g291130 +S'drypoint and roulette or mezzorocker' +p360222 +sg291132 +S'unknown date\n' +p360223 +sg291134 +S'The Sisters' +p360224 +sg291136 +g27 +sg291137 +S'Roselle Hellenberg Osk' +p360225 +sa(dp360226 +g291130 +S'lithograph' +p360227 +sg291132 +S'unknown date\n' +p360228 +sg291134 +S'Three Generations' +p360229 +sg291136 +g27 +sg291137 +S'Jos\xc3\xa9 Clemente Orozco' +p360230 +sa(dp360231 +g291134 +S'The Sleeping Shepherd; Early Morning' +p360232 +sg291137 +S'Samuel Palmer' +p360233 +sg291130 +S'etching, hand-colored with watercolor and opaque white with gold highlights' +p360234 +sg291132 +S'1857' +p360235 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0000f/a0000f65.jpg' +p360236 +sg291136 +g27 +sa(dp360237 +g291134 +S'The Morning of Life' +p360238 +sg291137 +S'Samuel Palmer' +p360239 +sg291130 +S'etching' +p360240 +sg291132 +S'1860/1861' +p360241 +sg292149 +S'http://www.nga.gov:80/thumb-l/a0007d/a0007d0b.jpg' +p360242 +sg291136 +g27 +sa(dp360243 +g291134 +S'Rhetoric' +p360244 +sg291137 +S'Georg Pencz' +p360245 +sg291130 +S'engraving' +p360246 +sg291132 +S'unknown date\n' +p360247 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000ad/a000ad6d.jpg' +p360248 +sg291136 +g27 +sa(dp360249 +g291134 +S'The Pharisees Wish to Stone Christ' +p360250 +sg291137 +S'Georg Pencz' +p360251 +sg291130 +S'engraving' +p360252 +sg291132 +S'unknown date\n' +p360253 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000ad/a000ad52.jpg' +p360254 +sg291136 +g27 +sa(dp360255 +g291134 +S'Standing Woman and Seated Men before an Obelisk' +p360256 +sg291137 +S'Giovanni Battista Tiepolo' +p360257 +sg291130 +S'etching' +p360258 +sg291132 +S'published 1785' +p360259 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cb24.jpg' +p360260 +sg291136 +g27 +sa(dp360261 +g291134 +S'Virginius Killing His Daughter' +p360262 +sg291137 +S'Georg Pencz' +p360263 +sg291130 +S'engraving' +p360264 +sg291132 +S'unknown date\n' +p360265 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b08e.jpg' +p360266 +sg291136 +g27 +sa(dp360267 +g291134 +S'Paris Writing Words of Love to Oenone' +p360268 +sg291137 +S'Georg Pencz' +p360269 +sg291130 +S'engraving' +p360270 +sg291132 +S'unknown date\n' +p360271 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b08d.jpg' +p360272 +sg291136 +g27 +sa(dp360273 +g291134 +S'Medea Returning the Penates to Jason' +p360274 +sg291137 +S'Georg Pencz' +p360275 +sg291130 +S'engraving' +p360276 +sg291132 +S'unknown date\n' +p360277 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b089.jpg' +p360278 +sg291136 +g27 +sa(dp360279 +g291134 +S'Tomyris with the Head of Cyrus' +p360280 +sg291137 +S'Georg Pencz' +p360281 +sg291130 +S'engraving' +p360282 +sg291132 +S'unknown date\n' +p360283 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b08b.jpg' +p360284 +sg291136 +g27 +sa(dp360285 +g291134 +S'To Feed the Hungry' +p360286 +sg291137 +S'Georg Pencz' +p360287 +sg291130 +S'engraving' +p360288 +sg291132 +S'unknown date\n' +p360289 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b080.jpg' +p360290 +sg291136 +g27 +sa(dp360291 +g291134 +S'To Clothe the Naked' +p360292 +sg291137 +S'Georg Pencz' +p360293 +sg291130 +S'engraving' +p360294 +sg291132 +S'unknown date\n' +p360295 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b083.jpg' +p360296 +sg291136 +g27 +sa(dp360297 +g291134 +S'To Give Drink to the Thirsty' +p360298 +sg291137 +S'Georg Pencz' +p360299 +sg291130 +S'engraving' +p360300 +sg291132 +S'unknown date\n' +p360301 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b081.jpg' +p360302 +sg291136 +g27 +sa(dp360303 +g291134 +S'To Visit the Imprisoned' +p360304 +sg291137 +S'Georg Pencz' +p360305 +sg291130 +S'engraving' +p360306 +sg291132 +S'unknown date\n' +p360307 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b085.jpg' +p360308 +sg291136 +g27 +sa(dp360309 +g291134 +S'To House the Pilgrims' +p360310 +sg291137 +S'Georg Pencz' +p360311 +sg291130 +S'engraving' +p360312 +sg291132 +S'unknown date\n' +p360313 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b082.jpg' +p360314 +sg291136 +g27 +sa(dp360315 +g291134 +S'To Nurse the Sick' +p360316 +sg291137 +S'Georg Pencz' +p360317 +sg291130 +S'engraving' +p360318 +sg291132 +S'unknown date\n' +p360319 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b084.jpg' +p360320 +sg291136 +g27 +sa(dp360321 +g291134 +S'Woman, Satyr Child, and Goat in a Landscape' +p360322 +sg291137 +S'Giovanni Battista Tiepolo' +p360323 +sg291130 +S'etching' +p360324 +sg291132 +S'published 1785' +p360325 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000cb/a000cb23.jpg' +p360326 +sg291136 +g27 +sa(dp360327 +g291134 +S'To Bury the Dead' +p360328 +sg291137 +S'Georg Pencz' +p360329 +sg291130 +S'engraving' +p360330 +sg291132 +S'unknown date\n' +p360331 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b0/a000b086.jpg' +p360332 +sg291136 +g27 +sa(dp360333 +g291134 +S'Georg Pencz' +p360334 +sg291137 +S'Georg Pencz' +p360335 +sg291130 +S', unknown date' +p360336 +sg291132 +S'\n' +p360337 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000ad/a000ad55.jpg' +p360338 +sg291136 +g27 +sa(dp360339 +g291134 +S'Wife of Georg Pencz' +p360340 +sg291137 +S'Georg Pencz' +p360341 +sg291130 +S', unknown date' +p360342 +sg291132 +S'\n' +p360343 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000ad/a000ad54.jpg' +p360344 +sg291136 +g27 +sa(dp360345 +g291134 +S'Death of the Virgin' +p360346 +sg291137 +S'Hans Wechtlin I' +p360347 +sg291130 +S'engraving [proof]' +p360348 +sg291132 +S'unknown date\n' +p360349 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000ad/a000ad63.jpg' +p360350 +sg291136 +g27 +sa(dp360351 +g291134 +S'Death of the Virgin' +p360352 +sg291137 +S'Hans Wechtlin I' +p360353 +sg291130 +S'engraving' +p360354 +sg291132 +S'unknown date\n' +p360355 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000b1/a000b1b5.jpg' +p360356 +sg291136 +g27 +sa(dp360357 +g291134 +S'Elizabeth, Queen of England' +p360358 +sg291137 +S'Crispijn van de Passe I' +p360359 +sg291130 +S', 1592' +p360360 +sg291132 +S'\n' +p360361 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000ce/a000ceb3.jpg' +p360362 +sg291136 +g27 +sa(dp360363 +g291134 +S'Elizabeth, Queen of England' +p360364 +sg291137 +S'Crispijn van de Passe I' +p360365 +sg291130 +S', unknown date' +p360366 +sg291132 +S'\n' +p360367 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000d0/a000d016.jpg' +p360368 +sg291136 +g27 +sa(dp360369 +g291130 +S'French, active first half 20th century' +p360370 +sg291132 +S'(printer)' +p360371 +sg291134 +S'The Saltimbanques' +p360372 +sg291136 +g27 +sg291137 +S'Artist Information (' +p360373 +sa(dp360374 +g291134 +S"The Watering Place (L'abreuvoir)" +p360375 +sg291137 +S'Artist Information (' +p360376 +sg291130 +S'French, 1822 - 1907' +p360377 +sg291132 +S'(printer)' +p360378 +sg292149 +S'http://www.nga.gov:80/thumb-l/a000ed/a000edb3.jpg' +p360379 +sg291136 +g27 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Pinto' +p360520 +sa(dp360521 +g291130 +S'drypoint and (etching?)' +p360522 +sg291132 +S'unknown date\n' +p360523 +sg291134 +S'Juniper Street' +p360524 +sg291136 +g27 +sg291137 +S'Salvatore Pinto' +p360525 +sa(dp360526 +g291130 +S'drypoint and (etching?)' +p360527 +sg291132 +S'unknown date\n' +p360528 +sg291134 +S'Independence Hall' +p360529 +sg291136 +g27 +sg291137 +S'Salvatore Pinto' +p360530 +sa(dp360531 +g291130 +S'drypoint and (etching?)' +p360532 +sg291132 +S'unknown date\n' +p360533 +sg291134 +S'Filbert Street' +p360534 +sg291136 +g27 +sg291137 +S'Salvatore Pinto' +p360535 +sa(dp360536 +g291130 +S'drypoint and (etching?)' +p360537 +sg291132 +S'unknown date\n' +p360538 +sg291134 +S'Eleven Buckets' +p360539 +sg291136 +g27 +sg291137 +S'Salvatore Pinto' +p360540 +sa(dp360541 +g291134 +S'Young Soldier with Philosopher and Seated Woman' +p360542 +sg291137 +S'Giovanni Battista Tiepolo' +p360543 +sg291130 +S'etching' +p360544 +sg291132 +S'published 1785' +p360545 +sg292149 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