From f45a382a09d88c1ccb04581ad8cea0246dee93a9 Mon Sep 17 00:00:00 2001 From: Viviana Monsalve Date: Thu, 2 Nov 2023 16:46:40 -0500 Subject: [PATCH 1/4] [gftools-packager] Workbench: Version 2.000 added * Workbench Version 2.000 taken from the upstream repo https://github.com/jenskutilek/homecomputer-fonts at commit https://github.com/jenskutilek/homecomputer-fonts/commit/9a28003a6419e7ebd9d81469288a80e436866823. --- ofl/workbench/DESCRIPTION.en_us.html | 7 ++ ofl/workbench/METADATA.pb | 34 +++++++++ ofl/workbench/OFL.txt | 93 +++++++++++++++++++++++++ ofl/workbench/Workbench[BLED,SCAN].ttf | Bin 0 -> 32504 bytes ofl/workbench/upstream.yaml | 6 ++ 5 files changed, 140 insertions(+) create mode 100644 ofl/workbench/DESCRIPTION.en_us.html create mode 100644 ofl/workbench/METADATA.pb create mode 100644 ofl/workbench/OFL.txt create mode 100644 ofl/workbench/Workbench[BLED,SCAN].ttf create mode 100644 ofl/workbench/upstream.yaml diff --git a/ofl/workbench/DESCRIPTION.en_us.html b/ofl/workbench/DESCRIPTION.en_us.html new file mode 100644 index 00000000000..6d95f87f789 --- /dev/null +++ b/ofl/workbench/DESCRIPTION.en_us.html @@ -0,0 +1,7 @@ +

Workbench and Sixtyfour fonts are inspired by the article Raster CRT Typography (According to DEC) by Norbert Landsteiner. They are a rework of some old pixel versions of the Commodore 64 and Amiga Workbench fonts I had done years ago.

+ +

The fonts now include two custom axes: Scanlines, which allows control of the height of the lines and, as a result of this, the amount of vertical space between the lines. And Bleed to change the amount of horizontal bleed of the pixels due to the phosphor latency found in CRT displays.

+ +

Due to this project's specificity and the fonts' historical origin, they only support a limited set of glyphs.

+ +

To contribute, see github.com/jenskutilek/homecomputer-fonts

diff --git a/ofl/workbench/METADATA.pb b/ofl/workbench/METADATA.pb new file mode 100644 index 00000000000..fa301da7e4e --- /dev/null +++ b/ofl/workbench/METADATA.pb @@ -0,0 +1,34 @@ +name: "Workbench" +designer: "Jens Kutilek" +license: "OFL" +category: "MONOSPACE" +date_added: "2023-11-02" +fonts { + name: "Workbench" + style: "normal" + weight: 400 + filename: "Workbench[BLED,SCAN].ttf" + post_script_name: "Workbench-Regular" + full_name: "Workbench Regular" + copyright: "Copyright 2021 The Workbench Project Authors (https://github.com/jenskutilek/homecomputer-fonts)" +} +subsets: "latin" +subsets: "math" +subsets: "menu" +subsets: "symbols" +axes { + tag: "BLED" + min_value: 0.0 + max_value: 100.0 +} +axes { + tag: "SCAN" + min_value: -53.0 + max_value: 100.0 +} +source { + repository_url: "https://github.com/jenskutilek/homecomputer-fonts" + commit: "9a28003a6419e7ebd9d81469288a80e436866823" +} +stroke: "SANS_SERIF" +classifications: "DISPLAY" diff --git a/ofl/workbench/OFL.txt b/ofl/workbench/OFL.txt new file mode 100644 index 00000000000..e8d698bd0c5 --- /dev/null +++ b/ofl/workbench/OFL.txt @@ -0,0 +1,93 @@ +Copyright 2021 The Sixtyfour Project Authors (https://github.com/jenskutilek/homecomputer-fonts) + +This Font Software is licensed under the SIL Open Font License, Version 1.1. +This license is copied below, and is also available with a FAQ at: +https://scripts.sil.org/OFL + + +----------------------------------------------------------- +SIL OPEN FONT LICENSE Version 1.1 - 26 February 2007 +----------------------------------------------------------- + +PREAMBLE +The goals of the Open Font License (OFL) are to stimulate worldwide +development of collaborative font projects, to support the font creation +efforts of academic and linguistic communities, and to provide a free and +open framework in which fonts may be shared and improved in partnership +with others. + +The OFL allows the licensed fonts to be used, studied, modified and +redistributed freely as long as they are not sold by themselves. The +fonts, including any derivative works, can be bundled, embedded, +redistributed and/or sold with any software provided that any reserved +names are not used by derivative works. The fonts and derivatives, +however, cannot be released under any other type of license. The +requirement for fonts to remain under this license does not apply +to any document created using the fonts or their derivatives. + +DEFINITIONS +"Font Software" refers to the set of files released by the Copyright +Holder(s) under this license and clearly marked as such. This may +include source files, build scripts and documentation. + +"Reserved Font Name" refers to any names specified as such after the +copyright statement(s). + +"Original Version" refers to the collection of Font Software components as +distributed by the Copyright Holder(s). + +"Modified Version" refers to any derivative made by adding to, deleting, +or substituting -- in part or in whole -- any of the components of the +Original Version, by changing formats or by porting the Font Software to a +new environment. + +"Author" refers to any designer, engineer, programmer, technical +writer or other person who contributed to the Font Software. + +PERMISSION & CONDITIONS +Permission is hereby granted, free of charge, to any person obtaining +a copy of the Font Software, to use, study, copy, merge, embed, modify, +redistribute, and sell modified and unmodified copies of the Font +Software, subject to the following conditions: + +1) Neither the Font Software nor any of its individual components, +in Original or Modified Versions, may be sold by itself. + +2) Original or Modified Versions of the Font Software may be bundled, +redistributed and/or sold with any software, provided that each copy +contains the above copyright notice and this license. These can be +included either as stand-alone text files, human-readable headers or +in the appropriate machine-readable metadata fields within text or +binary files as long as those fields can be easily viewed by the user. + +3) No Modified Version of the Font Software may use the Reserved Font +Name(s) unless explicit written permission is granted by the corresponding +Copyright Holder. This restriction only applies to the primary font name as +presented to the users. + +4) The name(s) of the Copyright Holder(s) or the Author(s) of the Font +Software shall not be used to promote, endorse or advertise any +Modified Version, except to acknowledge the contribution(s) of the +Copyright Holder(s) and the Author(s) or with their explicit written +permission. + +5) The Font Software, modified or unmodified, in part or in whole, +must be distributed entirely under this license, and must not be +distributed under any other license. The requirement for fonts to +remain under this license does not apply to any document created +using the Font Software. + +TERMINATION +This license becomes null and void if any of the above conditions are +not met. + +DISCLAIMER +THE FONT SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, +EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO ANY WARRANTIES OF +MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT +OF COPYRIGHT, PATENT, TRADEMARK, OR OTHER RIGHT. IN NO EVENT SHALL THE +COPYRIGHT HOLDER BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, +INCLUDING ANY GENERAL, SPECIAL, INDIRECT, INCIDENTAL, OR CONSEQUENTIAL +DAMAGES, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING +FROM, OUT OF THE USE OR INABILITY TO USE THE FONT SOFTWARE OR FROM +OTHER DEALINGS IN THE FONT SOFTWARE. diff --git a/ofl/workbench/Workbench[BLED,SCAN].ttf b/ofl/workbench/Workbench[BLED,SCAN].ttf new file mode 100644 index 0000000000000000000000000000000000000000..f7106152f722a4b009498b6f91d56049f48c1d62 GIT binary patch literal 32504 zcmeHQ34B!5x&Q8+Et5%Rk`T5ekYOoMi-3r@_BklHqFBHxU5zj-5|Wq%#l9}12nr%l z*J|Hu)!Nd<+G=a1eXY)WwQgPQrc(9cdkr83x3_3ZHShnO^PM|0cV?245c+=a_j@;G z&bjA)=i9&UeCN)1N)8bX!$**2oVn=2(|+`qukRwdXgfylJnMsV7E&E8Ai8)e?x!zU zG<{~ zqQKik?y}{0{)Nq-U4iF|@%*bRTDm&W)_~siXe(B3%;?dVK*tPF420DLTOgjjbj(KGM6{MR2(obq232x5TfvAt7RetP+m zTWfmv_L4hVjfWXlU6>ch^k#T6p6_)>D@^iGH32npkgCxBk%sx6^L@}IXFG*}<4$)u z=A5TnXE|jY#vBesBM~L0>%sXRdk+z|ij@yXV&hfiIAb|&l}MBEcq({wtKK27&guXBvE$bH=1<-U-t zPc|gSCdVfyC67&>l$@LFPTn`ZZv61xUd-S*Nt!_?(Oq;u<}8#s!;+(tO=`}}qnrC z7~(FDyfmCf&`26ZV`wZjL#}Z&f!;?)gZgyHcnr;^qHoYkh_rKQ zKAle&(1r9tx`-~OkI~2J5^AAKX&JRr8?{phby63tqpRo>^!L#4{qzKVi=L<3>5KFf z{hXerU(l2E&-5bw3w?%m(sT4<`geMao~2vpR{B@^10whyWQLn5L*J**(ssIu?nXum zA|pg8OchiKOVm>>>^O{?Xf!oYBPD1&{9+=#hu%w*puH({9ISmT&4RtA(&cm}&82yC zHl0CdLA&SCV%TLNEuxRohv>uf5v&ADX(grM|ChnDenYG1O6sPybOn8q*3hTuC|XV5 zqlf81`Yt_0-`VN(ZuoZaMz%+_`a2PGZ>68m8_qcALg#Ad0cV#RaZh&J-P_%V-9Na8 z0*!%F108{{2A&M;3swcE2ImLY2EQ5nU8pv6UT9P3k$HnKxJL31o|2e)ZekhSl%t>6D z*qHcU;@O%=&GecTHCt-FU$eh~7s&Kb6T z*v?@G>+9;ztZ%Qsz5a>%w}y`#e!}o2!#5BA`tV;5KQvwaKNZI0K7_%P&)MDWQLZ1 zhlKB;#S8mtzC|yv>(KJe6%6#USMiUQQc6EPPPQbSeegQ=uRWeWYQKEN=Z}C>e(Cqe zS91R7Jg@v5>yg5j691Og;DcZDbH>knvOW|%^da*K^aE^$Z^n-q;Gmd-t0a&J(wst~ zk{CUW_ih!8dx$Gh_EjJj3VhG8sCZ(Yg@PXM2Q$S*7q9p@m6*@RD|8fIiTUz6(LM>R z`8q*vv7@sO^}*rM`IAqcLfh{1+tlalnC;`c5FgK1`W8HRsw}8;NhCk_iGFS8>zIRm z;aiL+Gblb_7s)kfb*>yBA6cRApAXAuKhQBFdKjQSf#H?@Vnd=2v7tNxSwf<)Pmcy> z<+vELP;ph(+-rr8&@5EwJW$0@qI^V+`;G9@pb!3UY^+LsbrnVAb&RzsJWvX?z}D z%{S_!0*^+<(UBv$iPu>z2NlTCBXWQ*pWf`~a%2i#MQFnx5DP`YNCc?0)_E z>Q4levb&ZSbVQGu9@F9Hz^mwa{@|kv`4nB2pZO|LXRzJWlZ;Rli!sIg_1c${%28yC zGNnC|#rNj2I7^5p{Z)FcFAb_NCxBhVY{&`N=u#} zc>Xt3S`z)|t)k*#@QHGgsB!UV&k7=mcs43{kw|+uD$bG_Le+0r#eEfRIm!i|mXVlB zX-Y-*7hf*#)1t%uh#8g@J}Ftl@6#fyM3JeU_jpm{myIb$uwHuBlB`#{G8l06+`Cn5 z#4%!4ajbq4`zfs#&oV|o+9GC^)Df7MOLG;plTsBlWA9rpLaCqZ(od|T;x(&}pPpYL zZHEEs3zpUOPMMs7=O#ZR3n^bh{wv|FtSe>Fk{Gk1{j7LpR{TG!F!h*xCp%rNB;q5f zf*Pkx)u+8v>}s@b>?*C{S#n2C>nX`0prrQJM~b2^s$q_b>!u{+uw>>Emz;qV=vdeiAVukiG> zD_3+G9+D!*x}8{!`r701ng|ON;D?uL-_otm7x7g2V&9c)gniTCW%+>-77~nkUe<5@ z;Ay~<=x{S~-@Iu*?c19e1H4IVS){{CrKN-SDg9BNluG)nw_0#50tz_{g_XP&2BlB! 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Workbench and Sixtyfour fonts are inspired by the article Raster CRT Typography (According to DEC) by Norbert Landsteiner. They are a rework of some old pixel versions of the Commodore 64 and Amiga Workbench fonts I had done years ago.

+

Workbench and Sixtyfour fonts are inspired by the article Raster CRT Typography (According to DEC) by Norbert Landsteiner. They are a rework of some old pixel versions of the Commodore 64 and Amiga Workbench fonts the author created years ago.

The fonts now include two custom axes: Scanlines, which allows control of the height of the lines and, as a result of this, the amount of vertical space between the lines. And Bleed to change the amount of horizontal bleed of the pixels due to the phosphor latency found in CRT displays.