graph_chunk_entity_relation.graphml

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<graph edgedefault="undirected"><node id="&quot;FREDERICK MCCUBBIN&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Frederick McCubbin was an Australian artist known for his genre paintings, including 'Down on His Luck' created in 1889."&lt;SEP&gt;"Frederick McCubbin was an Australian artist known for his significant contributions to Australian art, particularly through genre paintings like 'The Pioneer.'"</data>
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<node id="&quot;DOWN ON HIS LUCK&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Down on His Luck is a significant artwork created in 1889 that depicts a swagman brooding over his misfortune, reflecting Australian spirit and culture."</data>
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<node id="&quot;LOUIS ABRAHAMS&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Louis Abrahams was a friend of McCubbin and served as the model for the painting, indicating his influence in McCubbin's work."</data>
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<node id="&quot;ART GALLERY OF WESTERN AUSTRALIA&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Art Gallery of Western Australia is an institution in Perth that acquired 'Down on His Luck' in 1986, showcasing it as part of its collection."</data>
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<node id="&quot;BOX HILL ARTISTS' CAMP&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"The Box Hill artists' camp is located outside Melbourne and is significant as the staging ground for the painting's scene."</data>
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<node id="&quot;GENRE PAINTING&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Genre Painting refers to a category of art that depicts scenes from everyday life, which applies to Gustave Caillebotte's work 'Man at the Window'."&lt;SEP&gt;"Genre Painting refers to a style of art that depicts scenes of everyday life, which is the genre of A Cotton Office in New Orleans."&lt;SEP&gt;"Genre Painting refers to the artwork style that captures everyday life and scenes, exemplified by Vernet's depiction of local life."&lt;SEP&gt;"Genre painting refers to artworks that depict scenes of everyday life, as exemplified by McCubbin's 'Down on His Luck', showcasing Australian culture and themes."&lt;SEP&gt;"Genre painting is a style that depicts scenes from everyday life, exemplified by El Jaleo by showcasing a specific cultural dance performance."&lt;SEP&gt;"Genre painting refers to a style of painting that depicts scenes of everyday life, often focusing on ordinary people and their activities, as exemplified by Sargent's work."&lt;SEP&gt;"Genre painting is a category of art that depicts scenes of everyday life, which is the classification of Renoir's Dance at Bougival."&lt;SEP&gt;"Genre painting refers to artworks depicting everyday life and ordinary situations, which is a significant aspect of Cassatt's work."&lt;SEP&gt;"Genre painting refers to works that depict scenes of everyday life, and Mother and Children is an example of this artistic category."&lt;SEP&gt;"Genre painting refers to a category of art that depicts scenes from everyday life, often with emotional or narrative depth, which 'Anxiety' represents."</data>
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<node id="&quot;CANVAS&quot;">
  <data key="d0">"TECHNOLOGY"</data>
  <data key="d1">Canvas is a durable fabric widely utilized as a traditional medium for painting, particularly associated with oil painting techniques. It serves as a fundamental support that enhances the depth and richness of artwork, providing a textured background that contributes to the overall visual quality. Many significant artists throughout art history have employed canvas in their work, emphasizing its importance. For example, Francesco Hayez painted “The Kiss” on canvas, showcasing traditional art practices. Similarly, the renowned artist Bryullov used canvas for “The Last Day of Pompeii,” a crucial piece in the history of art that exemplifies the use of canvas as a support medium.

Other notable works created on canvas include Edvard Munch's "Puberty" and the painting "The Fate of the Animals," where canvas serves as a traditional foundation for oil paintings. The medium allowed Gustave Caillebotte to apply oil paint in his pieces, including "A Balcony in Paris" and "Man at the Window." Additionally, Ivan Aivazovsky's "The Ninth Wave" and the painting "Christmas in the Brothel" were also crafted on canvas, underlining its role as a typical oil painting surface.

Canvas has been pivotal for artists like Pierre-Auguste Renoir, who used it for numerous notable pieces such as "By the Seashore," "Dance at Bougival," "The Large Bathers," and "A Girl with a Watering Can." The medium’s texture facilitates expressive brushwork and vibrant colors, which further establish its commonality among oil paintings.

The significance of canvas extends to various other renowned artists, including Edgar Degas and Mary Cassatt, who also preferred canvas for its robust surface, supporting their dynamic and expressive techniques. In the 19th century, artists like Eugène Delacroix and Théodore Géricault utilized canvas to create dramatic works, demonstrating its crucial role across various artistic styles and movements.

In summary, canvas is not merely a traditional medium for painting but an essential element that connects the evolution of artistic expression across time and the works of many prominent artists. Its durability and texture are vital for conveying artists' intentions and enhancing the impact of their creations.</data>
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<node id="&quot;OIL&quot;">
  <data key="d0">"TECHNOLOGY"</data>
  <data key="d1">Oil is a well-regarded painting medium, notable for its rich texture and depth of color, making it a preferred choice among a multitude of influential artists throughout the history of art. This medium contributes significantly to the emotional impact and visual aesthetics of various artworks. Numerous renowned artists, such as Francesco Hayez, Franz Marc, Ivan Aivazovsky, Karl Bryullov, Edvard Munch, Pierre-Auguste Renoir, and Mary Cassatt, have effectively employed oil paint in their notable works.

In many significant paintings, such as "Anxiety," "The Fate of the Animals," "Christmas in the Brothel," "The Kiss," "The Yellow Cow," "The Ninth Wave," and "The Last Day of Pompeii," oil is celebrated for its ability to facilitate rich colors and intricate textures. For instance, Hayez's "The Kiss" showcases the notable techniques and textures attainable with oil, while Aivazovsky's "The Ninth Wave" exhibits warm tones achieved through this medium.

Furthermore, oil paint played an essential role in the Impressionist movement, as evidenced by works from artists like Alfred Sisley and Edgar Degas, where it enhanced luminosity and color richness in paintings such as "The Bellelli Family" and "Portraits at the Stock Exchange." The versatility of oil allows for a blending technique that creates depth and detailed expressions, seen in works like Renoir's "Dance at Bougival" and Cassatt's various pieces.

Overall, oil is recognized as a critical medium within the art landscape, enhancing the expressive quality of artworks across various styles and movements. Its capacity to create depth, vibrancy, and intricacy underscores its lasting significance in the realm of painting.</data>
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</node>
<node id="&quot;WILLIAM FERGUSSON&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"William Fergusson was the previous owner of 'Down on His Luck' until 1986, indicating the painting's historical ownership before being acquired by an institution."</data>
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</node>
<node id="&quot;9 BY 5 IMPRESSION EXHIBITION&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The 9 by 5 Impression Exhibition was a notable art event in Melbourne for which cigar box lids were supplied by Louis Abrahams, illustrating the interconnectedness of artists at the time."</data>
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</node>
<node id="&quot;THE PIONEER&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Pioneer is a 1904 triptych painting by Frederick McCubbin that narrates the life of a free selector and his family in the Australian bush, regarded as a masterpiece of Australian art."</data>
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</node>
<node id="&quot;NATIONAL GALLERY OF VICTORIA&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The National Gallery of Victoria is an art museum in Melbourne, notable for housing significant works of Australian art, including 'The Pioneer.'"</data>
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</node>
<node id="&quot;MELBOURNE&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Melbourne is the capital city of Victoria, Australia, and serves as a significant cultural and artistic hub, where 'The Pioneer' is exhibited."</data>
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<node id="&quot;WILLIAM PETER MCGREGOR&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"William Peter McGregor was the second chairman of Broken Hill Proprietary Ltd. and owned the neighboring property from where McCubbin painted 'The Pioneer.'"</data>
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<node id="&quot;JIMMY WATSON&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Jimmy Watson was the nephew of local sawyer Patrick 'Paddy' Watson and was the model for the baby in the center panel of 'The Pioneer.'"</data>
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</node>
<node id="&quot;THE COTTAGE&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"The Cottage is depicted in the center panel of 'The Pioneer,' representing the home of the free selector's family, symbolizing their life in the Australian bush."</data>
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</node>
<node id="&quot;THE LEFT PANEL&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Left Panel of 'The Pioneer' shows the selector and his wife settling on their selection, capturing a moment of contemplation and new beginnings."</data>
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</node>
<node id="&quot;THE CENTER PANEL&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Center Panel of 'The Pioneer' shows a baby in the woman's arms and a cottage in the background, indicating the passage of time and family life."</data>
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</node>
<node id="&quot;THE RIGHT PANEL&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Right Panel of 'The Pioneer' depicts a young man standing over a grave, raising themes of loss and the passage of time in the family’s journey."</data>
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</node>
<node id="&quot;PATRICK 'PADDY' WATSON&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Patrick 'Paddy' Watson was a local sawyer who posed as the model for both the left and right panels of 'The Pioneer,' connecting his likeness to the artwork."</data>
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</node>
<node id="&quot;TOM ROBERTS&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Tom Roberts is an Australian artist known for his genre paintings; he created 'The Golden Fleece' in 1894, reflecting themes of pastoral life."</data>
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</node>
<node id="&quot;THE GOLDEN FLEECE&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Golden Fleece is a significant artwork created by Tom Roberts, originally titled 'Shearing at Newstead'; it represents the wool industry and the lifestyle of shearers in Australia."</data>
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</node>
<node id="&quot;ART GALLERY OF NEW SOUTH WALES&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Art Gallery of New South Wales is a prominent Australian art institution that houses a collection that includes 'The Golden Fleece' painting, serving as a cultural landmark."</data>
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</node>
<node id="&quot;NEWSTEAD NORTH&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Newstead North is the location of a sheep station near Inverell in New South Wales, depicted in Roberts' painting, symbolizing the Australian pastoral landscape."</data>
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</node>
<node id="&quot;SHEARING AT NEWSTEAD&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Shearing at Newstead is the original title of the painting, which depicts the sheep-shearing process in a timber shed, capturing a key moment in the wool industry."</data>
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</node>
<node id="&quot;SHEEP SHEARERS&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Sheep shearers are individuals depicted in 'The Golden Fleece', primarily showcasing their labor and contributions to the wool industry in Australia."</data>
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</node>
<node id="&quot;NORTHERN TABLELANDS&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"The Northern Tablelands is a region in New South Wales where the sheep station of Newstead is located, essential for the context of the painting and the wool industry."</data>
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</node>
<node id="&quot;GOLDEN FLEECE OF GREEK MYTHOLOGY&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The Golden Fleece of Greek mythology refers to a symbol of authority and kingship, which the painting is named after, highlighting its thematic ties to nobility and honor associated with shearers."</data>
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</node>
<node id="&quot;FORD MADOX BROWN&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Ford Madox Brown is a British painter known for his contributions to the Pre-Raphaelite movement, and for works such as 'The Last of England' which reflects themes of emigration and familial ties."&lt;SEP&gt;"Ford Madox Brown was an English painter known for his significant contributions to the Pre-Raphaelite movement, particularly through his allegorical work 'Work.'"</data>
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</node>
<node id="&quot;THE LAST OF ENGLAND&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Last of England is an 1855 oil-on-panel painting by Ford Madox Brown, capturing the poignant moment of two emigrants leaving England for a new life in Australia."</data>
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</node>
<node id="&quot;THOMAS WOOLNER&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Thomas Woolner was a Pre-Raphaelite sculptor and a close friend of Ford Madox Brown, whose departure for Australia inspired the painting 'The Last of England'."</data>
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</node>
<node id="&quot;EMMA&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Emma is another daughter of Caspar David Friedrich, portrayed as an older girl in 'The Stages of Life'."&lt;SEP&gt;"Emma is the wife of Ford Madox Brown and the model for the female figure in 'The Last of England', representing hope and resilience."</data>
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</node>
<node id="&quot;CATHERINE BROWN&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Catherine Brown is the daughter of Ford Madox Brown and Emma Brown, depicted in 'The Last of England' as a fair-haired child in the background."</data>
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<node id="&quot;OLIVER BROWN&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Oliver Brown is the second child of Ford Madox Brown and Emma Brown, implied to be depicted in 'The Last of England' as a baby concealed under the woman's cloak."</data>
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</node>
<node id="&quot;BIRMINGHAM MUSEUM AND ART GALLERY&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Birmingham Museum and Art Gallery houses one of the finished versions of 'The Last of England' by Ford Madox Brown."&lt;SEP&gt;"Birmingham Museum and Art Gallery is the institution that currently houses one version of the painting 'Work.'"</data>
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<node id="&quot;FITZWILLIAM MUSEUM&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Fitzwilliam Museum contains another finished version of 'The Last of England', showcasing the painting in a renowned art collection."</data>
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<node id="&quot;TATE BRITAIN&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Tate Britain is home to a reduced watercolour replica of 'The Last of England', illustrating the painting's significance in British art."</data>
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<node id="&quot;ENGLAND&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"England is the geographical location from which the emigrants in 'The Last of England' are departing, marking a significant cultural and historical context for the painting."</data>
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</node>
<node id="&quot;AUSTRALIA&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Australia is the destination to which the emigrants in 'The Last of England' are traveling, symbolizing hope for a new life."</data>
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<node id="&quot;THE LAST SIGHT OF ENGLAND&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Last Sight of England is the original title of the painting before it became known as 'The Last of England', marking a pivotal moment in the artwork's history."</data>
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<node id="&quot;BENJAMIN WINDUS&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Benjamin Windus was the individual who sold 'The Last of England' to Ernest Gambart in March 1859 for 325 guineas."</data>
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<node id="&quot;ERNEST GAMBART&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Ernest Gambart was the buyer of 'The Last of England' from Benjamin Windus, indicating the painting's sales history and appreciation."</data>
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<node id="&quot;BBC RADIO 4&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"BBC Radio 4 conducted a poll in which 'The Last of England' was voted as Britain's eighth-favourite picture, illustrating its cultural impact."</data>
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</node>
<node id="&quot;ART EVERYWHERE&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Art Everywhere was a public art exhibition where 'The Last of England' was voted as one of 57 significant paintings by the British public, showcasing its popularity."</data>
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</node>
<node id="&quot;THE WHITE CLIFFS OF DOVER&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"The White Cliffs of Dover are a prominent feature visible in the painting 'The Last of England', representing departure and the bittersweet nature of emigration."</data>
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<node id="&quot;HIGH STREET, HAMPSTEAD&quot;">
  <data key="d0">"LOCATION"</data>
  <data key="d1">"High Street, Hampstead is the location of the house where Ford Madox Brown had his painting studio, highlighting his working environment."</data>
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</node>
<node id="&quot;35 HIGH STREET, HAMPSTEAD&quot;">
  <data key="d0">"LOCATION"</data>
  <data key="d1">"35 High Street, Hampstead is the specific address where Ford Madox Brown painted in a room above a china shop."</data>
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</node>
<node id="&quot;RENAISSANCE ART&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Renaissance Art refers to the period and style of art that influenced Renoir during his trip to Italy, shaping his later painting approach."&lt;SEP&gt;"Renaissance art refers to the broader historical and artistic context, influencing the circular format of the tondo used in 'The Last of England'."</data>
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<node id="&quot;WORK&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Work is an allegorical painting by Ford Madox Brown that reflects the Victorian social system and the transition from a rural to an urban economy."</data>
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</node>
<node id="&quot;THE MOUNT ON HEATH STREET&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"The Mount on Heath Street is a specific location in Hampstead, London, depicted in Brown's painting, reflecting both labor and societal issues."</data>
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</node>
<node id="&quot;THOMAS PLINT&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Thomas Plint was a noted collector of Pre-Raphaelite art who commissioned the painting 'Work' from Ford Madox Brown."</data>
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</node>
<node id="&quot;BOBUS&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Bobus is a character in the painting that represents the facade of corrupt businessmen masquerading as political candidates."</data>
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</node>
<node id="&quot;NAVVIES&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"The 'navvies' depicted in the painting are laborers digging up the road, symbolizing the working class involved in urban development during the Victorian era."</data>
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</node>
<node id="&quot;HAMPSTEAD&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Hampstead is a wealthy area on the outskirts of London that is undergoing rapid expansion and serves as the setting for Brown's painting."</data>
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</node>
<node id="&quot;SEWERAGE SYSTEM&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The sewerage system represented in the painting reflects Victorian advancements in public health aimed at addressing issues like typhus and cholera."</data>
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</node>
<node id="&quot;WILLIAM HOGARTH&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"William Hogarth was an English painter whose work inspired Ford Madox Brown, particularly his depictions of British society's contrasts."</data>
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</node>
<node id="&quot;HOGARTH CLUB&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Hogarth club was founded by Brown to connect artists who admired and followed the legacy of William Hogarth."</data>
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</node>
<node id="&quot;THOMAS CARLYLE&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Thomas Carlyle was a writer whose works featured 'Bobus,' illustrating the criticism of corrupt businessmen in Victorian politics."</data>
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</node>
<node id="&quot;VICTORIAN SOCIAL SYSTEM&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The Victorian social system encompasses the hierarchy and dynamics of society during the Victorian era, reflected in Brown's painting."</data>
  <data key="d2">chunk-0407d038c1682731d77a9c1e798a037f</data>
</node>
<node id="&quot;SIR LAWRENCE ALMA-TADEMA&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Sir Lawrence Alma-Tadema was a renowned painter known for his works in the genre of classicism, particularly depicting scenes from ancient history and mythology."&lt;SEP&gt;"Sir Lawrence Alma-Tadema was an Anglo-Dutch artist known for his genre paintings, including 'The Roses of Heliogabalus'."</data>
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</node>
<node id="&quot;THE ROSES OF HELIOGABALUS&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Roses of Heliogabalus is an 1888 painting that depicts a lavish banquet hosted by the Roman emperor Elagabalus, characterized by drifts of rose petals and vibrant imagery."</data>
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<node id="&quot;ELAGABALUS&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Elagabalus, also known as Heliogabalus, was a young Roman emperor whose life is depicted in the painting, known for his extravagant lifestyle."</data>
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</node>
<node id="&quot;SIR JOHN AIRD&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Sir John Aird was a baronet who commissioned the painting for £4,000 in 1888, which later passed down in his family."</data>
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</node>
<node id="&quot;DIONYSUS&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Dionysus is an ancient Roman and Greek god associated with wine, festivity, and revelry, represented in the painting with a bronze statue."</data>
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</node>
<node id="&quot;ROYAL ACADEMY&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Royal Academy is an institution in the UK where the painting was exhibited during its summer exhibition in 1888."&lt;SEP&gt;"The Royal Academy is where the painting 'General Officers of World War I' was exhibited in 1922, highlighting its significance in the art community."</data>
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</node>
<node id="&quot;THE LEOPARD SKIN OF A MAENAD&quot;">
  <data key="d0">"OBJECT"</data>
  <data key="d1">"The leopard skin of a maenad is worn by a woman in the painting, symbolizing wildness and connection to Bacchic festivities."</data>
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</node>
<node id="&quot;THE FALSE CEILING&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The false ceiling in the painting is a dramatic element that releases rose petals onto the guests, enhancing the spectacle of the banquet."</data>
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<node id="&quot;ROSE PETALS&quot;">
  <data key="d0">"OBJECT"</data>
  <data key="d1">"Rose petals are a central decorative element in the painting, symbolizing beauty and extravagance in the context of the banquet."</data>
  <data key="d2">chunk-955f8fcd4ad35cfec043d8031e1a9b95</data>
</node>
<node id="&quot;SIR JOHN RICHARD AIRD&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Sir John Richard Aird, the son of Sir John Aird, 1st Baronet, inherited 'The Roses of Heliogabalus' after his father passed away."</data>
  <data key="d2">chunk-955f8fcd4ad35cfec043d8031e1a9b95</data>
</node>
<node id="&quot;FREDERICK KOCH&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Frederick Koch was an American collector who sold 'The Roses of Heliogabalus' for £1,500,000 at Christie's in 1993."</data>
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</node>
<node id="&quot;ALLEN FUNT&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Allen Funt was a producer and collector who acquired 'The Roses of Heliogabalus' during a period when Alma-Tadema's work was unfashionable."</data>
  <data key="d2">chunk-955f8fcd4ad35cfec043d8031e1a9b95</data>
</node>
<node id="&quot;SOTHEBY'S&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Sotheby's is an auction house known for conducting high-value art sales, including the notable sale of an 1896 lithograph from Munch's series."&lt;SEP&gt;"Sotheby's is an auction house that sold the pastel version of 'The Scream' for a record price, marking a notable moment in art sales."&lt;SEP&gt;"Sotheby's is an auction house where 'Nude Sitting on a Divan' was sold, achieving record prices that highlighted Modigliani's commercial potential."&lt;SEP&gt;"Sotheby's is an auction house where 'The Roses of Heliogabalus' was auctioned off in November 1973, highlighting its art market significance."&lt;SEP&gt;"Sotheby's is an international auction house where Dance at Moulin de la Galette was sold for US$78 million, marking one of the highest art sales at that time."&lt;SEP&gt;"Sotheby's is an auction house where a version of Munch's painting 'Jealousy in the Bath' was sold in 1982."</data>
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<node id="&quot;CHRISTIE'S&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Christie's is an auction house where 'The Roses of Heliogabalus' was sold for £1,500,000, reflecting its high value in the art community."</data>
  <data key="d2">chunk-955f8fcd4ad35cfec043d8031e1a9b95</data>
</node>
<node id="&quot;THE AUGUSTAN HISTORY&quot;">
  <data key="d0">"DOCUMENT"</data>
  <data key="d1">"The Augustan History is a set of biographies from which the story of Elagabalus is drawn, providing historical context for the painting."</data>
  <data key="d2">chunk-955f8fcd4ad35cfec043d8031e1a9b95</data>
</node>
<node id="&quot;LUDOVISI DIONYSUS&quot;">
  <data key="d0">"OBJECT"</data>
  <data key="d1">"The Ludovisi Dionysus is a reference statue depicted in the painting, further incorporating themes of mythology and celebration."</data>
  <data key="d2">chunk-955f8fcd4ad35cfec043d8031e1a9b95</data>
</node>
<node id="&quot;NOVEMBER 1973&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"November 1973 marks the auction of 'The Roses of Heliogabalus' at Sotheby's, which is a notable event in the artwork's history."</data>
  <data key="d2">chunk-955f8fcd4ad35cfec043d8031e1a9b95</data>
</node>
<node id="&quot;2014&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"2014 signifies the first public exhibition of 'The Roses of Heliogabalus' in the UK since its last display in 1913, indicating its rediscovery."</data>
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</node>
<node id="&quot;SPANISH-MEXICAN BILLIONAIRE BUSINESSMAN AND ART COLLECTOR JUAN ANTONIO PÉREZ SIMÓN&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Juan Antonio Pérez Simón is the current owner of 'The Roses of Heliogabalus', representing contemporary ownership in the art market."</data>
  <data key="d2">chunk-955f8fcd4ad35cfec043d8031e1a9b95</data>
</node>
<node id="&quot;SPRING&quot;">
  <data key="d0">"SEASON"</data>
  <data key="d1">"Spring is an 1894 oil painting by Lawrence Alma-Tadema, recognized for its genre painting style and use of canvas and oil media."&lt;SEP&gt;"Spring is the season depicted in The Terrace at Saint-Germain, highlighting themes of renewal and vibrancy in the landscape."</data>
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</node>
<node id="&quot;J. PAUL GETTY MUSEUM&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The J. Paul Getty Museum is an art museum located in Los Angeles, California, known for its extensive collection of European paintings, sculptures, and decorative arts."</data>
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</node>
<node id="&quot;LOS ANGELES&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Los Angeles is a major city in California, known for its cultural, artistic, and entertainment industries, and is the location of the J. Paul Getty Museum."</data>
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<node id="&quot;LAWRENCE ALMA-TADEMA&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Lawrence Alma-Tadema was a prominent painter known for his contributions to the genre of classicism through his paintings of ancient history and mythology."</data>
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</node>
<node id="&quot;1894&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"1894 marks the year when the painting 'Spring' was created by Sir Lawrence Alma-Tadema, signifying its historical context."</data>
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</node>
<node id="&quot;VINCENT VAN GOGH&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Vincent van Gogh is a Dutch artist known for his expressive use of color and bold brushwork, and he created the painting 'The Potato Eaters' in 1885 as a means to depict peasants authentically."&lt;SEP&gt;"Vincent van Gogh was a Dutch painter and one of the most famous figures in the history of Western art, known for his expressive use of color and emotive brushwork."</data>
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<node id="&quot;THE POTATO EATERS&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Potato Eaters is an oil painting created by Vincent van Gogh that represents peasants eating potatoes, symbolizing manual labor and a different way of life."</data>
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<node id="&quot;VAN GOGH MUSEUM&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Van Gogh Museum hosted a temporary exhibition featuring 'The Scream,' highlighting its significance in art history."&lt;SEP&gt;"The Van Gogh Museum in Amsterdam houses many works by Vincent van Gogh, including 'The Potato Eaters', and serves as a prominent center for his art appreciation."</data>
  <data key="d2">chunk-baa0edb3d1c51f434076d45a60950e18&lt;SEP&gt;chunk-300da84d734c241c17e80d5b19891b1a</data>
</node>
<node id="&quot;NUENEN&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Nuenen is a location in the Netherlands where Vincent van Gogh painted 'The Potato Eaters', reflecting the rural setting and life of peasants."</data>
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</node>
<node id="&quot;KRÖLLER-MÜLLER MUSEUM&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Kröller-Müller Museum in Otterlo holds a preliminary oil sketch of 'The Potato Eaters', highlighting its significance in van Gogh's body of work."</data>
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</node>
<node id="&quot;MUSEUM OF MODERN ART&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Museum of Modern Art in New York City houses lithographs of 'The Potato Eaters', showcasing the painting's impact on modern art."&lt;SEP&gt;"The Museum of Modern Art is an institution that has written about Edvard Munch's work, including his exploration of romantic themes."</data>
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<node id="&quot;THE HAGUE SCHOOL&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Hague School refers to a group of artists in the Netherlands that influenced Vincent van Gogh, focusing on realistic depictions and everyday life."</data>
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<node id="&quot;THEO VAN GOGH&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Theo van Gogh was Vincent's brother, a significant figure in Vincent's life who provided emotional and financial support, particularly in his artistic endeavors."</data>
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</node>
<node id="&quot;ANTHON VAN RAPPARD&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Anthon van Rappard was a friend of Vincent van Gogh who criticized 'The Potato Eaters', affecting van Gogh's confidence as an artist."</data>
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</node>
<node id="&quot;WILLEMINA VAN GOGH&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Willemina van Gogh was Vincent's sister, to whom he wrote about his opinions on his artwork, showing the significance of family support in his life."</data>
  <data key="d2">chunk-300da84d734c241c17e80d5b19891b1a</data>
</node>
<node id="&quot;LITHOGRAPH&quot;">
  <data key="d0">"TECHNOLOGY"</data>
  <data key="d1">"A lithograph is a printing process used by Vincent van Gogh to create images from a flat surface, which he used for 'The Potato Eaters' before the painting."</data>
  <data key="d2">chunk-300da84d734c241c17e80d5b19891b1a</data>
</node>
<node id="&quot;DUTCH ART&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Dutch art refers to the artistic movement and works emerging from the Netherlands, including the influence of realism and later developments in Impressionism."</data>
  <data key="d2">chunk-300da84d734c241c17e80d5b19891b1a</data>
</node>
<node id="&quot;CASPAR DAVID FRIEDRICH&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Caspar David Friedrich is a German Romantic artist known for his landscape paintings, including 'Chalk Cliffs on Rügen', and his exploration of themes related to nature and human existence."&lt;SEP&gt;"Caspar David Friedrich is a celebrated German Romantic painter known for his landscape paintings that explore themes of nature and the sublime."&lt;SEP&gt;"Caspar David Friedrich was a German Romantic artist known for his allegorical paintings, including 'Wanderer Above the Sea of Fog'."&lt;SEP&gt;"Caspar David Friedrich was a German Romantic artist known for his dramatic landscapes, including the oil painting 'The Sea of Ice.'"&lt;SEP&gt;"Caspar David Friedrich was a German Romantic artist known for his oil paintings, including 'The Tree of Crows,' created in 1822."&lt;SEP&gt;"Caspar David Friedrich was a German Romantic landscape painter known for his allegorical oil paintings, including 'The Stages of Life'."&lt;SEP&gt;"Caspar David Friedrich was a German Romantic landscape painter known for works depicting cemeteries and emotional landscapes, including The Abbey in the Oakwood."&lt;SEP&gt;"Caspar David Friedrich was a German painter known for his Romantic landscapes and allegorical themes, often depicting nature and existential reflections."&lt;SEP&gt;"Caspar David Friedrich was a German painter known for his landscape works, particularly during the Romantic era."&lt;SEP&gt;"Caspar David Friedrich was a renowned German Romantic painter known for his landscape paintings that emphasize spirituality in nature and the presence of the sublime."&lt;SEP&gt;"Caspar David Friedrich was a German Romantic painter known for his work 'Woman at the Window', which serves as a precedent to Caillebotte's painting."</data>
  <data key="d2">chunk-08b1179a0a9dcebca7cfa3a72b158c14&lt;SEP&gt;chunk-e3eae8bc502526b80fb3b55c2afed153&lt;SEP&gt;chunk-7be0109bf80383f617e5da87ac66046d&lt;SEP&gt;chunk-47f929a0d94ddfcb18f4a1b3cb07f109&lt;SEP&gt;chunk-aef5e7b45b568c56fd05ab2cba9f6f17&lt;SEP&gt;chunk-17cbc71728a29d7fd845d2322e19382f&lt;SEP&gt;chunk-e4030478472d746329b5ce6b397847d5&lt;SEP&gt;chunk-703733d80315a190a98246fc8d91936a&lt;SEP&gt;chunk-84ecaee98563847ac89b4f6998d6f29a&lt;SEP&gt;chunk-b0fc39c35641735d9213dfb963bc01fc&lt;SEP&gt;chunk-f821aaece9965d7ab0a0781ba7c8033c</data>
</node>
<node id="&quot;DOLMEN IN SNOW&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Dolmen in Snow, also known as Cairn in Snow, is a landscape painting by Friedrich that captures the themes of life, death, and nature amidst winter."</data>
  <data key="d2">chunk-e3eae8bc502526b80fb3b55c2afed153</data>
</node>
<node id="&quot;GALERIE NEUE MEISTER&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Galerie Neue Meister is an art gallery located in Dresden, Germany, where one of the versions of Friedrich's painting is believed to be housed."&lt;SEP&gt;"Galerie Neue Meister is an art gallery located in Dresden, Germany, where the painting Dolmen in Snow has been housed since 1905."</data>
  <data key="d2">chunk-e3eae8bc502526b80fb3b55c2afed153&lt;SEP&gt;chunk-aef5e7b45b568c56fd05ab2cba9f6f17</data>
</node>
<node id="&quot;GÜTZKOW&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Gützkow is a town in West Pomerania, Germany, near which the Neolithic burial site that inspired the cairn in the painting was located."</data>
  <data key="d2">chunk-e3eae8bc502526b80fb3b55c2afed153</data>
</node>
<node id="&quot;WUSTROW&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Wustrow is a location near where the hill depicted in the painting is situated."</data>
  <data key="d2">chunk-e3eae8bc502526b80fb3b55c2afed153</data>
</node>
<node id="&quot;CAIRN IN SNOW&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Cairn in Snow is another name for the painting Dolmen in Snow, emphasizing its thematic focus on burial and memorial symbolism."</data>
  <data key="d2">chunk-e3eae8bc502526b80fb3b55c2afed153</data>
</node>
<node id="&quot;NEOLITHIC BURIAL SITE&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"The Neolithic burial site referenced is the location inspiring the stone cairn depicted in Dolmen in Snow, highlighting ancient cultural practices."</data>
  <data key="d2">chunk-e3eae8bc502526b80fb3b55c2afed153</data>
</node>
<node id="&quot;OAK TREES&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"The oak trees depicted in Dolmen in Snow symbolize endurance and longevity, serving as a significant element in the painting's composition."</data>
  <data key="d2">chunk-e3eae8bc502526b80fb3b55c2afed153</data>
</node>
<node id="&quot;KARL SCHILDENER&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Karl Schildener was a Greifswald University professor and the first known owner of the painting Dolmen in Snow."</data>
  <data key="d2">chunk-e3eae8bc502526b80fb3b55c2afed153</data>
</node>
<node id="&quot;JOHAN CHRISTIAN DAHL&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Johan Christian Dahl was a painter and friend of Friedrich who acquired Dolmen in Snow and created a work inspired by it."&lt;SEP&gt;"Johan Christian Dahl was a prominent Norwegian painter known for his works in the Romantic style, particularly landscapes that evoke national pride."</data>
  <data key="d2">chunk-e3eae8bc502526b80fb3b55c2afed153&lt;SEP&gt;chunk-524df0a79c11da912b5b3bebd5c85cad</data>
</node>
<node id="&quot;JOHANN SIEGWALD DAHL&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Johann Siegwald Dahl was the son of Johan Christian Dahl, who sold Dolmen in Snow from his estate after his father's death."</data>
  <data key="d2">chunk-e3eae8bc502526b80fb3b55c2afed153</data>
</node>
<node id="&quot;MONK IN THE SNOW&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Monk in the Snow is another painting by Friedrich that features similar oak trees, reinforcing his thematic continuity in art."</data>
  <data key="d2">chunk-e3eae8bc502526b80fb3b55c2afed153</data>
</node>
<node id="&quot;THE ABBEY IN THE OAKWOOD&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Abbey in the Oakwood is an oil painting created by Caspar David Friedrich between 1809 and 1810, representing themes of loss and hope within a natural landscape."&lt;SEP&gt;"The Abbey in the Oakwood is another work by Friedrich, showcasing his repeated motifs of trees and nature."</data>
  <data key="d2">chunk-e3eae8bc502526b80fb3b55c2afed153&lt;SEP&gt;chunk-7be0109bf80383f617e5da87ac66046d</data>
</node>
<node id="&quot;MONASTERY GRAVEYARD UNDER SNOW&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Monastery graveyard under snow is yet another painting by Friedrich that depicts winter scenes and reflects his artistic style."</data>
  <data key="d2">chunk-e3eae8bc502526b80fb3b55c2afed153</data>
</node>
<node id="&quot;OAK TREE IN SNOW&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Oak tree in snow is a work by Friedrich that continues his exploration of trees and their symbolism in snowy landscapes."</data>
  <data key="d2">chunk-e3eae8bc502526b80fb3b55c2afed153</data>
</node>
<node id="&quot;THE MONK BY THE SEA&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Monk by the Sea is another painting by Caspar David Friedrich, first exhibited together with The Abbey in the Oakwood."</data>
  <data key="d2">chunk-7be0109bf80383f617e5da87ac66046d</data>
</node>
<node id="&quot;ELDENA ABBEY&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Eldena Abbey is a ruined abbey in Germany that inspired Friedrich's work and holds personal significance related to its destruction during the Thirty Years War."</data>
  <data key="d2">chunk-7be0109bf80383f617e5da87ac66046d</data>
</node>
<node id="&quot;ALTE NATIONALGALERIE&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Alte Nationalgalerie is an art museum in Berlin, Germany, home to another version of Two Men Contemplating the Moon."&lt;SEP&gt;"Alte Nationalgalerie is an art museum in Berlin, Germany, that features another version of Friedrich's Two Men Contemplating the Moon."&lt;SEP&gt;"The Alte Nationalgalerie is a museum in Berlin that holds another version of 'Seated Nude, Mademoiselle Rose', showcasing Delacroix's work on an international scale."&lt;SEP&gt;"The Alte Nationalgalerie is an art gallery in Berlin that houses notable works, including Solitary Tree, since its donation in 1861."&lt;SEP&gt;"The Alte Nationalgalerie is an art museum in Berlin where The Abbey in the Oakwood and The Monk by the Sea are displayed today."</data>
  <data key="d2">chunk-7be0109bf80383f617e5da87ac66046d&lt;SEP&gt;chunk-dde49183bd668e96e79ffd496b65c60d&lt;SEP&gt;chunk-aef5e7b45b568c56fd05ab2cba9f6f17&lt;SEP&gt;chunk-e4030478472d746329b5ce6b397847d5&lt;SEP&gt;chunk-84ecaee98563847ac89b4f6998d6f29a</data>
</node>
<node id="&quot;THIRTY YEARS WAR&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Thirty Years War was a series of conflicts in 17th-century Europe that resulted in significant destruction and changed the landscape of Germany, influencing Friedrich's art."</data>
  <data key="d2">chunk-7be0109bf80383f617e5da87ac66046d</data>
</node>
<node id="&quot;DRESDEN&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Dresden is a city in Germany where Caspar David Friedrich painted The Abbey in the Oakwood, indicating its cultural significance during the Romantic period."&lt;SEP&gt;"Dresden is a city in Germany, notable for its cultural and architectural heritage, and is referenced in relation to the exhibitions of Friedrich's work."</data>
  <data key="d2">chunk-7be0109bf80383f617e5da87ac66046d&lt;SEP&gt;chunk-17cbc71728a29d7fd845d2322e19382f</data>
</node>
<node id="&quot;PRUSSIAN ACADEMY OF ARTS&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Prussian Academy of Arts is an art institution where The Abbey in the Oakwood was first exhibited, reflecting the art scene of its time."</data>
  <data key="d2">chunk-7be0109bf80383f617e5da87ac66046d</data>
</node>
<node id="&quot;KING FREDERICK WILHELM III&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"King Frederick Wilhelm III was the ruler who purchased The Abbey in the Oakwood and The Monk by the Sea for his collection, showing his support for the arts."</data>
  <data key="d2">chunk-7be0109bf80383f617e5da87ac66046d</data>
</node>
<node id="&quot;CEMETERY THEME&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The Cemetery theme represents an artistic exploration of death, loss, and memorialization common in Friedrich's works."</data>
  <data key="d2">chunk-7be0109bf80383f617e5da87ac66046d</data>
</node>
<node id="&quot;WANDERER ABOVE THE SEA OF FOG&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Wanderer Above the Sea of Fog is an iconic oil painting created around 1818 that embodies themes of Romanticism and self-reflection through landscape depiction."</data>
  <data key="d2">chunk-47f929a0d94ddfcb18f4a1b3cb07f109</data>
</node>
<node id="&quot;KUNSTHALLE HAMBURG&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Kunsthalle Hamburg is an art museum located in Hamburg, Germany, where 'Wanderer Above the Sea of Fog' currently resides."</data>
  <data key="d2">chunk-47f929a0d94ddfcb18f4a1b3cb07f109</data>
</node>
<node id="&quot;ROMANTICISM&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Romanticism is a literary and artistic movement that Aleardo Aleardi was a part of, influencing his poetry and themes."&lt;SEP&gt;"Romanticism is an artistic and intellectual movement that emphasized emotion, individualism, and the glorification of nature, particularly evident in Friedrich's works."&lt;SEP&gt;"Romanticism is an artistic movement characterized by an emphasis on emotion and individualism, of which Delacroix was a significant proponent, particularly evident in 'Death of Sardanapalus'."&lt;SEP&gt;"Romanticism is the artistic and literary movement in which Eugène Delacroix was a key figure, characterized by an emphasis on emotion and individualism."</data>
  <data key="d2">chunk-a934864f07826c270bffe6f18bafd6a4&lt;SEP&gt;chunk-2fe3954386fc8712317fa688b8c22f37&lt;SEP&gt;chunk-47f929a0d94ddfcb18f4a1b3cb07f109&lt;SEP&gt;chunk-21e724ff1d237e74a8e96299e7fda660</data>
</node>
<node id="&quot;ELBE SANDSTONE MOUNTAINS&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Elbe Sandstone Mountains are a mountain range in Saxony, Germany, serving as the inspirational landscape for Friedrich's painting."</data>
  <data key="d2">chunk-47f929a0d94ddfcb18f4a1b3cb07f109</data>
</node>
<node id="&quot;THE WANDERER&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"The Wanderer is a figure in the painting, depicted as a young man standing atop a rocky precipice, symbolizing contemplation and exploration of the unknown."</data>
  <data key="d2">chunk-47f929a0d94ddfcb18f4a1b3cb07f109</data>
</node>
<node id="&quot;THE SEA OF FOG&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The Sea of Fog represents ambiguity and the unknown in the painting, creating a sense of mystery that invites introspection."</data>
  <data key="d2">chunk-47f929a0d94ddfcb18f4a1b3cb07f109</data>
</node>
<node id="&quot;KAISERKRONE&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Kaiserkrone is a specific group of rocks depicted in the painting where the Wanderer stands, contributing to the landscape's dramatic composition."</data>
  <data key="d2">chunk-47f929a0d94ddfcb18f4a1b3cb07f109</data>
</node>
<node id="&quot;ZIRKELSTEIN&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Zirkelstein is a mountain featured in the background of 'Wanderer Above the Sea of Fog', adding depth to the portrayal of the landscape."</data>
  <data key="d2">chunk-47f929a0d94ddfcb18f4a1b3cb07f109</data>
</node>
<node id="&quot;ROSENBERG&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Rosenberg is a mountain that may be represented in the painting, providing geographical context to the Wanderer's viewpoint."</data>
  <data key="d2">chunk-47f929a0d94ddfcb18f4a1b3cb07f109</data>
</node>
<node id="&quot;KALTENBERG&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Kaltenberg is another mountain possibly depicted in the background of the artwork, enhancing its naturalistic elements."</data>
  <data key="d2">chunk-47f929a0d94ddfcb18f4a1b3cb07f109</data>
</node>
<node id="&quot;GAMRIG&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Gamrig is a group of rocks near Rathen that provides additional geographical features within the painting's composition."</data>
  <data key="d2">chunk-47f929a0d94ddfcb18f4a1b3cb07f109</data>
</node>
<node id="&quot;CHALK CLIFFS ON RÜGEN&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"'Chalk Cliffs on Rügen' is an oil painting created by Caspar David Friedrich around 1818, representing a crucial moment in his artistic expression and personal life."&lt;SEP&gt;"Chalk Cliffs on Rügen is another work by Caspar David Friedrich that shares similarities in style and thematic elements with 'Wanderer Above the Sea of Fog'."</data>
  <data key="d2">chunk-b0fc39c35641735d9213dfb963bc01fc&lt;SEP&gt;chunk-47f929a0d94ddfcb18f4a1b3cb07f109</data>
</node>
<node id="&quot;THE SEA OF ICE&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Sea of Ice is an oil painting created in 1823-1824, depicting a shipwreck amidst a broken ice-sheet, symbolizing themes of hope and disaster."&lt;SEP&gt;"The Sea of Ice is another of Friedrich's paintings that reflects his Romantic style and thematic preoccupations, akin to 'Wanderer Above the Sea of Fog'."</data>
  <data key="d2">chunk-17cbc71728a29d7fd845d2322e19382f&lt;SEP&gt;chunk-47f929a0d94ddfcb18f4a1b3cb07f109</data>
</node>
<node id="&quot;KANTIAN SELF-REFLECTION&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Kantian self-reflection is a philosophical theme discussed in relation to 'Wanderer Above the Sea of Fog', highlighting the notion of introspection and the limits of human understanding."</data>
  <data key="d2">chunk-47f929a0d94ddfcb18f4a1b3cb07f109</data>
</node>
<node id="&quot;CONCEPT OF MOUNTAIN-CLIMBING VISIONARY&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The concept of mountain-climbing visionary describes the archetype represented by the Wanderer in the painting, emphasizing human aspiration and admiration for nature."</data>
  <data key="d2">chunk-47f929a0d94ddfcb18f4a1b3cb07f109</data>
</node>
<node id="&quot;CHRISTIANE CAROLINE BOMMER&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Christiane Caroline Bommer is Caspar David Friedrich's wife, married in January 1818, and played a significant role in Friedrich's life and work."</data>
  <data key="d2">chunk-b0fc39c35641735d9213dfb963bc01fc</data>
</node>
<node id="&quot;NEUBRANDENBURG&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Neubrandenburg is a city in Germany where Caspar David Friedrich visited relatives during his honeymoon."</data>
  <data key="d2">chunk-b0fc39c35641735d9213dfb963bc01fc</data>
</node>
<node id="&quot;GREIFSWALD&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Greifswald is a city in Germany that Caspar David Friedrich and his wife visited while on their honeymoon."&lt;SEP&gt;"Greifswald is a city in northeastern Germany, known as the birthplace of Caspar David Friedrich and the location depicted in some of his works."</data>
  <data key="d2">chunk-703733d80315a190a98246fc8d91936a&lt;SEP&gt;chunk-b0fc39c35641735d9213dfb963bc01fc</data>
</node>
<node id="&quot;RÜGEN&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Rügen is the largest island in Germany, known for its chalk cliffs, and served as a significant location for Caspar David Friedrich's painting."</data>
  <data key="d2">chunk-b0fc39c35641735d9213dfb963bc01fc</data>
</node>
<node id="&quot;TWO TREES&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The two trees in 'Chalk Cliffs on Rügen' are symbolic elements that frame the scenery and highlight the contrast between life and death."</data>
  <data key="d2">chunk-b0fc39c35641735d9213dfb963bc01fc</data>
</node>
<node id="&quot;FIGURE IN THE MIDDLE&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The figure in the middle of the painting is often interpreted as Caspar David Friedrich himself, representing humility and contemplation."</data>
  <data key="d2">chunk-b0fc39c35641735d9213dfb963bc01fc</data>
</node>
<node id="&quot;MAN WITH CROSSED ARMS&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The man with crossed arms symbolizes a contemplative stance towards the sea and the unknown, leaning against a dying tree."</data>
  <data key="d2">chunk-b0fc39c35641735d9213dfb963bc01fc</data>
</node>
<node id="&quot;WOMAN IN A RED DRESS&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The woman in a red dress represents love and is often identified as Friedrich's wife, pointing towards the abyss or nature's beauty."</data>
  <data key="d2">chunk-b0fc39c35641735d9213dfb963bc01fc</data>
</node>
<node id="&quot;TWO TINY SAILBOATS&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The two tiny sailboats in the painting symbolize the soul opening to eternal life, contributing to the painting's themes of life and death."</data>
  <data key="d2">chunk-b0fc39c35641735d9213dfb963bc01fc</data>
</node>
<node id="&quot;COLORS OF THE FIGURES' CLOTHES&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The colors of the figures' clothes symbolize Christian theological virtues: blue for faith, red for love, and green for hope."</data>
  <data key="d2">chunk-b0fc39c35641735d9213dfb963bc01fc</data>
</node>
<node id="&quot;HELMUT BÖRSCH-SUPAN&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Helmut Börsch-Supan is an art historian who interprets the painting as a representation of Friedrich's relation to death and life."</data>
  <data key="d2">chunk-b0fc39c35641735d9213dfb963bc01fc</data>
</node>
<node id="&quot;THE TREE OF CROWS&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Tree of Crows is an oil painting by Caspar David Friedrich, depicting a twisted oak tree with crows, reflecting themes of death and redemption."</data>
  <data key="d2">chunk-f821aaece9965d7ab0a0781ba7c8033c</data>
</node>
<node id="&quot;MUSÉE DU LOUVRE&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Musée du Louvre is a historic museum in Paris which housed 'The Parquet Planers' before it was transferred to the Musée d'Orsay."&lt;SEP&gt;"Musée du Louvre is one of the world's largest art museums in Paris where Dance at Moulin de la Galette was exhibited until 1986."&lt;SEP&gt;"The Musée du Louvre is a prestigious museum in Paris, France, where 'The Orphan Girl at the Cemetery' is currently curated."&lt;SEP&gt;"The Musée du Louvre is a prominent museum in Paris, which acquired 'The Tree of Crows' in 1975, enhancing its collection of significant artworks."&lt;SEP&gt;"The Musée du Louvre is a world-renowned art museum located in Paris, France, housing a vast collection of art, including Delacroix's works."&lt;SEP&gt;"The Musée du Louvre is a world-renowned museum located in Paris, France, that houses a vast collection of art and historical artifacts, including 'Death of Sardanapalus'."&lt;SEP&gt;"The Musée du Louvre is a worldwide renowned art museum located in Paris, France, known for housing a vast collection of artworks including The Barque of Dante."&lt;SEP&gt;"The Musée du Louvre is a prominent museum in France housing one of the two known copies of The Wounded Cuirassier, showcasing its importance in art preservation."&lt;SEP&gt;"The Musée du Louvre is a renowned museum in Paris, France, which acquired Géricault's painting The Epsom Derby in 1866."</data>
  <data key="d2">chunk-5a57e382ea16e4f8d1537690ca527cf7&lt;SEP&gt;chunk-5387a9f92c6290746c3974533e905a95&lt;SEP&gt;chunk-2b9b588e2baa1c14b6b0870035192bcf&lt;SEP&gt;chunk-7cca6799e635827e361bddda13be95c1&lt;SEP&gt;chunk-a934864f07826c270bffe6f18bafd6a4&lt;SEP&gt;chunk-a2596efe6055fc41763a6132f67dd308&lt;SEP&gt;chunk-1549750a532354392260533b320beb53&lt;SEP&gt;chunk-678237cec5752fdae4c54b0d6be03ed8&lt;SEP&gt;chunk-f821aaece9965d7ab0a0781ba7c8033c</data>
</node>
<node id="&quot;CAPE ARKONA&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Cape Arkona is a geographical feature visible in the painting's background, recognized as a favorite subject of Caspar David Friedrich."</data>
  <data key="d2">chunk-f821aaece9965d7ab0a0781ba7c8033c</data>
</node>
<node id="&quot;THE TREE OF CROWS (RAVEN TREE)&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Tree of Crows, also known as Raven Tree, is an oil painting created by Caspar David Friedrich in 1822, recognized for its haunting imagery and thematic depth."</data>
  <data key="d2">chunk-f821aaece9965d7ab0a0781ba7c8033c</data>
</node>
<node id="&quot;1822&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"1822 marks the year when 'The Tree of Crows' was created, situating it in the context of early 19th-century Romanticism."&lt;SEP&gt;"1822 marks the year when the Portrait of a Kleptomaniac was created by Géricault, situating it within the historical context of art."</data>
  <data key="d2">chunk-3c7823dce797d485906c90174cff2bd4&lt;SEP&gt;chunk-f821aaece9965d7ab0a0781ba7c8033c</data>
</node>
<node id="&quot;SOLITARY TREE&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Solitary Tree is an 1822 oil-on-canvas painting by Caspar David Friedrich, depicting a solitary oak tree in a romantic landscape."</data>
  <data key="d2">chunk-e4030478472d746329b5ce6b397847d5</data>
</node>
<node id="&quot;BERLIN&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Berlin is a city where Edvard Munch established his career and social circle, playing a significant role in his artistic journey and emotional state."&lt;SEP&gt;"Berlin is the capital city of Germany, where the Alte Nationalgalerie is located and houses Friedrich's painting."</data>
  <data key="d2">chunk-80cb57c7a7584d26c3ec44f224a1d1a8&lt;SEP&gt;chunk-e4030478472d746329b5ce6b397847d5</data>
</node>
<node id="&quot;JOACHIM HEINRICH WILHELM WAGENER&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Joachim Heinrich Wilhelm Wagener was a banker and art collector who commissioned the painting Solitary Tree, contributing to its historical significance."</data>
  <data key="d2">chunk-e4030478472d746329b5ce6b397847d5</data>
</node>
<node id="&quot;THE LONELY TREE&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Lonely Tree is an alternate name for the painting Solitary Tree, emphasizing its theme of solitude and its significance in the art world."</data>
  <data key="d2">chunk-e4030478472d746329b5ce6b397847d5</data>
</node>
<node id="&quot;OIL-ON-CANVAS&quot;">
  <data key="d0">"TECHNOLOGY"</data>
  <data key="d1">"Oil-on-canvas is the medium used for the painting Solitary Tree, a common technique in art that allows for detailed and vivid imagery."</data>
  <data key="d2">chunk-e4030478472d746329b5ce6b397847d5</data>
</node>
<node id="&quot;PANORAMIC VIEW&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Panoramic view refers to the wide perspective depicted in the painting Solitary Tree, showcasing the vast romantic landscape."</data>
  <data key="d2">chunk-e4030478472d746329b5ce6b397847d5</data>
</node>
<node id="&quot;OAK TREE&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"An uprooted and moss-grown oak tree is part of the symbolic imagery in Friedrich's paintings, representing decay and the passage of time."&lt;SEP&gt;"The oak tree is the central element of the painting Solitary Tree, symbolizing endurance and a connection to nature."</data>
  <data key="d2">chunk-e4030478472d746329b5ce6b397847d5&lt;SEP&gt;chunk-aef5e7b45b568c56fd05ab2cba9f6f17</data>
</node>
<node id="&quot;SHEPHERD&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"The shepherd depicted in the painting represents a rural presence, sheltering under the oak tree while tending to his flock of sheep."</data>
  <data key="d2">chunk-e4030478472d746329b5ce6b397847d5</data>
</node>
<node id="&quot;FLOCK OF SHEEP&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The flock of sheep grazing beside the pond in the painting contributes to the serene rural setting of Solitary Tree."</data>
  <data key="d2">chunk-e4030478472d746329b5ce6b397847d5</data>
</node>
<node id="&quot;VILLAGES AND A TOWN&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"The villages and town depicted in the painting suggest a harmonious relationship between nature and human habitation in the landscape."</data>
  <data key="d2">chunk-e4030478472d746329b5ce6b397847d5</data>
</node>
<node id="&quot;RIESENGEBIRGE&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"The Riesengebirge is a mountain range suggested as being part of the landscape in Solitary Tree, located in present-day Czech Republic."</data>
  <data key="d2">chunk-e4030478472d746329b5ce6b397847d5</data>
</node>
<node id="&quot;SILESIA&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Silesia is a historical region mentioned in relation to the landscape depicted in the painting, indicating the geographical context."</data>
  <data key="d2">chunk-e4030478472d746329b5ce6b397847d5</data>
</node>
<node id="&quot;BOHEMIA&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Bohemia, mentioned in the context of the painting, refers to a region historically significant to the landscape imagery portrayed by Friedrich."</data>
  <data key="d2">chunk-e4030478472d746329b5ce6b397847d5</data>
</node>
<node id="&quot;CLAUDE LORRAIN&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Claude Lorrain was a 17th-century painter whose traditional influence is noted in the pairing of Friedrich's works, highlighting the art historical context."</data>
  <data key="d2">chunk-e4030478472d746329b5ce6b397847d5</data>
</node>
<node id="&quot;HMS GRIPER&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"HMS Griper was a ship that participated in William Edward Parry's expeditions to the North Pole in the early 19th century."</data>
  <data key="d2">chunk-17cbc71728a29d7fd845d2322e19382f</data>
</node>
<node id="&quot;WILLIAM EDWARD PARRY&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"William Edward Parry was an explorer known for leading expeditions to the North Pole in search of the Northwest Passage."</data>
  <data key="d2">chunk-17cbc71728a29d7fd845d2322e19382f</data>
</node>
<node id="&quot;NORTH POLE EXPEDITION&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The North Pole Expedition refers to a series of explorations aimed at discovering the Northwest Passage in the Arctic region."</data>
  <data key="d2">chunk-17cbc71728a29d7fd845d2322e19382f</data>
</node>
<node id="&quot;DRESDEN ACADEMY&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Dresden Academy was an art academy in Germany where Friedrich's work was exhibited."</data>
  <data key="d2">chunk-17cbc71728a29d7fd845d2322e19382f</data>
</node>
<node id="&quot;PRAGUE ACADEMY&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Prague Academy is an institution where Friedrich's painting 'The Sea of Ice' was first shown in 1824."</data>
  <data key="d2">chunk-17cbc71728a29d7fd845d2322e19382f</data>
</node>
<node id="&quot;ICE PICTURE&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Ice Picture is a term used to describe Friedrich’s work, reflecting on the themes of Arctic landscapes."</data>
  <data key="d2">chunk-17cbc71728a29d7fd845d2322e19382f</data>
</node>
<node id="&quot;THE MEKONS&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Mekons is a UK band that featured 'The Sea of Ice' on the cover of their album 'Honky Tonkin' in 1987."</data>
  <data key="d2">chunk-17cbc71728a29d7fd845d2322e19382f</data>
</node>
<node id="&quot;ISLANDS&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Islands is an indie rock band that included 'The Sea of Ice' on the cover of their album 'Return to the Sea' in 2006."</data>
  <data key="d2">chunk-17cbc71728a29d7fd845d2322e19382f</data>
</node>
<node id="&quot;RUSSELL POTTER&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Russell Potter is a critic who praised 'The Sea of Ice' as a key example of the 'Arctic Sublime' in art history."</data>
  <data key="d2">chunk-17cbc71728a29d7fd845d2322e19382f</data>
</node>
<node id="&quot;LAWREN HARRIS&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Lawren Harris was an artist influenced by 'The Sea of Ice,' known for creating arctic landscapes in his work."</data>
  <data key="d2">chunk-17cbc71728a29d7fd845d2322e19382f</data>
</node>
<node id="&quot;PAUL NASH&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Paul Nash was an artist who was directly influenced by 'The Sea of Ice' in his painting 'Totes Meer.'"</data>
  <data key="d2">chunk-17cbc71728a29d7fd845d2322e19382f</data>
</node>
<node id="&quot;THE DISASTER-STRICKEN NORTH POLE EXPEDITION&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Disaster-stricken North Pole Expedition refers to the narrative surrounding the struggles and failures faced during Arctic exploration."</data>
  <data key="d2">chunk-17cbc71728a29d7fd845d2322e19382f</data>
</node>
<node id="&quot;A WRECKED SHIP OFF THE COAST OF GREENLAND IN THE MOONLIGHT&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"A Wrecked Ship off the Coast of Greenland in the Moonlight was a title of an earlier work by Friedrich related to maritime themes."</data>
  <data key="d2">chunk-17cbc71728a29d7fd845d2322e19382f</data>
</node>
<node id="&quot;SOUTHERN NATURE IN HER ABUNDANT AND MAJESTIC SPLENDOR&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Southern Nature in her Abundant and Majestic Splendor is the title of a painting commissioned alongside 'The Sea of Ice' symbolizing the south."</data>
  <data key="d2">chunk-17cbc71728a29d7fd845d2322e19382f</data>
</node>
<node id="&quot;NORTHERN NATURE IN THE WHOLE OF HER TERRIFYING BEAUTY&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Northern Nature in the whole of her Terrifying Beauty is a commissioned work symbolizing the north, parallel to 'The Sea of Ice.'"</data>
  <data key="d2">chunk-17cbc71728a29d7fd845d2322e19382f</data>
</node>
<node id="&quot;ICE FLOES ON THE RIVER ELBE&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Ice Floes on the River Elbe refers to the studies Friedrich made during the winter of 1820-21 that influenced 'The Sea of Ice.'"</data>
  <data key="d2">chunk-17cbc71728a29d7fd845d2322e19382f</data>
</node>
<node id="&quot;COUPLE GAZING AT THE MOON&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Couple Gazing at the Moon is the title of a painting created by Caspar David Friedrich, featuring two figures in a romantic and contemplative setting."</data>
  <data key="d2">chunk-aef5e7b45b568c56fd05ab2cba9f6f17</data>
</node>
<node id="&quot;TWO MEN CONTEMPLATING THE MOON&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Two Men Contemplating the Moon is a series of landscape paintings by Caspar David Friedrich, depicting two figures in contemplation of the moon in a dark forest setting."&lt;SEP&gt;"Two Men Contemplating the Moon is a series of paintings by Caspar David Friedrich that depicts the sublime experience of nature through the contemplation of the moon."</data>
  <data key="d2">chunk-aef5e7b45b568c56fd05ab2cba9f6f17&lt;SEP&gt;chunk-84ecaee98563847ac89b4f6998d6f29a</data>
</node>
<node id="&quot;METROPOLITAN MUSEUM OF ART&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Metropolitan Museum of Art is a major art museum in New York housing another version of 'Girls at the Piano'."&lt;SEP&gt;"The Metropolitan Museum of Art in New York City possesses a version of Two Men Contemplating the Moon, showcasing Friedrich's work to an international audience."&lt;SEP&gt;"The Metropolitan Museum of Art is a prominent art museum in New York City, where a variant of Friedrich's painting is displayed."&lt;SEP&gt;"The Metropolitan Museum of Art is a prominent art museum in New York that acquired Delacroix's second version of 'Ovid among the Scythians' in 2008."&lt;SEP&gt;"The Metropolitan Museum of Art is an art museum in New York City that holds a smaller pastel sketch of the same subject as Degas's painting."&lt;SEP&gt;"The Metropolitan Museum of Art is a prestigious museum in New York City that houses a vast collection of art, including works by Thomas Eakins."&lt;SEP&gt;"The Metropolitan Museum of Art is a prominent art museum located in New York City, housing 'By the Seashore' as part of its collection since 1929."&lt;SEP&gt;"The Metropolitan Museum of Art is a renowned museum in New York City that houses 'Max Schmitt in a Single Scull' as part of its permanent collection, illustrating its significance in American art."&lt;SEP&gt;"The Metropolitan Museum of Art is an esteemed museum in New York City that houses a vast collection of art, including Eakins' 'The Chess Player.'"</data>
  <data key="d2">chunk-3c83a70f35cb7f4146fb11e6912ac793&lt;SEP&gt;chunk-5906fd8cf6e9dab464bc66668a8ae3e0&lt;SEP&gt;chunk-aef5e7b45b568c56fd05ab2cba9f6f17&lt;SEP&gt;chunk-cf7e8b4702c8818dcab589eed2829a71&lt;SEP&gt;chunk-d73788737196e9ace33310a4b353908e&lt;SEP&gt;chunk-d958e23374049315b611435d93c1e9fc&lt;SEP&gt;chunk-3695dd39f98802204c22b00e17ec020d&lt;SEP&gt;chunk-84ecaee98563847ac89b4f6998d6f29a&lt;SEP&gt;chunk-7df321ef37645a5107c4f3123310012e</data>
</node>
<node id="&quot;SAMUEL BECKETT&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Samuel Beckett is a playwright who remarked on the influence of Friedrich's works in his own writings, particularly in Waiting for Godot."&lt;SEP&gt;"Samuel Beckett was an influential playwright known for his work 'Waiting for Godot,' which he claims was inspired by Friedrich's painting."</data>
  <data key="d2">chunk-aef5e7b45b568c56fd05ab2cba9f6f17&lt;SEP&gt;chunk-84ecaee98563847ac89b4f6998d6f29a</data>
</node>
<node id="&quot;MAN AND WOMAN CONTEMPLATING THE MOON&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Man and Woman Contemplating the Moon is a variation of the series, representing the same themes with different figures in the composition."&lt;SEP&gt;"Man and Woman Contemplating the Moon is another title for one of the versions of Friedrich's paintings that features a couple gazing at the moon."</data>
  <data key="d2">chunk-aef5e7b45b568c56fd05ab2cba9f6f17&lt;SEP&gt;chunk-84ecaee98563847ac89b4f6998d6f29a</data>
</node>
<node id="&quot;DUSK&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Dusk refers to the time of day depicted in Friedrich’s paintings, characterized by the fading light of the day, adding to the romantic ambiance of the works."</data>
  <data key="d2">chunk-aef5e7b45b568c56fd05ab2cba9f6f17</data>
</node>
<node id="&quot;GERMAN ROMANTICISM&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"German Romanticism is an artistic and literary movement that emphasizes emotion, nature, and the sublime, prominently reflected in Friedrich's work."&lt;SEP&gt;"German Romanticism is an artistic movement characterized by an emphasis on emotion, nature, and the sublime, often contrasting rational earthly experiences with the infinite."</data>
  <data key="d2">chunk-aef5e7b45b568c56fd05ab2cba9f6f17&lt;SEP&gt;chunk-84ecaee98563847ac89b4f6998d6f29a</data>
</node>
<node id="&quot;MOON&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"The moon appears in the background of 'Gassed', contributing to the atmospheric setting of the painting and symbolizing the passage of time amidst chaos."&lt;SEP&gt;"The moon serves as a central element in Friedrich's paintings, symbolizing spirituality and the sublime atmosphere of the night."</data>
  <data key="d2">chunk-9ccceb2b70e119e13e67a6686d49efd5&lt;SEP&gt;chunk-aef5e7b45b568c56fd05ab2cba9f6f17</data>
</node>
<node id="&quot;GOTHIC STYLE&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Gothic style refers to an architectural and artistic style that emphasizes dramatic elements and has influenced the dark and threatening environment in Friedrich's paintings."&lt;SEP&gt;"Gothic style, indicative of the medieval era, is referenced in the dark and imposing elements of Friedrich's paintings."</data>
  <data key="d2">chunk-aef5e7b45b568c56fd05ab2cba9f6f17&lt;SEP&gt;chunk-84ecaee98563847ac89b4f6998d6f29a</data>
</node>
<node id="&quot;THE EVENING STAR&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"The evening star is a celestial object depicted in Friedrich’s paintings that enhances the mystical and contemplative nature of the scenes."</data>
  <data key="d2">chunk-aef5e7b45b568c56fd05ab2cba9f6f17</data>
</node>
<node id="&quot;DARK FOREST&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"The dark forest imagery in Friedrich's paintings creates a contrasting backdrop for the figures, enhancing the themes of isolation and beauty."&lt;SEP&gt;"The dark forest setting in Friedrich's paintings serves as a backdrop for introspection and highlights the themes of spirituality in nature."</data>
  <data key="d2">chunk-aef5e7b45b568c56fd05ab2cba9f6f17&lt;SEP&gt;chunk-84ecaee98563847ac89b4f6998d6f29a</data>
</node>
<node id="&quot;GERMAN ART HISTORIAN WERNER BUSCH&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Werner Busch is a German art historian who analyzed Friedrich's work, noting the geometric layout and its significance in conveying transcendent messages."</data>
  <data key="d2">chunk-aef5e7b45b568c56fd05ab2cba9f6f17</data>
</node>
<node id="&quot;THE WAXING CRESCENT MOON&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"The waxing crescent moon is depicted in Friedrich's paintings, indicating the transition from day to night and symbolizing hope and new beginnings."</data>
  <data key="d2">chunk-aef5e7b45b568c56fd05ab2cba9f6f17</data>
</node>
<node id="&quot;HIGHER CLASS&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The term higher class refers to the social status of the figures in Friedrich's paintings, indicated by their clothing and posture, contributing to the overall tone of refinement."</data>
  <data key="d2">chunk-aef5e7b45b568c56fd05ab2cba9f6f17</data>
</node>
<node id="&quot;CONTRASTS BETWEEN LIGHT AND DARK&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Contrasts between light and dark are a recurring theme in Friedrich's work, highlighting the duality of existence and the sublime experience in nature."</data>
  <data key="d2">chunk-aef5e7b45b568c56fd05ab2cba9f6f17</data>
</node>
<node id="&quot;SUBLIME&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The sublime is a key concept in Friedrich's art, representing the feeling of awe and overwhelming beauty experienced in nature."</data>
  <data key="d2">chunk-aef5e7b45b568c56fd05ab2cba9f6f17</data>
</node>
<node id="&quot;DARK FOREGROUNDS AND LIGHTER BACKGROUNDS&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The artistic technique of using dark foregrounds and lighter backgrounds creates depth and emphasizes the emotional landscape in Friedrich's paintings."</data>
  <data key="d2">chunk-aef5e7b45b568c56fd05ab2cba9f6f17</data>
</node>
<node id="&quot;BOULDERS&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Boulders serve as physical barriers within Friedrich's paintings, adding to the tension and framing the contemplative figures."</data>
  <data key="d2">chunk-aef5e7b45b568c56fd05ab2cba9f6f17</data>
</node>
<node id="&quot;MOUNTAIN PATH&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"The mountain path leads the viewer’s eye through the composition of Friedrich's painting, symbolizing a journey or quest in contemplation."</data>
  <data key="d2">chunk-aef5e7b45b568c56fd05ab2cba9f6f17</data>
</node>
<node id="&quot;GOTHIC REVIVAL&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The Gothic Revival refers to the renewed interest and influence of Gothic aesthetics during the Romantic era, seen in Friedrich's thematic choices."</data>
  <data key="d2">chunk-aef5e7b45b568c56fd05ab2cba9f6f17</data>
</node>
<node id="&quot;DRESDEN VERSION&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Dresden version of Two Men Contemplating the Moon is considered the original, noted for its geometric layout and compositional harmony."</data>
  <data key="d2">chunk-84ecaee98563847ac89b4f6998d6f29a</data>
</node>
<node id="&quot;TWO MEN CONTEMPLATING THE MOON (GERMAN: ZWEI MÄNNER IN BETRACHTUNG DES MONDES)&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Two Men Contemplating the Moon is a prominent artwork by Caspar David Friedrich, exploring themes of contemplation and spirituality in a natural setting."</data>
  <data key="d2">chunk-84ecaee98563847ac89b4f6998d6f29a</data>
</node>
<node id="&quot;GALLERY NEUE MEISTER&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Gallery Neue Meister is an art gallery in Dresden, Germany, housing one of the versions of Two Men Contemplating the Moon."</data>
  <data key="d2">chunk-84ecaee98563847ac89b4f6998d6f29a</data>
</node>
<node id="&quot;WAXING CRESCENT MOON&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The waxing crescent moon is featured prominently in Friedrich's painting, symbolizing transition and contemplation."</data>
  <data key="d2">chunk-84ecaee98563847ac89b4f6998d6f29a</data>
</node>
<node id="&quot;ROMANTIC ERA&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The Romantic era was an artistic movement that emphasized individual emotion, nature, and the sublime, influencing Friedrich's work."</data>
  <data key="d2">chunk-84ecaee98563847ac89b4f6998d6f29a</data>
</node>
<node id="&quot;EARTHSHINE&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Earthshine refers to the illumination of the moon's night side by light from the Earth, as seen in Friedrich's artwork."</data>
  <data key="d2">chunk-84ecaee98563847ac89b4f6998d6f29a</data>
</node>
<node id="&quot;PASTEL SKY&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"The pastel sky depicted in Friedrich's artwork enhances the contrast between light and dark, central to the themes of contemplation."</data>
  <data key="d2">chunk-84ecaee98563847ac89b4f6998d6f29a</data>
</node>
<node id="&quot;HIGHER CLASS ATTIRE&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The figures in Friedrich's artwork are dressed in higher class attire, indicating their social status and role in the Romantic narrative."</data>
  <data key="d2">chunk-84ecaee98563847ac89b4f6998d6f29a</data>
</node>
<node id="&quot;NATURE&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Nature is a major theme in Caspar David Friedrich's work, often serving as a backdrop for philosophical and existential contemplation."</data>
  <data key="d2">chunk-84ecaee98563847ac89b4f6998d6f29a</data>
</node>
<node id="&quot;DEAD UPROOTED TREE&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"The dead uprooted tree in the painting symbolizes decay and the transience of life, contributing to the overall mood of contemplation."</data>
  <data key="d2">chunk-84ecaee98563847ac89b4f6998d6f29a</data>
</node>
<node id="&quot;LIGHTED SKY&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"The lighted sky in Friedrich's works signifies hope and the presence of the sublime, contrasting with the dark earthly elements."</data>
  <data key="d2">chunk-84ecaee98563847ac89b4f6998d6f29a</data>
</node>
<node id="&quot;JAGGED BRANCHES&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"The jagged branches in the artwork create a threatening environment that contrasts with the serenity of the contemplation theme."</data>
  <data key="d2">chunk-84ecaee98563847ac89b4f6998d6f29a</data>
</node>
<node id="&quot;CENTRAL VERTICAL AXIS&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The central vertical axis in Friedrich's compositions refers to a geometric layout that adds to the aesthetic and thematic depth of his works."</data>
  <data key="d2">chunk-84ecaee98563847ac89b4f6998d6f29a</data>
</node>
<node id="&quot;THE STAGES OF LIFE&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Stages of Life is an allegorical oil painting created in 1835 that meditates on mortality and the transience of life."&lt;SEP&gt;"The Stages of Life is an allegorical painting showcasing various stages of human life through a composition of figures and ships."</data>
  <data key="d2">chunk-703733d80315a190a98246fc8d91936a</data>
</node>
<node id="&quot;UTKIEK&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Utkiek is a location near Greifswald in northeastern Germany, recognized as the setting for Friedrich's painting 'The Stages of Life'."</data>
  <data key="d2">chunk-703733d80315a190a98246fc8d91936a</data>
</node>
<node id="&quot;GUSTAV ADOLF&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Gustav Adolf is the son of Caspar David Friedrich, depicted as a small boy in the painting 'The Stages of Life'."</data>
  <data key="d2">chunk-703733d80315a190a98246fc8d91936a</data>
</node>
<node id="&quot;AGNES ADELHEID&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Agnes Adelheid is the daughter of Caspar David Friedrich, represented as a young girl in 'The Stages of Life'."</data>
  <data key="d2">chunk-703733d80315a190a98246fc8d91936a</data>
</node>
<node id="&quot;JOHANN HEINRICH&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Johann Heinrich is the nephew of Caspar David Friedrich, depicted as the man in the top hat in 'The Stages of Life'."</data>
  <data key="d2">chunk-703733d80315a190a98246fc8d91936a</data>
</node>
<node id="&quot;THE SEA SHORE&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"The Sea Shore, depicted in 'The Stages of Life', serves as a backdrop symbolizing the boundary between life and death."</data>
  <data key="d2">chunk-703733d80315a190a98246fc8d91936a</data>
</node>
<node id="&quot;HARBOUR&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"The Harbour in the painting represents a transition point, symbolizing different life stages and the journey towards the end of life."</data>
  <data key="d2">chunk-703733d80315a190a98246fc8d91936a</data>
</node>
<node id="&quot;OIL PAINT&quot;">
  <data key="d0">"TECHNOLOGY"</data>
  <data key="d1">"Oil Paint is the medium used in 'The Stages of Life', providing depth and rich colors to the painting."</data>
  <data key="d2">chunk-703733d80315a190a98246fc8d91936a</data>
</node>
<node id="&quot;MORTALITY&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Mortality is a central theme in 'The Stages of Life', exploring the transient nature of human existence."</data>
  <data key="d2">chunk-703733d80315a190a98246fc8d91936a</data>
</node>
<node id="&quot;TRANSIENCE OF LIFE&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The Transience of Life is a philosophical concept illustrated in the painting, indicating the fleeting nature of human experiences."</data>
  <data key="d2">chunk-703733d80315a190a98246fc8d91936a</data>
</node>
<node id="&quot;HORACE VERNET&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Horace Vernet is a well-known artist who produced the painting 'Italian Brigands Surprised by Papal Troops' in 1831 and served as the director of the French Academy in Rome during his time in Italy."</data>
  <data key="d2">chunk-d89320b0c68338fc340feb6158a0c744</data>
</node>
<node id="&quot;ITALIAN BRIGANDS SURPRISED BY PAPAL TROOPS&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Italian Brigands Surprised by Papal Troops is a dramatic genre painting created by Horace Vernet in 1831, depicting a battle between brigands and papal troops."</data>
  <data key="d2">chunk-d89320b0c68338fc340feb6158a0c744</data>
</node>
<node id="&quot;WALTERS ART MUSEUM&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Walters Art Museum is the current owner of 'Italian Brigands Surprised by Papal Troops', located in Baltimore, where the painting is displayed."</data>
  <data key="d2">chunk-d89320b0c68338fc340feb6158a0c744</data>
</node>
<node id="&quot;PAPAL TROOPS&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Papal Troops refers to the military forces of the papacy, depicted in the painting as they engage in a battle with brigands."</data>
  <data key="d2">chunk-d89320b0c68338fc340feb6158a0c744</data>
</node>
<node id="&quot;ROMAN COUNTRYSIDE&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Roman countryside is the setting that inspired Horace Vernet's artworks, reflecting local life and colorful subjects during his time in Italy."</data>
  <data key="d2">chunk-d89320b0c68338fc340feb6158a0c744</data>
</node>
<node id="&quot;JOHN T. JOHNSTON COLLECTION&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"John T. Johnston Collection refers to the collection that originally included 'Italian Brigands Surprised by Papal Troops' before it was sold to William T. Walters."</data>
  <data key="d2">chunk-d89320b0c68338fc340feb6158a0c744</data>
</node>
<node id="&quot;WILLIAM T. WALTERS&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"William T. Walters was the owner who purchased 'Italian Brigands Surprised by Papal Troops' from John T. Johnston Collection on 20 December 1876."</data>
  <data key="d2">chunk-d89320b0c68338fc340feb6158a0c744</data>
</node>
<node id="&quot;HENRY WALTERS&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Henry Walters was the heir who received 'Italian Brigands Surprised by Papal Troops' in 1894 after it passed down from William T. Walters."</data>
  <data key="d2">chunk-d89320b0c68338fc340feb6158a0c744</data>
</node>
<node id="&quot;THE PAINTING&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Painting refers to 'Italian Brigands Surprised by Papal Troops', which has undergone various conservation treatments since its creation in 1831."&lt;SEP&gt;"The Painting refers to 'The Gross Clinic', highlighting its significance and the attention it received both positively and negatively in various contexts."</data>
  <data key="d2">chunk-d89320b0c68338fc340feb6158a0c744&lt;SEP&gt;chunk-9c8d6297f40479e44c283b564ce0b398</data>
</node>
<node id="&quot;CONSERVATION TREATMENTS&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Conservation Treatments are the efforts made on 'Italian Brigands Surprised by Papal Troops' in 1938, 1969, 1981, and 1991 to preserve its condition."</data>
  <data key="d2">chunk-d89320b0c68338fc340feb6158a0c744</data>
</node>
<node id="&quot;CARLE VERNET&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Carle Vernet was Horace Vernet's father and an influential painter who had a significant interest in military subjects, inspiring his son's work."</data>
  <data key="d2">chunk-d89320b0c68338fc340feb6158a0c744</data>
</node>
<node id="&quot;FEMININE FIGURE&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Feminine Figure refers to a character depicted in the painting, a potential passenger from the captured carriage, representing the drama of the scene."</data>
  <data key="d2">chunk-d89320b0c68338fc340feb6158a0c744</data>
</node>
<node id="&quot;EXOTIC PALM TREE&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Exotic Palm Tree is a notable element in the painting that adds a touch of unusual detail amidst the depicted wild vegetation."</data>
  <data key="d2">chunk-d89320b0c68338fc340feb6158a0c744</data>
</node>
<node id="&quot;PAUL DELAROCHE&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Paul Delaroche was a French artist known for his historical paintings, including 'Napoleon Crossing the Alps,' which showcases a significant moment in Napoleon Bonaparte's military history."&lt;SEP&gt;"Paul Delaroche was a French painter known for his historical paintings, including 'The Execution of Lady Jane Grey,' which he completed in 1833."</data>
  <data key="d2">chunk-2aec3e2a5f4c1ad389b69c3dcbcfa2a6&lt;SEP&gt;chunk-7ee3560873ad2fb85e36816c869b3a62</data>
</node>
<node id="&quot;THE EXECUTION OF LADY JANE GREY&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Execution of Lady Jane Grey is a historical event portraying the moments before the execution of Lady Jane Grey, who was the Queen of England for nine days in 1553."</data>
  <data key="d2">chunk-2aec3e2a5f4c1ad389b69c3dcbcfa2a6</data>
</node>
<node id="&quot;LONDON&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"London is a major city in England, where the National Gallery, housing the painting 'The Execution of Lady Jane Grey' is located, and where the actual execution took place."</data>
  <data key="d2">chunk-2aec3e2a5f4c1ad389b69c3dcbcfa2a6</data>
</node>
<node id="&quot;NATIONAL GALLERY&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The National Gallery in London is an art museum housing a significant collection of artworks, including Degas's Young Spartans Exercising, emphasizing its cultural importance."&lt;SEP&gt;"The National Gallery in London, England, is an institution that houses a large collection of artworks, including Degas's painting."&lt;SEP&gt;"The National Gallery is an art museum in London that houses 'The Execution of Lady Jane Grey' and has played a role in the historical appreciation of this painting by Delaroche."</data>
  <data key="d2">chunk-05d3994d1da7a9390d2f95fa4beac3b5&lt;SEP&gt;chunk-2aec3e2a5f4c1ad389b69c3dcbcfa2a6&lt;SEP&gt;chunk-c3ddb27456b73fe3fcb2e07f372b1611</data>
</node>
<node id="&quot;LADY JANE GREY&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Lady Jane Grey was the great-granddaughter of Henry VII of England and briefly reigned as Queen of England for nine days before her execution at age 16 in 1554."</data>
  <data key="d2">chunk-2aec3e2a5f4c1ad389b69c3dcbcfa2a6</data>
</node>
<node id="&quot;LORD GUILFORD DUDLEY&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Lord Guilford Dudley was the husband of Lady Jane Grey, who was executed alongside her in 1554 for high treason."</data>
  <data key="d2">chunk-2aec3e2a5f4c1ad389b69c3dcbcfa2a6</data>
</node>
<node id="&quot;TOWER OF LONDON&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"The Tower of London is a historic castle located on the north bank of the River Thames, known for its role in the imprisonment and execution of key figures in British history, including Lady Jane Grey."</data>
  <data key="d2">chunk-2aec3e2a5f4c1ad389b69c3dcbcfa2a6</data>
</node>
<node id="&quot;JOHN BRYDGES, 1ST BARON CHANDOS&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"John Brydges, 1st Baron Chandos, was a Lieutenant of the Tower at the time of Lady Jane Grey's execution, depicted assisting her in Delaroche's painting."</data>
  <data key="d2">chunk-2aec3e2a5f4c1ad389b69c3dcbcfa2a6</data>
</node>
<node id="&quot;HENRY VII&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Henry VII was the first monarch of the Tudor dynasty in England and the great-grandfather of Lady Jane Grey, influencing her royal lineage."</data>
  <data key="d2">chunk-2aec3e2a5f4c1ad389b69c3dcbcfa2a6</data>
</node>
<node id="&quot;EDWARD VI&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Edward VI was the son of Henry VIII and cousin to Lady Jane Grey, whose death led to Jane's brief claim to the English throne."</data>
  <data key="d2">chunk-2aec3e2a5f4c1ad389b69c3dcbcfa2a6</data>
</node>
<node id="&quot;MARY TUDOR&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Mary Tudor was the daughter of Henry VIII and the half-sister of Edward VI, whose claim to the throne led to the deposition of Lady Jane Grey."</data>
  <data key="d2">chunk-2aec3e2a5f4c1ad389b69c3dcbcfa2a6</data>
</node>
<node id="&quot;WYATT'S REBELLION&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Wyatt's Rebellion was an unsuccessful uprising in 1554 against Queen Mary I, led by Lady Jane Grey's father, which was significant in the political context of Jane's execution."</data>
  <data key="d2">chunk-2aec3e2a5f4c1ad389b69c3dcbcfa2a6</data>
</node>
<node id="&quot;TOWER GREEN&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Tower Green is the location within the Tower of London where historical executions, including that of Lady Jane Grey, took place."</data>
  <data key="d2">chunk-2aec3e2a5f4c1ad389b69c3dcbcfa2a6</data>
</node>
<node id="&quot;PAINTINGS&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Paintings are artistic creations that capture historical events, emotions, or narratives, as exemplified by Delaroche's works."</data>
  <data key="d2">chunk-2aec3e2a5f4c1ad389b69c3dcbcfa2a6</data>
</node>
<node id="&quot;HISTORICAL NARRATIVES&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Historical narratives refer to accounts or representations of events from the past, which are essential to understanding history, such as Delaroche's painting of Lady Jane Grey."</data>
  <data key="d2">chunk-2aec3e2a5f4c1ad389b69c3dcbcfa2a6</data>
</node>
<node id="&quot;NAPOLEON CROSSING THE ALPS&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Napoleon Crossing the Alps refers to the significant military maneuver led by Napoleon Bonaparte in 1800 to surprise the Austrian army."</data>
  <data key="d2">chunk-7ee3560873ad2fb85e36816c869b3a62</data>
</node>
<node id="&quot;THE LOUVRE&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Louvre is a famous museum in Paris, where one of the main versions of Delaroche's painting is housed."&lt;SEP&gt;"The Louvre is a famous museum located in Paris, France, where Frédéric Chopin's portrait is currently housed."</data>
  <data key="d2">chunk-7ee3560873ad2fb85e36816c869b3a62&lt;SEP&gt;chunk-21e724ff1d237e74a8e96299e7fda660</data>
</node>
<node id="&quot;WALKER ART GALLERY&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Walker Art Gallery is located in Liverpool, England, and is home to a version of Delaroche's painting 'Napoleon Crossing the Alps.'"</data>
  <data key="d2">chunk-7ee3560873ad2fb85e36816c869b3a62</data>
</node>
<node id="&quot;AUSTRIA&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Austria is a European country that was involved in military conflict with Napoleon during the Napoleonic Wars, particularly in the context of the events depicted in the painting."</data>
  <data key="d2">chunk-7ee3560873ad2fb85e36816c869b3a62</data>
</node>
<node id="&quot;ITALY&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Italy is a European country where Napoleon aimed to surprise the Austrian army during the military campaign depicted in 'Napoleon Crossing the Alps.'"&lt;SEP&gt;"Italy is the country where Renoir found artistic inspiration during his trip in 1881, influencing his painting style."</data>
  <data key="d2">chunk-e79dc155c657195ee2421c5a2b34b297&lt;SEP&gt;chunk-7ee3560873ad2fb85e36816c869b3a62</data>
</node>
<node id="&quot;GREAT ST BERNARD PASS&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"The Great St Bernard Pass is a mountain pass that was chosen by Napoleon for his route to surprise the Austrian army, highlighted in Delaroche's painting."</data>
  <data key="d2">chunk-7ee3560873ad2fb85e36816c869b3a62</data>
</node>
<node id="&quot;NAPOLEON BONAPARTE&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Napoleon Bonaparte was a French military leader whose defeat and subsequent fall from power is symbolized in The Wounded Cuirassier."&lt;SEP&gt;"Napoleon Bonaparte was the French military leader who crossed the Alps in 1800, aiming to surprise the Austrian army and secure control over Italy."</data>
  <data key="d2">chunk-2b9b588e2baa1c14b6b0870035192bcf&lt;SEP&gt;chunk-7ee3560873ad2fb85e36816c869b3a62</data>
</node>
<node id="&quot;FRENCH REVOLUTIONARY WARS&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The French Revolutionary Wars were a series of military conflicts involving France and various European coalitions, during which the maneuver depicted in the painting took place."</data>
  <data key="d2">chunk-7ee3560873ad2fb85e36816c869b3a62</data>
</node>
<node id="&quot;QUEEN VICTORIA&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Queen Victoria was the British monarch who acquired a reduced version of Delaroche's painting, indicating its significance to British royal art collections."</data>
  <data key="d2">chunk-7ee3560873ad2fb85e36816c869b3a62</data>
</node>
<node id="&quot;NAPOLEON'S CAMPAIGN IN EGYPT&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Napoleon's Campaign in Egypt was an earlier military endeavor that led to the circumstances prompting his Alpine crossing."</data>
  <data key="d2">chunk-7ee3560873ad2fb85e36816c869b3a62</data>
</node>
<node id="&quot;CISALPINE REPUBLIC&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"The Cisalpine Republic was a sister republic of France established in northern Italy during the Napoleonic Wars and was the target of Napoleon's military strategy after crossing the Alps."</data>
  <data key="d2">chunk-7ee3560873ad2fb85e36816c869b3a62</data>
</node>
<node id="&quot;OTTOMAN EMPIRE&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"The Ottoman Empire was the governing body of Egypt at the time of Napoleon's invasion, impacting French interests in the region during his campaigns."</data>
  <data key="d2">chunk-7ee3560873ad2fb85e36816c869b3a62</data>
</node>
<node id="&quot;EUGÈNE DELACROIX&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Eugène Delacroix was a French Romantic artist influenced by Géricault's work, representing a significant figure in the art movement that followed."&lt;SEP&gt;"Eugène Delacroix was a French Romantic artist known for his leadership in the French Romantic school and notable works like 'Seated Nude, Mademoiselle Rose'."&lt;SEP&gt;"Eugène Delacroix was a French Romantic painter known for his works that include depictions of Oriental themes, notably his paintings 'Women of Algiers in their Apartment'."&lt;SEP&gt;"Eugène Delacroix was a French artist known for his contributions to the Romantic movement in painting, recognized for his vibrant use of color and dramatic imagery."&lt;SEP&gt;"Eugène Delacroix was a French painter known for his contributions to the Romantic movement and for creating the painting 'Greece expiring on the Ruins of Missolonghi'."&lt;SEP&gt;"Eugène Delacroix was a French painter known for his contributions to the Romantic movement and his vivid, historical paintings."&lt;SEP&gt;"Eugène Delacroix was a prominent French painter and the acknowledged leader of the Romantic school in painting, known for his expressive use of color and historical themes."&lt;SEP&gt;"Eugène Delacroix was a prominent French painter associated with the Romantic movement, known for his expressive use of color and dynamic compositions, exemplified by his work 'Death of Sardanapalus'."&lt;SEP&gt;"Eugène Delacroix was a renowned French artist known for his colorful and emotive paintings, including 'The Orphan Girl at the Cemetery'."&lt;SEP&gt;"Eugène Delacroix was a renowned French artist known for his contributions to Romanticism, particularly in painting, and for works like the unfinished portrait of Frédéric Chopin and George Sand."&lt;SEP&gt;"Eugène Delacroix was a French artist known for his dramatic and emotional paintings, including 'Ovid among the Scythians,' highlighting themes of civilization and barbarity."</data>
  <data key="d2">chunk-49707dd5a3d90cd72d102fef94d4e44e&lt;SEP&gt;chunk-5a57e382ea16e4f8d1537690ca527cf7&lt;SEP&gt;chunk-dde49183bd668e96e79ffd496b65c60d&lt;SEP&gt;chunk-ede15ac8b7dc4bd86bf735a70a6533dd&lt;SEP&gt;chunk-0f6042dbe37db689000c5403211312b2&lt;SEP&gt;chunk-a934864f07826c270bffe6f18bafd6a4&lt;SEP&gt;chunk-a2596efe6055fc41763a6132f67dd308&lt;SEP&gt;chunk-1549750a532354392260533b320beb53&lt;SEP&gt;chunk-21e724ff1d237e74a8e96299e7fda660&lt;SEP&gt;chunk-d73788737196e9ace33310a4b353908e&lt;SEP&gt;chunk-f3aab66f151ba3c18dce8f45124c0b7d</data>
</node>
<node id="&quot;THE BARQUE OF DANTE&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Barque of Dante, also known as Dante and Virgil in Hell, is an artwork that represents an artistic exploration of Dante's Inferno, executed by Eugène Delacroix."</data>
  <data key="d2">chunk-5a57e382ea16e4f8d1537690ca527cf7</data>
</node>
<node id="&quot;DANTE’S INFERNO&quot;">
  <data key="d0">"LITERARY PAINTING"</data>
  <data key="d1">"Dante's Inferno is a literary work by Dante Alighieri that serves as the basis for The Barque of Dante, depicting the journey through the underworld."</data>
  <data key="d2">chunk-5a57e382ea16e4f8d1537690ca527cf7</data>
</node>
<node id="&quot;PARIS&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Paris is a city where Aleardo Aleardi traveled in 1848 to seek support for the Venetian Republic during the Risorgimento."&lt;SEP&gt;"Paris is a major European city where notable locations such as the Musée d'Orsay and Galerie nationale du Jeu de Paume are situated, reflecting cultural and artistic significance."&lt;SEP&gt;"Paris is a nearby city referenced in the description of the painting, serving as a point of orientation for the landscape."&lt;SEP&gt;"Paris is the capital city of France and the location of the Musée du Louvre, positioning it as a key cultural hub."&lt;SEP&gt;"Paris is the capital city of France and the location where The Barque of Dante is currently displayed at the Musée du Louvre."&lt;SEP&gt;"Paris is the location where Edward Darley Boit's apartment is situated, serving as the backdrop for Sargent's painting, which captures a significant moment in an American family's life."&lt;SEP&gt;"Paris is the capital city of France, depicted in Renoir's painting as a vibrant urban space undergoing the effects of Haussmannization and industrialization."&lt;SEP&gt;"Paris is the city where Modigliani's only solo exhibition took place in 1917, known for its sensational public reception and obscenity issues."</data>
  <data key="d2">chunk-f0e87b2f10a742e958092eb0f8655aa9&lt;SEP&gt;chunk-a4e0acbd0b3021cb5db3567e97de9407&lt;SEP&gt;chunk-23c09d3fcae99716703d29ad57160626&lt;SEP&gt;chunk-5a57e382ea16e4f8d1537690ca527cf7&lt;SEP&gt;chunk-5387a9f92c6290746c3974533e905a95&lt;SEP&gt;chunk-a2596efe6055fc41763a6132f67dd308&lt;SEP&gt;chunk-2fe3954386fc8712317fa688b8c22f37&lt;SEP&gt;chunk-ef6b1f8983c06ee9162486842a99b221</data>
</node>
<node id="&quot;PHLEGYAS&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Phlegyas is a character depicted as the oarsman in The Barque of Dante, navigating the turbulent waters of the River Styx with confidence."</data>
  <data key="d2">chunk-5a57e382ea16e4f8d1537690ca527cf7</data>
</node>
<node id="&quot;CITY OF THE DEAD&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"The City of the Dead is a symbolic and dramatic backdrop in The Barque of Dante, representing the realm of the damned and chaos."</data>
  <data key="d2">chunk-5a57e382ea16e4f8d1537690ca527cf7</data>
</node>
<node id="&quot;RIVER STYX&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"The River Styx is a mythological river in Dante's Inferno, symbolizing the boundary between the living and the dead, and features prominently in The Barque of Dante."</data>
  <data key="d2">chunk-5a57e382ea16e4f8d1537690ca527cf7</data>
</node>
<node id="&quot;THE DAMNED SOULS&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The damned souls are depicted in The Barque of Dante as those who are tormented and trapped in perpetual suffering, serving as a critical element of the painting's theme."</data>
  <data key="d2">chunk-5a57e382ea16e4f8d1537690ca527cf7</data>
</node>
<node id="&quot;SALON OF 1822&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Salon of 1822 was an art exhibition in Paris where The Barque of Dante was showcased, marking its public debut and significance in the art world."</data>
  <data key="d2">chunk-5a57e382ea16e4f8d1537690ca527cf7</data>
</node>
<node id="&quot;SEATED NUDE, MADEMOISELLE ROSE&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Seated Nude, Mademoiselle Rose is a nude painting by Eugène Delacroix, created around 1820-1822, that embodies the Romantic style and naturalistic sincerity."</data>
  <data key="d2">chunk-dde49183bd668e96e79ffd496b65c60d</data>
</node>
<node id="&quot;LOUVRE&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Louvre is a famous art museum in Paris, France, where Delacroix's first version of 'Women of Algiers in their Apartment' is housed."&lt;SEP&gt;"The Louvre is one of the world's largest and most visited museums, currently holding and exhibiting 'Seated Nude, Mademoiselle Rose'."&lt;SEP&gt;"The Louvre is a prominent museum in Paris that acquired The Woman with Gambling Mania in 1938."&lt;SEP&gt;"The Louvre is a renowned art museum in Paris that acquired Théodore Géricault's painting 'The Raft of the Medusa' shortly after the artist's death, cementing its significance in art history."&lt;SEP&gt;"The Louvre is a renowned museum in Paris where the painting entered its collection in 1923, further solidifying its importance in art history."</data>
  <data key="d2">chunk-013c9b566a74fe0a406319895832f79e&lt;SEP&gt;chunk-dde49183bd668e96e79ffd496b65c60d&lt;SEP&gt;chunk-0f6042dbe37db689000c5403211312b2&lt;SEP&gt;chunk-d958e23374049315b611435d93c1e9fc&lt;SEP&gt;chunk-f3aab66f151ba3c18dce8f45124c0b7d</data>
</node>
<node id="&quot;FRENCH ROMANTICISM&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"French Romanticism is an artistic and literary movement characterized by an emphasis on emotion and nature, significantly influencing Delacroix's artwork."&lt;SEP&gt;"French Romanticism is an artistic movement characterized by its emphasis on emotion and individualism, evident in Géricault's works such as The Charging Chasseur."</data>
  <data key="d2">chunk-5936887c6193ee8a58a58b5a91413b19&lt;SEP&gt;chunk-dde49183bd668e96e79ffd496b65c60d</data>
</node>
<node id="&quot;MADEMOISELLE ROSE&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Mademoiselle Rose is an artists' model who posed for Eugène Delacroix and Richard Parkes Bonington, known for embodying the subject in the painting 'Seated Nude, Mademoiselle Rose'."</data>
  <data key="d2">chunk-dde49183bd668e96e79ffd496b65c60d</data>
</node>
<node id="&quot;RICHARD PARKES BONINGTON&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Richard Parkes Bonington was an English painter known for his contributions to Romanticism, who, like Delacroix, used Mademoiselle Rose as a model."</data>
  <data key="d2">chunk-dde49183bd668e96e79ffd496b65c60d</data>
</node>
<node id="&quot;SALON OF 1824&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The salon of 1824 was an exhibition where Delacroix's exposure to English painting influenced his artistic technique and style."</data>
  <data key="d2">chunk-dde49183bd668e96e79ffd496b65c60d</data>
</node>
<node id="&quot;THE ORPHAN GIRL AT THE CEMETERY&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"'The Orphan Girl at the Cemetery' is a significant painting created by Delacroix around 1823 or 1824, representing themes of sorrow and isolation."</data>
  <data key="d2">chunk-a2596efe6055fc41763a6132f67dd308</data>
</node>
<node id="&quot;THE ORPHAN GIRL&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"The Orphan Girl is the central figure in the painting 'The Orphan Girl at the Cemetery', conveying deep emotions such as sorrow and vulnerability."</data>
  <data key="d2">chunk-a2596efe6055fc41763a6132f67dd308</data>
</node>
<node id="&quot;MASSACRE AT CHIOS&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"'Massacre at Chios' is a later painting by Delacroix that is believed to have been influenced by 'The Orphan Girl at the Cemetery', showcasing similar themes of tragedy."</data>
  <data key="d2">chunk-a2596efe6055fc41763a6132f67dd308</data>
</node>
<node id="&quot;GREECE EXPIRING ON THE RUINS OF MISSOLONGHI&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"'Greece expiring on the Ruins of Missolonghi' is an allegorical painting by Eugène Delacroix, inspired by the 1826 siege of Missolonghi during the Greek War of Independence."</data>
  <data key="d2">chunk-49707dd5a3d90cd72d102fef94d4e44e</data>
</node>
<node id="&quot;MUSÉE DES BEAUX-ARTS DE BORDEAUX&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Musée des Beaux-Arts de Bordeaux is an art museum in France where Delacroix's painting 'Greece expiring on the Ruins of Missolonghi' is currently preserved."</data>
  <data key="d2">chunk-49707dd5a3d90cd72d102fef94d4e44e</data>
</node>
<node id="&quot;THIRD SIEGE OF MISSOLONGHI&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Third Siege of Missolonghi was a military event during the Greek War of Independence in 1826, which inspired Delacroix's painting, depicting the tragic mass breakout of the Greeks."</data>
  <data key="d2">chunk-49707dd5a3d90cd72d102fef94d4e44e</data>
</node>
<node id="&quot;OTTOMAN FORCES&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Ottoman forces were the military group that besieged Missolonghi in 1826, leading to significant loss and tragedy during the siege."</data>
  <data key="d2">chunk-49707dd5a3d90cd72d102fef94d4e44e</data>
</node>
<node id="&quot;GREECE&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Greece is a country in Southeast Europe, of significant historical importance, especially during the Greek War of Independence, which includes the events depicted in Delacroix's painting."</data>
  <data key="d2">chunk-49707dd5a3d90cd72d102fef94d4e44e</data>
</node>
<node id="&quot;MISSOLONGHI&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Missolonghi is a city in Greece that was the site of the Third Siege, which greatly influenced Greek history and the romanticized portrayal in art."</data>
  <data key="d2">chunk-49707dd5a3d90cd72d102fef94d4e44e</data>
</node>
<node id="&quot;ALLEGORICAL PAINTING&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Allegorical painting is a genre that uses symbolic figures and actions to convey deeper meanings and moral lessons, as seen in Delacroix's artwork."</data>
  <data key="d2">chunk-49707dd5a3d90cd72d102fef94d4e44e</data>
</node>
<node id="&quot;HISTORY PAINTING&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"History painting is a genre of art that portrays historical events, often with an aim to convey moral messages or to celebrate national identity; Degas's work fits within this category."&lt;SEP&gt;"History painting is a genre of painting that depicts historical narratives, typically with an emphasis on storytelling, which is exemplified in 'Greece expiring on the Ruins of Missolonghi'."</data>
  <data key="d2">chunk-05d3994d1da7a9390d2f95fa4beac3b5&lt;SEP&gt;chunk-49707dd5a3d90cd72d102fef94d4e44e</data>
</node>
<node id="&quot; CANVAS, OIL&quot;">
  <data key="d0">"TECHNOLOGY"</data>
  <data key="d1">"Canvas and oil are the media used by Delacroix to create 'Greece expiring on the Ruins of Missolonghi', showcasing the materials employed in traditional painting techniques."</data>
  <data key="d2">chunk-49707dd5a3d90cd72d102fef94d4e44e</data>
</node>
<node id="&quot;DEATH OF SARDANAPALUS&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Death of Sardanapalus is not only an artwork but an event depicted within the narrative context of the painting, showing the king's tragic demise amidst chaos and violence."&lt;SEP&gt;"The Death of Sardanapalus is a mythological painting created by Eugène Delacroix in 1827, depicting the last king of Assyria in a chaotic and violent scene, symbolizing the themes of excess and despair."</data>
  <data key="d2">chunk-a934864f07826c270bffe6f18bafd6a4</data>
</node>
<node id="&quot;PHILADELPHIA MUSEUM OF ART&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Philadelphia Museum of Art is a prominent art museum located in Philadelphia, where Renoir's painting The Large Bathers is housed."&lt;SEP&gt;"The Philadelphia Museum of Art is an art museum in the United States known for its collections, including a smaller replica of Delacroix's 'Death of Sardanapalus', painted in 1844."&lt;SEP&gt;"The Philadelphia Museum of Art is the institution that acquired Cassatt's painting, emphasizing its importance in American art heritage."&lt;SEP&gt;"The Philadelphia Museum of Art is the institution where 'The Concert Singer' is currently housed, highlighting its cultural and artistic significance."&lt;SEP&gt;"The Philadelphia Museum of Art is the institution where Renoir's painting The Great Boulevards is currently housed, showcasing a significant collection of artworks."</data>
  <data key="d2">chunk-a4e0acbd0b3021cb5db3567e97de9407&lt;SEP&gt;chunk-299ca1e1935fc5ae6db4c4b98443d508&lt;SEP&gt;chunk-a934864f07826c270bffe6f18bafd6a4&lt;SEP&gt;chunk-43cbe78c96d9ba84d20925bd82df1096&lt;SEP&gt;chunk-428c3925f637250f336c423c77c160ca</data>
</node>
<node id="&quot;SARDANAPALUS&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Sardanapalus refers to the last king of Assyria, whose story inspired Delacroix's painting, embodying themes of power and downfall as depicted in the artwork."</data>
  <data key="d2">chunk-a934864f07826c270bffe6f18bafd6a4</data>
</node>
<node id="&quot;LORD BYRON&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Lord Byron was a renowned poet whose play 'Sardanapalus' (1821) inspired Delacroix's painting, highlighting themes of tragedy and excess."</data>
  <data key="d2">chunk-a934864f07826c270bffe6f18bafd6a4</data>
</node>
<node id="&quot;HECTOR BERLIOZ&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Hector Berlioz was a composer who created a cantata inspired by Delacroix's painting, demonstrating its cultural influence beyond visual art."</data>
  <data key="d2">chunk-a934864f07826c270bffe6f18bafd6a4</data>
</node>
<node id="&quot;FRANZ LISZT&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Franz Liszt was a composer who created an unfinished opera titled 'Sardanapale' inspired by both Lord Byron's play and Delacroix's artwork, showcasing the cross-disciplinary influence of the themes."</data>
  <data key="d2">chunk-a934864f07826c270bffe6f18bafd6a4</data>
</node>
<node id="&quot;MYTHOLOGICAL PAINTING&quot;">
  <data key="d0">"GENRE"</data>
  <data key="d1">"Mythological painting is the genre to which 'Death of Sardanapalus' belongs, focusing on themes derived from mythology and historical stories."</data>
  <data key="d2">chunk-a934864f07826c270bffe6f18bafd6a4</data>
</node>
<node id="&quot;PARIS SALON&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Paris Salon is a prestigious annual exhibition where artists showcase their work, significant for Sargent as it was where El Jaleo was first exhibited."&lt;SEP&gt;"The Paris Salon was an art exhibition where 'The Raft of the Medusa' was shown in 1819, generating a mix of praise and condemnation that contributed to Géricault's reputation."&lt;SEP&gt;"The Paris Salon was an important exhibition where 'Death of Sardanapalus' was controversially displayed, reflecting the artistic tensions of its time."</data>
  <data key="d2">chunk-9d9d2e6c4c2b64300c7257c5ce6e6cc9&lt;SEP&gt;chunk-a934864f07826c270bffe6f18bafd6a4&lt;SEP&gt;chunk-f3aab66f151ba3c18dce8f45124c0b7d</data>
</node>
<node id="&quot;DIODORUS SICULUS&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Diodorus Siculus was an ancient Greek historian whose historical accounts inspired the narrative of 'Death of Sardanapalus', linking the artwork to classical literature."</data>
  <data key="d2">chunk-a934864f07826c270bffe6f18bafd6a4</data>
</node>
<node id="&quot;GOLD&quot;">
  <data key="d0">"MATERIAL"</data>
  <data key="d1">"Gold is a valuable material represented within the painting, symbolizing wealth and excess in the chaotic scene depicted in 'Death of Sardanapalus'."</data>
  <data key="d2">chunk-a934864f07826c270bffe6f18bafd6a4</data>
</node>
<node id="&quot;RED FABRIC&quot;">
  <data key="d0">"MATERIAL"</data>
  <data key="d1">"The rich red fabric draped over the large bed in 'Death of Sardanapalus' is a significant visual element symbolizing passion and violence in the artwork."</data>
  <data key="d2">chunk-a934864f07826c270bffe6f18bafd6a4</data>
</node>
<node id="&quot;SCENE OF CHAOS&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Scene of chaos refers to the dynamic and tumultuous environment depicted in the painting, representing the chaos surrounding Sardanapalus's demise."</data>
  <data key="d2">chunk-a934864f07826c270bffe6f18bafd6a4</data>
</node>
<node id="&quot;ASYMMETRY&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Asymmetry in 'Death of Sardanapalus' contributes to the feeling of movement and intensity in the painting, contrasting with the traditional balance of neoclassical art."</data>
  <data key="d2">chunk-a934864f07826c270bffe6f18bafd6a4</data>
</node>
<node id="&quot;FANATICISM OF UGLINESS&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The 'fanaticism of ugliness' is a phrase used to describe the polarizing reception of 'Death of Sardanapalus' during its exhibition, highlighting the divergence from neoclassical ideals."</data>
  <data key="d2">chunk-a934864f07826c270bffe6f18bafd6a4</data>
</node>
<node id="&quot;NEOCLASSICAL TRADITIONS&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Neoclassical traditions emphasize order, symmetry, and moral subjects, which 'Death of Sardanapalus' challenges, marking a departure from these ideals in art."</data>
  <data key="d2">chunk-a934864f07826c270bffe6f18bafd6a4</data>
</node>
<node id="&quot;CHAOTIC SCENE&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The chaotic scene depicted in 'Death of Sardanapalus' is central to its dramatic narrative, illustrating the dysfunction and violence at the moment of Sardanapalus's death."&lt;SEP&gt;"The chaotic scene depicted in The Fate of the Animals emphasizes themes of destruction and the struggle of the animals within a post-apocalyptic environment."</data>
  <data key="d2">chunk-a934864f07826c270bffe6f18bafd6a4&lt;SEP&gt;chunk-797962da50cc275feab777eb60b6da26</data>
</node>
<node id="&quot;VALIANT SUBJECTS&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Valiant subjects refer to the heroic figures traditionally depicted in neoclassical art, in stark contrast to the anti-heroic portrayal of Sardanapalus."</data>
  <data key="d2">chunk-a934864f07826c270bffe6f18bafd6a4</data>
</node>
<node id="&quot;DYING WOMEN&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The dying women depicted in the painting symbolize the tragic consequences of Sardanapalus's decisions, central to the work's narrative."</data>
  <data key="d2">chunk-a934864f07826c270bffe6f18bafd6a4</data>
</node>
<node id="&quot;LIBERTY LEADING THE PEOPLE&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Liberty Leading the People is a historical painting by Eugène Delacroix, commemorating the July Revolution of 1830 in France and symbolizing the quest for freedom."</data>
  <data key="d2">chunk-ede15ac8b7dc4bd86bf735a70a6533dd</data>
</node>
<node id="&quot;FRANCE&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"France is a country in Western Europe, the setting of the July Revolution of 1830, and the home of events depicted in Delacroix's painting."&lt;SEP&gt;"France is the country where Jean-François Millet created 'The Gleaners,' and where the painting elicited significant social and political commentary following its exhibition."&lt;SEP&gt;"France is the country where Renoir was born and worked, influencing his artistic development within the broader context of European art movements."</data>
  <data key="d2">chunk-ede15ac8b7dc4bd86bf735a70a6533dd&lt;SEP&gt;chunk-accdacce424a30ff91f0a47befc088a3&lt;SEP&gt;chunk-2c51aa83d8b3b7e3926013e9d26fb179</data>
</node>
<node id="&quot;KING CHARLES X&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"King Charles X was the monarch of France whose reign ended as a result of the July Revolution of 1830, marking a significant historical event in French history."</data>
  <data key="d2">chunk-ede15ac8b7dc4bd86bf735a70a6533dd</data>
</node>
<node id="&quot;PALAIS DU LUXEMBOURG&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Palais du Luxembourg is a historic palace in Paris that was intended to display Liberty Leading the People as a political reminder."</data>
  <data key="d2">chunk-ede15ac8b7dc4bd86bf735a70a6533dd</data>
</node>
<node id="&quot;LIBERTY&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Liberty represents the concept of freedom and is personified in the painting as a goddess leading the people during the revolution."</data>
  <data key="d2">chunk-ede15ac8b7dc4bd86bf735a70a6533dd</data>
</node>
<node id="&quot;MARIANNE&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Marianne is a national symbol of the French Republic, representing liberty and reason, often associated with the figure of Liberty in Delacroix's painting."</data>
  <data key="d2">chunk-ede15ac8b7dc4bd86bf735a70a6533dd</data>
</node>
<node id="&quot;JULY REVOLUTION&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The July Revolution of 1830 was a significant insurrection in France that led to the overthrow of King Charles X, inspiring Delacroix's painting."</data>
  <data key="d2">chunk-ede15ac8b7dc4bd86bf735a70a6533dd</data>
</node>
<node id="&quot;PHRYGIAN CAP&quot;">
  <data key="d0">"SYMBOL"</data>
  <data key="d1">"The Phrygian cap is a symbol of liberty often depicted in revolutionary contexts, worn by Liberty in the painting."</data>
  <data key="d2">chunk-ede15ac8b7dc4bd86bf735a70a6533dd</data>
</node>
<node id="&quot;TRICOLORE FLAG&quot;">
  <data key="d0">"SYMBOL"</data>
  <data key="d1">"The tricolore flag is the national flag of France and symbolizes the ideals of the French Revolution, prominently featured in the painting."</data>
  <data key="d2">chunk-ede15ac8b7dc4bd86bf735a70a6533dd</data>
</node>
<node id="&quot;NICOLAS CHARLET&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Nicolas Charlet was a popular artist whose prints influenced Delacroix's depiction of the figures in Liberty Leading the People."</data>
  <data key="d2">chunk-ede15ac8b7dc4bd86bf735a70a6533dd</data>
</node>
<node id="&quot;ÉTIENNE ARAGO&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Étienne Arago was suggested in the late 19th century as a possible model for the man depicted in the top hat in Delacroix's painting."</data>
  <data key="d2">chunk-ede15ac8b7dc4bd86bf735a70a6533dd</data>
</node>
<node id="&quot;FRÉDÉRIC VILLOT&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Frédéric Villot was suggested as a possible model for the figure in the top hat, indicating the debate around identifications in the painting."</data>
  <data key="d2">chunk-ede15ac8b7dc4bd86bf735a70a6533dd</data>
</node>
<node id="&quot;BOURGEOISIE&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Bourgeoisie refers to the middle class in the context of the revolutions, represented in the painting by characters such as the young man in a top hat."</data>
  <data key="d2">chunk-ede15ac8b7dc4bd86bf735a70a6533dd</data>
</node>
<node id="&quot;ÉCOLE POLYTECHNIQUE&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"École Polytechnique is a prestigious French institution represented in the painting by a student wearing traditional bicorne."</data>
  <data key="d2">chunk-ede15ac8b7dc4bd86bf735a70a6533dd</data>
</node>
<node id="&quot;URBAN WORKER&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The urban worker represents the lower class and revolutionary spirit during the July Revolution, depicted by the boy holding pistols in the painting."</data>
  <data key="d2">chunk-ede15ac8b7dc4bd86bf735a70a6533dd</data>
</node>
<node id="&quot;WOMEN OF ALGIERS IN THEIR APARTMENT&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"'Women of Algiers in their Apartment' refers to two oil paintings by Delacroix that portray women in an enclosed setting, highlighting different moods and artistic approaches."</data>
  <data key="d2">chunk-0f6042dbe37db689000c5403211312b2</data>
</node>
<node id="&quot;MUSÉE FABRE&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Musée Fabre is an art museum located in Montpellier, France, where the second version of 'Women of Algiers in their Apartment' is displayed."</data>
  <data key="d2">chunk-0f6042dbe37db689000c5403211312b2</data>
</node>
<node id="&quot;PAUL GAUGUIN&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Paul Gauguin was a French Post-Impressionist artist known for his bold colors and synthetist style, and he was influenced by Delacroix's work."</data>
  <data key="d2">chunk-0f6042dbe37db689000c5403211312b2</data>
</node>
<node id="&quot;THE WOMEN OF ALGIERS IN THEIR APARTMENT&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Women of Algiers in their Apartment is a title referring to two significant artworks by Delacroix, highlighting cultural representations and artistic evolution."</data>
  <data key="d2">chunk-0f6042dbe37db689000c5403211312b2</data>
</node>
<node id="&quot;THE 1834 SALON&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The 1834 Salon is an art exhibition in Paris where Delacroix's first version of 'Women of Algiers in their Apartment' was first displayed and received mixed reviews."</data>
  <data key="d2">chunk-0f6042dbe37db689000c5403211312b2</data>
</node>
<node id="&quot;REVUE DES DEUX MONDES&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Revue des deux mondes is a French literary and cultural review where an art critic evaluated Delacroix's 1834 painting, reflecting on its artistic qualities."</data>
  <data key="d2">chunk-0f6042dbe37db689000c5403211312b2</data>
</node>
<node id="&quot;KING LOUIS PHILIPPE&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"King Louis Philippe was the King of the French who purchased Delacroix's first version of 'Women of Algiers in their Apartment' and presented it to the Musée du Luxembourg."</data>
  <data key="d2">chunk-0f6042dbe37db689000c5403211312b2</data>
</node>
<node id="&quot;MUSÉE DU LUXEMBOURG&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Musée du Luxembourg is a museum in Paris where Dance at Moulin de la Galette was displayed from 1896 to 1929 before its transfer to the Louvre."&lt;SEP&gt;"Musée du Luxembourg is the original recipient of the painting 'The Parquet Planers' given by Caillebotte's family in 1894 before it was transferred to multiple locations."&lt;SEP&gt;"Musée du Luxembourg was the museum where Delacroix's 1834 painting was originally housed before its move to the Louvre."&lt;SEP&gt;"The Musée du Luxembourg is a museum in France that decided to purchase one of Mary Cassatt's paintings, further affirming her artistic reputation."&lt;SEP&gt;"The Musée du Luxembourg is where Renoir initially created 'Girls at the Piano' as an informal commission, adding to the painting's history."</data>
  <data key="d2">chunk-0f6042dbe37db689000c5403211312b2&lt;SEP&gt;chunk-5387a9f92c6290746c3974533e905a95&lt;SEP&gt;chunk-7cca6799e635827e361bddda13be95c1&lt;SEP&gt;chunk-3695dd39f98802204c22b00e17ec020d&lt;SEP&gt;chunk-2d94944c1517506311e7fec4e1ec9a06</data>
</node>
<node id="&quot;PABLO PICASSO&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Pablo Picasso was a Spanish painter known for his significant contributions to modern art, who created a series of 15 paintings inspired by Delacroix's works in 1954."</data>
  <data key="d2">chunk-0f6042dbe37db689000c5403211312b2</data>
</node>
<node id="&quot;ORIENTALIST PAINTINGS&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Orientalist paintings refer to a genre of art in the 19th century depicting Eastern themes, often through a Western lens, which includes Delacroix's works."</data>
  <data key="d2">chunk-0f6042dbe37db689000c5403211312b2</data>
</node>
<node id="&quot;ALGERIAN CULTURE&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Algerian culture refers to the traditions, customs, and social norms of Algeria, which influenced Delacroix’s depictions in his art."</data>
  <data key="d2">chunk-0f6042dbe37db689000c5403211312b2</data>
</node>
<node id="&quot;HAREM&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Harem refers to the domestic spaces reserved for the women of a polygamous family in some Islamic cultures, which are often depicted in Western art with varied interpretations."</data>
  <data key="d2">chunk-0f6042dbe37db689000c5403211312b2</data>
</node>
<node id="&quot;FRÉDÉRIC CHOPIN&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Frédéric Chopin was a Polish composer and virtuoso pianist of the Romantic era, noted for his piano compositions and his significant relationship with writer George Sand."</data>
  <data key="d2">chunk-21e724ff1d237e74a8e96299e7fda660</data>
</node>
<node id="&quot;GEORGE SAND&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"George Sand was a prominent French novelist and one of the first female writers in France to achieve international recognition, known for her unconventional lifestyle and relationship with Frédéric Chopin."</data>
  <data key="d2">chunk-21e724ff1d237e74a8e96299e7fda660</data>
</node>
<node id="&quot;THE PORTRAIT OF FRÉDÉRIC CHOPIN AND GEORGE SAND&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Portrait of Frédéric Chopin and George Sand was an unfinished 1838 painting by Eugène Delacroix, originally a double portrait capturing the intimate dynamic between Chopin and Sand."</data>
  <data key="d2">chunk-21e724ff1d237e74a8e96299e7fda660</data>
</node>
<node id="&quot;ORDRUPGAARD MUSEUM&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Ordrupgaard Museum is located in Copenhagen, Denmark, and is the current home of George Sand's portrait from Delacroix's double portrait."</data>
  <data key="d2">chunk-21e724ff1d237e74a8e96299e7fda660</data>
</node>
<node id="&quot;THE PORTRAIT&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Portrait refers specifically to the unfinished oil-on-canvas painting created by Eugène Delacroix, depicting Frédéric Chopin and George Sand, which has significant historical and artistic value."</data>
  <data key="d2">chunk-21e724ff1d237e74a8e96299e7fda660</data>
</node>
<node id="&quot;FRENCH ROMANTIC NOVELIST&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"French Romantic Novelist refers to the role George Sand played in literature, being one of the first women to gain recognition in this genre while challenging gender norms of the time."</data>
  <data key="d2">chunk-21e724ff1d237e74a8e96299e7fda660</data>
</node>
<node id="&quot;PIANO&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Piano is the musical instrument depicted in the portrait scene illustrating Frédéric Chopin's connection to music, although ironically not painted in the final artwork."</data>
  <data key="d2">chunk-21e724ff1d237e74a8e96299e7fda660</data>
</node>
<node id="&quot;THE 19TH CENTURY&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"The 19th Century refers to the historical context in which the portrait was created, a period notable for its artistic movements such as Romanticism."</data>
  <data key="d2">chunk-21e724ff1d237e74a8e96299e7fda660</data>
</node>
<node id="&quot;LOUVRE IN PARIS&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"The Louvre in Paris is a prominent cultural landmark and museum that houses significant art pieces, including Chopin's portrait."</data>
  <data key="d2">chunk-21e724ff1d237e74a8e96299e7fda660</data>
</node>
<node id="&quot;COPENHAGEN&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Copenhagen is the capital of Denmark, home to the Ordrupgaard Museum where George Sand's portrait is displayed."</data>
  <data key="d2">chunk-21e724ff1d237e74a8e96299e7fda660</data>
</node>
<node id="&quot;THE CRUSADERS' ENTRY INTO CONSTANTINOPLE&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Crusaders' entry into Constantinople refers to the historical episode on 12 April 1204 during the Fourth Crusade when Crusaders sacked the city of Constantinople."</data>
  <data key="d2">chunk-1549750a532354392260533b320beb53</data>
</node>
<node id="&quot;CONSTANTINOPLE&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Constantinople was the capital of the Byzantine Empire and the site of a significant event during the Fourth Crusade, becoming a focal point for Crusaders in 1204."</data>
  <data key="d2">chunk-1549750a532354392260533b320beb53</data>
</node>
<node id="&quot;LOUIS-PHILIPPE&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Louis-Philippe was the King of the French who commissioned Delacroix's painting 'The Crusaders' entry into Constantinople'."</data>
  <data key="d2">chunk-1549750a532354392260533b320beb53</data>
</node>
<node id="&quot;BALDWIN I OF CONSTANTINOPLE&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Baldwin I of Constantinople was a key figure during the Fourth Crusade, serving as a leader among the Crusaders and featured prominently in Delacroix's painting."</data>
  <data key="d2">chunk-1549750a532354392260533b320beb53</data>
</node>
<node id="&quot;FOURTH CRUSADE&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Fourth Crusade was a major military campaign that began in 1202 and aimed to conquer Jerusalem but ultimately led to the sacking of Constantinople in 1204."</data>
  <data key="d2">chunk-1549750a532354392260533b320beb53</data>
</node>
<node id="&quot;HISTORICAL PAINTING&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Historical Painting refers to a genre of art that depicts historical events, often with dramatic or romantic elements, exemplified by Delacroix's work."</data>
  <data key="d2">chunk-1549750a532354392260533b320beb53</data>
</node>
<node id="&quot;PAOLO VERONESE&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Paolo Veronese was an Italian Renaissance painter whose works influenced Delacroix's use of luminosity and color in his paintings."</data>
  <data key="d2">chunk-1549750a532354392260533b320beb53</data>
</node>
<node id="&quot;SALON OF 1841&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Salon of 1841 was a prestigious art exhibition in Paris where Delacroix's painting faced both criticism and praise, highlighting the reception of his artistic style."</data>
  <data key="d2">chunk-1549750a532354392260533b320beb53</data>
</node>
<node id="&quot;LE CONSTITUTIONNEL&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Le Constitutionnel was a French newspaper that criticized the artistic style of Delacroix's painting at the Salon of 1841."</data>
  <data key="d2">chunk-1549750a532354392260533b320beb53</data>
</node>
<node id="&quot;CHARLES BAUDELAIRE&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Charles Baudelaire was a French poet and art critic who praised Delacroix's work, particularly its abstract qualities."</data>
  <data key="d2">chunk-1549750a532354392260533b320beb53</data>
</node>
<node id="&quot;1904&quot;">
  <data key="d2">chunk-fc5306c78cdecc730fe5703b095c8eff</data>
  <data key="d1">"Lawrence Alma-Tadema is linked to the year 1894, which is when he completed his painting 'Spring', highlighting the timeframe of his artistic productivity."</data>
  <data key="d0">"UNKNOWN"</data>
</node>
<node id="&quot;CANVAS, OIL&quot;">
  <data key="d2">chunk-3695dd39f98802204c22b00e17ec020d&lt;SEP&gt;chunk-67a7050b07298b457130f02b2fc6b413&lt;SEP&gt;chunk-49707dd5a3d90cd72d102fef94d4e44e&lt;SEP&gt;chunk-23c09d3fcae99716703d29ad57160626</data>
  <data key="d1">"Canvas and Oil refer to the media used by Edgar Degas to create A Cotton Office in New Orleans, which is significant in the realm of fine art."&lt;SEP&gt;"Eugène Delacroix used canvas and oil as the media for creating 'Greece expiring on the Ruins of Missolonghi', affecting the artwork's texture and depth."&lt;SEP&gt;"Canvas and oil are the media used for the painting, indicating the artistic techniques employed by Renoir."&lt;SEP&gt;"Canvas and oil are the media used in the creation of 'Nude seating on a sofa,' allowing for the rich texture and color that characterize Modigliani's works."</data>
  <data key="d0">"MATERIAL"</data>
</node>
<node id="&quot;MUSIÉ DU LOUVRE&quot;">
  <data key="d2">chunk-1549750a532354392260533b320beb53</data>
  <data key="d1">"Delacroix's painting is housed in the Musée du Louvre, establishing a relationship between the artwork and the museum's collection."</data>
  <data key="d0">"UNKNOWN"</data>
</node>
<node id="&quot;OVID AMONG THE SCYTHIANS&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Ovid among the Scythians refers to two oil paintings created by Eugène Delacroix that depict the life of the Ancient Roman poet Ovid during his exile."</data>
  <data key="d2">chunk-d73788737196e9ace33310a4b353908e</data>
</node>
<node id="&quot;SCYTHIANS&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"The Scythians were an ancient Iranian people characterized by a nomadic lifestyle, known from historical texts and represented in Delacroix's paintings."</data>
  <data key="d2">chunk-d73788737196e9ace33310a4b353908e</data>
</node>
<node id="&quot;PALAIS BOURBON&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Palais Bourbon is a historical building in Paris where Delacroix originally painted a version of 'Ovid among the Scythians' as part of ceiling decorations."</data>
  <data key="d2">chunk-d73788737196e9ace33310a4b353908e</data>
</node>
<node id="&quot;BAUDELAIRE&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Charles Baudelaire was a notable French poet and critic who praised Delacroix’s work, offering insightful criticism and interpretations of his paintings."</data>
  <data key="d2">chunk-d73788737196e9ace33310a4b353908e</data>
</node>
<node id="&quot;EDGAR DEGAS&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Edgar Degas (1834–1917) was a French artist known for his paintings, sculptures, and drawings, particularly in the genre of Impressionism, where he showcased his mastery in portraying movement and human figures."&lt;SEP&gt;"Edgar Degas was a French artist known for his contributions to Impressionism, notably in painting and drawing, focusing on scenes such as ballet dancers and, in this case, the stock exchange."&lt;SEP&gt;"Edgar Degas was a French artist known for his contributions to Impressionism, particularly through his genre paintings and innovative techniques."&lt;SEP&gt;"Edgar Degas was a French artist known for his contributions to the Impressionist movement, particularly in painting and sculpture, with a focus on ballet dancers and everyday scenes."&lt;SEP&gt;"Edgar Degas was a French artist known for his paintings, sculptures, prints, and drawings, particularly focusing on the human figure and movement."&lt;SEP&gt;"Edgar Degas was a French impressionist artist known for his significant contributions to the world of art, particularly in his unique style of painting, often depicting contemporary life and unconventional subjects."&lt;SEP&gt;"Edgar Degas was a renowned French Impressionist artist known for his paintings, sculptures, and drawings, particularly of dancers and acrobats."&lt;SEP&gt;"Edgar Degas was a renowned French artist admired for his paintings, particularly for his impactful critique of Delacroix's 'Ovid among the Scythians.'&lt;SEP&gt;"Edgar Degas was a French artist known for his involvement in the Impressionist movement and his influence on Cassatt's work."&lt;SEP&gt;"Edgar Degas was a contemporary artist of Caillebotte, known for his works depicting the urban working class and whose style shares similarities with Caillebotte's."&lt;SEP&gt;"Edgar Degas was a contemporary of Eakins, known for his dance and music interiors, whose work influenced Eakins's artistic style."</data>
  <data key="d2">chunk-67a7050b07298b457130f02b2fc6b413&lt;SEP&gt;chunk-d5e59a7034440f4df8140acf368ff106&lt;SEP&gt;chunk-12e2a8e9fb4081de49ecf2597c1d8c48&lt;SEP&gt;chunk-299ca1e1935fc5ae6db4c4b98443d508&lt;SEP&gt;chunk-5387a9f92c6290746c3974533e905a95&lt;SEP&gt;chunk-4c7cfcb707cd269b60b65bb04093136b&lt;SEP&gt;chunk-fb4531a7f012c606c26bf62b16100b3f&lt;SEP&gt;chunk-d958e23374049315b611435d93c1e9fc&lt;SEP&gt;chunk-05d3994d1da7a9390d2f95fa4beac3b5&lt;SEP&gt;chunk-d73788737196e9ace33310a4b353908e&lt;SEP&gt;chunk-c3ddb27456b73fe3fcb2e07f372b1611</data>
</node>
<node id="&quot;MAXIME DU CAMP&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Maxime Du Camp was a French writer and critic who provided harsh criticism of Delacroix's work, calling it decadent."</data>
  <data key="d2">chunk-d73788737196e9ace33310a4b353908e</data>
</node>
<node id="&quot;THÉOPHILE GAUTIER&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Théophile Gautier was a French poet and critic who critically admired Delacroix's 'Ovid among the Scythians,' noting the landscape's praise."</data>
  <data key="d2">chunk-d73788737196e9ace33310a4b353908e</data>
</node>
<node id="&quot;TOMIS&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Tomis is an ancient city on the Black Sea, where Ovid was exiled by Emperor Augustus and is significant in understanding the context of the paintings."</data>
  <data key="d2">chunk-d73788737196e9ace33310a4b353908e</data>
</node>
<node id="&quot;TRISTIA&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Tristia is a collection of poems written by Ovid during his exile, showcasing his emotional and personal reflections."</data>
  <data key="d2">chunk-d73788737196e9ace33310a4b353908e</data>
</node>
<node id="&quot;EPISTULAE EX PONTO&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Epistulae ex Ponto is a series of letters written by Ovid during his exile, expressing his longing and experiences."</data>
  <data key="d2">chunk-d73788737196e9ace33310a4b353908e</data>
</node>
<node id="&quot;JOHN SINGER SARGENT&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"John Singer Sargent was a prominent artist known for his portraits and was the creator of the painting 'General Officers of World War I.' He faced challenges in composition but succeeded in depicting a large number of military figures."&lt;SEP&gt;"John Singer Sargent was a renowned artist known for his portraits, including the notable work 'The Misses Vickers'."&lt;SEP&gt;"John Singer Sargent was an American artist known for his post-impressionist style and is notable for his paintings, including 'Street in Venice'."&lt;SEP&gt;"John Singer Sargent was an American impressionist painter known for his contributions to the genre of painting, particularly during the late 19th century."&lt;SEP&gt;"John Singer Sargent was an American painter known for his ability to capture the human form and emotion. He is famous for his painting 'Gassed', created in 1919, which depicts the aftermath of a mustard gas attack during WWI."&lt;SEP&gt;"John Singer Sargent was an American painter known for his portraits and depictions of Edwardian society, as well as for his works that captured movement and light."&lt;SEP&gt;"John Singer Sargent was an Anglo-American painter known for his oil paintings, including the genre work 'Carnation, Lily, Lily, Rose'."&lt;SEP&gt;"John Singer Sargent was an influential American painter, noted for his portraiture and distinctive brushwork, particularly in the context of the late 19th and early 20th centuries."</data>
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</node>
<node id="&quot;THE DAUGHTERS OF EDWARD DARLEY BOIT&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Daughters of Edward Darley Boit is a significant painting created by John Singer Sargent in 1882, depicting the four daughters of Edward Darley Boit in their family's Paris apartment."</data>
  <data key="d2">chunk-ef6b1f8983c06ee9162486842a99b221</data>
</node>
<node id="&quot;EDWARD DARLEY BOIT&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Edward Darley Boit was an American cosmopolite and a minor painter, known as the father of the four daughters depicted in Sargent's painting."</data>
  <data key="d2">chunk-ef6b1f8983c06ee9162486842a99b221</data>
</node>
<node id="&quot;MARY LOUISA CUSHING BOIT&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Mary Louisa Cushing, known as Isa, was the wife of Edward Darley Boit and the mother of the four daughters featured in Sargent's painting."</data>
  <data key="d2">chunk-ef6b1f8983c06ee9162486842a99b221</data>
</node>
<node id="&quot;MUSEUM OF FINE ARTS, BOSTON&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Museum of Fine Arts in Boston is an art museum that houses a renowned collection of artworks, including Renoir's Dance at Bougival, highlighting its significance in the art world."&lt;SEP&gt;"The Museum of Fine Arts in Boston is the institution where The Daughters of Edward Darley Boit is currently exhibited, showcasing significant works of art, including those by Sargent."&lt;SEP&gt;"The Museum of Fine Arts in Boston was a location where John Singer Sargent worked on murals, indicating his engagement with significant artistic projects."</data>
  <data key="d2">chunk-ef6b1f8983c06ee9162486842a99b221&lt;SEP&gt;chunk-ebd2c1c5a306b7fe030e488a537b480a&lt;SEP&gt;chunk-accdacce424a30ff91f0a47befc088a3</data>
</node>
<node id="&quot;LAS MENINAS&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Las Meninas is a painting by Diego Velázquez that significantly influenced Sargent's work, particularly its unusual compositional style and thematic depth."</data>
  <data key="d2">chunk-ef6b1f8983c06ee9162486842a99b221</data>
</node>
<node id="&quot;FLORENCE BOIT&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Florence Boit is the eldest daughter of Edward Darley Boit, portrayed in Sargent's painting, providing a glimpse into the family's life and childhood."</data>
  <data key="d2">chunk-ef6b1f8983c06ee9162486842a99b221</data>
</node>
<node id="&quot;JANE BOIT&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Jane Boit is the second oldest daughter of Edward Darley Boit, featured in Sargent's painting, representing the nuances of childhood and familial relationships."</data>
  <data key="d2">chunk-ef6b1f8983c06ee9162486842a99b221</data>
</node>
<node id="&quot;MARY LOUISA BOIT&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Mary Louisa Boit is the third daughter of Edward Darley Boit, included in Sargent's portrait, signifying the dynamics of early childhood."</data>
  <data key="d2">chunk-ef6b1f8983c06ee9162486842a99b221</data>
</node>
<node id="&quot;JULIA BOIT&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Julia Boit is the youngest daughter of Edward Darley Boit, depicted sitting on the floor in Sargent's painting, symbolizing innocence and childhood."</data>
  <data key="d2">chunk-ef6b1f8983c06ee9162486842a99b221</data>
</node>
<node id="&quot;JAPANESE VASES&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The Japanese vases depicted in the painting serve as significant compositional elements and cultural artifacts within the artwork."</data>
  <data key="d2">chunk-ef6b1f8983c06ee9162486842a99b221</data>
</node>
<node id="&quot;DIEGO VELÁZQUEZ&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Diego Velázquez was a Spanish painter whose work, particularly Las Meninas, influenced John Singer Sargent and the composition of The Daughters of Edward Darley Boit."</data>
  <data key="d2">chunk-ef6b1f8983c06ee9162486842a99b221</data>
</node>
<node id="&quot;HENRY JAMES&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Henry James was a contemporary critic who commented on Sargent's work, noting its similarities to that of Velázquez, underscoring the painting's artistic dialogue."</data>
  <data key="d2">chunk-ef6b1f8983c06ee9162486842a99b221</data>
</node>
<node id="&quot;FRANS HALS&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Frans Hals was a Dutch painter whose brushwork influenced several passages in Sargent's The Daughters of Edward Darley Boit, highlighting Sargent's diverse artistic sources."</data>
  <data key="d2">chunk-ef6b1f8983c06ee9162486842a99b221</data>
</node>
<node id="&quot;THE BELLELLI FAMILY&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Bellelli Family is a painting by Edgar Degas that shares psychological complexity with Sargent's The Daughters of Edward Darley Boit, showcasing childhood themes."&lt;SEP&gt;"The Bellelli Family is an oil painting created by Edgar Degas, depicting his aunt Laura Bellelli, her husband Gennaro Bellelli, and their two daughters, Giulia and Giovanna, showcasing familial dynamics and emotional tensions."</data>
  <data key="d2">chunk-4c7cfcb707cd269b60b65bb04093136b&lt;SEP&gt;chunk-ef6b1f8983c06ee9162486842a99b221</data>
</node>
<node id="&quot;EL JALEO&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"El Jaleo is a large painting depicting a Spanish Gypsy dancer performing, characterized by its dramatic light effects and movement."</data>
  <data key="d2">chunk-9d9d2e6c4c2b64300c7257c5ce6e6cc9</data>
</node>
<node id="&quot;ISABELLA STEWART GARDNER MUSEUM&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Isabella Stewart Gardner Museum is an art museum in Boston where El Jaleo is currently displayed, known for its collection of art and historical artifacts."</data>
  <data key="d2">chunk-9d9d2e6c4c2b64300c7257c5ce6e6cc9</data>
</node>
<node id="&quot;THOMAS JEFFERSON COOLIDGE&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Thomas Jefferson Coolidge was a Boston patron who purchased El Jaleo at the 1882 Paris Salon and later gifted it to Isabella Stewart Gardner."</data>
  <data key="d2">chunk-9d9d2e6c4c2b64300c7257c5ce6e6cc9</data>
</node>
<node id="&quot;SPAIN&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Spain is a country in Southwestern Europe, known for its rich cultural heritage, art, and influence on the aesthetics of 19th-century European artists."</data>
  <data key="d2">chunk-9d9d2e6c4c2b64300c7257c5ce6e6cc9</data>
</node>
<node id="&quot;VENICE&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Venice is a city in Italy that Sargent visited and created works inspired by its dramatic light and subjects, furthering his artistic exploration."&lt;SEP&gt;"Venice is an Italian city famous for its canals and historical significance, serving as the backdrop for Sargent's painting and influencing his artistic focus."</data>
  <data key="d2">chunk-9d9d2e6c4c2b64300c7257c5ce6e6cc9&lt;SEP&gt;chunk-9572d7587fc9695e30a7565d3ae8815f</data>
</node>
<node id="&quot;HISPANISM&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Hispanism refers to the fascination with Spanish culture that was prevalent in Europe and America during the 19th and early 20th centuries, influencing artists like Sargent."</data>
  <data key="d2">chunk-9d9d2e6c4c2b64300c7257c5ce6e6cc9</data>
</node>
<node id="&quot;SPANISH CLOISTER GALLERY&quot;">
  <data key="d0">"LOCATION"</data>
  <data key="d1">"The Spanish Cloister gallery is a special exhibition space constructed in the Isabella Stewart Gardner Museum, designed to highlight El Jaleo within a Moorish architectural context."</data>
  <data key="d2">chunk-9d9d2e6c4c2b64300c7257c5ce6e6cc9</data>
</node>
<node id="&quot;GYPSY DANCER&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"The Gypsy dancer depicted in El Jaleo serves as the central subject of the painting, representing the cultural and artistic themes explored by Sargent."</data>
  <data key="d2">chunk-9d9d2e6c4c2b64300c7257c5ce6e6cc9</data>
</node>
<node id="&quot;FLAMENCO DANCE&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Flamenco dance is a traditional Spanish art form characterized by its expressive movement, music, and costumes, as represented in El Jaleo."</data>
  <data key="d2">chunk-9d9d2e6c4c2b64300c7257c5ce6e6cc9</data>
</node>
<node id="&quot;MOORISH ARCH&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Moorish arch refers to an architectural feature common in Islamic architecture, which frames the Spanish Cloister gallery designed for El Jaleo."</data>
  <data key="d2">chunk-9d9d2e6c4c2b64300c7257c5ce6e6cc9</data>
</node>
<node id="&quot;THE SPANISH DANCE&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Spanish Dance is a smaller oil painting by Sargent, created during his trip to Spain and North Africa, reflecting similar themes of movement and cultural representation."</data>
  <data key="d2">chunk-9d9d2e6c4c2b64300c7257c5ce6e6cc9</data>
</node>
<node id="&quot;BLACK AND WHITE PALETTE&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Black and white palette refers to the choice of colors used in El Jaleo, emphasizing strong contrasts and highlighting the dancer's movement."</data>
  <data key="d2">chunk-9d9d2e6c4c2b64300c7257c5ce6e6cc9</data>
</node>
<node id="&quot;DRAMATIC LIGHT EFFECTS&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Dramatic light effects refer to the use of lighting in El Jaleo that enhances the sense of motion and energy of the dance performance."</data>
  <data key="d2">chunk-9d9d2e6c4c2b64300c7257c5ce6e6cc9</data>
</node>
<node id="&quot;STREET IN VENICE&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Street in Venice is a c. 1882 oil on wood painting that illustrates a moment in a quiet backstreet in Venice, capturing themes of observation and societal dynamics."</data>
  <data key="d2">chunk-9572d7587fc9695e30a7565d3ae8815f</data>
</node>
<node id="&quot;NATIONAL GALLERY OF ART&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The National Gallery of Art is a museum in Washington, D.C. that currently houses 'Street in Venice' and is known for its collection of European and American art."&lt;SEP&gt;"The National Gallery of Art is a museum in the United States that has been the collection point for The Boating Party since 1963."&lt;SEP&gt;"The National Gallery of Art is a museum located in Washington D.C. that holds a collection of significant artworks, including Cassatt's painting."</data>
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</node>
<node id="&quot;CALLE LARGA DEI PROVERBI&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Calle Larga dei Proverbi is a street in Venice where the scene in 'Street in Venice' is set, contributing to the painting's local atmosphere."</data>
  <data key="d2">chunk-9572d7587fc9695e30a7565d3ae8815f</data>
</node>
<node id="&quot;THE GRAND CANAL&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"The Grand Canal is a major waterway in Venice, located near the setting of Sargent's painting, highlighting the significance of the city's waterways."</data>
  <data key="d2">chunk-9572d7587fc9695e30a7565d3ae8815f</data>
</node>
<node id="&quot;THE WOMAN&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"The Woman depicted in 'Street in Venice' is portrayed walking hurriedly, reflecting social interactions and societal gaze within the painting's context."</data>
  <data key="d2">chunk-9572d7587fc9695e30a7565d3ae8815f</data>
</node>
<node id="&quot;THE TWO MEN&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"The Two Men in the painting are shown observing the Woman, contributing to the theme of the male gaze and its impact on the female subject."</data>
  <data key="d2">chunk-9572d7587fc9695e30a7565d3ae8815f</data>
</node>
<node id="&quot;ELIZABETH CHANLER&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Elizabeth Chanler was the original purchaser of 'Street in Venice', linking her to the painting's history and ownership."</data>
  <data key="d2">chunk-9572d7587fc9695e30a7565d3ae8815f</data>
</node>
<node id="&quot;STANFORD WHITE&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Stanford White was an American architect who received 'Street in Venice' from Elizabeth Chanler in exchange for professional services, indicating a transaction of art."</data>
  <data key="d2">chunk-9572d7587fc9695e30a7565d3ae8815f</data>
</node>
<node id="&quot;GALERIE GEORGES PETIT&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Galerie Georges Petit was the venue where 'Street in Venice' was first exhibited in 1882, reflecting its significance in the art world."</data>
  <data key="d2">chunk-9572d7587fc9695e30a7565d3ae8815f</data>
</node>
<node id="&quot;THE MISSES VICKERS&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Misses Vickers is an oil painting created by John Singer Sargent in 1884, depicting three young ladies from the Vickers family."</data>
  <data key="d2">chunk-53b128fbe07751d33294eee843b7af73</data>
</node>
<node id="&quot;VICKERS FAMILY&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Vickers Family is depicted in the painting 'The Misses Vickers', representing three young ladies residing at their estate in Bolsover Hill, Sheffield."</data>
  <data key="d2">chunk-53b128fbe07751d33294eee843b7af73</data>
</node>
<node id="&quot;BOLSOVER HILL&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Bolsover Hill is the location of the Vickers family's estate where the painting 'The Misses Vickers' is set."</data>
  <data key="d2">chunk-53b128fbe07751d33294eee843b7af73</data>
</node>
<node id="&quot;PORTRAIT&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"A portrait is a representation of a person, typically focusing on the face and expression, with 'The Sisters' being a significant artistic example."&lt;SEP&gt;"Portrait refers to the artistic representation of an individual, highlighting personal characteristics, as seen in Cassatt's work focusing on modern women."&lt;SEP&gt;"The genre 'Portrait' refers to the artistic style used in 'The Misses Vickers', focusing on representation of individuals."&lt;SEP&gt;"The portrait captures the nuances of familial relationships, illustrating the emotional complexity of the Bellelli family as narrated by Degas."</data>
  <data key="d2">chunk-53b128fbe07751d33294eee843b7af73&lt;SEP&gt;chunk-349274660b80d621a1067780d3b2a70c&lt;SEP&gt;chunk-428c3925f637250f336c423c77c160ca&lt;SEP&gt;chunk-4c7cfcb707cd269b60b65bb04093136b</data>
</node>
<node id="&quot;REAPERS RESTING IN A WHEAT FIELD&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Reapers Resting in a Wheat Field is a 1885 artwork created by John Singer Sargent, depicting English wheat farmers at rest during the harvest season."</data>
  <data key="d2">chunk-a4d2ed002138771e4f674a8b5ab1b220</data>
</node>
<node id="&quot;WORCESTERSHIRE&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Worcestershire is a county in England, providing the setting for Sargent's painting, specifically the village of Broadway where the artwork was created."</data>
  <data key="d2">chunk-a4d2ed002138771e4f674a8b5ab1b220</data>
</node>
<node id="&quot;COTSWOLDS&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"The Cotswolds is a hilly area in south-central England known for its picturesque villages and rural landscapes, where Sargent painted the artwork during the fall of 1885."</data>
  <data key="d2">chunk-a4d2ed002138771e4f674a8b5ab1b220</data>
</node>
<node id="&quot;CARNATION, LILY, LILY, ROSE&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Carnation, Lily, Lily, Rose is an oil-on-canvas painting created by John Singer Sargent between 1885 and 1886, depicting children lighting lanterns in a garden."</data>
  <data key="d2">chunk-96199271c038c51ddc6bf4e00162fb4e</data>
</node>
<node id="&quot;TATE GALLERY&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Tate Gallery is a prominent art institution in the UK that once housed 'Miss La La at the Cirque Fernando' before its return to the National Gallery."&lt;SEP&gt;"The Tate Gallery is a prominent art museum in the UK that acquired 'Carnation, Lily, Lily, Rose' using funds from the Chantrey Bequest."</data>
  <data key="d2">chunk-96199271c038c51ddc6bf4e00162fb4e&lt;SEP&gt;chunk-c3ddb27456b73fe3fcb2e07f372b1611</data>
</node>
<node id="&quot;FARNHAM HOUSE&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Farnham House is located in Broadway, Cotswolds, and served as the setting for Sargent's painting during the summer of 1885."</data>
  <data key="d2">chunk-96199271c038c51ddc6bf4e00162fb4e</data>
</node>
<node id="&quot;RIVER THAMES&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"The River Thames is a major river in England where Sargent found inspiration for capturing light in his painting during a boat trip."</data>
  <data key="d2">chunk-96199271c038c51ddc6bf4e00162fb4e</data>
</node>
<node id="&quot;DOLLY&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Dolly is one of the subjects in the painting 'Carnation, Lily, Lily, Rose', a child who is depicted lighting a paper lantern and is 11 years old."</data>
  <data key="d2">chunk-96199271c038c51ddc6bf4e00162fb4e</data>
</node>
<node id="&quot;POLLY&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Polly is the other child depicted in 'Carnation, Lily, Lily, Rose', aged 7 and characterized by her blonde hair, participating in the lighting of a paper lantern."</data>
  <data key="d2">chunk-96199271c038c51ddc6bf4e00162fb4e</data>
</node>
<node id="&quot;FREDERICK BARNARD&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Frederick Barnard is the illustrator and a friend of John Singer Sargent, whose daughters served as the models for the painting."</data>
  <data key="d2">chunk-96199271c038c51ddc6bf4e00162fb4e</data>
</node>
<node id="&quot;PORTRAIT OF MADAME X&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Portrait of Madame X is another notable painting by John Singer Sargent that caused scandal, prompting him to move to England."</data>
  <data key="d2">chunk-96199271c038c51ddc6bf4e00162fb4e</data>
</node>
<node id="&quot;CHANTREY BEQUEST&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Chantrey Bequest is a fund used to acquire British artworks for public collections, which was used to buy 'Carnation, Lily, Lily, Rose'."</data>
  <data key="d2">chunk-96199271c038c51ddc6bf4e00162fb4e</data>
</node>
<node id="&quot;GASSED&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Gassed is a large oil painting completed in March 1919 by John Singer Sargent, depicting wounded soldiers after a mustard gas attack in WWI. It serves as a historical document of the war's brutality and an artistic representation of human suffering."&lt;SEP&gt;"Gassed is another notable painting created by John Singer Sargent prior to the commission of 'General Officers of World War I,' indicating his prolific output during this period."</data>
  <data key="d2">chunk-9ccceb2b70e119e13e67a6686d49efd5&lt;SEP&gt;chunk-ebd2c1c5a306b7fe030e488a537b480a</data>
</node>
<node id="&quot;IMPERIAL WAR MUSEUM&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Imperial War Museum is a museum in the UK that preserves and displays items related to the military history of Britain and its former empire, including Sargent's painting 'Gassed'."</data>
  <data key="d2">chunk-9ccceb2b70e119e13e67a6686d49efd5</data>
</node>
<node id="&quot;NATIONAL WORLD WAR ONE MUSEUM&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The National World War One Museum in Kansas City, Missouri, displays artifacts related to World War I, including Sargent's painting 'Gassed' during a specific exhibition period from February to June."</data>
  <data key="d2">chunk-9ccceb2b70e119e13e67a6686d49efd5</data>
</node>
<node id="&quot;BRITISH WAR MEMORIALS COMMITTEE&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The British War Memorials Committee was established to commission artworks documenting World War I, including Sargent's 'Gassed', to honor those who served and suffered during the conflict."</data>
  <data key="d2">chunk-9ccceb2b70e119e13e67a6686d49efd5</data>
</node>
<node id="&quot;FIRST WORLD WAR&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The First World War was a global conflict from 1914 to 1918, during which the Battle of Vimy Ridge took place as a part of the larger Battle of Arras."&lt;SEP&gt;"The First World War was a global conflict that began in 1914 and involved many countries, including the US which joined in 1917 at a time of rising patriotic fervor demonstrated in Hassam's work."&lt;SEP&gt;"The First World War was a global conflict that involved numerous countries, during which the generals depicted in the painting served."&lt;SEP&gt;"The First World War was a global conflict that lasted from 1914 to 1918, during which 'Gassed' was created, depicting its aftermath and the experiences of soldiers."</data>
  <data key="d2">chunk-9ccceb2b70e119e13e67a6686d49efd5&lt;SEP&gt;chunk-3fc06a2b64e6f6c0e6112e5ca519b018&lt;SEP&gt;chunk-ebd2c1c5a306b7fe030e488a537b480a&lt;SEP&gt;chunk-d6b111a38bca9cc21247ff63e491d7b1</data>
</node>
<node id="&quot;WOUNDED SOLDIERS&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Wounded soldiers in 'Gassed' are depicted as individuals affected by a mustard gas attack during World War I, portrayed walking towards a dressing station."</data>
  <data key="d2">chunk-9ccceb2b70e119e13e67a6686d49efd5</data>
</node>
<node id="&quot;DRESSING STATION&quot;">
  <data key="d0">"LOCATION"</data>
  <data key="d1">"The dressing station is a suggested location in 'Gassed' where wounded soldiers are taken for medical assistance after a mustard gas attack."</data>
  <data key="d2">chunk-9ccceb2b70e119e13e67a6686d49efd5</data>
</node>
<node id="&quot;MEDICAL ORDERLIES&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Medical orderlies in 'Gassed' are portrayed as caregivers assisting blinded soldiers, indicating the humanitarian response during the war."</data>
  <data key="d2">chunk-9ccceb2b70e119e13e67a6686d49efd5</data>
</node>
<node id="&quot;GUARDS DIVISION&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Guards Division is a military unit depicted in the context of Sargent's commission, representing British forces during the First World War."</data>
  <data key="d2">chunk-9ccceb2b70e119e13e67a6686d49efd5</data>
</node>
<node id="&quot;AMERICAN EXPEDITIONARY FORCES&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The American Expeditionary Forces were a contingent of the United States Army sent to Europe during World War I, involved in operations alongside British forces."</data>
  <data key="d2">chunk-9ccceb2b70e119e13e67a6686d49efd5</data>
</node>
<node id="&quot;HENRY TONKS&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Henry Tonks was an English painter and surgeon who accompanied John Singer Sargent to the Western Front, influencing Sargent's work during the war."</data>
  <data key="d2">chunk-9ccceb2b70e119e13e67a6686d49efd5</data>
</node>
<node id="&quot;ROYAL ACADEMY OF ARTS&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Royal Academy of Arts is an institution that voted 'Gassed' as the picture of the year in 1919, highlighting its significance in the art world."</data>
  <data key="d2">chunk-9ccceb2b70e119e13e67a6686d49efd5</data>
</node>
<node id="&quot;FOOTBALL PLAYERS&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Football players in 'Gassed' represent civilians who seem unaffected by the surrounding suffering, contrasting with the scene of war."</data>
  <data key="d2">chunk-9ccceb2b70e119e13e67a6686d49efd5</data>
</node>
<node id="&quot;BIPLANES&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Biplanes depict the aerial combat of World War I, adding a dynamic element to the scene within the painting 'Gassed' and reflecting the technological aspects of warfare."</data>
  <data key="d2">chunk-9ccceb2b70e119e13e67a6686d49efd5</data>
</node>
<node id="&quot;ART HALL OF REMEMBRANCE&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Art Hall of Remembrance was a planned project to commemorate military sacrifices, which influenced Sargent's work, though it was ultimately abandoned."</data>
  <data key="d2">chunk-9ccceb2b70e119e13e67a6686d49efd5</data>
</node>
<node id="&quot;PINKISH YELLOW HAZE&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The pinkish yellow haze in 'Gassed' symbolizes the aftermath of the gas attack, creating a poignant and eerie atmosphere in the painting."</data>
  <data key="d2">chunk-9ccceb2b70e119e13e67a6686d49efd5</data>
</node>
<node id="&quot;GOLDEN LIGHT&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The golden light in 'Gassed' enhances the visual impact of the scene, adding a sense of warmth that contrasts sharply with the suffering depicted."</data>
  <data key="d2">chunk-9ccceb2b70e119e13e67a6686d49efd5</data>
</node>
<node id="&quot;GENERAL OFFICERS OF WORLD WAR I&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"General Officers of World War I is an oil painting completed in 1922 commissioned to commemorate the British generals of the First World War, showcasing 22 significant military figures."</data>
  <data key="d2">chunk-ebd2c1c5a306b7fe030e488a537b480a</data>
</node>
<node id="&quot;SIR ABRAHAM BAILEY, 1ST BARONET&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Sir Abraham Bailey was a South African financier who commissioned the painting 'General Officers of World War I' to honor the generals of the British Empire during World War I."</data>
  <data key="d2">chunk-ebd2c1c5a306b7fe030e488a537b480a</data>
</node>
<node id="&quot;NATIONAL PORTRAIT GALLERY&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The National Portrait Gallery is the institution that received the donation of three war-related portraits, including 'General Officers of World War I,' symbolizing the acknowledgment of military leadership."</data>
  <data key="d2">chunk-ebd2c1c5a306b7fe030e488a537b480a</data>
</node>
<node id="&quot;FIELD MARSHAL SMUTS&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Field Marshal Smuts was a South African military leader represented in the painting, exemplifying the involvement of the British Empire in the First World War."</data>
  <data key="d2">chunk-ebd2c1c5a306b7fe030e488a537b480a</data>
</node>
<node id="&quot;GENERAL BOTHA&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"General Botha was another South African general depicted in the painting, representing the contributions of the British Empire in the war."</data>
  <data key="d2">chunk-ebd2c1c5a306b7fe030e488a537b480a</data>
</node>
<node id="&quot;MAJOR-GENERAL LUKIN&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Major-General Lukin was one of the two divisional commanders included in the painting, demonstrating the rank diversity among the generals."</data>
  <data key="d2">chunk-ebd2c1c5a306b7fe030e488a537b480a</data>
</node>
<node id="&quot;GENERAL CURRIE&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"General Currie was a Canadian general represented in the painting, indicating contributions from Commonwealth nations in the conflict."</data>
  <data key="d2">chunk-ebd2c1c5a306b7fe030e488a537b480a</data>
</node>
<node id="&quot;GENERAL MONASH&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"General Monash was an Australian general depicted in the painting, showcasing the international representation of military leaders during the war."</data>
  <data key="d2">chunk-ebd2c1c5a306b7fe030e488a537b480a</data>
</node>
<node id="&quot;MAJOR-GENERAL RUSSELL&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Major-General Russell was a New Zealand commander included in the painting, further emphasizing British Empire involvement in World War I."</data>
  <data key="d2">chunk-ebd2c1c5a306b7fe030e488a537b480a</data>
</node>
<node id="&quot;LIEUTENANT-GENERAL&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Lieutenant-General is a military rank depicted in the painting, highlighting the high level of leadership represented among the officers."</data>
  <data key="d2">chunk-ebd2c1c5a306b7fe030e488a537b480a</data>
</node>
<node id="&quot;MAJOR-GENERAL&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Major-General is a military rank included in the painting, indicating the hierarchical structure of the British and Imperial armies during the First World War."</data>
  <data key="d2">chunk-ebd2c1c5a306b7fe030e488a537b480a</data>
</node>
<node id="&quot;BRIGADIER-GENERAL&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Brigadier-General is a rank represented in the painting, showcasing the various levels of command within the military forces during the conflict."</data>
  <data key="d2">chunk-ebd2c1c5a306b7fe030e488a537b480a</data>
</node>
<node id="&quot;FIELD MARSHAL&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Field Marshal is the highest military rank depicted in the painting, emphasizing the significance of top military commanders in the First World War."</data>
  <data key="d2">chunk-ebd2c1c5a306b7fe030e488a537b480a</data>
</node>
<node id="&quot;EVAN CHARTERIS&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Evan Charteris was involved in compiling a list of potential subjects for the painting, reflecting the collaborative effort in documenting military leaders."</data>
  <data key="d2">chunk-ebd2c1c5a306b7fe030e488a537b480a</data>
</node>
<node id="&quot;LEWIS VERNON HARCOURT, 1ST VISCOUNT HARCOURT&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Lewis Vernon Harcourt facilitated the approval of potential subjects, contributing to the historical selection of figures represented in the painting."</data>
  <data key="d2">chunk-ebd2c1c5a306b7fe030e488a537b480a</data>
</node>
<node id="&quot;HORACE SMITH-DORRIEN&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Horace Smith-Dorrien was a prominent army commander deliberately omitted from the painting due to historical context related to the failure at Gallipoli."</data>
  <data key="d2">chunk-ebd2c1c5a306b7fe030e488a537b480a</data>
</node>
<node id="&quot;HUBERT GOUGH&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Hubert Gough was another significant army commander who was omitted from the roster of military leaders depicted in the painting."</data>
  <data key="d2">chunk-ebd2c1c5a306b7fe030e488a537b480a</data>
</node>
<node id="&quot;CHARLES MONRO&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Charles Monro was an army commander who was left out of the painting, indicating the selection criteria for representation."</data>
  <data key="d2">chunk-ebd2c1c5a306b7fe030e488a537b480a</data>
</node>
<node id="&quot;RICHARD HAKING&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Richard Haking was an army commander not included in the painting, further highlighting the choices made in subject inclusion."</data>
  <data key="d2">chunk-ebd2c1c5a306b7fe030e488a537b480a</data>
</node>
<node id="&quot;WILLIAM PEYTON&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"William Peyton was omitted from the painting's depiction of generals, reflecting the selective nature of the artwork."</data>
  <data key="d2">chunk-ebd2c1c5a306b7fe030e488a537b480a</data>
</node>
<node id="&quot;CHARLES KAVANAGH&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Charles Kavanagh was another commander left out of the painting, suggesting complexities in historical representation."</data>
  <data key="d2">chunk-ebd2c1c5a306b7fe030e488a537b480a</data>
</node>
<node id="&quot;JOHN NIXON&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"John Nixon was an army chief whose absence from the painting signifies the selective historical narrative."</data>
  <data key="d2">chunk-ebd2c1c5a306b7fe030e488a537b480a</data>
</node>
<node id="&quot;PERCY LAKE&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Percy Lake was omitted from the painting’s subjects, indicating the careful selection process for military leaders."</data>
  <data key="d2">chunk-ebd2c1c5a306b7fe030e488a537b480a</data>
</node>
<node id="&quot;CHARLES TOWNSHEND&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Charles Townshend, another notable figure not represented in the painting, demonstrates the curatorial choices made in historical art."</data>
  <data key="d2">chunk-ebd2c1c5a306b7fe030e488a537b480a</data>
</node>
<node id="&quot;STANLEY BRENTON VON DONOP&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Stanley Brenton von Donop was an administrative officer excluded from the painting's representation, demonstrating selective historical narratives."</data>
  <data key="d2">chunk-ebd2c1c5a306b7fe030e488a537b480a</data>
</node>
<node id="&quot;WILLIAM FURSE&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"William Furse is an officer left out of the painting, showcasing the breadth of military figures from which selections were made."</data>
  <data key="d2">chunk-ebd2c1c5a306b7fe030e488a537b480a</data>
</node>
<node id="&quot;NEVIL MACREADY&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Nevil Macready, an administrative officer, was notably omitted from the representation in the painting."</data>
  <data key="d2">chunk-ebd2c1c5a306b7fe030e488a537b480a</data>
</node>
<node id="&quot;GEORGE MACDONOGH&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"George Macdonogh was another officer not included, illustrating the editorial decisions made regarding who was represented."</data>
  <data key="d2">chunk-ebd2c1c5a306b7fe030e488a537b480a</data>
</node>
<node id="&quot;RONALD CHARLES MAXWELL&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Ronald Charles Maxwell was an army chief not depicted in the painting, highlighting the selectivity of military representation."</data>
  <data key="d2">chunk-ebd2c1c5a306b7fe030e488a537b480a</data>
</node>
<node id="&quot;TRAVERS CLARKE&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Travers Clarke was excluded from the painting's military figures, signifying the select group chosen for historical commemoration."</data>
  <data key="d2">chunk-ebd2c1c5a306b7fe030e488a537b480a</data>
</node>
<node id="&quot;CHARLES W. H. DOUGLAS&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Charles W. H. Douglas was a Chief of the Imperial General Staff omitted from the painting, emphasizing selective historical choice."</data>
  <data key="d2">chunk-ebd2c1c5a306b7fe030e488a537b480a</data>
</node>
<node id="&quot;JAMES WOLFE MURRAY&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"James Wolfe Murray was another Chief of the Imperial General Staff who was not included in the depiction of generals."</data>
  <data key="d2">chunk-ebd2c1c5a306b7fe030e488a537b480a</data>
</node>
<node id="&quot;ARCHIBALD MURRAY&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Archibald Murray is an army chief left out of the painting, reflecting decisions made about representation."</data>
  <data key="d2">chunk-ebd2c1c5a306b7fe030e488a537b480a</data>
</node>
<node id="&quot;TIM HARINGTON&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Tim Harington was an army chief of staff who was notably omitted from the painting's military representation."</data>
  <data key="d2">chunk-ebd2c1c5a306b7fe030e488a537b480a</data>
</node>
<node id="&quot;ARCHIBALD MONTGOMERY-MASSINGBERD&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Archibald Montgomery-Massingberd, another officer not included in the painting, showcases the choices made in representation."</data>
  <data key="d2">chunk-ebd2c1c5a306b7fe030e488a537b480a</data>
</node>
<node id="&quot;LAUNCELOT KIGGELL&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Launcelot Kiggell is an army chief of staff left out of the military portrait, indicating editorial choices from historical narratives."</data>
  <data key="d2">chunk-ebd2c1c5a306b7fe030e488a537b480a</data>
</node>
<node id="&quot;HERBERT LAWRENCE&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Herbert Lawrence was also an officer not depicted in the painting, exemplifying decisions made regarding historical figure selections."</data>
  <data key="d2">chunk-ebd2c1c5a306b7fe030e488a537b480a</data>
</node>
<node id="&quot;CHILDE HASSAM&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Childe Hassam was an American painter known for his contributions to Impressionism, particularly in depicting patriotic themes through flag imagery."</data>
  <data key="d2">chunk-d6b111a38bca9cc21247ff63e491d7b1</data>
</node>
<node id="&quot;THE AVENUE IN THE RAIN&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Avenue in the Rain is a 1917 oil painting created by Childe Hassam that showcases Fifth Avenue in New York City adorned with US flags during a rainy day."</data>
  <data key="d2">chunk-d6b111a38bca9cc21247ff63e491d7b1</data>
</node>
<node id="&quot;WHITE HOUSE&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The White House is the official residence and workplace of the President of the United States, which houses a permanent collection of art, including works by Hassam."</data>
  <data key="d2">chunk-d6b111a38bca9cc21247ff63e491d7b1</data>
</node>
<node id="&quot;NEW YORK CITY&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"New York City is a major city in the United States where the Frick Collection is located, serving as a cultural hub for art and history."&lt;SEP&gt;"New York City is the location depicted in Hassam's painting, known for its iconic Fifth Avenue and cultural significance."</data>
  <data key="d2">chunk-ab4a404ace4ab4363ca150b503f16eec&lt;SEP&gt;chunk-d6b111a38bca9cc21247ff63e491d7b1</data>
</node>
<node id="&quot;THOMAS MELLON EVANS&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Thomas Mellon Evans was a philanthropist and art collector who donated Childe Hassam's painting The Avenue in the Rain to the White House in 1963."</data>
  <data key="d2">chunk-d6b111a38bca9cc21247ff63e491d7b1</data>
</node>
<node id="&quot;FEBRUARY 1917&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"February 1917 is the month when Childe Hassam created The Avenue in the Rain, during a time of rising patriotic fervor in the US."</data>
  <data key="d2">chunk-d6b111a38bca9cc21247ff63e491d7b1</data>
</node>
<node id="&quot;ZIMMERMANN TELEGRAM&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Zimmermann Telegram was a secret diplomatic communication from Germany to Mexico that became public in February 1917, contributing to the US entering the First World War."</data>
  <data key="d2">chunk-d6b111a38bca9cc21247ff63e491d7b1</data>
</node>
<node id="&quot;BILL CLINTON&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Bill Clinton was the 42nd President of the United States who hung The Avenue in the Rain in the Oval Office during his presidency."</data>
  <data key="d2">chunk-d6b111a38bca9cc21247ff63e491d7b1</data>
</node>
<node id="&quot;BARACK OBAMA&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Barack Obama was the 44th President of the United States who also displayed The Avenue in the Rain in the Oval Office during his presidency."</data>
  <data key="d2">chunk-d6b111a38bca9cc21247ff63e491d7b1</data>
</node>
<node id="&quot;AVERAGE DIMENSIONS OF PAINTING&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The average dimensions of The Avenue in the Rain are 42 by 22.25 inches, reflecting its size relative to other artworks."</data>
  <data key="d2">chunk-d6b111a38bca9cc21247ff63e491d7b1</data>
</node>
<node id="&quot;RICHARD JACK&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Richard Jack is an artist known for his battle paintings, particularly the artwork titled Battle of Vimy Ridge."</data>
  <data key="d2">chunk-3fc06a2b64e6f6c0e6112e5ca519b018</data>
</node>
<node id="&quot;BATTLE OF VIMY RIDGE&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Battle of Vimy Ridge was a significant military engagement during the First World War, showcasing the efforts of the Canadian Corps against German forces from 9 to 12 April 1917."</data>
  <data key="d2">chunk-3fc06a2b64e6f6c0e6112e5ca519b018</data>
</node>
<node id="&quot;CANADIAN CORPS&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Canadian Corps was the main force involved in the Battle of Vimy Ridge, composed of four divisions from the First Army that fought against the German 6th Army."</data>
  <data key="d2">chunk-3fc06a2b64e6f6c0e6112e5ca519b018</data>
</node>
<node id="&quot;GERMAN 6TH ARMY&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The German 6th Army was the opposing force against the Canadian Corps during the Battle of Vimy Ridge."</data>
  <data key="d2">chunk-3fc06a2b64e6f6c0e6112e5ca519b018</data>
</node>
<node id="&quot;VIMY RIDGE&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Vimy Ridge is a geographical feature in the Nord-Pas-de-Calais region of France, which served as a key strategic location during the battle."</data>
  <data key="d2">chunk-3fc06a2b64e6f6c0e6112e5ca519b018</data>
</node>
<node id="&quot;NORD-PAS-DE-CALAIS&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Nord-Pas-de-Calais is a region in France where the Battle of Vimy Ridge occurred, significant during WWI."</data>
  <data key="d2">chunk-3fc06a2b64e6f6c0e6112e5ca519b018</data>
</node>
<node id="&quot;CANADIAN NATIONAL VIMY MEMORIAL&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Canadian National Vimy Memorial is a memorial dedicated to the Canadian soldiers who fought and died during the Battle of Vimy Ridge, located on the former battleground."</data>
  <data key="d2">chunk-3fc06a2b64e6f6c0e6112e5ca519b018</data>
</node>
<node id="&quot;BATTLE PAINTING&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Battle Painting is a genre that depicts historical battles, with the Battle of Vimy Ridge being a notable subject in Richard Jack's work."&lt;SEP&gt;"Battle painting is an artistic genre that depicts military conflicts, of which Officer of the Chasseurs Charging on Horseback is a prime example."</data>
  <data key="d2">chunk-5936887c6193ee8a58a58b5a91413b19&lt;SEP&gt;chunk-3fc06a2b64e6f6c0e6112e5ca519b018</data>
</node>
<node id="&quot;ARTWORK&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Artwork refers to visual art created by an artist, in this context represented by Richard Jack's Battle of Vimy Ridge as a significant battle painting."</data>
  <data key="d2">chunk-3fc06a2b64e6f6c0e6112e5ca519b018</data>
</node>
<node id="&quot;THÉLUS&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Thélus is a village that fell to the Canadian Corps during the second day of the Battle of Vimy Ridge, indicating its strategic importance."</data>
  <data key="d2">chunk-3fc06a2b64e6f6c0e6112e5ca519b018</data>
</node>
<node id="&quot;GIVENCHY-EN-GOHELLE&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Givenchy-en-Gohelle is the location of a fortified knoll that was the final objective captured by the Canadian Corps on 12 April 1917 during the battle."</data>
  <data key="d2">chunk-3fc06a2b64e6f6c0e6112e5ca519b018</data>
</node>
<node id="&quot;APPROACHES TO VIMY RIDGE&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Approaches to Vimy Ridge represents the strategic maneuvers and tactical plans employed to take control of the ridge from the Germans."</data>
  <data key="d2">chunk-3fc06a2b64e6f6c0e6112e5ca519b018</data>
</node>
<node id="&quot;OPPY-MÉRICOURT LINE&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"The Oppy-Méricourt line was the position to which the German forces retreated following the Canadian victory at Vimy Ridge."</data>
  <data key="d2">chunk-3fc06a2b64e6f6c0e6112e5ca519b018</data>
</node>
<node id="&quot;NIVELLE OFFENSIVE&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Nivelle Offensive was a series of French attacks during the First World War, of which the Battle of Vimy Ridge was a part, aimed at breaching German defenses."</data>
  <data key="d2">chunk-3fc06a2b64e6f6c0e6112e5ca519b018</data>
</node>
<node id="&quot;BATTLE OF ARRAS&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Battle of Arras was a larger military campaign during World War I that included the Battle of Vimy Ridge as one of its significant engagements."</data>
  <data key="d2">chunk-3fc06a2b64e6f6c0e6112e5ca519b018</data>
</node>
<node id="&quot;FRANCO-BRITISH FORCES&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Franco-British forces refer to the combined military efforts of French and British armies during World War I, specifically mentioned in the context of the battle."</data>
  <data key="d2">chunk-3fc06a2b64e6f6c0e6112e5ca519b018</data>
</node>
<node id="&quot;FRENCH TENTH ARMY&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The French Tenth Army was one of the military forces that attempted to recapture Vimy Ridge from German control before the Canadian Corps succeeded in April 1917."</data>
  <data key="d2">chunk-3fc06a2b64e6f6c0e6112e5ca519b018</data>
</node>
<node id="&quot;1ST MOROCCAN DIVISION&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The 1st Moroccan Division was a unit of the French Army that briefly captured heights around Vimy Ridge but did not hold them due to lack of reinforcements."</data>
  <data key="d2">chunk-3fc06a2b64e6f6c0e6112e5ca519b018</data>
</node>
<node id="&quot;SECOND BATTLE OF ARTOIS&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Second Battle of Artois was a prior engagement in which the French Army attempted to dislodge the Germans, including attempts at Vimy Ridge."</data>
  <data key="d2">chunk-3fc06a2b64e6f6c0e6112e5ca519b018</data>
</node>
<node id="&quot;THIRD BATTLE OF ARTOIS&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Third Battle of Artois was another attempt by French forces to regain control over positions around Vimy Ridge, preceding the Canadian attack."</data>
  <data key="d2">chunk-3fc06a2b64e6f6c0e6112e5ca519b018</data>
</node>
<node id="&quot;BATTLEFIELD&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"The battlefield refers to the area where the Battle of Vimy Ridge took place, which later became a memorial site."</data>
  <data key="d2">chunk-3fc06a2b64e6f6c0e6112e5ca519b018</data>
</node>
<node id="&quot;THÉODORE GÉRICAULT&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Théodore Géricault was a French Romantic painter and lithographer known for his iconic work 'The Raft of the Medusa,' which contributed significantly to the Romantic movement in French painting."&lt;SEP&gt;"Théodore Géricault was a French Romantic painter and lithographer known for his poignant artworks and significant contributions to the art world in the early 19th century."&lt;SEP&gt;"Théodore Géricault was a French painter known for his contributions to Romantic art, particularly through his series of portraits representing the insane."&lt;SEP&gt;"Théodore Géricault was a French painter known for his contributions to Romanticism, particularly his dynamic and emotional paintings such as The Charging Chasseur."&lt;SEP&gt;"Théodore Géricault was a French painter known for his genre paintings and fascination with horses, particularly displayed in his work titled The Epsom Derby."&lt;SEP&gt;"Théodore Géricault was a French painter known for his romantic style and for his portraits of individuals with manias, including those suffering from mental health issues."</data>
  <data key="d2">chunk-013c9b566a74fe0a406319895832f79e&lt;SEP&gt;chunk-3c7823dce797d485906c90174cff2bd4&lt;SEP&gt;chunk-5936887c6193ee8a58a58b5a91413b19&lt;SEP&gt;chunk-2b9b588e2baa1c14b6b0870035192bcf&lt;SEP&gt;chunk-678237cec5752fdae4c54b0d6be03ed8&lt;SEP&gt;chunk-f3aab66f151ba3c18dce8f45124c0b7d</data>
</node>
<node id="&quot;OFFICER OF THE CHASSEURS CHARGING ON HORSEBACK&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Officer of the Chasseurs Charging on Horseback (Charging Hussar) is an oil painting created by Géricault around 1812, capturing the dramatic moment of a mounted Napoleonic cavalry officer preparing for battle."</data>
  <data key="d2">chunk-5936887c6193ee8a58a58b5a91413b19</data>
</node>
<node id="&quot;THE RAFT OF THE MEDUSA&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Raft of the Medusa is a historical event depicting the aftermath of the wreck of the French naval frigate Méduse, where 147 people were adrift on a raft, leading to a tragic story of survival and cannibalism."&lt;SEP&gt;"The Raft of the Medusa is one of Géricault's masterpieces, painted between 1818 and 1819, marking his shift away from classicism towards more dramatic representations."</data>
  <data key="d2">chunk-5936887c6193ee8a58a58b5a91413b19&lt;SEP&gt;chunk-f3aab66f151ba3c18dce8f45124c0b7d</data>
</node>
<node id="&quot;THE CHARGING CHASSEUR&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Charging Chasseur is a major work by Géricault, known for its portrayal of a Napoleonic cavalry officer on horseback, emphasizing the themes of courage and action."</data>
  <data key="d2">chunk-5936887c6193ee8a58a58b5a91413b19</data>
</node>
<node id="&quot;NAPOLEONIC CAVALRY OFFICER&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The Napoleonic cavalry officer is a historical figure represented in Géricault's painting, symbolizing military valor and readiness for battle."</data>
  <data key="d2">chunk-5936887c6193ee8a58a58b5a91413b19</data>
</node>
<node id="&quot;THE WOUNDED CUIRASSIER&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Wounded Cuirassier is an oil painting created by Géricault in 1814, depicting an anonymous soldier, symbolizing the defeat of France and Napoleon's fall from power."</data>
  <data key="d2">chunk-2b9b588e2baa1c14b6b0870035192bcf</data>
</node>
<node id="&quot;BROOKLYN MUSEUM&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Brooklyn Museum is an art museum in New York City that also holds one of the known copies of The Wounded Cuirassier, highlighting its relevance in the art community."</data>
  <data key="d2">chunk-2b9b588e2baa1c14b6b0870035192bcf</data>
</node>
<node id="&quot;THE WOUNDED CUIRASSIER (FRENCH: LE CUIRASSIER BLESSÉ QUITTANT LE FEU)&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Wounded Cuirassier, also known as Le Cuirassier blessé quittant le feu, is the title given to the painting by Géricault, emphasizing its significance in French art history."</data>
  <data key="d2">chunk-2b9b588e2baa1c14b6b0870035192bcf</data>
</node>
<node id="&quot;1814 SALON&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The 1814 Salon refers to the art exhibition where The Wounded Cuirassier was presented, marking an important moment in the showcase of French art post-Napoleon."</data>
  <data key="d2">chunk-2b9b588e2baa1c14b6b0870035192bcf</data>
</node>
<node id="&quot;OIL PAINTING&quot;">
  <data key="d0">"TECHNOLOGY"</data>
  <data key="d1">"The Wounded Cuirassier is created using oil painting techniques on canvas, a common medium that allows for rich textures and colors."</data>
  <data key="d2">chunk-2b9b588e2baa1c14b6b0870035192bcf</data>
</node>
<node id="&quot;FRENCH DEFEATS&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"French defeats refer to the historical context surrounding the painting, symbolizing the loss and downfall experienced by France during that period, particularly after Napoleon's fall."</data>
  <data key="d2">chunk-2b9b588e2baa1c14b6b0870035192bcf</data>
</node>
<node id="&quot;SIGNBOARD OF A HOOFSMITH&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Signboard of a Hoofsmith is another of Géricault's works that bears resemblance to The Wounded Cuirassier, noted as a precursor despite its distinct differences."</data>
  <data key="d2">chunk-2b9b588e2baa1c14b6b0870035192bcf</data>
</node>
<node id="&quot;LITHOGRAPHY&quot;">
  <data key="d0">"TECHNOLOGY"</data>
  <data key="d1">"Lithography is a printmaking method used by Géricault, indicating his versatility as an artist beyond painting."</data>
  <data key="d2">chunk-2b9b588e2baa1c14b6b0870035192bcf</data>
</node>
<node id="&quot;FRENCH FRIGATE MÉDUSE&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The French frigate Méduse was a naval ship that ran aground off the coast of Mauritania, leading to a scandal due to the incompetence attributed to its captain."</data>
  <data key="d2">chunk-f3aab66f151ba3c18dce8f45124c0b7d</data>
</node>
<node id="&quot;LOUIS XVIII&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Louis XVIII was the King of France whose appointment of naval officers, including those linked to the frigate Méduse, faced public scrutiny after the shipwreck."</data>
  <data key="d2">chunk-f3aab66f151ba3c18dce8f45124c0b7d</data>
</node>
<node id="&quot;SAINT-LOUIS&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Saint-Louis is a Senegalese port where the frigate Méduse was bound, representing the ship's mission under the terms of the Peace of Paris."</data>
  <data key="d2">chunk-f3aab66f151ba3c18dce8f45124c0b7d</data>
</node>
<node id="&quot;PEACE OF PARIS&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Peace of Paris refers to treaties signed in 1814 and 1815 that concluded the Napoleonic Wars and restored territories, influencing French naval operations."</data>
  <data key="d2">chunk-f3aab66f151ba3c18dce8f45124c0b7d</data>
</node>
<node id="&quot;ROCHEFORT&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Rochefort is a French port from which the frigate Méduse departed for Senegal, marking the starting point of the ill-fated journey."</data>
  <data key="d2">chunk-f3aab66f151ba3c18dce8f45124c0b7d</data>
</node>
<node id="&quot;SURVIVORS&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"The survivors of the Raft of the Medusa were individuals who endured the harsh conditions of being adrift, experiencing starvation and cannibalism before rescue."</data>
  <data key="d2">chunk-f3aab66f151ba3c18dce8f45124c0b7d</data>
</node>
<node id="&quot;147 PEOPLE&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"The 147 people were passengers of the French frigate Méduse who were abandoned on a raft after the shipwreck, enduring dire conditions of starvation and cannibalism."</data>
  <data key="d2">chunk-f3aab66f151ba3c18dce8f45124c0b7d</data>
</node>
<node id="&quot;HUGUES DUROY DE CHAUMEREYS&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Hugues Duroy de Chaumereys was the appointed captain of the French frigate Méduse, whose incompetence was blamed for the shipwreck and subsequent tragedy."</data>
  <data key="d2">chunk-f3aab66f151ba3c18dce8f45124c0b7d</data>
</node>
<node id="&quot;COLONEL JULIEN-DÉSIRÉ SCHMALTZ&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Colonel Julien-Désiré Schmaltz was the appointed governor of Senegal and a passenger on the frigate Méduse, playing a role in the mission to return Senegal to French control."</data>
  <data key="d2">chunk-f3aab66f151ba3c18dce8f45124c0b7d</data>
</node>
<node id="&quot;J. M. W. TURNER&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"J. M. W. Turner was an English painter known for his dramatic seascapes and landscapes, influenced by Théodore Géricault and the themes present in 'The Raft of the Medusa.'"</data>
  <data key="d2">chunk-f3aab66f151ba3c18dce8f45124c0b7d</data>
</node>
<node id="&quot;GUSTAVE COURBET&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Gustave Courbet was a French painter associated with Realism, whose artistic approach may have been influenced by the dramatic narratives of works like 'The Raft of the Medusa.'"&lt;SEP&gt;"Gustave Courbet was a contemporary artist whose techniques influenced Renoir during his early career, especially his works before fully developing his Impressionist style."</data>
  <data key="d2">chunk-7ee75c18cf080cd60a5878641ff20a7f&lt;SEP&gt;chunk-f3aab66f151ba3c18dce8f45124c0b7d</data>
</node>
<node id="&quot;ÉDOUARD MANET&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Édouard Manet was a French modernist painter who was inspired by themes of realism and dramatic storytelling found in Géricault's 'The Raft of the Medusa.'"</data>
  <data key="d2">chunk-f3aab66f151ba3c18dce8f45124c0b7d</data>
</node>
<node id="&quot;CANNIBALISM&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Cannibalism refers to the act of consuming the flesh of one's own species, highlighted in the tragic survival story of the raft survivors from the Medusa."</data>
  <data key="d2">chunk-f3aab66f151ba3c18dce8f45124c0b7d</data>
</node>
<node id="&quot;STARVATION&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Starvation is the severe lack of food, which caused suffering among the survivors of the raft from the Medusa, illustrating the extreme conditions they faced."</data>
  <data key="d2">chunk-f3aab66f151ba3c18dce8f45124c0b7d</data>
</node>
<node id="&quot;DEHYDRATION&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Dehydration is a critical physiological state that affected the survivors of the raft, emphasizing the dire circumstances they endured while adrift."</data>
  <data key="d2">chunk-f3aab66f151ba3c18dce8f45124c0b7d</data>
</node>
<node id="&quot;PUBLIC OUTRAGE&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Public outrage refers to the societal anger and scandal generated by the events surrounding the wreck of the Méduse, leading to a significant public reaction against those deemed responsible."</data>
  <data key="d2">chunk-f3aab66f151ba3c18dce8f45124c0b7d</data>
</node>
<node id="&quot;RESEARCH&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Research encompasses the extensive preparatory work Géricault undertook, including interviews with survivors and visits to morgues, to accurately depict the human condition in his painting."</data>
  <data key="d2">chunk-f3aab66f151ba3c18dce8f45124c0b7d</data>
</node>
<node id="&quot;ICON OF FRENCH ROMANTICISM&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The term 'Icon of French Romanticism' describes how 'The Raft of the Medusa' represents key characteristics of the Romantic movement in art and literature."</data>
  <data key="d2">chunk-f3aab66f151ba3c18dce8f45124c0b7d</data>
</node>
<node id="&quot;THE EPSOM DERBY&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Epsom Derby is a painting created in 1821 by Théodore Géricault, depicting a horse race and showcasing the artist's interest in equine subjects."</data>
  <data key="d2">chunk-678237cec5752fdae4c54b0d6be03ed8</data>
</node>
<node id="&quot;ADAM ELMORE&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Adam Elmore was an English horse dealer for whom Théodore Géricault painted The Epsom Derby."</data>
  <data key="d2">chunk-678237cec5752fdae4c54b0d6be03ed8</data>
</node>
<node id="&quot;THE 1821 DERBY AT EPSOM&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The 1821 Derby at Epsom, also known traditionally as Le Derby de 1821 à Epsom, refers to the horse race depicted in Géricault's painting."</data>
  <data key="d2">chunk-678237cec5752fdae4c54b0d6be03ed8</data>
</node>
<node id="&quot;EADWEARD MUYBRIDGE&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Eadweard Muybridge was a photographer known for his studies of motion, who discovered details about the positioning of a horse's legs as depicted in Géricault's painting."</data>
  <data key="d2">chunk-678237cec5752fdae4c54b0d6be03ed8</data>
</node>
<node id="&quot;PORTRAIT OF A KLEPTOMANIAC&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Portrait of a Kleptomaniac is an 1822 oil painting by Géricault, part of a series portraying inmates with various mental illnesses."&lt;SEP&gt;"Portrait of a Kleptomaniac is another painting by Géricault that is part of the same series as The Woman with Gambling Mania, focusing on similar themes."</data>
  <data key="d2">chunk-013c9b566a74fe0a406319895832f79e&lt;SEP&gt;chunk-3c7823dce797d485906c90174cff2bd4</data>
</node>
<node id="&quot;ÉTIENNE-JEAN GEORGET&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Étienne-Jean Georget was a psychiatrist and one of the founders of social psychiatry, who commissioned Géricault for the portrait series."&lt;SEP&gt;"Étienne-Jean Georget was a psychiatrist who assisted Géricault during his depressive period and inspired the series of paintings of mental patients."</data>
  <data key="d2">chunk-013c9b566a74fe0a406319895832f79e&lt;SEP&gt;chunk-3c7823dce797d485906c90174cff2bd4</data>
</node>
<node id="&quot;MUSEUM OF FINE ARTS, GHENT&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Museum of Fine Arts in Ghent, Belgium, is the current location where Portrait of a Kleptomaniac is kept, showcasing historical art."</data>
  <data key="d2">chunk-3c7823dce797d485906c90174cff2bd4</data>
</node>
<node id="&quot;SALPÊTRIÈRE ASYLUM&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Salpêtrière Asylum in Paris served as the setting for Géricault's portraits, housing many individuals with mental illnesses."</data>
  <data key="d2">chunk-3c7823dce797d485906c90174cff2bd4</data>
</node>
<node id="&quot;PORTRAIT OF AN INSANE PERSON&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Portrait of an Insane Person is the alternate name for Portrait of a Kleptomaniac, indicating its commentary on mental illness."</data>
  <data key="d2">chunk-3c7823dce797d485906c90174cff2bd4</data>
</node>
<node id="&quot;MENTAL ILLNESS&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Mental Illness is a central theme in the painting, representing societal attitudes towards individuals with psychological conditions during Géricault's time."</data>
  <data key="d2">chunk-3c7823dce797d485906c90174cff2bd4</data>
</node>
<node id="&quot;DEMENTIA&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Dementia is referenced as one of the modern diseases that Georget and Géricault aimed to depict through the portraits, highlighting societal perceptions of mental health."</data>
  <data key="d2">chunk-3c7823dce797d485906c90174cff2bd4</data>
</node>
<node id="&quot;ROMANTIC ART&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Romantic Art is a movement that Géricault's works are associated with, focusing on emotional expression and the human condition."</data>
  <data key="d2">chunk-3c7823dce797d485906c90174cff2bd4</data>
</node>
<node id="&quot;IMPRESSIONISTS&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Impressionists are contemporaries referenced in relation to Géricault's techniques, noted for their emphasis on capturing light and moment."</data>
  <data key="d2">chunk-3c7823dce797d485906c90174cff2bd4</data>
</node>
<node id="&quot;PSYCHIATRY&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Psychiatry is a key theme connected to Géricault's work, showcasing the evolving understanding and representation of mental health."</data>
  <data key="d2">chunk-3c7823dce797d485906c90174cff2bd4</data>
</node>
<node id="&quot;THE WOMAN WITH GAMBLING MANIA&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Woman with Gambling Mania is an 1822 painting by Théodore Géricault, depicting a woman suffering from gambling addiction as part of a broader exploration of mental health."&lt;SEP&gt;"The Woman with Gambling Mania is an 1822 painting by Théodore Géricault, part of a series depicting individuals with various manias."</data>
  <data key="d2">chunk-013c9b566a74fe0a406319895832f79e</data>
</node>
<node id="&quot;INSANE WOMAN&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Insane Woman is also a part of the series by Géricault depicting mental patients, underscoring the artistic exploration of insanity."</data>
  <data key="d2">chunk-013c9b566a74fe0a406319895832f79e</data>
</node>
<node id="&quot;THEORY OF THE HUMAN MIND&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The theory of the human mind during Géricault's time was characterized by a growing curiosity about mental illness and the complexities of insanity."</data>
  <data key="d2">chunk-013c9b566a74fe0a406319895832f79e</data>
</node>
<node id="&quot;SERIES OF TEN PORTRAITS&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The series of ten portraits is a collection of Géricault's works focused on individuals with specific manias, including The Woman with Gambling Mania."</data>
  <data key="d2">chunk-013c9b566a74fe0a406319895832f79e</data>
</node>
<node id="&quot;JEAN-FRANÇOIS MILLET&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Jean-François Millet was a French painter known for his depictions of rural life, particularly his work 'The Gleaners' which highlighted the struggles of the lower class."&lt;SEP&gt;"Jean-François Millet was a French painter known for his role in the Barbizon school and recognized for his work 'The Angelus', which reflects rural life and devotion."</data>
  <data key="d2">chunk-eb306e68cf3b8b870da2df7e9aa32533&lt;SEP&gt;chunk-2c51aa83d8b3b7e3926013e9d26fb179</data>
</node>
<node id="&quot;THE GLEANERS&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Gleaners is an oil painting by Jean-François Millet completed in 1857, depicting peasant women gleaning a field after harvest, and serves as a socially critical commentary on rural poverty."&lt;SEP&gt;"The Gleaners is another significant painting by Millet, which was sold at the Salon in 1857 and is referenced in relation to 'The Angelus'."</data>
  <data key="d2">chunk-eb306e68cf3b8b870da2df7e9aa32533&lt;SEP&gt;chunk-2c51aa83d8b3b7e3926013e9d26fb179</data>
</node>
<node id="&quot;FERDINAND BISCHOFFSHEIM&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Ferdinand Bischoffsheim was a banker who owned 'The Gleaners' in 1889, indicating the painting's rising value after Millet's death."</data>
  <data key="d2">chunk-2c51aa83d8b3b7e3926013e9d26fb179</data>
</node>
<node id="&quot;JEANNE-ALEXANDRINE LOUISE POMMERY&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Jeanne-Alexandrine Louise Pommery was rumored to be the American buyer of 'The Gleaners,' acquiring it and thereby elevating its prestige."</data>
  <data key="d2">chunk-2c51aa83d8b3b7e3926013e9d26fb179</data>
</node>
<node id="&quot;THE GLEANERS (DES GLANEUSES)&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Gleaners (Des glaneuses) is the title of the oil painting by Jean-François Millet, highlighting the struggles of peasant women gleaning post-harvest."</data>
  <data key="d2">chunk-2c51aa83d8b3b7e3926013e9d26fb179</data>
</node>
<node id="&quot;1857&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"1857 is the year in which 'The Gleaners' was completed, marking a significant moment in the history of art and social commentary."</data>
  <data key="d2">chunk-2c51aa83d8b3b7e3926013e9d26fb179</data>
</node>
<node id="&quot;FRENCH REVOLUTION OF 1848&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The French Revolution of 1848 was a significant event that shaped societal attitudes towards class and labor in France, influencing the perception of Millet's artwork."</data>
  <data key="d2">chunk-2c51aa83d8b3b7e3926013e9d26fb179</data>
</node>
<node id="&quot;THE SALON&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Salon refers to France's most prestigious art exhibition, which rejected 'The Parquet Planers' in 1875 due to its portrayal of working-class themes."&lt;SEP&gt;"The Salon refers to the art exhibition where 'The Gleaners' was unveiled in 1857, which drew public attention and criticism."</data>
  <data key="d2">chunk-2c51aa83d8b3b7e3926013e9d26fb179&lt;SEP&gt;chunk-5387a9f92c6290746c3974533e905a95</data>
</node>
<node id="&quot;SOCIALISM&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Socialism is a political and economic theory related to the working class, which the upper classes linked to 'The Gleaners' due to its portrayal of peasant women."</data>
  <data key="d2">chunk-2c51aa83d8b3b7e3926013e9d26fb179</data>
</node>
<node id="&quot;THE WORKING CLASS&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The working class refers to the lower ranks of rural society depicted in 'The Gleaners,' which plays a central role in the painting's narrative."</data>
  <data key="d2">chunk-2c51aa83d8b3b7e3926013e9d26fb179</data>
</node>
<node id="&quot;THE UPPER CLASS&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The upper class refers to the more affluent societal segment in France that reacted negatively to 'The Gleaners,' fearing its implications about class disparity."</data>
  <data key="d2">chunk-2c51aa83d8b3b7e3926013e9d26fb179</data>
</node>
<node id="&quot;BINDER&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Binder was an Englishman who purchased 'The Gleaners' from Millet for 3,000 francs, reflecting the economic challenges Millet faced."</data>
  <data key="d2">chunk-2c51aa83d8b3b7e3926013e9d26fb179</data>
</node>
<node id="&quot;300,000 FRANCS&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"300,000 francs is the amount for which 'The Gleaners' sold at auction in 1889, showcasing the painting's dramatically increased value."</data>
  <data key="d2">chunk-2c51aa83d8b3b7e3926013e9d26fb179</data>
</node>
<node id="&quot;33 INCHES BY 44 INCHES&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"33 inches by 44 inches refers to the large dimensions of 'The Gleaners,' which contributed to its perception as a significant and bold artwork."</data>
  <data key="d2">chunk-2c51aa83d8b3b7e3926013e9d26fb179</data>
</node>
<node id="&quot;THE ANGELUS&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Angelus is an oil painting completed by Millet between 1857 and 1859, depicting two peasants in a moment of prayer as they harvest potatoes, symbolizing devotion and nostalgia."</data>
  <data key="d2">chunk-eb306e68cf3b8b870da2df7e9aa32533</data>
</node>
<node id="&quot;THOMAS GOLD APPLETON&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Thomas Gold Appleton was an American painter and art collector who commissioned 'The Angelus' from Millet but never collected it."</data>
  <data key="d2">chunk-eb306e68cf3b8b870da2df7e9aa32533</data>
</node>
<node id="&quot;BARBIZON SCHOOL&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Barbizon school was an artistic movement in the mid-19th century that emphasized realistic depictions of nature and rural life, influencing painters like Millet."</data>
  <data key="d2">chunk-eb306e68cf3b8b870da2df7e9aa32533</data>
</node>
<node id="&quot;CHAILLY-EN-BIÈRE&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Chailly-en-Bière is a location depicted in 'The Angelus', providing a church tower backdrop for the scene of the two peasants."</data>
  <data key="d2">chunk-eb306e68cf3b8b870da2df7e9aa32533</data>
</node>
<node id="&quot;LÉON GAMBETTA&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Léon Gambetta was a French statesman who admired 'The Angelus', highlighting its impact on viewers and art critics."</data>
  <data key="d2">chunk-eb306e68cf3b8b870da2df7e9aa32533</data>
</node>
<node id="&quot;SALVADOR DALÍ&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Salvador Dalí was a surrealist artist who interpreted 'The Angelus' as a funeral scene, showcasing a controversial view of the painting."</data>
  <data key="d2">chunk-eb306e68cf3b8b870da2df7e9aa32533</data>
</node>
<node id="&quot;JULES VAN PRAËT&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Jules Van Praët was a Belgian minister who exchanged 'The Angelus' for another painting by Millet and recognized it as a masterpiece."</data>
  <data key="d2">chunk-eb306e68cf3b8b870da2df7e9aa32533</data>
</node>
<node id="&quot;PRAYER FOR THE POTATO CROP&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Originally titled 'Prayer for the Potato Crop', this was the initial title of the painting before Millet renamed it to 'The Angelus'."</data>
  <data key="d2">chunk-eb306e68cf3b8b870da2df7e9aa32533</data>
</node>
<node id="&quot;YOUNG SPARTANS EXERCISING&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Young Spartans Exercising is a historical painting by Edgar Degas that portrays Spartan youth engaging in exercises, showcasing themes of challenge and interaction between genders."</data>
  <data key="d2">chunk-05d3994d1da7a9390d2f95fa4beac3b5</data>
</node>
<node id="&quot;SPARTA&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Sparta is an ancient city-state in Greece known for its military discipline and rigorous training of youth, serving as the backdrop for the themes depicted in Degas's painting."</data>
  <data key="d2">chunk-05d3994d1da7a9390d2f95fa4beac3b5</data>
</node>
<node id="&quot;MONT TAYGETUS&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Mount Taygetus is a mountain in the region of Laconia, Greece, historically significant for its association with Spartan society and its cultural narratives about the 'unfit' children of Sparta."</data>
  <data key="d2">chunk-05d3994d1da7a9390d2f95fa4beac3b5</data>
</node>
<node id="&quot;THE YOUNG SPARTANS EXERCISING&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Young Spartans Exercising refers to the theme of youth engaging in physical activity and competition, which is depicted in Degas's painting."</data>
  <data key="d2">chunk-05d3994d1da7a9390d2f95fa4beac3b5</data>
</node>
<node id="&quot;LYCURGUS&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Lycurgus is a legendary lawgiver of Sparta, who is believed to have established many of the social and military frameworks of Spartan society."</data>
  <data key="d2">chunk-05d3994d1da7a9390d2f95fa4beac3b5</data>
</node>
<node id="&quot;DIEGO MARTELLI&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Diego Martelli was an Italian art critic known for his commentary on art from the viewpoint of classical aesthetics, providing criticism on Degas's Young Spartans Exercising."</data>
  <data key="d2">chunk-05d3994d1da7a9390d2f95fa4beac3b5</data>
</node>
<node id="&quot;ART INSTITUTE OF CHICAGO&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Art Institute of Chicago houses a second, less-finished full-scale version of Degas's Young Spartans Exercising, highlighting its artistic significance."&lt;SEP&gt;"The Art Institute of Chicago is an art museum that currently owns 'Paris, a Rainy Day' and showcases a wide range of significant artworks."&lt;SEP&gt;"The Art Institute of Chicago is the institution that acquired Modigliani's painting 'Jacques and Berthe Lipchitz' in 1926 as part of the Helen Birch Bartlett Memorial Collection."</data>
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</node>
<node id="&quot;THE ART BULLETIN&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Art Bulletin is an academic journal that discusses art history and has published critiques regarding Degas's Young Spartans Exercising."</data>
  <data key="d2">chunk-05d3994d1da7a9390d2f95fa4beac3b5</data>
</node>
<node id="&quot;CAROL SALUS&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Carol Salus is an art critic who contributed to the discourse on Degas's Young Spartans Exercising, offering interpretations and insights in the Art Bulletin."</data>
  <data key="d2">chunk-05d3994d1da7a9390d2f95fa4beac3b5</data>
</node>
<node id="&quot;LINDA NOCHLIN&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Linda Nochlin was an art historian who interpreted Portraits at the Stock Exchange as possibly containing anti-Semitic depictions based on the features and postures of the subjects."&lt;SEP&gt;"Linda Nochlin was an art historian whose arguments challenged previous interpretations of Degas’s Young Spartans Exercising, promoting the idea of open interpretations."</data>
  <data key="d2">chunk-05d3994d1da7a9390d2f95fa4beac3b5&lt;SEP&gt;chunk-d958e23374049315b611435d93c1e9fc</data>
</node>
<node id="&quot;CHRISTOPHER RIOPELLE&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Christopher Riopelle is the curator of 19th-century painting at the National Gallery, who spoke on the evolving interpretations of Degas's work."</data>
  <data key="d2">chunk-05d3994d1da7a9390d2f95fa4beac3b5</data>
</node>
<node id="&quot;CONTEMPORARY PARISIAN LOOK&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The contemporary Parisian look refers to the modern twist applied by Degas to the youth depicted in the painting, diverging from classical Greek ideals."</data>
  <data key="d2">chunk-05d3994d1da7a9390d2f95fa4beac3b5</data>
</node>
<node id="&quot;1879&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The year 1879 is significant for the critique of Young Spartans Exercising by Diego Martelli, marking important commentary in the evolution of Degas’s work."</data>
  <data key="d2">chunk-05d3994d1da7a9390d2f95fa4beac3b5</data>
</node>
<node id="&quot;MUSÉE D'ORSAY&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Musée d'Orsay is a museum in Paris where Gustave Caillebotte's artwork 'The Parquet Planers' is currently displayed, showcasing Impressionist works."&lt;SEP&gt;"Musée d'Orsay is a museum in Paris where the painting Dance in the Country is currently kept."&lt;SEP&gt;"Musée d'Orsay is a prominent art museum in Paris, where the painting 'Girls at the Piano' is on public display."&lt;SEP&gt;"Musée d'Orsay is an art museum in Paris that houses the painting Dance at Moulin de la Galette, known for its extensive collection of Impressionist artworks."&lt;SEP&gt;"The Musée d'Orsay is a famous museum in Paris that houses the painting The Bellelli Family, among other works of art, particularly those from the Impressionist and Post-Impressionist periods."&lt;SEP&gt;"The Musée d'Orsay is a museum in Paris where the painting currently resides, showcasing a collection of Impressionist and post-Impressionist masterpieces."</data>
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</node>
<node id="&quot;LAURA BELLELLI&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Laura Bellelli is the aunt of Edgar Degas, depicted in his painting, characterized by her dignified demeanor and connection to her children, as well as her mourning for her deceased father."</data>
  <data key="d2">chunk-4c7cfcb707cd269b60b65bb04093136b</data>
</node>
<node id="&quot;GENNARO BELLELLI&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Gennaro Bellelli is Laura's husband and an Italian patriot exiled from Naples; he is portrayed as somewhat disconnected from his family and associated with business endeavors in Degas's painting."</data>
  <data key="d2">chunk-4c7cfcb707cd269b60b65bb04093136b</data>
</node>
<node id="&quot;GIULIA BELLELLI&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Giulia Bellelli is one of the daughters of Laura and Gennaro Bellelli, characterized by a lively pose in Degas's painting, suggesting a contrast to her sister's restraint."</data>
  <data key="d2">chunk-4c7cfcb707cd269b60b65bb04093136b</data>
</node>
<node id="&quot;GIOVANNA BELLELLI&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Giovanna Bellelli is the younger daughter of Laura and Gennaro Bellelli, depicted with restraint in Degas's painting, highlighting the familial tensions present during that time."</data>
  <data key="d2">chunk-4c7cfcb707cd269b60b65bb04093136b</data>
</node>
<node id="&quot;FIRST CONTACT&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"First Contact refers to the potential initial communication between humanity and an unknown intelligence, which is a key concept in engaging with extraterrestrial life."</data>
  <data key="d2">chunk-4c7cfcb707cd269b60b65bb04093136b</data>
</node>
<node id="&quot;HUMANITY'S RESPONSE&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Humanity's Response is the collective action taken by Alex's team, representing humanity's proactive engagement with the unknown intelligence from the cosmos."</data>
  <data key="d2">chunk-4c7cfcb707cd269b60b65bb04093136b</data>
</node>
<node id="&quot;HILAIRE DEGAS&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Hilaire Degas is Edgar Degas's grandfather, who passed away shortly before Degas's visit to Italy, impacting the familial dynamics depicted in The Bellelli Family."</data>
  <data key="d2">chunk-4c7cfcb707cd269b60b65bb04093136b</data>
</node>
<node id="&quot;FLORENCE&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Florence is a city in Italy where Edgar Degas stayed with his aunt and uncle, which served as a backdrop for his artistic development and the creation of The Bellelli Family."&lt;SEP&gt;"Florence is the city where Aleardo Aleardi served as a professor of aesthetics until his death, marking a significant place in his life."</data>
  <data key="d2">chunk-4c7cfcb707cd269b60b65bb04093136b&lt;SEP&gt;chunk-2fe3954386fc8712317fa688b8c22f37</data>
</node>
<node id="&quot;NAPLES&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Naples is a city in Italy where Laura Bellelli wrote to Degas, and it is significant for its personal and historical ties to the Bellelli family and Degas's artistic journey."&lt;SEP&gt;"Naples is the city where Hayez stayed with the Ruffo family while producing several works, including The Sicilian Vespers for his patron."</data>
  <data key="d2">chunk-4c7cfcb707cd269b60b65bb04093136b&lt;SEP&gt;chunk-6540a1dcb466d96118815be76a9ce7fa</data>
</node>
<node id="&quot;UFFIZI GALLERY&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Uffizi Gallery is an art museum in Florence that Edgar Degas visited to study and gather inspiration for his paintings, contributing to his artistic growth."</data>
  <data key="d2">chunk-4c7cfcb707cd269b60b65bb04093136b</data>
</node>
<node id="&quot;AUSTRIAN PERSECUTION&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Austrian persecution refers to the political context that led Gennaro Bellelli, an Italian patriot, to seek refuge in Florence following the defeat of the Revolution of 1848."</data>
  <data key="d2">chunk-4c7cfcb707cd269b60b65bb04093136b</data>
</node>
<node id="&quot;REVOLUTION OF 1848&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Revolution of 1848 was a series of political upheavals throughout Europe, which significantly impacted Gennaro Bellelli's life and status as an exile."</data>
  <data key="d2">chunk-4c7cfcb707cd269b60b65bb04093136b</data>
</node>
<node id="&quot;MOURNING&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Mourning in the context of The Bellelli Family is represented physically through Laura Bellelli's attire and emotional expression, highlighting themes of grief and familial tension."</data>
  <data key="d2">chunk-4c7cfcb707cd269b60b65bb04093136b</data>
</node>
<node id="&quot;BARON&quot;">
  <data key="d0">"ROLE"</data>
  <data key="d1">"Baron Gennaro Bellelli is identified as a political journalist and husband to Laura Bellelli, depicting a role that stresses his complexities and detachment within the family."</data>
  <data key="d2">chunk-4c7cfcb707cd269b60b65bb04093136b</data>
</node>
<node id="&quot;PAINTING&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Painting refers to the act of applying pigment to a surface, which is exemplified by Renoir’s work 'By the Seashore' completed in 1883."&lt;SEP&gt;"The painting, The Bellelli Family, encapsulates a significant moment in Edgar Degas's artistic career, reflecting personal and familial narratives."</data>
  <data key="d2">chunk-4c7cfcb707cd269b60b65bb04093136b&lt;SEP&gt;chunk-7df321ef37645a5107c4f3123310012e</data>
</node>
<node id="&quot;COMTE LE PIC AND HIS SONS&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Comte Le Pic and his Sons is a portrait artwork created by Edgar Degas, showcasing themes of family and social context in a formal setting."</data>
  <data key="d2">chunk-fb4531a7f012c606c26bf62b16100b3f</data>
</node>
<node id="&quot;LUDOVIC LEPIC AND HIS DAUGHTERS&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Ludovic Lepic and His Daughters is a painting by Edgar Degas completed around 1871, depicting the artist's friend Ludovic-Napoléon Lepic and his daughters, highlighting themes of familial relationships."</data>
  <data key="d2">chunk-fb4531a7f012c606c26bf62b16100b3f</data>
</node>
<node id="&quot;FOUNDATION E.G. BÜHRLE&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Foundation E.G. Bührle is an art foundation in Zürich, Switzerland notable for its collection and for the incident involving the theft of the painting Ludovic Lepic and His Daughters in 2008."&lt;SEP&gt;"The Foundation E.G. Bührle is a museum in Zürich where another portrait painted by Renoir of the couple's oldest daughter, Irene, is conserved."</data>
  <data key="d2">chunk-64e96010f8bd0425db3bf6606f07a933&lt;SEP&gt;chunk-fb4531a7f012c606c26bf62b16100b3f</data>
</node>
<node id="&quot;SWITZERLAND&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Switzerland is a country in Central Europe known for its neutrality, landscapes, and contributions to the art world, hosting institutions like Foundation E.G. Bührle."&lt;SEP&gt;"Switzerland is speculated as a possible location for The Tower of Blue Horses, particularly in reference to claims of its being kept in a bank safe in Zurich post-war."</data>
  <data key="d2">chunk-fb4531a7f012c606c26bf62b16100b3f&lt;SEP&gt;chunk-f9f762a55ddb23f15084796d5d69f579</data>
</node>
<node id="&quot;LUDOVIC-NAPOLÉON LEPIC&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Ludovic-Napoléon Lepic was a French figure represented in Edgar Degas's paintings, known for his familial connections with his daughters."&lt;SEP&gt;"Ludovic-Napoléon Lepic was a figure depicted in Degas's artwork, characterized as a cigar smoker with his daughters, showcasing a familial and social interaction."</data>
  <data key="d2">chunk-fb4531a7f012c606c26bf62b16100b3f&lt;SEP&gt;chunk-d5e59a7034440f4df8140acf368ff106</data>
</node>
<node id="&quot;LEPIC'S DAUGHTERS&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Lepic's Daughters refers to the daughters of Ludovic Lepic, depicted alongside their father in Degas's artwork, symbolizing family bonds."</data>
  <data key="d2">chunk-fb4531a7f012c606c26bf62b16100b3f</data>
</node>
<node id="&quot;PLACE DE LA CONCORDE&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Place de la Concorde is a famous public square in Paris, France, where Edgar Degas painted another portrait of Ludovic Lepic, showcasing its cultural significance."&lt;SEP&gt;"Place de la Concorde is a prominent public square in Paris, known for its historical significance and as a setting for various artistic representations."</data>
  <data key="d2">chunk-fb4531a7f012c606c26bf62b16100b3f&lt;SEP&gt;chunk-d5e59a7034440f4df8140acf368ff106</data>
</node>
<node id="&quot;A COTTON OFFICE IN NEW ORLEANS&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"A Cotton Office in New Orleans is an 1873 oil painting created by Edgar Degas, depicting his uncle's cotton brokerage business in New Orleans."</data>
  <data key="d2">chunk-67a7050b07298b457130f02b2fc6b413</data>
</node>
<node id="&quot;MICHAEL MUSSON&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Michael Musson was Edgar Degas' uncle and the owner of a cotton brokerage firm showcased in Degas's painting, which later went bankrupt."</data>
  <data key="d2">chunk-67a7050b07298b457130f02b2fc6b413</data>
</node>
<node id="&quot;RENE DEGAS&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Rene Degas was Edgar Degas' brother who joined their uncle's cotton business in New Orleans after the Civil War."</data>
  <data key="d2">chunk-67a7050b07298b457130f02b2fc6b413</data>
</node>
<node id="&quot;ACHILLE DEGAS&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Achille Degas was another brother of Edgar Degas, seen in the painting resting against a wall."</data>
  <data key="d2">chunk-67a7050b07298b457130f02b2fc6b413</data>
</node>
<node id="&quot;THE DAILY PICAYUNE&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Daily Picayune is a newspaper being read by Rene Degas in Edgar Degas's painting, contributing to the scene's depiction of daily life."</data>
  <data key="d2">chunk-67a7050b07298b457130f02b2fc6b413</data>
</node>
<node id="&quot;MUSEE DES BEAUX-ARTS&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Musee des Beaux-Arts is the museum where Edgar Degas sold A Cotton Office in New Orleans in 1878, marking a significant event in his art career."</data>
  <data key="d2">chunk-67a7050b07298b457130f02b2fc6b413</data>
</node>
<node id="&quot;COTTON EXCHANGE&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Cotton Exchange was a significant business entity referred to in the text, which overshadowed Michael Musson's brokerage firm during an economic downturn."</data>
  <data key="d2">chunk-67a7050b07298b457130f02b2fc6b413</data>
</node>
<node id="&quot;PITTSBURGH POST-GAZETTE&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Pittsburgh Post-Gazette is a newspaper mentioned in relation to the history of Michael Musson's cotton brokerage business and its bankruptcy."</data>
  <data key="d2">chunk-67a7050b07298b457130f02b2fc6b413</data>
</node>
<node id="&quot;ART MARKETS&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Art Markets refer to the economic landscape in which artworks are bought and sold, discussed in the context of Degas's difficulties selling A Cotton Office in New Orleans."</data>
  <data key="d2">chunk-67a7050b07298b457130f02b2fc6b413</data>
</node>
<node id="&quot;ECONOMIC CRASH&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Economic Crash refers to the downturn that affected Michael Musson's brokerage firm, as well as the broader financial impacts on the art market mentioned in the text."</data>
  <data key="d2">chunk-67a7050b07298b457130f02b2fc6b413</data>
</node>
<node id="&quot;BRITISH TEXTILE MANUFACTURER&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The British Textile Manufacturer was a potential buyer for Degas's painting, highlighting the international interest that his work garnered during that period."</data>
  <data key="d2">chunk-67a7050b07298b457130f02b2fc6b413</data>
</node>
<node id="&quot;SECOND IMPRESSIONIST SHOW&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Second Impressionist Show was an exhibition in Paris where Edgar Degas displayed A Cotton Office in New Orleans in 1876, contributing to his recognition as an artist."</data>
  <data key="d2">chunk-67a7050b07298b457130f02b2fc6b413</data>
</node>
<node id="&quot;1878&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"1878 is the year when Edgar Degas finally sold A Cotton Office in New Orleans to the Musee des Beaux-Arts, marking a pivotal moment in his career."</data>
  <data key="d2">chunk-67a7050b07298b457130f02b2fc6b413</data>
</node>
<node id="&quot;DAILY LIFE&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Daily Life represents the central theme depicted in A Cotton Office in New Orleans, showcasing the activities of individuals in a business setting."</data>
  <data key="d2">chunk-67a7050b07298b457130f02b2fc6b413</data>
</node>
<node id="&quot;THE TUILERIES GARDENS&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"The Tuileries Gardens are a public garden located in Paris, located behind a stone wall at Place de la Concorde, often seen in the backdrop of artworks."</data>
  <data key="d2">chunk-d5e59a7034440f4df8140acf368ff106</data>
</node>
<node id="&quot;HERMITAGE MUSEUM&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Hermitage Museum is a renowned museum in Russia where the painting Place de la Concorde was put on exhibition after being considered lost for decades."</data>
  <data key="d2">chunk-d5e59a7034440f4df8140acf368ff106</data>
</node>
<node id="&quot;WORLD WAR II&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"World War II was a global conflict where the painting was lost for decades after the war and involved events that led to its theft by Soviet authorities."</data>
  <data key="d2">chunk-d5e59a7034440f4df8140acf368ff106</data>
</node>
<node id="&quot;LUDOVIC LEPIC&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Ludovic Lepic is a character in Degas's painting Place de la Concorde, presented as a cigar-smoking father, showcasing family dynamics."</data>
  <data key="d2">chunk-d5e59a7034440f4df8140acf368ff106</data>
</node>
<node id="&quot;HIS DAUGHTERS&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"The daughters of Ludovic Lepic are depicted in the painting, representing a familial relationship and youth."</data>
  <data key="d2">chunk-d5e59a7034440f4df8140acf368ff106</data>
</node>
<node id="&quot;THE SOLITARY MAN&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"The solitary man appearing on the left side of the painting adds to the narrative of social interactions within the artwork."</data>
  <data key="d2">chunk-d5e59a7034440f4df8140acf368ff106</data>
</node>
<node id="&quot;THE CIGAR&quot;">
  <data key="d0">"OBJECT"</data>
  <data key="d1">"The cigar held by Ludovic Lepic is a small but significant detail that characterizes him and signifies social standing."</data>
  <data key="d2">chunk-d5e59a7034440f4df8140acf368ff106</data>
</node>
<node id="&quot;THE COLLECTION OF OTTO GERSTENBERG&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Otto Gerstenberg's collection included the painting before it was taken by Soviet authorities during World War II."</data>
  <data key="d2">chunk-d5e59a7034440f4df8140acf368ff106</data>
</node>
<node id="&quot;RUSSIAN AUTHORITIES&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Russian authorities are linked to the later exhibition of the painting at the Hermitage after its recovery."</data>
  <data key="d2">chunk-d5e59a7034440f4df8140acf368ff106</data>
</node>
<node id="&quot;PORTRAITS AT THE STOCK EXCHANGE&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Portraits at the Stock Exchange, also known as At the Bourse, is a painting completed by Edgar Degas in about 1879, depicting an interior scene of the Paris Stock Exchange with significant figures engaged in discussion."</data>
  <data key="d2">chunk-d958e23374049315b611435d93c1e9fc</data>
</node>
<node id="&quot;PARIS STOCK EXCHANGE&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Paris Stock Exchange, also referred to as The Paris Bourse, is a historical financial market in Paris where stocks and commodities were traded, providing the backdrop for Degas's painting."</data>
  <data key="d2">chunk-d958e23374049315b611435d93c1e9fc</data>
</node>
<node id="&quot;ERNEST MAY&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Ernest May was a French banker who owned the painting Portraits at the Stock Exchange when it was included in the fourth Impressionist exhibition."</data>
  <data key="d2">chunk-d958e23374049315b611435d93c1e9fc</data>
</node>
<node id="&quot;M. BOLÂTRE&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"M. Bolâtre is a colleague of Ernest May depicted in the painting, engaged in discussion and likely representing the banking or trading community of the time."</data>
  <data key="d2">chunk-d958e23374049315b611435d93c1e9fc</data>
</node>
<node id="&quot;IMPRESSIONIST EXHIBITION&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Impressionist exhibition refers to a series of art exhibitions in which Degas's painting was featured, showcasing contemporary Impressionist art."</data>
  <data key="d2">chunk-d958e23374049315b611435d93c1e9fc</data>
</node>
<node id="&quot;RICHARD SHONE&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Richard Shone is a British art historian who analyzed Degas's painting, offering a contrasting description that did not focus on anti-Semitism."</data>
  <data key="d2">chunk-d958e23374049315b611435d93c1e9fc</data>
</node>
<node id="&quot;DREYFUS AFFAIR&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Dreyfus affair was a political scandal in France that highlighted issues of anti-Semitism, with little evidence linking Degas to such views until this time."</data>
  <data key="d2">chunk-d958e23374049315b611435d93c1e9fc</data>
</node>
<node id="&quot;BORDEREAU&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"A bordereau is a document discussed in the painting, possibly related to financial transactions, representing the context of the stock exchange discussions."</data>
  <data key="d2">chunk-d958e23374049315b611435d93c1e9fc</data>
</node>
<node id="&quot;MISS LA LA AT THE CIRQUE FERNANDO&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Miss La La at the Cirque Fernando is a significant painting created by Edgar Degas, depicting acrobat Miss La La performing at the Cirque Fernando."</data>
  <data key="d2">chunk-c3ddb27456b73fe3fcb2e07f372b1611</data>
</node>
<node id="&quot;CIRQUE FERNANDO&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Cirque Fernando was a circus in Montmartre, Paris, notable for its performances and the display of acrobatic talents, including those of Miss La La."</data>
  <data key="d2">chunk-c3ddb27456b73fe3fcb2e07f372b1611</data>
</node>
<node id="&quot;MISS LA LA&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Miss La La is an acrobat featured in the painting by Edgar Degas, known for her performance which includes hanging by her teeth."</data>
  <data key="d2">chunk-c3ddb27456b73fe3fcb2e07f372b1611</data>
</node>
<node id="&quot;MONTMARTRE&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Montmartre is a historic district in Paris known for its artistic community and lively atmosphere in the late 19th century, serving as the setting for Dance at Moulin de la Galette."&lt;SEP&gt;"Montmartre is a historic district in Paris, famous for its artistic community and vibrant cultural scene, including the location of the Cirque Fernando."</data>
  <data key="d2">chunk-7cca6799e635827e361bddda13be95c1&lt;SEP&gt;chunk-c3ddb27456b73fe3fcb2e07f372b1611</data>
</node>
<node id="&quot;COURTAULD FUND&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Courtauld Fund is an organization associated with the acquisition of artworks, including the purchase of Degas's painting."</data>
  <data key="d2">chunk-c3ddb27456b73fe3fcb2e07f372b1611</data>
</node>
<node id="&quot;ALFRED SISLEY&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Alfred Sisley was a British-French landscape painter known for his contributions to Impressionism and his friendship with Renoir and other artists."&lt;SEP&gt;"Alfred Sisley was an English Impressionist painter known for his dedication to landscape painting, completing nearly 900 oil paintings in his career."&lt;SEP&gt;"Alfred Sisley was a landscape painter who was historically associated with Renoir's La Promenade, representing a fellow Impressionist artist and peer."</data>
  <data key="d2">chunk-3c8b1d270c080bc0a76c7493814e2c3e&lt;SEP&gt;chunk-f0e87b2f10a742e958092eb0f8655aa9&lt;SEP&gt;chunk-efc7ffb626375d9b3d792b58a7b0d4c9</data>
</node>
<node id="&quot;THE TERRACE AT SAINT-GERMAIN, SPRING&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Terrace at Saint-Germain, Spring is a landscape painting created by Alfred Sisley in 1875, depicting a panoramic view of the Seine Valley during Spring."</data>
  <data key="d2">chunk-f0e87b2f10a742e958092eb0f8655aa9</data>
</node>
<node id="&quot;THE WALTERS ART MUSEUM&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Walters Art Museum is an institution that houses The Terrace at Saint-Germain, Spring and contributes to the exhibition of art."</data>
  <data key="d2">chunk-f0e87b2f10a742e958092eb0f8655aa9</data>
</node>
<node id="&quot;ROBERT E. LEE PARK&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Robert E. Lee Park is a location where a reproduction of The Terrace at Saint-Germain, Spring was displayed as part of an outdoor exhibition."</data>
  <data key="d2">chunk-f0e87b2f10a742e958092eb0f8655aa9</data>
</node>
<node id="&quot;OFF THE WALL&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Off the Wall is an outdoor exhibition concept initiated to bring art outdoors, featuring reproductions of paintings including Sisley’s work."</data>
  <data key="d2">chunk-f0e87b2f10a742e958092eb0f8655aa9</data>
</node>
<node id="&quot;SEINE VALLEY&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Seine Valley is the geographical location captured in The Terrace at Saint-Germain, Spring, representing a significant landscape in France."</data>
  <data key="d2">chunk-f0e87b2f10a742e958092eb0f8655aa9</data>
</node>
<node id="&quot;CHATEAU&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"The chateau is a historical structure mentioned as part of the landscape in The Terrace at Saint-Germain, Spring, with royal connections until 1682."</data>
  <data key="d2">chunk-f0e87b2f10a742e958092eb0f8655aa9</data>
</node>
<node id="&quot;STEAM-POWERED TUGBOATS&quot;">
  <data key="d0">"TECHNOLOGY"</data>
  <data key="d1">"Steam-powered tugboats are depicted in the painting, representing modern elements of transportation coexisting with the pastoral scene."</data>
  <data key="d2">chunk-f0e87b2f10a742e958092eb0f8655aa9</data>
</node>
<node id="&quot;RAILROAD BRIDGE&quot;">
  <data key="d0">"TECHNOLOGY"</data>
  <data key="d1">"The railroad bridge mentioned in the painting reflects the technological advancements of the era represented in the work."</data>
  <data key="d2">chunk-f0e87b2f10a742e958092eb0f8655aa9</data>
</node>
<node id="&quot;BALTIMORE&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Baltimore is the city where the Off the Wall exhibition took place, highlighting the urban context of the outdoor art display."</data>
  <data key="d2">chunk-f0e87b2f10a742e958092eb0f8655aa9</data>
</node>
<node id="&quot;NATIONAL GALLERY IN LONDON&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The National Gallery in London initiated the concept of bringing art outdoors, influencing exhibitions of artworks including Sisley’s."</data>
  <data key="d2">chunk-f0e87b2f10a742e958092eb0f8655aa9</data>
</node>
<node id="&quot;DETROIT INSTITUTE OF ART&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Detroit Institute of Art played a role in introducing outdoor art exhibitions in the U.S., associating with Off the Wall."</data>
  <data key="d2">chunk-f0e87b2f10a742e958092eb0f8655aa9</data>
</node>
<node id="&quot;PIERRE-AUGUSTE RENOIR&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">Pierre-Auguste Renoir was a celebrated French artist known for his significant contributions to the Impressionist movement. Renowned for his ability to capture vibrant light and form, Renoir's works often showcase a bright and cheerful atmosphere. He is particularly noted for his genre paintings that vividly represent contemporary life and social scenes. His iconic paintings, such as "The Luncheon of the Boating Party," "Lise with Umbrella," and "Girls at the Piano," exemplify his mastery of color and expressive brush strokes.

Active during the late 19th century, Renoir's artistic evolution reflects his exploration of contours and emotional depth, drawing attention to the people and vibrant scenes of his time, including notable depictions of figures from the Parisian Jewish community. Throughout his career, he remained a leading figure in the Impressionist movement, recognized for his stylistic innovations and the classical elements of his art, which blended tradition with the vibrant, emotive qualities characteristic of Impressionism.</data>
  <data key="d2">chunk-a4e0acbd0b3021cb5db3567e97de9407&lt;SEP&gt;chunk-e79dc155c657195ee2421c5a2b34b297&lt;SEP&gt;chunk-067ea2369578b9d3872f80f8c355c627&lt;SEP&gt;chunk-3c8b1d270c080bc0a76c7493814e2c3e&lt;SEP&gt;chunk-7ee75c18cf080cd60a5878641ff20a7f&lt;SEP&gt;chunk-accdacce424a30ff91f0a47befc088a3&lt;SEP&gt;chunk-4f3e8cc9496821956d432d2261d3671c&lt;SEP&gt;chunk-7cca6799e635827e361bddda13be95c1&lt;SEP&gt;chunk-68fe4b7a717e507caffacc32a170cbb3&lt;SEP&gt;chunk-efc7ffb626375d9b3d792b58a7b0d4c9&lt;SEP&gt;chunk-76973c604ad97a7cc7ad76de67fe7440&lt;SEP&gt;chunk-43cbe78c96d9ba84d20925bd82df1096&lt;SEP&gt;chunk-3695dd39f98802204c22b00e17ec020d&lt;SEP&gt;chunk-64e96010f8bd0425db3bf6606f07a933&lt;SEP&gt;chunk-ab4a404ace4ab4363ca150b503f16eec&lt;SEP&gt;chunk-7df321ef37645a5107c4f3123310012e</data>
</node>
<node id="&quot;LISE WITH UMBRELLA&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Lise with Umbrella, also known as Lise with a Parasol, is an artwork created by Pierre-Auguste Renoir, depicting his model Lise Tréhot with a black lace parasol, recognized for its unique style and critical success."</data>
  <data key="d2">chunk-7ee75c18cf080cd60a5878641ff20a7f</data>
</node>
<node id="&quot;LISE TRÉHOT&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Lise Tréhot was Renoir's favorite model and companion during his early Salon period, believed to be the model for the woman in La Promenade."&lt;SEP&gt;"Lise Tréhot was a model and companion of Pierre-Auguste Renoir, who posed for the painting 'Lise with Umbrella' and other works, significantly influencing Renoir's early artistic period."&lt;SEP&gt;"Lise Tréhot was a model and muse for Renoir, posing for him between 1866 and 1872, significantly influencing his work during that period."</data>
  <data key="d2">chunk-3c8b1d270c080bc0a76c7493814e2c3e&lt;SEP&gt;chunk-7ee75c18cf080cd60a5878641ff20a7f&lt;SEP&gt;chunk-efc7ffb626375d9b3d792b58a7b0d4c9</data>
</node>
<node id="&quot;SALON&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Salon refers to the official exhibition of art in Paris, where Renoir struggled to gain acceptance for his works, including 'Lise with Umbrella' which was finally exhibited in May 1868."</data>
  <data key="d2">chunk-7ee75c18cf080cd60a5878641ff20a7f</data>
</node>
<node id="&quot;MUSEUM FOLKWANG&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Museum Folkwang is an art museum in Germany that acquired Renoir's painting 'Lise with Umbrella' in 1901, highlighting its significance in the art community."</data>
  <data key="d2">chunk-7ee75c18cf080cd60a5878641ff20a7f</data>
</node>
<node id="&quot;CHARLES GLEYRE&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Charles Gleyre was an artist and instructor under whom Renoir studied and learned to draw, shaping his transition into the art world and the Impressionist movement."</data>
  <data key="d2">chunk-7ee75c18cf080cd60a5878641ff20a7f</data>
</node>
<node id="&quot;THE SWING&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Swing is another painting by Renoir created in 1876, showing the continued evolution of his style after 'Lise with Umbrella'."</data>
  <data key="d2">chunk-7ee75c18cf080cd60a5878641ff20a7f</data>
</node>
<node id="&quot;DANCE AT LE MOULIN DE LA GALETTE&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Dance at Le Moulin de la Galette is a celebrated work by Renoir created in 1876, reflecting his mature Impressionist style and social themes."</data>
  <data key="d2">chunk-7ee75c18cf080cd60a5878641ff20a7f</data>
</node>
<node id="&quot;THÉODORE DURET&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Théodore Duret was an art critic and supporter of Impressionism who bought Renoir's 'Lise with Umbrella', advocating for its significance in modern art."</data>
  <data key="d2">chunk-7ee75c18cf080cd60a5878641ff20a7f</data>
</node>
<node id="&quot;KARL ERNST OSTHAUS&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Karl Ernst Osthaus was a German patron of avant-garde art who acquired Renoir's 'Lise with Umbrella' for the Museum Folkwang, promoting Impressionist works."</data>
  <data key="d2">chunk-7ee75c18cf080cd60a5878641ff20a7f</data>
</node>
<node id="&quot;FONTAINEBLEAU FOREST&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Fontainebleau forest is a location near Chailly-en-Brie where Renoir possibly painted 'Lise with Umbrella', providing a natural backdrop for the artwork."</data>
  <data key="d2">chunk-7ee75c18cf080cd60a5878641ff20a7f</data>
</node>
<node id="&quot;CHAILLY-EN-BRIE&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Chailly-en-Brie is a location near Fontainebleau forest, speculated to be the site where Renoir painted 'Lise with Umbrella'."</data>
  <data key="d2">chunk-7ee75c18cf080cd60a5878641ff20a7f</data>
</node>
<node id="&quot;BOURRON-MARLOTTE&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Bourron-Marlotte is a nearby location associated with the painting of 'Lise with Umbrella', indicating potential locales of the artwork's creation."</data>
  <data key="d2">chunk-7ee75c18cf080cd60a5878641ff20a7f</data>
</node>
<node id="&quot;ÉCOLE DES BEAUX-ARTS&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The École des Beaux-Arts is a renowned art school in France where Renoir studied, significantly influencing his artistic development."&lt;SEP&gt;"École des Beaux-Arts is an art school in Paris where Renoir studied, playing a crucial role in his artistic education and training."</data>
  <data key="d2">chunk-3c8b1d270c080bc0a76c7493814e2c3e&lt;SEP&gt;chunk-7ee75c18cf080cd60a5878641ff20a7f</data>
</node>
<node id="&quot;SKATERS IN THE BOIS DE BOULOGNE&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Skaters in the Bois de Boulogne is an oil-on-canvas painting created by Renoir in 1868, depicting leisure activities of Parisians on a frozen lake, illustrating themes of social leisure in winter."</data>
  <data key="d2">chunk-3c8b1d270c080bc0a76c7493814e2c3e</data>
</node>
<node id="&quot;BOIS DE BOULOGNE&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Bois de Boulogne is a public park in Paris, known for its scenic landscapes and as a leisure area where the painting Skaters in the Bois de Boulogne was created."</data>
  <data key="d2">chunk-3c8b1d270c080bc0a76c7493814e2c3e</data>
</node>
<node id="&quot;GEORGES-EUGÈNE HAUSSMANN&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Georges-Eugène Haussmann was a French public official who oversaw the renovation of Paris, including the development of the Bois de Boulogne."</data>
  <data key="d2">chunk-3c8b1d270c080bc0a76c7493814e2c3e</data>
</node>
<node id="&quot;NAPOLEON III&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Napoleon III was the Emperor of France who directed urban revitalization projects in Paris, including the establishment of the Bois de Boulogne as a public park."</data>
  <data key="d2">chunk-3c8b1d270c080bc0a76c7493814e2c3e</data>
</node>
<node id="&quot;CLAUDE MONET&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Claude Monet was a French painter and a founder of Impressionism, recognized for his unique approaches to light and color in his works."</data>
  <data key="d2">chunk-3c8b1d270c080bc0a76c7493814e2c3e</data>
</node>
<node id="&quot;FRÉDÉRIC BAZILLE&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Frédéric Bazille was a French painter associated with Impressionism, known for his depictions of modern life and his influence on Renoir."</data>
  <data key="d2">chunk-3c8b1d270c080bc0a76c7493814e2c3e</data>
</node>
<node id="&quot;PAUL CÉZANNE&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Paul Cézanne was a French artist whose work laid the foundation for modern art and influenced many Impressionists, including Renoir."</data>
  <data key="d2">chunk-3c8b1d270c080bc0a76c7493814e2c3e</data>
</node>
<node id="&quot;CAMILLE PISSARRO&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Camille Pissarro was a Danish-French Impressionist and Neo-Impressionist painter, and a mentor to many younger artists, including Renoir."</data>
  <data key="d2">chunk-3c8b1d270c080bc0a76c7493814e2c3e</data>
</node>
<node id="&quot;THE CABARET OF MÈRE ANTHONY&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Cabaret of Mère Anthony is an early painting by Renoir that reflects his joyful memories and his experiences with friends."</data>
  <data key="d2">chunk-3c8b1d270c080bc0a76c7493814e2c3e</data>
</node>
<node id="&quot;THE LAC POUR LE PATINAGE&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"The Lac pour le patinage, or Skating Lake, is an artificial lake located in the Bois de Boulogne, serving as a popular site for ice skating."</data>
  <data key="d2">chunk-3c8b1d270c080bc0a76c7493814e2c3e</data>
</node>
<node id="&quot;WINTER LANDSCAPE&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Winter Landscape refers to the genre of paintings depicting winter scenes, exemplified by Renoir's work Skaters in the Bois de Boulogne."</data>
  <data key="d2">chunk-3c8b1d270c080bc0a76c7493814e2c3e</data>
</node>
<node id="&quot;RHEUMATOID ARTHRITIS&quot;">
  <data key="d0">"MEDICAL CONDITION"</data>
  <data key="d1">"Rheumatoid arthritis is a chronic inflammatory disorder that affected Renoir later in life, limiting his ability to produce art effectively."</data>
  <data key="d2">chunk-3c8b1d270c080bc0a76c7493814e2c3e</data>
</node>
<node id="&quot;MADAME CLÉMENTINE VALENSI STORA&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Clémentine Valensi Stora, also known as Madame Stora, was a Sephardic Jewish woman depicted in Renoir's portrait, born in Algiers and later moved to Paris."</data>
  <data key="d2">chunk-68fe4b7a717e507caffacc32a170cbb3</data>
</node>
<node id="&quot;MADAME STORA IN ALGERIAN DRESS&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Madame Stora in Algerian Dress is an oil painting by Pierre-Auguste Renoir, completed in 1870, featuring Madame Stora in traditional Algerian costume."</data>
  <data key="d2">chunk-68fe4b7a717e507caffacc32a170cbb3</data>
</node>
<node id="&quot;ALGIERS&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Algiers is the capital city of Algeria, where Clémentine Valensi Stora was born and raised."</data>
  <data key="d2">chunk-68fe4b7a717e507caffacc32a170cbb3</data>
</node>
<node id="&quot;AU PACHA&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Au Pacha was an antiques shop in Paris owned by Nathan Stora, specializing in North African goods."</data>
  <data key="d2">chunk-68fe4b7a717e507caffacc32a170cbb3</data>
</node>
<node id="&quot;ORIENTALIST WORKS&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Orientalist works refer to artworks that depict Eastern cultures, often reflecting Western concepts of these cultures, including Renoir’s other paintings."</data>
  <data key="d2">chunk-68fe4b7a717e507caffacc32a170cbb3</data>
</node>
<node id="&quot;L'ALGÉRIENNE&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"L'Algérienne is an alternative name for the painting 'Madame Clémentine Valensi Stora', representing its identity within Renoir's body of work."</data>
  <data key="d2">chunk-68fe4b7a717e507caffacc32a170cbb3</data>
</node>
<node id="&quot;NATHAN STORA&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Nathan Stora was the husband of Clémentine Valensi and an antiques dealer in Paris, specializing in North African items."</data>
  <data key="d2">chunk-68fe4b7a717e507caffacc32a170cbb3</data>
</node>
<node id="&quot;24 BOULEVARD DES ITALIENS&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"24 Boulevard des Italiens was the location of Nathan Stora's antiques shop called Au Pacha in Paris, indicating a key geographic point in their story."</data>
  <data key="d2">chunk-68fe4b7a717e507caffacc32a170cbb3</data>
</node>
<node id="&quot;BOULEVARD HAUSMANN&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Boulevard Hausmann is another notable location in Paris where Nathan Stora's shop Au Pacha later moved, reflecting its prominence."</data>
  <data key="d2">chunk-68fe4b7a717e507caffacc32a170cbb3</data>
</node>
<node id="&quot;CHARLES CORDIER&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Charles Cordier was an artist known for his work depicting Algerian women, notably the bust 'The Jewish Woman of Algiers', displayed in significant exhibitions."</data>
  <data key="d2">chunk-68fe4b7a717e507caffacc32a170cbb3</data>
</node>
<node id="&quot;EXPOSITION UNIVERSELLE OF 1867&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Exposition Universelle of 1867 was a world's fair in Paris where Cordier's bust was shown, highlighting cultural exchange and artistic recognition."</data>
  <data key="d2">chunk-68fe4b7a717e507caffacc32a170cbb3</data>
</node>
<node id="&quot;SALON OF 1863&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Salon of 1863 was an exhibition in Paris, featuring significant artworks, including those of artists like Cordier that influenced cultural perspectives."</data>
  <data key="d2">chunk-68fe4b7a717e507caffacc32a170cbb3</data>
</node>
<node id="&quot;OVID&quot;">
  <data key="d2">chunk-d73788737196e9ace33310a4b353908e</data>
  <data key="d1">"Ovid was exiled to Tomis, an essential location in the story depicted in Delacroix's paintings.")</data>
  <data key="d0">"UNKNOWN"</data>
</node>
<node id="&quot;FIRST VERSION OF 'OVID AMONG THE SCYTHIANS'">
  <data key="d2">chunk-d73788737196e9ace33310a4b353908e</data>
  <data key="d1">"Eugène Delacroix's first version of 'Ovid among the Scythians' was initially criticized but later led to the creation of a second, improved version.")</data>
  <data key="d0">"UNKNOWN"</data>
</node>
<node id="&quot;HENRI LOYRETTE&quot;">
  <data key="d2">chunk-efc7ffb626375d9b3d792b58a7b0d4c9&lt;SEP&gt;chunk-d73788737196e9ace33310a4b353908e</data>
  <data key="d1">"Henri Loyrette is an art historian who commented on the significance of La Promenade, discussing Renoir's integration of figures into landscapes."&lt;SEP&gt;"Henri Loyrette's observations and analysis of Delacroix's work contribute to understanding the artistic themes present in 'Ovid among the Scythians.'")</data>
  <data key="d0">"PERSON"</data>
</node>
<node id="&quot;GÉRICAULT'S PORTRAITS&quot;">
  <data key="d2">chunk-3c7823dce797d485906c90174cff2bd4</data>
  <data key="d1">"Géricault's portraits aim to illustrate different types of madness, including Dementia, reflecting contemporary thoughts on mental health."</data>
  <data key="d0">"UNKNOWN"</data>
</node>
<node id="&quot;MOTHER AND CHILDREN&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Mother and Children is a title given to a work exhibited by Renoir in 1876, which is distinct from La Promenade but reflects his evolving artistic titles and themes."&lt;SEP&gt;"Mother and Children, also known as La Promenade, is an Impressionist painting created by Pierre-Auguste Renoir in 1876, depicting a tender moment between a mother and her children."</data>
  <data key="d2">chunk-ab4a404ace4ab4363ca150b503f16eec&lt;SEP&gt;chunk-efc7ffb626375d9b3d792b58a7b0d4c9</data>
</node>
<node id="&quot;FRICK COLLECTION&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Frick Collection is an art museum in New York City that houses a collection of Old Master paintings and European decorative arts, including Renoir's artwork."</data>
  <data key="d2">chunk-ab4a404ace4ab4363ca150b503f16eec</data>
</node>
<node id="&quot;LA PROMENADE&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"La Promenade is an alternate title for the painting commonly known as Mother and Children, presented by Renoir upon its creation in 1876."&lt;SEP&gt;"La Promenade is an early Impressionist painting by Renoir created in 1870, depicting a young couple in a woodland setting, reflecting themes of intimacy and nature."</data>
  <data key="d2">chunk-ab4a404ace4ab4363ca150b503f16eec&lt;SEP&gt;chunk-efc7ffb626375d9b3d792b58a7b0d4c9</data>
</node>
<node id="&quot;IMPRESSIONISM&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Impressionism is an art movement characterized by a desire to capture a moment in time through loose brushwork and an emphasis on light and color, exemplified by Renoir's works."&lt;SEP&gt;"Impressionism is an art movement characterized by loose brushwork and an emphasis on light, which Renoir was initially associated with before shifting his style."&lt;SEP&gt;"Impressionism is an art movement that focuses on capturing light and color and is characterized by loose brushwork, influencing Cassatt's style."</data>
  <data key="d2">chunk-ab4a404ace4ab4363ca150b503f16eec&lt;SEP&gt;chunk-428c3925f637250f336c423c77c160ca&lt;SEP&gt;chunk-7df321ef37645a5107c4f3123310012e</data>
</node>
<node id="&quot;THE GREAT BOULEVARDS&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Great Boulevards, also known as The Grands Boulevards, is an oil painting created in 1875 by Renoir that showcases a bustling Parisian boulevard amidst industrialization."</data>
  <data key="d2">chunk-a4e0acbd0b3021cb5db3567e97de9407</data>
</node>
<node id="&quot;THE GRANDS BOULEVARDS&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Grands Boulevards is another name for The Great Boulevards, an artwork capturing the essence of bustling Parisian life in the 19th century."</data>
  <data key="d2">chunk-a4e0acbd0b3021cb5db3567e97de9407</data>
</node>
<node id="&quot;CITYSCAPE&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Cityscape is a genre of art that portrays urban environments, characterized by the depiction of city life as seen in Renoir's painting."&lt;SEP&gt;"Cityscape refers to the artistic depiction of urban environments, which is the genre of Gustave Caillebotte's A Balcony in Paris."</data>
  <data key="d2">chunk-a4e0acbd0b3021cb5db3567e97de9407&lt;SEP&gt;chunk-86a13add2cfd2e0ba91c6b7cdae62ef5</data>
</node>
<node id="&quot;HAUSSMANNIZATION&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Haussmannization refers to the urban planning and renovation of Paris in the mid-19th century, significantly influencing its architecture and streetscape."</data>
  <data key="d2">chunk-a4e0acbd0b3021cb5db3567e97de9407</data>
</node>
<node id="&quot;FLÂNEURS&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Flâneurs are individuals who stroll leisurely through city streets, absorbing the vibrant life of the urban environment, highlighted in Renoir's work."</data>
  <data key="d2">chunk-a4e0acbd0b3021cb5db3567e97de9407</data>
</node>
<node id="&quot;A GIRL WITH A WATERING CAN&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"A Girl with a Watering Can is an Impressionist painting created by Renoir in 1876, depicting a girl in a blue dress holding a watering can."</data>
  <data key="d2">chunk-067ea2369578b9d3872f80f8c355c627</data>
</node>
<node id="&quot;MONET'S GARDEN&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Monet's Garden is the location in Argenteuil where Renoir painted A Girl with a Watering Can, known for its vibrant floral scenery and artistic significance."</data>
  <data key="d2">chunk-067ea2369578b9d3872f80f8c355c627</data>
</node>
<node id="&quot;GIRL WITH A WATERING CAN&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Girl with a Watering Can is the title of an Impressionist painting by Pierre-Auguste Renoir, showcasing a young girl holding a watering can."</data>
  <data key="d2">chunk-067ea2369578b9d3872f80f8c355c627</data>
</node>
<node id="&quot;IMPRESSIONIST PAINTING&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Impressionist painting refers to a style of painting that captures light and movement, often using quick brush strokes and vibrant colors."</data>
  <data key="d2">chunk-067ea2369578b9d3872f80f8c355c627</data>
</node>
<node id="&quot;1876&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The year 1876 marks the creation of A Girl with a Watering Can, placing the artwork within the context of the Impressionist movement's development."</data>
  <data key="d2">chunk-067ea2369578b9d3872f80f8c355c627</data>
</node>
<node id="&quot;MADEMOISELLE LECLERE&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Mademoiselle Leclere is the subject of the painting, depicted in a blue dress, holding a watering can."</data>
  <data key="d2">chunk-067ea2369578b9d3872f80f8c355c627</data>
</node>
<node id="&quot;DANCE AT MOULIN DE LA GALETTE&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Dance at Moulin de la Galette is an 1876 genre painting by Pierre-Auguste Renoir that captures a lively moment of a Sunday afternoon in Montmartre, depicting working-class Parisians at leisure."</data>
  <data key="d2">chunk-7cca6799e635827e361bddda13be95c1</data>
</node>
<node id="&quot;MOULIN DE LA GALETTE&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Moulin de la Galette is a historical venue in Montmartre, Paris, where crowds gathered for leisure activities, including dancing and socializing during the late 19th century."</data>
  <data key="d2">chunk-7cca6799e635827e361bddda13be95c1</data>
</node>
<node id="&quot;JOHN HAY WHITNEY&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"John Hay Whitney was an American businessman and art collector who previously owned the painting Dance at Moulin de la Galette before it was sold at auction."</data>
  <data key="d2">chunk-7cca6799e635827e361bddda13be95c1</data>
</node>
<node id="&quot;RYOEI SAITO&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Ryoei Saito is a Japanese businessman and former honorary chairman of Daishowa Paper Manufacturing Company, known for purchasing Dance at Moulin de la Galette for a record price."</data>
  <data key="d2">chunk-7cca6799e635827e361bddda13be95c1</data>
</node>
<node id="&quot;GUSTAVE CAILLEBOTTE&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Gustave Caillebotte was a French Impressionist painter known for his cityscapes and innovative perspectives in art."&lt;SEP&gt;"Gustave Caillebotte was a French Impressionist painter known for his genre paintings, including 'Man at the Window'."&lt;SEP&gt;"Gustave Caillebotte was a French Impressionist painter known for his originality in combining traditional techniques with vivid colors and modern subject matter."&lt;SEP&gt;"Gustave Caillebotte was a French artist known for his large oil paintings, particularly associated with the Impressionism movement. He created the notable artwork 'Paris, a Rainy Day' in 1877."&lt;SEP&gt;"Gustave Caillebotte was a French painter and art collector who owned Dance at Moulin de la Galette from 1879 to 1894 before it became French Republic property."&lt;SEP&gt;"Gustave Caillebotte was an art patron and friend of Renoir, featured in 'The Luncheon of the Boating Party' and representing artistic camaraderie."&lt;SEP&gt;"Gustave Caillebotte was a French impressionist painter known for his urban scenes and innovative use of perspective in his artworks."</data>
  <data key="d2">chunk-08b1179a0a9dcebca7cfa3a72b158c14&lt;SEP&gt;chunk-86a13add2cfd2e0ba91c6b7cdae62ef5&lt;SEP&gt;chunk-5387a9f92c6290746c3974533e905a95&lt;SEP&gt;chunk-7cca6799e635827e361bddda13be95c1&lt;SEP&gt;chunk-76973c604ad97a7cc7ad76de67fe7440&lt;SEP&gt;chunk-fb8111be9df1d8dfa0bc70ae25ccb73c&lt;SEP&gt;chunk-2fa68adc81de8939987e153f5053f14d</data>
</node>
<node id="&quot;OIL ON CANVAS&quot;">
  <data key="d0">"TECHNOLOGY"</data>
  <data key="d1">"Oil on Canvas is the medium used for the painting 'Jacques and Berthe Lipchitz', indicating the traditional method of art creation employed by Modigliani."&lt;SEP&gt;"Oil on canvas is the medium used for Dance at Moulin de la Galette, which is characteristic of many Impressionist works and allows for vibrant color and texture."&lt;SEP&gt;"Oil on canvas refers to the technique used by Abbott Handerson Thayer in creating the painting 'The Sisters', contributing to its texture and color quality."</data>
  <data key="d2">chunk-78c585b69c00e58d98421de00e5b352d&lt;SEP&gt;chunk-7cca6799e635827e361bddda13be95c1&lt;SEP&gt;chunk-349274660b80d621a1067780d3b2a70c</data>
</node>
<node id="&quot;BAL DU MOULIN DE LA GALETTE&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Bal du moulin de la Galette refers to the social gatherings that took place at the Moulin de la Galette, where the scene in Renoir's painting is based."</data>
  <data key="d2">chunk-7cca6799e635827e361bddda13be95c1</data>
</node>
<node id="&quot;ART COLLECTOR&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Art collector refers to individuals who acquire and preserve art pieces, with John Hay Whitney and Ryoei Saito being notable collectors of Dance at Moulin de la Galette."</data>
  <data key="d2">chunk-7cca6799e635827e361bddda13be95c1</data>
</node>
<node id="&quot;GALLERIES AND MUSEUMS&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Galleries and museums are institutions that exhibit artworks, including Dance at Moulin de la Galette, contributing to public access and appreciation of art."</data>
  <data key="d2">chunk-7cca6799e635827e361bddda13be95c1</data>
</node>
<node id="&quot;DEATH DUTIES&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Death duties refer to the financial obligations that led to the transfer of ownership of Dance at Moulin de la Galette to the French Republic from Gustave Caillebotte."</data>
  <data key="d2">chunk-7cca6799e635827e361bddda13be95c1</data>
</node>
<node id="&quot;PRICE HISTORY&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Price history refers to the significant value changes of Dance at Moulin de la Galette, marking it as one of the most expensive paintings sold."</data>
  <data key="d2">chunk-7cca6799e635827e361bddda13be95c1</data>
</node>
<node id="&quot;PRIVATE COLLECTION&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Private collection refers to artworks held by private individuals rather than institutions, indicating the potential current ownership of Dance at Moulin de la Galette."</data>
  <data key="d2">chunk-7cca6799e635827e361bddda13be95c1</data>
</node>
<node id="&quot;3RD IMPRESSIONIST EXHIBITION&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The 3rd Impressionist exhibition was an art show where Dance at Moulin de la Galette was catalogued and displayed in 1877, showcasing Impressionist works."</data>
  <data key="d2">chunk-7cca6799e635827e361bddda13be95c1</data>
</node>
<node id="&quot;GEORGES RIVIÈRE&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Georges Rivière was a civil servant and friend of Renoir who documented the creation process of Dance at Moulin de la Galette in his memoirs."</data>
  <data key="d2">chunk-7cca6799e635827e361bddda13be95c1</data>
</node>
<node id="&quot;LA GRENOUILLÈRE&quot;">
  <data key="d0">"LOCATION"</data>
  <data key="d1">"La Grenouillère is a popular location where Renoir and Monet would paint together, representing a significant spot in the artistic collaboration between these two Impressionists."</data>
  <data key="d2">chunk-efc7ffb626375d9b3d792b58a7b0d4c9</data>
</node>
<node id="&quot;FRANCO-PRUSSIAN WAR&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Franco-Prussian War was a conflict starting on July 19, 1870, during which Renoir served for four months in the cavalry, impacting the backdrop of his artistic career."</data>
  <data key="d2">chunk-efc7ffb626375d9b3d792b58a7b0d4c9</data>
</node>
<node id="&quot;FONTAINEBLEAU&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Fontainebleau is a forest known for inspiring many nineteenth-century French artists, including Renoir, symbolizing natural beauty and romantic themes in art."</data>
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</node>
<node id="&quot;JEAN-HONORÉ FRAGONARD&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Jean-Honoré Fragonard was an eighteenth-century artist known for his rococo style, influencing Renoir's themes and techniques in La Promenade."</data>
  <data key="d2">chunk-efc7ffb626375d9b3d792b58a7b0d4c9</data>
</node>
<node id="&quot;JEAN-ANTOINE WATTEAU&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Jean-Antoine Watteau was an eighteenth-century painter whose work influenced Renoir, particularly in his portrayal of intimate couples in woodland settings."</data>
  <data key="d2">chunk-efc7ffb626375d9b3d792b58a7b0d4c9</data>
</node>
<node id="&quot;ROCOCO REVIVAL&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The Rococo Revival refers to the resurgence of the rococo art style during the Second Empire, of which Renoir's La Promenade is a notable example."</data>
  <data key="d2">chunk-efc7ffb626375d9b3d792b58a7b0d4c9</data>
</node>
<node id="&quot;SECOND EMPIRE&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Second Empire was a period in France during the mid to late 19th century, noted for its cultural and artistic developments, influencing Renoir's work."</data>
  <data key="d2">chunk-efc7ffb626375d9b3d792b58a7b0d4c9</data>
</node>
<node id="&quot;ALICE CAHEN D’ANVERS&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Alice Cahen d'Anvers was one of the daughters of Louise and Louis Raphaël Cahen d'Anvers, posed for Renoir’s painting at a young age, and lived until 1965."</data>
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</node>
<node id="&quot;ELISABETH CAHEN D’ANVERS&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Elisabeth Cahen d'Anvers, the other daughter, had a tragic life, being sent to Auschwitz due to her Jewish descent and dying in 1944."</data>
  <data key="d2">chunk-64e96010f8bd0425db3bf6606f07a933</data>
</node>
<node id="&quot;LOUISE CAHEN D'ANVERS&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Louise Cahen d'Anvers was the mother of the two sisters and commissioned the portrait of her daughters, showing significant social status."</data>
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</node>
<node id="&quot;LOUIS RAPHAËL CAHEN D'ANVERS&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Louis Raphaël Cahen d'Anvers was a Jewish banker and husband of Louise, known for being wealthy and part of the Parisian elite."</data>
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</node>
<node id="&quot;PINK AND BLUE&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Pink and Blue is an oil painting created by Renoir in 1881 that depicts the sisters Alice and Elisabeth Cahen d’Anvers."</data>
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</node>
<node id="&quot;SÃO PAULO MUSEUM OF ART&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The São Paulo Museum of Art is where the painting Pink and Blue has been conserved since 1952, making it a significant location for art in Brazil."</data>
  <data key="d2">chunk-64e96010f8bd0425db3bf6606f07a933</data>
</node>
<node id="&quot;CHARLES VERE FERRERS TOWNSHEND&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Charles Vere Ferrers Townshend was a British Army officer who married Alice Cahen d'Anvers and is known for his leadership during the disastrous campaign at Kut al Amara in 1916."</data>
  <data key="d2">chunk-64e96010f8bd0425db3bf6606f07a933</data>
</node>
<node id="&quot;JEAN DE FORCEVILLE&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Jean de Forceville was a diplomat and count, initially married to Elisabeth Cahen d'Anvers, illustrating her first marriage before subsequent relationships."</data>
  <data key="d2">chunk-64e96010f8bd0425db3bf6606f07a933</data>
</node>
<node id="&quot;ALFRED ÉMILE DENFERT ROCHEREAU&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Alfred Émile Denfert Rochereau was Elisabeth's second husband, whom she later divorced, marking a tumultuous personal life for her."</data>
  <data key="d2">chunk-64e96010f8bd0425db3bf6606f07a933</data>
</node>
<node id="&quot;AUSCHWITZ&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Auschwitz is the concentration camp where Elisabeth Cahen d'Anvers was sent due to her Jewish descent, leading to her tragic fate in 1944."</data>
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</node>
<node id="&quot;GAZETTE DES BEAUX-ARTS&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Gazette des Beaux-Arts was a significant art publication owned by Charles Ephrussi, an influential collector who had connections to Renoir and the Cahen d'Anvers family."</data>
  <data key="d2">chunk-64e96010f8bd0425db3bf6606f07a933</data>
</node>
<node id="&quot;CHARLES EPHRUSSI&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Charles Ephrussi was a collector and the proprietor of the Gazette des Beaux-Arts, who played a role in introducing Renoir to the Cahen d'Anvers family."</data>
  <data key="d2">chunk-64e96010f8bd0425db3bf6606f07a933</data>
</node>
<node id="&quot;THE LUNCHEON OF THE BOATING PARTY&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Luncheon of the Boating Party is a genre painting created in 1881 by Renoir, depicting a social gathering of friends at a restaurant, which highlights his impressionist style."</data>
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</node>
<node id="&quot;THE PHILLIPS COLLECTION&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Phillips Collection is an art museum in Washington, D.C., where Thomas Eakins's painting 'Portrait of Amelia Van Buren' is currently housed."&lt;SEP&gt;"The Phillips Collection is an art museum located in Washington, D.C., which currently houses 'The Luncheon of the Boating Party.'"</data>
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</node>
<node id="&quot;WASHINGTON, D.C.&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Washington, D.C. is the capital city of the United States, where The Phillips Collection is located and where Renoir’s painting is currently displayed."</data>
  <data key="d2">chunk-76973c604ad97a7cc7ad76de67fe7440</data>
</node>
<node id="&quot;MAISON FOURNAISE&quot;">
  <data key="d0">"LOCATION"</data>
  <data key="d1">"Maison Fournaise is a restaurant along the Seine river in Chatou, France, depicted in 'The Luncheon of the Boating Party' as the setting for the social gathering."</data>
  <data key="d2">chunk-76973c604ad97a7cc7ad76de67fe7440</data>
</node>
<node id="&quot;CHATOU, FRANCE&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Chatou is a commune in the Yvelines department in France, situated along the Seine river, known for its association with Renoir’s painting."</data>
  <data key="d2">chunk-76973c604ad97a7cc7ad76de67fe7440</data>
</node>
<node id="&quot;PAUL DURAND-RUEL&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Paul Durand-Ruel was a merchant who commissioned the painting Dance in the Country, aiming to collect works on the theme of the ball."&lt;SEP&gt;"Paul Durand-Ruel was an art dealer and patron who purchased 'The Luncheon of the Boating Party' from Renoir, contributing significantly to the artist's success."</data>
  <data key="d2">chunk-e79dc155c657195ee2421c5a2b34b297&lt;SEP&gt;chunk-76973c604ad97a7cc7ad76de67fe7440</data>
</node>
<node id="&quot;DUNCAN PHILLIPS&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Duncan Phillips was an industrialist who bought 'The Luncheon of the Boating Party' in 1923, indicating his role in art collection and appreciation."</data>
  <data key="d2">chunk-76973c604ad97a7cc7ad76de67fe7440</data>
</node>
<node id="&quot;ALINE CHARIGOT&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Aline Charigot is depicted in the painting as the woman dancing, who later became the wife of the artist, Renoir."&lt;SEP&gt;"Aline Charigot was Renoir's future wife, depicted in 'The Luncheon of the Boating Party' playing with a dog, highlighting her personal connection to the artist."&lt;SEP&gt;"Aline Charigot was Renoir's girlfriend and model for 'By the Seashore', whom he later married in 1890."&lt;SEP&gt;"Aline Charigot was a model for Renoir's painting and became his wife in 1890, serving as one of his muses in his later works."</data>
  <data key="d2">chunk-e79dc155c657195ee2421c5a2b34b297&lt;SEP&gt;chunk-76973c604ad97a7cc7ad76de67fe7440&lt;SEP&gt;chunk-43cbe78c96d9ba84d20925bd82df1096&lt;SEP&gt;chunk-7df321ef37645a5107c4f3123310012e</data>
</node>
<node id="&quot;LOUISE-ALPHONSINE FOURNAISE&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Louise-Alphonsine Fournaise is the daughter of the proprietor of Maison Fournaise and one of the figures depicted in 'The Luncheon of the Boating Party.'"</data>
  <data key="d2">chunk-76973c604ad97a7cc7ad76de67fe7440</data>
</node>
<node id="&quot;ALPHONSE FOURNAISE, JR.&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Alphonse Fournaise, Jr. is the son of the proprietor of Maison Fournaise, also depicted in the painting, highlighting familial presence in the artwork."</data>
  <data key="d2">chunk-76973c604ad97a7cc7ad76de67fe7440</data>
</node>
<node id="&quot;SEINE RIVER&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"The Seine River is a major waterway in France, near which the Maison Fournaise is located and serves as the backdrop for the social gathering in Renoir's painting."</data>
  <data key="d2">chunk-76973c604ad97a7cc7ad76de67fe7440</data>
</node>
<node id="&quot;SEVENTH IMPRESSIONIST EXHIBITION&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Seventh Impressionist Exhibition was a significant art event in 1882 where 'The Luncheon of the Boating Party' was displayed and recognized for its artistic merit."</data>
  <data key="d2">chunk-76973c604ad97a7cc7ad76de67fe7440</data>
</node>
<node id="&quot;BY THE SEASHORE&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"By the Seashore is a painting created by Renoir in 1883, showcasing his transition in style after a trip to Italy and depicting a scene influenced by his experiences in Guernsey and Normandy."</data>
  <data key="d2">chunk-7df321ef37645a5107c4f3123310012e</data>
</node>
<node id="&quot;ST. PETER PORT&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"St. Peter Port is the capital of Guernsey, located 48 km off the coast of mainland Normandy, known for its stunning coastal views that influenced Renoir’s work."</data>
  <data key="d2">chunk-7df321ef37645a5107c4f3123310012e</data>
</node>
<node id="&quot;GUERNSEY&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Guernsey is an island in the English Channel, renowned for its natural beauty and shared geology with Normandy, which played a role in Renoir's artistic inspiration."</data>
  <data key="d2">chunk-7df321ef37645a5107c4f3123310012e</data>
</node>
<node id="&quot;DIEPPE&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Dieppe is a coastal town in Normandy, France, suggested as the probable location for the beach depicted in Renoir's painting, not in the Channel Islands."</data>
  <data key="d2">chunk-7df321ef37645a5107c4f3123310012e</data>
</node>
<node id="&quot;1883&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"1883 marks the year when Renoir completed the painting 'By the Seashore', significant in his artistic timeline."</data>
  <data key="d2">chunk-7df321ef37645a5107c4f3123310012e</data>
</node>
<node id="&quot;MRS. H. O. HAVEMEYER&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Mrs. H. O. Havemeyer was a benefactor whose bequest included 'By the Seashore' to the Metropolitan Museum of Art, enriching its collection."</data>
  <data key="d2">chunk-7df321ef37645a5107c4f3123310012e</data>
</node>
<node id="&quot;MOULIN HUET BAY&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Moulin Huet Bay, located in Guernsey, is noted for its picturesque views that inspired Renoir during his stay on the island."</data>
  <data key="d2">chunk-7df321ef37645a5107c4f3123310012e</data>
</node>
<node id="&quot;DANCE AT BOUGIVAL&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Dance at Bougival is an 1883 genre painting by Renoir, depicting a social scene and showcasing his shift towards a classical style while retaining Impressionistic brightness."</data>
  <data key="d2">chunk-accdacce424a30ff91f0a47befc088a3</data>
</node>
<node id="&quot;MASSACHUSETTS&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Massachusetts is a U.S. state where the Museum of Fine Arts is located, known for its rich cultural and historical significance."</data>
  <data key="d2">chunk-accdacce424a30ff91f0a47befc088a3</data>
</node>
<node id="&quot;SUZANNE VALADON&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Suzanne Valadon was a model and artist who was a friend of Renoir, featured in his painting, indicating a close artistic and social relationship."&lt;SEP&gt;"Suzanne Valadon was a painter and a model for Renoir, who is notable for also being the mother of the artist Maurice Utrillo."</data>
  <data key="d2">chunk-43cbe78c96d9ba84d20925bd82df1096&lt;SEP&gt;chunk-accdacce424a30ff91f0a47befc088a3</data>
</node>
<node id="&quot;PAUL AUGUSTE LLHOTE&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Paul Auguste Llhote was a friend of Renoir and also depicted in Dance at Bougival, illustrating the social context of the artwork."</data>
  <data key="d2">chunk-accdacce424a30ff91f0a47befc088a3</data>
</node>
<node id="&quot;WIKIART&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Wikiart is a digital platform that hosts a diverse collection of artworks and artists, including Ivan Aivazovsky's The Ninth Wave, serving as a resource for art enthusiasts and researchers."&lt;SEP&gt;"Wikiart is an online platform that provides access to a vast repository of artworks, including Dance at Bougival by Renoir, facilitating public engagement with art."</data>
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</node>
<node id="&quot;DANCE IN THE COUNTRY&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Dance in the Country is an 1883 oil painting by Renoir that features a couple dancing under a chestnut tree and captures a joyful scene."</data>
  <data key="d2">chunk-e79dc155c657195ee2421c5a2b34b297</data>
</node>
<node id="&quot;DANCE IN THE CITY&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Dance in the City is a complementary painting created by Renoir in the same year as Dance in the Country, exploring a similar theme of social gatherings."</data>
  <data key="d2">chunk-e79dc155c657195ee2421c5a2b34b297</data>
</node>
<node id="&quot;PAUL LHÔTE&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Paul Lhôte is depicted as the male figure in the painting Dance in the Country, contributing to the narrative of the artwork."</data>
  <data key="d2">chunk-e79dc155c657195ee2421c5a2b34b297</data>
</node>
<node id="&quot;FRENCH&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"French refers to the nationality of the artist Renoir, as well as the cultural context of the painting."</data>
  <data key="d2">chunk-e79dc155c657195ee2421c5a2b34b297</data>
</node>
<node id="&quot;THE LARGE BATHERS&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Large Bathers, also known as Les Grandes Baigneuses, is a painting created by Renoir between 1884 and 1887, depicting a scene of nude women bathing, symbolizing the artist’s reconciliation of modern and traditional painting styles."</data>
  <data key="d2">chunk-43cbe78c96d9ba84d20925bd82df1096</data>
</node>
<node id="&quot;NUDE PAINTING&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Nude painting refers to the artistic genre that depicts the human body in its pure form, often emphasizing aesthetics, form, and sensuality."&lt;SEP&gt;"Nude painting refers to the genre of artwork depicting the nude human form, which is represented in Renoir's The Large Bathers and reflects the artist's focus on the female nude."</data>
  <data key="d2">chunk-43cbe78c96d9ba84d20925bd82df1096&lt;SEP&gt;chunk-23c09d3fcae99716703d29ad57160626</data>
</node>
<node id="&quot;FRANÇOIS GIRARDON&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"François Girardon was a sculptor whose work, The Bath of the Nymphs, inspired Renoir's composition in The Large Bathers."</data>
  <data key="d2">chunk-43cbe78c96d9ba84d20925bd82df1096</data>
</node>
<node id="&quot;INGRES&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Jean-Auguste-Dominique Ingres was a French Neoclassical painter whose traditional style influenced Renoir's approach in The Large Bathers."</data>
  <data key="d2">chunk-43cbe78c96d9ba84d20925bd82df1096</data>
</node>
<node id="&quot;RAPHAEL&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Raphael was a prominent Renaissance painter whose frescoes influenced Renoir's artistic style and approach to composition."</data>
  <data key="d2">chunk-43cbe78c96d9ba84d20925bd82df1096</data>
</node>
<node id="&quot;PAUL CEZANNE&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Paul Cezanne was an artist who later explored similar themes to The Large Bathers, indicating a continuation of the nude genre in art."</data>
  <data key="d2">chunk-43cbe78c96d9ba84d20925bd82df1096</data>
</node>
<node id="&quot;GIRLS AT THE PIANO&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"'Girls at the Piano' is an oil-on-canvas painting completed in 1892, depicting two young girls at a piano, showcasing Renoir's mastery in genre painting."</data>
  <data key="d2">chunk-3695dd39f98802204c22b00e17ec020d</data>
</node>
<node id="&quot;MUSÉE DE L'ORANGERIE&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Musée de l'Orangerie is an art museum in Paris displaying an oil sketch of 'Girls at the Piano' and associated with Renoir's works."</data>
  <data key="d2">chunk-3695dd39f98802204c22b00e17ec020d</data>
</node>
<node id="&quot;YOUNG GIRLS AT THE PIANO&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Young Girls at the Piano is another title for the painting, emphasizing its significance and recognition in the art world."</data>
  <data key="d2">chunk-3695dd39f98802204c22b00e17ec020d</data>
</node>
<node id="&quot;1892&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"1892 is the year 'Girls at the Piano' was completed, marking it as a historical point in art history."</data>
  <data key="d2">chunk-3695dd39f98802204c22b00e17ec020d</data>
</node>
<node id="&quot;ROBERT LEHMAN COLLECTION&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Robert Lehman Collection hosts another version of 'Girls at the Piano', showcasing the painting's widespread appreciation among collectors."</data>
  <data key="d2">chunk-3695dd39f98802204c22b00e17ec020d</data>
</node>
<node id="&quot;CAILLEBOTTE VERSION&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Caillebotte version refers to another variant of 'Girls at the Piano' that exists in private collections, signifying its continued importance as a work of art."</data>
  <data key="d2">chunk-3695dd39f98802204c22b00e17ec020d</data>
</node>
<node id="&quot;THE DAUGHTERS OF CATULLE MENDÈS&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Daughters of Catulle Mendès is an earlier work by Renoir that shares a similar composition, indicating his evolving exploration of themes."</data>
  <data key="d2">chunk-3695dd39f98802204c22b00e17ec020d</data>
</node>
<node id="&quot;ANNENBERG COLLECTION&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Annenberg Collection is notable for housing 'The Daughters of Catulle Mendès', connecting to Renoir's body of work."</data>
  <data key="d2">chunk-3695dd39f98802204c22b00e17ec020d</data>
</node>
<node id="&quot;GABRIELLE WITH OPEN BLOUSE&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Gabrielle with Open Blouse is an oil on canvas painting depicting Gabrielle, created by Pierre-Auguste Renoir, reflecting the impressionist style."</data>
  <data key="d2">chunk-4f3e8cc9496821956d432d2261d3671c</data>
</node>
<node id="&quot;TEHRAN MUSEUM OF CONTEMPORARY ART&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Tehran Museum of Contemporary Art is the institution where 'Gabrielle with Open Blouse' is housed, although it is not on display due to its content."</data>
  <data key="d2">chunk-4f3e8cc9496821956d432d2261d3671c</data>
</node>
<node id="&quot;GABRIELLE&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Gabrielle is the subject of the painting 'Gabrielle with Open Blouse,' portrayed by Renoir, though she remains unnamed in the context of the artwork."</data>
  <data key="d2">chunk-4f3e8cc9496821956d432d2261d3671c</data>
</node>
<node id="&quot;MARY CASSATT&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Mary Cassatt was an American artist known for her Impressionist style, particularly in portraying the modern woman and domestic scenes."&lt;SEP&gt;"Mary Cassatt was an American artist known for her contributions to Impressionism, particularly focusing on the theme of mother and child."&lt;SEP&gt;"Mary Cassatt was an American painter, printmaker, pastelist, and connoisseur known for her contributions to the Impressionist movement."</data>
  <data key="d2">chunk-2d94944c1517506311e7fec4e1ec9a06&lt;SEP&gt;chunk-428c3925f637250f336c423c77c160ca&lt;SEP&gt;chunk-12e2a8e9fb4081de49ecf2597c1d8c48</data>
</node>
<node id="&quot;LITTLE GIRL IN A BLUE ARMCHAIR&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Little Girl in a Blue Armchair is an 1878 oil painting by Mary Cassatt, recognized for its vibrant color and its importance within her body of work."</data>
  <data key="d2">chunk-12e2a8e9fb4081de49ecf2597c1d8c48</data>
</node>
<node id="&quot;WORLD'S FAIR&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The World's Fair in Paris in 1878 was an international exhibition where Cassatt submitted her painting, though it was ultimately rejected."</data>
  <data key="d2">chunk-12e2a8e9fb4081de49ecf2597c1d8c48</data>
</node>
<node id="&quot;AMBROISE VOLLARD&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Ambroise Vollard was a Parisian art dealer who purchased Cassatt's painting and played a role in its provenance."</data>
  <data key="d2">chunk-12e2a8e9fb4081de49ecf2597c1d8c48</data>
</node>
<node id="&quot;THE DOG&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"The Dog depicted in the painting walks away from the observer, contributing to the urban scene and the atmosphere of the moment."&lt;SEP&gt;"The dog depicted in Little Girl in a Blue Armchair is a Brussels Griffon, symbolizing personal connection and companionship in the painting."</data>
  <data key="d2">chunk-2fa68adc81de8939987e153f5053f14d&lt;SEP&gt;chunk-12e2a8e9fb4081de49ecf2597c1d8c48</data>
</node>
<node id="&quot;BRUSSELS GRIFFON&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"The Brussels Griffon is a dog breed that was kept by Mary Cassatt, introduced to her by Edgar Degas, highlighting personal ties in her life."</data>
  <data key="d2">chunk-12e2a8e9fb4081de49ecf2597c1d8c48</data>
</node>
<node id="&quot;1878 IMPRESSIONIST EXHIBITION&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The 1878 Impressionist Exhibition was an important event for Cassatt where her works, including possibly Little Girl in a Blue Armchair, were showcased."</data>
  <data key="d2">chunk-12e2a8e9fb4081de49ecf2597c1d8c48</data>
</node>
<node id="&quot;HECTOR BRAME&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Hector Brame was a Parisian art dealer who owned the painting Little Girl in a Blue Armchair after it was sold by Ambroise Vollard."</data>
  <data key="d2">chunk-12e2a8e9fb4081de49ecf2597c1d8c48</data>
</node>
<node id="&quot;MR. AND MRS. PAUL MELLON&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Mr. and Mrs. Paul Mellon were the benefactors who lent Little Girl in a Blue Armchair to the National Gallery of Art and later gifted it."</data>
  <data key="d2">chunk-12e2a8e9fb4081de49ecf2597c1d8c48</data>
</node>
<node id="&quot;ART GALLERY OF THE AMERICAN PAVILION&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Art Gallery of the American Pavilion was involved in the exhibition of artworks at the World's Fair, where Cassatt's painting was submitted."</data>
  <data key="d2">chunk-12e2a8e9fb4081de49ecf2597c1d8c48</data>
</node>
<node id="&quot;WOMAN WITH A PEARL NECKLACE&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Woman with a Pearl Necklace is a significant artwork created by Mary Cassatt in 1879, showcasing themes of modernity and femininity."</data>
  <data key="d2">chunk-428c3925f637250f336c423c77c160ca</data>
</node>
<node id="&quot;PARIS OPÉRA HOUSE&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"The Paris Opéra House is the setting depicted in Cassatt's painting, representing urban nightlife and cultural engagement of the time."</data>
  <data key="d2">chunk-428c3925f637250f336c423c77c160ca</data>
</node>
<node id="&quot;WOMAN WITH A PEARL NECKLACE IN A LOGE&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Woman with a Pearl Necklace in a Loge is an alternate title for the artwork 'Woman with a Pearl Necklace,' reflecting its exhibition context."</data>
  <data key="d2">chunk-428c3925f637250f336c423c77c160ca</data>
</node>
<node id="&quot;LYDIA IN A LOGE&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Lydia in a Loge is another alternate title for the same artwork, emphasizing the subject's identity and setting."</data>
  <data key="d2">chunk-428c3925f637250f336c423c77c160ca</data>
</node>
<node id="&quot;CHARLOTTE DORRANCE WRIGHT&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Charlotte Dorrance Wright was the individual whose bequest led to the acquisition of 'Woman with a Pearl Necklace' by the Philadelphia Museum of Art."</data>
  <data key="d2">chunk-428c3925f637250f336c423c77c160ca</data>
</node>
<node id="&quot;PEACH COLORED DRESS&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The peach colored dress is a key element of the subject's attire in the painting, indicating fashion trends of the time."</data>
  <data key="d2">chunk-428c3925f637250f336c423c77c160ca</data>
</node>
<node id="&quot;FLOWER&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The flower attached to the bodice of the dress adds a decorative element, enhancing the elegance of the figure in the artwork."</data>
  <data key="d2">chunk-428c3925f637250f336c423c77c160ca</data>
</node>
<node id="&quot;CHANDELIER&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The chandelier in the reflection represents the luxurious environment of the Paris Opéra House, contributing to the painting's ambiance."</data>
  <data key="d2">chunk-428c3925f637250f336c423c77c160ca</data>
</node>
<node id="&quot;THE BOATING PARTY&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Boating Party is a significant oil painting created by Mary Cassatt in 1893, recognized for its representation of familial themes."&lt;SEP&gt;"The Boating Party is an 1893 oil painting by Mary Cassatt, depicting a mother, child, and a man in a sailboat, illustrating themes of familial relationships."</data>
  <data key="d2">chunk-2d94944c1517506311e7fec4e1ec9a06</data>
</node>
<node id="&quot;ANTIBES&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Antibes is a location on the French Riviera where Mary Cassatt painted The Boating Party during the winter of 1893-1894."</data>
  <data key="d2">chunk-2d94944c1517506311e7fec4e1ec9a06</data>
</node>
<node id="&quot;MODERN WOMAN&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Modern Woman is a mural completed by Mary Cassatt for the Woman's Building at the 1893 World's Columbian Exposition, showcasing her recognition as an artist."</data>
  <data key="d2">chunk-2d94944c1517506311e7fec4e1ec9a06</data>
</node>
<node id="&quot;WORLD'S COLUMBIAN EXPOSITION&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The World's Columbian Exposition was a world's fair held in Chicago in 1893, where Cassatt's work was prominently featured."</data>
  <data key="d2">chunk-2d94944c1517506311e7fec4e1ec9a06</data>
</node>
<node id="&quot;DURAND-RUEL'S GALLERY&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Durand-Ruel's gallery is a venue in Paris where Mary Cassatt exhibited her artwork in 1893, contributing to her recognition as an artist."</data>
  <data key="d2">chunk-2d94944c1517506311e7fec4e1ec9a06</data>
</node>
<node id="&quot;JAPANESE PRINT EXHIBITION&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Japanese Print exhibition at the ecole de Beaux-arts in Paris in 1890 significantly influenced Mary Cassatt's artistic style and subject matter."</data>
  <data key="d2">chunk-2d94944c1517506311e7fec4e1ec9a06</data>
</node>
<node id="&quot;KITAGAWA UTAMARO&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Kitagawa Utamaro was a renowned Japanese ukiyo-e painter whose works Mary Cassatt owned, influencing her artistry."</data>
  <data key="d2">chunk-2d94944c1517506311e7fec4e1ec9a06</data>
</node>
<node id="&quot;EDOUARD MANET&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Edouard Manet was a French painter whose work, specifically Boating, is suggested to have inspired Mary Cassatt's The Boating Party."</data>
  <data key="d2">chunk-2d94944c1517506311e7fec4e1ec9a06</data>
</node>
<node id="&quot;VILLA 'LA CIGARONNE'&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Villa 'La Cigaronne' is the location in Cap d'Antibes where Mary Cassatt stayed while painting The Boating Party."</data>
  <data key="d2">chunk-2d94944c1517506311e7fec4e1ec9a06</data>
</node>
<node id="&quot;THOMAS EAKINS&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Thomas Eakins is an American artist known for his contributions to realism in painting, particularly through his work 'The Gross Clinic' which captures a surgical scene."&lt;SEP&gt;"Thomas Eakins is an American painter known for his contributions to realism in art, particularly as demonstrated in his 1876 painting 'The Chess Player.'"&lt;SEP&gt;"Thomas Eakins is an American painter known for his genre paintings, including 'Max Schmitt in a Single Scull,' showcasing his artistic talent in depicting sports and human endeavor."&lt;SEP&gt;"Thomas Eakins was an American artist known for his mastery of the human form and significant contributions to genre painting, especially through works like The Swimming Hole."&lt;SEP&gt;"Thomas Eakins was an American artist known for his paintings, particularly his genre paintings, and made significant contributions to American art during the late 19th century."&lt;SEP&gt;"Thomas Eakins was an American artist known for his paintings, photography, and teaching, particularly noted for his influence on his students and his unique methods."&lt;SEP&gt;"Thomas Eakins was an American artist known for his works that exemplify scientific realism, notably his painting The Agnew Clinic."&lt;SEP&gt;"Thomas Eakins was an American painter known for his contributions to realism and his focus on anatomical accuracy and human figures in art."&lt;SEP&gt;"Thomas Eakins was an American painter known for his realistic portrayals and his interest in capturing visual appearances with historical value. He created notable works including portraits of prominent individuals in science and culture."&lt;SEP&gt;"Thomas Eakins was an American painter known for his works that bridge realism and classicism, and he served as an instructor at the Pennsylvania Academy of the Fine Arts."&lt;SEP&gt;"Thomas Eakins was an American realist painter, known for his works that often depicted human figures and athletic subjects, particularly focusing on male nudes during the late 19th century."</data>
  <data key="d2">chunk-2f5bf0ad73cac6a15d524d8a107e8ae3&lt;SEP&gt;chunk-3c83a70f35cb7f4146fb11e6912ac793&lt;SEP&gt;chunk-9eb1e801a858fde7ca4d2309f0ce4d57&lt;SEP&gt;chunk-03912d92fcfec4dffd9dbaff3ba2cd86&lt;SEP&gt;chunk-5906fd8cf6e9dab464bc66668a8ae3e0&lt;SEP&gt;chunk-299ca1e1935fc5ae6db4c4b98443d508&lt;SEP&gt;chunk-36c0b05d6646bacde663bc276480fefe&lt;SEP&gt;chunk-cf7e8b4702c8818dcab589eed2829a71&lt;SEP&gt;chunk-b7e6f6fee64127e612be260c07681da6&lt;SEP&gt;chunk-3c7fac8c51b55166a3127f88e76d4a2a&lt;SEP&gt;chunk-9c8d6297f40479e44c283b564ce0b398</data>
</node>
<node id="&quot;MAX SCHMITT IN A SINGLE SCULL&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Max Schmitt in a Single Scull is an 1871 painting that celebrates the victory of rower Max Schmitt in a single sculls competition, encapsulating the spirit of sporting achievement."</data>
  <data key="d2">chunk-cf7e8b4702c8818dcab589eed2829a71</data>
</node>
<node id="&quot;SCHUYLKILL RIVER&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Schuylkill River is a river in Pennsylvania notable for being the site of rowing competitions, particularly involving the Schuylkill Navy and depicted in Eakins's painting."</data>
  <data key="d2">chunk-cf7e8b4702c8818dcab589eed2829a71</data>
</node>
<node id="&quot;PENNSYLVANIA BARGE CLUB&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Pennsylvania Barge Club is a rowing club in Philadelphia that played a significant role in the rowing community and the competition depicted in Eakins's painting."</data>
  <data key="d2">chunk-cf7e8b4702c8818dcab589eed2829a71</data>
</node>
<node id="&quot;SINGLE-SCULLS COMPETITION&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Single-Sculls Competition is a type of rowing race that features individual rowers in lightweight boats, highlighted by Max Schmitt's victories in the late 19th century."</data>
  <data key="d2">chunk-cf7e8b4702c8818dcab589eed2829a71</data>
</node>
<node id="&quot;MAX SCHMITT&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Max Schmitt was an accomplished rower known for his victories in single-sculls competitions and a close friend of the painter Thomas Eakins."</data>
  <data key="d2">chunk-cf7e8b4702c8818dcab589eed2829a71</data>
</node>
<node id="&quot;CHARLES BROSSMAN&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Charles Brossman was a notable rower who competed against Max Schmitt and won the title in 1868, playing a significant role in the rowing competitions of the era."</data>
  <data key="d2">chunk-cf7e8b4702c8818dcab589eed2829a71</data>
</node>
<node id="&quot;AUSTIN STREET&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Austin Street was a competitive rower who placed second in the 1868 single-sculls competition and was among the top rowers in the Pennsylvania Barge Club."</data>
  <data key="d2">chunk-cf7e8b4702c8818dcab589eed2829a71</data>
</node>
<node id="&quot;JOHN LAVENS, JR.&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"John Lavens, Jr. was a prominent competitor in the Schuylkill Navy rowing competitions, known for racing against Max Schmitt in several championships."</data>
  <data key="d2">chunk-cf7e8b4702c8818dcab589eed2829a71</data>
</node>
<node id="&quot;TURTLE ROCK&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Turtle Rock is a landmark at the northwest end of Boathouse Row, serving as a starting point for rowing competitions on the Schuylkill River."</data>
  <data key="d2">chunk-cf7e8b4702c8818dcab589eed2829a71</data>
</node>
<node id="&quot;BOATHOUSE ROW&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Boathouse Row is a historic area along the Schuylkill River in Philadelphia, famous for its boathouses and involvement in rowing culture."</data>
  <data key="d2">chunk-cf7e8b4702c8818dcab589eed2829a71</data>
</node>
<node id="&quot;SCHUYLKILL NAVY&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Schuylkill Navy is a historic rowing organization established in 1858, consisting of various rowing clubs, including the Pennsylvania Barge Club, that host annual regattas."</data>
  <data key="d2">chunk-cf7e8b4702c8818dcab589eed2829a71</data>
</node>
<node id="&quot;JOSIE&quot;">
  <data key="d0">"TECHNOLOGY"</data>
  <data key="d1">"Josie is the name of the scull owned by Max Schmitt, indicating his personal involvement and commitment to the sport of rowing."</data>
  <data key="d2">chunk-cf7e8b4702c8818dcab589eed2829a71</data>
</node>
<node id="&quot;AMERICAN CIVIL WAR&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The American Civil War interrupted the rowing competitions hosted by the Schuylkill Navy, illustrating its impact on sporting events during that period."</data>
  <data key="d2">chunk-cf7e8b4702c8818dcab589eed2829a71</data>
</node>
<node id="&quot;1870 CHAMPIONSHIP RACE&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The 1870 Championship Race was a significant rowing competition in which Max Schmitt re-established his dominance by completing the 3-mile course in record time."</data>
  <data key="d2">chunk-cf7e8b4702c8818dcab589eed2829a71</data>
</node>
<node id="&quot;PROFESSOR BENJAMIN H. RAND&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Benjamin H. Rand was a doctor at Jefferson Medical College who taught anatomy and is depicted in Eakins' portrait while reading a book and petting a cat."</data>
  <data key="d2">chunk-03912d92fcfec4dffd9dbaff3ba2cd86</data>
</node>
<node id="&quot;PORTRAIT OF PROFESSOR BENJAMIN H. RAND&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Portrait of Professor Benjamin H. Rand is an 1874 painting by Thomas Eakins, notable for being the first portrait Eakins made of someone outside his family."</data>
  <data key="d2">chunk-03912d92fcfec4dffd9dbaff3ba2cd86</data>
</node>
<node id="&quot;JEFFERSON MEDICAL COLLEGE&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Jefferson Medical College is an institution where Benjamin H. Rand worked and taught, and it is significant in the context of Eakins' artistic journey."&lt;SEP&gt;"Jefferson Medical College is the institution where the medical students, present in 'The Gross Clinic', are studying, indicating its role in medical education."</data>
  <data key="d2">chunk-03912d92fcfec4dffd9dbaff3ba2cd86&lt;SEP&gt;chunk-9c8d6297f40479e44c283b564ce0b398</data>
</node>
<node id="&quot;THE GROSS CLINIC&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Gross Clinic is an 1875 painting by Thomas Eakins that depicts a surgical operation led by Dr. Samuel D. Gross, showcasing the transition and realism in medicine."&lt;SEP&gt;"The Gross Clinic is an earlier painting by Eakins which explores similar themes of the human form and nudity in art, serving as an important reference."&lt;SEP&gt;"The Gross Clinic is an earlier work by Eakins, referenced in context to The Agnew Clinic, showing the evolution of medical representation in art."&lt;SEP&gt;"The Gross Clinic is considered one of Thomas Eakins' most important paintings, created shortly after the portrait of Rand."</data>
  <data key="d2">chunk-3c7fac8c51b55166a3127f88e76d4a2a&lt;SEP&gt;chunk-03912d92fcfec4dffd9dbaff3ba2cd86&lt;SEP&gt;chunk-9c8d6297f40479e44c283b564ce0b398&lt;SEP&gt;chunk-b7e6f6fee64127e612be260c07681da6</data>
</node>
<node id="&quot;CRYSTAL BRIDGES MUSEUM OF AMERICAN ART&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Crystal Bridges Museum of American Art is the current house for the Portrait of Professor Benjamin H. Rand, purchased by Alice L. Walton."</data>
  <data key="d2">chunk-03912d92fcfec4dffd9dbaff3ba2cd86</data>
</node>
<node id="&quot;ALICE L. WALTON&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Alice L. Walton is a notable art collector who purchased the Portrait of Professor Benjamin H. Rand for an estimated US$20 million."</data>
  <data key="d2">chunk-03912d92fcfec4dffd9dbaff3ba2cd86</data>
</node>
<node id="&quot;1874&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The year 1874 marks the creation of the Portrait of Professor Benjamin H. Rand, placing it in the context of art history."</data>
  <data key="d2">chunk-03912d92fcfec4dffd9dbaff3ba2cd86</data>
</node>
<node id="&quot;READING A BOOK&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Reading a book is depicted in the portrait, showcasing Professor Benjamin H. Rand's intellectual engagement while he interacts with a cat."</data>
  <data key="d2">chunk-03912d92fcfec4dffd9dbaff3ba2cd86</data>
</node>
<node id="&quot;PETTING A CAT&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Petting a cat is a significant action within the portrait, symbolizing warmth and connection in the depiction of Professor Rand."</data>
  <data key="d2">chunk-03912d92fcfec4dffd9dbaff3ba2cd86</data>
</node>
<node id="&quot;DR. SAMUEL D. GROSS&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Dr. Samuel D. Gross is a notable figure in the painting, a professor who lectures medical students during a surgical operation, demonstrating the role of surgery in 19th-century medicine."</data>
  <data key="d2">chunk-9c8d6297f40479e44c283b564ce0b398</data>
</node>
<node id="&quot;DR. FRANKLIN WEST&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Dr. Franklin West is the clinic clerk depicted in the painting, taking notes during the surgery, which highlights the importance of documentation in medical practices."</data>
  <data key="d2">chunk-9c8d6297f40479e44c283b564ce0b398</data>
</node>
<node id="&quot;MARY CLYMER&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Mary Clymer is a professional nurse depicted in Eakins's later painting 'The Agnew Clinic', contrasting with the surgical practices shown in 'The Gross Clinic'."&lt;SEP&gt;"Mary Clymer was the operating room nurse depicted in the painting, representing the role of women in the medical field during that era."</data>
  <data key="d2">chunk-b7e6f6fee64127e612be260c07681da6&lt;SEP&gt;chunk-9c8d6297f40479e44c283b564ce0b398</data>
</node>
<node id="&quot;THE AGNEW CLINIC&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Agnew Clinic is an 1889 oil painting that depicts Dr. David Hayes Agnew performing surgery in front of medical students and colleagues, commemorating his retirement."&lt;SEP&gt;"The Agnew Clinic is an 1889 painting by Eakins that depicts advancements in surgical practices and hygiene compared to 'The Gross Clinic'."</data>
  <data key="d2">chunk-b7e6f6fee64127e612be260c07681da6&lt;SEP&gt;chunk-9c8d6297f40479e44c283b564ce0b398</data>
</node>
<node id="&quot;U.S. ARMY POST HOSPITAL&quot;">
  <data key="d0">"LOCATION"</data>
  <data key="d1">"U.S. Army Post Hospital is the location where 'The Gross Clinic' was displayed after its rejection from the 1876 Centennial Exhibition, indicating its role in showcasing art."</data>
  <data key="d2">chunk-9c8d6297f40479e44c283b564ce0b398</data>
</node>
<node id="&quot;1876 CENTENNIAL EXHIBITION&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The 1876 Centennial Exhibition was a significant event where 'The Gross Clinic' was submitted but ultimately rejected, reflecting the artistic and political sentiments of the time."</data>
  <data key="d2">chunk-9c8d6297f40479e44c283b564ce0b398</data>
</node>
<node id="&quot;THE EVENING TELEGRAPH&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Evening Telegraph is a Philadelphia newspaper that provided commentary on the rejection of 'The Gross Clinic', indicating its influence in the art community."</data>
  <data key="d2">chunk-9c8d6297f40479e44c283b564ce0b398</data>
</node>
<node id="&quot;NEW YORK TRIBUNE&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The New York Tribune is a newspaper that critiqued the display of 'The Gross Clinic', contributing to the dialogue surrounding the artwork's significance."</data>
  <data key="d2">chunk-9c8d6297f40479e44c283b564ce0b398</data>
</node>
<node id="&quot;OSTEOMYELITIS OF THE FEMUR&quot;">
  <data key="d0">"MEDICAL CONDITION"</data>
  <data key="d1">"Osteomyelitis of the femur is the medical condition treated by Dr. Gross in the painting, illustrating a specific surgical case and medical advancement."</data>
  <data key="d2">chunk-9c8d6297f40479e44c283b564ce0b398</data>
</node>
<node id="&quot;SURGERY&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Surgery in the context of 'The Gross Clinic' represents the medical practices of the 19th century, capturing the transition from amputation to more sophisticated methods."</data>
  <data key="d2">chunk-9c8d6297f40479e44c283b564ce0b398</data>
</node>
<node id="&quot;SURGICAL THEATER&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The surgical theater depicted in 'The Gross Clinic' showcases the environment in which surgeries took place during the 19th century, emphasizing historical practices."</data>
  <data key="d2">chunk-9c8d6297f40479e44c283b564ce0b398</data>
</node>
<node id="&quot;THE CHESS PLAYER&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Chess Player is a genre painting by Thomas Eakins depicting a chess match, symbolizing complex relationships and personal meanings."</data>
  <data key="d2">chunk-3c83a70f35cb7f4146fb11e6912ac793</data>
</node>
<node id="&quot;BENJAMIN EAKINS&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Benjamin Eakins is the father of Thomas Eakins, who is depicted in the painting observing the chess match, representing a key personal influence in Eakins' life."&lt;SEP&gt;"Benjamin Eakins was the father of Thomas Eakins and is also depicted in 'Salutat', highlighting familial connections and support for the artist."</data>
  <data key="d2">chunk-3c83a70f35cb7f4146fb11e6912ac793&lt;SEP&gt;chunk-36c0b05d6646bacde663bc276480fefe</data>
</node>
<node id="&quot;BERTRAND GARDEL&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Bertrand Gardel is an elderly French teacher and one of the players in Eakins' painting, representing an intellectual influence in Eakins' early education."</data>
  <data key="d2">chunk-3c83a70f35cb7f4146fb11e6912ac793</data>
</node>
<node id="&quot;GEORGE HOLMES&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"George Holmes is a painter and the younger player in the chess match depicted in Eakins' painting, suggesting a contrasting dynamic with Gardel."</data>
  <data key="d2">chunk-3c83a70f35cb7f4146fb11e6912ac793</data>
</node>
<node id="&quot;THE CHESS PLAYERS&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Chess Players refers to the title of the painting created by Thomas Eakins in 1876, depicting a chess match between two intellectuals."</data>
  <data key="d2">chunk-3c83a70f35cb7f4146fb11e6912ac793</data>
</node>
<node id="&quot;WOOD PANEL&quot;">
  <data key="d0">"TECHNOLOGY"</data>
  <data key="d1">"Wood panel is the medium used by Thomas Eakins for 'The Chess Players,' signifying a choice that added to the painting's tactile quality and artistic intent."</data>
  <data key="d2">chunk-3c83a70f35cb7f4146fb11e6912ac793</data>
</node>
<node id="&quot;AVE CAESAR MORITURI TE SALUTANT&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Ave Caesar Morituri te Salutant is referenced in the painting as a print over the clock, symbolizing artistic influence and a connection to the past."</data>
  <data key="d2">chunk-3c83a70f35cb7f4146fb11e6912ac793</data>
</node>
<node id="&quot;OEDIPAL COMPLEX&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The Oedipal complex is a psychological concept suggested in the analysis of the painting, relating to themes of conflict and familial relationships."</data>
  <data key="d2">chunk-3c83a70f35cb7f4146fb11e6912ac793</data>
</node>
<node id="&quot;AKELA REASON&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Akela Reason is an art historian who analyzed the painting, proposing important interpretations of its themes and the influences behind Eakins' work."</data>
  <data key="d2">chunk-3c83a70f35cb7f4146fb11e6912ac793</data>
</node>
<node id="&quot;MARTIN BERGER&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Martin Berger is an author who conducted a detailed analysis of 'The Chess Player,' offering insights into its meaning and significance in Eakins' life."</data>
  <data key="d2">chunk-3c83a70f35cb7f4146fb11e6912ac793</data>
</node>
<node id="&quot;THE SWIMMING HOLE&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Swimming Hole is a painting by Thomas Eakins created between 1884 and 1885, notable for its depiction of nude young men swimming and relaxing."&lt;SEP&gt;"The Swimming Hole is an 1884–85 genre painting by Thomas Eakins, depicting naked men swimming in a lake, and is considered a masterpiece of American painting."</data>
  <data key="d2">chunk-3c7fac8c51b55166a3127f88e76d4a2a&lt;SEP&gt;chunk-5906fd8cf6e9dab464bc66668a8ae3e0</data>
</node>
<node id="&quot;AMON CARTER MUSEUM OF AMERICAN ART&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Amon Carter Museum houses The Swimming Hole and is located in Fort Worth, Texas, showcasing American art."</data>
  <data key="d2">chunk-3c7fac8c51b55166a3127f88e76d4a2a</data>
</node>
<node id="&quot;DOVE LAKE&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Dove Lake is a location associated with Thomas Eakins's work, particularly noted in the context of his painting The Swimming Hole."&lt;SEP&gt;"Dove Lake is an artificial lake in Mill Creek outside Philadelphia, where Eakins and his friends are depicted swimming in The Swimming Hole."</data>
  <data key="d2">chunk-3c7fac8c51b55166a3127f88e76d4a2a&lt;SEP&gt;chunk-5906fd8cf6e9dab464bc66668a8ae3e0</data>
</node>
<node id="&quot;PHILADELPHIA&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Philadelphia is the city in Pennsylvania where Thomas Eakins painted The Swimming Hole and where Dove Lake is located."</data>
  <data key="d2">chunk-3c7fac8c51b55166a3127f88e76d4a2a</data>
</node>
<node id="&quot;THE OLD SWIMMIN'-HOLE&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Old Swimmin'-Hole refers to a poem by James Whitcomb Riley, which inspired the latter title of Eakins' painting, The Old Swimming Hole."</data>
  <data key="d2">chunk-3c7fac8c51b55166a3127f88e76d4a2a</data>
</node>
<node id="&quot;TALCOTT WILLIAMS&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Talcott Williams was one of the figures portrayed in The Swimming Hole, a friend or student of Thomas Eakins, noted for his contributions to photography."</data>
  <data key="d2">chunk-3c7fac8c51b55166a3127f88e76d4a2a</data>
</node>
<node id="&quot;BENJAMIN FOX&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Benjamin Fox is depicted in The Swimming Hole and was associated with Eakins and his circle of friends or students."</data>
  <data key="d2">chunk-3c7fac8c51b55166a3127f88e76d4a2a</data>
</node>
<node id="&quot;J. LAURIE WALLACE&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"J. Laurie Wallace is another individual shown in The Swimming Hole, recognized as part of Eakins' group of friends or students."&lt;SEP&gt;"J. Laurie Wallace was Thomas Eakins's teaching assistant at the Pennsylvania Academy of the Fine Arts, and he modeled for the painting Arcadia."</data>
  <data key="d2">chunk-3c7fac8c51b55166a3127f88e76d4a2a&lt;SEP&gt;chunk-5906fd8cf6e9dab464bc66668a8ae3e0</data>
</node>
<node id="&quot;JESSE GODLEY&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Jesse Godley is one of the figures in The Swimming Hole, representing one of Eakins' acquaintances or students."</data>
  <data key="d2">chunk-3c7fac8c51b55166a3127f88e76d4a2a</data>
</node>
<node id="&quot;HARRY THE DOG&quot;">
  <data key="d0">"ANIMAL"</data>
  <data key="d1">"Harry the dog is identified as Eakins' Irish Setter, depicted in The Swimming Hole along with the men swimming."</data>
  <data key="d2">chunk-3c7fac8c51b55166a3127f88e76d4a2a</data>
</node>
<node id="&quot;GEORGE REYNOLDS&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"George Reynolds is also present in The Swimming Hole as part of the group of figures swimming with Eakins."</data>
  <data key="d2">chunk-3c7fac8c51b55166a3127f88e76d4a2a</data>
</node>
<node id="&quot;WILLIAM RUSH&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"William Rush is another earlier work by Eakins that showcases his exploration of the nude and themes related to the human figure."</data>
  <data key="d2">chunk-3c7fac8c51b55166a3127f88e76d4a2a</data>
</node>
<node id="&quot;TAKING THE COUNT&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Taking the Count is one of Eakins' boxing paintings that continued to explore similar themes of the human body and vulnerability."</data>
  <data key="d2">chunk-3c7fac8c51b55166a3127f88e76d4a2a</data>
</node>
<node id="&quot;SALUTAT&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Salutat is a painting by Eakins that portrays a boxing scene, representing his interest in depicting the human body during physical activity."&lt;SEP&gt;"Salutat is an 1898 painting by Thomas Eakins that depicts a boxer, Billy Smith, waving to the crowd after a boxing match, highlighting themes of victory and sportsmanship."</data>
  <data key="d2">chunk-3c7fac8c51b55166a3127f88e76d4a2a&lt;SEP&gt;chunk-36c0b05d6646bacde663bc276480fefe</data>
</node>
<node id="&quot;BETWEEN ROUNDS&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Between Rounds is another boxing painting by Eakins, completed around the same time as 'Salutat', depicting scenes related to the boxing match."&lt;SEP&gt;"Between Rounds is another work by Eakins focusing on the human form, particularly in moments of athleticism and vulnerability."</data>
  <data key="d2">chunk-3c7fac8c51b55166a3127f88e76d4a2a&lt;SEP&gt;chunk-36c0b05d6646bacde663bc276480fefe</data>
</node>
<node id="&quot;ARCADIA&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Arcadia is a mythological painting created by Thomas Eakins around 1883, characterized by its use of classical themes and personal elements."</data>
  <data key="d2">chunk-5906fd8cf6e9dab464bc66668a8ae3e0</data>
</node>
<node id="&quot;PENNSYLVANIA ACADEMY OF THE FINE ARTS&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Pennsylvania Academy of the Fine Arts is an art school and museum in Philadelphia where Thomas Eakins taught and developed his artistic practice."&lt;SEP&gt;"The Pennsylvania Academy of the Fine Arts is an art school and museum in Philadelphia, where Thomas Eakins taught and Amelia Van Buren studied."</data>
  <data key="d2">chunk-2f5bf0ad73cac6a15d524d8a107e8ae3&lt;SEP&gt;chunk-5906fd8cf6e9dab464bc66668a8ae3e0</data>
</node>
<node id="&quot;SUSAN MACDOWELL&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Susan Macdowell was Thomas Eakins's former student and soon-to-be wife, who served as a model for his painting Arcadia."</data>
  <data key="d2">chunk-5906fd8cf6e9dab464bc66668a8ae3e0</data>
</node>
<node id="&quot;BEN CROWELL&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Ben Crowell was Thomas Eakins's 6-year-old nephew, who was photographed as a model for the painting Arcadia."</data>
  <data key="d2">chunk-5906fd8cf6e9dab464bc66668a8ae3e0</data>
</node>
<node id="&quot;DAVID HAYES AGNEW&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"David Hayes Agnew was an anatomist and surgeon honored in the painting for his contributions to medicine and academia, particularly at the University of Pennsylvania."</data>
  <data key="d2">chunk-b7e6f6fee64127e612be260c07681da6</data>
</node>
<node id="&quot;UNIVERSITY OF PENNSYLVANIA&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The University of Pennsylvania is an Ivy League institution where Dr. Agnew taught and where the painting was commissioned by students."</data>
  <data key="d2">chunk-b7e6f6fee64127e612be260c07681da6</data>
</node>
<node id="&quot;MEDICAL STUDENTS OF 1889&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Medical Students of 1889 are portrayed in The Agnew Clinic as the audience for the surgery, emphasizing the dynamics of their education and observation."</data>
  <data key="d2">chunk-b7e6f6fee64127e612be260c07681da6</data>
</node>
<node id="&quot;DR. J. WILLIAM WHITE&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Dr. J. William White appears in The Agnew Clinic, shown applying a bandage to the patient, highlighting his role as a colleague of Dr. Agnew."</data>
  <data key="d2">chunk-b7e6f6fee64127e612be260c07681da6</data>
</node>
<node id="&quot;DR. JOSEPH LEIDY&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Dr. Joseph Leidy, the nephew of paleontologist Joseph Leidy, is depicted in The Agnew Clinic taking the patient's pulse, showcasing his involvement in the surgical procedure."</data>
  <data key="d2">chunk-b7e6f6fee64127e612be260c07681da6</data>
</node>
<node id="&quot;DR. ELLWOOD R. KIRBY&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Dr. Ellwood R. Kirby is portrayed in The Agnew Clinic as administering anesthetic during the operation, exemplifying his contribution to the surgical team."</data>
  <data key="d2">chunk-b7e6f6fee64127e612be260c07681da6</data>
</node>
<node id="&quot;ANATOMY LESSON OF DR. NICOLAES TULP&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Rembrandt's Anatomy Lesson of Dr. Nicolaes Tulp is an earlier painting that influenced Eakins's work, reflecting the long tradition of public surgery depiction in art."</data>
  <data key="d2">chunk-b7e6f6fee64127e612be260c07681da6</data>
</node>
<node id="&quot;ANDREAS VESALIUS'S DE HUMANI CORPORIS FABRICA&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"De humani corporis fabrica is a historical medical text referenced for its significance in anatomy, paralleling Eakins's depiction of surgical practice."</data>
  <data key="d2">chunk-b7e6f6fee64127e612be260c07681da6</data>
</node>
<node id="&quot;QUACK PHYSICIANS' HALL&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Quack Physicians' Hall is another historical artwork referenced as a part of the tradition of surgical depictions leading up to The Agnew Clinic."</data>
  <data key="d2">chunk-b7e6f6fee64127e612be260c07681da6</data>
</node>
<node id="&quot;THE FOUR STAGES OF CRUELTY&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Four Stages of Cruelty is a work by William Hogarth referenced in the context of surgical representation, reflecting societal views on violence and medicine."</data>
  <data key="d2">chunk-b7e6f6fee64127e612be260c07681da6</data>
</node>
<node id="&quot;AMELIA VAN BUREN&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Amelia Van Buren was a student of Thomas Eakins, recognized for her artistry and known to have been one of his most gifted pupils, later transitioning to photography."</data>
  <data key="d2">chunk-2f5bf0ad73cac6a15d524d8a107e8ae3</data>
</node>
<node id="&quot;PORTRAIT OF AMELIA VAN BUREN&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Portrait of Amelia Van Buren is a significant artwork created by Thomas Eakins around 1891, exemplifying his portrait style and artistic techniques."</data>
  <data key="d2">chunk-2f5bf0ad73cac6a15d524d8a107e8ae3</data>
</node>
<node id="&quot;CHARLES BREGLER&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Charles Bregler was another student of Thomas Eakins, who recalled observing Eakins painting the portrait of Amelia Van Buren, indicating his association with both Eakins and Van Buren."</data>
  <data key="d2">chunk-2f5bf0ad73cac6a15d524d8a107e8ae3</data>
</node>
<node id="&quot;MOUNT VERNON STREET&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Mount Vernon Street is the location of Thomas Eakins's home in Philadelphia, where Amelia Van Buren frequently stayed as a guest."</data>
  <data key="d2">chunk-2f5bf0ad73cac6a15d524d8a107e8ae3</data>
</node>
<node id="&quot;BOSTON MARRIAGE&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Boston marriage refers to a long-term relationship between two women, which in this context describes the relationship between Amelia Van Buren and Eva Watson."</data>
  <data key="d2">chunk-2f5bf0ad73cac6a15d524d8a107e8ae3</data>
</node>
<node id="&quot;EVA WATSON&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Eva Watson was a fellow student of Thomas Eakins and a partner of Amelia Van Buren, illustrating the social connections in the artistic community."</data>
  <data key="d2">chunk-2f5bf0ad73cac6a15d524d8a107e8ae3</data>
</node>
<node id="&quot;ARTISTIC TECHNIQUES&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Artistic techniques refer to Eakins's methods in painting, including his anatomical renderings and dramatic lighting seen in the portrait of Amelia Van Buren."</data>
  <data key="d2">chunk-2f5bf0ad73cac6a15d524d8a107e8ae3</data>
</node>
<node id="&quot;THE CONCERT SINGER&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Concert Singer is a painting completed in 1892 by Thomas Eakins, depicting the vocalist Weda Cook, and exemplifying Eakins's goals of truthfully recording visual appearances in art."</data>
  <data key="d2">chunk-299ca1e1935fc5ae6db4c4b98443d508</data>
</node>
<node id="&quot;WEDA COOK&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Weda Cook was a Camden vocalist recognized for her powerful contralto voice and thorough training, depicted in a central role in Eakins's painting."</data>
  <data key="d2">chunk-299ca1e1935fc5ae6db4c4b98443d508</data>
</node>
<node id="&quot;CHARLES M. SCHMITZ&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Charles M. Schmitz was the conductor of the Germania Orchestra and Weda Cook's teacher, who posed for Eakins to enhance the realism of 'The Concert Singer'."</data>
  <data key="d2">chunk-299ca1e1935fc5ae6db4c4b98443d508</data>
</node>
<node id="&quot;GERMANIA ORCHESTRA&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Germania Orchestra is the musical ensemble led by Charles M. Schmitz, associated with the context of the painting 'The Concert Singer'."</data>
  <data key="d2">chunk-299ca1e1935fc5ae6db4c4b98443d508</data>
</node>
<node id="&quot;WILLIAM RUDOLF O'DONOVAN&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"William Rudolf O'Donovan was a sculptor who fell in love with Weda Cook and provided flowers for each sitting during the creation of 'The Concert Singer'."</data>
  <data key="d2">chunk-299ca1e1935fc5ae6db4c4b98443d508</data>
</node>
<node id="&quot;PINK SLIPPERS&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Pink slippers are the footwear worn by Weda Cook in the painting, contributing to the overall aesthetic and visual representation of the artwork."</data>
  <data key="d2">chunk-299ca1e1935fc5ae6db4c4b98443d508</data>
</node>
<node id="&quot;SLEEVELESS PINK DRESS&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The sleeveless pink dress worn by Weda Cook highlights her figure in the painting and adds to the composition's color palette."</data>
  <data key="d2">chunk-299ca1e1935fc5ae6db4c4b98443d508</data>
</node>
<node id="&quot;BARREN COMPOSITION&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The barren composition of 'The Concert Singer' reflects a new and abstract tendency in Eakins's work, contrasting with the detailed settings common in previous portraiture."</data>
  <data key="d2">chunk-299ca1e1935fc5ae6db4c4b98443d508</data>
</node>
<node id="&quot;HISTORICAL VALUE&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Historical value refers to Eakins's desire to truthfully record visual appearances in his portraits, such as in 'The Concert Singer'."</data>
  <data key="d2">chunk-299ca1e1935fc5ae6db4c4b98443d508</data>
</node>
<node id="&quot;WARM LIGHT PINKS&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Warm light pinks refers to the color palette used by Eakins in the painting, enhancing the depiction of Weda Cook's figure."</data>
  <data key="d2">chunk-299ca1e1935fc5ae6db4c4b98443d508</data>
</node>
<node id="&quot;COOLER AND DARKER YELLOW-GREEN BACKGROUND&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The cooler and darker yellow-green background provides contrast to the subject Weda Cook in 'The Concert Singer', highlighting her presence."</data>
  <data key="d2">chunk-299ca1e1935fc5ae6db4c4b98443d508</data>
</node>
<node id="&quot;PUBLIC PERFORMANCE&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Public performance is suggested in 'The Concert Singer' through the depiction of Weda Cook, indicating her role as a performer."</data>
  <data key="d2">chunk-299ca1e1935fc5ae6db4c4b98443d508</data>
</node>
<node id="&quot;AMBIGUITY&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Ambiguity in the painting arises from inconsistencies in perspective and minimal narrative details, inviting interpretation of the scene."</data>
  <data key="d2">chunk-299ca1e1935fc5ae6db4c4b98443d508</data>
</node>
<node id="&quot;BILLY SMITH&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Billy Smith was a featherweight boxer who competed in over 100 bouts, and was the subject of Eakins' painting 'Salutat', portraying him in a victorious moment."</data>
  <data key="d2">chunk-36c0b05d6646bacde663bc276480fefe</data>
</node>
<node id="&quot;TIM CALLAHAN&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Tim Callahan was a featherweight boxer who fought against Billy Smith in a close match on April 22, 1898, which serves as the backdrop for Eakins' 'Salutat'."</data>
  <data key="d2">chunk-36c0b05d6646bacde663bc276480fefe</data>
</node>
<node id="&quot;CARNEGIE MUSEUM OF ART&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Carnegie Museum of Art houses an oil-on-canvas study of 'Salutat' created by Eakins, showcasing his artistic exploration of boxing themes."</data>
  <data key="d2">chunk-36c0b05d6646bacde663bc276480fefe</data>
</node>
<node id="&quot;THE STUDIO&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Studio of Thomas Eakins was a place where he conducted studies and invited friends and fighters to pose as models for his boxing paintings."</data>
  <data key="d2">chunk-36c0b05d6646bacde663bc276480fefe</data>
</node>
<node id="&quot;CLARENCE CRANMER&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Clarence Cranmer was a sportswriter and friend of Thomas Eakins who assisted the artist with advice on the wrestling painting."&lt;SEP&gt;"Clarence Cranmer was a sportswriter who contributed to the documentation of boxing events and posed for Eakins in the painting 'Salutat', wearing a bowler hat."</data>
  <data key="d2">chunk-9eb1e801a858fde7ca4d2309f0ce4d57&lt;SEP&gt;chunk-36c0b05d6646bacde663bc276480fefe</data>
</node>
<node id="&quot;HENRY WALTER SCHLICHTER&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Henry Walter Schlichter was a sportswriter who assisted Eakins with his boxing paintings by providing insights and helping find fighters to pose."</data>
  <data key="d2">chunk-36c0b05d6646bacde663bc276480fefe</data>
</node>
<node id="&quot;SAMUEL MURRAY&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Samuel Murray was a sculptor and protégé of Thomas Eakins, who was involved in Eakins' artistic process and is depicted in the studio environment."</data>
  <data key="d2">chunk-36c0b05d6646bacde663bc276480fefe</data>
</node>
<node id="&quot;LOUIS KENTON&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Louis Kenton was a friend of Eakins who was invited to pose for the painting 'Salutat', recognized within the audience depicted in the artwork."</data>
  <data key="d2">chunk-36c0b05d6646bacde663bc276480fefe</data>
</node>
<node id="&quot;DAVID JORDAN&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"David Jordan is noted as a visitor to Eakins' studio and appears in 'Salutat', recognizing connections to Eakins' broader circle and artistic network."</data>
  <data key="d2">chunk-36c0b05d6646bacde663bc276480fefe</data>
</node>
<node id="&quot;DEXTERA VICTARICE CONCLAMANTES SALUTAT&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"'Dextera Victarice Conclamantes Salutat' is a Latin phrase carved by Eakins on the painting's original frame, meaning 'With the victorious right hand, he salutes those shouting [their approval]'."</data>
  <data key="d2">chunk-36c0b05d6646bacde663bc276480fefe</data>
</node>
<node id="&quot;THE WRESTLERS&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Wrestlers is a name shared by three related 1899 paintings by Thomas Eakins, depicting two nearly naked men wrestling, with different versions owned by various museums."</data>
  <data key="d2">chunk-9eb1e801a858fde7ca4d2309f0ce4d57</data>
</node>
<node id="&quot;LOS ANGELES COUNTY MUSEUM OF ART (LACMA)&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"LACMA is an art museum located in Los Angeles, California, which owns the finished version of Eakins' painting 'The Wrestlers' (G-317)."</data>
  <data key="d2">chunk-9eb1e801a858fde7ca4d2309f0ce4d57</data>
</node>
<node id="&quot;PHILADELPHIA MUSEUM OF ART (PMA)&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The PMA is an art museum located in Philadelphia, Pennsylvania, which owns an unfinished version (G-319) of Eakins' painting 'The Wrestlers'."</data>
  <data key="d2">chunk-9eb1e801a858fde7ca4d2309f0ce4d57</data>
</node>
<node id="&quot;THE NATIONAL ACADEMY OF DESIGN (NAD)&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The NAD is a prestigious art institution in New York City where Eakins donated the finished version of 'The Wrestlers' as part of his reception."</data>
  <data key="d2">chunk-9eb1e801a858fde7ca4d2309f0ce4d57</data>
</node>
<node id="&quot;JOSEPH MCCANN&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Joseph McCann is identified in historical records as the wrestler on top in Eakins' unfinished 'The Wrestlers' painting, although the identity of the other wrestler remains unknown."</data>
  <data key="d2">chunk-9eb1e801a858fde7ca4d2309f0ce4d57</data>
</node>
<node id="&quot;THE FINISHED VERSION&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The finished version of 'The Wrestlers' is the completed painting (G-317) owned by LACMA, representing Eakins' final work on the subject."</data>
  <data key="d2">chunk-9eb1e801a858fde7ca4d2309f0ce4d57</data>
</node>
<node id="&quot;THE OIL SKETCH&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The oil sketch (G-318) is a version of 'The Wrestlers' created by Eakins, which differs in details from the finished painting."</data>
  <data key="d2">chunk-9eb1e801a858fde7ca4d2309f0ce4d57</data>
</node>
<node id="&quot;THE UNFINISHED VERSION&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The unfinished version (G-319) of 'The Wrestlers' is a slightly smaller composition owned by the PMA, thought to be an abandoned composition rather than a study."</data>
  <data key="d2">chunk-9eb1e801a858fde7ca4d2309f0ce4d57</data>
</node>
<node id="&quot;QUAKER CITY BARGE CLUB&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Quaker City Barge Club is the setting for the finished version of Eakins' painting, located on Philadelphia's Boathouse Row, which has since become defunct."</data>
  <data key="d2">chunk-9eb1e801a858fde7ca4d2309f0ce4d57</data>
</node>
<node id="&quot;PHILADELPHIA'S BOATHOUSE ROW&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Boathouse Row is a historic section along the Schuylkill River in Philadelphia, known for its boathouses, including the former Quaker City Barge Club where Eakins' painting is set."</data>
  <data key="d2">chunk-9eb1e801a858fde7ca4d2309f0ce4d57</data>
</node>
<node id="&quot;THE SCHUYLKILL RIVER&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"The Schuylkill River is a river flowing through Philadelphia, significant in Eakins' earlier works depicting scullers."</data>
  <data key="d2">chunk-9eb1e801a858fde7ca4d2309f0ce4d57</data>
</node>
<node id="&quot;1729 MOUNT VERNON STREET&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"1729 Mount Vernon Street is the address of Eakins' studio in Philadelphia, where he painted 'The Wrestlers' with live models."</data>
  <data key="d2">chunk-9eb1e801a858fde7ca4d2309f0ce4d57</data>
</node>
<node id="&quot;ALLEN GUTTMANN&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Allen Guttmann is an author who compared Eakins' 'Wrestlers' to other wrestling-themed paintings, providing context for its cultural relevance."</data>
  <data key="d2">chunk-9eb1e801a858fde7ca4d2309f0ce4d57</data>
</node>
<node id="&quot;GEORGE LUKS&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"George Luks is an artist known for his painting 'The Wrestlers' (1905), which is discussed in relation to Eakins' work."</data>
  <data key="d2">chunk-9eb1e801a858fde7ca4d2309f0ce4d57</data>
</node>
<node id="&quot;MAX SLEVOGT&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Max Slevogt is an artist known for his painting 'Wrestling School' (1893), also compared to Eakins' 'Wrestlers'."</data>
  <data key="d2">chunk-9eb1e801a858fde7ca4d2309f0ce4d57</data>
</node>
<node id="&quot;MAN AT THE WINDOW&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Man at the Window is a 1875 oil on canvas painting by Gustave Caillebotte, depicting his brother at a window looking out onto an urban scene."</data>
  <data key="d2">chunk-08b1179a0a9dcebca7cfa3a72b158c14</data>
</node>
<node id="&quot;RENÉ CAILLEBOTTE&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"René Caillebotte is depicted in the painting 'Man at the Window', wearing informal clothes and standing at the family home in Paris."</data>
  <data key="d2">chunk-08b1179a0a9dcebca7cfa3a72b158c14</data>
</node>
<node id="&quot;RUE DE MIROMESNIL&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Rue de Miromesnil is a street in Paris where the Caillebotte family home is located, serving as the setting for the painting 'Man at the Window'."</data>
  <data key="d2">chunk-08b1179a0a9dcebca7cfa3a72b158c14</data>
</node>
<node id="&quot;BOULEVARD DE MALESHERBES&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Boulevard de Malesherbes is a prominent street in Paris visible in the background of the painting 'Man at the Window'."</data>
  <data key="d2">chunk-08b1179a0a9dcebca7cfa3a72b158c14</data>
</node>
<node id="&quot;IMPRESSIONISM EXHIBITION OF 1876&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Impressionism Exhibition of 1876 was a showcase where 'Man at the Window' was presented alongside other works by Caillebotte."</data>
  <data key="d2">chunk-08b1179a0a9dcebca7cfa3a72b158c14</data>
</node>
<node id="&quot;ÉMILE ZOLA&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Émile Zola was a French writer who expressed his opinion on Caillebotte's work at the Impressionism exhibition, describing it as 'anti-artistic'."</data>
  <data key="d2">chunk-08b1179a0a9dcebca7cfa3a72b158c14</data>
</node>
<node id="&quot;JOHANN HEINRICH TISCHBEIN&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Johann Heinrich Tischbein was a German painter known for 'Goethe at the Window of His Room in Rome', another precursor in similar artistic themes."</data>
  <data key="d2">chunk-08b1179a0a9dcebca7cfa3a72b158c14</data>
</node>
<node id="&quot;MORITZ VON SCHWIND&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Moritz von Schwind was a German painter known for 'The Morning Hour', which relates to themes present in Caillebotte's painting."</data>
  <data key="d2">chunk-08b1179a0a9dcebca7cfa3a72b158c14</data>
</node>
<node id="&quot;THE PARQUET PLANERS (THE FLOOR SCRAPERS)&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Parquet Planers (The Floor Scrapers) is an oil painting created by Gustave Caillebotte in 1875, depicting three workers scraping a wooden floor in a bourgeois apartment, illustrating social realism."</data>
  <data key="d2">chunk-5387a9f92c6290746c3974533e905a95</data>
</node>
<node id="&quot;GALERIE NATIONALE DU JEU DE PAUME&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Galerie nationale du Jeu de Paume is a museum that housed 'The Parquet Planers' after its transfer from the Musée du Luxembourg in 1947."</data>
  <data key="d2">chunk-5387a9f92c6290746c3974533e905a95</data>
</node>
<node id="&quot;LES RABOTEURS DE PARQUET&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Les raboteurs de parquet is the French title for 'The Floor Scrapers', an oil painting by Gustave Caillebotte which illustrates working-class life."</data>
  <data key="d2">chunk-5387a9f92c6290746c3974533e905a95</data>
</node>
<node id="&quot;77, RUE DE MIROMESNIL&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"77, rue de Miromesnil is the address of Caillebotte's studio, believed to be the location depicted in 'The Parquet Planers', representing the artist's personal life and workspace."</data>
  <data key="d2">chunk-5387a9f92c6290746c3974533e905a95</data>
</node>
<node id="&quot;THE IMPRESSIONISTS&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Impressionists were a group of artists, including Caillebotte, known for their innovations in painting and their collective exhibitions showcasing modern subjects."</data>
  <data key="d2">chunk-5387a9f92c6290746c3974533e905a95</data>
</node>
<node id="&quot;PARIS, A RAINY DAY&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"'Paris, a Rainy Day' is a significant 1877 oil painting by Gustave Caillebotte, which depicts individuals caught in the rain on a Paris street, showcasing realism and artistic techniques reflective of Impressionism."</data>
  <data key="d2">chunk-fb8111be9df1d8dfa0bc70ae25ccb73c</data>
</node>
<node id="&quot;PLACE DE DUBLIN&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Place de Dublin is the location depicted in 'Paris, a Rainy Day' where individuals are shown walking in the rain at an intersection near the Gare Saint-Lazare in Paris."</data>
  <data key="d2">chunk-fb8111be9df1d8dfa0bc70ae25ccb73c</data>
</node>
<node id="&quot;PARIS STREET; RAINY DAY&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"'Paris Street; Rainy Day' is another title for 'Paris, a Rainy Day', referring to the same artwork created by Gustave Caillebotte in 1877."</data>
  <data key="d2">chunk-fb8111be9df1d8dfa0bc70ae25ccb73c</data>
</node>
<node id="&quot;THIRD IMPRESSIONIST EXHIBITION&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Third Impressionist Exhibition held in 1877 was where 'Paris, a Rainy Day' was first shown to the public, marking its initial reception."</data>
  <data key="d2">chunk-fb8111be9df1d8dfa0bc70ae25ccb73c</data>
</node>
<node id="&quot;GARE SAINT-LAZARE&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Gare Saint-Lazare is a major train station in Paris, near the Place de L'Europe, playing a crucial role in the setting of Caillebotte's painting."&lt;SEP&gt;"Gare Saint-Lazare is a significant train station in Paris near the Place de Dublin, which provides context to the location depicted in Caillebotte's painting."</data>
  <data key="d2">chunk-2fa68adc81de8939987e153f5053f14d&lt;SEP&gt;chunk-fb8111be9df1d8dfa0bc70ae25ccb73c</data>
</node>
<node id="&quot;GLORIA GROOM&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Gloria Groom is an AIC curator who described 'Paris, a Rainy Day' as 'the great picture of urban life in the late 19th century'."</data>
  <data key="d2">chunk-fb8111be9df1d8dfa0bc70ae25ccb73c</data>
</node>
<node id="&quot;19TH CENTURY&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"The 19th century context is important to understanding the cultural and artistic movements such as Impressionism that influenced Caillebotte's work."</data>
  <data key="d2">chunk-fb8111be9df1d8dfa0bc70ae25ccb73c</data>
</node>
<node id="&quot;IMPRESSIONIST PAINTERS&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Impressionist painters were a group of artists, including friends and patrons of Caillebotte, who were known for their innovative approaches to painting during the 19th century."</data>
  <data key="d2">chunk-fb8111be9df1d8dfa0bc70ae25ccb73c</data>
</node>
<node id="&quot;UMBRELLA&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The umbrella is a prominent symbol in 'Paris, a Rainy Day', representing personal space and societal isolation amid urban life."</data>
  <data key="d2">chunk-fb8111be9df1d8dfa0bc70ae25ccb73c</data>
</node>
<node id="&quot;MIDDLE CLASS&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The middle class is depicted through the fashion and demeanor of the figures in 'Paris, a Rainy Day', illustrating social status during the late 19th century."</data>
  <data key="d2">chunk-fb8111be9df1d8dfa0bc70ae25ccb73c</data>
</node>
<node id="&quot;RENOIR&quot;">
  <data key="d2">chunk-efc7ffb626375d9b3d792b58a7b0d4c9</data>
  <data key="d1">"Renoir and Alfred Sisley were peers in the Impressionist movement, with Sisley historically believed to be depicted in La Promenade."</data>
  <data key="d0">"UNKNOWN"</data>
</node>
<node id="&quot;THE 1876 CENTENNIAL EXHIBITION&quot;">
  <data key="d2">chunk-9c8d6297f40479e44c283b564ce0b398</data>
  <data key="d1">"'The Gross Clinic' was submitted to the 1876 Centennial Exhibition, marking a notable moment in its exhibition history."</data>
  <data key="d0">"UNKNOWN"</data>
</node>
<node id="&quot;EAKINS HIMSELF&quot;">
  <data key="d2">chunk-3c7fac8c51b55166a3127f88e76d4a2a</data>
  <data key="d1">"Eakins is one of the figures depicted in the painting, representing a personal connection to the artwork."</data>
  <data key="d0">"UNKNOWN"</data>
</node>
<node id="&quot;LACMA&quot;">
  <data key="d2">chunk-9eb1e801a858fde7ca4d2309f0ce4d57</data>
  <data key="d1">"LACMA owns the finished version of 'The Wrestlers' painting (G-317), making it an important location for Eakins' work."</data>
  <data key="d0">"UNKNOWN"</data>
</node>
<node id="&quot;PMA&quot;">
  <data key="d2">chunk-9eb1e801a858fde7ca4d2309f0ce4d57</data>
  <data key="d1">"The PMA owns an unfinished version of 'The Wrestlers', highlighting its significance in the collection of American art."</data>
  <data key="d0">"UNKNOWN"</data>
</node>
<node id="&quot;NAD&quot;">
  <data key="d2">chunk-9eb1e801a858fde7ca4d2309f0ce4d57</data>
  <data key="d1">"Eakins donated the finished version of 'The Wrestlers' to the NAD upon his election, connecting the artwork with the institution."</data>
  <data key="d0">"UNKNOWN"</data>
</node>
<node id="&quot;THE FLOOR SCRAPERS&quot;">
  <data key="d2">chunk-5387a9f92c6290746c3974533e905a95</data>
  <data key="d1">"'The Floor Scrapers' is the English title of 'Les raboteurs de parquet', reflecting the duality of the artwork's identity in different cultures."</data>
  <data key="d0">"UNKNOWN"</data>
</node>
<node id="&quot;A BALCONY IN PARIS&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"A Balcony in Paris is a significant oil on canvas painting that represents an urban scene in 19th-century Paris, reflecting the artist's engagement with modernity."&lt;SEP&gt;"A Balcony in Paris is an oil on canvas painting depicting an urban street view from a balcony, created by Gustave Caillebotte around 1880-81."</data>
  <data key="d2">chunk-86a13add2cfd2e0ba91c6b7cdae62ef5</data>
</node>
<node id="&quot;31 BOULEVARD HAUSSMANN&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"31 boulevard Haussmann is the location in Paris that is associated with Gustave Caillebotte's bourgeois home, featured in some of his artworks."</data>
  <data key="d2">chunk-86a13add2cfd2e0ba91c6b7cdae62ef5</data>
</node>
<node id="&quot;FRENCH IMPRESSIONISM&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"French Impressionism is an art movement characterized by its focus on light, color, and everyday subject matter, of which Gustave Caillebotte was a part."</data>
  <data key="d2">chunk-86a13add2cfd2e0ba91c6b7cdae62ef5</data>
</node>
<node id="&quot;LE PONT DE L'EUROPE&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Le Pont de L'Europe is an oil painting created by Gustave Caillebotte in 1876, depicting a vibrant cityscape of Paris's Place de l'Europe."</data>
  <data key="d2">chunk-2fa68adc81de8939987e153f5053f14d</data>
</node>
<node id="&quot;MUSÉE DU PETIT PALAIS&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Musée du Petit Palais is an art museum in Geneva, Switzerland, which holds Gustave Caillebotte's painting Le Pont de L'Europe."</data>
  <data key="d2">chunk-2fa68adc81de8939987e153f5053f14d</data>
</node>
<node id="&quot;PLACE DE L'EUROPE&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Place de L'Europe is a prominent plaza in Paris where the painting Le Pont de L'Europe is set, notable for its architectural features and urban activity."</data>
  <data key="d2">chunk-2fa68adc81de8939987e153f5053f14d</data>
</node>
<node id="&quot;THE FLÂNEUR&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"The Flâneur is an upper-class street observer depicted in the painting, strolling with a woman, and represents the theme of social class interactions in urban settings."</data>
  <data key="d2">chunk-2fa68adc81de8939987e153f5053f14d</data>
</node>
<node id="&quot;ANNE-MARIE HAGEN&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Anne-Marie Hagen is suggested to be Caillebotte's companion in the painting, symbolizing the complexities of relationships and social norms of the time."</data>
  <data key="d2">chunk-2fa68adc81de8939987e153f5053f14d</data>
</node>
<node id="&quot;JAPANESE ART&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Japanese Art influenced Caillebotte's perspective and composition methods, reflecting the cross-cultural exchanges in the art world."</data>
  <data key="d2">chunk-2fa68adc81de8939987e153f5053f14d</data>
</node>
<node id="&quot;PHOTOGRAPHY&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Photography as an emerging artistic field in Caillebotte's time influenced his approach to perspective in painting, highlighting the connection between different art forms."</data>
  <data key="d2">chunk-2fa68adc81de8939987e153f5053f14d</data>
</node>
<node id="&quot;ABBOTT HANDERSON THAYER&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Abbott Handerson Thayer was an American painter known for his portraits, including the notable work 'The Sisters', showcasing a composition of grandeur."</data>
  <data key="d2">chunk-349274660b80d621a1067780d3b2a70c</data>
</node>
<node id="&quot;THE SISTERS&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Sisters is an 1884 oil on canvas painting by Abbott Handerson Thayer, depicting the complex and intimate relationship between the subjects."</data>
  <data key="d2">chunk-349274660b80d621a1067780d3b2a70c</data>
</node>
<node id="&quot;BESSIE STILLMAN&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Bessie Stillman is one of the subjects of the portrait 'The Sisters' and is depicted in a poised and composed manner."</data>
  <data key="d2">chunk-349274660b80d621a1067780d3b2a70c</data>
</node>
<node id="&quot;CLARA STILLMAN&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Clara Stillman is the other subject of the portrait 'The Sisters', shown in a protective and intimate pose with her sister Bessie."</data>
  <data key="d2">chunk-349274660b80d621a1067780d3b2a70c</data>
</node>
<node id="&quot;JAMES STILLMAN&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"James Stillman was a banker who commissioned 'The Sisters' from Abbott Handerson Thayer, showcasing his familial connection to the subjects."</data>
  <data key="d2">chunk-349274660b80d621a1067780d3b2a70c</data>
</node>
<node id="&quot;SOCIETY OF AMERICAN ARTISTS&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Society of American Artists is an art organization that exhibited 'The Sisters' in 1884, where it received recognition despite criticism."</data>
  <data key="d2">chunk-349274660b80d621a1067780d3b2a70c</data>
</node>
<node id="&quot;NANTUCKET&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Nantucket is a location in Massachusetts where Abbott Handerson Thayer summered during his artistic development."</data>
  <data key="d2">chunk-349274660b80d621a1067780d3b2a70c</data>
</node>
<node id="&quot;PITTSFIELD, MASSACHUSETTS&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Pittsfield is another location in Massachusetts where Abbott Handerson Thayer spent time while developing his art."</data>
  <data key="d2">chunk-349274660b80d621a1067780d3b2a70c</data>
</node>
<node id="&quot;HARTFORD, CONNECTICUT&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Hartford is a city in Connecticut where Abbott Handerson Thayer painted a portrait of the author Mark Twain."</data>
  <data key="d2">chunk-349274660b80d621a1067780d3b2a70c</data>
</node>
<node id="&quot;PEEKSKILL, NEW YORK&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Peekskill is a location in New York where Thayer spent a winter at a cottage owned by Henry Ward Beecher, contributing to his development as an artist."</data>
  <data key="d2">chunk-349274660b80d621a1067780d3b2a70c</data>
</node>
<node id="&quot;CORNWELL-ON-HUDSON&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Cornwell-on-Hudson is the location where Abbott Handerson Thayer built a studio and painted portraits, including 'The Sisters'."</data>
  <data key="d2">chunk-349274660b80d621a1067780d3b2a70c</data>
</node>
<node id="&quot;DENNIS MILLER BUNKER&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Dennis Miller Bunker was a younger colleague of Abbott Handerson Thayer, noted for being influenced by Thayer's portraits, particularly 'The Sisters'."</data>
  <data key="d2">chunk-349274660b80d621a1067780d3b2a70c</data>
</node>
<node id="&quot;AMEDEO MODIGLIANI&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Amedeo Modigliani was an Italian artist known for his distinctive style of portraiture and nudes, capturing the essence of modernism while referencing traditional techniques."&lt;SEP&gt;"Amedeo Modigliani was an Italian artist known for his unique portrait style characterized by elongated forms and a limited color palette. He created 'The Boy' in 1919 while facing health issues."&lt;SEP&gt;"Amedeo Modigliani was an artist known for his portrait work, including the painting 'Jacques and Berthe Lipchitz', characterized by his bohemian lifestyle and distinct artistic style."</data>
  <data key="d2">chunk-78c585b69c00e58d98421de00e5b352d&lt;SEP&gt;chunk-23c09d3fcae99716703d29ad57160626&lt;SEP&gt;chunk-8910f94f1ba8711cf9f0ea0cd62912dd</data>
</node>
<node id="&quot;JACQUES AND BERTHE LIPCHITZ&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Jacques and Berthe Lipchitz is a 1916 oil painting depicting artist Jacques Lipchitz and his wife Berthe, representing a complex study of their contrasting personalities."</data>
  <data key="d2">chunk-78c585b69c00e58d98421de00e5b352d</data>
</node>
<node id="&quot;JACQUES LIPCHITZ&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Jacques Lipchitz was a sculptor and close friend of Modigliani; he is depicted prominently in Modigliani's painting 'Jacques and Berthe Lipchitz' alongside his wife."</data>
  <data key="d2">chunk-78c585b69c00e58d98421de00e5b352d</data>
</node>
<node id="&quot;BERTHE KITROSSER&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Berthe Kitrosser, also known as Berthe Lipchitz, was a poet and the wife of Jacques Lipchitz, featured in Modigliani's portrait, showcasing a gentle sensuality in contrast to her husband's strong demeanor."</data>
  <data key="d2">chunk-78c585b69c00e58d98421de00e5b352d</data>
</node>
<node id="&quot;HELEN BIRCH BARTLETT MEMORIAL COLLECTION&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Helen Birch Bartlett Memorial Collection includes artworks donated to the Art Institute of Chicago, including Modigliani's 'Jacques and Berthe Lipchitz'."</data>
  <data key="d2">chunk-78c585b69c00e58d98421de00e5b352d</data>
</node>
<node id="&quot;1916&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"1916 is the year when the painting 'Jacques and Berthe Lipchitz' was created, marking its historical context in art history."</data>
  <data key="d2">chunk-78c585b69c00e58d98421de00e5b352d</data>
</node>
<node id="&quot;CONSTANTIN BRÂNCUȘI&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Constantin Brâncuși was a renowned sculptor honored by having his home become the setting for Jacques and Berthe Lipchitz in the painting."</data>
  <data key="d2">chunk-78c585b69c00e58d98421de00e5b352d</data>
</node>
<node id="&quot;MASON KLEIN&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Mason Klein is an art historian who analyzed and discussed the contrasting representations of Jacques and Berthe Lipchitz in Modigliani's portrait."</data>
  <data key="d2">chunk-78c585b69c00e58d98421de00e5b352d</data>
</node>
<node id="&quot;WERNER SCHMALENBACH&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Werner Schmalenbach was a biographer of Modigliani who compared his works, highlighting the evolution in Modigliani's styles showcased in his portraits."</data>
  <data key="d2">chunk-78c585b69c00e58d98421de00e5b352d</data>
</node>
<node id="&quot;ARTISTIC CIRCLES IN PARIS&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Artistic Circles in Paris refers to the vibrant community of artists, including Modigliani and Lipchitz, who influenced each other and shared their work during their time in France."</data>
  <data key="d2">chunk-78c585b69c00e58d98421de00e5b352d</data>
</node>
<node id="&quot;BOHEMIAN DISSOLUTION&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Bohemian Dissolution describes Modigliani's artistic lifestyle, marked by a rejection of conventional norms and a focus on artistic freedom and expression."</data>
  <data key="d2">chunk-78c585b69c00e58d98421de00e5b352d</data>
</node>
<node id="&quot;ARTISTIC INDUSTRIOUSNESS&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Artistic Industriousness refers to Lipchitz's dedication and hard work in contrast to Modigliani's more carefree, bohemian approach to art."</data>
  <data key="d2">chunk-78c585b69c00e58d98421de00e5b352d</data>
</node>
<node id="&quot;TWELVE PLASTER MOLDS&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Twelve Plaster Molds were created by Jacques Lipchitz after Modigliani's death, serving as memorials for Marc Chagall's friends and family."</data>
  <data key="d2">chunk-78c585b69c00e58d98421de00e5b352d</data>
</node>
<node id="&quot;PAINTING'S COMPLEXITY&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Painting's Complexity refers to the intricate emotional and aesthetic layers presented in 'Jacques and Berthe Lipchitz', reflecting the personalities of the subjects."</data>
  <data key="d2">chunk-78c585b69c00e58d98421de00e5b352d</data>
</node>
<node id="&quot;NUDE SITTING ON A DIVAN&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Nude Sitting on a Divan is an oil on canvas painting created by Modigliani in 1917, notable for its controversial reception and significant sales at auction."</data>
  <data key="d2">chunk-23c09d3fcae99716703d29ad57160626</data>
</node>
<node id="&quot;LEOPOLD ZBOROWSKI&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Leopold Zborowski was Modigliani's dealer and friend, who provided support and materials for the artist's painting endeavors during the creation of his nudes."&lt;SEP&gt;"Leopold Zborowski was a Polish-born art dealer who purchased 'The Boy' from Amedeo Modigliani and represented the artist."</data>
  <data key="d2">chunk-23c09d3fcae99716703d29ad57160626&lt;SEP&gt;chunk-8910f94f1ba8711cf9f0ea0cd62912dd</data>
</node>
<node id="&quot;NUDE SEATING ON A SOFA&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Nude seating on a sofa is an artwork created by Amedeo Modigliani in 1917, which is part of a series of nude paintings that gained significant attention and controversy."</data>
  <data key="d2">chunk-23c09d3fcae99716703d29ad57160626</data>
</node>
<node id="&quot;THE BEAUTIFUL ROMAN WOMAN&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Beautiful Roman Woman is an alternative title for 'Nude seating on a sofa,' emphasizing the subject's allure and the painting's thematic focus on beauty."</data>
  <data key="d2">chunk-23c09d3fcae99716703d29ad57160626</data>
</node>
<node id="&quot;1917 EXHIBITION&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The 1917 Exhibition refers to Modigliani's solo exhibition in Paris, which was infamous for the immediate public reaction and its closure by police."</data>
  <data key="d2">chunk-23c09d3fcae99716703d29ad57160626</data>
</node>
<node id="&quot;NEW YORK AUCTION&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The New York auction held on November 2, 2010, marked a significant moment in art history when 'Nude seating on a sofa' was sold for a record price."</data>
  <data key="d2">chunk-23c09d3fcae99716703d29ad57160626</data>
</node>
<node id="&quot;$68.9 MILLION&quot;">
  <data key="d0">"FIGURE"</data>
  <data key="d1">"$68.9 million represents the record price at which 'Nude seating on a sofa' was sold at auction, highlighting its value in the art market."</data>
  <data key="d2">chunk-23c09d3fcae99716703d29ad57160626</data>
</node>
<node id="&quot;OBSCENITY&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Obscenity refers to the controversial nature of Modigliani's nudes during the 1917 exhibition, leading to public debate and police intervention."</data>
  <data key="d2">chunk-23c09d3fcae99716703d29ad57160626</data>
</node>
<node id="&quot;ITALIAN RENAISSANCE&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The Italian Renaissance was a prominent cultural movement influencing Modigliani's work, particularly in the representation of the human form."</data>
  <data key="d2">chunk-23c09d3fcae99716703d29ad57160626</data>
</node>
<node id="&quot;ART HISTORY&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Art history encompasses the study of 'Nude seating on a sofa' within the broader context of modern art and its implications in cultural discourse."</data>
  <data key="d2">chunk-23c09d3fcae99716703d29ad57160626</data>
</node>
<node id="&quot;THE BOY&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Boy is an oil painting created by Amedeo Modigliani in 1919, depicting an unknown male youth in a stylized form typical of Modigliani's work."</data>
  <data key="d2">chunk-8910f94f1ba8711cf9f0ea0cd62912dd</data>
</node>
<node id="&quot;INDIANAPOLIS MUSEUM OF ART&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Indianapolis Museum of Art is where 'The Boy' is currently part of the permanent collection, showcasing modern art works."</data>
  <data key="d2">chunk-8910f94f1ba8711cf9f0ea0cd62912dd</data>
</node>
<node id="&quot;MAURICE J. SPEISER&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Maurice J. Speiser was a Philadelphia-based attorney and patron of the arts who bought 'The Boy' by 1929 and contributed to its promotion."</data>
  <data key="d2">chunk-8910f94f1ba8711cf9f0ea0cd62912dd</data>
</node>
<node id="&quot;THEODORE SCHEMPP&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Theodore Schempp likely purchased 'The Boy' at an auction in January 1944, which indicates his involvement with the artwork's history."</data>
  <data key="d2">chunk-8910f94f1ba8711cf9f0ea0cd62912dd</data>
</node>
<node id="&quot;MRS. JULIAN BOBBS&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Mrs. Julian Bobbs funded the purchase of 'The Boy' in 1946, indicating her support for artistic endeavors."</data>
  <data key="d2">chunk-8910f94f1ba8711cf9f0ea0cd62912dd</data>
</node>
<node id="&quot;OIL &quot;">
  <data key="d0">"TECHNOLOGY"</data>
  <data key="d1">"Oil is the type of paint used for 'The Boy', contributing to the visual quality and texture of the artwork."</data>
  <data key="d2">chunk-8910f94f1ba8711cf9f0ea0cd62912dd</data>
</node>
<node id="&quot;WORLD WAR I&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"World War I is a significant historical event that influenced Amedeo Modigliani's decision to move to southern France in search of safer conditions."&lt;SEP&gt;"World War I was a global conflict that had profound impacts on society and culture, which Franz Marc preemptively reflected in his art, particularly in The Fate of the Animals."</data>
  <data key="d2">chunk-797962da50cc275feab777eb60b6da26&lt;SEP&gt;chunk-8910f94f1ba8711cf9f0ea0cd62912dd</data>
</node>
<node id="&quot;SOUTHERN FRANCE&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Southern France is the location where Modigliani created 'The Boy' as he sought improved health conditions during the war."</data>
  <data key="d2">chunk-8910f94f1ba8711cf9f0ea0cd62912dd</data>
</node>
<node id="&quot;WILLIAM RAY ADAMS&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"William Ray Adams is commemorated through the purchase of 'The Boy', highlighting a personal connection to the artwork's history."</data>
  <data key="d2">chunk-8910f94f1ba8711cf9f0ea0cd62912dd</data>
</node>
<node id="&quot;MODERN ART CATALOG&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Modern Art catalog illustrated 'The Boy' in 1929, contributing to its documentation and recognition in the art world."</data>
  <data key="d2">chunk-8910f94f1ba8711cf9f0ea0cd62912dd</data>
</node>
<node id="&quot;UNKNOWN MALE YOUTH&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"The subject of 'The Boy' is an unknown male youth, depicted in a typical Modigliani style, embodying the artist's characteristic approach to portraiture."</data>
  <data key="d2">chunk-8910f94f1ba8711cf9f0ea0cd62912dd</data>
</node>
<node id="&quot;EDVARD MUNCH&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Edvard Munch is a Norwegian artist known for his contributions to expressionism and for repeatedly creating the painting 'Jealousy' over his lifetime."&lt;SEP&gt;"Edvard Munch is a Norwegian artist known for his contributions to expressionistic art and his exploration of emotional themes in his works, including the themes of anxiety and sexuality."&lt;SEP&gt;"Edvard Munch is a Norwegian artist known for his emotionally charged works, including paintings, lithographs, and etchings that explore themes of despair, loss, and longing."&lt;SEP&gt;"Edvard Munch is an expressionist artist known for his influential works, including 'Anxiety' and 'The Scream', and is linked to themes of despair and emotional depth."&lt;SEP&gt;"Edvard Munch was a Norwegian Expressionist artist known for his iconic works, especially 'The Scream,' reflecting deep emotional themes."&lt;SEP&gt;"Edvard Munch was a Norwegian artist known for his profound and emotional artwork, particularly focused on themes of love, anxiety, and death, and for creating numerous versions of his significant works over his lifetime."&lt;SEP&gt;"Edvard Munch was a Norwegian painter known for his contributions to the Expressionist movement, with works reflecting his personal anxieties and societal themes."&lt;SEP&gt;"Edvard Munch was a Norwegian painter known for his expressionist works, including the famous painting 'Vampire.'"&lt;SEP&gt;"Edvard Munch was a Norwegian symbolist artist known for his emotionally charged paintings, particularly during the late 19th and early 20th centuries."</data>
  <data key="d2">chunk-deff07996b8276807cdc798cb7579bf2&lt;SEP&gt;chunk-cdbbe4adb0924ac2b599301a13b5a7ec&lt;SEP&gt;chunk-2b758dc6bbeb49dc1e6ee2014274ca40&lt;SEP&gt;chunk-baa0edb3d1c51f434076d45a60950e18&lt;SEP&gt;chunk-80cb57c7a7584d26c3ec44f224a1d1a8&lt;SEP&gt;chunk-ecfb5fa4e972b133dd726fd1c53630e2&lt;SEP&gt;chunk-15d291230cbfc8bd58ced2f24e1b4e4f&lt;SEP&gt;chunk-1464d71e038414201dc850474471d339&lt;SEP&gt;chunk-fdf779226e2dd29a14c823081f839a14</data>
</node>
<node id="&quot;THE SICK CHILD&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Sick Child is a series of six paintings by Edvard Munch that depict the traumatic experience surrounding the death of his sister, Johanne Sophie, from tuberculosis."&lt;SEP&gt;"The Sick Child refers to a series of paintings by Edvard Munch that depict the traumatic moments surrounding the death of his sister, showcasing themes of loss, despair, and familial bonds."</data>
  <data key="d2">chunk-cdbbe4adb0924ac2b599301a13b5a7ec&lt;SEP&gt;chunk-fdf779226e2dd29a14c823081f839a14</data>
</node>
<node id="&quot;JOHANNE SOPHIE&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Johanne Sophie was Edvard Munch's older sister who died of tuberculosis at the age of 14, significantly influencing Munch's artistic themes of grief and loss."&lt;SEP&gt;"Johanne Sophie was Edvard Munch's older sister, who died from tuberculosis at the age of 14, inspiring Munch's artistic explorations of grief and loss."</data>
  <data key="d2">chunk-cdbbe4adb0924ac2b599301a13b5a7ec&lt;SEP&gt;chunk-fdf779226e2dd29a14c823081f839a14</data>
</node>
<node id="&quot;KAREN&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Karen is assumed to be the aunt of Johanne Sophie, depicted in Munch's The Sick Child series, symbolizing familial bonds during moments of grief."</data>
  <data key="d2">chunk-fdf779226e2dd29a14c823081f839a14</data>
</node>
<node id="&quot;TUBERCULOSIS&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Tuberculosis is a degenerative disease that plays a central role in the narrative of The Sick Child, representing pain and mortality."&lt;SEP&gt;"Tuberculosis is the degenerative disease that claimed the life of Johanne Sophie, serving as a focal point in Munch's exploration of sickness and mortality in his art."&lt;SEP&gt;"Tuberculosis is the illness that afflicted Johanne Sophie and is a central theme in Edvard Munch's depiction of suffering and despair."</data>
  <data key="d2">chunk-cdbbe4adb0924ac2b599301a13b5a7ec&lt;SEP&gt;chunk-fdf779226e2dd29a14c823081f839a14</data>
</node>
<node id="&quot;THE SICK CHILD SERIES&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Sick Child Series consists of multiple artworks by Edvard Munch, all focused on the subject of sickness and the emotional tensions surrounding death."</data>
  <data key="d2">chunk-fdf779226e2dd29a14c823081f839a14</data>
</node>
<node id="&quot;THE SICK CHILD (NORWEGIAN: DET SYKE BARN)&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Sick Child (Norwegian: Det syke barn) is the title of a group of six paintings and various prints by Edvard Munch, reflecting the theme of a child's illness and impending death."&lt;SEP&gt;"The Sick Child is a series of paintings and lithographs created by Edvard Munch, reflecting a traumatic moment before the death of his sister, highlighting themes of loss and illness."</data>
  <data key="d2">chunk-cdbbe4adb0924ac2b599301a13b5a7ec&lt;SEP&gt;chunk-fdf779226e2dd29a14c823081f839a14</data>
</node>
<node id="&quot;1896 LITHOGRAPH&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The 1896 lithograph is a specific print from The Sick Child series that was sold in auction, highlighting the financial and artistic value of Munch's work."</data>
  <data key="d2">chunk-fdf779226e2dd29a14c823081f839a14</data>
</node>
<node id="&quot;BLACK, YELLOW AND RED&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Black, Yellow and Red refers to the color scheme used in the lithograph by Munch, indicating the emotional tone and thematic significance of the work."</data>
  <data key="d2">chunk-fdf779226e2dd29a14c823081f839a14</data>
</node>
<node id="&quot;DEATH&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Death is a pervasive theme throughout The Sick Child series, symbolized through the imagery of illness and the dark curtain in the paintings."</data>
  <data key="d2">chunk-fdf779226e2dd29a14c823081f839a14</data>
</node>
<node id="&quot;GRIEF&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Grief is a central emotional theme expressed in The Sick Child, as it explores the bond between the suffering child and the grieving adult."</data>
  <data key="d2">chunk-fdf779226e2dd29a14c823081f839a14</data>
</node>
<node id="&quot;40 YEARS&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"40 Years refers to the extensive time period over which Edvard Munch created various versions and studies of The Sick Child, illustrating his ongoing obsession with the theme."</data>
  <data key="d2">chunk-fdf779226e2dd29a14c823081f839a14</data>
</node>
<node id="&quot;WOMAN IN BLACK DRESS&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"The woman in a black dress, likely depicted as Karen, is shown as a figure of comfort and distress beside the dying child, emphasizing the emotional weight of the scene."</data>
  <data key="d2">chunk-fdf779226e2dd29a14c823081f839a14</data>
</node>
<node id="&quot;PORTRAITS&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Portraits refer to the various representations of Sophie and the emotional expressions captured within the artwork, showcasing familial love and loss."</data>
  <data key="d2">chunk-fdf779226e2dd29a14c823081f839a14</data>
</node>
<node id="&quot;CIRCULAR MIRROR&quot;">
  <data key="d0">"TECHNOLOGY"</data>
  <data key="d1">"The circular mirror appears in the paintings, symbolizing reflection and perhaps the inevitable passage to death."&lt;SEP&gt;"The circular mirror in the background of The Sick Child paintings serves as a symbolic element, reflecting aspects of vulnerability and death."</data>
  <data key="d2">chunk-cdbbe4adb0924ac2b599301a13b5a7ec&lt;SEP&gt;chunk-fdf779226e2dd29a14c823081f839a14</data>
</node>
<node id="&quot;HEAVY DARK BLANKET&quot;">
  <data key="d0">"TECHNOLOGY"</data>
  <data key="d1">"The heavy dark blanket in The Sick Child artworks symbolizes the weight of illness and impending death, serving as a physical and emotional barrier."&lt;SEP&gt;"The heavy dark blanket represents both comfort and the gravity of illness, enveloping the dying child in the paintings."</data>
  <data key="d2">chunk-cdbbe4adb0924ac2b599301a13b5a7ec&lt;SEP&gt;chunk-fdf779226e2dd29a14c823081f839a14</data>
</node>
<node id="&quot;HAUNTED EXPRESSION&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Haunted Expression describes the emotional turmoil captured in the faces of characters in Munch's paintings, conveying despair and sorrow."</data>
  <data key="d2">chunk-fdf779226e2dd29a14c823081f839a14</data>
</node>
<node id="&quot;ART HISTORIANS&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Art Historians are experts who analyze, interpret, and critique Munch's works, providing context to the emotional and historical significance of The Sick Child."&lt;SEP&gt;"Art historians analyze and interpret Edvard Munch's works, focusing on themes of grief and family dynamics within his art."</data>
  <data key="d2">chunk-cdbbe4adb0924ac2b599301a13b5a7ec&lt;SEP&gt;chunk-fdf779226e2dd29a14c823081f839a14</data>
</node>
<node id="&quot;INTENSE PATHOS&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Intense Pathos refers to the deep emotional resonance present in The Sick Child series, as it portrays profound connections between characters facing loss."</data>
  <data key="d2">chunk-fdf779226e2dd29a14c823081f839a14</data>
</node>
<node id="&quot;THE SCREAM&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Scream is a famous artwork created by Edvard Munch, representing existential angst and modern art's emotional intensity."&lt;SEP&gt;"The Scream is another famous painting by Edvard Munch, which shares thematic elements with 'Anxiety', particularly concerning despair and emotional expression."</data>
  <data key="d2">chunk-baa0edb3d1c51f434076d45a60950e18&lt;SEP&gt;chunk-1464d71e038414201dc850474471d339</data>
</node>
<node id="&quot;NATIONAL GALLERY OF OSLO&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The National Gallery in Oslo holds one of the painted versions of 'The Scream' created by Edvard Munch."</data>
  <data key="d2">chunk-baa0edb3d1c51f434076d45a60950e18</data>
</node>
<node id="&quot;MUNCH MUSEUM&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Munch Museum is an institution in Oslo that holds several versions of Munch's painting 'Jealousy'."&lt;SEP&gt;"Munch Museum is the institution located in Oslo, Norway, that houses Edvard Munch's works, including 'Anxiety'."&lt;SEP&gt;"The Munch Museum in Oslo houses another painted version of 'The Scream' and showcases Munch's broader artistic contributions."&lt;SEP&gt;"The Munch Museum in Oslo is home to several versions of Munch's works, including three versions of 'Vampire.'"&lt;SEP&gt;"The Munch Museum is an art museum located in Oslo that houses several works by Edvard Munch, including Christmas in the Brothel."&lt;SEP&gt;"The Munch Museum is an institution in Oslo where Edvard Munch's works are exhibited, including The Kiss."</data>
  <data key="d2">chunk-deff07996b8276807cdc798cb7579bf2&lt;SEP&gt;chunk-2b758dc6bbeb49dc1e6ee2014274ca40&lt;SEP&gt;chunk-baa0edb3d1c51f434076d45a60950e18&lt;SEP&gt;chunk-ecfb5fa4e972b133dd726fd1c53630e2&lt;SEP&gt;chunk-15d291230cbfc8bd58ced2f24e1b4e4f&lt;SEP&gt;chunk-1464d71e038414201dc850474471d339</data>
</node>
<node id="&quot;LEON BLACK&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Leon Black is a financier known for purchasing the pastel version of 'The Scream' at a record price during a Sotheby's auction."</data>
  <data key="d2">chunk-baa0edb3d1c51f434076d45a60950e18</data>
</node>
<node id="&quot;KRAKATOA&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Krakatoa is a volcano whose eruption in 1883 is theorized to have influenced the color palette of 'The Scream' due to its atmospheric effects."</data>
  <data key="d2">chunk-baa0edb3d1c51f434076d45a60950e18</data>
</node>
<node id="&quot;EKEBERG&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Ekeberg is a location in Oslo known for its view depicted in 'The Scream,' which overlooks the city and iconic fjord."</data>
  <data key="d2">chunk-baa0edb3d1c51f434076d45a60950e18</data>
</node>
<node id="&quot;LAURA CATHERINE&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Laura Catherine was Edvard Munch's sister, who suffered from manic depression and was a patient at a nearby asylum, influencing Munch's work."</data>
  <data key="d2">chunk-baa0edb3d1c51f434076d45a60950e18</data>
</node>
<node id="&quot;THE SCREAM TEAM&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Scream Team consists of individuals involved in the promotion, preservation, and study of Edvard Munch's iconic painting, 'The Scream.'"</data>
  <data key="d2">chunk-baa0edb3d1c51f434076d45a60950e18</data>
</node>
<node id="&quot;PASTEL VERSION&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Pastel Version of 'The Scream' is one of the four versions created by Munch, which has gained significant recognition and value, especially after its auction sale."</data>
  <data key="d2">chunk-baa0edb3d1c51f434076d45a60950e18</data>
</node>
<node id="&quot;OCEAN&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"The ocean refers to the body of water that can be seen in the background of 'The Scream,' contributing to the overall landscape depicted in the painting."</data>
  <data key="d2">chunk-baa0edb3d1c51f434076d45a60950e18</data>
</node>
<node id="&quot;MADONNA&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"'Madonna' is another painting by Edvard Munch that was stolen alongside 'The Scream' in 2004, showcasing Munch's relevance in the art theft narrative."</data>
  <data key="d2">chunk-baa0edb3d1c51f434076d45a60950e18</data>
</node>
<node id="&quot;ART THEFT&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Art Theft refers to the incidents involving the robbery of 'The Scream' and 'Madonna,' which raised awareness about the security of valuable artworks."</data>
  <data key="d2">chunk-baa0edb3d1c51f434076d45a60950e18</data>
</node>
<node id="&quot;NORWEGIAN EXPRESSIONISM&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Norwegian Expressionism is an art movement that Edvard Munch is prominently associated with, emphasizing emotional experience over realism."</data>
  <data key="d2">chunk-baa0edb3d1c51f434076d45a60950e18</data>
</node>
<node id="&quot;MODERN ART&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Modern Art is the broader artistic era during which Edvard Munch created 'The Scream,' which is considered an icon within this movement."</data>
  <data key="d2">chunk-baa0edb3d1c51f434076d45a60950e18</data>
</node>
<node id="&quot;ANXIETY&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Anxiety is an oil-on-canvas painting created in 1894 by Edvard Munch, representing emotional turmoil through dark colors and despairing faces."</data>
  <data key="d2">chunk-1464d71e038414201dc850474471d339</data>
</node>
<node id="&quot;OSLO&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Oslo is the capital city of Norway and the location where the Munch Museum is situated, housing key works of Edvard Munch."&lt;SEP&gt;"Oslo is the capital of Norway and the location of the Munch Museum, which possesses multiple versions of 'Jealousy'."</data>
  <data key="d2">chunk-deff07996b8276807cdc798cb7579bf2&lt;SEP&gt;chunk-1464d71e038414201dc850474471d339</data>
</node>
<node id="&quot;PUBERTY&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Puberty is a developmental stage that signifies the transition from childhood to adulthood, marked by physical and psychological changes."&lt;SEP&gt;"Puberty is a painting created by Edvard Munch, symbolizing the emotional and psychological changes associated with the transition to adulthood, specifically focusing on a young girl's awakening sexuality."</data>
  <data key="d2">chunk-80cb57c7a7584d26c3ec44f224a1d1a8</data>
</node>
<node id="&quot;NORWAY&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Norway is the country where Edvard Munch was born and where he created much of his significant artwork including The Kiss."&lt;SEP&gt;"Norway is the native country of Edvard Munch, influencing his cultural background and artistic development."</data>
  <data key="d2">chunk-80cb57c7a7584d26c3ec44f224a1d1a8&lt;SEP&gt;chunk-2b758dc6bbeb49dc1e6ee2014274ca40</data>
</node>
<node id="&quot;EXPRESSIONISTIC ART&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Expressionistic Art refers to a movement in art associated with depicting emotional experience rather than physical reality, to which Munch significantly contributed through his works."</data>
  <data key="d2">chunk-80cb57c7a7584d26c3ec44f224a1d1a8</data>
</node>
<node id="&quot;THE YOUNG GIRL&quot;">
  <data key="d0">"CHARACTER"</data>
  <data key="d1">"The young girl depicted in the painting Puberty represents the central figure, embodying the themes of anxiety and the awakening of sexuality during adolescence."</data>
  <data key="d2">chunk-80cb57c7a7584d26c3ec44f224a1d1a8</data>
</node>
<node id="&quot;JEALOUSY&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Jealousy is a symbolic painting created by Edvard Munch, which has multiple versions and is a significant work in his oeuvre."</data>
  <data key="d2">chunk-deff07996b8276807cdc798cb7579bf2</data>
</node>
<node id="&quot;RASMUS MEYER COLLECTION&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Rasmus Meyer Collection is an art collection in Bergen that houses one of the most famous versions of Munch's painting 'Jealousy'."</data>
  <data key="d2">chunk-deff07996b8276807cdc798cb7579bf2</data>
</node>
<node id="&quot;STÄDEL MUSEUM&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Städel Museum is located in Frankfurt am Main and possesses one version of Munch's painting 'Jealousy' on loan from a private collection."</data>
  <data key="d2">chunk-deff07996b8276807cdc798cb7579bf2</data>
</node>
<node id="&quot;JEALOUSY IN THE BATH&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Jealousy in the Bath is a version of Edvard Munch's painting 'Jealousy', created between 1898 and 1900, and known to have been sold at Sotheby's in 1982."</data>
  <data key="d2">chunk-deff07996b8276807cdc798cb7579bf2</data>
</node>
<node id="&quot;NORWEGIAN&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Norwegian refers to the nationality of Edvard Munch, emphasizing the cultural context of the artist and his work."&lt;SEP&gt;"Norwegian refers to the nationality of Edvard Munch, indicating his cultural and geographical background."</data>
  <data key="d2">chunk-15d291230cbfc8bd58ced2f24e1b4e4f&lt;SEP&gt;chunk-deff07996b8276807cdc798cb7579bf2</data>
</node>
<node id="&quot;BERGEN&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Bergen is a city in Norway where the Rasmus Meyer Collection is located, housing one of the versions of 'Jealousy'."</data>
  <data key="d2">chunk-deff07996b8276807cdc798cb7579bf2</data>
</node>
<node id="&quot;FRANKFURT AM MAIN&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Frankfurt am Main is a major city in Germany where the Städel Museum is located, which holds a version of Munch's painting 'Jealousy'."</data>
  <data key="d2">chunk-deff07996b8276807cdc798cb7579bf2</data>
</node>
<node id="&quot;VAMPIRE&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"'Vampire' has been interpreted variously, suggesting a mix of romanticism and horror in its depiction of intimate relationships."&lt;SEP&gt;"'Vampire' is a renowned painting by Edvard Munch that depicts a passionate and intense embrace, often interpreted with darker undertones."</data>
  <data key="d2">chunk-ecfb5fa4e972b133dd726fd1c53630e2</data>
</node>
<node id="&quot;GOTHENBURG MUSEUM OF ART&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Gothenburg Museum of Art is an institution that holds one version of Edvard Munch's 'Vampire.'"</data>
  <data key="d2">chunk-ecfb5fa4e972b133dd726fd1c53630e2</data>
</node>
<node id="&quot;STANISLAW PRZYBYSZEWSKI&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Stanisław Przybyszewski was a critic who first named Munch's painting 'Vampire' after viewing it, describing its themes of submission and vampiric embrace."</data>
  <data key="d2">chunk-ecfb5fa4e972b133dd726fd1c53630e2</data>
</node>
<node id="&quot;LOVE AND PAIN&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"'Love and Pain' is an alternate title for Edvard Munch's painting 'Vampire,' representing the themes of emotional intensity in the artwork."</data>
  <data key="d2">chunk-ecfb5fa4e972b133dd726fd1c53630e2</data>
</node>
<node id="&quot;MUNCH MUSEUM VERSION&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The versions of 'Vampire' located at the Munch Museum signify Munch's repeated exploration of the same theme across different artworks."</data>
  <data key="d2">chunk-ecfb5fa4e972b133dd726fd1c53630e2</data>
</node>
<node id="&quot;PRIVATE COLLECTOR&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"A private collector owns one version of 'Vampire,' demonstrating the artwork's value in the private art market."</data>
  <data key="d2">chunk-ecfb5fa4e972b133dd726fd1c53630e2</data>
</node>
<node id="&quot;SOTHEBY'S AUCTION&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Sotheby's Auction refers to the sale of one of Munch's lithographs in 2001, which highlights the financial and artistic value of his work."&lt;SEP&gt;"The Sotheby's auction in 2008 featured an 1894 version of 'Vampire' which sold for a record 38.2 million dollars, indicating the painting's high market value."</data>
  <data key="d2">chunk-ecfb5fa4e972b133dd726fd1c53630e2&lt;SEP&gt;chunk-cdbbe4adb0924ac2b599301a13b5a7ec</data>
</node>
<node id="&quot;1988 THEFT&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The 1988 theft of 'Vampire' from the Munch Museum highlights the painting's prominence and desirability, as well as the broader issues of art theft."</data>
  <data key="d2">chunk-ecfb5fa4e972b133dd726fd1c53630e2</data>
</node>
<node id="&quot;VAMPYR II&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"'Vampyr II' is a woodcut created by Munch in 1895 that explores similar themes as 'Vampire,' showcasing his ongoing artistic fascination."</data>
  <data key="d2">chunk-ecfb5fa4e972b133dd726fd1c53630e2</data>
</node>
<node id="&quot;VAMPIRE IN THE FOREST&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"'Vampire in the Forest' is one of the paintings created by Munch between 1916 and 1918, reusing the composition of the original 'Vampire.'"</data>
  <data key="d2">chunk-ecfb5fa4e972b133dd726fd1c53630e2</data>
</node>
<node id="&quot;THE KISS&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Kiss is an 1859 painting by Francesco Hayez, symbolizing deep feelings and the spirit of the Risorgimento, recognized as one of the most intense representations of a kiss in Western art."&lt;SEP&gt;"The Kiss is an oil painting created by Edvard Munch in 1897, part of his Frieze of Life series expressing stages of love and relationships."</data>
  <data key="d2">chunk-b938dae0fe303047d5bdaf15a3923f2e&lt;SEP&gt;chunk-2b758dc6bbeb49dc1e6ee2014274ca40</data>
</node>
<node id="&quot;FRIEZE OF LIFE&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The Frieze of Life is a series of works by Edvard Munch that explore the complexities of love and relationships over three decades."</data>
  <data key="d2">chunk-2b758dc6bbeb49dc1e6ee2014274ca40</data>
</node>
<node id="&quot;KISS&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Kiss refers to the specific act depicted in Edvard Munch's painting, symbolizing intimacy and connection between lovers within the artwork."</data>
  <data key="d2">chunk-2b758dc6bbeb49dc1e6ee2014274ca40</data>
</node>
<node id="&quot;ART CRITIC ROBERTA SMITH&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Roberta Smith is an art critic who has commented on Edvard Munch's painting style and emotional themes, particularly in The Kiss."</data>
  <data key="d2">chunk-2b758dc6bbeb49dc1e6ee2014274ca40</data>
</node>
<node id="&quot;1897&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"1897 is the year when Edvard Munch completed The Kiss, marking it as a significant period in his artistic career."</data>
  <data key="d2">chunk-2b758dc6bbeb49dc1e6ee2014274ca40</data>
</node>
<node id="&quot;RELATIONSHIP BETWEEN MEN AND WOMEN&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The relationship between men and women is the overarching theme depicted in the Frieze of Life, to which The Kiss belongs."</data>
  <data key="d2">chunk-2b758dc6bbeb49dc1e6ee2014274ca40</data>
</node>
<node id="&quot;EMOTIONAL HONESTY AND INTEGRITY&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Emotional honesty and integrity are characteristics attributed to Munch's artwork, showcasing profound feelings and complexities in human relationships."</data>
  <data key="d2">chunk-2b758dc6bbeb49dc1e6ee2014274ca40</data>
</node>
<node id="&quot;MELANCHOLIA&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Melancholia represents the emotional states Munch dealt with in life, which influenced the themes present in his paintings, including The Kiss."</data>
  <data key="d2">chunk-2b758dc6bbeb49dc1e6ee2014274ca40</data>
</node>
<node id="&quot;BATTLE BETWEEN MEN AND WOMEN&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The battle between men and women is a thematic exploration in Munch's Frieze of Life, representing the complexities of romantic interactions."</data>
  <data key="d2">chunk-2b758dc6bbeb49dc1e6ee2014274ca40</data>
</node>
<node id="&quot;GRIEF, JEALOUSY, DESIRE, DESPAIR&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Grief, jealousy, desire, and despair are the emotional states that Munch often depicted in his figures, illustrating the psychological depth of human experience."</data>
  <data key="d2">chunk-2b758dc6bbeb49dc1e6ee2014274ca40</data>
</node>
<node id="&quot;COUPLE&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The couple depicted in The Kiss symbolizes intimacy and the merging of identities, showcasing the emotive elements of unity and connection in relationships."</data>
  <data key="d2">chunk-2b758dc6bbeb49dc1e6ee2014274ca40</data>
</node>
<node id="&quot;DARK AMBIANCE&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Dark ambiance refers to the emotional tone of The Kiss, contributing to the interpretation of Munch's ambivalence toward romance."</data>
  <data key="d2">chunk-2b758dc6bbeb49dc1e6ee2014274ca40</data>
</node>
<node id="&quot;WINDOW&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The window in The Kiss symbolizes the divide between the outside world and the intimate space of the couple, enhancing the painting's thematic depth."</data>
  <data key="d2">chunk-2b758dc6bbeb49dc1e6ee2014274ca40</data>
</node>
<node id="&quot;CURTAIN&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The curtain in The Kiss adds to the sense of separation and intensity of the couple's experience, highlighting themes of intimacy and concealment."</data>
  <data key="d2">chunk-2b758dc6bbeb49dc1e6ee2014274ca40</data>
</node>
<node id="&quot;FACES MERGING&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The merging of faces in The Kiss represents unity and the complexity of individual identities within romantic relationships."</data>
  <data key="d2">chunk-2b758dc6bbeb49dc1e6ee2014274ca40</data>
</node>
<node id="&quot;FEATURELESS SHAPE&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The featureless shape of the couple's faces in The Kiss emphasizes the abstract representation of their emotional bond."</data>
  <data key="d2">chunk-2b758dc6bbeb49dc1e6ee2014274ca40</data>
</node>
<node id="&quot;ARTISTIC PRODUCTION&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Artistic production in relation to Munch refers to the emotional and thematic evolution seen in his body of work."</data>
  <data key="d2">chunk-2b758dc6bbeb49dc1e6ee2014274ca40</data>
</node>
<node id="&quot;CULTURAL REPRESENTATION&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Cultural representation refers to how Munch's works depict societal views and emotional landscapes of relationships in his time."</data>
  <data key="d2">chunk-2b758dc6bbeb49dc1e6ee2014274ca40</data>
</node>
<node id="&quot;AIR OF INTIMACY&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Air of intimacy refers to the atmosphere of closeness and connection depicted in The Kiss, creating a sense of shared experience."</data>
  <data key="d2">chunk-2b758dc6bbeb49dc1e6ee2014274ca40</data>
</node>
<node id="&quot;DIMENSIONS 81 BY 99 CENTIMETERS&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The dimensions of the painting indicate its physical size, which affects the viewer's perception and emotional impact."</data>
  <data key="d2">chunk-2b758dc6bbeb49dc1e6ee2014274ca40</data>
</node>
<node id="&quot;TESTING OF IDEAS&quot;">
  <data key="d0">|"CONCEPT"</data>
  <data key="d1">"Testing of ideas refers to Munch's exploration of similar motifs in his different works, showing his ongoing engagement with themes of intimacy and emotion."</data>
  <data key="d2">chunk-2b758dc6bbeb49dc1e6ee2014274ca40</data>
</node>
<node id="&quot;CHRISTMAS IN THE BROTHEL&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Christmas in the Brothel is an oil-on-canvas painting by Edvard Munch that features working girls decorating a Christmas tree, exploring themes of melancholy and irony."</data>
  <data key="d2">chunk-15d291230cbfc8bd58ced2f24e1b4e4f</data>
</node>
<node id="&quot;LÜBECK&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Lübeck is a location in Germany that is referenced in relation to Munch's visit to a brothel, which inspired the painting."</data>
  <data key="d2">chunk-15d291230cbfc8bd58ced2f24e1b4e4f</data>
</node>
<node id="&quot;THE GREEN ROOM&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Green Room is a series of paintings inspired by a specific room in a German brothel that had a significant impact on Munch's work."</data>
  <data key="d2">chunk-15d291230cbfc8bd58ced2f24e1b4e4f</data>
</node>
<node id="&quot;EXPRESSIONISM&quot;">
  <data key="d0">"MOVEMENT"</data>
  <data key="d1">"Expressionism is the art movement to which Edvard Munch belongs, characterized by the exploration of emotional experience rather than physical reality."</data>
  <data key="d2">chunk-15d291230cbfc8bd58ced2f24e1b4e4f</data>
</node>
<node id="&quot;SENATOR HOLTHUSEN&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Senator Holthusen was a figure involved in a commission for a portrait by Munch, significant in the context of Munch's struggles while creating art."</data>
  <data key="d2">chunk-15d291230cbfc8bd58ced2f24e1b4e4f</data>
</node>
<node id="&quot;MAX LINDE&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Max Linde was a patron of Edvard Munch and the father-in-law of Senator Holthusen, influencing Munch’s career and work."</data>
  <data key="d2">chunk-15d291230cbfc8bd58ced2f24e1b4e4f</data>
</node>
<node id="&quot;MUNCH'S UPPER-CLASS HOUSEHOLD&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Munch's upper-class household refers to the social environment in which Munch found himself, contrasting with the themes of his painting Christmas in the Brothel."</data>
  <data key="d2">chunk-15d291230cbfc8bd58ced2f24e1b4e4f</data>
</node>
<node id="&quot;PIETISTIC HOME BACKGROUND&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Pietistic home background refers to Munch's upbringing in a religious household, which contrasts with the themes of his art and personal experiences."</data>
  <data key="d2">chunk-15d291230cbfc8bd58ced2f24e1b4e4f</data>
</node>
<node id="&quot;FAUVISM&quot;">
  <data key="d0">"MOVEMENT"</data>
  <data key="d1">"Fauvism is an art movement characterized by strong colors and bold brushwork, with which Munch was associated during his career."</data>
  <data key="d2">chunk-15d291230cbfc8bd58ced2f24e1b4e4f</data>
</node>
<node id="&quot;AUNT KAREN&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Aunt Karen is depicted as a grieving woman in Munch's works, likely representing Sophie's aunt who shares a deep emotional bond with the dying child."</data>
  <data key="d2">chunk-cdbbe4adb0924ac2b599301a13b5a7ec</data>
</node>
<node id="&quot;SIX PAINTINGS AND LITHOGRAPHS&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The series consists of six completed paintings and numerous lithographs, drypoints, and etchings created by Edvard Munch over a span of 40 years."</data>
  <data key="d2">chunk-cdbbe4adb0924ac2b599301a13b5a7ec</data>
</node>
<node id="&quot;THE DARK-HAIRED WOMAN&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"The dark-haired woman depicted in the paintings is assumed to be Aunt Karen, representing the emotional connection and grief shared with Johanne Sophie."</data>
  <data key="d2">chunk-cdbbe4adb0924ac2b599301a13b5a7ec</data>
</node>
<node id="&quot;LARGE WHITE PILLOW&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The large white pillow is frequently shown in the paintings as a prop supporting Sophie, symbolizing comfort amidst suffering."</data>
  <data key="d2">chunk-cdbbe4adb0924ac2b599301a13b5a7ec</data>
</node>
<node id="&quot;BLACK DRESS&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The black dress worn by the older woman signifies mourning and the somber emotional context of the artwork."</data>
  <data key="d2">chunk-cdbbe4adb0924ac2b599301a13b5a7ec</data>
</node>
<node id="&quot;GRIEF-STRICKEN OLDER WOMAN&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"The grief-stricken older woman depicted in The Sick Child is a representation of mourning and familial loss, likely Aunt Karen."</data>
  <data key="d2">chunk-cdbbe4adb0924ac2b599301a13b5a7ec</data>
</node>
<node id="&quot;1906 LITHOGRAPH&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The 1906 lithograph is one of the notable works from The Sick Child series, demonstrating Munch's exploration of grief through various media."</data>
  <data key="d2">chunk-cdbbe4adb0924ac2b599301a13b5a7ec</data>
</node>
<node id="&quot;PAUL KLEE&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Paul Klee was a Swiss painter and close friend of Franz Marc, known for his unique style and for restoring Marc's painting, The Fate of the Animals, after it was damaged."&lt;SEP&gt;"Paul Klee was a Swiss-German painter known for his unique artistic style, which blends elements of biology and machinery in his works."</data>
  <data key="d2">chunk-f013bfd71992305eb20d9ad68c135eb0&lt;SEP&gt;chunk-797962da50cc275feab777eb60b6da26</data>
</node>
<node id="&quot;TWITTERING MACHINE&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Twittering Machine is a watercolor and pen and ink artwork created in 1922 by Paul Klee, depicting birds on a wire associated with various interpretations about nature and technology."</data>
  <data key="d2">chunk-f013bfd71992305eb20d9ad68c135eb0</data>
</node>
<node id="&quot;MOMA&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Museum of Modern Art (MoMA) is an influential art museum located in New York, known for housing many famous artworks, including Paul Klee's Twittering Machine."</data>
  <data key="d2">chunk-f013bfd71992305eb20d9ad68c135eb0</data>
</node>
<node id="&quot;GERMANY&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Germany is the location where Twittering Machine was originally displayed before being labeled as 'degenerate art' by Adolf Hitler and sold by the Nazi Party."</data>
  <data key="d2">chunk-f013bfd71992305eb20d9ad68c135eb0</data>
</node>
<node id="&quot;GOUACHE&quot;">
  <data key="d0">"TECHNOLOGY"</data>
  <data key="d1">"Gouache is a type of opaque water-based paint used in the creation of artworks, including Twittering Machine."</data>
  <data key="d2">chunk-f013bfd71992305eb20d9ad68c135eb0</data>
</node>
<node id="&quot;INK&quot;">
  <data key="d0">"TECHNOLOGY"</data>
  <data key="d1">"Ink is a liquid medium used for drawing and writing, also utilized in the making of Twittering Machine."</data>
  <data key="d2">chunk-f013bfd71992305eb20d9ad68c135eb0</data>
</node>
<node id="&quot;PAPER&quot;">
  <data key="d0">"TECHNOLOGY"</data>
  <data key="d1">"Paper is a material on which artworks, such as Twittering Machine, are created."</data>
  <data key="d2">chunk-f013bfd71992305eb20d9ad68c135eb0</data>
</node>
<node id="&quot;WATERCOLOR&quot;">
  <data key="d0">"TECHNOLOGY"</data>
  <data key="d1">"Watercolor is a painting method using pigments suspended in a water-based solution, employed in the artwork Twittering Machine."</data>
  <data key="d2">chunk-f013bfd71992305eb20d9ad68c135eb0</data>
</node>
<node id="&quot;ADOLF HITLER&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Adolf Hitler was the leader of Nazi Germany, known for denouncing many artworks, including Twittering Machine, as 'degenerate art.'"</data>
  <data key="d2">chunk-f013bfd71992305eb20d9ad68c135eb0</data>
</node>
<node id="&quot;NAZI PARTY&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Nazi Party was the political party in Germany that ruled from 1933 to 1945 and was responsible for the sale of 'degenerate art.'"</data>
  <data key="d2">chunk-f013bfd71992305eb20d9ad68c135eb0</data>
</node>
<node id="&quot;NEW YORK&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"New York is a city in the United States where Twittering Machine is currently housed at the Museum of Modern Art."</data>
  <data key="d2">chunk-f013bfd71992305eb20d9ad68c135eb0</data>
</node>
<node id="&quot;CHILDREN'S BEDROOMS&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Children's Bedrooms is a concept related to the popularity of Twittering Machine as a decorative piece in rooms for children."</data>
  <data key="d2">chunk-f013bfd71992305eb20d9ad68c135eb0</data>
</node>
<node id="&quot;NEW YORK MAGAZINE&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"New York Magazine is a publication that featured an article discussing the cultural significance of Twittering Machine in 1987."</data>
  <data key="d2">chunk-f013bfd71992305eb20d9ad68c135eb0</data>
</node>
<node id="&quot;THE WASHINGTON POST&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Washington Post is a newspaper that provided commentary on the depiction of birds in Twittering Machine."</data>
  <data key="d2">chunk-f013bfd71992305eb20d9ad68c135eb0</data>
</node>
<node id="&quot;FRANZ MARC&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Franz Marc is a German artist known for his Expressionist works, especially his vibrant paintings of animals, including the notable piece, The Tower of Blue Horses."&lt;SEP&gt;"Franz Marc was a German artist known for his expressionist works, particularly his animal paintings, and is the creator of 'The Yellow Cow'."&lt;SEP&gt;"Franz Marc was a German painter and one of the key figures of the Expressionist movement, known for his colorful and emotive depictions of animals and nature."</data>
  <data key="d2">chunk-7c5c5c0c43a1165b6ee60a7568d44510&lt;SEP&gt;chunk-f9f762a55ddb23f15084796d5d69f579&lt;SEP&gt;chunk-797962da50cc275feab777eb60b6da26</data>
</node>
<node id="&quot;THE YELLOW COW&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Yellow Cow is a notable artwork created in 1911 by Franz Marc, characterized by its vibrant colors and depiction of a jumping cow in an expressionist style."</data>
  <data key="d2">chunk-7c5c5c0c43a1165b6ee60a7568d44510</data>
</node>
<node id="&quot;SOLOMON R. GUGGENHEIM FOUNDATION&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Solomon R. Guggenheim Foundation is an organization that houses significant collections of modern art, including 'The Yellow Cow', and operates the Guggenheim Museum in New York."</data>
  <data key="d2">chunk-7c5c5c0c43a1165b6ee60a7568d44510</data>
</node>
<node id="&quot;SOLOMON R. GUGGENHEIM MUSEUM&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Solomon R. Guggenheim Museum in New York is an institution that exhibits modern art, including works by Franz Marc."</data>
  <data key="d2">chunk-7c5c5c0c43a1165b6ee60a7568d44510</data>
</node>
<node id="&quot;WASSILY KANDINSKY&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Wassily Kandinsky was a Russian painter and a key figure in abstract art, co-founder of Der Blaue Reiter alongside Franz Marc."&lt;SEP&gt;"Wassily Kandinsky was a Russian painter whose work had significant influence on Franz Marc, particularly in the use of color in art."</data>
  <data key="d2">chunk-7c5c5c0c43a1165b6ee60a7568d44510&lt;SEP&gt;chunk-797962da50cc275feab777eb60b6da26</data>
</node>
<node id="&quot;MARIA FRANCK&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Maria Franck was Franz Marc's wife, and art historians suggest that 'The Yellow Cow' may serve as a veiled depiction of her."</data>
  <data key="d2">chunk-7c5c5c0c43a1165b6ee60a7568d44510</data>
</node>
<node id="&quot;YELLOW COW&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Yellow Cow is an alternate name for 'The Yellow Cow', emphasizing its significance as an artwork in expressionism."</data>
  <data key="d2">chunk-7c5c5c0c43a1165b6ee60a7568d44510</data>
</node>
<node id="&quot;ANIMAL PAINTING&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Animal painting is a genre of art characterized by the depiction of animals, which is exemplified in Franz Marc's 'The Yellow Cow'."</data>
  <data key="d2">chunk-7c5c5c0c43a1165b6ee60a7568d44510</data>
</node>
<node id="&quot;FARBSYMBOLIK&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Farbsymbolik, or color symbolism, is a technique used by Franz Marc in 'The Yellow Cow' to convey emotions and ideas through color usage."</data>
  <data key="d2">chunk-7c5c5c0c43a1165b6ee60a7568d44510</data>
</node>
<node id="&quot;MARK ROSENTHAL&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Mark Rosenthal is an art historian who discussed the significance of 'The Yellow Cow' and its connection to Franz Marc's personal life."</data>
  <data key="d2">chunk-7c5c5c0c43a1165b6ee60a7568d44510</data>
</node>
<node id="&quot;THE TOWER OF BLUE HORSES&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Tower of Blue Horses is a significant 1913 Expressionist oil painting by Franz Marc, notable for its depiction of blue horses and its disappearance after World War II."&lt;SEP&gt;"The Tower of Blue Horses is referred to as a significant artwork and becomes a central figure in discussions about loss and preservation of art during and after the Nazi regime."</data>
  <data key="d2">chunk-f9f762a55ddb23f15084796d5d69f579</data>
</node>
<node id="&quot;BERLIN NATIONAL GALLERY&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Berlin National Gallery is an institution that housed The Tower of Blue Horses after World War I, known for its collection of modern art."</data>
  <data key="d2">chunk-f9f762a55ddb23f15084796d5d69f579</data>
</node>
<node id="&quot;FIRST GERMAN AUTUMN SALON&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The First German Autumn Salon was an exhibition where The Tower of Blue Horses was displayed in 1913, showcasing contemporary artwork of the time."</data>
  <data key="d2">chunk-f9f762a55ddb23f15084796d5d69f579</data>
</node>
<node id="&quot;KRONPRINZENPALAIS&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"The Kronprinzenpalais is a historical building in Berlin where the contemporary annexe of the Berlin National Gallery was located, housing important modern art works including Marc's painting."</data>
  <data key="d2">chunk-f9f762a55ddb23f15084796d5d69f579</data>
</node>
<node id="&quot;THE NAZIS&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Nazis were the political regime that removed The Tower of Blue Horses from public display during their campaign against modern art, notably labeling it as Degenerate Art."</data>
  <data key="d2">chunk-f9f762a55ddb23f15084796d5d69f579</data>
</node>
<node id="&quot;HERMANN GÖRING&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Hermann Göring was a leading Nazi official who confiscated The Tower of Blue Horses as part of a collection of modernist paintings, influencing its fate during World War II."</data>
  <data key="d2">chunk-f9f762a55ddb23f15084796d5d69f579</data>
</node>
<node id="&quot;DEGENERATE ART EXHIBITION&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Degenerate Art Exhibition was a notorious 1937 exhibition in Germany that showcased modern art condemned by the Nazis, from which The Tower of Blue Horses was removed following a protest."</data>
  <data key="d2">chunk-f9f762a55ddb23f15084796d5d69f579</data>
</node>
<node id="&quot;MUNICH STATE GRAPHICS COLLECTION&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Munich State Graphics Collection is a collection that holds the preliminary sketch of The Tower of Blue Horses and contains works relevant to Franz Marc's artistic legacy."</data>
  <data key="d2">chunk-f9f762a55ddb23f15084796d5d69f579</data>
</node>
<node id="&quot;ELSE LASKER-SCHÜLER&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Else Lasker-Schüler was a poet and significant figure in the life of Franz Marc, who received illustrated letters and postcards from him that influenced her own literary work."</data>
  <data key="d2">chunk-f9f762a55ddb23f15084796d5d69f579</data>
</node>
<node id="&quot;PRUSSIAN CHAMBER OF DEPUTIES&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Prussian Chamber of Deputies is mentioned as a potential holding location for The Tower of Blue Horses during the tumultuous period of World War II."</data>
  <data key="d2">chunk-f9f762a55ddb23f15084796d5d69f579</data>
</node>
<node id="&quot;EDWIN REDSLOB&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Edwin Redslob was an art historian who reported seeing The Tower of Blue Horses in Berlin during the Soviet occupation, highlighting its elusive history after the war."</data>
  <data key="d2">chunk-f9f762a55ddb23f15084796d5d69f579</data>
</node>
<node id="&quot;JOACHIM NAWROCKI&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Joachim Nawrocki was a journalist who reported on the sighting of The Tower of Blue Horses in Berlin during the winter of the Berlin blockade, reflecting its precarious existence after the war."</data>
  <data key="d2">chunk-f9f762a55ddb23f15084796d5d69f579</data>
</node>
<node id="&quot;THE BERLIN BLOCKADE&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Berlin Blockade was a significant post-war event referenced in the context of sightings and speculations surrounding the fate of The Tower of Blue Horses in 1948/49."</data>
  <data key="d2">chunk-f9f762a55ddb23f15084796d5d69f579</data>
</node>
<node id="&quot;CARINHALL&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Carinhall was Hermann Göring's residence mentioned in the context of the potential destruction of The Tower of Blue Horses as the Russians advanced during World War II."</data>
  <data key="d2">chunk-f9f762a55ddb23f15084796d5d69f579</data>
</node>
<node id="&quot;THE FATE OF THE ANIMALS&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Fate of the Animals is a painting created in 1913 which contrasts most of Marc's other works by presenting animals in a brutal way rather than depicting them in a peaceful manner."&lt;SEP&gt;"The Fate of the Animals is a significant painting created by Franz Marc in 1913, showcasing animals in a post-apocalyptic setting, reflecting themes of destruction and premonitions of war."</data>
  <data key="d2">chunk-797962da50cc275feab777eb60b6da26</data>
</node>
<node id="&quot;KUNSTMUSEUM&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Kunstmuseum is an art museum located in Basel, Switzerland, where The Fate of the Animals is currently housed, highlighting its significance in the art world."</data>
  <data key="d2">chunk-797962da50cc275feab777eb60b6da26</data>
</node>
<node id="&quot;1913&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"1913 is the year The Fate of the Animals was created, marking a significant moment in Franz Marc's artistic career."</data>
  <data key="d2">chunk-797962da50cc275feab777eb60b6da26</data>
</node>
<node id="&quot;KUNSTMUSEUM IN BASEL&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Kunstmuseum in Basel is a prominent art museum in Switzerland known for housing significant works of art, including Marc's Fate of the Animals."</data>
  <data key="d2">chunk-797962da50cc275feab777eb60b6da26</data>
</node>
<node id="&quot;DER BLAUE REITER&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Der Blaue Reiter was an influential group of artists in the early 20th century, co-founded by Franz Marc and Wassily Kandinsky, focusing on emotional expression in art."</data>
  <data key="d2">chunk-797962da50cc275feab777eb60b6da26</data>
</node>
<node id="&quot;THE TREES SHOW THEIR RINGS, THE ANIMALS THEIR VEINS&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"This phrase, suggested by Paul Klee, reflects the intricate connection between nature and the emotional depth conveyed in The Fate of the Animals."</data>
  <data key="d2">chunk-797962da50cc275feab777eb60b6da26</data>
</node>
<node id="&quot;BLUE DEER&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The blue deer is a prominent figure in The Fate of the Animals, symbolizing the emotional resonance and the turmoil reflected in the painting."</data>
  <data key="d2">chunk-797962da50cc275feab777eb60b6da26</data>
</node>
<node id="&quot;TWO BOARS&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The two boars depicted in The Fate of the Animals contribute to the chaotic narrative, showcasing the brutality of the scene."</data>
  <data key="d2">chunk-797962da50cc275feab777eb60b6da26</data>
</node>
<node id="&quot;TWO HORSES&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The two horses in The Fate of the Animals represent the turmoil and chaos that permeates the painting's setting."</data>
  <data key="d2">chunk-797962da50cc275feab777eb60b6da26</data>
</node>
<node id="&quot;FOUR UNIDENTIFIED FIGURES&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The four unidentified figures in The Fate of the Animals convey the sense of mystery and chaos surrounding the depicted scene."</data>
  <data key="d2">chunk-797962da50cc275feab777eb60b6da26</data>
</node>
<node id="&quot;POST-APOCALYPTIC SETTING&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The post-apocalyptic setting in The Fate of the Animals underscores the themes of destruction and impending disaster that Marc intended to portray."</data>
  <data key="d2">chunk-797962da50cc275feab777eb60b6da26</data>
</node>
<node id="&quot;THE ABSENCE OF HORIZONTAL AND VERTICAL LINES&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The absence of horizontal and vertical lines in The Fate of the Animals adds to the sense of movement and chaos within the painting."</data>
  <data key="d2">chunk-797962da50cc275feab777eb60b6da26</data>
</node>
<node id="&quot;TREE RINGS&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The tree rings visible in The Fate of the Animals signify the connection between nature's life cycle and the chaos depicted within the artwork."</data>
  <data key="d2">chunk-797962da50cc275feab777eb60b6da26</data>
</node>
<node id="&quot;THE BURNING FOREST&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The burning forest is a central element of The Fate of the Animals, symbolizing destruction and the consequences of human actions on nature."</data>
  <data key="d2">chunk-797962da50cc275feab777eb60b6da26</data>
</node>
<node id="&quot;THE FLAMES&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The flames surrounding the animals in The Fate of the Animals illustrate the chaos and peril in the depicted scene, evoking emotional responses."</data>
  <data key="d2">chunk-797962da50cc275feab777eb60b6da26</data>
</node>
<node id="&quot;CHAOS AND VIOLENCE&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Chaos and violence are predominant themes in The Fate of the Animals, reflecting Franz Marc's perception of the world and the impending war."</data>
  <data key="d2">chunk-797962da50cc275feab777eb60b6da26</data>
</node>
<node id="&quot;STALHEIM&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Stalheim is a location in Norway known for its picturesque mountainous views, often depicted in art, including Dahl's painting."</data>
  <data key="d2">chunk-524df0a79c11da912b5b3bebd5c85cad</data>
</node>
<node id="&quot;STALHEIM (ARTWORK)&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Stalheim is an 1842 oil painting by Johan Christian Dahl showcasing the view of the Nærøy Valley and is considered a major work of Romantic nationalism."</data>
  <data key="d2">chunk-524df0a79c11da912b5b3bebd5c85cad</data>
</node>
<node id="&quot;NATIONAL GALLERY OF NORWAY&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The National Gallery of Norway is an institution that houses collections of art, including significant works by Johan Christian Dahl."</data>
  <data key="d2">chunk-524df0a79c11da912b5b3bebd5c85cad</data>
</node>
<node id="&quot;NÆRØY VALLEY&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Nærøy Valley is a notable geographic location in Norway that is depicted in Johan Christian Dahl's painting 'Stalheim', known for its stunning landscapes."</data>
  <data key="d2">chunk-524df0a79c11da912b5b3bebd5c85cad</data>
</node>
<node id="&quot;JORDALSNUTEN&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Jordalsnuten is a mountain peak shown in Dahl's painting 'Stalheim', recognized for its distinctive sugar-loaf shape."</data>
  <data key="d2">chunk-524df0a79c11da912b5b3bebd5c85cad</data>
</node>
<node id="&quot;COUNTESS WEDEL OF BOGSTAD&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Countess Wedel of Bogstad was the original patron for whom Johan Christian Dahl created the painting 'Stalheim', showcasing her influence on the artwork."</data>
  <data key="d2">chunk-524df0a79c11da912b5b3bebd5c85cad</data>
</node>
<node id="&quot;CARL GUSTAV WEDEL-JARLSBERG&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Carl Gustav Wedel-Jarlsberg was responsible for donating 'Stalheim' to the National Gallery of Norway, thus playing a key role in its preservation."</data>
  <data key="d2">chunk-524df0a79c11da912b5b3bebd5c85cad</data>
</node>
<node id="&quot;LUXURY HOTEL AT STALHEIM&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Luxury Hotel at Stalheim, built in 1885, was established partly as a result of the tourism driven by Dahl's painting, turning the site into a destination."</data>
  <data key="d2">chunk-524df0a79c11da912b5b3bebd5c85cad</data>
</node>
<node id="&quot;FRANCESCO HAYEZ&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Francesco Hayez is an Italian artist known for his historical paintings, particularly The Sicilian Vespers, created in various versions during the early 19th century."&lt;SEP&gt;"Francesco Hayez is an Italian artist known for the painting 'The Kiss,' which exemplifies Italian Romanticism and reflects the spirit of the Risorgimento."&lt;SEP&gt;"Francesco Hayez was an Italian artist known for his history paintings, including multiple versions of The Sicilian Vespers, showcasing his significant contributions to art in the 19th century."</data>
  <data key="d2">chunk-b938dae0fe303047d5bdaf15a3923f2e&lt;SEP&gt;chunk-6540a1dcb466d96118815be76a9ce7fa&lt;SEP&gt;chunk-19fc3a7bafc3cbba92275b314aff59c5</data>
</node>
<node id="&quot;THE SICILIAN VESPERS&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Sicilian Vespers is the title of three historical paintings by Francesco Hayez depicting the outbreak of the Sicilian Vespers, an important historical uprising."</data>
  <data key="d2">chunk-19fc3a7bafc3cbba92275b314aff59c5</data>
</node>
<node id="&quot;MARCHIONESS VISCONTI D'ARAGONA&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Marchioness Visconti d'Aragona is the patron who commissioned the first version of The Sicilian Vespers from Francesco Hayez in 1822."&lt;SEP&gt;"Marchioness Visconti d'Aragona was the commissioner of the first version of The Sicilian Vespers, indicating her role in the patronage of art during that period."</data>
  <data key="d2">chunk-6540a1dcb466d96118815be76a9ce7fa&lt;SEP&gt;chunk-19fc3a7bafc3cbba92275b314aff59c5</data>
</node>
<node id="&quot;COUNT ARESE&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Count Arese commissioned the second version of The Sicilian Vespers, illustrating his connection to the artwork and its historical context."&lt;SEP&gt;"Count Arese is a patron who commissioned the second version of The Sicilian Vespers after being recently released from prison."</data>
  <data key="d2">chunk-6540a1dcb466d96118815be76a9ce7fa&lt;SEP&gt;chunk-19fc3a7bafc3cbba92275b314aff59c5</data>
</node>
<node id="&quot;VINCENZO RUFFO, PRINCIPE DI SANT'ANTIMO&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Vincenzo Ruffo is the main patron of Francesco Hayez, for whom the third version of The Sicilian Vespers was created, among other artworks."&lt;SEP&gt;"Vincenzo Ruffo, principe di Sant'Antimo, was a main patron of Francesco Hayez and commissioned the third version of The Sicilian Vespers, showcasing the relationship between artist and patron."</data>
  <data key="d2">chunk-6540a1dcb466d96118815be76a9ce7fa&lt;SEP&gt;chunk-19fc3a7bafc3cbba92275b314aff59c5</data>
</node>
<node id="&quot;GALLERIA NAZIONALE D'ARTE MODERNA E CONTEMPORANEA&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Galleria Nazionale d'Arte Moderna e Contemporanea is an art gallery in Rome that houses the third version of The Sicilian Vespers by Hayez."&lt;SEP&gt;"The Galleria nazionale d'arte moderna e contemporanea is an art gallery in Rome, Italy, that houses the third version of The Sicilian Vespers among its collection."</data>
  <data key="d2">chunk-6540a1dcb466d96118815be76a9ce7fa&lt;SEP&gt;chunk-19fc3a7bafc3cbba92275b314aff59c5</data>
</node>
<node id="&quot;THE SICILIAN VESPERS (VERSION I)&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Sicilian Vespers (Version I) is the first of three works created by Francesco Hayez, depicting the Sicilian Vespers, commissioned in 1822."&lt;SEP&gt;"The Sicilian Vespers (Version I) is the first version of the artwork by Francesco Hayez, commissioned by the marchioness Visconti d'Aragona in 1822, depicting an important historical uprising."</data>
  <data key="d2">chunk-6540a1dcb466d96118815be76a9ce7fa&lt;SEP&gt;chunk-19fc3a7bafc3cbba92275b314aff59c5</data>
</node>
<node id="&quot;THE SICILIAN VESPERS (SECOND VERSION)&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Sicilian Vespers (Second Version) is the second iteration of Hayez's work, commissioned by Count Arese between 1826-1827, representing the ongoing significance of the historical event."</data>
  <data key="d2">chunk-19fc3a7bafc3cbba92275b314aff59c5</data>
</node>
<node id="&quot;THE SICILIAN VESPERS (THIRD VERSION)&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Sicilian Vespers (Third Version) is the final and largest version created by Hayez in 1846 for Vincenzo Ruffo, showcasing the culmination of his artistic endeavor on this historical theme."</data>
  <data key="d2">chunk-19fc3a7bafc3cbba92275b314aff59c5</data>
</node>
<node id="&quot;BRERA STUDIO IN MILAN&quot;">
  <data key="d0">"LOCATION"</data>
  <data key="d1">"Brera Studio in Milan is the workspace where Francesco Hayez produced the first version of The Sicilian Vespers, highlighting its artistic importance as a creative environment."</data>
  <data key="d2">chunk-19fc3a7bafc3cbba92275b314aff59c5</data>
</node>
<node id="&quot;PRIVATE COLLECTIONS&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Private Collections refer to the various owners of the first and second versions of The Sicilian Vespers, illustrating the work's value and limited public exhibition."&lt;SEP&gt;"Private Collections refers to the locations where the first and second versions of The Sicilian Vespers are held, signifying the artworks' value and exclusivity."</data>
  <data key="d2">chunk-6540a1dcb466d96118815be76a9ce7fa&lt;SEP&gt;chunk-19fc3a7bafc3cbba92275b314aff59c5</data>
</node>
<node id="&quot;THE SICILIAN VESPERS (VERSION III)&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Sicilian Vespers (Version III) is a significant artwork created by Francesco Hayez in 1846, depicting the historical event of the Sicilian Vespers, characterized by its large size and detailed execution."</data>
  <data key="d2">chunk-6540a1dcb466d96118815be76a9ce7fa</data>
</node>
<node id="&quot;THE SICILIAN VESPERS (VERSION II)&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Sicilian Vespers (Version II) is the second version of Hayez's work, produced between 1826-1827, representing a continuation of the representation of the Sicilian Vespers."</data>
  <data key="d2">chunk-6540a1dcb466d96118815be76a9ce7fa</data>
</node>
<node id="&quot;BRERA STUDIO&quot;">
  <data key="d0">"LOCATION"</data>
  <data key="d1">"The Brera studio in Milan is the location where Francesco Hayez created the first version of The Sicilian Vespers, reflecting its importance in his artistic development."</data>
  <data key="d2">chunk-6540a1dcb466d96118815be76a9ce7fa</data>
</node>
<node id="&quot;RISORGIMENTO&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Risorgimento refers to the Italian unification movement, which the painting symbolizes through its elements, particularly represented by the girl's blue dress signifying France's alliance with Italy."&lt;SEP&gt;"Risorgimento refers to the period of Italian unification in the 19th century, which Aleardo actively participated in and supported."</data>
  <data key="d2">chunk-b938dae0fe303047d5bdaf15a3923f2e&lt;SEP&gt;chunk-2fe3954386fc8712317fa688b8c22f37</data>
</node>
<node id="&quot;PINACOTECA DI BRERA&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Pinacoteca di Brera is an art gallery in Milan where 'The Kiss' was donated by Alfonso Maria Visconti di Saliceto."</data>
  <data key="d2">chunk-b938dae0fe303047d5bdaf15a3923f2e</data>
</node>
<node id="&quot;ALFONSO MARIA VISCONTI DI SALICETO&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Alfonso Maria Visconti di Saliceto is a historical figure who commissioned 'The Kiss' and donated it to the Pinacoteca di Brera after his death."</data>
  <data key="d2">chunk-b938dae0fe303047d5bdaf15a3923f2e</data>
</node>
<node id="&quot;BLUE DRESS&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"The blue dress worn by the girl in 'The Kiss' signifies France and represents themes of alliance within the historical context of the Italian unification."</data>
  <data key="d2">chunk-b938dae0fe303047d5bdaf15a3923f2e</data>
</node>
<node id="&quot;LUCHINO VISCONTI&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Luchino Visconti was an Italian director who drew inspiration from 'The Kiss' for a scene in his 1954 film 'Senso,' illustrating the painting's influence on modern culture."</data>
  <data key="d2">chunk-b938dae0fe303047d5bdaf15a3923f2e</data>
</node>
<node id="&quot;BACI CHOCOLATES&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Baci chocolates is a popular chocolate brand in Italy that is associated with 'The Kiss' painting, as its packaging features the artwork, enhancing its cultural connection."</data>
  <data key="d2">chunk-b938dae0fe303047d5bdaf15a3923f2e</data>
</node>
<node id="&quot;1859&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"1859 is the year 'The Kiss' was created, marking a significant historical point in the context of Italian art and the Risorgimento movement."</data>
  <data key="d2">chunk-b938dae0fe303047d5bdaf15a3923f2e</data>
</node>
<node id="&quot;DOMENICO INDUNO&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Domenico Induno was an Italian artist known for his portrait work, exemplified by his painting 'Portrait of Aleardo Aleardi'."</data>
  <data key="d2">chunk-2fe3954386fc8712317fa688b8c22f37</data>
</node>
<node id="&quot;PORTRAIT OF ALEARDO ALEARDI&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Portrait of Aleardo Aleardi is a significant artwork created by Domenico Induno, representing the poet Aleardo Aleardi."</data>
  <data key="d2">chunk-2fe3954386fc8712317fa688b8c22f37</data>
</node>
<node id="&quot;ALEARDO ALEARDI&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Aleardo Aleardi was an Italian poet, associated with the Neo-romanticist movement, known for his political engagement and literary contributions during the Risorgimento."</data>
  <data key="d2">chunk-2fe3954386fc8712317fa688b8c22f37</data>
</node>
<node id="&quot;VENETIAN REPUBLIC&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Venetian Republic was a political entity that Aleardo sought to support during his time in Paris, highlighting his involvement in Italian politics."</data>
  <data key="d2">chunk-2fe3954386fc8712317fa688b8c22f37</data>
</node>
<node id="&quot;GAETANO MARIA&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Gaetano Maria is the birth name of Aleardo Aleardi, under which he was initially known before adopting his literary name."</data>
  <data key="d2">chunk-2fe3954386fc8712317fa688b8c22f37</data>
</node>
<node id="&quot;COUNT GIORGIO ALEARDI&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Count Giorgio Aleardi is Aleardo Aleardi's father, representing his familial background and connection to the aristocracy."</data>
  <data key="d2">chunk-2fe3954386fc8712317fa688b8c22f37</data>
</node>
<node id="&quot;MARIA CHANNELS&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Maria Channels is Aleardo Aleardi's mother, contributing to his family lineage."</data>
  <data key="d2">chunk-2fe3954386fc8712317fa688b8c22f37</data>
</node>
<node id="&quot;COUNTESS ANNA SEREGO GOZZADINI ALIGHIERI&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Countess Anna Serego Gozzadini Alighieri was a prominent social figure who hosted literary salons that Aleardo frequented."</data>
  <data key="d2">chunk-2fe3954386fc8712317fa688b8c22f37</data>
</node>
<node id="&quot;JOHN MEADOWS&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"John Meadows was a contemporary and friend of Aleardo Aleardi, sharing interests in poetry and literature."</data>
  <data key="d2">chunk-2fe3954386fc8712317fa688b8c22f37</data>
</node>
<node id="&quot;ARNALDO FUSINATO&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Arnaldo Fusinato was a friend of Aleardo Aleardi and fellow poet, involved in the literary circles of the time."</data>
  <data key="d2">chunk-2fe3954386fc8712317fa688b8c22f37</data>
</node>
<node id="&quot;LETTER TO MARY&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Letter to Mary is an early successful composition by Aleardo Aleardi, reflecting his romantic sentiments."</data>
  <data key="d2">chunk-2fe3954386fc8712317fa688b8c22f37</data>
</node>
<node id="&quot;ARNALDA ROCA&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Arnalda Roca is a poem by Aleardo Aleardi that features a historical protagonist and explores themes of honor and sacrifice."</data>
  <data key="d2">chunk-2fe3954386fc8712317fa688b8c22f37</data>
</node>
<node id="&quot;MARRIAGE&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Marriage is another early work by Aleardo Aleardi that expresses his views on marriage and civilization."</data>
  <data key="d2">chunk-2fe3954386fc8712317fa688b8c22f37</data>
</node>
<node id="&quot;MANTUA&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Mantua is a city where Aleardo Aleardi was arrested in 1852, highlighting the political tensions of the time."</data>
  <data key="d2">chunk-2fe3954386fc8712317fa688b8c22f37</data>
</node>
<node id="&quot;JOSEPHSTADT&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Josephstadt is a location in Bohemia where Aleardo Aleardi was imprisoned in 1859, marking a significant event in his life."</data>
  <data key="d2">chunk-2fe3954386fc8712317fa688b8c22f37</data>
</node>
<node id="&quot;AESTHETICS&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Aesthetics refers to the field that Aleardo Aleardi later taught at the university level, indicating his academic involvement."</data>
  <data key="d2">chunk-2fe3954386fc8712317fa688b8c22f37</data>
</node>
<node id="&quot;KARL BRYULLOV&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Karl Bryullov was a Russian painter, known for his large history painting 'The Last Day of Pompeii' which was pivotal in establishing his international reputation."</data>
  <data key="d2">chunk-e5583467c330e55a4ce67ed7e8dcd080</data>
</node>
<node id="&quot;THE LAST DAY OF POMPEII&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Last Day of Pompeii is a history painting depicting the eruption of Mount Vesuvius in AD 79, significant for its artistic and cultural implications in the 19th century."</data>
  <data key="d2">chunk-e5583467c330e55a4ce67ed7e8dcd080</data>
</node>
<node id="&quot;MOUNT VESUVIUS&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Mount Vesuvius is a historically significant volcano located in Italy, known for its eruption that destroyed the Roman city of Pompeii in AD 79."</data>
  <data key="d2">chunk-e5583467c330e55a4ce67ed7e8dcd080</data>
</node>
<node id="&quot;POMPEII&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Pompeii is an ancient Roman city located near modern Naples, which was buried under volcanic ash following the eruption of Mount Vesuvius."</data>
  <data key="d2">chunk-e5583467c330e55a4ce67ed7e8dcd080</data>
</node>
<node id="&quot;COUNTESS MARIA RAZUMOVSKAYA&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Countess Maria Razumovskaya commissioned Bryullov to create a compositional sketch for 'The Last Day of Pompeii', playing a role in the work's development."</data>
  <data key="d2">chunk-e5583467c330e55a4ce67ed7e8dcd080</data>
</node>
<node id="&quot;COUNT ANATOLY DEMIDOV&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Count Anatoly Demidov commissioned the main canvas of 'The Last Day of Pompeii' and was a significant patron in Bryullov's career."</data>
  <data key="d2">chunk-e5583467c330e55a4ce67ed7e8dcd080</data>
</node>
<node id="&quot;ALESSANDRO SANQUIRICO&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Alessandro Sanquirico was an artist whose set designs for the opera 'L'ultimo giorno di Pompei' inspired Bryullov's depiction of the eruption in 'The Last Day of Pompeii'."</data>
  <data key="d2">chunk-e5583467c330e55a4ce67ed7e8dcd080</data>
</node>
<node id="&quot;L'ULTIMO GIORNO DI POMPEI&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"L'ultimo giorno di Pompei is an opera that was performed in Naples and Milan, inspiring Bryullov in his artistic representation of the catastrophic event."</data>
  <data key="d2">chunk-e5583467c330e55a4ce67ed7e8dcd080</data>
</node>
<node id="&quot;JOHN MARTIN&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"John Martin was an artist known for his painting 'The Destruction of Pompeii and Herculaneum', influencing the awareness of Pompeii's historical significance among artists."</data>
  <data key="d2">chunk-e5583467c330e55a4ce67ed7e8dcd080</data>
</node>
<node id="&quot;THERMES DE POMPÉI&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Thermes de Pompéi is a book published by Aleksandr Bryullov, documenting the scientific study and restoration of the Pompeii baths, relevant to the artistic context of 'The Last Day of Pompeii'."</data>
  <data key="d2">chunk-e5583467c330e55a4ce67ed7e8dcd080</data>
</node>
<node id="&quot;PLINY THE YOUNGER&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Pliny the Younger was a Roman author whose eye-witness account of the eruption in his letters inspired Bryullov in his historical depiction of the event."</data>
  <data key="d2">chunk-e5583467c330e55a4ce67ed7e8dcd080</data>
</node>
<node id="&quot;ALESSANDRO MANZONI&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Alessandro Manzoni was an author whose novel 'I Promessi Sposi' provided historical context and emotional depth that influenced Bryullov's thematic approach in 'The Last Day of Pompeii'."</data>
  <data key="d2">chunk-e5583467c330e55a4ce67ed7e8dcd080</data>
</node>
<node id="&quot;NAPLES MUSEUM&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Naples Museum houses artifacts recovered from Pompeii, and Bryullov visited it to study these objects for his painting."</data>
  <data key="d2">chunk-e5583467c330e55a4ce67ed7e8dcd080</data>
</node>
<node id="&quot;IVAN AIVAZOVSKY&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Ivan Aivazovsky was a Russian Armenian marine painter known for his mastery in capturing the sea's beauty and destruction in his artworks, particularly in The Ninth Wave."&lt;SEP&gt;"Ivan Aivazovsky was a Russian painter known for his seascapes, having created over 6,000 works, including the painting of the brig Mercury being attacked."</data>
  <data key="d2">chunk-1a9ce4ad105e84cd33b7124996a85750&lt;SEP&gt;chunk-b9d495ebc66fb0314937503c2e6e69ad</data>
</node>
<node id="&quot;THE NINTH WAVE&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Ninth Wave is an 1850 painting by Ivan Aivazovsky, depicting a scene of struggle for survival after a storm at sea, symbolizing both danger and hope, with Christian metaphorical elements."</data>
  <data key="d2">chunk-1a9ce4ad105e84cd33b7124996a85750</data>
</node>
<node id="&quot;MARINA&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Marina is the genre of the artwork, focusing on marine subjects and themes, showcasing the relationship between humanity and nature."</data>
  <data key="d2">chunk-1a9ce4ad105e84cd33b7124996a85750</data>
</node>
<node id="&quot;THE NINTH WAVE (RUSSIAN: ДЕВЯТЫЙ ВАЛ)&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Ninth Wave, also known as Девятый вал in Russian, is an 1850 painting that encapsulates a moment of post-storm struggle at sea, bridging artistic expression with cultural significance."</data>
  <data key="d2">chunk-1a9ce4ad105e84cd33b7124996a85750</data>
</node>
<node id="&quot;WIKIPEDIA&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Wikipedia is a free online encyclopedia that provides detailed information and articles about various subjects, including artists like Ivan Aivazovsky and their notable works such as The Ninth Wave."</data>
  <data key="d2">chunk-1a9ce4ad105e84cd33b7124996a85750</data>
</node>
<node id="&quot;THE BRIG 'MERCURY'">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The brig 'Mercury' was a 20-gun Russian patrol ship involved in significant naval battles, known for its unique construction and seaworthiness."</data>
  <data key="d2">chunk-b9d495ebc66fb0314937503c2e6e69ad</data>
</node>
<node id="&quot;TURKISH SHIPS&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Turkish ships are involved in naval engagements against the brig 'Mercury' during the Russo-Turkish War of 1828–1829."</data>
  <data key="d2">chunk-b9d495ebc66fb0314937503c2e6e69ad</data>
</node>
<node id="&quot;RUSSO-TURKISH WAR OF 1828–1829&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Russo-Turkish War was a conflict sparked by the Greek struggle for independence, which led to significant maritime confrontations between Russian and Turkish forces."</data>
  <data key="d2">chunk-b9d495ebc66fb0314937503c2e6e69ad</data>
</node>
<node id="&quot;LIEUTENANT ALEXANDER KAZARSKY&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Lieutenant Alexander Kazarsky was the commander of the brig 'Mercury' during a significant naval engagement against Turkish ships."</data>
  <data key="d2">chunk-b9d495ebc66fb0314937503c2e6e69ad</data>
</node>
<node id="&quot;SEVASTOPOL&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Sevastopol is the location where the brig 'Mercury' was laid down and launched, playing a crucial role in its construction and early history."</data>
  <data key="d2">chunk-b9d495ebc66fb0314937503c2e6e69ad</data>
</node>
<node id="&quot;DARDANELLES&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"The Dardanelles is a strategically important strait that was closed to Russian ships by the Turkish sultan during the Russo-Turkish War, affecting naval operations."</data>
  <data key="d2">chunk-b9d495ebc66fb0314937503c2e6e69ad</data>
</node>
<node id="&quot;CONVENTION OF AKKERMAN&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Convention of Akkerman refers to the treaty revoked by the Turkish sultan, which had implications on Russian naval activities."</data>
  <data key="d2">chunk-b9d495ebc66fb0314937503c2e6e69ad</data>
</node>
<node id="&quot;BATTLE OF NAVARINO&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Battle of Navarino was a naval engagement that influenced Turkish hostility towards Russia, setting the stage for the Russo-Turkish War."</data>
  <data key="d2">chunk-b9d495ebc66fb0314937503c2e6e69ad</data>
</node>
<node id="&quot;ILYA REPIN&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Ilya Repin (1844–1930) was a Russian realist painter and sculptor known for his significant contributions to genre painting, including social commentary through his artwork."&lt;SEP&gt;"Ilya Repin was a Russian realist artist known for his historical paintings, including the notable work 'Ivan the Terrible and His Son Ivan on November 16, 1581'."&lt;SEP&gt;"Ilya Repin was a realist artist known for his significant contributions to Russian painting, particularly during the Peredvizhniki movement."</data>
  <data key="d2">chunk-3f67ae35c2449bd10aac66f3d6203cc8&lt;SEP&gt;chunk-3a71021521c12470fa7097fb6896b81f&lt;SEP&gt;chunk-bbed2775210ac8e5795e48aac3743eb4</data>
</node>
<node id="&quot;BARGE HAULERS ON THE VOLGA&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Barge Haulers on the Volga is an 1870–73 oil-on-canvas painting that portrays eleven men dragging a barge, highlighting the struggle and exhaustion of labor."</data>
  <data key="d2">chunk-3a71021521c12470fa7097fb6896b81f</data>
</node>
<node id="&quot;VOLGA RIVER&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"The Volga River is a significant geographical feature in Russia, serving as the setting for Repin's painting and the location of barge haulers' toil."</data>
  <data key="d2">chunk-3a71021521c12470fa7097fb6896b81f</data>
</node>
<node id="&quot;GRAND DUKE VLADIMIR ALEXANDROVICH&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Grand Duke Vladimir Alexandrovich is a historical figure who purchased the painting and contributed to its widespread exhibition in Europe."</data>
  <data key="d2">chunk-3a71021521c12470fa7097fb6896b81f</data>
</node>
<node id="&quot;BURLAKI NA VOLGE&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Burlaki na Volge, meaning 'Barge Haulers on the Volga' in Russian, refers to the original title of the painting, capturing its cultural and linguistic significance."</data>
  <data key="d2">chunk-3a71021521c12470fa7097fb6896b81f</data>
</node>
<node id="&quot;PEREDVIZHNIKI MOVEMENT&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Peredvizhniki movement was a group of Russian realist artists aiming to depict social issues and the plight of the common man in their artwork."</data>
  <data key="d2">chunk-3a71021521c12470fa7097fb6896b81f</data>
</node>
<node id="&quot;SHIRIAEV BUERAK&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Shiriaev Buerak is a location near Stavropol where Ilya Repin stayed and produced preparatory studies for his painting."</data>
  <data key="d2">chunk-3a71021521c12470fa7097fb6896b81f</data>
</node>
<node id="&quot;STAVROPOL&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Stavropol is a city in Russia near the Volga River, significant as the location where Repin created sketches and studies for his work."</data>
  <data key="d2">chunk-3a71021521c12470fa7097fb6896b81f</data>
</node>
<node id="&quot;KANIN&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Kanin is one of the actual characters that inspired Repin's depiction in 'Barge Haulers on the Volga' and is portrayed as the lead hauler."</data>
  <data key="d2">chunk-3a71021521c12470fa7097fb6896b81f</data>
</node>
<node id="&quot;IMPERIAL ACADEMY OF ART&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Imperial Academy of Art in St. Petersburg was a prestigious institution where Repin was accepted and known for its conservatism in art."</data>
  <data key="d2">chunk-3a71021521c12470fa7097fb6896b81f</data>
</node>
<node id="&quot;RELIGIOUS PROCESSION IN KURSK&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Religious Procession in Kursk is a large oil on canvas painting depicting an annual religious procession in Kursk Province, showcasing social dynamics and controversial themes of class and authority."</data>
  <data key="d2">chunk-bbed2775210ac8e5795e48aac3743eb4</data>
</node>
<node id="&quot;KURSK&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Kursk is a city in western Russia where the annual religious procession takes place, serving as the destination for the procession depicted in Repin's painting."</data>
  <data key="d2">chunk-bbed2775210ac8e5795e48aac3743eb4</data>
</node>
<node id="&quot;KORENNAYA MONASTERY&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Korennaya Monastery is the home of the famous icon Our Lady of Kursk, which is carried during the Religious Procession depicted in Repin's artwork."</data>
  <data key="d2">chunk-bbed2775210ac8e5795e48aac3743eb4</data>
</node>
<node id="&quot;OUR LADY OF KURSK&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Our Lady of Kursk is a famous icon that is central to the religious procession depicted in Ilya Repin's painting, being carried from Korennaya Monastery to Kursk."</data>
  <data key="d2">chunk-bbed2775210ac8e5795e48aac3743eb4</data>
</node>
<node id="&quot;EASTER PROCESSION&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Easter Procession is another name for the Religious Procession in Kursk, highlighting its connection to the Easter celebration in the region."</data>
  <data key="d2">chunk-bbed2775210ac8e5795e48aac3743eb4</data>
</node>
<node id="&quot;VLADIMIR STASOV&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Vladimir Stasov was a prominent critic who published a favorable review of Repin's painting but later dissociated from the views expressed in his critique."</data>
  <data key="d2">chunk-bbed2775210ac8e5795e48aac3743eb4</data>
</node>
<node id="&quot;LEO TOLSTOY&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Leo Tolstoy was a notable figure who praised Ilya Repin's painting, recognizing it as a neutral depiction of the social system."</data>
  <data key="d2">chunk-bbed2775210ac8e5795e48aac3743eb4</data>
</node>
<node id="&quot;IMPERIAL XENOPHOBIA&quot;">
  <data key="d0">"CONCEPT"</data>
  <data key="d1">"Imperial xenophobia refers to the prejudiced attitudes and systemic biases against certain social groups, which were highlighted in the critiques of the painting's exhibition."</data>
  <data key="d2">chunk-bbed2775210ac8e5795e48aac3743eb4</data>
</node>
<node id="&quot;PROVINCIAL ELITE&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"Provincial elite describes the higher social class depicted in the painting, showing their presence alongside other social strata during the religious procession."</data>
  <data key="d2">chunk-bbed2775210ac8e5795e48aac3743eb4</data>
</node>
<node id="&quot;IVAN THE TERRIBLE AND HIS SON IVAN ON NOVEMBER 16, 1581&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"Ivan the Terrible and His Son Ivan on November 16, 1581 is a significant historical painting by Ilya Repin depicting the emotional moment of Ivan the Terrible grieving over his mortally wounded son."</data>
  <data key="d2">chunk-3f67ae35c2449bd10aac66f3d6203cc8</data>
</node>
<node id="&quot;TRETYAKOV GALLERY&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Tretyakov Gallery is an art gallery in Moscow where Repin's painting 'Ivan the Terrible and His Son Ivan on November 16, 1581' is displayed."</data>
  <data key="d2">chunk-3f67ae35c2449bd10aac66f3d6203cc8</data>
</node>
<node id="&quot;MOSCOW&quot;">
  <data key="d0">"GEO"</data>
  <data key="d1">"Moscow is the capital city of Russia, where significant cultural and historical institutions like the Tretyakov Gallery are located, showcasing important works of art."</data>
  <data key="d2">chunk-3f67ae35c2449bd10aac66f3d6203cc8</data>
</node>
<node id="&quot;ALEXANDER II&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Alexander II was the Emperor of Russia whose assassination in 1881 inspired Repin to create the painting 'Ivan the Terrible and His Son Ivan on November 16, 1581'."</data>
  <data key="d2">chunk-3f67ae35c2449bd10aac66f3d6203cc8</data>
</node>
<node id="&quot;NIKOLAI RIMSKY-KORSAKOV&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Nikolai Rimsky-Korsakov was a composer whose music inspired Ilya Repin during the creation of his famous painting."</data>
  <data key="d2">chunk-3f67ae35c2449bd10aac66f3d6203cc8</data>
</node>
<node id="&quot;TSAR IVAN IV&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Tsar Ivan IV, also known as Ivan the Terrible, was the first Tsar of Russia, known for his extreme emotional instability and violent rule, as depicted in Repin's painting."</data>
  <data key="d2">chunk-3f67ae35c2449bd10aac66f3d6203cc8</data>
</node>
<node id="&quot;TSAREVICH IVAN IVANOVICH&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Tsarevich Ivan Ivanovich was the son of Ivan the Terrible who was mortally wounded, serving as the focal point of Repin's painting."</data>
  <data key="d2">chunk-3f67ae35c2449bd10aac66f3d6203cc8</data>
</node>
<node id="&quot;PAVEL TRETYAKOV&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Pavel Tretyakov was a Russian merchant and art collector who purchased Repin's painting for display in his gallery."</data>
  <data key="d2">chunk-3f67ae35c2449bd10aac66f3d6203cc8</data>
</node>
<node id="&quot;THE TIME OF TROUBLES&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The Time of Troubles was a chaotic period in Russian history that followed Ivan the Terrible's death, characterized by famine, civil strife, and foreign invasion, hinted at in Repin's painting."</data>
  <data key="d2">chunk-3f67ae35c2449bd10aac66f3d6203cc8</data>
</node>
<node id="&quot;THE HERMITAGE&quot;">
  <data key="d0">"ORGANIZATION"</data>
  <data key="d1">"The Hermitage is a museum in St. Petersburg, Russia, where Repin studied works by Rembrandt that influenced his painting style."</data>
  <data key="d2">chunk-3f67ae35c2449bd10aac66f3d6203cc8</data>
</node>
<node id="&quot;GRIGORIY MYASOYEDOV&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Grigoriy Myasoyedov was a friend of Ilya Repin who served as a model for Ivan the Terrible in the famous painting."</data>
  <data key="d2">chunk-3f67ae35c2449bd10aac66f3d6203cc8</data>
</node>
<node id="&quot;VSEVOLOD GARSHIN&quot;">
  <data key="d0">"PERSON"</data>
  <data key="d1">"Vsevolod Garshin was a writer who modeled for Tsarevich Ivan Ivanovich in Repin's artwork."</data>
  <data key="d2">chunk-3f67ae35c2449bd10aac66f3d6203cc8</data>
</node>
<node id="&quot;1883-1885&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"The period between 1883 and 1885 marks the time when Ilya Repin created the painting, indicating its historical art context."</data>
  <data key="d2">chunk-3f67ae35c2449bd10aac66f3d6203cc8</data>
</node>
<node id="&quot;1913 AND 2018&quot;">
  <data key="d0">"EVENT"</data>
  <data key="d1">"These years mark the instances when the painting was vandalized, highlighting its controversial status in art history."</data>
  <data key="d2">chunk-3f67ae35c2449bd10aac66f3d6203cc8</data>
</node>
<node id="&quot;THE BRIG 'MERCURY&quot;">
  <data key="d2">chunk-b9d495ebc66fb0314937503c2e6e69ad</data>
  <data key="d1">"Ivan Aivazovsky painted the brig 'Mercury' during a notable battle, capturing its significance in naval history."</data>
  <data key="d0">"UNKNOWN"</data>
</node>
<edge source="&quot;FREDERICK MCCUBBIN&quot;" target="&quot;DOWN ON HIS LUCK&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Frederick McCubbin is the creator of the artwork 'Down on His Luck', playing a central role in its conception and execution."</data>
  <data key="d5">"art creation, authorship"</data>
  <data key="d6">chunk-dfc67a94deb852e6b89f41bf0bbda78f</data>
</edge>
<edge source="&quot;FREDERICK MCCUBBIN&quot;" target="&quot;THE PIONEER&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Frederick McCubbin created 'The Pioneer,' which is one of his most recognized works and a significant contribution to Australian art."</data>
  <data key="d5">"artistic creation, national significance"</data>
  <data key="d6">chunk-e39cfc54bc512a8e21464c5e3c5d8524</data>
</edge>
<edge source="&quot;FREDERICK MCCUBBIN&quot;" target="&quot;WILLIAM PETER MCGREGOR&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"William Peter McGregor owned the neighboring property where McCubbin painted 'The Pioneer,' connecting him to the artwork's creation."</data>
  <data key="d5">"artistic influence, locality"</data>
  <data key="d6">chunk-e39cfc54bc512a8e21464c5e3c5d8524</data>
</edge>
<edge source="&quot;DOWN ON HIS LUCK&quot;" target="&quot;LOUIS ABRAHAMS&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Louis Abrahams served as the model for the painting, symbolizing his contribution to McCubbin's artistic process."</data>
  <data key="d5">"model, artistic influence"</data>
  <data key="d6">chunk-dfc67a94deb852e6b89f41bf0bbda78f</data>
</edge>
<edge source="&quot;DOWN ON HIS LUCK&quot;" target="&quot;ART GALLERY OF WESTERN AUSTRALIA&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The Art Gallery of Western Australia owns 'Down on His Luck', representing its preservation and public display."</data>
  <data key="d5">"art ownership, public display"</data>
  <data key="d6">chunk-dfc67a94deb852e6b89f41bf0bbda78f</data>
</edge>
<edge source="&quot;DOWN ON HIS LUCK&quot;" target="&quot;BOX HILL ARTISTS' CAMP&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The scene of 'Down on His Luck' was staged near the Box Hill artists' camp, highlighting its geographical significance to the work."</data>
  <data key="d5">"location significance, artistic context"</data>
  <data key="d6">chunk-dfc67a94deb852e6b89f41bf0bbda78f</data>
</edge>
<edge source="&quot;DOWN ON HIS LUCK&quot;" target="&quot;WILLIAM FERGUSSON&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"William Fergusson owned 'Down on His Luck' until 1986, marking his role in the painting's history and provenance."</data>
  <data key="d5">"art ownership, historical significance"</data>
  <data key="d6">chunk-dfc67a94deb852e6b89f41bf0bbda78f</data>
</edge>
<edge source="&quot;LOUIS ABRAHAMS&quot;" target="&quot;9 BY 5 IMPRESSION EXHIBITION&quot;">
  <data key="d3">5.0</data>
  <data key="d4">"Louis Abrahams was connected to the 9 by 5 Impression Exhibition by supplying cigar box lids, linking him to a significant moment in art history."</data>
  <data key="d5">"artistic community, collaboration"</data>
  <data key="d6">chunk-dfc67a94deb852e6b89f41bf0bbda78f</data>
</edge>
<edge source="&quot;GENRE PAINTING&quot;" target="&quot;REAPERS RESTING IN A WHEAT FIELD&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"'Reapers Resting in a Wheat Field' is categorized as a genre painting, depicting a scene of everyday agricultural life."</data>
  <data key="d5">"art classification, everyday life"</data>
  <data key="d6">chunk-a4d2ed002138771e4f674a8b5ab1b220</data>
</edge>
<edge source="&quot;GENRE PAINTING&quot;" target="&quot;MOTHER AND CHILDREN&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Mother and Children as a genre painting reflects Renoir's representation of everyday life and familial themes."</data>
  <data key="d5">"artistic category, themes of life"</data>
  <data key="d6">chunk-ab4a404ace4ab4363ca150b503f16eec</data>
</edge>
<edge source="&quot;GENRE PAINTING&quot;" target="&quot;DANCE AT BOUGIVAL&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Dance at Bougival is classified as a genre painting, which explores scenes from daily life, a hallmark of Renoir's style."</data>
  <data key="d5">"art classification, daily life representation"</data>
  <data key="d6">chunk-accdacce424a30ff91f0a47befc088a3</data>
</edge>
<edge source="&quot;CANVAS&quot;" target="&quot;THE GOLDEN FLEECE&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The artwork 'The Golden Fleece' is created on canvas, a traditional medium for such paintings that affects its durability and aesthetic."</data>
  <data key="d5">"medium used, artistic technique"</data>
  <data key="d6">chunk-3cff81d297d670e4d804b1f60920d168</data>
</edge>
<edge source="&quot;CANVAS&quot;" target="&quot;SPRING&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The painting 'Spring' is created on canvas, which is an essential detail regarding its artistic medium."</data>
  <data key="d5">"medium, artistic technique"</data>
  <data key="d6">chunk-fc5306c78cdecc730fe5703b095c8eff</data>
</edge>
<edge source="&quot;CANVAS&quot;" target="&quot;THE ABBEY IN THE OAKWOOD&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Abbey in the Oakwood is painted on canvas, representing a traditional medium used in most of Friedrich's works."</data>
  <data key="d5">"art medium, traditional"</data>
  <data key="d6">chunk-7be0109bf80383f617e5da87ac66046d</data>
</edge>
<edge source="&quot;CANVAS&quot;" target="&quot;THE TREE OF CROWS&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"'The Tree of Crows' was painted on canvas, a common medium that supports oil painting due to its texture and strength."</data>
  <data key="d5">"artistic technique, medium"</data>
  <data key="d6">chunk-f821aaece9965d7ab0a0781ba7c8033c</data>
</edge>
<edge source="&quot;CANVAS&quot;" target="&quot;THE STAGES OF LIFE&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Canvas serves as the medium for 'The Stages of Life', essential for its artistic expression and preservation."</data>
  <data key="d5">"medium, artistic expression"</data>
  <data key="d6">chunk-703733d80315a190a98246fc8d91936a</data>
</edge>
<edge source="&quot;CANVAS&quot;" target="&quot;EUGÈNE DELACROIX&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Eugène Delacroix painted 'Seated Nude, Mademoiselle Rose' on canvas, which is a crucial element in the artwork's physicality."</data>
  <data key="d5">"artistic medium, creation"</data>
  <data key="d6">chunk-dde49183bd668e96e79ffd496b65c60d</data>
</edge>
<edge source="&quot;CANVAS&quot;" target="&quot;THE ORPHAN GIRL AT THE CEMETERY&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"'The Orphan Girl at the Cemetery' was created on canvas, establishing a relationship between the artwork and its medium."</data>
  <data key="d5">"artistic medium"</data>
  <data key="d6">chunk-a2596efe6055fc41763a6132f67dd308</data>
</edge>
<edge source="&quot;CANVAS&quot;" target="&quot;THE MISSES VICKERS&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The use of canvas in the creation of 'The Misses Vickers' underlines the physical medium of the artwork."</data>
  <data key="d5">"artistic material, medium"</data>
  <data key="d6">chunk-53b128fbe07751d33294eee843b7af73</data>
</edge>
<edge source="&quot;CANVAS&quot;" target="&quot;REAPERS RESTING IN A WHEAT FIELD&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The painting 'Reapers Resting in a Wheat Field' is executed on canvas, which is the physical medium used by the artist."</data>
  <data key="d5">"artistic medium, material"</data>
  <data key="d6">chunk-a4d2ed002138771e4f674a8b5ab1b220</data>
</edge>
<edge source="&quot;CANVAS&quot;" target="&quot;OFFICER OF THE CHASSEURS CHARGING ON HORSEBACK&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The painting was created on a canvas, which shaped the textural and visual qualities of the work."</data>
  <data key="d5">"medium, artistic technique"</data>
  <data key="d6">chunk-5936887c6193ee8a58a58b5a91413b19</data>
</edge>
<edge source="&quot;CANVAS&quot;" target="&quot;THE EPSOM DERBY&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Epsom Derby was painted on canvas, indicating the artistic technique and medium used by Géricault."</data>
  <data key="d5">"artistic medium, painting technique"</data>
  <data key="d6">chunk-678237cec5752fdae4c54b0d6be03ed8</data>
</edge>
<edge source="&quot;CANVAS&quot;" target="&quot;THE WOMAN WITH GAMBLING MANIA&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"The Woman with Gambling Mania was painted on canvas, a traditional medium for many of Géricault's artworks."</data>
  <data key="d5">"art medium, artistic technique"</data>
  <data key="d6">chunk-013c9b566a74fe0a406319895832f79e</data>
</edge>
<edge source="&quot;CANVAS&quot;" target="&quot;THE TERRACE AT SAINT-GERMAIN, SPRING&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Terrace at Saint-Germain, Spring was created on canvas, underlining the traditional medium used by artists in the Impressionist period."</data>
  <data key="d5">"art medium, Impressionism"</data>
  <data key="d6">chunk-f0e87b2f10a742e958092eb0f8655aa9</data>
</edge>
<edge source="&quot;CANVAS&quot;" target="&quot;THE GREAT BOULEVARDS&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The Great Boulevards was painted on canvas, which is a traditional medium for many fine artworks, allowing depth and texture."</data>
  <data key="d5">"art medium, painting techniques"</data>
  <data key="d6">chunk-a4e0acbd0b3021cb5db3567e97de9407</data>
</edge>
<edge source="&quot;CANVAS&quot;" target="&quot;A GIRL WITH A WATERING CAN&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The artwork A Girl with a Watering Can is painted on canvas, indicating the medium and surface crucial for its creation."</data>
  <data key="d5">"art medium, surface"</data>
  <data key="d6">chunk-067ea2369578b9d3872f80f8c355c627</data>
</edge>
<edge source="&quot;CANVAS&quot;" target="&quot;PIERRE-AUGUSTE RENOIR&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Renoir used canvas as the surface for 'By the Seashore', highlighting its significance in the painting process."</data>
  <data key="d5">"artistic medium, technique"</data>
  <data key="d6">chunk-7df321ef37645a5107c4f3123310012e</data>
</edge>
<edge source="&quot;CANVAS&quot;" target="&quot;DANCE AT BOUGIVAL&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Dance at Bougival was created on canvas, a fundamental medium used in the painting process that defines its physical characteristics."</data>
  <data key="d5">"art medium, painting process"</data>
  <data key="d6">chunk-accdacce424a30ff91f0a47befc088a3</data>
</edge>
<edge source="&quot;CANVAS&quot;" target="&quot;THE LARGE BATHERS&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The painting is created on canvas, a fundamental aspect of its materiality and presentation."</data>
  <data key="d5">"art medium, material"</data>
  <data key="d6">chunk-43cbe78c96d9ba84d20925bd82df1096</data>
</edge>
<edge source="&quot;CANVAS&quot;" target="&quot;GABRIELLE WITH OPEN BLOUSE&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The painting 'Gabrielle with Open Blouse' is created on canvas, indicating the medium used for this artwork."</data>
  <data key="d5">"art medium, creation"</data>
  <data key="d6">chunk-4f3e8cc9496821956d432d2261d3671c</data>
</edge>
<edge source="&quot;CANVAS&quot;" target="&quot;THOMAS EAKINS&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Thomas Eakins utilized canvas as the medium for the Portrait of Professor Benjamin H. Rand, a choice that is traditional for portraiture."</data>
  <data key="d5">"artistic technique, medium"</data>
  <data key="d6">chunk-03912d92fcfec4dffd9dbaff3ba2cd86</data>
</edge>
<edge source="&quot;CANVAS&quot;" target="&quot;A BALCONY IN PARIS&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"A Balcony in Paris is created on canvas, which is the primary material that allows the artist to execute his vision."</data>
  <data key="d5">"art materials, artistic execution"</data>
  <data key="d6">chunk-86a13add2cfd2e0ba91c6b7cdae62ef5</data>
</edge>
<edge source="&quot;CANVAS&quot;" target="&quot;THE BOY&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"'The Boy' is painted on Canvas, making it a crucial element of the artwork's physical structure."</data>
  <data key="d5">"art medium, physical attributes"</data>
  <data key="d6">chunk-8910f94f1ba8711cf9f0ea0cd62912dd</data>
</edge>
<edge source="&quot;CANVAS&quot;" target="&quot;PUBERTY&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The painting Puberty was created on a canvas, which is essential to its physical form and artistic expression."</data>
  <data key="d5">"artistic medium, physical form"</data>
  <data key="d6">chunk-80cb57c7a7584d26c3ec44f224a1d1a8</data>
</edge>
<edge source="&quot;CANVAS&quot;" target="&quot;THE YELLOW COW&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"'The Yellow Cow' is painted on canvas, a common medium for artworks of its time, indicating the material used in its creation."</data>
  <data key="d5">"art material, traditional methods"</data>
  <data key="d6">chunk-7c5c5c0c43a1165b6ee60a7568d44510</data>
</edge>
<edge source="&quot;CANVAS&quot;" target="&quot;THE LAST DAY OF POMPEII&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Bryullov utilized canvas as the medium for 'The Last Day of Pompeii', allowing for intricate details and color depth in his depiction."</data>
  <data key="d5">"artistic medium, technical choice"</data>
  <data key="d6">chunk-e5583467c330e55a4ce67ed7e8dcd080</data>
</edge>
<edge source="&quot;CANVAS&quot;" target="&quot;THE NINTH WAVE&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The Ninth Wave is created on canvas, highlighting the traditional medium used in oil paintings."</data>
  <data key="d5">"artistic technique, medium"</data>
  <data key="d6">chunk-1a9ce4ad105e84cd33b7124996a85750</data>
</edge>
<edge source="&quot;OIL&quot;" target="&quot;THE GOLDEN FLEECE&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The use of oil paint in 'The Golden Fleece' adds richness to the artwork, enhancing its visual appeal and detail."</data>
  <data key="d5">"painting medium, artistic quality"</data>
  <data key="d6">chunk-3cff81d297d670e4d804b1f60920d168</data>
</edge>
<edge source="&quot;OIL&quot;" target="&quot;SPRING&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"'Spring' is an oil painting, indicating the specific materials used to create the artwork, which is important for understanding its aesthetic qualities."</data>
  <data key="d5">"medium, oil painting"</data>
  <data key="d6">chunk-fc5306c78cdecc730fe5703b095c8eff</data>
</edge>
<edge source="&quot;OIL&quot;" target="&quot;THE ABBEY IN THE OAKWOOD&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The Abbey in the Oakwood is created using oil, a method that allows for a certain depth and richness in color that defines Friedrich's work."</data>
  <data key="d5">"art technique, material"</data>
  <data key="d6">chunk-7be0109bf80383f617e5da87ac66046d</data>
</edge>
<edge source="&quot;OIL&quot;" target="&quot;THE TREE OF CROWS&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"'The Tree of Crows' utilizes oil as its painting medium, allowing for enhanced detail and vibrancy."</data>
  <data key="d5">"art medium, artistic technique"</data>
  <data key="d6">chunk-f821aaece9965d7ab0a0781ba7c8033c</data>
</edge>
<edge source="&quot;OIL&quot;" target="&quot;EUGÈNE DELACROIX&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Eugène Delacroix utilized oil as a medium for 'Seated Nude, Mademoiselle Rose', highlighting his technique and style."</data>
  <data key="d5">"artistic technique, medium usage"</data>
  <data key="d6">chunk-dde49183bd668e96e79ffd496b65c60d</data>
</edge>
<edge source="&quot;OIL&quot;" target="&quot;THE ORPHAN GIRL AT THE CEMETERY&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The use of oil in 'The Orphan Girl at the Cemetery' contributes to its vibrancy and depth, crucial to its emotional portrayal."</data>
  <data key="d5">"artistic technique"</data>
  <data key="d6">chunk-a2596efe6055fc41763a6132f67dd308</data>
</edge>
<edge source="&quot;OIL&quot;" target="&quot;THE MISSES VICKERS&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The painting 'The Misses Vickers' is created using oil, which is a significant aspect of its artistic technique."</data>
  <data key="d5">"artistic medium, technique"</data>
  <data key="d6">chunk-53b128fbe07751d33294eee843b7af73</data>
</edge>
<edge source="&quot;OIL&quot;" target="&quot;REAPERS RESTING IN A WHEAT FIELD&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The painting 'Reapers Resting in a Wheat Field' was created using oil paints, which is a hallmark of Sargent's technique."</data>
  <data key="d5">"artistic technique, medium"</data>
  <data key="d6">chunk-a4d2ed002138771e4f674a8b5ab1b220</data>
</edge>
<edge source="&quot;OIL&quot;" target="&quot;OFFICER OF THE CHASSEURS CHARGING ON HORSEBACK&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The use of oil as a medium in Officer of the Chasseurs Charging on Horseback contributes to its rich colors and detailed brushwork."</data>
  <data key="d5">"medium, artistic technique"</data>
  <data key="d6">chunk-5936887c6193ee8a58a58b5a91413b19</data>
</edge>
<edge source="&quot;OIL&quot;" target="&quot;THE EPSOM DERBY&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Epsom Derby was created using oil paint, a key aspect of Géricault's artistic style."</data>
  <data key="d5">"artistic technique, painting medium"</data>
  <data key="d6">chunk-678237cec5752fdae4c54b0d6be03ed8</data>
</edge>
<edge source="&quot;OIL&quot;" target="&quot;THE WOMAN WITH GAMBLING MANIA&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"The Woman with Gambling Mania was created using oil paints, a common technique in 19th-century portraiture."</data>
  <data key="d5">"art medium, artistic technique"</data>
  <data key="d6">chunk-013c9b566a74fe0a406319895832f79e</data>
</edge>
<edge source="&quot;OIL&quot;" target="&quot;THE TERRACE AT SAINT-GERMAIN, SPRING&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The painting was created using oil, which is a standard medium for achieving color depth in Impressionist works."</data>
  <data key="d5">"art medium, color depth"</data>
  <data key="d6">chunk-f0e87b2f10a742e958092eb0f8655aa9</data>
</edge>
<edge source="&quot;OIL&quot;" target="&quot;THE GREAT BOULEVARDS&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Oil paint was used in The Great Boulevards, a technique that enhances color vibrancy and detail in the artwork."</data>
  <data key="d5">"art techniques, painting materials"</data>
  <data key="d6">chunk-a4e0acbd0b3021cb5db3567e97de9407</data>
</edge>
<edge source="&quot;OIL&quot;" target="&quot;A GIRL WITH A WATERING CAN&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Using oil as the painting medium allows A Girl with a Watering Can to convey vibrant colors and rich textures characteristic of Impressionism."</data>
  <data key="d5">"art medium, color richness"</data>
  <data key="d6">chunk-067ea2369578b9d3872f80f8c355c627</data>
</edge>
<edge source="&quot;OIL&quot;" target="&quot;PIERRE-AUGUSTE RENOIR&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Renoir utilized oil paint to create 'By the Seashore', indicating the techniques and materials crucial to his art."</data>
  <data key="d5">"artistic technique, medium"</data>
  <data key="d6">chunk-7df321ef37645a5107c4f3123310012e</data>
</edge>
<edge source="&quot;OIL&quot;" target="&quot;DANCE AT BOUGIVAL&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Dance at Bougival employs oil paint as its medium, contributing to the painting’s vibrant colors and textures."</data>
  <data key="d5">"art medium, color technique"</data>
  <data key="d6">chunk-accdacce424a30ff91f0a47befc088a3</data>
</edge>
<edge source="&quot;OIL&quot;" target="&quot;THE LARGE BATHERS&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The artwork employs oil paint, which is critical to its vibrancy and depth of color."</data>
  <data key="d5">"art medium, color richness"</data>
  <data key="d6">chunk-43cbe78c96d9ba84d20925bd82df1096</data>
</edge>
<edge source="&quot;OIL&quot;" target="&quot;GABRIELLE WITH OPEN BLOUSE&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"'Gabrielle with Open Blouse' is executed in oil, underscoring the technique used by Renoir in this painting."</data>
  <data key="d5">"art technique, painting style"</data>
  <data key="d6">chunk-4f3e8cc9496821956d432d2261d3671c</data>
</edge>
<edge source="&quot;OIL&quot;" target="&quot;THOMAS EAKINS&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Thomas Eakins painted the Portrait of Professor Benjamin H. Rand using oil paint, which is instrumental in achieving the painting’s depth and detail."</data>
  <data key="d5">"artistic technique, medium"</data>
  <data key="d6">chunk-03912d92fcfec4dffd9dbaff3ba2cd86</data>
</edge>
<edge source="&quot;OIL&quot;" target="&quot;A BALCONY IN PARIS&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The painting A Balcony in Paris is rendered in oil, a medium favored by many artists for its versatility and vibrancy."</data>
  <data key="d5">"art materials, painting technique"</data>
  <data key="d6">chunk-86a13add2cfd2e0ba91c6b7cdae62ef5</data>
</edge>
<edge source="&quot;OIL&quot;" target="&quot;THE BOY&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Oil is the paint used in 'The Boy', influencing the artwork's texture and visual impact."</data>
  <data key="d5">"art technique, painting process"</data>
  <data key="d6">chunk-8910f94f1ba8711cf9f0ea0cd62912dd</data>
</edge>
<edge source="&quot;OIL&quot;" target="&quot;PUBERTY&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The painting Puberty uses oil as the medium, contributing to its texture and emotional depth."</data>
  <data key="d5">"artistic technique, texture"</data>
  <data key="d6">chunk-80cb57c7a7584d26c3ec44f224a1d1a8</data>
</edge>
<edge source="&quot;OIL&quot;" target="&quot;THE YELLOW COW&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"'The Yellow Cow' is created using oil, demonstrating the traditional techniques employed by Franz Marc in his artworks."</data>
  <data key="d5">"art medium, painting technique"</data>
  <data key="d6">chunk-7c5c5c0c43a1165b6ee60a7568d44510</data>
</edge>
<edge source="&quot;OIL&quot;" target="&quot;THE LAST DAY OF POMPEII&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Oil paint was used by Bryullov in 'The Last Day of Pompeii', enabling rich textures and vibrant colors that characterize the masterpiece."</data>
  <data key="d5">"artistic medium, technical choice"</data>
  <data key="d6">chunk-e5583467c330e55a4ce67ed7e8dcd080</data>
</edge>
<edge source="&quot;OIL&quot;" target="&quot;THE NINTH WAVE&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The Ninth Wave is painted using oil, which contributes to the richness and depth of the artwork."</data>
  <data key="d5">"artistic technique, medium"</data>
  <data key="d6">chunk-1a9ce4ad105e84cd33b7124996a85750</data>
</edge>
<edge source="&quot;THE PIONEER&quot;" target="&quot;NATIONAL GALLERY OF VICTORIA&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"'The Pioneer' is part of the collection at the National Gallery of Victoria, showcasing its importance in Australian art history."</data>
  <data key="d5">"art collection, cultural significance"</data>
  <data key="d6">chunk-e39cfc54bc512a8e21464c5e3c5d8524</data>
</edge>
<edge source="&quot;THE PIONEER&quot;" target="&quot;JIMMY WATSON&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Jimmy Watson was modeled as the baby in the center panel of 'The Pioneer,' linking him personally to the artwork."</data>
  <data key="d5">"artistic modeling, personal connection"</data>
  <data key="d6">chunk-e39cfc54bc512a8e21464c5e3c5d8524</data>
</edge>
<edge source="&quot;THE PIONEER&quot;" target="&quot;THE COTTAGE&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Cottage in the center panel symbolizes the home life of the selector's family in 'The Pioneer,' contributing to the narrative of settlement."</data>
  <data key="d5">"symbolism, family life"</data>
  <data key="d6">chunk-e39cfc54bc512a8e21464c5e3c5d8524</data>
</edge>
<edge source="&quot;THE PIONEER&quot;" target="&quot;THE LEFT PANEL&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Left Panel of 'The Pioneer' captures the initial settlement of the family, illustrating a critical moment in the narrative of the artwork."</data>
  <data key="d5">"depiction of life, familial journey"</data>
  <data key="d6">chunk-e39cfc54bc512a8e21464c5e3c5d8524</data>
</edge>
<edge source="&quot;THE PIONEER&quot;" target="&quot;THE CENTER PANEL&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The Center Panel shows the evolution of the family's life, represented through a baby and their home in 'The Pioneer,' indicating growth and time's passage."</data>
  <data key="d5">"family evolution, time"</data>
  <data key="d6">chunk-e39cfc54bc512a8e21464c5e3c5d8524</data>
</edge>
<edge source="&quot;THE PIONEER&quot;" target="&quot;THE RIGHT PANEL&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The Right Panel introduces themes of loss and reflection, as the young man stands over a grave, contributing to the emotional depth of 'The Pioneer.'"</data>
  <data key="d5">"loss, emotional depth"</data>
  <data key="d6">chunk-e39cfc54bc512a8e21464c5e3c5d8524</data>
</edge>
<edge source="&quot;THE PIONEER&quot;" target="&quot;PATRICK 'PADDY' WATSON&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Patrick 'Paddy' Watson served as the model for characters in 'The Pioneer,' linking him to the creation of the artwork."</data>
  <data key="d5">"artistic modeling, personal connection"</data>
  <data key="d6">chunk-e39cfc54bc512a8e21464c5e3c5d8524</data>
</edge>
<edge source="&quot;NATIONAL GALLERY OF VICTORIA&quot;" target="&quot;MELBOURNE&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The National Gallery of Victoria is located in Melbourne, making the city an important center for the arts in Australia."</data>
  <data key="d5">"cultural hub, location"</data>
  <data key="d6">chunk-e39cfc54bc512a8e21464c5e3c5d8524</data>
</edge>
<edge source="&quot;TOM ROBERTS&quot;" target="&quot;THE GOLDEN FLEECE&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Tom Roberts is the creator of 'The Golden Fleece', which showcases his artistic vision and contribution to Australian art."</data>
  <data key="d5">"artistic creation, authorship"</data>
  <data key="d6">chunk-3cff81d297d670e4d804b1f60920d168</data>
</edge>
<edge source="&quot;TOM ROBERTS&quot;" target="&quot;GOLDEN FLEECE OF GREEK MYTHOLOGY&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Tom Roberts named the painting 'The Golden Fleece' to honor the Greek myth, linking his work to themes of authority and nobility in the wool industry."</data>
  <data key="d5">"thematic connection, cultural reference"</data>
  <data key="d6">chunk-3cff81d297d670e4d804b1f60920d168</data>
</edge>
<edge source="&quot;THE GOLDEN FLEECE&quot;" target="&quot;ART GALLERY OF NEW SOUTH WALES&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The painting 'The Golden Fleece' is part of the collection at the Art Gallery of New South Wales, highlighting its significance in Australian art."</data>
  <data key="d5">"art collection, cultural significance"</data>
  <data key="d6">chunk-3cff81d297d670e4d804b1f60920d168</data>
</edge>
<edge source="&quot;THE GOLDEN FLEECE&quot;" target="&quot;NEWSTEAD NORTH&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Golden Fleece depicts sheep shearers working at Newstead North, connecting the artwork to this geographical location and its significance in the wool industry."</data>
  <data key="d5">"geographical representation, wool industry"</data>
  <data key="d6">chunk-3cff81d297d670e4d804b1f60920d168</data>
</edge>
<edge source="&quot;THE GOLDEN FLEECE&quot;" target="&quot;SHEARING AT NEWSTEAD&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The artwork 'The Golden Fleece' was originally titled 'Shearing at Newstead', indicating a direct relation in its concept and representation."</data>
  <data key="d5">"title change, historical significance"</data>
  <data key="d6">chunk-3cff81d297d670e4d804b1f60920d168</data>
</edge>
<edge source="&quot;THE GOLDEN FLEECE&quot;" target="&quot;SHEEP SHEARERS&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The painting illustrates the work of sheep shearers, highlighting their importance in the Australian wool industry and celebrating their labor."</data>
  <data key="d5">"labor representation, cultural significance"</data>
  <data key="d6">chunk-3cff81d297d670e4d804b1f60920d168</data>
</edge>
<edge source="&quot;NEWSTEAD NORTH&quot;" target="&quot;NORTHERN TABLELANDS&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Newstead North is located in the Northern Tablelands, providing geographic context to the sheep station and the subject of the painting."</data>
  <data key="d5">"geographical link, context"</data>
  <data key="d6">chunk-3cff81d297d670e4d804b1f60920d168</data>
</edge>
<edge source="&quot;FORD MADOX BROWN&quot;" target="&quot;THE LAST OF ENGLAND&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Ford Madox Brown is the creator of 'The Last of England', expressing themes of migration and family in his artwork."</data>
  <data key="d5">"artistic creation, thematic expression"</data>
  <data key="d6">chunk-4cde29224938bfc2857bfb4e1ff27ea4</data>
</edge>
<edge source="&quot;FORD MADOX BROWN&quot;" target="&quot;EMMA&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Ford Madox Brown and Emma are married and collaborated in the creation of 'The Last of England', making their family an integral part of the artwork."</data>
  <data key="d5">"collaboration, family"</data>
  <data key="d6">chunk-4cde29224938bfc2857bfb4e1ff27ea4</data>
</edge>
<edge source="&quot;FORD MADOX BROWN&quot;" target="&quot;HIGH STREET, HAMPSTEAD&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"High Street, Hampstead is where Ford Madox Brown painted, providing context to his artistic environment and influences."</data>
  <data key="d5">"artistic environment, location"</data>
  <data key="d6">chunk-4cde29224938bfc2857bfb4e1ff27ea4</data>
</edge>
<edge source="&quot;FORD MADOX BROWN&quot;" target="&quot;WORK&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Ford Madox Brown created 'Work,' which is considered his most important artistic achievement, reflecting significant social themes."</data>
  <data key="d5">"artistic creation, social themes"</data>
  <data key="d6">chunk-0407d038c1682731d77a9c1e798a037f</data>
</edge>
<edge source="&quot;FORD MADOX BROWN&quot;" target="&quot;WILLIAM HOGARTH&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"William Hogarth's artistic influence is evident in Brown's work, paralleling themes of societal critique and vitality."</data>
  <data key="d5">"artistic influence, societal critique"</data>
  <data key="d6">chunk-0407d038c1682731d77a9c1e798a037f</data>
</edge>
<edge source="&quot;FORD MADOX BROWN&quot;" target="&quot;HOGARTH CLUB&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The Hogarth club was founded by Brown, reflecting the community of artists dedicated to the principles of Hogarth's work."</data>
  <data key="d5">"artist community, dedication"</data>
  <data key="d6">chunk-0407d038c1682731d77a9c1e798a037f</data>
</edge>
<edge source="&quot;THE LAST OF ENGLAND&quot;" target="&quot;THOMAS WOOLNER&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Thomas Woolner's emigration to Australia inspired Ford Madox Brown's creation of 'The Last of England', linking the two."</data>
  <data key="d5">"inspiration, emigration"</data>
  <data key="d6">chunk-4cde29224938bfc2857bfb4e1ff27ea4</data>
</edge>
<edge source="&quot;THE LAST OF ENGLAND&quot;" target="&quot;EMMA&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Emma serves as the model for the female figure in 'The Last of England', embodying hope and familial strength."</data>
  <data key="d5">"modeling, representation"</data>
  <data key="d6">chunk-4cde29224938bfc2857bfb4e1ff27ea4</data>
</edge>
<edge source="&quot;THE LAST OF ENGLAND&quot;" target="&quot;CATHERINE BROWN&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Catherine Brown is depicted as a child in 'The Last of England', emphasizing family ties in the narrative."</data>
  <data key="d5">"familial ties, representation"</data>
  <data key="d6">chunk-4cde29224938bfc2857bfb4e1ff27ea4</data>
</edge>
<edge source="&quot;THE LAST OF ENGLAND&quot;" target="&quot;BIRMINGHAM MUSEUM AND ART GALLERY&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Birmingham Museum and Art Gallery houses a finished version of 'The Last of England', contributing to its preservation and exhibition."</data>
  <data key="d5">"exhibition, preservation"</data>
  <data key="d6">chunk-4cde29224938bfc2857bfb4e1ff27ea4</data>
</edge>
<edge source="&quot;THE LAST OF ENGLAND&quot;" target="&quot;FITZWILLIAM MUSEUM&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Fitzwilliam Museum displays another finished version of 'The Last of England', showcasing its importance in art history."</data>
  <data key="d5">"exhibition, art history"</data>
  <data key="d6">chunk-4cde29224938bfc2857bfb4e1ff27ea4</data>
</edge>
<edge source="&quot;THE LAST OF ENGLAND&quot;" target="&quot;TATE BRITAIN&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"Tate Britain holds a watercolour replica of 'The Last of England', highlighting the painting's influence and reach."</data>
  <data key="d5">"influence, art replication"</data>
  <data key="d6">chunk-4cde29224938bfc2857bfb4e1ff27ea4</data>
</edge>
<edge source="&quot;THE LAST OF ENGLAND&quot;" target="&quot;ENGLAND&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"England is the departing location for the emigrants depicted in 'The Last of England', showing their connection to their homeland."</data>
  <data key="d5">"cultural context, emigration"</data>
  <data key="d6">chunk-4cde29224938bfc2857bfb4e1ff27ea4</data>
</edge>
<edge source="&quot;THE LAST OF ENGLAND&quot;" target="&quot;AUSTRALIA&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Australia represents the hopeful destination for the emigrants in 'The Last of England', marking the beginning of a new life."</data>
  <data key="d5">"destination, hope"</data>
  <data key="d6">chunk-4cde29224938bfc2857bfb4e1ff27ea4</data>
</edge>
<edge source="&quot;THE LAST OF ENGLAND&quot;" target="&quot;THE LAST SIGHT OF ENGLAND&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"The Last Sight of England was the painting's original title, reflecting its thematic significance before rebranding."</data>
  <data key="d5">"title history, thematic significance"</data>
  <data key="d6">chunk-4cde29224938bfc2857bfb4e1ff27ea4</data>
</edge>
<edge source="&quot;THE LAST OF ENGLAND&quot;" target="&quot;BENJAMIN WINDUS&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Benjamin Windus was the seller of 'The Last of England', playing a role in its provenance and ownership history."</data>
  <data key="d5">"provenance, sales history"</data>
  <data key="d6">chunk-4cde29224938bfc2857bfb4e1ff27ea4</data>
</edge>
<edge source="&quot;THE LAST OF ENGLAND&quot;" target="&quot;ERNEST GAMBART&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Ernest Gambart was the buyer of 'The Last of England', contributing to its legacy as an important artwork."</data>
  <data key="d5">"ownership, legacy"</data>
  <data key="d6">chunk-4cde29224938bfc2857bfb4e1ff27ea4</data>
</edge>
<edge source="&quot;THE LAST OF ENGLAND&quot;" target="&quot;BBC RADIO 4&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"BBC Radio 4's poll highlighting 'The Last of England' as a favorite painting emphasizes its cultural relevance over time."</data>
  <data key="d5">"cultural impact, popularity"</data>
  <data key="d6">chunk-4cde29224938bfc2857bfb4e1ff27ea4</data>
</edge>
<edge source="&quot;THE LAST OF ENGLAND&quot;" target="&quot;ART EVERYWHERE&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The Last of England's inclusion in Art Everywhere highlights its public recognition in the context of significant British art."</data>
  <data key="d5">"public recognition, art exhibition"</data>
  <data key="d6">chunk-4cde29224938bfc2857bfb4e1ff27ea4</data>
</edge>
<edge source="&quot;THE LAST OF ENGLAND&quot;" target="&quot;THE WHITE CLIFFS OF DOVER&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The White Cliffs of Dover serve as a powerful backdrop in 'The Last of England', symbolizing departure and nostalgia."</data>
  <data key="d5">"symbolism, nostalgia"</data>
  <data key="d6">chunk-4cde29224938bfc2857bfb4e1ff27ea4</data>
</edge>
<edge source="&quot;THE LAST OF ENGLAND&quot;" target="&quot;RENAISSANCE ART&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"Renaissance art influences the tondo format of 'The Last of England', linking it to historical artistic practices."</data>
  <data key="d5">"artistic influence, historical links"</data>
  <data key="d6">chunk-4cde29224938bfc2857bfb4e1ff27ea4</data>
</edge>
<edge source="&quot;EMMA&quot;" target="&quot;THE STAGES OF LIFE&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Emma is portrayed as an older girl in 'The Stages of Life', representing another human life stage."</data>
  <data key="d5">"family representation, life stages"</data>
  <data key="d6">chunk-703733d80315a190a98246fc8d91936a</data>
</edge>
<edge source="&quot;BIRMINGHAM MUSEUM AND ART GALLERY&quot;" target="&quot;WORK&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Birmingham Museum and Art Gallery houses one version of the painting 'Work,' emphasizing its significance as an art piece."</data>
  <data key="d5">"art collection, significance"</data>
  <data key="d6">chunk-0407d038c1682731d77a9c1e798a037f</data>
</edge>
<edge source="&quot;RENAISSANCE ART&quot;" target="&quot;BY THE SEASHORE&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The experience of Renaissance Art during Renoir’s trip to Italy influenced his techniques in 'By the Seashore'."</data>
  <data key="d5">"artistic influence, stylistic development"</data>
  <data key="d6">chunk-7df321ef37645a5107c4f3123310012e</data>
</edge>
<edge source="&quot;WORK&quot;" target="&quot;THOMAS PLINT&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Thomas Plint commissioned 'Work,' showing his influence and importance in the context of Pre-Raphaelite art."</data>
  <data key="d5">"commissioning art, influence"</data>
  <data key="d6">chunk-0407d038c1682731d77a9c1e798a037f</data>
</edge>
<edge source="&quot;WORK&quot;" target="&quot;THE MOUNT ON HEATH STREET&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The painting 'Work' is set in and depicts The Mount on Heath Street, capturing the social issues of the area."</data>
  <data key="d5">"artistic depiction, social issues"</data>
  <data key="d6">chunk-0407d038c1682731d77a9c1e798a037f</data>
</edge>
<edge source="&quot;WORK&quot;" target="&quot;BOBUS&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"Bobus, as a character within 'Work,' signifies the representation of corrupt politics within the societal commentary of the painting."</data>
  <data key="d5">"political representation, societal commentary"</data>
  <data key="d6">chunk-0407d038c1682731d77a9c1e798a037f</data>
</edge>
<edge source="&quot;WORK&quot;" target="&quot;NAVVIES&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The navvies in 'Work' represent the laboring class and are central to the painting's theme of urban development and social dynamics."</data>
  <data key="d5">"labor representation, urban development"</data>
  <data key="d6">chunk-0407d038c1682731d77a9c1e798a037f</data>
</edge>
<edge source="&quot;WORK&quot;" target="&quot;HAMPSTEAD&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Hampstead serves as the geographical setting for 'Work,' highlighting the social and economic changes in Victorian London."</data>
  <data key="d5">"setting, economic change"</data>
  <data key="d6">chunk-0407d038c1682731d77a9c1e798a037f</data>
</edge>
<edge source="&quot;WORK&quot;" target="&quot;SEWERAGE SYSTEM&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The sewerage system depicted in 'Work' addresses public health concerns of the time, highlighting the connection between art and social issues."</data>
  <data key="d5">"public health, social issues"</data>
  <data key="d6">chunk-0407d038c1682731d77a9c1e798a037f</data>
</edge>
<edge source="&quot;WORK&quot;" target="&quot;VICTORIAN SOCIAL SYSTEM&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The Victorian social system is critically examined in 'Work,' showcasing the transitions and tensions of the era."</data>
  <data key="d5">"social critique, era transitions"</data>
  <data key="d6">chunk-0407d038c1682731d77a9c1e798a037f</data>
</edge>
<edge source="&quot;BOBUS&quot;" target="&quot;THOMAS CARLYLE&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"Thomas Carlyle's writing features the character 'Bobus,' connecting literature to the political themes present in Brown's painting."</data>
  <data key="d5">"literary connection, political themes"</data>
  <data key="d6">chunk-0407d038c1682731d77a9c1e798a037f</data>
</edge>
<edge source="&quot;SIR LAWRENCE ALMA-TADEMA&quot;" target="&quot;THE ROSES OF HELIOGABALUS&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Sir Lawrence Alma-Tadema created 'The Roses of Heliogabalus', showcasing his artistic talents and thematic focus."&lt;</data>
  <data key="d5">"artistic creation, thematic focus"</data>
  <data key="d6">chunk-955f8fcd4ad35cfec043d8031e1a9b95</data>
</edge>
<edge source="&quot;SIR LAWRENCE ALMA-TADEMA&quot;" target="&quot;ROYAL ACADEMY&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Royal Academy exhibited Alma-Tadema's work, enhancing his visibility and acclaim as an artist.")&lt;</data>
  <data key="d5">"exhibition, artistic acclaim"</data>
  <data key="d6">chunk-955f8fcd4ad35cfec043d8031e1a9b95</data>
</edge>
<edge source="&quot;SIR LAWRENCE ALMA-TADEMA&quot;" target="&quot;SPRING&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Sir Lawrence Alma-Tadema is the creator of the painting 'Spring', linking him directly to the artwork."</data>
  <data key="d5">"artistic creation, authorship"</data>
  <data key="d6">chunk-fc5306c78cdecc730fe5703b095c8eff</data>
</edge>
<edge source="&quot;THE ROSES OF HELIOGABALUS&quot;" target="&quot;ELAGABALUS&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The character of Elagabalus is vividly portrayed within the painting, highlighting a significant historical figure.")&lt;</data>
  <data key="d5">"historical representation, character depiction"</data>
  <data key="d6">chunk-955f8fcd4ad35cfec043d8031e1a9b95</data>
</edge>
<edge source="&quot;THE ROSES OF HELIOGABALUS&quot;" target="&quot;SIR JOHN AIRD&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Sir John Aird commissioned the painting, making him a key figure in its history and ownership.")&lt;</data>
  <data key="d5">"commissioning, ownership"</data>
  <data key="d6">chunk-955f8fcd4ad35cfec043d8031e1a9b95</data>
</edge>
<edge source="&quot;THE ROSES OF HELIOGABALUS&quot;" target="&quot;DIONYSUS&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Dionysus is depicted in the painting, signifying celebration and the themes of revelry that are central to the artwork's narrative.")&lt;</data>
  <data key="d5">"thematic representation, mythology"</data>
  <data key="d6">chunk-955f8fcd4ad35cfec043d8031e1a9b95</data>
</edge>
<edge source="&quot;ROYAL ACADEMY&quot;" target="&quot;GENERAL OFFICERS OF WORLD WAR I&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The painting was exhibited at the Royal Academy in 1922, showcasing its significance in the art world and its historical context."</data>
  <data key="d5">"exhibition, art recognition"</data>
  <data key="d6">chunk-ebd2c1c5a306b7fe030e488a537b480a</data>
</edge>
<edge source="&quot;SOTHEBY'S&quot;" target="&quot;DANCE AT MOULIN DE LA GALETTE&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Sotheby's facilitated the sale of Dance at Moulin de la Galette, indicating its role in the art auction industry."</data>
  <data key="d5">"auction, art sales"</data>
  <data key="d6">chunk-7cca6799e635827e361bddda13be95c1</data>
</edge>
<edge source="&quot;SOTHEBY'S&quot;" target="&quot;NUDE SITTING ON A DIVAN&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The artwork was sold at Sotheby's for a record price, illustrating its value in the art market and Modigliani's legacy."</data>
  <data key="d5">"art auction, market significance"</data>
  <data key="d6">chunk-23c09d3fcae99716703d29ad57160626</data>
</edge>
<edge source="&quot;SOTHEBY'S&quot;" target="&quot;NEW YORK AUCTION&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Sotheby's facilitated the New York auction where 'Nude seating on a sofa' was sold, linking the auction house to high-stakes art sales."</data>
  <data key="d5">"auction house, art sales"</data>
  <data key="d6">chunk-23c09d3fcae99716703d29ad57160626</data>
</edge>
<edge source="&quot;SOTHEBY'S&quot;" target="&quot;LEON BLACK&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Sotheby's auctioned 'The Scream,' where Leon Black purchased the pastel version for a record price."</data>
  <data key="d5">"auction, record sale"</data>
  <data key="d6">chunk-baa0edb3d1c51f434076d45a60950e18</data>
</edge>
<edge source="&quot;SOTHEBY'S&quot;" target="&quot;JEALOUSY IN THE BATH&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Sotheby's was responsible for auctioning 'Jealousy in the Bath', marking its significance in the art market."</data>
  <data key="d5">"art auction, significance"</data>
  <data key="d6">chunk-deff07996b8276807cdc798cb7579bf2</data>
</edge>
<edge source="&quot;SPRING&quot;" target="&quot;J. PAUL GETTY MUSEUM&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The painting 'Spring' is part of the collection at the J. Paul Getty Museum, indicating its significance and preservation."</data>
  <data key="d5">"art collection, cultural significance"</data>
  <data key="d6">chunk-fc5306c78cdecc730fe5703b095c8eff</data>
</edge>
<edge source="&quot;SPRING&quot;" target="&quot;THE TERRACE AT SAINT-GERMAIN, SPRING&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The painting portrays the season of Spring, capturing the natural vibrancy associated with this time of year."</data>
  <data key="d5">"seasonal theme, vibrancy"</data>
  <data key="d6">chunk-f0e87b2f10a742e958092eb0f8655aa9</data>
</edge>
<edge source="&quot;J. PAUL GETTY MUSEUM&quot;" target="&quot;LOS ANGELES&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The J. Paul Getty Museum is located in Los Angeles, making it an important cultural institution within the city."</data>
  <data key="d5">"cultural institution, location"</data>
  <data key="d6">chunk-fc5306c78cdecc730fe5703b095c8eff</data>
</edge>
<edge source="&quot;LAWRENCE ALMA-TADEMA&quot;" target="&quot;1904&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Lawrence Alma-Tadema is linked to the year 1894, which is when he completed his painting 'Spring', highlighting the timeframe of his artistic productivity."</data>
  <data key="d5">"artistic timeline, historical context"</data>
  <data key="d6">chunk-fc5306c78cdecc730fe5703b095c8eff</data>
</edge>
<edge source="&quot;VINCENT VAN GOGH&quot;" target="&quot;THE POTATO EATERS&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Vincent van Gogh created 'The Potato Eaters' to portray the life and struggles of peasants, capturing their reality through art."</data>
  <data key="d5">"artistic representation, peasant life"</data>
  <data key="d6">chunk-300da84d734c241c17e80d5b19891b1a</data>
</edge>
<edge source="&quot;VINCENT VAN GOGH&quot;" target="&quot;NUENEN&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Vincent van Gogh painted 'The Potato Eaters' in Nuenen, emphasizing the rural context of his subject matter."</data>
  <data key="d5">"artistic context, rural setting"</data>
  <data key="d6">chunk-300da84d734c241c17e80d5b19891b1a</data>
</edge>
<edge source="&quot;VINCENT VAN GOGH&quot;" target="&quot;WOMEN OF ALGIERS IN THEIR APARTMENT&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Vincent van Gogh traveled to view Delacroix's 1849 version of 'Women of Algiers in their Apartment', highlighting its artistic influence."</data>
  <data key="d5">"artistic inspiration, influence"</data>
  <data key="d6">chunk-0f6042dbe37db689000c5403211312b2</data>
</edge>
<edge source="&quot;THE POTATO EATERS&quot;" target="&quot;VAN GOGH MUSEUM&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Van Gogh Museum holds 'The Potato Eaters', making it a key institution for the appreciation of van Gogh's work."</data>
  <data key="d5">"art preservation, museum collection"</data>
  <data key="d6">chunk-300da84d734c241c17e80d5b19891b1a</data>
</edge>
<edge source="&quot;THE POTATO EATERS&quot;" target="&quot;KRÖLLER-MÜLLER MUSEUM&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The Kröller-Müller Museum possesses a preliminary sketch of 'The Potato Eaters', showcasing the painting's creative development."</data>
  <data key="d5">"artistic development, museum collection"</data>
  <data key="d6">chunk-300da84d734c241c17e80d5b19891b1a</data>
</edge>
<edge source="&quot;THE POTATO EATERS&quot;" target="&quot;MUSEUM OF MODERN ART&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The Museum of Modern Art features lithographs of 'The Potato Eaters', demonstrating the painting's lasting influence on art."</data>
  <data key="d5">"art influence, modern art"</data>
  <data key="d6">chunk-300da84d734c241c17e80d5b19891b1a</data>
</edge>
<edge source="&quot;VAN GOGH MUSEUM&quot;" target="&quot;THE SCREAM&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The Van Gogh Museum's temporary exhibition included 'The Scream,' indicating its importance in art history and cultural dialogue."</data>
  <data key="d5">"art exhibition, cultural significance"</data>
  <data key="d6">chunk-baa0edb3d1c51f434076d45a60950e18</data>
</edge>
<edge source="&quot;CASPAR DAVID FRIEDRICH&quot;" target="&quot;DOLMEN IN SNOW&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Friedrich is the artist who created the painting Dolmen in Snow, expressing his views on life and death through the artwork."</data>
  <data key="d5">"artistic creation, interpretation"</data>
  <data key="d6">chunk-e3eae8bc502526b80fb3b55c2afed153</data>
</edge>
<edge source="&quot;CASPAR DAVID FRIEDRICH&quot;" target="&quot;MONK IN THE SNOW&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Friedrich created Monk in the Snow, reinforcing his artistic exploration of winter landscapes and tree symbolism."</data>
  <data key="d5">"artistic themes, winter landscapes"</data>
  <data key="d6">chunk-e3eae8bc502526b80fb3b55c2afed153</data>
</edge>
<edge source="&quot;CASPAR DAVID FRIEDRICH&quot;" target="&quot;THE ABBEY IN THE OAKWOOD&quot;">
  <data key="d3">17.0</data>
  <data key="d4">"Caspar David Friedrich created The Abbey in the Oakwood, showcasing his style of emotional landscapes with themes of loss and melancholy."&lt;SEP&gt;"Friedrich is the artist behind The Abbey in the Oakwood, which shares thematic elements with Dolmen in Snow."</data>
  <data key="d5">"artistic continuity, thematic exploration"&lt;SEP&gt;"artistic creation, emotional expression"</data>
  <data key="d6">chunk-e3eae8bc502526b80fb3b55c2afed153&lt;SEP&gt;chunk-7be0109bf80383f617e5da87ac66046d</data>
</edge>
<edge source="&quot;CASPAR DAVID FRIEDRICH&quot;" target="&quot;MONASTERY GRAVEYARD UNDER SNOW&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Friedrich's Monastery graveyard under snow represents similar themes found in Dolmen in Snow, focusing on nature and life cycles."</data>
  <data key="d5">"themes of nature, life cycles"</data>
  <data key="d6">chunk-e3eae8bc502526b80fb3b55c2afed153</data>
</edge>
<edge source="&quot;CASPAR DAVID FRIEDRICH&quot;" target="&quot;OAK TREE IN SNOW&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"Friedrich's Oak tree in snow includes similar tree motifs as seen in Dolmen in Snow, linking his works stylistically."</data>
  <data key="d5">"thematic similarity, nature motifs"</data>
  <data key="d6">chunk-e3eae8bc502526b80fb3b55c2afed153</data>
</edge>
<edge source="&quot;CASPAR DAVID FRIEDRICH&quot;" target="&quot;THE MONK BY THE SEA&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Caspar David Friedrich exhibited The Abbey in the Oakwood alongside The Monk by the Sea, linking both works in a significant artistic presentation."</data>
  <data key="d5">"art exhibition, thematic connection"</data>
  <data key="d6">chunk-7be0109bf80383f617e5da87ac66046d</data>
</edge>
<edge source="&quot;CASPAR DAVID FRIEDRICH&quot;" target="&quot;DRESDEN&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Caspar David Friedrich painted The Abbey in the Oakwood in Dresden, connecting his work to the city's artistic heritage."</data>
  <data key="d5">"artistic location, cultural significance"</data>
  <data key="d6">chunk-7be0109bf80383f617e5da87ac66046d</data>
</edge>
<edge source="&quot;CASPAR DAVID FRIEDRICH&quot;" target="&quot;WANDERER ABOVE THE SEA OF FOG&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Caspar David Friedrich is the artist who created 'Wanderer Above the Sea of Fog', showcasing his style and thematic concerns."</data>
  <data key="d5">"artistic creation, representation"</data>
  <data key="d6">chunk-47f929a0d94ddfcb18f4a1b3cb07f109</data>
</edge>
<edge source="&quot;CASPAR DAVID FRIEDRICH&quot;" target="&quot;THE WANDERER&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The Wanderer represents Friedrich's artistic embodiment of human introspection and connection to nature."</data>
  <data key="d5">"artistic embodiment, human experience"</data>
  <data key="d6">chunk-47f929a0d94ddfcb18f4a1b3cb07f109</data>
</edge>
<edge source="&quot;CASPAR DAVID FRIEDRICH&quot;" target="&quot;CHALK CLIFFS ON RÜGEN&quot;">
  <data key="d3">16.0</data>
  <data key="d4">"Caspar David Friedrich created 'Chalk Cliffs on Rügen' as a reflection of his artistic vision and personal experiences, particularly during his honeymoon."&lt;SEP&gt;"Chalk Cliffs on Rügen reflects similar artistic themes as 'Wanderer Above the Sea of Fog', as both are representative of Friedrich's style."</data>
  <data key="d5">"artistic expression, personal significance"&lt;SEP&gt;"artistic themes, stylistic similarities"</data>
  <data key="d6">chunk-b0fc39c35641735d9213dfb963bc01fc&lt;SEP&gt;chunk-47f929a0d94ddfcb18f4a1b3cb07f109</data>
</edge>
<edge source="&quot;CASPAR DAVID FRIEDRICH&quot;" target="&quot;THE SEA OF ICE&quot;">
  <data key="d3">17.0</data>
  <data key="d4">"Caspar David Friedrich is the creator of 'The Sea of Ice,' a significant work reflecting his artistic vision."&lt;SEP&gt;"The Sea of Ice demonstrates Friedrich's continued exploration of Romantic themes akin to those in 'Wanderer Above the Sea of Fog'."</data>
  <data key="d5">"artistic creation, influence"&lt;SEP&gt;"thematic continuity, exploration"</data>
  <data key="d6">chunk-17cbc71728a29d7fd845d2322e19382f&lt;SEP&gt;chunk-47f929a0d94ddfcb18f4a1b3cb07f109</data>
</edge>
<edge source="&quot;CASPAR DAVID FRIEDRICH&quot;" target="&quot;CHRISTIANE CAROLINE BOMMER&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Caspar David Friedrich and Christiane Caroline Bommer were married in January 1818, and their union is celebrated in the painting, symbolizing their bond."</data>
  <data key="d5">"marriage, personal relationship"</data>
  <data key="d6">chunk-b0fc39c35641735d9213dfb963bc01fc</data>
</edge>
<edge source="&quot;CASPAR DAVID FRIEDRICH&quot;" target="&quot;NEUBRANDENBURG&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"Caspar David Friedrich visited Neubrandenburg during his honeymoon, which coincided with the creation of 'Chalk Cliffs on Rügen'."</data>
  <data key="d5">"personal journey, artistic influence"</data>
  <data key="d6">chunk-b0fc39c35641735d9213dfb963bc01fc</data>
</edge>
<edge source="&quot;CASPAR DAVID FRIEDRICH&quot;" target="&quot;GREIFSWALD&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"Caspar David Friedrich visited Greifswald with his wife on their honeymoon, influencing his experiences as an artist."</data>
  <data key="d5">"personal journey, artistic influence"</data>
  <data key="d6">chunk-b0fc39c35641735d9213dfb963bc01fc</data>
</edge>
<edge source="&quot;CASPAR DAVID FRIEDRICH&quot;" target="&quot;RÜGEN&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Rügen's landscape inspired Friedrich's painting 'Chalk Cliffs on Rügen', reflecting his connection to nature and beauty."</data>
  <data key="d5">"artistic inspiration, connection to nature"</data>
  <data key="d6">chunk-b0fc39c35641735d9213dfb963bc01fc</data>
</edge>
<edge source="&quot;CASPAR DAVID FRIEDRICH&quot;" target="&quot;THE TREE OF CROWS&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Caspar David Friedrich is the creator of 'The Tree of Crows,' showcasing his artistic vision and craftsmanship in this work."</data>
  <data key="d5">"creation, artistry"</data>
  <data key="d6">chunk-f821aaece9965d7ab0a0781ba7c8033c</data>
</edge>
<edge source="&quot;CASPAR DAVID FRIEDRICH&quot;" target="&quot;SOLITARY TREE&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Caspar David Friedrich is the artist who created the painting Solitary Tree, making him directly related to the artwork."</data>
  <data key="d5">"artistic creation, relationship"</data>
  <data key="d6">chunk-e4030478472d746329b5ce6b397847d5</data>
</edge>
<edge source="&quot;CASPAR DAVID FRIEDRICH&quot;" target="&quot;COUPLE GAZING AT THE MOON&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Caspar David Friedrich created the painting titled Couple Gazing at the Moon, showcasing his artistic style and thematic exploration."</data>
  <data key="d5">"artistic creation, theme exploration"</data>
  <data key="d6">chunk-aef5e7b45b568c56fd05ab2cba9f6f17</data>
</edge>
<edge source="&quot;CASPAR DAVID FRIEDRICH&quot;" target="&quot;TWO MEN CONTEMPLATING THE MOON&quot;">
  <data key="d3">19.0</data>
  <data key="d4">"Caspar David Friedrich is the artist behind Two Men Contemplating the Moon, showcasing his exploration of nature and the sublime."&lt;SEP&gt;"Friedrich is the artist behind the Two Men Contemplating the Moon paintings, contributing significantly to German Romanticism."</data>
  <data key="d5">"artistic creation, Romanticism"&lt;SEP&gt;"artistic influence, German Romanticism"</data>
  <data key="d6">chunk-aef5e7b45b568c56fd05ab2cba9f6f17&lt;SEP&gt;chunk-84ecaee98563847ac89b4f6998d6f29a</data>
</edge>
<edge source="&quot;CASPAR DAVID FRIEDRICH&quot;" target="&quot;THE STAGES OF LIFE&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Caspar David Friedrich created 'The Stages of Life', which reflects his artistic meditation on life stages and mortality."</data>
  <data key="d5">"artistic creation, mortality meditation"</data>
  <data key="d6">chunk-703733d80315a190a98246fc8d91936a</data>
</edge>
<edge source="&quot;DOLMEN IN SNOW&quot;" target="&quot;GALERIE NEUE MEISTER&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The painting Dolmen in Snow has been part of the collection of Galerie Neue Meister since 1905, showcasing its significance in art history."</data>
  <data key="d5">"art collection, cultural importance"</data>
  <data key="d6">chunk-e3eae8bc502526b80fb3b55c2afed153</data>
</edge>
<edge source="&quot;DOLMEN IN SNOW&quot;" target="&quot;GÜTZKOW&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The town of Gützkow is linked to the painting as the inspiration for the cairn represented in Dolmen in Snow, reflecting historical and geographical significance."</data>
  <data key="d5">"geographical inspiration, historical context"</data>
  <data key="d6">chunk-e3eae8bc502526b80fb3b55c2afed153</data>
</edge>
<edge source="&quot;DOLMEN IN SNOW&quot;" target="&quot;WUSTROW&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Wustrow is mentioned as a location near the hill depicted in Dolmen in Snow, contributing to the painting's landscape context."</data>
  <data key="d5">"geographical context, artistic representation"</data>
  <data key="d6">chunk-e3eae8bc502526b80fb3b55c2afed153</data>
</edge>
<edge source="&quot;DOLMEN IN SNOW&quot;" target="&quot;CAIRN IN SNOW&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Cairn in Snow is an alternate title for Dolmen in Snow, underlining the painting's thematic essence."</data>
  <data key="d5">"nomenclature, thematic focus"</data>
  <data key="d6">chunk-e3eae8bc502526b80fb3b55c2afed153</data>
</edge>
<edge source="&quot;DOLMEN IN SNOW&quot;" target="&quot;KARL SCHILDENER&quot;">
  <data key="d3">5.0</data>
  <data key="d4">"Schildener was the first known owner of Dolmen in Snow, connecting him to the painting's history."</data>
  <data key="d5">"art ownership, historical significance"</data>
  <data key="d6">chunk-e3eae8bc502526b80fb3b55c2afed153</data>
</edge>
<edge source="&quot;DOLMEN IN SNOW&quot;" target="&quot;JOHAN CHRISTIAN DAHL&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"Dahl acquired Dolmen in Snow, influencing the painting's reception and legacy in art history."</data>
  <data key="d5">"artistic legacy, ownership"</data>
  <data key="d6">chunk-e3eae8bc502526b80fb3b55c2afed153</data>
</edge>
<edge source="&quot;DOLMEN IN SNOW&quot;" target="&quot;JOHANN SIEGWALD DAHL&quot;">
  <data key="d3">5.0</data>
  <data key="d4">"Johann Siegwald Dahl sold Dolmen in Snow from his father's estate, impacting the painting's journey through art ownership."</data>
  <data key="d5">"art ownership, historical context"</data>
  <data key="d6">chunk-e3eae8bc502526b80fb3b55c2afed153</data>
</edge>
<edge source="&quot;GALERIE NEUE MEISTER&quot;" target="&quot;TWO MEN CONTEMPLATING THE MOON&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"One of the versions of Two Men Contemplating the Moon is housed in the Galerie Neue Meister in Dresden."</data>
  <data key="d5">"art exhibition, historical relevance"</data>
  <data key="d6">chunk-aef5e7b45b568c56fd05ab2cba9f6f17</data>
</edge>
<edge source="&quot;JOHAN CHRISTIAN DAHL&quot;" target="&quot;STALHEIM (ARTWORK)&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Johan Christian Dahl created the artwork titled 'Stalheim', which is a reflection of his artistic vision and accomplishment."</data>
  <data key="d5">"artistic creation, accomplishment"</data>
  <data key="d6">chunk-524df0a79c11da912b5b3bebd5c85cad</data>
</edge>
<edge source="&quot;THE ABBEY IN THE OAKWOOD&quot;" target="&quot;ELDENA ABBEY&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Abbey in the Oakwood is based on the ruins of Eldena Abbey, symbolizing historical and personal narratives within the painting."</data>
  <data key="d5">"historical significance, artistic inspiration"</data>
  <data key="d6">chunk-7be0109bf80383f617e5da87ac66046d</data>
</edge>
<edge source="&quot;THE ABBEY IN THE OAKWOOD&quot;" target="&quot;ALTE NATIONALGALERIE&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The Abbey in the Oakwood is housed in the Alte Nationalgalerie, indicating its importance in the context of German art history."</data>
  <data key="d5">"art preservation, cultural significance"</data>
  <data key="d6">chunk-7be0109bf80383f617e5da87ac66046d</data>
</edge>
<edge source="&quot;THE ABBEY IN THE OAKWOOD&quot;" target="&quot;CEMETERY THEME&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Abbey in the Oakwood reflects the Cemetery theme through its imagery of death and mourning, common in Friedrich's oeuvre."</data>
  <data key="d5">"artistic theme, emotional depth"</data>
  <data key="d6">chunk-7be0109bf80383f617e5da87ac66046d</data>
</edge>
<edge source="&quot;THE ABBEY IN THE OAKWOOD&quot;" target="&quot;PRUSSIAN ACADEMY OF ARTS&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The Abbey in the Oakwood was first shown at the Prussian Academy of Arts, highlighting its initial public reception."</data>
  <data key="d5">"art exhibition, initial reception"</data>
  <data key="d6">chunk-7be0109bf80383f617e5da87ac66046d</data>
</edge>
<edge source="&quot;ELDENA ABBEY&quot;" target="&quot;THIRTY YEARS WAR&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The destruction of Eldena Abbey during the Thirty Years War influenced Friedrich's depiction of loss and resurrection in his artwork."</data>
  <data key="d5">"historical context, destruction"</data>
  <data key="d6">chunk-7be0109bf80383f617e5da87ac66046d</data>
</edge>
<edge source="&quot;ELDENA ABBEY&quot;" target="&quot;DRESDEN&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Eldena Abbey's ruins served as inspiration for Friedrich while he was in Dresden, linking the location to his artistic development."</data>
  <data key="d5">"artistic inspiration, historical context"</data>
  <data key="d6">chunk-7be0109bf80383f617e5da87ac66046d</data>
</edge>
<edge source="&quot;ALTE NATIONALGALERIE&quot;" target="&quot;KING FREDERICK WILHELM III&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"King Frederick Wilhelm III purchased The Abbey in the Oakwood for his collection, which is now housed in the Alte Nationalgalerie."</data>
  <data key="d5">"art collection, royal patronage"</data>
  <data key="d6">chunk-7be0109bf80383f617e5da87ac66046d</data>
</edge>
<edge source="&quot;ALTE NATIONALGALERIE&quot;" target="&quot;SOLITARY TREE&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Solitary Tree has been housed in the Alte Nationalgalerie since 1861, indicating its importance to the gallery's collection."</data>
  <data key="d5">"art collection, historical significance"</data>
  <data key="d6">chunk-e4030478472d746329b5ce6b397847d5</data>
</edge>
<edge source="&quot;ALTE NATIONALGALERIE&quot;" target="&quot;BERLIN&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Alte Nationalgalerie is located in Berlin, relating the city to the art center that houses significant artworks."</data>
  <data key="d5">"cultural significance, art center"</data>
  <data key="d6">chunk-e4030478472d746329b5ce6b397847d5</data>
</edge>
<edge source="&quot;ALTE NATIONALGALERIE&quot;" target="&quot;TWO MEN CONTEMPLATING THE MOON&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Another variant of the Two Men Contemplating the Moon is found in the Alte Nationalgalerie in Berlin."</data>
  <data key="d5">"art exhibition, historical relevance"</data>
  <data key="d6">chunk-aef5e7b45b568c56fd05ab2cba9f6f17</data>
</edge>
<edge source="&quot;ALTE NATIONALGALERIE&quot;" target="&quot;SEATED NUDE, MADEMOISELLE ROSE&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"'Seated Nude, Mademoiselle Rose' has another version displayed at the Alte Nationalgalerie, indicating its significance across different cultural contexts."</data>
  <data key="d5">"international significance, art exhibition"</data>
  <data key="d6">chunk-dde49183bd668e96e79ffd496b65c60d</data>
</edge>
<edge source="&quot;WANDERER ABOVE THE SEA OF FOG&quot;" target="&quot;KUNSTHALLE HAMBURG&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"'Wanderer Above the Sea of Fog' is housed in the Kunsthalle Hamburg, indicating its significance as a collection piece."</data>
  <data key="d5">"art collection, heritage"</data>
  <data key="d6">chunk-47f929a0d94ddfcb18f4a1b3cb07f109</data>
</edge>
<edge source="&quot;WANDERER ABOVE THE SEA OF FOG&quot;" target="&quot;ROMANTICISM&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"'Wanderer Above the Sea of Fog' exemplifies the characteristics and themes of the Romanticism movement."</data>
  <data key="d5">"art movement, thematic exploration"</data>
  <data key="d6">chunk-47f929a0d94ddfcb18f4a1b3cb07f109</data>
</edge>
<edge source="&quot;WANDERER ABOVE THE SEA OF FOG&quot;" target="&quot;ELBE SANDSTONE MOUNTAINS&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The Elbe Sandstone Mountains served as a source of inspiration for the landscape depicted in 'Wanderer Above the Sea of Fog'."</data>
  <data key="d5">"inspiration, landscape"</data>
  <data key="d6">chunk-47f929a0d94ddfcb18f4a1b3cb07f109</data>
</edge>
<edge source="&quot;WANDERER ABOVE THE SEA OF FOG&quot;" target="&quot;THE SEA OF FOG&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Sea of Fog serves as a central conceptual element in 'Wanderer Above the Sea of Fog', symbolizing mystery and introspection."</data>
  <data key="d5">"symbolism, concept exploration"</data>
  <data key="d6">chunk-47f929a0d94ddfcb18f4a1b3cb07f109</data>
</edge>
<edge source="&quot;WANDERER ABOVE THE SEA OF FOG&quot;" target="&quot;KAISERKRONE&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The Kaiserkrone rocks signify the Wanderer's physical and metaphorical elevation in the landscape representing exploration."</data>
  <data key="d5">"geographical significance, exploration"</data>
  <data key="d6">chunk-47f929a0d94ddfcb18f4a1b3cb07f109</data>
</edge>
<edge source="&quot;WANDERER ABOVE THE SEA OF FOG&quot;" target="&quot;ZIRKELSTEIN&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"Zirkelstein's presence in the background enhances the painting's sense of depth and complexity."</data>
  <data key="d5">"geographical context, depth"</data>
  <data key="d6">chunk-47f929a0d94ddfcb18f4a1b3cb07f109</data>
</edge>
<edge source="&quot;WANDERER ABOVE THE SEA OF FOG&quot;" target="&quot;ROSENBERG&quot;">
  <data key="d3">5.0</data>
  <data key="d4">"Rosenberg, as a potential representation in the painting, contributes to its geographical diversity."</data>
  <data key="d5">"geography, diversity"</data>
  <data key="d6">chunk-47f929a0d94ddfcb18f4a1b3cb07f109</data>
</edge>
<edge source="&quot;WANDERER ABOVE THE SEA OF FOG&quot;" target="&quot;KALTENBERG&quot;">
  <data key="d3">5.0</data>
  <data key="d4">"Kaltenberg adds to the mountainous backdrop of the painting, influencing its overall composition."</data>
  <data key="d5">"compositional element, landscape"</data>
  <data key="d6">chunk-47f929a0d94ddfcb18f4a1b3cb07f109</data>
</edge>
<edge source="&quot;WANDERER ABOVE THE SEA OF FOG&quot;" target="&quot;GAMRIG&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"Gamrig contributes to the painting's depiction of the natural landscape, enriching the viewer's experience."</data>
  <data key="d5">"landscape depiction, richness"</data>
  <data key="d6">chunk-47f929a0d94ddfcb18f4a1b3cb07f109</data>
</edge>
<edge source="&quot;WANDERER ABOVE THE SEA OF FOG&quot;" target="&quot;KANTIAN SELF-REFLECTION&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Kantian self-reflection as a theme elucidates the philosophical underpinnings of the Wanderer's contemplation in the painting."</data>
  <data key="d5">"philosophical theme, introspection"</data>
  <data key="d6">chunk-47f929a0d94ddfcb18f4a1b3cb07f109</data>
</edge>
<edge source="&quot;THE WANDERER&quot;" target="&quot;CONCEPT OF MOUNTAIN-CLIMBING VISIONARY&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Wanderer symbolizes the concept of mountain-climbing visionary, representing both aspiration and admiration for nature."</data>
  <data key="d5">"aspiration, admiration"</data>
  <data key="d6">chunk-47f929a0d94ddfcb18f4a1b3cb07f109</data>
</edge>
<edge source="&quot;CHALK CLIFFS ON RÜGEN&quot;" target="&quot;TWO TREES&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"The two trees frame the scene in 'Chalk Cliffs on Rügen', adding depth and symbolism related to life and death."</data>
  <data key="d5">"symbolism, framing"</data>
  <data key="d6">chunk-b0fc39c35641735d9213dfb963bc01fc</data>
</edge>
<edge source="&quot;CHALK CLIFFS ON RÜGEN&quot;" target="&quot;FIGURE IN THE MIDDLE&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The figure in the middle symbolizes Friedrich's contemplation of life and humility in the presence of nature."</data>
  <data key="d5">"contemplation, humility"</data>
  <data key="d6">chunk-b0fc39c35641735d9213dfb963bc01fc</data>
</edge>
<edge source="&quot;CHALK CLIFFS ON RÜGEN&quot;" target="&quot;MAN WITH CROSSED ARMS&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The man with crossed arms signifies a contemplative perspective towards the sea, contrasting with the other figures."</data>
  <data key="d5">"contemplation, contrast"</data>
  <data key="d6">chunk-b0fc39c35641735d9213dfb963bc01fc</data>
</edge>
<edge source="&quot;CHALK CLIFFS ON RÜGEN&quot;" target="&quot;WOMAN IN A RED DRESS&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The woman in the painting represents love and plays a communicative role among the figures, emphasizing emotional connection."</data>
  <data key="d5">"emotional connection, symbolism"</data>
  <data key="d6">chunk-b0fc39c35641735d9213dfb963bc01fc</data>
</edge>
<edge source="&quot;CHALK CLIFFS ON RÜGEN&quot;" target="&quot;TWO TINY SAILBOATS&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The two tiny sailboats symbolize the concept of the soul opening to eternal life, enhancing the painting's thematic depth."</data>
  <data key="d5">"spiritual symbolism, thematic depth"</data>
  <data key="d6">chunk-b0fc39c35641735d9213dfb963bc01fc</data>
</edge>
<edge source="&quot;CHALK CLIFFS ON RÜGEN&quot;" target="&quot;COLORS OF THE FIGURES' CLOTHES&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The colors represent the three Christian virtues, contributing to the painting's symbolic richness."</data>
  <data key="d5">"theological virtues, symbolism"</data>
  <data key="d6">chunk-b0fc39c35641735d9213dfb963bc01fc</data>
</edge>
<edge source="&quot;CHALK CLIFFS ON RÜGEN&quot;" target="&quot;HELMUT BÖRSCH-SUPAN&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Helmut Börsch-Supan provides an interpretation of the painting's relation to death and life, offering a scholarly perspective."</data>
  <data key="d5">"scholarly interpretation, themes"</data>
  <data key="d6">chunk-b0fc39c35641735d9213dfb963bc01fc</data>
</edge>
<edge source="&quot;THE SEA OF ICE&quot;" target="&quot;HMS GRIPER&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"HMS Griper is depicted in 'The Sea of Ice,' symbolizing the fate of explorers in the Arctic."</data>
  <data key="d5">"shipwreck, exploration"</data>
  <data key="d6">chunk-17cbc71728a29d7fd845d2322e19382f</data>
</edge>
<edge source="&quot;THE SEA OF ICE&quot;" target="&quot;NORTH POLE EXPEDITION&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"'The Sea of Ice' represents themes related to the North Pole Expeditions that sought to uncover the Northwest Passage."</data>
  <data key="d5">"thematic connection, exploration"</data>
  <data key="d6">chunk-17cbc71728a29d7fd845d2322e19382f</data>
</edge>
<edge source="&quot;THE SEA OF ICE&quot;" target="&quot;DRESDEN ACADEMY&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"'The Sea of Ice' was exhibited at the Dresden Academy, reflecting its artistic significance."</data>
  <data key="d5">"exhibition, cultural impact"</data>
  <data key="d6">chunk-17cbc71728a29d7fd845d2322e19382f</data>
</edge>
<edge source="&quot;THE SEA OF ICE&quot;" target="&quot;PRAGUE ACADEMY&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"'The Sea of Ice' was first shown at the Prague Academy, marking an important moment in its history."</data>
  <data key="d5">"exhibition, recognition"</data>
  <data key="d6">chunk-17cbc71728a29d7fd845d2322e19382f</data>
</edge>
<edge source="&quot;THE SEA OF ICE&quot;" target="&quot;ICE PICTURE&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Ice Picture is a term used to describe 'The Sea of Ice,' reflecting its nature as a landscape work focused on ice and Arctic themes."</data>
  <data key="d5">"thematic description, artistic terminology"</data>
  <data key="d6">chunk-17cbc71728a29d7fd845d2322e19382f</data>
</edge>
<edge source="&quot;GREIFSWALD&quot;" target="&quot;UTKIEK&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Utkiek is located near Greifswald, where Caspar David Friedrich was born, linking the two geographical locations."</data>
  <data key="d5">"birthplace, locality connection"</data>
  <data key="d6">chunk-703733d80315a190a98246fc8d91936a</data>
</edge>
<edge source="&quot;THE TREE OF CROWS&quot;" target="&quot;MUSÉE DU LOUVRE&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"'The Tree of Crows' was acquired by the Musée du Louvre, signifying its importance in the art world and collection of the museum."</data>
  <data key="d5">"acquisition, cultural significance"</data>
  <data key="d6">chunk-f821aaece9965d7ab0a0781ba7c8033c</data>
</edge>
<edge source="&quot;THE TREE OF CROWS&quot;" target="&quot;CAPE ARKONA&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Cape Arkona is depicted in the background of 'The Tree of Crows,' linking the artwork to a specific geographic location significant to Friedrich."</data>
  <data key="d5">"visual representation, geographic reference"</data>
  <data key="d6">chunk-f821aaece9965d7ab0a0781ba7c8033c</data>
</edge>
<edge source="&quot;THE TREE OF CROWS&quot;" target="&quot;1822&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"'The Tree of Crows' was created in 1822, marking a significant year in the context of art history."</data>
  <data key="d5">"artistic timeline, historical context"</data>
  <data key="d6">chunk-f821aaece9965d7ab0a0781ba7c8033c</data>
</edge>
<edge source="&quot;MUSÉE DU LOUVRE&quot;" target="&quot;THE BARQUE OF DANTE&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The Barque of Dante is housed in the Musée du Louvre, a prestigious museum in Paris, indicating its artistic significance."</data>
  <data key="d5">"art exhibition, cultural significance"</data>
  <data key="d6">chunk-5a57e382ea16e4f8d1537690ca527cf7</data>
</edge>
<edge source="&quot;MUSÉE DU LOUVRE&quot;" target="&quot;EUGÈNE DELACROIX&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Eugène Delacroix's work is prominently featured in the Musée du Louvre, linking the artist with this important cultural institution."</data>
  <data key="d5">"artist-museum relationship, cultural heritage"</data>
  <data key="d6">chunk-5a57e382ea16e4f8d1537690ca527cf7</data>
</edge>
<edge source="&quot;MUSÉE DU LOUVRE&quot;" target="&quot;PARIS&quot;">
  <data key="d3">18.0</data>
  <data key="d4">"The Musée du Louvre is located in Paris, establishing a geographic and cultural relationship between the organization and the city."&lt;SEP&gt;"The Musée du Louvre is located in Paris, making the city a central hub for art and culture in France."</data>
  <data key="d5">"cultural hub, location"&lt;SEP&gt;"cultural significance"</data>
  <data key="d6">chunk-a2596efe6055fc41763a6132f67dd308&lt;SEP&gt;chunk-5a57e382ea16e4f8d1537690ca527cf7</data>
</edge>
<edge source="&quot;MUSÉE DU LOUVRE&quot;" target="&quot;THE ORPHAN GIRL AT THE CEMETERY&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"'The Orphan Girl at the Cemetery' is curated at the Musée du Louvre, linking the artwork to this organization."</data>
  <data key="d5">"art curation"</data>
  <data key="d6">chunk-a2596efe6055fc41763a6132f67dd308</data>
</edge>
<edge source="&quot;MUSÉE DU LOUVRE&quot;" target="&quot;DEATH OF SARDANAPALUS&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"'Death of Sardanapalus' resides in the Musée du Louvre, making it a significant piece within the museum's collection."</data>
  <data key="d5">"art exhibition, cultural significance"</data>
  <data key="d6">chunk-a934864f07826c270bffe6f18bafd6a4</data>
</edge>
<edge source="&quot;MUSÉE DU LOUVRE&quot;" target="&quot;THE WOUNDED CUIRASSIER&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The Wounded Cuirassier is displayed at the Musée du Louvre, indicating the museum's role in preserving significant artworks."</data>
  <data key="d5">"art preservation, cultural significance"</data>
  <data key="d6">chunk-2b9b588e2baa1c14b6b0870035192bcf</data>
</edge>
<edge source="&quot;MUSÉE DU LOUVRE&quot;" target="&quot;THE EPSOM DERBY&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"The Epsom Derby was acquired by the Musée du Louvre, indicating its importance and value in the museum's collection."</data>
  <data key="d5">"acquisition, cultural significance"</data>
  <data key="d6">chunk-678237cec5752fdae4c54b0d6be03ed8</data>
</edge>
<edge source="&quot;MUSÉE DU LOUVRE&quot;" target="&quot;DANCE AT MOULIN DE LA GALETTE&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Dance at Moulin de la Galette was housed in the Musée du Louvre prior to its transfer to the Musée d'Orsay, signifying its importance in the art world."</data>
  <data key="d5">"exhibition history, significant display"</data>
  <data key="d6">chunk-7cca6799e635827e361bddda13be95c1</data>
</edge>
<edge source="&quot;MUSÉE DU LOUVRE&quot;" target="&quot;MUSÉE DU LUXEMBOURG&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"'The Parquet Planers' was first housed at the Musée du Luxembourg before being transferred to the Musée du Louvre, demonstrating its journey through important art institutions."</data>
  <data key="d5">"art institution history, exhibition journey"</data>
  <data key="d6">chunk-5387a9f92c6290746c3974533e905a95</data>
</edge>
<edge source="&quot;SOLITARY TREE&quot;" target="&quot;JOACHIM HEINRICH WILHELM WAGENER&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Joachim Heinrich Wilhelm Wagener commissioned Solitary Tree, which links him to the artwork's creation and history."</data>
  <data key="d5">"commission, historical link"</data>
  <data key="d6">chunk-e4030478472d746329b5ce6b397847d5</data>
</edge>
<edge source="&quot;SOLITARY TREE&quot;" target="&quot;THE LONELY TREE&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The terms 'The Lonely Tree' and 'Solitary Tree' refer to the same artwork, highlighting its thematic focus on solitude."</data>
  <data key="d5">"artistic identity, thematic connection"</data>
  <data key="d6">chunk-e4030478472d746329b5ce6b397847d5</data>
</edge>
<edge source="&quot;BERLIN&quot;" target="&quot;EDVARD MUNCH&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Munch spent significant time in Berlin, which was crucial for his artistic development and social connections."</data>
  <data key="d5">"artistic development, social connections"</data>
  <data key="d6">chunk-80cb57c7a7584d26c3ec44f224a1d1a8</data>
</edge>
<edge source="&quot;THE LONELY TREE&quot;" target="&quot;RIESENGEBIRGE&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Riesengebirge mountains are suggested to be depicted in Solitary Tree, connecting the artwork to the landscape features of the region."</data>
  <data key="d5">"geographical context, artistic representation"</data>
  <data key="d6">chunk-e4030478472d746329b5ce6b397847d5</data>
</edge>
<edge source="&quot;OAK TREE&quot;" target="&quot;SHEPHERD&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The oak tree provides shelter to the shepherd, establishing a direct link between them in the painting's imagery."</data>
  <data key="d5">"natural setting, human presence"</data>
  <data key="d6">chunk-e4030478472d746329b5ce6b397847d5</data>
</edge>
<edge source="&quot;OAK TREE&quot;" target="&quot;FLOCK OF SHEEP&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The oak tree's presence in the painting provides a resting spot for the flock of sheep, signifying a relationship between nature and livestock."</data>
  <data key="d5">"nature, pastoral scene"</data>
  <data key="d6">chunk-e4030478472d746329b5ce6b397847d5</data>
</edge>
<edge source="&quot;SILESIA&quot;" target="&quot;BOHEMIA&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Silesia and Bohemia are historical regions mentioned in context to the landscape depicted in Solitary Tree, linking them to its geographical narrative."</data>
  <data key="d5">"historical context, geographical narrative"</data>
  <data key="d6">chunk-e4030478472d746329b5ce6b397847d5</data>
</edge>
<edge source="&quot;HMS GRIPER&quot;" target="&quot;WILLIAM EDWARD PARRY&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"William Edward Parry commanded expeditions that included the HMS Griper, contributing to its historical significance."</data>
  <data key="d5">"exploration, historical context"</data>
  <data key="d6">chunk-17cbc71728a29d7fd845d2322e19382f</data>
</edge>
<edge source="&quot;COUPLE GAZING AT THE MOON&quot;" target="&quot;TWO MEN CONTEMPLATING THE MOON&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Both paintings are part of Friedrich's exploration of human contemplation in nature, driven by the presence of the moon."</data>
  <data key="d5">"thematic connection, contemplative nature"</data>
  <data key="d6">chunk-aef5e7b45b568c56fd05ab2cba9f6f17</data>
</edge>
<edge source="&quot;COUPLE GAZING AT THE MOON&quot;" target="&quot;SAMUEL BECKETT&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Samuel Beckett cited Couple Gazing at the Moon as an inspiration for his play Waiting for Godot."</data>
  <data key="d5">"influence, literary connection"</data>
  <data key="d6">chunk-aef5e7b45b568c56fd05ab2cba9f6f17</data>
</edge>
<edge source="&quot;TWO MEN CONTEMPLATING THE MOON&quot;" target="&quot;METROPOLITAN MUSEUM OF ART&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"A different version of the painting is displayed at the Metropolitan Museum of Art in New York City."</data>
  <data key="d5">"art exhibition, historical relevance"</data>
  <data key="d6">chunk-aef5e7b45b568c56fd05ab2cba9f6f17</data>
</edge>
<edge source="&quot;TWO MEN CONTEMPLATING THE MOON&quot;" target="&quot;MAN AND WOMAN CONTEMPLATING THE MOON&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Both artworks are part of Friedrich's series, exploring similar themes of contemplation under the moonlight."</data>
  <data key="d5">"thematic connection, artistic series"</data>
  <data key="d6">chunk-84ecaee98563847ac89b4f6998d6f29a</data>
</edge>
<edge source="&quot;TWO MEN CONTEMPLATING THE MOON&quot;" target="&quot;DRESDEN VERSION&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The Dresden version is considered the original of the series, highlighting its significance in Friedrich's body of work."</data>
  <data key="d5">"original work, artistic significance"</data>
  <data key="d6">chunk-84ecaee98563847ac89b4f6998d6f29a</data>
</edge>
<edge source="&quot;TWO MEN CONTEMPLATING THE MOON&quot;" target="&quot;GERMAN ROMANTICISM&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The painting embodies the principles of German Romanticism, contrasting earthly experiences with the sublime."</data>
  <data key="d5">"artistic themes, Romantic ideals"</data>
  <data key="d6">chunk-84ecaee98563847ac89b4f6998d6f29a</data>
</edge>
<edge source="&quot;METROPOLITAN MUSEUM OF ART&quot;" target="&quot;EUGÈNE DELACROIX&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Eugène Delacroix's work 'Ovid among the Scythians' is housed in the Metropolitan Museum of Art, linking the artist with this institution.")</data>
  <data key="d5">"art acquisition, legacy"</data>
  <data key="d6">chunk-d73788737196e9ace33310a4b353908e</data>
</edge>
<edge source="&quot;METROPOLITAN MUSEUM OF ART&quot;" target="&quot;PORTRAITS AT THE STOCK EXCHANGE&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"The painting has a connection to the Metropolitan Museum of Art through a pastel sketch of the same subject, indicating its broader artistic relevance."</data>
  <data key="d5">"artistic connection, relevance"</data>
  <data key="d6">chunk-d958e23374049315b611435d93c1e9fc</data>
</edge>
<edge source="&quot;METROPOLITAN MUSEUM OF ART&quot;" target="&quot;BY THE SEASHORE&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The painting 'By the Seashore' is part of the collection housed by the Metropolitan Museum of Art since 1929."</data>
  <data key="d5">"art collection, cultural significance"</data>
  <data key="d6">chunk-7df321ef37645a5107c4f3123310012e</data>
</edge>
<edge source="&quot;METROPOLITAN MUSEUM OF ART&quot;" target="&quot;GIRLS AT THE PIANO&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Another version of 'Girls at the Piano' is housed at the Metropolitan Museum of Art, linking the painting to a major art institution."</data>
  <data key="d5">"art collection, institutional significance"</data>
  <data key="d6">chunk-3695dd39f98802204c22b00e17ec020d</data>
</edge>
<edge source="&quot;METROPOLITAN MUSEUM OF ART&quot;" target="&quot;MAX SCHMITT IN A SINGLE SCULL&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The painting 'Max Schmitt in a Single Scull' is part of the collection at the Metropolitan Museum of Art, emphasizing its cultural and historical importance."</data>
  <data key="d5">"cultural significance, art collection"</data>
  <data key="d6">chunk-cf7e8b4702c8818dcab589eed2829a71</data>
</edge>
<edge source="&quot;METROPOLITAN MUSEUM OF ART&quot;" target="&quot;THE CHESS PLAYER&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The Chess Player is part of the collection at the Metropolitan Museum of Art, representing its significance in American art history."</data>
  <data key="d5">"art collection, historical significance"</data>
  <data key="d6">chunk-3c83a70f35cb7f4146fb11e6912ac793</data>
</edge>
<edge source="&quot;METROPOLITAN MUSEUM OF ART&quot;" target="&quot;ARCADIA&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Arcadia is part of the collection at the Metropolitan Museum of Art, showcasing its significance in the art world."</data>
  <data key="d5">"art collection, cultural importance"</data>
  <data key="d6">chunk-5906fd8cf6e9dab464bc66668a8ae3e0</data>
</edge>
<edge source="&quot;METROPOLITAN MUSEUM OF ART&quot;" target="&quot;THOMAS EAKINS&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Thomas Eakins's works, including Arcadia, are housed in the Metropolitan Museum of Art, emphasizing his legacy as an artist."</data>
  <data key="d5">"art legacy, institutional recognition"</data>
  <data key="d6">chunk-5906fd8cf6e9dab464bc66668a8ae3e0</data>
</edge>
<edge source="&quot;SAMUEL BECKETT&quot;" target="&quot;MAN AND WOMAN CONTEMPLATING THE MOON&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Samuel Beckett cites Man and Woman Contemplating the Moon as an inspiration for his play Waiting for Godot."</data>
  <data key="d5">"influence, literary connection"</data>
  <data key="d6">chunk-84ecaee98563847ac89b4f6998d6f29a</data>
</edge>
<edge source="&quot;THE STAGES OF LIFE&quot;" target="&quot;UTKIEK&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The painting 'The Stages of Life' is set in Utkiek, capturing a locale significant to Friedrich's life and work."</data>
  <data key="d5">"geographical setting, artistic significance"</data>
  <data key="d6">chunk-703733d80315a190a98246fc8d91936a</data>
</edge>
<edge source="&quot;THE STAGES OF LIFE&quot;" target="&quot;GUSTAV ADOLF&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Gustav Adolf is depicted as a child in 'The Stages of Life', representing one of the stages of human life."</data>
  <data key="d5">"family representation, life stages"</data>
  <data key="d6">chunk-703733d80315a190a98246fc8d91936a</data>
</edge>
<edge source="&quot;THE STAGES OF LIFE&quot;" target="&quot;AGNES ADELHEID&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Agnes Adelheid appears as a young girl in 'The Stages of Life', contributing to the depiction of life stages."</data>
  <data key="d5">"family representation, life stages"</data>
  <data key="d6">chunk-703733d80315a190a98246fc8d91936a</data>
</edge>
<edge source="&quot;THE STAGES OF LIFE&quot;" target="&quot;JOHANN HEINRICH&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Johann Heinrich is represented in 'The Stages of Life' as a family member, linking personal relationships to the painting's theme."</data>
  <data key="d5">"family representation, life stages"</data>
  <data key="d6">chunk-703733d80315a190a98246fc8d91936a</data>
</edge>
<edge source="&quot;THE STAGES OF LIFE&quot;" target="&quot;THE SEA SHORE&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Sea Shore provides a symbolic backdrop in 'The Stages of Life', enhancing the themes of life and death."</data>
  <data key="d5">"symbolism, thematic relevance"</data>
  <data key="d6">chunk-703733d80315a190a98246fc8d91936a</data>
</edge>
<edge source="&quot;THE STAGES OF LIFE&quot;" target="&quot;HARBOUR&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The Harbour symbolizes life stages and the journey towards mortality, depicted through the composition of ships in the painting."</data>
  <data key="d5">"transitional symbolism, life stages"</data>
  <data key="d6">chunk-703733d80315a190a98246fc8d91936a</data>
</edge>
<edge source="&quot;THE STAGES OF LIFE&quot;" target="&quot;OIL PAINT&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Oil Paint is the technology used in creating 'The Stages of Life', contributing to its visual depth and complexity."</data>
  <data key="d5">"medium, artistic quality"</data>
  <data key="d6">chunk-703733d80315a190a98246fc8d91936a</data>
</edge>
<edge source="&quot;THE STAGES OF LIFE&quot;" target="&quot;MORTALITY&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Mortality is a key theme explored in 'The Stages of Life', reflecting on the human condition and life cycles."</data>
  <data key="d5">"thematic exploration, human condition"</data>
  <data key="d6">chunk-703733d80315a190a98246fc8d91936a</data>
</edge>
<edge source="&quot;THE STAGES OF LIFE&quot;" target="&quot;TRANSIENCE OF LIFE&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"The Transience of Life is a philosophical reflection represented in 'The Stages of Life', emphasizing life's fleeting nature."</data>
  <data key="d5">"philosophical theme, life cycles"</data>
  <data key="d6">chunk-703733d80315a190a98246fc8d91936a</data>
</edge>
<edge source="&quot;HORACE VERNET&quot;" target="&quot;ITALIAN BRIGANDS SURPRISED BY PAPAL TROOPS&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Horace Vernet created the painting 'Italian Brigands Surprised by Papal Troops' in 1831, showcasing his artistic skills and thematic exploration of local life."</data>
  <data key="d5">"artistic creation, historical themes"</data>
  <data key="d6">chunk-d89320b0c68338fc340feb6158a0c744</data>
</edge>
<edge source="&quot;HORACE VERNET&quot;" target="&quot;ROMAN COUNTRYSIDE&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Horace Vernet's works, including 'Italian Brigands Surprised by Papal Troops', reflect his experiences and inspirations drawn from the Roman countryside."</data>
  <data key="d5">"artistic inspiration, cultural geography"</data>
  <data key="d6">chunk-d89320b0c68338fc340feb6158a0c744</data>
</edge>
<edge source="&quot;HORACE VERNET&quot;" target="&quot;CARLE VERNET&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Horace Vernet's artistic work was influenced by his father, Carle Vernet, who had a passion for military themes."</data>
  <data key="d5">"artistic lineage, familial influence"</data>
  <data key="d6">chunk-d89320b0c68338fc340feb6158a0c744</data>
</edge>
<edge source="&quot;ITALIAN BRIGANDS SURPRISED BY PAPAL TROOPS&quot;" target="&quot;WALTERS ART MUSEUM&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The painting 'Italian Brigands Surprised by Papal Troops' is currently housed at the Walters Art Museum in Baltimore, highlighting its significance as a fine artwork."</data>
  <data key="d5">"exhibition, ownership"</data>
  <data key="d6">chunk-d89320b0c68338fc340feb6158a0c744</data>
</edge>
<edge source="&quot;ITALIAN BRIGANDS SURPRISED BY PAPAL TROOPS&quot;" target="&quot;PAPAL TROOPS&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Papal Troops are a central subject in 'Italian Brigands Surprised by Papal Troops', engaged in battle against brigands."</data>
  <data key="d5">"military representation, historical context"</data>
  <data key="d6">chunk-d89320b0c68338fc340feb6158a0c744</data>
</edge>
<edge source="&quot;ITALIAN BRIGANDS SURPRISED BY PAPAL TROOPS&quot;" target="&quot;CONSERVATION TREATMENTS&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"'Italian Brigands Surprised by Papal Troops' has undergone multiple Conservation Treatments to preserve its aesthetic and historical integrity."</data>
  <data key="d5">"art preservation, historical significance"</data>
  <data key="d6">chunk-d89320b0c68338fc340feb6158a0c744</data>
</edge>
<edge source="&quot;ITALIAN BRIGANDS SURPRISED BY PAPAL TROOPS&quot;" target="&quot;FEMININE FIGURE&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The Feminine Figure in the painting represents the emotional impact and socio-cultural narratives of the depicted event."</data>
  <data key="d5">"character representation, emotional narrative"</data>
  <data key="d6">chunk-d89320b0c68338fc340feb6158a0c744</data>
</edge>
<edge source="&quot;JOHN T. JOHNSTON COLLECTION&quot;" target="&quot;WILLIAM T. WALTERS&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"William T. Walters purchased 'Italian Brigands Surprised by Papal Troops' from the John T. Johnston Collection, indicating the painting's journey through ownership."</data>
  <data key="d5">"art ownership, transaction"</data>
  <data key="d6">chunk-d89320b0c68338fc340feb6158a0c744</data>
</edge>
<edge source="&quot;WILLIAM T. WALTERS&quot;" target="&quot;HENRY WALTERS&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The painting passed from William T. Walters to his heir, Henry Walters, showing the inheritance of significant artworks."</data>
  <data key="d5">"inheritance, art collection"</data>
  <data key="d6">chunk-d89320b0c68338fc340feb6158a0c744</data>
</edge>
<edge source="&quot;THE PAINTING&quot;" target="&quot;EXOTIC PALM TREE&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"The Exotic Palm Tree is a specific detail within 'Italian Brigands Surprised by Papal Troops', contributing to the overall narrative and visual story."</data>
  <data key="d5">"artistic detail, narrative element"</data>
  <data key="d6">chunk-d89320b0c68338fc340feb6158a0c744</data>
</edge>
<edge source="&quot;THE PAINTING&quot;" target="&quot;THE 1876 CENTENNIAL EXHIBITION&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"'The Gross Clinic' was submitted to the 1876 Centennial Exhibition, marking a notable moment in its exhibition history."</data>
  <data key="d5">"art exhibition, submission"</data>
  <data key="d6">chunk-9c8d6297f40479e44c283b564ce0b398</data>
</edge>
<edge source="&quot;PAUL DELAROCHE&quot;" target="&quot;THE EXECUTION OF LADY JANE GREY&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Paul Delaroche created the painting titled 'The Execution of Lady Jane Grey,' capturing a significant historical moment in Queen Jane's life."</data>
  <data key="d5">"artistic representation, historical significance"</data>
  <data key="d6">chunk-2aec3e2a5f4c1ad389b69c3dcbcfa2a6</data>
</edge>
<edge source="&quot;PAUL DELAROCHE&quot;" target="&quot;NAPOLEON CROSSING THE ALPS&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Paul Delaroche created the painting 'Napoleon Crossing the Alps,' which represents a crucial event in Napoleon's military history."</data>
  <data key="d5">"artistic representation, historical significance"</data>
  <data key="d6">chunk-7ee3560873ad2fb85e36816c869b3a62</data>
</edge>
<edge source="&quot;THE EXECUTION OF LADY JANE GREY&quot;" target="&quot;LADY JANE GREY&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Lady Jane Grey is the subject of the historical event depicted in Delaroche's painting, symbolizing her tragic fate as a brief queen."</data>
  <data key="d5">"historical narrative, tragedy"</data>
  <data key="d6">chunk-2aec3e2a5f4c1ad389b69c3dcbcfa2a6</data>
</edge>
<edge source="&quot;THE EXECUTION OF LADY JANE GREY&quot;" target="&quot;NATIONAL GALLERY&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The National Gallery houses the painting 'The Execution of Lady Jane Grey,' making it an essential part of art history and tourism in London."</data>
  <data key="d5">"art history, cultural significance"</data>
  <data key="d6">chunk-2aec3e2a5f4c1ad389b69c3dcbcfa2a6</data>
</edge>
<edge source="&quot;LONDON&quot;" target="&quot;TOWER OF LONDON&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Tower of London is located in London and is historically significant as the execution site of Lady Jane Grey."</data>
  <data key="d5">"historic significance, location"</data>
  <data key="d6">chunk-2aec3e2a5f4c1ad389b69c3dcbcfa2a6</data>
</edge>
<edge source="&quot;NATIONAL GALLERY&quot;" target="&quot;YOUNG SPARTANS EXERCISING&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Young Spartans Exercising is part of the permanent collection at the National Gallery, indicating its significance within art history."</data>
  <data key="d5">"art collection, cultural significance"</data>
  <data key="d6">chunk-05d3994d1da7a9390d2f95fa4beac3b5</data>
</edge>
<edge source="&quot;NATIONAL GALLERY&quot;" target="&quot;MISS LA LA AT THE CIRQUE FERNANDO&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"'Miss La La at the Cirque Fernando' is part of the collection at the National Gallery, linking the artwork to the organization."</data>
  <data key="d5">"collection, exhibition"</data>
  <data key="d6">chunk-c3ddb27456b73fe3fcb2e07f372b1611</data>
</edge>
<edge source="&quot;NATIONAL GALLERY&quot;" target="&quot;TATE GALLERY&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The Tate Gallery formerly displayed the painting before it was returned to the National Gallery, linking the two organizations."</data>
  <data key="d5">"exhibition history, art movement"</data>
  <data key="d6">chunk-c3ddb27456b73fe3fcb2e07f372b1611</data>
</edge>
<edge source="&quot;LADY JANE GREY&quot;" target="&quot;LORD GUILFORD DUDLEY&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Lord Guilford Dudley was married to Lady Jane Grey and shared her fate during the execution."</data>
  <data key="d5">"shared fate, marriage"</data>
  <data key="d6">chunk-2aec3e2a5f4c1ad389b69c3dcbcfa2a6</data>
</edge>
<edge source="&quot;LADY JANE GREY&quot;" target="&quot;JOHN BRYDGES, 1ST BARON CHANDOS&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"John Brydges assisted Lady Jane Grey during her execution, illustrating his role in this tragic event."</data>
  <data key="d5">"assistance, execution context"</data>
  <data key="d6">chunk-2aec3e2a5f4c1ad389b69c3dcbcfa2a6</data>
</edge>
<edge source="&quot;LADY JANE GREY&quot;" target="&quot;HENRY VII&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Henry VII is the ancestor of Lady Jane Grey, establishing her royal bloodline and legitimacy as a contender for the throne."</data>
  <data key="d5">"royal lineage, ancestry"</data>
  <data key="d6">chunk-2aec3e2a5f4c1ad389b69c3dcbcfa2a6</data>
</edge>
<edge source="&quot;LADY JANE GREY&quot;" target="&quot;EDWARD VI&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Edward VI's death created the opportunity for Lady Jane Grey to be proclaimed queen, linking their fates."</data>
  <data key="d5">"succession, royal claim"</data>
  <data key="d6">chunk-2aec3e2a5f4c1ad389b69c3dcbcfa2a6</data>
</edge>
<edge source="&quot;LADY JANE GREY&quot;" target="&quot;MARY TUDOR&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Mary Tudor's claim to the throne directly opposed Lady Jane Grey's brief reign, leading to significant political conflict."</data>
  <data key="d5">"rivalry, political conflict"</data>
  <data key="d6">chunk-2aec3e2a5f4c1ad389b69c3dcbcfa2a6</data>
</edge>
<edge source="&quot;LADY JANE GREY&quot;" target="&quot;WYATT'S REBELLION&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Wyatt's Rebellion was associated with Lady Jane Grey's political situation, as her father was involved in the uprising to restore her to the throne."</data>
  <data key="d5">"political movements, familial ties"</data>
  <data key="d6">chunk-2aec3e2a5f4c1ad389b69c3dcbcfa2a6</data>
</edge>
<edge source="&quot;TOWER OF LONDON&quot;" target="&quot;TOWER GREEN&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Tower Green is a specific location within the Tower of London known for hosting executions, including that of Lady Jane Grey."</data>
  <data key="d5">"execution site, historical significance"</data>
  <data key="d6">chunk-2aec3e2a5f4c1ad389b69c3dcbcfa2a6</data>
</edge>
<edge source="&quot;PAINTINGS&quot;" target="&quot;HISTORICAL NARRATIVES&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Paintings like Delaroche's capture and convey historical narratives, serving as visual representations of significant events."</data>
  <data key="d5">"art and history, representation"</data>
  <data key="d6">chunk-2aec3e2a5f4c1ad389b69c3dcbcfa2a6</data>
</edge>
<edge source="&quot;NAPOLEON CROSSING THE ALPS&quot;" target="&quot;THE LOUVRE&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"One of the main versions of the painting 'Napoleon Crossing the Alps' is housed in The Louvre, emphasizing its cultural value."</data>
  <data key="d5">"cultural significance, art venue"</data>
  <data key="d6">chunk-7ee3560873ad2fb85e36816c869b3a62</data>
</edge>
<edge source="&quot;NAPOLEON CROSSING THE ALPS&quot;" target="&quot;WALKER ART GALLERY&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Walker Art Gallery holds another version of 'Napoleon Crossing the Alps,' showcasing its significance in British art collections."</data>
  <data key="d5">"art venue, cultural significance"</data>
  <data key="d6">chunk-7ee3560873ad2fb85e36816c869b3a62</data>
</edge>
<edge source="&quot;NAPOLEON CROSSING THE ALPS&quot;" target="&quot;AUSTRIA&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"The event of Napoleon Crossing the Alps was a strategic military maneuver aimed at surprising the Austrian army."</data>
  <data key="d5">"military strategy, conflict"</data>
  <data key="d6">chunk-7ee3560873ad2fb85e36816c869b3a62</data>
</edge>
<edge source="&quot;NAPOLEON CROSSING THE ALPS&quot;" target="&quot;ITALY&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Napoleon aimed to attack the Austrian forces in Italy through the maneuver depicted in 'Napoleon Crossing the Alps,' which is significant in military history."</data>
  <data key="d5">"military campaign, historical significance"</data>
  <data key="d6">chunk-7ee3560873ad2fb85e36816c869b3a62</data>
</edge>
<edge source="&quot;NAPOLEON CROSSING THE ALPS&quot;" target="&quot;GREAT ST BERNARD PASS&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The Great St Bernard Pass was the route taken by Napoleon's army as depicted in the painting, critical for its military operations."</data>
  <data key="d5">"strategic route, military history"</data>
  <data key="d6">chunk-7ee3560873ad2fb85e36816c869b3a62</data>
</edge>
<edge source="&quot;THE LOUVRE&quot;" target="&quot;FRÉDÉRIC CHOPIN&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Chopin's portrait is housed at The Louvre, indicating its artistic significance and preservation as part of cultural heritage."</data>
  <data key="d5">"art preservation, significance"</data>
  <data key="d6">chunk-21e724ff1d237e74a8e96299e7fda660</data>
</edge>
<edge source="&quot;ITALY&quot;" target="&quot;PIERRE-AUGUSTE RENOIR&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Renoir's trip to Italy was influential to his artistic development, shaping his style seen in works like Dance in the Country."</data>
  <data key="d5">"artistic influence, travel"</data>
  <data key="d6">chunk-e79dc155c657195ee2421c5a2b34b297</data>
</edge>
<edge source="&quot;EUGÈNE DELACROIX&quot;" target="&quot;THE BARQUE OF DANTE&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Eugène Delacroix is the creator of The Barque of Dante, marking a significant contribution to the Romantic movement in art."</data>
  <data key="d5">"artistic creation, authorship"</data>
  <data key="d6">chunk-5a57e382ea16e4f8d1537690ca527cf7</data>
</edge>
<edge source="&quot;EUGÈNE DELACROIX&quot;" target="&quot;SEATED NUDE, MADEMOISELLE ROSE&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Eugène Delacroix is the artist who created 'Seated Nude, Mademoiselle Rose', showcasing his style and influence in the Romantic movement."</data>
  <data key="d5">"artistic creation, leadership in art"</data>
  <data key="d6">chunk-dde49183bd668e96e79ffd496b65c60d</data>
</edge>
<edge source="&quot;EUGÈNE DELACROIX&quot;" target="&quot;FRENCH ROMANTICISM&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Eugène Delacroix is a key figure in the French Romanticism movement, embodying its principles through his artwork."</data>
  <data key="d5">"artistic influence, cultural movement"</data>
  <data key="d6">chunk-dde49183bd668e96e79ffd496b65c60d</data>
</edge>
<edge source="&quot;EUGÈNE DELACROIX&quot;" target="&quot;MADEMOISELLE ROSE&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Mademoiselle Rose is the model who posed for Eugène Delacroix, significantly influencing his portrayal in the painting."</data>
  <data key="d5">"artistic collaboration, modeling"</data>
  <data key="d6">chunk-dde49183bd668e96e79ffd496b65c60d</data>
</edge>
<edge source="&quot;EUGÈNE DELACROIX&quot;" target="&quot;SALON OF 1824&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The salon of 1824 was significant for Eugène Delacroix as it influenced his artistic evolution after seeing works by English painters."</data>
  <data key="d5">"artistic influence, exhibition impact"</data>
  <data key="d6">chunk-dde49183bd668e96e79ffd496b65c60d</data>
</edge>
<edge source="&quot;EUGÈNE DELACROIX&quot;" target="&quot;THE ORPHAN GIRL AT THE CEMETERY&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Eugène Delacroix is the artist who created 'The Orphan Girl at the Cemetery', establishing a direct connection between the two."</data>
  <data key="d5">"artistic creation"</data>
  <data key="d6">chunk-a2596efe6055fc41763a6132f67dd308</data>
</edge>
<edge source="&quot;EUGÈNE DELACROIX&quot;" target="&quot;MASSACRE AT CHIOS&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Eugène Delacroix's creation of 'Massacre at Chios' is linked to his earlier work 'The Orphan Girl at the Cemetery', indicating an artistic progression."</data>
  <data key="d5">"artistic evolution"</data>
  <data key="d6">chunk-a2596efe6055fc41763a6132f67dd308</data>
</edge>
<edge source="&quot;EUGÈNE DELACROIX&quot;" target="&quot;GREECE EXPIRING ON THE RUINS OF MISSOLONGHI&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Eugène Delacroix created the painting 'Greece expiring on the Ruins of Missolonghi', which reflects his artistic vision."</data>
  <data key="d5">"artistic creation"</data>
  <data key="d6">chunk-49707dd5a3d90cd72d102fef94d4e44e</data>
</edge>
<edge source="&quot;EUGÈNE DELACROIX&quot;" target="&quot;CANVAS, OIL&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"Eugène Delacroix used canvas and oil as the media for creating 'Greece expiring on the Ruins of Missolonghi', affecting the artwork's texture and depth."</data>
  <data key="d5">"artistic technique"</data>
  <data key="d6">chunk-49707dd5a3d90cd72d102fef94d4e44e</data>
</edge>
<edge source="&quot;EUGÈNE DELACROIX&quot;" target="&quot;DEATH OF SARDANAPALUS&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Eugène Delacroix is the artist who created the painting 'Death of Sardanapalus', which serves as a major element of his artistic legacy."</data>
  <data key="d5">"artistic creation, legacy"</data>
  <data key="d6">chunk-a934864f07826c270bffe6f18bafd6a4</data>
</edge>
<edge source="&quot;EUGÈNE DELACROIX&quot;" target="&quot;LIBERTY LEADING THE PEOPLE&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Eugène Delacroix created the painting Liberty Leading the People, which reflects his artistic response to the July Revolution in France."</data>
  <data key="d5">"artistic creation, historical significance"</data>
  <data key="d6">chunk-ede15ac8b7dc4bd86bf735a70a6533dd</data>
</edge>
<edge source="&quot;EUGÈNE DELACROIX&quot;" target="&quot;WOMEN OF ALGIERS IN THEIR APARTMENT&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Delacroix created the 'Women of Algiers in their Apartment' paintings, showcasing his engagement with Orientalist themes in art."</data>
  <data key="d5">"artistic creation, Orientalism"</data>
  <data key="d6">chunk-0f6042dbe37db689000c5403211312b2</data>
</edge>
<edge source="&quot;EUGÈNE DELACROIX&quot;" target="&quot;THE 1834 SALON&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Delacroix's first version of 'Women of Algiers in their Apartment' was showcased at the 1834 Salon, marking a significant moment in his career."</data>
  <data key="d5">"art exhibition, career milestone"</data>
  <data key="d6">chunk-0f6042dbe37db689000c5403211312b2</data>
</edge>
<edge source="&quot;EUGÈNE DELACROIX&quot;" target="&quot;FRÉDÉRIC CHOPIN&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Eugène Delacroix painted a portrait of Frédéric Chopin, who was a close friend, and was influenced by Chopin's music during the creative process."</data>
  <data key="d5">"artistic influence, friendship"</data>
  <data key="d6">chunk-21e724ff1d237e74a8e96299e7fda660</data>
</edge>
<edge source="&quot;EUGÈNE DELACROIX&quot;" target="&quot;GEORGE SAND&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Eugène Delacroix and George Sand shared a friendship, and Sand introduced Delacroix to Chopin, creating a significant connection between them."</data>
  <data key="d5">"social circle, friendship"</data>
  <data key="d6">chunk-21e724ff1d237e74a8e96299e7fda660</data>
</edge>
<edge source="&quot;EUGÈNE DELACROIX&quot;" target="&quot;THE PORTRAIT OF FRÉDÉRIC CHOPIN AND GEORGE SAND&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"The Portrait is a significant work created by Eugène Delacroix that features both Frédéric Chopin and George Sand, showcasing their personal connection."</data>
  <data key="d5">"artwork, personal connection"</data>
  <data key="d6">chunk-21e724ff1d237e74a8e96299e7fda660</data>
</edge>
<edge source="&quot;EUGÈNE DELACROIX&quot;" target="&quot;THE CRUSADERS' ENTRY INTO CONSTANTINOPLE&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Eugène Delacroix created the painting titled 'The Crusaders' entry into Constantinople', reflecting a historical moment in the Fourth Crusade."</data>
  <data key="d5">"artistic creation, historical representation"</data>
  <data key="d6">chunk-1549750a532354392260533b320beb53</data>
</edge>
<edge source="&quot;EUGÈNE DELACROIX&quot;" target="&quot;OVID AMONG THE SCYTHIANS&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Eugène Delacroix created the event 'Ovid among the Scythians,' which consists of two important oil paintings.")</data>
  <data key="d5">"art creation, artistic theme"</data>
  <data key="d6">chunk-d73788737196e9ace33310a4b353908e</data>
</edge>
<edge source="&quot;EUGÈNE DELACROIX&quot;" target="&quot;PALAIS BOURBON&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Delacroix painted one version of 'Ovid among the Scythians' for the ceiling of the Palais Bourbon, connecting his work to this historical site.")</data>
  <data key="d5">"art history, cultural significance"</data>
  <data key="d6">chunk-d73788737196e9ace33310a4b353908e</data>
</edge>
<edge source="&quot;EUGÈNE DELACROIX&quot;" target="&quot;BAUDELAIRE&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Baudelaire commented on Delacroix's work, providing a critical perspective on 'Ovid among the Scythians' that contributes to its understanding.")</data>
  <data key="d5">"art criticism, literary influence"</data>
  <data key="d6">chunk-d73788737196e9ace33310a4b353908e</data>
</edge>
<edge source="&quot;EUGÈNE DELACROIX&quot;" target="&quot;FIRST VERSION OF 'OVID AMONG THE SCYTHIANS'">
  <data key="d3">8.0</data>
  <data key="d4">"Eugène Delacroix's first version of 'Ovid among the Scythians' was initially criticized but later led to the creation of a second, improved version.")</data>
  <data key="d5">"artistic evolution, critical feedback"</data>
  <data key="d6">chunk-d73788737196e9ace33310a4b353908e</data>
</edge>
<edge source="&quot;EUGÈNE DELACROIX&quot;" target="&quot;HENRI LOYRETTE&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Henri Loyrette's observations and analysis of Delacroix's work contribute to understanding the artistic themes present in 'Ovid among the Scythians.'")</data>
  <data key="d5">"art critique, analysis"</data>
  <data key="d6">chunk-d73788737196e9ace33310a4b353908e</data>
</edge>
<edge source="&quot;THE BARQUE OF DANTE&quot;" target="&quot;DANTE’S INFERNO&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The Barque of Dante is inspired by the literary themes and scenes depicted in Dante's Inferno, illustrating a connection between literature and art."</data>
  <data key="d5">"literary influence, artistic inspiration"</data>
  <data key="d6">chunk-5a57e382ea16e4f8d1537690ca527cf7</data>
</edge>
<edge source="&quot;PARIS&quot;" target="&quot;SEINE VALLEY&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The Seine Valley is positioned near Paris, which is referenced in the landscape painting as a point of orientation."</data>
  <data key="d5">"location proximity, geographical context"</data>
  <data key="d6">chunk-f0e87b2f10a742e958092eb0f8655aa9</data>
</edge>
<edge source="&quot;PARIS&quot;" target="&quot;THE GREAT BOULEVARDS&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The Great Boulevards represents a scene from Paris, illustrating the life and transformation of the city during the period of industrialization."</data>
  <data key="d5">"urban life, historical context"</data>
  <data key="d6">chunk-a4e0acbd0b3021cb5db3567e97de9407</data>
</edge>
<edge source="&quot;PARIS&quot;" target="&quot;MUSÉE D'ORSAY&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The Musée d'Orsay, located in Paris, is a prominent museum that houses many significant artworks, including Caillebotte's painting."</data>
  <data key="d5">"location, cultural heritage"</data>
  <data key="d6">chunk-5387a9f92c6290746c3974533e905a95</data>
</edge>
<edge source="&quot;PARIS&quot;" target="&quot;NUDE SITTING ON A DIVAN&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The painting was exhibited in Paris during Modigliani's solo show, which was notorious for its reception."</data>
  <data key="d5">"exhibition, cultural impact"</data>
  <data key="d6">chunk-23c09d3fcae99716703d29ad57160626</data>
</edge>
<edge source="&quot;SEATED NUDE, MADEMOISELLE ROSE&quot;" target="&quot;LOUVRE&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"'Seated Nude, Mademoiselle Rose' is currently held and exhibited at the Louvre, connecting the artwork to one of the most significant art institutions."</data>
  <data key="d5">"exhibition, art preservation"</data>
  <data key="d6">chunk-dde49183bd668e96e79ffd496b65c60d</data>
</edge>
<edge source="&quot;LOUVRE&quot;" target="&quot;WOMEN OF ALGIERS IN THEIR APARTMENT&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The first version of 'Women of Algiers in their Apartment' is located in the Louvre, making it part of its permanent collection."</data>
  <data key="d5">"art collection, museum"</data>
  <data key="d6">chunk-0f6042dbe37db689000c5403211312b2</data>
</edge>
<edge source="&quot;LOUVRE&quot;" target="&quot;THE WOMAN WITH GAMBLING MANIA&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The Louvre acquired The Woman with Gambling Mania, indicating its significance in the art world."</data>
  <data key="d5">"acquisition, cultural importance"</data>
  <data key="d6">chunk-013c9b566a74fe0a406319895832f79e</data>
</edge>
<edge source="&quot;FRENCH ROMANTICISM&quot;" target="&quot;OFFICER OF THE CHASSEURS CHARGING ON HORSEBACK&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The painting Officer of the Chasseurs Charging on Horseback embodies themes of French Romanticism through its emotional intensity and dramatic composition."</data>
  <data key="d5">"artistic movement, emotional expression"</data>
  <data key="d6">chunk-5936887c6193ee8a58a58b5a91413b19</data>
</edge>
<edge source="&quot;FRENCH ROMANTICISM&quot;" target="&quot;THE CHARGING CHASSEUR&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Charging Chasseur reflects the principles of French Romanticism, showcasing emotion and action in a dramatic context."</data>
  <data key="d5">"artistic movement, emotional intensity"</data>
  <data key="d6">chunk-5936887c6193ee8a58a58b5a91413b19</data>
</edge>
<edge source="&quot;MADEMOISELLE ROSE&quot;" target="&quot;RICHARD PARKES BONINGTON&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Richard Parkes Bonington also painted Mademoiselle Rose, establishing her significance among artists of the time."</data>
  <data key="d5">"artist model relationship, shared subject"</data>
  <data key="d6">chunk-dde49183bd668e96e79ffd496b65c60d</data>
</edge>
<edge source="&quot;GREECE EXPIRING ON THE RUINS OF MISSOLONGHI&quot;" target="&quot;THIRD SIEGE OF MISSOLONGHI&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The painting is directly inspired by the Third Siege of Missolonghi, depicting the events that took place during this tragic moment."</data>
  <data key="d5">"historical context"</data>
  <data key="d6">chunk-49707dd5a3d90cd72d102fef94d4e44e</data>
</edge>
<edge source="&quot;GREECE EXPIRING ON THE RUINS OF MISSOLONGHI&quot;" target="&quot;MUSÉE DES BEAUX-ARTS DE BORDEAUX&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The painting is preserved at the Musée des Beaux-Arts de Bordeaux, indicating the museum's role in housing significant artworks."</data>
  <data key="d5">"art preservation"</data>
  <data key="d6">chunk-49707dd5a3d90cd72d102fef94d4e44e</data>
</edge>
<edge source="&quot;GREECE EXPIRING ON THE RUINS OF MISSOLONGHI&quot;" target="&quot;ALLEGORICAL PAINTING&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The painting is an example of allegorical painting, using symbolism to express themes of loss and resistance."</data>
  <data key="d5">"artistic interpretation"</data>
  <data key="d6">chunk-49707dd5a3d90cd72d102fef94d4e44e</data>
</edge>
<edge source="&quot;GREECE EXPIRING ON THE RUINS OF MISSOLONGHI&quot;" target="&quot;HISTORY PAINTING&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The artwork falls into the category of history painting as it depicts a crucial event in Greek history."</data>
  <data key="d5">"historical significance"</data>
  <data key="d6">chunk-49707dd5a3d90cd72d102fef94d4e44e</data>
</edge>
<edge source="&quot;THIRD SIEGE OF MISSOLONGHI&quot;" target="&quot;OTTOMAN FORCES&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The Ottoman forces were responsible for the Third Siege of Missolonghi, a key event in the Greek War of Independence."</data>
  <data key="d5">"military conflict"</data>
  <data key="d6">chunk-49707dd5a3d90cd72d102fef94d4e44e</data>
</edge>
<edge source="&quot;GREECE&quot;" target="&quot;MISSOLONGHI&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Missolonghi is a significant city within Greece, important for its role during the Greek War of Independence."</data>
  <data key="d5">"geographical relevance"</data>
  <data key="d6">chunk-49707dd5a3d90cd72d102fef94d4e44e</data>
</edge>
<edge source="&quot;DEATH OF SARDANAPALUS&quot;" target="&quot;PHILADELPHIA MUSEUM OF ART&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"A smaller replica of 'Death of Sardanapalus' is housed in the Philadelphia Museum of Art, indicating the painting's influence and reach."</data>
  <data key="d5">"art replication, influence"</data>
  <data key="d6">chunk-a934864f07826c270bffe6f18bafd6a4</data>
</edge>
<edge source="&quot;DEATH OF SARDANAPALUS&quot;" target="&quot;SARDANAPALUS&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"The narrative of Sardanapalus is the central theme of the painting 'Death of Sardanapalus', highlighting his tragic fate."</data>
  <data key="d5">"thematic connection, historical significance"</data>
  <data key="d6">chunk-a934864f07826c270bffe6f18bafd6a4</data>
</edge>
<edge source="&quot;PHILADELPHIA MUSEUM OF ART&quot;" target="&quot;THE GREAT BOULEVARDS&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Great Boulevards is housed at the Philadelphia Museum of Art, which exhibits significant works of art including this painting."</data>
  <data key="d5">"art exhibition, cultural heritage"</data>
  <data key="d6">chunk-a4e0acbd0b3021cb5db3567e97de9407</data>
</edge>
<edge source="&quot;PHILADELPHIA MUSEUM OF ART&quot;" target="&quot;THE LARGE BATHERS&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The Large Bathers is displayed at the Philadelphia Museum of Art, indicating its status as a notable artwork in the museum's collection."</data>
  <data key="d5">"art collection, significance"</data>
  <data key="d6">chunk-43cbe78c96d9ba84d20925bd82df1096</data>
</edge>
<edge source="&quot;PHILADELPHIA MUSEUM OF ART&quot;" target="&quot;WOMAN WITH A PEARL NECKLACE&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Philadelphia Museum of Art acquired 'Woman with a Pearl Necklace,' indicating its value and importance to art collections."</data>
  <data key="d5">"cultural value, acquisition"</data>
  <data key="d6">chunk-428c3925f637250f336c423c77c160ca</data>
</edge>
<edge source="&quot;PHILADELPHIA MUSEUM OF ART&quot;" target="&quot;THE CONCERT SINGER&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"'The Concert Singer' is exhibited at the Philadelphia Museum of Art, emphasizing its value in American art history."</data>
  <data key="d5">"art exhibit, cultural heritage"</data>
  <data key="d6">chunk-299ca1e1935fc5ae6db4c4b98443d508</data>
</edge>
<edge source="&quot;LIBERTY LEADING THE PEOPLE&quot;" target="&quot;FRANCE&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The painting Liberty Leading the People symbolizes the struggle for freedom and is explicitly tied to the historical context of France during the July Revolution."</data>
  <data key="d5">"freedom, historical struggle"</data>
  <data key="d6">chunk-ede15ac8b7dc4bd86bf735a70a6533dd</data>
</edge>
<edge source="&quot;LIBERTY LEADING THE PEOPLE&quot;" target="&quot;KING CHARLES X&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"King Charles X's reign was overthrown as depicted in the painting, marking the political context of the artwork."</data>
  <data key="d5">"political context, revolution"</data>
  <data key="d6">chunk-ede15ac8b7dc4bd86bf735a70a6533dd</data>
</edge>
<edge source="&quot;LIBERTY LEADING THE PEOPLE&quot;" target="&quot;PALAIS DU LUXEMBOURG&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Liberty Leading the People was purchased by the French government to display in the Palais du Luxembourg, highlighting its political importance."</data>
  <data key="d5">"political significance, display"</data>
  <data key="d6">chunk-ede15ac8b7dc4bd86bf735a70a6533dd</data>
</edge>
<edge source="&quot;FRANCE&quot;" target="&quot;THE GLEANERS&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Gleaners was created in France and had a strong impact on the social perceptions regarding the lower class in French society."</data>
  <data key="d5">"cultural significance, social impact"</data>
  <data key="d6">chunk-2c51aa83d8b3b7e3926013e9d26fb179</data>
</edge>
<edge source="&quot;FRANCE&quot;" target="&quot;PIERRE-AUGUSTE RENOIR&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Renoir was a French artist whose works were greatly influenced by the culture and traditions of France, affecting his style and subject matter."</data>
  <data key="d5">"cultural influence, artistic background"</data>
  <data key="d6">chunk-accdacce424a30ff91f0a47befc088a3</data>
</edge>
<edge source="&quot;WOMEN OF ALGIERS IN THEIR APARTMENT&quot;" target="&quot;MUSÉE FABRE&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The second version of 'Women of Algiers in their Apartment' is located at the Musée Fabre in Montpellier, ensuring its historical significance."</data>
  <data key="d5">"art collection, museum"</data>
  <data key="d6">chunk-0f6042dbe37db689000c5403211312b2</data>
</edge>
<edge source="&quot;WOMEN OF ALGIERS IN THEIR APARTMENT&quot;" target="&quot;PAUL GAUGUIN&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Paul Gauguin, like van Gogh, was inspired by Delacroix's 1849 version, which affected his own artistic development."</data>
  <data key="d5">"artistic inspiration, influence"</data>
  <data key="d6">chunk-0f6042dbe37db689000c5403211312b2</data>
</edge>
<edge source="&quot;THE WOMEN OF ALGIERS IN THEIR APARTMENT&quot;" target="&quot;PABLO PICASSO&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Pablo Picasso's series of paintings in 1954 was influenced by Delacroix's portrayals in 'Women of Algiers in their Apartment', showcasing artistic lineage."</data>
  <data key="d5">"art influence, historical connection"</data>
  <data key="d6">chunk-0f6042dbe37db689000c5403211312b2</data>
</edge>
<edge source="&quot;KING LOUIS PHILIPPE&quot;" target="&quot;MUSÉE DU LUXEMBOURG&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"King Louis Philippe presented Delacroix's painting to the Musée du Luxembourg after purchasing it, which connects royal patronage to the artwork."</data>
  <data key="d5">"art patronage, history"</data>
  <data key="d6">chunk-0f6042dbe37db689000c5403211312b2</data>
</edge>
<edge source="&quot;MUSÉE DU LUXEMBOURG&quot;" target="&quot;DANCE AT MOULIN DE LA GALETTE&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Dance at Moulin de la Galette was displayed at the Musée du Luxembourg, which is part of the painting's exhibition history."</data>
  <data key="d5">"exhibition history, art display"</data>
  <data key="d6">chunk-7cca6799e635827e361bddda13be95c1</data>
</edge>
<edge source="&quot;MUSÉE DU LUXEMBOURG&quot;" target="&quot;GALERIE NATIONALE DU JEU DE PAUME&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"After its initial display at the Musée du Luxembourg, 'The Parquet Planers' was moved to the Galerie nationale du Jeu de Paume, indicating its ongoing journey through important art institutions."</data>
  <data key="d5">"art institution transfer, historical significance"</data>
  <data key="d6">chunk-5387a9f92c6290746c3974533e905a95</data>
</edge>
<edge source="&quot;ORIENTALIST PAINTINGS&quot;" target="&quot;ALGERIAN CULTURE&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Orientalist paintings, including Delacroix's works, depict aspects of Algerian culture filtered through Western perspectives, illustrating cultural interaction."</data>
  <data key="d5">"cultural representation, artistic interpretation"</data>
  <data key="d6">chunk-0f6042dbe37db689000c5403211312b2</data>
</edge>
<edge source="&quot;ALGERIAN CULTURE&quot;" target="&quot;HAREM&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The depiction of harem life in art reflects the complex social customs of Algerian culture as viewed by Western artists like Delacroix."</data>
  <data key="d5">"cultural depiction, social norms"</data>
  <data key="d6">chunk-0f6042dbe37db689000c5403211312b2</data>
</edge>
<edge source="&quot;FRÉDÉRIC CHOPIN&quot;" target="&quot;GEORGE SAND&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Frédéric Chopin and George Sand had a ten-year romantic relationship, which greatly influenced both their personal and artistic lives."</data>
  <data key="d5">"romantic relationship, influence"</data>
  <data key="d6">chunk-21e724ff1d237e74a8e96299e7fda660</data>
</edge>
<edge source="&quot;GEORGE SAND&quot;" target="&quot;ORDRUPGAARD MUSEUM&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Sand's portrait is exhibited at the Ordrupgaard Museum, emphasizing the museum's role in preserving her legacy."</data>
  <data key="d5">"art preservation, legacy"</data>
  <data key="d6">chunk-21e724ff1d237e74a8e96299e7fda660</data>
</edge>
<edge source="&quot;THE CRUSADERS' ENTRY INTO CONSTANTINOPLE&quot;" target="&quot;CONSTANTINOPLE&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"The event of the Crusaders' entry directly relates to the city of Constantinople as it was the site of the historical event being depicted."</data>
  <data key="d5">"historical significance, location"</data>
  <data key="d6">chunk-1549750a532354392260533b320beb53</data>
</edge>
<edge source="&quot;THE CRUSADERS' ENTRY INTO CONSTANTINOPLE&quot;" target="&quot;LOUIS-PHILIPPE&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Louis-Philippe commissioned the painting from Delacroix, linking the monarchy to the historical representation of the Crusaders' event."</data>
  <data key="d5">"commissioning art, monarchy"</data>
  <data key="d6">chunk-1549750a532354392260533b320beb53</data>
</edge>
<edge source="&quot;THE CRUSADERS' ENTRY INTO CONSTANTINOPLE&quot;" target="&quot;MUSIÉ DU LOUVRE&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Delacroix's painting is housed in the Musée du Louvre, establishing a relationship between the artwork and the museum's collection."</data>
  <data key="d5">"art museum, collection"</data>
  <data key="d6">chunk-1549750a532354392260533b320beb53</data>
</edge>
<edge source="&quot;CANVAS, OIL&quot;" target="&quot;NUDE SEATING ON A SOFA&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The materials canvas and oil are integral to the creation of 'Nude seating on a sofa,' influencing its final appearance and texture."</data>
  <data key="d5">"materials, artistic technique"</data>
  <data key="d6">chunk-23c09d3fcae99716703d29ad57160626</data>
</edge>
<edge source="&quot;OVID AMONG THE SCYTHIANS&quot;" target="&quot;SCYTHIANS&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The event 'Ovid among the Scythians' portrays the interactions between Ovid and the Scythians, exploring the themes of civilization and barbarity.")</data>
  <data key="d5">"artistic representation, cultural themes"</data>
  <data key="d6">chunk-d73788737196e9ace33310a4b353908e</data>
</edge>
<edge source="&quot;SCYTHIANS&quot;" target="&quot;OVID&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Scythians are depicted in relation to Ovid in Delacroix's paintings, showcasing their interactions and cultural dynamics.")</data>
  <data key="d5">"cultural interaction, theme of civilization"</data>
  <data key="d6">chunk-d73788737196e9ace33310a4b353908e</data>
</edge>
<edge source="&quot;EDGAR DEGAS&quot;" target="&quot;YOUNG SPARTANS EXERCISING&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Edgar Degas created the painting Young Spartans Exercising, embodying his artistic vision and reflecting themes relevant to Spartan culture."</data>
  <data key="d5">"artistic creation, cultural reflection"</data>
  <data key="d6">chunk-05d3994d1da7a9390d2f95fa4beac3b5</data>
</edge>
<edge source="&quot;EDGAR DEGAS&quot;" target="&quot;THE BELLELLI FAMILY&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Edgar Degas created The Bellelli Family, which serves as a masterwork showcasing his family's dynamic and emotional background that influenced the artwork."</data>
  <data key="d5">"artistic creation, familial dynamics"</data>
  <data key="d6">chunk-4c7cfcb707cd269b60b65bb04093136b</data>
</edge>
<edge source="&quot;EDGAR DEGAS&quot;" target="&quot;COMTE LE PIC AND HIS SONS&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Edgar Degas created the portrait Comte Le Pic and his Sons, reflecting his artistic style and thematic focus.")</data>
  <data key="d5">"artworks, artistic creation"</data>
  <data key="d6">chunk-fb4531a7f012c606c26bf62b16100b3f</data>
</edge>
<edge source="&quot;EDGAR DEGAS&quot;" target="&quot;LUDOVIC LEPIC AND HIS DAUGHTERS&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Edgar Degas also painted Ludovic Lepic and His Daughters, indicating his personal connection to Ludovic and his family.")</data>
  <data key="d5">"artistic connection, thematic focus"</data>
  <data key="d6">chunk-fb4531a7f012c606c26bf62b16100b3f</data>
</edge>
<edge source="&quot;EDGAR DEGAS&quot;" target="&quot;PLACE DE LA CONCORDE&quot;">
  <data key="d3">15.0</data>
  <data key="d4">"Edgar Degas created the painting titled Place de la Concorde, showcasing his artistic interpretation of the location and its characters."&lt;SEP&gt;"Edgar Degas painted Ludovic Lepic at Place de la Concorde, linking the artist to a significant Parisian location.")</data>
  <data key="d5">"artistic collaboration, cultural location"&lt;SEP&gt;"artistic creation, representation"</data>
  <data key="d6">chunk-fb4531a7f012c606c26bf62b16100b3f&lt;SEP&gt;chunk-d5e59a7034440f4df8140acf368ff106</data>
</edge>
<edge source="&quot;EDGAR DEGAS&quot;" target="&quot;A COTTON OFFICE IN NEW ORLEANS&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Edgar Degas created A Cotton Office in New Orleans, which played a crucial role in his transition from a struggling artist to a recognized one."</data>
  <data key="d5">"art creation, career milestone"</data>
  <data key="d6">chunk-67a7050b07298b457130f02b2fc6b413</data>
</edge>
<edge source="&quot;EDGAR DEGAS&quot;" target="&quot;PORTRAITS AT THE STOCK EXCHANGE&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Edgar Degas is the creator of the painting Portraits at the Stock Exchange, showcasing his artistic style and historical context."</data>
  <data key="d5">"creation, artistry"</data>
  <data key="d6">chunk-d958e23374049315b611435d93c1e9fc</data>
</edge>
<edge source="&quot;EDGAR DEGAS&quot;" target="&quot;MISS LA LA AT THE CIRQUE FERNANDO&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Edgar Degas is the creator of 'Miss La La at the Cirque Fernando', making him directly related to this artwork."</data>
  <data key="d5">"artistic creation, ownership"</data>
  <data key="d6">chunk-c3ddb27456b73fe3fcb2e07f372b1611</data>
</edge>
<edge source="&quot;EDGAR DEGAS&quot;" target="&quot;MONTMARTRE&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Edgar Degas worked in Montmartre, a significant artistic hub that influenced much of his artwork, including 'Miss La La at the Cirque Fernando'. "</data>
  <data key="d5">"artistic environment, influence"</data>
  <data key="d6">chunk-c3ddb27456b73fe3fcb2e07f372b1611</data>
</edge>
<edge source="&quot;EDGAR DEGAS&quot;" target="&quot;MARY CASSATT&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Edgar Degas had a significant influence on Mary Cassatt's work, providing advice and contributions to the painting."</data>
  <data key="d5">"creative collaboration, influence"</data>
  <data key="d6">chunk-12e2a8e9fb4081de49ecf2597c1d8c48</data>
</edge>
<edge source="&quot;EDGAR DEGAS&quot;" target="&quot;GUSTAVE CAILLEBOTTE&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Gustave Caillebotte and Edgar Degas were contemporaries whose works shared themes of the urban working class and displayed similar artistic techniques."</data>
  <data key="d5">"artistic influence, contemporaries"</data>
  <data key="d6">chunk-5387a9f92c6290746c3974533e905a95</data>
</edge>
<edge source="&quot;TOMIS&quot;" target="&quot;OVID&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Ovid was exiled to Tomis, an essential location in the story depicted in Delacroix's paintings.")</data>
  <data key="d5">"exile, historical context"</data>
  <data key="d6">chunk-d73788737196e9ace33310a4b353908e</data>
</edge>
<edge source="&quot;TRISTIA&quot;" target="&quot;OVID&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Ovid's writing of 'Tristia' during his exile reflects the emotional depth depicted in Delacroix's paintings.")</data>
  <data key="d5">"literary creation, emotional expression"</data>
  <data key="d6">chunk-d73788737196e9ace33310a4b353908e</data>
</edge>
<edge source="&quot;EPISTULAE EX PONTO&quot;" target="&quot;OVID&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Ovid's composition of 'Epistulae ex Ponto' during his time in exile illustrates his personal experiences tied to the narrative of the paintings.")</data>
  <data key="d5">"literary work, personal struggle"</data>
  <data key="d6">chunk-d73788737196e9ace33310a4b353908e</data>
</edge>
<edge source="&quot;JOHN SINGER SARGENT&quot;" target="&quot;THE DAUGHTERS OF EDWARD DARLEY BOIT&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"John Singer Sargent created The Daughters of Edward Darley Boit, showcasing his remarkable skill in portraiture and psychological complexity."</data>
  <data key="d5">"artistic creation, portraiture"</data>
  <data key="d6">chunk-ef6b1f8983c06ee9162486842a99b221</data>
</edge>
<edge source="&quot;JOHN SINGER SARGENT&quot;" target="&quot;EL JALEO&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"John Singer Sargent created El Jaleo, showcasing his artistic style and his interest in Spanish culture and dance."</data>
  <data key="d5">"artistic creation, cultural inspiration"</data>
  <data key="d6">chunk-9d9d2e6c4c2b64300c7257c5ce6e6cc9</data>
</edge>
<edge source="&quot;JOHN SINGER SARGENT&quot;" target="&quot;VENICE&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Sargent's time in Venice influenced his artistic development, leading to works that share stylistic and thematic characteristics with El Jaleo."</data>
  <data key="d5">"artistic influence, travel inspiration"</data>
  <data key="d6">chunk-9d9d2e6c4c2b64300c7257c5ce6e6cc9</data>
</edge>
<edge source="&quot;JOHN SINGER SARGENT&quot;" target="&quot;STREET IN VENICE&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"John Singer Sargent created the painting 'Street in Venice', capturing the social dynamics of the scene depicted."</data>
  <data key="d5">"artistic creation, social dynamics"</data>
  <data key="d6">chunk-9572d7587fc9695e30a7565d3ae8815f</data>
</edge>
<edge source="&quot;JOHN SINGER SARGENT&quot;" target="&quot;THE MISSES VICKERS&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"John Singer Sargent is the artist who created the painting 'The Misses Vickers', showcasing his artistic talent."</data>
  <data key="d5">"artistic creation, authorship"</data>
  <data key="d6">chunk-53b128fbe07751d33294eee843b7af73</data>
</edge>
<edge source="&quot;JOHN SINGER SARGENT&quot;" target="&quot;REAPERS RESTING IN A WHEAT FIELD&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"John Singer Sargent is the artist who created the painting 'Reapers Resting in a Wheat Field' in 1885."</data>
  <data key="d5">"artwork creation, artistic legacy"</data>
  <data key="d6">chunk-a4d2ed002138771e4f674a8b5ab1b220</data>
</edge>
<edge source="&quot;JOHN SINGER SARGENT&quot;" target="&quot;COTSWOLDS&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"John Singer Sargent painted 'Reapers Resting in a Wheat Field' in the Cotswolds, marking an important location in his artistic work."</data>
  <data key="d5">"regional influence, artistic location"</data>
  <data key="d6">chunk-a4d2ed002138771e4f674a8b5ab1b220</data>
</edge>
<edge source="&quot;JOHN SINGER SARGENT&quot;" target="&quot;CARNATION, LILY, LILY, ROSE&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"John Singer Sargent is the creator of the painting 'Carnation, Lily, Lily, Rose', showcasing his artistic talents and style."</data>
  <data key="d5">"artistry, creation"</data>
  <data key="d6">chunk-96199271c038c51ddc6bf4e00162fb4e</data>
</edge>
<edge source="&quot;JOHN SINGER SARGENT&quot;" target="&quot;DOLLY&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Dolly is one of the main subjects in Sargent's painting, capturing his artistic interpretation of childhood innocence."</data>
  <data key="d5">"art subject, representation"</data>
  <data key="d6">chunk-96199271c038c51ddc6bf4e00162fb4e</data>
</edge>
<edge source="&quot;JOHN SINGER SARGENT&quot;" target="&quot;POLLY&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Polly is depicted in Sargent's painting 'Carnation, Lily, Lily, Rose', representing his vision of childhood and leisure."</data>
  <data key="d5">"art subject, representation"</data>
  <data key="d6">chunk-96199271c038c51ddc6bf4e00162fb4e</data>
</edge>
<edge source="&quot;JOHN SINGER SARGENT&quot;" target="&quot;FREDERICK BARNARD&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Frederick Barnard was a friend of Sargent and the father of the girls who modeled for the painting, linking personal relationships with artistic creation."</data>
  <data key="d5">"friendship, influence"</data>
  <data key="d6">chunk-96199271c038c51ddc6bf4e00162fb4e</data>
</edge>
<edge source="&quot;JOHN SINGER SARGENT&quot;" target="&quot;PORTRAIT OF MADAME X&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"'Portrait of Madame X' was a controversial work by Sargent that affected his career and ultimately led to his relocation to England."</data>
  <data key="d5">"career impact, relocation"</data>
  <data key="d6">chunk-96199271c038c51ddc6bf4e00162fb4e</data>
</edge>
<edge source="&quot;JOHN SINGER SARGENT&quot;" target="&quot;GASSED&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"John Singer Sargent created the painting 'Gassed' as an artistic response to the events of the First World War, specifically depicting the aftermath of a mustard gas attack."</data>
  <data key="d5">"artistic response, historical documentation"</data>
  <data key="d6">chunk-9ccceb2b70e119e13e67a6686d49efd5</data>
</edge>
<edge source="&quot;JOHN SINGER SARGENT&quot;" target="&quot;HENRY TONKS&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Henry Tonks assisted John Singer Sargent during his time on the Western Front, providing artistic and logistical support for Sargent's work."</data>
  <data key="d5">"artistic collaboration, support"</data>
  <data key="d6">chunk-9ccceb2b70e119e13e67a6686d49efd5</data>
</edge>
<edge source="&quot;JOHN SINGER SARGENT&quot;" target="&quot;GENERAL OFFICERS OF WORLD WAR I&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"John Singer Sargent created the painting 'General Officers of World War I' after overcoming initial reluctance and compositional challenges."</data>
  <data key="d5">"artistic creation, commemoration"</data>
  <data key="d6">chunk-ebd2c1c5a306b7fe030e488a537b480a</data>
</edge>
<edge source="&quot;THE DAUGHTERS OF EDWARD DARLEY BOIT&quot;" target="&quot;EDWARD DARLEY BOIT&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Edward Darley Boit is the father of the daughters depicted in Sargent's painting, which reflects his family life."</data>
  <data key="d5">"family representation, personal connection"</data>
  <data key="d6">chunk-ef6b1f8983c06ee9162486842a99b221</data>
</edge>
<edge source="&quot;THE DAUGHTERS OF EDWARD DARLEY BOIT&quot;" target="&quot;MARY LOUISA CUSHING BOIT&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Mary Louisa Cushing, as the mother of the daughters depicted, represents family dynamics and childhood themes within the painting."</data>
  <data key="d5">"family representation, thematic relevance"</data>
  <data key="d6">chunk-ef6b1f8983c06ee9162486842a99b221</data>
</edge>
<edge source="&quot;THE DAUGHTERS OF EDWARD DARLEY BOIT&quot;" target="&quot;MUSEUM OF FINE ARTS, BOSTON&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The Museum of Fine Arts, Boston exhibits The Daughters of Edward Darley Boit, representing Sargent's artistic contribution and cultural significance."</data>
  <data key="d5">"cultural institution, art exhibition"</data>
  <data key="d6">chunk-ef6b1f8983c06ee9162486842a99b221</data>
</edge>
<edge source="&quot;THE DAUGHTERS OF EDWARD DARLEY BOIT&quot;" target="&quot;LAS MENINAS&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The Daughters of Edward Darley Boit was influenced by Las Meninas, with similar compositional strategies and thematic depth noted."</data>
  <data key="d5">"artistic influence, compositional similarity"</data>
  <data key="d6">chunk-ef6b1f8983c06ee9162486842a99b221</data>
</edge>
<edge source="&quot;MUSEUM OF FINE ARTS, BOSTON&quot;" target="&quot;DANCE AT BOUGIVAL&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Dance at Bougival is housed in the Museum of Fine Arts, indicating its prominence and appreciation within the museum's collection."</data>
  <data key="d5">"art collection, cultural significance"</data>
  <data key="d6">chunk-accdacce424a30ff91f0a47befc088a3</data>
</edge>
<edge source="&quot;MUSEUM OF FINE ARTS, BOSTON&quot;" target="&quot;MASSACHUSETTS&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The Museum of Fine Arts is located in Massachusetts, linking cultural institutions to geographic context."</data>
  <data key="d5">"cultural significance, location"</data>
  <data key="d6">chunk-accdacce424a30ff91f0a47befc088a3</data>
</edge>
<edge source="&quot;THE BELLELLI FAMILY&quot;" target="&quot;MUSÉE D'ORSAY&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Bellelli Family painting is housed in the Musée d'Orsay, indicating the museum's role in preserving significant works of art."</data>
  <data key="d5">"art preservation, cultural heritage"</data>
  <data key="d6">chunk-4c7cfcb707cd269b60b65bb04093136b</data>
</edge>
<edge source="&quot;EL JALEO&quot;" target="&quot;ISABELLA STEWART GARDNER MUSEUM&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"El Jaleo is exhibited in the Isabella Stewart Gardner Museum, emphasizing the museum's role in housing important artworks."</data>
  <data key="d5">"art exhibition, cultural preservation"</data>
  <data key="d6">chunk-9d9d2e6c4c2b64300c7257c5ce6e6cc9</data>
</edge>
<edge source="&quot;EL JALEO&quot;" target="&quot;THOMAS JEFFERSON COOLIDGE&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Thomas Jefferson Coolidge purchased El Jaleo at the Paris Salon, highlighting his patronage and support for Sargent's work."</data>
  <data key="d5">"art patronage, historical significance"</data>
  <data key="d6">chunk-9d9d2e6c4c2b64300c7257c5ce6e6cc9</data>
</edge>
<edge source="&quot;EL JALEO&quot;" target="&quot;SPAIN&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Spain inspired the subject matter and themes of El Jaleo, particularly through the depiction of Flamenco dance and culture."</data>
  <data key="d5">"cultural influence, thematic inspiration"</data>
  <data key="d6">chunk-9d9d2e6c4c2b64300c7257c5ce6e6cc9</data>
</edge>
<edge source="&quot;VENICE&quot;" target="&quot;STREET IN VENICE&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The painting 'Street in Venice' is set in Venice, highlighting the city's influence on Sargent's work and the theme of urban life."</data>
  <data key="d5">"setting, urban life"</data>
  <data key="d6">chunk-9572d7587fc9695e30a7565d3ae8815f</data>
</edge>
<edge source="&quot;STREET IN VENICE&quot;" target="&quot;NATIONAL GALLERY OF ART&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The painting 'Street in Venice' is part of the permanent collection at the National Gallery of Art in Washington, D.C."</data>
  <data key="d5">"exhibition, art collection"</data>
  <data key="d6">chunk-9572d7587fc9695e30a7565d3ae8815f</data>
</edge>
<edge source="&quot;NATIONAL GALLERY OF ART&quot;" target="&quot;LITTLE GIRL IN A BLUE ARMCHAIR&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Little Girl in a Blue Armchair is part of the collection at the National Gallery of Art, showcasing its artistic value."</data>
  <data key="d5">"art collection, exhibition"</data>
  <data key="d6">chunk-12e2a8e9fb4081de49ecf2597c1d8c48</data>
</edge>
<edge source="&quot;NATIONAL GALLERY OF ART&quot;" target="&quot;MR. AND MRS. PAUL MELLON&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Mr. and Mrs. Paul Mellon gifted the painting to the National Gallery of Art, indicating their support for preserving art."</data>
  <data key="d5">"artistic patronage, legacy"</data>
  <data key="d6">chunk-12e2a8e9fb4081de49ecf2597c1d8c48</data>
</edge>
<edge source="&quot;NATIONAL GALLERY OF ART&quot;" target="&quot;THE BOATING PARTY&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The Boating Party has been part of the National Gallery of Art's collection since 1963, emphasizing its significance in American art history."</data>
  <data key="d5">"art collection, cultural heritage"</data>
  <data key="d6">chunk-2d94944c1517506311e7fec4e1ec9a06</data>
</edge>
<edge source="&quot;THE MISSES VICKERS&quot;" target="&quot;VICKERS FAMILY&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The painting 'The Misses Vickers' features three young ladies from the Vickers Family, making them central subjects of the artwork."</data>
  <data key="d5">"family representation, subjects of art"</data>
  <data key="d6">chunk-53b128fbe07751d33294eee843b7af73</data>
</edge>
<edge source="&quot;THE MISSES VICKERS&quot;" target="&quot;PORTRAIT&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The painting 'The Misses Vickers' exemplifies the concept of portraiture by portraying individual subjects."</data>
  <data key="d5">"artistic style, representation"</data>
  <data key="d6">chunk-53b128fbe07751d33294eee843b7af73</data>
</edge>
<edge source="&quot;VICKERS FAMILY&quot;" target="&quot;BOLSOVER HILL&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Vickers Family resides at Bolsover Hill, which is the setting of the painting."</data>
  <data key="d5">"residence, location"</data>
  <data key="d6">chunk-53b128fbe07751d33294eee843b7af73</data>
</edge>
<edge source="&quot;REAPERS RESTING IN A WHEAT FIELD&quot;" target="&quot;WORCESTERSHIRE&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The painting 'Reapers Resting in a Wheat Field' is set in Worcestershire, capturing the local scene of wheat farming during harvest."</data>
  <data key="d5">"regional depiction, agricultural setting"</data>
  <data key="d6">chunk-a4d2ed002138771e4f674a8b5ab1b220</data>
</edge>
<edge source="&quot;WORCESTERSHIRE&quot;" target="&quot;COTSWOLDS&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Worcestershire is a county that encompasses part of the Cotswolds, where Sargent’s painting is geographically situated."</data>
  <data key="d5">"geographical relationship, regional context"</data>
  <data key="d6">chunk-a4d2ed002138771e4f674a8b5ab1b220</data>
</edge>
<edge source="&quot;CARNATION, LILY, LILY, ROSE&quot;" target="&quot;TATE GALLERY&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The Tate Gallery acquired 'Carnation, Lily, Lily, Rose', marking its importance in art history and public collections."</data>
  <data key="d5">"acquisition, art legacy"</data>
  <data key="d6">chunk-96199271c038c51ddc6bf4e00162fb4e</data>
</edge>
<edge source="&quot;CARNATION, LILY, LILY, ROSE&quot;" target="&quot;FARNHAM HOUSE&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Farnham House is the location where Sargent painted 'Carnation, Lily, Lily, Rose', influencing the scene depicted in the artwork."</data>
  <data key="d5">"location, inspiration"</data>
  <data key="d6">chunk-96199271c038c51ddc6bf4e00162fb4e</data>
</edge>
<edge source="&quot;CARNATION, LILY, LILY, ROSE&quot;" target="&quot;RIVER THAMES&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The River Thames provided inspiration to Sargent for the lighting and atmosphere he aimed to capture in 'Carnation, Lily, Lily, Rose', linking nature and art."</data>
  <data key="d5">"inspiration, nature"</data>
  <data key="d6">chunk-96199271c038c51ddc6bf4e00162fb4e</data>
</edge>
<edge source="&quot;TATE GALLERY&quot;" target="&quot;CHANTREY BEQUEST&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The Tate Gallery acquired 'Carnation, Lily, Lily, Rose' through funds from the Chantrey Bequest, tying financial support to the acquisition of significant art."</data>
  <data key="d5">"funding, acquisition"</data>
  <data key="d6">chunk-96199271c038c51ddc6bf4e00162fb4e</data>
</edge>
<edge source="&quot;DOLLY&quot;" target="&quot;POLLY&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Dolly and Polly are sisters depicted lighting lanterns together in 'Carnation, Lily, Lily, Rose', emphasizing their bond and shared childhood experiences."</data>
  <data key="d5">"sibling bond, childhood"</data>
  <data key="d6">chunk-96199271c038c51ddc6bf4e00162fb4e</data>
</edge>
<edge source="&quot;GASSED&quot;" target="&quot;IMPERIAL WAR MUSEUM&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The painting 'Gassed' is held by the Imperial War Museum, which maintains and displays significant works related to Britain's military history."</data>
  <data key="d5">"artifact preservation, historical significance"</data>
  <data key="d6">chunk-9ccceb2b70e119e13e67a6686d49efd5</data>
</edge>
<edge source="&quot;GASSED&quot;" target="&quot;NATIONAL WORLD WAR ONE MUSEUM&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"'Gassed' is currently on display at the National World War One Museum, showcasing important artworks related to World War I."</data>
  <data key="d5">"exhibition, military history"</data>
  <data key="d6">chunk-9ccceb2b70e119e13e67a6686d49efd5</data>
</edge>
<edge source="&quot;GASSED&quot;" target="&quot;BRITISH WAR MEMORIALS COMMITTEE&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The British War Memorials Committee commissioned 'Gassed' to serve as a visual record of the war, demonstrating their role in documenting the First World War."</data>
  <data key="d5">"commissioning artwork, war memorialization"</data>
  <data key="d6">chunk-9ccceb2b70e119e13e67a6686d49efd5</data>
</edge>
<edge source="&quot;GASSED&quot;" target="&quot;FIRST WORLD WAR&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"'Gassed' is a direct representation of the experiences during the First World War, encapsulating the suffering and realities faced by soldiers."</data>
  <data key="d5">"war representation, historical context"</data>
  <data key="d6">chunk-9ccceb2b70e119e13e67a6686d49efd5</data>
</edge>
<edge source="&quot;GASSED&quot;" target="&quot;PINKISH YELLOW HAZE&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The pinkish yellow haze in 'Gassed' contributes to the painting's emotional atmosphere, representing the effects of the mustard gas attack."</data>
  <data key="d5">"atmospheric symbolism, emotional impact"</data>
  <data key="d6">chunk-9ccceb2b70e119e13e67a6686d49efd5</data>
</edge>
<edge source="&quot;GASSED&quot;" target="&quot;GOLDEN LIGHT&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The golden light in 'Gassed' contrasts with the grim subject matter, adding depth and texture to the visual narrative of the painting."</data>
  <data key="d5">"visual contrast, artistic technique"</data>
  <data key="d6">chunk-9ccceb2b70e119e13e67a6686d49efd5</data>
</edge>
<edge source="&quot;GASSED&quot;" target="&quot;FOOTBALL PLAYERS&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Football players in 'Gassed' represent a stark contrast to the soldiers' suffering, highlighting themes of normalcy amidst chaos."</data>
  <data key="d5">"contrast, normalcy in conflict"</data>
  <data key="d6">chunk-9ccceb2b70e119e13e67a6686d49efd5</data>
</edge>
<edge source="&quot;FIRST WORLD WAR&quot;" target="&quot;CHILDE HASSAM&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Childe Hassam's painting reflects the patriotic sentiment present in the United States shortly before entering the First World War."</data>
  <data key="d5">"patriotic sentiment, historical context"</data>
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</edge>
<edge source="&quot;FIRST WORLD WAR&quot;" target="&quot;ZIMMERMANN TELEGRAM&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The Zimmermann Telegram's release contributed to the US entering the First World War, showcasing the interconnectedness of political events and military actions."</data>
  <data key="d5">"political impact, historical context"</data>
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<edge source="&quot;FIRST WORLD WAR&quot;" target="&quot;BATTLE OF VIMY RIDGE&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"The Battle of Vimy Ridge was a significant event that occurred during the First World War, representing a key moment in the conflict."</data>
  <data key="d5">"historical context, military history"</data>
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<edge source="&quot;WOUNDED SOLDIERS&quot;" target="&quot;DRESSING STATION&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Wounded soldiers depicted in the painting are shown moving towards the dressing station for medical care, highlighting the urgent need for aid."</data>
  <data key="d5">"medical response, urgency"</data>
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<edge source="&quot;WOUNDED SOLDIERS&quot;" target="&quot;MEDICAL ORDERLIES&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Medical orderlies assist the wounded soldiers in 'Gassed', emphasizing the role of caregivers in wartime settings."</data>
  <data key="d5">"caregiving, humanitarian response"</data>
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</edge>
<edge source="&quot;GUARDS DIVISION&quot;" target="&quot;AMERICAN EXPEDITIONARY FORCES&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Guards Division and the American Expeditionary Forces represent allied forces that fought together during the First World War, working towards a common goal."</data>
  <data key="d5">"alliance, military collaboration"</data>
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<edge source="&quot;GENERAL OFFICERS OF WORLD WAR I&quot;" target="&quot;SIR ABRAHAM BAILEY, 1ST BARONET&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Sir Abraham Bailey commissioned the painting 'General Officers of World War I' to honor the generals of the British Empire during the First World War."</data>
  <data key="d5">"commission, commemoration"</data>
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</edge>
<edge source="&quot;GENERAL OFFICERS OF WORLD WAR I&quot;" target="&quot;NATIONAL PORTRAIT GALLERY&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The painting 'General Officers of World War I' was donated to the National Portrait Gallery, which represents a cultural acknowledgment of military leaders."</data>
  <data key="d5">"donation, cultural significance"</data>
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</edge>
<edge source="&quot;GENERAL OFFICERS OF WORLD WAR I&quot;" target="&quot;FIELD MARSHAL SMUTS&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Field Marshal Smuts is depicted in the painting, representing the role of South African leaders within the context of the First World War."</data>
  <data key="d5">"representation, military history"</data>
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<edge source="&quot;GENERAL OFFICERS OF WORLD WAR I&quot;" target="&quot;GENERAL BOTHA&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"General Botha is also included in the painting, highlighting the contribution of South African generals in World War I."</data>
  <data key="d5">"representation, military history"</data>
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</edge>
<edge source="&quot;GENERAL OFFICERS OF WORLD WAR I&quot;" target="&quot;MAJOR-GENERAL LUKIN&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"Major-General Lukin is one of the divisional commanders featured in the painting, further emphasizing rank diversity in the represented generals."</data>
  <data key="d5">"rank diversity, military representation"</data>
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<edge source="&quot;GENERAL OFFICERS OF WORLD WAR I&quot;" target="&quot;GENERAL CURRIE&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"General Currie is represented in the painting as a Canadian general, showcasing the broad contributions of Commonwealth forces during the war."</data>
  <data key="d5">"international representation, military leadership"</data>
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</edge>
<edge source="&quot;GENERAL OFFICERS OF WORLD WAR I&quot;" target="&quot;GENERAL MONASH&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"General Monash's inclusion in the painting signifies the contribution of Australian military leadership in the First World War."</data>
  <data key="d5">"international representation, military leadership"</data>
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</edge>
<edge source="&quot;GENERAL OFFICERS OF WORLD WAR I&quot;" target="&quot;MAJOR-GENERAL RUSSELL&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"Major-General Russell's presence in the painting represents New Zealand's involvement in the military efforts during World War I."</data>
  <data key="d5">"international representation, military leadership"</data>
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<edge source="&quot;CHILDE HASSAM&quot;" target="&quot;THE AVENUE IN THE RAIN&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Childe Hassam is the creator of The Avenue in the Rain, showcasing his artistic style and patriotic themes through the painting."</data>
  <data key="d5">"artistic creation, patriotism"</data>
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<edge source="&quot;THE AVENUE IN THE RAIN&quot;" target="&quot;WHITE HOUSE&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The Avenue in the Rain is part of the permanent art collection of the White House, illustrating its significance in American art history."</data>
  <data key="d5">"art collection, significance"</data>
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<edge source="&quot;THE AVENUE IN THE RAIN&quot;" target="&quot;NEW YORK CITY&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Avenue in the Rain depicts the urban landscape of New York City, capturing a moment in its history through art."</data>
  <data key="d5">"urban depiction, historical context"</data>
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<edge source="&quot;THE AVENUE IN THE RAIN&quot;" target="&quot;THOMAS MELLON EVANS&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Thomas Mellon Evans donated The Avenue in the Rain to the White House, ensuring its place in a significant art collection."</data>
  <data key="d5">"art donation, patronage"</data>
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<edge source="&quot;THE AVENUE IN THE RAIN&quot;" target="&quot;FEBRUARY 1917&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"February 1917 marks the creation of The Avenue in the Rain, connecting the timeline of the painting with its historical context."</data>
  <data key="d5">"art creation, historical significance"</data>
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<edge source="&quot;THE AVENUE IN THE RAIN&quot;" target="&quot;BILL CLINTON&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Bill Clinton displayed The Avenue in the Rain in the Oval Office, highlighting its importance in American culture and history."</data>
  <data key="d5">"cultural significance, presidential display"</data>
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</edge>
<edge source="&quot;THE AVENUE IN THE RAIN&quot;" target="&quot;BARACK OBAMA&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Barack Obama also showcased The Avenue in the Rain in the Oval Office, emphasizing its continued relevance in American art history."</data>
  <data key="d5">"cultural significance, presidential display"</data>
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</edge>
<edge source="&quot;NEW YORK CITY&quot;" target="&quot;FRICK COLLECTION&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"The Frick Collection is situated in New York City, highlighting the city's role as a center for arts and culture."</data>
  <data key="d5">"location, cultural hub"</data>
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<edge source="&quot;RICHARD JACK&quot;" target="&quot;BATTLE OF VIMY RIDGE&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Richard Jack created the artwork titled Battle of Vimy Ridge, which depicts this significant historical event."</data>
  <data key="d5">"artistic representation, historical significance"</data>
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<edge source="&quot;BATTLE OF VIMY RIDGE&quot;" target="&quot;CANADIAN CORPS&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"The Canadian Corps was the main combatant involved in the Battle of Vimy Ridge, playing a critical role in its success."</data>
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<edge source="&quot;BATTLE OF VIMY RIDGE&quot;" target="&quot;GERMAN 6TH ARMY&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The German 6th Army was the opposing force against the Canadian Corps during the Battle of Vimy Ridge."</data>
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<edge source="&quot;BATTLE OF VIMY RIDGE&quot;" target="&quot;VIMY RIDGE&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Vimy Ridge is the geographical location where the Battle of Vimy Ridge took place, crucial for military strategy."</data>
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<edge source="&quot;BATTLE OF VIMY RIDGE&quot;" target="&quot;NORD-PAS-DE-CALAIS&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Nord-Pas-de-Calais is the region where the Battle of Vimy Ridge occurred, highlighting its historical relevance."</data>
  <data key="d5">"geographical significance, historical context"</data>
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<edge source="&quot;BATTLE OF VIMY RIDGE&quot;" target="&quot;CANADIAN NATIONAL VIMY MEMORIAL&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Canadian National Vimy Memorial commemorates the soldiers who fought in the Battle of Vimy Ridge, symbolizing national achievement and sacrifice."</data>
  <data key="d5">"commemoration, historical significance"</data>
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<edge source="&quot;BATTLE PAINTING&quot;" target="&quot;OFFICER OF THE CHASSEURS CHARGING ON HORSEBACK&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The painting Officer of the Chasseurs Charging on Horseback exemplifies the genre of battle painting through its representation of military action."</data>
  <data key="d5">"genre illustration, military action"</data>
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<edge source="&quot;THÉODORE GÉRICAULT&quot;" target="&quot;OFFICER OF THE CHASSEURS CHARGING ON HORSEBACK&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Théodore Géricault created the painting Officer of the Chasseurs Charging on Horseback, showcasing his artistic style and techniques."</data>
  <data key="d5">"artistic creation, Romanticism"</data>
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<edge source="&quot;THÉODORE GÉRICAULT&quot;" target="&quot;THE RAFT OF THE MEDUSA&quot;">
  <data key="d3">16.0</data>
  <data key="d4">"Théodore Géricault created the painting 'The Raft of the Medusa' to document and dramatize the historical event that captivated the public's interest."&lt;SEP&gt;"Théodore Géricault's later work, The Raft of the Medusa, signifies his evolution as an artist and further departure from classicism, following his earlier piece."</data>
  <data key="d5">"artistic evolution, departure from classicism"&lt;SEP&gt;"artistic representation, historical significance"</data>
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<edge source="&quot;THÉODORE GÉRICAULT&quot;" target="&quot;NAPOLEONIC CAVALRY OFFICER&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Théodore Géricault portrays the Napoleonic cavalry officer in his painting, highlighting themes of heroism and valor."</data>
  <data key="d5">"historical representation, heroism"</data>
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<edge source="&quot;THÉODORE GÉRICAULT&quot;" target="&quot;THE WOUNDED CUIRASSIER&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Théodore Géricault is the creator of the painting The Wounded Cuirassier, showcasing his artistic talent and historical perspective on battle."</data>
  <data key="d5">"artistic creation, historical significance"</data>
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<edge source="&quot;THÉODORE GÉRICAULT&quot;" target="&quot;THE EPSOM DERBY&quot;">
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  <data key="d4">"Théodore Géricault created The Epsom Derby, demonstrating his artistic focus and talents in capturing the theme of horses."</data>
  <data key="d5">"artistic creation, equine themes"</data>
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<edge source="&quot;THÉODORE GÉRICAULT&quot;" target="&quot;ADAM ELMORE&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Théodore Géricault painted The Epsom Derby for Adam Elmore, highlighting the commission relationship between the artist and the dealer."</data>
  <data key="d5">"commission, artistic patronage"</data>
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<edge source="&quot;THÉODORE GÉRICAULT&quot;" target="&quot;THE 1821 DERBY AT EPSOM&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The 1821 Derby at Epsom is the event represented in Théodore Géricault's painting, showing the artist's focus on this significant historical race."</data>
  <data key="d5">"event representation, historical context"</data>
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<edge source="&quot;THÉODORE GÉRICAULT&quot;" target="&quot;EADWEARD MUYBRIDGE&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Eadweard Muybridge's discoveries regarding horse movement are relevant to understanding the artistic choices made by Théodore Géricault in his depiction of horses."</data>
  <data key="d5">"motion studies, artistic influence"</data>
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<edge source="&quot;THÉODORE GÉRICAULT&quot;" target="&quot;ÉTIENNE-JEAN GEORGET&quot;">
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  <data key="d4">"Géricault was commissioned by Georget to create the series of portraits, which aimed to represent various types of madness."&lt;SEP&gt;"Théodore Géricault collaborated with psychiatrist Étienne-Jean Georget, leading to the creation of paintings representing mental patients."</data>
  <data key="d5">"collaboration, mental health"&lt;SEP&gt;"commission, artistic collaboration"</data>
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<edge source="&quot;THÉODORE GÉRICAULT&quot;" target="&quot;PORTRAIT OF A KLEPTOMANIAC&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Géricault created the Portrait of a Kleptomaniac as part of his series depicting mental illness, showcasing expressive realism."</data>
  <data key="d5">"artwork, representation of madness"</data>
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<edge source="&quot;THÉODORE GÉRICAULT&quot;" target="&quot;SALPÊTRIÈRE ASYLUM&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Géricault's portraits were based on inmates at Salpêtrière Asylum, highlighting the link between art and psychiatry."</data>
  <data key="d5">"mental health, artistic representation"</data>
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<edge source="&quot;THÉODORE GÉRICAULT&quot;" target="&quot;IMPRESSIONISTS&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Géricault's techniques anticipated the concerns of the Impressionists, contributing to the evolution of modern art."</data>
  <data key="d5">"art historical context, evolution of style"</data>
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<edge source="&quot;THÉODORE GÉRICAULT&quot;" target="&quot;THE WOMAN WITH GAMBLING MANIA&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Théodore Géricault created The Woman with Gambling Mania as part of his exploration of mental health issues through art."</data>
  <data key="d5">"artistic creation, exploration of insanity"</data>
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<edge source="&quot;THÉODORE GÉRICAULT&quot;" target="&quot;THEORY OF THE HUMAN MIND&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Géricault's work, including The Woman with Gambling Mania, reflects the theories and interests regarding the human mind and mental illness during his time."</data>
  <data key="d5">"artistic exploration, mental health"</data>
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<edge source="&quot;THÉODORE GÉRICAULT&quot;" target="&quot;SERIES OF TEN PORTRAITS&quot;">
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  <data key="d4">"Géricault created The Woman with Gambling Mania as part of a series of ten portraits focused on individuals with manias, emphasizing his broader thematic concerns."</data>
  <data key="d5">"series, thematic exploration"</data>
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<edge source="&quot;THE RAFT OF THE MEDUSA&quot;" target="&quot;FRENCH FRIGATE MÉDUSE&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The French frigate Méduse was the ship involved in the scandalous shipwreck, leading to the creation of the artwork that depicts the event."</data>
  <data key="d5">"historical event, naval tragedy"</data>
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<edge source="&quot;THE RAFT OF THE MEDUSA&quot;" target="&quot;SURVIVORS&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The survivors of the raft are pivotal to the narrative of 'The Raft of the Medusa,' as their experiences shaped public perceptions of the event."</data>
  <data key="d5">"personal struggle, public interest"</data>
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<edge source="&quot;THE WOUNDED CUIRASSIER&quot;" target="&quot;BROOKLYN MUSEUM&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The painting The Wounded Cuirassier is also held at the Brooklyn Museum, reflecting its value in art collections."</data>
  <data key="d5">"art preservation, cultural significance"</data>
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</edge>
<edge source="&quot;FRENCH FRIGATE MÉDUSE&quot;" target="&quot;LOUIS XVIII&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"Louis XVIII's appointment of Hugues Duroy de Chaumereys as captain is associated with the incompetence that led to the tragic events surrounding the frigate Méduse."</data>
  <data key="d5">"political influence, naval incompetence"</data>
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<edge source="&quot;FRENCH FRIGATE MÉDUSE&quot;" target="&quot;SAINT-LOUIS&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Saint-Louis was the destination for the French frigate Méduse, which aimed to accept the British return of Senegal following the Peace of Paris."</data>
  <data key="d5">"naval mission, geopolitical context"</data>
  <data key="d6">chunk-f3aab66f151ba3c18dce8f45124c0b7d</data>
</edge>
<edge source="&quot;FRENCH FRIGATE MÉDUSE&quot;" target="&quot;ROCHEFORT&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Rochefort was the port from which the French frigate Méduse departed, marking the beginning of the disastrous journey."</data>
  <data key="d5">"departure point, naval operation"</data>
  <data key="d6">chunk-f3aab66f151ba3c18dce8f45124c0b7d</data>
</edge>
<edge source="&quot;GUSTAVE COURBET&quot;" target="&quot;PIERRE-AUGUSTE RENOIR&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"Pierre-Auguste Renoir was influenced by Gustave Courbet's techniques during the early stages of his artistic development."</data>
  <data key="d5">"influence, artistic development"</data>
  <data key="d6">chunk-7ee75c18cf080cd60a5878641ff20a7f</data>
</edge>
<edge source="&quot;PORTRAIT OF A KLEPTOMANIAC&quot;" target="&quot;MUSEUM OF FINE ARTS, GHENT&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The painting is currently housed in the Museum of Fine Arts, Ghent, indicating its cultural significance and preservation."</data>
  <data key="d5">"art preservation, cultural heritage"</data>
  <data key="d6">chunk-3c7823dce797d485906c90174cff2bd4</data>
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<edge source="&quot;PORTRAIT OF A KLEPTOMANIAC&quot;" target="&quot;ROMANTIC ART&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The painting is a significant example of Romantic Art, emphasizing emotion through the portrayal of a mentally ill individual."</data>
  <data key="d5">"art movement, emotional expression"</data>
  <data key="d6">chunk-3c7823dce797d485906c90174cff2bd4</data>
</edge>
<edge source="&quot;PORTRAIT OF A KLEPTOMANIAC&quot;" target="&quot;THE WOMAN WITH GAMBLING MANIA&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Both paintings are part of Géricault's series depicting people with manias, addressing similar themes of mental illness."</data>
  <data key="d5">"thematic connection, series"</data>
  <data key="d6">chunk-013c9b566a74fe0a406319895832f79e</data>
</edge>
<edge source="&quot;ÉTIENNE-JEAN GEORGET&quot;" target="&quot;MENTAL ILLNESS&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Georget's work in psychiatry aligns with the portrayal of Mental Illness in Géricault's portraits, indicating a scientific approach to the subject."</data>
  <data key="d5">"psychological representation, medical perspective"</data>
  <data key="d6">chunk-3c7823dce797d485906c90174cff2bd4</data>
</edge>
<edge source="&quot;DEMENTIA&quot;" target="&quot;GÉRICAULT'S PORTRAITS&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Géricault's portraits aim to illustrate different types of madness, including Dementia, reflecting contemporary thoughts on mental health."</data>
  <data key="d5">"artistic exploration, mental health"</data>
  <data key="d6">chunk-3c7823dce797d485906c90174cff2bd4</data>
</edge>
<edge source="&quot;THE WOMAN WITH GAMBLING MANIA&quot;" target="&quot;INSANE WOMAN&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Woman with Gambling Mania and Insane Woman are both part of Géricault's series that explores various mental conditions."</data>
  <data key="d5">"thematic connection, series"</data>
  <data key="d6">chunk-013c9b566a74fe0a406319895832f79e</data>
</edge>
<edge source="&quot;JEAN-FRANÇOIS MILLET&quot;" target="&quot;THE GLEANERS&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Jean-François Millet is the artist who created 'The Gleaners,' a significant painting that reflects his artistic focus on rural life."</data>
  <data key="d5">"artistic creation, social commentary"</data>
  <data key="d6">chunk-2c51aa83d8b3b7e3926013e9d26fb179</data>
</edge>
<edge source="&quot;JEAN-FRANÇOIS MILLET&quot;" target="&quot;THE ANGELUS&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Millet is the artist who created 'The Angelus', which is a key part of his artistic portfolio and story."."</data>
  <data key="d5">"artistic creation, masterpiece"</data>
  <data key="d6">chunk-eb306e68cf3b8b870da2df7e9aa32533</data>
</edge>
<edge source="&quot;JEAN-FRANÇOIS MILLET&quot;" target="&quot;BARBIZON SCHOOL&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Millet was a notable member of the Barbizon school, contributing to the movement's focus on natural and rural scenes."."</data>
  <data key="d5">"artistic movement, influence"</data>
  <data key="d6">chunk-eb306e68cf3b8b870da2df7e9aa32533</data>
</edge>
<edge source="&quot;THE GLEANERS&quot;" target="&quot;FERDINAND BISCHOFFSHEIM&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Ferdinand Bischoffsheim owned 'The Gleaners,' highlighting its increase in value and desirability over time."</data>
  <data key="d5">"art ownership, investment"</data>
  <data key="d6">chunk-2c51aa83d8b3b7e3926013e9d26fb179</data>
</edge>
<edge source="&quot;THE GLEANERS&quot;" target="&quot;JEANNE-ALEXANDRINE LOUISE POMMERY&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Jeanne-Alexandrine Louise Pommery is associated with 'The Gleaners' as a buyer, representing the painting's elevated status in the art world."</data>
  <data key="d5">"art acquisition, prestige"</data>
  <data key="d6">chunk-2c51aa83d8b3b7e3926013e9d26fb179</data>
</edge>
<edge source="&quot;THE GLEANERS&quot;" target="&quot;THE ANGELUS&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"'The Gleaners' is a notable work by Millet, which was sold prior to 'The Angelus', connecting them through the artist's career."."</data>
  <data key="d5">"art career, artistic progression"</data>
  <data key="d6">chunk-eb306e68cf3b8b870da2df7e9aa32533</data>
</edge>
<edge source="&quot;THE SALON&quot;" target="&quot;THE FLOOR SCRAPERS&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The Salon's rejection of 'The Floor Scrapers' highlights the cultural tensions regarding the representation of working-class subjects in art."</data>
  <data key="d5">"art rejection, cultural critique"</data>
  <data key="d6">chunk-5387a9f92c6290746c3974533e905a95</data>
</edge>
<edge source="&quot;THE ANGELUS&quot;" target="&quot;THOMAS GOLD APPLETON&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Appleton commissioned 'The Angelus' from Millet, making him an important figure in the painting's backstory."."</data>
  <data key="d5">"commission, art collector"</data>
  <data key="d6">chunk-eb306e68cf3b8b870da2df7e9aa32533</data>
</edge>
<edge source="&quot;THE ANGELUS&quot;" target="&quot;CHAILLY-EN-BIÈRE&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The scene in 'The Angelus' includes the church tower of Chailly-en-Bière, which is a significant element of the painting's setting."."</data>
  <data key="d5">"setting, cultural significance"</data>
  <data key="d6">chunk-eb306e68cf3b8b870da2df7e9aa32533</data>
</edge>
<edge source="&quot;THE ANGELUS&quot;" target="&quot;LÉON GAMBETTA&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Gambetta's admiration for 'The Angelus' signifies its cultural and artistic relevance in France."."</data>
  <data key="d5">"artistic impact, cultural significance"</data>
  <data key="d6">chunk-eb306e68cf3b8b870da2df7e9aa32533</data>
</edge>
<edge source="&quot;THE ANGELUS&quot;" target="&quot;SALVADOR DALÍ&quot;">
  <data key="d3">5.0</data>
  <data key="d4">"Dalí's interpretation of 'The Angelus' as a funeral scene offers a starkly different perspective on the painting's meaning."."</data>
  <data key="d5">"artistic interpretation, contrasting views"</data>
  <data key="d6">chunk-eb306e68cf3b8b870da2df7e9aa32533</data>
</edge>
<edge source="&quot;THE ANGELUS&quot;" target="&quot;JULES VAN PRAËT&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Van Praët acknowledged 'The Angelus' as a masterpiece, further solidifying its place in art history."."</data>
  <data key="d5">"artistic recognition, value"</data>
  <data key="d6">chunk-eb306e68cf3b8b870da2df7e9aa32533</data>
</edge>
<edge source="&quot;THE ANGELUS&quot;" target="&quot;PRAYER FOR THE POTATO CROP&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"The renaming of 'Prayer for the Potato Crop' to 'The Angelus' reflects Millet's evolving artistic vision."."</data>
  <data key="d5">"artistic evolution, title change"</data>
  <data key="d6">chunk-eb306e68cf3b8b870da2df7e9aa32533</data>
</edge>
<edge source="&quot;YOUNG SPARTANS EXERCISING&quot;" target="&quot;SPARTA&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The artwork depicts youth from Sparta and directly relates to the cultural and historical representation of the city-state."</data>
  <data key="d5">"historical context, cultural representation"</data>
  <data key="d6">chunk-05d3994d1da7a9390d2f95fa4beac3b5</data>
</edge>
<edge source="&quot;SPARTA&quot;" target="&quot;MONT TAYGETUS&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"Sparta is geographically linked to Mount Taygetus, which plays a significant role in the cultural narratives surrounding Spartan society."</data>
  <data key="d5">"geographical context, cultural narratives"</data>
  <data key="d6">chunk-05d3994d1da7a9390d2f95fa4beac3b5</data>
</edge>
<edge source="&quot;ART INSTITUTE OF CHICAGO&quot;" target="&quot;PARIS, A RAINY DAY&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The Art Institute of Chicago owns the painting 'Paris, a Rainy Day', and it is housed in their collection."</data>
  <data key="d5">"ownership, art collection"</data>
  <data key="d6">chunk-fb8111be9df1d8dfa0bc70ae25ccb73c</data>
</edge>
<edge source="&quot;ART INSTITUTE OF CHICAGO&quot;" target="&quot;JACQUES AND BERTHE LIPCHITZ&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The painting 'Jacques and Berthe Lipchitz' is part of the Art Institute of Chicago collection, symbolizing its artistic value and heritage."</data>
  <data key="d5">"art collection, significance"</data>
  <data key="d6">chunk-78c585b69c00e58d98421de00e5b352d</data>
</edge>
<edge source="&quot;ART INSTITUTE OF CHICAGO&quot;" target="&quot;HELEN BIRCH BARTLETT MEMORIAL COLLECTION&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Art Institute of Chicago is home to the Helen Birch Bartlett Memorial Collection, which includes notable artworks such as Modigliani's painting."</data>
  <data key="d5">"art collection, institutional legacy"</data>
  <data key="d6">chunk-78c585b69c00e58d98421de00e5b352d</data>
</edge>
<edge source="&quot;MUSÉE D'ORSAY&quot;" target="&quot;PORTRAITS AT THE STOCK EXCHANGE&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The painting is currently housed in the Musée d'Orsay, highlighting its context within French art history and exhibition."</data>
  <data key="d5">"art exhibition, historical context"</data>
  <data key="d6">chunk-d958e23374049315b611435d93c1e9fc</data>
</edge>
<edge source="&quot;MUSÉE D'ORSAY&quot;" target="&quot;DANCE AT MOULIN DE LA GALETTE&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Dance at Moulin de la Galette is housed in the Musée d'Orsay, indicating the museum's role in preserving and showcasing the artwork."</data>
  <data key="d5">"exhibition, preservation"</data>
  <data key="d6">chunk-7cca6799e635827e361bddda13be95c1</data>
</edge>
<edge source="&quot;MUSÉE D'ORSAY&quot;" target="&quot;DANCE IN THE COUNTRY&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Dance in the Country is currently housed at the Musée d'Orsay, highlighting its importance as part of the museum's collection."</data>
  <data key="d5">"art collection, cultural significance"</data>
  <data key="d6">chunk-e79dc155c657195ee2421c5a2b34b297</data>
</edge>
<edge source="&quot;MUSÉE D'ORSAY&quot;" target="&quot;GIRLS AT THE PIANO&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"'Girls at the Piano' is on public display at the Musée d'Orsay, showcasing its significance in the museum's collection."</data>
  <data key="d5">"art display, public collection"</data>
  <data key="d6">chunk-3695dd39f98802204c22b00e17ec020d</data>
</edge>
<edge source="&quot;MUSÉE D'ORSAY&quot;" target="&quot;THE PARQUET PLANERS (THE FLOOR SCRAPERS)&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"'The Parquet Planers' is currently displayed at the Musée d'Orsay, showcasing its significance as a masterpiece of the Impressionist movement."</data>
  <data key="d5">"art display, cultural significance"</data>
  <data key="d6">chunk-5387a9f92c6290746c3974533e905a95</data>
</edge>
<edge source="&quot;LAURA BELLELLI&quot;" target="&quot;GENNARO BELLELLI&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Laura and Gennaro Bellelli are husband and wife, depicted in Degas's painting, their relationship reflecting tensions and differing roles within their family."</data>
  <data key="d5">"marital dynamics, family tension"</data>
  <data key="d6">chunk-4c7cfcb707cd269b60b65bb04093136b</data>
</edge>
<edge source="&quot;LAURA BELLELLI&quot;" target="&quot;GIULIA BELLELLI&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Laura Bellelli is the mother of Giulia, depicted alongside her daughters in the painting, emphasizing maternal connections and dynamics within the family."</data>
  <data key="d5">"maternal bond, familial connection"</data>
  <data key="d6">chunk-4c7cfcb707cd269b60b65bb04093136b</data>
</edge>
<edge source="&quot;LAURA BELLELLI&quot;" target="&quot;GIOVANNA BELLELLI&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Laura Bellelli is also the mother of Giovanna, illustrating her nurturing role and the nuances of family life reflected in Degas's artwork."</data>
  <data key="d5">"maternal bond, familial connection"</data>
  <data key="d6">chunk-4c7cfcb707cd269b60b65bb04093136b</data>
</edge>
<edge source="&quot;GENNARO BELLELLI&quot;" target="&quot;GIULIA BELLELLI&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"Gennaro is the father of Giulia, and their contrasting depictions in the painting illustrate the differing dynamics within the family."</data>
  <data key="d5">"parent-child relationship, family dynamics"</data>
  <data key="d6">chunk-4c7cfcb707cd269b60b65bb04093136b</data>
</edge>
<edge source="&quot;GENNARO BELLELLI&quot;" target="&quot;GIOVANNA BELLELLI&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"Gennaro is the father of Giovanna, with their roles in the painting highlighting the complexities of fatherhood and family tensions."</data>
  <data key="d5">"parent-child relationship, family dynamics"</data>
  <data key="d6">chunk-4c7cfcb707cd269b60b65bb04093136b</data>
</edge>
<edge source="&quot;FLORENCE&quot;" target="&quot;ALEARDO ALEARDI&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Aleardo Aleardi lived and worked in Florence, where he contributed as a professor of aesthetics."</data>
  <data key="d5">"academic contribution"</data>
  <data key="d6">chunk-2fe3954386fc8712317fa688b8c22f37</data>
</edge>
<edge source="&quot;NAPLES&quot;" target="&quot;FRANCESCO HAYEZ&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Francesco Hayez stayed in Naples to work for his patron Vincenzo Ruffo, marking the city's connection to his art production."</data>
  <data key="d5">"artistic residence, patronage"</data>
  <data key="d6">chunk-6540a1dcb466d96118815be76a9ce7fa</data>
</edge>
<edge source="&quot;NAPLES&quot;" target="&quot;VINCENZO RUFFO, PRINCIPE DI SANT'ANTIMO&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Vincenzo Ruffo, as Hayez's patron, had a significant influence on the artistic environment in Naples during Hayez's stay."</data>
  <data key="d5">"patronage, artistic influence"</data>
  <data key="d6">chunk-6540a1dcb466d96118815be76a9ce7fa</data>
</edge>
<edge source="&quot;COMTE LE PIC AND HIS SONS&quot;" target="&quot;LUDOVIC LEPIC&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Ludovic Lepic is featured in the portrait Comte Le Pic and his Sons, representing his role in social context.")</data>
  <data key="d5">"social connection, artistic depiction"</data>
  <data key="d6">chunk-fb4531a7f012c606c26bf62b16100b3f</data>
</edge>
<edge source="&quot;LUDOVIC LEPIC AND HIS DAUGHTERS&quot;" target="&quot;FOUNDATION E.G. BÜHRLE&quot;">
  <data key="d3">18.0</data>
  <data key="d4">"Ludovic Lepic and His Daughters was stolen from Foundation E.G. Bührle, illustrating the foundation's role in the art world and its collection of significant artworks.")&lt;SEP&gt;"The theft of Ludovic Lepic and His Daughters from Foundation E.G. Bührle highlights issues of art security and collection integrity.")</data>
  <data key="d5">"art security, collection integrity"&lt;SEP&gt;"art theft, collection"</data>
  <data key="d6">chunk-fb4531a7f012c606c26bf62b16100b3f</data>
</edge>
<edge source="&quot;LUDOVIC LEPIC AND HIS DAUGHTERS&quot;" target="&quot;LUDOVIC-NAPOLÉON LEPIC&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Ludovic-Napoléon Lepic is the father depicted in Degas's painting, showcasing the theme of family.")</data>
  <data key="d5">"family theme, artistic portrayal"</data>
  <data key="d6">chunk-fb4531a7f012c606c26bf62b16100b3f</data>
</edge>
<edge source="&quot;LUDOVIC LEPIC AND HIS DAUGHTERS&quot;" target="&quot;LEPIC'S DAUGHTERS&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Lepic's Daughters are central figures in the painting Ludovic Lepic and His Daughters, highlighting their familial connection.")</data>
  <data key="d5">"family theme, artistic representation"</data>
  <data key="d6">chunk-fb4531a7f012c606c26bf62b16100b3f</data>
</edge>
<edge source="&quot;FOUNDATION E.G. BÜHRLE&quot;" target="&quot;SWITZERLAND&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Foundation E.G. Bührle is located in Switzerland, contributing to the country’s cultural landscape and art preservation efforts.")</data>
  <data key="d5">"cultural institution, art preservation"</data>
  <data key="d6">chunk-fb4531a7f012c606c26bf62b16100b3f</data>
</edge>
<edge source="&quot;LUDOVIC-NAPOLÉON LEPIC&quot;" target="&quot;PLACE DE LA CONCORDE&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Ludovic-Napoléon Lepic is featured in Degas's painting at Place de la Concorde, illustrating social relations of the time."</data>
  <data key="d5">"artistic portrayal, social context"</data>
  <data key="d6">chunk-d5e59a7034440f4df8140acf368ff106</data>
</edge>
<edge source="&quot;PLACE DE LA CONCORDE&quot;" target="&quot;THE TUILERIES GARDENS&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The Tuileries Gardens serve as a backdrop to the scene depicted in the painting, enhancing its geographical context."</data>
  <data key="d5">"geographical significance, setting"</data>
  <data key="d6">chunk-d5e59a7034440f4df8140acf368ff106</data>
</edge>
<edge source="&quot;A COTTON OFFICE IN NEW ORLEANS&quot;" target="&quot;MICHAEL MUSSON&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Michael Musson is depicted in the painting, representing his cotton brokerage business, which was significant to the artwork's context."</data>
  <data key="d5">"family connection, business representation"</data>
  <data key="d6">chunk-67a7050b07298b457130f02b2fc6b413</data>
</edge>
<edge source="&quot;A COTTON OFFICE IN NEW ORLEANS&quot;" target="&quot;RENE DEGAS&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Rene Degas is portrayed in the painting, contributing to the representation of a family business environment."</data>
  <data key="d5">"family dynamics, workplace depiction"</data>
  <data key="d6">chunk-67a7050b07298b457130f02b2fc6b413</data>
</edge>
<edge source="&quot;A COTTON OFFICE IN NEW ORLEANS&quot;" target="&quot;ACHILLE DEGAS&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"Achille Degas is included in the painting, showcasing family involvement in the business atmosphere of the cotton exchange."</data>
  <data key="d5">"family dynamics, depiction"</data>
  <data key="d6">chunk-67a7050b07298b457130f02b2fc6b413</data>
</edge>
<edge source="&quot;A COTTON OFFICE IN NEW ORLEANS&quot;" target="&quot;MUSEE DES BEAUX-ARTS&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"A Cotton Office in New Orleans was sold to Musee des Beaux-Arts in 1878, marking a significant milestone in Degas's career."</data>
  <data key="d5">"art sale, career transition"</data>
  <data key="d6">chunk-67a7050b07298b457130f02b2fc6b413</data>
</edge>
<edge source="&quot;MICHAEL MUSSON&quot;" target="&quot;RENE DEGAS&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Rene Degas worked for Michael Musson's cotton brokerage, showing a direct relationship in the business context depicted in the painting."</data>
  <data key="d5">"business relationship, familial ties"</data>
  <data key="d6">chunk-67a7050b07298b457130f02b2fc6b413</data>
</edge>
<edge source="&quot;HERMITAGE MUSEUM&quot;" target="&quot;WORLD WAR II&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The painting was eventually exhibited in the Hermitage Museum after being lost following World War II, highlighting a historical connection."</data>
  <data key="d5">"historical recovery, exhibition"</data>
  <data key="d6">chunk-d5e59a7034440f4df8140acf368ff106</data>
</edge>
<edge source="&quot;PORTRAITS AT THE STOCK EXCHANGE&quot;" target="&quot;PARIS STOCK EXCHANGE&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The painting captures a scene within the Paris Stock Exchange, depicting a moment of interaction among key figures in a financial setting."</data>
  <data key="d5">"financial interaction, artistry"</data>
  <data key="d6">chunk-d958e23374049315b611435d93c1e9fc</data>
</edge>
<edge source="&quot;PORTRAITS AT THE STOCK EXCHANGE&quot;" target="&quot;ERNEST MAY&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Ernest May owned the painting when it was first exhibited, linking him directly to its early history and significance."</data>
  <data key="d5">"ownership, historical significance"</data>
  <data key="d6">chunk-d958e23374049315b611435d93c1e9fc</data>
</edge>
<edge source="&quot;PORTRAITS AT THE STOCK EXCHANGE&quot;" target="&quot;M. BOLÂTRE&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"M. Bolâtre appears in the painting alongside Ernest May, indicating his role in the financial discussions depicted."</data>
  <data key="d5">"collaboration, financial discussion"</data>
  <data key="d6">chunk-d958e23374049315b611435d93c1e9fc</data>
</edge>
<edge source="&quot;MISS LA LA AT THE CIRQUE FERNANDO&quot;" target="&quot;CIRQUE FERNANDO&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The painting depicts the circus performance at Cirque Fernando, establishing a direct connection between the two."</data>
  <data key="d5">"performance, artistic depiction"</data>
  <data key="d6">chunk-c3ddb27456b73fe3fcb2e07f372b1611</data>
</edge>
<edge source="&quot;MISS LA LA AT THE CIRQUE FERNANDO&quot;" target="&quot;MISS LA LA&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Miss La La is the main subject of the painting, directly linking her to the artwork."</data>
  <data key="d5">"artistic subject, representation"</data>
  <data key="d6">chunk-c3ddb27456b73fe3fcb2e07f372b1611</data>
</edge>
<edge source="&quot;MISS LA LA AT THE CIRQUE FERNANDO&quot;" target="&quot;COURTAULD FUND&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Courtauld Fund facilitated the purchase of Degas's painting, connecting the organization to the artwork."</data>
  <data key="d5">"acquisition, organizational impact"</data>
  <data key="d6">chunk-c3ddb27456b73fe3fcb2e07f372b1611</data>
</edge>
<edge source="&quot;CIRQUE FERNANDO&quot;" target="&quot;MONTMARTRE&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Montmartre is the geographical location where the Cirque Fernando was situated, establishing a direct geographical connection."</data>
  <data key="d5">"location, cultural significance"</data>
  <data key="d6">chunk-c3ddb27456b73fe3fcb2e07f372b1611</data>
</edge>
<edge source="&quot;ALFRED SISLEY&quot;" target="&quot;THE TERRACE AT SAINT-GERMAIN, SPRING&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Alfred Sisley is the creator of The Terrace at Saint-Germain, Spring, illustrating his work in the Impressionist movement."</data>
  <data key="d5">"artistic creation, Impressionism"</data>
  <data key="d6">chunk-f0e87b2f10a742e958092eb0f8655aa9</data>
</edge>
<edge source="&quot;ALFRED SISLEY&quot;" target="&quot;RENOIR&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"Renoir and Alfred Sisley were peers in the Impressionist movement, with Sisley historically believed to be depicted in La Promenade."</data>
  <data key="d5">"artistic collaboration, peer influence"</data>
  <data key="d6">chunk-efc7ffb626375d9b3d792b58a7b0d4c9</data>
</edge>
<edge source="&quot;THE TERRACE AT SAINT-GERMAIN, SPRING&quot;" target="&quot;THE WALTERS ART MUSEUM&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The Walters Art Museum houses The Terrace at Saint-Germain, Spring as part of its art collection."</data>
  <data key="d5">"art collection, exhibition"</data>
  <data key="d6">chunk-f0e87b2f10a742e958092eb0f8655aa9</data>
</edge>
<edge source="&quot;THE TERRACE AT SAINT-GERMAIN, SPRING&quot;" target="&quot;ROBERT E. LEE PARK&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"A reproduction of The Terrace at Saint-Germain, Spring was displayed at Robert E. Lee Park during the Off the Wall exhibition."</data>
  <data key="d5">"art exhibition, reproduction"</data>
  <data key="d6">chunk-f0e87b2f10a742e958092eb0f8655aa9</data>
</edge>
<edge source="&quot;THE TERRACE AT SAINT-GERMAIN, SPRING&quot;" target="&quot;SEINE VALLEY&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The Terrace at Saint-Germain, Spring depicts the Seine Valley, highlighting the beauty of this significant geographical feature."</data>
  <data key="d5">"geographical depiction, beauty"</data>
  <data key="d6">chunk-f0e87b2f10a742e958092eb0f8655aa9</data>
</edge>
<edge source="&quot;THE TERRACE AT SAINT-GERMAIN, SPRING&quot;" target="&quot;CHATEAU&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The chateau in the painting lends historical context, representing royal connections until 1682."</data>
  <data key="d5">"historical significance, royal connections"</data>
  <data key="d6">chunk-f0e87b2f10a742e958092eb0f8655aa9</data>
</edge>
<edge source="&quot;THE TERRACE AT SAINT-GERMAIN, SPRING&quot;" target="&quot;STEAM-POWERED TUGBOATS&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The depiction of steam-powered tugboats in the painting shows the intersection of nature and industrial progress."</data>
  <data key="d5">"industrial progress, nature"</data>
  <data key="d6">chunk-f0e87b2f10a742e958092eb0f8655aa9</data>
</edge>
<edge source="&quot;THE TERRACE AT SAINT-GERMAIN, SPRING&quot;" target="&quot;RAILROAD BRIDGE&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The railroad bridge represents the technological advancements of the era captured in the painting, alongside the pastoral setting."</data>
  <data key="d5">"technology, pastoral setting"</data>
  <data key="d6">chunk-f0e87b2f10a742e958092eb0f8655aa9</data>
</edge>
<edge source="&quot;THE WALTERS ART MUSEUM&quot;" target="&quot;OFF THE WALL&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Off the Wall is an exhibition concept pioneered by institutions like The Walters Art Museum to showcase art in outdoor settings."</data>
  <data key="d5">"art exhibition, outdoor initiative"</data>
  <data key="d6">chunk-f0e87b2f10a742e958092eb0f8655aa9</data>
</edge>
<edge source="&quot;OFF THE WALL&quot;" target="&quot;BALTIMORE&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Off the Wall exhibition took place in Baltimore, showcasing reproductions of significant artworks from the Walters Art Museum."</data>
  <data key="d5">"art exhibition, city context"</data>
  <data key="d6">chunk-f0e87b2f10a742e958092eb0f8655aa9</data>
</edge>
<edge source="&quot;OFF THE WALL&quot;" target="&quot;NATIONAL GALLERY IN LONDON&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The National Gallery in London contributed to the concept of outdoor art exhibitions, influencing initiatives like Off the Wall."</data>
  <data key="d5">"art initiative, influence"</data>
  <data key="d6">chunk-f0e87b2f10a742e958092eb0f8655aa9</data>
</edge>
<edge source="&quot;OFF THE WALL&quot;" target="&quot;DETROIT INSTITUTE OF ART&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The Detroit Institute of Art introduced outdoor art exhibitions in the U.S., correlating with the Off the Wall initiative."</data>
  <data key="d5">"art initiative, outdoor exhibitions"</data>
  <data key="d6">chunk-f0e87b2f10a742e958092eb0f8655aa9</data>
</edge>
<edge source="&quot;PIERRE-AUGUSTE RENOIR&quot;" target="&quot;LISE WITH UMBRELLA&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Pierre-Auguste Renoir created 'Lise with Umbrella', marking a significant work in his artistic journey and the Impressionist movement."</data>
  <data key="d5">"artistic creation, significance"</data>
  <data key="d6">chunk-7ee75c18cf080cd60a5878641ff20a7f</data>
</edge>
<edge source="&quot;PIERRE-AUGUSTE RENOIR&quot;" target="&quot;LISE TRÉHOT&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Lise Tréhot modeled for Renoir, influencing his style and serving as a companion during a pivotal time in his career."</data>
  <data key="d5">"model, artistic influence"</data>
  <data key="d6">chunk-7ee75c18cf080cd60a5878641ff20a7f</data>
</edge>
<edge source="&quot;PIERRE-AUGUSTE RENOIR&quot;" target="&quot;CHARLES GLEYRE&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Renoir trained under Charles Gleyre, which helped shape his artistic style as he moved towards Impressionism."</data>
  <data key="d5">"mentorship, artistic growth"</data>
  <data key="d6">chunk-7ee75c18cf080cd60a5878641ff20a7f</data>
</edge>
<edge source="&quot;PIERRE-AUGUSTE RENOIR&quot;" target="&quot;SKATERS IN THE BOIS DE BOULOGNE&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Renoir created the painting Skaters in the Bois de Boulogne, capturing the leisure activities of Parisians, reflecting his artistic style and themes."&lt;&gt; "artistic representation, social leisure"</data>
  <data key="d5">9</data>
  <data key="d6">chunk-3c8b1d270c080bc0a76c7493814e2c3e</data>
</edge>
<edge source="&quot;PIERRE-AUGUSTE RENOIR&quot;" target="&quot;ÉCOLE DES BEAUX-ARTS&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Renoir studied at the École des Beaux-Arts, which played a crucial role in shaping his artistic techniques and style."&lt;&gt; "education, artistic development"</data>
  <data key="d5">7</data>
  <data key="d6">chunk-3c8b1d270c080bc0a76c7493814e2c3e</data>
</edge>
<edge source="&quot;PIERRE-AUGUSTE RENOIR&quot;" target="&quot;MADAME CLÉMENTINE VALENSI STORA&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Renoir created a portrait of Clémentine Valensi Stora, capturing her in Algerian attire, depicting historical and cultural identity."</data>
  <data key="d5">"artistic representation, cultural identity"</data>
  <data key="d6">chunk-68fe4b7a717e507caffacc32a170cbb3</data>
</edge>
<edge source="&quot;PIERRE-AUGUSTE RENOIR&quot;" target="&quot;ORIENTALIST WORKS&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Renoir’s painting L'Algérienne is part of a broader context of Orientalist works, which reflect on Western perceptions of Eastern cultures."</data>
  <data key="d5">"art movement, cultural representation"</data>
  <data key="d6">chunk-68fe4b7a717e507caffacc32a170cbb3</data>
</edge>
<edge source="&quot;PIERRE-AUGUSTE RENOIR&quot;" target="&quot;MOTHER AND CHILDREN&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Pierre-Auguste Renoir is the artist who created the painting Mother and Children, highlighting his role as its creator."</data>
  <data key="d5">"art creation, authorship"</data>
  <data key="d6">chunk-ab4a404ace4ab4363ca150b503f16eec</data>
</edge>
<edge source="&quot;PIERRE-AUGUSTE RENOIR&quot;" target="&quot;IMPRESSIONISM&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Renoir is a prominent figure within the Impressionism movement, showcasing its ideals in his artwork."</data>
  <data key="d5">"art movement, significance"</data>
  <data key="d6">chunk-ab4a404ace4ab4363ca150b503f16eec</data>
</edge>
<edge source="&quot;PIERRE-AUGUSTE RENOIR&quot;" target="&quot;THE GREAT BOULEVARDS&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Renoir is the artist who created The Great Boulevards, imbuing the painting with his Impressionist style and themes of urban life."</data>
  <data key="d5">"artistic creation, Impressionism"</data>
  <data key="d6">chunk-a4e0acbd0b3021cb5db3567e97de9407</data>
</edge>
<edge source="&quot;PIERRE-AUGUSTE RENOIR&quot;" target="&quot;A GIRL WITH A WATERING CAN&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Renoir is the artist who created the painting A Girl with a Watering Can, defining its impressionist style and themes."</data>
  <data key="d5">"artistic creation, impressionism"</data>
  <data key="d6">chunk-067ea2369578b9d3872f80f8c355c627</data>
</edge>
<edge source="&quot;PIERRE-AUGUSTE RENOIR&quot;" target="&quot;MADEMOISELLE LECLERE&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Renoir captures Mademoiselle Leclere as the central figure in his painting, displaying the artist-subject relationship in portraiture."</data>
  <data key="d5">"artistic representation, subject"</data>
  <data key="d6">chunk-067ea2369578b9d3872f80f8c355c627</data>
</edge>
<edge source="&quot;PIERRE-AUGUSTE RENOIR&quot;" target="&quot;DANCE AT MOULIN DE LA GALETTE&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Pierre-Auguste Renoir is the creator of the painting Dance at Moulin de la Galette, thereby establishing a direct artistic connection."</data>
  <data key="d5">"authorship, artistic creation"</data>
  <data key="d6">chunk-7cca6799e635827e361bddda13be95c1</data>
</edge>
<edge source="&quot;PIERRE-AUGUSTE RENOIR&quot;" target="&quot;LA PROMENADE&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Renoir is the creator of La Promenade, which reflects his style and themes as an Impressionist artist."</data>
  <data key="d5">"artistic creation, Impressionism"</data>
  <data key="d6">chunk-efc7ffb626375d9b3d792b58a7b0d4c9</data>
</edge>
<edge source="&quot;PIERRE-AUGUSTE RENOIR&quot;" target="&quot;PINK AND BLUE&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Pierre-Auguste Renoir is the artist who created the painting Pink and Blue, which depicts the Cahen d'Anvers sisters."</data>
  <data key="d5">"artistic creation, portrait painting"</data>
  <data key="d6">chunk-64e96010f8bd0425db3bf6606f07a933</data>
</edge>
<edge source="&quot;PIERRE-AUGUSTE RENOIR&quot;" target="&quot;THE LUNCHEON OF THE BOATING PARTY&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Pierre-Auguste Renoir is the creator of 'The Luncheon of the Boating Party,' making him intrinsically linked to the artwork."</data>
  <data key="d5">"creation, authorship"</data>
  <data key="d6">chunk-76973c604ad97a7cc7ad76de67fe7440</data>
</edge>
<edge source="&quot;PIERRE-AUGUSTE RENOIR&quot;" target="&quot;BY THE SEASHORE&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Renoir is the creator of 'By the Seashore', showcasing his artistic style and influences reflected in the painting."</data>
  <data key="d5">"artistic creation, influence"</data>
  <data key="d6">chunk-7df321ef37645a5107c4f3123310012e</data>
</edge>
<edge source="&quot;PIERRE-AUGUSTE RENOIR&quot;" target="&quot;DANCE AT BOUGIVAL&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Renoir created Dance at Bougival, marking an important work that reflects his artistic style and development as an Impressionist painter."</data>
  <data key="d5">"artistic creation, Impressionism"</data>
  <data key="d6">chunk-accdacce424a30ff91f0a47befc088a3</data>
</edge>
<edge source="&quot;PIERRE-AUGUSTE RENOIR&quot;" target="&quot;DANCE IN THE COUNTRY&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Renoir created Dance in the Country as a significant artwork that reflects his artistic evolution and emotional themes."</data>
  <data key="d5">"artistic creation, emotional expression"</data>
  <data key="d6">chunk-e79dc155c657195ee2421c5a2b34b297</data>
</edge>
<edge source="&quot;PIERRE-AUGUSTE RENOIR&quot;" target="&quot;ALINE CHARIGOT&quot;">
  <data key="d3">17.0</data>
  <data key="d4">"Aline Charigot is depicted in Renoir's painting and later became his wife, establishing a personal connection to his work."&lt;SEP&gt;"Aline Charigot served as a model for The Large Bathers and later became Renoir's wife, highlighting their personal and professional relationship."</data>
  <data key="d5">"personal connection, artistic influence"&lt;SEP&gt;"personal relationship, artistic subject"</data>
  <data key="d6">chunk-e79dc155c657195ee2421c5a2b34b297&lt;SEP&gt;chunk-43cbe78c96d9ba84d20925bd82df1096</data>
</edge>
<edge source="&quot;PIERRE-AUGUSTE RENOIR&quot;" target="&quot;THE LARGE BATHERS&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Renoir is the creator of The Large Bathers, a significant painting that showcases his artistic style and evolution."</data>
  <data key="d5">"artistic creation, representation"</data>
  <data key="d6">chunk-43cbe78c96d9ba84d20925bd82df1096</data>
</edge>
<edge source="&quot;PIERRE-AUGUSTE RENOIR&quot;" target="&quot;SUZANNE VALADON&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Suzanne Valadon was a model for Renoir and a significant influence in his works, representing both a personal and artistic connection."</data>
  <data key="d5">"artistic influence, personal connection"</data>
  <data key="d6">chunk-43cbe78c96d9ba84d20925bd82df1096</data>
</edge>
<edge source="&quot;PIERRE-AUGUSTE RENOIR&quot;" target="&quot;FRANÇOIS GIRARDON&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Renoir was inspired by Girardon's sculpture The Bath of the Nymphs, reflecting a connection between classical and modern art forms."</data>
  <data key="d5">"art inspiration, influence"</data>
  <data key="d6">chunk-43cbe78c96d9ba84d20925bd82df1096</data>
</edge>
<edge source="&quot;PIERRE-AUGUSTE RENOIR&quot;" target="&quot;INGRES&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Renoir admired Ingres's work, which played a role in shaping his artistic style and technique."</data>
  <data key="d5">"artistic influence, admiration"</data>
  <data key="d6">chunk-43cbe78c96d9ba84d20925bd82df1096</data>
</edge>
<edge source="&quot;PIERRE-AUGUSTE RENOIR&quot;" target="&quot;RAPHAEL&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Renoir's visit to Italy and appreciation for Raphael influenced his approach to composition and figure painting."</data>
  <data key="d5">"artistic inspiration, Renaissance influence"</data>
  <data key="d6">chunk-43cbe78c96d9ba84d20925bd82df1096</data>
</edge>
<edge source="&quot;PIERRE-AUGUSTE RENOIR&quot;" target="&quot;GIRLS AT THE PIANO&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Pierre-Auguste Renoir is the artist who created 'Girls at the Piano', highlighting his contribution to art."</data>
  <data key="d5">"art creation, artistic contribution"</data>
  <data key="d6">chunk-3695dd39f98802204c22b00e17ec020d</data>
</edge>
<edge source="&quot;PIERRE-AUGUSTE RENOIR&quot;" target="&quot;GABRIELLE WITH OPEN BLOUSE&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Pierre-Auguste Renoir is the creator of 'Gabrielle with Open Blouse,' highlighting his contribution to impressionism."</data>
  <data key="d5">"art creation, artistic legacy"</data>
  <data key="d6">chunk-4f3e8cc9496821956d432d2261d3671c</data>
</edge>
<edge source="&quot;LISE WITH UMBRELLA&quot;" target="&quot;SALON&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The painting 'Lise with Umbrella' was accepted and exhibited at the Salon in May 1868, marking a turning point for Renoir's recognition in the art community."</data>
  <data key="d5">"art exhibition, recognition"</data>
  <data key="d6">chunk-7ee75c18cf080cd60a5878641ff20a7f</data>
</edge>
<edge source="&quot;LISE WITH UMBRELLA&quot;" target="&quot;MUSEUM FOLKWANG&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Museum Folkwang acquired 'Lise with Umbrella', indicating its importance and appreciation in art history."</data>
  <data key="d5">"art acquisition, historical significance"</data>
  <data key="d6">chunk-7ee75c18cf080cd60a5878641ff20a7f</data>
</edge>
<edge source="&quot;LISE TRÉHOT&quot;" target="&quot;LA PROMENADE&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Lise Tréhot is considered to be the model for the woman depicted in La Promenade, highlighting her connection to Renoir's work."</data>
  <data key="d5">"model, artistic influence"</data>
  <data key="d6">chunk-efc7ffb626375d9b3d792b58a7b0d4c9</data>
</edge>
<edge source="&quot;SKATERS IN THE BOIS DE BOULOGNE&quot;" target="&quot;BOIS DE BOULOGNE&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The painting Skaters in the Bois de Boulogne is set in the Bois de Boulogne, a key location influencing the scene depicted."&lt;&gt; "artistic setting, leisure environment"</data>
  <data key="d5">8</data>
  <data key="d6">chunk-3c8b1d270c080bc0a76c7493814e2c3e</data>
</edge>
<edge source="&quot;BOIS DE BOULOGNE&quot;" target="&quot;GEORGES-EUGÈNE HAUSSMANN&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Haussmann oversaw the renovation and development of the Bois de Boulogne, transforming it into a public park for leisure."&lt;&gt; "urban development, public works"</data>
  <data key="d5">8</data>
  <data key="d6">chunk-3c8b1d270c080bc0a76c7493814e2c3e</data>
</edge>
<edge source="&quot;BOIS DE BOULOGNE&quot;" target="&quot;NAPOLEON III&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Napoleon III directed urban improvements in Paris, including the establishment of the Bois de Boulogne as a public park under Haussmann's renovations."&lt;&gt; "urban planning, governance"</data>
  <data key="d5">8</data>
  <data key="d6">chunk-3c8b1d270c080bc0a76c7493814e2c3e</data>
</edge>
<edge source="&quot;MADAME CLÉMENTINE VALENSI STORA&quot;" target="&quot;ALGIERS&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Clémentine was born in Algiers, highlighting her cultural and geographic background in the portrait."</data>
  <data key="d5">"cultural background, geographic origin"</data>
  <data key="d6">chunk-68fe4b7a717e507caffacc32a170cbb3</data>
</edge>
<edge source="&quot;MADAME CLÉMENTINE VALENSI STORA&quot;" target="&quot;AU PACHA&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"The shop owned by Nathan Stora, Clémentine's husband, signifies the family’s connection to North African culture through their business."</data>
  <data key="d5">"family business, cultural connection"</data>
  <data key="d6">chunk-68fe4b7a717e507caffacc32a170cbb3</data>
</edge>
<edge source="&quot;HENRI LOYRETTE&quot;" target="&quot;LA PROMENADE&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Henri Loyrette commented on the significance of La Promenade, enhancing the understanding of its themes and stylistic approach."</data>
  <data key="d5">"art criticism, thematic analysis"</data>
  <data key="d6">chunk-efc7ffb626375d9b3d792b58a7b0d4c9</data>
</edge>
<edge source="&quot;MOTHER AND CHILDREN&quot;" target="&quot;FRICK COLLECTION&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The painting Mother and Children is currently housed in the Frick Collection, indicating its cultural significance and preservation."</data>
  <data key="d5">"art preservation, cultural relevance"</data>
  <data key="d6">chunk-ab4a404ace4ab4363ca150b503f16eec</data>
</edge>
<edge source="&quot;MOTHER AND CHILDREN&quot;" target="&quot;LA PROMENADE&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"The painting known as Mother and Children was originally titled La Promenade by Renoir, indicating a dual identity."</data>
  <data key="d5">"title variation, identity"</data>
  <data key="d6">chunk-ab4a404ace4ab4363ca150b503f16eec</data>
</edge>
<edge source="&quot;LA PROMENADE&quot;" target="&quot;FONTAINEBLEAU&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"La Promenade reflects the influence of the forest of Fontainebleau, a popular subject for French artists in the nineteenth century."</data>
  <data key="d5">"artistic inspiration, natural setting"</data>
  <data key="d6">chunk-efc7ffb626375d9b3d792b58a7b0d4c9</data>
</edge>
<edge source="&quot;IMPRESSIONISM&quot;" target="&quot;BY THE SEASHORE&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"'By the Seashore' reflects themes and techniques related to the Impressionist movement, even as Renoir evolves in style."</data>
  <data key="d5">"art movement, stylistic evolution"</data>
  <data key="d6">chunk-7df321ef37645a5107c4f3123310012e</data>
</edge>
<edge source="&quot;THE GREAT BOULEVARDS&quot;" target="&quot;HAUSSMANNIZATION&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Great Boulevards illustrates the impact of Haussmannization on Paris, depicting wider streets and urban transformation."</data>
  <data key="d5">"urban development, historical context"</data>
  <data key="d6">chunk-a4e0acbd0b3021cb5db3567e97de9407</data>
</edge>
<edge source="&quot;THE GREAT BOULEVARDS&quot;" target="&quot;CITYSCAPE&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The Great Boulevards is a quintessential example of the cityscape genre, depicting Paris in a lively manner."</data>
  <data key="d5">"art genre, urban depiction"</data>
  <data key="d6">chunk-a4e0acbd0b3021cb5db3567e97de9407</data>
</edge>
<edge source="&quot;THE GREAT BOULEVARDS&quot;" target="&quot;FLÂNEURS&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The painting depicts flâneurs as part of the lively scene on the boulevard, highlighting their role in reflecting urban existence."</data>
  <data key="d5">"urban exploration, social commentary"</data>
  <data key="d6">chunk-a4e0acbd0b3021cb5db3567e97de9407</data>
</edge>
<edge source="&quot;CITYSCAPE&quot;" target="&quot;A BALCONY IN PARIS&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"A Balcony in Paris exemplifies the cityscape genre, presenting urban life through its composition and perspective."</data>
  <data key="d5">"art genre, urban representation"</data>
  <data key="d6">chunk-86a13add2cfd2e0ba91c6b7cdae62ef5</data>
</edge>
<edge source="&quot;A GIRL WITH A WATERING CAN&quot;" target="&quot;MONET'S GARDEN&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The painting A Girl with a Watering Can was created in Monet's Garden, which served as a pivotal setting for Impressionist artists."</data>
  <data key="d5">"artistic location, cultural significance"</data>
  <data key="d6">chunk-067ea2369578b9d3872f80f8c355c627</data>
</edge>
<edge source="&quot;GIRL WITH A WATERING CAN&quot;" target="&quot;IMPRESSIONIST PAINTING&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"A Girl with a Watering Can exemplifies the characteristics of an Impressionist painting, reflecting the movement's aesthetic."</data>
  <data key="d5">"art style, impressionism"</data>
  <data key="d6">chunk-067ea2369578b9d3872f80f8c355c627</data>
</edge>
<edge source="&quot;IMPRESSIONIST PAINTING&quot;" target="&quot;1876&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"The year 1876 is significant as it marks a period in which Impressionist painting was gaining prominence and recognition."</data>
  <data key="d5">"historical context, artistic movement"</data>
  <data key="d6">chunk-067ea2369578b9d3872f80f8c355c627</data>
</edge>
<edge source="&quot;DANCE AT MOULIN DE LA GALETTE&quot;" target="&quot;MOULIN DE LA GALETTE&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Dance at Moulin de la Galette depicts scenes from the Moulin de la Galette, indicating a cultural and historical representation of this location."</data>
  <data key="d5">"cultural depiction, historical context"</data>
  <data key="d6">chunk-7cca6799e635827e361bddda13be95c1</data>
</edge>
<edge source="&quot;DANCE AT MOULIN DE LA GALETTE&quot;" target="&quot;JOHN HAY WHITNEY&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"John Hay Whitney was a previous owner of Dance at Moulin de la Galette, signifying his involvement in the painting's history."</data>
  <data key="d5">"ownership, art collection"</data>
  <data key="d6">chunk-7cca6799e635827e361bddda13be95c1</data>
</edge>
<edge source="&quot;DANCE AT MOULIN DE LA GALETTE&quot;" target="&quot;RYOEI SAITO&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Ryoei Saito purchased Dance at Moulin de la Galette for a monumental price, highlighting his significance in the art market."</data>
  <data key="d5">"high-value purchase, art market influence"</data>
  <data key="d6">chunk-7cca6799e635827e361bddda13be95c1</data>
</edge>
<edge source="&quot;DANCE AT MOULIN DE LA GALETTE&quot;" target="&quot;GUSTAVE CAILLEBOTTE&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Gustave Caillebotte owned Dance at Moulin de la Galette, linking him historically to the artwork before it entered the French Republic's possession."</data>
  <data key="d5">"historical ownership, art collection"</data>
  <data key="d6">chunk-7cca6799e635827e361bddda13be95c1</data>
</edge>
<edge source="&quot;GUSTAVE CAILLEBOTTE&quot;" target="&quot;MAN AT THE WINDOW&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Gustave Caillebotte created the painting 'Man at the Window' which is a significant work in his oeuvre."</data>
  <data key="d5">"art creation, Impressionism"</data>
  <data key="d6">chunk-08b1179a0a9dcebca7cfa3a72b158c14</data>
</edge>
<edge source="&quot;GUSTAVE CAILLEBOTTE&quot;" target="&quot;IMPRESSIONISM EXHIBITION OF 1876&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Gustave Caillebotte presented 'Man at the Window' at the Impressionism Exhibition of 1876, showcasing his work to the public."</data>
  <data key="d5">"exhibition, art showcase"</data>
  <data key="d6">chunk-08b1179a0a9dcebca7cfa3a72b158c14</data>
</edge>
<edge source="&quot;GUSTAVE CAILLEBOTTE&quot;" target="&quot;THE PARQUET PLANERS (THE FLOOR SCRAPERS)&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Gustave Caillebotte created 'The Parquet Planers', showcasing his artistic style and contributions to Impressionism."</data>
  <data key="d5">"artistic creation, Impressionism"</data>
  <data key="d6">chunk-5387a9f92c6290746c3974533e905a95</data>
</edge>
<edge source="&quot;GUSTAVE CAILLEBOTTE&quot;" target="&quot;PARIS, A RAINY DAY&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Gustave Caillebotte created the painting 'Paris, a Rainy Day', making him directly connected to this artwork through authorship."</data>
  <data key="d5">"artistry, authorship"</data>
  <data key="d6">chunk-fb8111be9df1d8dfa0bc70ae25ccb73c</data>
</edge>
<edge source="&quot;GUSTAVE CAILLEBOTTE&quot;" target="&quot;IMPRESSIONIST PAINTERS&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Gustave Caillebotte was associated with many Impressionist painters, both as a friend and patron, influencing the movement."</data>
  <data key="d5">"artistic community, influence"</data>
  <data key="d6">chunk-fb8111be9df1d8dfa0bc70ae25ccb73c</data>
</edge>
<edge source="&quot;GUSTAVE CAILLEBOTTE&quot;" target="&quot;GLORIA GROOM&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Gloria Groom commented on 'Paris, a Rainy Day', highlighting its significance in representing urban life in the 19th century."</data>
  <data key="d5">"artistic commentary, influence"</data>
  <data key="d6">chunk-fb8111be9df1d8dfa0bc70ae25ccb73c</data>
</edge>
<edge source="&quot;GUSTAVE CAILLEBOTTE&quot;" target="&quot;A BALCONY IN PARIS&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Gustave Caillebotte is the creator of A Balcony in Paris, showcasing his artistic style and contributions to Impressionism."</data>
  <data key="d5">"artistic creation, Impressionism"</data>
  <data key="d6">chunk-86a13add2cfd2e0ba91c6b7cdae62ef5</data>
</edge>
<edge source="&quot;GUSTAVE CAILLEBOTTE&quot;" target="&quot;FRENCH IMPRESSIONISM&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Gustave Caillebotte was an influential figure within the French Impressionism movement, contributing significantly to its evolution."</data>
  <data key="d5">"art movement, influence"</data>
  <data key="d6">chunk-86a13add2cfd2e0ba91c6b7cdae62ef5</data>
</edge>
<edge source="&quot;GUSTAVE CAILLEBOTTE&quot;" target="&quot;LE PONT DE L'EUROPE&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Gustave Caillebotte created the painting Le Pont de L'Europe, showcasing his artistic talent and perspective techniques."</data>
  <data key="d5">"artistic creation, impressionism"</data>
  <data key="d6">chunk-2fa68adc81de8939987e153f5053f14d</data>
</edge>
<edge source="&quot;GUSTAVE CAILLEBOTTE&quot;" target="&quot;JAPANESE ART&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Caillebotte's work reflects influences from Japanese Art, particularly in its perspective techniques, showcasing cross-cultural artistic inspiration."</data>
  <data key="d5">"cultural influence, artistic techniques"</data>
  <data key="d6">chunk-2fa68adc81de8939987e153f5053f14d</data>
</edge>
<edge source="&quot;GUSTAVE CAILLEBOTTE&quot;" target="&quot;PHOTOGRAPHY&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Caillebotte's incorporation of photography's perspective in his work demonstrates the impact of this emerging medium on traditional painting."</data>
  <data key="d5">"artistic influence, medium interaction"</data>
  <data key="d6">chunk-2fa68adc81de8939987e153f5053f14d</data>
</edge>
<edge source="&quot;OIL ON CANVAS&quot;" target="&quot;ABBOTT HANDERSON THAYER&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Thayer used oil on canvas as his medium for 'The Sisters', impacting the painting's artistic quality."</data>
  <data key="d5">"medium, artistic technique"</data>
  <data key="d6">chunk-349274660b80d621a1067780d3b2a70c</data>
</edge>
<edge source="&quot;FRANCO-PRUSSIAN WAR&quot;" target="&quot;RENOIR&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Renoir's service in the Franco-Prussian War occurred during a pivotal time in his career, impacting his artistic output."</data>
  <data key="d5">"historical context, impact on art"</data>
  <data key="d6">chunk-efc7ffb626375d9b3d792b58a7b0d4c9</data>
</edge>
<edge source="&quot;ALICE CAHEN D’ANVERS&quot;" target="&quot;PINK AND BLUE&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Alice is one of the subjects portrayed in Renoir's painting Pink and Blue, highlighting her childhood likeness."</data>
  <data key="d5">"portrait subject, familial connection"</data>
  <data key="d6">chunk-64e96010f8bd0425db3bf6606f07a933</data>
</edge>
<edge source="&quot;ALICE CAHEN D’ANVERS&quot;" target="&quot;ELISABETH CAHEN D’ANVERS&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Alice and Elisabeth are sisters and the subjects of the painting, sharing a familial bond."</data>
  <data key="d5">"sibling relationship, familial connection"</data>
  <data key="d6">chunk-64e96010f8bd0425db3bf6606f07a933</data>
</edge>
<edge source="&quot;ALICE CAHEN D’ANVERS&quot;" target="&quot;LOUISE CAHEN D'ANVERS&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Alice's portrayal in the painting connects her closely to her mother, who commissioned it."</data>
  <data key="d5">"mother-daughter relationship, familial connection"</data>
  <data key="d6">chunk-64e96010f8bd0425db3bf6606f07a933</data>
</edge>
<edge source="&quot;ELISABETH CAHEN D’ANVERS&quot;" target="&quot;PINK AND BLUE&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Elisabeth is the other subject portrayed in the painting Pink and Blue, showcasing her relationship with her sister Alice."</data>
  <data key="d5">"portrait subject, familial connection"</data>
  <data key="d6">chunk-64e96010f8bd0425db3bf6606f07a933</data>
</edge>
<edge source="&quot;ELISABETH CAHEN D’ANVERS&quot;" target="&quot;LOUISE CAHEN D'ANVERS&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Elisabeth is the daughter of Louise and her inclusion in the painting solidifies her connection to her mother."</data>
  <data key="d5">"mother-daughter relationship, familial connection"</data>
  <data key="d6">chunk-64e96010f8bd0425db3bf6606f07a933</data>
</edge>
<edge source="&quot;LOUISE CAHEN D'ANVERS&quot;" target="&quot;PINK AND BLUE&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Louise commissioned the painting Pink and Blue, demonstrating her role in the artistic representation of her daughters."</data>
  <data key="d5">"commissioning art, familial connection"</data>
  <data key="d6">chunk-64e96010f8bd0425db3bf6606f07a933</data>
</edge>
<edge source="&quot;LOUIS RAPHAËL CAHEN D'ANVERS&quot;" target="&quot;PINK AND BLUE&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Louis Raphaël’s status as a wealthy banker and father of the portrayed sisters highlights the social context of the painting."</data>
  <data key="d5">"wealth, social context"</data>
  <data key="d6">chunk-64e96010f8bd0425db3bf6606f07a933</data>
</edge>
<edge source="&quot;THE LUNCHEON OF THE BOATING PARTY&quot;" target="&quot;THE PHILLIPS COLLECTION&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"'The Luncheon of the Boating Party' is currently housed in The Phillips Collection, emphasizing the museum's role in art curation."</data>
  <data key="d5">"art collection, exhibition"</data>
  <data key="d6">chunk-76973c604ad97a7cc7ad76de67fe7440</data>
</edge>
<edge source="&quot;THE LUNCHEON OF THE BOATING PARTY&quot;" target="&quot;MAISON FOURNAISE&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"'The Luncheon of the Boating Party' depicts a social scene at the Maison Fournaise, linking the artwork to the restaurant's historical significance."</data>
  <data key="d5">"setting, cultural significance"</data>
  <data key="d6">chunk-76973c604ad97a7cc7ad76de67fe7440</data>
</edge>
<edge source="&quot;THE PHILLIPS COLLECTION&quot;" target="&quot;WASHINGTON, D.C.&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Phillips Collection is located in Washington, D.C., highlighting the geographical significance of the artwork's display location."</data>
  <data key="d5">"location, art museum"</data>
  <data key="d6">chunk-76973c604ad97a7cc7ad76de67fe7440</data>
</edge>
<edge source="&quot;THE PHILLIPS COLLECTION&quot;" target="&quot;AMELIA VAN BUREN&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Amelia Van Buren's portrait is housed in The Phillips Collection, signifying the museum's importance in preserving and showcasing Eakins's work."</data>
  <data key="d5">"art preservation, significance"</data>
  <data key="d6">chunk-2f5bf0ad73cac6a15d524d8a107e8ae3</data>
</edge>
<edge source="&quot;THE PHILLIPS COLLECTION&quot;" target="&quot;THOMAS EAKINS&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Thomas Eakins's work is represented in The Phillips Collection, emphasizing his legacy and impact on art history."</data>
  <data key="d5">"art legacy, historical significance"</data>
  <data key="d6">chunk-2f5bf0ad73cac6a15d524d8a107e8ae3</data>
</edge>
<edge source="&quot;MAISON FOURNAISE&quot;" target="&quot;CHATOU, FRANCE&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Maison Fournaise is located in Chatou, France, associating the restaurant with the commune's cultural history and influence on the artwork."</data>
  <data key="d5">"location, historical context"</data>
  <data key="d6">chunk-76973c604ad97a7cc7ad76de67fe7440</data>
</edge>
<edge source="&quot;PAUL DURAND-RUEL&quot;" target="&quot;DANCE IN THE COUNTRY&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Paul Durand-Ruel commissioned Dance in the Country, demonstrating his role in supporting Renoir's work."</data>
  <data key="d5">"commissioning, support"</data>
  <data key="d6">chunk-e79dc155c657195ee2421c5a2b34b297</data>
</edge>
<edge source="&quot;ALINE CHARIGOT&quot;" target="&quot;BY THE SEASHORE&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Aline Charigot was the model for 'By the Seashore', highlighting her personal connection to the artwork and the artist."</data>
  <data key="d5">"model-artist connection, personal significance"</data>
  <data key="d6">chunk-7df321ef37645a5107c4f3123310012e</data>
</edge>
<edge source="&quot;BY THE SEASHORE&quot;" target="&quot;ST. PETER PORT&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"St. Peter Port served as a source of inspiration for Renoir while he was creating 'By the Seashore', reflecting his admiration for its coastal landscape."</data>
  <data key="d5">"artistic inspiration, location"</data>
  <data key="d6">chunk-7df321ef37645a5107c4f3123310012e</data>
</edge>
<edge source="&quot;BY THE SEASHORE&quot;" target="&quot;GUERNSEY&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Guernsey serves as a geographical and inspirational context for the themes depicted in 'By the Seashore', linking the artwork to the island's beauty."</data>
  <data key="d5">"artistic influence, geographical context"</data>
  <data key="d6">chunk-7df321ef37645a5107c4f3123310012e</data>
</edge>
<edge source="&quot;BY THE SEASHORE&quot;" target="&quot;DIEPPE&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Dieppe is suggested to be the probable painting location for the beach scene depicted in 'By the Seashore', contrasting with Guernsey's influence."</data>
  <data key="d5">"geographical influence, artistic choice"</data>
  <data key="d6">chunk-7df321ef37645a5107c4f3123310012e</data>
</edge>
<edge source="&quot;BY THE SEASHORE&quot;" target="&quot;1883&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"The creation of 'By the Seashore' took place in 1883, marking a pivotal point in Renoir’s artistic evolution."</data>
  <data key="d5">"historical significance, artistic timeline"</data>
  <data key="d6">chunk-7df321ef37645a5107c4f3123310012e</data>
</edge>
<edge source="&quot;BY THE SEASHORE&quot;" target="&quot;MRS. H. O. HAVEMEYER&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"'By the Seashore' was bequeathed to the Metropolitan Museum of Art by Mrs. H. O. Havemeyer, contributing to its historical value."</data>
  <data key="d5">"art collection, benefaction"</data>
  <data key="d6">chunk-7df321ef37645a5107c4f3123310012e</data>
</edge>
<edge source="&quot;ST. PETER PORT&quot;" target="&quot;MOULIN HUET BAY&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The picturesque views of Moulin Huet Bay in St. Peter Port captivated Renoir, influencing his works during his visit."</data>
  <data key="d5">"artistic inspiration, geographical beauty"</data>
  <data key="d6">chunk-7df321ef37645a5107c4f3123310012e</data>
</edge>
<edge source="&quot;DANCE AT BOUGIVAL&quot;" target="&quot;SUZANNE VALADON&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Suzanne Valadon is depicted in Dance at Bougival, showcasing her connection to Renoir and her importance in his social circle."</data>
  <data key="d5">"artistic representation, social connection"</data>
  <data key="d6">chunk-accdacce424a30ff91f0a47befc088a3</data>
</edge>
<edge source="&quot;DANCE AT BOUGIVAL&quot;" target="&quot;PAUL AUGUSTE LLHOTE&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Paul Auguste Llhote is also depicted in Dance at Bougival, representing his friendship with Renoir and the social dynamics of the artwork."</data>
  <data key="d5">"artistic representation, friendship"</data>
  <data key="d6">chunk-accdacce424a30ff91f0a47befc088a3</data>
</edge>
<edge source="&quot;DANCE AT BOUGIVAL&quot;" target="&quot;WIKIART&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Dance at Bougival is featured on Wikiart, which helps promote art appreciation and provides context to the painting."</data>
  <data key="d5">"art promotion, online engagement"</data>
  <data key="d6">chunk-accdacce424a30ff91f0a47befc088a3</data>
</edge>
<edge source="&quot;WIKIART&quot;" target="&quot;THE NINTH WAVE&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Wikiart features The Ninth Wave, providing online accessibility to this famous artwork for educational purposes."</data>
  <data key="d5">"art accessibility, educational resource"</data>
  <data key="d6">chunk-1a9ce4ad105e84cd33b7124996a85750</data>
</edge>
<edge source="&quot;THE LARGE BATHERS&quot;" target="&quot;NUDE PAINTING&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The Large Bathers is a significant example of nude painting, showcasing the genre's themes and techniques."</data>
  <data key="d5">"art genre, representation"</data>
  <data key="d6">chunk-43cbe78c96d9ba84d20925bd82df1096</data>
</edge>
<edge source="&quot;THE LARGE BATHERS&quot;" target="&quot;PAUL CEZANNE&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"Cezanne's later works reflect similar themes found in The Large Bathers, indicating a dialogue in artistic exploration of the nude."</data>
  <data key="d5">"artistic legacy, thematic continuation"</data>
  <data key="d6">chunk-43cbe78c96d9ba84d20925bd82df1096</data>
</edge>
<edge source="&quot;NUDE PAINTING&quot;" target="&quot;NUDE SEATING ON A SOFA&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Nude seating on a sofa is an example of the nude painting genre, showcasing Modigliani's distinct style in this artistic tradition."</data>
  <data key="d5">"art genre, artistic style"</data>
  <data key="d6">chunk-23c09d3fcae99716703d29ad57160626</data>
</edge>
<edge source="&quot;GIRLS AT THE PIANO&quot;" target="&quot;MUSÉE DE L'ORANGERIE&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"An oil sketch of 'Girls at the Piano' is displayed at the Musée de l'Orangerie, indicating the prevalence of Renoir's work in major museums."</data>
  <data key="d5">"artwork representation, museum display"</data>
  <data key="d6">chunk-3695dd39f98802204c22b00e17ec020d</data>
</edge>
<edge source="&quot;GABRIELLE WITH OPEN BLOUSE&quot;" target="&quot;TEHRAN MUSEUM OF CONTEMPORARY ART&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The painting 'Gabrielle with Open Blouse' is part of the collection at Tehran Museum of Contemporary Art, although it remains hidden in storage."</data>
  <data key="d5">"art collection, preservation"</data>
  <data key="d6">chunk-4f3e8cc9496821956d432d2261d3671c</data>
</edge>
<edge source="&quot;GABRIELLE WITH OPEN BLOUSE&quot;" target="&quot;GABRIELLE&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Gabrielle is the depicted figure in the painting 'Gabrielle with Open Blouse,' highlighting her role in the artwork."</data>
  <data key="d5">"subject, depiction"</data>
  <data key="d6">chunk-4f3e8cc9496821956d432d2261d3671c</data>
</edge>
<edge source="&quot;MARY CASSATT&quot;" target="&quot;LITTLE GIRL IN A BLUE ARMCHAIR&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Mary Cassatt is the artist of the painting Little Girl in a Blue Armchair, signifying her creative achievement."</data>
  <data key="d5">"artistic creation, significance"</data>
  <data key="d6">chunk-12e2a8e9fb4081de49ecf2597c1d8c48</data>
</edge>
<edge source="&quot;MARY CASSATT&quot;" target="&quot;AMBROISE VOLLARD&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"Ambroise Vollard purchased Mary Cassatt's painting, indicating their professional relationship in the art world."</data>
  <data key="d5">"art dealer, acquisition"</data>
  <data key="d6">chunk-12e2a8e9fb4081de49ecf2597c1d8c48</data>
</edge>
<edge source="&quot;MARY CASSATT&quot;" target="&quot;BRUSSELS GRIFFON&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Mary Cassatt owned a Brussels Griffon and this breed reflects her personal life and relationships with animals."</data>
  <data key="d5">"personal connection, influence"</data>
  <data key="d6">chunk-12e2a8e9fb4081de49ecf2597c1d8c48</data>
</edge>
<edge source="&quot;MARY CASSATT&quot;" target="&quot;WOMAN WITH A PEARL NECKLACE&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Mary Cassatt is the creator of the painting 'Woman with a Pearl Necklace,' which is a reflection of her artistic style and themes she explored."</data>
  <data key="d5">"artistic creation, feminism"</data>
  <data key="d6">chunk-428c3925f637250f336c423c77c160ca</data>
</edge>
<edge source="&quot;MARY CASSATT&quot;" target="&quot;THE BOATING PARTY&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Mary Cassatt is the artist who created The Boating Party, reflecting her artistic style and thematic concerns in the painting."</data>
  <data key="d5">"artistic creation, thematic exploration"</data>
  <data key="d6">chunk-2d94944c1517506311e7fec4e1ec9a06</data>
</edge>
<edge source="&quot;MARY CASSATT&quot;" target="&quot;ANTIBES&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Mary Cassatt painted The Boating Party in Antibes, indicating the location's influence on her work during that period."</data>
  <data key="d5">"creative location, artistic influence"</data>
  <data key="d6">chunk-2d94944c1517506311e7fec4e1ec9a06</data>
</edge>
<edge source="&quot;LITTLE GIRL IN A BLUE ARMCHAIR&quot;" target="&quot;WORLD'S FAIR&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The painting was submitted to the World's Fair in 1878 but was rejected, affecting its exhibition history."</data>
  <data key="d5">"exhibition history, rejection"</data>
  <data key="d6">chunk-12e2a8e9fb4081de49ecf2597c1d8c48</data>
</edge>
<edge source="&quot;LITTLE GIRL IN A BLUE ARMCHAIR&quot;" target="&quot;THE DOG&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The dog lying next to the girl in the painting adds depth to the portrayal of companionship and was part of Cassatt's life."</data>
  <data key="d5">"artistic symbolism, companionship"</data>
  <data key="d6">chunk-12e2a8e9fb4081de49ecf2597c1d8c48</data>
</edge>
<edge source="&quot;LITTLE GIRL IN A BLUE ARMCHAIR&quot;" target="&quot;1878 IMPRESSIONIST EXHIBITION&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Little Girl in a Blue Armchair was likely exhibited during the 1878 Impressionist Exhibition, marking an important moment in Cassatt's career."</data>
  <data key="d5">"exhibition significance, career milestone"</data>
  <data key="d6">chunk-12e2a8e9fb4081de49ecf2597c1d8c48</data>
</edge>
<edge source="&quot;LITTLE GIRL IN A BLUE ARMCHAIR&quot;" target="&quot;ART GALLERY OF THE AMERICAN PAVILION&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The painting was submitted to the Art Gallery of the American Pavilion at the World's Fair, linking it to significant cultural events."</data>
  <data key="d5">"cultural significance, exhibition"</data>
  <data key="d6">chunk-12e2a8e9fb4081de49ecf2597c1d8c48</data>
</edge>
<edge source="&quot;AMBROISE VOLLARD&quot;" target="&quot;HECTOR BRAME&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Ambroise Vollard sold the painting to Hector Brame, highlighting the transactions within the art market."</data>
  <data key="d5">"art market, ownership"</data>
  <data key="d6">chunk-12e2a8e9fb4081de49ecf2597c1d8c48</data>
</edge>
<edge source="&quot;THE DOG&quot;" target="&quot;THE FLÂNEUR&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"The Flâneur interacts with The Dog in the painting, contributing to the lively portrayal of urban life and coexistence of different classes."</data>
  <data key="d5">"urban interaction, social narrative"</data>
  <data key="d6">chunk-2fa68adc81de8939987e153f5053f14d</data>
</edge>
<edge source="&quot;WOMAN WITH A PEARL NECKLACE&quot;" target="&quot;PARIS OPÉRA HOUSE&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The painting depicts a scene at the Paris Opéra House, linking the artwork to a notable cultural location in Paris."</data>
  <data key="d5">"urban culture, setting"</data>
  <data key="d6">chunk-428c3925f637250f336c423c77c160ca</data>
</edge>
<edge source="&quot;THOMAS EAKINS&quot;" target="&quot;MAX SCHMITT IN A SINGLE SCULL&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Thomas Eakins created 'Max Schmitt in a Single Scull' to honor the achievements of his friend Max Schmitt in competitive rowing."</data>
  <data key="d5">"artistic tribute, friendship"</data>
  <data key="d6">chunk-cf7e8b4702c8818dcab589eed2829a71</data>
</edge>
<edge source="&quot;THOMAS EAKINS&quot;" target="&quot;PROFESSOR BENJAMIN H. RAND&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Thomas Eakins painted a portrait of Professor Benjamin H. Rand, capturing his likeness and relationship as a mentor in anatomy."</data>
  <data key="d5">"mentorship, artistic representation"</data>
  <data key="d6">chunk-03912d92fcfec4dffd9dbaff3ba2cd86</data>
</edge>
<edge source="&quot;THOMAS EAKINS&quot;" target="&quot;THE GROSS CLINIC&quot;">
  <data key="d3">17.0</data>
  <data key="d4">"The Portrait of Professor Benjamin H. Rand is a prelude to Eakins' later work, The Gross Clinic, which is considered extremely significant in his career."&lt;SEP&gt;"Thomas Eakins is the creator of 'The Gross Clinic', which serves as a pivotal work illustrating a significant moment in medical history."</data>
  <data key="d5">"artistic creation, medical history"&lt;SEP&gt;"artistic progression, significance"</data>
  <data key="d6">chunk-03912d92fcfec4dffd9dbaff3ba2cd86&lt;SEP&gt;chunk-9c8d6297f40479e44c283b564ce0b398</data>
</edge>
<edge source="&quot;THOMAS EAKINS&quot;" target="&quot;THE CHESS PLAYER&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Thomas Eakins is the creator of 'The Chess Player,' showcasing his artistic skill and personal narrative within the work."</data>
  <data key="d5">"artistic creation, personal narrative"</data>
  <data key="d6">chunk-3c83a70f35cb7f4146fb11e6912ac793</data>
</edge>
<edge source="&quot;THOMAS EAKINS&quot;" target="&quot;BENJAMIN EAKINS&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Benjamin Eakins serves as both a subject and a central figure in his son's painting, reflecting a complex father-son relationship."</data>
  <data key="d5">"family dynamics, paternal influence"</data>
  <data key="d6">chunk-3c83a70f35cb7f4146fb11e6912ac793</data>
</edge>
<edge source="&quot;THOMAS EAKINS&quot;" target="&quot;THE SWIMMING HOLE&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Thomas Eakins is the creator of The Swimming Hole, showcasing his mastery in depicting the human form through this work."</data>
  <data key="d5">"artistry, creation"</data>
  <data key="d6">chunk-3c7fac8c51b55166a3127f88e76d4a2a</data>
</edge>
<edge source="&quot;THOMAS EAKINS&quot;" target="&quot;ARCADIA&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Thomas Eakins created the artwork Arcadia, which reflects his personal and artistic evolution during the early 1880s."</data>
  <data key="d5">"artistic creation, personal significance"</data>
  <data key="d6">chunk-5906fd8cf6e9dab464bc66668a8ae3e0</data>
</edge>
<edge source="&quot;THOMAS EAKINS&quot;" target="&quot;PENNSYLVANIA ACADEMY OF THE FINE ARTS&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Thomas Eakins was an instructor at the Pennsylvania Academy of the Fine Arts, influencing both his work and his students."</data>
  <data key="d5">"education, influence"</data>
  <data key="d6">chunk-5906fd8cf6e9dab464bc66668a8ae3e0</data>
</edge>
<edge source="&quot;THOMAS EAKINS&quot;" target="&quot;SUSAN MACDOWELL&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Thomas Eakins photographed Susan Macdowell as a model for his paintings, including Arcadia, illustrating their personal and professional relationship."</data>
  <data key="d5">"personal relationship, artistic collaboration"</data>
  <data key="d6">chunk-5906fd8cf6e9dab464bc66668a8ae3e0</data>
</edge>
<edge source="&quot;THOMAS EAKINS&quot;" target="&quot;J. LAURIE WALLACE&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"J. Laurie Wallace was involved in modeling for Eakins's artworks, including Arcadia, highlighting their collaborative work relationship."</data>
  <data key="d5">"artistic collaboration, mentorship"</data>
  <data key="d6">chunk-5906fd8cf6e9dab464bc66668a8ae3e0</data>
</edge>
<edge source="&quot;THOMAS EAKINS&quot;" target="&quot;BEN CROWELL&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Ben Crowell served as a young model for the painting Arcadia, showcasing Eakins's use of family in his artworks."</data>
  <data key="d5">"family involvement, artistic representation"</data>
  <data key="d6">chunk-5906fd8cf6e9dab464bc66668a8ae3e0</data>
</edge>
<edge source="&quot;THOMAS EAKINS&quot;" target="&quot;THE AGNEW CLINIC&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Thomas Eakins created The Agnew Clinic to document and honor the contributions of Dr. Agnew and the medical profession."</data>
  <data key="d5">"art creation, tribute"</data>
  <data key="d6">chunk-b7e6f6fee64127e612be260c07681da6</data>
</edge>
<edge source="&quot;THOMAS EAKINS&quot;" target="&quot;AMELIA VAN BUREN&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Thomas Eakins was Amelia Van Buren's mentor, significantly influencing her artistic development and practice through his guidance at the Pennsylvania Academy of the Fine Arts."</data>
  <data key="d5">"mentor-mentee relationship, artistic influence"</data>
  <data key="d6">chunk-2f5bf0ad73cac6a15d524d8a107e8ae3</data>
</edge>
<edge source="&quot;THOMAS EAKINS&quot;" target="&quot;THE CONCERT SINGER&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Thomas Eakins created 'The Concert Singer', showcasing his artistic style and interest in music-related subjects."</data>
  <data key="d5">"artistic creation, portraiture"</data>
  <data key="d6">chunk-299ca1e1935fc5ae6db4c4b98443d508</data>
</edge>
<edge source="&quot;THOMAS EAKINS&quot;" target="&quot;SALUTAT&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Thomas Eakins created 'Salutat', an artwork that represents a significant achievement in his figure painting career, showcasing his interest in sports and human forms."</data>
  <data key="d5">"artistic creation, sports representation"</data>
  <data key="d6">chunk-36c0b05d6646bacde663bc276480fefe</data>
</edge>
<edge source="&quot;THOMAS EAKINS&quot;" target="&quot;THE STUDIO&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The Studio was a space where Thomas Eakins created his artworks, including studies for his boxing paintings, facilitating his artistic process."</data>
  <data key="d5">"artistic process, collaboration"</data>
  <data key="d6">chunk-36c0b05d6646bacde663bc276480fefe</data>
</edge>
<edge source="&quot;THOMAS EAKINS&quot;" target="&quot;THE WRESTLERS&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Thomas Eakins created 'The Wrestlers', a series of paintings that explore themes of athleticism and the human form."</data>
  <data key="d5">"art creation, artistic legacy"</data>
  <data key="d6">chunk-9eb1e801a858fde7ca4d2309f0ce4d57</data>
</edge>
<edge source="&quot;THOMAS EAKINS&quot;" target="&quot;CLARENCE CRANMER&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Cranmer provided advice and support to Eakins during the creation of 'The Wrestlers', showcasing a collaborative relationship."</data>
  <data key="d5">"collaboration, artistic support"</data>
  <data key="d6">chunk-9eb1e801a858fde7ca4d2309f0ce4d57</data>
</edge>
<edge source="&quot;THOMAS EAKINS&quot;" target="&quot;THE SCHUYLKILL RIVER&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Eakins painted a series of scullers on the Schuylkill River, indicating his thematic focus on athleticism and sport."</data>
  <data key="d5">"thematic focus, artistic inspiration"</data>
  <data key="d6">chunk-9eb1e801a858fde7ca4d2309f0ce4d57</data>
</edge>
<edge source="&quot;THOMAS EAKINS&quot;" target="&quot;1729 MOUNT VERNON STREET&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Eakins used his studio at 1729 Mount Vernon Street for the live models of 'The Wrestlers', emphasizing his working environment."</data>
  <data key="d5">"artistic process, creative space"</data>
  <data key="d6">chunk-9eb1e801a858fde7ca4d2309f0ce4d57</data>
</edge>
<edge source="&quot;THOMAS EAKINS&quot;" target="&quot;ALLEN GUTTMANN&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Guttmann compared Eakins' works to those of other artists, linking Eakins' art to broader trends in American painting."</data>
  <data key="d5">"artistic comparison, cultural significance"</data>
  <data key="d6">chunk-9eb1e801a858fde7ca4d2309f0ce4d57</data>
</edge>
<edge source="&quot;MAX SCHMITT IN A SINGLE SCULL&quot;" target="&quot;SCHUYLKILL RIVER&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The painting depicts an important event taking place on the Schuylkill River, which is significant in the context of rowing history."</data>
  <data key="d5">"sporting history, location relevance"</data>
  <data key="d6">chunk-cf7e8b4702c8818dcab589eed2829a71</data>
</edge>
<edge source="&quot;SCHUYLKILL RIVER&quot;" target="&quot;SINGLE-SCULLS COMPETITION&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The Single-Sculls Competition took place on the Schuylkill River, showcasing its relevance as a competitive rowing venue."</data>
  <data key="d5">"competition venue, rowing events"</data>
  <data key="d6">chunk-cf7e8b4702c8818dcab589eed2829a71</data>
</edge>
<edge source="&quot;PENNSYLVANIA BARGE CLUB&quot;" target="&quot;MAX SCHMITT&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"Max Schmitt was a member of the Pennsylvania Barge Club, which contributed to his competitive rowing career as illustrated in Eakins's painting."</data>
  <data key="d5">"membership, sporting culture"</data>
  <data key="d6">chunk-cf7e8b4702c8818dcab589eed2829a71</data>
</edge>
<edge source="&quot;PENNSYLVANIA BARGE CLUB&quot;" target="&quot;SCHUYLKILL NAVY&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Pennsylvania Barge Club is a member of the Schuylkill Navy, which organized rowing events and competitions in the area."</data>
  <data key="d5">"organizational structure, rowing community"</data>
  <data key="d6">chunk-cf7e8b4702c8818dcab589eed2829a71</data>
</edge>
<edge source="&quot;MAX SCHMITT&quot;" target="&quot;CHARLES BROSSMAN&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"Max Schmitt and Charles Brossman competed against each other in various races, highlighting their rivalry in the rowing community."</data>
  <data key="d5">"competition, rivalry"</data>
  <data key="d6">chunk-cf7e8b4702c8818dcab589eed2829a71</data>
</edge>
<edge source="&quot;MAX SCHMITT&quot;" target="&quot;AUSTIN STREET&quot;">
  <data key="d3">5.0</data>
  <data key="d4">"Max Schmitt and Austin Street were both prominent members of the Pennsylvania Barge Club, contributing to its success in rowing competitions."</data>
  <data key="d5">"membership, collaboration"</data>
  <data key="d6">chunk-cf7e8b4702c8818dcab589eed2829a71</data>
</edge>
<edge source="&quot;MAX SCHMITT&quot;" target="&quot;JOHN LAVENS, JR.&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Max Schmitt had a competitive relationship with John Lavens, Jr., both of whom strived for excellence in the single-sculls championships."</data>
  <data key="d5">"competition, rivalry"</data>
  <data key="d6">chunk-cf7e8b4702c8818dcab589eed2829a71</data>
</edge>
<edge source="&quot;MAX SCHMITT&quot;" target="&quot;JOSIE&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Josie is the personal scull of Max Schmitt, symbolizing his dedication to the sport of rowing."</data>
  <data key="d5">"personal achievement, sports equipment"</data>
  <data key="d6">chunk-cf7e8b4702c8818dcab589eed2829a71</data>
</edge>
<edge source="&quot;TURTLE ROCK&quot;" target="&quot;1870 CHAMPIONSHIP RACE&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The 1870 Championship Race began near Turtle Rock, indicating its geographical significance in competitive rowing."</data>
  <data key="d5">"location significance, event relevance"</data>
  <data key="d6">chunk-cf7e8b4702c8818dcab589eed2829a71</data>
</edge>
<edge source="&quot;PROFESSOR BENJAMIN H. RAND&quot;" target="&quot;JEFFERSON MEDICAL COLLEGE&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Benjamin H. Rand taught at Jefferson Medical College, where he influenced students in the field of anatomy."</data>
  <data key="d5">"education, influence"</data>
  <data key="d6">chunk-03912d92fcfec4dffd9dbaff3ba2cd86</data>
</edge>
<edge source="&quot;PROFESSOR BENJAMIN H. RAND&quot;" target="&quot;READING A BOOK&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The act of reading a book in the portrait symbolizes intellectual engagement and personality traits of Professor Rand."</data>
  <data key="d5">"intellectualism, engagement"</data>
  <data key="d6">chunk-03912d92fcfec4dffd9dbaff3ba2cd86</data>
</edge>
<edge source="&quot;PROFESSOR BENJAMIN H. RAND&quot;" target="&quot;PETTING A CAT&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The interaction of Professor Rand petting a cat reflects a personal and warm aspect of his character in the portrait."</data>
  <data key="d5">"personal connection, warmth"</data>
  <data key="d6">chunk-03912d92fcfec4dffd9dbaff3ba2cd86</data>
</edge>
<edge source="&quot;PORTRAIT OF PROFESSOR BENJAMIN H. RAND&quot;" target="&quot;CRYSTAL BRIDGES MUSEUM OF AMERICAN ART&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The portrait is housed at the Crystal Bridges Museum of American Art after being purchased by Alice L. Walton."</data>
  <data key="d5">"art collection, acquisition"</data>
  <data key="d6">chunk-03912d92fcfec4dffd9dbaff3ba2cd86</data>
</edge>
<edge source="&quot;PORTRAIT OF PROFESSOR BENJAMIN H. RAND&quot;" target="&quot;ALICE L. WALTON&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Alice L. Walton purchased the portrait for a significant amount, reflecting its value in the art market."</data>
  <data key="d5">"art acquisition, financial significance"</data>
  <data key="d6">chunk-03912d92fcfec4dffd9dbaff3ba2cd86</data>
</edge>
<edge source="&quot;PORTRAIT OF PROFESSOR BENJAMIN H. RAND&quot;" target="&quot;1874&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The painting was created in the year 1874, situating it within an important period in the history of American art."</data>
  <data key="d5">"historical context, art history"</data>
  <data key="d6">chunk-03912d92fcfec4dffd9dbaff3ba2cd86</data>
</edge>
<edge source="&quot;PORTRAIT OF PROFESSOR BENJAMIN H. RAND&quot;" target="&quot;THE GROSS CLINIC&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Portrait serves as a precursor to The Gross Clinic, providing insight into Eakins' development as an artist."</data>
  <data key="d5">"artistic development, thematic connection"</data>
  <data key="d6">chunk-03912d92fcfec4dffd9dbaff3ba2cd86</data>
</edge>
<edge source="&quot;JEFFERSON MEDICAL COLLEGE&quot;" target="&quot;THE GROSS CLINIC&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The painting represents a scene involving medical students from Jefferson Medical College, highlighting its educational context."</data>
  <data key="d5">"education, medical training"</data>
  <data key="d6">chunk-9c8d6297f40479e44c283b564ce0b398</data>
</edge>
<edge source="&quot;THE GROSS CLINIC&quot;" target="&quot;DR. SAMUEL D. GROSS&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Dr. Samuel D. Gross is the central figure in 'The Gross Clinic', exemplifying the role of surgeons in 19th-century medicine."</data>
  <data key="d5">"surgical practice, historical significance"</data>
  <data key="d6">chunk-9c8d6297f40479e44c283b564ce0b398</data>
</edge>
<edge source="&quot;THE GROSS CLINIC&quot;" target="&quot;DR. FRANKLIN WEST&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Dr. Franklin West is depicted taking notes in 'The Gross Clinic', indicating the importance of record-keeping in surgical education."</data>
  <data key="d5">"documentation, medical education"</data>
  <data key="d6">chunk-9c8d6297f40479e44c283b564ce0b398</data>
</edge>
<edge source="&quot;THE GROSS CLINIC&quot;" target="&quot;THE AGNEW CLINIC&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Both paintings by Eakins reflect the evolution of surgical practices from realism and the depiction of surgery to hygienic advancements."</data>
  <data key="d5">"artistic evolution, surgical practices"</data>
  <data key="d6">chunk-9c8d6297f40479e44c283b564ce0b398</data>
</edge>
<edge source="&quot;THE GROSS CLINIC&quot;" target="&quot;U.S. ARMY POST HOSPITAL&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"After being rejected from the 1876 Centennial Exhibition, 'The Gross Clinic' was displayed at the U.S. Army Post Hospital, indicating its ongoing significance."</data>
  <data key="d5">"art display, historical significance"</data>
  <data key="d6">chunk-9c8d6297f40479e44c283b564ce0b398</data>
</edge>
<edge source="&quot;THE GROSS CLINIC&quot;" target="&quot;THE EVENING TELEGRAPH&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"The Evening Telegraph provided commentary on 'The Gross Clinic', influencing public perception of the artwork."</data>
  <data key="d5">"media influence, public perception"</data>
  <data key="d6">chunk-9c8d6297f40479e44c283b564ce0b398</data>
</edge>
<edge source="&quot;THE GROSS CLINIC&quot;" target="&quot;NEW YORK TRIBUNE&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The New York Tribune presented critiques of 'The Gross Clinic', contributing to discussions about its artistic value and context."</data>
  <data key="d5">"media critique, artistic discussions"</data>
  <data key="d6">chunk-9c8d6297f40479e44c283b564ce0b398</data>
</edge>
<edge source="&quot;DR. SAMUEL D. GROSS&quot;" target="&quot;OSTEOMYELITIS OF THE FEMUR&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Dr. Samuel D. Gross performed surgery for osteomyelitis of the femur in the painting, highlighting a specific medical practice."</data>
  <data key="d5">"medical procedure, surgery"</data>
  <data key="d6">chunk-9c8d6297f40479e44c283b564ce0b398</data>
</edge>
<edge source="&quot;MARY CLYMER&quot;" target="&quot;THE AGNEW CLINIC&quot;">
  <data key="d3">14.0</data>
  <data key="d4">"Mary Clymer is a contrast to the medical practices shown in 'The Gross Clinic', highlighting the progress in hygiene and nursing."&lt;SEP&gt;"Mary Clymer is depicted in The Agnew Clinic as the nurse, highlighting the role of women in the medical hierarchy at that time."</data>
  <data key="d5">"gender dynamics, medical role"&lt;SEP&gt;"medical evolution, nursing"</data>
  <data key="d6">chunk-b7e6f6fee64127e612be260c07681da6&lt;SEP&gt;chunk-9c8d6297f40479e44c283b564ce0b398</data>
</edge>
<edge source="&quot;THE AGNEW CLINIC&quot;" target="&quot;DAVID HAYES AGNEW&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Agnew Clinic depicts Dr. Agnew performing surgery, symbolizing his significant contributions to medicine at the University of Pennsylvania."</data>
  <data key="d5">"professional legacy, depiction"</data>
  <data key="d6">chunk-b7e6f6fee64127e612be260c07681da6</data>
</edge>
<edge source="&quot;THE AGNEW CLINIC&quot;" target="&quot;MEDICAL STUDENTS OF 1889&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Medical Students of 1889 commissioned The Agnew Clinic, reflecting their admiration and respect for Dr. Agnew."</data>
  <data key="d5">"commission, educational respect"</data>
  <data key="d6">chunk-b7e6f6fee64127e612be260c07681da6</data>
</edge>
<edge source="&quot;SURGERY&quot;" target="&quot;SURGICAL THEATER&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The surgical theater in 'The Gross Clinic' exemplifies the practices and environment of surgery in the 19th century."</data>
  <data key="d5">"surgical practices, historical context"</data>
  <data key="d6">chunk-9c8d6297f40479e44c283b564ce0b398</data>
</edge>
<edge source="&quot;THE CHESS PLAYER&quot;" target="&quot;BERTRAND GARDEL&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Bertrand Gardel is one of the players depicted in the painting, illustrating the theme of mentorship and knowledge exchange."</data>
  <data key="d5">"education, mentorship"</data>
  <data key="d6">chunk-3c83a70f35cb7f4146fb11e6912ac793</data>
</edge>
<edge source="&quot;THE CHESS PLAYER&quot;" target="&quot;GEORGE HOLMES&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"George Holmes, another player in the painting, highlights the competitive aspect of the chess match, adding depth to the narrative of the artwork."</data>
  <data key="d5">"competition, narrative depth"</data>
  <data key="d6">chunk-3c83a70f35cb7f4146fb11e6912ac793</data>
</edge>
<edge source="&quot;THE CHESS PLAYER&quot;" target="&quot;THE CHESS PLAYERS&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"The Chess Players is a collective reference to the dynamic illustrated within the singular painting by Eakins, indicative of its broader thematic implications."</data>
  <data key="d5">"thematic interpretation, collective identity"</data>
  <data key="d6">chunk-3c83a70f35cb7f4146fb11e6912ac793</data>
</edge>
<edge source="&quot;THE CHESS PLAYER&quot;" target="&quot;AKELA REASON&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Akela Reason's analysis of the painting provides contextual understanding and deeper insights into Eakins' intentions and themes."</data>
  <data key="d5">"art analysis, contextual understanding"</data>
  <data key="d6">chunk-3c83a70f35cb7f4146fb11e6912ac793</data>
</edge>
<edge source="&quot;THE CHESS PLAYER&quot;" target="&quot;MARTIN BERGER&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Martin Berger's detailed analysis further enriches the understanding of Eakins' work, revealing personal and historical implications."</data>
  <data key="d5">"historical context, analysis"</data>
  <data key="d6">chunk-3c83a70f35cb7f4146fb11e6912ac793</data>
</edge>
<edge source="&quot;THE CHESS PLAYER&quot;" target="&quot;AVE CAESAR MORITURI TE SALUTANT&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The print of Ave Caesar in the painting reflects Eakins' connection to classical themes and the influence of art history on his work."</data>
  <data key="d5">"artistic influence, historical connection"</data>
  <data key="d6">chunk-3c83a70f35cb7f4146fb11e6912ac793</data>
</edge>
<edge source="&quot;BENJAMIN EAKINS&quot;" target="&quot;SALUTAT&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"Benjamin Eakins appears in 'Salutat', underscoring familial ties and the inclusion of personal relationships in Eakins' art."</data>
  <data key="d5">"family, personal connections"</data>
  <data key="d6">chunk-36c0b05d6646bacde663bc276480fefe</data>
</edge>
<edge source="&quot;THE SWIMMING HOLE&quot;" target="&quot;AMON CARTER MUSEUM OF AMERICAN ART&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The Swimming Hole is part of the collection of the Amon Carter Museum, highlighting its significance in American art history."</data>
  <data key="d5">"art collection, cultural significance"</data>
  <data key="d6">chunk-3c7fac8c51b55166a3127f88e76d4a2a</data>
</edge>
<edge source="&quot;THE SWIMMING HOLE&quot;" target="&quot;EAKINS HIMSELF&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Eakins is one of the figures depicted in the painting, representing a personal connection to the artwork."</data>
  <data key="d5">"personal involvement, representation"</data>
  <data key="d6">chunk-3c7fac8c51b55166a3127f88e76d4a2a</data>
</edge>
<edge source="&quot;THE SWIMMING HOLE&quot;" target="&quot;DOVE LAKE&quot;">
  <data key="d3">14.0</data>
  <data key="d4">"The Swimming Hole features elements related to Dove Lake, connecting the geography with Eakins's artistic vision."&lt;SEP&gt;"The Swimming Hole is set in Dove Lake, where Eakins painted the scene with his friends, establishing a geographical context for the artwork."</data>
  <data key="d5">"geographical inspiration, artistic setting"&lt;SEP&gt;"location, artistic setting"</data>
  <data key="d6">chunk-3c7fac8c51b55166a3127f88e76d4a2a&lt;SEP&gt;chunk-5906fd8cf6e9dab464bc66668a8ae3e0</data>
</edge>
<edge source="&quot;THE SWIMMING HOLE&quot;" target="&quot;THE OLD SWIMMIN'-HOLE&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"The Old Swimmin'-Hole is referenced in the later titles given to The Swimming Hole, connecting literature to the artwork."</data>
  <data key="d5">"literary reference, thematic connection"</data>
  <data key="d6">chunk-3c7fac8c51b55166a3127f88e76d4a2a</data>
</edge>
<edge source="&quot;THE SWIMMING HOLE&quot;" target="&quot;ARCADIA&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Both Arcadia and The Swimming Hole are significant works by Thomas Eakins, reflecting his exploration of classical themes and nudity in art."</data>
  <data key="d5">"artistic themes, creative exploration"</data>
  <data key="d6">chunk-5906fd8cf6e9dab464bc66668a8ae3e0</data>
</edge>
<edge source="&quot;DOVE LAKE&quot;" target="&quot;PHILADELPHIA&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Dove Lake is located outside Philadelphia, establishing the geographical link between the city and the artwork's setting."</data>
  <data key="d5">"geographical connection, cultural context"</data>
  <data key="d6">chunk-3c7fac8c51b55166a3127f88e76d4a2a</data>
</edge>
<edge source="&quot;SALUTAT&quot;" target="&quot;BILLY SMITH&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"In 'Salutat', Billy Smith is depicted as the winner, waving to the audience in a moment of victory after a boxing match."</data>
  <data key="d5">"victory, sportsmanship"</data>
  <data key="d6">chunk-36c0b05d6646bacde663bc276480fefe</data>
</edge>
<edge source="&quot;SALUTAT&quot;" target="&quot;BETWEEN ROUNDS&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"'Salutat' and 'Between Rounds' are both part of Eakins' series of boxing paintings, illustrating different moments surrounding a boxing event."</data>
  <data key="d5">"series, thematic exploration"</data>
  <data key="d6">chunk-36c0b05d6646bacde663bc276480fefe</data>
</edge>
<edge source="&quot;SALUTAT&quot;" target="&quot;CARNEGIE MUSEUM OF ART&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Carnegie Museum of Art holds an oil study related to 'Salutat', indicating its significance within Eakins' body of work and historical importance."</data>
  <data key="d5">"art collection, historical significance"</data>
  <data key="d6">chunk-36c0b05d6646bacde663bc276480fefe</data>
</edge>
<edge source="&quot;SALUTAT&quot;" target="&quot;LOUIS KENTON&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"Louis Kenton is portrayed in 'Salutat', contributing to the audience depicted in the painting and highlighting Eakins' real-life connections."</data>
  <data key="d5">"artistic representation, personal connections"</data>
  <data key="d6">chunk-36c0b05d6646bacde663bc276480fefe</data>
</edge>
<edge source="&quot;SALUTAT&quot;" target="&quot;CLARENCE CRANMER&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"Clarence Cranmer is depicted in 'Salutat' as part of the audience, emphasizing Eakins' social circle and the nature of spectator engagement in boxing events."</data>
  <data key="d5">"audience, documentation"</data>
  <data key="d6">chunk-36c0b05d6646bacde663bc276480fefe</data>
</edge>
<edge source="&quot;SALUTAT&quot;" target="&quot;DAVID JORDAN&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"David Jordan is shown among the audience in 'Salutat', depicting social and artistic networks relevant to Eakins."."</data>
  <data key="d5">"artistic representation, social network"</data>
  <data key="d6">chunk-36c0b05d6646bacde663bc276480fefe</data>
</edge>
<edge source="&quot;DAVID HAYES AGNEW&quot;" target="&quot;UNIVERSITY OF PENNSYLVANIA&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The University of Pennsylvania is where Dr. Agnew taught and where the painting was commissioned, linking them institutionally."</data>
  <data key="d5">"academic ties, institutional heritage"</data>
  <data key="d6">chunk-b7e6f6fee64127e612be260c07681da6</data>
</edge>
<edge source="&quot;THE CONCERT SINGER&quot;" target="&quot;WEDA COOK&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Weda Cook is the subject of 'The Concert Singer', illustrating her prominence as a vocalist during her time."</data>
  <data key="d5">"portrait subject, cultural significance"</data>
  <data key="d6">chunk-299ca1e1935fc5ae6db4c4b98443d508</data>
</edge>
<edge source="&quot;BILLY SMITH&quot;" target="&quot;TIM CALLAHAN&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Billy Smith fought Tim Callahan in a boxing match that served as the basis for Eakins' painting 'Salutat', illustrating a direct competitive relationship."</data>
  <data key="d5">"competition, boxing"</data>
  <data key="d6">chunk-36c0b05d6646bacde663bc276480fefe</data>
</edge>
<edge source="&quot;THE STUDIO&quot;" target="&quot;SAMUEL MURRAY&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Samuel Murray was a visitor in the studio of Thomas Eakins, suggesting a collaborative environment among artists and models, vital for Eakins' creative process."</data>
  <data key="d5">"collaboration, artistic community"</data>
  <data key="d6">chunk-36c0b05d6646bacde663bc276480fefe</data>
</edge>
<edge source="&quot;THE STUDIO&quot;" target="&quot;HENRY WALTER SCHLICHTER&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Henry Walter Schlichter's involvement in supporting Eakins led to the creation of 'Salutat' and other boxing paintings in Eakins' studio."</data>
  <data key="d5">"support, artistic process"</data>
  <data key="d6">chunk-36c0b05d6646bacde663bc276480fefe</data>
</edge>
<edge source="&quot;THE WRESTLERS&quot;" target="&quot;LACMA&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"LACMA owns the finished version of 'The Wrestlers' painting (G-317), making it an important location for Eakins' work."</data>
  <data key="d5">"art ownership, museum collection"</data>
  <data key="d6">chunk-9eb1e801a858fde7ca4d2309f0ce4d57</data>
</edge>
<edge source="&quot;THE WRESTLERS&quot;" target="&quot;PMA&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The PMA owns an unfinished version of 'The Wrestlers', highlighting its significance in the collection of American art."</data>
  <data key="d5">"art ownership, museum collection"</data>
  <data key="d6">chunk-9eb1e801a858fde7ca4d2309f0ce4d57</data>
</edge>
<edge source="&quot;THE WRESTLERS&quot;" target="&quot;NAD&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Eakins donated the finished version of 'The Wrestlers' to the NAD upon his election, connecting the artwork with the institution."</data>
  <data key="d5">"art donation, institutional connection"</data>
  <data key="d6">chunk-9eb1e801a858fde7ca4d2309f0ce4d57</data>
</edge>
<edge source="&quot;THE WRESTLERS&quot;" target="&quot;JOSEPH MCCANN&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"Joseph McCann is identified as one of the models for 'The Wrestlers', suggesting a personal connection to the artwork."</data>
  <data key="d5">"modeling, artistic representation"</data>
  <data key="d6">chunk-9eb1e801a858fde7ca4d2309f0ce4d57</data>
</edge>
<edge source="&quot;THE WRESTLERS&quot;" target="&quot;GEORGE LUKS&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"George Luks' painting 'The Wrestlers' is discussed alongside Eakins' works, suggesting a shared thematic exploration."</data>
  <data key="d5">"artistic influence, thematic exploration"</data>
  <data key="d6">chunk-9eb1e801a858fde7ca4d2309f0ce4d57</data>
</edge>
<edge source="&quot;THE WRESTLERS&quot;" target="&quot;MAX SLEVOGT&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"Max Slevogt's 'Wrestling School' is another painting compared to Eakins' works, noting similarities in subject matter."</data>
  <data key="d5">"artistic influence, thematic exploration"</data>
  <data key="d6">chunk-9eb1e801a858fde7ca4d2309f0ce4d57</data>
</edge>
<edge source="&quot;THE FINISHED VERSION&quot;" target="&quot;LACMA&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The finished version of 'The Wrestlers' is owned by LACMA, a significant aspect of their art collection."</data>
  <data key="d5">"art ownership, museum collection"</data>
  <data key="d6">chunk-9eb1e801a858fde7ca4d2309f0ce4d57</data>
</edge>
<edge source="&quot;THE FINISHED VERSION&quot;" target="&quot;QUAKER CITY BARGE CLUB&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The finished version of 'The Wrestlers' is set at the Quaker City Barge Club, linking the artwork to a physical location."</data>
  <data key="d5">"artistic setting, historical context"</data>
  <data key="d6">chunk-9eb1e801a858fde7ca4d2309f0ce4d57</data>
</edge>
<edge source="&quot;THE OIL SKETCH&quot;" target="&quot;LACMA&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The oil sketch (G-318) is also housed at LACMA, showcasing Eakins' different artistic approaches to the same theme."</data>
  <data key="d5">"art ownership, museum collection"</data>
  <data key="d6">chunk-9eb1e801a858fde7ca4d2309f0ce4d57</data>
</edge>
<edge source="&quot;THE UNFINISHED VERSION&quot;" target="&quot;PMA&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The unfinished version (G-319) belongs to the PMA, reflecting Eakins' evolving artistic process."</data>
  <data key="d5">"art ownership, museum collection"</data>
  <data key="d6">chunk-9eb1e801a858fde7ca4d2309f0ce4d57</data>
</edge>
<edge source="&quot;QUAKER CITY BARGE CLUB&quot;" target="&quot;PHILADELPHIA'S BOATHOUSE ROW&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The Quaker City Barge Club was situated on Philadelphia's Boathouse Row, indicating a historical geographic connection."</data>
  <data key="d5">"geographic location, historical context"</data>
  <data key="d6">chunk-9eb1e801a858fde7ca4d2309f0ce4d57</data>
</edge>
<edge source="&quot;MAN AT THE WINDOW&quot;" target="&quot;RENÉ CAILLEBOTTE&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"René Caillebotte is the subject of the painting 'Man at the Window', depicted looking out from their family home."</data>
  <data key="d5">"subject, family"</data>
  <data key="d6">chunk-08b1179a0a9dcebca7cfa3a72b158c14</data>
</edge>
<edge source="&quot;MAN AT THE WINDOW&quot;" target="&quot;RUE DE MIROMESNIL&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The painting 'Man at the Window' captures a view from the Rue de Miromesnil, where the Caillebotte family home is located."</data>
  <data key="d5">"setting, urban scene"</data>
  <data key="d6">chunk-08b1179a0a9dcebca7cfa3a72b158c14</data>
</edge>
<edge source="&quot;MAN AT THE WINDOW&quot;" target="&quot;BOULEVARD DE MALESHERBES&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The painting 'Man at the Window' features Boulevard de Malesherbes in the background, contributing to its urban context."</data>
  <data key="d5">"context, urban landscape"</data>
  <data key="d6">chunk-08b1179a0a9dcebca7cfa3a72b158c14</data>
</edge>
<edge source="&quot;LES RABOTEURS DE PARQUET&quot;" target="&quot;THE FLOOR SCRAPERS&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"'The Floor Scrapers' is the English title of 'Les raboteurs de parquet', reflecting the duality of the artwork's identity in different cultures."</data>
  <data key="d5">"multilingual title, art identity"</data>
  <data key="d6">chunk-5387a9f92c6290746c3974533e905a95</data>
</edge>
<edge source="&quot;77, RUE DE MIROMESNIL&quot;" target="&quot;THE FLOOR SCRAPERS&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"77, rue de Miromesnil is believed to be the setting depicted in 'The Floor Scrapers', linking the painting to Caillebotte's personal life."</data>
  <data key="d5">"location context, personal connection"</data>
  <data key="d6">chunk-5387a9f92c6290746c3974533e905a95</data>
</edge>
<edge source="&quot;PARIS, A RAINY DAY&quot;" target="&quot;PLACE DE DUBLIN&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The painting 'Paris, a Rainy Day' depicts the Place de Dublin, capturing a scene from that specific location in Paris."</data>
  <data key="d5">"artistic representation, geographical depiction"</data>
  <data key="d6">chunk-fb8111be9df1d8dfa0bc70ae25ccb73c</data>
</edge>
<edge source="&quot;PARIS, A RAINY DAY&quot;" target="&quot;UMBRELLA&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The umbrellas in 'Paris, a Rainy Day' symbolize personal isolation and the experience of urban life amid rain."</data>
  <data key="d5">"symbolism, urban experience"</data>
  <data key="d6">chunk-fb8111be9df1d8dfa0bc70ae25ccb73c</data>
</edge>
<edge source="&quot;PARIS, A RAINY DAY&quot;" target="&quot;MIDDLE CLASS&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The figures in 'Paris, a Rainy Day' exemplify characteristics of the middle class during the late 19th century, reflecting societal norms and fashion."</data>
  <data key="d5">"social status, representation"</data>
  <data key="d6">chunk-fb8111be9df1d8dfa0bc70ae25ccb73c</data>
</edge>
<edge source="&quot;PLACE DE DUBLIN&quot;" target="&quot;GARE SAINT-LAZARE&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The Place de Dublin is located near the Gare Saint-Lazare, situating the geographical context of the painting within Paris."</data>
  <data key="d5">"geographical context, urban setting"</data>
  <data key="d6">chunk-fb8111be9df1d8dfa0bc70ae25ccb73c</data>
</edge>
<edge source="&quot;PARIS STREET; RAINY DAY&quot;" target="&quot;THIRD IMPRESSIONIST EXHIBITION&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The painting 'Paris Street; Rainy Day' was first exhibited at the Third Impressionist Exhibition in 1877, marking its debut."</data>
  <data key="d5">"exhibition, debut"</data>
  <data key="d6">chunk-fb8111be9df1d8dfa0bc70ae25ccb73c</data>
</edge>
<edge source="&quot;GARE SAINT-LAZARE&quot;" target="&quot;PLACE DE L'EUROPE&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Gare Saint-Lazare is located near Place de L'Europe, linking the two geographic entities within the context of urban movement and activity."</data>
  <data key="d5">"urban geography, connectivity"</data>
  <data key="d6">chunk-2fa68adc81de8939987e153f5053f14d</data>
</edge>
<edge source="&quot;19TH CENTURY&quot;" target="&quot;IMPRESSIONIST PAINTERS&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The 19th century provided the backdrop for the Impressionist painters, shaping their artistic expressions and cultural context."</data>
  <data key="d5">"cultural context, artistic movement"</data>
  <data key="d6">chunk-fb8111be9df1d8dfa0bc70ae25ccb73c</data>
</edge>
<edge source="&quot;A BALCONY IN PARIS&quot;" target="&quot;31 BOULEVARD HAUSSMANN&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"A Balcony in Paris features a view from the location 31 boulevard Haussmann, connecting the artwork to its physical place in Paris."</data>
  <data key="d5">"artwork location, urban perspective"</data>
  <data key="d6">chunk-86a13add2cfd2e0ba91c6b7cdae62ef5</data>
</edge>
<edge source="&quot;LE PONT DE L'EUROPE&quot;" target="&quot;MUSÉE DU PETIT PALAIS&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Le Pont de L'Europe is held at the Musée du Petit Palais, indicating the museum's role in preserving and exhibiting Caillebotte's work."</data>
  <data key="d5">"art preservation, exhibition"</data>
  <data key="d6">chunk-2fa68adc81de8939987e153f5053f14d</data>
</edge>
<edge source="&quot;LE PONT DE L'EUROPE&quot;" target="&quot;PLACE DE L'EUROPE&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The artwork depicts the Place de L'Europe, illustrating the vibrant life and architectural significance of this location in Paris."</data>
  <data key="d5">"urban landscape, cityscape"</data>
  <data key="d6">chunk-2fa68adc81de8939987e153f5053f14d</data>
</edge>
<edge source="&quot;THE FLÂNEUR&quot;" target="&quot;ANNE-MARIE HAGEN&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The Flâneur and Anne-Marie Hagen's relationship in the painting suggests social dynamics and potential interpretations of their interaction."</data>
  <data key="d5">"social dynamics, relationship complexities"</data>
  <data key="d6">chunk-2fa68adc81de8939987e153f5053f14d</data>
</edge>
<edge source="&quot;ABBOTT HANDERSON THAYER&quot;" target="&quot;THE SISTERS&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Abbott Handerson Thayer is the creator of 'The Sisters', showcasing his artistic style and vision in portraiture."</data>
  <data key="d5">"artistic creation, portraiture"</data>
  <data key="d6">chunk-349274660b80d621a1067780d3b2a70c</data>
</edge>
<edge source="&quot;ABBOTT HANDERSON THAYER&quot;" target="&quot;NANTUCKET&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"Thayer spent time in Nantucket, where he gathered inspiration for his artworks during summer months."</data>
  <data key="d5">"artistic development, inspiration"</data>
  <data key="d6">chunk-349274660b80d621a1067780d3b2a70c</data>
</edge>
<edge source="&quot;ABBOTT HANDERSON THAYER&quot;" target="&quot;PITTSFIELD, MASSACHUSETTS&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"Thayer's time in Pittsfield contributed to his ongoing artistic development and connection to the region."</data>
  <data key="d5">"artistic development, regional connection"</data>
  <data key="d6">chunk-349274660b80d621a1067780d3b2a70c</data>
</edge>
<edge source="&quot;ABBOTT HANDERSON THAYER&quot;" target="&quot;HARTFORD, CONNECTICUT&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Thayer had a significant engagement with Connecticut when he painted a portrait of Mark Twain, enhancing his career."</data>
  <data key="d5">"artistic engagement, notable portrait"</data>
  <data key="d6">chunk-349274660b80d621a1067780d3b2a70c</data>
</edge>
<edge source="&quot;ABBOTT HANDERSON THAYER&quot;" target="&quot;PEEKSKILL, NEW YORK&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Thayer's winter in Peekskill at Henry Ward Beecher's cottage was pivotal in shaping his artistic journey."</data>
  <data key="d5">"artistic journey, personal history"</data>
  <data key="d6">chunk-349274660b80d621a1067780d3b2a70c</data>
</edge>
<edge source="&quot;ABBOTT HANDERSON THAYER&quot;" target="&quot;CORNWELL-ON-HUDSON&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Thayer built a studio in Cornwell-on-Hudson where he painted 'The Sisters', making it a significant location in his career."</data>
  <data key="d5">"studio location, creative process"</data>
  <data key="d6">chunk-349274660b80d621a1067780d3b2a70c</data>
</edge>
<edge source="&quot;THE SISTERS&quot;" target="&quot;JAMES STILLMAN&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"James Stillman commissioned the painting 'The Sisters', establishing a familial connection between the artist and the subjects."</data>
  <data key="d5">"commissioning, family"</data>
  <data key="d6">chunk-349274660b80d621a1067780d3b2a70c</data>
</edge>
<edge source="&quot;THE SISTERS&quot;" target="&quot;SOCIETY OF AMERICAN ARTISTS&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"'The Sisters' was exhibited at the Society of American Artists, highlighting its importance within the art community despite mixed reviews."</data>
  <data key="d5">"art exhibition, recognition"</data>
  <data key="d6">chunk-349274660b80d621a1067780d3b2a70c</data>
</edge>
<edge source="&quot;THE SISTERS&quot;" target="&quot;DENNIS MILLER BUNKER&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Dennis Miller Bunker was influenced by Thayer's work, particularly 'The Sisters', highlighting its impact on future artists."</data>
  <data key="d5">"artistic influence, legacy"</data>
  <data key="d6">chunk-349274660b80d621a1067780d3b2a70c</data>
</edge>
<edge source="&quot;BESSIE STILLMAN&quot;" target="&quot;CLARA STILLMAN&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Bessie and Clara Stillman are depicted together in the portrait 'The Sisters', highlighting their complex and intimate relationship."</data>
  <data key="d5">"sibling bond, intimacy"</data>
  <data key="d6">chunk-349274660b80d621a1067780d3b2a70c</data>
</edge>
<edge source="&quot;AMEDEO MODIGLIANI&quot;" target="&quot;JACQUES AND BERTHE LIPCHITZ&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Amedeo Modigliani created the painting 'Jacques and Berthe Lipchitz', showcasing his artistic vision and style."</data>
  <data key="d5">"artistic creation, friendship"</data>
  <data key="d6">chunk-78c585b69c00e58d98421de00e5b352d</data>
</edge>
<edge source="&quot;AMEDEO MODIGLIANI&quot;" target="&quot;NUDE SITTING ON A DIVAN&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Modigliani is the creator of 'Nude Sitting on a Divan,' showcasing his unique artistic vision and style."</data>
  <data key="d5">"artistic creation, expression"</data>
  <data key="d6">chunk-23c09d3fcae99716703d29ad57160626</data>
</edge>
<edge source="&quot;AMEDEO MODIGLIANI&quot;" target="&quot;LEOPOLD ZBOROWSKI&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Zborowski supported Modigliani's work by providing resources and financial backing for the creation of his nudes."</data>
  <data key="d5">"professional support, collaboration"</data>
  <data key="d6">chunk-23c09d3fcae99716703d29ad57160626</data>
</edge>
<edge source="&quot;AMEDEO MODIGLIANI&quot;" target="&quot;ITALIAN RENAISSANCE&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Modigliani's work reflects influences from the Italian Renaissance, blending tradition with modernist elements in his depictions."</data>
  <data key="d5">"artistic influence, cultural heritage"</data>
  <data key="d6">chunk-23c09d3fcae99716703d29ad57160626</data>
</edge>
<edge source="&quot;AMEDEO MODIGLIANI&quot;" target="&quot;THE BOY&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Amedeo Modigliani is the creator of 'The Boy', establishing a direct relationship between the artist and his artwork."</data>
  <data key="d5">"creation, artistic contribution"</data>
  <data key="d6">chunk-8910f94f1ba8711cf9f0ea0cd62912dd</data>
</edge>
<edge source="&quot;AMEDEO MODIGLIANI&quot;" target="&quot;WORLD WAR I&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Amedeo Modigliani's decision to shift his work to Southern France was influenced by the circumstances surrounding World War I."</data>
  <data key="d5">"historical context, artistic influence"</data>
  <data key="d6">chunk-8910f94f1ba8711cf9f0ea0cd62912dd</data>
</edge>
<edge source="&quot;AMEDEO MODIGLIANI&quot;" target="&quot;SOUTHERN FRANCE&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The artist created 'The Boy' in Southern France, linking his location to the artwork's production."</data>
  <data key="d5">"art creation, geographical influence"</data>
  <data key="d6">chunk-8910f94f1ba8711cf9f0ea0cd62912dd</data>
</edge>
<edge source="&quot;JACQUES LIPCHITZ&quot;" target="&quot;BERTHE KITROSSER&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Jacques Lipchitz and Berthe Kitrosser are married, with their relationship depicted in Modigliani's portrait of them."</data>
  <data key="d5">"marriage, duality"</data>
  <data key="d6">chunk-78c585b69c00e58d98421de00e5b352d</data>
</edge>
<edge source="&quot;LEOPOLD ZBOROWSKI&quot;" target="&quot;THE BOY&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Leopold Zborowski was the first purchaser of 'The Boy', linking him to the artwork's early history and promotion."</data>
  <data key="d5">"art dealer, historical connection"</data>
  <data key="d6">chunk-8910f94f1ba8711cf9f0ea0cd62912dd</data>
</edge>
<edge source="&quot;NUDE SEATING ON A SOFA&quot;" target="&quot;THE BEAUTIFUL ROMAN WOMAN&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Beautiful Roman Woman is an alternate title for 'Nude seating on a sofa,' indicating the painting's thematic focus on beauty."</data>
  <data key="d5">"title, thematic representation"</data>
  <data key="d6">chunk-23c09d3fcae99716703d29ad57160626</data>
</edge>
<edge source="&quot;NUDE SEATING ON A SOFA&quot;" target="&quot;1917 EXHIBITION&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The painting was showcased during the 1917 exhibition in Paris, which became notorious for its public reception and impact on art history."</data>
  <data key="d5">"exhibition, historical impact"</data>
  <data key="d6">chunk-23c09d3fcae99716703d29ad57160626</data>
</edge>
<edge source="&quot;1917 EXHIBITION&quot;" target="&quot;OBSCENITY&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The exhibition was closed due to accusations of obscenity, highlighting the controversy surrounding Modigliani's work."</data>
  <data key="d5">"controversy, artistic expression"</data>
  <data key="d6">chunk-23c09d3fcae99716703d29ad57160626</data>
</edge>
<edge source="&quot;NEW YORK AUCTION&quot;" target="&quot;$68.9 MILLION&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"The New York auction resulted in a record sale price of $68.9 million for 'Nude seating on a sofa,' showcasing its high economic value."</data>
  <data key="d5">"auction significance, market value"</data>
  <data key="d6">chunk-23c09d3fcae99716703d29ad57160626</data>
</edge>
<edge source="&quot;THE BOY&quot;" target="&quot;INDIANAPOLIS MUSEUM OF ART&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"'The Boy' is part of the permanent collection at the Indianapolis Museum of Art, connecting the artwork with the organization that houses it."</data>
  <data key="d5">"art collection, cultural significance"</data>
  <data key="d6">chunk-8910f94f1ba8711cf9f0ea0cd62912dd</data>
</edge>
<edge source="&quot;THE BOY&quot;" target="&quot;MAURICE J. SPEISER&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Maurice J. Speiser purchased 'The Boy' by 1929, indicating his role as a patron of the artwork."</data>
  <data key="d5">"patronage, art history"</data>
  <data key="d6">chunk-8910f94f1ba8711cf9f0ea0cd62912dd</data>
</edge>
<edge source="&quot;THE BOY&quot;" target="&quot;THEODORE SCHEMPP&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"Theodore Schempp purchased 'The Boy' from an auction in 1944, connecting him with the artwork's ownership history."</data>
  <data key="d5">"ownership, auction history"</data>
  <data key="d6">chunk-8910f94f1ba8711cf9f0ea0cd62912dd</data>
</edge>
<edge source="&quot;THE BOY&quot;" target="&quot;MRS. JULIAN BOBBS&quot;">
  <data key="d3">5.0</data>
  <data key="d4">"Mrs. Julian Bobbs financed the purchase of 'The Boy' in memory of William Ray Adams, showing her support for the artwork."</data>
  <data key="d5">"financial support, memorial"</data>
  <data key="d6">chunk-8910f94f1ba8711cf9f0ea0cd62912dd</data>
</edge>
<edge source="&quot;THE BOY&quot;" target="&quot;UNKNOWN MALE YOUTH&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"'The Boy' portrays an unknown male youth, establishing a connection between the artwork and its subject."</data>
  <data key="d5">"artistic representation, subject matter"</data>
  <data key="d6">chunk-8910f94f1ba8711cf9f0ea0cd62912dd</data>
</edge>
<edge source="&quot;WORLD WAR I&quot;" target="&quot;THE FATE OF THE ANIMALS&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The Fate of the Animals serves as a premonition of World War I, reflecting themes of chaos and destruction."</data>
  <data key="d5">"historical context, thematic reflection"</data>
  <data key="d6">chunk-797962da50cc275feab777eb60b6da26</data>
</edge>
<edge source="&quot;EDVARD MUNCH&quot;" target="&quot;THE SICK CHILD&quot;">
  <data key="d3">18.0</data>
  <data key="d4">"Edvard Munch created The Sick Child as a deeply personal reflection on the death of his sister, which shaped much of his artistic identity."&lt;SEP&gt;"Edvard Munch created The Sick Child as a means to express his feelings of despair and guilt surrounding his sister's death."</data>
  <data key="d5">"artistic expression, personal loss"&lt;SEP&gt;"artistic expression, personal trauma"</data>
  <data key="d6">chunk-cdbbe4adb0924ac2b599301a13b5a7ec&lt;SEP&gt;chunk-fdf779226e2dd29a14c823081f839a14</data>
</edge>
<edge source="&quot;EDVARD MUNCH&quot;" target="&quot;JOHANNE SOPHIE&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Johanne Sophie is the subject of Munch's works, her death profoundly impacting his art and emotional state."</data>
  <data key="d5">"sibling relationship, influence"</data>
  <data key="d6">chunk-fdf779226e2dd29a14c823081f839a14</data>
</edge>
<edge source="&quot;EDVARD MUNCH&quot;" target="&quot;THE SCREAM&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Edvard Munch created 'The Scream,' which is considered one of his most significant and iconic artworks."</data>
  <data key="d5">"artistic creation, significance"</data>
  <data key="d6">chunk-baa0edb3d1c51f434076d45a60950e18</data>
</edge>
<edge source="&quot;EDVARD MUNCH&quot;" target="&quot;LAURA CATHERINE&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Laura Catherine's struggle with manic depression likely influenced Edvard Munch's emotional expression in his art, including 'The Scream.'"</data>
  <data key="d5">"personal influence, emotional depth"</data>
  <data key="d6">chunk-baa0edb3d1c51f434076d45a60950e18</data>
</edge>
<edge source="&quot;EDVARD MUNCH&quot;" target="&quot;ANXIETY&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Edvard Munch is the creator of the painting 'Anxiety', which reflects his artistic expression of emotional states."</data>
  <data key="d5">"artistic creation, emotional expression"</data>
  <data key="d6">chunk-1464d71e038414201dc850474471d339</data>
</edge>
<edge source="&quot;EDVARD MUNCH&quot;" target="&quot;PUBERTY&quot;">
  <data key="d3">19.0</data>
  <data key="d4">"Edvard Munch created the painting Puberty, which is significant in representing his emotional experiences and artistic evolution."&lt;SEP&gt;"Edvard Munch's exploration of the theme of puberty in his work reflects his interest in the emotional complexities involved in adolescence."</data>
  <data key="d5">"artistic creation, emotional expression"&lt;SEP&gt;"thematic exploration, emotional complexity"</data>
  <data key="d6">chunk-80cb57c7a7584d26c3ec44f224a1d1a8</data>
</edge>
<edge source="&quot;EDVARD MUNCH&quot;" target="&quot;NORWAY&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Edvard Munch's identity and artistic perspective are rooted in his Norwegian heritage, influencing his work and thematic choices."</data>
  <data key="d5">"cultural influence, heritage"</data>
  <data key="d6">chunk-80cb57c7a7584d26c3ec44f224a1d1a8</data>
</edge>
<edge source="&quot;EDVARD MUNCH&quot;" target="&quot;THE YOUNG GIRL&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"The young girl in Puberty is a representation of Munch's personal emotional journey and artistic focus on anxiety and sexuality."</data>
  <data key="d5">"character representation, emotional journey"</data>
  <data key="d6">chunk-80cb57c7a7584d26c3ec44f224a1d1a8</data>
</edge>
<edge source="&quot;EDVARD MUNCH&quot;" target="&quot;JEALOUSY&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Edvard Munch is the creator of the painting 'Jealousy', which reflects his artistic expression and evolution throughout his life."</data>
  <data key="d5">"artistic creation, expressionism"</data>
  <data key="d6">chunk-deff07996b8276807cdc798cb7579bf2</data>
</edge>
<edge source="&quot;EDVARD MUNCH&quot;" target="&quot;VAMPIRE&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Edvard Munch is the artist who created the painting 'Vampire,' making him directly related to the artwork."</data>
  <data key="d5">"artistic creation, authorship"</data>
  <data key="d6">chunk-ecfb5fa4e972b133dd726fd1c53630e2</data>
</edge>
<edge source="&quot;EDVARD MUNCH&quot;" target="&quot;THE KISS&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Edvard Munch created The Kiss, which showcases his artistic exploration of love and unity between figures."</data>
  <data key="d5">"artistic creation, emotional expression"</data>
  <data key="d6">chunk-2b758dc6bbeb49dc1e6ee2014274ca40</data>
</edge>
<edge source="&quot;EDVARD MUNCH&quot;" target="&quot;FRIEZE OF LIFE&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Kiss is part of the Frieze of Life, a series that depicts the stages of romantic relationships through Munch's perspective."</data>
  <data key="d5">"thematic exploration, series connection"</data>
  <data key="d6">chunk-2b758dc6bbeb49dc1e6ee2014274ca40</data>
</edge>
<edge source="&quot;EDVARD MUNCH&quot;" target="&quot;CHRISTMAS IN THE BROTHEL&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Edvard Munch created the painting Christmas in the Brothel, reflecting his artistic style and themes related to his life experiences."</data>
  <data key="d5">"artistic creation, personal expression"</data>
  <data key="d6">chunk-15d291230cbfc8bd58ced2f24e1b4e4f</data>
</edge>
<edge source="&quot;EDVARD MUNCH&quot;" target="&quot;LÜBECK&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Edvard Munch's visit to Lübeck inspired the creation of Christmas in the Brothel, linking his experiences to his art."</data>
  <data key="d5">"inspiration, biographical connection"</data>
  <data key="d6">chunk-15d291230cbfc8bd58ced2f24e1b4e4f</data>
</edge>
<edge source="&quot;EDVARD MUNCH&quot;" target="&quot;SOTHEBY'S AUCTION&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The high-value sale of Munch's lithograph at Sotheby's highlights the significant market and cultural interest in his art."</data>
  <data key="d5">"art market, cultural significance"</data>
  <data key="d6">chunk-cdbbe4adb0924ac2b599301a13b5a7ec</data>
</edge>
<edge source="&quot;EDVARD MUNCH&quot;" target="&quot;THE SICK CHILD (NORWEGIAN: DET SYKE BARN)&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The Sick Child series was created by Edvard Munch, serving as a pivotal part of his artistic legacy and response to personal trauma."</data>
  <data key="d5">"artistic legacy, personal response"</data>
  <data key="d6">chunk-cdbbe4adb0924ac2b599301a13b5a7ec</data>
</edge>
<edge source="&quot;EDVARD MUNCH&quot;" target="&quot;ART HISTORIANS&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Art historians study Munch's work to understand the profound emotional impacts and themes within his paintings."</data>
  <data key="d5">"art analysis, emotional depth"</data>
  <data key="d6">chunk-cdbbe4adb0924ac2b599301a13b5a7ec</data>
</edge>
<edge source="&quot;THE SICK CHILD&quot;" target="&quot;TUBERCULOSIS&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The Sick Child depicts the suffering and impact of tuberculosis, representing the trauma of illness and death."</data>
  <data key="d5">"illness representation, mortality"</data>
  <data key="d6">chunk-fdf779226e2dd29a14c823081f839a14</data>
</edge>
<edge source="&quot;THE SICK CHILD&quot;" target="&quot;JOHANNE SOPHIE&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Johanne Sophie is the central figure in The Sick Child series, representing the profound loss that inspired Edvard Munch's works."</data>
  <data key="d5">"theme of loss, central figure"</data>
  <data key="d6">chunk-cdbbe4adb0924ac2b599301a13b5a7ec</data>
</edge>
<edge source="&quot;THE SICK CHILD&quot;" target="&quot;AUNT KAREN&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Aunt Karen is portrayed in The Sick Child series as a grieving figure, illustrating the emotional turmoil associated with Johanne Sophie's death."</data>
  <data key="d5">"family bond, grief"</data>
  <data key="d6">chunk-cdbbe4adb0924ac2b599301a13b5a7ec</data>
</edge>
<edge source="&quot;THE SICK CHILD&quot;" target="&quot;THE DARK-HAIRED WOMAN&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The dark-haired woman is depicted in a pivotal role as the grieving figure beside Sophie in The Sick Child series."</data>
  <data key="d5">"grief, family dynamic"</data>
  <data key="d6">chunk-cdbbe4adb0924ac2b599301a13b5a7ec</data>
</edge>
<edge source="&quot;THE SICK CHILD&quot;" target="&quot;HEAVY DARK BLANKET&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The heavy dark blanket in the paintings symbolizes the burden of suffering and the warmth of familial love."</data>
  <data key="d5">"symbolism of comfort, suffering"</data>
  <data key="d6">chunk-cdbbe4adb0924ac2b599301a13b5a7ec</data>
</edge>
<edge source="&quot;THE SICK CHILD&quot;" target="&quot;CIRCULAR MIRROR&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"The circular mirror in the paintings serves as a visual symbol of reflection and mortality in Sophie's context."</data>
  <data key="d5">"symbolism, mortality"</data>
  <data key="d6">chunk-cdbbe4adb0924ac2b599301a13b5a7ec</data>
</edge>
<edge source="&quot;THE SICK CHILD&quot;" target="&quot;BLACK DRESS&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The black dress of the older woman indicates mourning and the somber emotions surrounding the child's illness."</data>
  <data key="d5">"mourning, emotional context"</data>
  <data key="d6">chunk-cdbbe4adb0924ac2b599301a13b5a7ec</data>
</edge>
<edge source="&quot;JOHANNE SOPHIE&quot;" target="&quot;KAREN&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Karen is depicted as the figure comforting Johanne Sophie during her illness, indicating a deep familial bond."</data>
  <data key="d5">"family bond, emotional support"</data>
  <data key="d6">chunk-fdf779226e2dd29a14c823081f839a14</data>
</edge>
<edge source="&quot;JOHANNE SOPHIE&quot;" target="&quot;TUBERCULOSIS&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Tuberculosis is the disease that led to Johanne Sophie's death, which fundamentally impacted Munch's thematic focus in his art."</data>
  <data key="d5">"cause of death, disease"</data>
  <data key="d6">chunk-cdbbe4adb0924ac2b599301a13b5a7ec</data>
</edge>
<edge source="&quot;THE SCREAM&quot;" target="&quot;NATIONAL GALLERY OF OSLO&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The National Gallery in Oslo is home to one of the painted versions of 'The Scream,' contributing to its preservation and public display."</data>
  <data key="d5">"art preservation, cultural significance"</data>
  <data key="d6">chunk-baa0edb3d1c51f434076d45a60950e18</data>
</edge>
<edge source="&quot;THE SCREAM&quot;" target="&quot;MUNCH MUSEUM&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Munch Museum houses another version of 'The Scream,' further showcasing Munch's works and legacy."</data>
  <data key="d5">"art exhibition, cultural significance"</data>
  <data key="d6">chunk-baa0edb3d1c51f434076d45a60950e18</data>
</edge>
<edge source="&quot;THE SCREAM&quot;" target="&quot;LEON BLACK&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Leon Black purchased the pastel version of 'The Scream' at auction, highlighting its extraordinary value in the art market."</data>
  <data key="d5">"art market, high value"</data>
  <data key="d6">chunk-baa0edb3d1c51f434076d45a60950e18</data>
</edge>
<edge source="&quot;THE SCREAM&quot;" target="&quot;KRAKATOA&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"The eruption of Krakatoa possibly inspired the tumultuous sky in 'The Scream,' linking environment and art."</data>
  <data key="d5">"environmental influence, inspiration"</data>
  <data key="d6">chunk-baa0edb3d1c51f434076d45a60950e18</data>
</edge>
<edge source="&quot;THE SCREAM&quot;" target="&quot;EKEBERG&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Ekeberg is the location that inspired the view depicted in 'The Scream,' connecting landscape and artwork."</data>
  <data key="d5">"location, artistic inspiration"</data>
  <data key="d6">chunk-baa0edb3d1c51f434076d45a60950e18</data>
</edge>
<edge source="&quot;THE SCREAM&quot;" target="&quot;THE SCREAM TEAM&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Scream Team works to promote and preserve 'The Scream,' ensuring its legacy within the art community."</data>
  <data key="d5">"art promotion, preservation"</data>
  <data key="d6">chunk-baa0edb3d1c51f434076d45a60950e18</data>
</edge>
<edge source="&quot;THE SCREAM&quot;" target="&quot;PASTEL VERSION&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The Pastel Version of 'The Scream' is among the four recognized versions and has significantly impacted art valuation."</data>
  <data key="d5">"art valuation, iconic status"</data>
  <data key="d6">chunk-baa0edb3d1c51f434076d45a60950e18</data>
</edge>
<edge source="&quot;THE SCREAM&quot;" target="&quot;OCEAN&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"The ocean is a part of the landscape in 'The Scream,' contributing to the overall emotive environment depicted in the artwork."</data>
  <data key="d5">"landscape, emotional context"</data>
  <data key="d6">chunk-baa0edb3d1c51f434076d45a60950e18</data>
</edge>
<edge source="&quot;THE SCREAM&quot;" target="&quot;MADONNA&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"'Madonna' and 'The Scream' were both stolen in a high-profile art theft, linking them within Munch's portfolio and the art theft narrative."</data>
  <data key="d5">"art theft, portfolio"</data>
  <data key="d6">chunk-baa0edb3d1c51f434076d45a60950e18</data>
</edge>
<edge source="&quot;THE SCREAM&quot;" target="&quot;ART THEFT&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The incidents of Art Theft concerning 'The Scream' increased awareness about the security practices around valuable art pieces."</data>
  <data key="d5">"security issues, art theft"</data>
  <data key="d6">chunk-baa0edb3d1c51f434076d45a60950e18</data>
</edge>
<edge source="&quot;THE SCREAM&quot;" target="&quot;NORWEGIAN EXPRESSIONISM&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"'The Scream' embodies the principles of Norwegian Expressionism, showcasing emotional depth characteristic of the movement."</data>
  <data key="d5">"art movement, emotional depth"</data>
  <data key="d6">chunk-baa0edb3d1c51f434076d45a60950e18</data>
</edge>
<edge source="&quot;THE SCREAM&quot;" target="&quot;MODERN ART&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"'The Scream' is a significant representation of Modern Art, marking a pivotal moment in the expression of human emotion through art."</data>
  <data key="d5">"art movement, human emotion"</data>
  <data key="d6">chunk-baa0edb3d1c51f434076d45a60950e18</data>
</edge>
<edge source="&quot;MUNCH MUSEUM&quot;" target="&quot;ANXIETY&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The painting 'Anxiety' is housed in Munch Museum, where visitors can view Edvard Munch's works."</data>
  <data key="d5">"art exhibition, cultural preservation"</data>
  <data key="d6">chunk-1464d71e038414201dc850474471d339</data>
</edge>
<edge source="&quot;MUNCH MUSEUM&quot;" target="&quot;OSLO&quot;">
  <data key="d3">16.0</data>
  <data key="d4">"Munch Museum is located in Oslo, Norway, making the city significant in the context of Edvard Munch's artistic heritage."&lt;SEP&gt;"The Munch Museum is situated in Oslo, showcasing the artist’s works, including several versions of 'Jealousy'. "</data>
  <data key="d5">"art institution, geographical significance"&lt;SEP&gt;"cultural location, art heritage"</data>
  <data key="d6">chunk-deff07996b8276807cdc798cb7579bf2&lt;SEP&gt;chunk-1464d71e038414201dc850474471d339</data>
</edge>
<edge source="&quot;MUNCH MUSEUM&quot;" target="&quot;JEALOUSY&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Munch Museum holds several versions of Munch's painting 'Jealousy', showcasing the artist's repeated exploration of the theme."</data>
  <data key="d5">"art museum, thematic exploration"</data>
  <data key="d6">chunk-deff07996b8276807cdc798cb7579bf2</data>
</edge>
<edge source="&quot;MUNCH MUSEUM&quot;" target="&quot;VAMPIRE&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Munch Museum houses several versions of 'Vampire,' indicating its significance in the museum's collection."</data>
  <data key="d5">"art collection, preservation"</data>
  <data key="d6">chunk-ecfb5fa4e972b133dd726fd1c53630e2</data>
</edge>
<edge source="&quot;MUNCH MUSEUM&quot;" target="&quot;THE KISS&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The Kiss is housed in the Munch Museum, showcasing Munch's work to the public."</data>
  <data key="d5">"art exhibition, preservation"</data>
  <data key="d6">chunk-2b758dc6bbeb49dc1e6ee2014274ca40</data>
</edge>
<edge source="&quot;MUNCH MUSEUM&quot;" target="&quot;CHRISTMAS IN THE BROTHEL&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Christmas in the Brothel is housed at the Munch Museum, which showcases Munch's art and contributions to the Expressionist movement."</data>
  <data key="d5">"art exhibition, cultural significance"</data>
  <data key="d6">chunk-15d291230cbfc8bd58ced2f24e1b4e4f</data>
</edge>
<edge source="&quot;PUBERTY&quot;" target="&quot;EXPRESSIONISTIC ART&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The painting Puberty exemplifies the principles of Expressionistic Art by reflecting deep emotional and psychological themes."</data>
  <data key="d5">"art movement, emotional themes"</data>
  <data key="d6">chunk-80cb57c7a7584d26c3ec44f224a1d1a8</data>
</edge>
<edge source="&quot;PUBERTY&quot;" target="&quot;THE YOUNG GIRL&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"The young girl in the painting symbolizes the concept of puberty, reflecting the transition and challenges faced during this developmental stage."</data>
  <data key="d5">"symbolism, developmental stage"</data>
  <data key="d6">chunk-80cb57c7a7584d26c3ec44f224a1d1a8</data>
</edge>
<edge source="&quot;NORWAY&quot;" target="&quot;THE KISS&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The Kiss reflects the cultural and artistic backdrop of Norway, where Munch was inspired to create his works."</data>
  <data key="d5">"cultural context, artistic influence"</data>
  <data key="d6">chunk-2b758dc6bbeb49dc1e6ee2014274ca40</data>
</edge>
<edge source="&quot;JEALOUSY&quot;" target="&quot;RASMUS MEYER COLLECTION&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Rasmus Meyer Collection houses one of the versions of Munch's painting 'Jealousy', indicating its significance in the collection."</data>
  <data key="d5">"art collection, significance"</data>
  <data key="d6">chunk-deff07996b8276807cdc798cb7579bf2</data>
</edge>
<edge source="&quot;JEALOUSY&quot;" target="&quot;STÄDEL MUSEUM&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Städel Museum possesses a version of Munch's painting 'Jealousy', highlighting its importance in various art collections."</data>
  <data key="d5">"art collection, significance"</data>
  <data key="d6">chunk-deff07996b8276807cdc798cb7579bf2</data>
</edge>
<edge source="&quot;JEALOUSY&quot;" target="&quot;JEALOUSY IN THE BATH&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"'Jealousy in the Bath' is a notable version of the painting 'Jealousy', emphasizing Munch's exploration of the same theme across different works."</data>
  <data key="d5">"artistic variation, thematic exploration"</data>
  <data key="d6">chunk-deff07996b8276807cdc798cb7579bf2</data>
</edge>
<edge source="&quot;RASMUS MEYER COLLECTION&quot;" target="&quot;BERGEN&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Rasmus Meyer Collection is located in Bergen, which is significant for housing one of Munch's notable works."</data>
  <data key="d5">"art collection, geographical significance"</data>
  <data key="d6">chunk-deff07996b8276807cdc798cb7579bf2</data>
</edge>
<edge source="&quot;STÄDEL MUSEUM&quot;" target="&quot;FRANKFURT AM MAIN&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The Städel Museum is located in Frankfurt am Main and holds one version of Munch's painting 'Jealousy', highlighting its importance in the city."</data>
  <data key="d5">"art institution, geographical significance"</data>
  <data key="d6">chunk-deff07996b8276807cdc798cb7579bf2</data>
</edge>
<edge source="&quot;VAMPIRE&quot;" target="&quot;GOTHENBURG MUSEUM OF ART&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The Gothenburg Museum of Art holds one version of 'Vampire,' showcasing Munch's impact on art in various institutions."</data>
  <data key="d5">"art exposure, collection"</data>
  <data key="d6">chunk-ecfb5fa4e972b133dd726fd1c53630e2</data>
</edge>
<edge source="&quot;VAMPIRE&quot;" target="&quot;STANISLAW PRZYBYSZEWSKI&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"Stanisław Przybyszewski named the painting 'Vampire' and interpreted its themes, linking him to the artwork in a critical context."</data>
  <data key="d5">"interpretation, naming"</data>
  <data key="d6">chunk-ecfb5fa4e972b133dd726fd1c53630e2</data>
</edge>
<edge source="&quot;THE KISS&quot;" target="&quot;FRANCESCO HAYEZ&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Francesco Hayez created 'The Kiss' painting, which is his most recognized work, showcasing his artistic style and thematic choices."</data>
  <data key="d5">"artistic creation, recognition"</data>
  <data key="d6">chunk-b938dae0fe303047d5bdaf15a3923f2e</data>
</edge>
<edge source="&quot;THE KISS&quot;" target="&quot;RISORGIMENTO&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The painting 'The Kiss' symbolizes the spirit of the Risorgimento through its artistic elements and historical context."</data>
  <data key="d5">"symbolism, cultural significance"</data>
  <data key="d6">chunk-b938dae0fe303047d5bdaf15a3923f2e</data>
</edge>
<edge source="&quot;THE KISS&quot;" target="&quot;ALFONSO MARIA VISCONTI DI SALICETO&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Alfonso Maria Visconti di Saliceto commissioned 'The Kiss' and later donated it to the Pinacoteca di Brera, linking his legacy to the artwork."</data>
  <data key="d5">"commission, legacy"</data>
  <data key="d6">chunk-b938dae0fe303047d5bdaf15a3923f2e</data>
</edge>
<edge source="&quot;THE KISS&quot;" target="&quot;PINACOTECA DI BRERA&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The painting 'The Kiss' is housed in the Pinacoteca di Brera, establishing its importance in this prominent art gallery."</data>
  <data key="d5">"art collection, prominence"</data>
  <data key="d6">chunk-b938dae0fe303047d5bdaf15a3923f2e</data>
</edge>
<edge source="&quot;THE KISS&quot;" target="&quot;1859&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"'The Kiss' was created in the year 1859, linking the artwork to a specific historical period critical to Italian history."</data>
  <data key="d5">"historical context, timeline"</data>
  <data key="d6">chunk-b938dae0fe303047d5bdaf15a3923f2e</data>
</edge>
<edge source="&quot;THE KISS&quot;" target="&quot;LUCHINO VISCONTI&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Luchino Visconti referenced 'The Kiss' in his film 'Senso,' showcasing the painting's impact on cinematic art and contemporary culture."</data>
  <data key="d5">"artistic influence, cinematic reference"</data>
  <data key="d6">chunk-b938dae0fe303047d5bdaf15a3923f2e</data>
</edge>
<edge source="&quot;THE KISS&quot;" target="&quot;BACI CHOCOLATES&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The packaging of Baci chocolates features 'The Kiss,' connecting the artwork to modern Italian culture and commercial branding."</data>
  <data key="d5">"cultural branding, influence"</data>
  <data key="d6">chunk-b938dae0fe303047d5bdaf15a3923f2e</data>
</edge>
<edge source="&quot;CHRISTMAS IN THE BROTHEL&quot;" target="&quot;THE GREEN ROOM&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Green Room series was inspired by Munch's experiences in a brothel, reflecting a thematic continuation from Christmas in the Brothel."</data>
  <data key="d5">"thematic exploration, artistic influence"</data>
  <data key="d6">chunk-15d291230cbfc8bd58ced2f24e1b4e4f</data>
</edge>
<edge source="&quot;PAUL KLEE&quot;" target="&quot;TWITTERING MACHINE&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Paul Klee is the artist who created the Twittering Machine, showcasing his signature blend of biological and mechanical themes."</data>
  <data key="d5">"artistic creation, interpretation"</data>
  <data key="d6">chunk-f013bfd71992305eb20d9ad68c135eb0</data>
</edge>
<edge source="&quot;PAUL KLEE&quot;" target="&quot;THE FATE OF THE ANIMALS&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Paul Klee restored The Fate of the Animals after it was damaged, linking him to the artwork's history."</data>
  <data key="d5">"art restoration, historical connection"</data>
  <data key="d6">chunk-797962da50cc275feab777eb60b6da26</data>
</edge>
<edge source="&quot;TWITTERING MACHINE&quot;" target="&quot;MOMA&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Twittering Machine is one of the notable works displayed at MoMA, highlighting its significance in modern art."</data>
  <data key="d5">"art exhibition, significance"</data>
  <data key="d6">chunk-f013bfd71992305eb20d9ad68c135eb0</data>
</edge>
<edge source="&quot;TWITTERING MACHINE&quot;" target="&quot;GERMANY&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Twittering Machine was originally displayed in Germany, marking its early significance before it faced condemnation by the Nazi regime."</data>
  <data key="d5">"historical context, art history"</data>
  <data key="d6">chunk-f013bfd71992305eb20d9ad68c135eb0</data>
</edge>
<edge source="&quot;FRANZ MARC&quot;" target="&quot;THE YELLOW COW&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Franz Marc is the creator of 'The Yellow Cow', which exemplifies his unique expressionist style in animal painting."</data>
  <data key="d5">"art creation, expressionism"</data>
  <data key="d6">chunk-7c5c5c0c43a1165b6ee60a7568d44510</data>
</edge>
<edge source="&quot;FRANZ MARC&quot;" target="&quot;WASSILY KANDINSKY&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Franz Marc's work, including 'The Yellow Cow', was greatly influenced by Wassily Kandinsky, especially in terms of color symbolism."</data>
  <data key="d5">"art influence, color theory"</data>
  <data key="d6">chunk-7c5c5c0c43a1165b6ee60a7568d44510</data>
</edge>
<edge source="&quot;FRANZ MARC&quot;" target="&quot;MARIA FRANCK&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Art historians suggest 'The Yellow Cow' may be a veiled depiction of Maria Franck, linking her intimately to Marc's artistic expression."</data>
  <data key="d5">"personal connection, artistic inspiration"</data>
  <data key="d6">chunk-7c5c5c0c43a1165b6ee60a7568d44510</data>
</edge>
<edge source="&quot;FRANZ MARC&quot;" target="&quot;FARBSYMBOLIK&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Franz Marc employed Farbsymbolik to infuse deeper meaning into 'The Yellow Cow', reflecting his views on color and symbolism in art."</data>
  <data key="d5">"color symbolism, artistic technique"</data>
  <data key="d6">chunk-7c5c5c0c43a1165b6ee60a7568d44510</data>
</edge>
<edge source="&quot;FRANZ MARC&quot;" target="&quot;MARK ROSENTHAL&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"Mark Rosenthal analyzes the personal influences on Franz Marc's work, particularly discussing the implications of 'The Yellow Cow'."</data>
  <data key="d5">"art analysis, historical context"</data>
  <data key="d6">chunk-7c5c5c0c43a1165b6ee60a7568d44510</data>
</edge>
<edge source="&quot;FRANZ MARC&quot;" target="&quot;THE TOWER OF BLUE HORSES&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Franz Marc is the creator of The Tower of Blue Horses, an important work in his artistic oeuvre."</data>
  <data key="d5">"art creation, artistic legacy"</data>
  <data key="d6">chunk-f9f762a55ddb23f15084796d5d69f579</data>
</edge>
<edge source="&quot;FRANZ MARC&quot;" target="&quot;THE FATE OF THE ANIMALS&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Franz Marc is the creator of The Fate of the Animals, making him directly related to the artwork."</data>
  <data key="d5">"artistic creation, authorship"</data>
  <data key="d6">chunk-797962da50cc275feab777eb60b6da26</data>
</edge>
<edge source="&quot;THE YELLOW COW&quot;" target="&quot;SOLOMON R. GUGGENHEIM FOUNDATION&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"'The Yellow Cow' is part of the collection owned by the Solomon R. Guggenheim Foundation, highlighting its significance in modern art."</data>
  <data key="d5">"art collection, cultural significance"</data>
  <data key="d6">chunk-7c5c5c0c43a1165b6ee60a7568d44510</data>
</edge>
<edge source="&quot;THE YELLOW COW&quot;" target="&quot;SOLOMON R. GUGGENHEIM MUSEUM&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"'The Yellow Cow' has been exhibited at the Solomon R. Guggenheim Museum, indicating its importance in the collection of modern art."</data>
  <data key="d5">"exhibition, cultural importance"</data>
  <data key="d6">chunk-7c5c5c0c43a1165b6ee60a7568d44510</data>
</edge>
<edge source="&quot;THE YELLOW COW&quot;" target="&quot;ANIMAL PAINTING&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"'The Yellow Cow' is an exemplary piece of animal painting, showcasing Marc's expressionist approach to the genre."</data>
  <data key="d5">"art genre, expressionism"</data>
  <data key="d6">chunk-7c5c5c0c43a1165b6ee60a7568d44510</data>
</edge>
<edge source="&quot;THE TOWER OF BLUE HORSES&quot;" target="&quot;BERLIN NATIONAL GALLERY&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The Tower of Blue Horses was acquired by the Berlin National Gallery, indicating its significance within the collection of modern art."</data>
  <data key="d5">"art collection, cultural significance"</data>
  <data key="d6">chunk-f9f762a55ddb23f15084796d5d69f579</data>
</edge>
<edge source="&quot;THE TOWER OF BLUE HORSES&quot;" target="&quot;FIRST GERMAN AUTUMN SALON&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Tower of Blue Horses was exhibited at the First German Autumn Salon, marking its first major public exposure."</data>
  <data key="d5">"art exhibition, historical significance"</data>
  <data key="d6">chunk-f9f762a55ddb23f15084796d5d69f579</data>
</edge>
<edge source="&quot;BERLIN NATIONAL GALLERY&quot;" target="&quot;KRONPRINZENPALAIS&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The Berlin National Gallery was housed in the Kronprinzenpalais, which played a role in the display of modern art including Marc's works."</data>
  <data key="d5">"art institution, historical building"</data>
  <data key="d6">chunk-f9f762a55ddb23f15084796d5d69f579</data>
</edge>
<edge source="&quot;THE FATE OF THE ANIMALS&quot;" target="&quot;KUNSTMUSEUM&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Fate of the Animals is housed in the Kunstmuseum, signifying its importance as an art institution."</data>
  <data key="d5">"art collection, institutional significance"</data>
  <data key="d6">chunk-797962da50cc275feab777eb60b6da26</data>
</edge>
<edge source="&quot;STALHEIM&quot;" target="&quot;STALHEIM (ARTWORK)&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The artwork 'Stalheim' depicts the landscape of Stalheim, illustrating its significance in both art and tourism."</data>
  <data key="d5">"representation, cultural significance"</data>
  <data key="d6">chunk-524df0a79c11da912b5b3bebd5c85cad</data>
</edge>
<edge source="&quot;STALHEIM&quot;" target="&quot;LUXURY HOTEL AT STALHEIM&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The luxury hotel was built due to the influx of tourists inspired by the painting 'Stalheim', linking art to economic development."</data>
  <data key="d5">"tourism impact, economic influence"</data>
  <data key="d6">chunk-524df0a79c11da912b5b3bebd5c85cad</data>
</edge>
<edge source="&quot;STALHEIM (ARTWORK)&quot;" target="&quot;NATIONAL GALLERY OF NORWAY&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The painting 'Stalheim' is part of the collection at the National Gallery of Norway, indicating its importance in the national cultural heritage."</data>
  <data key="d5">"cultural heritage, national identity"</data>
  <data key="d6">chunk-524df0a79c11da912b5b3bebd5c85cad</data>
</edge>
<edge source="&quot;STALHEIM (ARTWORK)&quot;" target="&quot;NÆRØY VALLEY&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Nærøy Valley is the primary subject of Dahl's painting 'Stalheim', highlighting its natural beauty and significance in art."</data>
  <data key="d5">"artistic representation, natural beauty"</data>
  <data key="d6">chunk-524df0a79c11da912b5b3bebd5c85cad</data>
</edge>
<edge source="&quot;STALHEIM (ARTWORK)&quot;" target="&quot;JORDALSNUTEN&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Jordalsnuten is depicted in the painting 'Stalheim', showcasing its prominence in the landscape and the artist's representation of Norwegian flora."</data>
  <data key="d5">"artistic depiction, geographical significance"</data>
  <data key="d6">chunk-524df0a79c11da912b5b3bebd5c85cad</data>
</edge>
<edge source="&quot;STALHEIM (ARTWORK)&quot;" target="&quot;COUNTESS WEDEL OF BOGSTAD&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Countess Wedel commissioned the painting 'Stalheim', illustrating her patronage and support for Dahl's art."</data>
  <data key="d5">"patronage, support"</data>
  <data key="d6">chunk-524df0a79c11da912b5b3bebd5c85cad</data>
</edge>
<edge source="&quot;NATIONAL GALLERY OF NORWAY&quot;" target="&quot;CARL GUSTAV WEDEL-JARLSBERG&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Carl Gustav Wedel-Jarlsberg donated the painting 'Stalheim' to the National Gallery of Norway, ensuring its inclusion in national heritage."</data>
  <data key="d5">"donation, cultural preservation"</data>
  <data key="d6">chunk-524df0a79c11da912b5b3bebd5c85cad</data>
</edge>
<edge source="&quot;FRANCESCO HAYEZ&quot;" target="&quot;THE SICILIAN VESPERS&quot;">
  <data key="d3">18.0</data>
  <data key="d4">"Francesco Hayez created The Sicilian Vespers, a significant historical painting representing a pivotal moment in Sicilian history."</data>
  <data key="d5">"art creation, historical significance"</data>
  <data key="d6">chunk-19fc3a7bafc3cbba92275b314aff59c5</data>
</edge>
<edge source="&quot;FRANCESCO HAYEZ&quot;" target="&quot;VINCENZO RUFFO, PRINCIPE DI SANT'ANTIMO&quot;">
  <data key="d3">18.0</data>
  <data key="d4">"Vincenzo Ruffo's support and commissioning of multiple artworks from Francesco Hayez highlight their close patron-artist relationship."</data>
  <data key="d5">"patron-artist relationship, collaboration"</data>
  <data key="d6">chunk-19fc3a7bafc3cbba92275b314aff59c5</data>
</edge>
<edge source="&quot;FRANCESCO HAYEZ&quot;" target="&quot;BRERA STUDIO IN MILAN&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Brera Studio in Milan was where Francesco Hayez produced key works including The Sicilian Vespers, marking it as a historical location for his artistic practice."</data>
  <data key="d5">"artistic location, historical significance"</data>
  <data key="d6">chunk-19fc3a7bafc3cbba92275b314aff59c5</data>
</edge>
<edge source="&quot;FRANCESCO HAYEZ&quot;" target="&quot;THE SICILIAN VESPERS (VERSION III)&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Francesco Hayez created The Sicilian Vespers (Version III) in 1846, marking an important moment in his artistic career."</data>
  <data key="d5">"art creation, historical significance"</data>
  <data key="d6">chunk-6540a1dcb466d96118815be76a9ce7fa</data>
</edge>
<edge source="&quot;FRANCESCO HAYEZ&quot;" target="&quot;GALLERIA NAZIONALE D'ARTE MODERNA E CONTEMPORANEA&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Francesco Hayez's works, including The Sicilian Vespers (Version III), are showcased in the Galleria, indicating his lasting influence on Italian art."</data>
  <data key="d5">"art exhibition, artistic legacy"</data>
  <data key="d6">chunk-6540a1dcb466d96118815be76a9ce7fa</data>
</edge>
<edge source="&quot;FRANCESCO HAYEZ&quot;" target="&quot;THE SICILIAN VESPERS (VERSION I)&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Francesco Hayez created The Sicilian Vespers (Version I) in 1822, representing his early works on this historical theme."</data>
  <data key="d5">"art creation, historical significance"</data>
  <data key="d6">chunk-6540a1dcb466d96118815be76a9ce7fa</data>
</edge>
<edge source="&quot;FRANCESCO HAYEZ&quot;" target="&quot;THE SICILIAN VESPERS (VERSION II)&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Francesco Hayez produced The Sicilian Vespers (Version II) after the first version, showcasing his continuing exploration of this subject."</data>
  <data key="d5">"art creation, artistic evolution"</data>
  <data key="d6">chunk-6540a1dcb466d96118815be76a9ce7fa</data>
</edge>
<edge source="&quot;FRANCESCO HAYEZ&quot;" target="&quot;BRERA STUDIO&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Francesco Hayez created the first version of The Sicilian Vespers in the Brera studio, a key location in his artistic career."</data>
  <data key="d5">"art production, significant location"</data>
  <data key="d6">chunk-6540a1dcb466d96118815be76a9ce7fa</data>
</edge>
<edge source="&quot;THE SICILIAN VESPERS&quot;" target="&quot;MARCHIONESS VISCONTI D'ARAGONA&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Marchioness Visconti d'Aragona commissioned the first version of The Sicilian Vespers, influencing its creation."</data>
  <data key="d5">"patronage, commissioning"</data>
  <data key="d6">chunk-19fc3a7bafc3cbba92275b314aff59c5</data>
</edge>
<edge source="&quot;THE SICILIAN VESPERS&quot;" target="&quot;COUNT ARESE&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Count Arese commissioned the second version of The Sicilian Vespers, which indicates his interest in the historical event depicted."</data>
  <data key="d5">"patronage, historical interest"</data>
  <data key="d6">chunk-19fc3a7bafc3cbba92275b314aff59c5</data>
</edge>
<edge source="&quot;THE SICILIAN VESPERS&quot;" target="&quot;VINCENZO RUFFO, PRINCIPE DI SANT'ANTIMO&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Vincenzo Ruffo is significant as the main patron of Hayez and commissioned the third version of The Sicilian Vespers, showcasing the importance of the artwork to his collection."</data>
  <data key="d5">"patronage, art collection"</data>
  <data key="d6">chunk-19fc3a7bafc3cbba92275b314aff59c5</data>
</edge>
<edge source="&quot;THE SICILIAN VESPERS&quot;" target="&quot;GALLERIA NAZIONALE D'ARTE MODERNA E CONTEMPORANEA&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Galleria Nazionale d'Arte Moderna e Contemporanea exhibits the third version of The Sicilian Vespers, making it an important location for viewing Hayez's work."</data>
  <data key="d5">"art exhibition, artistic heritage"</data>
  <data key="d6">chunk-19fc3a7bafc3cbba92275b314aff59c5</data>
</edge>
<edge source="&quot;MARCHIONESS VISCONTI D'ARAGONA&quot;" target="&quot;THE SICILIAN VESPERS (VERSION I)&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Marchioness Visconti d'Aragona commissioned The Sicilian Vespers (Version I), influencing its creation and emphasizing its historical context."</data>
  <data key="d5">"commissioning, patronage"</data>
  <data key="d6">chunk-19fc3a7bafc3cbba92275b314aff59c5</data>
</edge>
<edge source="&quot;MARCHIONESS VISCONTI D'ARAGONA&quot;" target="&quot;THE SICILIAN VESPERS (VERSION III)&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Marchioness Visconti d'Aragona's commissioning of the first version shows her role in the artistic narrative of The Sicilian Vespers."</data>
  <data key="d5">"artistic patronage, historical impact"</data>
  <data key="d6">chunk-6540a1dcb466d96118815be76a9ce7fa</data>
</edge>
<edge source="&quot;COUNT ARESE&quot;" target="&quot;THE SICILIAN VESPERS (SECOND VERSION)&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Count Arese commissioned The Sicilian Vespers (Second Version), reflecting his interest in the historical event depicted in Hayez's artwork."</data>
  <data key="d5">"commissioning, historical interest"</data>
  <data key="d6">chunk-19fc3a7bafc3cbba92275b314aff59c5</data>
</edge>
<edge source="&quot;COUNT ARESE&quot;" target="&quot;THE SICILIAN VESPERS (VERSION III)&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Count Arese commissioned the second version, linking his historical figure to the ongoing narrative of this artwork."</data>
  <data key="d5">"artistic patronage, historical significance"</data>
  <data key="d6">chunk-6540a1dcb466d96118815be76a9ce7fa</data>
</edge>
<edge source="&quot;VINCENZO RUFFO, PRINCIPE DI SANT'ANTIMO&quot;" target="&quot;THE SICILIAN VESPERS (THIRD VERSION)&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Vincenzo Ruffo commissioned The Sicilian Vespers (Third Version), showing the culmination of his support for Hayez's work."</data>
  <data key="d5">"patronage, art collection"</data>
  <data key="d6">chunk-19fc3a7bafc3cbba92275b314aff59c5</data>
</edge>
<edge source="&quot;VINCENZO RUFFO, PRINCIPE DI SANT'ANTIMO&quot;" target="&quot;THE SICILIAN VESPERS (VERSION III)&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Vincenzo Ruffo commissioned The Sicilian Vespers (Version III), showcasing the influence of patronage in the creation of artwork."</data>
  <data key="d5">"patronage, artistic influence"</data>
  <data key="d6">chunk-6540a1dcb466d96118815be76a9ce7fa</data>
</edge>
<edge source="&quot;GALLERIA NAZIONALE D'ARTE MODERNA E CONTEMPORANEA&quot;" target="&quot;THE SICILIAN VESPERS (THIRD VERSION)&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Galleria Nazionale d'Arte Moderna e Contemporanea exhibits The Sicilian Vespers (Third Version), making it an important location for viewing Hayez's work."</data>
  <data key="d5">"art exhibition, artistic heritage"</data>
  <data key="d6">chunk-19fc3a7bafc3cbba92275b314aff59c5</data>
</edge>
<edge source="&quot;THE SICILIAN VESPERS (VERSION I)&quot;" target="&quot;PRIVATE COLLECTIONS&quot;">
  <data key="d3">14.0</data>
  <data key="d4">"The first version of The Sicilian Vespers is held in Private Collections, denoting its exclusive ownership and significance."&lt;SEP&gt;"The first version of The Sicilian Vespers is held in Private Collections, indicating its exclusivity and high value."</data>
  <data key="d5">"art ownership, exclusivity"</data>
  <data key="d6">chunk-6540a1dcb466d96118815be76a9ce7fa&lt;SEP&gt;chunk-19fc3a7bafc3cbba92275b314aff59c5</data>
</edge>
<edge source="&quot;THE SICILIAN VESPERS (SECOND VERSION)&quot;" target="&quot;PRIVATE COLLECTIONS&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The second version of The Sicilian Vespers is part of Private Collections, indicating its significance and cultural value."</data>
  <data key="d5">"art ownership, cultural value"</data>
  <data key="d6">chunk-19fc3a7bafc3cbba92275b314aff59c5</data>
</edge>
<edge source="&quot;PRIVATE COLLECTIONS&quot;" target="&quot;THE SICILIAN VESPERS (VERSION II)&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The second version of The Sicilian Vespers is also held in Private Collections, showing the limited public access to these works."</data>
  <data key="d5">"art ownership, exclusivity"</data>
  <data key="d6">chunk-6540a1dcb466d96118815be76a9ce7fa</data>
</edge>
<edge source="&quot;RISORGIMENTO&quot;" target="&quot;BLUE DRESS&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The blue dress in 'The Kiss' symbolizes France's alliance, portraying its significance in the context of the Risorgimento."</data>
  <data key="d5">"symbolism, historical alliance"</data>
  <data key="d6">chunk-b938dae0fe303047d5bdaf15a3923f2e</data>
</edge>
<edge source="&quot;RISORGIMENTO&quot;" target="&quot;ALEARDO ALEARDI&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Aleardo Aleardi was actively involved in the Risorgimento, participating in movements for Italian unification."</data>
  <data key="d5">"political engagement"</data>
  <data key="d6">chunk-2fe3954386fc8712317fa688b8c22f37</data>
</edge>
<edge source="&quot;DOMENICO INDUNO&quot;" target="&quot;PORTRAIT OF ALEARDO ALEARDI&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Domenico Induno created the 'Portrait of Aleardo Aleardi', underscoring his artistic representation of the poet."</data>
  <data key="d5">"artistic representation"</data>
  <data key="d6">chunk-2fe3954386fc8712317fa688b8c22f37</data>
</edge>
<edge source="&quot;ALEARDO ALEARDI&quot;" target="&quot;VENETIAN REPUBLIC&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Aleardo Aleardi traveled to Paris to garner support for the Venetian Republic during the Risorgimento."</data>
  <data key="d5">"political activism"</data>
  <data key="d6">chunk-2fe3954386fc8712317fa688b8c22f37</data>
</edge>
<edge source="&quot;KARL BRYULLOV&quot;" target="&quot;THE LAST DAY OF POMPEII&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Karl Bryullov created 'The Last Day of Pompeii' painting, becoming renowned for it and establishing an international reputation for Russian art."</data>
  <data key="d5">"artistic achievement, cultural significance"</data>
  <data key="d6">chunk-e5583467c330e55a4ce67ed7e8dcd080</data>
</edge>
<edge source="&quot;KARL BRYULLOV&quot;" target="&quot;COUNTESS MARIA RAZUMOVSKAYA&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Countess Maria Razumovskaya commissioned a sketch from Karl Bryullov, contributing to the inception of 'The Last Day of Pompeii'."</data>
  <data key="d5">"patronage, artistic collaboration"</data>
  <data key="d6">chunk-e5583467c330e55a4ce67ed7e8dcd080</data>
</edge>
<edge source="&quot;KARL BRYULLOV&quot;" target="&quot;COUNT ANATOLY DEMIDOV&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Count Anatoly Demidov commissioned the main canvas of 'The Last Day of Pompeii', playing a crucial role in its creation."</data>
  <data key="d5">"patronage, artistic collaboration"</data>
  <data key="d6">chunk-e5583467c330e55a4ce67ed7e8dcd080</data>
</edge>
<edge source="&quot;THE LAST DAY OF POMPEII&quot;" target="&quot;MOUNT VESUVIUS&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The painting depicts the eruption of Mount Vesuvius, capturing the catastrophic event that led to the destruction of Pompeii."</data>
  <data key="d5">"historical event, destruction"</data>
  <data key="d6">chunk-e5583467c330e55a4ce67ed7e8dcd080</data>
</edge>
<edge source="&quot;THE LAST DAY OF POMPEII&quot;" target="&quot;JOHN MARTIN&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"John Martin's painting 'The Destruction of Pompeii' raised awareness of the Pompeii disaster and set a precedent that informed Bryullov's work."</data>
  <data key="d5">"historical impact, artistic influence"</data>
  <data key="d6">chunk-e5583467c330e55a4ce67ed7e8dcd080</data>
</edge>
<edge source="&quot;THE LAST DAY OF POMPEII&quot;" target="&quot;PLINY THE YOUNGER&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Bryullov's painting draws on Pliny the Younger's writings, providing historical authenticity to the depiction of the eruption."</data>
  <data key="d5">"historical research, authenticity"</data>
  <data key="d6">chunk-e5583467c330e55a4ce67ed7e8dcd080</data>
</edge>
<edge source="&quot;THE LAST DAY OF POMPEII&quot;" target="&quot;ALESSANDRO MANZONI&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Manzoni's novel gave Bryullov insight into the human aspects of disaster, enriching the emotional depth of 'The Last Day of Pompeii'. "</data>
  <data key="d5">"literary influence, thematic depth"</data>
  <data key="d6">chunk-e5583467c330e55a4ce67ed7e8dcd080</data>
</edge>
<edge source="&quot;THE LAST DAY OF POMPEII&quot;" target="&quot;NAPLES MUSEUM&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Bryullov studied artifacts at the Naples Museum to accurately portray elements of life in Pompeii prior to the eruption."</data>
  <data key="d5">"historical research, artistic accuracy"</data>
  <data key="d6">chunk-e5583467c330e55a4ce67ed7e8dcd080</data>
</edge>
<edge source="&quot;MOUNT VESUVIUS&quot;" target="&quot;POMPEII&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Pompeii was destroyed due to the eruption of Mount Vesuvius, making it a key historical and archaeological site."</data>
  <data key="d5">"disaster, archaeological significance"</data>
  <data key="d6">chunk-e5583467c330e55a4ce67ed7e8dcd080</data>
</edge>
<edge source="&quot;ALESSANDRO SANQUIRICO&quot;" target="&quot;L'ULTIMO GIORNO DI POMPEI&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Sanquirico's ideas for the opera 'L'ultimo giorno di Pompei' provided a conceptual framework that influenced Bryullov's artistic interpretation of the event."</data>
  <data key="d5">"artistic influence, thematic inspiration"</data>
  <data key="d6">chunk-e5583467c330e55a4ce67ed7e8dcd080</data>
</edge>
<edge source="&quot;IVAN AIVAZOVSKY&quot;" target="&quot;THE NINTH WAVE&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Ivan Aivazovsky painted The Ninth Wave, which is his best-known work, depicting humanity's struggle against nature after a storm."</data>
  <data key="d5">"artistic achievement, survival"</data>
  <data key="d6">chunk-1a9ce4ad105e84cd33b7124996a85750</data>
</edge>
<edge source="&quot;IVAN AIVAZOVSKY&quot;" target="&quot;THE BRIG 'MERCURY&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Ivan Aivazovsky painted the brig 'Mercury' during a notable battle, capturing its significance in naval history."</data>
  <data key="d5">"artwork, naval history"</data>
  <data key="d6">chunk-b9d495ebc66fb0314937503c2e6e69ad</data>
</edge>
<edge source="&quot;THE NINTH WAVE&quot;" target="&quot;MARINA&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Ninth Wave falls under the marina genre, representing marine themes and the beauty and peril of the sea."</data>
  <data key="d5">"art genre, thematic representation"</data>
  <data key="d6">chunk-1a9ce4ad105e84cd33b7124996a85750</data>
</edge>
<edge source="&quot;THE NINTH WAVE&quot;" target="&quot;WIKIPEDIA&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Wikipedia contains an article about The Ninth Wave, giving detailed information about its history and significance."</data>
  <data key="d5">"information resource, historical significance"</data>
  <data key="d6">chunk-1a9ce4ad105e84cd33b7124996a85750</data>
</edge>
<edge source="&quot;TURKISH SHIPS&quot;" target="&quot;THE BRIG 'MERCURY&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The brig 'Mercury' engaged in battle against the Turkish ships during the Russo-Turkish War, illustrating a critical naval conflict."</data>
  <data key="d5">"naval combat, conflict"</data>
  <data key="d6">chunk-b9d495ebc66fb0314937503c2e6e69ad</data>
</edge>
<edge source="&quot;TURKISH SHIPS&quot;" target="&quot;RUSSO-TURKISH WAR OF 1828–1829&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The Turkish ships were key players in the naval battles fought during the Russo-Turkish War, impacting the outcome of the conflict."</data>
  <data key="d5">"military engagement, historical significance"</data>
  <data key="d6">chunk-b9d495ebc66fb0314937503c2e6e69ad</data>
</edge>
<edge source="&quot;RUSSO-TURKISH WAR OF 1828–1829&quot;" target="&quot;THE BRIG 'MERCURY&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The involvement of the brig 'Mercury' in the naval battles is part of the broader narrative of the Russo-Turkish War."</data>
  <data key="d5">"historical context, conflict"</data>
  <data key="d6">chunk-b9d495ebc66fb0314937503c2e6e69ad</data>
</edge>
<edge source="&quot;ILYA REPIN&quot;" target="&quot;BARGE HAULERS ON THE VOLGA&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Ilya Repin is the artist who created 'Barge Haulers on the Volga', establishing his career through this significant work."</data>
  <data key="d5">"artistic creation, representation of labor"</data>
  <data key="d6">chunk-3a71021521c12470fa7097fb6896b81f</data>
</edge>
<edge source="&quot;ILYA REPIN&quot;" target="&quot;PEREDVIZHNIKI MOVEMENT&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Ilya Repin was a prominent figure within the Peredvizhniki movement, contributing to its ideals and themes in his artwork."</data>
  <data key="d5">"artistic influence, social commentary"</data>
  <data key="d6">chunk-3a71021521c12470fa7097fb6896b81f</data>
</edge>
<edge source="&quot;ILYA REPIN&quot;" target="&quot;RELIGIOUS PROCESSION IN KURSK&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Ilya Repin created the painting Religious Procession in Kursk, which encapsulates his artistic vision and social commentary on the event depicted."."</data>
  <data key="d5">"artistic creation, social commentary"</data>
  <data key="d6">chunk-bbed2775210ac8e5795e48aac3743eb4</data>
</edge>
<edge source="&quot;ILYA REPIN&quot;" target="&quot;IVAN THE TERRIBLE AND HIS SON IVAN ON NOVEMBER 16, 1581&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Ilya Repin created the painting 'Ivan the Terrible and His Son Ivan on November 16, 1581', showcasing his artistic vision and skill."</data>
  <data key="d5">"artistic creation, historical portrayal"</data>
  <data key="d6">chunk-3f67ae35c2449bd10aac66f3d6203cc8</data>
</edge>
<edge source="&quot;ILYA REPIN&quot;" target="&quot;ALEXANDER II&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The assassination of Alexander II inspired Ilya Repin to create the painting, connecting the historical event with Repin's artistic work."</data>
  <data key="d5">"inspiration, historical context"</data>
  <data key="d6">chunk-3f67ae35c2449bd10aac66f3d6203cc8</data>
</edge>
<edge source="&quot;ILYA REPIN&quot;" target="&quot;NIKOLAI RIMSKY-KORSAKOV&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"Nikolai Rimsky-Korsakov's music influenced Ilya Repin's artistic process, showcasing an interplay between different forms of art."</data>
  <data key="d5">"artistic influence, interdisciplinary"</data>
  <data key="d6">chunk-3f67ae35c2449bd10aac66f3d6203cc8</data>
</edge>
<edge source="&quot;ILYA REPIN&quot;" target="&quot;THE HERMITAGE&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Ilya Repin studied works at The Hermitage that influenced his painting style, illustrating the connection between study and artistic development."</data>
  <data key="d5">"artistic inspiration, educational background"</data>
  <data key="d6">chunk-3f67ae35c2449bd10aac66f3d6203cc8</data>
</edge>
<edge source="&quot;ILYA REPIN&quot;" target="&quot;GRIGORIY MYASOYEDOV&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"Grigoriy Myasoyedov served as the model for Ivan the Terrible, showing the collaboration between artists in Repin's work."</data>
  <data key="d5">"modeling, artistic collaboration"</data>
  <data key="d6">chunk-3f67ae35c2449bd10aac66f3d6203cc8</data>
</edge>
<edge source="&quot;ILYA REPIN&quot;" target="&quot;VSEVOLOD GARSHIN&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"Vsevolod Garshin served as a model for Tsarevich Ivan Ivanovich, highlighting the importance of models in the creation of the painting."</data>
  <data key="d5">"modeling, artistic collaboration"</data>
  <data key="d6">chunk-3f67ae35c2449bd10aac66f3d6203cc8</data>
</edge>
<edge source="&quot;BARGE HAULERS ON THE VOLGA&quot;" target="&quot;VOLGA RIVER&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The painting depicts a scene on the Volga River, emphasizing the labor of barge haulers within its natural setting."</data>
  <data key="d5">"geographical significance, labor depiction"</data>
  <data key="d6">chunk-3a71021521c12470fa7097fb6896b81f</data>
</edge>
<edge source="&quot;BARGE HAULERS ON THE VOLGA&quot;" target="&quot;GRAND DUKE VLADIMIR ALEXANDROVICH&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Grand Duke Vladimir Alexandrovich purchased the painting, facilitating its exhibition and recognition in Europe."</data>
  <data key="d5">"art acquisition, cultural impact"</data>
  <data key="d6">chunk-3a71021521c12470fa7097fb6896b81f</data>
</edge>
<edge source="&quot;BARGE HAULERS ON THE VOLGA&quot;" target="&quot;KANIN&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Kanin is depicted in 'Barge Haulers on the Volga' as the lead hauler, representing the struggles of laborers in Repin's art."</data>
  <data key="d5">"character portrayal, labor representation"</data>
  <data key="d6">chunk-3a71021521c12470fa7097fb6896b81f</data>
</edge>
<edge source="&quot;BARGE HAULERS ON THE VOLGA&quot;" target="&quot;SHIRIAEV BUERAK&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Repin created studies in Shiriaev Buerak that directly influenced his final painting, highlighting the connection between location and art."</data>
  <data key="d5">"artistic inspiration, geographical context"</data>
  <data key="d6">chunk-3a71021521c12470fa7097fb6896b81f</data>
</edge>
<edge source="&quot;SHIRIAEV BUERAK&quot;" target="&quot;STAVROPOL&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Stavropol is the nearest significant city to the Shiriaev Buerak area where Repin gathered inspiration for his work."</data>
  <data key="d5">"geographical proximity, artistic context"</data>
  <data key="d6">chunk-3a71021521c12470fa7097fb6896b81f</data>
</edge>
<edge source="&quot;RELIGIOUS PROCESSION IN KURSK&quot;" target="&quot;KURSK&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The artwork Religious Procession in Kursk portrays a significant cultural event happening in the city of Kursk, where the procession is located."."</data>
  <data key="d5">"cultural event, locality"</data>
  <data key="d6">chunk-bbed2775210ac8e5795e48aac3743eb4</data>
</edge>
<edge source="&quot;RELIGIOUS PROCESSION IN KURSK&quot;" target="&quot;KORENNAYA MONASTERY&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The religious procession depicted in the artwork culminates at Korennaya Monastery, which is crucial to the event's context."."</data>
  <data key="d5">"cultural significance, religious context"</data>
  <data key="d6">chunk-bbed2775210ac8e5795e48aac3743eb4</data>
</edge>
<edge source="&quot;RELIGIOUS PROCESSION IN KURSK&quot;" target="&quot;OUR LADY OF KURSK&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"The icon Our Lady of Kursk is a significant feature carried in the Religious Procession, symbolizing its religious importance."."</data>
  <data key="d5">"religious significance, iconography"</data>
  <data key="d6">chunk-bbed2775210ac8e5795e48aac3743eb4</data>
</edge>
<edge source="&quot;RELIGIOUS PROCESSION IN KURSK&quot;" target="&quot;EASTER PROCESSION&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Religious Procession in Kursk is also referred to as the Easter Procession, underlining its connection to the religious holiday."."</data>
  <data key="d5">"religious significance, cultural identity"</data>
  <data key="d6">chunk-bbed2775210ac8e5795e48aac3743eb4</data>
</edge>
<edge source="&quot;RELIGIOUS PROCESSION IN KURSK&quot;" target="&quot;VLADIMIR STASOV&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Vladimir Stasov's criticism of the painting reflects its controversial reception among the art community."."</data>
  <data key="d5">"art criticism, reception"</data>
  <data key="d6">chunk-bbed2775210ac8e5795e48aac3743eb4</data>
</edge>
<edge source="&quot;RELIGIOUS PROCESSION IN KURSK&quot;" target="&quot;LEO TOLSTOY&quot;">
  <data key="d3">6.0</data>
  <data key="d4">"Leo Tolstoy's praise of the painting indicates its positive impact on some viewers despite the controversy surrounding it."."</data>
  <data key="d5">"art appreciation, contrasting perspectives"</data>
  <data key="d6">chunk-bbed2775210ac8e5795e48aac3743eb4</data>
</edge>
<edge source="&quot;RELIGIOUS PROCESSION IN KURSK&quot;" target="&quot;IMPERIAL XENOPHOBIA&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"The critiques surrounding the painting touch upon themes of Imperial xenophobia as depicted in the diversity of the crowd and their reaction during the exhibition."."</data>
  <data key="d5">"societal issues, class dynamics"</data>
  <data key="d6">chunk-bbed2775210ac8e5795e48aac3743eb4</data>
</edge>
<edge source="&quot;RELIGIOUS PROCESSION IN KURSK&quot;" target="&quot;PROVINCIAL ELITE&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The painting depicts individuals from the provincial elite attending the procession, showcasing the mingling of different social classes."."</data>
  <data key="d5">"social dynamics, class representation"</data>
  <data key="d6">chunk-bbed2775210ac8e5795e48aac3743eb4</data>
</edge>
<edge source="&quot;IVAN THE TERRIBLE AND HIS SON IVAN ON NOVEMBER 16, 1581&quot;" target="&quot;TRETYAKOV GALLERY&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The painting 'Ivan the Terrible and His Son Ivan on November 16, 1581' is displayed at the Tretyakov Gallery in Moscow, highlighting its cultural significance."</data>
  <data key="d5">"art display, cultural significance"</data>
  <data key="d6">chunk-3f67ae35c2449bd10aac66f3d6203cc8</data>
</edge>
<edge source="&quot;IVAN THE TERRIBLE AND HIS SON IVAN ON NOVEMBER 16, 1581&quot;" target="&quot;PAVEL TRETYAKOV&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"Pavel Tretyakov purchased the painting from Ilya Repin, facilitating its display in the Tretyakov Gallery."</data>
  <data key="d5">"art collection, cultural preservation"</data>
  <data key="d6">chunk-3f67ae35c2449bd10aac66f3d6203cc8</data>
</edge>
<edge source="&quot;IVAN THE TERRIBLE AND HIS SON IVAN ON NOVEMBER 16, 1581&quot;" target="&quot;THE TIME OF TROUBLES&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The painting alludes to the historical repercussions of Ivan IV's actions, connecting it to the subsequent Time of Troubles in Russia."</data>
  <data key="d5">"historical context, legacy"</data>
  <data key="d6">chunk-3f67ae35c2449bd10aac66f3d6203cc8</data>
</edge>
<edge source="&quot;IVAN THE TERRIBLE AND HIS SON IVAN ON NOVEMBER 16, 1581&quot;" target="&quot;1913 AND 2018&quot;">
  <data key="d3">8.0</data>
  <data key="d4">"The painting was vandalized in 1913 and again in 2018, indicating controversies surrounding its imagery and historical representation."</data>
  <data key="d5">"controversy, art vandalism"</data>
  <data key="d6">chunk-3f67ae35c2449bd10aac66f3d6203cc8</data>
</edge>
<edge source="&quot;TRETYAKOV GALLERY&quot;" target="&quot;MOSCOW&quot;">
  <data key="d3">9.0</data>
  <data key="d4">"Tretyakov Gallery is located in Moscow, making it a key site for cultural and artistic exhibitions in the city."</data>
  <data key="d5">"location, cultural hub"</data>
  <data key="d6">chunk-3f67ae35c2449bd10aac66f3d6203cc8</data>
</edge>
<edge source="&quot;TSAR IVAN IV&quot;" target="&quot;TSAREVICH IVAN IVANOVICH&quot;">
  <data key="d3">10.0</data>
  <data key="d4">"Tsar Ivan IV is depicted grieving over the mortally wounded Tsarevich Ivan Ivanovich in Repin's painting, representing a tragic familial relationship."</data>
  <data key="d5">"familial bond, tragedy"</data>
  <data key="d6">chunk-3f67ae35c2449bd10aac66f3d6203cc8</data>
</edge>
<edge source="&quot;PAVEL TRETYAKOV&quot;" target="&quot;THE TIME OF TROUBLES&quot;">
  <data key="d3">7.0</data>
  <data key="d4">"Pavel Tretyakov's gallery preserves the painting that represents the legacy of the Time of Troubles in Russian history."</data>
  <data key="d5">"cultural legacy, historical significance"</data>
  <data key="d6">chunk-3f67ae35c2449bd10aac66f3d6203cc8</data>
</edge>
</graph></graphml>