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Accessible and Reproducible Acoustic Ecology #98
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@kswhitney Hey! I'm really excited to learn more about this project - eagerly awaiting updates! :) :) |
Vision + Mission Statement (Feb 6) - I'm working with student and faculty collaborators to make open science accessible for people of all abilities, so that open science doesn't lose on bright and creative contributors from a lack of accessibility. I'm working open because the best knowledge creation (science or otherwise) is transparent and reproducible - and the meaning of open must include being open to ALL. Specifically, my project this spring 2019 as a Moz Open Leader Cohort 7 Culture Track E is designing a prototype, testing, and opening up to contributors and testers open source acoustic ecology workflows that are accessible to people of all hearing and vision abilities. |
here's a link to my draft canvas! https://docs.google.com/presentation/d/1ybx7R9tK5igkUX9SPdbZufV6IKZk2sMV4d7xnQYZkJA/edit?usp=sharing |
here's my case study! **Case study: Accessible Acoustic Ecology
Project background Dr. Kaitlin Stack Whitney is initiating this as an open project that aims to be accessible, but the creators of the tools and collaborators are from all over. She uses AudioMoth acoustic recorders, which come from Open Acoustic Devices in the UK. Her colleague down the road, Dr. Kristi Hannam of SUNY Geneseo, introduced her to AudioMoths. Her colleague, imaging scientist Dr. Tony Vodacek, brought open source acoustic recorders to Ranomafana National Park in Madagascar as part of a project in collaboration with the Seneca Park Zoo Society (AZA-accredited zoo in Rochester, NY) in February 2019. The pilot data (audio samples) for this project come from snippets of the audio Tony recorded there. There are several open source audio processing software options. Kaitlin uses Audacity - and also enjoys Raven Lite for visualizing audio spectrograms and waveforms. She collaborates with many scientists with different sensory disabilities (not naming anyone here without explicit permission) and wants to create lab practices (cultures!) and protocols that are accessible by design from the outset, rather than wait to ‘accommodate’ specific individuals (which can imply a deficit framework). My OL7 culture track story I joined the culture track because the overall goal of my project is work on making sure that disability access is being included in open science initiatives. I also wanted to be in the culture track because I figured there would be less focus on deliverables and more on process - how to make institutional change and set expectations for communities. As a new PI, I’m developing the rituals and practices and culture of my lab group - so culture track seemed like a great fit. I expected to find a supportive mentor and supportive, brilliant community. I’ve really enjoyed all the people on all the calls! My goals were to push myself to complete this pilot - and more importantly, to push myself to open a project from the beginning, not just share the data or code after. This was like a test of what that could look like - and how I could bring that back and be a model to my communities and other collaborators. I also wanted to be forced to get experience in GitHub, which I found intimidating previously. Key accomplishments Key understandings The community to discuss the topics was the best part, even though it meant so many 8am calls! (That’s pre-kids’-dropoff-at-school-time, so it’s a major coup to pull off so many times, including twice during weeks that school was closed.) It was wonderful to talk through open culture challenges and opportunities far beyond “the ivory tower” or science. Given how critical community is, how to continue that? For me, it’s generally distributed / online, as I work on building more of that culture and community local to my project and work. I want to be honest here, so I think it’s also important to add that one takeaway for me was that not everyone in open movements, even in the Open Leaders culture cohort or mentors/leadership, prioritizes disability access or necessarily views it as a necessary component of open. That means there’s a lot of work left to do. To share one small example, the first homework assignment included a YouTube video link that was not captioned by Mozilla (you could hit the “auto-captions” button). I notified the leadership that the auto-captions had errors and thus it was not an accessible video, asking them to please update the video. The first response was actually a no - I was told it would be labeled with a warning that it was inaccessible, rather than the captions fixed. I reminded the leadership that I was specifically in this program to work on accessibility in open culture, so this was important to me and I would update them myself if need be. I hope further engagement hopefully will lead to a holistic review of the materials and methods of the Open Leaders program, to ensure access in all assignments and meetings. Next steps Staying connected Acknowledgments CC-BY-4.0 by Kaitlin Stack Whitney |
Project Lead: @kswhitney
Mentor: @dilrukshi
Welcome to OL7, Cohort E! This issue will be used to track your project and progress during the program. Please use this checklist over the next few weeks as you start Open Leadership Training 🎉.
Before Week 1 (Jan 31): Your first mentorship call
Before Week 2 (Feb 7): First Cohort Call (Open by Design)
Before Week 3 (Feb 14): Mentorship call
Before Week 4 (Feb 21): Cohort Call (Build for Understanding)
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This issue is here to help you keep track of work as you start Open Leaders. Please refer to the OL7 Culture Track Syllabus for more detailed weekly notes and assignments past week 4.
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