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<html lang="en">
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<title>Art Movements</title>
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<h1>Movements</h1>
<p>Movements are styles of art that occur during specific periods of time.</p>
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<h5 class="card-title">Abstract Expressionism - 1940s</h5>
<p class="card-text">Abstract expressionism is a post–World War II art movement in American painting, developed in New York in the 1940s. It was the first specifically American movement to achieve international influence and put New York City at the
center of the western art world, a role formerly filled by Paris.</p>
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<h5 class="card-title">Art Noveau - 1890-1910</h5>
<p class="card-text">Art Nouveau is an international style of art, architecture and applied art, especially the decorative arts, known in different languages by different names: Jugendstil in German, Stile Liberty in Italian, Modernismo catalán in
Spanish, etc. In English it is also known as the Modern Style (not to be confused with Modernism and Modern architecture). The style was most popular between 1890 and 1910. It was a reaction against the academic art, eclecticism
and historicism of 19th century architecture and decoration. It was often inspired by natural forms such as the sinuous curves of plants and flowers. Other characteristics of Art Nouveau were a sense of dynamism and movement,
often given by asymmetry or whiplash lines, and the use of modern materials, particularly iron, glass, ceramics and later concrete, to create unusual forms and larger open spaces. </p>
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<h5 class="card-title">Avant-garde - 19th century</h5>
<p class="card-text">The avant-garde from French, "advance guard" are people or works that are experimental, radical, or unorthodox with respect to art, culture, or society. It is frequently characterized by aesthetic innovation and initial unacceptability.</p>
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<h5 class="card-title">Baroque - Early 17th century to 1740</h5>
<p class="card-text">The Baroque is a style of architecture, music, dance, painting, sculpture and other arts that flourished in Europe from the early 17th century until the 1740s. In the territories of the Spanish and Portuguese empires including
the Iberian Peninsula it continued, together with new styles, until the first decade of the 1800s. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical
styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art and music, though Lutheran Baroque art developed in parts of Europe as well.
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<h5 class="card-title">Cubism - Early 20th century</h5>
<p class="card-text"> Cubism is an early-20th-century avant-garde art movement that revolutionized European painting and sculpture, and inspired related movements in music, literature and architecture. Cubism has been considered the most influential
art movement of the 20th century. The term is broadly used in association with a wide variety of art produced in Paris (Montmartre and Montparnasse) or near Paris (Puteaux) during the 1910s and throughout the 1920s.</p>
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<h5 class="card-title">Dadaism - Early 20th century (1915)</h5>
<p class="card-text"> Dadaism is an avant-garde intellectual movement that started around World War 1. Although not at first an art movement, it did influence art greatly for a time. The movement was heavily influenced by the war in Europe. Its artists
rejected modern capitalist society. They used nonsense, and protest in their works.</p>
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<h5 class="card-title">Expressionism - 1912</h5>
<p class="card-text">Expressionism is a modernist movement, initially in poetry and painting, originating in Germany at the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it
radically for emotional effect in order to evoke moods or ideas.</p>
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<h5 class="card-title">Impressionism - 1870s-1880s</h5>
<p class="card-text">Impressionism is a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects
of the passage of time), ordinary subject matter, inclusion of movement as a crucial element of human perception and experience, and unusual visual angles. Impressionism originated with a group of Paris-based artists whose
independent exhibitions brought them to prominence during the 1870s and 1880s.</p>
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<h5 class="card-title">Pop Art - Mid to late 1950s</h5>
<p class="card-text">Pop art is an art movement that emerged in the United Kingdom and the United States during the mid- to late-1950s. The movement presented a challenge to traditions of fine art by including imagery from popular and mass culture,
such as advertising, comic books and mundane mass-produced cultural objects. One of its aims is to use images of popular (as opposed to elitist) culture in art, emphasizing the banal or kitschy elements of any culture, most
often through the use of irony. It is also associated with the artists' use of mechanical means of reproduction or rendering techniques. In pop art, material is sometimes visually removed from its known context, isolated, or
combined with unrelated material. </p>
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<h5 class="card-title">Post-Impressionism - 1886-1905</h5>
<p class="card-text">Post-Impressionism is a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism. Post-Impressionism emerged as a reaction against Impressionists'
concern for the naturalistic depiction of light and colour.
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<h5 class="card-title">Rococo - 1730s</h5>
<p class="card-text">Rococo, less commonly roccoco or Late Baroque, is an exceptionally ornamental and theatrical style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colors, sculpted molding,
and trompe l'oeil frescoes to create surprise and the illusion of motion and drama. It is often described as the final expression of the Baroque movement. </p>
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<h5 class="card-title">Surrealism - 1920s-1950s</h5>
<p class="card-text">Surrealism is a cultural movement that started in 1917,[1][2] and is best known for its visual artworks and writings. Artists painted unnerving, illogical scenes, sometimes with photographic precision, creating strange creatures
from everyday objects, and developing painting techniques that allowed the unconscious to express itself.[3] Its aim was, according to Breton, to "resolve the previously contradictory conditions of dream and reality into an
absolute reality, a super-reality", or surreality.
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